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diff --git a/28111.txt b/28111.txt new file mode 100644 index 0000000..9633c1f --- /dev/null +++ b/28111.txt @@ -0,0 +1,596 @@ +The Project Gutenberg EBook of Moment of Truth, by Basil Eugene Wells + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Moment of Truth + +Author: Basil Eugene Wells + +Release Date: February 18, 2009 [EBook #28111] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK MOMENT OF TRUTH *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + + + _Basil Wells, who lives in Pennsylvania, has been doing research + concerning life in the area during the period prior to and following + the War of 1812. Here he turns to a different problem--the + adjustment demanded of a pioneer woman, not in those days but + Tomorrow--on Mars._ + + + moment + of + truth + + _by BASIL WELLS_ + + + Beyond the false windows she could see the reddish + wasteland where dust clouds spun and shifted so slowly. + + +She had been asleep. Now she stretched luxuriously beneath the crisp +white sheet that the vapid August heat decreed. From memory to memory +her dream-fogged mind drifted, and to the yet-to-be. It was good to +remember, and to imagine, and to see and feel and hear.... + +She smiled. She was Ruth Halsey, fourteen, brunette, and pretty. Earl, +and Harry, and Buhl had told her she was pretty. Especially Buhl. Buhl +was her favorite date now. + +The room closed around her with its familiar colors and furnishings. +Sometimes she would dream that she was elsewhere, unfamiliar, ugly +places, but then she would awaken to the four long windows with their +coarse beige drapes of monk's cloth and the fantasies were forever +dispelled. + +Her eyes loved the two paintings, the dark curls of the pink-and-white +doll sitting prissily atop the dresser, and the full-length mirror on +the open closet door. + +The pictured design of the wallpaper, its background merging with the +pastel blue of the slanted ceiling.... Almost as they had blended +together that first day when she was twelve. Yet not the same, she +corrected her thoughts, frowning. Sometimes, as today, the design seemed +faded and changed. The gay little bridges and the flowered, impossibly +blue trees seemed to change and threaten to vanish. + +She laughed over at the demurely sitting doll. Essie had been her +favorite doll when she was younger. Of course now that she was fourteen +she did not play with dolls any more. But it was permissible that she +keep her old friend neatly dressed and ever at hand as a confidant. She +smiled at the thought. Essie never tattled. + +"It must be from that polio," she told Essie, knowing all the time that +she was almost well now and needed plenty of rest and careful doses of +exercise. "It makes my eyes--funny." + +Essie smiled back glassily and Ruth laughed. It was good to awaken and +see the thick black arms of the maple tree outside the windows. It was +good to have the cool green leaves waving at her, and see the filtered +dapplings of sunshine cross and recross them. + +She loved that old tree. She had played among its long horizontal +branches from childhood. Her brother, Alex, who had been killed in the +Normandy Landing during World War Three, had loved the tree too. He had +built the railed, shingled-roofed little nest high up in the tree's +crotched heart where Ruth kept some of her extra-special notes and +jewelry and a book of poems. + +One of the two paintings on the bedroom walls was of the old tree. The +tree dominated the old story-and-a-half white house with the green +shutters that was the Halseys' home. Her home. Alex had painted that +picture as well as the other showing the graceful loop of the river and +the roofs of the village of Thayer in the distance. Ruth had been with +him as he painted that second picture from the jutting rock ledge five +hundred feet above the river. + +"I was just ten then, Essie," she chirped gaily. "I remember how afraid +I was of the height and how Alex scolded." + +But Alex was dead now and all she had to remember of him was the +paintings and the photographs that Mother kept in a battered brown +leather folder. For a moment the bright sunlight in her beloved maple +tree's leaves seemed to dim and the room wavered about her. She wondered +about that. She must tell her father or her mother. + +Perhaps the polio, light touch of it or not, had hurt her eyesight. +Glasses! She shuddered at the thought. + +The room shimmered and blurred--and suddenly broke apart to reform into +something.... She squinched her eyes shut to the hideous vision. And +then opened them the merest slit. + +Nothing had changed.... + +"MOTHER!" she cried. "Daddy!" she cried. "What has happened?" + +She heard the door to--to this hideous travesty of a room opening. Her +eyes darted around the shrunken metal-walled shell, even the ceiling +curved overhead, and she saw two grotesque daubs taped to the walls that +parodied the paintings of her dead brother Alex. The coloring was ugly +and the proportions out of line. And it was not canvas but curling +sheets of paper taped and painted to resemble frames! + +A big man, sandy-haired and with vertical wrinkles deep between piercing +blue eyes, came into the room. She shrank into the bed, seeing that the +sheet she tugged taut across her breast was ragged and blue. + +"Ruth," he said, a slow smile making his face almost handsome, "you're +better. You haven't spoken in weeks." + +Ruth wanted to giggle. As though they could keep her quiet. Daddy was +always shushing her.... But who was this big man in his dusty drab +coveralls and dropped dust mask dangling upon his chest? + +"Don't you know me, Dear? It's Buhl, your husband." + +Buhl was fifteen and only a couple of inches taller than Ruth. Of course +he had sandy hair like this man. But this man was old enough to be +Buhl's father. This was crazy--like one of the dreams that always made +her unhappy. + +So? So it was a dream. She felt warmth and release. Why not see what +this dream had to offer that might be amusing to remember and tell Buhl +sometime soon. Wouldn't he laugh when he heard she had dreamed about +him? And been married to him. + +She saw the strip of shiny metal that masqueraded as her mirror, and +where her four long windows, with their thick, loose-woven drapes, had +been there were only four taped strips of paper with crude pictures of +draped windows daubed on them. There were even green dabs of paint and +black splashes to stimulate her beloved maple tree. + +"Ruth! Do you feel better now? Please don't smile at me like that. I +know you loved the baby, but this Martian atmosphere is tough even for +men. It wasn't your fault." + +"Go ahead and talk," Ruth laughed gaily. "This is just another bad dream +and I know it. I'll wake up in a little while and be back in my cool old +room." + +"Blast your room and your dreams!" + +The man went across the room in a swift rush and tore down one of the +false windows, the painted strip of paper. And beyond, through a dusty +oval glass window, Ruth could see a reddish brown wasteland, where dust +clouds spun and shifted slowly, and a dusty huddle of what looked like +quonset huts or storage sheds of metal. + +"That is reality, Ruth. You must face it. This pretense, this sleazy +imitation of your old room is wrong. You're strong enough, and I love +you--you can accept truth." + +His face changed, all expression sponged from it in an instant as he +looked into her eyes, and then it seemed to dissolve into something ugly +and yet childish. She saw tears burst through and furrow the dust on his +cheeks. + +"Dear Lord," he cried, almost reverently, "must this go on forever? Will +she ever come back to me?" + +His voice choked off and he stumbled across the room and out the door. +She heard it shut behind him, and she was hunting for Essie, already +having forgotten the ill-mannered intruder. + +There was no Essie, only a mannikin of cloth-stuffed white nylon and +lipstick, with black nylon for hair. + +And then the room shimmered and broke apart and reformed and she was +back in her bed with the sun on the slowly dancing green leaves outside +the four long windows. Essie was smiling down at her from the dresser, +and the paintings were as always, soft colors and perfectly drafted. + +Had she thought there were four windows? How silly of her. The second +from the right was a small oval of glass, or rather, a glass-covered +picture of desert scene. Odd that she had forgotten about that picture. +Oh well, what did it matter. + +In a few days she would be well enough again to climb out on the giant +limbs and into the tree nest that her brother, Alex, had built. And the +boys would come to see her and take her to the drugstore for sodas and +sundaes. + +Yes, she was sure now. She _did_ like Buhl Austin best.... + + +[Illustration] + + + + +Transcriber's Note: + + This etext was produced from _Fantastic Universe_ December 1957. + Extensive research did not uncover any evidence that the U.S. + copyright on this publication was renewed. Minor spelling and + typographical errors have been corrected without note. + + + + + +End of the Project Gutenberg EBook of Moment of Truth, by Basil Eugene Wells + +*** END OF THIS PROJECT GUTENBERG EBOOK MOMENT OF TRUTH *** + +***** This file should be named 28111.txt or 28111.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/8/1/1/28111/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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