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+The Project Gutenberg EBook of Pictorial Photography in America 1920 by
+Pictorial Photographers of America
+
+
+
+This eBook is for the use of anyone anywhere at no cost and with almost no
+restrictions whatsoever. You may copy it, give it away or re-use it under
+the terms of the Project Gutenberg License included with this eBook or
+online at http://www.gutenberg.org/license
+
+
+
+Title: Pictorial Photography in America 1920
+
+Author: Pictorial Photographers of America
+
+Release Date: February 7, 2008 [Ebook #28015]
+
+Language: English
+
+Character set encoding: ISO 8859-1
+
+
+***START OF THE PROJECT GUTENBERG EBOOK PICTORIAL PHOTOGRAPHY IN AMERICA 1920***
+
+
+
+
+
+Pictorial Photography in America
+1920
+
+
+
+
+
+
+
+
+
+
+
+
+
+Pictorial Photographers of America
+
+Tennant and Ward, New York
+Publisher's Agents
+
+1920
+
+
+
+
+
+_Editorial Board_
+CLARENCE H. WHITE
+W. H. PORTERFIELD
+JOHN PAUL EDWARDS
+DWIGHT A. DAVIS
+
+_Committee on Publication_
+HENRY HOYT MOORE
+WALTER L. EHRICH
+RAY GREENLEAF
+JOHN A. TENNANT
+
+
+
+
+
+ILLUSTRATIONS
+
+
+APRIL FLURRIES
+_By _W. A. ALCOCK, _Brooklyn, N.Y._
+PUCKACHIPE--SEAGULL
+_By _ELIZABETH R. ALLEN, _Moorestown, N.J._
+MY LITTLE GRAY HOME IN THE WEST
+_By _GEORGE M. ALLEN, _Portland, Ore._
+THE BUDDHA
+_By _FRED R. ARCHER, _Los Angeles, Cal._
+ISLANDERS
+_By _LAURA ADAMS ARMER, _Berkeley, Cal._
+ANN SPENCER
+_By _JESSIE TARBOX BEALS, _New York_
+EARLY MORNING
+_By _DAVID W. BONNAR, _Buffalo, N. Y._
+A BIT OF HOME LIFE
+_By _WILL D. BRODHUN, _Wilkes-Barre, Pa._
+A MOMENT'S REST
+_By _GERTRUDE L. BROWN, _Evanston, Ill._
+DANCERS
+_By _JOHN C. BURKHARDT, _Portland, Ore._
+DOUARNENEZ, FINISTÈRE
+_By _DR. A. D. CHAFFEE, _New York_
+RHEIMS
+_By _ARTHUR D. CHAPMAN, _New York_
+MICHIO ITORO
+_By _ALVIN LANGDON COLBURN, _New York_
+THE STREET
+_By _ALFRED COHN, _Brooklyn, N. Y._
+ST. JOHN'S CATHEDRAL
+_By _JAMES COPELLA, _New York_
+MR. MATSUMOTO KOSHIRO AS "TCHIKAWA GOYEMON" (THE ROBIN HOOD OF JAPAN)
+_By _C. P. CROWTHER, _Kobe, Japan_
+SPRING O' THE YEAR
+_By _HELEN W. DREW, _Montclair, N. J._
+THE LIFTING MIST
+_By _JERRY D. DREW, _Montclair, N. J._
+THE DOORWAY
+_By _DWIGHT A. DAVIS, _Worcester, Mass._
+HIGH BRIDGE
+_By _EDWARD R. DICKSON, _New York City_
+MRS. VERNON CASTLE
+_By _DE MEYER, _New York_
+BOATS
+_By _E. G. DUNNING, _New York_
+COMING TO SCHOOL
+_By _VERNON EVERETT DUROC, _Brooklyn, N. Y._
+STUDY
+_By _WILLIAM B. DYER, _Portland, Ore._
+DESIGN FOR A TAPESTRY
+_By _JOHN PAUL EDWARDS, _Sacramento, Cal._
+STUDY
+_By _ADELAIDE WALLACH EHRICH, _New York_
+LANDSCAPE
+_By _ELEANOR C. ERVING, _Albany, N. Y._
+SUGARLOAF MOUNTAIN
+_By _W. H. EVANS, _Wilkes-Barre, Pa._
+SIDEWALK TREASURES
+_By _O. E. FISCHER, M. D., _Detroit, Mich._
+THE GIRL FROM DELHI
+_By _LOUIS FLECKENSTEIN, _Los Angeles, Cal._
+FIFTY YEARS
+_By _FREDERICK FRITTITA, _Baltimore, Md._
+WATER SCENE
+_By _JOHN WALLACE GILLIES, _New York_
+THE MARBLE CUTTERS
+_By _LAURA GILPIN, _Colorado Springs, Col._
+WALPI
+_By _FORMAN HANNA, _Globe, Ariz._
+THE SHORE LINE
+_By _G. H. S. HARDING, _Berkeley, Cal._
+APRIL SNOW
+_By _EDWARD HEIM, _New York_
+DAY DREAMS
+_By _G. W. HARTING, _New York_
+IN THE ARBOR
+_By _ANTOINETTE B. HERVEY, _New York_
+MISS H.
+_By _GEORGE HENRY HIGH, _Chicago, Ill._
+SUNSHINE
+_By _L. WILLIS HOOPS, _New York_
+THE WHITE HAT
+_By _G. B. HOLLISTER, _Corning, N. Y._
+DESIGN
+_By _BERNARD S. HORNE, _Princeton, N. J._
+CITY STREET
+_By _BLANCHE C. HUNGERFORD (MRS. LATIMER), _High Bridge, N. J._
+COLUMBIA UNIVERSITY
+_By _DR. CHARLES H. JAEGER, _New York_
+PORTRAIT OF A CHILD
+_By _DORIS U. JAEGER, _New York_
+THE VALE OF THE SHADOW
+_By _ARTHUR F. KALES, _Los Angeles, Cal._
+PORTRAIT
+_By _GERTRUDE KASEBIER, _New York_
+OLD HILL TOWN
+_By _WILLIAM KRIEBEL, _Philadelphia, Pa._
+SOLITUDE
+_By _W. R. LATIMER, _High Bridge, N. J._
+ELLEN
+_By _SOPHIE L. LAUFFER, _Brooklyn, N. Y._
+MASTER JOHN SPEER
+_By _GEORGE P. LESTER, _Bloomfield, N. J._
+MOUNT ADAMS OF THE NORTHERN LAKES
+_By _FRANCIS ORVILLE LIBBY, _Portland, Me._
+MISTS TO-DAY--CLEAR ANON
+_By _EDWIN LOKER, _St. Louis, Mo._
+TREES AND CLOUDS
+_By _DR. WILLIAM F. MAKK, _Los Angeles, Cal._
+PLAYER ON THE YIT-KIM
+_By _MARGRETHE MATHER, _Los Angeles, Cal._
+ON LAKE PATZCUARO, MEXICO
+_By _OSCAR MAURER, _Los Angeles, Cal._
+ALONG THE WHARF
+_By _HOLMES I. METTEE, _Baltimore, Md._
+THE MARSH--EVENING
+_By _J. GEORGE MIDGLEY, _Salt Lake City, Utah_
+THE DANCER
+_By _H. W. MINNS, _Akron, Ohio_
+SNOW PATTERN
+_By _H. REMICK NEESON, _Baltimore, Md._
+THE FARMER
+_By _HENRY HOYT MOORE, _Brooklyn, N. Y._
+STEAM UP
+_By _J. W. NEWTON, _Columbus, Ohio_
+EVE REPENTENT
+_By _IMOGEN CUNNINGHAM PARTRIDGE, _San Francisco, Cal._
+SWANS
+_By _G. HOUSON PAYNE, JR., _Baltimore, Md._
+MOTHER AND CHILD
+_By _MARGARET RHODES PEATTIE, _Chicago, Ill._
+PLACING A PICTURE
+_By _LEO POKRAS, _Brooklyn, N. Y._
+TWILIGHT'S MYSTERY
+_By _W. H. PORTERFIELD, _Buffalo, N. Y._
+THE MORNING BOAT
+_By _E. M. PRATT, _Tracy, Cal._
+SWEET SIXTEEN
+_By _MRS. WILLIAM H. RAU, _Philadelphia, Pa._
+MOTHER
+_By _JANE REECE, _Dayton, Ohio_
+THE HUSBANDMAN
+_By _O. C. REITER, _Pittsburgh, Pa._
+THE LAST OF HIS RACE
+_By _L. M. A. ROY, _La Crosse, Wis._
+PENNSYLVANIA STATION, NEW YORK
+_By _DR. D. J. RUZICKA, _New York_
+A GLIMPSE OF PLEASANT VALLEY
+_By _J. G. SARVENT, _Kansas City, Mo._
+THE VALLEY BEYOND OUR HILL
+_By _OTTO C. SHULTE, _San Franciso, Cal._
+ELYSIAN PARK VISTA
+_By _DAVID J. SHEAHAN, _Los Angeles, Cal._
+IN THE FOOTHILLS OF THE WASATCH
+_By _THOMAS O. SHECKELL, _Salt Lake City, Utah_
+DOORWAY OF ST. PATRICK'S CATHEDRAL
+_By _WILLIAM GORDON SHIELDS, _New York_
+PORTRAIT
+_By _MRS. STERLING SMITH, _San Diego, Cal._
+THE COLUMNS
+_By _E. RADIKER STANDCLIFF, _Elmira, N. Y._
+TOWARD TAMALPAIS
+_By _W. H. STEPHENS, _San Franciso, Cal._
+MAE MURRAY
+_By _FORD STERLING, _Los Angeles, Cal._
+MARGARET
+_By _JOHN H. STOCKSDALE, _Baltimore, Md._
+THE CANAL
+_By _M. SUGIMOTO, _New York_
+STILL LIFE
+_By _ELIZABETH TALCOTT, _Elmwood, Conn._
+THE HOUSE O' DREAMS
+_By _WILLIAM H. THOMPSON, _Hartford, Conn._
+WITH FACE SET TOWARD THE WESTERN FRONT
+_By _LIEUT. EDWARD LAROCQUE TINKER, U. S. N., _New York_
+SHIFTING SAND
+_By _CHARLES VANDERVELDE, _Grand Rapids, Mich._
+RUTH ST. DENIS
+_By _THE LATE LIEUT. LUKE R. VICKERS, _Church Creek, Md._
+THE NEW YEAR'S EDITION
+_By _WILL H. WALKER, _Portland, Ore._
+GIRL WITH THE FAN
+_By _MABEL WATSON, _Pasadena, Cal._
+ELEANOR
+_By _DELIGHT WESTON, _Blue Hill, Me._
+EPILOGUE
+_By _EDWARD WESTON, _Glendale, Cal._
+MRS. M.
+_By _LEONARD WESTPHALEN, _Chicago, Ill._
+THE FAMILY
+_By _CLARENCE H. WHITE, _New York_
+THE FLOWER GARDEN
+_By _CORNELIA F. WHITE, _New York_
+THROUGH THE WINDOW
+_By _HAZEL JANE WIEGNER, _Philadelphia, Pa._
+MARIONETTE
+_By _EDITH R. WILSON, _Mount Vernon, N. Y._
+JEAN
+_By _MILDRED R. WILSON, _Orange, N. J._
+CITY BEYOND
+_By _N. S. WOOLDRIDGE, _Pittsburgh, Pa._
+
+
+
+
+
+CONTENTS
+
+
+FOREWORD
+The Pictorial Photographers of America
+Pictorial Photography in New Jersey
+Pictorial Photograpny in Maine
+Pictorial Photography in Massachusetts
+Pictorial Photograpky in Maryland
+Middle West Activities and the Pittsburgh Salon
+Pictorial Photography in the Far West
+Illustrations
+The following is a partial list of photographic organizations in America
+which are encouraging pictorial Photography
+
+
+
+
+
+FOREWORD
+
+
+_By _CLARENCE H. WHITE
+_President of the Pictorial Photographers of America_
+
+To many people photography is merely a mechanical process. To an
+increasing number, however, photography is being seen as an art, by which
+personal impressions of nature or human life may be expressed as truly as
+by the brush. These workers in photography see in it a medium by which
+the action of light upon sensitive surfaces may be so controlled as really
+to interpret scenes and persons in the individualistic spirit of a true
+art. From every part of our country come evidences of the growing
+appreciation of photography as a pictorial medium. Exhibitions in many
+museums which have hitherto been indifferent to pictures made with the
+lens have opened the eyes of the public to the possibilities of the
+camera. Clubs of photographic workers in various cities have maintained
+or fostered the movement. The lure of the moving picture has stimulated
+the interest of countless multitudes in photography, and the occasional
+presentation of fine pictorial work in this direction has given a prophecy
+of better things to come. The time, therefore, seems ripe to present in
+this book a collection of the work of American pictorial photographers in
+all sections of the country. Many of these workers are members of the
+organization known as the Pictorial Photographers of America; but the
+appeal for photographic material for this book has been confined to no one
+society or club, but has been widely inclusive of associations and
+individuals, and it is believed that the work here presented is fairly
+representative of the best American effort along these lines at the
+present time.
+
+It is the hope and intention of the organization that publishes this book
+to stimulate interest in this branch of pictorial art. This is believed
+to be the first attempt in America to give a comprehensive presentation of
+the status of pictorial photography as illustrated by the product of many
+of its best workers. As such it is commended to the consideration of
+photographers both professional and amateur, of artists and art lovers,
+and of the public generally.
+
+
+
+
+
+THE PICTORIAL PHOTOGRAPHERS OF AMERICA
+
+
+ The Association's Work and Aim
+
+
+_By_ EDWARD R. DICKSON
+
+The Pictorial Photographers of America is an association having in mind
+solely the development of the art of photography from a standpoint of
+educational value. Its position is unique, since the worker is afforded
+not only an opportunity to exhibit his pictures in various museums and art
+galleries, but is made to feel that maintaining photographic standards and
+studying the arts for breadth of view are of chief importance.
+
+Some of the advantages which photography offers are worth restating. It
+helps to draw one closer to nature and to seek fresh air. Through the
+exercise and cultivation of choice, it teaches how to decorate the home,
+to dress with taste, and to keep an alert eye and mind on the passing
+events of the world. Because the Association knows that photography is
+able to teach these things, it sought the aid of art museums and public
+libraries to conduct photographic exhibitions so that children and adults
+may not only see fine examples of the work of the camera in the hands of
+artists, but be led thereby to appreciate more fully the value of
+photography as an aid to interesting composition and a quickening of the
+eye in realizing the beauty of sunlight and shadows which flit around us
+much unrecognized at times. Succeeding in gaining the sympathetic
+co-operation of seventeen museums, in the winter of 1917-18 the
+Association collected, from many of the most important workers in this
+country, more than two hundred prints, which were divided into two groups
+and exhibited as follows:
+
+Minneapolis Institute of Arts, Milwaukee Art Institute, Art Institute of
+Chicago, City Art Museum (St. Louis), Toledo Museum of Art, Detroit Museum
+of Art, Cleveland Art Museum, Cincinnati Museum of Art, Morristown
+Library, Newark Museum Association, New Britain (Conn.) Institute,
+Worcester Art Museum, Syracuse Museum of Fine Arts, Guild of Allied Arts
+(Buffalo), Grand Rapids Art Association, University of Oklahoma, New
+Orleans Art Association.
+
+There was also held in New York City an exhibition of the work of the New
+England, New Jersey and Connecticut photographers, and among the immediate
+activities of the Association will be the holding in New York of
+exhibitions of the work of members of the Pacific Coast and other places,
+so that there may be established a fuller understanding of the points of
+view among the various pictorialists throughout the country.
+
+The Association hopes to establish, in designated cities, pictorial
+centers where photographs may always be seen, and centers for intercourse
+and for exchange of views among workers. As a result of its plans, there
+will soon be opened a branch of the Pictorial Photographers of America,
+which will be called the Pacific Coast Chapter, embracing workers in the
+following States: Oregon, California, Wyoming, Nevada, and Utah. Meetings
+will be held monthly, and lectures and exhibitions arranged in
+co-operation with the parent body in New York. As soon as this chapter
+has begun active work, another will be opened in the New England and
+Middle West States, modeled after the California chapter. In this way the
+Association hopes to be of national service in the advancement of
+photography on educational lines, and it asks the sympathy of the public
+as well as that of every worker of the camera in America.
+
+Among other of its plans are: honoring those who have given valued service
+to photography; the formation of a library; the establishment of a home
+headquarters; the distribution of knowledge tending toward the making of
+better catalogues; the art of hanging pictures so that their individual
+beauty may be enhanced; the application of the motion picture to pictorial
+expression; the recommendation of books on the development of the
+individual, as well as others relating to the study of contemporary arts,
+so that, through an acquaintance with all these, there may be brought to
+the student a new and an individual approach in his photographic work.
+
+The Association holds monthly meetings at the National Arts Club, 119 East
+19th Street, New York, where exhibitions and lectures are given.
+Admission is free. The Association now publishes its first annual
+"Pictorial Photography in America," which comprises the work of important
+pictorialists in this country, whether or not members of the Association.
+And in following out so broad a plan the Association has demonstrated to
+its friends that its main interests lie in the presentation of fine work,
+little caring who the individual may be. As soon as the world has resumed
+its normal stride, the Association will extend invitations for an
+exhibition of foreign work to be shown in America. In turn, the
+Association will be glad to send an exhibition of American work abroad to
+those who desire to see, more intimately than we are able to do by the
+process of reproduction, what American pictorialists are doing. In
+another volume we hope to present the work of foreign pictorialists.
+
+Plans are now being made whereby the original prints selected for this
+Annual will be exhibited, under the direction of the American Federation
+of Arts, in the galleries of many art museums throughout the country.
+
+Herewith we list the names of the present officers and executive members
+of the Association, as well as those who are members of the Council having
+to do with pictorial activities in the different States. Membership in
+the Association is open to men and women of good character and ambitious
+intentions, including those who, though not photographers, are interested
+in the development of the art.
+
+CLARENCE H. WHITE, _President_
+DR. A. D. CHAFFEE, _Vice-President_
+GERTRUDE KASEBIER, _Hon. Vice-President_
+PROF. CHARLES F. CHANDLER, _Hon. Vice-President_
+DR. CHARLES H. JAEGER, _Treasurer._
+EDWARD R. DICKSON, _Recording Secretary_
+MARGARET WATKINS, _Corresponding Secretary_
+
+EXECUTIVE COMMITTEE
+
+WALTER L. EHRICH
+RAY GREENLEAF
+BERNARD S. HORNE
+CHARLES J. MARTIN
+HENRY HOYT MOORE
+DR. D. J. RUZICKA
+W. G. SHIELDS
+ADELE C. SHREVE
+
+COUNCIL
+
+_Arizona_
+FORMAN G. HANNA
+
+_California_
+JOHN PAUL EDWARDS
+LOUIS FLECKENSTEIN
+
+_Connecticut_
+GEORGE S. HAWLEY
+
+_Florida_
+DR. ADDISON O'NEILL
+
+_Illinois_
+EUGENE HUTCHINSON
+MARGARET RHODES PEATTIE
+
+_Indiana_
+ALBERT ERNEST SCHAAF
+
+_Iowa_
+CHARLES B. KEELER
+
+_Maine_
+SYLVAN B. PHILLIPS
+
+_Massachusetts_
+DWIGHT A. DAVIS
+WALTER G. WOLFE
+
+_Michigan_
+HERMAN GABRIEL
+ELEANOR W. WILLARD
+
+_Missouri_
+EDWIN LOKER
+
+_New Jersey_
+JOSEPH R. ASHMORE
+
+_New York State_
+SPENCER KELLOGG, JR.
+GEORGE B. HOLLISTER
+
+_New York City_
+EDWARD R. DICKSON
+WALTER L. EHRICH
+ANTOINETTE B. HERVEY
+DR. CHARLES H. JAEGER
+MERVIN W. PALMER
+CLARENCE H. WHITE
+EDITH R. WILSON
+THOMAS COKE WATKINS
+
+_Ohio_
+JANE REECE
+AUSTIN R. BREED
+CARLE SEMON
+
+_Oregon_
+CLEMENTINE HIRSCH
+
+_Pennsylvania_
+WILL D. BRODHUN
+ELIAS GOLDENSKY
+MAURICE L. FLEISHER
+MRS. M. W. WILTSE
+
+_Utah_
+THOMAS O. SHECKELL
+
+_Wisconsin_
+B. F. LANGLAND
+
+_England_
+ALVIN LANGDON COLBURN
+
+_Canada_
+CHARLES H. BARNARD
+
+
+
+
+
+ *
+
+
+
+
+
+PICTORIAL PHOTOGRAPHY IN NEW JERSEY
+
+
+_By_ LOUIS F. BUCHER _of the Newark Camera Club, Inc._
+
+In New Jersey, as well as in other States, pictorial photography was at
+its lowest ebb during the period of the war. The official ban on the use
+of the camera in places that presented just the sort of material which
+stirs the enthusiasm of the amateur photographer tended so to dampen his
+ardor that his trusty "box" was left at home to accumulate dust.
+
+But not for long, for a New Jersey cameraist, with the vision of a seer,
+saw an opportunity to use his beloved instrument in a far-reaching
+service. His enthusiasm was soon imparted to fellow members of the Newark
+Camera Club, and there quickly followed the birth of the Red Triangle
+Camera Club, affiliated with the local Y. M. C. A. Its object was pithily
+expressed in its slogan, "A picture of home to every soldier overseas"--at
+least to every Newark soldier in service.
+
+While the members of the Camera Club were prompted solely by a desire to
+serve, it was not long before there came responses in the form of letters
+of gratitude from the soldier boys that heartened them to renewed
+activity. The written messages frequently attested that the pictures of
+the home folks sent by the Camera Club members were the only ones that had
+reached foreign shores.
+
+As a stepping stone to something even greater, we have organized the
+Associated Camera Clubs of America, with a view to linking the activities
+of camera clubs and societies, the end to be sought being the creating of
+greater interest in exhibitions, and interchanges of lantern slides and
+prints. The prime object, of course, is to promote and cultivate the
+art-sense through the science of photography.
+
+If a camera club does not exist in the community in which the reader
+resides, lend your services to the formation of one. The members of the
+Associated Camera Clubs of America stand ready to do their utmost to
+assist an infant organization on its way to success.
+
+
+
+
+
+ *
+
+
+
+
+
+PICTORIAL PHOTOGRAPNY IN MAINE
+
+
+_By _FRANCIS O. LIBBY
+
+Maine, the State of forest and lakes, does not hold the position in
+pictorial photography warranted by her natural beauties. It would not be
+unreasonable, considering the advantages of the land and the opportunities
+offered by the varying atmospheric conditions, particularly along the
+coast, to expect that there would be many pictorialists of high rank in
+the State; but it is a lamentable fact that there are not. After all, the
+making of pictures with a camera is to a large extent a matter of
+education and training--not so much in the way of overcoming the technical
+difficulties of the medium, though of course this must be learned too, but
+in such vital matters as composition, choice of subject matter, unity,
+simplicity, and the like. Then, given the vision, the pictorial
+photographer is born.
+
+This preliminary training and the art education of the beginner can best
+be obtained in clubs; and in Maine the two centers of photographic
+activity are Portland and Bangor, in both of which cities are active
+camera clubs, each affiliated with the local art society and each holding
+annual exhibitions in the spring of the year, at which workers from all
+parts of the country show their pictures. During the war these clubs have
+been doing little more than marking time, but now that at last days of
+peace have come again, we feel that the future holds prospects of great
+promise to us. For one reason or another the men whose names were known
+ten or fifteen years ago seem to have dropped out and their places are
+being filled by new blood, men with high ideals and aspirations, who are
+not content merely with reproducing, by means of their cameras, pretty
+scenes and places, but who believe that photography is capable of much
+more--of showing not only the physical facts, but the very spirit of nature
+herself--a true impressionism; and it is the task of these men to place
+Maine in the position she should hold in pictorial work.
+
+During the past year much has been accomplished by a very few men, and
+through these men Maine has been represented at all the largest and best
+salons, not only in this country and Canada, but also in England at the
+London Salon. Prints by the multiple gum process are favored by some of
+the Portland workers, but the use of this process as a medium of
+expression is limited to a few men, and the most of the large prints
+produced are enlargements on bromide paper, as is probably the case
+generally throughout the country. This is perhaps somewhat to be
+regretted, for although bromide paper is capable of producing very fine
+prints when the subject is exactly adapted to it, still it does not permit
+of the personal control afforded by some of the other processes, and of
+course this is a handicap to the pictorial worker.
+
+As before stated, the pictorial output of the State during the past year
+has been limited to the work of a few men, but this condition is not going
+to continue for long. The clubs and societies are bending every effort
+toward the encouragement of the new workers, and already some very
+creditable work has been produced, and the coming year should see a worthy
+showing from Maine at all the salons.
+
+
+
+
+
+ *
+
+
+
+
+
+PICTORIAL PHOTOGRAPHY IN MASSACHUSETTS
+
+
+_By_ DWIGHT A. DAVIS
+
+In Massachusetts, as in other parts of the country, war-time activities
+interfered to a noticeable extent with the cause of pictorial photography.
+The interference was perhaps less marked than in some other sections,
+where more of the prominent workers were actively engaged at the front.
+The difficulty in securing materials, amounting now and then to utter
+impossibility, was, however, the same, and there was the same falling off
+in enthusiasm, due to the demands on one's heart and pocketbook from
+across the sea. In this crisis organized effort might have been
+especially helpful, but it is just in this respect that Massachusetts has
+always been weak. Her workers have been widely scattered from the
+Berkshires to the shore, and such local clubs as have here and there
+existed have not been deeply or permanently influential. In Boston there
+was the once famous Photo Clan, with Garo, Eicheim, and Schuman as its
+leading spirits, but that has long since ceased to be an active force. On
+the other hand, the Boston Young Men's Christian Union Camera Club and the
+Boston Society of Arts and Crafts have lately come into new prominence
+through their efforts to stimulate interest and afford frequent
+opportunities to view exhibitions of the best in photographic art. The
+former held, during the past winter, excellent one-man exhibits, in which
+work of such prominent pictorialists as John Paul Edwards, Dr. Rupert
+Lovejoy, Dwight A. Davis, Francis O. Libby, John H. Garo, Edward H.
+Weston, and Arthur Hammond was shown.
+
+But, in spite of these various influences, the workers of Massachusetts
+for the most part pursue solitary ways, with little enough--all too little,
+some would say--of the advantages that come from intimate association.
+There is, however, another side of the shield. It is at least
+questionable whether such strongly marked personality as appears in the
+work of Seeley, Garo, Davis, Hammond, Eicheim, Buttler, the Allen sisters,
+and a dozen others who might be mentioned, would be possible if the
+workers of this section were under the closely dominating influence of a
+centralized group, itself dominated by a single individual of exceptional
+powers. Such a state of affairs has sometimes been observed in other
+parts of the country, and the results have not always been advantageous to
+the interests of the individual workers. Under such conditions as exist
+in Massachusetts, the Pictorial Photographers of America has come as a
+boon, since it affords just the kind of stimulus most needed.
+Massachusetts has been swift to avail herself of the advantages thus
+offered. At the recent exhibition of the work of New England and New
+Jersey pictorialists, held in New York, Massachusetts was represented by
+16 out of a total of 27 exhibitors, with 64 out of a total of 107 prints--a
+showing decidedly creditable to the old Bay State.
+
+
+
+
+
+ *
+
+
+
+
+
+PICTORIAL PHOTOGRAPKY IN MARYLAND
+
+
+_By_ H. R. NEESON
+
+The progress of pictorial photography in Maryland is to be ascertained by
+an examination of the progress of the amateur in Baltimore, for aside from
+the local exhibitions we have no record of anything done in the State.
+While this condition is regrettable and hard to comprehend in an
+art-loving center of such population, there is none the less an
+improvement over former times.
+
+The shops and the "finishers" have prospered, while the club--the old
+organization in which the reason of being has been lost in a maze of
+constitutional amendments, by-laws, and such like red tape--has declined in
+influence and popularity. In the world at large, pictorial photography
+has grown amazingly. This has led to a more pronounced line of
+demarkation between the dilettante and the intelligent worker of
+appreciation, with the balance of influence inclining strongly to the
+latter. In Maryland there has been an upheaval, a photographic
+revolution, so to speak, and out of the wreckage has sprung the
+Photographic Guild of Baltimore, which has done more to put Maryland
+photographically to the fore in its five years of activity than had been
+done in all the years previous. It was due almost entirely to Guilders
+that Maryland stood fourth at the recent Pittsburgh Salon. Two
+prerequisites to membership in the Guild are ability in keeping with the
+highest standards and _productiveness_, as a consequence of which it has
+only six members, who may be said to comprise the representative
+pictorialists of the State.
+
+For the past four years there has been an annual exhibition under the
+auspices of the Guild at the Peabody Gallery, each well attended by the
+art-loving public, with marked enthusiasm for what is being done with the
+process. A feature of the Guild exhibitions, beginning with the 1919
+portfolio recently hung, is the invited work of out-of-town amateurs,
+which is giving Baltimoreans a wider and better knowledge. While this
+exhibition has not assumed salon proportions, it will in a measure bring
+the salons to Baltimore if help in the way of prints from outside is
+forthcoming, as we hope and believe will be the case.
+
+On the whole, it may be truly said that the flexibility and responsiveness
+of the photographic process have been sufficiently demonstrated to fix it
+firmly among the art mediums.
+
+
+
+
+
+ *
+
+
+
+
+
+MIDDLE WEST ACTIVITIES AND THE PITTSBURGH SALON
+
+
+_By_ W. H. PORTERFIELD
+
+Any article describing the activity in pictorial photography in the United
+States since 1914 must include a history of the work of the Pittsburgh
+Salon, and that has been very thoroughly covered in magazine articles
+immediately succeeding the close of each salon.
+
+At the outbreak of the war, the thoughts and energies of many of our
+foremost workers were directed toward other fields, and those who still
+practiced the work for the art side of it did so under difficulties.
+
+The governmental restrictions placed on the use of the camera in ports and
+about all public buildings, and in many sections of nearly every city,
+naturally had a tendency to discourage workers, but in spite of all the
+obstacles in the path of the art photographer the years have not been
+barren.
+
+Some of the older societies have all but ceased to exist, if one can judge
+by their contributions to the salons.
+
+Each year has witnessed new names among the exhibitors at Pittsburgh, and
+to an already formidable list there are annually added more than enough
+names to fill the vacancies caused by the dropping of former members who
+have failed to retain their membership due to non-compliance with the
+rules which automatically eliminate inactives.
+
+After six years of unprecedented success it may safely be said that the
+Pittsburgh Salon has become a permanent fixture in the world of
+photographic art and has unquestionably rendered a most valuable service
+in keeping alive the exhibition spirit.
+
+Mention should also be made of the good work done by the Chicago
+Photo-Fellows, the Buffalo Camera Club, the Photographic Guild of
+Baltimore, and the Photographic Section of the Pittsburgh Academy of Fine
+Arts, each one composed of enthusiasts, who loyally support the American
+and London Salons as well as being active workers in the Pictorial
+Photographers of America.
+
+These societies have been continually engaged in the promotion of
+inter-club exhibitions as well as in encouraging the circulation of work
+of individual members.
+
+As an educational feature the club interchange has no equal.
+
+
+
+
+
+ *
+
+
+
+
+
+PICTORIAL PHOTOGRAPHY IN THE FAR WEST
+
+
+_By_ JOHN PAUL EDWARDS
+
+The progress of pictorial photography in the Far West can be aptly
+compared with the settlement and growth of this big new country itself.
+We have had our pictorial pioneers, as it were--our hard-working,
+enthusiastic, rather crude first settlers in the art; now we have come to
+the stage of permanent abode, with traditions, albeit young, great
+enthusiasm, definite ideals, and ambitious hopes for the future.
+
+The one great asset in the upbuilding of the West has been boundless
+enthusiasm. This characteristic trait dominates the very soul of the
+Western pictorialist. In it lies his greatest hope for the future
+progress in his chosen field of art.
+
+It is this live energy and enthusiasm which brings him out afield even
+before break of day, which leads him over hill and dale, mountain and
+valley, in his insatiable quest for the pictorial. Miles are as nothing;
+hunger stays him not; nor rests he at night until his potential treasures
+are developed and their beauties appraised.
+
+The purpose of this preliminary psychologic analysis is to explain the
+militant attitude of the Western pictorialist in his pursuit of the art of
+the camera. His extremely prolific production, manifesting itself in
+liberal contributions to the salons and exhibitions of the world
+photographic, rises not from vanity but from super-enthusiasm--from the
+great joy he derives in making his picture, from the creation of the
+beautiful, and from the playing of the game as it is best played.
+
+Without losing a whit of the steady enthusiasm which has brought it to its
+present encouraging stage, Western pictorial photography is, nevertheless,
+settling down to a more staid and intellectual plane of progress.
+
+The broad average of quality of work is steadily improving. Better
+standards have been established. The workers are "finding" themselves.
+Enthusiasm is being beneficently tempered by increased technical skill,
+and more particularly by the intellectual development of the art side of
+the work.
+
+And so the future of pictorial photography in the Far West looks
+exceedingly bright. The salon workers of the past five or ten years are
+with few exceptions as keen as ever for their art, and a very talented and
+numerous lot of new workers are coming to the front.
+
+The center, in fact the stronghold, of Western pictorial photography is
+undoubtedly California. All forms of art seem to flourish mightily in
+this genial clime of wondrous, colorful beauty. A land of smiling
+sunshine, of lofty snow-capped peaks, of weird trees, of golden
+poppy-covered slopes, of sparkling seas--it is small wonder that the young
+art of the camera should thrive so vigorously there.
+
+There are several active foci of pictorial interest in the State. The
+most active and most promising of these centers is the Camera
+Pictorialists of Los Angeles. This club, as we may call it, has a
+membership of fourteen under the directorship of Louis Fleckenstein.
+Every member is an active worker of ability and promise. This group has
+made an imposing representation in nearly every photographic salon of
+recent years.
+
+They are sponsors for the International Photographic Salon held annually
+in the municipal art gallery of Los Angeles. This exhibition, with two
+years of success behind it, must be rated as the premier event of its kind
+in the West, and, in the quality of its offerings, second to none on the
+continent.
+
+While this is the only prominent group in California organized for
+strictly pictorial work, there are a great many independent workers widely
+scattered about the State. San Francisco and the bay region can claim a
+score or more whose achievements have been notable.
+
+Oregon has many enthusiastic workers and a strong club in Portland.
+Washington likewise has many camera artists of talent. Both these States
+have an untold wealth of pictorial material and many keen pictorialists.
+All they lack is an active leader or two to bring them to the rank they
+should hold in the photographic world.
+
+In Salt Lake City we find an active, enthusiastic and very promising group
+of workers under the able leadership of Thomas O. Sheckell. Through the
+medium of an extensive series of one-man exhibitions they have brought
+before the art-loving public of their city the best work of a large number
+of our leading pictorialists.
+
+One of the most interesting and auspicious developments of the year has
+been the recent formation of the Pacific Coast Chapter of the Pictorial
+Photographers of America.
+
+For very logical reasons the chief activities of the parent body of the
+Pictorial Photographers of America have been centered in the City of New
+York. An earnest desire to enjoy like activities right at home while
+still sharing the privileges of direct affiliation with our fellows of the
+Pictorial Photographers of America led to the formation of the Pacific
+Coast Chapter. The idea is still young, but the success of the chapter is
+definitely assured by the strong character of the membership already
+secured. It is the purpose of the chapter to uphold strongly the purposes
+and ideals of its parent body and to work continuously for the advancement
+of pictorial photography in the West. A number of interesting exhibitions
+are scheduled for the near future, the most important of these being the
+"All Western" exhibition, which is planned for the fall and winter of
+1919-20. The aim is to include the best pictorial photography of the
+West. It will be shown first in New York by the Pictorial Photographers
+of America and then routed through some of the more representative clubs
+of the East and Middle West.
+
+
+
+
+
+
+ILLUSTRATIONS
+
+
+ [APRIL FLURRIES, By W. A. Alcock, Brooklyn, N.Y.]
+
+ APRIL FLURRIES
+ _By _W. A. ALCOCK, _Brooklyn, N.Y._
+
+
+ [PUCKACHIPE--SEAGULL, By Elizabeth R. Allen, Moorestown, N.J.]
+
+ PUCKACHIPE--SEAGULL
+ _By _ELIZABETH R. ALLEN, _Moorestown, N.J._
+
+
+ [MY LITTLE GRAY HOME IN THE WEST, By George M. Allen, Portland, Ore.]
+
+ MY LITTLE GRAY HOME IN THE WEST
+ _By _GEORGE M. ALLEN, _Portland, Ore._
+
+
+ [THE BUDDHA, By Fred R. Archer, Los Angeles, Cal.]
+
+ THE BUDDHA
+ _By _FRED R. ARCHER, _Los Angeles, Cal._
+
+
+ [ISLANDERS, By Laura Adams Armer, Berkeley, Cal.]
+
+ ISLANDERS
+ _By _LAURA ADAMS ARMER, _Berkeley, Cal._
+
+
+ [ANN SPENCER, By Jessie Tarbox Beals, New York]
+
+ ANN SPENCER
+ _By _JESSIE TARBOX BEALS, _New York_
+
+
+ [EARLY MORNING, By David W. Bonnar, Buffalo, N. Y.]
+
+ EARLY MORNING
+ _By _DAVID W. BONNAR, _Buffalo, N. Y._
+
+
+ [A BIT OF HOME LIFE, By Will D. Brodhun, Wilkes-Barre, Pa.]
+
+ A BIT OF HOME LIFE
+ _By _WILL D. BRODHUN, _Wilkes-Barre, Pa._
+
+
+ [A MOMENT'S REST, By Gertrude L. Brown, Evanston, Ill.]
+
+ A MOMENT'S REST
+ _By _GERTRUDE L. BROWN, _Evanston, Ill._
+
+
+ [DANCERS, By John C. Burkhardt, Portland, Ore.]
+
+ DANCERS
+ _By _JOHN C. BURKHARDT, _Portland, Ore._
+
+
+ [DOUARNENEZ, FINISTÈRE, By Dr. A. D. Chaffee, New York]
+
+ DOUARNENEZ, FINISTÈRE
+ _By _DR. A. D. CHAFFEE, _New York_
+
+
+ [RHEIMS, By Arthur D. Chapman, New York]
+
+ RHEIMS
+ _By _ARTHUR D. CHAPMAN, _New York_
+
+
+ [MICHIO ITORO, By Alvin Langdon Colburn, New York]
+
+ MICHIO ITORO
+ _By _ALVIN LANGDON COLBURN, _New York_
+
+
+ [THE STREET, By Alfred Cohn, Brooklyn, N. Y.]
+
+ THE STREET
+ _By _ALFRED COHN, _Brooklyn, N. Y._
+
+
+ [ST. JOHN'S CATHEDRAL, By James Copella, New York]
+
+ ST. JOHN'S CATHEDRAL
+ _By _JAMES COPELLA, _New York_
+
+
+[MR. MATSUMOTO KOSHIRO AS "TCHIKAWA GOYEMON" (THE ROBIN HOOD OF JAPAN), By
+ C. P. Crowther, Kobe, Japan]
+
+ MR. MATSUMOTO KOSHIRO AS "TCHIKAWA GOYEMON" (THE ROBIN HOOD OF JAPAN)
+ _By _C. P. CROWTHER, _Kobe, Japan_
+
+
+ [SPRING O' THE YEAR, By Helen W. Drew, Montclair, N. J.]
+
+ SPRING O' THE YEAR
+ _By _HELEN W. DREW, _Montclair, N. J._
+
+
+ [THE LIFTING MIST, By Jerry D. Drew, Montclair, N. J.]
+
+ THE LIFTING MIST
+ _By _JERRY D. DREW, _Montclair, N. J._
+
+
+ [THE DOORWAY, By Dwight A. Davis, Worcester, Mass.]
+
+ THE DOORWAY
+ _By _DWIGHT A. DAVIS, _Worcester, Mass._
+
+
+ [HIGH BRIDGE, By Edward R. Dickson, New York City]
+
+ HIGH BRIDGE
+ _By _EDWARD R. DICKSON, _New York City_
+
+
+ [MRS. VERNON CASTLE, By De Meyer, New York]
+
+ MRS. VERNON CASTLE
+ _By _DE MEYER, _New York_
+
+
+ [BOATS, By E. G. Dunning, New York]
+
+ BOATS
+ _By _E. G. DUNNING, _New York_
+
+
+ [COMING TO SCHOOL, By Vernon Everett Duroc, Brooklyn, N. Y.]
+
+ COMING TO SCHOOL
+ _By _VERNON EVERETT DUROC, _Brooklyn, N. Y._
+
+
+ [STUDY, By William B. Dyer, Portland, Ore.]
+
+ STUDY
+ _By _WILLIAM B. DYER, _Portland, Ore._
+
+
+ [DESIGN FOR A TAPESTRY, By John Paul Edwards, Sacramento, Cal.]
+
+ DESIGN FOR A TAPESTRY
+ _By _JOHN PAUL EDWARDS, _Sacramento, Cal._
+
+
+ [STUDY, By Adelaide Wallach Ehrich, New York]
+
+ STUDY
+ _By _ADELAIDE WALLACH EHRICH, _New York_
+
+
+ [LANDSCAPE, By Eleanor C. Erving, Albany, N. Y.]
+
+ LANDSCAPE
+ _By _ELEANOR C. ERVING, _Albany, N. Y._
+
+
+ [SUGARLOAF MOUNTAIN, By W. H. Evans, Wilkes-Barre, Pa.]
+
+ SUGARLOAF MOUNTAIN
+ _By _W. H. EVANS, _Wilkes-Barre, Pa._
+
+
+ [SIDEWALK TREASURES, By O. E. Fischer, M. D., Detroit, Mich.]
+
+ SIDEWALK TREASURES
+ _By _O. E. FISCHER, M. D., _Detroit, Mich._
+
+
+ [THE GIRL FROM DELHI, By Louis Fleckenstein, Los Angeles, Cal.]
+
+ THE GIRL FROM DELHI
+ _By _LOUIS FLECKENSTEIN, _Los Angeles, Cal._
+
+
+ [FIFTY YEARS, By Frederick Frittita, Baltimore, Md.]
+
+ FIFTY YEARS
+ _By _FREDERICK FRITTITA, _Baltimore, Md._
+
+
+ [WATER SCENE, By John Wallace Gillies, New York]
+
+ WATER SCENE
+ _By _JOHN WALLACE GILLIES, _New York_
+
+
+ [THE MARBLE CUTTERS, By Laura Gilpin, Colorado Springs, Col.]
+
+ THE MARBLE CUTTERS
+ _By _LAURA GILPIN, _Colorado Springs, Col._
+
+
+ [WALPI, By Forman Hanna, Globe, Ariz.]
+
+ WALPI
+ _By _FORMAN HANNA, _Globe, Ariz._
+
+
+ [THE SHORE LINE, By G. H. S. Harding, Berkeley, Cal.]
+
+ THE SHORE LINE
+ _By _G. H. S. HARDING, _Berkeley, Cal._
+
+
+ [APRIL SNOW, By Edward Heim, New York]
+
+ APRIL SNOW
+ _By _EDWARD HEIM, _New York_
+
+
+ [DAY DREAMS, By G. W. Harting, New York]
+
+ DAY DREAMS
+ _By _G. W. HARTING, _New York_
+
+
+ [IN THE ARBOR, By Antoinette B. Hervey, New York]
+
+ IN THE ARBOR
+ _By _ANTOINETTE B. HERVEY, _New York_
+
+
+ [MISS H., By George Henry High, Chicago, Ill.]
+
+ MISS H.
+ _By _GEORGE HENRY HIGH, _Chicago, Ill._
+
+
+ [SUNSHINE, By L. Willis Hoops, New York]
+
+ SUNSHINE
+ _By _L. WILLIS HOOPS, _New York_
+
+
+ [THE WHITE HAT, By G. B. Hollister, Corning, N. Y.]
+
+ THE WHITE HAT
+ _By _G. B. HOLLISTER, _Corning, N. Y._
+
+
+ [DESIGN, By Bernard S. Horne, Princeton, N. J.]
+
+ DESIGN
+ _By _BERNARD S. HORNE, _Princeton, N. J._
+
+
+[CITY STREET, By Blanche C. Hungerford (Mrs. Latimer), High Bridge, N. J.]
+
+ CITY STREET
+ _By _BLANCHE C. HUNGERFORD (MRS. LATIMER), _High Bridge, N. J._
+
+
+ [COLUMBIA UNIVERSITY, By Dr. Charles H. Jaeger, New York]
+
+ COLUMBIA UNIVERSITY
+ _By _DR. CHARLES H. JAEGER, _New York_
+
+
+ [PORTRAIT OF A CHILD, By Doris U. Jaeger, New York]
+
+ PORTRAIT OF A CHILD
+ _By _DORIS U. JAEGER, _New York_
+
+
+ [THE VALE OF THE SHADOW, By Arthur F. Kales, Los Angeles, Cal.]
+
+ THE VALE OF THE SHADOW
+ _By _ARTHUR F. KALES, _Los Angeles, Cal._
+
+
+ [PORTRAIT, By Gertrude Kasebier, New York]
+
+ PORTRAIT
+ _By _GERTRUDE KASEBIER, _New York_
+
+
+ [OLD HILL TOWN, By William Kriebel, Philadelphia, Pa.]
+
+ OLD HILL TOWN
+ _By _WILLIAM KRIEBEL, _Philadelphia, Pa._
+
+
+ [SOLITUDE, By W. R. Latimer, High Bridge, N. J.]
+
+ SOLITUDE
+ _By _W. R. LATIMER, _High Bridge, N. J._
+
+
+ [ELLEN, By Sophie L. Lauffer, Brooklyn, N. Y.]
+
+ ELLEN
+ _By _SOPHIE L. LAUFFER, _Brooklyn, N. Y._
+
+
+ [MASTER JOHN SPEER, By George P. Lester, Bloomfield, N. J.]
+
+ MASTER JOHN SPEER
+ _By _GEORGE P. LESTER, _Bloomfield, N. J._
+
+
+ [MOUNT ADAMS OF THE NORTHERN LAKES, By Francis Orville Libby, Portland,
+ Me.]
+
+ MOUNT ADAMS OF THE NORTHERN LAKES
+ _By _FRANCIS ORVILLE LIBBY, _Portland, Me._
+
+
+ [MISTS TO-DAY--CLEAR ANON, By Edwin Loker, St. Louis, Mo.]
+
+ MISTS TO-DAY--CLEAR ANON
+ _By _EDWIN LOKER, _St. Louis, Mo._
+
+
+ [TREES AND CLOUDS, By Dr. William F. Makk, Los Angeles, Cal.]
+
+ TREES AND CLOUDS
+ _By _DR. WILLIAM F. MAKK, _Los Angeles, Cal._
+
+
+ [PLAYER ON THE YIT-KIM, By Margrethe Mather, Los Angeles, Cal.]
+
+ PLAYER ON THE YIT-KIM
+ _By _MARGRETHE MATHER, _Los Angeles, Cal._
+
+
+ [ON LAKE PATZCUARO, MEXICO, By Oscar Maurer, Los Angeles, Cal.]
+
+ ON LAKE PATZCUARO, MEXICO
+ _By _OSCAR MAURER, _Los Angeles, Cal._
+
+
+ [ALONG THE WHARF, By Holmes I. Mettee, Baltimore, Md.]
+
+ ALONG THE WHARF
+ _By _HOLMES I. METTEE, _Baltimore, Md._
+
+
+ [THE MARSH--EVENING, By J. George Midgley, Salt Lake City, Utah]
+
+ THE MARSH--EVENING
+ _By _J. GEORGE MIDGLEY, _Salt Lake City, Utah_
+
+
+ [THE DANCER, By H. W. Minns, Akron, Ohio]
+
+ THE DANCER
+ _By _H. W. MINNS, _Akron, Ohio_
+
+
+ [SNOW PATTERN, By H. Remick Neeson, Baltimore, Md.]
+
+ SNOW PATTERN
+ _By _H. REMICK NEESON, _Baltimore, Md._
+
+
+ [THE FARMER, By Henry Hoyt Moore, Brooklyn, N. Y.]
+
+ THE FARMER
+ _By _HENRY HOYT MOORE, _Brooklyn, N. Y._
+
+
+ [STEAM UP, By J. W. Newton, Columbus, Ohio]
+
+ STEAM UP
+ _By _J. W. NEWTON, _Columbus, Ohio_
+
+
+ [EVE REPENTENT, By Imogen Cunningham Partridge, San Francisco, Cal.]
+
+ EVE REPENTENT
+ _By _IMOGEN CUNNINGHAM PARTRIDGE, _San Francisco, Cal._
+
+
+ [SWANS, By G. Houson Payne, Jr., Baltimore, Md.]
+
+ SWANS
+ _By _G. HOUSON PAYNE, JR., _Baltimore, Md._
+
+
+ [MOTHER AND CHILD, By Margaret Rhodes Peattie, Chicago, Ill.]
+
+ MOTHER AND CHILD
+ _By _MARGARET RHODES PEATTIE, _Chicago, Ill._
+
+
+ [PLACING A PICTURE, By Leo Pokras, Brooklyn, N. Y.]
+
+ PLACING A PICTURE
+ _By _LEO POKRAS, _Brooklyn, N. Y._
+
+
+ [TWILIGHT'S MYSTERY, By W. H. Porterfield, Buffalo, N. Y.]
+
+ TWILIGHT'S MYSTERY
+ _By _W. H. PORTERFIELD, _Buffalo, N. Y._
+
+
+ [THE MORNING BOAT, By E. M. Pratt, Tracy, Cal.]
+
+ THE MORNING BOAT
+ _By _E. M. PRATT, _Tracy, Cal._
+
+
+ [SWEET SIXTEEN, By Mrs. William H. Rau, Philadelphia, Pa.]
+
+ SWEET SIXTEEN
+ _By _MRS. WILLIAM H. RAU, _Philadelphia, Pa._
+
+
+ [MOTHER, By Jane Reece, Dayton, Ohio]
+
+ MOTHER
+ _By _JANE REECE, _Dayton, Ohio_
+
+
+ [THE HUSBANDMAN, By O. C. Reiter, Pittsburgh, Pa.]
+
+ THE HUSBANDMAN
+ _By _O. C. REITER, _Pittsburgh, Pa._
+
+
+ [THE LAST OF HIS RACE, By L. M. A. Roy, La Crosse, Wis.]
+
+ THE LAST OF HIS RACE
+ _By _L. M. A. ROY, _La Crosse, Wis._
+
+
+ [PENNSYLVANIA STATION, NEW YORK, By Dr. D. J. Ruzicka, New York]
+
+ PENNSYLVANIA STATION, NEW YORK
+ _By _DR. D. J. RUZICKA, _New York_
+
+
+ [A GLIMPSE OF PLEASANT VALLEY, By J. G. Sarvent, Kansas City, Mo.]
+
+ A GLIMPSE OF PLEASANT VALLEY
+ _By _J. G. SARVENT, _Kansas City, Mo._
+
+
+ [THE VALLEY BEYOND OUR HILL, By Otto C. Shulte, San Franciso, Cal.]
+
+ THE VALLEY BEYOND OUR HILL
+ _By _OTTO C. SHULTE, _San Franciso, Cal._
+
+
+ [ELYSIAN PARK VISTA, By David J. Sheahan, Los Angeles, Cal.]
+
+ ELYSIAN PARK VISTA
+ _By _DAVID J. SHEAHAN, _Los Angeles, Cal._
+
+
+ [IN THE FOOTHILLS OF THE WASATCH, By Thomas O. Sheckell, Salt Lake City,
+ Utah]
+
+ IN THE FOOTHILLS OF THE WASATCH
+ _By _THOMAS O. SHECKELL, _Salt Lake City, Utah_
+
+
+[DOORWAY OF ST. PATRICK'S CATHEDRAL, By William Gordon Shields, New York]
+
+ DOORWAY OF ST. PATRICK'S CATHEDRAL
+ _By _WILLIAM GORDON SHIELDS, _New York_
+
+
+ [PORTRAIT, By Mrs. Sterling Smith, San Diego, Cal.]
+
+ PORTRAIT
+ _By _MRS. STERLING SMITH, _San Diego, Cal._
+
+
+ [THE COLUMNS, By E. Radiker Standcliff, Elmira, N. Y.]
+
+ THE COLUMNS
+ _By _E. RADIKER STANDCLIFF, _Elmira, N. Y._
+
+
+ [TOWARD TAMALPAIS, By W. H. Stephens, San Franciso, Cal.]
+
+ TOWARD TAMALPAIS
+ _By _W. H. STEPHENS, _San Franciso, Cal._
+
+
+ [MAE MURRAY, By Ford Sterling, Los Angeles, Cal.]
+
+ MAE MURRAY
+ _By _FORD STERLING, _Los Angeles, Cal._
+
+
+ [MARGARET, By John H. Stocksdale, Baltimore, Md.]
+
+ MARGARET
+ _By _JOHN H. STOCKSDALE, _Baltimore, Md._
+
+
+ [THE CANAL, By M. Sugimoto, New York]
+
+ THE CANAL
+ _By _M. SUGIMOTO, _New York_
+
+
+ [STILL LIFE, By Elizabeth Talcott, Elmwood, Conn.]
+
+ STILL LIFE
+ _By _ELIZABETH TALCOTT, _Elmwood, Conn._
+
+
+ [THE HOUSE O' DREAMS, By William H. Thompson, Hartford, Conn.]
+
+ THE HOUSE O' DREAMS
+ _By _WILLIAM H. THOMPSON, _Hartford, Conn._
+
+
+[WITH FACE SET TOWARD THE WESTERN FRONT, By Lieut. Edward Larocque Tinker,
+ U. S. N.,New York]
+
+ WITH FACE SET TOWARD THE WESTERN FRONT
+ _By _LIEUT. EDWARD LAROCQUE TINKER, U. S. N., _New York_
+
+
+ [SHIFTING SAND, By Charles Vandervelde, Grand Rapids, Mich.]
+
+ SHIFTING SAND
+ _By _CHARLES VANDERVELDE, _Grand Rapids, Mich._
+
+
+ [RUTH ST. DENIS, By the late Lieut. Luke R. Vickers, Church Creek, Md.]
+
+ RUTH ST. DENIS
+ _By _THE LATE LIEUT. LUKE R. VICKERS, _Church Creek, Md._
+
+
+ [THE NEW YEAR'S EDITION, By Will H. Walker, Portland, Ore.]
+
+ THE NEW YEAR'S EDITION
+ _By _WILL H. WALKER, _Portland, Ore._
+
+
+ [GIRL WITH THE FAN, By Mabel Watson, Pasadena, Cal.]
+
+ GIRL WITH THE FAN
+ _By _MABEL WATSON, _Pasadena, Cal._
+
+
+ [ELEANOR, By Delight Weston, Blue Hill, Me.]
+
+ ELEANOR
+ _By _DELIGHT WESTON, _Blue Hill, Me._
+
+
+ [EPILOGUE, By Edward Weston, Glendale, Cal.]
+
+ EPILOGUE
+ _By _EDWARD WESTON, _Glendale, Cal._
+
+
+ [MRS. M., By Leonard Westphalen, Chicago, Ill.]
+
+ MRS. M.
+ _By _LEONARD WESTPHALEN, _Chicago, Ill._
+
+
+ [THE FAMILY, By Clarence H. White, New York]
+
+ THE FAMILY
+ _By _CLARENCE H. WHITE, _New York_
+
+
+ [THE FLOWER GARDEN, By Cornelia F. White, New York]
+
+ THE FLOWER GARDEN
+ _By _CORNELIA F. WHITE, _New York_
+
+
+ [THROUGH THE WINDOW, By Hazel Jane Wiegner, Philadelphia, Pa.]
+
+ THROUGH THE WINDOW
+ _By _HAZEL JANE WIEGNER, _Philadelphia, Pa._
+
+
+ [MARIONETTE, By Edith R. Wilson, Mount Vernon, N. Y.]
+
+ MARIONETTE
+ _By _EDITH R. WILSON, _Mount Vernon, N. Y._
+
+
+ [JEAN, By Mildred R. Wilson, Orange, N. J.]
+
+ JEAN
+ _By _MILDRED R. WILSON, _Orange, N. J._
+
+
+ [CITY BEYOND, By N. S. Wooldridge, Pittsburgh, Pa.]
+
+ CITY BEYOND
+ _By _N. S. WOOLDRIDGE, _Pittsburgh, Pa._
+
+
+
+
+
+
+THE FOLLOWING IS A PARTIAL LIST OF PHOTOGRAPHIC ORGANIZATIONS IN AMERICA
+WHICH ARE ENCOURAGING PICTORIAL PHOTOGRAPHY
+
+
+Bangor Society of Art
+Bangor, Me.
+
+Boston Y. M. C. U. Camera Club
+48 Boylston Street, Boston, Mass.
+
+Brooklyn Institute of Arts and Science, _Photographic Section_
+Academy of Music Building, Brooklyn, N. Y.
+
+Buffalo Camera Club
+Kinne Building, corner Main and Utica Streets,
+Buffalo, N. Y.
+
+California Camera Club
+833 Market Street, San Francisco, Cal.
+
+Camera Club
+121 West 68th Street, New York City
+
+Camera Club of Detroit
+513-515 Kresge Building, West Grand Circus Park, Detroit, Mich.
+
+Camera Pictorialists of Los Angeles
+415 Blanchard Building, Los Angeles, Cal.
+
+Chicago Camera Club
+31 West Lake Street, Chicago, Ill.
+
+Camera Pictorialists of Columbus
+40 North High Street, Columbus, Ohio
+
+Elmira Camera Club
+116 Baldwin Street, Elmira, N. Y.
+
+Grand Rapids Camera Club
+2 Central Place, N. E., Grand Rapids, Mich.
+
+Missouri Camera Club
+706 Merchants-Laclede Building, 408 Olive Street, St. Louis, Mo.
+
+Newark Camera Club
+878 Broad Street, Newark, N. J.
+
+Orange Camera Club
+Main and Clinton Streets, Orange, N. J.
+
+Oregon Camera Club
+Elks Building, Portland, Oregon
+
+Photographic Guild of the Society of Arts and Crafts
+Boston, Mass.
+
+Photo Fellows of the World
+_Dean_, Sigismund Blumann, 3217 Davis Street, Fruitvale, Cal.
+
+Photographic Guild of Baltimore
+Baltimore, Md.
+
+Pittsburgh Academy of Science and Art, _Photographic Section_
+Carnegie Institute, Schenley Park, Pittsburgh, Pa.
+The Pittsburgh Salon of Photographic Art
+
+Portland Camera Club. _Photographic Section of the Portland Society of
+ Art_
+Corner Spring and High Streets, Portland, Me.
+
+Toledo Camera Club
+Museum of Art, Toledo, Ohio
+
+Toronto Camera Club
+2 Gould Street, Toronto, Ontario, Canada
+
+Wilkes-Barre Camera Club
+Poli Building, 131 South Main Street, Wilkes-Barre, Pa.
+
+ --------------
+
+The reproductions in this Annual were selected from a group of nearly 1100
+photographs. Of the 100 artists whose prints are now reproduced:
+
+36 are new workers. 16 were unknown to the judges. 32 are workers of
+recent years. 16 are old workers.
+
+A further computation shows that 56 are members of the Association, while
+44 are non-members.
+
+ [Advertisement: The Smith Synthetic Lens]
+ [Advertisement: Ensign Reflex Cameras]
+ [Advertisements: Japan Paper Company and Clarence H. White School of
+ Photography ]
+ [Advertisements: Willoughby's and Willis & Clements]
+ [Advertisements: George Murphy, Inc. and The Photo-Miniature]
+ [Advertisements: Spencer Lens Co. and C. P. Goerz American Optical
+ Company]
+ [Advertisements: Wallace Chemical Company and Wollensak Optical Company]
+
+
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK PICTORIAL PHOTOGRAPHY IN AMERICA 1920***
+
+
+
+CREDITS
+
+
+February 7, 2008
+
+ Project Gutenberg Edition
+ Martin Schub
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