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+The Project Gutenberg EBook of A Likely Story, by William Dean Howells
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: A Likely Story
+
+Author: William Dean Howells
+
+Release Date: March 11, 2009 [EBook #28305]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK A LIKELY STORY ***
+
+
+
+
+Produced by David Edwards, Diane Monico, and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from scans of public domain material
+produced by Microsoft for their Live Search Books site.)
+
+
+
+
+
+
+
+
+
+
+
+A
+
+LIKELY STORY
+
+BY
+W. D. HOWELLS.
+
+HARPER'S
+BLACK & WHITE
+SERIES
+
+
+
+
+A LIKELY STORY
+
+
+[Illustration: "THE MOST EXCITING PART."]
+
+
+
+
+A LIKELY STORY
+
+Farce
+
+
+BY
+
+W. D. HOWELLS
+
+
+ILLUSTRATED
+
+[Illustration]
+
+NEW YORK
+HARPER AND BROTHERS
+1894
+
+
+
+
+Harper's "Black and White" Series.
+
+Illustrated. 32mo, Cloth, 50 cents each.
+
+
+_LATEST ISSUES:_
+
+ FIVE O'CLOCK TEA. Farce. By W. D. Howells.
+
+ THE MOUSE-TRAP. Farce. By W. D. Howells.
+
+ A LIKELY STORY. Farce. By W. D. Howells.
+
+ THIS PICTURE AND THAT. A Comedy. By Brander Matthews.
+
+ TRAVELS IN AMERICA 100 YEARS AGO. By Thomas Twining.
+
+ MY YEAR IN A LOG CABIN. By William Dean Howells.
+
+ EVENING DRESS. A Farce. By William Dean Howells.
+
+ THE WORK OF WASHINGTON IRVING. By Charles Dudley Warner.
+
+ EDWIN BOOTH. By Laurence Hutton.
+
+ PHILLIPS BROOKS. By Rev. Arthur Brooks, D.D.
+
+ THE DECISION OF THE COURT. A Comedy. By Brander Matthews.
+
+ GEORGE WILLIAM CURTIS. By John White Chadwick.
+
+ THE UNEXPECTED GUESTS. A Farce. By William Dean Howells.
+
+ SLAVERY AND THE SLAVE TRADE IN AFRICA. By Henry M. Stanley.
+
+ THE RIVALS. By François Coppée.
+
+ WHITTIER: NOTES OF HIS LIFE AND OF HIS FRIENDSHIPS. By Annie
+ Fields.
+
+ THE JAPANESE BRIDE. By Naomi Tamura.
+
+ GILES COREY, YEOMAN. By Mary E. Wilkins.
+
+ COFFEE AND REPARTEE. By John Kendrick Bangs.
+
+PUBLISHED BY HARPER & BROTHERS, NEW YORK.
+
+_For sale by all booksellers, or will be sent by the publishers,
+postage prepaid, on receipt of price._
+
+
+Copyright, 1894, by HARPER & BROTHERS.
+
+Copyright, 1885, by HARPER & BROTHERS.
+
+Copyright, 1885, by W. D. HOWELLS.
+
+_All rights reserved._
+
+
+
+
+CONTENTS
+
+
+Chapter Page
+
+ I MR. AND MRS. WILLIS CAMPBELL 7
+
+ II MR. WELLING; MR. CAMPBELL 29
+
+ III MRS. CAMPBELL; MR. WELLING; MR. CAMPBELL 34
+
+ IV JANE; MRS. CAMPBELL; WELLING; CAMPBELL 39
+
+ V MRS. CAMPBELL; WELLING; CAMPBELL 41
+
+ VI JANE; MRS. CAMPBELL; WELLING; CAMPBELL 43
+
+ VII MRS. CAMPBELL; WELLING; CAMPBELL 44
+
+VIII MISS RICE, MISS GREENWAY, and the OTHERS 48
+
+ IX MISS GREENWAY; MR. WELLING 50
+
+ X MISS RICE; then MR. and MRS. CAMPBELL, and the OTHERS 53
+
+
+
+
+ILLUSTRATIONS
+
+
+"THE MOST EXCITING PART OF IT" _Frontispiece_
+
+MR. WELLING EXPLAINS _Facing page 52_
+
+
+
+
+A LIKELY STORY
+
+
+
+
+I
+
+_MR. AND MRS. WILLIS CAMPBELL_
+
+
+Mrs. Campbell: "Now this, I think, is the most exciting part of the
+whole affair, and the pleasantest." She is seated at breakfast in her
+cottage at Summering-by-the-Sea. A heap of letters of various stylish
+shapes, colors, and superscriptions lies beside her plate, and
+irregularly straggles about among the coffee-service. Vis-à-vis with her
+sits Mr. Campbell behind a newspaper. "How prompt they are! Why, I
+didn't expect to get half so many answers yet. But that shows that where
+people have nothing to do _but_ attend to their social duties they are
+always prompt--even the men; women, of course, reply early anyway, and
+you don't really care for them; but in town the men seem to put it off
+till the very last moment, and then some of them call when it's over to
+excuse themselves for not having come after accepting. It really makes
+you wish for a leisure class. It's only the drive and hurry of American
+life that make our men seem wanting in the _convenances_; and if they
+had the time, with their instinctive delicacy, they would be perfect: it
+would come from the heart: they're more truly polite now. Willis, just
+_look_ at this!"
+
+Campbell, behind his paper: "Look at what?"
+
+Mrs. Campbell: "These replies. Why, I do believe that more than half the
+people have answered already, and the invitations only went out
+yesterday. That comes from putting on R.S.V.P. I knew I was right, and I
+shall always do it, I don't care what _you_ say."
+
+Campbell: "You didn't put on R.S.V.P. after all I said?" He looks round
+the edge of his paper at her.
+
+Mrs. Campbell: "_Yes_, I did. The idea of your setting up for an
+authority in such a thing as that!"
+
+Campbell: "Then I'm sorry I didn't ask you to do it. It's a shame to
+make people say whether they'll come to a garden-party from four till
+seven or not."
+
+Mrs. Campbell: "A shame? How can you provide if you don't know how many
+are coming? I should like to know that. But of course I couldn't expect
+you to give in gracefully."
+
+Campbell: "I should give in gracefully if I gave in at all, but I
+don't." He throws his paper down beside his chair. "Here, hand over the
+letters, and I'll be opening them for you while you pour out the
+coffee."
+
+Mrs. Campbell, covering the letters with her hands: "Indeed you won't!"
+
+Campbell: "Well, pour out the coffee, then, anyway."
+
+Mrs. Campbell, after a moment's reflection: "No, I shall not do it. I'm
+going to open them every one before you get a drop of coffee--just to
+punish you."
+
+Campbell: "To punish me? For what?" Mrs. Campbell hesitates, as if at a
+loss what to say. "There! you don't know."
+
+Mrs. Campbell: "Yes, I do: for saying I oughtn't to have put on R.S.V.P.
+Do you take it back?"
+
+Campbell: "How can I till I've had some coffee? My mind won't work on an
+empty stomach. Well--" He rises and goes round the table towards her.
+
+Mrs. Campbell, spreading both arms over the letters: "Willis, if you
+dare to touch them, I'll ring for Jane, and then she'll see you cutting
+up."
+
+Campbell: "Touch what? I'm coming to get some coffee."
+
+Mrs. Campbell: "Well, I'll give you some coffee; but don't you touch a
+single one of those letters--after what you've said."
+
+Campbell: "All right!" He extends one hand for the coffee, and with the
+other sweeps all the letters together, and starts back to his place. As
+she flies upon him, "Look out, Amy; you'll make me spill this coffee all
+over the table-cloth."
+
+Mrs. Campbell, sinking into her seat: "Oh, Willis, how can you be so
+base? _Give_ me my letters. _Do!_"
+
+Campbell, sorting them over: "You may have half."
+
+Mrs. Campbell: "No; I shall have all. I insist upon it."
+
+Campbell: "Well, then, you may have all the ladies' letters. There are
+twice as many of them."
+
+Mrs. Campbell: "No; I shall have the men's, too. Give me the men's
+first."
+
+Campbell: "How can I tell which are the men's without opening them?"
+
+Mrs. Campbell: "How could you tell which were the ladies'? Come, now,
+Willis, don't tease me any longer. You know I hate it."
+
+Campbell, studying the superscriptions, one after another: "I want to
+see if I can guess who wrote them. Don't you like to guess who wrote
+your letters before you open them?"
+
+Mrs. Campbell, with dignity: "I don't like to guess who wrote other
+people's letters." She looks down at the table-cloth with a menace of
+tears, and Campbell instantly returns all the notes.
+
+Campbell: "There, Amy; you may have them. I don't care who wrote them,
+nor what's in them. And I don't want you to interrupt me with any
+exclamations over them, if you please." He reaches to the floor for his
+newspaper, and while he sips his coffee, Mrs. Campbell loses no time in
+opening her letters.
+
+Mrs. Campbell: "I shall do nothing _but_ exclaim. The Curwens accept, of
+course--the very first letter. That means Mrs. Curwen; that is one, at
+any rate. The New York Addingses do, and the Philadelphia Addingses
+don't; I hardly expected they would, so soon after their aunt's death,
+but I thought I ought to ask them. Mr. and Mrs. Roberts, naturally; it
+was more a joke than anything, sending their invitation. Mrs. and the
+Misses Carver regret very much; well, _I_ don't. Professor and Mrs.
+Traine are very happy, and so am I; he doesn't go everywhere, and he's
+awfully nice. Mr. and Mrs. Lou Bemis are very happy, too, and Dr. Lawton
+is very happy. Mrs. Bridges Dear Mrs. Campbells me, and is very sorry in
+the first person; she's always nice. Mr. Phillips, Mr. Rangeley, Mr.
+Small, Mr. Peters, Mr. Staples, Mr. Thornton, _all_ accept, and they're
+all charming young fellows."
+
+Campbell, around his paper: "Well, what of that?"
+
+Mrs. Campbell, with an air of busy preoccupation: "Don't eavesdrop,
+please; I wasn't talking to you. The Merrills have the pleasure, and the
+Morgans are sorrow-stricken; the--"
+
+Campbell: "Yes, but why should you care whether those fellows are
+charming or not? Who's going to marry them?"
+
+Mrs. Campbell: "_I_ am. Mrs. Stevenson is bowed to the earth; Colonel
+Murphree is overjoyed; the Misses Ja--"
+
+Campbell, putting his paper down: "Look here, Amy. Do you know that you
+have one little infinitesimal ewe-lamb of a foible? You think too much
+of young men."
+
+Mrs. Campbell: "_Younger_ men, you mean. And _you_ have a multitude of
+perfectly mammoth peccadilloes. You interrupt." She goes on opening and
+reading her letters. "Well, I didn't expect the Macklines _could_; but
+everybody seems to be coming."
+
+Campbell: "You pay them too much attention altogether. It spoils them;
+and one of these days you'll be getting some of them in love with you,
+and _then_ what will you do?"
+
+Mrs. Campbell, with affected distraction: "What _are_ you talking about?
+I'd refer them to you, and you could kill them. I suppose you killed
+lots of people in California. That's what you always gave me to
+understand." She goes on with her letters.
+
+Campbell: "I never killed a single human being that I can remember; but
+there's no telling what I might do if I were provoked. Now, there's that
+young Welling. He's about here under my feet all the time; and he's got
+a way lately of coming in through the window from the piazza that's very
+intimate. He's a nice fellow enough, and sweet, as you say. I suppose he
+has talent, too, but I never heard that he had set any of the adjacent
+watercourses on fire; and I don't know that he could give the Apollo
+Belvedere many points in beauty and beat him."
+
+Mrs. Campbell: "_I_ do. Mrs. and Miss Rice accept, and her friend Miss
+Greenway, who's staying with her, and--yes! here's one from Mr. Welling!
+_Oh_, how glad I am! Willis, dearest, if I _could_ be the means of
+bringing those two lovely young creatures together, I should be _so_
+happy! _Don't_ you think, now, he _is_ the most delicate-minded, truly
+refined, exquisitely modest young fellow that ever was?" She presses the
+unopened note to her corsage, and leans eagerly forward entreating a
+sympathetic acquiescence.
+
+Campbell: "Well, as far as I can remember my own youth, no. But what
+does he say?"
+
+Mrs. Campbell, regarding the letter: "I haven't looked yet. He writes
+the _most_ characteristic hand, for a man, that I ever saw. And he has
+the divinest taste in perfumes! Oh, I wonder what _that_ is? Like a
+memory--a regret." She presses it repeatedly to her pretty nose, in the
+endeavor to ascertain.
+
+Campbell: "Oh, hello!"
+
+Mrs. Campbell, laughing: "Willis, you _are_ delightful. I should like to
+see you really jealous once."
+
+Campbell: "You won't, as long as I know my own incomparable charm. But
+give me that letter, Amy, if you're not going to open it. I want to see
+whether Welling is going to come."
+
+Mrs. Campbell, fondly: "Would you _really_ like to open it? I've half a
+mind to let you, just for a reward."
+
+Campbell: "Reward! What for?"
+
+Mrs. Campbell: "Oh, I don't know. Being so nice."
+
+Campbell: "That's something I can't help. It's no merit. Well, hand over
+the letter."
+
+Mrs. Campbell: "I should have thought you'd insist on _my_ opening it,
+after that."
+
+Campbell: "Why?"
+
+Mrs. Campbell: "To show your confidence."
+
+Campbell: "When I haven't got any?"
+
+Mrs. Campbell, tearing the note open: "Well, it's no use trying any
+sentiment with you, or any generosity either. You're always just the
+same; a teasing joke is your ideal. You can't imagine a woman's wanting
+to keep up a little romance all through; and a character like Mr.
+Welling's, who's all chivalry and delicacy and deference, is quite
+beyond you. That's the reason you're always sneering at him."
+
+Campbell: "I'm not sneering at him, my dear. I'm only afraid Miss Rice
+isn't good enough for him."
+
+Mrs. Campbell, instantly placated: "Well, she's the only girl who's
+anywhere _near_ it. I don't say she's faultless, but she has a great
+deal of character, and she's very practical; just the counterpart of his
+dreaminess; and she _is_ very, _very_ good-looking, don't you think?"
+
+Campbell: "Her bang isn't so nice as his."
+
+Mrs. Campbell: "No; and aren't his eyes beautiful? And that high,
+serious look! And his nose and chin are perfectly divine. He looks like
+a young god!"
+
+Campbell: "I dare say; though I never saw an old one. Well, is he
+coming? I'm not jealous, but I'm impatient. Read it out loud."
+
+Mrs. Campbell, sinking back in her chair for the more luxurious perusal
+of the note: "Indeed I shall not." She opens it and runs it hastily
+through, with various little starts, stares, frowns, smiles of arrested
+development, laughs, and cries: "Why--why! What does it mean? Is he
+crazy? Why, there's some mistake. No! It's his hand--and here's his
+name. I can't make it out." She reads it again and again. "Why, it's
+perfectly bewildering! Why, there must be some mistake. He couldn't have
+meant it. Could he have imagined? Could he have dared? There never has
+been the slightest thing that could be tortured into--But of course not.
+And Mr. Welling, of all men! Oh, I can't understand it! Oh, Willis,
+Willis, Willis! What _does_ it mean?" She flings the note wildly across
+the table, and catching her handkerchief to her face, falls back into
+her chair, tumultuously sobbing.
+
+Campbell, with the calm of a man accustomed to emotional superabundance,
+lifting the note from the toast-rack before him: "Well, let's see." He
+reads aloud: "'Oh, my darling! How can I live till I see you? I will be
+there long _before_ the hour! To think of your _asking_ me! You should
+have said, "I permit you to come," and I would have flown from the ends
+of the earth. The presence of others will be nothing. It will be sweet
+to ignore them in my heart, and while I see you moving among them, and
+looking after their pleasure with that beautiful thoughtfulness of
+yours, to think, "She is mine, mine, mine!"
+
+ "Oh, young lord lover, what sighs are those
+ For one that can never be thine?"
+
+I thank you, and thank you a thousand times over, for this proof of your
+trust in me, and of your love--_our_ love. You shall be the sole keeper
+of our secret--it is so sweet to think that no one even suspects
+it!--and it shall live with you, and if you will, it shall die with me.
+Forever yours, Arthur Welling.'" Campbell turns the note over, and
+picking up the envelope, examines the address. "Well, _upon_ my word!
+It's to you, Amy--on the outside, anyway. What do you suppose he
+means?"
+
+Mrs. Campbell, in her handkerchief: "Oh, I don't know; I _don't_ know
+why he should address such language to me!"
+
+Campbell, recurring to the letter: "_I_ never did. '_Oh, my
+darling--live till I see you--ends of the earth--others will be
+nothing--beautiful thoughtfulness--mine, mine, mine--our love--sweet to
+think no one suspects it--forever yours._' Amy, these are pretty strong
+expressions to use towards the wife of another, and she a married lady!
+I think I had better go and solve that little problem of how he can live
+till he sees you by relieving him of the necessity. It would be
+disagreeable to him, but perhaps there's a social duty involved."
+
+Mrs. Campbell: "Oh, Willis, _don't_ torment me! What do you suppose it
+means? Is it some--mistake? It's for somebody else!"
+
+Campbell: "I don't see why he should have addressed it to you, then."
+
+Mrs. Campbell: "But don't you see? He's been writing to some other
+person at the same time, and he's got the answers mixed--put them in
+the wrong envelopes. Oh dear! I wonder who she is!"
+
+Campbell, studying her with an air of affected abstraction: "Her
+curiosity gets the better of her anguish. Look here, Amy! _I_ believe
+you're _afraid_ it's to some one else."
+
+Mrs. Campbell: "Willis!"
+
+Campbell: "Yes. And before we proceed any further I must know just what
+you wrote to this--this Mr. Welling of yours. Did you put on R.S.V.P.?"
+
+Mrs. Campbell: "Yes; and just a printed card like all the rest. I did
+want to write him a note in the first person, and urge him to come,
+because I expected Miss Rice and Miss Greenway to help me receive; but
+when I found Margaret had promised Mrs. Curwen for the next day, I knew
+she wouldn't like to take the bloom off that by helping me first; so I
+didn't."
+
+Campbell: "Didn't what?"
+
+Mrs. Campbell: "Write to him. I just sent a card."
+
+Campbell: "Then these passionate expressions _are_ unprovoked, and my
+duty is clear. I must lose no time in destroying Mr. Welling. Do you
+happen to know where I laid my revolver?"
+
+Mrs. Campbell: "Oh, Willis, what are you going to do? You see it's a
+mistake."
+
+Campbell: "Mr. Welling has got to prove that. I'm not going to have
+young men addressing my wife as Oh their darling, without knowing the
+reason why. It's a liberty."
+
+Mrs. Campbell, inclined to laugh: "Ah, Willis, how funny you are!"
+
+Campbell: "Funny? I'm furious."
+
+Mrs. Campbell: "You know you're not. Give me the letter, dearest. I know
+it's for Margaret Rice, and I shall see her, and just feel round and
+find out if it isn't so, and--"
+
+Campbell: "What an idea! You haven't the slightest evidence that it's
+for Miss Rice, or that it isn't intended for you, and it's my duty to
+find out. And nobody is authority but Mr. Welling. And I'm going to him
+with the _corpus delicti_."
+
+Mrs. Campbell: "But how can you? Remember how sensitive, how shrinking
+he is. Don't, Willis; you mustn't. It will kill him!"
+
+Campbell: "Well, that may save me considerable bother. If he will simply
+die of himself, I can't ask anything better." He goes on eating his
+breakfast.
+
+Mrs. Campbell, admiring him across the table: "Oh, Willis, how perfectly
+delightful you are!"
+
+Campbell: "I know; but why?"
+
+Mrs. Campbell: "Why, taking it in the nice, sensible way you do. Now,
+some husbands would be so stupid! Of course you _couldn't_ think--you
+couldn't _dream_--that the letter was really for me; and yet you might
+behave very disagreeably, and make me very unhappy, if you were not just
+the lovely, kind-hearted, magnanimous--"
+
+Campbell, looking up from his coffee: "Oh, hello!"
+
+Mrs. Campbell: "Yes; that is what took my fancy in you, Willis: that
+generosity, that real gentleness, in spite of the brusque way you have.
+Refinement of the heart, _I_ call it."
+
+Campbell: "Amy, what are you after?"
+
+Mrs. Campbell: "We've been married a whole year now--"
+
+Campbell: "Longer, isn't it?"
+
+Mrs. Campbell: "--And I haven't known you do an unkind thing, a brutal
+thing."
+
+Campbell: "Well, I understand the banging around hardly ever begins much
+under two years."
+
+Mrs. Campbell: "How _sweet_ you are! And you're _so_ funny always!"
+
+Campbell: "Come, come, Amy; get down to business. What is it you do
+want?"
+
+Mrs. Campbell: "You won't go and tease that poor boy about his letter,
+will you? Just hand it to him, and say you suppose here is something
+that has come into your possession by mistake, and that you wish to
+restore it to him, and then--just run off."
+
+Campbell: "With my parasol in one hand, and my skirts caught up in the
+other?"
+
+Mrs. Campbell: "Oh, how good! Of course I was imagining how _I_ should
+do it."
+
+Campbell: "Well, a man can't do it that way. He would look silly." He
+rises from the table, and comes and puts his arm round her shoulders.
+"But you needn't be afraid of my being rough with him. Of course it's a
+mistake; but he's a fellow who will enter into the joke too; he'll enjoy
+it; he'll--" He merges his sentence in a kiss on her upturned lips, and
+she clings to his hand with her right, pressing it fondly to her cheek.
+"I shall do it in a man's way; but I guess you'll approve of it quite as
+much."
+
+Mrs. Campbell: "I know I shall. That's what I like about you, Willis:
+your being so helplessly a man always."
+
+Campbell: "Well, that's what attracted me to you, Amy; your manliness."
+
+Mrs. Campbell: "And I liked your _finesse_. You are awfully inventive,
+Willis. Why, Willis, I've just thought of something. Oh, it would be
+_so_ good if you only would!"
+
+Campbell: "Would what?"
+
+Mrs. Campbell: "Invent something now to get us out of the scrape."
+
+Campbell: "What a brilliant idea! _I'm_ not in any scrape. And as for
+Mr. Welling, I don't see how you could help him out unless you sent this
+letter to Miss Rice, and asked her to send yours back--"
+
+Mrs. Campbell, springing to her feet: "Willis, you are inspired! Oh, how
+perfectly delightful! And it's so delicate of you to think of that! I
+will just enclose his note--give it here, Willis--and he need never know
+that it ever went to the wrong address. Oh, I always felt that you were
+_truly_ refined, anyway." He passively yields the letter, and she whirls
+away to a writing-desk in the corner of the room. "Now, I'll just keep a
+copy of the letter--for a joke; I think I've a perfect right
+to"--scribbling furiously away--"and then I'll match the paper with an
+envelope--I can do that perfectly--and then I'll just imitate his
+hand--such fun!--and send it flying over to Margaret Rice. Oh, _how_
+good! Touch the bell, Willis;" and then--as the serving-maid
+appears--"Yes, Jane! Run right across the lawn to Mrs. Rice's, and give
+this letter for Miss Margaret, and say it was left here by mistake.
+Well, it _was_, Willis. Fly, Jane! Oh, Willis, love! Isn't it perfect!
+Of course she'll have got his formal reply to my invitation, and be all
+mixed up by it, and now when this note comes, she'll see through it all
+in an instant, and it will be such a relief to her; and oh, she'll think
+that he's directed _both_ the letters to her because he couldn't think
+of any one else! Isn't it lovely? Just like anything that's nice, it's
+ten times as nice as you expected it to be; and--"
+
+Campbell: "But hold on, Amy!" He lifts a note from the desk. "You've
+sent your copy. Here's the original now. She'll think you've been
+playing some joke on her."
+
+Mrs. Campbell, clutching the letter from him, and scanning it in a daze:
+"_What!_ Oh, my goodness! It is! I have! Oh, I shall die! Run! Call her
+back! Shriek, Willis!" They rush to the window together. "No, no! It's
+too late! She's given it to their man, and now nothing can save me! Oh,
+Willis! Willis! Willis! This is all your fault, with that fatal
+suggestion of yours. Oh, if you had only left it to me I never should
+have got into such a scrape! She will think now that I've been trying to
+hoax her, and she's perfectly implacable at the least hint of a liberty,
+and she'll be ready to kill me. I don't know _what_ she won't do. Oh,
+Willis, how _could_ you get me into this!"
+
+Campbell, irately: "Get you into this! Now, Amy, this is a little too
+much. You got yourself into it. You urged me to think of something--"
+
+Mrs. Campbell: "Well, do, Willis, _do_ think of something, or I shall go
+mad! Help me, Willis! Don't be so heartless--so unfeeling."
+
+Campbell: "There's only one thing now, and that is to make a clean
+breast of it to Welling, and get him to help us out. A word from him can
+make everything right, and we can't take a step without him; we can't
+move!"
+
+Mrs. Campbell: "I can't let you. Oh, isn't it horrible!"
+
+Campbell: "Yes; a nice thing is always ten times nicer than you
+expected it to be!"
+
+Mrs. Campbell: "Oh, how can you stand there mocking me? Why don't you go
+to him at once, and tell him the whole thing, and beg him, implore him,
+to help us?"
+
+Campbell: "Why, you just told me I mustn't!"
+
+Mrs. Campbell: "You didn't expect me to say you might, did you? Oh, how
+cruel!" She whirls out of the room, and Campbell stands in a daze, in
+which he is finally aware of Mr. Arthur Welling, seen through the open
+window, on the veranda without. Mr. Welling, with a terrified and
+furtive air, seems to be fixed to the spot where he stands.
+
+
+
+
+II
+
+_MR. WELLING; MR. CAMPBELL_
+
+
+Campbell: "Why, Welling, what the devil are you doing there?"
+
+Welling: "Trying to get away."
+
+Campbell: "To get away? But you sha'n't, man! I won't let you. I was
+just going to see you. How long have you been there?"
+
+Welling: "I've just come."
+
+Campbell: "What have you heard?"
+
+Welling: "Nothing--nothing. I was knocking on the window-casing to make
+_you_ hear, but you seemed preoccupied."
+
+Campbell: "Preoccupied! convulsed! cataclysmed! Look here: we're in a
+box, Welling. And you've got us into it." He pulls Welling's note out of
+his pocket, where he has been keeping his hand on it, and pokes it at
+him. "Is that yours?"
+
+Welling, examining it with bewilderment mounting into anger: "It's mine;
+yes. May I ask, Mr. Campbell, how you came to have this letter?"
+
+Campbell: "May I ask, Mr. Welling, how you came to write such a letter
+to my wife?"
+
+Welling: "To your wife? To Mrs. Campbell? I never wrote any such letter
+to her."
+
+Campbell: "Then you addressed it to her."
+
+Welling: "Impossible!"
+
+Campbell: "Impossible? I think I can convince you, much as I regret to
+do so." He makes search about Mrs. Campbell's letters on the table
+first, and then on the writing-desk. "We have the envelope. It came
+amongst a lot of letters, and there's no mistake about it." He continues
+to toss the letters about, and then desists. "But no matter; I can't
+find it; Amy's probably carried it off with her. There's no mistake
+about it. I was going to have some fun with you about it, but now you
+can have some fun with me. Whom did you send Mrs. Campbell's letter to?"
+
+Welling: "Mrs. Campbell's letter?"
+
+Campbell: "Oh, pshaw! your acceptance or refusal, or whatever it was, of
+her garden fandango. You got an invitation?"
+
+Welling: "Of course."
+
+Campbell: "And you wrote to accept it or decline it at the same time
+that you wrote this letter here to some one else. And you addressed two
+envelopes before you put the notes in either. And then you put them
+into the wrong envelopes. And you sent this note to my wife, and the
+other note to the other person--"
+
+Welling: "No, I didn't do anything of the kind!" He regards Campbell
+with amazement, and some apparent doubt of his sanity.
+
+Campbell: "Well, then, Mr. Welling, will you allow me to ask what the
+deuce you did do?"
+
+Welling: "I never wrote to Mrs. Campbell at all. I thought I would just
+drop in and tell her why I couldn't come. It seemed so formal to write."
+
+Campbell: "Then will you be kind enough to tell me whom you _did_ write
+to?"
+
+Welling: "No, Mr. Campbell, I can't do that."
+
+Campbell: "You write such a letter as that to my wife, and then won't
+tell me whom it's to?"
+
+Welling: "No! And you've no right to ask me."
+
+Campbell: "I've no right to ask you?"
+
+Welling: "No. When I tell you that the note wasn't meant for Mrs.
+Campbell, that's enough."
+
+Campbell: "I'll be judge of that, Mr. Welling. You say that you were not
+writing two notes at the time, and that you didn't get the envelopes
+mixed. Then, if the note wasn't meant for my wife, why did you address
+it to her?"
+
+Welling: "That's what I can't tell; that's what I don't know. It's as
+great a mystery to me as it is to you. I can only conjecture that when I
+was writing that address I was thinking of coming to explain to Mrs.
+Campbell that I was going away to-day, and shouldn't be back till after
+her party. It was too complicated to put in a note without seeming to
+give my regrets too much importance. And I suppose that when I was
+addressing the note that I did write I put Mrs. Campbell's name on
+because I had her so much in mind."
+
+Campbell, with irony: "Oh!"
+
+
+
+
+III
+
+_MRS. CAMPBELL; MR. WELLING; MR. CAMPBELL_
+
+
+Mrs. Campbell, appearing through the portière that separates the
+breakfast-room from the parlor beyond: "Yes!" She goes up and gives her
+hand to Mr. Welling with friendly frankness. "And it was very nice of
+you to think of me at such a time, when you ought to have been thinking
+of some one else."
+
+Welling, with great relief and effusion: "Oh, thank you, Mrs. Campbell!
+I was sure you would understand. You couldn't have imagined me capable
+of addressing such language to you; of presuming--of--"
+
+Mrs. Campbell: "Of course not! And Willis has quite lost his head. I saw
+in an instant just how it was. I'm so sorry you can't come to my
+party--"
+
+Campbell: "Amy, have you been eavesdropping?"
+
+Mrs. Campbell: "There was no need of eavesdropping. I could have heard
+you out at Loon Rock Light, you shouted so. But as soon as I recognized
+Mr. Welling's voice I came to the top of the stairs and listened. I was
+sure you would do something foolish. But now I think we had better make
+a clean breast of it, and tell Mr. Welling just what we've done. We
+knew, of course, the letter wasn't for me, and we thought we wouldn't
+vex you about it, but just send it to the one it _was_ meant for. We've
+surprised your secret, Mr. Welling, though we didn't intend to; but if
+you'll accept our congratulations--under the rose, of course--we won't
+let it go any further. It does seem so perfectly ideal, and I feel like
+saying, Bless you, my children! You've been in and out here so much this
+summer, and I feel just like an elder sister to Margaret."
+
+Welling: "Margaret?"
+
+Mrs. Campbell: "Well, Miss Rice, then--"
+
+Welling: "Miss Rice?"
+
+Mrs. Campbell, with dignity: "Oh, I'm sorry if we seem to presume upon
+our acquaintance with the matter. We couldn't very well help knowing it
+under the circumstances."
+
+Welling: "Certainly, certainly--of course: I don't mind that at all: I
+was going to tell you, anyway: that was partly the reason why I came
+instead of writing--"
+
+Campbell, in an audible soliloquy: "I supposed he _had_ written."
+
+Mrs. Campbell, intensely: "Don't interrupt, Willis! Well?"
+
+Welling: "But I don't see what Miss Rice has to do with it."
+
+Mrs. Campbell: "You don't see! Why, isn't Margaret Rice the one--"
+
+Welling: "What one?"
+
+Mrs. Campbell: "The one that you're engaged--the one that the note was
+really _for_?"
+
+Welling: "No! What an idea! Miss Rice? Not for an instant! It's--it's
+her friend--Miss Greenway--who's staying with her--"
+
+Mrs. Campbell, in a very awful voice: "Willis! Get me some water--some
+wine! Help me! Ah! Don't touch me! It was you, _you_ who did it all!
+Oh, _now_ what shall I do?" She drops her head upon Campbell's shoulder,
+while Welling watches them in stupefaction.
+
+Campbell: "It's about a million times nicer than we could have expected.
+That's the way with a nice thing when you get it started. Well, young
+man, you're done for; and so are we, for that matter. We supposed that
+note which you addressed to Mrs. Campbell was intended for Miss Rice--"
+
+Welling: "Ho, ho, ho! Ah, ha, ha! Miss Rice? Ha--"
+
+Campbell: "I'm glad you like it. You'll enjoy the rest of it still
+better. We thought it was for Miss Rice, and my wife neatly imitated
+your hand on an envelope and sent it over to her just before you came
+in. Funny, isn't it? Laugh on! Don't mind _us_!"
+
+Welling, aghast: "Thought my note was for Miss Rice? Sent it to her?
+Gracious powers!" They all stand for a moment in silence, and then
+Welling glances at the paper in his hand. "But there's some mistake. You
+haven't sent my note to Miss Rice: here it is now!"
+
+Campbell: "Oh, that's the best of the joke. Mrs. Campbell took a
+copy"--Mrs. Campbell moans--"she meant to have some fun with you about
+it, and it's ten times as much fun as _I_ expected; and in her hurry she
+sent off her copy and kept the original. Perhaps that makes it better."
+
+Mrs. Campbell, detaching herself from him and confronting Mr. Welling:
+"No; worse! She'll think we've been trying to hoax her, and she'll be in
+a towering rage; and she'll show the note to Miss Greenway, and you'll
+be ruined. Oh poor Mr. Welling! Oh, what a fatal, fatal--mix!" She
+abandons herself in an attitude of extreme desperation upon a chair,
+while the men stare at her, till Campbell breaks the spell by starting
+forward and ringing the bell on the table.
+
+Mrs. Campbell: "What are you doing, Willis?"
+
+Campbell: "Ringing for Jane." As Jane appears: "Did you give Miss Rice
+the note?"
+
+
+
+
+IV
+
+_JANE; MRS. CAMPBELL; WELLING; CAMPBELL_
+
+
+Jane: "No, sir; I gave it to the man. He said he would give it to Miss
+Rice."
+
+Campbell: "Then it's all up. If by any chance she hadn't got it, Amy,
+you might have sent over for it, and said there was a mistake."
+
+Jane: "He said Miss Rice was out driving with Miss Greenway in her
+phaeton, but they expected her back every minute."
+
+Mrs. Campbell: "Oh, my goodness! And you didn't come to tell me? Oh, if
+we had only known! We've lost our only chance, Willis."
+
+Jane: "I did come and knock on your door, ma'am, but I couldn't make you
+hear."
+
+Campbell: "There's still a chance. Perhaps she hasn't got back yet."
+
+Jane: "I know she ain't, sir. I've been watching for her ever since. I
+can always see them come, from the pantry window."
+
+Mrs. Campbell: "Well, then, don't stand there talking, but run at once!
+Oh, Willis! Never tell me again that there's no such thing as an
+overruling providence. Oh, what an interposition! Oh, I can never be
+grateful and humble enough--Goodness me, Jane! why don't you go?"
+
+Jane: "Go where, ma'am? I don't know what you want me to do. I'm willing
+enough to do anything if I know what it is, but it's pretty hard to do
+things if you don't."
+
+Campbell: "You're perfectly right, Jane. Mrs. Campbell wants you to
+telegraph yourself over to Mrs. Rice's, and say to her that the letter
+you left for Miss Rice is not for her, but another lady, and Mrs.
+Campbell sent it by mistake. Get it and bring it back here, dead or
+alive, even if Mrs. Rice has to pass over your mangled body in the
+attempt."
+
+Jane, tasting the joke, while Mrs. Campbell gasps in ineffective
+efforts to reinforce her husband's instructions: "I will that, sir."
+
+
+
+
+V
+
+_MRS. CAMPBELL; WELLING; CAMPBELL_
+
+
+Campbell: "And now, while we're waiting, let's all join hands and dance
+round the table. You're saved, Welling. So are you, Amy. And so am
+I--which is more to the point."
+
+Mrs. Campbell, gayly: "Dansons!" She extends her hands to the gentlemen,
+and as they circle round the breakfast-table she sings,
+
+ _"Sur le pont d'Avignon,
+ Tout le monde y danse en rond."_
+
+She frees her hands and courtesies to one gentleman and the other.
+
+ _"Les belles dames font comme ça;
+ Les beaux messieurs font comme ça."_
+
+Then she catches hands with them again, and they circle round the table
+as before, singing,
+
+ "_Sur le pont d'Avignon,
+ Tout le monde y danse en rond._
+
+Oh, dear! Stop! I'm dizzy--I shall fall." She spins into a chair, while
+the men continue solemnly circling by themselves.
+
+Campbell: "It is a sacred dance:
+
+ _"Sur le pont d'Avignon--"_
+
+Welling: "It's an expiation:
+
+ _"Tout le monde y danse en rond."_
+
+Mrs. Campbell, springing from her chair and running to the window:
+"Stop, you crazy things! Here comes Jane! Come right in here, Jane! Did
+you get it? Give it to me, Jane!"
+
+Welling: "_I_ think it belongs to me, Mrs. Campbell."
+
+Campbell: "Jane, I am master of the house--nominally. Give me the
+letter."
+
+
+
+
+VI
+
+_JANE; MRS. CAMPBELL; WELLING; CAMPBELL_
+
+
+Jane, entering, blown and panting, through the open window: "Oh, how I
+did run--"
+
+Mrs. Campbell: "Yes, yes! But the letter--"
+
+Welling: "Did you get it?"
+
+Campbell: "Where is it?"
+
+Jane, fanning herself with her apron: "I can't hardly get my breath--"
+
+Mrs. Campbell: "Had she got back?"
+
+Jane: "No, ma'am."
+
+Campbell: "Did Mrs. Rice object to giving it up?"
+
+Jane: "No, sir."
+
+Welling: "Then it's all right?"
+
+Jane: "No, sir. All wrong."
+
+Welling: "All wrong?"
+
+Campbell: "How all wrong?"
+
+Mrs. Campbell: "What's all wrong, Jane?"
+
+Jane: "Please, ma'am, may I have a drink of water? I'm so dry I can't
+speak."
+
+Mrs. Campbell: "Yes, certainly."
+
+Campbell: "Of course."
+
+Welling: "Here." They all pour glasses of water and press them to her
+lips.
+
+Jane, pushing the glasses away, and escaping from the room: "They
+thought Mrs. Campbell was in a great hurry for Miss Rice to have the
+letter, and they sent off the man with it to meet her."
+
+
+
+
+VII
+
+_MRS. CAMPBELL; WELLING; CAMPBELL_
+
+
+Mrs. Campbell: "Oh, merciful goodness!"
+
+Welling: "Gracious powers!"
+
+Campbell: "Another overruling providence. Now you _are_ in for it, my
+boy! So is Amy. And so am I--which is still more to the point."
+
+Mrs. Campbell: "Well, now, what shall we do?"
+
+Campbell: "All that we can do now is to await developments: they'll
+come fast enough. Miss Rice will open her letter as soon as she gets it,
+and she won't understand it in the least; how _could_ she understand a
+letter in your handwriting, with Welling's name signed to it? She'll
+show it to Miss Greenway--"
+
+Welling: "Oh, don't say that!"
+
+Campbell: "--Greenway; and Miss Greenway won't know what to make of it
+either. But she's the kind of girl who'll form some lively conjectures
+when she reads that letter. In the first place, she'll wonder how Mr.
+Welling happens to be writing to Miss Rice in that affectionate
+strain--"
+
+Mrs. Campbell, in an appealing shriek: "Willis!"
+
+Campbell: "--And she naturally won't believe he's done it. But then,
+when Miss Rice tells her it's your handwriting, Amy, she'll think that
+you and Miss Rice have been having your jokes about Mr. Welling; and
+she'll wonder what kind of person you are, anyway, to make free with a
+young man's name that way."
+
+Welling: "Oh, I assure you that she admires Mrs. Campbell more than
+anybody."
+
+Mrs. Campbell: "Don't try to stop him; he's fiendish when he begins
+teasing."
+
+Campbell: "Oh, well! If she admires Mrs. Campbell and confides in you,
+then the whole affair is very simple. All you've got to do is to tell
+her that after you'd written her the original of that note, your mind
+was so full of Mrs. Campbell and her garden-party that you naturally
+addressed it to her. And then Mrs. Campbell can cut in and say that when
+she got the note she knew it wasn't for her, but she never dreamed of
+your caring for Miss Greenway, and was so sure it was for Miss Rice that
+she sent her a copy of it. That will make it all right and perfectly
+agreeable to every one concerned."
+
+Mrs. Campbell: "And I can say that I sent it at your suggestion, and
+then, instead of trying to help me out of the awful, awful--box, you
+took a cruel pleasure in teasing me about it! But I shall not say
+anything, for I shall not see them. I will leave you to receive them and
+make the best of it. Don't _try_ to stop me, Willis." She threatens him
+with her fan as he steps forward to intercept her escape.
+
+Campbell: "No, no! Listen, Amy! You _must_ stay and see those ladies.
+It's all well enough to leave it to me, but what about poor Welling?
+_He_ hasn't done anything--except cause the whole trouble."
+
+Mrs. Campbell: "I am very sorry, but I can't help it. I must go."
+Campbell continues to prevent her flight, and she suddenly whirls about
+and makes a dash at the open window. "Oh, very well, then! I can get out
+this way." At the same moment Miss Rice and Miss Greenway appear before
+the window on the piazza. "Ugh! E--e--e! How you frightened me! But--but
+come in. So gl--glad to see you! And you--you too, Miss Greenway. Here's
+Mr. Welling. He's been desolating us with a story about having to be
+away over my party, and just getting back for Mrs. Curwen's. Isn't it
+too bad? Can't some of you young ladies--or all of you--make him stay?"
+As Mrs. Campbell talks on, she readjusts her spirit more and more to
+the exigency, and subdues her agitation to a surface of the sweetest
+politeness.
+
+
+
+
+VIII
+
+_MISS RICE, MISS GREENWAY, and the OTHERS_
+
+
+Miss Rice, entering with an unopened letter in her hand, which she
+extends to Mrs. Campbell: "What in the world does it all mean, Mrs.
+Campbell, your sending your letters flying after _me_ at this rate?"
+
+Mrs. Campbell, with a gasp: "My letters?" She mechanically receives the
+extended note, and glances at the superscription: "_Mrs. Willis
+Campbell_. Ah!" She hands it quickly to her husband, who reads the
+address with a similar cry.
+
+Campbell: "Well, well, Amy! This is a pretty good joke on you. You've
+sealed up one of your own notes, and sent it to Miss Rice. Capital! Ah,
+ha, ha!"
+
+Mrs. Campbell, with hysterical rapture: "Oh, how delicious! What a
+ridiculous blunder! I don't wonder you were puzzled, Margaret."
+
+Welling: "What! Sent her your own letter, addressed to yourself?"
+
+Mrs. Campbell: "Yes. Isn't it amusing?"
+
+Welling: "The best thing I ever heard of."
+
+Miss Rice: "Yes. And if you only knew what agonies of curiosity Miss
+Greenway and I had suffered, wanting to open it and read it anyway, in
+spite of all the decencies, I think you would read it to us."
+
+Campbell: "Or at least give Miss Rice her own letter. What in the world
+did you do with that?"
+
+Mrs. Campbell: "Put it in my desk, where I thought I put mine. But never
+mind it now. I can tell you what was in it just as well. Come in here a
+moment, Margaret." She leads the way to the parlor, whither Miss Rice
+follows.
+
+Miss Greenway, poutingly: "Oh, mayn't I know, too? I think that's hardly
+fair, Mrs. Campbell."
+
+Mrs. Campbell: "No; or--Margaret may tell you afterwards; or Mr.
+Welling may, _now_!"
+
+Miss Greenway: "How very formidable!"
+
+Mrs. Campbell, over her shoulder, on going out: "Willis, bring me the
+refusals and acceptances, won't you? They're up-stairs."
+
+Campbell: "Delighted to be of any service." Behind Miss Greenway's back
+he dramatizes over her head to Welling his sense of his own escape, and
+his compassion for the fellow-man whom he leaves in the toils of fate.
+
+
+
+
+IX
+
+_MISS GREENWAY; MR. WELLING_
+
+
+Welling: "Nelly!" He approaches, and timidly takes her hand.
+
+Miss Greenway: "Arthur! That letter was addressed in your handwriting.
+Will you please explain?"
+
+Welling: "Why, it's very simple--that is, it's the most difficult thing
+in the world. Nelly, can you believe _any_thing I say to you?"
+
+Miss Greenway: "What nonsense! Of course I can--if you're not too long
+about it."
+
+Welling: "Well, then, the letter in that envelope was one I wrote to
+Mrs. Campbell--or the copy of one."
+
+Miss Greenway: "The copy?"
+
+Welling: "But let me explain. You see, when I got your note asking me to
+be sure and come to Mrs. Curwen's--"
+
+Miss Greenway: "Yes?"
+
+Welling: "--I had just received an invitation from Mrs. Campbell for her
+garden-party, and I sat down and wrote to you, and concluded I'd step
+over and tell her why I couldn't come, and with that in mind I addressed
+your letter--the one I'd written you--to her."
+
+Miss Greenway: "With my name inside?"
+
+Welling: "No; I merely called you 'darling'; and when Mrs. Campbell
+opened it she saw it couldn't be for her, and she took it into her head
+it must be for Miss Rice."
+
+Miss Greenway: "For Margaret? What an idea! But why did she put your
+envelope on it?"
+
+Welling: "She made a copy, for the joke of it; and then, in her hurry,
+she enclosed that in my envelope, and kept the original and the envelope
+she'd addressed to Miss Rice, and--and that's all."
+
+Miss Greenway: "What a perfectly delightful muddle! And how shall we get
+out of it with Margaret?"
+
+Welling: "With Margaret? I don't care for her. It's you that I want to
+get out of it with. And you do believe me--you do forgive me, Nelly?"
+
+Miss Greenway: "For what?"
+
+Welling: "For--for--I don't know what for. But I thought you'd be so
+vexed."
+
+Miss Greenway: "I shouldn't have liked you to send a letter addressed
+darling to Mrs. Curwen; but Mrs. Campbell is different."
+
+Welling: "Oh, how archangelically sensible! How divine of you to take it
+in just the right way!"
+
+[Illustration: MR. WELLING EXPLAINS.]
+
+Miss Greenway: "Why, of course! How stupid I should be to take such a
+thing in the wrong way!"
+
+Welling: "And I'm so glad now I didn't try to lie to you about it."
+
+Miss Greenway: "It wouldn't have been of any use. You couldn't have
+carried off anything of that sort. The truth is bad enough for _you_ to
+carry off. Promise me that you will always leave the other thing to
+_me_."
+
+Welling: "I will, darling; I will, indeed."
+
+Miss Greenway: "And now we must tell Margaret, of course."
+
+
+
+
+X
+
+_MISS RICE; then MR. and MRS. CAMPBELL, and the OTHERS_
+
+
+Miss Rice, rushing in upon them, and clasping Miss Greenway in a fond
+embrace: "You needn't. Mrs. Campbell has told me; and oh, Nelly, I'm so
+happy for you! And isn't it all the greatest mix?"
+
+Campbell, rushing in, and wringing Welling's hand: "You needn't tell
+me, either; I've been listening, and I've heard every word. I
+congratulate you, my dear boy! I'd no idea she'd let you up so easily.
+You'll allow yourself it isn't a very likely story."
+
+Welling: "I know it. But--"
+
+Miss Rice: "That's the very reason no one could have made it up."
+
+Miss Greenway: "_He_ couldn't have made up even a likely story."
+
+Campbell: "Congratulate you again, Welling. Do you suppose she can keep
+so always?"
+
+Mrs. Campbell, rushing in with extended hands: "Don't answer the wretch,
+Mr. Welling. Of course she can with _you_. Dansons!" She gives a hand to
+Miss Greenway and Welling each; the others join them, and as they circle
+round the table she sings,
+
+ _"Sur le pont d'Avignon,_
+ _Tout le monde y danse en rond."_
+
+
+THE END
+
+ * * * * *
+
+
+
+
+BY WILLIAM DEAN HOWELLS.
+
+
+THE COAST OF BOHEMIA. Illustrated. 12mo, Cloth, $1.50.
+
+THE WORLD OF CHANCE. 12mo, Cloth, $1.50; Paper, 60 cents.
+
+THE QUALITY OF MERCY. 12mo, Cloth, $1.50; Paper, 75 cents.
+
+AN IMPERATIVE DUTY. 12mo, Cloth, $1.00; Paper, 50 cents.
+
+A HAZARD OF NEW FORTUNES. 2 vols., 12mo, Cloth, $2.00; 1 vol.,
+Illustrated, Paper, $1.00.
+
+THE SHADOW OF A DREAM, 12mo, Cloth, $1.00; Paper, 50 cents.
+
+ANNIE KILBURN. 12mo, Cloth, $1.50; Paper, 75 cents.
+
+APRIL HOPES. 12mo, Cloth, $1.50; Paper, 75 cents.
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+CHRISTMAS EVERY DAY, and Other Stories. Illustrated. Post 8vo, Cloth,
+$1.25.
+
+A BOY'S TOWN. Illustrated. Post 8vo, Cloth, $1.25.
+
+THE MOUSE-TRAP, and Other Farces. Illustrated. 32mo, Cloth, $1.00.
+
+MY YEAR IN A LOG-CABIN. Illustrated. 32mo, Cloth, 50 cents.
+
+A LITTLE SWISS SOJOURN. Illustrated. 32mo, Cloth, 50 cents.
+
+FARCES: _A Likely Story_--_The Mouse-Trap_--_Five O'Clock Tea_--_Evening
+Dress_--_The Unexpected Guests_--_A Letter of Introduction_--_The Albany
+Depot_--_The Garroters_. Illustrated. 32mo, Cloth, 50 cents each.
+
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+HARPER'S AMERICAN ESSAYISTS.
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+With Portraits. 16mo, Cloth, $1.00 each.
+
+
+LITERARY AND SOCIAL SILHOUETTES. By HJALMAR HJORTH BOYESEN.
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+STUDIES OF THE STAGE. By BRANDER MATTHEWS.
+
+AMERICANISMS AND BRITICISMS, with Other Essays on Other Isms. By BRANDER
+MATTHEWS.
+
+AS WE GO. By CHARLES DUDLEY WARNER. With Illustrations.
+
+AS WE WERE SAYING. By CHARLES DUDLEY WARNER. With Illustrations.
+
+FROM THE EASY CHAIR. By GEORGE WILLIAM CURTIS.
+
+FROM THE EASY CHAIR. _Second Series._ By GEORGE WILLIAM CURTIS.
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+FROM THE EASY CHAIR. _Third Series._ By GEORGE WILLIAM CURTIS.
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+CRITICISM AND FICTION. By WILLIAM DEAN HOWELLS.
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+FROM THE BOOKS OF LAURENCE HUTTON.
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+CONCERNING ALL OF US. By THOMAS WENTWORTH HIGGINSON.
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+THE WORK OF JOHN RUSKIN. By CHARLES WALDSTEIN.
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+TALES OF TWO COUNTRIES. By ALEXANDER KIELLAND. Translated by WILLIAM
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+THE HOUSE BY THE MEDLAR-TREE. By GIOVANNI VERGA. Translated from the
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+$1.25.
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+AMERICANISMS AND BRITICISMS, with Other Essays on Other Isms. With
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+A racy, delightful little book.... It is a long time since we have met
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+THIS PICTURE AND THAT. A Comedy. Illustrated. 32mo, Cloth, Ornamental,
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+THE DECISION OF THE COURT. A Comedy. Illustrated. 32mo, Cloth,
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+LITERARY LANDMARKS OF LONDON. (_New Edition._) Illustrated with over 70
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+Altogether this is a book of which literary America may be
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+LITERARY LANDMARKS OF EDINBURGH. Illustrated. Post 8vo, Cloth, $1.00.
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+Mr. Hutton has hunted up tradition, verified the facts, as only a
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+CURIOSITIES OF THE AMERICAN STAGE. With Copious and Characteristic
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+The work presents a mass of valuable information in a most attractive
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+FROM THE BOOKS OF LAURENCE HUTTON. With Portrait. 16mo, Cloth, $1.00.
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+Mr. Hutton's touch is graceful, his acquaintance with the subject
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+BY CONSTANCE F. WOOLSON.
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+HORACE CHASE. 16mo, Cloth, $1.25.
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+JUPITER LIGHTS. 16mo, Cloth, $1.25.
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+ANNE. Illustrated. 16mo, Cloth, $1.25.
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+Delightful touches justify those who see many points of analogy between
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+Miss Woolson's power of describing natural scenery and strange,
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+Miss Woolson is one of the few novelists of the day who know how to make
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+BY MARY E. WILKINS.
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+PEMBROKE. A Novel. Illustrated. 16mo, Cloth, Ornamental, $1.50.
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+JANE FIELD. A Novel. Illustrated. 16mo, Cloth, Ornamental, $1.25.
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+GILES COREY, YEOMAN. A Play. Illustrated. 32mo, Cloth, Ornamental, 50
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+A NEW ENGLAND NUN, and Other Stories. 16mo, Cloth, Ornamental, $1.25.
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+YOUNG LUCRETIA, and Other Stories. Illustrated. Post 8vo, Cloth,
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+they come within his ken.--_Atlantic Monthly._
+
+A gallery of striking studies in the humblest quarters of American
+country life. No one has dealt with this kind of life better than Miss
+Wilkins. Nowhere are there to be found such faithful, delicately drawn,
+sympathetic, tenderly humorous pieces.--_N. Y. Tribune._
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+PUBLISHED BY HARPER & BROTHERS, NEW YORK.
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+_For sale by all booksellers, or will be sent by mail, postage prepaid,
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+ORATIONS AND ADDRESSES. Three Volumes. 8vo, Cloth, Uncut Edges and Gilt
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+FROM THE EASY CHAIR. With Portrait. 16mo, Cloth, Ornamental, $1.00.
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+FROM THE EASY CHAIR. _Second Series._ With Portrait. 16mo, Cloth,
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+FROM THE EASY CHAIR. _Third Series._ With Portrait. 16mo, Cloth,
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+PRUE AND I. Illustrated Edition. 8vo, Illuminated Silk, $3.50. Also
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+THE HOWADJI IN SYRIA. 12mo, Cloth, Gilt Top, $1.50.
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+THE POTIPHAR PAPERS. Illustrated. 12mo, Cloth, Gilt Top, $1.50.
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+TRUMPS. A Novel. Illustrated. 12mo, Cloth, Gilt Top, $1.50.
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+JAMES RUSSELL LOWELL. Illustrated. 32mo, Cloth, Ornamental, 50 cents.
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+WENDELL PHILLIPS. A Eulogy. 8vo, Paper, 25 cents.
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+[Illustration]
+
+
+ * * * * *
+
+
+
+
+Transcriber's Notes
+
+
+Added the Table of Contents.
+
+Made minor punctuation corrections.
+
+Italicized text is indicated by underscores: _example_.
+
+
+
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+
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+
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+End of the Project Gutenberg EBook of A Likely Story, by William Dean Howells
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