summaryrefslogtreecommitdiff
path: root/27053-h
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 02:33:43 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 02:33:43 -0700
commitc15467d4e2d3ef146a56ae7fee355c435106f52e (patch)
treeb03cfa231c4c7de21fb4ce53d97182e7467b916a /27053-h
initial commit of ebook 27053HEADmain
Diffstat (limited to '27053-h')
-rw-r--r--27053-h/27053-h.htm1842
-rw-r--r--27053-h/images/001.pngbin0 -> 61356 bytes
2 files changed, 1842 insertions, 0 deletions
diff --git a/27053-h/27053-h.htm b/27053-h/27053-h.htm
new file mode 100644
index 0000000..b55bf58
--- /dev/null
+++ b/27053-h/27053-h.htm
@@ -0,0 +1,1842 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Style-Type" content="text/css" />
+ <title>
+ The Project Gutenberg eBook of The Day Time Stopped Moving, by Bradner Buckner
+ </title>
+ <style type="text/css">
+/*<![CDATA[ XML blockout */
+<!--
+ p {margin-top: .75em; text-align: justify; margin-bottom: .75em;}
+ h1,h2,h3 {clear: both; font-weight: normal;}
+ h1 {margin-top: 0;}
+ body > h3 {line-height: 2em;}
+ hr {width: 45%; margin: 1em auto; clear: both; visibility: hidden;}
+ .chp {width: 65%; margin: 2em auto;}
+ body {margin-left: 10%; margin-right: 10%;}
+ .blockquot {margin: 1em 10%;}
+ .center,h3 {text-align: center;}
+ .smcap {font-variant: small-caps;}
+ .footnotes {border: dashed 1px; margin-top: 2em;}
+ .footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;}
+ .footnote .label {position: absolute; right: 84%; text-align: right;}
+ .fnanchor {vertical-align: 0.25em; font-size: .8em;}
+ .trn {border: solid 1px; margin: 3em 15%; padding: 1em; text-align: justify;}
+ img {border: none;}
+ a:link,a:visited {text-decoration: none;}
+ p.cap:first-letter {float: left; margin-right: .05em; padding-top: .05em; font-size: 300%; line-height: .8em;}
+ .dcap {text-transform: uppercase;}
+ .bk1 {background: url("images/001.png") top left no-repeat; width: 600px; height: 427px; margin: 0 auto; overflow: hidden;}
+ .bk2 {width: 295px; height: 255px;}
+ .bk2 h1,h2 {text-align: left; color: #000000; background-color: #FFFFFF;}
+ .bk3 {margin: 2em auto; width: 25em; text-align: justify;}
+ .p1 {margin-top: 2em;}
+// -->
+/* XML end ]]>*/
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+Project Gutenberg's The Day Time Stopped Moving, by Bradner Buckner
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Day Time Stopped Moving
+
+Author: Bradner Buckner
+
+Illustrator: Thomas Beecham
+
+Release Date: October 26, 2008 [EBook #27053]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE DAY TIME STOPPED MOVING ***
+
+
+
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+<div class="bk1"><div class="bk2"><h1>THE DAY<br />
+TIME<br />
+STOPPED<br />
+MOVING</h1>
+
+<h2><small>By BRADNER BUCKNER</small></h2></div></div>
+
+<div class="center"><b><small>Dave Miller pushed with all his strength, but the girl was as unmovable as Gibraltar.</small></b></div>
+
+<div class="bk3"><i>All Dave Miller wanted to do
+was commit suicide in peace.
+He tried, but the things that
+happened after he'd pulled
+the trigger were all wrong.
+Like everyone standing around
+like statues. No St. Peter, no
+pearly gate, no pitchforks
+or halos. He might just as
+well have saved the bullet!</i></div>
+
+<p class="cap"><span class="dcap">Dave Miller</span> would never
+have done it, had he been
+in his right mind. The Millers
+were not a melancholy stock,
+hardly the sort of people you
+expect to read about in the morning
+paper who have taken their
+lives the night before. But Dave
+Miller was drunk&mdash;abominably,
+roaringly so&mdash;and the barrel of
+the big revolver, as he stood
+against the sink, made a ring of
+coldness against his right temple.</p>
+
+<p>Dawn was beginning to stain
+the frosty kitchen windows. In
+the faint light, the letter lay a
+gray square against the drain-board
+tiles. With the melodramatic
+gesture of the very drunk,
+Miller had scrawled across the
+envelope:</p>
+
+<p>"This is why I did it!"</p>
+
+<p>He had found Helen's letter
+in the envelope when he staggered
+into their bedroom fifteen
+minutes ago&mdash;at a quarter after
+five. As had frequently happened
+during the past year, he'd come
+home from the store a little late
+... about twelve hours late, in
+fact. And this time Helen had
+done what she had long threatened
+to do. She had left him.</p>
+
+<p>The letter was brief, containing
+a world of heartbreak and
+broken hopes.</p>
+
+<p>"I don't mind having to
+scrimp, Dave. No woman minds
+that if she feels she is really
+helping her husband over a
+rough spot. When business went
+bad a year ago, I told you I was
+ready to help in any way I could.
+But you haven't let me. You quit
+fighting when things got difficult,
+and put in all your money and
+energy on liquor and horses and
+cards. I could stand being married
+to a drunkard, Dave, but
+not to a coward ..."</p>
+
+<p>So she was trying to show
+him. But Miller told himself he'd
+show her instead. Coward, eh?
+Maybe this would teach her a
+lesson! Hell of a lot of help she'd
+been! Nag at him every time
+he took a drink. Holler bloody
+murder when he put twenty-five
+bucks on a horse, with a
+chance to make five hundred.
+What man wouldn't do those
+things?</p>
+
+<p>His drug store was on the
+skids. Could he be blamed for
+drinking a little too much, if
+alcohol dissolved the morbid
+vapors of his mind?</p>
+
+<p>Miller stiffened angrily, and
+tightened his finger on the trigger.
+But he had one moment of
+frank insight just before the
+hammer dropped and brought
+the world tumbling about his
+ears. It brought with it a realization
+that the whole thing was his
+fault. Helen was right&mdash;he was
+a coward. There was a poignant
+ache in his heart. She'd been as
+loyal as they came, he knew
+that.</p>
+
+<p>He could have spent his nights
+thinking up new business tricks,
+instead of swilling whiskey.
+Could have gone out of his way
+to be pleasant to customers, not
+snap at them when he had a terrific
+hangover. And even Miller
+knew nobody ever made any money
+on the horses&mdash;at least, not
+when he needed it. But horses
+and whiskey and business had
+become tragically confused in his
+mind; so here he was, full of
+liquor and madness, with a gun
+to his head.</p>
+
+<p>Then again anger swept his
+mind clean of reason, and he
+threw his chin up and gripped
+the gun tight.</p>
+
+<p>"Run out on me, will she!" he
+muttered thickly. "Well&mdash;this'll
+show her!"</p>
+
+<p>In the next moment the hammer
+fell ... and Dave Miller had
+"shown her."</p>
+
+<p>Miller opened his eyes with a
+start. As plain as black on white,
+he'd heard a bell ring&mdash;the most
+familiar sound in the world, too.
+It was the unmistakable tinkle
+of his cash register.</p>
+
+<p>"Now, how in hell&mdash;" The
+thought began in his mind; and
+then he saw where he was.</p>
+
+<p>The cash register was right in
+front of him! It was open, and
+on the marble slab lay a customer's
+five-spot. Miller's glance
+strayed up and around him.</p>
+
+<p>He was behind the drug counter,
+all right. There were a man
+and a girl sipping cokes at the
+fountain, to his right; the magazine
+racks by the open door; the
+tobacco counter across from the
+fountain. And right before him
+was a customer.</p>
+
+<p>Good Lord! he thought. Was
+all this a&mdash;a dream?</p>
+
+<p>Sweat oozed out on his clammy
+forehead. That stuff of Herman's
+that he had drunk during
+the game&mdash;it had had a rank
+taste, but he wouldn't have
+thought anything short of marihuana
+could produce such hallucinations
+as he had just had.
+Wild conjectures came boiling up
+from the bottom of Miller's being.</p>
+
+<p>How did he get behind the
+counter? Who was the woman
+he was waiting on? What&mdash;</p>
+
+<p>The woman's curious stare
+was what jarred him completely
+into the present. Get rid of her!
+was his one thought. Then sit
+down behind the scenes and try
+to figure it all out.</p>
+
+<p>His hand poised over the cash
+drawer. Then he remembered he
+didn't know how much he was
+to take out of the five. Avoiding
+the woman's glance, he muttered:</p>
+
+<p>"Let's see, now, that was&mdash;uh&mdash;how
+much did I say?"</p>
+
+<p>The woman made no answer.
+Miller cleared his throat, said
+uncertainly:</p>
+
+<p>"I beg your pardon, ma'am&mdash;did
+I say&mdash;seventy-five cents?"</p>
+
+<p>It was just a feeler, but the
+woman didn't even answer to
+that. And it was right then that
+Dave Miller noticed the deep
+silence that brooded in the store.</p>
+
+<p>Slowly his head came up and
+he looked straight into the woman's
+eyes. She returned him a
+cool, half-smiling glance. But her
+eyes neither blinked nor moved.
+Her features were frozen. Lips
+parted, teeth showing a little,
+the tip of her tongue was between
+her even white teeth as though
+she had started to say "this"
+and stopped with the syllable unspoken.</p>
+
+<p>Muscles began to rise behind
+Miller's ears. He could feel his
+hair stiffen like filings drawn to
+a magnet. His glance struggled
+to the soda fountain. What he
+saw there shook him to the core
+of his being.</p>
+
+<p>The girl who was drinking a
+coke had the glass to her lips, but
+apparently she wasn't sipping
+the liquid. Her boy friend's glass
+was on the counter. He had
+drawn on a cigarette and exhaled
+the gray smoke. That smoke
+hung in the air like a large,
+elongated balloon with the small
+end disappearing between his
+lips. While Miller stared, the
+smoke did not stir in the slightest.</p>
+
+<p>There was something unholy,
+something supernatural, about
+this scene!</p>
+
+<p>With apprehension rippling
+down his spine, Dave Miller
+reached across the cash register
+and touched the woman on the
+cheek. The flesh was warm, but
+as hard as flint. Tentatively, the
+young druggist pushed harder;
+finally, shoved with all his might.
+For all the result, the woman
+might have been a two-ton
+bronze statue. She neither budged
+nor changed expression.</p>
+
+<p>Panic seized Miller. His voice
+hit a high hysterical tenor as he
+called to his soda-jerker.</p>
+
+<p>"Pete! <i>Pete!</i>" he shouted.
+"What in God's name is wrong
+here!"</p>
+
+<p>The blond youngster, with a
+towel wadded in a glass, did not
+stir. Miller rushed from the back
+of the store, seized the boy by
+the shoulders, tried to shake him.
+But Pete was rooted to the spot.</p>
+
+<p>Miller knew, now, that what
+was wrong was something greater
+than a hallucination or a
+hangover. He was in some kind
+of trap. His first thought was to
+rush home and see if Helen was
+there. There was a great sense
+of relief when he thought of her.
+Helen, with her grave blue eyes
+and understanding manner,
+would listen to him and know
+what was the matter.</p>
+
+<hr />
+
+<p>He left the haunted drug
+store at a run, darted around the
+corner and up the street to his
+car. But, though he had not
+locked the car, the door resisted
+his twisting grasp. Shaking,
+pounding, swearing, Miller
+wrestled with each of the doors.</p>
+
+<p>Abruptly he stiffened, as a
+horrible thought leaped into his
+being. His gaze left the car and
+wandered up the street. Past the
+intersection, past the one beyond
+that, on up the thoroughfare until
+the gray haze of the city dimmed
+everything. And as far as
+Dave Miller could see, there was
+no trace of motion.</p>
+
+<p>Cars were poised in the street,
+some passing other machines,
+some turning corners. A street
+car stood at a safety zone; a man
+who had leaped from the bottom
+step hung in space a foot above
+the pavement. Pedestrians
+paused with one foot up. A bird
+hovered above a telephone pole,
+its wings glued to the blue vault
+of the sky.</p>
+
+<p>With a choked sound, Miller
+began to run. He did not slacken
+his pace for fifteen minutes, until
+around him were the familiar,
+reassuring trees and shrub-bordered
+houses of his own
+street. But yet how strange to
+him!</p>
+
+<p>The season was autumn, and
+the air filled with brown and
+golden leaves that tossed on a
+frozen wind. Miller ran by two
+boys lying on a lawn, petrified
+into a modern counterpart of the
+sculptor's "The Wrestlers." The
+sweetish tang of burning leaves
+brought a thrill of terror to him;
+for, looking down an alley from
+whence the smoke drifted, he
+saw a man tending a fire whose
+leaping flames were red tongues
+that did not move.</p>
+
+<p>Sobbing with relief, the young
+druggist darted up his own walk.
+He tried the front door, found
+it locked, and jammed a thumb
+against the doorbell. But of
+course the little metal button
+was as immovable as a mountain.
+So in the end, after convincing
+himself that the key could not
+be inserted into the lock, he
+sprang toward the back.</p>
+
+<p>The screen door was not latched,
+but it might as well have
+been the steel door of a bank
+vault. Miller began to pound on
+it, shouting:</p>
+
+<p>"Helen! Helen, are you in
+there? My God, dear, there's
+something wrong! You've got
+to&mdash;"</p>
+
+<p>The silence that flowed in again
+when his voice choked off
+was the dead stillness of the
+tomb. He could hear his voice
+rustling through the empty
+rooms, and at last it came back
+to him like a taunt: "<i>Helen!
+Helen!</i>"</p>
+
+<hr class="chp" />
+
+<h3>CHAPTER II<br />
+<i>Time Stands Still</i></h3>
+
+<p class="cap"><span class="dcap">For</span> Dave Miller, the world
+was now a planet of death
+on which he alone lived and
+moved and spoke. Staggered, utterly
+beaten, he made no attempt
+to break into his home. But he
+did stumble around to the kitchen
+window and try to peer in,
+anxious to see if there was a
+body on the floor. The room was
+in semi-darkness, however, and
+his straining eyes made out
+nothing.</p>
+
+<p>He returned to the front of
+the house, shambling like a somnambulist.
+Seated on the porch
+steps, head in hands, he slipped
+into a hell of regrets. He knew
+now that his suicide had been no
+hallucination. He was dead, all
+right; and this must be hell or
+purgatory.</p>
+
+<p>Bitterly he cursed his drinking,
+that had led him to such a
+mad thing as suicide. Suicide!
+He&mdash;Dave Miller&mdash;a coward who
+had taken his own life! Miller's
+whole being crawled with revulsion.
+If he just had the last year
+to live over again, he thought
+fervently.</p>
+
+<p>And yet, through it all, some
+inner strain kept trying to tell
+him he was not dead. This was
+his own world, all right, and essentially
+unchanged. What had
+happened to it was beyond the
+pale of mere guesswork. But this
+one thing began to be clear:
+This was a world in which
+change or motion of any kind
+was a foreigner.</p>
+
+<hr />
+
+<p>Fire would not burn and
+smoke did not rise. Doors would
+not open, liquids were solid. Miller's
+stubbing toe could not move
+a pebble, and a blade of grass
+easily supported his weight without bending.
+In other words, Miller
+began to understand, change
+had been stopped as surely as if
+a master hand had put a finger
+on the world's balance wheel.</p>
+
+<p>Miller's ramblings were terminated
+by the consciousness
+that he had an acute headache.
+His mouth tasted, as Herman
+used to say after a big night, as
+if an army had camped in it.
+Coffee and a bromo were what
+he needed.</p>
+
+<p>But it was a great awakening
+to him when he found a restaurant
+and learned that he could
+neither drink the coffee nor get
+the lid off the bromo bottle. Fragrant
+coffee-steam hung over the
+glass percolator, but even this
+steam was as a brick wall to his
+probing touch. Miller started
+gloomily to thread his way
+through the waiters in back of
+the counter again.</p>
+
+<p>Moments later he stood in the
+street and there were tears
+swimming in his eyes.</p>
+
+<p>"Helen!" His voice was a
+pleading whisper. "Helen, honey,
+where are you?"</p>
+
+<p>There was no answer but the
+pitiful palpitation of utter silence.
+And then, there was movement
+at Dave Miller's right!</p>
+
+<p>Something shot from between
+the parked cars and crashed
+against him; something brown
+and hairy and soft. It knocked
+him down. Before he could get
+his breath, a red, wet tongue was
+licking his face and hands, and
+he was looking up into the face
+of a police dog!</p>
+
+<p>Frantic with joy at seeing another
+in this city of death, the
+dog would scarcely let Miller
+rise. It stood up to plant big
+paws on his shoulders and try
+to lick his face. Miller laughed
+out loud, a laugh with a throaty
+catch in it.</p>
+
+<p>"Where'd you come from,
+boy?" he asked. "Won't they talk
+to you, either? What's your
+name, boy?"</p>
+
+<p>There was a heavy, brass-studded
+collar about the animal's
+neck, and Dave Miller read on its
+little nameplate: "Major."</p>
+
+<p>"Well, Major, at least we've
+got company now," was Miller's
+sigh of relief.</p>
+
+<p>For a long time he was too
+busy with the dog to bother
+about the sobbing noises. Apparently
+the dog failed to hear them,
+for he gave no sign. Miller
+scratched him behind the ear.</p>
+
+<p>"What shall we do now, Major?
+Walk? Maybe your nose can
+smell out another friend for us."</p>
+
+<p>They had gone hardly two
+blocks when it came to him that
+there was a more useful way of
+spending their time. The library!
+Half convinced that the
+whole trouble stemmed from his
+suicide shot in the head&mdash;which
+was conspicuously absent now&mdash;he
+decided that a perusal of the
+surgery books in the public library
+might yield something he
+could use.</p>
+
+<hr />
+
+<p>That way they bent their
+steps, and were soon mounting
+the broad cement stairs of the
+building. As they went beneath
+the brass turnstile, the librarian
+caught Miller's attention with a
+smiling glance. He smiled back.</p>
+
+<p>"I'm trying to find something
+on brain surgery," he explained.
+"I&mdash;"</p>
+
+<p>With a shock, then, he realized
+he had been talking to himself.</p>
+
+<p>In the next instant, Dave Miller
+whirled. A voice from the
+bookcases chuckled:</p>
+
+<p>"If you find anything, I wish
+you'd let me know. I'm stumped
+myself!"</p>
+
+<hr />
+
+<p>From a corner of the room
+came an elderly, half-bald man
+with tangled gray brows and a
+rueful smile. A pencil was balanced
+over his ear, and a note-book
+was clutched in his hand.</p>
+
+<p>"You, too!" he said. "I had
+hoped I was the only one&mdash;"</p>
+
+<p>Miller went forward hurriedly
+to grip his hand.</p>
+
+<p>"I'm afraid I'm not so unselfish,"
+he admitted. "I've been
+hoping for two hours that I'd
+run into some other poor soul."</p>
+
+<p>"Quite understandable," the
+stranger murmured sympathetically.
+"But in my case it is different.
+You see&mdash;I am responsible
+for this whole tragic business!"</p>
+
+<p>"You!" Dave Miller gulped the
+word. "I&mdash;I thought&mdash;"</p>
+
+<p>The man wagged his head,
+staring at his note pad, which
+was littered with jumbled calculations.
+Miller had a chance to
+study him. He was tall, heavily
+built, with wide, sturdy shoulders
+despite his sixty years. Oddly,
+he wore a gray-green smock.
+His eyes, narrowed and intent,
+looked gimlet-sharp beneath
+those toothbrush brows of his, as
+he stared at the pad.</p>
+
+<p>"There's the trouble, right
+there," he muttered. "I provided
+only three stages of amplification,
+whereas four would have
+been barely enough. No wonder
+the phase didn't carry through!"</p>
+
+<p>"I guess I don't follow you,"
+Miller faltered. "You mean&mdash;something
+you did&mdash;"</p>
+
+<p>"I should think it was something
+I did!" The baldish stranger
+scratched his head with the
+tip of his pencil. "I'm John
+Erickson&mdash;you know, the Wanamaker
+Institute."</p>
+
+<p>Miller said: "Oh!" in an understanding
+voice. Erickson was
+head of Wanamaker Institute,
+first laboratory of them all when
+it came to exploding atoms and
+blazing trails into the wildernesses
+of science.</p>
+
+<hr />
+
+<p>Erickson's piercing eyes were
+suddenly boring into the younger
+man.</p>
+
+<p>"You've been sick, haven't
+you?" he demanded.</p>
+
+<p>"Well&mdash;no&mdash;not really sick."
+The druggist colored. "I'll have
+to admit to being drunk a few
+hours ago, though."</p>
+
+<p>"Drunk&mdash;" Erickson stuck his
+tongue in his cheek, shook his
+head, scowled. "No, that would
+hardly do it. There must have
+been something else. The impulsor
+isn't <i>that</i> powerful. I can
+understand about the dog, poor
+fellow. He must have been run
+over, and I caught him just at
+the instant of passing from life
+to death."</p>
+
+<p>"Oh!" Dave Miller lifted his
+head, knowing now what Erickson
+was driving at. "Well, I may
+as well be frank. I'm&mdash;I committed
+suicide. That's how drunk I
+was. There hasn't been a suicide
+in the Miller family in centuries.
+It took a skinful of liquor to set
+the precedent."</p>
+
+<p>Erickson nodded wisely. "Perhaps
+we will find the precedent
+hasn't really been set! But no
+matter&mdash;" His lifted hand stopped
+Miller's eager, wondering exclamation.
+"The point is, young
+man, we three are in a tough
+spot, and it's up to us to get out
+of it. And not only we, but heaven
+knows how many others the
+world over!"</p>
+
+<p>"Would you&mdash;maybe you can
+explain to my lay mind what's
+happened," Miller suggested.</p>
+
+<p>"Of course. Forgive me. You
+see, Mr.&mdash;"</p>
+
+<p>"Miller. Dave Miller."</p>
+
+<p>"Dave it is. I have a feeling
+we're going to be pretty well
+acquainted before this is over.
+You see, Dave, I'm a nut on so-called
+'time theories.' I've seen
+time compared to everything
+from an entity to a long, pink
+worm. But I disagree with them
+all, because they postulate the
+idea that time is constantly being
+manufactured. Such reasoning
+is fantastic!</p>
+
+<p>"Time exists. Not as an ever-growing
+chain of links, because
+such a chain would have to have
+a tail end, if it has a front end;
+and who can imagine the period
+when time did not exist? So I
+think time is like a circular
+train-track. Unending. We who
+live and die merely travel around
+on it. The future exists simultaneously
+with the past, for one
+instant when they meet."</p>
+
+<hr />
+
+<p>Miller's brain was humming.
+Erickson shot the words at him
+staccato-fashion, as if they were
+things known from Great Primer
+days. The young druggist
+scratched his head.</p>
+
+<p>"You've got me licked," he admitted.
+"I'm a stranger here,
+myself."</p>
+
+<p>"Naturally you can't be expected
+to understand things I've
+been all my life puzzling about.
+Simplest way I can explain it is
+that we are on a train following
+this immense circular railway.</p>
+
+<p>"When the train reaches the
+point where it started, it is about
+to plunge into the past; but this
+is impossible, because the point
+where it started is simply the
+caboose of the train! And that
+point is always ahead&mdash;and behind&mdash;the
+time-train.</p>
+
+<p>"Now, my idea was that with
+the proper stimulus a man could
+be thrust across the diameter of
+this circular railway to a point
+in his past. Because of the nature
+of time, he could neither go
+ahead of the train to meet the
+future nor could he stand still
+and let the caboose catch up with
+him. But&mdash;he could detour
+across the circle and land farther
+back on the train! And that, my
+dear Dave, is what you and I
+and Major have done&mdash;almost."</p>
+
+<p>"Almost?" Miller said hoarsely.</p>
+
+<p>Erickson pursed his lips. "We
+are somewhere partway across
+the space between present and
+past. We are living in an instant
+that can move neither forward
+nor back. You and I, Dave, and
+Major&mdash;and the Lord knows how
+many others the world over&mdash;have
+been thrust by my time impulsor
+onto a timeless beach of
+eternity. We have been caught in
+time's backwash. Castaways, you
+might say."</p>
+
+<p>An objection clamored for attention
+in Miller's mind.</p>
+
+<p>"But if this is so, where are
+the rest of them? Where is my
+wife?"</p>
+
+<p>"They are right here," Erickson
+explained. "No doubt you
+could see your wife if you could
+find her. But we see them as
+statues, because, for us, time no
+longer exists. But there was
+something I did not count on. I
+did not know that it would be
+possible to live in one small instant
+of time, as we are doing.
+And I did not know that only
+those who are hovering between
+life and death can deviate from
+the normal process of time!"</p>
+
+<p>"You mean&mdash;we're dead!"
+Miller's voice was a bitter monotone.</p>
+
+<p>"Obviously not. We're talking
+and moving, aren't we? But&mdash;we
+are on the fence. When I
+gave my impulsor the jolt of
+high power, it went wrong and
+I think something must have
+happened to me. At the same instant,
+you had shot yourself.</p>
+
+<p>"Perhaps, Dave, you are dying.
+The only way for us to find
+out is to try to get the machine
+working and topple ourselves one
+way or the other. If we fall back,
+we will all live. If we fall into
+the present&mdash;we may die."</p>
+
+<p>"Either way, it's better than
+this!" Miller said fervently.</p>
+
+<p>"I came to the library here,
+hoping to find out the things I
+must know. My own books are
+locked in my study. And these&mdash;they
+might be cemented in their
+places, for all their use to me. I
+suppose we might as well go back
+to the lab."</p>
+
+<p>Miller nodded, murmuring:
+"Maybe you'll get an idea when
+you look at the machine again."</p>
+
+<p>"Let's hope so," said Erickson
+grimly. "God knows I've failed
+so far!"</p>
+
+<hr class="chp" />
+
+<h3>CHAPTER III<br />
+<i>Splendid Sacrifice</i></h3>
+
+<p class="cap"><span class="dcap">It was</span> a solid hour's walk out
+to West Wilshire, where the
+laboratory was. The immense
+bronze and glass doors of Wanamaker
+Institute were closed, and
+so barred to the two men. But
+Erickson led the way down the
+side.</p>
+
+<p>"We can get in a service door.
+Then we climb through transoms
+and ventilators until we
+get to my lab."</p>
+
+<p>Major frisked along beside
+them. He was enjoying the action
+and the companionship. It
+was less of an adventure to Miller,
+who knew death might be
+ahead for the three of them.</p>
+
+<p>Two workmen were moving a
+heavy cabinet in the side service
+door. To get in, they climbed
+up the back of the rear workman,
+walked across the cabinet,
+and scaled down the front of the
+leading man. They went up the
+stairs to the fifteenth floor. Here
+they crawled through a transom
+into the wing marked:</p>
+
+<p>"Experimental. Enter Only By
+Appointment."</p>
+
+<p>Major was helped through it,
+then they were crawling along
+the dark metal tunnel of an air-conditioning
+ventilator. It was
+small, and took some wriggling.</p>
+
+<p>In the next room, they were
+confronted by a stern receptionist
+on whose desk was a little
+brass sign, reading:</p>
+
+<p>"Have you an appointment?"</p>
+
+<p>Miller had had his share of
+experience with receptionists'
+ways, in his days as a pharmaceutical
+salesman. He took the
+greatest pleasure now in lighting
+his cigarette from a match
+struck on the girl's nose. Then he
+blew the smoke in her face and
+hastened to crawl through the
+final transom.</p>
+
+<p>John Erickson's laboratory
+was well lighted by a glass-brick
+wall and a huge skylight. The
+sun's rays glinted on the time
+impulsor.<a name="FNanchor_A_1" id="FNanchor_A_1"></a><a href="#Footnote_A_1" class="fnanchor">[1]</a> The scientist explained
+the impulsor in concise terms.
+When he had finished, Dave Miller
+knew just as little as before,
+and the outfit still resembled
+three transformers in a line, of
+the type seen on power-poles,
+connected to a great bronze globe
+hanging from the ceiling.</p>
+
+<p>"There's the monster that put
+us in this plight," Erickson
+grunted. "Too strong to be legal,
+too weak to do the job right.
+Take a good look!"</p>
+
+<hr />
+
+<p>With his hands jammed in
+his pockets, he frowned at the
+complex machinery. Miller stared
+a few moments; then transferred
+his interests to other things in
+the room. He was immediately
+struck by the resemblance of a
+transformer in a far corner to
+the ones linked up with the impulsor.</p>
+
+<p>"What's that?" he asked
+quickly. "Looks the same as the
+ones you used over there."</p>
+
+<p>"It is."</p>
+
+<p>"But&mdash; Didn't you say all you
+needed was another stage of
+power?"</p>
+
+<p>"That's right."</p>
+
+<p>"Maybe I'm crazy!" Miller
+stared from impulsor to transformer
+and back again. "Why
+don't you use it, then?"</p>
+
+<p>"Using what for the connection?"
+Erickson's eyes gently
+mocked him.</p>
+
+<p>"Wire, of course!"</p>
+
+<p>The scientist jerked a thumb
+at a small bale of heavy copper
+wire.</p>
+
+<p>"Bring it over and we'll try
+it."</p>
+
+<p>Miller was halfway to it when
+he brought up short. Then a
+sheepish grin spread over his
+features.</p>
+
+<p>"I get it," he chuckled. "That
+bale of wire might be the Empire
+State Building, as far as
+we're concerned. Forgive my
+stupidity."</p>
+
+<p>Erickson suddenly became
+serious.</p>
+
+<p>"I'd like to be optimistic,
+Dave," he muttered, "but in all
+fairness to you I must tell you
+I see no way out of this. The
+machine is, of course, still
+working, and with that extra
+stage of power, the uncertainty
+would be over. But where, in this
+world of immovable things, will
+we find a piece of wire twenty-five
+feet long?"</p>
+
+<hr />
+
+<p>There was a warm, moist sensation
+against Miller's hand, and
+when he looked down Major
+stared up at him commiseratingly.
+Miller scratched him behind
+the ear, and the dog closed his
+eyes, reassured and happy. The
+young druggist sighed, wishing
+there were some giant hand to
+scratch him behind the ear and
+smooth <i>his</i> troubles over.</p>
+
+<p>"And if we don't get out," he
+said soberly, "we'll starve, I suppose."</p>
+
+<p>"No, I don't think it will be
+that quick. I haven't felt any
+hunger. I don't expect to. After
+all, our bodies are still living in
+one instant of time, and a man
+can't work up a healthy appetite
+in one second. Of course,
+this elastic-second business precludes
+the possibility of disease.</p>
+
+<p>"Our bodies must go on unchanged.
+The only hope I see is&mdash;when
+we are on the verge of
+madness, suicide. That means
+jumping off a bridge, I suppose.
+Poison, guns, knives&mdash;all the
+usual wherewithal&mdash;are denied
+to us."</p>
+
+<p>Black despair closed down on
+Dave Miller. He thrust it back,
+forcing a crooked grin.</p>
+
+<p>"Let's make a bargain," he
+offered. "When we finish fooling
+around with this apparatus, we
+split up. We'll only be at each
+other's throat if we stick together.
+I'll be blaming you for my
+plight, and I don't want to. It's
+my fault as much as yours. How
+about it?"</p>
+
+<p>John Erickson gripped his
+hand. "You're all right, Dave.
+Let me give you some advice. If
+ever you do get back to the present
+... keep away from liquor.
+Liquor and the Irish never did
+mix. You'll have that store on
+its feet again in no time."</p>
+
+<p>"Thanks!" Miller said fervently.
+"And I think I can promise
+that nothing less than a
+whiskey antidote for snake bite
+will ever make me bend an elbow
+again!"</p>
+
+<hr />
+
+<p>For the next couple of hours,
+despondency reigned in the laboratory.
+But it was soon to be
+deposed again by hope.</p>
+
+<p>Despite all of Erickson's scientific
+training, it was Dave Miller
+himself who grasped the
+down-to-earth idea that started
+them hoping again. He was walking
+about the lab, jingling keys
+in his pocket, when suddenly he
+stopped short. He jerked the
+ring of keys into his hand.</p>
+
+<p>"Erickson!" he gasped. "We've
+been blind. Look at this!"</p>
+
+<p>The scientist looked; but he
+remained puzzled.</p>
+
+<p>"Well&mdash;?" he asked skeptically.</p>
+
+<p>"There's our wire!" Dave Miller
+exclaimed. "You've got keys;
+I've got keys. We've got coins,
+knives, wristwatches. Why can't
+we lay them all end to end&mdash;"</p>
+
+<p>Erickson's features looked as
+if he had been electrically
+shocked.</p>
+
+<p>"You've hit it!" he cried. "If
+we've got enough!"</p>
+
+<p>With one accord, they began
+emptying their pockets, tearing
+off wristwatches, searching for
+pencils. The finds made a little
+heap in the middle of the floor.
+Erickson let his long fingers
+claw through thinning hair.</p>
+
+<p>"God give us enough! We'll
+only need the one wire. The
+thing is plugged in already and
+only the positive pole has to be
+connected to the globe. Come
+on!"</p>
+
+<p>Scooping up the assortment of
+metal articles, they rushed
+across the room. With his pocket-knife,
+Dave Miller began breaking
+up the metal wrist-watch
+straps, opening the links out so
+that they could be laid end-to-end
+for the greatest possible
+length. They patiently broke the
+watches to pieces, and of the
+junk they garnered made a ragged
+foot and a half of "wire."
+Their coins stretched the line
+still further.</p>
+
+<p>They had ten feet covered before
+the stuff was half used up.
+Their metal pencils, taken apart,
+gave them a good two feet. Key
+chains helped generously. With
+eighteen feet covered, their progress
+began to slow down.</p>
+
+<p>Perspiration poured down Miller's
+face. Desperately, he tore
+off his lodge ring and cut it in
+two to pound it flat. From garters
+and suspenders they won a
+few inches more. And then&mdash;they
+stopped&mdash;feet from their goal.</p>
+
+<p>Miller groaned. He tossed his
+pocket-knife in his hand.</p>
+
+<p>"We can get a foot out of
+this," he estimated. "But that
+still leaves us way short."</p>
+
+<p>Abruptly, Erickson snapped
+his fingers.</p>
+
+<p>"Shoes!" he gasped. "They're
+full of nails. Get to work with
+that knife, Dave. We'll cut out
+every one of 'em!"</p>
+
+<hr />
+
+<p>In ten minutes, the shoes were
+reduced to ragged piles of tattered
+leather. Erickson's deft
+fingers painstakingly placed the
+nails, one by one, in the line. The
+distance left to cover was less
+than six inches!</p>
+
+<p>He lined up the last few nails.
+Then both men were sinking
+back on their heels, as they saw
+there was a gap of three inches to
+cover!</p>
+
+<p>"Beaten!" Erickson ground
+out. "By three inches! Three
+inches from the present ... and
+yet it might as well be a million
+miles!"</p>
+
+<p>Miller's body felt as though it
+were in a vise. His muscles
+ached with strain. So taut were
+his nerves that he leaped as
+though stung when Major
+nuzzled a cool nose into his hand
+again. Automatically, he began
+to stroke the dog's neck.</p>
+
+<p>"Well, that licks us," he muttered.
+"There isn't another piece
+of movable metal in the world."</p>
+
+<p>Major kept whimpering and
+pushing against him. Annoyed,
+the druggist shoved him away.</p>
+
+<p>"Go 'way," he muttered. "I
+don't feel like&mdash;"</p>
+
+<p>Suddenly then his eyes widened,
+as his touch encountered
+warm metal. He whirled.</p>
+
+<p>"There it is!" he yelled. "The
+last link. <i>The nameplate on Major's
+collar!</i>"</p>
+
+<p>In a flash, he had torn the little
+rectangular brass plate from the
+dog collar. Erickson took it from
+his grasp. Sweat stood shiny on
+his skin. He held the bit of metal
+over the gap between wire and
+pole.</p>
+
+<p>"This is it!" he smiled brittlely.
+"We're on our way, Dave.
+Where, I don't know. To death,
+or back to life. But&mdash;we're going!"</p>
+
+<p>The metal clinked into place.
+Live, writhing power leaped
+through the wire, snarling
+across partial breaks. The transformers
+began to hum. The humming
+grew louder. Singing softly,
+the bronze globe over their
+heads glowed green. Dave Miller
+felt a curious lightness. There
+was a snap in his brain, and
+Erickson, Major and the laboratory
+faded from his senses.</p>
+
+<p>Then came an interval when
+the only sound was the soft sobbing
+he had been hearing as if
+in a dream. That, and blackness
+that enfolded him like soft velvet.
+Then Miller was opening his
+eyes, to see the familiar walls
+of his own kitchen around him!</p>
+
+<p>Someone cried out.</p>
+
+<p>"Dave! Oh, Dave, dear!"</p>
+
+<p>It was Helen's voice, and it
+was Helen who cradled his head
+in her lap and bent her face
+close to his.</p>
+
+<p>"Oh, thank God that you're
+alive&mdash;!"</p>
+
+<p>"Helen!" Miller murmured.
+"What&mdash;are&mdash;you&mdash;doing here?"</p>
+
+<p>"I couldn't go through with it.
+I&mdash;I just couldn't leave you. I
+came back and&mdash;and I heard the
+shot and ran in. The doctor
+should be here. I called him five
+minutes ago."</p>
+
+<p>"<i>Five minutes</i> ... How long
+has it been since I shot myself?"</p>
+
+<p>"Oh, just six or seven minutes.
+I called the doctor right away."</p>
+
+<p>Miller took a deep breath.
+Then it <i>must</i> have been a dream.
+All that&mdash;to happen in a few
+minutes&mdash; It wasn't possible!</p>
+
+<p>"How&mdash;how could I have
+botched the job?" he muttered. "I
+wasn't drunk enough to miss myself
+completely."</p>
+
+<p>Helen looked at the huge revolver
+lying in the sink.</p>
+
+<p>"Oh, that old forty-five of
+Grandfather's! It hasn't been
+loaded since the Civil War. I
+guess the powder got damp or
+something. It just sort of sputtered
+instead of exploding properly.
+Dave, promise me something!
+You won't ever do anything
+like this again, if I promise
+not to nag you?"</p>
+
+<p>Dave Miller closed his eyes.
+"There won't be any need to nag,
+Helen. Some people take a lot of
+teaching, but I've had my lesson.
+I've got ideas about the
+store which I'd been too lazy to
+try out. You know, I feel more
+like fighting right now than I
+have for years! We'll lick 'em,
+won't we, honey?"</p>
+
+<p>Helen buried her face in the
+hollow of his shoulder and cried
+softly. Her words were too
+muffled to be intelligible. But
+Dave Miller understood what she
+meant.</p>
+
+<hr />
+
+<p>He had thought the whole
+thing a dream&mdash;John Erickson,
+the "time impulsor" and Major.
+But that night he read an item
+in the <i>Evening Courier</i> that was
+to keep him thinking for many
+days.</p>
+
+<div class="blockquot"><p class="center">POLICE INVESTIGATE
+DEATH OF SCIENTIST
+HERE IN LABORATORY</p>
+
+<p>John M. Erickson, director
+of the Wanamaker Institute,
+died at his work last
+night. Erickson was a beloved
+and valuable figure in
+the world of science, famous
+for his recently publicized
+"time lapse" theory.</p>
+
+<p>Two strange circumstances
+surrounded his
+death. One was the presence
+of a German shepherd dog
+in the laboratory, its head
+crushed as if with a sledgehammer.
+The other was a
+chain of small metal objects
+stretching from one corner
+of the room to the other, as
+if intended to take the place
+of wire in a circuit.</p>
+
+<p>Police, however, discount
+this idea, as there was a roll
+of wire only a few feet from
+the body.</p></div>
+
+<div class="p1"><p class="center"><b>THE END</b></p></div>
+
+<div class="footnotes"><h3>FOOTNOTES:</h3>
+
+<div class="footnote"><p><a name="Footnote_A_1" id="Footnote_A_1"></a><a href="#FNanchor_A_1"><span class="label">[1]</span></a> Obviously this electric time impulsor is
+a machine in the nature of an atomic integrator.
+It "broadcasts" great waves of electrons
+which align all atomic objects in rigid
+suspension.
+</p><p>
+That is to say, atomic structures are literally
+"frozen." Living bodies are similarly
+affected. It is a widely held belief on the part
+of many eminent scientists that all matter,
+broken down into its elementary atomic
+composition, is electrical in structure.
+</p><p>
+That being so, there is no reason to suppose
+why Professor Erickson may not have
+discovered a time impulsor which, broadcasting
+electronic impulses, "froze" everything
+within its range.&mdash;<span class="smcap">Ed.</span></p></div>
+</div>
+
+<div class="trn"><b>Transcriber's Note:</b>
+This etext was produced from <i>Amazing Stories</i> April 1956
+and was first published in <i>Amazing Stories</i> October 1940.
+Extensive research did not uncover any evidence that the U.S.
+copyright on this publication was renewed. Minor spelling and
+typographical errors have been corrected without note.</div>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of Project Gutenberg's The Day Time Stopped Moving, by Bradner Buckner
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE DAY TIME STOPPED MOVING ***
+
+***** This file should be named 27053-h.htm or 27053-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/7/0/5/27053/
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/27053-h/images/001.png b/27053-h/images/001.png
new file mode 100644
index 0000000..918f8e9
--- /dev/null
+++ b/27053-h/images/001.png
Binary files differ