diff options
Diffstat (limited to '27677.txt')
| -rw-r--r-- | 27677.txt | 1190 |
1 files changed, 1190 insertions, 0 deletions
diff --git a/27677.txt b/27677.txt new file mode 100644 index 0000000..0e022a2 --- /dev/null +++ b/27677.txt @@ -0,0 +1,1190 @@ +Project Gutenberg's Daisy Dare, and Baby Power, by Rosa Vertner Jeffrey + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Daisy Dare, and Baby Power + Poems + +Author: Rosa Vertner Jeffrey + +Illustrator: D. Vertner Johnson + +Release Date: December 31, 2008 [EBook #27677] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK DAISY DARE, AND BABY POWER *** + + + + +Produced by David Garcia, Emmy and the Online Distributed +Proofreading Team at https://www.pgdp.net (This file was +produced from images generously made available by The +Kentuckiana Digital Library) + + + + + + + +[Illustration] + + + + +DAISY DARE. + +[Illustration] + +[Illustration: MULLEN, [handwritten: Truly Yrs, Rosa V Jeffrey] PHOTO.] + + + + + +DAISY DARE, + +AND + +BABY POWER: + +POEMS. + + +BY + +ROSA VERTNER JEFFREY. + +=With Light Illustrations,= + +_Designed by D. Vertner Johnson, Esq._ + +[Illustration] + + PHILADELPHIA: + CLAXTON, REMSEN & HAFFELFINGER, + 819 AND 821 MARKET STREET. + 1871. + + + + + Entered according to Act of Congress, in the year 1870, by + ROSA VERTNER JEFFREY, + in the Office of the Librarian of Congress at Washington. + + + STEREOTYPED BY J. FAGAN & SON. PRINTED BY MOORE BROS. + +[Illustration] + + + + + TO + + MY DEAR FRIEND + + MRS. MARGARET WICKLIFFE PRESTON, + + OF LEXINGTON, KENTUCKY, + + THIS VOLUME IS + + =Affectionately Inscribed= + + BY THE AUTHOR. + + LEXINGTON, KY., December 1, 1870. + +[Illustration] + +[Illustration: + + "At early morn swept Daisy Dare,-- + Sparkling, graceful, passing fair."] + +[Illustration] + + + + +DAISY DARE. + + +PART I. + + Thro' scented meadows, where do graze + The meek-eyed kine on summer days, + At early morn swept Daisy Dare,-- + Sparkling, graceful, passing fair. + + Sparkling as the dew-drops gleaming + On her path, or sunlight streaming + Through her tresses--graceful, fair, + As naught on earth save Daisy Dare! + + Wondrous tresses! sunshine fades + Mid floating curls and sumptuous braids,-- + A crown of light that glorifies + White brow and deep impassioned eyes. + + Full, perfect, tempting were her lips-- + The bee or humming-bird that sips + From scarlet blossoms in the South + Beguiled might be by such a mouth. + + Her path ran by a rushing stream + Which, like a crooked silver seam, + Bound that green meadow to a wood, + Where soon with Graham Lee she stood. + + Softly through arching forest-trees + Came stealing up a fresh salt breeze; + One fair cheek kissing, till it burned + Like to the other Lee-ward turned. + + "Daisy," he said, "I sail to-day + For India, with Captain Gray; + Will you not be upon the strand + To say 'farewell'--to wave your hand?" + + "Yes; I will go to see you sail:" + The tone was proud--her cheek turned pale; + "I've promised to be there and say + A parting word to Allen Gray." + + The strong man's cheek grew white as death + As thus, with short, unsteady breath, + He said: "When last I went to sea, + You waved, nay, kissed your hand to me." + + Her eyes flashed, smiling on him then-- + Such eyes hold fiery, earnest men + In bondage, and to love beguile, + Whether they mock, or weep, or smile. + + "Yes; I remember then to you + I kissed my hand; but here are two: + Can I not still kiss this one, pray, + To you, and this to Allen Gray?" + +[Illustration: + + "Oh, do not mock me, Daisy Dare, + With your small hands so soft and fair."] + + + Her voice was deep, the words were light, + The hands upheld were small and white,-- + Such hands as strong men love to grasp + And crush in an impassioned clasp. + + "Oh, do not mock me, Daisy Dare, + With your small hands so soft and fair; + They may beguile both lovers--true; + You cannot give your heart to two. + + "One or the other let it be; + If Allen Gray, you're lost to me: + If me, all hearts you must resign,-- + All homage and all love save mine. + + "My guiding star across the brine, + Has been the hope that called you mine; + I'd rather see that load-star set, + Than wed a fair, false, vain coquette. + + "I'd rather trust, though seas divide, + Than linger doubting by your side: + Now speak, what turns your heart away; + The love of gold or Allen Gray?" + + Up rose her spirit, quick and proud; + And, as through a translucent cloud + Pour crimson streams of torrid light, + The red blood dyed her forehead white. + + "I have not broken faith or vow," + She said; "but do release you now. + My heart cannot be bought or sold + By Allen Gray with love or gold. + + "I trifled with him but to try + Your faith in me: I'd rather die + Than wed a man of jealous heart: + You cannot trust me, let us part. + + "The jealous love you bring to me, + (As yonder green, impulsive sea + Unto the shore doth come and go,) + In passion tides would ebb and flow. + + "And as that surf, in fitful swells, + Doth bring or bear away the shells + From yonder strand,--such passion, strife + Would fill, or desolate my life. + + "Such earthly crown of love to wear, + The cross it brings I would not bear; + Here! see me cast the burden down: + Go!--for I yield you up the crown." + + The angry flush had faded now, + Leaving her bosom, cheek, and brow + Whiter than sea-foam 'neath the moon; + Her low voice as sad wind-harp's tune. + + She waved her hand and turned away: + He caught it, crying, "Daisy, stay! + Let not a flash of passion-pride + Two clinging hearts like ours divide." + + She stood before him haughty, cold: + "You taunted me with love of gold-- + Who wealth and titles scorned--to be + The chosen bride of Graham Lee." + + "This choice, perhaps, you now regret, + And crave a titled suitor yet; + Hearts that are anchored side by side, + No surface-ripple can divide." + + His words were bitter in their turn, + And, like sharp acid on a burn, + They scorched her heart, and seared the spot + Where blossomed love's "forget-me-not." + + Oh, why are darts of anger hurled + From heart to heart throughout the world; + Fierce as the lightning--flashing far, + From cloud to cloud, its red-hot bar? + + So quick, so sharp, too oft it cleaves + The sandal-chain of love, and leaves + But fragrant, broken, links at last + To bind us to a ruined past. + + Too often fixing deeps of woe + Between us and the long ago; + Bridging a gulf toward mem'ries green, + With one regret--"it might have been." + + Oh, why, when life is in its June + Of fruity fragrance, perfect tune, + Does passion's stormy pride destroy + Youths' heritage of love and joy? + + One jealous breath will oft disclose + A canker in hope's perfect rose, + For the false fever heat of strife + To nurse, and nourish into life. + + Oh, Daisy Dare! the sea is wide: + Dear is the lover by thy side: + The sea is treacherous, hungry, deep, + And millions o'er its treasures weep. + + His heart relented--strong hearts do; + Yet more relenting, oft less true + Than those, unyielding, that defy + The deathless love of which they die. + + "As forest saplings, by the sun + Together knit till two are one-- + One trunk, one bark, one sap, one tree-- + Our hearts have been, should ever be. + + "Let sharp steel cleave that circling rind, + No art its severed strength could bind; + Should anger part thy love from mine, + Holds earth another heart for thine?" + + Oh, stubborn pride! unyielding still; + Her heart is conquered; but her will + Defies its tender, pleading tone: + She left him--they were both alone. + + * * * * * + + When eve her golden goblet fills + Among the sunset's purple hills, + And overflows that sunset wine + In streams of glory on the brine, + + Unto the shore a maiden came, + Who gazed where, down that track of flame + A steamer to the west did dip: + Her heart went outward with the ship. + + She had not kept her tryst that day, + Nor waved her hand to Allen Gray: + Both little hands were still--'twas true + She could not "give her heart to two." + + She heard the parting signals sound, + And then the haughty pride that bound + Her woman's heart, which had defied + Her woman's love, grew faint and died. + +[Illustration: + + "She wandered hopeless to the strand, + And, hopeless, westward waved her hand."] + + She heard the steamship's iron bell; + Turned to the shore, but faltered, fell-- + For ocean steamers do not wait + On love--her pride gave way too late. + + "Too late!" she heard it rise and swell, + Tolled by the iron steamer's bell; + Told by the mocking voice of Fate, + Rung through her heart, "too late!" "too late!" + + And now, when from that outward bound, + Defiant distance brought no sound, + She wandered hopeless to the strand, + And, hopeless, westward waved her hand. + + The steamer's black smoke drifting far + Rose up and hid the evening star: + A bitter symbol of that strife + Between love's day-star and her life. + + In the late gloaming's purple gloom + She wandered home; but half the bloom + Had faded from her cheek and lips: + Love's orient was in eclipse. + + * * * * * + + * * * * * + + "The ship went down!" such message crossed + The lightning wire, and all were lost + Save Captain Gray, and two or three; + Among them was not Graham Lee. + + From Daisy's hand the paper fell; + No cry she uttered, but a swell + Of anguish through her heart did sweep, + Bearing it downward to the deep. + + As the green pallor of a storm + A summer landscape doth deform, + Making a livid shadow grow + Athwart the noon-day's ruddy glow, + + Across the future once so fair, + So ripe with joy for Daisy Dare, + Fate's cruel sickle swept, and left + Life of its golden harvest reft. + +[Illustration] + +[Illustration: + + "Turning her white cheek from the light, + Clasping her small hands fiercely tight!"] + +[Illustration] + + +PART II. + + + Women are deemed cold, careless, proud, + Who suffer bravely in a crowd; + Smiles flash from hearts in sorrow set, + As gleams from jewels edged with jet. + + Some months had passed--it was not long-- + When Daisy stood amid a throng, + Turning her white cheek from the light, + Clasping her small hands fiercely tight! + + For she had heard two brave men say,-- + A stranger one--one Allen Gray,-- + No braver hero ever died + Than he whose love she lost through pride. + + Unselfish, earnest, daring, brave, + All but himself he tried to save; + Heedless of death and danger--why? + One heart alone could make reply. + + One spirit that had vainly sought + Rest from a hungry surge of thought; + Fierce retribution!--thus to be + Tortured by praise of Graham Lee! + + Hero! but not for her to claim-- + There was the anguish, there the shame: + How little yielding 'twould have cost + To call him still her own, though lost. + + But she had cast away the right, + And, mutely wretched, heard that night, + With stormy heart and tearless cheek, + His praise whose name she dared not speak. + + Few knew that they were lovers--none + That their two hearts had pulsed as one; + So the world called her cold and changed; + Friends thought her haughty and estranged. + + The current of her life's May-time + Ran chill beneath a crust of rime; + And lovers wore, for Daisy's sake, + The icy chains they could not break. + + A yearning sadness in her face + But added to that nameless grace, + That spell by which some women reign + In hearts they never strove to gain. + + Love fell on her superb repose + Like warm light on a sculptured rose, + As if--beguiled--to flush apart + The chiselled whiteness of its heart. + + The voice of passion to her soul + Swept, as the storm-voiced surges roll + Up toward a star-like beacon steep, + Dashed backward rayless to the deep. + + As fire-fly lighting up a maze + Of cobwebs with its dying blaze; + Held by a grim black spider fast-- + Flashing with glory to the last. + + Thus tangled in a cruel fate, + Dared through her folly, feared too late, + The light of Daisy's lost love made + The past fall back in deepest shade. + + Strong natures suffer more than those + Who, bowing down, parade their woes + For a brief season, and then rise: + The brave heart uncomplaining dies. + + So after years that inner gloom + Had only softened Daisy's bloom, + Giving such meaning to her eyes + As worldlings cannot analyze. + + And when her pink cheek turned too soon + Pale as magnolia buds in June, + No one could call its fairness blight, + Or wish a flush upon the white. + + When just one shade of roundness passed + From her proud form, they said at last + That she must travel. Well she knew + Love and regret would travel too! + + 'Twas not one shore alone, whose surge + Came wailing to her like a dirge; + The surf, the waves of every sea, + Everywhere, moaned of Graham Lee. + + And when in a far distant land, + Upon a sunny southern strand, + Where warm waves, green as malachite, + Come leaping, as from vats of light, + + Where summer's sumptuous golden blaze + Wraps earth in a voluptuous haze + Of lambent splendor; where the skies + Drop balm as erst in Paradise, + + Where clusters of imperial trees + Nod their green plumes o'er slumberous seas; + Warm, amorous deeps! whose crystal calms + Dream of the emerald-crested palms. + + A shore of bloom! a sea so bright! + Entranced they mingle in the light; + Apart--yet wedded by the sun, + As severed hearts through love made one. + + Where air as an elixir fine + Exhilarates like sparkling wine; + Where mere existence brings a joy + Life's trifling ills cannot destroy: + + There, where the aromatic breeze-- + Fledged in a nest of orange-trees, + Kissing the slumb'rous waves--made sweet + The sea-foam swept to Daisy's feet. + + The gloom, the shadow, passed not by; + Still white her cheek, as shells that lie + Like drifted snow on golden strand, + Where stood she writing in the sand. + + And still the envious surges came + To wash away that precious name + Writ on her heart's warm shore for years, + Merged by its tidal flow of tears. + + She stood in a sequestered cove, + While countless memories of love + Heaped treasure, till her sea of grief + Blushed--breaking on a coral-reef! + + For precious memories often grow + From out the darkest voids of woe; + As fissures by the sea-worm drilled + In Eastern shells, with pearls are filled. + + The creeping tide swells, shot with flame, + Stole up and kissed away that name + Which Fate indeed, with mocking hand, + For her had written in the sand. + + Outward, upon her right did reach + A long, white, narrow line of beach, + Where careless groups now idly strayed, + Watching the flush of sunset fade. + + And when across that crimson glow + Her gaze went out as long ago, + O'er colder seas, unto a ship + Which toward the setting sun did dip, + + On the far point of that white sand + Standing together, hand in hand, + Like forms of sculptured bronze revealed + Against the sunset's burnished shield, + + Two figures smote her 'wildered sight, + And left two blots upon the light; + Darker than iron ship afar + Or smoke that hid the evening star. + + For there, between her and the sun, + Stood Graham Lee, and with him one + Whose beauty stirred to bitter strife + The chilly current of her life. + +[Illustration: + + "Two figures smote her 'wildered sight, + And left two blots upon the light."] + + + As summer sends a mighty thrill + Through clust'ring icy floes, until + Their shudd'ring breaks the ghastly sleep + Of Nova Zembla's pallid deep. + + More dead he seemed to her that hour-- + There, in the strength of manly power, + Bending to see those dark eyes shine-- + Than cold and still beneath the brine. + + Six years had marked their weary length + On her young life--whose faith and strength + A widowed heart left purified-- + To live, now wishing she had died. + + More lost she felt, and more alone, + Leaning against that hard, cold stone, + Than when his ship was outward bound, + Or when she thought of him as drowned. + + They turned, and sauntered towards the cove; + Oh, woman's strength! oh, woman's love! + She stirred not till their eyes had met, + And knew herself remembered yet. + + Down wastes of absence, grief, and gloom-- + Warmed by his gaze--uprose the bloom + Of Hope's lost violets through the snow, + A purple path to long ago! + + She saw the creole's large, dark eyes + Glance up to his in mute surprise; + She saw him leave the girl and stand + Before her with an outstretched hand. + + Then turned and fled--no matter where, + So those she fled from were not there-- + Seaward away, across the strand, + Where hungry waves crept up the sand. + + On Memory's scroll there came a blot, + A space of time remembered not; + When sense awoke, clouds late aglow + With sunset fire, looked drifts of snow. + + For, like a disembodied soul + By angels clad in silvery stole + And shining sandals for its flight + Along the upward paths of light, + + The moon had risen there, and turned + Volcanic cloud-peaks while they burned, + White as the frozen coronet + On Jura's misty forehead set. + + And where, from out her casket fine, + Eve had dropped rubies on the brine, + In gleaming lengths of shimmering sheen + Long lines of moonlight paved the green. + + Yet not to star, or sea, or skies + She gazed, but into deep, dear eyes + Bending upon her with the glow, + The old, sweet love of long ago. + + Subtly it thrilled through every vein, + Making her white cheek flush again; + As pale hydrangeas blushing shine, + Whose roots are steeped in purple wine. + + She felt love's subtle, potent charm + Binding her on that strong right arm; + 'T was softer than the cold gray stone, + 'T was sweeter thus than all alone. + + One moment struggling to be free, + She cried: "Release me, Graham Lee; + For there is more to part us now + Than distance, death, or broken vow." + + "Daisy"--his voice was deep and clear-- + "Stay; would I dare to hold you here + So near my heart, if unto you + That heart had ever been untrue? + + "Perchance, had I not found you soon, + As yon gray cloud beside the moon + Is silver-lined,--that wore a crown + Of glory when the sun went down, + + "My future might have worn at last + A light, which, likened to the past, + Would be as yonder placid moon + Unto the sumptuous suns of June. + + "You thought me dead--I thought you lost; + Our hearts have both been tempest tossed, + And never anchored since that hour + When each defied the other's power. + + "The stately creole by my side + Is my young sister--not my bride; + Earth holds one mate alone for me, + One bride--say, Daisy, shall it be?" + + No blot on the horizon's verge, + No black smoke hid the star, no surge + Came up to fret the silent sea, + No answer came to Graham Lee. + + What need of words? From eye to eye + How quick the magnet glances fly-- + Electric sparks from soul to soul-- + As magnets flash from pole to pole. + + From noiseless waters, stealing slow, + The drooping white stalactites grow; + From noiseless drops stalagmites rise, + Silent they meet, and crystallize. + + The overflowing loves that spring + From two proud natures meeting, cling + In strong, pure bliss from heart to home, + As cavern spars from floor to dome. + +[Illustration] + +[Illustration] + +[Illustration] + + + + +BABY POWER. + +[Illustration] + +[Illustration: MULLEN, PHOTO. + + "Six little feet to cover, + Six little hands to fill, + Tumbling out in the clover, + Stumbling over the sill."] + +[Illustration] + + + + +BABY POWER. + + + Six little feet to cover, + Six little hands to fill, + Tumbling out in the clover, + Stumbling over the sill. + Six little stockings ripping, + Six little shoes half worn; + Spite of the promised whipping, + Skirts, shirts, and aprons torn! + Bugs and bumble-bees catching, + Heedless of bites and stings, + Walls and furniture scratching, + Twisting off buttons and strings. + Into the sugar and flour, + Into the salt and meal, + Their royal, baby power, + All through the house we feel! + Behind the big stove creeping, + To steal the kindling-wood; + Into the cupboard peeping, + To hunt for "somesin' dood." + The dogs they tease to snarling, + The chickens know no rest, + Yet the old cook calls them "darling," + And loves each one "the best." + Smearing each other's faces + With smut or blacking-brush, + To forbidden things and places + Always making a rush. + Over a chair, or table, + They'll fight, and kiss again + When told of slaughtered Abel, + Or cruel, wicked Cain. + All sorts of mischief trying, + On sunny days--in doors + And then perversely crying + To rush out when it pours. + A raid on grandma making, + --In spite her nice new cap-- + Its strings for bridles taking, + While riding on her lap. + Three rose-bud mouths beguiling, + Prattling the live-long day, + Six sweet eyes on me smiling, + Hazel, and blue, and gray.-- + Hazel--with heart-light sparkling, + Too happy, we trust, to fade-- + Blue--'neath long lashes darkling, + Like violets in the shade. + Gray--full of earnest meaning, + A dawning light so fair, + Of woman's life beginning, + We dread the noon-tide glare + Of earthly strife, and passion, + May spoil its tender glow, + Change its celestial fashion, + As earth-stains change the snow! + Six little clasped hands lifted, + Three white brows upward turned, + One prayer--thrice heavenward drifted-- + To Him who never spurned + The lisp of lips where laughter, + Fading away in prayer, + Leaves holy twilight after + A noon of gladness there. + Three little heads, all sunny, + To pillow and bless at night,-- + Riotous Alick and Dunnie, + Jinnie, so bonnie and bright! + Three souls immortal slumber, + Crowned by that golden hair; + When Christ his flock shall number, + Will all _my_ lambs be there? + Now, with the stillness round me, + I bow my head and pray, + "Since this faint heart has found thee, + Suffer them not to stray." + Up to the shining portals, + Over life's stormy tide, + Treasures I bring--immortal; + Saviour be thou my guide. + +[Illustration] + + + + + +End of Project Gutenberg's Daisy Dare, and Baby Power, by Rosa Vertner Jeffrey + +*** END OF THIS PROJECT GUTENBERG EBOOK DAISY DARE, AND BABY POWER *** + +***** This file should be named 27677.txt or 27677.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/7/6/7/27677/ + +Produced by David Garcia, Emmy and the Online Distributed +Proofreading Team at https://www.pgdp.net (This file was +produced from images generously made available by The +Kentuckiana Digital Library) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
