summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--26917-h.zipbin0 -> 88360 bytes
-rw-r--r--26917-h/26917-h.htm2134
-rw-r--r--26917-h/images/001.pngbin0 -> 60008 bytes
-rw-r--r--26917.txt1380
-rw-r--r--26917.zipbin0 -> 26745 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
8 files changed, 3530 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/26917-h.zip b/26917-h.zip
new file mode 100644
index 0000000..ef6c6ff
--- /dev/null
+++ b/26917-h.zip
Binary files differ
diff --git a/26917-h/26917-h.htm b/26917-h/26917-h.htm
new file mode 100644
index 0000000..b0f6c77
--- /dev/null
+++ b/26917-h/26917-h.htm
@@ -0,0 +1,2134 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Style-Type" content="text/css" />
+ <title>
+ The Project Gutenberg eBook of Zehru of Xollar, by Hal K. Wells
+ </title>
+ <style type="text/css">
+/*<![CDATA[ XML blockout */
+<!--
+ p {margin-top: .75em; text-align: justify; margin-bottom: .75em;}
+ h1,h2 {text-align: center; font-weight: normal;}
+ h2 {margin-top: 0; margin-bottom: 2em;}
+ hr {width: 45%; margin: 1em auto; visibility: hidden;}
+ body {margin-left: 10%; margin-right: 10%;}
+ .figleft {float: left; clear: left; margin: 0 1em 0 0; padding: 0; text-align: center; width: 341px;}
+ .trn {border: solid 1px; margin: 3em 15%; padding: 1em; text-align: justify;}
+ img {border: none;}
+ p.cap:first-letter {float: left; margin-right: .05em; padding-top: .05em; font-size: 300%; line-height: .8em;}
+ .dcap {text-transform: uppercase;}
+ .bk1 {width: 15em; margin: 2em auto; padding: 1em .25em; text-align: center; border: solid 2px;}
+// -->
+/* XML end ]]>*/
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Zehru of Xollar, by Hal K. Wells
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Zehru of Xollar
+
+Author: Hal K. Wells
+
+Release Date: October 14, 2008 [EBook #26917]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ZEHRU OF XOLLAR ***
+
+
+
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+<div class="figleft">
+<img src="images/001.png" width="341" height="400" alt="" title="" />
+<b><small><i>Blake made a lightning snatch at a tentacle with both hands.</i></small></b>
+
+<div class="bk1"><small>Three Earthlings are whisked on an<br />
+inter-dimensional journey to the den<br />
+of the Scientist Zehru.</small></div></div>
+
+<h1><big>Zehru of Xollar</big></h1>
+
+<h2>By Hal K. Wells</h2>
+
+<p class="cap"><span class="dcap">When</span> the rolling thunder
+of infra-bass first came
+to their ears, Robert
+Blake and Helen Lawton
+were standing on
+the platform of a
+New York subway
+station waiting
+for the arrival
+of an uptown express
+to bear them to their homes.</p>
+
+<p>They made a strikingly attractive
+couple as they stood there. New
+York had not had time as yet to remove
+the bronze
+tan of an outdoor
+life from Blake's
+ruggedly good-looking
+face. His
+tall athletic figure
+was still conspicuous for the
+lithe strength that had made him an
+All-Western tackle less than two
+years ago.</p>
+
+<p>Standing beside Blake's husky figure,
+Helen Lawton looked like a
+tiny, very perfect, blonde doll, with
+an exquisitely molded face framed
+in curly bobbed hair that was the
+clear golden-amber hue of orange
+honey. There was a diamond sparkling
+on the ring finger of the girl's
+slim left hand, placed there by Blake.</p>
+
+<p>It was well after midnight, and the
+only other passenger waiting on the
+station was a burly chap leaning
+against one of the white pillars on
+the other side of the platform. After
+a casual glance at the fellow, with
+his derby hat shoved far back from a
+low forehead, his blatantly conspicuous
+clothing, and the suspicious
+bulge under one arm-pit, Blake had
+mentally set him down as a minor
+gangster, probably a strong-arm man
+for some beer mob.</p>
+
+<p>Blake and Helen had been standing
+there but a few minutes when
+the strange sound first became audible.
+For a moment Blake thought it
+was merely the rumbling roar of an
+express approaching far down the
+tunnel. Then he realized that no
+subway train could possibly produce
+a sound effect so oddly disturbing
+and strangely alien.</p>
+
+<p>It was like no sound that Blake
+had ever heard before. Vibrant with
+colossal power, it suggested a sustained
+note struck from a giant organ,
+a note so low in pitch that it
+seemed a full octave below the lowest
+bass note ever struck. Whatever
+it was, the thundering vibration of
+infra-bass was coming nearer with
+startling swiftness.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">It</span> was impossible to locate the
+source of the mighty pulsing
+note. It seemed to be coming simultaneously
+from all directions, like a
+great hollow sphere of invisible
+sound waves closing in with the station
+platform as its central focal
+point.</p>
+
+<p>Helen's face was white with dread
+as she shrank closer into Blake's embrace.
+Blake noted that the gangster
+across the platform was standing
+tensely at bay with his back against
+the pillar and his right hand thrust
+under his coat as he stared wildly
+about him in an effort to discover the
+cause of the disturbance.</p>
+
+<p>The rolling thunder closed in
+upon them with a final rush that
+brought it so near that their very
+bodies seemed to vibrate in harmony
+with that mighty note of shuddering
+bass. Then with startling abruptness
+the green net came.</p>
+
+<p>Out from the walls and down from
+the roof spurted scores of quivering
+ribbons of blinding green flame.
+Swiftly the radiant tendrils rushed
+in upon the shrinking three from
+every side, while the infra-bass
+thundered in mighty crescendo.</p>
+
+<p>Blake instinctively swept Helen
+close within the shelter of his arms
+in an effort to protect her with his
+own body against the searing menace
+of those onrushing green flames.
+The next moment the fiery ribbons
+were upon them, lashing about their
+bodies, crossing and crisscrossing in
+the air above and around them in a
+great tangled web of interlacing
+lines of flame that filled the entire
+platform.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">With</span> a shock of relief Blake
+found that there was no heat
+in those strange flames, but his relief
+was short-lived as the next second
+brought him realization of the
+real menace of the radiant ribbons.
+There was a solidity and strength in
+those glowing streamers that held
+them as helplessly captive as though
+they were gripped in ribbons of
+steel. Dazed and helpless, the three
+struggled for a moment in the
+meshes of the weird net of flame like
+fish caught in the strands of some
+giant cosmic seine.</p>
+
+<p>The trembling thunder of infra-bass
+abruptly changed to a thin
+whining note so high in pitch that it
+seemed the nearly soundless ghost
+of a metallic scream. With the
+change in sound Blake became aware
+of a new and astounding change in
+his surroundings.</p>
+
+<p>The walls and roof of the station
+seemed closing in upon him as
+though he were growing in size at
+an incredible rate. The next moment
+he shot through the roof, hurtling
+on and upward with the velocity of
+a rocket. The sensation was one that
+his reeling brain could not even
+grasp. His body seemed to be inside
+every stone, iron bar, and lump of
+earth, yet at the same time every exterior
+object seemed <i>within</i> his body.
+It was an eery chaos of a dozen different
+dimensions blending to form
+a Space in which there was no
+known dimension.</p>
+
+<p>As they flashed on out to the surface
+Blake had one hazy glimpse of
+Manhattan's glowing lights spread
+all about them. Then the speed of
+their progress leaped into a new and
+terrible acceleration that blotted out
+every tangible sensation from
+Blake's brain.</p>
+
+<p>Time and Space alike seemed to
+vanish as their hurtling flight sent
+them rocketing on for distances inconceivably
+vast through a bleak and
+appalling Nothingness, where neither
+sight nor sound existed.</p>
+
+<p>Then abruptly the speed of their
+flight seemed to be lessening. Sensation
+returned to Blake. He again
+heard the thin high-pitched metallic
+wail, now swiftly deepening to the
+familiar growl of rolling bass. He
+again noted the presence of the glowing
+green ribbons of the net that
+still encircled them.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">A blindingly</span> brilliant purple
+mist was now closing in upon
+them from every direction, bringing
+with it a nameless and agonizing
+force that seemed to be shaking the
+very atoms in Blake's body asunder.
+Then they dropped swiftly down out
+of the purple mists, and the strange
+agony at once vanished. Blake felt
+their downward progress come to an
+end with the gentle arrival of his
+feet upon firm ground.</p>
+
+<p>The encircling net of green flame
+glowed dazzlingly brighter for a
+brief moment, then swiftly vanished
+into thin air, while the mutter of
+bass vibrations simultaneously died
+away into silence. Blake staggered
+and nearly fell as the sudden release
+from the net's strands again
+left his body free.</p>
+
+<p>He looked down at Helen as she
+stood huddled close beside him, still
+in the shelter of his arms. The girl's
+face was white with terror as she
+looked back up at him.</p>
+
+<p>"Bob, what happened&mdash;and where
+on earth are we?" Her voice trembled
+a little in spite of her plucky
+effort to keep it steady.</p>
+
+<p>Blake's bewildered gaze was already
+roving around them trying to
+comprehend the incredible details of
+their surroundings. "I've no idea
+what happened, dear," he answered
+slowly. "As to where we are now,
+I'm very much afraid it's nowhere on
+Earth!"</p>
+
+<p>"Then where is this hopped-up
+layout anyway, fellah, if it ain't on
+Earth?" broke in a voice with a decided
+East Side twang. Blake quickly
+turned and saw that the gangster
+had remained with them in that eery
+flight in the green net. There was an
+expression of dumfounded amazement
+upon the man's heavy face, and
+he was obviously anxious to be
+friendly with the two who now represented
+the only link with the familiar
+world he had known.</p>
+
+<p>"Gee, for a minute I thought they
+had me on the spot in some new way,
+sure!" he chattered excitedly as he
+came quickly over to join Helen and
+Blake. "There's plenty of guys
+wantin' to turn the heat on me there
+in the Big Town. I'm Gil Mapes,
+see? But this ain't no frame-up like
+any I ever heard of. What happened
+anyway, fellah?"</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">For</span> the moment Blake did not
+answer. The three of them were
+silent as they stared about them with
+eyes that were dazed by the startlingly
+unfamiliar aspect of every
+detail in their surroundings.</p>
+
+<p>From the twin purple suns that
+blazed down through the tenuous
+mists overhead to the barren blue-gray
+ground underfoot, there was
+not a single object familiar to Earthly
+eyes. The huge enclosure in which
+the three of them stood was obviously
+the work of intelligent beings
+of some kind, but its mechanical details
+were products of a science different
+from any known to Blake.</p>
+
+<p>The purpose of the enclosure
+seemed to be to maintain an area of
+clear air in the midst of the swirling
+purple vapors that pressed in
+against it from the top and from
+every side. In shape it was a great
+oblong cell, some fifty feet high, two
+hundred yards long, and about one
+hundred yards wide. The three captives
+stood near the center.</p>
+
+<p>Fencing in the enclosure at twenty-yard
+intervals and reaching upward
+to the ceiling were slender
+posts of some lusterless black metal.
+Between these posts streamed unbroken,
+nearly transparent sheets of
+some unknown force, the only visible
+sign of which was the presence
+of countless millions of tiny shimmering
+golden flecks which danced
+like dust motes in a ray of sunlight.
+It was obviously this thin sheet of
+unknown force that was keeping the
+purple mists at bay, for fan-like antennae
+at the top of each post spread
+a similar shimmering sheet that
+formed a ceiling for the clear-aired
+area.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">The</span> three Earthlings were facing
+one of the side walls of the
+big enclosures. The purple mists
+outside made it hard to see clearly
+for any distance, but Blake had an
+impression that the surrounding terrain
+was featured by the same barren,
+nearly desert bleakness that
+characterized the interior of the enclosure,
+where scattered clumps of
+dead, spiky black branches of shrub-like
+vegetation were the only sign of
+plant life.</p>
+
+<p>Just within the distant end wall
+at their right there was a low platform
+surmounted by a wide arch
+some ten feet in height, both constructed
+of silver-colored metal.
+There was nothing between them
+and the end wall to their left, but
+they could see that the ground
+sloped sharply upward from the barrier-sheet,
+and on the crest of the
+ridge a gigantic cone-shaped structure
+of solid black could be seen
+dimly through the intervening mists.</p>
+
+<p>The cone-building seemed to be
+the source of the power that kept the
+enclosure intact. Slender cables of
+black metal ran down the slope from
+it into the clear-aired space, spreading
+out over the dusty gray-blue
+ground to the base of each of the
+tall posts, with a heavier copper-colored
+cable running on the silver
+arch. From within the windowless
+interior of the cone there was audible
+a low hum as of tremendous
+power being generated there.</p>
+
+<p>"Gee, what a rummy joint this
+place is!" There was frank awe in
+the gangster's voice as he at last
+broke the silence. "That guy with
+the green net sure took us for one
+sweet ride. Mebbe we're on the Moon
+now, or on Mars, huh?"</p>
+
+<p>Blake shook his head. "No, we're
+completely out of our entire solar
+system. Those twin purple suns up
+there prove that. We may even be in
+another universe, or another dimension
+from our own. A piece of apparatus
+that could whisk us up through
+fifty feet of earth and masonry as
+that green net did obviously works
+in dimensions of which we've never
+dreamed. The only thing we're sure
+of is that we were brought to this
+purple world deliberately and intentionally
+by an intelligent being of
+some kind, scooped up like tadpoles
+from a mud-puddle and dumped here
+in this elaborate enclosure It had
+already prepared for us."</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">Blake</span> nodded to where the
+black cone-building loomed
+through the purple mists outside the
+end wall. "Whoever or whatever the
+thing was that brought us here, I
+have a hunch It's there in that
+power-house watching us. I'd suggest
+that we walk down toward that
+end of the enclosure for a closer
+look. We may at least find out
+whether we're guests or prisoners."</p>
+
+<p>"Listens good to me, fellah,"
+agreed Mapes, sliding a hand up to
+his shoulder holster and bringing
+out a squat black automatic pistol of
+heavy caliber. "We'll do a prowl,
+over that way, and if His Nibs tries
+any more funny business mebbe a
+few slugs outta this rod will change
+his mind for him."</p>
+
+<p>"Better go easy with the gun,
+Mapes," advised Blake as the three
+of them started slowly toward the
+cone-building. "From what we've already
+seen, there must be weapons
+in this world that would make your
+pistol look like a kid's pop-gun.
+We'd better go easy till&mdash;wait,
+what's that?"</p>
+
+<p>The thin high-pitched whine, followed
+promptly by the familiar
+growling thunder of infra-bass, had
+again become audible. At the same
+moment a long pencil-like beam of
+green light glowed into visibility,
+extending from the tip of the cone
+to a point high within the enclosure
+just back of them. As they halted
+abruptly and watched, they saw the
+interlacing meshes of the green
+flame-net materialize suddenly at the
+end of the beam.</p>
+
+<p>The beam curved into an arc that
+dropped the net swiftly to the
+ground some thirty yards from them.
+Its meshes were packed nearly full
+of dark, writhing figures.</p>
+
+<p>"Looks like some more tadpoles
+arriving for our pond!" Mapes exclaimed.
+"I wonder what part of
+N' Yawk His Nibs yanked these babies
+from?"</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">Blake's</span> answer died on his lips
+as the net and beam glowed
+blindingly brighter for a brief second,
+then disappeared, leaving the
+dark figures in full view. Helen
+choked back a gasp of horror. Mapes
+swore in consternation and hurriedly
+swung his pistol into line with
+those writhing shapes.</p>
+
+<p>The net's latest captives were not
+from New York, nor were they from
+any other part of the planet Earth.
+Hideous spawn of some unknown
+world out in the black void of Space,
+they writhed for a moment in a
+nightmare chaos of countless brown-furred
+bodies, then swiftly disentangled
+themselves before the staring
+eyes of the three Earthlings.</p>
+
+<p>The things were apparently too
+low in the mental scale to have any
+reaction to their situation other than
+a blind instinct to attack any other
+living being within reach, for they
+promptly headed for the three captives
+from Earth.</p>
+
+<p>As the creatures came shambling
+rapidly forward on powerful bowed
+legs, and with the tips of their long
+hairy arms brushing the ground, they
+looked like grotesquely distorted
+apes. The crowning horror of those
+shambling figures, however, lay in
+the fact that they were completely
+headless!</p>
+
+<p>Even when the things approached
+to a distance of less than ten feet
+before halting in momentary indecision,
+Blake could detect no sign of
+any normal skull in the blunt space
+at the top of the powerful hairy
+torso. There was a furry-lipped
+mouth opening of some kind in the
+hollow between the bulging shoulders,
+but of eyes, ears, nose, or brain
+cavity there was no discernible trace.</p>
+
+<p>For a long moment the headless
+ape-things and the three human beings
+stood silently facing each other.
+Mapes' pistol was leveled pointblank
+at the nearest of the creatures, but
+their overwhelming numbers made
+the gangster hold his fire.</p>
+
+<p>There were two distinct groups of
+the things. At least twenty members
+of each group were in the crowd facing
+the Earthlings. To the rear of
+these attackers two oddly repulsive
+objects were carried and carefully
+shielded by picked guards of four
+unusually large and powerful ape-things.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">The</span> nature of those two guarded
+objects puzzled Blake. They
+looked like large eggs of dirty-gray
+jelly, about a yard in length. They
+were obviously alive, for their gelatinous
+masses quivered and trembled
+in constant activity. Blake noted
+that there seemed to be a curious
+connection between the ebb and flow
+of pulsations in the egg-masses and
+the movements of the ape-things.</p>
+
+<p>His attention was abruptly recalled
+to the headless things in front
+of him as they suddenly began shambling
+forward again. There was no
+possible mistaking the intention of
+those advancing horrors. They were
+moving to the attack.</p>
+
+<p>They reached barely to Blake's
+shoulders, but he realized that their
+enormous numbers and hook-taloned
+hands would make the result of the
+battle almost a foregone conclusion.
+The fact that the headless things
+were without eyes was no handicap
+to them. The swift certainty of their
+movements proved that they had a
+sense of sight of some kind that was
+in every way as efficient as eyesight.</p>
+
+<p>Blake looked hurriedly around
+him, seeking a place where they
+might be at the best possible advantage
+in the impending battle. There
+was a small dense thicket of the
+spiky dead branches half a dozen
+yards to their right. At Blake's low
+command, the three made a dash for
+the thicket. Arriving there, they
+ranged themselves against it, with
+their backs at least partially protected
+from attack.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">The</span> maneuver seemed to puzzle
+the ape-things for a moment.
+They stood passively watching the
+retreat of the three until they had
+reached the thicket. Then the creatures
+again began slowly closing in
+upon them. Blake snatched up a
+dead branch from the ground near
+the thicket, and was delighted to
+find that its weight and tough fiber
+made it an excellent club.</p>
+
+<p>He stripped off his topcoat and
+passed it back to Helen. Its tough
+fabric, heavily rubberized for proof
+against rain, might guard her head
+and face at least momentarily from
+those ripping talons if the headless
+attackers came to close quarters.
+With Helen safely behind them,
+Blake and Mapes turned grimly to
+face the enemy.</p>
+
+<p>The attack was prompt in coming.
+Moving with the perfect synchronization
+of a single unit, one of the
+main groups came shambling in, followed
+an instant later by the other
+group. Mapes' pistol sent a bullet
+crashing squarely into the nearest
+attacker. The creature staggered
+momentarily, then came lurching on
+again, apparently not even crippled.
+Blake swung his heavy club in a
+whistling arc that sent two of his adversaries
+broken and writhing to the
+ground.</p>
+
+<p>He heard Mapes' pistol bark four
+times more as the things closed in.
+Then the gun was knocked from the
+gangster's grip by a groping talon-armed
+hand. Mapes tried to batter
+back his assailants with his naked
+fists, but the flailing arms of the
+horde knocked him from his feet.
+His limp body was promptly
+tramped into unconsciousness by the
+milling feet of the close-packed
+group.</p>
+
+<p>Blake lashed the heavy club about
+him with a burst of savage fury that
+for the moment sent the furred horrors
+reeling backward. Their retreat
+ended after a scant two yards.
+Reforming their ranks, they again
+began cautiously shambling forward
+in a new attack that Blake realized
+would probably mean the end.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">It</span> was easy enough to batter the
+things to ground, but it seemed
+impossible to seriously hurt them.
+Their incredible vitality and their
+overwhelming numbers made them
+almost invincible. Grimly Blake set
+himself to battle as long as he could
+in that last desperate effort to keep
+the hordes at bay.</p>
+
+<p>He noticed idly that the two
+groups still kept their oddly separated
+formation. Behind them the
+two egg-masses of jelly were now
+seething in new activity after a brief
+lessening of their gruesome shivering.
+Blake now saw that there was a
+direct and unmistakable connection
+between the activity of the jelly and
+the corresponding activity of the
+ape-things.</p>
+
+<p>Realization of the fact sent a sudden
+flash of inspiration flaming
+through Blake's weary brain, correlating
+the real significance of a dozen
+different things he had been subconsciously
+noting ever since the first
+appearance of the weird beasts.</p>
+
+<p>Those attacking things were not
+hordes of individual animals. They
+were merely two complete organisms,
+with the members of each organism
+controlled by its nucleus
+through invisible lines of nervous
+force as the various individual cells
+of the human body are linked by
+nerve fibers. No wonder the creatures
+themselves were blind. The
+egg-mass that was the nucleus of
+each of the two groups was eyes,
+brain, and seat of life for every ape-thing
+in the group.</p>
+
+<p>With a swift surge of hope Blake
+realized the way to conquer the
+things. If he could only shatter those
+flaccid masses of jelly, he would destroy
+the swarming dozens of beasts
+at the same time.</p>
+
+<p>Reaching the jelly ovoids seemed
+at first consideration to be an impossible
+task. They were carefully
+guarded far in the rear of the attacking
+groups. Blake knew that he had
+scarcely a chance in a hundred of
+battering his way through the intervening
+ape-things.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">Then</span> he remembered the gangster's
+pistol. His searching eyes
+found it immediately, there on the
+ground nearly under the feet of the
+ape-things as they again shambled
+forward to the attack.</p>
+
+<p>Blake staked everything upon a
+last desperate sortie against the advancing
+things. With his club whistling
+around his head in crashing
+blows that wrought murderous
+havoc in the close-packed hordes, he
+drove them back for one breathless
+moment that gave him time to leap
+forward and snatch up the pistol.</p>
+
+<p>The ape-things were already
+springing back upon him as he
+swung the pistol into line with one
+of the jelly-masses. He barely
+pressed the trigger before the charging
+brutes knocked him from his
+feet.</p>
+
+<p>As he went down he flung his arms
+over his head to protect his face
+from the expected attack of those
+hooked talons, but none came. A
+body thudded down upon him, then
+slid limply off again without making
+any move to attack. Blake scrambled
+to his feet.</p>
+
+<p>Writhing upon the ground all
+around him were ape-things in their
+death agonies. On the ground beyond
+them, quivering and broken in
+the midst of its dying guards, was a
+viscid mass of loathsome gray jelly.
+Blake's shot had apparently struck
+home squarely in the center of that
+vulnerable blob. Even as he watched,
+the gelatinous mass shuddered in a
+last convulsion, then became quite
+still. At the same instant the last sign
+of life vanished from the writhing
+ape-things on the ground.</p>
+
+<p>A good half of the attacking creatures
+were included in the dead
+bodies. The other half, Blake now
+saw, had retreated to cluster in wild
+panic about the remaining blob of
+jelly. Realizing exultantly that his
+single shot had slain one of the two
+weirdly disassociated organisms,
+Blake with pistol in hand advanced
+toward the other, trying to get a
+clear shot at the jelly through the
+furry bodies clustering around it.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">The</span> group promptly turned and
+fled in blind panic. Blake sent
+the pistol's last shot crashing into
+the mass without any appreciable effect.
+Then the things' stampede carried
+them hurtling on through one
+of the gold-flecked side walls out
+into the swirling purple mists.</p>
+
+<p>The gold-flecked sheet flowed together
+again so swiftly behind the
+things that a fraction of a second
+later there was not even the slightest
+indication in its shimmering unbroken
+surface to show that it had
+ever been pierced.</p>
+
+<p>For thirty yards the fleeing ape-things
+sped on into the purple vapors.
+Then disaster struck them
+with bewildering swiftness. They
+stopped in full flight, shuddered for
+a moment, then slumped to the
+ground with their limbs writhing in
+agony. In their center the jelly
+ovoid quivered madly in the same
+strange torture.</p>
+
+<p>Tiny patches of vivid purple appeared
+at a hundred different points
+upon the dying creatures. The
+patches spread and merged with
+lightning rapidity until a solid sheet
+of livid purple covered the writhing
+mass. Swiftly that mass lost both
+movement and shape as it melted
+down into a pool of turgid purple
+slime. Then the slime vaporized into
+purple mists that blended into the
+surrounding vapors, and all trace of
+the ape-things and their jelly nucleus
+had vanished.</p>
+
+<p>Stunned by the incredible speed of
+this general dissolution, Blake realized
+for the first time the real reason
+for the presence of the gold-flecked
+walls of force. Without those shimmering
+walls the captives would not
+have lived for a minute in the deadly
+purple atmosphere of this weird
+world beneath the twin suns. The
+gold-flecked walls were both their
+protection and their prison. The
+swirling purple mists outside those
+walls held the Earthlings as effectively
+and hopelessly prisoners in
+their enclosure as gold-fish in a bowl
+of water.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">Blake</span> turned back to the
+thicket to see how Helen and
+Mapes had fared in that terrific battle
+with the headless things. He was
+relieved to see that the girl had apparently
+escaped without even a
+scratch. She was kneeling beside
+Mapes' prone figure, doing what she
+could to revive him. The gangster
+was badly battered, but he seemed to
+have no serious injuries. He was already
+beginning to stir weakly and
+show signs of returning life.</p>
+
+<p>Blake started to step over to the
+two. Then he stopped abruptly as he
+heard a sharp metallic clang from the
+cone-building out in the purple
+mists beyond the end wall. He
+looked quickly up and saw that an
+oval window had opened in the
+structure near its tip. Framed in the
+opening was what seemed to be a
+large concave mirror. At one side of
+the mirror was a living being of
+some kind, but the intervening mists
+prevented Blake from making out
+any details beyond a hazy glimpse of
+a cluster of what seemed to be long
+slender snake-like black tentacles.</p>
+
+<p>The next moment there spurted
+from the mirror a broad and swiftly
+spreading beam of red light so brilliant
+that it glowed clearly even in
+the bright purple rays of the twin
+suns. Before Blake could shout a
+warning to Helen the racing flood of
+ruddy radiance was upon them. The
+scene reeled in a blurred kaleidoscope
+of flaming colors before
+Blake's eyes for a brief second, then
+complete oblivion swept over him.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">After</span> an interval that seemed
+hours, consciousness returned
+to him as suddenly as it had left him.
+His first bewildered look around him
+disclosed the fact that startling
+changes had occurred in his surroundings
+during the period while
+he was under the anesthesia of the
+red ray.</p>
+
+<p>His first effort at movement
+brought realization that he was in
+the grip of a strange paralysis. His
+head and neck seemed quite normal
+in every way, but from the throat
+downward his body was completely
+dead as far as any power of voluntary
+movement was concerned.</p>
+
+<p>He twisted his head stiffly to one
+side, and saw that Helen was standing
+there beside him. Just beyond
+her was the motionless figure of Gil
+Mapes. Both the gangster and the
+girl were in the grip of the same
+strange paralysis. Like Blake, they
+were standing there rigidly motionless,
+facing the gold-flecked barrier
+wall just in front of them.</p>
+
+<p>A moment's painful scrutiny of
+their position showed Blake that the
+posts forming the wall of the enclosure
+at the end toward the cone
+had been brought in nearly a hundred
+yards toward them while they
+slept. The shimmering barrier sheet
+was now scarcely a yard from their
+faces, yet they still stood near the
+thicket where they had battled the
+headless horrors. Blake saw his coat
+half-buried in the blue-gray dust
+near his feet where Helen had discarded
+the garment to minister to
+Mapes.</p>
+
+<p>Their unseen captor had obviously
+made definite preparations for
+whatever his next purpose with them
+was to be, for a long wheeled platform
+had been brought to a position
+opposite them just outside the shimmering
+gold-flecked sheet. Blake
+noted the shattered remains of
+Mapes' pistol on the ground at one
+side of the platform. It had apparently
+been fished from the enclosure
+and rendered harmless after their
+captor had seen the weapon's efficient
+use against the headless ape-things.</p>
+
+<p>Clustered upon the wheeled platform
+was an assemblage of intricately
+winding coils, glowing tubes, and
+other apparatus that conveyed no
+more meaning to Blake's bewildered
+gaze than a sight of the interior of a
+metropolitan power-house would to
+a Congo savage.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">There</span> was only one piece of
+the apparatus regarding whose
+probable function Blake could even
+guess. This was a pair of long slender
+arms that projected through the
+shimmering walls into the enclosure,
+supporting at their end a large thin
+metal plate located just over the
+heads of the three Earthlings. Blake
+was willing to wager that it was this
+overhead plate that was responsible
+for the odd paralysis that held them
+helpless.</p>
+
+<p>Then a figure came slowly into
+view from where it had been concealed
+by the apparatus, and Blake
+forgot all thought of the strange
+mechanisms as he watched the monstrous
+thing clamber stiffly from the
+platform and halt squarely in front
+of the captives to stare at them
+through the transparency of the intervening
+force sheet.</p>
+
+<p>The thing was a curious blending
+of human and bestial features. It
+stood barely five feet in height, yet
+its great scale-armored skull was at
+least three times as large as that of
+a grown man. There was colossal
+mental power and nameless evil
+glowing in the dark depths of the
+two abnormally large eyes that
+stared fixedly out from under the
+heavy forehead. The thing had no
+nose. The mouth opening, surrounded
+by a rosette of flabby gray
+skin, was a mere slit. The entire
+skull and face were covered with
+small, closely overlapping scales of
+lusterless gray.</p>
+
+<p>The head merged directly into a
+short black torso nearly as wide as
+the skull itself. From this trunk
+there writhed a score of long black
+snake-like tentacles, each terminating
+in a flexible three-fingered
+"hand." The trunk was supported
+by two short thick legs, armored
+with gray scales, and ending in
+broad three-toed feet.</p>
+
+<p>"Greetings, Earthlings!" The
+voice that emanated from the grotesque
+mouth was surprisingly resonant
+in tone. "Allow me to present
+myself. I am Zehru, imperial scientist
+of Xollar."</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">The</span> monstrosity seemed amused
+at the expressions of blank surprise
+upon the faces of his captives.
+"I learned your crude language from
+your brain cells while you slept under
+the red ray," he explained. "Also
+I learned many other things regarding
+your planet, Earth. I am glad to
+find your world so well adapted to
+my purpose. Within a few years
+after my arrival there I shall be its
+unquestioned ruler."</p>
+
+<p>Blake started to voice the many
+questions that were surging through
+his mind, but an imperious gesture
+of an outflung tentacle stopped him.</p>
+
+<p>"Silence, Earthling!" There was
+tolerant contempt in Zehru's ringing
+voice. "I will explain some of
+the things that puzzle you. There is
+no reason why I should trouble myself
+to do so, yet it may while away
+the tedium of the short wait yet remaining
+before my apparatus becomes
+charged to the required point.
+Listen carefully, Earthling, for at
+best you will find many of my
+thoughts beyond the feeble limits of
+the word forms with which you have
+provided me.</p>
+
+<p>"The world of Xollar, where you
+now are, is a planet in the island universe
+known to your astronomers as
+the Great Nebula of Andromeda.
+Until a short time ago I was one of
+its ruling scientists. Then I sinned,
+and so grave was my sin according
+to the laws of this planet that the
+Council of Three decreed my death.
+That death sentence upon Xollar is
+irrevocable, and no man has yet escaped
+it no matter where upon the
+planet he may be when the appointed
+time for his execution comes. I was
+given the usual period of grace in
+which to put my affairs in order. Instead,
+I have labored unceasingly
+here in my laboratory, and my labors
+have borne fruit. I am the first man
+in Xollarian history to find a means
+of escaping the dread death penalty.</p>
+
+<p>"Briefly, I discovered a way by
+which I can flee to your far-distant
+universe, where not even the powers
+of the Council of Three can follow
+me. That way lies through the door
+of inter-dimensional Space. In Space
+as you know it, the almost unthinkable
+distance of a million light years
+separates Xollar from the dwarf star
+you call your Sun. Yet, traveling
+<i>between</i> Space, the two planets nearly
+touch each other. The same situation
+of being near neighbors in inter-dimensional
+Space holds true with
+Xollar and at least seven other planets
+located in widely separated parts
+of your universe.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">"Let</span> me try to illustrate what I
+mean by traveling between
+Space. We will assume a nearly two-dimensional
+universe in the form of
+a circular piece of paper three feet
+in diameter. There is a dot in the
+exact center of each side of this
+paper. To a two-dimensional creature,
+forced to travel only on the
+surface of the paper, the distance between
+the two dots can never be less
+than thirty-six inches. Yet by cutting
+<i>between</i> the two surfaces and
+going directly through the paper the
+dots are less than one-hundredth of
+an inch apart.</p>
+
+<p>"Such is the case with Xollar and
+the planets in your universe which
+are our immediate neighbors in inter-dimensional
+Space. In order to
+reach those planets I had only to develop
+a method of using sufficient
+force to cut <i>between</i> the three dimensions
+of intervening Space. In
+solving this problem I developed
+both an inter-dimensional net to
+bring beings from your universe to
+mine, and an inter-dimensional gate
+to permit beings to pass from here
+back to worlds in your galaxy.</p>
+
+<p>"You have already seen the workings
+of the net. It was the device of
+green fire that brought you here.
+The use of the net was a vital part
+of my plans, for without the use of a
+physical body from some world in
+your universe I could not hope to
+live longer than a few minutes after
+leaving Xollar via the inter-dimensional
+gate. The inherent characteristics
+and basic elements of your
+galaxy and the Andromedan universe
+are so different in every way
+that an inhabitant of either star-group
+cannot exist in the other.
+Xollar's purple atmosphere is characteristic
+of Andromedan worlds.
+Your oxygen-saturated air is typical
+of worlds in your galaxy. Just as
+Xollar's purple mists would be immediately
+fatal to you, so would
+your clear oxygen-tainted air be
+quickly fatal to me.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">"Accordingly</span>, my only
+chance of surviving in one of
+your worlds is to first transfer my
+Intelligence to the body of one of
+the dwellers upon that planet. Of
+the seven planets within reach of my
+net I found only two that promised
+to be at all suitable. One was your
+Earth, the other a minor planet circling
+the star you call Vega. I
+brought both you and a net-load of
+Vegans here to this oxygen-filled enclosure
+I had already prepared.</p>
+
+<p>"The Vegans were the headless
+things with the jelly nuclei. I
+watched your battle with them, and
+waited to choose as my vehicle the
+planetary type that proved the
+stronger. You vanquished the Vegans,
+so it is in the body of an
+Earthling that I shall leave Xollar,
+and it is to the planet Earth that I
+shall be hurtled through the inter-dimensional
+gate.</p>
+
+<p>"Aside from the slight difficulty
+caused by having to keep my body
+and yours each in its proper element
+during the operation, the matter of
+transfer into one of your bodies is a
+simple one. It involves none of the
+clumsy brain surgery of your Earthly
+science. We of Xollar have found
+that the real Intelligence of a being
+is an invisible force not at all dependent
+for existence upon the protoplasm
+through which it manifests.
+My Intelligence can function quite
+as well in your brain cells as in my
+own.</p>
+
+<p>"I require no assistant in the
+transfer." Zehru indicated an intricate
+piece of apparatus on the platform
+behind him. It was a massive
+cylinder of fluorescent metal, with
+two long metallic cables running
+from its center, each cable ending in
+a saucer-shaped disk.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">"I have</span> only to thrust one cable
+through the force-wall into
+your enclosure and place its disk
+upon one of your heads, then place
+the other disk upon my own head.
+The apparatus is entirely automatic.
+Three seconds after both disks are
+in place my Intelligence will course
+into the Earthling brain, driving out
+his Intelligence and destroying it as
+mine enters.</p>
+
+<p>"I will, of course, remove the selected
+body from under the paralyzing
+plate before I attach the disks.
+Then when I am safely transferred
+to the Earthling body I will have
+only to walk on through the enclosure
+to the silver arch at the far
+end and leave Xollar forever.</p>
+
+<p>"That silver arch is the inter-dimensional
+gate to your Earth. Its
+operation is slightly different from
+that of the net. Where the net was
+capable of reaching under the surface
+of your planet, a proceeding I
+tried when two attempts upon the
+surface proved fruitless, the gate is
+so adjusted that it will place its passenger
+exactly upon the surface of
+your world. It requires no cooperation
+from this end. When I step under
+the arch I merely close a black
+lever there. Inter-dimensional force
+immediately catapults me to your
+Earth. Then the automatic mechanism
+of the gate will within half a
+minute of my departure release an
+explosion that will shatter everything
+within a radius of a mile here,
+and so prevent the Council of Three
+from even guessing the method of
+my escape."</p>
+
+<p>"But what of the two of us whose
+bodies you do not need?" Blake protested.
+"Can you not at least take
+them through the arch-gate with you
+back to their home world?"</p>
+
+<p>"Why should I do anything so
+foolish as that?" Zehru answered
+callously. "They might easily be a
+menace to my first attempts to establish
+myself upon your planet. Far
+better to leave them here in their
+present state of paralysis to be safely
+destroyed in the explosion of the
+gate."</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">Zehru</span> now thrust three of his
+tentacles into a vat of milky
+fluid, and withdrew them coated
+with a silver sheen on the black
+flesh. The silver glaze seemed to be
+an insulation against both the oxygen
+of the enclosure and the paralyzing
+force of the overhead disk,
+for the Xollarian promptly thrust
+the three silver-coated arms through
+the wall and began handling the
+bodies of Mapes and Blake in a
+painstaking process of examination.</p>
+
+<p>Again Blake noted that the shimmering
+gold-flecked wall closed
+quickly in and kept its surface unbroken
+no matter how often objects
+were thrust through it.</p>
+
+<p>Completely ignoring Helen, Zehru
+lifted first Mapes, then Blake, his
+tentacles probing, fingering, exploring.
+There was enormous power in
+the Xollarian's grotesque body. He
+lifted the men as though they were
+wooden dolls, bringing them close to
+the shimmering wall to peer at them,
+then setting them carefully down
+again on their feet under the disk.
+Blake wondered idly why their stiff
+bodies did not topple over when
+they were left unsupported, then decided
+that the paralyzing force of
+the disk probably left the automatic
+muscular balancing movements unimpaired,
+affecting only the powers
+of voluntary movement.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">Then</span>, as Zehru set him down
+after one of the periods of examination,
+Blake noticed a new and
+startling change the moment his feet
+touched the ground. His right leg
+and right arm were no longer dead!</p>
+
+<p>He hurriedly glanced down at the
+ground at his feet, and promptly
+found what seemed to be the reason
+for his partial freedom from the
+paralysis. In setting his body down
+the last time Zehru had moved Blake
+slightly. His right foot now rested
+upon a corner of the discarded topcoat
+lying half-buried there in the
+blue-gray dust.</p>
+
+<p>The heavily rubberized cloth apparently
+acted as an insulating sheet
+that prevented the effective grounding
+of the paralyzing force that
+streamed down through Blake's body
+from the overhead disk. Consequently
+all portions of his body between
+the coat and the disk were free from
+the paralysis. For a moment Blake
+wondered at Zehru's carelessness.
+Then he realized that the insulating
+qualities of rubber would naturally
+be unknown to a Xollarian.</p>
+
+<p>Noting that Zehru was busy at the
+moment with his work upon Mapes,
+Blake quickly grasped at the faint
+chance the presence of the rubberized
+cloth offered him. Working
+with infinite slowness and caution,
+he edged his right foot over an inch
+at a time, dragging the rest of his
+body with it.</p>
+
+<p>Luck was with him. Zehru continued,
+absorbed in his work upon
+Mapes. The Xollarian's telepathic
+powers apparently functioned only
+with the aid of the red ray, for he
+remained oblivious of Blake's actions.
+One final cautious dragging
+movement, and Blake's entire body
+was upon the cloth, with every muscle
+again vibrantly alive.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">Blake</span> stood there motionless,
+faking paralysis, while his
+brain raced in an effort to figure the
+best use to make of his present advantage.
+He was still trapped, not
+daring to reach even a hand beyond
+the protection of the cloth underfoot.
+The first essential of any effort
+at escape would have to be a
+lunge of sufficient power to take him
+safely beyond the area of the disk's
+influence.</p>
+
+<p>Blake's first thought was to hurl
+himself through the barrier wall
+upon Zehru, trusting to sheer surprise
+to overwhelm the Xollarian,
+but he quickly dismissed that plan.
+It left too many elements in Zehru's
+favor. There was a tube-like weapon
+thrust in a belt around Zehru's middle
+and there were probably a dozen
+other different weapons lying handy
+to his reach among the apparatus on
+the platform. The deadly purple
+mists beyond the wall would alone in
+all probability overcome Blake before
+he could batter Zehru down.</p>
+
+<p>By far the best plan was to stage
+the battle inside the enclosure where
+Blake would be in his own native
+element. If he could yank Zehru inside
+the wall he would have him
+away from contact with his mechanical
+weapons and battling in an atmosphere
+inherently poisonous to
+him. Under those circumstances,
+Blake felt that he might have an
+even chance in a hand-to-hand combat
+with the powerful but slow-footed
+Xollarian.</p>
+
+<p>Once Zehru was eliminated, escape
+back to Earth should be a simple
+matter. The silver gate, with its automatic
+mechanism needing only the
+closing of a lever, was ready and
+waiting there in the enclosure behind
+them.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">For</span> long tense minutes Blake
+forced himself to remain rigidly
+motionless while Zehru labored over
+Mapes. Then finally the Xollarian
+turned his attention briefly back to
+Blake, and thrust two tentacles in
+to grip his body. No sooner had the
+tentacles crossed above the border of
+the cloth than Zehru realized that
+something was wrong. He tried to
+whip his arms back again but too
+late.</p>
+
+<p>Blake made a lightning snatch at
+a tentacle with both hands, and in
+the same lithe movement turned
+from the barrier wall and flung himself
+headlong toward the center of
+the enclosure. Zehru had no time to
+brace himself. He was jerked bodily
+through the shimmering wall and on
+after Blake's lunging body.</p>
+
+<p>One of the Xollarian's waving tentacles
+grasped wildly at the overhead
+disk in an effort to stay his
+flight. The only result was to bring
+the entire disk and its supports
+crashing in ruins to the ground upon
+the struggling figures of Blake and
+himself.</p>
+
+<p>Blake was upon his feet again instantly.
+Snatching up a yard-long
+scrap of metal from the wreckage of
+the disk, he flung himself upon
+Zehru. The Xollarian seemed for the
+moment too dazed by his fall to fight
+back. With tentacles raised to guard
+his head, he staggered backward in
+retreat, every step taking him farther
+away from the wall and the purple
+mists.</p>
+
+<p>Blake was vaguely aware that
+Helen and Mapes, freed by the
+wrecking of the disk, were scrambling
+to their feet. Mapes was already
+running toward the combatants.
+Blake was glad at the prospect
+of an ally. Zehru's dazed condition
+was swiftly passing. He had now
+stopped his retreat and was already
+fumbling a tentacle toward the tube-weapon
+in his belt.</p>
+
+<p>Blake flung himself upon Zehru in
+another effort to beat him down before
+he could draw that weapon, but
+his metal club glanced harmlessly
+off the tentacles Zehru raised to
+shield his head. Then beyond Zehru
+Blake saw something that made him
+stop his assault.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">It</span> was Mapes, sprinting toward
+the silver arch-gate at the other
+end of the enclosure. Blake's heart
+sank as he realized the gangster's
+treachery. If he once reached that
+arch he could send himself safely
+hurtling back to Earth, while Blake
+and Helen would be left to perish
+with Zehru in the explosion that
+would immediately follow. It was
+too late for Blake to head the gangster
+off. He had already covered half
+the distance to the arch.</p>
+
+<p>Zehru noted Mapes' fleeing figure
+almost as quickly as did Blake.
+Swiftly the Xollarian swung his
+tube-weapon into line with the fleeing
+gangster. A thin pencil of dull
+yellow light of a peculiar density
+spurted from the tube toward
+Mapes. There was a flash of blinding
+flame as the light beam met the gangster's
+body; then Mapes' figure
+seemed to literally explode, as
+though blasted by dynamite from
+within. So devastating was the force
+of that explosion that nothing remained
+of Mapes' body beyond a few
+scattered fragments of shoes and
+clothing.</p>
+
+<p>Blake was still dazed at the cataclysmic
+suddenness of Mapes' death
+as Zehru swung the tube around to
+train it upon him. Only a last-minute
+desperate effort upon Blake's part
+saved him. His wildly thrown metal
+club made a lucky hit on the tube itself,
+knocking it, shattered and useless,
+out of Zehru's grasp.</p>
+
+<p>Unarmed, Zehru faced Blake with
+his face contorting in agony. For a
+moment the Xollarian swayed there,
+apparently trying to gather his failing
+strength for the next move. The
+deadly air of the enclosure was already
+taking hideous toll. The scaly
+flesh of his head and face was dissolving
+like melting butter.</p>
+
+<p>Zehru's strength was ebbing too
+swiftly for him to have any chance
+of gaining safety through either of
+the distant side walls. His only hope
+of fighting back to the purple mists
+was to pass Blake and go through
+the nearby end wall through which
+he had originally been drawn.</p>
+
+<p>He came lunging forward in an attack
+whose sheer fury made Blake
+give ground before the menace of
+the lashing tentacles.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">Blake</span> took another backward
+step, then staggered as his foot
+struck a rough spot in the ground.
+Zehru's tentacles were upon him before
+he could recover himself. His
+club was jerked from his fingers and
+sent hurtling far out of reach. Half
+a dozen of the tentacle-arms lashed
+around his throat in a strangling
+grip.</p>
+
+<p>He clawed wildly at the choking
+coils, but they failed to loosen even
+a fraction of an inch. Desperately
+Blake sent his fists smashing into
+the gray face. The scale armor of
+Zehru's skull, fast weakening in the
+liquefying influence of the oxygen,
+gave way beneath that battering attack.
+He staggered, and his coiling
+tentacles relaxed slightly.</p>
+
+<p>Blake tore himself free. A final
+smashing blow, with every ounce of
+his one hundred and ninety pounds
+behind it, sent Zehru crashing to the
+ground. The Xollarian tried to rise,
+then feebly slumped back, his
+strength spent. Blake leaped forward
+to finish his opponent, but
+stopped as he saw that his efforts
+were not needed.</p>
+
+<p>The deadly air of the enclosure
+was now overwhelming Zehru with
+swift and hideous death. He was literally
+rotting before Blake's horrified
+eyes, the gray-scaled skin
+sloughing off in streaming rivulets
+of pallid ooze, and the entire body
+contorting in what was obviously a
+death agony.</p>
+
+<p>Sickened, Blake stepped back a
+pace or two. Zehru's tentacles feebly
+beat the ground around him, then
+suddenly one of the writhing arms
+blundered upon a thin cable running
+along the ground. Before Blake
+could spring forward to stop him,
+Zehru with a last surge of power
+ripped the fragile metal strand completely
+in two.</p>
+
+<p>It was the Xollarian's dying effort.
+He slumped in a motionless, nearly
+liquescent heap. But that last blind
+blow at the Earthlings threatened to
+be a deadly one. The severed cable
+led to one of the black posts surrounding
+the enclosure. With the
+cable's parting an entire section of
+one of the gold-flecked barrier walls
+vanished. Xollar's deadly purple
+mists were already surging in.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">Speed</span> was the Earthlings' only
+chance now. Helen was as quick
+to realize the danger as was Blake.
+Side by side they started their mad
+race toward where the silver arch-gate
+loomed nearly a hundred yards
+away.</p>
+
+<p>They had covered barely half the
+distance when the air around them
+began to show a definite tinge of purple.
+With the appearance of the purple
+hue there came a strange and
+swiftly increasing agony, a torturing
+vibration that seemed to be tearing
+every atom in their bodies asunder.</p>
+
+<p>They were within ten yards of the
+arch when Helen fell. Blake grabbed
+her up in his arms and stumbled on.
+There was no longer enough oxygen
+in the air to even breathe. Blake's
+lungs were on fire. Every cell in his
+body seemed vibrating in unbearable
+torment.</p>
+
+<p>It was all that he could do to
+struggle up on the low platform. He
+staggered across the space and under
+the arch. It took the last shred
+of strength in his tortured body for
+him to lift his hand and pull the
+black lever down into place.</p>
+
+<p>Its action was instantaneous. The
+agony of the purple mists was blotted
+out in a surging wave of mighty
+force that swept Blake and Helen up
+and away through a Spaceless universe
+where black chaos reigned
+awesomely supreme. There was a
+long terrible moment of hurtling
+through distances inconceivably
+vast. Blake's brain reeled in nausea.</p>
+
+<p>Then suddenly all motion ceased
+and everything was normal again.
+There was firm grassy ground under
+his feet and a cool breeze was blowing
+in his face.</p>
+
+<p>He opened his eyes and saw the
+gray half-light of early dawn. After
+the first swift look around him he
+sighed in mighty relief. To his left
+was the familiar skyline of Fifth
+Avenue. To his right was Central
+Park West. They were somewhere
+in Central Park, safe again in their
+own world.</p>
+
+<p>And somewhere in that other
+world beneath the twin purple suns,
+the time mechanism of the silver
+gate should even now be releasing
+the explosive that would forever
+blot out all trace of the evil handiwork
+of Zehru, cosmic fisher of
+Xollar.</p>
+
+<div class="trn"><b>Transcriber's Note:</b>
+This etext was produced from <i>Astounding Stories</i> February 1932.
+Extensive research did not uncover any evidence that the U.S.
+copyright on this publication was renewed. Minor spelling and
+typographical errors have been corrected without note.</div>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Zehru of Xollar, by Hal K. Wells
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ZEHRU OF XOLLAR ***
+
+***** This file should be named 26917-h.htm or 26917-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/6/9/1/26917/
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/26917-h/images/001.png b/26917-h/images/001.png
new file mode 100644
index 0000000..f5a37cf
--- /dev/null
+++ b/26917-h/images/001.png
Binary files differ
diff --git a/26917.txt b/26917.txt
new file mode 100644
index 0000000..c59fbe8
--- /dev/null
+++ b/26917.txt
@@ -0,0 +1,1380 @@
+The Project Gutenberg EBook of Zehru of Xollar, by Hal K. Wells
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Zehru of Xollar
+
+Author: Hal K. Wells
+
+Release Date: October 14, 2008 [EBook #26917]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ZEHRU OF XOLLAR ***
+
+
+
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+
+
+
+[Illustration: _Blake made a lightning snatch at a tentacle with both
+hands._]
+
+
+Zehru of Xollar
+
+By Hal K. Wells
+
+
+ Three Earthlings are whisked on an
+ inter-dimensional journey to the den
+ of the Scientist Zehru.
+
+
+When the rolling thunder of infra-bass first came to their ears, Robert
+Blake and Helen Lawton were standing on the platform of a New York
+subway station waiting for the arrival of an uptown express to bear them
+to their homes.
+
+They made a strikingly attractive couple as they stood there. New York
+had not had time as yet to remove the bronze tan of an outdoor life from
+Blake's ruggedly good-looking face. His tall athletic figure was still
+conspicuous for the lithe strength that had made him an All-Western
+tackle less than two years ago.
+
+Standing beside Blake's husky figure, Helen Lawton looked like a tiny,
+very perfect, blonde doll, with an exquisitely molded face framed in
+curly bobbed hair that was the clear golden-amber hue of orange honey.
+There was a diamond sparkling on the ring finger of the girl's slim left
+hand, placed there by Blake.
+
+It was well after midnight, and the only other passenger waiting on the
+station was a burly chap leaning against one of the white pillars on the
+other side of the platform. After a casual glance at the fellow, with
+his derby hat shoved far back from a low forehead, his blatantly
+conspicuous clothing, and the suspicious bulge under one arm-pit, Blake
+had mentally set him down as a minor gangster, probably a strong-arm man
+for some beer mob.
+
+Blake and Helen had been standing there but a few minutes when the
+strange sound first became audible. For a moment Blake thought it was
+merely the rumbling roar of an express approaching far down the tunnel.
+Then he realized that no subway train could possibly produce a sound
+effect so oddly disturbing and strangely alien.
+
+It was like no sound that Blake had ever heard before. Vibrant with
+colossal power, it suggested a sustained note struck from a giant organ,
+a note so low in pitch that it seemed a full octave below the lowest
+bass note ever struck. Whatever it was, the thundering vibration of
+infra-bass was coming nearer with startling swiftness.
+
+ * * * * *
+
+It was impossible to locate the source of the mighty pulsing note. It
+seemed to be coming simultaneously from all directions, like a great
+hollow sphere of invisible sound waves closing in with the station
+platform as its central focal point.
+
+Helen's face was white with dread as she shrank closer into Blake's
+embrace. Blake noted that the gangster across the platform was standing
+tensely at bay with his back against the pillar and his right hand
+thrust under his coat as he stared wildly about him in an effort to
+discover the cause of the disturbance.
+
+The rolling thunder closed in upon them with a final rush that brought
+it so near that their very bodies seemed to vibrate in harmony with that
+mighty note of shuddering bass. Then with startling abruptness the green
+net came.
+
+Out from the walls and down from the roof spurted scores of quivering
+ribbons of blinding green flame. Swiftly the radiant tendrils rushed in
+upon the shrinking three from every side, while the infra-bass thundered
+in mighty crescendo.
+
+Blake instinctively swept Helen close within the shelter of his arms in
+an effort to protect her with his own body against the searing menace of
+those onrushing green flames. The next moment the fiery ribbons were
+upon them, lashing about their bodies, crossing and crisscrossing in the
+air above and around them in a great tangled web of interlacing lines of
+flame that filled the entire platform.
+
+ * * * * *
+
+With a shock of relief Blake found that there was no heat in those
+strange flames, but his relief was short-lived as the next second
+brought him realization of the real menace of the radiant ribbons. There
+was a solidity and strength in those glowing streamers that held them as
+helplessly captive as though they were gripped in ribbons of steel.
+Dazed and helpless, the three struggled for a moment in the meshes of
+the weird net of flame like fish caught in the strands of some giant
+cosmic seine.
+
+The trembling thunder of infra-bass abruptly changed to a thin whining
+note so high in pitch that it seemed the nearly soundless ghost of a
+metallic scream. With the change in sound Blake became aware of a new
+and astounding change in his surroundings.
+
+The walls and roof of the station seemed closing in upon him as though
+he were growing in size at an incredible rate. The next moment he shot
+through the roof, hurtling on and upward with the velocity of a rocket.
+The sensation was one that his reeling brain could not even grasp. His
+body seemed to be inside every stone, iron bar, and lump of earth, yet
+at the same time every exterior object seemed _within_ his body. It was
+an eery chaos of a dozen different dimensions blending to form a Space
+in which there was no known dimension.
+
+As they flashed on out to the surface Blake had one hazy glimpse of
+Manhattan's glowing lights spread all about them. Then the speed of
+their progress leaped into a new and terrible acceleration that blotted
+out every tangible sensation from Blake's brain.
+
+Time and Space alike seemed to vanish as their hurtling flight sent them
+rocketing on for distances inconceivably vast through a bleak and
+appalling Nothingness, where neither sight nor sound existed.
+
+Then abruptly the speed of their flight seemed to be lessening.
+Sensation returned to Blake. He again heard the thin high-pitched
+metallic wail, now swiftly deepening to the familiar growl of rolling
+bass. He again noted the presence of the glowing green ribbons of the
+net that still encircled them.
+
+ * * * * *
+
+A blindingly brilliant purple mist was now closing in upon them from
+every direction, bringing with it a nameless and agonizing force that
+seemed to be shaking the very atoms in Blake's body asunder. Then they
+dropped swiftly down out of the purple mists, and the strange agony at
+once vanished. Blake felt their downward progress come to an end with
+the gentle arrival of his feet upon firm ground.
+
+The encircling net of green flame glowed dazzlingly brighter for a brief
+moment, then swiftly vanished into thin air, while the mutter of bass
+vibrations simultaneously died away into silence. Blake staggered and
+nearly fell as the sudden release from the net's strands again left his
+body free.
+
+He looked down at Helen as she stood huddled close beside him, still in
+the shelter of his arms. The girl's face was white with terror as she
+looked back up at him.
+
+"Bob, what happened--and where on earth are we?" Her voice trembled a
+little in spite of her plucky effort to keep it steady.
+
+Blake's bewildered gaze was already roving around them trying to
+comprehend the incredible details of their surroundings. "I've no idea
+what happened, dear," he answered slowly. "As to where we are now, I'm
+very much afraid it's nowhere on Earth!"
+
+"Then where is this hopped-up layout anyway, fellah, if it ain't on
+Earth?" broke in a voice with a decided East Side twang. Blake quickly
+turned and saw that the gangster had remained with them in that eery
+flight in the green net. There was an expression of dumfounded amazement
+upon the man's heavy face, and he was obviously anxious to be friendly
+with the two who now represented the only link with the familiar world
+he had known.
+
+"Gee, for a minute I thought they had me on the spot in some new way,
+sure!" he chattered excitedly as he came quickly over to join Helen and
+Blake. "There's plenty of guys wantin' to turn the heat on me there in
+the Big Town. I'm Gil Mapes, see? But this ain't no frame-up like any I
+ever heard of. What happened anyway, fellah?"
+
+ * * * * *
+
+For the moment Blake did not answer. The three of them were silent as
+they stared about them with eyes that were dazed by the startlingly
+unfamiliar aspect of every detail in their surroundings.
+
+From the twin purple suns that blazed down through the tenuous mists
+overhead to the barren blue-gray ground underfoot, there was not a
+single object familiar to Earthly eyes. The huge enclosure in which the
+three of them stood was obviously the work of intelligent beings of some
+kind, but its mechanical details were products of a science different
+from any known to Blake.
+
+The purpose of the enclosure seemed to be to maintain an area of clear
+air in the midst of the swirling purple vapors that pressed in against
+it from the top and from every side. In shape it was a great oblong
+cell, some fifty feet high, two hundred yards long, and about one
+hundred yards wide. The three captives stood near the center.
+
+Fencing in the enclosure at twenty-yard intervals and reaching upward to
+the ceiling were slender posts of some lusterless black metal. Between
+these posts streamed unbroken, nearly transparent sheets of some unknown
+force, the only visible sign of which was the presence of countless
+millions of tiny shimmering golden flecks which danced like dust motes
+in a ray of sunlight. It was obviously this thin sheet of unknown force
+that was keeping the purple mists at bay, for fan-like antennae at the
+top of each post spread a similar shimmering sheet that formed a ceiling
+for the clear-aired area.
+
+ * * * * *
+
+The three Earthlings were facing one of the side walls of the big
+enclosures. The purple mists outside made it hard to see clearly for
+any distance, but Blake had an impression that the surrounding terrain
+was featured by the same barren, nearly desert bleakness that
+characterized the interior of the enclosure, where scattered clumps of
+dead, spiky black branches of shrub-like vegetation were the only sign
+of plant life.
+
+Just within the distant end wall at their right there was a low platform
+surmounted by a wide arch some ten feet in height, both constructed of
+silver-colored metal. There was nothing between them and the end wall to
+their left, but they could see that the ground sloped sharply upward
+from the barrier-sheet, and on the crest of the ridge a gigantic
+cone-shaped structure of solid black could be seen dimly through the
+intervening mists.
+
+The cone-building seemed to be the source of the power that kept the
+enclosure intact. Slender cables of black metal ran down the slope from
+it into the clear-aired space, spreading out over the dusty gray-blue
+ground to the base of each of the tall posts, with a heavier
+copper-colored cable running on the silver arch. From within the
+windowless interior of the cone there was audible a low hum as of
+tremendous power being generated there.
+
+"Gee, what a rummy joint this place is!" There was frank awe in the
+gangster's voice as he at last broke the silence. "That guy with the
+green net sure took us for one sweet ride. Mebbe we're on the Moon now,
+or on Mars, huh?"
+
+Blake shook his head. "No, we're completely out of our entire solar
+system. Those twin purple suns up there prove that. We may even be in
+another universe, or another dimension from our own. A piece of
+apparatus that could whisk us up through fifty feet of earth and masonry
+as that green net did obviously works in dimensions of which we've
+never dreamed. The only thing we're sure of is that we were brought to
+this purple world deliberately and intentionally by an intelligent being
+of some kind, scooped up like tadpoles from a mud-puddle and dumped here
+in this elaborate enclosure It had already prepared for us."
+
+ * * * * *
+
+Blake nodded to where the black cone-building loomed through the purple
+mists outside the end wall. "Whoever or whatever the thing was that
+brought us here, I have a hunch It's there in that power-house watching
+us. I'd suggest that we walk down toward that end of the enclosure for a
+closer look. We may at least find out whether we're guests or
+prisoners."
+
+"Listens good to me, fellah," agreed Mapes, sliding a hand up to his
+shoulder holster and bringing out a squat black automatic pistol of
+heavy caliber. "We'll do a prowl, over that way, and if His Nibs tries
+any more funny business mebbe a few slugs outta this rod will change his
+mind for him."
+
+"Better go easy with the gun, Mapes," advised Blake as the three of them
+started slowly toward the cone-building. "From what we've already seen,
+there must be weapons in this world that would make your pistol look
+like a kid's pop-gun. We'd better go easy till--wait, what's that?"
+
+The thin high-pitched whine, followed promptly by the familiar growling
+thunder of infra-bass, had again become audible. At the same moment a
+long pencil-like beam of green light glowed into visibility, extending
+from the tip of the cone to a point high within the enclosure just back
+of them. As they halted abruptly and watched, they saw the interlacing
+meshes of the green flame-net materialize suddenly at the end of the
+beam.
+
+The beam curved into an arc that dropped the net swiftly to the ground
+some thirty yards from them. Its meshes were packed nearly full of dark,
+writhing figures.
+
+"Looks like some more tadpoles arriving for our pond!" Mapes exclaimed.
+"I wonder what part of N' Yawk His Nibs yanked these babies from?"
+
+ * * * * *
+
+Blake's answer died on his lips as the net and beam glowed blindingly
+brighter for a brief second, then disappeared, leaving the dark figures
+in full view. Helen choked back a gasp of horror. Mapes swore in
+consternation and hurriedly swung his pistol into line with those
+writhing shapes.
+
+The net's latest captives were not from New York, nor were they from any
+other part of the planet Earth. Hideous spawn of some unknown world out
+in the black void of Space, they writhed for a moment in a nightmare
+chaos of countless brown-furred bodies, then swiftly disentangled
+themselves before the staring eyes of the three Earthlings.
+
+The things were apparently too low in the mental scale to have any
+reaction to their situation other than a blind instinct to attack any
+other living being within reach, for they promptly headed for the three
+captives from Earth.
+
+As the creatures came shambling rapidly forward on powerful bowed legs,
+and with the tips of their long hairy arms brushing the ground, they
+looked like grotesquely distorted apes. The crowning horror of those
+shambling figures, however, lay in the fact that they were completely
+headless!
+
+Even when the things approached to a distance of less than ten feet
+before halting in momentary indecision, Blake could detect no sign of
+any normal skull in the blunt space at the top of the powerful hairy
+torso. There was a furry-lipped mouth opening of some kind in the hollow
+between the bulging shoulders, but of eyes, ears, nose, or brain cavity
+there was no discernible trace.
+
+For a long moment the headless ape-things and the three human beings
+stood silently facing each other. Mapes' pistol was leveled pointblank
+at the nearest of the creatures, but their overwhelming numbers made the
+gangster hold his fire.
+
+There were two distinct groups of the things. At least twenty members of
+each group were in the crowd facing the Earthlings. To the rear of these
+attackers two oddly repulsive objects were carried and carefully
+shielded by picked guards of four unusually large and powerful
+ape-things.
+
+ * * * * *
+
+The nature of those two guarded objects puzzled Blake. They looked like
+large eggs of dirty-gray jelly, about a yard in length. They were
+obviously alive, for their gelatinous masses quivered and trembled in
+constant activity. Blake noted that there seemed to be a curious
+connection between the ebb and flow of pulsations in the egg-masses and
+the movements of the ape-things.
+
+His attention was abruptly recalled to the headless things in front of
+him as they suddenly began shambling forward again. There was no
+possible mistaking the intention of those advancing horrors. They were
+moving to the attack.
+
+They reached barely to Blake's shoulders, but he realized that their
+enormous numbers and hook-taloned hands would make the result of the
+battle almost a foregone conclusion. The fact that the headless things
+were without eyes was no handicap to them. The swift certainty of their
+movements proved that they had a sense of sight of some kind that was in
+every way as efficient as eyesight.
+
+Blake looked hurriedly around him, seeking a place where they might be
+at the best possible advantage in the impending battle. There was a
+small dense thicket of the spiky dead branches half a dozen yards to
+their right. At Blake's low command, the three made a dash for the
+thicket. Arriving there, they ranged themselves against it, with their
+backs at least partially protected from attack.
+
+ * * * * *
+
+The maneuver seemed to puzzle the ape-things for a moment. They stood
+passively watching the retreat of the three until they had reached the
+thicket. Then the creatures again began slowly closing in upon them.
+Blake snatched up a dead branch from the ground near the thicket, and
+was delighted to find that its weight and tough fiber made it an
+excellent club.
+
+He stripped off his topcoat and passed it back to Helen. Its tough
+fabric, heavily rubberized for proof against rain, might guard her head
+and face at least momentarily from those ripping talons if the headless
+attackers came to close quarters. With Helen safely behind them, Blake
+and Mapes turned grimly to face the enemy.
+
+The attack was prompt in coming. Moving with the perfect synchronization
+of a single unit, one of the main groups came shambling in, followed an
+instant later by the other group. Mapes' pistol sent a bullet crashing
+squarely into the nearest attacker. The creature staggered momentarily,
+then came lurching on again, apparently not even crippled. Blake swung
+his heavy club in a whistling arc that sent two of his adversaries
+broken and writhing to the ground.
+
+He heard Mapes' pistol bark four times more as the things closed in.
+Then the gun was knocked from the gangster's grip by a groping
+talon-armed hand. Mapes tried to batter back his assailants with his
+naked fists, but the flailing arms of the horde knocked him from his
+feet. His limp body was promptly tramped into unconsciousness by the
+milling feet of the close-packed group.
+
+Blake lashed the heavy club about him with a burst of savage fury that
+for the moment sent the furred horrors reeling backward. Their retreat
+ended after a scant two yards. Reforming their ranks, they again began
+cautiously shambling forward in a new attack that Blake realized would
+probably mean the end.
+
+ * * * * *
+
+It was easy enough to batter the things to ground, but it seemed
+impossible to seriously hurt them. Their incredible vitality and their
+overwhelming numbers made them almost invincible. Grimly Blake set
+himself to battle as long as he could in that last desperate effort to
+keep the hordes at bay.
+
+He noticed idly that the two groups still kept their oddly separated
+formation. Behind them the two egg-masses of jelly were now seething in
+new activity after a brief lessening of their gruesome shivering. Blake
+now saw that there was a direct and unmistakable connection between the
+activity of the jelly and the corresponding activity of the ape-things.
+
+Realization of the fact sent a sudden flash of inspiration flaming
+through Blake's weary brain, correlating the real significance of a
+dozen different things he had been subconsciously noting ever since the
+first appearance of the weird beasts.
+
+Those attacking things were not hordes of individual animals. They were
+merely two complete organisms, with the members of each organism
+controlled by its nucleus through invisible lines of nervous force as
+the various individual cells of the human body are linked by nerve
+fibers. No wonder the creatures themselves were blind. The egg-mass that
+was the nucleus of each of the two groups was eyes, brain, and seat of
+life for every ape-thing in the group.
+
+With a swift surge of hope Blake realized the way to conquer the things.
+If he could only shatter those flaccid masses of jelly, he would destroy
+the swarming dozens of beasts at the same time.
+
+Reaching the jelly ovoids seemed at first consideration to be an
+impossible task. They were carefully guarded far in the rear of the
+attacking groups. Blake knew that he had scarcely a chance in a hundred
+of battering his way through the intervening ape-things.
+
+ * * * * *
+
+Then he remembered the gangster's pistol. His searching eyes found it
+immediately, there on the ground nearly under the feet of the ape-things
+as they again shambled forward to the attack.
+
+Blake staked everything upon a last desperate sortie against the
+advancing things. With his club whistling around his head in crashing
+blows that wrought murderous havoc in the close-packed hordes, he drove
+them back for one breathless moment that gave him time to leap forward
+and snatch up the pistol.
+
+The ape-things were already springing back upon him as he swung the
+pistol into line with one of the jelly-masses. He barely pressed the
+trigger before the charging brutes knocked him from his feet.
+
+As he went down he flung his arms over his head to protect his face from
+the expected attack of those hooked talons, but none came. A body
+thudded down upon him, then slid limply off again without making any
+move to attack. Blake scrambled to his feet.
+
+Writhing upon the ground all around him were ape-things in their death
+agonies. On the ground beyond them, quivering and broken in the midst of
+its dying guards, was a viscid mass of loathsome gray jelly. Blake's
+shot had apparently struck home squarely in the center of that
+vulnerable blob. Even as he watched, the gelatinous mass shuddered in a
+last convulsion, then became quite still. At the same instant the last
+sign of life vanished from the writhing ape-things on the ground.
+
+A good half of the attacking creatures were included in the dead bodies.
+The other half, Blake now saw, had retreated to cluster in wild panic
+about the remaining blob of jelly. Realizing exultantly that his single
+shot had slain one of the two weirdly disassociated organisms, Blake
+with pistol in hand advanced toward the other, trying to get a clear
+shot at the jelly through the furry bodies clustering around it.
+
+ * * * * *
+
+The group promptly turned and fled in blind panic. Blake sent the
+pistol's last shot crashing into the mass without any appreciable
+effect. Then the things' stampede carried them hurtling on through one
+of the gold-flecked side walls out into the swirling purple mists.
+
+The gold-flecked sheet flowed together again so swiftly behind the
+things that a fraction of a second later there was not even the
+slightest indication in its shimmering unbroken surface to show that it
+had ever been pierced.
+
+For thirty yards the fleeing ape-things sped on into the purple vapors.
+Then disaster struck them with bewildering swiftness. They stopped in
+full flight, shuddered for a moment, then slumped to the ground with
+their limbs writhing in agony. In their center the jelly ovoid quivered
+madly in the same strange torture.
+
+Tiny patches of vivid purple appeared at a hundred different points upon
+the dying creatures. The patches spread and merged with lightning
+rapidity until a solid sheet of livid purple covered the writhing mass.
+Swiftly that mass lost both movement and shape as it melted down into a
+pool of turgid purple slime. Then the slime vaporized into purple mists
+that blended into the surrounding vapors, and all trace of the
+ape-things and their jelly nucleus had vanished.
+
+Stunned by the incredible speed of this general dissolution, Blake
+realized for the first time the real reason for the presence of the
+gold-flecked walls of force. Without those shimmering walls the captives
+would not have lived for a minute in the deadly purple atmosphere of
+this weird world beneath the twin suns. The gold-flecked walls were both
+their protection and their prison. The swirling purple mists outside
+those walls held the Earthlings as effectively and hopelessly prisoners
+in their enclosure as gold-fish in a bowl of water.
+
+ * * * * *
+
+Blake turned back to the thicket to see how Helen and Mapes had fared in
+that terrific battle with the headless things. He was relieved to see
+that the girl had apparently escaped without even a scratch. She was
+kneeling beside Mapes' prone figure, doing what she could to revive him.
+The gangster was badly battered, but he seemed to have no serious
+injuries. He was already beginning to stir weakly and show signs of
+returning life.
+
+Blake started to step over to the two. Then he stopped abruptly as he
+heard a sharp metallic clang from the cone-building out in the purple
+mists beyond the end wall. He looked quickly up and saw that an oval
+window had opened in the structure near its tip. Framed in the opening
+was what seemed to be a large concave mirror. At one side of the mirror
+was a living being of some kind, but the intervening mists prevented
+Blake from making out any details beyond a hazy glimpse of a cluster of
+what seemed to be long slender snake-like black tentacles.
+
+The next moment there spurted from the mirror a broad and swiftly
+spreading beam of red light so brilliant that it glowed clearly even in
+the bright purple rays of the twin suns. Before Blake could shout a
+warning to Helen the racing flood of ruddy radiance was upon them. The
+scene reeled in a blurred kaleidoscope of flaming colors before Blake's
+eyes for a brief second, then complete oblivion swept over him.
+
+ * * * * *
+
+After an interval that seemed hours, consciousness returned to him as
+suddenly as it had left him. His first bewildered look around him
+disclosed the fact that startling changes had occurred in his
+surroundings during the period while he was under the anesthesia of the
+red ray.
+
+His first effort at movement brought realization that he was in the grip
+of a strange paralysis. His head and neck seemed quite normal in every
+way, but from the throat downward his body was completely dead as far as
+any power of voluntary movement was concerned.
+
+He twisted his head stiffly to one side, and saw that Helen was standing
+there beside him. Just beyond her was the motionless figure of Gil
+Mapes. Both the gangster and the girl were in the grip of the same
+strange paralysis. Like Blake, they were standing there rigidly
+motionless, facing the gold-flecked barrier wall just in front of them.
+
+A moment's painful scrutiny of their position showed Blake that the
+posts forming the wall of the enclosure at the end toward the cone had
+been brought in nearly a hundred yards toward them while they slept. The
+shimmering barrier sheet was now scarcely a yard from their faces, yet
+they still stood near the thicket where they had battled the headless
+horrors. Blake saw his coat half-buried in the blue-gray dust near his
+feet where Helen had discarded the garment to minister to Mapes.
+
+Their unseen captor had obviously made definite preparations for
+whatever his next purpose with them was to be, for a long wheeled
+platform had been brought to a position opposite them just outside the
+shimmering gold-flecked sheet. Blake noted the shattered remains of
+Mapes' pistol on the ground at one side of the platform. It had
+apparently been fished from the enclosure and rendered harmless after
+their captor had seen the weapon's efficient use against the headless
+ape-things.
+
+Clustered upon the wheeled platform was an assemblage of intricately
+winding coils, glowing tubes, and other apparatus that conveyed no more
+meaning to Blake's bewildered gaze than a sight of the interior of a
+metropolitan power-house would to a Congo savage.
+
+ * * * * *
+
+There was only one piece of the apparatus regarding whose probable
+function Blake could even guess. This was a pair of long slender arms
+that projected through the shimmering walls into the enclosure,
+supporting at their end a large thin metal plate located just over the
+heads of the three Earthlings. Blake was willing to wager that it was
+this overhead plate that was responsible for the odd paralysis that held
+them helpless.
+
+Then a figure came slowly into view from where it had been concealed by
+the apparatus, and Blake forgot all thought of the strange mechanisms as
+he watched the monstrous thing clamber stiffly from the platform and
+halt squarely in front of the captives to stare at them through the
+transparency of the intervening force sheet.
+
+The thing was a curious blending of human and bestial features. It stood
+barely five feet in height, yet its great scale-armored skull was at
+least three times as large as that of a grown man. There was colossal
+mental power and nameless evil glowing in the dark depths of the two
+abnormally large eyes that stared fixedly out from under the heavy
+forehead. The thing had no nose. The mouth opening, surrounded by a
+rosette of flabby gray skin, was a mere slit. The entire skull and face
+were covered with small, closely overlapping scales of lusterless gray.
+
+The head merged directly into a short black torso nearly as wide as the
+skull itself. From this trunk there writhed a score of long black
+snake-like tentacles, each terminating in a flexible three-fingered
+"hand." The trunk was supported by two short thick legs, armored with
+gray scales, and ending in broad three-toed feet.
+
+"Greetings, Earthlings!" The voice that emanated from the grotesque
+mouth was surprisingly resonant in tone. "Allow me to present myself. I
+am Zehru, imperial scientist of Xollar."
+
+ * * * * *
+
+The monstrosity seemed amused at the expressions of blank surprise upon
+the faces of his captives. "I learned your crude language from your
+brain cells while you slept under the red ray," he explained. "Also I
+learned many other things regarding your planet, Earth. I am glad to
+find your world so well adapted to my purpose. Within a few years after
+my arrival there I shall be its unquestioned ruler."
+
+Blake started to voice the many questions that were surging through his
+mind, but an imperious gesture of an outflung tentacle stopped him.
+
+"Silence, Earthling!" There was tolerant contempt in Zehru's ringing
+voice. "I will explain some of the things that puzzle you. There is no
+reason why I should trouble myself to do so, yet it may while away the
+tedium of the short wait yet remaining before my apparatus becomes
+charged to the required point. Listen carefully, Earthling, for at best
+you will find many of my thoughts beyond the feeble limits of the word
+forms with which you have provided me.
+
+"The world of Xollar, where you now are, is a planet in the island
+universe known to your astronomers as the Great Nebula of Andromeda.
+Until a short time ago I was one of its ruling scientists. Then I
+sinned, and so grave was my sin according to the laws of this planet
+that the Council of Three decreed my death. That death sentence upon
+Xollar is irrevocable, and no man has yet escaped it no matter where
+upon the planet he may be when the appointed time for his execution
+comes. I was given the usual period of grace in which to put my affairs
+in order. Instead, I have labored unceasingly here in my laboratory, and
+my labors have borne fruit. I am the first man in Xollarian history to
+find a means of escaping the dread death penalty.
+
+"Briefly, I discovered a way by which I can flee to your far-distant
+universe, where not even the powers of the Council of Three can follow
+me. That way lies through the door of inter-dimensional Space. In Space
+as you know it, the almost unthinkable distance of a million light years
+separates Xollar from the dwarf star you call your Sun. Yet, traveling
+_between_ Space, the two planets nearly touch each other. The same
+situation of being near neighbors in inter-dimensional Space holds true
+with Xollar and at least seven other planets located in widely separated
+parts of your universe.
+
+ * * * * *
+
+"Let me try to illustrate what I mean by traveling between Space. We
+will assume a nearly two-dimensional universe in the form of a circular
+piece of paper three feet in diameter. There is a dot in the exact
+center of each side of this paper. To a two-dimensional creature, forced
+to travel only on the surface of the paper, the distance between the
+two dots can never be less than thirty-six inches. Yet by cutting
+_between_ the two surfaces and going directly through the paper the dots
+are less than one-hundredth of an inch apart.
+
+"Such is the case with Xollar and the planets in your universe which are
+our immediate neighbors in inter-dimensional Space. In order to reach
+those planets I had only to develop a method of using sufficient force
+to cut _between_ the three dimensions of intervening Space. In solving
+this problem I developed both an inter-dimensional net to bring beings
+from your universe to mine, and an inter-dimensional gate to permit
+beings to pass from here back to worlds in your galaxy.
+
+"You have already seen the workings of the net. It was the device of
+green fire that brought you here. The use of the net was a vital part of
+my plans, for without the use of a physical body from some world in your
+universe I could not hope to live longer than a few minutes after
+leaving Xollar via the inter-dimensional gate. The inherent
+characteristics and basic elements of your galaxy and the Andromedan
+universe are so different in every way that an inhabitant of either
+star-group cannot exist in the other. Xollar's purple atmosphere is
+characteristic of Andromedan worlds. Your oxygen-saturated air is
+typical of worlds in your galaxy. Just as Xollar's purple mists would be
+immediately fatal to you, so would your clear oxygen-tainted air be
+quickly fatal to me.
+
+ * * * * *
+
+"Accordingly, my only chance of surviving in one of your worlds is to
+first transfer my Intelligence to the body of one of the dwellers upon
+that planet. Of the seven planets within reach of my net I found only
+two that promised to be at all suitable. One was your Earth, the other
+a minor planet circling the star you call Vega. I brought both you and a
+net-load of Vegans here to this oxygen-filled enclosure I had already
+prepared.
+
+"The Vegans were the headless things with the jelly nuclei. I watched
+your battle with them, and waited to choose as my vehicle the planetary
+type that proved the stronger. You vanquished the Vegans, so it is in
+the body of an Earthling that I shall leave Xollar, and it is to the
+planet Earth that I shall be hurtled through the inter-dimensional gate.
+
+"Aside from the slight difficulty caused by having to keep my body and
+yours each in its proper element during the operation, the matter of
+transfer into one of your bodies is a simple one. It involves none of
+the clumsy brain surgery of your Earthly science. We of Xollar have
+found that the real Intelligence of a being is an invisible force not at
+all dependent for existence upon the protoplasm through which it
+manifests. My Intelligence can function quite as well in your brain
+cells as in my own.
+
+"I require no assistant in the transfer." Zehru indicated an intricate
+piece of apparatus on the platform behind him. It was a massive cylinder
+of fluorescent metal, with two long metallic cables running from its
+center, each cable ending in a saucer-shaped disk.
+
+ * * * * *
+
+"I have only to thrust one cable through the force-wall into your
+enclosure and place its disk upon one of your heads, then place the
+other disk upon my own head. The apparatus is entirely automatic. Three
+seconds after both disks are in place my Intelligence will course into
+the Earthling brain, driving out his Intelligence and destroying it as
+mine enters.
+
+"I will, of course, remove the selected body from under the paralyzing
+plate before I attach the disks. Then when I am safely transferred to
+the Earthling body I will have only to walk on through the enclosure to
+the silver arch at the far end and leave Xollar forever.
+
+"That silver arch is the inter-dimensional gate to your Earth. Its
+operation is slightly different from that of the net. Where the net was
+capable of reaching under the surface of your planet, a proceeding I
+tried when two attempts upon the surface proved fruitless, the gate is
+so adjusted that it will place its passenger exactly upon the surface of
+your world. It requires no cooperation from this end. When I step under
+the arch I merely close a black lever there. Inter-dimensional force
+immediately catapults me to your Earth. Then the automatic mechanism of
+the gate will within half a minute of my departure release an explosion
+that will shatter everything within a radius of a mile here, and so
+prevent the Council of Three from even guessing the method of my
+escape."
+
+"But what of the two of us whose bodies you do not need?" Blake
+protested. "Can you not at least take them through the arch-gate with
+you back to their home world?"
+
+"Why should I do anything so foolish as that?" Zehru answered callously.
+"They might easily be a menace to my first attempts to establish myself
+upon your planet. Far better to leave them here in their present state
+of paralysis to be safely destroyed in the explosion of the gate."
+
+ * * * * *
+
+Zehru now thrust three of his tentacles into a vat of milky fluid, and
+withdrew them coated with a silver sheen on the black flesh. The silver
+glaze seemed to be an insulation against both the oxygen of the
+enclosure and the paralyzing force of the overhead disk, for the
+Xollarian promptly thrust the three silver-coated arms through the wall
+and began handling the bodies of Mapes and Blake in a painstaking
+process of examination.
+
+Again Blake noted that the shimmering gold-flecked wall closed quickly
+in and kept its surface unbroken no matter how often objects were thrust
+through it.
+
+Completely ignoring Helen, Zehru lifted first Mapes, then Blake, his
+tentacles probing, fingering, exploring. There was enormous power in the
+Xollarian's grotesque body. He lifted the men as though they were wooden
+dolls, bringing them close to the shimmering wall to peer at them, then
+setting them carefully down again on their feet under the disk. Blake
+wondered idly why their stiff bodies did not topple over when they were
+left unsupported, then decided that the paralyzing force of the disk
+probably left the automatic muscular balancing movements unimpaired,
+affecting only the powers of voluntary movement.
+
+ * * * * *
+
+Then, as Zehru set him down after one of the periods of examination,
+Blake noticed a new and startling change the moment his feet touched the
+ground. His right leg and right arm were no longer dead!
+
+He hurriedly glanced down at the ground at his feet, and promptly found
+what seemed to be the reason for his partial freedom from the paralysis.
+In setting his body down the last time Zehru had moved Blake slightly.
+His right foot now rested upon a corner of the discarded topcoat lying
+half-buried there in the blue-gray dust.
+
+The heavily rubberized cloth apparently acted as an insulating sheet
+that prevented the effective grounding of the paralyzing force that
+streamed down through Blake's body from the overhead disk. Consequently
+all portions of his body between the coat and the disk were free from
+the paralysis. For a moment Blake wondered at Zehru's carelessness. Then
+he realized that the insulating qualities of rubber would naturally be
+unknown to a Xollarian.
+
+Noting that Zehru was busy at the moment with his work upon Mapes, Blake
+quickly grasped at the faint chance the presence of the rubberized cloth
+offered him. Working with infinite slowness and caution, he edged his
+right foot over an inch at a time, dragging the rest of his body with
+it.
+
+Luck was with him. Zehru continued, absorbed in his work upon Mapes. The
+Xollarian's telepathic powers apparently functioned only with the aid of
+the red ray, for he remained oblivious of Blake's actions. One final
+cautious dragging movement, and Blake's entire body was upon the cloth,
+with every muscle again vibrantly alive.
+
+ * * * * *
+
+Blake stood there motionless, faking paralysis, while his brain raced in
+an effort to figure the best use to make of his present advantage. He
+was still trapped, not daring to reach even a hand beyond the protection
+of the cloth underfoot. The first essential of any effort at escape
+would have to be a lunge of sufficient power to take him safely beyond
+the area of the disk's influence.
+
+Blake's first thought was to hurl himself through the barrier wall upon
+Zehru, trusting to sheer surprise to overwhelm the Xollarian, but he
+quickly dismissed that plan. It left too many elements in Zehru's favor.
+There was a tube-like weapon thrust in a belt around Zehru's middle and
+there were probably a dozen other different weapons lying handy to his
+reach among the apparatus on the platform. The deadly purple mists
+beyond the wall would alone in all probability overcome Blake before he
+could batter Zehru down.
+
+By far the best plan was to stage the battle inside the enclosure where
+Blake would be in his own native element. If he could yank Zehru inside
+the wall he would have him away from contact with his mechanical weapons
+and battling in an atmosphere inherently poisonous to him. Under those
+circumstances, Blake felt that he might have an even chance in a
+hand-to-hand combat with the powerful but slow-footed Xollarian.
+
+Once Zehru was eliminated, escape back to Earth should be a simple
+matter. The silver gate, with its automatic mechanism needing only the
+closing of a lever, was ready and waiting there in the enclosure behind
+them.
+
+ * * * * *
+
+For long tense minutes Blake forced himself to remain rigidly motionless
+while Zehru labored over Mapes. Then finally the Xollarian turned his
+attention briefly back to Blake, and thrust two tentacles in to grip his
+body. No sooner had the tentacles crossed above the border of the cloth
+than Zehru realized that something was wrong. He tried to whip his arms
+back again but too late.
+
+Blake made a lightning snatch at a tentacle with both hands, and in the
+same lithe movement turned from the barrier wall and flung himself
+headlong toward the center of the enclosure. Zehru had no time to brace
+himself. He was jerked bodily through the shimmering wall and on after
+Blake's lunging body.
+
+One of the Xollarian's waving tentacles grasped wildly at the overhead
+disk in an effort to stay his flight. The only result was to bring the
+entire disk and its supports crashing in ruins to the ground upon the
+struggling figures of Blake and himself.
+
+Blake was upon his feet again instantly. Snatching up a yard-long scrap
+of metal from the wreckage of the disk, he flung himself upon Zehru.
+The Xollarian seemed for the moment too dazed by his fall to fight back.
+With tentacles raised to guard his head, he staggered backward in
+retreat, every step taking him farther away from the wall and the purple
+mists.
+
+Blake was vaguely aware that Helen and Mapes, freed by the wrecking of
+the disk, were scrambling to their feet. Mapes was already running
+toward the combatants. Blake was glad at the prospect of an ally.
+Zehru's dazed condition was swiftly passing. He had now stopped his
+retreat and was already fumbling a tentacle toward the tube-weapon in
+his belt.
+
+Blake flung himself upon Zehru in another effort to beat him down before
+he could draw that weapon, but his metal club glanced harmlessly off the
+tentacles Zehru raised to shield his head. Then beyond Zehru Blake saw
+something that made him stop his assault.
+
+ * * * * *
+
+It was Mapes, sprinting toward the silver arch-gate at the other end of
+the enclosure. Blake's heart sank as he realized the gangster's
+treachery. If he once reached that arch he could send himself safely
+hurtling back to Earth, while Blake and Helen would be left to perish
+with Zehru in the explosion that would immediately follow. It was too
+late for Blake to head the gangster off. He had already covered half the
+distance to the arch.
+
+Zehru noted Mapes' fleeing figure almost as quickly as did Blake.
+Swiftly the Xollarian swung his tube-weapon into line with the fleeing
+gangster. A thin pencil of dull yellow light of a peculiar density
+spurted from the tube toward Mapes. There was a flash of blinding flame
+as the light beam met the gangster's body; then Mapes' figure seemed to
+literally explode, as though blasted by dynamite from within. So
+devastating was the force of that explosion that nothing remained of
+Mapes' body beyond a few scattered fragments of shoes and clothing.
+
+Blake was still dazed at the cataclysmic suddenness of Mapes' death as
+Zehru swung the tube around to train it upon him. Only a last-minute
+desperate effort upon Blake's part saved him. His wildly thrown metal
+club made a lucky hit on the tube itself, knocking it, shattered and
+useless, out of Zehru's grasp.
+
+Unarmed, Zehru faced Blake with his face contorting in agony. For a
+moment the Xollarian swayed there, apparently trying to gather his
+failing strength for the next move. The deadly air of the enclosure was
+already taking hideous toll. The scaly flesh of his head and face was
+dissolving like melting butter.
+
+Zehru's strength was ebbing too swiftly for him to have any chance of
+gaining safety through either of the distant side walls. His only hope
+of fighting back to the purple mists was to pass Blake and go through
+the nearby end wall through which he had originally been drawn.
+
+He came lunging forward in an attack whose sheer fury made Blake give
+ground before the menace of the lashing tentacles.
+
+ * * * * *
+
+Blake took another backward step, then staggered as his foot struck a
+rough spot in the ground. Zehru's tentacles were upon him before he
+could recover himself. His club was jerked from his fingers and sent
+hurtling far out of reach. Half a dozen of the tentacle-arms lashed
+around his throat in a strangling grip.
+
+He clawed wildly at the choking coils, but they failed to loosen even a
+fraction of an inch. Desperately Blake sent his fists smashing into the
+gray face. The scale armor of Zehru's skull, fast weakening in the
+liquefying influence of the oxygen, gave way beneath that battering
+attack. He staggered, and his coiling tentacles relaxed slightly.
+
+Blake tore himself free. A final smashing blow, with every ounce of his
+one hundred and ninety pounds behind it, sent Zehru crashing to the
+ground. The Xollarian tried to rise, then feebly slumped back, his
+strength spent. Blake leaped forward to finish his opponent, but stopped
+as he saw that his efforts were not needed.
+
+The deadly air of the enclosure was now overwhelming Zehru with swift
+and hideous death. He was literally rotting before Blake's horrified
+eyes, the gray-scaled skin sloughing off in streaming rivulets of pallid
+ooze, and the entire body contorting in what was obviously a death
+agony.
+
+Sickened, Blake stepped back a pace or two. Zehru's tentacles feebly
+beat the ground around him, then suddenly one of the writhing arms
+blundered upon a thin cable running along the ground. Before Blake could
+spring forward to stop him, Zehru with a last surge of power ripped the
+fragile metal strand completely in two.
+
+It was the Xollarian's dying effort. He slumped in a motionless, nearly
+liquescent heap. But that last blind blow at the Earthlings threatened
+to be a deadly one. The severed cable led to one of the black posts
+surrounding the enclosure. With the cable's parting an entire section of
+one of the gold-flecked barrier walls vanished. Xollar's deadly purple
+mists were already surging in.
+
+ * * * * *
+
+Speed was the Earthlings' only chance now. Helen was as quick to realize
+the danger as was Blake. Side by side they started their mad race toward
+where the silver arch-gate loomed nearly a hundred yards away.
+
+They had covered barely half the distance when the air around them
+began to show a definite tinge of purple. With the appearance of the
+purple hue there came a strange and swiftly increasing agony, a
+torturing vibration that seemed to be tearing every atom in their bodies
+asunder.
+
+They were within ten yards of the arch when Helen fell. Blake grabbed
+her up in his arms and stumbled on. There was no longer enough oxygen in
+the air to even breathe. Blake's lungs were on fire. Every cell in his
+body seemed vibrating in unbearable torment.
+
+It was all that he could do to struggle up on the low platform. He
+staggered across the space and under the arch. It took the last shred of
+strength in his tortured body for him to lift his hand and pull the
+black lever down into place.
+
+Its action was instantaneous. The agony of the purple mists was blotted
+out in a surging wave of mighty force that swept Blake and Helen up and
+away through a Spaceless universe where black chaos reigned awesomely
+supreme. There was a long terrible moment of hurtling through distances
+inconceivably vast. Blake's brain reeled in nausea.
+
+Then suddenly all motion ceased and everything was normal again. There
+was firm grassy ground under his feet and a cool breeze was blowing in
+his face.
+
+He opened his eyes and saw the gray half-light of early dawn. After the
+first swift look around him he sighed in mighty relief. To his left was
+the familiar skyline of Fifth Avenue. To his right was Central Park
+West. They were somewhere in Central Park, safe again in their own
+world.
+
+And somewhere in that other world beneath the twin purple suns, the time
+mechanism of the silver gate should even now be releasing the explosive
+that would forever blot out all trace of the evil handiwork of Zehru,
+cosmic fisher of Xollar.
+
+
+
+
+Transcriber's Note:
+
+ This etext was produced from _Astounding Stories_ February 1932.
+ Extensive research did not uncover any evidence that the U.S.
+ copyright on this publication was renewed. Minor spelling and
+ typographical errors have been corrected without note.
+
+
+
+
+
+End of the Project Gutenberg EBook of Zehru of Xollar, by Hal K. Wells
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ZEHRU OF XOLLAR ***
+
+***** This file should be named 26917.txt or 26917.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/6/9/1/26917/
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/26917.zip b/26917.zip
new file mode 100644
index 0000000..17afbc3
--- /dev/null
+++ b/26917.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..ef6e1ea
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #26917 (https://www.gutenberg.org/ebooks/26917)