summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--2798-0.txt1089
-rw-r--r--2798-0.zipbin0 -> 23052 bytes
-rw-r--r--2798-h.zipbin0 -> 24487 bytes
-rw-r--r--2798-h/2798-h.htm1264
-rw-r--r--2798.txt1088
-rw-r--r--2798.zipbin0 -> 22949 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/qotpi10.txt1044
-rw-r--r--old/qotpi10.zipbin0 -> 21465 bytes
11 files changed, 4501 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/2798-0.txt b/2798-0.txt
new file mode 100644
index 0000000..92f0816
--- /dev/null
+++ b/2798-0.txt
@@ -0,0 +1,1089 @@
+The Project Gutenberg EBook of The Queen of the Pirate Isle, by Bret Harte
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Queen of the Pirate Isle
+
+Author: Bret Harte
+
+Release Date: May 27, 2006 [EBook #2798]
+Last Updated: March 5, 2018
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE QUEEN OF THE PIRATE ISLE ***
+
+
+
+
+Produced by Donald Lainson
+
+
+
+
+
+THE QUEEN OF THE PIRATE ISLE
+
+by Bret Harte
+
+
+
+I first knew her as the Queen of the Pirate Isle. To the best of my
+recollection she had no reasonable right to that title. She was only
+nine years old, inclined to plumpness and good humor, deprecated
+violence, and had never been to sea. Need it be added that she did NOT
+live in an island and that her name was Polly?
+
+Perhaps I ought to explain that she had already known other experiences
+of a purely imaginative character. Part of her existence had been passed
+as a Beggar Child,--solely indicated by a shawl tightly folded round her
+shoulders, and chills; as a Schoolmistress, unnecessarily severe; as a
+Preacher, singularly personal in his remarks, and once, after reading
+one of Cooper's novels, as an Indian Maiden. This was, I believe, the
+only instance when she had borrowed from another's fiction. Most of the
+characters that she assumed for days and sometimes weeks at a time were
+purely original in conception; some so much so as to be vague to the
+general understanding. I remember that her personation of a certain Mrs.
+Smith, whose individuality was supposed to be sufficiently represented
+by a sunbonnet worn wrong side before and a weekly addition to her
+family, was never perfectly appreciated by her own circle although she
+lived the character for a month. Another creation known as “The Proud
+Lady”--a being whose excessive and unreasonable haughtiness was
+so pronounced as to give her features the expression of extreme
+nausea--caused her mother so much alarm that it had to be abandoned.
+This was easily effected. The Proud Lady was understood to have died.
+Indeed, most of Polly's impersonations were got rid of in this way,
+although it by no means prevented their subsequent reappearance. “I
+thought Mrs. Smith was dead,” remonstrated her mother at the posthumous
+appearance of that lady with a new infant. “She was buried alive and kem
+to!” said Polly with a melancholy air. Fortunately, the representation
+of a resuscitated person required such extraordinary acting, and was,
+through some uncertainty of conception, so closely allied in facial
+expression to the Proud Lady, that Mrs. Smith was resuscitated only for
+a day.
+
+The origin of the title of the Queen of the Pirate Isle may be briefly
+stated as follows:--
+
+An hour after luncheon, one day, Polly, Hickory Hunt, her cousin, and
+Wan Lee, a Chinese page, were crossing the nursery floor in a Chinese
+junk. The sea was calm and the sky cloudless. Any change in the weather
+was as unexpected as it is in books. Suddenly a West Indian Hurricane,
+purely local in character and unfelt anywhere else, struck Master
+Hickory and threw him overboard, whence, wildly swimming for his life
+and carrying Polly on his back, he eventually reached a Desert Island in
+the closet. Here the rescued party put up a tent made of a table-cloth
+providentially snatched from the raging billows, and, from two o'clock
+until four, passed six weeks on the island, supported only by a piece
+of candle, a box of matches, and two peppermint lozenges. It was at this
+time that it became necessary to account for Polly's existence among
+them, and this was only effected by an alarming sacrifice of their
+morality; Hickory and Wan Lee instantly became PIRATES, and at once
+elected Polly as their Queen. The royal duties, which seemed to be
+purely maternal, consisted in putting the Pirates to bed after a day of
+rapine and bloodshed, and in feeding them with licorice water through a
+quill in a small bottle. Limited as her functions were, Polly performed
+them with inimitable gravity and unquestioned sincerity. Even when her
+companions sometimes hesitated from actual hunger or fatigue and forgot
+their guilty part, she never faltered. It was her real existence; her
+other life of being washed, dressed, and put to bed at certain hours by
+her mother was the ILLUSION.
+
+Doubt and skepticism came at last,--and came from Wan Lee! Wan Lee of
+all creatures! Wan Lee, whose silent, stolid, mechanical performance of
+a pirate's duties--a perfect imitation like all his household work--had
+been their one delight and fascination!
+
+It was just after the exciting capture of a merchantman, with the
+indiscriminate slaughter of all on board,--a spectacle on which the
+round blue eyes of the plump Polly had gazed with royal and maternal
+tolerance,--and they were burying the booty, two tablespoons and a
+thimble, in the corner of the closet, when Wan Lee stolidly rose.
+
+“Melican boy pleenty foolee! Melican boy no Pilat!” said the little
+Chinaman, substituting “l's” for “r's” after his usual fashion.
+
+“Wotcher say?” said Hickory, reddening with sudden confusion.
+
+“Melican boy's papa heap lickee him--s'pose him leal Pilat,” continued
+Wan Lee doggedly. “Melican boy Pilat INSIDE housee. Chinee boy Pilat
+OUTSIDE housee. First chop Pilat.”
+
+Staggered by this humiliating statement, Hickory recovered himself in
+character. “Ah! Ho!” he shrieked, dancing wildly on one leg, “Mutiny and
+Splordinashun! 'Way with him to the yard-arm.”
+
+“Yald-alm--heap foolee! Alee same clothes-horse for washee washee.”
+
+It was here necessary for the Pirate Queen to assert her authority,
+which, as I have before stated, was somewhat confusingly maternal.
+
+“Go to bed instantly without your supper,” she said seriously. “Really,
+I never saw such bad pirates. Say your prayers, and see that you're up
+early to church tomorrow.”
+
+It should be explained that in deference to Polly's proficiency as a
+preacher, and probably as a relief to their uneasy consciences, Divine
+Service had always been held on the Island. But Wan Lee continued:--
+
+“Me no shabbee Pilat INSIDE housee; me shabbee Pilat OUTSIDE housee.
+S'pose you lun away longside Chinee boy--Chinee boy make you Pilat.”
+
+Hickory softly scratched his leg; while a broad, bashful smile almost
+closed his small eyes. “Wot?” he asked.
+
+“Mebbe you too flightened to lun away. Melican boy's papa heap lickee.”
+
+This last infamous suggestion fired the corsair's blood. “Dy'ar think
+we daresen't?” said Hickory desperately, but with an uneasy glance at
+Polly. “I'll show yer to-morrow.”
+
+The entrance of Polly's mother at this moment put an end to Polly's
+authority and dispersed the pirate band, but left Wan Lee's proposal and
+Hickory's rash acceptance ringing in the ears of the Pirate Queen. That
+evening she was unusually silent. She would have taken Bridget,
+her nurse, into her confidence, but this would have involved a long
+explanation of her own feelings, from which, like all imaginative
+children, she shrank. She, however, made preparation for the proposed
+flight by settling in her mind which of her two dolls she would take. A
+wooden creature with easy-going knees and movable hair seemed to be more
+fit for hard service and any indiscriminate scalping that might turn up
+hereafter. At supper, she timidly asked a question of Bridget. “Did
+ye ever hear the loikes uv that, ma'am?” said the Irish handmaid with
+affectionate pride. “Shure the darlint's head is filled noight and
+day with ancient history. She's after asking me now if Queens ever run
+away!” To Polly's remorseful confusion here her good father, equally
+proud of her precocious interest and his own knowledge, at once
+interfered with an unintelligible account of the abdication of various
+queens in history until Polly's head ached again. Well meant as it was,
+it only settled in the child's mind that she must keep the awful secret
+to herself and that no one could understand her.
+
+The eventful day dawned without any unusual sign of importance. It was
+one of the cloudless summer days of the Californian foothills, bright,
+dry, and, as the morning advanced, hot in the white sunshine. The
+actual, prosaic house in which the Pirates apparently lived was a mile
+from a mining settlement on a beautiful ridge of pine woods sloping
+gently towards a valley on the one side, and on the other falling
+abruptly into a dark deep olive gulf of pine-trees, rocks, and patches
+of red soil. Beautiful as the slope was, looking over to the distant
+snow peaks which seemed to be in another world than theirs, the children
+found a greater attraction in the fascinating depths of a mysterious
+gulf, or canyon, as it was called, whose very name filled their ears
+with a weird music. To creep to the edge of the cliff, to sit upon
+the brown branches of some fallen pine, and, putting aside the dried
+tassels, to look down upon the backs of wheeling hawks that seemed to
+hang in mid-air was a never-failing delight. Here Polly would try to
+trace the winding red ribbon of road that was continually losing itself
+among the dense pines of the opposite mountains; here she would listen
+to the far-off strokes of a woodman's axe, or the rattle of some heavy
+wagon, miles away, crossing the pebbles of a dried-up watercourse. Here,
+too, the prevailing colors of the mountains, red and white and green,
+most showed themselves. There were no frowning rocks to depress the
+children's fancy, but everywhere along the ridge pure white quartz bared
+itself through the red earth like smiling teeth; the very pebbles they
+played with were streaked with shining mica like bits of looking-glass.
+The distance was always green and summer-like, but the color they most
+loved, and which was most familiar to them, was the dark red of the
+ground beneath their feet everywhere. It showed itself in the roadside
+bushes; its red dust pervaded the leaves of the overhanging laurel;
+it colored their shoes and pinafores; I am afraid it was often seen in
+Indian-like patches on their faces and hands. That it may have often
+given a sanguinary tone to their fancies I have every reason to believe.
+
+It was on this ridge that the three children gathered at ten o'clock
+that morning. An earlier flight had been impossible on account of Wan
+Lee being obliged to perform his regular duty of blacking the shoes
+of Polly and Hickory before breakfast,--a menial act which in the pure
+republic of childhood was never thought inconsistent with the loftiest
+piratical ambition. On the ridge they met one “Patsey,” the son of a
+neighbor, sun-burned, broad-brimmed hatted, red-handed, like themselves.
+As there were afterwards some doubts expressed whether he joined the
+Pirates of his own free will, or was captured by them, I endeavor to
+give the colloquy exactly as it occurred:--
+
+Patsey: “Hallo, fellers.”
+
+The Pirates: “Hello!”
+
+Patsey: “Goin' to hunt bars? Dad seed a lot o' tracks at sun-up.”
+
+The Pirates (hesitating): “No--o--”
+
+Patsey: “I am; know where I kin get a six-shooter?”
+
+The Pirates (almost ready to abandon piracy for bear-hunting, but
+preserving their dignity): “Can't! We've runn'd away for real pirates.”
+
+Patsey: “Not for good!”
+
+The Queen (interposing with sad dignity and real tears in her round
+blue eyes): “Yes!” (slowly and shaking her head). “Can't go back again.
+Never! Never! Never! The--the--eye is cast!”
+
+Patsey (bursting with excitement): “No-o! Sho'o! Wanter know.”
+
+The Pirates (a little frightened themselves, but tremulous with
+gratified vanity): “The Perleese is on our track!”
+
+Patsey: “Lemme go with yer!”
+
+Hickory: “Wot'll yer giv?”
+
+Patsey: “Pistol and er bananer.”
+
+Hickory (with judicious prudence): “Let's see 'em.”
+
+Patsey was off like a shot; his bare little red feet trembling under
+him. In a few minutes he returned with an old-fashioned revolver known
+as one of “Allen's pepper-boxes” and a large banana. He was at once
+enrolled, and the banana eaten.
+
+As yet they had resolved on no definite nefarious plan. Hickory, looking
+down at Patsey's bare feet, instantly took off his own shoes. This bold
+act sent a thrill through his companions. Wan Lee took off his cloth
+leggings, Polly removed her shoes and stockings, but, with royal
+foresight, tied them up in her handkerchief. The last link between them
+and civilization was broken.
+
+“Let's go to the Slumgullion.”
+
+“Slumgullion” was the name given by the miners to a certain soft,
+half-liquid mud, formed of the water and finely powdered earth that
+was carried off by the sluice-boxes during gold-washing, and eventually
+collected in a broad pool or lagoon before the outlet. There was a
+pool of this kind a quarter of a mile away, where there were “diggings”
+ worked by Patsey's father, and thither they proceeded along the ridge
+in single file. When it was reached they solemnly began to wade in its
+viscid paint-like shallows. Possibly its unctuousness was pleasant
+to the touch; possibly there was a fascination in the fact that their
+parents had forbidden them to go near it, but probably the principal
+object of this performance was to produce a thick coating of mud on the
+feet and ankles, which, when dried in the sun, was supposed to harden
+the skin and render their shoes superfluous. It was also felt to be
+the first real step towards independence; they looked down at their
+ensanguined extremities and recognized the impossibility of their ever
+again crossing (unwashed) the family threshold.
+
+Then they again hesitated. There was a manifest need of some
+well-defined piratical purpose. The last act was reckless and
+irretrievable, but it was vague. They gazed at each other. There was a
+stolid look of resigned and superior tolerance in Wan Lee's eyes.
+
+Polly's glance wandered down the side of the slope to the distant little
+tunnels or openings made by the miners who were at work in the bowels of
+the mountain. “I'd like to go into one of them funny holes,” she said to
+herself, half aloud.
+
+Wan Lee suddenly began to blink his eyes with unwonted excitement.
+“Catchee tunnel--heap gold,” he said quickly. “When manee come outside
+to catchee dinner--Pilats go inside catchee tunnel! Shabbee! Pilats
+catchee gold allee samee Melican man!”
+
+“And take perseshiun,” said Hickory.
+
+“And hoist the Pirate flag,” said Patsey.
+
+“And build a fire, and cook, and have a family,” said Polly.
+
+The idea was fascinating to the point of being irresistible. The eyes of
+the four children became rounder and rounder. They seized each other's
+hands and swung them backwards and forwards, occasionally lifting their
+legs in a solemn rhythmic movement known only to childhood.
+
+“It's orful far off!” said Patsey with a sudden look of dark importance.
+“Pap says it's free miles on the road. Take all day ter get there.”
+
+The bright faces were overcast.
+
+“Less go down er slide!” said Hickory boldly.
+
+They approached the edge of the cliff. The “slide” was simply a sharp
+incline zigzagging down the side of the mountain used for sliding
+goods and provisions from the summit to the tunnel-men at the different
+openings below. The continual traffic had gradually worn a shallow gully
+half filled with earth and gravel into the face of the mountain which
+checked the momentum of the goods in their downward passage, but
+afforded no foothold for a pedestrian. No one had ever been known to
+descend a slide. That feat was evidently reserved for the Pirate band.
+They approached the edge of the slide, hand in hand, hesitated, and the
+next moment disappeared.
+
+Five minutes later the tunnel-men of the Excelsior mine, a mile below,
+taking their luncheon on the rude platform of debris before their
+tunnel, were suddenly driven to shelter in the tunnel from an apparent
+rain of stones, and rocks, and pebbles, from the cliffs above. Looking
+up, they were startled at seeing four round objects revolving and
+bounding in the dust of the slide, which eventually resolved themselves
+into three boys and a girl. For a moment the good men held their breath
+in helpless terror. Twice one of the children had struck the outer edge
+of the bank, and displaced stones that shot a thousand feet down into
+the dizzy depths of the valley; and now one of them, the girl, had
+actually rolled out of the slide and was hanging over the chasm
+supported only by a clump of chamisal to which she clung!
+
+“Hang on by your eyelids, sis! but don't stir, for Heaven's sake!”
+ shouted one of the men, as two others started on a hopeless ascent of
+the cliff above them.
+
+But a light childish laugh from the clinging little figure seemed to
+mock them! Then two small heads appeared at the edge of the slide; then
+a diminutive figure, whose feet were apparently held by some invisible
+companion, was shoved over the brink and stretched its tiny arms towards
+the girl. But in vain, the distance was too great. Another laugh of
+intense youthful enjoyment followed the failure, and a new insecurity
+was added to the situation by the unsteady hands and shoulders of the
+relieving party, who were apparently shaking with laughter. Then the
+extended figure was seen to detach what looked like a small black rope
+from its shoulders and throw it to the girl. There was another little
+giggle. The faces of the men below paled in terror. Then Polly,--for it
+was she,--hanging to the long pigtail of Wan Lee, was drawn with fits
+of laughter back in safety to the slide. Their childish treble of
+appreciation was answered by a ringing cheer from below.
+
+“Darned ef I ever want to cut off a Chinaman's pigtail again, boys,”
+ said one of the tunnel-men as he went back to dinner.
+
+Meantime the children had reached the goal and stood before the opening
+of one of the tunnels. Then these four heroes who had looked with
+cheerful levity on the deadly peril of their descent became suddenly
+frightened at the mysterious darkness of the cavern and turned pale at
+its threshold.
+
+“Mebbee a wicked Joss backside holee, he catchee Pilats,” said Wan Lee
+gravely.
+
+Hickory began to whimper, Patsey drew back, Polly alone stood her
+ground, albeit with a trembling lip.
+
+“Let's say our prayers and frighten it away,” she said stoutly.
+
+“No! no!” said Wan Lee, with a sudden alarm. “No frighten Spillits! You
+waitee! Chinee boy he talkee Spillit not to frighten you.” *
+
+ * The Chinese pray devoutly to the Evil Spirits NOT to
+ injure them.
+
+Tucking his hands under his blue blouse, Wan Lee suddenly produced from
+some mysterious recess of his clothing a quantity of red paper slips
+which he scattered at the entrance of the cavern. Then drawing from the
+same inexhaustible receptacle certain squibs or fireworks, he let them
+off and threw them into the opening. There they went off with a slight
+fizz and splutter, a momentary glittering of small points in the
+darkness, and a strong smell of gunpowder. Polly gazed at the spectacle
+with undisguised awe and fascination. Hickory and Patsey breathed hard
+with satisfaction: it was beyond their wildest dreams of mystery and
+romance. Even Wan Lee appeared transfigured into a superior being by the
+potency of his own spells. But an unaccountable disturbance of some
+kind in the dim interior of the tunnel quickly drew the blood from
+their blanched cheeks again. It was a sound like coughing, followed by
+something like an oath.
+
+“He's made the Evil Spirit orful sick,” said Hickory in a loud whisper.
+
+A slight laugh, that to the children seemed demoniacal, followed.
+
+“See!” said Wan Lee. “Evil Spillet he likee Chinee; try talkee him.”
+
+The Pirates looked at Wan Lee, not without a certain envy of this
+manifest favoritism. A fearful desire to continue their awful
+experiments, instead of pursuing their piratical avocations, was taking
+possession of them; but Polly, with one of the swift transitions of
+childhood, immediately began to extemporize a house for the party at
+the mouth of the tunnel, and, with parental foresight, gathered the
+fragments of the squibs to build a fire for supper. That frugal meal,
+consisting of half a ginger biscuit divided into five small portions,
+each served on a chip of wood, and having a deliciously mysterious
+flavor of gunpowder and smoke, was soon over. It was necessary after
+this that the pirates should at once seek repose after a day of
+adventure, which they did for the space of forty seconds in singularly
+impossible attitudes and far too aggressive snoring. Indeed, Master
+Hickory's almost upright pose, with tightly folded arms and darkly
+frowning brows, was felt to be dramatic, but impossible for a longer
+period. The brief interval enabled Polly to collect herself and to
+look around her in her usual motherly fashion. Suddenly she started and
+uttered a cry. In the excitement of the descent she had quite overlooked
+her doll, and was now regarding it with round-eyed horror.
+
+“Lady Mary's hair's gone!” she cried, convulsively grasping the Pirate
+Hickory's legs.
+
+Hickory at once recognized the battered doll under the aristocratic
+title which Polly had long ago bestowed upon it. He stared at the bald
+and battered head.
+
+“Ha! ha!” he said hoarsely; “skelped by Injins!”
+
+For an instant the delicious suggestion soothed the imaginative Polly.
+But it was quickly dispelled by Wan Lee.
+
+“Lady Maley's pigtail hangee top side hillee. Catchee on big quartz
+stone allee same Polly; me go fetchee.”
+
+“No!” quickly shrieked the others. The prospect of being left in the
+proximity of Wan Lee's evil spirit, without Wan Lee's exorcising power,
+was anything but reassuring. “No, don't go!” Even Polly (dropping a
+maternal tear on the bald head of Lady Mary) protested against this
+breaking up of the little circle. “Go to bed!” she said authoritatively,
+“and sleep till morning.”
+
+Thus admonished, the Pirates again retired. This time effectively; for,
+worn by actual fatigue or soothed by the delicious coolness of the cave,
+they gradually, one by one, succumbed to real slumber. Polly, withheld
+from joining them by official and maternal responsibility, sat and
+blinked at them affectionately.
+
+Gradually she, too, felt herself yielding to the fascination and mystery
+of the place and the solitude that encompassed her. Beyond the pleasant
+shadows where she sat, she saw the great world of mountain and valley
+through a dreamy haze that seemed to rise from the depths below and
+occasionally hang before the cavern like a veil. Long waves of spicy
+heat rolling up the mountain from the valley brought her the smell of
+pine-trees and bay, and made the landscape swim before her eyes. She
+could hear the far-off cry of teamsters on some unseen road; she could
+see the far-off cloud of dust following the mountain stagecoach, whose
+rattling wheels she could not hear. She felt very lonely, but was not
+quite afraid; she felt very melancholy, but was not entirely sad; and
+she could have easily awakened her sleeping companions if she wished.
+
+No; she was a lone widow with nine children, six of whom were already in
+the lone churchyard on the hill, and the others lying ill with measles
+and scarlet fever beside her. She had just walked many weary miles that
+day, and had often begged from door to door for a slice of bread for the
+starving little ones. It was of no use now--they would die! They would
+never see their dear mother again. This was a favorite imaginative
+situation of Polly's, but only indulged when her companions were asleep,
+partly because she could not trust confederates with her more serious
+fancies, and partly because they were at such times passive in her
+hands. She glanced timidly around. Satisfied that no one could observe
+her, she softly visited the bedside of each of her companions, and
+administered from a purely fictitious bottle spoonfuls of invisible
+medicine. Physical correction in the form of slight taps, which they
+always required, and in which Polly was strong, was only withheld now
+from a sense of their weak condition. But in vain; they succumbed to the
+fell disease,--they always died at this juncture,--and Polly was left
+alone. She thought of the little church where she had once seen a
+funeral, and remembered the nice smell of the flowers; she dwelt with
+melancholy satisfaction of the nine little tombstones in the graveyard,
+each with an inscription, and looked forward with gentle anticipation to
+the long summer days when, with Lady Mary in her lap, she would sit on
+those graves clad in the deepest mourning. The fact that the unhappy
+victims at times moved as it were uneasily in their graves, or snored,
+did not affect Polly's imaginative contemplation, nor withhold the tears
+that gathered in her round eyes.
+
+Presently, the lids of the round eyes began to droop, the landscape
+beyond began to be more confused, and sometimes to disappear entirely
+and reappear again with startling distinctness. Then a sound of rippling
+water from the little stream that flowed from the mouth of the tunnel
+soothed her and seemed to carry her away with it, and then everything
+was dark.
+
+The next thing that she remembered was that she was apparently being
+carried along on some gliding object to the sound of rippling water. She
+was not alone, for her three companions were lying beside her, rather
+tightly packed and squeezed in the same mysterious vehicle. Even in the
+profound darkness that surrounded her, Polly could feel and hear that
+they were accompanied, and once or twice a faint streak of light from
+the side of the tunnel showed her gigantic shadows walking slowly
+on either side of the gliding car. She felt the little hands of her
+associates seeking hers, and knew they were awake and conscious, and
+she returned to each a reassuring pressure from the large protecting
+instinct of her maternal little heart. Presently the car glided into
+an open space of bright light, and stopped. The transition from the
+darkness of the tunnel at first dazzled their eyes. It was like a dream.
+
+They were in a circular cavern from which three other tunnels, like the
+one they had passed through, diverged. The walls, lit up by fifty or
+sixty candles stuck at irregular intervals in crevices of the rock, were
+of glittering quartz and mica. But more remarkable than all were the
+inmates of the cavern, who were ranged round the walls,--men who, like
+their attendants, seemed to be of extra stature; who had blackened
+faces, wore red bandana handkerchiefs round their heads and their
+waists, and carried enormous knives and pistols stuck in their belts.
+On a raised platform made of a packing-box on which was rudely painted a
+skull and cross-bones, sat the chief or leader of the band covered with
+a buffalo robe; on either side of him were two small barrels marked
+“Grog” and “Gunpowder.” The children stared and clung closer to Polly.
+Yet, in spite of these desperate and warlike accessories, the strangers
+bore a singular resemblance to “Christy Minstrels” in their blackened
+faces and attitudes that somehow made them seem less awful. In
+particular, Polly was impressed with the fact that even the most
+ferocious had a certain kindliness of eye, and showed their teeth almost
+idiotically.
+
+“Welcome!” said the leader,--“welcome to the Pirates' Cave! The Red
+Rover of the North Fork of the Stanislaus River salutes the Queen of the
+Pirate Isle!” He rose up and made an extraordinary bow. It was repeated
+by the others with more or less exaggeration, to the point of one
+humorist losing his balance!
+
+“Oh, thank you very much,” said Polly timidly, but drawing her little
+flock closer to her with a small protecting arm; “but could you--would
+you--please--tell us--what time it is?”
+
+“We are approaching the middle of Next Week,” said the leader gravely;
+“but what of that? Time is made for slaves! The Red Rover seeks it not!
+Why should the Queen?”
+
+“I think we must be going,” hesitated Polly, yet by no means displeased
+with the recognition of her rank.
+
+“Not until we have paid homage to Your Majesty,” returned the leader.
+“What ho! there! Let Brother Step-and-Fetch-It pass the Queen around
+that we may do her honor.” Observing that Polly shrank slightly back,
+he added: “Fear nothing; the man who hurts a hair of Her Majesty's head
+dies by this hand. Ah! ha!”
+
+The others all said ha! ha! and danced alternately on one leg and then
+on the other, but always with the same dark resemblance to Christy
+Minstrels. Brother Step-and-Fetch-It, whose very long beard had a
+confusing suggestion of being a part of the leader's buffalo robe,
+lifted her gently in his arms and carried her to the Red Rovers in turn.
+Each one bestowed a kiss upon her cheek or forehead, and would have
+taken her in his arms, or on his knees, or otherwise lingered over
+his salute, but they were sternly restrained by their leader. When the
+solemn rite was concluded, Step-and-Fetch-It paid his own courtesy
+with an extra squeeze of the curly head, and deposited her again in the
+truck, a little frightened, a little astonished, but with a considerable
+accession to her dignity. Hickory and Patsey looked on with stupefied
+amazement. Wan Lee alone remained stolid and unimpressed, regarding the
+scene with calm and triangular eyes.
+
+“Will Your Majesty see the Red Rovers dance?”
+
+“No, if you please,” said Polly, with gentle seriousness.
+
+“Will Your Majesty fire this barrel of gunpowder, or tap this breaker of
+grog?”
+
+“No, I thank you.”
+
+“Is there no command Your Majesty would lay upon us?”
+
+“No, please,” said Polly, in a failing voice.
+
+“Is there anything Your Majesty has lost? Think again! Will Your Majesty
+deign to cast your royal eyes on this?”
+
+He drew from under his buffalo robe what seemed like a long tress of
+blond hair, and held it aloft. Polly instantly recognized the missing
+scalp of her hapless doll.
+
+“If you please, sir, it's Lady Mary's. She's lost it.”
+
+“And lost it--Your Majesty--only to find something more precious. Would
+Your Majesty hear the story?”
+
+A little alarmed, a little curious, a little self-anxious, and a
+little induced by the nudges and pinches of her companions, the Queen
+blushingly signified her royal assent.
+
+“Enough. Bring refreshments. Will Your Majesty prefer wintergreen,
+peppermint, rose, or acidulated drops? Red or white? Or perhaps Your
+Majesty will let me recommend these bull's-eyes,” said the leader, as
+a collection of sweets in a hat were suddenly produced from the barrel
+labeled “Gunpowder” and handed to the children.
+
+“Listen,” he continued, in a silence broken only by the gentle sucking
+of bull's-eyes. “Many years ago the old Red Rovers of these parts locked
+up all their treasures in a secret cavern in this mountain. They used
+spells and magic to keep it from being entered or found by anybody, for
+there was a certain mark upon it made by a peculiar rock that stuck out
+of it, which signified what there was below. Long afterwards, other Red
+Rovers who had heard of it came here and spent days and days trying to
+discover it, digging holes and blasting tunnels like this, but of no
+use! Sometimes they thought they discovered the magic marks in the
+peculiar rock that stuck out of it, but when they dug there they found
+no treasure. And why? Because there was a magic spell upon it. And what
+was that magic spell? Why, this! It could only be discovered by a person
+who could not possibly know that he or she had discovered it; who never
+could or would be able to enjoy it; who could never see it, never feel
+it, never, in fact, know anything at all about it! It wasn't a dead man,
+it wasn't an animal, it wasn't a baby!”
+
+“Why,” said Polly, jumping up and clapping her hands, “it was a Dolly.”
+
+“Your Majesty's head is level! Your Majesty has guessed it!” said the
+leader, gravely. “It was Your Majesty's own dolly, Lady Mary, who broke
+the spell! When Your Majesty came down the slide, the doll fell from
+your gracious hand when your foot slipped. Your Majesty recovered Lady
+Mary, but did not observe that her hair had caught in a peculiar rock,
+called the 'Outcrop,' and remained behind! When, later on, while sitting
+with your attendants at the mouth of the tunnel, Your Majesty discovered
+that Lady Mary's hair was gone, I overheard Your Majesty, and dispatched
+the trusty Step-and-Fetch-It to seek it at the mountain side. He did so,
+and found it clinging to the rock, and beneath it--the entrance to the
+Secret Cave!”
+
+Patsey and Hickory, who, failing to understand a word of this
+explanation, had given themselves up to the unconstrained enjoyment of
+the sweets, began now to apprehend that some change was impending, and
+prepared for the worst by hastily swallowing what they had in their
+mouths, thus defying enchantment, and getting ready for speech. Polly,
+who had closely followed the story, albeit with the embellishments of
+her own imagination, made her eyes rounder than ever. A bland smile
+broke on Wan Lee's face, as to the children's amazement, he quietly
+disengaged himself from the group and stepped before the leader.
+
+“Melican man plenty foolee Melican chillern. No foolee China boy!
+China boy knowee you. YOU no Led Lofer. YOU no Pilat--you allee same
+tunnel-man--you Bob Johnson! Me shabbee you! You dressee up allee same
+as Led Lofer--but you Bob Johnson--allee same. My fader washee washee
+for you. You no payee him. You owee him folty dolla! Me blingee you
+billee. You no payee billee! You say, 'Chalkee up, John.' You say,
+'Bimeby, John.' But me no catchee folty dolla!”
+
+A roar of laughter followed, in which even the leader apparently forgot
+himself enough to join. But the next moment springing to his feet
+he shouted, “Ho! ho! A traitor! Away with him to the deepest dungeon
+beneath the castle moat!”
+
+Hickory and Patsey began to whimper, but Polly, albeit with a tremulous
+lip, stepped to the side of her little Pagan friend. “Don't you dare
+touch him,” she said with a shake of unexpected determination in her
+little curly head; “if you do, I'll tell my father, and he will slay
+you! All of you--there!”
+
+“Your father! Then you are NOT the Queen!”
+
+It was a sore struggle to Polly to abdicate her royal position; it was
+harder to do it with befitting dignity. To evade the direct question she
+was obliged to abandon her defiant attitude. “If you please, sir,” she
+said hurriedly, with an increasing color and no stops, “we're not always
+Pirates, you know, and Wan Lee is only our boy what brushes my shoes in
+the morning, and runs of errands, and he doesn't mean anything bad, sir,
+and we'd like to take him back home with us.”
+
+“Enough,” said the leader, changing his entire manner with the most
+sudden and shameless inconsistency. “You shall go back together, and woe
+betide the miscreant who would prevent it! What say you, brothers?
+What shall be his fate who dares to separate our noble Queen from her
+faithful Chinese henchman?”
+
+“He shall die!” roared the others, with beaming cheerfulness.
+
+“And what say you--shall we see them home?”
+
+“We will!” roared the others.
+
+Before the children could fairly comprehend what had passed, they were
+again lifted into the truck and began to glide back into the tunnel they
+had just quitted. But not again in darkness and silence; the entire band
+of Red rovers accompanied them, illuminating the dark passage with the
+candles they had snatched from the walls. In a few moments they were at
+the entrance again. The great world lay beyond them once more with rocks
+and valleys suffused by the rosy light of the setting sun. The past
+seemed like a dream.
+
+But were they really awake now? They could not tell. They accepted
+everything with the confidence and credulity of all children who have
+no experience to compare with their first impressions and to whom the
+future contains nothing impossible. It was without surprise, therefore,
+that they felt themselves lifted on the shoulders of the men who were
+making quite a procession along the steep trail towards the settlement
+again. Polly noticed that at the mouth of the other tunnels they were
+greeted by men as if they were carrying tidings of great joy; that they
+stopped to rejoice together, and that in some mysterious manner their
+conductors had got their faces washed, and had become more like beings
+of the outer world. When they neared the settlement the excitement
+seemed to have become greater; people rushed out to shake hands with
+the men who were carrying them, and overpowered even the children with
+questions they could not understand. Only one sentence Polly could
+clearly remember as being the burden of all congratulations. “Struck the
+old lead at last!” With a faint consciousness that she knew something
+about it, she tried to assume a dignified attitude on the leader's
+shoulders, even while she was beginning to be heavy with sleep.
+
+And then she remembered a crowd near her father's house, out of which
+her father came smiling pleasantly on her, but not interfering with
+her triumphal progress until the leader finally deposited her in her
+mother's lap in their own sitting-room. And then she remembered being
+“cross,” and declining to answer any questions, and shortly afterwards
+found herself comfortably in bed. Then she heard her mother say to her
+father:--
+
+“It really seems too ridiculous for anything, John; the idea of those
+grown men dressing themselves up to play with children.”
+
+“Ridiculous or not,” said her father, “these grown men of the Excelsior
+mine have just struck the famous old lode of Red Mountain, which is as
+good as a fortune to everybody on the Ridge, and were as wild as boys!
+And they say it never would have been found if Polly hadn't tumbled over
+the slide directly on top of the outcrop, and left the absurd wig of
+that wretched doll of hers to mark its site.”
+
+“And that,” murmured Polly sleepily to her doll as she drew it closer to
+her breast, “is all that they know of it.”
+
+
+
+
+
+End of Project Gutenberg's The Queen of the Pirate Isle, by Bret Harte
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE QUEEN OF THE PIRATE ISLE ***
+
+***** This file should be named 2798-0.txt or 2798-0.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/7/9/2798/
+
+Produced by Donald Lainson
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase “Project
+Gutenberg”), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. “Project Gutenberg” is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase “Project Gutenberg” appears, or with which the phrase “Project
+Gutenberg” is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase “Project Gutenberg” associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+“Plain Vanilla ASCII” or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original “Plain Vanilla ASCII” or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, “Information about donations to
+ the Project Gutenberg Literary Archive Foundation.”
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+“Defects,” such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
+of Replacement or Refund” described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/2798-0.zip b/2798-0.zip
new file mode 100644
index 0000000..42be270
--- /dev/null
+++ b/2798-0.zip
Binary files differ
diff --git a/2798-h.zip b/2798-h.zip
new file mode 100644
index 0000000..0a0af50
--- /dev/null
+++ b/2798-h.zip
Binary files differ
diff --git a/2798-h/2798-h.htm b/2798-h/2798-h.htm
new file mode 100644
index 0000000..3bab394
--- /dev/null
+++ b/2798-h/2798-h.htm
@@ -0,0 +1,1264 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ The Queen of the Pirate Isle, by Bret Harte
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of The Queen of the Pirate Isle, by Bret Harte
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Queen of the Pirate Isle
+
+Author: Bret Harte
+
+Release Date: May 27, 2006 [EBook #2798]
+Last Updated: March 5, 2018
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE QUEEN OF THE PIRATE ISLE ***
+
+
+
+
+Produced by Donald Lainson; David Widger
+
+
+
+
+
+</pre>
+
+
+
+<table summary="" style="margin-right: auto; margin-left: auto" cellpadding="4" border="3">
+<tr>
+<td>
+THERE IS AN ILLUSTRATED EDITION OF THIS TITLE WHICH MAY VIEWED AT EBOOK <big><b><a href="https://www.gutenberg.org/ebooks/17168">
+[# 17168 ]</a></b></big>
+</td>
+</tr>
+</table>
+
+ <p>
+ <br /> <br />
+ </p>
+ <h1>
+ THE QUEEN OF THE PIRATE ISLE
+ </h1>
+ <p>
+ <br />
+ </p>
+ <h2>
+ by Bret Harte
+ </h2>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ I first knew her as the Queen of the Pirate Isle. To the best of my
+ recollection she had no reasonable right to that title. She was only nine
+ years old, inclined to plumpness and good humor, deprecated violence, and
+ had never been to sea. Need it be added that she did NOT live in an island
+ and that her name was Polly?
+ </p>
+ <p>
+ Perhaps I ought to explain that she had already known other experiences of
+ a purely imaginative character. Part of her existence had been passed as a
+ Beggar Child,&mdash;solely indicated by a shawl tightly folded round her
+ shoulders, and chills; as a Schoolmistress, unnecessarily severe; as a
+ Preacher, singularly personal in his remarks, and once, after reading one
+ of Cooper's novels, as an Indian Maiden. This was, I believe, the only
+ instance when she had borrowed from another's fiction. Most of the
+ characters that she assumed for days and sometimes weeks at a time were
+ purely original in conception; some so much so as to be vague to the
+ general understanding. I remember that her personation of a certain Mrs.
+ Smith, whose individuality was supposed to be sufficiently represented by
+ a sunbonnet worn wrong side before and a weekly addition to her family,
+ was never perfectly appreciated by her own circle although she lived the
+ character for a month. Another creation known as &ldquo;The Proud Lady&rdquo;&mdash;a
+ being whose excessive and unreasonable haughtiness was so pronounced as to
+ give her features the expression of extreme nausea&mdash;caused her mother
+ so much alarm that it had to be abandoned. This was easily effected. The
+ Proud Lady was understood to have died. Indeed, most of Polly's
+ impersonations were got rid of in this way, although it by no means
+ prevented their subsequent reappearance. &ldquo;I thought Mrs. Smith was dead,&rdquo;
+ remonstrated her mother at the posthumous appearance of that lady with a
+ new infant. &ldquo;She was buried alive and kem to!&rdquo; said Polly with a
+ melancholy air. Fortunately, the representation of a resuscitated person
+ required such extraordinary acting, and was, through some uncertainty of
+ conception, so closely allied in facial expression to the Proud Lady, that
+ Mrs. Smith was resuscitated only for a day.
+ </p>
+ <p>
+ The origin of the title of the Queen of the Pirate Isle may be briefly
+ stated as follows:&mdash;
+ </p>
+ <p>
+ An hour after luncheon, one day, Polly, Hickory Hunt, her cousin, and Wan
+ Lee, a Chinese page, were crossing the nursery floor in a Chinese junk.
+ The sea was calm and the sky cloudless. Any change in the weather was as
+ unexpected as it is in books. Suddenly a West Indian Hurricane, purely
+ local in character and unfelt anywhere else, struck Master Hickory and
+ threw him overboard, whence, wildly swimming for his life and carrying
+ Polly on his back, he eventually reached a Desert Island in the closet.
+ Here the rescued party put up a tent made of a table-cloth providentially
+ snatched from the raging billows, and, from two o'clock until four, passed
+ six weeks on the island, supported only by a piece of candle, a box of
+ matches, and two peppermint lozenges. It was at this time that it became
+ necessary to account for Polly's existence among them, and this was only
+ effected by an alarming sacrifice of their morality; Hickory and Wan Lee
+ instantly became PIRATES, and at once elected Polly as their Queen. The
+ royal duties, which seemed to be purely maternal, consisted in putting the
+ Pirates to bed after a day of rapine and bloodshed, and in feeding them
+ with licorice water through a quill in a small bottle. Limited as her
+ functions were, Polly performed them with inimitable gravity and
+ unquestioned sincerity. Even when her companions sometimes hesitated from
+ actual hunger or fatigue and forgot their guilty part, she never faltered.
+ It was her real existence; her other life of being washed, dressed, and
+ put to bed at certain hours by her mother was the ILLUSION.
+ </p>
+ <p>
+ Doubt and skepticism came at last,&mdash;and came from Wan Lee! Wan Lee of
+ all creatures! Wan Lee, whose silent, stolid, mechanical performance of a
+ pirate's duties&mdash;a perfect imitation like all his household work&mdash;had
+ been their one delight and fascination!
+ </p>
+ <p>
+ It was just after the exciting capture of a merchantman, with the
+ indiscriminate slaughter of all on board,&mdash;a spectacle on which the
+ round blue eyes of the plump Polly had gazed with royal and maternal
+ tolerance,&mdash;and they were burying the booty, two tablespoons and a
+ thimble, in the corner of the closet, when Wan Lee stolidly rose.
+ </p>
+ <p>
+ &ldquo;Melican boy pleenty foolee! Melican boy no Pilat!&rdquo; said the little
+ Chinaman, substituting &ldquo;l's&rdquo; for &ldquo;r's&rdquo; after his usual fashion.
+ </p>
+ <p>
+ &ldquo;Wotcher say?&rdquo; said Hickory, reddening with sudden confusion.
+ </p>
+ <p>
+ &ldquo;Melican boy's papa heap lickee him&mdash;s'pose him leal Pilat,&rdquo;
+ continued Wan Lee doggedly. &ldquo;Melican boy Pilat INSIDE housee. Chinee boy
+ Pilat OUTSIDE housee. First chop Pilat.&rdquo;
+ </p>
+ <p>
+ Staggered by this humiliating statement, Hickory recovered himself in
+ character. &ldquo;Ah! Ho!&rdquo; he shrieked, dancing wildly on one leg, &ldquo;Mutiny and
+ Splordinashun! 'Way with him to the yard-arm.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yald-alm&mdash;heap foolee! Alee same clothes-horse for washee washee.&rdquo;
+ </p>
+ <p>
+ It was here necessary for the Pirate Queen to assert her authority, which,
+ as I have before stated, was somewhat confusingly maternal.
+ </p>
+ <p>
+ &ldquo;Go to bed instantly without your supper,&rdquo; she said seriously. &ldquo;Really, I
+ never saw such bad pirates. Say your prayers, and see that you're up early
+ to church tomorrow.&rdquo;
+ </p>
+ <p>
+ It should be explained that in deference to Polly's proficiency as a
+ preacher, and probably as a relief to their uneasy consciences, Divine
+ Service had always been held on the Island. But Wan Lee continued:&mdash;
+ </p>
+ <p>
+ &ldquo;Me no shabbee Pilat INSIDE housee; me shabbee Pilat OUTSIDE housee.
+ S'pose you lun away longside Chinee boy&mdash;Chinee boy make you Pilat.&rdquo;
+ </p>
+ <p>
+ Hickory softly scratched his leg; while a broad, bashful smile almost
+ closed his small eyes. &ldquo;Wot?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;Mebbe you too flightened to lun away. Melican boy's papa heap lickee.&rdquo;
+ </p>
+ <p>
+ This last infamous suggestion fired the corsair's blood. &ldquo;Dy'ar think we
+ daresen't?&rdquo; said Hickory desperately, but with an uneasy glance at Polly.
+ &ldquo;I'll show yer to-morrow.&rdquo;
+ </p>
+ <p>
+ The entrance of Polly's mother at this moment put an end to Polly's
+ authority and dispersed the pirate band, but left Wan Lee's proposal and
+ Hickory's rash acceptance ringing in the ears of the Pirate Queen. That
+ evening she was unusually silent. She would have taken Bridget, her nurse,
+ into her confidence, but this would have involved a long explanation of
+ her own feelings, from which, like all imaginative children, she shrank.
+ She, however, made preparation for the proposed flight by settling in her
+ mind which of her two dolls she would take. A wooden creature with
+ easy-going knees and movable hair seemed to be more fit for hard service
+ and any indiscriminate scalping that might turn up hereafter. At supper,
+ she timidly asked a question of Bridget. &ldquo;Did ye ever hear the loikes uv
+ that, ma'am?&rdquo; said the Irish handmaid with affectionate pride. &ldquo;Shure the
+ darlint's head is filled noight and day with ancient history. She's after
+ asking me now if Queens ever run away!&rdquo; To Polly's remorseful confusion
+ here her good father, equally proud of her precocious interest and his own
+ knowledge, at once interfered with an unintelligible account of the
+ abdication of various queens in history until Polly's head ached again.
+ Well meant as it was, it only settled in the child's mind that she must
+ keep the awful secret to herself and that no one could understand her.
+ </p>
+ <p>
+ The eventful day dawned without any unusual sign of importance. It was one
+ of the cloudless summer days of the Californian foothills, bright, dry,
+ and, as the morning advanced, hot in the white sunshine. The actual,
+ prosaic house in which the Pirates apparently lived was a mile from a
+ mining settlement on a beautiful ridge of pine woods sloping gently
+ towards a valley on the one side, and on the other falling abruptly into a
+ dark deep olive gulf of pine-trees, rocks, and patches of red soil.
+ Beautiful as the slope was, looking over to the distant snow peaks which
+ seemed to be in another world than theirs, the children found a greater
+ attraction in the fascinating depths of a mysterious gulf, or canyon, as
+ it was called, whose very name filled their ears with a weird music. To
+ creep to the edge of the cliff, to sit upon the brown branches of some
+ fallen pine, and, putting aside the dried tassels, to look down upon the
+ backs of wheeling hawks that seemed to hang in mid-air was a never-failing
+ delight. Here Polly would try to trace the winding red ribbon of road that
+ was continually losing itself among the dense pines of the opposite
+ mountains; here she would listen to the far-off strokes of a woodman's
+ axe, or the rattle of some heavy wagon, miles away, crossing the pebbles
+ of a dried-up watercourse. Here, too, the prevailing colors of the
+ mountains, red and white and green, most showed themselves. There were no
+ frowning rocks to depress the children's fancy, but everywhere along the
+ ridge pure white quartz bared itself through the red earth like smiling
+ teeth; the very pebbles they played with were streaked with shining mica
+ like bits of looking-glass. The distance was always green and summer-like,
+ but the color they most loved, and which was most familiar to them, was
+ the dark red of the ground beneath their feet everywhere. It showed itself
+ in the roadside bushes; its red dust pervaded the leaves of the
+ overhanging laurel; it colored their shoes and pinafores; I am afraid it
+ was often seen in Indian-like patches on their faces and hands. That it
+ may have often given a sanguinary tone to their fancies I have every
+ reason to believe.
+ </p>
+ <p>
+ It was on this ridge that the three children gathered at ten o'clock that
+ morning. An earlier flight had been impossible on account of Wan Lee being
+ obliged to perform his regular duty of blacking the shoes of Polly and
+ Hickory before breakfast,&mdash;a menial act which in the pure republic of
+ childhood was never thought inconsistent with the loftiest piratical
+ ambition. On the ridge they met one &ldquo;Patsey,&rdquo; the son of a neighbor,
+ sun-burned, broad-brimmed hatted, red-handed, like themselves. As there
+ were afterwards some doubts expressed whether he joined the Pirates of his
+ own free will, or was captured by them, I endeavor to give the colloquy
+ exactly as it occurred:&mdash;
+ </p>
+ <p>
+ Patsey: &ldquo;Hallo, fellers.&rdquo;
+ </p>
+ <p>
+ The Pirates: &ldquo;Hello!&rdquo;
+ </p>
+ <p>
+ Patsey: &ldquo;Goin' to hunt bars? Dad seed a lot o' tracks at sun-up.&rdquo;
+ </p>
+ <p>
+ The Pirates (hesitating): &ldquo;No&mdash;o&mdash;&rdquo;
+ </p>
+ <p>
+ Patsey: &ldquo;I am; know where I kin get a six-shooter?&rdquo;
+ </p>
+ <p>
+ The Pirates (almost ready to abandon piracy for bear-hunting, but
+ preserving their dignity): &ldquo;Can't! We've runn'd away for real pirates.&rdquo;
+ </p>
+ <p>
+ Patsey: &ldquo;Not for good!&rdquo;
+ </p>
+ <p>
+ The Queen (interposing with sad dignity and real tears in her round blue
+ eyes): &ldquo;Yes!&rdquo; (slowly and shaking her head). &ldquo;Can't go back again. Never!
+ Never! Never! The&mdash;the&mdash;eye is cast!&rdquo;
+ </p>
+ <p>
+ Patsey (bursting with excitement): &ldquo;No-o! Sho'o! Wanter know.&rdquo;
+ </p>
+ <p>
+ The Pirates (a little frightened themselves, but tremulous with gratified
+ vanity): &ldquo;The Perleese is on our track!&rdquo;
+ </p>
+ <p>
+ Patsey: &ldquo;Lemme go with yer!&rdquo;
+ </p>
+ <p>
+ Hickory: &ldquo;Wot'll yer giv?&rdquo;
+ </p>
+ <p>
+ Patsey: &ldquo;Pistol and er bananer.&rdquo;
+ </p>
+ <p>
+ Hickory (with judicious prudence): &ldquo;Let's see 'em.&rdquo;
+ </p>
+ <p>
+ Patsey was off like a shot; his bare little red feet trembling under him.
+ In a few minutes he returned with an old-fashioned revolver known as one
+ of &ldquo;Allen's pepper-boxes&rdquo; and a large banana. He was at once enrolled, and
+ the banana eaten.
+ </p>
+ <p>
+ As yet they had resolved on no definite nefarious plan. Hickory, looking
+ down at Patsey's bare feet, instantly took off his own shoes. This bold
+ act sent a thrill through his companions. Wan Lee took off his cloth
+ leggings, Polly removed her shoes and stockings, but, with royal
+ foresight, tied them up in her handkerchief. The last link between them
+ and civilization was broken.
+ </p>
+ <p>
+ &ldquo;Let's go to the Slumgullion.&rdquo;
+ </p>
+ <p>
+ &ldquo;Slumgullion&rdquo; was the name given by the miners to a certain soft,
+ half-liquid mud, formed of the water and finely powdered earth that was
+ carried off by the sluice-boxes during gold-washing, and eventually
+ collected in a broad pool or lagoon before the outlet. There was a pool of
+ this kind a quarter of a mile away, where there were &ldquo;diggings&rdquo; worked by
+ Patsey's father, and thither they proceeded along the ridge in single
+ file. When it was reached they solemnly began to wade in its viscid
+ paint-like shallows. Possibly its unctuousness was pleasant to the touch;
+ possibly there was a fascination in the fact that their parents had
+ forbidden them to go near it, but probably the principal object of this
+ performance was to produce a thick coating of mud on the feet and ankles,
+ which, when dried in the sun, was supposed to harden the skin and render
+ their shoes superfluous. It was also felt to be the first real step
+ towards independence; they looked down at their ensanguined extremities
+ and recognized the impossibility of their ever again crossing (unwashed)
+ the family threshold.
+ </p>
+ <p>
+ Then they again hesitated. There was a manifest need of some well-defined
+ piratical purpose. The last act was reckless and irretrievable, but it was
+ vague. They gazed at each other. There was a stolid look of resigned and
+ superior tolerance in Wan Lee's eyes.
+ </p>
+ <p>
+ Polly's glance wandered down the side of the slope to the distant little
+ tunnels or openings made by the miners who were at work in the bowels of
+ the mountain. &ldquo;I'd like to go into one of them funny holes,&rdquo; she said to
+ herself, half aloud.
+ </p>
+ <p>
+ Wan Lee suddenly began to blink his eyes with unwonted excitement.
+ &ldquo;Catchee tunnel&mdash;heap gold,&rdquo; he said quickly. &ldquo;When manee come
+ outside to catchee dinner&mdash;Pilats go inside catchee tunnel! Shabbee!
+ Pilats catchee gold allee samee Melican man!&rdquo;
+ </p>
+ <p>
+ &ldquo;And take perseshiun,&rdquo; said Hickory.
+ </p>
+ <p>
+ &ldquo;And hoist the Pirate flag,&rdquo; said Patsey.
+ </p>
+ <p>
+ &ldquo;And build a fire, and cook, and have a family,&rdquo; said Polly.
+ </p>
+ <p>
+ The idea was fascinating to the point of being irresistible. The eyes of
+ the four children became rounder and rounder. They seized each other's
+ hands and swung them backwards and forwards, occasionally lifting their
+ legs in a solemn rhythmic movement known only to childhood.
+ </p>
+ <p>
+ &ldquo;It's orful far off!&rdquo; said Patsey with a sudden look of dark importance.
+ &ldquo;Pap says it's free miles on the road. Take all day ter get there.&rdquo;
+ </p>
+ <p>
+ The bright faces were overcast.
+ </p>
+ <p>
+ &ldquo;Less go down er slide!&rdquo; said Hickory boldly.
+ </p>
+ <p>
+ They approached the edge of the cliff. The &ldquo;slide&rdquo; was simply a sharp
+ incline zigzagging down the side of the mountain used for sliding goods
+ and provisions from the summit to the tunnel-men at the different openings
+ below. The continual traffic had gradually worn a shallow gully half
+ filled with earth and gravel into the face of the mountain which checked
+ the momentum of the goods in their downward passage, but afforded no
+ foothold for a pedestrian. No one had ever been known to descend a slide.
+ That feat was evidently reserved for the Pirate band. They approached the
+ edge of the slide, hand in hand, hesitated, and the next moment
+ disappeared.
+ </p>
+ <p>
+ Five minutes later the tunnel-men of the Excelsior mine, a mile below,
+ taking their luncheon on the rude platform of debris before their tunnel,
+ were suddenly driven to shelter in the tunnel from an apparent rain of
+ stones, and rocks, and pebbles, from the cliffs above. Looking up, they
+ were startled at seeing four round objects revolving and bounding in the
+ dust of the slide, which eventually resolved themselves into three boys
+ and a girl. For a moment the good men held their breath in helpless
+ terror. Twice one of the children had struck the outer edge of the bank,
+ and displaced stones that shot a thousand feet down into the dizzy depths
+ of the valley; and now one of them, the girl, had actually rolled out of
+ the slide and was hanging over the chasm supported only by a clump of
+ chamisal to which she clung!
+ </p>
+ <p>
+ &ldquo;Hang on by your eyelids, sis! but don't stir, for Heaven's sake!&rdquo; shouted
+ one of the men, as two others started on a hopeless ascent of the cliff
+ above them.
+ </p>
+ <p>
+ But a light childish laugh from the clinging little figure seemed to mock
+ them! Then two small heads appeared at the edge of the slide; then a
+ diminutive figure, whose feet were apparently held by some invisible
+ companion, was shoved over the brink and stretched its tiny arms towards
+ the girl. But in vain, the distance was too great. Another laugh of
+ intense youthful enjoyment followed the failure, and a new insecurity was
+ added to the situation by the unsteady hands and shoulders of the
+ relieving party, who were apparently shaking with laughter. Then the
+ extended figure was seen to detach what looked like a small black rope
+ from its shoulders and throw it to the girl. There was another little
+ giggle. The faces of the men below paled in terror. Then Polly,&mdash;for
+ it was she,&mdash;hanging to the long pigtail of Wan Lee, was drawn with
+ fits of laughter back in safety to the slide. Their childish treble of
+ appreciation was answered by a ringing cheer from below.
+ </p>
+ <p>
+ &ldquo;Darned ef I ever want to cut off a Chinaman's pigtail again, boys,&rdquo; said
+ one of the tunnel-men as he went back to dinner.
+ </p>
+ <p>
+ Meantime the children had reached the goal and stood before the opening of
+ one of the tunnels. Then these four heroes who had looked with cheerful
+ levity on the deadly peril of their descent became suddenly frightened at
+ the mysterious darkness of the cavern and turned pale at its threshold.
+ </p>
+ <p>
+ &ldquo;Mebbee a wicked Joss backside holee, he catchee Pilats,&rdquo; said Wan Lee
+ gravely.
+ </p>
+ <p>
+ Hickory began to whimper, Patsey drew back, Polly alone stood her ground,
+ albeit with a trembling lip.
+ </p>
+ <p>
+ &ldquo;Let's say our prayers and frighten it away,&rdquo; she said stoutly.
+ </p>
+ <p>
+ &ldquo;No! no!&rdquo; said Wan Lee, with a sudden alarm. &ldquo;No frighten Spillits! You
+ waitee! Chinee boy he talkee Spillit not to frighten you.&rdquo; *
+ </p>
+<pre xml:space="preserve">
+ * The Chinese pray devoutly to the Evil Spirits NOT to
+ injure them.
+</pre>
+ <p>
+ Tucking his hands under his blue blouse, Wan Lee suddenly produced from
+ some mysterious recess of his clothing a quantity of red paper slips which
+ he scattered at the entrance of the cavern. Then drawing from the same
+ inexhaustible receptacle certain squibs or fireworks, he let them off and
+ threw them into the opening. There they went off with a slight fizz and
+ splutter, a momentary glittering of small points in the darkness, and a
+ strong smell of gunpowder. Polly gazed at the spectacle with undisguised
+ awe and fascination. Hickory and Patsey breathed hard with satisfaction:
+ it was beyond their wildest dreams of mystery and romance. Even Wan Lee
+ appeared transfigured into a superior being by the potency of his own
+ spells. But an unaccountable disturbance of some kind in the dim interior
+ of the tunnel quickly drew the blood from their blanched cheeks again. It
+ was a sound like coughing, followed by something like an oath.
+ </p>
+ <p>
+ &ldquo;He's made the Evil Spirit orful sick,&rdquo; said Hickory in a loud whisper.
+ </p>
+ <p>
+ A slight laugh, that to the children seemed demoniacal, followed.
+ </p>
+ <p>
+ &ldquo;See!&rdquo; said Wan Lee. &ldquo;Evil Spillet he likee Chinee; try talkee him.&rdquo;
+ </p>
+ <p>
+ The Pirates looked at Wan Lee, not without a certain envy of this manifest
+ favoritism. A fearful desire to continue their awful experiments, instead
+ of pursuing their piratical avocations, was taking possession of them; but
+ Polly, with one of the swift transitions of childhood, immediately began
+ to extemporize a house for the party at the mouth of the tunnel, and, with
+ parental foresight, gathered the fragments of the squibs to build a fire
+ for supper. That frugal meal, consisting of half a ginger biscuit divided
+ into five small portions, each served on a chip of wood, and having a
+ deliciously mysterious flavor of gunpowder and smoke, was soon over. It
+ was necessary after this that the pirates should at once seek repose after
+ a day of adventure, which they did for the space of forty seconds in
+ singularly impossible attitudes and far too aggressive snoring. Indeed,
+ Master Hickory's almost upright pose, with tightly folded arms and darkly
+ frowning brows, was felt to be dramatic, but impossible for a longer
+ period. The brief interval enabled Polly to collect herself and to look
+ around her in her usual motherly fashion. Suddenly she started and uttered
+ a cry. In the excitement of the descent she had quite overlooked her doll,
+ and was now regarding it with round-eyed horror.
+ </p>
+ <p>
+ &ldquo;Lady Mary's hair's gone!&rdquo; she cried, convulsively grasping the Pirate
+ Hickory's legs.
+ </p>
+ <p>
+ Hickory at once recognized the battered doll under the aristocratic title
+ which Polly had long ago bestowed upon it. He stared at the bald and
+ battered head.
+ </p>
+ <p>
+ &ldquo;Ha! ha!&rdquo; he said hoarsely; &ldquo;skelped by Injins!&rdquo;
+ </p>
+ <p>
+ For an instant the delicious suggestion soothed the imaginative Polly. But
+ it was quickly dispelled by Wan Lee.
+ </p>
+ <p>
+ &ldquo;Lady Maley's pigtail hangee top side hillee. Catchee on big quartz stone
+ allee same Polly; me go fetchee.&rdquo;
+ </p>
+ <p>
+ &ldquo;No!&rdquo; quickly shrieked the others. The prospect of being left in the
+ proximity of Wan Lee's evil spirit, without Wan Lee's exorcising power,
+ was anything but reassuring. &ldquo;No, don't go!&rdquo; Even Polly (dropping a
+ maternal tear on the bald head of Lady Mary) protested against this
+ breaking up of the little circle. &ldquo;Go to bed!&rdquo; she said authoritatively,
+ &ldquo;and sleep till morning.&rdquo;
+ </p>
+ <p>
+ Thus admonished, the Pirates again retired. This time effectively; for,
+ worn by actual fatigue or soothed by the delicious coolness of the cave,
+ they gradually, one by one, succumbed to real slumber. Polly, withheld
+ from joining them by official and maternal responsibility, sat and blinked
+ at them affectionately.
+ </p>
+ <p>
+ Gradually she, too, felt herself yielding to the fascination and mystery
+ of the place and the solitude that encompassed her. Beyond the pleasant
+ shadows where she sat, she saw the great world of mountain and valley
+ through a dreamy haze that seemed to rise from the depths below and
+ occasionally hang before the cavern like a veil. Long waves of spicy heat
+ rolling up the mountain from the valley brought her the smell of
+ pine-trees and bay, and made the landscape swim before her eyes. She could
+ hear the far-off cry of teamsters on some unseen road; she could see the
+ far-off cloud of dust following the mountain stagecoach, whose rattling
+ wheels she could not hear. She felt very lonely, but was not quite afraid;
+ she felt very melancholy, but was not entirely sad; and she could have
+ easily awakened her sleeping companions if she wished.
+ </p>
+ <p>
+ No; she was a lone widow with nine children, six of whom were already in
+ the lone churchyard on the hill, and the others lying ill with measles and
+ scarlet fever beside her. She had just walked many weary miles that day,
+ and had often begged from door to door for a slice of bread for the
+ starving little ones. It was of no use now&mdash;they would die! They
+ would never see their dear mother again. This was a favorite imaginative
+ situation of Polly's, but only indulged when her companions were asleep,
+ partly because she could not trust confederates with her more serious
+ fancies, and partly because they were at such times passive in her hands.
+ She glanced timidly around. Satisfied that no one could observe her, she
+ softly visited the bedside of each of her companions, and administered
+ from a purely fictitious bottle spoonfuls of invisible medicine. Physical
+ correction in the form of slight taps, which they always required, and in
+ which Polly was strong, was only withheld now from a sense of their weak
+ condition. But in vain; they succumbed to the fell disease,&mdash;they
+ always died at this juncture,&mdash;and Polly was left alone. She thought
+ of the little church where she had once seen a funeral, and remembered the
+ nice smell of the flowers; she dwelt with melancholy satisfaction of the
+ nine little tombstones in the graveyard, each with an inscription, and
+ looked forward with gentle anticipation to the long summer days when, with
+ Lady Mary in her lap, she would sit on those graves clad in the deepest
+ mourning. The fact that the unhappy victims at times moved as it were
+ uneasily in their graves, or snored, did not affect Polly's imaginative
+ contemplation, nor withhold the tears that gathered in her round eyes.
+ </p>
+ <p>
+ Presently, the lids of the round eyes began to droop, the landscape beyond
+ began to be more confused, and sometimes to disappear entirely and
+ reappear again with startling distinctness. Then a sound of rippling water
+ from the little stream that flowed from the mouth of the tunnel soothed
+ her and seemed to carry her away with it, and then everything was dark.
+ </p>
+ <p>
+ The next thing that she remembered was that she was apparently being
+ carried along on some gliding object to the sound of rippling water. She
+ was not alone, for her three companions were lying beside her, rather
+ tightly packed and squeezed in the same mysterious vehicle. Even in the
+ profound darkness that surrounded her, Polly could feel and hear that they
+ were accompanied, and once or twice a faint streak of light from the side
+ of the tunnel showed her gigantic shadows walking slowly on either side of
+ the gliding car. She felt the little hands of her associates seeking hers,
+ and knew they were awake and conscious, and she returned to each a
+ reassuring pressure from the large protecting instinct of her maternal
+ little heart. Presently the car glided into an open space of bright light,
+ and stopped. The transition from the darkness of the tunnel at first
+ dazzled their eyes. It was like a dream.
+ </p>
+ <p>
+ They were in a circular cavern from which three other tunnels, like the
+ one they had passed through, diverged. The walls, lit up by fifty or sixty
+ candles stuck at irregular intervals in crevices of the rock, were of
+ glittering quartz and mica. But more remarkable than all were the inmates
+ of the cavern, who were ranged round the walls,&mdash;men who, like their
+ attendants, seemed to be of extra stature; who had blackened faces, wore
+ red bandana handkerchiefs round their heads and their waists, and carried
+ enormous knives and pistols stuck in their belts. On a raised platform
+ made of a packing-box on which was rudely painted a skull and cross-bones,
+ sat the chief or leader of the band covered with a buffalo robe; on either
+ side of him were two small barrels marked &ldquo;Grog&rdquo; and &ldquo;Gunpowder.&rdquo; The
+ children stared and clung closer to Polly. Yet, in spite of these
+ desperate and warlike accessories, the strangers bore a singular
+ resemblance to &ldquo;Christy Minstrels&rdquo; in their blackened faces and attitudes
+ that somehow made them seem less awful. In particular, Polly was impressed
+ with the fact that even the most ferocious had a certain kindliness of
+ eye, and showed their teeth almost idiotically.
+ </p>
+ <p>
+ &ldquo;Welcome!&rdquo; said the leader,&mdash;&ldquo;welcome to the Pirates' Cave! The Red
+ Rover of the North Fork of the Stanislaus River salutes the Queen of the
+ Pirate Isle!&rdquo; He rose up and made an extraordinary bow. It was repeated by
+ the others with more or less exaggeration, to the point of one humorist
+ losing his balance!
+ </p>
+ <p>
+ &ldquo;Oh, thank you very much,&rdquo; said Polly timidly, but drawing her little
+ flock closer to her with a small protecting arm; &ldquo;but could you&mdash;would
+ you&mdash;please&mdash;tell us&mdash;what time it is?&rdquo;
+ </p>
+ <p>
+ &ldquo;We are approaching the middle of Next Week,&rdquo; said the leader gravely;
+ &ldquo;but what of that? Time is made for slaves! The Red Rover seeks it not!
+ Why should the Queen?&rdquo;
+ </p>
+ <p>
+ &ldquo;I think we must be going,&rdquo; hesitated Polly, yet by no means displeased
+ with the recognition of her rank.
+ </p>
+ <p>
+ &ldquo;Not until we have paid homage to Your Majesty,&rdquo; returned the leader.
+ &ldquo;What ho! there! Let Brother Step-and-Fetch-It pass the Queen around that
+ we may do her honor.&rdquo; Observing that Polly shrank slightly back, he added:
+ &ldquo;Fear nothing; the man who hurts a hair of Her Majesty's head dies by this
+ hand. Ah! ha!&rdquo;
+ </p>
+ <p>
+ The others all said ha! ha! and danced alternately on one leg and then on
+ the other, but always with the same dark resemblance to Christy Minstrels.
+ Brother Step-and-Fetch-It, whose very long beard had a confusing
+ suggestion of being a part of the leader's buffalo robe, lifted her gently
+ in his arms and carried her to the Red Rovers in turn. Each one bestowed a
+ kiss upon her cheek or forehead, and would have taken her in his arms, or
+ on his knees, or otherwise lingered over his salute, but they were sternly
+ restrained by their leader. When the solemn rite was concluded,
+ Step-and-Fetch-It paid his own courtesy with an extra squeeze of the curly
+ head, and deposited her again in the truck, a little frightened, a little
+ astonished, but with a considerable accession to her dignity. Hickory and
+ Patsey looked on with stupefied amazement. Wan Lee alone remained stolid
+ and unimpressed, regarding the scene with calm and triangular eyes.
+ </p>
+ <p>
+ &ldquo;Will Your Majesty see the Red Rovers dance?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, if you please,&rdquo; said Polly, with gentle seriousness.
+ </p>
+ <p>
+ &ldquo;Will Your Majesty fire this barrel of gunpowder, or tap this breaker of
+ grog?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I thank you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is there no command Your Majesty would lay upon us?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, please,&rdquo; said Polly, in a failing voice.
+ </p>
+ <p>
+ &ldquo;Is there anything Your Majesty has lost? Think again! Will Your Majesty
+ deign to cast your royal eyes on this?&rdquo;
+ </p>
+ <p>
+ He drew from under his buffalo robe what seemed like a long tress of blond
+ hair, and held it aloft. Polly instantly recognized the missing scalp of
+ her hapless doll.
+ </p>
+ <p>
+ &ldquo;If you please, sir, it's Lady Mary's. She's lost it.&rdquo;
+ </p>
+ <p>
+ &ldquo;And lost it&mdash;Your Majesty&mdash;only to find something more
+ precious. Would Your Majesty hear the story?&rdquo;
+ </p>
+ <p>
+ A little alarmed, a little curious, a little self-anxious, and a little
+ induced by the nudges and pinches of her companions, the Queen blushingly
+ signified her royal assent.
+ </p>
+ <p>
+ &ldquo;Enough. Bring refreshments. Will Your Majesty prefer wintergreen,
+ peppermint, rose, or acidulated drops? Red or white? Or perhaps Your
+ Majesty will let me recommend these bull's-eyes,&rdquo; said the leader, as a
+ collection of sweets in a hat were suddenly produced from the barrel
+ labeled &ldquo;Gunpowder&rdquo; and handed to the children.
+ </p>
+ <p>
+ &ldquo;Listen,&rdquo; he continued, in a silence broken only by the gentle sucking of
+ bull's-eyes. &ldquo;Many years ago the old Red Rovers of these parts locked up
+ all their treasures in a secret cavern in this mountain. They used spells
+ and magic to keep it from being entered or found by anybody, for there was
+ a certain mark upon it made by a peculiar rock that stuck out of it, which
+ signified what there was below. Long afterwards, other Red Rovers who had
+ heard of it came here and spent days and days trying to discover it,
+ digging holes and blasting tunnels like this, but of no use! Sometimes
+ they thought they discovered the magic marks in the peculiar rock that
+ stuck out of it, but when they dug there they found no treasure. And why?
+ Because there was a magic spell upon it. And what was that magic spell?
+ Why, this! It could only be discovered by a person who could not possibly
+ know that he or she had discovered it; who never could or would be able to
+ enjoy it; who could never see it, never feel it, never, in fact, know
+ anything at all about it! It wasn't a dead man, it wasn't an animal, it
+ wasn't a baby!&rdquo;
+ </p>
+ <p>
+ &ldquo;Why,&rdquo; said Polly, jumping up and clapping her hands, &ldquo;it was a Dolly.&rdquo;
+ </p>
+ <p>
+ &ldquo;Your Majesty's head is level! Your Majesty has guessed it!&rdquo; said the
+ leader, gravely. &ldquo;It was Your Majesty's own dolly, Lady Mary, who broke
+ the spell! When Your Majesty came down the slide, the doll fell from your
+ gracious hand when your foot slipped. Your Majesty recovered Lady Mary,
+ but did not observe that her hair had caught in a peculiar rock, called
+ the 'Outcrop,' and remained behind! When, later on, while sitting with
+ your attendants at the mouth of the tunnel, Your Majesty discovered that
+ Lady Mary's hair was gone, I overheard Your Majesty, and dispatched the
+ trusty Step-and-Fetch-It to seek it at the mountain side. He did so, and
+ found it clinging to the rock, and beneath it&mdash;the entrance to the
+ Secret Cave!&rdquo;
+ </p>
+ <p>
+ Patsey and Hickory, who, failing to understand a word of this explanation,
+ had given themselves up to the unconstrained enjoyment of the sweets,
+ began now to apprehend that some change was impending, and prepared for
+ the worst by hastily swallowing what they had in their mouths, thus
+ defying enchantment, and getting ready for speech. Polly, who had closely
+ followed the story, albeit with the embellishments of her own imagination,
+ made her eyes rounder than ever. A bland smile broke on Wan Lee's face, as
+ to the children's amazement, he quietly disengaged himself from the group
+ and stepped before the leader.
+ </p>
+ <p>
+ &ldquo;Melican man plenty foolee Melican chillern. No foolee China boy! China
+ boy knowee you. YOU no Led Lofer. YOU no Pilat&mdash;you allee same
+ tunnel-man&mdash;you Bob Johnson! Me shabbee you! You dressee up allee
+ same as Led Lofer&mdash;but you Bob Johnson&mdash;allee same. My fader
+ washee washee for you. You no payee him. You owee him folty dolla! Me
+ blingee you billee. You no payee billee! You say, 'Chalkee up, John.' You
+ say, 'Bimeby, John.' But me no catchee folty dolla!&rdquo;
+ </p>
+ <p>
+ A roar of laughter followed, in which even the leader apparently forgot
+ himself enough to join. But the next moment springing to his feet he
+ shouted, &ldquo;Ho! ho! A traitor! Away with him to the deepest dungeon beneath
+ the castle moat!&rdquo;
+ </p>
+ <p>
+ Hickory and Patsey began to whimper, but Polly, albeit with a tremulous
+ lip, stepped to the side of her little Pagan friend. &ldquo;Don't you dare touch
+ him,&rdquo; she said with a shake of unexpected determination in her little
+ curly head; &ldquo;if you do, I'll tell my father, and he will slay you! All of
+ you&mdash;there!&rdquo;
+ </p>
+ <p>
+ &ldquo;Your father! Then you are NOT the Queen!&rdquo;
+ </p>
+ <p>
+ It was a sore struggle to Polly to abdicate her royal position; it was
+ harder to do it with befitting dignity. To evade the direct question she
+ was obliged to abandon her defiant attitude. &ldquo;If you please, sir,&rdquo; she
+ said hurriedly, with an increasing color and no stops, &ldquo;we're not always
+ Pirates, you know, and Wan Lee is only our boy what brushes my shoes in
+ the morning, and runs of errands, and he doesn't mean anything bad, sir,
+ and we'd like to take him back home with us.&rdquo;
+ </p>
+ <p>
+ &ldquo;Enough,&rdquo; said the leader, changing his entire manner with the most sudden
+ and shameless inconsistency. &ldquo;You shall go back together, and woe betide
+ the miscreant who would prevent it! What say you, brothers? What shall be
+ his fate who dares to separate our noble Queen from her faithful Chinese
+ henchman?&rdquo;
+ </p>
+ <p>
+ &ldquo;He shall die!&rdquo; roared the others, with beaming cheerfulness.
+ </p>
+ <p>
+ &ldquo;And what say you&mdash;shall we see them home?&rdquo;
+ </p>
+ <p>
+ &ldquo;We will!&rdquo; roared the others.
+ </p>
+ <p>
+ Before the children could fairly comprehend what had passed, they were
+ again lifted into the truck and began to glide back into the tunnel they
+ had just quitted. But not again in darkness and silence; the entire band
+ of Red rovers accompanied them, illuminating the dark passage with the
+ candles they had snatched from the walls. In a few moments they were at
+ the entrance again. The great world lay beyond them once more with rocks
+ and valleys suffused by the rosy light of the setting sun. The past seemed
+ like a dream.
+ </p>
+ <p>
+ But were they really awake now? They could not tell. They accepted
+ everything with the confidence and credulity of all children who have no
+ experience to compare with their first impressions and to whom the future
+ contains nothing impossible. It was without surprise, therefore, that they
+ felt themselves lifted on the shoulders of the men who were making quite a
+ procession along the steep trail towards the settlement again. Polly
+ noticed that at the mouth of the other tunnels they were greeted by men as
+ if they were carrying tidings of great joy; that they stopped to rejoice
+ together, and that in some mysterious manner their conductors had got
+ their faces washed, and had become more like beings of the outer world.
+ When they neared the settlement the excitement seemed to have become
+ greater; people rushed out to shake hands with the men who were carrying
+ them, and overpowered even the children with questions they could not
+ understand. Only one sentence Polly could clearly remember as being the
+ burden of all congratulations. &ldquo;Struck the old lead at last!&rdquo; With a faint
+ consciousness that she knew something about it, she tried to assume a
+ dignified attitude on the leader's shoulders, even while she was beginning
+ to be heavy with sleep.
+ </p>
+ <p>
+ And then she remembered a crowd near her father's house, out of which her
+ father came smiling pleasantly on her, but not interfering with her
+ triumphal progress until the leader finally deposited her in her mother's
+ lap in their own sitting-room. And then she remembered being &ldquo;cross,&rdquo; and
+ declining to answer any questions, and shortly afterwards found herself
+ comfortably in bed. Then she heard her mother say to her father:&mdash;
+ </p>
+ <p>
+ &ldquo;It really seems too ridiculous for anything, John; the idea of those
+ grown men dressing themselves up to play with children.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ridiculous or not,&rdquo; said her father, &ldquo;these grown men of the Excelsior
+ mine have just struck the famous old lode of Red Mountain, which is as
+ good as a fortune to everybody on the Ridge, and were as wild as boys! And
+ they say it never would have been found if Polly hadn't tumbled over the
+ slide directly on top of the outcrop, and left the absurd wig of that
+ wretched doll of hers to mark its site.&rdquo;
+ </p>
+ <p>
+ &ldquo;And that,&rdquo; murmured Polly sleepily to her doll as she drew it closer to
+ her breast, &ldquo;is all that they know of it.&rdquo;
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of Project Gutenberg's The Queen of the Pirate Isle, by Bret Harte
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE QUEEN OF THE PIRATE ISLE ***
+
+***** This file should be named 2798-h.htm or 2798-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/7/9/2798/
+
+Produced by Donald Lainson; David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/2798.txt b/2798.txt
new file mode 100644
index 0000000..599859f
--- /dev/null
+++ b/2798.txt
@@ -0,0 +1,1088 @@
+The Project Gutenberg EBook of The Queen of the Pirate Isle, by Bret Harte
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Queen of the Pirate Isle
+
+Author: Bret Harte
+
+Release Date: May 27, 2006 [EBook #2798]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE QUEEN OF THE PIRATE ISLE ***
+
+
+
+
+Produced by Donald Lainson
+
+
+
+
+
+THE QUEEN OF THE PIRATE ISLE
+
+by Bret Harte
+
+
+
+I first knew her as the Queen of the Pirate Isle. To the best of my
+recollection she had no reasonable right to that title. She was only
+nine years old, inclined to plumpness and good humor, deprecated
+violence, and had never been to sea. Need it be added that she did NOT
+live in an island and that her name was Polly?
+
+Perhaps I ought to explain that she had already known other experiences
+of a purely imaginative character. Part of her existence had been passed
+as a Beggar Child,--solely indicated by a shawl tightly folded round her
+shoulders, and chills; as a Schoolmistress, unnecessarily severe; as a
+Preacher, singularly personal in his remarks, and once, after reading
+one of Cooper's novels, as an Indian Maiden. This was, I believe, the
+only instance when she had borrowed from another's fiction. Most of the
+characters that she assumed for days and sometimes weeks at a time were
+purely original in conception; some so much so as to be vague to the
+general understanding. I remember that her personation of a certain Mrs.
+Smith, whose individuality was supposed to be sufficiently represented
+by a sunbonnet worn wrong side before and a weekly addition to her
+family, was never perfectly appreciated by her own circle although she
+lived the character for a month. Another creation known as "The Proud
+Lady"--a being whose excessive and unreasonable haughtiness was
+so pronounced as to give her features the expression of extreme
+nausea--caused her mother so much alarm that it had to be abandoned.
+This was easily effected. The Proud Lady was understood to have died.
+Indeed, most of Polly's impersonations were got rid of in this way,
+although it by no means prevented their subsequent reappearance. "I
+thought Mrs. Smith was dead," remonstrated her mother at the posthumous
+appearance of that lady with a new infant. "She was buried alive and kem
+to!" said Polly with a melancholy air. Fortunately, the representation
+of a resuscitated person required such extraordinary acting, and was,
+through some uncertainty of conception, so closely allied in facial
+expression to the Proud Lady, that Mrs. Smith was resuscitated only for
+a day.
+
+The origin of the title of the Queen of the Pirate Isle may be briefly
+stated as follows:--
+
+An hour after luncheon, one day, Polly, Hickory Hunt, her cousin, and
+Wan Lee, a Chinese page, were crossing the nursery floor in a Chinese
+junk. The sea was calm and the sky cloudless. Any change in the weather
+was as unexpected as it is in books. Suddenly a West Indian Hurricane,
+purely local in character and unfelt anywhere else, struck Master
+Hickory and threw him overboard, whence, wildly swimming for his life
+and carrying Polly on his back, he eventually reached a Desert Island in
+the closet. Here the rescued party put up a tent made of a table-cloth
+providentially snatched from the raging billows, and, from two o'clock
+until four, passed six weeks on the island, supported only by a piece
+of candle, a box of matches, and two peppermint lozenges. It was at this
+time that it became necessary to account for Polly's existence among
+them, and this was only effected by an alarming sacrifice of their
+morality; Hickory and Wan Lee instantly became PIRATES, and at once
+elected Polly as their Queen. The royal duties, which seemed to be
+purely maternal, consisted in putting the Pirates to bed after a day of
+rapine and bloodshed, and in feeding them with licorice water through a
+quill in a small bottle. Limited as her functions were, Polly performed
+them with inimitable gravity and unquestioned sincerity. Even when her
+companions sometimes hesitated from actual hunger or fatigue and forgot
+their guilty part, she never faltered. It was her real existence; her
+other life of being washed, dressed, and put to bed at certain hours by
+her mother was the ILLUSION.
+
+Doubt and skepticism came at last,--and came from Wan Lee! Wan Lee of
+all creatures! Wan Lee, whose silent, stolid, mechanical performance of
+a pirate's duties--a perfect imitation like all his household work--had
+been their one delight and fascination!
+
+It was just after the exciting capture of a merchantman, with the
+indiscriminate slaughter of all on board,--a spectacle on which the
+round blue eyes of the plump Polly had gazed with royal and maternal
+tolerance,--and they were burying the booty, two tablespoons and a
+thimble, in the corner of the closet, when Wan Lee stolidly rose.
+
+"Melican boy pleenty foolee! Melican boy no Pilat!" said the little
+Chinaman, substituting "l's" for "r's" after his usual fashion.
+
+"Wotcher say?" said Hickory, reddening with sudden confusion.
+
+"Melican boy's papa heap lickee him--s'pose him leal Pilat," continued
+Wan Lee doggedly. "Melican boy Pilat INSIDE housee. Chinee boy Pilat
+OUTSIDE housee. First chop Pilat."
+
+Staggered by this humiliating statement, Hickory recovered himself in
+character. "Ah! Ho!" he shrieked, dancing wildly on one leg, "Mutiny and
+Splordinashun! 'Way with him to the yard-arm."
+
+"Yald-alm--heap foolee! Alee same clothes-horse for washee washee."
+
+It was here necessary for the Pirate Queen to assert her authority,
+which, as I have before stated, was somewhat confusingly maternal.
+
+"Go to bed instantly without your supper," she said seriously. "Really,
+I never saw such bad pirates. Say your prayers, and see that you're up
+early to church tomorrow."
+
+It should be explained that in deference to Polly's proficiency as a
+preacher, and probably as a relief to their uneasy consciences, Divine
+Service had always been held on the Island. But Wan Lee continued:--
+
+"Me no shabbee Pilat INSIDE housee; me shabbee Pilat OUTSIDE housee.
+S'pose you lun away longside Chinee boy--Chinee boy make you Pilat."
+
+Hickory softly scratched his leg; while a broad, bashful smile almost
+closed his small eyes. "Wot?" he asked.
+
+"Mebbe you too flightened to lun away. Melican boy's papa heap lickee."
+
+This last infamous suggestion fired the corsair's blood. "Dy'ar think
+we daresen't?" said Hickory desperately, but with an uneasy glance at
+Polly. "I'll show yer to-morrow."
+
+The entrance of Polly's mother at this moment put an end to Polly's
+authority and dispersed the pirate band, but left Wan Lee's proposal and
+Hickory's rash acceptance ringing in the ears of the Pirate Queen. That
+evening she was unusually silent. She would have taken Bridget,
+her nurse, into her confidence, but this would have involved a long
+explanation of her own feelings, from which, like all imaginative
+children, she shrank. She, however, made preparation for the proposed
+flight by settling in her mind which of her two dolls she would take. A
+wooden creature with easy-going knees and movable hair seemed to be more
+fit for hard service and any indiscriminate scalping that might turn up
+hereafter. At supper, she timidly asked a question of Bridget. "Did
+ye ever hear the loikes uv that, ma'am?" said the Irish handmaid with
+affectionate pride. "Shure the darlint's head is filled noight and
+day with ancient history. She's after asking me now if Queens ever run
+away!" To Polly's remorseful confusion here her good father, equally
+proud of her precocious interest and his own knowledge, at once
+interfered with an unintelligible account of the abdication of various
+queens in history until Polly's head ached again. Well meant as it was,
+it only settled in the child's mind that she must keep the awful secret
+to herself and that no one could understand her.
+
+The eventful day dawned without any unusual sign of importance. It was
+one of the cloudless summer days of the Californian foothills, bright,
+dry, and, as the morning advanced, hot in the white sunshine. The
+actual, prosaic house in which the Pirates apparently lived was a mile
+from a mining settlement on a beautiful ridge of pine woods sloping
+gently towards a valley on the one side, and on the other falling
+abruptly into a dark deep olive gulf of pine-trees, rocks, and patches
+of red soil. Beautiful as the slope was, looking over to the distant
+snow peaks which seemed to be in another world than theirs, the children
+found a greater attraction in the fascinating depths of a mysterious
+gulf, or canyon, as it was called, whose very name filled their ears
+with a weird music. To creep to the edge of the cliff, to sit upon
+the brown branches of some fallen pine, and, putting aside the dried
+tassels, to look down upon the backs of wheeling hawks that seemed to
+hang in mid-air was a never-failing delight. Here Polly would try to
+trace the winding red ribbon of road that was continually losing itself
+among the dense pines of the opposite mountains; here she would listen
+to the far-off strokes of a woodman's axe, or the rattle of some heavy
+wagon, miles away, crossing the pebbles of a dried-up watercourse. Here,
+too, the prevailing colors of the mountains, red and white and green,
+most showed themselves. There were no frowning rocks to depress the
+children's fancy, but everywhere along the ridge pure white quartz bared
+itself through the red earth like smiling teeth; the very pebbles they
+played with were streaked with shining mica like bits of looking-glass.
+The distance was always green and summer-like, but the color they most
+loved, and which was most familiar to them, was the dark red of the
+ground beneath their feet everywhere. It showed itself in the roadside
+bushes; its red dust pervaded the leaves of the overhanging laurel;
+it colored their shoes and pinafores; I am afraid it was often seen in
+Indian-like patches on their faces and hands. That it may have often
+given a sanguinary tone to their fancies I have every reason to believe.
+
+It was on this ridge that the three children gathered at ten o'clock
+that morning. An earlier flight had been impossible on account of Wan
+Lee being obliged to perform his regular duty of blacking the shoes
+of Polly and Hickory before breakfast,--a menial act which in the pure
+republic of childhood was never thought inconsistent with the loftiest
+piratical ambition. On the ridge they met one "Patsey," the son of a
+neighbor, sun-burned, broad-brimmed hatted, red-handed, like themselves.
+As there were afterwards some doubts expressed whether he joined the
+Pirates of his own free will, or was captured by them, I endeavor to
+give the colloquy exactly as it occurred:--
+
+Patsey: "Hallo, fellers."
+
+The Pirates: "Hello!"
+
+Patsey: "Goin' to hunt bars? Dad seed a lot o' tracks at sun-up."
+
+The Pirates (hesitating): "No--o--"
+
+Patsey: "I am; know where I kin get a six-shooter?"
+
+The Pirates (almost ready to abandon piracy for bear-hunting, but
+preserving their dignity): "Can't! We've runn'd away for real pirates."
+
+Patsey: "Not for good!"
+
+The Queen (interposing with sad dignity and real tears in her round
+blue eyes): "Yes!" (slowly and shaking her head). "Can't go back again.
+Never! Never! Never! The--the--eye is cast!"
+
+Patsey (bursting with excitement): "No-o! Sho'o! Wanter know."
+
+The Pirates (a little frightened themselves, but tremulous with
+gratified vanity): "The Perleese is on our track!"
+
+Patsey: "Lemme go with yer!"
+
+Hickory: "Wot'll yer giv?"
+
+Patsey: "Pistol and er bananer."
+
+Hickory (with judicious prudence): "Let's see 'em."
+
+Patsey was off like a shot; his bare little red feet trembling under
+him. In a few minutes he returned with an old-fashioned revolver known
+as one of "Allen's pepper-boxes" and a large banana. He was at once
+enrolled, and the banana eaten.
+
+As yet they had resolved on no definite nefarious plan. Hickory, looking
+down at Patsey's bare feet, instantly took off his own shoes. This bold
+act sent a thrill through his companions. Wan Lee took off his cloth
+leggings, Polly removed her shoes and stockings, but, with royal
+foresight, tied them up in her handkerchief. The last link between them
+and civilization was broken.
+
+"Let's go to the Slumgullion."
+
+"Slumgullion" was the name given by the miners to a certain soft,
+half-liquid mud, formed of the water and finely powdered earth that
+was carried off by the sluice-boxes during gold-washing, and eventually
+collected in a broad pool or lagoon before the outlet. There was a
+pool of this kind a quarter of a mile away, where there were "diggings"
+worked by Patsey's father, and thither they proceeded along the ridge
+in single file. When it was reached they solemnly began to wade in its
+viscid paint-like shallows. Possibly its unctuousness was pleasant
+to the touch; possibly there was a fascination in the fact that their
+parents had forbidden them to go near it, but probably the principal
+object of this performance was to produce a thick coating of mud on the
+feet and ankles, which, when dried in the sun, was supposed to harden
+the skin and render their shoes superfluous. It was also felt to be
+the first real step towards independence; they looked down at their
+ensanguined extremities and recognized the impossibility of their ever
+again crossing (unwashed) the family threshold.
+
+Then they again hesitated. There was a manifest need of some
+well-defined piratical purpose. The last act was reckless and
+irretrievable, but it was vague. They gazed at each other. There was a
+stolid look of resigned and superior tolerance in Wan Lee's eyes.
+
+Polly's glance wandered down the side of the slope to the distant little
+tunnels or openings made by the miners who were at work in the bowels of
+the mountain. "I'd like to go into one of them funny holes," she said to
+herself, half aloud.
+
+Wan Lee suddenly began to blink his eyes with unwonted excitement.
+"Catchee tunnel--heap gold," he said quickly. "When manee come outside
+to catchee dinner--Pilats go inside catchee tunnel! Shabbee! Pilats
+catchee gold allee samee Melican man!"
+
+"And take perseshiun," said Hickory.
+
+"And hoist the Pirate flag," said Patsey.
+
+"And build a fire, and cook, and have a family," said Polly.
+
+The idea was fascinating to the point of being irresistible. The eyes of
+the four children became rounder and rounder. They seized each other's
+hands and swung them backwards and forwards, occasionally lifting their
+legs in a solemn rhythmic movement known only to childhood.
+
+"It's orful far off!" said Patsey with a sudden look of dark importance.
+"Pap says it's free miles on the road. Take all day ter get there."
+
+The bright faces were overcast.
+
+"Less go down er slide!" said Hickory boldly.
+
+They approached the edge of the cliff. The "slide" was simply a sharp
+incline zigzagging down the side of the mountain used for sliding
+goods and provisions from the summit to the tunnel-men at the different
+openings below. The continual traffic had gradually worn a shallow gully
+half filled with earth and gravel into the face of the mountain which
+checked the momentum of the goods in their downward passage, but
+afforded no foothold for a pedestrian. No one had ever been known to
+descend a slide. That feat was evidently reserved for the Pirate band.
+They approached the edge of the slide, hand in hand, hesitated, and the
+next moment disappeared.
+
+Five minutes later the tunnel-men of the Excelsior mine, a mile below,
+taking their luncheon on the rude platform of debris before their
+tunnel, were suddenly driven to shelter in the tunnel from an apparent
+rain of stones, and rocks, and pebbles, from the cliffs above. Looking
+up, they were startled at seeing four round objects revolving and
+bounding in the dust of the slide, which eventually resolved themselves
+into three boys and a girl. For a moment the good men held their breath
+in helpless terror. Twice one of the children had struck the outer edge
+of the bank, and displaced stones that shot a thousand feet down into
+the dizzy depths of the valley; and now one of them, the girl, had
+actually rolled out of the slide and was hanging over the chasm
+supported only by a clump of chamisal to which she clung!
+
+"Hang on by your eyelids, sis! but don't stir, for Heaven's sake!"
+shouted one of the men, as two others started on a hopeless ascent of
+the cliff above them.
+
+But a light childish laugh from the clinging little figure seemed to
+mock them! Then two small heads appeared at the edge of the slide; then
+a diminutive figure, whose feet were apparently held by some invisible
+companion, was shoved over the brink and stretched its tiny arms towards
+the girl. But in vain, the distance was too great. Another laugh of
+intense youthful enjoyment followed the failure, and a new insecurity
+was added to the situation by the unsteady hands and shoulders of the
+relieving party, who were apparently shaking with laughter. Then the
+extended figure was seen to detach what looked like a small black rope
+from its shoulders and throw it to the girl. There was another little
+giggle. The faces of the men below paled in terror. Then Polly,--for it
+was she,--hanging to the long pigtail of Wan Lee, was drawn with fits
+of laughter back in safety to the slide. Their childish treble of
+appreciation was answered by a ringing cheer from below.
+
+"Darned ef I ever want to cut off a Chinaman's pigtail again, boys,"
+said one of the tunnel-men as he went back to dinner.
+
+Meantime the children had reached the goal and stood before the opening
+of one of the tunnels. Then these four heroes who had looked with
+cheerful levity on the deadly peril of their descent became suddenly
+frightened at the mysterious darkness of the cavern and turned pale at
+its threshold.
+
+"Mebbee a wicked Joss backside holee, he catchee Pilats," said Wan Lee
+gravely.
+
+Hickory began to whimper, Patsey drew back, Polly alone stood her
+ground, albeit with a trembling lip.
+
+"Let's say our prayers and frighten it away," she said stoutly.
+
+"No! no!" said Wan Lee, with a sudden alarm. "No frighten Spillits! You
+waitee! Chinee boy he talkee Spillit not to frighten you."*
+
+ * The Chinese pray devoutly to the Evil Spirits NOT to
+ injure them.
+
+Tucking his hands under his blue blouse, Wan Lee suddenly produced from
+some mysterious recess of his clothing a quantity of red paper slips
+which he scattered at the entrance of the cavern. Then drawing from the
+same inexhaustible receptacle certain squibs or fireworks, he let them
+off and threw them into the opening. There they went off with a slight
+fizz and splutter, a momentary glittering of small points in the
+darkness, and a strong smell of gunpowder. Polly gazed at the spectacle
+with undisguised awe and fascination. Hickory and Patsey breathed hard
+with satisfaction: it was beyond their wildest dreams of mystery and
+romance. Even Wan Lee appeared transfigured into a superior being by the
+potency of his own spells. But an unaccountable disturbance of some
+kind in the dim interior of the tunnel quickly drew the blood from
+their blanched cheeks again. It was a sound like coughing, followed by
+something like an oath.
+
+"He's made the Evil Spirit orful sick," said Hickory in a loud whisper.
+
+A slight laugh, that to the children seemed demoniacal, followed.
+
+"See!" said Wan Lee. "Evil Spillet he likee Chinee; try talkee him."
+
+The Pirates looked at Wan Lee, not without a certain envy of this
+manifest favoritism. A fearful desire to continue their awful
+experiments, instead of pursuing their piratical avocations, was taking
+possession of them; but Polly, with one of the swift transitions of
+childhood, immediately began to extemporize a house for the party at
+the mouth of the tunnel, and, with parental foresight, gathered the
+fragments of the squibs to build a fire for supper. That frugal meal,
+consisting of half a ginger biscuit divided into five small portions,
+each served on a chip of wood, and having a deliciously mysterious
+flavor of gunpowder and smoke, was soon over. It was necessary after
+this that the pirates should at once seek repose after a day of
+adventure, which they did for the space of forty seconds in singularly
+impossible attitudes and far too aggressive snoring. Indeed, Master
+Hickory's almost upright pose, with tightly folded arms and darkly
+frowning brows, was felt to be dramatic, but impossible for a longer
+period. The brief interval enabled Polly to collect herself and to
+look around her in her usual motherly fashion. Suddenly she started and
+uttered a cry. In the excitement of the descent she had quite overlooked
+her doll, and was now regarding it with round-eyed horror.
+
+"Lady Mary's hair's gone!" she cried, convulsively grasping the Pirate
+Hickory's legs.
+
+Hickory at once recognized the battered doll under the aristocratic
+title which Polly had long ago bestowed upon it. He stared at the bald
+and battered head.
+
+"Ha! ha!" he said hoarsely; "skelped by Injins!"
+
+For an instant the delicious suggestion soothed the imaginative Polly.
+But it was quickly dispelled by Wan Lee.
+
+"Lady Maley's pigtail hangee top side hillee. Catchee on big quartz
+stone allee same Polly; me go fetchee."
+
+"No!" quickly shrieked the others. The prospect of being left in the
+proximity of Wan Lee's evil spirit, without Wan Lee's exorcising power,
+was anything but reassuring. "No, don't go!" Even Polly (dropping a
+maternal tear on the bald head of Lady Mary) protested against this
+breaking up of the little circle. "Go to bed!" she said authoritatively,
+"and sleep till morning."
+
+Thus admonished, the Pirates again retired. This time effectively; for,
+worn by actual fatigue or soothed by the delicious coolness of the cave,
+they gradually, one by one, succumbed to real slumber. Polly, withheld
+from joining them by official and maternal responsibility, sat and
+blinked at them affectionately.
+
+Gradually she, too, felt herself yielding to the fascination and mystery
+of the place and the solitude that encompassed her. Beyond the pleasant
+shadows where she sat, she saw the great world of mountain and valley
+through a dreamy haze that seemed to rise from the depths below and
+occasionally hang before the cavern like a veil. Long waves of spicy
+heat rolling up the mountain from the valley brought her the smell of
+pine-trees and bay, and made the landscape swim before her eyes. She
+could hear the far-off cry of teamsters on some unseen road; she could
+see the far-off cloud of dust following the mountain stagecoach, whose
+rattling wheels she could not hear. She felt very lonely, but was not
+quite afraid; she felt very melancholy, but was not entirely sad; and
+she could have easily awakened her sleeping companions if she wished.
+
+No; she was a lone widow with nine children, six of whom were already in
+the lone churchyard on the hill, and the others lying ill with measles
+and scarlet fever beside her. She had just walked many weary miles that
+day, and had often begged from door to door for a slice of bread for the
+starving little ones. It was of no use now--they would die! They would
+never see their dear mother again. This was a favorite imaginative
+situation of Polly's, but only indulged when her companions were asleep,
+partly because she could not trust confederates with her more serious
+fancies, and partly because they were at such times passive in her
+hands. She glanced timidly around. Satisfied that no one could observe
+her, she softly visited the bedside of each of her companions, and
+administered from a purely fictitious bottle spoonfuls of invisible
+medicine. Physical correction in the form of slight taps, which they
+always required, and in which Polly was strong, was only withheld now
+from a sense of their weak condition. But in vain; they succumbed to the
+fell disease,--they always died at this juncture,--and Polly was left
+alone. She thought of the little church where she had once seen a
+funeral, and remembered the nice smell of the flowers; she dwelt with
+melancholy satisfaction of the nine little tombstones in the graveyard,
+each with an inscription, and looked forward with gentle anticipation to
+the long summer days when, with Lady Mary in her lap, she would sit on
+those graves clad in the deepest mourning. The fact that the unhappy
+victims at times moved as it were uneasily in their graves, or snored,
+did not affect Polly's imaginative contemplation, nor withhold the tears
+that gathered in her round eyes.
+
+Presently, the lids of the round eyes began to droop, the landscape
+beyond began to be more confused, and sometimes to disappear entirely
+and reappear again with startling distinctness. Then a sound of rippling
+water from the little stream that flowed from the mouth of the tunnel
+soothed her and seemed to carry her away with it, and then everything
+was dark.
+
+The next thing that she remembered was that she was apparently being
+carried along on some gliding object to the sound of rippling water. She
+was not alone, for her three companions were lying beside her, rather
+tightly packed and squeezed in the same mysterious vehicle. Even in the
+profound darkness that surrounded her, Polly could feel and hear that
+they were accompanied, and once or twice a faint streak of light from
+the side of the tunnel showed her gigantic shadows walking slowly
+on either side of the gliding car. She felt the little hands of her
+associates seeking hers, and knew they were awake and conscious, and
+she returned to each a reassuring pressure from the large protecting
+instinct of her maternal little heart. Presently the car glided into
+an open space of bright light, and stopped. The transition from the
+darkness of the tunnel at first dazzled their eyes. It was like a dream.
+
+They were in a circular cavern from which three other tunnels, like the
+one they had passed through, diverged. The walls, lit up by fifty or
+sixty candles stuck at irregular intervals in crevices of the rock, were
+of glittering quartz and mica. But more remarkable than all were the
+inmates of the cavern, who were ranged round the walls,--men who, like
+their attendants, seemed to be of extra stature; who had blackened
+faces, wore red bandana handkerchiefs round their heads and their
+waists, and carried enormous knives and pistols stuck in their belts.
+On a raised platform made of a packing-box on which was rudely painted a
+skull and cross-bones, sat the chief or leader of the band covered with
+a buffalo robe; on either side of him were two small barrels marked
+"Grog" and "Gunpowder." The children stared and clung closer to Polly.
+Yet, in spite of these desperate and warlike accessories, the strangers
+bore a singular resemblance to "Christy Minstrels" in their blackened
+faces and attitudes that somehow made them seem less awful. In
+particular, Polly was impressed with the fact that even the most
+ferocious had a certain kindliness of eye, and showed their teeth almost
+idiotically.
+
+"Welcome!" said the leader,--"welcome to the Pirates' Cave! The Red
+Rover of the North Fork of the Stanislaus River salutes the Queen of the
+Pirate Isle!" He rose up and made an extraordinary bow. It was repeated
+by the others with more or less exaggeration, to the point of one
+humorist losing his balance!
+
+"Oh, thank you very much," said Polly timidly, but drawing her little
+flock closer to her with a small protecting arm; "but could you--would
+you--please--tell us--what time it is?"
+
+"We are approaching the middle of Next Week," said the leader gravely;
+"but what of that? Time is made for slaves! The Red Rover seeks it not!
+Why should the Queen?"
+
+"I think we must be going," hesitated Polly, yet by no means displeased
+with the recognition of her rank.
+
+"Not until we have paid homage to Your Majesty," returned the leader.
+"What ho! there! Let Brother Step-and-Fetch-It pass the Queen around
+that we may do her honor." Observing that Polly shrank slightly back,
+he added: "Fear nothing; the man who hurts a hair of Her Majesty's head
+dies by this hand. Ah! ha!"
+
+The others all said ha! ha! and danced alternately on one leg and then
+on the other, but always with the same dark resemblance to Christy
+Minstrels. Brother Step-and-Fetch-It, whose very long beard had a
+confusing suggestion of being a part of the leader's buffalo robe,
+lifted her gently in his arms and carried her to the Red Rovers in turn.
+Each one bestowed a kiss upon her cheek or forehead, and would have
+taken her in his arms, or on his knees, or otherwise lingered over
+his salute, but they were sternly restrained by their leader. When the
+solemn rite was concluded, Step-and-Fetch-It paid his own courtesy
+with an extra squeeze of the curly head, and deposited her again in the
+truck, a little frightened, a little astonished, but with a considerable
+accession to her dignity. Hickory and Patsey looked on with stupefied
+amazement. Wan Lee alone remained stolid and unimpressed, regarding the
+scene with calm and triangular eyes.
+
+"Will Your Majesty see the Red Rovers dance?"
+
+"No, if you please," said Polly, with gentle seriousness.
+
+"Will Your Majesty fire this barrel of gunpowder, or tap this breaker of
+grog?"
+
+"No, I thank you."
+
+"Is there no command Your Majesty would lay upon us?"
+
+"No, please," said Polly, in a failing voice.
+
+"Is there anything Your Majesty has lost? Think again! Will Your Majesty
+deign to cast your royal eyes on this?"
+
+He drew from under his buffalo robe what seemed like a long tress of
+blond hair, and held it aloft. Polly instantly recognized the missing
+scalp of her hapless doll.
+
+"If you please, sir, it's Lady Mary's. She's lost it."
+
+"And lost it--Your Majesty--only to find something more precious. Would
+Your Majesty hear the story?"
+
+A little alarmed, a little curious, a little self-anxious, and a
+little induced by the nudges and pinches of her companions, the Queen
+blushingly signified her royal assent.
+
+"Enough. Bring refreshments. Will Your Majesty prefer wintergreen,
+peppermint, rose, or acidulated drops? Red or white? Or perhaps Your
+Majesty will let me recommend these bull's-eyes," said the leader, as
+a collection of sweets in a hat were suddenly produced from the barrel
+labeled "Gunpowder" and handed to the children.
+
+"Listen," he continued, in a silence broken only by the gentle sucking
+of bull's-eyes. "Many years ago the old Red Rovers of these parts locked
+up all their treasures in a secret cavern in this mountain. They used
+spells and magic to keep it from being entered or found by anybody, for
+there was a certain mark upon it made by a peculiar rock that stuck out
+of it, which signified what there was below. Long afterwards, other Red
+Rovers who had heard of it came here and spent days and days trying to
+discover it, digging holes and blasting tunnels like this, but of no
+use! Sometimes they thought they discovered the magic marks in the
+peculiar rock that stuck out of it, but when they dug there they found
+no treasure. And why? Because there was a magic spell upon it. And what
+was that magic spell? Why, this! It could only be discovered by a person
+who could not possibly know that he or she had discovered it; who never
+could or would be able to enjoy it; who could never see it, never feel
+it, never, in fact, know anything at all about it! It wasn't a dead man,
+it wasn't an animal, it wasn't a baby!"
+
+"Why," said Polly, jumping up and clapping her hands, "it was a Dolly."
+
+"Your Majesty's head is level! Your Majesty has guessed it!" said the
+leader, gravely. "It was Your Majesty's own dolly, Lady Mary, who broke
+the spell! When Your Majesty came down the slide, the doll fell from
+your gracious hand when your foot slipped. Your Majesty recovered Lady
+Mary, but did not observe that her hair had caught in a peculiar rock,
+called the 'Outcrop,' and remained behind! When, later on, while sitting
+with your attendants at the mouth of the tunnel, Your Majesty discovered
+that Lady Mary's hair was gone, I overheard Your Majesty, and dispatched
+the trusty Step-and-Fetch-It to seek it at the mountain side. He did so,
+and found it clinging to the rock, and beneath it--the entrance to the
+Secret Cave!"
+
+Patsey and Hickory, who, failing to understand a word of this
+explanation, had given themselves up to the unconstrained enjoyment of
+the sweets, began now to apprehend that some change was impending, and
+prepared for the worst by hastily swallowing what they had in their
+mouths, thus defying enchantment, and getting ready for speech. Polly,
+who had closely followed the story, albeit with the embellishments of
+her own imagination, made her eyes rounder than ever. A bland smile
+broke on Wan Lee's face, as to the children's amazement, he quietly
+disengaged himself from the group and stepped before the leader.
+
+"Melican man plenty foolee Melican chillern. No foolee China boy!
+China boy knowee you. YOU no Led Lofer. YOU no Pilat--you allee same
+tunnel-man--you Bob Johnson! Me shabbee you! You dressee up allee same
+as Led Lofer--but you Bob Johnson--allee same. My fader washee washee
+for you. You no payee him. You owee him folty dolla! Me blingee you
+billee. You no payee billee! You say, 'Chalkee up, John.' You say,
+'Bimeby, John.' But me no catchee folty dolla!"
+
+A roar of laughter followed, in which even the leader apparently forgot
+himself enough to join. But the next moment springing to his feet
+he shouted, "Ho! ho! A traitor! Away with him to the deepest dungeon
+beneath the castle moat!"
+
+Hickory and Patsey began to whimper, but Polly, albeit with a tremulous
+lip, stepped to the side of her little Pagan friend. "Don't you dare
+touch him," she said with a shake of unexpected determination in her
+little curly head; "if you do, I'll tell my father, and he will slay
+you! All of you--there!"
+
+"Your father! Then you are NOT the Queen!"
+
+It was a sore struggle to Polly to abdicate her royal position; it was
+harder to do it with befitting dignity. To evade the direct question she
+was obliged to abandon her defiant attitude. "If you please, sir," she
+said hurriedly, with an increasing color and no stops, "we're not always
+Pirates, you know, and Wan Lee is only our boy what brushes my shoes in
+the morning, and runs of errands, and he doesn't mean anything bad, sir,
+and we'd like to take him back home with us."
+
+"Enough," said the leader, changing his entire manner with the most
+sudden and shameless inconsistency. "You shall go back together, and woe
+betide the miscreant who would prevent it! What say you, brothers?
+What shall be his fate who dares to separate our noble Queen from her
+faithful Chinese henchman?"
+
+"He shall die!" roared the others, with beaming cheerfulness.
+
+"And what say you--shall we see them home?"
+
+"We will!" roared the others.
+
+Before the children could fairly comprehend what had passed, they were
+again lifted into the truck and began to glide back into the tunnel they
+had just quitted. But not again in darkness and silence; the entire band
+of Red rovers accompanied them, illuminating the dark passage with the
+candles they had snatched from the walls. In a few moments they were at
+the entrance again. The great world lay beyond them once more with rocks
+and valleys suffused by the rosy light of the setting sun. The past
+seemed like a dream.
+
+But were they really awake now? They could not tell. They accepted
+everything with the confidence and credulity of all children who have
+no experience to compare with their first impressions and to whom the
+future contains nothing impossible. It was without surprise, therefore,
+that they felt themselves lifted on the shoulders of the men who were
+making quite a procession along the steep trail towards the settlement
+again. Polly noticed that at the mouth of the other tunnels they were
+greeted by men as if they were carrying tidings of great joy; that they
+stopped to rejoice together, and that in some mysterious manner their
+conductors had got their faces washed, and had become more like beings
+of the outer world. When they neared the settlement the excitement
+seemed to have become greater; people rushed out to shake hands with
+the men who were carrying them, and overpowered even the children with
+questions they could not understand. Only one sentence Polly could
+clearly remember as being the burden of all congratulations. "Struck the
+old lead at last!" With a faint consciousness that she knew something
+about it, she tried to assume a dignified attitude on the leader's
+shoulders, even while she was beginning to be heavy with sleep.
+
+And then she remembered a crowd near her father's house, out of which
+her father came smiling pleasantly on her, but not interfering with
+her triumphal progress until the leader finally deposited her in her
+mother's lap in their own sitting-room. And then she remembered being
+"cross," and declining to answer any questions, and shortly afterwards
+found herself comfortably in bed. Then she heard her mother say to her
+father:--
+
+"It really seems too ridiculous for anything, John; the idea of those
+grown men dressing themselves up to play with children."
+
+"Ridiculous or not," said her father, "these grown men of the Excelsior
+mine have just struck the famous old lode of Red Mountain, which is as
+good as a fortune to everybody on the Ridge, and were as wild as boys!
+And they say it never would have been found if Polly hadn't tumbled over
+the slide directly on top of the outcrop, and left the absurd wig of
+that wretched doll of hers to mark its site."
+
+"And that," murmured Polly sleepily to her doll as she drew it closer to
+her breast, "is all that they know of it."
+
+
+
+
+
+End of Project Gutenberg's The Queen of the Pirate Isle, by Bret Harte
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE QUEEN OF THE PIRATE ISLE ***
+
+***** This file should be named 2798.txt or 2798.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/7/9/2798/
+
+Produced by Donald Lainson
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/2798.zip b/2798.zip
new file mode 100644
index 0000000..c6581bb
--- /dev/null
+++ b/2798.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..4daef52
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #2798 (https://www.gutenberg.org/ebooks/2798)
diff --git a/old/qotpi10.txt b/old/qotpi10.txt
new file mode 100644
index 0000000..893ee97
--- /dev/null
+++ b/old/qotpi10.txt
@@ -0,0 +1,1044 @@
+Project Gutenberg's The Queen of the Pirate Isle, by Bret Harte
+#45 in our series by Bret Harte
+
+
+Copyright laws are changing all over the world, be sure to check
+the copyright laws for your country before posting these files!!
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers. Do not remove this.
+
+*It must legally be the first thing seen when opening the book.*
+In fact, our legal advisors said we can't even change margins.
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*These Etexts Prepared By Hundreds of Volunteers and Donations*
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below. We need your donations.
+
+
+Title: The Queen of the Pirate Isle
+
+Author: Bret Harte
+
+September, 2001 [Etext #2798]
+
+
+Project Gutenberg's The Queen of the Pirate Isle, by Bret Harte
+******This file should be named qotpi10.txt or qotpi10.zip******
+
+Corrected EDITIONS of our etexts get a new NUMBER, qotpi11.txt
+VERSIONS based on separate sources get new LETTER, qotpi10a.txt
+
+
+This etext was prepared by Donald Lainson, charlie@idirect.com.
+
+Project Gutenberg Etexts are usually created from multiple editions,
+all of which are in the Public Domain in the United States, unless a
+copyright notice is included. Therefore, we usually do NOT keep any
+of these books in compliance with any particular paper edition.
+
+
+We are now trying to release all our books one month in advance
+of the official release dates, leaving time for better editing.
+
+Please note: neither this list nor its contents are final till
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so. To be sure you have an
+up to date first edition [xxxxx10x.xxx] please check file sizes
+in the first week of the next month. Since our ftp program has
+a bug in it that scrambles the date [tried to fix and failed] a
+look at the file size will have to do, but we will try to see a
+new copy has at least one byte more or less.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour this year as we release thirty-six text
+files per month, or 432 more Etexts in 1999 for a total of 2000+
+If these reach just 10% of the computerized population, then the
+total should reach over 200 billion Etexts given away this year.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is only ~5% of the present number of computer users.
+
+At our revised rates of production, we will reach only one-third
+of that goal by the end of 2001, or about 3,333 Etexts unless we
+manage to get some real funding; currently our funding is mostly
+from Michael Hart's salary at Carnegie-Mellon University, and an
+assortment of sporadic gifts; this salary is only good for a few
+more years, so we are looking for something to replace it, as we
+don't want Project Gutenberg to be so dependent on one person.
+
+We need your donations more than ever!
+
+
+All donations should be made to "Project Gutenberg/CMU": and are
+tax deductible to the extent allowable by law. (CMU = Carnegie-
+Mellon University).
+
+For these and other matters, please mail to:
+
+Project Gutenberg
+P. O. Box 2782
+Champaign, IL 61825
+
+When all other email fails. . .try our Executive Director:
+Michael S. Hart <hart@pobox.com>
+hart@pobox.com forwards to hart@prairienet.org and archive.org
+if your mail bounces from archive.org, I will still see it, if
+it bounces from prairienet.org, better resend later on. . . .
+
+We would prefer to send you this information by email.
+
+******
+
+To access Project Gutenberg etexts, use any Web browser
+to view http://promo.net/pg. This site lists Etexts by
+author and by title, and includes information about how
+to get involved with Project Gutenberg. You could also
+download our past Newsletters, or subscribe here. This
+is one of our major sites, please email hart@pobox.com,
+for a more complete list of our various sites.
+
+To go directly to the etext collections, use FTP or any
+Web browser to visit a Project Gutenberg mirror (mirror
+sites are available on 7 continents; mirrors are listed
+at http://promo.net/pg).
+
+Mac users, do NOT point and click, typing works better.
+
+Example FTP session:
+
+ftp metalab.unc.edu
+login: anonymous
+password: your@login
+cd pub/docs/books/gutenberg
+cd etext90 through etext99 or etext00 through etext01, etc.
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99]
+GET GUTINDEX.ALL [to get a listing of ALL books]
+
+***
+
+**Information prepared by the Project Gutenberg legal advisor**
+
+(Three Pages)
+
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you can distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
+tm etexts, is a "public domain" work distributed by Professor
+Michael S. Hart through the Project Gutenberg Association at
+Carnegie-Mellon University (the "Project"). Among other
+things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the Project's "PROJECT GUTENBERG" trademark.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] the Project (and any other party you may receive this
+etext from as a PROJECT GUTENBERG-tm etext) disclaims all
+liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold the Project, its directors,
+officers, members and agents harmless from all liability, cost
+and expense, including legal fees, that arise directly or
+indirectly from any of the following that you do or cause:
+[1] distribution of this etext, [2] alteration, modification,
+or addition to the etext, or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word pro-
+ cessing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Project of 20% of the
+ net profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Association/Carnegie-Mellon
+ University" within the 60 days following each
+ date you prepare (or were legally required to prepare)
+ your annual (or equivalent periodic) tax return.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+The Project gratefully accepts contributions in money, time,
+scanning machines, OCR software, public domain etexts, royalty
+free copyright licenses, and every other sort of contribution
+you can think of. Money should be paid to "Project Gutenberg
+Association / Carnegie-Mellon University".
+
+We are planning on making some changes in our donation structure
+in 2000, so you might want to email me, hart@pobox.com beforehand.
+
+
+
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
+
+
+
+
+
+This etext was prepared by Donald Lainson, charlie@idirect.com.
+
+
+
+
+
+THE QUEEN OF THE PIRATE ISLE
+
+by Bret Harte
+
+
+
+I first knew her as the Queen of the Pirate Isle. To the best of
+my recollection she had no reasonable right to that title. She was
+only nine years old, inclined to plumpness and good humor,
+deprecated violence, and had never been to sea. Need it be added
+that she did NOT live in an island and that her name was Polly?
+
+Perhaps I ought to explain that she had already known other
+experiences of a purely imaginative character. Part of her
+existence had been passed as a Beggar Child,--solely indicated by a
+shawl tightly folded round her shoulders, and chills; as a
+Schoolmistress, unnecessarily severe; as a Preacher, singularly
+personal in his remarks, and once, after reading one of Cooper's
+novels, as an Indian Maiden. This was, I believe, the only
+instance when she had borrowed from another's fiction. Most of the
+characters that she assumed for days and sometimes weeks at a time
+were purely original in conception; some so much so as to be vague
+to the general understanding. I remember that her personation of a
+certain Mrs. Smith, whose individuality was supposed to be
+sufficiently represented by a sunbonnet worn wrong side before and
+a weekly addition to her family, was never perfectly appreciated by
+her own circle although she lived the character for a month.
+Another creation known as "The Proud Lady"--a being whose excessive
+and unreasonable haughtiness was so pronounced as to give her
+features the expression of extreme nausea--caused her mother so
+much alarm that it had to be abandoned. This was easily effected.
+The Proud Lady was understood to have died. Indeed, most of
+Polly's impersonations were got rid of in this way, although it by
+no means prevented their subsequent reappearance. "I thought Mrs.
+Smith was dead," remonstrated her mother at the posthumous
+appearance of that lady with a new infant. "She was buried alive
+and kem to!" said Polly with a melancholy air. Fortunately, the
+representation of a resuscitated person required such extraordinary
+acting, and was, through some uncertainty of conception, so closely
+allied in facial expression to the Proud Lady, that Mrs. Smith was
+resuscitated only for a day.
+
+The origin of the title of the Queen of the Pirate Isle may be
+briefly stated as follows:--
+
+An hour after luncheon, one day, Polly, Hickory Hunt, her cousin,
+and Wan Lee, a Chinese page, were crossing the nursery floor in a
+Chinese junk. The sea was calm and the sky cloudless. Any change
+in the weather was as unexpected as it is in books. Suddenly a
+West Indian Hurricane, purely local in character and unfelt
+anywhere else, struck Master Hickory and threw him overboard,
+whence, wildly swimming for his life and carrying Polly on his
+back, he eventually reached a Desert Island in the closet. Here
+the rescued party put up a tent made of a table-cloth providentially
+snatched from the raging billows, and, from two o'clock until four,
+passed six weeks on the island, supported only by a piece of candle,
+a box of matches, and two peppermint lozenges. It was at this time
+that it became necessary to account for Polly's existence among
+them, and this was only effected by an alarming sacrifice of their
+morality; Hickory and Wan Lee instantly became PIRATES, and at once
+elected Polly as their Queen. The royal duties, which seemed to be
+purely maternal, consisted in putting the Pirates to bed after a day
+of rapine and bloodshed, and in feeding them with licorice water
+through a quill in a small bottle. Limited as her functions were,
+Polly performed them with inimitable gravity and unquestioned
+sincerity. Even when her companions sometimes hesitated from actual
+hunger or fatigue and forgot their guilty part, she never faltered.
+It was her real existence; her other life of being washed, dressed,
+and put to bed at certain hours by her mother was the ILLUSION.
+
+Doubt and skepticism came at last,--and came from Wan Lee! Wan Lee
+of all creatures! Wan Lee, whose silent, stolid, mechanical
+performance of a pirate's duties--a perfect imitation like all his
+household work--had been their one delight and fascination!
+
+It was just after the exciting capture of a merchantman, with the
+indiscriminate slaughter of all on board,--a spectacle on which the
+round blue eyes of the plump Polly had gazed with royal and
+maternal tolerance,--and they were burying the booty, two
+tablespoons and a thimble, in the corner of the closet, when Wan
+Lee stolidly rose.
+
+"Melican boy pleenty foolee! Melican boy no Pilat!" said the
+little Chinaman, substituting "l's" for "r's" after his usual
+fashion.
+
+"Wotcher say?" said Hickory, reddening with sudden confusion.
+
+"Melican boy's papa heap lickee him--s'pose him leal Pilat,"
+continued Wan Lee doggedly. "Melican boy Pilat INSIDE housee.
+Chinee boy Pilat OUTSIDE housee. First chop Pilat."
+
+Staggered by this humiliating statement, Hickory recovered himself
+in character. "Ah! Ho!" he shrieked, dancing wildly on one leg,
+"Mutiny and Splordinashun! 'Way with him to the yard-arm."
+
+"Yald-alm--heap foolee! Alee same clothes-horse for washee
+washee."
+
+It was here necessary for the Pirate Queen to assert her authority,
+which, as I have before stated, was somewhat confusingly maternal.
+
+"Go to bed instantly without your supper," she said seriously.
+"Really, I never saw such bad pirates. Say your prayers, and see
+that you're up early to church tomorrow."
+
+It should be explained that in deference to Polly's proficiency as
+a preacher, and probably as a relief to their uneasy consciences,
+Divine Service had always been held on the Island. But Wan Lee
+continued:--
+
+"Me no shabbee Pilat INSIDE housee; me shabbee Pilat OUTSIDE
+housee. S'pose you lun away longside Chinee boy--Chinee boy make
+you Pilat."
+
+Hickory softly scratched his leg; while a broad, bashful smile
+almost closed his small eyes. "Wot?" he asked.
+
+"Mebbe you too flightened to lun away. Melican boy's papa heap
+lickee."
+
+This last infamous suggestion fired the corsair's blood. "Dy'ar
+think we daresen't?" said Hickory desperately, but with an uneasy
+glance at Polly. "I'll show yer to-morrow."
+
+The entrance of Polly's mother at this moment put an end to Polly's
+authority and dispersed the pirate band, but left Wan Lee's
+proposal and Hickory's rash acceptance ringing in the ears of the
+Pirate Queen. That evening she was unusually silent. She would
+have taken Bridget, her nurse, into her confidence, but this would
+have involved a long explanation of her own feelings, from which,
+like all imaginative children, she shrank. She, however, made
+preparation for the proposed flight by settling in her mind which
+of her two dolls she would take. A wooden creature with easy-going
+knees and movable hair seemed to be more fit for hard service and
+any indiscriminate scalping that might turn up hereafter. At
+supper, she timidly asked a question of Bridget. "Did ye ever hear
+the loikes uv that, ma'am?" said the Irish handmaid with affectionate
+pride. "Shure the darlint's head is filled noight and day with
+ancient history. She's after asking me now if Queens ever run
+away!" To Polly's remorseful confusion here her good father,
+equally proud of her precocious interest and his own knowledge, at
+once interfered with an unintelligible account of the abdication of
+various queens in history until Polly's head ached again. Well
+meant as it was, it only settled in the child's mind that she must
+keep the awful secret to herself and that no one could understand
+her.
+
+The eventful day dawned without any unusual sign of importance. It
+was one of the cloudless summer days of the Californian foothills,
+bright, dry, and, as the morning advanced, hot in the white
+sunshine. The actual, prosaic house in which the Pirates
+apparently lived was a mile from a mining settlement on a beautiful
+ridge of pine woods sloping gently towards a valley on the one
+side, and on the other falling abruptly into a dark deep olive gulf
+of pine-trees, rocks, and patches of red soil. Beautiful as the
+slope was, looking over to the distant snow peaks which seemed to
+be in another world than theirs, the children found a greater
+attraction in the fascinating depths of a mysterious gulf, or
+canyon, as it was called, whose very name filled their ears with a
+weird music. To creep to the edge of the cliff, to sit upon the
+brown branches of some fallen pine, and, putting aside the dried
+tassels, to look down upon the backs of wheeling hawks that seemed
+to hang in mid-air was a never-failing delight. Here Polly would
+try to trace the winding red ribbon of road that was continually
+losing itself among the dense pines of the opposite mountains; here
+she would listen to the far-off strokes of a woodman's axe, or the
+rattle of some heavy wagon, miles away, crossing the pebbles of a
+dried-up watercourse. Here, too, the prevailing colors of the
+mountains, red and white and green, most showed themselves. There
+were no frowning rocks to depress the children's fancy, but
+everywhere along the ridge pure white quartz bared itself through
+the red earth like smiling teeth; the very pebbles they played with
+were streaked with shining mica like bits of looking-glass. The
+distance was always green and summer-like, but the color they most
+loved, and which was most familiar to them, was the dark red of the
+ground beneath their feet everywhere. It showed itself in the
+roadside bushes; its red dust pervaded the leaves of the
+overhanging laurel; it colored their shoes and pinafores; I am
+afraid it was often seen in Indian-like patches on their faces and
+hands. That it may have often given a sanguinary tone to their
+fancies I have every reason to believe.
+
+It was on this ridge that the three children gathered at ten
+o'clock that morning. An earlier flight had been impossible on
+account of Wan Lee being obliged to perform his regular duty of
+blacking the shoes of Polly and Hickory before breakfast,--a menial
+act which in the pure republic of childhood was never thought
+inconsistent with the loftiest piratical ambition. On the ridge
+they met one "Patsey," the son of a neighbor, sun-burned, broad-
+brimmed hatted, red-handed, like themselves. As there were
+afterwards some doubts expressed whether he joined the Pirates of
+his own free will, or was captured by them, I endeavor to give the
+colloquy exactly as it occurred:--
+
+Patsey: "Hallo, fellers."
+
+The Pirates: "Hello!"
+
+Patsey: "Goin' to hunt bars? Dad seed a lot o' tracks at sun-up."
+
+The Pirates (hesitating): "No--o--"
+
+Patsey: "I am; know where I kin get a six-shooter?"
+
+The Pirates (almost ready to abandon piracy for bear-hunting, but
+preserving their dignity): "Can't! We've runn'd away for real
+pirates."
+
+Patsey: "Not for good!"
+
+The Queen (interposing with sad dignity and real tears in her round
+blue eyes): "Yes!" (slowly and shaking her head). "Can't go back
+again. Never! Never! Never! The--the--eye is cast!"
+
+Patsey (bursting with excitement): "No-o! Sho'o! Wanter know."
+
+The Pirates (a little frightened themselves, but tremulous with
+gratified vanity): "The Perleese is on our track!"
+
+Patsey: "Lemme go with yer!"
+
+Hickory: "Wot'll yer giv?"
+
+Patsey: "Pistol and er bananer."
+
+Hickory (with judicious prudence): "Let's see 'em."
+
+Patsey was off like a shot; his bare little red feet trembling
+under him. In a few minutes he returned with an old-fashioned
+revolver known as one of "Allen's pepper-boxes" and a large banana.
+He was at once enrolled, and the banana eaten.
+
+As yet they had resolved on no definite nefarious plan. Hickory,
+looking down at Patsey's bare feet, instantly took off his own
+shoes. This bold act sent a thrill through his companions. Wan
+Lee took off his cloth leggings, Polly removed her shoes and
+stockings, but, with royal foresight, tied them up in her
+handkerchief. The last link between them and civilization was
+broken.
+
+"Let's go to the Slumgullion."
+
+"Slumgullion" was the name given by the miners to a certain soft,
+half-liquid mud, formed of the water and finely powdered earth that
+was carried off by the sluice-boxes during gold-washing, and
+eventually collected in a broad pool or lagoon before the outlet.
+There was a pool of this kind a quarter of a mile away, where there
+were "diggings" worked by Patsey's father, and thither they
+proceeded along the ridge in single file. When it was reached they
+solemnly began to wade in its viscid paint-like shallows. Possibly
+its unctuousness was pleasant to the touch; possibly there was a
+fascination in the fact that their parents had forbidden them to go
+near it, but probably the principal object of this performance was
+to produce a thick coating of mud on the feet and ankles, which,
+when dried in the sun, was supposed to harden the skin and render
+their shoes superfluous. It was also felt to be the first real
+step towards independence; they looked down at their ensanguined
+extremities and recognized the impossibility of their ever again
+crossing (unwashed) the family threshold.
+
+Then they again hesitated. There was a manifest need of some
+well-defined piratical purpose. The last act was reckless and
+irretrievable, but it was vague. They gazed at each other. There
+was a stolid look of resigned and superior tolerance in Wan Lee's
+eyes.
+
+Polly's glance wandered down the side of the slope to the distant
+little tunnels or openings made by the miners who were at work in
+the bowels of the mountain. "I'd like to go into one of them funny
+holes," she said to herself, half aloud.
+
+Wan Lee suddenly began to blink his eyes with unwonted excitement.
+"Catchee tunnel--heap gold," he said quickly. "When manee come
+outside to catchee dinner--Pilats go inside catchee tunnel!
+Shabbee! Pilats catchee gold allee samee Melican man!"
+
+"And take perseshiun," said Hickory.
+
+"And hoist the Pirate flag," said Patsey.
+
+"And build a fire, and cook, and have a family," said Polly.
+
+The idea was fascinating to the point of being irresistible. The
+eyes of the four children became rounder and rounder. They seized
+each other's hands and swung them backwards and forwards,
+occasionally lifting their legs in a solemn rhythmic movement known
+only to childhood.
+
+"It's orful far off!" said Patsey with a sudden look of dark
+importance. "Pap says it's free miles on the road. Take all day
+ter get there."
+
+The bright faces were overcast.
+
+"Less go down er slide!" said Hickory boldly.
+
+They approached the edge of the cliff. The "slide" was simply a
+sharp incline zigzagging down the side of the mountain used for
+sliding goods and provisions from the summit to the tunnel-men at
+the different openings below. The continual traffic had gradually
+worn a shallow gully half filled with earth and gravel into the
+face of the mountain which checked the momentum of the goods in
+their downward passage, but afforded no foothold for a pedestrian.
+No one had ever been known to descend a slide. That feat was
+evidently reserved for the Pirate band. They approached the edge
+of the slide, hand in hand, hesitated, and the next moment
+disappeared.
+
+Five minutes later the tunnel-men of the Excelsior mine, a mile
+below, taking their luncheon on the rude platform of debris before
+their tunnel, were suddenly driven to shelter in the tunnel from an
+apparent rain of stones, and rocks, and pebbles, from the cliffs
+above. Looking up, they were startled at seeing four round objects
+revolving and bounding in the dust of the slide, which eventually
+resolved themselves into three boys and a girl. For a moment the
+good men held their breath in helpless terror. Twice one of the
+children had struck the outer edge of the bank, and displaced
+stones that shot a thousand feet down into the dizzy depths of the
+valley; and now one of them, the girl, had actually rolled out of
+the slide and was hanging over the chasm supported only by a clump
+of chamisal to which she clung!
+
+"Hang on by your eyelids, sis! but don't stir, for Heaven's sake!"
+shouted one of the men, as two others started on a hopeless ascent
+of the cliff above them.
+
+But a light childish laugh from the clinging little figure seemed
+to mock them! Then two small heads appeared at the edge of the
+slide; then a diminutive figure, whose feet were apparently held by
+some invisible companion, was shoved over the brink and stretched
+its tiny arms towards the girl. But in vain, the distance was too
+great. Another laugh of intense youthful enjoyment followed the
+failure, and a new insecurity was added to the situation by the
+unsteady hands and shoulders of the relieving party, who were
+apparently shaking with laughter. Then the extended figure was
+seen to detach what looked like a small black rope from its
+shoulders and throw it to the girl. There was another little
+giggle. The faces of the men below paled in terror. Then Polly,--
+for it was she,--hanging to the long pigtail of Wan Lee, was drawn
+with fits of laughter back in safety to the slide. Their childish
+treble of appreciation was answered by a ringing cheer from below.
+
+"Darned ef I ever want to cut off a Chinaman's pigtail again,
+boys," said one of the tunnel-men as he went back to dinner.
+
+Meantime the children had reached the goal and stood before the
+opening of one of the tunnels. Then these four heroes who had
+looked with cheerful levity on the deadly peril of their descent
+became suddenly frightened at the mysterious darkness of the cavern
+and turned pale at its threshold.
+
+"Mebbee a wicked Joss backside holee, he catchee Pilats," said Wan
+Lee gravely.
+
+Hickory began to whimper, Patsey drew back, Polly alone stood her
+ground, albeit with a trembling lip.
+
+"Let's say our prayers and frighten it away," she said stoutly.
+
+"No! no!" said Wan Lee, with a sudden alarm. "No frighten
+Spillits! You waitee! Chinee boy he talkee Spillit not to
+frighten you."*
+
+
+* The Chinese pray devoutly to the Evil Spirits NOT to injure them.
+
+
+Tucking his hands under his blue blouse, Wan Lee suddenly produced
+from some mysterious recess of his clothing a quantity of red paper
+slips which he scattered at the entrance of the cavern. Then
+drawing from the same inexhaustible receptacle certain squibs or
+fireworks, he let them off and threw them into the opening. There
+they went off with a slight fizz and splutter, a momentary
+glittering of small points in the darkness, and a strong smell of
+gunpowder. Polly gazed at the spectacle with undisguised awe and
+fascination. Hickory and Patsey breathed hard with satisfaction:
+it was beyond their wildest dreams of mystery and romance. Even
+Wan Lee appeared transfigured into a superior being by the potency
+of his own spells. But an unaccountable disturbance of some kind
+in the dim interior of the tunnel quickly drew the blood from their
+blanched cheeks again. It was a sound like coughing, followed by
+something like an oath.
+
+"He's made the Evil Spirit orful sick," said Hickory in a loud
+whisper.
+
+A slight laugh, that to the children seemed demoniacal, followed.
+
+"See!" said Wan Lee. "Evil Spillet he likee Chinee; try talkee
+him."
+
+The Pirates looked at Wan Lee, not without a certain envy of this
+manifest favoritism. A fearful desire to continue their awful
+experiments, instead of pursuing their piratical avocations, was
+taking possession of them; but Polly, with one of the swift
+transitions of childhood, immediately began to extemporize a house
+for the party at the mouth of the tunnel, and, with parental
+foresight, gathered the fragments of the squibs to build a fire for
+supper. That frugal meal, consisting of half a ginger biscuit
+divided into five small portions, each served on a chip of wood,
+and having a deliciously mysterious flavor of gunpowder and smoke,
+was soon over. It was necessary after this that the pirates should
+at once seek repose after a day of adventure, which they did for
+the space of forty seconds in singularly impossible attitudes and
+far too aggressive snoring. Indeed, Master Hickory's almost
+upright pose, with tightly folded arms and darkly frowning brows,
+was felt to be dramatic, but impossible for a longer period. The
+brief interval enabled Polly to collect herself and to look around
+her in her usual motherly fashion. Suddenly she started and
+uttered a cry. In the excitement of the descent she had quite
+overlooked her doll, and was now regarding it with round-eyed
+horror.
+
+"Lady Mary's hair's gone!" she cried, convulsively grasping the
+Pirate Hickory's legs.
+
+Hickory at once recognized the battered doll under the aristocratic
+title which Polly had long ago bestowed upon it. He stared at the
+bald and battered head.
+
+"Ha! ha!" he said hoarsely; "skelped by Injins!"
+
+For an instant the delicious suggestion soothed the imaginative
+Polly. But it was quickly dispelled by Wan Lee.
+
+"Lady Maley's pigtail hangee top side hillee. Catchee on big
+quartz stone allee same Polly; me go fetchee."
+
+"No!" quickly shrieked the others. The prospect of being left in
+the proximity of Wan Lee's evil spirit, without Wan Lee's
+exorcising power, was anything but reassuring. "No, don't go!"
+Even Polly (dropping a maternal tear on the bald head of Lady Mary)
+protested against this breaking up of the little circle. "Go to
+bed!" she said authoritatively, "and sleep till morning."
+
+Thus admonished, the Pirates again retired. This time effectively;
+for, worn by actual fatigue or soothed by the delicious coolness of
+the cave, they gradually, one by one, succumbed to real slumber.
+Polly, withheld from joining them by official and maternal
+responsibility, sat and blinked at them affectionately.
+
+Gradually she, too, felt herself yielding to the fascination and
+mystery of the place and the solitude that encompassed her. Beyond
+the pleasant shadows where she sat, she saw the great world of
+mountain and valley through a dreamy haze that seemed to rise from
+the depths below and occasionally hang before the cavern like a
+veil. Long waves of spicy heat rolling up the mountain from the
+valley brought her the smell of pine-trees and bay, and made the
+landscape swim before her eyes. She could hear the far-off cry of
+teamsters on some unseen road; she could see the far-off cloud of
+dust following the mountain stagecoach, whose rattling wheels she
+could not hear. She felt very lonely, but was not quite afraid;
+she felt very melancholy, but was not entirely sad; and she could
+have easily awakened her sleeping companions if she wished.
+
+No; she was a lone widow with nine children, six of whom were
+already in the lone churchyard on the hill, and the others lying
+ill with measles and scarlet fever beside her. She had just walked
+many weary miles that day, and had often begged from door to door
+for a slice of bread for the starving little ones. It was of no
+use now--they would die! They would never see their dear mother
+again. This was a favorite imaginative situation of Polly's, but
+only indulged when her companions were asleep, partly because she
+could not trust confederates with her more serious fancies, and
+partly because they were at such times passive in her hands. She
+glanced timidly around. Satisfied that no one could observe her,
+she softly visited the bedside of each of her companions, and
+administered from a purely fictitious bottle spoonfuls of invisible
+medicine. Physical correction in the form of slight taps, which
+they always required, and in which Polly was strong, was only
+withheld now from a sense of their weak condition. But in vain;
+they succumbed to the fell disease,--they always died at this
+juncture,--and Polly was left alone. She thought of the little
+church where she had once seen a funeral, and remembered the nice
+smell of the flowers; she dwelt with melancholy satisfaction of the
+nine little tombstones in the graveyard, each with an inscription,
+and looked forward with gentle anticipation to the long summer days
+when, with Lady Mary in her lap, she would sit on those graves clad
+in the deepest mourning. The fact that the unhappy victims at
+times moved as it were uneasily in their graves, or snored, did not
+affect Polly's imaginative contemplation, nor withhold the tears
+that gathered in her round eyes.
+
+Presently, the lids of the round eyes began to droop, the landscape
+beyond began to be more confused, and sometimes to disappear
+entirely and reappear again with startling distinctness. Then a
+sound of rippling water from the little stream that flowed from the
+mouth of the tunnel soothed her and seemed to carry her away with
+it, and then everything was dark.
+
+The next thing that she remembered was that she was apparently
+being carried along on some gliding object to the sound of rippling
+water. She was not alone, for her three companions were lying
+beside her, rather tightly packed and squeezed in the same
+mysterious vehicle. Even in the profound darkness that surrounded
+her, Polly could feel and hear that they were accompanied, and once
+or twice a faint streak of light from the side of the tunnel showed
+her gigantic shadows walking slowly on either side of the gliding
+car. She felt the little hands of her associates seeking hers, and
+knew they were awake and conscious, and she returned to each a
+reassuring pressure from the large protecting instinct of her
+maternal little heart. Presently the car glided into an open space
+of bright light, and stopped. The transition from the darkness of
+the tunnel at first dazzled their eyes. It was like a dream.
+
+They were in a circular cavern from which three other tunnels, like
+the one they had passed through, diverged. The walls, lit up by
+fifty or sixty candles stuck at irregular intervals in crevices of
+the rock, were of glittering quartz and mica. But more remarkable
+than all were the inmates of the cavern, who were ranged round the
+walls,--men who, like their attendants, seemed to be of extra
+stature; who had blackened faces, wore red bandana handkerchiefs
+round their heads and their waists, and carried enormous knives and
+pistols stuck in their belts. On a raised platform made of a
+packing-box on which was rudely painted a skull and cross-bones,
+sat the chief or leader of the band covered with a buffalo robe; on
+either side of him were two small barrels marked "Grog" and
+"Gunpowder." The children stared and clung closer to Polly. Yet,
+in spite of these desperate and warlike accessories, the strangers
+bore a singular resemblance to "Christy Minstrels" in their
+blackened faces and attitudes that somehow made them seem less
+awful. In particular, Polly was impressed with the fact that even
+the most ferocious had a certain kindliness of eye, and showed
+their teeth almost idiotically.
+
+"Welcome!" said the leader,--"welcome to the Pirates' Cave! The
+Red Rover of the North Fork of the Stanislaus River salutes the
+Queen of the Pirate Isle!" He rose up and made an extraordinary
+bow. It was repeated by the others with more or less exaggeration,
+to the point of one humorist losing his balance!
+
+"Oh, thank you very much," said Polly timidly, but drawing her
+little flock closer to her with a small protecting arm; "but could
+you--would you--please--tell us--what time it is?"
+
+"We are approaching the middle of Next Week," said the leader
+gravely; "but what of that? Time is made for slaves! The Red
+Rover seeks it not! Why should the Queen?"
+
+"I think we must be going," hesitated Polly, yet by no means
+displeased with the recognition of her rank.
+
+"Not until we have paid homage to Your Majesty," returned the
+leader. "What ho! there! Let Brother Step-and-Fetch-It pass the
+Queen around that we may do her honor." Observing that Polly
+shrank slightly back, he added: "Fear nothing; the man who hurts a
+hair of Her Majesty's head dies by this hand. Ah! ha!"
+
+The others all said ha! ha! and danced alternately on one leg and
+then on the other, but always with the same dark resemblance to
+Christy Minstrels. Brother Step-and-Fetch-It, whose very long
+beard had a confusing suggestion of being a part of the leader's
+buffalo robe, lifted her gently in his arms and carried her to the
+Red Rovers in turn. Each one bestowed a kiss upon her cheek or
+forehead, and would have taken her in his arms, or on his knees, or
+otherwise lingered over his salute, but they were sternly
+restrained by their leader. When the solemn rite was concluded,
+Step-and-Fetch-It paid his own courtesy with an extra squeeze of
+the curly head, and deposited her again in the truck, a little
+frightened, a little astonished, but with a considerable accession
+to her dignity. Hickory and Patsey looked on with stupefied
+amazement. Wan Lee alone remained stolid and unimpressed,
+regarding the scene with calm and triangular eyes.
+
+"Will Your Majesty see the Red Rovers dance?"
+
+"No, if you please," said Polly, with gentle seriousness.
+
+"Will Your Majesty fire this barrel of gunpowder, or tap this
+breaker of grog?"
+
+"No, I thank you."
+
+"Is there no command Your Majesty would lay upon us?"
+
+"No, please," said Polly, in a failing voice.
+
+"Is there anything Your Majesty has lost? Think again! Will Your
+Majesty deign to cast your royal eyes on this?"
+
+He drew from under his buffalo robe what seemed like a long tress
+of blond hair, and held it aloft. Polly instantly recognized the
+missing scalp of her hapless doll.
+
+"If you please, sir, it's Lady Mary's. She's lost it."
+
+"And lost it--Your Majesty--only to find something more precious.
+Would Your Majesty hear the story?"
+
+A little alarmed, a little curious, a little self-anxious, and a
+little induced by the nudges and pinches of her companions, the
+Queen blushingly signified her royal assent.
+
+"Enough. Bring refreshments. Will Your Majesty prefer wintergreen,
+peppermint, rose, or acidulated drops? Red or white? Or perhaps
+Your Majesty will let me recommend these bull's-eyes," said the
+leader, as a collection of sweets in a hat were suddenly produced
+from the barrel labeled "Gunpowder" and handed to the children.
+
+"Listen," he continued, in a silence broken only by the gentle
+sucking of bull's-eyes. "Many years ago the old Red Rovers of
+these parts locked up all their treasures in a secret cavern in
+this mountain. They used spells and magic to keep it from being
+entered or found by anybody, for there was a certain mark upon it
+made by a peculiar rock that stuck out of it, which signified what
+there was below. Long afterwards, other Red Rovers who had heard
+of it came here and spent days and days trying to discover it,
+digging holes and blasting tunnels like this, but of no use!
+Sometimes they thought they discovered the magic marks in the
+peculiar rock that stuck out of it, but when they dug there they
+found no treasure. And why? Because there was a magic spell upon
+it. And what was that magic spell? Why, this! It could only be
+discovered by a person who could not possibly know that he or she
+had discovered it; who never could or would be able to enjoy it;
+who could never see it, never feel it, never, in fact, know
+anything at all about it! It wasn't a dead man, it wasn't an
+animal, it wasn't a baby!"
+
+"Why," said Polly, jumping up and clapping her hands, "it was a
+Dolly."
+
+"Your Majesty's head is level! Your Majesty has guessed it!" said
+the leader, gravely. "It was Your Majesty's own dolly, Lady Mary,
+who broke the spell! When Your Majesty came down the slide, the
+doll fell from your gracious hand when your foot slipped. Your
+Majesty recovered Lady Mary, but did not observe that her hair had
+caught in a peculiar rock, called the 'Outcrop,' and remained
+behind! When, later on, while sitting with your attendants at the
+mouth of the tunnel, Your Majesty discovered that Lady Mary's hair
+was gone, I overheard Your Majesty, and dispatched the trusty Step-
+and-Fetch-It to seek it at the mountain side. He did so, and found
+it clinging to the rock, and beneath it--the entrance to the Secret
+Cave!"
+
+Patsey and Hickory, who, failing to understand a word of this
+explanation, had given themselves up to the unconstrained enjoyment
+of the sweets, began now to apprehend that some change was
+impending, and prepared for the worst by hastily swallowing what
+they had in their mouths, thus defying enchantment, and getting
+ready for speech. Polly, who had closely followed the story,
+albeit with the embellishments of her own imagination, made her
+eyes rounder than ever. A bland smile broke on Wan Lee's face, as
+to the children's amazement, he quietly disengaged himself from the
+group and stepped before the leader.
+
+"Melican man plenty foolee Melican chillern. No foolee China boy!
+China boy knowee you. YOU no Led Lofer. YOU no Pilat--you allee
+same tunnel-man--you Bob Johnson! Me shabbee you! You dressee up
+allee same as Led Lofer--but you Bob Johnson--allee same. My fader
+washee washee for you. You no payee him. You owee him folty
+dolla! Me blingee you billee. You no payee billee! You say,
+'Chalkee up, John.' You say, 'Bimeby, John.' But me no catchee
+folty dolla!"
+
+A roar of laughter followed, in which even the leader apparently
+forgot himself enough to join. But the next moment springing to
+his feet he shouted, "Ho! ho! A traitor! Away with him to the
+deepest dungeon beneath the castle moat!"
+
+Hickory and Patsey began to whimper, but Polly, albeit with a
+tremulous lip, stepped to the side of her little Pagan friend.
+"Don't you dare touch him," she said with a shake of unexpected
+determination in her little curly head; "if you do, I'll tell my
+father, and he will slay you! All of you--there!"
+
+"Your father! Then you are NOT the Queen!"
+
+It was a sore struggle to Polly to abdicate her royal position; it
+was harder to do it with befitting dignity. To evade the direct
+question she was obliged to abandon her defiant attitude. "If you
+please, sir," she said hurriedly, with an increasing color and no
+stops, "we're not always Pirates, you know, and Wan Lee is only our
+boy what brushes my shoes in the morning, and runs of errands, and
+he doesn't mean anything bad, sir, and we'd like to take him back
+home with us."
+
+"Enough," said the leader, changing his entire manner with the most
+sudden and shameless inconsistency. "You shall go back together,
+and woe betide the miscreant who would prevent it! What say you,
+brothers? What shall be his fate who dares to separate our noble
+Queen from her faithful Chinese henchman?"
+
+"He shall die!" roared the others, with beaming cheerfulness.
+
+"And what say you--shall we see them home?"
+
+"We will!" roared the others.
+
+Before the children could fairly comprehend what had passed, they
+were again lifted into the truck and began to glide back into the
+tunnel they had just quitted. But not again in darkness and
+silence; the entire band of Red rovers accompanied them,
+illuminating the dark passage with the candles they had snatched
+from the walls. In a few moments they were at the entrance again.
+The great world lay beyond them once more with rocks and valleys
+suffused by the rosy light of the setting sun. The past seemed
+like a dream.
+
+But were they really awake now? They could not tell. They
+accepted everything with the confidence and credulity of all
+children who have no experience to compare with their first
+impressions and to whom the future contains nothing impossible. It
+was without surprise, therefore, that they felt themselves lifted
+on the shoulders of the men who were making quite a procession
+along the steep trail towards the settlement again. Polly noticed
+that at the mouth of the other tunnels they were greeted by men as
+if they were carrying tidings of great joy; that they stopped to
+rejoice together, and that in some mysterious manner their
+conductors had got their faces washed, and had become more like
+beings of the outer world. When they neared the settlement the
+excitement seemed to have become greater; people rushed out to
+shake hands with the men who were carrying them, and overpowered
+even the children with questions they could not understand. Only
+one sentence Polly could clearly remember as being the burden of
+all congratulations. "Struck the old lead at last!" With a faint
+consciousness that she knew something about it, she tried to assume
+a dignified attitude on the leader's shoulders, even while she was
+beginning to be heavy with sleep.
+
+And then she remembered a crowd near her father's house, out of
+which her father came smiling pleasantly on her, but not
+interfering with her triumphal progress until the leader finally
+deposited her in her mother's lap in their own sitting-room. And
+then she remembered being "cross," and declining to answer any
+questions, and shortly afterwards found herself comfortably in bed.
+Then she heard her mother say to her father:--
+
+"It really seems too ridiculous for anything, John; the idea of
+those grown men dressing themselves up to play with children."
+
+"Ridiculous or not," said her father, "these grown men of the
+Excelsior mine have just struck the famous old lode of Red
+Mountain, which is as good as a fortune to everybody on the Ridge,
+and were as wild as boys! And they say it never would have been
+found if Polly hadn't tumbled over the slide directly on top of the
+outcrop, and left the absurd wig of that wretched doll of hers to
+mark its site."
+
+"And that," murmured Polly sleepily to her doll as she drew it
+closer to her breast, "is all that they know of it."
+
+
+
+
+
+End of Project Gutenberg's The Queen of the Pirate Isle, by Bret Harte
+
diff --git a/old/qotpi10.zip b/old/qotpi10.zip
new file mode 100644
index 0000000..c78ee87
--- /dev/null
+++ b/old/qotpi10.zip
Binary files differ