diff options
Diffstat (limited to '2728.txt')
| -rw-r--r-- | 2728.txt | 1057 |
1 files changed, 1057 insertions, 0 deletions
diff --git a/2728.txt b/2728.txt new file mode 100644 index 0000000..743a51d --- /dev/null +++ b/2728.txt @@ -0,0 +1,1057 @@ +The Project Gutenberg EBook of Hunter Quatermain's Story, by H. Rider Haggard + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Hunter Quatermain's Story + +Author: H. Rider Haggard + +Release Date: April 3, 2006 [EBook #2728] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK HUNTER QUATERMAIN'S STORY *** + + + + +Produced by John Bickers; Dagny; Emma Dudding + + + + + +HUNTER QUATERMAIN'S STORY + +by H. Rider Haggard + + +Sir Henry Curtis, as everybody acquainted with him knows, is one of the +most hospitable men on earth. It was in the course of the enjoyment of +his hospitality at his place in Yorkshire the other day that I heard the +hunting story which I am now about to transcribe. Many of those who read +it will no doubt have heard some of the strange rumours that are flying +about to the effect that Sir Henry Curtis and his friend Captain Good, +R.N., recently found a vast treasure of diamonds out in the heart of +Africa, supposed to have been hidden by the Egyptians, or King Solomon, +or some other antique people. I first saw the matter alluded to in a +paragraph in one of the society papers the day before I started for +Yorkshire to pay my visit to Curtis, and arrived, needless to say, +burning with curiosity; for there is something very fascinating to the +mind in the idea of hidden treasure. When I reached the Hall, I at once +asked Curtis about it, and he did not deny the truth of the story; but +on my pressing him to tell it he would not, nor would Captain Good, who +was also staying in the house. + +"You would not believe me if I did," Sir Henry said, with one of the +hearty laughs which seem to come right out of his great lungs. "You +must wait till Hunter Quatermain comes; he will arrive here from Africa +to-night, and I am not going to say a word about the matter, or Good +either, until he turns up. Quatermain was with us all through; he has +known about the business for years and years, and if it had not been +for him we should not have been here to-day. I am going to meet him +presently." + +I could not get a word more out of him, nor could anybody else, though +we were all dying of curiosity, especially some of the ladies. I shall +never forget how they looked in the drawing-room before dinner when +Captain Good produced a great rough diamond, weighing fifty carats or +more, and told them that he had many larger than that. If ever I saw +curiosity and envy printed on fair faces, I saw them then. + +It was just at this moment that the door was opened, and Mr. Allan +Quatermain announced, whereupon Good put the diamond into his pocket, +and sprang at a little man who limped shyly into the room, convoyed by +Sir Henry Curtis himself. + +"Here he is, Good, safe and sound," said Sir Henry, gleefully. "Ladies +and gentlemen, let me introduce you to one of the oldest hunters and the +very best shot in Africa, who has killed more elephants and lions than +any other man alive." + +Everybody turned and stared politely at the curious-looking little lame +man, and though his size was insignificant, he was quite worth staring +at. He had short grizzled hair, which stood about an inch above his head +like the bristles of a brush, gentle brown eyes, that seemed to notice +everything, and a withered face, tanned to the colour of mahogany +from exposure to the weather. He spoke, too, when he returned Good's +enthusiastic greeting, with a curious little accent, which made his +speech noticeable. + +It so happened that I sat next to Mr. Allan Quatermain at dinner, and, +of course, did my best to draw him; but he was not to be drawn. He +admitted that he had recently been a long journey into the interior of +Africa with Sir Henry Curtis and Captain Good, and that they had found +treasure, and then politely turned the subject and began to ask me +questions about England, where he had never been before--that is, since +he came to years of discretion. Of course, I did not find this very +interesting, and so cast about for some means to bring the conversation +round again. + +Now, we were dining in an oak-panelled vestibule, and on the wall +opposite to me were fixed two gigantic elephant tusks, and under them +a pair of buffalo horns, very rough and knotted, showing that they came +off an old bull, and having the tip of one horn split and chipped. I +noticed that Hunter Quatermain's eyes kept glancing at these trophies, +and took an occasion to ask him if he knew anything about them. + +"I ought to," he answered, with a little laugh; "the elephant to which +those tusks belonged tore one of our party right in two about eighteen +months ago, and as for the buffalo horns, they were nearly my death, and +were the end of a servant of mine to whom I was much attached. I +gave them to Sir Henry when he left Natal some months ago;" and Mr. +Quatermain sighed and turned to answer a question from the lady whom he +had taken down to dinner, and who, needless to say, was also employed in +trying to pump him about the diamonds. + +Indeed, all round the table there was a simmer of scarcely suppressed +excitement, which, when the servants had left the room, could no longer +be restrained. + +"Now, Mr. Quatermain," said the lady next him, "we have been kept in an +agony of suspense by Sir Henry and Captain Good, who have persistently +refused to tell us a word of this story about the hidden treasure till +you came, and we simply can bear it no longer; so, please, begin at +once." + +"Yes," said everybody, "go on, please." + +Hunter Quatermain glanced round the table apprehensively; he did not +seem to appreciate finding himself the object of so much curiosity. + +"Ladies and gentlemen," he said at last, with a shake of his grizzled +head, "I am very sorry to disappoint you, but I cannot do it. It is this +way. At the request of Sir Henry and Captain Good I have written down a +true and plain account of King Solomon's Mines and how we found them, +so you will soon be able to learn all about that wonderful adventure +for yourselves; but until then I will say nothing about it, not from +any wish to disappoint your curiosity, or to make myself important, but +simply because the whole story partakes so much of the marvellous, that +I am afraid to tell it in a piecemeal, hasty fashion, for fear I should +be set down as one of those common fellows of whom there are so many in +my profession, who are not ashamed to narrate things they have not seen, +and even to tell wonderful stories about wild animals they have never +killed. And I think that my companions in adventure, Sir Henry Curtis +and Captain Good, will bear me out in what I say." + +"Yes, Quatermain, I think you are quite right," said Sir Henry. +"Precisely the same considerations have forced Good and myself to hold +our tongues. We did not wish to be bracketed with--well, with other +famous travellers." + +There was a murmur of disappointment at these announcements. + +"I believe you are all hoaxing us," said the young lady next Mr. +Quatermain, rather sharply. + +"Believe me," answered the old hunter, with a quaint courtesy and a +little bow of his grizzled head; "though I have lived all my life in the +wilderness, and amongst savages, I have neither the heart, nor the want +of manners, to wish to deceive one so lovely." + +Whereat the young lady, who was pretty, looked appeased. + +"This is very dreadful," I broke in. "We ask for bread and you give us a +stone, Mr. Quatermain. The least that you can do is to tell us the story +of the tusks opposite and the buffalo horns underneath. We won't let you +off with less." + +"I am but a poor story-teller," put in the old hunter, "but if you will +forgive my want of skill, I shall be happy to tell you, not the story +of the tusks, for that is part of the history of our journey to King +Solomon's Mines, but that of the buffalo horns beneath them, which is +now ten years old." + +"Bravo, Quatermain!" said Sir Henry. "We shall all be delighted. Fire +away! Fill up your glass first." + +The little man did as he was bid, took a sip of claret, and +began:--"About ten years ago I was hunting up in the far interior of +Africa, at a place called Gatgarra, not a great way from the Chobe +River. I had with me four native servants, namely, a driver and +voorlooper, or leader, who were natives of Matabeleland, a Hottentot +named Hans, who had once been the slave of a Transvaal Boer, and a Zulu +hunter, who for five years had accompanied me upon my trips, and whose +name was Mashune. Now near Gatgarra I found a fine piece of healthy, +park-like country, where the grass was very good, considering the time +of year; and here I made a little camp or head-quarter settlement, from +whence I went expeditions on all sides in search of game, especially +elephant. My luck, however, was bad; I got but little ivory. I was +therefore very glad when some natives brought me news that a large herd +of elephants were feeding in a valley about thirty miles away. At first +I thought of trekking down to the valley, waggon and all, but gave up +the idea on hearing that it was infested with the deadly 'tsetse' fly, +which is certain death to all animals, except men, donkeys, and wild +game. So I reluctantly determined to leave the waggon in the charge of +the Matabele leader and driver, and to start on a trip into the thorn +country, accompanied only by the Hottentot Hans, and Mashune. + +"Accordingly on the following morning we started, and on the evening of +the next day reached the spot where the elephants were reported to be. +But here again we were met by ill luck. That the elephants had been +there was evident enough, for their spoor was plentiful, and so were +other traces of their presence in the shape of mimosa trees torn out +of the ground, and placed topsy-turvy on their flat crowns, in order to +enable the great beasts to feed on their sweet roots; but the elephants +themselves were conspicuous by their absence. They had elected to move +on. This being so, there was only one thing to do, and that was to move +after them, which we did, and a pretty hunt they led us. For a fortnight +or more we dodged about after those elephants, coming up with them on +two occasions, and a splendid herd they were--only, however, to lose +them again. At length we came up with them a third time, and I managed +to shoot one bull, and then they started off again, where it was useless +to try and follow them. After this I gave it up in disgust, and we made +the best of our way back to the camp, not in the sweetest of tempers, +carrying the tusks of the elephant I had shot. + +"It was on the afternoon of the fifth day of our tramp that we reached +the little koppie overlooking the spot where the waggon stood, and I +confess that I climbed it with a pleasurable sense of home-coming, for +his waggon is the hunter's home, as much as his house is that of the +civilized person. I reached the top of the koppie, and looked in the +direction where the friendly white tent of the waggon should be, but +there was no waggon, only a black burnt plain stretching away as far as +the eye could reach. I rubbed my eyes, looked again, and made out on the +spot of the camp, not my waggon, but some charred beams of wood. Half +wild with grief and anxiety, followed by Hans and Mashune, I ran at full +speed down the slope of the koppie, and across the space of plain below +to the spring of water, where my camp had been. I was soon there, only +to find that my worst suspicions were confirmed. + +"The waggon and all its contents, including my spare guns and +ammunition, had been destroyed by a grass fire. + +"Now before I started, I had left orders with the driver to burn off +the grass round the camp, in order to guard against accidents of this +nature, and here was the reward of my folly: a very proper illustration +of the necessity, especially where natives are concerned, of doing a +thing one's self if one wants it done at all. Evidently the lazy +rascals had not burnt round the waggon; most probably, indeed, they had +themselves carelessly fired the tall and resinous tambouki grass near +by; the wind had driven the flames on to the waggon tent, and there was +quickly an end of the matter. As for the driver and leader, I know not +what became of them: probably fearing my anger, they bolted, taking the +oxen with them. I have never seen them from that hour to this. + +"I sat down on the black veldt by the spring, and gazed at the charred +axles and disselboom of my waggon, and I can assure you, ladies and +gentlemen, I felt inclined to weep. As for Mashune and Hans they cursed +away vigorously, one in Zulu and the other in Dutch. Ours was a pretty +position. We were nearly 300 miles away from Bamangwato, the capital of +Khama's country, which was the nearest spot where we could get any help, +and our ammunition, spare guns, clothing, food, and everything else, +were all totally destroyed. I had just what I stood in, which was a +flannel shirt, a pair of 'veldt-schoons,' or shoes of raw hide, my +eight-bore rifle, and a few cartridges. Hans and Mashune had also each +a Martini rifle and some cartridges, not many. And it was with this +equipment that we had to undertake a journey of 300 miles through a +desolate and almost uninhabited region. I can assure you that I have +rarely been in a worse position, and I have been in some queer ones. +However, these things are the natural incidents of a hunter's life, and +the only thing to do was to make the best of them. + +"Accordingly, after passing a comfortless night by the remains of +my waggon, we started next morning on our long journey towards +civilization. Now if I were to set to work to tell you all the troubles +and incidents of that dreadful journey I should keep you listening +here till midnight; so I will, with your permission, pass on to the +particular adventure of which the pair of buffalo horns opposite are the +melancholy memento. + +"We had been travelling for about a month, living and getting along +as best we could, when one evening we camped some forty miles from +Bamangwato. By this time we were indeed in a melancholy plight, +footsore, half starved, and utterly worn out; and, in addition, I was +suffering from a sharp attack of fever, which half blinded me and made +me weak as a babe. Our ammunition, too, was exhausted; I had only one +cartridge left for my eight-bore rifle, and Hans and Mashune, who were +armed with Martini Henrys, had three between them. It was about an hour +from sundown when we halted and lit a fire--for luckily we had still a +few matches. It was a charming spot to camp, I remember. Just off the +game track we were following was a little hollow, fringed about with +flat-crowned mimosa trees, and at the bottom of the hollow, a spring +of clear water welled up out of the earth, and formed a pool, round the +edges of which grew an abundance of watercresses of an exactly similar +kind to those which were handed round the table just now. Now we had no +food of any kind left, having that morning devoured the last remains +of a little oribe antelope, which I had shot two days previously. +Accordingly Hans, who was a better shot than Mashune, took two of the +three remaining Martini cartridges, and started out to see if he could +not kill a buck for supper. I was too weak to go myself. + +"Meanwhile Mashune employed himself in dragging together some dead +boughs from the mimosa trees to make a sort of 'skerm,' or shelter for +us to sleep in, about forty yards from the edge of the pool of water. +We had been greatly troubled with lions in the course of our long tramp, +and only on the previous night have very nearly been attacked by them, +which made me nervous, especially in my weak state. Just as we had +finished the skerm, or rather something which did duty for one, Mashune +and I heard a shot apparently fired about a mile away. + +"'Hark to it!' sung out Mashune in Zulu, more, I fancy, by way of +keeping his spirits up than for any other reason--for he was a sort of +black Mark Tapley, and very cheerful under difficulties. 'Hark to the +wonderful sound with which the "Maboona" (the Boers) shook our fathers +to the ground at the Battle of the Blood River. We are hungry now, my +father; our stomachs are small and withered up like a dried ox's paunch, +but they will soon be full of good meat. Hans is a Hottentot, and an +"umfagozan," that is, a low fellow, but he shoots straight--ah! he +certainly shoots straight. Be of a good heart, my father, there will +soon be meat upon the fire, and we shall rise up men.' + +"And so he went on talking nonsense till I told him to stop, because he +made my head ache with his empty words. + +"Shortly after we heard the shot the sun sank in his red splendour, and +there fell upon earth and sky the great hush of the African wilderness. +The lions were not up as yet, they would probably wait for the moon, and +the birds and beasts were all at rest. I cannot describe the intensity +of the quiet of the night: to me in my weak state, and fretting as I was +over the non-return of the Hottentot Hans, it seemed almost ominous--as +though Nature were brooding over some tragedy which was being enacted in +her sight. + +"It was quiet--quiet as death, and lonely as the grave. + +"'Mashune,' I said at last, 'where is Hans? my heart is heavy for him.' + +"'Nay, my father, I know not; mayhap he is weary, and sleeps, or mayhap +he has lost his way.' + +"'Mashune, art thou a boy to talk folly to me?' I answered. 'Tell me, +in all the years thou hast hunted by my side, didst thou ever know a +Hottentot to lose his path or to sleep upon the way to camp?' + +"'Nay, Macumazahn' (that, ladies, is my native name, and means the man +who 'gets up by night,' or who 'is always awake'), 'I know not where he +is.' + +"But though we talked thus, we neither of us liked to hint at what was +in both our minds, namely, that misfortunate had overtaken the poor +Hottentot. + +"'Mashune,' I said at last, 'go down to the water and bring me of those +green herbs that grow there. I am hungered, and must eat something.' + +"'Nay, my father; surely the ghosts are there; they come out of the +water at night, and sit upon the banks to dry themselves. An Isanusi[*] +told it me.' + + [*] _Isanusi_, witch-finder. + +"Mashune was, I think, one of the bravest men I ever knew in the +daytime, but he had a more than civilized dread of the supernatural. + +"'Must I go myself, thou fool?' I said, sternly. + +"'Nay, Macumazahn, if thy heart yearns for strange things like a sick +woman, I go, even if the ghosts devour me.' + +"And accordingly he went, and soon returned with a large bundle of +watercresses, of which I ate greedily. + +"'Art thou not hungry?' I asked the great Zulu presently, as he sat +eyeing me eating. + +"'Never was I hungrier, my father.' + +"'Then eat,' and I pointed to the watercresses. + +"'Nay, Macumazahn, I cannot eat those herbs.' + +"'If thou dost not eat thou wilt starve: eat, Mashune.' + +"He stared at the watercresses doubtfully for a while, and at last +seized a handful and crammed them into his mouth, crying out as he did +so, 'Oh, why was I born that I should live to feed on green weeds like +an ox? Surely if my mother could have known it she would have killed me +when I was born!' and so he went on lamenting between each fistful of +watercresses till all were finished, when he declared that he was full +indeed of stuff, but it lay very cold on his stomach, 'like snow upon +a mountain.' At any other time I should have laughed, for it must be +admitted he had a ludicrous way of putting things. Zulus do not like +green food. + +"Just after Mashune had finished his watercress, we heard the loud +'woof! woof!' of a lion, who was evidently promenading much nearer to +our little skerm than was pleasant. Indeed, on looking into the darkness +and listening intently, I could hear his snoring breath, and catch the +light of his great yellow eyes. We shouted loudly, and Mashune threw +some sticks on the fire to frighten him, which apparently had the +desired effect, for we saw no more of him for a while. + +"Just after we had had this fright from the lion, the moon rose in her +fullest splendour, throwing a robe of silver light over all the earth. +I have rarely seen a more beautiful moonrise. I remember that sitting in +the skerm I could with ease read faint pencil notes in my pocket-book. +As soon as the moon was up game began to trek down to the water just +below us. I could, from where I sat, see all sorts of them passing +along a little ridge that ran to our right, on their way to the drinking +place. Indeed, one buck--a large eland--came within twenty yards of the +skerm, and stood at gaze, staring at it suspiciously, his beautiful +head and twisted horns standing out clearly against the sky. I had, I +recollect, every mind to have a pull at him on the chance of providing +ourselves with a good supply of beef; but remembering that we had but +two cartridges left, and the extreme uncertainty of a shot by moonlight, +I at length decided to refrain. The eland presently moved on to the +water, and a minute or two afterwards there arose a great sound of +splashing, followed by the quick fall of galloping hoofs. + +"'What's that, Mashune?' I asked. + +"'That dam lion; buck smell him,' replied the Zulu in English, of which +he had a very superficial knowledge. + +"Scarcely were the words out of his mouth before we heard a sort of +whine over the other side of the pool, which was instantly answered by a +loud coughing roar close to us. + +"'By Jove!' I said, 'there are two of them. They have lost the buck; we +must look out they don't catch us.' And again we made up the fire, and +shouted, with the result that the lions moved off. + +"'Mashune,' I said, 'do you watch till the moon gets over that tree, +when it will be the middle of the night. Then wake me. Watch well, now, +or the lions will be picking those worthless bones of yours before you +are three hours older. I must rest a little, or I shall die.' + +"'Koos!' (chief), answered the Zulu. 'Sleep, my father, sleep in peace; +my eyes shall be open as the stars; and like the stars watch over you.' + +"Although I was so weak, I could not at once follow his advice. To begin +with, my head ached with fever, and I was torn with anxiety as to the +fate of the Hottentot Hans; and, indeed, as to our own fate, left +with sore feet, empty stomachs, and two cartridges, to find our way to +Bamangwato, forty miles off. Then the mere sensation of knowing that +there are one or more hungry lions prowling round you somewhere in the +dark is disquieting, however well one may be used to it, and, by keeping +the attention on the stretch, tends to prevent one from sleeping. In +addition to all these troubles, too, I was, I remember, seized with +a dreadful longing for a pipe of tobacco, whereas, under the +circumstances, I might as well have longed for the moon. + +"At last, however, I fell into an uneasy sleep as full of bad dreams as +a prickly pear is of points, one of which, I recollect, was that I was +setting my naked foot upon a cobra which rose upon its tail and hissed +my name, 'Macumazahn,' into my ear. Indeed, the cobra hissed with such +persistency that at last I roused myself. + +"'_Macumazahn, nanzia, nanzia!_' (there, there!) whispered Mashune's +voice into my drowsy ears. Raising myself, I opened my eyes, and I saw +Mashune kneeling by my side and pointing towards the water. Following +the line of his outstretched hand, my eyes fell upon a sight that made +me jump, old hunter as I was even in those days. About twenty paces +from the little skerm was a large ant-heap, and on the summit of the +ant-heap, her four feet rather close together, so as to find standing +space, stood the massive form of a big lioness. Her head was towards the +skerm, and in the bright moonlight I saw her lower it and lick her paws. + +"Mashune thrust the Martini rifle into my hands, whispering that it was +loaded. I lifted it and covered the lioness, but found that even in that +light I could not make out the foresight of the Martini. As it would be +madness to fire without doing so, for the result would probably be that +I should wound the lioness, if, indeed, I did not miss her altogether, I +lowered the rifle; and, hastily tearing a fragment of paper from one of +the leaves of my pocket-book, which I had been consulting just before I +went to sleep, I proceeded to fix it on to the front sight. But all this +took a little time, and before the paper was satisfactorily arranged, +Mashune again gripped me by the arm, and pointed to a dark heap under +the shade of a small mimosa tree which grew not more than ten paces from +the skerm. + +"'Well, what is it?' I whispered; 'I can see nothing.' + +"'It is another lion,' he answered. + +"'Nonsense! thy heart is dead with fear, thou seest double;' and I bent +forward over the edge of the surrounding fence, and stared at the heap. + +"Even as I said the words, the dark mass rose and stalked out into the +moonlight. It was a magnificent, black-maned lion, one of the largest +I had ever seen. When he had gone two or three steps he caught sight of +me, halted, and stood there gazing straight towards us;--he was so close +that I could see the firelight reflected in his wicked, greenish eyes. + +"'Shoot, shoot!' said Mashune. 'The devil is coming--he is going to +spring!' + +"I raised the rifle, and got the bit of paper on the foresight, straight +on to a little path of white hair just where the throat is set into +the chest and shoulders. As I did so, the lion glanced back over his +shoulder, as, according to my experience, a lion nearly always does +before he springs. Then he dropped his body a little, and I saw his big +paws spread out upon the ground as he put his weight on them to gather +purchase. In haste I pressed the trigger of the Martini, and not a +moment too soon; for, as I did so, he was in the act of springing. The +report of the rifle rang out sharp and clear on the intense silence of +the night, and in another second the great brute had landed on his +head within four feet of us, and rolling over and over towards us, +was sending the bushes which composed our little fence flying with +convulsive strokes of his great paws. We sprang out of the other side of +the 'skerm,' and he rolled on to it and into it and then right through +the fire. Next he raised himself and sat upon his haunches like a great +dog, and began to roar. Heavens! how he roared! I never heard anything +like it before or since. He kept filling his lungs with air, and then +emitting it in the most heart-shaking volumes of sound. Suddenly, in the +middle of one of the loudest roars, he rolled over on to his side and +lay still, and I knew that he was dead. A lion generally dies upon his +side. + +"With a sigh of relief I looked up towards his mate upon the ant-heap. +She was standing there apparently petrified with astonishment, looking +over her shoulder, and lashing her tail; but to our intense joy, when +the dying beast ceased roaring, she turned, and, with one enormous +bound, vanished into the night. + +"Then we advanced cautiously towards the prostrate brute, Mashune +droning an improvised Zulu song as he went, about how Macumazahn, the +hunter of hunters, whose eyes are open by night as well as by day, put +his hand down the lion's stomach when it came to devour him and +pulled out his heart by the roots, &c., &c., by way of expressing his +satisfaction, in his hyperbolical Zulu way, at the turn events had +taken. + +"There was no need for caution; the lion was as dead as though he had +already been stuffed with straw. The Martini bullet had entered within +an inch of the white spot I had aimed at, and travelled right through +him, passing out at the right buttock, near the root of the tail. The +Martini has wonderful driving power, though the shock it gives to the +system is, comparatively speaking, slight, owing to the smallness of the +hole it makes. But fortunately the lion is an easy beast to kill. + +"I passed the rest of that night in a profound slumber, my head reposing +upon the deceased lion's flank, a position that had, I thought, a +beautiful touch of irony about it, though the smell of his singed hair +was disagreeable. When I woke again the faint primrose lights of dawn +were flushing in the eastern sky. For a moment I could not understand +the chill sense of anxiety that lay like a lump of ice at my heart, till +the feel and smell of the skin of the dead lion beneath my head recalled +the circumstances in which we were placed. I rose, and eagerly looked +round to see if I could discover any signs of Hans, who, if he had +escaped accident, would surely return to us at dawn, but there were +none. Then hope grew faint, and I felt that it was not well with the +poor fellow. Setting Mashune to build up the fire I hastily removed the +hide from the flank of the lion, which was indeed a splendid beast, +and cutting off some lumps of flesh, we toasted and ate them greedily. +Lions' flesh, strange as it may seem, is very good eating, and tastes +more like veal than anything else. + +"By the time we had finished our much-needed meal the sun was getting +up, and after a drink of water and a wash at the pool, we started to +try and find Hans, leaving the dead lion to the tender mercies of the +hyaenas. Both Mashune and myself were, by constant practice, pretty +good hands at tracking, and we had not much difficulty in following +the Hottentot's spoor, faint as it was. We had gone on in this way for +half-an-hour or so, and were, perhaps, a mile or more from the site +of our camping-place, when we discovered the spoor of a solitary bull +buffalo mixed up with the spoor of Hans, and were able, from various +indications, to make out that he had been tracking the buffalo. At +length we reached a little glade in which there grew a stunted old +mimosa thorn, with a peculiar and overhanging formation of root, under +which a porcupine, or an ant-bear, or some such animal, had hollowed +out a wide-lipped hole. About ten or fifteen paces from this thorn-tree +there was a thick patch of bush. + +"'See, Macumazahn! see!' said Mashune, excitedly, as we drew near the +thorn; 'the buffalo has charged him. Look, here he stood to fire at him; +see how firmly he planted his feet upon the earth; there is the mark of +his crooked toe (Hans had one bent toe). Look! here the bull came like +a boulder down the hill, his hoofs turning up the earth like a hoe. Hans +had hit him: he bled as he came; there are the blood spots. It is all +written down there, my father--there upon the earth.' + +"'Yes,' I said; 'yes; but _where is Hans?_' + +"Even as I said it Mashune clutched my arm, and pointed to the stunted +thorn just by us. Even now, gentlemen, it makes me feel sick when I +think of what I saw. + +"For fixed in a stout fork of the tree some eight feet from the ground +was Hans himself, or rather his dead body, evidently tossed there by the +furious buffalo. One leg was twisted round the fork, probably in a dying +convulsion. In the side, just beneath the ribs, was a great hole, from +which the entrails protruded. But this was not all. The other leg hung +down to within five feet of the ground. The skin and most of the flesh +were gone from it. For a moment we stood aghast, and gazed at this +horrifying sight. Then I understood what had happened. The buffalo, with +that devilish cruelty which distinguishes the animal, had, after his +enemy was dead, stood underneath his body, and licked the flesh off +the pendant leg with his file-like tongue. I had heard of such a thing +before, but had always treated the stories as hunters' yarns; but I had +no doubt about it now. Poor Hans' skeleton foot and ankle were an ample +proof. + +"We stood aghast under the tree, and stared and stared at this awful +sight, when suddenly our cogitations were interrupted in a painful +manner. The thick bush about fifteen paces off burst asunder with a +crashing sound, and uttering a series of ferocious pig-like grunts, the +bull buffalo himself came charging out straight at us. Even as he came +I saw the blood mark on his side where poor Hans' bullet had struck him, +and also, as is often the case with particularly savage buffaloes, that +his flanks had recently been terribly torn in an encounter with a lion. + +"On he came, his head well up (a buffalo does not generally lower his +head till he does so to strike); those great black horns--as I look at +them before me, gentlemen, I seem to see them come charging at me as I +did ten years ago, silhouetted against the green bush behind;--on, on!" + +"With a shout Mashune bolted off sideways towards the bush. I had +instinctively lifted my eight-bore, which I had in my hand. It would +have been useless to fire at the buffalo's head, for the dense horns +must have turned the bullet; but as Mashune bolted, the bull slewed a +little, with the momentary idea of following him, and as this gave me +a ghost of a chance, I let drive my only cartridge at his shoulder. The +bullet struck the shoulder-blade and smashed it up, and then travelled +on under the skin into his flank; but it did not stop him, though for a +second he staggered. + +"Throwing myself on to the ground with the energy of despair, I rolled +under the shelter of the projecting root of the thorn, crushing myself +as far into the mouth of the ant-bear hole as I could. In a single +instant the buffalo was after me. Kneeling down on his uninjured +knee--for one leg, that of which I had broken the shoulder, was swinging +helplessly to and fro--he set to work to try and hook me out of the hole +with his crooked horn. At first he struck at me furiously, and it was +one of the blows against the base of the tree which splintered the tip +of the horn in the way that you see. Then he grew more cunning, +and pushed his head as far under the root as possible, made long +semicircular sweeps at me, grunting furiously, and blowing saliva and +hot steamy breath all over me. I was just out of reach of the horn, +though every stroke, by widening the hole and making more room for his +head, brought it closer to me, but every now and again I received heavy +blows in the ribs from his muzzle. Feeling that I was being knocked +silly, I made an effort and seizing his rough tongue, which was hanging +from his jaws, I twisted it with all my force. The great brute bellowed +with pain and fury, and jerked himself backwards so strongly, that he +dragged me some inches further from the mouth of the hole, and again +made a sweep at me, catching me this time round the shoulder-joint in +the hook of his horn. + +"I felt that it was all up now, and began to holloa. + +"'He has got me!' I shouted in mortal terror. '_Gwasa, Mashune, gwasa!_' +('Stab, Mashune, stab!'). + +"One hoist of the great head, and out of the hole I came like a +periwinkle out of his shell. But even as I did so, I caught sight of +Mashune's stalwart form advancing with his 'bangwan,' or broad stabbing +assegai, raised above his head. In another quarter of a second I had +fallen from the horn, and heard the blow of the spear, followed by +the indescribable sound of steel shearing its way through flesh. I had +fallen on my back, and, looking up, I saw that the gallant Mashune had +driven the assegai a foot or more into the carcass of the buffalo, and +was turning to fly. + +"Alas! it was too late. Bellowing madly, and spouting blood from mouth +and nostrils, the devilish brute was on him, and had thrown him up like +a feather, and then gored him twice as he lay. I struggled up with some +wild idea of affording help, but before I had gone a step the buffalo +gave one long sighing bellow, and rolled over dead by the side of his +victim. + +"Mashune was still living, but a single glance at him told me that his +hour had come. The buffalo's horn had driven a great hole in his right +lung, and inflicted other injuries. + +"I knelt down beside him in the uttermost distress, and took his hand. + +"'Is he dead, Macumazahn?' he whispered. 'My eyes are blind; I cannot +see.' + +"'Yes, he is dead.' + +"'Did the black devil hurt thee, Macumazahn?' + +"'No, my poor fellow, I am not much hurt.' + +"'Ow! I am glad.' + +"Then came a long silence, broken only by the sound of the air whistling +through the hole in his lung as he breathed. + +"'Macumazahn, art thou there? I cannot feel thee.' + +"'I am here, Mashune.' + +"'I die, Macumazahn--the world flies round and round. I go--I go out +into the dark! Surely, my father, at times in days to come--thou wilt +think of Mashune who stood by thy side--when thou killest elephants, as +we used--as we used----' + +"They were his last words, his brave spirit passed with him. I dragged +his body to the hole under the tree, and pushed it in, placing his broad +assegai by him, according to the custom of his people, that he might not +go defenceless on his long journey; and then, ladies--I am not ashamed +to confess--I stood alone there before it, and wept like a woman." + + + + + +End of Project Gutenberg's Hunter Quatermain's Story, by H. Rider Haggard + +*** END OF THIS PROJECT GUTENBERG EBOOK HUNTER QUATERMAIN'S STORY *** + +***** This file should be named 2728.txt or 2728.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/7/2/2728/ + +Produced by John Bickers; Dagny; Emma Dudding; David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
