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diff --git a/28334-h/28334-h.htm b/28334-h/28334-h.htm index 92aab51..f5403c2 100644 --- a/28334-h/28334-h.htm +++ b/28334-h/28334-h.htm @@ -1,14 +1,10 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" - "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> - -<html xmlns="http://www.w3.org/1999/xhtml"> +<!DOCTYPE html> +<html lang="en"> <head> - <title> - The Project Gutenberg eBook of Julius Caesar by William Shakespeare, edited by Ebenezer Charlton Black - </title> - <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> + <title>Julius Caesar | Project Gutenberg</title> + <meta charset="utf-8"> -<style type="text/css"> +<style> body {margin-left: 10%; margin-right: 10%;} div.titlepage {clear: both; margin-top: 3em; margin-bottom: 3em;} div.page {margin-top: 3em; margin-bottom: 3em;} @@ -210,55 +206,12 @@ div.notes a {text-decoration: none;} </style> </head> <body> - - -<pre> - -The Project Gutenberg EBook of The New Hudson Shakespeare: Julius Caesar, by -William Shakespeare - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: The New Hudson Shakespeare: Julius Caesar - -Author: William Shakespeare - -Commentator: Henry Norman Hudson - -Editor: Ebenezer Charlton Black - -Other: Andrew Jackson George - -Release Date: March 15, 2009 [EBook #28334] - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK JULIUS CAESAR *** - - - - -Produced by Kevin Handy and the Online Distributed -Proofreading Team at https://www.pgdp.net - - - - - - -</pre> - +<div style='text-align:center'>*** START OF THE PROJECT GUTENBERG EBOOK 28334 ***</div> <div class="figcenter" style="width: 450px;"> -<a name="frontispiece" id="frontispiece"> </a> -<a href="images/001b.jpg"><img src="images/001.jpg" width="328" height="500" alt="Title Page of Norths Plutarch" title="Title-Page of North's Plutarch" /></a> -<p class="center"><span class="smallcaps">Title-Page of North's Plutarch, Third Edition</span><br /> +<a id="frontispiece"> </a> +<a href="images/001b.jpg"><img src="images/001.jpg" alt="Title Page of Norths Plutarch" title="Title-Page of North's Plutarch" style="width: 328px; height: 500px"></a> +<p class="center"><span class="smallcaps">Title-Page of North's Plutarch, Third Edition</span><br > Reproduced from the copy in the Boston Public Library</p> </div> @@ -288,7 +241,7 @@ for GEORGE BISHOP 1603. --> -<hr class="mid" /> +<hr class="mid" > <div class="titlepage"> @@ -316,16 +269,16 @@ for GEORGE BISHOP <p> </p> <h4 class="extended">GINN AND COMPANY</h4> -<h6>BOSTON NEW YORK CHICAGO LONDON<br /> +<h6>BOSTON NEW YORK CHICAGO LONDON<br > ATLANTA DALLAS COLUMBUS SAN FRANCISCO</h6> </div> -<hr class="mid" /> +<hr class="mid" > <h5><span class="smallcaps">Entered at Stationers' Hall</span></h5> -<h5><span class="smallcaps">Copyright, 1908</span><br /> +<h5><span class="smallcaps">Copyright, 1908</span><br > <span class="smallcaps">By</span> GINN AND COMPANY</h5> <h5>ALL RIGHTS RESERVED</h5> @@ -337,7 +290,7 @@ ATLANTA DALLAS COLUMBUS SAN FRANCISCO</h6> <h6 class="extended"><i>The Athenæum Press</i></h6> <h6>GINN AND COMPANY PROPRIETORS BOSTON U.S.A.</h6> -<hr /> +<hr > <div class="notes"> <p>Transcriber's Note:</p> @@ -357,7 +310,7 @@ In some cases, the original references to text line numbers have been preserved. except for one instance: "composition of _Julius Caesar_".</p> </div> -<p><span class="pagenum"><a name="Page_iii" id="Page_iii">iii</a></span></p> +<p><span class="pagenum"><a id="Page_iii">iii</a></span></p> <h3>PREFACE</h3> @@ -386,7 +339,7 @@ except in the case of verb terminations in <i>-ed</i>, which, when the <i>e</i> is silent, are printed with the apostrophe in its place. This is the general usage in the First Folio. Modern -<span class="pagenum"><a name="Page_iv" id="Page_iv">iv</a></span> +<span class="pagenum"><a id="Page_iv">iv</a></span> spelling has to a certain extent been followed in the text variants; but the original spelling has been retained @@ -420,19 +373,19 @@ Mr. M. Grant Daniell's patience, accuracy, and judgment this volume owes both its freedom from many a blunder and its possession of a carefully arranged index.</p> -<hr /> +<hr > -<p><span class="pagenum"><a name="Page_v" id="Page_v">v</a></span></p> +<p><span class="pagenum"><a id="Page_v">v</a></span></p> <h3>CONTENTS</h3> <h6><a href="#Introduction">INTRODUCTION</a></h6> -<table summary="Contents"> +<table> <tr> <td> </td> <td colspan="3"> </td> -<td align="right"><span class="smaller smallcaps botmrt">Page</span></td> +<td style="text-align: right;"><span class="smaller smallcaps botmrt">Page</span></td> </tr> <tr> <td class="botmrt">I.</td> @@ -566,7 +519,7 @@ and its possession of a carefully arranged index.</p> </tr> <tr> <td class="botmrt">VII.</td> -<td class="pad1" colspan="3"><span class="pagenum"><a name="Page_vi" id="Page_vi">vi</a></span><span class="smallcaps"><a href="#Versification_And_Diction">Versification and Diction</a></span></td> +<td class="pad1" colspan="3"><span class="pagenum"><a id="Page_vi">vi</a></span><span class="smallcaps"><a href="#Versification_And_Diction">Versification and Diction</a></span></td> <td class="botmrt">xxxii</td> </tr> <tr> @@ -634,7 +587,7 @@ and its possession of a carefully arranged index.</p> <td class="botmrt">liii</td> </tr> <tr> -<td><br /></td> +<td colspan="5"> </td> </tr> <tr> <td class="pad1" colspan="4"><span class="smallcaps"><a href="#Authorities_With_Abbreviations">Authorities (with Abbreviations)</a></span></td> @@ -649,7 +602,7 @@ and its possession of a carefully arranged index.</p> <td class="botmrt">lx</td> </tr> <tr> -<td> </td> +<td colspan="5"> </td> </tr> <tr> <td colspan="5"><h6><a href="#Start">THE TEXT</a></h6></td> @@ -675,10 +628,10 @@ and its possession of a carefully arranged index.</p> <td class="botmrt">144</td> </tr> <tr> -<td> </td> +<td colspan="5"> </td> </tr> <tr> -<td class="pad1" colspan="2"><h6>INDEX</h6></td> +<td class="pad1" colspan="5"><h6>INDEX</h6></td> </tr> <tr> <td class="botmrt">I.</td> @@ -692,11 +645,11 @@ and its possession of a carefully arranged index.</p> </tr> </table> -<hr /> +<hr > -<p><span class="pagenum"><a name="Page_vii" id="Page_vii">vii</a></span></p> +<p><span class="pagenum"><a id="Page_vii">vii</a></span></p> -<h3><a name="Introduction" id="Introduction">INTRODUCTION</a></h3> +<h3><a id="Introduction">INTRODUCTION</a></h3> <p><span class="smallcaps">Note.</span> In citations from Shakespeare's plays and nondramatic poems the numbering has reference to the Globe edition, except in @@ -704,7 +657,7 @@ the case of this play, where the reference is to this edition.</p> <p> </p> -<h5><a name="Sources" id="Sources">I. SOURCES</a></h5> +<h5><a id="Sources">I. SOURCES</a></h5> <p>No event in the history of the world has made a more profound impression upon the popular imagination than @@ -720,16 +673,16 @@ of a play, Shakespeare was true to that instinct which drew him for material to themes of universal and eternal interest.</p> -<h5><a name="The_Main_Story" id="The_Main_Story"><span class="smallcaps">The Main Story</span></a></h5> +<h5><a id="The_Main_Story"><span class="smallcaps">The Main Story</span></a></h5> -<p><a name="Norths_Plutarch" id="Norths_Plutarch">I. <i>North's Plutarch.</i></a> There is no possible doubt that in +<p><a id="Norths_Plutarch">I. <i>North's Plutarch.</i></a> There is no possible doubt that in <i>Julius Cæsar</i> Shakespeare derived the great body of his historical material from <i>The Life of Julius Cæsar</i>, <i>The Life of Marcus Brutus</i>, and <i>The Life of Marcus Antonius</i> -<span class="pagenum"><a name="Page_viii" id="Page_viii">viii</a></span> +<span class="pagenum"><a id="Page_viii">viii</a></span> -in Sir Thomas North's translation of Plutarch.<a class="tag" name="tagIntro_1" id="tagIntro_1" +in Sir Thomas North's translation of Plutarch.<a class="tag" id="tagIntro_1" href="#noteIntro_1">[1]</a> This work was first printed in 1579 in a massive folio dedicated to Queen Elizabeth. A second edition appeared in 1595, and in all probability this was the edition read by Shakespeare. The @@ -737,10 +690,10 @@ title-page is reproduced in facsimile on page ix.</p> <p> </p> -<p><span class="pagenum"><a name="Page_ix" id="Page_ix">ix</a></span></p> +<p><span class="pagenum"><a id="Page_ix">ix</a></span></p> <div class="figcenter" style="width: 295px;"> -<a href="images/010b.jpg"><img src="images/010.jpg" width="295" height="450" alt="Title Page of North's Plutarch 1595" title="Title Page of North's Plutarch 1595" /></a> +<a href="images/010b.jpg"><img src="images/010.jpg" alt="Title Page of North's Plutarch 1595" title="Title Page of North's Plutarch 1595" style="width: 295px; height: 450px"></a> </div> <!-- @@ -766,11 +719,11 @@ Bonham Norton. title-page gives in brief the literary history of North's translation, which was made not directly from the original Greek of Plutarch, but from a French version by Jacques -Amyot, bishop of Auxerre.<a class="tag" name="tagIntro_2" id="tagIntro_2" +Amyot, bishop of Auxerre.<a class="tag" id="tagIntro_2" href="#noteIntro_2">[2]</a> In 1603 appeared a third -edition with additional <i>Lives</i> and new matter on the title-page.<a class="tag" name="tagIntro_3" id="tagIntro_3" +edition with additional <i>Lives</i> and new matter on the title-page.<a class="tag" id="tagIntro_3" href="#noteIntro_3">[3]</a> -There were subsequent editions in 1612,<a class="tag" name="tagIntro_4" id="tagIntro_4" +There were subsequent editions in 1612,<a class="tag" id="tagIntro_4" href="#noteIntro_4">[4]</a> 1631, 1656, and 1676. The popularity of this work attested by these reprintings was thoroughly deserved, for North's Plutarch @@ -781,7 +734,7 @@ of honest, manly, idiomatic English. No abstract of the Plutarchian matter need be given here, as all the more important passages drawn upon for the play are quoted in -<span class="pagenum"><a name="Page_x" id="Page_x">x</a></span> +<span class="pagenum"><a id="Page_x">x</a></span> the footnotes to the text. These will show that in most of the leading incidents the great Greek biographer is closely @@ -794,7 +747,7 @@ are made so prominent in the play. Besides this, in many places the Plutarchian form and order of thought, and also the very words of North's racy and delectable English are retained, with such an embalming for immortality as Shakespeare -alone could give.<a class="tag" name="tagIntro_5" id="tagIntro_5" +alone could give.<a class="tag" id="tagIntro_5" href="#noteIntro_5">[5]</a></p> <p>In <i>Julius Cæsar</i> Shakespeare's indebtedness to North's @@ -805,7 +758,7 @@ the writings thrown in Brutus's way; (3) touches of detail, as in the description of Cassius's "lean and hungry look" and of Antony's tastes and personal habits; and (4) noteworthy expressions, phrases, and single words, as in <a href="#tagIII_152">III, ii, -240-241</a>, <a href="#tagIII_2_246">246-248</a>; <a href="#tagIV_48">IV, iii, 2</a>; <a href="#tagIV_3_178">IV, iii, 178</a>; <a href="#tagV_36">V, i, 80-81</a>; +240–241</a>, <a href="#tagIII_2_246">246–248</a>; <a href="#tagIV_48">IV, iii, 2</a>; <a href="#tagIV_3_178">IV, iii, 178</a>; <a href="#tagV_36">V, i, 80–81</a>; <a href="#tagV_3_109">V, iii, 109.</a></p> <p>On the other hand, Shakespeare's alteration of Plutarchian @@ -818,20 +771,20 @@ triumph take place at the time of "the feast of Lupercal," in the treatment of the quarrel between Brutus and Cassius, which in Plutarch lasts for two days, and in making the two battles of Philippi occur on the same day. See -<a href="#noteV_93">note, p. 159, ll. 109-110</a>. See also below, The Scene of +<a href="#noteV_93">note, p. 159, ll. 109–110</a>. See also below, The Scene of the Assassination.</p> -<p><a name="Appians_Roman_Wars" id="Appians_Roman_Wars">2. <i>Appian's Roman Wars.</i></a> In 1578 there was published +<p><a id="Appians_Roman_Wars">2. <i>Appian's Roman Wars.</i></a> In 1578 there was published in London an English translation of the extant portions of Appian's <i>History of the Roman Wars both Civil and Foreign</i>, with the interesting title page shown in facsimile on page xi.</p> <p> </p> -<p><span class="pagenum"><a name="Page_xi" id="Page_xi">xi</a></span></p> +<p><span class="pagenum"><a id="Page_xi">xi</a></span></p> <div class="figcenter" style="width: 281px;"> -<a href="images/012b.jpg"><img src="images/012.jpg" width="281" height="450" alt="Title Page of Appian's History" title="Title Page of Appian's History" /></a> +<a href="images/012b.jpg"><img src="images/012.jpg" alt="Title Page of Appian's History" title="Title Page of Appian's History" style="width: 281px; height: 450px"></a> </div> <!-- @@ -871,7 +824,7 @@ Henrie Bynniman. Anno. 1578. --> -<p><span class="pagenum"><a name="Page_xii" id="Page_xii">xii</a></span></p> +<p><span class="pagenum"><a id="Page_xii">xii</a></span></p> <p>In this translation of Appian the events before and after Cæsar's death are described minutely and with many graphic @@ -896,7 +849,7 @@ that in it we have speeches by Antony, Brutus, and Lepidus at the time of the reading of Cæsar's will. In this translation Antony's first speech begins, "They that would have -<span class="pagenum"><a name="Page_xiii" id="Page_xiii">xiii</a></span> +<span class="pagenum"><a id="Page_xiii">xiii</a></span> voices tried upon Cæsar must know afore that if he ruled as an officer lawfully chosen, then all his acts and decrees @@ -927,11 +880,11 @@ did like them well, and as men of courage and lovers of the people, had them in great admiration and were turned into their favour."</p> -<p><a name="Earlier_Plays" id="Earlier_Plays">3. <i>Earlier Plays.</i></a> As already mentioned, England had +<p><a id="Earlier_Plays">3. <i>Earlier Plays.</i></a> As already mentioned, England had plays on the subject of Julius Cæsar from the first years of Elizabeth's reign. As not one of these earlier plays is -<span class="pagenum"><a name="Page_xiv" id="Page_xiv">xiv</a></span> +<span class="pagenum"><a id="Page_xiv">xiv</a></span> extant, there can be no certainty as to whether Shakespeare drew upon them for materials or inspiration, but, as @@ -951,12 +904,12 @@ Eedes (Eades, Edes) of Christ Church wrote the epilogue November 8, 1594, a <i>Seser and pompie</i> is mentioned as a new play. Mr. A. W. Verity (<i>Julius Cæsar</i>, The Pitt Press edition) makes the interesting suggestion that in <a href="#tagIII_1_111">III, i, -111-116</a>, there may be an allusion to these earlier plays. -Cf. also <i>Hamlet</i>, III, ii, 107-111, quoted below.</p> +111–116</a>, there may be an allusion to these earlier plays. +Cf. also <i>Hamlet</i>, III, ii, 107–111, quoted below.</p> <p> </p> -<h5><a name="The_Scene_Of_The_Assassination" id="The_Scene_Of_The_Assassination"><span class="smallcaps">The Scene of the Assassination</span></a></h5> +<h5><a id="The_Scene_Of_The_Assassination"><span class="smallcaps">The Scene of the Assassination</span></a></h5> <p>In transferring the assassination of Cæsar from the <i>Porticus Pompeia</i> ("Pompey's porch," <a href="#tagI_244">I, iii, 126</a>) to the Capitol, @@ -967,28 +920,28 @@ imprimatur of Chaucer:</p> <div class="text"> <div class="poem"> <p>This Iulius to the Capitolie wente</p> -<p>Upon a day, as he was wont to goon,<a class="tag" name="tagIntro_6" id="tagIntro_6" +<p>Upon a day, as he was wont to goon,<a class="tag" id="tagIntro_6" href="#noteIntro_6">[6]</a></p> -<span class="pagenum"><a name="Page_xv" id="Page_xv">xv</a></span> +<span class="pagenum"><a id="Page_xv">xv</a></span> -<p>And in the Capitolie anon him hente<a class="tag" name="tagIntro_7" id="tagIntro_7" +<p>And in the Capitolie anon him hente<a class="tag" id="tagIntro_7" href="#noteIntro_7">[7]</a></p> -<p>This false Brutus, and his othere foon<a class="tag" name="tagIntro_8" id="tagIntro_8" +<p>This false Brutus, and his othere foon<a class="tag" id="tagIntro_8" href="#noteIntro_8">[8]</a></p> -<p>And stikede him with boydekins<a class="tag" name="tagIntro_9" id="tagIntro_9" +<p>And stikede him with boydekins<a class="tag" id="tagIntro_9" href="#noteIntro_9">[9]</a> anoon</p> <p>With many a wounde, and thus they lete him lye;</p> -<p>But never gronte<a class="tag" name="tagIntro_10" id="tagIntro_10" +<p>But never gronte<a class="tag" id="tagIntro_10" href="#noteIntro_10">[10]</a> he at no strook but oon,</p> -<p>Or elles at two, but if<a class="tag" name="tagIntro_11" id="tagIntro_11" +<p>Or elles at two, but if<a class="tag" id="tagIntro_11" href="#noteIntro_11">[11]</a> his storie lye.</p> </div> -<p class="right"><i>The Monkes Tale</i>, ll. 715-718. (Skeat's <i>Chaucer</i>.)</p> +<p class="right"><i>The Monkes Tale</i>, ll. 715–718. (Skeat's <i>Chaucer</i>.)</p> </div> <p>This literary and popular tradition is followed in <i>Hamlet</i>, -III, ii, 107-111:</p> +III, ii, 107–111:</p> <div class="text"> <div class="poem"> @@ -1011,7 +964,7 @@ Brutus kill'd me.</p> <p>To drench the Capitol; but that they would</p> <p>Have one man but a man?</p> </div> -<p class="right">[II, vi, 12-19.]</p> +<p class="right">[II, vi, 12–19.]</p> </div> <p>We have the same popular tradition in the first scene of @@ -1030,11 +983,11 @@ Cæsar and Cleopatra:</p> <p>Here the reference is to Shakespeare's play.</p> -<p><span class="pagenum"><a name="Page_xvi" id="Page_xvi">xvi</a></span></p> +<p><span class="pagenum"><a id="Page_xvi">xvi</a></span></p> <p> </p> -<h5><a name="Et_Tu_Brute" id="Et_Tu_Brute"><span class="smallcaps">"Et Tu, Brute"</span></a></h5> +<h5><a id="Et_Tu_Brute"><span class="smallcaps">"Et Tu, Brute"</span></a></h5> <p>Dyce and other researchers have made clear that in Shakespeare's day "<i>Et tu, Brute</i>" was a familiar phrase @@ -1068,14 +1021,14 @@ form. Cf. Hamlet's joke on 'brute' quoted above.</p> <p> </p> -<h5><a name="Brutus_Speech" id="Brutus_Speech"><span class="smallcaps">Brutus's Speech</span></a>, III, ii</h5> +<h5><a id="Brutus_Speech"><span class="smallcaps">Brutus's Speech</span></a>, III, ii</h5> <p>In view of the close connection between <i>Julius Cæsar</i> and <i>Hamlet</i> as regards date of composition and the characterization of Brutus and Hamlet, interest attaches to Professor Gollancz's theory (<i>Julius Cæsar</i>, Temple Shakespeare) -<span class="pagenum"><a name="Page_xvii" id="Page_xvii">xvii</a></span> +<span class="pagenum"><a id="Page_xvii">xvii</a></span> that the original of the famous speech of Brutus to the assembled Romans (<a href="#sceneIII_2">III, ii</a>) may be found in Belleforest's @@ -1088,7 +1041,7 @@ verbose iteration of the Dane has been compressed to suit 'the brief compendious manner of speech of the Lacedæmonians.'"—Gollancz. As the English translation from which Professor Gollancz quotes in support of his theory is -dated 1608, and is the earliest known,<a class="tag" name="tagIntro_12" id="tagIntro_12" +dated 1608, and is the earliest known,<a class="tag" id="tagIntro_12" href="#noteIntro_12">[12]</a> it cannot have been from this that Shakespeare drew any suggestions or material. The question arises, Did Shakespeare read the @@ -1099,18 +1052,18 @@ reprintings of it before 1600.</p> <p> </p> -<h5><a name="Date_Of_Composition" id="Date_Of_Composition">II. DATE OF COMPOSITION</a></h5> +<h5><a id="Date_Of_Composition">II. DATE OF COMPOSITION</a></h5> <p>Modern editors fix the date of composition of <i>Julius Cæsar</i> within 1601, the later time limit (<i>terminus ante quem</i>), and 1598, the earlier time limit (<i>terminus post -quem</i>). The weight of evidence is in favor of 1600-1601.</p> +quem</i>). The weight of evidence is in favor of 1600–1601.</p> -<p><span class="pagenum"><a name="Page_xviii" id="Page_xviii">xviii</a></span></p> +<p><span class="pagenum"><a id="Page_xviii">xviii</a></span></p> <p> </p> -<h5><a name="External_Evidence" id="External_Evidence"><span class="smallcaps">External Evidence</span></a></h5> +<h5><a id="External_Evidence"><span class="smallcaps">External Evidence</span></a></h5> <p>1. <i>Negative.</i> <i>Julius Cæsar</i> is not mentioned by Meres in the <i>Palladis Tamia</i>, published in 1598, which gives a list of @@ -1136,7 +1089,7 @@ act of <i>Julius Cæsar</i>, as the antithesis brought out is not indicated in any of Shakespeare's historical sources. The fact that Weever states in his Dedication that the <i>Mirror</i> "some two years agoe was made fit for the print" has been -held by Mr. Percy Simpson<a class="tag" name="tagIntro_13" id="tagIntro_13" +held by Mr. Percy Simpson<a class="tag" id="tagIntro_13" href="#noteIntro_13">[13]</a> to indicate that the play was not brought out later than 1599, a conclusion supported, he thinks, by a passage in Ben Jonson's <i>Every Man out of His @@ -1147,12 +1100,12 @@ to Antony's "O judgment! thou art fled to brutish beasts" (<a href="#tagIII_131">III, ii, 104</a>). The "<i>Et tu, Brute</i>" quotation in the same play has been used to strengthen the argument. But the -<span class="pagenum"><a name="Page_xix" id="Page_xix">xix</a></span> +<span class="pagenum"><a id="Page_xix">xix</a></span> lines from the <i>Mirror of Martyrs</i> quoted above may easily have been inserted by Weever into his poem in consequence of the popularity of Shakespeare's play. This contemporary -popularity is well attested. Leonard Digges,<a class="tag" name="tagIntro_14" id="tagIntro_14" +popularity is well attested. Leonard Digges,<a class="tag" id="tagIntro_14" href="#noteIntro_14">[14]</a> in his verses <i>Upon Master William Shakespeare</i> prefixed to the 1640 edition of Shakespeare's Poems, thus compares it with that @@ -1184,7 +1137,7 @@ for Lord Nottingham's Company. <i>Cæsar's Fall</i> was plainly intended to outshine Shakespeare's popular play, but, as Professor Herford comments, "the lost play ... -<span class="pagenum"><a name="Page_xx" id="Page_xx">xx</a></span> +<span class="pagenum"><a id="Page_xx">xx</a></span> for the rival company would have been a somewhat tardy counterblast to an old piece of 1599." He adds: "<i>Julius @@ -1194,7 +1147,7 @@ suddenly set in with Marston's <i>Antonio and Mellida</i> and Chettle's <i>Hoffman</i> in 1601."</p> <p>Dr. Furnivall, a strong advocate for 1601 as the date of -composition, has suggested<a class="tag" name="tagIntro_15" id="tagIntro_15" +composition, has suggested<a class="tag" id="tagIntro_15" href="#noteIntro_15">[15]</a> that Essex's ill-judged rebellion against Queen Elizabeth, on Sunday, February 8, 1601, was the reason of Shakespeare's producing his <i>Julius Cæsar</i> in @@ -1204,10 +1157,10 @@ the force of '<i>Et tu, Brute</i>,' and must have seen Brutus's death, with keener and more home-felt influence than we feel and hear the things with now."</p> -<p>Drayton's revised version of his <i>Mortimeriados</i> (1596-1597); +<p>Drayton's revised version of his <i>Mortimeriados</i> (1596–1597); published in 1603 under the title of <i>The Barons' Wars</i>, has a passage which strongly resembles some lines -in Antony's last speech (<a href="#tagV_137">V, v, 73-74</a>), but common property +in Antony's last speech (<a href="#tagV_137">V, v, 73–74</a>), but common property in the idea that a well-balanced mixture of the four elements (earth, air, fire, and water) produces a perfect man invalidates any argument for the date of the play @@ -1215,14 +1168,14 @@ based upon this evidence. See <a href="#noteV_138">note, p. 167, l. 73</a>.</p> <p> </p> -<h5><a name="Internal_Evidence" id="Internal_Evidence"><span class="smallcaps">Internal Evidence</span></a></h5> +<h5><a id="Internal_Evidence"><span class="smallcaps">Internal Evidence</span></a></h5> -<p>Dr. W. A. Wright<a class="tag" name="tagIntro_16" id="tagIntro_16" +<p>Dr. W. A. Wright<a class="tag" id="tagIntro_16" href="#noteIntro_16">[16]</a> has argued against an earlier date than 1600 for the composition of <i>Julius Caesar</i> from the use of 'eternal' for 'infernal' in <a href="#tagI_128">I, ii, 160</a>. See <a href="#noteI_128">note, p. 20, l. 160</a>. -<span class="pagenum"><a name="Page_xxi" id="Page_xxi">xxi</a></span> +<span class="pagenum"><a id="Page_xxi">xxi</a></span> Of course there is no certainty that Shakespeare wished to use the word 'infernal,' and, besides, if any substitution @@ -1257,7 +1210,7 @@ to Shakespeare's latest period.</p> <p>These distinctive notes are of a nature more easily to be felt than described, and to make them felt examples will best -<span class="pagenum"><a name="Page_xxii" id="Page_xxii">xxii</a></span> +<span class="pagenum"><a id="Page_xxii">xxii</a></span> serve. Take then a passage from the soliloquy of Brutus just after he has pledged himself to the conspiracy:</p> @@ -1269,7 +1222,7 @@ after he has pledged himself to the conspiracy:</p> <p>But when he once attains the upmost round,</p> <p>He then unto the ladder turns his back,</p> <p>Looks in the clouds, scorning the base degrees</p> -<p>By which he did ascend. [<a href="#tagII_13">II, i, 21-27</a>.]</p> +<p>By which he did ascend. [<a href="#tagII_13">II, i, 21–27</a>.]</p> </div> <p>Here we have a full, rounded period in which all the elements @@ -1289,7 +1242,7 @@ style. Now take a passage from <i>The Winter's Tale</i>:</p> <p>To sing them too: when you do dance, I wish you</p> <p>A wave o' the sea, that you might ever do</p> <p>Nothing but that; move still, still so,</p> -<p>And own no other function. [IV, iv, 136-143.]</p> +<p>And own no other function. [IV, iv, 136–143.]</p> </div> <p>Here the workmanship seems to make and shape itself as it @@ -1299,7 +1252,7 @@ gone before, nor with what is coming after. The very sweetness has a certain piercing quality, and we taste it from clause to clause, almost from word to word, as so many keen darts -<span class="pagenum"><a name="Page_xxiii" id="Page_xxiii">xxiii</a></span> +<span class="pagenum"><a id="Page_xxiii">xxiii</a></span> of poetic rapture shot forth in rapid succession. Yet the passage, notwithstanding its swift changes of imagery and @@ -1307,9 +1260,9 @@ motion, is perfect in unity and continuity.</p> <p> </p> -<h5><a name="Early_Editions" id="Early_Editions">III. EARLY EDITIONS</a></h5> +<h5><a id="Early_Editions">III. EARLY EDITIONS</a></h5> -<h5><a name="Folios" id="Folios"><span class="smallcaps">Folios</span></a></h5> +<h5><a id="Folios"><span class="smallcaps">Folios</span></a></h5> <p>On November 8, 1623, Edward Blount and Isaac Jaggard obtained formal license to print "Mr. William Shakespeere's @@ -1318,19 +1271,19 @@ copies as are not formerly entered to other men." This is the description-entry in <i>The Stationers' Registers</i> of what is now known as the First Folio (1623), designated in the textual notes of this edition F<sub>1</sub>. <i>Julius Cæsar</i> is one of the -plays "not formerly entered,"<a class="tag" name="tagIntro_17" id="tagIntro_17" +plays "not formerly entered,"<a class="tag" id="tagIntro_17" href="#noteIntro_17">[17]</a> and it was first printed, so far as is known, in this famous volume. It is more correctly printed than perhaps any other play in the First Folio and, as the editors of the Cambridge Shakespeare suggest, "may perhaps have been (as the preface falsely implied that all -were<a class="tag" name="tagIntro_18" id="tagIntro_18" -href="#noteIntro_18">[18]</a>) printed from the original manuscript of the author."<a class="tag" name="tagIntro_19" id="tagIntro_19" +were<a class="tag" id="tagIntro_18" +href="#noteIntro_18">[18]</a>) printed from the original manuscript of the author."<a class="tag" id="tagIntro_19" href="#noteIntro_19">[19]</a> It stands between <i>Timon of Athens</i> and <i>Macbeth</i>, two very badly printed plays. The running title is <i>The Tragedie of</i> -<span class="pagenum"><a name="Page_xxiv" id="Page_xxiv">xxiv</a></span> +<span class="pagenum"><a id="Page_xxiv">xxiv</a></span> <i>Julius Cæsar</i>, but in the "Catalogve of the seuerall Comedies, Histories, and Tragedies contained in this Volume," @@ -1342,7 +1295,7 @@ in the text of <i>Julius Cæsar</i> and none of importance.</p> <p> </p> -<h5><a name="The_Quarto_Of_1691" id="The_Quarto_Of_1691"><span class="smallcaps">The Quarto of 1691</span></a></h5> +<h5><a id="The_Quarto_Of_1691"><span class="smallcaps">The Quarto of 1691</span></a></h5> <p>In 1691 <i>Julius Cæsar</i> appeared in quarto form. This Quarto contained one famous text variant, 'hath' for 'path' @@ -1353,11 +1306,11 @@ of the Quarto.</p> <p> </p> -<h5><a name="Rowes_Editions" id="Rowes_Editions"><span class="smallcaps">Rowe's Editions</span></a></h5> +<h5><a id="Rowes_Editions"><span class="smallcaps">Rowe's Editions</span></a></h5> <p>In the Folios and in the Quarto of 1691 the play is divided into acts, but not into scenes, though the first act -is headed <i>Actus Primus, Scæna Prima</i>. The first systematic +is headed <i>Actus Primus, Scœna Prima</i>. The first systematic division into scenes was made by Nicholas Rowe, poet laureate to George I, in the edition which he issued in six octavo volumes in 1709. In this edition Rowe, an @@ -1370,11 +1323,11 @@ Fourth Folio, but modernized spelling, punctuation, and occasionally grammar. These are the first critical editions of Shakespeare's plays.</p> -<p><span class="pagenum"><a name="Page_xxv" id="Page_xxv">xxv</a></span></p> +<p><span class="pagenum"><a id="Page_xxv">xxv</a></span></p> <p> </p> -<h5><a name="The_Title" id="The_Title">IV. THE TITLE</a></h5> +<h5><a id="The_Title">IV. THE TITLE</a></h5> <p>It has been justly observed that Shakespeare shows much judgment in the naming of his plays. From this observation @@ -1391,7 +1344,7 @@ genius then becomes the Nemesis or retributive Providence.</p> <p> </p> -<h5><a name="Dramatic_Construction_And_Development" id="Dramatic_Construction_And_Development">V. DRAMATIC CONSTRUCTION AND +<h5><a id="Dramatic_Construction_And_Development">V. DRAMATIC CONSTRUCTION AND DEVELOPMENT</a></h5> <p><i>Julius Cæsar</i> is a tragedy of a normal Shakespearian type, @@ -1409,7 +1362,7 @@ almost a commonplace of criticism that the opening scene of a Shakespeare play strikes the keynote of the action. It certainly does in a remarkable way in <i>Julius Cæsar</i>, -<span class="pagenum"><a name="Page_xxvi" id="Page_xxvi">xxvi</a></span> +<span class="pagenum"><a id="Page_xxvi">xxvi</a></span> introducing, on the one side, a group of excited citizens friendly to Cæsar, and, on the other, two tribunes hostile @@ -1427,27 +1380,27 @@ scene of the third act, the climax is reached in the assassination of Cæsar and the wild enthusiasm of the conspirators. With the entry of Antony's servant begins the resolution, or falling action (see <a href="#noteIII_55">note, p. 89, l. 123</a>), and from now, -through intervals of long suspense and many vicissitudes,<a class="tag" name="tagIntro_20" id="tagIntro_20" +through intervals of long suspense and many vicissitudes,<a class="tag" id="tagIntro_20" href="#noteIntro_20">[20]</a> the fortunes of the chief conspirators fall inevitably to the catastrophe.</p> <p> </p> -<h4><a name="Analysis_By_Act_And_Scene" id="Analysis_By_Act_And_Scene"><span class="smallcaps">Analysis by Act and Scene</span></a> <a class="tag" name="tagIntro_21" id="tagIntro_21" href="#noteIntro_21">[21]</a></h4> +<h4><a id="Analysis_By_Act_And_Scene"><span class="smallcaps">Analysis by Act and Scene</span></a> <a class="tag" id="tagIntro_21" href="#noteIntro_21">[21]</a></h4> <h5>I. <span class="smallcaps">The Exposition, or Introduction</span> (<span class="smallcaps">Tying of the Knot</span>)</h5> <p><i><a href="#sceneI_1">Act I, Scene i</a></i>. The popularity of Cæsar with the Roman mob and the jealousy of the official classes—the two motive forces of the -<span class="pagenum"><a name="Page_xxvii" id="Page_xxvii">xxvii</a></span> +<span class="pagenum"><a id="Page_xxvii">xxvii</a></span> play—are revealed. The fickleness of the mob is shown in a spirit of comedy; the antagonism of Marullus and Flavius strikes the note of tragedy.</p> -<p><i><a href="#sceneI_2">Act I, Scene ii, 1-304</a></i>. The supreme characters are introduced, +<p><i><a href="#sceneI_2">Act I, Scene ii, 1–304</a></i>. The supreme characters are introduced, and in their opening speeches each reveals his temperament and foreshadows the part which he will play. The exposition of the situation is now complete.</p> @@ -1455,20 +1408,20 @@ situation is now complete.</p> <h5><span class="smallcaps">II. The Complication, Rising Action, or Growth (Tying Of the Knot)</span></h5> -<p><i><a href="#tagI_2_305">Act I, Scene ii, 305-319</a></i>. In soliloquy Cassius unfolds his scheme +<p><i><a href="#tagI_2_305">Act I, Scene ii, 305–319</a></i>. In soliloquy Cassius unfolds his scheme for entangling Brutus in the conspiracy, and the dramatic complication begins.</p> <p><i><a href="#sceneI_3">Act I, Scene iii</a></i>. Casca, excited by the fiery portents that bode disaster to the state, is persuaded by Cassius to join "an enterprise -of honourable-dangerous consequence" (lines 123-124). The conspirators +of honourable-dangerous consequence" (lines 123–124). The conspirators are assigned to their various posts, and Cassius engages to secure Brutus before morning.</p> <p><i><a href="#sceneII_1">Act II, Scene i</a></i>. The humane character of Brutus, as master, husband, and citizen, is elaborated, and his attitude to Cæsar and the conspiracy of assassination clearly shown. He joins the conspirators—apparently -their leader, in reality their tool. In lines 162-183 he +their leader, in reality their tool. In lines 162–183 he pleads that the life of Antony be spared, and thus unconsciously prepares for his own ruin.</p> @@ -1487,11 +1440,11 @@ protagonist.</p> in which readers and spectators are made to share the anxiety of Portia.</p> -<p><span class="pagenum"><a name="Page_xxviii" id="Page_xxviii">xxviii</a></span></p> +<p><span class="pagenum"><a id="Page_xxviii">xxviii</a></span></p> <h5><span class="smallcaps">III. The Climax, Crisis, or Turning Point (the Knot Tied)</span></h5> -<p><i><a href="#sceneIII_1">Act III, Scene i, 1-122</a></i>. The dramatic movement is now rapid, and +<p><i><a href="#sceneIII_1">Act III, Scene i, 1–122</a></i>. The dramatic movement is now rapid, and the tension, indicated by the short whispered sentences of all the speakers except Cæsar, is only increased by his imperial utterances, which show utter unconsciousness of the impending doom. In the @@ -1507,7 +1460,7 @@ with altered destiny.</p> <h5><span class="smallcaps">IV. The Resolution, Falling Action, or Consequence (the Untying of the Knot)</span></h5> -<p><i><a href="#tagIII_55">Act III, Scene i, 123-298</a></i>. With Brutus's "Soft! who comes here? +<p><i><a href="#tagIII_55">Act III, Scene i, 123–298</a></i>. With Brutus's "Soft! who comes here? A friend of Antony's" begins the resolution, or falling action, of the play. "The fortune of the conspirators, hitherto in the ascendant, now declines, while 'Cæsar's spirit' surely and steadily prevails @@ -1532,7 +1485,7 @@ levying powers."</p> <p><i><a href="#sceneIV_2">Act IV, Scene ii</a></i>. Brutus and Cassius, long parted by pride and obstinacy, meet to discuss a plan of action.</p> -<p><span class="pagenum"><a name="Page_xxix" id="Page_xxix">xxix</a></span></p> +<p><span class="pagenum"><a id="Page_xxix">xxix</a></span></p> <p><i><a href="#sceneIV_3">Act IV, Scene iii</a></i>. This is one of the most famous individual scenes in Shakespeare (see note, page 123). Its intensely human interest @@ -1574,7 +1527,7 @@ final flare-up of hope in the breast of Brutus is indicated by his spirited order to Messala to charge. The scene implies that Cassius was defeated by being left without support by Brutus.</p> -<p><span class="pagenum"><a name="Page_xxx" id="Page_xxx">xxx</a></span></p> +<p><span class="pagenum"><a id="Page_xxx">xxx</a></span></p> <h5>V. <span class="smallcaps">Dénouement, Catastrophe, or Conclusion (The Knot Untied)</span></h5> @@ -1612,16 +1565,16 @@ the tragedy closes as with a chant of victory for the hero of defeat.</p> <p> </p> -<h5><a name="Management_Of_Time_And_Place" id="Management_Of_Time_And_Place">VI. MANAGEMENT OF TIME AND PLACE</a></h5> +<h5><a id="Management_Of_Time_And_Place">VI. MANAGEMENT OF TIME AND PLACE</a></h5> -<p>1. <a name="Historic_Time" id="Historic_Time"><i>Historic time.</i></a> Cæsar's triumph over the sons of Pompey +<p>1. <a id="Historic_Time"><i>Historic time.</i></a> Cæsar's triumph over the sons of Pompey was celebrated in October, <span class="smallcaps">b.c.</span> 45. Shakespeare makes this coincident with "the feast of Lupercal" on February 15, <span class="smallcaps">b.c.</span> 44. In the play Antony delivers his funeral oration immediately after Cæsar's death; historically, there was an interval of days. Octavius did not reach Rome until upwards -<span class="pagenum"><a name="Page_xxxi" id="Page_xxxi">xxxi</a></span> +<span class="pagenum"><a id="Page_xxxi">xxxi</a></span> of two months after the assassination; in <a href="#tagIII_2_261">III, ii, 261</a>, Antony is told by his servant immediately after the funeral oration @@ -1632,7 +1585,7 @@ the two battles of Philippi, separated historically by twenty days, but represented by Shakespeare as taking place on the same day.</p> -<p>2. <a name="Dramatic_Time" id="Dramatic_Time"><i>Dramatic Time.</i></a> Historical happenings that extended +<p>2. <a id="Dramatic_Time"><i>Dramatic Time.</i></a> Historical happenings that extended over nearly three years are represented in the stage action as the occurrences of six days, distributed over the acts and scenes as follows:</p> @@ -1654,12 +1607,12 @@ scenes as follows:</p> in action that is swift and throbbing with human and ethical interest.</p> -<p>3. <a name="Place" id="Place"><i>Place.</i></a> Up to the second scene of the fourth act Rome +<p>3. <a id="Place"><i>Place.</i></a> Up to the second scene of the fourth act Rome is the natural place of action. The second and third scenes of the fourth act are at Sardis in Asia Minor; the last act shifts to Philippi in Macedonia. The only noteworthy -<span class="pagenum"><a name="Page_xxxii" id="Page_xxxii">xxxii</a></span> +<span class="pagenum"><a id="Page_xxxii">xxxii</a></span> deviation from historical accuracy is in making the conference of the triumvirs take place at Rome and not at Bononia. @@ -1669,9 +1622,9 @@ of the political unrest of the time.</p> <p> </p> -<h5><a name="Versification_And_Diction" id="Versification_And_Diction">VII. VERSIFICATION AND DICTION</a></h5> +<h5><a id="Versification_And_Diction">VII. VERSIFICATION AND DICTION</a></h5> -<h5><a name="Blank_Verse" id="Blank_Verse"><span class="smallcaps">Blank Verse</span></a></h5> +<h5><a id="Blank_Verse"><span class="smallcaps">Blank Verse</span></a></h5> <p>The characteristics of Shakespeare's blank verse—the rhymeless, iambic five-stress (decasyllabic) verse, or iambic @@ -1696,7 +1649,7 @@ line to another without a syntactical or rhetorical pause at the end of the line (run-on verse, <i>enjambement</i>). Redundant syllables now abound and the melody is richer and -<span class="pagenum"><a name="Page_xxxiii" id="Page_xxxiii">xxxiii</a></span> +<span class="pagenum"><a id="Page_xxxiii">xxxiii</a></span> fuller. In Shakespeare's later plays the blank verse breaks away from all bondage to formal line limits, and the organic @@ -1715,10 +1668,10 @@ Shakespearian Grammar</i>, §§ 511, 512.</p> <p> </p> -<h5><a name="Rhyme" id="Rhyme"><span class="smallcaps">Rhyme</span></a></h5> +<h5><a id="Rhyme"><span class="smallcaps">Rhyme</span></a></h5> <p>Apart from the use of rhyme in songs, lyrics, and portions -of masques (as in <i>The Tempest</i>, IV, i, 60-138), a progress +of masques (as in <i>The Tempest</i>, IV, i, 60–138), a progress from more to less rhyme is a sure index to Shakespeare's development as a dramatist and a master of expression. In the early <i>Love's Labour's Lost</i> are more than one thousand @@ -1728,7 +1681,7 @@ found only thirty-four rhyming lines.</p> <p> </p> -<h5><a name="Prose" id="Prose"><span class="smallcaps">Prose</span></a></h5> +<h5><a id="Prose"><span class="smallcaps">Prose</span></a></h5> <p>If "of the soule the bodie forme doth take," it is small wonder that attempts have been made to explain Shakespeare's @@ -1736,11 +1689,11 @@ distinctive use of verse and prose. Of recent years there have been interesting discussions of the question "whether we are justified in supposing that Shakespeare -<span class="pagenum"><a name="Page_xxxiv" id="Page_xxxiv">xxxiv</a></span> +<span class="pagenum"><a id="Page_xxxiv">xxxiv</a></span> was guided by any fixed principle in his employment of verse and prose, or whether he merely employed them, as -fancy suggested, for the sake of variety and relief."<a class="tag" name="tagIntro_22" id="tagIntro_22" href="#noteIntro_22">[22]</a> It is a +fancy suggested, for the sake of variety and relief."<a class="tag" id="tagIntro_22" href="#noteIntro_22">[22]</a> It is a significant fact that in many of Shakespeare's earlier plays there is little or no prose, and that the proportion of prose to blank verse increases with the decrease of rhyme. In @@ -1752,13 +1705,13 @@ description of the offer of the crown to Cæsar. This kind of prose reaches its highest development in Brutus's famous speech, <a href="#sceneIII_2">III, ii</a>, with its dignified defense and laconic exposition of his honesty of purpose. (3) The prose of formal -documents, as in the letter of Artemidorus, <a href="#sceneII_3">II, iii, 1-8</a>.</p> +documents, as in the letter of Artemidorus, <a href="#sceneII_3">II, iii, 1–8</a>.</p> <p> </p> -<h5><a name="The_Characters" id="The_Characters">VIII. THE CHARACTERS</a></h5> +<h5><a id="The_Characters">VIII. THE CHARACTERS</a></h5> -<h5><a name="Julius_Caesar" id="Julius_Caesar"><span class="smallcaps">Julius Cæsar</span></a></h5> +<h5><a id="Julius_Caesar"><span class="smallcaps">Julius Cæsar</span></a></h5> <p>The characterization of this drama in some of the parts is not a little perplexing. Hardly one of the speeches put into @@ -1768,7 +1721,7 @@ As here represented, Cæsar appears little better than a braggart; and when he speaks, it is in the style of a glorious vapourer, full of lofty airs and mock thunder. Nothing could -<span class="pagenum"><a name="Page_xxxv" id="Page_xxxv">xxxv</a></span> +<span class="pagenum"><a id="Page_xxxv">xxxv</a></span> be further from the truth of the man, whose character, even in his faults, was as compact and solid as adamant, and at the @@ -1807,10 +1760,10 @@ is made to describe him as "broad-fronted Cæsar"; and in <p>His wit set down to make his valour live:</p> <p>Death makes no conquest of this conqueror.</p> </div> -<p class="right">[III, i, 84-87.]</p> +<p class="right">[III, i, 84–87.]</p> </div> -<p><span class="pagenum"><a name="Page_xxxvi" id="Page_xxxvi">xxxvi</a></span></p> +<p><span class="pagenum"><a id="Page_xxxvi">xxxvi</a></span></p> <p>In fact, we need not go beyond Shakespeare to gather that Julius Cæsar's was the deepest, the most versatile, and the @@ -1846,7 +1799,7 @@ by the remembrance of how and why their Cæsar fell; and they who, before, would have plucked out his heart rather than he should wear a crown, would now have plucked out -<span class="pagenum"><a name="Page_xxxvii" id="Page_xxxvii">xxxvii</a></span> +<span class="pagenum"><a id="Page_xxxvii">xxxvii</a></span> their own, to set a crown upon his head. Such is the natural result, when the intensities of admiration and compassion @@ -1883,7 +1836,7 @@ equal judgment at our hands. For Cæsar was literally too great to be seen by them, save as children often see bugbears by moonlight, when their inexperienced eyes are -<span class="pagenum"><a name="Page_xxxviii" id="Page_xxxviii">xxxviii</a></span> +<span class="pagenum"><a id="Page_xxxviii">xxxviii</a></span> mocked with air. And Shakespeare may well have judged that the best way to set us right towards them was by identifying @@ -1919,7 +1872,7 @@ greatness—under which Cæsar exhibits himself.</p> <p>Now the seeming contradiction between Cæsar as known and Cæsar as rendered by Shakespeare is what, more than -<span class="pagenum"><a name="Page_xxxix" id="Page_xxxix">xxxix</a></span> +<span class="pagenum"><a id="Page_xxxix">xxxix</a></span> anything else, perplexes. But a very refined, subtile, and peculiar irony pervades this, more than any other of Shakespeare's @@ -1949,7 +1902,7 @@ Cassius says,—</p> <div class="poem"> <p>So often shall the knot of us be call'd</p> <p>The men that gave their country liberty.</p> -<p class="right">[<a href="#tagIII_1_118">III, i, 118-119</a>.]</p> +<p class="right">[<a href="#tagIII_1_118">III, i, 118–119</a>.]</p> </div></div> <p>and again, a little later, when Brutus says of Antony, "I know @@ -1958,7 +1911,7 @@ men themselves thought any irony in those speeches: it was natural, no doubt, that they should utter such things in all seriousness; but what they say is interpreted into irony by -<span class="pagenum"><a name="Page_xl" id="Page_xl">xl</a></span> +<span class="pagenum"><a id="Page_xl">xl</a></span> the subsequent events. And when such a shallow idealist as Brutus is made to overtop and outshine the greatest practical @@ -1985,11 +1938,11 @@ Cæsar's exaltation.</p> <p>Is now become a god, and Cassius is</p> <p>A wretched creature, and must bend his body</p> <p>If Cæsar carelessly but nod on him.</p> -<p class="right">[<a href="#tagI_2_115">I, ii, 115-118</a>.]</p> +<p class="right">[<a href="#tagI_2_115">I, ii, 115–118</a>.]</p> <p>Why, man, he doth bestride the narrow world</p> <p>Like a Colossus, and we petty men</p> <p>Walk under his huge legs.</p> -<p class="right">[<a href="#tagI_117">I, ii, 135-137</a>.]</p> +<p class="right">[<a href="#tagI_117">I, ii, 135–137</a>.]</p> </div> </div> @@ -2002,7 +1955,7 @@ very much as Cassius, in his splenetic temper, describes him. Cæsar gods it in his talk, as if on purpose to approve the style in which Cassius mockingly gods him. This, taken -<span class="pagenum"><a name="Page_xli" id="Page_xli">xli</a></span> +<span class="pagenum"><a id="Page_xli">xli</a></span> by itself, would look as if the dramatist sided with Cassius; yet one can hardly help feeling that he sympathized rather @@ -2023,7 +1976,7 @@ indeed he does at last,—</p> <p>O Julius Cæsar, thou art mighty yet!</p> <p>Thy spirit walks abroad, and turns our swords</p> <p>In our own proper entrails.</p> -<p class="right">[<a href="#tagV_3_94">V, iii, 94-96</a>.]</p> +<p class="right">[<a href="#tagV_3_94">V, iii, 94–96</a>.]</p> </div></div> <p>The Nemesis which asserts itself so sternly in the latter part @@ -2035,7 +1988,7 @@ and then leaving them to the discipline of events.</p> <p> </p> -<h5><a name="Brutus" id="Brutus"><span class="smallcaps">Brutus</span></a></h5> +<h5><a id="Brutus"><span class="smallcaps">Brutus</span></a></h5> <p>Coleridge has a shrewd doubt as to what sort of a character Shakespeare meant his Brutus to be. For, in his thinking @@ -2045,7 +1998,7 @@ has done, nor on what he is, but simply on what he <i>may become</i> when crowned. He "knows no personal cause to spurn at him"; nor has he "known when his affections sway'd -<span class="pagenum"><a name="Page_xlii" id="Page_xlii">xlii</a></span> +<span class="pagenum"><a id="Page_xlii">xlii</a></span> more than his reason"; but "he would be crown'd: how that might change his nature, there's the question"; and,</p> @@ -2059,7 +2012,7 @@ that might change his nature, there's the question"; and,</p> <p>And therefore think him as a serpent's egg</p> <p>Which, hatch'd, would, as his kind, grow mischievous,</p> <p>And kill him in the shell.</p> -<p class="right">[<a href="#tagII_17">II, i, 28-34</a>.]</p> +<p class="right">[<a href="#tagII_17">II, i, 28–34</a>.]</p> </div></div> <p>So then Brutus heads a plot to assassinate the man who, besides @@ -2087,7 +2040,7 @@ very delusion serves, apparently, to ennoble and beautify him, as it takes him and works upon him through his virtues. At heart he is a real patriot, every inch of him. But his -<span class="pagenum"><a name="Page_xliii" id="Page_xliii">xliii</a></span> +<span class="pagenum"><a id="Page_xliii">xliii</a></span> patriotism, besides being somewhat hidebound with patrician pride, is of the speculative kind, and dwells, where his whole @@ -2122,7 +2075,7 @@ with the title and the power of Imperator for life, would change the form so as to agree with the substance, the name so as to fit the thing. But Brutus is so filled with the idea -<span class="pagenum"><a name="Page_xliv" id="Page_xliv">xliv</a></span> +<span class="pagenum"><a id="Page_xliv">xliv</a></span> of that which has thus passed away never to return that he thinks to save or recover the whole by preventing such @@ -2158,7 +2111,7 @@ the same cause he insists on sparing Antony, and on permitting him to speak in Cæsar's funeral. To do otherwise would be unjust, and so would overthrow the whole nature -<span class="pagenum"><a name="Page_xlv" id="Page_xlv">xlv</a></span> +<span class="pagenum"><a id="Page_xlv">xlv</a></span> of the enterprise as it lives in his mind. And because in his idea it ought so to be, he trusts that Antony will make @@ -2194,7 +2147,7 @@ Brutus as in that of Cæsar; only the order of it is here reversed. As if one should say, "O yes, yes! in the practical affairs of mankind your charming wisdom of the closet -<span class="pagenum"><a name="Page_xlvi" id="Page_xlvi">xlvi</a></span> +<span class="pagenum"><a id="Page_xlvi">xlvi</a></span> will doubtless put to shame the workings of mere practical insight and sagacity."</p> @@ -2235,7 +2188,7 @@ the repasts of treasured thought.</p> <p class="right">[<a href="#tagIV_3_252">IV, iii, 252, 253</a>.]</p> </div></div> -<p><span class="pagenum"><a name="Page_xlvii" id="Page_xlvii">xlvii</a></span></p> +<p><span class="pagenum"><a id="Page_xlvii">xlvii</a></span></p> <p>What the man is, and where he ought to be, is all signified in these two lines. And do we not taste a dash of benignant @@ -2255,7 +2208,7 @@ finest in Shakespeare.</p> <p> </p> -<h5><a name="Brutus_And_Cassius" id="Brutus_And_Cassius"><span class="smallcaps">Brutus and Cassius</span></a></h5> +<h5><a id="Brutus_And_Cassius"><span class="smallcaps">Brutus and Cassius</span></a></h5> <p>The characters of Brutus and Cassius are nicely discriminated, scarce a word falling from either but what smacks of @@ -2272,7 +2225,7 @@ moral principle. His motives, too, are of a much more mixed and various quality, because his habits of thinking and acting have grown by the measures of experience; he -<span class="pagenum"><a name="Page_xlviii" id="Page_xlviii">xlviii</a></span> +<span class="pagenum"><a id="Page_xlviii">xlviii</a></span> studies to understand men as they are; Brutus, as he thinks they ought to be. Hence, in every case where Brutus crosses @@ -2308,7 +2261,7 @@ flatteries, and then proceeds to ruminate the scheme for working upon his vanity, and thereby drawing him into the conspiracy; thus spilling the significant fact, that his own -<span class="pagenum"><a name="Page_xlix" id="Page_xlix">xlix</a></span> +<span class="pagenum"><a id="Page_xlix">xlix</a></span> honor does not stick to practice the arts by which he thinks it is a shame to be seduced.</p> @@ -2340,13 +2293,13 @@ with many sorrows at hearing of Portia's shocking death.</p> <p> </p> -<h5><a name="Portia" id="Portia"><span class="smallcaps">Portia</span></a></h5> +<h5><a id="Portia"><span class="smallcaps">Portia</span></a></h5> <p>The delineation of Portia is completed in a few brief masterly strokes. Once seen, the portrait ever after lives an old and dear acquaintance of the reader's inner man. -<span class="pagenum"><a name="Page_l" id="Page_l">l</a></span> +<span class="pagenum"><a id="Page_l">l</a></span> Portia has strength enough to do and suffer for others, but very little for herself. As the daughter of Cato and the wife @@ -2381,7 +2334,7 @@ in the same case, she fell a-weeping; and coming thither oftentimes in a day to see it, she wept still." The force of this incident is reproduced in the Portia of the play; we -<span class="pagenum"><a name="Page_li" id="Page_li">li</a></span> +<span class="pagenum"><a id="Page_li">li</a></span> have its full effect in the matter about her self-inflicted wound as compared with her subsequent demeanor.</p> @@ -2401,7 +2354,7 @@ she say something that may hurt or endanger her Brutus.</p> <p> </p> -<h5><a name="Antony" id="Antony"><span class="smallcaps">Antony</span></a></h5> +<h5><a id="Antony"><span class="smallcaps">Antony</span></a></h5> <p>Shakespeare's completed characterization of Antony is in <i>Antony and Cleopatra</i>. In the later play Antony is delineated @@ -2419,7 +2372,7 @@ He has not yet attained to that rank and full-blown combination of cruelty, perfidy, and voluptuousness, which the world associates with his name, but he is plainly on the -<span class="pagenum"><a name="Page_lii" id="Page_lii">lii</a></span> +<span class="pagenum"><a id="Page_lii">lii</a></span> way to it. His profound and wily dissimulation, while knitting up the hollow truce with the assassins on the very @@ -2454,11 +2407,11 @@ Noteworthy also is the grateful remembrance at last of his obligations to Brutus for having saved him from the daggers of the conspirators.</p> -<p><span class="pagenum"><a name="Page_liii" id="Page_liii">liii</a></span></p> +<p><span class="pagenum"><a id="Page_liii">liii</a></span></p> <p> </p> -<h5><a name="The_People" id="The_People"><span class="smallcaps">The People</span></a></h5> +<h5><a id="The_People"><span class="smallcaps">The People</span></a></h5> <p>That many-headed, but withal big-souled creature, the multitude, is charmingly characterized in <i>Julius Cæsar</i>. @@ -2483,17 +2436,17 @@ juxtaposition."</p> <p> </p> -<h5><a name="General_Characteristics" id="General_Characteristics">IX. GENERAL CHARACTERISTICS</a></h5> +<h5><a id="General_Characteristics">IX. GENERAL CHARACTERISTICS</a></h5> <p>As a whole, <i>Julius Cæsar</i> is inferior to <i>Coriolanus</i>, but it -abounds in scenes and passages fraught, with the highest +abounds in scenes and passages fraught with the highest virtue of Shakespeare's genius. Among these may be specially mentioned the second scene of the first act, where Cassius sows the seed of the conspiracy in Brutus's mind, warmed with such a wrappage of instigation as to assure its effective germination; also the first scene of the second -<span class="pagenum"><a name="Page_liv" id="Page_liv">liv</a></span> +<span class="pagenum"><a id="Page_liv">liv</a></span> act, unfolding the birth of the conspiracy, and winding up with the interview, so charged with domestic glory, of Brutus @@ -2517,15 +2470,15 @@ passage in all Shakespeare than that which tells of the boy's falling asleep in the midst of his song and exclaiming on being aroused, "The strings, my lord, are false."</p> -<p><span class="pagenum"><a name="Page_lv" id="Page_lv">lv</a></span></p> +<p><span class="pagenum"><a id="Page_lv">lv</a></span></p> <p> </p> -<h5><a name="Authorities_With_Abbreviations" id="Authorities_With_Abbreviations">AUTHORITIES</a></h5> +<h5><a id="Authorities_With_Abbreviations">AUTHORITIES</a></h5> <h5>(With the more important abbreviations used in the notes)</h5> -<table summary="Abbreviations"> +<table> <tr> <td class="botmrt">F<sub>1</sub> =</td> <td>First Folio, 1623.</td> @@ -2621,24 +2574,24 @@ F<sub>4</sub> =</td> </tr> </table> -<p><span class="pagenum"><a name="Page_lvi" id="Page_lvi">lvi</a></span></p> +<p><span class="pagenum"><a id="Page_lvi">lvi</a></span></p> <p> </p> -<h5><a name="Chronological_Chart" id="Chronological_Chart">CHRONOLOGICAL CHART</a></h5> +<h5><a id="Chronological_Chart">CHRONOLOGICAL CHART</a></h5> <h5>Except in the case of Shakespeare's plays (see note) the literature dates refer to first publication</h5> -<table class="chronology" summary="Chronological Chart" width="100%"> +<table style="width: 100%;"> <tr> <td class="bdrbtm" colspan="7"> </td> </tr> <tr> <td class="chronyr bdrbtm ctr"><span class="smallcaps">Year</span></td> <td class="bdrlfbtm" colspan="4"> - <table class="chronology" summary="heading1" cellspacing="0"> + <table class="chronology" style="border-spacing: 0px;"> <tr> - <td colspan="4" class="bdrbtm ctr"><span class="smallcaps">Shakespeare</span></td> + <td colspan="2" class="bdrbtm ctr"><span class="smallcaps">Shakespeare</span></td> </tr> <tr> <td class="ctr chronbio"><span class="smallcaps">Biography; Poems</span></td> @@ -2724,7 +2677,7 @@ by Meres in the Palladis Tamia (1598)</td> <td class="bdrlfbtsm">Drake sailed to circumnavigate globe</td> </tr> <tr> -<td class="bdrbtsm"><span class="pagenum"><a name="Page_lvii" id="Page_lvii">lvii</a></span> +<td class="bdrbtsm"><span class="pagenum"><a id="Page_lvii">lvii</a></span> 1579</td> <td class="bdrlfbtsm">Sister Ann died (aged eight)</td> @@ -2817,7 +2770,7 @@ by Meres in the Palladis Tamia (1598)</td> <td class="bdrbtsm">1591</td> <td class="bdrlfbtsm"> </td> <td class="bdrlfbtsm">Comedy of Errors (M)</td> -<td class="bdrlfbtsm">1 Henry VI<br />2 Henry VI</td> +<td class="bdrlfbtsm">1 Henry VI<br >2 Henry VI</td> <td class="bdrlfbtsm"> </td> <td class="bdrlfbtsm">Sidney's Astrophel and Stella. Harington's tr. of Orlando Furioso</td> <td class="bdrlfbtsm">Herrick born</td> @@ -2825,27 +2778,27 @@ by Meres in the Palladis Tamia (1598)</td> <tr> <td class="bdrbtsm">1592 -<span class="pagenum"><a name="Page_lviii" id="Page_lviii">lviii</a></span> +<span class="pagenum"><a id="Page_lviii">lviii</a></span> </td> <td class="bdrlfbtsm">Greene's attack in Groatsworth of Wit</td> <td class="bdrlfbtsm">Two Gentlemen of Verona (M)</td> -<td class="bdrlfbtsm">Richard III (M, 1597).<br />3 Henry VI</td> +<td class="bdrlfbtsm">Richard III (M, 1597).<br >3 Henry VI</td> <td class="bdrlfbtsm">Romeo and Juliet (M, 1597)</td> <td class="bdrlfbtsm">Daniel's Delia. Lyly's Gallathea (Galatea)</td> <td class="bdrlfbtsm">Greene died. Montaigne died. London theatres closed through plague</td> </tr> <tr> <td class="bdrbtsm">1593</td> -<td class="bdrlfbtsm">Venus and Adonis (seven editions, 1594-1616)</td> +<td class="bdrlfbtsm">Venus and Adonis (seven editions, 1594–1616)</td> <td class="bdrlfbtsm"> </td> -<td class="bdrlfbtsm">King John (M).<br />Richard II (M, 1597)</td> +<td class="bdrlfbtsm">King John (M).<br >Richard II (M, 1597)</td> <td class="bdrlfbtsm">Titus Andronicus (M, 1594)</td> <td class="bdrlfbtsm">Peele's Edward I. Barnes's Sonnets</td> <td class="bdrlfbtsm">Marlowe died. Herbert born.</td> </tr> <tr> <td class="bdrbtsm">1594</td> -<td class="bdrlfbtsm">Lucrece (five editions, 1594-1616)</td> +<td class="bdrlfbtsm">Lucrece (five editions, 1594–1616)</td> <td class="bdrlfbtsm">A Midsummer Night's Dream (M, 1600)</td> <td class="bdrlfbtsm"> </td> <td class="bdrlfbtsm"> </td> @@ -2907,7 +2860,7 @@ by Meres in the Palladis Tamia (1598)</td> <td class="bdrlfbtsm">Calderon born. Bruno died</td> </tr> <tr> -<td class="bdrbtsm">1601<span class="pagenum"><a name="Page_lix" id="Page_lix">lix</a></span> +<td class="bdrbtsm">1601<span class="pagenum"><a id="Page_lix">lix</a></span> </td> <td class="bdrlfbtsm">Father died. The Phoenix and Turtle</td> @@ -2941,7 +2894,7 @@ by Meres in the Palladis Tamia (1598)</td> <td class="bdrlfbtsm">Measure for Measure</td> <td class="bdrlfbtsm"> </td> <td class="bdrlfbtsm">Othello</td> -<td class="bdrlfbtsm">Marlowe's Faustus (1588-1589)</td> +<td class="bdrlfbtsm">Marlowe's Faustus (1588–1589)</td> <td class="bdrlfbtsm">Hampton Court Conference</td> </tr> <tr> @@ -3001,7 +2954,7 @@ by Meres in the Palladis Tamia (1598)</td> <tr> <td class="bdrbtsm">1611</td> <td class="bdrlfbtsm">Subscribed for better highways</td> -<td class="bdrlfbtsm">Winter's Tale<br />The Tempest</td> +<td class="bdrlfbtsm">Winter's Tale<br >The Tempest</td> <td class="bdrlfbtsm"> </td> <td class="bdrlfbtsm"> </td> <td class="bdrlfbtsm">King James Bible (A.V.). Bellarmine's Puissance du Pape</td> @@ -3027,11 +2980,11 @@ by Meres in the Palladis Tamia (1598)</td> </tr> </table> -<p><span class="pagenum"><a name="Page_lx" id="Page_lx">lx</a></span></p> +<p><span class="pagenum"><a id="Page_lx">lx</a></span></p> <p> </p> -<h5><a name="Distribution_Of_Characters" id="Distribution_Of_Characters">DISTRIBUTION OF CHARACTERS</a></h5> +<h5><a id="Distribution_Of_Characters">DISTRIBUTION OF CHARACTERS</a></h5> <p>In this analysis are shown the acts and scenes in which the characters (see Dramatis Personæ, page 2) appear, with the number of @@ -3039,12 +2992,12 @@ speeches and lines given to each.</p> <p><span class="smallcaps">Note</span>. Parts of lines are counted as whole lines.</p> -<table class="distribution" summary="distribution"> +<table class="distribution"> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> -<td class="bdrlfbtm botmctr" colspan="2">NO. OF<br />SPEECHES</td> -<td class="bdrbtm botmctr" colspan="2">NO. OF<br />LINES</td> +<td class="bdrlfbtm botmctr" colspan="2">NO. OF<br >SPEECHES</td> +<td class="bdrbtm botmctr" colspan="2">NO. OF<br >LINES</td> </tr> <tr> <td class="distchar"><span class="charname">Cæsar</span></td> @@ -3060,6 +3013,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">16</td> <td> </td> <td class="botmrt">72</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3067,12 +3021,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">10</td> <td> </td> <td class="botmrt">39</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">40</td> @@ -3081,7 +3036,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">150</td> @@ -3097,6 +3052,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">6</td> <td> </td> <td class="botmrt">12</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3104,6 +3060,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">9</td> <td> </td> <td class="botmrt">25</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3111,12 +3068,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">4</td> <td> </td> <td class="botmrt">10</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">19</td> @@ -3125,7 +3083,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">47</td> @@ -3141,6 +3099,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">4</td> <td> </td> <td class="botmrt">6</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3148,6 +3107,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">1</td> <td> </td> <td class="botmrt">1</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3155,6 +3115,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">10</td> <td> </td> <td class="botmrt">98</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3162,6 +3123,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">20</td> <td> </td> <td class="botmrt">147</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3169,6 +3131,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">5</td> <td> </td> <td class="botmrt">38</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3176,6 +3139,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">8</td> <td> </td> <td class="botmrt">22</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3183,6 +3147,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">2</td> <td> </td> <td class="botmrt">8</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3190,12 +3155,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">1</td> <td> </td> <td class="botmrt">8</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">51</td> @@ -3204,7 +3170,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">328</td> @@ -3238,6 +3204,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">1</td> <td> </td> <td class="botmrt">1</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3245,12 +3212,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">1</td> <td> </td> <td class="botmrt">1</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">2</td> @@ -3259,7 +3227,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">2</td> @@ -3284,6 +3252,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">22</td> <td> </td> <td class="botmrt">73</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3291,6 +3260,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">35</td> <td> </td> <td class="botmrt">182</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3298,6 +3268,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">2</td> <td> </td> <td class="botmrt">3</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3305,6 +3276,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">23</td> <td> </td> <td class="botmrt">78</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3312,6 +3284,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">5</td> <td> </td> <td class="botmrt">49</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3319,6 +3292,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">10</td> <td> </td> <td class="botmrt">34</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3326,6 +3300,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">69</td> <td> </td> <td class="botmrt">204</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3333,6 +3308,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">11</td> <td> </td> <td class="botmrt">33</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3340,6 +3316,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">1</td> <td> </td> <td class="botmrt">6</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3347,6 +3324,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">4</td> <td> </td> <td class="botmrt">18</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3354,6 +3332,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">1</td> <td> </td> <td class="botmrt">1</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3361,12 +3340,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">10</td> <td> </td> <td class="botmrt">39</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">193</td> @@ -3375,7 +3355,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">720</td> @@ -3391,6 +3371,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">24</td> <td> </td> <td class="botmrt">143</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3398,6 +3379,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">15</td> <td> </td> <td class="botmrt">119</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3405,6 +3387,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">14</td> <td> </td> <td class="botmrt">37</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3412,6 +3395,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">18</td> <td> </td> <td class="botmrt">44</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3419,6 +3403,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">4</td> <td> </td> <td class="botmrt">7</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3426,6 +3411,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">46</td> <td> </td> <td class="botmrt">98</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3433,6 +3419,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">11</td> <td> </td> <td class="botmrt">49</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3440,12 +3427,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">6</td> <td> </td> <td class="botmrt">32</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">138</td> @@ -3454,7 +3442,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">529</td> @@ -3470,6 +3458,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">19</td> <td> </td> <td class="botmrt">60</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3477,6 +3466,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">14</td> <td> </td> <td class="botmrt">57</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3484,6 +3474,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">4</td> <td> </td> <td class="botmrt">10</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3491,12 +3482,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">3</td> <td> </td> <td class="botmrt">4</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">40</td> @@ -3505,7 +3497,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">131</td> @@ -3521,6 +3513,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">2</td> <td> </td> <td class="botmrt">3</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3528,6 +3521,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">1</td> <td> </td> <td class="botmrt">2</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3535,12 +3529,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">1</td> <td> </td> <td class="botmrt">3</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">4</td> @@ -3549,7 +3544,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">8</td> @@ -3574,6 +3569,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">3</td> <td> </td> <td class="botmrt">12</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3581,6 +3577,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">4</td> <td> </td> <td class="botmrt">25</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3588,12 +3585,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">5</td> <td> </td> <td class="botmrt">7</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">12</td> @@ -3602,7 +3600,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">44</td> @@ -3618,6 +3616,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">2</td> <td> </td> <td class="botmrt">9</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3625,12 +3624,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">3</td> <td> </td> <td class="botmrt">8</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">5</td> @@ -3639,7 +3639,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">17</td> @@ -3655,6 +3655,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">4</td> <td> </td> <td class="botmrt">9</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3662,6 +3663,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">3</td> <td> </td> <td class="botmrt">4</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3669,12 +3671,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">4</td> <td> </td> <td class="botmrt">5</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">11</td> @@ -3683,7 +3686,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">18</td> @@ -3712,12 +3715,13 @@ speeches and lines given to each.</p> </tr> <tr> -<td class="pad1"><span class="pagenum"><a name="Page_lxi" id="Page_lxi">lxi</a></span> +<td class="pad1"><span class="pagenum"><a id="Page_lxi">lxi</a></span> <span class="charname">Artemidorus</span></td> <td class="pad1">II, iii</td> <td class="bdrlft botmrt">1</td> <td> </td> <td class="botmrt">14</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3725,12 +3729,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">3</td> <td> </td> <td class="botmrt">4</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">4</td> @@ -3739,7 +3744,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">18</td> @@ -3755,6 +3760,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">3</td> <td> </td> <td class="botmrt">3</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3762,6 +3768,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">5</td> <td> </td> <td class="botmrt">14</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3769,12 +3776,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">1</td> <td> </td> <td class="botmrt">1</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">9</td> @@ -3783,7 +3791,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">18</td> @@ -3817,6 +3825,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">4</td> <td> </td> <td class="botmrt">10</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3824,6 +3833,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">1</td> <td> </td> <td class="botmrt">1</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3831,6 +3841,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">1</td> <td> </td> <td class="botmrt">1</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3838,6 +3849,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">3</td> <td> </td> <td class="botmrt">14</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3845,12 +3857,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">1</td> <td> </td> <td class="botmrt">2</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">10</td> @@ -3859,7 +3872,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">28</td> @@ -3875,6 +3888,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">1</td> <td> </td> <td class="botmrt">1</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3882,12 +3896,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">9</td> <td> </td> <td class="botmrt">31</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">10</td> @@ -3896,7 +3911,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">32</td> @@ -3912,6 +3927,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">9</td> <td> </td> <td class="botmrt">14</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3919,6 +3935,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">2</td> <td> </td> <td class="botmrt">2</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3926,6 +3943,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">7</td> <td> </td> <td class="botmrt">19</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3933,12 +3951,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">3</td> <td> </td> <td class="botmrt">4</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">21</td> @@ -3947,7 +3966,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">39</td> @@ -3963,6 +3982,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">2</td> <td> </td> <td class="botmrt">3</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -3970,12 +3990,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">1</td> <td> </td> <td class="botmrt">5</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">3</td> @@ -3984,7 +4005,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">8</td> @@ -4045,6 +4066,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">10</td> <td> </td> <td class="botmrt">17</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -4052,6 +4074,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">4</td> <td> </td> <td class="botmrt">6</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -4059,12 +4082,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">10</td> <td> </td> <td class="botmrt">10</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">24</td> @@ -4073,7 +4097,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">33</td> @@ -4098,6 +4122,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">1</td> <td> </td> <td class="botmrt">3</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -4105,12 +4130,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">4</td> <td> </td> <td class="botmrt">13</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">5</td> @@ -4119,7 +4145,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">16</td> @@ -4135,6 +4161,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">1</td> <td> </td> <td class="botmrt">1</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -4142,12 +4169,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">5</td> <td> </td> <td class="botmrt">26</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">6</td> @@ -4156,7 +4184,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">27</td> @@ -4172,6 +4200,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">6</td> <td> </td> <td class="botmrt">62</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -4179,12 +4208,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">10</td> <td> </td> <td class="botmrt">30</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">16</td> @@ -4193,7 +4223,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">92</td> @@ -4272,6 +4302,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">14</td> <td> </td> <td class="botmrt">17</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -4279,12 +4310,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">4</td> <td> </td> <td class="botmrt">4</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">18</td> @@ -4293,7 +4325,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">21</td> @@ -4309,6 +4341,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">14</td> <td> </td> <td class="botmrt">16</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -4316,12 +4349,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">4</td> <td> </td> <td class="botmrt">6</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">18</td> @@ -4330,7 +4364,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">22</td> @@ -4346,6 +4380,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">12</td> <td> </td> <td class="botmrt">16</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -4353,12 +4388,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">4</td> <td> </td> <td class="botmrt">7</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">16</td> @@ -4367,7 +4403,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">23</td> @@ -4383,6 +4419,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">11</td> <td> </td> <td class="botmrt">14</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -4390,12 +4427,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">5</td> <td> </td> <td class="botmrt">7</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">16</td> @@ -4404,7 +4442,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">21</td> @@ -4429,6 +4467,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">1</td> <td> </td> <td class="botmrt">1</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -4436,12 +4475,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">3</td> <td> </td> <td class="botmrt">4</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">4</td> @@ -4450,7 +4490,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">5</td> @@ -4466,6 +4506,7 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">1</td> <td> </td> <td class="botmrt">1</td> +<td class="distlnctrt"> </td> </tr> <tr> <td> </td> @@ -4473,12 +4514,13 @@ speeches and lines given to each.</p> <td class="bdrlft botmrt">1</td> <td> </td> <td class="botmrt">1</td> +<td class="distlnctrt"> </td> </tr> <tr> <td class="bdrbtm"> </td> <td class="bdrbtm"> </td> <td class="bdrlfbtm"> - <table class="distribution" width="100%" summary="total1"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">2</td> @@ -4487,7 +4529,7 @@ speeches and lines given to each.</p> </td> <td class="bdrbtm"> </td> <td class="bdrbtm"> - <table class="distribution" width="100%" summary="total2"> + <table style="width: 100%;"> <tr> <td class="disttotallft"> </td> <td class="botmrt overline">2</td> @@ -4523,23 +4565,23 @@ speeches and lines given to each.</p> <div class="text"> -<a name="Start" id="Start"></a> +<a id="Start"></a> -<span class="pagenum"><a name="Page_1" id="Page_1"></a></span> +<span class="pagenum"><a id="Page_1"></a></span> -<hr class="mid" /> +<hr class="mid" > <h1>JULIUS CÆSAR</h1> -<hr class="mid" /> +<hr class="mid" > -<span class="pagenum"><a name="Page_2" id="Page_2"></a>2</span> +<span class="pagenum"><a id="Page_2"></a>2</span> <div class="page"> -<h4>DRAMATIS PERSONÆ<a class="tag" name="tagI_1" id="tagI_1" href="#noteI_1">[1]</a></h4> +<h4>DRAMATIS PERSONÆ<a class="tag" id="tagI_1" href="#noteI_1">[1]</a></h4> -<table class="dramatis" summary="list of characters"> +<table class="dramatis"> <tr> <td class="smallcaps pad1"><p>Julius Cæsar.</p></td> <td> </td> @@ -4547,10 +4589,10 @@ speeches and lines given to each.</p> <tr> <td class="smallcaps pad1"> <p>Octavius Cæsar</p> - <p>Marcus Antonius,<a class="tag" name="tagI_2" id="tagI_2" href="#noteI_2">[2]</a></p> + <p>Marcus Antonius,<a class="tag" id="tagI_2" href="#noteI_2">[2]</a></p> <p>M. Æmilius Lepidus</p> </td> - <td class="bracket threelines">triumvirs after the death<br />of Julius Cæsar.</td> + <td class="bracket threelines">triumvirs after the death<br >of Julius Cæsar.</td> </tr> <tr> @@ -4568,7 +4610,7 @@ speeches and lines given to each.</p> <p>Casca</p> <p>Trebonius</p> <p>Ligarius</p> - <p>Decius Brutus<a class="tag" name="tagI_3" id="tagI_3" href="#noteI_3">[3]</a></p> + <p>Decius Brutus<a class="tag" id="tagI_3" href="#noteI_3">[3]</a></p> <p>Metellus Cimber</p> <p>Cinna</p> </td> @@ -4576,12 +4618,12 @@ speeches and lines given to each.</p> </tr> <tr> <td colspan="2"> - <p><span class="charname">Flavius</span> and <span class="charname">Marullus</span>,<a class="tag" name="tagI_4" id="tagI_4" href="#noteI_4">[4]</a> tribunes.</p> + <p><span class="charname">Flavius</span> and <span class="charname">Marullus</span>,<a class="tag" id="tagI_4" href="#noteI_4">[4]</a> tribunes.</p> </td> </tr> <tr> <td colspan="2"> - <p><span class="charname">Artemidorus</span> of Cnidos, a teacher of Rhetoric.<a class="tag" name="tagI_5" id="tagI_5" href="#noteI_5">[5]</a></p> + <p><span class="charname">Artemidorus</span> of Cnidos, a teacher of Rhetoric.<a class="tag" id="tagI_5" href="#noteI_5">[5]</a></p> </td> </tr> <tr> @@ -4628,7 +4670,7 @@ speeches and lines given to each.</p> </tr> <tr> <td colspan="2"> - <p><span class="charname">Calpurnia</span>,<a class="tag" name="tagI_6" id="tagI_6" href="#noteI_6">[6]</a> wife to Cæsar.</p> + <p><span class="charname">Calpurnia</span>,<a class="tag" id="tagI_6" href="#noteI_6">[6]</a> wife to Cæsar.</p> </td> </tr> <tr> @@ -4648,54 +4690,54 @@ Philippi.</i></h5> </div> -<hr class="mid" /> +<hr class="mid" > -<span class="pagenum"><a name="Page_3" id="Page_3"></a>3</span> +<span class="pagenum"><a id="Page_3"></a>3</span> -<h3 class="act"><a name="Act_I" id="Act_I">ACT I.</a></h3> +<h3 class="act"><a id="Act_I">ACT I.</a></h3> -<h4 class="scene"><a name="sceneI_1" id="sceneI_1"> +<h4 class="scene"><a id="sceneI_1"> <span class="scenenum">I. 1</span> -<span class="smallcaps">Scene I.</span> <i>Rome. A street</i></a><a class="tag" name="tagI_7" id="tagI_7" href="#noteI_7">[7]</a></h4> +<span class="smallcaps">Scene I.</span> <i>Rome. A street</i></a><a class="tag" id="tagI_7" href="#noteI_7">[7]</a></h4> <h5 class="stagedir">Enter <span class="charname">Flavius</span>, <span class="charname">Marullus</span>, -and certain <span class="normal">Commoners</span> over the stage<span class="normal"><a class="tag" name="tagI_8" id="tagI_8" href="#noteI_8">[8]</a></span></h5> +and certain <span class="normal">Commoners</span> over the stage<span class="normal"><a class="tag" id="tagI_8" href="#noteI_8">[8]</a></span></h5> <div class="verse"> <p><span class="charname">Flavius.</span> Hence! home, you idle creatures, get you home:</p> <p>Is this a holiday? what! know you not,</p> -<p>Being mechanical<a class="tag" name="tagI_9" id="tagI_9" href="#noteI_9">[9]</a>, you ought not walk<a class="tag" name="tagI_10" id="tagI_10" href="#noteI_10">[10]</a></p> +<p>Being mechanical,<a class="tag" id="tagI_9" href="#noteI_9">[9]</a> you ought not walk<a class="tag" id="tagI_10" href="#noteI_10">[10]</a></p> <p>Upon a labouring day without the sign</p> -<p><span class="linenum">5</span>Of your profession? Speak, what trade art thou?<a class="tag" name="tagI_11" id="tagI_11" href="#noteI_11">[11]</a></p> +<p><span class="linenum">5</span>Of your profession? Speak, what trade art thou?<a class="tag" id="tagI_11" href="#noteI_11">[11]</a></p> </div> <div class="verse"> -<p><span class="charname">Carpenter.</span><a class="tag" name="tagI_12" id="tagI_12" href="#noteI_12">[12]</a> Why, sir, a carpenter.</p> +<p><span class="charname">Carpenter.</span><a class="tag" id="tagI_12" href="#noteI_12">[12]</a> Why, sir, a carpenter.</p> </div> <div class="verse"> <p><span class="charname">Marullus.</span> Where is thy leather apron and thy rule?</p> <p>What dost thou with thy best apparel on?</p> -<p><span class="linenum">10</span>You, sir, what trade are you?<a class="tag" name="tagI_13" id="tagI_13" href="#noteI_13">[13]</a></p> +<p><span class="linenum">10</span>You, sir, what trade are you?<a class="tag" id="tagI_13" href="#noteI_13">[13]</a></p> </div> -<p><span class="pagenum"><a name="Page_4" id="Page_4"></a>4</span></p> +<p><span class="pagenum"><a id="Page_4"></a>4</span></p> -<p><span class="charname">Cobbler.</span><a class="tag" name="tagI_14" id="tagI_14" href="#noteI_14">[14]</a> Truly, sir, in respect of<a class="tag" name="tagI_15" id="tagI_15" href="#noteI_15">[15]</a> a fine workman, I am -but, as you would say, a cobbler<a class="tag" name="tagI_16" id="tagI_16" href="#noteI_16">[16]</a>.</p> +<p><span class="charname">Cobbler.</span><a class="tag" id="tagI_14" href="#noteI_14">[14]</a> Truly, sir, in respect of<a class="tag" id="tagI_15" href="#noteI_15">[15]</a> a fine workman, I am +but, as you would say, a cobbler.<a class="tag" id="tagI_16" href="#noteI_16">[16]</a></p> -<p><span class="charname">Marullus.</span> But what trade art thou? answer me directly<a class="tag" name="tagI_17" id="tagI_17" href="#noteI_17">[17]</a>.</p> +<p><span class="charname">Marullus.</span> But what trade art thou? answer me directly.<a class="tag" id="tagI_17" href="#noteI_17">[17]</a></p> <p><span class="charname">Cobbler.</span> A trade, sir, that I hope I may use with a safe conscience; which is, indeed, sir, a mender of bad -soles.<span class="linenum">15</span><a class="tag" name="tagI_18" id="tagI_18" href="#noteI_18">[18]</a><a class="tag" name="tagI_19" id="tagI_19" href="#noteI_19">[19]</a></p> +soles.<span class="linenum">15</span><a class="tag" id="tagI_18" href="#noteI_18">[18]</a><a class="tag" id="tagI_19" href="#noteI_19">[19]</a></p> -<p><span class="charname">Flavius.</span><a class="tag" name="tagI_20" id="tagI_20" href="#noteI_20">[20]</a><a class="tag" name="tagI_21" id="tagI_21" href="#noteI_21">[21]</a> What trade, thou knave? thou naughty knave, what trade?</p> +<p><span class="charname">Flavius.</span><a class="tag" id="tagI_20" href="#noteI_20">[20]</a><a class="tag" id="tagI_21" href="#noteI_21">[21]</a> What trade, thou knave? thou naughty knave, what trade?</p> -<p><span class="charname">Cobbler.</span> Nay, I beseech you, sir, be not out<a class="tag" name="tagI_22" id="tagI_22" href="#noteI_22">[22]</a> with me: +<p><span class="charname">Cobbler.</span> Nay, I beseech you, sir, be not out<a class="tag" id="tagI_22" href="#noteI_22">[22]</a> with me: yet, if you be out, sir, I can mend you.</p> -<p><span class="charname">Marullus.</span><a class="tag" name="tagI_23" id="tagI_23" href="#noteI_23">[23]</a> What mean'st thou by that? mend me, thou +<p><span class="charname">Marullus.</span><a class="tag" id="tagI_23" href="#noteI_23">[23]</a> What mean'st thou by that? mend me, thou saucy fellow?<span class="linenum">20</span></p> <p><span class="charname">Cobbler.</span> Why, sir, cobble you.</p> @@ -4704,10 +4746,10 @@ saucy fellow?<span class="linenum">20</span></p> <p><span class="charname">Cobbler.</span> Truly, sir, all that I live by is with the awl: I meddle with no tradesman's matters, nor women's -<span class="pagenum"><a name="Page_5" id="Page_5"></a>5</span><span class="linenum">25</span> -matters, but withal I<a class="tag" name="tagI_24" id="tagI_24" href="#noteI_24">[24]</a><a class="tag" name="tagI_25" id="tagI_25" href="#noteI_25">[25]</a> am, indeed, sir, a surgeon to old shoes; -when they are in great danger, I recover them. As proper<a class="tag" name="tagI_26" id="tagI_26" href="#noteI_26">[26]</a> -men as ever trod upon neat's-leather<a class="tag" name="tagI_27" id="tagI_27" href="#noteI_27">[27]</a> have gone upon my +<span class="pagenum"><a id="Page_5"></a>5</span><span class="linenum">25</span> +matters, but withal I<a class="tag" id="tagI_24" href="#noteI_24">[24]</a><a class="tag" id="tagI_25" href="#noteI_25">[25]</a> am, indeed, sir, a surgeon to old shoes; +when they are in great danger, I recover them. As proper<a class="tag" id="tagI_26" href="#noteI_26">[26]</a> +men as ever trod upon neat's-leather<a class="tag" id="tagI_27" href="#noteI_27">[27]</a> have gone upon my handiwork.</p> <div class="verse"> @@ -4720,32 +4762,32 @@ myself into more work. But, indeed, sir, we make holiday, to see Cæsar and to rejoice in his triumph.</p> <div class="verse"> -<p><span class="charname">Marullus.</span> Wherefore rejoice? What conquest brings he home? <a class="tag" name="tagI_28" id="tagI_28" href="#noteI_28">[28]</a></p> +<p><span class="charname">Marullus.</span> Wherefore rejoice? What conquest brings he home? <a class="tag" id="tagI_28" href="#noteI_28">[28]</a></p> <p><span class="linenum">35</span>What tributaries follow him to Rome,</p> <p>To grace in captive bonds his chariot-wheels?</p> -<p><a name="tagI_1_37" id="tagI_1_37"></a>You blocks, you stones, you worse than senseless things!</p> +<p><a id="tagI_1_37"></a>You blocks, you stones, you worse than senseless things!</p> <p>O you hard hearts, you cruel men of Rome,</p> -<p>Knew you not Pompey? Many a time and oft<a class="tag" name="tagI_29" id="tagI_29" href="#noteI_29">[29]</a></p> -<p><span class="pagenum"><a name="Page_6" id="Page_6"></a>6</span></p> -<p><span class="linenum">40</span>Have<a class="tag" name="tagI_30" id="tagI_30" href="#noteI_30">[30]</a> you climb'd up to walls and battlements,</p> -<p>To towers and windows<a class="tag" name="tagI_31" id="tagI_31" href="#noteI_31">[31]</a>, yea, to chimney-tops,</p> +<p>Knew you not Pompey? Many a time and oft<a class="tag" id="tagI_29" href="#noteI_29">[29]</a></p> +<p><span class="pagenum"><a id="Page_6"></a>6</span></p> +<p><span class="linenum">40</span>Have<a class="tag" id="tagI_30" href="#noteI_30">[30]</a> you climb'd up to walls and battlements,</p> +<p>To towers and windows,<a class="tag" id="tagI_31" href="#noteI_31">[31]</a> yea, to chimney-tops,</p> <p>Your infants in your arms, and there have sat</p> <p>The live-long day, with patient expectation,</p> -<p>To see great Pompey pass the streets of Rome:<a class="tag" name="tagI_32" id="tagI_32" href="#noteI_32">[32]</a></p> +<p>To see great Pompey pass the streets of Rome:<a class="tag" id="tagI_32" href="#noteI_32">[32]</a></p> <p><span class="linenum">45</span>And when you saw his chariot but appear,</p> <p>Have you not made an universal shout,</p> -<p>That<a class="tag" name="tagI_33" id="tagI_33" href="#noteI_33">[33]</a> Tiber trembled underneath her<a class="tag" name="tagI_34" id="tagI_34" href="#noteI_34">[34]</a><a class="tag" name="tagI_35" id="tagI_35" href="#noteI_35">[35]</a> banks</p> -<p>To hear<a class="tag" name="tagI_36" id="tagI_36" href="#noteI_36">[36]</a> the replication<a class="tag" name="tagI_37" id="tagI_37" href="#noteI_37">[37]</a> of your sounds</p> -<p>Made in her<a class="tag" name="tagI_34b" id="tagI_34b" href="#noteI_34">[34]</a> concave shores?</p> +<p>That<a class="tag" id="tagI_33" href="#noteI_33">[33]</a> Tiber trembled underneath her<a class="tag" id="tagI_34" href="#noteI_34">[34]</a><a class="tag" id="tagI_35" href="#noteI_35">[35]</a> banks</p> +<p>To hear<a class="tag" id="tagI_36" href="#noteI_36">[36]</a> the replication<a class="tag" id="tagI_37" href="#noteI_37">[37]</a> of your sounds</p> +<p>Made in her<a class="tag" id="tagI_34b" href="#noteI_34">[34]</a> concave shores?</p> <p><span class="linenum">50</span>And do you now put on your best attire?</p> -<p>And do you now cull out a holiday?<a class="tag" name="tagI_38" id="tagI_38" href="#noteI_38">[38]</a></p> +<p>And do you now cull out a holiday?<a class="tag" id="tagI_38" href="#noteI_38">[38]</a></p> <p>And do you now strew flowers in his way</p> -<p>That comes in triumph over Pompey's blood?<a class="tag" name="tagI_39" id="tagI_39" href="#noteI_39">[39]</a></p> +<p>That comes in triumph over Pompey's blood?<a class="tag" id="tagI_39" href="#noteI_39">[39]</a></p> <p>Be gone!</p> <p><span class="linenum">55</span>Run to your houses, fall upon your knees,</p> -<p><span class="pagenum"><a name="Page_7" id="Page_7"></a>7</span></p> +<p><span class="pagenum"><a id="Page_7"></a>7</span></p> <p>Pray to the gods to intermit the plague</p> -<p>That needs must light on this ingratitude.<a class="tag" name="tagI_40" id="tagI_40" href="#noteI_40">[40]</a></p> +<p>That needs must light on this ingratitude.<a class="tag" id="tagI_40" href="#noteI_40">[40]</a></p> </div> <div class="verse"> @@ -4753,41 +4795,41 @@ to see Cæsar and to rejoice in his triumph.</p> <p>Assemble all the poor men of your sort;</p> <p><span class="linenum">60</span>Draw them to Tiber banks, and weep your tears</p> <p>Into the channel, till the lowest stream</p> -<p>Do kiss the most exalted shores of all.<a class="tag" name="tagI_41" id="tagI_41" href="#noteI_41">[41]</a></p> +<p>Do kiss the most exalted shores of all.<a class="tag" id="tagI_41" href="#noteI_41">[41]</a></p> -<p class="right">[<i>Exeunt</i><a class="tag" name="tagI_42" id="tagI_42" href="#noteI_42">[42]</a> <i>all the</i> Commoners]</p> +<p class="right">[<i>Exeunt</i><a class="tag" id="tagI_42" href="#noteI_42">[42]</a> <i>all the</i> Commoners]</p> -<p>See, where<a class="tag" name="tagI_43" id="tagI_43" href="#noteI_43">[43]</a><a class="tag" name="tagI_44" id="tagI_44" href="#noteI_44">[44]</a> their basest metal<a class="tag" name="tagI_45" id="tagI_45" href="#noteI_45">[45]</a> be not mov'd!</p> +<p>See, where<a class="tag" id="tagI_43" href="#noteI_43">[43]</a><a class="tag" id="tagI_44" href="#noteI_44">[44]</a> their basest metal<a class="tag" id="tagI_45" href="#noteI_45">[45]</a> be not mov'd!</p> <p>They vanish tongue-tied in their guiltiness.</p> <p><span class="linenum">65</span>Go you down that way towards the Capitol;</p> -<p>This way will I: disrobe the images,<a class="tag" name="tagI_46" id="tagI_46" href="#noteI_46">[46]</a></p> -<p><span class="pagenum"><a name="Page_8" id="Page_8"></a>8</span></p> -<p>If you do find them deck'd with ceremonies.<a class="tag" name="tagI_47" id="tagI_47" href="#noteI_47">[47]</a></p> +<p>This way will I: disrobe the images,<a class="tag" id="tagI_46" href="#noteI_46">[46]</a></p> +<p><span class="pagenum"><a id="Page_8"></a>8</span></p> +<p>If you do find them deck'd with ceremonies.<a class="tag" id="tagI_47" href="#noteI_47">[47]</a></p> </div> <div class="verse"> <p><span class="charname">Marullus.</span> May we do so?</p> -<p>You know it is the feast of Lupercal.<a class="tag" name="tagI_48" id="tagI_48" href="#noteI_48">[48]</a></p> +<p>You know it is the feast of Lupercal.<a class="tag" id="tagI_48" href="#noteI_48">[48]</a></p> </div> <div class="verse"> <p><span class="linenum">70</span><span class="charname">Flavius.</span> It is no matter; let no images</p> -<p>Be hung with Cæsar's trophies.<a class="tag" name="tagI_49" id="tagI_49" href="#noteI_49">[49]</a> I'll about,</p> -<p>And drive away the vulgar<a class="tag" name="tagI_50" id="tagI_50" href="#noteI_50">[50]</a> from the streets:</p> +<p>Be hung with Cæsar's trophies.<a class="tag" id="tagI_49" href="#noteI_49">[49]</a> I'll about,</p> +<p>And drive away the vulgar<a class="tag" id="tagI_50" href="#noteI_50">[50]</a> from the streets:</p> <p>So do you too, where you perceive them thick.</p> <p>These growing feathers pluck'd from Cæsar's wing</p> -<p><span class="linenum">75</span>Will make him fly an ordinary pitch,<a class="tag" name="tagI_51" id="tagI_51" href="#noteI_51">[51]</a></p> +<p><span class="linenum">75</span>Will make him fly an ordinary pitch,<a class="tag" id="tagI_51" href="#noteI_51">[51]</a></p> <p>Who else would soar above the view of men,</p> <p>And keep us all in servile fearfulness.</p> <p class="right">[<i>Exeunt</i>]</p> </div> -<p><span class="pagenum"><a name="Page_9" id="Page_9"></a>9</span></p> +<p><span class="pagenum"><a id="Page_9"></a>9</span></p> <h4 class="scene"> -<a name="sceneI_2" id="sceneI_2"> +<a id="sceneI_2"> <span class="scenenum">I. 2</span> -<span class="smallcaps">Scene II.</span> <i>A public place</i></a><a class="tag" name="tagI_52" id="tagI_52" href="#noteI_52">[52]</a></h4> +<span class="smallcaps">Scene II.</span> <i>A public place</i></a><a class="tag" id="tagI_52" href="#noteI_52">[52]</a></h4> <h5 class="stagedir long">Enter <span class="charname">Cæsar; Antony</span>, for the course; <span class="charname">Calpurnia, Portia, Decius, Cicero, Brutus, Cassius</span>, and <span class="charname">Casca</span>; a great @@ -4812,8 +4854,8 @@ crowd following, among them a <span class="normal">Soothsayer.</span></h5> </div> <div class="verse"> -<p><span class="charname">Cæsar.</span> Stand you directly in Antonius'<a class="tag" name="tagI_53" id="tagI_53" href="#noteI_53">[53]</a><a class="tag" name="tagI_54" id="tagI_54" href="#noteI_54">[54]</a> way,</p> -<p>When he doth run his course. Antonius!<a class="tag" name="tagI_55" id="tagI_55" href="#noteI_55">[55]</a></p> +<p><span class="charname">Cæsar.</span> Stand you directly in Antonius'<a class="tag" id="tagI_53" href="#noteI_53">[53]</a><a class="tag" id="tagI_54" href="#noteI_54">[54]</a> way,</p> +<p>When he doth run his course. Antonius!<a class="tag" id="tagI_55" href="#noteI_55">[55]</a></p> </div> <div class="verse"> @@ -4824,7 +4866,7 @@ crowd following, among them a <span class="normal">Soothsayer.</span></h5> <p><span class="charname">Cæsar.</span> Forget not, in your speed, Antonius,</p> <p>To touch Calpurnia; for our elders say,</p> <p>The barren, touched in this holy chase,</p> -<p>Shake off their sterile curse.<a class="tag" name="tagI_56" id="tagI_56" href="#noteI_56">[56]</a></p> +<p>Shake off their sterile curse.<a class="tag" id="tagI_56" href="#noteI_56">[56]</a></p> </div> <div class="verse"> @@ -4833,11 +4875,11 @@ crowd following, among them a <span class="normal">Soothsayer.</span></h5> <p><span class="linenum">10</span>When Cæsar says 'Do this,' it is perform'd.</p> </div> -<p><span class="pagenum"><a name="Page_10" id="Page_10"></a>10</span></p> +<p><span class="pagenum"><a id="Page_10"></a>10</span></p> <div class="verse"> <p><span class="charname">Cæsar.</span> Set on; and leave no ceremony out.</p> -<p class="right">[<i>Flourish</i>]<a class="tag" name="tagI_57" id="tagI_57" href="#noteI_57">[57]</a></p> +<p class="right">[<i>Flourish</i>]<a class="tag" id="tagI_57" href="#noteI_57">[57]</a></p> </div> <div class="verse"> @@ -4859,7 +4901,7 @@ crowd following, among them a <span class="normal">Soothsayer.</span></h5> </div> <div class="verse"> -<p><span class="charname">Soothsayer.</span> Beware the Ides of March.<a class="tag" name="tagI_58" id="tagI_58" href="#noteI_58">[58]</a></p> +<p><span class="charname">Soothsayer.</span> Beware the Ides of March.<a class="tag" id="tagI_58" href="#noteI_58">[58]</a></p> </div> <div class="verse"> @@ -4868,7 +4910,7 @@ crowd following, among them a <span class="normal">Soothsayer.</span></h5> </div> <div class="verse"> -<p><span class="charname">Brutus.</span> A soothsayer<a class="tag" name="tagI_59" id="tagI_59" href="#noteI_59">[59]</a> bids you beware the Ides of March. <a class="tag" name="tagI_60" id="tagI_60" href="#noteI_60">[60]</a></p> +<p><span class="charname">Brutus.</span> A soothsayer<a class="tag" id="tagI_59" href="#noteI_59">[59]</a> bids you beware the Ides of March. <a class="tag" id="tagI_60" href="#noteI_60">[60]</a></p> </div> <div class="verse"> @@ -4891,13 +4933,13 @@ crowd following, among them a <span class="normal">Soothsayer.</span></h5> <p><span class="charname">Cæsar.</span> He is a dreamer; let us leave him. Pass.</p> </div> -<p class="right">[<i>Sennet.</i><a class="tag" name="tagI_61" id="tagI_61" href="#noteI_61">[61]</a> <i>Exeunt all but</i> <span class="charname">Brutus</span> <i>and</i> <span class="charname">Cassius</span>]<a class="tag" name="tagI_62" id="tagI_62" href="#noteI_62">[62]</a></p> +<p class="right">[<i>Sennet.</i><a class="tag" id="tagI_61" href="#noteI_61">[61]</a> <i>Exeunt all but</i> <span class="charname">Brutus</span> <i>and</i> <span class="charname">Cassius</span>]<a class="tag" id="tagI_62" href="#noteI_62">[62]</a></p> <div class="verse"> <p><span class="linenum">25</span><span class="charname">Cassius.</span> Will you go see the order of the course?</p> </div> -<p><span class="pagenum"><a name="Page_11" id="Page_11"></a>11</span></p> +<p><span class="pagenum"><a id="Page_11"></a>11</span></p> <div class="verse"> <p><span class="charname">Brutus.</span> Not I.</p> @@ -4908,8 +4950,8 @@ crowd following, among them a <span class="normal">Soothsayer.</span></h5> </div> <div class="verse"> -<p><span class="charname">Brutus.</span> I am not gamesome:<a class="tag" name="tagI_63" id="tagI_63" href="#noteI_63">[63]</a> I do lack some part</p> -<p>Of that quick spirit<a class="tag" name="tagI_64" id="tagI_64" href="#noteI_64">[64]</a> that is in Antony.</p> +<p><span class="charname">Brutus.</span> I am not gamesome:<a class="tag" id="tagI_63" href="#noteI_63">[63]</a> I do lack some part</p> +<p>Of that quick spirit<a class="tag" id="tagI_64" href="#noteI_64">[64]</a> that is in Antony.</p> <p><span class="linenum">30</span>Let me not hinder, Cassius, your desires;</p> <p>I'll leave you.</p> </div> @@ -4917,21 +4959,21 @@ crowd following, among them a <span class="normal">Soothsayer.</span></h5> <div class="verse"> <p><span class="charname">Cassius.</span> Brutus, I do observe you now of late:</p> <p>I have not from your eyes that gentleness</p> -<p>And show of love as<a class="tag" name="tagI_65" id="tagI_65" href="#noteI_65">[65]</a> I was wont to have:</p> -<p><span class="linenum">35</span>You bear too stubborn and too strange a hand<a class="tag" name="tagI_66" id="tagI_66" href="#noteI_66">[66]</a></p> -<p>Over your friend<a class="tag" name="tagI_67" id="tagI_67" href="#noteI_67">[67]</a> that loves you.<a class="tag" name="tagI_68" id="tagI_68" href="#noteI_68">[68]</a></p> +<p>And show of love as<a class="tag" id="tagI_65" href="#noteI_65">[65]</a> I was wont to have:</p> +<p><span class="linenum">35</span>You bear too stubborn and too strange a hand<a class="tag" id="tagI_66" href="#noteI_66">[66]</a></p> +<p>Over your friend<a class="tag" id="tagI_67" href="#noteI_67">[67]</a> that loves you.<a class="tag" id="tagI_68" href="#noteI_68">[68]</a></p> </div> <div class="verse"> -<p class="float"><a name="I_2_39" id="I_2_39"></a><span class="charname">Brutus.</span></p> +<p class="float"><a id="I_2_39"></a><span class="charname">Brutus.</span></p> <p class="iamb4">Cassius,</p> <p>Be not deceiv'd: if I have veil'd my look,</p> <p>I turn the trouble of my countenance</p> -<p>Merely<a class="tag" name="tagI_69" id="tagI_69" href="#noteI_69">[69]</a> upon myself. Vexed I am</p> -<p><span class="pagenum"><a name="Page_12" id="Page_12"></a>12</span></p> -<p><span class="linenum">40</span>Of late with passions of some difference,<a class="tag" name="tagI_70" id="tagI_70" href="#noteI_70">[70]</a></p> -<p>Conceptions only proper to myself,<a class="tag" name="tagI_71" id="tagI_71" href="#noteI_71">[71]</a></p> -<p>Which give some soil,<a class="tag" name="tagI_72" id="tagI_72" href="#noteI_72">[72]</a> perhaps, to my behaviours;<a class="tag" name="tagI_73" id="tagI_73" href="#noteI_73">[73]</a></p> +<p>Merely<a class="tag" id="tagI_69" href="#noteI_69">[69]</a> upon myself. Vexed I am</p> +<p><span class="pagenum"><a id="Page_12"></a>12</span></p> +<p><span class="linenum">40</span>Of late with passions of some difference,<a class="tag" id="tagI_70" href="#noteI_70">[70]</a></p> +<p>Conceptions only proper to myself,<a class="tag" id="tagI_71" href="#noteI_71">[71]</a></p> +<p>Which give some soil,<a class="tag" id="tagI_72" href="#noteI_72">[72]</a> perhaps, to my behaviours;<a class="tag" id="tagI_73" href="#noteI_73">[73]</a></p> <p>But let not therefore my good friends be griev'd—</p> <p>Among which number, Cassius, be you one—</p> <p><span class="linenum">45</span>Nor construe any further my neglect,</p> @@ -4940,33 +4982,33 @@ crowd following, among them a <span class="normal">Soothsayer.</span></h5> </div> <div class="verse"> -<p><span class="charname">Cassius.</span> Then, Brutus, I have much mistook<a class="tag" name="tagI_74" id="tagI_74" href="#noteI_74">[74]</a> your passion; <a class="tag" name="tagI_75" id="tagI_75" href="#noteI_75">[75]</a></p> -<p>By means whereof<a class="tag" name="tagI_76" id="tagI_76" href="#noteI_76">[76]</a> this breast of mine hath buried</p> +<p><span class="charname">Cassius.</span> Then, Brutus, I have much mistook<a class="tag" id="tagI_74" href="#noteI_74">[74]</a> your passion; <a class="tag" id="tagI_75" href="#noteI_75">[75]</a></p> +<p>By means whereof<a class="tag" id="tagI_76" href="#noteI_76">[76]</a> this breast of mine hath buried</p> <p><span class="linenum">50</span>Thoughts of great value, worthy cogitations.</p> <p>Tell me, good Brutus, can you see your face?</p> </div> <div class="verse"> -<p><span class="charname">Brutus.</span> No, Cassius; for the eye sees not itself<a class="tag" name="tagI_77" id="tagI_77" href="#noteI_77">[77]</a></p> -<p>But by reflection, by some<a class="tag" name="tagI_78" id="tagI_78" href="#noteI_78">[78]</a> other things.<a class="tag" name="tagI_79" id="tagI_79" href="#noteI_79">[79]</a><a class="tag" name="tagI_80" id="tagI_80" href="#noteI_80">[80]</a></p> +<p><span class="charname">Brutus.</span> No, Cassius; for the eye sees not itself<a class="tag" id="tagI_77" href="#noteI_77">[77]</a></p> +<p>But by reflection, by some<a class="tag" id="tagI_78" href="#noteI_78">[78]</a> other things.<a class="tag" id="tagI_79" href="#noteI_79">[79]</a><a class="tag" id="tagI_80" href="#noteI_80">[80]</a></p> </div> -<p><span class="pagenum"><a name="Page_13" id="Page_13"></a>13</span></p> +<p><span class="pagenum"><a id="Page_13"></a>13</span></p> <div class="verse"> -<p><span class="charname">Cassius.</span> 'Tis just:<a class="tag" name="tagI_81" id="tagI_81" href="#noteI_81">[81]</a></p> +<p><span class="charname">Cassius.</span> 'Tis just:<a class="tag" id="tagI_81" href="#noteI_81">[81]</a></p> <p><span class="linenum">55</span>And it is very much lamented, Brutus,</p> -<p><a name="tagI_2_56"></a>That you have no such mirrors as will turn</p> +<p><a id="tagI_2_56"></a>That you have no such mirrors as will turn</p> <p>Your hidden worthiness into your eye,</p> -<p>That you might see your shadow. I have heard,<a class="tag" name="tagI_82" id="tagI_82" href="#noteI_82">[82]</a></p> -<p>Where<a class="tag" name="tagI_83" id="tagI_83" href="#noteI_83">[83]</a> many of the best respect<a class="tag" name="tagI_84" id="tagI_84" href="#noteI_84">[84]</a> in Rome,</p> -<p><span class="linenum">60</span>Except immortal Cæsar,<a class="tag" name="tagI_85" id="tagI_85" href="#noteI_85">[85]</a> speaking of Brutus,</p> +<p>That you might see your shadow. I have heard,<a class="tag" id="tagI_82" href="#noteI_82">[82]</a></p> +<p>Where<a class="tag" id="tagI_83" href="#noteI_83">[83]</a> many of the best respect<a class="tag" id="tagI_84" href="#noteI_84">[84]</a> in Rome,</p> +<p><span class="linenum">60</span>Except immortal Cæsar,<a class="tag" id="tagI_85" href="#noteI_85">[85]</a> speaking of Brutus,</p> <p>And groaning underneath this age's yoke,</p> <p>Have wish'd that noble Brutus had his eyes.</p> </div> <div class="verse"> -<p><span class="charname">Brutus.</span> Into what dangers would you lead me, Cassius,<a class="tag" name="tagI_86" id="tagI_86" href="#noteI_86">[86]</a></p> +<p><span class="charname">Brutus.</span> Into what dangers would you lead me, Cassius,<a class="tag" id="tagI_86" href="#noteI_86">[86]</a></p> <p>That you would have me seek into myself</p> <p><span class="linenum">65</span>For that which is not in me?</p> </div> @@ -4976,21 +5018,21 @@ crowd following, among them a <span class="normal">Soothsayer.</span></h5> <p>And, since you know you cannot see yourself</p> <p>So well as by reflection, I, your glass,</p> <p>Will modestly discover to yourself</p> -<p><span class="linenum">70</span>That of yourself which you yet<a class="tag" name="tagI_87" id="tagI_87" href="#noteI_87">[87]</a> know not of.</p> -<p>And be not jealous on<a class="tag" name="tagI_88" id="tagI_88" href="#noteI_88">[88]</a> me, gentle Brutus:</p> -<p>Were I a common laughter,<a class="tag" name="tagI_89" id="tagI_89" href="#noteI_89">[89]</a><a class="tag" name="tagI_90" id="tagI_90" href="#noteI_90">[90]</a> or did use</p> -<p><span class="pagenum"><a name="Page_14" id="Page_14"></a>14</span></p> -<p>To stale<a class="tag" name="tagI_91" id="tagI_91" href="#noteI_91">[91]</a> with ordinary oaths my love</p> -<p>To every new protester;<a class="tag" name="tagI_92" id="tagI_92" href="#noteI_92">[92]</a> if you know</p> +<p><span class="linenum">70</span>That of yourself which you yet<a class="tag" id="tagI_87" href="#noteI_87">[87]</a> know not of.</p> +<p>And be not jealous on<a class="tag" id="tagI_88" href="#noteI_88">[88]</a> me, gentle Brutus:</p> +<p>Were I a common laughter,<a class="tag" id="tagI_89" href="#noteI_89">[89]</a><a class="tag" id="tagI_90" href="#noteI_90">[90]</a> or did use</p> +<p><span class="pagenum"><a id="Page_14"></a>14</span></p> +<p>To stale<a class="tag" id="tagI_91" href="#noteI_91">[91]</a> with ordinary oaths my love</p> +<p>To every new protester;<a class="tag" id="tagI_92" href="#noteI_92">[92]</a> if you know</p> <p><span class="linenum">75</span>That I do fawn on men and hug them hard,</p> <p>And after scandal them; or if you know</p> -<p>That I profess myself<a class="tag" name="tagI_93" id="tagI_93" href="#noteI_93">[93]</a> in banqueting</p> -<p>To all the rout<a class="tag" name="tagI_94" id="tagI_94" href="#noteI_94">[94]</a>, then hold me dangerous.</p> +<p>That I profess myself<a class="tag" id="tagI_93" href="#noteI_93">[93]</a> in banqueting</p> +<p>To all the rout,<a class="tag" id="tagI_94" href="#noteI_94">[94]</a> then hold me dangerous.</p> <p class="right">[<i>Flourish and shout</i>]</p> </div> <div class="verse"> -<p><span class="charname">Brutus.</span><a class="tag" name="tagI_95" id="tagI_95" href="#noteI_95">[95]</a> What means this shouting? I do fear, the people</p> +<p><span class="charname">Brutus.</span><a class="tag" id="tagI_95" href="#noteI_95">[95]</a> What means this shouting? I do fear, the people</p> <p>Choose Cæsar for their king.</p> </div> @@ -5004,57 +5046,57 @@ crowd following, among them a <span class="normal">Soothsayer.</span></h5> <p><span class="charname">Brutus.</span> I would not, Cassius; yet I love him well.</p> <p>But wherefore do you hold me here so long?</p> <p>What is it that you would impart to me?</p> -<p><span class="linenum">85</span>If it be aught<a class="tag" name="tagI_96" id="tagI_96" href="#noteI_96">[96]</a> toward the general good,</p> +<p><span class="linenum">85</span>If it be aught<a class="tag" id="tagI_96" href="#noteI_96">[96]</a> toward the general good,</p> <p>Set honour in one eye and death i' the other,</p> -<p>And I will look on both<a class="tag" name="tagI_97" id="tagI_97" href="#noteI_97">[97]</a><a class="tag" name="tagI_98" id="tagI_98" href="#noteI_98">[98]</a> indifferently;<a class="tag" name="tagI_99" id="tagI_99" href="#noteI_99">[99]</a></p> -<p><span class="pagenum"><a name="Page_15" id="Page_15"></a>15</span></p> -<p>For let the gods so speed<a class="tag" name="tagI_100" id="tagI_100" href="#noteI_100">[100]</a> me as I love</p> +<p>And I will look on both<a class="tag" id="tagI_97" href="#noteI_97">[97]</a><a class="tag" id="tagI_98" href="#noteI_98">[98]</a> indifferently;<a class="tag" id="tagI_99" href="#noteI_99">[99]</a></p> +<p><span class="pagenum"><a id="Page_15"></a>15</span></p> +<p>For let the gods so speed<a class="tag" id="tagI_100" href="#noteI_100">[100]</a> me as I love</p> <p>The name of honour more than I fear death.</p> </div> <div class="verse"> <p><span class="linenum">90</span><span class="charname">Cassius.</span> I know that virtue to be in you, Brutus,</p> -<p>As well as I do know your outward favour.<a class="tag" name="tagI_101" id="tagI_101" href="#noteI_101">[101]</a></p> +<p>As well as I do know your outward favour.<a class="tag" id="tagI_101" href="#noteI_101">[101]</a></p> <p>Well, honour is the subject of my story.</p> <p>I cannot tell what you and other men</p> -<p>Think of this life; but, for<a class="tag" name="tagI_102" id="tagI_102" href="#noteI_102">[102]</a> my single self,</p> -<p><span class="linenum">95</span>I had as lief<a class="tag" name="tagI_103" id="tagI_103" href="#noteI_103">[103]</a> not be as live to be</p> +<p>Think of this life; but, for<a class="tag" id="tagI_102" href="#noteI_102">[102]</a> my single self,</p> +<p><span class="linenum">95</span>I had as lief<a class="tag" id="tagI_103" href="#noteI_103">[103]</a> not be as live to be</p> <p>In awe of such a thing as I myself.</p> <p>I was born free as Cæsar; so were you:</p> <p>We both have fed as well; and we can both</p> <p>Endure the winter's cold as well as he:</p> <p><span class="linenum">100</span>For once, upon a raw and gusty day,</p> -<p>The troubled Tiber chafing<a class="tag" name="tagI_104" id="tagI_104" href="#noteI_104">[104]</a><a class="tag" name="tagI_105" id="tagI_105" href="#noteI_105">[105]</a> with her shores,</p> -<p>Cæsar said<a class="tag" name="tagI_106" id="tagI_106" href="#noteI_106">[106]</a> to me, 'Dar'st thou, Cassius, now</p> +<p>The troubled Tiber chafing<a class="tag" id="tagI_104" href="#noteI_104">[104]</a><a class="tag" id="tagI_105" href="#noteI_105">[105]</a> with her shores,</p> +<p>Cæsar said<a class="tag" id="tagI_106" href="#noteI_106">[106]</a> to me, 'Dar'st thou, Cassius, now</p> <p>Leap in with me into this angry flood,</p> -<p><a name="tagI_2_104" id="tagI_2_104"></a>And swim to yonder point?' Upon the word,</p> -<p><span class="linenum">105</span>Accoutred<a class="tag" name="tagI_107" id="tagI_107" href="#noteI_107">[107]</a> as I was, I plunged in,</p> -<p><span class="pagenum"><a name="Page_16" id="Page_16"></a>16</span></p> +<p><a id="tagI_2_104"></a>And swim to yonder point?' Upon the word,</p> +<p><span class="linenum">105</span>Accoutred<a class="tag" id="tagI_107" href="#noteI_107">[107]</a> as I was, I plunged in,</p> +<p><span class="pagenum"><a id="Page_16"></a>16</span></p> <p>And bade him follow: so indeed he did.</p> <p>The torrent roar'd, and we did buffet it</p> <p>With lusty sinews, throwing it aside</p> -<p>And stemming it with hearts of controversy;<a class="tag" name="tagI_108" id="tagI_108" href="#noteI_108">[108]</a></p> -<p><span class="linenum">110</span>But ere we could arrive the point<a class="tag" name="tagI_109" id="tagI_109" href="#noteI_109">[109]</a> propos'd,</p> +<p>And stemming it with hearts of controversy;<a class="tag" id="tagI_108" href="#noteI_108">[108]</a></p> +<p><span class="linenum">110</span>But ere we could arrive the point<a class="tag" id="tagI_109" href="#noteI_109">[109]</a> propos'd,</p> <p>Cæsar cried, 'Help me, Cassius, or I sink!'</p> <p>I, as Æneas, our great ancestor,</p> <p>Did from the flames of Troy upon his shoulder</p> <p>The old Anchises bear, so from the waves of Tiber</p> -<p><a name="tagI_2_115" id="tagI_2_115"></a><span class="linenum">115</span>Did I the tired Cæsar: and this man</p> +<p><a id="tagI_2_115"></a><span class="linenum">115</span>Did I the tired Cæsar: and this man</p> <p>Is now become a god, and Cassius is</p> <p>A wretched creature, and must bend his body</p> <p>If Cæsar carelessly but nod on him.</p> -<p>He had a fever<a class="tag" name="tagI_110" id="tagI_110" href="#noteI_110">[110]</a> when he was in Spain;</p> +<p>He had a fever<a class="tag" id="tagI_110" href="#noteI_110">[110]</a> when he was in Spain;</p> <p><span class="linenum">120</span>And, when the fit was on him, I did mark</p> <p>How he did shake: 't is true, this god did shake:</p> -<p>His coward lips did from their colour fly;<a class="tag" name="tagI_111" id="tagI_111" href="#noteI_111">[111]</a></p> -<p><span class="pagenum"><a name="Page_17" id="Page_17"></a>17</span></p> -<p>And that same eye whose bend<a class="tag" name="tagI_112" id="tagI_112" href="#noteI_112">[112]</a> doth awe the world</p> -<p>Did lose<a class="tag" name="tagI_113" id="tagI_113" href="#noteI_113">[113]</a> his<a class="tag" name="tagI_114" id="tagI_114" href="#noteI_114">[114]</a> lustre. I did hear him groan:</p> -<p><span class="linenum">125</span>Ay, and that tongue of his, that bade<a class="tag" name="tagI_115" id="tagI_115" href="#noteI_115">[115]</a> the Romans</p> +<p>His coward lips did from their colour fly;<a class="tag" id="tagI_111" href="#noteI_111">[111]</a></p> +<p><span class="pagenum"><a id="Page_17"></a>17</span></p> +<p>And that same eye whose bend<a class="tag" id="tagI_112" href="#noteI_112">[112]</a> doth awe the world</p> +<p>Did lose<a class="tag" id="tagI_113" href="#noteI_113">[113]</a> his<a class="tag" id="tagI_114" href="#noteI_114">[114]</a> lustre. I did hear him groan:</p> +<p><span class="linenum">125</span>Ay, and that tongue of his, that bade<a class="tag" id="tagI_115" href="#noteI_115">[115]</a> the Romans</p> <p>Mark him and write his speeches in their books,</p> <p>Alas, it cried, 'Give me some drink, Titinius,'</p> <p>As a sick girl. Ye gods, it doth amaze me</p> -<p>A man of such a feeble temper<a class="tag" name="tagI_116" id="tagI_116" href="#noteI_116">[116]</a> should</p> +<p>A man of such a feeble temper<a class="tag" id="tagI_116" href="#noteI_116">[116]</a> should</p> <p><span class="linenum">130</span>So get the start of the majestic world</p> <p>And bear the palm alone.</p> <p class="right">[<i>Shout. Flourish</i>]</p> @@ -5066,73 +5108,73 @@ crowd following, among them a <span class="normal">Soothsayer.</span></h5> <p>For some new honours that are heap'd on Cæsar.</p> </div> -<p><span class="pagenum"><a name="Page_18" id="Page_18"></a>18</span></p> +<p><span class="pagenum"><a id="Page_18"></a>18</span></p> <div class="verse"> -<p><span class="linenum">135</span><span class="charname">Cassius.</span> Why, man, he doth bestride the narrow world<a class="tag" name="tagI_117" id="tagI_117" href="#noteI_117">[117]</a></p> -<p>Like a Colossus,<a class="tag" name="tagI_118" id="tagI_118" href="#noteI_118">[118]</a> and we petty men</p> +<p><span class="linenum">135</span><span class="charname">Cassius.</span> Why, man, he doth bestride the narrow world<a class="tag" id="tagI_117" href="#noteI_117">[117]</a></p> +<p>Like a Colossus,<a class="tag" id="tagI_118" href="#noteI_118">[118]</a> and we petty men</p> <p>Walk under his huge legs, and peep about</p> <p>To find ourselves dishonourable graves.</p> <p>Men at some time are masters of their fates:</p> -<p><span class="linenum">140</span>The fault, dear Brutus, is not in our stars,<a class="tag" name="tagI_119" id="tagI_119" href="#noteI_119">[119]</a></p> +<p><span class="linenum">140</span>The fault, dear Brutus, is not in our stars,<a class="tag" id="tagI_119" href="#noteI_119">[119]</a></p> <p>But in ourselves, that we are underlings.</p> -<p>Brutus and Cæsar: what should be<a class="tag" name="tagI_120" id="tagI_120" href="#noteI_120">[120]</a> in that 'Cæsar?'</p> +<p>Brutus and Cæsar: what should be<a class="tag" id="tagI_120" href="#noteI_120">[120]</a> in that 'Cæsar?'</p> <p>Why should that name be sounded more than yours?</p> <p>Write them together, yours is as fair a name;</p> <p><span class="linenum">145</span>Sound them, it doth become the mouth as well;</p> <p>Weigh them, it is as heavy; conjure with 'em,</p> -<p>'Brutus' will start a spirit<a class="tag" name="tagI_121" id="tagI_121" href="#noteI_121">[121]</a> as soon as 'Cæsar.'</p> +<p>'Brutus' will start a spirit<a class="tag" id="tagI_121" href="#noteI_121">[121]</a> as soon as 'Cæsar.'</p> <p>Now, in the names of all the gods at once,</p> <p>Upon what meat doth this our Cæsar feed,</p> -<p><span class="pagenum"><a name="Page_19" id="Page_19"></a>19</span></p> +<p><span class="pagenum"><a id="Page_19"></a>19</span></p> <p><span class="linenum">150</span>That he is grown so great? Age, thou art sham'd!</p> <p>Rome, thou hast lost the breed of noble bloods!</p> -<p>When went there by an age, since the great flood,<a class="tag" name="tagI_122" id="tagI_122" href="#noteI_122">[122]</a></p> +<p>When went there by an age, since the great flood,<a class="tag" id="tagI_122" href="#noteI_122">[122]</a></p> <p>But it was fam'd with more than with one man?</p> <p>When could they say, till now, that talk'd of Rome,</p> -<p><span class="linenum">155</span>That her wide walks<a class="tag" name="tagI_123" id="tagI_123" href="#noteI_123">[123]</a><a class="tag" name="tagI_124" id="tagI_124" href="#noteI_124">[124]</a> encompass'd but one man?</p> -<p>Now is it Rome indeed, and room<a class="tag" name="tagI_125" id="tagI_125" href="#noteI_125">[125]</a> enough,</p> +<p><span class="linenum">155</span>That her wide walks<a class="tag" id="tagI_123" href="#noteI_123">[123]</a><a class="tag" id="tagI_124" href="#noteI_124">[124]</a> encompass'd but one man?</p> +<p>Now is it Rome indeed, and room<a class="tag" id="tagI_125" href="#noteI_125">[125]</a> enough,</p> <p>When there is in it but one only man.</p> <p>O, you and I have heard our fathers say</p> -<p>There was a Brutus<a class="tag" name="tagI_126" id="tagI_126" href="#noteI_126">[126]</a> once that would have brook'd<a class="tag" name="tagI_127" id="tagI_127" href="#noteI_127">[127]</a></p> -<p><span class="pagenum"><a name="Page_20" id="Page_20"></a>20</span></p> -<p><span class="linenum">160</span>Th' eternal<a class="tag" name="tagI_128" id="tagI_128" href="#noteI_128">[128]</a> devil to keep his state in Rome</p> +<p>There was a Brutus<a class="tag" id="tagI_126" href="#noteI_126">[126]</a> once that would have brook'd<a class="tag" id="tagI_127" href="#noteI_127">[127]</a></p> +<p><span class="pagenum"><a id="Page_20"></a>20</span></p> +<p><span class="linenum">160</span>Th' eternal<a class="tag" id="tagI_128" href="#noteI_128">[128]</a> devil to keep his state in Rome</p> <p>As easily as a king.</p> </div> <div class="verse"> -<p><span class="charname">Brutus.</span> That you do love me, I am nothing jealous;<a class="tag" name="tagI_129" id="tagI_129" href="#noteI_129">[129]</a></p> -<p>What you would work me to,<a class="tag" name="tagI_130" id="tagI_130" href="#noteI_130">[130]</a> I have some aim:<a class="tag" name="tagI_131" id="tagI_131" href="#noteI_131">[131]</a></p> +<p><span class="charname">Brutus.</span> That you do love me, I am nothing jealous;<a class="tag" id="tagI_129" href="#noteI_129">[129]</a></p> +<p>What you would work me to,<a class="tag" id="tagI_130" href="#noteI_130">[130]</a> I have some aim:<a class="tag" id="tagI_131" href="#noteI_131">[131]</a></p> <p>How I have thought of this and of these times,</p> <p><span class="linenum">165</span>I shall recount hereafter; for this present,</p> -<p>I would not, so with love I might entreat you,<a class="tag" name="tagI_132" id="tagI_132" href="#noteI_132">[132]</a></p> +<p>I would not, so with love I might entreat you,<a class="tag" id="tagI_132" href="#noteI_132">[132]</a></p> <p>Be any further mov'd. What you have said</p> <p>I will consider; what you have to say</p> <p>I will with patience hear, and find a time</p> <p><span class="linenum">170</span>Both meet to hear and answer such high things.</p> -<p>Till then, my noble friend, chew<a class="tag" name="tagI_133" id="tagI_133" href="#noteI_133">[133]</a> upon this:</p> +<p>Till then, my noble friend, chew<a class="tag" id="tagI_133" href="#noteI_133">[133]</a> upon this:</p> <p>Brutus had rather be a villager</p> <p>Than to repute himself a son of Rome</p> -<p><span class="pagenum"><a name="Page_21" id="Page_21"></a>21</span></p> -<p>Under these hard conditions as<a class="tag" name="tagI_134" id="tagI_134" href="#noteI_134">[134]</a> this time</p> +<p><span class="pagenum"><a id="Page_21"></a>21</span></p> +<p>Under these hard conditions as<a class="tag" id="tagI_134" href="#noteI_134">[134]</a> this time</p> <p><span class="linenum">175</span>Is like to lay upon us.</p> </div> <div class="verse"> <p><span class="charname">Cassius.</span> I am glad that my weak words</p> -<p>Have struck but thus much show of fire<a class="tag" name="tagI_135" id="tagI_135" href="#noteI_135">[135]</a> from Brutus.</p> +<p>Have struck but thus much show of fire<a class="tag" id="tagI_135" href="#noteI_135">[135]</a> from Brutus.</p> </div> -<p class="entrance">Enter<span class="normal"><a class="tag" name="tagI_136" id="tagI_136" href="#noteI_136">[136]</a></span> <span class="charname">Cæsar</span> and his train</p> +<p class="entrance">Enter<span class="normal"><a class="tag" id="tagI_136" href="#noteI_136">[136]</a></span> <span class="charname">Cæsar</span> and his train</p> <div class="verse"> <p><span class="charname">Brutus.</span> The games are done, and Cæsar is returning.</p> </div> <div class="verse"> -<p><span class="charname">Cassius.</span> As they pass by, pluck Casca by the sleeve;<a class="tag" name="tagI_137" id="tagI_137" href="#noteI_137">[137]</a></p> +<p><span class="charname">Cassius.</span> As they pass by, pluck Casca by the sleeve;<a class="tag" id="tagI_137" href="#noteI_137">[137]</a></p> <p><span class="linenum">180</span>And he will, after his sour fashion, tell you</p> -<p>What hath proceeded<a class="tag" name="tagI_138" id="tagI_138" href="#noteI_138">[138]</a> worthy note<a class="tag" name="tagI_139" id="tagI_139" href="#noteI_139">[139]</a> to-day.</p> +<p>What hath proceeded<a class="tag" id="tagI_138" href="#noteI_138">[138]</a> worthy note<a class="tag" id="tagI_139" href="#noteI_139">[139]</a> to-day.</p> </div> <div class="verse"> @@ -5140,12 +5182,12 @@ crowd following, among them a <span class="normal">Soothsayer.</span></h5> <p>The angry spot doth glow on Cæsar's brow,</p> <p>And all the rest look like a chidden train:</p> <p><span class="linenum">185</span>Calpurnia's cheek is pale; and Cicero</p> -<p>Looks with such ferret and such fiery eyes<a class="tag" name="tagI_140" id="tagI_140" href="#noteI_140">[140]</a></p> +<p>Looks with such ferret and such fiery eyes<a class="tag" id="tagI_140" href="#noteI_140">[140]</a></p> <p>As we have seen him in the Capitol,</p> <p>Being cross'd in conference by some senators.</p> </div> -<p><span class="pagenum"><a name="Page_22" id="Page_22"></a>22</span></p> +<p><span class="pagenum"><a id="Page_22"></a>22</span></p> <div class="verse"> <p><span class="charname">Cassius.</span> Casca will tell us what the matter is.</p> @@ -5156,19 +5198,19 @@ crowd following, among them a <span class="normal">Soothsayer.</span></h5> </div> <div class="verse"> -<p><span class="charname">Antony.</span> Cæsar?<a class="tag" name="tagI_141" id="tagI_141" href="#noteI_141">[141]</a></p> +<p><span class="charname">Antony.</span> Cæsar?<a class="tag" id="tagI_141" href="#noteI_141">[141]</a></p> </div> <div class="verse"> <p><span class="charname">Cæsar.</span> Let me have men about me that are fat,</p> -<p>Sleek-headed men, and such as sleep o' nights:<a class="tag" name="tagI_142" id="tagI_142" href="#noteI_142">[142]</a></p> +<p>Sleek-headed men, and such as sleep o' nights:<a class="tag" id="tagI_142" href="#noteI_142">[142]</a></p> <p>Yond Cassius has a lean and hungry look;</p> -<p><span class="linenum">195</span>He thinks too much: such men are dangerous.<a class="tag" name="tagI_143" id="tagI_143" href="#noteI_143">[143]</a></p> +<p><span class="linenum">195</span>He thinks too much: such men are dangerous.<a class="tag" id="tagI_143" href="#noteI_143">[143]</a></p> </div> <div class="verse"> <p><span class="charname">Antony.</span> Fear him not, Cæsar; he's not dangerous;</p> -<p>He is a noble Roman, and well given.<a class="tag" name="tagI_144" id="tagI_144" href="#noteI_144">[144]</a></p> +<p>He is a noble Roman, and well given.<a class="tag" id="tagI_144" href="#noteI_144">[144]</a></p> </div> <div class="verse"> @@ -5177,9 +5219,9 @@ crowd following, among them a <span class="normal">Soothsayer.</span></h5> <p><span class="linenum">200</span>I do not know the man I should avoid</p> <p>So soon as that spare Cassius. He reads much;</p> <p>He is a great observer, and he looks</p> -<p>Quite through the deeds of men: he loves no plays,<a class="tag" name="tagI_145" id="tagI_145" href="#noteI_145">[145]</a></p> -<p><span class="pagenum"><a name="Page_23" id="Page_23"></a>23</span></p> -<p>As thou dost, Antony; he hears no music:<a class="tag" name="tagI_146" id="tagI_146" href="#noteI_146">[146]</a></p> +<p>Quite through the deeds of men: he loves no plays,<a class="tag" id="tagI_145" href="#noteI_145">[145]</a></p> +<p><span class="pagenum"><a id="Page_23"></a>23</span></p> +<p>As thou dost, Antony; he hears no music:<a class="tag" id="tagI_146" href="#noteI_146">[146]</a></p> <p><span class="linenum">205</span>Seldom he smiles, and smiles in such a sort</p> <p>As if he mock'd himself, and scorn'd his spirit</p> <p>That could be mov'd to smile at any thing.</p> @@ -5188,11 +5230,11 @@ crowd following, among them a <span class="normal">Soothsayer.</span></h5> <p><span class="linenum">210</span>And therefore are they very dangerous.</p> <p>I rather tell thee what is to be fear'd</p> <p>Than what I fear, for always I am Cæsar.</p> -<p>Come on my right hand, for this ear is deaf,<a class="tag" name="tagI_147" id="tagI_147" href="#noteI_147">[147]</a></p> +<p>Come on my right hand, for this ear is deaf,<a class="tag" id="tagI_147" href="#noteI_147">[147]</a></p> <p>And tell me truly what thou think'st of him.</p> </div> -<p class="right">[<i>Sennet. Exeunt</i> <span class="charname">Cæsar</span> <i>and all his train but</i> <span class="charname">Casca</span>]<a class="tag" name="tagI_148" id="tagI_148" href="#noteI_148">[148]</a></p> +<p class="right">[<i>Sennet. Exeunt</i> <span class="charname">Cæsar</span> <i>and all his train but</i> <span class="charname">Casca</span>]<a class="tag" id="tagI_148" href="#noteI_148">[148]</a></p> <div class="verse"> <p><span class="linenum">215</span><span class="charname">Casca.</span> You pull'd me by the cloak; would you speak with me?</p> @@ -5200,18 +5242,18 @@ crowd following, among them a <span class="normal">Soothsayer.</span></h5> <div class="verse"> <p><span class="charname">Brutus.</span> Ay, Casca; tell us what hath chanc'd to-day,</p> -<p>That Cæsar looks so sad.<a class="tag" name="tagI_149" id="tagI_149" href="#noteI_149">[149]</a></p> +<p>That Cæsar looks so sad.<a class="tag" id="tagI_149" href="#noteI_149">[149]</a></p> </div> <p><span class="charname">Casca.</span> Why, you were with him, were you not?</p> <p><span class="charname">Brutus.</span> I should not then ask Casca what had chanc'd.</p> -<p><span class="pagenum"><a name="Page_24" id="Page_24"></a>24</span></p> +<p><span class="pagenum"><a id="Page_24"></a>24</span></p> -<p><span class="linenum">220</span><span class="charname">Casca.</span> Why, there was a crown offer'd him;<a class="tag" name="tagI_150" id="tagI_150" href="#noteI_150">[150]</a> and being +<p><span class="linenum">220</span><span class="charname">Casca.</span> Why, there was a crown offer'd him;<a class="tag" id="tagI_150" href="#noteI_150">[150]</a> and being offer'd him, he put it by with the back of his hand, thus; -and then the people fell a-shouting.<a class="tag" name="tagI_151" id="tagI_151" href="#noteI_151">[151]</a></p> +and then the people fell a-shouting.<a class="tag" id="tagI_151" href="#noteI_151">[151]</a></p> <p><span class="charname">Brutus.</span> What was the second noise for?</p> @@ -5234,28 +5276,28 @@ time gentler than other; and at every putting by mine honest <p><span class="charname">Brutus.</span> Tell us the manner of it, gentle Casca.</p> <p><span class="charname">Casca.</span> I can as well be hang'd as tell the manner of it: -<span class="linenum">235</span>it was<a class="tag" name="tagI_152" id="tagI_152" href="#noteI_152">[152]</a> mere foolery; I did not mark it. I saw Mark Antony +<span class="linenum">235</span>it was<a class="tag" id="tagI_152" href="#noteI_152">[152]</a> mere foolery; I did not mark it. I saw Mark Antony offer him a crown—yet 'twas not a crown neither, 'twas one of these coronets—and, as I told you, he put it by once: but, for all that, to my thinking, he would fain have had it. Then he offer'd it to him again; then he put it by again: <span class="linenum">240</span>but, to my thinking, he was very loth to lay his fingers off it. And then he offer'd it the third time; he put it the third -time by: and, still, as he refus'd it, the rabblement hooted<a class="tag" name="tagI_153" id="tagI_153" href="#noteI_153">[153]</a> -and clapp'd their chopp'd<a class="tag" name="tagI_154" id="tagI_154" href="#noteI_154">[154]</a> hands, and threw up their sweaty +time by: and, still, as he refus'd it, the rabblement hooted<a class="tag" id="tagI_153" href="#noteI_153">[153]</a> +and clapp'd their chopp'd<a class="tag" id="tagI_154" href="#noteI_154">[154]</a> hands, and threw up their sweaty nightcaps and utter'd such a deal of stinking breath because <span class="linenum">245</span>Cæsar refus'd the crown, that it had almost chok'd Cæsar; -<span class="pagenum"><a name="Page_25" id="Page_25"></a>25</span> -for he swounded<a class="tag" name="tagI_155" id="tagI_155" href="#noteI_155">[155]</a> and fell down at it: and for mine own +<span class="pagenum"><a id="Page_25"></a>25</span> +for he swounded<a class="tag" id="tagI_155" href="#noteI_155">[155]</a> and fell down at it: and for mine own part, I durst not laugh, for fear of opening my lips and receiving the bad air.</p> -<p><span class="charname">Cassius.</span> But, soft!<a class="tag" name="tagI_156" id="tagI_156" href="#noteI_156">[156]</a> I pray you: what, did Cæsar swound? <a class="tag" name="tagI_157" id="tagI_157" href="#noteI_157">[157]</a></p> +<p><span class="charname">Cassius.</span> But, soft!<a class="tag" id="tagI_156" href="#noteI_156">[156]</a> I pray you: what, did Cæsar swound? <a class="tag" id="tagI_157" href="#noteI_157">[157]</a></p> <p><span class="linenum">250</span><span class="charname">Casca.</span> He fell down in the market-place, and foam'd at mouth, and was speechless.</p> -<p><span class="charname">Brutus.</span> 'Tis very like; he<a class="tag" name="tagI_158" id="tagI_158" href="#noteI_158">[158]</a> hath the falling-sickness.<a class="tag" name="tagI_159" id="tagI_159" href="#noteI_159">[159]</a></p> +<p><span class="charname">Brutus.</span> 'Tis very like; he<a class="tag" id="tagI_158" href="#noteI_158">[158]</a> hath the falling-sickness.<a class="tag" id="tagI_159" href="#noteI_159">[159]</a></p> <div class="verse"> <p><span class="charname">Cassius.</span> No, Cæsar hath it not; but you, and I,</p> @@ -5263,51 +5305,51 @@ mouth, and was speechless.</p> </div> <p><span class="linenum">255</span><span class="charname">Casca.</span> I know not what you mean by that, but I am -sure Cæsar fell down. If the tag-rag people<a class="tag" name="tagI_160" id="tagI_160" href="#noteI_160">[160]</a> did not clap +sure Cæsar fell down. If the tag-rag people<a class="tag" id="tagI_160" href="#noteI_160">[160]</a> did not clap him and hiss him, according as he pleas'd and displeas'd them, as they use to do the players in the theatre, I am no -true<a class="tag" name="tagI_161" id="tagI_161" href="#noteI_161">[161]</a> man.</p> +true<a class="tag" id="tagI_161" href="#noteI_161">[161]</a> man.</p> <p><span class="linenum">260</span><span class="charname">Brutus.</span> What said he when he came unto himself?</p> -<p><span class="pagenum"><a name="Page_26" id="Page_26"></a>26</span></p> +<p><span class="pagenum"><a id="Page_26"></a>26</span></p> -<p><span class="charname">Casca.</span> Marry,<a class="tag" name="tagI_162" id="tagI_162" href="#noteI_162">[162]</a> before he fell down, when he perceiv'd +<p><span class="charname">Casca.</span> Marry,<a class="tag" id="tagI_162" href="#noteI_162">[162]</a> before he fell down, when he perceiv'd the common herd was glad he refus'd the crown, he pluck'd -me<a class="tag" name="tagI_163" id="tagI_163" href="#noteI_163">[163]</a> ope his doublet<a class="tag" name="tagI_164" id="tagI_164" href="#noteI_164">[164]</a> and offer'd them his throat to cut. And<a class="tag" name="tagI_165" id="tagI_165" href="#noteI_165">[165]</a><a class="tag" name="tagI_166" id="tagI_166" href="#noteI_166">[166]</a> -I had been a man of any occupation,<a class="tag" name="tagI_167" id="tagI_167" href="#noteI_167">[167]</a> if I would not have +me<a class="tag" id="tagI_163" href="#noteI_163">[163]</a> ope his doublet<a class="tag" id="tagI_164" href="#noteI_164">[164]</a> and offer'd them his throat to cut. And<a class="tag" id="tagI_165" href="#noteI_165">[165]</a><a class="tag" id="tagI_166" href="#noteI_166">[166]</a> +I had been a man of any occupation,<a class="tag" id="tagI_167" href="#noteI_167">[167]</a> if I would not have <span class="linenum">265</span>taken him at a word, I would I might go to hell among the -rogues.<a class="tag" name="tagI_168" id="tagI_168" href="#noteI_168">[168]</a> And so he fell. When he came to himself again, +rogues.<a class="tag" id="tagI_168" href="#noteI_168">[168]</a> And so he fell. When he came to himself again, he said, if he had done or said any thing amiss, he desir'd -their worships to think it was his infirmity.<a class="tag" name="tagI_169" id="tagI_169" href="#noteI_169">[169]</a> Three or four +their worships to think it was his infirmity.<a class="tag" id="tagI_169" href="#noteI_169">[169]</a> Three or four wenches, where I stood, cried, 'Alas, good soul!' and forgave -<span class="linenum">270</span>him with all their hearts. But there's no<a class="tag" name="tagI_170" id="tagI_170" href="#noteI_170">[170]</a> heed to be +<span class="linenum">270</span>him with all their hearts. But there's no<a class="tag" id="tagI_170" href="#noteI_170">[170]</a> heed to be taken of them: if Cæsar had stabb'd their mothers, they would have done no less.</p> -<p><span class="pagenum"><a name="Page_27" id="Page_27"></a>27</span></p> +<p><span class="pagenum"><a id="Page_27"></a>27</span></p> -<p><span class="charname">Brutus.</span> And after that, he came, thus sad, away?<a class="tag" name="tagI_171" id="tagI_171" href="#noteI_171">[171]</a></p> +<p><span class="charname">Brutus.</span> And after that, he came, thus sad, away?<a class="tag" id="tagI_171" href="#noteI_171">[171]</a></p> <p><span class="charname">Casca.</span> Ay.</p> <p><span class="linenum">275</span><span class="charname">Cassius.</span> Did Cicero say any thing?</p> -<p><span class="charname">Casca.</span> Ay, he spoke Greek.<a class="tag" name="tagI_172" id="tagI_172" href="#noteI_172">[172]</a></p> +<p><span class="charname">Casca.</span> Ay, he spoke Greek.<a class="tag" id="tagI_172" href="#noteI_172">[172]</a></p> <p><span class="charname">Cassius.</span> To what effect?</p> -<p><span class="charname">Casca.</span> Nay, and<a class="tag" name="tagI_173" id="tagI_173" href="#noteI_173">[173]</a> I tell you that, I'll ne'er look you i' the +<p><span class="charname">Casca.</span> Nay, and<a class="tag" id="tagI_173" href="#noteI_173">[173]</a> I tell you that, I'll ne'er look you i' the face again: but those that understood him smil'd at one <span class="linenum">280</span>another and shook their heads; but, for mine own part, it -was Greek to me. <a class="tag" name="tagI_174" id="tagI_174" href="#noteI_174">[174]</a> I could tell you more news too: Marullus -and Flavius, for pulling scarfs<a name="tagI_2_282" id="tagI_2_282"></a> off Cæsar's images, are +was Greek to me. <a class="tag" id="tagI_174" href="#noteI_174">[174]</a> I could tell you more news too: Marullus +and Flavius, for pulling scarfs<a id="tagI_2_282"></a> off Cæsar's images, are put to silence. Fare you well. There was more foolery yet, if I could remember it.</p> <p><span class="linenum">285</span><span class="charname">Cassius.</span> Will you sup with me to-night, Casca?</p> -<p><span class="charname">Casca.</span> No, I am promis'd forth.<a class="tag" name="tagI_175" id="tagI_175" href="#noteI_175">[175]</a></p> +<p><span class="charname">Casca.</span> No, I am promis'd forth.<a class="tag" id="tagI_175" href="#noteI_175">[175]</a></p> <p><span class="charname">Cassius.</span> Will you dine with me to-morrow?</p> @@ -5320,24 +5362,24 @@ dinner worth the eating.</p> <p class="right">[<i>Exit</i>]</p> -<p><span class="pagenum"><a name="Page_28" id="Page_28"></a>28</span></p> +<p><span class="pagenum"><a id="Page_28"></a>28</span></p> <div class="verse"> -<p><span class="charname">Brutus.</span> What a blunt<a class="tag" name="tagI_176" id="tagI_176" href="#noteI_176">[176]</a> fellow is this grown to be!</p> -<p>He was quick mettle<a class="tag" name="tagI_177" id="tagI_177" href="#noteI_177">[177]</a> when he went to school.</p> +<p><span class="charname">Brutus.</span> What a blunt<a class="tag" id="tagI_176" href="#noteI_176">[176]</a> fellow is this grown to be!</p> +<p>He was quick mettle<a class="tag" id="tagI_177" href="#noteI_177">[177]</a> when he went to school.</p> </div> <div class="verse"> <p><span class="charname">Cassius.</span> So is he now, in execution</p> <p><span class="linenum">295</span>Of any bold or noble enterprise,</p> -<p>However<a class="tag" name="tagI_178" id="tagI_178" href="#noteI_178">[178]</a> he puts on this tardy form.<a class="tag" name="tagI_179" id="tagI_179" href="#noteI_179">[179]</a></p> +<p>However<a class="tag" id="tagI_178" href="#noteI_178">[178]</a> he puts on this tardy form.<a class="tag" id="tagI_179" href="#noteI_179">[179]</a></p> <p>This rudeness is a sauce to his good wit,</p> -<p>Which gives men stomach to digest<a class="tag" name="tagI_180" id="tagI_180" href="#noteI_180">[180]</a> his words</p> -<p>With better appetite.<a class="tag" name="tagI_181" id="tagI_181" href="#noteI_181">[181]</a></p> +<p>Which gives men stomach to digest<a class="tag" id="tagI_180" href="#noteI_180">[180]</a> his words</p> +<p>With better appetite.<a class="tag" id="tagI_181" href="#noteI_181">[181]</a></p> </div> <div class="verse"> -<p><span class="linenum">300</span><span class="charname">Brutus.</span><a class="tag" name="tagI_182" id="tagI_182" href="#noteI_182">[182]</a> And so it is. For this time I will leave you:</p> +<p><span class="linenum">300</span><span class="charname">Brutus.</span><a class="tag" id="tagI_182" href="#noteI_182">[182]</a> And so it is. For this time I will leave you:</p> <p>To-morrow, if you please to speak with me,</p> <p>I will come home to you; or, if you will,</p> <p>Come home to me, and I will wait for you.</p> @@ -5346,91 +5388,91 @@ dinner worth the eating.</p> <div class="verse"> <p><span class="charname">Cassius.</span> I will do so: till then, think of the world.</p> <p class="right">[<i>Exit</i> <span class="charname">Brutus</span>]</p> -<p><span class="linenum">305</span><a name="tagI_2_305" id="tagI_2_305"></a>Well, Brutus, thou art noble; yet, I see,</p> -<p>Thy honourable metal<a class="tag" name="tagI_183" id="tagI_183" href="#noteI_183">[183]</a> may be wrought</p> -<p>From that it is dispos'd:<a class="tag" name="tagI_184" id="tagI_184" href="#noteI_184">[184]</a> therefore it is meet</p> +<p><span class="linenum">305</span><a id="tagI_2_305"></a>Well, Brutus, thou art noble; yet, I see,</p> +<p>Thy honourable metal<a class="tag" id="tagI_183" href="#noteI_183">[183]</a> may be wrought</p> +<p>From that it is dispos'd:<a class="tag" id="tagI_184" href="#noteI_184">[184]</a> therefore it is meet</p> -<p><span class="pagenum"><a name="Page_29" id="Page_29"></a>29</span></p> +<p><span class="pagenum"><a id="Page_29"></a>29</span></p> <p>That noble minds keep ever with their likes;</p> <p>For who so firm that cannot be seduc'd?</p> -<p><span class="linenum">310</span>Cæsar doth bear me hard,<a class="tag" name="tagI_185" id="tagI_185" href="#noteI_185">[185]</a> but he loves Brutus:</p> +<p><span class="linenum">310</span>Cæsar doth bear me hard,<a class="tag" id="tagI_185" href="#noteI_185">[185]</a> but he loves Brutus:</p> <p>If I were Brutus now and he were Cassius,</p> -<p>He should not humour<a class="tag" name="tagI_186" id="tagI_186" href="#noteI_186">[186]</a> me. I will this night,</p> -<p>In several hands,<a class="tag" name="tagI_187" id="tagI_187" href="#noteI_187">[187]</a> in at his windows throw,</p> +<p>He should not humour<a class="tag" id="tagI_186" href="#noteI_186">[186]</a> me. I will this night,</p> +<p>In several hands,<a class="tag" id="tagI_187" href="#noteI_187">[187]</a> in at his windows throw,</p> <p>As if they came from several citizens,</p> <p><span class="linenum">315</span>Writings, all tending to the great opinion</p> <p>That Rome holds of his name; wherein obscurely</p> <p>Cæsar's ambition shall be glanced at:</p> <p>And after this let Cæsar seat him sure;</p> -<p>For we will shake him, or worse days endure.<a class="tag" name="tagI_188" id="tagI_188" href="#noteI_188">[188]</a></p> +<p>For we will shake him, or worse days endure.<a class="tag" id="tagI_188" href="#noteI_188">[188]</a></p> <p class="right">[<i>Exit</i>]</p> </div> -<p><span class="pagenum"><a name="Page_30" id="Page_30"></a>30</span></p> +<p><span class="pagenum"><a id="Page_30"></a>30</span></p> <h4 class="scene"> -<a name="sceneI_3" id="sceneI_3"> +<a id="sceneI_3"> <span class="scenenum">I. 3</span> -<span class="smallcaps">Scene III.</span></a><a class="tag" name="tagI_189" id="tagI_189" href="#noteI_189">[189]</a><a class="tag" name="tagI_190" id="tagI_190" href="#noteI_190">[190]</a> <i>The same. A street</i></h4> +<span class="smallcaps">Scene III.</span></a><a class="tag" id="tagI_189" href="#noteI_189">[189]</a><a class="tag" id="tagI_190" href="#noteI_190">[190]</a> <i>The same. A street</i></h4> -<p class="scenedesc">Thunder and lightning. Enter,<span class="normal"><a class="tag" name="tagI_191" id="tagI_191" href="#noteI_191">[191]</a></span> from opposite sides, <span class="charname">Casca</span>, +<p class="scenedesc">Thunder and lightning. Enter,<span class="normal"><a class="tag" id="tagI_191" href="#noteI_191">[191]</a></span> from opposite sides, <span class="charname">Casca</span>, with his sword drawn, and <span class="charname">Cicero</span></p> <div class="verse"> -<p><span class="charname">Cicero.</span> Good even, Casca: brought<a class="tag" name="tagI_192" id="tagI_192" href="#noteI_192">[192]</a> you Cæsar home?</p> +<p><span class="charname">Cicero.</span> Good even, Casca: brought<a class="tag" id="tagI_192" href="#noteI_192">[192]</a> you Cæsar home?</p> <p>Why are you breathless? and why stare you so?</p> </div> <div class="verse"> -<p><span class="charname">Casca.</span> Are you not mov'd, when all the sway of earth<a class="tag" name="tagI_193" id="tagI_193" href="#noteI_193">[193]</a></p> +<p><span class="charname">Casca.</span> Are you not mov'd, when all the sway of earth<a class="tag" id="tagI_193" href="#noteI_193">[193]</a></p> <p>Shakes like a thing unfirm? O Cicero,</p> <p><span class="linenum">5</span>I have seen tempests, when the scolding winds</p> <p>Have riv'd the knotty oaks, and I have seen</p> <p>Th' ambitious ocean swell and rage and foam,</p> <p>To be exalted with the threatening clouds;</p> <p>But never till to-night, never till now,</p> -<p><span class="linenum">10</span>Did I go through a tempest dropping fire.<a class="tag" name="tagI_194" id="tagI_194" href="#noteI_194">[194]</a></p> +<p><span class="linenum">10</span>Did I go through a tempest dropping fire.<a class="tag" id="tagI_194" href="#noteI_194">[194]</a></p> <p>Either there is a civil strife in heaven,</p> -<p><span class="pagenum"><a name="Page_31" id="Page_31"></a>31</span></p> +<p><span class="pagenum"><a id="Page_31"></a>31</span></p> <p>Or else the world, too saucy with the gods,</p> -<p>Incenses them to send destruction.<a class="tag" name="tagI_195" id="tagI_195" href="#noteI_195">[195]</a><a class="tag" name="tagI_196" id="tagI_196" href="#noteI_196">[196]</a></p> +<p>Incenses them to send destruction.<a class="tag" id="tagI_195" href="#noteI_195">[195]</a><a class="tag" id="tagI_196" href="#noteI_196">[196]</a></p> </div> <div class="verse"> -<p><span class="charname">Cicero.</span> Why, saw you any thing more wonderful?<a class="tag" name="tagI_197" id="tagI_197" href="#noteI_197">[197]</a></p> +<p><span class="charname">Cicero.</span> Why, saw you any thing more wonderful?<a class="tag" id="tagI_197" href="#noteI_197">[197]</a></p> </div> <div class="verse"> -<p><span class="linenum">15</span><span class="charname">Casca.</span> A common slave—you know<a class="tag" name="tagI_198" id="tagI_198" href="#noteI_198">[198]</a> him well by sight—</p> +<p><span class="linenum">15</span><span class="charname">Casca.</span> A common slave—you know<a class="tag" id="tagI_198" href="#noteI_198">[198]</a> him well by sight—</p> <p>Held up his left hand, which did flame and burn</p> <p>Like twenty torches join'd, and yet his hand,</p> <p>Not sensible of fire, remain'd unscorch'd.</p> <p>Besides—I ha' not since put up my sword—</p> -<p><span class="linenum">20</span><a name="tagI_3_20" id="tagI_3_20"></a>Against the Capitol I met a lion,</p> -<p><span class="pagenum"><a name="Page_32" id="Page_32"></a>32</span></p> -<p>Who<a class="tag" name="tagI_199" id="tagI_199" href="#noteI_199">[199]</a> glaz'd<a class="tag" name="tagI_200" id="tagI_200" href="#noteI_200">[200]</a><a class="tag" name="tagI_201" id="tagI_201" href="#noteI_201">[201]</a> upon me and went surly<a class="tag" name="tagI_202" id="tagI_202" href="#noteI_202">[202]</a> by</p> +<p><span class="linenum">20</span><a id="tagI_3_20"></a>Against the Capitol I met a lion,</p> +<p><span class="pagenum"><a id="Page_32"></a>32</span></p> +<p>Who<a class="tag" id="tagI_199" href="#noteI_199">[199]</a> glaz'd<a class="tag" id="tagI_200" href="#noteI_200">[200]</a><a class="tag" id="tagI_201" href="#noteI_201">[201]</a> upon me and went surly<a class="tag" id="tagI_202" href="#noteI_202">[202]</a> by</p> <p>Without annoying me: and there were drawn</p> -<p>Upon a heap<a class="tag" name="tagI_203" id="tagI_203" href="#noteI_203">[203]</a> a hundred ghastly women,</p> +<p>Upon a heap<a class="tag" id="tagI_203" href="#noteI_203">[203]</a> a hundred ghastly women,</p> <p>Transformed with their fear, who swore they saw</p> <p><span class="linenum">25</span>Men all in fire walk up and down the streets.</p> -<p>And yesterday the bird of night<a class="tag" name="tagI_204" id="tagI_204" href="#noteI_204">[204]</a> did sit</p> +<p>And yesterday the bird of night<a class="tag" id="tagI_204" href="#noteI_204">[204]</a> did sit</p> <p>Even at noon-day upon the market-place,</p> -<p>Hooting<a class="tag" name="tagI_205" id="tagI_205" href="#noteI_205">[205]</a> and shrieking. When these prodigies</p> +<p>Hooting<a class="tag" id="tagI_205" href="#noteI_205">[205]</a> and shrieking. When these prodigies</p> <p>Do so conjointly meet, let not men say,</p> -<p><span class="linenum">30</span>'These<a class="tag" name="tagI_206" id="tagI_206" href="#noteI_206">[206]</a> are their reasons; they are natural;'</p> -<p><span class="pagenum"><a name="Page_33" id="Page_33"></a>33</span></p> +<p><span class="linenum">30</span>'These<a class="tag" id="tagI_206" href="#noteI_206">[206]</a> are their reasons; they are natural;'</p> +<p><span class="pagenum"><a id="Page_33"></a>33</span></p> <p>For, I believe, they are portentous things</p> -<p>Unto the climate<a class="tag" name="tagI_207" id="tagI_207" href="#noteI_207">[207]</a> that they point upon.</p> +<p>Unto the climate<a class="tag" id="tagI_207" href="#noteI_207">[207]</a> that they point upon.</p> </div> <div class="verse"> <p><span class="charname">Cicero.</span> Indeed, it is a strange-disposed time:</p> <p>But men may construe things after their fashion,</p> -<p><span class="linenum">35</span>Clean<a class="tag" name="tagI_208" id="tagI_208" href="#noteI_208">[208]</a> from the purpose of the things themselves.</p> -<p>Comes Cæsar to<a class="tag" name="tagI_209" id="tagI_209" href="#noteI_209">[209]</a> the Capitol to-morrow?</p> +<p><span class="linenum">35</span>Clean<a class="tag" id="tagI_208" href="#noteI_208">[208]</a> from the purpose of the things themselves.</p> +<p>Comes Cæsar to<a class="tag" id="tagI_209" href="#noteI_209">[209]</a> the Capitol to-morrow?</p> </div> <div class="verse"> @@ -5446,7 +5488,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <div class="verse"> <p class="float"><span class="charname">Casca.</span></p> <p class="iamb2">Farewell, Cicero.</p> -<p class="right">[<i>Exit</i> <span class="charname">Cicero</span>]<a class="tag" name="tagI_210" id="tagI_210" href="#noteI_210">[210]</a></p> +<p class="right">[<i>Exit</i> <span class="charname">Cicero</span>]<a class="tag" id="tagI_210" href="#noteI_210">[210]</a></p> </div> <p class="entrance">Enter <span class="charname">Cassius</span></p> @@ -5466,10 +5508,10 @@ with his sword drawn, and <span class="charname">Cicero</span></p> </div> <div class="verse"> -<p><span class="charname">Casca.</span> Your ear is good. Cassius, what<a class="tag" name="tagI_211" id="tagI_211" href="#noteI_211">[211]</a> night is this! <a class="tag" name="tagI_212" id="tagI_212" href="#noteI_212">[212]</a> <a class="tag" name="tagI_213" id="tagI_213" href="#noteI_213">[213]</a></p> +<p><span class="charname">Casca.</span> Your ear is good. Cassius, what<a class="tag" id="tagI_211" href="#noteI_211">[211]</a> night is this! <a class="tag" id="tagI_212" href="#noteI_212">[212]</a> <a class="tag" id="tagI_213" href="#noteI_213">[213]</a></p> </div> -<p><span class="pagenum"><a name="Page_34" id="Page_34"></a>34</span></p> +<p><span class="pagenum"><a id="Page_34"></a>34</span></p> <div class="verse"> <p><span class="charname">Cassius.</span> A very pleasing night to honest men.</p> @@ -5483,9 +5525,9 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <p><span class="linenum">45</span><span class="charname">Cassius.</span> Those that have known the earth so full of faults.</p> <p>For my part, I have walk'd about the streets,</p> <p>Submitting me unto the perilous night,</p> -<p>And thus unbraced,<a class="tag" name="tagI_214" id="tagI_214" href="#noteI_214">[214]</a> Casca, as you see,</p> -<p>Have bar'd my bosom to the thunder-stone:<a class="tag" name="tagI_215" id="tagI_215" href="#noteI_215">[215]</a></p> -<p><span class="linenum">50</span>And when the cross<a class="tag" name="tagI_216" id="tagI_216" href="#noteI_216">[216]</a> blue<a class="tag" name="tagI_217" id="tagI_217" href="#noteI_217">[217]</a> lightning seem'd to open</p> +<p>And thus unbraced,<a class="tag" id="tagI_214" href="#noteI_214">[214]</a> Casca, as you see,</p> +<p>Have bar'd my bosom to the thunder-stone:<a class="tag" id="tagI_215" href="#noteI_215">[215]</a></p> +<p><span class="linenum">50</span>And when the cross<a class="tag" id="tagI_216" href="#noteI_216">[216]</a> blue<a class="tag" id="tagI_217" href="#noteI_217">[217]</a> lightning seem'd to open</p> <p>The breast of heaven, I did present myself</p> <p>Even in the aim and very flash of it.</p> </div> @@ -5498,42 +5540,42 @@ with his sword drawn, and <span class="charname">Cicero</span></p> </div> <div class="verse"> -<p><span class="charname">Cassius.</span><a class="tag" name="tagI_218" id="tagI_218" href="#noteI_218">[218]</a> You are dull, Casca; and those sparks of life</p> +<p><span class="charname">Cassius.</span><a class="tag" id="tagI_218" href="#noteI_218">[218]</a> You are dull, Casca; and those sparks of life</p> <p>That should be in a Roman you do want,</p> <p>Or else you use not. You look pale and gaze</p> -<p><span class="linenum">60</span>And put on fear and cast yourself in<a class="tag" name="tagI_219" id="tagI_219" href="#noteI_219">[219]</a> wonder,</p> -<p><span class="pagenum"><a name="Page_35" id="Page_35"></a>35</span></p> +<p><span class="linenum">60</span>And put on fear and cast yourself in<a class="tag" id="tagI_219" href="#noteI_219">[219]</a> wonder,</p> +<p><span class="pagenum"><a id="Page_35"></a>35</span></p> <p>To see the strange impatience of the heavens:</p> <p>But if you would consider the true cause</p> -<p>Why<a class="tag" name="tagI_220" id="tagI_220" href="#noteI_220">[220]</a> all these fires, why all these gliding ghosts,</p> -<p>Why birds and beasts from quality and kind,<a class="tag" name="tagI_221" id="tagI_221" href="#noteI_221">[221]</a></p> -<p><span class="linenum">65</span>Why old men, fools, and<a class="tag" name="tagI_222" id="tagI_222" href="#noteI_222">[222]</a><a class="tag" name="tagI_223" id="tagI_223" href="#noteI_223">[223]</a> children calculate;</p> +<p>Why<a class="tag" id="tagI_220" href="#noteI_220">[220]</a> all these fires, why all these gliding ghosts,</p> +<p>Why birds and beasts from quality and kind,<a class="tag" id="tagI_221" href="#noteI_221">[221]</a></p> +<p><span class="linenum">65</span>Why old men, fools, and<a class="tag" id="tagI_222" href="#noteI_222">[222]</a><a class="tag" id="tagI_223" href="#noteI_223">[223]</a> children calculate;</p> <p>Why all these things change from their ordinance,</p> -<p>Their natures and preformed<a class="tag" name="tagI_224" id="tagI_224" href="#noteI_224">[224]</a> faculties,</p> +<p>Their natures and preformed<a class="tag" id="tagI_224" href="#noteI_224">[224]</a> faculties,</p> <p>To monstrous quality, why, you shall find</p> <p>That heaven hath infus'd them with these spirits,</p> <p><span class="linenum">70</span>To make them instruments of fear and warning</p> -<p>Unto some monstrous state.<a class="tag" name="tagI_225" id="tagI_225" href="#noteI_225">[225]</a></p> +<p>Unto some monstrous state.<a class="tag" id="tagI_225" href="#noteI_225">[225]</a></p> <p>Now could I, Casca, name to thee a man</p> -<p><span class="pagenum"><a name="Page_36" id="Page_36"></a>36</span></p> +<p><span class="pagenum"><a id="Page_36"></a>36</span></p> <p>Most like this dreadful night,</p> -<p>That thunders, lightens, opens graves, and roars<a class="tag" name="tagI_226" id="tagI_226" href="#noteI_226">[226]</a></p> -<p><span class="linenum">75</span>As doth the lion in the Capitol,<a class="tag" name="tagI_227" id="tagI_227" href="#noteI_227">[227]</a></p> +<p>That thunders, lightens, opens graves, and roars<a class="tag" id="tagI_226" href="#noteI_226">[226]</a></p> +<p><span class="linenum">75</span>As doth the lion in the Capitol,<a class="tag" id="tagI_227" href="#noteI_227">[227]</a></p> <p>A man no mightier than thyself or me</p> -<p>In personal action, yet prodigious<a class="tag" name="tagI_228" id="tagI_228" href="#noteI_228">[228]</a> grown,</p> +<p>In personal action, yet prodigious<a class="tag" id="tagI_228" href="#noteI_228">[228]</a> grown,</p> <p>And fearful, as these strange eruptions are.</p> </div> <div class="verse"> -<p><span class="charname">Casca.</span><a class="tag" name="tagI_229" id="tagI_229" href="#noteI_229">[229]</a> 'Tis Cæsar that you mean, is it not, Cassius?</p> +<p><span class="charname">Casca.</span><a class="tag" id="tagI_229" href="#noteI_229">[229]</a> 'Tis Cæsar that you mean, is it not, Cassius?</p> </div> <div class="verse"> -<p><span class="linenum">80</span><span class="charname">Cassius.</span> Let it be who it is;<a class="tag" name="tagI_230" id="tagI_230" href="#noteI_230">[230]</a> for Romans now</p> -<p>Have thews<a class="tag" name="tagI_231" id="tagI_231" href="#noteI_231">[231]</a><a class="tag" name="tagI_232" id="tagI_232" href="#noteI_232">[232]</a> and limbs like to their ancestors;</p> +<p><span class="linenum">80</span><span class="charname">Cassius.</span> Let it be who it is;<a class="tag" id="tagI_230" href="#noteI_230">[230]</a> for Romans now</p> +<p>Have thews<a class="tag" id="tagI_231" href="#noteI_231">[231]</a><a class="tag" id="tagI_232" href="#noteI_232">[232]</a> and limbs like to their ancestors;</p> <p>But, woe the while! our fathers' minds are dead,</p> -<p>And we are govern'd with<a class="tag" name="tagI_233" id="tagI_233" href="#noteI_233">[233]</a> our mothers' spirits;</p> -<p><a name="tagI_3_84" id="tagI_3_84"></a>Our yoke and sufferance show us womanish.</p> +<p>And we are govern'd with<a class="tag" id="tagI_233" href="#noteI_233">[233]</a> our mothers' spirits;</p> +<p><a id="tagI_3_84"></a>Our yoke and sufferance show us womanish.</p> </div> <div class="verse"> @@ -5543,7 +5585,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <p>In every place save here in Italy.</p> </div> -<p><span class="pagenum"><a name="Page_37" id="Page_37"></a>37</span></p> +<p><span class="pagenum"><a id="Page_37"></a>37</span></p> <div class="verse"> <p><span class="charname">Cassius.</span> I know where I will wear this dagger then;</p> @@ -5552,7 +5594,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <p>Therein, ye gods, you tyrants do defeat:</p> <p>Nor stony tower, nor walls of beaten brass,</p> <p>Nor airless dungeon, nor strong links of iron,</p> -<p><span class="linenum">95</span>Can be retentive to the strength of spirit;<a class="tag" name="tagI_234" id="tagI_234" href="#noteI_234">[234]</a></p> +<p><span class="linenum">95</span>Can be retentive to the strength of spirit;<a class="tag" id="tagI_234" href="#noteI_234">[234]</a></p> <p>But life, being weary of these worldly bars,</p> <p>Never lacks power to dismiss itself.</p> <p>If I know this, know all the world besides,</p> @@ -5564,7 +5606,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <div class="verse"> <p class="float"><span class="charname">Casca.</span></p> <p class="iamb3"><span class="linenum">100</span>So can I:</p> -<p>So every bondman<a class="tag" name="tagI_235" id="tagI_235" href="#noteI_235">[235]</a> in his own hand bears</p> +<p>So every bondman<a class="tag" id="tagI_235" href="#noteI_235">[235]</a> in his own hand bears</p> <p>The power to cancel his captivity.</p> </div> @@ -5574,21 +5616,21 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <p><span class="linenum">105</span>But that he sees the Romans are but sheep:</p> <p>He were no lion, were not Romans hinds.</p> <p>Those that with haste will make a mighty fire</p> -<p>Begin it with weak straws:<a class="tag" name="tagI_236" id="tagI_236" href="#noteI_236">[236]</a> what trash is Rome,</p> +<p>Begin it with weak straws:<a class="tag" id="tagI_236" href="#noteI_236">[236]</a> what trash is Rome,</p> <p>What rubbish and what offal, when it serves</p> -<p><span class="pagenum"><a name="Page_38" id="Page_38"></a>38</span></p> +<p><span class="pagenum"><a id="Page_38"></a>38</span></p> <p><span class="linenum">110</span>For the base matter to illuminate</p> <p>So vile a thing as Cæsar! But, O grief,</p> <p>Where hast thou led me? I perhaps speak this</p> <p>Before a willing bondman; then I know</p> <p>My answer must be made. But I am arm'd,</p> -<p><span class="linenum">115</span>And dangers are to me indifferent.<a class="tag" name="tagI_237" id="tagI_237" href="#noteI_237">[237]</a></p> +<p><span class="linenum">115</span>And dangers are to me indifferent.<a class="tag" id="tagI_237" href="#noteI_237">[237]</a></p> </div> <div class="verse"> <p><span class="charname">Casca.</span> You speak to Casca, and to such a man</p> -<p>That is no fleering<a class="tag" name="tagI_238" id="tagI_238" href="#noteI_238">[238]</a> tell-tale. Hold,<a class="tag" name="tagI_239" id="tagI_239" href="#noteI_239">[239]</a> my hand:</p> -<p>Be factious<a class="tag" name="tagI_240" id="tagI_240" href="#noteI_240">[240]</a> for redress of all these griefs,<a class="tag" name="tagI_241" id="tagI_241" href="#noteI_241">[241]</a></p> +<p>That is no fleering<a class="tag" id="tagI_238" href="#noteI_238">[238]</a> tell-tale. Hold,<a class="tag" id="tagI_239" href="#noteI_239">[239]</a> my hand:</p> +<p>Be factious<a class="tag" id="tagI_240" href="#noteI_240">[240]</a> for redress of all these griefs,<a class="tag" id="tagI_241" href="#noteI_241">[241]</a></p> <p>And I will set this foot of mine as far</p> <p>As who goes farthest.</p> </div> @@ -5598,25 +5640,25 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <p class="iamb2"><span class="linenum">120</span>There's a bargain made.</p> <p>Now know you, Casca, I have mov'd already</p> <p>Some certain of the noblest-minded Romans</p> -<p>To undergo<a class="tag" name="tagI_242" id="tagI_242" href="#noteI_242">[242]</a> with me an enterprise</p> +<p>To undergo<a class="tag" id="tagI_242" href="#noteI_242">[242]</a> with me an enterprise</p> <p>Of honourable-dangerous consequence;</p> -<p><span class="linenum">125</span>And I do know, by this<a class="tag" name="tagI_243" id="tagI_243" href="#noteI_243">[243]</a> they stay for me</p> -<p><span class="pagenum"><a name="Page_39" id="Page_39"></a>39</span></p> -<p>In Pompey's porch:<a class="tag" name="tagI_244" id="tagI_244" href="#noteI_244">[244]</a> for now, this fearful night,</p> +<p><span class="linenum">125</span>And I do know, by this<a class="tag" id="tagI_243" href="#noteI_243">[243]</a> they stay for me</p> +<p><span class="pagenum"><a id="Page_39"></a>39</span></p> +<p>In Pompey's porch:<a class="tag" id="tagI_244" href="#noteI_244">[244]</a> for now, this fearful night,</p> <p>There is no stir or walking in the streets,</p> -<p>And the complexion of the element<a class="tag" name="tagI_245" id="tagI_245" href="#noteI_245">[245]</a></p> -<p>In favour's<a class="tag" name="tagI_246" id="tagI_246" href="#noteI_246">[246]</a> like<a class="tag" name="tagI_247" id="tagI_247" href="#noteI_247">[247]</a> the work we have in hand,</p> -<p><span class="linenum">130</span>Most bloody, fiery,<a class="tag" name="tagI_248" id="tagI_248" href="#noteI_248">[248]</a> and most terrible.</p> +<p>And the complexion of the element<a class="tag" id="tagI_245" href="#noteI_245">[245]</a></p> +<p>In favour's<a class="tag" id="tagI_246" href="#noteI_246">[246]</a> like<a class="tag" id="tagI_247" href="#noteI_247">[247]</a> the work we have in hand,</p> +<p><span class="linenum">130</span>Most bloody, fiery,<a class="tag" id="tagI_248" href="#noteI_248">[248]</a> and most terrible.</p> </div> <p class="entrance">Enter <span class="charname">Cinna.</span></p> <div class="verse"> -<p><span class="charname">Casca.</span> Stand close<a class="tag" name="tagI_249" id="tagI_249" href="#noteI_249">[249]</a> awhile, for here comes one in haste.</p> +<p><span class="charname">Casca.</span> Stand close<a class="tag" id="tagI_249" href="#noteI_249">[249]</a> awhile, for here comes one in haste.</p> </div> <div class="verse"> -<p><span class="charname">Cassius.</span> 'Tis Cinna; I do know him by his gait;<a class="tag" name="tagI_250" id="tagI_250" href="#noteI_250">[250]</a></p> +<p><span class="charname">Cassius.</span> 'Tis Cinna; I do know him by his gait;<a class="tag" id="tagI_250" href="#noteI_250">[250]</a></p> <p>He is a friend. Cinna, where haste you so?</p> </div> @@ -5625,15 +5667,15 @@ with his sword drawn, and <span class="charname">Cicero</span></p> </div> <div class="verse"> -<p><span class="linenum">135</span><span class="charname">Cassius.</span> No, it is Casca; one incorporate<a class="tag" name="tagI_251" id="tagI_251" href="#noteI_251">[251]</a></p> +<p><span class="linenum">135</span><span class="charname">Cassius.</span> No, it is Casca; one incorporate<a class="tag" id="tagI_251" href="#noteI_251">[251]</a></p> <p>To our attempts. Am I not stay'd for, Cinna?</p> </div> -<p><span class="pagenum"><a name="Page_40" id="Page_40"></a>40</span></p> +<p><span class="pagenum"><a id="Page_40"></a>40</span></p> <div class="verse"> -<p><span class="charname">Cinna.</span><a class="tag" name="tagI_252" id="tagI_252" href="#noteI_252">[252]</a> I'm glad on't. What a fearful night is this!</p> -<p><a name="tagI_3_138" id="tagI_3_138"></a>There's two or three of us have seen strange sights.</p> +<p><span class="charname">Cinna.</span><a class="tag" id="tagI_252" href="#noteI_252">[252]</a> I'm glad on't. What a fearful night is this!</p> +<p><a id="tagI_3_138"></a>There's two or three of us have seen strange sights.</p> </div> <div class="verse"> @@ -5643,33 +5685,33 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <div class="verse"> <p class="float"><span class="charname">Cinna.</span></p> <p class="iamb4">Yes, you are.</p> -<p><span class="linenum">140</span>O, Cassius,<a class="tag" name="tagI_253" id="tagI_253" href="#noteI_253">[253]</a> if you could</p> -<p>But win the noble Brutus<a class="tag" name="tagI_254" id="tagI_254" href="#noteI_254">[254]</a> to our party—</p> +<p><span class="linenum">140</span>O, Cassius,<a class="tag" id="tagI_253" href="#noteI_253">[253]</a> if you could</p> +<p>But win the noble Brutus<a class="tag" id="tagI_254" href="#noteI_254">[254]</a> to our party—</p> </div> <div class="verse"> <p><span class="charname">Cassius.</span> Be you content. Good Cinna, take this paper,</p> -<p>And look you lay it in the prætor's chair,<a class="tag" name="tagI_255" id="tagI_255" href="#noteI_255">[255]</a></p> -<p>Where Brutus may but find it;<a class="tag" name="tagI_256" id="tagI_256" href="#noteI_256">[256]</a> and throw this</p> +<p>And look you lay it in the prætor's chair,<a class="tag" id="tagI_255" href="#noteI_255">[255]</a></p> +<p>Where Brutus may but find it;<a class="tag" id="tagI_256" href="#noteI_256">[256]</a> and throw this</p> <p><span class="linenum">145</span>In at his window; set this up with wax</p> <p>Upon old Brutus' statue: all this done,</p> <p>Repair to Pompey's porch, where you shall find us.</p> -<p>Is<a class="tag" name="tagI_257" id="tagI_257" href="#noteI_257">[257]</a> Decius Brutus<a class="tag" name="tagI_258" id="tagI_258" href="#noteI_258">[258]</a> and Trebonius there?</p> +<p>Is<a class="tag" id="tagI_257" href="#noteI_257">[257]</a> Decius Brutus<a class="tag" id="tagI_258" href="#noteI_258">[258]</a> and Trebonius there?</p> </div> -<p><span class="pagenum"><a name="Page_41" id="Page_41"></a>41</span></p> +<p><span class="pagenum"><a id="Page_41"></a>41</span></p> <div class="verse"> <p><span class="charname">Cinna.</span> All but Metellus Cimber; and he's gone</p> <p><span class="linenum">150</span>To seek you at your house. Well, I will hie,</p> -<p>And so bestow these papers as you bade<a class="tag" name="tagI_259" id="tagI_259" href="#noteI_259">[259]</a> me.</p> +<p>And so bestow these papers as you bade<a class="tag" id="tagI_259" href="#noteI_259">[259]</a> me.</p> </div> <div class="verse"> <p><span class="charname">Cassius.</span> That done, repair to Pompey's theatre.</p> <p class="right">[<i>Exit</i> <span class="charname">Cinna</span>]</p> <p>Come, Casca, you and I will yet ere day</p> -<p><a name="tagI_3_155" id="tagI_3_155"></a>See Brutus at his house: three parts of him</p> +<p><a id="tagI_3_155"></a>See Brutus at his house: three parts of him</p> <p><span class="linenum">155</span>Is ours already, and the man entire</p> <p>Upon the next encounter yields him ours.</p> </div> @@ -5677,36 +5719,36 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <div class="verse"> <p><span class="charname">Casca.</span> O, he sits high in all the people's hearts;</p> <p>And that which would appear offence in us,</p> -<p>His countenance,<a class="tag" name="tagI_260" id="tagI_260" href="#noteI_260">[260]</a> like richest alchemy,<a class="tag" name="tagI_261" id="tagI_261" href="#noteI_261">[261]</a></p> +<p>His countenance,<a class="tag" id="tagI_260" href="#noteI_260">[260]</a> like richest alchemy,<a class="tag" id="tagI_261" href="#noteI_261">[261]</a></p> <p><span class="linenum">160</span>Will change to virtue and to worthiness.</p> </div> <div class="verse"> <p><span class="charname">Cassius.</span> Him and his worth and our great need of him,</p> -<p>You have right well conceited.<a class="tag" name="tagI_262" id="tagI_262" href="#noteI_262">[262]</a> Let us go,</p> +<p>You have right well conceited.<a class="tag" id="tagI_262" href="#noteI_262">[262]</a> Let us go,</p> <p>For it is after midnight, and ere day</p> <p>We will awake him and be sure of him.</p> <p class="right">[<i>Exeunt</i>]</p> </div> -<hr class="mid" /> +<hr class="mid" > -<p><span class="pagenum"><a name="Page_42" id="Page_42"></a>42</span></p> +<p><span class="pagenum"><a id="Page_42"></a>42</span></p> -<h3 class="act"><a name="Act_II" id="Act_II">ACT II</a></h3> +<h3 class="act"><a id="Act_II">ACT II</a></h3> -<h4 class="scene"><a name="sceneII_1" id="sceneII_1"> +<h4 class="scene"><a id="sceneII_1"> <span class="scenenum">II. 1</span> -<span class="smallcaps">Scene I.</span> <i>Rome.</i> <span class="charname">Brutus's</span> <i>orchard</i></a><a class="tag" name="tagII_1" id="tagII_1" href="#noteII_1">[1]</a></h4> +<span class="smallcaps">Scene I.</span> <i>Rome.</i> <span class="charname">Brutus's</span> <i>orchard</i></a><a class="tag" id="tagII_1" href="#noteII_1">[1]</a></h4> -<p class="entrance">Enter <span class="charname">Brutus</span><span class="normal"><a class="tag" name="tagII_2" id="tagII_2" href="#noteII_2">[2]</a></span></p> +<p class="entrance">Enter <span class="charname">Brutus</span><span class="normal"><a class="tag" id="tagII_2" href="#noteII_2">[2]</a></span></p> <div class="verse"> -<p><span class="charname">Brutus.</span> What,<a class="tag" name="tagII_3" id="tagII_3" href="#noteII_3">[3]</a> Lucius, ho!</p> +<p><span class="charname">Brutus.</span> What,<a class="tag" id="tagII_3" href="#noteII_3">[3]</a> Lucius, ho!</p> <p>I cannot, by the progress of the stars,</p> <p>Give guess how near to day. Lucius, I say!</p> <p>I would it were my fault to sleep so soundly.</p> -<p>When, Lucius, when?<a class="tag" name="tagII_4" id="tagII_4" href="#noteII_4">[4]</a> awake, I say! what,<a class="tag" name="tagII_5" id="tagII_5" href="#noteII_5">[5]</a> Lucius!</p> +<p>When, Lucius, when?<a class="tag" id="tagII_4" href="#noteII_4">[4]</a> awake, I say! what,<a class="tag" id="tagII_5" href="#noteII_5">[5]</a> Lucius!</p> </div> <p class="entrance">Enter <span class="charname">Lucius</span></p> @@ -5725,36 +5767,36 @@ with his sword drawn, and <span class="charname">Cicero</span></p> </div> <div class="verse"> -<p><span class="linenum">10</span><span class="charname">Brutus.</span> It must be by his death:<a class="tag" name="tagII_6" id="tagII_6" href="#noteII_6">[6]</a> and, for my part,</p> +<p><span class="linenum">10</span><span class="charname">Brutus.</span> It must be by his death:<a class="tag" id="tagII_6" href="#noteII_6">[6]</a> and, for my part,</p> <p>I know no personal cause to spurn at him,</p> -<p><span class="pagenum"><a name="Page_43" id="Page_43"></a>43</span></p> -<p>But for the general.<a class="tag" name="tagII_7" id="tagII_7" href="#noteII_7">[7]</a> He would be crown'd:</p> +<p><span class="pagenum"><a id="Page_43"></a>43</span></p> +<p>But for the general.<a class="tag" id="tagII_7" href="#noteII_7">[7]</a> He would be crown'd:</p> <p>How that might change his nature, there's the question.</p> -<p>It is the bright day that brings forth the adder,<a class="tag" name="tagII_8" id="tagII_8" href="#noteII_8">[8]</a></p> -<p><span class="linenum">15</span>And that craves wary walking. Crown him?—that;—<a class="tag" name="tagII_9" id="tagII_9" href="#noteII_9">[9]</a></p> +<p>It is the bright day that brings forth the adder,<a class="tag" id="tagII_8" href="#noteII_8">[8]</a></p> +<p><span class="linenum">15</span>And that craves wary walking. Crown him?—that;—<a class="tag" id="tagII_9" href="#noteII_9">[9]</a></p> <p>And then, I grant, we put a sting in him,</p> -<p>That at his will he may do danger with.<a class="tag" name="tagII_10" id="tagII_10" href="#noteII_10">[10]</a></p> +<p>That at his will he may do danger with.<a class="tag" id="tagII_10" href="#noteII_10">[10]</a></p> <p>Th' abuse of greatness is when it disjoins</p> -<p>Remorse<a class="tag" name="tagII_11" id="tagII_11" href="#noteII_11">[11]</a> from power; and, to speak truth of Cæsar,</p> -<p><span class="linenum">20</span>I have not known when his affections sway'd<a class="tag" name="tagII_12" id="tagII_12" href="#noteII_12">[12]</a></p> -<p>More than his reason. But 'tis a common proof,<a class="tag" name="tagII_13" id="tagII_13" href="#noteII_13">[13]</a></p> +<p>Remorse<a class="tag" id="tagII_11" href="#noteII_11">[11]</a> from power; and, to speak truth of Cæsar,</p> +<p><span class="linenum">20</span>I have not known when his affections sway'd<a class="tag" id="tagII_12" href="#noteII_12">[12]</a></p> +<p>More than his reason. But 'tis a common proof,<a class="tag" id="tagII_13" href="#noteII_13">[13]</a></p> <p>That lowliness is young ambition's ladder,</p> -<p>Whereto the climber upward<a class="tag" name="tagII_14" id="tagII_14" href="#noteII_14">[14]</a><a class="tag" name="tagII_15" id="tagII_15" href="#noteII_15">[15]</a> turns his face;</p> +<p>Whereto the climber upward<a class="tag" id="tagII_14" href="#noteII_14">[14]</a><a class="tag" id="tagII_15" href="#noteII_15">[15]</a> turns his face;</p> <p>But when he once attains the upmost round,</p> -<p><span class="pagenum"><a name="Page_44" id="Page_44"></a>44</span></p> +<p><span class="pagenum"><a id="Page_44"></a>44</span></p> <p><span class="linenum">25</span>He then unto the ladder turns his back,</p> -<p>Looks in the clouds, scorning the base degrees<a class="tag" name="tagII_16" id="tagII_16" href="#noteII_16">[16]</a></p> +<p>Looks in the clouds, scorning the base degrees<a class="tag" id="tagII_16" href="#noteII_16">[16]</a></p> <p>By which he did ascend. So Cæsar may;</p> -<p>Then, lest<a class="tag" name="tagII_17" id="tagII_17" href="#noteII_17">[17]</a> he may, prevent.<a class="tag" name="tagII_18" id="tagII_18" href="#noteII_18">[18]</a> And, since the quarrel<a class="tag" name="tagII_19" id="tagII_19" href="#noteII_19">[19]</a></p> -<p>Will bear no colour<a class="tag" name="tagII_20" id="tagII_20" href="#noteII_20">[20]</a> for the thing he is,</p> +<p>Then, lest<a class="tag" id="tagII_17" href="#noteII_17">[17]</a> he may, prevent.<a class="tag" id="tagII_18" href="#noteII_18">[18]</a> And, since the quarrel<a class="tag" id="tagII_19" href="#noteII_19">[19]</a></p> +<p>Will bear no colour<a class="tag" id="tagII_20" href="#noteII_20">[20]</a> for the thing he is,</p> <p><span class="linenum">30</span>Fashion it thus; that what he is, augmented,</p> -<p><a name="tagII_1_31" id="tagII_1_31"></a>Would run to these and these extremities;</p> +<p><a id="tagII_1_31"></a>Would run to these and these extremities;</p> <p>And therefore think him as a serpent's egg</p> <p>Which, hatch'd, would, as his kind, grow mischievous,</p> -<p>And kill him in the shell.<a class="tag" name="tagII_21" id="tagII_21" href="#noteII_21">[21]</a></p> +<p>And kill him in the shell.<a class="tag" id="tagII_21" href="#noteII_21">[21]</a></p> </div> -<p class="entrance">Re-enter<span class="normal"><a class="tag" name="tagII_22" id="tagII_22" href="#noteII_22">[22]</a></span> <span class="charname">Lucius</span></p> +<p class="entrance">Re-enter<span class="normal"><a class="tag" id="tagII_22" href="#noteII_22">[22]</a></span> <span class="charname">Lucius</span></p> <div class="verse"> <p><span class="linenum">35</span><span class="charname">Lucius.</span> The taper burneth in your closet, sir.</p> @@ -5765,11 +5807,11 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <p class="right">[<i>Gives him the letter</i>]</p> -<p><span class="pagenum"><a name="Page_45" id="Page_45"></a>45</span></p> +<p><span class="pagenum"><a id="Page_45"></a>45</span></p> <div class="verse"> <p><span class="charname">Brutus.</span> Get you to bed again; it is not day.</p> -<p><span class="linenum">40</span>Is not to-morrow, boy, the first<a class="tag" name="tagII_23" id="tagII_23" href="#noteII_23">[23]</a><a class="tag" name="tagII_24" id="tagII_24" href="#noteII_24">[24]</a> of March?</p> +<p><span class="linenum">40</span>Is not to-morrow, boy, the first<a class="tag" id="tagII_23" href="#noteII_23">[23]</a><a class="tag" id="tagII_24" href="#noteII_24">[24]</a> of March?</p> </div> <div class="verse"> @@ -5786,7 +5828,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> </div> <div class="verse"> -<p><span class="charname">Brutus.</span> The exhalations<a class="tag" name="tagII_25" id="tagII_25" href="#noteII_25">[25]</a> whizzing in the air</p> +<p><span class="charname">Brutus.</span> The exhalations<a class="tag" id="tagII_25" href="#noteII_25">[25]</a> whizzing in the air</p> <p><span class="linenum">45</span>Give so much light that I may read by them.</p> </div> @@ -5795,27 +5837,27 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <div class="verse"> <p class="iamb1">Brutus, thou sleep'st: awake, and see thyself.</p> <p class="iamb1">Shall Rome, etc. Speak, strike, redress!</p> -<p class="iamb1">Brutus, thou sleep'st: awake!<a class="tag" name="tagII_26" id="tagII_26" href="#noteII_26">[26]</a></p> +<p class="iamb1">Brutus, thou sleep'st: awake!<a class="tag" id="tagII_26" href="#noteII_26">[26]</a></p> </div> <div class="verse"> -<p>Such instigations have been often dropp'd<a class="tag" name="tagII_27" id="tagII_27" href="#noteII_27">[27]</a></p> -<p><span class="linenum">50</span>Where I have took them up.<a class="tag" name="tagII_28" id="tagII_28" href="#noteII_28">[28]</a></p> -<p><span class="pagenum"><a name="Page_46" id="Page_46"></a>46</span></p> +<p>Such instigations have been often dropp'd<a class="tag" id="tagII_27" href="#noteII_27">[27]</a></p> +<p><span class="linenum">50</span>Where I have took them up.<a class="tag" id="tagII_28" href="#noteII_28">[28]</a></p> +<p><span class="pagenum"><a id="Page_46"></a>46</span></p> <p>'Shall Rome, etc.' Thus must I piece it out:</p> -<p>Shall Rome stand under one man's awe? What, Rome?<a class="tag" name="tagII_29" id="tagII_29" href="#noteII_29">[29]</a></p> -<p>My ancestors<a class="tag" name="tagII_30" id="tagII_30" href="#noteII_30">[30]</a> did from the streets of Rome</p> +<p>Shall Rome stand under one man's awe? What, Rome?<a class="tag" id="tagII_29" href="#noteII_29">[29]</a></p> +<p>My ancestors<a class="tag" id="tagII_30" href="#noteII_30">[30]</a> did from the streets of Rome</p> <p>The Tarquin drive, when he was call'd a king.</p> <p><span class="linenum">55</span>'Speak, strike, redress!' Am I entreated</p> -<p>To speak and strike? O Rome, I make thee<a class="tag" name="tagII_31" id="tagII_31" href="#noteII_31">[31]</a> promise,</p> +<p>To speak and strike? O Rome, I make thee<a class="tag" id="tagII_31" href="#noteII_31">[31]</a> promise,</p> <p>If the redress will follow, thou receivest</p> <p>Thy full petition at the hand of Brutus!</p> </div> -<p class="entrance">Re-enter<span class="normal"><a class="tag" name="tagII_22b" id="tagII_22b" href="#noteII_22">[22]</a></span> <span class="charname">Lucius</span></p> +<p class="entrance">Re-enter<span class="normal"><a class="tag" id="tagII_22b" href="#noteII_22">[22]</a></span> <span class="charname">Lucius</span></p> <div class="verse"> -<p><span class="charname">Lucius.</span> Sir, March is wasted fifteen<a class="tag" name="tagII_32" id="tagII_32" href="#noteII_32">[32]</a><a class="tag" name="tagII_33" id="tagII_33" href="#noteII_33">[33]</a> days.</p> +<p><span class="charname">Lucius.</span> Sir, March is wasted fifteen<a class="tag" id="tagII_32" href="#noteII_32">[32]</a><a class="tag" id="tagII_33" href="#noteII_33">[33]</a> days.</p> </div> <p class="right">[<i>Knocking within</i>]</p> @@ -5824,27 +5866,27 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <p><span class="linenum">60</span><span class="charname">Brutus.</span> 'T is good. Go to the gate; somebody knocks.</p> </div> -<p class="right">[<i>Exit</i> <span class="charname">Lucius</span>]<a class="tag" name="tagII_34" id="tagII_34" href="#noteII_34">[34]</a></p> +<p class="right">[<i>Exit</i> <span class="charname">Lucius</span>]<a class="tag" id="tagII_34" href="#noteII_34">[34]</a></p> <div class="verse"> <p>Since Cassius first did whet me against Cæsar,</p> <p>I have not slept.</p> <p>Between the acting of a dreadful thing</p> -<p>And the first motion,<a class="tag" name="tagII_35" id="tagII_35" href="#noteII_35">[35]</a> all the interim is</p> -<p><span class="linenum">65</span>Like a phantasma<a class="tag" name="tagII_36" id="tagII_36" href="#noteII_36">[36]</a> or a hideous dream:</p> -<p><span class="pagenum"><a name="Page_47" id="Page_47"></a>47</span></p> -<p>The Genius<a class="tag" name="tagII_37" id="tagII_37" href="#noteII_37">[37]</a> and the mortal instruments</p> -<p>Are then in council; and the state of a man,<a class="tag" name="tagII_38" id="tagII_38" href="#noteII_38">[38]</a></p> +<p>And the first motion,<a class="tag" id="tagII_35" href="#noteII_35">[35]</a> all the interim is</p> +<p><span class="linenum">65</span>Like a phantasma<a class="tag" id="tagII_36" href="#noteII_36">[36]</a> or a hideous dream:</p> +<p><span class="pagenum"><a id="Page_47"></a>47</span></p> +<p>The Genius<a class="tag" id="tagII_37" href="#noteII_37">[37]</a> and the mortal instruments</p> +<p>Are then in council; and the state of a man,<a class="tag" id="tagII_38" href="#noteII_38">[38]</a></p> <p>Like to a little kingdom, suffers then</p> -<p>The nature of an insurrection.<a class="tag" name="tagII_39" id="tagII_39" href="#noteII_39">[39]</a></p> +<p>The nature of an insurrection.<a class="tag" id="tagII_39" href="#noteII_39">[39]</a></p> </div> -<p><span class="pagenum"><a name="Page_48" id="Page_48"></a>48</span></p> +<p><span class="pagenum"><a id="Page_48"></a>48</span></p> -<p class="entrance">Re-enter<span class="normal"><a class="tag" name="tagII_22c" id="tagII_22c" href="#noteII_22">[22]</a></span> <span class="charname">Lucius</span></p> +<p class="entrance">Re-enter<span class="normal"><a class="tag" id="tagII_22c" href="#noteII_22">[22]</a></span> <span class="charname">Lucius</span></p> <div class="verse"> -<p><span class="linenum">70</span><span class="charname">Lucius</span>. Sir, 't is your brother<a class="tag" name="tagII_40" id="tagII_40" href="#noteII_40">[40]</a> Cassius at the door,</p> +<p><span class="linenum">70</span><span class="charname">Lucius</span>. Sir, 't is your brother<a class="tag" id="tagII_40" href="#noteII_40">[40]</a> Cassius at the door,</p> <p>Who doth desire to see you.</p> </div> @@ -5854,7 +5896,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> </div> <div class="verse"> -<p><span class="charname">Lucius</span>. No, sir, there are moe<a class="tag" name="tagII_41" id="tagII_41" href="#noteII_41">[41]</a><a class="tag" name="tagII_42" id="tagII_42" href="#noteII_42">[42]</a> with him.</p> +<p><span class="charname">Lucius</span>. No, sir, there are moe<a class="tag" id="tagII_41" href="#noteII_41">[41]</a><a class="tag" id="tagII_42" href="#noteII_42">[42]</a> with him.</p> </div> <div class="verse"> @@ -5863,29 +5905,29 @@ with his sword drawn, and <span class="charname">Cicero</span></p> </div> <div class="verse"> -<p><span class="charname">Lucius</span>. No, sir; their hats<a class="tag" name="tagII_43" id="tagII_43" href="#noteII_43">[43]</a> are pluck'd about their ears,</p> -<p>And half their faces buried in their cloaks,<a class="tag" name="tagII_44" id="tagII_44" href="#noteII_44">[44]</a></p> +<p><span class="charname">Lucius</span>. No, sir; their hats<a class="tag" id="tagII_43" href="#noteII_43">[43]</a> are pluck'd about their ears,</p> +<p>And half their faces buried in their cloaks,<a class="tag" id="tagII_44" href="#noteII_44">[44]</a></p> <p><span class="linenum">75</span>That by no means I may discover them</p> -<p>By any mark of favour.<a class="tag" name="tagII_45" id="tagII_45" href="#noteII_45">[45]</a></p> +<p>By any mark of favour.<a class="tag" id="tagII_45" href="#noteII_45">[45]</a></p> </div> <div class="verse"> <p class="float"><span class="charname">Brutus</span>.</p> -<p class="iamb3">Let 'em<a class="tag" name="tagII_46" id="tagII_46" href="#noteII_46">[46]</a> enter.</p> -<p class="right">[<i>Exit</i> <span class="charname">Lucius</span>]<a class="tag" name="tagII_34b" id="tagII_34b" href="#noteII_34">[34]</a></p> +<p class="iamb3">Let 'em<a class="tag" id="tagII_46" href="#noteII_46">[46]</a> enter.</p> +<p class="right">[<i>Exit</i> <span class="charname">Lucius</span>]<a class="tag" id="tagII_34b" href="#noteII_34">[34]</a></p> <p>They are the faction. O conspiracy,</p> <p>Sham'st thou to show thy dangerous brow by night,</p> -<p>When evils<a class="tag" name="tagII_47" id="tagII_47" href="#noteII_47">[47]</a> are most free? O, then, by day</p> +<p>When evils<a class="tag" id="tagII_47" href="#noteII_47">[47]</a> are most free? O, then, by day</p> <p><span class="linenum">80</span>Where wilt thou find a cavern dark enough</p> <p>To mask thy monstrous visage? Seek none, conspiracy;</p> <p>Hide it in smiles and affability:</p> -<p><span class="pagenum"><a name="Page_49" id="Page_49"></a>49</span></p> -<p>For if thou path,<a class="tag" name="tagII_48" id="tagII_48" href="#noteII_48">[48]</a> thy<a class="tag" name="tagII_49" id="tagII_49" href="#noteII_49">[49]</a> native semblance on,</p> -<p>Not Erebus<a class="tag" name="tagII_50" id="tagII_50" href="#noteII_50">[50]</a> itself were dim enough</p> -<p><span class="linenum">85</span>To hide thee from prevention.<a class="tag" name="tagII_51" id="tagII_51" href="#noteII_51">[51]</a></p> +<p><span class="pagenum"><a id="Page_49"></a>49</span></p> +<p>For if thou path,<a class="tag" id="tagII_48" href="#noteII_48">[48]</a> thy<a class="tag" id="tagII_49" href="#noteII_49">[49]</a> native semblance on,</p> +<p>Not Erebus<a class="tag" id="tagII_50" href="#noteII_50">[50]</a> itself were dim enough</p> +<p><span class="linenum">85</span>To hide thee from prevention.<a class="tag" id="tagII_51" href="#noteII_51">[51]</a></p> </div> -<p class="entrance">Enter<span class="normal"><a class="tag" name="tagII_52" id="tagII_52" href="#noteII_52">[52]</a></span> the conspirators, <span class="charname">Cassius</span>, <span class="charname">Casca</span>, <span class="charname">Decius</span>, <span class="charname">Cinna</span>, +<p class="entrance">Enter<span class="normal"><a class="tag" id="tagII_52" href="#noteII_52">[52]</a></span> the conspirators, <span class="charname">Cassius</span>, <span class="charname">Casca</span>, <span class="charname">Decius</span>, <span class="charname">Cinna</span>, <span class="charname">Metellus Cimber</span>, and <span class="charname">Trebonius</span>.</p> <div class="verse"> @@ -5912,7 +5954,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> </div> <div class="verse"> -<p><span class="charname">Cassius.</span> This, Decius Brutus.<a class="tag" name="tagII_53" id="tagII_53" href="#noteII_53">[53]</a></p> +<p><span class="charname">Cassius.</span> This, Decius Brutus.<a class="tag" id="tagII_53" href="#noteII_53">[53]</a></p> </div> <div class="verse"> @@ -5926,7 +5968,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <div class="verse"> <p><span class="charname">Brutus.</span> They are all welcome.</p> -<p><span class="pagenum"><a name="Page_50" id="Page_50"></a>50</span></p> +<p><span class="pagenum"><a id="Page_50"></a>50</span></p> <p>What watchful cares do interpose themselves</p> <p>Betwixt your eyes and night?</p> </div> @@ -5937,7 +5979,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> </div> <div class="verse"> -<p><span class="charname">Decius.</span> Here lies the east: doth not the day break here?<a class="tag" name="tagII_54" id="tagII_54" href="#noteII_54">[54]</a></p> +<p><span class="charname">Decius.</span> Here lies the east: doth not the day break here?<a class="tag" id="tagII_54" href="#noteII_54">[54]</a></p> </div> <div class="verse"> @@ -5946,53 +5988,53 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <div class="verse"> <p><span class="charname">Cinna.</span> O, pardon, sir, it doth; and yon gray lines</p> -<p>That fret<a class="tag" name="tagII_55" id="tagII_55" href="#noteII_55">[55]</a> the clouds are messengers of day.</p> +<p>That fret<a class="tag" id="tagII_55" href="#noteII_55">[55]</a> the clouds are messengers of day.</p> </div> <div class="verse"> <p><span class="linenum">105</span><span class="charname">Casca.</span> You shall confess that you are both deceiv'd.</p> <p>Here, as I point my sword, the sun arises,</p> -<p>Which is a great way growing on<a class="tag" name="tagII_56" id="tagII_56" href="#noteII_56">[56]</a> the south,</p> -<p>Weighing<a class="tag" name="tagII_57" id="tagII_57" href="#noteII_57">[57]</a> the youthful season of the year.</p> +<p>Which is a great way growing on<a class="tag" id="tagII_56" href="#noteII_56">[56]</a> the south,</p> +<p>Weighing<a class="tag" id="tagII_57" href="#noteII_57">[57]</a> the youthful season of the year.</p> <p>Some two months hence up higher toward the north</p> -<p><span class="linenum">110</span>He first presents his fire, and the high<a class="tag" name="tagII_58" id="tagII_58" href="#noteII_58">[58]</a> east</p> +<p><span class="linenum">110</span>He first presents his fire, and the high<a class="tag" id="tagII_58" href="#noteII_58">[58]</a> east</p> <p>Stands, as the Capitol, directly here.</p> </div> <div class="verse"> -<p><span class="charname">Brutus.</span> Give me your hands all over,<a class="tag" name="tagII_59" id="tagII_59" href="#noteII_59">[59]</a> one by one.</p> +<p><span class="charname">Brutus.</span> Give me your hands all over,<a class="tag" id="tagII_59" href="#noteII_59">[59]</a> one by one.</p> </div> <div class="verse"> <p><span class="charname">Cassius.</span> And let us swear our resolution.</p> </div> -<p><span class="pagenum"><a name="Page_51" id="Page_51"></a>51</span></p> +<p><span class="pagenum"><a id="Page_51"></a>51</span></p> <div class="verse"> -<p><span class="charname">Brutus</span>. No, not an oath:<a class="tag" name="tagII_60" id="tagII_60" href="#noteII_60">[60]</a> if not the face of men,<a class="tag" name="tagII_61" id="tagII_61" href="#noteII_61">[61]</a></p> -<p><span class="linenum">115</span>The sufferance<a class="tag" name="tagII_62" id="tagII_62" href="#noteII_62">[62]</a> of our souls, the time's abuse,—<a class="tag" name="tagII_63" id="tagII_63" href="#noteII_63">[63]</a></p> +<p><span class="charname">Brutus</span>. No, not an oath:<a class="tag" id="tagII_60" href="#noteII_60">[60]</a> if not the face of men,<a class="tag" id="tagII_61" href="#noteII_61">[61]</a></p> +<p><span class="linenum">115</span>The sufferance<a class="tag" id="tagII_62" href="#noteII_62">[62]</a> of our souls, the time's abuse,—<a class="tag" id="tagII_63" href="#noteII_63">[63]</a></p> <p>If these be motives weak, break off betimes,</p> <p>And every man hence to his idle bed;</p> <p>So let high-sighted tyranny range on,</p> -<p>Till each man drop by lottery.<a class="tag" name="tagII_64" id="tagII_64" href="#noteII_64">[64]</a> But if these,</p> +<p>Till each man drop by lottery.<a class="tag" id="tagII_64" href="#noteII_64">[64]</a> But if these,</p> <p><span class="linenum">120</span>As I am sure they do, bear fire enough</p> <p>To kindle cowards and to steel with valour</p> <p>The melting spirits of women, then, countrymen,</p> -<p>What need we<a class="tag" name="tagII_65" id="tagII_65" href="#noteII_65">[65]</a> any spur but our own cause</p> -<p><span class="pagenum"><a name="Page_52" id="Page_52"></a>52</span></p> +<p>What need we<a class="tag" id="tagII_65" href="#noteII_65">[65]</a> any spur but our own cause</p> +<p><span class="pagenum"><a id="Page_52"></a>52</span></p> <p>To prick us to redress? what other bond</p> -<p><span class="linenum">125</span>Than secret Romans,<a class="tag" name="tagII_66" id="tagII_66" href="#noteII_66">[66]</a> that have spoke the word,</p> -<p>And will not palter?<a class="tag" name="tagII_67" id="tagII_67" href="#noteII_67">[67]</a> and what other oath</p> +<p><span class="linenum">125</span>Than secret Romans,<a class="tag" id="tagII_66" href="#noteII_66">[66]</a> that have spoke the word,</p> +<p>And will not palter?<a class="tag" id="tagII_67" href="#noteII_67">[67]</a> and what other oath</p> <p>Than honesty to honesty engag'd,</p> <p>That this shall be, or we will fall for it?</p> -<p>Swear priests and cowards and men cautelous,<a class="tag" name="tagII_68" id="tagII_68" href="#noteII_68">[68]</a></p> -<p><span class="linenum">130</span>Old feeble carrions<a class="tag" name="tagII_69" id="tagII_69" href="#noteII_69">[69]</a> and such suffering souls</p> +<p>Swear priests and cowards and men cautelous,<a class="tag" id="tagII_68" href="#noteII_68">[68]</a></p> +<p><span class="linenum">130</span>Old feeble carrions<a class="tag" id="tagII_69" href="#noteII_69">[69]</a> and such suffering souls</p> <p>That welcome wrongs; unto bad causes swear</p> <p>Such creatures as men doubt; but do not stain</p> -<p>The even virtue<a class="tag" name="tagII_70" id="tagII_70" href="#noteII_70">[70]</a> of our enterprise,</p> -<p>Nor th' insuppressive<a class="tag" name="tagII_71" id="tagII_71" href="#noteII_71">[71]</a> mettle of our spirits,</p> -<p><span class="linenum">135</span>To think<a class="tag" name="tagII_72" id="tagII_72" href="#noteII_72">[72]</a> that or our cause or our performance</p> +<p>The even virtue<a class="tag" id="tagII_70" href="#noteII_70">[70]</a> of our enterprise,</p> +<p>Nor th' insuppressive<a class="tag" id="tagII_71" href="#noteII_71">[71]</a> mettle of our spirits,</p> +<p><span class="linenum">135</span>To think<a class="tag" id="tagII_72" href="#noteII_72">[72]</a> that or our cause or our performance</p> <p>Did need an oath; when every drop of blood</p> <p>That every Roman bears, and nobly bears,</p> <p>Is guilty of a several bastardy,</p> @@ -6005,7 +6047,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <p>I think he will stand very strong with us.</p> </div> -<p><span class="pagenum"><a name="Page_53" id="Page_53"></a>53</span></p> +<p><span class="pagenum"><a id="Page_53"></a>53</span></p> <div class="verse"> <p><span class="charname">Casca.</span> Let us not leave him out.</p> @@ -6018,7 +6060,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <div class="verse"> <p><span class="charname">Metellus.</span> O, let us have him, for his silver hairs</p> -<p><span class="linenum">145</span>Will purchase us a good opinion,<a class="tag" name="tagII_73" id="tagII_73" href="#noteII_73">[73]</a></p> +<p><span class="linenum">145</span>Will purchase us a good opinion,<a class="tag" id="tagII_73" href="#noteII_73">[73]</a></p> <p>And buy men's voices to commend our deeds:</p> <p>It shall be said, his judgment rul'd our hands;</p> <p>Our youths and wildness shall no whit appear,</p> @@ -6026,7 +6068,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> </div> <div class="verse"> -<p><span class="linenum">150</span><span class="charname">Brutus.</span> O, name him not; let us not break with him,<a class="tag" name="tagII_74" id="tagII_74" href="#noteII_74">[74]</a></p> +<p><span class="linenum">150</span><span class="charname">Brutus.</span> O, name him not; let us not break with him,<a class="tag" id="tagII_74" href="#noteII_74">[74]</a></p> <p>For he will never follow any thing</p> <p>That other men begin.</p> </div> @@ -6047,10 +6089,10 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <div class="verse"> <p><span class="linenum">155</span><span class="charname">Cassius.</span> Decius, well urg'd: I think it is not meet,</p> <p>Mark Antony, so well belov'd of Cæsar,</p> -<p>Should outlive Cæsar: we shall find of him<a class="tag" name="tagII_75" id="tagII_75" href="#noteII_75">[75]</a></p> -<p><span class="pagenum"><a name="Page_54" id="Page_54"></a>54</span></p> +<p>Should outlive Cæsar: we shall find of him<a class="tag" id="tagII_75" href="#noteII_75">[75]</a></p> +<p><span class="pagenum"><a id="Page_54"></a>54</span></p> <p>A shrewd contriver; and, you know, his means,</p> -<p><a name="noteII_1_158" id="noteII_1_158"></a>If he improve them, may well stretch so far</p> +<p><a id="noteII_1_158"></a>If he improve them, may well stretch so far</p> <p><span class="linenum">160</span>As to annoy us all; which to prevent,</p> <p>Let Antony and Cæsar fall together.</p> </div> @@ -6058,12 +6100,12 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <div class="verse"> <p><span class="charname">Brutus.</span> Our course will seem too bloody, Caius Cassius,</p> <p>To cut the head off and then hack the limbs,</p> -<p>Like wrath in death and envy<a class="tag" name="tagII_76" id="tagII_76" href="#noteII_76">[76]</a> afterwards;</p> +<p>Like wrath in death and envy<a class="tag" id="tagII_76" href="#noteII_76">[76]</a> afterwards;</p> <p><span class="linenum">165</span>For Antony is but a limb of Cæsar.</p> -<p>Let's<a class="tag" name="tagII_77" id="tagII_77" href="#noteII_77">[77]</a> be sacrificers, but not butchers, Caius.</p> +<p>Let's<a class="tag" id="tagII_77" href="#noteII_77">[77]</a> be sacrificers, but not butchers, Caius.</p> <p>We all stand up against the spirit of Cæsar,</p> -<p>And in the spirit of men<a class="tag" name="tagII_78" id="tagII_78" href="#noteII_78">[78]</a> there is no blood:</p> -<p>O, that we then could come by Cæsar's spirit,<a class="tag" name="tagII_79" id="tagII_79" href="#noteII_79">[79]</a></p> +<p>And in the spirit of men<a class="tag" id="tagII_78" href="#noteII_78">[78]</a> there is no blood:</p> +<p>O, that we then could come by Cæsar's spirit,<a class="tag" id="tagII_79" href="#noteII_79">[79]</a></p> <p><span class="linenum">170</span>And not dismember Cæsar! But, alas,</p> <p>Cæsar must bleed for it! And, gentle friends,</p> <p>Let's kill him boldly, but not wrathfully;</p> @@ -6071,11 +6113,11 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <p>Not hew him as a carcass fit for hounds:</p> <p><span class="linenum">175</span>And let our hearts, as subtle masters do,</p> <p>Stir up their servants to an act of rage,</p> -<p>And after seem to chide 'em.<a class="tag" name="tagII_80" id="tagII_80" href="#noteII_80">[80]</a><a class="tag" name="tagII_81" id="tagII_81" href="#noteII_81">[81]</a> This shall make</p> +<p>And after seem to chide 'em.<a class="tag" id="tagII_80" href="#noteII_80">[80]</a><a class="tag" id="tagII_81" href="#noteII_81">[81]</a> This shall make</p> <p>Our purpose necessary and not envious;</p> <p>Which so appearing to the common eyes,</p> -<p><span class="linenum">180</span>We shall be call'd purgers,<a class="tag" name="tagII_82" id="tagII_82" href="#noteII_82">[82]</a> not murderers.</p> -<p><span class="pagenum"><a name="Page_55" id="Page_55"></a>55</span></p> +<p><span class="linenum">180</span>We shall be call'd purgers,<a class="tag" id="tagII_82" href="#noteII_82">[82]</a> not murderers.</p> +<p><span class="pagenum"><a id="Page_55"></a>55</span></p> <p>And for Mark Antony, think not of him;</p> <p>For he can do no more than Cæsar's arm</p> <p>When Cæsar's head is off.</p> @@ -6090,13 +6132,13 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <div class="verse"> <p><span class="linenum">185</span><span class="charname">Brutus.</span> Alas, good Cassius, do not think of him:</p> <p>If he love Cæsar, all that he can do</p> -<p>Is to himself, take thought and die<a class="tag" name="tagII_83" id="tagII_83" href="#noteII_83">[83]</a> for Cæsar:</p> +<p>Is to himself, take thought and die<a class="tag" id="tagII_83" href="#noteII_83">[83]</a> for Cæsar:</p> <p>And that were much he should, for he is given</p> -<p>To sports, to wildness, and much company.<a class="tag" name="tagII_84" id="tagII_84" href="#noteII_84">[84]</a></p> +<p>To sports, to wildness, and much company.<a class="tag" id="tagII_84" href="#noteII_84">[84]</a></p> </div> <div class="verse"> -<p><span class="linenum">190</span><span class="charname">Trebonius.</span> There is no fear<a class="tag" name="tagII_85" id="tagII_85" href="#noteII_85">[85]</a> in him; let him not die;</p> +<p><span class="linenum">190</span><span class="charname">Trebonius.</span> There is no fear<a class="tag" id="tagII_85" href="#noteII_85">[85]</a> in him; let him not die;</p> <p>For he will live, and laugh at this hereafter.</p> <p class="right">[<i>Clock strikes</i>]</p> </div> @@ -6107,7 +6149,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <div class="verse"> <p class="float"><span class="charname">Cassius.</span></p> -<p class="iamb3">The clock hath stricken<a class="tag" name="tagII_86" id="tagII_86" href="#noteII_86">[86]</a> three.</p> +<p class="iamb3">The clock hath stricken<a class="tag" id="tagII_86" href="#noteII_86">[86]</a> three.</p> </div> <div class="verse"> @@ -6117,12 +6159,12 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <div class="verse"> <p class="float"><span class="charname">Cassius.</span></p> <p class="iamb3">But it is doubtful yet</p> -<p><span class="pagenum"><a name="Page_56" id="Page_56"></a>56</span></p> -<p>Whether<a class="tag" name="tagII_87" id="tagII_87" href="#noteII_87">[87]</a> Cæsar will come forth to-day or no;</p> +<p><span class="pagenum"><a id="Page_56"></a>56</span></p> +<p>Whether<a class="tag" id="tagII_87" href="#noteII_87">[87]</a> Cæsar will come forth to-day or no;</p> <p><span class="linenum">195</span>For he is superstitious grown of late,</p> -<p>Quite from<a class="tag" name="tagII_88" id="tagII_88" href="#noteII_88">[88]</a> the main<a class="tag" name="tagII_89" id="tagII_89" href="#noteII_89">[89]</a> opinion he held once</p> +<p>Quite from<a class="tag" id="tagII_88" href="#noteII_88">[88]</a> the main<a class="tag" id="tagII_89" href="#noteII_89">[89]</a> opinion he held once</p> <p>Of fantasy, of dreams, and ceremonies:</p> -<p>It may be these apparent prodigies,<a class="tag" name="tagII_90" id="tagII_90" href="#noteII_90">[90]</a></p> +<p>It may be these apparent prodigies,<a class="tag" id="tagII_90" href="#noteII_90">[90]</a></p> <p>The unaccustom'd terror of this night,</p> <p><span class="linenum">200</span>And the persuasion of his augurers,</p> <p>May hold him from the Capitol to-day.</p> @@ -6131,10 +6173,10 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <div class="verse"> <p><span class="charname">Decius.</span> Never fear that: if he be so resolv'd,</p> <p>I can o'ersway him; for he loves to hear</p> -<p>That unicorns may be betray'd with trees,<a class="tag" name="tagII_91" id="tagII_91" href="#noteII_91">[91]</a></p> -<p><span class="linenum">205</span>And bears with glasses,<a class="tag" name="tagII_92" id="tagII_92" href="#noteII_92">[92]</a> elephants with holes,</p> -<p><span class="pagenum"><a name="Page_57" id="Page_57"></a>57</span></p> -<p>Lions with toils,<a class="tag" name="tagII_93" id="tagII_93" href="#noteII_93">[93]</a> and men with flatterers:</p> +<p>That unicorns may be betray'd with trees,<a class="tag" id="tagII_91" href="#noteII_91">[91]</a></p> +<p><span class="linenum">205</span>And bears with glasses,<a class="tag" id="tagII_92" href="#noteII_92">[92]</a> elephants with holes,</p> +<p><span class="pagenum"><a id="Page_57"></a>57</span></p> +<p>Lions with toils,<a class="tag" id="tagII_93" href="#noteII_93">[93]</a> and men with flatterers:</p> <p>But when I tell him he hates flatterers,</p> <p>He says he does, being then most flattered.</p> <p>Let me work;</p> @@ -6147,7 +6189,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> </div> <div class="verse"> -<p><span class="charname">Brutus.</span> By the eighth<a class="tag" name="tagII_94" id="tagII_94" href="#noteII_94">[94]</a> hour; is that the uttermost?</p> +<p><span class="charname">Brutus.</span> By the eighth<a class="tag" id="tagII_94" href="#noteII_94">[94]</a> hour; is that the uttermost?</p> </div> <div class="verse"> @@ -6155,42 +6197,42 @@ with his sword drawn, and <span class="charname">Cicero</span></p> </div> <div class="verse"> -<p><span class="linenum">215</span><span class="charname">Metellus.</span> Caius Ligarius doth bear Cæsar hard,<a class="tag" name="tagII_95" id="tagII_95" href="#noteII_95">[95]</a><a class="tag" name="tagII_96" id="tagII_96" href="#noteII_96">[96]</a></p> +<p><span class="linenum">215</span><span class="charname">Metellus.</span> Caius Ligarius doth bear Cæsar hard,<a class="tag" id="tagII_95" href="#noteII_95">[95]</a><a class="tag" id="tagII_96" href="#noteII_96">[96]</a></p> <p>Who rated him for speaking well of Pompey:</p> <p>I wonder none of you have thought of him.</p> </div> -<p><span class="pagenum"><a name="Page_58" id="Page_58"></a>58</span></p> +<p><span class="pagenum"><a id="Page_58"></a>58</span></p> <div class="verse"> -<p><span class="charname">Brutus.</span> Now, good Metellus, go along by him:<a class="tag" name="tagII_97" id="tagII_97" href="#noteII_97">[97]</a></p> +<p><span class="charname">Brutus.</span> Now, good Metellus, go along by him:<a class="tag" id="tagII_97" href="#noteII_97">[97]</a></p> <p>He loves me well, and I have given him reasons;</p> <p><span class="linenum">220</span>Send him but hither, and I'll fashion him.</p> </div> <div class="verse"> -<p><span class="charname">Cassius.</span><a class="tag" name="tagII_98" id="tagII_98" href="#noteII_98">[98]</a> The morning comes upon 's: we'll leave you, Brutus:</p> +<p><span class="charname">Cassius.</span><a class="tag" id="tagII_98" href="#noteII_98">[98]</a> The morning comes upon 's: we'll leave you, Brutus:</p> <p>And, friends, disperse yourselves; but all remember</p> <p>What you have said, and show yourselves true Romans.</p> </div> <div class="verse"> <p><span class="charname">Brutus.</span> Good gentlemen, look fresh and merrily;</p> -<p><span class="linenum">225</span>Let not our looks put on our purposes;<a class="tag" name="tagII_99" id="tagII_99" href="#noteII_99">[99]</a></p> +<p><span class="linenum">225</span>Let not our looks put on our purposes;<a class="tag" id="tagII_99" href="#noteII_99">[99]</a></p> <p>But bear it as our Roman actors do,</p> -<p>With untir'd spirits and formal <a name="tagII_1_227" id="tagII_1_227">constancy</a>:</p> +<p>With untir'd spirits and formal <a id="tagII_1_227">constancy</a>:</p> <p>And so, good morrow to you every one.</p> -<p class="right">[<i>Exeunt all but</i> <span class="charname">Brutus</span>]<a class="tag" name="tagII_100" id="tagII_100" href="#noteII_100">[100]</a></p> +<p class="right">[<i>Exeunt all but</i> <span class="charname">Brutus</span>]<a class="tag" id="tagII_100" href="#noteII_100">[100]</a></p> <p>Boy! Lucius! Fast asleep? It is no matter;</p> -<p><span class="linenum">230</span>Enjoy the honey-heavy dew<a class="tag" name="tagII_101" id="tagII_101" href="#noteII_101">[101]</a><a class="tag" name="tagII_102" id="tagII_102" href="#noteII_102">[102]</a> of slumber:</p> +<p><span class="linenum">230</span>Enjoy the honey-heavy dew<a class="tag" id="tagII_101" href="#noteII_101">[101]</a><a class="tag" id="tagII_102" href="#noteII_102">[102]</a> of slumber:</p> <p>Thou hast no figures nor no fantasies,</p> <p>Which busy care draws in the brains of men;</p> <p>Therefore thou sleep'st so sound.</p> </div> -<p><span class="pagenum"><a name="Page_59" id="Page_59"></a>59</span></p> +<p><span class="pagenum"><a id="Page_59"></a>59</span></p> -<p class="entrance">Enter<span class="normal"><a class="tag" name="tagII_103" id="tagII_103" href="#noteII_103">[103]</a><a class="tag" name="tagII_104" id="tagII_104" href="#noteII_104">[104]</a></span> <span class="charname">Portia</span></p> +<p class="entrance">Enter<span class="normal"><a class="tag" id="tagII_103" href="#noteII_103">[103]</a><a class="tag" id="tagII_104" href="#noteII_104">[104]</a></span> <span class="charname">Portia</span></p> <div class="verse"> <p class="float"><span class="charname">Portia.</span></p> @@ -6204,26 +6246,26 @@ with his sword drawn, and <span class="charname">Cicero</span></p> </div> <div class="verse"> -<p><span class="charname">Portia.</span> Nor for yours neither.<a class="tag" name="tagII_105" id="tagII_105" href="#noteII_105">[105]</a> You've<a class="tag" name="tagII_106" id="tagII_106" href="#noteII_106">[106]</a> ungently, Brutus,</p> +<p><span class="charname">Portia.</span> Nor for yours neither.<a class="tag" id="tagII_105" href="#noteII_105">[105]</a> You've<a class="tag" id="tagII_106" href="#noteII_106">[106]</a> ungently, Brutus,</p> <p>Stole from my bed: and yesternight at supper</p> -<p>You suddenly<a class="tag" name="tagII_107" id="tagII_107" href="#noteII_107">[107]</a> arose, and walk'd about,</p> +<p>You suddenly<a class="tag" id="tagII_107" href="#noteII_107">[107]</a> arose, and walk'd about,</p> <p><span class="linenum">240</span>Musing and sighing, with your arms across;</p> <p>And when I ask'd you what the matter was,</p> <p>You star'd upon me with ungentle looks:</p> <p>I urg'd you further; then you scratch'd your head,</p> <p>And too impatiently stamp'd with your foot:</p> <p><span class="linenum">245</span>Yet I insisted, yet you answer'd not,</p> -<p>But with an angry wafture<a class="tag" name="tagII_108" id="tagII_108" href="#noteII_108">[108]</a> of your hand</p> +<p>But with an angry wafture<a class="tag" id="tagII_108" href="#noteII_108">[108]</a> of your hand</p> <p>Gave sign for me to leave you. So I did,</p> -<p><span class="pagenum"><a name="Page_60" id="Page_60"></a>60</span></p> +<p><span class="pagenum"><a id="Page_60"></a>60</span></p> <p>Fearing to strengthen that impatience</p> <p>Which seem'd too much enkindled, and withal</p> -<p><span class="linenum">250</span>Hoping it was but an effect of humour,<a class="tag" name="tagII_109" id="tagII_109" href="#noteII_109">[109]</a></p> +<p><span class="linenum">250</span>Hoping it was but an effect of humour,<a class="tag" id="tagII_109" href="#noteII_109">[109]</a></p> <p>Which sometime hath his hour with every man.</p> <p>It will not let you eat, nor talk, nor sleep,</p> <p>And, could it work so much upon your shape</p> -<p>As it hath much prevail'd on your condition,<a class="tag" name="tagII_110" id="tagII_110" href="#noteII_110">[110]</a></p> -<p><span class="linenum">255</span>I should not know you, Brutus.<a class="tag" name="tagII_111" id="tagII_111" href="#noteII_111">[111]</a> Dear my lord,<a class="tag" name="tagII_112" id="tagII_112" href="#noteII_112">[112]</a></p> +<p>As it hath much prevail'd on your condition,<a class="tag" id="tagII_110" href="#noteII_110">[110]</a></p> +<p><span class="linenum">255</span>I should not know you, Brutus.<a class="tag" id="tagII_111" href="#noteII_111">[111]</a> Dear my lord,<a class="tag" id="tagII_112" href="#noteII_112">[112]</a></p> <p>Make me acquainted with your cause of grief.</p> </div> @@ -6241,18 +6283,18 @@ with his sword drawn, and <span class="charname">Cicero</span></p> </div> <div class="verse"> -<p><span class="charname">Portia.</span> Is Brutus sick? and is it physical<a class="tag" name="tagII_113" id="tagII_113" href="#noteII_113">[113]</a></p> +<p><span class="charname">Portia.</span> Is Brutus sick? and is it physical<a class="tag" id="tagII_113" href="#noteII_113">[113]</a></p> <p>To walk unbraced and suck up the humours</p> -<p>Of the dank<a class="tag" name="tagII_114" id="tagII_114" href="#noteII_114">[114]</a> morning? What, is Brutus sick,</p> +<p>Of the dank<a class="tag" id="tagII_114" href="#noteII_114">[114]</a> morning? What, is Brutus sick,</p> <p>And will he steal out of his wholesome bed,</p> -<p><span class="pagenum"><a name="Page_61" id="Page_61"></a>61</span></p> -<p><span class="linenum">265</span><a name="tagII_1_265" id="tagII_1_265"></a>To dare the vile contagion of the night,</p> -<p>And tempt the rheumy<a class="tag" name="tagII_115" id="tagII_115" href="#noteII_115">[115]</a> and unpurged air</p> -<p>To add unto his<a class="tag" name="tagII_116" id="tagII_116" href="#noteII_116">[116]</a> sickness? No, my Brutus;</p> +<p><span class="pagenum"><a id="Page_61"></a>61</span></p> +<p><span class="linenum">265</span><a id="tagII_1_265"></a>To dare the vile contagion of the night,</p> +<p>And tempt the rheumy<a class="tag" id="tagII_115" href="#noteII_115">[115]</a> and unpurged air</p> +<p>To add unto his<a class="tag" id="tagII_116" href="#noteII_116">[116]</a> sickness? No, my Brutus;</p> <p>You have some sick offence within your mind,</p> <p>Which by the right and virtue of my place</p> <p><span class="linenum">270</span>I ought to know of: and, upon my knees,</p> -<p>I charm<a class="tag" name="tagII_117" id="tagII_117" href="#noteII_117">[117]</a><a class="tag" name="tagII_118" id="tagII_118" href="#noteII_118">[118]</a> you, by my once-commended beauty,</p> +<p>I charm<a class="tag" id="tagII_117" href="#noteII_117">[117]</a><a class="tag" id="tagII_118" href="#noteII_118">[118]</a> you, by my once-commended beauty,</p> <p>By all your vows of love and that great vow</p> <p>Which did incorporate and make us one,</p> <p>That you unfold to me, yourself, your half,</p> @@ -6268,35 +6310,35 @@ with his sword drawn, and <span class="charname">Cicero</span></p> </div> <div class="verse"> -<p><span class="charname">Portia.</span><a class="tag" name="tagII_119" id="tagII_119" href="#noteII_119">[119]</a> I should not need, if you were gentle Brutus.</p> -<p><span class="linenum">280</span>Within the<a class="tag" name="tagII_120" id="tagII_120" href="#noteII_120">[120]</a> bond of marriage, tell me, Brutus,</p> -<p><span class="pagenum"><a name="Page_62" id="Page_62"></a>62</span></p> +<p><span class="charname">Portia.</span><a class="tag" id="tagII_119" href="#noteII_119">[119]</a> I should not need, if you were gentle Brutus.</p> +<p><span class="linenum">280</span>Within the<a class="tag" id="tagII_120" href="#noteII_120">[120]</a> bond of marriage, tell me, Brutus,</p> +<p><span class="pagenum"><a id="Page_62"></a>62</span></p> <p>Is it excepted I should know no secrets</p> <p>That appertain to you? Am I yourself</p> <p>But, as it were, in sort or limitation,</p> <p>To keep with you at meals, comfort your bed,</p> <p><span class="linenum">285</span>And talk to you sometimes? Dwell I but in the suburbs</p> -<p><span class="pagenum"><a name="Page_63" id="Page_63"></a>63</span></p> -<p>Of your good pleasure?<a class="tag" name="tagII_121" id="tagII_121" href="#noteII_121">[121]</a> If it be no more,</p> +<p><span class="pagenum"><a id="Page_63"></a>63</span></p> +<p>Of your good pleasure?<a class="tag" id="tagII_121" href="#noteII_121">[121]</a> If it be no more,</p> <p>Portia is Brutus' harlot, not his wife.</p> </div> <div class="verse"> <p><span class="charname">Brutus.</span> You are my true and honourable wife,</p> <p>As dear to me as are the ruddy drops</p> -<p><span class="linenum">290</span>That visit my sad heart.<a class="tag" name="tagII_122" id="tagII_122" href="#noteII_122">[122]</a></p> +<p><span class="linenum">290</span>That visit my sad heart.<a class="tag" id="tagII_122" href="#noteII_122">[122]</a></p> </div> <div class="verse"> <p><span class="charname">Portia.</span> If this were true, then should I know this secret.</p> <p>I grant I am a woman; but withal</p> -<p>A woman that Lord Brutus took to wife:<a class="tag" name="tagII_123" id="tagII_123" href="#noteII_123">[123]</a></p> +<p>A woman that Lord Brutus took to wife:<a class="tag" id="tagII_123" href="#noteII_123">[123]</a></p> <p>I grant I am a woman; but withal</p> <p><span class="linenum">295</span>A woman well-reputed, Cato's daughter.</p> <p>Think you I am no stronger than my sex,</p> <p>Being so father'd and so husbanded?</p> <p>Tell me your counsels; I will not disclose 'em.</p> -<p>I have made strong proof of my <a name="tagII_1_299" id="tagII_1_299">constancy</a>,</p> +<p>I have made strong proof of my <a id="tagII_1_299">constancy</a>,</p> <p><span class="linenum">300</span>Giving myself a voluntary wound</p> <p>Here, in the thigh: can I bear that with patience,</p> <p>And not my husband's secrets?</p> @@ -6306,19 +6348,19 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <p class="float"><span class="charname">Brutus.</span></p> <p class="iamb3">O ye gods,</p> <p>Render me worthy of this noble wife!</p> -<p class="right">[<i>Knocking within</i>]<a class="tag" name="tagII_124" id="tagII_124" href="#noteII_124">[124]</a></p> +<p class="right">[<i>Knocking within</i>]<a class="tag" id="tagII_124" href="#noteII_124">[124]</a></p> <p>Hark, hark! one knocks. Portia, go in a while;</p> <p><span class="linenum">305</span>And by and by thy bosom shall partake</p> -<p><span class="pagenum"><a name="Page_64" id="Page_64"></a>64</span></p> +<p><span class="pagenum"><a id="Page_64"></a>64</span></p> <p>The secrets of my heart:</p> <p>All my engagements I will construe to thee,</p> -<p>All the charactery<a class="tag" name="tagII_125" id="tagII_125" href="#noteII_125">[125]</a> of my sad brows.</p> -<p class="float"><a class="tag" name="tagII_126" id="tagII_126" href="#noteII_126">[126]</a>Leave me with haste.</p> +<p>All the charactery<a class="tag" id="tagII_125" href="#noteII_125">[125]</a> of my sad brows.</p> +<p class="float"><a class="tag" id="tagII_126" href="#noteII_126">[126]</a>Leave me with haste.</p> <p class="right">[<i>Exit</i> <span class="charname">Portia</span>]</p> <p class="iamb2">Lucius, who's that knocks?</p> </div> -<p class="entrance">Re-enter <span class="charname">Lucius</span> with<span class="normal"><a class="tag" name="tagII_127" id="tagII_127" href="#noteII_127">[127]</a></span> <span class="charname">Ligarius</span></p> +<p class="entrance">Re-enter <span class="charname">Lucius</span> with<span class="normal"><a class="tag" id="tagII_127" href="#noteII_127">[127]</a></span> <span class="charname">Ligarius</span></p> <div class="verse"> <p><span class="linenum">310</span><span class="charname">Lucius.</span> Here is a sick man that would speak with you.</p> @@ -6330,12 +6372,12 @@ with his sword drawn, and <span class="charname">Cicero</span></p> </div> <div class="verse"> -<p><span class="charname">Ligarius.</span><a class="tag" name="tagII_128" id="tagII_128" href="#noteII_128">[128]</a> Vouchsafe good morrow from a feeble tongue.</p> +<p><span class="charname">Ligarius.</span><a class="tag" id="tagII_128" href="#noteII_128">[128]</a> Vouchsafe good morrow from a feeble tongue.</p> </div> <div class="verse"> <p><span class="charname">Brutus.</span> O, what a time have you chose out, brave Caius,</p> -<p><span class="linenum">315</span>To wear a kerchief!<a class="tag" name="tagII_129" id="tagII_129" href="#noteII_129">[129]</a> Would you were not sick!</p> +<p><span class="linenum">315</span>To wear a kerchief!<a class="tag" id="tagII_129" href="#noteII_129">[129]</a> Would you were not sick!</p> </div> <div class="verse"> @@ -6343,7 +6385,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <p>Any exploit worthy the name of honour.</p> </div> -<p><span class="pagenum"><a name="Page_65" id="Page_65"></a>65</span></p> +<p><span class="pagenum"><a id="Page_65"></a>65</span></p> <div class="verse"> <p><span class="charname">Brutus.</span> Such an exploit have I in hand, Ligarius,</p> @@ -6352,16 +6394,16 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <div class="verse"> <p><span class="linenum">320</span><span class="charname">Ligarius.</span> By all the gods that Romans bow before,</p> -<p>I here discard my sickness!<a class="tag" name="tagII_130" id="tagII_130" href="#noteII_130">[130]</a> Soul of Rome!</p> +<p>I here discard my sickness!<a class="tag" id="tagII_130" href="#noteII_130">[130]</a> Soul of Rome!</p> <p>Brave son, deriv'd from honourable loins!</p> -<p>Thou, like an exorcist,<a class="tag" name="tagII_131" id="tagII_131" href="#noteII_131">[131]</a> hast conjur'd up</p> -<p>My mortified spirit.<a class="tag" name="tagII_132" id="tagII_132" href="#noteII_132">[132]</a> Now bid me run,</p> +<p>Thou, like an exorcist,<a class="tag" id="tagII_131" href="#noteII_131">[131]</a> hast conjur'd up</p> +<p>My mortified spirit.<a class="tag" id="tagII_132" href="#noteII_132">[132]</a> Now bid me run,</p> <p><span class="linenum">325</span>And I will strive with things impossible;</p> <p>Yea, get the better of them. What's to do?</p> </div> <div class="verse"> -<p><span class="charname">Brutus.</span><a class="tag" name="tagII_133" id="tagII_133" href="#noteII_133">[133]</a> A piece of work that will make sick men whole.</p> +<p><span class="charname">Brutus.</span><a class="tag" id="tagII_133" href="#noteII_133">[133]</a> A piece of work that will make sick men whole.</p> </div> <div class="verse"> @@ -6379,7 +6421,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <p class="iamb3">Set on your foot,</p> <p>And with a heart new-fir'd I follow you,</p> <p>To do I know not what; but it sufficeth</p> -<p>That Brutus leads me on.<a class="tag" name="tagII_134" id="tagII_134" href="#noteII_134">[134]</a></p> +<p>That Brutus leads me on.<a class="tag" id="tagII_134" href="#noteII_134">[134]</a></p> </div> <div class="verse"> @@ -6388,22 +6430,22 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <p class="right">[<i>Exeunt</i>]</p> </div> -<p><span class="pagenum"><a name="Page_66" id="Page_66"></a>66</span></p> +<p><span class="pagenum"><a id="Page_66"></a>66</span></p> <h4 class="scene"> -<a name="sceneII_2" id="sceneII_2"> +<a id="sceneII_2"> <span class="scenenum">II. 2</span> -<span class="smallcaps">Scene II.</span></a><a class="tag" name="tagII_135" id="tagII_135" href="#noteII_135">[135]</a><a class="tag" name="tagII_136" id="tagII_136" href="#noteII_136">[136]</a> <span class="charname">Cæsar's</span> <i>house</i><a class="tag" name="tagII_137" id="tagII_137" href="#noteII_137">[137]</a></h4> +<span class="smallcaps">Scene II.</span></a><a class="tag" id="tagII_135" href="#noteII_135">[135]</a><a class="tag" id="tagII_136" href="#noteII_136">[136]</a> <span class="charname">Cæsar's</span> <i>house</i><a class="tag" id="tagII_137" href="#noteII_137">[137]</a></h4> -<p class="entrance">Thunder and lightning. Enter <span class="charname">Cæsar</span>,<span class="normal"><a class="tag" name="tagII_138" id="tagII_138" href="#noteII_138">[138]</a></span> in his night-gown<span class="normal"><a class="tag" name="tagII_139" id="tagII_139" href="#noteII_139">[139]</a></span></p> +<p class="entrance">Thunder and lightning. Enter <span class="charname">Cæsar</span>,<span class="normal"><a class="tag" id="tagII_138" href="#noteII_138">[138]</a></span> in his night-gown<span class="normal"><a class="tag" id="tagII_139" href="#noteII_139">[139]</a></span></p> <div class="verse"> -<p><span class="charname">Cæsar.</span><a class="tag" name="tagII_140" id="tagII_140" href="#noteII_140">[140]</a> Nor heaven nor earth have been at peace to-night:</p> -<p>Thrice hath Calpurnia in her sleep cried out,<a class="tag" name="tagII_141" id="tagII_141" href="#noteII_141">[141]</a></p> +<p><span class="charname">Cæsar.</span><a class="tag" id="tagII_140" href="#noteII_140">[140]</a> Nor heaven nor earth have been at peace to-night:</p> +<p>Thrice hath Calpurnia in her sleep cried out,<a class="tag" id="tagII_141" href="#noteII_141">[141]</a></p> <p>'Help, ho! they murder Cæsar!' Who's within?</p> </div> -<p><span class="pagenum"><a name="Page_67" id="Page_67"></a>67</span></p> +<p><span class="pagenum"><a id="Page_67"></a>67</span></p> <p class="entrance">Enter a <span class="normal">Servant</span></p> @@ -6413,7 +6455,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <div class="verse"> <p><span class="linenum">5</span><span class="charname">Cæsar.</span> Go bid the priests do present sacrifice,</p> -<p>And bring me their opinions of success.<a class="tag" name="tagII_142" id="tagII_142" href="#noteII_142">[142]</a></p> +<p>And bring me their opinions of success.<a class="tag" id="tagII_142" href="#noteII_142">[142]</a></p> </div> <div class="verse"> @@ -6435,18 +6477,18 @@ with his sword drawn, and <span class="charname">Cicero</span></p> </div> <div class="verse"> -<p><span class="charname">Calpurnia.</span> Cæsar, I never stood on ceremonies,<a class="tag" name="tagII_143" id="tagII_143" href="#noteII_143">[143]</a></p> +<p><span class="charname">Calpurnia.</span> Cæsar, I never stood on ceremonies,<a class="tag" id="tagII_143" href="#noteII_143">[143]</a></p> <p>Yet now they fright me. There is one within,</p> <p><span class="linenum">15</span>Besides the things that we have heard and seen,</p> -<p>Recounts most horrid sights seen by the watch.<a class="tag" name="tagII_144" id="tagII_144" href="#noteII_144">[144]</a></p> +<p>Recounts most horrid sights seen by the watch.<a class="tag" id="tagII_144" href="#noteII_144">[144]</a></p> <p>A lioness hath whelped in the streets;</p> <p>And graves have yawn'd, and yielded up their dead;</p> <p>Fierce fiery warriors fight upon the clouds,</p> <p><span class="linenum">20</span>In ranks and squadrons and right form of war,</p> <p>Which drizzled blood upon the Capitol;</p> -<p>The noise of battle hurtled<a class="tag" name="tagII_145" id="tagII_145" href="#noteII_145">[145]</a><a class="tag" name="tagII_146" id="tagII_146" href="#noteII_146">[146]</a> in the air,</p> -<p><span class="pagenum"><a name="Page_68" id="Page_68"></a>68</span></p> -<p>Horses did neigh,<a class="tag" name="tagII_147" id="tagII_147" href="#noteII_147">[147]</a> and dying men did groan;</p> +<p>The noise of battle hurtled<a class="tag" id="tagII_145" href="#noteII_145">[145]</a><a class="tag" id="tagII_146" href="#noteII_146">[146]</a> in the air,</p> +<p><span class="pagenum"><a id="Page_68"></a>68</span></p> +<p>Horses did neigh,<a class="tag" id="tagII_147" href="#noteII_147">[147]</a> and dying men did groan;</p> <p>And ghosts did shriek and squeal about the streets.</p> <p><span class="linenum">25</span>O Cæsar, these things are beyond all use,</p> <p>And I do fear them!</p> @@ -6467,16 +6509,16 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <div class="verse"> <p><span class="charname">Cæsar.</span> Cowards die many times before their deaths;</p> -<p>The valiant never taste of death<a class="tag" name="tagII_148" id="tagII_148" href="#noteII_148">[148]</a> but once.</p> +<p>The valiant never taste of death<a class="tag" id="tagII_148" href="#noteII_148">[148]</a> but once.</p> <p>Of all the wonders that I yet have heard,</p> <p><span class="linenum">35</span>It seems to me most strange that men should fear;</p> <p>Seeing that death, a necessary end,</p> <p>Will come when it will come.</p> </div> -<p><span class="pagenum"><a name="Page_69" id="Page_69"></a>69</span></p> +<p><span class="pagenum"><a id="Page_69"></a>69</span></p> -<p class="entrance">Re-enter <span class="normal">Servant<a class="tag" name="tagII_149" id="tagII_149" href="#noteII_149">[149]</a></span></p> +<p class="entrance">Re-enter <span class="normal">Servant<a class="tag" id="tagII_149" href="#noteII_149">[149]</a></span></p> <div class="verse"> <p class="iamb3">What say the augurers?</p> @@ -6490,11 +6532,11 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <div class="verse"> <p><span class="charname">Cæsar.</span> The gods do this in shame of cowardice:</p> -<p>Cæsar should<a class="tag" name="tagII_150" id="tagII_150" href="#noteII_150">[150]</a> be a beast without a heart,</p> +<p>Cæsar should<a class="tag" id="tagII_150" href="#noteII_150">[150]</a> be a beast without a heart,</p> <p>If he should stay at home to-day for fear.</p> <p>No, Cæsar shall not: danger knows full well</p> <p><span class="linenum">45</span>That Cæsar is more dangerous than he:</p> -<p>We are<a class="tag" name="tagII_151" id="tagII_151" href="#noteII_151">[151]</a> two lions litter'd in one day,</p> +<p>We are<a class="tag" id="tagII_151" href="#noteII_151">[151]</a> two lions litter'd in one day,</p> <p>And I the elder and more terrible;</p> <p>And Cæsar shall go forth.</p> </div> @@ -6515,7 +6557,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <p>And, for thy humour, I will stay at home.</p> </div> -<p class="entrance">Enter<span class="normal"><a class="tag" name="tagII_152" id="tagII_152" href="#noteII_152">[152]</a></span> <span class="charname">Decius</span></p> +<p class="entrance">Enter<span class="normal"><a class="tag" id="tagII_152" href="#noteII_152">[152]</a></span> <span class="charname">Decius</span></p> <div class="verse"> <p>Here's Decius Brutus, he shall tell them so.</p> @@ -6526,7 +6568,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <p>I come to fetch you to the senate-house.</p> </div> -<p><span class="pagenum"><a name="Page_70" id="Page_70"></a>70</span></p> +<p><span class="pagenum"><a id="Page_70"></a>70</span></p> <div class="verse"> <p><span class="linenum">60</span><span class="charname">Cæsar.</span> And you are come in very happy time,</p> @@ -6544,7 +6586,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <p class="float"><span class="linenum">65</span><span class="charname">Cæsar.</span></p> <p class="iamb3">Shall Cæsar send a lie?</p> <p>Have I in conquest stretch'd mine arm so far,</p> -<p>To be afeard<a class="tag" name="tagII_153" id="tagII_153" href="#noteII_153">[153]</a> to tell graybeards the truth?<a class="tag" name="tagII_154" id="tagII_154" href="#noteII_154">[154]</a></p> +<p>To be afeard<a class="tag" id="tagII_153" href="#noteII_153">[153]</a> to tell graybeards the truth?<a class="tag" id="tagII_154" href="#noteII_154">[154]</a></p> <p>Decius, go tell them Cæsar will not come.</p> </div> @@ -6559,7 +6601,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <p>But, for your private satisfaction,</p> <p>Because I love you, I will let you know:</p> <p><span class="linenum">75</span>Calpurnia here, my wife, stays me at home.</p> -<p>She dreamt to-night<a class="tag" name="tagII_155" id="tagII_155" href="#noteII_155">[155]</a> she saw my statue,<a class="tag" name="tagII_156" id="tagII_156" href="#noteII_156">[156]</a><a class="tag" name="tagII_157" id="tagII_157" href="#noteII_157">[157]</a></p> +<p>She dreamt to-night<a class="tag" id="tagII_155" href="#noteII_155">[155]</a> she saw my statue,<a class="tag" id="tagII_156" href="#noteII_156">[156]</a><a class="tag" id="tagII_157" href="#noteII_157">[157]</a></p> <p>Which, like a fountain with an hundred spouts,</p> <p>Did run pure blood; and many lusty Romans</p> <p>Came smiling and did bathe their hands in it:</p> @@ -6568,7 +6610,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <p>Hath begg'd that I will stay at home to-day.</p> </div> -<p><span class="pagenum"><a name="Page_71" id="Page_71"></a>71</span></p> +<p><span class="pagenum"><a id="Page_71"></a>71</span></p> <div class="verse"> <p><span class="charname">Decius.</span> This dream is all amiss interpreted:</p> @@ -6577,7 +6619,7 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <p>In which so many smiling Romans bath'd,</p> <p>Signifies that from you great Rome shall suck</p> <p>Reviving blood, and that great men shall press</p> -<p>For tinctures, stains, relics, and cognizance.<a class="tag" name="tagII_158" id="tagII_158" href="#noteII_158">[158]</a></p> +<p>For tinctures, stains, relics, and cognizance.<a class="tag" id="tagII_158" href="#noteII_158">[158]</a></p> <p><span class="linenum">90</span>This by Calpurnia's dream is signified.</p> </div> @@ -6588,29 +6630,29 @@ with his sword drawn, and <span class="charname">Cicero</span></p> <div class="verse"> <p><span class="charname">Decius.</span> I have, when you have heard what I can say;</p> <p>And know it now: the senate have concluded</p> -<p>To give this day a crown<a class="tag" name="tagII_159" id="tagII_159" href="#noteII_159">[159]</a> to mighty Cæsar.</p> +<p>To give this day a crown<a class="tag" id="tagII_159" href="#noteII_159">[159]</a> to mighty Cæsar.</p> <p><span class="linenum">95</span>If you shall send them word you will not come,</p> <p>Their minds may change. Besides, it were a mock</p> -<p>Apt to be render'd,<a class="tag" name="tagII_160" id="tagII_160" href="#noteII_160">[160]</a> for some one to say</p> -<p><span class="pagenum"><a name="Page_72" id="Page_72"></a>72</span></p> +<p>Apt to be render'd,<a class="tag" id="tagII_160" href="#noteII_160">[160]</a> for some one to say</p> +<p><span class="pagenum"><a id="Page_72"></a>72</span></p> <p>'Break up the senate till another time,</p> <p>When Cæsar's wife shall meet with better dreams.'</p> <p><span class="linenum">100</span>If Cæsar hide himself, shall they not whisper,</p> <p>'Lo, Cæsar is afraid'?</p> <p>Pardon me, Cæsar; for my dear dear love</p> <p>To your proceeding bids me tell you this;</p> -<p>And reason to my love is liable.<a class="tag" name="tagII_161" id="tagII_161" href="#noteII_161">[161]</a></p> +<p>And reason to my love is liable.<a class="tag" id="tagII_161" href="#noteII_161">[161]</a></p> </div> <div class="verse"> <p><span class="linenum">105</span><span class="charname">Cæsar.</span> How foolish do your fears seem now, Calpurnia!</p> <p>I am ashamed I did yield to them.</p> -<p>Give me my robe, for I will go.<a class="tag" name="tagII_162" id="tagII_162" href="#noteII_162">[162]</a></p> +<p>Give me my robe, for I will go.<a class="tag" id="tagII_162" href="#noteII_162">[162]</a></p> </div> -<p><span class="pagenum"><a name="Page_73" id="Page_73"></a>73</span></p> +<p><span class="pagenum"><a id="Page_73"></a>73</span></p> -<p class="entrance">Enter<span class="normal"><a class="tag" name="tagII_163" id="tagII_163" href="#noteII_163">[163]</a></span> <span class="charname">Publius</span><span class="normal"><a class="tag" name="tagII_164" id="tagII_164" href="#noteII_164">[164]</a><a class="tag" name="tagII_165" id="tagII_165" href="#noteII_165">[165]</a></span>, <span class="charname">Brutus</span>, <span class="charname">Ligarius</span>, <span class="charname">Metellus</span>, <span class="charname">Casca</span>, <span class="charname">Trebonius</span>, +<p class="entrance">Enter<span class="normal"><a class="tag" id="tagII_163" href="#noteII_163">[163]</a></span> <span class="charname">Publius</span><span class="normal"><a class="tag" id="tagII_164" href="#noteII_164">[164]</a><a class="tag" id="tagII_165" href="#noteII_165">[165]</a></span>, <span class="charname">Brutus</span>, <span class="charname">Ligarius</span>, <span class="charname">Metellus</span>, <span class="charname">Casca</span>, <span class="charname">Trebonius</span>, and <span class="smallcaps">Cinna</span></p> <div class="verse"> @@ -6627,8 +6669,8 @@ and <span class="smallcaps">Cinna</span></p> <p><span class="linenum">110</span>What, Brutus, are you stirr'd so early too?</p> <p>Good morrow, Casca. Caius Ligarius,</p> <p>Cæsar was ne'er so much your enemy</p> -<p>As that same ague which hath made you lean.<a class="tag" name="tagII_166" id="tagII_166" href="#noteII_166">[166]</a></p> -<p>What is 't o'clock?<a class="tag" name="tagII_167" id="tagII_167" href="#noteII_167">[167]</a></p> +<p>As that same ague which hath made you lean.<a class="tag" id="tagII_166" href="#noteII_166">[166]</a></p> +<p>What is 't o'clock?<a class="tag" id="tagII_167" href="#noteII_167">[167]</a></p> </div> <div class="verse"> @@ -6643,7 +6685,7 @@ and <span class="smallcaps">Cinna</span></p> <p class="entrance">Enter <span class="charname">Antony</span></p> <div class="verse"> -<p>See! Antony, that revels long o' nights,<a class="tag" name="tagII_168" id="tagII_168" href="#noteII_168">[168]</a></p> +<p>See! Antony, that revels long o' nights,<a class="tag" id="tagII_168" href="#noteII_168">[168]</a></p> <p>Is notwithstanding up. Good morrow, Antony.</p> </div> @@ -6657,13 +6699,13 @@ and <span class="smallcaps">Cinna</span></p> <p>I am to blame to be thus waited for.</p> <p><span class="linenum">120</span>Now, Cinna; now, Metellus: what, Trebonius!</p> <p>I have an hour's talk in store for you;</p> -<p><span class="pagenum"><a name="Page_74" id="Page_74"></a>74</span></p> +<p><span class="pagenum"><a id="Page_74"></a>74</span></p> <p>Remember that you call on me to-day.</p> <p>Be near me, that I may remember you.</p> </div> <div class="verse"> -<p><span class="charname">Trebonius.</span> Cæsar, I will. [<i>Aside</i>]<a class="tag" name="tagII_169" id="tagII_169" href="#noteII_169">[169]</a> And so near will I be,</p> +<p><span class="charname">Trebonius.</span> Cæsar, I will. [<i>Aside</i>]<a class="tag" id="tagII_169" href="#noteII_169">[169]</a> And so near will I be,</p> <p><span class="linenum">125</span>That your best friends shall wish I had been further.</p> </div> @@ -6673,53 +6715,53 @@ and <span class="smallcaps">Cinna</span></p> </div> <div class="verse"> -<p><span class="charname">Brutus</span>. [<i>Aside</i>]<a class="tag" name="tagII_170" id="tagII_170" href="#noteII_170">[170]</a> That every like is not the same, O Cæsar,</p> -<p>The heart of Brutus yearns<a class="tag" name="tagII_171" id="tagII_171" href="#noteII_171">[171]</a><a class="tag" name="tagII_172" id="tagII_172" href="#noteII_172">[172]</a> to think upon!</p> +<p><span class="charname">Brutus</span>. [<i>Aside</i>]<a class="tag" id="tagII_170" href="#noteII_170">[170]</a> That every like is not the same, O Cæsar,</p> +<p>The heart of Brutus yearns<a class="tag" id="tagII_171" href="#noteII_171">[171]</a><a class="tag" id="tagII_172" href="#noteII_172">[172]</a> to think upon!</p> <p class="right">[<i>Exeunt</i>]</p> </div> <h4 class="scene"> -<a name="sceneII_3" id="sceneII_3"> +<a id="sceneII_3"> <span class="scenenum">II. 3</span> -<span class="smallcaps">Scene III.</span></a><a class="tag" name="tagII_173" id="tagII_173" href="#noteII_173">[173]</a> <i>A street near the Capitol</i></h4> +<span class="smallcaps">Scene III.</span></a><a class="tag" id="tagII_173" href="#noteII_173">[173]</a> <i>A street near the Capitol</i></h4> -<p class="entrance">Enter <span class="charname">Artemidorus</span><span class="normal"><a class="tag" name="tagII_174" id="tagII_174" href="#noteII_174">[174]</a></span>, reading a paper<span class="normal"><a class="tag" name="tagII_175" id="tagII_175" href="#noteII_175">[175]</a></span></p> +<p class="entrance">Enter <span class="charname">Artemidorus</span><span class="normal"><a class="tag" id="tagII_174" href="#noteII_174">[174]</a></span>, reading a paper<span class="normal"><a class="tag" id="tagII_175" href="#noteII_175">[175]</a></span></p> <p><span class="charname">Artemidorus.</span> Cæsar, beware of Brutus; take heed of Cassius; come not near Casca; have an eye to Cinna; trust -<span class="pagenum"><a name="Page_75" id="Page_75"></a>75</span> +<span class="pagenum"><a id="Page_75"></a>75</span> not Trebonius; mark well Metellus Cimber; Decius Brutus loves thee not; thou hast wrong'd Caius Ligarius. There is but one mind in all these men, and it is bent against Cæsar. If thou beest not immortal, look about you: security gives -way to<a class="tag" name="tagII_176" id="tagII_176" href="#noteII_176">[176]</a> conspiracy. The mighty gods defend thee!</p> -<p class="right">Thy lover<a class="tag" name="tagII_177" id="tagII_177" href="#noteII_177">[177]</a>, <span class="charname">Artemidorus</span>.</p> +way to<a class="tag" id="tagII_176" href="#noteII_176">[176]</a> conspiracy. The mighty gods defend thee!</p> +<p class="right">Thy lover,<a class="tag" id="tagII_177" href="#noteII_177">[177]</a> <span class="charname">Artemidorus</span>.</p> <div class="verse"> <p>Here will I stand till Cæsar pass along,</p> <p><span class="linenum">10</span>And as a suitor will I give him this.</p> <p>My heart laments that virtue cannot live</p> -<p>Out of the teeth of emulation.<a class="tag" name="tagII_178" id="tagII_178" href="#noteII_178">[178]</a></p> +<p>Out of the teeth of emulation.<a class="tag" id="tagII_178" href="#noteII_178">[178]</a></p> <p>If thou read this, O Cæsar, thou mayest live;</p> -<p>If not, the Fates with traitors do contrive.<a class="tag" name="tagII_179" id="tagII_179" href="#noteII_179">[179]</a></p> +<p>If not, the Fates with traitors do contrive.<a class="tag" id="tagII_179" href="#noteII_179">[179]</a></p> <p class="right">[<i>Exit</i>]</p> </div> <h4 class="scene"> -<a name="sceneII_4" id="sceneII_4"> +<a id="sceneII_4"> <span class="scenenum">II. 4</span> <span class="smallcaps">Scene IV.</span> <i>Another part of the same street, before the -house of</i> <span class="charname">Brutus</span></a><a class="tag" name="tagII_180" id="tagII_180" href="#noteII_180">[180]</a></h4> +house of</i> <span class="charname">Brutus</span></a><a class="tag" id="tagII_180" href="#noteII_180">[180]</a></h4> <p class="entrance">Enter <span class="charname">Portia</span> and <span class="charname">Lucius</span></p> <div class="verse"> -<p><span class="charname">Portia.</span><a class="tag" name="tagII_181" id="tagII_181" href="#noteII_181">[181]</a> I prithee, boy, run to the senate-house;</p> +<p><span class="charname">Portia.</span><a class="tag" id="tagII_181" href="#noteII_181">[181]</a> I prithee, boy, run to the senate-house;</p> <p>Stay not to answer me, but get thee gone.</p> <p>Why dost thou stay?</p> </div> -<p><span class="pagenum"><a name="Page_76" id="Page_76"></a>76</span></p> +<p><span class="pagenum"><a id="Page_76"></a>76</span></p> <div class="verse"> <p class="float"><span class="charname">Lucius.</span></p> @@ -6729,7 +6771,7 @@ house of</i> <span class="charname">Brutus</span></a><a class="tag" name="tagII_ <div class="verse"> <p><span class="charname">Portia.</span> I would have had thee there, and here again,</p> <p><span class="linenum">5</span>Ere I can tell thee what thou shouldst do there.</p> -<p>O constancy,<a class="tag" name="tagII_182" id="tagII_182" href="#noteII_182">[182]</a> be strong upon my side!</p> +<p>O constancy,<a class="tag" id="tagII_182" href="#noteII_182">[182]</a> be strong upon my side!</p> <p>Set a huge mountain 'tween my heart and tongue!</p> <p>I have a man's mind, but a woman's might.</p> <p>How hard it is for women to keep counsel!</p> @@ -6757,17 +6799,17 @@ house of</i> <span class="charname">Brutus</span></a><a class="tag" name="tagII_ <div class="verse"> <p class="float"><span class="charname">Portia.</span></p> <p class="iamb3">Prithee, listen well:</p> -<p>I heard a bustling<a class="tag" name="tagII_183" id="tagII_183" href="#noteII_183">[183]</a> rumour,<a class="tag" name="tagII_184" id="tagII_184" href="#noteII_184">[184]</a> like a fray,</p> +<p>I heard a bustling<a class="tag" id="tagII_183" href="#noteII_183">[183]</a> rumour,<a class="tag" id="tagII_184" href="#noteII_184">[184]</a> like a fray,</p> <p>And the wind brings it from the Capitol.</p> </div> <div class="verse"> -<p><span class="linenum">20</span><span class="charname">Lucius.</span> Sooth,<a class="tag" name="tagII_185" id="tagII_185" href="#noteII_185">[185]</a> madam, I hear nothing.</p> +<p><span class="linenum">20</span><span class="charname">Lucius.</span> Sooth,<a class="tag" id="tagII_185" href="#noteII_185">[185]</a> madam, I hear nothing.</p> </div> -<p><span class="pagenum"><a name="Page_77" id="Page_77"></a>77</span></p> +<p><span class="pagenum"><a id="Page_77"></a>77</span></p> -<p class="entrance">Enter the <span class="charname">Soothsayer</span><span class="normal"><a class="tag" name="tagII_186" id="tagII_186" href="#noteII_186">[186]</a><a class="tag" name="tagII_187" id="tagII_187" href="#noteII_187">[187]</a></span></p> +<p class="entrance">Enter the <span class="charname">Soothsayer</span><span class="normal"><a class="tag" id="tagII_186" href="#noteII_186">[186]</a><a class="tag" id="tagII_187" href="#noteII_187">[187]</a></span></p> <div class="verse"> <p><span class="charname">Portia.</span> Come hither, fellow: which way hast thou been?</p> @@ -6778,7 +6820,7 @@ house of</i> <span class="charname">Brutus</span></a><a class="tag" name="tagII_ </div> <div class="verse"> -<p><span class="charname">Portia.</span> What is 't o'clock?<a class="tag" name="tagII_188" id="tagII_188" href="#noteII_188">[188]</a></p> +<p><span class="charname">Portia.</span> What is 't o'clock?<a class="tag" id="tagII_188" href="#noteII_188">[188]</a></p> </div> <div class="verse"> @@ -6810,7 +6852,7 @@ house of</i> <span class="charname">Brutus</span></a><a class="tag" name="tagII_ </div> <div class="verse"> -<p><span class="charname">Soothsayer.</span><a class="tag" name="tagII_189" id="tagII_189" href="#noteII_189">[189]</a> None that I know will be, much that I fear may chance.</p> +<p><span class="charname">Soothsayer.</span><a class="tag" id="tagII_189" href="#noteII_189">[189]</a> None that I know will be, much that I fear may chance.</p> <p>Good morrow to you. Here the street is narrow:</p> <p>The throng that follows Cæsar at the heels,</p> <p><span class="linenum">35</span>Of senators, of prætors, common suitors,</p> @@ -6821,25 +6863,25 @@ house of</i> <span class="charname">Brutus</span></a><a class="tag" name="tagII_ </div> <div class="verse"> -<p><span class="charname">Portia.</span><a class="tag" name="tagII_190" id="tagII_190" href="#noteII_190">[190]</a> I must go in. Ay<a class="tag" name="tagII_191" id="tagII_191" href="#noteII_191">[191]</a> me, how weak a thing</p> +<p><span class="charname">Portia.</span><a class="tag" id="tagII_190" href="#noteII_190">[190]</a> I must go in. Ay<a class="tag" id="tagII_191" href="#noteII_191">[191]</a> me, how weak a thing</p> <p><span class="linenum">40</span>The heart of woman is! O Brutus,</p> -<p><span class="pagenum"><a name="Page_78" id="Page_78"></a>78</span></p> +<p><span class="pagenum"><a id="Page_78"></a>78</span></p> <p>The heavens speed thee in thine enterprise!</p> <p>Sure, the boy heard me. Brutus hath a suit</p> -<p>That Cæsar will not grant.<a class="tag" name="tagII_192" id="tagII_192" href="#noteII_192">[192]</a> O, I grow faint.</p> +<p>That Cæsar will not grant.<a class="tag" id="tagII_192" href="#noteII_192">[192]</a> O, I grow faint.</p> <p>Run, Lucius, and commend me to my lord;</p> <p><span class="linenum">45</span>Say I am merry: come to me again,</p> <p>And bring me word what he doth say to thee.</p> -<p class="right">[<i>Exeunt severally</i>]<a class="tag" name="tagII_193" id="tagII_193" href="#noteII_193">[193]</a></p> +<p class="right">[<i>Exeunt severally</i>]<a class="tag" id="tagII_193" href="#noteII_193">[193]</a></p> </div> -<hr class="mid" /> +<hr class="mid" > -<p><span class="pagenum"><a name="Page_79" id="Page_79"></a>79</span></p> +<p><span class="pagenum"><a id="Page_79"></a>79</span></p> -<h3 class="act"><a name="Act_III" id="Act_III">ACT III</a></h3> +<h3 class="act"><a id="Act_III">ACT III</a></h3> -<h4 class="scene"><a name="sceneIII_1" id="sceneIII_1"> +<h4 class="scene"><a id="sceneIII_1"> <span class="scenenum">III. 1</span> <span class="smallcaps">Scene I.</span> <i>Rome. Before the Capitol; the</i> Senate <i>sitting</i></a></h4> @@ -6847,18 +6889,18 @@ house of</i> <span class="charname">Brutus</span></a><a class="tag" name="tagII_ <p class="scenedesc long">A crowd of people; among them <span class="charname">Artemidorus</span> and the <span class="normal">Soothsayer</span>. Flourish. Enter <span class="charname">Cæsar, Brutus, Cassius, Casca, Decius, Metellus, Trebonius, Cinna, Antony, -Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" name="tagIII_1" id="tagIII_1" href="#noteIII_1">[1]</a></span></p> +Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" id="tagIII_1" href="#noteIII_1">[1]</a></span></p> <div class="verse"> <p><span class="charname">Cæsar.</span> The Ides of March are come.</p> </div> <div class="verse"> -<p><span class="charname">Soothsayer.</span><a class="tag" name="tagIII_2" id="tagIII_2" href="#noteIII_2">[2]</a> Ay, Cæsar; but not gone.</p> +<p><span class="charname">Soothsayer.</span><a class="tag" id="tagIII_2" href="#noteIII_2">[2]</a> Ay, Cæsar; but not gone.</p> </div> <div class="verse"> -<p><span class="charname">Artemidorus.</span> Hail, Cæsar! read this schedule.<a class="tag" name="tagIII_3" id="tagIII_3" href="#noteIII_3">[3]</a></p> +<p><span class="charname">Artemidorus.</span> Hail, Cæsar! read this schedule.<a class="tag" id="tagIII_3" href="#noteIII_3">[3]</a></p> </div> <div class="verse"> @@ -6872,13 +6914,13 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" </div> <div class="verse"> -<p><span class="charname">Cæsar.</span> What touches us ourself<a class="tag" name="tagIII_4" id="tagIII_4" href="#noteIII_4">[4]</a> shall be last serv'd.</p> +<p><span class="charname">Cæsar.</span> What touches us ourself<a class="tag" id="tagIII_4" href="#noteIII_4">[4]</a> shall be last serv'd.</p> </div> -<p><span class="pagenum"><a name="Page_80" id="Page_80"></a>80</span></p> +<p><span class="pagenum"><a id="Page_80"></a>80</span></p> <div class="verse"> -<p><span class="charname">Artemidorus.</span><a class="tag" name="tagIII_5" id="tagIII_5" href="#noteIII_5">[5]</a> Delay not, Cæsar; read it instantly.</p> +<p><span class="charname">Artemidorus.</span><a class="tag" id="tagIII_5" href="#noteIII_5">[5]</a> Delay not, Cæsar; read it instantly.</p> </div> <div class="verse"> @@ -6895,7 +6937,7 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <p>Come to the Capitol.</p> </div> -<p class="scenedesc"><span class="charname">Cæsar</span> goes up to the Senate-house<span class="normal"><a class="tag" name="tagIII_6" id="tagIII_6" href="#noteIII_6">[6]</a></span>, the rest following<span class="normal"><a class="tag" name="tagIII_7" id="tagIII_7" href="#noteIII_7">[7]</a></span></p> +<p class="scenedesc"><span class="charname">Cæsar</span> goes up to the Senate-house<span class="normal"><a class="tag" id="tagIII_6" href="#noteIII_6">[6]</a></span>, the rest following<span class="normal"><a class="tag" id="tagIII_7" href="#noteIII_7">[7]</a></span></p> <div class="verse"> <p><span class="charname">Popilius.</span> I wish your enterprise to-day may thrive.</p> @@ -6910,7 +6952,7 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <p class="iamb4">Fare you well.</p> </div> -<p class="right">[<i>Advances to</i> <span class="charname">Cæsar</span>]<a class="tag" name="tagIII_8" id="tagIII_8" href="#noteIII_8">[8]</a><a class="tag" name="tagIII_9" id="tagIII_9" href="#noteIII_9">[9]</a></p> +<p class="right">[<i>Advances to</i> <span class="charname">Cæsar</span>]<a class="tag" id="tagIII_8" href="#noteIII_8">[8]</a><a class="tag" id="tagIII_9" href="#noteIII_9">[9]</a></p> <div class="verse"> <p><span class="linenum">15</span><span class="charname">Brutus.</span> What said Popilius Lena?</p> @@ -6922,7 +6964,7 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" </div> <div class="verse"> -<p><span class="charname">Brutus.</span> Look, how he makes to<a class="tag" name="tagIII_10" id="tagIII_10" href="#noteIII_10">[10]</a> Cæsar: mark<a class="tag" name="tagIII_11" id="tagIII_11" href="#noteIII_11">[11]</a> him.</p> +<p><span class="charname">Brutus.</span> Look, how he makes to<a class="tag" id="tagIII_10" href="#noteIII_10">[10]</a> Cæsar: mark<a class="tag" id="tagIII_11" href="#noteIII_11">[11]</a> him.</p> </div> <div class="verse"> @@ -6932,12 +6974,12 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <p>For I will slay myself.</p> </div> -<p><span class="pagenum"><a name="Page_81" id="Page_81"></a>81</span></p> +<p><span class="pagenum"><a id="Page_81"></a>81</span></p> <div class="verse"> <p class="float"><span class="charname">Brutus.</span></p> -<p class="iamb2">Cassius, be constant:<a class="tag" name="tagIII_12" id="tagIII_12" href="#noteIII_12">[12]</a></p> -<p>Popilius Lena speaks<a class="tag" name="tagIII_13" id="tagIII_13" href="#noteIII_13">[13]</a> not of our purposes;</p> +<p class="iamb2">Cassius, be constant:<a class="tag" id="tagIII_12" href="#noteIII_12">[12]</a></p> +<p>Popilius Lena speaks<a class="tag" id="tagIII_13" href="#noteIII_13">[13]</a> not of our purposes;</p> <p>For, look, he smiles, and Cæsar doth not change.</p> </div> @@ -6946,17 +6988,17 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <p>He draws Mark Antony out of the way.</p> </div> -<p class="right">[<i>Exeunt</i> <span class="charname">Antony</span> <i>and</i> <span class="charname">Trebonius</span>]<a class="tag" name="tagIII_14" id="tagIII_14" href="#noteIII_14">[14]</a></p> +<p class="right">[<i>Exeunt</i> <span class="charname">Antony</span> <i>and</i> <span class="charname">Trebonius</span>]<a class="tag" id="tagIII_14" href="#noteIII_14">[14]</a></p> -<p><span class="pagenum"><a name="Page_82" id="Page_82"></a>82</span></p> +<p><span class="pagenum"><a id="Page_82"></a>82</span></p> <div class="verse"> <p><span class="charname">Decius.</span> Where is Metellus Cimber? Let him go,</p> -<p>And presently<a class="tag" name="tagIII_15" id="tagIII_15" href="#noteIII_15">[15]</a> prefer his suit to Cæsar.</p> +<p>And presently<a class="tag" id="tagIII_15" href="#noteIII_15">[15]</a> prefer his suit to Cæsar.</p> </div> <div class="verse"> -<p><span class="charname">Brutus.</span> He is address'd:<a class="tag" name="tagIII_16" id="tagIII_16" href="#noteIII_16">[16]</a> press near and second him.</p> +<p><span class="charname">Brutus.</span> He is address'd:<a class="tag" id="tagIII_16" href="#noteIII_16">[16]</a> press near and second him.</p> </div> <div class="verse"> @@ -6964,7 +7006,7 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" </div> <div class="verse"> -<p><span class="charname">Cæsar.</span> Are we all ready?<a class="tag" name="tagIII_17" id="tagIII_17" href="#noteIII_17">[17]</a> What is now amiss</p> +<p><span class="charname">Cæsar.</span> Are we all ready?<a class="tag" id="tagIII_17" href="#noteIII_17">[17]</a> What is now amiss</p> <p>That Cæsar and his senate must redress?</p> </div> @@ -6972,33 +7014,33 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <p><span class="charname">Metellus.</span> Most high, most mighty, and most puissant Cæsar,</p> <p>Metellus Cimber throws before thy seat</p> <p class="float">An humble heart,—</p> -<p class="right">[<i>Kneeling</i>]<a class="tag" name="tagIII_18" id="tagIII_18" href="#noteIII_18">[18]</a></p> +<p class="right">[<i>Kneeling</i>]<a class="tag" id="tagIII_18" href="#noteIII_18">[18]</a></p> </div> <div class="verse"> <p><span class="linenum">35</span><span class="charname">Cæsar.</span> I must prevent thee, Cimber.</p> -<p>These couchings<a class="tag" name="tagIII_19" id="tagIII_19" href="#noteIII_19">[19]</a> and these lowly courtesies<a class="tag" name="tagIII_20" id="tagIII_20" href="#noteIII_20">[20]</a></p> +<p>These couchings<a class="tag" id="tagIII_19" href="#noteIII_19">[19]</a> and these lowly courtesies<a class="tag" id="tagIII_20" href="#noteIII_20">[20]</a></p> <p>Might fire the blood of ordinary men,</p> -<p>And turn pre-ordinance and first decree<a class="tag" name="tagIII_21" id="tagIII_21" href="#noteIII_21">[21]</a></p> -<p><span class="pagenum"><a name="Page_83" id="Page_83"></a>83</span></p> -<p>Into the law<a class="tag" name="tagIII_22" id="tagIII_22" href="#noteIII_22">[22]</a><a class="tag" name="tagIII_23" id="tagIII_23" href="#noteIII_23">[23]</a> of children. Be not fond,</p> -<p><span class="linenum">40</span>To think<a class="tag" name="tagIII_24" id="tagIII_24" href="#noteIII_24">[24]</a> that Cæsar bears such rebel blood</p> +<p>And turn pre-ordinance and first decree<a class="tag" id="tagIII_21" href="#noteIII_21">[21]</a></p> +<p><span class="pagenum"><a id="Page_83"></a>83</span></p> +<p>Into the law<a class="tag" id="tagIII_22" href="#noteIII_22">[22]</a><a class="tag" id="tagIII_23" href="#noteIII_23">[23]</a> of children. Be not fond,</p> +<p><span class="linenum">40</span>To think<a class="tag" id="tagIII_24" href="#noteIII_24">[24]</a> that Cæsar bears such rebel blood</p> <p>That will be thaw'd from the true quality</p> <p>With that which melteth fools, I mean, sweet words,</p> -<p>Low-crooked curtsies<a class="tag" name="tagIII_25" id="tagIII_25" href="#noteIII_25">[25]</a>, and base spaniel-fawning.<a class="tag" name="tagIII_26" id="tagIII_26" href="#noteIII_26">[26]</a></p> +<p>Low-crooked curtsies,<a class="tag" id="tagIII_25" href="#noteIII_25">[25]</a> and base spaniel-fawning.<a class="tag" id="tagIII_26" href="#noteIII_26">[26]</a></p> <p>Thy brother by decree is banished:</p> <p><span class="linenum">45</span>If thou dost bend and pray and fawn for him,</p> <p>I spurn thee like a cur out of my way.</p> -<p>Know, Cæsar doth not wrong,<a class="tag" name="tagIII_27" id="tagIII_27" href="#noteIII_27">[27]</a> nor without cause</p> +<p>Know, Cæsar doth not wrong,<a class="tag" id="tagIII_27" href="#noteIII_27">[27]</a> nor without cause</p> <p>Will he be satisfied.</p> </div> -<p><span class="pagenum"><a name="Page_84" id="Page_84"></a>84</span></p> +<p><span class="pagenum"><a id="Page_84"></a>84</span></p> <div class="verse"> <p><span class="charname">Metellus.</span> Is there no voice more worthy than my own,</p> <p><span class="linenum">50</span>To sound more sweetly in great Cæsar's ear</p> -<p>For the repealing<a class="tag" name="tagIII_28" id="tagIII_28" href="#noteIII_28">[28]</a> of my banish'd brother?</p> +<p>For the repealing<a class="tag" id="tagIII_28" href="#noteIII_28">[28]</a> of my banish'd brother?</p> </div> <div class="verse"> @@ -7020,22 +7062,22 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <div class="verse"> <p><span class="charname">Cæsar.</span> I could be well mov'd, if I were as you;</p> -<p>If I could pray to move, prayers would move me:<a class="tag" name="tagIII_29" id="tagIII_29" href="#noteIII_29">[29]</a></p> +<p>If I could pray to move, prayers would move me:<a class="tag" id="tagIII_29" href="#noteIII_29">[29]</a></p> <p><span class="linenum">60</span>But I am constant as the northern star,</p> -<p>Of whose true-fix'd<a class="tag" name="tagIII_30" id="tagIII_30" href="#noteIII_30">[30]</a> and resting quality</p> +<p>Of whose true-fix'd<a class="tag" id="tagIII_30" href="#noteIII_30">[30]</a> and resting quality</p> <p>There is no fellow in the firmament.</p> <p>The skies are painted with unnumber'd sparks;</p> <p>They are all fire and every one doth shine;</p> <p><span class="linenum">65</span>But there's but one in all doth hold his place:</p> <p>So in the world; 'tis furnish'd well with men,</p> -<p><span class="pagenum"><a name="Page_85" id="Page_85"></a>85</span></p> -<p>And men are flesh and blood, and apprehensive;<a class="tag" name="tagIII_31" id="tagIII_31" href="#noteIII_31">[31]</a></p> +<p><span class="pagenum"><a id="Page_85"></a>85</span></p> +<p>And men are flesh and blood, and apprehensive;<a class="tag" id="tagIII_31" href="#noteIII_31">[31]</a></p> <p>Yet in the number I do know but one</p> <p>That unassailable holds on his rank,</p> <p><span class="linenum">70</span>Unshak'd of motion: and that I am he,</p> <p>Let me a little show it, even in this;</p> <p>That I was constant Cimber should be banish'd,</p> -<p>And constant do remain to keep him so.<a class="tag" name="tagIII_32" id="tagIII_32" href="#noteIII_32">[32]</a></p> +<p>And constant do remain to keep him so.<a class="tag" id="tagIII_32" href="#noteIII_32">[32]</a></p> </div> <div class="verse"> @@ -7053,21 +7095,21 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <div class="verse"> <p class="float"><span class="linenum">75</span><span class="charname">Cæsar.</span></p> -<p class="iamb2">Doth not<a class="tag" name="tagIII_33" id="tagIII_33" href="#noteIII_33">[33]</a><a class="tag" name="tagIII_34" id="tagIII_34" href="#noteIII_34">[34]</a> Brutus bootless kneel?</p> +<p class="iamb2">Doth not<a class="tag" id="tagIII_33" href="#noteIII_33">[33]</a><a class="tag" id="tagIII_34" href="#noteIII_34">[34]</a> Brutus bootless kneel?</p> </div> <div class="verse"> <p class="float"><span class="charname">Casca.</span> Speak, hands, for me!</p> </div> -<p class="right">[<i>They stab Cæsar</i>]<a class="tag" name="tagIII_35" id="tagIII_35" href="#noteIII_35">[35]</a></p> +<p class="right">[<i>They stab Cæsar</i>]<a class="tag" id="tagIII_35" href="#noteIII_35">[35]</a></p> <div class="verse"> -<p class="float"><span class="charname">Cæsar.</span> Et tu, Brute?<a class="tag" name="tagIII_36" id="tagIII_36" href="#noteIII_36">[36]</a> Then fall, Cæsar!</p> +<p class="float"><span class="charname">Cæsar.</span> Et tu, Brute?<a class="tag" id="tagIII_36" href="#noteIII_36">[36]</a> Then fall, Cæsar!</p> </div> -<p class="right">[<i>Dies</i>]<a class="tag" name="tagIII_37" id="tagIII_37" href="#noteIII_37">[37]</a></p> +<p class="right">[<i>Dies</i>]<a class="tag" id="tagIII_37" href="#noteIII_37">[37]</a></p> -<p><span class="pagenum"><a name="Page_86" id="Page_86"></a>86</span></p> +<p><span class="pagenum"><a id="Page_86"></a>86</span></p> <div class="verse"> <p><span class="charname">Cinna.</span> Liberty! Freedom! Tyranny is dead!</p> @@ -7075,14 +7117,14 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" </div> <div class="verse"> -<p><span class="linenum">80</span><span class="charname">Cassius.</span> Some to the common pulpits,<a class="tag" name="tagIII_38" id="tagIII_38" href="#noteIII_38">[38]</a> and cry out,</p> -<p>'Liberty, freedom, and enfranchisement!'<a class="tag" name="tagIII_39" id="tagIII_39" href="#noteIII_39">[39]</a></p> +<p><span class="linenum">80</span><span class="charname">Cassius.</span> Some to the common pulpits,<a class="tag" id="tagIII_38" href="#noteIII_38">[38]</a> and cry out,</p> +<p>'Liberty, freedom, and enfranchisement!'<a class="tag" id="tagIII_39" href="#noteIII_39">[39]</a></p> </div> -<p><span class="pagenum"><a name="Page_87" id="Page_87"></a>87</span></p> +<p><span class="pagenum"><a id="Page_87"></a>87</span></p> <div class="verse"> -<p><span class="charname">Brutus.</span><a class="tag" name="tagIII_40" id="tagIII_40" href="#noteIII_40">[40]</a> People, and senators, be not affrighted;</p> +<p><span class="charname">Brutus.</span><a class="tag" id="tagIII_40" href="#noteIII_40">[40]</a> People, and senators, be not affrighted;</p> <p>Fly not; stand still: ambition's debt is paid.</p> </div> @@ -7095,7 +7137,7 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" </div> <div class="verse"> -<p><a name="tagIII_1_87" id="tagIII_1_87"></a><span class="charname">Brutus.</span> Where's Publius?</p> +<p><a id="tagIII_1_87"></a><span class="charname">Brutus.</span> Where's Publius?</p> </div> <div class="verse"> @@ -7119,11 +7161,11 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" </div> <div class="verse"> -<p><span class="linenum">95</span><span class="charname">Brutus.</span> Do so; and let no man abide<a class="tag" name="tagIII_41" id="tagIII_41" href="#noteIII_41">[41]</a> this deed</p> +<p><span class="linenum">95</span><span class="charname">Brutus.</span> Do so; and let no man abide<a class="tag" id="tagIII_41" href="#noteIII_41">[41]</a> this deed</p> <p>But we the doers.</p> </div> -<p class="entrance">Re-enter<span class="normal"><a class="tag" name="tagIII_42" id="tagIII_42" href="#noteIII_42">[42]</a></span> <span class="charname">Trebonius</span></p> +<p class="entrance">Re-enter<span class="normal"><a class="tag" id="tagIII_42" href="#noteIII_42">[42]</a></span> <span class="charname">Trebonius</span></p> <div class="verse"> <p><span class="charname">Cassius.</span> Where is Antony?</p> @@ -7131,9 +7173,9 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <div class="verse"> <p class="float"><span class="charname">Trebonius.</span></p> -<p class="iamb3">Fled to his house amaz'd.<a class="tag" name="tagIII_43" id="tagIII_43" href="#noteIII_43">[43]</a></p> -<p><span class="pagenum"><a name="Page_88" id="Page_88"></a>88</span></p> -<p>Men, wives, and children stare, cry out, and run<a class="tag" name="tagIII_44" id="tagIII_44" href="#noteIII_44">[44]</a></p> +<p class="iamb3">Fled to his house amaz'd.<a class="tag" id="tagIII_43" href="#noteIII_43">[43]</a></p> +<p><span class="pagenum"><a id="Page_88"></a>88</span></p> +<p>Men, wives, and children stare, cry out, and run<a class="tag" id="tagIII_44" href="#noteIII_44">[44]</a></p> <p>As it were doomsday.</p> </div> @@ -7141,11 +7183,11 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <p class="float"><span class="charname">Brutus</span>.</p> <p class="iamb2">Fates, we will know your pleasures:</p> <p><span class="linenum">100</span>That we shall die, we know; 'tis but the time,</p> -<p>And drawing days out, that men stand upon.<a class="tag" name="tagIII_45" id="tagIII_45" href="#noteIII_45">[45]</a></p> +<p>And drawing days out, that men stand upon.<a class="tag" id="tagIII_45" href="#noteIII_45">[45]</a></p> </div> <div class="verse"> -<p><span class="charname">Casca</span><a class="tag" name="tagIII_46" id="tagIII_46" href="#noteIII_46">[46]</a><a class="tag" name="tagIII_47" id="tagIII_47" href="#noteIII_47">[47]</a>. Why, he that cuts off twenty years of life</p> +<p><span class="charname">Casca</span>.<a class="tag" id="tagIII_46" href="#noteIII_46">[46]</a><a class="tag" id="tagIII_47" href="#noteIII_47">[47]</a> Why, he that cuts off twenty years of life</p> <p>Cuts off so many years of fearing death.</p> </div> @@ -7157,26 +7199,26 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <p>Up to the elbows, and besmear our swords:</p> <p>Then walk we forth, even to the market-place,</p> <p><span class="linenum">110</span>And, waving our red weapons o'er our heads,</p> -<p><a name="tagIII_1_111" id="tagIII_1_111"></a>Let's all cry 'Peace, freedom, and liberty!'</p> +<p><a id="tagIII_1_111"></a>Let's all cry 'Peace, freedom, and liberty!'</p> </div> <div class="verse"> <p><span class="charname">Cassius</span>. Stoop, then, and wash. How many ages hence</p> <p>Shall this our lofty scene be acted over</p> -<p>In states<a class="tag" name="tagIII_48" id="tagIII_48" href="#noteIII_48">[48]</a> unborn and accents yet unknown!</p> +<p>In states<a class="tag" id="tagIII_48" href="#noteIII_48">[48]</a> unborn and accents yet unknown!</p> </div> <div class="verse"> -<p><span class="linenum">115</span><span class="charname">Brutus.</span><a class="tag" name="tagIII_49" id="tagIII_49" href="#noteIII_49">[49]</a> How many times shall Cæsar bleed in sport,</p> -<p><span class="pagenum"><a name="Page_89" id="Page_89"></a>89</span></p> -<p>That now on Pompey's<a class="tag" name="tagIII_50" id="tagIII_50" href="#noteIII_50">[50]</a> basis lies<a class="tag" name="tagIII_51" id="tagIII_51" href="#noteIII_51">[51]</a> along</p> +<p><span class="linenum">115</span><span class="charname">Brutus.</span><a class="tag" id="tagIII_49" href="#noteIII_49">[49]</a> How many times shall Cæsar bleed in sport,</p> +<p><span class="pagenum"><a id="Page_89"></a>89</span></p> +<p>That now on Pompey's<a class="tag" id="tagIII_50" href="#noteIII_50">[50]</a> basis lies<a class="tag" id="tagIII_51" href="#noteIII_51">[51]</a> along</p> <p>No worthier than the dust!</p> </div> <div class="verse"> -<p class="float"><span class="charname">Cassius.</span><a class="tag" name="tagIII_52" id="tagIII_52" href="#noteIII_52">[52]</a><a class="tag" name="tagIII_53" id="tagIII_53" href="#noteIII_53">[53]</a></p> +<p class="float"><span class="charname">Cassius.</span><a class="tag" id="tagIII_52" href="#noteIII_52">[52]</a><a class="tag" id="tagIII_53" href="#noteIII_53">[53]</a></p> <p class="iamb2">So oft as that shall be,</p> -<p><a name="tagIII_1_118" id="tagIII_1_118"></a>So often shall the knot of us be call'd</p> +<p><a id="tagIII_1_118"></a>So often shall the knot of us be call'd</p> <p>The men that gave their country liberty.</p> </div> @@ -7188,10 +7230,10 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <p class="float"><span class="charname">Cassius.</span></p> <p class="iamb3"><span class="linenum">120</span>Ay, every man away:</p> <p>Brutus shall lead; and we will grace his heels</p> -<p>With the most boldest<a class="tag" name="tagIII_54" id="tagIII_54" href="#noteIII_54">[54]</a> and best hearts of Rome.</p> +<p>With the most boldest<a class="tag" id="tagIII_54" href="#noteIII_54">[54]</a> and best hearts of Rome.</p> </div> -<p class="entrance">Enter a <span class="normal">Servant<a class="tag" name="tagIII_55" id="tagIII_55" href="#noteIII_55">[55]</a></span></p> +<p class="entrance">Enter a <span class="normal">Servant<a class="tag" id="tagIII_55" href="#noteIII_55">[55]</a></span></p> <div class="verse"> <p><span class="charname">Brutus.</span> Soft! who comes here? A friend of Antony's.</p> @@ -7204,28 +7246,28 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <p>Brutus is noble, wise, valiant, and honest;</p> <p>Cæsar was mighty, bold, royal, and loving:</p> <p>Say I love Brutus and I honour him;</p> -<p><span class="pagenum"><a name="Page_90" id="Page_90"></a>90</span></p> +<p><span class="pagenum"><a id="Page_90"></a>90</span></p> <p><span class="linenum">130</span>Say I fear'd Cæsar, honour'd him, and lov'd him.</p> <p>If Brutus will vouchsafe that Antony</p> -<p>May safely come to him, and be resolv'd<a class="tag" name="tagIII_56" id="tagIII_56" href="#noteIII_56">[56]</a></p> +<p>May safely come to him, and be resolv'd<a class="tag" id="tagIII_56" href="#noteIII_56">[56]</a></p> <p>How Cæsar hath deserv'd to lie in death,</p> <p>Mark Antony shall not love Cæsar dead</p> <p><span class="linenum">135</span>So well as Brutus living; but will follow</p> <p>The fortunes and affairs of noble Brutus</p> -<p>Thorough<a class="tag" name="tagIII_57" id="tagIII_57" href="#noteIII_57">[57]</a> the hazards of this untrod state</p> +<p>Thorough<a class="tag" id="tagIII_57" href="#noteIII_57">[57]</a> the hazards of this untrod state</p> <p>With all true faith. So says my master Antony.</p> </div> <div class="verse"> <p><span class="charname">Brutus.</span> Thy master is a wise and valiant Roman;</p> <p><span class="linenum">140</span>I never thought him worse.</p> -<p>Tell him, so please him come<a class="tag" name="tagIII_58" id="tagIII_58" href="#noteIII_58">[58]</a> unto this place,</p> +<p>Tell him, so please him come<a class="tag" id="tagIII_58" href="#noteIII_58">[58]</a> unto this place,</p> <p>He shall be satisfied, and, by my honour,</p> <p>Depart untouch'd.</p> </div> <div class="verse"> -<p class="float"><a name="tagIII_1_143" id="tagIII_1_143"></a><span class="charname">Servant.</span></p> +<p class="float"><a id="tagIII_1_143"></a><span class="charname">Servant.</span></p> <p class="iamb2">I'll fetch him presently.</p> </div> @@ -7238,12 +7280,12 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <div class="verse"> <p><span class="linenum">145</span><span class="charname">Cassius.</span> I wish we may: but yet have I a mind</p> <p>That fears him much, and my misgiving still</p> -<p>Falls shrewdly to the purpose.<a class="tag" name="tagIII_59" id="tagIII_59" href="#noteIII_59">[59]</a></p> +<p>Falls shrewdly to the purpose.<a class="tag" id="tagIII_59" href="#noteIII_59">[59]</a></p> </div> -<p><span class="pagenum"><a name="Page_91" id="Page_91"></a>91</span></p> +<p><span class="pagenum"><a id="Page_91"></a>91</span></p> -<p class="entrance">Re-enter<span class="normal"><a class="tag" name="tagIII_60" id="tagIII_60" href="#noteIII_60">[60]</a></span> <span class="charname">Antony</span></p> +<p class="entrance">Re-enter<span class="normal"><a class="tag" id="tagIII_60" href="#noteIII_60">[60]</a></span> <span class="charname">Antony</span></p> <div class="verse"> <p><span class="charname">Brutus.</span> But here comes Antony. Welcome, Mark Antony.</p> @@ -7254,17 +7296,17 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <p><span class="linenum">150</span>Are all thy conquests, glories, triumphs, spoils,</p> <p>Shrunk to this little measure? Fare thee well!</p> <p>I know not, gentlemen, what you intend,</p> -<p>Who else must be let blood,<a class="tag" name="tagIII_61" id="tagIII_61" href="#noteIII_61">[61]</a> who else is rank:<a class="tag" name="tagIII_62" id="tagIII_62" href="#noteIII_62">[62]</a></p> +<p>Who else must be let blood,<a class="tag" id="tagIII_61" href="#noteIII_61">[61]</a> who else is rank:<a class="tag" id="tagIII_62" href="#noteIII_62">[62]</a></p> <p>If I myself, there is no hour so fit</p> <p><span class="linenum">155</span>As Cæsar's death's hour, nor no instrument</p> <p>Of half that worth as those your swords, made rich</p> <p>With the most noble blood of all this world.</p> <p>I do beseech ye, if you bear me hard,</p> <p>Now, whilst your purpled hands do reek and smoke,</p> -<p><span class="linenum">160</span>Fulfil your pleasure. Live<a class="tag" name="tagIII_63" id="tagIII_63" href="#noteIII_63">[63]</a> a thousand years,</p> +<p><span class="linenum">160</span>Fulfil your pleasure. Live<a class="tag" id="tagIII_63" href="#noteIII_63">[63]</a> a thousand years,</p> <p>I shall not find myself so apt to die:</p> <p>No place will please me so, no mean of death,</p> -<p>As here by Cæsar, and by you cut off,<a class="tag" name="tagIII_64" id="tagIII_64" href="#noteIII_64">[64]</a></p> +<p>As here by Cæsar, and by you cut off,<a class="tag" id="tagIII_64" href="#noteIII_64">[64]</a></p> <p>The choice and master spirits of this age.</p> </div> @@ -7272,37 +7314,37 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <p><span class="linenum">165</span><span class="charname">Brutus.</span> O Antony, beg not your death of us.</p> <p>Though now we must appear bloody and cruel,</p> <p>As, by our hands and this our present act,</p> -<p><span class="pagenum"><a name="Page_92" id="Page_92"></a>92</span></p> +<p><span class="pagenum"><a id="Page_92"></a>92</span></p> <p>You see we do; yet see you but our hands</p> <p>And this the bleeding business they have done:</p> <p><span class="linenum">170</span>Our hearts you see not; they are pitiful;</p> <p>And pity to the general wrong of Rome—</p> -<p>As fire drives out fire,<a class="tag" name="tagIII_65" id="tagIII_65" href="#noteIII_65">[65]</a> so pity pity—</p> +<p>As fire drives out fire,<a class="tag" id="tagIII_65" href="#noteIII_65">[65]</a> so pity pity—</p> <p>Hath done this deed on Cæsar. For your part,</p> <p>To you our swords have leaden points, Mark Antony:</p> -<p><span class="linenum">175</span>Our arms in strength of malice,<a class="tag" name="tagIII_66" id="tagIII_66" href="#noteIII_66">[66]</a> and our hearts</p> +<p><span class="linenum">175</span>Our arms in strength of malice,<a class="tag" id="tagIII_66" href="#noteIII_66">[66]</a> and our hearts</p> <p>Of brothers' temper, do receive you in</p> <p>With all kind love, good thoughts, and reverence.</p> </div> <div class="verse"> -<p><span class="charname">Cassius.</span><a class="tag" name="tagIII_67" id="tagIII_67" href="#noteIII_67">[67]</a> Your voice shall be as strong as any man's</p> +<p><span class="charname">Cassius.</span><a class="tag" id="tagIII_67" href="#noteIII_67">[67]</a> Your voice shall be as strong as any man's</p> <p>In the disposing of new dignities.</p> </div> -<p><span class="pagenum"><a name="Page_93" id="Page_93"></a>93</span></p> +<p><span class="pagenum"><a id="Page_93"></a>93</span></p> <div class="verse"> <p><span class="linenum">180</span><span class="charname">Brutus.</span> Only be patient till we have appeas'd</p> -<p>The multitude, beside themselves with fear,<a class="tag" name="tagIII_68" id="tagIII_68" href="#noteIII_68">[68]</a></p> +<p>The multitude, beside themselves with fear,<a class="tag" id="tagIII_68" href="#noteIII_68">[68]</a></p> <p>And then we will deliver you the cause</p> -<p>Why I, that did love Cæsar when I struck<a class="tag" name="tagIII_69" id="tagIII_69" href="#noteIII_69">[69]</a> him,</p> +<p>Why I, that did love Cæsar when I struck<a class="tag" id="tagIII_69" href="#noteIII_69">[69]</a> him,</p> <p>Have thus proceeded.</p> </div> <div class="verse"> <p class="float"><span class="charname">Antony.</span></p> -<p class="iamb2">I doubt not of your wisdom.<a class="tag" name="tagIII_70" id="tagIII_70" href="#noteIII_70">[70]</a></p> +<p class="iamb2">I doubt not of your wisdom.<a class="tag" id="tagIII_70" href="#noteIII_70">[70]</a></p> <p><span class="linenum">185</span>Let each man render me his bloody hand:</p> <p>First, Marcus Brutus, will I shake with you;</p> <p>Next, Caius Cassius, do I take your hand;</p> @@ -7311,25 +7353,25 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <p><span class="linenum">190</span>Though last, not least in love, yours, good Trebonius.</p> <p>Gentlemen all,—alas, what shall I say?</p> <p>My credit now stands on such slippery ground,</p> -<p>That one of two bad ways you must conceit<a class="tag" name="tagIII_71" id="tagIII_71" href="#noteIII_71">[71]</a> me,</p> +<p>That one of two bad ways you must conceit<a class="tag" id="tagIII_71" href="#noteIII_71">[71]</a> me,</p> <p>Either a coward or a flatterer.</p> <p><span class="linenum">195</span>That I did love thee, Cæsar, O, 'tis true:</p> <p>If, then, thy spirit look upon us now,</p> -<p>Shall it not grieve thee dearer<a class="tag" name="tagIII_72" id="tagIII_72" href="#noteIII_72">[72]</a> than thy death,</p> +<p>Shall it not grieve thee dearer<a class="tag" id="tagIII_72" href="#noteIII_72">[72]</a> than thy death,</p> <p>To see thy Antony making his peace,</p> <p>Shaking the bloody fingers of thy foes,</p> <p><span class="linenum">200</span>Most noble! in the presence of thy corse?</p> -<p><span class="pagenum"><a name="Page_94" id="Page_94"></a>94</span></p> +<p><span class="pagenum"><a id="Page_94"></a>94</span></p> <p>Had I as many eyes as thou hast wounds,</p> <p>Weeping as fast as they stream forth thy blood,</p> <p>It would become me better than to close</p> <p>In terms of friendship with thine enemies.</p> -<p><span class="linenum">205</span>Pardon me, Julius! Here wast thou bay'd,<a class="tag" name="tagIII_73" id="tagIII_73" href="#noteIII_73">[73]</a> brave hart;<a class="tag" name="tagIII_74" id="tagIII_74" href="#noteIII_74">[74]</a></p> +<p><span class="linenum">205</span>Pardon me, Julius! Here wast thou bay'd,<a class="tag" id="tagIII_73" href="#noteIII_73">[73]</a> brave hart;<a class="tag" id="tagIII_74" href="#noteIII_74">[74]</a></p> <p>Here didst thou fall, and here thy hunters stand,</p> -<p>Sign'd in thy spoil<a class="tag" name="tagIII_75" id="tagIII_75" href="#noteIII_75">[75]</a> and crimson'd in thy lethe.<a class="tag" name="tagIII_76" id="tagIII_76" href="#noteIII_76">[76]</a><a class="tag" name="tagIII_77" id="tagIII_77" href="#noteIII_77">[77]</a></p> +<p>Sign'd in thy spoil<a class="tag" id="tagIII_75" href="#noteIII_75">[75]</a> and crimson'd in thy lethe.<a class="tag" id="tagIII_76" href="#noteIII_76">[76]</a><a class="tag" id="tagIII_77" href="#noteIII_77">[77]</a></p> <p>O world, thou wast the forest to this hart;</p> -<p>And this, indeed, O world, the heart<a class="tag" name="tagIII_78" id="tagIII_78" href="#noteIII_78">[78]</a> of thee.</p> -<p><span class="linenum">210</span>How like a deer, strucken<a class="tag" name="tagIII_79" id="tagIII_79" href="#noteIII_79">[79]</a> by many princes,</p> +<p>And this, indeed, O world, the heart<a class="tag" id="tagIII_78" href="#noteIII_78">[78]</a> of thee.</p> +<p><span class="linenum">210</span>How like a deer, strucken<a class="tag" id="tagIII_79" href="#noteIII_79">[79]</a> by many princes,</p> <p>Dost thou here lie!</p> </div> @@ -7342,14 +7384,14 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <p class="float"><span class="charname">Antony.</span></p> <p class="iamb4">Pardon me, Caius Cassius:</p> <p>The enemies of Cæsar shall say this;</p> -<p>Then, in a friend, it is cold modesty.<a class="tag" name="tagIII_80" id="tagIII_80" href="#noteIII_80">[80]</a></p> +<p>Then, in a friend, it is cold modesty.<a class="tag" id="tagIII_80" href="#noteIII_80">[80]</a></p> </div> <div class="verse"> <p><span class="linenum">215</span><span class="charname">Cassius.</span> I blame you not for praising Cæsar so;</p> <p>But what compact mean you to have with us?</p> -<p><span class="pagenum"><a name="Page_95" id="Page_95"></a>95</span></p> -<p>Will you be prick'd<a class="tag" name="tagIII_81" id="tagIII_81" href="#noteIII_81">[81]</a> in number of our friends,</p> +<p><span class="pagenum"><a id="Page_95"></a>95</span></p> +<p>Will you be prick'd<a class="tag" id="tagIII_81" href="#noteIII_81">[81]</a> in number of our friends,</p> <p>Or shall we on, and not depend on you?</p> </div> @@ -7363,8 +7405,8 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <div class="verse"> <p><span class="charname">Brutus</span>. Or else were this a savage spectacle:</p> -<p><span class="linenum">225</span>Our reasons are so full of good regard<a class="tag" name="tagIII_82" id="tagIII_82" href="#noteIII_82">[82]</a></p> -<p>That, were you, Antony,<a class="tag" name="tagIII_83" id="tagIII_83" href="#noteIII_83">[83]</a> the son of Cæsar,</p> +<p><span class="linenum">225</span>Our reasons are so full of good regard<a class="tag" id="tagIII_82" href="#noteIII_82">[82]</a></p> +<p>That, were you, Antony,<a class="tag" id="tagIII_83" href="#noteIII_83">[83]</a> the son of Cæsar,</p> <p>You should be satisfied.</p> </div> @@ -7372,12 +7414,12 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <p class="float"><span class="charname">Antony</span>.</p> <p class="iamb2">That's all I seek:</p> <p>And am moreover suitor that I may</p> -<p>Produce<a class="tag" name="tagIII_84" id="tagIII_84" href="#noteIII_84">[84]</a> his body to the market-place;<a class="tag" name="tagIII_85" id="tagIII_85" href="#noteIII_85">[85]</a></p> +<p>Produce<a class="tag" id="tagIII_84" href="#noteIII_84">[84]</a> his body to the market-place;<a class="tag" id="tagIII_85" href="#noteIII_85">[85]</a></p> <p><span class="linenum">230</span>And in the pulpit, as becomes a friend,</p> -<p>Speak in the order of his funeral.<a class="tag" name="tagIII_86" id="tagIII_86" href="#noteIII_86">[86]</a></p> +<p>Speak in the order of his funeral.<a class="tag" id="tagIII_86" href="#noteIII_86">[86]</a></p> </div> -<p><span class="pagenum"><a name="Page_96" id="Page_96"></a>96</span></p> +<p><span class="pagenum"><a id="Page_96"></a>96</span></p> <div class="verse"> <p><span class="charname">Brutus</span>. You shall, Mark Antony.</p> @@ -7386,7 +7428,7 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <div class="verse"> <p class="float"><span class="charname">Cassius</span>.</p> <p class="iamb3">Brutus, a word with you.</p> -<p>[<i>Aside to</i> <span class="charname">Brutus</span>]<a class="tag" name="tagIII_87" id="tagIII_87" href="#noteIII_87">[87]</a> You know not what you do; do not consent</p> +<p>[<i>Aside to</i> <span class="charname">Brutus</span>]<a class="tag" id="tagIII_87" href="#noteIII_87">[87]</a> You know not what you do; do not consent</p> <p>That Antony speak in his funeral:</p> <p><span class="linenum">235</span>Know you how much the people may be mov'd</p> <p>By that which he will utter?</p> @@ -7401,7 +7443,7 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <p><span class="linenum">240</span>He speaks by leave and by permission,</p> <p>And that we are contented Cæsar shall</p> <p>Have all true rites and lawful ceremonies.</p> -<p>It shall advantage more than do us wrong.<a class="tag" name="tagIII_88" id="tagIII_88" href="#noteIII_88">[88]</a></p> +<p>It shall advantage more than do us wrong.<a class="tag" id="tagIII_88" href="#noteIII_88">[88]</a></p> </div> <div class="verse"> @@ -7419,7 +7461,7 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <p>After my speech is ended.</p> </div> -<p><span class="pagenum"><a name="Page_97" id="Page_97"></a>97</span></p> +<p><span class="pagenum"><a id="Page_97"></a>97</span></p> <div class="verse"> <p class="float"><span class="charname">Antony</span>.</p> @@ -7431,35 +7473,35 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <p><span class="charname">Brutus</span>. Prepare the body, then, and follow us.</p> </div> -<p class="right">[<i>Exeunt all but</i> <span class="charname">Antony</span>]<a class="tag" name="tagIII_89" id="tagIII_89" href="#noteIII_89">[89]</a><a class="tag" name="tagIII_90" id="tagIII_90" href="#noteIII_90">[90]</a></p> +<p class="right">[<i>Exeunt all but</i> <span class="charname">Antony</span>]<a class="tag" id="tagIII_89" href="#noteIII_89">[89]</a><a class="tag" id="tagIII_90" href="#noteIII_90">[90]</a></p> <div class="verse"> <p><span class="linenum">255</span><span class="charname">Antony</span>. O, pardon me, thou bleeding piece of earth,</p> <p>That I am meek and gentle with these butchers!</p> -<p><a name="tagIII_1_257" id="tagIII_1_257"></a>Thou art the ruins of the noblest man</p> -<p>That ever lived in the tide of times.<a class="tag" name="tagIII_91" id="tagIII_91" href="#noteIII_91">[91]</a></p> +<p><a id="tagIII_1_257"></a>Thou art the ruins of the noblest man</p> +<p>That ever lived in the tide of times.<a class="tag" id="tagIII_91" href="#noteIII_91">[91]</a></p> <p>Woe to the hand that shed this costly blood!</p> <p><span class="linenum">260</span>Over thy wounds now do I prophesy,</p> <p>Which, like dumb mouths, do ope their ruby lips,</p> <p>To beg the voice and utterance of my tongue,</p> -<p>A curse shall light upon the limbs<a class="tag" name="tagIII_92" id="tagIII_92" href="#noteIII_92">[92]</a><a class="tag" name="tagIII_93" id="tagIII_93" href="#noteIII_93">[93]</a> of men;</p> +<p>A curse shall light upon the limbs<a class="tag" id="tagIII_92" href="#noteIII_92">[92]</a><a class="tag" id="tagIII_93" href="#noteIII_93">[93]</a> of men;</p> <p>Domestic fury and fierce civil strife</p> <p><span class="linenum">265</span>Shall cumber all the parts of Italy;</p> <p>Blood and destruction shall be so in use,</p> <p>And dreadful objects so familiar,</p> <p>That mothers shall but smile when they behold</p> -<p>Their infants quartered with<a class="tag" name="tagIII_94" id="tagIII_94" href="#noteIII_94">[94]</a> the hands of war;</p> +<p>Their infants quartered with<a class="tag" id="tagIII_94" href="#noteIII_94">[94]</a> the hands of war;</p> <p><span class="linenum">270</span>All pity chok'd with custom of fell deeds:</p> -<p><span class="pagenum"><a name="Page_98" id="Page_98"></a>98</span></p> +<p><span class="pagenum"><a id="Page_98"></a>98</span></p> <p>And Cæsar's spirit, ranging for revenge,</p> -<p>With Ate<a class="tag" name="tagIII_95" id="tagIII_95" href="#noteIII_95">[95]</a> by his side come hot from hell,</p> +<p>With Ate<a class="tag" id="tagIII_95" href="#noteIII_95">[95]</a> by his side come hot from hell,</p> <p>Shall in these confines with a monarch's voice</p> -<p>Cry 'Havoc,' and let slip the dogs of war;<a class="tag" name="tagIII_96" id="tagIII_96" href="#noteIII_96">[96]</a></p> +<p>Cry 'Havoc,' and let slip the dogs of war;<a class="tag" id="tagIII_96" href="#noteIII_96">[96]</a></p> <p><span class="linenum">275</span>That this foul deed shall smell above the earth</p> <p>With carrion men, groaning for burial.</p> </div> -<p class="entrance">Enter a <span class="normal">Servant<a class="tag" name="tagIII_97" id="tagIII_97" href="#noteIII_97">[97]</a></span></p> +<p class="entrance">Enter a <span class="normal">Servant<a class="tag" id="tagIII_97" href="#noteIII_97">[97]</a></span></p> <div class="verse"> <p>You serve Octavius Cæsar, do you not?</p> @@ -7477,13 +7519,13 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <p><span class="linenum">280</span><span class="charname">Servant</span>. He did receive his letters, and is coming;</p> <p>And bid me say to you by word of mouth—</p> <p>O Cæsar!</p> -<p class="right">[<i>Seeing the body</i>]<a class="tag" name="tagIII_98" id="tagIII_98" href="#noteIII_98">[98]</a></p> +<p class="right">[<i>Seeing the body</i>]<a class="tag" id="tagIII_98" href="#noteIII_98">[98]</a></p> </div> <div class="verse"> <p><span class="charname">Antony</span>. Thy heart is big; get thee apart and weep.</p> -<p>Passion, I see, is catching;<a class="tag" name="tagIII_99" id="tagIII_99" href="#noteIII_99">[99]</a> for mine eyes,</p> -<p><span class="pagenum"><a name="Page_99" id="Page_99"></a>99</span></p> +<p>Passion, I see, is catching;<a class="tag" id="tagIII_99" href="#noteIII_99">[99]</a> for mine eyes,</p> +<p><span class="pagenum"><a id="Page_99"></a>99</span></p> <p><span class="linenum">285</span>Seeing those beads of sorrow stand in thine,</p> <p>Began to water. Is thy master coming?</p> </div> @@ -7494,10 +7536,10 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <div class="verse"> <p><span class="charname">Antony</span>. Post back with speed, and tell him what hath chanc'd.</p> -<p>Here is a mourning Rome, a dangerous Rome,<a class="tag" name="tagIII_100" id="tagIII_100" href="#noteIII_100">[100]</a></p> +<p>Here is a mourning Rome, a dangerous Rome,<a class="tag" id="tagIII_100" href="#noteIII_100">[100]</a></p> <p><span class="linenum">290</span>No Rome of safety for Octavius yet;</p> -<p>Hie hence, and tell him so. Yet stay awhile;<a class="tag" name="tagIII_101" id="tagIII_101" href="#noteIII_101">[101]</a></p> -<p>Thou shalt not back till I have borne this corse<a class="tag" name="tagIII_102" id="tagIII_102" href="#noteIII_102">[102]</a></p> +<p>Hie hence, and tell him so. Yet stay awhile;<a class="tag" id="tagIII_101" href="#noteIII_101">[101]</a></p> +<p>Thou shalt not back till I have borne this corse<a class="tag" id="tagIII_102" href="#noteIII_102">[102]</a></p> <p>Into the market-place: there shall I try,</p> <p>In my oration, how the people take</p> <p><span class="linenum">295</span>The cruel issue of these bloody men;</p> @@ -7506,17 +7548,17 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <p>Lend me your hand.</p> </div> -<p class="right">[<i>Exeunt with</i> <span class="charname">Cæsar's</span> <i>body</i>]<a class="tag" name="tagIII_103" id="tagIII_103" href="#noteIII_103">[103]</a></p> +<p class="right">[<i>Exeunt with</i> <span class="charname">Cæsar's</span> <i>body</i>]<a class="tag" id="tagIII_103" href="#noteIII_103">[103]</a></p> <h4 class="scene"> -<a name="sceneIII_2" id="sceneIII_2"> +<a id="sceneIII_2"> <span class="scenenum">III. 2</span> -<span class="smallcaps">Scene II.</span></a> <i>The Forum</i><a class="tag" name="tagIII_104" id="tagIII_104" href="#noteIII_104">[104]</a></h4> +<span class="smallcaps">Scene II.</span></a> <i>The Forum</i><a class="tag" id="tagIII_104" href="#noteIII_104">[104]</a></h4> -<p class="entrance">Enter <span class="charname">Brutus</span> and <span class="charname">Cassius</span>, and a throng of <span class="normal">Citizens<a class="tag" name="tagIII_105" id="tagIII_105" href="#noteIII_105">[105]</a></span></p> +<p class="entrance">Enter <span class="charname">Brutus</span> and <span class="charname">Cassius</span>, and a throng of <span class="normal">Citizens<a class="tag" id="tagIII_105" href="#noteIII_105">[105]</a></span></p> <div class="verse"> -<p><span class="charname">Citizens</span>.<a class="tag" name="tagIII_106" id="tagIII_106" href="#noteIII_106">[106]</a> We will be satisfied; let us be satisfied.</p> +<p><span class="charname">Citizens</span>.<a class="tag" id="tagIII_106" href="#noteIII_106">[106]</a> We will be satisfied; let us be satisfied.</p> </div> <div class="verse"> @@ -7525,8 +7567,8 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <p>And part the numbers.</p> <p><span class="linenum">5</span>Those that will hear me speak, let 'em stay here;</p> <p>Those that will follow Cassius, go with him;</p> -<p><span class="pagenum"><a name="Page_100" id="Page_100"></a>100</span></p> -<p>And public reasons shall be rendered<a class="tag" name="tagIII_107" id="tagIII_107" href="#noteIII_107">[107]</a></p> +<p><span class="pagenum"><a id="Page_100"></a>100</span></p> +<p>And public reasons shall be rendered<a class="tag" id="tagIII_107" href="#noteIII_107">[107]</a></p> <p>Of Cæsar's death.</p> </div> @@ -7536,32 +7578,32 @@ Lepidus, Popilius, Publius</span>, and others<span class="normal"><a class="tag" <div class="verse"> <p><span class="charname">2 Citizen</span>. I will hear Cassius; and compare their reasons,</p> -<p><span class="linenum">10</span>When severally we hear them rendered.<a class="tag" name="tagIII_107b" id="tagIII_107b" href="#noteIII_107">[107]</a></p> +<p><span class="linenum">10</span>When severally we hear them rendered.<a class="tag" id="tagIII_107b" href="#noteIII_107">[107]</a></p> </div> <p class="right">[<i>Exit</i> <span class="charname">Cassius</span>, <i>with some of the</i> Citizens. <span class="charname">Brutus</span> -<i>goes into the pulpit</i>]<a class="tag" name="tagIII_108" id="tagIII_108" href="#noteIII_108">[108]</a></p> +<i>goes into the pulpit</i>]<a class="tag" id="tagIII_108" href="#noteIII_108">[108]</a></p> <div class="verse"> -<p><span class="charname">3 Citizen</span>. The noble Brutus is ascended: silence!<a class="tag" name="tagIII_109" id="tagIII_109" href="#noteIII_109">[109]</a></p> +<p><span class="charname">3 Citizen</span>. The noble Brutus is ascended: silence!<a class="tag" id="tagIII_109" href="#noteIII_109">[109]</a></p> </div> -<p><span class="charname">Brutus</span>. Be patient till the last.<br /> -Romans, countrymen, and lovers!<a class="tag" name="tagIII_110" id="tagIII_110" href="#noteIII_110">[110]</a> hear me for my cause, +<p><span class="charname">Brutus</span>. Be patient till the last.<br > +Romans, countrymen, and lovers!<a class="tag" id="tagIII_110" href="#noteIII_110">[110]</a> hear me for my cause, and be silent, that you may hear: believe me for mine <span class="linenum">15</span>honour, and have respect to mine honour, that you may -believe: censure<a class="tag" name="tagIII_111" id="tagIII_111" href="#noteIII_111">[111]</a> me in your wisdom, and awake your +believe: censure<a class="tag" id="tagIII_111" href="#noteIII_111">[111]</a> me in your wisdom, and awake your senses, that you may the better judge. If there be any in this assembly, any dear friend of Cæsar's, to him I say that Brutus' love to Cæsar was no less than his. If then that <span class="linenum">20</span>friend demand why Brutus rose against Cæsar, this is my -<span class="pagenum"><a name="Page_101" id="Page_101"></a>101</span> +<span class="pagenum"><a id="Page_101"></a>101</span> answer: Not that I lov'd Cæsar less, but that I lov'd Rome more. Had you rather Cæsar were living, and die all slaves, than that Cæsar were dead, to live all free-men? As Cæsar lov'd me, I weep for him; as he was fortunate, I rejoice at <span class="linenum">25</span>it; as he was valiant, I honour him: but as he was ambitious, -I slew him. There is<a class="tag" name="tagIII_112" id="tagIII_112" href="#noteIII_112">[112]</a> tears<a class="tag" name="tagIII_113" id="tagIII_113" href="#noteIII_113">[113]</a> for his love; joy for his +I slew him. There is<a class="tag" id="tagIII_112" href="#noteIII_112">[112]</a> tears<a class="tag" id="tagIII_113" href="#noteIII_113">[113]</a> for his love; joy for his fortune; honour for his valour; and death for his ambition. Who is here so base that would be a bondman? If any, speak; for him have I offended. Who is here so rude @@ -7574,25 +7616,25 @@ pause for a reply.</p> <p><span class="linenum">35</span><span class="charname">Brutus</span>. Then none have I offended. I have done no more to Cæsar than you shall do to Brutus. The question -of his death is enroll'd in the Capitol;<a class="tag" name="tagIII_114" id="tagIII_114" href="#noteIII_114">[114]</a> his glory not extenuated, +of his death is enroll'd in the Capitol;<a class="tag" id="tagIII_114" href="#noteIII_114">[114]</a> his glory not extenuated, wherein he was worthy, nor his offences enforc'd, for which he suffer'd death.</p> -<p class="entrance">Enter <span class="charname">Antony</span> and others, with <span class="charname">Cæsar's</span> body<span class="normal"><a class="tag" name="tagIII_115" id="tagIII_115" href="#noteIII_115">[115]</a></span></p> +<p class="entrance">Enter <span class="charname">Antony</span> and others, with <span class="charname">Cæsar's</span> body<span class="normal"><a class="tag" id="tagIII_115" href="#noteIII_115">[115]</a></span></p> <p><span class="linenum">40</span>Here comes his body, mourn'd by Mark Antony; who, though he had no hand in his death, shall receive the -<span class="pagenum"><a name="Page_102" id="Page_102"></a>102</span> +<span class="pagenum"><a id="Page_102"></a>102</span> benefit of his dying, a place in the commonwealth; as which of you shall not? With this I depart,—that, as I slew my best lover for the good of Rome, I have the same <span class="linenum">45</span>dagger for myself, when it shall please my country to need -my death.<a class="tag" name="tagIII_116" id="tagIII_116" href="#noteIII_116">[116]</a></p> +my death.<a class="tag" id="tagIII_116" href="#noteIII_116">[116]</a></p> -<p><span class="charname">All</span>.<a class="tag" name="tagIII_117" id="tagIII_117" href="#noteIII_117">[117]</a> Live, Brutus! live, live!</p> +<p><span class="charname">All</span>.<a class="tag" id="tagIII_117" href="#noteIII_117">[117]</a> Live, Brutus! live, live!</p> <div class="verse"> -<p><span class="charname">1 Citizen</span>.<a class="tag" name="tagIII_118" id="tagIII_118" href="#noteIII_118">[118]</a> Bring him with triumph home unto his house.</p> +<p><span class="charname">1 Citizen</span>.<a class="tag" id="tagIII_118" href="#noteIII_118">[118]</a> Bring him with triumph home unto his house.</p> </div> <div class="verse"> @@ -7609,7 +7651,7 @@ my death.<a class="tag" name="tagIII_116" id="tagIII_116" href="#noteIII_116">[1 <p>Shall be crown'd in Brutus.</p> </div> -<p><span class="charname">1 Citizen</span>.<a class="tag" name="tagIII_119" id="tagIII_119" href="#noteIII_119">[119]</a> We'll bring him to his house with shouts +<p><span class="charname">1 Citizen</span>.<a class="tag" id="tagIII_119" href="#noteIII_119">[119]</a> We'll bring him to his house with shouts and clamours.</p> <div class="verse"> @@ -7630,13 +7672,13 @@ and clamours.</p> <p>And, for my sake, stay here with Antony:</p> <p>Do grace to Cæsar's corpse, and grace his speech</p> <p>Tending to Cæsar's glories; which Mark Antony,</p> -<span class="pagenum"><a name="Page_103" id="Page_103"></a>103</span> +<span class="pagenum"><a id="Page_103"></a>103</span> <p>By our permission, is allow'd to make.</p> <p><span class="linenum">60</span>I do entreat you, not a man depart,</p> <p>Save I alone, till Antony have spoke.</p> </div> -<p class="right">[<i>Exit</i>]<a class="tag" name="tagIII_120" id="tagIII_120" href="#noteIII_120">[120]</a></p> +<p class="right">[<i>Exit</i>]<a class="tag" id="tagIII_120" href="#noteIII_120">[120]</a></p> <div class="verse"> <p><span class="charname">1 Citizen.</span> Stay, ho! and let us hear Mark Antony.</p> @@ -7648,7 +7690,7 @@ and clamours.</p> </div> <div class="verse"> -<p><span class="linenum">65</span><span class="charname">Antony.</span> For Brutus' sake, I am beholding<a class="tag" name="tagIII_121" id="tagIII_121" href="#noteIII_121">[121]</a> to you.</p> +<p><span class="linenum">65</span><span class="charname">Antony.</span> For Brutus' sake, I am beholding<a class="tag" id="tagIII_121" href="#noteIII_121">[121]</a> to you.</p> </div> <div class="verse"> @@ -7672,7 +7714,7 @@ and clamours.</p> <div class="verse"> <p class="float"><span class="charname">3 Citizen.</span></p> <p class="iamb4">Nay, that's certain:</p> -<p><span class="linenum">70</span>We are blest<a class="tag" name="tagIII_122" id="tagIII_122" href="#noteIII_122">[122]</a> that Rome is rid of him.</p> +<p><span class="linenum">70</span>We are blest<a class="tag" id="tagIII_122" href="#noteIII_122">[122]</a> that Rome is rid of him.</p> </div> <div class="verse"> @@ -7680,7 +7722,7 @@ and clamours.</p> </div> <div class="verse"> -<p><span class="charname">Antony.</span><a class="tag" name="tagIII_123" id="tagIII_123" href="#noteIII_123">[123]</a> You gentle Romans,—</p> +<p><span class="charname">Antony.</span><a class="tag" id="tagIII_123" href="#noteIII_123">[123]</a> You gentle Romans,—</p> </div> <div class="verse"> @@ -7690,10 +7732,10 @@ and clamours.</p> <div class="verse"> <p><span class="charname">Antony.</span> Friends, Romans, countrymen, lend me your ears:</p> -<p><span class="pagenum"><a name="Page_104" id="Page_104"></a>104</span></p> -<p>I come to bury<a class="tag" name="tagIII_124" id="tagIII_124" href="#noteIII_124">[124]</a> Cæsar, not to praise him.</p> +<p><span class="pagenum"><a id="Page_104"></a>104</span></p> +<p>I come to bury<a class="tag" id="tagIII_124" href="#noteIII_124">[124]</a> Cæsar, not to praise him.</p> <p><span class="linenum">75</span>The evil that men do lives after them:</p> -<p>The good is oft interred with their bones;<a class="tag" name="tagIII_125" id="tagIII_125" href="#noteIII_125">[125]</a></p> +<p>The good is oft interred with their bones;<a class="tag" id="tagIII_125" href="#noteIII_125">[125]</a></p> <p>So let it be with Cæsar. The noble Brutus</p> <p>Hath told you Cæsar was ambitious:</p> <p>If it were so, it was a grievous fault,</p> @@ -7706,23 +7748,23 @@ and clamours.</p> <p>But Brutus says he was ambitious;</p> <p>And Brutus is an honourable man.</p> <p>He hath brought many captives home to Rome,</p> -<p>Whose ransoms did the general coffers fill:<a class="tag" name="tagIII_126" id="tagIII_126" href="#noteIII_126">[126]</a></p> +<p>Whose ransoms did the general coffers fill:<a class="tag" id="tagIII_126" href="#noteIII_126">[126]</a></p> <p><span class="linenum">90</span>Did this in Cæsar seem ambitious?</p> <p>When that the poor have cried, Cæsar hath wept:</p> <p>Ambition should be made of sterner stuff:</p> <p>Yet Brutus says he was ambitious;</p> <p>And Brutus is an honourable man.</p> -<p><span class="linenum">95</span>You all did see that on the Lupercal<a class="tag" name="tagIII_127" id="tagIII_127" href="#noteIII_127">[127]</a></p> +<p><span class="linenum">95</span>You all did see that on the Lupercal<a class="tag" id="tagIII_127" href="#noteIII_127">[127]</a></p> <p>I thrice presented him a kingly crown,</p> -<p><span class="pagenum"><a name="Page_105" id="Page_105"></a>105</span></p> +<p><span class="pagenum"><a id="Page_105"></a>105</span></p> <p>Which he did thrice refuse: was this ambition?</p> <p>Yet Brutus says he was ambitious;</p> -<p>And, sure, he is an honourable man.<a class="tag" name="tagIII_128" id="tagIII_128" href="#noteIII_128">[128]</a></p> +<p>And, sure, he is an honourable man.<a class="tag" id="tagIII_128" href="#noteIII_128">[128]</a></p> <p><span class="linenum">100</span>I speak not to disprove what Brutus spoke,</p> <p>But here I am to speak what I do know.</p> <p>You all did love him once, not without cause:</p> -<p>What cause withholds you then to mourn<a class="tag" name="tagIII_129" id="tagIII_129" href="#noteIII_129">[129]</a> for him?</p> -<p>O judgment! thou art<a class="tag" name="tagIII_130" id="tagIII_130" href="#noteIII_130">[130]</a> fled to brutish<a class="tag" name="tagIII_131" id="tagIII_131" href="#noteIII_131">[131]</a> beasts,</p> +<p>What cause withholds you then to mourn<a class="tag" id="tagIII_129" href="#noteIII_129">[129]</a> for him?</p> +<p>O judgment! thou art<a class="tag" id="tagIII_130" href="#noteIII_130">[130]</a> fled to brutish<a class="tag" id="tagIII_131" href="#noteIII_131">[131]</a> beasts,</p> <p><span class="linenum">105</span>And men have lost their reason. Bear with me;</p> <p>My heart is in the coffin there with Cæsar,</p> <p>And I must pause till it come back to me.</p> @@ -7738,12 +7780,12 @@ and clamours.</p> </div> <div class="verse"> -<p class="float"><span class="linenum">110</span><span class="charname">3 Citizen.</span><a class="tag" name="tagIII_132" id="tagIII_132" href="#noteIII_133">[132]</a></p> -<p class="iamb2">Has he,<a class="tag" name="tagIII_133" id="tagIII_133" href="#noteIII_133">[133]</a> masters?</p> +<p class="float"><span class="linenum">110</span><span class="charname">3 Citizen.</span><a class="tag" id="tagIII_132" href="#noteIII_133">[132]</a></p> +<p class="iamb2">Has he,<a class="tag" id="tagIII_133" href="#noteIII_133">[133]</a> masters?</p> <p>I fear there will a worse come in his place.</p> </div> -<p><span class="pagenum"><a name="Page_106" id="Page_106"></a>106</span></p> +<p><span class="pagenum"><a id="Page_106"></a>106</span></p> <div class="verse"> <p><span class="charname">4 Citizen.</span> Mark'd ye his words? He would not take the crown;</p> @@ -7751,7 +7793,7 @@ and clamours.</p> </div> <div class="verse"> -<p><span class="charname">1 Citizen.</span> If it be found so, some will dear abide it.<a class="tag" name="tagIII_134" id="tagIII_134" href="#noteIII_134">[134]</a></p> +<p><span class="charname">1 Citizen.</span> If it be found so, some will dear abide it.<a class="tag" id="tagIII_134" href="#noteIII_134">[134]</a></p> </div> <div class="verse"> @@ -7769,7 +7811,7 @@ and clamours.</p> <div class="verse"> <p><span class="charname">Antony.</span> But yesterday the word of Cæsar might</p> <p>Have stood against the world: now lies he there,</p> -<p><span class="linenum">120</span>And none so poor to do him reverence.<a class="tag" name="tagIII_135" id="tagIII_135" href="#noteIII_135">[135]</a></p> +<p><span class="linenum">120</span>And none so poor to do him reverence.<a class="tag" id="tagIII_135" href="#noteIII_135">[135]</a></p> <p>O masters, if I were dispos'd to stir</p> <p>Your hearts and minds to mutiny and rage,</p> <p>I should do Brutus wrong and Cassius wrong,</p> @@ -7782,8 +7824,8 @@ and clamours.</p> <p><span class="linenum">130</span>Let but the commons hear this testament—</p> <p>Which, pardon me, I do not mean to read—</p> <p>And they would go and kiss dead Cæsar's wounds,</p> -<p>And dip their napkins<a class="tag" name="tagIII_136" id="tagIII_136" href="#noteIII_136">[136]</a> in his sacred blood,</p> -<p><span class="pagenum"><a name="Page_107" id="Page_107"></a>107</span></p> +<p>And dip their napkins<a class="tag" id="tagIII_136" href="#noteIII_136">[136]</a> in his sacred blood,</p> +<p><span class="pagenum"><a id="Page_107"></a>107</span></p> <p>Yea, beg a hair of him for memory,</p> <p><span class="linenum">135</span>And, dying, mention it within their wills,</p> <p>Bequeathing it as a rich legacy</p> @@ -7815,9 +7857,9 @@ and clamours.</p> <div class="verse"> <p><span class="charname">Antony.</span> Will you be patient? will you stay awhile?</p> -<p><span class="linenum">150</span>I have o'ershot myself to tell<a class="tag" name="tagIII_137" id="tagIII_137" href="#noteIII_137">[137]</a> you of it:</p> +<p><span class="linenum">150</span>I have o'ershot myself to tell<a class="tag" id="tagIII_137" href="#noteIII_137">[137]</a> you of it:</p> <p>I fear I wrong the honourable men</p> -<p>Whose daggers have stabb'd Cæsar;<a class="tag" name="tagIII_138" id="tagIII_138" href="#noteIII_138">[138]</a> I do fear it.</p> +<p>Whose daggers have stabb'd Cæsar;<a class="tag" id="tagIII_138" href="#noteIII_138">[138]</a> I do fear it.</p> </div> <div class="verse"> @@ -7839,7 +7881,7 @@ and clamours.</p> <p>Shall I descend? and will you give me leave?</p> </div> -<p><span class="pagenum"><a name="Page_108" id="Page_108"></a>108</span></p> +<p><span class="pagenum"><a id="Page_108"></a>108</span></p> <div class="verse"> <p><span class="linenum">160</span><span class="charname">All.</span> Come down.</p> @@ -7853,7 +7895,7 @@ and clamours.</p> <p><span class="charname">3 Citizen.</span> You shall have leave.</p> </div> -<p class="right">[<span class="charname">Antony</span> <i>comes down from the pulpit</i>]<a class="tag" name="tagIII_139" id="tagIII_139" href="#noteIII_139">[139]</a></p> +<p class="right">[<span class="charname">Antony</span> <i>comes down from the pulpit</i>]<a class="tag" id="tagIII_139" href="#noteIII_139">[139]</a></p> <div class="verse"> <p><span class="charname">4 Citizen.</span> A ring, stand round.</p> @@ -7868,7 +7910,7 @@ and clamours.</p> </div> <div class="verse"> -<p><span class="charname">Antony.</span> Nay, press not so upon me: stand far<a class="tag" name="tagIII_140" id="tagIII_140" href="#noteIII_140">[140]</a> off.</p> +<p><span class="charname">Antony.</span> Nay, press not so upon me: stand far<a class="tag" id="tagIII_140" href="#noteIII_140">[140]</a> off.</p> </div> <div class="verse"> @@ -7880,35 +7922,35 @@ and clamours.</p> <p>You all do know this mantle: I remember</p> <p><span class="linenum">170</span>The first time ever Cæsar put it on;</p> <p>'Twas on a summer's evening, in his tent,</p> -<p>That day he overcame the Nervii.<a class="tag" name="tagIII_141" id="tagIII_141" href="#noteIII_141">[141]</a></p> -<p><span class="pagenum"><a name="Page_109" id="Page_109"></a>109</span></p> +<p>That day he overcame the Nervii.<a class="tag" id="tagIII_141" href="#noteIII_141">[141]</a></p> +<p><span class="pagenum"><a id="Page_109"></a>109</span></p> <p>Look, in this place ran Cassius' dagger through:</p> -<p>See what a rent the envious<a class="tag" name="tagIII_142" id="tagIII_142" href="#noteIII_142">[142]</a> Casca made:</p> +<p>See what a rent the envious<a class="tag" id="tagIII_142" href="#noteIII_142">[142]</a> Casca made:</p> <p><span class="linenum">175</span>Through this the well-beloved Brutus stabb'd;</p> <p>And, as he pluck'd his cursed steel away,</p> <p>Mark how the blood of Cæsar follow'd it,</p> -<p>As rushing out of doors, to be resolv'd<a class="tag" name="tagIII_143" id="tagIII_143" href="#noteIII_143">[143]</a></p> +<p>As rushing out of doors, to be resolv'd<a class="tag" id="tagIII_143" href="#noteIII_143">[143]</a></p> <p>If Brutus so unkindly knock'd, or no;</p> -<p><span class="linenum">180</span>For Brutus, as you know, was Cæsar's angel:<a class="tag" name="tagIII_144" id="tagIII_144" href="#noteIII_144">[144]</a></p> +<p><span class="linenum">180</span>For Brutus, as you know, was Cæsar's angel:<a class="tag" id="tagIII_144" href="#noteIII_144">[144]</a></p> <p>Judge, O you gods, how dearly Cæsar lov'd him!</p> <p>This was the most unkindest cut of all;</p> <p>For when the noble Cæsar saw him stab,</p> <p>Ingratitude, more strong than traitors' arms,</p> <p><span class="linenum">185</span>Quite vanquish'd him: then burst his mighty heart;</p> <p>And, in his mantle muffling up his face,</p> -<p>Even at the base of Pompey's statue,<a class="tag" name="tagIII_145" id="tagIII_145" href="#noteIII_145">[145]</a></p> +<p>Even at the base of Pompey's statue,<a class="tag" id="tagIII_145" href="#noteIII_145">[145]</a></p> <p>Which all the while ran blood, great Cæsar fell.</p> <p>O, what a fall was there, my countrymen!</p> <p><span class="linenum">190</span>Then I, and you, and all of us fell down,</p> <p>Whilst bloody treason flourish'd over us.</p> <p>O, now you weep; and I perceive you feel</p> -<p>The dint<a class="tag" name="tagIII_146" id="tagIII_146" href="#noteIII_146">[146]</a> of pity: these are gracious drops.</p> +<p>The dint<a class="tag" id="tagIII_146" href="#noteIII_146">[146]</a> of pity: these are gracious drops.</p> <p>Kind souls, what, weep you when you but behold</p> <p><span class="linenum">195</span>Our Cæsar's vesture wounded? Look you here,</p> -<p><a name="tagIII_2_196" id="tagIII_2_196"></a>Here is himself, marr'd, as you see, with traitors.</p> +<p><a id="tagIII_2_196"></a>Here is himself, marr'd, as you see, with traitors.</p> </div> -<p><span class="pagenum"><a name="Page_110" id="Page_110"></a>110</span></p> +<p><span class="pagenum"><a id="Page_110"></a>110</span></p> <p><span class="charname">1 Citizen.</span> O piteous spectacle!</p> @@ -7922,14 +7964,14 @@ and clamours.</p> <p><span class="charname">2 Citizen.</span> We will be reveng'd.</p> -<p><span class="charname">All.</span><a class="tag" name="tagIII_147" id="tagIII_147" href="#noteIII_147">[147]</a> Revenge! About! Seek! Burn! Fire! Kill! Slay! +<p><span class="charname">All.</span><a class="tag" id="tagIII_147" href="#noteIII_147">[147]</a> Revenge! About! Seek! Burn! Fire! Kill! Slay! Let not a traitor live!</p> <p><span class="linenum">205</span><span class="charname">Antony.</span> Stay, countrymen.</p> <p><span class="charname">1 Citizen.</span> Peace there! Hear the noble Antony.</p> -<p><span class="charname">2 Citizen.</span><a class="tag" name="tagIII_148" id="tagIII_148" href="#noteIII_148">[148]</a> We'll hear him, we'll follow him, we'll die with him.</p> +<p><span class="charname">2 Citizen.</span><a class="tag" id="tagIII_148" href="#noteIII_148">[148]</a> We'll hear him, we'll follow him, we'll die with him.</p> <div class="verse"> <p><span class="charname">Antony.</span> Good friends, sweet friends, let me not stir you up</p> @@ -7942,9 +7984,9 @@ Let not a traitor live!</p> <p><span class="linenum">215</span>I am no orator, as Brutus is;</p> <p>But, as you know me all, a plain blunt man,</p> <p>That love my friend; and that they know full well</p> -<p>That gave<a class="tag" name="tagIII_149" id="tagIII_149" href="#noteIII_149">[149]</a> me public leave to speak of him:</p> -<p>For I have neither wit,<a class="tag" name="tagIII_150" id="tagIII_150" href="#noteIII_150">[150]</a><a class="tag" name="tagIII_151" id="tagIII_151" href="#noteIII_151">[151]</a> nor words, nor worth,</p> -<p><span class="pagenum"><a name="Page_111" id="Page_111"></a>111</span></p> +<p>That gave<a class="tag" id="tagIII_149" href="#noteIII_149">[149]</a> me public leave to speak of him:</p> +<p>For I have neither wit,<a class="tag" id="tagIII_150" href="#noteIII_150">[150]</a><a class="tag" id="tagIII_151" href="#noteIII_151">[151]</a> nor words, nor worth,</p> +<p><span class="pagenum"><a id="Page_111"></a>111</span></p> <p><span class="linenum">220</span>Action, nor utterance, nor the power of speech,</p> <p>To stir men's blood: I only speak right on;</p> <p>I tell you that which you yourselves do know;</p> @@ -7976,12 +8018,12 @@ Let not a traitor live!</p> <p><span class="charname">All.</span> Most true. The will! Let's stay and hear the will.</p> <div class="verse"> -<p><span class="charname">Antony.</span><a class="tag" name="tagIII_152" id="tagIII_152" href="#noteIII_152">[152]</a> Here is the will, and under Cæsar's seal.</p> +<p><span class="charname">Antony.</span><a class="tag" id="tagIII_152" href="#noteIII_152">[152]</a> Here is the will, and under Cæsar's seal.</p> <p><span class="linenum">240</span>To every Roman citizen he gives,</p> -<p>To every several man, seventy-five drachmas.<a class="tag" name="tagIII_153" id="tagIII_153" href="#noteIII_153">[153]</a></p> +<p>To every several man, seventy-five drachmas.<a class="tag" id="tagIII_153" href="#noteIII_153">[153]</a></p> </div> -<p><span class="pagenum"><a name="Page_112" id="Page_112"></a>112</span></p> +<p><span class="pagenum"><a id="Page_112"></a>112</span></p> <p><span class="charname">2 Citizen.</span> Most noble Cæsar! We'll revenge his death.</p> @@ -7992,30 +8034,30 @@ Let not a traitor live!</p> <p><span class="linenum">245</span><span class="charname">All.</span> Peace, ho!</p> <div class="verse"> -<p><span class="charname">Antony.</span><a name="tagIII_2_246" id="tagIII_2_246"></a> Moreover, he hath left you all his walks,</p> +<p><span class="charname">Antony.</span><a id="tagIII_2_246"></a> Moreover, he hath left you all his walks,</p> <p>His private arbours and new-planted orchards,</p> -<p>On this side Tiber;<a class="tag" name="tagIII_154" id="tagIII_154" href="#noteIII_154">[154]</a> he hath left them you,</p> +<p>On this side Tiber;<a class="tag" id="tagIII_154" href="#noteIII_154">[154]</a> he hath left them you,</p> <p>And to your heirs for ever; common pleasures,</p> <p><span class="linenum">250</span>To walk abroad and recreate yourselves.</p> <p>Here was a Cæsar! when comes such another?</p> </div> <div class="verse"> -<p><span class="charname">1 Citizen.</span><a class="tag" name="tagIII_155" id="tagIII_155" href="#noteIII_155">[155]</a> Never, never. Come, away, away!</p> +<p><span class="charname">1 Citizen.</span><a class="tag" id="tagIII_155" href="#noteIII_155">[155]</a> Never, never. Come, away, away!</p> <p>We'll burn his body in the holy place,</p> -<p>And with the brands fire<a class="tag" name="tagIII_156" id="tagIII_156" href="#noteIII_156">[156]</a> the<a class="tag" name="tagIII_157" id="tagIII_157" href="#noteIII_157">[157]</a> traitors' houses.</p> +<p>And with the brands fire<a class="tag" id="tagIII_156" href="#noteIII_156">[156]</a> the<a class="tag" id="tagIII_157" href="#noteIII_157">[157]</a> traitors' houses.</p> <p><span class="linenum">255</span>Take up the body.</p> </div> -<p><span class="pagenum"><a name="Page_113" id="Page_113"></a>113</span></p> +<p><span class="pagenum"><a id="Page_113"></a>113</span></p> <p><span class="charname">2 Citizen.</span> Go fetch fire.</p> <p><span class="charname">3 Citizen.</span> Pluck down benches.</p> -<p><span class="charname">4 Citizen.</span> Pluck down forms,<a class="tag" name="tagIII_158" id="tagIII_158" href="#noteIII_158">[158]</a> windows, any thing.<a class="tag" name="tagIII_159" id="tagIII_159" href="#noteIII_159">[159]</a></p> +<p><span class="charname">4 Citizen.</span> Pluck down forms,<a class="tag" id="tagIII_158" href="#noteIII_158">[158]</a> windows, any thing.<a class="tag" id="tagIII_159" href="#noteIII_159">[159]</a></p> -<p class="right">[<i>Exeunt</i> <span class="charname">Citizens</span> <i>with the body</i>]<a class="tag" name="tagIII_160" id="tagIII_160" href="#noteIII_160">[160]</a></p> +<p class="right">[<i>Exeunt</i> <span class="charname">Citizens</span> <i>with the body</i>]<a class="tag" id="tagIII_160" href="#noteIII_160">[160]</a></p> <div class="verse"> <p><span class="charname">Antony.</span> Now let it work. Mischief, thou art afoot,</p> @@ -8028,7 +8070,7 @@ Let not a traitor live!</p> <span class="linenum">260</span><p class="iamb3">How now, fellow!</p> </div> -<p><a name="tagIII_2_261" id="tagIII_2_261"></a><span class="charname">Servant.</span> Sir, Octavius is already come to Rome.</p> +<p><a id="tagIII_2_261"></a><span class="charname">Servant.</span> Sir, Octavius is already come to Rome.</p> <p><span class="charname">Antony.</span> Where is he?</p> @@ -8036,13 +8078,13 @@ Let not a traitor live!</p> <div class="verse"> <p><span class="charname">Antony.</span> And thither will I straight to visit him:</p> -<p><span class="linenum">265</span>He comes upon a wish.<a class="tag" name="tagIII_161" id="tagIII_161" href="#noteIII_161">[161]</a> Fortune is merry,</p> +<p><span class="linenum">265</span>He comes upon a wish.<a class="tag" id="tagIII_161" href="#noteIII_161">[161]</a> Fortune is merry,</p> <p>And in this mood will give us any thing.</p> </div> <div class="verse"> <p><span class="charname">Servant.</span> I heard him say, Brutus and Cassius</p> -<p>Are rid<a class="tag" name="tagIII_162" id="tagIII_162" href="#noteIII_162">[162]</a> like madmen through the gates of Rome.</p> +<p>Are rid<a class="tag" id="tagIII_162" href="#noteIII_162">[162]</a> like madmen through the gates of Rome.</p> </div> <div class="verse"> @@ -8052,27 +8094,27 @@ Let not a traitor live!</p> <p class="right">[<i>Exeunt</i>]</p> -<p><span class="pagenum"><a name="Page_114" id="Page_114"></a>114</span></p> +<p><span class="pagenum"><a id="Page_114"></a>114</span></p> <h4 class="scene"> -<a name="sceneIII_3" id="sceneIII_3"> +<a id="sceneIII_3"> <span class="scenenum">III. 3</span> -<span class="smallcaps">Scene III.</span></a><a class="tag" name="tagIII_163" id="tagIII_163" href="#noteIII_163">[163]</a> <i>A street</i></h4> +<span class="smallcaps">Scene III.</span></a><a class="tag" id="tagIII_163" href="#noteIII_163">[163]</a> <i>A street</i></h4> -<p class="entrance">Enter <span class="charname">Cinna</span> the poet<span class="normal"><a class="tag" name="tagIII_164" id="tagIII_164" href="#noteIII_164">[164]</a></span></p> +<p class="entrance">Enter <span class="charname">Cinna</span> the poet<span class="normal"><a class="tag" id="tagIII_164" href="#noteIII_164">[164]</a></span></p> <div class="verse"> -<p><span class="charname">Cinna.</span><a class="tag" name="tagIII_165" id="tagIII_165" href="#noteIII_165">[165]</a> I dreamt to-night<a class="tag" name="tagIII_166" id="tagIII_166" href="#noteIII_166">[166]</a> that I did feast with Cæsar,</p> -<p>And things unluckily charge my fantasy:<a class="tag" name="tagIII_167" id="tagIII_167" href="#noteIII_167">[167]</a></p> +<p><span class="charname">Cinna.</span><a class="tag" id="tagIII_165" href="#noteIII_165">[165]</a> I dreamt to-night<a class="tag" id="tagIII_166" href="#noteIII_166">[166]</a> that I did feast with Cæsar,</p> +<p>And things unluckily charge my fantasy:<a class="tag" id="tagIII_167" href="#noteIII_167">[167]</a></p> <p>I have no will to wander forth of doors,</p> <p>Yet something leads me forth.</p> </div> -<p class="entrance">Enter <span class="charname">Citizens</span><span class="normal"><a class="tag" name="tagIII_168" id="tagIII_168" href="#noteIII_168">[168]</a></span></p> +<p class="entrance">Enter <span class="charname">Citizens</span><span class="normal"><a class="tag" id="tagIII_168" href="#noteIII_168">[168]</a></span></p> <p><span class="charname">1 Citizen.</span> What is your name?</p> -<p><span class="charname">2 Citizen.</span> Whither<a class="tag" name="tagIII_169" id="tagIII_169" href="#noteIII_169">[169]</a> are you going?</p> +<p><span class="charname">2 Citizen.</span> Whither<a class="tag" id="tagIII_169" href="#noteIII_169">[169]</a> are you going?</p> <p><span class="charname">3 Citizen.</span> Where do you dwell?</p> @@ -8080,21 +8122,21 @@ Let not a traitor live!</p> <p><span class="charname">2 Citizen.</span> Answer every man directly.</p> -<p><span class="pagenum"><a name="Page_115" id="Page_115"></a>115</span></p> +<p><span class="pagenum"><a id="Page_115"></a>115</span></p> <p><span class="linenum">10</span><span class="charname">1 Citizen</span>. Ay, and briefly.</p> <p><span class="charname">4 Citizen</span>. Ay, and wisely.</p> -<p><span class="charname">3 Citizen</span>. Ay, and truly, you were best.<a class="tag" name="tagIII_170" id="tagIII_170" href="#noteIII_170">[170]</a></p> +<p><span class="charname">3 Citizen</span>. Ay, and truly, you were best.<a class="tag" id="tagIII_170" href="#noteIII_170">[170]</a></p> -<p><span class="charname">Cinna</span>. What is my name? Whither<a class="tag" name="tagIII_169b" id="tagIII_169b" href="#noteIII_169">[169]</a> am I going? Where +<p><span class="charname">Cinna</span>. What is my name? Whither<a class="tag" id="tagIII_169b" href="#noteIII_169">[169]</a> am I going? Where do I dwell? Am I a married man or a bachelor? Then, to <span class="linenum">15</span>answer every man directly and briefly, wisely and truly: wisely I say, I am a bachelor.</p> <p><span class="charname">2 Citizen</span>. That's as much as to say, they are fools -that marry: you'll bear me<a class="tag" name="tagIII_171" id="tagIII_171" href="#noteIII_171">[171]</a> a bang for that, I fear. Proceed; +that marry: you'll bear me<a class="tag" id="tagIII_171" href="#noteIII_171">[171]</a> a bang for that, I fear. Proceed; directly.</p> <p><span class="linenum">20</span><span class="charname">Cinna</span>. Directly, I am going to Cæsar's funeral.</p> @@ -8132,27 +8174,27 @@ away, go!</p> <p class="right">[<i>Exeunt</i>]</p> -<hr class="mid" /> +<hr class="mid" > -<p><span class="pagenum"><a name="Page_116" id="Page_116"></a>116</span></p> +<p><span class="pagenum"><a id="Page_116"></a>116</span></p> -<h3 class="act"><a name="Act_IV" id="Act_IV">ACT IV</a></h3> +<h3 class="act"><a id="Act_IV">ACT IV</a></h3> -<h4 class="scene"><a name="sceneIV_1" id="sceneIV_1"> +<h4 class="scene"><a id="sceneIV_1"> <span class="scenenum">IV. 1</span> -<span class="smallcaps">Scene I.</span></a><a class="tag" name="tagIV_1" id="tagIV_1" href="#noteIV_1">[1]</a> <i>Rome. A room in</i> <span class="charname">Antony's</span> <i>house</i><a class="tag" name="tagIV_2" id="tagIV_2" href="#noteIV_2">[2]</a></h4> +<span class="smallcaps">Scene I.</span></a><a class="tag" id="tagIV_1" href="#noteIV_1">[1]</a> <i>Rome. A room in</i> <span class="charname">Antony's</span> <i>house</i><a class="tag" id="tagIV_2" href="#noteIV_2">[2]</a></h4> <p class="scenedesc"><span class="charname">Antony</span>, <span class="charname">Octavius</span>, and <span class="charname">Lepidus</span>, seated at a table</p> <div class="verse"> -<p><span class="charname">Antony.</span> These many then shall die; their names are prick'd.<a class="tag" name="tagIV_3" id="tagIV_3" href="#noteIV_3">[3]</a></p> +<p><span class="charname">Antony.</span> These many then shall die; their names are prick'd.<a class="tag" id="tagIV_3" href="#noteIV_3">[3]</a></p> </div> <div class="verse"> <p><span class="charname">Octavius.</span> Your brother too must die; consent you, Lepidus?</p> </div> -<p><span class="pagenum"><a name="Page_117" id="Page_117"></a>117</span></p> +<p><span class="pagenum"><a id="Page_117"></a>117</span></p> <div class="verse"> <p><span class="charname">Lepidus.</span> I do consent—</p> @@ -8164,19 +8206,19 @@ away, go!</p> </div> <div class="verse"> -<p><span class="charname">Lepidus.</span> Upon condition Publius<a class="tag" name="tagIV_4" id="tagIV_4" href="#noteIV_4">[4]</a> shall not live,</p> +<p><span class="charname">Lepidus.</span> Upon condition Publius<a class="tag" id="tagIV_4" href="#noteIV_4">[4]</a> shall not live,</p> <p><span class="linenum">5</span>Who is your sister's son, Mark Antony.</p> </div> <div class="verse"> -<p><span class="charname">Antony.</span> He shall not live; look, with a spot I damn him.<a class="tag" name="tagIV_5" id="tagIV_5" href="#noteIV_5">[5]</a></p> +<p><span class="charname">Antony.</span> He shall not live; look, with a spot I damn him.<a class="tag" id="tagIV_5" href="#noteIV_5">[5]</a></p> <p>But, Lepidus, go you to Cæsar's house;</p> <p>Fetch the will hither, and we shall determine</p> <p>How to cut off some charge in legacies.</p> </div> <div class="verse"> -<p><span class="linenum">10</span><span class="charname">Lepidus.</span> What,<a class="tag" name="tagIV_6" id="tagIV_6" href="#noteIV_6">[6]</a> shall I find you here?</p> +<p><span class="linenum">10</span><span class="charname">Lepidus.</span> What,<a class="tag" id="tagIV_6" href="#noteIV_6">[6]</a> shall I find you here?</p> </div> <div class="verse"> @@ -8185,7 +8227,7 @@ away, go!</p> </div> <div class="verse"> -<p><span class="charname">Antony.</span> This is a slight unmeritable<a class="tag" name="tagIV_7" id="tagIV_7" href="#noteIV_7">[7]</a> man,</p> +<p><span class="charname">Antony.</span> This is a slight unmeritable<a class="tag" id="tagIV_7" href="#noteIV_7">[7]</a> man,</p> <p>Meet to be sent on errands: is it fit,</p> <p>The three-fold world divided, he should stand</p> <p>One of the three to share it?</p> @@ -8204,12 +8246,12 @@ away, go!</p> <p><span class="linenum">20</span>To ease ourselves of divers slanderous loads,</p> <p>He shall but bear them as the ass bears gold,</p> <p>To groan and sweat under the business,</p> -<p>Either led or driven, as we point<a class="tag" name="tagIV_8" id="tagIV_8" href="#noteIV_8">[8]</a> the way;</p> +<p>Either led or driven, as we point<a class="tag" id="tagIV_8" href="#noteIV_8">[8]</a> the way;</p> <p>And having brought our treasure where we will,</p> -<p><span class="pagenum"><a name="Page_118" id="Page_118"></a>118</span></p> +<p><span class="pagenum"><a id="Page_118"></a>118</span></p> <p><span class="linenum">25</span>Then take we down his load and turn him off,</p> <p>Like to the empty ass, to shake his ears</p> -<p>And graze in commons.<a class="tag" name="tagIV_9" id="tagIV_9" href="#noteIV_9">[9]</a></p> +<p>And graze in commons.<a class="tag" id="tagIV_9" href="#noteIV_9">[9]</a></p> </div> <div class="verse"> @@ -8222,42 +8264,42 @@ away, go!</p> <p><span class="charname">Antony.</span> So is my horse, Octavius; and for that</p> <p><span class="linenum">30</span>I do appoint him store of provender:</p> <p>It is a creature that I teach to fight,</p> -<p>To wind,<a class="tag" name="tagIV_10" id="tagIV_10" href="#noteIV_10">[10]</a> to stop, to run directly on,</p> +<p>To wind,<a class="tag" id="tagIV_10" href="#noteIV_10">[10]</a> to stop, to run directly on,</p> <p>His corporal motion govern'd by my spirit.</p> -<p>And, in some taste,<a class="tag" name="tagIV_11" id="tagIV_11" href="#noteIV_11">[11]</a> is Lepidus but so;</p> +<p>And, in some taste,<a class="tag" id="tagIV_11" href="#noteIV_11">[11]</a> is Lepidus but so;</p> <p><span class="linenum">35</span>He must be taught, and train'd, and bid go forth:</p> <p>A barren-spirited fellow; one that feeds</p> -<p>On objects, arts,<a class="tag" name="tagIV_12" id="tagIV_12" href="#noteIV_12">[12]</a> and imitations,<a class="tag" name="tagIV_13" id="tagIV_13" href="#noteIV_13">[13]</a></p> -<p>Which, out of use and stal'd<a class="tag" name="tagIV_14" id="tagIV_14" href="#noteIV_14">[14]</a><a class="tag" name="tagIV_15" id="tagIV_15" href="#noteIV_15">[15]</a> by other men,</p> +<p>On objects, arts,<a class="tag" id="tagIV_12" href="#noteIV_12">[12]</a> and imitations,<a class="tag" id="tagIV_13" href="#noteIV_13">[13]</a></p> +<p>Which, out of use and stal'd<a class="tag" id="tagIV_14" href="#noteIV_14">[14]</a><a class="tag" id="tagIV_15" href="#noteIV_15">[15]</a> by other men,</p> <p>Begin his fashion: do not talk of him</p> -<p><span class="pagenum"><a name="Page_119" id="Page_119"></a>119</span></p> -<p><span class="linenum">40</span>But as a property.<a class="tag" name="tagIV_16" id="tagIV_16" href="#noteIV_16">[16]</a> And now, Octavius,</p> -<p>Listen<a class="tag" name="tagIV_17" id="tagIV_17" href="#noteIV_17">[17]</a> great things: Brutus and Cassius</p> -<p>Are levying powers: we must straight make head:<a class="tag" name="tagIV_18" id="tagIV_18" href="#noteIV_18">[18]</a></p> +<p><span class="pagenum"><a id="Page_119"></a>119</span></p> +<p><span class="linenum">40</span>But as a property.<a class="tag" id="tagIV_16" href="#noteIV_16">[16]</a> And now, Octavius,</p> +<p>Listen<a class="tag" id="tagIV_17" href="#noteIV_17">[17]</a> great things: Brutus and Cassius</p> +<p>Are levying powers: we must straight make head:<a class="tag" id="tagIV_18" href="#noteIV_18">[18]</a></p> <p>Therefore let our alliance be combin'd,</p> -<p>Our best friends made, and our best means stretch'd out;<a class="tag" name="tagIV_19" id="tagIV_19" href="#noteIV_19">[19]</a><a class="tag" name="tagIV_20" id="tagIV_20" href="#noteIV_20">[20]</a></p> -<p><span class="linenum">45</span><a name="tagIV_1_45" id="tagIV_1_45"></a>And let us presently go sit in council,</p> +<p>Our best friends made, and our best means stretch'd out;<a class="tag" id="tagIV_19" href="#noteIV_19">[19]</a><a class="tag" id="tagIV_20" href="#noteIV_20">[20]</a></p> +<p><span class="linenum">45</span><a id="tagIV_1_45"></a>And let us presently go sit in council,</p> <p>How covert matters may be best disclos'd,</p> <p>And open perils surest answered.</p> </div> <div class="verse"> <p><span class="charname">Octavius.</span> Let us do so: for we are at the stake,</p> -<p>And bay'd about<a class="tag" name="tagIV_21" id="tagIV_21" href="#noteIV_21">[21]</a> with many enemies;</p> +<p>And bay'd about<a class="tag" id="tagIV_21" href="#noteIV_21">[21]</a> with many enemies;</p> <p><span class="linenum">50</span>And some that smile have in their hearts, I fear,</p> <p>Millions of mischiefs.</p> <p class="right">[<i>Exeunt</i>]</p> </div> -<p><span class="pagenum"><a name="Page_120" id="Page_120"></a>120</span></p> +<p><span class="pagenum"><a id="Page_120"></a>120</span></p> <h4 class="scene"> -<a name="sceneIV_2" id="sceneIV_2"> +<a id="sceneIV_2"> <span class="scenenum">IV. 2</span> -<span class="smallcaps">Scene II.</span></a><a class="tag" name="tagIV_22" id="tagIV_22" href="#noteIV_22">[22]</a><a class="tag" name="tagIV_23" id="tagIV_23" href="#noteIV_23">[23]</a> <i>Before</i> <span class="charname">Brutus's</span> <i>tent, in the camp near Sardis</i></h4> +<span class="smallcaps">Scene II.</span></a><a class="tag" id="tagIV_22" href="#noteIV_22">[22]</a><a class="tag" id="tagIV_23" href="#noteIV_23">[23]</a> <i>Before</i> <span class="charname">Brutus's</span> <i>tent, in the camp near Sardis</i></h4> <p class="scenedesc">Drum. Enter <span class="charname">Brutus</span>, <span class="charname">Titinius</span>, <span class="charname">Lucius</span>, and <span class="normal">Soldiers;</span> -<span class="charname">Lucilius</span> and <span class="charname">Pindarus</span> meet them<span class="normal"><a class="tag" name="tagIV_24" id="tagIV_24" href="#noteIV_24">[24]</a></span></p> +<span class="charname">Lucilius</span> and <span class="charname">Pindarus</span> meet them<span class="normal"><a class="tag" id="tagIV_24" href="#noteIV_24">[24]</a></span></p> <div class="verse"> <p><span class="charname">Brutus.</span> Stand, ho!</p> @@ -8276,11 +8318,11 @@ away, go!</p> <p><span class="linenum">5</span>To do you salutation from his master.</p> </div> -<p class="right">[<span class="charname">Pindarus</span> <i>gives a letter to</i> <span class="charname">Brutus</span>]<a class="tag" name="tagIV_25" id="tagIV_25" href="#noteIV_25">[25]</a></p> +<p class="right">[<span class="charname">Pindarus</span> <i>gives a letter to</i> <span class="charname">Brutus</span>]<a class="tag" id="tagIV_25" href="#noteIV_25">[25]</a></p> <div class="verse"> -<p><span class="charname">Brutus.</span> He greets me well.<a class="tag" name="tagIV_26" id="tagIV_26" href="#noteIV_26">[26]</a> Your master, Pindarus,</p> -<p>In his own change,<a class="tag" name="tagIV_27" id="tagIV_27" href="#noteIV_27">[27]</a><a class="tag" name="tagIV_28" id="tagIV_28" href="#noteIV_28">[28]</a> or by ill officers,</p> +<p><span class="charname">Brutus.</span> He greets me well.<a class="tag" id="tagIV_26" href="#noteIV_26">[26]</a> Your master, Pindarus,</p> +<p>In his own change,<a class="tag" id="tagIV_27" href="#noteIV_27">[27]</a><a class="tag" id="tagIV_28" href="#noteIV_28">[28]</a> or by ill officers,</p> <p>Hath given me some worthy cause to wish</p> <p>Things done undone: but, if he be at hand,</p> <p>I shall be satisfied.</p> @@ -8292,16 +8334,16 @@ away, go!</p> <p>Such as he is, full of regard and honour.</p> </div> -<p><span class="pagenum"><a name="Page_121" id="Page_121"></a>121</span></p> +<p><span class="pagenum"><a id="Page_121"></a>121</span></p> <div class="verse"> <p><span class="charname">Brutus.</span> He is not doubted. A word, Lucilius,</p> -<p>How<a class="tag" name="tagIV_29" id="tagIV_29" href="#noteIV_29">[29]</a> he receiv'd you:<a class="tag" name="tagIV_30" id="tagIV_30" href="#noteIV_30">[30]</a><a class="tag" name="tagIV_31" id="tagIV_31" href="#noteIV_31">[31]</a> let me be resolv'd.</p> +<p>How<a class="tag" id="tagIV_29" href="#noteIV_29">[29]</a> he receiv'd you:<a class="tag" id="tagIV_30" href="#noteIV_30">[30]</a><a class="tag" id="tagIV_31" href="#noteIV_31">[31]</a> let me be resolv'd.</p> </div> <div class="verse"> <p><span class="linenum">15</span><span class="charname">Lucilius.</span> With courtesy and with respect enough;</p> -<p>But not with such familiar instances,<a class="tag" name="tagIV_32" id="tagIV_32" href="#noteIV_32">[32]</a></p> +<p>But not with such familiar instances,<a class="tag" id="tagIV_32" href="#noteIV_32">[32]</a></p> <p>Nor with such free and friendly conference,</p> <p>As he hath us'd of old.</p> </div> @@ -8313,10 +8355,10 @@ away, go!</p> <p><span class="linenum">20</span>When love begins to sicken and decay,</p> <p>It useth an enforced ceremony.</p> <p>There are no tricks in plain and simple faith:</p> -<p>But hollow men, like horses hot at hand,<a class="tag" name="tagIV_33" id="tagIV_33" href="#noteIV_33">[33]</a></p> +<p>But hollow men, like horses hot at hand,<a class="tag" id="tagIV_33" href="#noteIV_33">[33]</a></p> <p>Make gallant show and promise of their mettle;</p> <p><span class="linenum">25</span>But when they should endure the bloody spur,</p> -<p>They fall<a class="tag" name="tagIV_34" id="tagIV_34" href="#noteIV_34">[34]</a> their crests, and, like deceitful jades,<a class="tag" name="tagIV_35" id="tagIV_35" href="#noteIV_35">[35]</a></p> +<p>They fall<a class="tag" id="tagIV_34" href="#noteIV_34">[34]</a> their crests, and, like deceitful jades,<a class="tag" id="tagIV_35" href="#noteIV_35">[35]</a></p> <p>Sink in the trial. Comes his army on?</p> </div> @@ -8326,7 +8368,7 @@ away, go!</p> <p>Are come with Cassius.</p> </div> -<p class="right">[<i>Low march within</i>]<a class="tag" name="tagIV_36" id="tagIV_36" href="#noteIV_36">[36]</a></p> +<p class="right">[<i>Low march within</i>]<a class="tag" id="tagIV_36" href="#noteIV_36">[36]</a></p> <div class="verse"> <p class="float"><span class="linenum">30</span><span class="charname">Brutus.</span></p> @@ -8334,7 +8376,7 @@ away, go!</p> <p>March gently on to meet him.</p> </div> -<p><span class="pagenum"><a name="Page_122" id="Page_122"></a>122</span></p> +<p><span class="pagenum"><a id="Page_122"></a>122</span></p> <p class="entrance">Enter <span class="charname">Cassius</span> and his Powers</p> @@ -8342,7 +8384,7 @@ away, go!</p> <p><span class="charname">Brutus.</span> Stand, ho! Speak the word along.</p> -<p><span class="charname">1 Soldier.</span><a class="tag" name="tagIV_37" id="tagIV_37" href="#noteIV_37">[37]</a> Stand!</p> +<p><span class="charname">1 Soldier.</span><a class="tag" id="tagIV_37" href="#noteIV_37">[37]</a> Stand!</p> <p><span class="linenum">35</span><span class="charname">2 Soldier.</span> Stand!</p> @@ -8369,7 +8411,7 @@ away, go!</p> <p>Before the eyes of both our armies here,</p> <p>Which should perceive nothing but love from us,</p> <p><span class="linenum">45</span>Let us not wrangle: bid them move away;</p> -<p>Then in my tent, Cassius, enlarge your griefs,<a class="tag" name="tagIV_38" id="tagIV_38" href="#noteIV_38">[38]</a></p> +<p>Then in my tent, Cassius, enlarge your griefs,<a class="tag" id="tagIV_38" href="#noteIV_38">[38]</a></p> <p>And I will give you audience.</p> </div> @@ -8381,38 +8423,38 @@ away, go!</p> </div> <div class="verse"> -<p><span class="linenum">50</span><span class="charname">Brutus.</span> Lucilius,<a class="tag" name="tagIV_39" id="tagIV_39" href="#noteIV_39">[39]</a> do you the like; and let no man</p> +<p><span class="linenum">50</span><span class="charname">Brutus.</span> Lucilius,<a class="tag" id="tagIV_39" href="#noteIV_39">[39]</a> do you the like; and let no man</p> <p>Come to our tent till we have done our conference.</p> -<p>Let Lucius<a class="tag" name="tagIV_40" id="tagIV_40" href="#noteIV_40">[40]</a><a class="tag" name="tagIV_41" id="tagIV_41" href="#noteIV_41">[41]</a> and Titinius guard our<a class="tag" name="tagIV_42" id="tagIV_42" href="#noteIV_42">[42]</a> door.</p> +<p>Let Lucius<a class="tag" id="tagIV_40" href="#noteIV_40">[40]</a><a class="tag" id="tagIV_41" href="#noteIV_41">[41]</a> and Titinius guard our<a class="tag" id="tagIV_42" href="#noteIV_42">[42]</a> door.</p> </div> <p class="right">[<i>Exeunt</i>]</p> -<p><span class="pagenum"><a name="Page_123" id="Page_123"></a>123</span></p> +<p><span class="pagenum"><a id="Page_123"></a>123</span></p> <h4 class="scene"> -<a name="sceneIV_3" id="sceneIV_3"> +<a id="sceneIV_3"> <span class="scenenum">IV. 3</span> -<span class="smallcaps">Scene III.</span></a><a class="tag" name="tagIV_43" id="tagIV_43" href="#noteIV_43">[43]</a><a class="tag" name="tagIV_44" id="tagIV_44" href="#noteIV_44">[44]</a> <span class="charname">Brutus's</span> <i>tent</i><a class="tag" name="tagIV_45" id="tagIV_45" href="#noteIV_45">[45]</a></h4> +<span class="smallcaps">Scene III.</span></a><a class="tag" id="tagIV_43" href="#noteIV_43">[43]</a><a class="tag" id="tagIV_44" href="#noteIV_44">[44]</a> <span class="charname">Brutus's</span> <i>tent</i><a class="tag" id="tagIV_45" href="#noteIV_45">[45]</a></h4> -<p class="entrance">Enter <span class="charname">Brutus</span> and <span class="charname">Cassius</span><span class="normal"><a class="tag" name="tagIV_46" id="tagIV_46" href="#noteIV_46">[46]</a><a class="tag" name="tagIV_47" id="tagIV_47" href="#noteIV_47">[47]</a></span></p> +<p class="entrance">Enter <span class="charname">Brutus</span> and <span class="charname">Cassius</span><span class="normal"><a class="tag" id="tagIV_46" href="#noteIV_46">[46]</a><a class="tag" id="tagIV_47" href="#noteIV_47">[47]</a></span></p> <div class="verse"> <p><span class="charname">Cassius.</span> That you have wrong'd me doth appear in this:</p> -<p>You have condemn'd and noted<a class="tag" name="tagIV_48" id="tagIV_48" href="#noteIV_48">[48]</a> Lucius Pella</p> -<p><span class="pagenum"><a name="Page_124" id="Page_124"></a>124</span></p> -<p>For taking bribes here of the Sardians;<a class="tag" name="tagIV_49" id="tagIV_49" href="#noteIV_49">[49]</a></p> +<p>You have condemn'd and noted<a class="tag" id="tagIV_48" href="#noteIV_48">[48]</a> Lucius Pella</p> +<p><span class="pagenum"><a id="Page_124"></a>124</span></p> +<p>For taking bribes here of the Sardians;<a class="tag" id="tagIV_49" href="#noteIV_49">[49]</a></p> <p>Wherein my letters, praying on his side,</p> -<p><span class="linenum">5</span>Because I knew the man,<a class="tag" name="tagIV_50" id="tagIV_50" href="#noteIV_50">[50]</a> was<a class="tag" name="tagIV_51" id="tagIV_51" href="#noteIV_51">[51]</a> slighted off.<a class="tag" name="tagIV_52" id="tagIV_52" href="#noteIV_52">[52]</a></p> +<p><span class="linenum">5</span>Because I knew the man,<a class="tag" id="tagIV_50" href="#noteIV_50">[50]</a> was<a class="tag" id="tagIV_51" href="#noteIV_51">[51]</a> slighted off.<a class="tag" id="tagIV_52" href="#noteIV_52">[52]</a></p> </div> <div class="verse"> -<p><span class="charname">Brutus.</span> You wrong'd yourself to write<a class="tag" name="tagIV_53" id="tagIV_53" href="#noteIV_53">[53]</a> in such a case.</p> +<p><span class="charname">Brutus.</span> You wrong'd yourself to write<a class="tag" id="tagIV_53" href="#noteIV_53">[53]</a> in such a case.</p> </div> <div class="verse"> <p><span class="charname">Cassius.</span> In such a time as this it is not meet</p> -<p>That every nice<a class="tag" name="tagIV_54" id="tagIV_54" href="#noteIV_54">[54]</a> offence should bear his<a class="tag" name="tagIV_55" id="tagIV_55" href="#noteIV_55">[55]</a> comment.</p> +<p>That every nice<a class="tag" id="tagIV_54" href="#noteIV_54">[54]</a> offence should bear his<a class="tag" id="tagIV_55" href="#noteIV_55">[55]</a> comment.</p> </div> <div class="verse"> @@ -8434,39 +8476,39 @@ away, go!</p> <p>And chastisement doth therefore hide his head.</p> </div> -<p><span class="pagenum"><a name="Page_125" id="Page_125"></a>125</span></p> +<p><span class="pagenum"><a id="Page_125"></a>125</span></p> <div class="verse"> <p><span class="charname">Cassius.</span> Chastisement!</p> </div> <div class="verse"> -<p><span class="charname">Brutus.</span> Remember March, the Ides of March remember:<a class="tag" name="tagIV_56" id="tagIV_56" href="#noteIV_56">[56]</a></p> +<p><span class="charname">Brutus.</span> Remember March, the Ides of March remember:<a class="tag" id="tagIV_56" href="#noteIV_56">[56]</a></p> <p>Did not great Julius bleed for justice' sake?</p> <p><span class="linenum">20</span>What villain touch'd his body, that did stab,</p> -<p>And not for justice?<a class="tag" name="tagIV_57" id="tagIV_57" href="#noteIV_57">[57]</a> What! shall one of us,</p> +<p>And not for justice?<a class="tag" id="tagIV_57" href="#noteIV_57">[57]</a> What! shall one of us,</p> <p>That struck the foremost man of all this world</p> <p>But for supporting robbers, shall we now</p> <p>Contaminate our fingers with base bribes,</p> <p><span class="linenum">25</span>And sell the mighty space of our large honours</p> <p>For so much trash as may be grasped thus?</p> -<p>I had rather be a dog, and bay<a class="tag" name="tagIV_58" id="tagIV_58" href="#noteIV_58">[58]</a> the moon,</p> +<p>I had rather be a dog, and bay<a class="tag" id="tagIV_58" href="#noteIV_58">[58]</a> the moon,</p> <p>Than such a Roman.</p> </div> <div class="verse"> <p class="float"><span class="charname">Cassius</span>.</p> -<p class="iamb2">Brutus, bait<a class="tag" name="tagIV_59" id="tagIV_59" href="#noteIV_59">[59]</a> not me;</p> +<p class="iamb2">Brutus, bait<a class="tag" id="tagIV_59" href="#noteIV_59">[59]</a> not me;</p> <p>I'll not endure it. You forget yourself,</p> -<p><span class="linenum">30</span>To hedge me in; I<a class="tag" name="tagIV_60" id="tagIV_60" href="#noteIV_60">[60]</a> am a soldier, I,</p> -<p><span class="pagenum"><a name="Page_126" id="Page_126"></a>126</span></p> +<p><span class="linenum">30</span>To hedge me in; I<a class="tag" id="tagIV_60" href="#noteIV_60">[60]</a> am a soldier, I,</p> +<p><span class="pagenum"><a id="Page_126"></a>126</span></p> <p>Older in practice, abler than yourself</p> -<p>To make conditions.<a class="tag" name="tagIV_61" id="tagIV_61" href="#noteIV_61">[61]</a></p> +<p>To make conditions.<a class="tag" id="tagIV_61" href="#noteIV_61">[61]</a></p> </div> <div class="verse"> <p class="float"><span class="charname">Brutus.</span></p> -<p class="iamb2">Go to;<a class="tag" name="tagIV_62" id="tagIV_62" href="#noteIV_62">[62]</a><a class="tag" name="tagIV_63" id="tagIV_63" href="#noteIV_63">[63]</a> you are not, Cassius.<a class="tag" name="tagIV_64" id="tagIV_64" href="#noteIV_64">[64]</a></p> +<p class="iamb2">Go to;<a class="tag" id="tagIV_62" href="#noteIV_62">[62]</a><a class="tag" id="tagIV_63" href="#noteIV_63">[63]</a> you are not, Cassius.<a class="tag" id="tagIV_64" href="#noteIV_64">[64]</a></p> </div> <div class="verse"> @@ -8504,12 +8546,12 @@ away, go!</p> <div class="verse"> <p><span class="charname">Brutus.</span> All this! ay, more: fret till your proud heart break;</p> <p>Go show your slaves how choleric you are,</p> -<p>And make your bondmen tremble. Must I budge?<a class="tag" name="tagIV_65" id="tagIV_65" href="#noteIV_65">[65]</a></p> -<p><span class="linenum">45</span>Must I observe<a class="tag" name="tagIV_66" id="tagIV_66" href="#noteIV_66">[66]</a> you? must I stand and crouch</p> +<p>And make your bondmen tremble. Must I budge?<a class="tag" id="tagIV_65" href="#noteIV_65">[65]</a></p> +<p><span class="linenum">45</span>Must I observe<a class="tag" id="tagIV_66" href="#noteIV_66">[66]</a> you? must I stand and crouch</p> <p>Under your testy humour? By the gods,</p> -<p>You shall digest the venom of your spleen,<a class="tag" name="tagIV_67" id="tagIV_67" href="#noteIV_67">[67]</a></p> -<p>Though<a class="tag" name="tagIV_68" id="tagIV_68" href="#noteIV_68">[68]</a> it do split you; for, from this day forth,</p> -<p><span class="pagenum"><a name="Page_127" id="Page_127"></a>127</span></p> +<p>You shall digest the venom of your spleen,<a class="tag" id="tagIV_67" href="#noteIV_67">[67]</a></p> +<p>Though<a class="tag" id="tagIV_68" href="#noteIV_68">[68]</a> it do split you; for, from this day forth,</p> +<p><span class="pagenum"><a id="Page_127"></a>127</span></p> <p>I'll use you for my mirth, yea, for my laughter,</p> <p>When you are waspish.</p> </div> @@ -8520,14 +8562,14 @@ away, go!</p> </div> <div class="verse"> -<p><span class="charname">Brutus.</span> You say you are a better soldier:<a class="tag" name="tagIV_69" id="tagIV_69" href="#noteIV_69">[69]</a></p> +<p><span class="charname">Brutus.</span> You say you are a better soldier:<a class="tag" id="tagIV_69" href="#noteIV_69">[69]</a></p> <p>Let it appear so; make your vaunting true,</p> <p>And it shall please me well: for mine own part,</p> -<p>I shall be glad to learn of noble<a class="tag" name="tagIV_70" id="tagIV_70" href="#noteIV_70">[70]</a> men.</p> +<p>I shall be glad to learn of noble<a class="tag" id="tagIV_70" href="#noteIV_70">[70]</a> men.</p> </div> <div class="verse"> -<p><span class="linenum">55</span><span class="charname">Cassius.</span><a class="tag" name="tagIV_71" id="tagIV_71" href="#noteIV_71">[71]</a> You wrong me every way; you wrong me, Brutus;</p> +<p><span class="linenum">55</span><span class="charname">Cassius.</span><a class="tag" id="tagIV_71" href="#noteIV_71">[71]</a> You wrong me every way; you wrong me, Brutus;</p> <p>I said an elder soldier, not a better:</p> <p>Did I say 'better'?</p> </div> @@ -8570,7 +8612,7 @@ away, go!</p> <div class="verse"> <p><span class="linenum">65</span><span class="charname">Brutus.</span> You have done that you should be sorry for.</p> <p>There is no terror, Cassius, in your threats;</p> -<p><span class="pagenum"><a name="Page_128" id="Page_128"></a>128</span></p> +<p><span class="pagenum"><a id="Page_128"></a>128</span></p> <p>For I am arm'd so strong in honesty,</p> <p>That they pass by me as the idle wind,</p> <p>Which I respect not. I did send to you</p> @@ -8579,21 +8621,21 @@ away, go!</p> <p>By heaven, I had rather coin my heart,</p> <p>And drop my blood for drachmas, than to wring</p> <p>From the hard hands of peasants their vile trash</p> -<p><span class="linenum">75</span>By any indirection.<a class="tag" name="tagIV_72" id="tagIV_72" href="#noteIV_72">[72]</a> I did send</p> +<p><span class="linenum">75</span>By any indirection.<a class="tag" id="tagIV_72" href="#noteIV_72">[72]</a> I did send</p> <p>To you for gold to pay my legions,</p> <p>Which you denied me. Was that done like Cassius?</p> <p>Should I have answer'd Caius Cassius so?</p> <p>When Marcus Brutus grows so covetous,</p> -<p><span class="linenum">80</span>To<a class="tag" name="tagIV_73" id="tagIV_73" href="#noteIV_73">[73]</a> lock such rascal counters<a class="tag" name="tagIV_74" id="tagIV_74" href="#noteIV_74">[74]</a> from his friends,</p> +<p><span class="linenum">80</span>To<a class="tag" id="tagIV_73" href="#noteIV_73">[73]</a> lock such rascal counters<a class="tag" id="tagIV_74" href="#noteIV_74">[74]</a> from his friends,</p> <p>Be ready, gods, with all your thunderbolts,</p> <p>Dash him to pieces!</p> </div> -<p><span class="pagenum"><a name="Page_129" id="Page_129"></a>129</span></p> +<p><span class="pagenum"><a id="Page_129"></a>129</span></p> <div class="verse"> <p class="float"><span class="charname">Cassius.</span></p> -<p class="iamb2">I denied you not.<a class="tag" name="tagIV_75" id="tagIV_75" href="#noteIV_75">[75]</a></p> +<p class="iamb2">I denied you not.<a class="tag" id="tagIV_75" href="#noteIV_75">[75]</a></p> </div> <div class="verse"> @@ -8601,7 +8643,7 @@ away, go!</p> </div> <div class="verse"> -<p><span class="charname">Cassius.</span> I did not: he was but a fool that brought<a class="tag" name="tagIV_76" id="tagIV_76" href="#noteIV_76">[76]</a></p> +<p><span class="charname">Cassius.</span> I did not: he was but a fool that brought<a class="tag" id="tagIV_76" href="#noteIV_76">[76]</a></p> <p><span class="linenum">85</span>My answer back. Brutus hath riv'd my heart:</p> <p>A friend should bear his friend's infirmities,</p> <p>But Brutus makes mine greater than they are.</p> @@ -8633,14 +8675,14 @@ away, go!</p> <p><span class="charname">Cassius.</span> Come, Antony, and young Octavius, come,</p> <p>Revenge yourselves alone on Cassius,</p> <p><span class="linenum">95</span>For Cassius is a-weary of the world;</p> -<p>Hated by one he loves; brav'd<a class="tag" name="tagIV_77" id="tagIV_77" href="#noteIV_77">[77]</a> by his brother;</p> +<p>Hated by one he loves; brav'd<a class="tag" id="tagIV_77" href="#noteIV_77">[77]</a> by his brother;</p> <p>Check'd like a bondman; all his faults observ'd,</p> <p>Set in a note-book, learn'd, and conn'd by rote,</p> <p>To cast into my teeth. O, I could weep</p> <p><span class="linenum">100</span>My spirit from mine eyes! There is my dagger,</p> <p>And here my naked breast; within, a heart</p> -<p><span class="pagenum"><a name="Page_130" id="Page_130"></a>130</span></p> -<p>Dearer than Plutus'<a class="tag" name="tagIV_78" id="tagIV_78" href="#noteIV_78">[78]</a><a class="tag" name="tagIV_79" id="tagIV_79" href="#noteIV_79">[79]</a> mine, richer than gold:</p> +<p><span class="pagenum"><a id="Page_130"></a>130</span></p> +<p>Dearer than Plutus'<a class="tag" id="tagIV_78" href="#noteIV_78">[78]</a><a class="tag" id="tagIV_79" href="#noteIV_79">[79]</a> mine, richer than gold:</p> <p>If that thou be'st a Roman, take it forth;</p> <p>I, that denied thee gold, will give my heart:</p> <p><span class="linenum">105</span>Strike, as thou didst at Cæsar; for I know,</p> @@ -8652,9 +8694,9 @@ away, go!</p> <p class="float"><span class="charname">Brutus.</span></p> <p class="iamb3">Sheathe your dagger:</p> <p>Be angry when you will, it shall have scope;</p> -<p>Do what you will, dishonour shall be humour.<a class="tag" name="tagIV_80" id="tagIV_80" href="#noteIV_80">[80]</a><a class="tag" name="tagIV_81" id="tagIV_81" href="#noteIV_81">[81]</a></p> +<p>Do what you will, dishonour shall be humour.<a class="tag" id="tagIV_80" href="#noteIV_80">[80]</a><a class="tag" id="tagIV_81" href="#noteIV_81">[81]</a></p> <p><span class="linenum">110</span>O Cassius, you are yoked with a lamb</p> -<p>That carries anger as the flint bears fire;<a class="tag" name="tagIV_82" id="tagIV_82" href="#noteIV_82">[82]</a></p> +<p>That carries anger as the flint bears fire;<a class="tag" id="tagIV_82" href="#noteIV_82">[82]</a></p> <p>Who, much enforced, shows a hasty spark,</p> <p>And straight is cold again.</p> </div> @@ -8688,7 +8730,7 @@ away, go!</p> <p class="iamb4">What's the matter?</p> </div> -<p><span class="pagenum"><a name="Page_131" id="Page_131"></a>131</span></p> +<p><span class="pagenum"><a id="Page_131"></a>131</span></p> <div class="verse"> <p><span class="charname">Cassius.</span> Have not you love enough to bear with me,</p> @@ -8700,11 +8742,11 @@ away, go!</p> <p class="float"><span class="charname">Brutus.</span></p> <p class="iamb2">Yes, Cassius; and from henceforth,</p> <p>When you are over-earnest with your Brutus,</p> -<p>He'll think your mother chides, and leave you so.<a class="tag" name="tagIV_83" id="tagIV_83" href="#noteIV_83">[83]</a></p> +<p>He'll think your mother chides, and leave you so.<a class="tag" id="tagIV_83" href="#noteIV_83">[83]</a></p> </div> <div class="verse"> -<p><span class="charname">Poet.</span> [<i>Within</i>]<a class="tag" name="tagIV_84" id="tagIV_84" href="#noteIV_84">[84]</a> Let me go in to see the generals;</p> +<p><span class="charname">Poet.</span> [<i>Within</i>]<a class="tag" id="tagIV_84" href="#noteIV_84">[84]</a> Let me go in to see the generals;</p> <p><span class="linenum">125</span>There is some grudge between 'em; 'tis not meet</p> <p>They be alone.</p> </div> @@ -8717,23 +8759,23 @@ away, go!</p> <p><span class="charname">Poet.</span> [<i>Within</i>] Nothing but death shall stay me.</p> </div> -<p class="entrance">Enter <span class="normal">Poet</span>, followed by <span class="charname">Lucilius</span>, <span class="charname">Titinius</span>, and <span class="charname">Lucius</span> <span class="normal"><a class="tag" name="tagIV_85" id="tagIV_85" href="#noteIV_85">[85]</a></span></p> +<p class="entrance">Enter <span class="normal">Poet</span>, followed by <span class="charname">Lucilius</span>, <span class="charname">Titinius</span>, and <span class="charname">Lucius</span> <span class="normal"><a class="tag" id="tagIV_85" href="#noteIV_85">[85]</a></span></p> <div class="verse"> <p><span class="charname">Cassius.</span> How now! what's the matter?</p> </div> <div class="verse"> -<p><span class="linenum">130</span><span class="charname">Poet.</span><a class="tag" name="tagIV_86" id="tagIV_86" href="#noteIV_86">[86]</a> For shame, you generals! what do you mean?</p> +<p><span class="linenum">130</span><span class="charname">Poet.</span><a class="tag" id="tagIV_86" href="#noteIV_86">[86]</a> For shame, you generals! what do you mean?</p> <p>Love, and be friends, as two such men should be;</p> <p>For I have seen more years, I'm sure, than ye.</p> </div> <div class="verse"> -<p><span class="charname">Cassius.</span> Ha, ha! how vilely<a class="tag" name="tagIV_87" id="tagIV_87" href="#noteIV_87">[87]</a> doth<a class="tag" name="tagIV_88" id="tagIV_88" href="#noteIV_88">[88]</a> this cynic rhyme!</p> +<p><span class="charname">Cassius.</span> Ha, ha! how vilely<a class="tag" id="tagIV_87" href="#noteIV_87">[87]</a> doth<a class="tag" id="tagIV_88" href="#noteIV_88">[88]</a> this cynic rhyme!</p> </div> -<p><span class="pagenum"><a name="Page_132" id="Page_132"></a>132</span></p> +<p><span class="pagenum"><a id="Page_132"></a>132</span></p> <div class="verse"> <p><span class="charname">Brutus.</span> Get you hence, sirrah; saucy fellow, hence!</p> @@ -8745,8 +8787,8 @@ away, go!</p> <div class="verse"> <p><span class="charname">Brutus.</span> I'll know his humour, when he knows his time:</p> -<p>What should the wars do with these jigging<a class="tag" name="tagIV_89" id="tagIV_89" href="#noteIV_89">[89]</a> fools?</p> -<p>Companion,<a class="tag" name="tagIV_90" id="tagIV_90" href="#noteIV_90">[90]</a> hence!</p> +<p>What should the wars do with these jigging<a class="tag" id="tagIV_89" href="#noteIV_89">[89]</a> fools?</p> +<p>Companion,<a class="tag" id="tagIV_90" href="#noteIV_90">[90]</a> hence!</p> </div> <div class="verse"> @@ -8754,7 +8796,7 @@ away, go!</p> <p class="iamb2">Away, away, be gone!</p> </div> -<p class="right">[<i>Exit</i> Poet]<a class="tag" name="tagIV_91" id="tagIV_91" href="#noteIV_91">[91]</a><a class="tag" name="tagIV_92" id="tagIV_92" href="#noteIV_92">[92]</a></p> +<p class="right">[<i>Exit</i> Poet]<a class="tag" id="tagIV_91" href="#noteIV_91">[91]</a><a class="tag" id="tagIV_92" href="#noteIV_92">[92]</a></p> <div class="verse"> <p><span class="charname">Brutus.</span> Lucilius and Titinius, bid the commanders</p> @@ -8766,14 +8808,14 @@ away, go!</p> <p>Immediately to us.</p> </div> -<p class="right">[<i>Exeunt</i><a class="tag" name="tagIV_93" id="tagIV_93" href="#noteIV_93">[93]</a> <span class="charname">Lucilius</span> <i>and</i> <span class="charname">Titinius</span>]</p> +<p class="right">[<i>Exeunt</i><a class="tag" id="tagIV_93" href="#noteIV_93">[93]</a> <span class="charname">Lucilius</span> <i>and</i> <span class="charname">Titinius</span>]</p> <div class="verse"> <p class="float"><span class="charname">Brutus.</span></p> <p class="iamb2">Lucius, a bowl of wine!</p> </div> -<p class="right">[<i>Exit</i><a class="tag" name="tagIV_94" id="tagIV_94" href="#noteIV_94">[94]</a> <span class="charname">Lucius</span>]</p> +<p class="right">[<i>Exit</i><a class="tag" id="tagIV_94" href="#noteIV_94">[94]</a> <span class="charname">Lucius</span>]</p> <div class="verse"> <p><span class="charname">Cassius.</span> I did not think you could have been so angry.</p> @@ -8784,11 +8826,11 @@ away, go!</p> </div> <div class="verse"> -<p><span class="linenum">145</span><span class="charname">Cassius.</span><a class="tag" name="tagIV_95" id="tagIV_95" href="#noteIV_95">[95]</a> Of your philosophy you make no use,</p> +<p><span class="linenum">145</span><span class="charname">Cassius.</span><a class="tag" id="tagIV_95" href="#noteIV_95">[95]</a> Of your philosophy you make no use,</p> <p>If you give place to accidental evils.</p> </div> -<p><span class="pagenum"><a name="Page_133" id="Page_133"></a>133</span></p> +<p><span class="pagenum"><a id="Page_133"></a>133</span></p> <div class="verse"> <p><span class="charname">Brutus.</span> No man bears sorrow better. Portia is dead.</p> @@ -8810,11 +8852,11 @@ away, go!</p> <div class="verse"> <p class="float"><span class="charname">Brutus.</span></p> -<p class="iamb2">Impatient<a class="tag" name="tagIV_96" id="tagIV_96" href="#noteIV_96">[96]</a> of my absence,</p> +<p class="iamb2">Impatient<a class="tag" id="tagIV_96" href="#noteIV_96">[96]</a> of my absence,</p> <p>And grief that young Octavius with Mark Antony</p> <p>Have made themselves so strong,—for with her death</p> -<p><span class="linenum">155</span>That tidings came,—with this she fell distract,<a class="tag" name="tagIV_97" id="tagIV_97" href="#noteIV_97">[97]</a></p> -<p>And, her attendants absent, swallow'd fire.<a class="tag" name="tagIV_98" id="tagIV_98" href="#noteIV_98">[98]</a></p> +<p><span class="linenum">155</span>That tidings came,—with this she fell distract,<a class="tag" id="tagIV_97" href="#noteIV_97">[97]</a></p> +<p>And, her attendants absent, swallow'd fire.<a class="tag" id="tagIV_98" href="#noteIV_98">[98]</a></p> </div> <div class="verse"> @@ -8831,9 +8873,9 @@ away, go!</p> <p class="iamb4">O ye immortal gods!</p> </div> -<p><span class="pagenum"><a name="Page_134" id="Page_134"></a>134</span></p> +<p><span class="pagenum"><a id="Page_134"></a>134</span></p> -<p class="entrance">Re-enter <span class="charname">Lucius</span>, with wine and taper<span class="normal"><a class="tag" name="tagIV_99" id="tagIV_99" href="#noteIV_99">[99]</a></span></p> +<p class="entrance">Re-enter <span class="charname">Lucius</span>, with wine and taper<span class="normal"><a class="tag" id="tagIV_99" href="#noteIV_99">[99]</a></span></p> <div class="verse"> <p><span class="charname">Brutus.</span> Speak no more of her. Give me a bowl of wine.</p> @@ -8848,20 +8890,20 @@ away, go!</p> <p>I cannot drink too much of Brutus' love.</p> </div> -<p class="right">[<i>Drinks</i>]<a class="tag" name="tagIV_100" id="tagIV_100" href="#noteIV_100">[100]</a></p> +<p class="right">[<i>Drinks</i>]<a class="tag" id="tagIV_100" href="#noteIV_100">[100]</a></p> <div class="verse"> <p><span class="charname">Brutus.</span> Come in, Titinius!</p> </div> -<p class="right">[<i>Exit</i> <span class="charname">Lucius</span>]<a class="tag" name="tagIV_101" id="tagIV_101" href="#noteIV_101">[101]</a></p> +<p class="right">[<i>Exit</i> <span class="charname">Lucius</span>]<a class="tag" id="tagIV_101" href="#noteIV_101">[101]</a></p> -<p class="entrance">Re-enter<span class="normal"><a class="tag" name="tagIV_102" id="tagIV_102" href="#noteIV_102">[102]</a></span> <span class="charname">Titinius</span>, with <span class="charname">Messala</span><span class="normal"><a class="tag" name="tagIV_103" id="tagIV_103" href="#noteIV_103">[103]</a></span></p> +<p class="entrance">Re-enter<span class="normal"><a class="tag" id="tagIV_102" href="#noteIV_102">[102]</a></span> <span class="charname">Titinius</span>, with <span class="charname">Messala</span><span class="normal"><a class="tag" id="tagIV_103" href="#noteIV_103">[103]</a></span></p> <div class="verse"> <p class="iamb3">Welcome, good Messala.</p> <p>Now sit we close about this taper here,</p> -<p><span class="linenum">165</span>And call in question<a class="tag" name="tagIV_104" id="tagIV_104" href="#noteIV_104">[104]</a> our necessities.</p> +<p><span class="linenum">165</span>And call in question<a class="tag" id="tagIV_104" href="#noteIV_104">[104]</a> our necessities.</p> </div> <div class="verse"> @@ -8874,11 +8916,11 @@ away, go!</p> <p>Messala, I have here received letters,</p> <p>That young Octavius and Mark Antony</p> <p>Come down upon us with a mighty power,</p> -<p><span class="linenum">170</span>Bending their expedition<a class="tag" name="tagIV_105" id="tagIV_105" href="#noteIV_105">[105]</a> toward Philippi.</p> +<p><span class="linenum">170</span>Bending their expedition<a class="tag" id="tagIV_105" href="#noteIV_105">[105]</a> toward Philippi.</p> </div> <div class="verse"> -<p><span class="charname">Messala.</span> Myself have letters of the selfsame tenour.<a class="tag" name="tagIV_106" id="tagIV_106" href="#noteIV_106">[106]</a></p> +<p><span class="charname">Messala.</span> Myself have letters of the selfsame tenour.<a class="tag" id="tagIV_106" href="#noteIV_106">[106]</a></p> </div> <div class="verse"> @@ -8886,8 +8928,8 @@ away, go!</p> </div> <div class="verse"> -<p><span class="charname">Messala.</span> That by proscription and bills of outlawry,<a class="tag" name="tagIV_107" id="tagIV_107" href="#noteIV_107">[107]</a></p> -<p><span class="pagenum"><a name="Page_135" id="Page_135"></a>135</span></p> +<p><span class="charname">Messala.</span> That by proscription and bills of outlawry,<a class="tag" id="tagIV_107" href="#noteIV_107">[107]</a></p> +<p><span class="pagenum"><a id="Page_135"></a>135</span></p> <p>Octavius, Antony, and Lepidus,</p> <p><span class="linenum">175</span>Have put to death an hundred senators.</p> </div> @@ -8895,7 +8937,7 @@ away, go!</p> <div class="verse"> <p><span class="charname">Brutus.</span> Therein our letters do not well agree;</p> <p>Mine speak of seventy senators that died</p> -<p><a name="tagIV_3_178" id="tagIV_3_178"></a>By their proscriptions, Cicero being one.</p> +<p><a id="tagIV_3_178"></a>By their proscriptions, Cicero being one.</p> </div> <div class="verse"> @@ -8904,8 +8946,8 @@ away, go!</p> <div class="verse"> <p class="float"><span class="charname">Messala.</span></p> -<p class="iamb2">Cicero is dead,<a class="tag" name="tagIV_108" id="tagIV_108" href="#noteIV_108">[108]</a></p> -<p><span class="linenum">180</span>And by that order of proscription<a class="tag" name="tagIV_109" id="tagIV_109" href="#noteIV_109">[109]</a></p> +<p class="iamb2">Cicero is dead,<a class="tag" id="tagIV_108" href="#noteIV_108">[108]</a></p> +<p><span class="linenum">180</span>And by that order of proscription<a class="tag" id="tagIV_109" href="#noteIV_109">[109]</a></p> <p>Had you your letters from your wife, my lord?</p> </div> @@ -8914,11 +8956,11 @@ away, go!</p> </div> <div class="verse"> -<p><span class="charname">Messala.</span> Nor nothing in your letters writ<a class="tag" name="tagIV_110" id="tagIV_110" href="#noteIV_110">[110]</a> of her?</p> +<p><span class="charname">Messala.</span> Nor nothing in your letters writ<a class="tag" id="tagIV_110" href="#noteIV_110">[110]</a> of her?</p> </div> <div class="verse"> -<p><span class="charname">Brutus.</span> Nothing, Messala.<a class="tag" name="tagIV_111" id="tagIV_111" href="#noteIV_111">[111]</a></p> +<p><span class="charname">Brutus.</span> Nothing, Messala.<a class="tag" id="tagIV_111" href="#noteIV_111">[111]</a></p> </div> <div class="verse"> @@ -8927,7 +8969,7 @@ away, go!</p> </div> <div class="verse"> -<p><span class="linenum">185</span><span class="charname">Brutus.</span><a class="tag" name="tagIV_112" id="tagIV_112" href="#noteIV_112">[112]</a> Why ask you? hear you aught<a class="tag" name="tagIV_113" id="tagIV_113" href="#noteIV_113">[113]</a> of her in yours?</p> +<p><span class="linenum">185</span><span class="charname">Brutus.</span><a class="tag" id="tagIV_112" href="#noteIV_112">[112]</a> Why ask you? hear you aught<a class="tag" id="tagIV_113" href="#noteIV_113">[113]</a> of her in yours?</p> </div> <div class="verse"> @@ -8943,11 +8985,11 @@ away, go!</p> <p>For certain she is dead, and by strange manner.</p> </div> -<p><span class="pagenum"><a name="Page_136" id="Page_136"></a>136</span></p> +<p><span class="pagenum"><a id="Page_136"></a>136</span></p> <div class="verse"> <p><span class="linenum">190</span><span class="charname">Brutus.</span> Why, farewell, Portia. We must die, Messala:</p> -<p>With meditating that she must die once,<a class="tag" name="tagIV_114" id="tagIV_114" href="#noteIV_114">[114]</a></p> +<p>With meditating that she must die once,<a class="tag" id="tagIV_114" href="#noteIV_114">[114]</a></p> <p>I have the patience to endure it now.</p> </div> @@ -8956,13 +8998,13 @@ away, go!</p> </div> <div class="verse"> -<p><span class="charname">Cassius.</span> I have as much of this in art<a class="tag" name="tagIV_115" id="tagIV_115" href="#noteIV_115">[115]</a> as you,</p> +<p><span class="charname">Cassius.</span> I have as much of this in art<a class="tag" id="tagIV_115" href="#noteIV_115">[115]</a> as you,</p> <p><span class="linenum">195</span>But yet my nature could not bear it so.</p> </div> <div class="verse"> -<p><span class="charname">Brutus.</span> Well, to our work alive.<a class="tag" name="tagIV_116" id="tagIV_116" href="#noteIV_116">[116]</a> What do you think</p> -<p>Of marching to Philippi presently?<a class="tag" name="tagIV_117" id="tagIV_117" href="#noteIV_117">[117]</a></p> +<p><span class="charname">Brutus.</span> Well, to our work alive.<a class="tag" id="tagIV_116" href="#noteIV_116">[116]</a> What do you think</p> +<p>Of marching to Philippi presently?<a class="tag" id="tagIV_117" href="#noteIV_117">[117]</a></p> </div> <div class="verse"> @@ -8984,14 +9026,14 @@ away, go!</p> </div> <div class="verse"> -<p><span class="charname">Brutus.</span> Good reasons must of force<a class="tag" name="tagIV_118" id="tagIV_118" href="#noteIV_118">[118]</a> give place to better.</p> -<p><span class="pagenum"><a name="Page_137" id="Page_137"></a>137</span></p> +<p><span class="charname">Brutus.</span> Good reasons must of force<a class="tag" id="tagIV_118" href="#noteIV_118">[118]</a> give place to better.</p> +<p><span class="pagenum"><a id="Page_137"></a>137</span></p> <p>The people 'twixt Philippi and this ground</p> <p><span class="linenum">205</span>Do stand but in a forc'd affection,</p> <p>For they have grudg'd us contribution:</p> <p>The enemy, marching along by them,</p> <p>By them shall make a fuller number up,</p> -<p>Come on refresh'd, new-added,<a class="tag" name="tagIV_119" id="tagIV_119" href="#noteIV_119">[119]</a><a class="tag" name="tagIV_120" id="tagIV_120" href="#noteIV_120">[120]</a> and encourag'd;</p> +<p>Come on refresh'd, new-added,<a class="tag" id="tagIV_119" href="#noteIV_119">[119]</a><a class="tag" id="tagIV_120" href="#noteIV_120">[120]</a> and encourag'd;</p> <p><span class="linenum">210</span>From which advantage shall we cut him off</p> <p>If at Philippi we do face him there,</p> <p>These people at our back.</p> @@ -9011,13 +9053,13 @@ away, go!</p> <p>There is a tide in the affairs of men,</p> <p>Which, taken at the flood, leads on to fortune;</p> <p><span class="linenum">220</span>Omitted, all the voyage of their life</p> -<p>Is bound in shallows and in miseries.<a class="tag" name="tagIV_121" id="tagIV_121" href="#noteIV_121">[121]</a></p> +<p>Is bound in shallows and in miseries.<a class="tag" id="tagIV_121" href="#noteIV_121">[121]</a></p> <p>On such a full sea are we now afloat;</p> <p>And we must take the current when it serves,</p> -<p>Or lose<a class="tag" name="tagIV_122" id="tagIV_122" href="#noteIV_122">[122]</a> our ventures.<a class="tag" name="tagIV_123" id="tagIV_123" href="#noteIV_123">[123]</a></p> +<p>Or lose<a class="tag" id="tagIV_122" href="#noteIV_122">[122]</a> our ventures.<a class="tag" id="tagIV_123" href="#noteIV_123">[123]</a></p> </div> -<p><span class="pagenum"><a name="Page_138" id="Page_138"></a>138</span></p> +<p><span class="pagenum"><a id="Page_138"></a>138</span></p> <div class="verse"> <p class="float"><span class="charname">Cassius.</span></p> @@ -9028,7 +9070,7 @@ away, go!</p> <div class="verse"> <p><span class="charname">Brutus.</span> The deep of night is crept upon our talk,</p> <p>And nature must obey necessity;</p> -<p>Which we will niggard<a class="tag" name="tagIV_124" id="tagIV_124" href="#noteIV_124">[124]</a> with a little rest.</p> +<p>Which we will niggard<a class="tag" id="tagIV_124" href="#noteIV_124">[124]</a> with a little rest.</p> <p>There is no more to say?</p> </div> @@ -9039,8 +9081,8 @@ away, go!</p> </div> <div class="verse"> -<p><span class="charname">Brutus.</span> Lucius! [<i>Re-enter</i> <span class="charname">Lucius</span>]<a class="tag" name="tagIV_125" id="tagIV_125" href="#noteIV_125">[125]</a> My gown.</p> -<p class="iamb2">[<i>Exit</i> <span class="charname">Lucius</span>].<a class="tag" name="tagIV_126" id="tagIV_126" href="#noteIV_126">[126]</a> Farewell, good Messala:</p> +<p><span class="charname">Brutus.</span> Lucius! [<i>Re-enter</i> <span class="charname">Lucius</span>]<a class="tag" id="tagIV_125" href="#noteIV_125">[125]</a> My gown.</p> +<p class="iamb2">[<i>Exit</i> <span class="charname">Lucius</span>].<a class="tag" id="tagIV_126" href="#noteIV_126">[126]</a> Farewell, good Messala:</p> <p>Good night, Titinius: noble, noble Cassius,</p> <p>Good night, and good repose.</p> </div> @@ -9067,7 +9109,7 @@ away, go!</p> <p class="iamb3">Good night, good brother.</p> </div> -<table summary="two-speaker line 1" class="double"> +<table class="double"> <tr> <td class="speakers"> <p><span class="charname">Titinius.</span></p> @@ -9084,11 +9126,11 @@ away, go!</p> <p class="iamb4">Farewell, every one.</p> </div> -<p class="right">[<i>Exeunt</i> <span class="charname">Cassius</span>, <span class="charname">Titinius</span>, <i>and</i> <span class="charname">Messala</span>]<a class="tag" name="tagIV_127" id="tagIV_127" href="#noteIV_127">[127]</a></p> +<p class="right">[<i>Exeunt</i> <span class="charname">Cassius</span>, <span class="charname">Titinius</span>, <i>and</i> <span class="charname">Messala</span>]<a class="tag" id="tagIV_127" href="#noteIV_127">[127]</a></p> -<p><span class="pagenum"><a name="Page_139" id="Page_139"></a>139</span></p> +<p><span class="pagenum"><a id="Page_139"></a>139</span></p> -<p class="entrance">Re-enter <span class="charname">Lucius</span>, with the gown<span class="normal"><a class="tag" name="tagIV_128" id="tagIV_128" href="#noteIV_128">[128]</a></span></p> +<p class="entrance">Re-enter <span class="charname">Lucius</span>, with the gown<span class="normal"><a class="tag" id="tagIV_128" href="#noteIV_128">[128]</a></span></p> <div class="verse"> <p>Give me the gown. Where is thy instrument?</p> @@ -9101,16 +9143,16 @@ away, go!</p> <div class="verse"> <p class="float"><span class="linenum">240</span><span class="charname">Brutus.</span></p> <p class="iamb2">What, thou speak'st drowsily?</p> -<p>Poor knave,<a class="tag" name="tagIV_129" id="tagIV_129" href="#noteIV_129">[129]</a> I blame thee not; thou art o'er-watch'd.<a class="tag" name="tagIV_130" id="tagIV_130" href="#noteIV_130">[130]</a></p> -<p>Call Claudius<a class="tag" name="tagIV_131" id="tagIV_131" href="#noteIV_131">[131]</a> and some other of my men;</p> +<p>Poor knave,<a class="tag" id="tagIV_129" href="#noteIV_129">[129]</a> I blame thee not; thou art o'er-watch'd.<a class="tag" id="tagIV_130" href="#noteIV_130">[130]</a></p> +<p>Call Claudius<a class="tag" id="tagIV_131" href="#noteIV_131">[131]</a> and some other of my men;</p> <p>I'll have them sleep on cushions in my tent.</p> </div> <div class="verse"> -<p><span class="charname">Lucius.</span> Varro<a class="tag" name="tagIV_132" id="tagIV_132" href="#noteIV_132">[132]</a> and Claudius!</p> +<p><span class="charname">Lucius.</span> Varro<a class="tag" id="tagIV_132" href="#noteIV_132">[132]</a> and Claudius!</p> </div> -<p class="entrance">Enter <span class="charname">Varro</span> and <span class="charname">Claudius</span><span class="normal"><a class="tag" name="tagIV_133" id="tagIV_133" href="#noteIV_133">[133]</a></span></p> +<p class="entrance">Enter <span class="charname">Varro</span> and <span class="charname">Claudius</span><span class="normal"><a class="tag" id="tagIV_133" href="#noteIV_133">[133]</a></span></p> <div class="verse"> <p><span class="linenum">245</span><span class="charname">Varro.</span> Calls my lord?</p> @@ -9129,15 +9171,15 @@ away, go!</p> <div class="verse"> <p><span class="linenum">250</span><span class="charname">Brutus.</span> I will not have it so: lie down, good sirs;</p> <p>It may be I shall otherwise bethink me.</p> -<p><a name="tagIV_3_252" id="tagIV_3_252"></a>Look, Lucius, here's the book I sought for so;</p> -<p>I put it in the pocket of my gown.<a class="tag" name="tagIV_134" id="tagIV_134" href="#noteIV_134">[134]</a></p> +<p><a id="tagIV_3_252"></a>Look, Lucius, here's the book I sought for so;</p> +<p>I put it in the pocket of my gown.<a class="tag" id="tagIV_134" href="#noteIV_134">[134]</a></p> </div> <div class="verse"> -<p class="right">[<span class="charname">Varro</span> <i>and</i> <span class="charname">Claudius</span> <i>lie down</i>]<a class="tag" name="tagIV_135" id="tagIV_135" href="#noteIV_135">[135]</a></p> +<p class="right">[<span class="charname">Varro</span> <i>and</i> <span class="charname">Claudius</span> <i>lie down</i>]<a class="tag" id="tagIV_135" href="#noteIV_135">[135]</a></p> </div> -<p><span class="pagenum"><a name="Page_140" id="Page_140"></a>140</span></p> +<p><span class="pagenum"><a id="Page_140"></a>140</span></p> <div class="verse"> <p><span class="charname">Lucius.</span> I was sure your lordship did not give it me.</p> @@ -9165,7 +9207,7 @@ away, go!</p> <div class="verse"> <p><span class="charname">Brutus.</span> I should not urge thy duty past thy might;</p> -<p>I know young bloods<a class="tag" name="tagIV_136" id="tagIV_136" href="#noteIV_136">[136]</a> look for a time of rest.</p> +<p>I know young bloods<a class="tag" id="tagIV_136" href="#noteIV_136">[136]</a> look for a time of rest.</p> </div> <div class="verse"> @@ -9180,34 +9222,34 @@ away, go!</p> <p class="right">[<i>Music, and a song</i>]</p> -<p><span class="pagenum"><a name="Page_141" id="Page_141"></a>141</span></p> +<p><span class="pagenum"><a id="Page_141"></a>141</span></p> <div class="verse"> -<p>This is a sleepy tune. O murderous slumber,<a class="tag" name="tagIV_137" id="tagIV_137" href="#noteIV_137">[137]</a><a class="tag" name="tagIV_138" id="tagIV_138" href="#noteIV_138">[138]</a></p> -<p>Lay'st thou thy leaden mace<a class="tag" name="tagIV_139" id="tagIV_139" href="#noteIV_139">[139]</a> upon my boy,</p> -<p>That plays thee music?<a class="tag" name="tagIV_140" id="tagIV_140" href="#noteIV_140">[140]</a> Gentle knave, good night;</p> +<p>This is a sleepy tune. O murderous slumber,<a class="tag" id="tagIV_137" href="#noteIV_137">[137]</a><a class="tag" id="tagIV_138" href="#noteIV_138">[138]</a></p> +<p>Lay'st thou thy leaden mace<a class="tag" id="tagIV_139" href="#noteIV_139">[139]</a> upon my boy,</p> +<p>That plays thee music?<a class="tag" id="tagIV_140" href="#noteIV_140">[140]</a> Gentle knave, good night;</p> <p><span class="linenum">270</span>I will not do thee so much wrong to wake thee:</p> <p>If thou dost nod, thou break'st thy instrument;</p> <p>I'll take it from thee; and, good boy, good night.</p> <p>Let me see, let me see; is not the leaf turn'd down</p> -<p>Where I left reading? Here it is, I think.<a class="tag" name="tagIV_141" id="tagIV_141" href="#noteIV_141">[141]</a></p> +<p>Where I left reading? Here it is, I think.<a class="tag" id="tagIV_141" href="#noteIV_141">[141]</a></p> </div> -<p class="entrance">Enter<span class="normal"><a class="tag" name="tagIV_142" id="tagIV_142" href="#noteIV_142">[142]</a></span> the <span class="normal">Ghost</span> of <span class="charname">Cæsar</span></p> +<p class="entrance">Enter<span class="normal"><a class="tag" id="tagIV_142" href="#noteIV_142">[142]</a></span> the <span class="normal">Ghost</span> of <span class="charname">Cæsar</span></p> <div class="verse"> -<p><span class="linenum">275</span>How ill this taper burns!<a class="tag" name="tagIV_143" id="tagIV_143" href="#noteIV_143">[143]</a> Ha! who comes here?</p> +<p><span class="linenum">275</span>How ill this taper burns!<a class="tag" id="tagIV_143" href="#noteIV_143">[143]</a> Ha! who comes here?</p> <p>I think it is the weakness of mine eyes</p> -<p>That shapes this monstrous apparition.<a class="tag" name="tagIV_144" id="tagIV_144" href="#noteIV_144">[144]</a></p> -<p><span class="pagenum"><a name="Page_142" id="Page_142"></a>142</span></p> +<p>That shapes this monstrous apparition.<a class="tag" id="tagIV_144" href="#noteIV_144">[144]</a></p> +<p><span class="pagenum"><a id="Page_142"></a>142</span></p> <p>It comes upon me. Art thou any thing?</p> <p>Art thou some god, some angel, or some devil,</p> -<p><span class="linenum">280</span>That mak'st my blood cold, and my hair to stare?<a class="tag" name="tagIV_145" id="tagIV_145" href="#noteIV_145">[145]</a></p> +<p><span class="linenum">280</span>That mak'st my blood cold, and my hair to stare?<a class="tag" id="tagIV_145" href="#noteIV_145">[145]</a></p> <p>Speak to me what thou art.</p> </div> <div class="verse"> -<p><a name="tagIV_3_282" id="tagIV_3_282"></a><span class="charname">Ghost.</span> Thy evil spirit, Brutus.</p> +<p><a id="tagIV_3_282"></a><span class="charname">Ghost.</span> Thy evil spirit, Brutus.</p> </div> <div class="verse"> @@ -9231,19 +9273,19 @@ away, go!</p> <p><span class="charname">Brutus.</span> Why, I will see thee at Philippi then.</p> </div> -<p class="right">[<i>Exit</i> Ghost]<a class="tag" name="tagIV_146" id="tagIV_146" href="#noteIV_146">[146]</a></p> +<p class="right">[<i>Exit</i> Ghost]<a class="tag" id="tagIV_146" href="#noteIV_146">[146]</a></p> <div class="verse"> -<p>Now I have taken heart thou vanishest:<a class="tag" name="tagIV_147" id="tagIV_147" href="#noteIV_147">[147]</a></p> +<p>Now I have taken heart thou vanishest:<a class="tag" id="tagIV_147" href="#noteIV_147">[147]</a></p> <p>Ill spirit, I would hold more talk with thee.</p> -<p>Boy, Lucius! Varro!<a class="tag" name="tagIV_132b" id="tagIV_132b" href="#noteIV_132">[132]</a> Claudius! Sirs, awake!</p> +<p>Boy, Lucius! Varro!<a class="tag" id="tagIV_132b" href="#noteIV_132">[132]</a> Claudius! Sirs, awake!</p> <p><span class="linenum">290</span>Claudius!</p> </div> -<p><span class="pagenum"><a name="Page_143" id="Page_143"></a>143</span></p> +<p><span class="pagenum"><a id="Page_143"></a>143</span></p> <div class="verse"> -<p><span class="charname">Lucius.</span> The strings, my lord, are false.<a class="tag" name="tagIV_148" id="tagIV_148" href="#noteIV_148">[148]</a></p> +<p><span class="charname">Lucius.</span> The strings, my lord, are false.<a class="tag" id="tagIV_148" href="#noteIV_148">[148]</a></p> </div> <div class="verse"> @@ -9273,7 +9315,7 @@ away, go!</p> <div class="verse"> <p><span class="charname">Brutus.</span> Sleep again, Lucius. Sirrah Claudius!</p> -<p><span class="linenum">300</span>[<i>To</i> <span class="charname">Varro</span>]<a class="tag" name="tagIV_149" id="tagIV_149" href="#noteIV_149">[149]</a> Fellow thou, awake!</p> +<p><span class="linenum">300</span>[<i>To</i> <span class="charname">Varro</span>]<a class="tag" id="tagIV_149" href="#noteIV_149">[149]</a> Fellow thou, awake!</p> </div> <div class="verse"> @@ -9288,7 +9330,7 @@ away, go!</p> <p><span class="charname">Brutus.</span> Why did you so cry out, sirs, in your sleep?</p> </div> -<table summary="two-speaker line 2" class="double"> +<table class="double"> <tr> <td class="speakers"> <p><span class="charname">Varro.</span></p> @@ -9306,7 +9348,7 @@ away, go!</p> </div> <div class="verse"> -<p><span class="charname">Varro.</span><a class="tag" name="tagIV_150" id="tagIV_150" href="#noteIV_150">[150]</a> No, my lord, I saw nothing.</p> +<p><span class="charname">Varro.</span><a class="tag" id="tagIV_150" href="#noteIV_150">[150]</a> No, my lord, I saw nothing.</p> </div> <div class="verse"> @@ -9315,15 +9357,15 @@ away, go!</p> </div> <div class="verse"> -<p><span class="charname">Brutus.</span> Go and commend me<a class="tag" name="tagIV_151" id="tagIV_151" href="#noteIV_151">[151]</a> to my brother Cassius;</p> -<p>Bid him set on<a class="tag" name="tagIV_152" id="tagIV_152" href="#noteIV_152">[152]</a> his powers betimes<a class="tag" name="tagIV_153" id="tagIV_153" href="#noteIV_153">[153]</a> before,</p> +<p><span class="charname">Brutus.</span> Go and commend me<a class="tag" id="tagIV_151" href="#noteIV_151">[151]</a> to my brother Cassius;</p> +<p>Bid him set on<a class="tag" id="tagIV_152" href="#noteIV_152">[152]</a> his powers betimes<a class="tag" id="tagIV_153" href="#noteIV_153">[153]</a> before,</p> <p>And we will follow.</p> </div> -<table summary="two-speaker line 3" class="double"> +<table class="double"> <tr> <td class="speakers"> -<p><span class="charname">Varro.</span> <a class="tag" name="tagIV_150b" id="tagIV_150b" href="#noteIV_150">[150]</a></p> +<p><span class="charname">Varro.</span> <a class="tag" id="tagIV_150b" href="#noteIV_150">[150]</a></p> <p><span class="charname">Claudius.</span></p> </td> <td class="line bracket twolines"> @@ -9334,15 +9376,15 @@ away, go!</p> <p class="right">[<i>Exeunt</i>]</p> -<hr class="mid" /> +<hr class="mid" > -<p><span class="pagenum"><a name="Page_144" id="Page_144"></a>144</span></p> +<p><span class="pagenum"><a id="Page_144"></a>144</span></p> -<h3 class="act"><a name="Act_V" id="Act_V">ACT V</a></h3> +<h3 class="act"><a id="Act_V">ACT V</a></h3> -<h4 class="scene"><a name="sceneV_1" id="sceneV_1"> +<h4 class="scene"><a id="sceneV_1"> <span class="scenenum">V. 1</span> -<span class="smallcaps">Scene I.</span></a> <i>The plains of Philippi</i><a class="tag" name="tagV_1" id="tagV_1" href="#noteV_1">[1]</a></h4> +<span class="smallcaps">Scene I.</span></a> <i>The plains of Philippi</i><a class="tag" id="tagV_1" href="#noteV_1">[1]</a></h4> <p class="entrance">Enter <span class="charname">Octavius</span>, <span class="charname">Antony</span>, and their Army</p> @@ -9350,21 +9392,21 @@ away, go!</p> <p><span class="charname">Octavius.</span> Now, Antony, our hopes are answered:</p> <p>You said the enemy would not come down,</p> <p>But keep the hills and upper regions.</p> -<p>It proves not so: their battles<a class="tag" name="tagV_2" id="tagV_2" href="#noteV_2">[2]</a> are at hand;</p> -<p><span class="linenum">5</span>They mean to warn<a class="tag" name="tagV_3" id="tagV_3" href="#noteV_3">[3]</a> us at Philippi here,</p> +<p>It proves not so: their battles<a class="tag" id="tagV_2" href="#noteV_2">[2]</a> are at hand;</p> +<p><span class="linenum">5</span>They mean to warn<a class="tag" id="tagV_3" href="#noteV_3">[3]</a> us at Philippi here,</p> <p>Answering before we do demand of them.</p> </div> <div class="verse"> -<p><span class="charname">Antony.</span> Tut, I am in their bosoms,<a class="tag" name="tagV_4" id="tagV_4" href="#noteV_4">[4]</a> and I know</p> +<p><span class="charname">Antony.</span> Tut, I am in their bosoms,<a class="tag" id="tagV_4" href="#noteV_4">[4]</a> and I know</p> <p>Wherefore they do it: they could be content</p> <p>To visit other places, and come down</p> -<p><span class="linenum">10</span>With fearful bravery,<a class="tag" name="tagV_5" id="tagV_5" href="#noteV_5">[5]</a> thinking by this face</p> +<p><span class="linenum">10</span>With fearful bravery,<a class="tag" id="tagV_5" href="#noteV_5">[5]</a> thinking by this face</p> <p>To fasten in our thoughts that they have courage;</p> <p>But 'tis not so.</p> </div> -<p><span class="pagenum"><a name="Page_145" id="Page_145"></a>145</span></p> +<p><span class="pagenum"><a id="Page_145"></a>145</span></p> <p class="entrance">Enter a <span class="normal">Messenger</span></p> @@ -9372,13 +9414,13 @@ away, go!</p> <p class="float"><span class="charname">Messenger.</span></p> <p class="iamb2">Prepare you, generals:</p> <p>The enemy comes on in gallant show;</p> -<p>Their bloody sign<a class="tag" name="tagV_6" id="tagV_6" href="#noteV_6">[6]</a> of battle is hung out,</p> +<p>Their bloody sign<a class="tag" id="tagV_6" href="#noteV_6">[6]</a> of battle is hung out,</p> <p><span class="linenum">15</span>And something to be done immediately.</p> </div> <div class="verse"> <p><span class="charname">Antony.</span> Octavius, lead your battle softly on,</p> -<p>Upon the left hand of the even field.<a class="tag" name="tagV_7" id="tagV_7" href="#noteV_7">[7]</a></p> +<p>Upon the left hand of the even field.<a class="tag" id="tagV_7" href="#noteV_7">[7]</a></p> </div> <div class="verse"> @@ -9386,18 +9428,18 @@ away, go!</p> </div> <div class="verse"> -<p><span class="charname">Antony.</span> Why do you cross me in this exigent?<a class="tag" name="tagV_8" id="tagV_8" href="#noteV_8">[8]</a></p> +<p><span class="charname">Antony.</span> Why do you cross me in this exigent?<a class="tag" id="tagV_8" href="#noteV_8">[8]</a></p> </div> <div class="verse"> -<p><span class="linenum">20</span><span class="charname">Octavius.</span> I do not cross you; but I will do so.<a class="tag" name="tagV_9" id="tagV_9" href="#noteV_9">[9]</a></p> +<p><span class="linenum">20</span><span class="charname">Octavius.</span> I do not cross you; but I will do so.<a class="tag" id="tagV_9" href="#noteV_9">[9]</a></p> </div> <p class="right">[<i>March</i>]</p> -<p><span class="pagenum"><a name="Page_146" id="Page_146"></a>146</span></p> +<p><span class="pagenum"><a id="Page_146"></a>146</span></p> -<p class="scenedesc">Drum.<span class="normal"><a class="tag" name="tagV_10" id="tagV_10" href="#noteV_10">[10]</a></span> Enter <span class="charname">Brutus</span>, <span class="charname">Cassius</span>, and their Army; <span class="charname">Lucilius</span>,<span class="normal"><a class="tag" name="tagV_11" id="tagV_11" href="#noteV_11">[11]</a></span> +<p class="scenedesc">Drum.<span class="normal"><a class="tag" id="tagV_10" href="#noteV_10">[10]</a></span> Enter <span class="charname">Brutus</span>, <span class="charname">Cassius</span>, and their Army; <span class="charname">Lucilius</span>,<span class="normal"><a class="tag" id="tagV_11" href="#noteV_11">[11]</a></span> <span class="charname">Titinius</span>, <span class="charname">Messala</span>, and others</p> <div class="verse"> @@ -9442,8 +9484,8 @@ away, go!</p> <div class="verse"> <p class="float"><span class="charname">Cassius.</span></p> <p class="iamb3">Antony,</p> -<p>The posture of your blows<a class="tag" name="tagV_12" id="tagV_12" href="#noteV_12">[12]</a> are<a class="tag" name="tagV_13" id="tagV_13" href="#noteV_13">[13]</a> yet unknown;</p> -<p>But, for your words, they rob the Hybla<a class="tag" name="tagV_14" id="tagV_14" href="#noteV_14">[14]</a> bees,</p> +<p>The posture of your blows<a class="tag" id="tagV_12" href="#noteV_12">[12]</a> are<a class="tag" id="tagV_13" href="#noteV_13">[13]</a> yet unknown;</p> +<p>But, for your words, they rob the Hybla<a class="tag" id="tagV_14" href="#noteV_14">[14]</a> bees,</p> <p>And leave them honeyless.</p> </div> @@ -9458,15 +9500,15 @@ away, go!</p> <p>And very wisely threat before you sting.</p> </div> -<p><span class="pagenum"><a name="Page_147" id="Page_147"></a>147</span></p> +<p><span class="pagenum"><a id="Page_147"></a>147</span></p> <div class="verse"> -<p><span class="charname">Antony.</span><a class="tag" name="tagV_15" id="tagV_15" href="#noteV_15">[15]</a> Villains, you did not so, when your vile daggers</p> +<p><span class="charname">Antony.</span><a class="tag" id="tagV_15" href="#noteV_15">[15]</a> Villains, you did not so, when your vile daggers</p> <p><span class="linenum">40</span>Hack'd one another in the sides of Cæsar:</p> -<p>You show'd your teeth<a class="tag" name="tagV_16" id="tagV_16" href="#noteV_16">[16]</a> like apes, and fawn'd like hounds,<a class="tag" name="tagV_17" id="tagV_17" href="#noteV_17">[17]</a></p> +<p>You show'd your teeth<a class="tag" id="tagV_16" href="#noteV_16">[16]</a> like apes, and fawn'd like hounds,<a class="tag" id="tagV_17" href="#noteV_17">[17]</a></p> <p>And bow'd like bondmen, kissing Cæsar's feet;</p> <p>Whilst damned Casca, like a cur, behind</p> -<p>Struck<a class="tag" name="tagV_18" id="tagV_18" href="#noteV_18">[18]</a> Cæsar on the neck. O you flatterers!</p> +<p>Struck<a class="tag" id="tagV_18" href="#noteV_18">[18]</a> Cæsar on the neck. O you flatterers!</p> </div> <div class="verse"> @@ -9476,17 +9518,17 @@ away, go!</p> </div> <div class="verse"> -<p><span class="charname">Octavius.</span><a class="tag" name="tagV_19" id="tagV_19" href="#noteV_19">[19]</a> Come, come, the cause: if arguing make us sweat,</p> +<p><span class="charname">Octavius.</span><a class="tag" id="tagV_19" href="#noteV_19">[19]</a> Come, come, the cause: if arguing make us sweat,</p> <p>The proof of it will turn to redder drops.</p> -<p><span class="linenum">50</span>Look;<a class="tag" name="tagV_20" id="tagV_20" href="#noteV_20">[20]</a></p> +<p><span class="linenum">50</span>Look;<a class="tag" id="tagV_20" href="#noteV_20">[20]</a></p> <p>I draw a sword against conspirators;</p> -<p>When think you that the sword goes up<a class="tag" name="tagV_21" id="tagV_21" href="#noteV_21">[21]</a> again?</p> -<p>Never, till Cæsar's three and thirty wounds<a class="tag" name="tagV_22" id="tagV_22" href="#noteV_22">[22]</a></p> +<p>When think you that the sword goes up<a class="tag" id="tagV_21" href="#noteV_21">[21]</a> again?</p> +<p>Never, till Cæsar's three and thirty wounds<a class="tag" id="tagV_22" href="#noteV_22">[22]</a></p> <p>Be well aveng'd; or till another Cæsar</p> -<p><span class="linenum">55</span>Have added slaughter to the sword of traitors.<a class="tag" name="tagV_23" id="tagV_23" href="#noteV_23">[23]</a></p> +<p><span class="linenum">55</span>Have added slaughter to the sword of traitors.<a class="tag" id="tagV_23" href="#noteV_23">[23]</a></p> </div> -<p><span class="pagenum"><a name="Page_148" id="Page_148"></a>148</span></p> +<p><span class="pagenum"><a id="Page_148"></a>148</span></p> <div class="verse"> <p><span class="charname">Brutus.</span> Cæsar, thou canst not die by traitors' hands,</p> @@ -9500,12 +9542,12 @@ away, go!</p> </div> <div class="verse"> -<p><span class="charname">Brutus.</span> O, if thou wert the noblest of thy strain,<a class="tag" name="tagV_24" id="tagV_24" href="#noteV_24">[24]</a></p> +<p><span class="charname">Brutus.</span> O, if thou wert the noblest of thy strain,<a class="tag" id="tagV_24" href="#noteV_24">[24]</a></p> <p><span class="linenum">60</span>Young man, thou couldst not die more honourable.</p> </div> <div class="verse"> -<p><span class="charname">Cassius.</span> A peevish<a class="tag" name="tagV_25" id="tagV_25" href="#noteV_25">[25]</a> schoolboy, worthless of such honour,</p> +<p><span class="charname">Cassius.</span> A peevish<a class="tag" id="tagV_25" href="#noteV_25">[25]</a> schoolboy, worthless of such honour,</p> <p>Join'd with a masker and a reveller!</p> </div> @@ -9518,13 +9560,13 @@ away, go!</p> <p class="iamb3">Come, Antony; away!</p> <p>Defiance, traitors, hurl we in your teeth;</p> <p><span class="linenum">65</span>If you dare fight to-day, come to the field;</p> -<p>If not, when you have stomachs.<a class="tag" name="tagV_26" id="tagV_26" href="#noteV_26">[26]</a></p> +<p>If not, when you have stomachs.<a class="tag" id="tagV_26" href="#noteV_26">[26]</a></p> </div> -<p class="right">[<i>Exeunt</i> <span class="charname">Octavius</span>, <span class="charname">Antony</span>, <i>and their</i> Army]<a class="tag" name="tagV_27" id="tagV_27" href="#noteV_27">[27]</a></p> +<p class="right">[<i>Exeunt</i> <span class="charname">Octavius</span>, <span class="charname">Antony</span>, <i>and their</i> Army]<a class="tag" id="tagV_27" href="#noteV_27">[27]</a></p> <div class="verse"> -<p><span class="charname">Cassius.</span><a class="tag" name="tagV_28" id="tagV_28" href="#noteV_28">[28]</a> Why, now, blow wind, swell billow, and swim bark!</p> +<p><span class="charname">Cassius.</span><a class="tag" id="tagV_28" href="#noteV_28">[28]</a> Why, now, blow wind, swell billow, and swim bark!</p> <p>The storm is up, and all is on the hazard.</p> </div> @@ -9533,12 +9575,12 @@ away, go!</p> </div> <div class="verse"> -<p><span class="linenum">70</span><span class="charname">Lucilius.</span> [<i>Standing forth</i>]<a class="tag" name="tagV_29" id="tagV_29" href="#noteV_29">[29]</a> My lord?</p> +<p><span class="linenum">70</span><span class="charname">Lucilius.</span> [<i>Standing forth</i>]<a class="tag" id="tagV_29" href="#noteV_29">[29]</a> My lord?</p> </div> -<p class="right">[<span class="charname">Brutus</span> <i>and</i> <span class="charname">Lucilius</span> <i>converse apart</i>]<a class="tag" name="tagV_30" id="tagV_30" href="#noteV_30">[30]</a></p> +<p class="right">[<span class="charname">Brutus</span> <i>and</i> <span class="charname">Lucilius</span> <i>converse apart</i>]<a class="tag" id="tagV_30" href="#noteV_30">[30]</a></p> -<p><span class="pagenum"><a name="Page_149" id="Page_149"></a>149</span></p> +<p><span class="pagenum"><a id="Page_149"></a>149</span></p> <div class="verse"> <p><span class="charname">Cassius.</span> Messala!</p> @@ -9551,22 +9593,22 @@ away, go!</p> <div class="verse"> <p class="float"><span class="charname">Cassius.</span></p> -<p class="iamb4">Messala,<a class="tag" name="tagV_31" id="tagV_31" href="#noteV_31">[31]</a></p> -<p>This is my birth-day; as<a class="tag" name="tagV_32" id="tagV_32" href="#noteV_32">[32]</a> this very day</p> +<p class="iamb4">Messala,<a class="tag" id="tagV_31" href="#noteV_31">[31]</a></p> +<p>This is my birth-day; as<a class="tag" id="tagV_32" href="#noteV_32">[32]</a> this very day</p> <p>Was Cassius born. Give me thy hand, Messala:</p> <p>Be thou my witness that, against my will,</p> -<p><span class="linenum">75</span>As Pompey was,<a class="tag" name="tagV_33" id="tagV_33" href="#noteV_33">[33]</a> am I compell'd to set</p> +<p><span class="linenum">75</span>As Pompey was,<a class="tag" id="tagV_33" href="#noteV_33">[33]</a> am I compell'd to set</p> <p>Upon one battle all our liberties.</p> -<p>You know that I held Epicurus strong,<a class="tag" name="tagV_34" id="tagV_34" href="#noteV_34">[34]</a></p> +<p>You know that I held Epicurus strong,<a class="tag" id="tagV_34" href="#noteV_34">[34]</a></p> <p>And his opinion: now I change my mind,</p> <p>And partly credit things that do presage.</p> -<p><span class="linenum">80</span>Coming from Sardis, on our former<a class="tag" name="tagV_35" id="tagV_35" href="#noteV_35">[35]</a><a class="tag" name="tagV_36" id="tagV_36" href="#noteV_36">[36]</a> ensign</p> +<p><span class="linenum">80</span>Coming from Sardis, on our former<a class="tag" id="tagV_35" href="#noteV_35">[35]</a><a class="tag" id="tagV_36" href="#noteV_36">[36]</a> ensign</p> <p>Two mighty eagles fell, and there they perch'd,</p> -<p><span class="pagenum"><a name="Page_150" id="Page_150"></a>150</span></p> +<p><span class="pagenum"><a id="Page_150"></a>150</span></p> <p>Gorging and feeding from our soldiers' hands;</p> <p>Who to Philippi here consorted us:</p> <p>This morning are they fled away and gone;</p> -<p><span class="linenum">85</span>And in their steads<a class="tag" name="tagV_37" id="tagV_37" href="#noteV_37">[37]</a> do ravens, crows, and kites,</p> +<p><span class="linenum">85</span>And in their steads<a class="tag" id="tagV_37" href="#noteV_37">[37]</a> do ravens, crows, and kites,</p> <p>Fly o'er our heads and downward look on us,</p> <p>As we were sickly prey: their shadows seem</p> <p>A canopy most fatal, under which</p> @@ -9581,7 +9623,7 @@ away, go!</p> <p class="float"><span class="linenum">90</span><span class="charname">Cassius.</span></p> <p class="iamb3">I but believe it partly;</p> <p>For I am fresh of spirit, and resolv'd</p> -<p>To meet all perils<a class="tag" name="tagV_38" id="tagV_38" href="#noteV_38">[38]</a> very constantly.</p> +<p>To meet all perils<a class="tag" id="tagV_38" href="#noteV_38">[38]</a> very constantly.</p> </div> <div class="verse"> @@ -9593,7 +9635,7 @@ away, go!</p> <p class="iamb3">Now, most noble Brutus,</p> <p>The gods to-day stand friendly, that we may,</p> <p><span class="linenum">95</span>Lovers in peace, lead on our days to age!</p> -<p>But, since the affairs of men rests<a class="tag" name="tagV_39" id="tagV_39" href="#noteV_39">[39]</a> still incertain,</p> +<p>But, since the affairs of men rests<a class="tag" id="tagV_39" href="#noteV_39">[39]</a> still incertain,</p> <p>Let's reason with the worst that may befall.</p> <p>If we do lose this battle, then is this</p> <p>The very last time we shall speak together:</p> @@ -9602,12 +9644,12 @@ away, go!</p> <div class="verse"> <p><span class="charname">Brutus.</span> Even by the rule of that philosophy</p> -<p>By<a class="tag" name="tagV_40" id="tagV_40" href="#noteV_40">[40]</a> which I did blame Cato for the death</p> +<p>By<a class="tag" id="tagV_40" href="#noteV_40">[40]</a> which I did blame Cato for the death</p> <p>Which he did give himself: I know not how,</p> <p>But I do find it cowardly and vile,</p> -<p><span class="pagenum"><a name="Page_151" id="Page_151"></a>151</span></p> +<p><span class="pagenum"><a id="Page_151"></a>151</span></p> <p><span class="linenum">105</span>For fear of what might fall, so to prevent</p> -<p>The time<a class="tag" name="tagV_41" id="tagV_41" href="#noteV_41">[41]</a> of life: arming myself with patience</p> +<p>The time<a class="tag" id="tagV_41" href="#noteV_41">[41]</a> of life: arming myself with patience</p> <p>To stay the providence of some high powers</p> <p>That govern us below.</p> </div> @@ -9616,15 +9658,15 @@ away, go!</p> <p class="float"><span class="charname">Cassius.</span></p> <p class="iamb2">Then, if we lose this battle,</p> <p>You are contented to be led in triumph</p> -<p><span class="linenum">110</span>Thorough<a class="tag" name="tagV_42" id="tagV_42" href="#noteV_42">[42]</a> the streets of Rome?<a class="tag" name="tagV_43" id="tagV_43" href="#noteV_43">[43]</a></p> +<p><span class="linenum">110</span>Thorough<a class="tag" id="tagV_42" href="#noteV_42">[42]</a> the streets of Rome?<a class="tag" id="tagV_43" href="#noteV_43">[43]</a></p> </div> <div class="verse"> -<p><span class="charname">Brutus.</span><a class="tag" name="tagV_44" id="tagV_44" href="#noteV_44">[44]</a> No, Cassius, no: think not, thou noble Roman,</p> +<p><span class="charname">Brutus.</span><a class="tag" id="tagV_44" href="#noteV_44">[44]</a> No, Cassius, no: think not, thou noble Roman,</p> <p>That ever Brutus will go bound to Rome;</p> -<p>He bears too great a mind.<a class="tag" name="tagV_45" id="tagV_45" href="#noteV_45">[45]</a> But this same day</p> -<p><span class="pagenum"><a name="Page_152" id="Page_152"></a>152</span></p> -<p>Must end that work the Ides<a class="tag" name="tagV_46" id="tagV_46" href="#noteV_46">[46]</a> of March begun;</p> +<p>He bears too great a mind.<a class="tag" id="tagV_45" href="#noteV_45">[45]</a> But this same day</p> +<p><span class="pagenum"><a id="Page_152"></a>152</span></p> +<p>Must end that work the Ides<a class="tag" id="tagV_46" href="#noteV_46">[46]</a> of March begun;</p> <p><span class="linenum">115</span>And whether we shall meet again I know not.</p> <p>Therefore our everlasting farewell take.</p> <p>For ever, and for ever, farewell, Cassius!</p> @@ -9648,24 +9690,24 @@ away, go!</p> <p class="right">[<i>Exeunt</i>]</p> <h4 class="scene"> -<a name="sceneV_2" id="sceneV_2"> +<a id="sceneV_2"> <span class="scenenum">V. 2</span> -<span class="smallcaps">Scene II.</span></a><a class="tag" name="tagV_47" id="tagV_47" href="#noteV_47">[47]</a> <i>The field of battle</i></h4> +<span class="smallcaps">Scene II.</span></a><a class="tag" id="tagV_47" href="#noteV_47">[47]</a> <i>The field of battle</i></h4> <p class="scenedesc">Alarum. Enter <span class="charname">Brutus</span> and <span class="charname">Messala</span></p> <div class="verse"> -<p><span class="charname">Brutus.</span> Ride, ride, Messala, ride, and give these bills<a class="tag" name="tagV_48" id="tagV_48" href="#noteV_48">[48]</a></p> -<p>Unto the legions on the other side:<a class="tag" name="tagV_49" id="tagV_49" href="#noteV_49">[49]</a></p> +<p><span class="charname">Brutus.</span> Ride, ride, Messala, ride, and give these bills<a class="tag" id="tagV_48" href="#noteV_48">[48]</a></p> +<p>Unto the legions on the other side:<a class="tag" id="tagV_49" href="#noteV_49">[49]</a></p> </div> <p class="right">[<i>Loud alarum</i>]</p> -<p><span class="pagenum"><a name="Page_153" id="Page_153"></a>153</span></p> +<p><span class="pagenum"><a id="Page_153"></a>153</span></p> <div class="verse"> <p>Let them set on at once; for I perceive</p> -<p>But cold demeanour in Octavius'<a class="tag" name="tagV_50" id="tagV_50" href="#noteV_50">[50]</a> wing,</p> +<p>But cold demeanour in Octavius'<a class="tag" id="tagV_50" href="#noteV_50">[50]</a> wing,</p> <p><span class="linenum">5</span>And sudden push gives them the overthrow.</p> <p>Ride, ride, Messala: let them all come down.</p> </div> @@ -9673,16 +9715,16 @@ away, go!</p> <p class="right">[<i>Exeunt</i>]</p> <h4 class="scene"> -<a name="sceneV_3" id="sceneV_3"> +<a id="sceneV_3"> <span class="scenenum">V. 3</span> -<span class="smallcaps">Scene III.</span></a><a class="tag" name="tagV_51" id="tagV_51" href="#noteV_51">[51]</a> <i>Another part of the field</i></h4> +<span class="smallcaps">Scene III.</span></a><a class="tag" id="tagV_51" href="#noteV_51">[51]</a> <i>Another part of the field</i></h4> <p class="scenedesc">Alarums. Enter <span class="charname">Cassius</span> and <span class="charname">Titinius</span></p> <div class="verse"> <p><span class="charname">Cassius.</span> O, look, Titinius, look, the villains fly!</p> <p>Myself have to mine own turn'd enemy.</p> -<p>This ensign<a class="tag" name="tagV_52" id="tagV_52" href="#noteV_52">[52]</a> here of mine was turning back;</p> +<p>This ensign<a class="tag" id="tagV_52" href="#noteV_52">[52]</a> here of mine was turning back;</p> <p>I slew the coward, and did take it from him.</p> </div> @@ -9706,7 +9748,7 @@ away, go!</p> <p>Are those my tents where I perceive the fire?</p> </div> -<p><span class="pagenum"><a name="Page_154" id="Page_154"></a>154</span></p> +<p><span class="pagenum"><a id="Page_154"></a>154</span></p> <div class="verse"> <p><span class="charname">Titinius.</span> They are, my lord.</p> @@ -9716,24 +9758,24 @@ away, go!</p> <p class="float"><span class="charname">Cassius.</span></p> <p class="iamb3">Titinius, if thou lovest me,</p> <p><span class="linenum">15</span>Mount thou my horse, and hide thy spurs in him,</p> -<p>Till he have brought thee up to yonder troops,<a class="tag" name="tagV_53" id="tagV_53" href="#noteV_53">[53]</a></p> +<p>Till he have brought thee up to yonder troops,<a class="tag" id="tagV_53" href="#noteV_53">[53]</a></p> <p>And here again; that I may rest assur'd</p> <p>Whether yond troops are friend or enemy.</p> </div> <div class="verse"> -<p><span class="charname">Titinius.</span> I will be here again, even with a thought.<a class="tag" name="tagV_54" id="tagV_54" href="#noteV_54">[54]</a></p> +<p><span class="charname">Titinius.</span> I will be here again, even with a thought.<a class="tag" id="tagV_54" href="#noteV_54">[54]</a></p> </div> <p class="right">[<i>Exit</i>]</p> <div class="verse"> -<p><span class="linenum">20</span><span class="charname">Cassius.</span> Go, Pindarus, get higher<a class="tag" name="tagV_55" id="tagV_55" href="#noteV_55">[55]</a> on that hill;</p> -<p>My sight was ever thick;<a class="tag" name="tagV_56" id="tagV_56" href="#noteV_56">[56]</a> regard Titinius,</p> +<p><span class="linenum">20</span><span class="charname">Cassius.</span> Go, Pindarus, get higher<a class="tag" id="tagV_55" href="#noteV_55">[55]</a> on that hill;</p> +<p>My sight was ever thick;<a class="tag" id="tagV_56" href="#noteV_56">[56]</a> regard Titinius,</p> <p>And tell me what thou not'st about the field.</p> </div> -<p class="right">[<span class="charname">Pindarus</span> <i>ascends the hill</i>]<a class="tag" name="tagV_57" id="tagV_57" href="#noteV_57">[57]</a></p> +<p class="right">[<span class="charname">Pindarus</span> <i>ascends the hill</i>]<a class="tag" id="tagV_57" href="#noteV_57">[57]</a></p> <div class="verse"> <p>This day I breathed first: time is come round,</p> @@ -9750,11 +9792,11 @@ away, go!</p> </div> <div class="verse"> -<p><span class="charname">Pindarus.</span> [<i>Above</i>]<a class="tag" name="tagV_58" id="tagV_58" href="#noteV_58">[58]</a> Titinius is enclosed round about</p> +<p><span class="charname">Pindarus.</span> [<i>Above</i>]<a class="tag" id="tagV_58" href="#noteV_58">[58]</a> Titinius is enclosed round about</p> <p>With horsemen, that make to him on the spur;</p> <p><span class="linenum">30</span>Yet he spurs on. Now they are almost on him.</p> <p>Now, Titinius! Now some light. O, he lights too:</p> -<p>He's ta'en.<a class="tag" name="tagV_59" id="tagV_59" href="#noteV_59">[59]</a> [<i>Shout</i>] And, hark! they shout for joy.</p> +<p>He's ta'en.<a class="tag" id="tagV_59" href="#noteV_59">[59]</a> [<i>Shout</i>] And, hark! they shout for joy.</p> </div> <div class="verse"> @@ -9763,41 +9805,41 @@ away, go!</p> <p><span class="linenum">35</span>To see my best friend ta'en before my face!</p> </div> -<p><span class="pagenum"><a name="Page_155" id="Page_155"></a>155</span></p> +<p><span class="pagenum"><a id="Page_155"></a>155</span></p> -<p class="entrance"><span class="charname">Pindarus</span> descends<span class="normal"><a class="tag" name="tagV_60" id="tagV_60" href="#noteV_60">[60]</a></span></p> +<p class="entrance"><span class="charname">Pindarus</span> descends<span class="normal"><a class="tag" id="tagV_60" href="#noteV_60">[60]</a></span></p> <div class="verse"> <p>Come hither, sirrah:</p> -<p>In Parthia did I take thee prisoner;<a class="tag" name="tagV_61" id="tagV_61" href="#noteV_61">[61]</a></p> -<p>And then I swore thee, saving of thy life,<a class="tag" name="tagV_62" id="tagV_62" href="#noteV_62">[62]</a></p> +<p>In Parthia did I take thee prisoner;<a class="tag" id="tagV_61" href="#noteV_61">[61]</a></p> +<p>And then I swore thee, saving of thy life,<a class="tag" id="tagV_62" href="#noteV_62">[62]</a></p> <p>That whatsoever I did bid thee do,</p> <p><span class="linenum">40</span>Thou shouldst attempt it. Come now, keep thine oath;</p> <p>Now be a freeman; and with this good sword,</p> <p>That ran through Cæsar's bowels, search this bosom.</p> -<p>Stand not to answer: here, take thou the hilts;<a class="tag" name="tagV_63" id="tagV_63" href="#noteV_63">[63]</a></p> +<p>Stand not to answer: here, take thou the hilts;<a class="tag" id="tagV_63" href="#noteV_63">[63]</a></p> <p>And, when my face is cover'd, as 'tis now,</p> -<p><span class="linenum">45</span>Guide thou the sword. [<span class="charname">Pindarus</span> <i>stabs him</i>]<a class="tag" name="tagV_64" id="tagV_64" href="#noteV_64">[64]</a> Cæsar, thou art reveng'd,</p> -<p>Even with the sword<a class="tag" name="tagV_65" id="tagV_65" href="#noteV_65">[65]</a> that kill'd thee.</p> +<p><span class="linenum">45</span>Guide thou the sword. [<span class="charname">Pindarus</span> <i>stabs him</i>]<a class="tag" id="tagV_64" href="#noteV_64">[64]</a> Cæsar, thou art reveng'd,</p> +<p>Even with the sword<a class="tag" id="tagV_65" href="#noteV_65">[65]</a> that kill'd thee.</p> </div> -<p class="right">[<i>Dies</i>]<a class="tag" name="tagV_66" id="tagV_66" href="#noteV_66">[66]</a></p> +<p class="right">[<i>Dies</i>]<a class="tag" id="tagV_66" href="#noteV_66">[66]</a></p> <div class="verse"> -<p><span class="charname">Pindarus.</span> So, I am free; yet would not so have been,<a class="tag" name="tagV_67" id="tagV_67" href="#noteV_67">[67]</a></p> +<p><span class="charname">Pindarus.</span> So, I am free; yet would not so have been,<a class="tag" id="tagV_67" href="#noteV_67">[67]</a></p> <p>Durst I have done my will. O Cassius!</p> <p>Far from this country Pindarus shall run,</p> -<p><span class="linenum">50</span>Where never Roman shall take note of him.<a class="tag" name="tagV_68" id="tagV_68" href="#noteV_68">[68]</a></p> +<p><span class="linenum">50</span>Where never Roman shall take note of him.<a class="tag" id="tagV_68" href="#noteV_68">[68]</a></p> </div> -<p class="right">[<i>Exit</i>]<a class="tag" name="tagV_69" id="tagV_69" href="#noteV_69">[69]</a></p> +<p class="right">[<i>Exit</i>]<a class="tag" id="tagV_69" href="#noteV_69">[69]</a></p> -<p><span class="pagenum"><a name="Page_156" id="Page_156"></a>156</span></p> +<p><span class="pagenum"><a id="Page_156"></a>156</span></p> -<p class="entrance">Re-enter<span class="normal"><a class="tag" name="tagV_70" id="tagV_70" href="#noteV_70">[70]</a></span> <span class="charname">Titinius</span>, with <span class="charname">Messala</span></p> +<p class="entrance">Re-enter<span class="normal"><a class="tag" id="tagV_70" href="#noteV_70">[70]</a></span> <span class="charname">Titinius</span>, with <span class="charname">Messala</span></p> <div class="verse"> -<p><span class="charname">Messala.</span> It is but change,<a class="tag" name="tagV_71" id="tagV_71" href="#noteV_71">[71]</a> Titinius; for Octavius</p> +<p><span class="charname">Messala.</span> It is but change,<a class="tag" id="tagV_71" href="#noteV_71">[71]</a> Titinius; for Octavius</p> <p>Is overthrown by noble Brutus' power,</p> <p>As Cassius' legions are by Antony.</p> </div> @@ -9832,26 +9874,26 @@ away, go!</p> <p class="float"><span class="charname">Titinius.</span></p> <p class="iamb3">No, this was he, Messala,</p> <p><span class="linenum">60</span>But Cassius is no more. O setting sun,</p> -<p>As in thy red rays thou dost sink to night,<a class="tag" name="tagV_72" id="tagV_72" href="#noteV_72">[72]</a></p> -<p>So in his red blood Cassius' day is set;<a class="tag" name="tagV_73" id="tagV_73" href="#noteV_73">[73]</a><a class="tag" name="tagV_74" id="tagV_74" href="#noteV_74">[74]</a></p> -<p>The sun<a class="tag" name="tagV_75" id="tagV_75" href="#noteV_75">[75]</a> of Rome is set! Our day is gone;</p> +<p>As in thy red rays thou dost sink to night,<a class="tag" id="tagV_72" href="#noteV_72">[72]</a></p> +<p>So in his red blood Cassius' day is set;<a class="tag" id="tagV_73" href="#noteV_73">[73]</a><a class="tag" id="tagV_74" href="#noteV_74">[74]</a></p> +<p>The sun<a class="tag" id="tagV_75" href="#noteV_75">[75]</a> of Rome is set! Our day is gone;</p> <p>Clouds, dews, and dangers come; our deeds are done!</p> <p><span class="linenum">65</span>Mistrust of my success hath done this deed.</p> </div> -<p><span class="pagenum"><a name="Page_157" id="Page_157"></a>157</span></p> +<p><span class="pagenum"><a id="Page_157"></a>157</span></p> <div class="verse"> -<p><a name="tagV_3_66" id="tagV_3_66"></a><span class="charname">Messala.</span> Mistrust of good success hath done this deed.</p> +<p><a id="tagV_3_66"></a><span class="charname">Messala.</span> Mistrust of good success hath done this deed.</p> <p>O hateful error, melancholy's child,</p> <p>Why dost thou show to the apt thoughts of men</p> -<p>The things that are not?<a class="tag" name="tagV_76" id="tagV_76" href="#noteV_76">[76]</a> O error, soon conceiv'd,</p> +<p>The things that are not?<a class="tag" id="tagV_76" href="#noteV_76">[76]</a> O error, soon conceiv'd,</p> <p><span class="linenum">70</span>Thou never com'st unto a happy birth,</p> -<p>But kill'st the mother that engender'd<a class="tag" name="tagV_77" id="tagV_77" href="#noteV_77">[77]</a> thee!</p> +<p>But kill'st the mother that engender'd<a class="tag" id="tagV_77" href="#noteV_77">[77]</a> thee!</p> </div> <div class="verse"> -<p><a name="tagV_3_72" id="tagV_3_72"></a><span class="charname">Titinius.</span> What, Pindarus! where art thou, Pindarus?</p> +<p><a id="tagV_3_72"></a><span class="charname">Titinius.</span> What, Pindarus! where art thou, Pindarus?</p> </div> <div class="verse"> @@ -9869,7 +9911,7 @@ away, go!</p> <p>And I will seek for Pindarus the while.</p> </div> -<p class="right">[<i>Exit</i> <span class="charname">Messala</span>]<a class="tag" name="tagV_78" id="tagV_78" href="#noteV_78">[78]</a></p> +<p class="right">[<i>Exit</i> <span class="charname">Messala</span>]<a class="tag" id="tagV_78" href="#noteV_78">[78]</a></p> <div class="verse"> <p><span class="linenum">80</span>Why didst thou send me forth, brave Cassius?</p> @@ -9885,12 +9927,12 @@ away, go!</p> <p><span class="linenum">90</span>Come, Cassius' sword, and find Titinius' heart.</p> </div> -<p class="right">[<i>Dies</i>]<a class="tag" name="tagV_79" id="tagV_79" href="#noteV_79">[79]</a></p> +<p class="right">[<i>Dies</i>]<a class="tag" id="tagV_79" href="#noteV_79">[79]</a></p> -<p><span class="pagenum"><a name="Page_158" id="Page_158"></a>158</span></p> +<p><span class="pagenum"><a id="Page_158"></a>158</span></p> -<p class="scenedesc">Alarum.<span class="normal"><a class="tag" name="tagV_80" id="tagV_80" href="#noteV_80">[80]</a></span> Re-enter <span class="charname">Messala</span>, with <span class="charname">Brutus</span>, young <span class="charname">Cato</span>, -<span class="charname">Strato</span>, <span class="charname">Volumnius</span>, and <span class="charname">Lucilius</span><span class="normal"><a class="tag" name="tagV_81" id="tagV_81" href="#noteV_81">[81]</a></span></p> +<p class="scenedesc">Alarum.<span class="normal"><a class="tag" id="tagV_80" href="#noteV_80">[80]</a></span> Re-enter <span class="charname">Messala</span>, with <span class="charname">Brutus</span>, young <span class="charname">Cato</span>, +<span class="charname">Strato</span>, <span class="charname">Volumnius</span>, and <span class="charname">Lucilius</span><span class="normal"><a class="tag" id="tagV_81" href="#noteV_81">[81]</a></span></p> <div class="verse"> <p><span class="charname">Brutus.</span> Where, where, Messala, doth his body lie?</p> @@ -9910,9 +9952,9 @@ away, go!</p> </div> <div class="verse"> -<p><a name="tagV_3_94" id="tagV_3_94"></a><span class="charname">Brutus.</span> O Julius Cæsar, thou art mighty yet!</p> +<p><a id="tagV_3_94"></a><span class="charname">Brutus.</span> O Julius Cæsar, thou art mighty yet!</p> <p><span class="linenum">95</span>Thy spirit walks abroad, and turns our swords</p> -<p>In our own proper entrails.<a class="tag" name="tagV_82" id="tagV_82" href="#noteV_82">[82]</a></p> +<p>In our own proper entrails.<a class="tag" id="tagV_82" href="#noteV_82">[82]</a></p> </div> <p class="right">[<i>Low alarums</i>]</p> @@ -9920,43 +9962,43 @@ away, go!</p> <div class="verse"> <p class="float"><span class="charname">Cato.</span></p> <p class="iamb3">Brave Titinius!</p> -<p>Look, where<a class="tag" name="tagV_83" id="tagV_83" href="#noteV_83">[83]</a><a class="tag" name="tagV_84" id="tagV_84" href="#noteV_84">[84]</a> he have not crown'd dead Cassius!</p> +<p>Look, where<a class="tag" id="tagV_83" href="#noteV_83">[83]</a><a class="tag" id="tagV_84" href="#noteV_84">[84]</a> he have not crown'd dead Cassius!</p> </div> <div class="verse"> <p><span class="charname">Brutus.</span> Are yet two Romans living such as these?</p> -<p><span class="pagenum"><a name="Page_159" id="Page_159"></a>159</span></p> -<p>The<a class="tag" name="tagV_85" id="tagV_85" href="#noteV_85">[85]</a> last of all the Romans, fare<a class="tag" name="tagV_86" id="tagV_86" href="#noteV_86">[86]</a> thee well!</p> +<p><span class="pagenum"><a id="Page_159"></a>159</span></p> +<p>The<a class="tag" id="tagV_85" href="#noteV_85">[85]</a> last of all the Romans, fare<a class="tag" id="tagV_86" href="#noteV_86">[86]</a> thee well!</p> <p><span class="linenum">100</span>It is impossible that ever Rome</p> -<p>Should breed thy fellow. Friends, I owe moe<a class="tag" name="tagV_87" id="tagV_87" href="#noteV_87">[87]</a><a class="tag" name="tagV_88" id="tagV_88" href="#noteV_88">[88]</a> tears</p> +<p>Should breed thy fellow. Friends, I owe moe<a class="tag" id="tagV_87" href="#noteV_87">[87]</a><a class="tag" id="tagV_88" href="#noteV_88">[88]</a> tears</p> <p>To this dead man than you shall see me pay.</p> <p>I shall find time, Cassius, I shall find time.</p> -<p>Come, therefore, and to Thasos<a class="tag" name="tagV_89" id="tagV_89" href="#noteV_89">[89]</a><a class="tag" name="tagV_90" id="tagV_90" href="#noteV_90">[90]</a> send his body:</p> +<p>Come, therefore, and to Thasos<a class="tag" id="tagV_89" href="#noteV_89">[89]</a><a class="tag" id="tagV_90" href="#noteV_90">[90]</a> send his body:</p> <p><span class="linenum">105</span>His funerals shall not be in our camp,</p> <p>Lest it discomfort us. Lucilius, come;</p> <p>And come, young Cato; let us to the field.</p> -<p>Labeo and Flavius,<a class="tag" name="tagV_91" id="tagV_91" href="#noteV_91">[91]</a><a class="tag" name="tagV_92" id="tagV_92" href="#noteV_92">[92]</a> set our battles on:</p> -<p><a name="tagV_3_109" id="tagV_3_109"></a>'T is three o'clock; and, Romans, yet ere night</p> -<p><span class="linenum">110</span>We shall try fortune in a second fight.<a class="tag" name="tagV_93" id="tagV_93" href="#noteV_93">[93]</a></p> +<p>Labeo and Flavius,<a class="tag" id="tagV_91" href="#noteV_91">[91]</a><a class="tag" id="tagV_92" href="#noteV_92">[92]</a> set our battles on:</p> +<p><a id="tagV_3_109"></a>'T is three o'clock; and, Romans, yet ere night</p> +<p><span class="linenum">110</span>We shall try fortune in a second fight.<a class="tag" id="tagV_93" href="#noteV_93">[93]</a></p> </div> <p class="right">[<i>Exeunt</i>]</p> -<p><span class="pagenum"><a name="Page_160" id="Page_160"></a>160</span></p> +<p><span class="pagenum"><a id="Page_160"></a>160</span></p> <h4 class="scene"> -<a name="sceneV_4" id="sceneV_4"> +<a id="sceneV_4"> <span class="scenenum">V. 4</span> -<span class="smallcaps">Scene IV.</span></a><a class="tag" name="tagV_94" id="tagV_94" href="#noteV_94">[94]</a> <i>Another part of the field.</i><a class="tag" name="tagV_95" id="tagV_95" href="#noteV_95">[95]</a></h4> +<span class="smallcaps">Scene IV.</span></a><a class="tag" id="tagV_94" href="#noteV_94">[94]</a> <i>Another part of the field.</i><a class="tag" id="tagV_95" href="#noteV_95">[95]</a></h4> -<p class="scenedesc">Alarum. Enter <span class="charname">Brutus</span>, young <span class="charname">Cato</span>, <span class="charname">Lucilius,</span> and others<span class="normal"><a class="tag" name="tagV_96" id="tagV_96" href="#noteV_96">[96]</a></span></p> +<p class="scenedesc">Alarum. Enter <span class="charname">Brutus</span>, young <span class="charname">Cato</span>, <span class="charname">Lucilius,</span> and others<span class="normal"><a class="tag" id="tagV_96" href="#noteV_96">[96]</a></span></p> <div class="verse"> <p><span class="charname">Brutus.</span> Yet, countrymen, O, yet hold up your heads!</p> </div> <div class="verse"> -<p><span class="charname">Cato.</span> What bastard doth not?<a class="tag" name="tagV_97" id="tagV_97" href="#noteV_97">[97]</a> Who will go with me?</p> +<p><span class="charname">Cato.</span> What bastard doth not?<a class="tag" id="tagV_97" href="#noteV_97">[97]</a> Who will go with me?</p> <p>I will proclaim my name about the field.</p> <p>I am the son of Marcus Cato, ho!</p> <p><span class="linenum">5</span>A foe to tyrants, and my country's friend;</p> @@ -9966,11 +10008,11 @@ away, go!</p> <p class="entrance">Enter <span class="normal">Soldiers</span>, and fight</p> <div class="verse"> -<p><span class="charname">Lucilius.</span><a class="tag" name="tagV_98" id="tagV_98" href="#noteV_98">[98]</a> And I am Brutus, Marcus Brutus, I;</p> -<p>Brutus, my country's friend; know me for Brutus!<a class="tag" name="tagV_99" id="tagV_99" href="#noteV_99">[99]</a></p> +<p><span class="charname">Lucilius.</span><a class="tag" id="tagV_98" href="#noteV_98">[98]</a> And I am Brutus, Marcus Brutus, I;</p> +<p>Brutus, my country's friend; know me for Brutus!<a class="tag" id="tagV_99" href="#noteV_99">[99]</a></p> <p>O young and noble Cato, art thou down?</p> <p><span class="linenum">10</span>Why, now thou diest as bravely as Titinius;</p> -<p>And mayst be honour'd, being Cato's son.<a class="tag" name="tagV_100" id="tagV_100" href="#noteV_100">[100]</a><a class="tag" name="tagV_101" id="tagV_101" href="#noteV_101">[101]</a></p> +<p>And mayst be honour'd, being Cato's son.<a class="tag" id="tagV_100" href="#noteV_100">[100]</a><a class="tag" id="tagV_101" href="#noteV_101">[101]</a></p> </div> <div class="verse"> @@ -9980,18 +10022,18 @@ away, go!</p> <div class="verse"> <p class="float"><span class="charname">Lucilius.</span></p> <p class="iamb3">Only I yield to die:</p> -<p><span class="pagenum"><a name="Page_161" id="Page_161"></a>161</span></p> +<p><span class="pagenum"><a id="Page_161"></a>161</span></p> <p>There is so much that thou wilt kill me straight;</p> </div> -<p class="right">[<i>Offering money</i>]<a class="tag" name="tagV_102" id="tagV_102" href="#noteV_102">[102]</a></p> +<p class="right">[<i>Offering money</i>]<a class="tag" id="tagV_102" href="#noteV_102">[102]</a></p> <div class="verse"> <p>Kill Brutus, and be honour'd in his death.</p> </div> <div class="verse"> -<p><span class="linenum">15</span><span class="charname">1 Soldier.</span><a class="tag" name="tagV_103" id="tagV_103" href="#noteV_103">[103]</a> We must not. A noble prisoner!</p> +<p><span class="linenum">15</span><span class="charname">1 Soldier.</span><a class="tag" id="tagV_103" href="#noteV_103">[103]</a> We must not. A noble prisoner!</p> </div> <div class="verse"> @@ -9999,10 +10041,10 @@ away, go!</p> </div> <div class="verse"> -<p><span class="charname">1 Soldier.</span> I'll tell the news.<a class="tag" name="tagV_104" id="tagV_104" href="#noteV_104">[104]</a> Here comes the general.</p> +<p><span class="charname">1 Soldier.</span> I'll tell the news.<a class="tag" id="tagV_104" href="#noteV_104">[104]</a> Here comes the general.</p> </div> -<p class="entrance">Enter <span class="charname">Antony</span><span class="normal"><a class="tag" name="tagV_105" id="tagV_105" href="#noteV_105">[105]</a></span></p> +<p class="entrance">Enter <span class="charname">Antony</span><span class="normal"><a class="tag" id="tagV_105" href="#noteV_105">[105]</a></span></p> <div class="verse"> <p>Brutus is ta'en, Brutus is ta'en, my lord.</p> @@ -10022,12 +10064,12 @@ away, go!</p> </div> <div class="verse"> -<p><span class="charname">Antony.</span> This is not Brutus, friend;<a class="tag" name="tagV_106" id="tagV_106" href="#noteV_106">[106]</a> but, I assure you,</p> +<p><span class="charname">Antony.</span> This is not Brutus, friend;<a class="tag" id="tagV_106" href="#noteV_106">[106]</a> but, I assure you,</p> <p>A prize no less in worth: keep this man safe,</p> <p>Give him all kindness: I had rather have</p> -<p>Such men my friends than enemies.<a class="tag" name="tagV_107" id="tagV_107" href="#noteV_107">[107]</a> Go on,</p> -<p><span class="pagenum"><a name="Page_162" id="Page_162"></a>162</span></p> -<p><span class="linenum">30</span>And see where<a class="tag" name="tagV_108" id="tagV_108" href="#noteV_108">[108]</a> Brutus be alive or dead;</p> +<p>Such men my friends than enemies.<a class="tag" id="tagV_107" href="#noteV_107">[107]</a> Go on,</p> +<p><span class="pagenum"><a id="Page_162"></a>162</span></p> +<p><span class="linenum">30</span>And see where<a class="tag" id="tagV_108" href="#noteV_108">[108]</a> Brutus be alive or dead;</p> <p>And bring us word unto Octavius' tent</p> <p>How every thing is chanc'd.</p> </div> @@ -10035,9 +10077,9 @@ away, go!</p> <p class="right">[<i>Exeunt</i>]</p> <h4 class="scene"> -<a name="sceneV_5" id="sceneV_5"> +<a id="sceneV_5"> <span class="scenenum">V. 5</span> -<span class="smallcaps">Scene V.</span></a><a class="tag" name="tagV_109" id="tagV_109" href="#noteV_109">[109]</a> <i>Another part of the field</i><a class="tag" name="tagV_110" id="tagV_110" href="#noteV_110">[110]</a></h4> +<span class="smallcaps">Scene V.</span></a><a class="tag" id="tagV_109" href="#noteV_109">[109]</a> <i>Another part of the field</i><a class="tag" id="tagV_110" href="#noteV_110">[110]</a></h4> <p class="entrance">Enter <span class="charname">Brutus</span>, <span class="charname">Dardanius</span>, <span class="charname">Clitus</span>, <span class="charname">Strato</span>, and <span class="charname">Volumnius</span></p> @@ -10047,17 +10089,17 @@ away, go!</p> <div class="verse"> <p><span class="charname">Clitus.</span> Statilius show'd the torch-light, but, my lord;</p> -<p>He came not back. He is or ta'en or slain.<a class="tag" name="tagV_111" id="tagV_111" href="#noteV_111">[111]</a></p> +<p>He came not back. He is or ta'en or slain.<a class="tag" id="tagV_111" href="#noteV_111">[111]</a></p> </div> -<p><span class="pagenum"><a name="Page_163" id="Page_163"></a>163</span></p> +<p><span class="pagenum"><a id="Page_163"></a>163</span></p> <div class="verse"> <p><span class="charname">Brutus.</span> Sit thee down, Clitus: slaying is the word;</p> <p><span class="linenum">5</span>It is a deed in fashion. Hark thee, Clitus.</p> </div> -<p class="right">[<i>Whispering</i>]<a class="tag" name="tagV_112" id="tagV_112" href="#noteV_112">[112]</a></p> +<p class="right">[<i>Whispering</i>]<a class="tag" id="tagV_112" href="#noteV_112">[112]</a></p> <div class="verse"> <p><span class="charname">Clitus.</span> What, I, my lord? No, not for all the world.</p> @@ -10076,11 +10118,11 @@ away, go!</p> <p><span class="charname">Brutus.</span> Hark thee, Dardanius.</p> </div> -<p class="right">[<i>Whispering</i>]<a class="tag" name="tagV_112b" id="tagV_112b" href="#noteV_112">[112]</a></p> +<p class="right">[<i>Whispering</i>]<a class="tag" id="tagV_112b" href="#noteV_112">[112]</a></p> <div class="verse"> <p class="float"><span class="charname">Dardanius.</span></p> -<p class="iamb3">Shall<a class="tag" name="tagV_113" id="tagV_113" href="#noteV_113">[113]</a> I do such a deed?</p> +<p class="iamb3">Shall<a class="tag" id="tagV_113" href="#noteV_113">[113]</a> I do such a deed?</p> </div> <div class="verse"> @@ -10100,7 +10142,7 @@ away, go!</p> </div> <div class="verse"> -<p><span class="charname">Clitus.</span> Now is that noble vessel full<a class="tag" name="tagV_114" id="tagV_114" href="#noteV_114">[114]</a> of grief,</p> +<p><span class="charname">Clitus.</span> Now is that noble vessel full<a class="tag" id="tagV_114" href="#noteV_114">[114]</a> of grief,</p> <p>That it runs over even at his eyes.</p> </div> @@ -10108,7 +10150,7 @@ away, go!</p> <p><span class="linenum">15</span><span class="charname">Brutus.</span> Come hither, good Volumnius; list a word.</p> </div> -<p><span class="pagenum"><a name="Page_164" id="Page_164"></a>164</span></p> +<p><span class="pagenum"><a id="Page_164"></a>164</span></p> <div class="verse"> <p><span class="charname">Volumnius.</span> What says my lord?</p> @@ -10117,7 +10159,7 @@ away, go!</p> <div class="verse"> <p class="float"><span class="charname">Brutus.</span></p> <p class="iamb3">Why, this, Volumnius:</p> -<p>The ghost of Cæsar hath appear'd to me<a class="tag" name="tagV_115" id="tagV_115" href="#noteV_115">[115]</a></p> +<p>The ghost of Cæsar hath appear'd to me<a class="tag" id="tagV_115" href="#noteV_115">[115]</a></p> <p>Two several times by night; at Sardis once,</p> <p>And, this last night, here in Philippi fields:</p> <p>I know my hour is come.</p> @@ -10135,9 +10177,9 @@ away, go!</p> <p class="right">[<i>Low alarums</i>]</p> <p>It is more worthy to leap in ourselves</p> <p><span class="linenum">25</span>Than tarry till they push us. Good Volumnius,</p> -<p>Thou know'st that we two went to school together:<a class="tag" name="tagV_116" id="tagV_116" href="#noteV_116">[116]</a></p> -<p>Even for that our love of old, I prithee,<a class="tag" name="tagV_117" id="tagV_117" href="#noteV_117">[117]</a></p> -<p>Hold thou my sword-hilts,<a class="tag" name="tagV_118" id="tagV_118" href="#noteV_118">[118]</a> whilst<a class="tag" name="tagV_119" id="tagV_119" href="#noteV_119">[119]</a> I run on it.</p> +<p>Thou know'st that we two went to school together:<a class="tag" id="tagV_116" href="#noteV_116">[116]</a></p> +<p>Even for that our love of old, I prithee,<a class="tag" id="tagV_117" href="#noteV_117">[117]</a></p> +<p>Hold thou my sword-hilts,<a class="tag" id="tagV_118" href="#noteV_118">[118]</a> whilst<a class="tag" id="tagV_119" href="#noteV_119">[119]</a> I run on it.</p> </div> <div class="verse"> @@ -10150,15 +10192,15 @@ away, go!</p> <p><span class="linenum">30</span><span class="charname">Clitus.</span> Fly, fly, my lord; there is no tarrying here.</p> <p><span class="charname">Brutus.</span> Farewell to you; and you; and you, Volumnius.</p> <p>Strato, thou hast been all this while asleep;</p> -<p><span class="pagenum"><a name="Page_165" id="Page_165"></a>165</span></p> -<p>Farewell to thee, too, Strato.<a class="tag" name="tagV_120" id="tagV_120" href="#noteV_120">[120]</a> Countrymen,</p> -<p>My heart doth joy that yet in<a class="tag" name="tagV_121" id="tagV_121" href="#noteV_121">[121]</a> all my life</p> +<p><span class="pagenum"><a id="Page_165"></a>165</span></p> +<p>Farewell to thee, too, Strato.<a class="tag" id="tagV_120" href="#noteV_120">[120]</a> Countrymen,</p> +<p>My heart doth joy that yet in<a class="tag" id="tagV_121" href="#noteV_121">[121]</a> all my life</p> <p><span class="linenum">35</span>I found no man but he was true to me.</p> -<p>I shall have glory by this losing<a class="tag" name="tagV_122" id="tagV_122" href="#noteV_122">[122]</a> day,</p> +<p>I shall have glory by this losing<a class="tag" id="tagV_122" href="#noteV_122">[122]</a> day,</p> <p>More than Octavius and Mark Antony</p> <p>By this vile conquest shall attain unto.</p> <p>So, fare you well at once; for Brutus' tongue</p> -<p><span class="linenum">40</span>Hath almost ended his life's<a class="tag" name="tagV_123" id="tagV_123" href="#noteV_123">[123]</a> history:</p> +<p><span class="linenum">40</span>Hath almost ended his life's<a class="tag" id="tagV_123" href="#noteV_123">[123]</a> history:</p> <p>Night hangs upon mine eyes; my bones would rest,</p> <p>That have but labour'd to attain this hour.</p> </div> @@ -10170,18 +10212,18 @@ away, go!</p> </div> <div class="verse"> -<p class="float"><span class="charname">Brutus.<a class="tag" name="tagV_124" id="tagV_124" href="#noteV_124">[124]</a></span></p> +<p class="float"><span class="charname">Brutus.<a class="tag" id="tagV_124" href="#noteV_124">[124]</a></span></p> <p class="iamb2">Hence! I will follow.</p> </div> -<p class="right">[<i>Exeunt</i> <span class="charname">Clitus</span>, <span class="charname">Dardanius</span>, <i>and</i> <span class="charname">Volumnius</span>]<a class="tag" name="tagV_125" id="tagV_125" href="#noteV_125">[125]</a></p> +<p class="right">[<i>Exeunt</i> <span class="charname">Clitus</span>, <span class="charname">Dardanius</span>, <i>and</i> <span class="charname">Volumnius</span>]<a class="tag" id="tagV_125" href="#noteV_125">[125]</a></p> <div class="verse"> <p>I prithee, Strato, stay thou by thy lord:</p> -<p><span class="pagenum"><a name="Page_166" id="Page_166"></a>166</span></p> -<p><span class="linenum">45</span>Thou art a fellow of a good respect;<a class="tag" name="tagV_126" id="tagV_126" href="#noteV_126">[126]</a></p> -<p>Thy life hath had some smatch<a class="tag" name="tagV_127" id="tagV_127" href="#noteV_127">[127]</a> of honour in it:</p> -<p>Hold then my sword, and turn away thy face,<a class="tag" name="tagV_128" id="tagV_128" href="#noteV_128">[128]</a></p> +<p><span class="pagenum"><a id="Page_166"></a>166</span></p> +<p><span class="linenum">45</span>Thou art a fellow of a good respect;<a class="tag" id="tagV_126" href="#noteV_126">[126]</a></p> +<p>Thy life hath had some smatch<a class="tag" id="tagV_127" href="#noteV_127">[127]</a> of honour in it:</p> +<p>Hold then my sword, and turn away thy face,<a class="tag" id="tagV_128" href="#noteV_128">[128]</a></p> <p>While I do run upon it. Wilt thou, Strato?</p> </div> @@ -10190,14 +10232,14 @@ away, go!</p> </div> <div class="verse"> -<p><span class="charname">Brutus</span>. Farewell, good Strato. [<i>Runs on his sword</i>]<a class="tag" name="tagV_129" id="tagV_129" href="#noteV_129">[129]</a></p> +<p><span class="charname">Brutus</span>. Farewell, good Strato. [<i>Runs on his sword</i>]<a class="tag" id="tagV_129" href="#noteV_129">[129]</a></p> <p><span class="linenum">50</span>Cæsar, now be still:</p> <p>I kill'd not thee with half so good a will.</p> </div> <p class="right">[<i>Dies</i>]</p> -<p class="scenedesc">Alarum.<span class="normal"><a class="tag" name="tagV_130" id="tagV_130" href="#noteV_130">[130]</a></span> Retreat. Enter <span class="charname">Antony</span>, <span class="charname">Octavius</span>, <span class="charname">Messala</span>.</p> +<p class="scenedesc">Alarum.<span class="normal"><a class="tag" id="tagV_130" href="#noteV_130">[130]</a></span> Retreat. Enter <span class="charname">Antony</span>, <span class="charname">Octavius</span>, <span class="charname">Messala</span>.</p> <div class="verse"> <p><span class="charname">Lucilius</span>, and the <span class="normal">Army</span></p> @@ -10223,15 +10265,15 @@ away, go!</p> <p>That thou hast prov'd Lucilius' saying true.</p> </div> -<p><span class="pagenum"><a name="Page_167" id="Page_167"></a>167</span></p> +<p><span class="pagenum"><a id="Page_167"></a>167</span></p> <div class="verse"> -<p><span class="linenum">60</span><span class="charname">Octavius</span>. All that serv'd Brutus, I will entertain them.<a class="tag" name="tagV_131" id="tagV_131" href="#noteV_131">[131]</a></p> +<p><span class="linenum">60</span><span class="charname">Octavius</span>. All that serv'd Brutus, I will entertain them.<a class="tag" id="tagV_131" href="#noteV_131">[131]</a></p> <p>Fellow, wilt thou bestow thy time with me?</p> </div> <div class="verse"> -<p><span class="charname">Strato</span>. Ay, if Messala will prefer<a class="tag" name="tagV_132" id="tagV_132" href="#noteV_132">[132]</a> me to you.</p> +<p><span class="charname">Strato</span>. Ay, if Messala will prefer<a class="tag" id="tagV_132" href="#noteV_132">[132]</a> me to you.</p> </div> <div class="verse"> @@ -10239,7 +10281,7 @@ away, go!</p> </div> <div class="verse"> -<p><span class="charname">Messala</span>. How died my master,<a class="tag" name="tagV_133" id="tagV_133" href="#noteV_133">[133]</a> Strato?</p> +<p><span class="charname">Messala</span>. How died my master,<a class="tag" id="tagV_133" href="#noteV_133">[133]</a> Strato?</p> </div> <div class="verse"> @@ -10252,31 +10294,31 @@ away, go!</p> </div> <div class="verse"> -<p><span class="charname">Antony</span>. This was the noblest Roman of them all:<a class="tag" name="tagV_134" id="tagV_134" href="#noteV_134">[134]</a></p> +<p><span class="charname">Antony</span>. This was the noblest Roman of them all:<a class="tag" id="tagV_134" href="#noteV_134">[134]</a></p> <p>All the conspirators, save only he,</p> -<p><span class="linenum">70</span>Did that they did in envy of great Cæsar;<a class="tag" name="tagV_135" id="tagV_135" href="#noteV_135">[135]</a></p> -<p>He only, in<a class="tag" name="tagV_136" id="tagV_136" href="#noteV_136">[136]</a> a general honest thought</p> -<p>And<a class="tag" name="tagV_137" id="tagV_137" href="#noteV_137">[137]</a> common good to all, made one of them.</p> +<p><span class="linenum">70</span>Did that they did in envy of great Cæsar;<a class="tag" id="tagV_135" href="#noteV_135">[135]</a></p> +<p>He only, in<a class="tag" id="tagV_136" href="#noteV_136">[136]</a> a general honest thought</p> +<p>And<a class="tag" id="tagV_137" href="#noteV_137">[137]</a> common good to all, made one of them.</p> <p>His life was gentle, and the elements</p> -<p>So mix'd in him,<a class="tag" name="tagV_138" id="tagV_138" href="#noteV_138">[138]</a> that Nature might stand up</p> +<p>So mix'd in him,<a class="tag" id="tagV_138" href="#noteV_138">[138]</a> that Nature might stand up</p> <p><span class="linenum">75</span>And say to all the world, 'This was a man!'</p> </div> -<p><span class="pagenum"><a name="Page_168" id="Page_168"></a>168</span></p> +<p><span class="pagenum"><a id="Page_168"></a>168</span></p> <div class="verse"> <p><span class="charname">Octavius.</span> According to his virtue let us use him,</p> -<p>With all<a class="tag" name="tagV_139" id="tagV_139" href="#noteV_139">[139]</a> respect and rites of burial.</p> +<p>With all<a class="tag" id="tagV_139" href="#noteV_139">[139]</a> respect and rites of burial.</p> <p>Within my tent his bones to-night shall lie,</p> -<p>Most like a soldier,<a class="tag" name="tagV_140" id="tagV_140" href="#noteV_140">[140]</a> ordered<a class="tag" name="tagV_141" id="tagV_141" href="#noteV_141">[141]</a> honourably.</p> -<p><span class="linenum">80</span>So call the field to rest;<a class="tag" name="tagV_142" id="tagV_142" href="#noteV_142">[142]</a> and let's away</p> -<p>To part<a class="tag" name="tagV_143" id="tagV_143" href="#noteV_143">[143]</a> the glories of this happy day.</p> +<p>Most like a soldier,<a class="tag" id="tagV_140" href="#noteV_140">[140]</a> ordered<a class="tag" id="tagV_141" href="#noteV_141">[141]</a> honourably.</p> +<p><span class="linenum">80</span>So call the field to rest;<a class="tag" id="tagV_142" href="#noteV_142">[142]</a> and let's away</p> +<p>To part<a class="tag" id="tagV_143" href="#noteV_143">[143]</a> the glories of this happy day.</p> </div> -<p class="right">[<i>Exeunt</i>]<a class="tag" name="tagV_144" id="tagV_144" href="#noteV_144">[144]</a></p> +<p class="right">[<i>Exeunt</i>]<a class="tag" id="tagV_144" href="#noteV_144">[144]</a></p> <p> </p> -<hr /> +<hr > </div> @@ -10284,96 +10326,96 @@ away, go!</p> <h4>Notes</h4> -<p><a name="noteIntro_1" id="noteIntro_1" href="#tagIntro_1">1</a> +<p><a id="noteIntro_1" href="#tagIntro_1">1</a> Professor W.W. Skeat's <i>Shakespeare's Plutarch</i> (The Macmillan Company) gives these <i>Lives</i> in convenient form with a text based upon the edition of 1612.</p> -<p><a name="noteIntro_2" id="noteIntro_2" href="#tagIntro_2">2</a> +<p><a id="noteIntro_2" href="#tagIntro_2">2</a> A Latin translation of Plutarch's <i>Lives</i> was printed at Rome as early as 1470, and there is evidence that through a Latin version the work first attracted the attention of Amyot. But his famous French version, first published in 1559, shows thorough familiarity with the original Greek text.</p> -<p><a name="noteIntro_3" id="noteIntro_3" href="#tagIntro_3">3</a> +<p><a id="noteIntro_3" href="#tagIntro_3">3</a> This title-page is given in facsimile as the <a href="#frontispiece">frontispiece</a> of this volume.</p> -<p><a name="noteIntro_4" id="noteIntro_4" href="#tagIntro_4">4</a> +<p><a id="noteIntro_4" href="#tagIntro_4">4</a> There is a famous copy of this edition in the Greenock Library with the initials "W.S." at the top of the title-page and seventeenth century manuscript notes in <i>The Life of Julius Cæsar</i>. See Skeat's <i>Shakespeare's Plutarch</i>, Introduction, p. xii.</p> -<p><a name="noteIntro_5" id="noteIntro_5" href="#tagIntro_5">5</a> +<p><a id="noteIntro_5" href="#tagIntro_5">5</a> See Trench's <i>Lectures on Plutarch</i>, Leo's <i>Four Chapters of North's Plutarch</i>, and Delius's <i>Shakespeare's Julius Cæsar und seine Quellen in Plutarch</i> (<i>Shakespeare Jahrbuch</i>, XVII, 67).</p> -<p><a name="noteIntro_6" id="noteIntro_6" href="#tagIntro_6">6</a> +<p><a id="noteIntro_6" href="#tagIntro_6">6</a> go.</p> -<p><a name="noteIntro_7" id="noteIntro_7" href="#tagIntro_7">7</a> +<p><a id="noteIntro_7" href="#tagIntro_7">7</a> seized.</p> -<p><a name="noteIntro_8" id="noteIntro_8" href="#tagIntro_8">8</a> +<p><a id="noteIntro_8" href="#tagIntro_8">8</a> foes.</p> -<p><a name="noteIntro_9" id="noteIntro_9" href="#tagIntro_9">9</a> +<p><a id="noteIntro_9" href="#tagIntro_9">9</a> daggers.</p> -<p><a name="noteIntro_10" id="noteIntro_10" href="#tagIntro_10">10</a> +<p><a id="noteIntro_10" href="#tagIntro_10">10</a> groaned.</p> -<p><a name="noteIntro_11" id="noteIntro_11" href="#tagIntro_11">11</a> +<p><a id="noteIntro_11" href="#tagIntro_11">11</a> unless.</p> -<p><a name="noteIntro_12" id="noteIntro_12" href="#tagIntro_12">12</a> +<p><a id="noteIntro_12" href="#tagIntro_12">12</a> Reprinted in Collier's <i>Shakespeare's Library</i>. This translation shows in more than one place the influence of Shakespeare's play. For example, Hamlet's exclamation before he kills Polonius, "A rat! a rat!" is in the English version, but there is no suggestion of it in the French original.</p> -<p><a name="noteIntro_13" id="noteIntro_13" href="#tagIntro_13">13</a> +<p><a id="noteIntro_13" href="#tagIntro_13">13</a> In <i>Notes and Queries</i>, February, 1899.</p> -<p><a name="noteIntro_14" id="noteIntro_14" href="#tagIntro_14">14</a> +<p><a id="noteIntro_14" href="#tagIntro_14">14</a> Leonard Digges also wrote verses "To the Memorie of the deceased Authour Maister W. Shakespeare," prefixed to the First Folio.</p> -<p><a name="noteIntro_15" id="noteIntro_15" href="#tagIntro_15">15</a> +<p><a id="noteIntro_15" href="#tagIntro_15">15</a> In <i>The Academy</i>, September 18, 1875. See also <i>The Leopold Shakspere</i>, Introduction.</p> -<p><a name="noteIntro_16" id="noteIntro_16" href="#tagIntro_16">16</a> +<p><a id="noteIntro_16" href="#tagIntro_16">16</a> <i>Julius Cæsar</i>, The Clarendon Press, Introduction, p. viii.</p> -<p><a name="noteIntro_17" id="noteIntro_17" href="#tagIntro_17">17</a> +<p><a id="noteIntro_17" href="#tagIntro_17">17</a> This is strong evidence that the play had not been printed at an earlier date.</p> -<p><a name="noteIntro_18" id="noteIntro_18" href="#tagIntro_18">18</a> +<p><a id="noteIntro_18" href="#tagIntro_18">18</a> "... Absolute in their numbers, as he conceiued them.... His mind and hand went together: And what he thought, he vttered with that easinesse, that wee haue scarse receiued from him a blot in his papers" (Heminge and Condell's Address "To the great Variety of Readers," First Folio).</p> -<p><a name="noteIntro_19" id="noteIntro_19" href="#tagIntro_19">19</a> +<p><a id="noteIntro_19" href="#tagIntro_19">19</a> Mr. F.G. Fleay in his Shakespeare Manual (1876) argues that "this play as we have it is an abridgement of Shakespeare's play made by Ben Jonson."</p> -<p><a name="noteIntro_20" id="noteIntro_20" href="#tagIntro_20">20</a> +<p><a id="noteIntro_20" href="#tagIntro_20">20</a> For an interesting defense of the so-called 'dragging' tendency and episodical character of the third scene of the fourth act, see -Professor A.C. Bradley's <i>Shakespearean Tragedy</i>, pp. 55-61.</p> +Professor A.C. Bradley's <i>Shakespearean Tragedy</i>, pp. 55–61.</p> -<p><a name="noteIntro_21" id="noteIntro_21" href="#tagIntro_21">21</a> +<p><a id="noteIntro_21" href="#tagIntro_21">21</a> "It must be understood that a play can be analyzed into very different schemes of plot. It must not be thought that one of these schemes is right and the rest wrong; but the schemes will be better @@ -10381,63 +10423,63 @@ or worse in proportion as—while of course representing correctly the facts of the play—they bring out more or less of what ministers to our sense of design."—Moulton.</p> -<p><a name="noteIntro_22" id="noteIntro_22" href="#tagIntro_22">22</a> +<p><a id="noteIntro_22" href="#tagIntro_22">22</a> Professor J. Churton Collins's <i>Shakespeare as a Prose Writer</i>. -See Delius's <i>Die Prosa in Shakespeares Dramen (Shakespeare Jahrbuch</i>, -V, 227-273); Janssen's <i>Die Prosa in Shakespeares Dramen</i>; +See Delius's <i>Die Prosa in Shakespeares Dramen</i> (<i>Shakespeare Jahrbuch</i>, +V, 227–273); Janssen's <i>Die Prosa in Shakespeares Dramen</i>; Professor Hiram Corson's <i>An Introduction to the Study of Shakespeare</i>, -pp. 83-98.</p> +pp. 83–98.</p> <p><b>Act I</b></p> -<p><a name="noteI_1" id="noteI_1" href="#tagI_1">I.1</a> +<p><a id="noteI_1" href="#tagI_1">I.1</a> <span class="smallcaps">Dramatis Personæ.</span> Rowe was the first to give a list of Dramatis Personæ. His list was imperfect and Theobald enlarged it.</p> -<p><a name="noteI_2" id="noteI_2" href="#tagI_2">I.2</a> +<p><a id="noteI_2" href="#tagI_2">I.2</a> <span class="charname">Antonius.</span> In <a href="#tagI_54">I, ii, 3</a>, 4, 6, the First Folio gives the name in the Italian form, 'Antonio.' See <a href="#noteI_54">note, p. 9, l. 3.</a></p> -<p><a name="noteI_3" id="noteI_3" href="#tagI_3">I.3</a> +<p><a id="noteI_3" href="#tagI_3">I.3</a> <span class="charname">Decius Brutus.</span> The true classical name was Decimus Brutus. In Amyot's <i>Les Vies des hommes illustres grecs et latins</i> (1559) and in North's Plutarch (1579) the name is given as in Shakespeare.</p> -<p><a name="noteI_4" id="noteI_4" href="#tagI_4">I.4</a> +<p><a id="noteI_4" href="#tagI_4">I.4</a> <span class="charname">Marullus.</span> Theobald's emendation for the Murellus (Murrellus, <a href="#tagI_174">I, ii, 281</a>) of the First Folio. Marullus is the spelling in North's Plutarch.</p> -<p><a name="noteI_5" id="noteI_5" href="#tagI_5">I.5</a> +<p><a id="noteI_5" href="#tagI_5">I.5</a> <span class="charname">Artemidorus.</span> Rowe (1709) had 'Artimedorus (Artemidorus, 1714) a Soothsayer.' This Theobald altered to 'Artemidorus, a Sophist of Cnidos,' and made the Soothsayer a separate character.</p> -<p><a name="noteI_6" id="noteI_6" href="#tagI_6">I.6</a> +<p><a id="noteI_6" href="#tagI_6">I.6</a> <span class="charname">Calpurnia.</span> Occasionally in North's Plutarch (twice in <i>Julius Cæsar</i>) and always in the First Folio the name is given as 'Calphurnia.'</p> -<p><a name="noteI_7" id="noteI_7" href="#tagI_7">I.7</a> +<p><a id="noteI_7" href="#tagI_7">I.7</a> ACT I, <span class="smallcaps">Scene I</span> | Actus Primus. Scœna Prima Ff.—<i>Rome. A street</i> Capell | Rome Rowe | Ff omit.—Commoners Ff | Plebeians Hanmer.</p> -<p><a name="noteI_8" id="noteI_8" href="#tagI_8">I.8</a> +<p><a id="noteI_8" href="#tagI_8">I.8</a> <span class="smallcaps">Act</span> I. In the First Folio <i>The Tragedie of Julius Cæsar</i> is divided into acts but not into scenes, though 'Scœna (so spelled in the Folios) Prima' is given here after 'Actus Primus.'—<i>over the stage</i>. This, the Folio stage direction, suggests a mob.</p> -<p><a name="noteI_9" id="noteI_9" href="#tagI_9">I.9</a> +<p><a id="noteI_9" href="#tagI_9">I.9</a> <b>Being mechanical:</b> being mechanics. Shakespeare often uses adjectives with the sense of plural substantives. Cf. 'subject' in <i>Hamlet</i>, I, i, 72. Twice in North's Plutarch occurs "base mechanical people."</p> -<p><a name="noteI_10" id="noteI_10" href="#tagI_10">I.10</a> +<p><a id="noteI_10" href="#tagI_10">I.10</a> <b>ought not walk:</b> See Abbott, § 349.</p> -<p><a name="noteI_11" id="noteI_11" href="#tagI_11">I.11</a> +<p><a id="noteI_11" href="#tagI_11">I.11</a> Shakespeare transfers to ancient Rome the English customs and usages of his own time. In Porter and Clarke's 'First Folio' <i>Julius Cæsar</i>, it is mentioned that Shakespeare's uncle Henry, a @@ -10445,71 +10487,71 @@ farmer in Snitterfield, according to a court order of October 25, 1583, was fined "viii d for not havinge and wearinge cappes on Sondayes and hollydayes."</p> -<p><a name="noteI_12" id="noteI_12" href="#tagI_12">I.12</a> +<p><a id="noteI_12" href="#tagI_12">I.12</a> <span class="charname">Carpenter</span> | Car. Ff | First Com. Camb | 1 Pleb. Hanmer.</p> -<p><a name="noteI_13" id="noteI_13" href="#tagI_13">I.13</a> +<p><a id="noteI_13" href="#tagI_13">I.13</a> <b>You.</b> On 'you' as distinct from 'thou,' see Abbott, § 232.</p> -<p><a name="noteI_14" id="noteI_14" href="#tagI_14">I.14</a> +<p><a id="noteI_14" href="#tagI_14">I.14</a> <span class="charname">Cobbler</span> | Cobl. Ff | Sec. Com. Camb.</p> -<p><a name="noteI_15" id="noteI_15" href="#tagI_15">I.15</a> +<p><a id="noteI_15" href="#tagI_15">I.15</a> <b>in respect of</b>: in comparison with. So in <i>The Psalter</i> (Book of Common Prayer), xxxix, 6. Cf. <i>Hamlet</i>, V, ii, 120.</p> -<p><a name="noteI_16" id="noteI_16" href="#tagI_16">I.16</a> +<p><a id="noteI_16" href="#tagI_16">I.16</a> <b>cobbler</b>. This word was used of a coarse workman, or a bungler, in any mechanical trade. So the Cobbler's answer does not give the information required, though it contains a quibble.</p> -<p><a name="noteI_17" id="noteI_17" href="#tagI_17">I.17</a> +<p><a id="noteI_17" href="#tagI_17">I.17</a> in a straightforward manner, without evasion.</p> -<p><a name="noteI_18" id="noteI_18" href="#tagI_18">I.18</a> +<p><a id="noteI_18" href="#tagI_18">I.18</a> <b>soles</b> | soules F<sub>1</sub>F<sub>2</sub> | soals F<sub>4</sub>.</p> -<p><a name="noteI_19" id="noteI_19" href="#tagI_19">I.19</a> +<p><a id="noteI_19" href="#tagI_19">I.19</a> <b>soles</b>. The First Folio spelling, 'soules,' brings out the pun. This 'immemorial quibble,' as Craik calls it, is found also in <i>The Merchant of Venice</i>, IV, i, 123: "Not on thy sole, but on thy soul."</p> -<p><a name="noteI_20" id="noteI_20" href="#tagI_20">I.20</a> +<p><a id="noteI_20" href="#tagI_20">I.20</a> <span class="charname">Flavius</span> | Fla. Ff | Mur. Capell | Mar. Globe Camb.</p> -<p><a name="noteI_21" id="noteI_21" href="#tagI_21">I.21</a> +<p><a id="noteI_21" href="#tagI_21">I.21</a> Modern editors give this speech to Marullus, but the Folio arrangement is more natural and dramatic, the two Tribunes alternately rating the people, as Knight puts it, like two smiths smiting on the same anvil.</p> -<p><a name="noteI_22" id="noteI_22" href="#tagI_22">I.22</a> +<p><a id="noteI_22" href="#tagI_22">I.22</a> A quibble upon two common meanings of 'out'—(1) 'at variance,' as in "Launcelot and I are out," <i>The Merchant of Venice</i>, III, v, 34; and (2) as in 'out at heels,' or 'out at toes.'</p> -<p><a name="noteI_23" id="noteI_23" href="#tagI_23">I.23</a> +<p><a id="noteI_23" href="#tagI_23">I.23</a> <span class="charname">Marullus</span> | Mur. Ff.</p> -<p><a name="noteI_24" id="noteI_24" href="#tagI_24">I.24</a> +<p><a id="noteI_24" href="#tagI_24">I.24</a> withal I F<sub>1</sub> | withall I F<sub>2</sub>F<sub>3</sub> | withawl. I (Farmer's conj.) Camb Globe | with all. I Capell.</p> -<p><a name="noteI_25" id="noteI_25" href="#tagI_25">I.25</a> +<p><a id="noteI_25" href="#tagI_25">I.25</a> The text of the First Folio needs no emendation. It is good prose and involves a neat pun.</p> -<p><a name="noteI_26" id="noteI_26" href="#tagI_26">I.26</a> +<p><a id="noteI_26" href="#tagI_26">I.26</a> <b>proper:</b> goodly, handsome. This word has often this meaning in Elizabethan literature, and is still so used in provincial England. Cf. <i>The Tempest</i>, II, ii, 63; <i>Hebrews</i> (King James version), xi, 23; Burns's <i>The Jolly Beggars</i>: "And still my delight is in proper young men."</p> -<p><a name="noteI_27" id="noteI_27" href="#tagI_27">I.27</a> +<p><a id="noteI_27" href="#tagI_27">I.27</a> <b>trod upon neat's-leather</b>. This expression and "as proper a man as" are repeated in the second scene of the second act of <i>The Tempest</i>.—<b>neat's-leather</b>: ox-hide. 'Neat' is Anglo-Saxon <i>neát</i>, @@ -10518,46 +10560,46 @@ See <i>The Winter's Tale</i>, I, ii, 125. The form 'nowt' is still in common use in the North of England and the South of Scotland. Cf. Burns's <i>The Twa Dogs</i>: "To thrum guitars an' fecht wi nowte."</p> -<p><a name="noteI_28" id="noteI_28" href="#tagI_28">I.28</a> +<p><a id="noteI_28" href="#tagI_28">I.28</a> l. 34 Two lines in Ff.</p> -<p><a name="noteI_29" id="noteI_29" href="#tagI_29">I.29</a> +<p><a id="noteI_29" href="#tagI_29">I.29</a> <b>Many a time and oft</b>. This form of emphasis occurs also in <i>The Merchant of Venice</i>, I, iii, 107. Cf. <i>Timon of Athens</i>, III, i, 25.</p> -<p><a name="noteI_30" id="noteI_30" href="#tagI_30">I.30</a> +<p><a id="noteI_30" href="#tagI_30">I.30</a> Pompey? Many ... oft Have Rowe | Pompey many ... oft? Have Ff.</p> -<p><a name="noteI_31" id="noteI_31" href="#tagI_31">I.31</a> +<p><a id="noteI_31" href="#tagI_31">I.31</a> <b>windows</b>, Rowe | Windowes? Ff.</p> -<p><a name="noteI_32" id="noteI_32" href="#tagI_32">I.32</a> +<p><a id="noteI_32" href="#tagI_32">I.32</a> <b>Rome</b>: Ff | Rome? Rowe.</p> -<p><a name="noteI_33" id="noteI_33" href="#tagI_33">I.33</a> +<p><a id="noteI_33" href="#tagI_33">I.33</a> <b>That</b>: so that. For the omission of 'so' before 'that,' see Abbott, § 283.</p> -<p><a name="noteI_34" id="noteI_34" href="#tagI_34">I.34</a> +<p><a id="noteI_34" href="#tagI_34">I.34</a> <b>her</b> | his Rowe.</p> -<p><a name="noteI_35" id="noteI_35" href="#tagI_35">I.35</a> +<p><a id="noteI_35" href="#tagI_35">I.35</a> <b>her:</b> In Latin usage rivers are masculine, and 'Father' is a common appellation of 'Tiber.' In Elizabethan literature Drayton generally makes rivers feminine, while Spenser tends to make them masculine.</p> -<p><a name="noteI_36" id="noteI_36" href="#tagI_36">I.36</a> +<p><a id="noteI_36" href="#tagI_36">I.36</a> <b>To hear</b>: at hearing. A gerundive use of the infinitive.</p> -<p><a name="noteI_37" id="noteI_37" href="#tagI_37">I.37</a> +<p><a id="noteI_37" href="#tagI_37">I.37</a> <b>replication</b>: echo, repetition (Lat. <i>replicare</i>, to roll back).</p> -<p><a name="noteI_38" id="noteI_38" href="#tagI_38">I.38</a> +<p><a id="noteI_38" href="#tagI_38">I.38</a> Is this a day to pick out for a holiday?</p> -<p><a name="noteI_39" id="noteI_39" href="#tagI_39">I.39</a> +<p><a id="noteI_39" href="#tagI_39">I.39</a> The reference is to the great battle of Munda, in Spain, which took place in March of the preceding year, <span class="smallcaps">b.c.</span> 45. Cæsar was now celebrating his fifth triumph, which was in honor of his final victory @@ -10567,30 +10609,30 @@ Cnæus perished. "And because he had plucked up his race by the roots, men did not think it meet for him to triumph so for the calamities of his country."—Plutarch, <i>Julius Cæsar</i>.</p> -<p><a name="noteI_40" id="noteI_40" href="#tagI_40">I.40</a> +<p><a id="noteI_40" href="#tagI_40">I.40</a> "It is evident from the opening scene, that Shakespeare, even in dealing with classical subjects, laughed at the classic fear of putting the ludicrous and sublime into juxtaposition. After the low and farcical jests of the saucy cobbler, the eloquence of Marullus 'springs upwards like a pyramid of fire.'"—Campbell.</p> -<p><a name="noteI_41" id="noteI_41" href="#tagI_41">I.41</a> +<p><a id="noteI_41" href="#tagI_41">I.41</a> Till the river rises from the extreme low-water mark to the extreme high-water mark.</p> -<p><a name="noteI_42" id="noteI_42" href="#tagI_42">I.42</a> +<p><a id="noteI_42" href="#tagI_42">I.42</a> [<i>Exeunt</i> ... ] Ff | Exeunt Citizens Capell.</p> -<p><a name="noteI_43" id="noteI_43" href="#tagI_43">I.43</a> +<p><a id="noteI_43" href="#tagI_43">I.43</a> <b>where</b> Ff | whe're Theobald | whêr Dyce | whether Camb.</p> -<p><a name="noteI_44" id="noteI_44" href="#tagI_44">I.44</a> +<p><a id="noteI_44" href="#tagI_44">I.44</a> <b>where:</b> whether. As in <a href="#tagV_108">V, iv, 30</a>, the 'where' of the Folios represents the monosyllabic pronunciation of this word common in the sixteenth century. In Shakespeare's verse the 'th' between two vowels, as in 'brother,' 'other,' 'whither,' is frequently mute.</p> -<p><a name="noteI_45" id="noteI_45" href="#tagI_45">I.45</a> +<p><a id="noteI_45" href="#tagI_45">I.45</a> <b>basest metal:</b> The Folio spelling is 'mettle,' and the word here may connote 'spirit,' 'temper.' If it be taken literally, the reference may be to 'lead.' Cf. 'base lead,' <i>The Merchant of Venice</i>, II, ix, 19. @@ -10599,13 +10641,13 @@ dull and heavy as lead, have yet the sense to be tongue-tied with shame at their conduct. 'Mettle' occurs again in <a href="#tagI_177">I, ii, 293</a>; 'metal' (First Folio, 'mettle') in <a href="#tagI_183">I, ii, 306</a>.</p> -<p><a name="noteI_46" id="noteI_46" href="#tagI_46">I.46</a> +<p><a id="noteI_46" href="#tagI_46">I.46</a> <b>images.</b> These images were the busts and statues of Cæsar, ceremoniously decked with scarfs and badges in honor of his triumph.</p> -<p><a name="noteI_47" id="noteI_47" href="#tagI_47">I.47</a> +<p><a id="noteI_47" href="#tagI_47">I.47</a> <b>ceremonies:</b> ceremonial symbols, festal ornaments. Cf. 'trophies' in l. 71 and 'scarfs' in <a href="#tagI_2_282">I, ii, 282</a>. Shakespeare employs the word in the same way, as an abstract term used for the concrete @@ -10615,7 +10657,7 @@ in the city, with diadems on their heads like kings. Those the two tribunes, Flavius and Marullus, went and pulled down."—Plutarch, <i>Julius Cæsar</i>.</p> -<p><a name="noteI_48" id="noteI_48" href="#tagI_48">I.48</a> +<p><a id="noteI_48" href="#tagI_48">I.48</a> <b>Lupercal.</b> The <i>Lupercalia</i>, originally a shepherd festival, were held in honor of Lupercus, the Roman Pan, on the 15th of February, the month being named from <i>Februus</i>, a surname of the god. Lupercus @@ -10624,28 +10666,28 @@ called because he protected the flocks from wolves. His wife Luperca was the deified she-wolf that suckled Romulus. The festival, in its original idea, was concerned with purification and fertilization.</p> -<p><a name="noteI_49" id="noteI_49" href="#tagI_49">I.49</a> +<p><a id="noteI_49" href="#tagI_49">I.49</a> <b>Cæsar's trophies.</b> These are the scarfs and badges mentioned -in <a href="#noteI_46">note on l. 66</a>, as appears from <a href="#tagI_2_282">ll. 281-282</a> in the next scene, where +in <a href="#noteI_46">note on l. 66</a>, as appears from <a href="#tagI_2_282">ll. 281–282</a> in the next scene, where it is said that the Tribunes "for pulling scarfs off Cæsar's images, are put to silence."</p> -<p><a name="noteI_50" id="noteI_50" href="#tagI_50">I.50</a> +<p><a id="noteI_50" href="#tagI_50">I.50</a> <b>the vulgar:</b> the common people. So in <i>Love's Labour's Lost</i>, I, ii, 51; <i>Henry V</i>, IV, vii, 80.</p> -<p><a name="noteI_51" id="noteI_51" href="#tagI_51">I.51</a> +<p><a id="noteI_51" href="#tagI_51">I.51</a> <b>pitch.</b> A technical term in falconry, denoting the height to which a hawk or falcon flies. Cf. <i>I Henry VI</i>, II, iv, 11: "Between two hawks, which flies the higher pitch."</p> -<p><a name="noteI_52" id="noteI_52" href="#tagI_52">I.52</a> +<p><a id="noteI_52" href="#tagI_52">I.52</a> <span class="smallcaps">Scene</span> ... <i>place</i> | Ff omit.</p> -<p><a name="noteI_53" id="noteI_53" href="#tagI_53">I.53</a> +<p><a id="noteI_53" href="#tagI_53">I.53</a> <b>Antonius'</b> Pope | Antonio's Ff.</p> -<p><a name="noteI_54" id="noteI_54" href="#tagI_54">I.54</a> +<p><a id="noteI_54" href="#tagI_54">I.54</a> <b>Antonius'.</b> The 'Antonio's' of the Folios is the Italian form with which both actors and audience would be more familiar. So in <a href="#tagIV_79">IV, iii, 102</a>, the Folios read "dearer than Pluto's (i.e. Plutus') mine." @@ -10657,11 +10699,11 @@ the god Lupercus; and Antony was at this time at their head. It was probably as chief of the Julian Luperci that he officiated on this occasion, stripped, as the old stage direction has it, "for the course."</p> -<p><a name="noteI_55" id="noteI_55" href="#tagI_55">I.55</a> +<p><a id="noteI_55" href="#tagI_55">I.55</a> <b>Antonius</b> Pope | Antonio Ff (and so elsewhere).</p> -<p><a name="noteI_56" id="noteI_56" href="#tagI_56">I.56</a> +<p><a id="noteI_56" href="#tagI_56">I.56</a> It was an old custom at these festivals for the priests, naked except for a girdle about the loins, to run through the streets of the city, waving in the hand a thong of goat's hide, and striking @@ -10671,53 +10713,53 @@ this time childless; his only daughter, Julia, married to Pompey the Great, having died some years before, upon the birth of her first child, who also died soon after.</p> -<p><a name="noteI_57" id="noteI_57" href="#tagI_57">I.57</a> +<p><a id="noteI_57" href="#tagI_57">I.57</a> [Flourish] Ff omit.</p> -<p><a name="noteI_58" id="noteI_58" href="#tagI_58">I.58</a> +<p><a id="noteI_58" href="#tagI_58">I.58</a> <b>the Ides of March:</b> March 15th.</p> -<p><a name="noteI_59" id="noteI_59" href="#tagI_59">I.59</a> +<p><a id="noteI_59" href="#tagI_59">I.59</a> <b>soothsayer.</b> By derivation, 'truth teller.'</p> -<p><a name="noteI_60" id="noteI_60" href="#tagI_60">I.60</a> +<p><a id="noteI_60" href="#tagI_60">I.60</a> Coleridge has a remark on this line, which, whether true to the subject or not, is very characteristic of the writer: "If my ear does not deceive me, the metre of this line was meant to express that sort of mild philosophic contempt, characterizing Brutus even in his first casual speech."</p> -<p><a name="noteI_61" id="noteI_61" href="#tagI_61">I.61</a> +<p><a id="noteI_61" href="#tagI_61">I.61</a> <b>Sennet.</b> This is an expression occurring repeatedly in old stage directions. It is of uncertain origin (but cf. 'signature' in musical notation) and denotes a peculiar succession of notes on a trumpet, used, as here, to signal the march of a procession.</p> -<p><a name="noteI_62" id="noteI_62" href="#tagI_62">I.62</a> +<p><a id="noteI_62" href="#tagI_62">I.62</a> Scene III Pope.</p> -<p><a name="noteI_63" id="noteI_63" href="#tagI_63">I.63</a> +<p><a id="noteI_63" href="#tagI_63">I.63</a> <b>gamesome:</b> fond of games. Here as in <i>Cymbeline</i>, I, vi, 60, the word seems to be used in a literal and restricted sense.</p> -<p><a name="noteI_64" id="noteI_64" href="#tagI_64">I.64</a> +<p><a id="noteI_64" href="#tagI_64">I.64</a> <b>quick spirit:</b> lively humor. The primary meaning of 'quick' is 'alive,' as in the phrase "the quick and the dead." See Skeat.</p> -<p><a name="noteI_65" id="noteI_65" href="#tagI_65">I.65</a> +<p><a id="noteI_65" href="#tagI_65">I.65</a> <b>as.</b> The three forms 'that,' 'who' ('which'), and 'as' are often interchangeable in Elizabethan usage. So in <a href="#tagI_134">line 174</a>. See Abbott, §§ 112, 280.</p> -<p><a name="noteI_66" id="noteI_66" href="#tagI_66">I.66</a> +<p><a id="noteI_66" href="#tagI_66">I.66</a> You hold me too hard on the bit, like a strange rider who is doubtful of his steed, and not like one who confides in his faithful horse, and so rides him with an easy rein. See <a href="#noteI_185">note</a> on l. 310.</p> -<p><a name="noteI_67" id="noteI_67" href="#tagI_67">I.67</a> +<p><a id="noteI_67" href="#tagI_67">I.67</a> <b>friend</b> F<sub>1</sub> | Friends F<sub>2</sub>F<sub>3</sub>.</p> -<p><a name="noteI_68" id="noteI_68" href="#tagI_68">I.68</a> +<p><a id="noteI_68" href="#tagI_68">I.68</a> Caius Cassius Longinus had married Junia, a sister of Brutus. Both had lately stood for the chief prætorship of the city, and Brutus, through Cæsar's favor, had won it; though Cassius was @@ -10726,19 +10768,19 @@ the city. This is said to have produced a coldness between Brutus and Cassius, so that they did not speak to each other, till this extraordinary flight of patriotism brought them together.</p> -<p><a name="noteI_69" id="noteI_69" href="#tagI_69">I.69</a> +<p><a id="noteI_69" href="#tagI_69">I.69</a> <b>Merely:</b> altogether, entirely. So in <i>The Tempest</i>, I, i, 59.</p> -<p><a name="noteI_70" id="noteI_70" href="#tagI_70">I.70</a> +<p><a id="noteI_70" href="#tagI_70">I.70</a> <b>passions of some difference:</b> conflicting emotions.</p> -<p><a name="noteI_71" id="noteI_71" href="#tagI_71">I.71</a> +<p><a id="noteI_71" href="#tagI_71">I.71</a> <b>only proper to myself:</b> belonging exclusively to myself.</p> -<p><a name="noteI_72" id="noteI_72" href="#tagI_72">I.72</a> +<p><a id="noteI_72" href="#tagI_72">I.72</a> <b>give some soil to:</b> to a certain extent tarnish.</p> -<p><a name="noteI_73" id="noteI_73" href="#tagI_73">I.73</a> +<p><a id="noteI_73" href="#tagI_73">I.73</a> <b>behaviours.</b> Shakespeare often uses abstract nouns in the plural. This usage is common in Carlyle. Here, however, and elsewhere in Shakespeare, @@ -10746,154 +10788,154 @@ as in <i>Much Ado about Nothing</i>, II, iii, 100, the plural 'behaviours' may be regarded as denoting the particular acts which make up what we call 'behavior.' See Clar.</p> -<p><a name="noteI_74" id="noteI_74" href="#tagI_74">I.74</a> +<p><a id="noteI_74" href="#tagI_74">I.74</a> <b>mistook.</b> The <i>en</i> of the termination of the past participle of strong verbs is often dropped, and when the resulting word might be mistaken for the infinitive, the form of the past tense is frequently substituted.</p> -<p><a name="noteI_75" id="noteI_75" href="#tagI_75">I.75</a> +<p><a id="noteI_75" href="#tagI_75">I.75</a> <b>passion.</b> Shakespeare uses 'passion' for any feeling, sentiment, or emotion, whether painful or pleasant. So in <i>Henry V</i>, II, ii. 132: "Free from gross passion or of mirth or anger."</p> -<p><a name="noteI_76" id="noteI_76" href="#tagI_76">I.76</a> +<p><a id="noteI_76" href="#tagI_76">I.76</a> <b>By means whereof:</b> and because of my mistaking it. 'Means' was sometimes used in the sense of 'cause.'</p> -<p><a name="noteI_77" id="noteI_77" href="#tagI_77">I.77</a> +<p><a id="noteI_77" href="#tagI_77">I.77</a> <b>itself</b> | it selfe F<sub>1</sub> | himselfe F<sub>2</sub> | himself, F<sub>3</sub> | himself: F<sub>4</sub>.</p> -<p><a name="noteI_78" id="noteI_78" href="#tagI_78">I.78</a> +<p><a id="noteI_78" href="#tagI_78">I.78</a> <b>by some</b> Ff | from some Pope.</p> -<p><a name="noteI_79" id="noteI_79" href="#tagI_79">I.79</a> -ll. 52-53 Three irregular lines in Ff.</p> +<p><a id="noteI_79" href="#tagI_79">I.79</a> +ll. 52–53 Three irregular lines in Ff.</p> -<p><a name="noteI_80" id="noteI_80" href="#tagI_80">I.80</a> +<p><a id="noteI_80" href="#tagI_80">I.80</a> Except by an image or 'shadow' (l. 68; cf. <i>Venus and Adonis</i>, 162) reflected from a mirror, or from water, or some polished surface. -Cf. <i>Troilus and Cressida</i>, III, iii, 105-111.</p> +Cf. <i>Troilus and Cressida</i>, III, iii, 105–111.</p> -<p><a name="noteI_81" id="noteI_81" href="#tagI_81">I.81</a> +<p><a id="noteI_81" href="#tagI_81">I.81</a> <b>'Tis just:</b> that's so, exactly so. Cf. <i>All's Well that Ends Well</i>, II, iii, 21; <i>As You Like It</i>, III, ii, 281; <i>2 Henry IV</i>, III, ii, 89.</p> -<p><a name="noteI_82" id="noteI_82" href="#tagI_82">I.82</a> +<p><a id="noteI_82" href="#tagI_82">I.82</a> l. 58 Two lines in Ff.</p> -<p><a name="noteI_83" id="noteI_83" href="#tagI_83">I.83</a> +<p><a id="noteI_83" href="#tagI_83">I.83</a> <b>Where.</b> The adverb is here used of occasion, not of place.</p> -<p><a name="noteI_84" id="noteI_84" href="#tagI_84">I.84</a> +<p><a id="noteI_84" href="#tagI_84">I.84</a> <b>of the best respect:</b> held in the highest estimation.</p> -<p><a name="noteI_85" id="noteI_85" href="#tagI_85">I.85</a> +<p><a id="noteI_85" href="#tagI_85">I.85</a> <b>Except immortal Cæsar.</b> Keen, double-edged irony.</p> -<p><a name="noteI_86" id="noteI_86" href="#tagI_86">I.86</a> +<p><a id="noteI_86" href="#tagI_86">I.86</a> l. 63 Two lines in Ff.—<b>Cassius</b>, Pope Camb Globe | Cassius? Ff.</p> -<p><a name="noteI_87" id="noteI_87" href="#tagI_87">I.87</a> +<p><a id="noteI_87" href="#tagI_87">I.87</a> <b>you yet</b> F<sub>1</sub>F<sub>2</sub> | yet you F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteI_88" id="noteI_88" href="#tagI_88">I.88</a> +<p><a id="noteI_88" href="#tagI_88">I.88</a> <b>jealous on:</b> suspicious of. In Shakespeare we find 'on' and 'of' used indifferently, even in the same sentence, as in <i>Hamlet</i>, IV, v, 200. Cf. <i>Macbeth</i>, I, iii, 84; <i>Sonnets</i>, <span class="smallcaps">lxxxiv</span>, 14. See Abbott, § 181.</p> -<p><a name="noteI_89" id="noteI_89" href="#tagI_89">I.89</a> +<p><a id="noteI_89" href="#tagI_89">I.89</a> <b>laughter</b> | Laughter Ff | laugher Rowe Camb Globe.</p> -<p><a name="noteI_90" id="noteI_90" href="#tagI_90">I.90</a> +<p><a id="noteI_90" href="#tagI_90">I.90</a> <b>laughter:</b> laughing-stock. Although most modern editors have adopted Rowe's emendation, 'laugher,' the reading of the Folios is perfectly intelligible and thoroughly Shakespearian. Cf. IV, iii, 114.</p> -<p><a name="noteI_91" id="noteI_91" href="#tagI_91">I.91</a> +<p><a id="noteI_91" href="#tagI_91">I.91</a> <b>To stale:</b> to make common by frequent repetition, to cheapen. So again in IV, i, 38. Cf. <i>Antony and Cleopatra</i>, II, ii, 240.</p> -<p><a name="noteI_92" id="noteI_92" href="#tagI_92">I.92</a> +<p><a id="noteI_92" href="#tagI_92">I.92</a> 'To protest' is used by Shakespeare in the sense of 'to profess,' 'to declare,' 'to vow,' as in <i>All's Well that Ends Well</i>, IV, ii, 28, and <i>A Midsummer Night's Dream</i>, I, i, 89. The best commentary -on ll. 72-74 is <i>Hamlet</i>, I, iii, 64-65: "But do not dull thy +on ll. 72–74 is <i>Hamlet</i>, I, iii, 64–65: "But do not dull thy palm with entertainment Of each new-hatch'd, unfledged comrade."</p> -<p><a name="noteI_93" id="noteI_93" href="#tagI_93">I.93</a> +<p><a id="noteI_93" href="#tagI_93">I.93</a> <b>myself</b> | my selfe F<sub>1</sub> | omitted in F<sub>2</sub>F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteI_94" id="noteI_94" href="#tagI_94">I.94</a> +<p><a id="noteI_94" href="#tagI_94">I.94</a> If you know that, when banqueting, I make professions of friendship to all the crowd.</p> -<p><a name="noteI_95" id="noteI_95" href="#tagI_95">I.95</a> -ll. 79-80 Three irregular lines in Ff.</p> +<p><a id="noteI_95" href="#tagI_95">I.95</a> +ll. 79–80 Three irregular lines in Ff.</p> -<p><a name="noteI_96" id="noteI_96" href="#tagI_96">I.96</a> +<p><a id="noteI_96" href="#tagI_96">I.96</a> <b>aught</b> Theobald | ought Ff.</p> -<p><a name="noteI_97" id="noteI_97" href="#tagI_97">I.97</a> +<p><a id="noteI_97" href="#tagI_97">I.97</a> <b>both</b> Ff | death Theobald (Warburton).</p> -<p><a name="noteI_98" id="noteI_98" href="#tagI_98">I.98</a> +<p><a id="noteI_98" href="#tagI_98">I.98</a> "Warburton would read 'death' for 'both'; but I prefer the old text. There are here three things, the public good, the individual Brutus' honour, and his death. The latter two so balanced each other, that he could decide for the first by equipoise; nay—the thought growing—that honour had more weight than death."—Coleridge.</p> -<p><a name="noteI_99" id="noteI_99" href="#tagI_99">I.99</a> +<p><a id="noteI_99" href="#tagI_99">I.99</a> <b>indifferently:</b> without emotion. 'Impartially.'—Clar.</p> -<p><a name="noteI_100" id="noteI_100" href="#tagI_100">I.100</a> +<p><a id="noteI_100" href="#tagI_100">I.100</a> <b>speed:</b> prosper, bless. So in II, iv, 41. "The notion of 'haste' which now belongs to the word is apparently a derived sense. It is thus curiously parallel to the Latin <i>expedio</i>, with which some would connect it etymologically.... The proverb 'more haste, worse speed' shows that haste and speed are not the same."—Clar.</p> -<p><a name="noteI_101" id="noteI_101" href="#tagI_101">I.101</a> +<p><a id="noteI_101" href="#tagI_101">I.101</a> <b>favour:</b> appearance. The word has often this meaning in Shakespeare. Cf. 'well-favored,' 'ill-favored,' and such a provincial expression as 'the child favors his father.'</p> -<p><a name="noteI_102" id="noteI_102" href="#tagI_102">I.102</a> +<p><a id="noteI_102" href="#tagI_102">I.102</a> <b>for</b> F<sub>1</sub> | omitted in F<sub>2</sub>F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteI_103" id="noteI_103" href="#tagI_103">I.103</a> +<p><a id="noteI_103" href="#tagI_103">I.103</a> <b>lief:</b> readily. The pronunciation of the <i>f</i> as <i>v</i> brings out the quibble. From the Anglo-Saxon <i>léof</i>, 'dear.' See Murray.</p> -<p><a name="noteI_104" id="noteI_104" href="#tagI_104">I.104</a> +<p><a id="noteI_104" href="#tagI_104">I.104</a> <b>chafing</b> F<sub>1</sub>F<sub>4</sub> | chasing F<sub>2</sub>F<sub>3</sub>.</p> -<p><a name="noteI_105" id="noteI_105" href="#tagI_105">I.105</a> +<p><a id="noteI_105" href="#tagI_105">I.105</a> <b>chafing.</b> See Skeat for the interesting development of the meanings of the verb 'chafe (Fr. <i>chauffer</i>),' which Shakespeare uses twenty times, sometimes transitively, sometimes intransitively.</p> -<p><a name="noteI_106" id="noteI_106" href="#tagI_106">I.106</a> +<p><a id="noteI_106" href="#tagI_106">I.106</a> <b>said</b> | saide F<sub>1</sub> | saies F<sub>2</sub>F<sub>3</sub>.</p> -<p><a name="noteI_107" id="noteI_107" href="#tagI_107">I.107</a> +<p><a id="noteI_107" href="#tagI_107">I.107</a> <b>Accoutred</b> F<sub>1</sub> | Accounted F<sub>2</sub>.</p> -<p><a name="noteI_108" id="noteI_108" href="#tagI_108">I.108</a> +<p><a id="noteI_108" href="#tagI_108">I.108</a> <b>hearts of controversy:</b> controversial hearts, emulation. In Shakespeare are many similar constructions and expressions. Cf. 'passions of some difference,' <a href="#tagI_70">l. 40</a>, and 'mind of love' for 'loving mind,' <i>The Merchant of Venice</i>, II, viii, 42.</p> -<p><a name="noteI_109" id="noteI_109" href="#tagI_109">I.109</a> +<p><a id="noteI_109" href="#tagI_109">I.109</a> <b>arrive the point.</b> In sixteenth and early seventeenth century literature the omission of the preposition with verbs of motion is common. Cf. 'pass the streets' in <a href="#tagI_32">I, i, 44</a>.</p> -<p><a name="noteI_110" id="noteI_110" href="#tagI_110">I.110</a> +<p><a id="noteI_110" href="#tagI_110">I.110</a> In Elizabethan literature 'fever' is often used for sickness in general as well as for what is now specifically called a fever. Cæsar had three several campaigns in Spain at different periods of @@ -10903,21 +10945,21 @@ taken with the 'falling-sickness' during his third campaign, which closed with the great battle of Munda, March 17, <span class="smallcaps">b.c.</span> 45. See <a href="#noteI_159">note, p. 25, l. 252</a>, and quotation from Plutarch, <a href="#noteI_169">p. 26, l. 268</a>.</p> -<p><a name="noteI_111" id="noteI_111" href="#tagI_111">I.111</a> +<p><a id="noteI_111" href="#tagI_111">I.111</a> The image, very bold, somewhat forced, and not altogether happy, is of a cowardly soldier running away from his flag.</p> -<p><a name="noteI_112" id="noteI_112" href="#tagI_112">I.112</a> +<p><a id="noteI_112" href="#tagI_112">I.112</a> <b>bend:</b> look. So in <i>Antony and Cleopatra</i>, II, ii, 213: "tended her i' the eyes, And made their bends adornings." In Shakespeare the verb 'bend,' when used of the eyes, has usually the sense of 'direct,' as in <i>Hamlet</i>, II, i, 100: "bended their light on me"; III, iv, 117: "That you do bend your eye on vacancy."</p> -<p><a name="noteI_113" id="noteI_113" href="#tagI_113">I.113</a> +<p><a id="noteI_113" href="#tagI_113">I.113</a> <b>lose</b> | loose F<sub>1</sub>.</p> -<p><a name="noteI_114" id="noteI_114" href="#tagI_114">I.114</a> +<p><a id="noteI_114" href="#tagI_114">I.114</a> <b>his:</b> its. 'Its' was just creeping into use at the close of the sixteenth century. It does not occur once in the King James version of the Bible as originally printed; it occurs ten times in the @@ -10925,10 +10967,10 @@ First Folio, generally in the form 'it's'; it occurs only three times in Milton's poetry. See Masson's <i>Essay on Milton's English</i>; Abbott, § 228; Sweet's <i>New English Grammar</i>, § 1101.</p> -<p><a name="noteI_115" id="noteI_115" href="#tagI_115">I.115</a> +<p><a id="noteI_115" href="#tagI_115">I.115</a> <b>bade</b> Theobald | bad Ff.</p> -<p><a name="noteI_116" id="noteI_116" href="#tagI_116">I.116</a> +<p><a id="noteI_116" href="#tagI_116">I.116</a> <b>temper:</b> temperament, constitution. "The lean and wrinkled Cassius" venting his spite at Cæsar, by ridiculing his liability to sickness and death, is charmingly characteristic. The mighty Cæsar, @@ -10941,45 +10983,45 @@ of the passage being, "This miracle (monster?) is a thing of terrible energy, swiftness, diligence."</p> -<p><a name="noteI_117" id="noteI_117" href="#tagI_117">I.117</a> +<p><a id="noteI_117" href="#tagI_117">I.117</a> Observe the force of 'narrow' here; as if Cæsar were grown so enormously big that even the world seemed a little thing under him. Some while before this, the Senate had erected a bronze statue of Cæsar, standing on a globe, and inscribed to "Cæsar the Demigod," but this inscription Cæsar erased.</p> -<p><a name="noteI_118" id="noteI_118" href="#tagI_118">I.118</a> +<p><a id="noteI_118" href="#tagI_118">I.118</a> It is only a legend that the bronze Colossus of Rhodes bestrode the entrance to the famous harbor. The story probably arose from the statement that the figure, which represented Helios, the national deity of the Rhodians, was so high that a ship might sail between its legs.</p> -<p><a name="noteI_119" id="noteI_119" href="#tagI_119">I.119</a> +<p><a id="noteI_119" href="#tagI_119">I.119</a> In Shakespeare are many such allusions to the tenets of the old astrology and the belief in planetary influence upon the fortunes and characters of men which Scott describes in the Introduction to <i>Guy Mannering</i> and makes the atmosphere of the story.</p> -<p><a name="noteI_120" id="noteI_120" href="#tagI_120">I.120</a> +<p><a id="noteI_120" href="#tagI_120">I.120</a> <b>should be:</b> can be. So in <i>The Tempest</i>, I, ii, 387: "Where should this music be? i' the air or the earth?"</p> -<p><a name="noteI_121" id="noteI_121" href="#tagI_121">I.121</a> +<p><a id="noteI_121" href="#tagI_121">I.121</a> The allusion is to the old custom of muttering certain names, supposed to have in them "the might of magic spells," in raising or conjuring up spirits.</p> -<p><a name="noteI_122" id="noteI_122" href="#tagI_122">I.122</a> +<p><a id="noteI_122" href="#tagI_122">I.122</a> <b>the great flood.</b> By this an ancient Roman would understand the universal deluge of classical mythology, from which only Deucalion and his wife Pyrrha escaped alive. The story is told in Ovid's <i>Metamorphoses</i>, I. Shakespeare mentions Deucalion twice.</p> -<p><a name="noteI_123" id="noteI_123" href="#tagI_123">I.123</a> +<p><a id="noteI_123" href="#tagI_123">I.123</a> <b>walks</b> F<sub>4</sub> | Walkes F<sub>1</sub>F<sub>2</sub>F<sub>3</sub> | walls Rowe.</p> -<p><a name="noteI_124" id="noteI_124" href="#tagI_124">I.124</a> +<p><a id="noteI_124" href="#tagI_124">I.124</a> <b>walks.</b> The reasons why Rowe's emendation, 'walls,' is almost universally accepted, are that 'walls' would be easily corrupted into 'walks' from the nearness of 'talk'd,' and that there is @@ -10987,13 +11029,13 @@ a disagreeable assonance in 'talk'd' and 'walks' in successive lines. But 'walks' is picturesque and poetical; compared with it, 'walls' is commonplace and obvious. Cf. <i>Paradise Lost</i>, IV, 586.</p> -<p><a name="noteI_125" id="noteI_125" href="#tagI_125">I.125</a> +<p><a id="noteI_125" href="#tagI_125">I.125</a> A play upon 'Rome' and 'room,' which appear to have been sounded more alike in Shakespeare's time than they are now. So -again in <a href="#tagIII_100">III, i, 289-290</a>: "A dangerous Rome, No Rome of safety +again in <a href="#tagIII_100">III, i, 289–290</a>: "A dangerous Rome, No Rome of safety for Octavius yet." Cf. also <i>King John</i>, III, i, 180.</p> -<p><a name="noteI_126" id="noteI_126" href="#tagI_126">I.126</a> +<p><a id="noteI_126" href="#tagI_126">I.126</a> The allusion is to Lucius Junius Brutus, who bore a leading part in driving out the Tarquins and in turning the kingdom into a republic. Afterwards, as consul, he condemned his own sons to @@ -11004,11 +11046,11 @@ from Servilius Ahala, who slew Spurius Mælius for aspiring to royalty. Merivale remarks that "the name of Brutus forced its possessor into prominence as soon as royalty began to be discussed."</p> -<p><a name="noteI_127" id="noteI_127" href="#tagI_127">I.127</a> +<p><a id="noteI_127" href="#tagI_127">I.127</a> <b>brook'd:</b> endured, tolerated. See Murray for the history of this word.</p> -<p><a name="noteI_128" id="noteI_128" href="#tagI_128">I.128</a> +<p><a id="noteI_128" href="#tagI_128">I.128</a> <b>eternal.</b> Johnson suggested 'infernal.' Dr. Wright (Clar.) points out that in three plays printed in 1600 Shakespeare uses 'infernal,' but substitutes 'eternal' in <i>Julius Cæsar</i>, <i>Hamlet</i>, and @@ -11018,22 +11060,22 @@ to determine dates of composition. See Introduction, page xx. Cf. with this use of 'eternal' the old Yankee term 'tarnal' in such expressions as 'tarnal scamp,' 'tarnal shame,' etc.</p> -<p><a name="noteI_129" id="noteI_129" href="#tagI_129">I.129</a> +<p><a id="noteI_129" href="#tagI_129">I.129</a> <b>am nothing jealous:</b> do not doubt. Cf. <a href="#tagI_88">l. 71</a>. 'Jealous' and 'zealous' are etymologically the same word. See Skeat.</p> -<p><a name="noteI_130" id="noteI_130" href="#tagI_130">I.130</a> +<p><a id="noteI_130" href="#tagI_130">I.130</a> <b>work me to:</b> prevail upon me to do. Cf. <i>Hamlet</i>, IV, vii, 64.</p> -<p><a name="noteI_131" id="noteI_131" href="#tagI_131">I.131</a> +<p><a id="noteI_131" href="#tagI_131">I.131</a> <b>aim:</b> guess. Cf. <i>The Two Gentlemen of Verona</i>, III, i, 28. Similarly with the verb in <i>Romeo and Juliet</i>, I, i, 211; <i>Othello</i>, III, iii, 223.</p> -<p><a name="noteI_132" id="noteI_132" href="#tagI_132">I.132</a> +<p><a id="noteI_132" href="#tagI_132">I.132</a> <b>not, so with ... you</b> | not so (with ... you) Ff.</p> -<p><a name="noteI_133" id="noteI_133" href="#tagI_133">I.133</a> +<p><a id="noteI_133" href="#tagI_133">I.133</a> 'To chew' is, literally, in the Latin equivalent, 'to ruminate.' Cf. <i>As You Like It</i>, IV, iii, 102: "Chewing the food of sweet and bitter fancy." In Bacon's Essays, <i>Of Studies</i>, we have, with reference @@ -11041,30 +11083,30 @@ to books: "Some few are to be chewed and digested." So in Lyly's <i>Euphues</i>: "Philantus went into the fields to walk there, either to digest his choler, or chew upon his melancholy."</p> -<p><a name="noteI_134" id="noteI_134" href="#tagI_134">I.134</a> +<p><a id="noteI_134" href="#tagI_134">I.134</a> <b>these ... as.</b> See <a href="#noteI_65">note, l. 34</a>; Abbott, §§ 112, 280.</p> -<p><a name="noteI_135" id="noteI_135" href="#tagI_135">I.135</a> +<p><a id="noteI_135" href="#tagI_135">I.135</a> In <i>Troilus and Cressida</i>, III, iii, 256, Thersites says of the wit of Ajax: "It lies as coldly in him as fire in a flint, which will not show without knocking." The same figure is found in the description -which Brutus gives of his unimpassioned nature, <a href="#tagIV_82">IV, iii, 112-114</a>.</p> +which Brutus gives of his unimpassioned nature, <a href="#tagIV_82">IV, iii, 112–114</a>.</p> -<p><a name="noteI_136" id="noteI_136" href="#tagI_136">I.136</a> +<p><a id="noteI_136" href="#tagI_136">I.136</a> Scene IV Pope.</p> -<p><a name="noteI_137" id="noteI_137" href="#tagI_137">I.137</a> -ll. 178-179 Four lines in Ff.</p> +<p><a id="noteI_137" href="#tagI_137">I.137</a> +ll. 178–179 Four lines in Ff.</p> -<p><a name="noteI_138" id="noteI_138" href="#tagI_138">I.138</a> +<p><a id="noteI_138" href="#tagI_138">I.138</a> <b>proceeded:</b> happened, come to pass. So in <i>All's Well that Ends Well</i>, IV, ii, 62.</p> -<p><a name="noteI_139" id="noteI_139" href="#tagI_139">I.139</a> +<p><a id="noteI_139" href="#tagI_139">I.139</a> <b>worthy note.</b> Cf. <i>All's Well that Ends Well</i>, III, v, 104. For the ellipsis of the preposition, see Abbott, § 198 a.</p> -<p><a name="noteI_140" id="noteI_140" href="#tagI_140">I.140</a> +<p><a id="noteI_140" href="#tagI_140">I.140</a> One of the marked physical characteristics of the albinotic ferret is the red or pink eye. Shakespeare turns the noun 'ferret' into an adjective. The description of Cicero is purely imaginary; @@ -11072,13 +11114,13 @@ but the angry spot on Cæsar's brow, Calpurnia's pale cheek, and Cicero with fire in his eyes when kindled by opposition in the Senate, make an exceedingly vivid picture.</p> -<p><a name="noteI_141" id="noteI_141" href="#tagI_141">I.141</a> +<p><a id="noteI_141" href="#tagI_141">I.141</a> <b>Cæsar</b>? Theobald | Cæsar. Ff.</p> -<p><a name="noteI_142" id="noteI_142" href="#tagI_142">I.142</a> +<p><a id="noteI_142" href="#tagI_142">I.142</a> <b>o' nights</b> Capeli | a-nights F<sub>1</sub>F<sub>2</sub>.</p> -<p><a name="noteI_143" id="noteI_143" href="#tagI_143">I.143</a> +<p><a id="noteI_143" href="#tagI_143">I.143</a> "Another time when Cæsar's friends complained unto him of Antonius and Dolabella, that they pretended some mischief towards him, he answered them again, As for those fat men, and @@ -11092,20 +11134,20 @@ recalls Lamb's wish that the baby son of the tempestuous Hazlitt should be "like his father, with something of a better temper and a smoother head of hair."</p> -<p><a name="noteI_144" id="noteI_144" href="#tagI_144">I.144</a> +<p><a id="noteI_144" href="#tagI_144">I.144</a> <b>well given:</b> well disposed. So in <i>2 Henry VI</i>, III, i, 72.</p> -<p><a name="noteI_145" id="noteI_145" href="#tagI_145">I.145</a> +<p><a id="noteI_145" href="#tagI_145">I.145</a> <b>he loves no plays.</b> "In his house they did nothing but feast, dance, and masque; and himself passed away the time in hearing of foolish plays, and in marrying these players, tumblers, jesters, and such sort of people."—Plutarch, <i>Marcus Antonius</i>.</p> -<p><a name="noteI_146" id="noteI_146" href="#tagI_146">I.146</a> +<p><a id="noteI_146" href="#tagI_146">I.146</a> The power of music is repeatedly celebrated by Shakespeare, and sometimes in strains that approximate the classical hyperboles about Orpheus, Amphion, and Arion. What is here said of Cassius -has an apt commentary in <i>The Merchant of Venice</i>, V, 1, 83-85:</p> +has an apt commentary in <i>The Merchant of Venice</i>, V, 1, 83–85:</p> <div class="poem"> <p>The man that hath no music in himself,</p> @@ -11113,41 +11155,41 @@ has an apt commentary in <i>The Merchant of Venice</i>, V, 1, 83-85:</p> <p>Is fit for treasons, stratagems and spoils.</p> </div> -<p><a name="noteI_147" id="noteI_147" href="#tagI_147">I.147</a> +<p><a id="noteI_147" href="#tagI_147">I.147</a> This is one of the little touches of invention that so often impart a fact-like vividness to Shakespeare's scenes.</p> -<p><a name="noteI_148" id="noteI_148" href="#tagI_148">I.148</a> +<p><a id="noteI_148" href="#tagI_148">I.148</a> Scene V Pope.</p> -<p><a name="noteI_149" id="noteI_149" href="#tagI_149">I.149</a> +<p><a id="noteI_149" href="#tagI_149">I.149</a> <b>sad.</b> The word is used here probably in its early sense of 'weary' (as in Middle English) or 'resolute' (as in Chaucer and old Ballads). In <i>2 Henry IV</i>, V, i, 92, is the expression "a jest with a sad brow," where 'sad' evidently means 'wise,' 'sage.'</p> -<p><a name="noteI_150" id="noteI_150" href="#tagI_150">I.150</a> +<p><a id="noteI_150" href="#tagI_150">I.150</a> <b>there was a crown offer'd him.</b> In the <i>Life of Marcus Antonius</i> Plutarch gives a detailed and vivid description of this scene.</p> -<p><a name="noteI_151" id="noteI_151" href="#tagI_151">I.151</a> +<p><a id="noteI_151" href="#tagI_151">I.151</a> <b>a-shouting</b> Dyce | a shouting Ff | a' shouting Capell.</p> -<p><a name="noteI_152" id="noteI_152" href="#tagI_152">I.152</a> +<p><a id="noteI_152" href="#tagI_152">I.152</a> <b>it was</b> F<sub>1</sub> | it were F<sub>2</sub>F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteI_153" id="noteI_153" href="#tagI_153">I.153</a> +<p><a id="noteI_153" href="#tagI_153">I.153</a> <b>hooted</b> Johnson | howted F<sub>1</sub>F<sub>2</sub>F<sub>3</sub> | houted F<sub>4</sub>.</p> -<p><a name="noteI_154" id="noteI_154" href="#tagI_154">I.154</a> +<p><a id="noteI_154" href="#tagI_154">I.154</a> <b>chopp'd</b> | chopt Ff.</p> -<p><a name="noteI_155" id="noteI_155" href="#tagI_155">I.155</a> +<p><a id="noteI_155" href="#tagI_155">I.155</a> <b>swounded</b> | swoonded Ff | swooned Rowe.</p> -<p><a name="noteI_156" id="noteI_156" href="#tagI_156">I.156</a> +<p><a id="noteI_156" href="#tagI_156">I.156</a> <b>soft!</b> This is an elliptical use of the adverb 'soft' and was much used as an exclamation for arresting or retarding the speed of a person or thing; meaning about the same as 'hold!' 'stay!' or @@ -11155,13 +11197,13 @@ a person or thing; meaning about the same as 'hold!' 'stay!' or before you go"; and <i>The Merchant of Venice</i>, IV, i, 320: "Soft! The Jew shall have all justice; soft! no haste."</p> -<p><a name="noteI_157" id="noteI_157" href="#tagI_157">I.157</a> +<p><a id="noteI_157" href="#tagI_157">I.157</a> <b>swound</b> Ff | swoon Rowe.</p> -<p><a name="noteI_158" id="noteI_158" href="#tagI_158">I.158</a> +<p><a id="noteI_158" href="#tagI_158">I.158</a> <b>like; he</b> Theobald | like he Ff.</p> -<p><a name="noteI_159" id="noteI_159" href="#tagI_159">I.159</a> +<p><a id="noteI_159" href="#tagI_159">I.159</a> <b>falling-sickness.</b> An old English name for epilepsy (Lat. <i>morbus caducus</i>, German <i>fallende Sucht</i>) used by North in translating Plutarch. Another form of the word is 'falling-evil,' also used @@ -11169,47 +11211,47 @@ by North (see <a href="#noteI_169">quotation, p. 26, l. 268</a>). It is an inter that the best authorities allow that Napoleon suffered from epileptic seizures towards the close of his life.</p> -<p><a name="noteI_160" id="noteI_160" href="#tagI_160">I.160</a> +<p><a id="noteI_160" href="#tagI_160">I.160</a> <b>tag-rag people:</b> Cf. 'the tag' in <i>Coriolanus</i>, III, i, 248.</p> -<p><a name="noteI_161" id="noteI_161" href="#tagI_161">I.161</a> +<p><a id="noteI_161" href="#tagI_161">I.161</a> <b>true:</b> honest. Shakespeare frequently uses 'true' in this sense, especially as opposed to 'thief.' Cf. <i>Cymbeline</i>, II, iii, 76; <i>Venus and Adonis</i>, 724: "Rich preys make true men thieves."</p> -<p><a name="noteI_162" id="noteI_162" href="#tagI_162">I.162</a> +<p><a id="noteI_162" href="#tagI_162">I.162</a> <b>Marry.</b> The common Elizabethan exclamation of surprise, or asseveration, corrupted from the name of the Virgin Mary.</p> -<p><a name="noteI_163" id="noteI_163" href="#tagI_163">I.163</a> +<p><a id="noteI_163" href="#tagI_163">I.163</a> <b>me.</b> The ethical dative. Cf. <a href="#tagIII_171">III, iii, 18</a>; <i>The Merchant of Venice</i>, I, iii, 85; <i>Romeo and Juliet</i>, III, i, 6. See Abbott, § 220.</p> -<p><a name="noteI_164" id="noteI_164" href="#tagI_164">I.164</a> +<p><a id="noteI_164" href="#tagI_164">I.164</a> <b>doublet.</b> This was the common English name of a man's outer body-garment. Shakespeare dresses his Romans like Elizabethan -Englishmen (cf. <a href="#tagII_43">II, i, 73-74</a>), but the expression 'doublet-collar' -occurs in North's Plutarch (see quotation in <a href="#noteI_169">note on ll. 268-270</a>).</p> +Englishmen (cf. <a href="#tagII_43">II, i, 73–74</a>), but the expression 'doublet-collar' +occurs in North's Plutarch (see quotation in <a href="#noteI_169">note on ll. 268–270</a>).</p> -<p><a name="noteI_165" id="noteI_165" href="#tagI_165">I.165</a> +<p><a id="noteI_165" href="#tagI_165">I.165</a> <b>And</b> Ff | an (an') Theobald.</p> -<p><a name="noteI_166" id="noteI_166" href="#tagI_166">I.166</a> +<p><a id="noteI_166" href="#tagI_166">I.166</a> <b>And:</b> if. For 'and' in this sense, see Murray, and Abbott, § 101.</p> -<p><a name="noteI_167" id="noteI_167" href="#tagI_167">I.167</a> +<p><a id="noteI_167" href="#tagI_167">I.167</a> <b>a man of any occupation.</b> This probably means not only a mechanic or user of cutting-tools, but also a man of business and of action, as distinguished from a gentleman of leisure, or an idler.</p> -<p><a name="noteI_168" id="noteI_168" href="#tagI_168">I.168</a> +<p><a id="noteI_168" href="#tagI_168">I.168</a> <b>to hell among the rogues.</b> The early English drama abounds in examples of such historical confusion. For example, in the Towneley Miracle Plays Noah's wife swears by the Virgin Mary.</p> -<p><a name="noteI_169" id="noteI_169" href="#tagI_169">I.169</a> +<p><a id="noteI_169" href="#tagI_169">I.169</a> "Thereupon Cæsar rising departed home to his house; and, tearing open his doublet-collar, making his neck bare, he cried out aloud to his friends, that his throat was ready to offer to any man that @@ -11217,13 +11259,13 @@ would come and cut it.... Afterwards, to excuse his folly, he imputed it to his disease, saying that their wits are not perfect which have this disease of the falling-evil."—Plutarch, <i>Julius Cæsar</i>.</p> -<p><a name="noteI_170" id="noteI_170" href="#tagI_170">I.170</a> +<p><a id="noteI_170" href="#tagI_170">I.170</a> <b>no</b> omitted in F<sub>2</sub>.</p> -<p><a name="noteI_171" id="noteI_171" href="#tagI_171">I.171</a> +<p><a id="noteI_171" href="#tagI_171">I.171</a> <b>away?</b> Theobald | away F<sub>1</sub>.</p> -<p><a name="noteI_172" id="noteI_172" href="#tagI_172">I.172</a> +<p><a id="noteI_172" href="#tagI_172">I.172</a> A charming invention, though in his <i>Life of Cicero</i> Plutarch refers to the orator's nicknames, 'Grecian' and 'scholer,' due to his ability to "declaim in Greek." Cicero had a sharp, agile @@ -11232,59 +11274,59 @@ than that he should snap off some keen, sententious sayings, prudently veiling them, however, in a foreign language from all but those who might safely understand them.</p> -<p><a name="noteI_173" id="noteI_173" href="#tagI_173">I.173</a> +<p><a id="noteI_173" href="#tagI_173">I.173</a> <b>and</b> Ff | an (an') Theobald.</p> -<p><a name="noteI_174" id="noteI_174" href="#tagI_174">I.174</a> +<p><a id="noteI_174" href="#tagI_174">I.174</a> <b>Greek to me.</b> 'Greek,' often 'heathen Greek,' was a common Elizabethan expression for unintelligible speech. In Dekker's <i>Grissil</i> (1600) occurs "It's Greek to him." So in Dickens's <i>Barnaby Rudge</i>: "this is Greek to me."</p> -<p><a name="noteI_175" id="noteI_175" href="#tagI_175">I.175</a> +<p><a id="noteI_175" href="#tagI_175">I.175</a> <b>I am promis'd forth:</b> I have promised to go out. 'Forth' is often used in this way in Elizabethan literature without any verb of motion. Cf. <i>The Merchant of Venice</i>, II, v, 11. See Abbott, § 41.</p> -<p><a name="noteI_176" id="noteI_176" href="#tagI_176">I.176</a> +<p><a id="noteI_176" href="#tagI_176">I.176</a> <b>blunt:</b> dull, slow. Or there may be a quibble involved in connection with 'mettle' in the next line. Brutus alludes to the 'tardy form' (l. 296) Casca has just 'put on' in winding so long about the matter before coming to the point.</p> -<p><a name="noteI_177" id="noteI_177" href="#tagI_177">I.177</a> +<p><a id="noteI_177" href="#tagI_177">I.177</a> <b>quick mettle:</b> lively spirit. Collier conjectured 'quick-mettl'd.' 'Mettlesome' is still used of spirited horses. Cf. <a href="#tagI_45">I, i, 63</a>.</p> -<p><a name="noteI_178" id="noteI_178" href="#tagI_178">I.178</a> +<p><a id="noteI_178" href="#tagI_178">I.178</a> <b>However:</b> notwithstanding. Cf. <i>Troilus and Cressida</i>, I, iii, 322.</p> -<p><a name="noteI_179" id="noteI_179" href="#tagI_179">I.179</a> +<p><a id="noteI_179" href="#tagI_179">I.179</a> <b>tardy form:</b> appearance of tardiness. The construction in this expression is common in Shakespeare, as 'shady stealth' for 'stealing shadow,' in <i>Sonnets</i>, LXXVII, 7; 'negligent danger' for 'danger from negligence,' in <i>Antony and Cleopatra</i>, III, v, 81.</p> -<p><a name="noteI_180" id="noteI_180" href="#tagI_180">I.180</a> +<p><a id="noteI_180" href="#tagI_180">I.180</a> <b>digest</b> F<sub>3</sub>F<sub>4</sub> | disgest F<sub>1</sub>F<sub>2</sub>.</p> -<p><a name="noteI_181" id="noteI_181" href="#tagI_181">I.181</a> +<p><a id="noteI_181" href="#tagI_181">I.181</a> <b>appetite</b> F<sub>1</sub> | appetites F<sub>2</sub>F<sub>3</sub> F<sub>4</sub>.</p> -<p><a name="noteI_182" id="noteI_182" href="#tagI_182">I.182</a> +<p><a id="noteI_182" href="#tagI_182">I.182</a> l. 300 Ff print as two lines.</p> -<p><a name="noteI_183" id="noteI_183" href="#tagI_183">I.183</a> +<p><a id="noteI_183" href="#tagI_183">I.183</a> <b>metal</b> F<sub>3</sub>F<sub>4</sub> | mettle F<sub>1</sub> | mettall F<sub>2</sub>.</p> -<p><a name="noteI_184" id="noteI_184" href="#tagI_184">I.184</a> +<p><a id="noteI_184" href="#tagI_184">I.184</a> <b>that it is dispos'd:</b> that which it is disposed to. For the omission -of prepositions in Shakespeare, see Abbott, §§ 198-202. Cassius in +of prepositions in Shakespeare, see Abbott, §§ 198–202. Cassius in this speech is chuckling over the effect his talk has had upon Brutus.</p> -<p><a name="noteI_185" id="noteI_185" href="#tagI_185">I.185</a> +<p><a id="noteI_185" href="#tagI_185">I.185</a> <b>bear me hard:</b> has a grudge against me. This remarkable expression occurs three times in this play, but nowhere else in Shakespeare. Professor Hales quotes an example of it from Ben @@ -11297,7 +11339,7 @@ one who distrusts his horse. So before, ll. 35, 36:</p> <p>Over your friend that loves you.</p> </div> -<p><a name="noteI_186" id="noteI_186" href="#tagI_186">I.186</a> +<p><a id="noteI_186" href="#tagI_186">I.186</a> <b>humour.</b> To 'humor' a man, as the word is here used, is to turn and wind and manage him by watching his moods and crotchets, and to touch him accordingly. It is somewhat in doubt whether @@ -11308,19 +11350,19 @@ required by the context, for the whole speech is occupied with the speaker's success in cajoling Brutus, and with plans for cajoling and shaping him still further. Johnson refers 'he' to Cæsar.</p> -<p><a name="noteI_187" id="noteI_187" href="#tagI_187">I.187</a> +<p><a id="noteI_187" href="#tagI_187">I.187</a> <b>hands:</b> handwritings. So the word is used colloquially to-day.</p> -<p><a name="noteI_188" id="noteI_188" href="#tagI_188">I.188</a> +<p><a id="noteI_188" href="#tagI_188">I.188</a> We will either shake him, or endure worse days in suffering the consequences of our attempt.—Shakespeare makes Cassius overflow with intense personal spite against Cæsar. This is in accordance with what he read in North's Plutarch.</p> -<p><a name="noteI_189" id="noteI_189" href="#tagI_189">I.189</a> +<p><a id="noteI_189" href="#tagI_189">I.189</a> <span class="smallcaps">Scene III</span> Capell | Scene VI Pope.</p> -<p><a name="noteI_190" id="noteI_190" href="#tagI_190">I.190</a> +<p><a id="noteI_190" href="#tagI_190">I.190</a> <span class="smallcaps">Scene III.</span> Rowe added "with his sword drawn" to the Folio stage direction, basing the note on l. 19.</p> @@ -11329,31 +11371,31 @@ set in motion. The action in the preceding scene took place on the day of the Lupercalia; the action in this is on the eve of the Ides of March.</p> -<p><a name="noteI_191" id="noteI_191" href="#tagI_191">I.191</a> +<p><a id="noteI_191" href="#tagI_191">I.191</a> <i>Enter, from ...</i> | Enter Caska, and Cicero Ff.</p> -<p><a name="noteI_192" id="noteI_192" href="#tagI_192">I.192</a> +<p><a id="noteI_192" href="#tagI_192">I.192</a> <b>brought:</b> accompanied. Cf. <i>Richard II</i>, I, iv, 2.</p> -<p><a name="noteI_193" id="noteI_193" href="#tagI_193">I.193</a> +<p><a id="noteI_193" href="#tagI_193">I.193</a> <b>sway of earth:</b> established order. "The balanced swing of earth."—Craik. "The whole weight or momentum of this globe."—Johnson. In such a raging of the elements, it seems as if the whole world were going to pieces, or as if the earth's steadfastness were growing 'unfirm.' "'Unfirm' is not firm; while 'infirm' is weak."—Clar.</p> -<p><a name="noteI_194" id="noteI_194" href="#tagI_194">I.194</a> +<p><a id="noteI_194" href="#tagI_194">I.194</a> <b>tempest dropping fire</b> Rowe | tempest-dropping-fire Ff.</p> -<p><a name="noteI_195" id="noteI_195" href="#tagI_195">I.195</a> +<p><a id="noteI_195" href="#tagI_195">I.195</a> <b>destruction.</b> Must be pronounced as a quadrisyllable.</p> -<p><a name="noteI_196" id="noteI_196" href="#tagI_196">I.196</a> +<p><a id="noteI_196" href="#tagI_196">I.196</a> Either the gods are fighting among themselves, or else they are making war on the world for being overbearing in its attitude towards them. For Shakespeare's use of 'saucy,' see Century.</p> -<p><a name="noteI_197" id="noteI_197" href="#tagI_197">I.197</a> +<p><a id="noteI_197" href="#tagI_197">I.197</a> <b>any thing more wonderful.</b> This may be interpreted as 'anything that was more wonderful,' or 'anything more that was wonderful.' The former seems the true interpretation. For the 'wonderful' things @@ -11375,19 +11417,19 @@ doing sacrifice unto the gods, found that one of the beasts which was sacrificed had no heart: and that was a strange thing in nature, how a beast could live without a heart." This passage is worth special attention, as Shakespeare uses many of the details again in -<a href="#tagII_144">II, ii, 17-24</a>, 39-40. Cf. <i>Hamlet</i>, I, i, 113-125.</p> +<a href="#tagII_144">II, ii, 17–24</a>, 39–40. Cf. <i>Hamlet</i>, I, i, 113–125.</p> -<p><a name="noteI_198" id="noteI_198" href="#tagI_198">I.198</a> +<p><a id="noteI_198" href="#tagI_198">I.198</a> <b>you know.</b> Dyce suggested 'you'd know'; Craik, 'you knew.' But the text as it stands is dramatically vivid and realistic.</p> -<p><a name="noteI_199" id="noteI_199" href="#tagI_199">I.199</a> +<p><a id="noteI_199" href="#tagI_199">I.199</a> <b>Who.</b> See Abbott, § 264.</p> -<p><a name="noteI_200" id="noteI_200" href="#tagI_200">I.200</a> +<p><a id="noteI_200" href="#tagI_200">I.200</a> <b>glaz'd</b> Ff | glar'd Rowe.</p> -<p><a name="noteI_201" id="noteI_201" href="#tagI_201">I.201</a> +<p><a id="noteI_201" href="#tagI_201">I.201</a> <b>glaz'd.</b> Rowe's change to 'glar'd' is usually adopted as the reading here, but 'glaze' is used intransitively in Middle English in the sense of 'shine brilliantly,' and Dr. @@ -11396,18 +11438,18 @@ word 'glaze' in the sense of 'stare' is common in some parts of Devonshire, and that 'glazing like a conger' is a familiar expression in Cornwall." See Murray for additional examples.</p> -<p><a name="noteI_202" id="noteI_202" href="#tagI_202">I.202</a> +<p><a id="noteI_202" href="#tagI_202">I.202</a> <b>surly</b> F<sub>1</sub>F<sub>4</sub> | surely F<sub>2</sub>F<sub>3</sub>.</p> -<p><a name="noteI_203" id="noteI_203" href="#tagI_203">I.203</a> +<p><a id="noteI_203" href="#tagI_203">I.203</a> <b>Upon a heap:</b> together in a crowd. 'Heap' is often used in this sense in Middle English as it is colloquially to-day. The Anglo-Saxon <i>héap</i> almost always refers to persons. In <i>Richard III</i>, II, i, 53, occurs "princely heap." So "Let us on heaps go offer up our lives" in <i>Henry V</i>, IV, v, 18.</p> -<p><a name="noteI_204" id="noteI_204" href="#tagI_204">I.204</a> +<p><a id="noteI_204" href="#tagI_204">I.204</a> <b>the bird of night.</b> The old Roman horror of the owl is well shown in this passage (spelling modernized) of Holland's Pliny, quoted by Dr. Wright (Clar): "The screech-owl betokeneth always @@ -11419,57 +11461,57 @@ Consuls; whereupon, at the Nones of March, the city of Rome that year made general processions, to appease the wrath of the gods, and was solemnly purged by sacrifices."</p> -<p><a name="noteI_205" id="noteI_205" href="#tagI_205">I.205</a> +<p><a id="noteI_205" href="#tagI_205">I.205</a> <b>Hooting</b> Johnson | Howting F<sub>1</sub>F<sub>2</sub>F<sub>3</sub> | Houting F<sub>4</sub>.</p> -<p><a name="noteI_206" id="noteI_206" href="#tagI_206">I.206</a> +<p><a id="noteI_206" href="#tagI_206">I.206</a> <b>These:</b> such and such. Cf. "these and these" in <a href="#tagII_1_31">II, i, 31</a>. Casca refers to the doctrine of the Epicureans, who were slow to believe that such pranks of the elements had any moral significance in them, or that moral causes had anything to do with them, and held that the explanation of them was to be sought for in the simple working of natural laws and forces. Shakespeare deals -humorously with these views in <i>All's Well that Ends Well</i>, II, iii, 1-6.</p> +humorously with these views in <i>All's Well that Ends Well</i>, II, iii, 1–6.</p> -<p><a name="noteI_207" id="noteI_207" href="#tagI_207">I.207</a> +<p><a id="noteI_207" href="#tagI_207">I.207</a> <b>climate:</b> region, country. So <i>Richard II</i>, IV, i, 130. Cf. <i>Hamlet</i>, I, i, 125: "Unto our climatures and countrymen."</p> -<p><a name="noteI_208" id="noteI_208" href="#tagI_208">I.208</a> +<p><a id="noteI_208" href="#tagI_208">I.208</a> <b>Clean:</b> quite, completely. From the fourteenth century to the seventeenth 'clean' was often used in this sense, usually with verbs of removal and the like, and so it is still used colloquially. For 'from' without a verb of motion, see Abbott, § 158.</p> -<p><a name="noteI_209" id="noteI_209" href="#tagI_209">I.209</a> +<p><a id="noteI_209" href="#tagI_209">I.209</a> <b>to</b> F<sub>1</sub>F<sub>2</sub> | up F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteI_210" id="noteI_210" href="#tagI_210">I.210</a> +<p><a id="noteI_210" href="#tagI_210">I.210</a> Scene VII Pope.</p> -<p><a name="noteI_211" id="noteI_211" href="#tagI_211">I.211</a> +<p><a id="noteI_211" href="#tagI_211">I.211</a> <b>what:</b> what a. For the omission of the indefinite article, common in Shakespeare, see Abbott, § 86. In the Folios the interrogation mark and the exclamation mark are often interchanged.</p> -<p><a name="noteI_212" id="noteI_212" href="#tagI_212">I.212</a> +<p><a id="noteI_212" href="#tagI_212">I.212</a> <b>this!</b> Dyce this? Ff.</p> -<p><a name="noteI_213" id="noteI_213" href="#tagI_213">I.213</a> +<p><a id="noteI_213" href="#tagI_213">I.213</a> l. 42 Two lines in Ff.</p> -<p><a name="noteI_214" id="noteI_214" href="#tagI_214">I.214</a> +<p><a id="noteI_214" href="#tagI_214">I.214</a> <b>unbraced:</b> unbuttoned, with open doublet. For such anachronisms see <a href="#noteI_164">note, p. 26, l. 263</a>; also p. <a href="#tagII_43">48, l. 73</a>.</p> -<p><a name="noteI_215" id="noteI_215" href="#tagI_215">I.215</a> +<p><a id="noteI_215" href="#tagI_215">I.215</a> <b>thunder-stone:</b> thunder-bolt. It is still a common belief in Scotland and Ireland that a stone or bolt falls with lightning. Cf. <i>Cymbeline</i>, IV, ii, 271: "Nor the all-dreaded thunder-stone."</p> -<p><a name="noteI_216" id="noteI_216" href="#tagI_216">I.216</a> -<b>cross:</b> zigzag. So in <i>King Lear</i>, IV, vii, 33-35:</p> +<p><a id="noteI_216" href="#tagI_216">I.216</a> +<b>cross:</b> zigzag. So in <i>King Lear</i>, IV, vii, 33–35:</p> <div class="poem"> <p>To stand against the deep, dread-bolted thunder?</p> @@ -11477,48 +11519,48 @@ Cf. <i>Cymbeline</i>, IV, ii, 271: "Nor the all-dreaded thunder-stone."</p> <p>Of quick, cross lightning?</p> </div> -<p><a name="noteI_217" id="noteI_217" href="#tagI_217">I.217</a> +<p><a id="noteI_217" href="#tagI_217">I.217</a> <b>blue</b> | blew F<sub>1</sub>.</p> -<p><a name="noteI_218" id="noteI_218" href="#tagI_218">I.218</a> -ll. 57-60 Five lines in Ff.</p> +<p><a id="noteI_218" href="#tagI_218">I.218</a> +ll. 57–60 Five lines in Ff.</p> -<p><a name="noteI_219" id="noteI_219" href="#tagI_219">I.219</a> +<p><a id="noteI_219" href="#tagI_219">I.219</a> <b>cast yourself in:</b> throw yourself into a state of. In previous editions of Hudson's Shakespeare Jervis's conjecture 'case' for 'cast' was adopted. The change is unnecessary. Cf. <i>Cymbeline</i>, III, ii, 38: "Though forfeiters you cast in prison."</p> -<p><a name="noteI_220" id="noteI_220" href="#tagI_220">I.220</a> -ll. 63-68 The construction here is involved, and the grammar confused, +<p><a id="noteI_220" href="#tagI_220">I.220</a> +ll. 63–68 The construction here is involved, and the grammar confused, but the meaning is clear enough. The general idea is that of elements and animals, and even human beings, acting in a manner out of or against their nature, or changing their natures and original faculties from the course in which they were ordained to move, to monstrous or unnatural modes of action.</p> -<p><a name="noteI_221" id="noteI_221" href="#tagI_221">I.221</a> +<p><a id="noteI_221" href="#tagI_221">I.221</a> <b>from quality and kind:</b> turn from their disposition and nature. Emerson and Browning use 'quality' (cf. l. 68) in this old sense of 'disposition.' 'Kind,' meaning 'nature,' is common in Shakespeare.</p> -<p><a name="noteI_222" id="noteI_222" href="#tagI_222">I.222</a> +<p><a id="noteI_222" href="#tagI_222">I.222</a> <b>old men, fools, and</b> | Old men, Fooles, and F<sub>1</sub>F<sub>2</sub> | Old men, Fools, and F<sub>3</sub>F<sub>4</sub> | old men fools, and Steevens | old men fool and White.</p> -<p><a name="noteI_223" id="noteI_223" href="#tagI_223">I.223</a> +<p><a id="noteI_223" href="#tagI_223">I.223</a> There seems no necessity for changing the reading of the Folios. This conjunction of old men, fools, and children is found in country sayings in England to-day. So in a Scottish proverb: "Auld fowks, fules, and bairns should never see wark half dune," White's reading was first suggested by Mitford.</p> -<p><a name="noteI_224" id="noteI_224" href="#tagI_224">I.224</a> +<p><a id="noteI_224" href="#tagI_224">I.224</a> <b>preformed:</b> originally created for some special purpose.</p> -<p><a name="noteI_225" id="noteI_225" href="#tagI_225">I.225</a> +<p><a id="noteI_225" href="#tagI_225">I.225</a> <b>monstrous state:</b> abnormal condition of things. 'Enormous state' occurs with probably the same general meaning in <i>King Lear</i>, II, ii, 176. As Cassius is an avowed Epicurean, it may seem out of character @@ -11526,10 +11568,10 @@ to make him speak thus. But he is here talking for effect, his aim being to kindle and instigate Casca into the conspiracy; and to this end he does not hesitate to say what he does not himself believe.</p> -<p><a name="noteI_226" id="noteI_226" href="#tagI_226">I.226</a> +<p><a id="noteI_226" href="#tagI_226">I.226</a> <b>roars</b> | roares F<sub>1</sub> | teares F<sub>2</sub>.</p> -<p><a name="noteI_227" id="noteI_227" href="#tagI_227">I.227</a> +<p><a id="noteI_227" href="#tagI_227">I.227</a> This reads as if a lion were kept in the Capitol. But the meaning probably is that Cæsar roars in the Capitol, like a lion. Perhaps Cassius has the idea of Cæsar's claiming or aspiring to be @@ -11537,38 +11579,38 @@ among men what the lion is among beasts. Dr. Wright suggests that Shakespeare had in mind the lions kept in the Tower of London, "which there is reason to believe from indications in the play represented the Capitol to Shakespeare's mind." It is possible, too, that -we have here a reference to the lion described by Casca in <a href="#tagI_3_20">ll. 20-22</a>.</p> +we have here a reference to the lion described by Casca in <a href="#tagI_3_20">ll. 20–22</a>.</p> -<p><a name="noteI_228" id="noteI_228" href="#tagI_228">I.228</a> +<p><a id="noteI_228" href="#tagI_228">I.228</a> <b>prodigious:</b> portentous. As in <i>A Midsummer Night's Dream</i>, V, i, 419: "Never mole, hare lip, nor scar, Nor mark prodigious."</p> -<p><a name="noteI_229" id="noteI_229" href="#tagI_229">I.229</a> +<p><a id="noteI_229" href="#tagI_229">I.229</a> l. 79 Two lines in Ff.</p> -<p><a name="noteI_230" id="noteI_230" href="#tagI_230">I.230</a> +<p><a id="noteI_230" href="#tagI_230">I.230</a> <b>Let it be who it is:</b> "no matter who it is."—Clar.</p> -<p><a name="noteI_231" id="noteI_231" href="#tagI_231">I.231</a> +<p><a id="noteI_231" href="#tagI_231">I.231</a> <b>thews</b> | Thewes F<sub>1</sub>F<sub>2</sub> | Sinews F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteI_232" id="noteI_232" href="#tagI_232">I.232</a> +<p><a id="noteI_232" href="#tagI_232">I.232</a> <b>thews:</b> muscles. So in <i>Hamlet</i>, I, iii, 12, and <i>2 Henry IV</i>, III, ii, 276. In Chaucer and Middle English the word means 'manners,' though in Layamon's <i>Brut</i> (l. 6361), in the singular, it seems to mean 'sinew' or 'strength.' See Skeat for a suggestive discussion.</p> -<p><a name="noteI_233" id="noteI_233" href="#tagI_233">I.233</a> +<p><a id="noteI_233" href="#tagI_233">I.233</a> <b>with:</b> by. So in <a href="#tagIII_2_196">III, ii, 196</a>. See Abbott, § 193.</p> -<p><a name="noteI_234" id="noteI_234" href="#tagI_234">I.234</a> +<p><a id="noteI_234" href="#tagI_234">I.234</a> Can repress by force man's energy of soul.</p> -<p><a name="noteI_235" id="noteI_235" href="#tagI_235">I.235</a> +<p><a id="noteI_235" href="#tagI_235">I.235</a> <b>bondman.</b> The word 'cancel' in the next line shows that Casca plays on the two senses of 'bond.' Cf. <i>Cymbeline</i>, V, iv, 28.</p> -<p><a name="noteI_236" id="noteI_236" href="#tagI_236">I.236</a> +<p><a id="noteI_236" href="#tagI_236">I.236</a> The idea seems to be that, as men start a huge fire with worthless straws or shavings, so Cæsar is using the degenerate Romans of the time to set the whole world a-blaze with his own glory. @@ -11577,12 +11619,12 @@ delightful. For a good hater is the next best thing to a true friend; and Cassius's honest gushing malice is surely better than Brutus's stabbing sentimentalism.</p> -<p><a name="noteI_237" id="noteI_237" href="#tagI_237">I.237</a> +<p><a id="noteI_237" href="#tagI_237">I.237</a> The meaning is, Perhaps you will go and tell Cæsar all I have said about him, and then he will call me to account for it. Very well; go tell him; and let him do his worst. I care not.</p> -<p><a name="noteI_238" id="noteI_238" href="#tagI_238">I.238</a> +<p><a id="noteI_238" href="#tagI_238">I.238</a> <b>Fleering.</b> This word of Scandinavian origin seems to unite the senses of 'grinning,' 'flattering' (see <i>Love's Labour's Lost</i>, V, ii, 109, and Ben Jonson's "fawn and fleer" in <i>Volpone</i>, III, i, 20), and @@ -11590,27 +11632,27 @@ the senses of 'grinning,' 'flattering' (see <i>Love's Labour's Lost</i>, V, ii, you into saying that of another which you ought not to say, and then mocks you by going to that other and telling what you have said.</p> -<p><a name="noteI_239" id="noteI_239" href="#tagI_239">I.239</a> +<p><a id="noteI_239" href="#tagI_239">I.239</a> <b>Hold, my hand:</b> stay! here is my hand. As men clasp hands in sealing a bargain. In Rowe's text the comma is omitted.</p> -<p><a name="noteI_240" id="noteI_240" href="#tagI_240">I.240</a> +<p><a id="noteI_240" href="#tagI_240">I.240</a> <b>Be factious:</b> be active. Or it may mean, 'form a party,' 'join a conspiracy.'</p> -<p><a name="noteI_241" id="noteI_241" href="#tagI_241">I.241</a> +<p><a id="noteI_241" href="#tagI_241">I.241</a> <b>griefs:</b> grievances. The effect put for the cause. A common Shakespearian metonymy. Cf. III, ii, 211; IV, ii, 42, 46.</p> -<p><a name="noteI_242" id="noteI_242" href="#tagI_242">I.242</a> +<p><a id="noteI_242" href="#tagI_242">I.242</a> <b>undergo:</b> undertake. So in <i>2 Henry IV</i>, I, iii, 54; <i>The Winter's Tale</i>, II, iii, 164; IV, iv, 554.</p> -<p><a name="noteI_243" id="noteI_243" href="#tagI_243">I.243</a> +<p><a id="noteI_243" href="#tagI_243">I.243</a> <b>by this:</b> by this time. So in <i>King Lear</i>, IV, vi, 45.</p> -<p><a name="noteI_244" id="noteI_244" href="#tagI_244">I.244</a> +<p><a id="noteI_244" href="#tagI_244">I.244</a> <b>Pompey's porch.</b> This was a spacious adjunct to the huge theater that Pompey had built in the Campus Martius, outside of the city proper; and there, as Plutarch says in <i>Marcus Brutus</i>, @@ -11621,46 +11663,46 @@ it was that Cæsar was stabbed to death; and though Shakespeare transfers the assassination to the Capitol, he makes Cæsar's blood stain the statue of Pompey. See <a href="#tagIII_145">III, ii, 187, 188</a>.</p> -<p><a name="noteI_245" id="noteI_245" href="#tagI_245">I.245</a> +<p><a id="noteI_245" href="#tagI_245">I.245</a> <b>element:</b> sky. Twice Shakespeare seems to poke fun at the way in which the Elizabethans overdid the use of 'element' in this sense, in <i>Twelfth Night</i>, III, i, 65, and in <i>2 Henry IV</i>, IV, iii, 58.</p> -<p><a name="noteI_246" id="noteI_246" href="#tagI_246">I.246</a> +<p><a id="noteI_246" href="#tagI_246">I.246</a> <b>favour:</b> appearance. So in I, ii, 91. Johnson's emendation, though pleonastic, makes least change upon the text of the Folios.</p> -<p><a name="noteI_247" id="noteI_247" href="#tagI_247">I.247</a> +<p><a id="noteI_247" href="#tagI_247">I.247</a> <b>In favour's like</b> Camb | In favour's, like Johnson | Is Favors, like F<sub>1</sub>F<sub>2</sub> | Is Favours, like F<sub>3</sub>F<sub>4</sub> | Is favour'd like Capell | Is feav'rous, like Rowe.</p> -<p><a name="noteI_248" id="noteI_248" href="#tagI_248">I.248</a> +<p><a id="noteI_248" href="#tagI_248">I.248</a> <b>bloody, fiery</b> | bloodie, fierie Ff | bloody-fiery Dyce.</p> -<p><a name="noteI_249" id="noteI_249" href="#tagI_249">I.249</a> +<p><a id="noteI_249" href="#tagI_249">I.249</a> <b>close:</b> hidden. So in <i>1 Chronicles</i>, xii, 1: "He yet kept himself close because of Saul the son of Kish."</p> -<p><a name="noteI_250" id="noteI_250" href="#tagI_250">I.250</a> +<p><a id="noteI_250" href="#tagI_250">I.250</a> <b>gait</b> Johnson | gate Ff.</p> -<p><a name="noteI_251" id="noteI_251" href="#tagI_251">I.251</a> +<p><a id="noteI_251" href="#tagI_251">I.251</a> <b>incorporate:</b> closely united. Shakespeare uses this word nine times,—four times as an adjective and five times as a verb. With regard to the omission of <i>-ed</i> in participial forms, see Abbott, § 342.</p> -<p><a name="noteI_252" id="noteI_252" href="#tagI_252">I.252</a> +<p><a id="noteI_252" href="#tagI_252">I.252</a> l. 137 Two lines in Ff.</p> -<p><a name="noteI_253" id="noteI_253" href="#tagI_253">I.253</a> +<p><a id="noteI_253" href="#tagI_253">I.253</a> <b>O, Cassius</b> | Ff print in line 139.</p> -<p><a name="noteI_254" id="noteI_254" href="#tagI_254">I.254</a> +<p><a id="noteI_254" href="#tagI_254">I.254</a> <b>the noble Brutus</b> | Ff print in line 140.</p> -<p><a name="noteI_255" id="noteI_255" href="#tagI_255">I.255</a> +<p><a id="noteI_255" href="#tagI_255">I.255</a> <b>in the prætor's chair.</b> "But for Brutus, his friends and countrymen, both by divers procurements and sundry rumours of the city, -and by many bills<a class="tag" name="tagI_255_1" id="tagI_255_1" href="#noteI_255_1">[1]</a> also, did openly call and procure him to do that +and by many bills<a class="tag" id="tagI_255_1" href="#noteI_255_1">[1]</a> also, did openly call and procure him to do that he did. For under the image of his ancestor Junius Brutus, (that drave the kings out of Rome) they wrote: 'O, that it pleased the gods thou wert now alive, Brutus!' and again, 'that thou wert here @@ -11668,17 +11710,17 @@ among us now!' His tribunal or chair, where he gave audience during the time he was Prætor, was full of such bills: 'Brutus, thou art asleep, and art not Brutus indeed.'"—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteI_255_1" id="noteI_255_1" href="#tagI_255_1">I.255[1]</a> +<p><a id="noteI_255_1" href="#tagI_255_1">I.255[1]</a> i.e. <b>scrolls</b>.</p> -<p><a name="noteI_256" id="noteI_256" href="#tagI_256">I.256</a> +<p><a id="noteI_256" href="#tagI_256">I.256</a> <b>Brutus may but find it:</b> only Brutus may find it.</p> -<p><a name="noteI_257" id="noteI_257" href="#tagI_257">I.257</a> +<p><a id="noteI_257" href="#tagI_257">I.257</a> For a discussion of singular verbs with plural subjects, see Abbott, § 333. Cf. <a href="#tagI_3_138">l. 138</a>, <a href="#tagI_3_155">l. 155</a>; <a href="#tagIII_112">III, ii, 26</a>.</p> -<p><a name="noteI_258" id="noteI_258" href="#tagI_258">I.258</a> +<p><a id="noteI_258" href="#tagI_258">I.258</a> <b>Decius Brutus</b>. As indicated in the notes to the Dramatis Personæ, this should be 'Decimus Brutus.' Shakespeare found the form 'Decius' in North's @@ -11690,68 +11732,68 @@ particularly distinguished himself in his naval service at Venetia and Massilia. After the murder of Cæsar, he was found to be written down in his will as second heir.</p> -<p><a name="noteI_259" id="noteI_259" href="#tagI_259">I.259</a> +<p><a id="noteI_259" href="#tagI_259">I.259</a> <b>bade</b> Rowe | bad Ff.</p> -<p><a name="noteI_260" id="noteI_260" href="#tagI_260">I.260</a> +<p><a id="noteI_260" href="#tagI_260">I.260</a> <b>countenance</b>: support.</p> -<p><a name="noteI_261" id="noteI_261" href="#tagI_261">I.261</a> +<p><a id="noteI_261" href="#tagI_261">I.261</a> <b>alchemy</b>: the old ideal art of turning base metals into gold. So in <i>Sonnets</i>, <span class="smallcaps">xxxiii</span>, 4: "Gilding pale streams with heavenly alchemy." Cf. <i>King John</i>, III, i, 78.</p> -<p><a name="noteI_262" id="noteI_262" href="#tagI_262">I.262</a> +<p><a id="noteI_262" href="#tagI_262">I.262</a> <b>conceited</b>: formed an idea of, conceived, judged. 'Conceit' as a verb occurs again in <a href="#tagIII_71">III, i, 193</a>, and in <i>Othello</i>, III, iii, 149.</p> <p><b>Act II</b></p> -<p><a name="noteII_1" id="noteII_1" href="#tagII_1">II.1</a> +<p><a id="noteII_1" href="#tagII_1">II.1</a> <i>orchard.</i> Shakespeare generally uses 'orchard' in its original sense of 'garden' (literally 'herb-garden,' Anglo-Saxon <i>ort-geard</i>).</p> -<p><a name="noteII_2" id="noteII_2" href="#tagII_2">II.2</a> +<p><a id="noteII_2" href="#tagII_2">II.2</a> <i>Rome ... Enter</i> <span class="charname">Brutus</span> Malone | Enter Brutus in his Orchard Ff.</p> -<p><a name="noteII_3" id="noteII_3" href="#tagII_3">II.3</a> +<p><a id="noteII_3" href="#tagII_3">II.3</a> <b>What.</b> A common exclamation frequent in Shakespeare. So in <a href="#tagV_3_72">V, iii, 72</a>. The 'when' of l. 5 shows increasing impatience.</p> -<p><a name="noteII_4" id="noteII_4" href="#tagII_4">II.4</a> +<p><a id="noteII_4" href="#tagII_4">II.4</a> <b>when?</b> Ff | when! Delius.</p> -<p><a name="noteII_5" id="noteII_5" href="#tagII_5">II.4</a> +<p><a id="noteII_5" href="#tagII_5">II.4</a> <b>what, Lucius!</b> | what Lucius? Ff.</p> -<p><a name="noteII_6" id="noteII_6" href="#tagII_6">II.6</a> +<p><a id="noteII_6" href="#tagII_6">II.6</a> Brutus has been casting about on all sides to find some means to prevent Cæsar's being king, and here admits that it can be done only by killing him. Thus the soliloquy opens in just the right way to throw us back upon his antecedent meditations. In expression -and in feeling it anticipates <i>Hamlet</i>, III, i, 56-88. From now onwards +and in feeling it anticipates <i>Hamlet</i>, III, i, 56–88. From now onwards the speeches of Brutus strangely adumbrate those of Hamlet.</p> -<p><a name="noteII_7" id="noteII_7" href="#tagII_7">II.7</a> +<p><a id="noteII_7" href="#tagII_7">II.7</a> <b>the general</b>: the general public, the community at large. Cf. <i>Hamlet</i>, II, ii, 457, "pleas'd not the million; 't was caviare to the -general." See <a href="#tagIII_126">III, ii, 89</a>, and <a href="#tagV_136">V, v, 71-72</a>.</p> +general." See <a href="#tagIII_126">III, ii, 89</a>, and <a href="#tagV_136">V, v, 71–72</a>.</p> -<p><a name="noteII_8" id="noteII_8" href="#tagII_8">II.8</a> +<p><a id="noteII_8" href="#tagII_8">II.8</a> The sunshine of royalty will kindle the serpent in Cæsar. The -figure in 32-34 suggests that 'bring forth' may here mean 'hatch.'</p> +figure in 32–34 suggests that 'bring forth' may here mean 'hatch.'</p> -<p><a name="noteII_9" id="noteII_9" href="#tagII_9">II.9</a> +<p><a id="noteII_9" href="#tagII_9">II.9</a> <b>him?—that;</b>—Camb Globe | him that, Ff | him—that—Rowe.</p> -<p><a name="noteII_10" id="noteII_10" href="#tagII_10">II.10</a> +<p><a id="noteII_10" href="#tagII_10">II.10</a> <b>do danger with</b>: do mischief with, prove dangerous. Cf. <i>Romeo and Juliet</i>, V, ii, 20: "neglecting it May do much danger."</p> -<p><a name="noteII_11" id="noteII_11" href="#tagII_11">II.11</a> +<p><a id="noteII_11" href="#tagII_11">II.11</a> <b>Remorse.</b> Constantly in Shakespeare 'remorse' is used for 'pity' or 'compassion.' Here it seems to mean something more, 'conscience,' 'conscientiousness.' So in <i>Othello</i>, III, iii, 468:</p> @@ -11765,38 +11807,38 @@ and Juliet</i>, V, ii, 20: "neglecting it May do much danger."</p> <p>The possession of dictatorial power is apt to stifle or sear the conscience, so as to make a man literally remorseless.</p> -<p><a name="noteII_12" id="noteII_12" href="#tagII_12">II.12</a> +<p><a id="noteII_12" href="#tagII_12">II.12</a> <b>affections sway'd</b> passions (inclinations) governed.</p> -<p><a name="noteII_13" id="noteII_13" href="#tagII_13">II.13</a> +<p><a id="noteII_13" href="#tagII_13">II.13</a> <b>proof</b>: experience. So in <i>Twelfth Night</i>, III, i, 135.</p> -<p><a name="noteII_14" id="noteII_14" href="#tagII_14">II.14</a> +<p><a id="noteII_14" href="#tagII_14">II.14</a> <b>climber upward</b> Ff | climber-upward Warburton.</p> -<p><a name="noteII_15" id="noteII_15" href="#tagII_15">II.15</a> +<p><a id="noteII_15" href="#tagII_15">II.15</a> Warburton put a hyphen between 'climber' and 'upward.' Delius, however, would connect 'upward' with 'whereto' and 'turns.'</p> -<p><a name="noteII_16" id="noteII_16" href="#tagII_16">II.16</a> +<p><a id="noteII_16" href="#tagII_16">II.16</a> <b>base degrees</b>: lower steps. 'Degrees' is here used in its original, literal sense for the rounds, or steps, of the ladder.</p> -<p><a name="noteII_17" id="noteII_17" href="#tagII_17">II.17</a> +<p><a id="noteII_17" href="#tagII_17">II.17</a> <b>lest</b> F<sub>2</sub>F<sub>3</sub>F<sub>4</sub> | least F<sub>1</sub>.</p> -<p><a name="noteII_18" id="noteII_18" href="#tagII_18">II.18</a> +<p><a id="noteII_18" href="#tagII_18">II.18</a> <b>prevent</b>: anticipate.</p> -<p><a name="noteII_19" id="noteII_19" href="#tagII_19">II.19</a> +<p><a id="noteII_19" href="#tagII_19">II.19</a> <b>quarrel</b>: cause of complaint.</p> -<p><a name="noteII_20" id="noteII_20" href="#tagII_20">II.20</a> +<p><a id="noteII_20" href="#tagII_20">II.20</a> <b>colour</b>: pretext, plausible appearance. </p> -<p><a name="noteII_21" id="noteII_21" href="#tagII_21">II.21</a> -ll. 29-34 The general meaning +<p><a id="noteII_21" href="#tagII_21">II.21</a> +ll. 29–34 The general meaning of this somewhat obscure passage is, Since we have no show or pretext of a cause, no assignable ground or apparent ground of complaint, against Cæsar, in what he is, or in anything he has yet @@ -11811,13 +11853,13 @@ and puffing themselves with the thinnest of sophisms, feeding on air and conceiving themselves inspired, or "mistaking the giddiness of the head for the illumination of the Spirit."</p> -<p><a name="noteII_22" id="noteII_22" href="#tagII_22">II.22</a> +<p><a id="noteII_22" href="#tagII_22">II.22</a> ll. 35, 59, 70 <i>Re-enter</i> | Enter Ff.</p> -<p><a name="noteII_23" id="noteII_23" href="#tagII_23">II.23</a> +<p><a id="noteII_23" href="#tagII_23">II.23</a> <b>first</b> Ff | Ides Theobald.</p> -<p><a name="noteII_24" id="noteII_24" href="#tagII_24">II.24</a> +<p><a id="noteII_24" href="#tagII_24">II.24</a> The Folio reading 'first of March' cannot be right chronologically, though it is undoubtedly what Shakespeare wrote, for in Plutarch, <i>Marcus Brutus</i>, he read: "Cassius asked him if he were @@ -11828,7 +11870,7 @@ This inconsistency is not without parallels in Shakespeare. Cf. the "four strangers" in <i>The Merchant of Venice</i>, I, ii, 135, when six have been mentioned. In Scott, too, are many such inconsistencies.</p> -<p><a name="noteII_25" id="noteII_25" href="#tagII_25">II.25</a> +<p><a id="noteII_25" href="#tagII_25">II.25</a> <b>exhalations</b>: meteors. In Plutarch's <i>Opinions of Philosophers</i>, Holland's translation, is this passage (spelling modernized): "Aristotle supposeth that all these meteors come of a dry exhalation, @@ -11836,48 +11878,48 @@ which, being gotten enclosed within a moist cloud, seeketh means, and striveth forcibly to get forth." Shakespeare uses 'meteor' repeatedly in the same way. So in <i>Romeo and Juliet</i>, III, v, 13.</p> -<p><a name="noteII_26" id="noteII_26" href="#tagII_26">II.26</a> +<p><a id="noteII_26" href="#tagII_26">II.26</a> The Folios give this line as it is here. Some editors arrange it as the beginning of the letter repeated ponderingly by Brutus.</p> -<p><a name="noteII_27" id="noteII_27" href="#tagII_27">II.27</a> +<p><a id="noteII_27" href="#tagII_27">II.27</a> <b>dropp'd</b> | dropt, F<sub>1</sub>F<sub>2</sub>.</p> -<p><a name="noteII_28" id="noteII_28" href="#tagII_28">II.28</a> +<p><a id="noteII_28" href="#tagII_28">II.28</a> See quotation from Plutarch in <a href="#noteI_255">note, p. 40, l. 143</a>.</p> -<p><a name="noteII_29" id="noteII_29" href="#tagII_29">II.29</a> +<p><a id="noteII_29" href="#tagII_29">II.29</a> <b>What, Rome?</b> Rowe | What Rome Ff.</p> -<p><a name="noteII_30" id="noteII_30" href="#tagII_30">II.30</a> +<p><a id="noteII_30" href="#tagII_30">II.30</a> <b>ancestors</b> Ff | ancestor Dyce.</p> -<p><a name="noteII_31" id="noteII_31" href="#tagII_31">II.31</a> +<p><a id="noteII_31" href="#tagII_31">II.31</a> <b>thee</b> F<sub>1</sub>F<sub>4</sub> | the F<sub>2</sub>F<sub>3</sub>.</p> -<p><a name="noteII_32" id="noteII_32" href="#tagII_32">II.32</a> +<p><a id="noteII_32" href="#tagII_32">II.32</a> <b>fifteen</b> Ff | fourteen Theobald.</p> -<p><a name="noteII_33" id="noteII_33" href="#tagII_33">II.33</a> +<p><a id="noteII_33" href="#tagII_33">II.33</a> <b>fifteen.</b> This, the Folio reading, is undoubtedly correct. Lines -103-104 and 192-193 show that it is past midnight, and Lucius is +103–104 and 192–193 show that it is past midnight, and Lucius is including in his computation the dawn of the fifteenth day, a natural thing for any one to do, especially a Roman.</p> -<p><a name="noteII_34" id="noteII_34" href="#tagII_34">II.34</a> +<p><a id="noteII_34" href="#tagII_34">II.34</a> ll. 60, 76: [<i>Exit</i> <span class="charname">Lucius</span>] Ff omit.</p> -<p><a name="noteII_35" id="noteII_35" href="#tagII_35">II.35</a> +<p><a id="noteII_35" href="#tagII_35">II.35</a> <b>motion</b>: prompting of impulse. Cf. <i>King John</i>, IV, ii, 255.</p> -<p><a name="noteII_36" id="noteII_36" href="#tagII_36">II.36</a> +<p><a id="noteII_36" href="#tagII_36">II.36</a> <b>phantasma</b>: a vision of things that are not. "Shakespeare seems to use it ('phantasma') in this passage in the sense of nightmare, which it bears in Italian."—Clar. What Brutus says here is in the very spirit of Hamlet's speeches. Cf. also the King's speech -to Laertes, <i>Hamlet</i>, IV, vii, 115-124, and <i>Macbeth</i>, I, vii, 1-28.</p> +to Laertes, <i>Hamlet</i>, IV, vii, 115–124, and <i>Macbeth</i>, I, vii, 1–28.</p> -<p><a name="noteII_37" id="noteII_37" href="#tagII_37">II.37</a> +<p><a id="noteII_37" href="#tagII_37">II.37</a> Commentators differ about 'Genius' here; some taking it for the 'conscience,' others for the 'anti-conscience.' Shakespeare uses 'genius,' 'spirit,' and 'demon,' as synonymous, and all three, apparently, @@ -11910,71 +11952,71 @@ will is hesitating about the perpetration of a great crime, and when the passions are threatening to overpower, and eventually do overpower, the reason and the conscience."</p> -<p><a name="noteII_38" id="noteII_38" href="#tagII_38">II.38</a> +<p><a id="noteII_38" href="#tagII_38">II.38</a> <b>a man</b> F<sub>1</sub> | man F<sub>2</sub>F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteII_39" id="noteII_39" href="#tagII_39">II.39</a> -ll. 67-69: Cf. <a href="#I_2_39">I, ii, 39-47</a>; <i>Macbeth</i>, I, iii, 137-142.</p> +<p><a id="noteII_39" href="#tagII_39">II.39</a> +ll. 67–69: Cf. <a href="#I_2_39">I, ii, 39–47</a>; <i>Macbeth</i>, I, iii, 137–142.</p> -<p><a name="noteII_40" id="noteII_40" href="#tagII_40">II.40</a> +<p><a id="noteII_40" href="#tagII_40">II.40</a> <b>brother.</b> Cassius was married to Junia, the sister of Brutus.</p> -<p><a name="noteII_41" id="noteII_41" href="#tagII_41">II.41</a> +<p><a id="noteII_41" href="#tagII_41">II.41</a> <b>moe</b> Ff | more Rowe.</p> -<p><a name="noteII_42" id="noteII_42" href="#tagII_42">II.42</a> +<p><a id="noteII_42" href="#tagII_42">II.42</a> <b>moe</b>: more. The old comparative of 'many.' In Middle English 'moe,' or 'mo,' was used of number and with collective nouns; 'more' had reference specifically to size. See Skeat.</p> -<p><a name="noteII_43" id="noteII_43" href="#tagII_43">II.43</a> +<p><a id="noteII_43" href="#tagII_43">II.43</a> Pope was evidently so disgusted with Shakespeare's tendency to dress his Romans like Elizabethans, that in his two editions he omits 'hats' altogether, indicating the omission by a dash!</p> -<p><a name="noteII_44" id="noteII_44" href="#tagII_44">II.44</a> +<p><a id="noteII_44" href="#tagII_44">II.44</a> <b>cloaks</b> | Cloakes F<sub>1</sub> | cloathes F<sub>2</sub> | cloaths F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteII_45" id="noteII_45" href="#tagII_45">II.45</a> +<p><a id="noteII_45" href="#tagII_45">II.45</a> <b>favour</b>: countenance. So in <a href="#tagI_101">I, ii, 91</a>; <a href="#tagI_246">I, iii, 129</a>.</p> -<p><a name="noteII_46" id="noteII_46" href="#tagII_46">II.46</a> +<p><a id="noteII_46" href="#tagII_46">II.46</a> <b>'em</b> F<sub>1</sub>F<sub>2</sub>F<sub>3</sub> | them F<sub>4</sub>.</p> -<p><a name="noteII_47" id="noteII_47" href="#tagII_47">II.47</a> +<p><a id="noteII_47" href="#tagII_47">II.47</a> <b>evils</b>: evil things. So in <i>Lucrece</i>, l. 1250, we have 'cave-keeping evils.' The line in the text means, When crimes and mischiefs, and evil and mischievous men, are most free from the restraints of law or of shame. So Hamlet speaks of night as the time "when hell itself breathes out Contagion to this world." Cf. <a href="#tagII_1_265">l. 265</a>.</p> -<p><a name="noteII_48" id="noteII_48" href="#tagII_48">II.48</a> +<p><a id="noteII_48" href="#tagII_48">II.48</a> <b>path:</b> take thy way. Drayton employs 'path' as a verb, both transitively and intransitively, literally and figuratively, in <i>England's -Heroicall Epistles</i> (1597-1598). The verb seems to have been in use +Heroicall Epistles</i> (1597–1598). The verb seems to have been in use from the fourteenth century to the close of the seventeenth.</p> -<p><a name="noteII_49" id="noteII_49" href="#tagII_49">II.49</a> +<p><a id="noteII_49" href="#tagII_49">II.49</a> <b>path, thy</b> F<sub>2</sub> | path thy F<sub>1</sub>F<sub>3</sub>F<sub>4</sub> | hath thy Quarto (1691) | march, thy Pope | put thy Dyce (Coleridge conj.).</p> -<p><a name="noteII_50" id="noteII_50" href="#tagII_50">II.50</a> +<p><a id="noteII_50" href="#tagII_50">II.50</a> <b>Erebus:</b> the region of nether darkness between Earth and Hades. Cf. <i>The Merchant of Venice</i>, V, i, 87: "dark as Erebus."</p> -<p><a name="noteII_51" id="noteII_51" href="#tagII_51">II.51</a> +<p><a id="noteII_51" href="#tagII_51">II.51</a> <b>prevention:</b> discovery, anticipation. This, the original sense, would lead to 'prevention,' as the term is used to-day.</p> -<p><a name="noteII_52" id="noteII_52" href="#tagII_52">II.52</a> +<p><a id="noteII_52" href="#tagII_52">II.52</a> Scene II Pope.</p> -<p><a name="noteII_53" id="noteII_53" href="#tagII_53">II.53</a> +<p><a id="noteII_53" href="#tagII_53">II.53</a> <b>Decius Brutus.</b> See notes, <a href="#noteI_3">Dramatis Personæ</a>, and <a href="#noteI_258">p. 40, l. 148</a>.</p> -<p><a name="noteII_54" id="noteII_54" href="#tagII_54">II.54</a> -ll. 101-111 This little side-talk on a theme so different from the +<p><a id="noteII_54" href="#tagII_54">II.54</a> +ll. 101–111 This little side-talk on a theme so different from the main one of the scene, is finely conceived, and aptly marks the men as seeking to divert anxious thoughts of the moment by any casual chat. It also serves the double purpose of showing that they @@ -11983,25 +12025,25 @@ to them. In itself it is thoroughly Shakespearian; and the description of the dawn-light flecking the clouds takes high place among Shakespeare's great sky pictures.</p> -<p><a name="noteII_55" id="noteII_55" href="#tagII_55">II.55</a> +<p><a id="noteII_55" href="#tagII_55">II.55</a> <b>fret:</b> "mark with interlacing lines like fretwork."—Clar. There are two distinct verbs spelled 'fret,' one meaning 'to eat away,' the other 'to ornament.' See Skeat. In <i>Hamlet</i>, II, ii, 313, we have "this majestical roof fretted with golden fire."</p> -<p><a name="noteII_56" id="noteII_56" href="#tagII_56">II.56</a> +<p><a id="noteII_56" href="#tagII_56">II.56</a> <b>growing on:</b> encroaching upon, tending towards.</p> -<p><a name="noteII_57" id="noteII_57" href="#tagII_57">II.57</a> +<p><a id="noteII_57" href="#tagII_57">II.57</a> <b>Weighing:</b> if you take into consideration.</p> -<p><a name="noteII_58" id="noteII_58" href="#tagII_58">II.58</a> +<p><a id="noteII_58" href="#tagII_58">II.58</a> <b>high:</b> full, perfect. Cf. 'high day,' 'high noon,' etc.</p> -<p><a name="noteII_59" id="noteII_59" href="#tagII_59">II.59</a> +<p><a id="noteII_59" href="#tagII_59">II.59</a> <b>all over:</b> one after the other until all have been included.</p> -<p><a name="noteII_60" id="noteII_60" href="#tagII_60">II.60</a> +<p><a id="noteII_60" href="#tagII_60">II.60</a> <b>No, not an oath.</b> This is based on Plutarch's statement in <i>Marcus Brutus:</i> "Furthermore, the only name and great calling of Brutus did bring on the most of them to give consent to this @@ -12012,7 +12054,7 @@ and could so cunningly handle it, that notwithstanding the gods did reveal it by manifest signs and tokens from above, and by predictions of sacrifices, yet all this would not be believed."</p> -<p><a name="noteII_61" id="noteII_61" href="#tagII_61">II.61</a> +<p><a id="noteII_61" href="#tagII_61">II.61</a> <b>if not the face of men.</b> This means, probably, the shame and self-reproach with which Romans must now look each other in the face under the @@ -12022,58 +12064,58 @@ gives it a more colloquial cast, without causing any real obscurity. Modern editors have offered strange substitutes for 'face' here,—'faith,' 'faiths,' 'fate,' 'fears,' 'yoke,' etc.</p> -<p><a name="noteII_62" id="noteII_62" href="#tagII_62">II.62</a> +<p><a id="noteII_62" href="#tagII_62">II.62</a> <b>sufferance:</b> suffering. So in <i>Measure for Measure</i>, III, i, 80; <i>Coriolanus</i>, I, i, 22. In <a href="#tagI_3_84">I, iii, 84</a>, 'sufferance' is used in its ordinary modern sense.</p> -<p><a name="noteII_63" id="noteII_63" href="#tagII_63">II.63</a> +<p><a id="noteII_63" href="#tagII_63">II.63</a> <b>the time's abuse:</b> the miserable condition of things in the present. Such 'time's abuse' in his own day Shakespeare describes in detail in <i>Sonnets</i>, <span class="smallcaps">lxvi</span>.</p> -<p><a name="noteII_64" id="noteII_64" href="#tagII_64">II.64</a> +<p><a id="noteII_64" href="#tagII_64">II.64</a> Brutus seems to have in mind the capriciousness of a high-looking and heaven-daring Oriental tyranny, where men's lives hung upon the nod and whim of the tyrant, as on the hazards of a lottery.</p> -<p><a name="noteII_65" id="noteII_65" href="#tagII_65">II.65</a> +<p><a id="noteII_65" href="#tagII_65">II.65</a> <b>What need we:</b> why need we. So in <i>Antony and Cleopatra</i>, V, ii, 317; <i>Titus Andronicus</i>, I, i, 189. Cf. <i>Mark</i>, xiv, 63.</p> -<p><a name="noteII_66" id="noteII_66" href="#tagII_66">II.66</a> +<p><a id="noteII_66" href="#tagII_66">II.66</a> <b>secret Romans:</b> Romans who had promised secrecy.</p> -<p><a name="noteII_67" id="noteII_67" href="#tagII_67">II.67</a> +<p><a id="noteII_67" href="#tagII_67">II.67</a> <b>palter:</b> equivocate, quibble. The idea is of shuffling as in making a promise with what is called a "mental reservation." "Palter with us in a double sense" is the famous expression in <i>Macbeth</i>, V, viii, 20, and it brings out clearly the meaning implicit in the term.</p> -<p><a name="noteII_68" id="noteII_68" href="#tagII_68">II.68</a> +<p><a id="noteII_68" href="#tagII_68">II.68</a> <b>cautelous:</b> deceitful. The original meaning is 'wary,' 'circumspect.' It is the older English adjective for 'cautious.' "The transition from caution to suspicion, and from suspicion to craft and deceit, is not very abrupt."—Clar. Cf. 'cautel' in <i>Hamlet</i>, I, iii, 5.</p> -<p><a name="noteII_69" id="noteII_69" href="#tagII_69">II.69</a> +<p><a id="noteII_69" href="#tagII_69">II.69</a> <b>carrions:</b> carcasses, men as good as dead.</p> -<p><a name="noteII_70" id="noteII_70" href="#tagII_70">II.70</a> +<p><a id="noteII_70" href="#tagII_70">II.70</a> <b>The even virtue:</b> the virtue that holds an equable and uniform tenor, always keeping the same high level. Cf. <i>Henry VIII</i>, III, i, 37.</p> -<p><a name="noteII_71" id="noteII_71" href="#tagII_71">II.71</a> +<p><a id="noteII_71" href="#tagII_71">II.71</a> <b>insuppressive:</b> not to be suppressed. The active form with the passive sense. Cf. 'unexpressive,' in <i>As You Like It</i>, III, ii, 10.</p> -<p><a name="noteII_72" id="noteII_72" href="#tagII_72">II.72</a> +<p><a id="noteII_72" href="#tagII_72">II.72</a> <b>To think:</b> by thinking. The infinitive used gerundively.</p> -<p><a name="noteII_73" id="noteII_73" href="#tagII_73">II.73</a> +<p><a id="noteII_73" href="#tagII_73">II.73</a> <b>opinion:</b> reputation. So in <i>The Merchant of Venice</i>, I, i, 91.</p> -<p><a name="noteII_74" id="noteII_74" href="#tagII_74">II.74</a> +<p><a id="noteII_74" href="#tagII_74">II.74</a> <b>break with him:</b> broach the matter to him. This bit of dialogue is very charming. Brutus knows full well that Cicero is not the man to take a subordinate position; that if he have anything @@ -12090,36 +12132,36 @@ and quench the heat of their enterprise (the which specially required hot and earnest execution), seeking by persuasion to bring all things to such safety, as there should be no peril."</p> -<p><a name="noteII_75" id="noteII_75" href="#tagII_75">II.75</a> +<p><a id="noteII_75" href="#tagII_75">II.75</a> <b>of him:</b> in him. The "appositional genitive." See Abbott, § 172.</p> -<p><a name="noteII_76" id="noteII_76" href="#tagII_76">II.76</a> +<p><a id="noteII_76" href="#tagII_76">II.76</a> <b>envy:</b> malice. Commonly so in Shakespeare, as in <i>The Merchant of Venice</i>, IV, i, 10. So 'envious' in the sense of 'malicious' in l. 178.</p> -<p><a name="noteII_77" id="noteII_77" href="#tagII_77">II.77</a> +<p><a id="noteII_77" href="#tagII_77">II.77</a> <b>Let's</b> Ff | Let us Theobald.</p> -<p><a name="noteII_78" id="noteII_78" href="#tagII_78">II.78</a> +<p><a id="noteII_78" href="#tagII_78">II.78</a> <b>men</b> Ff | man Pope.</p> -<p><a name="noteII_79" id="noteII_79" href="#tagII_79">II.79</a> +<p><a id="noteII_79" href="#tagII_79">II.79</a> <b>spirit</b> F<sub>1</sub> | spirits F<sub>2</sub>F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteII_80" id="noteII_80" href="#tagII_80">II.80</a> +<p><a id="noteII_80" href="#tagII_80">II.80</a> <b>'em</b> F<sub>1</sub>F<sub>2</sub>F<sub>3</sub> | them F<sub>4</sub>.</p> -<p><a name="noteII_81" id="noteII_81" href="#tagII_81">II.81</a> +<p><a id="noteII_81" href="#tagII_81">II.81</a> So the king proceeds with Hubert in <i>King John</i>. And so men often proceed when they wish to have a thing done, and to shirk the responsibility; setting it on by dark hints and allusions, and then, after it is done, affecting to blame or to scold the doers of it.</p> -<p><a name="noteII_82" id="noteII_82" href="#tagII_82">II.82</a> +<p><a id="noteII_82" href="#tagII_82">II.82</a> <b>purgers:</b> healers, cleansers of the land from tyranny.</p> -<p><a name="noteII_83" id="noteII_83" href="#tagII_83">II.83</a> +<p><a id="noteII_83" href="#tagII_83">II.83</a> 'Think and die,' as in <i>Antony and Cleopatra,</i> III, xiii, 1, seems to have been a proverbial expression meaning 'grieve oneself to death'; and it would be much indeed, a very wonderful thing, if @@ -12128,8 +12170,8 @@ jolly companion as he is. Cf. <i>Hamlet</i>, III, i, 85. 'Thoughtful' (sometimes in the form 'thoughtish') is a common provincial expression for 'melancholy' in Cumberland and Roxburghshire to-day.</p> -<p><a name="noteII_84" id="noteII_84" href="#tagII_84">II.84</a> -ll. 188-189: Here is Plutarch's account in <i>Marcus Antonius</i>, of contemporary +<p><a id="noteII_84" href="#tagII_84">II.84</a> +ll. 188–189: Here is Plutarch's account in <i>Marcus Antonius</i>, of contemporary criticism of Antony's habits: "And on the other side, the noblemen (as Cicero saith), did not only mislike him, but also hate him for his naughty life: for they did abhor his banquets and drunken @@ -12138,20 +12180,20 @@ upon vain light huswives; and then in the daytime he would sleep or walk out his drunkenness, thinking to wear away the fume of the abundance of wine which he had taken over night."</p> -<p><a name="noteII_85" id="noteII_85" href="#tagII_85">II.85</a> +<p><a id="noteII_85" href="#tagII_85">II.85</a> <b>no fear:</b> no cause of fear. Cf. <i>The Merchant of Venice</i>, II, i, 9.</p> -<p><a name="noteII_86" id="noteII_86" href="#tagII_86">II.86</a> +<p><a id="noteII_86" href="#tagII_86">II.86</a> <b>stricken.</b> In <a href="#tagII_167">II, ii, 114</a>, we have the form 'strucken.' An interesting anachronism is this matter of a striking clock in old Rome.</p> -<p><a name="noteII_87" id="noteII_87" href="#tagII_87">II.87</a> +<p><a id="noteII_87" href="#tagII_87">II.87</a> <b>Whether.</b> So in the Folios. Cf. the form 'where' in <a href="#tagI_44">I, i, 63</a>.</p> -<p><a name="noteII_88" id="noteII_88" href="#tagII_88">II.88</a> +<p><a id="noteII_88" href="#tagII_88">II.88</a> For 'from' without a verb of motion see Abbott, § 158.</p> -<p><a name="noteII_89" id="noteII_89" href="#tagII_89">II.89</a> +<p><a id="noteII_89" href="#tagII_89">II.89</a> 'Main' is often found in sixteenth century literature in the sense of 'great,' 'strong,' 'mighty.' Cæsar was, in his philosophy, an Epicurean, like most of the educated Romans of the time. Hence he @@ -12159,12 +12201,12 @@ was, in opinion, strongly skeptical about dreams and ceremonial auguries. But his conduct, especially in his later years, was characterized by many gross instances of superstitious practice.</p> -<p><a name="noteII_90" id="noteII_90" href="#tagII_90">II.90</a> +<p><a id="noteII_90" href="#tagII_90">II.90</a> <b>apparent prodigies:</b> evident portents. 'Apparent' in this sense of 'plainly manifest,' and so 'undeniable,' is found more than once in Shakespeare. Cf. <i>King John</i>, IV, ii, 93; <i>Richard II</i>, I, i, 13.</p> -<p><a name="noteII_91" id="noteII_91" href="#tagII_91">II.91</a> +<p><a id="noteII_91" href="#tagII_91">II.91</a> So in Spenser, <i>The Faerie Queene</i>, II, v, 10:</p> <div class="poem"> @@ -12179,13 +12221,13 @@ So in Spenser, <i>The Faerie Queene</i>, II, v, 10:</p> <p>But to the mighty victor yields a bounteous feast.</p> </div> -<p><a name="noteII_92" id="noteII_92" href="#tagII_92">II.92</a> +<p><a id="noteII_92" href="#tagII_92">II.92</a> Bears are said to have been caught by putting looking-glasses in their way; they being so taken with the images of themselves that the hunters could easily master them. Elephants were beguiled into pitfalls, lightly covered over with hurdles and turf.</p> -<p><a name="noteII_93" id="noteII_93" href="#tagII_93">II.93</a> +<p><a id="noteII_93" href="#tagII_93">II.93</a> <b>toils:</b> nets, snares. The root idea of the word is a 'thing woven' (Cf. Spenser's 'welwoven toyles' in <i>Astrophel</i>, xvii, 1), and while it seems to have primary reference to a web or cord spread @@ -12193,13 +12235,13 @@ for taking prey, the old Fr. <i>toile</i> sometimes means a 'stalking-horse of painted canvas.' Shakespeare uses the word several times. Cf. <i>Antony and Cleopatra</i>, V, ii, 351; <i>Hamlet</i>, III, ii, 362.</p> -<p><a name="noteII_94" id="noteII_94" href="#tagII_94">II.94</a> +<p><a id="noteII_94" href="#tagII_94">II.94</a> <b>eighth</b> F<sub>4</sub> | eight F<sub>1</sub>F<sub>2</sub>F<sub>3</sub>.</p> -<p><a name="noteII_95" id="noteII_95" href="#tagII_95">II.95</a> +<p><a id="noteII_95" href="#tagII_95">II.95</a> <b>hard</b> F<sub>1</sub> | hatred F<sub>2</sub>F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteII_96" id="noteII_96" href="#tagII_96">II.96</a> +<p><a id="noteII_96" href="#tagII_96">II.96</a> <b>doth bear Cæsar hard.</b> For a discussion of this interesting expression see <a href="#noteI_185">note, p. 29, l. 310</a>. "Now amongst Pompey's friends there was one called Caius Ligarius, who had been accused unto @@ -12214,23 +12256,23 @@ taking him by the right hand, said unto him: 'Brutus,' said he, 'if thou hast any great enterprise in hand, worthy of thyself, I am whole.'"—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteII_97" id="noteII_97" href="#tagII_97">II.97</a> +<p><a id="noteII_97" href="#tagII_97">II.97</a> <b>by him:</b> by his house. Make your way home that way.</p> -<p><a name="noteII_98" id="noteII_98" href="#tagII_98">II.98</a> +<p><a id="noteII_98" href="#tagII_98">II.98</a> l. 221 Two lines in Ff.</p> -<p><a name="noteII_99" id="noteII_99" href="#tagII_99">II.99</a> +<p><a id="noteII_99" href="#tagII_99">II.99</a> Let not our looks betray our purposes by wearing, or being attired with, any indication of them. Cf. <i>Macbeth</i>, I, vii, 81.</p> -<p><a name="noteII_100" id="noteII_100" href="#tagII_100">II.100</a> +<p><a id="noteII_100" href="#tagII_100">II.100</a> [<i>Exeunt</i> ...] | Exeunt. Manet Brutus Ff.</p> -<p><a name="noteII_101" id="noteII_101" href="#tagII_101">II.101</a> +<p><a id="noteII_101" href="#tagII_101">II.101</a> <b>honey-heavy dew</b> | hony-heavy-Dew Ff | honey heavy dew Johnson | heavy honey-dew Collier.</p> -<p><a name="noteII_102" id="noteII_102" href="#tagII_102">II.102</a> +<p><a id="noteII_102" href="#tagII_102">II.102</a> The compound epithet, 'honey-heavy,' is very expressive and apt. The 'dew of slumber' is called 'heavy' because it makes the subject feel heavy, and 'honey-heavy,' because the heaviness it @@ -12241,10 +12283,10 @@ naturally led to contrast the free and easy state of the boy's mind with that of his own, which the excitement of his present undertaking is drawing full of visions and images of trouble.</p> -<p><a name="noteII_103" id="noteII_103" href="#tagII_103">II.103</a> +<p><a id="noteII_103" href="#tagII_103">II.103</a> Scene III Pope.</p> -<p><a name="noteII_104" id="noteII_104" href="#tagII_104">II.104</a> +<p><a id="noteII_104" href="#tagII_104">II.104</a> Similarities and differences between this scene with Brutus and Portia and that between Hotspur and his wife in <i>1 King Henry IV</i>, II, iii, will prove a suggestive study. The description of the development @@ -12260,19 +12302,19 @@ there was some marvellous great matter that troubled his mind, not being wont to be in that taking, and that he could not well determine with himself."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteII_105" id="noteII_105" href="#tagII_105">II.105</a> +<p><a id="noteII_105" href="#tagII_105">II.105</a> Double negatives abound in Shakespeare. See Abbott, § 406.</p> -<p><a name="noteII_106" id="noteII_106" href="#tagII_106">II.106</a> +<p><a id="noteII_106" href="#tagII_106">II.106</a> <b>You've</b> Rowe | Y' have Ff.</p> -<p><a name="noteII_107" id="noteII_107" href="#tagII_107">II.107</a> +<p><a id="noteII_107" href="#tagII_107">II.107</a> <b>suddenly</b> | sodainly Ff.</p> -<p><a name="noteII_108" id="noteII_108" href="#tagII_108">II.108</a> +<p><a id="noteII_108" href="#tagII_108">II.108</a> <b>wafture</b> Rowe | wafter Ff.</p> -<p><a name="noteII_109" id="noteII_109" href="#tagII_109">II.109</a> +<p><a id="noteII_109" href="#tagII_109">II.109</a> <b>humour:</b> moody caprice. The word comes to have this meaning from the theory of the old physiologists that four cardinal humors—blood, choler or yellow bile, phlegm, and melancholy or @@ -12281,27 +12323,27 @@ physical and mental qualities. The influence of this theory survives in the application of the terms 'sanguine,' 'choleric,' 'phlegmatic,' and 'melancholy' to disposition and temperament.</p> -<p><a name="noteII_110" id="noteII_110" href="#tagII_110">II.110</a> +<p><a id="noteII_110" href="#tagII_110">II.110</a> <b>condition:</b> disposition, temper. So in <i>The Merchant of Venice</i>, I, ii, 143: "If he have the condition of a saint and the complexion of a devil, I had rather he should shrive me than wive me." Cf. the term 'ill-conditioned,' still in use to describe an irascible or quarrelsome disposition. In l. 236 'condition' refers to bodily health.</p> -<p><a name="noteII_111" id="noteII_111" href="#tagII_111">II.111</a> +<p><a id="noteII_111" href="#tagII_111">II.111</a> <b>you, Brutus</b> F<sub>4</sub> | you Brutus F<sub>1</sub>F<sub>2</sub>F<sub>3</sub>.</p> -<p><a name="noteII_112" id="noteII_112" href="#tagII_112">II.112</a> +<p><a id="noteII_112" href="#tagII_112">II.112</a> <b>Dear my lord.</b> This transposition, common in earnest address, is due to close association of possessive adjective and noun.</p> -<p><a name="noteII_113" id="noteII_113" href="#tagII_113">II.113</a> +<p><a id="noteII_113" href="#tagII_113">II.113</a> <b>physical:</b> wholesome, salutary. Cf. <i>Coriolanus</i>, I, v, 19.</p> -<p><a name="noteII_114" id="noteII_114" href="#tagII_114">II.114</a> +<p><a id="noteII_114" href="#tagII_114">II.114</a> <b>dank</b> | danke F<sub>1</sub> | darke F<sub>2</sub> | dark F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteII_115" id="noteII_115" href="#tagII_115">II.115</a> +<p><a id="noteII_115" href="#tagII_115">II.115</a> 'Rheumy' here means that state of the air which causes the unhealthy issue of 'rheum,' a word which was specially used of the fluids that issue from the eyes or mouth. So in <i>Hamlet</i>, II, ii, 529, @@ -12309,23 +12351,23 @@ we have 'bisson rheum' for 'blinding tears.' So in <i>A Midsummer Night's Dream</i>, II, i, 105, Titania speaks of the moon as washing "all the air, That rheumatic diseases do abound."</p> -<p><a name="noteII_116" id="noteII_116" href="#tagII_116">II.116</a> +<p><a id="noteII_116" href="#tagII_116">II.116</a> <b>his</b> | hit F<sub>1</sub></p> -<p><a name="noteII_117" id="noteII_117" href="#tagII_117">II.117</a> +<p><a id="noteII_117" href="#tagII_117">II.117</a> <b>charm</b> F<sub>3</sub>F<sub>4</sub> | charme F<sub>1</sub>F<sub>2</sub> | charge Pope.</p> -<p><a name="noteII_118" id="noteII_118" href="#tagII_118">II.118</a> +<p><a id="noteII_118" href="#tagII_118">II.118</a> <b>charm:</b> conjure, appeal by charms. So in <i>Lucrece</i>, l. 1681.</p> -<p><a name="noteII_119" id="noteII_119" href="#tagII_119">II.119</a> +<p><a id="noteII_119" href="#tagII_119">II.119</a> This speech, and that beginning with l. 291, follow Plutarch -very closely: "His wife Porcia<a class="tag" name="tagII_119_1" id="tagII_119_1" href="#noteII_119_1">[1]</a> ... was the daughter of Cato, +very closely: "His wife Porcia<a class="tag" id="tagII_119_1" href="#noteII_119_1">[1]</a> ... was the daughter of Cato, whom Brutus married being his cousin, not a maiden, but a young widow after the death of her first husband Bibulus, by whom she had also a young son called Bibulus, who afterwards wrote a book of the acts and gests of Brutus .... This young lady, being excellently -well seen<a class="tag" name="tagII_119_2" id="tagII_119_2" href="#noteII_119_2">[2]</a> in philosophy, loving her husband well, and being of a +well seen<a class="tag" id="tagII_119_2" href="#noteII_119_2">[2]</a> in philosophy, loving her husband well, and being of a noble courage, as she was also wise: because she would not ask her husband what he ailed before she had made some proof by her self: she took a little razor, such as barbers occupy to pare men's @@ -12357,20 +12399,20 @@ grace he might bring his enterprise to so good pass, that he might be found a husband, worthy of so noble a wife as Porcia: so he then did comfort her the best he could."—<i>Marcus Brutus.</i></p> -<p><a name="noteII_119_1" id="noteII_119_1" href="#tagII_119_1">II.119[1]</a> +<p><a id="noteII_119_1" href="#tagII_119_1">II.119[1]</a> the correct classical spelling.</p> -<p><a name="noteII_119_2" id="noteII_119_2" href="#tagII_119_2">II.119[2]</a> +<p><a id="noteII_119_2" href="#tagII_119_2">II.119[2]</a> i.e. versed.</p> -<p><a name="noteII_120" id="noteII_120" href="#tagII_120">II.120</a> +<p><a id="noteII_120" href="#tagII_120">II.120</a> <b>the</b> | tho F<sub>1</sub>.</p> -<p><a name="noteII_121" id="noteII_121" href="#tagII_121">II.121</a> -ll. 285-286: In the outskirts or borders, and not at the center or near +<p><a id="noteII_121" href="#tagII_121">II.121</a> +ll. 285–286: In the outskirts or borders, and not at the center or near the heart. The image is exceedingly apposite and expressive.</p> -<p><a name="noteII_122" id="noteII_122" href="#tagII_122">II.122</a> +<p><a id="noteII_122" href="#tagII_122">II.122</a> This embodies what was known about the circulation of the blood at the close of the sixteenth century. In 1616, the year of Shakespeare's death, William Harvey, born in 1578, lectured on @@ -12379,7 +12421,7 @@ until 1628. The general fact of the circulation was known in ancient times, and Harvey's discovery lay in ascertaining the <i>modus operandi</i> of it, and in reducing it to matter of strict science.</p> -<p><a name="noteII_123" id="noteII_123" href="#tagII_123">II.123</a> +<p><a id="noteII_123" href="#tagII_123">II.123</a> Cf. <i>The Merchant of Venice</i>, I, 1, 166:</p> <div class="poem"> @@ -12387,10 +12429,10 @@ Cf. <i>The Merchant of Venice</i>, I, 1, 166:</p> <p>To Cato's daughter, Brutus' Portia.</p> </div> -<p><a name="noteII_124" id="noteII_124" href="#tagII_124">II.124</a> +<p><a id="noteII_124" href="#tagII_124">II.124</a> [<i>Knocking within</i>] Malone | Knocke F<sub>1</sub>F<sub>2</sub>.</p> -<p><a name="noteII_125" id="noteII_125" href="#tagII_125">II.125</a> +<p><a id="noteII_125" href="#tagII_125">II.125</a> <b>charactery:</b> "writing by characters or strange marks." Brutus therefore means that he will divulge to her the secret cause of the sadness marked on his countenance. 'Charactery' seems to mean @@ -12399,75 +12441,75 @@ Windsor</i>, V, v, 77: "Fairies use flowers for their charactery." So in Keats: "Before high-piled books in charactery Hold like rich garners the full-ripen'd grain."</p> -<p><a name="noteII_126" id="noteII_126" href="#tagII_126">II.126</a> +<p><a id="noteII_126" href="#tagII_126">II.126</a> Editors from Pope down have been busy trying to mend the grammar and the rhythm of this line. But in Shakespeare the full pause has often the value of a syllable, and the omission of the relative is common in Elizabethan literature. See Abbott, § 244.</p> -<p><a name="noteII_127" id="noteII_127" href="#tagII_127">II.127</a> +<p><a id="noteII_127" href="#tagII_127">II.127</a> <i>Re-enter ... with</i> Dyce | Enter ... and Ff after [Exit Portia].</p> -<p><a name="noteII_128" id="noteII_128" href="#tagII_128">II.128</a> +<p><a id="noteII_128" href="#tagII_128">II.128</a> l. 313 (and elsewhere): <span class="charname">Ligarius</span> | Cai. Ff.</p> -<p><a name="noteII_129" id="noteII_129" href="#tagII_129">II.129</a> +<p><a id="noteII_129" href="#tagII_129">II.129</a> <b>To wear a kerchief.</b> It was a common practice in England for those who were sick to wear a kerchief on their heads. So in Fuller's <i>Worthies, Cheshire</i>, 1662, quoted by Malone: "If any there be sick, they make him a posset and tye a kerchief on his head: and if that will not mend him, then God be merciful to him."</p> -<p><a name="noteII_130" id="noteII_130" href="#tagII_130">II.130</a> +<p><a id="noteII_130" href="#tagII_130">II.130</a> <b>I here discard my sickness.</b> Ligarius here pulls off the kerchief. Cf. Northumberland's speech, <i>2 Henry IV</i>, I, i, 147, "hence, thou sickly quoif! Thou art a guard too wanton for the head."</p> -<p><a name="noteII_131" id="noteII_131" href="#tagII_131">II.131</a> +<p><a id="noteII_131" href="#tagII_131">II.131</a> In Shakespeare's time, 'exorcist' and 'conjurer' were used indifferently. The former has since come to mean only 'one who drives away spirits'; the latter, 'one who calls them up.'</p> -<p><a name="noteII_132" id="noteII_132" href="#tagII_132">II.132</a> +<p><a id="noteII_132" href="#tagII_132">II.132</a> <b>My mortified spirit:</b> my spirit that was dead in me. So 'mortifying groans' in <i>The Merchant of Venice</i>, I, i, 82, and 'mortified man' in <i>Macbeth</i>, V, ii, 5. Words directly derived from Latin are often used, by Shakespeare and sixteenth century writers, in a signification peculiarly close to the root notion of the word.</p> -<p><a name="noteII_133" id="noteII_133" href="#tagII_133">II.133</a> +<p><a id="noteII_133" href="#tagII_133">II.133</a> l. 327 Two lines in Ff.</p> -<p><a name="noteII_134" id="noteII_134" href="#tagII_134">II.134</a> +<p><a id="noteII_134" href="#tagII_134">II.134</a> <i>Thunder</i> Ff.</p> -<p><a name="noteII_135" id="noteII_135" href="#tagII_135">II.135</a> +<p><a id="noteII_135" href="#tagII_135">II.135</a> <span class="smallcaps">Scene</span> II Rowe | Scene IV Pope.</p> -<p><a name="noteII_136" id="noteII_136" href="#tagII_136">II.136</a> +<p><a id="noteII_136" href="#tagII_136">II.136</a> This scene, taken with the preceding, affords an interesting study in contrasts: Cæsar and Brutus; Calpurnia the yielding wife, and Portia the heroic.</p> -<p><a name="noteII_137" id="noteII_137" href="#tagII_137">II.137</a> +<p><a id="noteII_137" href="#tagII_137">II.137</a> <span class="charname">Cæsar's</span> <i>house</i> | Ff omit.</p> -<p><a name="noteII_138" id="noteII_138" href="#tagII_138">II.138</a> +<p><a id="noteII_138" href="#tagII_138">II.138</a> <i>Enter</i> <span class="charname">Cæsar</span> ... | Enter Julius Cæsar ... Ff.—<i>in his night-gown</i> Pope omits.</p> -<p><a name="noteII_139" id="noteII_139" href="#tagII_139">II.139</a> +<p><a id="noteII_139" href="#tagII_139">II.139</a> <i>Enter</i> <span class="charname">Cæsar</span> <i>in his night-gown</i>.' Night-gown' here, as in <i>Macbeth</i>, II, ii, 70, V, 1, 5, means 'dressing-robe' or 'dressing-gown.' This is the usual meaning of the word in English from the fifteenth century to the eighteenth. So Addison and Steele use it in <i>The Spectator</i>.</p> -<p><a name="noteII_140" id="noteII_140" href="#tagII_140">II.140</a> +<p><a id="noteII_140" href="#tagII_140">II.140</a> l. 1 Two lines in Ff.</p> -<p><a name="noteII_141" id="noteII_141" href="#tagII_141">II.141</a> +<p><a id="noteII_141" href="#tagII_141">II.141</a> In Plutarch the scene is thus graphically described: "Then going to bed the same night, as his manner was, and lying with his wife Calpurnia, all the windows and doors of his chamber flying @@ -12484,27 +12526,27 @@ or suspect somewhat, because his wife Calpurnia until that time was never given to any fear and superstition; and that then he saw her so troubled in mind with this dream she had. But much more afterwards, when the soothsayers having sacrificed many beasts one after another, -told him that none did like<a class="tag" name="tagII_141_1" id="tagII_141_1" href="#noteII_141_1">[1]</a> them: then he determined to send Antonius +told him that none did like<a class="tag" id="tagII_141_1" href="#noteII_141_1">[1]</a> them: then he determined to send Antonius to adjourn the session of the Senate."—<i>Julius Cæsar.</i></p> -<p><a name="noteII_141_1" id="noteII_141_1" href="#tagII_141_1">II.141[1]</a> +<p><a id="noteII_141_1" href="#tagII_141_1">II.141[1]</a> i.e. satisfy.</p> -<p><a name="noteII_142" id="noteII_142" href="#tagII_142">II.142</a> +<p><a id="noteII_142" href="#tagII_142">II.142</a> <b>success:</b> the result. The root notion of the word. See <a href="#noteII_132">note, p. 65, l. 324</a>. But in <a href="#tagV_3_66">V, iii, 65</a>, the word is used in its modern sense.</p> -<p><a name="noteII_143" id="noteII_143" href="#tagII_143">II.143</a> +<p><a id="noteII_143" href="#tagII_143">II.143</a> 'Ceremonies' is here put for the ceremonial or sacerdotal interpretation of prodigies and omens, as in <a href="#tagII_90">II, i, 197</a>.</p> -<p><a name="noteII_144" id="noteII_144" href="#tagII_144">II.144</a> -ll. 16-24: Cf. <i>Hamlet</i>, I, i, 113-125; Vergil, <i>Georgics</i>, I, 465-488.</p> +<p><a id="noteII_144" href="#tagII_144">II.144</a> +ll. 16–24: Cf. <i>Hamlet</i>, I, i, 113–125; Vergil, <i>Georgics</i>, I, 465–488.</p> -<p><a name="noteII_145" id="noteII_145" href="#tagII_145">II.145</a> +<p><a id="noteII_145" href="#tagII_145">II.145</a> <b>hurtled</b> F<sub>1</sub> | hurried F<sub>2</sub>F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteII_146" id="noteII_146" href="#tagII_146">II.146</a> +<p><a id="noteII_146" href="#tagII_146">II.146</a> <b>hurtled:</b> clashed. The onomatopoetic 'hurtling' is used in <i>As You Like It</i>, IV, iii, 132, to describe the clashing encounter between Orlando and the lioness. Chaucer, in <i>The Knightes Tale</i> l. 1758, @@ -12514,10 +12556,10 @@ uses the verb transitively, suggesting a diminutive of 'hurt':</p> <p>And he him hurtleth with his horse adown.</p> </div> -<p><a name="noteII_147" id="noteII_147" href="#tagII_147">II.147</a> +<p><a id="noteII_147" href="#tagII_147">II.147</a> <b>did neigh</b> F<sub>2</sub>F<sub>3</sub>F<sub>4</sub> | do neigh F<sub>1</sub>.</p> -<p><a name="noteII_148" id="noteII_148" href="#tagII_148">II.148</a> +<p><a id="noteII_148" href="#tagII_148">II.148</a> <b>taste of death.</b> This expression occurs thrice in the New Testament (King James version). Plutarch relates that, a short time before Cæsar fell, some of his friends urged him to have a @@ -12530,33 +12572,33 @@ was wont to do, at the board: so, talk falling out amongst them, reasoning what death was best, he, preventing their opinions, cried out aloud, 'Death unlooked for.'"—Plutarch, <i>Julius Cæsar</i>.</p> -<p><a name="noteII_149" id="noteII_149" href="#tagII_149">II.149</a> +<p><a id="noteII_149" href="#tagII_149">II.149</a> <i>Re-enter</i> ... | Enter a ... Ff.</p> -<p><a name="noteII_150" id="noteII_150" href="#tagII_150">II.150</a> +<p><a id="noteII_150" href="#tagII_150">II.150</a> <b>should:</b> would. The present-day usage is post-Elizabethan.</p> -<p><a name="noteII_151" id="noteII_151" href="#tagII_151">II.151</a> +<p><a id="noteII_151" href="#tagII_151">II.151</a> <b>are</b> Capell | heare F<sub>1</sub>F<sub>2</sub> | hear F<sub>3</sub>F<sub>4</sub> | heard Rowe.</p> -<p><a name="noteII_152" id="noteII_152" href="#tagII_152">II.152</a> +<p><a id="noteII_152" href="#tagII_152">II.152</a> Scene V Pope.</p> -<p><a name="noteII_153" id="noteII_153" href="#tagII_153">II.153</a> +<p><a id="noteII_153" href="#tagII_153">II.153</a> <b>afeard</b> F<sub>1</sub>F<sub>2</sub>F<sub>3</sub> | afraid F<sub>4</sub></p> -<p><a name="noteII_154" id="noteII_154" href="#tagII_154">II.154</a> +<p><a id="noteII_154" href="#tagII_154">II.154</a> <b>truth?</b> | truth: Ff.</p> -<p><a name="noteII_155" id="noteII_155" href="#tagII_155">II.155</a> +<p><a id="noteII_155" href="#tagII_155">II.155</a> <b>to-night:</b> last night. So in <i>The Merchant of Venice</i>, II, v, 18.</p> -<p><a name="noteII_156" id="noteII_156" href="#tagII_156">II.156</a> +<p><a id="noteII_156" href="#tagII_156">II.156</a> <b>statue</b> Ff | statua Steevens | statuë Camb.</p> -<p><a name="noteII_157" id="noteII_157" href="#tagII_157">II.157</a> +<p><a id="noteII_157" href="#tagII_157">II.157</a> <b>statue.</b> In Shakespeare's time 'statue' was pronounced indifferently as a word of two syllables or three. Bacon uses it repeatedly @@ -12565,7 +12607,7 @@ as a trisyllable, and spells it 'statua,' as in his <i>Advancement of Learning</ Alexander, Cæsar, no, nor of the kings or great personages."</p> -<p><a name="noteII_158" id="noteII_158" href="#tagII_158">II.158</a> +<p><a id="noteII_158" href="#tagII_158">II.158</a> In ancient times, when martyrs or other distinguished men were executed, their friends often pressed to stain handkerchiefs with their blood, or to get some other relic, which they might keep, @@ -12573,7 +12615,7 @@ either as precious memorials of them, or as having a kind of sacramental virtue. 'Cognizance' is here used in a heraldic sense, meaning any badge to show whose friends the wearers were.</p> -<p><a name="noteII_159" id="noteII_159" href="#tagII_159">II.159</a> +<p><a id="noteII_159" href="#tagII_159">II.159</a> The Roman people were specially yearning to avenge the slaughter of Marcus Crassus and his army by the Parthians, and Cæsar was at this time preparing an expedition against them. But @@ -12587,17 +12629,17 @@ time been plying the arts of extreme sycophancy, heaping upon him all possible honors, human and divine, hoping thereby to kindle such a fire of envy as would consume him.</p> -<p><a name="noteII_160" id="noteII_160" href="#tagII_160">II.160</a> +<p><a id="noteII_160" href="#tagII_160">II.160</a> <b>it were a mock Apt to be render'd:</b> it were a sarcastic reply likely to be made. Cf. the expression, 'make a mock of.'</p> -<p><a name="noteII_161" id="noteII_161" href="#tagII_161">II.161</a> +<p><a id="noteII_161" href="#tagII_161">II.161</a> <b>liable:</b> subject. Cf. <i>King John</i>, II, i, 490. The thought here is that love stands as principal, reason as second or subordinate. "The deference which reason holds due from me to you is in this instance subject and amenable to the calls of personal affection."</p> -<p><a name="noteII_162" id="noteII_162" href="#tagII_162">II.162</a> +<p><a id="noteII_162" href="#tagII_162">II.162</a> Plutarch thus describes the scene: "But in the mean time Decius Brutus, surnamed Albinus, in whom Cæsar put such confidence, that in his last will and testament he had appointed him to @@ -12621,41 +12663,41 @@ that you go yourself in person, and, saluting the Senate, to dismiss them till another time.' Therewithal he took Cæsar by the hand, and brought him out of his house."—<i>Julius Cæsar</i>.</p> -<p><a name="noteII_163" id="noteII_163" href="#tagII_163">II.163</a> +<p><a id="noteII_163" href="#tagII_163">II.163</a> Scene VI Pope.</p> -<p><a name="noteII_164" id="noteII_164" href="#tagII_164">II.164</a> +<p><a id="noteII_164" href="#tagII_164">II.164</a> <i>Enter</i> <span class="charname">Publius</span> ... | Ff have Publius after Cinna.</p> -<p><a name="noteII_165" id="noteII_165" href="#tagII_165">II.165</a> +<p><a id="noteII_165" href="#tagII_165">II.165</a> This was probably Publius Silicius, not a conspirator. See <a href="#tagIII_1_87">III, i, 87</a>, where he is described as "quite confounded with this mutiny."</p> -<p><a name="noteII_166" id="noteII_166" href="#tagII_166">II.166</a> +<p><a id="noteII_166" href="#tagII_166">II.166</a> This is a graphic and charming touch. Here, for the first time, we have Cæsar speaking fairly in character; for he was probably the most finished gentleman of his time, one of the sweetest of men, and as full of kindness as of wisdom and courage. Merivale aptly styles him "Cæsar the politic and the merciful."</p> -<p><a name="noteII_167" id="noteII_167" href="#tagII_167">II.167</a> +<p><a id="noteII_167" href="#tagII_167">II.167</a> <b>o'clock</b> Theobald | a Clocke Ff.</p> -<p><a name="noteII_168" id="noteII_168" href="#tagII_168">II.168</a> +<p><a id="noteII_168" href="#tagII_168">II.168</a> <b>o' nights</b> Theobald | a-nights Ff.</p> -<p><a name="noteII_169" id="noteII_169" href="#tagII_169">II.169</a> +<p><a id="noteII_169" href="#tagII_169">II.169</a> [<i>Aside</i>] Rowe | Ff omit.</p> -<p><a name="noteII_170" id="noteII_170" href="#tagII_170">II.170</a> +<p><a id="noteII_170" href="#tagII_170">II.170</a> [<i>Aside</i>] Pope | Ff omit.</p> -<p><a name="noteII_171" id="noteII_171" href="#tagII_171">II.171</a> +<p><a id="noteII_171" href="#tagII_171">II.171</a> <b>yearns</b> Capell | earnes F<sub>1</sub>F<sub>2</sub>.</p> -<p><a name="noteII_172" id="noteII_172" href="#tagII_172">II.172</a> +<p><a id="noteII_172" href="#tagII_172">II.172</a> <b>yearns:</b> grieves. The Folios read 'earnes.' Skeat considers <i>earn</i> (<i>yearn</i>) 'to grieve' of distinct origin from <i>earn</i> (<i>yearn</i>) 'to desire.' Shakespeare uses the verb both transitively and intransitively. @@ -12665,11 +12707,11 @@ as a sacred pledge of truth and honor. Brutus knows that Cæsar is doing it in good faith; and it hurts him to think that the others seem to be doing the like, and yet are doing a very different thing.</p> -<p><a name="noteII_173" id="noteII_173" href="#tagII_173">II.173</a> +<p><a id="noteII_173" href="#tagII_173">II.173</a> <span class="smallcaps">Scene</span> III Rowe | Scene VII Pope.—<i>A street</i> ... Ff omit.</p> -<p><a name="noteII_174" id="noteII_174" href="#tagII_174">II.174</a> +<p><a id="noteII_174" href="#tagII_174">II.174</a> <i>Enter</i> <span class="charname">Artemidorus</span> ... In Plutarch, <i>Julius Cæsar</i>, Artemidorus is thus introduced: "And one Artemidorus also, born in the isle of Gnidos, a doctor of rhetoric in the Greek tongue, who by @@ -12682,25 +12724,25 @@ gave them straight to his men that were about him, pressed nearer to him, and said: 'Cæsar, read this memorial to yourself, and that quickly, for they be matters of great weight, and touch you nearly.'"</p> -<p><a name="noteII_175" id="noteII_175" href="#tagII_175">II.175</a> +<p><a id="noteII_175" href="#tagII_175">II.175</a> <i>reading a paper</i> Rowe | Ff omit.</p> -<p><a name="noteII_176" id="noteII_176" href="#tagII_176">II.176</a> +<p><a id="noteII_176" href="#tagII_176">II.176</a> <b>security gives way to:</b> false confidence opens a way for.</p> -<p><a name="noteII_177" id="noteII_177" href="#tagII_177">II.177</a> +<p><a id="noteII_177" href="#tagII_177">II.177</a> <b>lover:</b> friend. See <a href="#noteIII_110">note, p. 100, l. 13</a>.</p> -<p><a name="noteII_178" id="noteII_178" href="#tagII_178">II.178</a> +<p><a id="noteII_178" href="#tagII_178">II.178</a> <b>emulation:</b> envious rivalry. So in <i>Troilus and Cressida</i>, I, iii, 134: "an envious fever Of pale and bloodless emulation."</p> -<p><a name="noteII_179" id="noteII_179" href="#tagII_179">II.179</a> +<p><a id="noteII_179" href="#tagII_179">II.179</a> <b>contrive:</b> plot, conspire. Cf. <i>The Merchant of Venice</i>, IV, i, 360.</p> -<p><a name="noteII_180" id="noteII_180" href="#tagII_180">II.180</a> +<p><a id="noteII_180" href="#tagII_180">II.180</a> <span class="smallcaps">Scene IV</span> Capell.—<i>Another part</i> ... Capell | Ff omit.</p> -<p><a name="noteII_181" id="noteII_181" href="#tagII_181">II.181</a> +<p><a id="noteII_181" href="#tagII_181">II.181</a> The anxiety of Portia is thus described by Plutarch, <i>Marcus Brutus</i>: "For Porcia, being very careful and pensive for that which was to come, and being too weak to away with so great and inward @@ -12710,64 +12752,64 @@ possessed with the fury of the Bacchantes; asking every man that came from the market-place what Brutus did, and still sent messenger after messenger, to know what news."</p> -<p><a name="noteII_182" id="noteII_182" href="#tagII_182">II.182</a> +<p><a id="noteII_182" href="#tagII_182">II.182</a> <b>constancy:</b> firmness. Cf. II, i, 299. So in <i>Macbeth</i>, II, ii, 68.</p> -<p><a name="noteII_183" id="noteII_183" href="#tagII_183">II.183</a> +<p><a id="noteII_183" href="#tagII_183">II.183</a> <b>bustling</b> Rowe | bussling Ff.</p> -<p><a name="noteII_184" id="noteII_184" href="#tagII_184">II.184</a> +<p><a id="noteII_184" href="#tagII_184">II.184</a> A loud noise, or murmur, as of stir and tumult, is one of the old meanings of 'rumor.' So in <i>King John</i>, V, iv, 45: "the noise and rumour of the field." Since the interview of Brutus and Portia, he has unbosomed all his secrets to her; and now she is in such a fever of anxiety that she mistakes her fancies for facts.</p> -<p><a name="noteII_185" id="noteII_185" href="#tagII_185">II.185</a> +<p><a id="noteII_185" href="#tagII_185">II.185</a> <b>Sooth:</b> in truth. Cf. <i>The Merchant of Venice</i>, I, i, 1. See Skeat, and cf. <a href="#noteI_59">note</a> on 'soothsayer,' p. 10, l. 19.</p> -<p><a name="noteII_186" id="noteII_186" href="#tagII_186">II.186</a> +<p><a id="noteII_186" href="#tagII_186">II.186</a> <i>Enter the</i> <span class="charname">Soothsayer</span> Ff | Enter Artemidorus Rowe.</p> -<p><a name="noteII_187" id="noteII_187" href="#tagII_187">II.187</a> +<p><a id="noteII_187" href="#tagII_187">II.187</a> <i>Enter the</i> <span class="charname">Soothsayer</span>. Rowe substituted 'Artemidorus' for 'the Soothsayer' here, and many modern editors have adopted this change. But North's Plutarch furnishes a source for the Soothsayer as distinct from Artemidorus, and the reading of the Folios has a dramatic edge and effectiveness which Rowe's change destroys.</p> -<p><a name="noteII_188" id="noteII_188" href="#tagII_188">II.188</a> +<p><a id="noteII_188" href="#tagII_188">II.188</a> <b>o'clock</b> Theobald | a clocke F<sub>1</sub>.</p> -<p><a name="noteII_189" id="noteII_189" href="#tagII_189">II.189</a> +<p><a id="noteII_189" href="#tagII_189">II.189</a> l. 32 Two lines in Ff.</p> -<p><a name="noteII_190" id="noteII_190" href="#tagII_190">II.190</a> +<p><a id="noteII_190" href="#tagII_190">II.190</a> l. 39 Two lines in Ff.</p> -<p><a name="noteII_191" id="noteII_191" href="#tagII_191">II.191</a> +<p><a id="noteII_191" href="#tagII_191">II.191</a> <b>Ay</b> | Aye Ff | ah Johnson.</p> -<p><a name="noteII_192" id="noteII_192" href="#tagII_192">II.192</a> +<p><a id="noteII_192" href="#tagII_192">II.192</a> <b>Brutus hath a suit That Cæsar will not grant.</b> These words Portia speaks aloud to the boy, Lucius, evidently to conceal the true cause of her uncontrollable flutter of spirits.</p> -<p><a name="noteII_193" id="noteII_193" href="#tagII_193">II.193</a> +<p><a id="noteII_193" href="#tagII_193">II.193</a> [<i>Exeunt severally</i>] Theobald | Exeunt F<sub>1</sub>.</p> <p><b>Act III</b></p> -<p><a name="noteIII_1" id="noteIII_1" href="#tagIII_1">III.1</a> +<p><a id="noteIII_1" href="#tagIII_1">III.1</a> <i>Rome. Before</i> ... <span class="charname">Publius</span>, <i>and others</i> Capell (substantially) | Flourish. Enter Cæsar ... Artimedorus, Publius, and the Soothsayer Ff | Ff omit Popilius.</p> -<p><a name="noteIII_2" id="noteIII_2" href="#tagIII_2">III.2</a> +<p><a id="noteIII_2" href="#tagIII_2">III.2</a> Cf. Plutarch, <i>Julius Cæsar</i>: "There was a certain soothsayer, that had given Cæsar warning long time afore, to take heed of the day of the Ides of March, which is the fifteenth of the @@ -12777,53 +12819,53 @@ merrily unto the soothsayer, told him 'the Ides of March be come.'—'So they be,' softly answered the soothsayer, 'but yet are they not past.'" Note Shakespeare's development of his material.</p> -<p><a name="noteIII_3" id="noteIII_3" href="#tagIII_3">III.3</a> +<p><a id="noteIII_3" href="#tagIII_3">III.3</a> <b>schedule</b> F<sub>3</sub>F<sub>4</sub> | Scedule F<sub>1</sub>F<sub>2</sub>.</p> -<p><a name="noteIII_4" id="noteIII_4" href="#tagIII_4">III.4</a> +<p><a id="noteIII_4" href="#tagIII_4">III.4</a> <b>us ourself.</b> The plural of modern English royalty transferred to ancient Rome. Another of the famous anachronisms.</p> -<p><a name="noteIII_5" id="noteIII_5" href="#tagIII_5">III.5</a> +<p><a id="noteIII_5" href="#tagIII_5">III.5</a> See quotation from Plutarch, <i>Julius Cæsar</i>, <a href="#noteI_174">above, p. 74</a>.</p> -<p><a name="noteIII_6" id="noteIII_6" href="#tagIII_6">III.6</a> +<p><a id="noteIII_6" href="#tagIII_6">III.6</a> As already indicated (see <a href="#noteI_244">note, p. 39, l. 126</a>), the murder of Cæsar did not take place in the Capitol, but Shakespeare, departing from Plutarch, followed a famous literary tradition. So in Chaucer, -<i>The Monkes Tale</i>, ll. 713-720. Cf. the speech of Polonius, <i>Hamlet</i>, -III, ii, 108-109: "I did enact Julius Cæsar; I was kill'd i' the +<i>The Monkes Tale</i>, ll. 713–720. Cf. the speech of Polonius, <i>Hamlet</i>, +III, ii, 108–109: "I did enact Julius Cæsar; I was kill'd i' the Capitol; Brutus kill'd me." See Introduction, Sources, <a href="#Page_xv">p. xv.</a></p> -<p><a name="noteIII_7" id="noteIII_7" href="#tagIII_7">III.7</a> +<p><a id="noteIII_7" href="#tagIII_7">III.7</a> <span class="charname">Cæsar</span> <i>goes</i> ... | Ff omit.</p> -<p><a name="noteIII_8" id="noteIII_8" href="#tagIII_8">III.8</a> +<p><a id="noteIII_8" href="#tagIII_8">III.8</a> <i>Advances</i> ... | Ff omit.</p> -<p><a name="noteIII_9" id="noteIII_9" href="#tagIII_9">III.9</a> +<p><a id="noteIII_9" href="#tagIII_9">III.9</a> This is mainly Steevens's (1773) stage direction. Capell's (1768) is interesting: "Artemidorus is push'd back. Cæsar, and the rest, enter the Senate: The Senate rises. Popilius presses forward to speak to Cæsar; and passing Cassius, says,..."</p> -<p><a name="noteIII_10" id="noteIII_10" href="#tagIII_10">III.10</a> +<p><a id="noteIII_10" href="#tagIII_10">III.10</a> <b>makes to:</b> advances to, presses towards.</p> -<p><a name="noteIII_11" id="noteIII_11" href="#tagIII_11">III.11</a> +<p><a id="noteIII_11" href="#tagIII_11">III.11</a> <b>mark.</b> No necessity to pronounce this as dissyllabic. The pause has the effect of a syllable.</p> -<p><a name="noteIII_12" id="noteIII_12" href="#tagIII_12">III.12</a> +<p><a id="noteIII_12" href="#tagIII_12">III.12</a> <b>constant:</b> firm. So in <a href="#tagIII_29">ll. 60</a>, 72, 73. Cf. <a href="#tagII_1_227">II, i, 227</a>, <a href="#tagII_1_299">299</a>; <a href="#tagII_182">iv, 6</a>.</p> -<p><a name="noteIII_13" id="noteIII_13" href="#tagIII_13">III.13</a> +<p><a id="noteIII_13" href="#tagIII_13">III.13</a> So in Plutarch, <i>Marcus Brutus</i>: "Another senator called Popilius Læna after he had saluted Brutus and Cassius more friendly -than he was wont to do, he rounded<a class="tag" name="tagIII_13_1" id="tagIII_13_1" href="#noteIII_13_1">[1]</a> softly in their ears, and told +than he was wont to do, he rounded<a class="tag" id="tagIII_13_1" href="#noteIII_13_1">[1]</a> softly in their ears, and told them, 'I pray the gods you may go through with that you have -taken in hand; but, withal, dispatch, I read<a class="tag" name="tagIII_13_2" id="tagIII_13_2" href="#noteIII_13_2">[2]</a> you, for your enterprise +taken in hand; but, withal, dispatch, I read<a class="tag" id="tagIII_13_2" href="#noteIII_13_2">[2]</a> you, for your enterprise is bewrayed.' When he had said, he presently departed from them, and left them both afraid that their conspiracy would out.... When Cæsar came out of his litter, Popilius Læna went ... and @@ -12845,32 +12887,32 @@ Trebonius on the other side drew Antonius aside, as he came into the house where the Senate sat, and held him with a long talk without." In the <i>Julius Cæsar</i> Plutarch makes Decius detain Antony in talk.</p> -<p><a name="noteIII_13_1" id="noteIII_13_1" href="#tagIII_13_1">III.13[1]</a> +<p><a id="noteIII_13_1" href="#tagIII_13_1">III.13[1]</a> i.e. whispered.</p> -<p><a name="noteIII_13_2" id="noteIII_13_2" href="#tagIII_13_2">III.13[2]</a> +<p><a id="noteIII_13_2" href="#tagIII_13_2">III.13[2]</a> i.e. advise.</p> -<p><a name="noteIII_14" id="noteIII_14" href="#tagIII_14">III.14</a> +<p><a id="noteIII_14" href="#tagIII_14">III.14</a> [<i>Exeunt</i> <span class="charname">Antony</span> ...] Ff omit.</p> -<p><a name="noteIII_15" id="noteIII_15" href="#tagIII_15">III.15</a> +<p><a id="noteIII_15" href="#tagIII_15">III.15</a> <b>presently:</b> immediately, at once. So Shakespeare and other Elizabethan writers always use the word. See <a href="#tagIII_1_143">l. 143</a>; <a href="#tagIV_1_45">IV, i, 45</a>.</p> -<p><a name="noteIII_16" id="noteIII_16" href="#tagIII_16">III.16</a> +<p><a id="noteIII_16" href="#tagIII_16">III.16</a> <b>address'd:</b> prepared. Often so in sixteenth century literature. Cf. <i>As You Like It</i>, V, iv, 162; <i>Henry V</i>, III, iii, 58; <i>2 Henry IV</i>, IV, iv, 5. This old meaning survives in a well-known golf term.</p> -<p><a name="noteIII_17" id="noteIII_17" href="#tagIII_17">III.17</a> +<p><a id="noteIII_17" href="#tagIII_17">III.17</a> <b>Are ... ready?</b> | Dyce gives to Casca; Ritson (conj.) to Cinna.</p> -<p><a name="noteIII_18" id="noteIII_18" href="#tagIII_18">III.18</a> +<p><a id="noteIII_18" href="#tagIII_18">III.18</a> [<i>Kneeling</i>] Rowe | Ff omit.</p> -<p><a name="noteIII_19" id="noteIII_19" href="#tagIII_19">III.19</a> +<p><a id="noteIII_19" href="#tagIII_19">III.19</a> <b>couchings:</b> stoopings. 'Couch' is used in the sense of 'bend' or 'stoop' as under a burden, in Spenser, <i>The Faerie Queene</i>, III, i, 4:</p> @@ -12884,18 +12926,18 @@ between two burdens." The verb occurs six times in the Bible (King James version). In <i>Roister Doister</i>, I, iv, 90, we have "Couche! On your marybones ... Down to the ground!"</p> -<p><a name="noteIII_20" id="noteIII_20" href="#tagIII_20">III.20</a> +<p><a id="noteIII_20" href="#tagIII_20">III.20</a> <b>courtesies</b> F<sub>1</sub> | curtsies F<sub>4</sub>.</p> -<p><a name="noteIII_21" id="noteIII_21" href="#tagIII_21">III.21</a> +<p><a id="noteIII_21" href="#tagIII_21">III.21</a> <b>pre-ordinance and first decree:</b> the ruling and enactment of the highest authority in the state. "What has been pre-ordained and decreed from the beginning."—Clar.</p> -<p><a name="noteIII_22" id="noteIII_22" href="#tagIII_22">III.22</a> +<p><a id="noteIII_22" href="#tagIII_22">III.22</a> <b>law</b> | lane Ff.</p> -<p><a name="noteIII_23" id="noteIII_23" href="#tagIII_23">III.23</a> +<p><a id="noteIII_23" href="#tagIII_23">III.23</a> <b>law.</b> This is one of the textual <i>cruces</i> of the play. 'Law' is Johnson's conjecture for the 'lane' of the Folios. It was adopted by Malone. In previous editions of Hudson's Shakespeare, Mason's @@ -12904,18 +12946,18 @@ been proposed. Fleay defends the Folio reading and interprets 'lane' in the sense of 'narrow conceits.' 'Law of children' would mean 'law at the mercy of whim or caprice.'</p> -<p><a name="noteIII_24" id="noteIII_24" href="#tagIII_24">III.24</a> +<p><a id="noteIII_24" href="#tagIII_24">III.24</a> <b>Be not fond, To think:</b> be not so foolish as to think.</p> -<p><a name="noteIII_25" id="noteIII_25" href="#tagIII_25">III.25</a> +<p><a id="noteIII_25" href="#tagIII_25">III.25</a> <b>Low-crooked curtsies</b> | Low-crooked-curtsies Ff.</p> -<p><a name="noteIII_26" id="noteIII_26" href="#tagIII_26">III.26</a> +<p><a id="noteIII_26" href="#tagIII_26">III.26</a> <b>spaniel-fawning</b> Johnson | Spaniell fawning F<sub>1</sub>.</p> -<p><a name="noteIII_27" id="noteIII_27" href="#tagIII_27">III.27</a> +<p><a id="noteIII_27" href="#tagIII_27">III.27</a> In previous editions of Hudson's Shakespeare was adopted, with a slight change, Tyrwhitt's suggested restoration of these lines to the form indicated by Ben Jonson in the famous passage in his @@ -12946,46 +12988,46 @@ was intolerable to Jonson. Jonson must have known that 'wrong' could mean 'injury' and 'punishment' as well as 'wrong-doing.' 'Wrong' meaning 'harm' occurs below, <a href="#tagIII_88">l. 243</a>. See <a href="#noteIII_132">note, p. 105, l. 110</a>.</p> -<p><a name="noteIII_28" id="noteIII_28" href="#tagIII_28">III.28</a> +<p><a id="noteIII_28" href="#tagIII_28">III.28</a> <b>repealing:</b> recall. So 'repeal' in l. 54. Often so in Shakespeare.</p> -<p><a name="noteIII_29" id="noteIII_29" href="#tagIII_29">III.29</a> +<p><a id="noteIII_29" href="#tagIII_29">III.29</a> If I could seek to move, or change, others by prayers, then I were capable of being myself moved by the prayers of others.</p> -<p><a name="noteIII_30" id="noteIII_30" href="#tagIII_30">III.30</a> +<p><a id="noteIII_30" href="#tagIII_30">III.30</a> <b>true-fix'd</b> | true fixt Ff.</p> -<p><a name="noteIII_31" id="noteIII_31" href="#tagIII_31">III.31</a> +<p><a id="noteIII_31" href="#tagIII_31">III.31</a> <b>apprehensive:</b> capable of apprehending, intelligent.</p> -<p><a name="noteIII_32" id="noteIII_32" href="#tagIII_32">III.32</a> -ll. 72-73: All through this scene, Cæsar is made to speak quite out +<p><a id="noteIII_32" href="#tagIII_32">III.32</a> +ll. 72–73: All through this scene, Cæsar is made to speak quite out of character, and in a strain of hateful arrogance, in order, apparently, to soften the enormity of his murder, and to grind the daggers of the assassins to a sharper point. Perhaps, also, it is a part of the irony which so marks this play, to put the haughtiest words in Cæsar's mouth just before his fall.</p> -<p><a name="noteIII_33" id="noteIII_33" href="#tagIII_33">III.33</a> +<p><a id="noteIII_33" href="#tagIII_33">III.33</a> <b>Doth not</b> F<sub>1</sub> | Do not F<sub>2</sub>F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteIII_34" id="noteIII_34" href="#tagIII_34">III.34</a> +<p><a id="noteIII_34" href="#tagIII_34">III.34</a> The 'Do not' of the three later Folios was adopted by Johnson because Marcus Brutus would not have knelt.</p> -<p><a name="noteIII_35" id="noteIII_35" href="#tagIII_35">III.35</a> +<p><a id="noteIII_35" href="#tagIII_35">III.35</a> The simple stage direction of the Folios is retained. That of the Cambridge and the Globe editions is, "Casca first, then the other Conspirators and Marcus Brutus stab Cæsar."</p> -<p><a name="noteIII_36" id="noteIII_36" href="#tagIII_36">III.36</a> +<p><a id="noteIII_36" href="#tagIII_36">III.36</a> <b>Et tu, Brute?</b> There is no classical authority for putting this phrase into the mouth of Cæsar. It seems to have been an Elizabethan proverb or 'gag,' and it is found in at least three works published earlier than <i>Julius Cæsar</i>. (See Introduction, Sources, <a href="#Page_xvi">p. xvi</a>.) Cæsar had been as a father to Brutus, who was fifteen -years his junior; and the Greek, καὶ σὺ, τέκνον "and thou, my +years his junior; and the Greek, καὶ σὺ, καὶ σὺ, τέκνον "and thou, my son!" which Dion and Suetonius put into his mouth, though probably unauthentic, is good enough to be true. In Plutarch are two detailed accounts of the assassination, that in <i>Marcus Brutus</i> differing @@ -13018,18 +13060,18 @@ upon one body, one of them hurt another, and among them Brutus caught a blow on his hand, because he would make one in murthering of him, and all the rest also were every man of them bloodied."</p> -<p><a name="noteIII_37" id="noteIII_37" href="#tagIII_37">III.37</a> +<p><a id="noteIII_37" href="#tagIII_37">III.37</a> [<i>Dies</i>] <i>Dyes</i> F<sub>1</sub> | F<sub>2</sub>F<sub>3</sub>F<sub>4</sub> omit.</p> -<p><a name="noteIII_38" id="noteIII_38" href="#tagIII_38">III.38</a> +<p><a id="noteIII_38" href="#tagIII_38">III.38</a> <b>common pulpits:</b> rostra, the public platforms in the Forum.</p> -<p><a name="noteIII_39" id="noteIII_39" href="#tagIII_39">III.39</a> +<p><a id="noteIII_39" href="#tagIII_39">III.39</a> This is somewhat in the style of Caliban, when he gets glorious with "celestial liquor," <i>The Tempest</i>, II, ii, 190, 191: "Freedom, hey-day! hey-day, freedom! freedom, hey-day, freedom!"</p> -<p><a name="noteIII_40" id="noteIII_40" href="#tagIII_40">III.40</a> +<p><a id="noteIII_40" href="#tagIII_40">III.40</a> "Cæsar being slain in this manner, Brutus, standing in the middest of the house, would have spoken, and stayed the other Senators that were not of the conspiracy, to have told them the reason @@ -13037,62 +13079,62 @@ why they had done this fact. But they, as men both afraid and amazed, fled one upon another's neck in haste to get out at the door, and no man followed them."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteIII_41" id="noteIII_41" href="#tagIII_41">III.41</a> +<p><a id="noteIII_41" href="#tagIII_41">III.41</a> <b>abide:</b> pay for, suffer for. So in <a href="#tagIII_134">III, ii, 114</a>. "Through confusion of form with 'abye,' when that verb was becoming archaic, and through association of sense between <i>abye</i> (pay for) <i>a deed</i>, and <i>abide the consequences of a deed</i>, 'abide' has been erroneously used for 'abye'=pay for, atone for, suffer for."—Murray.</p> -<p><a name="noteIII_42" id="noteIII_42" href="#tagIII_42">III.42</a> +<p><a id="noteIII_42" href="#tagIII_42">III.42</a> Scene II Pope.—<i>Re-enter</i> ... Capell | Enter ... Ff.</p> -<p><a name="noteIII_43" id="noteIII_43" href="#tagIII_43">III.43</a> +<p><a id="noteIII_43" href="#tagIII_43">III.43</a> "But Antonius and Lepidus, which were two of Cæsar's chiefest friends, secretly conveying themselves away, fled into other men's houses and forsook their own."—Plutarch, <i>Julius Cæsar</i>.</p> -<p><a name="noteIII_44" id="noteIII_44" href="#tagIII_44">III.44</a> +<p><a id="noteIII_44" href="#tagIII_44">III.44</a> "When the murder was newly done, there were sudden outcries of people that ran up and down."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteIII_45" id="noteIII_45" href="#tagIII_45">III.45</a> +<p><a id="noteIII_45" href="#tagIII_45">III.45</a> <b>stand upon</b>: concern themselves with. Cf. <a href="#tagII_143">II, ii, 13</a>. What men are chiefly concerned about is how long they can draw out their -little period of mortal life. Cf. Sophocles, <i>Ajax</i>, 475-476: "What +little period of mortal life. Cf. Sophocles, <i>Ajax</i>, 475–476: "What joy is there in day following day, as each but draws us on towards or keeps us back from death?"—J. Churton Collins.</p> -<p><a name="noteIII_46" id="noteIII_46" href="#tagIII_46">III.46</a> +<p><a id="noteIII_46" href="#tagIII_46">III.46</a> <span class="charname">Casca</span> | Cask. Ff | Cas. Pope Camb Globe.</p> -<p><a name="noteIII_47" id="noteIII_47" href="#tagIII_47">III.47</a> +<p><a id="noteIII_47" href="#tagIII_47">III.47</a> Many modern editors have followed Pope and given this speech to Cassius. But there is no valid reason for this change from the text of the Folios. In the light of Casca's sentiments expressed -in <a href="#tagI_235">I, iii, 100-102</a>, this speech is more characteristic of him -than of Cassius. Pope also gave Casca ll. 106-111.</p> +in <a href="#tagI_235">I, iii, 100–102</a>, this speech is more characteristic of him +than of Cassius. Pope also gave Casca ll. 106–111.</p> -<p><a name="noteIII_48" id="noteIII_48" href="#tagIII_48">III.48</a> +<p><a id="noteIII_48" href="#tagIII_48">III.48</a> <b>states</b> F<sub>2</sub>F<sub>3</sub>F<sub>4</sub> | State F<sub>1</sub>.</p> -<p><a name="noteIII_49" id="noteIII_49" href="#tagIII_49">III.49</a> +<p><a id="noteIII_49" href="#tagIII_49">III.49</a> <span class="charname">Brutus</span> | Casc. Pope.</p> -<p><a name="noteIII_50" id="noteIII_50" href="#tagIII_50">III.50</a> +<p><a id="noteIII_50" href="#tagIII_50">III.50</a> "Cæsar ... was driven ... by the counsel of the conspirators, against the base whereupon Pompey's image stood, which ran all of a gore-blood till he was slain."—Plutarch, <i>Julius Cæsar</i>.</p> -<p><a name="noteIII_51" id="noteIII_51" href="#tagIII_51">III.51</a> +<p><a id="noteIII_51" href="#tagIII_51">III.51</a> <b>lies</b> F<sub>3</sub>F<sub>4</sub> | lye F<sub>1</sub>.</p> -<p><a name="noteIII_52" id="noteIII_52" href="#tagIII_52">III.52</a> +<p><a id="noteIII_52" href="#tagIII_52">III.52</a> <span class="charname"><b>Cassius</b></span> | Bru. Pope.</p> -<p><a name="noteIII_53" id="noteIII_53" href="#tagIII_53">III.53</a> -ll. 117-119: This speech and the two preceding, vaingloriously anticipating +<p><a id="noteIII_53" href="#tagIII_53">III.53</a> +ll. 117–119: This speech and the two preceding, vaingloriously anticipating the stage celebrity of the deed, are very strange; and, unless there be a shrewd irony lurking in them, it is hard to understand the purpose of them. Their effect is to give a very ambitious air to @@ -13100,15 +13142,15 @@ the work of these professional patriots, and to cast a highly theatrical color on their alleged virtue, as if they had sought to immortalize themselves by "striking the foremost man of all this world."</p> -<p><a name="noteIII_54" id="noteIII_54" href="#tagIII_54">III.54</a> +<p><a id="noteIII_54" href="#tagIII_54">III.54</a> <b>most boldest.</b> See Abbott, § 11. So in III, ii, 182.</p> -<p><a name="noteIII_55" id="noteIII_55" href="#tagIII_55">III.55</a> +<p><a id="noteIII_55" href="#tagIII_55">III.55</a> <b><i>Enter a</i> Servant.</b> "This simple stage direction is the ... turning-round of the whole action; the arch has reached its apex and the Re-action has begun."—Moulton.</p> -<p><a name="noteIII_56" id="noteIII_56" href="#tagIII_56">III.56</a> +<p><a id="noteIII_56" href="#tagIII_56">III.56</a> <b>resolv'd</b>: informed. This meaning is probably connected with the primary one of 'loosen,' 'set free,' through the idea of setting free from perplexity. 'Resolve' continued to be used in @@ -13117,26 +13159,26 @@ century. Shakespeare uses the word in the three main senses of (1) 'relax,' 'dissolve,' <i>Hamlet</i>, I, ii, 130; (2) 'inform,' as here; and (3) 'determine,' <i>3 Henry VI</i>, III, iii, 219.</p> -<p><a name="noteIII_57" id="noteIII_57" href="#tagIII_57">III.57</a> +<p><a id="noteIII_57" href="#tagIII_57">III.57</a> <b>Thorough</b>. Shakespeare uses 'through' or 'thorough' indifferently, as suits his verse. The two are but different forms of the same word. 'Thorough,' the adjective, is later than the preposition.</p> -<p><a name="noteIII_58" id="noteIII_58" href="#tagIII_58">III.58</a> +<p><a id="noteIII_58" href="#tagIII_58">III.58</a> <b>so please him come</b>: provided that it please him to come. 'So' is used with the future and subjunctive to denote 'provided that.'</p> -<p><a name="noteIII_59" id="noteIII_59" href="#tagIII_59">III.59</a> +<p><a id="noteIII_59" href="#tagIII_59">III.59</a> <b>still Falls shrewdly to the purpose</b>: always comes cleverly near the mark. See Skeat under 'shrewd' and 'shrew.'</p> -<p><a name="noteIII_60" id="noteIII_60" href="#tagIII_60">III.60</a> +<p><a id="noteIII_60" href="#tagIII_60">III.60</a> l. 148 Scene III Pope.—Two lines in Ff.</p> -<p><a name="noteIII_61" id="noteIII_61" href="#tagIII_61">III.61</a> +<p><a id="noteIII_61" href="#tagIII_61">III.61</a> <b>be let blood:</b> be put to death. So in <i>Richard III</i>, III, i, 183.</p> -<p><a name="noteIII_62" id="noteIII_62" href="#tagIII_62">III.62</a> +<p><a id="noteIII_62" href="#tagIII_62">III.62</a> <b>is rank:</b> has grown grossly full-blooded. The idea is of one who has overtopped his equals, and grown too high for the public safety. @@ -13144,21 +13186,21 @@ So in the speech of Oliver in <i>As You Like It</i>, I, i, 90, when incensed at the high bearing of Orlando: "Is it even so? begin you to grow upon me? I will physic your rankness."</p> -<p><a name="noteIII_63" id="noteIII_63" href="#tagIII_63">III.63</a> +<p><a id="noteIII_63" href="#tagIII_63">III.63</a> <b>Live:</b> if I live. Cf. <i>The Merchant of Venice</i>, III, ii, 61.</p> -<p><a name="noteIII_64" id="noteIII_64" href="#tagIII_64">III.64</a> +<p><a id="noteIII_64" href="#tagIII_64">III.64</a> l. 163 In this line <b>'by'</b> is used (1) in the sense of 'near,' 'beside,' and (2) in its ordinary sense to denote agency.</p> -<p><a name="noteIII_65" id="noteIII_65" href="#tagIII_65">III.65</a> +<p><a id="noteIII_65" href="#tagIII_65">III.65</a> The first 'fire' is dissyllabic. The allusion is to the old notion that if a burn be held to the fire the pain will be drawn or driven out. Shakespeare has four other very similar allusions to this belief—<i>Romeo and Juliet</i>, I, ii, 46; <i>Coriolanus</i>, IV, vii, 54; <i>The Two Gentlemen of Verona</i>, II, iv, 192; <i>King John</i>, III, i, 277.</p> -<p><a name="noteIII_66" id="noteIII_66" href="#tagIII_66">III.66</a> +<p><a id="noteIII_66" href="#tagIII_66">III.66</a> <b>in strength of malice:</b> strong as they have shown themselves to be in malice towards tyranny. Though the Folio text may be corrupt, and at least twelve emendations have been suggested, @@ -13170,7 +13212,7 @@ adopted. What makes this conjecture plausible is Shakespeare's frequent use of 'amity,' and "strength of their amity" occurs in <i>Antony and Cleopatra</i>, II, vi, 137.</p> -<p><a name="noteIII_67" id="noteIII_67" href="#tagIII_67">III.67</a> +<p><a id="noteIII_67" href="#tagIII_67">III.67</a> Brutus has been talking about "our hearts," and "kind love, good thoughts, and reverence." To Cassius, all that is mere rose-water humbug, and he knows it is so to Antony too. He hastens @@ -13180,125 +13222,125 @@ of these patriots, especially Cassius, the two Brutuses, and Trebonius, afterwards accepted the governorship of fat provinces for which they had been prospectively named by Cæsar.</p> -<p><a name="noteIII_68" id="noteIII_68" href="#tagIII_68">III.68</a> +<p><a id="noteIII_68" href="#tagIII_68">III.68</a> "When Cæsar was slain, the Senate—though Brutus stood in the middest amongst them, as though he would have said something touching this fact—presently ran out of the house, and, flying, filled all the city with marvellous fear and tumult. Insomuch as some did shut to the doors."—Plutarch, <i>Julius Cæsar</i>.</p> -<p><a name="noteIII_69" id="noteIII_69" href="#tagIII_69">III.69</a> +<p><a id="noteIII_69" href="#tagIII_69">III.69</a> <b>struck</b> | strooke F<sub>1</sub>F<sub>2</sub> | strook F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteIII_70" id="noteIII_70" href="#tagIII_70">III.70</a> +<p><a id="noteIII_70" href="#tagIII_70">III.70</a> <b>wisdom</b> F<sub>3</sub>F<sub>4</sub> | Wisedome F<sub>1</sub>F<sub>2</sub>.</p> -<p><a name="noteIII_71" id="noteIII_71" href="#tagIII_71">III.71</a> +<p><a id="noteIII_71" href="#tagIII_71">III.71</a> <b>conceit:</b> conceive of, think of. So in <a href="#tagI_262">I, iii, 162</a>.</p> -<p><a name="noteIII_72" id="noteIII_72" href="#tagIII_72">III.72</a> +<p><a id="noteIII_72" href="#tagIII_72">III.72</a> <b>dearer:</b> more intensely. This emphatic or intensive use of 'dear' is very common in Shakespeare, and is used in the expression of strong emotion, either of pleasure or of pain.</p> -<p><a name="noteIII_73" id="noteIII_73" href="#tagIII_73">III.73</a> +<p><a id="noteIII_73" href="#tagIII_73">III.73</a> <b>bay'd:</b> brought to bay. The expression connotes being barked at and worried as a deer by hounds. Cf. <i>A Midsummer Nights Dream</i>, IV, i, 118. "Cæsar turned him no where but he was stricken at by some ... and was hackled and mangled among them, as a wild beast taken of hunters."—Plutarch, <i>Julius Cæsar</i>.</p> -<p><a name="noteIII_74" id="noteIII_74" href="#tagIII_74">III.74</a> +<p><a id="noteIII_74" href="#tagIII_74">III.74</a> <b>hart</b> F<sub>1</sub> | Heart F<sub>2</sub>F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteIII_75" id="noteIII_75" href="#tagIII_75">III.75</a> +<p><a id="noteIII_75" href="#tagIII_75">III.75</a> <b>Sign'd in thy spoil.</b> This may have reference to the custom still prevalent in England and Europe of hunters smearing their hands and faces with the blood of the slain deer.</p> -<p><a name="noteIII_76" id="noteIII_76" href="#tagIII_76">III.76</a> +<p><a id="noteIII_76" href="#tagIII_76">III.76</a> <b>lethe</b> | Lethe F<sub>2</sub>F<sub>3</sub>F<sub>4</sub> | Lethee F<sub>1</sub> | death Pope.</p> -<p><a name="noteIII_77" id="noteIII_77" href="#tagIII_77">III.77</a> +<p><a id="noteIII_77" href="#tagIII_77">III.77</a> <b>lethe.</b> This puzzling term is certainly the reading of the Folios, and may mean either 'violent death' (Lat. <i>letum</i>), as 'lethal' means 'deadly,' or, as White interprets the passage, 'the stream which bears to oblivion.'</p> -<p><a name="noteIII_78" id="noteIII_78" href="#tagIII_78">III.78</a> +<p><a id="noteIII_78" href="#tagIII_78">III.78</a> <b>heart</b> Theobald | hart Ff.</p> -<p><a name="noteIII_79" id="noteIII_79" href="#tagIII_79">III.79</a> +<p><a id="noteIII_79" href="#tagIII_79">III.79</a> <b>strucken</b> Steevens | stroken F<sub>1</sub> | stricken F<sub>2</sub>F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteIII_80" id="noteIII_80" href="#tagIII_80">III.80</a> +<p><a id="noteIII_80" href="#tagIII_80">III.80</a> <b>modesty:</b> moderation. So in <i>Henry VIII</i>, V, iii, 64. This is the original meaning of the word. See illustrative quotation from Sir T. Elyot's <i>The Governour</i>, 1531, in Century.</p> -<p><a name="noteIII_81" id="noteIII_81" href="#tagIII_81">III.81</a> +<p><a id="noteIII_81" href="#tagIII_81">III.81</a> <b>prick'd</b>: marked on the list. The image is of a list of names written out, and some of them having holes pricked in the paper against them. Cf. <a href="#tagIV_3">IV, i, 1</a>. See Century under 'pricking for sheriffs.'</p> -<p><a name="noteIII_82" id="noteIII_82" href="#tagIII_82">III.82</a> +<p><a id="noteIII_82" href="#tagIII_82">III.82</a> <b>full of good regard</b>: the result of noble considerations.</p> -<p><a name="noteIII_83" id="noteIII_83" href="#tagIII_83">III.83</a> +<p><a id="noteIII_83" href="#tagIII_83">III.83</a> <b>you, Antony</b> Theobald | you Antony Ff.</p> -<p><a name="noteIII_84" id="noteIII_84" href="#tagIII_84">III.84</a> +<p><a id="noteIII_84" href="#tagIII_84">III.84</a> 'Produce' here implies 'motion towards'—the original Latin sense. Hence the preposition 'to.'</p> -<p><a name="noteIII_85" id="noteIII_85" href="#tagIII_85">III.85</a> +<p><a id="noteIII_85" href="#tagIII_85">III.85</a> <b>market-place</b>. Here, and elsewhere in the play, 'the market-place' is the Forum, and the <i>rostra</i> provided there for the purposes of public speaking Shakespeare calls 'pulpits.' In this, as in so much else, he followed North.</p> -<p><a name="noteIII_86" id="noteIII_86" href="#tagIII_86">III.86</a> +<p><a id="noteIII_86" href="#tagIII_86">III.86</a> <b>the order of his funeral:</b> the course of the funeral ceremonies. "Then Antonius, thinking good ... that his body should be honourably -buried, and not in hugger-mugger,<a class="tag" name="tagIII_86_1" id="tagIII_86_1" href="#noteIII_86_1">[1]</a> lest the people might +buried, and not in hugger-mugger,<a class="tag" id="tagIII_86_1" href="#noteIII_86_1">[1]</a> lest the people might thereby take occasion to be worse offended if they did otherwise: Cassius stoutly spake against it. But Brutus went with the motion, and agreed unto it."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteIII_86_1" id="noteIII_86_1" href="#tagIII_86_1">III.86[1]</a> +<p><a id="noteIII_86_1" href="#tagIII_86_1">III.86[1]</a> i.e. in secrecy. Ascham has the form 'huddermother' and Skelton 'hoder-moder.' Cf. "In hugger-mugger to inter him," <i>Hamlet</i>, IV, v, 84.</p> -<p><a name="noteIII_87" id="noteIII_87" href="#tagIII_87">III.87</a> +<p><a id="noteIII_87" href="#tagIII_87">III.87</a> [<i>Aside to</i> <span class="charname">Brutus</span>] Ff omit.</p> -<p><a name="noteIII_88" id="noteIII_88" href="#tagIII_88">III.88</a> +<p><a id="noteIII_88" href="#tagIII_88">III.88</a> <b>wrong:</b> harm. Cf. <a href="#tagIII_27">l. 47</a>. Note the high self-appreciation of Brutus here, in supposing that if he can but have a chance to speak to the people, and to air his wisdom before them, all will go right. Here, again, he overbears Cassius, who now begins to find the effects of having stuffed him with flatteries, and served as a mirror -to "turn his hidden worthiness into his eye" (<a href="#tagI_2_56">I, ii, 57-58</a>).</p> +to "turn his hidden worthiness into his eye" (<a href="#tagI_2_56">I, ii, 57–58</a>).</p> -<p><a name="noteIII_89" id="noteIII_89" href="#tagIII_89">III.89</a> +<p><a id="noteIII_89" href="#tagIII_89">III.89</a> [<i>Exeunt</i> ...] Capell | Exeunt. Manet Antony Ff.</p> -<p><a name="noteIII_90" id="noteIII_90" href="#tagIII_90">III.90</a> +<p><a id="noteIII_90" href="#tagIII_90">III.90</a> Scene IV Pope.</p> -<p><a name="noteIII_91" id="noteIII_91" href="#tagIII_91">III.91</a> -ll. 257-258: Cf. Antony's eulogy of Brutus, <a href="#tagV_134">V, v, 68-75</a>.</p> +<p><a id="noteIII_91" href="#tagIII_91">III.91</a> +ll. 257–258: Cf. Antony's eulogy of Brutus, <a href="#tagV_134">V, v, 68–75</a>.</p> -<p><a name="noteIII_92" id="noteIII_92" href="#tagIII_92">III.92</a> +<p><a id="noteIII_92" href="#tagIII_92">III.92</a> <b>limbs</b> F<sub>3</sub>F<sub>4</sub> | limbes F<sub>1</sub>F<sub>2</sub>.</p> -<p><a name="noteIII_93" id="noteIII_93" href="#tagIII_93">III.93</a> +<p><a id="noteIII_93" href="#tagIII_93">III.93</a> <b>limbs</b>. Thirteen different words ('kind,' 'line,' 'lives,' 'loins,' 'tombs,' 'sons,' 'times,' etc.) have been offered by editors as substitutes for the plain, direct 'limbs' of the Folios. One of Johnson's @@ -13308,16 +13350,16 @@ suggestions was "these lymmes," taking 'lymmes' in the sense of quotes Timon's curse on the senators of Athens and says, "Lear's curses were certainly levelled at his daughter's limbs."</p> -<p><a name="noteIII_94" id="noteIII_94" href="#tagIII_94">III.94</a> +<p><a id="noteIII_94" href="#tagIII_94">III.94</a> <b>with</b>: by. So in <a href="#tagIII_2_196">III, ii, 196</a>. See Abbott, § 193.</p> -<p><a name="noteIII_95" id="noteIII_95" href="#tagIII_95">III.95</a> +<p><a id="noteIII_95" href="#tagIII_95">III.95</a> Ate was the Greek goddess of vengeance, discord, and mischief. Shakespeare refers to her in <i>King John</i>, II, i, 63, as "stirring to blood and strife." In <i>Love's Labour's Lost</i>, V, ii, 694, and <i>Much Ado about Nothing</i>, II, i, 263, the references to her are humorous.</p> -<p><a name="noteIII_96" id="noteIII_96" href="#tagIII_96">III.96</a> +<p><a id="noteIII_96" href="#tagIII_96">III.96</a> 'Havoc' was anciently the word of signal for giving no quarter in a battle. It was a high crime for any one to give the signal without authority from the general in chief; hence the peculiar @@ -13325,7 +13367,7 @@ force of 'monarch's voice.'—To 'let slip' a dog was a term of the chase, for releasing the hounds from the 'slip' or leash of leather whereby they were held in hand till it was time to let them pursue the animal.—The 'dogs of war' are fire, sword, and famine. So in -<i>King Henry V</i>, First Chorus, 6-8:</p> +<i>King Henry V</i>, First Chorus, 6–8:</p> <div class="poem"> <p class="indent6">at his heels,</p> @@ -13333,50 +13375,50 @@ the animal.—The 'dogs of war' are fire, sword, and famine. So in <p>Crouch for employment.</p> </div> -<p><a name="noteIII_97" id="noteIII_97" href="#tagIII_97">III.97</a> +<p><a id="noteIII_97" href="#tagIII_97">III.97</a> <i>Enter</i> ... | Enter Octavio's Servant Ff.</p> -<p><a name="noteIII_98" id="noteIII_98" href="#tagIII_98">III.98</a> +<p><a id="noteIII_98" href="#tagIII_98">III.98</a> [<i>Seeing the body</i>] Rowe | Ff omit.</p> -<p><a name="noteIII_99" id="noteIII_99" href="#tagIII_99">III.99</a> +<p><a id="noteIII_99" href="#tagIII_99">III.99</a> <b>catching</b>; for F<sub>2</sub>F<sub>3</sub>F<sub>4</sub> | catching from F<sub>1</sub>.</p> -<p><a name="noteIII_100" id="noteIII_100" href="#tagIII_100">III.100</a> +<p><a id="noteIII_100" href="#tagIII_100">III.100</a> A pun may lurk in this 'Rome.' See <a href="#noteI_125">note, p. 19, l. 156</a>.</p> -<p><a name="noteIII_101" id="noteIII_101" href="#tagIII_101">III.101</a> +<p><a id="noteIII_101" href="#tagIII_101">III.101</a> <b>awhile</b> F<sub>4</sub> | a-while F<sub>1</sub>F<sub>2</sub>.</p> -<p><a name="noteIII_102" id="noteIII_102" href="#tagIII_102">III.102</a> +<p><a id="noteIII_102" href="#tagIII_102">III.102</a> <b>corse</b> Pope | course F<sub>1</sub>F<sub>2</sub> | coarse F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteIII_103" id="noteIII_103" href="#tagIII_103">III.103</a> +<p><a id="noteIII_103" href="#tagIII_103">III.103</a> [<i>Exeunt</i> ...] <i>Exeunt</i>. Ff.</p> -<p><a name="noteIII_104" id="noteIII_104" href="#tagIII_104">III.104</a> +<p><a id="noteIII_104" href="#tagIII_104">III.104</a> <span class="smallcaps">Scene II</span> Rowe | Scene V Pope.—<i>The Forum</i> Rowe | Ff omit.</p> -<p><a name="noteIII_105" id="noteIII_105" href="#tagIII_105">III.105</a> +<p><a id="noteIII_105" href="#tagIII_105">III.105</a> <i>Enter</i> <span class="charname">Brutus</span> ... Citizens Malone | Enter Brutus and goes into the Pulpit, and Cassius, with the Plebeians Ff.</p> -<p><a name="noteIII_106" id="noteIII_106" href="#tagIII_106">III.106</a> +<p><a id="noteIII_106" href="#tagIII_106">III.106</a> <span class="charname">Citizens</span> Capell | Ple. (Plebeians) Ff.</p> -<p><a name="noteIII_107" id="noteIII_107" href="#tagIII_107">III.107</a> +<p><a id="noteIII_107" href="#tagIII_107">III.107</a> <b>rendered</b> Pope | rendred Ff.</p> -<p><a name="noteIII_108" id="noteIII_108" href="#tagIII_108">III.108</a> +<p><a id="noteIII_108" href="#tagIII_108">III.108</a> [<i>Exit ... pulpit</i>] Ff omit.</p> -<p><a name="noteIII_109" id="noteIII_109" href="#tagIII_109">III.109</a> +<p><a id="noteIII_109" href="#tagIII_109">III.109</a> "The rest followed in troupe, but Brutus went foremost, very honourably compassed in round about with the noblest men of the city, which brought him from the Capitol, through the market-place, @@ -13388,35 +13430,35 @@ would say. When Brutus began to speak, they gave him quiet audience: howbeit, immediately after, they shewed that they were not all contented with the murther."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteIII_110" id="noteIII_110" href="#tagIII_110">III.110</a> +<p><a id="noteIII_110" href="#tagIII_110">III.110</a> <b>lovers</b>. Pope changed this to 'friends.' But in the sixteenth century 'lover' and 'friend' were synonymous. In l. 44 Brutus speaks of Cæsar as 'my best lover.' So 'Thy lover' in <a href="#tagII_177">II, iii, 8</a>.</p> -<p><a name="noteIII_111" id="noteIII_111" href="#tagIII_111">III.111</a> +<p><a id="noteIII_111" href="#tagIII_111">III.111</a> <b>censure</b>: judge. The word may have been chosen for the euphuistic jingle it makes here with 'senses.'</p> -<p><a name="noteIII_112" id="noteIII_112" href="#tagIII_112">III.112</a> +<p><a id="noteIII_112" href="#tagIII_112">III.112</a> <b>is</b> Ff | are Pope.</p> -<p><a name="noteIII_113" id="noteIII_113" href="#tagIII_113">III.113</a> +<p><a id="noteIII_113" href="#tagIII_113">III.113</a> <b>There is tears</b>. So in <a href="#tagI_257">I, iii, 138</a>. See Abbott, § 335.</p> -<p><a name="noteIII_114" id="noteIII_114" href="#tagIII_114">III.114</a> -ll. 36-39 The reason of his death is made a matter of solemn official +<p><a id="noteIII_114" href="#tagIII_114">III.114</a> +ll. 36–39 The reason of his death is made a matter of solemn official record in the books of the Senate, as showing that the act of killing him was done for public ends, and not from private hate. His fame is not lessened or whittled down in those points wherein he was worthy. 'Enforc'd' is in antithesis to 'extenuated.' Exactly the same antithesis is found in <i>Antony and Cleopatra</i>, V, ii, 125.</p> -<p><a name="noteIII_115" id="noteIII_115" href="#tagIII_115">III.115</a> +<p><a id="noteIII_115" href="#tagIII_115">III.115</a> <i>Enter</i> <span class="charname">Antony</span> ... <i>body</i> Malone | Enter Mark Antony with Cæsar's body Ff.</p> -<p><a name="noteIII_116" id="noteIII_116" href="#tagIII_116">III.116</a> -ll. 43-46 In this speech Shakespeare seems to have aimed at imitating +<p><a id="noteIII_116" href="#tagIII_116">III.116</a> +ll. 43–46 In this speech Shakespeare seems to have aimed at imitating the manner actually ascribed to Brutus. "In some of his Epistles, he counterfeited that brief compendious manner of speech of the Lacedæmonians."—Plutarch, <i>Marcus Brutus</i>. Shakespeare's idea is @@ -13428,28 +13470,28 @@ Gollancz finds a probable original of this speech in Belleforest's <i>Histoires Tragiques</i> (<i>Hamlet</i>); Dowden thinks Shakespeare received hints from the English version (1578) of Appian's <i>Roman Wars</i>.</p> -<p><a name="noteIII_117" id="noteIII_117" href="#tagIII_117">III.117</a> +<p><a id="noteIII_117" href="#tagIII_117">III.117</a> ll. 47, 72, etc. <span class="charname">All</span> Ff | Cit. (Citizens) Capell.</p> -<p><a name="noteIII_118" id="noteIII_118" href="#tagIII_118">III.118</a> +<p><a id="noteIII_118" href="#tagIII_118">III.118</a> ll. 48, 49, etc. <span class="charname">Citizen</span> | Ff omit.</p> -<p><a name="noteIII_119" id="noteIII_119" href="#tagIII_119">III.119</a> +<p><a id="noteIII_119" href="#tagIII_119">III.119</a> l. 52 Two lines in Ff.</p> -<p><a name="noteIII_120" id="noteIII_120" href="#tagIII_120">III.120</a> +<p><a id="noteIII_120" href="#tagIII_120">III.120</a> Scene VI Pope.</p> -<p><a name="noteIII_121" id="noteIII_121" href="#tagIII_121">III.121</a> +<p><a id="noteIII_121" href="#tagIII_121">III.121</a> <b>beholding.</b> This Elizabethan corruption of 'beholden' occurs constantly in the Folios of 1623, 1632, and 1664. The Fourth Folio usually has 'beholden.' Here Camb has 'Goes into the pulpit.'</p> -<p><a name="noteIII_122" id="noteIII_122" href="#tagIII_122">III.122</a> +<p><a id="noteIII_122" href="#tagIII_122">III.122</a> <b>blest</b> F<sub>1</sub> | glad F<sub>2</sub>F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteIII_123" id="noteIII_123" href="#tagIII_123">III.123</a> +<p><a id="noteIII_123" href="#tagIII_123">III.123</a> "Afterwards when Cæsar's body was brought into the market-place, Antonius making his funeral oration in praise of the dead, according to the ancient custom of Rome, and perceiving that his @@ -13459,29 +13501,29 @@ gown all bloody in his hand, he laid it open to the sight of them all, shewing what a number of cuts and holes it had upon it. Therewithal the people fell presently into such a rage and mutiny, that there was no more order kept amongst the common people."—Plutarch, -<i>Marcus Brutus</i>.<a class="tag" name="tagIII_123_1" id="tagIII_123_1" href="#noteIII_123_1">[1]</a> How Shakespeare elaborates this!</p> +<i>Marcus Brutus</i>.<a class="tag" id="tagIII_123_1" href="#noteIII_123_1">[1]</a> How Shakespeare elaborates this!</p> -<p><a name="noteIII_123_1" id="noteIII_123_1" href="#tagIII_123_1">III.123[1]</a> +<p><a id="noteIII_123_1" href="#tagIII_123_1">III.123[1]</a> There is a similar passage in Plutarch, <i>Marcus Antonius</i>.</p> -<p><a name="noteIII_124" id="noteIII_124" href="#tagIII_124">III.124</a> +<p><a id="noteIII_124" href="#tagIII_124">III.124</a> <b>bury.</b> A characteristic anachronism. Cf. 'coffin' in l. 106.</p> -<p><a name="noteIII_125" id="noteIII_125" href="#tagIII_125">III.125</a> +<p><a id="noteIII_125" href="#tagIII_125">III.125</a> So in <i>Henry VIII</i>, IV, ii, 45: "Men's evil manners live in brass; their virtues We write in water."</p> -<p><a name="noteIII_126" id="noteIII_126" href="#tagIII_126">III.126</a> +<p><a id="noteIII_126" href="#tagIII_126">III.126</a> Cæsar's campaigns in Gaul put vast sums of money into his hands, a large part of which he kept to his own use, as he might have kept it all; but he did also, in fact, make over much of it to the public treasury. This was a very popular act, as it lightened the taxation of the city.</p> -<p><a name="noteIII_127" id="noteIII_127" href="#tagIII_127">III.127</a> +<p><a id="noteIII_127" href="#tagIII_127">III.127</a> <b>on the Lupercal:</b> at the festival of the Lupercal.</p> -<p><a name="noteIII_128" id="noteIII_128" href="#tagIII_128">III.128</a> +<p><a id="noteIII_128" href="#tagIII_128">III.128</a> These repetitions of 'honourable man' are intensely ironical; and for that very reason the irony should be studiously kept out of the voice in pronouncing them. Speakers and readers utterly spoil @@ -13491,20 +13533,20 @@ with the utmost caution, until he gets the audience thoroughly in his power. The consummate adroitness which he uses to this end is one of the greatest charms of this oration.</p> -<p><a name="noteIII_129" id="noteIII_129" href="#tagIII_129">III.129</a> +<p><a id="noteIII_129" href="#tagIII_129">III.129</a> <b>to mourn:</b> from mourning. The gerundive use of the infinitive.</p> -<p><a name="noteIII_130" id="noteIII_130" href="#tagIII_130">III.130</a> +<p><a id="noteIII_130" href="#tagIII_130">III.130</a> <b>art</b> F<sub>2</sub>F<sub>3</sub>F<sub>4</sub> | are F<sub>1</sub>.</p> -<p><a name="noteIII_131" id="noteIII_131" href="#tagIII_131">III.131</a> +<p><a id="noteIII_131" href="#tagIII_131">III.131</a> 'Brutish' is by no means tautological here, the antithetic sense of human brutes being most artfully implied.</p> -<p><a name="noteIII_132" id="noteIII_132" href="#tagIII_132">III.132</a> +<p><a id="noteIII_132" href="#tagIII_132">III.132</a> It was here, as the first words of the reply of the Third Citizen, that Pope would have inserted the quotation preserved in -Jonson's <i>Discoveries</i>, discussed in <a href="#noteIII_27">note, p. 83, ll. 47-48</a>. Pope's note is:</p> +Jonson's <i>Discoveries</i>, discussed in <a href="#noteIII_27">note, p. 83, ll. 47–48</a>. Pope's note is:</p> <div class="verse"> <p class="iamb3">"Cæsar has had great wrong.</p> @@ -13515,38 +13557,38 @@ Jonson's <i>Discoveries</i>, discussed in <a href="#noteIII_27">note, p. 83, ll. it might have its place here, and very humorously in the character of a Plebeian." Craik inserted 'not' after 'Has he.'</p> -<p><a name="noteIII_133" id="noteIII_133" href="#tagIII_133">III.133</a> +<p><a id="noteIII_133" href="#tagIII_133">III.133</a> <b>Has he</b>, | Ha's hee F<sub>1</sub>.</p> -<p><a name="noteIII_134" id="noteIII_134" href="#tagIII_134">III.134</a> +<p><a id="noteIII_134" href="#tagIII_134">III.134</a> <b>abide it:</b> suffer for it, pay for it. See <a href="#noteIII_41">note, p. 87, l. 95</a>.</p> -<p><a name="noteIII_135" id="noteIII_135" href="#tagIII_135">III.135</a> +<p><a id="noteIII_135" href="#tagIII_135">III.135</a> And there are none so humble but that the great Cæsar is now beneath their reverence, or too low for their regard.</p> -<p><a name="noteIII_136" id="noteIII_136" href="#tagIII_136">III.136</a> +<p><a id="noteIII_136" href="#tagIII_136">III.136</a> <b>napkins:</b> handkerchiefs. In the third scene of the third act of <i>Othello</i> the two words are used interchangeably.</p> -<p><a name="noteIII_137" id="noteIII_137" href="#tagIII_137">III.137</a> +<p><a id="noteIII_137" href="#tagIII_137">III.137</a> <b>o'ershot myself to tell:</b> gone too far in telling. Another example of the infinitive used as a gerund. Cf. <a href="#tagIII_129">l. 103</a> and <a href="#tagII_72">II, i, 135</a>.</p> -<p><a name="noteIII_138" id="noteIII_138" href="#tagIII_138">III.138</a> +<p><a id="noteIII_138" href="#tagIII_138">III.138</a> Antony now sees that he has the people wholly with him, so that he is perfectly safe in stabbing the stabbers with these words.</p> -<p><a name="noteIII_139" id="noteIII_139" href="#tagIII_139">III.139</a> +<p><a id="noteIII_139" href="#tagIII_139">III.139</a> [<span class="charname">Antony</span> <i>comes</i> ...] Ff omit.</p> -<p><a name="noteIII_140" id="noteIII_140" href="#tagIII_140">III.140</a> +<p><a id="noteIII_140" href="#tagIII_140">III.140</a> <b>far:</b> farther. The old comparative of 'far' is 'farrer' (sometimes 'ferrar') still heard in dialect, and the final <i>-er</i> will naturally tend to be slurred. So <i>The Winter's Tale</i>, IV, iv, 441, "Far than Deucalion off." So 'near' for 'nearer' in <i>Richard II</i>, III, ii, 64.</p> -<p><a name="noteIII_141" id="noteIII_141" href="#tagIII_141">III.141</a> +<p><a id="noteIII_141" href="#tagIII_141">III.141</a> This is the artfullest and most telling stroke in Antony's speech. The Romans prided themselves most of all upon their military virtue and renown: Cæsar was their greatest military hero; @@ -13563,45 +13605,45 @@ cloak, when killed; and it was, in fact, the mangled toga that Antony displayed on this occasion; but the fiction has the effect of making the allusion to the victory seem perfectly artless and incidental.</p> -<p><a name="noteIII_142" id="noteIII_142" href="#tagIII_142">III.142</a> +<p><a id="noteIII_142" href="#tagIII_142">III.142</a> <b>envious:</b> malicious. See note on 'envy,' <a href="#noteII_76">p. 54, l. 164</a>.</p> -<p><a name="noteIII_143" id="noteIII_143" href="#tagIII_143">III.143</a> +<p><a id="noteIII_143" href="#tagIII_143">III.143</a> <b>resolv'd:</b> informed, assured. See <a href="#noteIII_56">note, p. 90, l. 132</a>.</p> -<p><a name="noteIII_144" id="noteIII_144" href="#tagIII_144">III.144</a> +<p><a id="noteIII_144" href="#tagIII_144">III.144</a> 'Angel' here seems to mean his counterpart, his good genius, or a kind of better and dearer self. See <a href="#noteII_37">note, p. 47, l. 66</a>.</p> -<p><a name="noteIII_145" id="noteIII_145" href="#tagIII_145">III.145</a> +<p><a id="noteIII_145" href="#tagIII_145">III.145</a> <b>statue</b> Ff | statua Steevens Globe | statuë Camb.</p> -<p><a name="noteIII_146" id="noteIII_146" href="#tagIII_146">III.146</a> +<p><a id="noteIII_146" href="#tagIII_146">III.146</a> 'Dint' (Anglo-Saxon <i>dynt</i>; cf. provincial 'dunt') originally means 'blow'; the text has it in the secondary meaning of 'impression' made by a blow. Shakespeare uses the word in both senses.</p> -<p><a name="noteIII_147" id="noteIII_147" href="#tagIII_147">III.147</a> -ll. 203-204 <span class="charname">All</span> Globe Camb (White +<p><a id="noteIII_147" href="#tagIII_147">III.147</a> +ll. 203–204 <span class="charname">All</span> Globe Camb (White Delius conj.) | Ff continue to 2 Citizen and print as verse.</p> -<p><a name="noteIII_148" id="noteIII_148" href="#tagIII_148">III.148</a> -The Folios give this speech like that in 203-204 to 'Second +<p><a id="noteIII_148" href="#tagIII_148">III.148</a> +The Folios give this speech like that in 203–204 to 'Second Citizen,' but it should surely be given to 'All.'</p> -<p><a name="noteIII_149" id="noteIII_149" href="#tagIII_149">III.149</a> +<p><a id="noteIII_149" href="#tagIII_149">III.149</a> <b>gave</b> F<sub>1</sub> | give F<sub>2</sub>F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteIII_150" id="noteIII_150" href="#tagIII_150">III.150</a> +<p><a id="noteIII_150" href="#tagIII_150">III.150</a> <b>wit</b> F<sub>2</sub>F<sub>3</sub>F<sub>4</sub> | writ F<sub>2</sub>.</p> -<p><a name="noteIII_151" id="noteIII_151" href="#tagIII_151">III.151</a> +<p><a id="noteIII_151" href="#tagIII_151">III.151</a> Johnson suggests that the 'writ' of the First Folio may not be a printer's slip but used in the sense of a 'penned or premeditated oration.' Malone adopted and defended the First Folio reading.</p> -<p><a name="noteIII_152" id="noteIII_152" href="#tagIII_152">III.152</a> +<p><a id="noteIII_152" href="#tagIII_152">III.152</a> "For first of all, when Cæsar's testament was openly read among them, whereby it appeared that he bequeathed unto every citizen of Rome seventy-five drachmas a man; and that he left his @@ -13610,7 +13652,7 @@ the river Tiber, in the place where now the temple of Fortune is built: the people then loved him, and were marvellous sorry for him."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteIII_153" id="noteIII_153" href="#tagIII_153">III.153</a> +<p><a id="noteIII_153" href="#tagIII_153">III.153</a> The drachma (lit. 'what can be grasped in the hand') was the principal silver coin of the ancient Greeks, and while the nominal value of it was about that of the modern drachma (by law of the same @@ -13618,12 +13660,12 @@ value as the French franc) its purchasing power was much greater. Cæsar left to each citizen three hundred sesterces; Plutarch gives seventy-five drachmas as the Greek equivalent.</p> -<p><a name="noteIII_154" id="noteIII_154" href="#tagIII_154">III.154</a> +<p><a id="noteIII_154" href="#tagIII_154">III.154</a> As this scene lies in the Forum, near the Capitol, Cæsar's gardens are, in fact, on the other side of the Tiber. But Shakespeare wrote as he read in Plutarch. See quotation, p. 111, l. 239.</p> -<p><a name="noteIII_155" id="noteIII_155" href="#tagIII_155">III.155</a> +<p><a id="noteIII_155" href="#tagIII_155">III.155</a> "Therewithal the people fell presently into such a rage and mutiny, that there was no more order kept amongst the common people. For some of them cried out 'Kill the murderers'; others @@ -13635,22 +13677,22 @@ When the fire was throughly kindled, some took burning firebrands, and ran with them to the murderers' houses that killed him, to set them on fire."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteIII_156" id="noteIII_156" href="#tagIII_156">III.156</a> +<p><a id="noteIII_156" href="#tagIII_156">III.156</a> <b>fire.</b> Cf. <a href="#noteIII_65">III, i, 172</a>. Monosyllables ending in 'r' or 're,' preceded by a long vowel or diphthong, are often pronounced as dissyllabic.</p> -<p><a name="noteIII_157" id="noteIII_157" href="#tagIII_157">III.157</a> +<p><a id="noteIII_157" href="#tagIII_157">III.157</a> <b>the</b> F<sub>1</sub> | all the F<sub>2</sub>F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteIII_158" id="noteIII_158" href="#tagIII_158">III.158</a> +<p><a id="noteIII_158" href="#tagIII_158">III.158</a> <b>forms:</b> benches. The word used in preceding quotation from Plutarch. The Old Fr. <i>forme</i>, mediæval Lat. <i>forma</i>, was sometimes applied to choir-stalls, with back, and book-rest. "For the origin of this use of the word, cf. Old French <i>s'asseoir en forme</i>, to sit in a row or in fixed order."—Murray.</p> -<p><a name="noteIII_159" id="noteIII_159" href="#tagIII_159">III.159</a> +<p><a id="noteIII_159" href="#tagIII_159">III.159</a> Nowhere in literature is there a more realistic study and interpretation of the temper of a mob (a word that has come into use since Shakespeare's time) than in this scene @@ -13658,23 +13700,23 @@ and the short one which follows. Here is the true mob-spirit, fickle, inflammable, to be worked on by any demagogue with promises in his mouth.</p> -<p><a name="noteIII_160" id="noteIII_160" href="#tagIII_160">III.160</a> +<p><a id="noteIII_160" href="#tagIII_160">III.160</a> [<i>Exeunt</i> Citizens...] | Exit Plebeians Ff.</p> -<p><a name="noteIII_161" id="noteIII_161" href="#tagIII_161">III.161</a> +<p><a id="noteIII_161" href="#tagIII_161">III.161</a> <b>upon a wish:</b> as soon as wished for. Cf. <a href="#tagI_2_104">I, ii, 104</a>.</p> -<p><a name="noteIII_162" id="noteIII_162" href="#tagIII_162">III.162</a> +<p><a id="noteIII_162" href="#tagIII_162">III.162</a> <b>rid:</b> ridden. So 'writ' for 'written,' <a href="#tagIV_110">IV, iii, 183</a>.</p> -<p><a name="noteIII_163" id="noteIII_163" href="#tagIII_163">III.163</a> +<p><a id="noteIII_163" href="#tagIII_163">III.163</a> <span class="smallcaps">Scene</span> III | Scene VII Pope.</p> -<p><a name="noteIII_164" id="noteIII_164" href="#tagIII_164">III.164</a> +<p><a id="noteIII_164" href="#tagIII_164">III.164</a> <i>Enter</i> ... | Ff add <i>and after him the Plebeians</i>.</p> -<p><a name="noteIII_165" id="noteIII_165" href="#tagIII_165">III.165</a> +<p><a id="noteIII_165" href="#tagIII_165">III.165</a> "There was one of Cæsar's friends called Cinna, that had a marvellous strange and terrible dream the night before. He dreamed that Cæsar bad him to supper, and that he refused and would not @@ -13691,29 +13733,29 @@ Cinna as himself) wherefore taking him for Cinna the murtherer, they fell upon him with such fury that they presently dispatched him in the market-place."—Plutarch, <i>Julius Cæsar</i>.</p> -<p><a name="noteIII_166" id="noteIII_166" href="#tagIII_166">III.166</a> +<p><a id="noteIII_166" href="#tagIII_166">III.166</a> <b>to-night:</b> last night. So in <a href="#tagII_155">II, ii, 76</a>, and <i>The Merchant of Venice</i>, II, v, 18.</p> -<p><a name="noteIII_167" id="noteIII_167" href="#tagIII_167">III.167</a> +<p><a id="noteIII_167" href="#tagIII_167">III.167</a> Things that forbode evil fortune burden my imagination.</p> -<p><a name="noteIII_168" id="noteIII_168" href="#tagIII_168">III.168</a> +<p><a id="noteIII_168" href="#tagIII_168">III.168</a> <i>Enter</i> <span class="charname">Citizens</span> | Ff omit.</p> -<p><a name="noteIII_169" id="noteIII_169" href="#tagIII_169">III.169</a> +<p><a id="noteIII_169" href="#tagIII_169">III.169</a> Whither F<sub>3</sub>F<sub>4</sub> | Whether F<sub>1</sub> F<sub>2</sub>.</p> -<p><a name="noteIII_170" id="noteIII_170" href="#tagIII_170">III.170</a> +<p><a id="noteIII_170" href="#tagIII_170">III.170</a> <b>you were best</b>: it were best for you. See Abbott, § 230.</p> -<p><a name="noteIII_171" id="noteIII_171" href="#tagIII_171">III.171</a> +<p><a id="noteIII_171" href="#tagIII_171">III.171</a> <b>you'll bear me</b>: I'll give you. For 'me' see <a href="#noteI_163">note, p. 26, l. 263</a>.</p> <p><b>Act IV</b></p> -<p><a name="noteIV_1" id="noteIV_1" href="#tagIV_1">IV.1</a> +<p><a id="noteIV_1" href="#tagIV_1">IV.1</a> <span class="smallcaps">Scene I.</span> The Folios give no indication of place, but that Shakespeare intended the scene to be in Rome is clear from ll. 10, 11, where Lepidus is sent to Cæsar's house and told that he will find @@ -13736,63 +13778,63 @@ Lepidus to kill his own brother Paulus. Yet some writers affirm that Cæsar and Antonius requested Paulus might be slain, and that Lepidus was contented with it."—Plutarch, <i>Marcus Antonius</i>.</p> -<p><a name="noteIV_2" id="noteIV_2" href="#tagIV_2">IV.2</a> +<p><a id="noteIV_2" href="#tagIV_2">IV.2</a> <i>Rome</i>. <i>A room ... house</i> Ff omit.—<span class="charname">Antony</span>, <span class="charname">Octavius</span> ... <i>table</i> Malone | Enter Antony, Octawius, and Lepidus. Ff.</p> -<p><a name="noteIV_3" id="noteIV_3" href="#tagIV_3">IV.3</a> +<p><a id="noteIV_3" href="#tagIV_3">IV.3</a> <b>prick'd.</b> So in <a href="#tagIII_81">III, i. 217</a>. See <a href="#noteIII_81">note, p. 95, l. 217</a>.</p> -<p><a name="noteIV_4" id="noteIV_4" href="#tagIV_4">IV.4</a> +<p><a id="noteIV_4" href="#tagIV_4">IV.4</a> According to Plutarch, as quoted <a href="#noteIV_1">above</a>, this was Lucius Cæsar, not Publius; nor was he Antony's nephew, but his uncle by the mother's side. His name in full was Antonius Lucius Cæsar.</p> -<p><a name="noteIV_5" id="noteIV_5" href="#tagIV_5">IV.5</a> +<p><a id="noteIV_5" href="#tagIV_5">IV.5</a> <b>with a spot I damn him:</b> with a mark I condemn him.</p> -<p><a name="noteIV_6" id="noteIV_6" href="#tagIV_6">IV.6</a> +<p><a id="noteIV_6" href="#tagIV_6">IV.6</a> <b>What</b>, Johnson | What? Ff.</p> -<p><a name="noteIV_7" id="noteIV_7" href="#tagIV_7">IV.7</a> +<p><a id="noteIV_7" href="#tagIV_7">IV.7</a> <b>slight unmeritable:</b> insignificant, undeserving. In Shakespeare many adjectives, especially those ending in <i>-ful</i>, <i>-less</i>, <i>-ble</i>, and <i>-ive</i>, have both an active and a passive meaning. See Abbott, § 3.</p> -<p><a name="noteIV_8" id="noteIV_8" href="#tagIV_8">IV.8</a> +<p><a id="noteIV_8" href="#tagIV_8">IV.8</a> <b>point</b> F<sub>1</sub> | print F<sub>2</sub>F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteIV_9" id="noteIV_9" href="#tagIV_9">IV.9</a> +<p><a id="noteIV_9" href="#tagIV_9">IV.9</a> <b>commons.</b> This is a thoroughly English allusion to such pasture-lands as are not owned by individuals, but occupied by a given neighborhood in common. In 1614 Shakespeare protested against the inclosure of such 'common fields' at Stratford-on-Avon.</p> -<p><a name="noteIV_10" id="noteIV_10" href="#tagIV_10">IV.10</a> +<p><a id="noteIV_10" href="#tagIV_10">IV.10</a> <b>wind:</b> wheel, turn. We have 'wind' as an active verb in <i>1 Henry IV</i>, IV, i, 109: "To turn and wind a fiery Pegasus."</p> -<p><a name="noteIV_11" id="noteIV_11" href="#tagIV_11">IV.11</a> +<p><a id="noteIV_11" href="#tagIV_11">IV.11</a> <b>in some taste:</b> to some small extent. This meaning comes from 'taste' in the sense of 'a small portion given as a sample.'</p> -<p><a name="noteIV_12" id="noteIV_12" href="#tagIV_12">IV.12</a> +<p><a id="noteIV_12" href="#tagIV_12">IV.12</a> <b>objects, arts</b> | Objects, Arts Ff | abject orts Theobald | abjects, orts Staunton Camb Globe.</p> -<p><a name="noteIV_13" id="noteIV_13" href="#tagIV_13">IV.13</a> +<p><a id="noteIV_13" href="#tagIV_13">IV.13</a> <b>imitations</b>, Rowe | Imitations. Ff.</p> -<p><a name="noteIV_14" id="noteIV_14" href="#tagIV_14">IV.14</a> +<p><a id="noteIV_14" href="#tagIV_14">IV.14</a> <b>stal'd</b> F<sub>3</sub> | stal'de F<sub>1</sub>F<sub>2</sub> | stall'd F<sub>4</sub>.</p> -<p><a name="noteIV_15" id="noteIV_15" href="#tagIV_15">IV.15</a> -ll. 37-39 As the textual notes show, modern editors have not been +<p><a id="noteIV_15" href="#tagIV_15">IV.15</a> +ll. 37–39 As the textual notes show, modern editors have not been content with the reading of the Folios. The serious trouble with the old text is the period at the close of l. 37. If a comma be substituted the meaning becomes obvious: Lepidus is one who is always interested @@ -13807,7 +13849,7 @@ to those which have lost the interest of freshness. 'Abjects' in the Staunton-Cambridge reading, is 'things thrown away'; 'orts,' 'broken fragments.'</p> -<p><a name="noteIV_16" id="noteIV_16" href="#tagIV_16">IV.16</a> +<p><a id="noteIV_16" href="#tagIV_16">IV.16</a> <b>a property:</b> a tool, an accessory. The reference is to a 'stage property.' Cf. Fletcher and Massinger, <i>The False One</i>, V, iii:</p> @@ -13820,51 +13862,51 @@ property.' Cf. Fletcher and Massinger, <i>The False One</i>, V, iii:</p> <p>Shakespeare uses 'property' as a verb in this sense in <i>Twelfth Night</i>, IV, ii, 99: "They have here propertied me."</p> -<p><a name="noteIV_17" id="noteIV_17" href="#tagIV_17">IV.17</a> +<p><a id="noteIV_17" href="#tagIV_17">IV.17</a> <b>Listen.</b> The transitive use is older than the intransitive.</p> -<p><a name="noteIV_18" id="noteIV_18" href="#tagIV_18">IV.18</a> +<p><a id="noteIV_18" href="#tagIV_18">IV.18</a> <b>make head:</b> raise an armed force. 'Head' has often the meaning of 'armed force' in Shakespeare. So in sixteenth century literature and old ballads. It usually connotes insurrection.</p> -<p><a name="noteIV_19" id="noteIV_19" href="#tagIV_19">IV.19</a> +<p><a id="noteIV_19" href="#tagIV_19">IV.19</a> <b>and our best means (meanes) stretch'd out</b> F<sub>2</sub>F<sub>3</sub>F<sub>4</sub> | our meanes stretch't F<sub>1</sub> | our best means strecht Johnson.</p> -<p><a name="noteIV_20" id="noteIV_20" href="#tagIV_20">IV.20</a> +<p><a id="noteIV_20" href="#tagIV_20">IV.20</a> The reading adopted is that of the later Folios. It makes a -normal blank verse line. Cf. <a href="#noteII_1_158">II, i, 158-159</a>.</p> +normal blank verse line. Cf. <a href="#noteII_1_158">II, i, 158–159</a>.</p> -<p><a name="noteIV_21" id="noteIV_21" href="#tagIV_21">IV.21</a> +<p><a id="noteIV_21" href="#tagIV_21">IV.21</a> The metaphor is from bear-baiting. Cf. <i>Macbeth</i>, V, vii, 1.</p> -<p><a name="noteIV_22" id="noteIV_22" href="#tagIV_22">IV.22</a> +<p><a id="noteIV_22" href="#tagIV_22">IV.22</a> <span class="smallcaps">Scene II.</span> <i>Before ... Sardis</i> Rowe | Ff omit.</p> -<p><a name="noteIV_23" id="noteIV_23" href="#tagIV_23">IV.23</a> +<p><a id="noteIV_23" href="#tagIV_23">IV.23</a> <span class="smallcaps">Scene II.</span> This scene is separated from the foregoing by about a year. The remaining events take place in the autumn, <span class="smallcaps">b.c.</span> 42.</p> -<p><a name="noteIV_24" id="noteIV_24" href="#tagIV_24">IV.24</a> +<p><a id="noteIV_24" href="#tagIV_24">IV.24</a> <i>Enter</i> <span class="charname">Brutus</span> ... <i>meet them</i> | Enter Brutus, Lucillius, and the Army. Titinius and Pindarus meet them Ff.</p> -<p><a name="noteIV_25" id="noteIV_25" href="#tagIV_25">IV.25</a> +<p><a id="noteIV_25" href="#tagIV_25">IV.25</a> [<span class="charname">Pindarus</span> <i>gives</i> ...] | Ff omit.</p> -<p><a name="noteIV_26" id="noteIV_26" href="#tagIV_26">IV.26</a> +<p><a id="noteIV_26" href="#tagIV_26">IV.26</a> <b>He greets me well.</b> A dignified return of the salutation.</p> -<p><a name="noteIV_27" id="noteIV_27" href="#tagIV_27">IV.27</a> +<p><a id="noteIV_27" href="#tagIV_27">IV.27</a> <b>change</b> Ff | charge Hanmer.</p> -<p><a name="noteIV_28" id="noteIV_28" href="#tagIV_28">IV.28</a> +<p><a id="noteIV_28" href="#tagIV_28">IV.28</a> If the Folio reading be retained, 'change' will mean 'altered disposition,' 'change in his own feelings towards me.' Warburton's suggestion 'charge,' adopted by Hanmer and in previous editions of @@ -13872,49 +13914,49 @@ Hudson's Shakespeare, would give as the meaning of the line, Either by his own command, or by officers, subordinates, who have abused their trust, prostituting it to the ends of private gain.</p> -<p><a name="noteIV_29" id="noteIV_29" href="#tagIV_29">IV.29</a> +<p><a id="noteIV_29" href="#tagIV_29">IV.29</a> <b>How:</b> as to how.—<b>resolv'd.</b> See <a href="#noteIII_56">note, p. 90, l. 132</a>.</p> -<p><a name="noteIV_30" id="noteIV_30" href="#tagIV_30">IV.30</a> +<p><a id="noteIV_30" href="#tagIV_30">IV.30</a> <b>word, Lucilius</b> ... you: F<sub>3</sub> F<sub>4</sub> | word Lucillius ... you: F<sub>1</sub>F<sub>2</sub> | word, Lucilius,— ... you, Rowe.</p> -<p><a name="noteIV_31" id="noteIV_31" href="#tagIV_31">IV.31</a> +<p><a id="noteIV_31" href="#tagIV_31">IV.31</a> Mainly the Folio punctuation. A colon after 'Lucilius,' and a comma after 'you,' would give a characteristic inversion.</p> -<p><a name="noteIV_32" id="noteIV_32" href="#tagIV_32">IV.32</a> +<p><a id="noteIV_32" href="#tagIV_32">IV.32</a> <b>familiar instances:</b> marks of familiarity. In Schmidt is a list of the various senses in which Shakespeare uses 'instances.'</p> -<p><a name="noteIV_33" id="noteIV_33" href="#tagIV_33">IV.33</a> +<p><a id="noteIV_33" href="#tagIV_33">IV.33</a> <b>hot at hand:</b> spirited or mettlesome when held back.</p> -<p><a name="noteIV_34" id="noteIV_34" href="#tagIV_34">IV.34</a> +<p><a id="noteIV_34" href="#tagIV_34">IV.34</a> <b>fall:</b> let fall.</p> -<p><a name="noteIV_35" id="noteIV_35" href="#tagIV_35">IV.35</a> +<p><a id="noteIV_35" href="#tagIV_35">IV.35</a> <b>deceitful jades:</b> horses that promise well in appearance but "sink in the trial." 'Jade' is 'a worthless horse.'</p> -<p><a name="noteIV_36" id="noteIV_36" href="#tagIV_36">IV.36</a> +<p><a id="noteIV_36" href="#tagIV_36">IV.36</a> [<i>Low</i> ...] in Ff after l. 24.</p> -<p><a name="noteIV_37" id="noteIV_37" href="#tagIV_37">IV.37</a> +<p><a id="noteIV_37" href="#tagIV_37">IV.37</a> ll. 34, 35, 36 <span class="charname">Soldier</span> |Ff omit.</p> -<p><a name="noteIV_38" id="noteIV_38" href="#tagIV_38">IV.38</a> +<p><a id="noteIV_38" href="#tagIV_38">IV.38</a> <b>enlarge your griefs:</b> enlarge upon your grievances. This use of 'grief' is not unusual in sixteenth century English.</p> -<p><a name="noteIV_39" id="noteIV_39" href="#tagIV_39">IV.39</a> +<p><a id="noteIV_39" href="#tagIV_39">IV.39</a> <b>Lucilius</b> Ff | Lucius Craik.</p> -<p><a name="noteIV_40" id="noteIV_40" href="#tagIV_40">IV.40</a> +<p><a id="noteIV_40" href="#tagIV_40">IV.40</a> <b>Let Lucius</b> Ff |Lucilius Craik.</p> -<p><a name="noteIV_41" id="noteIV_41" href="#tagIV_41">IV.41</a> +<p><a id="noteIV_41" href="#tagIV_41">IV.41</a> ll. 50, 52 In previous editions of Hudson's Shakespeare was adopted Craik's suggestion that in these lines, as they stand in the Folios, the names Lucius and Lucilius got shuffled each into the other's place; @@ -13928,14 +13970,14 @@ the extra length of l. 50 pairs with a like extra length in l. 51. Lucilius, having been relieved by Lucius, after giving the order returns and guards the door again."</p> -<p><a name="noteIV_42" id="noteIV_42" href="#tagIV_42">IV.42</a> +<p><a id="noteIV_42" href="#tagIV_42">IV.42</a> <b>our</b> Ff | the Rowe.</p> -<p><a name="noteIV_43" id="noteIV_43" href="#tagIV_43">IV.43</a> +<p><a id="noteIV_43" href="#tagIV_43">IV.43</a> <span class="smallcaps">Scene III</span> Pope | Rowe omits.</p> -<p><a name="noteIV_44" id="noteIV_44" href="#tagIV_44">IV.44</a> +<p><a id="noteIV_44" href="#tagIV_44">IV.44</a> <span class="smallcaps">Scene III.</span> Dowden points out that this scene was already celebrated in Shakespeare's own day, Leonard Digges recording its popularity, and Beaumont and Fletcher imitating it in <i>The Maid's @@ -13943,15 +13985,15 @@ Tragedy</i>. "I know no part of Shakespeare that more impresses on me the belief of his genius being superhuman than this scene between Brutus and Cassius."—Coleridge.</p> -<p><a name="noteIV_45" id="noteIV_45" href="#tagIV_45">IV.45</a> +<p><a id="noteIV_45" href="#tagIV_45">IV.45</a> <span class="charname">Brutus's</span> <i>tent</i> Hanmer | Ff omit.</p> -<p><a name="noteIV_46" id="noteIV_46" href="#tagIV_46">IV.46</a> +<p><a id="noteIV_46" href="#tagIV_46">IV.46</a> <i>Enter</i> <span class="charname">Brutus</span> ... Capell | Manet Brutus ... F<sub>1</sub> | Manent ... F<sub>2</sub>F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteIV_47" id="noteIV_47" href="#tagIV_47">IV.47</a> +<p><a id="noteIV_47" href="#tagIV_47">IV.47</a> "Now as it commonly happened in great affairs between two persons, both of them having many friends and so many captains under them, there ran tales and complaints between them. Therefore, @@ -13965,38 +14007,38 @@ themselves, they were both amazed and afraid also, lest it would grow to further matter: but yet they were commanded that no man should come to them."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteIV_48" id="noteIV_48" href="#tagIV_48">IV.48</a> +<p><a id="noteIV_48" href="#tagIV_48">IV.48</a> <b>noted:</b> marked with a stigma. North thus uses the word. See quotation from <i>Marcus Brutus</i> on following page, <a href="#noteIV_49">l. 3</a>.</p> -<p><a name="noteIV_49" id="noteIV_49" href="#tagIV_49">IV.49</a> +<p><a id="noteIV_49" href="#tagIV_49">IV.49</a> "The next day after, Brutus, upon complaint of the Sardians, did condemn and note Lucius Pella.... This judgment much misliked Cassius, because himself had secretly ... warned two of his friends, attainted and convicted of the like offences, and openly had cleared them."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteIV_50" id="noteIV_50" href="#tagIV_50">IV.50</a> +<p><a id="noteIV_50" href="#tagIV_50">IV.50</a> <b>letters ... man, was</b> | Letters ... man was F<sub>1</sub> | letter ... man, was, F<sub>2</sub>F<sub>3</sub>F<sub>4</sub> | letters ... man, were Malone.</p> -<p><a name="noteIV_51" id="noteIV_51" href="#tagIV_51">IV.51</a> +<p><a id="noteIV_51" href="#tagIV_51">IV.51</a> <b>was.</b> The verb is attracted into the singular by the nearest substantive.</p> -<p><a name="noteIV_52" id="noteIV_52" href="#tagIV_52">IV.52</a> +<p><a id="noteIV_52" href="#tagIV_52">IV.52</a> <b>slighted off</b>: contemptuously set aside.</p> -<p><a name="noteIV_53" id="noteIV_53" href="#tagIV_53">IV.53</a> +<p><a id="noteIV_53" href="#tagIV_53">IV.53</a> <b>to write:</b> by writing. This gerundive use of the infinitive is very common in this play. Cf. 'to have' in l. 10; 'To sell and mart' in l. 11; 'To hedge me in' in l. 30, and so on. See Abbott, § 356.</p> -<p><a name="noteIV_54" id="noteIV_54" href="#tagIV_54">IV.54</a> +<p><a id="noteIV_54" href="#tagIV_54">IV.54</a> <b>nice:</b> foolish, trifling.</p> -<p><a name="noteIV_55" id="noteIV_55" href="#tagIV_55">IV.55</a> +<p><a id="noteIV_55" href="#tagIV_55">IV.55</a> <b>his:</b> its. The meaning of the line is, Every petty or trifling offense should not be rigidly scrutinized and censured. Cassius naturally thinks that "the honorable men whose @@ -14005,41 +14047,41 @@ squeamishness. "He reproved Brutus, for that he should show himself so straight and severe, in such a time as was meeter to bear a little than to take things at the worst."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteIV_56" id="noteIV_56" href="#tagIV_56">IV.56</a> +<p><a id="noteIV_56" href="#tagIV_56">IV.56</a> "Brutus in contrary manner answered that he should remember the Ides of March, at which time they slew Julius Cæsar, who -neither pilled<a class="tag" name="tagIV_56_1" id="tagIV_56_1" href="#noteIV_56_1">[1]</a> nor polled<a class="tag" name="tagIV_56_2" id="tagIV_56_2" href="#noteIV_56_2">[2]</a> the country, but only was a favourer and +neither pilled<a class="tag" id="tagIV_56_1" href="#noteIV_56_1">[1]</a> nor polled<a class="tag" id="tagIV_56_2" href="#noteIV_56_2">[2]</a> the country, but only was a favourer and suborner of all them that did rob and spoil, by his countenance and authority. And if there were any occasion whereby they might honestly set aside justice and equity, they should have had more reason to have suffered Cæsar's friends to have robbed and done what -wrong and injury they had would<a class="tag" name="tagIV_56_3" id="tagIV_56_3" href="#noteIV_56_3">[3]</a> than to bear with their own men."—Plutarch, +wrong and injury they had would<a class="tag" id="tagIV_56_3" href="#noteIV_56_3">[3]</a> than to bear with their own men."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteIV_56_1" id="noteIV_56_1" href="#tagIV_56_1">IV.56[1]</a> +<p><a id="noteIV_56_1" href="#tagIV_56_1">IV.56[1]</a> i.e. robbed, pillaged.</p> -<p><a name="noteIV_56_2" id="noteIV_56_2" href="#tagIV_56_2">IV.56[2]</a> +<p><a id="noteIV_56_2" href="#tagIV_56_2">IV.56[2]</a> i.e. taxed, spoiled.</p> -<p><a name="noteIV_56_3" id="noteIV_56_3" href="#tagIV_56_3">IV.56[3]</a> +<p><a id="noteIV_56_3" href="#tagIV_56_3">IV.56[3]</a> i.e. wished (to do).</p> -<p><a name="noteIV_57" id="noteIV_57" href="#tagIV_57">IV.57</a> +<p><a id="noteIV_57" href="#tagIV_57">IV.57</a> "Who was such a villain of those who touched his body that he stabbed from any other motive than justice?"—Clar.</p> -<p><a name="noteIV_58" id="noteIV_58" href="#tagIV_58">IV.58</a> +<p><a id="noteIV_58" href="#tagIV_58">IV.58</a> <b>bay</b> F<sub>1</sub> | baite F<sub>2</sub> | bait F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteIV_59" id="noteIV_59" href="#tagIV_59">IV.59</a> +<p><a id="noteIV_59" href="#tagIV_59">IV.59</a> <b>bait</b> F<sub>3</sub>F<sub>4</sub> | baite F<sub>1</sub>F<sub>2</sub> | bay Theobald Delius Staunton.</p> -<p><a name="noteIV_60" id="noteIV_60" href="#tagIV_60">IV.60</a> +<p><a id="noteIV_60" href="#tagIV_60">IV.60</a> <b>I</b>, Ff | ay, Steevens.</p> -<p><a name="noteIV_61" id="noteIV_61" href="#tagIV_61">IV.61</a> +<p><a id="noteIV_61" href="#tagIV_61">IV.61</a> "Now Cassius would have done Brutus much honour, as Brutus did unto him, but Brutus most commonly prevented him, and went first unto him, both because he was the elder man as also @@ -14049,34 +14091,34 @@ who sought to rule men by fear rather than with lenity: and on the other side, he was too familiar with his friends and would jest too broadly with them."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteIV_62" id="noteIV_62" href="#tagIV_62">IV.62</a> +<p><a id="noteIV_62" href="#tagIV_62">IV.62</a> <b>Go to</b> | Go too F<sub>1</sub>.</p> -<p><a name="noteIV_63" id="noteIV_63" href="#tagIV_63">IV.63</a> +<p><a id="noteIV_63" href="#tagIV_63">IV.63</a> 'Go to' is a phrase of varying import, sometimes of reproof, sometimes of encouragement. 'Go till' is its earliest form.</p> -<p><a name="noteIV_64" id="noteIV_64" href="#tagIV_64">IV.64</a> +<p><a id="noteIV_64" href="#tagIV_64">IV.64</a> <b>not, Cassius</b> Hanmer | not Cassius Ff.</p> -<p><a name="noteIV_65" id="noteIV_65" href="#tagIV_65">IV.65</a> +<p><a id="noteIV_65" href="#tagIV_65">IV.65</a> <b>budge</b> F<sub>4</sub> | bouge F<sub>1</sub> | boudge F<sub>2</sub>F<sub>3</sub>.</p> -<p><a name="noteIV_66" id="noteIV_66" href="#tagIV_66">IV.66</a> +<p><a id="noteIV_66" href="#tagIV_66">IV.66</a> <b>observe:</b> treat with ceremonious respect or reverence.</p> -<p><a name="noteIV_67" id="noteIV_67" href="#tagIV_67">IV.67</a> +<p><a id="noteIV_67" href="#tagIV_67">IV.67</a> The spleen was held to be the special seat of the sudden and explosive emotions and passions, whether of mirth or anger. Cf. <i>Troilus and Cressida</i>, I, iii, 178; <i>1 Henry IV</i>, V, ii, 19.</p> -<p><a name="noteIV_68" id="noteIV_68" href="#tagIV_68">IV.68</a> +<p><a id="noteIV_68" href="#tagIV_68">IV.68</a> <b>Though</b> F<sub>1</sub> | Thought F<sub>2</sub>.</p> -<p><a name="noteIV_69" id="noteIV_69" href="#tagIV_69">IV.69</a> -ll. 51-54 This mistake of Brutus is well conceived. Cassius was much +<p><a id="noteIV_69" href="#tagIV_69">IV.69</a> +ll. 51–54 This mistake of Brutus is well conceived. Cassius was much the abler soldier, and Brutus knew it; and the mistake grew from his consciousness of the truth of what he thought he heard. Cassius had served as quæstor under Marcus Crassus in his expedition against @@ -14084,22 +14126,22 @@ the Parthians; and, when the army was torn all to pieces, both Crassus and his son being killed, Cassius displayed great ability in bringing off a remnant. He showed remarkable military power, too, in Syria.</p> -<p><a name="noteIV_70" id="noteIV_70" href="#tagIV_70">IV.70</a> +<p><a id="noteIV_70" href="#tagIV_70">IV.70</a> <b>noble</b> Ff | abler Collier.</p> -<p><a name="noteIV_71" id="noteIV_71" href="#tagIV_71">IV.71</a> +<p><a id="noteIV_71" href="#tagIV_71">IV.71</a> l. 55 Two lines in Ff.</p> -<p><a name="noteIV_72" id="noteIV_72" href="#tagIV_72">IV.72</a> +<p><a id="noteIV_72" href="#tagIV_72">IV.72</a> <b>indirection:</b> crookedness, malpractice. In <i>King John</i>, III, i, -275-278, is an interesting passage illustrating this use of 'indirection.' +275–278, is an interesting passage illustrating this use of 'indirection.' Cf. <i>2 Henry IV</i>, IV, v, 185.</p> -<p><a name="noteIV_73" id="noteIV_73" href="#tagIV_73">IV.73</a> +<p><a id="noteIV_73" href="#tagIV_73">IV.73</a> l. 80 The omission of the conjunction 'as' before expressions denoting result is a common usage in Shakespeare.</p> -<p><a name="noteIV_74" id="noteIV_74" href="#tagIV_74">IV.74</a> +<p><a id="noteIV_74" href="#tagIV_74">IV.74</a> <b>rascal counters:</b> worthless money. 'Rascal' is properly a technical term for a deer out of condition. So used literally in <i>As You Like It</i>, III, iii, 58. @@ -14115,7 +14157,7 @@ the prosaic complaint that Cassius had denied the demands made by Brutus for certain sums of money. Nor is Brutus, though he worships an ideal of Justice, quite just in matters of practical detail."</p> -<p><a name="noteIV_75" id="noteIV_75" href="#tagIV_75">IV.75</a> +<p><a id="noteIV_75" href="#tagIV_75">IV.75</a> "Whilst Brutus and Cassius were together in the city of Smyrna, Brutus prayed Cassius to let him have part of his money whereof he had great store.... Cassius's friends hindered this @@ -14127,47 +14169,47 @@ and by this means to win their good wills, by Cassius's charge. This notwithstanding, Cassius gave him the third part of this total sum."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteIV_76" id="noteIV_76" href="#tagIV_76">IV.76</a> +<p><a id="noteIV_76" href="#tagIV_76">IV.76</a> l. 84 <b>that brought</b> | Ff give to l. 85.</p> -<p><a name="noteIV_77" id="noteIV_77" href="#tagIV_77">IV.77</a> +<p><a id="noteIV_77" href="#tagIV_77">IV.77</a> <b>brav'd:</b> defied. The verb connotes bluster and bravado.</p> -<p><a name="noteIV_78" id="noteIV_78" href="#tagIV_78">IV.78</a> +<p><a id="noteIV_78" href="#tagIV_78">IV.78</a> <b>Plutus'</b> Pope | Pluto's Ff.</p> -<p><a name="noteIV_79" id="noteIV_79" href="#tagIV_79">IV.79</a> +<p><a id="noteIV_79" href="#tagIV_79">IV.79</a> Plutus (for the Folio reading see <a href="#noteI_54">note</a> on 'Antonio' for Antonius, I, ii, 5) is the old god of riches, who had all the world's gold in his keeping and disposal. Pluto was the lord of Hades.</p> -<p><a name="noteIV_80" id="noteIV_80" href="#tagIV_80">IV.80</a> +<p><a id="noteIV_80" href="#tagIV_80">IV.80</a> <b>humour.</b> See <a href="#noteII_109">note, p. 60, l. 250</a>.</p> -<p><a name="noteIV_81" id="noteIV_81" href="#tagIV_81">IV.81</a> +<p><a id="noteIV_81" href="#tagIV_81">IV.81</a> Whatever dishonorable thing you may do, I will set it down to the caprice of the moment.</p> -<p><a name="noteIV_82" id="noteIV_82" href="#tagIV_82">IV.82</a> -Cf. the words of Cassius, <a href="#tagI_135">I, ii, 176-177</a>. See also <i>Troilus +<p><a id="noteIV_82" href="#tagIV_82">IV.82</a> +Cf. the words of Cassius, <a href="#tagI_135">I, ii, 176–177</a>. See also <i>Troilus and Cressida</i>, III, iii, 257. It was long a popular notion that fire slept in the flint and was awaked by the stroke of the steel. "It is not sufficient to carry religion in our hearts, as fire is carried in flintstones, but we are outwardly, visibly, apparently, to serve and honour the living God."—Hooker, <i>Ecclesiastical Polity</i>, VII, xxii, 3.</p> -<p><a name="noteIV_83" id="noteIV_83" href="#tagIV_83">IV.83</a> +<p><a id="noteIV_83" href="#tagIV_83">IV.83</a> l. 123 <i>Enter a Poet</i> Ff.</p> -<p><a name="noteIV_84" id="noteIV_84" href="#tagIV_84">IV.84</a> +<p><a id="noteIV_84" href="#tagIV_84">IV.84</a> ll. 124, 127, 128: [<i>Within</i>] Ff omit.</p> -<p><a name="noteIV_85" id="noteIV_85" href="#tagIV_85">IV.85</a> +<p><a id="noteIV_85" href="#tagIV_85">IV.85</a> <i>Enter</i> Poet ... <span class="charname">Lucius</span> Camb Globe | Enter Poet, followed by Lucilius and Titinius Dyce | Enter Poet Theobald | Ff omit.</p> -<p><a name="noteIV_86" id="noteIV_86" href="#tagIV_86">IV.86</a> +<p><a id="noteIV_86" href="#tagIV_86">IV.86</a> "One Marcus Phaonius, that ... took upon him to counterfeit a philosopher, not with wisdom and discretion, but with a certain bedlam and frantic motion; he would needs come into the @@ -14193,14 +14235,14 @@ chamber, and called him dog, and counterfeit Cynic. Howbeit his coming in brake their strife at that time, and so they left each other."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteIV_87" id="noteIV_87" href="#tagIV_87">IV.87</a> +<p><a id="noteIV_87" href="#tagIV_87">IV.87</a> <b>vilely</b> F<sub>4</sub> | vildely F<sub>1</sub>F<sub>2</sub> | vildly F<sub>3</sub>.</p> -<p><a name="noteIV_88" id="noteIV_88" href="#tagIV_88">IV.88</a> +<p><a id="noteIV_88" href="#tagIV_88">IV.88</a> doth Ff | does Capell.</p> -<p><a name="noteIV_89" id="noteIV_89" href="#tagIV_89">IV.89</a> +<p><a id="noteIV_89" href="#tagIV_89">IV.89</a> <b>jigging:</b> moving rhythmically, rhyming. So in the Prologue to Marlowe's <i>Tamburlaine the Great</i>:</p> @@ -14209,41 +14251,41 @@ to Marlowe's <i>Tamburlaine the Great</i>:</p> <p>And such conceits as clownage keeps in pay.</p> </div> -<p><a name="noteIV_90" id="noteIV_90" href="#tagIV_90">IV.90</a> +<p><a id="noteIV_90" href="#tagIV_90">IV.90</a> 'Companion' was often used contemptuously. Cf. <i>Coriolanus</i>, IV, v, 14; V, ii, 65. Cf. the way 'fellow' is often used to-day.</p> -<p><a name="noteIV_91" id="noteIV_91" href="#tagIV_91">IV.91</a> +<p><a id="noteIV_91" href="#tagIV_91">IV.91</a> Scene IV Pope.</p> -<p><a name="noteIV_92" id="noteIV_92" href="#tagIV_92">IV.92</a> +<p><a id="noteIV_92" href="#tagIV_92">IV.92</a> Enter Lucil. and Titin. Rowe.</p> -<p><a name="noteIV_93" id="noteIV_93" href="#tagIV_93">IV.93</a> +<p><a id="noteIV_93" href="#tagIV_93">IV.93</a> [<i>Exeunt</i> ...] Rowe | Ff omit.</p> -<p><a name="noteIV_94" id="noteIV_94" href="#tagIV_94">IV.94</a> +<p><a id="noteIV_94" href="#tagIV_94">IV.94</a> [<i>Exit</i> Lucius] Capell | Ff omit.</p> -<p><a name="noteIV_95" id="noteIV_95" href="#tagIV_95">IV.95</a> +<p><a id="noteIV_95" href="#tagIV_95">IV.95</a> In his philosophy, Brutus was a mixture of the Stoic and the Platonist. What he says of Portia's death is among the best things in the play, and is in Shakespeare's noblest style. Profound emotion expresses itself with reserve. Deep grief loves not many words.</p> -<p><a name="noteIV_96" id="noteIV_96" href="#tagIV_96">IV.96</a> +<p><a id="noteIV_96" href="#tagIV_96">IV.96</a> Strict harmony of construction would require 'impatience' for 'impatient' here, or 'griev'd' for 'grief' in the next line. Shakespeare is not very particular in such niceties. Besides, the broken construction expresses dramatically the deep emotion of the speaker.</p> -<p><a name="noteIV_97" id="noteIV_97" href="#tagIV_97">IV.97</a> +<p><a id="noteIV_97" href="#tagIV_97">IV.97</a> <b>distract:</b> distracted. So in <i>Hamlet</i>, IV, v, 2. 'Distraught' is the form in <i>Romeo and Juliet</i>, IV, iii, 49. For the dropping of the terminal <i>-ed</i> of the participle in verbs ending in <i>t</i> or <i>te</i>, see Abbott, § 342.</p> -<p><a name="noteIV_98" id="noteIV_98" href="#tagIV_98">IV.98</a> +<p><a id="noteIV_98" href="#tagIV_98">IV.98</a> It appears something uncertain whether Portia's death was before or after her husband's. Plutarch represents it as occurring before; but Merivale follows those who place it after. "For Portia, @@ -14256,42 +14298,42 @@ friends, complaining of their negligence, that, his wife being sick, they would not help her, but suffered her to kill herself, choosing to die rather than to languish in pain."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteIV_99" id="noteIV_99" href="#tagIV_99">IV.99</a> +<p><a id="noteIV_99" href="#tagIV_99">IV.99</a> <i>Re-enter</i> <span class="charname">Lucius</span>,... <i>taper</i> Camb | Enter Boy ... Tapers Ff.</p> -<p><a name="noteIV_100" id="noteIV_100" href="#tagIV_100">IV.100</a> +<p><a id="noteIV_100" href="#tagIV_100">IV.100</a> [<i>Drinks</i>] Capell | Ff omit.</p> -<p><a name="noteIV_101" id="noteIV_101" href="#tagIV_101">IV.101</a> +<p><a id="noteIV_101" href="#tagIV_101">IV.101</a> [<i>Exit</i> <span class="charname">Lucius</span>] Camb | Ff omit.</p> -<p><a name="noteIV_102" id="noteIV_102" href="#tagIV_102">IV.102</a> +<p><a id="noteIV_102" href="#tagIV_102">IV.102</a> Scene V Pope.</p> -<p><a name="noteIV_103" id="noteIV_103" href="#tagIV_103">IV.103</a> +<p><a id="noteIV_103" href="#tagIV_103">IV.103</a> <i>Re-enter</i> <span class="charname">Titinius</span>, <i>with</i> ... Dyce | Enter Titinius and ... Ff (after l. 162)</p> -<p><a name="noteIV_104" id="noteIV_104" href="#tagIV_104">IV.104</a> +<p><a id="noteIV_104" href="#tagIV_104">IV.104</a> <b>call in question:</b> bring up for discussion. 'Question,' both noun and verb, is constantly found in Shakespeare in the sense of 'talk.' So "in question more" in <i>Romeo and Juliet</i>, I, i, 235.</p> -<p><a name="noteIV_105" id="noteIV_105" href="#tagIV_105">IV.105</a> +<p><a id="noteIV_105" href="#tagIV_105">IV.105</a> <b>Bending their expedition:</b> directing their march. Cf. 'expedition' in this sense in <i>Richard III</i>, IV, iv, 136.</p> -<p><a name="noteIV_106" id="noteIV_106" href="#tagIV_106">IV.106</a> +<p><a id="noteIV_106" href="#tagIV_106">IV.106</a> <b>tenour</b> Theobald | tenure Ff.</p> -<p><a name="noteIV_107" id="noteIV_107" href="#tagIV_107">IV.107</a> +<p><a id="noteIV_107" href="#tagIV_107">IV.107</a> <b>outlawry</b> F<sub>4</sub> | Outlarie F<sub>1</sub> | Outlary F<sub>2</sub>F<sub>3</sub>.</p> -<p><a name="noteIV_108" id="noteIV_108" href="#tagIV_108">IV.108</a> +<p><a id="noteIV_108" href="#tagIV_108">IV.108</a> "These three, Octavius Cæsar, Antonius, and Lepidus, made an agreement between themselves, and by those articles divided the provinces belonging to the empire of Rome among themselves, and @@ -14299,29 +14341,29 @@ did set up bills of proscription and outlawry, condemning two hundred of the noblest men of Rome to suffer death, and among that number Cicero was one."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteIV_109" id="noteIV_109" href="#tagIV_109">IV.109</a> -ll. 179-180 Cicero is ... proscription | +<p><a id="noteIV_109" href="#tagIV_109">IV.109</a> +ll. 179–180 Cicero is ... proscription | One line in Ff.</p> -<p><a name="noteIV_110" id="noteIV_110" href="#tagIV_110">IV.110</a> +<p><a id="noteIV_110" href="#tagIV_110">IV.110</a> Both 'nor nothing' and 'writ' survive to-day as vulgarisms.</p> -<p><a name="noteIV_111" id="noteIV_111" href="#tagIV_111">IV.111</a> +<p><a id="noteIV_111" href="#tagIV_111">IV.111</a> <b>Nothing, Messala.</b> This may seem inconsistent with what has -gone before (see more particularly ll. 154-155), but we are to suppose +gone before (see more particularly ll. 154–155), but we are to suppose that Brutus's friends at Rome did not write to him directly of Portia's death, as they feared the news might unnerve him, but wrote to some common friends in the army, directing them to break the news to him, as they should deem it safe and prudent to do so.</p> -<p><a name="noteIV_112" id="noteIV_112" href="#tagIV_112">IV.112</a> +<p><a id="noteIV_112" href="#tagIV_112">IV.112</a> l. 185 Two lines in Ff.</p> -<p><a name="noteIV_113" id="noteIV_113" href="#tagIV_113">IV.113</a> +<p><a id="noteIV_113" href="#tagIV_113">IV.113</a> <b>aught</b> Theobald | ought Ff.</p> -<p><a name="noteIV_114" id="noteIV_114" href="#tagIV_114">IV.114</a> +<p><a id="noteIV_114" href="#tagIV_114">IV.114</a> <b>once</b>: at some time or other. So in <i>The Merry Wives of Windsor</i>, III, iv, 103:</p> @@ -14330,18 +14372,18 @@ Windsor</i>, III, iv, 103:</p> <p>Give my sweet Nan this ring.</p> </div> -<p><a name="noteIV_115" id="noteIV_115" href="#tagIV_115">IV.115</a> +<p><a id="noteIV_115" href="#tagIV_115">IV.115</a> <b>art:</b> theory. This speech may be paraphrased, I am as much a Stoic by profession and theory as you are, but my natural strength is weak when it comes to putting the doctrines into practice.</p> -<p><a name="noteIV_116" id="noteIV_116" href="#tagIV_116">IV.116</a> +<p><a id="noteIV_116" href="#tagIV_116">IV.116</a> <b>work alive:</b> work in which we have to do with the living.</p> -<p><a name="noteIV_117" id="noteIV_117" href="#tagIV_117">IV.117</a> +<p><a id="noteIV_117" href="#tagIV_117">IV.117</a> <b>presently:</b> at once. See <a href="#noteIII_15">note, p. 82, l. 28</a>.</p> -<p><a name="noteIV_118" id="noteIV_118" href="#tagIV_118">IV.118</a> +<p><a id="noteIV_118" href="#tagIV_118">IV.118</a> <b>of force:</b> of necessity, necessarily. Plutarch represents this talk as occurring at Philippi just before the battle: "Cassius was of opinion not to try this war at one battle, but rather to delay time, and to draw @@ -14352,76 +14394,76 @@ all to the hazard of battle, as soon as might be possible; to the end he might either quickly restore his country to her former liberty, or rid him forthwith of this miserable world."—<i>Marcus Brutus.</i></p> -<p><a name="noteIV_119" id="noteIV_119" href="#tagIV_119">IV.119</a> +<p><a id="noteIV_119" href="#tagIV_119">IV.119</a> <b>new-added</b> | new added Ff.</p> -<p><a name="noteIV_120" id="noteIV_120" href="#tagIV_120">IV.120</a> +<p><a id="noteIV_120" href="#tagIV_120">IV.120</a> <b>new-added:</b> reënforced. Singer suggested 'new aided.'</p> -<p><a name="noteIV_121" id="noteIV_121" href="#tagIV_121">IV.121</a> -ll. 218-221 Cf. <i>Troilus and Cressida</i>, V, i, 90; <i>The Tempest</i>, I, ii, -181-184. Dr. Wright (Clar) quotes from Bacon a parallel passage: +<p><a id="noteIV_121" href="#tagIV_121">IV.121</a> +ll. 218–221 Cf. <i>Troilus and Cressida</i>, V, i, 90; <i>The Tempest</i>, I, ii, +181–184. Dr. Wright (Clar) quotes from Bacon a parallel passage: "In the third place I set down reputation, because of the peremptory tides and currents it hath; which, if they be not taken in their due time, are seldom recovered, it being extreme hard to play an after game of reputation."—<i>The Advancement of Learning</i>, II, xxiii, 38.</p> -<p><a name="noteIV_122" id="noteIV_122" href="#tagIV_122">IV.122</a> +<p><a id="noteIV_122" href="#tagIV_122">IV.122</a> <b>lose</b> Rowe | loose Ff.</p> -<p><a name="noteIV_123" id="noteIV_123" href="#tagIV_123">IV.123</a> +<p><a id="noteIV_123" href="#tagIV_123">IV.123</a> <b>ventures:</b> what is risked, adventured. The figure of a ship is kept up, and 'venture' denotes whatever is put on board in hope of profit, and exposed to "the perils of waters, winds, and rocks." Cf. <i>The Merchant of Venice</i>, I, i, 15, 42; III, ii, 270.</p> -<p><a name="noteIV_124" id="noteIV_124" href="#tagIV_124">IV.124</a> +<p><a id="noteIV_124" href="#tagIV_124">IV.124</a> <b>niggard:</b> supply sparingly. In <i>Sonnets</i>, I, 12, occurs 'niggarding'. In Elizabethan English "almost any part of speech can be used as any other part of speech. Any noun, adjective, or neuter verb can be used as an active verb."—Abbott.</p> -<p><a name="noteIV_125" id="noteIV_125" href="#tagIV_125">IV.125</a> +<p><a id="noteIV_125" href="#tagIV_125">IV.125</a> <span class="charname">Brutus.</span> <b>Lucius!</b> [<i>Re-enter</i> <span class="charname">Lucius</span>] My Camb | <i>Enter Lucius</i> Bru. Lucius my Ff.</p> -<p><a name="noteIV_126" id="noteIV_126" href="#tagIV_126">IV.126</a> +<p><a id="noteIV_126" href="#tagIV_126">IV.126</a> [<i>Exit</i> <span class="charname">Lucius</span>] Ff omit.</p> -<p><a name="noteIV_127" id="noteIV_127" href="#tagIV_127">IV.127</a> +<p><a id="noteIV_127" href="#tagIV_127">IV.127</a> [<i>Exeunt</i> <span class="charname">Cassius</span> ...] Capell | Exeunt Ff.</p> -<p><a name="noteIV_128" id="noteIV_128" href="#tagIV_128">IV.128</a> +<p><a id="noteIV_128" href="#tagIV_128">IV.128</a> <i>Re-enter</i> <span class="charname">Lucius</span>, ... Capell | Enter Lucius ... Ff (after Brutus, l. 236).</p> -<p><a name="noteIV_129" id="noteIV_129" href="#tagIV_129">IV.129</a> +<p><a id="noteIV_129" href="#tagIV_129">IV.129</a> <b>Poor knave.</b> Cf. 'Gentle knave,' l. 269. The word 'knave' is here used in the literal sense of 'boy.' It was used as a term of endearment, or of loving familiarity with those of lower rank. So in <i>King Lear</i>, I, iv, 107.</p> -<p><a name="noteIV_130" id="noteIV_130" href="#tagIV_130">IV.130</a> +<p><a id="noteIV_130" href="#tagIV_130">IV.130</a> <b>o'er-watch'd:</b> worn out with keeping awake. So in <i>King Lear</i>, II, ii, 177. Cf. 'o'ershot' in <a href="#tagIII_137">III, ii, 150.</a></p> -<p><a name="noteIV_131" id="noteIV_131" href="#tagIV_131">IV.131</a> +<p><a id="noteIV_131" href="#tagIV_131">IV.131</a> ll. 242, 244, etc.: <b>Claudius</b> Rowe | Claudio Ff.</p> -<p><a name="noteIV_132" id="noteIV_132" href="#tagIV_132">IV.132</a> +<p><a id="noteIV_132" href="#tagIV_132">IV.132</a> <b>Varro</b> Rowe | Varrus Ff.</p> -<p><a name="noteIV_133" id="noteIV_133" href="#tagIV_133">IV.133</a> +<p><a id="noteIV_133" href="#tagIV_133">IV.133</a> Scene VI Pope.—<i>Enter</i> <span class="charname">Varro</span> <i>and</i> <span class="charname">Claudius</span> Rowe | Enter Varrus and Claudio Ff.</p> -<p><a name="noteIV_134" id="noteIV_134" href="#tagIV_134">IV.134</a> -ll. 252-253 These two simple lines, with the answer of Lucius, "I +<p><a id="noteIV_134" href="#tagIV_134">IV.134</a> +ll. 252–253 These two simple lines, with the answer of Lucius, "I was sure your lordship did not give it me," are among the best things in the play. Consider how much is implied in them, and what a picture they give of the earnest, thoughtful, book-loving @@ -14441,24 +14483,24 @@ for them, if he had any leisure left him, he would read some book till the third watch of the night, at what time the captains, petty captains, and colonels, did use to come to him."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteIV_135" id="noteIV_135" href="#tagIV_135">IV.135</a> +<p><a id="noteIV_135" href="#tagIV_135">IV.135</a> [<span class="charname">Varro</span> <i>and</i> ...] Ff omit.</p> -<p><a name="noteIV_136" id="noteIV_136" href="#tagIV_136">IV.136</a> +<p><a id="noteIV_136" href="#tagIV_136">IV.136</a> <b>bloods.</b> So in <i>Much Ado about Nothing</i>, III, iii, 141: "How giddily a' turns about all the hot bloods between fourteen and five-and-thirty?" Cf. I, ii, 151: "the breed of noble bloods."</p> -<p><a name="noteIV_137" id="noteIV_137" href="#tagIV_137">IV.137</a> +<p><a id="noteIV_137" href="#tagIV_137">IV.137</a> <b>murderous slumber</b> | Murd'rous slumbler F<sub>1</sub>.</p> -<p><a name="noteIV_138" id="noteIV_138" href="#tagIV_138">IV.138</a> +<p><a id="noteIV_138" href="#tagIV_138">IV.138</a> <b>murderous slumber.</b> The epithet probably has reference to sleep being regarded as the image of death; or, as Shelley put it, "Death and his brother Sleep." Cf. <i>Cymbeline</i>, II, ii, 31.</p> -<p><a name="noteIV_139" id="noteIV_139" href="#tagIV_139">IV.139</a> +<p><a id="noteIV_139" href="#tagIV_139">IV.139</a> <b>thy leaden mace.</b> Upton quotes from Spenser, <i>The Faerie Queene</i>, I, iv, 44:</p> @@ -14470,24 +14512,24 @@ Queene</i>, I, iv, 44:</p> <p>Shakespeare uses 'mace' both as 'scepter,' <i>Henry V</i>, IV, i, 278, and as 'a staff of office,' <i>2 Henry VI</i>, IV, vii, 144.</p> -<p><a name="noteIV_140" id="noteIV_140" href="#tagIV_140">IV.140</a> +<p><a id="noteIV_140" href="#tagIV_140">IV.140</a> The boy is spoken of as playing music to slumber because he plays to soothe the agitations of his master's mind, and put him to sleep. Bacon held that music "hindereth sleep."</p> -<p><a name="noteIV_141" id="noteIV_141" href="#tagIV_141">IV.141</a> +<p><a id="noteIV_141" href="#tagIV_141">IV.141</a> [Sits down] Camb.</p> -<p><a name="noteIV_142" id="noteIV_142" href="#tagIV_142">IV.142</a> +<p><a id="noteIV_142" href="#tagIV_142">IV.142</a> Scene VII Pope.</p> -<p><a name="noteIV_143" id="noteIV_143" href="#tagIV_143">IV.143</a> +<p><a id="noteIV_143" href="#tagIV_143">IV.143</a> The presence of a ghost was believed to make lights burn blue or dimly. So in <i>Richard III</i>, V, iii, 180, when the ghosts appear to Richard, he says: "The lights burn blue. It is now dead midnight. Cold fearful drops stand on my trembling flesh."</p> -<p><a name="noteIV_144" id="noteIV_144" href="#tagIV_144">IV.144</a> +<p><a id="noteIV_144" href="#tagIV_144">IV.144</a> <b>this monstrous apparition.</b> "Above all, the ghost that appeared unto Brutus shewed plainly that the gods were offended with the murder of Cæsar. The vision was thus: Brutus ... thought he @@ -14501,14 +14543,14 @@ thou shalt see me by the city of Philippes.' Then Brutus replied again, and said, 'Well, I shall see thee then.' Therewithal the spirit presently vanished from him."—Plutarch, <i>Julius Cæsar</i>.</p> -<p><a name="noteIV_145" id="noteIV_145" href="#tagIV_145">IV.145</a> +<p><a id="noteIV_145" href="#tagIV_145">IV.145</a> <b>stare:</b> stand on end. 'To be stiff, rigid, fixed' is the primary -idea. Cf. <i>The Tempest</i>, I, ii, 213; <i>Hamlet</i>, I, v, 16-20.</p> +idea. Cf. <i>The Tempest</i>, I, ii, 213; <i>Hamlet</i>, I, v, 16–20.</p> -<p><a name="noteIV_146" id="noteIV_146" href="#tagIV_146">IV.146</a> +<p><a id="noteIV_146" href="#tagIV_146">IV.146</a> [<i>Exit</i> Ghost] Ff omit.</p> -<p><a name="noteIV_147" id="noteIV_147" href="#tagIV_147">IV.147</a> +<p><a id="noteIV_147" href="#tagIV_147">IV.147</a> This strongly, though quietly, marks the Ghost as subjective; as soon as Brutus recovers his firmness, the illusion is broken. The order of things is highly judicious here, in bringing the "horrible @@ -14517,69 +14559,69 @@ death. With that great sorrow weighing upon him, he might well see ghosts. The thickening of calamities upon him, growing out of the assassination of Cæsar, naturally awakens remorse.</p> -<p><a name="noteIV_148" id="noteIV_148" href="#tagIV_148">IV.148</a> +<p><a id="noteIV_148" href="#tagIV_148">IV.148</a> <b>false:</b> out of tune. A charming touch in this boy study.</p> -<p><a name="noteIV_149" id="noteIV_149" href="#tagIV_149">IV.149</a> +<p><a id="noteIV_149" href="#tagIV_149">IV.149</a> [<i>To</i> <span class="charname">Varro</span>] Globe Camb | Ff omit.</p> -<p><a name="noteIV_150" id="noteIV_150" href="#tagIV_150">IV.150</a> +<p><a id="noteIV_150" href="#tagIV_150">IV.150</a> ll. 304, 308 <span class="charname">Varro</span>, <span class="charname">Claudius</span> | Both Ff.</p> -<p><a name="noteIV_151" id="noteIV_151" href="#tagIV_151">IV.151</a> +<p><a id="noteIV_151" href="#tagIV_151">IV.151</a> <b>commend me to:</b> greet from me, remember me kindly to.</p> -<p><a name="noteIV_152" id="noteIV_152" href="#tagIV_152">IV.152</a> +<p><a id="noteIV_152" href="#tagIV_152">IV.152</a> <b>set on:</b> cause to advance.</p> -<p><a name="noteIV_153" id="noteIV_153" href="#tagIV_153">IV.153</a> +<p><a id="noteIV_153" href="#tagIV_153">IV.153</a> <b>betimes:</b> early. Formerly 'betime'; "the final 's' is due to the habit of adding '-s' or '-es' to form adverbs; cf. 'whiles' (afterwards 'whilst') from 'while.'"—Skeat.</p> <p><b>Act V</b></p> -<p><a name="noteV_1" id="noteV_1" href="#tagV_1">V.1</a> +<p><a id="noteV_1" href="#tagV_1">V.1</a> <i>The plains of Philippi</i>: Capell | The Fields of Philippi, with the two Camps Rowe | Ff omit.</p> -<p><a name="noteV_2" id="noteV_2" href="#tagV_2">V.2</a> +<p><a id="noteV_2" href="#tagV_2">V.2</a> <b>battles:</b> troops, battalions. 'Battle' was used for an 'army,' especially an army embattled, or ordered in battle array. The plural is here used with historical correctness, as Brutus and Cassius had each an army; the two armies of course coöperating, and acting together as one. Cf. 'battle' in l. 16 and 'battles' in <a href="#tagV_92">V, iii, 108</a>.</p> -<p><a name="noteV_3" id="noteV_3" href="#tagV_3">V.3</a> +<p><a id="noteV_3" href="#tagV_3">V.3</a> <b>warn:</b> summon to fight. Cf. <i>King John</i>, II, i, 201. In <i>Richard III</i>, I, iii, 39, we have "warn them to his royal presence."</p> -<p><a name="noteV_4" id="noteV_4" href="#tagV_4">V.4</a> +<p><a id="noteV_4" href="#tagV_4">V.4</a> <b>am in their bosoms:</b> am familiar with their intention.</p> -<p><a name="noteV_5" id="noteV_5" href="#tagV_5">V.5</a> +<p><a id="noteV_5" href="#tagV_5">V.5</a> <b>bravery:</b> bravado, defiance. The epithet 'fearful' probably means that fear is behind the attempt to intimidate by display and brag. Dr. Wright interprets 'bravery' as 'ostentation,' 'display.'</p> -<p><a name="noteV_6" id="noteV_6" href="#tagV_6">V.6</a> +<p><a id="noteV_6" href="#tagV_6">V.6</a> <b>bloody sign.</b> "The next morning, by break of day, the signal of battle was set out in Brutus' and Cassius' camp, which was an arming scarlet coat."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteV_7" id="noteV_7" href="#tagV_7">V.7</a> +<p><a id="noteV_7" href="#tagV_7">V.7</a> Plutarch tells that Cassius, though the more experienced soldier, allowed Brutus to lead the right wing. "Shakespeare made use of this incident, but transferred to the opposite camp, in order to bring out the character of Octavius which made Antony yield. Octavius really commanded the left wing."—Clar.</p> -<p><a name="noteV_8" id="noteV_8" href="#tagV_8">V.8</a> +<p><a id="noteV_8" href="#tagV_8">V.8</a> <b>exigent:</b> exigency. So in <i>Antony and Cleopatra</i>, IV, xiv, 63.</p> -<p><a name="noteV_9" id="noteV_9" href="#tagV_9">V.9</a> +<p><a id="noteV_9" href="#tagV_9">V.9</a> <b>I will do so:</b> I will do as I have said. Not 'I will cross you.' At this time Octavius was but twenty-one years old, and Antony was old enough to be his father. At the time of Cæsar's death, when @@ -14597,64 +14639,64 @@ Octavianus. The text gives a right taste of the man, who always stood firm as a post against Antony, till the latter finally knocked himself to pieces against him.</p> -<p><a name="noteV_10" id="noteV_10" href="#tagV_10">V.10</a> +<p><a id="noteV_10" href="#tagV_10">V.10</a> Scene II Pope.</p> -<p><a name="noteV_11" id="noteV_11" href="#tagV_11">V.11</a> +<p><a id="noteV_11" href="#tagV_11">V.11</a> <span class="charname">Lucilius</span>, <span class="charname">Titinius</span> ... | Ff omit.</p> -<p><a name="noteV_12" id="noteV_12" href="#tagV_13">V.12</a> +<p><a id="noteV_12" href="#tagV_13">V.12</a> <b>The posture of your blows:</b> where your blows are to fall.</p> -<p><a name="noteV_13" id="noteV_13" href="#tagV_13">V.13</a> +<p><a id="noteV_13" href="#tagV_13">V.13</a> <b>are.</b> The verb is attracted into the plural by the nearest substantive. Cf. 'was,' <a href="#tagIV_51">IV, iii, 5</a>. Abbott calls this idiom 'confusion of proximity.'</p> -<p><a name="noteV_14" id="noteV_14" href="#tagV_14">V.14</a> +<p><a id="noteV_14" href="#tagV_14">V.14</a> Hybla, a hill in Sicily, was noted for its thyme and its honey. -So Vergil, <i>Eclogues</i>, I, 54-55: "the hedge whose willow bloom is +So Vergil, <i>Eclogues</i>, I, 54–55: "the hedge whose willow bloom is quaffed by Hybla's bees." Cf. <i>1 Henry IV,</i> I, ii, 47: "As the honey of Hybla, my old lad of the castle." Antony could not be so 'honey-tongued' unless he had quite exhausted thyme-flavored Hybla.</p> -<p><a name="noteV_15" id="noteV_15" href="#tagV_15">V.15</a> +<p><a id="noteV_15" href="#tagV_15">V.15</a> These graphic details are from Plutarch's two accounts (in <i>Julius Cæsar</i> and <i>Marcus Brutus</i>) of the assassination of Cæsar.</p> -<p><a name="noteV_16" id="noteV_16" href="#tagV_16">V.16</a> +<p><a id="noteV_16" href="#tagV_16">V.16</a> <b>teeth</b> F<sub>3</sub> F<sub>4</sub> | teethes F<sub>1</sub>F<sub>2</sub>.</p> -<p><a name="noteV_17" id="noteV_17" href="#tagV_17">V.17</a> +<p><a id="noteV_17" href="#tagV_17">V.17</a> l. 41 Two lines in Ff.</p> -<p><a name="noteV_18" id="noteV_18" href="#tagV_18">V.18</a> +<p><a id="noteV_18" href="#tagV_18">V.18</a> <b>Struck</b> F<sub>3</sub>F<sub>4</sub> | Strooke F<sub>1</sub>F<sub>2</sub>.</p> -<p><a name="noteV_19" id="noteV_19" href="#tagV_19">V.19</a> +<p><a id="noteV_19" href="#tagV_19">V.19</a> Octavius has been a standing puzzle and enigma to the historians, from the seeming contradictions of his character. Merivale declares that the one principle that gave unity to his life and reconciled those contradictions, was a steadfast, inflexible purpose to avenge the murder of his illustrious uncle and adoptive father.</p> -<p><a name="noteV_20" id="noteV_20" href="#tagV_20">V.20</a> -ll. 50-51 One line in Ff.</p> +<p><a id="noteV_20" href="#tagV_20">V.20</a> +ll. 50–51 One line in Ff.</p> -<p><a name="noteV_21" id="noteV_21" href="#tagV_21">V.21</a> +<p><a id="noteV_21" href="#tagV_21">V.21</a> <b>goes up:</b> is put into its sheath. Cf. <i>John</i>, <span class="smallcaps">xviii</span>, 11.</p> -<p><a name="noteV_22" id="noteV_22" href="#tagV_22">V.22</a> +<p><a id="noteV_22" href="#tagV_22">V.22</a> The number of Cæsar's wounds, according to Plutarch, was three and twenty, and to 'three and twenty' Theobald, craving historical accuracy, changed the 'three and thirty' of the text.</p> -<p><a name="noteV_23" id="noteV_23" href="#tagV_23">V.23</a> +<p><a id="noteV_23" href="#tagV_23">V.23</a> Till you, traitors as you are, have added the slaughtering of me, another Cæsar, to that of Julius. See <a href="#noteV_9">note, p. 145, l. 20</a>.</p> -<p><a name="noteV_24" id="noteV_24" href="#tagV_24">V.24</a> +<p><a id="noteV_24" href="#tagV_24">V.24</a> <b>strain:</b> stock, lineage, race. So in <i>Henry V</i>, II, iv, 51:</p> <div class="poem"> @@ -14662,40 +14704,40 @@ me, another Cæsar, to that of Julius. See <a href="#noteV_9">note, p. 145, <p>That haunted us in our familiar paths.</p> </div> -<p><a name="noteV_25" id="noteV_25" href="#tagV_25">V.25</a> +<p><a id="noteV_25" href="#tagV_25">V.25</a> Shakespeare often uses 'peevish' in the sense of 'silly,' 'foolish.' So in <i>The Comedy of Errors</i>, IV, i, 93. A foolish schoolboy, joined with a masker and reveler (for Antony's reputation, see <a href="#tagI_146">I, ii, 204</a>; <a href="#tagII_83">II, i, 188, 189</a>; <a href="#tagII_168">II, ii, 116</a>), and unworthy even of that honor.</p> -<p><a name="noteV_26" id="noteV_26" href="#tagV_26">V.26</a> +<p><a id="noteV_26" href="#tagV_26">V.26</a> <b>stomachs:</b> appetite, inclination, courage. So in <i>Henry V</i>, IV, iii, 35: "He which hath no stomach to this fight."</p> -<p><a name="noteV_27" id="noteV_27" href="#tagV_27">V.27</a> +<p><a id="noteV_27" href="#tagV_27">V.27</a> [<i>Exeunt ... their</i> Army] | Exit ... Army Ff.</p> -<p><a name="noteV_28" id="noteV_28" href="#tagV_28">V.28</a> +<p><a id="noteV_28" href="#tagV_28">V.28</a> Scene III Pope.</p> -<p><a name="noteV_29" id="noteV_29" href="#tagV_29">V.29</a> +<p><a id="noteV_29" href="#tagV_29">V.29</a> [<i>Standing forth</i>] Camb | Lucillius and Messala stand forth Ff.</p> -<p><a name="noteV_30" id="noteV_30" href="#tagV_30">V.30</a> +<p><a id="noteV_30" href="#tagV_30">V.30</a> [<span class="charname">Brutus</span> <i>and</i> ...] Ff omit.</p> -<p><a name="noteV_31" id="noteV_31" href="#tagV_31">V.31</a> +<p><a id="noteV_31" href="#tagV_31">V.31</a> <b>Messala</b>, | Ff add to l. 72.</p> -<p><a name="noteV_32" id="noteV_32" href="#tagV_32">V.32</a> +<p><a id="noteV_32" href="#tagV_32">V.32</a> 'As' is often used redundantly with definitions of time. This is still a provincialism. See Abbott, § 114. "Messala writeth, that Cassius having spoken these last words unto him, he bade him farewell, and willed him to come to supper to him the next night following, because it was his birthday."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteV_33" id="noteV_33" href="#tagV_33">V.33</a> +<p><a id="noteV_33" href="#tagV_33">V.33</a> Alluding to the battle of Pharsalia, which took place in the year <span class="smallcaps">b.c.</span> 48. Pompey was forced into that battle, against his better judgment, by the inexperienced and impatient men about him, who, @@ -14703,7 +14745,7 @@ inasmuch as they had more than twice Cæsar's number of troops, fancied they could easily defeat him if they could but meet him. So they tried it, and he quickly defeated them.</p> -<p><a name="noteV_34" id="noteV_34" href="#tagV_34">V.34</a> +<p><a id="noteV_34" href="#tagV_34">V.34</a> I was strongly attached to the doctrines of Epicurus. "Cassius being in opinion an Epicurean, and reasoning thereon with Brutus, spake to him touching the vision thus: 'In our sect, Brutus, we have @@ -14712,10 +14754,10 @@ we do both see and feel, but that our senses, being credulous and therefore easily abused ... imagine they see and conjecture that which in truth they do not.'"— Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteV_35" id="noteV_35" href="#tagV_35">V.35</a> +<p><a id="noteV_35" href="#tagV_35">V.35</a> <b>former</b> Ff | foremost Rowe.</p> -<p><a name="noteV_36" id="noteV_36" href="#tagV_36">V.36</a> +<p><a id="noteV_36" href="#tagV_36">V.36</a> <b>former:</b> first. Cf. "former things passed away." "When they raised their camp there came two eagles, that, flying with a marvellous force, lighted upon two of the foremost ensigns, and always followed @@ -14723,19 +14765,19 @@ the soldiers, which gave them meat and fed them, until they came near to the city of Philippes; and there, one day only before the battle, they both flew away."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteV_37" id="noteV_37" href="#tagV_37">V.37</a> +<p><a id="noteV_37" href="#tagV_37">V.37</a> <b>steads</b> F<sub>3</sub>F<sub>4</sub> | steeds F<sub>1</sub>F<sub>2</sub>.</p> -<p><a name="noteV_38" id="noteV_38" href="#tagV_38">V.38</a> +<p><a id="noteV_38" href="#tagV_38">V.38</a> <b>perils</b> F<sub>1</sub> | peril F<sub>2</sub>F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteV_39" id="noteV_39" href="#tagV_39">V.39</a> +<p><a id="noteV_39" href="#tagV_39">V.39</a> <b>rests</b> Ff | rest Rowe.</p> -<p><a name="noteV_40" id="noteV_40" href="#tagV_40">V.40</a> +<p><a id="noteV_40" href="#tagV_40">V.40</a> <b>By</b> F<sub>1</sub> | Be F<sub>2</sub>.</p> -<p><a name="noteV_41" id="noteV_41" href="#tagV_41">V.41</a> +<p><a id="noteV_41" href="#tagV_41">V.41</a> <b>prevent The time:</b> anticipate the full, natural period. To the understanding of this speech, it must be observed that the sense of the words, 'arming myself,' etc., follows next after the words, @@ -14754,17 +14796,17 @@ answer begins really with, 'Being yet but a young man'; and 'I trust' is evidently a past tense (Old English 'truste') which must have been read by Shakespeare as the present.</p> -<p><a name="noteV_42" id="noteV_42" href="#tagV_42">V.42</a> +<p><a id="noteV_42" href="#tagV_42">V.42</a> <b>Thorough</b> | Thorow F<sub>1</sub>F<sub>2</sub> | Through F<sub>3</sub>F<sub>4</sub> | Along Pope.</p> -<p><a name="noteV_43" id="noteV_43" href="#tagV_43">V.43</a> +<p><a id="noteV_43" href="#tagV_43">V.43</a> <b>Rome?</b> Theobald | Rome Ff.</p> -<p><a name="noteV_44" id="noteV_44" href="#tagV_44">V.44</a> +<p><a id="noteV_44" href="#tagV_44">V.44</a> l. 111 Two lines in Ff.</p> -<p><a name="noteV_45" id="noteV_45" href="#tagV_45">V.45</a> +<p><a id="noteV_45" href="#tagV_45">V.45</a> "The philosopher indeed renounced all confidence in his own principles. He had adopted them from reading or imitation; they were not the natural growth of instinct or genuine reflection; @@ -14778,92 +14820,92 @@ name, and the mere slave of fortune.' He had blamed Cato for flying from misery by self-murder; but he learnt to justify the same desperate act when he contemplated committing it himself."—Merivale.</p> -<p><a name="noteV_46" id="noteV_46" href="#tagV_46">V.46</a> +<p><a id="noteV_46" href="#tagV_46">V.46</a> <b>the Ides</b> F<sub>1</sub> | that Ides F<sub>2</sub>F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteV_47" id="noteV_47" href="#tagV_47">V.47</a> +<p><a id="noteV_47" href="#tagV_47">V.47</a> <span class="smallcaps">Scene II</span> Capell | Scene IV Pope.</p> -<p><a name="noteV_48" id="noteV_48" href="#tagV_48">V.48</a> +<p><a id="noteV_48" href="#tagV_48">V.48</a> <b>bills:</b> written instructions, dispatches. "In the meantime Brutus, that led the right wing, sent little bills to the colonels and captains of private bands, in the which he wrote the word of the battle."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteV_49" id="noteV_49" href="#tagV_49">V.49</a> +<p><a id="noteV_49" href="#tagV_49">V.49</a> 'The legions on the other side' are those commanded by Cassius, the left wing of the joint army of Brutus and Cassius. Brutus wants Cassius to attack the enemy at the same time that he himself does. In the next scene, Messala and his escort are met by Titinius coming from Cassius.</p> -<p><a name="noteV_50" id="noteV_50" href="#tagV_50">V.50</a> +<p><a id="noteV_50" href="#tagV_50">V.50</a> <b>Octavius'</b> Pope | Octavio's Ff.</p> -<p><a name="noteV_51" id="noteV_51" href="#tagV_51">V.51</a> +<p><a id="noteV_51" href="#tagV_51">V.51</a> <span class="smallcaps">Scene</span> III Capell | Scene continued in Pope.</p> -<p><a name="noteV_52" id="noteV_52" href="#tagV_52">V.52</a> +<p><a id="noteV_52" href="#tagV_52">V.52</a> 'Ensign' was used in the Elizabethan time, as it is still, either for the flag (cf. <a href="#tagV_35">V, i, 80</a>) or for the bearer of it: here it is used for both at once. Cf. the form 'ancient,' <i>Othello</i>, I, i, 33. It was in killing the cowardly ensign that Cassius "to his own turn'd enemy."</p> -<p><a name="noteV_53" id="noteV_53" href="#tagV_53">V.53</a> +<p><a id="noteV_53" href="#tagV_53">V.53</a> <b>yonder troops.</b> Messala and his escort coming from Brutus.</p> -<p><a name="noteV_54" id="noteV_54" href="#tagV_54">V.54</a> +<p><a id="noteV_54" href="#tagV_54">V.54</a> <b>with a thought:</b> quick as thought. Cf. <i>The Tempest</i>, IV, i, 64.</p> -<p><a name="noteV_55" id="noteV_55" href="#tagV_55">V.55</a> +<p><a id="noteV_55" href="#tagV_55">V.55</a> <b>higher</b> F<sub>1</sub> | thither F<sub>2</sub>F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteV_56" id="noteV_56" href="#tagV_56">V.56</a> +<p><a id="noteV_56" href="#tagV_56">V.56</a> "Cassius himself was at length compelled to fly ... into a little hill from whence they might see ... howbeit Cassius saw nothing, for his sight was very bad."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteV_57" id="noteV_57" href="#tagV_57">V.57</a> +<p><a id="noteV_57" href="#tagV_57">V.57</a> [<span class="charname">Pindarus</span> <i>ascends</i>...] Camb | Ff omit.</p> -<p><a name="noteV_58" id="noteV_58" href="#tagV_58">V.58</a> +<p><a id="noteV_58" href="#tagV_58">V.58</a> [<i>Above</i>] Ff omit.</p> -<p><a name="noteV_59" id="noteV_59" href="#tagV_59">V.59</a> +<p><a id="noteV_59" href="#tagV_59">V.59</a> <b>He's ta'en</b> | Ff print as separate line.</p> -<p><a name="noteV_60" id="noteV_60" href="#tagV_60">V.60</a> +<p><a id="noteV_60" href="#tagV_60">V.60</a> <span class="charname">Pindarus</span> <i>descends</i> Dyce | Enter Pindarus Ff.</p> -<p><a name="noteV_61" id="noteV_61" href="#tagV_61">V.61</a> -ll. 36-37 One line in Ff.</p> +<p><a id="noteV_61" href="#tagV_61">V.61</a> +ll. 36–37 One line in Ff.</p> -<p><a name="noteV_62" id="noteV_62" href="#tagV_62">V.62</a> +<p><a id="noteV_62" href="#tagV_62">V.62</a> <b>saving of thy life:</b> when I saved thy life. The usual interpretation, but 'saving' may qualify 'Thou' in l. 40, and then the expression would mean, 'Except for endangering thy life.'</p> -<p><a name="noteV_63" id="noteV_63" href="#tagV_63">V.63</a> +<p><a id="noteV_63" href="#tagV_63">V.63</a> <b>hilts.</b> Shakespeare uses both the singular and the plural form of this word to describe a single weapon, the plural more often.</p> -<p><a name="noteV_64" id="noteV_64" href="#tagV_64">V.64</a> +<p><a id="noteV_64" href="#tagV_64">V.64</a> [<span class="charname">Pindarus</span> ...] | F<sub>1</sub> omits | kills him F<sub>2</sub>F<sub>3</sub>F<sub>4</sub> (after l. 46).</p> -<p><a name="noteV_65" id="noteV_65" href="#tagV_65">V.65</a> +<p><a id="noteV_65" href="#tagV_65">V.65</a> It was a dagger, not a sword, that Cassius stabbed Cæsar with. But by a common figure of speech the same weapon is put for the same owner. The 'sword' is taken from Plutarch. "For he, being overcome in battle at the journey of Philippes, slew himself with the same sword with the which he strake Cæsar."—Plutarch, <i>Julius Cæsar</i>.</p> -<p><a name="noteV_66" id="noteV_66" href="#tagV_66">V.66</a> +<p><a id="noteV_66" href="#tagV_66">V.66</a> [<i>Dies</i>] Capell | Ff omit.</p> -<p><a name="noteV_67" id="noteV_67" href="#tagV_67">V.67</a> +<p><a id="noteV_67" href="#tagV_67">V.67</a> l. 47 Two lines in Ff.</p> -<p><a name="noteV_68" id="noteV_68" href="#tagV_68">V.68</a> +<p><a id="noteV_68" href="#tagV_68">V.68</a> "Cassius, thinking indeed that Titinius was taken of the enemies, he then spake these words: 'Desiring too much to live, I have lived to see one of my best friends taken, for my sake, before @@ -14876,40 +14918,40 @@ neck unto Pindarus, he gave him his head to be stricken off. So the head was found severed from the body; but after that time Pindarus was never seen more."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteV_69" id="noteV_69" href="#tagV_69">V.69</a> +<p><a id="noteV_69" href="#tagV_69">V.69</a> [<i>Exit</i>] Rowe | Ff omit.</p> -<p><a name="noteV_70" id="noteV_70" href="#tagV_70">V.70</a> +<p><a id="noteV_70" href="#tagV_70">V.70</a> Scene V Pope.—<i>Re-enter</i> ..., <i>with</i> Capell | Enter ... and ... Ff.</p> -<p><a name="noteV_71" id="noteV_71" href="#tagV_71">V.71</a> +<p><a id="noteV_71" href="#tagV_71">V.71</a> <b>change:</b> interchange of loss and gain in the fight.</p> -<p><a name="noteV_72" id="noteV_72" href="#tagV_72">V.72</a> +<p><a id="noteV_72" href="#tagV_72">V.72</a> <b>to night</b> Ff | to-night Knight.</p> -<p><a name="noteV_73" id="noteV_73" href="#tagV_73">V.73</a> +<p><a id="noteV_73" href="#tagV_73">V.73</a> <b>is set</b> F<sub>1</sub> | it set F<sub>2</sub>F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteV_74" id="noteV_74" href="#tagV_74">V.74</a> -ll. 60-62 Cf. <i>Troilus and Cressida</i>, V, viii, 5-8.</p> +<p><a id="noteV_74" href="#tagV_74">V.74</a> +ll. 60–62 Cf. <i>Troilus and Cressida</i>, V, viii, 5–8.</p> -<p><a name="noteV_75" id="noteV_75" href="#tagV_75">V.75</a> +<p><a id="noteV_75" href="#tagV_75">V.75</a> sun | Sunne F<sub>1</sub> | Sonne F<sub>2</sub> | Son F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteV_76" id="noteV_76" href="#tagV_76">V.76</a> -ll. 67-69 Cassius is said to have been of a highly choleric or bilious +<p><a id="noteV_76" href="#tagV_76">V.76</a> +ll. 67–69 Cassius is said to have been of a highly choleric or bilious temperament, and as such, predisposed to melancholy views of life.</p> -<p><a name="noteV_77" id="noteV_77" href="#tagV_77">V.77</a> +<p><a id="noteV_77" href="#tagV_77">V.77</a> <b>engender'd</b> | engendred Ff.</p> -<p><a name="noteV_78" id="noteV_78" href="#tagV_78">V.78</a> +<p><a id="noteV_78" href="#tagV_78">V.78</a> [<i>Exit</i> <span class="charname">Messala</span>] | Ff omit.</p> -<p><a name="noteV_79" id="noteV_79" href="#tagV_79">V.79</a> +<p><a id="noteV_79" href="#tagV_79">V.79</a> "By-and-by they knew the horsemen that came towards them, and might see Titinius crowned with a garland of triumph, who came before with great speed unto Cassius. But when he perceived, by @@ -14922,17 +14964,17 @@ had been overthrown; but he knew nothing of his death till he came very near to his camp."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteV_80" id="noteV_80" href="#tagV_80">V.80</a> +<p><a id="noteV_80" href="#tagV_80">V.80</a> Scene VI Pope.</p> -<p><a name="noteV_81" id="noteV_81" href="#tagV_81">V.81</a> +<p><a id="noteV_81" href="#tagV_81">V.81</a> <i>Re-enter</i> <span class="charname">Messala</span>, <i>with</i> <span class="charname">Brutus</span> ... | Enter Brutus, Messala ... Ff.</p> -<p><a name="noteV_82" id="noteV_82" href="#tagV_82">V.82</a> -ll. 94-96 Brutus here strikes again, full and strong, the proper keynote +<p><a id="noteV_82" href="#tagV_82">V.82</a> +ll. 94–96 Brutus here strikes again, full and strong, the proper keynote of the play. The facts involved are well stated by Froude: "The murderers of Cæsar, and those who had either instigated them secretly or applauded them afterwards, were included in a proscription @@ -14943,34 +14985,34 @@ one to miserable ends. In three years the tyrannicides of the Ides of March, with their aiders and abettors, were all dead; some killed in battle, some in prison, some dying by their own hand."</p> -<p><a name="noteV_83" id="noteV_83" href="#tagV_83">V.83</a> +<p><a id="noteV_83" href="#tagV_83">V.83</a> <b>where</b> Ff | if Pope | whether Camb Globe | wh'er Capell | whêr Dyce.</p> -<p><a name="noteV_84" id="noteV_84" href="#tagV_84">V.84</a> +<p><a id="noteV_84" href="#tagV_84">V.84</a> <b>where:</b> whether. So in <a href="#tagV_108">V, iv, 30</a>. See <a href="#noteI_44">note, p. 7, l. 63</a>.</p> -<p><a name="noteV_85" id="noteV_85" href="#tagV_85">V.85</a> +<p><a id="noteV_85" href="#tagV_85">V.85</a> <b>The</b> Ff | Thou Rowe.</p> -<p><a name="noteV_86" id="noteV_86" href="#tagV_86">V.86</a> +<p><a id="noteV_86" href="#tagV_86">V.86</a> fare | far F<sub>1</sub>.</p> -<p><a name="noteV_87" id="noteV_87" href="#tagV_87">V.87</a> +<p><a id="noteV_87" href="#tagV_87">V.87</a> <b>moe</b> F<sub>3</sub>F<sub>4</sub> | mo F<sub>1</sub>F<sub>2</sub> | more Rowe.</p> -<p><a name="noteV_88" id="noteV_88" href="#tagV_88">V.88</a> +<p><a id="noteV_88" href="#tagV_88">V.88</a> <b>moe:</b> more. See <a href="#noteII_42">note, p. 48, l. 72</a>. See Skeat under 'more.'</p> -<p><a name="noteV_89" id="noteV_89" href="#tagV_89">V.89</a> +<p><a id="noteV_89" href="#tagV_89">V.89</a> <b>Thasos</b> Camb Globe (Walker conj.) | Thassos Theobald | Tharsus Ff.</p> -<p><a name="noteV_90" id="noteV_90" href="#tagV_90">V.90</a> +<p><a id="noteV_90" href="#tagV_90">V.90</a> <b>Thasos.</b> A large island off the coast of Thrace. "So when he was come thither, after he had lamented the death of Cassius, calling him the last of all the Romans, being unpossible that Rome @@ -14980,44 +15022,44 @@ his funerals within his camp should cause great disorder. Then he called his soldiers together, and did encourage them again."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteV_91" id="noteV_91" href="#tagV_91">V.91</a> +<p><a id="noteV_91" href="#tagV_91">V.91</a> <b>Labeo</b> Hanmer | Labio Ff.—Flavius, F<sub>4</sub> | Flauio F<sub>1</sub> | Flavius F<sub>2</sub>F<sub>3</sub>.</p> -<p><a name="noteV_92" id="noteV_92" href="#tagV_92">V.92</a> +<p><a id="noteV_92" href="#tagV_92">V.92</a> <b>Labeo and Flavius.</b> These two men are not named among the persons of the drama, because they speak nothing. Labeo was one of the stabbers of Cæsar; and it related that when he saw that all was lost, having dug his own grave, he enfranchised a slave, and then he thrust a weapon into his hand ordering him to kill him.</p> -<p><a name="noteV_93" id="noteV_93" href="#tagV_93">V.93</a> +<p><a id="noteV_93" href="#tagV_93">V.93</a> Shakespeare with dramatic effectiveness represents both battles as occurring the same day. They were separated by an interval of twenty days. The 'three o'clock' is from Plutarch. "He suddenly caused his army to march, being past three of the clock in the afternoon."—<i>Marcus Brutus.</i></p> -<p><a name="noteV_94" id="noteV_94" href="#tagV_94">V.94</a> +<p><a id="noteV_94" href="#tagV_94">V.94</a> <span class="smallcaps">Scene IV</span> Capell | Scene VII Pope.</p> -<p><a name="noteV_95" id="noteV_95" href="#tagV_95">V.95</a> +<p><a id="noteV_95" href="#tagV_95">V.95</a> <i>Another part</i> ... Capell | Ff omit.</p> -<p><a name="noteV_96" id="noteV_96" href="#tagV_96">V.96</a> +<p><a id="noteV_96" href="#tagV_96">V.96</a> <i>Enter</i> <span class="charname">Brutus</span> ... | Enter Brutus, Messala, Cato, Lucillius and Flauius Ff</p> -<p><a name="noteV_97" id="noteV_97" href="#tagV_97">V.97</a> +<p><a id="noteV_97" href="#tagV_97">V.97</a> <b>What bastard doth not:</b> who is so base-born as not to do so?</p> -<p><a name="noteV_98" id="noteV_98" href="#tagV_98">V.98</a> +<p><a id="noteV_98" href="#tagV_98">V.98</a> <span class="charname">Lucilius</span> | Bru. Rowe | Ff omit.</p> -<p><a name="noteV_99" id="noteV_99" href="#tagV_99">V.99</a> -ll. 7-8 +<p><a id="noteV_99" href="#tagV_99">V.99</a> +ll. 7–8 The Folios omit the speaker's name. Rowe gave the lines to Brutus, but they are utterly uncharacteristic of him. Plutarch (see <a href="#noteV_107">quotation below, l. 29</a>) says that Lucilius impersonated Brutus, @@ -15026,32 +15068,32 @@ no 'Exit' or stage direction after l. 8. Professor Michael Macmillan says: "It seems probable that the printers of the Folio by mistake put the heading 'Luc.' two lines too low down."</p> -<p><a name="noteV_100" id="noteV_100" href="#tagV_100">V.100</a> -ll. 9-11 Ff give to <span class="charname">Luc.</span> (Lucilius).</p> +<p><a id="noteV_100" href="#tagV_100">V.100</a> +ll. 9–11 Ff give to <span class="charname">Luc.</span> (Lucilius).</p> -<p><a name="noteV_101" id="noteV_101" href="#tagV_101">V.101</a> +<p><a id="noteV_101" href="#tagV_101">V.101</a> "There was the son of Marcus Cato slain ... telling aloud his name, and also his father's name."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteV_102" id="noteV_102" href="#tagV_102">V.102</a> +<p><a id="noteV_102" href="#tagV_102">V.102</a> [<i>Offering money</i>] | Ff omit.</p> -<p><a name="noteV_103" id="noteV_103" href="#tagV_103">V.103</a> +<p><a id="noteV_103" href="#tagV_103">V.103</a> <span class="charname">1 Soldier</span> | Sold. Ff.</p> -<p><a name="noteV_104" id="noteV_104" href="#tagV_104">V.104</a> +<p><a id="noteV_104" href="#tagV_104">V.104</a> <b>the news</b> Pope (ed. 1728) | thee newes Ff.</p> -<p><a name="noteV_105" id="noteV_105" href="#tagV_105">V.105</a> +<p><a id="noteV_105" href="#tagV_105">V.105</a> <i>Enter</i> <span class="charname">Antony</span> | in Ff after l. 15.</p> -<p><a name="noteV_106" id="noteV_106" href="#tagV_106">V.106</a> +<p><a id="noteV_106" href="#tagV_106">V.106</a> <b>Brutus, friend</b> F<sub>4</sub> | Brutus friend | F<sub>1</sub>F<sub>2</sub>F<sub>3</sub>.</p> -<p><a name="noteV_107" id="noteV_107" href="#tagV_107">V.107</a> +<p><a id="noteV_107" href="#tagV_107">V.107</a> "There was one of Brutus' friends called Lucilius, who seeing a troop of barbarous men making no reckoning of all men else they met in their way, but going all together right against Brutus, he determined @@ -15084,18 +15126,18 @@ he embraced Lucilius, and at that time delivered him to one of his friends in custody; and Lucilius ever after served him faithfully, even to his death."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteV_108" id="noteV_108" href="#tagV_108">V.108</a> +<p><a id="noteV_108" href="#tagV_108">V.108</a> <b>where</b> Ff | whether Camb Globe | wh'er Capell.</p> -<p><a name="noteV_109" id="noteV_109" href="#tagV_109">V.109</a> +<p><a id="noteV_109" href="#tagV_109">V.109</a> <span class="smallcaps">Scene V</span> Capell | Scene VIII Pope.</p> -<p><a name="noteV_110" id="noteV_110" href="#tagV_110">V.110</a> +<p><a id="noteV_110" href="#tagV_110">V.110</a> <i>Another</i> ... Ff omit.</p> -<p><a name="noteV_111" id="noteV_111" href="#tagV_111">V.111</a> +<p><a id="noteV_111" href="#tagV_111">V.111</a> "Brutus thought that there was no great number of men slain in battle; and, to know the truth of it, there was one called Statilius that promised to go through his enemies, for otherwise it was impossible @@ -15108,7 +15150,7 @@ will come again.' But his evil fortune was such that, as he came back, he lighted in his enemies' hands and was slain. Now the night being far spent, Brutus as he sat bowed towards Clitus, one of his men, and told him somewhat in his ear: the other answered him -not, but fell a-weeping. Thereupon he proved<a class="tag" name="tagV_111_1" id="tagV_111_1" href="#noteV_111_1">[1]</a> Dardanus, and said +not, but fell a-weeping. Thereupon he proved<a class="tag" id="tagV_111_1" href="#noteV_111_1">[1]</a> Dardanus, and said somewhat also to him: at length he came to Volumnius himself, and speaking to him in Greek, prayed him for the studies' sake which brought them acquainted together, that he would help him to @@ -15116,19 +15158,19 @@ put his hand to his sword, to thrust it in him to kill him. Volumnius denied his request, and so did many others."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteV_111_1" id="noteV_111_1" href="#tagV_111_1">V.111[1]</a> +<p><a id="noteV_111_1" href="#tagV_111_1">V.111[1]</a> <i>i.e.</i> tried. Cf. <i>1 Samuel</i>, <span class="smallcaps">xvii</span>, 39.</p> -<p><a name="noteV_112" id="noteV_112" href="#tagV_112">V.112</a> +<p><a id="noteV_112" href="#tagV_112">V.112</a> [<i>Whispering</i>] Ff omit.</p> -<p><a name="noteV_113" id="noteV_113" href="#tagV_113">V.113</a> +<p><a id="noteV_113" href="#tagV_113">V.113</a> <b>Shall</b> Ff | Pope omits.</p> -<p><a name="noteV_114" id="noteV_114" href="#tagV_114">V.114</a> -<b>noble vessel full.</b> Cf. <i>The Winter's Tale</i>, III, iii, 21-22.</p> +<p><a id="noteV_114" href="#tagV_114">V.114</a> +<b>noble vessel full.</b> Cf. <i>The Winter's Tale</i>, III, iii, 21–22.</p> -<p><a name="noteV_115" id="noteV_115" href="#tagV_115">V.115</a> +<p><a id="noteV_115" href="#tagV_115">V.115</a> "The second battle being at hand, this spirit appeared again unto him, but spake never a word. Thereupon Brutus, knowing that he should die, did put himself to all hazard in battle, but yet @@ -15140,35 +15182,35 @@ conviction of the ancients that in the crisis of his fate he was stung by guilty remorse, and haunted by the presentiment of final retribution."</p> -<p><a name="noteV_116" id="noteV_116" href="#tagV_116">V.116</a> +<p><a id="noteV_116" href="#tagV_116">V.116</a> See <a href="#noteV_111">quotation from Plutarch, <i>Marcus Brutus</i>, p. 163</a>.</p> -<p><a name="noteV_117" id="noteV_117" href="#tagV_117">V.117</a> +<p><a id="noteV_117" href="#tagV_117">V.117</a> <b>prithee</b> | prethee Ff.</p> -<p><a name="noteV_118" id="noteV_118" href="#tagV_118">V.118</a> +<p><a id="noteV_118" href="#tagV_118">V.118</a> <b>sword-hilts</b> | Sword Hilts F<sub>1</sub>F<sub>2</sub> | Swords Hilt F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteV_119" id="noteV_119" href="#tagV_119">V.119</a> +<p><a id="noteV_119" href="#tagV_119">V.119</a> <b>whilst</b> | whilest F<sub>1</sub>F<sub>2</sub> | while F<sub>3</sub>F<sub>4</sub>.</p> -<p><a name="noteV_120" id="noteV_120" href="#tagV_120">V.120</a> +<p><a id="noteV_120" href="#tagV_120">V.120</a> <b>thee, too, Strato. Countrymen</b>, Theobald | thee, to Strato, Countrymen: Ff.</p> -<p><a name="noteV_121" id="noteV_121" href="#tagV_121">V.121</a> +<p><a id="noteV_121" href="#tagV_121">V.121</a> <b>in</b> F<sub>1</sub> | F<sub>2</sub>F<sub>3</sub>F<sub>4</sub> omit.</p> -<p><a name="noteV_122" id="noteV_122" href="#tagV_122">V.122</a> +<p><a id="noteV_122" href="#tagV_122">V.122</a> <b>losing</b> Rowe | loosing Ff.</p> -<p><a name="noteV_123" id="noteV_123" href="#tagV_123">V.123</a> +<p><a id="noteV_123" href="#tagV_123">V.123</a> <b>life's</b> Rowe | lives Ff.</p> -<p><a name="noteV_124" id="noteV_124" href="#tagV_124">V.124</a> +<p><a id="noteV_124" href="#tagV_124">V.124</a> "Amongst the rest, one of them said, there was no tarrying for them there, but that they must needs fly. Then Brutus, rising up, 'We must fly indeed,' said he, 'but it must be with our hands, not with @@ -15186,19 +15228,19 @@ Strato, at his request, held the sword in his hand, and turned his head aside, and Brutus fell down upon it, and so ran himself through ... and died presently."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteV_125" id="noteV_125" href="#tagV_125">V.125</a> +<p><a id="noteV_125" href="#tagV_125">V.125</a> [<i>Exeunt</i> <span class="charname">Clitus</span> ...] Capell | Ff omit.</p> -<p><a name="noteV_126" id="noteV_126" href="#tagV_126">V.126</a> +<p><a id="noteV_126" href="#tagV_126">V.126</a> <b>of a good respect:</b> of good reputation, well-esteemed. Cf. <a href="#tagI_84">I, ii, 59</a>.</p> -<p><a name="noteV_127" id="noteV_127" href="#tagV_127">V.127</a> +<p><a id="noteV_127" href="#tagV_127">V.127</a> <b>smatch:</b> smack, taste. "With the forms 'smack' for the verb and 'smatch' for the noun, compare 'ake' and 'ache' as used in the First Folio of Shakespeare."—Clar. Cf. <i>2 Henry IV</i>, I, ii, 111.</p> -<p><a name="noteV_128" id="noteV_128" href="#tagV_128">V.128</a> +<p><a id="noteV_128" href="#tagV_128">V.128</a> "Scarcely any of those who were accessory to his murder survived him more than three years, or died a natural death. They were all condemned by the Senate: some were taken off by one @@ -15206,39 +15248,39 @@ accident, some by another. Part of them perished at sea, others fell in battle; and some slew themselves with the same poniard with which they had stabbed Cæsar."—Suetonius, <i>Julius Cæsar</i>.</p> -<p><a name="noteV_129" id="noteV_129" href="#tagV_129">V.129</a> +<p><a id="noteV_129" href="#tagV_129">V.129</a> [<i>Runs</i> ...] | Ff omit.</p> -<p><a name="noteV_130" id="noteV_130" href="#tagV_130">V.130</a> +<p><a id="noteV_130" href="#tagV_130">V.130</a> Scene IX Pope.</p> -<p><a name="noteV_131" id="noteV_131" href="#tagV_131">V.131</a> +<p><a id="noteV_131" href="#tagV_131">V.131</a> <b>will entertain them:</b> will take them into my service.</p> -<p><a name="noteV_132" id="noteV_132" href="#tagV_132">V.132</a> +<p><a id="noteV_132" href="#tagV_132">V.132</a> <b>prefer:</b> recommend. Cf. <i>The Merchant of Venice</i>, II, ii, 155.</p> -<p><a name="noteV_133" id="noteV_133" href="#tagV_133">V.133</a> +<p><a id="noteV_133" href="#tagV_133">V.133</a> <b>my master</b> F<sub>1</sub> | my Lord F<sub>3</sub>.</p> -<p><a name="noteV_134" id="noteV_134" href="#tagV_134">V.134</a> -Cf. Antony's soliloquy on Cæsar, <a href="#tagIII_1_257">III, i, 257-258</a>.</p> +<p><a id="noteV_134" href="#tagV_134">V.134</a> +Cf. Antony's soliloquy on Cæsar, <a href="#tagIII_1_257">III, i, 257–258</a>.</p> -<p><a name="noteV_135" id="noteV_135" href="#tagV_135">V.135</a> +<p><a id="noteV_135" href="#tagV_135">V.135</a> "Antonius spake ... that of all them that had slain Cæsar, there was none but Brutus only that was moved ... thinking the act commendable of itself; but that all the other conspirators did conspire his death for some private malice or envy that they otherwise did bear unto him."—Plutarch, <i>Marcus Brutus</i>.</p> -<p><a name="noteV_136" id="noteV_136" href="#tagV_136">V.136</a> +<p><a id="noteV_136" href="#tagV_136">V.136</a> <b>He only, in</b> | He, onely in Ff.</p> -<p><a name="noteV_137" id="noteV_137" href="#tagV_137">V.137</a> +<p><a id="noteV_137" href="#tagV_137">V.137</a> <b>general ... And</b> Ff | generous.... Of Craik.</p> -<p><a name="noteV_138" id="noteV_138" href="#tagV_138">V.138</a> +<p><a id="noteV_138" href="#tagV_138">V.138</a> This refers to the old doctrine of the four elements, earth, water, air, and fire, a right proportion of which was supposed to be the principle of all excellence in nature. Shakespeare has many @@ -15246,12 +15288,12 @@ allusions to the doctrine, which was a commonplace of the sixteenth century. It is this common property in the idea which invalidates the importance of the argument for the date of <i>Julius Cæsar</i> drawn from a similar passage in Drayton's revised version of his <i>Mortimeriados</i> -(1596-1597) published in 1603 under the title of <i>The Barons' Wars</i>.</p> +(1596–1597) published in 1603 under the title of <i>The Barons' Wars</i>.</p> -<p><a name="noteV_139" id="noteV_139" href="#tagV_139">V.139</a> +<p><a id="noteV_139" href="#tagV_139">V.139</a> With all F<sub>3</sub>F<sub>4</sub> | Withall F<sub>1</sub>F<sub>2</sub>.</p> -<p><a name="noteV_140" id="noteV_140" href="#tagV_140">V.140</a> +<p><a id="noteV_140" href="#tagV_140">V.140</a> <b>Most like a soldier.</b> Cf. with these words of Octavius the speech of Fortinbras with which <i>Hamlet</i> closes:</p> @@ -15262,10 +15304,10 @@ of Fortinbras with which <i>Hamlet</i> closes:</p> <p>To have prov'd most royally.</p> </div> -<p><a name="noteV_141" id="noteV_141" href="#tagV_141">V.141</a> +<p><a id="noteV_141" href="#tagV_141">V.141</a> ordered Ff | order'd Pope.</p> -<p><a name="noteV_142" id="noteV_142" href="#tagV_142">V.142</a> +<p><a id="noteV_142" href="#tagV_142">V.142</a> <b>call the field to rest:</b> give the signal to cease fighting. 'Field,' by metonymy, is occasionally used in sixteenth century literature as synonymous with 'battle' or 'order of battle.' Cf. the expression @@ -15273,21 +15315,21 @@ synonymous with 'battle' or 'order of battle.' Cf. the expression <i>Chronicles</i>, 1548: "my lorde of Winchester intended to gather any feld or assemble people." Cf., too, 'field' as a hunting term.</p> -<p><a name="noteV_143" id="noteV_143" href="#tagV_143">V.143</a> +<p><a id="noteV_143" href="#tagV_143">V.143</a> <b>part:</b> distribute. A specific meaning of 'part' used to be 'share one with another.' This sense is now obsolete or provincial.</p> -<p><a name="noteV_144" id="noteV_144" href="#tagV_144">V.144</a> +<p><a id="noteV_144" href="#tagV_144">V.144</a> [<i>Exeunt</i>] Capell | Exeunt omnes Ff.</p> -<hr /> +<hr > -<p><span class="pagenum"><a name="Page_169" id="Page_169"></a>169</span></p> +<p><span class="pagenum"><a id="Page_169"></a>169</span></p> <h4>INDEX</h4> -<h5><a name="Words_And_Phrases" id="Words_And_Phrases">I. WORDS AND PHRASES</a></h5> +<h5><a id="Words_And_Phrases">I. WORDS AND PHRASES</a></h5> <p>This Index includes the most important words, phrases, etc., explained in the notes. The figures in heavy-faced type refer to the pages; those in plain @@ -15295,1163 +15337,1163 @@ type, to the lines containing what is explained.</p> <p> <b>abide</b>: <b><a href="#Page_87">87</a></b> 95, <b><a href="#Page_106">106</a></b> 114. -<br /> +<br > <b>abuse</b>: <b><a href="#Page_51">51</a></b> 115. -<br /> +<br > <b>added slaughter to the sword</b>: <b><a href="#Page_147">147</a></b> 55. -<br /> +<br > <b>address'd</b>: <b><a href="#Page_82">82</a></b> 29. -<br /> +<br > <b>affections sway'd</b>: <b><a href="#Page_43">43</a></b> 20. -<br /> +<br > <b>aim</b>: <b><a href="#Page_20">20</a></b> 163. -<br /> +<br > <b>alchemy</b>: <b><a href="#Page_41">41</a></b> 159. -<br /> +<br > <b>all over</b>: <b><a href="#Page_50">50</a></b> 112. -<br /> +<br > <b>and</b> (if): <b><a href="#Page_26">26</a></b> 263. -<br /> +<br > <b>angel</b>: <b><a href="#Page_109">109</a></b> 180. -<br /> +<br > <b>Antonius</b>: <b><a href="#Page_9">9</a></b> 3. -<br /> +<br > <b>any thing more wonderful</b>: <b><a href="#Page_31">31</a></b> 14. -<br /> +<br > <b>apparent prodigies</b>: <b><a href="#Page_56">56</a></b> 198. -<br /> +<br > <b>appositional genitive</b>: <b><a href="#Page_53">53</a></b> 157. -<br /> +<br > <b>apprehensive</b>: <b><a href="#Page_85">85</a></b> 67. -<br /> +<br > <b>are</b> (is): <b><a href="#Page_146">146</a></b> 33. -<br /> +<br > <b>arrive the point</b>: <b><a href="#Page_16">16</a></b> 110. -<br /> +<br > <b>art</b>: <b><a href="#Page_136">136</a></b> 194. -<br /> +<br > <b>as</b> (omitted): <b><a href="#Page_128">128</a></b> 80. -<br /> +<br > <b>as</b> (redundant): <b><a href="#Page_149">149</a></b> 72. -<br /> +<br > <b>as</b> (that): <b><a href="#Page_11">11</a></b> 34. -<br /> +<br > <b>at the stake and bay'd about</b>: <b><a href="#Page_119">119</a></b> 48. -<br /> +<br > <b>Ate</b>: <b><a href="#Page_98">98</a></b> 272. -<br /> +<br > <b>attraction of verb to nearest subject</b>: <b><a href="#Page_124">124</a></b> 5, <b><a href="#Page_146">146</a></b> 33. -<br /> -<br /> +<br > +<br > <b>base degrees</b>: <b><a href="#Page_44">44</a></b> 26. -<br /> +<br > <b>basest metal</b>: <b><a href="#Page_7">7</a></b> 63. -<br /> +<br > <b>bastard</b>: <b><a href="#Page_160">160</a></b> 2. -<br /> +<br > <b>battles</b>: <b><a href="#Page_144">144</a></b> 4. -<br /> +<br > <b>bay'd</b>: <b><a href="#Page_94">94</a></b> 205, <b><a href="#Page_119">119</a></b> 48. -<br /> +<br > <b>be let blood</b>: <b><a href="#Page_91">91</a></b> 153. -<br /> +<br > <b>be not fond, to think</b>: <b><a href="#Page_83">83</a></b> 39. -<br /> +<br > <b>bear hard</b>: <b><a href="#Page_29">29</a></b> 310, <b><a href="#Page_57">57</a></b> 215. -<br /> +<br > <b>bear me a bang</b>: <b><a href="#Page_115">115</a></b> 18. -<br /> +<br > <b>bears with glasses</b>: <b><a href="#Page_56">56</a></b> 205. -<br /> +<br > <b>behaviours</b>: <b><a href="#Page_12">12</a></b> 42. -<br /> +<br > <b>beholding</b>: <b><a href="#Page_103">103</a></b> 65. -<br /> +<br > <b>bend</b>: <b><a href="#Page_17">17</a></b> 123. -<br /> +<br > <b>bending their expedition</b>: <b><a href="#Page_134">134</a></b> 170. -<br /> +<br > <b>betimes</b>: <b><a href="#Page_143">143</a></b> 307. -<br /> +<br > <b>betray</b>: <b><a href="#Page_58">58</a></b> 225. -<br /> +<br > <b>bills</b>: <b><a href="#Page_152">152</a></b> 1. -<br /> +<br > <b>bird of night</b>: <b><a href="#Page_32">32</a></b> 26. -<br /> +<br > <b>bloods</b>: <b><a href="#Page_140">140</a></b> 262. -<br /> +<br > <b>bloody sign</b>: <b><a href="#Page_145">145</a></b> 14. -<br /> +<br > <b>blunt</b>: <b><a href="#Page_28">28</a></b> 292. -<br /> +<br > <b>bondman</b>: <b><a href="#Page_37">37</a></b> 101. -<br /> +<br > <b>brav'd</b>: <b><a href="#Page_129">129</a></b> 96. -<br /> +<br > <b>bravery</b>: <b><a href="#Page_144">144</a></b> 10. -<br /> +<br > <b>break with him</b>: <b><a href="#Page_53">53</a></b> 150. -<br /> +<br > <b>bright day</b>: <b><a href="#Page_43">43</a></b> 14. -<br /> +<br > <b>brook'd</b>: <b><a href="#Page_19">19</a></b> 159. -<br /> +<br > <b>brother</b>: <b><a href="#Page_48">48</a></b> 70. -<br /> +<br > <b>brought</b>: <b><a href="#Page_30">30</a></b> 1. -<br /> +<br > <b>brutish</b>: <b><a href="#Page_105">105</a></b> 104. -<br /> +<br > <b>Brutus hath a suit</b>: <b><a href="#Page_78">78</a></b> 42. -<br /> +<br > <b>Brutus may but find it</b>: <b><a href="#Page_40">40</a></b> 144. -<br /> +<br > <b>bury</b>: <b><a href="#Page_104">104</a></b> 74. -<br /> +<br > <b>by</b>: <b><a href="#Page_91">91</a></b> 163. -<br /> +<br > <b>by him</b>: <b><a href="#Page_58">58</a></b> 218. -<br /> +<br > <b>by means whereof</b>: <b><a href="#Page_12">12</a></b> 49. -<br /> +<br > <b>by this</b>: <b><a href="#Page_38">38</a></b> 125. -<br /> -<br /> +<br > +<br > <b>Cæsar doth not wrong</b>: <b><a href="#Page_83">83</a></b> 47. -<br /> +<br > <b>Cæsar's arrogance</b>: <b><a href="#Page_85">85</a></b> 72. -<br /> +<br > <b>Cæsar's trophies</b>: <b><a href="#Page_8">8</a></b> 71. -<br /> +<br > <b>call in question</b>: <b><a href="#Page_134">134</a></b> 165. -<br /> +<br > <b>Caius Cassius Longinus</b>: <b><a href="#Page_11">11</a></b> 36. -<br /> +<br > <b>Capitol</b>: <b><a href="#Page_80">80</a></b> 12. -<br /> +<br > <b>carrions</b>: <b><a href="#Page_52">52</a></b> 130. -<br /> +<br > <b>Casca's sentiments</b>: <b><a href="#Page_88">88</a></b> 102. -<br /> +<br > <b>cast yourself in</b>: <b><a href="#Page_34">34</a></b> 60. -<br /> +<br > <b>Cato's daughter</b>: <b><a href="#Page_63">63</a></b> 295. -<br /> +<br > <b>cautelous</b>: <b><a href="#Page_52">52</a></b> 129. -<br /> +<br > <b>censure</b>: <b><a href="#Page_100">100</a></b> 16. -<br /> +<br > <b>ceremonies</b>: <b><a href="#Page_8">8</a></b> 67, <b><a href="#Page_67">67</a></b> 13. -<br /> +<br > <b>chafing</b>: <b><a href="#Page_15">15</a></b> 101. -<br /> +<br > <b>change</b>: <b><a href="#Page_120">120</a></b> 7, <b><a href="#Page_156">156</a></b> 51. -<br /> -<span class="pagenum"><a name="Page_170" id="Page_170"></a>170</span> +<br > +<span class="pagenum"><a id="Page_170"></a>170</span> <b>charactery</b>: <b><a href="#Page_64">64</a></b> 308. -<br /> +<br > <b>charm</b>: <b><a href="#Page_61">61</a></b> 271. -<br /> +<br > <b>chew</b>: <b><a href="#Page_20">20</a></b> 171. -<br /> +<br > <b>Cicero</b> (his 'agile tongue'): <b><a href="#Page_27">27</a></b> 281. -<br /> +<br > <b>Cicero</b> (his opinion of Cæsar): <b><a href="#Page_17">17</a></b> 129. -<br /> +<br > <b>Cinna the poet</b>: <b><a href="#Page_114">114</a></b> 1. -<br /> +<br > <b>clean</b>: <b><a href="#Page_33">33</a></b> 35. -<br /> +<br > <b>climate</b>: <b><a href="#Page_33">33</a></b> 32. -<br /> +<br > <b>climber upward</b>: <b><a href="#Page_43">43</a></b> 23. -<br /> +<br > <b>clock</b>: <b><a href="#Page_55">55</a></b> 192. -<br /> +<br > <b>close</b>: <b><a href="#Page_39">39</a></b> 131. -<br /> +<br > <b>cobbler</b>: <b><a href="#Page_4">4</a></b> 11. -<br /> +<br > <b>cognizance</b>: <b><a href="#Page_71">71</a></b> 89. -<br /> +<br > <b>Colossus of Rhodes</b>: <b><a href="#Page_18">18</a></b> 136. -<br /> +<br > <b>colour</b>: <b><a href="#Page_44">44</a></b> 29. -<br /> +<br > <b>commend me to</b>: <b><a href="#Page_143">143</a></b> 306. -<br /> +<br > <b>commons</b>: <b><a href="#Page_118">118</a></b> 27. -<br /> +<br > <b>companion</b>: <b><a href="#Page_132">132</a></b> 138. -<br /> +<br > <b>conceit</b>: <b><a href="#Page_93">93</a></b> 193. -<br /> +<br > <b>conceited</b>: <b><a href="#Page_41">41</a></b> 162. -<br /> +<br > <b>condition</b>: <b><a href="#Page_60">60</a></b> 254. -<br /> +<br > <b>conjure</b>: <b><a href="#Page_18">18</a></b> 146. -<br /> +<br > <b>constancy</b>: <b><a href="#Page_76">76</a></b> 6. -<br /> +<br > <b>constant</b>: <b><a href="#Page_81">81</a></b> 22. -<br /> +<br > <b>contrive</b>: <b><a href="#Page_75">75</a></b> 14. -<br /> +<br > <b>couchings</b>: <b><a href="#Page_82">82</a></b> 36. -<br /> +<br > <b>countenance</b>: <b><a href="#Page_41">41</a></b> 159. -<br /> +<br > <b>counters</b>: <b><a href="#Page_128">128</a></b> 80. -<br /> +<br > <b>cross</b>: <b><a href="#Page_34">34</a></b> 50. -<br /> -<br /> +<br > +<br > <b>dear my lord</b>: <b><a href="#Page_60">60</a></b> 255. -<br /> +<br > <b>dearer</b>: <b><a href="#Page_93">93</a></b> 197. -<br /> +<br > <b>deceitful jades</b>: <b><a href="#Page_121">121</a></b> 26. -<br /> +<br > <b>Decius Brutus</b>: <b><a href="#Page_40">40</a></b> 148, <b><a href="#Page_49">49</a></b> 95. -<br /> +<br > <b>degrees</b>: <b><a href="#Page_44">44</a></b> 26. -<br /> +<br > <b>destruction</b>: <b><a href="#Page_31">31</a></b> 13. -<br /> +<br > <b>dew of slumber</b>: <b><a href="#Page_58">58</a></b> 230. -<br /> +<br > <b>dint</b>: <b><a href="#Page_109">109</a></b> 193. -<br /> +<br > <b>directly</b>: <b><a href="#Page_4">4</a></b> 12. -<br /> +<br > <b>discard my sickness</b>: <b><a href="#Page_65">65</a></b> 321. -<br /> +<br > <b>dishonour shall be humour</b>: <b><a href="#Page_130">130</a></b> 109. -<br /> +<br > <b>distract</b>: <b><a href="#Page_133">133</a></b> 155. -<br /> +<br > <b>do danger with</b>: <b><a href="#Page_43">43</a></b> 17. -<br /> +<br > <b>dogs of war</b>: <b><a href="#Page_98">98</a></b> 274. -<br /> +<br > <b>doth not Brutus bootless kneel?</b> <b><a href="#Page_85">85</a></b> 75. -<br /> +<br > <b>double comparatives and superlatives</b>: <b><a href="#Page_89">89</a></b> 132. -<br /> +<br > <b>double negatives</b>: <b><a href="#Page_59">59</a></b> 237, <b><a href="#Page_135">135</a></b> 183. -<br /> +<br > <b>doublet</b>: <b><a href="#Page_26">26</a></b> 263. -<br /> +<br > <b>drachma</b>: <b><a href="#Page_111">111</a></b> 241. -<br /> -<br /> +<br > +<br > <b>eagles</b>: <b><a href="#Page_149">149</a></b> 80. -<br /> +<br > <b>element</b>: <b><a href="#Page_39">39</a></b> 128. -<br /> +<br > <b>elements</b>: <b><a href="#Page_167">167</a></b> 73. -<br /> +<br > <b>elephants with holes</b>: <b><a href="#Page_56">56</a></b> 205. -<br /> +<br > <b>emulation</b>: <b><a href="#Page_75">75</a></b> 12. -<br /> +<br > <b>enforc'd</b>: <b><a href="#Page_101">101</a></b> 38. -<br /> +<br > <b>enlarge your griefs</b>: <b><a href="#Page_122">122</a></b> 46. -<br /> +<br > <b>ensign</b>: <b><a href="#Page_153">153</a></b> 3. -<br /> +<br > <b>enter a Servant</b>: <b><a href="#Page_89">89</a></b> 123. -<br /> +<br > <b>entertain</b>: <b><a href="#Page_167">167</a></b> 60. -<br /> +<br > <b>envious</b>: <b><a href="#Page_109">109</a></b> 174. -<br /> +<br > <b>envy</b>: <b><a href="#Page_54">54</a></b> 164. -<br /> +<br > <b>Erebus</b>: <b><a href="#Page_49">49</a></b> 84. -<br /> +<br > <b>error, melancholy's child</b>: <b><a href="#Page_157">157</a></b> 67. -<br /> +<br > <b>et tu, Brute</b>: <b><a href="#Page_85">85</a></b> 77. -<br /> +<br > <b>eternal</b>: <b><a href="#Page_20">20</a></b> 160. -<br /> +<br > <b>ethical dative</b>: <b><a href="#Page_26">26</a></b> 263, <b><a href="#Page_115">115</a></b> 18. -<br /> +<br > <b>even virtue</b>: <b><a href="#Page_52">52</a></b> 133. -<br /> +<br > <b>evils</b>: <b><a href="#Page_48">48</a></b> 79. -<br /> +<br > <b>except immortal Cæsar</b>: <b><a href="#Page_13">13</a></b> 60. -<br /> +<br > <b>exhalations</b>: <b><a href="#Page_45">45</a></b> 44. -<br /> +<br > <b>exigent</b>: <b><a href="#Page_145">145</a></b> 19. -<br /> +<br > <b>exorcist</b>: <b><a href="#Page_65">65</a></b> 323. -<br /> +<br > <b>extenuated</b>: <b><a href="#Page_101">101</a></b> 37. -<br /> -<br /> +<br > +<br > <b>face of men</b>: <b><a href="#Page_51">51</a></b> 114. -<br /> +<br > <b>factious</b>: <b><a href="#Page_38">38</a></b> 118. -<br /> +<br > <b>fall</b>: <b><a href="#Page_121">121</a></b> 26. -<br /> +<br > <b>falling-sickness</b>: <b><a href="#Page_16">16</a></b> 119, <b><a href="#Page_25">25</a></b> 252. -<br /> +<br > <b>falls shrewdly to the purpose</b>: <b><a href="#Page_90">90</a></b> 147. -<br /> +<br > <b>false</b>: <b><a href="#Page_143">143</a></b> 291. -<br /> +<br > <b>familiar instances</b>: <b><a href="#Page_121">121</a></b> 16. -<br /> +<br > <b>far</b>: <b><a href="#Page_108">108</a></b> 166. -<br /> +<br > <b>fat</b>: <b><a href="#Page_22">22</a></b> 192. -<br /> +<br > <b>favour</b>: <b><a href="#Page_15">15</a></b> 91, <b><a href="#Page_39">39</a></b> 129, <b><a href="#Page_48">48</a></b> 76. -<br /> +<br > <b>ferret</b>: <b><a href="#Page_21">21</a></b> 186. -<br /> +<br > <b>fever</b>: <b><a href="#Page_16">16</a></b> 119. -<br /> +<br > <b>field</b>: <b><a href="#Page_168">168</a></b> 80. -<br /> +<br > <b>fifteen</b>: <b><a href="#Page_46">46</a></b> 59. -<br /> +<br > <b>fire</b>: <b><a href="#Page_92">92</a></b> 172, <b><a href="#Page_112">112</a></b> 254. -<br /> +<br > <b>first of March</b>: <b><a href="#Page_45">45</a></b> 40. -<br /> +<br > <b>fleering</b>: <b><a href="#Page_38">38</a></b> 117. -<br /> +<br > <b>flint</b>: <b><a href="#Page_130">130</a></b> 111. -<br /> +<br > <b>former</b>: <b><a href="#Page_149">149</a></b> 80. -<br /> +<br > <b>forms</b>: <b><a href="#Page_113">113</a></b> 258. -<br /> +<br > <b>forth</b>: <b><a href="#Page_27">27</a></b> 286. -<br /> +<br > <b>fret</b>: <b><a href="#Page_50">50</a></b> 104. -<br /> +<br > <b>from</b>: <b><a href="#Page_33">33</a></b> 35, <b><a href="#Page_35">35</a></b> 64, <b><a href="#Page_56">56</a></b> 196. -<br /> +<br > <b>full of good regard</b>: <b><a href="#Page_95">95</a></b> 225. -<br /> -<br /> +<br > +<br > <b>gamesome</b>: <b><a href="#Page_11">11</a></b> 28. -<br /> +<br > <b>general</b>: <b><a href="#Page_43">43</a></b> 12. -<br /> +<br > <b>general coffers fill</b>: <b><a href="#Page_104">104</a></b> 89. -<br /> +<br > <b>Genius</b>: <b><a href="#Page_47">47</a></b> 66. -<br /> +<br > <b>ghost of Cæsar</b>: <b><a href="#Page_164">164</a></b> 17. -<br /> +<br > <b>give some soil to</b>: <b><a href="#Page_12">12</a></b> 42. -<br /> +<br > <b>glaz'd</b>: <b><a href="#Page_32">32</a></b> 21. -<br /> +<br > <b>go to</b>: <b><a href="#Page_126">126</a></b> 32. -<br /> +<br > <b>goes up</b>: <b><a href="#Page_147">147</a></b> 52. -<br /> +<br > <b>good respect</b>: <b><a href="#Page_166">166</a></b> 45. -<br /> +<br > <b>great flood</b>: <b><a href="#Page_19">19</a></b> 152. -<br /> +<br > <b>Greek to me</b>: <b><a href="#Page_27">27</a></b> 281. -<br /> +<br > <b>greets me well</b>: <b><a href="#Page_120">120</a></b> 6. -<br /> +<br > <b>griefs</b>: <b><a href="#Page_38">38</a></b> 118, <b><a href="#Page_122">122</a></b> 46. -<br /> +<br > <b>growing on</b>: <b><a href="#Page_50">50</a></b> 107. -<br /> -<br /> +<br > +<br > <b>hands</b>: <b><a href="#Page_29">29</a></b> 313. -<br /> -<span class="pagenum"><a name="Page_171" id="Page_171"></a>171</span> +<br > +<span class="pagenum"><a id="Page_171"></a>171</span> <b>hard</b>: <b><a href="#Page_29">29</a></b> 310, <b><a href="#Page_57">57</a></b> 215. -<br /> +<br > <b>hats</b>: <b><a href="#Page_48">48</a></b> 73. -<br /> +<br > <b>havoc</b>: <b><a href="#Page_98">98</a></b> 274. -<br /> +<br > <b>heap</b>: <b><a href="#Page_32">32</a></b> 23. -<br /> +<br > <b>hearts of controversy</b>: <b><a href="#Page_16">16</a></b> 109. -<br /> +<br > <b>held Epicurus strong</b>: <b><a href="#Page_149">149</a></b> 77. -<br /> +<br > <b>her</b> (of the Tiber): <b><a href="#Page_6">6</a></b> 47. -<br /> +<br > <b>here's the book</b>: <b><a href="#Page_139">139</a></b> 252. -<br /> +<br > <b>high</b>: <b><a href="#Page_50">50</a></b> 110. -<br /> +<br > <b>high-sighted tyranny</b>: <b><a href="#Page_51">51</a></b> 118. -<br /> +<br > <b>hilts</b>: <b><a href="#Page_155">155</a></b> 43. -<br /> +<br > <b>his</b> (its): <b><a href="#Page_17">17</a></b> 124, <b><a href="#Page_124">124</a></b> 8. -<br /> +<br > <b>hold, my hand</b>: <b><a href="#Page_38">38</a></b> 117. -<br /> +<br > <b>holy chase</b>: <b><a href="#Page_9">9</a></b> 8. -<br /> +<br > <b>honey-heavy dew</b>: <b><a href="#Page_58">58</a></b> 230. -<br /> +<br > <b>honourable man</b>: <b><a href="#Page_105">105</a></b> 99. -<br /> +<br > <b>hot at hand</b>: <b><a href="#Page_121">121</a></b> 23. -<br /> +<br > <b>how</b>: <b><a href="#Page_121">121</a></b> 14. -<br /> +<br > <b>how ill this taper burns</b>: <b><a href="#Page_141">141</a></b> 275. -<br /> +<br > <b>however</b>: <b><a href="#Page_28">28</a></b> 296. -<br /> +<br > <b>humour</b> (v.): <b><a href="#Page_29">29</a></b> 312. -<br /> +<br > <b>humour</b> (n.): <b><a href="#Page_60">60</a></b> 250, <b><a href="#Page_130">130</a></b> 109. -<br /> +<br > <b>hurtled</b>: <b><a href="#Page_67">67</a></b> 22. -<br /> +<br > <b>Hybla</b>: <b><a href="#Page_146">146</a></b> 34. -<br /> -<br /> +<br > +<br > <b>Ides of March</b>: <b><a href="#Page_10">10</a></b> 18, <b><a href="#Page_79">79</a></b> 1. -<br /> +<br > <b>images</b>: <b><a href="#Page_7">7</a></b> 66. -<br /> +<br > <b>impatient of my absence</b>: <b><a href="#Page_133">133</a></b> 152. -<br /> +<br > <b>in our stars</b>: <b><a href="#Page_18">18</a></b> 140. -<br /> +<br > <b>in respect of</b>: <b><a href="#Page_4">4</a></b> 10. -<br /> +<br > <b>in some taste</b>: <b><a href="#Page_118">118</a></b> 34. -<br /> +<br > <b>in strength of malice</b>: <b><a href="#Page_92">92</a></b> 175. -<br /> +<br > <b>in their bosoms</b>: <b><a href="#Page_144">144</a></b> 7. -<br /> +<br > <b>incorporate</b>: <b><a href="#Page_39">39</a></b> 135. -<br /> +<br > <b>indifferently</b>: <b><a href="#Page_14">14</a></b> 87. -<br /> +<br > <b>indirection</b>: <b><a href="#Page_128">128</a></b> 75. -<br /> +<br > <b>infinitive used gerundively</b>: <b><a href="#Page_6">6</a></b> 48, <b><a href="#Page_52">52</a></b> 135, <b><a href="#Page_107">107</a></b> 150, <b><a href="#Page_124">124</a></b> 6. -<br /> +<br > <b>insuppressive</b>: <b><a href="#Page_52">52</a></b> 134. -<br /> +<br > <b>it must be by his death</b>: <b><a href="#Page_42">42</a></b> 10. -<br /> -<br /> +<br > +<br > <b>jades</b>: <b><a href="#Page_121">121</a></b> 26. -<br /> +<br > <b>jealous</b>: <b><a href="#Page_20">20</a></b> 162. -<br /> +<br > <b>jealous on</b>: <b><a href="#Page_13">13</a></b> 71. -<br /> +<br > <b>jigging</b>: <b><a href="#Page_132">132</a></b> 137. -<br /> +<br > <b>just</b>: <b><a href="#Page_13">13</a></b> 54. -<br /> -<br /> +<br > +<br > <b>kerchief</b>: <b><a href="#Page_64">64</a></b> 315. -<br /> +<br > <b>keynote of the play</b>: <b><a href="#Page_158">158</a></b> 94. -<br /> +<br > <b>kind</b>: <b><a href="#Page_35">35</a></b> 64. -<br /> +<br > <b>knave</b>: <b><a href="#Page_139">139</a></b> 241. -<br /> -<br /> +<br > +<br > <b>Labeo and Flavius</b>: <b><a href="#Page_159">159</a></b> 108. -<br /> +<br > <b>laughter</b>: <b><a href="#Page_13">13</a></b> 72. -<br /> +<br > <b>law of children</b>: <b><a href="#Page_83">83</a></b> 39. -<br /> +<br > <b>leaden mace</b>: <b><a href="#Page_141">141</a></b> 268. -<br /> +<br > <b>lean</b>: <b><a href="#Page_22">22</a></b> 194. -<br /> +<br > <b>legions on the other side</b>: <b><a href="#Page_152">152</a></b> 2. -<br /> +<br > <b>let it be who it is</b>: <b><a href="#Page_36">36</a></b> 80. -<br /> +<br > <b>let slip</b>: <b><a href="#Page_98">98</a></b> 274. -<br /> +<br > <b>lethe</b>: <b><a href="#Page_94">94</a></b> 207. -<br /> +<br > <b>liable</b>: <b><a href="#Page_72">72</a></b> 104. -<br /> +<br > <b>lief</b>: <b><a href="#Page_15">15</a></b> 95. -<br /> +<br > <b>limbs</b>: <b><a href="#Page_97">97</a></b> 263. -<br /> +<br > <b>lion in the Capitol</b>: <b><a href="#Page_36">36</a></b> 75. -<br /> +<br > <b>listen</b>: <b><a href="#Page_119">119</a></b> 41. -<br /> +<br > <b>live (if I live)</b>: <b><a href="#Page_91">91</a></b> 160. -<br /> +<br > <b>lover</b>: <b><a href="#Page_75">75</a></b> 8, <b><a href="#Page_100">100</a></b> 13. -<br /> +<br > <b>loves no plays</b>: <b><a href="#Page_22">22</a></b> 203. -<br /> +<br > <b>Lucilius</b>: <b><a href="#Page_161">161</a></b> 29. -<br /> +<br > <b>Lucilius and Titinius</b>: <b><a href="#Page_122">122</a></b> 52. -<br /> +<br > <b>Lucius Junius Brutus</b>: <b><a href="#Page_19">19</a></b> 159. -<br /> +<br > <b>Lupercal</b>: <b><a href="#Page_8">8</a></b> 69, <b><a href="#Page_104">104</a></b> 95. -<br /> -<br /> +<br > +<br > <b>mace</b>: <b><a href="#Page_141">141</a></b> 268. -<br /> +<br > <b>main</b>: <b><a href="#Page_56">56</a></b> 196. -<br /> +<br > <b>make head</b>: <b><a href="#Page_119">119</a></b> 42. -<br /> +<br > <b>makes to</b>: <b><a href="#Page_80">80</a></b> 18. -<br /> +<br > <b>man of any occupation</b>: <b><a href="#Page_26">26</a></b> 264. -<br /> +<br > <b>many a time and oft</b>: <b><a href="#Page_5">5</a></b> 39. -<br /> +<br > <b>mark</b>: <b><a href="#Page_80">80</a></b> 18. -<br /> +<br > <b>market-place</b>: <b><a href="#Page_95">95</a></b> 229. -<br /> +<br > <b>marry</b>: <b><a href="#Page_26">26</a></b> 261. -<br /> +<br > <b>me</b> (eth. dat.): <b><a href="#Page_26">26</a></b> 263, <b><a href="#Page_115">115</a></b> 18. -<br /> +<br > <b>means</b>: <b><a href="#Page_12">12</a></b> 49. -<br /> +<br > <b>mechanical</b>: <b><a href="#Page_3">3</a></b> 3. -<br /> +<br > <b>merely</b>: <b><a href="#Page_11">11</a></b> 39. -<br /> +<br > <b>metal</b>: <b><a href="#Page_7">7</a></b> 63. -<br /> +<br > <b>mettle</b>: <b><a href="#Page_7">7</a></b> 63, <b><a href="#Page_28">28</a></b> 293. -<br /> +<br > <b>mistook</b>: <b><a href="#Page_12">12</a></b> 48. -<br /> +<br > <b>mock apt to be render'd</b>: <b><a href="#Page_71">71</a></b> 96. -<br /> +<br > <b>modesty</b>: <b><a href="#Page_94">94</a></b> 214. -<br /> +<br > <b>moe</b>: <b><a href="#Page_48">48</a></b> 72, <b><a href="#Page_159">159</a></b> 101. -<br /> +<br > <b>monstrous apparition</b>: <b><a href="#Page_141">141</a></b> 277. -<br /> +<br > <b>monstrous state</b>: <b><a href="#Page_35">35</a></b> 71. -<br /> +<br > <b>mortal instruments</b>: <b><a href="#Page_47">47</a></b> 66. -<br /> +<br > <b>mortified spirit</b>: <b><a href="#Page_65">65</a></b> 324. -<br /> +<br > <b>most boldest</b>: <b><a href="#Page_89">89</a></b> 122. -<br /> +<br > <b>most like a soldier</b>: <b><a href="#Page_168">168</a></b> 79. -<br /> +<br > <b>motion</b>: <b><a href="#Page_46">46</a></b> 64. -<br /> +<br > <b>murderous slumber</b>: <b><a href="#Page_141">141</a></b> 267. -<br /> +<br > <b>music</b>: <b><a href="#Page_23">23</a></b> 204. -<br /> -<br /> +<br > +<br > <b>napkins</b>: <b><a href="#Page_106">106</a></b> 133. -<br /> +<br > <b>narrow</b>: <b><a href="#Page_18">18</a></b> 135. -<br /> +<br > <b>nature of</b>: <b><a href="#Page_47">47</a></b> 69. -<br /> +<br > <b>neat's-leather</b>: <b><a href="#Page_5">5</a></b> 27. -<br /> +<br > <b>new-added</b>: <b><a href="#Page_137">137</a></b> 209. -<br /> +<br > <b>nice</b>: <b><a href="#Page_124">124</a></b> 8. -<br /> +<br > <b>niggard</b>: <b><a href="#Page_138">138</a></b> 228. -<br /> +<br > <b>night-gown</b>: <b><a href="#Page_66">66</a></b> 1. -<br /> +<br > <b>no fear</b>: <b><a href="#Page_55">55</a></b> 190. -<br /> +<br > <b>no, not an oath</b>: <b><a href="#Page_51">51</a></b> 114. -<br /> +<br > <b>noble vessel full</b>: <b><a href="#Page_163">163</a></b> 13. -<br /> -<span class="pagenum"><a name="Page_172" id="Page_172"></a>172</span> +<br > +<span class="pagenum"><a id="Page_172"></a>172</span> <b>none so poor</b>: <b><a href="#Page_106">106</a></b> 120. -<br /> +<br > <b>nor ... neither</b>: <b><a href="#Page_59">59</a></b> 237. -<br /> +<br > <b>nor nothing</b>: <b><a href="#Page_135">135</a></b> 183. -<br /> +<br > <b>noted</b>: <b><a href="#Page_123">123</a></b> 2. -<br /> +<br > <b>nothing, Messala</b>: <b><a href="#Page_135">135</a></b> 184. -<br /> +<br > <b>nothing jealous</b>: <b><a href="#Page_20">20</a></b> 162. -<br /> +<br > <b>nowt</b>: <b><a href="#Page_5">5</a></b> 27. -<br /> -<br /> +<br > +<br > <b>oath</b>: <b><a href="#Page_51">51</a></b> 114. -<br /> +<br > <b>observe</b>: <b><a href="#Page_126">126</a></b> 45. -<br /> +<br > <b>Octavius</b>: <b><a href="#Page_145">145</a></b> 20, <b><a href="#Page_147">147</a></b> 48. -<br /> +<br > <b>o'ershot myself to tell</b>: <b><a href="#Page_107">107</a></b> 150. -<br /> +<br > <b>o'er-watch'd</b>: <b><a href="#Page_139">139</a></b> 241. -<br /> +<br > <b>of force</b>: <b><a href="#Page_136">136</a></b> 203. -<br /> +<br > <b>of him</b>: <b><a href="#Page_53">53</a></b> 157. -<br /> +<br > <b>of the best respect</b>: <b><a href="#Page_13">13</a></b> 59. -<br /> +<br > <b>old men, fools, and children</b>: <b><a href="#Page_35">35</a></b> 65. -<br /> +<br > <b>omission of indefinite article</b>: <b><a href="#Page_33">33</a></b> 42. -<br /> +<br > <b>omission of the relative</b>: <b><a href="#Page_64">64</a></b> 309. -<br /> +<br > <b>on</b>: <b><a href="#Page_13">13</a></b> 71. -<br /> +<br > <b>on the Lupercal</b>: <b><a href="#Page_104">104</a></b> 95. -<br /> +<br > <b>on this side Tiber</b>: <b><a href="#Page_112">112</a></b> 248. -<br /> +<br > <b>once</b>: <b><a href="#Page_136">136</a></b> 191. -<br /> +<br > <b>only proper to myself</b>: <b><a href="#Page_12">12</a></b> 41. -<br /> +<br > <b>opinion</b>: <b><a href="#Page_53">53</a></b> 145. -<br /> +<br > <b>orchard</b>: <b><a href="#Page_42">42</a></b> 1. -<br /> +<br > <b>order of his funeral</b>: <b><a href="#Page_95">95</a></b> 231. -<br /> +<br > <b>ought not walk</b>: <b><a href="#Page_3">3</a></b> 3. -<br /> +<br > <b>out</b>: <b><a href="#Page_4">4</a></b> 17, 18. -<br /> -<br /> +<br > +<br > <b>palter</b>: <b><a href="#Page_52">52</a></b> 126. -<br /> +<br > <b>part</b>: <b><a href="#Page_168">168</a></b> 81. -<br /> +<br > <b>passion</b>: <b><a href="#Page_12">12</a></b> 48. -<br /> +<br > <b>passions of some difference</b>: <b><a href="#Page_12">12</a></b> 40. -<br /> +<br > <b>past tense for past participle</b>: <b><a href="#Page_12">12</a></b> 48. -<br /> +<br > <b>path</b>: <b><a href="#Page_49">49</a></b> 83. -<br /> +<br > <b>peevish</b>: <b><a href="#Page_148">148</a></b> 61. -<br /> +<br > <b>phantasma</b>: <b><a href="#Page_46">46</a></b> 65. -<br /> +<br > <b>philosophy</b>: <b><a href="#Page_132">132</a></b> 145. -<br /> +<br > <b>physical</b>: <b><a href="#Page_60">60</a></b> 261. -<br /> +<br > <b>pitch</b>: <b><a href="#Page_8">8</a></b> 75. -<br /> +<br > <b>plays thee music</b>: <b><a href="#Page_141">141</a></b> 269. -<br /> +<br > <b>Plutus</b>: <b><a href="#Page_130">130</a></b> 102. -<br /> +<br > <b>Pompey</b> (at Pharsalia): <b><a href="#Page_149">149</a></b> 75. -<br /> +<br > <b>Pompey's basis</b>: <b><a href="#Page_89">89</a></b> 115. -<br /> +<br > <b>Pompey's porch</b>: <b><a href="#Page_39">39</a></b> 126. -<br /> +<br > <b>poor knave</b>: <b><a href="#Page_139">139</a></b> 241. -<br /> +<br > <b>posture of your blows</b>: <b><a href="#Page_146">146</a></b> 33. -<br /> +<br > <b>prætor's chair</b>: <b><a href="#Page_40">40</a></b> 143. -<br /> +<br > <b>prefer</b>: <b><a href="#Page_167">167</a></b> 62. -<br /> +<br > <b>preformed</b>: <b><a href="#Page_35">35</a></b> 67. -<br /> +<br > <b>pre-ordinance and first decree</b>: <b><a href="#Page_82">82</a></b> 38. -<br /> +<br > <b>presently</b>: <b><a href="#Page_82">82</a></b> 28, <b><a href="#Page_136">136</a></b> 197. -<br /> +<br > <b>prevent</b>: <b><a href="#Page_44">44</a></b> 28. -<br /> +<br > <b>prevent the time</b>: <b><a href="#Page_151">151</a></b> 105. -<br /> +<br > <b>prevention</b>: <b><a href="#Page_49">49</a></b> 85. -<br /> +<br > <b>proceeded</b>: <b><a href="#Page_21">21</a></b> 181. -<br /> +<br > <b>prodigies</b>: <b><a href="#Page_56">56</a></b> 198. -<br /> +<br > <b>prodigious</b>: <b><a href="#Page_36">36</a></b> 77. -<br /> +<br > <b>produce</b>: <b><a href="#Page_95">95</a></b> 229. -<br /> +<br > <b>promis'd forth</b>: <b><a href="#Page_27">27</a></b> 286. -<br /> +<br > <b>proof</b>: <b><a href="#Page_43">43</a></b> 21. -<br /> +<br > <b>proper</b> (goodly, handsome): <b><a href="#Page_5">5</a></b> 26. -<br /> +<br > <b>proper to myself</b>: <b><a href="#Page_12">12</a></b> 41. -<br /> +<br > <b>property</b>: <b><a href="#Page_119">119</a></b> 40. -<br /> +<br > <b>protest</b>: <b><a href="#Page_14">14</a></b> 74. -<br /> +<br > <b>Publius</b> (Cæsar): <b><a href="#Page_117">117</a></b> 4. -<br /> +<br > <b>Publius Silicius</b>: <b><a href="#Page_73">73</a></b> 108. -<br /> +<br > <b>pulpits</b>: <b><a href="#Page_86">86</a></b> 80. -<br /> +<br > <b>purgers</b>: <b><a href="#Page_54">54</a></b> 180. -<br /> +<br > <b>put on</b> (betray): <b><a href="#Page_58">58</a></b> 225. -<br /> -<br /> +<br > +<br > <b>quality</b>: <b><a href="#Page_36">36</a></b> 64. -<br /> +<br > <b>quarrel</b>: <b><a href="#Page_44">44</a></b> 28. -<br /> +<br > <b>question</b>: <b><a href="#Page_134">134</a></b> 165. -<br /> +<br > <b>question of his death</b>: <b><a href="#Page_101">101</a></b> 36. -<br /> +<br > <b>quick spirit</b>: <b><a href="#Page_11">11</a></b> 29. -<br /> -<br /> +<br > +<br > <b>rank</b>: <b><a href="#Page_91">91</a></b> 153. -<br /> +<br > <b>rascal</b>: <b><a href="#Page_128">128</a></b> 80. -<br /> +<br > <b>regard</b>: <b><a href="#Page_95">95</a></b> 225. -<br /> +<br > <b>remorse</b>: <b><a href="#Page_43">43</a></b> 19. -<br /> +<br > <b>repealing</b>: <b><a href="#Page_84">84</a></b> 51. -<br /> +<br > <b>replication</b>: <b><a href="#Page_6">6</a></b> 48. -<br /> +<br > <b>resolv'd</b>: <b><a href="#Page_90">90</a></b> 132, <b><a href="#Page_109">109</a></b> 178, <b><a href="#Page_121">121</a></b> 14. -<br /> +<br > <b>retentive to the strength</b>: <b><a href="#Page_37">37</a></b> 95. -<br /> +<br > <b>rheumy</b>: <b><a href="#Page_61">61</a></b> 266. -<br /> +<br > <b>rid</b>: <b><a href="#Page_113">113</a></b> 268. -<br /> +<br > <b>Rome</b>: <b><a href="#Page_19">19</a></b> 156, <b><a href="#Page_99">99</a></b> 290. -<br /> +<br > <b>ruddy drops</b>: <b><a href="#Page_63">63</a></b> 289. -<br /> +<br > <b>rumour</b>: <b><a href="#Page_76">76</a></b> 18. -<br /> -<br /> +<br > +<br > <b>sad</b>: <b><a href="#Page_23">23</a></b> 217. -<br /> +<br > <b>saucy</b>: <b><a href="#Page_30">30</a></b> 11. -<br /> +<br > <b>saving of thy life</b>: <b><a href="#Page_155">155</a></b> 38. -<br /> +<br > <b>secret Romans</b>: <b><a href="#Page_52">52</a></b> 125. -<br /> +<br > <b>security gives way to</b>: <b><a href="#Page_75">75</a></b> 6. -<br /> +<br > <b>sennet</b>: <b><a href="#Page_10">10</a></b> 24. -<br /> +<br > <b>set on</b>: <b><a href="#Page_143">143</a></b> 307. -<br /> +<br > <b>should</b>: <b><a href="#Page_18">18</a></b> 142. -<br /> +<br > <b>should</b> (would): <b><a href="#Page_69">69</a></b> 42. -<br /> +<br > <b>sign'd in thy spoil</b>: <b><a href="#Page_94">94</a></b> 207. -<br /> +<br > <b>singular verbs with plural subjects</b>: <b><a href="#Page_40">40</a></b> 148. -<br /> +<br > <b>slighted off</b>: <b><a href="#Page_124">124</a></b> 5. -<br /> +<br > <b>smatch</b>: <b><a href="#Page_166">166</a></b> 46. -<br /> +<br > <b>so please him come</b>: <b><a href="#Page_90">90</a></b> 141. -<br /> +<br > <b>soft</b>: <b><a href="#Page_25">25</a></b> 249. -<br /> +<br > <b>soil</b>: <b><a href="#Page_12">12</a></b> 43. -<br /> +<br > <b>soles</b>: <b><a href="#Page_4">4</a></b> 15. -<br /> +<br > <b>sooth</b>: <b><a href="#Page_76">76</a></b> 20. -<br /> +<br > <b>soothsayer</b>: <b><a href="#Page_10">10</a></b> 19, <b><a href="#Page_77">77</a></b> 21. -<br /> +<br > <b>speed</b>: <b><a href="#Page_15">15</a></b> 88. -<br /> -<span class="pagenum"><a name="Page_173" id="Page_173"></a>173</span> +<br > +<span class="pagenum"><a id="Page_173"></a>173</span> <b>spleen</b>: <b><a href="#Page_126">126</a></b> 47. -<br /> +<br > <b>spoil</b>: <b><a href="#Page_94">94</a></b> 307. -<br /> +<br > <b>stale</b>: <b><a href="#Page_14">14</a></b> 73. -<br /> +<br > <b>stal'd</b>: <b><a href="#Page_118">118</a></b> 38. -<br /> +<br > <b>stand upon</b>: <b><a href="#Page_88">88</a></b> 101. -<br /> +<br > <b>stare</b>: <b><a href="#Page_142">142</a></b> 380. -<br /> +<br > <b>Statilius</b>: <b><a href="#Page_162">162</a></b> 3. -<br /> +<br > <b>statue</b>: <b><a href="#Page_70">70</a></b> 76. -<br /> +<br > <b>stomachs</b>: <b><a href="#Page_148">148</a></b> 66. -<br /> +<br > <b>strain</b>: <b><a href="#Page_148">148</a></b> 59. -<br /> +<br > <b>stricken</b>: <b><a href="#Page_55">55</a></b> 192. -<br /> +<br > <b>suburbs</b>: <b><a href="#Page_62">62</a></b> 285. -<br /> +<br > <b>success</b>: <b><a href="#Page_67">67</a></b> 6. -<br /> +<br > <b>sufferance</b>: <b><a href="#Page_51">51</a></b> 115. -<br /> +<br > <b>sway of earth</b>: <b><a href="#Page_30">30</a></b> 3. -<br /> +<br > <b>sword</b>: <b><a href="#Page_155">155</a></b> 46. -<br /> -<br /> +<br > +<br > <b>tag-rag people</b>: <b><a href="#Page_26">26</a></b> 256. -<br /> +<br > <b>take thought and die</b>: <b><a href="#Page_55">55</a></b> 187. -<br /> +<br > <b>tardy form</b>: <b><a href="#Page_28">28</a></b> 296. -<br /> +<br > <b>taste</b>: <b><a href="#Page_118">118</a></b> 34. -<br /> +<br > <b>taste of death</b>: <b><a href="#Page_68">68</a></b> 33. -<br /> +<br > <b>temper</b>: <b><a href="#Page_17">17</a></b> 129. -<br /> +<br > <b>Thasos</b>: <b><a href="#Page_159">159</a></b> 104. -<br /> +<br > <b>that</b>: <b><a href="#Page_6">6</a></b> 47. -<br /> +<br > <b>that it is disposed</b>: <b><a href="#Page_28">28</a></b> 307. -<br /> +<br > <b>there is tears</b>: <b><a href="#Page_101">101</a></b> 26. -<br /> +<br > <b>there was a crown offered him</b>: <b><a href="#Page_24">24</a></b> 220. -<br /> +<br > <b>these</b> (such and such): <b><a href="#Page_32">32</a></b> 30. -<br /> +<br > <b>these ... as</b>: <b><a href="#Page_21">21</a></b> 174. -<br /> +<br > <b>thews</b>: <b><a href="#Page_36">36</a></b> 81. -<br /> +<br > <b>they stab Cæsar</b>: <b><a href="#Page_85">85</a></b> 76. -<br /> +<br > <b>things unluckily charge</b>: <b><a href="#Page_114">114</a></b> 2. -<br /> +<br > <b>thorough</b>: <b><a href="#Page_90">90</a></b> 137. -<br /> +<br > <b>three and thirty</b>: <b><a href="#Page_147">147</a></b> 53. -<br /> +<br > <b>thunder-stone</b>: <b><a href="#Page_34">34</a></b> 49. -<br /> +<br > <b>tide in the affairs of men</b>: <b><a href="#Page_137">137</a></b> 218. -<br /> +<br > <b>times abuse</b>: <b><a href="#Page_51">51</a></b> 115. -<br /> +<br > <b>'tis just</b>: <b><a href="#Page_13">13</a></b> 54. -<br /> +<br > <b>to hear</b>: <b><a href="#Page_6">6</a></b> 48. -<br /> +<br > <b>to hell among the rogues</b>: <b><a href="#Page_26">26</a></b> 265. -<br /> +<br > <b>to mourn</b>: <b><a href="#Page_105">105</a></b> 103. -<br /> +<br > <b>to-night</b>: <b><a href="#Page_70">70</a></b> 76, <b><a href="#Page_114">114</a></b> 1. -<br /> +<br > <b>to think</b>: <b><a href="#Page_52">52</a></b> 135. -<br /> +<br > <b>to write</b>: <b><a href="#Page_124">124</a></b> 6. -<br /> +<br > <b>toils</b>: <b><a href="#Page_57">57</a></b> 206. -<br /> +<br > <b>trod upon neat's-leather</b>: <b><a href="#Page_5">5</a></b> 27. -<br /> +<br > <b>trophies</b>: <b><a href="#Page_8">8</a></b> 71. -<br /> +<br > <b>true</b>: <b><a href="#Page_25">25</a></b> 259. -<br /> -<br /> +<br > +<br > <b>unbraced</b>: <b><a href="#Page_34">34</a></b> 48. -<br /> +<br > <b>undergo</b>: <b><a href="#Page_38">38</a></b> 123. -<br /> +<br > <b>unfirm</b>: <b><a href="#Page_30">30</a></b> 4. -<br /> +<br > <b>unmeritable</b>: <b><a href="#Page_117">117</a></b> 13. -<br /> +<br > <b>upon a heap</b>: <b><a href="#Page_32">32</a></b> 23. -<br /> +<br > <b>upon a wish</b>: <b><a href="#Page_113">113</a></b> 265. -<br /> +<br > <b>us ourself</b>: <b><a href="#Page_79">79</a></b> 8. -<br /> -<br /> +<br > +<br > <b>ventures</b>: <b><a href="#Page_137">137</a></b> 224. -<br /> +<br > <b>vulgar</b> (n.): <b><a href="#Page_8">8</a></b> 72. -<br /> -<br /> +<br > +<br > <b>walks</b>: <b><a href="#Page_19">19</a></b> 155. -<br /> +<br > <b>warn</b>: <b><a href="#Page_144">144</a></b> 5. -<br /> +<br > <b>was</b> (were): <b><a href="#Page_124">124</a></b> 5. -<br /> +<br > <b>wear a kerchief</b>: <b><a href="#Page_64">64</a></b> 315. -<br /> +<br > <b>weighing</b>: <b><a href="#Page_50">50</a></b> 108. -<br /> +<br > <b>well given</b>: <b><a href="#Page_22">22</a></b> 197. -<br /> +<br > <b>what</b>: <b><a href="#Page_33">33</a></b> 43, <b><a href="#Page_42">42</a></b> 1. -<br /> +<br > <b>what need we</b>: <b><a href="#Page_51">51</a></b> 123. -<br /> +<br > <b>what villain touch'd</b>: <b><a href="#Page_125">125</a></b> 20. -<br /> +<br > <b>where</b>: <b><a href="#Page_13">13</a></b> 59. -<br /> +<br > <b>where</b> (whether): <b><a href="#Page_7">7</a></b> 63, <b><a href="#Page_158">158</a></b> 97. -<br /> +<br > <b>whether</b>: <b><a href="#Page_56">56</a></b> 194. -<br /> +<br > <b>who</b>: <b><a href="#Page_32">32</a></b> 21. -<br /> +<br > <b>wind</b> (v.): <b><a href="#Page_118">118</a></b> 32. -<br /> +<br > <b>wit</b>: <b><a href="#Page_110">110</a></b> 219. -<br /> +<br > <b>with</b>: <b><a href="#Page_36">36</a></b> 83, <b><a href="#Page_97">97</a></b> 269. -<br /> +<br > <b>with a spot I damn him</b>: <b><a href="#Page_117">117</a></b> 6. -<br /> +<br > <b>with a thought</b>: <b><a href="#Page_154">154</a></b> 19. -<br /> +<br > <b>wonderful</b>: <b><a href="#Page_31">31</a></b> 14. -<br /> +<br > <b>work alive</b>: <b><a href="#Page_136">136</a></b> 196. -<br /> +<br > <b>work me to</b>: <b><a href="#Page_20">20</a></b> 163. -<br /> +<br > <b>worthy note</b>: <b><a href="#Page_21">21</a></b> 181. -<br /> +<br > <b>writ</b>: <b><a href="#Page_135">135</a></b> 183. -<br /> +<br > <b>wrong</b> (harm): <b><a href="#Page_96">96</a></b> 243. -<br /> -<br /> +<br > +<br > <b>yearns</b>: <b><a href="#Page_74">74</a></b> 129. -<br /> +<br > <b>yonder troops</b>: <b><a href="#Page_154">154</a></b> 16. -<br /> +<br > <b>you</b>: <b><a href="#Page_3">3</a></b> 9. -<br /> +<br > <b>you know</b>: <b><a href="#Page_31">31</a></b> 15. -<br /> +<br > <b>you were best</b>: <b><a href="#Page_115">115</a></b> 12. -<br /> +<br > <b>you'll bear me</b>: <b><a href="#Page_115">115</a></b> 18. </p> -<h5><a name="Quotations_From_Plutarch" id="Quotations_From_Plutarch">II. QUOTATIONS FROM PLUTARCH</a></h5> +<h5><a id="Quotations_From_Plutarch">II. QUOTATIONS FROM PLUTARCH</a></h5> <p> <b>Antony, Octavius, and Lepidus</b>: <b><a href="#Page_116">116</a></b> 1. -<br /> +<br > <b>Antony a lover of plays</b>: <b><a href="#Page_22">22</a></b> 103. -<br /> +<br > <b>Antony and Cæsar's burial</b>: <b><a href="#Page_95">95</a></b> 231. -<br /> +<br > <b>Antony and Lepidus</b>: <b><a href="#Page_87">87</a></b> 97. -<br /> +<br > <b>Antony's eulogy of Brutus</b>: <b><a href="#Page_167">167</a></b> 69. -<br /> +<br > <b>Antony's oration</b>: <b><a href="#Page_103">103</a></b> 72. -<br /> +<br > <b>Antony's personal habits</b>: <b><a href="#Page_55">55</a></b> 188. -<br /> +<br > <b>Artemidorus and Cæsar</b>: <b><a href="#Page_74">74</a></b> 1. -<br /> +<br > <b>Brutus, Statilius, and Dardanus</b>: <b><a href="#Page_162">162</a></b> 3. -<br /> +<br > <b>Brutus and Cassius</b>: <b><a href="#Page_123">123</a></b> 1, <b><a href="#Page_124">124</a></b> 8, <b><a href="#Page_125">125</a></b> 18, 28, <b><a href="#Page_129">129</a></b> 82, <b><a href="#Page_136">136</a></b> 203. -<br /> +<br > <b>Brutus and Lucius Pella</b>: <b><a href="#Page_124">124</a></b> 3. -<br /> -<span class="pagenum"><a name="Page_174" id="Page_174"></a>174</span> +<br > +<span class="pagenum"><a id="Page_174"></a>174</span> <b>Brutus and Popilius Laena</b>: <b><a href="#Page_81">81</a></b> 23. -<br /> +<br > <b>Brutus and the apparition</b>: <b><a href="#Page_141">141</a></b> 277, <b><a href="#Page_164">164</a></b> 17. -<br /> +<br > <b>Brutus and the Senators</b>: <b><a href="#Page_87">87</a></b> 83, <b><a href="#Page_93">93</a></b> 181. -<br /> +<br > <b>Brutus and writings on his chair</b>: <b><a href="#Page_40">40</a></b> 143. -<br /> +<br > <b>Brutus as Praetor</b>: <b><a href="#Page_40">40</a></b> 143. -<br /> +<br > <b>Brutus impersonated by Lucilius</b>: <b><a href="#Page_161">161</a></b> 29. -<br /> +<br > <b>Brutus on Cassius's death</b>: <b><a href="#Page_159">159</a></b> 104. -<br /> +<br > <b>Brutus sends the word of battle</b>: <b><a href="#Page_152">152</a></b> 1. -<br /> +<br > <b>Brutus's death</b>: <b><a href="#Page_165">165</a></b> 43. -<br /> +<br > <b>Brutus's habits</b>: <b><a href="#Page_140">140</a></b> 252. -<br /> +<br > <b>Brutus's influence</b>: <b><a href="#Page_51">51</a></b> 114. -<br /> +<br > <b>Brutus's manner of speech</b>: <b><a href="#Page_102">102</a></b> 43. -<br /> +<br > <b>Brutus's philosophy of life</b>: <b><a href="#Page_151">151</a></b> 105. -<br /> +<br > <b>Brutus's speech</b>: <b><a href="#Page_100">100</a></b> 11. -<br /> +<br > <b>Cæsar and Calpurnia</b>: <b><a href="#Page_66">66</a></b> 2. -<br /> +<br > <b>Cæsar and Decius</b>: <b><a href="#Page_72">72</a></b> 107. -<br /> +<br > <b>Cæsar and the Soothsayer</b>: <b><a href="#Page_79">79</a></b> 1. -<br /> +<br > <b>Cæsar stricken like a hunted beast</b>: <b><a href="#Page_94">94</a></b> 205. -<br /> +<br > <b>Cæsar's blood on Pompey's image</b>: <b><a href="#Page_89">89</a></b> 116. -<br /> +<br > <b>Cæsar's death</b>: <b><a href="#Page_86">86</a></b> 77. -<br /> +<br > <b>Cæsar's death omens</b>: <b><a href="#Page_31">31</a></b> 14. -<br /> +<br > <b>Cæsar's description of Cassius</b>: <b><a href="#Page_22">22</a></b> 192. -<br /> +<br > <b>Cæsar's falling-sickness</b>: <b><a href="#Page_26">26</a></b> 268. -<br /> +<br > <b>Cæsar's images</b>: <b><a href="#Page_8">8</a></b> 67. -<br /> +<br > <b>Cæsar's prowess</b>: <b><a href="#Page_108">108</a></b> 172. -<br /> +<br > <b>Cæsar's superstitions</b>: <b><a href="#Page_72">72</a></b> 107. -<br /> +<br > <b>Cæsar's testament</b>: <b><a href="#Page_111">111</a></b> 239. -<br /> +<br > <b>Cæsar's triumph over the Pompeians</b>: <b><a href="#Page_6">6</a></b> 53. -<br /> +<br > <b>Cæsar's views on death</b>: <b><a href="#Page_68">68</a></b> 33. -<br /> +<br > <b>Calpurnia pleads with Cæsar</b>: <b><a href="#Page_66">66</a></b> 2. -<br /> +<br > <b>Cassius an Epicurean</b>: <b><a href="#Page_149">149</a></b> 77. -<br /> +<br > <b>Cassius and Pindarus</b>: <b><a href="#Page_155">155</a></b> 50. -<br /> +<br > <b>Cassius and Titinius</b>: <b><a href="#Page_157">157</a></b> 90. -<br /> +<br > <b>Cassius described by Cæsar</b>: <b><a href="#Page_22">22</a></b> 192. -<br /> +<br > <b>Cassius's birthday</b>: <b><a href="#Page_149">149</a></b> 72. -<br /> +<br > <b>Cassius's character</b>: <b><a href="#Page_22">22</a></b> 203. -<br /> +<br > <b>Cassius's sword</b>: <b><a href="#Page_155">155</a></b> 46. -<br /> +<br > <b>Cassius's weak sight</b>: <b><a href="#Page_154">154</a></b> 21. -<br /> +<br > <b>Cicero and the conspirators</b>: <b><a href="#Page_53">53</a></b> 150. -<br /> +<br > <b>Cicero's death</b>: <b><a href="#Page_135">135</a></b> 179. -<br /> +<br > <b>Cinna's dream and death</b>: <b><a href="#Page_114">114</a></b> 1. -<br /> +<br > <b>Decius pleads with Cæsar</b>: <b><a href="#Page_72">72</a></b> 107. -<br /> +<br > <b>eagles on the ensigns</b>: <b><a href="#Page_149">149</a></b> 80. -<br /> +<br > <b>effect of the murder upon the people</b>: <b><a href="#Page_88">88</a></b> 98. -<br /> +<br > <b>exhalations</b>: <b><a href="#Page_45">45</a></b> 44. -<br /> +<br > <b>first of March</b>: <b><a href="#Page_45">45</a></b> 40. -<br /> +<br > <b>hour of the battle</b>: <b><a href="#Page_159">159</a></b> 109. -<br /> +<br > <b>Ides of March</b>: <b><a href="#Page_79">79</a></b> 1. -<br /> +<br > <b>Ligarius</b>: <b><a href="#Page_57">57</a></b> 215. -<br /> +<br > <b>Lucilius impersonates Brutus</b>: <b><a href="#Page_161">161</a></b> 29. -<br /> +<br > <b>mob's violence</b>: <b><a href="#Page_112">112</a></b> 252. -<br /> +<br > <b>Munda</b> (battle of): <b><a href="#Page_6">6</a></b> 53. -<br /> +<br > <b>Phaonius quotes Homer</b>: <b><a href="#Page_131">131</a></b> 128. -<br /> +<br > <b>Poet's interruption</b>: <b><a href="#Page_131">131</a></b> 130. -<br /> +<br > <b>Pompey's porch</b>: <b><a href="#Page_39">39</a></b> 126. -<br /> +<br > <b>Portia's</b> (Porcia) <b>anxiety</b>: <b><a href="#Page_75">75</a></b> 1. -<br /> +<br > <b>Portia's courage</b>: <b><a href="#Page_61">61</a></b> 279. -<br /> +<br > <b>Portia's death</b>: <b><a href="#Page_133">133</a></b> 156. -<br /> +<br > <b>Portia's suspicion</b>: <b><a href="#Page_59">59</a></b> 233. -<br /> +<br > <b>signal of battle</b>: <b><a href="#Page_145">145</a></b> 14. -<br /> +<br > <b>soothsayer's warning</b>: <b><a href="#Page_79">79</a></b> 1. -<br /> +<br > <b>Titinius kills himself</b>: <b><a href="#Page_157">157</a></b> 90. -<br /> +<br > <b>triumvirs meet near Bononia</b>: <b><a href="#Page_116">116</a></b> 1. -<br /> +<br > <b>Young Cato's death</b>: <b><a href="#Page_160">160</a></b> 11. </p> @@ -16462,386 +16504,6 @@ has been changed to "notes on a trumpet, used, as here," </p> </div> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of The New Hudson Shakespeare: Julius -Caesar, by William Shakespeare - -*** END OF THIS PROJECT GUTENBERG EBOOK JULIUS CAESAR *** - -***** This file should be named 28334-h.htm or 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