summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--2730-0.txt949
-rw-r--r--2730-0.zipbin0 -> 21337 bytes
-rw-r--r--2730-h.zipbin0 -> 22661 bytes
-rw-r--r--2730-h/2730-h.htm1051
-rw-r--r--2730.txt948
-rw-r--r--2730.zipbin0 -> 21237 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/lodds10a.txt879
-rw-r--r--old/lodds10a.zipbin0 -> 19594 bytes
11 files changed, 3843 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/2730-0.txt b/2730-0.txt
new file mode 100644
index 0000000..b63b531
--- /dev/null
+++ b/2730-0.txt
@@ -0,0 +1,949 @@
+The Project Gutenberg EBook of Long Odds, by H. Rider Haggard
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Long Odds
+
+Author: H. Rider Haggard
+
+Release Date: March 31, 2006 [EBook #2730]
+Last Updated: September 22, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK LONG ODDS ***
+
+
+
+
+Produced by John Bickers; Dagny; Emma Dudding
+
+
+
+
+
+LONG ODDS
+
+by H. Rider Haggard
+
+
+This is the second PG version of Long Odds, also see Etext #1918.
+
+
+
+The story which is narrated in the following pages came to me from the
+lips of my old friend Allan Quatermain, or Hunter Quatermain, as we used
+to call him in South Africa. He told it to me one evening when I was
+stopping with him at the place he bought in Yorkshire. Shortly after
+that, the death of his only son so unsettled him that he immediately
+left England, accompanied by two companions, his old fellow-voyagers,
+Sir Henry Curtis and Captain Good, and has now utterly vanished into the
+dark heart of Africa. He is persuaded that a white people, of which he
+has heard rumours all his life, exists somewhere on the highlands in the
+vast, still unexplored interior, and his great ambition is to find them
+before he dies. This is the wild quest upon which he and his companions
+have departed, and from which I shrewdly suspect they never will return.
+One letter only have I received from the old gentleman, dated from a
+mission station high up the Tana, a river on the east coast, about three
+hundred miles north of Zanzibar. In it he says they have gone through
+many hardships and adventures, but are alive and well, and have found
+traces which go far towards making him hope that the results of their
+wild quest may be a “magnificent and unexampled discovery.” I greatly
+fear, however, that all he has discovered is death; for this letter came
+a long while ago, and nobody has heard a single word of the party since.
+They have totally vanished.
+
+It was on the last evening of my stay at his house that he told the
+ensuing story to me and Captain Good, who was dining with him. He had
+eaten his dinner and drunk two or three glasses of old port, just to
+help Good and myself to the end of the second bottle. It was an unusual
+thing for him to do, for he was a most abstemious man, having conceived,
+as he used to say, a great horror of drink from observing its effects
+upon the class of men--hunters, transport riders, and others--amongst
+whom he had passed so many years of his life. Consequently the good wine
+took more effect on him that it would have done on most men, sending a
+little flush into his wrinkled cheeks, and making him talk more freely
+than usual.
+
+Dear old man! I can see him now, as he went limping up and down the
+vestibule, with his grey hair sticking up in scrubbing-brush fashion,
+his shrivelled yellow face, and his large dark eyes, that were as keen
+as any hawk’s, and yet soft as a buck’s. The whole room was hung with
+trophies of his numerous hunting expeditions, and he had some story
+about every one of them, if only he could be got to tell them. Generally
+he would not, for he was not very fond of narrating his own adventures,
+but to-night the port wine made him more communicative.
+
+“Ah, you brute!” he said, stopping beneath an unusually large skull of
+a lion, which was fixed just over the mantelpiece, beneath a long row of
+guns, its jaws distended to their utmost width. “Ah, you brute! you have
+given me a lot of trouble for the last dozen years, and will, I suppose,
+to my dying day.”
+
+“Tell us the yarn, Quatermain,” said Good. “You have often promised to
+tell me, and you never have.”
+
+“You had better not ask me to,” he answered, “for it is a longish one.”
+
+“All right,” I said, “the evening is young, and there is some more
+port.”
+
+Thus adjured, he filled his pipe from a jar of coarse-cut Boer tobacco
+that was always standing on the mantelpiece, and still walking up and
+down the room, began--
+
+“It was, I think, in the March of ‘69 that I was up in Sikukuni’s
+country. It was just after old Sequati’s time, and Sikukuni had got into
+power--I forget how. Anyway, I was there. I had heard that the Bapedi
+people had brought down an enormous quantity of ivory from the interior,
+and so I started with a waggon-load of goods, and came straight away
+from Middelburg to try and trade some of it. It was a risky thing to
+go into the country so early, on account of the fever; but I knew that
+there were one or two others after that lot of ivory, so I determined
+to have a try for it, and take my chance of fever. I had become so tough
+from continual knocking about that I did not set it down at much.
+
+“Well, I got on all right for a while. It is a wonderfully beautiful
+piece of bush veldt, with great ranges of mountains running through it,
+and round granite koppies starting up here and there, looking out like
+sentinels over the rolling waste of bush. But it is very hot--hot as a
+stew-pan--and when I was there that March, which, of course, is autumn
+in this part of Africa, the whole place reeked of fever. Every morning,
+as I trekked along down by the Oliphant River, I used to creep from the
+waggon at dawn and look out. But there was no river to be seen--only a
+long line of billows of what looked like the finest cotton wool tossed
+up lightly with a pitchfork. It was the fever mist. Out from among the
+scrub, too, came little spirals of vapour, as though there were hundreds
+of tiny fires alight in it--reek rising from thousands of tons of
+rotting vegetation. It was a beautiful place, but the beauty was the
+beauty of death; and all those lines and blots of vapour wrote one great
+word across the surface of the country, and that word was ‘fever.’
+
+“It was a dreadful year of illness that. I came, I remember, to one
+little kraal of Knobnoses, and went up to it to see if I could get some
+_maas_, or curdled butter-milk, and a few mealies. As I drew near I was
+struck with the silence of the place. No children began to chatter, and
+no dogs barked. Nor could I see any native sheep or cattle. The place,
+though it had evidently been recently inhabited, was as still as the
+bush round it, and some guinea fowl got up out of the prickly pear
+bushes right at the kraal gate. I remember that I hesitated a little
+before going in, there was such an air of desolation about the spot.
+Nature never looks desolate when man has not yet laid his hand upon her
+breast; she is only lonely. But when man has been, and has passed away,
+then she looks desolate.
+
+“Well, I passed into the kraal, and went up to the principal hut. In
+front of the hut was something with an old sheep-skin _kaross_ thrown
+over it. I stooped down and drew off the rug, and then shrank back
+amazed, for under it was the body of a young woman recently dead. For a
+moment I thought of turning back, but my curiosity overcame me; so going
+past the dead woman I went down on my hands and knees and crept into the
+hut. It was so dark that I could not see anything, though I could smell
+a great deal, so I lit a match. It was a ‘tandstickor’ match, and burnt
+slowly and dimly, and as the light gradually increased I made out what
+I took to be a family of people, men, women, and children, fast asleep.
+Presently it burnt up brightly, and I saw that they too, five of them
+altogether, were quite dead. One was a baby. I dropped the match in a
+hurry, and was making my way from the hut as quick as I could go, when I
+caught sight of two bright eyes staring out of a corner. Thinking it was
+a wild cat, or some such animal, I redoubled my haste, when suddenly
+a voice near the eyes began first to mutter, and then to send up a
+succession of awful yells.
+
+“Hastily I lit another match, and perceived that the eyes belonged to
+an old woman, wrapped up in a greasy leather garment. Taking her by
+the arm, I dragged her out, for she could not, or would not, come by
+herself, and the stench was overpowering me. Such a sight as she was--a
+bag of bones, covered over with black, shrivelled parchment. The only
+white thing about her was her wool, and she seemed to be pretty well
+dead except for her eyes and her voice. She thought that I was a devil
+come to take her, and that is why she yelled so. Well, I got her down to
+the waggon, and gave her a ‘tot’ of Cape smoke, and then, as soon as it
+was ready, poured about a pint of beef-tea down her throat, made from
+the flesh of a blue vilderbeeste I had killed the day before, and after
+that she brightened up wonderfully. She could talk Zulu--indeed, it
+turned out that she had run away from Zululand in T’Chaka’s time--and
+she told me that all the people whom I had seen had died of fever. When
+they had died the other inhabitants of the kraal had taken the cattle
+and gone away, leaving the poor old woman, who was helpless from age and
+infirmity, to perish of starvation or disease, as the case might be. She
+had been sitting there for three days among the bodies when I found her.
+I took her on to the next kraal, and gave the headman a blanket to look
+after her, promising him another if I found her well when I came back. I
+remember that he was much astonished at my parting with two blankets for
+the sake of such a worthless old creature. ‘Why did I not leave her in
+the bush?’ he asked. Those people carry the doctrine of the survival of
+the fittest to its extreme, you see.
+
+“It was the night after I had got rid of the old woman that I made my
+first acquaintance with my friend yonder,” and he nodded towards the
+skull that seemed to be grinning down at us in the shadow of the wide
+mantel-shelf. “I had trekked from dawn till eleven o’clock--a long
+trek--but I wanted to get on, and had turned the oxen out to graze,
+sending the voorlooper to look after them, my intention being to inspan
+again about six o’clock, and trek with the moon till ten. Then I got
+into the waggon, and had a good sleep till half-past two or so in the
+afternoon, when I rose and cooked some meat, and had my dinner, washing
+it down with a pannikin of black coffee--for it was difficult to get
+preserved milk in those days. Just as I had finished, and the driver, a
+man called Tom, was washing up the things, in comes the young scoundrel
+of a voorlooper driving one ox before him.
+
+“‘Where are the other oxen?’ I asked.
+
+“‘Koos!’ he said, ‘Koos! the other oxen have gone away. I turned my back
+for a minute, and when I looked round again they were all gone except
+Kaptein, here, who was rubbing his back against a tree.’
+
+“‘You mean that you have been asleep, and let them stray, you villain. I
+will rub your back against a stick,’ I answered, feeling very angry, for
+it was not a pleasant prospect to be stuck up in that fever trap for a
+week or so while we were hunting for the oxen. ‘Off you go, and you too,
+Tom, and mind you don’t come back till you have found them. They have
+trekked back along the Middelburg Road, and are a dozen miles off by
+now, I’ll be bound. Now, no words; go both of you.’
+
+“Tom, the driver, swore, and caught the lad a hearty kick, which he
+richly deserved, and then, having tied old Kaptein up to the disselboom
+with a reim, they took their assegais and sticks, and started. I would
+have gone too, only I knew that somebody must look after the waggon, and
+I did not like to leave either of the boys with it at night. I was in a
+very bad temper, indeed, although I was pretty well used to these sort
+of occurrences, and soothed myself by taking a rifle and going to kill
+something. For a couple of hours I poked about without seeing anything
+that I could get a shot at, but at last, just as I was again within
+seventy yards of the waggon, I put up an old Impala ram from behind a
+mimosa thorn. He ran straight for the waggon, and it was not till he was
+passing within a few feet of it that I could get a decent shot at him.
+Then I pulled, and caught him half-way down the spine; over he went,
+dead as a door-nail, and a pretty shot it was, though I ought not to say
+it. This little incident put me into rather a better humour, especially
+as the buck had rolled over right against the after-part of the waggon,
+so I had only to gut him, fix a reim round his legs, and haul him up. By
+the time I had done this the sun was down, and the full moon was up, and
+a beautiful moon it was. And then there came down that wonderful hush
+which sometimes falls over the African bush in the early hours of the
+night. No beast was moving, and no bird called. Not a breath of air
+stirred the quiet trees, and the shadows did not even quiver, they only
+grew. It was very oppressive and very lonely, for there was not a sign
+of the cattle or the boys. I was quite thankful for the society of old
+Kaptein, who was lying down contentedly against the disselboom, chewing
+the cud with a good conscience.
+
+“Presently, however, Kaptein began to get restless. First he snorted,
+then he got up and snorted again. I could not make it out, so like a
+fool I got down off the waggon-box to have a look round, thinking it
+might be the lost oxen coming.
+
+“Next instant I regretted it, for all of a sudden I heard a roar and saw
+something yellow flash past me and light on poor Kaptein. Then came
+a bellow of agony from the ox, and a crunch as the lion put his teeth
+through the poor brute’s neck, and I began to realize what had happened.
+My rifle was in the waggon, and my first thought being to get hold of
+it, I turned and made a bolt for it. I got my foot on the wheel and
+flung my body forward on to the waggon, and there I stopped as if I were
+frozen, and no wonder, for as I was about to spring up I heard the lion
+behind me, and next second I felt the brute, ay, as plainly as I can
+feel this table. I felt him, I say, sniffing at my left leg that was
+hanging down.
+
+“My word! I did feel queer; I don’t think that I ever felt so queer
+before. I dared not move for the life of me, and the odd thing was
+that I seemed to lose power over my leg, which had an insane sort of
+inclination to kick out of its own mere motion--just as hysterical
+people want to laugh when they ought to be particularly solemn. Well,
+the lion sniffed and sniffed, beginning at my ankle and slowly nosing
+away up to my thigh. I thought that he was going to get hold then, but
+he did not. He only growled softly, and went back to the ox. Shifting my
+head a little I got a full view of him. He was about the biggest lion
+I ever saw, and I have seen a great many, and he had a most tremendous
+black mane. What his teeth were like you can see--look there, pretty big
+ones, ain’t they? Altogether he was a magnificent animal, and as I lay
+there sprawling on the fore-tongue of the waggon, it occurred to me that
+he would look uncommonly well in a cage. He stood there by the carcass
+of poor Kaptein, and deliberately disembowelled him as neatly as a
+butcher could have done. All this while I dared not move, for he kept
+lifting his head and keeping an eye on me as he licked his bloody chops.
+When he had cleared Kaptein out he opened his mouth and roared, and I am
+not exaggerating when I say that the sound shook the waggon. Instantly
+there came back an answering roar.
+
+“‘Heavens!’ I thought, ‘there is his mate.’
+
+“Hardly was the thought out of my head when I caught sight in the
+moonlight of the lioness bounding along through the long grass, and
+after her a couple of cubs about the size of mastiffs. She stopped
+within a few feet of my head, and stood, waved her tail, and fixed me
+with her glowing yellow eyes; but just as I thought that it was all over
+she turned and began to feed on Kaptein, and so did the cubs. There were
+four of them within eight feet of me, growling and quarrelling, rending
+and tearing, and crunching poor Kaptein’s bones; and there I lay shaking
+with terror, and the cold perspiration pouring out of me, feeling like
+another Daniel come to judgment in a new sense of the phrase. Presently
+the cubs had eaten their fill, and began to get restless. One went round
+to the back of the waggon and pulled at the Impala buck that hung there,
+and the other came round my way and commenced the sniffing game at my
+leg. Indeed, he did more than that, for my trouser being hitched up a
+little, he began to lick the bare skin with his rough tongue. The more
+he licked the more he liked it, to judge from his increased vigour and
+the loud purring noise he made. Then I knew that the end had come, for
+in another second his file-like tongue would have rasped through the
+skin of my leg--which was luckily pretty tough--and have tasted the
+blood, and then there would be no chance for me. So I just lay there and
+thought of my sins, and prayed to the Almighty, and reflected that after
+all life was a very enjoyable thing.
+
+“Then all of a sudden I heard a crashing of bushes and the shouting
+and whistling of men, and there were the two boys coming back with the
+cattle, which they had found trekking along all together. The lions
+lifted their heads and listened, then bounded off without a sound--and I
+fainted.
+
+“The lions came back no more that night, and by the next morning my
+nerves had got pretty straight again; but I was full of wrath when I
+thought of all that I had gone through at the hands, or rather noses,
+of those four brutes, and of the fate of my after-ox Kaptein. He was a
+splendid ox, and I was very fond of him. So wroth was I that like a
+fool I determined to attack the whole family of them. It was worthy of
+a greenhorn out on his first hunting trip; but I did it nevertheless.
+Accordingly after breakfast, having rubbed some oil upon my leg, which
+was very sore from the cub’s tongue, I took the driver, Tom, who did not
+half like the business, and having armed myself with an ordinary double
+No. 12 smoothbore, the first breechloader I ever had, I started. I took
+the smoothbore because it shot a bullet very well; and my experience has
+been that a round ball from a smoothbore is quite as effective against a
+lion as an express bullet. The lion is soft, and not a difficult animal
+to finish if you hit him anywhere in the body. A buck takes far more
+killing.
+
+“Well, I started, and the first thing I set to work to do was to try to
+discover whereabouts the brutes lay up for the day. About three hundred
+yards from the waggon was the crest of a rise covered with single
+mimosa trees, dotted about in a park-like fashion, and beyond this was
+a stretch of open plain running down to a dry pan, or waterhole, which
+covered about an acre of ground, and was densely clothed with reeds,
+now in the sere and yellow leaf. From the further edge of this pan the
+ground sloped up again to a great cleft, or nullah, which had been cut
+out by the action of the water, and was pretty thickly sprinkled with
+bush, amongst which grew some large trees, I forget of what sort.
+
+“It at once struck me that the dry pan would be a likely place to find
+my friends in, as there is nothing a lion is fonder of than lying up
+in reeds, through which he can see things without being seen himself.
+Accordingly thither I went and prospected. Before I had got half-way
+round the pan I found the remains of a blue vilderbeeste that had
+evidently been killed within the last three or four days and partially
+devoured by lions; and from other indications about I was soon assured
+that if the family were not in the pan that day they spent a good deal
+of their spare time there. But if there, the question was how to get
+them out; for it was clearly impossible to think of going in after
+them unless one was quite determined to commit suicide. Now there was a
+strong wind blowing from the direction of the waggon, across the reedy
+pan towards the bush-clad kloof or donga, and this first gave me the
+idea of firing the reeds, which, as I think I told you, were pretty dry.
+Accordingly Tom took some matches and began starting little fires to the
+left, and I did the same to the right. But the reeds were still green
+at the bottom, and we should never have got them well alight had it not
+been for the wind, which grew stronger and stronger as the sun climbed
+higher, and forced the fire into them. At last, after half-an-hour’s
+trouble, the flames got a hold, and began to spread out like a fan,
+whereupon I went round to the further side of the pan to wait for the
+lions, standing well out in the open, as we stood at the copse to-day
+where you shot the woodcock. It was a rather risky thing to do, but I
+used to be so sure of my shooting in those days that I did not so
+much as mind the risk. Scarcely had I got round when I heard the reeds
+parting before the onward rush of some animal. ‘Now for it,’ said I. On
+it came. I could see that it was yellow, and prepared for action, when
+instead of a lion out bounded a beautiful reit bok which had been lying
+in the shelter of the pan. It must, by the way, have been a reit bok of
+a peculiarly confiding nature to lay itself down with the lion, like the
+lamb of prophecy, but I suppose the reeds were thick, and that it kept a
+long way off.
+
+“Well, I let the reit bok go, and it went like the wind, and kept my
+eyes fixed upon the reeds. The fire was burning like a furnace now; the
+flames crackling and roaring as they bit into the reeds, sending spouts
+of fire twenty feet and more into the air, and making the hot air dance
+above it in a way that was perfectly dazzling. But the reeds were
+still half green, and created an enormous quantity of smoke, which came
+rolling towards me like a curtain, lying very low on account of the
+wind. Presently, above the crackling of the fire, I heard a startled
+roar, then another and another. So the lions were at home.
+
+“I was beginning to get excited now, for, as you fellows know, there
+is nothing in experience to warm up your nerves like a lion at close
+quarters, unless it is a wounded buffalo; and I became still more so
+when I made out through the smoke that the lions were all moving about
+on the extreme edge of the reeds. Occasionally they would pop their
+heads out like rabbits from a burrow, and then, catching sight of me
+standing about fifty yards away, draw them back again. I knew that it
+must be getting pretty warm behind them, and that they could not keep
+the game up for long; and I was not mistaken, for suddenly all four of
+them broke cover together, the old black-maned lion leading by a few
+yards. I never saw a more splendid sight in all my hunting experience
+than those four lions bounding across the veldt, overshadowed by the
+dense pall of smoke and backed by the fiery furnace of the burning
+reeds.
+
+“I reckoned that they would pass, on their way to the bushy kloof,
+within about five and twenty yards of me, so, taking a long breath, I
+got my gun well on to the lion’s shoulder--the black-maned one--so as to
+allow for an inch or two of motion, and catch him through the heart.
+I was on, dead on, and my finger was just beginning to tighten on the
+trigger, when suddenly I went blind--a bit of reed-ash had drifted into
+my right eye. I danced and rubbed, and succeeded in clearing it more or
+less just in time to see the tail of the last lion vanishing round the
+bushes up the kloof.
+
+“If ever a man was mad I was that man. It was too bad; and such a shot
+in the open! However, I was not going to be beaten, so I just turned and
+marched for the kloof. Tom, the driver, begged and implored me not
+to go, but though as a personal rule I never pretend to be very brave
+(which I am not), I was determined that I would either kill those lions
+or they should kill me. So I told Tom that he need not come unless he
+liked, but I was going; and being a plucky fellow, a Swazi by birth,
+he shrugged his shoulders, muttered that I was mad or bewitched, and
+followed doggedly in my tracks.
+
+“We soon reached the kloof, which was about three hundred yards in
+length and but sparsely wooded, and then the real fun began. There might
+be a lion behind every bush--there certainly were four lions somewhere;
+the delicate question was, where. I peeped and poked and looked in every
+possible direction, with my heart in my mouth, and was at last rewarded
+by catching a glimpse of something yellow moving behind a bush. At the
+same moment, from another bush opposite me out burst one of the cubs
+and galloped back towards the burnt pan. I whipped round and let drive a
+snap shot that tipped him head over heels, breaking his back within two
+inches of the root of the tail, and there he lay helpless but glaring.
+Tom afterwards killed him with his assegai. I opened the breech of the
+gun and hurriedly pulled out the old case, which, to judge from what
+ensued, must, I suppose, have burst and left a portion of its fabric
+sticking to the barrel. At any rate, when I tried to get in the new
+cartridge it would only enter half-way; and--would you believe it?--this
+was the moment that the lioness, attracted no doubt by the outcry of her
+cub, chose to put in an appearance. There she stood, twenty paces or so
+from me, lashing her tail and looking just as wicked as it is possible
+to conceive. Slowly I stepped backwards, trying to push in the new case,
+and as I did so she moved on in little runs, dropping down after each
+run. The danger was imminent, and the case would not go in. At the
+moment I oddly enough thought of the cartridge maker, whose name I will
+not mention, and earnestly hoped that if the lion got _me_ some condign
+punishment would overtake _him_. It would not go in, so I tried to pull
+it out. It would not come out either, and my gun was useless if I could
+not shut it to use the other barrel. I might as well have had no gun.
+
+“Meanwhile I was walking backward, keeping my eye on the lioness, who
+was creeping forward on her belly without a sound, but lashing her tail
+and keeping her eye on me; and in it I saw that she was coming in a
+few seconds more. I dashed my wrist and the palm of my hand against the
+brass rim of the cartridge till the blood poured from them--look, there
+are the scars of it to this day!”
+
+Here Quatermain held up his right hand to the light and showed us four
+or five white cicatrices just where the wrist is set into the hand.
+
+“But it was not of the slightest use,” he went on; “the cartridge would
+not move. I only hope that no other man will ever be put in such an
+awful position. The lioness gathered herself together, and I gave myself
+up for lost, when suddenly Tom shouted out from somewhere in my rear--
+
+“‘You are walking on to the wounded cub; turn to the right.’
+
+“I had the sense, dazed as I was, to take the hint, and slewing round at
+right-angles, but still keeping my eyes on the lioness, I continued my
+backward walk.
+
+“To my intense relief, with a low growl she straightened herself,
+turned, and bounded further up the kloof.
+
+“‘Come on, Inkoos,’ said Tom, ‘let’s get back to the waggon.’
+
+“‘All right, Tom,’ I answered. ‘I will when I have killed those three
+other lions,’ for by this time I was bent on shooting them as I never
+remember being bent on anything before or since. ‘You can go if you
+like, or you can get up a tree.’
+
+“He considered the position a little, and then he very wisely got up a
+tree. I wish that I had done the same.
+
+“Meanwhile I had found my knife, which had an extractor in it, and
+succeeded after some difficulty in pulling out the cartridge which had
+so nearly been the cause of my death, and removing the obstruction in
+the barrel. It was very little thicker than a postage-stamp; certainly
+not thicker than a piece of writing-paper. This done, I loaded the gun,
+bound a handkerchief round my wrist and hand to staunch the flowing of
+the blood, and started on again.
+
+“I had noticed that the lioness went into a thick green bush, or rather
+a cluster of bushes, growing near the water, about fifty yards higher
+up, for there was a little stream running down the kloof, and I walked
+towards this bush. When I got there, however, I could see nothing, so I
+took up a big stone and threw it into the bushes. I believe that it hit
+the other cub, for out it came with a rush, giving me a broadside shot,
+of which I promptly availed myself, knocking it over dead. Out, too,
+came the lioness like a flash of light, but quick as she went I managed
+to put the other bullet into her ribs, so that she rolled right over
+three times like a shot rabbit. I instantly got two more cartridges
+into the gun, and as I did so the lioness rose again and came crawling
+towards me on her fore-paws, roaring and groaning, and with such an
+expression of diabolical fury on her countenance as I have not often
+seen. I shot her again through the chest, and she fell over on to her
+side quite dead.
+
+“That was the first and last time that I ever killed a brace of lions
+right and left, and, what is more, I never heard of anybody else doing
+it. Naturally I was considerably pleased with myself, and having again
+loaded up, I went on to look for the black-maned beauty who had killed
+Kaptein. Slowly, and with the greatest care, I proceeded up the kloof,
+searching every bush and tuft of grass as I went. It was wonderfully
+exciting work, for I never was sure from one moment to another but that
+he would be on me. I took comfort, however, from the reflection that a
+lion rarely attacks a man--rarely, I say; sometimes he does, as you will
+see--unless he is cornered or wounded. I must have been nearly an hour
+hunting after that lion. Once I thought I saw something move in a clump
+of tambouki grass, but I could not be sure, and when I trod out the
+grass I could not find him.
+
+“At last I worked up to the head of the kloof, which made a
+_cul-de-sac_. It was formed of a wall of rock about fifty feet high.
+Down this rock trickled a little waterfall, and in front of it, some
+seventy feet from its face, was a great piled-up mass of boulders, in
+the crevices and on the top of which grew ferns, grasses, and stunted
+bushes. This mass was about twenty-five feet high. The sides of the
+kloof here were also very steep. Well, I came to the top of the nullah
+and looked all round. No signs of the lion. Evidently I had either
+overlooked him further down, or he had escaped right away. It was very
+vexatious; but still three lions were not a bad bag for one gun before
+dinner, and I was fain to be content. Accordingly I departed back again,
+making my way round the isolated pillar of boulders, beginning to feel,
+as I did so, that I was pretty well done up with excitement and fatigue,
+and should be more so before I had skinned those three lions. When I had
+got, as nearly as I could judge, about eighteen yards past the pillar or
+mass of boulders, I turned to have another look round. I have a pretty
+sharp eye, but I could see nothing at all.
+
+“Then, on a sudden, I saw something sufficiently alarming. On the top
+of the mass of boulders, opposite to me, standing out clear against
+the rocks beyond, was the huge black-maned lion. He had been crouching
+there, and now arose as though by magic. There he stood lashing his
+tail, just like a living reproduction of the animal on the gateway of
+Northumberland House that I have seen in a picture. But he did not stand
+long. Before I could fire--before I could do more than get the gun to my
+shoulder--he sprang straight up and out from the rock, and driven by the
+impetus of that one mighty bound came hurtling through the air towards
+me.
+
+“Heavens! how grand he looked, and how awful! High into the air he flew,
+describing a great arch. Just as he touched the highest point of his
+spring I fired. I did not dare to wait, for I saw that he would clear
+the whole space and land right upon me. Without a sight, almost without
+aim, I fired, as one would fire a snap shot at a snipe. The bullet told,
+for I distinctly heard its thud above the rushing sound caused by the
+passage of the lion through the air. Next second I was swept to the
+ground (luckily I fell into a low, creeper-clad bush, which broke the
+shock) and the lion was on the top of me, and the next those great white
+teeth of his had met in my thigh--I heard them grate against the bone. I
+yelled out in agony, for I did not feel in the least benumbed and happy,
+like Dr. Livingstone--who, by the way, I knew very well--and gave myself
+up for dead. But suddenly, as I did so, the lion’s grip on my thigh
+loosened, and he stood over me, swaying to and fro, his huge mouth, from
+which the blood was gushing, wide open. Then he roared, and the sound
+shook the rocks.
+
+“To and fro he swung, and suddenly the great head dropped on me,
+knocking all the breath from my body, and he was dead. My bullet had
+entered in the centre of his chest and passed out on the right side of
+the spine about half-way down the back.
+
+“The pain of my wound kept me from fainting, and as soon as I got my
+breath I managed to drag myself from under him. Thank heavens, his great
+teeth had not crushed my thigh-bone; but I was losing a great deal of
+blood, and had it not been for the timely arrival of Tom, with whose
+aid I loosed the handkerchief from my wrist and tied it round my leg,
+twisting it tight with a stick, I think that I should have bled to
+death.
+
+“Well, it was a just reward for my folly in trying to tackle a family
+of lions single-handed. The odds were too long. I have been lame ever
+since, and shall be to my dying day; in the month of March the wound
+always troubles me a great deal, and every three years it breaks out
+raw.
+
+“I need scarcely add that I never traded the lot of ivory at Sikukuni’s.
+Another man got it--a German--and made five hundred pounds out of it
+after paying expenses. I spent the month on the broad of my back, and
+was a cripple for six months after that. And now I’ve told you the yarn,
+so I will have a drop of Hollands and go to bed. Good-night to you all,
+good-night!”
+
+
+
+
+
+End of the Project Gutenberg EBook of Long Odds, by H. Rider Haggard
+
+*** END OF THIS PROJECT GUTENBERG EBOOK LONG ODDS ***
+
+***** This file should be named 2730-0.txt or 2730-0.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/7/3/2730/
+
+Produced by John Bickers; Dagny; Emma Dudding; David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase “Project
+Gutenberg”), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. “Project Gutenberg” is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase “Project Gutenberg” appears, or with which the phrase “Project
+Gutenberg” is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase “Project Gutenberg” associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+“Plain Vanilla ASCII” or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original “Plain Vanilla ASCII” or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, “Information about donations to
+ the Project Gutenberg Literary Archive Foundation.”
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+“Defects,” such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
+of Replacement or Refund” described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm’s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation’s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state’s laws.
+
+The Foundation’s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation’s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/2730-0.zip b/2730-0.zip
new file mode 100644
index 0000000..9410277
--- /dev/null
+++ b/2730-0.zip
Binary files differ
diff --git a/2730-h.zip b/2730-h.zip
new file mode 100644
index 0000000..0923af2
--- /dev/null
+++ b/2730-h.zip
Binary files differ
diff --git a/2730-h/2730-h.htm b/2730-h/2730-h.htm
new file mode 100644
index 0000000..4e66bae
--- /dev/null
+++ b/2730-h/2730-h.htm
@@ -0,0 +1,1051 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ Long Odds, by H. Rider Haggard
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of Long Odds, by H. Rider Haggard
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Long Odds
+
+Author: H. Rider Haggard
+
+Release Date: March 31, 2006 [EBook #2730]
+Last Updated: September 22, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK LONG ODDS ***
+
+
+
+
+Produced by John Bickers; Dagny; Emma Dudding; David Widger
+
+
+
+
+
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <h1>
+ LONG ODDS
+ </h1>
+ <p>
+ <br />
+ </p>
+ <h2>
+ by H. Rider Haggard
+ </h2>
+ <p>
+ <br /> <br />
+ </p>
+ <h4>
+ This is the second PG version of Long Odds, also see Etext #1918.
+ </h4>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ The story which is narrated in the following pages came to me from the
+ lips of my old friend Allan Quatermain, or Hunter Quatermain, as we used
+ to call him in South Africa. He told it to me one evening when I was
+ stopping with him at the place he bought in Yorkshire. Shortly after that,
+ the death of his only son so unsettled him that he immediately left
+ England, accompanied by two companions, his old fellow-voyagers, Sir Henry
+ Curtis and Captain Good, and has now utterly vanished into the dark heart
+ of Africa. He is persuaded that a white people, of which he has heard
+ rumours all his life, exists somewhere on the highlands in the vast, still
+ unexplored interior, and his great ambition is to find them before he
+ dies. This is the wild quest upon which he and his companions have
+ departed, and from which I shrewdly suspect they never will return. One
+ letter only have I received from the old gentleman, dated from a mission
+ station high up the Tana, a river on the east coast, about three hundred
+ miles north of Zanzibar. In it he says they have gone through many
+ hardships and adventures, but are alive and well, and have found traces
+ which go far towards making him hope that the results of their wild quest
+ may be a &ldquo;magnificent and unexampled discovery.&rdquo; I greatly fear, however,
+ that all he has discovered is death; for this letter came a long while
+ ago, and nobody has heard a single word of the party since. They have
+ totally vanished.
+ </p>
+ <p>
+ It was on the last evening of my stay at his house that he told the
+ ensuing story to me and Captain Good, who was dining with him. He had
+ eaten his dinner and drunk two or three glasses of old port, just to help
+ Good and myself to the end of the second bottle. It was an unusual thing
+ for him to do, for he was a most abstemious man, having conceived, as he
+ used to say, a great horror of drink from observing its effects upon the
+ class of men&mdash;hunters, transport riders, and others&mdash;amongst
+ whom he had passed so many years of his life. Consequently the good wine
+ took more effect on him that it would have done on most men, sending a
+ little flush into his wrinkled cheeks, and making him talk more freely
+ than usual.
+ </p>
+ <p>
+ Dear old man! I can see him now, as he went limping up and down the
+ vestibule, with his grey hair sticking up in scrubbing-brush fashion, his
+ shrivelled yellow face, and his large dark eyes, that were as keen as any
+ hawk&rsquo;s, and yet soft as a buck&rsquo;s. The whole room was hung with trophies of
+ his numerous hunting expeditions, and he had some story about every one of
+ them, if only he could be got to tell them. Generally he would not, for he
+ was not very fond of narrating his own adventures, but to-night the port
+ wine made him more communicative.
+ </p>
+ <p>
+ &ldquo;Ah, you brute!&rdquo; he said, stopping beneath an unusually large skull of a
+ lion, which was fixed just over the mantelpiece, beneath a long row of
+ guns, its jaws distended to their utmost width. &ldquo;Ah, you brute! you have
+ given me a lot of trouble for the last dozen years, and will, I suppose,
+ to my dying day.&rdquo;
+ </p>
+ <p>
+ &ldquo;Tell us the yarn, Quatermain,&rdquo; said Good. &ldquo;You have often promised to
+ tell me, and you never have.&rdquo;
+ </p>
+ <p>
+ &ldquo;You had better not ask me to,&rdquo; he answered, &ldquo;for it is a longish one.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right,&rdquo; I said, &ldquo;the evening is young, and there is some more port.&rdquo;
+ </p>
+ <p>
+ Thus adjured, he filled his pipe from a jar of coarse-cut Boer tobacco
+ that was always standing on the mantelpiece, and still walking up and down
+ the room, began&mdash;
+ </p>
+ <p>
+ &ldquo;It was, I think, in the March of &lsquo;69 that I was up in Sikukuni&rsquo;s country.
+ It was just after old Sequati&rsquo;s time, and Sikukuni had got into power&mdash;I
+ forget how. Anyway, I was there. I had heard that the Bapedi people had
+ brought down an enormous quantity of ivory from the interior, and so I
+ started with a waggon-load of goods, and came straight away from
+ Middelburg to try and trade some of it. It was a risky thing to go into
+ the country so early, on account of the fever; but I knew that there were
+ one or two others after that lot of ivory, so I determined to have a try
+ for it, and take my chance of fever. I had become so tough from continual
+ knocking about that I did not set it down at much.
+ </p>
+ <p>
+ &ldquo;Well, I got on all right for a while. It is a wonderfully beautiful piece
+ of bush veldt, with great ranges of mountains running through it, and
+ round granite koppies starting up here and there, looking out like
+ sentinels over the rolling waste of bush. But it is very hot&mdash;hot as
+ a stew-pan&mdash;and when I was there that March, which, of course, is
+ autumn in this part of Africa, the whole place reeked of fever. Every
+ morning, as I trekked along down by the Oliphant River, I used to creep
+ from the waggon at dawn and look out. But there was no river to be seen&mdash;only
+ a long line of billows of what looked like the finest cotton wool tossed
+ up lightly with a pitchfork. It was the fever mist. Out from among the
+ scrub, too, came little spirals of vapour, as though there were hundreds
+ of tiny fires alight in it&mdash;reek rising from thousands of tons of
+ rotting vegetation. It was a beautiful place, but the beauty was the
+ beauty of death; and all those lines and blots of vapour wrote one great
+ word across the surface of the country, and that word was &lsquo;fever.&rsquo;
+ </p>
+ <p>
+ &ldquo;It was a dreadful year of illness that. I came, I remember, to one little
+ kraal of Knobnoses, and went up to it to see if I could get some <i>maas</i>,
+ or curdled butter-milk, and a few mealies. As I drew near I was struck
+ with the silence of the place. No children began to chatter, and no dogs
+ barked. Nor could I see any native sheep or cattle. The place, though it
+ had evidently been recently inhabited, was as still as the bush round it,
+ and some guinea fowl got up out of the prickly pear bushes right at the
+ kraal gate. I remember that I hesitated a little before going in, there
+ was such an air of desolation about the spot. Nature never looks desolate
+ when man has not yet laid his hand upon her breast; she is only lonely.
+ But when man has been, and has passed away, then she looks desolate.
+ </p>
+ <p>
+ &ldquo;Well, I passed into the kraal, and went up to the principal hut. In front
+ of the hut was something with an old sheep-skin <i>kaross</i> thrown over
+ it. I stooped down and drew off the rug, and then shrank back amazed, for
+ under it was the body of a young woman recently dead. For a moment I
+ thought of turning back, but my curiosity overcame me; so going past the
+ dead woman I went down on my hands and knees and crept into the hut. It
+ was so dark that I could not see anything, though I could smell a great
+ deal, so I lit a match. It was a &lsquo;tandstickor&rsquo; match, and burnt slowly and
+ dimly, and as the light gradually increased I made out what I took to be a
+ family of people, men, women, and children, fast asleep. Presently it
+ burnt up brightly, and I saw that they too, five of them altogether, were
+ quite dead. One was a baby. I dropped the match in a hurry, and was making
+ my way from the hut as quick as I could go, when I caught sight of two
+ bright eyes staring out of a corner. Thinking it was a wild cat, or some
+ such animal, I redoubled my haste, when suddenly a voice near the eyes
+ began first to mutter, and then to send up a succession of awful yells.
+ </p>
+ <p>
+ &ldquo;Hastily I lit another match, and perceived that the eyes belonged to an
+ old woman, wrapped up in a greasy leather garment. Taking her by the arm,
+ I dragged her out, for she could not, or would not, come by herself, and
+ the stench was overpowering me. Such a sight as she was&mdash;a bag of
+ bones, covered over with black, shrivelled parchment. The only white thing
+ about her was her wool, and she seemed to be pretty well dead except for
+ her eyes and her voice. She thought that I was a devil come to take her,
+ and that is why she yelled so. Well, I got her down to the waggon, and
+ gave her a &lsquo;tot&rsquo; of Cape smoke, and then, as soon as it was ready, poured
+ about a pint of beef-tea down her throat, made from the flesh of a blue
+ vilderbeeste I had killed the day before, and after that she brightened up
+ wonderfully. She could talk Zulu&mdash;indeed, it turned out that she had
+ run away from Zululand in T&rsquo;Chaka&rsquo;s time&mdash;and she told me that all
+ the people whom I had seen had died of fever. When they had died the other
+ inhabitants of the kraal had taken the cattle and gone away, leaving the
+ poor old woman, who was helpless from age and infirmity, to perish of
+ starvation or disease, as the case might be. She had been sitting there
+ for three days among the bodies when I found her. I took her on to the
+ next kraal, and gave the headman a blanket to look after her, promising
+ him another if I found her well when I came back. I remember that he was
+ much astonished at my parting with two blankets for the sake of such a
+ worthless old creature. &lsquo;Why did I not leave her in the bush?&rsquo; he asked.
+ Those people carry the doctrine of the survival of the fittest to its
+ extreme, you see.
+ </p>
+ <p>
+ &ldquo;It was the night after I had got rid of the old woman that I made my
+ first acquaintance with my friend yonder,&rdquo; and he nodded towards the skull
+ that seemed to be grinning down at us in the shadow of the wide
+ mantel-shelf. &ldquo;I had trekked from dawn till eleven o&rsquo;clock&mdash;a long
+ trek&mdash;but I wanted to get on, and had turned the oxen out to graze,
+ sending the voorlooper to look after them, my intention being to inspan
+ again about six o&rsquo;clock, and trek with the moon till ten. Then I got into
+ the waggon, and had a good sleep till half-past two or so in the
+ afternoon, when I rose and cooked some meat, and had my dinner, washing it
+ down with a pannikin of black coffee&mdash;for it was difficult to get
+ preserved milk in those days. Just as I had finished, and the driver, a
+ man called Tom, was washing up the things, in comes the young scoundrel of
+ a voorlooper driving one ox before him.
+ </p>
+ <p>
+ &ldquo;&lsquo;Where are the other oxen?&rsquo; I asked.
+ </p>
+ <p>
+ &ldquo;&lsquo;Koos!&rsquo; he said, &lsquo;Koos! the other oxen have gone away. I turned my back
+ for a minute, and when I looked round again they were all gone except
+ Kaptein, here, who was rubbing his back against a tree.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;You mean that you have been asleep, and let them stray, you villain. I
+ will rub your back against a stick,&rsquo; I answered, feeling very angry, for
+ it was not a pleasant prospect to be stuck up in that fever trap for a
+ week or so while we were hunting for the oxen. &lsquo;Off you go, and you too,
+ Tom, and mind you don&rsquo;t come back till you have found them. They have
+ trekked back along the Middelburg Road, and are a dozen miles off by now,
+ I&rsquo;ll be bound. Now, no words; go both of you.&rsquo;
+ </p>
+ <p>
+ &ldquo;Tom, the driver, swore, and caught the lad a hearty kick, which he richly
+ deserved, and then, having tied old Kaptein up to the disselboom with a
+ reim, they took their assegais and sticks, and started. I would have gone
+ too, only I knew that somebody must look after the waggon, and I did not
+ like to leave either of the boys with it at night. I was in a very bad
+ temper, indeed, although I was pretty well used to these sort of
+ occurrences, and soothed myself by taking a rifle and going to kill
+ something. For a couple of hours I poked about without seeing anything
+ that I could get a shot at, but at last, just as I was again within
+ seventy yards of the waggon, I put up an old Impala ram from behind a
+ mimosa thorn. He ran straight for the waggon, and it was not till he was
+ passing within a few feet of it that I could get a decent shot at him.
+ Then I pulled, and caught him half-way down the spine; over he went, dead
+ as a door-nail, and a pretty shot it was, though I ought not to say it.
+ This little incident put me into rather a better humour, especially as the
+ buck had rolled over right against the after-part of the waggon, so I had
+ only to gut him, fix a reim round his legs, and haul him up. By the time I
+ had done this the sun was down, and the full moon was up, and a beautiful
+ moon it was. And then there came down that wonderful hush which sometimes
+ falls over the African bush in the early hours of the night. No beast was
+ moving, and no bird called. Not a breath of air stirred the quiet trees,
+ and the shadows did not even quiver, they only grew. It was very
+ oppressive and very lonely, for there was not a sign of the cattle or the
+ boys. I was quite thankful for the society of old Kaptein, who was lying
+ down contentedly against the disselboom, chewing the cud with a good
+ conscience.
+ </p>
+ <p>
+ &ldquo;Presently, however, Kaptein began to get restless. First he snorted, then
+ he got up and snorted again. I could not make it out, so like a fool I got
+ down off the waggon-box to have a look round, thinking it might be the
+ lost oxen coming.
+ </p>
+ <p>
+ &ldquo;Next instant I regretted it, for all of a sudden I heard a roar and saw
+ something yellow flash past me and light on poor Kaptein. Then came a
+ bellow of agony from the ox, and a crunch as the lion put his teeth
+ through the poor brute&rsquo;s neck, and I began to realize what had happened.
+ My rifle was in the waggon, and my first thought being to get hold of it,
+ I turned and made a bolt for it. I got my foot on the wheel and flung my
+ body forward on to the waggon, and there I stopped as if I were frozen,
+ and no wonder, for as I was about to spring up I heard the lion behind me,
+ and next second I felt the brute, ay, as plainly as I can feel this table.
+ I felt him, I say, sniffing at my left leg that was hanging down.
+ </p>
+ <p>
+ &ldquo;My word! I did feel queer; I don&rsquo;t think that I ever felt so queer
+ before. I dared not move for the life of me, and the odd thing was that I
+ seemed to lose power over my leg, which had an insane sort of inclination
+ to kick out of its own mere motion&mdash;just as hysterical people want to
+ laugh when they ought to be particularly solemn. Well, the lion sniffed
+ and sniffed, beginning at my ankle and slowly nosing away up to my thigh.
+ I thought that he was going to get hold then, but he did not. He only
+ growled softly, and went back to the ox. Shifting my head a little I got a
+ full view of him. He was about the biggest lion I ever saw, and I have
+ seen a great many, and he had a most tremendous black mane. What his teeth
+ were like you can see&mdash;look there, pretty big ones, ain&rsquo;t they?
+ Altogether he was a magnificent animal, and as I lay there sprawling on
+ the fore-tongue of the waggon, it occurred to me that he would look
+ uncommonly well in a cage. He stood there by the carcass of poor Kaptein,
+ and deliberately disembowelled him as neatly as a butcher could have done.
+ All this while I dared not move, for he kept lifting his head and keeping
+ an eye on me as he licked his bloody chops. When he had cleared Kaptein
+ out he opened his mouth and roared, and I am not exaggerating when I say
+ that the sound shook the waggon. Instantly there came back an answering
+ roar.
+ </p>
+ <p>
+ &ldquo;&lsquo;Heavens!&rsquo; I thought, &lsquo;there is his mate.&rsquo;
+ </p>
+ <p>
+ &ldquo;Hardly was the thought out of my head when I caught sight in the
+ moonlight of the lioness bounding along through the long grass, and after
+ her a couple of cubs about the size of mastiffs. She stopped within a few
+ feet of my head, and stood, waved her tail, and fixed me with her glowing
+ yellow eyes; but just as I thought that it was all over she turned and
+ began to feed on Kaptein, and so did the cubs. There were four of them
+ within eight feet of me, growling and quarrelling, rending and tearing,
+ and crunching poor Kaptein&rsquo;s bones; and there I lay shaking with terror,
+ and the cold perspiration pouring out of me, feeling like another Daniel
+ come to judgment in a new sense of the phrase. Presently the cubs had
+ eaten their fill, and began to get restless. One went round to the back of
+ the waggon and pulled at the Impala buck that hung there, and the other
+ came round my way and commenced the sniffing game at my leg. Indeed, he
+ did more than that, for my trouser being hitched up a little, he began to
+ lick the bare skin with his rough tongue. The more he licked the more he
+ liked it, to judge from his increased vigour and the loud purring noise he
+ made. Then I knew that the end had come, for in another second his
+ file-like tongue would have rasped through the skin of my leg&mdash;which
+ was luckily pretty tough&mdash;and have tasted the blood, and then there
+ would be no chance for me. So I just lay there and thought of my sins, and
+ prayed to the Almighty, and reflected that after all life was a very
+ enjoyable thing.
+ </p>
+ <p>
+ &ldquo;Then all of a sudden I heard a crashing of bushes and the shouting and
+ whistling of men, and there were the two boys coming back with the cattle,
+ which they had found trekking along all together. The lions lifted their
+ heads and listened, then bounded off without a sound&mdash;and I fainted.
+ </p>
+ <p>
+ &ldquo;The lions came back no more that night, and by the next morning my nerves
+ had got pretty straight again; but I was full of wrath when I thought of
+ all that I had gone through at the hands, or rather noses, of those four
+ brutes, and of the fate of my after-ox Kaptein. He was a splendid ox, and
+ I was very fond of him. So wroth was I that like a fool I determined to
+ attack the whole family of them. It was worthy of a greenhorn out on his
+ first hunting trip; but I did it nevertheless. Accordingly after
+ breakfast, having rubbed some oil upon my leg, which was very sore from
+ the cub&rsquo;s tongue, I took the driver, Tom, who did not half like the
+ business, and having armed myself with an ordinary double No. 12
+ smoothbore, the first breechloader I ever had, I started. I took the
+ smoothbore because it shot a bullet very well; and my experience has been
+ that a round ball from a smoothbore is quite as effective against a lion
+ as an express bullet. The lion is soft, and not a difficult animal to
+ finish if you hit him anywhere in the body. A buck takes far more killing.
+ </p>
+ <p>
+ &ldquo;Well, I started, and the first thing I set to work to do was to try to
+ discover whereabouts the brutes lay up for the day. About three hundred
+ yards from the waggon was the crest of a rise covered with single mimosa
+ trees, dotted about in a park-like fashion, and beyond this was a stretch
+ of open plain running down to a dry pan, or waterhole, which covered about
+ an acre of ground, and was densely clothed with reeds, now in the sere and
+ yellow leaf. From the further edge of this pan the ground sloped up again
+ to a great cleft, or nullah, which had been cut out by the action of the
+ water, and was pretty thickly sprinkled with bush, amongst which grew some
+ large trees, I forget of what sort.
+ </p>
+ <p>
+ &ldquo;It at once struck me that the dry pan would be a likely place to find my
+ friends in, as there is nothing a lion is fonder of than lying up in
+ reeds, through which he can see things without being seen himself.
+ Accordingly thither I went and prospected. Before I had got half-way round
+ the pan I found the remains of a blue vilderbeeste that had evidently been
+ killed within the last three or four days and partially devoured by lions;
+ and from other indications about I was soon assured that if the family
+ were not in the pan that day they spent a good deal of their spare time
+ there. But if there, the question was how to get them out; for it was
+ clearly impossible to think of going in after them unless one was quite
+ determined to commit suicide. Now there was a strong wind blowing from the
+ direction of the waggon, across the reedy pan towards the bush-clad kloof
+ or donga, and this first gave me the idea of firing the reeds, which, as I
+ think I told you, were pretty dry. Accordingly Tom took some matches and
+ began starting little fires to the left, and I did the same to the right.
+ But the reeds were still green at the bottom, and we should never have got
+ them well alight had it not been for the wind, which grew stronger and
+ stronger as the sun climbed higher, and forced the fire into them. At
+ last, after half-an-hour&rsquo;s trouble, the flames got a hold, and began to
+ spread out like a fan, whereupon I went round to the further side of the
+ pan to wait for the lions, standing well out in the open, as we stood at
+ the copse to-day where you shot the woodcock. It was a rather risky thing
+ to do, but I used to be so sure of my shooting in those days that I did
+ not so much as mind the risk. Scarcely had I got round when I heard the
+ reeds parting before the onward rush of some animal. &lsquo;Now for it,&rsquo; said I.
+ On it came. I could see that it was yellow, and prepared for action, when
+ instead of a lion out bounded a beautiful reit bok which had been lying in
+ the shelter of the pan. It must, by the way, have been a reit bok of a
+ peculiarly confiding nature to lay itself down with the lion, like the
+ lamb of prophecy, but I suppose the reeds were thick, and that it kept a
+ long way off.
+ </p>
+ <p>
+ &ldquo;Well, I let the reit bok go, and it went like the wind, and kept my eyes
+ fixed upon the reeds. The fire was burning like a furnace now; the flames
+ crackling and roaring as they bit into the reeds, sending spouts of fire
+ twenty feet and more into the air, and making the hot air dance above it
+ in a way that was perfectly dazzling. But the reeds were still half green,
+ and created an enormous quantity of smoke, which came rolling towards me
+ like a curtain, lying very low on account of the wind. Presently, above
+ the crackling of the fire, I heard a startled roar, then another and
+ another. So the lions were at home.
+ </p>
+ <p>
+ &ldquo;I was beginning to get excited now, for, as you fellows know, there is
+ nothing in experience to warm up your nerves like a lion at close
+ quarters, unless it is a wounded buffalo; and I became still more so when
+ I made out through the smoke that the lions were all moving about on the
+ extreme edge of the reeds. Occasionally they would pop their heads out
+ like rabbits from a burrow, and then, catching sight of me standing about
+ fifty yards away, draw them back again. I knew that it must be getting
+ pretty warm behind them, and that they could not keep the game up for
+ long; and I was not mistaken, for suddenly all four of them broke cover
+ together, the old black-maned lion leading by a few yards. I never saw a
+ more splendid sight in all my hunting experience than those four lions
+ bounding across the veldt, overshadowed by the dense pall of smoke and
+ backed by the fiery furnace of the burning reeds.
+ </p>
+ <p>
+ &ldquo;I reckoned that they would pass, on their way to the bushy kloof, within
+ about five and twenty yards of me, so, taking a long breath, I got my gun
+ well on to the lion&rsquo;s shoulder&mdash;the black-maned one&mdash;so as to
+ allow for an inch or two of motion, and catch him through the heart. I was
+ on, dead on, and my finger was just beginning to tighten on the trigger,
+ when suddenly I went blind&mdash;a bit of reed-ash had drifted into my
+ right eye. I danced and rubbed, and succeeded in clearing it more or less
+ just in time to see the tail of the last lion vanishing round the bushes
+ up the kloof.
+ </p>
+ <p>
+ &ldquo;If ever a man was mad I was that man. It was too bad; and such a shot in
+ the open! However, I was not going to be beaten, so I just turned and
+ marched for the kloof. Tom, the driver, begged and implored me not to go,
+ but though as a personal rule I never pretend to be very brave (which I am
+ not), I was determined that I would either kill those lions or they should
+ kill me. So I told Tom that he need not come unless he liked, but I was
+ going; and being a plucky fellow, a Swazi by birth, he shrugged his
+ shoulders, muttered that I was mad or bewitched, and followed doggedly in
+ my tracks.
+ </p>
+ <p>
+ &ldquo;We soon reached the kloof, which was about three hundred yards in length
+ and but sparsely wooded, and then the real fun began. There might be a
+ lion behind every bush&mdash;there certainly were four lions somewhere;
+ the delicate question was, where. I peeped and poked and looked in every
+ possible direction, with my heart in my mouth, and was at last rewarded by
+ catching a glimpse of something yellow moving behind a bush. At the same
+ moment, from another bush opposite me out burst one of the cubs and
+ galloped back towards the burnt pan. I whipped round and let drive a snap
+ shot that tipped him head over heels, breaking his back within two inches
+ of the root of the tail, and there he lay helpless but glaring. Tom
+ afterwards killed him with his assegai. I opened the breech of the gun and
+ hurriedly pulled out the old case, which, to judge from what ensued, must,
+ I suppose, have burst and left a portion of its fabric sticking to the
+ barrel. At any rate, when I tried to get in the new cartridge it would
+ only enter half-way; and&mdash;would you believe it?&mdash;this was the
+ moment that the lioness, attracted no doubt by the outcry of her cub,
+ chose to put in an appearance. There she stood, twenty paces or so from
+ me, lashing her tail and looking just as wicked as it is possible to
+ conceive. Slowly I stepped backwards, trying to push in the new case, and
+ as I did so she moved on in little runs, dropping down after each run. The
+ danger was imminent, and the case would not go in. At the moment I oddly
+ enough thought of the cartridge maker, whose name I will not mention, and
+ earnestly hoped that if the lion got <i>me</i> some condign punishment
+ would overtake <i>him</i>. It would not go in, so I tried to pull it out.
+ It would not come out either, and my gun was useless if I could not shut
+ it to use the other barrel. I might as well have had no gun.
+ </p>
+ <p>
+ &ldquo;Meanwhile I was walking backward, keeping my eye on the lioness, who was
+ creeping forward on her belly without a sound, but lashing her tail and
+ keeping her eye on me; and in it I saw that she was coming in a few
+ seconds more. I dashed my wrist and the palm of my hand against the brass
+ rim of the cartridge till the blood poured from them&mdash;look, there are
+ the scars of it to this day!&rdquo;
+ </p>
+ <p>
+ Here Quatermain held up his right hand to the light and showed us four or
+ five white cicatrices just where the wrist is set into the hand.
+ </p>
+ <p>
+ &ldquo;But it was not of the slightest use,&rdquo; he went on; &ldquo;the cartridge would
+ not move. I only hope that no other man will ever be put in such an awful
+ position. The lioness gathered herself together, and I gave myself up for
+ lost, when suddenly Tom shouted out from somewhere in my rear&mdash;
+ </p>
+ <p>
+ &ldquo;&lsquo;You are walking on to the wounded cub; turn to the right.&rsquo;
+ </p>
+ <p>
+ &ldquo;I had the sense, dazed as I was, to take the hint, and slewing round at
+ right-angles, but still keeping my eyes on the lioness, I continued my
+ backward walk.
+ </p>
+ <p>
+ &ldquo;To my intense relief, with a low growl she straightened herself, turned,
+ and bounded further up the kloof.
+ </p>
+ <p>
+ &ldquo;&lsquo;Come on, Inkoos,&rsquo; said Tom, &lsquo;let&rsquo;s get back to the waggon.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;All right, Tom,&rsquo; I answered. &lsquo;I will when I have killed those three
+ other lions,&rsquo; for by this time I was bent on shooting them as I never
+ remember being bent on anything before or since. &lsquo;You can go if you like,
+ or you can get up a tree.&rsquo;
+ </p>
+ <p>
+ &ldquo;He considered the position a little, and then he very wisely got up a
+ tree. I wish that I had done the same.
+ </p>
+ <p>
+ &ldquo;Meanwhile I had found my knife, which had an extractor in it, and
+ succeeded after some difficulty in pulling out the cartridge which had so
+ nearly been the cause of my death, and removing the obstruction in the
+ barrel. It was very little thicker than a postage-stamp; certainly not
+ thicker than a piece of writing-paper. This done, I loaded the gun, bound
+ a handkerchief round my wrist and hand to staunch the flowing of the
+ blood, and started on again.
+ </p>
+ <p>
+ &ldquo;I had noticed that the lioness went into a thick green bush, or rather a
+ cluster of bushes, growing near the water, about fifty yards higher up,
+ for there was a little stream running down the kloof, and I walked towards
+ this bush. When I got there, however, I could see nothing, so I took up a
+ big stone and threw it into the bushes. I believe that it hit the other
+ cub, for out it came with a rush, giving me a broadside shot, of which I
+ promptly availed myself, knocking it over dead. Out, too, came the lioness
+ like a flash of light, but quick as she went I managed to put the other
+ bullet into her ribs, so that she rolled right over three times like a
+ shot rabbit. I instantly got two more cartridges into the gun, and as I
+ did so the lioness rose again and came crawling towards me on her
+ fore-paws, roaring and groaning, and with such an expression of diabolical
+ fury on her countenance as I have not often seen. I shot her again through
+ the chest, and she fell over on to her side quite dead.
+ </p>
+ <p>
+ &ldquo;That was the first and last time that I ever killed a brace of lions
+ right and left, and, what is more, I never heard of anybody else doing it.
+ Naturally I was considerably pleased with myself, and having again loaded
+ up, I went on to look for the black-maned beauty who had killed Kaptein.
+ Slowly, and with the greatest care, I proceeded up the kloof, searching
+ every bush and tuft of grass as I went. It was wonderfully exciting work,
+ for I never was sure from one moment to another but that he would be on
+ me. I took comfort, however, from the reflection that a lion rarely
+ attacks a man&mdash;rarely, I say; sometimes he does, as you will see&mdash;unless
+ he is cornered or wounded. I must have been nearly an hour hunting after
+ that lion. Once I thought I saw something move in a clump of tambouki
+ grass, but I could not be sure, and when I trod out the grass I could not
+ find him.
+ </p>
+ <p>
+ &ldquo;At last I worked up to the head of the kloof, which made a <i>cul-de-sac</i>.
+ It was formed of a wall of rock about fifty feet high. Down this rock
+ trickled a little waterfall, and in front of it, some seventy feet from
+ its face, was a great piled-up mass of boulders, in the crevices and on
+ the top of which grew ferns, grasses, and stunted bushes. This mass was
+ about twenty-five feet high. The sides of the kloof here were also very
+ steep. Well, I came to the top of the nullah and looked all round. No
+ signs of the lion. Evidently I had either overlooked him further down, or
+ he had escaped right away. It was very vexatious; but still three lions
+ were not a bad bag for one gun before dinner, and I was fain to be
+ content. Accordingly I departed back again, making my way round the
+ isolated pillar of boulders, beginning to feel, as I did so, that I was
+ pretty well done up with excitement and fatigue, and should be more so
+ before I had skinned those three lions. When I had got, as nearly as I
+ could judge, about eighteen yards past the pillar or mass of boulders, I
+ turned to have another look round. I have a pretty sharp eye, but I could
+ see nothing at all.
+ </p>
+ <p>
+ &ldquo;Then, on a sudden, I saw something sufficiently alarming. On the top of
+ the mass of boulders, opposite to me, standing out clear against the rocks
+ beyond, was the huge black-maned lion. He had been crouching there, and
+ now arose as though by magic. There he stood lashing his tail, just like a
+ living reproduction of the animal on the gateway of Northumberland House
+ that I have seen in a picture. But he did not stand long. Before I could
+ fire&mdash;before I could do more than get the gun to my shoulder&mdash;he
+ sprang straight up and out from the rock, and driven by the impetus of
+ that one mighty bound came hurtling through the air towards me.
+ </p>
+ <p>
+ &ldquo;Heavens! how grand he looked, and how awful! High into the air he flew,
+ describing a great arch. Just as he touched the highest point of his
+ spring I fired. I did not dare to wait, for I saw that he would clear the
+ whole space and land right upon me. Without a sight, almost without aim, I
+ fired, as one would fire a snap shot at a snipe. The bullet told, for I
+ distinctly heard its thud above the rushing sound caused by the passage of
+ the lion through the air. Next second I was swept to the ground (luckily I
+ fell into a low, creeper-clad bush, which broke the shock) and the lion
+ was on the top of me, and the next those great white teeth of his had met
+ in my thigh&mdash;I heard them grate against the bone. I yelled out in
+ agony, for I did not feel in the least benumbed and happy, like Dr.
+ Livingstone&mdash;who, by the way, I knew very well&mdash;and gave myself
+ up for dead. But suddenly, as I did so, the lion&rsquo;s grip on my thigh
+ loosened, and he stood over me, swaying to and fro, his huge mouth, from
+ which the blood was gushing, wide open. Then he roared, and the sound
+ shook the rocks.
+ </p>
+ <p>
+ &ldquo;To and fro he swung, and suddenly the great head dropped on me, knocking
+ all the breath from my body, and he was dead. My bullet had entered in the
+ centre of his chest and passed out on the right side of the spine about
+ half-way down the back.
+ </p>
+ <p>
+ &ldquo;The pain of my wound kept me from fainting, and as soon as I got my
+ breath I managed to drag myself from under him. Thank heavens, his great
+ teeth had not crushed my thigh-bone; but I was losing a great deal of
+ blood, and had it not been for the timely arrival of Tom, with whose aid I
+ loosed the handkerchief from my wrist and tied it round my leg, twisting
+ it tight with a stick, I think that I should have bled to death.
+ </p>
+ <p>
+ &ldquo;Well, it was a just reward for my folly in trying to tackle a family of
+ lions single-handed. The odds were too long. I have been lame ever since,
+ and shall be to my dying day; in the month of March the wound always
+ troubles me a great deal, and every three years it breaks out raw.
+ </p>
+ <p>
+ &ldquo;I need scarcely add that I never traded the lot of ivory at Sikukuni&rsquo;s.
+ Another man got it&mdash;a German&mdash;and made five hundred pounds out
+ of it after paying expenses. I spent the month on the broad of my back,
+ and was a cripple for six months after that. And now I&rsquo;ve told you the
+ yarn, so I will have a drop of Hollands and go to bed. Good-night to you
+ all, good-night!&rdquo;
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of Long Odds, by H. Rider Haggard
+
+*** END OF THIS PROJECT GUTENBERG EBOOK LONG ODDS ***
+
+***** This file should be named 2730-h.htm or 2730-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/7/3/2730/
+
+Produced by John Bickers; Dagny; Emma Dudding; David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &lsquo;AS-IS&rsquo; WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm&rsquo;s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&rsquo;s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state&rsquo;s laws.
+
+The Foundation&rsquo;s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation&rsquo;s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/2730.txt b/2730.txt
new file mode 100644
index 0000000..6de679e
--- /dev/null
+++ b/2730.txt
@@ -0,0 +1,948 @@
+The Project Gutenberg EBook of Long Odds, by H. Rider Haggard
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Long Odds
+
+Author: H. Rider Haggard
+
+Release Date: March 31, 2006 [EBook #2730]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK LONG ODDS ***
+
+
+
+
+Produced by John Bickers; Dagny; Emma Dudding
+
+
+
+
+
+LONG ODDS
+
+by H. Rider Haggard
+
+
+This is the second PG version of Long Odds, also see Etext #1918.
+
+
+
+The story which is narrated in the following pages came to me from the
+lips of my old friend Allan Quatermain, or Hunter Quatermain, as we used
+to call him in South Africa. He told it to me one evening when I was
+stopping with him at the place he bought in Yorkshire. Shortly after
+that, the death of his only son so unsettled him that he immediately
+left England, accompanied by two companions, his old fellow-voyagers,
+Sir Henry Curtis and Captain Good, and has now utterly vanished into the
+dark heart of Africa. He is persuaded that a white people, of which he
+has heard rumours all his life, exists somewhere on the highlands in the
+vast, still unexplored interior, and his great ambition is to find them
+before he dies. This is the wild quest upon which he and his companions
+have departed, and from which I shrewdly suspect they never will return.
+One letter only have I received from the old gentleman, dated from a
+mission station high up the Tana, a river on the east coast, about three
+hundred miles north of Zanzibar. In it he says they have gone through
+many hardships and adventures, but are alive and well, and have found
+traces which go far towards making him hope that the results of their
+wild quest may be a "magnificent and unexampled discovery." I greatly
+fear, however, that all he has discovered is death; for this letter came
+a long while ago, and nobody has heard a single word of the party since.
+They have totally vanished.
+
+It was on the last evening of my stay at his house that he told the
+ensuing story to me and Captain Good, who was dining with him. He had
+eaten his dinner and drunk two or three glasses of old port, just to
+help Good and myself to the end of the second bottle. It was an unusual
+thing for him to do, for he was a most abstemious man, having conceived,
+as he used to say, a great horror of drink from observing its effects
+upon the class of men--hunters, transport riders, and others--amongst
+whom he had passed so many years of his life. Consequently the good wine
+took more effect on him that it would have done on most men, sending a
+little flush into his wrinkled cheeks, and making him talk more freely
+than usual.
+
+Dear old man! I can see him now, as he went limping up and down the
+vestibule, with his grey hair sticking up in scrubbing-brush fashion,
+his shrivelled yellow face, and his large dark eyes, that were as keen
+as any hawk's, and yet soft as a buck's. The whole room was hung with
+trophies of his numerous hunting expeditions, and he had some story
+about every one of them, if only he could be got to tell them. Generally
+he would not, for he was not very fond of narrating his own adventures,
+but to-night the port wine made him more communicative.
+
+"Ah, you brute!" he said, stopping beneath an unusually large skull of
+a lion, which was fixed just over the mantelpiece, beneath a long row of
+guns, its jaws distended to their utmost width. "Ah, you brute! you have
+given me a lot of trouble for the last dozen years, and will, I suppose,
+to my dying day."
+
+"Tell us the yarn, Quatermain," said Good. "You have often promised to
+tell me, and you never have."
+
+"You had better not ask me to," he answered, "for it is a longish one."
+
+"All right," I said, "the evening is young, and there is some more
+port."
+
+Thus adjured, he filled his pipe from a jar of coarse-cut Boer tobacco
+that was always standing on the mantelpiece, and still walking up and
+down the room, began--
+
+"It was, I think, in the March of '69 that I was up in Sikukuni's
+country. It was just after old Sequati's time, and Sikukuni had got into
+power--I forget how. Anyway, I was there. I had heard that the Bapedi
+people had brought down an enormous quantity of ivory from the interior,
+and so I started with a waggon-load of goods, and came straight away
+from Middelburg to try and trade some of it. It was a risky thing to
+go into the country so early, on account of the fever; but I knew that
+there were one or two others after that lot of ivory, so I determined
+to have a try for it, and take my chance of fever. I had become so tough
+from continual knocking about that I did not set it down at much.
+
+"Well, I got on all right for a while. It is a wonderfully beautiful
+piece of bush veldt, with great ranges of mountains running through it,
+and round granite koppies starting up here and there, looking out like
+sentinels over the rolling waste of bush. But it is very hot--hot as a
+stew-pan--and when I was there that March, which, of course, is autumn
+in this part of Africa, the whole place reeked of fever. Every morning,
+as I trekked along down by the Oliphant River, I used to creep from the
+waggon at dawn and look out. But there was no river to be seen--only a
+long line of billows of what looked like the finest cotton wool tossed
+up lightly with a pitchfork. It was the fever mist. Out from among the
+scrub, too, came little spirals of vapour, as though there were hundreds
+of tiny fires alight in it--reek rising from thousands of tons of
+rotting vegetation. It was a beautiful place, but the beauty was the
+beauty of death; and all those lines and blots of vapour wrote one great
+word across the surface of the country, and that word was 'fever.'
+
+"It was a dreadful year of illness that. I came, I remember, to one
+little kraal of Knobnoses, and went up to it to see if I could get some
+_maas_, or curdled butter-milk, and a few mealies. As I drew near I was
+struck with the silence of the place. No children began to chatter, and
+no dogs barked. Nor could I see any native sheep or cattle. The place,
+though it had evidently been recently inhabited, was as still as the
+bush round it, and some guinea fowl got up out of the prickly pear
+bushes right at the kraal gate. I remember that I hesitated a little
+before going in, there was such an air of desolation about the spot.
+Nature never looks desolate when man has not yet laid his hand upon her
+breast; she is only lonely. But when man has been, and has passed away,
+then she looks desolate.
+
+"Well, I passed into the kraal, and went up to the principal hut. In
+front of the hut was something with an old sheep-skin _kaross_ thrown
+over it. I stooped down and drew off the rug, and then shrank back
+amazed, for under it was the body of a young woman recently dead. For a
+moment I thought of turning back, but my curiosity overcame me; so going
+past the dead woman I went down on my hands and knees and crept into the
+hut. It was so dark that I could not see anything, though I could smell
+a great deal, so I lit a match. It was a 'tandstickor' match, and burnt
+slowly and dimly, and as the light gradually increased I made out what
+I took to be a family of people, men, women, and children, fast asleep.
+Presently it burnt up brightly, and I saw that they too, five of them
+altogether, were quite dead. One was a baby. I dropped the match in a
+hurry, and was making my way from the hut as quick as I could go, when I
+caught sight of two bright eyes staring out of a corner. Thinking it was
+a wild cat, or some such animal, I redoubled my haste, when suddenly
+a voice near the eyes began first to mutter, and then to send up a
+succession of awful yells.
+
+"Hastily I lit another match, and perceived that the eyes belonged to
+an old woman, wrapped up in a greasy leather garment. Taking her by
+the arm, I dragged her out, for she could not, or would not, come by
+herself, and the stench was overpowering me. Such a sight as she was--a
+bag of bones, covered over with black, shrivelled parchment. The only
+white thing about her was her wool, and she seemed to be pretty well
+dead except for her eyes and her voice. She thought that I was a devil
+come to take her, and that is why she yelled so. Well, I got her down to
+the waggon, and gave her a 'tot' of Cape smoke, and then, as soon as it
+was ready, poured about a pint of beef-tea down her throat, made from
+the flesh of a blue vilderbeeste I had killed the day before, and after
+that she brightened up wonderfully. She could talk Zulu--indeed, it
+turned out that she had run away from Zululand in T'Chaka's time--and
+she told me that all the people whom I had seen had died of fever. When
+they had died the other inhabitants of the kraal had taken the cattle
+and gone away, leaving the poor old woman, who was helpless from age and
+infirmity, to perish of starvation or disease, as the case might be. She
+had been sitting there for three days among the bodies when I found her.
+I took her on to the next kraal, and gave the headman a blanket to look
+after her, promising him another if I found her well when I came back. I
+remember that he was much astonished at my parting with two blankets for
+the sake of such a worthless old creature. 'Why did I not leave her in
+the bush?' he asked. Those people carry the doctrine of the survival of
+the fittest to its extreme, you see.
+
+"It was the night after I had got rid of the old woman that I made my
+first acquaintance with my friend yonder," and he nodded towards the
+skull that seemed to be grinning down at us in the shadow of the wide
+mantel-shelf. "I had trekked from dawn till eleven o'clock--a long
+trek--but I wanted to get on, and had turned the oxen out to graze,
+sending the voorlooper to look after them, my intention being to inspan
+again about six o'clock, and trek with the moon till ten. Then I got
+into the waggon, and had a good sleep till half-past two or so in the
+afternoon, when I rose and cooked some meat, and had my dinner, washing
+it down with a pannikin of black coffee--for it was difficult to get
+preserved milk in those days. Just as I had finished, and the driver, a
+man called Tom, was washing up the things, in comes the young scoundrel
+of a voorlooper driving one ox before him.
+
+"'Where are the other oxen?' I asked.
+
+"'Koos!' he said, 'Koos! the other oxen have gone away. I turned my back
+for a minute, and when I looked round again they were all gone except
+Kaptein, here, who was rubbing his back against a tree.'
+
+"'You mean that you have been asleep, and let them stray, you villain. I
+will rub your back against a stick,' I answered, feeling very angry, for
+it was not a pleasant prospect to be stuck up in that fever trap for a
+week or so while we were hunting for the oxen. 'Off you go, and you too,
+Tom, and mind you don't come back till you have found them. They have
+trekked back along the Middelburg Road, and are a dozen miles off by
+now, I'll be bound. Now, no words; go both of you.'
+
+"Tom, the driver, swore, and caught the lad a hearty kick, which he
+richly deserved, and then, having tied old Kaptein up to the disselboom
+with a reim, they took their assegais and sticks, and started. I would
+have gone too, only I knew that somebody must look after the waggon, and
+I did not like to leave either of the boys with it at night. I was in a
+very bad temper, indeed, although I was pretty well used to these sort
+of occurrences, and soothed myself by taking a rifle and going to kill
+something. For a couple of hours I poked about without seeing anything
+that I could get a shot at, but at last, just as I was again within
+seventy yards of the waggon, I put up an old Impala ram from behind a
+mimosa thorn. He ran straight for the waggon, and it was not till he was
+passing within a few feet of it that I could get a decent shot at him.
+Then I pulled, and caught him half-way down the spine; over he went,
+dead as a door-nail, and a pretty shot it was, though I ought not to say
+it. This little incident put me into rather a better humour, especially
+as the buck had rolled over right against the after-part of the waggon,
+so I had only to gut him, fix a reim round his legs, and haul him up. By
+the time I had done this the sun was down, and the full moon was up, and
+a beautiful moon it was. And then there came down that wonderful hush
+which sometimes falls over the African bush in the early hours of the
+night. No beast was moving, and no bird called. Not a breath of air
+stirred the quiet trees, and the shadows did not even quiver, they only
+grew. It was very oppressive and very lonely, for there was not a sign
+of the cattle or the boys. I was quite thankful for the society of old
+Kaptein, who was lying down contentedly against the disselboom, chewing
+the cud with a good conscience.
+
+"Presently, however, Kaptein began to get restless. First he snorted,
+then he got up and snorted again. I could not make it out, so like a
+fool I got down off the waggon-box to have a look round, thinking it
+might be the lost oxen coming.
+
+"Next instant I regretted it, for all of a sudden I heard a roar and saw
+something yellow flash past me and light on poor Kaptein. Then came
+a bellow of agony from the ox, and a crunch as the lion put his teeth
+through the poor brute's neck, and I began to realize what had happened.
+My rifle was in the waggon, and my first thought being to get hold of
+it, I turned and made a bolt for it. I got my foot on the wheel and
+flung my body forward on to the waggon, and there I stopped as if I were
+frozen, and no wonder, for as I was about to spring up I heard the lion
+behind me, and next second I felt the brute, ay, as plainly as I can
+feel this table. I felt him, I say, sniffing at my left leg that was
+hanging down.
+
+"My word! I did feel queer; I don't think that I ever felt so queer
+before. I dared not move for the life of me, and the odd thing was
+that I seemed to lose power over my leg, which had an insane sort of
+inclination to kick out of its own mere motion--just as hysterical
+people want to laugh when they ought to be particularly solemn. Well,
+the lion sniffed and sniffed, beginning at my ankle and slowly nosing
+away up to my thigh. I thought that he was going to get hold then, but
+he did not. He only growled softly, and went back to the ox. Shifting my
+head a little I got a full view of him. He was about the biggest lion
+I ever saw, and I have seen a great many, and he had a most tremendous
+black mane. What his teeth were like you can see--look there, pretty big
+ones, ain't they? Altogether he was a magnificent animal, and as I lay
+there sprawling on the fore-tongue of the waggon, it occurred to me that
+he would look uncommonly well in a cage. He stood there by the carcass
+of poor Kaptein, and deliberately disembowelled him as neatly as a
+butcher could have done. All this while I dared not move, for he kept
+lifting his head and keeping an eye on me as he licked his bloody chops.
+When he had cleared Kaptein out he opened his mouth and roared, and I am
+not exaggerating when I say that the sound shook the waggon. Instantly
+there came back an answering roar.
+
+"'Heavens!' I thought, 'there is his mate.'
+
+"Hardly was the thought out of my head when I caught sight in the
+moonlight of the lioness bounding along through the long grass, and
+after her a couple of cubs about the size of mastiffs. She stopped
+within a few feet of my head, and stood, waved her tail, and fixed me
+with her glowing yellow eyes; but just as I thought that it was all over
+she turned and began to feed on Kaptein, and so did the cubs. There were
+four of them within eight feet of me, growling and quarrelling, rending
+and tearing, and crunching poor Kaptein's bones; and there I lay shaking
+with terror, and the cold perspiration pouring out of me, feeling like
+another Daniel come to judgment in a new sense of the phrase. Presently
+the cubs had eaten their fill, and began to get restless. One went round
+to the back of the waggon and pulled at the Impala buck that hung there,
+and the other came round my way and commenced the sniffing game at my
+leg. Indeed, he did more than that, for my trouser being hitched up a
+little, he began to lick the bare skin with his rough tongue. The more
+he licked the more he liked it, to judge from his increased vigour and
+the loud purring noise he made. Then I knew that the end had come, for
+in another second his file-like tongue would have rasped through the
+skin of my leg--which was luckily pretty tough--and have tasted the
+blood, and then there would be no chance for me. So I just lay there and
+thought of my sins, and prayed to the Almighty, and reflected that after
+all life was a very enjoyable thing.
+
+"Then all of a sudden I heard a crashing of bushes and the shouting
+and whistling of men, and there were the two boys coming back with the
+cattle, which they had found trekking along all together. The lions
+lifted their heads and listened, then bounded off without a sound--and I
+fainted.
+
+"The lions came back no more that night, and by the next morning my
+nerves had got pretty straight again; but I was full of wrath when I
+thought of all that I had gone through at the hands, or rather noses,
+of those four brutes, and of the fate of my after-ox Kaptein. He was a
+splendid ox, and I was very fond of him. So wroth was I that like a
+fool I determined to attack the whole family of them. It was worthy of
+a greenhorn out on his first hunting trip; but I did it nevertheless.
+Accordingly after breakfast, having rubbed some oil upon my leg, which
+was very sore from the cub's tongue, I took the driver, Tom, who did not
+half like the business, and having armed myself with an ordinary double
+No. 12 smoothbore, the first breechloader I ever had, I started. I took
+the smoothbore because it shot a bullet very well; and my experience has
+been that a round ball from a smoothbore is quite as effective against a
+lion as an express bullet. The lion is soft, and not a difficult animal
+to finish if you hit him anywhere in the body. A buck takes far more
+killing.
+
+"Well, I started, and the first thing I set to work to do was to try to
+discover whereabouts the brutes lay up for the day. About three hundred
+yards from the waggon was the crest of a rise covered with single
+mimosa trees, dotted about in a park-like fashion, and beyond this was
+a stretch of open plain running down to a dry pan, or waterhole, which
+covered about an acre of ground, and was densely clothed with reeds,
+now in the sere and yellow leaf. From the further edge of this pan the
+ground sloped up again to a great cleft, or nullah, which had been cut
+out by the action of the water, and was pretty thickly sprinkled with
+bush, amongst which grew some large trees, I forget of what sort.
+
+"It at once struck me that the dry pan would be a likely place to find
+my friends in, as there is nothing a lion is fonder of than lying up
+in reeds, through which he can see things without being seen himself.
+Accordingly thither I went and prospected. Before I had got half-way
+round the pan I found the remains of a blue vilderbeeste that had
+evidently been killed within the last three or four days and partially
+devoured by lions; and from other indications about I was soon assured
+that if the family were not in the pan that day they spent a good deal
+of their spare time there. But if there, the question was how to get
+them out; for it was clearly impossible to think of going in after
+them unless one was quite determined to commit suicide. Now there was a
+strong wind blowing from the direction of the waggon, across the reedy
+pan towards the bush-clad kloof or donga, and this first gave me the
+idea of firing the reeds, which, as I think I told you, were pretty dry.
+Accordingly Tom took some matches and began starting little fires to the
+left, and I did the same to the right. But the reeds were still green
+at the bottom, and we should never have got them well alight had it not
+been for the wind, which grew stronger and stronger as the sun climbed
+higher, and forced the fire into them. At last, after half-an-hour's
+trouble, the flames got a hold, and began to spread out like a fan,
+whereupon I went round to the further side of the pan to wait for the
+lions, standing well out in the open, as we stood at the copse to-day
+where you shot the woodcock. It was a rather risky thing to do, but I
+used to be so sure of my shooting in those days that I did not so
+much as mind the risk. Scarcely had I got round when I heard the reeds
+parting before the onward rush of some animal. 'Now for it,' said I. On
+it came. I could see that it was yellow, and prepared for action, when
+instead of a lion out bounded a beautiful reit bok which had been lying
+in the shelter of the pan. It must, by the way, have been a reit bok of
+a peculiarly confiding nature to lay itself down with the lion, like the
+lamb of prophecy, but I suppose the reeds were thick, and that it kept a
+long way off.
+
+"Well, I let the reit bok go, and it went like the wind, and kept my
+eyes fixed upon the reeds. The fire was burning like a furnace now; the
+flames crackling and roaring as they bit into the reeds, sending spouts
+of fire twenty feet and more into the air, and making the hot air dance
+above it in a way that was perfectly dazzling. But the reeds were
+still half green, and created an enormous quantity of smoke, which came
+rolling towards me like a curtain, lying very low on account of the
+wind. Presently, above the crackling of the fire, I heard a startled
+roar, then another and another. So the lions were at home.
+
+"I was beginning to get excited now, for, as you fellows know, there
+is nothing in experience to warm up your nerves like a lion at close
+quarters, unless it is a wounded buffalo; and I became still more so
+when I made out through the smoke that the lions were all moving about
+on the extreme edge of the reeds. Occasionally they would pop their
+heads out like rabbits from a burrow, and then, catching sight of me
+standing about fifty yards away, draw them back again. I knew that it
+must be getting pretty warm behind them, and that they could not keep
+the game up for long; and I was not mistaken, for suddenly all four of
+them broke cover together, the old black-maned lion leading by a few
+yards. I never saw a more splendid sight in all my hunting experience
+than those four lions bounding across the veldt, overshadowed by the
+dense pall of smoke and backed by the fiery furnace of the burning
+reeds.
+
+"I reckoned that they would pass, on their way to the bushy kloof,
+within about five and twenty yards of me, so, taking a long breath, I
+got my gun well on to the lion's shoulder--the black-maned one--so as to
+allow for an inch or two of motion, and catch him through the heart.
+I was on, dead on, and my finger was just beginning to tighten on the
+trigger, when suddenly I went blind--a bit of reed-ash had drifted into
+my right eye. I danced and rubbed, and succeeded in clearing it more or
+less just in time to see the tail of the last lion vanishing round the
+bushes up the kloof.
+
+"If ever a man was mad I was that man. It was too bad; and such a shot
+in the open! However, I was not going to be beaten, so I just turned and
+marched for the kloof. Tom, the driver, begged and implored me not
+to go, but though as a personal rule I never pretend to be very brave
+(which I am not), I was determined that I would either kill those lions
+or they should kill me. So I told Tom that he need not come unless he
+liked, but I was going; and being a plucky fellow, a Swazi by birth,
+he shrugged his shoulders, muttered that I was mad or bewitched, and
+followed doggedly in my tracks.
+
+"We soon reached the kloof, which was about three hundred yards in
+length and but sparsely wooded, and then the real fun began. There might
+be a lion behind every bush--there certainly were four lions somewhere;
+the delicate question was, where. I peeped and poked and looked in every
+possible direction, with my heart in my mouth, and was at last rewarded
+by catching a glimpse of something yellow moving behind a bush. At the
+same moment, from another bush opposite me out burst one of the cubs
+and galloped back towards the burnt pan. I whipped round and let drive a
+snap shot that tipped him head over heels, breaking his back within two
+inches of the root of the tail, and there he lay helpless but glaring.
+Tom afterwards killed him with his assegai. I opened the breech of the
+gun and hurriedly pulled out the old case, which, to judge from what
+ensued, must, I suppose, have burst and left a portion of its fabric
+sticking to the barrel. At any rate, when I tried to get in the new
+cartridge it would only enter half-way; and--would you believe it?--this
+was the moment that the lioness, attracted no doubt by the outcry of her
+cub, chose to put in an appearance. There she stood, twenty paces or so
+from me, lashing her tail and looking just as wicked as it is possible
+to conceive. Slowly I stepped backwards, trying to push in the new case,
+and as I did so she moved on in little runs, dropping down after each
+run. The danger was imminent, and the case would not go in. At the
+moment I oddly enough thought of the cartridge maker, whose name I will
+not mention, and earnestly hoped that if the lion got _me_ some condign
+punishment would overtake _him_. It would not go in, so I tried to pull
+it out. It would not come out either, and my gun was useless if I could
+not shut it to use the other barrel. I might as well have had no gun.
+
+"Meanwhile I was walking backward, keeping my eye on the lioness, who
+was creeping forward on her belly without a sound, but lashing her tail
+and keeping her eye on me; and in it I saw that she was coming in a
+few seconds more. I dashed my wrist and the palm of my hand against the
+brass rim of the cartridge till the blood poured from them--look, there
+are the scars of it to this day!"
+
+Here Quatermain held up his right hand to the light and showed us four
+or five white cicatrices just where the wrist is set into the hand.
+
+"But it was not of the slightest use," he went on; "the cartridge would
+not move. I only hope that no other man will ever be put in such an
+awful position. The lioness gathered herself together, and I gave myself
+up for lost, when suddenly Tom shouted out from somewhere in my rear--
+
+"'You are walking on to the wounded cub; turn to the right.'
+
+"I had the sense, dazed as I was, to take the hint, and slewing round at
+right-angles, but still keeping my eyes on the lioness, I continued my
+backward walk.
+
+"To my intense relief, with a low growl she straightened herself,
+turned, and bounded further up the kloof.
+
+"'Come on, Inkoos,' said Tom, 'let's get back to the waggon.'
+
+"'All right, Tom,' I answered. 'I will when I have killed those three
+other lions,' for by this time I was bent on shooting them as I never
+remember being bent on anything before or since. 'You can go if you
+like, or you can get up a tree.'
+
+"He considered the position a little, and then he very wisely got up a
+tree. I wish that I had done the same.
+
+"Meanwhile I had found my knife, which had an extractor in it, and
+succeeded after some difficulty in pulling out the cartridge which had
+so nearly been the cause of my death, and removing the obstruction in
+the barrel. It was very little thicker than a postage-stamp; certainly
+not thicker than a piece of writing-paper. This done, I loaded the gun,
+bound a handkerchief round my wrist and hand to staunch the flowing of
+the blood, and started on again.
+
+"I had noticed that the lioness went into a thick green bush, or rather
+a cluster of bushes, growing near the water, about fifty yards higher
+up, for there was a little stream running down the kloof, and I walked
+towards this bush. When I got there, however, I could see nothing, so I
+took up a big stone and threw it into the bushes. I believe that it hit
+the other cub, for out it came with a rush, giving me a broadside shot,
+of which I promptly availed myself, knocking it over dead. Out, too,
+came the lioness like a flash of light, but quick as she went I managed
+to put the other bullet into her ribs, so that she rolled right over
+three times like a shot rabbit. I instantly got two more cartridges
+into the gun, and as I did so the lioness rose again and came crawling
+towards me on her fore-paws, roaring and groaning, and with such an
+expression of diabolical fury on her countenance as I have not often
+seen. I shot her again through the chest, and she fell over on to her
+side quite dead.
+
+"That was the first and last time that I ever killed a brace of lions
+right and left, and, what is more, I never heard of anybody else doing
+it. Naturally I was considerably pleased with myself, and having again
+loaded up, I went on to look for the black-maned beauty who had killed
+Kaptein. Slowly, and with the greatest care, I proceeded up the kloof,
+searching every bush and tuft of grass as I went. It was wonderfully
+exciting work, for I never was sure from one moment to another but that
+he would be on me. I took comfort, however, from the reflection that a
+lion rarely attacks a man--rarely, I say; sometimes he does, as you will
+see--unless he is cornered or wounded. I must have been nearly an hour
+hunting after that lion. Once I thought I saw something move in a clump
+of tambouki grass, but I could not be sure, and when I trod out the
+grass I could not find him.
+
+"At last I worked up to the head of the kloof, which made a
+_cul-de-sac_. It was formed of a wall of rock about fifty feet high.
+Down this rock trickled a little waterfall, and in front of it, some
+seventy feet from its face, was a great piled-up mass of boulders, in
+the crevices and on the top of which grew ferns, grasses, and stunted
+bushes. This mass was about twenty-five feet high. The sides of the
+kloof here were also very steep. Well, I came to the top of the nullah
+and looked all round. No signs of the lion. Evidently I had either
+overlooked him further down, or he had escaped right away. It was very
+vexatious; but still three lions were not a bad bag for one gun before
+dinner, and I was fain to be content. Accordingly I departed back again,
+making my way round the isolated pillar of boulders, beginning to feel,
+as I did so, that I was pretty well done up with excitement and fatigue,
+and should be more so before I had skinned those three lions. When I had
+got, as nearly as I could judge, about eighteen yards past the pillar or
+mass of boulders, I turned to have another look round. I have a pretty
+sharp eye, but I could see nothing at all.
+
+"Then, on a sudden, I saw something sufficiently alarming. On the top
+of the mass of boulders, opposite to me, standing out clear against
+the rocks beyond, was the huge black-maned lion. He had been crouching
+there, and now arose as though by magic. There he stood lashing his
+tail, just like a living reproduction of the animal on the gateway of
+Northumberland House that I have seen in a picture. But he did not stand
+long. Before I could fire--before I could do more than get the gun to my
+shoulder--he sprang straight up and out from the rock, and driven by the
+impetus of that one mighty bound came hurtling through the air towards
+me.
+
+"Heavens! how grand he looked, and how awful! High into the air he flew,
+describing a great arch. Just as he touched the highest point of his
+spring I fired. I did not dare to wait, for I saw that he would clear
+the whole space and land right upon me. Without a sight, almost without
+aim, I fired, as one would fire a snap shot at a snipe. The bullet told,
+for I distinctly heard its thud above the rushing sound caused by the
+passage of the lion through the air. Next second I was swept to the
+ground (luckily I fell into a low, creeper-clad bush, which broke the
+shock) and the lion was on the top of me, and the next those great white
+teeth of his had met in my thigh--I heard them grate against the bone. I
+yelled out in agony, for I did not feel in the least benumbed and happy,
+like Dr. Livingstone--who, by the way, I knew very well--and gave myself
+up for dead. But suddenly, as I did so, the lion's grip on my thigh
+loosened, and he stood over me, swaying to and fro, his huge mouth, from
+which the blood was gushing, wide open. Then he roared, and the sound
+shook the rocks.
+
+"To and fro he swung, and suddenly the great head dropped on me,
+knocking all the breath from my body, and he was dead. My bullet had
+entered in the centre of his chest and passed out on the right side of
+the spine about half-way down the back.
+
+"The pain of my wound kept me from fainting, and as soon as I got my
+breath I managed to drag myself from under him. Thank heavens, his great
+teeth had not crushed my thigh-bone; but I was losing a great deal of
+blood, and had it not been for the timely arrival of Tom, with whose
+aid I loosed the handkerchief from my wrist and tied it round my leg,
+twisting it tight with a stick, I think that I should have bled to
+death.
+
+"Well, it was a just reward for my folly in trying to tackle a family
+of lions single-handed. The odds were too long. I have been lame ever
+since, and shall be to my dying day; in the month of March the wound
+always troubles me a great deal, and every three years it breaks out
+raw.
+
+"I need scarcely add that I never traded the lot of ivory at Sikukuni's.
+Another man got it--a German--and made five hundred pounds out of it
+after paying expenses. I spent the month on the broad of my back, and
+was a cripple for six months after that. And now I've told you the yarn,
+so I will have a drop of Hollands and go to bed. Good-night to you all,
+good-night!"
+
+
+
+
+
+End of the Project Gutenberg EBook of Long Odds, by H. Rider Haggard
+
+*** END OF THIS PROJECT GUTENBERG EBOOK LONG ODDS ***
+
+***** This file should be named 2730.txt or 2730.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/7/3/2730/
+
+Produced by John Bickers; Dagny; Emma Dudding; David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/2730.zip b/2730.zip
new file mode 100644
index 0000000..29c0dae
--- /dev/null
+++ b/2730.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..f2571e3
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #2730 (https://www.gutenberg.org/ebooks/2730)
diff --git a/old/lodds10a.txt b/old/lodds10a.txt
new file mode 100644
index 0000000..a171c8f
--- /dev/null
+++ b/old/lodds10a.txt
@@ -0,0 +1,879 @@
+*The Project Gutenberg Etext of Long Odds, by H. Rider Haggard*
+#17 in our series by H. Rider Haggard
+
+This is our second version of Long Odds, also see Etext #1918.
+
+Copyright laws are changing all over the world, be sure to check
+the copyright laws for your country before posting these files!!
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers. Do not remove this.
+
+*It must legally be the first thing seen when opening the book.*
+In fact, our legal advisors said we can't even change margins.
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*These Etexts Prepared By Hundreds of Volunteers and Donations*
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below. We need your donations.
+
+
+Title: Long Odds
+
+Author: H. Rider Haggard
+
+July, 2001 [Etext #2730]
+[Yes, we are about one year ahead of schedule]
+
+*The Project Gutenberg Etext of Long Odds, by H. Rider Haggard*
+****This file should be named lodds10a.txt or lodds10a.zip******
+
+Corrected EDITIONS of our etexts get a new NUMBER, lodds11a.txt
+VERSIONS based on separate sources get new LETTER, lodds11a.txt
+
+
+Etext prepared by John Bickers, jbickers@ihug.co.nz
+Dagny, dagnyj@hotmail.com
+and Emma Dudding, emma_302@hotmail.com
+
+Project Gutenberg Etexts are usually created from multiple editions,
+all of which are in the Public Domain in the United States, unless a
+copyright notice is included. Therefore, we usually do NOT keep any
+of these books in compliance with any particular paper edition.
+
+
+We are now trying to release all our books one month in advance
+of the official release dates, leaving time for better editing.
+
+Please note: neither this list nor its contents are final till
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so. To be sure you have an
+up to date first edition [xxxxx10x.xxx] please check file sizes
+in the first week of the next month. Since our ftp program has
+a bug in it that scrambles the date [tried to fix and failed] a
+look at the file size will have to do, but we will try to see a
+new copy has at least one byte more or less.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour this year as we release thirty-six text
+files per month, or 432 more Etexts in 1999 for a total of 2000+
+If these reach just 10% of the computerized population, then the
+total should reach over 200 billion Etexts given away this year.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is only ~5% of the present number of computer users.
+
+At our revised rates of production, we will reach only one-third
+of that goal by the end of 2001, or about 3,333 Etexts unless we
+manage to get some real funding; currently our funding is mostly
+from Michael Hart's salary at Carnegie-Mellon University, and an
+assortment of sporadic gifts; this salary is only good for a few
+more years, so we are looking for something to replace it, as we
+don't want Project Gutenberg to be so dependent on one person.
+
+We need your donations more than ever!
+
+
+All donations should be made to "Project Gutenberg/CMU": and are
+tax deductible to the extent allowable by law. (CMU = Carnegie-
+Mellon University).
+
+For these and other matters, please mail to:
+
+Project Gutenberg
+P. O. Box 2782
+Champaign, IL 61825
+
+When all other email fails. . .try our Executive Director:
+Michael S. Hart <hart@pobox.com>
+hart@pobox.com forwards to hart@prairienet.org and archive.org
+if your mail bounces from archive.org, I will still see it, if
+it bounces from prairienet.org, better resend later on. . . .
+
+We would prefer to send you this information by email.
+
+******
+
+To access Project Gutenberg etexts, use any Web browser
+to view http://promo.net/pg. This site lists Etexts by
+author and by title, and includes information about how
+to get involved with Project Gutenberg. You could also
+download our past Newsletters, or subscribe here. This
+is one of our major sites, please email hart@pobox.com,
+for a more complete list of our various sites.
+
+To go directly to the etext collections, use FTP or any
+Web browser to visit a Project Gutenberg mirror (mirror
+sites are available on 7 continents; mirrors are listed
+at http://promo.net/pg).
+
+Mac users, do NOT point and click, typing works better.
+
+Example FTP session:
+
+ftp metalab.unc.edu
+login: anonymous
+password: your@login
+cd pub/docs/books/gutenberg
+cd etext90 through etext99 or etext00 through etext01, etc.
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99]
+GET GUTINDEX.ALL [to get a listing of ALL books]
+
+***
+
+**Information prepared by the Project Gutenberg legal advisor**
+
+(Three Pages)
+
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you can distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
+tm etexts, is a "public domain" work distributed by Professor
+Michael S. Hart through the Project Gutenberg Association at
+Carnegie-Mellon University (the "Project"). Among other
+things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the Project's "PROJECT GUTENBERG" trademark.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] the Project (and any other party you may receive this
+etext from as a PROJECT GUTENBERG-tm etext) disclaims all
+liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold the Project, its directors,
+officers, members and agents harmless from all liability, cost
+and expense, including legal fees, that arise directly or
+indirectly from any of the following that you do or cause:
+[1] distribution of this etext, [2] alteration, modification,
+or addition to the etext, or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word pro-
+ cessing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Project of 20% of the
+ net profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Association/Carnegie-Mellon
+ University" within the 60 days following each
+ date you prepare (or were legally required to prepare)
+ your annual (or equivalent periodic) tax return.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+The Project gratefully accepts contributions in money, time,
+scanning machines, OCR software, public domain etexts, royalty
+free copyright licenses, and every other sort of contribution
+you can think of. Money should be paid to "Project Gutenberg
+Association / Carnegie-Mellon University".
+
+We are planning on making some changes in our donation structure
+in 2000, so you might want to email me, hart@pobox.com beforehand.
+
+
+
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
+
+
+
+
+
+Etext prepared by John Bickers, jbickers@ihug.co.nz
+Dagny, dagnyj@hotmail.com
+and Emma Dudding, emma_302@hotmail.com
+
+
+
+
+
+This is our second version of Long Odds, also see Etext #1918.
+
+
+
+
+
+Long Odds
+
+by H. Rider Haggard
+
+
+
+
+The story which is narrated in the following pages came to me from the
+lips of my old friend Allan Quatermain, or Hunter Quatermain, as we
+used to call him in South Africa. He told it to me one evening when I
+was stopping with him at the place he bought in Yorkshire. Shortly
+after that, the death of his only son so unsettled him that he
+immediately left England, accompanied by two companions, his old
+fellow-voyagers, Sir Henry Curtis and Captain Good, and has now
+utterly vanished into the dark heart of Africa. He is persuaded that a
+white people, of which he has heard rumours all his life, exists
+somewhere on the highlands in the vast, still unexplored interior, and
+his great ambition is to find them before he dies. This is the wild
+quest upon which he and his companions have departed, and from which I
+shrewdly suspect they never will return. One letter only have I
+received from the old gentleman, dated from a mission station high up
+the Tana, a river on the east coast, about three hundred miles north
+of Zanzibar. In it he says they have gone through many hardships and
+adventures, but are alive and well, and have found traces which go far
+towards making him hope that the results of their wild quest may be a
+"magnificent and unexampled discovery." I greatly fear, however, that
+all he has discovered is death; for this letter came a long while ago,
+and nobody has heard a single word of the party since. They have
+totally vanished.
+
+It was on the last evening of my stay at his house that he told the
+ensuing story to me and Captain Good, who was dining with him. He had
+eaten his dinner and drunk two or three glasses of old port, just to
+help Good and myself to the end of the second bottle. It was an
+unusual thing for him to do, for he was a most abstemious man, having
+conceived, as he used to say, a great horror of drink from observing
+its effects upon the class of men--hunters, transport riders, and
+others--amongst whom he had passed so many years of his life.
+Consequently the good wine took more effect on him that it would have
+done on most men, sending a little flush into his wrinkled cheeks, and
+making him talk more freely than usual.
+
+Dear old man! I can see him now, as he went limping up and down the
+vestibule, with his grey hair sticking up in scrubbing-brush fashion,
+his shrivelled yellow face, and his large dark eyes, that were as keen
+as any hawk's, and yet soft as a buck's. The whole room was hung with
+trophies of his numerous hunting expeditions, and he had some story
+about every one of them, if only he could be got to tell them.
+Generally he would not, for he was not very fond of narrating his own
+adventures, but to-night the port wine made him more communicative.
+
+"Ah, you brute!" he said, stopping beneath an unusually large skull of
+a lion, which was fixed just over the mantelpiece, beneath a long row
+of guns, its jaws distended to their utmost width. "Ah, you brute! you
+have given me a lot of trouble for the last dozen years, and will, I
+suppose, to my dying day."
+
+"Tell us the yarn, Quatermain," said Good. "You have often promised to
+tell me, and you never have."
+
+"You had better not ask me to," he answered, "for it is a longish
+one."
+
+"All right," I said, "the evening is young, and there is some more
+port."
+
+Thus adjured, he filled his pipe from a jar of coarse-cut Boer tobacco
+that was always standing on the mantelpiece, and still walking up and
+down the room, began--
+
+"It was, I think, in the March of '69 that I was up in Sikukuni's
+country. It was just after old Sequati's time, and Sikukuni had got
+into power--I forget how. Anyway, I was there. I had heard that the
+Bapedi people had brought down an enormous quantity of ivory from the
+interior, and so I started with a waggon-load of goods, and came
+straight away from Middelburg to try and trade some of it. It was a
+risky thing to go into the country so early, on account of the fever;
+but I knew that there were one or two others after that lot of ivory,
+so I determined to have a try for it, and take my chance of fever. I
+had become so tough from continual knocking about that I did not set
+it down at much.
+
+"Well, I got on all right for a while. It is a wonderfully beautiful
+piece of bush veldt, with great ranges of mountains running through
+it, and round granite koppies starting up here and there, looking out
+like sentinels over the rolling waste of bush. But it is very hot--hot
+as a stew-pan--and when I was there that March, which, of course, is
+autumn in this part of Africa, the whole place reeked of fever. Every
+morning, as I trekked along down by the Oliphant River, I used to
+creep from the waggon at dawn and look out. But there was no river to
+be seen--only a long line of billows of what looked like the finest
+cotton wool tossed up lightly with a pitchfork. It was the fever mist.
+Out from among the scrub, too, came little spirals of vapour, as
+though there were hundreds of tiny fires alight in it--reek rising
+from thousands of tons of rotting vegetation. It was a beautiful
+place, but the beauty was the beauty of death; and all those lines and
+blots of vapour wrote one great word across the surface of the
+country, and that word was 'fever.'
+
+"It was a dreadful year of illness that. I came, I remember, to one
+little kraal of Knobnoses, and went up to it to see if I could get
+some /maas/, or curdled butter-milk, and a few mealies. As I drew near
+I was struck with the silence of the place. No children began to
+chatter, and no dogs barked. Nor could I see any native sheep or
+cattle. The place, though it had evidently been recently inhabited,
+was as still as the bush round it, and some guinea fowl got up out of
+the prickly pear bushes right at the kraal gate. I remember that I
+hesitated a little before going in, there was such an air of
+desolation about the spot. Nature never looks desolate when man has
+not yet laid his hand upon her breast; she is only lonely. But when
+man has been, and has passed away, then she looks desolate.
+
+"Well, I passed into the kraal, and went up to the principal hut. In
+front of the hut was something with an old sheep-skin /kaross/ thrown
+over it. I stooped down and drew off the rug, and then shrank back
+amazed, for under it was the body of a young woman recently dead. For
+a moment I thought of turning back, but my curiosity overcame me; so
+going past the dead woman I went down on my hands and knees and crept
+into the hut. It was so dark that I could not see anything, though I
+could smell a great deal, so I lit a match. It was a 'tandstickor'
+match, and burnt slowly and dimly, and as the light gradually
+increased I made out what I took to be a family of people, men, women,
+and children, fast asleep. Presently it burnt up brightly, and I saw
+that they too, five of them altogether, were quite dead. One was a
+baby. I dropped the match in a hurry, and was making my way from the
+hut as quick as I could go, when I caught sight of two bright eyes
+staring out of a corner. Thinking it was a wild cat, or some such
+animal, I redoubled my haste, when suddenly a voice near the eyes
+began first to mutter, and then to send up a succession of awful
+yells.
+
+"Hastily I lit another match, and perceived that the eyes belonged to
+an old woman, wrapped up in a greasy leather garment. Taking her by
+the arm, I dragged her out, for she could not, or would not, come by
+herself, and the stench was overpowering me. Such a sight as she was--
+a bag of bones, covered over with black, shrivelled parchment. The
+only white thing about her was her wool, and she seemed to be pretty
+well dead except for her eyes and her voice. She thought that I was a
+devil come to take her, and that is why she yelled so. Well, I got her
+down to the waggon, and gave her a 'tot' of Cape smoke, and then, as
+soon as it was ready, poured about a pint of beef-tea down her throat,
+made from the flesh of a blue vilderbeeste I had killed the day
+before, and after that she brightened up wonderfully. She could talk
+Zulu--indeed, it turned out that she had run away from Zululand in
+T'Chaka's time--and she told me that all the people whom I had seen
+had died of fever. When they had died the other inhabitants of the
+kraal had taken the cattle and gone away, leaving the poor old woman,
+who was helpless from age and infirmity, to perish of starvation or
+disease, as the case might be. She had been sitting there for three
+days among the bodies when I found her. I took her on to the next
+kraal, and gave the headman a blanket to look after her, promising him
+another if I found her well when I came back. I remember that he was
+much astonished at my parting with two blankets for the sake of such a
+worthless old creature. 'Why did I not leave her in the bush?' he
+asked. Those people carry the doctrine of the survival of the fittest
+to its extreme, you see.
+
+"It was the night after I had got rid of the old woman that I made my
+first acquaintance with my friend yonder," and he nodded towards the
+skull that seemed to be grinning down at us in the shadow of the wide
+mantel-shelf. "I had trekked from dawn till eleven o'clock--a long
+trek--but I wanted to get on, and had turned the oxen out to graze,
+sending the voorlooper to look after them, my intention being to
+inspan again about six o'clock, and trek with the moon till ten. Then
+I got into the waggon, and had a good sleep till half-past two or so
+in the afternoon, when I rose and cooked some meat, and had my dinner,
+washing it down with a pannikin of black coffee--for it was difficult
+to get preserved milk in those days. Just as I had finished, and the
+driver, a man called Tom, was washing up the things, in comes the
+young scoundrel of a voorlooper driving one ox before him.
+
+"'Where are the other oxen?' I asked.
+
+"'Koos!' he said, 'Koos! the other oxen have gone away. I turned my
+back for a minute, and when I looked round again they were all gone
+except Kaptein, here, who was rubbing his back against a tree.'
+
+"'You mean that you have been asleep, and let them stray, you villain.
+I will rub your back against a stick,' I answered, feeling very angry,
+for it was not a pleasant prospect to be stuck up in that fever trap
+for a week or so while we were hunting for the oxen. 'Off you go, and
+you too, Tom, and mind you don't come back till you have found them.
+They have trekked back along the Middelburg Road, and are a dozen
+miles off by now, I'll be bound. Now, no words; go both of you.'
+
+"Tom, the driver, swore, and caught the lad a hearty kick, which he
+richly deserved, and then, having tied old Kaptein up to the
+disselboom with a reim, they took their assegais and sticks, and
+started. I would have gone too, only I knew that somebody must look
+after the waggon, and I did not like to leave either of the boys with
+it at night. I was in a very bad temper, indeed, although I was pretty
+well used to these sort of occurrences, and soothed myself by taking a
+rifle and going to kill something. For a couple of hours I poked about
+without seeing anything that I could get a shot at, but at last, just
+as I was again within seventy yards of the waggon, I put up an old
+Impala ram from behind a mimosa thorn. He ran straight for the waggon,
+and it was not till he was passing within a few feet of it that I
+could get a decent shot at him. Then I pulled, and caught him half-way
+down the spine; over he went, dead as a door-nail, and a pretty shot
+it was, though I ought not to say it. This little incident put me into
+rather a better humour, especially as the buck had rolled over right
+against the after-part of the waggon, so I had only to gut him, fix a
+reim round his legs, and haul him up. By the time I had done this the
+sun was down, and the full moon was up, and a beautiful moon it was.
+And then there came down that wonderful hush which sometimes falls
+over the African bush in the early hours of the night. No beast was
+moving, and no bird called. Not a breath of air stirred the quiet
+trees, and the shadows did not even quiver, they only grew. It was
+very oppressive and very lonely, for there was not a sign of the
+cattle or the boys. I was quite thankful for the society of old
+Kaptein, who was lying down contentedly against the disselboom,
+chewing the cud with a good conscience.
+
+"Presently, however, Kaptein began to get restless. First he snorted,
+then he got up and snorted again. I could not make it out, so like a
+fool I got down off the waggon-box to have a look round, thinking it
+might be the lost oxen coming.
+
+"Next instant I regretted it, for all of a sudden I heard a roar and
+saw something yellow flash past me and light on poor Kaptein. Then
+came a bellow of agony from the ox, and a crunch as the lion put his
+teeth through the poor brute's neck, and I began to realize what had
+happened. My rifle was in the waggon, and my first thought being to
+get hold of it, I turned and made a bolt for it. I got my foot on the
+wheel and flung my body forward on to the waggon, and there I stopped
+as if I were frozen, and no wonder, for as I was about to spring up I
+heard the lion behind me, and next second I felt the brute, ay, as
+plainly as I can feel this table. I felt him, I say, sniffing at my
+left leg that was hanging down.
+
+"My word! I did feel queer; I don't think that I ever felt so queer
+before. I dared not move for the life of me, and the odd thing was
+that I seemed to lose power over my leg, which had an insane sort of
+inclination to kick out of its own mere motion--just as hysterical
+people want to laugh when they ought to be particularly solemn. Well,
+the lion sniffed and sniffed, beginning at my ankle and slowly nosing
+away up to my thigh. I thought that he was going to get hold then, but
+he did not. He only growled softly, and went back to the ox. Shifting
+my head a little I got a full view of him. He was about the biggest
+lion I ever saw, and I have seen a great many, and he had a most
+tremendous black mane. What his teeth were like you can see--look
+there, pretty big ones, ain't they? Altogether he was a magnificent
+animal, and as I lay there sprawling on the fore-tongue of the waggon,
+it occurred to me that he would look uncommonly well in a cage. He
+stood there by the carcass of poor Kaptein, and deliberately
+disembowelled him as neatly as a butcher could have done. All this
+while I dared not move, for he kept lifting his head and keeping an
+eye on me as he licked his bloody chops. When he had cleared Kaptein
+out he opened his mouth and roared, and I am not exaggerating when I
+say that the sound shook the waggon. Instantly there came back an
+answering roar.
+
+"'Heavens!' I thought, 'there is his mate.'
+
+"Hardly was the thought out of my head when I caught sight in the
+moonlight of the lioness bounding along through the long grass, and
+after her a couple of cubs about the size of mastiffs. She stopped
+within a few feet of my head, and stood, waved her tail, and fixed me
+with her glowing yellow eyes; but just as I thought that it was all
+over she turned and began to feed on Kaptein, and so did the cubs.
+There were four of them within eight feet of me, growling and
+quarrelling, rending and tearing, and crunching poor Kaptein's bones;
+and there I lay shaking with terror, and the cold perspiration pouring
+out of me, feeling like another Daniel come to judgment in a new sense
+of the phrase. Presently the cubs had eaten their fill, and began to
+get restless. One went round to the back of the waggon and pulled at
+the Impala buck that hung there, and the other came round my way and
+commenced the sniffing game at my leg. Indeed, he did more than that,
+for my trouser being hitched up a little, he began to lick the bare
+skin with his rough tongue. The more he licked the more he liked it,
+to judge from his increased vigour and the loud purring noise he made.
+Then I knew that the end had come, for in another second his file-like
+tongue would have rasped through the skin of my leg--which was luckily
+pretty tough--and have tasted the blood, and then there would be no
+chance for me. So I just lay there and thought of my sins, and prayed
+to the Almighty, and reflected that after all life was a very
+enjoyable thing.
+
+"Then all of a sudden I heard a crashing of bushes and the shouting
+and whistling of men, and there were the two boys coming back with the
+cattle, which they had found trekking along all together. The lions
+lifted their heads and listened, then bounded off without a sound--and
+I fainted.
+
+"The lions came back no more that night, and by the next morning my
+nerves had got pretty straight again; but I was full of wrath when I
+thought of all that I had gone through at the hands, or rather noses,
+of those four brutes, and of the fate of my after-ox Kaptein. He was a
+splendid ox, and I was very fond of him. So wroth was I that like a
+fool I determined to attack the whole family of them. It was worthy of
+a greenhorn out on his first hunting trip; but I did it nevertheless.
+Accordingly after breakfast, having rubbed some oil upon my leg, which
+was very sore from the cub's tongue, I took the driver, Tom, who did
+not half like the business, and having armed myself with an ordinary
+double No. 12 smoothbore, the first breechloader I ever had, I
+started. I took the smoothbore because it shot a bullet very well; and
+my experience has been that a round ball from a smoothbore is quite as
+effective against a lion as an express bullet. The lion is soft, and
+not a difficult animal to finish if you hit him anywhere in the body.
+A buck takes far more killing.
+
+"Well, I started, and the first thing I set to work to do was to try
+to discover whereabouts the brutes lay up for the day. About three
+hundred yards from the waggon was the crest of a rise covered with
+single mimosa trees, dotted about in a park-like fashion, and beyond
+this was a stretch of open plain running down to a dry pan, or
+waterhole, which covered about an acre of ground, and was densely
+clothed with reeds, now in the sere and yellow leaf. From the further
+edge of this pan the ground sloped up again to a great cleft, or
+nullah, which had been cut out by the action of the water, and was
+pretty thickly sprinkled with bush, amongst which grew some large
+trees, I forget of what sort.
+
+"It at once struck me that the dry pan would be a likely place to find
+my friends in, as there is nothing a lion is fonder of than lying up
+in reeds, through which he can see things without being seen himself.
+Accordingly thither I went and prospected. Before I had got half-way
+round the pan I found the remains of a blue vilderbeeste that had
+evidently been killed within the last three or four days and partially
+devoured by lions; and from other indications about I was soon assured
+that if the family were not in the pan that day they spent a good deal
+of their spare time there. But if there, the question was how to get
+them out; for it was clearly impossible to think of going in after
+them unless one was quite determined to commit suicide. Now there was
+a strong wind blowing from the direction of the waggon, across the
+reedy pan towards the bush-clad kloof or donga, and this first gave me
+the idea of firing the reeds, which, as I think I told you, were
+pretty dry. Accordingly Tom took some matches and began starting
+little fires to the left, and I did the same to the right. But the
+reeds were still green at the bottom, and we should never have got
+them well alight had it not been for the wind, which grew stronger and
+stronger as the sun climbed higher, and forced the fire into them. At
+last, after half-an-hour's trouble, the flames got a hold, and began
+to spread out like a fan, whereupon I went round to the further side
+of the pan to wait for the lions, standing well out in the open, as we
+stood at the copse to-day where you shot the woodcock. It was a rather
+risky thing to do, but I used to be so sure of my shooting in those
+days that I did not so much as mind the risk. Scarcely had I got round
+when I heard the reeds parting before the onward rush of some animal.
+'Now for it,' said I. On it came. I could see that it was yellow, and
+prepared for action, when instead of a lion out bounded a beautiful
+reit bok which had been lying in the shelter of the pan. It must, by
+the way, have been a reit bok of a peculiarly confiding nature to lay
+itself down with the lion, like the lamb of prophecy, but I suppose
+the reeds were thick, and that it kept a long way off.
+
+"Well, I let the reit bok go, and it went like the wind, and kept my
+eyes fixed upon the reeds. The fire was burning like a furnace now;
+the flames crackling and roaring as they bit into the reeds, sending
+spouts of fire twenty feet and more into the air, and making the hot
+air dance above it in a way that was perfectly dazzling. But the reeds
+were still half green, and created an enormous quantity of smoke,
+which came rolling towards me like a curtain, lying very low on
+account of the wind. Presently, above the crackling of the fire, I
+heard a startled roar, then another and another. So the lions were at
+home.
+
+"I was beginning to get excited now, for, as you fellows know, there
+is nothing in experience to warm up your nerves like a lion at close
+quarters, unless it is a wounded buffalo; and I became still more so
+when I made out through the smoke that the lions were all moving about
+on the extreme edge of the reeds. Occasionally they would pop their
+heads out like rabbits from a burrow, and then, catching sight of me
+standing about fifty yards away, draw them back again. I knew that it
+must be getting pretty warm behind them, and that they could not keep
+the game up for long; and I was not mistaken, for suddenly all four of
+them broke cover together, the old black-maned lion leading by a few
+yards. I never saw a more splendid sight in all my hunting experience
+than those four lions bounding across the veldt, overshadowed by the
+dense pall of smoke and backed by the fiery furnace of the burning
+reeds.
+
+"I reckoned that they would pass, on their way to the bushy kloof,
+within about five and twenty yards of me, so, taking a long breath, I
+got my gun well on to the lion's shoulder--the black-maned one--so as
+to allow for an inch or two of motion, and catch him through the
+heart. I was on, dead on, and my finger was just beginning to tighten
+on the trigger, when suddenly I went blind--a bit of reed-ash had
+drifted into my right eye. I danced and rubbed, and succeeded in
+clearing it more or less just in time to see the tail of the last lion
+vanishing round the bushes up the kloof.
+
+"If ever a man was mad I was that man. It was too bad; and such a shot
+in the open! However, I was not going to be beaten, so I just turned
+and marched for the kloof. Tom, the driver, begged and implored me not
+to go, but though as a personal rule I never pretend to be very brave
+(which I am not), I was determined that I would either kill those
+lions or they should kill me. So I told Tom that he need not come
+unless he liked, but I was going; and being a plucky fellow, a Swazi
+by birth, he shrugged his shoulders, muttered that I was mad or
+bewitched, and followed doggedly in my tracks.
+
+"We soon reached the kloof, which was about three hundred yards in
+length and but sparsely wooded, and then the real fun began. There
+might be a lion behind every bush--there certainly were four lions
+somewhere; the delicate question was, where. I peeped and poked and
+looked in every possible direction, with my heart in my mouth, and was
+at last rewarded by catching a glimpse of something yellow moving
+behind a bush. At the same moment, from another bush opposite me out
+burst one of the cubs and galloped back towards the burnt pan. I
+whipped round and let drive a snap shot that tipped him head over
+heels, breaking his back within two inches of the root of the tail,
+and there he lay helpless but glaring. Tom afterwards killed him with
+his assegai. I opened the breech of the gun and hurriedly pulled out
+the old case, which, to judge from what ensued, must, I suppose, have
+burst and left a portion of its fabric sticking to the barrel. At any
+rate, when I tried to get in the new cartridge it would only enter
+half-way; and--would you believe it?--this was the moment that the
+lioness, attracted no doubt by the outcry of her cub, chose to put in
+an appearance. There she stood, twenty paces or so from me, lashing
+her tail and looking just as wicked as it is possible to conceive.
+Slowly I stepped backwards, trying to push in the new case, and as I
+did so she moved on in little runs, dropping down after each run. The
+danger was imminent, and the case would not go in. At the moment I
+oddly enough thought of the cartridge maker, whose name I will not
+mention, and earnestly hoped that if the lion got /me/ some condign
+punishment would overtake /him/. It would not go in, so I tried to
+pull it out. It would not come out either, and my gun was useless if I
+could not shut it to use the other barrel. I might as well have had no
+gun.
+
+"Meanwhile I was walking backward, keeping my eye on the lioness, who
+was creeping forward on her belly without a sound, but lashing her
+tail and keeping her eye on me; and in it I saw that she was coming in
+a few seconds more. I dashed my wrist and the palm of my hand against
+the brass rim of the cartridge till the blood poured from them--look,
+there are the scars of it to this day!"
+
+Here Quatermain held up his right hand to the light and showed us four
+or five white cicatrices just where the wrist is set into the hand.
+
+"But it was not of the slightest use," he went on; "the cartridge
+would not move. I only hope that no other man will ever be put in such
+an awful position. The lioness gathered herself together, and I gave
+myself up for lost, when suddenly Tom shouted out from somewhere in my
+rear--
+
+"'You are walking on to the wounded cub; turn to the right.'
+
+"I had the sense, dazed as I was, to take the hint, and slewing round
+at right-angles, but still keeping my eyes on the lioness, I continued
+my backward walk.
+
+"To my intense relief, with a low growl she straightened herself,
+turned, and bounded further up the kloof.
+
+"'Come on, Inkoos,' said Tom, 'let's get back to the waggon.'
+
+"'All right, Tom,' I answered. 'I will when I have killed those three
+other lions,' for by this time I was bent on shooting them as I never
+remember being bent on anything before or since. 'You can go if you
+like, or you can get up a tree.'
+
+"He considered the position a little, and then he very wisely got up a
+tree. I wish that I had done the same.
+
+"Meanwhile I had found my knife, which had an extractor in it, and
+succeeded after some difficulty in pulling out the cartridge which had
+so nearly been the cause of my death, and removing the obstruction in
+the barrel. It was very little thicker than a postage-stamp; certainly
+not thicker than a piece of writing-paper. This done, I loaded the
+gun, bound a handkerchief round my wrist and hand to staunch the
+flowing of the blood, and started on again.
+
+"I had noticed that the lioness went into a thick green bush, or
+rather a cluster of bushes, growing near the water, about fifty yards
+higher up, for there was a little stream running down the kloof, and I
+walked towards this bush. When I got there, however, I could see
+nothing, so I took up a big stone and threw it into the bushes. I
+believe that it hit the other cub, for out it came with a rush, giving
+me a broadside shot, of which I promptly availed myself, knocking it
+over dead. Out, too, came the lioness like a flash of light, but quick
+as she went I managed to put the other bullet into her ribs, so that
+she rolled right over three times like a shot rabbit. I instantly got
+two more cartridges into the gun, and as I did so the lioness rose
+again and came crawling towards me on her fore-paws, roaring and
+groaning, and with such an expression of diabolical fury on her
+countenance as I have not often seen. I shot her again through the
+chest, and she fell over on to her side quite dead.
+
+"That was the first and last time that I ever killed a brace of lions
+right and left, and, what is more, I never heard of anybody else doing
+it. Naturally I was considerably pleased with myself, and having again
+loaded up, I went on to look for the black-maned beauty who had killed
+Kaptein. Slowly, and with the greatest care, I proceeded up the kloof,
+searching every bush and tuft of grass as I went. It was wonderfully
+exciting work, for I never was sure from one moment to another but
+that he would be on me. I took comfort, however, from the reflection
+that a lion rarely attacks a man--rarely, I say; sometimes he does, as
+you will see--unless he is cornered or wounded. I must have been
+nearly an hour hunting after that lion. Once I thought I saw something
+move in a clump of tambouki grass, but I could not be sure, and when I
+trod out the grass I could not find him.
+
+"At last I worked up to the head of the kloof, which made a /cul-de-
+sac/. It was formed of a wall of rock about fifty feet high. Down this
+rock trickled a little waterfall, and in front of it, some seventy
+feet from its face, was a great piled-up mass of boulders, in the
+crevices and on the top of which grew ferns, grasses, and stunted
+bushes. This mass was about twenty-five feet high. The sides of the
+kloof here were also very steep. Well, I came to the top of the nullah
+and looked all round. No signs of the lion. Evidently I had either
+overlooked him further down, or he had escaped right away. It was very
+vexatious; but still three lions were not a bad bag for one gun before
+dinner, and I was fain to be content. Accordingly I departed back
+again, making my way round the isolated pillar of boulders, beginning
+to feel, as I did so, that I was pretty well done up with excitement
+and fatigue, and should be more so before I had skinned those three
+lions. When I had got, as nearly as I could judge, about eighteen
+yards past the pillar or mass of boulders, I turned to have another
+look round. I have a pretty sharp eye, but I could see nothing at all.
+
+"Then, on a sudden, I saw something sufficiently alarming. On the top
+of the mass of boulders, opposite to me, standing out clear against
+the rocks beyond, was the huge black-maned lion. He had been crouching
+there, and now arose as though by magic. There he stood lashing his
+tail, just like a living reproduction of the animal on the gateway of
+Northumberland House that I have seen in a picture. But he did not
+stand long. Before I could fire--before I could do more than get the
+gun to my shoulder--he sprang straight up and out from the rock, and
+driven by the impetus of that one mighty bound came hurtling through
+the air towards me.
+
+"Heavens! how grand he looked, and how awful! High into the air he
+flew, describing a great arch. Just as he touched the highest point of
+his spring I fired. I did not dare to wait, for I saw that he would
+clear the whole space and land right upon me. Without a sight, almost
+without aim, I fired, as one would fire a snap shot at a snipe. The
+bullet told, for I distinctly heard its thud above the rushing sound
+caused by the passage of the lion through the air. Next second I was
+swept to the ground (luckily I fell into a low, creeper-clad bush,
+which broke the shock) and the lion was on the top of me, and the next
+those great white teeth of his had met in my thigh--I heard them grate
+against the bone. I yelled out in agony, for I did not feel in the
+least benumbed and happy, like Dr. Livingstone--who, by the way, I
+knew very well--and gave myself up for dead. But suddenly, as I did
+so, the lion's grip on my thigh loosened, and he stood over me,
+swaying to and fro, his huge mouth, from which the blood was gushing,
+wide open. Then he roared, and the sound shook the rocks.
+
+"To and fro he swung, and suddenly the great head dropped on me,
+knocking all the breath from my body, and he was dead. My bullet had
+entered in the centre of his chest and passed out on the right side of
+the spine about half-way down the back.
+
+"The pain of my wound kept me from fainting, and as soon as I got my
+breath I managed to drag myself from under him. Thank heavens, his
+great teeth had not crushed my thigh-bone; but I was losing a great
+deal of blood, and had it not been for the timely arrival of Tom, with
+whose aid I loosed the handkerchief from my wrist and tied it round my
+leg, twisting it tight with a stick, I think that I should have bled
+to death.
+
+"Well, it was a just reward for my folly in trying to tackle a family
+of lions single-handed. The odds were too long. I have been lame ever
+since, and shall be to my dying day; in the month of March the wound
+always troubles me a great deal, and every three years it breaks out
+raw.
+
+"I need scarcely add that I never traded the lot of ivory at
+Sikukuni's. Another man got it--a German--and made five hundred pounds
+out of it after paying expenses. I spent the month on the broad of my
+back, and was a cripple for six months after that. And now I've told
+you the yarn, so I will have a drop of Hollands and go to bed. Good-
+night to you all, good-night!"
+
+
+
+
+
+End of The Project Gutenberg Etext of Long Odds, by H. Rider Haggard
+
diff --git a/old/lodds10a.zip b/old/lodds10a.zip
new file mode 100644
index 0000000..e686dec
--- /dev/null
+++ b/old/lodds10a.zip
Binary files differ