summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--26897-8.txt2378
-rw-r--r--26897-8.zipbin0 -> 45965 bytes
-rw-r--r--26897-h.zipbin0 -> 54644 bytes
-rw-r--r--26897-h/26897-h.htm3012
-rw-r--r--26897-h/images/77_006a.pngbin0 -> 844 bytes
-rw-r--r--26897-h/images/77_006b.pngbin0 -> 1083 bytes
-rw-r--r--26897-h/images/77_015.pngbin0 -> 417 bytes
-rw-r--r--26897-h/images/77_026.pngbin0 -> 1471 bytes
-rw-r--r--26897-page-images/p0297.pngbin0 -> 132541 bytes
-rw-r--r--26897-page-images/p0298.pngbin0 -> 117713 bytes
-rw-r--r--26897-page-images/p0299.pngbin0 -> 150753 bytes
-rw-r--r--26897-page-images/p0300.pngbin0 -> 143996 bytes
-rw-r--r--26897-page-images/p0301.pngbin0 -> 145310 bytes
-rw-r--r--26897-page-images/p0302.pngbin0 -> 162377 bytes
-rw-r--r--26897-page-images/p0303.pngbin0 -> 143230 bytes
-rw-r--r--26897-page-images/p0304.pngbin0 -> 146695 bytes
-rw-r--r--26897-page-images/p0305.pngbin0 -> 149823 bytes
-rw-r--r--26897-page-images/p0306.pngbin0 -> 157126 bytes
-rw-r--r--26897-page-images/p0307.pngbin0 -> 160640 bytes
-rw-r--r--26897-page-images/p0308.pngbin0 -> 145720 bytes
-rw-r--r--26897-page-images/p0309.pngbin0 -> 149140 bytes
-rw-r--r--26897-page-images/p0310.pngbin0 -> 138078 bytes
-rw-r--r--26897-page-images/p0311.pngbin0 -> 151995 bytes
-rw-r--r--26897-page-images/p0312.pngbin0 -> 129574 bytes
-rw-r--r--26897.txt2378
-rw-r--r--26897.zipbin0 -> 45860 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
29 files changed, 7784 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/26897-8.txt b/26897-8.txt
new file mode 100644
index 0000000..9059d22
--- /dev/null
+++ b/26897-8.txt
@@ -0,0 +1,2378 @@
+Project Gutenberg's Notes and Queries, Number 77, April 19, 1851, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries, Number 77, April 19, 1851
+ A Medium of Inter-communication for Literary Men, Artists,
+ Antiquaries, Genealogists, etc
+
+Author: Various
+
+Editor: George Bell
+
+Release Date: October 12, 2008 [EBook #26897]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES ***
+
+
+
+
+Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
+and the Online Distributed Proofreading Team at
+http://www.pgdp.net (This file was produced from images
+generously made available by The Internet Library of Early
+Journals.)
+
+
+
+
+
+Transcriber's note: A few typographical errors have been corrected: they
+are listed at the end of the text.
+
+ * * * * *
+
+
+{297} NOTES AND QUERIES:
+
+A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES,
+GENEALOGISTS, ETC.
+
+ * * * * *
+
+"When found, make a note of."--CAPTAIN CUTTLE.
+
+ * * * * *
+
+
+No. 77.]
+SATURDAY, APRIL 19. 1851.
+[Price Threepence. Stamped Edition 4d.
+
+ * * * * *
+
+
+CONTENTS.
+
+ NOTES:-- Page
+ Latin Drinking Song by Richard Braithwait, by S. W.
+ Singer 297
+ Strange Appearances in the Sky, by Rev. A. Gatty 298
+ "After me the Deluge," by Douglas Jerrold 299
+ Bishop Thornborough's Monument 299
+
+ Minor Notes:--King Richard III.--Shakspeare a
+ thorough Sailor--"A fellow-feeling." &c.--Early
+ Instances of the Word "News"--Under the Rose 300
+
+ QUERIES:--
+ Portraits of Spenser 301
+ The Vendace 301
+
+ Minor Queries:--Ex Pede Herculem--"To-day we
+ purpose"--"God takes those soonest whom He loves
+ the best"--Quakers' Attempt to convert the Pope
+ --Whychcote of St. John's--Meaning of Rechibus--
+ Family of Queen Katherine Parr--Skort--Religious
+ Teaching in the German Universities--Epigram by
+ Dunbar--Endymion Porter--Sathaniel--The Scoute
+ Generall--Anthony Pomeroy, Dean of Cork 302
+
+ MINOR QUERIES ANSWERED:--Civil War Tract--Trisection
+ of the Circle--Wolsey's Son--Cardinals and
+ Abbots in the English Church 303
+
+ REPLIES:--
+ Sir Balthazar Gerbier, by J. Crossley 304
+ The Travels of Baron Munchausen 305
+
+ Replies to Minor Queries:--Tobacco in the East--
+ Captain John Stevens--MS. Catalogue of Norman
+ Nobility--Illustrations of Chaucer, No. III.--
+ Comets--Pope Joan--Abbot Euctacius--The
+ Vellum-bound Junius--Meaning of Waste-book--
+ Cowdray--Solemnisation of Matrimony--Epitaph
+ on the Countess of Pembroke--Scandal against
+ Queen Elizabeth--The Tanthony--The Hippopotamus
+ --Tu autem--Places called purgatory--Swearing
+ by Swans, &c.--Edmund Prideaux and the Post-office
+ --Small Words and "Low" Words--Lord
+ Howard of Effingham--Obeahism, &c. 306
+
+ MISCELLANEOUS:--
+ Notes on Books, Sales, Catalogues, &c. 310
+ Books and Odd Volumes wanted 311
+ Notices to Correspondents 311
+ Advertisements 311
+
+ * * * * *
+
+
+Notes.
+
+LATIN DRINKING SONG BY RICHARD BRAITHWAIT.
+
+I have been surprised, from the facility with which the author of "Drunken
+Barnaby" seems to pour out his Leonine verse, that no other productions of
+a similar character are known to have issued from his pen. I am not aware
+that the following drinking song, which may fairly be attributed to him,
+has ever appeared in print. It was evidently unknown to the worthy
+Haslewood, the crowning glory of whose literary career was the happy
+discovery of the author, Richard Braithwait. I transcribe it from the MS.
+volume from which James Boswell first gave to the world Shakspeare's verses
+"On the King." Southey has somewhere said that "the best serious piece of
+Latin in modern metre is Sir Francis Kinaston's _Amores Troili et
+Cressidæ_, a translation of the two first books of Chaucer's Poem[1]; but
+it was reserved for _famous_ BARNABY to employ the barbarous ornament of
+rhyme, so as to give thereby point and character to good Latinity."
+
+Southey does not seem to have known those remarkable productions of the
+middle ages, which have been made accessible to us by the researches of
+Docen, of Grimm, of Schmeller, and of Mr. Wright; and, above all, of that
+exquisite gem, "De Phyllide et Flora," first printed by Docen[2], and since
+given by Mr. Wright in his collection of _Poems attributed to Walter de
+Mapes_. We have, however, a much better text from the hand of Jacob Grimm,
+in the _Memoirs of the Academy of Berlin for 1843_, p. 239. Of this poem it
+is perhaps not exaggeration to say, that it is an Idyll which would have
+done honour to the literature of any age or country; and if it is the
+production of Walter de Mapes, we have reason to be proud of it. It is a
+dispute between two maidens on the qualities of their lovers, the one being
+a soldier, the other a priest. It breathes of the spring, of nature, and of
+love:
+
+ "Erant ambæ virgines et ambæ reginæ
+ Phyllis coma libera Flora comto crine,
+ Non sunt formæ virginum sed formæ divinæ,
+ Et respondent facies luci matutinæ.
+
+ Nec stirpe, nec facie, nec ornatu viles,
+ Et annos et animos habent juveniles
+ Sed sunt parum inpares, et parum hostiles
+ Nam hinc placet clericus illi vero miles."
+
+{298} Love is called in to decide the dispute, and it causes no surprise to
+find, after due ventilation of the cause, the judgment of the court to be:
+
+ "Secundum scientiam et secundum morem,
+ AD AMOREM CLERICUM DICUNT APTIOREM."
+
+Your readers who are not already acquainted with this interesting picture
+of ancient manners will, I think, be pleased with having it pointed out to
+their notice.
+
+Should the following song not be already in print, I can also furnish from
+the same source a version of the ballad on "Robin Goodfellow" by the same
+hand, should it be acceptable.[3]
+
+S. W. SINGER.
+
+ "CANTIO.
+
+ "O Pampine! quo venisti?
+ Cur me spectas fronte tristi?
+ Tolle caput, sis jucundus,
+ Tolle poculum exue fundus,
+ Et salutem jam bibamus,
+ Ad sodales quos amamus;
+ O Pampine! tibi primum
+ Haustum summus hunc ad imum.
+
+ Ecce de christallo factum
+ Purum vas, et hoc intactum,
+ Lympha nunc et succo plenum,
+ Nec includit hoc venenum;
+ Medicamen quod repellit
+ Omnes malos, nec fefellit,
+ O Pampine! invito Momo,
+ Tibi, tu es meus homo.
+
+ Hic est sacer fons et flumen,
+ Quod qui potant vocant numen,
+ Iras pellit, demit lites,
+ Et superbos facit mites;
+ Et post flumen hoc te amoenum
+ Annos reparare senum:
+ O Pampine! tibi habe,
+ Bibe si sis dignus tabe.
+
+ Hoc si tu gustabit nectar,
+ Si sis Paris fies Hector,
+ Iras demit inquietas,
+ In memento facit lætas;
+ Pro doloribus est solamen,
+ Pro pulicibus medicamen;
+ O Pampine! habe tibi,
+ Bibe tu cum ego bibi.
+
+ Hic est aqua vera fortis,
+ Vincula quæ solvet mortis,
+ Aut, si placet, aqua vitæ,
+ Roborans ab atra Dite:
+ Hinc sunt uti qui potestis
+ Omnia, cibus, potis, vestis;
+ O Pampine! tibi cito
+ Bibe, aut ab hinc abito.
+
+ Si frigistis, sine joco,
+ Solo hoc utare foco,
+ Si esuries hic sunt oves,
+ Pulli, vituli, et boves;
+ Quod si sitis ecce montem,
+ Quem si scandes habet fontem;
+ O Pampine! bibe rursus,
+ Bibe, tu nam venit cursus.
+
+ Si ægrotas sume potum,
+ Vis ut valeas tolle totum,
+ Cape potum hunc paratum,
+ Sanus eris,--est probatum;
+ Si in corpore aut in mente
+ Dolebant in quavis dente;
+ O Pampine! tibi statim
+ Sume potum hinc gradatim.
+
+ Bacche jam et jam Silene,
+ Pocula impleatis plene,
+ Ope jam adiutus vestra
+ Domum, feram e fenestra.
+ Ædes vertunt jam rotundæ,
+ Et succedant res secundæ:
+ O Pampine! tibi bibo,
+ Bibe, vale! ego abibo."
+
+[Footnote 1: Southey was not aware that the whole of Chaucer's Poem, and
+the "Testament of Cressid," by Henryson, was translated by Kinaston and
+accompanied by a copious commentary in English, but only exists in one sole
+MS. The press of the Camden Society would be well employed on it.]
+
+[Footnote 2: In Baron von Aretin's _Beytrage zur Geschichte und Literatur_,
+vol. vii. p. 301.; but the copy, though a good text, was defective at the
+end.]
+
+[Footnote 3: [We are sure we are only expressing the opinion of the
+majority of our readers when we say it will be _most acceptable_.--ED.]]
+
+ * * * * *
+
+STRANGE APPEARANCES IN THE SKY.
+
+Strange appearances in the sky have not been without their ominous
+signification from the time that the greater and lesser lights were placed
+there at the creation, to the rainbow after the Deluge; and onward to the
+"star in the east" which announced our Saviour's birth, and the "light from
+heaven" which accompanied St. Paul's conversion. But the question is,
+whether there has since been any meaning in other like celestial
+illuminations? Some historical credit is claimed for the fiery sword, and
+armies fighting in the air, which preceded the siege of Jerusalem: for the
+cross of the Emperor Constantine: for the bow about the sun seen by
+Augustus Cæsar, when he took possession of the Roman empire: and for stars,
+or other heavenly lights, which have seemed to herald the births or deaths
+of illustrious personages. But are these stories to be believed? and, if
+they are, where is the line of credibility to be drawn? People cannot come
+together, and talk either on this subject, or on that of ghosts, but every
+one "hath a revelation, hath an interpretation." The poet, walking on the
+mountains, looked into the sky, and
+
+ "The appearance, instantaneously disclosed,
+ Was of a mighty city--boldly say
+ A wilderness of building, sinking far,
+ And self-withdrawn, into a wondrous depth,
+ Far sinking into splendour--without end?"
+
+The two following extracts are from private letters now before me. The
+first account was written in 1825 by a physician, still alive, and {299}
+who at the time read an account of what he had seen at a meeting of the
+Plinian Society. He says,
+
+ "I last evening read a paper upon an extraordinary appearance of
+ letters, formed by the clouds, seen by a Mr. T. and myself. We had also
+ with us two little boys, one nine, the other eleven years of age, who
+ were able to make out each letter equally with ourselves. These
+ children were at the time walking some distance behind us: but, upon
+ their coming up, and being shown the letters, they read them without
+ having heard any observation of ours respecting them. We saw them for
+ about two minutes, when they gradually changed their form--each letter
+ changing its perpendicular for a horizontal position, and at length the
+ whole becoming converted into that form of cloud denominated
+ cirro-stratus. I will endeavour to give you a faint idea of the
+ appearance, by forming the letters as well as my memory will enable me.
+ I make no comment upon the words themselves, as they are too
+ extraordinary for observation of any kind. It was upon the 12th of last
+ month: several showers had fallen in the course of the day, but the
+ afternoon was fine. The time seven in the evening. The letters were
+ formed upon a fine blue surface, having no other clouds near them,
+ except very small ones, which tended much to heighten the effect of the
+ whole.
+
+ [Illustration: (ETERNAL)]
+
+ [Illustration: (MILLENNIUM)]
+
+ "You will observe several deficiencies in the letters of the first
+ word, viz. in the first 'E;' also in the 'N,' the second part being
+ short; and a slight defect in the letter 'A.' With respect to the
+ second word, the first six letters were very perfect: the others, with
+ the exception of the 'M,' mere strokes; but in number sufficient to
+ make up the word: and they had the appearance of having been perfect. I
+ can assure you they were anything but obscure, and required very little
+ stretch of the imagination. In the first word the letters were
+ equidistant and beautifully uniform. The second word was not quite
+ straight, being curved towards its termination. This appeared to me to
+ arise from the change of position which the letters were undergoing, as
+ before stated."
+
+My other extract is from a letter written in 1851. The scene to which it
+refers is a sick chamber occupied by an octogenarian grandmother, who is
+_in extremis_. Her daughter, who writes the account, is present, together
+with a grandchild, who is nearly eleven years old. The nurse has left the
+room.
+
+ "We afterwards stood by poor grandmamma's fire, and then we sat at her
+ window to see the moon rise. There were many clouds about it, and
+ directly under it was the most marked figure of our Saviour on the
+ cross. The head was concealed in light, but the arms were outstretched,
+ and the body quite distinct. M. saw it too, and said, 'How appropriate,
+ aunt, for the beginning of Lent!' She has never alluded to it since,
+ nor, of course, have I; nor do I think any more of it, than that _there
+ it was_: and there is something happy in the fancy, at all events, for
+ it shone on her dying bed."
+
+As you admit folk lore into "NOTES AND QUERIES," also well-attested
+anecdotes, although these may not absolutely conduce to the advancement of
+learning or art, perhaps you will receive this paper for the amusement of
+those who, like myself, feel an interest in anything which takes us a
+little out of the _hardware facts_ of "the age we live in."
+
+ALFRED GATTY.
+
+Ecclesfield.
+
+ * * * * *
+
+"AFTER ME THE DELUGE."
+
+If stolen wisdom could be returned to its rightful authors, great, indeed,
+would be the transfer of property. Prince Metternich is said to be the
+sayer of "After me the Deluge." And yet the Prince took the saying from the
+mouth of Madame Pompadour; and she took it--from whom? It may be reasonably
+doubted that her brain originated it; for it was not an order of brain that
+packs wisdom in few syllables.
+
+ "'After me the Deluge,' said Prince Metternich; a fine saying, but a
+ false prophecy we trust."
+
+I quote this from an admirable paper in _The Times_ of to-day (April 10.)
+on the Crystal Palace, and quote the subscribed from an _Essai sur la
+Marquise de Pompadour_, prefixed to the _Mémoires de Madame du Hausset,
+Femme de Chambre de Madame Pompadour_, in Barrière's _Bibliothèque des
+Mémoires_.
+
+ "Madame de Pompadour, dans l'ivresse de la prospérité, répondit à
+ toutes les menaces de l'avenir par ces trois [_quatre_] mots, "APRÈS
+ NOUS, LE DÉLUGE," qu'elle répétait souvent."
+
+In this case, "Pompadour _v._ Metternich," surely a verdict must be
+returned for the lady, unless Voltaire puts in a future claim.
+
+DOUGLAS JERROLD.
+
+West Lodge, Putney Common.
+
+ * * * * *
+
+BISHOP THORNBOROUGH'S MONUMENT.
+
+ [The writer of the following interesting communication does not appear
+ to be aware that he is obliging us and a correspondent D. Y., who had
+ asked (Vol. iii., p. 168.) for an explanation of the phrase _Denarius
+ Philosophorum_, in the Bishop's Monument.]
+
+Our local antiquaries have long been puzzled by an inscription in the Lady
+chapel of our cathedral. It stands on the monument of Bishop Thornborough,
+and was prepared by himself fourteen years before his decease in 1641, at
+the age of ninety-four. He was addicted to alchymy, and published a book in
+1621, entitled [Greek: Lithotheôrikos], _sive_, _Nihil aliquid_, _omnia_,
+_&c._ In the course of some recent studies in the Pythagorean philosophy,
+my attention was accidentally engaged by this {300} inscription; and it at
+once struck me that it was _thence_ that the explanation was to be derived.
+The epitaph is as follows: on one side,
+
+ "Denarius Philosophorum, Dum Spiro, Spero."
+
+on the other,
+
+ "In Uno, 2^o. 3^o. 4^{or} 10. non Spirans Spera_bo_."
+
+The latter letters are now effaced.
+
+It is well known that the Pythagoreans found all the modes of space in the
+relations of numbers.
+
+The monad, or unit, was not only the _point_ whence all extension proceeds,
+but it further symbolised the First Principle, the origin of all. The duad
+represented the line, as being bounded by two points or monads. The triad
+stood for surface as length and width. The tetrad for the perfect figure,
+the cube, length, depth, and width. The decad, or denarius, indicated
+comprehensively all being, material and immaterial, in the utmost
+perfection: hence the term _decas_, or _denarius_, was used summarily for
+the whole science of numbers, as in the title of Meursius's tract _De
+Denario Pythagorico_, which was published four years after the date of the
+inscription, and when the philosophy was attracting much attention among
+European scholars. To be as concise as possible then, I presume that the
+old bishop intended that the tomb on which his effigy lies was his access
+to that perfection of existence which philosophers had designated by the
+_decas_, or _denarius_. During the present life he was hoping for it, "Dum
+Spiro, Spero."--On the other side: "In Him, who is the source, the
+beginning, the middle, and the end of all existence and perfection (in Uno,
+2^o. 3^o. 4^{or} 10. non Spirans Sperabo), though I breathe no more, yet
+shall I hope."
+
+Such is probably the meaning of his pious conceit, and I offer it as a
+solution of what has long served for a riddle to the visitors of our
+cathedral. Beyond this, your readers and myself may be equally indifferent
+to such cabalistical quaintness. But let us treat it with charity, as the
+devout consummation of an aged alchymist.
+
+O. F.
+
+College Green, Worcester, March, 1851.
+
+ * * * * *
+
+
+Minor Notes.
+
+_King Richard III._ (Vol. iii., p. 221.).--On the 14th May, 1491 (6 Henry
+VII.), one Master William Burton, the schoolmaster of St. Leonard's
+Hospital, in the city of York, was accused before the magistrates of having
+said that "King Richard was an hypocrite, a _crocheback_, and buried in a
+dike like a dog." This circumstance is recorded in a contemporary document
+of unquestionable authenticity (vide extracts from _York Records in the
+Fifteenth Century_, p. 220.); and must remove all doubt as to the fact of
+Richard's bodily deformity. The conjecture of Dr. Wallis, quoted by
+G. F. G., can have no weight when opposed by clear evidence that the word
+"crouchback," as a term of reproach or contempt, was applied to King
+Richard within a few years after his death, by one to whom his person must
+have been familiarly known.
+
+[Delta].
+
+_Shakespeare a thorough Sailor._--Let me point attention to a _genuine_
+nautical expression, in the use of which Shakespeare shows himself _a
+thorough sailor_:
+
+ "The wind sits in the _shoulder_ of your sail."--_Hamlet_, Act I. Sc. 3.
+
+In a "fore and aft sail" of the present day, the "shoulder" is the
+_foremost upper_ corner, and the _last part of the canvass_ on which the
+wind fixes its influence when a vessel is "sailing by the wind," or even
+"off the wind." The "veriest lout" in the "after-guard" will appreciate the
+truthfulness and beauty of the metaphor.
+
+A. L.
+
+_"A fellow-feeling," &c._--
+
+ "A fellow-feeling makes one wondrous kind."
+
+This oft-quoted line is from Garrick's Epilogue on quitting the stage.
+
+[Gamma].
+
+_Early Instances of the World "News."_--Without the slightest intention of
+re-opening the discussion as to whether the word "newes" be of native
+growth or imported, I would beg leave to suggest as a means of completing
+_its history_, that should any of the readers of "NOTES AND QUERIES," whose
+researches may lead amongst the authorities of the _fifteenth_ century,
+meet with instances of the word in familiar use between A.D. 1400 and A.D.
+1500, they would notify the same.
+
+The earliest date of its colloquial use as yet recorded in "NOTES AND
+QUERIES," is A.D. 1513: on the other hand, the word, so far as I am aware,
+is nowhere used by Chaucer, although his near approach to it in the
+following lines is very remarkable:
+
+ "There is right now come into the toune a gest,
+ A Greek espie, and telleth _newe things_,
+ For which I come to tell you newe tidings."--_Troilus and Creseide_, b.
+ ii. 1113.
+
+After this, the transition to the word itself is so extremely easy, that it
+could not be far distant.
+
+A. E. B.
+
+_Under the Rose._--It may interest the inquirers into the origin of this
+expression to know, that at Lullingston Castle in Kent, the residence of
+Sir Percival Dyke, there is in the hall an old picture, or painted carving
+(I forget which, as it is many years since I saw it), of a rose, some two
+feet in diameter, surrounded by an inscription, which, if I remember right,
+runs as follows, or nearly so:--
+
+ "Kentish true blue;
+ Take this as a token,
+ That what is said here
+ Under the rose is spoken."
+
+It is now, or was when I saw it, in the hall of that {301} ancient mansion,
+but I believe had been brought from an old house in the neighbourhood.
+
+E. H. Y.
+
+ * * * * *
+
+
+Queries.
+
+PORTRAITS OF SPENSER.
+
+The engraved portraits of Spenser differ so much from each other as to
+throw doubts on their resemblance to the poet.
+
+I have now before me the following:
+
+1. That prefixed to Bell's edition, 1777, engraved by Cook from "an
+original in Lord Chesterfield's collection."
+
+2. Prefixed to an edition in one volume published by Spiers, 1840.
+
+3. Prefixed to Moxon's edition, 1845.
+
+We are not told from what paintings Nos. 2. and 3. are engraved, but they
+resemble each other, and are somewhat like that in Bell's edition; so I
+shall set these three down as forming one class of portraits. No. 2. has,
+however, a curious inscription, _Edmund Spenser_, _obiit 1559_, which would
+lead us to reject it altogether, and look on it as an imaginary likeness.
+
+4. The portrait in Pickering's Aldine edition, 1839: this bears no
+resemblance, either in costume or features, to those already mentioned;
+but, if I mistake not, is like that in Todd's edition, published in
+1805,--we may call these a second class.
+
+An original portrait of Spenser is said to be in Lord Chesterfield's
+collection; another in Duplin Castle, the seat of Lord Kinnoul (of this
+there is a copy at Althorpe by Sir Henry Raeburn). Mr. Wright, in his
+_Memorials of Cambridge_, mentions a portrait at Pembroke College, "a copy
+by Wilson," but he does not say from what original: Mr. Craik, in _Spenser
+and his Writings_, speaks of _two_ as being in this college.
+
+The writer thinks he recollects a law-suit relative to a portrait of the
+poet, which had been sold to the late Sir Robert Peel, and which was stated
+to have come from Ireland. Perhaps some of your readers could give
+information respecting this picture.
+
+It is clear, if the first three are all from the Chesterfield original,
+that this painting, and the one from which Mr. Pickering's is taken, cannot
+both be portraits of Spenser. The object of this Query is to ascertain, if
+possible, which engraving, or class of engravings, resembles the poet.
+
+E. M. B.
+
+ * * * * *
+
+THE VENDACE.
+
+The very remarkable fish called the _Vendace_ is to be found but in one
+place in the three kingdoms,--the Castle Loch of Lochmaben, a parish to the
+south of Dumfriesshire in Scotland. The Vendace, it is said, derives its
+name from _Vendois_ in France, and was brought to this country by one of
+the James's. This, however, is mere conjecture, and, from its habits,
+highly improbable--because _they die the moment they are either touched or
+exposed to the air_.
+
+According to Mr. Stewart (_Elements of Natural Hist._), the Vendace belongs
+to a species which he calls _Salmo albula_, or the "Juvangis."
+
+ "This species," he adds, "is found in Lochmaben in Scotland, and
+ _nowhere else_: it is said to have been carried thither from England in
+ the time of Robert the Bruce."
+
+Mr. Stewart describes the fish, but from his description it is evident he
+has never seen it. The following one is exact:--
+
+ "This beautiful fish measures from four to six inches in length, and
+ tapers gradually to the tail. When taken out of the water, it has a
+ bright silvery white appearance, with a slight tendency to a light blue
+ along the back and part of the sides. In size it resembles a small
+ herring or par, but particularly the former, not only in the mouth and
+ external appearance, but also in the anatomical structure. _Upon the
+ top of the head_ there is a very distinct _shape of a heart_, covered
+ with a transparent substance of a brownish colour, resembling a thin
+ lamina of mica slate, _through which the brain is visible_. This
+ peculiar mark proves it to be as yet a distinct and undescribed
+ species. Nothing is ever found visible to the naked eye in the stomach
+ of the Vendace. They are extremely delicate, and are allowed to be the
+ most pleasing to the taste of all fish. The general mode of catching
+ them is with a net, as there is no instance known of their having been
+ caught either with bait or the artificial fly. The pike, with which
+ this lake abounds, is their greatest enemy. It has been frequently
+ stated that no fewer than fifteen distinct species of fish, fit for the
+ table, have been found in the Castle Loch."
+
+Dr. Knox, sometime Lecturer upon Anatomy in Edinburgh, states:
+
+ "That he has not only discovered the food of the Vendace, but actually
+ exhibited it before the Members of the Royal Society, and offers
+ suggestions for the stocking of the various lakes in Britain with this
+ exquisite fish; pointing out first the necessity of locating its
+ natural food, without which it cannot live."
+
+Allowing, however, that some neighbouring lake could be covered with some
+of these invisible and "incredibly minute entomostraceous animals," which
+the learned lecturer says constitute their food, we should still find a
+difficulty in transferring the fish; as every attempt to do so, though
+conducted with the greatest possible care and nicety, _has failed_.
+
+In the preceding account, I have followed the Rev. John Gardiner of
+Lochmaben, who, in 1835, drew up an admirable account of his parish, which
+is inserted in the statistical survey of the county.
+
+The gentlemen of the county have formed a {302} _Vendace Club_, which meets
+at Lochmaben annually on the 25th and 26th of July, when they dine off the
+fish. I asked one of the members how long it had been in existence, and he
+said about thirty years.
+
+JARLTZBERG.
+
+ * * * * *
+
+
+Minor Queries.
+
+_Ex Pede Herculem._--I shall feel much obliged if any of your
+correspondents or readers can inform me of the origin of the proverb "Ex
+pede Herculem." In what classical author is it to be found? I have looked
+in vain through _Erasmi Adagia_ for it.
+
+H. H.
+
+"_To-day we purpose._"--Will any one be good enough to say where these
+lines (quoted by Mr. Ruskin, _Modern Painters_, vol. ii. p. 188.) are to be
+found:--
+
+ "To-day we purpose, ay, this hour we mount
+ To spur three leagues towards the Apennine;
+ Come down, we pray thee, ere the hot sun count
+ His dewy rosary on the eglantine"
+
+G. N.
+
+"_God takes those soonest whom He loves the best._"--Where shall we find
+the origin of this expression, so frequently occurring on tombstones in
+almost all parts of the country? Or how far back can it be traced? The
+following, in Rainham church, Kent, is of the year 1626:
+
+ "Here slepes my babe in silence, heauen's his rest,
+ For God takes soonest those he loueth best."
+
+T. H. K.
+
+Malew, Man.
+
+_Quakers' Attempt to convert the Pope._--At what period, and in what author
+besides Veryard's _Tour in the Low Countries_, is the story of two Quakers
+being imprisoned in the Lazzaretto in Rome, for attempting to convert the
+Pope, to be found? Were they persons of any standing in the Society?
+
+B. S. S.
+
+_Whychcote of St. John's._--In one of the volumes published under the
+foregoing title, in 1833, there is a striking story, evidently fictitious
+in the main, but assuming, as an element of fact, the remembered existence
+of a head-stone over a grave in the little burial-ground, under the shadow
+of the venerable ruins of Tynemouth Priory in Northumberland, containing
+the single word "Fanny." Does any one of the Tyneside readers of the "NOTES
+AND QUERIES" personally recollect the actual existence of such a memorial?
+Is the _real name_ of the author of the entertaining work disclosed in any
+subsequent publication, or is it generally known?
+
+J. D.
+
+_Meaning of Rechibus, &c._--Among the rights claimed by the Esturmys in
+Savernak forest, 8 Edw. III., occurs--
+
+ "Et omnia placita de leporibus, rechibus, heymectis, tessonibus,
+ vulpibus, murilegis, et perdricibus:"
+
+which I translate--
+
+ "And all pleas concerning hares, traps, hedgehogs, badgers, foxes,
+ wild-cats, and partridges:"
+
+but I confess I have no confidence in some of these words, as the
+glossaries in the British Museum Library fail to explain them. I therefore
+solicit your courteous assistance.
+
+JAMES WAYLEN.
+
+_Family of Queen Katherine Parr._--The pedigree of the once eminent family
+of Parr, as recorded in various printed works--Dugdale, Nicholls, Burke,
+&c., is far from being complete or satisfactory. Could any one versed in
+the genealogy of the northern counties supply any information on the
+following points?--
+
+I. The early descent.--Dugdale in his _Baronage_, commences with Sir
+William Parr, who married Elizabeth De Ros, 1383; but he states the family
+to have been previously "of knightly degree." A MS. pedigree in the
+Herald's College also mentions Sir William as "descended from a race of
+knights." Where is an account of this race to be found?
+
+II. The separation between the two lines of Parr and Kendal.--Sir Thomas
+Parr, father of Queen Katherine, died 1518, and his _Inq. p. m._ states him
+to have held manors, messuages, lands, woods, and rents, in Parr, Wigan,
+and Sutton. Ten years afterwards, 1528, Bryan Parr was found by _Inq. p.
+m._ to have held the manor, messauges, woods, lands, &c. of Parr. How was
+Bryan related to Sir Thomas?
+
+III. The descendant in the fourth degree of Bryan was Henry Parr, of Parr,
+who was, according to a MS. in the college, aged twenty in 1621. Had he any
+descendants?
+
+If no positive information can be afforded, yet a clue to where it might be
+sought for would oblige.
+
+GENEALOGICUS LANCASTRIENSIS.
+
+_Skort._--
+
+ "Or wily Cyppus that can wink and snort,
+ While his wife dallies on Mæcenas' skort."--Hall, _Satires_, Book iv.
+ Sat. 1. (Whittingham's edition, 1824.)
+
+Of course the general meaning of these two verses is obvious enough. But
+how is the latter to be read? Are we to read "dallies on," as one word,
+_i.e._ keeps dallying, and "skort" (as a mere abbreviation of the Latin
+"scortum") as nominative in apposition with "wife?" If so, the verse is
+intelligible, though harsh enough even for Hall.
+
+If not, the word "skort" must have some other meaning which I am
+unacquainted with. I cannot find it at all in Halliwell, the only authority
+I have at hand to refer to.
+
+K. I. P. B. T.
+
+{303}
+
+_Religious Teaching in the German Universities._--Will any of your numerous
+readers direct me to any book or books containing information on the
+_present state_ of religion and religious teaching in the German
+Universities?
+
+ROVERT.
+
+_Epigram by Dunbar--Endymion Porter._--Can any of your correspondents
+supply the deficient verses in the following epigram, addressed by Thomas
+Dunbar, keeper of the Ashmolean Museum from 1815 to 1822, to Miss Charlotte
+Ness, who required him to explain what was meant by the terms _abstract_
+and _concrete?_
+
+ "Say what is _abstract_, what _concrete_,
+ Their difference define?
+ They both in one fair person meet,
+ And that fair form is thine.
+ * * * *
+ * * * *
+ For when I lovely Charlotte view,
+ I then view loveli_ness_."
+
+Can any one substantiate the local tradition the Endymion Porter was born
+at the manor-house of Aston Subedge, in Gloucestershire; or furnish any
+particulars of his life before he became gentleman of the bedchamber to
+Prince Charles?
+
+BALLIOLENSIS.
+
+_Sathaniel._--Can any of your correspondents inform me in what book, play,
+poem, or novel, a character named Sathaniel appears? There is a rather
+common picture bearing that title; it represents a dark young lady, in
+Eastern dishabille, with a turban on her head, reclining on a
+many-cushioned divan, and holding up a jewel in one hand. I have seen the
+picture so often, that my curiosity as to the origin of the subject has
+been completely aroused; and I have never yet found any one able to satisfy
+it.
+
+F. T. C.
+
+_The Scoute Generall._--I have in my possession a small 4to. MS. of 32
+pages, entitled _The Scoute Generall_, "communicating (impartially) the
+martiall affaires and great occurrences of the grand councell (assembled in
+the lowest House of Parliament) unto all kingdomes, by rebellion united in
+a covenant," &c., which is throughout written in verse, and particularly
+satirical against the Roundheads of the period (1646), and remarkable for
+the following prognostication of the death of the unfortunate monarch
+Charles I.:
+
+ "Roundheads bragge not, since 'tis an old decree,
+ In time to come from chaines wee should be free:
+ Traytors shall rule, Injustice then shall sway,
+ Subjects and nephewes shall their king betray;
+ And he himselfe, O most unhappy fate!
+ For kings' examples, kingdomes imitate:
+ What he maintain'd, I know it was not good,
+ Brought in by force, and out shall goe by blood," &c.
+
+It occupies about thirty lines more. At the bottom of the title, and at the
+conclusion of the postscript, it has merely the initials S. D. Could any of
+your worthy correspondents inform me who S. D. was?
+
+The MS. is evidently cotemporary, and, according to the introduction, was
+"ordered to be forthwith published, [MDCXLVI in apostrophus form].;" and as
+I cannot trace that such a production was ever issued, the answer would
+confer a favour on
+
+C. HAMILTON.
+
+City Road, April 1. 1851.
+
+_Arthur Pomeroy, Dean of Cork._--Can any one of your genealogical readers
+assist me in ascertaining the parentage of Arthur Pomeroy, who was made
+Dean of Cork in 1672? He was fellow of Trinity College, Cambridge, in which
+university he graduated as A.B. in 1660, M.A. in 1664, and S.T.P. in 1676.
+He is stated in Archdale's edition of Lodge's _Peerage of Ireland_ (article
+"Harberton") to have sprung from the Pomeroys of Ingsdon in Devonshire, and
+is stated to have gone to Ireland as chaplain to the Earl of Essex, Lord
+Lieutenant.
+
+J. B.
+
+ * * * * *
+
+
+Minor Queries Answered.
+
+_Civil War Tract._--
+
+ "A Letter sent from a worthy Divine, to the Right Honourable the Lord
+ Mayor of the City of London. Being a true relation of the battaile
+ fought betweene His Majesty and his Excellence the Earle of Essex. From
+ Warwicke Castle, the 24. of October, 1642, at two a clock in the
+ morning. Together with a Prayer for the happy uniting of the King and
+ parliament, fit to be used by all good Christians, daily in their
+ houses. London, Octob. 27. Printed for Robert Wood. 1642."
+
+The above is the title of a tract now in my possession. Is it known to any
+collector of tracts relating to the Battle of Edgehill? Who was the "worthy
+divine," the writer?
+
+P. Q.
+
+ [On the title-page of this tract among the King's pamphlets in the
+ British Museum, the name of Mr. Bifield has been written. No doubt it
+ is the production of the Rev. Adoniram Byfield, chaplain to Col.
+ Cholmondeley's regiment, in the army of the Earl of Essex in 1642, and
+ who was subsequently one of the scribes to the Assembly of Divines, and
+ a most zealous Covenanter. See Wood's _Athenæ_, by Bliss, vol. iii. p.
+ 670.]
+
+_Trisection of the Circle._--Has the problem of the trisection of the angle
+been solved? or, if not, is there any reward for its solution; and what
+steps should be taken to obtain it?
+
+JOHN VINCENT LYSTER.
+
+ [The problem of the trisection of the angle by aid of the straight line
+ and circle, used as in Euclid, has never been solved--no reward was
+ ever offered for its solution.]
+
+_Wolsey's Son._--Can any of your readers give an account of a son of
+Cardinal Wolsey, whose existence is recorded in a letter from Eustace {304}
+Chapuys to the Emperor Charles V., October 25, 1529, in the following
+words:--
+
+ "The cardinal has now retired with a very small train to a place about
+ ten miles hence. A son of his has been sent for from Paris, who was
+ there following his studies, and of whom I have formerly made some
+ mention to your Majesty"--_Correspondence of Charles V._, p. 291.
+
+Cardinal Beaton had lots of bastards, but I never remember to have seen in
+any account of Wolsey mention made of natural children.
+
+J. M.
+
+ [The existence of a natural son of Cardinal Wolsey is a _fact_ as well
+ ascertained as any other _fact_ of the Cardinal's history, and referred
+ to in the various biographies of him that have appeared. His name was
+ Thomas Winter. In Chalmers's _Biographical Dictionary_, vol. xxxii. pp.
+ 255. and 256. _note_, reference is made to a Bull of Pope Julius II.,
+ dated August, 1508, to be found in Kennet's MSS. in the British Museum,
+ in which he is styled, "dilecti filio Thomæ Wulcy," Rector of Lymington
+ diocese of Bath and Wells, Master of Arts, "_pro dispensatione ad
+ tertium incompatibile_." This is explained by the passage in Wood's
+ _Athenæ Oxon. Fasti_, part i. p. 73. (Bliss ed.), relating to him.
+ "This Tho. Winter, who was nephew (or rather nat. son) to Cardinal Tho.
+ Wolsey, had several dignities confer'd upon him before he was of age,
+ by the means of the said Cardinal," viz. the archedeaconry of York,
+ 1523; chancellorship of the church of Sarum; the deanery of Wells,
+ 1525; the provostship of Beverly; and the archdeaconry of Richmond,
+ &c.: on which there is a note by Baker, that "this Tho. Winter is said
+ to have held of the church's goods clearly more than 2000 pds. per an."
+ Wood adds, that about the time of the Cardinal's fall, he gave up all
+ or most of his dignities, keeping only the archdeaconry of York, which
+ he resigned also in 1540. In Grove's _Life and Times of Cardinal
+ Wolsey_, vol. iv. p. 315., among the "Articles" against the Cardinal,
+ Article XXVII. expressly charges him, "that he took from his son Winter
+ his income of 2,700l. a-year, applied it to his own use, and gave him
+ only 200l. yearly to live on." A reference is made in Sir H. Ellis's
+ _Letters Illustrative of English History_, 2nd Series, vol. ii. p. 70.,
+ to a letter of Edmund Harvel to Dr. Starkey, dated from Venice, April
+ 1535, in which the writer expresses his obligations to Mr. Winter, for
+ his "friendly mynde toward him," and begs him to return his thanks.
+
+ In Mr. Galt's _Life of Wolsey_ (Appendix IV. p. 424. of Bogue's
+ edition) will be found a copy of a letter from John Clusy to Cromwell,
+ in relation to a natural daughter of Wolsey's in the nunnery of
+ Shaftesbury.]
+
+_Cardinals and Abbots in the English Church._--It may not be generally
+known, but the fact is so, that the English church numbers two CARDINALS
+and a LORD ABBOT amongst her members. In Whitaker's _Clerical Diary_, under
+the head of London Diocese, there is attached to St. Paul's a senior and a
+junior cardinal; and in Ireland exists the exempt jurisdiction of Newry and
+Mourne, under the government of the Lord Abbot, who is the Earl of
+Kilmorey. Can any of your readers give me any information respecting these
+officials?
+
+W. J.
+
+ [_Cardinal._--The title of cardinal (_cardinalis_) in early times was
+ frequently applied to any bishop, priest, or deacon holding an official
+ post. In France there were many cardinal priests: thus, the curate of
+ the parish of St. John de Vignes is called, in old charters, the
+ cardinal priest of that parish. There were also cardinal deacons, who
+ had the charge of hospitals for the poor, and who ranked above the
+ other deacons. Thus, two of the minor canons of St. Paul's are called
+ _cardinals of the choir_, whose duties are to preserve order in Divine
+ service, administer the Eucharist, and officiate at funerals. In former
+ times, they heard confessions and enjoined penances. (Newcourt's
+ _Repertorium_, vol. i. p. 233.) It was not till the twelfth century
+ that the Sacred College of Cardinals was organised; nor was it till
+ 1567 that clergymen were forbidden by Pius V. to assume the title of
+ cardinal unless appointed by the Pope.
+
+ _Lay Abbots._--In early times we frequently find secular persons
+ denominated "field abbots" and "abbot counts," upon whom the sovereign
+ had bestowed certain abbeys, for which they were obliged to render
+ military service, as for common fiefs. In the time of Charles the Bald
+ many of the nobility in France were abbots, having a dean to officiate
+ for them. Thus, too, in Scotland, James Stuart, the natural son of
+ James V., was, at the time of the Reformation, Prior of St. Andrew's,
+ although a secular person. The Earl of Kilmorey, who is impropriator of
+ the tithes of St. Mary, Newry, is a lay abbot, or representative of the
+ preceding abbots of a Cistertian Abbey which formerly existed in that
+ town. His abbatial functions, however, are confined to convening
+ ecclesiastical courts, and granting probates of wills, and licenses for
+ marriages, subject only to the metropolitan jurisdiction of the
+ Archbishop of Armagh. A remnant of the secularisation of ecclesiastical
+ dignities has already been noticed in our pages (Vol. ii., pp. 447.
+ 500.), in the case of the late Duke of York, who was at the same time
+ Commander-in-chief and Bishop of Osnaburg.]
+
+ * * * * *
+
+
+Replies.
+
+SIR BALTHAZAR GERBIER.
+
+(Vol. ii., p. 375.)
+
+Your correspondent J. MT. has great reason to congratulate himself on the
+possession of the singularly curious tract which he describes, and which
+gives an autobiography of this extraordinary adventurer. I am not aware of
+any other copy in any public or private collection. I have a 4to. tract in
+nineteen pages, evidently printed abroad, the title of which is--
+
+"Balthazar Gerbier, Knight,
+to
+All Men that love Truth."
+
+{305}
+
+This gives a very interesting life of him by himself, perfectly distinct
+from, and containing many particulars not given in the tract possessed by
+your correspondent, which also contains matter not in the above. I have
+likewise another tract, privately printed in Holland in English, French,
+and Dutch, in fifteen pages 12mo., the English title to which is--
+
+"A true Manifest,
+By S^r B. Gerbier.
+Anno
+1653."
+
+In this, which gives some curious particulars as to "Mr. Hughe Peeters,"
+and the book entitled _The Nonsuch Charles_, he refers to another "little
+manifest" published on the 2nd day of October, 1652, "that the world might
+take notice that he was not at all invested with any foreigne engagement."
+Of the tract so referred to, I regret to say no copy is known. None of the
+other three tracts appear to have been seen by Horace Walpole, who had
+collected a great number of Gerbier's pamphlets, and also the MS. next
+mentioned, which, at the Strawberry Hill sale, came together into my
+possession. The MS. contains the original appointments of Sir Balthazar to
+the offices he held while in England, a pedigree of his family beautifully
+emblazoned, and a large quantity of MS., prose and poetry, in his
+autograph; including a most extensive collection of projects and proposals,
+which seem to have been equally at the service of England or France. The
+best account we have of Gerbier is that which Horace Walpole has supplied
+in the _Anecdotes of Painting_ (see _Works_, vol. iii. p. 189.); but his
+diplomatic negotiations, and his career as an artist and adventurer, never
+forgetting his academy at Whitefriars and Bethnal Green, would furnish
+matter for a very amusing volume. The general biography, however, to which
+he would be most appropriately remitted, and which is still a desideratum
+in literature, is that which is proposed by Dr. Johnson, in Chalmers's
+admirable parody:
+
+ "I think a good book might be made of scoundrels. I would have a
+ _Biographia Flagitiosa_, the Lives of Eminent Scoundrels from the
+ earliest accounts to the present day."
+
+JAS. CROSSLEY.
+
+ * * * * *
+
+THE TRAVELS OF BARON MUNCHAUSEN.
+
+(Vol. ii., p. 519.; Vol. iii., p. 117.)
+
+Is not your correspondent J. ME. in error when he says the original travels
+of the Baron were written to ridicule Bruce? I think this will only apply
+to the second volume, or "Sequel," seeing that there exists an edition of
+_Gulliver Revived_, printed at Oxford, 1786, four years before Bruce
+published. J. ME. further remarks, that there was at one time reason to
+believe that James Graham was the author of the well-known book in
+question, but that circumstances have come to his knowledge altogether
+precluding the possibility that the author of _The Sabbath_ and _The
+Travels of Baron Munchausen_ are identical.
+
+To me it appears there were _two_ of these James Grahams, and that from
+their being contemporaries, they are usually rolled into one. I have in my
+library a volume containing _Wallace, a Tragedy_, Edinburgh, 1799; and
+_Mary Stewart, Queen of Scots, an Historical Drama_, Edinburgh, 1801, which
+appears to have belonged to Mr. George Chalmers, upon the titles of which
+that gentleman has written, "by James Graham, Advocate, Edinburgh, son of
+T. Graham, a writer of reputation in Glasgow."
+
+From this one would think Mr. Chalmers had the author of _The Sabbath_ in
+his eye: a conclusion, however, difficult to come to in the face of a
+critique which thus characterises the tragedy of _Wallace_:
+
+ "The play is not uninteresting, and the author has exhibited occasional
+ proofs of poetical genius; but there are some passages in the piece
+ that fall little short of blasphemy:"
+
+--a charge which, of course, could never apply to this "lovable" and
+subsequently _reverend_ author of _The Sabbath_, a poem breathing the
+humblest piety, and published only five years after _Wallace_; consequently
+here is, in the author of the tragedy of _Wallace_, another James Graham at
+the service of J. ME., to whom, if his other proofs are strong, the Baron
+may be assigned with more probability.
+
+I may add, taking it for granted that Chalmers was right in claiming these
+two plays for a James Graham, that there is the strongest corroborative
+proof of there being two of the name in the existence of _Mary Stewart, a
+Dramatic Poem_, the acknowledged performance of the author of _The Sabbath_
+(see his _Poems_, 2 vols. 1809), a production differing in title, and
+bearing no resemblance, I should think, to the first named.
+
+While upon the subject, and presuming that the tragedy of _Wallace_ is
+known to J. ME., I may take the opportunity to ask him, as he is _ayont the
+Tweed_, whether there is really any authority for the assertion contained
+in the Abbotsford Library Catalogue, and also in that of Constable's
+Library, sold in 1817, that of this anonymous tragedy of _Wallace_ there
+were _only six copies printed_? Upon the face of mine there is nothing to
+indicate its rarity, it being an octavo, printed for A. Constable; but the
+remarkable book may be some other: your correspondents will, however, I
+dare say, be able to enlighten me.
+
+A COLLECTOR.
+
+_Baron Munchausen_ (Vol. ii., p. 519.).--As it was nearly thirty years
+since I had seen the _Percy Anecdotes_, I was obliged to speak doubtfully
+of {306} having derived from that work the statements that the author of
+_Munchausen_ was a Mr. "M----," and that he was a prisoner in France.
+Accident has within the last few days thrown in my way the very volume of
+the _Anecdotes_ in which this is stated (vol. v., _Anecdotes of Captivity_,
+p. 103.); and I find that I was mistaken only in supposing "M----'s" place
+of confinement to have been the Bastile, whereas the time is said to have
+been the Reign of Terror, and therefore of course the Bastile cannot have
+been the place.
+
+J. C. R.
+
+ * * * * *
+
+
+Replies to Minor Queries.
+
+_Tobacco in the East_ (vol. ii., pp. 155. 231.).--M. D. asks for "chapter
+and verse" of A. C. M.'s reference to Sale's _Koran_ respecting tobacco.
+
+Had A. C. M. recollected that tobacco (_Nicotiana_) is an American plant,
+he would hardly have asked whether "_tobacco_ is the word in the original"
+of the tradition mentioned by Sale in his _Preliminary Discourse_, § 5. p.
+123. (4to. ed. 1734.) Happily Reland, whom Sale quotes (_Dissert.
+Miscell._, vol. ii. p. 280.), gives his authority, the learned orientalist,
+Dr. Sike, who received the Hadéth at Leghorn from Ibn Sáleh, a young
+Muselman. It says, in good Arabic, that in the latter days Moslims,
+undeserving of the name, shall drink hashish (hemp), and call it tabák; the
+last words, "_yukál lehn tabáku_," are no doubt a modern addition by those
+who had heard of _tambákó_ (the Romaic [Greek: tanpakon]). As the use of
+hashish or _hashishah_ (the herb), more completely _hashishata fukara_,
+i.e. Monk's Wort, a technical term for _hemp_, chewed as a narcotic by
+fakirs (monks), was not known till A.H. 608 (A.D. 1211), it could not be
+mentioned in the Koran unless Mohammed were, as Sale observes, "a prophet
+indeed." _Tabakak_, a plate, dish, or shelf, is now sometimes used by
+ignorant persons in the East for _tambákó_, of which a complete account is
+given in the _Karábádén_, or great treatise of Materia Medica in Persian.
+Of that work, there is a beautifully written copy, made, probably, for the
+late Mr. Colebrooke, by whom it was presented to the library of the Royal
+Asiatic Society. I shall conclude by another Query: What is the Greek word
+transformed by Asiatic scribes into _Karábádén_?
+
+ANATOLICUS.
+
+_Captain John Stevens_ (Vol. ii., p. 359.).--This ingenious man, as to whom
+your correspondent inquires, was one of the hard-working translators in the
+early part of the last century. The materials for his biography are very
+scanty. He was a Roman Catholic, and at the Revolution followed the
+fortunes of his abdicating master, in whose service he accepted a
+commission, and accompanied him in the wars in Ireland. He was also
+employed in several other services, and died October 27, 1726. See
+_Biographia Dramatica_, vol. i. p. 691., edit. 1812. He is not noticed in
+Chalmers's _Biographical Dictionary_, though as the continuator of
+Dugdale's _Monasticon_ he unquestionably ought to have been. Watt gives a
+list (_Bib. Brit._, vol. i. p. 880.) of his books and translations; but it
+is, as usual, very defective and erroneous. It does not include his
+translation of _Don Quixote_, of _Dupin_, of _An Evening's Intrigue_ (1707,
+8vo.), and a great number of other works; and it ascribes to him the
+_History of the Wars of Charles XII., King of Sweden_, London, 1715, which
+was written, as it needs no great sagacity to discover, by Daniel Defoe,
+though Chalmers and Wilson have not noticed it.
+
+JAMES CROSSLEY.
+
+_MS. Catalogue of Norman Nobility_ (Vol. iii., p. 266.).--The MS. Catalogue
+of Norman Nobility referred to in No. 75., a document of great value, is or
+was in the possession of Sir William Betham, having been purchased by him
+about six years ago, from Mr. Boone, of New Bond Street.
+
+Your correspondent will find that Odardus de Loges was infeoffed by Earl
+Ranulph the 1st in the barony of Wigton in Cumberland, in which he was
+confirmed by Henry I. Bigod, whose name was attached to the charter of
+foundation of St. Werburg's Abbey, is elsewhere, according to Ormerod,
+called Robert.
+
+M. J. T.
+
+_Illustrations of Chaucer, No. III._ (Vol. iii., p. 258.).--
+
+ "_Fro Venus_ VALANUS _might this palais see._"
+ (or) volant
+ ? Might Venus, _volans_ fro this palais, see.
+ (flying)
+
+[Greek: Phôs].
+
+_Comets_ (Vol. iii., pp. 223. 253.).--If your correspondent S. P. O. R.
+wish to go fully into the history of comets, and be not alarmed at the
+prospect of three thick folios, through which I have gone, I can assure
+him, with considerable interest, let me recommend to him _Theatrum
+Cometicum, Auctore Stanislao Lubienietz Lubieniecio Rolitsio_, Amst., in 2
+vols. (but generally bound in three) folio. The first contains an immense
+correspondence, not merely with astronomers, but with poets, critics,
+physicians, and philosophers, to whom the indefatigable editor wrote for
+their opinions on the subject of comets. The second vol. gives a history of
+comets from the Deluge to 1665, and is a repository of everything bearing
+upon the subject. From this work Bayle derived his learning, when he wrote
+his most amusing work on comets.
+
+JAMES CROSSLEY.
+
+_Pope Joan_ (Vol. iii., p. 265.).--NEMO will find much information on the
+question, "Whether Pope Joan ever held the keys of St. Peter?" in Alexander
+Cooke's _Dialogue between a Protestant and a Papist; manifestly proving
+that a Woman_ {307} _called Joane was Pope of Rome: against the surmises
+and objections made to the contrary by Robert Bellarmini and Cæsar
+Baronius, Cardinals, Florimondus Ræmondus, and other Popish Writers,
+impudently denying the same_, 4to, pp. 128, 1610. The work was dedicated to
+the Archbishop of York, and was reprinted in 1625 in 4to., and in French,
+1633, 8vo. The author, in his address _To the Popish Reader_, says:
+
+ "_I offer unto thee here a discourse touching_ POPE JOANE _(if thou
+ darest read it, for fear of falling into thy Pope's curse), whose
+ Popedome I will make good unto thee, not by the testimonies of_
+ Pantaleon, _and_ Functius, _and_ Sleidan, _and_ Illyricus, _and_
+ Constantinus Phrygio, _and_ John Bale, _and_ Robert Barnes, _because
+ thou hast condemned their persons, and their books too, to hell; but by
+ the testimonies of thy brethren, the sonnes of thine own mother;
+ because, as one saith_, 'Amici contra amicum, et inimici pro inimico,
+ invincibile testimonium est.'"
+
+E. C. HARINGTON.
+
+The Close, Exeter.
+
+_Abbot Eustacius_ (Vol. iii., p. 141.).--As J. L.'s inquiry after an abbot
+of that name has hitherto been unsuccessful, perhaps he would like to know
+that Eustacia was abbess of the monastery at Shaftesbury (founded by King
+Alfred), tempore incerto, but probably in the time of Stephen. See Willis's
+_History of Abbeys_, and a _History of the Ancient Town of Shaftesbury_, p.
+21.
+
+BLOWEN.
+
+_The Vellum-bound Junius_ (Vol. iii., p. 262.).--In the Minor Queries of
+your Number 75., you have kindly inserted my notice on the vellum-bound
+_Junius_. I beg to state further, that the reason of my being so desirous
+to procure this copy at the Stowe sale was, that it was not only bound in
+vellum, but was also _printed_ on that article. If any of your
+correspondents can inform me of another copy _printed_ on vellum, I should
+be glad.
+
+W. D. HAGGARD.
+
+Bank of England, April 5, 1851.
+
+_Meaning of Waste-Book_ (Vol. iii., pp. 118. 195. 251.).--Among a list of
+"the books printed for, and are to be sold by John Hancock, at the sign of
+the Three Bibles in Pope's-head Alley, in Cornhill," I find _The Absolute
+Accountant, or London Merchant_, containing instructions and directions for
+the methodical keeping of merchant's accounts, after the most exact and
+concise way of debtor and creditor; also a _Memorial_, vulgarly called a
+waste-book, and a cash-book, with a journal and a ledger, &c., 1670. This
+is the first reference I have seen to the correct designation of the book,
+which might have received it vulgar name of _waste_ from wast, the second
+person of _was_--thus the Memorial or the Wast-book.
+
+BLOWEN.
+
+_Cowdray_ (Vol. iii., p. 194.).--There is a misprint here of _Eastbourne_
+for _Easebourne_. There is a curious note on Cowdray, and the superstition
+attached to it, in Croker's _Boswell_, p. 711. 8vo. edit.
+
+C.
+
+_Solemnisation of Matrimony_ (Vol. ii., p. 464.).--A. A. will find, from
+Blackstone's _Commentaries_, vol. ii. p. 135., that in feudal times a
+husband had the power of protecting his lands from the wife's claim to
+dower, by endowing her, _ad ostium Ecclesiæ_, with specific estates to the
+exclusion of others; or, if he had no lands at the time of the marriage, by
+an endowment in goods, chattels, or money. When special endowments were
+thus made, the husband, after affiance made and troth plighted, used to
+declare with what specific lands he meant to endow his wife ("_quod dotat
+eam de tali manerio_," &c.); and therefore, in the old York ritual (_Seld.
+Ux. Hebr._ l. ii. c. 27.) there is at this part of the matrimonial service
+the following rubric--"_Sacerdos interroget dotem mulieris; et si terra ei
+in dotem detur, tunc dicatur psalmus iste_", &c. When the wife was endowed
+_generally_, the husband seems to have said "with all my lands and
+tenements I thee endow," and then they all became liable to her dower. When
+he endowed her with personalty only, he used to say, "with all my worldly
+goods (or, as the Salisbury ritual has it, "with all my worldly chattels")
+I thee endow," which entitled the wife to her thirds, or _pars
+rationabilis_, of his personal estate, which is provided for by Magna
+Charta, cap. 26. The meaning, therefore, of the words noticed in A. A.'s
+Query, if they can be said to have any meaning in the present state of the
+law, is simply that the wife's dower is to be general, and not specific,
+or, in other words, that she is to have her _pars rationabilis_ in _all_
+her husband's goods.
+
+J. F. M.
+
+_Epitaph on the Countess of Pembroke_ (Vol. iii., p. 262.).--Although
+J. H. M. has concluded that William Browne was not the author of this
+epitaph, because it is not to be found amongst his _Pastorals_, it would
+nevertheless appear that the lines are rightly attributed to him, if the
+following extract may be relied on:
+
+ "The well-known epitaph of the celebrated Countess of Pembroke, the
+ sister of Sir Philip Sidney, has been generally ascribed to Ben Jonson.
+ The first stanza is printed in Jonson's poems; but it is found in the
+ manuscript volume of poems by William Browne, the author of
+ _Britannia's Pastorals_, preserved in the Lansdown Collection, British
+ Museum, No. 777., and on this evidence may be fairly appropriated to
+ him, particularly as it is known that he was a great favourite with
+ William, Earl of Pembroke, son of the Countess."--_Relics of
+ Literature_: London, Boys, 1823, p. 60.
+
+ALFRED GATTY.
+
+_Scandal against Queen Elizabeth_ (Vol. ii., p. 393.; Vol. iii., pp. 11.
+151. 197. 225.).--Your correspondents seem to have overlooked the
+celebrated {308} letter of Queen Mary of Scotland, printed in the _State
+Trials_, and lately reprinted by Lord Campbell in his _Lives of the
+Chancellors_, tit. Sir C. Hatton. I may as well add (though I do not
+believe the fact) that my grandmother (herself a Devereux) repeated to me
+the tradition of a son of Queen Elizabeth's having been sent to Ireland.
+
+C.
+
+_The Tanthony_ (Vol. III., pp. 105. 229.).--I am obliged to A. for the
+trouble he has taken in reference to my Query; but perhaps I may be correct
+in my suggestion, for on looking into the second volume of the
+_Archæological Journal_ the other day, I accidentally found an account of
+the discovery of a figure of St. Anthony at Merthyr, near Truro, in which
+it is mentioned that
+
+ "Under the left arm appears to have passed a staff, and the pig, with
+ _a large bell_ attached to its neck, appears in front of the
+ figure."--P. 202.
+
+I shall be much obliged to anybody who will settle the point
+satisfactorily. The fair held on old St. Andrew's Day is always called in
+Kimbolton and the neighbourhood "Tandrew" fair, so why not "Tanthony" for
+"Saint Anthony?"
+
+ARUN.
+
+_The Hippopotamus_ (Vol. iii., p. 181.).--Your correspondent MR. E. S.
+TAYLOR will find in Vol. ii, p. 458, an example of the word [Greek:
+hippopotamos] cited from Lucian, a writer anterior both to Horapollo and
+Damascius. In the same page is a reference to the story of the wickedness
+of the hippopotamus in Plutarch; so that Horapollo and Damascius,
+doubtless, borrowed from a common source, or repeated a current fable, to
+be found in many writings then extant.
+
+L.
+
+_Tu Autem_ (Vol. iii., p. 265).--The words "Tu autem, Domine, miserere
+nostri," "But Thou, O Lord! have mercy upon us," were originally a form of
+prayer used by the preacher at the end of his discourse, as a supplication
+for pardon for any sinful pride or vainglory, into which he might have been
+betrayed in addressing his congregation. Hence the words "tu autem," as
+Pegge properly says, came to denote a hint to the reader to leave off.
+
+The custom is still in constant use among the members of the cathedral
+church of Durham. At the public dinners given by the canons, in what is
+there called "hospitality residence," one of the choristers comes in after
+dinner, dressed in his official costume, and, taking his station behind the
+canon in residence, reads, in the manner which is now well known as
+_intoning_, eight verses of the 119th Psalm, first saying, "Here beginneth
+the ---- part of the 119th Psalm."
+
+When the eight verses are concluded, the canon turns round to the
+chorister, saying "tu autem," giving him a shilling; to which the chorister
+replies, "Domine miserere nostri," and retires.
+
+The explanation of the words, as originally employed, is given by Rupertus
+_De Divinis Officiis_, lib. i. c. xiv.:
+
+ DE "TU AUTEM DOMINE."
+
+ "Quodque in fine dicit, 'Tu autem Domine miserere nostri,' hoc innuit,
+ ne ipsum quidem bonum officium prædicandi sine alicujus vel levis culpæ
+ pulvere possa pagi. Nam, ut ait B. Augustinus, 'Verbum prædicationis
+ securiùs auditur quàm dicitur. Prædicator quippe cùm benè dicere se
+ sentit, difficile nimis est ut non quantulumcunque spiritu elationis
+ tangat; et quia quasi per terram ambulat et pedes ejus pulvere
+ sordidantur, idcirco misericordiâ Dei indiget, ut in hâc parte lavetur,
+ etiamsi mundus sit totus.'"
+
+From this explanation it is plain, that the Monk of St. Albans, writing to
+the abbot--
+
+ "Si vis, veniam; Sin autem, tu autem,"
+
+would be understood to express--
+
+ "If you wish, I will come; but if otherwise, there is an end of the
+ matter."
+
+T. C.
+
+Durham, April 8. 1851.
+
+_Places called Purgatory_ (Vol. iii., p. 241.).--There is a farm-house
+still called "Purgatory," about two miles south of Durham, east of the
+London road, and close to the left bank of the river Wear. The farm is part
+of the estate of a highly respectable family, which has, I believe, always
+been Roman Catholic. No reason for the name is known in the neighbourhood.
+
+T. C.
+
+Durham, April 8. 1851.
+
+_Swearing by Swans, &c._ (Vol. ii., p. 392.; Vol. iii., pp. 70. 192.).--In
+addition to what has already appeared on this subject, the following
+extract from Tyrwhitt's _Glossary to Chaucer_ will, I hope, be acceptable.
+
+ "Ale and Bred. This oath of Sire Thopas on ale and bred was perhaps
+ intended to ridicule the solemn vows, which were frequently made in the
+ days of chivalrie, to a peacock, a pheasant, or some other _noble
+ bird_."--See M. de Sainte Palaye, _Sur l'anc. Cheval._, Mem. iii^{me}.
+
+This practice is alluded to in "Dunbar's Wish that the King were Johne
+Thomsonnis man" (MS. Maitland, st. v.):
+
+ "I would gif all that ever I have
+ To that condition, so God me saif,
+ That ye had VOWIT TO THE SWAN
+ Ane yeir to be John Thomsonnis man."
+
+And so in the _Prol. to the Contin. of the Canterb. T._, ver. 452., the
+Hosteler says:
+
+ "I MAKE A VOWE TO THE PECOCK, ther shall wake a foule mist."
+
+The instance given in Vol. iii., p. 192., is recorded by Monstrelet, _Hist.
+de France, Charles VII._
+
+T. J.
+
+_Edmund Prideaux and the Post-office_ (Vol. iii., pp. 186. 266.).--In a MS.
+on parchment, now {309} before me, are contained entries of the dates of
+the various letters patent and grants connected with the post-office, to
+the latter end of the reign of Charles I., and the names of the persons to
+whom the grants were made. The earliest date is the 37th of Henry VIII.,
+and the last the 13th of Charles I. If an extract from the MS., which gives
+a similar index to the appointments in the Courts of Law, the Customs, the
+Forests, and a great variety of other offices, will assist your
+correspondent, I shall be happy to supply it. I may notice, what seems to
+have been overlooked by your two correspondents who have replied to the
+inquiry, that some account of Prideaux is given by Wood (Vid. _Fast._ vol.
+i. p. 424., edit. Bliss), from which it appears that he was M.A. of
+Cambridge, Member of the Inner Temple, Member of Parliament for Lyme in
+Dorsetshire, and Recorder of Exeter; and that his death took place on the
+19th Aug., 1659 (misprinted 1569 in this edit.), and that--
+
+ "From his employments gaining a vast estate, he left at the time of his
+ death an incredible mass of gold (as the credible report then went),
+ besides lands of very great demesnes."
+
+JAS. CROSSLEY.
+
+_Small Words and "Low" Words_ (Vol. ii., pp. 305. 349. 377.).--Apropos to
+Pope's use of "low words," in the sense of _short_ words, conf. Boileau,
+satire iv. 97. 8.
+
+[Illustration]
+
+ "Lui faisant voir ses vers et sans force et sans graces,
+ Montés sur deux grands mots, comme sur deux échasses."
+
+On which one of his commentators makes the following note:
+
+ "Boileau, pour se moquer des mots gigantesques, citoit ordinairement ce
+ vers de Chapelain:
+
+ 'De ce sourcilleux roc l'inébranlable cime.'
+
+ Et il disposoit ce vers comme il est ici à côté. Dans cette disposition
+ il semble que le mot 'roc' soit monté sur deux échasses.'
+
+I commend to [Phi].'s attention this instance of a "low" word supported on
+two "high" ones.
+
+K. I. P. B. T.
+
+_Lord Howard of Effingham_ (Vol. iii., pp. 185. 244.).--It has been
+supposed that the Earl of Nottingham was a Catholic, and having held office
+in the reign of Queen Mary, he probably was so at that time; but he
+certainly was a Protestant during the reign of Queen Elizabeth, and in the
+beginning of James I. was at the head of a commission to discover and expel
+all Catholic priests. (Vide _Memorials of the Howard Family_.)
+
+R. R. M.
+
+_Obeahism.--Ventriloquism_ (Vol. iii., pp. 59. 149.).--T. H. will find, in
+the authorities given below, that Obeahism is not only a rite, but a
+religion, or rather superstition, viz. _Serpent-worship_. _Modern Universal
+History_, fol. vol. vi. p. 600.; 8vo. vol. xvi. p. 411.; which is indebted
+for its information to the works of De Marchais, Barbot, Atkyns, and
+Bosman: the last of which may be seen in Pinkerton's _Collection_, vol.
+xvi., and a review of it in _Acta Eruditor._, Lips. 1705, p. 265., under
+the form of an "Essay on Guinea." In Astely's _Collection of Voyages_,
+there is an account compiled from every authority then known, and a very
+interesting description of the rites and ceremonies connected with this
+superstition. According to the same authors, the influence of the Obeist
+does not depend on the exercise of any art or natural magic, but on the
+apprehensions of evil infused into his victim's mind. See also Lewis's
+_Journal of a Residence among the Negroes in the West Indies_.
+
+The following references will furnish a reply at once to two Queries; to
+that here noticed, and to that on "Ventriloquism" (Vol. ii., p. 88.).
+
+The name of the sacred serpent, which in the ancient language of Canaan was
+variously pronounced, was derived from "ob" (inflare), perhaps from his
+peculiarity of inflation when irritated. See Bryant's _Analysis_, vol. i.;
+Deane's _Worship of the Serpent_, p. 80. From a notion of the mysterious
+inflation produced by the presence of the divine spirit, those who had the
+spirit of Ob, or Python, received the names of Ob, or Pythia; according to
+the not unusual custom for the priest or priestess of any god to take the
+name of the deity they served. See Selden, _De Dis Syris_, Synt. 1. c. 2.
+It is a curious coincidence, that as the Witch of Endor is called "Oub,"
+and the African sorceress "Obi," from the serpent-deity _Oub_, so the old
+English name of a witch, "hag," bears apparent relationship to the word
+_hak_, the ancient British name of a species of snake. In Yorkshire,
+according to Stukeley, they call snakes "hags" and "hag-worms," (Abury, p.
+32.).
+
+In the Breton language, _Belech_ is "Priest," and may similarly indicate a
+priest of Bel-the-Dragon.
+
+From the Hebrew _Ob_, the Greek [Greek: ophis] was probably derived; for
+the same word, in Hebrew, Arabic, and Greek, which denotes "divination"
+denotes a "serpent." "Nachash,"[4] "ilahat,"[5] "[Greek: oiônizesthai],"[6]
+have the same double signification as if the serpent were recognised as the
+grand inspirer of the heathen prophets. See Faber's _Horæ Mosaicæ_, vol. i.
+p. 98.
+
+The word "Ob" was translated by the LXX. [Greek: engastrimuthos], "a
+ventriloquist," in {310} accommodation to the received opinions respecting
+the Pythian priestess. See the Notes to Creech's _Lucretius_, book v.;
+Jones's (of Nayland) _Physiolog. Disquis._ p. 290. The deception practised
+by the Witch of Endor, and by the damsel mentioned in Acts xvi. 16., was of
+this description. See Wierus de _Præstig. Dæmon._ p. 203.; and Reginald
+Scot's _Discoverie of Witchcraft_, p. 148.
+
+The serpent, which with heathen mythologists had various acceptations (see
+Vossius, _Theologia Gent. et Physiologia Christ._), was also understood as
+a natural symbol or hieroglyphic of the air. Can any of your learned
+correspondents furnish materials illustrative of this figurative relation
+between the serpent and the elements?
+
+T. J.
+
+[Footnote 4: See Parkhurst.]
+
+[Footnote 5: Dickinson's _Delphi Phoenic._, p. 10.]
+
+[Footnote 6: Stillingfleet's _Orig. Sacræ_, book iii. c. iii. s. 18.]
+
+_Meaning of Peep_ (Vol. ii., p. 118.).--You have already told us the
+meaning of the word _peep_ in the phrase "Wizards that _peep_ and that
+mutter;" in confirmation I may add that the noise made by the queen bee in
+the hive previous to swarming is in Devonshire called _peeping_.
+
+J. M. (4.)
+
+_Venwell or Venville_ (Vol. iii., p. 38.).--_Venwell_ or _Venville_ appears
+to me to be a corruption of the word _fengfield_; and the meaning of it
+seems to be, that custom of delivering possession of land to a purchaser by
+cutting a piece of turf from the field bought, and delivering it into his
+hands.
+
+I well remember, when a boy, accompanying my father to receive possession
+of an outlying field, distant from the main estate which he had bought; the
+seller's agent, I think, came with us and cut a small piece of turf from
+the ground, and delivered it into my father's hands, saying (if I recollect
+right), "By this turf I deliver this field into your possession." By this
+means my father "_fenged_" (took) the "_field_" into his own hands, and
+became the legal proprietor of it.
+
+P.
+
+_Venville._--The peat or black earth of Dartmoor is still called _ven_ or
+_fen_. Is it not more probable that the adjoining parishes (or parts of
+them) are said to be in Venville or fengfield, from their being within the
+peat district, than that an abbreviation of a legal term, _fines
+villarum_--_fin. vil._, should become naturalised among the peasantry, as
+is the case with the word Venville?
+
+The second part of the word seems akin to the Scottish _fail_, "a turf, or
+that clod covered with grass cut off from the rest of the sward."
+(Jamieson.)
+
+K.
+
+_Hand-bells at Funerals_ (Vol. ii., p. 478.).--In the _Testamenta
+Eboracensia_, p. 163., Johannes Esten de Scardeburgh, le Ankersymth,
+bequeaths 2d.--
+
+ "Clerico ecclesiæ pro pulsacione campanarum, et le belman portand'
+ campanam per villam excitandum populum ad orandum."
+
+A hand-bell (as I am informed by a Roman Catholic gentleman) often precedes
+the Host, when carried in procession to the sick, &c., in order to clear
+the way, and remind passengers of the usual reverence paid at such times.
+
+B.
+
+Lincoln.
+
+_Shillings and Sixpences of George III._ (Vol. iii., p. 275.).--R. W. C.
+has fallen into a misconception in supposing that these coins present an
+erroneous spelling of the Latinized style of the monarch, whilst the
+contemporary crowns and half-crowns have the correct orthography. The
+spelling of the legend on the sixpences and shillings was intentional, and
+with a meaning, being inscribed in an abridged form--GEOR: III. D: G:
+BRITT: REX F: D:--the reduplication of the T was designed, after classical
+precedent, to represent the plural _Britanniarum_, i.e., Great Britain and
+Ireland.
+
+N.
+
+_Odour from the Rainbow_ (Vol. iii., p. 224.).--I hope that I have found
+JARLTZBERG'S note in the following lines:
+
+ "Like to that smell which oft our sense descries
+ Within a field which long unploughëd lies,
+ Somewhat before the setting of the sun;
+ And where the rainbow in the horizon
+ Doth pitch her tips; or as when in the prime,
+ The earth being troublëd with a drought long time,
+ The hand of heaven his spongy clouds doth strain,
+ And throws into her lap a shower of rain;
+ She sendeth up (conceivëd from the sun)
+ A sweet perfume and exhalation."
+ Browne, _Britannia's Pastorals_, Book i. Song 2.
+ [Clarke's Cabinet Series, 1845, p. 70.]
+
+C. FORBES.
+
+_Odour from the Rainbow._--The following stanzas are from a poem, called
+"The Blind Girl," in a publication by Pickering, 1845, of _Memorials of a
+Tour, and Miscellaneous Poems_, by Robert Snow, Esq. Lond., 1845:--
+
+ "Once in our porch whilst I was resting,
+ To hear the rain-drops in their mirth,
+ You said you saw the rainbow cresting
+ The heavens with colour, based on earth:
+
+ And I believe it fills the showers
+ With music; and when sweeter air
+ Than common breathes from briar-rose bowers,
+ Methinks, the Rainbow hath touched there."
+
+ [We have reason to believe that the idea was suggested to Mr. Snow
+ neither from Bacon's _Sylva_, nor from any of our English poets, but
+ from a Greek writer after the Christian era, referred to by Coleridge
+ in his _Table Talk_.]
+
+ * * * * *
+
+
+Miscellaneous.
+
+NOTES ON BOOKS, SALES, CATALOGUES, ETC.
+
+Mr. Hepworth Dixon, who is already favourably known as the author of a
+_Life of Howard_, has just published _William Penn, an Historical
+Biography_. It is unquestionably a book of considerable talent; and even
+those who may be most inclined to dissent from the {311} author's views of
+the political principles of the Quakers (and we suspect many of the Quakers
+themselves will be found among that number), will admit that in treating
+him not as a mere Quaker, as preceding biographers had been too much
+disposed to do, but as "a great English historical character--the champion
+of the Jury Laws--the joint leader, with Algernon Sidney, of the
+Commonwealth men--the royal councillor of 1684-8--the courageous defender
+of Free Thought--the founder of Pennsylvania"--Mr. Dixon has succeeded in
+the task which he had proposed to himself, namely, that of transforming
+William Penn "from a myth into a man." His vindication of this great man
+from what he designates "The Macaulay Charges" would not, however, have
+lost one iota of its efficiency, had it been couched in somewhat more
+measured terms.
+
+Mr. Murray announces _The Grenville Papers; being the Private
+Correspondence of Richard Grenville Earl Temple, his brother George
+Grenville, their Friends and Contemporaries_, as in the press. It will
+contain some letters from Junius, and Mr. Grenville's Diary, particularly
+during his premiership, from 1763 to 1765. The fifth and sixth volumes of
+Lord Mahon's _History of England from the Peace of Utrecht_ are also at
+press.
+
+Lady Theresa Lewis is nearly ready with a work which cannot but be of great
+interest. It is entitled _Lives of the Friends and Contemporaries of Lord
+Chancellor Clarendon, illustrative of Portraits in his Gallery; with an
+Account of the Origin of the Collection; and a descriptive Catalogue of the
+Pictures_. It will form two volumes, and be accompanied by illustrative
+portraits.
+
+Mr. Colburn announces a new library edition of Miss Strickland's _Lives of
+the Queens of England_. Although revised and considerably augmented by new
+materials which have been placed at Miss Strickland's disposal since the
+appearance of the earlier impressions of her book, this edition is to be
+comprised in eight monthly volumes.
+
+BOOKS RECEIVED.--_The Buried City of the East: Nineveh._ A popular view of
+the discovery of the remains of the great city, compiled principally from
+Botta, and illustrated with numerous woodcuts, affords information enough,
+perhaps, for those who may be unable to consult the stirring narrative of
+Layard himself, but must send to his pages a great number of readers, in
+whom it can only serve to waken a lively interest in this great triumph of
+individual perseverance.--_The Iliad of Homer, literally translated, with
+explanatory Notes_, by T. A. Buckley, B.A., is the new volume of Bohn's
+_Classical Library_; and the Editor expresses his hopes "that it will be
+found to convey, more accurately than any which has preceded it, the words
+and thoughts of the original." The work has obviously been executed with
+great care; and the notes, though brief, are to the point.
+
+CATALOGUES RECEIVED.--John Miller's (43. Chandos Street) Catalogue No. XXI.
+of Books Old and New; J. Russell Smith's (4. Old Compton Street) Catalogue
+Part III. of Choice Useful and Curious Books, English and Foreign; and
+Catalogue of a singular Collection of 25,000 Ancient and Modern Tracts and
+Pamphlets, Part II.
+
+ * * * * *
+
+BOOKS AND ODD VOLUMES WANTED TO PURCHASE.
+
+ CLARE'S RURAL MUSE
+
+ PASSIONAEL EFTE DAT LEVENT DER HEILIGEN. Folio. Basil, 1522.
+
+ CARTARI--LA ROSA D'ORO PONTIFICIA. 4to. Rome, 1681.
+
+ BROEMEL, M. C. H., FEST-TANZEN DER ERSTEN CHRISTEN. Jena, 1705.
+
+*** Letters stating particulars and lowest price, _carriage free_, to be
+sent to MR. BELL, Publisher of "NOTES AND QUERIES," 186. Fleet Street.
+
+ * * * * *
+
+
+Notices To Correspondents.
+
+_Among many articles of great interest which are in type, but unavoidably
+postponed until next Saturday, the fourth and last in the month, when we
+shall consequently publish a double number, are Shakspeare and Fletcher, by
+Mr. Hickson--Illustrations of Chaucer, No. IV.--Illustrations of
+Tennyson--Sallust and Tacitus--Haybands in Seals, by Mr. Lower, Mr. Burtt,
+and L. B. L.--North Side of Churchyards--Sir F. Kynaston's Academy, by Dr.
+Rimbault--and several very important communications on the proposed_
+MONUMENTARIUM ANGLICANUM.
+
+S. J. R. _is referred to our First Volume, p. 467., for information on the
+subject of May Marriages being unlucky_.
+
+AN OLD BOY. _We will do our best to follow the good advice so pleasantly
+given; but he has little knowledge of the difficulty of pleasing all--to
+say nothing of our editorial selves. For instance, in the case to which has
+has referred in our Second Volume, we have ascertained that the second
+article was in type before the one which precedes it had reached us._
+
+H. K. G. S. _Received with great regret. We believe we best consulted the
+respect due to our correspondent by the course we followed, as we are
+certain that we adopted it with the best intentions towards him._
+
+_We are this week compelled to go to press one day earlier than usual; we
+have to request the indulgence of our correspondents for the omission of
+our usual_ LIST OF REPLIES RECEIVED, _and for not replying until next week
+to several inquiries which have been addressed to us_.
+
+VOLS. I. _and_ II., _each with very copious Index, may still be had, price
+9s. 6d. each_.
+
+NOTES AND QUERIES _may be procured, by order, of all Booksellers and
+Newsvenders. It is published at noon on Friday, so that our country
+Subscribers ought not to experience any difficulty in procuring it
+regularly. Many of the country Booksellers, &c., are, probably, not yet
+aware of this arrangement, which will enable them to receive_ NOTES AND
+QUERIES _in their Saturday parcels_.
+
+_All communications for the Editor of_ NOTES AND QUERIES _should be
+addressed to the care of_ MR. BELL, No. 186. Fleet Street.
+
+ * * * * *
+
+
+In royal 8vo., with numerous illustrations, price 1l. 8s.
+
+THE ARCHÆOLOGY and PRE-HISTORIC ANNALS OF SCOTLAND. By DANIEL WILSON.
+
+ "Many reflections are suggested by this beautiful volume, which is one
+ of the most interesting, learned, and elegant works we have seen for a
+ long time. * * * We commend it to every reader of taste and
+ judgment."--_Westminster Review._
+
+SUTHERLAND and KNOX, Edinburgh: SIMPKIN, MARSHALL, and CO.; and J. H.
+PARKER, London.
+
+ * * * * *
+
+
+Valuable Library and MSS. Antiquities and Miscellaneous Objects.
+
+PUTTICK AND SIMPSON, Auctioneers of Literary Property, will SELL by
+AUCTION, at their Great Room, 101, Piccadilly, on WEDNESDAY, April 23, and
+Three following Days, the LIBRARY of a Gentleman, consisting of Modern
+Useful Books, together with some articles of considerable Rarity, a First
+Edition of Cocker's Arithmetic (but one other known); numerous
+Bibliographical Works, important Collection of MSS., relating to
+Warwickshire, Oxfordshire, London, Lancashire, Somersetshire, Suffolk, and
+other Places; Charters, Epistolæ S. Paula MS. of the Tenth Century, &c.
+Catalogues will be sent on application.
+
+ * * * * *
+
+
+{312}
+
+Just published, price 2s. 6d. in cloth,
+
+AN ETYMOLOGICAL DICTIONARY OF SCRIPTURE NAMES, ACCENTED AND EXPLAINED; with
+Copious Illustrative Notes, and Introductory Observations on the Origin of
+Language and Proper Names, &c. By W. G. HIRD.
+
+Recommended by the Rev. Drs. Eadie, Forbes, Hannah, Hill, Acworth, and
+Godwin; Revs. Daniel Walton, W. Bird, J. D. Brocklehurst, T. Rowland,
+Jonathan Glyde, J. G. Miall, W. Cooke, &c. &c.
+
+London: HAMILTON, ADAMS, and CO.; SIMPKIN and MARSHALL. Edinburgh: OLIVER
+and BOYD. Glasgow: G. GALLIE. Manchester: FLETCHER and TUBBS. Bradford,
+Yorks.: DALE and BYLES.
+
+ * * * * *
+
+
+WESTERN LIFE ASSURANCE AND ANNUITY SOCIETY, 3. Parliament Street, London.
+
+VALUABLE NEW PRINCIPLE.
+
+Payment of premiums may be occasionally suspended without forfeiting the
+policy, on a new and valuable plan, adopted by this society only, as fully
+detailed in the prospectus.
+
+ A. SCRATCHLEY, M.A.,
+
+Actuary and Secretary; Author of "Industrial Investment and Emigration;
+being a Second Edition of a Treatise on Benefit Building Societies, &c."
+Price 10s. 6d.
+
+London: J. W. PARKER, West Strand.
+
+ * * * * *
+
+
+THE CAMDEN SOCIETY for the Publication of Early Historical and Literary
+Remains.
+
+THE ANNUAL GENERAL MEETING will be held at the Freemason's Tavern, Great
+Queen Street, on Friday the 2nd of May, at Four o'Clock precisely; the LORD
+BRAYBROOKE, the President, in the Chair.
+
+ WILLIAM J. THOMS, Secretary.
+
+The following are the Publications of the Society for the year 1850-1.
+
+I. A SELECTION FROM THE WILLS Preserved in the Will Office at Bury St.
+Edmund's. Edited by SAMUEL TYMMS, Esq.
+
+II. WALTER MAPES "DE NUGIS CURIALIUM." A Treatise on the Political Affairs
+of his Time, written in 1181. Edited by THOMAS WRIGHT, Esq., M.A.
+
+III. SIR RICHARD GUYLFORDE'S PILGRIMAGE TO THE HOLY LAND, A.D. 1506. Edited
+from a copy believed to be unique from the press of Richard Pynson, by SIR
+HENRY ELLIS, K.H., Sec. S. A.
+
+The Subscription to the Society of 1l. per annum which becomes due on the
+1st of May.
+
+Communications from Gentlemen desirous of becoming Members may be addressed
+to the Secretary; or to Messrs. NICHOLS, No. 25. Parliament Street,
+Westminster, by whom the Subscriptions of all Members resident in London
+are received.
+
+ * * * * *
+
+
+THE QUARTERLY REVIEW, No. CLXXVI., is just published.
+
+ CONTENTS:
+ 1. POULTRY LITERATURE.
+ 2. WOMEN IN FRANCE--MADAME DE MAINTENON.
+ 3. JULIUS CÆSAR--MERIVALE'S ROMAN HISTORY.
+ 4. THE REPUBLIC IN THE KING'S COACHES.
+ 5. SANITARY MOVEMENT--CENTRALIZATION.
+ 6. LIVES OF CALVIN. By DYER, &c.
+ 7. LORD HOLLAND'S REMINISCENCES.
+ 8. LORD JOHN RUSSELL.
+
+
+JOHN MURRAY, Albermarle Street.
+
+ * * * * *
+
+
+DR. MAITLAND'S ERUVIN--SECOND EDITION.
+
+In small 8vo., price 5s. 6d.
+
+ERUVIN; or MISCELLANEOUS ESSAYS on Subjects connected with the NATURE,
+HISTORY, and DESTINY of MAN.
+
+By the Rev. S. R. MAITLAND, D.D., F.R.S., and F.S.A.
+
+RIVINGTONS, St. Paul's Church Yard, and Waterloo Place;
+
+ Of whom may be had, by the same Author,
+
+1. ESSAYS on the REFORMATION in ENGLAND. 15s.
+
+2. ESSAYS on the DARK AGES. Second Edition. 12s.
+
+ * * * * *
+
+
+ORIGINAL LETTERS ON THE CHURCH IN IRELAND.
+
+In post 8vo., price 10s. 6d.
+
+ORIGINAL LETTERS and PAPERS in ILLUSTRATION of the HISTORY of the CHURCH in
+IRELAND, during the Reigns of Edward VI., Mary, and Elizabeth.
+
+Edited, with Notes, from Autographs in the State-Paper Office,
+
+ By EVELYN PHILIP SHIRLEY, ESQ., M.A.
+
+RIVINGTONS, St. Paul's Church Yard, and Waterloo Place.
+
+ * * * * *
+
+
+MAPS AND ATLASES of the SOCIETY FOR THE DIFFUSION OF USEFUL KNOWLEDGE,
+Published by C. Knight, 90. Fleet Street.
+
+ATLAS COMPLETE, with Index, 212 Maps, plain, in 1 vol., half morocco or
+russia, 6l. 7s. Coloured, 1 vol., half morocco or russia. 9l. 14s.
+
+LIBRARY ATLAS, 161 Maps, 1 volume, plain, 5l. 5s.; coloured, 7l. 7s.
+
+FAMILY ATLAS, 54 Maps, plain, 2l. 2s.; coloured 2l. 16s.
+
+SCHOOL ATLAS, MODERN and ANCIENT, 39 Maps, plain, 1l. 3s.; colored, 1l.
+13s.
+
+OUTLINE MAPS, FOR LEARNERS, Part I., 12 Maps, 4s.; Part II., 8 Maps, 3s.
+
+SINGLE MAPS, plain, 6d. each; coloured, 9d.
+
+MAP OF LONDON, for the convenience of VISITORS to the EXHIBITION, plain,
+1s.; coloured, 1s. 6d.; bound in cloth, 3s.
+
+The whole of the Maps are corrected to the present time, and a Prospectus,
+with full particulars, will be forwarded post-free on application to the
+Publisher, 90. Fleet Street.
+
+ * * * * *
+
+
+Just published, foolscap 8vo., cloth with Steel Engraving, price 4s. 6d.
+
+THE FAIRY GODMOTHERS and other Tales. By Mrs. ALFRED GATTY.
+
+London: GEORGE BELL, 186. Fleet Street.
+
+ * * * * *
+
+
+A New Edition, 24mo., price 5s., of
+
+KEMPIS DE IMITATIONE CHRISTI, et Contemptu Mundi, omniumque ejus vanitatum,
+Libri IV. Codex De Advocatis Seculi xiii. With Life by CHARLES BUTLER.
+
+WILLIAM PICKERING, 177. Piccadilly.
+
+ * * * * *
+
+
+A New Edition, 8vo., with Frontispiece, "Ecce Homo," engraved by Robinson,
+after a Painting by Guercino, 9s.,
+
+OF the IMITATION of JESUS CHRIST.
+
+Translated from the Latin original, ascribed to THOMAS À KEMPIS. By T. F.
+DIBDIN, D.D.
+
+WILLIAM PICKERING, 177. Piccadilly.
+
+ * * * * *
+
+
+Printed by THOMAS CLARK SHAW, of No. 8. New Street Square, at No. 5 New
+Street Square, in the parish of St. Bride, in the City of London; and
+published by GEORGE BELL, of No. 186. Fleet Street, in the Parish of St.
+Dunstan in the West, in the City of London, Publisher, at No. 186. Fleet
+Street aforesaid.--Saturday, April 19, 1851.
+
+ * * * * *
+
+
+Corrections made to printed original.
+
+page 300, "The duad represented the line" - original reads 'decad', making
+no sense in view of what follows. Duad (more likely to be misread than
+dyad) seems correct.
+
+page 302, "there is a striking story" - original reads 'strlking'.
+
+page 304, "a letter from Eustace Chapuys" - original reads 'Chaupys'.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries, Number 77, April
+19, 1851, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES ***
+
+***** This file should be named 26897-8.txt or 26897-8.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/6/8/9/26897/
+
+Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
+and the Online Distributed Proofreading Team at
+http://www.pgdp.net (This file was produced from images
+generously made available by The Internet Library of Early
+Journals.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/26897-8.zip b/26897-8.zip
new file mode 100644
index 0000000..aaf6af2
--- /dev/null
+++ b/26897-8.zip
Binary files differ
diff --git a/26897-h.zip b/26897-h.zip
new file mode 100644
index 0000000..3728f86
--- /dev/null
+++ b/26897-h.zip
Binary files differ
diff --git a/26897-h/26897-h.htm b/26897-h/26897-h.htm
new file mode 100644
index 0000000..1eb5561
--- /dev/null
+++ b/26897-h/26897-h.htm
@@ -0,0 +1,3012 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+ <title>
+ Notes And Queries, Issue 77.
+ </title>
+
+ <style type="text/css">
+
+<!--
+ body {margin-left: 10%; margin-right: 10%; text-align: justify;}
+ p.center {text-align: center;}
+ blockquote {text-align: justify;}
+ blockquote.b2n {margin-left: 4em; margin-right: 4em; }
+ h1,h2,h3,h4,h5,h6 {text-align: center;}
+ pre {font-size: 0.7em;}
+
+ hr {text-align: center; width: 50%;}
+ html>body hr {margin-right: 25%; margin-left: 25%; width: 50%;}
+ hr.full {width: 100%;}
+ html>body hr.full {margin-right: 0%; margin-left: 0%; width: 100%;}
+ hr.adverts {width: 100%; height: 5px; color: black;}
+ html>body hr.adverts {margin-right: 0%; margin-left: 0%; width: 100%;}
+
+ .note, .footnote {margin-left: 10%; margin-right: 10%;
+ font-size: 0.9em;}
+
+ table.nob {margin-left: 4em}
+ table.allb {border : thin solid black; border-collapse: collapse; margin-left: 4em}
+ table.allbnomar {border : thin solid black; border-collapse: collapse;}
+ table.nomar {margin-left: 0em}
+ td.allb {border : thin solid black; padding-left: 0.5em; padding-right: 0.5em;}
+ td.vertb {border-left : thin solid black; border-right : thin solid black;
+ padding-left: 0.5em; padding-right: 0.5em; padding-bottom: 1ex; }
+ table.nobctr {margin-left: auto; margin-right: auto;}
+ .single p {margin: 0;}
+ .contents {margin-left:30%; margin-right:10%; margin-bottom: 1em; text-align: left;}
+ .contents .stanza {margin: 1em 0em 1em 0em;}
+ .contents p {margin: 0; padding-left: 3em; text-indent: -3em;}
+ .poem {margin-left:10%; margin-right:10%; text-align: left;}
+ .poem .stanza {margin: 1em 0em 1em 0em;}
+ .poem p {margin: 0; padding-left: 3em; text-indent: -3em;}
+ p.hg3 {margin-left: -0.3em;}
+ p.hg1 {margin-left: -0.1em;}
+ .poem p.i1 {margin-left: 1em;}
+ .poem p.i1hg1 {margin-left: 0.9em;}
+ .poem p.i1hg3 {margin-left: 0.7em;}
+ .poem p.i2 {margin-left: 2em;}
+ .poem p.i2hg1 {margin-left: 1.9em;}
+ .poem p.i2hg3 {margin-left: 1.7em;}
+ .poem p.i3 {margin-left: 3em;}
+ .poem p.i4 {margin-left: 4em;}
+ .poem p.i4hg1 {margin-left: 3.9em;}
+ .poem p.i4hg3 {margin-left: 3.7em;}
+ .poem p.i6 {margin-left: 6em;}
+ .poem p.i6hg3 {margin-left: 5.7em;}
+ .poem p.i6hg1 {margin-left: 5.9em;}
+ .poem p.i8 {margin-left: 8em;}
+ .poem p.i8hg3 {margin-left: 7.7em;}
+ .poem p.i12 {margin-left: 12em;}
+ .poem p.i12hg3 {margin-left: 11.7em;}
+ .poem p.i12hg1 {margin-left: 11.9em;}
+ .poem p.i10 {margin-left: 10em;}
+ .poem p.i10hg3 {margin-left: 9.7em;}
+ .poem p.i16 {margin-left: 16em;}
+ .poem .caesura {vertical-align: -200%;}
+ .figure, .figcenter, .figright, .figleft
+ {padding: 1em; margin: 0; text-align: center; font-size: 0.8em;}
+ .figure img, .figcenter img, .figright img, .figleft img
+ {border: none;}
+ .figcenter {margin: auto;}
+ .figright {float: right;}
+ .figleft {float: left;}
+
+ .linenum {position: absolute; top: auto; left: 60%;} /* poetry number */
+
+ span.pagenum {position: absolute; left: 1%; right: 91%; font-size: 8pt; font-style: normal;}
+ span.correction {border-bottom: thin dotted red;}
+ span.special {border-bottom: thin dotted green;}
+ span.over {text-decoration: overline;}
+
+ .sc {font-variant: small-caps; }
+ .scac {font-size: small;}
+ .grk {font-style: normal; font-family:"Palatino Linotype","New Athena Unicode",Gentium,"Lucida Grande", Galilee, "Arial Unicode MS", sans-serif;}
+ .saxon {font-style: normal;
+ font-family:sans-serif;}
+
+ p.author {text-align: right; margin-top: -1em;}
+ p.address {margin-top: -0.5em;}
+ .cenhead {text-align: center; margin-top: 1em;}
+ img.middle { border: none; vertical-align: middle }
+
+ // -->
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+Project Gutenberg's Notes and Queries, Number 77, April 19, 1851, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries, Number 77, April 19, 1851
+ A Medium of Inter-communication for Literary Men, Artists,
+ Antiquaries, Genealogists, etc
+
+Author: Various
+
+Editor: George Bell
+
+Release Date: October 12, 2008 [EBook #26897]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES ***
+
+
+
+
+Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
+and the Online Distributed Proofreading Team at
+http://www.pgdp.net (This file was produced from images
+generously made available by The Internet Library of Early
+Journals.)
+
+
+
+
+
+
+</pre>
+
+<table border="0" cellpadding="10" style="background-color: #ccccff;">
+<tr>
+<td style="width:25%; vertical-align:top">
+Transcriber's note:
+</td>
+<td>
+A few typographical errors have been corrected. They
+appear in the text <span class="correction" title="explanation will pop up">like this</span>, and the
+explanation will appear when the mouse pointer is moved over the marked
+passage.
+</td>
+</tr>
+</table>
+
+<p><!-- Page 297 --><span class="pagenum"><a name="page297"></a>{297}</span></p>
+
+<h1>NOTES AND QUERIES:</h1>
+
+<h2>A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES,
+GENEALOGISTS, ETC.</h2>
+
+<hr class="short" />
+
+<h3><b>"When found, make a note of."</b>&mdash;CAPTAIN CUTTLE.</h3>
+
+<hr class="full" />
+
+
+<table width="100%" class="nomar" summary="masthead" title="masthead">
+ <tr>
+ <td style="text-align:left; width:25%">
+ <p><b>No. 77.</b></p>
+ </td>
+ <td style="text-align:center; width:50%">
+ <p><b><span class="sc">Saturday, April 19. 1851.</span></b></p>
+ </td>
+ <td style="text-align:right; width:25%">
+ <p><b>Price Threepence.<br />Stamped Edition 4d.</b></p>
+ </td>
+ </tr>
+</table>
+
+<hr class="full" />
+
+<h2>CONTENTS.</h2>
+
+
+<table width="100%" class="nomar" summary="Contents" title="Contents">
+ <tr>
+ <td style="text-align:left; width:94%">
+ <p><span class="sc">Notes</span>:&mdash;</p>
+ </td>
+ <td style="text-align:right; width:5%">
+ <p>Page</p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Latin Drinking Song by Richard Braithwait, by S.&nbsp;W. Singer</p>
+ </td>
+ <td style="text-align:right">
+ <p><a href="#page297">297</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Strange Appearances in the Sky, by Rev. A. Gatty</p>
+ </td>
+ <td style="text-align:right">
+ <p><a href="#page298">298</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>"After me the Deluge," by Douglas Jerrold</p>
+ </td>
+ <td style="text-align:right">
+ <p><a href="#page299">299</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Bishop Thornborough's Monument</p>
+ </td>
+ <td style="text-align:right">
+ <p><a href="#page299">299</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Minor Notes:&mdash;King Richard III.&mdash;Shakspeare a thorough
+ Sailor&mdash;"A fellow-feeling." &amp;c.&mdash;Early Instances of the
+ Word "News"&mdash;Under the Rose</p>
+ </td>
+ <td style="text-align:right">
+ <p><a href="#page300">300</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p><span class="sc">Queries</span>:&mdash;</p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Portraits of Spenser</p>
+ </td>
+ <td style="text-align:right">
+ <p><a href="#page301">301</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>The Vendace</p>
+ </td>
+ <td style="text-align:right">
+ <p><a href="#page301">301</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Minor Queries:&mdash;Ex Pede Herculem&mdash;"To-day we
+ purpose"&mdash;"God takes those soonest whom He loves the
+ best"&mdash;Quakers' Attempt to convert the Pope &mdash;Whychcote of
+ St. John's&mdash;Meaning of Rechibus&mdash;Family of Queen Katherine
+ Parr&mdash;Skort&mdash;Religious Teaching in the German
+ Universities&mdash;Epigram by Dunbar&mdash;Endymion
+ Porter&mdash;Sathaniel&mdash;The Scoute Generall&mdash;Anthony
+ Pomeroy, Dean of Cork</p>
+ </td>
+ <td style="text-align:right">
+ <p><a href="#page302">302</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p><span class="sc">Minor Queries Answered</span>:&mdash;Civil War
+ Tract&mdash;Trisection of the Circle&mdash;Wolsey's
+ Son&mdash;Cardinals and Abbots in the English Church</p>
+ </td>
+ <td style="text-align:right">
+ <p><a href="#page303">303</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p><span class="sc">Replies</span>:&mdash;</p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Sir Balthazar Gerbier, by J. Crossley</p>
+ </td>
+ <td style="text-align:right">
+ <p><a href="#page304">304</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>The Travels of Baron Munchausen</p>
+ </td>
+ <td style="text-align:right">
+ <p><a href="#page305">305</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Replies to Minor Queries:&mdash;Tobacco in the East&mdash;Captain
+ John Stevens&mdash;MS. Catalogue of Norman
+ Nobility&mdash;Illustrations of Chaucer, No.
+ III.&mdash;Comets&mdash;Pope Joan&mdash;Abbot Euctacius&mdash;The
+ Vellum-bound Junius&mdash;Meaning of
+ Waste-book&mdash;Cowdray&mdash;Solemnisation of
+ Matrimony&mdash;Epitaph on the Countess of Pembroke&mdash;Scandal
+ against Queen Elizabeth&mdash;The Tanthony&mdash;The Hippopotamus
+ &mdash;Tu autem&mdash;Places called purgatory&mdash;Swearing by
+ Swans, &amp;c.&mdash;Edmund Prideaux and the Post-office &mdash;Small
+ Words and "Low" Words&mdash;Lord Howard of Effingham&mdash;Obeahism,
+ &amp;c.</p>
+ </td>
+ <td style="text-align:right">
+ <p><a href="#page306">306</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p><span class="sc">Miscellaneous</span>:&mdash;</p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Notes on Books, Sales, Catalogues, &amp;c.</p>
+ </td>
+ <td style="text-align:right">
+ <p><a href="#page310">310</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Books and Odd Volumes wanted</p>
+ </td>
+ <td style="text-align:right">
+ <p><a href="#page311">311</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Notices to Correspondents</p>
+ </td>
+ <td style="text-align:right">
+ <p><a href="#page311">311</a></p>
+ </td>
+ </tr>
+
+ <tr>
+ <td style="text-align:left">
+ <p>Advertisements</p>
+ </td>
+ <td style="text-align:right">
+ <p><a href="#page311">311</a></p>
+ </td>
+ </tr>
+</table>
+
+<hr class="full" />
+
+<h2>Notes.</h2>
+
+<h3>LATIN DRINKING SONG BY RICHARD BRAITHWAIT.</h3>
+
+ <p>I have been surprised, from the facility with which the author of
+ "Drunken Barnaby" seems to pour out his Leonine verse, that no other
+ productions of a similar character are known to have issued from his pen.
+ I am not aware that the following drinking song, which may fairly be
+ attributed to him, has ever appeared in print. It was evidently unknown
+ to the worthy Haslewood, the crowning glory of whose literary career was
+ the happy discovery of the author, Richard Braithwait. I transcribe it
+ from the MS. volume from which James Boswell first gave to the world
+ Shakspeare's verses "On the King." Southey has somewhere said that "the
+ best serious piece of Latin in modern metre is Sir Francis Kinaston's
+ <i>Amores Troili et Cressidæ</i>, a translation of the two first books of
+ Chaucer's Poem<a name="footnotetag1"
+ href="#footnote1"><sup>[1]</sup></a>; but it was reserved for
+ <i>famous</i> <span class="sc">Barnaby</span> to employ the barbarous
+ ornament of rhyme, so as to give thereby point and character to good
+ Latinity."</p>
+
+ <p>Southey does not seem to have known those remarkable productions of
+ the middle ages, which have been made accessible to us by the researches
+ of Docen, of Grimm, of Schmeller, and of Mr. Wright; and, above all, of
+ that exquisite gem, "De Phyllide et Flora," first printed by Docen<a
+ name="footnotetag2" href="#footnote2"><sup>[2]</sup></a>, and since given
+ by Mr. Wright in his collection of <i>Poems attributed to Walter de
+ Mapes</i>. We have, however, a much better text from the hand of Jacob
+ Grimm, in the <i>Memoirs of the Academy of Berlin for 1843</i>, p. 239.
+ Of this poem it is perhaps not exaggeration to say, that it is an Idyll
+ which would have done honour to the literature of any age or country; and
+ if it is the production of Walter de Mapes, we have reason to be proud of
+ it. It is a dispute between two maidens on the qualities of their lovers,
+ the one being a soldier, the other a priest. It breathes of the spring,
+ of nature, and of love:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"Erant ambæ virgines et ambæ reginæ</p>
+ <p>Phyllis coma libera Flora comto crine,</p>
+ <p>Non sunt formæ virginum sed formæ divinæ,</p>
+ <p>Et respondent facies luci matutinæ.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Nec stirpe, nec facie, nec ornatu viles,</p>
+ <p>Et annos et animos habent juveniles</p>
+ <p>Sed sunt parum inpares, et parum hostiles</p>
+ <p>Nam hinc placet clericus illi vero miles."</p>
+ </div>
+ </div>
+<p><!-- Page 298 --><span class="pagenum"><a name="page298"></a>{298}</span></p>
+
+ <p>Love is called in to decide the dispute, and it causes no surprise to
+ find, after due ventilation of the cause, the judgment of the court to
+ be:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"Secundum scientiam et secundum morem,</p>
+ <p><span class="sc">Ad amorem clericum dicunt aptiorem</span>."</p>
+ </div>
+ </div>
+ <p>Your readers who are not already acquainted with this interesting
+ picture of ancient manners will, I think, be pleased with having it
+ pointed out to their notice.</p>
+
+ <p>Should the following song not be already in print, I can also furnish
+ from the same source a version of the ballad on "Robin Goodfellow" by the
+ same hand, should it be acceptable.<a name="footnotetag3"
+ href="#footnote3"><sup>[3]</sup></a></p>
+
+ <p class="author"><span class="sc">S. W. Singer.</span></p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="i4hg3">"<span class="scac">CANTIO</span>.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="hg3">"O Pampine! quo venisti?</p>
+ <p>Cur me spectas fronte tristi?</p>
+ <p>Tolle caput, sis jucundus,</p>
+ <p>Tolle poculum exue fundus,</p>
+ <p>Et salutem jam bibamus,</p>
+ <p>Ad sodales quos amamus;</p>
+ <p>O Pampine! tibi primum</p>
+ <p>Haustum summus hunc ad imum.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Ecce de christallo factum</p>
+ <p>Purum vas, et hoc intactum,</p>
+ <p>Lympha nunc et succo plenum,</p>
+ <p>Nec includit hoc venenum;</p>
+ <p>Medicamen quod repellit</p>
+ <p>Omnes malos, nec fefellit,</p>
+ <p>O Pampine! invito Momo,</p>
+ <p>Tibi, tu es meus homo.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Hic est sacer fons et flumen,</p>
+ <p>Quod qui potant vocant numen,</p>
+ <p>Iras pellit, demit lites,</p>
+ <p>Et superbos facit mites;</p>
+ <p>Et post flumen hoc te am&oelig;num</p>
+ <p>Annos reparare senum:</p>
+ <p>O Pampine! tibi habe,</p>
+ <p>Bibe si sis dignus tabe.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Hoc si tu gustabit nectar,</p>
+ <p>Si sis Paris fies Hector,</p>
+ <p>Iras demit inquietas,</p>
+ <p>In memento facit lætas;</p>
+ <p>Pro doloribus est solamen,</p>
+ <p>Pro pulicibus medicamen;</p>
+ <p>O Pampine! habe tibi,</p>
+ <p>Bibe tu cum ego bibi.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Hic est aqua vera fortis,</p>
+ <p>Vincula quæ solvet mortis,</p>
+ <p>Aut, si placet, aqua vitæ,</p>
+ <p>Roborans ab atra Dite:</p>
+ <p>Hinc sunt uti qui potestis</p>
+ <p>Omnia, cibus, potis, vestis;</p>
+ <p>O Pampine! tibi cito</p>
+ <p>Bibe, aut ab hinc abito.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Si frigistis, sine joco,</p>
+ <p>Solo hoc utare foco,</p>
+ <p>Si esuries hic sunt oves,</p>
+ <p>Pulli, vituli, et boves;</p>
+ <p>Quod si sitis ecce montem,</p>
+ <p>Quem si scandes habet fontem;</p>
+ <p>O Pampine! bibe rursus,</p>
+ <p>Bibe, tu nam venit cursus.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Si ægrotas sume potum,</p>
+ <p>Vis ut valeas tolle totum,</p>
+ <p>Cape potum hunc paratum,</p>
+ <p>Sanus eris,&mdash;est probatum;</p>
+ <p>Si in corpore aut in mente</p>
+ <p>Dolebant in quavis dente;</p>
+ <p>O Pampine! tibi statim</p>
+ <p>Sume potum hinc gradatim.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Bacche jam et jam Silene,</p>
+ <p>Pocula impleatis plene,</p>
+ <p>Ope jam adiutus vestra</p>
+ <p>Domum, feram e fenestra.</p>
+ <p>Ædes vertunt jam rotundæ,</p>
+ <p>Et succedant res secundæ:</p>
+ <p>O Pampine! tibi bibo,</p>
+ <p>Bibe, vale! ego abibo."</p>
+ </div>
+ </div>
+<div class="note">
+ <a name="footnote1"></a><b>Footnote 1:</b><a
+ href="#footnotetag1">(return)</a>
+ <p>Southey was not aware that the whole of Chaucer's Poem, and the
+ "Testament of Cressid," by Henryson, was translated by Kinaston and
+ accompanied by a copious commentary in English, but only exists in one
+ sole MS. The press of the Camden Society would be well employed on
+ it.</p>
+
+ <a name="footnote2"></a><b>Footnote 2:</b><a
+ href="#footnotetag2">(return)</a>
+ <p>In Baron von Aretin's <i>Beytrage zur Geschichte und Literatur</i>,
+ vol. vii. p. 301.; but the copy, though a good text, was defective at the
+ end.</p>
+
+ <a name="footnote3"></a><b>Footnote 3:</b><a
+ href="#footnotetag3">(return)</a>
+ <p>[We are sure we are only expressing the opinion of the majority of our
+ readers when we say it will be <i>most acceptable</i>.&mdash;<span
+ class="sc">Ed.</span>]</p>
+
+</div>
+<hr class="short" />
+
+<h3>STRANGE APPEARANCES IN THE SKY.</h3>
+
+ <p>Strange appearances in the sky have not been without their ominous
+ signification from the time that the greater and lesser lights were
+ placed there at the creation, to the rainbow after the Deluge; and onward
+ to the "star in the east" which announced our Saviour's birth, and the
+ "light from heaven" which accompanied St. Paul's conversion. But the
+ question is, whether there has since been any meaning in other like
+ celestial illuminations? Some historical credit is claimed for the fiery
+ sword, and armies fighting in the air, which preceded the siege of
+ Jerusalem: for the cross of the Emperor Constantine: for the bow about
+ the sun seen by Augustus Cæsar, when he took possession of the Roman
+ empire: and for stars, or other heavenly lights, which have seemed to
+ herald the births or deaths of illustrious personages. But are these
+ stories to be believed? and, if they are, where is the line of
+ credibility to be drawn? People cannot come together, and talk either on
+ this subject, or on that of ghosts, but every one "hath a revelation,
+ hath an interpretation." The poet, walking on the mountains, looked into
+ the sky, and</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"The appearance, instantaneously disclosed,</p>
+ <p>Was of a mighty city&mdash;boldly say</p>
+ <p>A wilderness of building, sinking far,</p>
+ <p>And self-withdrawn, into a wondrous depth,</p>
+ <p>Far sinking into splendour&mdash;without end?"</p>
+ </div>
+ </div>
+ <p>The two following extracts are from private letters now before me. The
+ first account was written in 1825 by a physician, still alive, and <!--
+ Page 299 --><span class="pagenum"><a name="page299"></a>{299}</span>who
+ at the time read an account of what he had seen at a meeting of the
+ Plinian Society. He says,</p>
+
+<blockquote class="b1n">
+
+ <p>"I last evening read a paper upon an extraordinary appearance of
+ letters, formed by the clouds, seen by a Mr. T. and myself. We had also
+ with us two little boys, one nine, the other eleven years of age, who
+ were able to make out each letter equally with ourselves. These children
+ were at the time walking some distance behind us: but, upon their coming
+ up, and being shown the letters, they read them without having heard any
+ observation of ours respecting them. We saw them for about two minutes,
+ when they gradually changed their form&mdash;each letter changing its
+ perpendicular for a horizontal position, and at length the whole becoming
+ converted into that form of cloud denominated cirro-stratus. I will
+ endeavour to give you a faint idea of the appearance, by forming the
+ letters as well as my memory will enable me. I make no comment upon the
+ words themselves, as they are too extraordinary for observation of any
+ kind. It was upon the 12th of last month: several showers had fallen in
+ the course of the day, but the afternoon was fine. The time seven in the
+ evening. The letters were formed upon a fine blue surface, having no
+ other clouds near them, except very small ones, which tended much to
+ heighten the effect of the whole.</p>
+
+ <div class="figcenter" style="width:42%;">
+ <a href="images/77_006a.png"><img style="width:100%" src="images/77_006a.png"
+ alt="(ETERNAL)" title="(ETERNAL)" /></a>
+ (ETERNAL)
+ </div>
+ <div class="figcenter" style="width:55%;">
+ <a href="images/77_006b.png"><img style="width:100%" src="images/77_006b.png"
+ alt="(MILLENNIUM)" title="(MILLENNIUM)" /></a>
+ (MILLENNIUM)
+ </div>
+ <p>"You will observe several deficiencies in the letters of the first
+ word, viz. in the first 'E;' also in the 'N,' the second part being
+ short; and a slight defect in the letter 'A.' With respect to the second
+ word, the first six letters were very perfect: the others, with the
+ exception of the 'M,' mere strokes; but in number sufficient to make up
+ the word: and they had the appearance of having been perfect. I can
+ assure you they were anything but obscure, and required very little
+ stretch of the imagination. In the first word the letters were
+ equidistant and beautifully uniform. The second word was not quite
+ straight, being curved towards its termination. This appeared to me to
+ arise from the change of position which the letters were undergoing, as
+ before stated."</p>
+
+</blockquote>
+
+ <p>My other extract is from a letter written in 1851. The scene to which
+ it refers is a sick chamber occupied by an octogenarian grandmother, who
+ is <i>in extremis</i>. Her daughter, who writes the account, is present,
+ together with a grandchild, who is nearly eleven years old. The nurse has
+ left the room.</p>
+
+<blockquote class="b1n">
+
+ <p>"We afterwards stood by poor grandmamma's fire, and then we sat at her
+ window to see the moon rise. There were many clouds about it, and
+ directly under it was the most marked figure of our Saviour on the cross.
+ The head was concealed in light, but the arms were outstretched, and the
+ body quite distinct. M. saw it too, and said, 'How appropriate, aunt, for
+ the beginning of Lent!' She has never alluded to it since, nor, of
+ course, have I; nor do I think any more of it, than that <i>there it
+ was</i>: and there is something happy in the fancy, at all events, for it
+ shone on her dying bed."</p>
+
+</blockquote>
+
+ <p>As you admit folk lore into "<span class="sc">Notes and
+ Queries</span>," also well-attested anecdotes, although these may not
+ absolutely conduce to the advancement of learning or art, perhaps you
+ will receive this paper for the amusement of those who, like myself, feel
+ an interest in anything which takes us a little out of the <i>hardware
+ facts</i> of "the age we live in."</p>
+
+ <p class="author"><span class="sc">Alfred Gatty.</span></p>
+
+ <p class="address">Ecclesfield.</p>
+
+<hr class="short" />
+
+<h3>"AFTER ME THE DELUGE."</h3>
+
+ <p>If stolen wisdom could be returned to its rightful authors, great,
+ indeed, would be the transfer of property. Prince Metternich is said to
+ be the sayer of "After me the Deluge." And yet the Prince took the saying
+ from the mouth of Madame Pompadour; and she took it&mdash;from whom? It
+ may be reasonably doubted that her brain originated it; for it was not an
+ order of brain that packs wisdom in few syllables.</p>
+
+<blockquote class="b1n">
+
+ <p>"'After me the Deluge,' said Prince Metternich; a fine saying, but a
+ false prophecy we trust."</p>
+
+</blockquote>
+
+ <p>I quote this from an admirable paper in <i>The Times</i> of to-day
+ (April 10.) on the Crystal Palace, and quote the subscribed from an
+ <i>Essai sur la Marquise de Pompadour</i>, prefixed to the <i>Mémoires de
+ Madame du Hausset, Femme de Chambre de Madame Pompadour</i>, in
+ Barrière's <i>Bibliothèque des Mémoires</i>.</p>
+
+<blockquote class="b1n">
+
+ <p>"Madame de Pompadour, dans l'ivresse de la prospérité, répondit à
+ toutes les menaces de l'avenir par ces trois [<i>quatre</i>] mots, "<span
+ class="sc">Après nous, le Déluge</span>," qu'elle répétait souvent."</p>
+
+</blockquote>
+
+ <p>In this case, "Pompadour <i>v.</i> Metternich," surely a verdict must
+ be returned for the lady, unless Voltaire puts in a future claim.</p>
+
+ <p class="author"><span class="sc">Douglas Jerrold</span>.</p>
+
+ <p class="address">West Lodge, Putney Common.</p>
+
+<hr class="short" />
+
+<h3>BISHOP THORNBOROUGH'S MONUMENT.</h3>
+
+<div class="note">
+ <p>[The writer of the following interesting communication does not appear
+ to be aware that he is obliging us and a correspondent D.&nbsp;Y., who had
+ asked (Vol. iii., p. 168.) for an explanation of the phrase <i>Denarius
+ Philosophorum</i>, in the Bishop's Monument.]</p>
+
+</div>
+
+ <p>Our local antiquaries have long been puzzled by an inscription in the
+ Lady chapel of our cathedral. It stands on the monument of Bishop
+ Thornborough, and was prepared by himself fourteen years before his
+ decease in 1641, at the age of ninety-four. He was addicted to alchymy,
+ and published a book in 1621, entitled <span title="Lithotheôrikos" class="grk"
+ >&Lambda;&iota;&theta;&omicron;&theta;&epsilon;&omega;&rho;&iota;&kappa;&omicron;&sigmaf;</span>,
+ <i>sive</i>, <i>Nihil aliquid</i>, <i>omnia</i>, <i>&amp;c.</i> In the
+ course of some recent studies in the Pythagorean philosophy, my attention
+ was accidentally engaged by this <!-- Page 300 --><span
+ class="pagenum"><a name="page300"></a>{300}</span>inscription; and it at
+ once struck me that it was <i>thence</i> that the explanation was to be
+ derived. The epitaph is as follows: on one side,</p>
+
+<blockquote class="b1n">
+
+ <p>"Denarius Philosophorum, Dum Spiro, Spero."</p>
+
+</blockquote>
+
+ <p>on the other,</p>
+
+<blockquote class="b1n">
+
+ <p>"In Uno, 2<sup>o</sup>. 3<sup>o</sup>. 4<sup>or</sup> 10. non Spirans
+ Spera<i>bo</i>."</p>
+
+</blockquote>
+
+ <p>The latter letters are now effaced.</p>
+
+ <p>It is well known that the Pythagoreans found all the modes of space in
+ the relations of numbers.</p>
+
+ <p>The monad, or unit, was not only the <i>point</i> whence all extension
+ proceeds, but it further symbolised the First Principle, the origin of
+ all. The <span class="correction" title="Original reads `decad', making no sense in view of what follows. Duad (more likely to be misread than dyad) seems correct."
+ >duad</span> represented the line, as being bounded by two points or
+ monads. The triad stood for surface as length and width. The tetrad for
+ the perfect figure, the cube, length, depth, and width. The decad, or
+ denarius, indicated comprehensively all being, material and immaterial,
+ in the utmost perfection: hence the term <i>decas</i>, or
+ <i>denarius</i>, was used summarily for the whole science of numbers, as
+ in the title of Meursius's tract <i>De Denario Pythagorico</i>, which was
+ published four years after the date of the inscription, and when the
+ philosophy was attracting much attention among European scholars. To be
+ as concise as possible then, I presume that the old bishop intended that
+ the tomb on which his effigy lies was his access to that perfection of
+ existence which philosophers had designated by the <i>decas</i>, or
+ <i>denarius</i>. During the present life he was hoping for it, "Dum
+ Spiro, Spero."&mdash;On the other side: "In Him, who is the source, the
+ beginning, the middle, and the end of all existence and perfection (in
+ Uno, 2<sup>o</sup>. 3<sup>o</sup>. 4<sup>or</sup> 10. non Spirans
+ Sperabo), though I breathe no more, yet shall I hope."</p>
+
+ <p>Such is probably the meaning of his pious conceit, and I offer it as a
+ solution of what has long served for a riddle to the visitors of our
+ cathedral. Beyond this, your readers and myself may be equally
+ indifferent to such cabalistical quaintness. But let us treat it with
+ charity, as the devout consummation of an aged alchymist.</p>
+
+ <p class="author">O. F.</p>
+
+ <p class="address">College Green, Worcester, March, 1851.</p>
+
+<hr class="full" />
+
+<h2>Minor Notes.</h2>
+
+ <p><i>King Richard III.</i> (Vol. iii., p. 221.).&mdash;On the 14th May,
+ 1491 (6 Henry VII.), one Master William Burton, the schoolmaster of St.
+ Leonard's Hospital, in the city of York, was accused before the
+ magistrates of having said that "King Richard was an hypocrite, a
+ <i>crocheback</i>, and buried in a dike like a dog." This circumstance is
+ recorded in a contemporary document of unquestionable authenticity (vide
+ extracts from <i>York Records in the Fifteenth Century</i>, p. 220.); and
+ must remove all doubt as to the fact of Richard's bodily deformity. The
+ conjecture of Dr. Wallis, quoted by G.&nbsp;F.&nbsp;G., can have no weight when
+ opposed by clear evidence that the word "crouchback," as a term of
+ reproach or contempt, was applied to King Richard within a few years
+ after his death, by one to whom his person must have been familiarly
+ known.</p>
+
+ <p class="author"><span class="grk">&Delta;</span>.</p>
+
+ <p><i>Shakespeare a thorough Sailor.</i>&mdash;Let me point attention to
+ a <i>genuine</i> nautical expression, in the use of which Shakespeare
+ shows himself <i>a thorough sailor</i>:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"The wind sits in the <i>shoulder</i> of your sail."&mdash;<i>Hamlet</i>, Act I. Sc. 3.</p>
+ </div>
+ </div>
+ <p>In a "fore and aft sail" of the present day, the "shoulder" is the
+ <i>foremost upper</i> corner, and the <i>last part of the canvass</i> on
+ which the wind fixes its influence when a vessel is "sailing by the
+ wind," or even "off the wind." The "veriest lout" in the "after-guard"
+ will appreciate the truthfulness and beauty of the metaphor.</p>
+
+ <p class="author">A. L.</p>
+
+ <p><i>"A fellow-feeling," &amp;c.</i>&mdash;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"A fellow-feeling makes one wondrous kind."</p>
+ </div>
+ </div>
+ <p>This oft-quoted line is from Garrick's Epilogue on quitting the
+ stage.</p>
+
+ <p class="author"><span class="grk">&Gamma;</span>.</p>
+
+ <p><i>Early Instances of the World "News."</i>&mdash;Without the
+ slightest intention of re-opening the discussion as to whether the word
+ "newes" be of native growth or imported, I would beg leave to suggest as
+ a means of completing <i>its history</i>, that should any of the readers
+ of "<span class="sc">Notes and Queries</span>," whose researches may lead
+ amongst the authorities of the <i>fifteenth</i> century, meet with
+ instances of the word in familiar use between <span
+ class="scac">A.D.</span> 1400 and <span class="scac">A.D.</span> 1500,
+ they would notify the same.</p>
+
+ <p>The earliest date of its colloquial use as yet recorded in "<span
+ class="sc">Notes and Queries</span>," is <span class="scac">A.D.</span>
+ 1513: on the other hand, the word, so far as I am aware, is nowhere used
+ by Chaucer, although his near approach to it in the following lines is
+ very remarkable:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"There is right now come into the toune a gest,</p>
+ <p>A Greek espie, and telleth <i>newe things</i>,</p>
+ <p>For which I come to tell you newe tidings."&mdash;<i>Troilus and Creseide</i>, b. ii. 1113.</p>
+ </div>
+ </div>
+ <p>After this, the transition to the word itself is so extremely easy,
+ that it could not be far distant.</p>
+
+ <p class="author">A. E. B.</p>
+
+ <p><i>Under the Rose.</i>&mdash;It may interest the inquirers into the
+ origin of this expression to know, that at Lullingston Castle in Kent,
+ the residence of Sir Percival Dyke, there is in the hall an old picture,
+ or painted carving (I forget which, as it is many years since I saw it),
+ of a rose, some two feet in diameter, surrounded by an inscription,
+ which, if I remember right, runs as follows, or nearly so:&mdash;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"Kentish true blue;</p>
+ <p>Take this as a token,</p>
+ <p>That what is said here</p>
+ <p>Under the rose is spoken."</p>
+ </div>
+ </div>
+ <p>It is now, or was when I saw it, in the hall of that <!-- Page 301
+ --><span class="pagenum"><a name="page301"></a>{301}</span>ancient
+ mansion, but I believe had been brought from an old house in the
+ neighbourhood.</p>
+
+ <p class="author">E. H. Y.</p>
+
+<hr class="full" />
+
+<h2>Queries.</h2>
+
+<h3>PORTRAITS OF SPENSER.</h3>
+
+ <p>The engraved portraits of Spenser differ so much from each other as to
+ throw doubts on their resemblance to the poet.</p>
+
+ <p>I have now before me the following:</p>
+
+ <p>1. That prefixed to Bell's edition, 1777, engraved by Cook from "an
+ original in Lord Chesterfield's collection."</p>
+
+ <p>2. Prefixed to an edition in one volume published by Spiers, 1840.</p>
+
+ <p>3. Prefixed to Moxon's edition, 1845.</p>
+
+ <p>We are not told from what paintings Nos. 2. and 3. are engraved, but
+ they resemble each other, and are somewhat like that in Bell's edition;
+ so I shall set these three down as forming one class of portraits. No. 2.
+ has, however, a curious inscription, <i>Edmund Spenser</i>, <i>obiit
+ 1559</i>, which would lead us to reject it altogether, and look on it as
+ an imaginary likeness.</p>
+
+ <p>4. The portrait in Pickering's Aldine edition, 1839: this bears no
+ resemblance, either in costume or features, to those already mentioned;
+ but, if I mistake not, is like that in Todd's edition, published in
+ 1805,&mdash;we may call these a second class.</p>
+
+ <p>An original portrait of Spenser is said to be in Lord Chesterfield's
+ collection; another in Duplin Castle, the seat of Lord Kinnoul (of this
+ there is a copy at Althorpe by Sir Henry Raeburn). Mr. Wright, in his
+ <i>Memorials of Cambridge</i>, mentions a portrait at Pembroke College,
+ "a copy by Wilson," but he does not say from what original: Mr. Craik, in
+ <i>Spenser and his Writings</i>, speaks of <i>two</i> as being in this
+ college.</p>
+
+ <p>The writer thinks he recollects a law-suit relative to a portrait of
+ the poet, which had been sold to the late Sir Robert Peel, and which was
+ stated to have come from Ireland. Perhaps some of your readers could give
+ information respecting this picture.</p>
+
+ <p>It is clear, if the first three are all from the Chesterfield
+ original, that this painting, and the one from which Mr. Pickering's is
+ taken, cannot both be portraits of Spenser. The object of this Query is
+ to ascertain, if possible, which engraving, or class of engravings,
+ resembles the poet.</p>
+
+ <p class="author">E. M. B.</p>
+
+<hr class="short" />
+
+<h3>THE VENDACE.</h3>
+
+ <p>The very remarkable fish called the <i>Vendace</i> is to be found but
+ in one place in the three kingdoms,&mdash;the Castle Loch of Lochmaben, a
+ parish to the south of Dumfriesshire in Scotland. The Vendace, it is
+ said, derives its name from <i>Vendois</i> in France, and was brought to
+ this country by one of the James's. This, however, is mere conjecture,
+ and, from its habits, highly improbable&mdash;because <i>they die the
+ moment they are either touched or exposed to the air</i>.</p>
+
+ <p>According to Mr. Stewart (<i>Elements of Natural Hist.</i>), the
+ Vendace belongs to a species which he calls <i>Salmo albula</i>, or the
+ "Juvangis."</p>
+
+<blockquote class="b1n">
+
+ <p>"This species," he adds, "is found in Lochmaben in Scotland, and
+ <i>nowhere else</i>: it is said to have been carried thither from England
+ in the time of Robert the Bruce."</p>
+
+</blockquote>
+
+ <p>Mr. Stewart describes the fish, but from his description it is evident
+ he has never seen it. The following one is exact:&mdash;</p>
+
+<blockquote class="b1n">
+
+ <p>"This beautiful fish measures from four to six inches in length, and
+ tapers gradually to the tail. When taken out of the water, it has a
+ bright silvery white appearance, with a slight tendency to a light blue
+ along the back and part of the sides. In size it resembles a small
+ herring or par, but particularly the former, not only in the mouth and
+ external appearance, but also in the anatomical structure. <i>Upon the
+ top of the head</i> there is a very distinct <i>shape of a heart</i>,
+ covered with a transparent substance of a brownish colour, resembling a
+ thin lamina of mica slate, <i>through which the brain is visible</i>.
+ This peculiar mark proves it to be as yet a distinct and undescribed
+ species. Nothing is ever found visible to the naked eye in the stomach of
+ the Vendace. They are extremely delicate, and are allowed to be the most
+ pleasing to the taste of all fish. The general mode of catching them is
+ with a net, as there is no instance known of their having been caught
+ either with bait or the artificial fly. The pike, with which this lake
+ abounds, is their greatest enemy. It has been frequently stated that no
+ fewer than fifteen distinct species of fish, fit for the table, have been
+ found in the Castle Loch."</p>
+
+</blockquote>
+
+ <p>Dr. Knox, sometime Lecturer upon Anatomy in Edinburgh, states:</p>
+
+<blockquote class="b1n">
+
+ <p>"That he has not only discovered the food of the Vendace, but actually
+ exhibited it before the Members of the Royal Society, and offers
+ suggestions for the stocking of the various lakes in Britain with this
+ exquisite fish; pointing out first the necessity of locating its natural
+ food, without which it cannot live."</p>
+
+</blockquote>
+
+ <p>Allowing, however, that some neighbouring lake could be covered with
+ some of these invisible and "incredibly minute entomostraceous animals,"
+ which the learned lecturer says constitute their food, we should still
+ find a difficulty in transferring the fish; as every attempt to do so,
+ though conducted with the greatest possible care and nicety, <i>has
+ failed</i>.</p>
+
+ <p>In the preceding account, I have followed the Rev. John Gardiner of
+ Lochmaben, who, in 1835, drew up an admirable account of his parish,
+ which is inserted in the statistical survey of the county.</p>
+
+ <p>The gentlemen of the county have formed a <!-- Page 302 --><span
+ class="pagenum"><a name="page302"></a>{302}</span><i>Vendace Club</i>,
+ which meets at Lochmaben annually on the 25th and 26th of July, when they
+ dine off the fish. I asked one of the members how long it had been in
+ existence, and he said about thirty years.</p>
+
+ <p class="author"><span class="sc">Jarltzberg.</span></p>
+
+<hr class="full" />
+
+<h2>Minor Queries.</h2>
+
+ <p><i>Ex Pede Herculem.</i>&mdash;I shall feel much obliged if any of
+ your correspondents or readers can inform me of the origin of the proverb
+ "Ex pede Herculem." In what classical author is it to be found? I have
+ looked in vain through <i>Erasmi Adagia</i> for it.</p>
+
+ <p class="author">H. H.</p>
+
+ <p>"<i>To-day we purpose.</i>"&mdash;Will any one be good enough to say
+ where these lines (quoted by Mr. Ruskin, <i>Modern Painters</i>, vol. ii.
+ p. 188.) are to be found:&mdash;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"To-day we purpose, ay, this hour we mount</p>
+ <p>To spur three leagues towards the Apennine;</p>
+ <p>Come down, we pray thee, ere the hot sun count</p>
+ <p>His dewy rosary on the eglantine"</p>
+ </div>
+ </div>
+ <p class="author">G. N.</p>
+
+ <p>"<i>God takes those soonest whom He loves the best.</i>"&mdash;Where
+ shall we find the origin of this expression, so frequently occurring on
+ tombstones in almost all parts of the country? Or how far back can it be
+ traced? The following, in Rainham church, Kent, is of the year 1626:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"Here slepes my babe in silence, heauen's his rest,</p>
+ <p>For God takes soonest those he loueth best."</p>
+ </div>
+ </div>
+ <p class="author">T. H. K.</p>
+
+ <p class="address">Malew, Man.</p>
+
+ <p><i>Quakers' Attempt to convert the Pope.</i>&mdash;At what period, and
+ in what author besides Veryard's <i>Tour in the Low Countries</i>, is the
+ story of two Quakers being imprisoned in the Lazzaretto in Rome, for
+ attempting to convert the Pope, to be found? Were they persons of any
+ standing in the Society?</p>
+
+ <p class="author">B. S. S.</p>
+
+ <p><i>Whychcote of St. John's.</i>&mdash;In one of the volumes published
+ under the foregoing title, in 1833, there is a <span class="correction"
+ title="Original reads `strlking'.">striking</span> story, evidently
+ fictitious in the main, but assuming, as an element of fact, the
+ remembered existence of a head-stone over a grave in the little
+ burial-ground, under the shadow of the venerable ruins of Tynemouth
+ Priory in Northumberland, containing the single word "Fanny." Does any
+ one of the Tyneside readers of the "<span class="sc">Notes and
+ Queries</span>" personally recollect the actual existence of such a
+ memorial? Is the <i>real name</i> of the author of the entertaining work
+ disclosed in any subsequent publication, or is it generally known?</p>
+
+ <p class="author">J. D.</p>
+
+ <p><i>Meaning of Rechibus, &amp;c.</i>&mdash;Among the rights claimed by
+ the Esturmys in Savernak forest, 8 Edw. III., occurs&mdash;</p>
+
+<blockquote class="b1n">
+
+ <p>"Et omnia placita de leporibus, rechibus, heymectis, tessonibus,
+ vulpibus, murilegis, et perdricibus:"</p>
+
+</blockquote>
+
+ <p>which I translate&mdash;</p>
+
+<blockquote class="b1n">
+
+ <p>"And all pleas concerning hares, traps, hedgehogs, badgers, foxes,
+ wild-cats, and partridges:"</p>
+
+</blockquote>
+
+ <p>but I confess I have no confidence in some of these words, as the
+ glossaries in the British Museum Library fail to explain them. I
+ therefore solicit your courteous assistance.</p>
+
+ <p class="author"><span class="sc">James Waylen.</span></p>
+
+ <p><i>Family of Queen Katherine Parr.</i>&mdash;The pedigree of the once
+ eminent family of Parr, as recorded in various printed
+ works&mdash;Dugdale, Nicholls, Burke, &amp;c., is far from being complete
+ or satisfactory. Could any one versed in the genealogy of the northern
+ counties supply any information on the following points?&mdash;</p>
+
+ <p>I. The early descent.&mdash;Dugdale in his <i>Baronage</i>, commences
+ with Sir William Parr, who married Elizabeth De Ros, 1383; but he states
+ the family to have been previously "of knightly degree." A MS. pedigree
+ in the Herald's College also mentions Sir William as "descended from a
+ race of knights." Where is an account of this race to be found?</p>
+
+ <p>II. The separation between the two lines of Parr and Kendal.&mdash;Sir
+ Thomas Parr, father of Queen Katherine, died 1518, and his <i>Inq. p.
+ m.</i> states him to have held manors, messuages, lands, woods, and
+ rents, in Parr, Wigan, and Sutton. Ten years afterwards, 1528, Bryan Parr
+ was found by <i>Inq. p. m.</i> to have held the manor, messauges, woods,
+ lands, &amp;c. of Parr. How was Bryan related to Sir Thomas?</p>
+
+ <p>III. The descendant in the fourth degree of Bryan was Henry Parr, of
+ Parr, who was, according to a MS. in the college, aged twenty in 1621.
+ Had he any descendants?</p>
+
+ <p>If no positive information can be afforded, yet a clue to where it
+ might be sought for would oblige.</p>
+
+ <p class="author"><span class="sc">Genealogicus Lancastriensis.</span></p>
+
+ <p><i>Skort.</i>&mdash;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"Or wily Cyppus that can wink and snort,</p>
+ <p>While his wife dallies on Mæcenas' skort."&mdash;Hall, <i>Satires</i>, Book iv. Sat. 1. (Whittingham's edition, 1824.)</p>
+ </div>
+ </div>
+ <p>Of course the general meaning of these two verses is obvious enough.
+ But how is the latter to be read? Are we to read "dallies on," as one
+ word, <i>i.e.</i> keeps dallying, and "skort" (as a mere abbreviation of
+ the Latin "scortum") as nominative in apposition with "wife?" If so, the
+ verse is intelligible, though harsh enough even for Hall.</p>
+
+ <p>If not, the word "skort" must have some other meaning which I am
+ unacquainted with. I cannot find it at all in Halliwell, the only
+ authority I have at hand to refer to.</p>
+
+ <p class="author">K. I. P. B. T.</p>
+
+<p><!-- Page 303 --><span class="pagenum"><a name="page303"></a>{303}</span></p>
+
+ <p><i>Religious Teaching in the German Universities.</i>&mdash;Will any
+ of your numerous readers direct me to any book or books containing
+ information on the <i>present state</i> of religion and religious
+ teaching in the German Universities?</p>
+
+ <p class="author"><span class="sc">Rovert.</span></p>
+
+ <p><i>Epigram by Dunbar&mdash;Endymion Porter.</i>&mdash;Can any of your
+ correspondents supply the deficient verses in the following epigram,
+ addressed by Thomas Dunbar, keeper of the Ashmolean Museum from 1815 to
+ 1822, to Miss Charlotte Ness, who required him to explain what was meant
+ by the terms <i>abstract</i> and <i>concrete?</i></p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"Say what is <i>abstract</i>, what <i>concrete</i>,</p>
+ <p class="i1">Their difference define?</p>
+ <p>They both in one fair person meet,</p>
+ <p class="i1">And that fair form is thine.</p>
+ <p>&nbsp; &nbsp; &nbsp; * &nbsp; &nbsp; &nbsp; * &nbsp; &nbsp; &nbsp; * &nbsp; &nbsp; &nbsp; *</p>
+ <p>&nbsp; &nbsp; &nbsp; * &nbsp; &nbsp; &nbsp; * &nbsp; &nbsp; &nbsp; * &nbsp; &nbsp; &nbsp; *</p>
+ <p>For when I lovely Charlotte view,</p>
+ <p class="i1">I then view loveli<i>ness</i>."</p>
+ </div>
+ </div>
+ <p>Can any one substantiate the local tradition the Endymion Porter was
+ born at the manor-house of Aston Subedge, in Gloucestershire; or furnish
+ any particulars of his life before he became gentleman of the bedchamber
+ to Prince Charles?</p>
+
+ <p class="author"><span class="sc">Balliolensis.</span></p>
+
+ <p><i>Sathaniel.</i>&mdash;Can any of your correspondents inform me in
+ what book, play, poem, or novel, a character named Sathaniel appears?
+ There is a rather common picture bearing that title; it represents a dark
+ young lady, in Eastern dishabille, with a turban on her head, reclining
+ on a many-cushioned divan, and holding up a jewel in one hand. I have
+ seen the picture so often, that my curiosity as to the origin of the
+ subject has been completely aroused; and I have never yet found any one
+ able to satisfy it.</p>
+
+ <p class="author">F. T. C.</p>
+
+ <p><i>The Scoute Generall.</i>&mdash;I have in my possession a small 4to.
+ MS. of 32 pages, entitled <i>The Scoute Generall</i>, "communicating
+ (impartially) the martiall affaires and great occurrences of the grand
+ councell (assembled in the lowest House of Parliament) unto all
+ kingdomes, by rebellion united in a covenant," &amp;c., which is
+ throughout written in verse, and particularly satirical against the
+ Roundheads of the period (1646), and remarkable for the following
+ prognostication of the death of the unfortunate monarch Charles I.:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"Roundheads bragge not, since 'tis an old decree,</p>
+ <p>In time to come from chaines wee should be free:</p>
+ <p>Traytors shall rule, Injustice then shall sway,</p>
+ <p>Subjects and nephewes shall their king betray;</p>
+ <p>And he himselfe, O most unhappy fate!</p>
+ <p>For kings' examples, kingdomes imitate:</p>
+ <p>What he maintain'd, I know it was not good,</p>
+ <p>Brought in by force, and out shall goe by blood," &amp;c.</p>
+ </div>
+ </div>
+ <p>It occupies about thirty lines more. At the bottom of the title, and
+ at the conclusion of the postscript, it has merely the initials S.&nbsp;D.
+ Could any of your worthy correspondents inform me who S.&nbsp;D. was?</p>
+
+ <p>The MS. is evidently cotemporary, and, according to the introduction,
+ was "ordered to be forthwith published, <a href="images/77_015.png"><img
+ src="images/77_015.png" class="middle" style="height:1.5ex" alt="MDCXLVI
+ in apostrophus form" /></a>.;" and as I cannot trace that such a
+ production was ever issued, the answer would confer a favour on</p>
+
+ <p class="author"><span class="sc">C. Hamilton.</span></p>
+
+ <p class="address">City Road, April 1. 1851.</p>
+
+ <p><i>Arthur Pomeroy, Dean of Cork.</i>&mdash;Can any one of your
+ genealogical readers assist me in ascertaining the parentage of Arthur
+ Pomeroy, who was made Dean of Cork in 1672? He was fellow of Trinity
+ College, Cambridge, in which university he graduated as A.B. in 1660,
+ M.A. in 1664, and S.T.P. in 1676. He is stated in Archdale's edition of
+ Lodge's <i>Peerage of Ireland</i> (article "Harberton") to have sprung
+ from the Pomeroys of Ingsdon in Devonshire, and is stated to have gone to
+ Ireland as chaplain to the Earl of Essex, Lord Lieutenant.</p>
+
+ <p class="author">J. B.</p>
+
+<hr class="full" />
+
+<h2>Minor Queries Answered.</h2>
+
+ <p><i>Civil War Tract.</i>&mdash;</p>
+
+<blockquote class="b1n">
+
+ <p>"A Letter sent from a worthy Divine, to the Right Honourable the Lord
+ Mayor of the City of London. Being a true relation of the battaile fought
+ betweene His Majesty and his Excellence the Earle of Essex. From Warwicke
+ Castle, the 24. of October, 1642, at two a clock in the morning. Together
+ with a Prayer for the happy uniting of the King and parliament, fit to be
+ used by all good Christians, daily in their houses. London, Octob. 27.
+ Printed for Robert Wood. 1642."</p>
+
+</blockquote>
+
+ <p>The above is the title of a tract now in my possession. Is it known to
+ any collector of tracts relating to the Battle of Edgehill? Who was the
+ "worthy divine," the writer?</p>
+
+ <p class="author">P. Q.</p>
+
+<div class="note">
+ <p>[On the title-page of this tract among the King's pamphlets in the
+ British Museum, the name of Mr. Bifield has been written. No doubt it is
+ the production of the Rev. Adoniram Byfield, chaplain to Col.
+ Cholmondeley's regiment, in the army of the Earl of Essex in 1642, and
+ who was subsequently one of the scribes to the Assembly of Divines, and a
+ most zealous Covenanter. See Wood's <i>Athenæ</i>, by Bliss, vol. iii. p.
+ 670.]</p>
+
+</div>
+
+ <p><i>Trisection of the Circle.</i>&mdash;Has the problem of the
+ trisection of the angle been solved? or, if not, is there any reward for
+ its solution; and what steps should be taken to obtain it?</p>
+
+ <p class="author"><span class="sc">John Vincent Lyster.</span></p>
+
+<div class="note">
+ <p>[The problem of the trisection of the angle by aid of the straight
+ line and circle, used as in Euclid, has never been solved&mdash;no reward
+ was ever offered for its solution.]</p>
+
+</div>
+
+ <p><i>Wolsey's Son.</i>&mdash;Can any of your readers give an account of
+ a son of Cardinal Wolsey, whose existence is recorded in a letter from
+ Eustace <!-- Page 304 --><span class="pagenum"><a
+ name="page304"></a>{304}</span><span class="correction" title="Original reads `Chaupys'."
+ >Chapuys</span> to the Emperor Charles V., October 25, 1529, in the
+ following words:&mdash;</p>
+
+<blockquote class="b1n">
+
+ <p>"The cardinal has now retired with a very small train to a place about
+ ten miles hence. A son of his has been sent for from Paris, who was there
+ following his studies, and of whom I have formerly made some mention to
+ your Majesty"&mdash;<i>Correspondence of Charles V.</i>, p. 291.</p>
+
+</blockquote>
+
+ <p>Cardinal Beaton had lots of bastards, but I never remember to have
+ seen in any account of Wolsey mention made of natural children.</p>
+
+ <p class="author">J. M.</p>
+
+<div class="note">
+ <p>[The existence of a natural son of Cardinal Wolsey is a <i>fact</i> as
+ well ascertained as any other <i>fact</i> of the Cardinal's history, and
+ referred to in the various biographies of him that have appeared. His
+ name was Thomas Winter. In Chalmers's <i>Biographical Dictionary</i>,
+ vol. xxxii. pp. 255. and 256. <i>note</i>, reference is made to a Bull of
+ Pope Julius II., dated August, 1508, to be found in Kennet's MSS. in the
+ British Museum, in which he is styled, "dilecti filio Thomæ Wulcy,"
+ Rector of Lymington diocese of Bath and Wells, Master of Arts, "<i>pro
+ dispensatione ad tertium incompatibile</i>." This is explained by the
+ passage in Wood's <i>Athenæ Oxon. Fasti</i>, part i. p. 73. (Bliss ed.),
+ relating to him. "This Tho. Winter, who was nephew (or rather nat. son)
+ to Cardinal Tho. Wolsey, had several dignities confer'd upon him before
+ he was of age, by the means of the said Cardinal," viz. the archedeaconry
+ of York, 1523; chancellorship of the church of Sarum; the deanery of
+ Wells, 1525; the provostship of Beverly; and the archdeaconry of
+ Richmond, &amp;c.: on which there is a note by Baker, that "this Tho.
+ Winter is said to have held of the church's goods clearly more than 2000
+ pds. per an." Wood adds, that about the time of the Cardinal's fall, he
+ gave up all or most of his dignities, keeping only the archdeaconry of
+ York, which he resigned also in 1540. In Grove's <i>Life and Times of
+ Cardinal Wolsey</i>, vol. iv. p. 315., among the "Articles" against the
+ Cardinal, Article XXVII. expressly charges him, "that he took from his
+ son Winter his income of 2,700<i>l.</i> a-year, applied it to his own
+ use, and gave him only 200<i>l.</i> yearly to live on." A reference is
+ made in Sir H. Ellis's <i>Letters Illustrative of English History</i>,
+ 2nd Series, vol. ii. p. 70., to a letter of Edmund Harvel to Dr. Starkey,
+ dated from Venice, April 1535, in which the writer expresses his
+ obligations to Mr. Winter, for his "friendly mynde toward him," and begs
+ him to return his thanks.</p>
+
+ <p>In Mr. Galt's <i>Life of Wolsey</i> (Appendix IV. p. 424. of Bogue's
+ edition) will be found a copy of a letter from John Clusy to Cromwell, in
+ relation to a natural daughter of Wolsey's in the nunnery of
+ Shaftesbury.]</p>
+
+</div>
+
+ <p><i>Cardinals and Abbots in the English Church.</i>&mdash;It may not be
+ generally known, but the fact is so, that the English church numbers two
+ <span class="sc">Cardinals</span> and a <span class="sc">Lord
+ Abbot</span> amongst her members. In Whitaker's <i>Clerical Diary</i>,
+ under the head of London Diocese, there is attached to St. Paul's a
+ senior and a junior cardinal; and in Ireland exists the exempt
+ jurisdiction of Newry and Mourne, under the government of the Lord Abbot,
+ who is the Earl of Kilmorey. Can any of your readers give me any
+ information respecting these officials?</p>
+
+ <p class="author">W. J.</p>
+
+<div class="note">
+ <p>[<i>Cardinal.</i>&mdash;The title of cardinal (<i>cardinalis</i>) in
+ early times was frequently applied to any bishop, priest, or deacon
+ holding an official post. In France there were many cardinal priests:
+ thus, the curate of the parish of St. John de Vignes is called, in old
+ charters, the cardinal priest of that parish. There were also cardinal
+ deacons, who had the charge of hospitals for the poor, and who ranked
+ above the other deacons. Thus, two of the minor canons of St. Paul's are
+ called <i>cardinals of the choir</i>, whose duties are to preserve order
+ in Divine service, administer the Eucharist, and officiate at funerals.
+ In former times, they heard confessions and enjoined penances.
+ (Newcourt's <i>Repertorium</i>, vol. i. p. 233.) It was not till the
+ twelfth century that the Sacred College of Cardinals was organised; nor
+ was it till 1567 that clergymen were forbidden by Pius V. to assume the
+ title of cardinal unless appointed by the Pope.</p>
+
+ <p><i>Lay Abbots.</i>&mdash;In early times we frequently find secular
+ persons denominated "field abbots" and "abbot counts," upon whom the
+ sovereign had bestowed certain abbeys, for which they were obliged to
+ render military service, as for common fiefs. In the time of Charles the
+ Bald many of the nobility in France were abbots, having a dean to
+ officiate for them. Thus, too, in Scotland, James Stuart, the natural son
+ of James V., was, at the time of the Reformation, Prior of St. Andrew's,
+ although a secular person. The Earl of Kilmorey, who is impropriator of
+ the tithes of St. Mary, Newry, is a lay abbot, or representative of the
+ preceding abbots of a Cistertian Abbey which formerly existed in that
+ town. His abbatial functions, however, are confined to convening
+ ecclesiastical courts, and granting probates of wills, and licenses for
+ marriages, subject only to the metropolitan jurisdiction of the
+ Archbishop of Armagh. A remnant of the secularisation of ecclesiastical
+ dignities has already been noticed in our pages (Vol. ii., pp. 447.
+ 500.), in the case of the late Duke of York, who was at the same time
+ Commander-in-chief and Bishop of Osnaburg.]</p>
+
+</div>
+
+<hr class="full" />
+
+<h2>Replies.</h2>
+
+<h3>SIR BALTHAZAR GERBIER.</h3>
+
+<p class="cenhead">(Vol. ii., p. 375.)</p>
+
+ <p>Your correspondent <span class="sc">J. Mt.</span> has great reason to
+ congratulate himself on the possession of the singularly curious tract
+ which he describes, and which gives an autobiography of this
+ extraordinary adventurer. I am not aware of any other copy in any public
+ or private collection. I have a 4to. tract in nineteen pages, evidently
+ printed abroad, the title of which is&mdash;</p>
+
+<p class="cenhead">"Balthazar Gerbier, Knight,<br />
+to<br />
+All Men that love Truth."</p>
+
+<p><!-- Page 305 --><span class="pagenum"><a name="page305"></a>{305}</span></p>
+
+ <p>This gives a very interesting life of him by himself, perfectly
+ distinct from, and containing many particulars not given in the tract
+ possessed by your correspondent, which also contains matter not in the
+ above. I have likewise another tract, privately printed in Holland in
+ English, French, and Dutch, in fifteen pages 12mo., the English title to
+ which is&mdash;</p>
+
+<p class="cenhead">"A true Manifest,<br />
+By S<sup>r</sup> B. Gerbier.<br />
+Anno<br />
+1653."</p>
+
+ <p>In this, which gives some curious particulars as to "Mr. Hughe
+ Peeters," and the book entitled <i>The Nonsuch Charles</i>, he refers to
+ another "little manifest" published on the 2nd day of October, 1652,
+ "that the world might take notice that he was not at all invested with
+ any foreigne engagement." Of the tract so referred to, I regret to say no
+ copy is known. None of the other three tracts appear to have been seen by
+ Horace Walpole, who had collected a great number of Gerbier's pamphlets,
+ and also the MS. next mentioned, which, at the Strawberry Hill sale, came
+ together into my possession. The MS. contains the original appointments
+ of Sir Balthazar to the offices he held while in England, a pedigree of
+ his family beautifully emblazoned, and a large quantity of MS., prose and
+ poetry, in his autograph; including a most extensive collection of
+ projects and proposals, which seem to have been equally at the service of
+ England or France. The best account we have of Gerbier is that which
+ Horace Walpole has supplied in the <i>Anecdotes of Painting</i> (see
+ <i>Works</i>, vol. iii. p. 189.); but his diplomatic negotiations, and
+ his career as an artist and adventurer, never forgetting his academy at
+ Whitefriars and Bethnal Green, would furnish matter for a very amusing
+ volume. The general biography, however, to which he would be most
+ appropriately remitted, and which is still a desideratum in literature,
+ is that which is proposed by Dr. Johnson, in Chalmers's admirable
+ parody:</p>
+
+<blockquote class="b1n">
+
+ <p>"I think a good book might be made of scoundrels. I would have a
+ <i>Biographia Flagitiosa</i>, the Lives of Eminent Scoundrels from the
+ earliest accounts to the present day."</p>
+
+</blockquote>
+
+ <p class="author"><span class="sc">Jas. Crossley.</span></p>
+
+<hr class="short" />
+
+<h3>THE TRAVELS OF BARON MUNCHAUSEN.</h3>
+
+<p class="cenhead">(Vol. ii., p. 519.; Vol. iii., p. 117.)</p>
+
+ <p>Is not your correspondent <span class="sc">J. Me.</span> in error when
+ he says the original travels of the Baron were written to ridicule Bruce?
+ I think this will only apply to the second volume, or "Sequel," seeing
+ that there exists an edition of <i>Gulliver Revived</i>, printed at
+ Oxford, 1786, four years before Bruce published. <span class="sc">J.
+ Me.</span> further remarks, that there was at one time reason to believe
+ that James Graham was the author of the well-known book in question, but
+ that circumstances have come to his knowledge altogether precluding the
+ possibility that the author of <i>The Sabbath</i> and <i>The Travels of
+ Baron Munchausen</i> are identical.</p>
+
+ <p>To me it appears there were <i>two</i> of these James Grahams, and
+ that from their being contemporaries, they are usually rolled into one. I
+ have in my library a volume containing <i>Wallace, a Tragedy</i>,
+ Edinburgh, 1799; and <i>Mary Stewart, Queen of Scots, an Historical
+ Drama</i>, Edinburgh, 1801, which appears to have belonged to Mr. George
+ Chalmers, upon the titles of which that gentleman has written, "by James
+ Graham, Advocate, Edinburgh, son of T. Graham, a writer of reputation in
+ Glasgow."</p>
+
+ <p>From this one would think Mr. Chalmers had the author of <i>The
+ Sabbath</i> in his eye: a conclusion, however, difficult to come to in
+ the face of a critique which thus characterises the tragedy of
+ <i>Wallace</i>:</p>
+
+<blockquote class="b1n">
+
+ <p>"The play is not uninteresting, and the author has exhibited
+ occasional proofs of poetical genius; but there are some passages in the
+ piece that fall little short of blasphemy:"</p>
+
+</blockquote>
+
+ <p>&mdash;a charge which, of course, could never apply to this "lovable"
+ and subsequently <i>reverend</i> author of <i>The Sabbath</i>, a poem
+ breathing the humblest piety, and published only five years after
+ <i>Wallace</i>; consequently here is, in the author of the tragedy of
+ <i>Wallace</i>, another James Graham at the service of <span
+ class="sc">J. Me.</span>, to whom, if his other proofs are strong, the
+ Baron may be assigned with more probability.</p>
+
+ <p>I may add, taking it for granted that Chalmers was right in claiming
+ these two plays for a James Graham, that there is the strongest
+ corroborative proof of there being two of the name in the existence of
+ <i>Mary Stewart, a Dramatic Poem</i>, the acknowledged performance of the
+ author of <i>The Sabbath</i> (see his <i>Poems</i>, 2 vols. 1809), a
+ production differing in title, and bearing no resemblance, I should
+ think, to the first named.</p>
+
+ <p>While upon the subject, and presuming that the tragedy of
+ <i>Wallace</i> is known to <span class="sc">J. Me.</span>, I may take the
+ opportunity to ask him, as he is <i>ayont the Tweed</i>, whether there is
+ really any authority for the assertion contained in the Abbotsford
+ Library Catalogue, and also in that of Constable's Library, sold in 1817,
+ that of this anonymous tragedy of <i>Wallace</i> there were <i>only six
+ copies printed</i>? Upon the face of mine there is nothing to indicate
+ its rarity, it being an octavo, printed for A. Constable; but the
+ remarkable book may be some other: your correspondents will, however, I
+ dare say, be able to enlighten me.</p>
+
+ <p class="author"><span class="sc">A Collector.</span></p>
+
+ <p><i>Baron Munchausen</i> (Vol. ii., p. 519.).&mdash;As it was nearly
+ thirty years since I had seen the <i>Percy Anecdotes</i>, I was obliged
+ to speak doubtfully of <!-- Page 306 --><span class="pagenum"><a
+ name="page306"></a>{306}</span>having derived from that work the
+ statements that the author of <i>Munchausen</i> was a Mr.
+ "M&mdash;&mdash;," and that he was a prisoner in France. Accident has
+ within the last few days thrown in my way the very volume of the
+ <i>Anecdotes</i> in which this is stated (vol. v., <i>Anecdotes of
+ Captivity</i>, p. 103.); and I find that I was mistaken only in supposing
+ "M&mdash;&mdash;'s" place of confinement to have been the Bastile,
+ whereas the time is said to have been the Reign of Terror, and therefore
+ of course the Bastile cannot have been the place.</p>
+
+ <p class="author">J. C. R.</p>
+
+<hr class="full" />
+
+<h2>Replies to Minor Queries.</h2>
+
+ <p><i>Tobacco in the East</i> (vol. ii., pp. 155. 231.).&mdash;M.&nbsp;D. asks
+ for "chapter and verse" of A.&nbsp;C.&nbsp;M.'s reference to Sale's <i>Koran</i>
+ respecting tobacco.</p>
+
+ <p>Had A. C. M. recollected that tobacco (<i>Nicotiana</i>) is an
+ American plant, he would hardly have asked whether "<i>tobacco</i> is the
+ word in the original" of the tradition mentioned by Sale in his
+ <i>Preliminary Discourse</i>, § 5. p. 123. (4to. ed. 1734.) Happily
+ Reland, whom Sale quotes (<i>Dissert. Miscell.</i>, vol. ii. p. 280.),
+ gives his authority, the learned orientalist, Dr. Sike, who received the
+ Hadéth at Leghorn from Ibn Sáleh, a young Muselman. It says, in good
+ Arabic, that in the latter days Moslims, undeserving of the name, shall
+ drink hashish (hemp), and call it tabák; the last words, "<i>yukál lehn
+ tabáku</i>," are no doubt a modern addition by those who had heard of
+ <i>tambákó</i> (the Romaic <span title="tanpakon" class="grk"
+ >&tau;&alpha;&nu;&pi;&#x1F71;&kappa;&omicron;&nu;</span>). As the use of
+ hashish or <i>hashishah</i> (the herb), more completely <i>hashishata
+ fukara</i>, i.e. Monk's Wort, a technical term for <i>hemp</i>, chewed as
+ a narcotic by fakirs (monks), was not known till <span
+ class="scac">A.H.</span> 608 (<span class="scac">A.D.</span> 1211), it
+ could not be mentioned in the Koran unless Mohammed were, as Sale
+ observes, "a prophet indeed." <i>Tabakak</i>, a plate, dish, or shelf, is
+ now sometimes used by ignorant persons in the East for <i>tambákó</i>, of
+ which a complete account is given in the <i>Karábádén</i>, or great
+ treatise of Materia Medica in Persian. Of that work, there is a
+ beautifully written copy, made, probably, for the late Mr. Colebrooke, by
+ whom it was presented to the library of the Royal Asiatic Society. I
+ shall conclude by another Query: What is the Greek word transformed by
+ Asiatic scribes into <i>Karábádén</i>?</p>
+
+ <p class="author"><span class="sc">Anatolicus.</span></p>
+
+ <p><i>Captain John Stevens</i> (Vol. ii., p. 359.).&mdash;This ingenious
+ man, as to whom your correspondent inquires, was one of the hard-working
+ translators in the early part of the last century. The materials for his
+ biography are very scanty. He was a Roman Catholic, and at the Revolution
+ followed the fortunes of his abdicating master, in whose service he
+ accepted a commission, and accompanied him in the wars in Ireland. He was
+ also employed in several other services, and died October 27, 1726. See
+ <i>Biographia Dramatica</i>, vol. i. p. 691., edit. 1812. He is not
+ noticed in Chalmers's <i>Biographical Dictionary</i>, though as the
+ continuator of Dugdale's <i>Monasticon</i> he unquestionably ought to
+ have been. Watt gives a list (<i>Bib. Brit.</i>, vol. i. p. 880.) of his
+ books and translations; but it is, as usual, very defective and
+ erroneous. It does not include his translation of <i>Don Quixote</i>, of
+ <i>Dupin</i>, of <i>An Evening's Intrigue</i> (1707, 8vo.), and a great
+ number of other works; and it ascribes to him the <i>History of the Wars
+ of Charles XII., King of Sweden</i>, London, 1715, which was written, as
+ it needs no great sagacity to discover, by Daniel Defoe, though Chalmers
+ and Wilson have not noticed it.</p>
+
+ <p class="author"><span class="sc">James Crossley.</span></p>
+
+ <p><i>MS. Catalogue of Norman Nobility</i> (Vol. iii., p.
+ 266.).&mdash;The MS. Catalogue of Norman Nobility referred to in No. 75.,
+ a document of great value, is or was in the possession of Sir William
+ Betham, having been purchased by him about six years ago, from Mr. Boone,
+ of New Bond Street.</p>
+
+ <p>Your correspondent will find that Odardus de Loges was infeoffed by
+ Earl Ranulph the 1st in the barony of Wigton in Cumberland, in which he
+ was confirmed by Henry I. Bigod, whose name was attached to the charter
+ of foundation of St. Werburg's Abbey, is elsewhere, according to Ormerod,
+ called Robert.</p>
+
+ <p class="author">M. J. T.</p>
+
+ <p><i>Illustrations of Chaucer, No. III.</i> (Vol. iii., p.
+ 258.).&mdash;</p>
+
+<table class="nobctr">
+<tr><td colspan="2"><i>Fro Venus</i> <span class="sc">Valanus</span> <i>might this palais see.</i>"</td></tr>
+<tr><td align="right">(or) volant &nbsp;<br />
+? Might Venus, <i>volans</i><br />
+(flying) &nbsp;</td>
+<td>fro this palais, see.</td></tr>
+</table>
+
+ <p class="author"><span title="Phôs" class="grk">&Phi;&omega;&sigmaf;</span>.</p>
+
+ <p><i>Comets</i> (Vol. iii., pp. 223. 253.).&mdash;If your correspondent
+ S.&nbsp;P.&nbsp;O.&nbsp;R. wish to go fully into the history of comets, and be not
+ alarmed at the prospect of three thick folios, through which I have gone,
+ I can assure him, with considerable interest, let me recommend to him
+ <i>Theatrum Cometicum, Auctore Stanislao Lubienietz Lubieniecio
+ Rolitsio</i>, Amst., in 2 vols. (but generally bound in three) folio. The
+ first contains an immense correspondence, not merely with astronomers,
+ but with poets, critics, physicians, and philosophers, to whom the
+ indefatigable editor wrote for their opinions on the subject of comets.
+ The second vol. gives a history of comets from the Deluge to 1665, and is
+ a repository of everything bearing upon the subject. From this work Bayle
+ derived his learning, when he wrote his most amusing work on comets.</p>
+
+ <p class="author"><span class="sc">James Crossley.</span></p>
+
+ <p><i>Pope Joan</i> (Vol. iii., p. 265.).&mdash;<span
+ class="sc">Nemo</span> will find much information on the question,
+ "Whether Pope Joan ever held the keys of St. Peter?" in Alexander Cooke's
+ <i>Dialogue between a Protestant and a Papist; manifestly proving that a
+ Woman</i> <!-- Page 307 --><span class="pagenum"><a
+ name="page307"></a>{307}</span><i>called Joane was Pope of Rome: against
+ the surmises and objections made to the contrary by Robert Bellarmini and
+ Cæsar Baronius, Cardinals, Florimondus Ræmondus, and other Popish
+ Writers, impudently denying the same</i>, 4to, pp. 128, 1610. The work
+ was dedicated to the Archbishop of York, and was reprinted in 1625 in
+ 4to., and in French, 1633, 8vo. The author, in his address <i>To the
+ Popish Reader</i>, says:</p>
+
+<blockquote class="b1n">
+
+ <p>"<i>I offer unto thee here a discourse touching</i> <span
+ class="sc">Pope Joane</span> <i>(if thou darest read it, for fear of
+ falling into thy Pope's curse), whose Popedome I will make good unto
+ thee, not by the testimonies of</i> Pantaleon, <i>and</i> Functius,
+ <i>and</i> Sleidan, <i>and</i> Illyricus, <i>and</i> Constantinus
+ Phrygio, <i>and</i> John Bale, <i>and</i> Robert Barnes, <i>because thou
+ hast condemned their persons, and their books too, to hell; but by the
+ testimonies of thy brethren, the sonnes of thine own mother; because, as
+ one saith</i>, 'Amici contra amicum, et inimici pro inimico, invincibile
+ testimonium est.'"</p>
+
+</blockquote>
+
+ <p class="author"><span class="sc">E. C. Harington.</span></p>
+
+ <p class="address">The Close, Exeter.</p>
+
+ <p><i>Abbot Eustacius</i> (Vol. iii., p. 141.).&mdash;As J.&nbsp;L.'s inquiry
+ after an abbot of that name has hitherto been unsuccessful, perhaps he
+ would like to know that Eustacia was abbess of the monastery at
+ Shaftesbury (founded by King Alfred), tempore incerto, but probably in
+ the time of Stephen. See Willis's <i>History of Abbeys</i>, and a
+ <i>History of the Ancient Town of Shaftesbury</i>, p. 21.</p>
+
+ <p class="author"><span class="sc">Blowen.</span></p>
+
+ <p><i>The Vellum-bound Junius</i> (Vol. iii., p. 262.).&mdash;In the
+ Minor Queries of your Number 75., you have kindly inserted my notice on
+ the vellum-bound <i>Junius</i>. I beg to state further, that the reason
+ of my being so desirous to procure this copy at the Stowe sale was, that
+ it was not only bound in vellum, but was also <i>printed</i> on that
+ article. If any of your correspondents can inform me of another copy
+ <i>printed</i> on vellum, I should be glad.</p>
+
+ <p class="author"><span class="sc">W. D. Haggard.</span></p>
+
+ <p class="address">Bank of England, April 5, 1851.</p>
+
+ <p><i>Meaning of Waste-Book</i> (Vol. iii., pp. 118. 195.
+ 251.).&mdash;Among a list of "the books printed for, and are to be sold
+ by John Hancock, at the sign of the Three Bibles in Pope's-head Alley, in
+ Cornhill," I find <i>The Absolute Accountant, or London Merchant</i>,
+ containing instructions and directions for the methodical keeping of
+ merchant's accounts, after the most exact and concise way of debtor and
+ creditor; also a <i>Memorial</i>, vulgarly called a waste-book, and a
+ cash-book, with a journal and a ledger, &amp;c., 1670. This is the first
+ reference I have seen to the correct designation of the book, which might
+ have received it vulgar name of <i>waste</i> from wast, the second person
+ of <i>was</i>&mdash;thus the Memorial or the Wast-book.</p>
+
+ <p class="author"><span class="sc">Blowen.</span></p>
+
+ <p><i>Cowdray</i> (Vol. iii., p. 194.).&mdash;There is a misprint here of
+ <i>Eastbourne</i> for <i>Easebourne</i>. There is a curious note on
+ Cowdray, and the superstition attached to it, in Croker's <i>Boswell</i>,
+ p. 711. 8vo. edit.</p>
+
+ <p class="author">C.</p>
+
+ <p><i>Solemnisation of Matrimony</i> (Vol. ii., p. 464.).&mdash;A.&nbsp;A.
+ will find, from Blackstone's <i>Commentaries</i>, vol. ii. p. 135., that
+ in feudal times a husband had the power of protecting his lands from the
+ wife's claim to dower, by endowing her, <i>ad ostium Ecclesiæ</i>, with
+ specific estates to the exclusion of others; or, if he had no lands at
+ the time of the marriage, by an endowment in goods, chattels, or money.
+ When special endowments were thus made, the husband, after affiance made
+ and troth plighted, used to declare with what specific lands he meant to
+ endow his wife ("<i>quod dotat eam de tali manerio</i>," &amp;c.); and
+ therefore, in the old York ritual (<i>Seld. Ux. Hebr.</i> l. ii. c. 27.)
+ there is at this part of the matrimonial service the following
+ rubric&mdash;"<i>Sacerdos interroget dotem mulieris; et si terra ei in
+ dotem detur, tunc dicatur psalmus iste</i>", &amp;c. When the wife was
+ endowed <i>generally</i>, the husband seems to have said "with all my
+ lands and tenements I thee endow," and then they all became liable to her
+ dower. When he endowed her with personalty only, he used to say, "with
+ all my worldly goods (or, as the Salisbury ritual has it, "with all my
+ worldly chattels") I thee endow," which entitled the wife to her thirds,
+ or <i>pars rationabilis</i>, of his personal estate, which is provided
+ for by Magna Charta, cap. 26. The meaning, therefore, of the words
+ noticed in A.&nbsp;A.'s Query, if they can be said to have any meaning in the
+ present state of the law, is simply that the wife's dower is to be
+ general, and not specific, or, in other words, that she is to have her
+ <i>pars rationabilis</i> in <i>all</i> her husband's goods.</p>
+
+ <p class="author">J. F. M.</p>
+
+ <p><i>Epitaph on the Countess of Pembroke</i> (Vol. iii., p.
+ 262.).&mdash;Although J.&nbsp;H.&nbsp;M. has concluded that William Browne was not
+ the author of this epitaph, because it is not to be found amongst his
+ <i>Pastorals</i>, it would nevertheless appear that the lines are rightly
+ attributed to him, if the following extract may be relied on:</p>
+
+<blockquote class="b1n">
+
+ <p>"The well-known epitaph of the celebrated Countess of Pembroke, the
+ sister of Sir Philip Sidney, has been generally ascribed to Ben Jonson.
+ The first stanza is printed in Jonson's poems; but it is found in the
+ manuscript volume of poems by William Browne, the author of
+ <i>Britannia's Pastorals</i>, preserved in the Lansdown Collection,
+ British Museum, No. 777., and on this evidence may be fairly appropriated
+ to him, particularly as it is known that he was a great favourite with
+ William, Earl of Pembroke, son of the Countess."&mdash;<i>Relics of
+ Literature</i>: London, Boys, 1823, p. 60.</p>
+
+</blockquote>
+
+ <p class="author"><span class="sc">Alfred Gatty.</span></p>
+
+ <p><i>Scandal against Queen Elizabeth</i> (Vol. ii., p. 393.; Vol. iii.,
+ pp. 11. 151. 197. 225.).&mdash;Your correspondents seem to have
+ overlooked the celebrated <!-- Page 308 --><span class="pagenum"><a
+ name="page308"></a>{308}</span>letter of Queen Mary of Scotland, printed
+ in the <i>State Trials</i>, and lately reprinted by Lord Campbell in his
+ <i>Lives of the Chancellors</i>, tit. Sir C. Hatton. I may as well add
+ (though I do not believe the fact) that my grandmother (herself a
+ Devereux) repeated to me the tradition of a son of Queen Elizabeth's
+ having been sent to Ireland.</p>
+
+ <p class="author">C.</p>
+
+ <p><i>The Tanthony</i> (Vol. III., pp. 105. 229.).&mdash;I am obliged to
+ A. for the trouble he has taken in reference to my Query; but perhaps I
+ may be correct in my suggestion, for on looking into the second volume of
+ the <i>Archæological Journal</i> the other day, I accidentally found an
+ account of the discovery of a figure of St. Anthony at Merthyr, near
+ Truro, in which it is mentioned that</p>
+
+<blockquote class="b1n">
+
+ <p>"Under the left arm appears to have passed a staff, and the pig, with
+ <i>a large bell</i> attached to its neck, appears in front of the
+ figure."&mdash;P. 202.</p>
+
+</blockquote>
+
+ <p>I shall be much obliged to anybody who will settle the point
+ satisfactorily. The fair held on old St. Andrew's Day is always called in
+ Kimbolton and the neighbourhood "Tandrew" fair, so why not "Tanthony" for
+ "Saint Anthony?"</p>
+
+ <p class="author"><span class="sc">Arun.</span></p>
+
+ <p><i>The Hippopotamus</i> (Vol. iii., p. 181.).&mdash;Your correspondent
+ <span class="sc">Mr. E.&nbsp;S. Taylor</span> will find in Vol. ii, p. 458, an
+ example of the word <span title="hippopotamos" class="grk"
+ >&#x1F31;&pi;&pi;&omicron;&pi;&#x1F79;&tau;&alpha;&mu;&omicron;&sigmaf;</span>
+ cited from Lucian, a writer anterior both to Horapollo and Damascius. In
+ the same page is a reference to the story of the wickedness of the
+ hippopotamus in Plutarch; so that Horapollo and Damascius, doubtless,
+ borrowed from a common source, or repeated a current fable, to be found
+ in many writings then extant.</p>
+
+ <p class="author">L.</p>
+
+ <p><i>Tu Autem</i> (Vol. iii., p. 265).&mdash;The words "Tu autem,
+ Domine, miserere nostri," "But Thou, O Lord! have mercy upon us," were
+ originally a form of prayer used by the preacher at the end of his
+ discourse, as a supplication for pardon for any sinful pride or
+ vainglory, into which he might have been betrayed in addressing his
+ congregation. Hence the words "tu autem," as Pegge properly says, came to
+ denote a hint to the reader to leave off.</p>
+
+ <p>The custom is still in constant use among the members of the cathedral
+ church of Durham. At the public dinners given by the canons, in what is
+ there called "hospitality residence," one of the choristers comes in
+ after dinner, dressed in his official costume, and, taking his station
+ behind the canon in residence, reads, in the manner which is now well
+ known as <i>intoning</i>, eight verses of the 119th Psalm, first saying,
+ "Here beginneth the &mdash;&mdash; part of the 119th Psalm."</p>
+
+ <p>When the eight verses are concluded, the canon turns round to the
+ chorister, saying "tu autem," giving him a shilling; to which the
+ chorister replies, "Domine miserere nostri," and retires.</p>
+
+ <p>The explanation of the words, as originally employed, is given by
+ Rupertus <i>De Divinis Officiis</i>, lib. i. c. xiv.:</p>
+
+<blockquote class="b1n">
+
+<p class="cenhead"><span class="scac">DE "TU AUTEM DOMINE."</span></p>
+
+ <p>"Quodque in fine dicit, 'Tu autem Domine miserere nostri,' hoc innuit,
+ ne ipsum quidem bonum officium prædicandi sine alicujus vel levis culpæ
+ pulvere possa pagi. Nam, ut ait B. Augustinus, 'Verbum prædicationis
+ securiùs auditur quàm dicitur. Prædicator quippe cùm benè dicere se
+ sentit, difficile nimis est ut non quantulumcunque spiritu elationis
+ tangat; et quia quasi per terram ambulat et pedes ejus pulvere
+ sordidantur, idcirco misericordiâ Dei indiget, ut in hâc parte lavetur,
+ etiamsi mundus sit totus.'"</p>
+
+</blockquote>
+
+ <p>From this explanation it is plain, that the Monk of St. Albans,
+ writing to the abbot&mdash;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"Si vis, veniam; Sin autem, tu autem,"</p>
+ </div>
+ </div>
+ <p>would be understood to express&mdash;</p>
+
+<blockquote class="b1n">
+
+ <p>"If you wish, I will come; but if otherwise, there is an end of the
+ matter."</p>
+
+</blockquote>
+
+ <p class="author">T. C.</p>
+
+ <p class="address">Durham, April 8. 1851.</p>
+
+ <p><i>Places called Purgatory</i> (Vol. iii., p. 241.).&mdash;There is a
+ farm-house still called "Purgatory," about two miles south of Durham,
+ east of the London road, and close to the left bank of the river Wear.
+ The farm is part of the estate of a highly respectable family, which has,
+ I believe, always been Roman Catholic. No reason for the name is known in
+ the neighbourhood.</p>
+
+ <p class="author">T. C.</p>
+
+ <p class="address">Durham, April 8. 1851.</p>
+
+ <p><i>Swearing by Swans, &amp;c.</i> (Vol. ii., p. 392.; Vol. iii., pp.
+ 70. 192.).&mdash;In addition to what has already appeared on this
+ subject, the following extract from Tyrwhitt's <i>Glossary to Chaucer</i>
+ will, I hope, be acceptable.</p>
+
+<blockquote class="b1n">
+
+ <p>"Ale and Bred. This oath of Sire Thopas on ale and bred was perhaps
+ intended to ridicule the solemn vows, which were frequently made in the
+ days of chivalrie, to a peacock, a pheasant, or some other <i>noble
+ bird</i>."&mdash;See M. de Sainte Palaye, <i>Sur l'anc. Cheval.</i>, Mem.
+ iii<sup>me</sup>.</p>
+
+</blockquote>
+
+ <p>This practice is alluded to in "Dunbar's Wish that the King were Johne
+ Thomsonnis man" (MS. Maitland, st. v.):</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"I would gif all that ever I have</p>
+ <p>To that condition, so God me saif,</p>
+ <p>That ye had <span class="scac">VOWIT TO THE SWAN</span></p>
+ <p>Ane yeir to be John Thomsonnis man."</p>
+ </div>
+ </div>
+ <p>And so in the <i>Prol. to the Contin. of the Canterb. T.</i>, ver.
+ 452., the Hosteler says:</p>
+
+<blockquote class="b1n">
+
+ <p>"<span class="sc">I make a vowe to the pecock</span>, ther shall wake
+ a foule mist."</p>
+
+</blockquote>
+
+ <p>The instance given in Vol. iii., p. 192., is recorded by Monstrelet,
+ <i>Hist. de France, Charles VII.</i></p>
+
+ <p class="author">T. J.</p>
+
+ <p><i>Edmund Prideaux and the Post-office</i> (Vol. iii., pp. 186.
+ 266.).&mdash;In a MS. on parchment, now <!-- Page 309 --><span
+ class="pagenum"><a name="page309"></a>{309}</span>before me, are
+ contained entries of the dates of the various letters patent and grants
+ connected with the post-office, to the latter end of the reign of Charles
+ I., and the names of the persons to whom the grants were made. The
+ earliest date is the 37th of Henry VIII., and the last the 13th of
+ Charles I. If an extract from the MS., which gives a similar index to the
+ appointments in the Courts of Law, the Customs, the Forests, and a great
+ variety of other offices, will assist your correspondent, I shall be
+ happy to supply it. I may notice, what seems to have been overlooked by
+ your two correspondents who have replied to the inquiry, that some
+ account of Prideaux is given by Wood (Vid. <i>Fast.</i> vol. i. p. 424.,
+ edit. Bliss), from which it appears that he was M.A. of Cambridge, Member
+ of the Inner Temple, Member of Parliament for Lyme in Dorsetshire, and
+ Recorder of Exeter; and that his death took place on the 19th Aug., 1659
+ (misprinted 1569 in this edit.), and that&mdash;</p>
+
+<blockquote class="b1n">
+
+ <p>"From his employments gaining a vast estate, he left at the time of
+ his death an incredible mass of gold (as the credible report then went),
+ besides lands of very great demesnes."</p>
+
+</blockquote>
+
+ <p class="author"><span class="sc">Jas. Crossley.</span></p>
+
+ <p><i>Small Words and "Low" Words</i> (Vol. ii., pp. 305. 349.
+ 377.).&mdash;Apropos to Pope's use of "low words," in the sense of
+ <i>short</i> words, conf. Boileau, satire iv. 97. 8.</p>
+
+ <div class="figright" style="width:5%;">
+ <a href="images/77_026.png"><img style="width:100%" src="images/77_026.png"
+ alt="How the phrase was disposed" title="How the phrase was disposed" /></a>
+ </div>
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"Lui faisant voir ses vers et sans force et sans graces,</p>
+ <p>Montés sur deux grands mots, comme sur deux échasses."</p>
+ </div>
+ </div>
+ <p>On which one of his commentators makes the following note:</p>
+
+<blockquote class="b1n">
+
+ <p>"Boileau, pour se moquer des mots gigantesques, citoit ordinairement
+ ce vers de Chapelain:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg1">'De ce sourcilleux roc l'inébranlable cime.'</p>
+ </div>
+ </div>
+ <p>Et il disposoit ce vers comme il est ici à côté. Dans cette
+ disposition il semble que le mot 'roc' soit monté sur deux échasses.'</p>
+
+</blockquote>
+
+ <p>I commend to <span class="grk">&Phi;</span>.'s attention this instance
+ of a "low" word supported on two "high" ones.</p>
+
+ <p class="author">K. I. P. B. T.</p>
+
+ <p><i>Lord Howard of Effingham</i> (Vol. iii., pp. 185. 244.).&mdash;It
+ has been supposed that the Earl of Nottingham was a Catholic, and having
+ held office in the reign of Queen Mary, he probably was so at that time;
+ but he certainly was a Protestant during the reign of Queen Elizabeth,
+ and in the beginning of James I. was at the head of a commission to
+ discover and expel all Catholic priests. (Vide <i>Memorials of the Howard
+ Family</i>.)</p>
+
+ <p class="author">R. R. M.</p>
+
+ <p><i>Obeahism.&mdash;Ventriloquism</i> (Vol. iii., pp. 59.
+ 149.).&mdash;T.&nbsp;H. will find, in the authorities given below, that
+ Obeahism is not only a rite, but a religion, or rather superstition, viz.
+ <i>Serpent-worship</i>. <i>Modern Universal History</i>, fol. vol. vi. p.
+ 600.; 8vo. vol. xvi. p. 411.; which is indebted for its information to
+ the works of De Marchais, Barbot, Atkyns, and Bosman: the last of which
+ may be seen in Pinkerton's <i>Collection</i>, vol. xvi., and a review of
+ it in <i>Acta Eruditor.</i>, Lips. 1705, p. 265., under the form of an
+ "Essay on Guinea." In Astely's <i>Collection of Voyages</i>, there is an
+ account compiled from every authority then known, and a very interesting
+ description of the rites and ceremonies connected with this superstition.
+ According to the same authors, the influence of the Obeist does not
+ depend on the exercise of any art or natural magic, but on the
+ apprehensions of evil infused into his victim's mind. See also Lewis's
+ <i>Journal of a Residence among the Negroes in the West Indies</i>.</p>
+
+ <p>The following references will furnish a reply at once to two Queries;
+ to that here noticed, and to that on "Ventriloquism" (Vol. ii., p.
+ 88.).</p>
+
+ <p>The name of the sacred serpent, which in the ancient language of
+ Canaan was variously pronounced, was derived from "ob" (inflare), perhaps
+ from his peculiarity of inflation when irritated. See Bryant's
+ <i>Analysis</i>, vol. i.; Deane's <i>Worship of the Serpent</i>, p. 80.
+ From a notion of the mysterious inflation produced by the presence of the
+ divine spirit, those who had the spirit of Ob, or Python, received the
+ names of Ob, or Pythia; according to the not unusual custom for the
+ priest or priestess of any god to take the name of the deity they served.
+ See Selden, <i>De Dis Syris</i>, Synt. 1. c. 2. It is a curious
+ coincidence, that as the Witch of Endor is called "Oub," and the African
+ sorceress "Obi," from the serpent-deity <i>Oub</i>, so the old English
+ name of a witch, "hag," bears apparent relationship to the word
+ <i>hak</i>, the ancient British name of a species of snake. In Yorkshire,
+ according to Stukeley, they call snakes "hags" and "hag-worms," (Abury,
+ p. 32.).</p>
+
+ <p>In the Breton language, <i>Belech</i> is "Priest," and may similarly
+ indicate a priest of Bel-the-Dragon.</p>
+
+ <p>From the Hebrew <i>Ob</i>, the Greek <span title="ophis" class="grk"
+ >&#x1F44;&phi;&iota;&sigmaf;</span> was probably derived; for the same
+ word, in Hebrew, Arabic, and Greek, which denotes "divination" denotes a
+ "serpent." "Nachash,"<a name="footnotetag4"
+ href="#footnote4"><sup>[4]</sup></a> "ilahat,"<a name="footnotetag5"
+ href="#footnote5"><sup>[5]</sup></a> "<span title="oiônizesthai" class="grk"
+ >&omicron;&#x1F30;&omega;&nu;&#x1F77;&zeta;&epsilon;&sigma;&theta;&alpha;&iota;</span>,"<a
+ name="footnotetag6" href="#footnote6"><sup>[6]</sup></a> have the same
+ double signification as if the serpent were recognised as the grand
+ inspirer of the heathen prophets. See Faber's <i>Horæ Mosaicæ</i>, vol.
+ i. p. 98.</p>
+
+ <p>The word "Ob" was translated by the LXX. <span title="engastrimuthos" class="grk"
+ >&#x1F10;&gamma;&gamma;&alpha;&sigma;&tau;&rho;&iota;&mu;&#x1F7B;&theta;&omicron;&sigmaf;</span>,
+ "a ventriloquist," in <!-- Page 310 --><span class="pagenum"><a
+ name="page310"></a>{310}</span>accommodation to the received opinions
+ respecting the Pythian priestess. See the Notes to Creech's
+ <i>Lucretius</i>, book v.; Jones's (of Nayland) <i>Physiolog.
+ Disquis.</i> p. 290. The deception practised by the Witch of Endor, and
+ by the damsel mentioned in Acts xvi. 16., was of this description. See
+ Wierus de <i>Præstig. Dæmon.</i> p. 203.; and Reginald Scot's
+ <i>Discoverie of Witchcraft</i>, p. 148.</p>
+
+ <p>The serpent, which with heathen mythologists had various acceptations
+ (see Vossius, <i>Theologia Gent. et Physiologia Christ.</i>), was also
+ understood as a natural symbol or hieroglyphic of the air. Can any of
+ your learned correspondents furnish materials illustrative of this
+ figurative relation between the serpent and the elements?</p>
+
+ <p class="author">T. J.</p>
+
+<div class="note">
+ <a name="footnote4"></a><b>Footnote 4:</b><a
+ href="#footnotetag4">(return)</a>
+ <p>See Parkhurst.</p>
+
+ <a name="footnote5"></a><b>Footnote 5:</b><a
+ href="#footnotetag5">(return)</a>
+ <p>Dickinson's <i>Delphi Ph&oelig;nic.</i>, p. 10.</p>
+
+ <a name="footnote6"></a><b>Footnote 6:</b><a
+ href="#footnotetag6">(return)</a>
+ <p>Stillingfleet's <i>Orig. Sacræ</i>, book iii. c. iii. s. 18.</p>
+
+</div>
+ <p><i>Meaning of Peep</i> (Vol. ii., p. 118.).&mdash;You have already
+ told us the meaning of the word <i>peep</i> in the phrase "Wizards that
+ <i>peep</i> and that mutter;" in confirmation I may add that the noise
+ made by the queen bee in the hive previous to swarming is in Devonshire
+ called <i>peeping</i>.</p>
+
+ <p class="author">J. M. (4.)</p>
+
+ <p><i>Venwell or Venville</i> (Vol. iii., p. 38.).&mdash;<i>Venwell</i>
+ or <i>Venville</i> appears to me to be a corruption of the word
+ <i>fengfield</i>; and the meaning of it seems to be, that custom of
+ delivering possession of land to a purchaser by cutting a piece of turf
+ from the field bought, and delivering it into his hands.</p>
+
+ <p>I well remember, when a boy, accompanying my father to receive
+ possession of an outlying field, distant from the main estate which he
+ had bought; the seller's agent, I think, came with us and cut a small
+ piece of turf from the ground, and delivered it into my father's hands,
+ saying (if I recollect right), "By this turf I deliver this field into
+ your possession." By this means my father "<i>fenged</i>" (took) the
+ "<i>field</i>" into his own hands, and became the legal proprietor of
+ it.</p>
+
+ <p class="author">P.</p>
+
+ <p><i>Venville.</i>&mdash;The peat or black earth of Dartmoor is still
+ called <i>ven</i> or <i>fen</i>. Is it not more probable that the
+ adjoining parishes (or parts of them) are said to be in Venville or
+ fengfield, from their being within the peat district, than that an
+ abbreviation of a legal term, <i>fines villarum</i>&mdash;<i>fin.
+ vil.</i>, should become naturalised among the peasantry, as is the case
+ with the word Venville?</p>
+
+ <p>The second part of the word seems akin to the Scottish <i>fail</i>, "a
+ turf, or that clod covered with grass cut off from the rest of the
+ sward." (Jamieson.)</p>
+
+ <p class="author">K.</p>
+
+ <p><i>Hand-bells at Funerals</i> (Vol. ii., p. 478.).&mdash;In the
+ <i>Testamenta Eboracensia</i>, p. 163., Johannes Esten de Scardeburgh, le
+ Ankersymth, bequeaths 2<i>d.</i>&mdash;</p>
+
+<blockquote class="b1n">
+
+ <p>"Clerico ecclesiæ pro pulsacione campanarum, et le belman portand'
+ campanam per villam excitandum populum ad orandum."</p>
+
+</blockquote>
+
+ <p>A hand-bell (as I am informed by a Roman Catholic gentleman) often
+ precedes the Host, when carried in procession to the sick, &amp;c., in
+ order to clear the way, and remind passengers of the usual reverence paid
+ at such times.</p>
+
+ <p class="author">B.</p>
+
+ <p class="address">Lincoln.</p>
+
+ <p><i>Shillings and Sixpences of George III.</i> (Vol. iii., p.
+ 275.).&mdash;R.&nbsp;W.&nbsp;C. has fallen into a misconception in supposing that
+ these coins present an erroneous spelling of the Latinized style of the
+ monarch, whilst the contemporary crowns and half-crowns have the correct
+ orthography. The spelling of the legend on the sixpences and shillings
+ was intentional, and with a meaning, being inscribed in an abridged
+ form&mdash;<span class="scac">GEOR: III. D: G: BRITT: REX F:
+ D:</span>&mdash;the reduplication of the <span class="scac">T</span> was
+ designed, after classical precedent, to represent the plural
+ <i>Britanniarum</i>, i.e., Great Britain and Ireland.</p>
+
+ <p class="author">N.</p>
+
+ <p><i>Odour from the Rainbow</i> (Vol. iii., p. 224.).&mdash;I hope that
+ I have found <span class="sc">Jarltzberg's</span> note in the following
+ lines:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"Like to that smell which oft our sense descries</p>
+ <p>Within a field which long unploughëd lies,</p>
+ <p>Somewhat before the setting of the sun;</p>
+ <p>And where the rainbow in the horizon</p>
+ <p>Doth pitch her tips; or as when in the prime,</p>
+ <p>The earth being troublëd with a drought long time,</p>
+ <p>The hand of heaven his spongy clouds doth strain,</p>
+ <p>And throws into her lap a shower of rain;</p>
+ <p>She sendeth up (conceivëd from the sun)</p>
+ <p>A sweet perfume and exhalation."</p>
+ <p class="i2">Browne, <i>Britannia's Pastorals</i>, Book i. Song 2.</p>
+ <p class="i4">[Clarke's Cabinet Series, 1845, p. 70.]</p>
+ </div>
+ </div>
+ <p class="author"><span class="sc">C. Forbes.</span></p>
+
+ <p><i>Odour from the Rainbow.</i>&mdash;The following stanzas are from a
+ poem, called "The Blind Girl," in a publication by Pickering, 1845, of
+ <i>Memorials of a Tour, and Miscellaneous Poems</i>, by Robert Snow, Esq.
+ Lond., 1845:&mdash;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="hg3">"Once in our porch whilst I was resting,</p>
+ <p class="i1">To hear the rain-drops in their mirth,</p>
+ <p>You said you saw the rainbow cresting</p>
+ <p class="i1">The heavens with colour, based on earth:</p>
+ </div>
+
+ <div class="stanza">
+ <p>And I believe it fills the showers</p>
+ <p class="i1">With music; and when sweeter air</p>
+ <p>Than common breathes from briar-rose bowers,</p>
+ <p class="i1">Methinks, the Rainbow hath touched there."</p>
+ </div>
+ </div>
+<div class="note">
+ <p>[We have reason to believe that the idea was suggested to Mr. Snow
+ neither from Bacon's <i>Sylva</i>, nor from any of our English poets, but
+ from a Greek writer after the Christian era, referred to by Coleridge in
+ his <i>Table Talk</i>.]</p>
+
+</div>
+
+<hr class="full" />
+
+<h2>Miscellaneous.</h2>
+
+<h3>NOTES ON BOOKS, SALES, CATALOGUES, ETC.</h3>
+
+ <p>Mr. Hepworth Dixon, who is already favourably known as the author of a
+ <i>Life of Howard</i>, has just published <i>William Penn, an Historical
+ Biography</i>. It is unquestionably a book of considerable talent; and
+ even those who may be most inclined to dissent from the <!-- Page 311
+ --><span class="pagenum"><a name="page311"></a>{311}</span>author's views
+ of the political principles of the Quakers (and we suspect many of the
+ Quakers themselves will be found among that number), will admit that in
+ treating him not as a mere Quaker, as preceding biographers had been too
+ much disposed to do, but as "a great English historical
+ character&mdash;the champion of the Jury Laws&mdash;the joint leader,
+ with Algernon Sidney, of the Commonwealth men&mdash;the royal councillor
+ of 1684-8&mdash;the courageous defender of Free Thought&mdash;the founder
+ of Pennsylvania"&mdash;Mr. Dixon has succeeded in the task which he had
+ proposed to himself, namely, that of transforming William Penn "from a
+ myth into a man." His vindication of this great man from what he
+ designates "The Macaulay Charges" would not, however, have lost one iota
+ of its efficiency, had it been couched in somewhat more measured
+ terms.</p>
+
+ <p>Mr. Murray announces <i>The Grenville Papers; being the Private
+ Correspondence of Richard Grenville Earl Temple, his brother George
+ Grenville, their Friends and Contemporaries</i>, as in the press. It will
+ contain some letters from Junius, and Mr. Grenville's Diary, particularly
+ during his premiership, from 1763 to 1765. The fifth and sixth volumes of
+ Lord Mahon's <i>History of England from the Peace of Utrecht</i> are also
+ at press.</p>
+
+ <p>Lady Theresa Lewis is nearly ready with a work which cannot but be of
+ great interest. It is entitled <i>Lives of the Friends and Contemporaries
+ of Lord Chancellor Clarendon, illustrative of Portraits in his Gallery;
+ with an Account of the Origin of the Collection; and a descriptive
+ Catalogue of the Pictures</i>. It will form two volumes, and be
+ accompanied by illustrative portraits.</p>
+
+ <p>Mr. Colburn announces a new library edition of Miss Strickland's
+ <i>Lives of the Queens of England</i>. Although revised and considerably
+ augmented by new materials which have been placed at Miss Strickland's
+ disposal since the appearance of the earlier impressions of her book,
+ this edition is to be comprised in eight monthly volumes.</p>
+
+ <p><span class="sc">Books Received</span>.&mdash;<i>The Buried City of
+ the East: Nineveh.</i> A popular view of the discovery of the remains of
+ the great city, compiled principally from Botta, and illustrated with
+ numerous woodcuts, affords information enough, perhaps, for those who may
+ be unable to consult the stirring narrative of Layard himself, but must
+ send to his pages a great number of readers, in whom it can only serve to
+ waken a lively interest in this great triumph of individual
+ perseverance.&mdash;<i>The Iliad of Homer, literally translated, with
+ explanatory Notes</i>, by T.&nbsp;A. Buckley, B.A., is the new volume of
+ Bohn's <i>Classical Library</i>; and the Editor expresses his hopes "that
+ it will be found to convey, more accurately than any which has preceded
+ it, the words and thoughts of the original." The work has obviously been
+ executed with great care; and the notes, though brief, are to the
+ point.</p>
+
+ <p><span class="sc">Catalogues Received</span>.&mdash;John Miller's (43.
+ Chandos Street) Catalogue No. XXI. of Books Old and New; J. Russell
+ Smith's (4. Old Compton Street) Catalogue Part III. of Choice Useful and
+ Curious Books, English and Foreign; and Catalogue of a singular
+ Collection of 25,000 Ancient and Modern Tracts and Pamphlets, Part
+ II.</p>
+
+<hr class="short" />
+
+<h3>BOOKS AND ODD VOLUMES WANTED TO PURCHASE.</h3>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><span class="sc">Clare's Rural Muse</span></p>
+ </div>
+
+ <div class="stanza">
+ <p><span class="sc">Passionael efte dat Levent der Heiligen</span>. Folio. Basil, 1522.</p>
+ </div>
+
+ <div class="stanza">
+ <p><span class="sc">Cartari&mdash;La Rosa d'Oro Pontificia</span>. 4to. Rome, 1681.</p>
+ </div>
+
+ <div class="stanza">
+ <p><span class="sc">Broemel, M. C. H., Fest-Tanzen der Ersten Christen</span>. Jena, 1705.</p>
+ </div>
+ </div>
+ <p>*** Letters stating particulars and lowest price, <i>carriage
+ free</i>, to be sent to <span class="sc">Mr. Bell</span>, Publisher of
+ "NOTES AND QUERIES," 186. Fleet Street.</p>
+
+<hr class="full" />
+
+<h2>Notices To Correspondents.</h2>
+
+ <p><i>Among many articles of great interest which are in type, but
+ unavoidably postponed until next Saturday, the fourth and last in the
+ month, when we shall consequently publish a double number, are Shakspeare
+ and Fletcher, by Mr. Hickson&mdash;Illustrations of Chaucer, No.
+ IV.&mdash;Illustrations of Tennyson&mdash;Sallust and
+ Tacitus&mdash;Haybands in Seals, by Mr. Lower, Mr. Burtt, and
+ L.&nbsp;B.&nbsp;L.&mdash;North Side of Churchyards&mdash;Sir F. Kynaston's Academy,
+ by Dr. Rimbault&mdash;and several very important communications on the
+ proposed</i> <span class="sc">Monumentarium Anglicanum</span>.</p>
+
+ <p>S. J. R. <i>is referred to our First Volume, p. 467., for information
+ on the subject of May Marriages being unlucky</i>.</p>
+
+ <p><span class="sc">An Old Boy</span>. <i>We will do our best to follow
+ the good advice so pleasantly given; but he has little knowledge of the
+ difficulty of pleasing all&mdash;to say nothing of our editorial selves.
+ For instance, in the case to which has has referred in our Second Volume,
+ we have ascertained that the second article was in type before the one
+ which precedes it had reached us.</i></p>
+
+ <p>H. K. G. S. <i>Received with great regret. We believe we best
+ consulted the respect due to our correspondent by the course we followed,
+ as we are certain that we adopted it with the best intentions towards
+ him.</i></p>
+
+ <p><i>We are this week compelled to go to press one day earlier than
+ usual; we have to request the indulgence of our correspondents for the
+ omission of our usual</i> <span class="sc">List of Replies
+ Received</span>, <i>and for not replying until next week to several
+ inquiries which have been addressed to us</i>.</p>
+
+ <p><span class="sc">Vols.</span> I. <i>and</i> II., <i>each with very
+ copious Index, may still be had, price 9s. 6d. each</i>.</p>
+
+ <p><span class="sc">Notes and Queries</span> <i>may be procured, by
+ order, of all Booksellers and Newsvenders. It is published at noon on
+ Friday, so that our country Subscribers ought not to experience any
+ difficulty in procuring it regularly. Many of the country Booksellers,
+ &amp;c., are, probably, not yet aware of this arrangement, which will
+ enable them to receive</i> <span class="sc">Notes and Queries</span>
+ <i>in their Saturday parcels</i>.</p>
+
+ <p><i>All communications for the Editor of</i> <span class="sc">Notes and
+ Queries</span> <i>should be addressed to the care of</i> <span
+ class="sc">Mr. Bell</span>, No. 186. Fleet Street.</p>
+
+<hr class="full" />
+
+ <p>In royal 8vo., with numerous illustrations, price 1<i>l.</i>
+ 8<i>s.</i></p>
+
+ <p>THE ARCHÆOLOGY and PRE-HISTORIC ANNALS OF SCOTLAND. By <span
+ class="sc">Daniel Wilson</span>.</p>
+
+<blockquote class="b1n">
+
+ <p>"Many reflections are suggested by this beautiful volume, which is one
+ of the most interesting, learned, and elegant works we have seen for a
+ long time. *&nbsp;*&nbsp;* We commend it to every reader of taste and
+ judgment."&mdash;<i>Westminster Review.</i></p>
+
+</blockquote>
+
+ <p><span class="sc">Sutherland</span> and <span class="sc">Knox</span>,
+ Edinburgh: <span class="sc">Simpkin</span>, <span
+ class="sc">Marshall</span>, and <span class="sc">Co.</span>; and <span
+ class="sc">J.&nbsp;H. Parker</span>, London.</p>
+
+<hr class="full" />
+
+ <p>Valuable Library and MSS. Antiquities and Miscellaneous Objects.</p>
+
+ <p>PUTTICK AND SIMPSON, Auctioneers of Literary Property, will SELL by
+ AUCTION, at their Great Room, 101, Piccadilly, on WEDNESDAY, April 23,
+ and Three following Days, the LIBRARY of a Gentleman, consisting of
+ Modern Useful Books, together with some articles of considerable Rarity,
+ a First Edition of Cocker's Arithmetic (but one other known); numerous
+ Bibliographical Works, important Collection of MSS., relating to
+ Warwickshire, Oxfordshire, London, Lancashire, Somersetshire, Suffolk,
+ and other Places; Charters, Epistolæ S. Paula MS. of the Tenth Century,
+ &amp;c. Catalogues will be sent on application.</p>
+
+<hr class="full" />
+
+<p><!-- Page 312 --><span class="pagenum"><a name="page312"></a>{312}</span></p>
+
+ <p>Just published, price 2<i>s.</i> 6<i>d.</i> in cloth,</p>
+
+ <p>AN ETYMOLOGICAL DICTIONARY OF SCRIPTURE NAMES, ACCENTED AND EXPLAINED;
+ with Copious Illustrative Notes, and Introductory Observations on the
+ Origin of Language and Proper Names, &amp;c. By <span class="sc">W.&nbsp;G.
+ Hird</span>.</p>
+
+ <p>Recommended by the Rev. Drs. Eadie, Forbes, Hannah, Hill, Acworth, and
+ Godwin; Revs. Daniel Walton, W. Bird, J.&nbsp;D. Brocklehurst, T. Rowland,
+ Jonathan Glyde, J.&nbsp;G. Miall, W. Cooke, &amp;c. &amp;c.</p>
+
+ <p>London: <span class="sc">Hamilton, Adams</span>, and <span
+ class="sc">Co.</span>; <span class="sc">Simpkin</span> and <span
+ class="sc">Marshall</span>. Edinburgh: <span class="sc">Oliver</span> and
+ <span class="sc">Boyd</span>. Glasgow: <span class="sc">G. Gallie</span>.
+ Manchester: <span class="sc">Fletcher</span> and <span
+ class="sc">Tubbs</span>. Bradford, Yorks.: <span class="sc">Dale</span>
+ and <span class="sc">Byles</span>.</p>
+
+<hr class="full" />
+
+ <p>WESTERN LIFE ASSURANCE AND ANNUITY SOCIETY, 3. Parliament Street,
+ London.</p>
+
+ <p>VALUABLE NEW PRINCIPLE.</p>
+
+ <p>Payment of premiums may be occasionally suspended without forfeiting
+ the policy, on a new and valuable plan, adopted by this society only, as
+ fully detailed in the prospectus.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><span class="sc">A. Scratchley, M.A.</span>,</p>
+ </div>
+ </div>
+ <p>Actuary and Secretary; Author of "Industrial Investment and
+ Emigration; being a Second Edition of a Treatise on Benefit Building
+ Societies, &amp;c." Price 10<i>s.</i> 6<i>d.</i></p>
+
+ <p>London: <span class="sc">J. W. Parker</span>, West Strand.</p>
+
+<hr class="full" />
+
+ <p>THE CAMDEN SOCIETY for the Publication of Early Historical and
+ Literary Remains.</p>
+
+ <p>THE ANNUAL GENERAL MEETING will be held at the Freemason's Tavern,
+ Great Queen Street, on Friday the 2nd of May, at Four o'Clock precisely;
+ the <span class="sc">Lord Braybrooke</span>, the President, in the
+ Chair.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p><span class="sc">William J. Thoms</span>, Secretary.</p>
+ </div>
+ </div>
+ <p>The following are the Publications of the Society for the year
+ 1850-1.</p>
+
+ <p>I. A SELECTION FROM THE WILLS Preserved in the Will Office at Bury St.
+ Edmund's. Edited by <span class="sc">Samuel Tymms</span>, Esq.</p>
+
+ <p>II. WALTER MAPES "DE NUGIS CURIALIUM." A Treatise on the Political
+ Affairs of his Time, written in 1181. Edited by <span class="sc">Thomas
+ Wright</span>, Esq., M.A.</p>
+
+ <p>III. SIR RICHARD GUYLFORDE'S PILGRIMAGE TO THE HOLY LAND, <span
+ class="scac">A.D.</span> 1506. Edited from a copy believed to be unique
+ from the press of Richard Pynson, by <span class="sc">Sir Henry Ellis,
+ K.H.</span>, Sec. S.&nbsp;A.</p>
+
+ <p>The Subscription to the Society of 1<i>l.</i> per annum which becomes
+ due on the 1st of May.</p>
+
+ <p>Communications from Gentlemen desirous of becoming Members may be
+ addressed to the Secretary; or to Messrs. <span
+ class="sc">Nichols</span>, No. 25. Parliament Street, Westminster, by
+ whom the Subscriptions of all Members resident in London are
+ received.</p>
+
+<hr class="full" />
+
+ <p>THE QUARTERLY REVIEW, No. CLXXVI., is just published.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="i4"><span class="scac">CONTENTS:</span></p>
+ <p>1. POULTRY LITERATURE.</p>
+ <p>2. WOMEN IN FRANCE&mdash;MADAME DE MAINTENON.</p>
+ <p>3. JULIUS CÆSAR&mdash;MERIVALE'S ROMAN HISTORY.</p>
+ <p>4. THE REPUBLIC IN THE KING'S COACHES.</p>
+ <p>5. SANITARY MOVEMENT&mdash;CENTRALIZATION.</p>
+ <p>6. LIVES OF CALVIN. By <span class="sc">Dyer</span>, &amp;c.</p>
+ <p>7. LORD HOLLAND'S REMINISCENCES.</p>
+ <p>8. LORD JOHN RUSSELL.</p>
+ </div>
+
+ <div class="stanza">
+ </div>
+ </div>
+ <p><span class="sc">John Murray</span>, Albermarle Street.</p>
+
+<hr class="full" />
+
+ <p>DR. MAITLAND'S ERUVIN&mdash;SECOND EDITION.</p>
+
+ <p>In small 8vo., price 5<i>s.</i> 6<i>d.</i></p>
+
+ <p>ERUVIN; or MISCELLANEOUS ESSAYS on Subjects connected with the NATURE,
+ HISTORY, and DESTINY of MAN.</p>
+
+ <p>By the Rev. <span class="sc">S. R. Maitland, D.D., F.R.S.</span>, and
+ F.S.A.</p>
+
+ <p><span class="sc">Rivingtons</span>, St. Paul's Church Yard, and
+ Waterloo Place;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Of whom may be had, by the same Author,</p>
+ </div>
+ </div>
+ <p>1. ESSAYS on the REFORMATION in ENGLAND. 15<i>s.</i></p>
+
+ <p>2. ESSAYS on the DARK AGES. Second Edition. 12<i>s.</i></p>
+
+<hr class="full" />
+
+ <p>ORIGINAL LETTERS ON THE CHURCH IN IRELAND.</p>
+
+ <p>In post 8vo., price 10<i>s.</i> 6<i>d.</i></p>
+
+ <p>ORIGINAL LETTERS and PAPERS in ILLUSTRATION of the HISTORY of the
+ CHURCH in IRELAND, during the Reigns of Edward VI., Mary, and
+ Elizabeth.</p>
+
+ <p>Edited, with Notes, from Autographs in the State-Paper Office,</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>By <span class="sc">Evelyn Philip Shirley, Esq., M.A.</span></p>
+ </div>
+ </div>
+ <p><span class="sc">Rivingtons</span>, St. Paul's Church Yard, and
+ Waterloo Place.</p>
+
+<hr class="full" />
+
+ <p>MAPS AND ATLASES of the <span class="sc">Society for the Diffusion of
+ Useful Knowledge</span>, Published by C. Knight, 90. Fleet Street.</p>
+
+ <p>ATLAS COMPLETE, with Index, 212 Maps, plain, in 1 vol., half morocco
+ or russia, 6<i>l.</i> 7<i>s.</i> Coloured, 1 vol., half morocco or
+ russia. 9<i>l.</i> 14<i>s.</i></p>
+
+ <p>LIBRARY ATLAS, 161 Maps, 1 volume, plain, 5<i>l.</i> 5<i>s.</i>;
+ coloured, 7<i>l.</i> 7<i>s.</i></p>
+
+ <p>FAMILY ATLAS, 54 Maps, plain, 2<i>l.</i> 2<i>s.</i>; coloured
+ 2<i>l.</i> 16<i>s.</i></p>
+
+ <p>SCHOOL ATLAS, <span class="sc">Modern</span> and <span
+ class="sc">Ancient</span>, 39 Maps, plain, 1<i>l.</i> 3<i>s.</i>;
+ colored, 1<i>l.</i> 13<i>s.</i></p>
+
+ <p>OUTLINE MAPS, FOR LEARNERS, Part I., 12 Maps, 4<i>s.</i>; Part II., 8
+ Maps, 3<i>s.</i></p>
+
+ <p>SINGLE MAPS, plain, 6<i>d.</i> each; coloured, 9<i>d.</i></p>
+
+ <p>MAP OF LONDON, for the convenience of <span class="sc">Visitors</span>
+ to the <span class="sc">Exhibition</span>, plain, 1<i>s.</i>; coloured,
+ 1<i>s.</i> 6<i>d.</i>; bound in cloth, 3<i>s.</i></p>
+
+ <p>The whole of the Maps are corrected to the present time, and a
+ Prospectus, with full particulars, will be forwarded post-free on
+ application to the Publisher, 90. Fleet Street.</p>
+
+<hr class="full" />
+
+ <p>Just published, foolscap 8vo., cloth with Steel Engraving, price
+ 4<i>s.</i> 6<i>d.</i></p>
+
+ <p>THE FAIRY GODMOTHERS and other Tales. By Mrs. <span class="sc">Alfred
+ Gatty</span>.</p>
+
+ <p>London: <span class="sc">George Bell</span>, 186. Fleet Street.</p>
+
+<hr class="full" />
+
+ <p>A New Edition, 24mo., price 5<i>s.</i>, of</p>
+
+ <p>KEMPIS DE IMITATIONE CHRISTI, et Contemptu Mundi, omniumque ejus
+ vanitatum, Libri IV. Codex De Advocatis Seculi xiii. With Life by <span
+ class="sc">Charles Butler</span>.</p>
+
+ <p><span class="sc">William Pickering</span>, 177. Piccadilly.</p>
+
+<hr class="full" />
+
+ <p>A New Edition, 8vo., with Frontispiece, "Ecce Homo," engraved by
+ Robinson, after a Painting by Guercino, 9<i>s.</i>,</p>
+
+ <p>OF the IMITATION of JESUS CHRIST.</p>
+
+ <p>Translated from the Latin original, ascribed to <span
+ class="sc">Thomas à Kempis</span>. By <span class="sc">T.&nbsp;F. Dibdin,
+ D.D.</span></p>
+
+ <p><span class="sc">William Pickering</span>, 177. Piccadilly.</p>
+
+<hr class="full" />
+
+ <p>Printed by <span class="sc">Thomas Clark Shaw</span>, of No. 8. New
+ Street Square, at No. 5 New Street Square, in the parish of St. Bride, in
+ the City of London; and published by <span class="sc">George Bell</span>,
+ of No. 186. Fleet Street, in the Parish of St. Dunstan in the West, in
+ the City of London, Publisher, at No. 186. Fleet Street
+ aforesaid.&mdash;Saturday, April 19, 1851.</p>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries, Number 77, April
+19, 1851, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES ***
+
+***** This file should be named 26897-h.htm or 26897-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/6/8/9/26897/
+
+Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
+and the Online Distributed Proofreading Team at
+http://www.pgdp.net (This file was produced from images
+generously made available by The Internet Library of Early
+Journals.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/26897-h/images/77_006a.png b/26897-h/images/77_006a.png
new file mode 100644
index 0000000..f7a8eaf
--- /dev/null
+++ b/26897-h/images/77_006a.png
Binary files differ
diff --git a/26897-h/images/77_006b.png b/26897-h/images/77_006b.png
new file mode 100644
index 0000000..a1d9d4b
--- /dev/null
+++ b/26897-h/images/77_006b.png
Binary files differ
diff --git a/26897-h/images/77_015.png b/26897-h/images/77_015.png
new file mode 100644
index 0000000..da367cc
--- /dev/null
+++ b/26897-h/images/77_015.png
Binary files differ
diff --git a/26897-h/images/77_026.png b/26897-h/images/77_026.png
new file mode 100644
index 0000000..e7c96b7
--- /dev/null
+++ b/26897-h/images/77_026.png
Binary files differ
diff --git a/26897-page-images/p0297.png b/26897-page-images/p0297.png
new file mode 100644
index 0000000..b910268
--- /dev/null
+++ b/26897-page-images/p0297.png
Binary files differ
diff --git a/26897-page-images/p0298.png b/26897-page-images/p0298.png
new file mode 100644
index 0000000..11a4478
--- /dev/null
+++ b/26897-page-images/p0298.png
Binary files differ
diff --git a/26897-page-images/p0299.png b/26897-page-images/p0299.png
new file mode 100644
index 0000000..c78c453
--- /dev/null
+++ b/26897-page-images/p0299.png
Binary files differ
diff --git a/26897-page-images/p0300.png b/26897-page-images/p0300.png
new file mode 100644
index 0000000..b95e5f1
--- /dev/null
+++ b/26897-page-images/p0300.png
Binary files differ
diff --git a/26897-page-images/p0301.png b/26897-page-images/p0301.png
new file mode 100644
index 0000000..a7fa13d
--- /dev/null
+++ b/26897-page-images/p0301.png
Binary files differ
diff --git a/26897-page-images/p0302.png b/26897-page-images/p0302.png
new file mode 100644
index 0000000..c344f37
--- /dev/null
+++ b/26897-page-images/p0302.png
Binary files differ
diff --git a/26897-page-images/p0303.png b/26897-page-images/p0303.png
new file mode 100644
index 0000000..35338fd
--- /dev/null
+++ b/26897-page-images/p0303.png
Binary files differ
diff --git a/26897-page-images/p0304.png b/26897-page-images/p0304.png
new file mode 100644
index 0000000..5fb8e16
--- /dev/null
+++ b/26897-page-images/p0304.png
Binary files differ
diff --git a/26897-page-images/p0305.png b/26897-page-images/p0305.png
new file mode 100644
index 0000000..6d762e6
--- /dev/null
+++ b/26897-page-images/p0305.png
Binary files differ
diff --git a/26897-page-images/p0306.png b/26897-page-images/p0306.png
new file mode 100644
index 0000000..2efc052
--- /dev/null
+++ b/26897-page-images/p0306.png
Binary files differ
diff --git a/26897-page-images/p0307.png b/26897-page-images/p0307.png
new file mode 100644
index 0000000..24471e6
--- /dev/null
+++ b/26897-page-images/p0307.png
Binary files differ
diff --git a/26897-page-images/p0308.png b/26897-page-images/p0308.png
new file mode 100644
index 0000000..96f372b
--- /dev/null
+++ b/26897-page-images/p0308.png
Binary files differ
diff --git a/26897-page-images/p0309.png b/26897-page-images/p0309.png
new file mode 100644
index 0000000..d0a820f
--- /dev/null
+++ b/26897-page-images/p0309.png
Binary files differ
diff --git a/26897-page-images/p0310.png b/26897-page-images/p0310.png
new file mode 100644
index 0000000..82dc991
--- /dev/null
+++ b/26897-page-images/p0310.png
Binary files differ
diff --git a/26897-page-images/p0311.png b/26897-page-images/p0311.png
new file mode 100644
index 0000000..c1161a6
--- /dev/null
+++ b/26897-page-images/p0311.png
Binary files differ
diff --git a/26897-page-images/p0312.png b/26897-page-images/p0312.png
new file mode 100644
index 0000000..7f37f31
--- /dev/null
+++ b/26897-page-images/p0312.png
Binary files differ
diff --git a/26897.txt b/26897.txt
new file mode 100644
index 0000000..53aa3ef
--- /dev/null
+++ b/26897.txt
@@ -0,0 +1,2378 @@
+Project Gutenberg's Notes and Queries, Number 77, April 19, 1851, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries, Number 77, April 19, 1851
+ A Medium of Inter-communication for Literary Men, Artists,
+ Antiquaries, Genealogists, etc
+
+Author: Various
+
+Editor: George Bell
+
+Release Date: October 12, 2008 [EBook #26897]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES ***
+
+
+
+
+Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
+and the Online Distributed Proofreading Team at
+http://www.pgdp.net (This file was produced from images
+generously made available by The Internet Library of Early
+Journals.)
+
+
+
+
+
+Transcriber's note: A few typographical errors have been corrected: they
+are listed at the end of the text.
+
+ * * * * *
+
+
+{297} NOTES AND QUERIES:
+
+A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES,
+GENEALOGISTS, ETC.
+
+ * * * * *
+
+"When found, make a note of."--CAPTAIN CUTTLE.
+
+ * * * * *
+
+
+No. 77.]
+SATURDAY, APRIL 19. 1851.
+[Price Threepence. Stamped Edition 4d.
+
+ * * * * *
+
+
+CONTENTS.
+
+ NOTES:-- Page
+ Latin Drinking Song by Richard Braithwait, by S. W.
+ Singer 297
+ Strange Appearances in the Sky, by Rev. A. Gatty 298
+ "After me the Deluge," by Douglas Jerrold 299
+ Bishop Thornborough's Monument 299
+
+ Minor Notes:--King Richard III.--Shakspeare a
+ thorough Sailor--"A fellow-feeling." &c.--Early
+ Instances of the Word "News"--Under the Rose 300
+
+ QUERIES:--
+ Portraits of Spenser 301
+ The Vendace 301
+
+ Minor Queries:--Ex Pede Herculem--"To-day we
+ purpose"--"God takes those soonest whom He loves
+ the best"--Quakers' Attempt to convert the Pope
+ --Whychcote of St. John's--Meaning of Rechibus--
+ Family of Queen Katherine Parr--Skort--Religious
+ Teaching in the German Universities--Epigram by
+ Dunbar--Endymion Porter--Sathaniel--The Scoute
+ Generall--Anthony Pomeroy, Dean of Cork 302
+
+ MINOR QUERIES ANSWERED:--Civil War Tract--Trisection
+ of the Circle--Wolsey's Son--Cardinals and
+ Abbots in the English Church 303
+
+ REPLIES:--
+ Sir Balthazar Gerbier, by J. Crossley 304
+ The Travels of Baron Munchausen 305
+
+ Replies to Minor Queries:--Tobacco in the East--
+ Captain John Stevens--MS. Catalogue of Norman
+ Nobility--Illustrations of Chaucer, No. III.--
+ Comets--Pope Joan--Abbot Euctacius--The
+ Vellum-bound Junius--Meaning of Waste-book--
+ Cowdray--Solemnisation of Matrimony--Epitaph
+ on the Countess of Pembroke--Scandal against
+ Queen Elizabeth--The Tanthony--The Hippopotamus
+ --Tu autem--Places called purgatory--Swearing
+ by Swans, &c.--Edmund Prideaux and the Post-office
+ --Small Words and "Low" Words--Lord
+ Howard of Effingham--Obeahism, &c. 306
+
+ MISCELLANEOUS:--
+ Notes on Books, Sales, Catalogues, &c. 310
+ Books and Odd Volumes wanted 311
+ Notices to Correspondents 311
+ Advertisements 311
+
+ * * * * *
+
+
+Notes.
+
+LATIN DRINKING SONG BY RICHARD BRAITHWAIT.
+
+I have been surprised, from the facility with which the author of "Drunken
+Barnaby" seems to pour out his Leonine verse, that no other productions of
+a similar character are known to have issued from his pen. I am not aware
+that the following drinking song, which may fairly be attributed to him,
+has ever appeared in print. It was evidently unknown to the worthy
+Haslewood, the crowning glory of whose literary career was the happy
+discovery of the author, Richard Braithwait. I transcribe it from the MS.
+volume from which James Boswell first gave to the world Shakspeare's verses
+"On the King." Southey has somewhere said that "the best serious piece of
+Latin in modern metre is Sir Francis Kinaston's _Amores Troili et
+Cressidae_, a translation of the two first books of Chaucer's Poem[1]; but
+it was reserved for _famous_ BARNABY to employ the barbarous ornament of
+rhyme, so as to give thereby point and character to good Latinity."
+
+Southey does not seem to have known those remarkable productions of the
+middle ages, which have been made accessible to us by the researches of
+Docen, of Grimm, of Schmeller, and of Mr. Wright; and, above all, of that
+exquisite gem, "De Phyllide et Flora," first printed by Docen[2], and since
+given by Mr. Wright in his collection of _Poems attributed to Walter de
+Mapes_. We have, however, a much better text from the hand of Jacob Grimm,
+in the _Memoirs of the Academy of Berlin for 1843_, p. 239. Of this poem it
+is perhaps not exaggeration to say, that it is an Idyll which would have
+done honour to the literature of any age or country; and if it is the
+production of Walter de Mapes, we have reason to be proud of it. It is a
+dispute between two maidens on the qualities of their lovers, the one being
+a soldier, the other a priest. It breathes of the spring, of nature, and of
+love:
+
+ "Erant ambae virgines et ambae reginae
+ Phyllis coma libera Flora comto crine,
+ Non sunt formae virginum sed formae divinae,
+ Et respondent facies luci matutinae.
+
+ Nec stirpe, nec facie, nec ornatu viles,
+ Et annos et animos habent juveniles
+ Sed sunt parum inpares, et parum hostiles
+ Nam hinc placet clericus illi vero miles."
+
+{298} Love is called in to decide the dispute, and it causes no surprise to
+find, after due ventilation of the cause, the judgment of the court to be:
+
+ "Secundum scientiam et secundum morem,
+ AD AMOREM CLERICUM DICUNT APTIOREM."
+
+Your readers who are not already acquainted with this interesting picture
+of ancient manners will, I think, be pleased with having it pointed out to
+their notice.
+
+Should the following song not be already in print, I can also furnish from
+the same source a version of the ballad on "Robin Goodfellow" by the same
+hand, should it be acceptable.[3]
+
+S. W. SINGER.
+
+ "CANTIO.
+
+ "O Pampine! quo venisti?
+ Cur me spectas fronte tristi?
+ Tolle caput, sis jucundus,
+ Tolle poculum exue fundus,
+ Et salutem jam bibamus,
+ Ad sodales quos amamus;
+ O Pampine! tibi primum
+ Haustum summus hunc ad imum.
+
+ Ecce de christallo factum
+ Purum vas, et hoc intactum,
+ Lympha nunc et succo plenum,
+ Nec includit hoc venenum;
+ Medicamen quod repellit
+ Omnes malos, nec fefellit,
+ O Pampine! invito Momo,
+ Tibi, tu es meus homo.
+
+ Hic est sacer fons et flumen,
+ Quod qui potant vocant numen,
+ Iras pellit, demit lites,
+ Et superbos facit mites;
+ Et post flumen hoc te amoenum
+ Annos reparare senum:
+ O Pampine! tibi habe,
+ Bibe si sis dignus tabe.
+
+ Hoc si tu gustabit nectar,
+ Si sis Paris fies Hector,
+ Iras demit inquietas,
+ In memento facit laetas;
+ Pro doloribus est solamen,
+ Pro pulicibus medicamen;
+ O Pampine! habe tibi,
+ Bibe tu cum ego bibi.
+
+ Hic est aqua vera fortis,
+ Vincula quae solvet mortis,
+ Aut, si placet, aqua vitae,
+ Roborans ab atra Dite:
+ Hinc sunt uti qui potestis
+ Omnia, cibus, potis, vestis;
+ O Pampine! tibi cito
+ Bibe, aut ab hinc abito.
+
+ Si frigistis, sine joco,
+ Solo hoc utare foco,
+ Si esuries hic sunt oves,
+ Pulli, vituli, et boves;
+ Quod si sitis ecce montem,
+ Quem si scandes habet fontem;
+ O Pampine! bibe rursus,
+ Bibe, tu nam venit cursus.
+
+ Si aegrotas sume potum,
+ Vis ut valeas tolle totum,
+ Cape potum hunc paratum,
+ Sanus eris,--est probatum;
+ Si in corpore aut in mente
+ Dolebant in quavis dente;
+ O Pampine! tibi statim
+ Sume potum hinc gradatim.
+
+ Bacche jam et jam Silene,
+ Pocula impleatis plene,
+ Ope jam adiutus vestra
+ Domum, feram e fenestra.
+ AEdes vertunt jam rotundae,
+ Et succedant res secundae:
+ O Pampine! tibi bibo,
+ Bibe, vale! ego abibo."
+
+[Footnote 1: Southey was not aware that the whole of Chaucer's Poem, and
+the "Testament of Cressid," by Henryson, was translated by Kinaston and
+accompanied by a copious commentary in English, but only exists in one sole
+MS. The press of the Camden Society would be well employed on it.]
+
+[Footnote 2: In Baron von Aretin's _Beytrage zur Geschichte und Literatur_,
+vol. vii. p. 301.; but the copy, though a good text, was defective at the
+end.]
+
+[Footnote 3: [We are sure we are only expressing the opinion of the
+majority of our readers when we say it will be _most acceptable_.--ED.]]
+
+ * * * * *
+
+STRANGE APPEARANCES IN THE SKY.
+
+Strange appearances in the sky have not been without their ominous
+signification from the time that the greater and lesser lights were placed
+there at the creation, to the rainbow after the Deluge; and onward to the
+"star in the east" which announced our Saviour's birth, and the "light from
+heaven" which accompanied St. Paul's conversion. But the question is,
+whether there has since been any meaning in other like celestial
+illuminations? Some historical credit is claimed for the fiery sword, and
+armies fighting in the air, which preceded the siege of Jerusalem: for the
+cross of the Emperor Constantine: for the bow about the sun seen by
+Augustus Caesar, when he took possession of the Roman empire: and for stars,
+or other heavenly lights, which have seemed to herald the births or deaths
+of illustrious personages. But are these stories to be believed? and, if
+they are, where is the line of credibility to be drawn? People cannot come
+together, and talk either on this subject, or on that of ghosts, but every
+one "hath a revelation, hath an interpretation." The poet, walking on the
+mountains, looked into the sky, and
+
+ "The appearance, instantaneously disclosed,
+ Was of a mighty city--boldly say
+ A wilderness of building, sinking far,
+ And self-withdrawn, into a wondrous depth,
+ Far sinking into splendour--without end?"
+
+The two following extracts are from private letters now before me. The
+first account was written in 1825 by a physician, still alive, and {299}
+who at the time read an account of what he had seen at a meeting of the
+Plinian Society. He says,
+
+ "I last evening read a paper upon an extraordinary appearance of
+ letters, formed by the clouds, seen by a Mr. T. and myself. We had also
+ with us two little boys, one nine, the other eleven years of age, who
+ were able to make out each letter equally with ourselves. These
+ children were at the time walking some distance behind us: but, upon
+ their coming up, and being shown the letters, they read them without
+ having heard any observation of ours respecting them. We saw them for
+ about two minutes, when they gradually changed their form--each letter
+ changing its perpendicular for a horizontal position, and at length the
+ whole becoming converted into that form of cloud denominated
+ cirro-stratus. I will endeavour to give you a faint idea of the
+ appearance, by forming the letters as well as my memory will enable me.
+ I make no comment upon the words themselves, as they are too
+ extraordinary for observation of any kind. It was upon the 12th of last
+ month: several showers had fallen in the course of the day, but the
+ afternoon was fine. The time seven in the evening. The letters were
+ formed upon a fine blue surface, having no other clouds near them,
+ except very small ones, which tended much to heighten the effect of the
+ whole.
+
+ [Illustration: (ETERNAL)]
+
+ [Illustration: (MILLENNIUM)]
+
+ "You will observe several deficiencies in the letters of the first
+ word, viz. in the first 'E;' also in the 'N,' the second part being
+ short; and a slight defect in the letter 'A.' With respect to the
+ second word, the first six letters were very perfect: the others, with
+ the exception of the 'M,' mere strokes; but in number sufficient to
+ make up the word: and they had the appearance of having been perfect. I
+ can assure you they were anything but obscure, and required very little
+ stretch of the imagination. In the first word the letters were
+ equidistant and beautifully uniform. The second word was not quite
+ straight, being curved towards its termination. This appeared to me to
+ arise from the change of position which the letters were undergoing, as
+ before stated."
+
+My other extract is from a letter written in 1851. The scene to which it
+refers is a sick chamber occupied by an octogenarian grandmother, who is
+_in extremis_. Her daughter, who writes the account, is present, together
+with a grandchild, who is nearly eleven years old. The nurse has left the
+room.
+
+ "We afterwards stood by poor grandmamma's fire, and then we sat at her
+ window to see the moon rise. There were many clouds about it, and
+ directly under it was the most marked figure of our Saviour on the
+ cross. The head was concealed in light, but the arms were outstretched,
+ and the body quite distinct. M. saw it too, and said, 'How appropriate,
+ aunt, for the beginning of Lent!' She has never alluded to it since,
+ nor, of course, have I; nor do I think any more of it, than that _there
+ it was_: and there is something happy in the fancy, at all events, for
+ it shone on her dying bed."
+
+As you admit folk lore into "NOTES AND QUERIES," also well-attested
+anecdotes, although these may not absolutely conduce to the advancement of
+learning or art, perhaps you will receive this paper for the amusement of
+those who, like myself, feel an interest in anything which takes us a
+little out of the _hardware facts_ of "the age we live in."
+
+ALFRED GATTY.
+
+Ecclesfield.
+
+ * * * * *
+
+"AFTER ME THE DELUGE."
+
+If stolen wisdom could be returned to its rightful authors, great, indeed,
+would be the transfer of property. Prince Metternich is said to be the
+sayer of "After me the Deluge." And yet the Prince took the saying from the
+mouth of Madame Pompadour; and she took it--from whom? It may be reasonably
+doubted that her brain originated it; for it was not an order of brain that
+packs wisdom in few syllables.
+
+ "'After me the Deluge,' said Prince Metternich; a fine saying, but a
+ false prophecy we trust."
+
+I quote this from an admirable paper in _The Times_ of to-day (April 10.)
+on the Crystal Palace, and quote the subscribed from an _Essai sur la
+Marquise de Pompadour_, prefixed to the _Memoires de Madame du Hausset,
+Femme de Chambre de Madame Pompadour_, in Barriere's _Bibliotheque des
+Memoires_.
+
+ "Madame de Pompadour, dans l'ivresse de la prosperite, repondit a
+ toutes les menaces de l'avenir par ces trois [_quatre_] mots, "APRES
+ NOUS, LE DELUGE," qu'elle repetait souvent."
+
+In this case, "Pompadour _v._ Metternich," surely a verdict must be
+returned for the lady, unless Voltaire puts in a future claim.
+
+DOUGLAS JERROLD.
+
+West Lodge, Putney Common.
+
+ * * * * *
+
+BISHOP THORNBOROUGH'S MONUMENT.
+
+ [The writer of the following interesting communication does not appear
+ to be aware that he is obliging us and a correspondent D. Y., who had
+ asked (Vol. iii., p. 168.) for an explanation of the phrase _Denarius
+ Philosophorum_, in the Bishop's Monument.]
+
+Our local antiquaries have long been puzzled by an inscription in the Lady
+chapel of our cathedral. It stands on the monument of Bishop Thornborough,
+and was prepared by himself fourteen years before his decease in 1641, at
+the age of ninety-four. He was addicted to alchymy, and published a book in
+1621, entitled [Greek: Lithotheorikos], _sive_, _Nihil aliquid_, _omnia_,
+_&c._ In the course of some recent studies in the Pythagorean philosophy,
+my attention was accidentally engaged by this {300} inscription; and it at
+once struck me that it was _thence_ that the explanation was to be derived.
+The epitaph is as follows: on one side,
+
+ "Denarius Philosophorum, Dum Spiro, Spero."
+
+on the other,
+
+ "In Uno, 2^o. 3^o. 4^{or} 10. non Spirans Spera_bo_."
+
+The latter letters are now effaced.
+
+It is well known that the Pythagoreans found all the modes of space in the
+relations of numbers.
+
+The monad, or unit, was not only the _point_ whence all extension proceeds,
+but it further symbolised the First Principle, the origin of all. The duad
+represented the line, as being bounded by two points or monads. The triad
+stood for surface as length and width. The tetrad for the perfect figure,
+the cube, length, depth, and width. The decad, or denarius, indicated
+comprehensively all being, material and immaterial, in the utmost
+perfection: hence the term _decas_, or _denarius_, was used summarily for
+the whole science of numbers, as in the title of Meursius's tract _De
+Denario Pythagorico_, which was published four years after the date of the
+inscription, and when the philosophy was attracting much attention among
+European scholars. To be as concise as possible then, I presume that the
+old bishop intended that the tomb on which his effigy lies was his access
+to that perfection of existence which philosophers had designated by the
+_decas_, or _denarius_. During the present life he was hoping for it, "Dum
+Spiro, Spero."--On the other side: "In Him, who is the source, the
+beginning, the middle, and the end of all existence and perfection (in Uno,
+2^o. 3^o. 4^{or} 10. non Spirans Sperabo), though I breathe no more, yet
+shall I hope."
+
+Such is probably the meaning of his pious conceit, and I offer it as a
+solution of what has long served for a riddle to the visitors of our
+cathedral. Beyond this, your readers and myself may be equally indifferent
+to such cabalistical quaintness. But let us treat it with charity, as the
+devout consummation of an aged alchymist.
+
+O. F.
+
+College Green, Worcester, March, 1851.
+
+ * * * * *
+
+
+Minor Notes.
+
+_King Richard III._ (Vol. iii., p. 221.).--On the 14th May, 1491 (6 Henry
+VII.), one Master William Burton, the schoolmaster of St. Leonard's
+Hospital, in the city of York, was accused before the magistrates of having
+said that "King Richard was an hypocrite, a _crocheback_, and buried in a
+dike like a dog." This circumstance is recorded in a contemporary document
+of unquestionable authenticity (vide extracts from _York Records in the
+Fifteenth Century_, p. 220.); and must remove all doubt as to the fact of
+Richard's bodily deformity. The conjecture of Dr. Wallis, quoted by
+G. F. G., can have no weight when opposed by clear evidence that the word
+"crouchback," as a term of reproach or contempt, was applied to King
+Richard within a few years after his death, by one to whom his person must
+have been familiarly known.
+
+[Delta].
+
+_Shakespeare a thorough Sailor._--Let me point attention to a _genuine_
+nautical expression, in the use of which Shakespeare shows himself _a
+thorough sailor_:
+
+ "The wind sits in the _shoulder_ of your sail."--_Hamlet_, Act I. Sc. 3.
+
+In a "fore and aft sail" of the present day, the "shoulder" is the
+_foremost upper_ corner, and the _last part of the canvass_ on which the
+wind fixes its influence when a vessel is "sailing by the wind," or even
+"off the wind." The "veriest lout" in the "after-guard" will appreciate the
+truthfulness and beauty of the metaphor.
+
+A. L.
+
+_"A fellow-feeling," &c._--
+
+ "A fellow-feeling makes one wondrous kind."
+
+This oft-quoted line is from Garrick's Epilogue on quitting the stage.
+
+[Gamma].
+
+_Early Instances of the World "News."_--Without the slightest intention of
+re-opening the discussion as to whether the word "newes" be of native
+growth or imported, I would beg leave to suggest as a means of completing
+_its history_, that should any of the readers of "NOTES AND QUERIES," whose
+researches may lead amongst the authorities of the _fifteenth_ century,
+meet with instances of the word in familiar use between A.D. 1400 and A.D.
+1500, they would notify the same.
+
+The earliest date of its colloquial use as yet recorded in "NOTES AND
+QUERIES," is A.D. 1513: on the other hand, the word, so far as I am aware,
+is nowhere used by Chaucer, although his near approach to it in the
+following lines is very remarkable:
+
+ "There is right now come into the toune a gest,
+ A Greek espie, and telleth _newe things_,
+ For which I come to tell you newe tidings."--_Troilus and Creseide_, b.
+ ii. 1113.
+
+After this, the transition to the word itself is so extremely easy, that it
+could not be far distant.
+
+A. E. B.
+
+_Under the Rose._--It may interest the inquirers into the origin of this
+expression to know, that at Lullingston Castle in Kent, the residence of
+Sir Percival Dyke, there is in the hall an old picture, or painted carving
+(I forget which, as it is many years since I saw it), of a rose, some two
+feet in diameter, surrounded by an inscription, which, if I remember right,
+runs as follows, or nearly so:--
+
+ "Kentish true blue;
+ Take this as a token,
+ That what is said here
+ Under the rose is spoken."
+
+It is now, or was when I saw it, in the hall of that {301} ancient mansion,
+but I believe had been brought from an old house in the neighbourhood.
+
+E. H. Y.
+
+ * * * * *
+
+
+Queries.
+
+PORTRAITS OF SPENSER.
+
+The engraved portraits of Spenser differ so much from each other as to
+throw doubts on their resemblance to the poet.
+
+I have now before me the following:
+
+1. That prefixed to Bell's edition, 1777, engraved by Cook from "an
+original in Lord Chesterfield's collection."
+
+2. Prefixed to an edition in one volume published by Spiers, 1840.
+
+3. Prefixed to Moxon's edition, 1845.
+
+We are not told from what paintings Nos. 2. and 3. are engraved, but they
+resemble each other, and are somewhat like that in Bell's edition; so I
+shall set these three down as forming one class of portraits. No. 2. has,
+however, a curious inscription, _Edmund Spenser_, _obiit 1559_, which would
+lead us to reject it altogether, and look on it as an imaginary likeness.
+
+4. The portrait in Pickering's Aldine edition, 1839: this bears no
+resemblance, either in costume or features, to those already mentioned;
+but, if I mistake not, is like that in Todd's edition, published in
+1805,--we may call these a second class.
+
+An original portrait of Spenser is said to be in Lord Chesterfield's
+collection; another in Duplin Castle, the seat of Lord Kinnoul (of this
+there is a copy at Althorpe by Sir Henry Raeburn). Mr. Wright, in his
+_Memorials of Cambridge_, mentions a portrait at Pembroke College, "a copy
+by Wilson," but he does not say from what original: Mr. Craik, in _Spenser
+and his Writings_, speaks of _two_ as being in this college.
+
+The writer thinks he recollects a law-suit relative to a portrait of the
+poet, which had been sold to the late Sir Robert Peel, and which was stated
+to have come from Ireland. Perhaps some of your readers could give
+information respecting this picture.
+
+It is clear, if the first three are all from the Chesterfield original,
+that this painting, and the one from which Mr. Pickering's is taken, cannot
+both be portraits of Spenser. The object of this Query is to ascertain, if
+possible, which engraving, or class of engravings, resembles the poet.
+
+E. M. B.
+
+ * * * * *
+
+THE VENDACE.
+
+The very remarkable fish called the _Vendace_ is to be found but in one
+place in the three kingdoms,--the Castle Loch of Lochmaben, a parish to the
+south of Dumfriesshire in Scotland. The Vendace, it is said, derives its
+name from _Vendois_ in France, and was brought to this country by one of
+the James's. This, however, is mere conjecture, and, from its habits,
+highly improbable--because _they die the moment they are either touched or
+exposed to the air_.
+
+According to Mr. Stewart (_Elements of Natural Hist._), the Vendace belongs
+to a species which he calls _Salmo albula_, or the "Juvangis."
+
+ "This species," he adds, "is found in Lochmaben in Scotland, and
+ _nowhere else_: it is said to have been carried thither from England in
+ the time of Robert the Bruce."
+
+Mr. Stewart describes the fish, but from his description it is evident he
+has never seen it. The following one is exact:--
+
+ "This beautiful fish measures from four to six inches in length, and
+ tapers gradually to the tail. When taken out of the water, it has a
+ bright silvery white appearance, with a slight tendency to a light blue
+ along the back and part of the sides. In size it resembles a small
+ herring or par, but particularly the former, not only in the mouth and
+ external appearance, but also in the anatomical structure. _Upon the
+ top of the head_ there is a very distinct _shape of a heart_, covered
+ with a transparent substance of a brownish colour, resembling a thin
+ lamina of mica slate, _through which the brain is visible_. This
+ peculiar mark proves it to be as yet a distinct and undescribed
+ species. Nothing is ever found visible to the naked eye in the stomach
+ of the Vendace. They are extremely delicate, and are allowed to be the
+ most pleasing to the taste of all fish. The general mode of catching
+ them is with a net, as there is no instance known of their having been
+ caught either with bait or the artificial fly. The pike, with which
+ this lake abounds, is their greatest enemy. It has been frequently
+ stated that no fewer than fifteen distinct species of fish, fit for the
+ table, have been found in the Castle Loch."
+
+Dr. Knox, sometime Lecturer upon Anatomy in Edinburgh, states:
+
+ "That he has not only discovered the food of the Vendace, but actually
+ exhibited it before the Members of the Royal Society, and offers
+ suggestions for the stocking of the various lakes in Britain with this
+ exquisite fish; pointing out first the necessity of locating its
+ natural food, without which it cannot live."
+
+Allowing, however, that some neighbouring lake could be covered with some
+of these invisible and "incredibly minute entomostraceous animals," which
+the learned lecturer says constitute their food, we should still find a
+difficulty in transferring the fish; as every attempt to do so, though
+conducted with the greatest possible care and nicety, _has failed_.
+
+In the preceding account, I have followed the Rev. John Gardiner of
+Lochmaben, who, in 1835, drew up an admirable account of his parish, which
+is inserted in the statistical survey of the county.
+
+The gentlemen of the county have formed a {302} _Vendace Club_, which meets
+at Lochmaben annually on the 25th and 26th of July, when they dine off the
+fish. I asked one of the members how long it had been in existence, and he
+said about thirty years.
+
+JARLTZBERG.
+
+ * * * * *
+
+
+Minor Queries.
+
+_Ex Pede Herculem._--I shall feel much obliged if any of your
+correspondents or readers can inform me of the origin of the proverb "Ex
+pede Herculem." In what classical author is it to be found? I have looked
+in vain through _Erasmi Adagia_ for it.
+
+H. H.
+
+"_To-day we purpose._"--Will any one be good enough to say where these
+lines (quoted by Mr. Ruskin, _Modern Painters_, vol. ii. p. 188.) are to be
+found:--
+
+ "To-day we purpose, ay, this hour we mount
+ To spur three leagues towards the Apennine;
+ Come down, we pray thee, ere the hot sun count
+ His dewy rosary on the eglantine"
+
+G. N.
+
+"_God takes those soonest whom He loves the best._"--Where shall we find
+the origin of this expression, so frequently occurring on tombstones in
+almost all parts of the country? Or how far back can it be traced? The
+following, in Rainham church, Kent, is of the year 1626:
+
+ "Here slepes my babe in silence, heauen's his rest,
+ For God takes soonest those he loueth best."
+
+T. H. K.
+
+Malew, Man.
+
+_Quakers' Attempt to convert the Pope._--At what period, and in what author
+besides Veryard's _Tour in the Low Countries_, is the story of two Quakers
+being imprisoned in the Lazzaretto in Rome, for attempting to convert the
+Pope, to be found? Were they persons of any standing in the Society?
+
+B. S. S.
+
+_Whychcote of St. John's._--In one of the volumes published under the
+foregoing title, in 1833, there is a striking story, evidently fictitious
+in the main, but assuming, as an element of fact, the remembered existence
+of a head-stone over a grave in the little burial-ground, under the shadow
+of the venerable ruins of Tynemouth Priory in Northumberland, containing
+the single word "Fanny." Does any one of the Tyneside readers of the "NOTES
+AND QUERIES" personally recollect the actual existence of such a memorial?
+Is the _real name_ of the author of the entertaining work disclosed in any
+subsequent publication, or is it generally known?
+
+J. D.
+
+_Meaning of Rechibus, &c._--Among the rights claimed by the Esturmys in
+Savernak forest, 8 Edw. III., occurs--
+
+ "Et omnia placita de leporibus, rechibus, heymectis, tessonibus,
+ vulpibus, murilegis, et perdricibus:"
+
+which I translate--
+
+ "And all pleas concerning hares, traps, hedgehogs, badgers, foxes,
+ wild-cats, and partridges:"
+
+but I confess I have no confidence in some of these words, as the
+glossaries in the British Museum Library fail to explain them. I therefore
+solicit your courteous assistance.
+
+JAMES WAYLEN.
+
+_Family of Queen Katherine Parr._--The pedigree of the once eminent family
+of Parr, as recorded in various printed works--Dugdale, Nicholls, Burke,
+&c., is far from being complete or satisfactory. Could any one versed in
+the genealogy of the northern counties supply any information on the
+following points?--
+
+I. The early descent.--Dugdale in his _Baronage_, commences with Sir
+William Parr, who married Elizabeth De Ros, 1383; but he states the family
+to have been previously "of knightly degree." A MS. pedigree in the
+Herald's College also mentions Sir William as "descended from a race of
+knights." Where is an account of this race to be found?
+
+II. The separation between the two lines of Parr and Kendal.--Sir Thomas
+Parr, father of Queen Katherine, died 1518, and his _Inq. p. m._ states him
+to have held manors, messuages, lands, woods, and rents, in Parr, Wigan,
+and Sutton. Ten years afterwards, 1528, Bryan Parr was found by _Inq. p.
+m._ to have held the manor, messauges, woods, lands, &c. of Parr. How was
+Bryan related to Sir Thomas?
+
+III. The descendant in the fourth degree of Bryan was Henry Parr, of Parr,
+who was, according to a MS. in the college, aged twenty in 1621. Had he any
+descendants?
+
+If no positive information can be afforded, yet a clue to where it might be
+sought for would oblige.
+
+GENEALOGICUS LANCASTRIENSIS.
+
+_Skort._--
+
+ "Or wily Cyppus that can wink and snort,
+ While his wife dallies on Maecenas' skort."--Hall, _Satires_, Book iv.
+ Sat. 1. (Whittingham's edition, 1824.)
+
+Of course the general meaning of these two verses is obvious enough. But
+how is the latter to be read? Are we to read "dallies on," as one word,
+_i.e._ keeps dallying, and "skort" (as a mere abbreviation of the Latin
+"scortum") as nominative in apposition with "wife?" If so, the verse is
+intelligible, though harsh enough even for Hall.
+
+If not, the word "skort" must have some other meaning which I am
+unacquainted with. I cannot find it at all in Halliwell, the only authority
+I have at hand to refer to.
+
+K. I. P. B. T.
+
+{303}
+
+_Religious Teaching in the German Universities._--Will any of your numerous
+readers direct me to any book or books containing information on the
+_present state_ of religion and religious teaching in the German
+Universities?
+
+ROVERT.
+
+_Epigram by Dunbar--Endymion Porter._--Can any of your correspondents
+supply the deficient verses in the following epigram, addressed by Thomas
+Dunbar, keeper of the Ashmolean Museum from 1815 to 1822, to Miss Charlotte
+Ness, who required him to explain what was meant by the terms _abstract_
+and _concrete?_
+
+ "Say what is _abstract_, what _concrete_,
+ Their difference define?
+ They both in one fair person meet,
+ And that fair form is thine.
+ * * * *
+ * * * *
+ For when I lovely Charlotte view,
+ I then view loveli_ness_."
+
+Can any one substantiate the local tradition the Endymion Porter was born
+at the manor-house of Aston Subedge, in Gloucestershire; or furnish any
+particulars of his life before he became gentleman of the bedchamber to
+Prince Charles?
+
+BALLIOLENSIS.
+
+_Sathaniel._--Can any of your correspondents inform me in what book, play,
+poem, or novel, a character named Sathaniel appears? There is a rather
+common picture bearing that title; it represents a dark young lady, in
+Eastern dishabille, with a turban on her head, reclining on a
+many-cushioned divan, and holding up a jewel in one hand. I have seen the
+picture so often, that my curiosity as to the origin of the subject has
+been completely aroused; and I have never yet found any one able to satisfy
+it.
+
+F. T. C.
+
+_The Scoute Generall._--I have in my possession a small 4to. MS. of 32
+pages, entitled _The Scoute Generall_, "communicating (impartially) the
+martiall affaires and great occurrences of the grand councell (assembled in
+the lowest House of Parliament) unto all kingdomes, by rebellion united in
+a covenant," &c., which is throughout written in verse, and particularly
+satirical against the Roundheads of the period (1646), and remarkable for
+the following prognostication of the death of the unfortunate monarch
+Charles I.:
+
+ "Roundheads bragge not, since 'tis an old decree,
+ In time to come from chaines wee should be free:
+ Traytors shall rule, Injustice then shall sway,
+ Subjects and nephewes shall their king betray;
+ And he himselfe, O most unhappy fate!
+ For kings' examples, kingdomes imitate:
+ What he maintain'd, I know it was not good,
+ Brought in by force, and out shall goe by blood," &c.
+
+It occupies about thirty lines more. At the bottom of the title, and at the
+conclusion of the postscript, it has merely the initials S. D. Could any of
+your worthy correspondents inform me who S. D. was?
+
+The MS. is evidently cotemporary, and, according to the introduction, was
+"ordered to be forthwith published, [MDCXLVI in apostrophus form].;" and as
+I cannot trace that such a production was ever issued, the answer would
+confer a favour on
+
+C. HAMILTON.
+
+City Road, April 1. 1851.
+
+_Arthur Pomeroy, Dean of Cork._--Can any one of your genealogical readers
+assist me in ascertaining the parentage of Arthur Pomeroy, who was made
+Dean of Cork in 1672? He was fellow of Trinity College, Cambridge, in which
+university he graduated as A.B. in 1660, M.A. in 1664, and S.T.P. in 1676.
+He is stated in Archdale's edition of Lodge's _Peerage of Ireland_ (article
+"Harberton") to have sprung from the Pomeroys of Ingsdon in Devonshire, and
+is stated to have gone to Ireland as chaplain to the Earl of Essex, Lord
+Lieutenant.
+
+J. B.
+
+ * * * * *
+
+
+Minor Queries Answered.
+
+_Civil War Tract._--
+
+ "A Letter sent from a worthy Divine, to the Right Honourable the Lord
+ Mayor of the City of London. Being a true relation of the battaile
+ fought betweene His Majesty and his Excellence the Earle of Essex. From
+ Warwicke Castle, the 24. of October, 1642, at two a clock in the
+ morning. Together with a Prayer for the happy uniting of the King and
+ parliament, fit to be used by all good Christians, daily in their
+ houses. London, Octob. 27. Printed for Robert Wood. 1642."
+
+The above is the title of a tract now in my possession. Is it known to any
+collector of tracts relating to the Battle of Edgehill? Who was the "worthy
+divine," the writer?
+
+P. Q.
+
+ [On the title-page of this tract among the King's pamphlets in the
+ British Museum, the name of Mr. Bifield has been written. No doubt it
+ is the production of the Rev. Adoniram Byfield, chaplain to Col.
+ Cholmondeley's regiment, in the army of the Earl of Essex in 1642, and
+ who was subsequently one of the scribes to the Assembly of Divines, and
+ a most zealous Covenanter. See Wood's _Athenae_, by Bliss, vol. iii. p.
+ 670.]
+
+_Trisection of the Circle._--Has the problem of the trisection of the angle
+been solved? or, if not, is there any reward for its solution; and what
+steps should be taken to obtain it?
+
+JOHN VINCENT LYSTER.
+
+ [The problem of the trisection of the angle by aid of the straight line
+ and circle, used as in Euclid, has never been solved--no reward was
+ ever offered for its solution.]
+
+_Wolsey's Son._--Can any of your readers give an account of a son of
+Cardinal Wolsey, whose existence is recorded in a letter from Eustace {304}
+Chapuys to the Emperor Charles V., October 25, 1529, in the following
+words:--
+
+ "The cardinal has now retired with a very small train to a place about
+ ten miles hence. A son of his has been sent for from Paris, who was
+ there following his studies, and of whom I have formerly made some
+ mention to your Majesty"--_Correspondence of Charles V._, p. 291.
+
+Cardinal Beaton had lots of bastards, but I never remember to have seen in
+any account of Wolsey mention made of natural children.
+
+J. M.
+
+ [The existence of a natural son of Cardinal Wolsey is a _fact_ as well
+ ascertained as any other _fact_ of the Cardinal's history, and referred
+ to in the various biographies of him that have appeared. His name was
+ Thomas Winter. In Chalmers's _Biographical Dictionary_, vol. xxxii. pp.
+ 255. and 256. _note_, reference is made to a Bull of Pope Julius II.,
+ dated August, 1508, to be found in Kennet's MSS. in the British Museum,
+ in which he is styled, "dilecti filio Thomae Wulcy," Rector of Lymington
+ diocese of Bath and Wells, Master of Arts, "_pro dispensatione ad
+ tertium incompatibile_." This is explained by the passage in Wood's
+ _Athenae Oxon. Fasti_, part i. p. 73. (Bliss ed.), relating to him.
+ "This Tho. Winter, who was nephew (or rather nat. son) to Cardinal Tho.
+ Wolsey, had several dignities confer'd upon him before he was of age,
+ by the means of the said Cardinal," viz. the archedeaconry of York,
+ 1523; chancellorship of the church of Sarum; the deanery of Wells,
+ 1525; the provostship of Beverly; and the archdeaconry of Richmond,
+ &c.: on which there is a note by Baker, that "this Tho. Winter is said
+ to have held of the church's goods clearly more than 2000 pds. per an."
+ Wood adds, that about the time of the Cardinal's fall, he gave up all
+ or most of his dignities, keeping only the archdeaconry of York, which
+ he resigned also in 1540. In Grove's _Life and Times of Cardinal
+ Wolsey_, vol. iv. p. 315., among the "Articles" against the Cardinal,
+ Article XXVII. expressly charges him, "that he took from his son Winter
+ his income of 2,700l. a-year, applied it to his own use, and gave him
+ only 200l. yearly to live on." A reference is made in Sir H. Ellis's
+ _Letters Illustrative of English History_, 2nd Series, vol. ii. p. 70.,
+ to a letter of Edmund Harvel to Dr. Starkey, dated from Venice, April
+ 1535, in which the writer expresses his obligations to Mr. Winter, for
+ his "friendly mynde toward him," and begs him to return his thanks.
+
+ In Mr. Galt's _Life of Wolsey_ (Appendix IV. p. 424. of Bogue's
+ edition) will be found a copy of a letter from John Clusy to Cromwell,
+ in relation to a natural daughter of Wolsey's in the nunnery of
+ Shaftesbury.]
+
+_Cardinals and Abbots in the English Church._--It may not be generally
+known, but the fact is so, that the English church numbers two CARDINALS
+and a LORD ABBOT amongst her members. In Whitaker's _Clerical Diary_, under
+the head of London Diocese, there is attached to St. Paul's a senior and a
+junior cardinal; and in Ireland exists the exempt jurisdiction of Newry and
+Mourne, under the government of the Lord Abbot, who is the Earl of
+Kilmorey. Can any of your readers give me any information respecting these
+officials?
+
+W. J.
+
+ [_Cardinal._--The title of cardinal (_cardinalis_) in early times was
+ frequently applied to any bishop, priest, or deacon holding an official
+ post. In France there were many cardinal priests: thus, the curate of
+ the parish of St. John de Vignes is called, in old charters, the
+ cardinal priest of that parish. There were also cardinal deacons, who
+ had the charge of hospitals for the poor, and who ranked above the
+ other deacons. Thus, two of the minor canons of St. Paul's are called
+ _cardinals of the choir_, whose duties are to preserve order in Divine
+ service, administer the Eucharist, and officiate at funerals. In former
+ times, they heard confessions and enjoined penances. (Newcourt's
+ _Repertorium_, vol. i. p. 233.) It was not till the twelfth century
+ that the Sacred College of Cardinals was organised; nor was it till
+ 1567 that clergymen were forbidden by Pius V. to assume the title of
+ cardinal unless appointed by the Pope.
+
+ _Lay Abbots._--In early times we frequently find secular persons
+ denominated "field abbots" and "abbot counts," upon whom the sovereign
+ had bestowed certain abbeys, for which they were obliged to render
+ military service, as for common fiefs. In the time of Charles the Bald
+ many of the nobility in France were abbots, having a dean to officiate
+ for them. Thus, too, in Scotland, James Stuart, the natural son of
+ James V., was, at the time of the Reformation, Prior of St. Andrew's,
+ although a secular person. The Earl of Kilmorey, who is impropriator of
+ the tithes of St. Mary, Newry, is a lay abbot, or representative of the
+ preceding abbots of a Cistertian Abbey which formerly existed in that
+ town. His abbatial functions, however, are confined to convening
+ ecclesiastical courts, and granting probates of wills, and licenses for
+ marriages, subject only to the metropolitan jurisdiction of the
+ Archbishop of Armagh. A remnant of the secularisation of ecclesiastical
+ dignities has already been noticed in our pages (Vol. ii., pp. 447.
+ 500.), in the case of the late Duke of York, who was at the same time
+ Commander-in-chief and Bishop of Osnaburg.]
+
+ * * * * *
+
+
+Replies.
+
+SIR BALTHAZAR GERBIER.
+
+(Vol. ii., p. 375.)
+
+Your correspondent J. MT. has great reason to congratulate himself on the
+possession of the singularly curious tract which he describes, and which
+gives an autobiography of this extraordinary adventurer. I am not aware of
+any other copy in any public or private collection. I have a 4to. tract in
+nineteen pages, evidently printed abroad, the title of which is--
+
+"Balthazar Gerbier, Knight,
+to
+All Men that love Truth."
+
+{305}
+
+This gives a very interesting life of him by himself, perfectly distinct
+from, and containing many particulars not given in the tract possessed by
+your correspondent, which also contains matter not in the above. I have
+likewise another tract, privately printed in Holland in English, French,
+and Dutch, in fifteen pages 12mo., the English title to which is--
+
+"A true Manifest,
+By S^r B. Gerbier.
+Anno
+1653."
+
+In this, which gives some curious particulars as to "Mr. Hughe Peeters,"
+and the book entitled _The Nonsuch Charles_, he refers to another "little
+manifest" published on the 2nd day of October, 1652, "that the world might
+take notice that he was not at all invested with any foreigne engagement."
+Of the tract so referred to, I regret to say no copy is known. None of the
+other three tracts appear to have been seen by Horace Walpole, who had
+collected a great number of Gerbier's pamphlets, and also the MS. next
+mentioned, which, at the Strawberry Hill sale, came together into my
+possession. The MS. contains the original appointments of Sir Balthazar to
+the offices he held while in England, a pedigree of his family beautifully
+emblazoned, and a large quantity of MS., prose and poetry, in his
+autograph; including a most extensive collection of projects and proposals,
+which seem to have been equally at the service of England or France. The
+best account we have of Gerbier is that which Horace Walpole has supplied
+in the _Anecdotes of Painting_ (see _Works_, vol. iii. p. 189.); but his
+diplomatic negotiations, and his career as an artist and adventurer, never
+forgetting his academy at Whitefriars and Bethnal Green, would furnish
+matter for a very amusing volume. The general biography, however, to which
+he would be most appropriately remitted, and which is still a desideratum
+in literature, is that which is proposed by Dr. Johnson, in Chalmers's
+admirable parody:
+
+ "I think a good book might be made of scoundrels. I would have a
+ _Biographia Flagitiosa_, the Lives of Eminent Scoundrels from the
+ earliest accounts to the present day."
+
+JAS. CROSSLEY.
+
+ * * * * *
+
+THE TRAVELS OF BARON MUNCHAUSEN.
+
+(Vol. ii., p. 519.; Vol. iii., p. 117.)
+
+Is not your correspondent J. ME. in error when he says the original travels
+of the Baron were written to ridicule Bruce? I think this will only apply
+to the second volume, or "Sequel," seeing that there exists an edition of
+_Gulliver Revived_, printed at Oxford, 1786, four years before Bruce
+published. J. ME. further remarks, that there was at one time reason to
+believe that James Graham was the author of the well-known book in
+question, but that circumstances have come to his knowledge altogether
+precluding the possibility that the author of _The Sabbath_ and _The
+Travels of Baron Munchausen_ are identical.
+
+To me it appears there were _two_ of these James Grahams, and that from
+their being contemporaries, they are usually rolled into one. I have in my
+library a volume containing _Wallace, a Tragedy_, Edinburgh, 1799; and
+_Mary Stewart, Queen of Scots, an Historical Drama_, Edinburgh, 1801, which
+appears to have belonged to Mr. George Chalmers, upon the titles of which
+that gentleman has written, "by James Graham, Advocate, Edinburgh, son of
+T. Graham, a writer of reputation in Glasgow."
+
+From this one would think Mr. Chalmers had the author of _The Sabbath_ in
+his eye: a conclusion, however, difficult to come to in the face of a
+critique which thus characterises the tragedy of _Wallace_:
+
+ "The play is not uninteresting, and the author has exhibited occasional
+ proofs of poetical genius; but there are some passages in the piece
+ that fall little short of blasphemy:"
+
+--a charge which, of course, could never apply to this "lovable" and
+subsequently _reverend_ author of _The Sabbath_, a poem breathing the
+humblest piety, and published only five years after _Wallace_; consequently
+here is, in the author of the tragedy of _Wallace_, another James Graham at
+the service of J. ME., to whom, if his other proofs are strong, the Baron
+may be assigned with more probability.
+
+I may add, taking it for granted that Chalmers was right in claiming these
+two plays for a James Graham, that there is the strongest corroborative
+proof of there being two of the name in the existence of _Mary Stewart, a
+Dramatic Poem_, the acknowledged performance of the author of _The Sabbath_
+(see his _Poems_, 2 vols. 1809), a production differing in title, and
+bearing no resemblance, I should think, to the first named.
+
+While upon the subject, and presuming that the tragedy of _Wallace_ is
+known to J. ME., I may take the opportunity to ask him, as he is _ayont the
+Tweed_, whether there is really any authority for the assertion contained
+in the Abbotsford Library Catalogue, and also in that of Constable's
+Library, sold in 1817, that of this anonymous tragedy of _Wallace_ there
+were _only six copies printed_? Upon the face of mine there is nothing to
+indicate its rarity, it being an octavo, printed for A. Constable; but the
+remarkable book may be some other: your correspondents will, however, I
+dare say, be able to enlighten me.
+
+A COLLECTOR.
+
+_Baron Munchausen_ (Vol. ii., p. 519.).--As it was nearly thirty years
+since I had seen the _Percy Anecdotes_, I was obliged to speak doubtfully
+of {306} having derived from that work the statements that the author of
+_Munchausen_ was a Mr. "M----," and that he was a prisoner in France.
+Accident has within the last few days thrown in my way the very volume of
+the _Anecdotes_ in which this is stated (vol. v., _Anecdotes of Captivity_,
+p. 103.); and I find that I was mistaken only in supposing "M----'s" place
+of confinement to have been the Bastile, whereas the time is said to have
+been the Reign of Terror, and therefore of course the Bastile cannot have
+been the place.
+
+J. C. R.
+
+ * * * * *
+
+
+Replies to Minor Queries.
+
+_Tobacco in the East_ (vol. ii., pp. 155. 231.).--M. D. asks for "chapter
+and verse" of A. C. M.'s reference to Sale's _Koran_ respecting tobacco.
+
+Had A. C. M. recollected that tobacco (_Nicotiana_) is an American plant,
+he would hardly have asked whether "_tobacco_ is the word in the original"
+of the tradition mentioned by Sale in his _Preliminary Discourse_, Sec. 5. p.
+123. (4to. ed. 1734.) Happily Reland, whom Sale quotes (_Dissert.
+Miscell._, vol. ii. p. 280.), gives his authority, the learned orientalist,
+Dr. Sike, who received the Hadeth at Leghorn from Ibn Saleh, a young
+Muselman. It says, in good Arabic, that in the latter days Moslims,
+undeserving of the name, shall drink hashish (hemp), and call it tabak; the
+last words, "_yukal lehn tabaku_," are no doubt a modern addition by those
+who had heard of _tambako_ (the Romaic [Greek: tanpakon]). As the use of
+hashish or _hashishah_ (the herb), more completely _hashishata fukara_,
+i.e. Monk's Wort, a technical term for _hemp_, chewed as a narcotic by
+fakirs (monks), was not known till A.H. 608 (A.D. 1211), it could not be
+mentioned in the Koran unless Mohammed were, as Sale observes, "a prophet
+indeed." _Tabakak_, a plate, dish, or shelf, is now sometimes used by
+ignorant persons in the East for _tambako_, of which a complete account is
+given in the _Karabaden_, or great treatise of Materia Medica in Persian.
+Of that work, there is a beautifully written copy, made, probably, for the
+late Mr. Colebrooke, by whom it was presented to the library of the Royal
+Asiatic Society. I shall conclude by another Query: What is the Greek word
+transformed by Asiatic scribes into _Karabaden_?
+
+ANATOLICUS.
+
+_Captain John Stevens_ (Vol. ii., p. 359.).--This ingenious man, as to whom
+your correspondent inquires, was one of the hard-working translators in the
+early part of the last century. The materials for his biography are very
+scanty. He was a Roman Catholic, and at the Revolution followed the
+fortunes of his abdicating master, in whose service he accepted a
+commission, and accompanied him in the wars in Ireland. He was also
+employed in several other services, and died October 27, 1726. See
+_Biographia Dramatica_, vol. i. p. 691., edit. 1812. He is not noticed in
+Chalmers's _Biographical Dictionary_, though as the continuator of
+Dugdale's _Monasticon_ he unquestionably ought to have been. Watt gives a
+list (_Bib. Brit._, vol. i. p. 880.) of his books and translations; but it
+is, as usual, very defective and erroneous. It does not include his
+translation of _Don Quixote_, of _Dupin_, of _An Evening's Intrigue_ (1707,
+8vo.), and a great number of other works; and it ascribes to him the
+_History of the Wars of Charles XII., King of Sweden_, London, 1715, which
+was written, as it needs no great sagacity to discover, by Daniel Defoe,
+though Chalmers and Wilson have not noticed it.
+
+JAMES CROSSLEY.
+
+_MS. Catalogue of Norman Nobility_ (Vol. iii., p. 266.).--The MS. Catalogue
+of Norman Nobility referred to in No. 75., a document of great value, is or
+was in the possession of Sir William Betham, having been purchased by him
+about six years ago, from Mr. Boone, of New Bond Street.
+
+Your correspondent will find that Odardus de Loges was infeoffed by Earl
+Ranulph the 1st in the barony of Wigton in Cumberland, in which he was
+confirmed by Henry I. Bigod, whose name was attached to the charter of
+foundation of St. Werburg's Abbey, is elsewhere, according to Ormerod,
+called Robert.
+
+M. J. T.
+
+_Illustrations of Chaucer, No. III._ (Vol. iii., p. 258.).--
+
+ "_Fro Venus_ VALANUS _might this palais see._"
+ (or) volant
+ ? Might Venus, _volans_ fro this palais, see.
+ (flying)
+
+[Greek: Phos].
+
+_Comets_ (Vol. iii., pp. 223. 253.).--If your correspondent S. P. O. R.
+wish to go fully into the history of comets, and be not alarmed at the
+prospect of three thick folios, through which I have gone, I can assure
+him, with considerable interest, let me recommend to him _Theatrum
+Cometicum, Auctore Stanislao Lubienietz Lubieniecio Rolitsio_, Amst., in 2
+vols. (but generally bound in three) folio. The first contains an immense
+correspondence, not merely with astronomers, but with poets, critics,
+physicians, and philosophers, to whom the indefatigable editor wrote for
+their opinions on the subject of comets. The second vol. gives a history of
+comets from the Deluge to 1665, and is a repository of everything bearing
+upon the subject. From this work Bayle derived his learning, when he wrote
+his most amusing work on comets.
+
+JAMES CROSSLEY.
+
+_Pope Joan_ (Vol. iii., p. 265.).--NEMO will find much information on the
+question, "Whether Pope Joan ever held the keys of St. Peter?" in Alexander
+Cooke's _Dialogue between a Protestant and a Papist; manifestly proving
+that a Woman_ {307} _called Joane was Pope of Rome: against the surmises
+and objections made to the contrary by Robert Bellarmini and Caesar
+Baronius, Cardinals, Florimondus Raemondus, and other Popish Writers,
+impudently denying the same_, 4to, pp. 128, 1610. The work was dedicated to
+the Archbishop of York, and was reprinted in 1625 in 4to., and in French,
+1633, 8vo. The author, in his address _To the Popish Reader_, says:
+
+ "_I offer unto thee here a discourse touching_ POPE JOANE _(if thou
+ darest read it, for fear of falling into thy Pope's curse), whose
+ Popedome I will make good unto thee, not by the testimonies of_
+ Pantaleon, _and_ Functius, _and_ Sleidan, _and_ Illyricus, _and_
+ Constantinus Phrygio, _and_ John Bale, _and_ Robert Barnes, _because
+ thou hast condemned their persons, and their books too, to hell; but by
+ the testimonies of thy brethren, the sonnes of thine own mother;
+ because, as one saith_, 'Amici contra amicum, et inimici pro inimico,
+ invincibile testimonium est.'"
+
+E. C. HARINGTON.
+
+The Close, Exeter.
+
+_Abbot Eustacius_ (Vol. iii., p. 141.).--As J. L.'s inquiry after an abbot
+of that name has hitherto been unsuccessful, perhaps he would like to know
+that Eustacia was abbess of the monastery at Shaftesbury (founded by King
+Alfred), tempore incerto, but probably in the time of Stephen. See Willis's
+_History of Abbeys_, and a _History of the Ancient Town of Shaftesbury_, p.
+21.
+
+BLOWEN.
+
+_The Vellum-bound Junius_ (Vol. iii., p. 262.).--In the Minor Queries of
+your Number 75., you have kindly inserted my notice on the vellum-bound
+_Junius_. I beg to state further, that the reason of my being so desirous
+to procure this copy at the Stowe sale was, that it was not only bound in
+vellum, but was also _printed_ on that article. If any of your
+correspondents can inform me of another copy _printed_ on vellum, I should
+be glad.
+
+W. D. HAGGARD.
+
+Bank of England, April 5, 1851.
+
+_Meaning of Waste-Book_ (Vol. iii., pp. 118. 195. 251.).--Among a list of
+"the books printed for, and are to be sold by John Hancock, at the sign of
+the Three Bibles in Pope's-head Alley, in Cornhill," I find _The Absolute
+Accountant, or London Merchant_, containing instructions and directions for
+the methodical keeping of merchant's accounts, after the most exact and
+concise way of debtor and creditor; also a _Memorial_, vulgarly called a
+waste-book, and a cash-book, with a journal and a ledger, &c., 1670. This
+is the first reference I have seen to the correct designation of the book,
+which might have received it vulgar name of _waste_ from wast, the second
+person of _was_--thus the Memorial or the Wast-book.
+
+BLOWEN.
+
+_Cowdray_ (Vol. iii., p. 194.).--There is a misprint here of _Eastbourne_
+for _Easebourne_. There is a curious note on Cowdray, and the superstition
+attached to it, in Croker's _Boswell_, p. 711. 8vo. edit.
+
+C.
+
+_Solemnisation of Matrimony_ (Vol. ii., p. 464.).--A. A. will find, from
+Blackstone's _Commentaries_, vol. ii. p. 135., that in feudal times a
+husband had the power of protecting his lands from the wife's claim to
+dower, by endowing her, _ad ostium Ecclesiae_, with specific estates to the
+exclusion of others; or, if he had no lands at the time of the marriage, by
+an endowment in goods, chattels, or money. When special endowments were
+thus made, the husband, after affiance made and troth plighted, used to
+declare with what specific lands he meant to endow his wife ("_quod dotat
+eam de tali manerio_," &c.); and therefore, in the old York ritual (_Seld.
+Ux. Hebr._ l. ii. c. 27.) there is at this part of the matrimonial service
+the following rubric--"_Sacerdos interroget dotem mulieris; et si terra ei
+in dotem detur, tunc dicatur psalmus iste_", &c. When the wife was endowed
+_generally_, the husband seems to have said "with all my lands and
+tenements I thee endow," and then they all became liable to her dower. When
+he endowed her with personalty only, he used to say, "with all my worldly
+goods (or, as the Salisbury ritual has it, "with all my worldly chattels")
+I thee endow," which entitled the wife to her thirds, or _pars
+rationabilis_, of his personal estate, which is provided for by Magna
+Charta, cap. 26. The meaning, therefore, of the words noticed in A. A.'s
+Query, if they can be said to have any meaning in the present state of the
+law, is simply that the wife's dower is to be general, and not specific,
+or, in other words, that she is to have her _pars rationabilis_ in _all_
+her husband's goods.
+
+J. F. M.
+
+_Epitaph on the Countess of Pembroke_ (Vol. iii., p. 262.).--Although
+J. H. M. has concluded that William Browne was not the author of this
+epitaph, because it is not to be found amongst his _Pastorals_, it would
+nevertheless appear that the lines are rightly attributed to him, if the
+following extract may be relied on:
+
+ "The well-known epitaph of the celebrated Countess of Pembroke, the
+ sister of Sir Philip Sidney, has been generally ascribed to Ben Jonson.
+ The first stanza is printed in Jonson's poems; but it is found in the
+ manuscript volume of poems by William Browne, the author of
+ _Britannia's Pastorals_, preserved in the Lansdown Collection, British
+ Museum, No. 777., and on this evidence may be fairly appropriated to
+ him, particularly as it is known that he was a great favourite with
+ William, Earl of Pembroke, son of the Countess."--_Relics of
+ Literature_: London, Boys, 1823, p. 60.
+
+ALFRED GATTY.
+
+_Scandal against Queen Elizabeth_ (Vol. ii., p. 393.; Vol. iii., pp. 11.
+151. 197. 225.).--Your correspondents seem to have overlooked the
+celebrated {308} letter of Queen Mary of Scotland, printed in the _State
+Trials_, and lately reprinted by Lord Campbell in his _Lives of the
+Chancellors_, tit. Sir C. Hatton. I may as well add (though I do not
+believe the fact) that my grandmother (herself a Devereux) repeated to me
+the tradition of a son of Queen Elizabeth's having been sent to Ireland.
+
+C.
+
+_The Tanthony_ (Vol. III., pp. 105. 229.).--I am obliged to A. for the
+trouble he has taken in reference to my Query; but perhaps I may be correct
+in my suggestion, for on looking into the second volume of the
+_Archaeological Journal_ the other day, I accidentally found an account of
+the discovery of a figure of St. Anthony at Merthyr, near Truro, in which
+it is mentioned that
+
+ "Under the left arm appears to have passed a staff, and the pig, with
+ _a large bell_ attached to its neck, appears in front of the
+ figure."--P. 202.
+
+I shall be much obliged to anybody who will settle the point
+satisfactorily. The fair held on old St. Andrew's Day is always called in
+Kimbolton and the neighbourhood "Tandrew" fair, so why not "Tanthony" for
+"Saint Anthony?"
+
+ARUN.
+
+_The Hippopotamus_ (Vol. iii., p. 181.).--Your correspondent MR. E. S.
+TAYLOR will find in Vol. ii, p. 458, an example of the word [Greek:
+hippopotamos] cited from Lucian, a writer anterior both to Horapollo and
+Damascius. In the same page is a reference to the story of the wickedness
+of the hippopotamus in Plutarch; so that Horapollo and Damascius,
+doubtless, borrowed from a common source, or repeated a current fable, to
+be found in many writings then extant.
+
+L.
+
+_Tu Autem_ (Vol. iii., p. 265).--The words "Tu autem, Domine, miserere
+nostri," "But Thou, O Lord! have mercy upon us," were originally a form of
+prayer used by the preacher at the end of his discourse, as a supplication
+for pardon for any sinful pride or vainglory, into which he might have been
+betrayed in addressing his congregation. Hence the words "tu autem," as
+Pegge properly says, came to denote a hint to the reader to leave off.
+
+The custom is still in constant use among the members of the cathedral
+church of Durham. At the public dinners given by the canons, in what is
+there called "hospitality residence," one of the choristers comes in after
+dinner, dressed in his official costume, and, taking his station behind the
+canon in residence, reads, in the manner which is now well known as
+_intoning_, eight verses of the 119th Psalm, first saying, "Here beginneth
+the ---- part of the 119th Psalm."
+
+When the eight verses are concluded, the canon turns round to the
+chorister, saying "tu autem," giving him a shilling; to which the chorister
+replies, "Domine miserere nostri," and retires.
+
+The explanation of the words, as originally employed, is given by Rupertus
+_De Divinis Officiis_, lib. i. c. xiv.:
+
+ DE "TU AUTEM DOMINE."
+
+ "Quodque in fine dicit, 'Tu autem Domine miserere nostri,' hoc innuit,
+ ne ipsum quidem bonum officium praedicandi sine alicujus vel levis culpae
+ pulvere possa pagi. Nam, ut ait B. Augustinus, 'Verbum praedicationis
+ securius auditur quam dicitur. Praedicator quippe cum bene dicere se
+ sentit, difficile nimis est ut non quantulumcunque spiritu elationis
+ tangat; et quia quasi per terram ambulat et pedes ejus pulvere
+ sordidantur, idcirco misericordia Dei indiget, ut in hac parte lavetur,
+ etiamsi mundus sit totus.'"
+
+From this explanation it is plain, that the Monk of St. Albans, writing to
+the abbot--
+
+ "Si vis, veniam; Sin autem, tu autem,"
+
+would be understood to express--
+
+ "If you wish, I will come; but if otherwise, there is an end of the
+ matter."
+
+T. C.
+
+Durham, April 8. 1851.
+
+_Places called Purgatory_ (Vol. iii., p. 241.).--There is a farm-house
+still called "Purgatory," about two miles south of Durham, east of the
+London road, and close to the left bank of the river Wear. The farm is part
+of the estate of a highly respectable family, which has, I believe, always
+been Roman Catholic. No reason for the name is known in the neighbourhood.
+
+T. C.
+
+Durham, April 8. 1851.
+
+_Swearing by Swans, &c._ (Vol. ii., p. 392.; Vol. iii., pp. 70. 192.).--In
+addition to what has already appeared on this subject, the following
+extract from Tyrwhitt's _Glossary to Chaucer_ will, I hope, be acceptable.
+
+ "Ale and Bred. This oath of Sire Thopas on ale and bred was perhaps
+ intended to ridicule the solemn vows, which were frequently made in the
+ days of chivalrie, to a peacock, a pheasant, or some other _noble
+ bird_."--See M. de Sainte Palaye, _Sur l'anc. Cheval._, Mem. iii^{me}.
+
+This practice is alluded to in "Dunbar's Wish that the King were Johne
+Thomsonnis man" (MS. Maitland, st. v.):
+
+ "I would gif all that ever I have
+ To that condition, so God me saif,
+ That ye had VOWIT TO THE SWAN
+ Ane yeir to be John Thomsonnis man."
+
+And so in the _Prol. to the Contin. of the Canterb. T._, ver. 452., the
+Hosteler says:
+
+ "I MAKE A VOWE TO THE PECOCK, ther shall wake a foule mist."
+
+The instance given in Vol. iii., p. 192., is recorded by Monstrelet, _Hist.
+de France, Charles VII._
+
+T. J.
+
+_Edmund Prideaux and the Post-office_ (Vol. iii., pp. 186. 266.).--In a MS.
+on parchment, now {309} before me, are contained entries of the dates of
+the various letters patent and grants connected with the post-office, to
+the latter end of the reign of Charles I., and the names of the persons to
+whom the grants were made. The earliest date is the 37th of Henry VIII.,
+and the last the 13th of Charles I. If an extract from the MS., which gives
+a similar index to the appointments in the Courts of Law, the Customs, the
+Forests, and a great variety of other offices, will assist your
+correspondent, I shall be happy to supply it. I may notice, what seems to
+have been overlooked by your two correspondents who have replied to the
+inquiry, that some account of Prideaux is given by Wood (Vid. _Fast._ vol.
+i. p. 424., edit. Bliss), from which it appears that he was M.A. of
+Cambridge, Member of the Inner Temple, Member of Parliament for Lyme in
+Dorsetshire, and Recorder of Exeter; and that his death took place on the
+19th Aug., 1659 (misprinted 1569 in this edit.), and that--
+
+ "From his employments gaining a vast estate, he left at the time of his
+ death an incredible mass of gold (as the credible report then went),
+ besides lands of very great demesnes."
+
+JAS. CROSSLEY.
+
+_Small Words and "Low" Words_ (Vol. ii., pp. 305. 349. 377.).--Apropos to
+Pope's use of "low words," in the sense of _short_ words, conf. Boileau,
+satire iv. 97. 8.
+
+[Illustration]
+
+ "Lui faisant voir ses vers et sans force et sans graces,
+ Montes sur deux grands mots, comme sur deux echasses."
+
+On which one of his commentators makes the following note:
+
+ "Boileau, pour se moquer des mots gigantesques, citoit ordinairement ce
+ vers de Chapelain:
+
+ 'De ce sourcilleux roc l'inebranlable cime.'
+
+ Et il disposoit ce vers comme il est ici a cote. Dans cette disposition
+ il semble que le mot 'roc' soit monte sur deux echasses.'
+
+I commend to [Phi].'s attention this instance of a "low" word supported on
+two "high" ones.
+
+K. I. P. B. T.
+
+_Lord Howard of Effingham_ (Vol. iii., pp. 185. 244.).--It has been
+supposed that the Earl of Nottingham was a Catholic, and having held office
+in the reign of Queen Mary, he probably was so at that time; but he
+certainly was a Protestant during the reign of Queen Elizabeth, and in the
+beginning of James I. was at the head of a commission to discover and expel
+all Catholic priests. (Vide _Memorials of the Howard Family_.)
+
+R. R. M.
+
+_Obeahism.--Ventriloquism_ (Vol. iii., pp. 59. 149.).--T. H. will find, in
+the authorities given below, that Obeahism is not only a rite, but a
+religion, or rather superstition, viz. _Serpent-worship_. _Modern Universal
+History_, fol. vol. vi. p. 600.; 8vo. vol. xvi. p. 411.; which is indebted
+for its information to the works of De Marchais, Barbot, Atkyns, and
+Bosman: the last of which may be seen in Pinkerton's _Collection_, vol.
+xvi., and a review of it in _Acta Eruditor._, Lips. 1705, p. 265., under
+the form of an "Essay on Guinea." In Astely's _Collection of Voyages_,
+there is an account compiled from every authority then known, and a very
+interesting description of the rites and ceremonies connected with this
+superstition. According to the same authors, the influence of the Obeist
+does not depend on the exercise of any art or natural magic, but on the
+apprehensions of evil infused into his victim's mind. See also Lewis's
+_Journal of a Residence among the Negroes in the West Indies_.
+
+The following references will furnish a reply at once to two Queries; to
+that here noticed, and to that on "Ventriloquism" (Vol. ii., p. 88.).
+
+The name of the sacred serpent, which in the ancient language of Canaan was
+variously pronounced, was derived from "ob" (inflare), perhaps from his
+peculiarity of inflation when irritated. See Bryant's _Analysis_, vol. i.;
+Deane's _Worship of the Serpent_, p. 80. From a notion of the mysterious
+inflation produced by the presence of the divine spirit, those who had the
+spirit of Ob, or Python, received the names of Ob, or Pythia; according to
+the not unusual custom for the priest or priestess of any god to take the
+name of the deity they served. See Selden, _De Dis Syris_, Synt. 1. c. 2.
+It is a curious coincidence, that as the Witch of Endor is called "Oub,"
+and the African sorceress "Obi," from the serpent-deity _Oub_, so the old
+English name of a witch, "hag," bears apparent relationship to the word
+_hak_, the ancient British name of a species of snake. In Yorkshire,
+according to Stukeley, they call snakes "hags" and "hag-worms," (Abury, p.
+32.).
+
+In the Breton language, _Belech_ is "Priest," and may similarly indicate a
+priest of Bel-the-Dragon.
+
+From the Hebrew _Ob_, the Greek [Greek: ophis] was probably derived; for
+the same word, in Hebrew, Arabic, and Greek, which denotes "divination"
+denotes a "serpent." "Nachash,"[4] "ilahat,"[5] "[Greek: oionizesthai],"[6]
+have the same double signification as if the serpent were recognised as the
+grand inspirer of the heathen prophets. See Faber's _Horae Mosaicae_, vol. i.
+p. 98.
+
+The word "Ob" was translated by the LXX. [Greek: engastrimuthos], "a
+ventriloquist," in {310} accommodation to the received opinions respecting
+the Pythian priestess. See the Notes to Creech's _Lucretius_, book v.;
+Jones's (of Nayland) _Physiolog. Disquis._ p. 290. The deception practised
+by the Witch of Endor, and by the damsel mentioned in Acts xvi. 16., was of
+this description. See Wierus de _Praestig. Daemon._ p. 203.; and Reginald
+Scot's _Discoverie of Witchcraft_, p. 148.
+
+The serpent, which with heathen mythologists had various acceptations (see
+Vossius, _Theologia Gent. et Physiologia Christ._), was also understood as
+a natural symbol or hieroglyphic of the air. Can any of your learned
+correspondents furnish materials illustrative of this figurative relation
+between the serpent and the elements?
+
+T. J.
+
+[Footnote 4: See Parkhurst.]
+
+[Footnote 5: Dickinson's _Delphi Phoenic._, p. 10.]
+
+[Footnote 6: Stillingfleet's _Orig. Sacrae_, book iii. c. iii. s. 18.]
+
+_Meaning of Peep_ (Vol. ii., p. 118.).--You have already told us the
+meaning of the word _peep_ in the phrase "Wizards that _peep_ and that
+mutter;" in confirmation I may add that the noise made by the queen bee in
+the hive previous to swarming is in Devonshire called _peeping_.
+
+J. M. (4.)
+
+_Venwell or Venville_ (Vol. iii., p. 38.).--_Venwell_ or _Venville_ appears
+to me to be a corruption of the word _fengfield_; and the meaning of it
+seems to be, that custom of delivering possession of land to a purchaser by
+cutting a piece of turf from the field bought, and delivering it into his
+hands.
+
+I well remember, when a boy, accompanying my father to receive possession
+of an outlying field, distant from the main estate which he had bought; the
+seller's agent, I think, came with us and cut a small piece of turf from
+the ground, and delivered it into my father's hands, saying (if I recollect
+right), "By this turf I deliver this field into your possession." By this
+means my father "_fenged_" (took) the "_field_" into his own hands, and
+became the legal proprietor of it.
+
+P.
+
+_Venville._--The peat or black earth of Dartmoor is still called _ven_ or
+_fen_. Is it not more probable that the adjoining parishes (or parts of
+them) are said to be in Venville or fengfield, from their being within the
+peat district, than that an abbreviation of a legal term, _fines
+villarum_--_fin. vil._, should become naturalised among the peasantry, as
+is the case with the word Venville?
+
+The second part of the word seems akin to the Scottish _fail_, "a turf, or
+that clod covered with grass cut off from the rest of the sward."
+(Jamieson.)
+
+K.
+
+_Hand-bells at Funerals_ (Vol. ii., p. 478.).--In the _Testamenta
+Eboracensia_, p. 163., Johannes Esten de Scardeburgh, le Ankersymth,
+bequeaths 2d.--
+
+ "Clerico ecclesiae pro pulsacione campanarum, et le belman portand'
+ campanam per villam excitandum populum ad orandum."
+
+A hand-bell (as I am informed by a Roman Catholic gentleman) often precedes
+the Host, when carried in procession to the sick, &c., in order to clear
+the way, and remind passengers of the usual reverence paid at such times.
+
+B.
+
+Lincoln.
+
+_Shillings and Sixpences of George III._ (Vol. iii., p. 275.).--R. W. C.
+has fallen into a misconception in supposing that these coins present an
+erroneous spelling of the Latinized style of the monarch, whilst the
+contemporary crowns and half-crowns have the correct orthography. The
+spelling of the legend on the sixpences and shillings was intentional, and
+with a meaning, being inscribed in an abridged form--GEOR: III. D: G:
+BRITT: REX F: D:--the reduplication of the T was designed, after classical
+precedent, to represent the plural _Britanniarum_, i.e., Great Britain and
+Ireland.
+
+N.
+
+_Odour from the Rainbow_ (Vol. iii., p. 224.).--I hope that I have found
+JARLTZBERG'S note in the following lines:
+
+ "Like to that smell which oft our sense descries
+ Within a field which long unploughed lies,
+ Somewhat before the setting of the sun;
+ And where the rainbow in the horizon
+ Doth pitch her tips; or as when in the prime,
+ The earth being troubled with a drought long time,
+ The hand of heaven his spongy clouds doth strain,
+ And throws into her lap a shower of rain;
+ She sendeth up (conceived from the sun)
+ A sweet perfume and exhalation."
+ Browne, _Britannia's Pastorals_, Book i. Song 2.
+ [Clarke's Cabinet Series, 1845, p. 70.]
+
+C. FORBES.
+
+_Odour from the Rainbow._--The following stanzas are from a poem, called
+"The Blind Girl," in a publication by Pickering, 1845, of _Memorials of a
+Tour, and Miscellaneous Poems_, by Robert Snow, Esq. Lond., 1845:--
+
+ "Once in our porch whilst I was resting,
+ To hear the rain-drops in their mirth,
+ You said you saw the rainbow cresting
+ The heavens with colour, based on earth:
+
+ And I believe it fills the showers
+ With music; and when sweeter air
+ Than common breathes from briar-rose bowers,
+ Methinks, the Rainbow hath touched there."
+
+ [We have reason to believe that the idea was suggested to Mr. Snow
+ neither from Bacon's _Sylva_, nor from any of our English poets, but
+ from a Greek writer after the Christian era, referred to by Coleridge
+ in his _Table Talk_.]
+
+ * * * * *
+
+
+Miscellaneous.
+
+NOTES ON BOOKS, SALES, CATALOGUES, ETC.
+
+Mr. Hepworth Dixon, who is already favourably known as the author of a
+_Life of Howard_, has just published _William Penn, an Historical
+Biography_. It is unquestionably a book of considerable talent; and even
+those who may be most inclined to dissent from the {311} author's views of
+the political principles of the Quakers (and we suspect many of the Quakers
+themselves will be found among that number), will admit that in treating
+him not as a mere Quaker, as preceding biographers had been too much
+disposed to do, but as "a great English historical character--the champion
+of the Jury Laws--the joint leader, with Algernon Sidney, of the
+Commonwealth men--the royal councillor of 1684-8--the courageous defender
+of Free Thought--the founder of Pennsylvania"--Mr. Dixon has succeeded in
+the task which he had proposed to himself, namely, that of transforming
+William Penn "from a myth into a man." His vindication of this great man
+from what he designates "The Macaulay Charges" would not, however, have
+lost one iota of its efficiency, had it been couched in somewhat more
+measured terms.
+
+Mr. Murray announces _The Grenville Papers; being the Private
+Correspondence of Richard Grenville Earl Temple, his brother George
+Grenville, their Friends and Contemporaries_, as in the press. It will
+contain some letters from Junius, and Mr. Grenville's Diary, particularly
+during his premiership, from 1763 to 1765. The fifth and sixth volumes of
+Lord Mahon's _History of England from the Peace of Utrecht_ are also at
+press.
+
+Lady Theresa Lewis is nearly ready with a work which cannot but be of great
+interest. It is entitled _Lives of the Friends and Contemporaries of Lord
+Chancellor Clarendon, illustrative of Portraits in his Gallery; with an
+Account of the Origin of the Collection; and a descriptive Catalogue of the
+Pictures_. It will form two volumes, and be accompanied by illustrative
+portraits.
+
+Mr. Colburn announces a new library edition of Miss Strickland's _Lives of
+the Queens of England_. Although revised and considerably augmented by new
+materials which have been placed at Miss Strickland's disposal since the
+appearance of the earlier impressions of her book, this edition is to be
+comprised in eight monthly volumes.
+
+BOOKS RECEIVED.--_The Buried City of the East: Nineveh._ A popular view of
+the discovery of the remains of the great city, compiled principally from
+Botta, and illustrated with numerous woodcuts, affords information enough,
+perhaps, for those who may be unable to consult the stirring narrative of
+Layard himself, but must send to his pages a great number of readers, in
+whom it can only serve to waken a lively interest in this great triumph of
+individual perseverance.--_The Iliad of Homer, literally translated, with
+explanatory Notes_, by T. A. Buckley, B.A., is the new volume of Bohn's
+_Classical Library_; and the Editor expresses his hopes "that it will be
+found to convey, more accurately than any which has preceded it, the words
+and thoughts of the original." The work has obviously been executed with
+great care; and the notes, though brief, are to the point.
+
+CATALOGUES RECEIVED.--John Miller's (43. Chandos Street) Catalogue No. XXI.
+of Books Old and New; J. Russell Smith's (4. Old Compton Street) Catalogue
+Part III. of Choice Useful and Curious Books, English and Foreign; and
+Catalogue of a singular Collection of 25,000 Ancient and Modern Tracts and
+Pamphlets, Part II.
+
+ * * * * *
+
+BOOKS AND ODD VOLUMES WANTED TO PURCHASE.
+
+ CLARE'S RURAL MUSE
+
+ PASSIONAEL EFTE DAT LEVENT DER HEILIGEN. Folio. Basil, 1522.
+
+ CARTARI--LA ROSA D'ORO PONTIFICIA. 4to. Rome, 1681.
+
+ BROEMEL, M. C. H., FEST-TANZEN DER ERSTEN CHRISTEN. Jena, 1705.
+
+*** Letters stating particulars and lowest price, _carriage free_, to be
+sent to MR. BELL, Publisher of "NOTES AND QUERIES," 186. Fleet Street.
+
+ * * * * *
+
+
+Notices To Correspondents.
+
+_Among many articles of great interest which are in type, but unavoidably
+postponed until next Saturday, the fourth and last in the month, when we
+shall consequently publish a double number, are Shakspeare and Fletcher, by
+Mr. Hickson--Illustrations of Chaucer, No. IV.--Illustrations of
+Tennyson--Sallust and Tacitus--Haybands in Seals, by Mr. Lower, Mr. Burtt,
+and L. B. L.--North Side of Churchyards--Sir F. Kynaston's Academy, by Dr.
+Rimbault--and several very important communications on the proposed_
+MONUMENTARIUM ANGLICANUM.
+
+S. J. R. _is referred to our First Volume, p. 467., for information on the
+subject of May Marriages being unlucky_.
+
+AN OLD BOY. _We will do our best to follow the good advice so pleasantly
+given; but he has little knowledge of the difficulty of pleasing all--to
+say nothing of our editorial selves. For instance, in the case to which has
+has referred in our Second Volume, we have ascertained that the second
+article was in type before the one which precedes it had reached us._
+
+H. K. G. S. _Received with great regret. We believe we best consulted the
+respect due to our correspondent by the course we followed, as we are
+certain that we adopted it with the best intentions towards him._
+
+_We are this week compelled to go to press one day earlier than usual; we
+have to request the indulgence of our correspondents for the omission of
+our usual_ LIST OF REPLIES RECEIVED, _and for not replying until next week
+to several inquiries which have been addressed to us_.
+
+VOLS. I. _and_ II., _each with very copious Index, may still be had, price
+9s. 6d. each_.
+
+NOTES AND QUERIES _may be procured, by order, of all Booksellers and
+Newsvenders. It is published at noon on Friday, so that our country
+Subscribers ought not to experience any difficulty in procuring it
+regularly. Many of the country Booksellers, &c., are, probably, not yet
+aware of this arrangement, which will enable them to receive_ NOTES AND
+QUERIES _in their Saturday parcels_.
+
+_All communications for the Editor of_ NOTES AND QUERIES _should be
+addressed to the care of_ MR. BELL, No. 186. Fleet Street.
+
+ * * * * *
+
+
+In royal 8vo., with numerous illustrations, price 1l. 8s.
+
+THE ARCHAEOLOGY and PRE-HISTORIC ANNALS OF SCOTLAND. By DANIEL WILSON.
+
+ "Many reflections are suggested by this beautiful volume, which is one
+ of the most interesting, learned, and elegant works we have seen for a
+ long time. * * * We commend it to every reader of taste and
+ judgment."--_Westminster Review._
+
+SUTHERLAND and KNOX, Edinburgh: SIMPKIN, MARSHALL, and CO.; and J. H.
+PARKER, London.
+
+ * * * * *
+
+
+Valuable Library and MSS. Antiquities and Miscellaneous Objects.
+
+PUTTICK AND SIMPSON, Auctioneers of Literary Property, will SELL by
+AUCTION, at their Great Room, 101, Piccadilly, on WEDNESDAY, April 23, and
+Three following Days, the LIBRARY of a Gentleman, consisting of Modern
+Useful Books, together with some articles of considerable Rarity, a First
+Edition of Cocker's Arithmetic (but one other known); numerous
+Bibliographical Works, important Collection of MSS., relating to
+Warwickshire, Oxfordshire, London, Lancashire, Somersetshire, Suffolk, and
+other Places; Charters, Epistolae S. Paula MS. of the Tenth Century, &c.
+Catalogues will be sent on application.
+
+ * * * * *
+
+
+{312}
+
+Just published, price 2s. 6d. in cloth,
+
+AN ETYMOLOGICAL DICTIONARY OF SCRIPTURE NAMES, ACCENTED AND EXPLAINED; with
+Copious Illustrative Notes, and Introductory Observations on the Origin of
+Language and Proper Names, &c. By W. G. HIRD.
+
+Recommended by the Rev. Drs. Eadie, Forbes, Hannah, Hill, Acworth, and
+Godwin; Revs. Daniel Walton, W. Bird, J. D. Brocklehurst, T. Rowland,
+Jonathan Glyde, J. G. Miall, W. Cooke, &c. &c.
+
+London: HAMILTON, ADAMS, and CO.; SIMPKIN and MARSHALL. Edinburgh: OLIVER
+and BOYD. Glasgow: G. GALLIE. Manchester: FLETCHER and TUBBS. Bradford,
+Yorks.: DALE and BYLES.
+
+ * * * * *
+
+
+WESTERN LIFE ASSURANCE AND ANNUITY SOCIETY, 3. Parliament Street, London.
+
+VALUABLE NEW PRINCIPLE.
+
+Payment of premiums may be occasionally suspended without forfeiting the
+policy, on a new and valuable plan, adopted by this society only, as fully
+detailed in the prospectus.
+
+ A. SCRATCHLEY, M.A.,
+
+Actuary and Secretary; Author of "Industrial Investment and Emigration;
+being a Second Edition of a Treatise on Benefit Building Societies, &c."
+Price 10s. 6d.
+
+London: J. W. PARKER, West Strand.
+
+ * * * * *
+
+
+THE CAMDEN SOCIETY for the Publication of Early Historical and Literary
+Remains.
+
+THE ANNUAL GENERAL MEETING will be held at the Freemason's Tavern, Great
+Queen Street, on Friday the 2nd of May, at Four o'Clock precisely; the LORD
+BRAYBROOKE, the President, in the Chair.
+
+ WILLIAM J. THOMS, Secretary.
+
+The following are the Publications of the Society for the year 1850-1.
+
+I. A SELECTION FROM THE WILLS Preserved in the Will Office at Bury St.
+Edmund's. Edited by SAMUEL TYMMS, Esq.
+
+II. WALTER MAPES "DE NUGIS CURIALIUM." A Treatise on the Political Affairs
+of his Time, written in 1181. Edited by THOMAS WRIGHT, Esq., M.A.
+
+III. SIR RICHARD GUYLFORDE'S PILGRIMAGE TO THE HOLY LAND, A.D. 1506. Edited
+from a copy believed to be unique from the press of Richard Pynson, by SIR
+HENRY ELLIS, K.H., Sec. S. A.
+
+The Subscription to the Society of 1l. per annum which becomes due on the
+1st of May.
+
+Communications from Gentlemen desirous of becoming Members may be addressed
+to the Secretary; or to Messrs. NICHOLS, No. 25. Parliament Street,
+Westminster, by whom the Subscriptions of all Members resident in London
+are received.
+
+ * * * * *
+
+
+THE QUARTERLY REVIEW, No. CLXXVI., is just published.
+
+ CONTENTS:
+ 1. POULTRY LITERATURE.
+ 2. WOMEN IN FRANCE--MADAME DE MAINTENON.
+ 3. JULIUS CAESAR--MERIVALE'S ROMAN HISTORY.
+ 4. THE REPUBLIC IN THE KING'S COACHES.
+ 5. SANITARY MOVEMENT--CENTRALIZATION.
+ 6. LIVES OF CALVIN. By DYER, &c.
+ 7. LORD HOLLAND'S REMINISCENCES.
+ 8. LORD JOHN RUSSELL.
+
+
+JOHN MURRAY, Albermarle Street.
+
+ * * * * *
+
+
+DR. MAITLAND'S ERUVIN--SECOND EDITION.
+
+In small 8vo., price 5s. 6d.
+
+ERUVIN; or MISCELLANEOUS ESSAYS on Subjects connected with the NATURE,
+HISTORY, and DESTINY of MAN.
+
+By the Rev. S. R. MAITLAND, D.D., F.R.S., and F.S.A.
+
+RIVINGTONS, St. Paul's Church Yard, and Waterloo Place;
+
+ Of whom may be had, by the same Author,
+
+1. ESSAYS on the REFORMATION in ENGLAND. 15s.
+
+2. ESSAYS on the DARK AGES. Second Edition. 12s.
+
+ * * * * *
+
+
+ORIGINAL LETTERS ON THE CHURCH IN IRELAND.
+
+In post 8vo., price 10s. 6d.
+
+ORIGINAL LETTERS and PAPERS in ILLUSTRATION of the HISTORY of the CHURCH in
+IRELAND, during the Reigns of Edward VI., Mary, and Elizabeth.
+
+Edited, with Notes, from Autographs in the State-Paper Office,
+
+ By EVELYN PHILIP SHIRLEY, ESQ., M.A.
+
+RIVINGTONS, St. Paul's Church Yard, and Waterloo Place.
+
+ * * * * *
+
+
+MAPS AND ATLASES of the SOCIETY FOR THE DIFFUSION OF USEFUL KNOWLEDGE,
+Published by C. Knight, 90. Fleet Street.
+
+ATLAS COMPLETE, with Index, 212 Maps, plain, in 1 vol., half morocco or
+russia, 6l. 7s. Coloured, 1 vol., half morocco or russia. 9l. 14s.
+
+LIBRARY ATLAS, 161 Maps, 1 volume, plain, 5l. 5s.; coloured, 7l. 7s.
+
+FAMILY ATLAS, 54 Maps, plain, 2l. 2s.; coloured 2l. 16s.
+
+SCHOOL ATLAS, MODERN and ANCIENT, 39 Maps, plain, 1l. 3s.; colored, 1l.
+13s.
+
+OUTLINE MAPS, FOR LEARNERS, Part I., 12 Maps, 4s.; Part II., 8 Maps, 3s.
+
+SINGLE MAPS, plain, 6d. each; coloured, 9d.
+
+MAP OF LONDON, for the convenience of VISITORS to the EXHIBITION, plain,
+1s.; coloured, 1s. 6d.; bound in cloth, 3s.
+
+The whole of the Maps are corrected to the present time, and a Prospectus,
+with full particulars, will be forwarded post-free on application to the
+Publisher, 90. Fleet Street.
+
+ * * * * *
+
+
+Just published, foolscap 8vo., cloth with Steel Engraving, price 4s. 6d.
+
+THE FAIRY GODMOTHERS and other Tales. By Mrs. ALFRED GATTY.
+
+London: GEORGE BELL, 186. Fleet Street.
+
+ * * * * *
+
+
+A New Edition, 24mo., price 5s., of
+
+KEMPIS DE IMITATIONE CHRISTI, et Contemptu Mundi, omniumque ejus vanitatum,
+Libri IV. Codex De Advocatis Seculi xiii. With Life by CHARLES BUTLER.
+
+WILLIAM PICKERING, 177. Piccadilly.
+
+ * * * * *
+
+
+A New Edition, 8vo., with Frontispiece, "Ecce Homo," engraved by Robinson,
+after a Painting by Guercino, 9s.,
+
+OF the IMITATION of JESUS CHRIST.
+
+Translated from the Latin original, ascribed to THOMAS A KEMPIS. By T. F.
+DIBDIN, D.D.
+
+WILLIAM PICKERING, 177. Piccadilly.
+
+ * * * * *
+
+
+Printed by THOMAS CLARK SHAW, of No. 8. New Street Square, at No. 5 New
+Street Square, in the parish of St. Bride, in the City of London; and
+published by GEORGE BELL, of No. 186. Fleet Street, in the Parish of St.
+Dunstan in the West, in the City of London, Publisher, at No. 186. Fleet
+Street aforesaid.--Saturday, April 19, 1851.
+
+ * * * * *
+
+
+Corrections made to printed original.
+
+page 300, "The duad represented the line" - original reads 'decad', making
+no sense in view of what follows. Duad (more likely to be misread than
+dyad) seems correct.
+
+page 302, "there is a striking story" - original reads 'strlking'.
+
+page 304, "a letter from Eustace Chapuys" - original reads 'Chaupys'.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries, Number 77, April
+19, 1851, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES ***
+
+***** This file should be named 26897.txt or 26897.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/6/8/9/26897/
+
+Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
+and the Online Distributed Proofreading Team at
+http://www.pgdp.net (This file was produced from images
+generously made available by The Internet Library of Early
+Journals.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/26897.zip b/26897.zip
new file mode 100644
index 0000000..7ab4558
--- /dev/null
+++ b/26897.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..a2748ae
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #26897 (https://www.gutenberg.org/ebooks/26897)