summaryrefslogtreecommitdiff
path: root/2798.txt
diff options
context:
space:
mode:
Diffstat (limited to '2798.txt')
-rw-r--r--2798.txt1088
1 files changed, 1088 insertions, 0 deletions
diff --git a/2798.txt b/2798.txt
new file mode 100644
index 0000000..599859f
--- /dev/null
+++ b/2798.txt
@@ -0,0 +1,1088 @@
+The Project Gutenberg EBook of The Queen of the Pirate Isle, by Bret Harte
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Queen of the Pirate Isle
+
+Author: Bret Harte
+
+Release Date: May 27, 2006 [EBook #2798]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE QUEEN OF THE PIRATE ISLE ***
+
+
+
+
+Produced by Donald Lainson
+
+
+
+
+
+THE QUEEN OF THE PIRATE ISLE
+
+by Bret Harte
+
+
+
+I first knew her as the Queen of the Pirate Isle. To the best of my
+recollection she had no reasonable right to that title. She was only
+nine years old, inclined to plumpness and good humor, deprecated
+violence, and had never been to sea. Need it be added that she did NOT
+live in an island and that her name was Polly?
+
+Perhaps I ought to explain that she had already known other experiences
+of a purely imaginative character. Part of her existence had been passed
+as a Beggar Child,--solely indicated by a shawl tightly folded round her
+shoulders, and chills; as a Schoolmistress, unnecessarily severe; as a
+Preacher, singularly personal in his remarks, and once, after reading
+one of Cooper's novels, as an Indian Maiden. This was, I believe, the
+only instance when she had borrowed from another's fiction. Most of the
+characters that she assumed for days and sometimes weeks at a time were
+purely original in conception; some so much so as to be vague to the
+general understanding. I remember that her personation of a certain Mrs.
+Smith, whose individuality was supposed to be sufficiently represented
+by a sunbonnet worn wrong side before and a weekly addition to her
+family, was never perfectly appreciated by her own circle although she
+lived the character for a month. Another creation known as "The Proud
+Lady"--a being whose excessive and unreasonable haughtiness was
+so pronounced as to give her features the expression of extreme
+nausea--caused her mother so much alarm that it had to be abandoned.
+This was easily effected. The Proud Lady was understood to have died.
+Indeed, most of Polly's impersonations were got rid of in this way,
+although it by no means prevented their subsequent reappearance. "I
+thought Mrs. Smith was dead," remonstrated her mother at the posthumous
+appearance of that lady with a new infant. "She was buried alive and kem
+to!" said Polly with a melancholy air. Fortunately, the representation
+of a resuscitated person required such extraordinary acting, and was,
+through some uncertainty of conception, so closely allied in facial
+expression to the Proud Lady, that Mrs. Smith was resuscitated only for
+a day.
+
+The origin of the title of the Queen of the Pirate Isle may be briefly
+stated as follows:--
+
+An hour after luncheon, one day, Polly, Hickory Hunt, her cousin, and
+Wan Lee, a Chinese page, were crossing the nursery floor in a Chinese
+junk. The sea was calm and the sky cloudless. Any change in the weather
+was as unexpected as it is in books. Suddenly a West Indian Hurricane,
+purely local in character and unfelt anywhere else, struck Master
+Hickory and threw him overboard, whence, wildly swimming for his life
+and carrying Polly on his back, he eventually reached a Desert Island in
+the closet. Here the rescued party put up a tent made of a table-cloth
+providentially snatched from the raging billows, and, from two o'clock
+until four, passed six weeks on the island, supported only by a piece
+of candle, a box of matches, and two peppermint lozenges. It was at this
+time that it became necessary to account for Polly's existence among
+them, and this was only effected by an alarming sacrifice of their
+morality; Hickory and Wan Lee instantly became PIRATES, and at once
+elected Polly as their Queen. The royal duties, which seemed to be
+purely maternal, consisted in putting the Pirates to bed after a day of
+rapine and bloodshed, and in feeding them with licorice water through a
+quill in a small bottle. Limited as her functions were, Polly performed
+them with inimitable gravity and unquestioned sincerity. Even when her
+companions sometimes hesitated from actual hunger or fatigue and forgot
+their guilty part, she never faltered. It was her real existence; her
+other life of being washed, dressed, and put to bed at certain hours by
+her mother was the ILLUSION.
+
+Doubt and skepticism came at last,--and came from Wan Lee! Wan Lee of
+all creatures! Wan Lee, whose silent, stolid, mechanical performance of
+a pirate's duties--a perfect imitation like all his household work--had
+been their one delight and fascination!
+
+It was just after the exciting capture of a merchantman, with the
+indiscriminate slaughter of all on board,--a spectacle on which the
+round blue eyes of the plump Polly had gazed with royal and maternal
+tolerance,--and they were burying the booty, two tablespoons and a
+thimble, in the corner of the closet, when Wan Lee stolidly rose.
+
+"Melican boy pleenty foolee! Melican boy no Pilat!" said the little
+Chinaman, substituting "l's" for "r's" after his usual fashion.
+
+"Wotcher say?" said Hickory, reddening with sudden confusion.
+
+"Melican boy's papa heap lickee him--s'pose him leal Pilat," continued
+Wan Lee doggedly. "Melican boy Pilat INSIDE housee. Chinee boy Pilat
+OUTSIDE housee. First chop Pilat."
+
+Staggered by this humiliating statement, Hickory recovered himself in
+character. "Ah! Ho!" he shrieked, dancing wildly on one leg, "Mutiny and
+Splordinashun! 'Way with him to the yard-arm."
+
+"Yald-alm--heap foolee! Alee same clothes-horse for washee washee."
+
+It was here necessary for the Pirate Queen to assert her authority,
+which, as I have before stated, was somewhat confusingly maternal.
+
+"Go to bed instantly without your supper," she said seriously. "Really,
+I never saw such bad pirates. Say your prayers, and see that you're up
+early to church tomorrow."
+
+It should be explained that in deference to Polly's proficiency as a
+preacher, and probably as a relief to their uneasy consciences, Divine
+Service had always been held on the Island. But Wan Lee continued:--
+
+"Me no shabbee Pilat INSIDE housee; me shabbee Pilat OUTSIDE housee.
+S'pose you lun away longside Chinee boy--Chinee boy make you Pilat."
+
+Hickory softly scratched his leg; while a broad, bashful smile almost
+closed his small eyes. "Wot?" he asked.
+
+"Mebbe you too flightened to lun away. Melican boy's papa heap lickee."
+
+This last infamous suggestion fired the corsair's blood. "Dy'ar think
+we daresen't?" said Hickory desperately, but with an uneasy glance at
+Polly. "I'll show yer to-morrow."
+
+The entrance of Polly's mother at this moment put an end to Polly's
+authority and dispersed the pirate band, but left Wan Lee's proposal and
+Hickory's rash acceptance ringing in the ears of the Pirate Queen. That
+evening she was unusually silent. She would have taken Bridget,
+her nurse, into her confidence, but this would have involved a long
+explanation of her own feelings, from which, like all imaginative
+children, she shrank. She, however, made preparation for the proposed
+flight by settling in her mind which of her two dolls she would take. A
+wooden creature with easy-going knees and movable hair seemed to be more
+fit for hard service and any indiscriminate scalping that might turn up
+hereafter. At supper, she timidly asked a question of Bridget. "Did
+ye ever hear the loikes uv that, ma'am?" said the Irish handmaid with
+affectionate pride. "Shure the darlint's head is filled noight and
+day with ancient history. She's after asking me now if Queens ever run
+away!" To Polly's remorseful confusion here her good father, equally
+proud of her precocious interest and his own knowledge, at once
+interfered with an unintelligible account of the abdication of various
+queens in history until Polly's head ached again. Well meant as it was,
+it only settled in the child's mind that she must keep the awful secret
+to herself and that no one could understand her.
+
+The eventful day dawned without any unusual sign of importance. It was
+one of the cloudless summer days of the Californian foothills, bright,
+dry, and, as the morning advanced, hot in the white sunshine. The
+actual, prosaic house in which the Pirates apparently lived was a mile
+from a mining settlement on a beautiful ridge of pine woods sloping
+gently towards a valley on the one side, and on the other falling
+abruptly into a dark deep olive gulf of pine-trees, rocks, and patches
+of red soil. Beautiful as the slope was, looking over to the distant
+snow peaks which seemed to be in another world than theirs, the children
+found a greater attraction in the fascinating depths of a mysterious
+gulf, or canyon, as it was called, whose very name filled their ears
+with a weird music. To creep to the edge of the cliff, to sit upon
+the brown branches of some fallen pine, and, putting aside the dried
+tassels, to look down upon the backs of wheeling hawks that seemed to
+hang in mid-air was a never-failing delight. Here Polly would try to
+trace the winding red ribbon of road that was continually losing itself
+among the dense pines of the opposite mountains; here she would listen
+to the far-off strokes of a woodman's axe, or the rattle of some heavy
+wagon, miles away, crossing the pebbles of a dried-up watercourse. Here,
+too, the prevailing colors of the mountains, red and white and green,
+most showed themselves. There were no frowning rocks to depress the
+children's fancy, but everywhere along the ridge pure white quartz bared
+itself through the red earth like smiling teeth; the very pebbles they
+played with were streaked with shining mica like bits of looking-glass.
+The distance was always green and summer-like, but the color they most
+loved, and which was most familiar to them, was the dark red of the
+ground beneath their feet everywhere. It showed itself in the roadside
+bushes; its red dust pervaded the leaves of the overhanging laurel;
+it colored their shoes and pinafores; I am afraid it was often seen in
+Indian-like patches on their faces and hands. That it may have often
+given a sanguinary tone to their fancies I have every reason to believe.
+
+It was on this ridge that the three children gathered at ten o'clock
+that morning. An earlier flight had been impossible on account of Wan
+Lee being obliged to perform his regular duty of blacking the shoes
+of Polly and Hickory before breakfast,--a menial act which in the pure
+republic of childhood was never thought inconsistent with the loftiest
+piratical ambition. On the ridge they met one "Patsey," the son of a
+neighbor, sun-burned, broad-brimmed hatted, red-handed, like themselves.
+As there were afterwards some doubts expressed whether he joined the
+Pirates of his own free will, or was captured by them, I endeavor to
+give the colloquy exactly as it occurred:--
+
+Patsey: "Hallo, fellers."
+
+The Pirates: "Hello!"
+
+Patsey: "Goin' to hunt bars? Dad seed a lot o' tracks at sun-up."
+
+The Pirates (hesitating): "No--o--"
+
+Patsey: "I am; know where I kin get a six-shooter?"
+
+The Pirates (almost ready to abandon piracy for bear-hunting, but
+preserving their dignity): "Can't! We've runn'd away for real pirates."
+
+Patsey: "Not for good!"
+
+The Queen (interposing with sad dignity and real tears in her round
+blue eyes): "Yes!" (slowly and shaking her head). "Can't go back again.
+Never! Never! Never! The--the--eye is cast!"
+
+Patsey (bursting with excitement): "No-o! Sho'o! Wanter know."
+
+The Pirates (a little frightened themselves, but tremulous with
+gratified vanity): "The Perleese is on our track!"
+
+Patsey: "Lemme go with yer!"
+
+Hickory: "Wot'll yer giv?"
+
+Patsey: "Pistol and er bananer."
+
+Hickory (with judicious prudence): "Let's see 'em."
+
+Patsey was off like a shot; his bare little red feet trembling under
+him. In a few minutes he returned with an old-fashioned revolver known
+as one of "Allen's pepper-boxes" and a large banana. He was at once
+enrolled, and the banana eaten.
+
+As yet they had resolved on no definite nefarious plan. Hickory, looking
+down at Patsey's bare feet, instantly took off his own shoes. This bold
+act sent a thrill through his companions. Wan Lee took off his cloth
+leggings, Polly removed her shoes and stockings, but, with royal
+foresight, tied them up in her handkerchief. The last link between them
+and civilization was broken.
+
+"Let's go to the Slumgullion."
+
+"Slumgullion" was the name given by the miners to a certain soft,
+half-liquid mud, formed of the water and finely powdered earth that
+was carried off by the sluice-boxes during gold-washing, and eventually
+collected in a broad pool or lagoon before the outlet. There was a
+pool of this kind a quarter of a mile away, where there were "diggings"
+worked by Patsey's father, and thither they proceeded along the ridge
+in single file. When it was reached they solemnly began to wade in its
+viscid paint-like shallows. Possibly its unctuousness was pleasant
+to the touch; possibly there was a fascination in the fact that their
+parents had forbidden them to go near it, but probably the principal
+object of this performance was to produce a thick coating of mud on the
+feet and ankles, which, when dried in the sun, was supposed to harden
+the skin and render their shoes superfluous. It was also felt to be
+the first real step towards independence; they looked down at their
+ensanguined extremities and recognized the impossibility of their ever
+again crossing (unwashed) the family threshold.
+
+Then they again hesitated. There was a manifest need of some
+well-defined piratical purpose. The last act was reckless and
+irretrievable, but it was vague. They gazed at each other. There was a
+stolid look of resigned and superior tolerance in Wan Lee's eyes.
+
+Polly's glance wandered down the side of the slope to the distant little
+tunnels or openings made by the miners who were at work in the bowels of
+the mountain. "I'd like to go into one of them funny holes," she said to
+herself, half aloud.
+
+Wan Lee suddenly began to blink his eyes with unwonted excitement.
+"Catchee tunnel--heap gold," he said quickly. "When manee come outside
+to catchee dinner--Pilats go inside catchee tunnel! Shabbee! Pilats
+catchee gold allee samee Melican man!"
+
+"And take perseshiun," said Hickory.
+
+"And hoist the Pirate flag," said Patsey.
+
+"And build a fire, and cook, and have a family," said Polly.
+
+The idea was fascinating to the point of being irresistible. The eyes of
+the four children became rounder and rounder. They seized each other's
+hands and swung them backwards and forwards, occasionally lifting their
+legs in a solemn rhythmic movement known only to childhood.
+
+"It's orful far off!" said Patsey with a sudden look of dark importance.
+"Pap says it's free miles on the road. Take all day ter get there."
+
+The bright faces were overcast.
+
+"Less go down er slide!" said Hickory boldly.
+
+They approached the edge of the cliff. The "slide" was simply a sharp
+incline zigzagging down the side of the mountain used for sliding
+goods and provisions from the summit to the tunnel-men at the different
+openings below. The continual traffic had gradually worn a shallow gully
+half filled with earth and gravel into the face of the mountain which
+checked the momentum of the goods in their downward passage, but
+afforded no foothold for a pedestrian. No one had ever been known to
+descend a slide. That feat was evidently reserved for the Pirate band.
+They approached the edge of the slide, hand in hand, hesitated, and the
+next moment disappeared.
+
+Five minutes later the tunnel-men of the Excelsior mine, a mile below,
+taking their luncheon on the rude platform of debris before their
+tunnel, were suddenly driven to shelter in the tunnel from an apparent
+rain of stones, and rocks, and pebbles, from the cliffs above. Looking
+up, they were startled at seeing four round objects revolving and
+bounding in the dust of the slide, which eventually resolved themselves
+into three boys and a girl. For a moment the good men held their breath
+in helpless terror. Twice one of the children had struck the outer edge
+of the bank, and displaced stones that shot a thousand feet down into
+the dizzy depths of the valley; and now one of them, the girl, had
+actually rolled out of the slide and was hanging over the chasm
+supported only by a clump of chamisal to which she clung!
+
+"Hang on by your eyelids, sis! but don't stir, for Heaven's sake!"
+shouted one of the men, as two others started on a hopeless ascent of
+the cliff above them.
+
+But a light childish laugh from the clinging little figure seemed to
+mock them! Then two small heads appeared at the edge of the slide; then
+a diminutive figure, whose feet were apparently held by some invisible
+companion, was shoved over the brink and stretched its tiny arms towards
+the girl. But in vain, the distance was too great. Another laugh of
+intense youthful enjoyment followed the failure, and a new insecurity
+was added to the situation by the unsteady hands and shoulders of the
+relieving party, who were apparently shaking with laughter. Then the
+extended figure was seen to detach what looked like a small black rope
+from its shoulders and throw it to the girl. There was another little
+giggle. The faces of the men below paled in terror. Then Polly,--for it
+was she,--hanging to the long pigtail of Wan Lee, was drawn with fits
+of laughter back in safety to the slide. Their childish treble of
+appreciation was answered by a ringing cheer from below.
+
+"Darned ef I ever want to cut off a Chinaman's pigtail again, boys,"
+said one of the tunnel-men as he went back to dinner.
+
+Meantime the children had reached the goal and stood before the opening
+of one of the tunnels. Then these four heroes who had looked with
+cheerful levity on the deadly peril of their descent became suddenly
+frightened at the mysterious darkness of the cavern and turned pale at
+its threshold.
+
+"Mebbee a wicked Joss backside holee, he catchee Pilats," said Wan Lee
+gravely.
+
+Hickory began to whimper, Patsey drew back, Polly alone stood her
+ground, albeit with a trembling lip.
+
+"Let's say our prayers and frighten it away," she said stoutly.
+
+"No! no!" said Wan Lee, with a sudden alarm. "No frighten Spillits! You
+waitee! Chinee boy he talkee Spillit not to frighten you."*
+
+ * The Chinese pray devoutly to the Evil Spirits NOT to
+ injure them.
+
+Tucking his hands under his blue blouse, Wan Lee suddenly produced from
+some mysterious recess of his clothing a quantity of red paper slips
+which he scattered at the entrance of the cavern. Then drawing from the
+same inexhaustible receptacle certain squibs or fireworks, he let them
+off and threw them into the opening. There they went off with a slight
+fizz and splutter, a momentary glittering of small points in the
+darkness, and a strong smell of gunpowder. Polly gazed at the spectacle
+with undisguised awe and fascination. Hickory and Patsey breathed hard
+with satisfaction: it was beyond their wildest dreams of mystery and
+romance. Even Wan Lee appeared transfigured into a superior being by the
+potency of his own spells. But an unaccountable disturbance of some
+kind in the dim interior of the tunnel quickly drew the blood from
+their blanched cheeks again. It was a sound like coughing, followed by
+something like an oath.
+
+"He's made the Evil Spirit orful sick," said Hickory in a loud whisper.
+
+A slight laugh, that to the children seemed demoniacal, followed.
+
+"See!" said Wan Lee. "Evil Spillet he likee Chinee; try talkee him."
+
+The Pirates looked at Wan Lee, not without a certain envy of this
+manifest favoritism. A fearful desire to continue their awful
+experiments, instead of pursuing their piratical avocations, was taking
+possession of them; but Polly, with one of the swift transitions of
+childhood, immediately began to extemporize a house for the party at
+the mouth of the tunnel, and, with parental foresight, gathered the
+fragments of the squibs to build a fire for supper. That frugal meal,
+consisting of half a ginger biscuit divided into five small portions,
+each served on a chip of wood, and having a deliciously mysterious
+flavor of gunpowder and smoke, was soon over. It was necessary after
+this that the pirates should at once seek repose after a day of
+adventure, which they did for the space of forty seconds in singularly
+impossible attitudes and far too aggressive snoring. Indeed, Master
+Hickory's almost upright pose, with tightly folded arms and darkly
+frowning brows, was felt to be dramatic, but impossible for a longer
+period. The brief interval enabled Polly to collect herself and to
+look around her in her usual motherly fashion. Suddenly she started and
+uttered a cry. In the excitement of the descent she had quite overlooked
+her doll, and was now regarding it with round-eyed horror.
+
+"Lady Mary's hair's gone!" she cried, convulsively grasping the Pirate
+Hickory's legs.
+
+Hickory at once recognized the battered doll under the aristocratic
+title which Polly had long ago bestowed upon it. He stared at the bald
+and battered head.
+
+"Ha! ha!" he said hoarsely; "skelped by Injins!"
+
+For an instant the delicious suggestion soothed the imaginative Polly.
+But it was quickly dispelled by Wan Lee.
+
+"Lady Maley's pigtail hangee top side hillee. Catchee on big quartz
+stone allee same Polly; me go fetchee."
+
+"No!" quickly shrieked the others. The prospect of being left in the
+proximity of Wan Lee's evil spirit, without Wan Lee's exorcising power,
+was anything but reassuring. "No, don't go!" Even Polly (dropping a
+maternal tear on the bald head of Lady Mary) protested against this
+breaking up of the little circle. "Go to bed!" she said authoritatively,
+"and sleep till morning."
+
+Thus admonished, the Pirates again retired. This time effectively; for,
+worn by actual fatigue or soothed by the delicious coolness of the cave,
+they gradually, one by one, succumbed to real slumber. Polly, withheld
+from joining them by official and maternal responsibility, sat and
+blinked at them affectionately.
+
+Gradually she, too, felt herself yielding to the fascination and mystery
+of the place and the solitude that encompassed her. Beyond the pleasant
+shadows where she sat, she saw the great world of mountain and valley
+through a dreamy haze that seemed to rise from the depths below and
+occasionally hang before the cavern like a veil. Long waves of spicy
+heat rolling up the mountain from the valley brought her the smell of
+pine-trees and bay, and made the landscape swim before her eyes. She
+could hear the far-off cry of teamsters on some unseen road; she could
+see the far-off cloud of dust following the mountain stagecoach, whose
+rattling wheels she could not hear. She felt very lonely, but was not
+quite afraid; she felt very melancholy, but was not entirely sad; and
+she could have easily awakened her sleeping companions if she wished.
+
+No; she was a lone widow with nine children, six of whom were already in
+the lone churchyard on the hill, and the others lying ill with measles
+and scarlet fever beside her. She had just walked many weary miles that
+day, and had often begged from door to door for a slice of bread for the
+starving little ones. It was of no use now--they would die! They would
+never see their dear mother again. This was a favorite imaginative
+situation of Polly's, but only indulged when her companions were asleep,
+partly because she could not trust confederates with her more serious
+fancies, and partly because they were at such times passive in her
+hands. She glanced timidly around. Satisfied that no one could observe
+her, she softly visited the bedside of each of her companions, and
+administered from a purely fictitious bottle spoonfuls of invisible
+medicine. Physical correction in the form of slight taps, which they
+always required, and in which Polly was strong, was only withheld now
+from a sense of their weak condition. But in vain; they succumbed to the
+fell disease,--they always died at this juncture,--and Polly was left
+alone. She thought of the little church where she had once seen a
+funeral, and remembered the nice smell of the flowers; she dwelt with
+melancholy satisfaction of the nine little tombstones in the graveyard,
+each with an inscription, and looked forward with gentle anticipation to
+the long summer days when, with Lady Mary in her lap, she would sit on
+those graves clad in the deepest mourning. The fact that the unhappy
+victims at times moved as it were uneasily in their graves, or snored,
+did not affect Polly's imaginative contemplation, nor withhold the tears
+that gathered in her round eyes.
+
+Presently, the lids of the round eyes began to droop, the landscape
+beyond began to be more confused, and sometimes to disappear entirely
+and reappear again with startling distinctness. Then a sound of rippling
+water from the little stream that flowed from the mouth of the tunnel
+soothed her and seemed to carry her away with it, and then everything
+was dark.
+
+The next thing that she remembered was that she was apparently being
+carried along on some gliding object to the sound of rippling water. She
+was not alone, for her three companions were lying beside her, rather
+tightly packed and squeezed in the same mysterious vehicle. Even in the
+profound darkness that surrounded her, Polly could feel and hear that
+they were accompanied, and once or twice a faint streak of light from
+the side of the tunnel showed her gigantic shadows walking slowly
+on either side of the gliding car. She felt the little hands of her
+associates seeking hers, and knew they were awake and conscious, and
+she returned to each a reassuring pressure from the large protecting
+instinct of her maternal little heart. Presently the car glided into
+an open space of bright light, and stopped. The transition from the
+darkness of the tunnel at first dazzled their eyes. It was like a dream.
+
+They were in a circular cavern from which three other tunnels, like the
+one they had passed through, diverged. The walls, lit up by fifty or
+sixty candles stuck at irregular intervals in crevices of the rock, were
+of glittering quartz and mica. But more remarkable than all were the
+inmates of the cavern, who were ranged round the walls,--men who, like
+their attendants, seemed to be of extra stature; who had blackened
+faces, wore red bandana handkerchiefs round their heads and their
+waists, and carried enormous knives and pistols stuck in their belts.
+On a raised platform made of a packing-box on which was rudely painted a
+skull and cross-bones, sat the chief or leader of the band covered with
+a buffalo robe; on either side of him were two small barrels marked
+"Grog" and "Gunpowder." The children stared and clung closer to Polly.
+Yet, in spite of these desperate and warlike accessories, the strangers
+bore a singular resemblance to "Christy Minstrels" in their blackened
+faces and attitudes that somehow made them seem less awful. In
+particular, Polly was impressed with the fact that even the most
+ferocious had a certain kindliness of eye, and showed their teeth almost
+idiotically.
+
+"Welcome!" said the leader,--"welcome to the Pirates' Cave! The Red
+Rover of the North Fork of the Stanislaus River salutes the Queen of the
+Pirate Isle!" He rose up and made an extraordinary bow. It was repeated
+by the others with more or less exaggeration, to the point of one
+humorist losing his balance!
+
+"Oh, thank you very much," said Polly timidly, but drawing her little
+flock closer to her with a small protecting arm; "but could you--would
+you--please--tell us--what time it is?"
+
+"We are approaching the middle of Next Week," said the leader gravely;
+"but what of that? Time is made for slaves! The Red Rover seeks it not!
+Why should the Queen?"
+
+"I think we must be going," hesitated Polly, yet by no means displeased
+with the recognition of her rank.
+
+"Not until we have paid homage to Your Majesty," returned the leader.
+"What ho! there! Let Brother Step-and-Fetch-It pass the Queen around
+that we may do her honor." Observing that Polly shrank slightly back,
+he added: "Fear nothing; the man who hurts a hair of Her Majesty's head
+dies by this hand. Ah! ha!"
+
+The others all said ha! ha! and danced alternately on one leg and then
+on the other, but always with the same dark resemblance to Christy
+Minstrels. Brother Step-and-Fetch-It, whose very long beard had a
+confusing suggestion of being a part of the leader's buffalo robe,
+lifted her gently in his arms and carried her to the Red Rovers in turn.
+Each one bestowed a kiss upon her cheek or forehead, and would have
+taken her in his arms, or on his knees, or otherwise lingered over
+his salute, but they were sternly restrained by their leader. When the
+solemn rite was concluded, Step-and-Fetch-It paid his own courtesy
+with an extra squeeze of the curly head, and deposited her again in the
+truck, a little frightened, a little astonished, but with a considerable
+accession to her dignity. Hickory and Patsey looked on with stupefied
+amazement. Wan Lee alone remained stolid and unimpressed, regarding the
+scene with calm and triangular eyes.
+
+"Will Your Majesty see the Red Rovers dance?"
+
+"No, if you please," said Polly, with gentle seriousness.
+
+"Will Your Majesty fire this barrel of gunpowder, or tap this breaker of
+grog?"
+
+"No, I thank you."
+
+"Is there no command Your Majesty would lay upon us?"
+
+"No, please," said Polly, in a failing voice.
+
+"Is there anything Your Majesty has lost? Think again! Will Your Majesty
+deign to cast your royal eyes on this?"
+
+He drew from under his buffalo robe what seemed like a long tress of
+blond hair, and held it aloft. Polly instantly recognized the missing
+scalp of her hapless doll.
+
+"If you please, sir, it's Lady Mary's. She's lost it."
+
+"And lost it--Your Majesty--only to find something more precious. Would
+Your Majesty hear the story?"
+
+A little alarmed, a little curious, a little self-anxious, and a
+little induced by the nudges and pinches of her companions, the Queen
+blushingly signified her royal assent.
+
+"Enough. Bring refreshments. Will Your Majesty prefer wintergreen,
+peppermint, rose, or acidulated drops? Red or white? Or perhaps Your
+Majesty will let me recommend these bull's-eyes," said the leader, as
+a collection of sweets in a hat were suddenly produced from the barrel
+labeled "Gunpowder" and handed to the children.
+
+"Listen," he continued, in a silence broken only by the gentle sucking
+of bull's-eyes. "Many years ago the old Red Rovers of these parts locked
+up all their treasures in a secret cavern in this mountain. They used
+spells and magic to keep it from being entered or found by anybody, for
+there was a certain mark upon it made by a peculiar rock that stuck out
+of it, which signified what there was below. Long afterwards, other Red
+Rovers who had heard of it came here and spent days and days trying to
+discover it, digging holes and blasting tunnels like this, but of no
+use! Sometimes they thought they discovered the magic marks in the
+peculiar rock that stuck out of it, but when they dug there they found
+no treasure. And why? Because there was a magic spell upon it. And what
+was that magic spell? Why, this! It could only be discovered by a person
+who could not possibly know that he or she had discovered it; who never
+could or would be able to enjoy it; who could never see it, never feel
+it, never, in fact, know anything at all about it! It wasn't a dead man,
+it wasn't an animal, it wasn't a baby!"
+
+"Why," said Polly, jumping up and clapping her hands, "it was a Dolly."
+
+"Your Majesty's head is level! Your Majesty has guessed it!" said the
+leader, gravely. "It was Your Majesty's own dolly, Lady Mary, who broke
+the spell! When Your Majesty came down the slide, the doll fell from
+your gracious hand when your foot slipped. Your Majesty recovered Lady
+Mary, but did not observe that her hair had caught in a peculiar rock,
+called the 'Outcrop,' and remained behind! When, later on, while sitting
+with your attendants at the mouth of the tunnel, Your Majesty discovered
+that Lady Mary's hair was gone, I overheard Your Majesty, and dispatched
+the trusty Step-and-Fetch-It to seek it at the mountain side. He did so,
+and found it clinging to the rock, and beneath it--the entrance to the
+Secret Cave!"
+
+Patsey and Hickory, who, failing to understand a word of this
+explanation, had given themselves up to the unconstrained enjoyment of
+the sweets, began now to apprehend that some change was impending, and
+prepared for the worst by hastily swallowing what they had in their
+mouths, thus defying enchantment, and getting ready for speech. Polly,
+who had closely followed the story, albeit with the embellishments of
+her own imagination, made her eyes rounder than ever. A bland smile
+broke on Wan Lee's face, as to the children's amazement, he quietly
+disengaged himself from the group and stepped before the leader.
+
+"Melican man plenty foolee Melican chillern. No foolee China boy!
+China boy knowee you. YOU no Led Lofer. YOU no Pilat--you allee same
+tunnel-man--you Bob Johnson! Me shabbee you! You dressee up allee same
+as Led Lofer--but you Bob Johnson--allee same. My fader washee washee
+for you. You no payee him. You owee him folty dolla! Me blingee you
+billee. You no payee billee! You say, 'Chalkee up, John.' You say,
+'Bimeby, John.' But me no catchee folty dolla!"
+
+A roar of laughter followed, in which even the leader apparently forgot
+himself enough to join. But the next moment springing to his feet
+he shouted, "Ho! ho! A traitor! Away with him to the deepest dungeon
+beneath the castle moat!"
+
+Hickory and Patsey began to whimper, but Polly, albeit with a tremulous
+lip, stepped to the side of her little Pagan friend. "Don't you dare
+touch him," she said with a shake of unexpected determination in her
+little curly head; "if you do, I'll tell my father, and he will slay
+you! All of you--there!"
+
+"Your father! Then you are NOT the Queen!"
+
+It was a sore struggle to Polly to abdicate her royal position; it was
+harder to do it with befitting dignity. To evade the direct question she
+was obliged to abandon her defiant attitude. "If you please, sir," she
+said hurriedly, with an increasing color and no stops, "we're not always
+Pirates, you know, and Wan Lee is only our boy what brushes my shoes in
+the morning, and runs of errands, and he doesn't mean anything bad, sir,
+and we'd like to take him back home with us."
+
+"Enough," said the leader, changing his entire manner with the most
+sudden and shameless inconsistency. "You shall go back together, and woe
+betide the miscreant who would prevent it! What say you, brothers?
+What shall be his fate who dares to separate our noble Queen from her
+faithful Chinese henchman?"
+
+"He shall die!" roared the others, with beaming cheerfulness.
+
+"And what say you--shall we see them home?"
+
+"We will!" roared the others.
+
+Before the children could fairly comprehend what had passed, they were
+again lifted into the truck and began to glide back into the tunnel they
+had just quitted. But not again in darkness and silence; the entire band
+of Red rovers accompanied them, illuminating the dark passage with the
+candles they had snatched from the walls. In a few moments they were at
+the entrance again. The great world lay beyond them once more with rocks
+and valleys suffused by the rosy light of the setting sun. The past
+seemed like a dream.
+
+But were they really awake now? They could not tell. They accepted
+everything with the confidence and credulity of all children who have
+no experience to compare with their first impressions and to whom the
+future contains nothing impossible. It was without surprise, therefore,
+that they felt themselves lifted on the shoulders of the men who were
+making quite a procession along the steep trail towards the settlement
+again. Polly noticed that at the mouth of the other tunnels they were
+greeted by men as if they were carrying tidings of great joy; that they
+stopped to rejoice together, and that in some mysterious manner their
+conductors had got their faces washed, and had become more like beings
+of the outer world. When they neared the settlement the excitement
+seemed to have become greater; people rushed out to shake hands with
+the men who were carrying them, and overpowered even the children with
+questions they could not understand. Only one sentence Polly could
+clearly remember as being the burden of all congratulations. "Struck the
+old lead at last!" With a faint consciousness that she knew something
+about it, she tried to assume a dignified attitude on the leader's
+shoulders, even while she was beginning to be heavy with sleep.
+
+And then she remembered a crowd near her father's house, out of which
+her father came smiling pleasantly on her, but not interfering with
+her triumphal progress until the leader finally deposited her in her
+mother's lap in their own sitting-room. And then she remembered being
+"cross," and declining to answer any questions, and shortly afterwards
+found herself comfortably in bed. Then she heard her mother say to her
+father:--
+
+"It really seems too ridiculous for anything, John; the idea of those
+grown men dressing themselves up to play with children."
+
+"Ridiculous or not," said her father, "these grown men of the Excelsior
+mine have just struck the famous old lode of Red Mountain, which is as
+good as a fortune to everybody on the Ridge, and were as wild as boys!
+And they say it never would have been found if Polly hadn't tumbled over
+the slide directly on top of the outcrop, and left the absurd wig of
+that wretched doll of hers to mark its site."
+
+"And that," murmured Polly sleepily to her doll as she drew it closer to
+her breast, "is all that they know of it."
+
+
+
+
+
+End of Project Gutenberg's The Queen of the Pirate Isle, by Bret Harte
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE QUEEN OF THE PIRATE ISLE ***
+
+***** This file should be named 2798.txt or 2798.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/7/9/2798/
+
+Produced by Donald Lainson
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.