summaryrefslogtreecommitdiff
path: root/old/27424.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/27424.txt')
-rw-r--r--old/27424.txt1295
1 files changed, 0 insertions, 1295 deletions
diff --git a/old/27424.txt b/old/27424.txt
deleted file mode 100644
index fdc5e9f..0000000
--- a/old/27424.txt
+++ /dev/null
@@ -1,1295 +0,0 @@
-Project Gutenberg's Cautionary Tales for Children, by Hilaire Belloc
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: Cautionary Tales for Children
-
-Author: Hilaire Belloc
-
-Illustrator: Basil T. Blackwood
-
-Release Date: December 5, 2008 [EBook #27424]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK CAUTIONARY TALES FOR CHILDREN ***
-
-
-
-
-Produced by Chris Curnow, Joseph Cooper, Anne Storer and
-the Online Distributed Proofreading Team at
-https://www.pgdp.net
-
-
-
-
-
-
- CAUTIONARY TALES FOR CHILDREN
-
-
-
-
- CAUTIONARY TALES FOR
- CHILDREN
-
- _Designed for the Admonition of Children between the ages
- of eight and fourteen years_
-
-
- Verses by
- H. BELLOC
-
- Pictures by
- B. T. B.
-
- [Illustration]
-
-
- DUCKWORTH
- 3 HENRIETTA STREET, LONDON, W.C.
-
-
-
-
- First published by Eveleigh Nash, 1907
- First published by Gerald Duckworth & Co. Ltd., 1918
- Thirteenth Impression, 1957
-
- _All rights reserved_
-
-
- _Made and Printed in Great Britain by_
- _Thomas Nelson and Sons Ltd_
- _London and Edinburgh_
-
-
-
-
- DEDICATED
- TO
- BOBBY, JOHNNY, AND EDDIE
- SOMERSET
-
-
-
-
-INTRODUCTION
-
-
-Upon being asked by a Reader whether the verses contained in this book
-were true.
-
-
-[Illustration]
-
- And is it True? It is not True.
- And if it were it wouldn't do,
- For people such as me and you
- Who pretty nearly all day long
- Are doing something rather wrong.
- Because if things were really so,
- You would have perished long ago,
- And I would not have lived to write
- The noble lines that meet your sight,
- Nor B. T. B. survived to draw
- The nicest things you ever saw.
- H. B.
-
- * * * * *
-
-
-
-
-JIM,
-
-_Who ran away from his Nurse, and was eaten by a Lion._
-
-
-[Illustration]
-
- There was a Boy whose name was Jim;
- His Friends were very good to him.
- They gave him Tea, and Cakes, and Jam,
- And slices of delicious Ham,
- And Chocolate with pink inside,
- And little Tricycles to ride,
- And
-
-[Illustration]
-
- read him Stories through and through,
- And even took him to the Zoo--
- But there it was the dreadful Fate
- Befell him, which I now relate.
-
- You know--at least you _ought_ to know.
- For I have often told you so--
- That Children never are allowed
- To leave their Nurses in a Crowd;
-
- Now this was Jim's especial Foible,
- He ran away when he was able,
- And on this inauspicious day
- He slipped his hand and ran away!
- He hadn't gone a yard when--
-
-[Illustration]
-
- Bang!
- With open Jaws, a Lion sprang,
- And hungrily began to eat
- The Boy: beginning at his feet.
-
- Now just imagine how it feels
- When first your toes and then your heels,
- And then by gradual degrees,
- Your shins and ankles, calves and knees,
- Are slowly eaten, bit by bit.
-
-[Illustration]
-
- No wonder Jim detested it!
- No wonder that he shouted "Hi!"
- The Honest Keeper heard his cry,
- Though very fat
-
-[Illustration]
-
- he almost ran
- To help the little gentleman.
- "Ponto!" he ordered as he came
- (For Ponto was the Lion's name),
- "Ponto!" he cried,
-
-[Illustration]
-
- with angry Frown.
- "Let go, Sir! Down, Sir! Put it down!"
-
- The Lion made a sudden Stop,
- He let the Dainty Morsel drop,
- And slunk reluctant to his Cage,
- Snarling with Disappointed Rage
- But when he bent him over Jim,
- The Honest Keeper's
-
-[Illustration]
-
- Eyes were dim.
- The Lion having reached his Head,
- The Miserable Boy was dead!
-
-[Illustration]
-
- When Nurse informed his Parents, they
- Were more Concerned than I can say:--
- His Mother, as She dried her eyes,
- Said, "Well--it gives me no surprise,
- He would not do as he was told!"
- His Father, who was self-controlled,
- Bade all the children round attend
- To James' miserable end,
- And always keep a-hold of Nurse
- For fear of finding something worse.
-
-
-
-
-HENRY KING,
-
-_Who chewed bits of String, and was early cut off in Dreadful Agonies._
-
-
- The Chief Defect of Henry King
- Was
-
-[Illustration]
-
- chewing little bits of String.
- At last he swallowed some which tied
- Itself in ugly Knots inside.
-
-[Illustration]
-
- Physicians of the Utmost Fame
- Were called at once; but when they came
- They answered,
-
-[Illustration]
-
- as they took their Fees,
- "There is no Cure for this Disease.
- Henry will very soon be dead."
- His Parents stood about his Bed
- Lamenting his Untimely Death,
- When Henry, with his Latest Breath,
- Cried--
- "Oh, my Friends, be warned by me,
-
-[Illustration]
-
- That Breakfast, Dinner, Lunch and Tea
- Are all the Human Frame requires ..."
- With that the Wretched Child expires.
-
-
-
-
-MATILDA,
-
-_Who told Lies, and was Burned to Death._
-
-
- Matilda told such Dreadful Lies,
-
-[Illustration]
-
- It made one Gasp and Stretch one's Eyes;
- Her Aunt, who, from her Earliest Youth,
- Had kept a Strict Regard for Truth,
-
-[Illustration]
-
- Attempted to Believe Matilda:
- The effort very nearly killed her,
- And would have done so, had not She
- Discovered this Infirmity.
- For once, towards the Close of Day,
- Matilda, growing tired of play,
- And finding she was left alone,
- Went tiptoe
-
-[Illustration]
-
- to
- the Telephone
- And summoned the Immediate Aid
- Of London's Noble Fire-Brigade.
- Within an hour the Gallant Band
- Were pouring in on every hand,
- From Putney, Hackney Downs and Bow,
- With Courage high and Hearts a-glow
- They galloped, roaring through the Town,
-
-[Illustration]
-
- "Matilda's House is Burning Down!"
- Inspired by British Cheers and Loud
- Proceeding from the Frenzied Crowd,
- They ran their ladders through a score
- Of windows on the Ball Room Floor;
- And took Peculiar Pains to Souse
- The Pictures up and down the House,
-
-[Illustration]
-
- Until Matilda's Aunt succeeded
- In showing them they were not needed
- And even then she had to pay
- To get the Men to go away!
-
- * * *
-
- It happened that a few Weeks later
- Her Aunt was off to the Theatre
- To see that Interesting Play
- _The Second Mrs. Tanqueray._
-
-[Illustration]
-
- She had refused to take her Niece
- To hear this Entertaining Piece:
- A Deprivation Just and Wise
- To Punish her for Telling Lies.
- That Night a Fire _did_ break out--
- You should have heard Matilda Shout!
- You should have heard her Scream and Bawl,
- And throw the window up and call
- To People passing in the Street--
- (The rapidly increasing Heat
- Encouraging her to obtain
- Their confidence)--but all in vain!
- For every time She shouted "Fire!"
-
-[Illustration]
-
- They only answered "Little Liar!"
- And therefore when her Aunt returned,
- Matilda, and the House, were Burned.
-
-[Illustration]
-
-
-
-
-FRANKLIN HYDE,
-
-_Who caroused in the Dirt and was corrected by His Uncle._
-
-
-[Illustration]
-
- His Uncle came on Franklin Hyde
- Carousing in the Dirt.
- He Shook him hard from Side to Side
- And
-
-[Illustration]
-
- Hit him till it Hurt,
-
- Exclaiming, with a Final Thud,
- "Take
-
-[Illustration]
-
- that! Abandoned Boy!
- For Playing with Disgusting Mud
- As though it were a Toy!"
-
-
-MORAL
-
- From Franklin Hyde's adventure, learn
- To pass your Leisure Time
- In Cleanly Merriment, and turn
- From Mud and Ooze and Slime
- And every form of Nastiness--
- But, on the other Hand,
- Children in ordinary Dress
- May always play with Sand.
-
-[Illustration]
-
-
-
-
-GODOLPHIN HORNE,
-
-_Who was cursed with the Sin of Pride, and Became a Boot-Black._
-
-
-[Illustration]
-
- Godolphin Horne was Nobly Born;
- He held the Human Race in Scorn,
- And lived with all his Sisters where
- His father lived, in Berkeley Square.
- And oh! the Lad was Deathly Proud!
- He never shook your Hand or Bowed,
- But merely smirked and nodded
-
-[Illustration]
-
- thus:
- How perfectly ridiculous!
- Alas! That such Affected Tricks
- Should flourish in a Child of Six!
- (For such was Young Godolphin's age).
-
- Just then, the Court required a Page,
- Whereat
-
-[Illustration]
-
- the Lord High Chamberlain
- (The Kindest and the Best of Men),
- He went good-naturedly and
-
-[Illustration]
-
- took
- A Perfectly Enormous Book
- Called _People Qualified to Be
- Attendant on His Majesty_,
- And murmured, as he scanned the list
- (To see that no one should be missed),
- "There's
-
-[Illustration]
-
- William Coutts has got the Flue,
-
-[Illustration]
-
- And Billy Higgs would never do,
-
-[Illustration]
-
- And Guy de Vere is far too young,
-
-[Illustration]
-
- And ... wasn't D'Alton's Father hung?
- And as for Alexander Byng!-- ...
- I think I know the kind of thing,
- A Churchman, cleanly, nobly born,
- Come
- let us say Godolphin Horne?"
- But hardly had he said the word
- When Murmurs of Dissent were heard.
- The King of Iceland's Eldest Son
- Said, "Thank you! I am taking none!"
- The Aged Duchess of Athlone
- Remarked, in her sub-acid tone,
- "I doubt if He is what we need!"
- With which the Bishops all agreed;
- And even Lady Mary Flood
- (_So_ Kind, and oh! so _really_ good)
- Said, "No! He wouldn't do at all,
- He'd make us feel a lot too small,"
- The Chamberlain said,
- " ... Well, well, well!
- No doubt you're right.... One cannot tell!"
- He took his Gold and Diamond Pen
- And
-
-[Illustration]
-
- Scratched Godolphin out again.
- So now Godolphin is the Boy
- Who blacks the Boots at the Savoy.
-
-[Illustration]
-
-
-
-
-ALGERNON,
-
-_Who played with a Loaded Gun, and, on missing his Sister was
-reprimanded by his Father._
-
-
- Young Algernon, the Doctor's Son,
- Was
-
-[Illustration]
-
- playing with a Loaded Gun.
- He pointed it towards his sister,
- Aimed very carefully, but
-
-[Illustration]
-
- Missed her!
-
- His Father, who was standing near,
-
-[Illustration]
-
- The Loud Explosion chanced to Hear,
-
-[Illustration]
-
- And reprimanded Algernon
- For playing with a Loaded Gun.
-
-
-
-
-HILDEBRAND,
-
-_Who was frightened by a Passing Motor, and was brought to Reason._
-
-
-[Illustration]
-
- "Oh, Murder! What was that, Papa!"
- "My child,
- It was a Motor-Car,
- A Most Ingenious Toy!
-
-[Illustration]
-
- Designed to Captivate and Charm
- Much rather than to rouse Alarm
- In any English Boy.
-
- "What would your Great Grandfather who
-
-[Illustration]
-
- Was Aide-de-Camp to General Brue,
- And lost a leg at
-
-[Illustration]
-
- Waterloo,
- And
-
-[Illustration]
-
- Quatre-Bras and
-
-[Illustration]
-
- Ligny too!
- And died at Trafalgar!--
-
-[Illustration]
-
- What would he have remarked to hear
- His Young Descendant shriek with fear,
- Because he happened to be near
- A Harmless Motor-Car!
- But do not fret about it! Come!
- We'll off to Town
-
-[Illustration]
-
- And purchase some!"
-
-
-
-
-LORD LUNDY,
-
-_Who was too Freely Moved to Tears, and thereby ruined his Political
-Career._
-
-
-[Illustration]
-
- Lord Lundy from his earliest years
- Was far too freely moved to Tears.
- For instance if his Mother said,
- "Lundy! It's time to go to Bed!"
- He bellowed like a Little Turk.
- Or if
-
-[Illustration]
-
- his father Lord Dunquerque
- Said "Hi!" in a Commanding Tone,
- "Hi, Lundy! Leave the Cat alone!"
- Lord Lundy, letting go its tail,
- Would raise so terrible a wail
- As moved
- His
- Grandpapa
- the
-
-[Illustration]
-
- Duke
- To utter the severe rebuke:
- "When I, Sir! was a little Boy,
- An Animal was not a Toy!"
-
- His father's Elder Sister, who
- Was married to a Parvenoo,
-
-[Illustration]
-
- Confided to Her Husband, "Drat!
- The Miserable, Peevish Brat!
- Why don't they drown the Little Beast?"
- Suggestions which, to say the least,
- Are not what we expect to hear
- From Daughters of an English Peer.
- His grandmamma, His Mother's Mother,
- Who had some dignity or other,
- The Garter, or no matter what,
- I can't remember all the Lot!
- Said "Oh! that I were Brisk and Spry
- To give him that for which to cry!"
- (An empty wish, alas! for she
-
-[Illustration]
-
- Was Blind and nearly ninety-three).
-
- The
-
-[Illustration]
-
- Dear Old Butler
- thought--but there!
- I really neither know nor care
- For what the Dear Old Butler thought!
- In my opinion, Butlers ought
- To know their place, and not to play
- The Old Retainer night and day
- I'm getting tired and so are you,
- Let's cut the Poem into two!
-
- * * *
-
-
-
-
-LORD LUNDY
-
-(_SECOND CANTO_)
-
-
- It happened to Lord Lundy then,
- As happens to so many men:
- Towards the age of twenty-six,
- They shoved him into politics;
- In which profession he commanded
- The income that his rank demanded
- In turn as Secretary for
- India, the Colonies, and War.
- But very soon his friends began
- To doubt if he were quite the man:
- Thus, if a member rose to say
- (As members do from day to day),
-
-[Illustration]
-
- "Arising out of that reply ...!"
-
-[Illustration]
-
- Lord Lundy would begin to cry.
- A Hint at harmless little jobs
- Would shake him with convulsive sobs.
-
- While as for Revelations, these
- Would simply bring him to his knees,
- And leave him whimpering like a child.
- It drove his Colleagues raving wild!
- They let him sink from Post to Post,
- From fifteen hundred at the most
- To eight, and barely six--and then
- To be Curator of Big Ben!...
- And finally there came a Threat
- To oust him from the Cabinet!
-
- The Duke--his aged grand-sire--bore
- The shame till he could bear no more.
- He rallied his declining powers,
- Summoned the youth to Brackley Towers,
- And bitterly addressed him thus--
- "Sir! you have disappointed us!
- We had intended you to be
- The next Prime Minister but three:
- The stocks were sold; the Press was squared:
- The Middle Class was quite prepared.
- But as it is!... My language fails!
-
-[Illustration]
-
- Go out and govern New South Wales!"
-
- * * *
-
- The Aged Patriot groaned and died:
- And gracious! how Lord Lundy cried!
-
-[Illustration]
-
-
-
-
-REBECCA,
-
-_Who slammed Doors for Fun and Perished Miserably._
-
-
- A Trick that everyone abhors
- In Little Girls is slamming Doors.
- A
-
-[Illustration]
-
- Wealthy Banker's
- Little Daughter
-
-[Illustration]
-
- Who lived in Palace Green, Bayswater
- (By name Rebecca Offendort),
- Was given to this Furious Sport.
-
- She would deliberately go
-
-[Illustration]
-
- And Slam the door like
- Billy-Ho!
- To make
- her
-
-[Illustration]
-
- Uncle Jacob start.
- She was not really bad at heart,
- But only rather rude and wild:
- She was an aggravating child....
-
- It happened that a Marble Bust
- Of Abraham was standing just
- Above the Door this little Lamb
- Had carefully prepared to Slam,
- And Down it came! It knocked her flat!
- It laid her out! She looked like that.
-
-[Illustration]
-
- * * *
-
- Her funeral Sermon (which was long
- And followed by a Sacred Song)
- Mentioned her Virtues, it is true,
- But dwelt upon her Vices too,
- And showed the Dreadful End of One
- Who goes and slams the door for Fun.
-
- * * *
-
- The children who were brought to hear
- The awful Tale from far and near
- Were much impressed,
- and inly swore
- They never more would slam the Door.
- --As often they had done before.
-
-[Illustration]
-
-
-
-
-GEORGE,
-
-_Who played with a Dangerous Toy, and suffered a Catastrophe of
-considerable Dimensions._
-
-
- When George's Grandmamma was told
-
-[Illustration]
-
- That George had been as good as Gold,
- She Promised in the Afternoon
- To buy him an _Immense BALLOON_.
- And
-
-[Illustration]
-
- so she did; but when it came,
- It got into the candle flame,
- And being of a dangerous sort
- Exploded
-
-[Illustration]
-
- with a loud report!
-
- The Lights went out! The Windows broke!
- The Room was filled with reeking smoke.
- And in the darkness shrieks and yells
- Were mingled with Electric Bells,
- And falling masonry and groans,
- And crunching, as of broken bones,
- And dreadful shrieks, when, worst of all,
- The House itself began to fall!
- It tottered, shuddering to and fro,
- Then crashed into the street below--
- Which happened to be Savile Row.
-
- * * *
-
- When Help arrived, among the Dead
-
-[Illustration]
-
- Were
-
- Cousin Mary,
-
-[Illustration]
-
- Little Fred,
-
-[Illustration]
-
- The Footmen
-
-[Illustration]
-
- (both of them),
-
-[Illustration]
-
- The Groom,
-
-[Illustration]
-
- The man that cleaned the Billiard-Room,
-
-[Illustration]
-
- The Chaplain, and
-
-[Illustration]
-
- The Still-Room Maid.
- And I am dreadfully afraid
- That Monsieur Champignon, the Chef,
- Will now be
-
-[Illustration]
-
- permanently deaf--
- And both his
- Aides
-
-[Illustration]
-
- are much the same;
- While George, who was in part to blame,
- Received, you will regret to hear,
- A nasty lump
-
-[Illustration]
-
- behind the ear.
-
-
-MORAL
-
- The moral is that little Boys
- Should not be given dangerous Toys.
-
-
-
-
-CHARLES AUGUSTUS FORTESCUE,
-
-_Who always Did what was Right, and so accumulated an Immense Fortune._
-
-
- The nicest child I ever knew
- Was Charles Augustus Fortescue.
- He never lost his cap, or tore
- His stockings or his pinafore:
- In eating Bread he made no Crumbs,
- He was extremely fond of sums,
-
-[Illustration]
-
- To which, however, he preferred
- The Parsing of a Latin Word--
- He sought, when it was in his power,
- For information twice an hour,
- And as for finding Mutton-Fat
- Unappetising, far from that!
- He often, at his Father's Board,
- Would beg them, of his own accord,
-
-[Illustration]
-
- To give him, if they did not mind,
- The Greasiest Morsels they could find--
- His Later Years did not belie
- The Promise of his Infancy.
-
- In Public Life he always tried
- To take a judgment Broad and Wide;
-
-[Illustration]
-
- In Private, none was more than he
- Renowned for quiet courtesy.
- He rose at once in his Career,
- And long before his Fortieth Year
- Had wedded
- Fifi,
-
-[Illustration]
-
- Only Child
- Of Bunyan, First Lord Aberfylde.
- He thus became immensely Rich,
- And built the Splendid Mansion which
- Is called
-
-[Illustration]
-
- _"The Cedars,
- Muswell Hill,"_
- Where he resides in Affluence still
- To show what Everybody might
- Become by
-
- SIMPLY DOING RIGHT.
-
-
-
-
-
-End of Project Gutenberg's Cautionary Tales for Children, by Hilaire Belloc
-
-*** END OF THIS PROJECT GUTENBERG EBOOK CAUTIONARY TALES FOR CHILDREN ***
-
-***** This file should be named 27424.txt or 27424.zip *****
-This and all associated files of various formats will be found in:
- https://www.gutenberg.org/2/7/4/2/27424/
-
-Produced by Chris Curnow, Joseph Cooper, Anne Storer and
-the Online Distributed Proofreading Team at
-https://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-https://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, is critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at https://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-https://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at https://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit https://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including including checks, online payments and credit card
-donations. To donate, please visit: https://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- https://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.