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+<meta http-equiv="Content-Type" content="text/html; charset=US-ASCII" />
+<title>Mugby Junction, by Charles Dickens et al.</title>
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+<pre>
+
+The Project Gutenberg eBook of Mugby Junction, by Charles Dickens, et al,
+Illustrated by Jules A. Goodman
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: Mugby Junction
+
+
+Author: Charles Dickens
+
+
+
+Release Date: January 28, 2009 [eBook #27924]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK MUGBY JUNCTION***
+</pre>
+<p>This ebook was transcribed by Les Bowler.</p>
+<p style="text-align: center"><span class="smcap">christmas
+stories</span><br />
+<span class="smcap">from &ldquo;household</span><br />
+<span class="smcap">words&rdquo; and &ldquo;all</span><br />
+<span class="smcap">the year round&rdquo;</span><br />
+<span class="smcap">edited by</span><br />
+<span class="smcap">charles dickens</span></p>
+<h1>Mugby Junction</h1>
+<p style="text-align: center">
+<a href="images/fp.jpg">
+<img alt=
+"Frontispiece"
+title=
+"Frontispiece"
+src="images/fp.jpg" />
+</a></p>
+<p style="text-align: center">
+<a href="images/tp.jpg">
+<img alt=
+"Title page"
+title=
+"Title page"
+src="images/tp.jpg" />
+</a></p>
+<p style="text-align: center"><!-- page vi--><a
+name="pagevi"></a><span class="pagenum">p. vi</span><span
+class="smcap">Richard Clay &amp; Sons</span>, <span
+class="smcap">Limited</span>,<br />
+<span class="smcap">London &amp; Bungay</span>.</p>
+<p style="text-align: center"><!-- page vii--><a
+name="pagevii"></a><span class="pagenum">p. vii</span><span
+class="smcap">mugby junction</span>: <span
+class="smcap">by</span><br />
+<span class="smcap">charles dickens</span>, <span
+class="smcap">andrew</span><br />
+<span class="smcap">halliday</span>, <span class="smcap">charles
+collins</span>,<br />
+<span class="smcap">hesba stretton</span>, <span
+class="smcap">and amelia</span><br />
+<span class="smcap">b. edwards</span>: <span class="smcap">being
+the extra</span><br />
+<span class="smcap">christmas number of</span> &ldquo;<span
+class="smcap">all</span><br />
+<span class="smcap">the year round</span>,&rdquo; 1866.&nbsp;
+<span class="smcap">with</span><br />
+<span class="smcap">a frontispiece by a. jules</span><br />
+<span class="smcap">goodman</span>.&nbsp; <span
+class="smcap">london</span>: <span
+class="smcap">chapman</span><br />
+<span class="smcap">and hall</span>, <span
+class="smcap">ltd.</span>&nbsp; 1898.</p>
+<table>
+<tr>
+<td colspan="3"><p style="text-align: center"><!-- page ix--><a
+name="pageix"></a><span class="pagenum">p. ix</span>INDEX TO<br
+/>
+MUGBY JUNCTION</p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p>&nbsp;</p>
+</td>
+<td><p style="text-align: right"><span
+class="smcap">page</span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Barbox Brothers</span>.</p>
+</td>
+<td><p><span class="smcap">By Charles Dickens</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page1">1</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Barbox Brothers &amp; Co.</span></p>
+</td>
+<td><p><span class="smcap">By Charles Dickens</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page43">43</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Main Line</span>: <span
+class="smcap">The Boy at Mugby</span>.</p>
+</td>
+<td><p><span class="smcap">By Charles Dickens</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page72">72</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>No. 1 <span class="smcap">Branch Line</span>: <span
+class="smcap">The Signalman</span>.</p>
+</td>
+<td><p><span class="smcap">By Charles Dickens</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page89">89</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>No. 2 <span class="smcap">Branch Line</span>: <span
+class="smcap">The Engine Driver</span>.</p>
+</td>
+<td><p><span class="smcap">By Andrew Halliday</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page111">111</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>No. 3 <span class="smcap">Branch Line</span>: <span
+class="smcap">The Compensation House</span>.</p>
+</td>
+<td><p><span class="smcap">By Charles Collins</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page125">125</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>No. 4 <span class="smcap">Branch Line</span>: <span
+class="smcap">The Travelling Post-Office</span>.</p>
+</td>
+<td><p><span class="smcap">By Hesba Stretton</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page154">154</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>No. 5 <span class="smcap">Branch Line</span>: <span
+class="smcap">The Engineer</span>.</p>
+</td>
+<td><p><span class="smcap">By Amelia B. Edwards</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page187">187</a></span></p>
+</td>
+</tr>
+</table>
+<h2><!-- page 1--><a name="page1"></a><span class="pagenum">p.
+1</span>BARBOX BROTHERS</h2>
+<h3>I</h3>
+<p>&ldquo;Guard!&nbsp; What place is this?&rdquo;</p>
+<p>&ldquo;Mugby Junction, sir.&rdquo;</p>
+<p>&ldquo;A windy place!&rdquo;</p>
+<p>&ldquo;Yes, it mostly is, sir.&rdquo;</p>
+<p>&ldquo;And looks comfortless indeed!&rdquo;</p>
+<p>&ldquo;Yes, it generally does, sir.&rdquo;</p>
+<p>&ldquo;Is it a rainy night still?&rdquo;</p>
+<p>&ldquo;Pours, sir.&rdquo;</p>
+<p>&ldquo;Open the door.&nbsp; I&rsquo;ll get out.&rdquo;</p>
+<p>&ldquo;You&rsquo;ll have, sir,&rdquo; said the guard,
+glistening with drops of wet, and looking at the tearful face of
+his watch by the light of his lantern as the traveller descended,
+&ldquo;three minutes here.&rdquo;</p>
+<p>&ldquo;More, I think.&mdash;For I am not going on.&rdquo;</p>
+<p>&ldquo;Thought you had a through ticket, sir?&rdquo;</p>
+<p><!-- page 2--><a name="page2"></a><span class="pagenum">p.
+2</span>&ldquo;So I have, but I shall sacrifice the rest of
+it.&nbsp; I want my luggage.&rdquo;</p>
+<p>&ldquo;Please to come to the van and point it out, sir.&nbsp;
+Be good enough to look very sharp, sir.&nbsp; Not a moment to
+spare.&rdquo;</p>
+<p>The guard hurried to the luggage van, and the traveller
+hurried after him.&nbsp; The guard got into it, and the traveller
+looked into it.</p>
+<p>&ldquo;Those two large black portmanteaus in the corner where
+your light shines.&nbsp; Those are mine.&rdquo;</p>
+<p>&ldquo;Name upon &rsquo;em, sir?&rdquo;</p>
+<p>&ldquo;Barbox Brothers.&rdquo;</p>
+<p>&ldquo;Stand clear, sir, if you please.&nbsp; One.&nbsp;
+Two.&nbsp; Right!&rdquo;</p>
+<p>Lamp waved.&nbsp; Signal lights ahead already changing.&nbsp;
+Shriek from engine.&nbsp; Train gone.</p>
+<p>&ldquo;Mugby Junction!&rdquo; said the traveller, pulling up
+the woollen muffler round his throat with both hands.&nbsp;
+&ldquo;At past three o&rsquo;clock of a tempestuous
+morning!&nbsp; So!&rdquo;</p>
+<p>He spoke to himself.&nbsp; There was no one else to speak
+to.&nbsp; Perhaps, though there had been any one else to speak
+to, he would have preferred to speak to himself.&nbsp; Speaking
+to himself, he spoke to a man within five years of fifty either
+way, who had turned grey too soon, like a neglected fire; a man
+of pondering habit, brooding carriage of the head, and suppressed
+internal voice; a man with many indications on him of having been
+much alone.</p>
+<p><!-- page 3--><a name="page3"></a><span class="pagenum">p.
+3</span>He stood unnoticed on the dreary platform, except by the
+rain and by the wind.&nbsp; Those two vigilant assailants made a
+rush at him.&nbsp; &ldquo;Very well,&rdquo; said he,
+yielding.&nbsp; &ldquo;It signifies nothing to me, to what
+quarter I turn my face.&rdquo;</p>
+<p>Thus, at Mugby Junction, at past three o&rsquo;clock of a
+tempestuous morning, the traveller went where the weather drove
+him.</p>
+<p>Not but what he could make a stand when he was so minded, for,
+coming to the end of the roofed shelter (it is of considerable
+extent at Mugby Junction) and looking out upon the dark night,
+with a yet darker spirit-wing of storm beating its wild way
+through it, he faced about, and held his own as ruggedly in the
+difficult direction, as he had held it in the easier one.&nbsp;
+Thus, with a steady step, the traveller went up and down, up and
+down, up and down, seeking nothing, and finding it.</p>
+<p>A place replete with shadowy shapes, this Mugby Junction in
+the black hours of the four-and-twenty.&nbsp; Mysterious goods
+trains, covered with palls and gliding on like vast weird
+funerals, conveying themselves guiltily away from the presence of
+the few lighted lamps, as if their freight had come to a secret
+and unlawful end.&nbsp; Half miles of coal pursuing in a
+Detective manner, following when they lead, stopping when they
+stop, backing when they back.&nbsp; Red hot embers showering out
+<!-- page 4--><a name="page4"></a><span class="pagenum">p.
+4</span>upon the ground, down this dark avenue, and down the
+other, as if torturing fires were being raked clear;
+concurrently, shrieks and groans and grinds invading the ear, as
+if the tortured were at the height of their suffering.&nbsp;
+Iron-barred cages full of cattle jangling by midway, the drooping
+beasts with horns entangled, eyes frozen with terror, and mouths
+too: at least they have long icicles (or what seem so) hanging
+from their lips.&nbsp; Unknown languages in the air, conspiring
+in red, green, and white characters.&nbsp; An earthquake
+accompanied with thunder and lightning, going up express to
+London.</p>
+<p>Now, all quiet, all rusty, wind and rain in possession, lamps
+extinguished, Mugby Junction dead and indistinct, with its robe
+drawn over its head, like C&aelig;sar.&nbsp; Now, too, as the
+belated traveller plodded up and down, a shadowy train went by
+him in the gloom which was no other than the train of a
+life.&nbsp; From whatsoever intangible deep cutting or dark
+tunnel it emerged, here it came, unsummoned and unannounced,
+stealing upon him and passing away into obscurity.&nbsp; Here,
+mournfully went by, a child who had never had a childhood or
+known a parent, inseparable from a youth with a bitter sense of
+his namelessness, coupled to a man the enforced business of whose
+best years had been distasteful and oppressive, linked to an
+ungrateful friend, dragging after him a woman once <!-- page
+5--><a name="page5"></a><span class="pagenum">p.
+5</span>beloved.&nbsp; Attendant, with many a clank and wrench,
+were lumbering cares, dark meditations, huge dim disappointments,
+monotonous years, a long jarring line of the discords of a
+solitary and unhappy existence.</p>
+<p>&ldquo;&mdash;Yours, sir?&rdquo;</p>
+<p>The traveller recalled his eyes from the waste into which they
+had been staring, and fell back a step or so under the
+abruptness, and perhaps the chance appropriateness, of the
+question.</p>
+<p>&ldquo;O!&nbsp; My thoughts were not here for the
+moment.&nbsp; Yes.&nbsp; Yes.&nbsp; Those two portmanteaus are
+mine.&nbsp; Are you a Porter?&rdquo;</p>
+<p>&ldquo;On Porter&rsquo;s wages, sir.&nbsp; But I am
+Lamps.&rdquo;</p>
+<p>The traveller looked a little confused.</p>
+<p>&ldquo;Who did you say you are?&rdquo;</p>
+<p>&ldquo;Lamps, sir,&rdquo; showing an oily cloth in his hand,
+as further explanation.</p>
+<p>&ldquo;Surely, surely.&nbsp; Is there any hotel or tavern
+here?&rdquo;</p>
+<p>&ldquo;Not exactly here, sir.&nbsp; There is a Refreshment
+Room here, but&mdash;&rdquo;&nbsp; Lamps, with a mighty serious
+look, gave his head a warning roll that plainly
+added&mdash;&ldquo;but it&rsquo;s a blessed circumstance for you
+that it&rsquo;s not open.&rdquo;</p>
+<p>&ldquo;You couldn&rsquo;t recommend it, I see, if it was
+available?&rdquo;</p>
+<p>&ldquo;Ask your pardon, sir.&nbsp; If it
+was&mdash;?&rdquo;</p>
+<p>&ldquo;Open?&rdquo;</p>
+<p>&ldquo;It ain&rsquo;t my place, as a paid servant of the <!--
+page 6--><a name="page6"></a><span class="pagenum">p.
+6</span>company to give my opinion on any of the company&rsquo;s
+toepics,&rdquo; he pronounced it more like toothpicks,
+&ldquo;beyond lamp-ile and cottons,&rdquo; returned Lamps, in a
+confidential tone; &ldquo;but speaking as a man, I wouldn&rsquo;t
+recommend my father (if he was to come to life again) to go and
+try how he&rsquo;d be treated at the Refreshment Room.&nbsp; Not
+speaking as a man, no, I would <i>not</i>.&rdquo;</p>
+<p>The traveller nodded conviction.&nbsp; &ldquo;I suppose I can
+put up in the town?&nbsp; There is a town here?&rdquo;&nbsp; For
+the traveller (though a stay-at-home compared with most
+travellers) had been, like many others, carried on the steam
+winds and the iron tides through that Junction before, without
+having ever, as one might say, gone ashore there.</p>
+<p>&ldquo;O yes, there&rsquo;s a town, sir.&nbsp; Anyways
+there&rsquo;s town enough to put up in.&nbsp; But,&rdquo;
+following the glance of the other at his luggage, &ldquo;this is
+a very dead time of the night with us, sir.&nbsp; The deadest
+time.&nbsp; I might a&rsquo;most call it our deadest and
+buriedest time.&rdquo;</p>
+<p>&ldquo;No porters about?&rdquo;</p>
+<p>&ldquo;Well, sir, you see,&rdquo; returned Lamps, confidential
+again, &ldquo;they in general goes off with the gas.&nbsp;
+That&rsquo;s how it is.&nbsp; And they seem to have overlooked
+you, through your walking to the furder end of the
+platform.&nbsp; But in about twelve minutes or so, she may be
+up.&rdquo;</p>
+<p>&ldquo;Who may be up?&rdquo;</p>
+<p><!-- page 7--><a name="page7"></a><span class="pagenum">p.
+7</span>&ldquo;The three forty-two, sir.&nbsp; She goes off in a
+sidin&rsquo; till the Up X passes, and then she,&rdquo; here an
+air of hopeful vagueness pervaded Lamps, &ldquo;doos all as lays
+in her power.&rdquo;</p>
+<p>&ldquo;I doubt if I comprehend the arrangement.&rdquo;</p>
+<p>&ldquo;I doubt if anybody do, sir.&nbsp; She&rsquo;s a
+Parliamentary, sir.&nbsp; And, you see, a Parliamentary, or a
+Skirmishun&mdash;&rdquo;</p>
+<p>&ldquo;Do you mean an Excursion?&rdquo;</p>
+<p>&ldquo;That&rsquo;s it, sir.&mdash;A Parliamentary, or a
+Skirmishun, she mostly <i>doos</i> go off into a
+sidin&rsquo;.&nbsp; But when she <i>can</i> get a chance,
+she&rsquo;s whistled out of it, and she&rsquo;s whistled up into
+doin&rsquo; all as,&rdquo; Lamps again wore the air of a highly
+sanguine man who hoped for the best, &ldquo;all as lays in her
+power.&rdquo;</p>
+<p>He then explained that porters on duty being required to be in
+attendance on the Parliamentary matron in question, would
+doubtless turn up with the gas.&nbsp; In the meantime, if the
+gentleman would not very much object to the smell of lamp-oil,
+and would accept the warmth of his little room.&mdash;The
+gentleman being by this time very cold, instantly closed with the
+proposal.</p>
+<p>A greasy little cabin it was, suggestive to the sense of
+smell, of a cabin in a Whaler.&nbsp; But there was a bright fire
+burning in its rusty grate, and on the floor there stood a wooden
+stand of newly trimmed and lighted lamps, ready for carriage
+service.&nbsp; They made a bright <!-- page 8--><a
+name="page8"></a><span class="pagenum">p. 8</span>show, and their
+light, and the warmth, accounted for the popularity of the room,
+as borne witness to by many impressions of velveteen trousers on
+a form by the fire, and many rounded smears and smudges of
+stooping velveteen shoulders on the adjacent wall.&nbsp; Various
+untidy shelves accommodated a quantity of lamps and oil-cans, and
+also a fragrant collection of what looked like the
+pocket-handkerchiefs of the whole lamp family.</p>
+<p>As Barbox Brothers (so to call the traveller on the warranty
+of his luggage) took his seat upon the form, and warmed his now
+ungloved hands at the fire, he glanced aside at a little deal
+desk, much blotched with ink, which his elbow touched.&nbsp; Upon
+it, were some scraps of coarse paper, and a superannuated steel
+pen in very reduced and gritty circumstances.</p>
+<p>From glancing at the scraps of paper, he turned involuntarily
+to his host, and said, with some roughness&mdash;</p>
+<p>&ldquo;Why, you are never a poet, man!&rdquo;</p>
+<p>Lamps had certainly not the conventional appearance of one, as
+he stood modestly rubbing his squab nose with a handkerchief so
+exceedingly oily, that he might have been in the act of mistaking
+himself for one of his charges.&nbsp; He was a spare man of about
+the Barbox Brothers&rsquo; time of life, with his features
+whimsically drawn upward as if they were attracted by the roots
+of his hair.&nbsp; He had a <!-- page 9--><a
+name="page9"></a><span class="pagenum">p. 9</span>peculiarly
+shining transparent complexion, probably occasioned by constant
+oleaginous application; and his attractive hair, being cut short,
+and being grizzled, and standing straight up on end as if it in
+its turn were attracted by some invisible magnet above it, the
+top of his head was not very unlike a lamp-wick.</p>
+<p>&ldquo;But to be sure it&rsquo;s no business of mine,&rdquo;
+said Barbox Brothers.&nbsp; &ldquo;That was an impertinent
+observation on my part.&nbsp; Be what you like.&rdquo;</p>
+<p>&ldquo;Some people, sir,&rdquo; remarked Lamps, in a tone of
+apology, &ldquo;are sometimes what they don&rsquo;t
+like.&rdquo;</p>
+<p>&ldquo;Nobody knows that better than I do,&rdquo; sighed the
+other.&nbsp; &ldquo;I have been what I don&rsquo;t like, all my
+life.&rdquo;</p>
+<p>&ldquo;When I first took, sir,&rdquo; resumed Lamps, &ldquo;to
+composing little Comic-Songs-like&mdash;&rdquo;</p>
+<p>Barbox Brothers eyed him with great disfavour.</p>
+<p>&ldquo;&mdash;To composing little Comic-Songs-like&mdash;and
+what was more hard&mdash;to singing &rsquo;em afterwards,&rdquo;
+said Lamps, &ldquo;it went against the grain at that time, it did
+indeed.&rdquo;</p>
+<p>Something that was not all oil here shining in Lamps&rsquo;s
+eye, Barbox Brothers withdrew his own a little disconcerted,
+looked at the fire, and put a foot on the top bar.&nbsp;
+&ldquo;Why did you do it, then?&rdquo; he asked, after a short
+pause; abruptly enough but in a softer tone.&nbsp; &ldquo;If <!--
+page 10--><a name="page10"></a><span class="pagenum">p.
+10</span>you didn&rsquo;t want to do it, why did you do it?&nbsp;
+Where did you sing them?&nbsp; Public-house?&rdquo;</p>
+<p>To which Mr. Lamps returned the curious reply:
+&ldquo;Bedside.&rdquo;</p>
+<p>At this moment, while the traveller looked at him for
+elucidation, Mugby Junction started suddenly, trembled violently,
+and opened its gas eyes.&nbsp; &ldquo;She&rsquo;s got up!&rdquo;
+Lamps announced, excited.&nbsp; &ldquo;What lays in her power is
+sometimes more, and sometimes less; but it&rsquo;s laid in her
+power to get up to-night, by George!&rdquo;</p>
+<p>The legend &ldquo;Barbox Brothers&rdquo; in large white
+letters on two black surfaces, was very soon afterwards trundling
+on a truck through a silent street, and, when the owner of the
+legend had shivered on the pavement half an hour, what time the
+porter&rsquo;s knocks at the Inn Door knocked up the whole town
+first, and the Inn last, he groped his way into the close air of
+a shut-up house, and so groped between the sheets of a shut-up
+bed that seemed to have been expressly refrigerated for him when
+last made.</p>
+<h3>II</h3>
+<p>&ldquo;You remember me, Young Jackson?&rdquo;</p>
+<p>&ldquo;What do I remember if not you?&nbsp; You are my first
+remembrance.&nbsp; It was you who told me that was my name.&nbsp;
+It was you who told me that on every twentieth of December <!--
+page 11--><a name="page11"></a><span class="pagenum">p.
+11</span>my life had a penitential anniversary in it called a
+birthday.&nbsp; I suppose the last communication was truer than
+the first!&rdquo;</p>
+<p>&ldquo;What am I like, Young Jackson?&rdquo;</p>
+<p>&ldquo;You are like a blight all through the year, to
+me.&nbsp; You hard-lined, thin-lipped, repressive, changeless
+woman with a wax mask on.&nbsp; You are like the Devil to me;
+most of all when you teach me religious things, for you make me
+abhor them.&rdquo;</p>
+<p>&ldquo;You remember me, Mr. Young Jackson?&rdquo;&nbsp; In
+another voice from another quarter.</p>
+<p>&ldquo;Most gratefully, sir.&nbsp; You were the ray of hope
+and prospering ambition in my life.&nbsp; When I attended your
+course, I believed that I should come to be a great healer, and I
+felt almost happy&mdash;even though I was still the one boarder
+in the house with that horrible mask, and ate and drank in
+silence and constraint with the mask before me, every day.&nbsp;
+As I had done every, every, every day, through my school-time and
+from my earliest recollection.&rdquo;</p>
+<p>&ldquo;What am I like, Mr. Young Jackson?&rdquo;</p>
+<p>&ldquo;You are like a Superior Being to me.&nbsp; You are like
+Nature beginning to reveal herself to me.&nbsp; I hear you again,
+as one of the hushed crowd of young men kindling under the power
+of your presence and knowledge, and you bring into my eyes the
+only exultant tears that ever stood in them.&rdquo;</p>
+<p><!-- page 12--><a name="page12"></a><span class="pagenum">p.
+12</span>&ldquo;You remember Me, Mr. Young Jackson?&rdquo;&nbsp;
+In a grating voice from quite another quarter.</p>
+<p>&ldquo;Too well.&nbsp; You made your ghostly appearance in my
+life one day, and announced that its course was to be suddenly
+and wholly changed.&nbsp; You showed me which was my wearisome
+seat in the Galley of Barbox Brothers.&nbsp; (When <i>they</i>
+were, if they ever were, is unknown to me; there was nothing of
+them but the name when I bent to the oar.)&nbsp; You told me what
+I was to do, and what to be paid; you told me afterwards, at
+intervals of years, when I was to sign for the Firm, when I
+became a partner, when I became the Firm.&nbsp; I know no more of
+it, or of myself.&rdquo;</p>
+<p>&ldquo;What am I like, Mr. Young Jackson?&rdquo;</p>
+<p>&ldquo;You are like my father, I sometimes think.&nbsp; You
+are hard enough and cold enough so to have brought up an
+unacknowledged son.&nbsp; I see your scanty figure, your close
+brown suit, and your tight brown wig; but you, too, wear a wax
+mask to your death.&nbsp; You never by a chance remove
+it&mdash;it never by a chance falls off&mdash;and I know no more
+of you.&rdquo;</p>
+<p>Throughout this dialogue, the traveller spoke to himself at
+his window in the morning, as he had spoken to himself at the
+Junction over-night.&nbsp; And as he had then looked in the
+darkness, a man who had turned grey too soon, like a neglected
+fire: so he <!-- page 13--><a name="page13"></a><span
+class="pagenum">p. 13</span>now looked in the sunlight, an ashier
+grey, like a fire which the brightness of the sun put out.</p>
+<p>The firm of Barbox Brothers had been some offshoot or
+irregular branch of the Public Notary and bill-broking
+tree.&nbsp; It had gained for itself a griping reputation before
+the days of Young Jackson, and the reputation had stuck to it and
+to him.&nbsp; As he had imperceptibly come into possession of the
+dim den up in the corner of a court off Lombard-street, on whose
+grimy windows the inscription Barbox Brothers had for many long
+years daily interposed itself between him and the sky, so he had
+insensibly found himself a personage held in chronic distrust,
+whom it was essential to screw tight to every transaction in
+which he engaged, whose word was never to be taken without his
+attested bond, whom all dealers with openly set up guards and
+wards against.&nbsp; This character had come upon him through no
+act of his own.&nbsp; It was as if the original Barbox had
+stretched himself down upon the office-floor, and had thither
+caused to be conveyed Young Jackson in his sleep, and had there
+effected a metempsychosis and exchange of persons with him.&nbsp;
+The discovery&mdash;aided in its turn by the deceit of the only
+woman he had ever loved, and the deceit of the only friend he had
+ever made: who eloped from him to be married together&mdash;the
+discovery, so <!-- page 14--><a name="page14"></a><span
+class="pagenum">p. 14</span>followed up, completed what his
+earliest rearing had begun.&nbsp; He shrank, abashed, within the
+form of Barbox, and lifted up his head and heart no more.</p>
+<p>But he did at last effect one great release in his
+condition.&nbsp; He broke the oar he had plied so long, and he
+scuttled and sank the galley.&nbsp; He prevented the gradual
+retirement of an old conventional business from him, by taking
+the initiative and retiring from it.&nbsp; With enough to live on
+(though after all with not too much), he obliterated the firm of
+Barbox Brothers from the pages of the Post-office Directory and
+the face of the earth, leaving nothing of it but its name on two
+portmanteaus.</p>
+<p>&ldquo;For one must have some name in going about, for people
+to pick up,&rdquo; he explained to Mugby High-street, through the
+Inn-window, &ldquo;and that name at least was real once.&nbsp;
+Whereas, Young Jackson!&mdash;Not to mention its being a sadly
+satirical misnomer for Old Jackson.&rdquo;</p>
+<p>He took up his hat and walked out, just in time to see,
+passing along on the opposite side of the way, a velveteen man,
+carrying his day&rsquo;s dinner in a small bundle that might have
+been larger without suspicion of gluttony, and pelting away
+towards the Junction at a great pace.</p>
+<p>&ldquo;There&rsquo;s Lamps!&rdquo; said Barbox Brother.&nbsp;
+&ldquo;And by-the-by&mdash;&rdquo;</p>
+<p><!-- page 15--><a name="page15"></a><span class="pagenum">p.
+15</span>Ridiculous, surely, that a man so serious, so
+self-contained, and not yet three days emancipated from a routine
+of drudgery, should stand rubbing his chin in the street, in a
+brown study about Comic Songs.</p>
+<p>&ldquo;Bedside?&rdquo; said Barbox Brothers, testily.&nbsp;
+&ldquo;Sings them at the bedside?&nbsp; Why at the bedside,
+unless he goes to bed drunk?&nbsp; Does, I shouldn&rsquo;t
+wonder.&nbsp; But it&rsquo;s no business of mine.&nbsp; Let me
+see.&nbsp; Mugby Junction, Mugby Junction.&nbsp; Where shall I go
+next?&nbsp; As it came into my head last night when I woke from
+an uneasy sleep in the carriage and found myself here, I can go
+anywhere from here.&nbsp; Where shall I go?&nbsp; I&rsquo;ll go
+and look at the Junction by daylight.&nbsp; There&rsquo;s no
+hurry, and I may like the look of one Line better than
+another.&rdquo;</p>
+<p>But there were so many Lines.&nbsp; Gazing down upon them from
+a bridge at the Junction, it was as if the concentrating
+Companies formed a great Industrial Exhibition of the works of
+extraordinary ground-spiders that spun iron.&nbsp; And then so
+many of the Lines went such wonderful ways, so crossing and
+curving among one another, that the eye lost them.&nbsp; And then
+some of them appeared to start with the fixed intention of going
+five hundred miles, and all of a sudden gave it up at an
+insignificant barrier, or turned off into a <!-- page 16--><a
+name="page16"></a><span class="pagenum">p.
+16</span>workshop.&nbsp; And then others, like intoxicated men,
+went a little way very straight, and surprisingly slued round and
+came back again.&nbsp; And then others were so chock-full of
+trucks of coal, others were so blocked with trucks of casks,
+others were so gorged with trucks of ballast, others were so set
+apart for wheeled objects like immense iron cotton-reels: while
+others were so bright and clear, and others were so delivered
+over to rust and ashes and idle wheelbarrows out of work, with
+their legs in the air (looking much like their masters on
+strike), that there was no beginning, middle, or end, to the
+bewilderment.</p>
+<p>Barbox Brothers stood puzzled on the bridge, passing his right
+hand across the lines on his forehead, which multiplied while he
+looked down, as if the railway Lines were getting themselves
+photographed on that sensitive plate.&nbsp; Then, was heard a
+distant ringing of bells and blowing of whistles.&nbsp; Then,
+puppet-looking heads of men popped out of boxes in perspective,
+and popped in again.&nbsp; Then, prodigious wooden razors set up
+on end, began shaving the atmosphere.&nbsp; Then, several
+locomotive engines in several directions began to scream and be
+agitated.&nbsp; Then, along one avenue a train came in.&nbsp;
+Then, along another two trains appeared that didn&rsquo;t come
+in, but stopped without.&nbsp; Then, bits of trains broke <!--
+page 17--><a name="page17"></a><span class="pagenum">p.
+17</span>off.&nbsp; Then, a struggling horse became involved with
+them.&nbsp; Then, the locomotives shared the bits of trains, and
+ran away with the whole.</p>
+<p>&ldquo;I have not made my next move much clearer by
+this.&nbsp; No hurry.&nbsp; No need to make up my mind to-day, or
+to-morrow, nor yet the day after.&nbsp; I&rsquo;ll take a
+walk.&rdquo;</p>
+<p>It fell out somehow (perhaps he meant it should) that the walk
+tended to the platform at which he had alighted, and to
+Lamps&rsquo;s room.&nbsp; But Lamps was not in his room.&nbsp; A
+pair of velveteen shoulders were adapting themselves to one of
+the impressions on the wall by Lamps&rsquo;s fireplace, but
+otherwise the room was void.&nbsp; In passing back to get out of
+the station again, he learnt the cause of this vacancy, by
+catching sight of Lamps on the opposite line of railway, skipping
+along the top of a train, from carriage to carriage, and catching
+lighted namesakes thrown up to him by a coadjutor.</p>
+<p>&ldquo;He is busy.&nbsp; He has not much time for composing or
+singing Comic Songs this morning, I take it.&rdquo;</p>
+<p>The direction he pursued now, was into the country, keeping
+very near to the side of one great Line of railway, and within
+easy view of others.&nbsp; &ldquo;I have half a mind,&rdquo; he
+said, glancing around, &ldquo;to settle the question from this
+point, by saying, &lsquo;I&rsquo;ll take this set <!-- page
+18--><a name="page18"></a><span class="pagenum">p. 18</span>of
+rails, or that, or t&rsquo;other, and stick to it.&rsquo;&nbsp;
+They separate themselves from the confusion, out here, and go
+their ways.&rdquo;</p>
+<p>Ascending a gentle hill of some extent, he came to a few
+cottages.&nbsp; There, looking about him as a very reserved man
+might who had never looked about him in his life before, he saw
+some six or eight young children come merrily trooping and
+whooping from one of the cottages, and disperse.&nbsp; But not
+until they had all turned at the little garden gate, and kissed
+their hands to a face at the upper window: a low window enough,
+although the upper, for the cottage had but a story of one room
+above the ground.</p>
+<p>Now, that the children should do this was nothing; but that
+they should do this to a face lying on the sill of the open
+window, turned towards them in a horizontal position, and
+apparently only a face, was something noticeable.&nbsp; He looked
+up at the window again.&nbsp; Could only see a very fragile
+though a very bright face, lying on one cheek on the
+window-sill.&nbsp; The delicate smiling face of a girl or
+woman.&nbsp; Framed in long bright brown hair, round which was
+tied a light blue band or fillet, passing under the chin.</p>
+<p>He walked on, turned back, passed the window again, shyly
+glanced up again.&nbsp; No change.&nbsp; He struck off by a
+winding branch-road at the top of the hill&mdash;which he must
+<!-- page 19--><a name="page19"></a><span class="pagenum">p.
+19</span>otherwise have descended&mdash;kept the cottages in
+view, worked his way round at a distance so as to come out once
+more into the main road and be obliged to pass the cottages
+again.&nbsp; The face still lay on the window-sill, but not so
+much inclined towards him.&nbsp; And now there were a pair of
+delicate hands too.&nbsp; They had the action of performing on
+some musical instrument, and yet it produced no sound that
+reached his ears.</p>
+<p>&ldquo;Mugby Junction must be the maddest place in
+England,&rdquo; said Barbox Brothers, pursuing his way down the
+hill.&nbsp; &ldquo;The first thing I find here is a Railway
+Porter who composes comic songs to sing at his bedside.&nbsp; The
+second thing I find here is a face, and a pair of hands playing a
+musical instrument that don&rsquo;t play!&rdquo;</p>
+<p>The day was a fine bright day in the early beginning of
+November, the air was clear and inspiriting, and the landscape
+was rich in beautiful colours.&nbsp; The prevailing colours in
+the court off Lombard-street, London city, had been few and
+sombre.&nbsp; Sometimes, when the weather elsewhere was very
+bright indeed, the dwellers in those tents enjoyed a
+pepper-and-salt-coloured day or two, but their atmosphere&rsquo;s
+usual wear was slate, or snuff colour.</p>
+<p>He relished his walk so well, that he repeated it next
+day.&nbsp; He was a little earlier at the cottage than on the day
+before, and he <!-- page 20--><a name="page20"></a><span
+class="pagenum">p. 20</span>could hear the children up-stairs
+singing to a regular measure and clapping out the time with their
+hands.</p>
+<p>&ldquo;Still, there is no sound of any musical
+instrument,&rdquo; he said, listening at the corner, &ldquo;and
+yet I saw the performing hands again, as I came by.&nbsp; What
+are the children singing?&nbsp; Why, good Lord, they can never be
+singing the multiplication-table!&rdquo;</p>
+<p>They were though, and with infinite enjoyment.&nbsp; The
+mysterious face had a voice attached to it which occasionally led
+or set the children right.&nbsp; Its musical cheerfulness was
+delightful.&nbsp; The measure at length stopped, and was
+succeeded by a murmuring of young voices, and then by a short
+song which he made out to be about the current month of the year,
+and about what work it yielded to the labourers in the fields and
+farm-yards.&nbsp; Then, there was a stir of little feet, and the
+children came trooping and whooping out, as on the previous
+day.&nbsp; And again, as on the previous day, they all turned at
+the garden gate, and kissed their hands&mdash;evidently to the
+face on the window-sill, though Barbox Brothers from his retired
+post of disadvantage at the corner could not see it.</p>
+<p>But as the children dispersed, he cut off one small
+straggler&mdash;a brown faced boy with flaxen hair&mdash;and said
+to him:</p>
+<p>&ldquo;Come here, little one.&nbsp; Tell me whose house is
+that?&rdquo;</p>
+<p><!-- page 21--><a name="page21"></a><span class="pagenum">p.
+21</span>The child, with one swarthy arm held up across his eyes,
+half in shyness, and half ready for defence, said from behind the
+inside of his elbow:</p>
+<p>&ldquo;Ph&oelig;be&rsquo;s.&rdquo;</p>
+<p>&ldquo;And who,&rdquo; said Barbox Brothers, quite as much
+embarrassed by his part in the dialogue as the child could
+possibly be by his, &ldquo;is Ph&oelig;be?&rdquo;</p>
+<p>To which the child made answer: &ldquo;Why, Ph&oelig;be, of
+course.&rdquo;</p>
+<p>The small but sharp observer had eyed his questioner closely,
+and had taken his moral measure.&nbsp; He lowered his guard, and
+rather assumed a tone with him: as having discovered him to be an
+unaccustomed person in the art of polite conversation.</p>
+<p>&ldquo;Ph&oelig;be,&rdquo; said the child, &ldquo;can&rsquo;t
+be anybobby else but Ph&oelig;be.&nbsp; Can she?&rdquo;</p>
+<p>&ldquo;No, I suppose not.&rdquo;</p>
+<p>&ldquo;Well,&rdquo; returned the child, &ldquo;then why did
+you ask me?&rdquo;</p>
+<p>Deeming it prudent to shift his ground, Barbox Brothers took
+up a new position.</p>
+<p>&ldquo;What do you do there?&nbsp; Up there in that room where
+the open window is.&nbsp; What do you do there?&rdquo;</p>
+<p>&ldquo;Cool,&rdquo; said the child.</p>
+<p>&ldquo;Eh?&rdquo;</p>
+<p>&ldquo;Co-o-ol,&rdquo; the child repeated in a louder voice,
+lengthening out the word with a fixed <!-- page 22--><a
+name="page22"></a><span class="pagenum">p. 22</span>look and
+great emphasis, as much as to say: &ldquo;What&rsquo;s the use of
+your having grown up, if you&rsquo;re such a donkey as not to
+understand me?&rdquo;</p>
+<p>&ldquo;Ah!&nbsp; School, school,&rdquo; said Barbox
+Brothers.&nbsp; &ldquo;Yes, yes, yes.&nbsp; And Ph&oelig;be
+teaches you?&rdquo;</p>
+<p>The child nodded.</p>
+<p>&ldquo;Good boy.&rdquo;</p>
+<p>&ldquo;Tound it out, have you?&rdquo; said the child.</p>
+<p>&ldquo;Yes, I have found it out.&nbsp; What would you do with
+twopence, if I gave it you?&rdquo;</p>
+<p>&ldquo;Pend it.&rdquo;</p>
+<p>The knock-down promptitude of this reply leaving him not a leg
+to stand upon, Barbox Brothers produced the twopence with great
+lameness, and withdrew in a state of humiliation.</p>
+<p>But, seeing the face on the window-sill as he passed the
+cottage, he acknowledged its presence there with a gesture, which
+was not a nod, not a bow, not a removal of his hat from his head,
+but was a diffident compromise between or struggle with all
+three.&nbsp; The eyes in the face seemed amused, or cheered, or
+both, and the lips modestly said: &ldquo;Good day to you,
+sir.&rdquo;</p>
+<p>&ldquo;I find I must stick for a time to Mugby
+Junction,&rdquo; said Barbox Brothers, with much gravity, after
+once more stopping on his return road to look at the Lines where
+they went their several ways so quietly.&nbsp; &ldquo;I
+can&rsquo;t make up my <!-- page 23--><a name="page23"></a><span
+class="pagenum">p. 23</span>mind yet, which iron road to
+take.&nbsp; In fact, I must get a little accustomed to the
+Junction before I can decide.&rdquo;</p>
+<p>So, he announced at the Inn that he was &ldquo;going to stay
+on, for the present,&rdquo; and improved his acquaintance with
+the Junction that night, and again next morning, and again next
+night and morning: going down to the station, mingling with the
+people there, looking about him down all the avenues of railway,
+and beginning to take an interest in the incomings and outgoings
+of the trains.&nbsp; At first, he often put his head into
+Lamps&rsquo;s little room, but he never found Lamps there.&nbsp;
+A pair or two of velveteen shoulders he usually found there,
+stooping over the fire, sometimes in connexion with a clasped
+knife and a piece of bread and meat; but the answer to his
+inquiry, &ldquo;Where&rsquo;s Lamps?&rdquo; was, either that he
+was &ldquo;t&rsquo;other side the line,&rdquo; or, that it was
+his off-time, or (in the latter case), his own personal
+introduction to another Lamps who was not his Lamps.&nbsp;
+However, he was not so desperately set upon seeing Lamps now, but
+he bore the disappointment.&nbsp; Nor did he so wholly devote
+himself to his severe application to the study of Mugby Junction,
+as to neglect exercise.&nbsp; On the contrary, he took a walk
+every day, and always the same walk.&nbsp; But the weather turned
+cold and wet again, and the window was never open.</p>
+<h3><!-- page 24--><a name="page24"></a><span class="pagenum">p.
+24</span>III</h3>
+<p>At length, after a lapse of some days, there came another
+streak of fine bright hardy autumn weather.&nbsp; It was a
+Saturday.&nbsp; The window was open, and the children were
+gone.&nbsp; Not surprising, this, for he had patiently watched
+and waited at the corner, until they <i>were</i> gone.</p>
+<p>&ldquo;Good day,&rdquo; he said to the face; absolutely
+getting his hat clear off his head this time.</p>
+<p>&ldquo;Good day to you, sir.&rdquo;</p>
+<p>&ldquo;I am glad you have a fine sky again, to look
+at.&rdquo;</p>
+<p>&ldquo;Thank you, sir.&nbsp; It is kind of you.&rdquo;</p>
+<p>&ldquo;You are an invalid, I fear?&rdquo;</p>
+<p>&ldquo;No, sir.&nbsp; I have very good health.&rdquo;</p>
+<p>&ldquo;But are you not always lying down?&rdquo;</p>
+<p>&ldquo;O yes, I am always lying down, because I cannot sit
+up.&nbsp; But I am not an invalid.&rdquo;</p>
+<p>The laughing eyes seemed highly to enjoy his great
+mistake.</p>
+<p>&ldquo;Would you mind taking the trouble to come in,
+sir?&nbsp; There is a beautiful view from this window.&nbsp; And
+you would see that I am not at all ill&mdash;being so good as to
+care.&rdquo;</p>
+<p>It was said to help him, as he stood irresolute, but evidently
+desiring to enter, with his diffident hand on the latch of the
+garden gate.&nbsp; It did help him, and he went in.</p>
+<p>The room up-stairs was a very clean white <!-- page 25--><a
+name="page25"></a><span class="pagenum">p. 25</span>room with a
+low roof.&nbsp; Its only inmate lay on a couch that brought her
+face on a level with the window.&nbsp; The couch was white too;
+and her simple dress or wrapper being light blue, like the band
+around her hair, she had an ethereal look, and a fanciful
+appearance of lying among clouds.&nbsp; He felt that she
+instinctively perceived him to be by habit a downcast taciturn
+man; it was another help to him to have established that
+understanding so easily, and got it over.</p>
+<p>There was an awkward constraint upon him, nevertheless, as he
+touched her hand, and took a chair at the side of her couch.</p>
+<p>&ldquo;I see now,&rdquo; he began, not at all fluently,
+&ldquo;how you occupy your hands.&nbsp; Only seeing you from the
+path outside, I thought you were playing upon
+something.&rdquo;</p>
+<p>She was engaged in very nimbly and dexterously making
+lace.&nbsp; A lace-pillow lay upon her breast; and the quick
+movements and changes of her hands upon it as she worked, had
+given them the action he had misinterpreted.</p>
+<p>&ldquo;That is curious,&rdquo; she answered, with a bright
+smile.&nbsp; &ldquo;For I often fancy, myself, that I play tunes
+while I am at work.&rdquo;</p>
+<p>&ldquo;Have you any musical knowledge?&rdquo;</p>
+<p>She shook her head.</p>
+<p>&ldquo;I think I could pick out tunes, if I had any
+instrument, which could be made as handy to <!-- page 26--><a
+name="page26"></a><span class="pagenum">p. 26</span>me as my
+lace-pillow.&nbsp; But I dare say I deceive myself.&nbsp; At all
+events, I shall never know.&rdquo;</p>
+<p>&ldquo;You have a musical voice.&nbsp; Excuse me; I have heard
+you sing.&rdquo;</p>
+<p>&ldquo;With the children?&rdquo; she answered, slightly
+colouring.&nbsp; &ldquo;O yes.&nbsp; I sing with the dear
+children, if it can be called singing.&rdquo;</p>
+<p>Barbox Brothers glanced at the two small forms in the room,
+and hazarded the speculation that she was fond of children, and
+that she was learned in new systems of teaching them?&nbsp;
+&ldquo;Very fond of them,&rdquo; she said, shaking her head
+again; &ldquo;but I know nothing of teaching, beyond the interest
+I have in it, and the pleasure it gives me when they learn.&nbsp;
+Perhaps your overhearing my little scholars sing some of their
+lessons, has led you so far astray as to think me a grand
+teacher?&nbsp; Ah! I thought so!&nbsp; No, I have only read and
+been told about that system.&nbsp; It seemed so pretty and
+pleasant, and to treat them so like the merry Robins they are,
+that I took up with it in my little way.&nbsp; You don&rsquo;t
+need to be told what a very little way mine is, sir,&rdquo; she
+added, with a glance at the small forms and round the room.</p>
+<p>All this time her hands were busy at her lace-pillow.&nbsp; As
+they still continued so, and as there was a kind of substitute
+for conversation in the click and play of its pegs, Barbox
+Brothers took the opportunity of observing her.&nbsp; He guessed
+her to be thirty.&nbsp; The charm of <!-- page 27--><a
+name="page27"></a><span class="pagenum">p. 27</span>her
+transparent face and large bright brown eyes, was, not that they
+were passively resigned, but that they were actively and
+thoroughly cheerful.&nbsp; Even her busy hands, which of their
+own thinness alone might have besought compassion, plied their
+task with a gay courage that made mere compassion an
+unjustifiable assumption of superiority, and an impertinence.</p>
+<p>He saw her eyes in the act of rising towards his, and he
+directed his towards the prospect, saying: &ldquo;Beautiful
+indeed!&rdquo;</p>
+<p>&ldquo;Most beautiful, sir.&nbsp; I have sometimes had a fancy
+that I would like to sit up, for once, only to try how it looks
+to an erect head.&nbsp; But what a foolish fancy that would be to
+encourage!&nbsp; It cannot look more lovely to any one than it
+does to me.&rdquo;</p>
+<p>Her eyes were turned to it as she spoke, with most delighted
+admiration and enjoyment.&nbsp; There was not a trace in it of
+any sense of deprivation.</p>
+<p>&ldquo;And those threads of railway, with their puffs of smoke
+and steam changing places so fast, make it so lively for
+me,&rdquo; she went on.&nbsp; &ldquo;I think of the number of
+people who <i>can</i> go where they wish, on their business, or
+their pleasure; I remember that the puffs make signs to me that
+they are actually going while I look; and that enlivens the
+prospect with abundance of company, if I want company.&nbsp;
+There is the great Junction, too.&nbsp; I don&rsquo;t see <!--
+page 28--><a name="page28"></a><span class="pagenum">p.
+28</span>it under the foot of the hill, but I can very often hear
+it, and I always know it is there.&nbsp; It seems to join me, in
+a way, to I don&rsquo;t know how many places and things that
+<i>I</i> shall never see.&rdquo;</p>
+<p>With an abashed kind of idea that it might have already joined
+himself to something he had never seen, he said constrainedly:
+&ldquo;Just so.&rdquo;</p>
+<p>&ldquo;And so you see, sir,&rdquo; pursued Ph&oelig;be,
+&ldquo;I am not the invalid you thought me, and I am very well
+off indeed.&rdquo;</p>
+<p>&ldquo;You have a happy disposition,&rdquo; said Barbox
+Brothers: perhaps with a slight excusatory touch for his own
+disposition.</p>
+<p>&ldquo;Ah!&nbsp; But you should know my father,&rdquo; she
+replied.&nbsp; &ldquo;His is the happy
+disposition!&mdash;Don&rsquo;t mind, sir!&rdquo;&nbsp; For his
+reserve took the alarm at a step upon the stairs, and he
+distrusted that he would be set down for a troublesome
+intruder.&nbsp; &ldquo;This is my father coming.&rdquo;</p>
+<p>The door opened, and the father paused there.</p>
+<p>&ldquo;Why, Lamps!&rdquo; exclaimed Barbox Brothers, starting
+from his chair.&nbsp; &ldquo;How do you do, Lamps?&rdquo;</p>
+<p>To which, Lamps responded: &ldquo;The gentleman for
+Nowhere!&nbsp; How do you <span class="smcap">do</span>,
+sir?&rdquo;</p>
+<p>And they shook hands, to the greatest admiration and surprise
+of Lamps&rsquo;s daughter.</p>
+<p>&ldquo;I have looked you up, half a dozen times <!-- page
+29--><a name="page29"></a><span class="pagenum">p. 29</span>since
+that night,&rdquo; said Barbox Brothers, &ldquo;but have never
+found you.&rdquo;</p>
+<p>&ldquo;So I&rsquo;ve heerd on, sir, so I&rsquo;ve heerd
+on,&rdquo; returned Lamps.&nbsp; &ldquo;It&rsquo;s your being
+noticed so often down at the Junction, without taking any train,
+that has begun to get you the name among us of the gentleman for
+Nowhere.&nbsp; No offence in my having called you by it when took
+by surprise, I hope, sir?&rdquo;</p>
+<p>&ldquo;None at all.&nbsp; It&rsquo;s as good a name for me as
+any other you could call me by.&nbsp; But may I ask you a
+question in the corner here?&rdquo;</p>
+<p>Lamps suffered himself to be led aside from his
+daughter&rsquo;s couch, by one of the buttons of his velveteen
+jacket.</p>
+<p>&ldquo;Is this the bedside where you sing your
+songs?&rdquo;</p>
+<p>Lamps nodded.</p>
+<p>The gentleman for Nowhere clapped him on the shoulder; and
+they faced about again.</p>
+<p>&ldquo;Upon my word, my dear,&rdquo; said Lamps then to his
+daughter, looking from her to her visitor, &ldquo;it is such an
+amaze to me, to find you brought acquainted with this gentleman,
+that I must (if this gentleman will excuse me) take a
+rounder.&rdquo;</p>
+<p>Mr. Lamps demonstrated in action what this meant, by pulling
+out his oily handkerchief rolled up in the form of a ball, and
+giving himself an elaborate smear, from behind the <!-- page
+30--><a name="page30"></a><span class="pagenum">p. 30</span>right
+ear, up the cheek, across the forehead, and down the other cheek
+to behind his left ear.&nbsp; After this operation he shone
+exceedingly.</p>
+<p>&ldquo;It&rsquo;s according to my custom when particular
+warmed up by any agitation, sir,&rdquo; he offered by way of
+apology.&nbsp; &ldquo;And really, I am throwed into that state of
+amaze by finding you brought acquainted with Ph&oelig;be, that
+I&mdash;that I think I will, if you&rsquo;ll excuse me, take
+another rounder.&rdquo;&nbsp; Which he did, seeming to be greatly
+restored by it.</p>
+<p>They were now both standing by the side of her couch, and she
+was working at her lace-pillow.&nbsp; &ldquo;Your daughter tells
+me,&rdquo; said Barbox Brothers, still in a half reluctant
+shamefaced way, &ldquo;that she never sits up.&rdquo;</p>
+<p>&ldquo;No, sir, nor never has done.&nbsp; You see, her mother
+(who died when she was a year and two months old) was subject to
+very bad fits, and as she had never mentioned to me that she
+<i>was</i> subject to fits, they couldn&rsquo;t be guarded
+against.&nbsp; Consequently, she dropped the baby when took, and
+this happened.&rdquo;</p>
+<p>&ldquo;It was very wrong of her,&rdquo; said Barbox Brothers,
+with a knitted brow, &ldquo;to marry you, making a secret of her
+infirmity.&rdquo;</p>
+<p>&ldquo;Well, sir,&rdquo; pleaded Lamps, in behalf of the
+long-deceased.&nbsp; &ldquo;You see, Ph&oelig;be and me, we have
+talked that over too.&nbsp; And Lord bless us!&nbsp; Such a
+number on us has our infirmities, <!-- page 31--><a
+name="page31"></a><span class="pagenum">p. 31</span>what with
+fits, and what with misfits, of one sort and another, that if we
+confessed to &rsquo;em all before we got married, most of us
+might never get married.&rdquo;</p>
+<p>&ldquo;Might not that be for the better?&rdquo;</p>
+<p>&ldquo;Not in this case, sir,&rdquo; said Ph&oelig;be, giving
+her hand to her father.</p>
+<p>&ldquo;No, not in this case, sir,&rdquo; said her father,
+patting it between his own.</p>
+<p>&ldquo;You correct me,&rdquo; returned Barbox Brothers, with a
+blush; &ldquo;and I must look so like a Brute, that at all events
+it would be superfluous in me to confess to <i>that</i>
+infirmity.&nbsp; I wish you would tell me a little more about
+yourselves.&nbsp; I hardly know how to ask it of you, for I am
+conscious that I have a bad stiff manner, a dull discouraging way
+with me, but I wish you would.&rdquo;</p>
+<p>&ldquo;With all our hearts, sir,&rdquo; returned Lamps, gaily,
+for both.&nbsp; &ldquo;And first of all, that you may know my
+name&mdash;&rdquo;</p>
+<p>&ldquo;Stay!&rdquo; interposed the visitor, with a slight
+flush.&nbsp; &ldquo;What signifies your name!&nbsp; Lamps is name
+enough for me.&nbsp; I like it.&nbsp; It is bright and
+expressive.&nbsp; What do I want more!&rdquo;</p>
+<p>&ldquo;Why to be sure, sir,&rdquo; returned Lamps.&nbsp;
+&ldquo;I have in general no other name down at the Junction; but
+I thought, on account of your being here as a first-class single,
+in a private character, that you might&mdash;&rdquo;</p>
+<p><!-- page 32--><a name="page32"></a><span class="pagenum">p.
+32</span>The visitor waved the thought away with his hand, and
+Lamps acknowledged the mark of confidence by taking another
+rounder.</p>
+<p>&ldquo;You are hard-worked, I take for granted?&rdquo; said
+Barbox Brothers, when the subject of the rounder came out of it
+much dirtier than he went into it.</p>
+<p>Lamps was beginning, &ldquo;Not particular
+so&rdquo;&mdash;when his daughter took him up.</p>
+<p>&ldquo;O yes, sir, he is very hard-worked.&nbsp; Fourteen,
+fifteen, eighteen, hours a day.&nbsp; Sometimes twenty-four hours
+at a time.&rdquo;</p>
+<p>&ldquo;And you,&rdquo; said Barbox Brothers, &ldquo;what with
+your school, Ph&oelig;be, and what with your
+lace-making&mdash;&rdquo;</p>
+<p>&ldquo;But my school is a pleasure to me,&rdquo; she
+interrupted, opening her brown eyes wider, as if surprised to
+find him so obtuse.&nbsp; &ldquo;I began it when I was but a
+child, because it brought me and other children into company,
+don&rsquo;t you see?&nbsp; <i>That</i> was not work.&nbsp; I
+carry it on still, because it keeps children about me.&nbsp;
+<i>That</i> is not work.&nbsp; I do it as love, not as
+work.&nbsp; Then my lace-pillow;&rdquo; her busy hands had
+stopped, as if her argument required all her cheerful
+earnestness, but now went on again at the name; &ldquo;it goes
+with my thoughts when I think, and it goes with my tunes when I
+hum any, and <i>that&rsquo;s</i> not work.&nbsp; Why, you
+yourself thought it was music, you know, sir.&nbsp; And so it is,
+to me.&rdquo;</p>
+<p><!-- page 33--><a name="page33"></a><span class="pagenum">p.
+33</span>&ldquo;Everything is!&rdquo; cried Lamps,
+radiantly.&nbsp; &ldquo;Everything is music to her,
+sir.&rdquo;</p>
+<p>&ldquo;My father is, at any rate,&rdquo; said Ph&oelig;be,
+exultingly pointing her thin forefinger at him.&nbsp;
+&ldquo;There is more music in my father than there is in a brass
+band.&rdquo;</p>
+<p>&ldquo;I say!&nbsp; My dear!&nbsp; It&rsquo;s very
+fillyillially done, you know; but you are flattering your
+father,&rdquo; he protested, sparkling.</p>
+<p>&ldquo;No I am not, sir, I assure you.&nbsp; No I am
+not.&nbsp; If you could hear my father sing, you would know I am
+not.&nbsp; But you never will hear him sing, because he never
+sings to any one but me.&nbsp; However tired he is, he always
+sings to me when he comes home.&nbsp; When I lay here long ago,
+quite a poor little broken doll, he used to sing to me.&nbsp;
+More than that, he used to make songs, bringing in whatever
+little jokes we had between us.&nbsp; More than that, he often
+does so to this day.&nbsp; O! I&rsquo;ll tell of you, father, as
+the gentleman has asked about you.&nbsp; He is a poet,
+sir.&rdquo;</p>
+<p>&ldquo;I shouldn&rsquo;t wish the gentleman, my dear,&rdquo;
+observed Lamps, for the moment turning grave, &ldquo;to carry
+away that opinion of your father, because it might look as if I
+was given to asking the stars in a molloncolly manner what they
+was up to.&nbsp; Which I wouldn&rsquo;t at once waste the time,
+and take the liberty, my dear.&rdquo;</p>
+<p>&ldquo;My father,&rdquo; resumed Ph&oelig;be, amending her
+text, &ldquo;is always on the bright side, and the <!-- page
+34--><a name="page34"></a><span class="pagenum">p. 34</span>good
+side.&nbsp; You told me just now, I had a happy
+disposition.&nbsp; How can I help it?&rdquo;</p>
+<p>&ldquo;Well! but my dear,&rdquo; returned Lamps
+argumentatively, &ldquo;how can <i>I</i> help it?&nbsp; Put it to
+yourself, sir.&nbsp; Look at her.&nbsp; Always as you see her
+now.&nbsp; Always working&mdash;and after all, sir, for but a
+very few shillings a week&mdash;always contented, always lively,
+always interested in others, of all sorts.&nbsp; I said, this
+moment, she was always as you see her now.&nbsp; So she is, with
+a difference that comes to much the same.&nbsp; For, when
+it&rsquo;s my Sunday off and the morning bells have done ringing,
+I hear the prayers and thanks read in the touchingest way, and I
+have the hymns sung to me&mdash;so soft, sir, that you
+couldn&rsquo;t hear &rsquo;em out of this room&mdash;in notes
+that seem to me, I am sure, to come from Heaven and go back to
+it.&rdquo;</p>
+<p>It might have been merely through the association of these
+words with their sacredly quiet time, or it might have been
+through the larger association of the words with the
+Redeemer&rsquo;s presence beside the bedridden; but here her
+dexterous fingers came to a stop on the lace-pillow, and clasped
+themselves round his neck as he bent down.&nbsp; There was great
+natural sensibility in both father and daughter, the visitor
+could easily see; but each made it, for the other&rsquo;s sake,
+retiring, not demonstrative; and perfect cheerfulness, intuitive
+or acquired, was either the first or second nature of both.&nbsp;
+<!-- page 35--><a name="page35"></a><span class="pagenum">p.
+35</span>In a very few moments, Lamps was taking another rounder
+with his comical features beaming, while Ph&oelig;be&rsquo;s
+laughing eyes (just a glistening speck or so upon their lashes)
+were again directed by turns to him, and to her work, and to
+Barbox Brothers.</p>
+<p>&ldquo;When my father, sir,&rdquo; she said brightly,
+&ldquo;tells you about my being interested in other people even
+though they know nothing about me&mdash;which, by-the-by, I told
+you myself&mdash;you ought to know how that comes about.&nbsp;
+That&rsquo;s my father&rsquo;s doing.&rdquo;</p>
+<p>&ldquo;No, it isn&rsquo;t!&rdquo; he protested.</p>
+<p>&ldquo;Don&rsquo;t you believe him, sir; yes, it is.&nbsp; He
+tells me of everything he sees down at his work.&nbsp; You would
+be surprised what a quantity he gets together for me every
+day.&nbsp; He looks into the carriages, and tells me how the
+ladies are drest&mdash;so that I know all the fashions!&nbsp; He
+looks into the carriages, and tells me what pairs of lovers he
+sees, and what new-married couples on their wedding trip&mdash;so
+that I know all about that!&nbsp; He collects chance newspapers
+and books&mdash;so that I have plenty to read!&nbsp; He tells me
+about the sick people who are travelling to try to get
+better&mdash;so that I know all about them!&nbsp; In short, as I
+began by saying, he tells me everything he sees and makes out,
+down at his work, and you can&rsquo;t think what a quantity he
+does see and make out.&rdquo;</p>
+<p><!-- page 36--><a name="page36"></a><span class="pagenum">p.
+36</span>&ldquo;As to collecting newspapers and books, my
+dear,&rdquo; said Lamps, &ldquo;it&rsquo;s clear I can have no
+merit in that, because they&rsquo;re not my perquisites.&nbsp;
+You see, sir, it&rsquo;s this way: A Guard, he&rsquo;ll say to
+me, &lsquo;Hallo, here you are, Lamps.&nbsp; I&rsquo;ve saved
+this paper for your daughter.&nbsp; How is she agoing
+on?&rsquo;&nbsp; A Head-Porter, he&rsquo;ll say to me,
+&lsquo;Here!&nbsp; Catch hold, Lamps.&nbsp; Here&rsquo;s a couple
+of wollumes for your daughter.&nbsp; Is she pretty much where she
+were?&rsquo;&nbsp; And that&rsquo;s what makes it double welcome,
+you see.&nbsp; If she had a thousand pound in&rsquo; a box, they
+wouldn&rsquo;t trouble themselves about her; but being what she
+is&mdash;that is, you understand,&rdquo; Lamps added, somewhat
+hurriedly, &ldquo;not having a thousand pound in a box&mdash;they
+take thought for her.&nbsp; And as concerning the young pairs,
+married and unmarried, it&rsquo;s only natural I should bring
+home what little I can about <i>them</i>, seeing that
+there&rsquo;s not a Couple of either sort in the neighbourhood
+that don&rsquo;t come of their own accord to confide in
+Ph&oelig;be.&rdquo;</p>
+<p>She raised her eyes triumphantly to Barbox Brothers, as she
+said:</p>
+<p>&ldquo;Indeed, sir, that is true.&nbsp; If I could have got up
+and gone to church, I don&rsquo;t know how often I should have
+been a bridesmaid.&nbsp; But if I could have done that, some
+girls in love might have been jealous of me, and as it is, no
+girl is jealous of me.&nbsp; And my pillow would <!-- page
+37--><a name="page37"></a><span class="pagenum">p. 37</span>not
+have been half as ready to put the piece of cake under, as I
+always find it,&rdquo; she added, turning her face on it with a
+light sigh, and a smile at her father.</p>
+<p>The arrival of a little girl, the biggest of the scholars, now
+led to an understanding on the part of Barbox Brothers, that she
+was the domestic of the cottage, and had come to take active
+measures in it, attended by a pail that might have extinguished
+her, and a broom three times her height.&nbsp; He therefore rose
+to take his leave, and took it; saying that if Ph&oelig;be had no
+objection, he would come again.</p>
+<p>He had muttered that he would come &ldquo;in the course of his
+walks.&rdquo;&nbsp; The course of his walks must have been highly
+favourable to his return, for he returned after an interval of a
+single day.</p>
+<p>&ldquo;You thought you would never see me any more, I
+suppose?&rdquo; he said to Ph&oelig;be as he touched her hand,
+and sat down by her couch.</p>
+<p>&ldquo;Why should I think so!&rdquo; was her surprised
+rejoinder.</p>
+<p>&ldquo;I took it for granted you would mistrust me.&rdquo;</p>
+<p>&ldquo;For granted, sir?&nbsp; Have you been so much
+mistrusted?&rdquo;</p>
+<p>&ldquo;I think I am justified in answering yes.&nbsp; But I
+may have mistrusted too, on my part.&nbsp; <!-- page 38--><a
+name="page38"></a><span class="pagenum">p. 38</span>No matter
+just now.&nbsp; We were speaking of the Junction last time.&nbsp;
+I have passed hours there since the day before
+yesterday.&rdquo;</p>
+<p>&ldquo;Are you now the gentleman for Somewhere?&rdquo; she
+asked with a smile.</p>
+<p>&ldquo;Certainly for Somewhere; but I don&rsquo;t yet know
+Where.&nbsp; You would never guess what I am travelling
+from.&nbsp; Shall I tell you?&nbsp; I am travelling from my
+birthday.&rdquo;</p>
+<p>Her hands stopped in her work, and she looked at him with
+incredulous astonishment.</p>
+<p>&ldquo;Yes,&rdquo; said Barbox Brothers, not quite easy in his
+chair, &ldquo;from my birthday.&nbsp; I am, to myself, an
+unintelligible book with the earlier chapters all torn out, and
+thrown away.&nbsp; My childhood had no grace of childhood, my
+youth had no charm of youth, and what can be expected from such a
+lost beginning?&rdquo;&nbsp; His eyes meeting hers as they were
+addressed intently to him, something seemed to stir within his
+breast, whispering: &ldquo;Was this bed a place for the graces of
+childhood and the charms of youth to take to, kindly?&nbsp; O
+shame, shame!&rdquo;</p>
+<p>&ldquo;It is a disease with me,&rdquo; said Barbox Brothers,
+checking himself, and making as though he had a difficulty in
+swallowing something, &ldquo;to go wrong about that.&nbsp; I
+don&rsquo;t know how I came to speak of that.&nbsp; I hope it is
+because of an old misplaced confidence in <!-- page 39--><a
+name="page39"></a><span class="pagenum">p. 39</span>one of your
+sex involving an old bitter treachery.&nbsp; I don&rsquo;t
+know.&nbsp; I am all wrong together.&rdquo;</p>
+<p>Her hands quietly and slowly resumed their work.&nbsp;
+Glancing at her, he saw that her eyes were thoughtfully following
+them.</p>
+<p>&ldquo;I am travelling from my birthday,&rdquo; he resumed,
+&ldquo;because it has always been a dreary day to me.&nbsp; My
+first free birthday coming round some five or six weeks hence, I
+am travelling to put its predecessors far behind me, and to try
+to crush the day&mdash;or, at all events, put it out of my
+sight&mdash;by heaping new objects on it.&rdquo;</p>
+<p>As he paused, she looked at him; but only shook her head as
+being quite at a loss.</p>
+<p>&ldquo;This is unintelligible to your happy
+disposition,&rdquo; he pursued, abiding by his former phrase as
+if there were some lingering virtue of self-defence in it:
+&ldquo;I knew it would be, and am glad it is.&nbsp; However, on
+this travel of mine (in which I mean to pass the rest of my days,
+having abandoned all thought of a fixed home), I stopped, as you
+heard from your father, at the Junction here.&nbsp; The extent of
+its ramifications quite confused me as to whither I should go,
+<i>from</i> here.&nbsp; I have not yet settled, being still
+perplexed among so many roads.&nbsp; What do you think I mean to
+do?&nbsp; How many of the branching roads can you see from your
+window?&rdquo;</p>
+<p><!-- page 40--><a name="page40"></a><span class="pagenum">p.
+40</span>Looking out, full of interest, she answered,
+&ldquo;Seven.&rdquo;</p>
+<p>&ldquo;Seven,&rdquo; said Barbox Brothers, watching her with a
+grave smile.&nbsp; &ldquo;Well! I propose to myself, at once to
+reduce the gross number to those very seven, and gradually to
+fine them down to one&mdash;the most promising for me&mdash;and
+to take that.&rdquo;</p>
+<p>&ldquo;But how will you know, sir, which is the most
+promising?&rdquo; she asked, with her brightened eyes roving over
+the view.</p>
+<p>&ldquo;Ah!&rdquo; said Barbox Brothers, with another grave
+smile, and considerably improving in his ease of speech.&nbsp;
+&ldquo;To be sure.&nbsp; In this way.&nbsp; Where your father can
+pick up so much every day for a good purpose, I may once and
+again pick up a little for an indifferent purpose.&nbsp; The
+gentleman for Nowhere must become still better known at the
+Junction.&nbsp; He shall continue to explore it, until he
+attaches something that he has seen, heard, or found out, at the
+head of each of the seven roads, to the road itself.&nbsp; And so
+his choice of a road shall be determined by his choice among his
+discoveries.&rdquo;</p>
+<p>Her hands still busy, she again glanced at the prospect, as if
+it comprehended something that had not been in it before, and
+laughed as if it yielded her new pleasure.</p>
+<p>&ldquo;But I must not forget,&rdquo; said Barbox Brothers,
+&ldquo;(having got so far) to ask a favour.&nbsp; <!-- page
+41--><a name="page41"></a><span class="pagenum">p. 41</span>I
+want your help in this expedient of mine.&nbsp; I want to bring
+you what I pick up at the heads of the seven roads that you lie
+here looking out at, and to compare notes with you about
+it.&nbsp; May I?&nbsp; They say two heads are better than
+one.&nbsp; I should say myself that probably depends upon the
+heads concerned.&nbsp; But I am quite sure, though we are so
+newly acquainted, that your head and your father&rsquo;s have
+found out better things, Ph&oelig;be, than ever mine of itself
+discovered.&rdquo;</p>
+<p>She gave him her sympathetic right hand, in perfect rapture
+with his proposal, and eagerly and gratefully thanked him.</p>
+<p>&ldquo;That&rsquo;s well!&rdquo; said Barbox Brothers.&nbsp;
+&ldquo;Again I must not forget (having got so far) to ask a
+favour.&nbsp; Will you shut your eyes?&rdquo;</p>
+<p>Laughing playfully at the strange nature of the request, she
+did so.</p>
+<p>&ldquo;Keep them shut,&rdquo; said Barbox Brothers, going
+softly to the door, and coming back.&nbsp; &ldquo;You are on your
+honour, mind, not to open your eyes until I tell you that you
+may?&rdquo;</p>
+<p>&ldquo;Yes!&nbsp; On my honour.&rdquo;</p>
+<p>&ldquo;Good.&nbsp; May I take your lace-pillow from you for a
+minute?&rdquo;</p>
+<p>Still laughing and wondering, she removed her hands from it,
+and he put it aside.</p>
+<p>&ldquo;Tell me.&nbsp; Did you see the puffs of smoke and steam
+made by the morning fast-train yesterday on road number seven
+from here?&rdquo;</p>
+<p><!-- page 42--><a name="page42"></a><span class="pagenum">p.
+42</span>&ldquo;Behind the elm-trees and the spire?&rdquo;</p>
+<p>&ldquo;That&rsquo;s the road,&rdquo; said Barbox Brothers,
+directing his eyes towards it.</p>
+<p>&ldquo;Yes.&nbsp; I watched them melt away.&rdquo;</p>
+<p>&ldquo;Anything unusual in what they expressed?&rdquo;</p>
+<p>&ldquo;No!&rdquo; she answered merrily.</p>
+<p>&ldquo;Not complimentary to me, for I was in that train.&nbsp;
+I went&mdash;don&rsquo;t open your eyes&mdash;to fetch you this,
+from the great ingenious town.&nbsp; It is not half so large as
+your lace-pillow, and lies easily and lightly in its place.&nbsp;
+These little keys are like the keys of a miniature piano, and you
+supply the air required with your left hand.&nbsp; May you pick
+out delightful music from it, my dear!&nbsp; For the
+present&mdash;you can open your eyes
+now&mdash;good-bye!&rdquo;</p>
+<p>In his embarrassed way, he closed the door upon himself, and
+only saw, in doing so, that she ecstatically took the present to
+her bosom and caressed it.&nbsp; The glimpse gladdened his heart,
+and yet saddened it; for so might she, if her youth had
+flourished in its natural course, have taken to her breast that
+day the slumbering music of her own child&rsquo;s voice.</p>
+<h2><!-- page 43--><a name="page43"></a><span class="pagenum">p.
+43</span>BARBOX BROTHERS AND CO.</h2>
+<p>With good will and earnest purpose, the gentleman for Nowhere
+began, on the very next day, his researches at the heads of the
+seven roads.&nbsp; The results of his researches, as he and
+Ph&oelig;be afterwards set them down in fair writing, hold their
+due places in this veracious chronicle, from its seventeenth
+page, onward.&nbsp; But they occupied a much longer time in the
+getting together than they ever will in the perusal.&nbsp; And
+this is probably the case with most reading matter, except when
+it is of that highly beneficial kind (for Posterity) which is
+&ldquo;thrown off in a few moments of leisure&rdquo; by the
+superior poetic geniuses who scorn to take prose pains.</p>
+<p>It must be admitted, however, that Barbox by no means hurried
+himself.&nbsp; His heart being in his work of good-nature, he
+revelled in it.&nbsp; There was the joy, too (it was a true joy
+to him), of sometimes sitting by, listening to Ph&oelig;be as she
+picked out more and more discourse from her musical instrument,
+and as <!-- page 44--><a name="page44"></a><span
+class="pagenum">p. 44</span>her natural taste and ear refined
+daily upon her first discoveries.&nbsp; Besides being a pleasure,
+this was an occupation, and in the course of weeks it consumed
+hours.&nbsp; It resulted that his dreaded birthday was close upon
+him before he had troubled himself any more about it.</p>
+<p>The matter was made more pressing by the unforeseen
+circumstance that the councils held (at which Mr. Lamps, beaming
+most brilliantly, on a few rare occasions assisted) respecting
+the road to be selected, were, after all, in no wise assisted by
+his investigations.&nbsp; For, he had connected this interest
+with this road, or that interest with the other, but could deduce
+no reason from it for giving any road the preference.&nbsp;
+Consequently, when the last council was holden, that part of the
+business stood, in the end, exactly where it had stood in the
+beginning.</p>
+<p>&ldquo;But, sir,&rdquo; remarked Ph&oelig;be, &ldquo;we have
+only six roads after all.&nbsp; Is the seventh road
+dumb?&rdquo;</p>
+<p>&ldquo;The seventh road?&nbsp; O!&rdquo; said Barbox Brothers,
+rubbing his chin.&nbsp; &ldquo;That is the road I took, you know,
+when I went to get your little present.&nbsp; That is <i>its</i>
+story, Ph&oelig;be.&rdquo;</p>
+<p>&ldquo;Would you mind taking that road again, sir?&rdquo; she
+asked with hesitation.</p>
+<p>&ldquo;Not in the least; it is a great high road after
+all.&rdquo;</p>
+<p><!-- page 45--><a name="page45"></a><span class="pagenum">p.
+45</span>&ldquo;I should like you to take it,&rdquo; returned
+Ph&oelig;be, with a persuasive smile, &ldquo;for the love of that
+little present which must ever be so dear to me.&nbsp; I should
+like you to take it, because that road can never be again, like
+any other road to me.&nbsp; I should like you to take it, in
+remembrance of your having done me so much good: of your having
+made me so much happier!&nbsp; If you leave me by the road you
+travelled when you went to do me this great kindness,&rdquo;
+sounding a faint chord as she spoke, &ldquo;I shall feel, lying
+here watching at my window, as if it must conduct you to a
+prosperous end, and bring you back some day.&rdquo;</p>
+<p>&ldquo;It shall be done, my dear; it shall be done.&rdquo;</p>
+<p>So at last the gentleman for Nowhere took a ticket for
+Somewhere, and his destination was the great ingenious town.</p>
+<p>He had loitered so long about the Junction that it was the
+eighteenth of December when he left it.&nbsp; &ldquo;High
+time,&rdquo; he reflected, as he seated himself in the train,
+&ldquo;that I started in earnest!&nbsp; Only one clear day
+remains between me and the day I am running away from.&nbsp;
+I&rsquo;ll push onward for the hill-country to-morrow.&nbsp;
+I&rsquo;ll go to Wales.&rdquo;</p>
+<p>It was with some pains that he placed before himself the
+undeniable advantages to be gained in the way of novel occupation
+for his senses from misty mountains, swollen streams, rain, <!--
+page 46--><a name="page46"></a><span class="pagenum">p.
+46</span>cold, a wild seashore, and rugged roads.&nbsp; And yet
+he scarcely made them out as distinctly as he could have
+wished.&nbsp; Whether the poor girl, in spite of her new
+resource, her music, would have any feeling of loneliness upon
+her now&mdash;just at first&mdash;that she had not had before;
+whether she saw those very puffs of steam and smoke that he saw,
+as he sat in the train thinking of her; whether her face would
+have any pensive shadow on it as they died out of the distant
+view from her window; whether, in telling him he had done her so
+much good, she had not unconsciously corrected his old moody
+bemoaning of his station in life, by setting him thinking that a
+man might be a great healer, if he would, and yet not be a great
+doctor; these and other similar meditations got between him and
+his Welsh picture.&nbsp; There was within him, too, that dull
+sense of vacuity which follows separation from an object of
+interest, and cessation of a pleasant pursuit; and this sense,
+being quite new to him, made him restless.&nbsp; Further, in
+losing Mugby Junction he had found himself again; and he was not
+the more enamoured of himself for having lately passed his time
+in better company.</p>
+<p>But surely, here not far ahead, must be the great ingenious
+town.&nbsp; This crashing and clashing that the train was
+undergoing, and this coupling on to it of a multitude of new <!--
+page 47--><a name="page47"></a><span class="pagenum">p.
+47</span>echoes, could mean nothing less than approach to the
+great station.&nbsp; It did mean nothing less.&nbsp; After some
+stormy flashes of town lightning, in the way of swift revelations
+of red-brick blocks of houses, high red-brick chimney-shafts,
+vistas of red-brick railway arches, tongues of fire, blots of
+smoke, valleys of canal, and hills of coal, there came the
+thundering in at the journey&rsquo;s end.</p>
+<p>Having seen his portmanteaus safely housed in the hotel he
+chose, and having appointed his dinner-hour, Barbox Brothers went
+out for a walk in the busy streets.&nbsp; And now it began to be
+suspected by him that Mugby Junction was a Junction of many
+branches, invisible as well as visible, and had joined him to an
+endless number of byways.&nbsp; For, whereas he would, but a
+little while ago, have walked these streets blindly brooding, he
+now had eyes and thoughts for a new external world.&nbsp; How the
+many toiling people lived, and loved, and died; how wonderful it
+was to consider the various trainings of eye and hand, the nice
+distinctions of sight and touch, that separated them into classes
+of workers, and even into classes of workers at subdivisions of
+one complete whole which combined their many intelligences and
+forces, though of itself but some cheap object of use or ornament
+in common life; how good it was to know that such assembling in a
+multitude on their part, <!-- page 48--><a
+name="page48"></a><span class="pagenum">p. 48</span>and such
+contribution of their several dexterities towards a civilising
+end, did not deteriorate them as it was the fashion of the
+supercilious May-flies of humanity to pretend, but engendered
+among them a self-respect and yet a modest desire to be much
+wiser than they were (the first evinced in their well-balanced
+bearing and manner of speech when he stopped to ask a question;
+the second, in the announcements of their popular studies and
+amusements on the public walls); these considerations, and a host
+of such, made his walk a memorable one.&nbsp; &ldquo;I too am but
+a little part of a great whole,&rdquo; he began to think;
+&ldquo;and to be serviceable to myself and others, or to be
+happy, I must cast my interest into, and draw it out of, the
+common stock.&rdquo;</p>
+<p>Although he had arrived at his journey&rsquo;s end for the day
+by noon, he had since insensibly walked about the town so far and
+so long that the lamplighters were now at their work in the
+streets, and the shops were sparkling up brilliantly.&nbsp; Thus
+reminded to turn towards his quarters, he was in the act of doing
+so, when a very little hand crept into his, and a very little
+voice said:</p>
+<p>&ldquo;O!&nbsp; If you please, I am lost.&rdquo;</p>
+<p>He looked down, and saw a very little fair-haired girl.</p>
+<p>&ldquo;Yes,&rdquo; she said, confirming her words with a
+serious nod.&nbsp; &ldquo;I am indeed.&nbsp; I am
+lost.&rdquo;</p>
+<p><!-- page 49--><a name="page49"></a><span class="pagenum">p.
+49</span>Greatly perplexed, he stopped, looked about him for
+help, descried none, and said, bending low: &ldquo;Where do you
+live, my child?&rdquo;</p>
+<p>&ldquo;I don&rsquo;t know where I live,&rdquo; she
+returned.&nbsp; &ldquo;I am lost.&rdquo;</p>
+<p>&ldquo;What is your name?&rdquo;</p>
+<p>&ldquo;Polly.&rdquo;</p>
+<p>&ldquo;What is your other name?&rdquo;</p>
+<p>The reply was prompt, but unintelligible.</p>
+<p>Imitating the sound, as he caught it, he hazarded the guess,
+&ldquo;Trivits?&rdquo;</p>
+<p>&ldquo;O no!&rdquo; said the child, shaking her head.&nbsp;
+&ldquo;Nothing like that.&rdquo;</p>
+<p>&ldquo;Say it again, little one.&rdquo;</p>
+<p>An unpromising business.&nbsp; For this time it had quite a
+different sound.</p>
+<p>He made the venture: &ldquo;Paddens?&rdquo;</p>
+<p>&ldquo;O no!&rdquo; said the child.&nbsp; &ldquo;Nothing like
+that.&rdquo;</p>
+<p>&ldquo;Once more.&nbsp; Let us try it again, dear.&rdquo;</p>
+<p>A most hopeless business.&nbsp; This time it swelled into four
+syllables.&nbsp; &ldquo;It can&rsquo;t be Tappitarver?&rdquo;
+said Barbox Brothers, rubbing his head with his hat in
+discomfiture.</p>
+<p>&ldquo;No!&nbsp; It ain&rsquo;t,&rdquo; the child quietly
+assented.</p>
+<p>On her trying this unfortunate name once more, with
+extraordinary efforts at distinctness, it swelled into eight
+syllables at least.</p>
+<p>&ldquo;Ah! I think,&rdquo; said Barbox Brothers, with a
+desperate air of resignation, &ldquo;that we had better give it
+up.&rdquo;</p>
+<p><!-- page 50--><a name="page50"></a><span class="pagenum">p.
+50</span>&ldquo;But I am lost,&rdquo; said the child, nestling
+her little hand more closely in his, &ldquo;and you&rsquo;ll take
+care of me, won&rsquo;t you?&rdquo;</p>
+<p>If ever a man were disconcerted by division between compassion
+on the one hand, and the very imbecility of irresolution on the
+other, here the man was.&nbsp; &ldquo;Lost!&rdquo; he repeated,
+looking down at the child.&nbsp; &ldquo;I am sure <i>I</i>
+am.&nbsp; What is to be done!&rdquo;</p>
+<p>&ldquo;Where do <i>you</i> live?&rdquo; asked the child,
+looking up at him, wistfully.</p>
+<p>&ldquo;Over there,&rdquo; he answered, pointing vaguely in the
+direction of his hotel.</p>
+<p>&ldquo;Hadn&rsquo;t we better go there?&rdquo; said the
+child.</p>
+<p>&ldquo;Really,&rdquo; he replied, &ldquo;I don&rsquo;t know
+but what we had.&rdquo;</p>
+<p>So they set off, hand in hand.&nbsp; He, through comparison of
+himself against his little companion, with a clumsy feeling on
+him as if he had just developed into a foolish giant.&nbsp; She,
+clearly elevated in her own tiny opinion by having got him so
+neatly out of his embarrassment.</p>
+<p>&ldquo;We are going to have dinner when we get there, I
+suppose?&rdquo; said Polly.</p>
+<p>&ldquo;Well,&rdquo; he rejoined, &ldquo;I&mdash;yes, I suppose
+we are.&rdquo;</p>
+<p>&ldquo;Do you like your dinner?&rdquo; asked the child.</p>
+<p>&ldquo;Why, on the whole,&rdquo; said Barbox Brothers,
+&ldquo;yes, I think I do.&rdquo;</p>
+<p><!-- page 51--><a name="page51"></a><span class="pagenum">p.
+51</span>&ldquo;I do mine,&rdquo; said Polly.&nbsp; &ldquo;Have
+you any brothers and sisters?&rdquo;</p>
+<p>&ldquo;No.&nbsp; Have you?&rdquo;</p>
+<p>&ldquo;Mine are dead.&rdquo;</p>
+<p>&ldquo;Oh!&rdquo; said Barbox Brothers.&nbsp; With that absurd
+sense of unwieldiness of mind and body weighing him down, he
+would have not known how to pursue the conversation beyond this
+curt rejoinder, but that the child was always ready for him.</p>
+<p>&ldquo;What,&rdquo; she asked, turning her soft hand coaxingly
+in his, &ldquo;are you going to do to amuse me, after
+dinner?&rdquo;</p>
+<p>&ldquo;Upon my soul, Polly,&rdquo; exclaimed Barbox Brothers,
+very much at a loss, &ldquo;I have not the slightest
+idea!&rdquo;</p>
+<p>&ldquo;Then I tell you what,&rdquo; said Polly.&nbsp;
+&ldquo;Have you got any cards at your house?&rdquo;</p>
+<p>&ldquo;Plenty,&rdquo; said Barbox Brothers, in a boastful
+vein.</p>
+<p>&ldquo;Very well.&nbsp; Then I&rsquo;ll build houses, and you
+shall look at me.&nbsp; You mustn&rsquo;t blow, you
+know.&rdquo;</p>
+<p>&ldquo;O no!&rdquo; said Barbox Brothers.&nbsp; &ldquo;No, no,
+no.&nbsp; No blowing.&nbsp; Blowing&rsquo;s not fair.&rdquo;</p>
+<p>He flattered himself that he had said this pretty well for an
+idiotic Monster; but the child, instantly perceiving the
+awkwardness of his attempt to adapt himself to her level, utterly
+destroyed his hopeful opinion of himself <!-- page 52--><a
+name="page52"></a><span class="pagenum">p. 52</span>by saying,
+compassionately: &ldquo;What a funny man you are!&rdquo;</p>
+<p>Feeling, after this melancholy failure, as if he every minute
+grew bigger and heavier in person, and weaker in mind, Barbox
+gave himself up for a bad job.&nbsp; No giant ever submitted more
+meekly to be led in triumph by all-conquering Jack, than he to be
+bound in slavery to Polly.</p>
+<p>&ldquo;Do you know any stories?&rdquo; she asked him.</p>
+<p>He was reduced to the humiliating confession:
+&ldquo;No.&rdquo;</p>
+<p>&ldquo;What a dunce you must be, mustn&rsquo;t you?&rdquo;
+said Polly.</p>
+<p>He was reduced to the humiliating confession:
+&ldquo;Yes.&rdquo;</p>
+<p>&ldquo;Would you like me to teach you a story?&nbsp; But you
+must remember it, you know, and be able to tell it right to
+somebody else afterwards.&rdquo;</p>
+<p>He professed that it would afford him the highest mental
+gratification to be taught a story, and that he would humbly
+endeavour to retain it in his mind.&nbsp; Whereupon Polly, giving
+her hand a new little turn in his, expressive of settling down
+for enjoyment, commenced a long romance, of which every relishing
+clause began with the words: &ldquo;So this&rdquo; or &ldquo;And
+so this.&rdquo;&nbsp; As, &ldquo;So this boy;&rdquo; or,
+&ldquo;So this fairy;&rdquo; or, &ldquo;And so this pie was four
+yards round, and two yards and a quarter deep.&rdquo;&nbsp; <!--
+page 53--><a name="page53"></a><span class="pagenum">p.
+53</span>The interest of the romance was derived from the
+intervention of this fairy to punish this boy for having a greedy
+appetite.&nbsp; To achieve which purpose, this fairy made this
+pie, and this boy ate and ate and ate, and his cheeks swelled and
+swelled and swelled.&nbsp; There were many tributary
+circumstances, but the forcible interest culminated in the total
+consumption of this pie, and the bursting of this boy.&nbsp;
+Truly he was a fine sight, Barbox Brothers, with serious
+attentive face, and ear bent down, much jostled on the pavements
+of the busy town, but afraid of losing a single incident of the
+epic, lest he should be examined in it by-and-by and found
+deficient.</p>
+<p>Thus they arrived at the hotel.&nbsp; And there he had to say
+at the bar, and said awkwardly enough: &ldquo;I have found a
+little girl!&rdquo;</p>
+<p>The whole establishment turned out to look at the little
+girl.&nbsp; Nobody knew her; nobody could make out her name, as
+she set it forth&mdash;except one chambermaid, who said it was
+Constantinople&mdash;which it wasn&rsquo;t.</p>
+<p>&ldquo;I will dine with my young friend in a private
+room,&rdquo; said Barbox Brothers to the hotel authorities,
+&ldquo;and perhaps you will be so good as let the police know
+that the pretty baby is here.&nbsp; I suppose she is sure to be
+inquired for, soon, if she has not been already.&nbsp; Come
+along, Polly.&rdquo;</p>
+<p>Perfectly at ease and peace, Polly came <!-- page 54--><a
+name="page54"></a><span class="pagenum">p. 54</span>along, but,
+finding the stairs rather stiff work, was carried up by Barbox
+Brothers.&nbsp; The dinner was a most transcendent success, and
+the Barbox sheepishness, under Polly&rsquo;s directions how to
+mince her meat for her, and how to diffuse gravy over the plate
+with a liberal and equal hand, was another fine sight.</p>
+<p>&ldquo;And now,&rdquo; said Polly, &ldquo;while we are at
+dinner, you be good, and tell me that story I taught
+you.&rdquo;</p>
+<p>With the tremors of a civil service examination on him, and
+very uncertain indeed, not only as to the epoch at which the pie
+appeared in history, but also as to the measurements of that
+indispensable fact, Barbox Brothers made a shaky beginning, but
+under encouragement did very fairly.&nbsp; There was a want of
+breadth observable in his rendering of the cheeks, as well as the
+appetite, of the boy; and there was a certain tameness in his
+fairy, referable to an under-current of desire to account for
+her.&nbsp; Still, as the first lumbering performance of a
+good-humoured monster, it passed muster.</p>
+<p>&ldquo;I told you to be good,&rdquo; said Polly, &ldquo;and
+you are good, ain&rsquo;t you?&rdquo;</p>
+<p>&ldquo;I hope so,&rdquo; replied Barbox Brothers.</p>
+<p>Such was his deference that Polly, elevated on a platform of
+sofa-cushions in a chair at his right hand, encouraged him with a
+pat or two on the face from the greasy bowl of her spoon, and
+even with a gracious kiss.&nbsp; In getting on <!-- page 55--><a
+name="page55"></a><span class="pagenum">p. 55</span>her feet upon
+her chair, however, to give him this last reward, she toppled
+forward among the dishes, and caused him to exclaim as he
+effected her rescue: &ldquo;Gracious Angels!&nbsp; Whew!&nbsp; I
+thought we were in the fire, Polly!&rdquo;</p>
+<p>&ldquo;What a coward you are, ain&rsquo;t you?&rdquo; said
+Polly, when replaced.</p>
+<p>&ldquo;Yes, I am rather nervous,&rdquo; he replied.&nbsp;
+&ldquo;Whew!&nbsp; Don&rsquo;t, Polly!&nbsp; Don&rsquo;t flourish
+your spoon, or you&rsquo;ll go over sideways.&nbsp; Don&rsquo;t
+tilt up your legs when you laugh, Polly, or you&rsquo;ll go over
+backwards.&nbsp; Whew!&nbsp; Polly, Polly, Polly,&rdquo; said
+Barbox Brothers, nearly succumbing to despair, &ldquo;we are
+environed with dangers!&rdquo;</p>
+<p>Indeed, he could descry no security from the pitfalls that
+were yawning for Polly, but in proposing to her, after dinner, to
+sit upon a low stool.&nbsp; &ldquo;I will, if you will,&rdquo;
+said Polly.&nbsp; So, as peace of mind should go before all, he
+begged the waiter to wheel aside the table, bring a pack of
+cards, a couple of footstools, and a screen, and close in Polly
+and himself before the fire, as it were in a snug room within the
+room.&nbsp; Then, finest sight of all, was Barbox Brothers on his
+footstool, with a pint decanter on the rug, contemplating Polly
+as she built successfully, and growing blue in the face with
+holding his breath, lest he should blow the house down.</p>
+<p>&ldquo;How you stare, don&rsquo;t you?&rdquo; said Polly, in a
+houseless pause.</p>
+<p><!-- page 56--><a name="page56"></a><span class="pagenum">p.
+56</span>Detected in the ignoble fact, he felt obliged to admit,
+apologetically: &ldquo;I am afraid I was looking rather hard at
+you, Polly.&rdquo;</p>
+<p>&ldquo;Why do you stare?&rdquo; asked Polly.</p>
+<p>&ldquo;I cannot,&rdquo; he murmured to himself, &ldquo;recall
+why.&mdash;I don&rsquo;t know, Polly.&rdquo;</p>
+<p>&ldquo;You must be a simpleton to do things and not know why,
+mustn&rsquo;t you?&rdquo; said Polly.</p>
+<p>In spite of which reproof, he looked at the child again,
+intently, as she bent her head over her card-structure, her rich
+curls shading her face.&nbsp; &ldquo;It is impossible,&rdquo; he
+thought, &ldquo;that I can ever have seen this pretty baby
+before.&nbsp; Can I have dreamed of her?&nbsp; In some sorrowful
+dream?&rdquo;</p>
+<p>He could make nothing of it.&nbsp; So he went into the
+building trade as a journeyman under Polly, and they built three
+stories high, four stories high: even five.</p>
+<p>&ldquo;I say.&nbsp; Who do you think is coming?&rdquo; asked
+Polly, rubbing her eyes after tea.</p>
+<p>He guessed: &ldquo;The waiter?&rdquo;</p>
+<p>&ldquo;No,&rdquo; said Polly, &ldquo;the dustman.&nbsp; I am
+getting sleepy.&rdquo;</p>
+<p>A new embarrassment for Barbox Brothers!</p>
+<p>&ldquo;I don&rsquo;t think I am going to be fetched
+to-night,&rdquo; said Polly; &ldquo;what do you think?&rdquo;</p>
+<p>He thought not, either.&nbsp; After another quarter of an
+hour, the dustman not merely impending but actually arriving,
+recourse was had to the Constantinopolitan chambermaid: <!-- page
+57--><a name="page57"></a><span class="pagenum">p. 57</span>who
+cheerily undertook that the child should sleep in a comfortable
+and wholesome room, which she herself would share.</p>
+<p>&ldquo;And I know you will be careful, won&rsquo;t you,&rdquo;
+said Barbox Brothers, as a new fear dawned upon him, &ldquo;that
+she don&rsquo;t fall out of bed.&rdquo;</p>
+<p>Polly found this so highly entertaining that she was under the
+necessity of clutching him round the neck with both arms as he
+sat on his footstool picking up the cards, and rocking him to and
+fro, with her dimpled chin on his shoulder.</p>
+<p>&ldquo;O what a coward you are, ain&rsquo;t you!&rdquo; said
+Polly.&nbsp; &ldquo;Do <i>you</i> fall out of bed?&rdquo;</p>
+<p>&ldquo;N&mdash;not generally, Polly.&rdquo;</p>
+<p>&ldquo;No more do I.&rdquo;</p>
+<p>With that, Polly gave him a reassuring hug or two to keep him
+going, and then giving that confiding mite of a hand of hers to
+be swallowed up in the hand of the Constantinopolitan
+chambermaid, trotted off, chattering, without a vestige of
+anxiety.</p>
+<p>He looked after her, had the screen removed and the table and
+chairs replaced, and still looked after her.&nbsp; He paced the
+room for half an hour.&nbsp; &ldquo;A most engaging little
+creature, but it&rsquo;s not that.&nbsp; A most winning little
+voice, but it&rsquo;s not that.&nbsp; That has much to do with
+it, but there is something more.&nbsp; How can it be that I seem
+to know this child?&nbsp; What <!-- page 58--><a
+name="page58"></a><span class="pagenum">p. 58</span>was it she
+imperfectly recalled to me when I felt her touch in the street,
+and, looking down at her, saw her looking up at me?&rdquo;</p>
+<p>&ldquo;Mr. Jackson!&rdquo;</p>
+<p>With a start he turned towards the sound of the subdued voice,
+and saw his answer standing at the door.</p>
+<p>&ldquo;O Mr. Jackson, do not be severe with me.&nbsp; Speak a
+word of encouragement to me, I beseech you.&rdquo;</p>
+<p>&ldquo;You are Polly&rsquo;s mother.&rdquo;</p>
+<p>&ldquo;Yes.&rdquo;</p>
+<p>Yes.&nbsp; Polly herself might come to this, one day.&nbsp; As
+you see what the rose was, in its faded leaves; as you see what
+the summer growth of the woods was, in their wintry branches; so
+Polly might be traced, one day, in a care-worn woman like this,
+with her hair turned grey.&nbsp; Before him, were the ashes of a
+dead fire that had once burned bright.&nbsp; This was the woman
+he had loved.&nbsp; This was the woman he had lost.&nbsp; Such
+had been the constancy of his imagination to her, so had Time
+spared her under its withholding, that now, seeing how roughly
+the inexorable hand had struck her, his soul was filled with pity
+and amazement.</p>
+<p>He led her to a chair, and stood leaning on a corner of the
+chimney-piece, with his head resting on his hand, and his face
+half averted.</p>
+<p><!-- page 59--><a name="page59"></a><span class="pagenum">p.
+59</span>&ldquo;Did you see me in the street, and show me to your
+child?&rdquo; he asked.</p>
+<p>&ldquo;Yes.&rdquo;</p>
+<p>&ldquo;Is the little creature, then, a party to
+deceit?&rdquo;</p>
+<p>&ldquo;I hope there is no deceit.&nbsp; I said to her,
+&lsquo;We have lost our way, and I must try to find mine by
+myself.&nbsp; Go to that gentleman and tell him you are
+lost.&nbsp; You shall be fetched by-and-by.&rsquo;&nbsp; Perhaps
+you have not thought how very young she is?&rdquo;</p>
+<p>&ldquo;She is very self-reliant.&rdquo;</p>
+<p>&ldquo;Perhaps because she is so young?&rdquo;</p>
+<p>He asked, after a short pause, &ldquo;Why did you do
+this?&rdquo;</p>
+<p>&ldquo;O Mr. Jackson, do you ask me?&nbsp; In the hope that
+you might see something in my innocent child to soften your heart
+towards me.&nbsp; Not only towards me, but towards my
+husband.&rdquo;</p>
+<p>He suddenly turned about, and walked to the opposite end of
+the room.&nbsp; He came back again with a slower step, and
+resumed his former attitude, saying:</p>
+<p>&ldquo;I thought you had emigrated to America?&rdquo;</p>
+<p>&ldquo;We did.&nbsp; But life went ill with us there, and we
+came back.&rdquo;</p>
+<p>&ldquo;Do you live in this town?&rdquo;</p>
+<p>&ldquo;Yes.&nbsp; I am a daily teacher of music here.&nbsp; My
+husband is a book-keeper.&rdquo;</p>
+<p>&ldquo;Are you&mdash;forgive my asking&mdash;poor?&rdquo;</p>
+<p><!-- page 60--><a name="page60"></a><span class="pagenum">p.
+60</span>&ldquo;We earn enough for our wants.&nbsp; That is not
+our distress.&nbsp; My husband is very, very ill of a lingering
+disorder.&nbsp; He will never recover&mdash;&rdquo;</p>
+<p>&ldquo;You check yourself.&nbsp; If it is for want of the
+encouraging word you spoke of, take it from me.&nbsp; I cannot
+forget the old time, Beatrice.&rdquo;</p>
+<p>&ldquo;God bless you!&rdquo; she replied, with a burst of
+tears, and gave him her trembling hand.</p>
+<p>&ldquo;Compose yourself.&nbsp; I cannot be composed if you are
+not, for to see you weep distresses me beyond expression.&nbsp;
+Speak freely to me.&nbsp; Trust me.&rdquo;</p>
+<p>She shaded her face with her veil, and after a little while
+spoke calmly.&nbsp; Her voice had the ring of Polly&rsquo;s.</p>
+<p>&ldquo;It is not that my husband&rsquo;s mind is at all
+impaired by his bodily suffering, for I assure you that is not
+the case.&nbsp; But in his weakness, and in his knowledge that he
+is incurably ill, he cannot overcome the ascendancy of one
+idea.&nbsp; It preys upon him, embitters every moment of his
+painful life, and will shorten it.&rdquo;</p>
+<p>She stopping, he said again: &ldquo;Speak freely to me.&nbsp;
+Trust me.&rdquo;</p>
+<p>&ldquo;We have had five children before this darling, and they
+all lie in their little graves.&nbsp; He believes that they have
+withered away under a curse, and that it will blight this child
+like the rest.&rdquo;</p>
+<p><!-- page 61--><a name="page61"></a><span class="pagenum">p.
+61</span>&ldquo;Under what curse?&rdquo;</p>
+<p>&ldquo;Both I and he have it on our conscience that we tried
+you very heavily, and I do not know but that, if I were as ill as
+he, I might suffer in my mind as he does.&nbsp; This is the
+constant burden:&mdash;&lsquo;I believe, Beatrice, I was the only
+friend that Mr. Jackson ever cared to make, though I was so much
+his junior.&nbsp; The more influence he acquired in the business,
+the higher he advanced me, and I was alone in his private
+confidence.&nbsp; I came between him and you, and I took you from
+him.&nbsp; We were both secret, and the blow fell when he was
+wholly unprepared.&nbsp; The anguish it caused a man so
+compressed, must have been terrible; the wrath it awakened,
+inappeasable.&nbsp; So, a curse came to be invoked on our poor
+pretty little flowers, and they fall.&rsquo;&rdquo;</p>
+<p>&ldquo;And you, Beatrice,&rdquo; he asked, when she had ceased
+to speak, and there had been a silence afterwards: &ldquo;how say
+you?&rdquo;</p>
+<p>&ldquo;Until within these few weeks I was afraid of you, and I
+believed that you would never, never, forgive.&rdquo;</p>
+<p>&ldquo;Until within these few weeks,&rdquo; he repeated.&nbsp;
+&ldquo;Have you changed your opinion of me within these few
+weeks?&rdquo;</p>
+<p>&ldquo;Yes.&rdquo;</p>
+<p>&ldquo;For what reason?&rdquo;</p>
+<p>&ldquo;I was getting some pieces of music in a shop in this
+town, when, to my terror, you <!-- page 62--><a
+name="page62"></a><span class="pagenum">p. 62</span>came
+in.&nbsp; As I veiled my face and stood in the dark end of the
+shop, I heard you explain that you wanted a musical instrument
+for a bedridden girl.&nbsp; Your voice and manner were so
+softened, you showed such interest in its selection, you took it
+away yourself with so much tenderness of care and pleasure, that
+I knew you were a man with a most gentle heart.&nbsp; O Mr.
+Jackson, Mr. Jackson, if you could have felt the refreshing rain
+of tears that followed for me!&rdquo;</p>
+<p>Was Ph&oelig;be playing at that moment, on her distant
+couch?&nbsp; He seemed to hear her.</p>
+<p>&ldquo;I inquired in the shop where you lived, but could get
+no information.&nbsp; As I had heard you say that you were going
+back by the next train (but you did not say where), I resolved to
+visit the station at about that time of day, as often as I could,
+between my lessons, on the chance of seeing you again.&nbsp; I
+have been there very often, but saw you no more until
+to-day.&nbsp; You were meditating as you walked the street, but
+the calm expression of your face emboldened me to send my child
+to you.&nbsp; And when I saw you bend your head to speak tenderly
+to her, I prayed to <span class="smcap">God</span> to forgive me
+for having ever brought a sorrow on it.&nbsp; I now pray to you
+to forgive me, and to forgive my husband.&nbsp; I was very young,
+he was young too, and in the ignorant hardihood of such a time of
+life we don&rsquo;t know what we do to those <!-- page 63--><a
+name="page63"></a><span class="pagenum">p. 63</span>who have
+undergone more discipline.&nbsp; You generous man!&nbsp; You good
+man!&nbsp; So to raise me up and make nothing of my crime against
+you!&rdquo;&mdash;for he would not see her on her knees, and
+soothed her as a kind father might have soothed an erring
+daughter&mdash;&ldquo;thank you, bless you, thank you!&rdquo;</p>
+<p>When he next spoke, it was after having drawn aside the
+window-curtain and looked out a while.&nbsp; Then, he only
+said:</p>
+<p>&ldquo;Is Polly asleep?&rdquo;</p>
+<p>&ldquo;Yes.&nbsp; As I came in, I met her going away
+up-stairs, and put her to bed myself.&rdquo;</p>
+<p>&ldquo;Leave her with me for to-morrow, Beatrice, and write me
+your address on this leaf of my pocket-book.&nbsp; In the evening
+I will bring her home to you&mdash;and to her father.&rdquo;</p>
+<p style="text-align: center">* * * * *</p>
+<p>&ldquo;Hallo!&rdquo; cried Polly, putting her saucy sunny face
+in at the door next morning when breakfast was ready: &ldquo;I
+thought I was fetched last night?&rdquo;</p>
+<p>&ldquo;So you were, Polly, but I asked leave to keep you here
+for the day, and to take you home in the evening.&rdquo;</p>
+<p>&ldquo;Upon my word!&rdquo; said Polly.&nbsp; &ldquo;You are
+very cool, ain&rsquo;t you?&rdquo;</p>
+<p>However, Polly seemed to think it a good idea, and added,
+&ldquo;I suppose I must give you a kiss, though you <i>are</i>
+cool.&rdquo;&nbsp; The kiss given <!-- page 64--><a
+name="page64"></a><span class="pagenum">p. 64</span>and taken,
+they sat down to breakfast in a highly conversational tone.</p>
+<p>&ldquo;Of course, you are going to amuse me?&rdquo; said
+Polly.</p>
+<p>&ldquo;Oh, of course,&rdquo; said Barbox Brothers.</p>
+<p>In the pleasurable height of her anticipations, Polly found it
+indispensable to put down her piece of toast, cross one of her
+little fat knees over the other, and bring her little fat right
+hand down into her left hand with a business-like slap.&nbsp;
+After this gathering of herself together, Polly, by that time, a
+mere heap of dimples, asked in a wheedling manner: &ldquo;What
+are we going to do, you dear old thing?&rdquo;</p>
+<p>&ldquo;Why, I was thinking,&rdquo; said Barbox Brothers,
+&ldquo;&mdash;but are you fond of horses, Polly?&rdquo;</p>
+<p>&ldquo;Ponies, I am,&rdquo; said Polly, &ldquo;especially when
+their tails are long.&nbsp; But horses&mdash;n&mdash;no&mdash;too
+big, you know.&rdquo;</p>
+<p>&ldquo;Well,&rdquo; pursued Barbox Brothers, in a spirit of
+grave mysterious confidence adapted to the importance of the
+consultation, &ldquo;I did see yesterday, Polly, on the walls,
+pictures of two long-tailed ponies, speckled all
+over&mdash;&rdquo;</p>
+<p>&ldquo;No, no, <span class="smcap">no</span>!&rdquo; cried
+Polly, in an ecstatic desire to linger on the charming
+details.&nbsp; &ldquo;Not speckled all over!&rdquo;</p>
+<p>&ldquo;Speckled all over.&nbsp; Which ponies jump through
+hoops&mdash;&rdquo;</p>
+<p><!-- page 65--><a name="page65"></a><span class="pagenum">p.
+65</span>&ldquo;No, no, <span class="smcap">no</span>!&rdquo;
+cried Polly, as before.&nbsp; &ldquo;They never jump through
+hoops!&rdquo;</p>
+<p>&ldquo;Yes, they do.&nbsp; O I assure you, they do.&nbsp; And
+eat pie in pinafores&mdash;&rdquo;</p>
+<p>&ldquo;Ponies eating pie in pinafores!&rdquo; said
+Polly.&nbsp; &ldquo;What a story-teller you are, ain&rsquo;t
+you?&rdquo;</p>
+<p>&ldquo;Upon my honour.&mdash;And fire off guns.&rdquo;</p>
+<p>(Polly hardly seemed to see the force of the ponies resorting
+to fire-arms.)</p>
+<p>&ldquo;And I was thinking,&rdquo; pursued the exemplary
+Barbox, &ldquo;that if you and I were to go to the Circus where
+these ponies are, it would do our constitutions good.&rdquo;</p>
+<p>&ldquo;Does that mean, amuse us?&rdquo; inquired Polly.&nbsp;
+&ldquo;What long words you do use, don&rsquo;t you?&rdquo;</p>
+<p>Apologetic for having wandered out of his depth, he replied:
+&ldquo;That means, amuse us.&nbsp; That is exactly what it
+means.&nbsp; There are many other wonders besides the ponies, and
+we shall see them all.&nbsp; Ladies and gentlemen in spangled
+dresses, and elephants and lions and tigers.&rdquo;</p>
+<p>Polly became observant of the teapot, with a curled-up nose
+indicating some uneasiness of mind.&nbsp; &ldquo;They never get
+out, of course,&rdquo; she remarked as a mere truism.</p>
+<p>&ldquo;The elephants and lions and tigers?&nbsp; O dear
+no!&rdquo;</p>
+<p>&ldquo;O dear no!&rdquo; said Polly.&nbsp; &ldquo;And of <!--
+page 66--><a name="page66"></a><span class="pagenum">p.
+66</span>course nobody&rsquo;s afraid of the ponies shooting
+anybody.&rdquo;</p>
+<p>&ldquo;Not the least in the world.&rdquo;</p>
+<p>&ldquo;No, no, not the least in the world,&rdquo; said
+Polly.</p>
+<p>&ldquo;I was also thinking,&rdquo; proceeded Barbox,
+&ldquo;that if we were to look in at the toy-shop, to choose a
+doll&mdash;&rdquo;</p>
+<p>&ldquo;Not dressed!&rdquo; cried Polly, with a clap of her
+hands.&nbsp; &ldquo;No, no, <span class="smcap">no</span>, not
+dressed!&rdquo;</p>
+<p>&ldquo;Full dressed.&nbsp; Together with a house, and all
+things necessary for housekeeping&mdash;&rdquo;</p>
+<p>Polly gave a little scream, and seemed in danger of falling
+into a swoon of bliss.&nbsp; &ldquo;What a darling you
+are!&rdquo; she languidly exclaimed, leaning back in her
+chair.&nbsp; &ldquo;Come and be hugged, or I must come and hug
+you!&rdquo;</p>
+<p>This resplendent programme was carried into execution with the
+utmost rigour of the law.&nbsp; It being essential to make the
+purchase of the doll its first feature&mdash;or that lady would
+have lost the ponies&mdash;the toy-shop expedition took
+precedence.&nbsp; Polly in the magic warehouse, with a doll as
+large as herself under each arm, and a neat assortment of some
+twenty more on view upon the counter, did indeed present a
+spectacle of indecision not quite compatible with unalloyed
+happiness, but the light cloud passed.&nbsp; The lovely specimen
+oftenest chosen, oftenest rejected, and finally abided by, was of
+Circassian descent, possessing <!-- page 67--><a
+name="page67"></a><span class="pagenum">p. 67</span>as much
+boldness of beauty as was reconcilable with extreme feebleness of
+mouth, and combining a sky-blue silk pelisse with rose-coloured
+satin trousers, and a black velvet hat: which this fair stranger
+to our northern shores would seem to have founded on the
+portraits of the late Duchess of Kent.&nbsp; The name this
+distinguished foreigner brought with her from beneath the glowing
+skies of a sunny clime was (on Polly&rsquo;s authority) Miss
+Melluka, and the costly nature of her outfit as a housekeeper,
+from the Barbox coffers, may be inferred from the two facts that
+her silver teaspoons were as large as her kitchen poker, and that
+the proportions of her watch exceeded those of her
+frying-pan.&nbsp; Miss Melluka was graciously pleased to express
+her entire approbation of the Circus, and so was Polly; for the
+ponies <i>were</i> speckled, and brought down nobody when they
+fired, and the savagery of the wild beasts appeared to be mere
+smoke&mdash;which article, in fact, they did produce in large
+quantities from their insides.&nbsp; The Barbox absorption in the
+general subject throughout the realisation of these delights was
+again a sight to see, nor was it less worthy to behold at dinner,
+when he drank to Miss Melluka, tied stiff in a chair opposite to
+Polly (the fair Circassian possessing an unbendable spine), and
+even induced the waiter to assist in carrying out with due
+decorum the prevailing glorious idea.&nbsp; To wind up, there
+came the <!-- page 68--><a name="page68"></a><span
+class="pagenum">p. 68</span>agreeable fever of getting Miss
+Melluka and all her wardrobe and rich possessions into a fly with
+Polly, to be taken home.&nbsp; But by that time Polly had become
+unable to look upon such accumulated joys with waking eyes, and
+had withdrawn her consciousness into the wonderful Paradise of a
+child&rsquo;s sleep.&nbsp; &ldquo;Sleep, Polly, sleep,&rdquo;
+said Barbox Brothers, as her head dropped on his shoulder;
+&ldquo;you shall not fall out of this bed, easily, at any
+rate!&rdquo;</p>
+<p>What rustling piece of paper he took from his pocket, and
+carefully folded into the bosom of Polly&rsquo;s frock, shall not
+be mentioned.&nbsp; He said nothing about it, and nothing shall
+be said about it.&nbsp; They drove to a modest suburb of the
+great ingenious town, and stopped at the forecourt of a small
+house.&nbsp; &ldquo;Do not wake the child,&rdquo; said Barbox
+Brothers, softly, to the driver, &ldquo;I will carry her in as
+she is.&rdquo;</p>
+<p>Greeting the light at the opened door which was held by
+Polly&rsquo;s mother, Polly&rsquo;s bearer passed on with mother
+and child into a ground-floor room.&nbsp; There, stretched on a
+sofa, lay a sick man, sorely wasted, who covered his eyes with
+his emaciated hands.</p>
+<p>&ldquo;Tresham,&rdquo; said Barbox, in a kindly voice,
+&ldquo;I have brought you back your Polly, fast asleep.&nbsp;
+Give me your hand, and tell me you are better.&rdquo;</p>
+<p>The sick man reached forth his right hand, and bowed his head
+over the hand into which <!-- page 69--><a
+name="page69"></a><span class="pagenum">p. 69</span>it was taken
+and kissed it.&nbsp; &ldquo;Thank you, thank you!&nbsp; I may say
+that I am well and happy.&rdquo;</p>
+<p>&ldquo;That&rsquo;s brave,&rdquo; said Barbox.&nbsp;
+&ldquo;Tresham, I have a fancy&mdash;can you make room for me
+beside you here?&rdquo;</p>
+<p>He sat down on the sofa as he said words, cherishing the plump
+peachy cheek that lay uppermost on his shoulder.</p>
+<p>&ldquo;I have a fancy, Tresham (I am getting quite an old
+fellow now, you know, and old fellows may take fancies into their
+heads sometimes), to give up Polly, having found her, to no one
+but you.&nbsp; Will you take her from me?&rdquo;</p>
+<p>As the father held out his arms for the child, each of the two
+men looked steadily at the other.</p>
+<p>&ldquo;She is very dear to you, Tresham?&rdquo;</p>
+<p>&ldquo;Unutterably dear.&rdquo;</p>
+<p>&ldquo;God bless her!&nbsp; It is not much, Polly,&rdquo; he
+continued, turning his eyes upon her peaceful face as he
+apostrophised her, &ldquo;it is not much, Polly, for a blind and
+sinful man to invoke a blessing on something so far better than
+himself as a little child is; but it would be much&mdash;much
+upon his cruel head, and much upon his guilty soul&mdash;if he
+could be so wicked as to invoke a curse.&nbsp; He had better have
+a millstone round his neck, and be cast into the deepest
+sea.&nbsp; Live and thrive, my pretty baby!&rdquo;&nbsp; Here he
+kissed her.&nbsp; &ldquo;Live <!-- page 70--><a
+name="page70"></a><span class="pagenum">p. 70</span>and prosper,
+and become in time the mother of other little children, like the
+Angels who behold The Father&rsquo;s face!&rdquo;</p>
+<p>He kissed her again, gave her up gently to both her parents,
+and went out.</p>
+<p>But he went not to Wales.&nbsp; No, he never went to
+Wales.&nbsp; He went straightway for another stroll about the
+town, and he looked in upon the people at their work, and at
+their play, here, there, everywhere, and where not.&nbsp; For he
+was Barbox Brothers and Co. now, and had taken thousands of
+partners into the solitary firm.</p>
+<p>He had at length got back to his hotel room, and was standing
+before his fire refreshing himself with a glass of hot drink
+which he had stood upon the chimney-piece, when he heard the town
+clocks striking, and, referring to his watch, found the evening
+to have so slipped away, that they were striking twelve.&nbsp; As
+he put up his watch again, his eyes met those of his reflection
+in the chimney-glass.</p>
+<p>&ldquo;Why it&rsquo;s your birthday already,&rdquo; he said,
+smiling.&nbsp; &ldquo;You are looking very well.&nbsp; I wish you
+many happy returns of the day.&rdquo;</p>
+<p>He had never before bestowed that wish upon himself.&nbsp;
+&ldquo;By Jupiter!&rdquo; he discovered, &ldquo;it alters the
+whole case of running away from one&rsquo;s birthday!&nbsp;
+It&rsquo;s a thing to explain to Ph&oelig;be.&nbsp; Besides, here
+is quite a long story to tell her, that has sprung out of the
+road <!-- page 71--><a name="page71"></a><span class="pagenum">p.
+71</span>with no story.&nbsp; I&rsquo;ll go back, instead of
+going on.&nbsp; I&rsquo;ll go back by my friend Lamps&rsquo;s Up
+X presently.&rdquo;</p>
+<p>He went back to Mugby Junction, and in point of fact he
+established himself at Mugby Junction.&nbsp; It was the
+convenient place to live in, for brightening Ph&oelig;be&rsquo;s
+life.&nbsp; It was the convenient place to live in, for having
+her taught music by Beatrice.&nbsp; It was the convenient place
+to live in, for occasionally borrowing Polly.&nbsp; It was the
+convenient place to live in, for being joined at will to all
+sorts of agreeable places and persons.&nbsp; So, he became
+settled there, and, his house standing in an elevated situation,
+it is noteworthy of him in conclusion, as Polly herself might
+(not irreverently) have put it:</p>
+<blockquote><p>There was an Old Barbox who lived on a hill,<br />
+And if he ain&rsquo;t gone, he lives there still.</p>
+</blockquote>
+<p><!-- page 72--><a name="page72"></a><span class="pagenum">p.
+72</span><span class="smcap">Here follows the substance of what
+was seen</span>, <span class="smcap">heard</span>, <span
+class="smcap">or otherwise picked up</span>, <span
+class="smcap">by the Gentleman for Nowhere</span>, <span
+class="smcap">in his careful study of the Junction</span>.</p>
+<h2>MAIN LINE<br />
+THE BOY AT MUGBY</h2>
+<p>I am The Boy at Mugby.&nbsp; That&rsquo;s about what <i>I</i>
+am.</p>
+<p>You don&rsquo;t know what I mean?&nbsp; What a pity!&nbsp; But
+I think you do.&nbsp; I think you must.&nbsp; Look here.&nbsp; I
+am the Boy at what is called The Refreshment Room at Mugby
+Junction, and what&rsquo;s proudest boast is, that it never yet
+refreshed a mortal being.</p>
+<p>Up in a corner of the Down Refreshment Room at Mugby Junction,
+in the height of twenty-seven cross draughts (I&rsquo;ve often
+counted &rsquo;em while they brush the First Class hair
+twenty-seven ways), behind the bottles, among the glasses,
+bounded on the nor&rsquo;-west by the <!-- page 73--><a
+name="page73"></a><span class="pagenum">p. 73</span>beer, stood
+pretty far to the right of a metallic object that&rsquo;s at
+times the tea-urn and at times the soup-tureen, according to the
+nature of the last twang imparted to its contents which are the
+same groundwork, fended off from the traveller by a barrier of
+stale sponge-cakes erected atop of the counter, and lastly
+exposed sideways to the glare of our Missis&rsquo;s eye&mdash;you
+ask a Boy so sitiwated, next time you stop in a hurry at Mugby,
+for anything to drink; you take particular notice that
+he&rsquo;ll try to seem not to hear you, that he&rsquo;ll appear
+in a absent manner to survey the Line through a transparent
+medium composed of your head and body, and that he won&rsquo;t
+serve you as long as you can possibly bear it.&nbsp; That&rsquo;s
+Me.</p>
+<p>What a lark it is!&nbsp; We are the Model Establishment, we
+are, at Mugby.&nbsp; Other Refreshment Rooms send their imperfect
+young ladies up to be finished off by our Missis.&nbsp; For some
+of the young ladies, when they&rsquo;re new to the business, come
+into it mild!&nbsp; Ah!&nbsp; Our Missis, she soon takes that out
+of &rsquo;em.&nbsp; Why, I originally come into the business meek
+myself.&nbsp; But Our Missis she soon took that out of
+<i>me</i>.</p>
+<p>What a delightful lark it is!&nbsp; I look upon us
+Refreshmenters as ockipying the only proudly independent footing
+on the Line.&nbsp; There&rsquo;s Papers for instance&mdash;my
+honourable friend if he will allow me to call him so&mdash;him as
+belongs to Smith&rsquo;s bookstall.&nbsp; Why he no more <!--
+page 74--><a name="page74"></a><span class="pagenum">p.
+74</span>dares to be up to our Refreshmenting games, than he
+dares to jump atop of a locomotive with her steam at full
+pressure, and cut away upon her alone, driving himself, at
+limited-mail speed.&nbsp; Papers, he&rsquo;d get his head punched
+at every compartment, first, second and third, the whole length
+of a train, if he was to ventur to imitate my demeanour.&nbsp;
+It&rsquo;s the same with the porters, the same with the guards,
+the same with the ticket clerks, the same the whole way up to the
+secretary, traffic manager, or very chairman.&nbsp; There
+ain&rsquo;t a one among &rsquo;em on the nobly independent
+footing we are.&nbsp; Did you ever catch one of <i>them</i>, when
+you wanted anything of him, making a system of surveying the Line
+through a transparent medium composed of your head and
+body?&nbsp; I should hope not.</p>
+<p>You should see our Bandolining Room at Mugby Junction.&nbsp;
+It&rsquo;s led to, by the door behind the counter which
+you&rsquo;ll notice usually stands ajar, and it&rsquo;s the room
+where Our Missis and our young ladies Bandolines their
+hair.&nbsp; You should see &rsquo;em at it, betwixt trains,
+Bandolining away, as if they was anointing themselves for the
+combat.&nbsp; When you&rsquo;re telegraphed, you should see their
+noses all a going up with scorn, as if it was a part of the
+working of the same Cooke and Wheatstone electrical
+machinery.&nbsp; You should hear Our Missis give the word
+&ldquo;Here comes the Beast to be Fed!&rdquo; <!-- page 75--><a
+name="page75"></a><span class="pagenum">p. 75</span>and then you
+should see &rsquo;em indignantly skipping across the Line, from
+the Up to the Down, or Wicer Warsaw, and begin to pitch the stale
+pastry into the plates, and chuck the sawdust sangwiches under
+the glass covers, and get out the&mdash;ha ha ha!&mdash;the
+Sherry&mdash;O my eye, my eye!&mdash;for your Refreshment.</p>
+<p>It&rsquo;s only in the Isle of the Brave and Land of the Free
+(by which of course I mean to say Britannia) that Refreshmenting
+is so effective, so &rsquo;olesome, so constitutional, a check
+upon the public.&nbsp; There was a foreigner, which having
+politely, with his hat off, beseeched our young ladies and Our
+Missis for &ldquo;a leetel gloss hoff prarndee,&rdquo; and having
+had the Line surveyed through him by all and no other
+acknowledgment, was a proceeding at last to help himself, as
+seems to be the custom in his own country, when Our Missis with
+her hair almost a coming un-Bandolined with rage, and her eyes
+omitting sparks, flew at him, cotched the decanter out of his
+hand, and said: &ldquo;Put it down!&nbsp; I won&rsquo;t allow
+that!&rdquo;&nbsp; The foreigner turned pale, stepped back with
+his arms stretched out in front of him, his hands clasped, and
+his shoulders riz, and exclaimed: &ldquo;Ah!&nbsp; Is it possible
+this!&nbsp; That these disdaineous females and this ferocious old
+woman are placed here by the administration, not only to empoison
+the voyagers, but to affront them!&nbsp; Great Heaven!&nbsp; How
+arrives it?&nbsp; The English <!-- page 76--><a
+name="page76"></a><span class="pagenum">p. 76</span>people.&nbsp;
+Or is he then a slave?&nbsp; Or idiot?&rdquo;&nbsp; Another time,
+a merry wideawake American gent had tried the sawdust and spit it
+out, and had tried the Sherry and spit that out, and had tried in
+vain to sustain exhausted natur upon Butter-Scotch, and had been
+rather extra Bandolined and Line-surveyed through, when, as the
+bell was ringing and he paid Our Missis, he says, very loud and
+good-tempered: &ldquo;I tell Yew what &rsquo;tis,
+ma&rsquo;arm.&nbsp; I la&rsquo;af.&nbsp; Theer!&nbsp; I
+la&rsquo;af.&nbsp; I Dew.&nbsp; I oughter ha&rsquo; seen most
+things, for I hail from the Onlimited side of the Atlantic Ocean,
+and I haive travelled right slick over the Limited, head on
+through Jee-rusalemm and the East, and likeways France and Italy,
+Europe Old World, and am now upon the track to the Chief Europian
+Village; but such an Institution as Yew, and Yewer young ladies,
+and Yewer fixin&rsquo;s solid and liquid, afore the glorious
+Tarnal I never did see yet!&nbsp; And if I hain&rsquo;t found the
+eighth wonder of monarchical Creation, in finding Yew, and Yewer
+young ladies, and Yewer fixin&rsquo;s solid and liquid, all as
+aforesaid, established in a country where the people air not
+absolute Loo-naticks, I am Extra Double Darned with a Nip and
+Frizzle to the innermostest grit!&nbsp;
+Wheerfur&mdash;Theer!&mdash;I la&rsquo;af!&nbsp; I Dew,
+ma&rsquo;arm.&nbsp; I la&rsquo;af!&rdquo;&nbsp; And so he went,
+stamping and shaking his sides, along the platform all the way to
+his own compartment.</p>
+<p><!-- page 77--><a name="page77"></a><span class="pagenum">p.
+77</span>I think it was her standing up agin the Foreigner, as
+giv&rsquo; Our Missis the idea of going over to France, and
+droring a comparison betwixt Refreshmenting as followed among the
+frog-eaters, and Refreshmenting as triumphant in the Isle of the
+Brave and Land of the Free (by which of course I mean to say
+agin, Britannia).&nbsp; Our young ladies, Miss Whiff, Miss Piff,
+and Mrs. Sniff, was unanimous opposed to her going; for, as they
+says to Our Missis one and all, it is well beknown to the hends
+of the herth as no other nation except Britain has a idea of
+anythink, but above all of business.&nbsp; Why then should you
+tire yourself to prove what is aready proved?&nbsp; Our Missis
+however (being a teazer at all pints) stood out grim obstinate,
+and got a return pass by South-Eastern Tidal, to go right
+through, if such should be her dispositions, to Marseilles.</p>
+<p>Sniff is husband to Mrs. Sniff, and is a regular insignificant
+cove.&nbsp; He looks arter the sawdust department in a back room,
+and is sometimes when we are very hard put to it let in behind
+the counter with a corkscrew; but never when it can be helped,
+his demeanour towards the public being disgusting servile.&nbsp;
+How Mrs. Sniff ever come so far to lower herself as to marry him,
+I don&rsquo;t know; but I suppose <i>he</i> does, and I should
+think he wished he didn&rsquo;t, for he leads a awful life.&nbsp;
+Mrs. Sniff couldn&rsquo;t be much harder with him if he was
+public.&nbsp; Similarly, <!-- page 78--><a
+name="page78"></a><span class="pagenum">p. 78</span>Miss Whiff
+and Miss Piff; taking the tone of Mrs. Sniff, they shoulder Sniff
+about when he is let in with a corkscrew, and they whisk things
+out of his hands when in his servility he is a going to let the
+public have &rsquo;em, and they snap him up when in the crawling
+baseness of his spirit he is a going to answer a public question,
+and they drore more tears into his eyes than ever the mustard
+does which he all day long lays on to the sawdust.&nbsp; (But it
+ain&rsquo;t strong.)&nbsp; Once, when Sniff had the repulsiveness
+to reach across to get the milk-pot to hand over for a baby, I
+see Our Missis in her rage catch him by both his shoulders and
+spin him out into the Bandolining Room.</p>
+<p>But Mrs. Sniff.&nbsp; How different!&nbsp; She&rsquo;s the
+one!&nbsp; She&rsquo;s the one as you&rsquo;ll notice to be
+always looking another way from you, when you look at her.&nbsp;
+She&rsquo;s the one with the small waist buckled in tight in
+front, and with the lace cuffs at her wrists, which she puts on
+the edge of the counter before her, and stands a smoothing while
+the public foams.&nbsp; This smoothing the cuffs and looking
+another way while the public foams, is the last accomplishment
+taught to the young ladies as come to Mugby to be finished by Our
+Missis; and it&rsquo;s always taught by Mrs. Sniff.</p>
+<p>When Our Missis went away upon her journey, Mrs. Sniff was
+left in charge.&nbsp; She did hold the public in check most
+beautiful!&nbsp; <!-- page 79--><a name="page79"></a><span
+class="pagenum">p. 79</span>In all my time, I never see half so
+many cups of tea given without milk to people as wanted it with,
+nor half so many cups of tea with milk given to people as wanted
+it without.&nbsp; When foaming ensued, Mrs. Sniff would say:
+&ldquo;Then you&rsquo;d better settle it among yourselves, and
+change with one another.&rdquo;&nbsp; It was a most highly
+delicious lark.&nbsp; I enjoyed the Refreshmenting business more
+than ever, and was so glad I had took to it when young.</p>
+<p>Our Missis returned.&nbsp; It got circulated among the young
+ladies, and it as it might be penetrated to me through the
+crevices of the Bandolining Room, that she had Orrors to reveal,
+if revelations so contemptible could be dignified with the
+name.&nbsp; Agitation become awakened.&nbsp; Excitement was up in
+the stirrups.&nbsp; Expectation stood a tiptoe.&nbsp; At length
+it was put forth that on our slackest evening in the week, and at
+our slackest time of that evening betwixt trains, Our Missis
+would give her views of foreign Refreshmenting, in the
+Bandolining Room.</p>
+<p>It was arranged tasteful for the purpose.&nbsp; The
+Bandolining table and glass was hid in a corner, a arm-chair was
+elevated on a packing-case for Our Missis&rsquo;s ockypation, a
+table and a tumbler of water (no sherry in it, thankee) was
+placed beside it.&nbsp; Two of the pupils, the season being
+autumn, and hollyhocks and daliahs being <!-- page 80--><a
+name="page80"></a><span class="pagenum">p. 80</span>in,
+ornamented the wall with three devices in those flowers.&nbsp; On
+one might be read, &ldquo;<span class="smcap">May Albion never
+Learn</span>;&rdquo; on another, &ldquo;<span class="smcap">Keep
+the Public Down</span>;&rdquo; on another, &ldquo;<span
+class="smcap">Our Refreshmenting Charter</span>.&rdquo;&nbsp; The
+whole had a beautiful appearance, with which the beauty of the
+sentiments corresponded.</p>
+<p>On Our Missis&rsquo;s brow was wrote Severity, as she ascended
+the fatal platform.&nbsp; (Not that that was anythink new.)&nbsp;
+Miss Whiff and Miss Piff sat at her feet.&nbsp; Three chairs from
+the Waiting Room might have been perceived by a average eye, in
+front of her, on which the pupils was accommodated.&nbsp; Behind
+them, a very close observer might have discerned a Boy.&nbsp;
+Myself.</p>
+<p>&ldquo;Where,&rdquo; said Our Missis, glancing gloomily
+around, &ldquo;is Sniff?&rdquo;</p>
+<p>&ldquo;I thought it better,&rdquo; answered Mrs. Sniff,
+&ldquo;that he should not be let to come in.&nbsp; He is such an
+Ass.&rdquo;</p>
+<p>&ldquo;No doubt,&rdquo; assented Our Missis.&nbsp; &ldquo;But
+for that reason is it not desirable to improve his
+mind?&rdquo;</p>
+<p>&ldquo;O!&nbsp; Nothing will ever improve <i>him</i>,&rdquo;
+said Mrs. Sniff.</p>
+<p>&ldquo;However,&rdquo; pursued Our Missis, &ldquo;call him in,
+Ezekiel.&rdquo;</p>
+<p>I called him in.&nbsp; The appearance of the low-minded cove
+was hailed with disapprobation <!-- page 81--><a
+name="page81"></a><span class="pagenum">p. 81</span>from all
+sides, on account of his having brought his corkscrew with
+him.&nbsp; He pleaded &ldquo;the force of habit.&rdquo;</p>
+<p>&ldquo;The force!&rdquo; said Mrs. Sniff.&nbsp;
+&ldquo;Don&rsquo;t let us have you talking about force, for
+Gracious sake.&nbsp; There!&nbsp; Do stand still where you are,
+with your back against the wall.&rdquo;</p>
+<p>He is a smiling piece of vacancy, and he smiled in the mean
+way in which he will even smile at the public if he gets a chance
+(language can say no meaner of him), and he stood upright near
+the door with the back of his head agin the wall, as if he was a
+waiting for somebody to come and measure his heighth for the
+Army.</p>
+<p>&ldquo;I should not enter, ladies,&rdquo; says Our Missis,
+&ldquo;on the revolting disclosures I am about to make, if it was
+not in the hope that they will cause you to be yet more
+implacable in the exercise of the power you wield in a
+constitutional country, and yet more devoted to the
+constitutional motto which I see before me;&rdquo; it was behind
+her, but the words sounded better so; &ldquo;&lsquo;May Albion
+never learn!&rsquo;&rdquo;</p>
+<p>Here the pupils as had made the motto, admired it, and cried,
+&ldquo;Hear!&nbsp; Hear!&nbsp; Hear!&rdquo;&nbsp; Sniff, showing
+an inclination to join in chorus, got himself frowned down by
+every brow.</p>
+<p>&ldquo;The baseness of the French,&rdquo; pursued Our Missis,
+&ldquo;as displayed in the fawning nature of their
+Refreshmenting, equals, if not surpasses, <!-- page 82--><a
+name="page82"></a><span class="pagenum">p. 82</span>anythink as
+was ever heard of the baseness of the celebrated
+Buonaparte.&rdquo;</p>
+<p>Miss Whiff, Miss Piff and me, we drored a heavy breath, equal
+to saying, &ldquo;We thought as much!&rdquo;</p>
+<p>Miss Whiff and Miss Piff seeming to object to my droring mine
+along with theirs, I drored another, to aggravate &rsquo;em.</p>
+<p>&ldquo;Shall I be believed,&rdquo; says Our Missis, with
+flashing eyes, &ldquo;when I tell you that no sooner had I set my
+foot upon that treacherous shore&mdash;&rdquo;</p>
+<p>Here Sniff, either busting out mad, or thinking aloud, says,
+in a low voice: &ldquo;Feet.&nbsp; Plural, you know.&rdquo;</p>
+<p>The cowering that come upon him when he was spurned by all
+eyes, added to his being beneath contempt, was sufficient
+punishment for a cove so grovelling.&nbsp; In the midst of a
+silence rendered more impressive by the turned-up female noses
+with which it was pervaded, Our Missis went on:</p>
+<p>&ldquo;Shall I be believed when I tell you that no sooner had
+I landed,&rdquo; this word with a killing look at Sniff,
+&ldquo;on that treacherous shore, than I was ushered into a
+Refreshment Room where there were, I do not exaggerate, actually
+eatable things to eat?&rdquo;</p>
+<p>A groan burst from the ladies.&nbsp; I not only did myself the
+honour of jining, but also of lengthening it out.</p>
+<p>&ldquo;Where there were,&rdquo; Our Missis added, <!-- page
+83--><a name="page83"></a><span class="pagenum">p.
+83</span>&ldquo;not only eatable things to eat, but also
+drinkable things to drink?&rdquo;</p>
+<p>A murmur, swelling almost into a scream, ariz.&nbsp; Miss
+Piff, trembling with indignation, called out:
+&ldquo;Name!&rdquo;</p>
+<p>&ldquo;I <i>will</i> name,&rdquo; said Our Missis.&nbsp;
+&ldquo;There was roast fowls, hot and cold; there was smoking
+roast veal surrounded with browned potatoes; there was hot soup
+with (again I ask shall I be credited?) nothing bitter in it, and
+no flour to choke off the consumer; there was a variety of cold
+dishes set off with jelly; there was salad; there was&mdash;mark
+me!&mdash;<i>fresh</i> pastry, and that of a light construction;
+there was a luscious show of fruit.&nbsp; There was bottles and
+decanters of sound small wine, of every size and adapted to every
+pocket; the same odious statement will apply to brandy; and these
+were set out upon the counter so that all could help
+themselves.&rdquo;</p>
+<p>Our Missis&rsquo;s lips so quivered, that Mrs. Sniff, though
+scarcely less convulsed than she were, got up and held the
+tumbler to them.</p>
+<p>&ldquo;This,&rdquo; proceeds Our Missis, &ldquo;was my first
+unconstitutional experience.&nbsp; Well would it have been, if it
+had been my last and worst.&nbsp; But no.&nbsp; As I proceeded
+further into that enslaved and ignorant land, its aspect became
+more hideous.&nbsp; I need not explain to this assembly, the
+ingredients and formation of the British Refreshment
+sangwich?&rdquo;</p>
+<p><!-- page 84--><a name="page84"></a><span class="pagenum">p.
+84</span>Universal laughter&mdash;except from Sniff, who, as
+sangwich-cutter, shook his head in a state of the utmost
+dejection as he stood with it agin the wall.</p>
+<p>&ldquo;Well!&rdquo; said Our Missis, with dilated
+nostrils.&nbsp; &ldquo;Take a fresh crisp long crusty penny loaf
+made of the whitest and best flower.&nbsp; Cut it longwise
+through the middle.&nbsp; Insert a fair and nicely fitting slice
+of ham.&nbsp; Tie a smart piece of ribbon round the middle of the
+whole to bind it together.&nbsp; Add at one end a neat wrapper of
+clean white paper by which to hold it.&nbsp; And the universal
+French Refreshment sangwich busts on your disgusted
+vision.&rdquo;</p>
+<p>A cry of &ldquo;Shame!&rdquo; from all&mdash;except Sniff,
+which rubbed his stomach with a soothing hand.</p>
+<p>&ldquo;I need not,&rdquo; said Our Missis, &ldquo;explain to
+this assembly, the usual formation and fitting of the British
+Refreshment Room?&rdquo;</p>
+<p>No, no, and laughter.&nbsp; Sniff agin shaking his head in low
+spirits agin the wall.</p>
+<p>&ldquo;Well,&rdquo; said Our Missis, &ldquo;what would you say
+to a general decoration of everythink, to hangings (sometimes
+elegant), to easy velvet furniture, to abundance of little
+tables, to abundance of little seats, to brisk bright waiters, to
+great convenience, to a pervading cleanliness and tastefulness
+positively addressing the public and making the Beast thinking
+itself worth the pains?&rdquo;</p>
+<p><!-- page 85--><a name="page85"></a><span class="pagenum">p.
+85</span>Contemptuous fury on the part of all the ladies.&nbsp;
+Mrs. Sniff looking as if she wanted somebody to hold her, and
+everybody else looking as if they&rsquo;d rayther not.</p>
+<p>&ldquo;Three times,&rdquo; said our Missis, working herself
+into a truly terrimenjious state, &ldquo;three times did I see
+these shamful things, only between the coast and Paris, and not
+counting either: at Hazebroucke, at Arras, at Amiens.&nbsp; But
+worse remains.&nbsp; Tell me, what would you call a person who
+should propose in England that there should be kept, say at our
+own model Mugby Junction, pretty baskets, each holding an
+assorted cold lunch and dessert for one, each at a certain fixed
+price, and each within a passenger&rsquo;s power to take away, to
+empty in the carriage at perfect leisure, and to return at
+another station fifty or a hundred miles further on?&rdquo;</p>
+<p>There was disagreement what such a person should be
+called.&nbsp; Whether revolutionist, atheist, Bright (<i>I</i>
+said him), or Un-English.&nbsp; Miss Piff screeched her shrill
+opinion last, in the words: &ldquo;A malignant maniac!&rdquo;</p>
+<p>&ldquo;I adopt,&rdquo; says Our Missis, &ldquo;the brand set
+upon such a person by the righteous indignation of my friend Miss
+Piff.&nbsp; A malignant maniac.&nbsp; Know then, that that
+malignant maniac has sprung from the congenial soil of France,
+and that his malignant madness was in unchecked action on this
+same part of my journey.&rdquo;</p>
+<p><!-- page 86--><a name="page86"></a><span class="pagenum">p.
+86</span>I noticed that Sniff was a rubbing his hands, and that
+Mrs. Sniff had got her eye upon him.&nbsp; But I did not take
+more particular notice, owing to the excited state in which the
+young ladies was, and to feeling myself called upon to keep it up
+with a howl.</p>
+<p>&ldquo;On my experience south of Paris,&rdquo; said Our
+Missis, in a deep tone, &ldquo;I will not expatiate.&nbsp; Too
+loathsome were the task!&nbsp; But fancy this.&nbsp; Fancy a
+guard coming round, with the train at full speed, to inquire how
+many for dinner.&nbsp; Fancy his telegraphing forward, the number
+of diners.&nbsp; Fancy every one expected, and the table
+elegantly laid for the complete party.&nbsp; Fancy a charming
+dinner, in a charming room, and the head-cook, concerned for the
+honour of every dish, superintending in his clean white jacket
+and cap.&nbsp; Fancy the Beast travelling six hundred miles on
+end, very fast, and with great punctuality, yet being taught to
+expect all this to be done for it!&rdquo;</p>
+<p>A spirited chorus of &ldquo;The Beast!&rdquo;</p>
+<p>I noticed that Sniff was agin a rubbing his stomach with a
+soothing hand, and that he had drored up one leg.&nbsp; But agin
+I didn&rsquo;t take particular notice, looking on myself as
+called upon to stimilate public feeling.&nbsp; It being a lark
+besides.</p>
+<p>&ldquo;Putting everything together,&rdquo; said Our Missis,
+&ldquo;French Refreshmenting comes to this, and O it comes to a
+nice total!&nbsp; First: <!-- page 87--><a
+name="page87"></a><span class="pagenum">p. 87</span>eatable
+things to eat, and drinkable things to drink.&rdquo;</p>
+<p>A groan from the young ladies, kep&rsquo; up by me.</p>
+<p>&ldquo;Second: convenience, and even elegance.&rdquo;</p>
+<p>Another groan from the young ladies, kep&rsquo; up by me.</p>
+<p>&ldquo;Third: moderate charges.&rdquo;</p>
+<p>This time, a groan from me, kep&rsquo; up by the young
+ladies.</p>
+<p>&ldquo;Fourth:&mdash;and here,&rdquo; says Our Missis,
+&ldquo;I claim your angriest sympathy&mdash;attention, common
+civility, nay, even politeness!&rdquo;</p>
+<p>Me and the young ladies regularly raging mad all together.</p>
+<p>&ldquo;And I cannot in conclusion,&rdquo; says Our Missis,
+with her spitefullest sneer, &ldquo;give you a completer pictur
+of that despicable nation (after what I have related), than
+assuring you that they wouldn&rsquo;t bear our constitutional
+ways and noble independence at Mugby Junction, for a single
+month, and that they would turn us to the right-about and put
+another system in our places, as soon as look at us; perhaps
+sooner, for I do not believe they have the good taste to care to
+look at us twice.&rdquo;</p>
+<p>The swelling tumult was arrested in its rise.&nbsp; Sniff,
+bore away by his servile disposition, had drored up his leg with
+a higher and a higher relish, and was now discovered to be waving
+his corkscrew over his head.&nbsp; It was at this <!-- page
+88--><a name="page88"></a><span class="pagenum">p.
+88</span>moment that Mrs. Sniff, who had kep&rsquo; her eye upon
+him like the fabled obelisk, descended on her victim.&nbsp; Our
+Missis followed them both out, and cries was heard in the sawdust
+department.</p>
+<p>You come into the Down Refreshment Room, at the Junction,
+making believe you don&rsquo;t know me, and I&rsquo;ll pint you
+out with my right thumb over my shoulder which is Our Missis, and
+which is Miss Whiff; and which is Miss Piff; and which is Mrs.
+Sniff.&nbsp; But you won&rsquo;t get a chance to see Sniff,
+because he disappeared that night.&nbsp; Whether he perished,
+tore to pieces, I cannot say; but his corkscrew alone remains, to
+bear witness to the servility of his disposition.</p>
+<h2><!-- page 89--><a name="page89"></a><span class="pagenum">p.
+89</span><span class="smcap">No.</span> 1 BRANCH LINE<br />
+THE SIGNAL-MAN</h2>
+<p>&ldquo;Halloa!&nbsp; Below there!&rdquo;</p>
+<p>When he heard a voice thus calling to him, he was standing at
+the door of his box, with a flag in his hand, furled round its
+short pole.&nbsp; One would have thought, considering the nature
+of the ground, that he could not have doubted from what quarter
+the voice came; but, instead of looking up to where I stood on
+the top of the steep cutting nearly over his head, he turned
+himself about and looked down the Line.&nbsp; There was something
+remarkable in his manner of doing so, though I could not have
+said, for my life, what.&nbsp; But, I know it was remarkable
+enough to attract my notice, even though his figure was
+foreshortened and shadowed, down in the deep trench, and mine was
+high above him, so steeped in the glow of an angry sunset that I
+had shaded my eyes with my hand before I saw him at all.</p>
+<p>&ldquo;Halloa!&nbsp; Below!&rdquo;</p>
+<p><!-- page 90--><a name="page90"></a><span class="pagenum">p.
+90</span>From looking down the Line, he turned himself about
+again, and, raising his eyes, saw my figure high above him.</p>
+<p>&ldquo;Is there any path by which I can come down and speak to
+you?&rdquo;</p>
+<p>He looked up at me without replying, and I looked down at him
+without pressing him too soon with a repetition of my idle
+question.&nbsp; Just then, there came a vague vibration in the
+earth and air, quickly changing into a violent pulsation, and an
+oncoming rush that caused me to start back, as though it had
+force to draw me down.&nbsp; When such vapour as rose to my
+height from this rapid train, had passed me and was skimming away
+over the landscape, I looked down again and saw him re-furling
+the flag he had shown while the train went by.</p>
+<p>I repeated my inquiry.&nbsp; After a pause, during which he
+seemed to regard me with fixed attention, he motioned with his
+rolled-up flag towards a point on my level, some two or three
+hundred yards distant.&nbsp; I called down to him, &ldquo;All
+right!&rdquo; and made for that point.&nbsp; There, by dint of
+looking closely about me, I found a rough zig-zag descending path
+notched out: which I followed.</p>
+<p>The cutting was extremely deep, and unusually
+precipitate.&nbsp; It was made through a clammy stone that became
+oozier and wetter as I went down.&nbsp; For these reasons, I
+found the way long enough to give me time to recall <!-- page
+91--><a name="page91"></a><span class="pagenum">p. 91</span>a
+singular air of reluctance or compulsion with which he had
+pointed out the path.</p>
+<p>When I came down low enough upon the zig-zag descent, to see
+him again, I saw that he was standing between the rails on the
+way by which the train had lately passed, in an attitude as if he
+were waiting for me to appear.&nbsp; He had his left hand at his
+chin, and that left elbow rested on his right hand crossed over
+his breast.&nbsp; His attitude was one of such expectation and
+watchfulness, that I stopped a moment, wondering at it.</p>
+<p>I resumed my downward way, and, stepping out upon the level of
+the railroad and drawing nearer to him, saw that he was a dark
+sallow man, with a dark beard and rather heavy eyebrows.&nbsp;
+His post was in as solitary and dismal a place as ever I
+saw.&nbsp; On either side, a dripping-wet wall of jagged stone,
+excluding all view but a strip of sky; the perspective one way,
+only a crooked prolongation of this great dungeon; the shorter
+perspective in the other direction, terminating in a gloomy red
+light, and the gloomier entrance to a black tunnel, in whose
+massive architecture there was a barbarous, depressing, and
+forbidding air.&nbsp; So little sunlight ever found its way to
+this spot, that it had an earthy deadly smell; and so much cold
+wind rushed through it, that it struck chill to me, as if I had
+left the natural world.</p>
+<p><!-- page 92--><a name="page92"></a><span class="pagenum">p.
+92</span>Before he stirred, I was near enough to him to have
+touched him.&nbsp; Not even then removing his eyes from mine, he
+stepped back one step, and lifted his hand.</p>
+<p>This was a lonesome post to occupy (I said), and it had
+riveted my attention when I looked down from up yonder.&nbsp; A
+visitor was a rarity, I should suppose; not an unwelcome rarity,
+I hoped?&nbsp; In me, he merely saw a man who had been shut up
+within narrow limits all his life, and who, being at last set
+free, had a newly-awakened interest in these great works.&nbsp;
+To such purpose I spoke to him; but I am far from sure of the
+terms I used, for, besides that I am not happy in opening any
+conversation, there was something in the man that daunted me.</p>
+<p>He directed a most curious look towards the red light near the
+tunnel&rsquo;s mouth, and looked all about it, as if something
+were missing from it, and then looked at me.</p>
+<p>That light was part of his charge?&nbsp; Was it not?</p>
+<p>He answered in a low voice: &ldquo;Don&rsquo;t you know it
+is?&rdquo;</p>
+<p>The monstrous thought came into my mind as I perused the fixed
+eyes and the saturnine face, that this was a spirit, not a
+man.&nbsp; I have speculated since, whether there may have been
+infection in his mind.</p>
+<p>In my turn, I stepped back.&nbsp; But in making <!-- page
+93--><a name="page93"></a><span class="pagenum">p. 93</span>the
+action, I detected in his eyes some latent fear of me.&nbsp; This
+put the monstrous thought to flight.</p>
+<p>&ldquo;You look at me,&rdquo; I said, forcing a smile,
+&ldquo;as if you had a dread of me.&rdquo;</p>
+<p>&ldquo;I was doubtful,&rdquo; he returned, &ldquo;whether I
+had seen you before.&rdquo;</p>
+<p>&ldquo;Where?&rdquo;</p>
+<p>He pointed to the red light he had looked at.</p>
+<p>&ldquo;There?&rdquo; I said.</p>
+<p>Intently watchful of me, he replied (but without sound),
+&ldquo;Yes.&rdquo;</p>
+<p>&ldquo;My good fellow, what should I do there?&nbsp; However,
+be that as it may, I never was there, you may swear.&rdquo;</p>
+<p>&ldquo;I think I may,&rdquo; he rejoined.&nbsp;
+&ldquo;Yes.&nbsp; I am sure I may.&rdquo;</p>
+<p>His manner cleared, like my own.&nbsp; He replied to my
+remarks with readiness, and in well-chosen words.&nbsp; Had he
+much to do there?&nbsp; Yes; that was to say, he had enough
+responsibility to bear; but exactness and watchfulness were what
+was required of him, and of actual work&mdash;manual
+labour&mdash;he had next to none.&nbsp; To change that signal, to
+trim those lights, and to turn this iron handle now and then, was
+all he had to do under that head.&nbsp; Regarding those many long
+and lonely hours of which I seemed to make so much, he could only
+say that the routine of his life had shaped itself into that
+form, and he had grown used to it.&nbsp; He had <!-- page 94--><a
+name="page94"></a><span class="pagenum">p. 94</span>taught
+himself a language down here&mdash;if only to know it by sight,
+and to have formed his own crude ideas of its pronunciation,
+could be called learning it.&nbsp; He had also worked at
+fractions and decimals, and tried a little algebra; but he was,
+and had been as a boy, a poor hand at figures.&nbsp; Was it
+necessary for him when on duty, always to remain in that channel
+of damp air, and could he never rise into the sunshine from
+between those high stone walls?&nbsp; Why, that depended upon
+times and circumstances.&nbsp; Under some conditions there would
+be less upon the Line than under others, and the same held good
+as to certain hours of the day and night.&nbsp; In bright
+weather, he did choose occasions for getting a little above these
+lower shadows; but, being at all times liable to be called by his
+electric bell, and at such times listening for it with redoubled
+anxiety, the relief was less than I would suppose.</p>
+<p>He took me into his box, where there was a fire, a desk for an
+official book in which he had to make certain entries, a
+telegraphic instrument with its dial face and needles, and the
+little bell of which he had spoken.&nbsp; On my trusting that he
+would excuse the remark that he had been well educated, and (I
+hoped I might say without offence), perhaps educated above that
+station, he observed that instances of slight incongruity in
+such-wise would rarely be found wanting among large bodies of
+men; <!-- page 95--><a name="page95"></a><span class="pagenum">p.
+95</span>that he had heard it was so in workhouses, in the police
+force, even in that last desperate resource, the army; and that
+he knew it was so, more or less, in any great railway
+staff.&nbsp; He had been, when young (if I could believe it,
+sitting in that hut; he scarcely could), a student of natural
+philosophy, and had attended lectures; but he had run wild,
+misused his opportunities, gone down, and never risen
+again.&nbsp; He had no complaint to offer about that.&nbsp; He
+had made his bed, and he lay upon it.&nbsp; It was far too late
+to make another.</p>
+<p>All that I have here condensed, he said in a quiet manner,
+with his grave dark regards divided between me and the
+fire.&nbsp; He threw in the word &ldquo;Sir,&rdquo; from time to
+time, and especially when he referred to his youth: as though to
+request me to understand that he claimed to be nothing but what I
+found him.&nbsp; He was several times interrupted by the little
+bell, and had to read off messages, and send replies.&nbsp; Once,
+he had to stand without the door, and display a flag as a train
+passed, and make some verbal communication to the driver.&nbsp;
+In the discharge of his duties I observed him to be remarkably
+exact and vigilant, breaking off his discourse at a syllable, and
+remaining silent until what he had to do was done.</p>
+<p>In a word, I should have set this man down as one of the
+safest of men to be employed in that capacity, but for the
+circumstance that <!-- page 96--><a name="page96"></a><span
+class="pagenum">p. 96</span>while he was speaking to me he twice
+broke off with a fallen colour, turned his face towards the
+little bell when it did <span class="smcap">not</span> ring,
+opened the door of the hut (which was kept shut to exclude the
+unhealthy damp), and looked out towards the red light near the
+mouth of the tunnel.&nbsp; On both of those occasions, he came
+back to the fire with the inexplicable air upon him which I had
+remarked, without being able to define, when we were so far
+asunder.</p>
+<p>Said I when I rose to leave him: &ldquo;You almost make me
+think that I have met with a contented man.&rdquo;</p>
+<p>(I am afraid I must acknowledge that I said it to lead him
+on).</p>
+<p>&ldquo;I believe I used to be so,&rdquo; he rejoined, in the
+low voice in which he had first spoken; &ldquo;but I am troubled,
+sir, I am troubled.&rdquo;</p>
+<p>He would have recalled the words if he could.&nbsp; He had
+said them, however, and I took them up quickly.</p>
+<p>&ldquo;With what?&nbsp; What is your trouble?&rdquo;</p>
+<p>&ldquo;It is very difficult to impart, sir.&nbsp; It is very,
+very, difficult to speak of.&nbsp; If ever you make me another
+visit, I will try to tell you.&rdquo;</p>
+<p>&ldquo;But I expressly intend to make you another visit.&nbsp;
+Say, when shall it be?&rdquo;</p>
+<p>&ldquo;I go off early in the morning, and I shall be on again
+at ten to-morrow night, sir.&rdquo;</p>
+<p>&ldquo;I will come at eleven.&rdquo;</p>
+<p>He thanked me, and went out at the door <!-- page 97--><a
+name="page97"></a><span class="pagenum">p. 97</span>with
+me.&nbsp; &ldquo;I&rsquo;ll show my white light, sir,&rdquo; he
+said, in his peculiar low voice, &ldquo;till you have found the
+way up.&nbsp; When you have found it, don&rsquo;t call out!&nbsp;
+And when you are at the top, don&rsquo;t call out!&rdquo;</p>
+<p>His manner seemed to make the place strike colder to me, but I
+said no more than &ldquo;Very well.&rdquo;</p>
+<p>&ldquo;And when you come down to-morrow night, don&rsquo;t
+call out!&nbsp; Let me ask you a parting question.&nbsp; What
+made you cry &lsquo;Halloa!&nbsp; Below there!&rsquo;
+to-night?&rdquo;</p>
+<p>&ldquo;Heaven knows,&rdquo; said I.&nbsp; &ldquo;I cried
+something to that effect&mdash;&rdquo;</p>
+<p>&ldquo;Not to that effect, sir.&nbsp; Those were the very
+words.&nbsp; I know them well.&rdquo;</p>
+<p>&ldquo;Admit those were the very words.&nbsp; I said them, no
+doubt, because I saw you below.&rdquo;</p>
+<p>&ldquo;For no other reason?&rdquo;</p>
+<p>&ldquo;What other reason could I possibly have!&rdquo;</p>
+<p>&ldquo;You had no feeling that they were conveyed to you in
+any supernatural way?&rdquo;</p>
+<p>&ldquo;No.&rdquo;</p>
+<p>He wished me good night, and held up his light.&nbsp; I walked
+by the side of the down Line of rails (with a very disagreeable
+sensation of a train coming behind me), until I found the
+path.&nbsp; It was easier to mount than to descend, and I got
+back to my inn without any adventure.</p>
+<p>Punctual to my appointment, I placed my <!-- page 98--><a
+name="page98"></a><span class="pagenum">p. 98</span>foot on the
+first notch of the zig-zag next night, as the distant clocks were
+striking eleven.&nbsp; He was waiting for me at the bottom, with
+his white light on.&nbsp; &ldquo;I have not called out,&rdquo; I
+said, when we came close together; &ldquo;may I speak
+now?&rdquo;&nbsp; &ldquo;By all means, sir.&rdquo;&nbsp;
+&ldquo;Good night then, and here&rsquo;s my hand.&rdquo;&nbsp;
+&ldquo;Good night, sir, and here&rsquo;s mine.&rdquo;&nbsp; With
+that, we walked side by side to his box, entered it, closed the
+door, and sat down by the fire.</p>
+<p>&ldquo;I have made up my mind, sir,&rdquo; he began, bending
+forward as soon as we were seated, and speaking in a tone but a
+little above a whisper, &ldquo;that you shall not have to ask me
+twice what troubles me.&nbsp; I took you for some one else
+yesterday evening.&nbsp; That troubles me.&rdquo;</p>
+<p>&ldquo;That mistake?&rdquo;</p>
+<p>&ldquo;No.&nbsp; That some one else.&rdquo;</p>
+<p>&ldquo;Who is it?&rdquo;</p>
+<p>&ldquo;I don&rsquo;t know.&rdquo;</p>
+<p>&ldquo;Like me?&rdquo;</p>
+<p>&ldquo;I don&rsquo;t know.&nbsp; I never saw the face.&nbsp;
+The left arm is across the face, and the right arm is
+waved.&nbsp; Violently waved.&nbsp; This way.&rdquo;</p>
+<p>I followed his action with my eyes, and it was the action of
+an arm gesticulating with the utmost passion and vehemence:
+&ldquo;For God&rsquo;s sake clear the way!&rdquo;</p>
+<p>&ldquo;One moonlight night,&rdquo; said the man, &ldquo;I was
+sitting here, when I heard a voice cry <!-- page 99--><a
+name="page99"></a><span class="pagenum">p.
+99</span>&lsquo;Halloa!&nbsp; Below there!&rsquo; I started up,
+looked from that door, and saw this Some one else standing by the
+red light near the tunnel, waving as I just now showed you.&nbsp;
+The voice seemed hoarse with shouting, and it cried, &lsquo;Look
+out!&nbsp; Look out!&rsquo; And then again &lsquo;Halloa!&nbsp;
+Below there!&nbsp; Look out!&rsquo; I caught up my lamp, turned
+it on red, and ran towards the figure, calling,
+&lsquo;What&rsquo;s wrong?&nbsp; What has happened?&nbsp;
+Where?&rsquo;&nbsp; It stood just outside the blackness of the
+tunnel.&nbsp; I advanced so close upon it that I wondered at its
+keeping the sleeve across its eyes.&nbsp; I ran right up at it,
+and had my hand stretched out to pull the sleeve away, when it
+was gone.&rdquo;</p>
+<p>&ldquo;Into the tunnel,&rdquo; said I.</p>
+<p>&ldquo;No.&nbsp; I ran on, into the tunnel, five hundred
+yards.&nbsp; I stopped and held my lamp above my head, and saw
+the figures of the measured distance, and saw the wet stains
+stealing down the walls and trickling through the arch.&nbsp; I
+ran out again, faster than I had run in (for I had a mortal
+abhorrence of the place upon me), and I looked all round the red
+light with my own red light, and I went up the iron ladder to the
+gallery atop of it, and I came down again, and ran back
+here.&nbsp; I telegraphed both ways: &lsquo;An alarm has been
+given.&nbsp; Is anything wrong?&rsquo;&nbsp; The answer came
+back, both ways: &lsquo;All well.&rsquo;&rdquo;</p>
+<p>Resisting the slow touch of a frozen finger <!-- page 100--><a
+name="page100"></a><span class="pagenum">p. 100</span>tracing out
+my spine, I showed him how that this figure must be a deception
+of his sense of sight, and how that figures, originating in
+disease of the delicate nerves that minister to the functions of
+the eye, were known to have often troubled patients, some of whom
+had become conscious of the nature of their affliction, and had
+even proved it by experiments upon themselves.&nbsp; &ldquo;As to
+an imaginary cry,&rdquo; said I, &ldquo;do but listen for a
+moment to the wind in this unnatural valley while we speak so
+low, and to the wild harp it makes of the telegraph
+wires!&rdquo;</p>
+<p>That was all very well, he returned, after we had sat
+listening for a while, and he ought to know something of the wind
+and the wires, he who so often passed long winter nights there,
+alone and watching.&nbsp; But he would beg to remark that he had
+not finished.</p>
+<p>I asked his pardon, and he slowly added these words, touching
+my arm:</p>
+<p>&ldquo;Within six hours after the Appearance, the memorable
+accident on this Line happened, and within ten hours the dead and
+wounded were brought along through the tunnel over the spot where
+the figure had stood.&rdquo;</p>
+<p>A disagreeable shudder crept over me, but I did my best
+against it.&nbsp; It was not to be denied, I rejoined, that this
+was a remarkable coincidence, calculated deeply to impress his
+mind.&nbsp; But, it was unquestionable that <!-- page 101--><a
+name="page101"></a><span class="pagenum">p. 101</span>remarkable
+coincidences did continually occur, and they must be taken into
+account in dealing with such a subject.&nbsp; Though to be sure I
+must admit, I added (for I thought I saw that he was going to
+bring the objection to bear upon me), men of common sense did not
+allow much for coincidences in making the ordinary calculations
+of life.</p>
+<p>He again begged to remark that he had not finished.</p>
+<p>I again begged his pardon for being betrayed into
+interruptions.</p>
+<p>&ldquo;This,&rdquo; he said, again laying his hand upon my
+arm, and glancing over his shoulder with hollow eyes, &ldquo;was
+just a year ago.&nbsp; Six or seven months passed, and I had
+recovered from the surprise and shock, when one morning, as the
+day was breaking, I, standing at that door, looked towards the
+red light, and saw the spectre again.&rdquo;&nbsp; He stopped,
+with a fixed look at me.</p>
+<p>&ldquo;Did it cry out?&rdquo;</p>
+<p>&ldquo;No.&nbsp; It was silent.&rdquo;</p>
+<p>&ldquo;Did it wave its arm?&rdquo;</p>
+<p>&ldquo;No.&nbsp; It leaned against the shaft of the light,
+with both hands before the face.&nbsp; Like this.&rdquo;</p>
+<p>Once more, I followed his action with my eyes.&nbsp; It was an
+action of mourning.&nbsp; I have seen such an attitude in stone
+figures on tombs.</p>
+<p>&ldquo;Did you go up to it?&rdquo;</p>
+<p><!-- page 102--><a name="page102"></a><span class="pagenum">p.
+102</span>&ldquo;I came in and sat down, partly to collect my
+thoughts, partly because it had turned me faint.&nbsp; When I
+went to the door again, daylight was above me, and the ghost was
+gone.&rdquo;</p>
+<p>&ldquo;But nothing followed?&nbsp; Nothing came of
+this?&rdquo;</p>
+<p>He touched me on the arm with his forefinger twice or thrice,
+giving a ghastly nod each time:</p>
+<p>&ldquo;That very day, as a train came out of the tunnel, I
+noticed, at a carriage window on my side, what looked like a
+confusion of hands and heads, and something waved.&nbsp; I saw
+it, just in time to signal the driver, Stop!&nbsp; He shut off,
+and put his brake on, but the train drifted past here a hundred
+and fifty yards or more.&nbsp; I ran after it, and, as I went
+along, heard terrible screams and cries.&nbsp; A beautiful young
+lady had died instantaneously in one of the compartments, and was
+brought in here, and laid down on this floor between
+us.&rdquo;</p>
+<p>Involuntarily, I pushed my chair back, as I looked from the
+boards at which he pointed, to himself.</p>
+<p>&ldquo;True, sir.&nbsp; True.&nbsp; Precisely as it happened,
+so I tell it you.&rdquo;</p>
+<p>I could think of nothing to say, to any purpose, and my mouth
+was very dry.&nbsp; The wind and the wires took up the story with
+a long lamenting wail.</p>
+<p>He resumed.&nbsp; &ldquo;Now, sir, mark this, and <!-- page
+103--><a name="page103"></a><span class="pagenum">p.
+103</span>judge how my mind is troubled.&nbsp; The spectre came
+back, a week ago.&nbsp; Ever since, it has been there, now and
+again, by fits and starts.&rdquo;</p>
+<p>&ldquo;At the light?&rdquo;</p>
+<p>&ldquo;At the Danger-light.&rdquo;</p>
+<p>&ldquo;What does it seem to do?&rdquo;</p>
+<p>He repeated, if possible with increased passion and vehemence,
+that former gesticulation of &ldquo;For God&rsquo;s sake clear
+the way!&rdquo;</p>
+<p>Then, he went on.&nbsp; &ldquo;I have no peace or rest for
+it.&nbsp; It calls to me, for many minutes together, in an
+agonised manner, &lsquo;Below there!&nbsp; Look out!&nbsp; Look
+out!&rsquo;&nbsp; It stands waving to me.&nbsp; It rings my
+little bell&mdash;&rdquo;</p>
+<p>I caught at that.&nbsp; &ldquo;Did it ring your bell yesterday
+evening when I was here, and you went to the door?&rdquo;</p>
+<p>&ldquo;Twice.&rdquo;</p>
+<p>&ldquo;Why, see,&rdquo; said I, &ldquo;how your imagination
+misleads you.&nbsp; My eyes were on the bell, and my ears were
+open to the bell, and if I am a living man, it did <span
+class="smcap">not</span> ring at those times.&nbsp; No, nor at
+any other time, except when it was rung in the natural course of
+physical things by the station communicating with you.&rdquo;</p>
+<p>He shook his head.&nbsp; &ldquo;I have never made a mistake as
+to that, yet, sir.&nbsp; I have never confused the
+spectre&rsquo;s ring with the man&rsquo;s.&nbsp; The
+ghost&rsquo;s ring is a strange vibration in the bell that it
+derives from nothing else, and I have not asserted that the bell
+stirs to the eye.&nbsp; I <!-- page 104--><a
+name="page104"></a><span class="pagenum">p. 104</span>don&rsquo;t
+wonder that you failed to hear it.&nbsp; But <i>I</i> heard
+it.&rdquo;</p>
+<p>&ldquo;And did the spectre seem to be there, when you looked
+out?&rdquo;</p>
+<p>&ldquo;It <span class="smcap">was</span> there.&rdquo;</p>
+<p>&ldquo;Both times?&rdquo;</p>
+<p>He repeated firmly: &ldquo;Both times.&rdquo;</p>
+<p>&ldquo;Will you come to the door with me, and look for it
+now?&rdquo;</p>
+<p>He bit his under-lip as though he were somewhat unwilling, but
+arose.&nbsp; I opened the door, and stood on the step, while he
+stood in the doorway.&nbsp; There, was the Danger-light.&nbsp;
+There, was the dismal mouth of the tunnel.&nbsp; There, were the
+high wet stone walls of the cutting.&nbsp; There, were the stars
+above them.</p>
+<p>&ldquo;Do you see it?&rdquo; I asked him, taking particular
+note of his face.&nbsp; His eyes were prominent and strained; but
+not very much more so, perhaps, than my own had been when I had
+directed them earnestly towards the same spot.</p>
+<p>&ldquo;No,&rdquo; he answered.&nbsp; &ldquo;It is not
+there.&rdquo;</p>
+<p>&ldquo;Agreed,&rdquo; said I.</p>
+<p>We went in again, shut the door, and resumed our seats.&nbsp;
+I was thinking how best to improve this advantage, if it might be
+called one, when he took up the conversation in such a matter of
+course way, so assuming that there could be no serious question
+of fact between <!-- page 105--><a name="page105"></a><span
+class="pagenum">p. 105</span>us, that I felt myself placed in the
+weakest of positions.</p>
+<p>&ldquo;By this time you will fully understand, sir,&rdquo; he
+said, &ldquo;that what troubles me so dreadfully, is the
+question, What does the spectre mean?&rdquo;</p>
+<p>I was not sure, I told him, that I did fully understand.</p>
+<p>&ldquo;What is its warning against?&rdquo; he said,
+ruminating, with his eyes on the fire, and only by times turning
+them on me.&nbsp; &ldquo;What is the danger?&nbsp; Where is the
+danger?&nbsp; There is danger overhanging, somewhere on the
+Line.&nbsp; Some dreadful calamity will happen.&nbsp; It is not
+to be doubted this third time, after what has gone before.&nbsp;
+But surely this is a cruel haunting of <i>me</i>.&nbsp; What can
+<i>I</i> do!&rdquo;</p>
+<p>He pulled out his handkerchief, and wiped the drops from his
+heated forehead.</p>
+<p>&ldquo;If I telegraph Danger, on either side of me, or on
+both, I can give no reason for it,&rdquo; he went on, wiping the
+palms of his hands.&nbsp; &ldquo;I should get into trouble, and
+do no good.&nbsp; They would think I was mad.&nbsp; This is the
+way it would work:&mdash;Message: &lsquo;Danger!&nbsp; Take
+care!&rsquo;&nbsp; Answer: &lsquo;What danger?&nbsp;
+Where?&rsquo;&nbsp; Message: &lsquo;Don&rsquo;t know.&nbsp; But
+for God&rsquo;s sake take care!&rsquo;&nbsp; They would displace
+me.&nbsp; What else could they do?&rdquo;</p>
+<p>His pain of mind was most pitiable to see.&nbsp; It was the
+mental torture of a conscientious <!-- page 106--><a
+name="page106"></a><span class="pagenum">p. 106</span>man,
+oppressed beyond endurance by an unintelligible responsibility
+involving life.</p>
+<p>&ldquo;When it first stood under the Danger-light,&rdquo; he
+went on, putting his dark hair back from his head, and drawing
+his hands outward across and across his temples in an extremity
+of feverish distress, &ldquo;why not tell me where that accident
+was to happen&mdash;if it must happen?&nbsp; Why not tell me how
+it could be averted&mdash;if it could have been averted?&nbsp;
+When on its second coming it hid its face, why not tell me
+instead: &lsquo;She is going to die.&nbsp; Let them keep her at
+home&rsquo;?&nbsp; If it came, on those two occasions, only to
+show me that its warnings were true, and so to prepare me for the
+third, why not warn me plainly now?&nbsp; And I, Lord help
+me!&nbsp; A mere poor signal-man on this solitary station!&nbsp;
+Why not go to somebody with credit to be believed, and power to
+act!&rdquo;</p>
+<p>When I saw him in this state, I saw that for the poor
+man&rsquo;s sake, as well as for the public safety, what I had to
+do for the time was, to compose his mind.&nbsp; Therefore,
+setting aside all question of reality or unreality between us, I
+represented to him that whoever thoroughly discharged his duty,
+must do well, and that at least it was his comfort that he
+understood his duty, though he did not understand these
+confounding Appearances.&nbsp; In this effort I succeeded far
+better than in the attempt to reason him out of his
+conviction.&nbsp; <!-- page 107--><a name="page107"></a><span
+class="pagenum">p. 107</span>He became calm; the occupations
+incidental to his post as the night advanced, began to make
+larger demands on his attention; and I left him at two in the
+morning.&nbsp; I had offered to stay through the night, but he
+would not hear of it.</p>
+<p>That I more than once looked back at the red light as I
+ascended the pathway, that I did not like the red light, and that
+I should have slept but poorly if my bed had been under it, I see
+no reason to conceal.&nbsp; Nor, did I like the two sequences of
+the accident and the dead girl.&nbsp; I see no reason to conceal
+that, either.</p>
+<p>But, what ran most in my thoughts was the consideration how
+ought I to act, having become the recipient of this
+disclosure?&nbsp; I had proved the man to be intelligent,
+vigilant, painstaking, and exact; but how long might he remain
+so, in his state of mind?&nbsp; Though in a subordinate position,
+still he held a most important trust, and would I (for instance)
+like to stake my own life on the chances of his continuing to
+execute it with precision?</p>
+<p>Unable to overcome a feeling that there would be something
+treacherous in my communicating what he had told me, to his
+superiors in the Company, without first being plain with himself
+and proposing a middle course to him, I ultimately resolved to
+offer to accompany him (otherwise keeping his secret for the
+present) to the wisest medical <!-- page 108--><a
+name="page108"></a><span class="pagenum">p.
+108</span>practitioner we could hear of in those parts, and to
+take his opinion.&nbsp; A change in his time of duty would come
+round next night, he had apprised me, and he would be off an hour
+or two after sunrise, and on again soon after sunset.&nbsp; I had
+appointed to return accordingly.</p>
+<p>Next evening was a lovely evening, and I walked out early to
+enjoy it.&nbsp; The sun was not yet quite down when I traversed
+the field-path near the top of the deep cutting.&nbsp; I would
+extend my walk for an hour, I said to myself, half an hour on and
+half an hour back, and it would then be time to go to my
+signal-man&rsquo;s box.</p>
+<p>Before pursuing my stroll, I stepped to the brink, and
+mechanically looked down, from the point from which I had first
+seen him.&nbsp; I cannot describe the thrill that seized upon me,
+when, close at the mouth of the tunnel, I saw the appearance of a
+man, with his left sleeve across his eyes, passionately waving
+his right arm.</p>
+<p>The nameless horror that oppressed me, passed in a moment, for
+in a moment I saw that this appearance of a man was a man indeed,
+and that there was a little group of other men standing at a
+short distance, to whom he seemed to be rehearsing the gesture he
+made.&nbsp; The Danger-light was not yet lighted.&nbsp; Against
+its shaft, a little low hut, entirely new to me, had been made of
+some wooden <!-- page 109--><a name="page109"></a><span
+class="pagenum">p. 109</span>supports and tarpaulin.&nbsp; It
+looked no bigger than a bed.</p>
+<p>With an irresistible sense that something was wrong&mdash;with
+a flashing self-reproachful fear that fatal mischief had come of
+my leaving the man there, and causing no one to be sent to
+overlook or correct what he did&mdash;I descended the notched
+path with all the speed I could make.</p>
+<p>&ldquo;What is the matter?&rdquo; I asked the men.</p>
+<p>&ldquo;Signal-man killed this morning, sir.&rdquo;</p>
+<p>&ldquo;Not the man belonging to that box?&rdquo;</p>
+<p>&ldquo;Yes, sir.&rdquo;</p>
+<p>&ldquo;Not the man I know?&rdquo;</p>
+<p>&ldquo;You will recognise him, sir, if you knew him,&rdquo;
+said the man who spoke for the others, solemnly uncovering his
+own head and raising an end of the tarpaulin, &ldquo;for his face
+is quite composed.&rdquo;</p>
+<p>&ldquo;O! how did this happen, how did this happen?&rdquo; I
+asked, turning from one to another as the hut closed in
+again.</p>
+<p>&ldquo;He was cut down by an engine, sir.&nbsp; No man in
+England knew his work better.&nbsp; But somehow he was not clear
+of the outer rail.&nbsp; It was just at broad day.&nbsp; He had
+struck the light, and had the lamp in his hand.&nbsp; As the
+engine came out of the tunnel, his back was towards her, and she
+cut him down.&nbsp; That man drove her, and was showing how it
+happened.&nbsp; Show the gentleman, Tom.&rdquo;</p>
+<p><!-- page 110--><a name="page110"></a><span class="pagenum">p.
+110</span>The man, who wore a rough dark dress, stepped back to
+his former place at the mouth of the tunnel:</p>
+<p>&ldquo;Coming round the curve in the tunnel, sir,&rdquo; he
+said, &ldquo;I saw him at the end, like as if I saw him down a
+perspective-glass.&nbsp; There was no time to check speed, and I
+knew him to be very careful.&nbsp; As he didn&rsquo;t seem to
+take heed of the whistle, I shut it off when we were running down
+upon him, and called to him as loud as I could call.&rdquo;</p>
+<p>&ldquo;What did you say?&rdquo;</p>
+<p>&ldquo;I said, Below there!&nbsp; Look out!&nbsp; Look
+out!&nbsp; For God&rsquo;s sake clear the way!&rdquo;</p>
+<p>I started.</p>
+<p>&ldquo;Ah! it was a dreadful time, sir.&nbsp; I never left off
+calling to him.&nbsp; I put this arm before my eyes, not to see,
+and I waved this arm to the last; but it was no use.&rdquo;</p>
+<div class="gapspace">&nbsp;</div>
+<p>Without prolonging the narrative to dwell on any one of its
+curious circumstances more than on any other, I may, in closing
+it, point out the coincidence that the warning of the
+Engine-Driver included, not only the words which the unfortunate
+Signal-man had repeated to me as haunting him, but also the words
+which I myself&mdash;not he&mdash;had attached, and that only in
+my own mind, to the gesticulation he had imitated.</p>
+<h2><!-- page 111--><a name="page111"></a><span
+class="pagenum">p. 111</span><span class="smcap">No.</span> 2
+BRANCH LINE<br />
+THE ENGINE-DRIVER</h2>
+<p>&ldquo;Altogether?&nbsp; Well.&nbsp; Altogether, since 1841,
+I&rsquo;ve killed seven men and boys.&nbsp; It ain&rsquo;t many
+in all those years.&rdquo;</p>
+<p>These startling words he uttered in a serious tone as he
+leaned against the Station-wall.&nbsp; He was a thick-set,
+ruddy-faced man, with coal-black eyes, the whites of which were
+not white, but a brownish-yellow, and apparently scarred and
+seamed, as if they had been operated upon.&nbsp; They were eyes
+that had worked hard in looking through wind and weather.&nbsp;
+He was dressed in a short black pea-jacket and grimy white canvas
+trousers, and wore on his head a flat black cap.&nbsp; There was
+no sign of levity in his face.&nbsp; His look was serious even to
+sadness, and there was an air of responsibility about his whole
+bearing which assured me that he spoke in earnest.</p>
+<p>&ldquo;Yes, sir, I have been for five-and-twenty years a
+Locomotive Engine-driver; and in all <!-- page 112--><a
+name="page112"></a><span class="pagenum">p. 112</span>that time,
+I&rsquo;ve only killed seven men and boys.&nbsp; There&rsquo;s
+not many of my mates as can say as much for themselves.&nbsp;
+Steadiness, sir&mdash;steadiness and keeping your eyes open, is
+what does it.&nbsp; When I say seven men and boys, I mean my
+mates&mdash;stokers, porters, and so forth.&nbsp; I don&rsquo;t
+count passengers.&rdquo;</p>
+<p>How did he become an engine-driver?</p>
+<p>&ldquo;My father,&rdquo; he said, &ldquo;was a wheelwright in
+a small way, and lived in a little cottage by the side of the
+railway which runs betwixt Leeds and Selby.&nbsp; It was the
+second railway laid down in the kingdom, the second after the
+Liverpool and Manchester, where Mr. Huskisson was killed, as you
+may have heard on, sir.&nbsp; When the trains rushed by, we young
+&rsquo;uns used to run out to look at &rsquo;em, and
+hooray.&nbsp; I noticed the driver turning handles, and making it
+go, and I thought to myself it would be a fine thing to be a
+engine-driver, and have the control of a wonderful machine like
+that.&nbsp; Before the railway, the driver of the mail-coach was
+the biggest man I knew.&nbsp; I thought I should like to be the
+driver of a coach.&nbsp; We had a picture in our cottage of
+George the Third in a red coat.&nbsp; I always mixed up the
+driver of the mail-coach&mdash;who had a red coat, too&mdash;with
+the king, only he had a low-crowned broad-brimmed hat, which the
+king hadn&rsquo;t.&nbsp; In my idea, the king couldn&rsquo;t be a
+greater man than the driver of the mail-coach.&nbsp; <!-- page
+113--><a name="page113"></a><span class="pagenum">p. 113</span>I
+had always a fancy to be a head man of some kind.&nbsp; When I
+went to Leeds once, and saw a man conducting a orchestra, I
+thought I should like to be the conductor of a orchestra.&nbsp;
+When I went home I made myself a baton, and went about the fields
+conducting a orchestra.&nbsp; It wasn&rsquo;t there, of course,
+but I pretended it was.&nbsp; At another time, a man with a whip
+and a speaking-trumpet, on the stage outside a show, took my
+fancy, and I thought I should like to be him.&nbsp; But when the
+train came, the engine-driver put them all in the shade, and I
+was resolved to be a engine-driver.&nbsp; It wasn&rsquo;t long
+before I had to do something to earn my own living, though I was
+only a young &rsquo;un.&nbsp; My father died suddenly&mdash;he
+was killed by thunder and lightning while standing under a tree
+out of the rain&mdash;and mother couldn&rsquo;t keep us
+all.&nbsp; The day after my father&rsquo;s burial I walked down
+to the station, and said I wanted to be a engine-driver.&nbsp;
+The station-master laughed a bit, said I was for beginning early,
+but that I was not quite big enough yet.&nbsp; He gave me a
+penny, and told me to go home and grow, and come again in ten
+years&rsquo; time.&nbsp; I didn&rsquo;t dream of danger
+then.&nbsp; If I couldn&rsquo;t be a engine-driver, I was
+determined to have something to do about a engine; so, as I could
+get nothing else, I went on board a Humber steamer, and broke up
+coals for the stoker.&nbsp; That was how I <!-- page 114--><a
+name="page114"></a><span class="pagenum">p.
+114</span>began.&nbsp; From that, I became a stoker, first on
+board a boat, and then on a locomotive.&nbsp; Then, after two
+years&rsquo; service, I became a driver on the very Line which
+passed our cottage.&nbsp; My mother and my brothers and sisters
+came out to look at me, the first day I drove.&nbsp; I was
+watching for them and they was watching for me, and they waved
+their hands and hoora&rsquo;d, and I waved my hand to them.&nbsp;
+I had the steam well up, and was going at a rattling pace, and
+rare proud I was that minute.&nbsp; Never was so proud in my
+life!</p>
+<p>&ldquo;When a man has a liking for a thing it&rsquo;s as good
+as being clever.&nbsp; In a very short time I became one of the
+best drivers on the Line.&nbsp; That was allowed.&nbsp; I took a
+pride in it, you see, and liked it.&nbsp; No, I didn&rsquo;t know
+much about the engine scientifically, as you call it; but I could
+put her to rights if anything went out of gear&mdash;that is to
+say, if there was nothing broken&mdash;but I couldn&rsquo;t have
+explained how the steam worked inside.&nbsp; Starting a engine,
+it&rsquo;s just like drawing a drop of gin.&nbsp; You turn a
+handle and off she goes; then you turn the handle the other way,
+put on the brakes, and you stop her.&nbsp; There&rsquo;s not much
+more in it, so far.&nbsp; It&rsquo;s no good being scientific and
+knowing the principle of the engine inside; no good at all.&nbsp;
+Fitters, who know all the ins and outs of the engine, make the
+worst drivers.&nbsp; <!-- page 115--><a name="page115"></a><span
+class="pagenum">p. 115</span>That&rsquo;s well known.&nbsp; They
+know too much.&nbsp; It&rsquo;s just as I&rsquo;ve heard of a man
+with regard to <i>his</i> inside: if he knew what a complicated
+machine it is, he would never eat, or drink, or dance, or run, or
+do anything, for fear of busting something.&nbsp; So it is with
+fitters.&nbsp; But us as are not troubled with such thoughts, we
+go ahead.</p>
+<p>&ldquo;But starting a engine&rsquo;s one thing and driving of
+her is another.&nbsp; Any one, a child a&rsquo;most, can turn on
+the steam and turn it off again; but it ain&rsquo;t every one
+that can keep a engine well on the road, no more than it
+ain&rsquo;t every one who can ride a horse properly.&nbsp; It is
+much the same thing.&nbsp; If you gallop a horse right off for a
+mile or two, you take the wind out of him, and for the next mile
+or two you must let him trot or walk.&nbsp; So it is with a
+engine.&nbsp; If you put on too much steam, to get over the
+ground at the start, you exhaust the boiler, and then
+you&rsquo;ll have to crawl along till your fresh water boils
+up.&nbsp; The great thing in driving, is, to go steady, never to
+let your water get too low, nor your fire too low.&nbsp;
+It&rsquo;s the same with a kettle.&nbsp; If you fill it up when
+it&rsquo;s about half empty, it soon comes to the boil again; but
+if you don&rsquo;t fill it up until the water&rsquo;s nearly out,
+it&rsquo;s a long time in coming to the boil again.&nbsp; Another
+thing; you should never make spurts, unless you are detained and
+lose time.&nbsp; You should <!-- page 116--><a
+name="page116"></a><span class="pagenum">p. 116</span>go up a
+incline and down a incline at the same pace.&nbsp; Sometimes a
+driver will waste his steam, and when he comes to a hill he has
+scarcely enough to drag him up.&nbsp; When you&rsquo;re in a
+train that goes by fits and starts, you may be sure that there is
+a bad driver on the engine.&nbsp; That kind of driving frightens
+passengers dreadful.&nbsp; When the train, after rattling along,
+suddenly slackens speed when it ain&rsquo;t near a station, it
+may be in the middle of a tunnel, the passengers think there is
+danger.&nbsp; But generally it&rsquo;s because the driver has
+exhausted his steam.</p>
+<p>&ldquo;I drove the Brighton express, four or five years before
+I come here, and the annuals&mdash;that is, the passengers who
+had annual tickets&mdash;always said they knew when I was on the
+engine, because they wasn&rsquo;t jerked.&nbsp; Gentlemen used to
+say as they came on to the platform, &lsquo;Who drives
+to-day&mdash;Jim Martin?&rsquo;&nbsp; And when the guard told
+them yes, they said &lsquo;All right,&rsquo; and took their seats
+quite comfortable.&nbsp; But the driver never gets so much as a
+shilling; the guard comes in for all that, and he does nothing
+much.&nbsp; Few ever think of the driver.&nbsp; I dare say they
+think the train goes along of itself; yet if we didn&rsquo;t keep
+a sharp look-out, know our duty, and do it, they might all go
+smash at any moment.&nbsp; I used to make that journey to
+Brighton in fifty-two minutes.&nbsp; The papers said forty-nine
+minutes, but that <!-- page 117--><a name="page117"></a><span
+class="pagenum">p. 117</span>was coming it a little too
+strong.&nbsp; I had to watch signals all the way, one every two
+miles, so that me and my stoker were on the stretch all the time,
+doing two things at once&mdash;attending to the engine and
+looking out.&nbsp; I&rsquo;ve driven on this Line, eighty-one
+miles and three-quarters, in eighty-six minutes.&nbsp;
+There&rsquo;s no danger in speed if you have a good road, a good
+engine, and not too many coaches behind.&nbsp; No, we don&rsquo;t
+call them carriages, we call them &lsquo;coaches.&rsquo;</p>
+<p>&ldquo;Yes; oscillation means danger.&nbsp; If you&rsquo;re
+ever in a coach that oscillates much, tell of it at the first
+station and get it coupled up closer.&nbsp; Coaches when
+they&rsquo;re too loose are apt to jump, or swing off the rails;
+and it&rsquo;s quite as dangerous when they&rsquo;re coupled up
+too close.&nbsp; There ought to be just space enough for the
+buffers to work easy.&nbsp; Passengers are frightened in tunnels,
+but there&rsquo;s less danger, <i>now</i>, in tunnels than
+anywhere else.&nbsp; We never enter a tunnel unless it&rsquo;s
+signalled Clear.</p>
+<p>&ldquo;A train can be stopped wonderful quick, even when
+running express, if the guards act with the driver and clap on
+all the brakes promptly.&nbsp; Much depends upon the
+guards.&nbsp; One brake behind, is as good as two in front.&nbsp;
+The engine, you see, loses weight as she burns her coals and
+consumes her water, but the coaches behind don&rsquo;t
+alter.&nbsp; We have a good deal of trouble with young
+guards.&nbsp; In their <!-- page 118--><a
+name="page118"></a><span class="pagenum">p. 118</span>anxiety to
+perform their duties, they put on the brakes too soon, so that
+sometimes we can scarcely drag the train into the station; when
+they grow older at it they are not so anxious, and don&rsquo;t
+put them on soon enough.&nbsp; It&rsquo;s no use to say, when an
+accident happens, that they did not put on the brakes in time;
+they swear they did, and you can&rsquo;t prove that they
+didn&rsquo;t.</p>
+<p>&ldquo;Do I think that the tapping of the wheels with a hammer
+is a mere ceremony?&nbsp; Well, I don&rsquo;t know exactly; I
+should not like to say.&nbsp; It&rsquo;s not often that the chaps
+find anything wrong.&nbsp; They may sometimes be half asleep when
+a train comes into a station in the middle of the night.&nbsp;
+You would be yourself.&nbsp; They ought to tap the axle-box, but
+they don&rsquo;t.</p>
+<p>&ldquo;Many accidents take place that never get into the
+papers; many trains, full of passengers, escape being dashed to
+pieces by next door to a miracle.&nbsp; Nobody knows anything
+about it but the driver and the stoker.&nbsp; I remember once,
+when I was driving on the Eastern Counties.&nbsp; Going round a
+curve, I suddenly saw a train coming along on the same line of
+rails.&nbsp; I clapped on the brake, but it was too late, I
+thought.&nbsp; Seeing the engine almost close upon us, I cried to
+my stoker to jump.&nbsp; He jumped off the engine, almost before
+the words were out of my mouth.&nbsp; I was just taking my hand
+off the lever to follow, when the coming train turned off on the
+points, and <!-- page 119--><a name="page119"></a><span
+class="pagenum">p. 119</span>the next instant the hind coach
+passed my engine by a shave.&nbsp; It was the nearest touch I
+ever saw.&nbsp; My stoker was killed.&nbsp; In another half
+second I should have jumped off and been killed too.&nbsp; What
+would have become of the train without us is more than I can tell
+you.</p>
+<p>&ldquo;There are heaps of people run over, that no one ever
+hears about.&nbsp; One dark night in the Black Country, me and my
+mate felt something wet and warm splash in our faces.&nbsp;
+&lsquo;That didn&rsquo;t come from the engine, Bill,&rsquo; I
+said.&nbsp; &lsquo;No,&rsquo; he said; &lsquo;it&rsquo;s
+something thick, Jim.&rsquo;&nbsp; It was blood.&nbsp;
+That&rsquo;s what it was.&nbsp; We heard afterwards that a
+collier had been run over.&nbsp; When we kill any of our own
+chaps, we say as little about it as possible.&nbsp; It&rsquo;s
+generally&mdash;mostly always&mdash;their own fault.&nbsp; No, we
+never think of danger ourselves.&nbsp; We&rsquo;re used to it,
+you see.&nbsp; But we&rsquo;re not reckless.&nbsp; I don&rsquo;t
+believe there&rsquo;s any body of men that takes more pride in
+their work than engine-drivers do.&nbsp; We are as proud and as
+fond of our engines as if they were living things; as proud of
+them as a huntsman or a jockey is of his horse.&nbsp; And a
+engine has almost as many ways as a horse; she&rsquo;s a kicker,
+a plunger, a roarer, or what not, in her way.&nbsp; Put a
+stranger on to my engine, and he wouldn&rsquo;t know what to do
+with her.&nbsp; Yes; there&rsquo;s wonderful improvements in
+engines since the last great Exhibition.&nbsp; Some of them <!--
+page 120--><a name="page120"></a><span class="pagenum">p.
+120</span>take up their water without stopping.&nbsp;
+That&rsquo;s a wonderful invention, and yet as simple as A B
+C.&nbsp; There are water-troughs at certain places, lying between
+the rails.&nbsp; By moving a lever you let down the mouth of a
+scoop into the water, and as you rush along the water is forced
+into the tank, at the rate of three thousand gallons a
+minute.</p>
+<p>&ldquo;A engine-driver&rsquo;s chief anxiety is to keep time;
+that&rsquo;s what he thinks most of.&nbsp; When I was driving the
+Brighton express, I always felt like as if I was riding a race
+against time.&nbsp; I had no fear of the pace; what I feared was
+losing way, and not getting in to the minute.&nbsp; We have to
+give in an account of our time when we arrive.&nbsp; The company
+provides us with watches, and we go by them.&nbsp; Before
+starting on a journey, we pass through a room to be
+inspected.&nbsp; That&rsquo;s to see if we are sober.&nbsp; But
+they don&rsquo;t say nothing to us, and a man who was a little
+gone might pass easy.&nbsp; I&rsquo;ve known a stoker that had
+passed the inspection, come on to the engine as drunk as a fly,
+flop down among the coals, and sleep there like a log for the
+whole run.&nbsp; I had to be my own stoker then.&nbsp; If you ask
+me if engine-drivers are drinking men, I must answer you that
+they are pretty well.&nbsp; It&rsquo;s trying work; one half of
+you cold as ice; t&rsquo;other half hot as fire; wet one minute,
+dry the next.&nbsp; If ever a man had an excuse for drinking,
+that man&rsquo;s <!-- page 121--><a name="page121"></a><span
+class="pagenum">p. 121</span>a engine-driver.&nbsp; And yet I
+don&rsquo;t know if ever a driver goes upon his engine
+drunk.&nbsp; If he was to, the wind would soon sober him.</p>
+<p>&ldquo;I believe engine-drivers, as a body, are the healthiest
+fellows alive; but they don&rsquo;t live long.&nbsp; The cause of
+that, I believe to be the cold food, and the shaking.&nbsp; By
+the cold food, I mean that a engine-driver never gets his meals
+comfortable.&nbsp; He&rsquo;s never at home to his dinner.&nbsp;
+When he starts away the first thing in the morning, he takes a
+bit of cold meat and a piece of bread with him for his dinner;
+and generally he has to eat it in the shed, for he mustn&rsquo;t
+leave his engine.&nbsp; You can understand how the jolting and
+shaking knocks a man up, after a bit.&nbsp; The insurance
+companies won&rsquo;t take us at ordinary rates.&nbsp;
+We&rsquo;re obliged to be Foresters, or Old Friends, or that sort
+of thing, where they ain&rsquo;t so particular.&nbsp; The wages
+of a engine-driver average about eight shillings a day, but if
+he&rsquo;s a good schemer with his coals&mdash;yes, I mean if he
+economises his coals&mdash;he&rsquo;s allowed so much more.&nbsp;
+Some will make from five to ten shillings a week that way.&nbsp;
+I don&rsquo;t complain of the wages particular; but it&rsquo;s
+hard lines for such as us, to have to pay income-tax.&nbsp; The
+company gives an account of all our wages, and we have to
+pay.&nbsp; It&rsquo;s a shame.</p>
+<p>&ldquo;Our domestic life&mdash;our life at home, you
+mean?&nbsp; Well, as to that, we don&rsquo;t see much <!-- page
+122--><a name="page122"></a><span class="pagenum">p. 122</span>of
+our families.&nbsp; I leave home at half-past seven in the
+morning, and don&rsquo;t get back again until half-past nine, or
+maybe later.&nbsp; The children are not up when I leave, and
+they&rsquo;ve gone to bed again before I come home.&nbsp; This is
+about my day:&mdash;Leave London at 8.45; drive for four hours
+and a half; cold snack on the engine step; see to engine; drive
+back again; clean engine; report myself; and home.&nbsp; Twelve
+hours&rsquo; hard and anxious work, and no comfortable
+victuals.&nbsp; Yes, our wives are anxious about us; for we never
+know when we go out, if we&rsquo;ll ever come back again.&nbsp;
+We ought to go home the minute we leave the station, and report
+ourselves to those that are thinking on us and depending on us;
+but I&rsquo;m afraid we don&rsquo;t always.&nbsp; Perhaps we go
+first to the public-house, and perhaps you would, too, if you
+were in charge of a engine all day long.&nbsp; But the wives have
+a way of their own, of finding out if we&rsquo;re all
+right.&nbsp; They inquire among each other.&nbsp; &lsquo;Have you
+seen my Jim?&rsquo; one says.&nbsp; &lsquo;No,&rsquo; says
+another, &lsquo;but Jack see him coming out of the station half
+an hour ago.&rsquo;&nbsp; Then she knows that her Jim&rsquo;s all
+right, and knows where to find him if she wants him.&nbsp;
+It&rsquo;s a sad thing when any of us have to carry bad news to a
+mate&rsquo;s wife.&nbsp; None of us likes that job.&nbsp; I
+remember when Jack Davidge was killed, none of us could face his
+poor <!-- page 123--><a name="page123"></a><span
+class="pagenum">p. 123</span>missus with the news.&nbsp; She had
+seven children, poor thing, and two of &rsquo;em, the youngest,
+was down with the fever.&nbsp; We got old Mrs. Berridge&mdash;Tom
+Berridge&rsquo;s mother&mdash;to break it to her.&nbsp; But she
+knew summat was the matter, the minute the old woman went in,
+and, afore she spoke a word, fell down like as if she was
+dead.&nbsp; She lay all night like that, and never heard from
+mortal lips until next morning that her Jack was killed.&nbsp;
+But she knew it in her heart.&nbsp; It&rsquo;s a pitch and toss
+kind of a life ours!</p>
+<p>&ldquo;And yet I never was nervous on a engine but once.&nbsp;
+I never think of my own life.&nbsp; You go in for staking that,
+when you begin, and you get used to the risk.&nbsp; I never think
+of the passengers either.&nbsp; The thoughts of a engine-driver
+never go behind his engine.&nbsp; If he keeps his engine all
+right, the coaches behind will be all right, as far as the driver
+is concerned.&nbsp; But once I <i>did</i> think of the
+passengers.&nbsp; My little boy, Bill, was among them that
+morning.&nbsp; He was a poor little cripple fellow that we all
+loved more nor the others, because he <i>was</i> a cripple, and
+so quiet, and wise-like.&nbsp; He was going down to his aunt in
+the country, who was to take care of him for a while.&nbsp; We
+thought the country air would do him good.&nbsp; I did think
+there were lives behind me that morning; at least, I thought hard
+of one little life that was in <!-- page 124--><a
+name="page124"></a><span class="pagenum">p. 124</span>my
+hands.&nbsp; There were twenty coaches on; my little Bill seemed
+to me to be in every one of &rsquo;em.&nbsp; My hand trembled as
+I turned on the steam.&nbsp; I felt my heart thumping as we drew
+close to the pointsman&rsquo;s box; as we neared the Junction, I
+was all in a cold sweat.&nbsp; At the end of the first fifty
+miles I was nearly eleven minutes behind time.&nbsp;
+&lsquo;What&rsquo;s the matter with you this morning?&rsquo; my
+stoker said.&nbsp; &lsquo;Did you have a drop too much last
+night?&rsquo;&nbsp; &lsquo;Don&rsquo;t speak to me, Fred,&rsquo;
+I said, &lsquo;till we get to Peterborough; and keep a sharp
+look-out, there&rsquo;s a good fellow.&rsquo;&nbsp; I never was
+so thankful in my life as when I shut off steam to enter the
+station at Peterborough.&nbsp; Little Bill&rsquo;s aunt was
+waiting for him, and I saw her lift him out of the
+carriage.&nbsp; I called out to her to bring him to me, and I
+took him upon the engine and kissed him&mdash;ah, twenty times I
+should think&mdash;making him in such a mess with grease and
+coal-dust as you never saw.</p>
+<p>&ldquo;I was all right for the rest of the journey.&nbsp; And
+I do believe, sir, the passengers were safer after little Bill
+was gone.&nbsp; It would never do, you see, for engine-drivers to
+know too much, or to feel too much.&rdquo;</p>
+<h2><!-- page 125--><a name="page125"></a><span
+class="pagenum">p. 125</span><span class="smcap">No.</span> 3
+BRANCH LINE<br />
+THE COMPENSATION HOUSE</h2>
+<p>&ldquo;There&rsquo;s not a looking-glass in all the house,
+sir.&nbsp; It&rsquo;s some peculiar fancy of my
+master&rsquo;s.&nbsp; There isn&rsquo;t one in any single room in
+the house.&rdquo;</p>
+<p>It was a dark and gloomy-looking building, and had been
+purchased by this Company for an enlargement of their Goods
+Station.&nbsp; The value of the house had been referred to what
+was popularly called &ldquo;a compensation jury,&rdquo; and the
+house was called, in consequence, The Compensation House.&nbsp;
+It had become the Company&rsquo;s property; but its tenant still
+remained in possession, pending the commencement of active
+building operations.&nbsp; My attention was originally drawn to
+this house because it stood directly in front of a collection of
+huge pieces of timber which lay near this part of the Line, and
+on which I sometimes sat for half an hour at a time, when I was
+tired by my wanderings about Mugby Junction.</p>
+<p><!-- page 126--><a name="page126"></a><span class="pagenum">p.
+126</span>It was square, cold, grey-looking, built of rough-hewn
+stone, and roofed with thin slabs of the same material.&nbsp; Its
+windows were few in number, and very small for the size of the
+building.&nbsp; In the great blank, grey broad-side, there were
+only four windows.&nbsp; The entrance-door was in the middle of
+the house; there was a window on either side of it, and there
+were two more in the single story above.&nbsp; The blinds were
+all closely drawn, and, when the door was shut, the dreary
+building gave no sign of life or occupation.</p>
+<p>But the door was not always shut.&nbsp; Sometimes it was
+opened from within, with a great jingling of bolts and
+door-chains, and then a man would come forward and stand upon the
+door-step, snuffing the air as one might do who was ordinarily
+kept on rather a small allowance of that element.&nbsp; He was
+stout, thick-set, and perhaps fifty or sixty years old&mdash;a
+man whose hair was cut exceedingly close, who wore a large bushy
+beard, and whose eye had a sociable twinkle in it which was
+prepossessing.&nbsp; He was dressed, whenever I saw him, in a
+greenish-brown frock-coat made of some material which was not
+cloth, wore a waistcoat and trousers of light colour, and had a
+frill to his shirt&mdash;an ornament, by the way, which did not
+seem to go at all well with the beard, which was continually in
+contact with it.&nbsp; It was the custom of this <!-- page
+127--><a name="page127"></a><span class="pagenum">p.
+127</span>worthy person, after standing for a short time on the
+threshold inhaling the air, to come forward into the road, and,
+after glancing at one of the upper windows in a half mechanical
+way, to cross over to the logs, and, leaning over the fence which
+guarded the railway, to look up and down the Line (it passed
+before the house) with the air of a man accomplishing a
+self-imposed task of which nothing was expected to come.&nbsp;
+This done, he would cross the road again, and turning on the
+threshold to take a final sniff of air, disappeared once more
+within the house, bolting and chaining the door again as if there
+were no probability of its being reopened for at least a
+week.&nbsp; Yet half an hour had not passed before he was out in
+the road again, sniffing the air and looking up and down the Line
+as before.</p>
+<p>It was not very long before I managed to scrape acquaintance
+with this restless personage.&nbsp; I soon found out that my
+friend with the shirt-frill was the confidential servant, butler,
+valet, factotum, what you will, of a sick gentleman, a Mr. Oswald
+Strange, who had recently come to inhabit the house opposite, and
+concerning whose history my new acquaintance, whose name I
+ascertained was Masey, seemed disposed to be somewhat
+communicative.&nbsp; His master, it appeared, had come down to
+this place, partly for the sake of <!-- page 128--><a
+name="page128"></a><span class="pagenum">p. 128</span>reducing
+his establishment&mdash;not, Mr. Masey was swift to inform me, on
+economical principles, but because the poor gentleman, for
+particular reasons, wished to have few dependents about
+him&mdash;partly in order that he might be near his old friend,
+Dr. Garden, who was established in the neighbourhood, and whose
+society and advice were necessary to Mr. Strange&rsquo;s
+life.&nbsp; That life was, it appeared, held by this suffering
+gentleman on a precarious tenure.&nbsp; It was ebbing away fast
+with each passing hour.&nbsp; The servant already spoke of his
+master in the past tense, describing him to me as a young
+gentleman not more than five-and-thirty years of age, with a
+young face, as far as the features and build of it went, but with
+an expression which had nothing of youth about it.&nbsp; This was
+the great peculiarity of the man.&nbsp; At a distance he looked
+younger than he was by many years, and strangers, at the time
+when he had been used to get about, always took him for a man of
+seven or eight-and-twenty, but they changed their minds on
+getting nearer to him.&nbsp; Old Masey had a way of his own of
+summing up the peculiarities of his master, repeating twenty
+times over: &ldquo;Sir, he was Strange by name, and Strange by
+nature, and Strange to look at into the bargain.&rdquo;</p>
+<p>It was during my second or third interview with the old fellow
+that he uttered the words quoted at the beginning of this plain
+narrative.</p>
+<p><!-- page 129--><a name="page129"></a><span class="pagenum">p.
+129</span>&ldquo;Not such a thing as a looking-glass in all the
+house,&rdquo; the old man said, standing beside my piece of
+timber, and looking across reflectively at the house
+opposite.&nbsp; &ldquo;Not one.&rdquo;</p>
+<p>&ldquo;In the sitting-rooms, I suppose you mean?&rdquo;</p>
+<p>&ldquo;No, sir, I mean sitting-rooms and bedrooms both; there
+isn&rsquo;t so much as a shaving-glass as big as the palm of your
+hand anywhere.&rdquo;</p>
+<p>&ldquo;But how is it?&rdquo; I asked.&nbsp; &ldquo;Why are
+there no looking-glasses in any of the rooms?&rdquo;</p>
+<p>&ldquo;Ah, sir!&rdquo; replied Masey, &ldquo;that&rsquo;s what
+none of us can ever tell.&nbsp; There is the mystery.&nbsp;
+It&rsquo;s just a fancy on the part of my master.&nbsp; He had
+some strange fancies, and this was one of them.&nbsp; A pleasant
+gentleman he was to live with, as any servant could desire.&nbsp;
+A liberal gentleman, and one who gave but little trouble; always
+ready with a kind word, and a kind deed, too, for the matter of
+that.&nbsp; There was not a house in all the parish of St.
+George&rsquo;s (in which we lived before we came down here) where
+the servants had more holidays or a better table kept; but, for
+all that, he had his queer ways and his fancies, as I may call
+them, and this was one of them.&nbsp; And the point he made of
+it, sir,&rdquo; the old man went on; &ldquo;the extent to which
+that regulation was enforced, whenever a new servant was engaged;
+and the changes in the establishment it occasioned.&nbsp; In
+hiring a new servant, the very first stipulation made, was that
+about the looking-glasses.&nbsp; It <!-- page 130--><a
+name="page130"></a><span class="pagenum">p. 130</span>was one of
+my duties to explain the thing, as far as it could be explained,
+before any servant was taken into the house.&nbsp;
+&lsquo;You&rsquo;ll find it an easy place,&rsquo; I used to say,
+&lsquo;with a liberal table, good wages, and a deal of leisure;
+but there&rsquo;s one thing you must make up your mind to; you
+must do without looking-glasses while you&rsquo;re here, for
+there isn&rsquo;t one in the house, and, what&rsquo;s more, there
+never will be.&rsquo;&rdquo;</p>
+<p>&ldquo;But how did you know there never would be one?&rdquo; I
+asked.</p>
+<p>&ldquo;Lor&rsquo; bless you, sir!&nbsp; If you&rsquo;d seen
+and heard all that I&rsquo;d seen and heard, you could have no
+doubt about it.&nbsp; Why, only to take one instance:&mdash;I
+remember a particular day when my master had occasion to go into
+the housekeeper&rsquo;s room where the cook lived, to see about
+some alterations that were making, and when a pretty scene took
+place.&nbsp; The cook&mdash;she was a very ugly woman, and awful
+vain&mdash;had left a little bit of looking-glass, about six
+inches square, upon the chimney-piece; she had got it
+<i>surreptious</i>, and kept it always locked up; but she&rsquo;d
+left it out, being called away suddenly, while titivating her
+hair.&nbsp; I had seen the glass, and was making for the
+chimney-piece as fast as I could; but master came in front of it
+before I could get there, and it was all over in a moment.&nbsp;
+He gave one long piercing look into it, turned deadly pale, and
+seizing the glass, dashed it <!-- page 131--><a
+name="page131"></a><span class="pagenum">p. 131</span>into a
+hundred pieces on the floor, and then stamped upon the fragments
+and ground them into powder with his feet.&nbsp; He shut himself
+up for the rest of that day in his own room, first ordering me to
+discharge the cook, then and there, at a moment&rsquo;s
+notice.&rdquo;</p>
+<p>&ldquo;What an extraordinary thing!&rdquo; I said,
+pondering.</p>
+<p>&ldquo;Ah, sir,&rdquo; continued the old man, &ldquo;it was
+astonishing what trouble I had with those women-servants.&nbsp;
+It was difficult to get any that would take the place at all
+under the circumstances.&nbsp; &lsquo;What not so much as a
+mossul to do one&rsquo;s &rsquo;air at?&rsquo; they would say,
+and they&rsquo;d go off, in spite of extra wages.&nbsp; Then
+those who did consent to come, what lies they would tell, to be
+sure!&nbsp; They would protest that they didn&rsquo;t want to
+look in the glass, that they never had been in the habit of
+looking in the glass, and all the while that very wench would
+have her looking-glass of some kind or another, hid away among
+her clothes up-stairs.&nbsp; Sooner or later, she would bring it
+out too, and leave it about somewhere or other (just like the
+cook), where it was as likely as not that master might see
+it.&nbsp; And then&mdash;for girls like that have no consciences,
+sir&mdash;when I had caught one of &rsquo;em at it, she&rsquo;d
+turn round as bold as brass, &lsquo;And how am I to know whether
+my &rsquo;air&rsquo;s parted straight?&rsquo; she&rsquo;d say,
+just as if it hadn&rsquo;t been considered in her wages that that
+was the <!-- page 132--><a name="page132"></a><span
+class="pagenum">p. 132</span>very thing which she never
+<i>was</i> to know while she lived in our house.&nbsp; A vain
+lot, sir, and the ugly ones always the vainest.&nbsp; There was
+no end to their dodges.&nbsp; They&rsquo;d have looking-glasses
+in the interiors of their workbox-lids, where it was next to
+impossible that I could find &rsquo;em, or inside the covers of
+hymn-books, or cookery-books, or in their caddies.&nbsp; I
+recollect one girl, a sly one she was, and marked with the
+small-pox terrible, who was always reading her prayer-book at odd
+times.&nbsp; Sometimes I used to think what a religious mind
+she&rsquo;d got, and at other times (depending on the mood I was
+in) I would conclude that it was the marriage-service she was
+studying; but one day, when I got behind her to satisfy my
+doubts&mdash;lo and behold! it was the old story: a bit of glass,
+without a frame, fastened into the kiver with the outside edges
+of the sheets of postage-stamps.&nbsp; Dodges!&nbsp; Why
+they&rsquo;d keep their looking-glasses in the scullery or the
+coal-cellar, or leave them in charge of the servants next door,
+or with the milk-woman round the corner; but have &rsquo;em they
+would.&nbsp; And I don&rsquo;t mind confessing, sir,&rdquo; said
+the old man, bringing his long speech to an end, &ldquo;that it
+<i>was</i> an inconveniency not to have so much as a scrap to
+shave before.&nbsp; I used to go to the barber&rsquo;s at first,
+but I soon gave that up, and took to wearing my beard as my
+master did; likewise to keeping my hair&rdquo;<!-- page 133--><a
+name="page133"></a><span class="pagenum">p. 133</span>&mdash;Mr.
+Masey touched his head as he spoke&mdash;&ldquo;so short, that it
+didn&rsquo;t require any parting, before or behind.&rdquo;</p>
+<p>I sat for some time lost in amazement, and staring at my
+companion.&nbsp; My curiosity was powerfully stimulated, and the
+desire to learn more was very strong within me.</p>
+<p>&ldquo;Had your master any personal defect,&rdquo; I inquired,
+&ldquo;which might have made it distressing to him to see his own
+image reflected?&rdquo;</p>
+<p>&ldquo;By no means, sir,&rdquo; said the old man.&nbsp;
+&ldquo;He was as handsome a gentleman as you would wish to see: a
+little delicate-looking and careworn, perhaps, with a very pale
+face; but as free from any deformity as you or I, sir.&nbsp; No,
+sir, no; it was nothing of that.&rdquo;</p>
+<p>&ldquo;Then what was it?&nbsp; What is it?&rdquo; I asked,
+desperately.&nbsp; &ldquo;Is there no one who is, or has been, in
+your master&rsquo;s confidence?&rdquo;</p>
+<p>&ldquo;Yes, sir,&rdquo; said the old fellow, with his eyes
+turning to that window opposite.&nbsp; &ldquo;There is one person
+who knows all my master&rsquo;s secrets, and this secret among
+the rest.&rdquo;</p>
+<p>&ldquo;And who is that?&rdquo;</p>
+<p>The old man turned round and looked at me fixedly.&nbsp;
+&ldquo;The doctor here,&rdquo; he said.&nbsp; &ldquo;Dr.
+Garden.&nbsp; My master&rsquo;s very old friend.&rdquo;</p>
+<p>&ldquo;I should like to speak with this gentleman,&rdquo; I
+said, involuntarily.</p>
+<p>&ldquo;He is with my master now,&rdquo; answered Masey.&nbsp;
+&ldquo;He will be coming out presently, <!-- page 134--><a
+name="page134"></a><span class="pagenum">p. 134</span>and I think
+I may say he will answer any question you may like to put to
+him.&rdquo;&nbsp; As the old man spoke, the door of the house
+opened, and a middle-aged gentleman, who was tall and thin, but
+who lost something of his height by a habit of stooping, appeared
+on the step.&nbsp; Old Masey left me in a moment.&nbsp; He
+muttered something about taking the doctor&rsquo;s directions,
+and hastened across the road.&nbsp; The tall gentleman spoke to
+him for a minute or two very seriously, probably about the
+patient up-stairs, and it then seemed to me from their gestures
+that I myself was the subject of some further conversation
+between them.&nbsp; At all events, when old Masey retired into
+the house, the doctor came across to where I was standing, and
+addressed me with a very agreeable smile.</p>
+<p>&ldquo;John Masey tells me that you are interested in the case
+of my poor friend, sir.&nbsp; I am now going back to my house,
+and if you don&rsquo;t mind the trouble of walking with me, I
+shall be happy to enlighten you as far as I am able.&rdquo;</p>
+<p>I hastened to make my apologies and express my
+acknowledgments, and we set off together.&nbsp; When we had
+reached the doctor&rsquo;s house and were seated in his study, I
+ventured to inquire after the health of this poor gentleman.</p>
+<p>&ldquo;I am afraid there is no amendment, nor any prospect of
+amendment,&rdquo; said the doctor.&nbsp; &ldquo;Old Masey has
+told you something of his strange condition, has he
+not?&rdquo;</p>
+<p><!-- page 135--><a name="page135"></a><span class="pagenum">p.
+135</span>&ldquo;Yes, he has told me something,&rdquo; I
+answered, &ldquo;and he says you know all about it.&rdquo;</p>
+<p>Dr. Garden looked very grave.&nbsp; &ldquo;I don&rsquo;t know
+all about it.&nbsp; I only know what happens when he comes into
+the presence of a looking-glass.&nbsp; But as to the
+circumstances which have led to his being haunted in the
+strangest fashion that I ever heard of, I know no more of them
+than you do.&rdquo;</p>
+<p>&ldquo;Haunted?&rdquo; I repeated.&nbsp; &ldquo;And in the
+strangest fashion that you ever heard of?&rdquo;</p>
+<p>Dr. Garden smiled at my eagerness, seemed to be collecting his
+thoughts, and presently went on:</p>
+<p>&ldquo;I made the acquaintance of Mr. Oswald Strange in a
+curious way.&nbsp; It was on board of an Italian steamer, bound
+from Civita Vecchia to Marseilles.&nbsp; We had been travelling
+all night.&nbsp; In the morning I was shaving myself in the
+cabin, when suddenly this man came behind me, glanced for a
+moment into the small mirror before which I was standing, and
+then, without a word of warning, tore it from the nail, and
+dashed it to pieces at my feet.&nbsp; His face was at first livid
+with passion&mdash;it seemed to me rather the passion of fear
+than of anger&mdash;but it changed after a moment, and he seemed
+ashamed of what he had done.&nbsp; Well,&rdquo; continued the
+doctor, relapsing for a moment into a smile, &ldquo;of course I
+was in a devil of a rage.&nbsp; I was operating on my under-jaw,
+and <!-- page 136--><a name="page136"></a><span
+class="pagenum">p. 136</span>the start the thing gave me caused
+me to cut myself.&nbsp; Besides, altogether it seemed an
+outrageous and insolent thing, and I gave it to poor Strange in a
+style of language which I am sorry to think of now, but which, I
+hope, was excusable at the time.&nbsp; As to the offender
+himself, his confusion and regret, now that his passion was at an
+end, disarmed me.&nbsp; He sent for the steward, and paid most
+liberally for the damage done to the steam-boat property,
+explaining to him, and to some other passengers who were present
+in the cabin, that what had happened had been accidental.&nbsp;
+For me, however, he had another explanation.&nbsp; Perhaps he
+felt that I must know it to have been no accident&mdash;perhaps
+he really wished to confide in some one.&nbsp; At all events, he
+owned to me that what he had done was done under the influence of
+an uncontrollable impulse&mdash;a seizure which took him, he
+said, at times&mdash;something like a fit.&nbsp; He begged my
+pardon, and entreated that I would endeavour to disassociate him
+personally from this action, of which he was heartily
+ashamed.&nbsp; Then he attempted a sickly joke, poor fellow,
+about his wearing a beard, and feeling a little spiteful, in
+consequence, when he saw other people taking the trouble to
+shave; but he said nothing about any infirmity or delusion, and
+shortly after left me.</p>
+<p>&ldquo;In my professional capacity I could not <!-- page
+137--><a name="page137"></a><span class="pagenum">p.
+137</span>help taking some interest in Mr. Strange.&nbsp; I did
+not altogether lose sight of him after our sea-journey to
+Marseilles was over.&nbsp; I found him a pleasant companion up to
+a certain point; but I always felt that there was a reserve about
+him.&nbsp; He was uncommunicative about his past life, and
+especially would never allude to anything connected with his
+travels or his residence in Italy, which, however, I could make
+out had been a long one.&nbsp; He spoke Italian well, and seemed
+familiar with the country, but disliked to talk about it.</p>
+<p>&ldquo;During the time we spent together there were seasons
+when he was so little himself, that I, with a pretty large
+experience, was almost afraid to be with him.&nbsp; His attacks
+were violent and sudden in the last degree; and there was one
+most extraordinary feature connected with them all:&mdash;some
+horrible association of ideas took possession of him whenever he
+found himself before a looking-glass.&nbsp; And after we had
+travelled together for a time, I dreaded the sight of a mirror
+hanging harmlessly against a wall, or a toilet-glass standing on
+a dressing-table, almost as much as he did.</p>
+<p>&ldquo;Poor Strange was not always affected in the same manner
+by a looking-glass.&nbsp; Sometimes it seemed to madden him with
+fury; at other times, it appeared to turn him to stone: remaining
+motionless and speechless as if <!-- page 138--><a
+name="page138"></a><span class="pagenum">p. 138</span>attacked by
+catalepsy.&nbsp; One night&mdash;the worst things always happen
+at night, and oftener than one would think on stormy
+nights&mdash;we arrived at a small town in the central district
+of Auvergne: a place but little known, out of the line of
+railways, and to which we had been drawn, partly by the
+antiquarian attractions which the place possessed, and partly by
+the beauty of the scenery.&nbsp; The weather had been rather
+against us.&nbsp; The day had been dull and murky, the heat
+stifling, and the sky had threatened mischief since the
+morning.&nbsp; At sundown, these threats were fulfilled.&nbsp;
+The thunderstorm, which had been all day coming up&mdash;as it
+seemed to us, against the wind&mdash;burst over the place where
+we were lodged, with very great violence.</p>
+<p>&ldquo;There are some practical-minded persons with strong
+constitutions, who deny roundly that their fellow-creatures are,
+or can be, affected, in mind or body, by atmospheric
+influences.&nbsp; I am not a disciple of that school, simply
+because I cannot believe that those changes of weather, which
+have so much effect upon animals, and even on inanimate objects,
+can fail to have some influence on a piece of machinery so
+sensitive and intricate as the human frame.&nbsp; I think, then,
+that it was in part owing to the disturbed state of the
+atmosphere that, on this particular evening I felt nervous and
+depressed.&nbsp; When my new <!-- page 139--><a
+name="page139"></a><span class="pagenum">p. 139</span>friend
+Strange and I parted for the night, I felt as little disposed to
+go to rest as I ever did in my life.&nbsp; The thunder was still
+lingering among the mountains in the midst of which our inn was
+placed.&nbsp; Sometimes it seemed nearer, and at other times
+further off; but it never left off altogether, except for a few
+minutes at a time.&nbsp; I was quite unable to shake off a
+succession of painful ideas which persistently besieged my
+mind.</p>
+<p>&ldquo;It is hardly necessary to add that I thought from time
+to time of my travelling-companion in the next room.&nbsp; His
+image was almost continually before me.&nbsp; He had been dull
+and depressed all the evening, and when we parted for the night
+there was a look in his eyes which I could not get out of my
+memory.</p>
+<p>&ldquo;There was a door between our rooms, and the partition
+dividing them was not very solid; and yet I had heard no sound
+since I parted from him which could indicate that he was there at
+all, much less that he was awake and stirring.&nbsp; I was in a
+mood, sir, which made this silence terrible to me, and so many
+foolish fancies&mdash;as that he was lying there dead, or in a
+fit, or what not&mdash;took possession of me, that at last I
+could bear it no longer.&nbsp; I went to the door, and, after
+listening, very attentively but quite in vain, for any sound, I
+at last knocked pretty sharply.&nbsp; There was no <!-- page
+140--><a name="page140"></a><span class="pagenum">p.
+140</span>answer.&nbsp; Feeling that longer suspense would be
+unendurable, I, without more ceremony, turned the handle and went
+in.</p>
+<p>&ldquo;It was a great bare room, and so imperfectly lighted by
+a single candle that it was almost impossible&mdash;except when
+the lightning flashed&mdash;to see into its great dark
+corners.&nbsp; A small rickety bedstead stood against one of the
+walls, shrouded by yellow cotton curtains, passed through a great
+iron ring in the ceiling.&nbsp; There was, for all other
+furniture, an old chest of drawers which served also as a
+washing-stand, having a small basin and ewer and a single towel
+arranged on the top of it.&nbsp; There were, moreover, two
+ancient chairs and a dressing-table.&nbsp; On this last, stood a
+large old-fashioned looking-glass with a carved frame.</p>
+<p>&ldquo;I must have seen all these things, because I remember
+them so well now, but I do not know how I could have seen them,
+for it seems to me that, from the moment of my entering that
+room, the action of my senses and of the faculties of my mind was
+held fast by the ghastly figure which stood motionless before the
+looking-glass in the middle of the empty room.</p>
+<p>&ldquo;How terrible it was!&nbsp; The weak light of one candle
+standing on the table shone upon Strange&rsquo;s face, lighting
+it from below, and throwing (as I now remember) his shadow, <!--
+page 141--><a name="page141"></a><span class="pagenum">p.
+141</span>vast and black, upon the wall behind him and upon the
+ceiling overhead.&nbsp; He was leaning rather forward, with his
+hands upon the table supporting him, and gazing into the glass
+which stood before him with a horrible fixity.&nbsp; The sweat
+was on his white face; his rigid features and his pale lips
+showed in that feeble light were horrible, more than words can
+tell, to look at.&nbsp; He was so completely stupefied and lost,
+that the noise I had made in knocking and in entering the room
+was unobserved by him.&nbsp; Not even when I called him loudly by
+name did he move or did his face change.</p>
+<p>&ldquo;What a vision of horror that was, in the great dark
+empty room, in a silence that was something more than negative,
+that ghastly figure frozen into stone by some unexplained
+terror!&nbsp; And the silence and the stillness!&nbsp; The very
+thunder had ceased now.&nbsp; My heart stood still with
+fear.&nbsp; Then, moved by some instinctive feeling, under whose
+influence I acted mechanically, I crept with slow steps nearer
+and nearer to the table, and at last, half expecting to see some
+spectre even more horrible than this which I saw already, I
+looked over his shoulder into the looking-glass.&nbsp; I happened
+to touch his arm, though only in the lightest manner.&nbsp; In
+that one moment the spell which had held him&mdash;who knows how
+long?&mdash;enchained, seemed broken, and he <!-- page 142--><a
+name="page142"></a><span class="pagenum">p. 142</span>lived in
+this world again.&nbsp; He turned round upon me, as suddenly as a
+tiger makes its spring, and seized me by the arm.</p>
+<p>&ldquo;I have told you that even before I entered my
+friend&rsquo;s room I had felt, all that night, depressed and
+nervous.&nbsp; The necessity for action at this time was,
+however, so obvious, and this man&rsquo;s agony made all that I
+had felt, appear so trifling, that much of my own discomfort
+seemed to leave me.&nbsp; I felt that I <i>must</i> be
+strong.</p>
+<p>&ldquo;The face before me almost unmanned me.&nbsp; The eyes
+which looked into mine were so scared with terror, the
+lips&mdash;if I may say so&mdash;looked so speechless.&nbsp; The
+wretched man gazed long into my face, and then, still holding me
+by the arm, slowly, very slowly, turned his head.&nbsp; I had
+gently tried to move him away from the looking-glass, but he
+would not stir, and now he was looking into it as fixedly as
+ever.&nbsp; I could bear this no longer, and, using such force as
+was necessary, I drew him gradually away, and got him to one of
+the chairs at the foot of the bed.&nbsp; &lsquo;Come!&rsquo; I
+said&mdash;after the long silence my voice, even to myself,
+sounded strange and hollow&mdash;&rsquo;come!&nbsp; You are
+over-tired, and you feel the weather.&nbsp; Don&rsquo;t you think
+you ought to be in bed?&nbsp; Suppose you lie down.&nbsp; Let me
+try my medical skill in mixing you a composing
+draught.&rsquo;</p>
+<p><!-- page 143--><a name="page143"></a><span class="pagenum">p.
+143</span>&ldquo;He held my hand, and looked eagerly into my
+eyes.&nbsp; &lsquo;I am better now,&rsquo; he said, speaking at
+last very faintly.&nbsp; Still he looked at me in that wistful
+way.&nbsp; It seemed as if there were something that he wanted to
+do or say, but had not sufficient resolution.&nbsp; At length he
+got up from the chair to which I had led him, and beckoning me to
+follow him, went across the room to the dressing-table, and stood
+again before the glass.&nbsp; A violent shudder passed through
+his frame as he looked into it; but apparently forcing himself to
+go through with what he had now begun, he remained where he was,
+and, without looking away, moved to me with his hand to come and
+stand beside him.&nbsp; I complied.</p>
+<p>&ldquo;&lsquo;Look in there!&rsquo; he said, in an almost
+inaudible tone.&nbsp; He was supported, as before, by his hands
+resting on the table, and could only bow with his head towards
+the glass to intimate what he meant.&nbsp; &lsquo;Look in
+there!&rsquo; he repeated.</p>
+<p>&ldquo;I did as he asked me.</p>
+<p>&ldquo;&lsquo;What do you see?&rsquo; he asked next.</p>
+<p>&ldquo;&lsquo;See?&rsquo; I repeated, trying to speak as
+cheerfully as I could, and describing the reflexion of his own
+face as nearly as I could.&nbsp; &lsquo;I see a very, very pale
+face with sunken cheeks&mdash;&rsquo;</p>
+<p>&ldquo;&lsquo;What?&rsquo; he cried, with an alarm in his
+voice which I could not understand.</p>
+<p><!-- page 144--><a name="page144"></a><span class="pagenum">p.
+144</span>&ldquo;&lsquo;With sunken cheeks,&rsquo; I went on,
+&lsquo;and two hollow eyes with large pupils.&rsquo;</p>
+<p>&ldquo;I saw the reflexion of my friend&rsquo;s face change,
+and felt his hand clutch my arm even more tightly than he had
+done before.&nbsp; I stopped abruptly and looked round at
+him.&nbsp; He did not turn his head towards me, but, gazing still
+into the looking-glass, seemed to labour for utterance.</p>
+<p>&ldquo;&lsquo;What,&rsquo; he stammered at last.&nbsp;
+&lsquo;Do you&mdash;see it&mdash;too?&rsquo;</p>
+<p>&ldquo;&lsquo;See what?&rsquo; I asked, quickly.</p>
+<p>&ldquo;&lsquo;That face!&rsquo; he cried, in accents of
+horror.&nbsp; &lsquo;That face&mdash;which is not mine&mdash;and
+which&mdash;<span class="smcap">I see instead of
+mine</span>&mdash;always!&rsquo;</p>
+<p>&ldquo;I was struck speechless by the words.&nbsp; In a moment
+this mystery was explained&mdash;but what an explanation!&nbsp;
+Worse, a hundred times worse, than anything I had imagined.&nbsp;
+What!&nbsp; Had this man lost the power of seeing his own image
+as it was reflected there before him? and, in its place, was
+there the image of another?&nbsp; Had he changed reflexions with
+some other man?&nbsp; The frightfulness of the thought struck me
+speechless for a time&mdash;then I saw how false an impression my
+silence was conveying.</p>
+<p>&ldquo;&lsquo;No, no, no!&rsquo; I cried, as soon as I could
+speak&mdash;&lsquo;a hundred times, no!&nbsp; I see you, of
+course, and only you.&nbsp; It was your face I attempted to
+describe, and no other.&rsquo;</p>
+<p><!-- page 145--><a name="page145"></a><span class="pagenum">p.
+145</span>&ldquo;He seemed not to hear me.&nbsp; &lsquo;Why, look
+there!&rsquo; he said, in a low, indistinct voice, pointing to
+his own image in the glass.&nbsp; &lsquo;Whose face do you see
+there?&rsquo;</p>
+<p>&ldquo;&lsquo;Why yours, of course.&rsquo;&nbsp; And then,
+after a moment, I added, &lsquo;Whose do you see?&rsquo;</p>
+<p>&ldquo;He answered, like one in a trance,
+&lsquo;<i>His</i>&mdash;only his&mdash;always his!&rsquo;&nbsp;
+He stood still a moment, and then, with a loud and terrific
+scream, repeated those words, &lsquo;<span class="smcap">Always
+his</span>, <span class="smcap">always his</span>,&rsquo; and
+fell down in a fit before me.</p>
+<div class="gapspace">&nbsp;</div>
+<p>&ldquo;I knew what to do now.&nbsp; Here was a thing which, at
+any rate, I could understand.&nbsp; I had with me my usual small
+stock of medicines and surgical instruments, and I did what was
+necessary: first to restore my unhappy patient, and next to
+procure for him the rest he needed so much.&nbsp; He was very
+ill&mdash;at death&rsquo;s door for some days&mdash;and I could
+not leave him, though there was urgent need that I should be back
+in London.&nbsp; When he began to mend, I sent over to England
+for my servant&mdash;John Masey&mdash;whom I knew I could
+trust.&nbsp; Acquainting him with the outlines of the case, I
+left him in charge of my patient, with orders that he should be
+brought over to this country as soon as he was fit to travel.</p>
+<p>&ldquo;That awful scene was always before me.&nbsp; I saw this
+devoted man day after day, with the eyes of my imagination,
+sometimes destroying in <!-- page 146--><a
+name="page146"></a><span class="pagenum">p. 146</span>his rage
+the harmless looking-glass, which was the immediate cause of his
+suffering, sometimes transfixed before the horrid image that
+turned him to stone.&nbsp; I recollect coming upon him once when
+we were stopping at a roadside inn, and seeing him stand so by
+broad daylight.&nbsp; His back was turned towards me, and I
+waited and watched him for nearly half an hour as he stood there
+motionless and speechless, and appearing not to breathe.&nbsp; I
+am not sure but that this apparition seen so by daylight was more
+ghastly than that apparition seen in the middle of the night,
+with the thunder rumbling among the hills.</p>
+<p>&ldquo;Back in London in his own house, where he could command
+in some sort the objects which should surround him, poor Strange
+was better than he would have been elsewhere.&nbsp; He seldom
+went out except at night, but once or twice I have walked with
+him by daylight, and have seen him terribly agitated when we have
+had to pass a shop in which looking-glasses were exposed for
+sale.</p>
+<p>&ldquo;It is nearly a year now since my poor friend followed
+me down to this place, to which I have retired.&nbsp; For some
+months he has been daily getting weaker and weaker, and a disease
+of the lungs has become developed in him, which has brought him
+to his death-bed.&nbsp; I should add, by-the-by, that John Masey
+has been his constant companion ever since I brought them <!--
+page 147--><a name="page147"></a><span class="pagenum">p.
+147</span>together, and I have had, consequently, to look after a
+new servant.</p>
+<p>&ldquo;And now tell me,&rdquo; the doctor added, bringing his
+tale to an end, &ldquo;did you ever hear a more miserable
+history, or was ever man haunted in a more ghastly manner than
+this man?&rdquo;</p>
+<p>I was about to reply when I heard a sound of footsteps
+outside, and before I could speak old Masey entered the room, in
+haste and disorder.</p>
+<p>&ldquo;I was just telling this gentleman,&rdquo; the doctor
+said: not at the moment observing old Masey&rsquo;s changed
+manner: &ldquo;how you deserted me to go over to your present
+master.&rdquo;</p>
+<p>&ldquo;Ah! sir,&rdquo; the man answered, in a troubled voice,
+&ldquo;I&rsquo;m afraid he won&rsquo;t be my master
+long.&rdquo;</p>
+<p>The doctor was on his legs in a moment.&nbsp;
+&ldquo;What!&nbsp; Is he worse?&rdquo;</p>
+<p>&ldquo;I think, sir, he is dying,&rdquo; said the old man.</p>
+<p>&ldquo;Come with me, sir; you may be of use if you can keep
+quiet.&rdquo;&nbsp; The doctor caught up his hat as he addressed
+me in those words, and in a few minutes we had reached The
+Compensation House.&nbsp; A few seconds more, and we were
+standing in a darkened room on the first floor, and I saw lying
+on a bed before me&mdash;pale, emaciated, and, as it seemed,
+dying&mdash;the man whose story I had just heard.</p>
+<p>He was lying with closed eyes when we came into the room, and
+I had leisure to examine his <!-- page 148--><a
+name="page148"></a><span class="pagenum">p.
+148</span>features.&nbsp; What a tale of misery they told!&nbsp;
+They were regular and symmetrical in their arrangement, and not
+without beauty&mdash;the beauty of exceeding refinement and
+delicacy.&nbsp; Force there was none, and perhaps it was to the
+want of this that the faults&mdash;perhaps the crime&mdash;which
+had made the man&rsquo;s life so miserable were to be
+attributed.&nbsp; Perhaps the crime?&nbsp; Yes, it was not likely
+that an affliction, lifelong and terrible, such as this he had
+endured, would come upon him unless some misdeed had provoked the
+punishment.&nbsp; What misdeed we were soon to know.</p>
+<p>It sometimes&mdash;I think generally&mdash;happens that the
+presence of any one who stands and watches beside a sleeping man
+will wake him, unless his slumbers are unusually heavy.&nbsp; It
+was so now.&nbsp; While we looked at him, the sleeper awoke very
+suddenly, and fixed his eyes upon us.&nbsp; He put out his hand
+and took the doctor&rsquo;s in its feeble grasp.&nbsp; &ldquo;Who
+is that?&rdquo; he asked next, pointing towards me.</p>
+<p>&ldquo;Do you wish him to go?&nbsp; The gentleman knows
+something of your sufferings, and is powerfully interested in
+your case; but he will leave us, if you wish it,&rdquo; the
+doctor said.</p>
+<p>&ldquo;No.&nbsp; Let him stay.&rdquo;</p>
+<p>Seating myself out of sight, but where I could both see and
+hear what passed, I waited for what should follow.&nbsp; Dr.
+Garden and John <!-- page 149--><a name="page149"></a><span
+class="pagenum">p. 149</span>Masey stood beside the bed.&nbsp;
+There was a moment&rsquo;s pause.</p>
+<p>&ldquo;I want a looking-glass,&rdquo; said Strange, without a
+word of preface.</p>
+<p>We all started to hear him say those words.&nbsp; &ldquo;I am
+dying,&rdquo; said Strange; &ldquo;will you not grant me my
+request?&rdquo;</p>
+<p>Doctor Garden whispered to old Masey; and the latter left the
+room.&nbsp; He was not absent long, having gone no further than
+the next house.&nbsp; He held an oval-framed mirror in his hand
+when he returned.&nbsp; A shudder passed through the body of the
+sick man as he saw it.</p>
+<p>&ldquo;Put it down,&rdquo; he said,
+faintly&mdash;&ldquo;anywhere&mdash;for the present.&rdquo;</p>
+<p>No one of us spoke.&nbsp; I do not think, in that moment of
+suspense, that we could, any of us, have spoken if we had
+tried.</p>
+<p>The sick man tried to raise himself a little.&nbsp;
+&ldquo;Prop me up,&rdquo; he said.&nbsp; &ldquo;I speak with
+difficulty&mdash;I have something to say.&rdquo;</p>
+<p>They put pillows behind him, so as to raise his head and
+body.</p>
+<p>&ldquo;I have presently a use for it,&rdquo; he said,
+indicating the mirror.&nbsp; &ldquo;I want to
+see&mdash;&rdquo;&nbsp; He stopped, and seemed to change his
+mind.&nbsp; He was sparing of his words.&nbsp; &ldquo;I want to
+tell you&mdash;all about it.&rdquo;&nbsp; Again he was
+silent.&nbsp; Then he seemed to make a great effort and spoke
+once more, beginning very abruptly.</p>
+<p><!-- page 150--><a name="page150"></a><span class="pagenum">p.
+150</span>&ldquo;I loved my wife fondly.&nbsp; I loved
+her&mdash;her name was Lucy.&nbsp; She was English; but, after we
+were married, we lived long abroad&mdash;in Italy.&nbsp; She
+liked the country, and I liked what she liked.&nbsp; She liked to
+draw, too, and I got her a master.&nbsp; He was an Italian.&nbsp;
+I will not give his name.&nbsp; We always called him &lsquo;the
+Master.&rsquo;&nbsp; A treacherous insidious man this was, and,
+under cover of his profession, took advantage of his
+opportunities, and taught my wife to love him&mdash;to love
+him.</p>
+<p>&ldquo;I am short of breath.&nbsp; I need not enter into
+details as to how I found them out; but I did find them
+out.&nbsp; We were away on a sketching expedition when I made my
+discovery.&nbsp; My rage maddened me, and there was one at hand
+who fomented my madness.&nbsp; My wife had a maid, who, it
+seemed, had also loved this man&mdash;the Master&mdash;and had
+been ill treated and deserted by him.&nbsp; She told me
+all.&nbsp; She had played the part of go-between&mdash;had
+carried letters.&nbsp; When she told me these things, it was
+night, in a solitary Italian town, among the mountains.&nbsp;
+&lsquo;He is in his room now,&rsquo; she said, &lsquo;writing to
+her.&rsquo;</p>
+<p>&ldquo;A frenzy took possession of me as I listened to those
+words.&nbsp; I am naturally vindictive&mdash;remember
+that&mdash;and now my longing for revenge was like a
+thirst.&nbsp; Travelling in those lonely regions, I was armed,
+and when the woman said, &lsquo;He is writing to your
+wife,&rsquo; <!-- page 151--><a name="page151"></a><span
+class="pagenum">p. 151</span>I laid hold of my pistols, as by an
+instinct.&nbsp; It has been some comfort to me since, that I took
+them both.&nbsp; Perhaps, at that moment, I may have meant fairly
+by him&mdash;meant that we should fight.&nbsp; I don&rsquo;t know
+what I meant, quite.&nbsp; The woman&rsquo;s words, &lsquo;He is
+in his own room now, writing to her,&rsquo; rung in my
+ears.&rdquo;</p>
+<p>The sick man stopped to take breath.&nbsp; It seemed an hour,
+though it was probably not more than two minutes, before he spoke
+again.</p>
+<p>&ldquo;I managed to get into his room unobserved.&nbsp;
+Indeed, he was altogether absorbed in what he was doing.&nbsp; He
+was sitting at the only table in the room, writing at a
+travelling-desk, by the light of a single candle.&nbsp; It was a
+rude dressing-table, and&mdash;and before him&mdash;exactly
+before him&mdash;there was&mdash;there was a looking-glass.</p>
+<p>&ldquo;I stole up behind him as he sat and wrote by the light
+of the candle.&nbsp; I looked over his shoulder at the letter,
+and I read, &lsquo;Dearest Lucy, my love, my
+darling.&rsquo;&nbsp; As I read the words, I pulled the trigger
+of the pistol I held in my right hand, and killed
+him&mdash;killed him&mdash;but, before he died, he looked up
+once&mdash;not at me, but at my image before him in the glass,
+and his face&mdash;such a face&mdash;has been there&mdash;ever
+since, and mine&mdash;my face&mdash;is gone!&rdquo;</p>
+<p>He fell back exhausted, and we all pressed forward thinking
+that he must be dead, he lay so still.</p>
+<p><!-- page 152--><a name="page152"></a><span class="pagenum">p.
+152</span>But he had not yet passed away.&nbsp; He revived under
+the influence of stimulants.&nbsp; He tried to speak, and
+muttered indistinctly from time to time words of which we could
+sometimes make no sense.&nbsp; We understood, however, that he
+had been tried by an Italian tribunal, and had been found guilty;
+but with such extenuating circumstances that his sentence was
+commuted to imprisonment, during, we thought we made out, two
+years.&nbsp; But we could not understand what he said about his
+wife, though we gathered that she was still alive, from something
+he whispered to the doctor of there being provision made for her
+in his will.</p>
+<p>He lay in a doze for something more than an hour after he had
+told his tale, and then he woke up quite suddenly, as he had done
+when we had first entered the room.&nbsp; He looked round
+uneasily in all directions, until his eye fell on the
+looking-glass.</p>
+<p>&ldquo;I want it,&rdquo; he said, hastily; but I noticed that
+he did not shudder now, as it was brought near.&nbsp; When old
+Masey approached, holding it in his hand, and crying like a
+child, Dr. Garden came forward and stood between him and his
+master, taking the hand of poor Strange in his.</p>
+<p>&ldquo;Is this wise?&rdquo; he asked.&nbsp; &ldquo;Is it good,
+do you think, to revive this misery of your life now, when it is
+so near its close?&nbsp; The chastisement of your crime,&rdquo;
+he added, solemnly, &ldquo;has <!-- page 153--><a
+name="page153"></a><span class="pagenum">p. 153</span>been a
+terrible one.&nbsp; Let us hope in God&rsquo;s mercy that your
+punishment is over.&rdquo;</p>
+<p>The dying man raised himself with a last great effort, and
+looked up at the doctor with such an expression on his face as
+none of us had seen on any face, before.</p>
+<p>&ldquo;I do hope so,&rdquo; he said, faintly, &ldquo;but you
+must let me have my way in this&mdash;for if, now, when I look, I
+see aright&mdash;once more&mdash;I shall then hope yet more
+strongly&mdash;for I shall take it as a sign.&rdquo;</p>
+<p>The doctor stood aside without another word, when he heard the
+dying man speak thus, and the old servant drew near, and,
+stooping over softly, held the looking-glass before his
+master.&nbsp; Presently afterwards, we, who stood around looking
+breathlessly at him, saw such a rapture upon his face, as left no
+doubt upon our minds that the face which had haunted him so long,
+had, in his last hour, disappeared.</p>
+<h2><!-- page 154--><a name="page154"></a><span
+class="pagenum">p. 154</span><span class="smcap">No.</span> 4
+BRANCH LINE<br />
+THE TRAVELLING POST-OFFICE</h2>
+<p>Many years ago, and before this Line was so much as projected,
+I was engaged as a clerk in a Travelling Post-office running
+along the Line of railway from London to a town in the Midland
+Counties, which we will call Fazeley.&nbsp; My duties were to
+accompany the mail-train which left Fazeley at 8.15 <span
+class="smcap">p.m.</span>, and arrived in London about midnight,
+and to return by the day mail leaving London at 10.30 the
+following morning, after which I had an unbroken night at
+Fazeley, while another clerk discharged the same round of work;
+and in this way each alternative evening I was on duty in the
+railway post-office van.&nbsp; At first I suffered a little from
+a hurry and tremor of nerve in pursuing my occupation while the
+train was crashing along under bridges and through tunnels at a
+speed which was then thought marvellous and perilous; but it was
+not long before my hands and eyes <!-- page 155--><a
+name="page155"></a><span class="pagenum">p. 155</span>became
+accustomed to the motion of the carriage, and I could go through
+my business with the same despatch and ease as in the post-office
+of the country town where I had learned it, and from which I had
+been promoted by the influence of the surveyor of the district,
+Mr. Huntingdon.&nbsp; In fact, the work soon fell into a
+monotonous routine, which, night after night, was pursued in an
+unbroken course by myself and the junior clerk, who was my only
+assistant: the railway post-office work not having then attained
+the importance and magnitude it now possesses.</p>
+<p>Our route lay through an agricultural district containing many
+small towns, which made up two or three bags only; one for
+London; another perhaps for the county town; a third for the
+railway post-office, to be opened by us, and the enclosures to be
+distributed according to their various addresses.&nbsp; The
+clerks in many of these small offices were women, as is very
+generally the case still, being the daughters and female
+relatives of the nominal postmaster, who transact most of the
+business of the office, and whose names are most frequently
+signed upon the bills accompanying the bags.&nbsp; I was a young
+man, and somewhat more curious in feminine handwriting than I am
+now.&nbsp; There was one family in particular, whom I had never
+seen, but with whose signatures I was perfectly
+familiar&mdash;clear, <!-- page 156--><a name="page156"></a><span
+class="pagenum">p. 156</span>delicate, and educated, very unlike
+the miserable scrawl upon other letter-bills.&nbsp; One New
+Year&rsquo;s-eve, in a moment of sentiment, I tied a slip of
+paper among a bundle of letters for their office, upon which I
+had written, &ldquo;A happy New Year to you all.&rdquo;&nbsp; The
+next evening brought me a return of my good wishes, signed, as I
+guessed, by three sisters of the name of Clifton.&nbsp; From that
+day, every now and then, a sentence or two as brief as the one
+above passed between us, and the feeling of acquaintance and
+friendship grew upon me, though I had never yet had an
+opportunity of seeing my fair unknown friends.</p>
+<p>It was towards the close of the following October that it came
+under my notice that the then Premier of the ministry was paying
+an autumn visit to a nobleman, whose country seat was situated
+near a small village on our line of rail.&nbsp; The
+Premier&rsquo;s despatch-box, containing, of course, all the
+despatches which it was necessary to send down to him, passed
+between him and the Secretary of State, and was, as usual,
+entrusted to the care of the post-office.&nbsp; The Continent was
+just then in a more than ordinarily critical state; we were
+thought to be upon the verge of an European war; and there were
+murmurs floating about, at the dispersion of the ministry up and
+down the country.&nbsp; These circumstances made the <!-- page
+157--><a name="page157"></a><span class="pagenum">p.
+157</span>charge of the despatch-box the more interesting to
+me.&nbsp; It was very similar in size and shape to the
+old-fashioned workboxes used by ladies before boxes of polished
+and ornamental wood came into vogue, and, like them, it was
+covered with red morocco leather, and it fastened with a lock and
+key.&nbsp; The first time it came into my hands I took such
+special notice of it as might be expected.&nbsp; Upon one corner
+of the lid I detected a peculiar device scratched slightly upon
+it, most probably with the sharp point of a steel pen, in such a
+moment of preoccupation of mind as causes most of us to draw odd
+lines and caricatured faces upon any piece of paper which may lie
+under our hand.&nbsp; It was the old revolutionary device of a
+heart with a dagger piercing it; and I wondered whether it could
+be the Premier, or one of his secretaries, who had traced it upon
+the morocco.</p>
+<p>This box had been travelling up and down for about ten days,
+and, as the village did not make up a bag for London, there being
+very few letters excepting those from the great house, the
+letter-bag from the house, and the despatch-box, were handed
+direct into our travelling post-office.&nbsp; But in compliment
+to the presence of the Premier in the neighbourhood, the train,
+instead of slackening speed only, stopped altogether, in order
+that the Premier&rsquo;s trusty and confidential messenger <!--
+page 158--><a name="page158"></a><span class="pagenum">p.
+158</span>might deliver the important box into my own hands, that
+its perfect safety might be ensured.&nbsp; I had an undefined
+suspicion that some person was also employed to accompany the
+train up to London, for three or four times I had met with a
+foreign-looking gentleman at Euston-square, standing at the door
+of the carriage nearest the post-office van, and eyeing the heavy
+bags as they were transferred from my care to the custody of the
+officials from the General Post-office.&nbsp; But though I felt
+amused and somewhat nettled at this needless precaution, I took
+no further notice of the man, except to observe that he had the
+swarthy aspect of a foreigner, and that he kept his face well
+away from the light of the lamps.&nbsp; Except for these things,
+and after the first time or two, the Premier&rsquo;s despatch-box
+interested me no more than any other part of my charge.&nbsp; My
+work had been doubly monotonous for some time past, and I began
+to think it time to get up some little entertainment with my
+unknown friends, the Cliftons.&nbsp; I was just thinking of it as
+the train stopped at the station about a mile from the town where
+they lived, and their postman, a gruff matter-of-fact
+fellow&mdash;you could see it in every line of his face&mdash;put
+in the letter-bags, and with them a letter addressed to me.&nbsp;
+It was in an official envelope, &ldquo;On Her Majesty&rsquo;s
+Service,&rdquo; and the seal was an official seal.&nbsp; On <!--
+page 159--><a name="page159"></a><span class="pagenum">p.
+159</span>the folded paper inside it (folded officially also) I
+read the following order: &ldquo;Mr. Wilcox is requested to
+permit the bearer, the daughter of the postmaster at Eaton, to
+see the working of the railway post-office during the
+up-journey.&rdquo;&nbsp; The writing I knew well as being that of
+one of the surveyor&rsquo;s clerks, and the signature was Mr.
+Huntingdon&rsquo;s.&nbsp; The bearer of the order presented
+herself at the door, the snorting of the engine gave notice of
+the instant departure of the train, I held out my hand, the young
+lady sprang lightly and deftly into the van, and we were off
+again on our midnight journey.</p>
+<p>She was a small slight creature, one of those slender little
+girls one never thinks of as being a woman, dressed neatly and
+plainly in a dark dress, with a veil hanging a little over her
+face and tied under her chin: the most noticeable thing about her
+appearance being a great mass of light hair, almost yellow, which
+had got loose in some way, and fell down her neck in thick wavy
+tresses.&nbsp; She had a free pleasant way about her, not in the
+least bold or forward, which in a minute or two made her presence
+seem the most natural thing in the world.&nbsp; As she stood
+beside me before the row of boxes into which I was sorting my
+letters, she asked questions and I answered as if it were quite
+an every-day occurrence for us to be travelling up together in
+the night mail <!-- page 160--><a name="page160"></a><span
+class="pagenum">p. 160</span>to Euston-square station.&nbsp; I
+blamed myself for an idiot that I had not sooner made an
+opportunity for visiting my unknown friends at Eaton.</p>
+<p>&ldquo;Then,&rdquo; I said, putting down the letter-bill from
+their own office before her, &ldquo;may I ask which of the
+signatures I know so well, is yours?&nbsp; Is it A. Clifton, or
+M. Clifton, or S. Clifton?&rdquo;&nbsp; She hesitated a little,
+and blushed, and lifted up her frank childlike eyes to mine.</p>
+<p>&ldquo;I am A. Clifton,&rdquo; she answered.</p>
+<p>&ldquo;And your name?&rdquo; I said.</p>
+<p>&ldquo;Anne;&rdquo; then, as if anxious to give some
+explanation to me of her present position, she added, &ldquo;I
+was going up to London on a visit, and I thought it would be so
+nice to travel in the post-office to see how the work was done,
+and Mr. Huntingdon came to survey our office, and he said he
+would send me an order.&rdquo;</p>
+<p>I felt somewhat surprised, for a stricter martinet than Mr.
+Huntingdon did not breathe; but I glanced down at the small
+innocent face at my side, and cordially approved of his departure
+from ordinary rules.</p>
+<p>&ldquo;Did you know you would travel with me?&rdquo; I asked,
+in a lower voice; for Tom Morville, my junior, was at my other
+elbow.</p>
+<p>&ldquo;I knew I should travel with Mr. Wilcox,&rdquo; <!--
+page 161--><a name="page161"></a><span class="pagenum">p.
+161</span>she answered, with a smile that made all my nerves
+tingle.</p>
+<p>&ldquo;You have not written me a word for ages,&rdquo; said I,
+reproachfully.</p>
+<p>&ldquo;You had better not talk, or you&rsquo;ll be making
+mistakes,&rdquo; she replied, in an arch tone.&nbsp; It was quite
+true; for, a sudden confusion coming over me, I was sorting the
+letters at random.</p>
+<p>We were just then approaching the small station where the
+letter-bag from the great house was taken up.&nbsp; The engine
+was slackening speed.&nbsp; Miss Clifton manifested some natural
+and becoming diffidence.</p>
+<p>&ldquo;It would look so odd,&rdquo; she said, &ldquo;to any
+one on the platform, to see a girl in the post-office van!&nbsp;
+And they couldn&rsquo;t know I was a postmaster&rsquo;s daughter,
+and had an order from Mr. Huntingdon.&nbsp; Is there no dark
+corner to shelter me?&rdquo;</p>
+<p>I must explain to you in a word or two the construction of the
+van, which was much less efficiently fitted up than the
+travelling post-offices of the present day.&nbsp; It was a
+reversible van, with a door at each right-hand corner.&nbsp; At
+each door the letter-boxes were so arranged as to form a kind of
+screen about two feet in width, which prevented people from
+seeing all over the carriage at once.&nbsp; Thus the door at the
+far end of the van, the one not in use at the time, was thrown
+into deep shadow, and <!-- page 162--><a name="page162"></a><span
+class="pagenum">p. 162</span>the screen before it turned it into
+a small niche, where a slight little person like Miss Clifton was
+very well concealed from curious eyes.&nbsp; Before the train
+came within the light from the lamps on the platform, she
+ensconced herself in this shelter.&nbsp; No one but I could see
+her laughing face, as she stood there leaning cautiously forward
+with her finger pressed upon her rosy lips, peeping at the
+messenger who delivered into my own hands the Premier&rsquo;s
+despatch-box, while Tom Morville received the letter-bag of the
+great house.</p>
+<p>&ldquo;See,&rdquo; I said, when we were again in motion, and
+she had emerged from her concealment, &ldquo;this is the
+Premier&rsquo;s despatch-box, going back to the Secretary of
+State.&nbsp; There are some state secrets for you, and ladies are
+fond of secrets.&rdquo;</p>
+<p>&ldquo;Oh! I know nothing about politics,&rdquo; she answered,
+indifferently, &ldquo;and we have had that box through our office
+a time or two.&rdquo;</p>
+<p>&ldquo;Did you ever notice this mark upon it,&rdquo; I
+asked&mdash;&ldquo;a heart with a dagger through it?&rdquo; and
+bending down my face to hers, I added a certain spooney remark,
+which I do not care to repeat.&nbsp; Miss Clifton tossed her
+little head, and pouted her lips; but she took the box out of my
+hands, and carried it to the lamp nearest the further end of the
+van, after which she put it down upon the counter close beside
+the screen, and I thought no more about it.&nbsp; The <!-- page
+163--><a name="page163"></a><span class="pagenum">p.
+163</span>midnight ride was entertaining in the extreme, for the
+girl was full of young life and sauciness and merry humour.&nbsp;
+I can safely aver that I have never been to an evening&rsquo;s
+so-called entertainment which, to me, was half so
+enjoyable.&nbsp; It added also to the zest and keen edge of the
+enjoyment to see her hasten to hide herself whenever I told her
+we were going to stop to take up the mails.</p>
+<p>&ldquo;We had passed Watford, the last station at which we
+stopped, before I became alive to the recollection that our work
+was terribly behindhand.&nbsp; Miss Clifton also became grave,
+and sat at the end of the counter very quiet and subdued, as if
+her frolic were over, and it was possible she might find
+something to repent of in it.&nbsp; I had told her we should stop
+no more until we reached Euston-square station, but to my
+surprise I felt our speed decreasing, and our train coming to a
+standstill.&nbsp; I looked out and called to the guard in the van
+behind, who told me he supposed there was something on the line
+before us, and that we should go on in a minute or two.&nbsp; I
+turned my head, and gave this information to my fellow-clerk and
+Miss Clifton.</p>
+<p>&ldquo;Do you know where we are?&rdquo; she asked, in a
+frightened tone.</p>
+<p>&ldquo;At Camden-town,&rdquo; I replied.&nbsp; She sprang
+hastily from her seat, and came towards me.</p>
+<p>&ldquo;I am close to my friend&rsquo;s house here,&rdquo; she
+<!-- page 164--><a name="page164"></a><span class="pagenum">p.
+164</span>said, &ldquo;so it is a lucky thing for me.&nbsp; It is
+not five minutes&rsquo; walk from the station.&nbsp; I will say
+good-bye to you now, Mr. Wilcox, and I thank you a thousand times
+for your kindness.&rdquo;</p>
+<p>She seemed flurried, and she held out both her little hands to
+me in an appealing kind of way, as if she were afraid of my
+detaining her against her will.&nbsp; I took them both into mine,
+pressing them with rather more ardour than was quite
+necessary.</p>
+<p>&ldquo;I do not like you to go alone at this hour,&rdquo; I
+said, &ldquo;but there is no help for it.&nbsp; It has been a
+delightful time to me.&nbsp; Will you allow me to call upon you
+to-morrow morning early, for I leave London at 10.30; or on
+Wednesday, when I shall be in town again?&rdquo;</p>
+<p>&ldquo;O,&rdquo; she answered, hanging her head, &ldquo;I
+don&rsquo;t know.&nbsp; I&rsquo;ll write and tell mamma how kind
+you have been, and, and&mdash;but I must go, Mr.
+Wilcox.&rdquo;</p>
+<p>&ldquo;I don&rsquo;t like your going alone,&rdquo; I
+repeated.</p>
+<p>&ldquo;O! I know the way perfectly,&rdquo; she said, in the
+same flurried manner, &ldquo;perfectly, thank you.&nbsp; And it
+is close at hand.&nbsp; Goodbye.&rdquo;</p>
+<p>She jumped lightly out of the carriage, and the train started
+on again at the same instant.&nbsp; We were busy enough, as you
+may suppose.&nbsp; In five minutes more we should be in
+Euston-square, and there was nearly fifteen minutes <!-- page
+165--><a name="page165"></a><span class="pagenum">p.
+165</span>work still to be done.&nbsp; Spite of the enjoyment he
+had afforded me, I mentally anathematised Mr. Huntingdon and his
+departure from ordinary rules, and, thrusting Miss Clifton
+forcibly out of my thoughts, I set to work with a will, gathered
+up the registered letters for London, tied them into a bundle
+with the paper bill, and then turned to the corner of the counter
+for the despatch-box.</p>
+<p>You have guessed already my cursed misfortune.&nbsp; The
+Premier&rsquo;s despatch-box was not there.&nbsp; For the first
+minute or so I was in nowise alarmed, and merely looked round,
+upon the floor, under the bags, into the boxes, into any place
+into which it could have fallen or been deposited.&nbsp; We
+reached Euston-square while I was still searching, and losing
+more and more of my composure every instant.&nbsp; Tom Morville
+joined me in my quest, and felt every bag which had been made up
+and sealed.&nbsp; The box was no small article which could go
+into little compass; it was certainly twelve inches long, and
+more than that in girth.&nbsp; But it turned up nowhere.&nbsp; I
+never felt nearer fainting than at that moment.</p>
+<p>&ldquo;Could Miss Clifton have carried it off?&rdquo;
+suggested Tom Morville.</p>
+<p>&ldquo;No,&rdquo; I said, indignantly but thoughtfully,
+&ldquo;she couldn&rsquo;t have carried off such a bulky thing as
+that, without our seeing it.&nbsp; It would not go into one of
+our pockets, Tom, and she <!-- page 166--><a
+name="page166"></a><span class="pagenum">p. 166</span>wore a
+tight-fitting jacket that would not conceal anything.&rdquo;</p>
+<p>&ldquo;No, she can&rsquo;t have it,&rdquo; assented Tom;
+&ldquo;then it must be somewhere about.&rdquo;&nbsp; We searched
+again and again, turning over everything in the van, but without
+success.&nbsp; The Premier&rsquo;s despatch-box was gone; and all
+we could do at first was to stand and stare at one another.&nbsp;
+Our trance of blank dismay was of short duration, for the van was
+assailed by the postmen from St. Martin&rsquo;s-le-Grand, who
+were waiting for our charge.&nbsp; In a stupor of bewilderment we
+completed our work, and delivered up the mails; then, once more
+we confronted one another with pale faces, frightened out of our
+seven senses.&nbsp; All the scrapes we had ever been in (and we
+had had our usual share of errors and blunders) faded into utter
+insignificance compared with this.&nbsp; My eye fell upon Mr.
+Huntingdon&rsquo;s order lying among some scraps of waste paper
+on the floor, and I picked it up, and put it carefully, with its
+official envelope, into my pocket.</p>
+<p>&ldquo;We can&rsquo;t stay here,&rdquo; said Tom.&nbsp; The
+porters were looking in inquisitively; we were seldom so long in
+quitting oar empty van.</p>
+<p>&ldquo;No,&rdquo; I replied, a sudden gleam of sense darting
+across the blank bewilderment of my brain; &ldquo;no, we must go
+to head-quarters at <!-- page 167--><a name="page167"></a><span
+class="pagenum">p. 167</span>once, and make a clean breast of
+it.&nbsp; This is no private business, Tom.&rdquo;</p>
+<p>We made one more ineffectual search, and then we hailed a cab
+and drove as hard as we could to the General Post-office.&nbsp;
+The secretary of the Post-office was not there, of course, but we
+obtained the address of his residence in one of the suburbs, four
+or five miles from the City, and we told no one of our
+misfortune, my idea being that the fewer who were made acquainted
+with the loss the better.&nbsp; My judgment was in the right
+there.</p>
+<p>We had to knock up the household of the secretary&mdash;a
+formidable personage with whom I had never been brought into
+contact before&mdash;and in a short time we were holding a
+strictly private and confidential interview with him, by the
+glimmer of a solitary candle, just serving to light up his severe
+face, which changed its expression several times as I narrated
+the calamity.&nbsp; It was too stupendous for rebuke, and I
+fancied his eyes softened with something like commiseration as he
+gazed upon us.&nbsp; After a short interval of deliberation, he
+announced his intention of accompanying us to the residence of
+the Secretary of State; and in a few minutes we were driving back
+again to the opposite extremity of London.&nbsp; It was not far
+off the hour for the morning delivery of letters when we reached
+our destination; but the atmosphere was yellow with <!-- page
+168--><a name="page168"></a><span class="pagenum">p.
+168</span>fog, and we could see nothing as we passed along in
+almost utter silence, for neither of us ventured to speak, and
+the secretary only made a brief remark now and then.&nbsp; We
+drove up to some dwelling enveloped in fog, and we were left in
+the cab for nearly half an hour, while our secretary went
+in.&nbsp; At the end of that time we were summoned to an
+apartment where there was seated at a large desk a small spare
+man, with a great head, and eyes deeply sunk under the
+brows.&nbsp; There was no form of introduction, of course, and we
+could only guess who he might be; but we were requested to repeat
+our statement, and a few shrewd questions were put to us by the
+stranger.&nbsp; We were eager to put him in possession of
+everything we knew, but that was little beyond the fact that the
+despatch-box was lost.</p>
+<p>&ldquo;That young person must have taken it,&rdquo; he
+said.</p>
+<p>&ldquo;She could not, sir,&rdquo; I answered, positively, but
+deferentially.&nbsp; &ldquo;She wore the tightest-fitting pelisse
+I ever saw, and she gave me both her hands when she said
+good-bye.&nbsp; She could not possibly have it concealed about
+her.&nbsp; It would not go into my pocket.&rdquo;</p>
+<p>&ldquo;How did she come to travel up with you in the van,
+sir?&rdquo; he asked severely.</p>
+<p>I gave him for answer the order signed by Mr.
+Huntingdon.&nbsp; He and our secretary scanned it closely.</p>
+<p><!-- page 169--><a name="page169"></a><span class="pagenum">p.
+169</span>&ldquo;It is Huntingdon&rsquo;s signature without
+doubt,&rdquo; said the latter; &ldquo;I could swear to it
+anywhere.&nbsp; This is an extraordinary circumstance!&rdquo;</p>
+<p>It was an extraordinary circumstance.&nbsp; The two retired
+into an adjoining room, where they stayed for another half-hour,
+and when they returned to us their faces still bore an aspect of
+grave perplexity.</p>
+<p>&ldquo;Mr. Wilcox and Mr. Morville,&rdquo; said our secretary,
+&ldquo;it is expedient that this affair should be kept inviolably
+secret.&nbsp; You must even be careful not to hint that you hold
+any secret.&nbsp; You did well not to announce your loss at the
+Post-office, and I shall cause it to be understood that you had
+instructions to take the despatch-box direct to its
+destination.&nbsp; Your business now is to find the young woman,
+and return with her not later than six o&rsquo;clock this
+afternoon to my office at the General Post-office.&nbsp; What
+other steps we think it requisite to take, you need know nothing
+about; the less you know, the better for yourselves.&rdquo;</p>
+<p>Another gleam of commiseration in his official eye made our
+hearts sink within us.&nbsp; We departed promptly, and, with that
+instinct of wisdom which at times dictates infallibly what course
+we should pursue, we decided our line of action.&nbsp; Tom
+Morville was to go down to Camden-town, and inquire at every
+house for Miss Clifton, while I&mdash;there would <!-- page
+170--><a name="page170"></a><span class="pagenum">p. 170</span>be
+just time for it&mdash;was to run down to Eaton by train and
+obtain her exact address from her parents.&nbsp; We agreed to
+meet at the General Post-office at half-past five, if I could
+possibly reach it by that time; but in any case Tom was to report
+himself to the secretary and account for my absence.</p>
+<p>When I arrived at the station at Eaton, I found that I had
+only forty-five minutes before the up train went by.&nbsp; The
+town was nearly a mile away, but I made all the haste I could to
+reach it.&nbsp; I was not surprised to find the post-office in
+connexion with a bookseller&rsquo;s shop, and I saw a pleasant
+elderly lady seated behind the counter, while a tall dark-haired
+girl was sitting at some work a little out of sight.&nbsp; I
+introduced myself at once.</p>
+<p>&ldquo;I am Frank Wilcox, of the railway post-office, and I
+have just run down to Eaton to obtain some information from
+you.&rdquo;</p>
+<p>&ldquo;Certainly.&nbsp; We know you well by name,&rdquo; was
+the reply, given in a cordial manner, which was particularly
+pleasant to me.</p>
+<p>&ldquo;Will you be so good as give me the address of Miss Anne
+Clifton in Camden-town?&rdquo; I said.</p>
+<p>&ldquo;Miss Anne Clifton?&rdquo; ejaculated the lady.</p>
+<p>&ldquo;Yes.&nbsp; Your daughter, I presume.&nbsp; Who went up
+to London last night.&rdquo;</p>
+<p>&ldquo;I have no daughter Anne,&rdquo; she said; &ldquo;I am
+Anne Clifton, and my daughters are named <!-- page 171--><a
+name="page171"></a><span class="pagenum">p. 171</span>Mary and
+Susan.&nbsp; This is my daughter Mary.&rdquo;</p>
+<p>The tall dark-haired girl had left her seat, and now stood
+beside her mother.&nbsp; Certainly she was very unlike the small
+golden-haired coquette who had travelled up to London with me as
+Anne Clifton.</p>
+<p>&ldquo;Madam,&rdquo; I said, scarcely able to speak, &ldquo;is
+your other daughter a slender little creature, exactly the
+reverse of this young lady?&rdquo;</p>
+<p>&ldquo;No,&rdquo; she answered, laughing; &ldquo;Susan is both
+taller and darker than Mary.&nbsp; Call Susan, my
+dear.&rdquo;</p>
+<p>In a few seconds Miss Susan made her appearance, and I had the
+three before me&mdash;A. Clifton, S. Clifton, and M.
+Clifton.&nbsp; There was no other girl in the family; and when I
+described the young lady who had travelled under their name, they
+could not think of any one in the town&mdash;it was a small
+one&mdash;who answered my description, or who had gone on a visit
+to London.&nbsp; I had no time to spare, and I hurried back to
+the station, just catching the train as it left the
+platform.&nbsp; At the appointed hour I met Morville at the
+General Post-office, and threading the long passages of the
+secretary&rsquo;s offices, we at length found ourselves anxiously
+waiting in an ante-room, until we were called into his
+presence.&nbsp; Morville had discovered nothing, except that the
+porters and policemen at Camden-town station had <!-- page
+172--><a name="page172"></a><span class="pagenum">p.
+172</span>seen a young lady pass out last night, attended by a
+swarthy man who looked like a foreigner, and carried a small
+black portmanteau.</p>
+<p>I scarcely know how long we waited; it might have been years,
+for I was conscious of an ever-increasing difficulty in
+commanding my thoughts, or fixing them upon the subject which had
+engrossed them all day.&nbsp; I had not tasted food for
+twenty-four hours, nor closed my eyes for thirty-six, while,
+during the whole of the time, my nervous system had been on full
+strain.</p>
+<p>Presently, the summons came, and I was ushered, first, into
+the inner apartment.&nbsp; There sat five gentlemen round a
+table, which was strewed with a number of documents.&nbsp; There
+were the Secretary of State, whom we had seen in the morning, our
+secretary, and Mr. Huntingdon; the fourth was a fine-looking man,
+whom I afterwards knew to be the Premier; the fifth I recognised
+as our great chief, the Postmaster-General.&nbsp; It was an
+august assemblage to me, and I bowed low; but my head was dizzy,
+and my throat parched.</p>
+<p>&ldquo;Mr. Wilcox,&rdquo; said our secretary, &ldquo;you will
+tell these gentlemen again, the circumstances of the loss you
+reported to me this morning.&rdquo;</p>
+<p>I laid my hand upon the back of a chair to steady myself, and
+went through the narration for the third time, passing over
+sundry remarks made by myself to the young lady.&nbsp; That <!--
+page 173--><a name="page173"></a><span class="pagenum">p.
+173</span>done, I added the account of my expedition to Eaton,
+and the certainty at which I had arrived that my fellow-traveller
+was not the person she represented herself to be.&nbsp; After
+which, I inquired with indescribable anxiety if Mr.
+Huntingdon&rsquo;s order were a forgery?</p>
+<p>&ldquo;I cannot tell, Mr. Wilcox,&rdquo; said that gentleman,
+taking the order into his hands, and regarding it with an air of
+extreme perplexity.&nbsp; &ldquo;I could have sworn it was mine,
+had it been attached to any other document.&nbsp; I think
+Forbes&rsquo;s handwriting is not so well imitated.&nbsp; But it
+is the very ink I use, and mine is a peculiar
+signature.&rdquo;</p>
+<p>It was a very peculiar and old-fashioned signature, with a
+flourish underneath it not unlike a whip-handle, with the lash
+caught round it in the middle; but that did not make it the more
+difficult to forge, as I humbly suggested.&nbsp; Mr. Huntingdon
+wrote his name upon a paper, and two or three of the gentlemen
+tried to imitate the flourish, but vainly.&nbsp; They gave it up
+with a smile upon their grave faces.</p>
+<p>&ldquo;You have been careful not to let a hint of this matter
+drop from you, Mr. Wilcox?&rdquo; said the
+Postmaster-General.</p>
+<p>&ldquo;Not a syllable, my lord,&rdquo; I answered.</p>
+<p>&ldquo;It is imperatively necessary that the secret should be
+kept.&nbsp; You would be removed from the temptation of telling
+it, if you had an <!-- page 174--><a name="page174"></a><span
+class="pagenum">p. 174</span>appointment in some office
+abroad.&nbsp; The packet-agency at Alexandria is vacant, and I
+will have you appointed to it at once.&rdquo;</p>
+<p>It would be a good advance from my present situation, and
+would doubtless prove a stepping-stone to other and better
+appointments; but I had a mother living at Fazeley, bedridden and
+paralytic, who had no pleasure in existence except having me to
+dwell under the same roof with her.&nbsp; My head was growing
+more and more dizzy, and a strange vagueness was creeping over
+me.</p>
+<p>&ldquo;Gentlemen,&rdquo; I muttered, &ldquo;I have a bedridden
+mother whom I cannot leave.&nbsp; I was not to blame,
+gentlemen.&rdquo;&nbsp; I fancied there was a stir and movement
+at the table, but my eyes were dim, and in another second I had
+lost consciousness.</p>
+<p>When I came to myself, in two or three minutes, I found that
+Mr. Huntingdon was kneeling on the floor beside me, supporting my
+head, while our secretary held a glass of wine to my lips.&nbsp;
+I rallied as quickly as possible, and staggered to my feet; but
+the two gentlemen placed me in the chair against which I had been
+leaning, and insisted upon my finishing the wine before I tried
+to speak.</p>
+<p>&ldquo;I have not tasted food all day,&rdquo; I said,
+faintly.</p>
+<p>&ldquo;Then, my good fellow, you shall go home
+immediately,&rdquo; said the Postmaster-General; <!-- page
+175--><a name="page175"></a><span class="pagenum">p.
+175</span>&ldquo;but be on your guard!&nbsp; Not a word of this
+must escape you.&nbsp; Are you a married man?&rdquo;</p>
+<p>&ldquo;No, my lord,&rdquo; I answered.</p>
+<p>&ldquo;So much the better,&rdquo; he added, smiling.&nbsp;
+&ldquo;You can keep a secret from your mother, I dare say.&nbsp;
+We rely upon your honour.&rdquo;</p>
+<p>The secretary then rang a bell, and I was committed to the
+charge of the messenger who answered it; and in a few minutes I
+was being conveyed in a cab to my London lodgings.&nbsp; A week
+afterwards, Tom Morville was sent out to a post-office in Canada,
+where he settled down, married, and is still living, perfectly
+satisfied with his position, as he occasionally informs me by
+letter.&nbsp; For myself, I remained as I desired, in my old post
+as travelling-clerk until the death of my mother, which occurred
+some ten or twelve months afterwards.&nbsp; I was then promoted
+to an appointment as a clerk in charge, upon the first
+vacancy.</p>
+<p>The business of the clerks in charge is to take possession of
+any post-office in the kingdom, upon the death or resignation of
+the postmaster, or when circumstances of suspicion cause his
+suspension from office.&nbsp; My new duties carried me three or
+four times into Mr. Huntingdon&rsquo;s district.&nbsp; Though
+that gentleman and I never exchanged a word with regard to the
+mysterious loss in which we had both had an innocent share, he
+distinguished <!-- page 176--><a name="page176"></a><span
+class="pagenum">p. 176</span>me with peculiar favour, and more
+than once invited me to visit him at his own house.&nbsp; He
+lived alone, having but one daughter, who had married, somewhat
+against his will, one of his clerks: the Mr. Forbes whose
+handwriting had been so successfully imitated in the official
+order presented to me by the self-styled Miss Anne Clifton.&nbsp;
+(By the way, I may here mention, though it has nothing to do with
+my story, that my acquaintance with the Cliftons had ripened into
+an intimacy, which resulted in my engagement and marriage to
+Mary.)</p>
+<p>It would be beside my purpose to specify the precise number of
+years which elapsed before I was once again summoned to the
+secretary&rsquo;s private apartment, where I found him closeted
+with Mr. Huntingdon.&nbsp; Mr. Huntingdon shook hands with
+unofficial cordiality; and then the secretary proceeded to state
+the business on hand.</p>
+<p>&ldquo;Mr. Wilcox, you remember our offer to place you in
+office in Alexandria?&rdquo; he said.</p>
+<p>&ldquo;Certainly, sir,&rdquo; I answered.</p>
+<p>&ldquo;It has been a troublesome office,&rdquo; he continued,
+almost pettishly.&nbsp; &ldquo;We sent out Mr. Forbes only six
+months ago, on account of his health, which required a warmer
+climate, and now his medical man reports that his life is not
+worth three weeks&rsquo; purchase.&rdquo;</p>
+<p>Upon Mr. Huntingdon&rsquo;s face there rested <!-- page
+177--><a name="page177"></a><span class="pagenum">p. 177</span>an
+expression of profound anxiety; and as the secretary paused he
+addressed himself to me.</p>
+<p>&ldquo;Mr. Wilcox,&rdquo; he said, &ldquo;I have been
+soliciting, as a personal favour, that you should be sent out to
+take charge of the packet-agency, in order that my daughter may
+have some one at hand to befriend her, and manage her business
+affairs for her.&nbsp; You are not personally acquainted with
+her, but I know I can trust her with you.&rdquo;</p>
+<p>&ldquo;You may, Mr. Huntingdon,&rdquo; I said, warmly.&nbsp;
+&ldquo;I will do anything I can to aid Mrs. Forbes.&nbsp; When do
+you wish me to start?&rdquo;</p>
+<p>&ldquo;How soon can you be ready?&rdquo; was the
+rejoinder.</p>
+<p>&ldquo;To-morrow morning.&rdquo;</p>
+<p>I was not married then, and I anticipated no delay in setting
+off.&nbsp; Nor was there any.&nbsp; I travelled with the overland
+mail through France to Marseilles, embarked in a vessel for
+Alexandria, and in a few days from the time I first heard of my
+destination set foot in the office there.&nbsp; All the postal
+arrangements had fallen into considerable irregularity and
+confusion; for, as I was informed immediately on my arrival, Mr.
+Forbes had been in a dying condition for the last week, and of
+course the absence of a master had borne the usual results.&nbsp;
+I took formal possession of the office, and then, conducted by
+one of the clerks, I <!-- page 178--><a name="page178"></a><span
+class="pagenum">p. 178</span>proceeded to the dwelling of the
+unfortunate postmaster and his no less unfortunate wife.&nbsp; It
+would be out of place in this narrative to indulge in any
+traveller&rsquo;s tales about the strange place where I was so
+unexpectedly located.&nbsp; Suffice it to say, that the darkened
+sultry room into which I was shown, on inquiring for Mrs. Forbes,
+was bare of furniture, and destitute of all those little tokens
+of refinement and taste which make our English parlours so
+pleasant to the eye.&nbsp; There was, however, a piano in one of
+the dark corners of the room, open, and with a sheet of music on
+it.&nbsp; While I waited for Mrs. Forbes&rsquo;s appearance, I
+strolled idly up to the piano to see what music it might
+be.&nbsp; The next moment my eye fell upon an antique red morocco
+workbox standing on the top of the piano&mdash;a workbox
+evidently, for the lid was not closely shut, and a few threads of
+silk and cotton were hanging out of it.&nbsp; In a kind of
+dream&mdash;for it was difficult to believe that the occurrence
+was a fact&mdash;I carried the box to the darkened window, and
+there, plain in my sight, was the device scratched upon the
+leather: the revolutionary symbol of a heart with a dagger
+through it.&nbsp; I had found the Premier&rsquo;s despatch-box in
+the parlour of the packet-agent of Alexandria!</p>
+<p>I stood for some minutes with that dream-like feeling upon me,
+gazing at the box in the <!-- page 179--><a
+name="page179"></a><span class="pagenum">p. 179</span>dim obscure
+light.&nbsp; It could <i>not</i> be real!&nbsp; My fancy must be
+playing a trick upon me!&nbsp; But the sound of a light
+step&mdash;for, light as it was, I heard it distinctly as it
+approached the room&mdash;broke my trance, and I hastened to
+replace the box on the piano, and to stoop down as if examining
+the music before the door opened.&nbsp; I had not sent in my name
+to Mrs. Forbes, for I did not suppose that she was acquainted
+with it, nor could she see me distinctly, as I stood in the
+gloom.&nbsp; But I could see her.&nbsp; She had the slight
+slender figure, the childlike face, and the fair hair of Miss
+Anne Clifton.&nbsp; She came quickly across the room, holding out
+both her hands in a childish appealing manner.</p>
+<p>&ldquo;O!&rdquo; she wailed, in a tone that went straight to
+my heart, &ldquo;he is dead!&nbsp; He has just died!&rdquo;</p>
+<p>It was no time then to speak about the red morocco
+workbox.&nbsp; This little childish creature, who did not look a
+day older than when I had last seen her in my travelling
+post-office, was a widow in a strange land, far away from any
+friend save myself.&nbsp; I had brought her a letter from her
+father.&nbsp; The first duties that devolved upon me were those
+of her husband&rsquo;s interment, which had to take place
+immediately.&nbsp; Three or four weeks elapsed before I could,
+with any humanity, enter upon the investigation of her mysterious
+complicity in the <!-- page 180--><a name="page180"></a><span
+class="pagenum">p. 180</span>daring theft practised on the
+government and the post-office.</p>
+<p>I did not see the despatch-box again.&nbsp; In the midst of
+her new and vehement grief, Mrs. Forbes had the precaution to
+remove it before I was ushered again into the room where I had
+discovered it.&nbsp; I was at some trouble to hit upon any plan
+by which to gain a second sight of it; but I was resolved that
+Mrs. Forbes should not leave Alexandria without giving me a full
+explanation.&nbsp; We were waiting for remittances and
+instructions from England, and in the meantime the violence of
+her grief abated, and she recovered a good share of her old
+buoyancy and loveliness, which had so delighted me on my first
+acquaintance with her.&nbsp; As her demands upon my sympathy
+weakened, my curiosity grew stronger, and at last mastered
+me.&nbsp; I carried with me a netted purse which required
+mending, and I asked her to catch up the broken meshes while I
+waited for it.</p>
+<p>&ldquo;I will tell your maid to bring your workbox,&rdquo; I
+said, going to the door and calling the servant.&nbsp;
+&ldquo;Your mistress has a red morocco workbox,&rdquo; I said to
+her, as she answered my summons.</p>
+<p>&ldquo;Yes, sir,&rdquo; she replied.</p>
+<p>&ldquo;Where is it?&rdquo;</p>
+<p>&ldquo;In her bedroom,&rdquo; she said.</p>
+<p>&ldquo;Mrs. Forbes wishes it brought here.&rdquo;&nbsp; I <!--
+page 181--><a name="page181"></a><span class="pagenum">p.
+181</span>turned back into the room.&nbsp; Mrs. Forbes had gone
+deadly pale, but her eyes looked sullen, and her teeth were
+clenched under her lips with an expression of stubbornness.&nbsp;
+The maid brought the workbox.&nbsp; I walked, with it in my
+hands, up to the sofa where she was seated.</p>
+<p>&ldquo;You remember this mark?&rdquo; I asked; &ldquo;I think
+neither of us can ever forget it.&rdquo;</p>
+<p>She did not answer by word, but there was a very intelligent
+gleam in her blue eyes.</p>
+<p>&ldquo;Now,&rdquo; I continued, softly, &ldquo;I promised your
+father to befriend you, and I am not a man to forget a
+promise.&nbsp; But you must tell me the whole simple
+truth.&rdquo;</p>
+<p>I was compelled to reason with her, and to urge her for some
+time.&nbsp; I confess I went so far as to remind her that there
+was an English consul at Alexandria, to whom I could
+resort.&nbsp; At last she opened her stubborn lips, and the whole
+story came out, mingled with sobs and showers of tears.</p>
+<p>She had been in love with Alfred, she said, and they were too
+poor to marry, and papa would not hear of such a thing.&nbsp; She
+was always in want of money, she was kept so short; and they
+promised to give her such a great sum&mdash;a vast sum&mdash;five
+hundred pounds.</p>
+<p>&ldquo;But who bribed you?&rdquo; I inquired.</p>
+<p>A foreign gentleman whom she had met in London, called
+Monsieur Bonnard.&nbsp; It was a <!-- page 182--><a
+name="page182"></a><span class="pagenum">p. 182</span>French
+name, but she was not sure that he was a Frenchman.&nbsp; He
+talked to her about her father being a surveyor in the
+post-office, and asked her a great number of questions.&nbsp; A
+few weeks after, she met him in their own town by accident, she
+and Mr. Forbes; and Alfred had a long private talk with him, and
+they came to her, and told her she could help them very
+much.&nbsp; They asked her if she could be brave enough to carry
+off a little red box out of the travelling post-office,
+containing nothing but papers.&nbsp; After a while she
+consented.&nbsp; When she had confessed so much under compulsion,
+Mrs. Forbes seemed to take a pleasure in the narrative, and went
+on fluently.</p>
+<p>&ldquo;We required papa&rsquo;s signature to the order, and we
+did not know how to get it.&nbsp; Luckily he had a fit of the
+gout, and was very peevish; and I had to read over a lot of
+official papers to him, and then he signed them.&nbsp; One of the
+papers I read twice, and slipped the order into its place after
+the second reading.&nbsp; I thought I should have died with
+fright; but just then he was in great pain, and glad to get his
+work over.&nbsp; I made an excuse that I was going to visit my
+aunt at Beckby, but instead of going there direct, we contrived
+to be at the station at Eaton a minute or two before the mail
+train came up.&nbsp; I kept outside the station door till we
+heard the whistle, and just then <!-- page 183--><a
+name="page183"></a><span class="pagenum">p. 183</span>the postman
+came running down the road, and I followed him straight through
+the booking-office, and asked him to give you the order, which I
+put into his hand.&nbsp; He scarcely saw me.&nbsp; I just caught
+a glimpse of Monsieur Bonnard&rsquo;s face through the window of
+the compartment next the van, when Alfred had gone.&nbsp; They
+had promised me that the train should stop at Camden-town, if I
+could only keep your attention engaged until then.&nbsp; You know
+how I succeeded.&rdquo;</p>
+<p>&ldquo;But how did you dispose of the box?&rdquo; I
+asked.&nbsp; &ldquo;You could not have concealed it about you;
+that I am sure of.&rdquo;</p>
+<p>&ldquo;Ah!&rdquo; she said, &ldquo;nothing was easier.&nbsp;
+Monsieur Bonnard had described the van to me, and you remember I
+put the box down at the end of the counter, close to the corner
+where I hid myself at every station.&nbsp; There was a door with
+a window in it, and I asked if I might have the window open, as
+the van was too warm for me.&nbsp; I believe Monsieur Bonnard
+could have taken it from me by only leaning through his window,
+but he preferred stepping out, and taking it from my hand, just
+as the train was leaving Watford&mdash;on the far side of the
+carriages, you understand.&nbsp; It was the last station, and the
+train came to a stand at Camden-town.&nbsp; After all, the box
+was not out of your sight more than twenty minutes before you
+missed it.&nbsp; Monsieur Bonnard and <!-- page 184--><a
+name="page184"></a><span class="pagenum">p. 184</span>I hurried
+out of the station, and Alfred followed us.&nbsp; The box was
+forced open&mdash;the lock has never been mended, for it was a
+peculiar one&mdash;and Monsieur Bonnard took possession of the
+papers.&nbsp; He left the box with me, after putting inside it a
+roll of notes.&nbsp; Alfred and I were married next morning, and
+I went back to my aunt&rsquo;s; but we did not tell papa of our
+marriage for three or four months.&nbsp; That is the story of my
+red morocco workbox.&rdquo;</p>
+<p>She smiled with the provoking mirthfulness of a mischievous
+child.&nbsp; There was one point still, on which my curiosity was
+unsatisfied.</p>
+<p>&ldquo;Did you know what the despatches were about?&rdquo; I
+asked.</p>
+<p>&ldquo;O no!&rdquo; she answered; &ldquo;I never understood
+politics in the least.&nbsp; I knew nothing about them.&nbsp;
+Monsieur did not say a word; he did not even look at the papers
+while we were by.&nbsp; I would never, never, have taken a
+registered letter, or anything with money in it, you know.&nbsp;
+But all those papers could be written again quite easily.&nbsp;
+You must not think me a thief, Mr. Wilcox; there was nothing
+worth money among the papers.&rdquo;</p>
+<p>&ldquo;They were worth five hundred pounds to you,&rdquo; I
+said.&nbsp; &ldquo;Did you ever see Bonnard again?&rdquo;</p>
+<p>&ldquo;Never again,&rdquo; she replied.&nbsp; &ldquo;He said
+he <!-- page 185--><a name="page185"></a><span class="pagenum">p.
+185</span>was going to return to his native country.&nbsp; I
+don&rsquo;t think Bonnard was his real name.&rdquo;</p>
+<p>Most likely not, I thought; but I said no more to Mrs.
+Forbes.&nbsp; Once again I was involved in a great perplexity
+about this affair.&nbsp; It was clearly my duty to report the
+discovery at head-quarters, but I shrank from doing so.&nbsp; One
+of the chief culprits was already gone to another judgment than
+that of man; several years had obliterated all traces of Monsieur
+Bonnard; and the only victim of justice would be this poor little
+dupe of the two greater criminals.&nbsp; At last I came to the
+conclusion to send the whole of the particulars to Mr. Huntingdon
+himself; and I wrote them to him, without remark or comment.</p>
+<p>The answer that came to Mrs. Forbes and me in Alexandria was
+the announcement of Mr. Huntingdon&rsquo;s sudden death of some
+disease of the heart, on the day which I calculated would put him
+in possession of my communication.&nbsp; Mrs. Forbes was again
+overwhelmed with apparently heartrending sorrow and
+remorse.&nbsp; The income left to her was something less than one
+hundred pounds a year.&nbsp; The secretary of the post-office,
+who had been a personal friend of the deceased gentleman, was his
+sole executor; and I received a letter from him, containing one
+for Mrs. Forbes, which recommended her, in terms not to be
+misunderstood, to fix upon <!-- page 186--><a
+name="page186"></a><span class="pagenum">p. 186</span>some
+residence abroad, and not to return to England.&nbsp; She fancied
+she would like the seclusion and quiet of a convent; and I made
+arrangements for her to enter one in Malta, where she would still
+be under British protection.&nbsp; I left Alexandria myself on
+the arrival of another packet-agent; and on my return to London I
+had a private interview with the secretary.&nbsp; I found that
+there was no need to inform him of the circumstances I have
+related to you, as he had taken possession of all Mr.
+Huntingdon&rsquo;s papers.&nbsp; In consideration of his ancient
+friendship, and of the escape of those who most merited
+punishment, he had come to the conclusion that it was quite as
+well to let bygones be bygones.</p>
+<p>At the conclusion of the interview I delivered a message which
+Mrs. Forbes had emphatically entrusted to me.</p>
+<p>&ldquo;Mrs. Forbes wished me to impress upon your mind,&rdquo;
+I said, &ldquo;that neither she nor Mr. Forbes would have been
+guilty of this misdemeanour if they had not been very much in
+love with one another, and very much in want of money.&rdquo;</p>
+<p>&ldquo;Ah!&rdquo; replied the secretary, with a smile,
+&ldquo;if Cleopatra&rsquo;s nose had been shorter, the fate of
+the world would have been different!&rdquo;</p>
+<h2><!-- page 187--><a name="page187"></a><span
+class="pagenum">p. 187</span><span class="smcap">No.</span> 5
+BRANCH LINE<br />
+THE ENGINEER</h2>
+<p>His name, sir, was Matthew Price; mine is Benjamin
+Hardy.&nbsp; We were born within a few days of each other; bred
+up in the same village; taught at the same school.&nbsp; I cannot
+remember the time when we were not close friends.&nbsp; Even as
+boys, we never knew what it was to quarrel.&nbsp; We had not a
+thought, we had not a possession, that was not in common.&nbsp;
+We would have stood by each other, fearlessly, to the
+death.&nbsp; It was such a friendship as one reads about
+sometimes in books: fast and firm as the great Tors upon our
+native moorlands, true as the sun in the heavens.</p>
+<p>The name of our village was Chadleigh.&nbsp; Lifted high above
+the pasture flats which stretched away at our feet like a
+measureless green lake and melted into mist on the furthest
+horizon, it nestled, a tiny stone-built hamlet, in a sheltered
+hollow about midway between the plain and the plateau.&nbsp;
+Above us, rising ridge beyond ridge, slope beyond slope, <!--
+page 188--><a name="page188"></a><span class="pagenum">p.
+188</span>spread the mountainous moor-country, bare and bleak for
+the most part, with here and there a patch of cultivated field or
+hardy plantation, and crowned highest of all with masses of huge
+grey crag, abrupt, isolated, hoary, and older than the
+deluge.&nbsp; These were the Tors&mdash;Druids&rsquo; Tor,
+King&rsquo;s Tor, Castle Tor, and the like; sacred places, as I
+have heard, in the ancient time, where crownings, burnings, human
+sacrifices, and all kinds of bloody heathen rites were
+performed.&nbsp; Bones, too, had been found there, and
+arrow-heads, and ornaments of gold and glass.&nbsp; I had a vague
+awe of the Tors in those boyish days, and would not have gone
+near them after dark for the heaviest bribe.</p>
+<p>I have said that we were born in the same village.&nbsp; He
+was the son of a small farmer, named William Price, and the
+eldest of a family of seven; I was the only child of Ephraim
+Hardy, the Chadleigh blacksmith&mdash;a well-known man in those
+parts, whose memory is not forgotten to this day.&nbsp; Just so
+far as a farmer is supposed to be a bigger man than a blacksmith,
+Mat&rsquo;s father might be said to have a better standing than
+mine; but William Price, with his small holding and his seven
+boys, was, in fact, as poor as many a day-labourer; whilst the
+blacksmith, well-to-do, bustling, popular, and open-handed, was a
+person of some importance in the place.&nbsp; All <!-- page
+189--><a name="page189"></a><span class="pagenum">p.
+189</span>this, however, had nothing to do with Mat and
+myself.&nbsp; It never occurred to either of us that his jacket
+was out at elbows, or that our mutual funds came altogether from
+my pocket.&nbsp; It was enough for us that we sat on the same
+school-bench, conned our tasks from the same primer, fought each
+other&rsquo;s battles, screened each other&rsquo;s faults,
+fished, nutted, played truant, robbed orchards and birds&rsquo;
+nests together, and spent every half-hour, authorised or stolen,
+in each other&rsquo;s society.&nbsp; It was a happy time; but it
+could not go on for ever.&nbsp; My father, being prosperous,
+resolved to put me forward in the world.&nbsp; I must know more,
+and do better, than himself.&nbsp; The forge was not good enough,
+the little world of Chadleigh not wide enough, for me.&nbsp; Thus
+it happened that I was still swinging the satchel when Mat was
+whistling at the plough, and that at last, when my future course
+was shaped out, we were separated, as it then seemed to us, for
+life.&nbsp; For, blacksmith&rsquo;s son as I was, furnace and
+forge, in some form or other, pleased me best, and I chose to be
+a working engineer.&nbsp; So my father by-and-by apprenticed me
+to a Birmingham iron-master; and, having bidden farewell to Mat,
+and Chadleigh, and the grey old Tors in the shadow of which I had
+spent all the days of my life, I turned my face northward, and
+went over into &ldquo;the Black Country.&rdquo;</p>
+<p><!-- page 190--><a name="page190"></a><span class="pagenum">p.
+190</span>I am not going to dwell on this part of my story.&nbsp;
+How I worked out the term of my apprenticeship; how, when I had
+served my full time and become a skilled workman, I took Mat from
+the plough and brought him over to the Black Country, sharing
+with him lodging, wages, experience&mdash;all, in short, that I
+had to give; how he, naturally quick to learn and brimful of
+quiet energy, worked his way up a step at a time, and came
+by-and-by to be a &ldquo;first hand&rdquo; in his own department;
+how, during all these years of change, and trial, and effort, the
+old boyish affection never wavered or weakened, but went on,
+growing with our growth and strengthening with our
+strength&mdash;are facts which I need do no more than outline in
+this place.</p>
+<p>About this time&mdash;it will be remembered that I speak of
+the days when Mat and I were on the bright side of
+thirty&mdash;it happened that our firm contracted to supply six
+first-class locomotives to run on the new line, then in process
+of construction, between Turin and Genoa.&nbsp; It was the first
+Italian order we had taken.&nbsp; We had had dealings with
+France, Holland, Belgium, Germany; but never with Italy.&nbsp;
+The connexion, therefore, was new and valuable&mdash;all the more
+valuable because our Transalpine neighbours had but lately begun
+to lay down the iron roads, and would be safe to need more of our
+good English <!-- page 191--><a name="page191"></a><span
+class="pagenum">p. 191</span>work as they went on.&nbsp; So the
+Birmingham firm set themselves to the contract with a will,
+lengthened our working hours, increased our wages, took on fresh
+hands, and determined, if energy and promptitude could do it, to
+place themselves at the head of the Italian labour-market, and
+stay there.&nbsp; They deserved and achieved success.&nbsp; The
+six locomotives were not only turned out to time, but were
+shipped, despatched, and delivered with a promptitude that fairly
+amazed our Piedmontese consignee.&nbsp; I was not a little proud,
+you may be sure, when I found myself appointed to superintend the
+transport of the engines.&nbsp; Being allowed a couple of
+assistants, I contrived that Mat should be one of them; and thus
+we enjoyed together the first great holiday of our lives.</p>
+<p>It was a wonderful change for two Birmingham operatives fresh
+from the Black Country.&nbsp; The fairy city, with its crescent
+background of Alps; the port crowded with strange shipping; the
+marvellous blue sky and bluer sea; the painted houses on the
+quays; the quaint cathedral, faced with black and white marble;
+the street of jewellers, like an Arabian Nights&rsquo; bazaar;
+the street of palaces, with its Moorish court-yards, its
+fountains and orange-trees; the women veiled like brides; the
+galley-slaves chained two and two; the processions of priests and
+friars; the everlasting clangour of bells; the babble of a
+strange tongue; the <!-- page 192--><a name="page192"></a><span
+class="pagenum">p. 192</span>singular lightness and brightness of
+the climate&mdash;made, altogether, such a combination of wonders
+that we wandered about, the first day, in a kind of bewildered
+dream, like children at a fair.&nbsp; Before that week was ended,
+being tempted by the beauty of the place and the liberality of
+the pay, we had agreed to take service with the Turin and Genoa
+Railway Company, and to turn our backs upon Birmingham for
+ever.</p>
+<p>Then began a new life&mdash;a life so active and healthy, so
+steeped in fresh air and sunshine, that we sometimes marvelled
+how we could have endured the gloom of the Black Country.&nbsp;
+We were constantly up and down the line: now at Genoa, now at
+Turin, taking trial trips with the locomotives, and placing our
+old experiences at the service of our new employers.</p>
+<p>In the meanwhile we made Genoa our headquarters, and hired a
+couple of rooms over a small shop in a by-street sloping down to
+the quays.&nbsp; Such a busy little street&mdash;so steep and
+winding that no vehicles could pass through it, and so narrow
+that the sky looked like a mere strip of deep-blue ribbon
+overhead!&nbsp; Every house in it, however, was a shop, where the
+goods encroached on the footway, or were piled about the door, or
+hung like tapestry from the balconies; and all day long, from
+dawn to dusk, an incessant stream of passers-by <!-- page
+193--><a name="page193"></a><span class="pagenum">p.
+193</span>poured up and down between the port and the upper
+quarter of the city.</p>
+<p>Our landlady was the widow of a silver-worker, and lived by
+the sale of filigree ornaments, cheap jewellery, combs, fans, and
+toys in ivory and jet.&nbsp; She had an only daughter named
+Gianetta, who served in the shop, and was simply the most
+beautiful woman I ever beheld.&nbsp; Looking back across this
+weary chasm of years, and bringing her image before me (as I can
+and do) with all the vividness of life, I am unable, even now, to
+detect a flaw in her beauty.&nbsp; I do not attempt to describe
+her.&nbsp; I do not believe there is a poet living who could find
+the words to do it; but I once saw a picture that was somewhat
+like her (not half so lovely, but still like her), and, for aught
+I know, that picture is still hanging where I last looked at
+it&mdash;upon the walls of the Louvre.&nbsp; It represented a
+woman with brown eyes and golden hair, looking over her shoulder
+into a circular mirror held by a bearded man in the
+background.&nbsp; In this man, as I then understood, the artist
+had painted his own portrait; in her, the portrait of the woman
+he loved.&nbsp; No picture that I ever saw was half so beautiful,
+and yet it was not worthy to be named in the same breath with
+Gianetta Coneglia.</p>
+<p>You may be certain the widow&rsquo;s shop did not want for
+customers.&nbsp; All Genoa knew how fair a face was to be seen
+behind that dingy little <!-- page 194--><a
+name="page194"></a><span class="pagenum">p. 194</span>counter;
+and Gianetta, flirt as she was, had more lovers than she cared to
+remember, even by name.&nbsp; Gentle and simple, rich and poor,
+from the red-capped sailor buying his earrings or his amulet, to
+the nobleman carelessly purchasing half the filigrees in the
+window, she treated them all alike&mdash;encouraged them, laughed
+at them, led them on and turned them off at her pleasure.&nbsp;
+She had no more heart than a marble statue; as Mat and I
+discovered by-and-by, to our bitter cost.</p>
+<p>I cannot tell to this day how it came about, or what first led
+me to suspect how things were going with us both; but long before
+the waning of that autumn a coldness had sprung up between my
+friend and myself.&nbsp; It was nothing that could have been put
+into words.&nbsp; It was nothing that either of us could have
+explained or justified, to save his life.&nbsp; We lodged
+together, ate together, worked together, exactly as before; we
+even took our long evening&rsquo;s walk together, when the
+day&rsquo;s labour was ended; and except, perhaps, that we were
+more silent than of old, no mere looker-on could have detected a
+shadow of change.&nbsp; Yet there it was, silent and subtle,
+widening the gulf between us every day.</p>
+<p>It was not his fault.&nbsp; He was too true and gentle-hearted
+to have willingly brought about such a state of things between
+us.&nbsp; Neither do I believe&mdash;fiery as my nature
+is&mdash;that it was <!-- page 195--><a name="page195"></a><span
+class="pagenum">p. 195</span>mine.&nbsp; It was all
+hers&mdash;hers from first to last&mdash;the sin, and the shame,
+and the sorrow.</p>
+<p>If she had shown a fair and open preference for either of us,
+no real harm could have come of it.&nbsp; I would have put any
+constraint upon myself, and, Heaven knows! have borne any
+suffering, to see Mat really happy.&nbsp; I know that he would
+have done the same, and more if he could, for me.&nbsp; But
+Gianetta cared not one sou for either.&nbsp; She never meant to
+choose between us.&nbsp; It gratified her vanity to divide us; it
+amused her to play with us.&nbsp; It would pass my power to tell
+how, by a thousand imperceptible shades of coquetry&mdash;by the
+lingering of a glance, the substitution of a word, the flitting
+of a smile&mdash;she contrived to turn our heads, and torture our
+hearts, and lead us on to love her.&nbsp; She deceived us
+both.&nbsp; She buoyed us both up with hope; she maddened us with
+jealousy; she crushed us with despair.&nbsp; For my part, when I
+seemed to wake to a sudden sense of the ruin that was about our
+path and I saw how the truest friendship that ever bound two
+lives together was drifting on to wreck and ruin, I asked myself
+whether any woman in the world was worth what Mat had been to me
+and I to him.&nbsp; But this was not often.&nbsp; I was readier
+to shut my eyes upon the truth than to face it; and so lived on,
+wilfully, in a dream.</p>
+<p>Thus the autumn passed away, and winter <!-- page 196--><a
+name="page196"></a><span class="pagenum">p.
+196</span>came&mdash;the strange, treacherous, Genoese winter,
+green with olive and ilex, brilliant with sunshine, and bitter
+with storm.&nbsp; Still, rivals at heart and friends on the
+surface, Mat and I lingered on in our lodging in the Vicolo
+Balba.&nbsp; Still Gianetta held us with her fatal wiles and her
+still more fatal beauty.&nbsp; At length there came a day when I
+felt I could bear the horrible misery and suspense of it no
+longer.&nbsp; The sun, I vowed, should not go down before I knew
+my sentence.&nbsp; She must choose between us.&nbsp; She must
+either take me or let me go.&nbsp; I was reckless.&nbsp; I was
+desperate.&nbsp; I was determined to know the worst, or the
+best.&nbsp; If the worst, I would at once turn my back upon
+Genoa, upon her, upon all the pursuits and purposes of my past
+life, and begin the world anew.&nbsp; This I told her,
+passionately and sternly, standing before her in the little
+parlour at the back of the shop, one bleak December morning.</p>
+<p>&ldquo;If it&rsquo;s Mat whom you care for most,&rdquo; I
+said, &ldquo;tell me so in one word, and I will never trouble you
+again.&nbsp; He is better worth your love.&nbsp; I am jealous and
+exacting; he is as trusting and unselfish as a woman.&nbsp;
+Speak, Gianetta; am I to bid you good-bye for ever and ever, or
+am I to write home to my mother in England, bidding her pray to
+God to bless the woman who has promised to be my wife?&rdquo;</p>
+<p>&ldquo;You plead your friend&rsquo;s cause well,&rdquo; she
+<!-- page 197--><a name="page197"></a><span class="pagenum">p.
+197</span>replied, haughtily.&nbsp; &ldquo;Matteo ought to be
+grateful.&nbsp; This is more than he ever did for you.&rdquo;</p>
+<p>&ldquo;Give me my answer, for pity&rsquo;s sake,&rdquo; I
+exclaimed, &ldquo;and let me go!&rdquo;</p>
+<p>&ldquo;You are free to go or stay, Signor Inglese,&rdquo; she
+replied.&nbsp; &ldquo;I am not your jailor.&rdquo;</p>
+<p>&ldquo;Do you bid me leave you?&rdquo;</p>
+<p>&ldquo;Beata Madre! not I.&rdquo;</p>
+<p>&ldquo;Will you marry me, if I stay?&rdquo;</p>
+<p>She laughed aloud&mdash;such a merry, mocking, musical laugh,
+like a chime of silver bells!</p>
+<p>&ldquo;You ask too much,&rdquo; she said.</p>
+<p>&ldquo;Only what you have led me to hope these five or six
+months past!&rdquo;</p>
+<p>&ldquo;That is just what Matteo says.&nbsp; How tiresome you
+both are!&rdquo;</p>
+<p>&ldquo;O, Gianetta,&rdquo; I said, passionately, &ldquo;be
+serious for one moment!&nbsp; I am a rough fellow, it is
+true&mdash;not half good enough or clever enough for you; but I
+love you with my whole heart, and an Emperor could do no
+more.&rdquo;</p>
+<p>&ldquo;I am glad of it,&rdquo; she replied; &ldquo;I do not
+want you to love me less.&rdquo;</p>
+<p>&ldquo;Then you cannot wish to make me wretched!&nbsp; Will
+you promise me?&rdquo;</p>
+<p>&ldquo;I promise nothing,&rdquo; said she, with another burst
+of laughter; &ldquo;except that I will not marry
+Matteo!&rdquo;</p>
+<p>Except that she would not marry Matteo!&nbsp; <!-- page
+198--><a name="page198"></a><span class="pagenum">p.
+198</span>Only that.&nbsp; Not a word of hope for myself.&nbsp;
+Nothing but my friend&rsquo;s condemnation.&nbsp; I might get
+comfort, and selfish triumph, and some sort of base assurance out
+of that, if I could.&nbsp; And so, to my shame, I did.&nbsp; I
+grasped at the vain encouragement, and, fool that I was! let her
+put me off again unanswered.&nbsp; From that day, I gave up all
+effort at self-control, and let myself drift blindly on&mdash;to
+destruction.</p>
+<p>At length things became so bad between Mat and myself that it
+seemed as if an open rupture must be at hand.&nbsp; We avoided
+each other, scarcely exchanged a dozen sentences in a day, and
+fell away from all our old familiar habits.&nbsp; At this
+time&mdash;I shudder to remember it!&mdash;there were moments
+when I felt that I hated him.</p>
+<p>Thus, with the trouble deepening and widening between us day
+by day, another month or five weeks went by; and February came;
+and, with February, the Carnival.&nbsp; They said in Genoa that
+it was a particularly dull carnival; and so it must have been;
+for, save a flag or two hung out in some of the principal
+streets, and a sort of festa look about the women, there were no
+special indications of the season.&nbsp; It was, I think, the
+second day when, having been on the line all the morning, I
+returned to Genoa at dusk, and, to my surprise, found Mat Price
+on the platform.&nbsp; <!-- page 199--><a
+name="page199"></a><span class="pagenum">p. 199</span>He came up
+to me, and laid his hand on my arm.</p>
+<p>&ldquo;You are in late,&rdquo; he said.&nbsp; &ldquo;I have
+been waiting for you three-quarters of an hour.&nbsp; Shall we
+dine together to-day?&rdquo;</p>
+<p>Impulsive as I am, this evidence of returning good will at
+once called up my better feelings.</p>
+<p>&ldquo;With all my heart, Mat,&rdquo; I replied; &ldquo;shall
+we go to Gozzoli&rsquo;s?&rdquo;</p>
+<p>&ldquo;No, no,&rdquo; he said, hurriedly.&nbsp; &ldquo;Some
+quieter place&mdash;some place where we can talk.&nbsp; I have
+something to say to you.&rdquo;</p>
+<p>I noticed now that he looked pale and agitated, and an uneasy
+sense of apprehension stole upon me.&nbsp; We decided on the
+&ldquo;Pescatore,&rdquo; a little out-of-the-way trattoria, down
+near the Molo Vecchio.&nbsp; There, in a dingy salon, frequented
+chiefly by seamen, and redolent of tobacco, we ordered our simple
+dinner.&nbsp; Mat scarcely swallowed a morsel; but, calling
+presently for a bottle of Sicilian wine, drank eagerly.</p>
+<p>&ldquo;Well, Mat,&rdquo; I said, as the last dish was placed
+on the table, &ldquo;what news have you?&rdquo;</p>
+<p>&ldquo;Bad.&rdquo;</p>
+<p>&ldquo;I guessed that from your face.&rdquo;</p>
+<p>&ldquo;Bad for you&mdash;bad for me.&nbsp;
+Gianetta.&rdquo;</p>
+<p>&ldquo;What of Gianetta?&rdquo;</p>
+<p>He passed his hand nervously across his lips.</p>
+<p>&ldquo;Gianetta is false&mdash;worse than false,&rdquo; he
+said, in a hoarse voice.&nbsp; &ldquo;She values an honest <!--
+page 200--><a name="page200"></a><span class="pagenum">p.
+200</span>man&rsquo;s heart just as she values a flower for her
+hair&mdash;wears it for a day, then throws it aside for
+ever.&nbsp; She has cruelly wronged us both.&rdquo;</p>
+<p>&ldquo;In what way?&nbsp; Good Heavens, speak out!&rdquo;</p>
+<p>&ldquo;In the worst way that a woman can wrong those who love
+her.&nbsp; She has sold herself to the Marchese
+Loredano.&rdquo;</p>
+<p>The blood rushed to my head and face in a burning
+torrent.&nbsp; I could scarcely see, and dared not trust myself
+to speak.</p>
+<p>&ldquo;I saw her going towards the cathedral,&rdquo; he went
+on, hurriedly.&nbsp; &ldquo;It was about three hours ago.&nbsp; I
+thought she might be going to confession, so I hung back and
+followed her at a distance.&nbsp; When she got inside, however,
+she went straight to the back of the pulpit, where this man was
+waiting for her.&nbsp; You remember him&mdash;an old man who used
+to haunt the shop a month or two back.&nbsp; Well, seeing how
+deep in conversation they were, and how they stood close under
+the pulpit with their backs towards the church, I fell into a
+passion of anger and went straight up the aisle, intending to say
+or do something: I scarcely knew what; but, at all events, to
+draw her arm through mine, and take her home.&nbsp; When I came
+within a few feet, however, and found only a big pillar between
+myself and them, I paused.&nbsp; They could not see me, nor I
+them; <!-- page 201--><a name="page201"></a><span
+class="pagenum">p. 201</span>but I could hear their voices
+distinctly, and&mdash;and I listened.&rdquo;</p>
+<p>&ldquo;Well, and you heard&mdash;&rdquo;</p>
+<p>&ldquo;The terms of a shameful bargain&mdash;beauty on the one
+side, gold on the other; so many thousand francs a year; a villa
+near Naples&mdash;Pah! it makes me sick to repeat it.&rdquo;</p>
+<p>And, with a shudder, he poured out another glass of wine and
+drank it at a draught.</p>
+<p>&ldquo;After that,&rdquo; he said, presently, &ldquo;I made no
+effort to bring her away.&nbsp; The whole thing was so
+cold-blooded, so deliberate, so shameful, that I felt I had only
+to wipe her out of my memory, and leave her to her fate.&nbsp; I
+stole out of the cathedral, and walked about here by the sea for
+ever so long, trying to get my thoughts straight.&nbsp; Then I
+remembered you, Ben; and the recollection of how this wanton had
+come between us and broken up our lives drove me wild.&nbsp; So I
+went up to the station and waited for you.&nbsp; I felt you ought
+to know it all; and&mdash;and I thought, perhaps, that we might
+go back to England together.&rdquo;</p>
+<p>&ldquo;The Marchese Loredano!&rdquo;</p>
+<p>It was all that I could say; all that I could think.&nbsp; As
+Mat had just said of himself, I felt &ldquo;like one
+stunned.&rdquo;</p>
+<p>&ldquo;There is one other thing I may as well tell you,&rdquo;
+he added, reluctantly, &ldquo;if only to show you how false a
+woman can be.&nbsp; We&mdash;we were to have been married next
+month.&rdquo;</p>
+<p><!-- page 202--><a name="page202"></a><span class="pagenum">p.
+202</span>&ldquo;<i>We</i>?&nbsp; Who?&nbsp; What do you
+mean?&rdquo;</p>
+<p>&ldquo;I mean that we were to have been married&mdash;Gianetta
+and I.&rdquo;</p>
+<p>A sudden storm of rage, of scorn, of incredulity, swept over
+me at this, and seemed to carry my senses away.</p>
+<p>&ldquo;<i>You</i>!&rdquo; I cried.&nbsp; &ldquo;Gianetta marry
+you!&nbsp; I don&rsquo;t believe it.&rdquo;</p>
+<p>&ldquo;I wish I had not believed it,&rdquo; he replied,
+looking up as if puzzled by my vehemence.&nbsp; &ldquo;But she
+promised me; and I thought, when she promised it, she meant
+it.&rdquo;</p>
+<p>&ldquo;She told me, weeks ago, that she would never be your
+wife!&rdquo;</p>
+<p>His colour rose, his brow darkened; when his answer came, it
+was as calm as the last.</p>
+<p>&ldquo;Indeed!&rdquo; he said.&nbsp; &ldquo;Then it is only
+one baseness more.&nbsp; She told me that she had refused you;
+and that was why we kept our engagement secret.&rdquo;</p>
+<p>&ldquo;Tell the truth, Mat Price,&rdquo; I said, well-nigh
+beside myself with suspicion.&nbsp; &ldquo;Confess that every
+word of this is false!&nbsp; Confess that Gianetta will not
+listen to you, and that you are afraid I may succeed where you
+have failed.&nbsp; As perhaps I shall&mdash;as perhaps I shall,
+after all!&rdquo;</p>
+<p>&ldquo;Are you mad?&rdquo; he exclaimed.&nbsp; &ldquo;What do
+you mean?&rdquo;</p>
+<p>&ldquo;That I believe it&rsquo;s just a trick to get me <!--
+page 203--><a name="page203"></a><span class="pagenum">p.
+203</span>away to England&mdash;that I don&rsquo;t credit a
+syllable of your story.&nbsp; You&rsquo;re a liar, and I hate
+you!&rdquo;</p>
+<p>He rose, and, laying one hand on the back of his chair, looked
+me sternly in the face.</p>
+<p>&ldquo;If you were not Benjamin Hardy,&rdquo; he said,
+deliberately, &ldquo;I would thrash you within an inch of your
+life.&rdquo;</p>
+<p>The words had no sooner passed his lips than I sprang at
+him.&nbsp; I have never been able distinctly to remember what
+followed.&nbsp; A curse&mdash;a blow&mdash;a struggle&mdash;a
+moment of blind fury&mdash;a cry&mdash;a confusion of
+tongues&mdash;a circle of strange faces.&nbsp; Then I see Mat
+lying back in the arms of a bystander; myself trembling and
+bewildered&mdash;the knife dropping from my grasp; blood upon the
+floor; blood upon my hands; blood upon his shirt.&nbsp; And then
+I hear those dreadful words:</p>
+<p>&ldquo;O, Ben, you have murdered me!&rdquo;</p>
+<p>He did not die&mdash;at least, not there and then.&nbsp; He
+was carried to the nearest hospital, and lay for some weeks
+between life and death.&nbsp; His case, they said, was difficult
+and dangerous.&nbsp; The knife had gone in just below the
+collarbone, and pierced down into the lungs.&nbsp; He was not
+allowed to speak or turn&mdash;scarcely to breathe with
+freedom.&nbsp; He might not even lift his head to drink.&nbsp; I
+sat by him day and night all through that sorrowful time.&nbsp; I
+gave up my situation on the railway; I quitted my lodging in the
+Vicolo Balba; I tried to forget <!-- page 204--><a
+name="page204"></a><span class="pagenum">p. 204</span>that such a
+woman as Gianetta Coneglia had ever drawn breath.&nbsp; I lived
+only for Mat; and he tried to live more, I believe, for my sake
+than his own.&nbsp; Thus, in the bitter silent hours of pain and
+penitence, when no hand but mine approached his lips or smoothed
+his pillow, the old friendship came back with even more than its
+old trust and faithfulness.&nbsp; He forgave me, fully and
+freely; and I would thankfully have given my life for him.</p>
+<p>At length there came one bright spring morning, when,
+dismissed as convalescent, he tottered out through the hospital
+gates, leaning on my arm, and feeble as an infant.&nbsp; He was
+not cured; neither, as I then learned to my horror and anguish,
+was it possible that he ever could be cured.&nbsp; He might live,
+with care, for some years; but the lungs were injured beyond hope
+of remedy, and a strong or healthy man he could never be
+again.&nbsp; These, spoken aside to me, were the parting words of
+the chief physician, who advised me to take him further south
+without delay.</p>
+<p>I took him to a little coast-town called Rocca, some thirty
+miles beyond Genoa&mdash;a sheltered lonely place along the
+Riviera, where the sea was even bluer than the sky, and the
+cliffs were green with strange tropical plants, cacti, and aloes,
+and Egyptian palms.&nbsp; Here we lodged in the house of a small
+tradesman; and Mat, to use his own words, &ldquo;set to work <!--
+page 205--><a name="page205"></a><span class="pagenum">p.
+205</span>at getting well in good earnest.&rdquo;&nbsp; But,
+alas! it was a work which no earnestness could forward.&nbsp; Day
+after day he went down to the beach, and sat for hours drinking
+the sea air and watching the sails that came and went in the
+offing.&nbsp; By-and-by he could go no further than the garden of
+the house in which we lived.&nbsp; A little later, and he spent
+his days on a couch beside the open window, waiting patiently for
+the end.&nbsp; Ay, for the end!&nbsp; It had come to that.&nbsp;
+He was fading fast, waning with the waning summer, and conscious
+that the Reaper was at hand.&nbsp; His whole aim now was to
+soften the agony of my remorse, and prepare me for what must
+shortly come.</p>
+<p>&ldquo;I would not live longer, if I could,&rdquo; he said,
+lying on his couch one summer evening, and looking up to the
+stars.&nbsp; &ldquo;If I had my choice at this moment, I would
+ask to go.&nbsp; I should like Gianetta to know that I forgave
+her.&rdquo;</p>
+<p>&ldquo;She shall know it,&rdquo; I said, trembling suddenly
+from head to foot.</p>
+<p>He pressed my hand.</p>
+<p>&ldquo;And you&rsquo;ll write to father?&rdquo;</p>
+<p>&ldquo;I will.&rdquo;</p>
+<p>I had drawn a little back, that he might not see the tears
+raining down my cheeks; but he raised himself on his elbow, and
+looked round.</p>
+<p>&ldquo;Don&rsquo;t fret, Ben,&rdquo; he whispered; laid his
+<!-- page 206--><a name="page206"></a><span class="pagenum">p.
+206</span>head back wearily upon the pillow&mdash;and so
+died.</p>
+<div class="gapspace">&nbsp;</div>
+<p>And this was the end of it.&nbsp; This was the end of all that
+made life life to me.&nbsp; I buried him there, in hearing of the
+wash of a strange sea on a strange shore.&nbsp; I stayed by the
+grave till the priest and the bystanders were gone.&nbsp; I saw
+the earth filled in to the last sod, and the gravedigger stamp it
+down with his feet.&nbsp; Then, and not till then, I felt that I
+had lost him for ever&mdash;the friend I had loved, and hated,
+and slain.&nbsp; Then, and not till then, I knew that all rest,
+and joy, and hope were over for me.&nbsp; From that moment my
+heart hardened within me, and my life was filled with
+loathing.&nbsp; Day and night, land and sea, labour and rest,
+food and sleep, were alike hateful to me.&nbsp; It was the curse
+of Cain, and that my brother had pardoned me made it lie none the
+lighter.&nbsp; Peace on earth was for me no more, and goodwill
+towards men was dead in my heart for ever.&nbsp; Remorse softens
+some natures; but it poisoned mine.&nbsp; I hated all mankind;
+but above all mankind I hated the woman who had come between us
+two, and ruined both our lives.</p>
+<p>He had bidden me seek her out, and be the messenger of his
+forgiveness.&nbsp; I had sooner have gone down to the port of
+Genoa and taken upon me the serge cap and shotted chain <!-- page
+207--><a name="page207"></a><span class="pagenum">p. 207</span>of
+any galley-slave at his toil in the public works; but for all
+that I did my best to obey him.&nbsp; I went back, alone and on
+foot.&nbsp; I went back, intending to say to her, &ldquo;Gianetta
+Coneglia, he forgave you; but God never will.&rdquo;&nbsp; But
+she was gone.&nbsp; The little shop was let to a fresh occupant;
+and the neighbours only knew that mother and daughter had left
+the place quite suddenly, and that Gianetta was supposed to be
+under the &ldquo;protection&rdquo; of the Marchese
+Loredano.&nbsp; How I made inquiries here and there&mdash;how I
+heard that they had gone to Naples&mdash;and how, being restless
+and reckless of my time, I worked my passage in a French steamer,
+and followed her&mdash;how, having found the sumptuous villa that
+was now hers, I learned that she had left there some ten days and
+gone to Paris, where the Marchese was ambassador for the Two
+Sicilies&mdash;how, working my passage back again to Marseilles,
+and thence, in part by the river and in part by the rail, I made
+my way to Paris&mdash;how, day after day, I paced the streets and
+the parks, watched at the ambassador&rsquo;s gates, followed his
+carriage, and at last, after weeks of waiting, discovered her
+address&mdash;how, having written to request an interview, her
+servants spurned me from her door and flung my letter in my
+face&mdash;how, looking up at her windows, I then, instead of
+forgiving, solemnly cursed her with the bitterest curses <!--
+page 208--><a name="page208"></a><span class="pagenum">p.
+208</span>my tongue could devise&mdash;and how, this done, I
+shook the dust of Paris from my feet, and became a wanderer upon
+the face of the earth, are facts which I have now no space to
+tell.</p>
+<p>The next six or eight years of my life were shifting and
+unsettled enough.&nbsp; A morose and restless man, I took
+employment here and there, as opportunity offered, turning my
+hand to many things, and caring little what I earned, so long as
+the work was hard and the change incessant.&nbsp; First of all I
+engaged myself as chief engineer in one of the French steamers
+plying between Marseilles and Constantinople.&nbsp; At
+Constantinople I changed to one of the Austrian Lloyd&rsquo;s
+boats, and worked for some time to and from Alexandria, Jaffa,
+and those parts.&nbsp; After that, I fell in with a party of Mr.
+Layard&rsquo;s men at Cairo, and so went up the Nile and took a
+turn at the excavations of the mound of Nimroud.&nbsp; Then I
+became a working engineer on the new desert line between
+Alexandria and Suez; and by-and-by I worked my passage out to
+Bombay, and took service as an engine fitter on one of the great
+Indian railways.&nbsp; I stayed a long time in India; that is to
+say, I stayed nearly two years, which was a long time for me; and
+I might not even have left so soon, but for the war that was
+declared just then with Russia.&nbsp; That tempted me.&nbsp; For
+I loved danger and hardship as other men love safety and ease;
+<!-- page 209--><a name="page209"></a><span class="pagenum">p.
+209</span>and as for my life, I had sooner have parted from it
+than kept it, any day.&nbsp; So I came straight back to England;
+betook myself to Portsmouth, where my testimonials at once
+procured me the sort of berth I wanted.&nbsp; I went out to the
+Crimea in the engine-room of one of her Majesty&rsquo;s war
+steamers.</p>
+<p>I served with the fleet, of course, while the war lasted; and
+when it was over, went wandering off again, rejoicing in my
+liberty.&nbsp; This time I went to Canada, and after working on a
+railway then in progress near the American frontier, I presently
+passed over into the States; journeyed from north to south;
+crossed the Rocky Mountains; tried a month or two of life in the
+gold country; and then, being seized with a sudden, aching,
+unaccountable longing to revisit that solitary grave so far away
+on the Italian coast, I turned my face once more towards
+Europe.</p>
+<p>Poor little grave!&nbsp; I found it rank with weeds, the cross
+half shattered, the inscription half effaced.&nbsp; It was as if
+no one had loved him, or remembered him.&nbsp; I went back to the
+house in which we had lodged together.&nbsp; The same people were
+still living there, and made me kindly welcome.&nbsp; I stayed
+with them for some weeks.&nbsp; I weeded, and planted, and
+trimmed the grave with my own hands, and set up a fresh cross in
+pure white marble.&nbsp; It was the first season of rest that I
+had known <!-- page 210--><a name="page210"></a><span
+class="pagenum">p. 210</span>since I laid him there; and when at
+last I shouldered my knapsack and set forth again to battle with
+the world, I promised myself that, God willing, I would creep
+back to Rocca, when my days drew near to ending, and be buried by
+his side.</p>
+<p>From hence, being, perhaps, a little less inclined than
+formerly for very distant parts, and willing to keep within reach
+of that grave, I went no further than Mantua, where I engaged
+myself as an engine-driver on the line, then not long completed,
+between that city and Venice.&nbsp; Somehow, although I had been
+trained to the working engineering, I preferred in these days to
+earn my bread by driving.&nbsp; I liked the excitement of it, the
+sense of power, the rush of the air, the roar of the fire, the
+flitting of the landscape.&nbsp; Above all, I enjoyed to drive a
+night express.&nbsp; The worse the weather, the better it suited
+with my sullen temper.&nbsp; For I was as hard, and harder than
+ever.&nbsp; The years had done nothing to soften me.&nbsp; They
+had only confirmed all that was blackest and bitterest in my
+heart.</p>
+<p>I continued pretty faithful to the Mantua line, and had been
+working on it steadily for more than seven months when that which
+I am now about to relate took place.</p>
+<p>It was in the month of March.&nbsp; The weather had been
+unsettled for some days past, and the nights stormy; and at one
+point along the <!-- page 211--><a name="page211"></a><span
+class="pagenum">p. 211</span>line, near Ponte di Brenta, the
+waters had risen and swept away some seventy yards of
+embankment.&nbsp; Since this accident, the trains had all been
+obliged to stop at a certain spot between Padua and Ponte di
+Brenta, and the passengers, with their luggage, had thence to be
+transported in all kinds of vehicles, by a circuitous country
+road, to the nearest station on the other side of the gap, where
+another train and engine awaited them.&nbsp; This, of course,
+caused great confusion and annoyance, put all our time-tables
+wrong, and subjected the public to a large amount of
+inconvenience.&nbsp; In the meanwhile an army of navvies was
+drafted to the spot, and worked day and night to repair the
+damage.&nbsp; At this time I was driving two through trains each
+day; namely, one from Mantua to Venice in the early morning, and
+a return train from Venice to Mantua in the afternoon&mdash;a
+tolerably full day&rsquo;s work, covering about one hundred and
+ninety miles of ground, and occupying between ten and eleven
+hours.&nbsp; I was therefore not best pleased when, on the third
+or fourth day after the accident, I was informed that, in
+addition to my regular allowance of work, I should that evening
+be required to drive a special train to Venice.&nbsp; This
+special train, consisting of an engine, a single carriage, and a
+break-van, was to leave the Mantua platform at eleven; at Padua
+the passengers were to alight and find post-chaises waiting to
+convey them to Ponte <!-- page 212--><a name="page212"></a><span
+class="pagenum">p. 212</span>di Brenta; at Ponte di Brenta
+another engine, carriage, and break-van were to be in
+readiness.&nbsp; I was charged to accompany them throughout.</p>
+<p>&ldquo;Corpo di Bacco,&rdquo; said the clerk who gave me my
+orders, &ldquo;you need not look so black, man.&nbsp; You are
+certain of a handsome gratuity.&nbsp; Do you know who goes with
+you?&rdquo;</p>
+<p>&ldquo;Not I.&rdquo;</p>
+<p>&ldquo;Not you, indeed!&nbsp; Why, it&rsquo;s the Duca
+Loredano, the Neapolitan ambassador.&rdquo;</p>
+<p>&ldquo;Loredano!&rdquo; I stammered.&nbsp; &ldquo;What
+Loredano?&nbsp; There was a Marchese&mdash;&rdquo;</p>
+<p>&ldquo;Certo.&nbsp; He was the Marchese Loredano some years
+ago; but he has come into his dukedom since then.&rdquo;</p>
+<p>&ldquo;He must be a very old man by this time.&rdquo;</p>
+<p>&ldquo;Yes, he is old; but what of that?&nbsp; He is as hale,
+and bright, and stately as ever.&nbsp; You have seen him
+before?&rdquo;</p>
+<p>&ldquo;Yes,&rdquo; I said, turning away; &ldquo;I have seen
+him&mdash;years ago.&rdquo;</p>
+<p>&ldquo;You have heard of his marriage?&rdquo;</p>
+<p>I shook my head.</p>
+<p>The clerk chuckled, rubbed his hands, and shrugged his
+shoulders.</p>
+<p>&ldquo;An extraordinary affair,&rdquo; he said.&nbsp;
+&ldquo;Made a tremendous esclandre at the time.&nbsp; He married
+his mistress&mdash;quite a common, vulgar girl&mdash;a
+Genoese&mdash;very handsome; but not received, of course.&nbsp;
+Nobody visits her.&rdquo;</p>
+<p><!-- page 213--><a name="page213"></a><span class="pagenum">p.
+213</span>&ldquo;Married her!&rdquo; I exclaimed.&nbsp;
+&ldquo;Impossible.&rdquo;</p>
+<p>&ldquo;True, I assure you.&rdquo;</p>
+<p>I put my hand to my head.&nbsp; I felt as if I had had a fall
+or a blow.</p>
+<p>&ldquo;Does she&mdash;does she go to-night?&rdquo; I
+faltered.</p>
+<p>&ldquo;O dear, yes&mdash;goes everywhere with him&mdash;never
+lets him out of her sight.&nbsp; You&rsquo;ll see her&mdash;la
+bella Duchessa!&rdquo;</p>
+<p>With this my informant laughed, and rubbed his hands again,
+and went back to his office.</p>
+<p>The day went by, I scarcely know how, except that my whole
+soul was in a tumult of rage and bitterness.&nbsp; I returned
+from my afternoon&rsquo;s work about 7.25, and at 10.30 I was
+once again at the station.&nbsp; I had examined the engine; given
+instructions to the Fochista, or stoker, about the fire; seen to
+the supply of oil; and got all in readiness, when, just as I was
+about to compare my watch with the clock in the ticket-office, a
+hand was laid upon my arm, and a voice in my ear said:</p>
+<p>&ldquo;Are you the engine-driver who is going on with this
+special train?&rdquo;</p>
+<p>I had never seen the speaker before.&nbsp; He was a small,
+dark man, muffled up about the throat, with blue glasses, a large
+black beard, and his hat drawn low upon his eyes.</p>
+<p>&ldquo;You are a poor man, I suppose,&rdquo; he said, in a
+quick, eager whisper, &ldquo;and, like other poor men, would not
+object to be better off.&nbsp; <!-- page 214--><a
+name="page214"></a><span class="pagenum">p. 214</span>Would you
+like to earn a couple of thousand florins?&rdquo;</p>
+<p>&ldquo;In what way?&rdquo;</p>
+<p>&ldquo;Hush!&nbsp; You are to stop at Padua, are you not, and
+to go on again at Ponte di Brenta?&rdquo;</p>
+<p>I nodded.</p>
+<p>&ldquo;Suppose you did nothing of the kind.&nbsp; Suppose,
+instead of turning off the steam, you jump off the engine, and
+let the train run on?&rdquo;</p>
+<p>&ldquo;Impossible.&nbsp; There are seventy yards of embankment
+gone, and&mdash;&rdquo;</p>
+<p>&ldquo;Basta!&nbsp; I know that.&nbsp; Save yourself, and let
+the train run on.&nbsp; It would be nothing but an
+accident.&rdquo;</p>
+<p>I turned hot and cold; I trembled; my heart beat fast, and my
+breath failed.</p>
+<p>&ldquo;Why do you tempt me?&rdquo; I faltered.</p>
+<p>&ldquo;For Italy&rsquo;s sake,&rdquo; he whispered; &ldquo;for
+liberty&rsquo;s sake.&nbsp; I know you are no Italian; but, for
+all that, you may be a friend.&nbsp; This Loredano is one of his
+country&rsquo;s bitterest enemies.&nbsp; Stay, here are the two
+thousand florins.&rdquo;</p>
+<p>I thrust his hand back fiercely.</p>
+<p>&ldquo;No&mdash;no,&rdquo; I said.&nbsp; &ldquo;No
+blood-money.&nbsp; If I do it, I do it neither for Italy nor for
+money; but for vengeance.&rdquo;</p>
+<p>&ldquo;For vengeance!&rdquo; he repeated.</p>
+<p>At this moment the signal was given for backing up to the
+platform.&nbsp; I sprang to my place upon the engine without
+another word.&nbsp; <!-- page 215--><a name="page215"></a><span
+class="pagenum">p. 215</span>When I again looked towards the spot
+where he had been standing, the stranger was gone.</p>
+<p>I saw them take their places&mdash;Duke and Duchess, secretary
+and priest, valet and maid.&nbsp; I saw the station-master bow
+them into the carriage, and stand, bareheaded, beside the
+door.&nbsp; I could not distinguish their faces; the platform was
+too dusk, and the glare from the engine fire too strong; but I
+recognised her stately figure, and the poise of her head.&nbsp;
+Had I not been told who she was, I should have known her by those
+traits alone.&nbsp; Then the guard&rsquo;s whistle shrilled out,
+and the station-master made his last bow; I turned the steam on;
+and we started.</p>
+<p>My blood was on fire.&nbsp; I no longer trembled or
+hesitated.&nbsp; I felt as if every nerve was iron, and every
+pulse instinct with deadly purpose.&nbsp; She was in my power,
+and I would be revenged.&nbsp; She should die&mdash;she, for whom
+I had stained my soul with my friend&rsquo;s blood!&nbsp; She
+should die, in the plenitude of her wealth and her beauty, and no
+power upon earth should save her!</p>
+<p>The stations flew past.&nbsp; I put on more steam; I bade the
+fireman heap in the coke, and stir the blazing mass.&nbsp; I
+would have outstripped the wind, had it been possible.&nbsp;
+Faster and faster&mdash;hedges and trees, bridges and stations,
+flashing past&mdash;villages no sooner seen than
+gone&mdash;telegraph wires twisting, and <!-- page 216--><a
+name="page216"></a><span class="pagenum">p. 216</span>dipping,
+and twining themselves in one, with the awful swiftness of our
+pace!&nbsp; Faster and faster, till the fireman at my side looks
+white and scared, and refuses to add more fuel to the
+furnace.&nbsp; Faster and faster, till the wind rushes in our
+faces and drives the breath back upon our lips.</p>
+<p>I would have scorned to save myself.&nbsp; I meant to die with
+the rest.&nbsp; Mad as I was&mdash;and I believe from my very
+soul that I was utterly mad for the time&mdash;I felt a passing
+pang of pity for the old man and his suite.&nbsp; I would have
+spared the poor fellow at my side, too, if I could; but the pace
+at which we were going made escape impossible.</p>
+<p>Vicenza was passed&mdash;a mere confused vision of
+lights.&nbsp; Pojana flew by.&nbsp; At Padua, but nine miles
+distant, our passengers were to alight.&nbsp; I saw the
+fireman&rsquo;s face turned upon me in remonstrance; I saw his
+lips move, though I could not hear a word; I saw his expression
+change suddenly from remonstrance to a deadly terror, and
+then&mdash;merciful Heaven! then, for the first time, I saw that
+he and I were no longer alone upon the engine.</p>
+<p>There was a third man&mdash;a third man standing on my right
+hand, as the fireman was standing on my left&mdash;a tall,
+stalwart man, with short curling hair, and a flat Scotch cap upon
+his head.&nbsp; As I fell back in the first shock of surprise, he
+stepped nearer; took my place at <!-- page 217--><a
+name="page217"></a><span class="pagenum">p. 217</span>the engine,
+and turned the steam off.&nbsp; I opened my lips to speak to him;
+he turned his head slowly, and looked me in the face.</p>
+<p>Matthew Price!</p>
+<p>I uttered one long wild cry, flung my arms wildly up above my
+head, and fell as if I had been smitten with an axe.</p>
+<div class="gapspace">&nbsp;</div>
+<p>I am prepared for the objections that may be made to my
+story.&nbsp; I expect, as a matter of course, to be told that
+this was an optical illusion, or that I was suffering from
+pressure on the brain, or even that I laboured under an attack of
+temporary insanity.&nbsp; I have heard all these arguments
+before, and, if I may be forgiven for saying so, I have no desire
+to hear them again.&nbsp; My own mind has been made up upon this
+subject for many a year.&nbsp; All that I can say&mdash;all that
+I <i>know</i> is&mdash;that Matthew Price came back from the dead
+to save my soul and the lives of those whom I, in my guilty rage,
+would have hurried to destruction.&nbsp; I believe this as I
+believe in the mercy of Heaven and the forgiveness of repentant
+sinners.</p>
+<p style="text-align: center"><span class="smcap">the
+end</span></p>
+<p>***END OF THE PROJECT GUTENBERG EBOOK MUGBY JUNCTION***</p>
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