path: root/26864.txt

The Project Gutenberg EBook of Poems for Pale People, by Edwin C. Ranck

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Poems for Pale People
       A Volume of Verse

Author: Edwin C. Ranck

Release Date: October 9, 2008 [EBook #26864]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK POEMS FOR PALE PEOPLE ***




Produced by David Garcia and the Online Distributed
Proofreading Team at https://www.pgdp.net (This file was
produced from images generously made available by The
Kentuckiana Digital Library)






Poems for Pale People

A Volume of Verse



By

Edwin C. Ranck



Humanity Printing and Publishing Co.
St. Louis, Mo.

Copyrighted 1906 by
EDWIN C. RANCK




PREFACE


_This little volume was written for no reason on earth and with no
earthly reason. It just simply happened, on the principle, I suppose
that "murder will out." Murder is a bad thing and so are nonsense
rhymes. There is often a valid excuse for murder; there is none for
nonsense rhymes. They seem to be a necessary evil to be classed with
smallpox, chicken-pox, yellow fever and other irruptive diseases. They
are also on the order of the boomerang and eventually rebound and
inflict much suffering on the unlucky verse-slinger. So you see
nonsense, like a little learning is a dangerous thing and should be
handled with as much care as the shotgun which is never known to be
loaded._

_A man who writes nonsense may become in time a big gun. But this is
rare; more often he becomes a small bore. This appears paradoxical and
will probably require thinking over, but the more you think it over the
less you will understand. This is true of parlor magic. It is also true
of the magazine poets. It really never pays to think. Thinking is too
much like work. After reading these rhymes you will not think that the
writer ever did think, which after all is the right way to think._

_When Dryden wrote "Alexander's Feast" he modestly stated that it was
the grandest poem ever written. Mr. Dryden evidently believed this or
he wouldn't have said so. But then every one did not agree with Mr.
Dryden. Now I am going one step further and will positively state that
the writer of this volume is the greatest poetical genius who has not
yet died in infancy._

_This is an astounding statement but it can be corroborated by admiring
friends, for the writer is like a certain brand of children's food in
that he is advertised by his loving friends._

_Speaking of "Alexander's Feast" it simply cannot be compared to any
one of the finished, poetic gems in this collection because it is so
utterly different. The difference is what made Dryden famous. But
comparisons are odious, and Mr. Dryden has been dead several years._

_"But what," you may ask, "is the object of nonsense verse?" Most
assuredly to make one laugh. That masterpiece of nonsense "Alice In
Wonderland" and its companion volume "Through The Looking Class" are
absurd books, but their very absurdity is what appeals to us most.
Their author, Mr. Lewis Carroll was, in private life a very sober
gentleman (at least we hope so). Nonsense is the salt of life with
which we season the dry food of everyday cooking._

    _"A little nonsense now and then
      Is relished by the wisest men."_

_Even serious old Longfellow had this feeling in his bones when he
wrote the immortal lines which all of us recall from childhood:_

    _"There was a little girl
      And she had a little curl
    Which hung way down on her forehead;
      And when she was good,
    She was very good indeed,
      But when she was bad, she was horrid."_

_This is nonsense pure and simple and even the most ardent admirers of
Mr. Longfellow must, when they try to make "forehead" and "horrid"
rhyme, admit that it was very poor verse for the author of
"Evangeline."_

_Bret Harte flew off at a tangent when he wrote about "Ah Sin, The
Chinaman," a nonsense poem that gave "Bill Nye" his pseudonym. Oliver
Wendell Holmes wrote "The Wonderful One-Hoss Shay." Rudyard Kipling is
often "caught with the goods on him" and Mark Twain wrote an "Ode to
Stephen Dowling Botts."_

_And Great Scott! I almost forgot that even such a gentle, domestic
creature as the cow has been the unconscious inspiration of much
nonsense and has doubtless often chewed the bitter cud of reflection in
deploring her undesired popularity. First she was forced (very much
against her will, no doubt) to jump over the moon to the undignified
strains of "Hey Diddle, Diddle." Then, just when beginning to breathe
easily again after that astounding performance, Gelett Burgess came
along and gave her more notoriety by raising the question as to whether
there was such a thing as a "purple cow." And even today in many of the
rural districts there are old farmers who never heard of Burgess and
his "purple cow" who will tell you solemnly that "there is a cow of a
sort of purplish color." Which goes to prove that after all nonsense is
only sense plus--NON._




The poems in this collection have appeared from time to time in The
Kentucky Post, The Cincinnati Post, The Cincinnati Commercial Tribune,
Humanity and The Valley Magazine.




    WHY THE MOLE IS BLIND.


    In days gone by, when cows could fly
      And goblins rode on bears;
    When fairies danced upon the green
      And giants moped in lairs,
    There lived alone upon a shelf
      A tinsie, winsie little elf.

    Just when the stars came out at night
      And moonbeams filled the earth with light,
    Down from his perch this little elf
      Would jump and wander by himself.
    He wore a pair of little wings
      Tied in their place by golden strings.

    One day he took a kind of notion
      To take a trip upon the ocean.
    He combed his hair and washed his face
      And put his little wings in place,
    Then from his shelf he softly stole
      And went to see his friend the mole
    Who gave to him a pea-green boat
      And guaranteed that it would float.

    A funny thing about this boat
      'Twas patterned from a ten-pound note.
    The little elf was greatly pleased
      And laughed until he sneezed and sneezed;
    He launched his boat upon the sea
      And kicked his little heels in glee.

    The mole looked on in glad surprise
      (For in those days all moles had eyes.)
    He shouted out a loud farewell
      As the little row-boat rose and fell.
    The elf picked up a golden oar
      And soon lost sight of mole and shore.

    The elf rowed out for quite a way
      And in the waves did sport and play,
    Until at length the sun sank low
      And then he thought it time to go.
    Now just as luck would have it then
      A prowling sea gull left his den.

    The savage sea gull loudly laughed
      To see an elf in such a craft,
    And swooping down upon the water
      He did a thing he hadn't oughter,
    For with his strong and sturdy beak
      He caused the boat to spring a leak.

    He said he longed for a little change
      And the bank-note boat was just in range;
    The poor young elf gave one big holler
      Just as the sea gull made a swallow
    (And this is strange indeed to follow
      For a gull himself is just a swallow.)

    The faithful mole heard this loud yell
      And rushed down to the shore pell-mell.
    Alas, alas he was too late
      And saw his friend's unhappy fate;
    He groaned, and shrieked and tore his fur
      And raised an awful din and stir.

    The sea gull heard this awful racket
      And seized the mole, just like a packet.
    He carried him across the seas
      To teach the young gulls A B C's.
    But the loving mole went blind with rage
      And they had to put him in a cage,
    And ever since that fatal night
      The moles have all been out of sight.




    NOW THERE'S A COON IN THE MOON.


    There was once an eccentric old coon,
      Who ate dynamite with a spoon,
    But when he got loaded
      The powder exploded--
    And now there's a coon in the moon.




    THE COUNTY FAIR.


    Oh, let's go out to the county fair
      And breathe the balmy country air,
    And whittle a stick and look at the hosses,
      Discuss the farmer's profit and losses.

    We'll take a look at the country stock
      And drink some milk from a dairy crock;
    Look at the pigs and admire the chickens,
      And try to forget it's hot as the dickens.

    Forget there are any political rings
      Just think of the butter and eggs and things;
    So wash off the buggy and hitch up the mare,
      And we'll all go out to the county fair.




    O'DOWD OF THE JEFFERSON CLUB.


    A maddened horse comes down the street,
      With waving mane and flying feet.
    The crowd scatters in every direction;
      It looks like a fight at a city election.
    A big policeman waves his hands,
      And the air is full of vague commands,
    While across the street a retail grocer
      Shrieks to his child as the horse draws closer
    When suddenly out of the mad hubbub,
      Steps Jimmie O'Dowd of the Jefferson Club.

    Every man there holds his breath--
      To stop the horse means sudden death.
    But quick as a flash,
      O'Dowd makes a dash.
    With all his might and the horse's mane,
      He brings the old plug to a halt again.
    Then every man there doffs his hat
      And cries "Well, what do you think of that?"
    Never since the days of Nero
      Has there been a greater hero.




    HALLOWEEN.


    A night when witches skim the air,
      When spooks and goblins climb the stair;
    When bats rush out with muffled wings,
      And now and then the door-bell rings;
    But just the funniest thing of all
      Is 'cause you can't see when they call.




    SATURDAY ON THE FARM.


    'Tis Saturday morn and all is bright
      By nature's own endowing;
    The sun is fiercely giving light,
      And only me--
                    Plowing.

    Across the river I hear the sound
      Of a boatman slowly rowing;
    I have no time to fool around,
      Especially when I'm--
                    Hoeing.

    And when the dinner hour has come,
      And thoughts of work are fleeting,
    I only hear the insects hum,
      Because I'm busy--
                    Eating.

    At night when all things are at rest,
      Safe in Old Morpheus' keeping,
    No troubles do my mind infest,
      For I am soundly--
                    Sleeping.




    LOVING JOHN.


    John went into the garden one day
      And found his baby sister at play;

    John hit baby with a brick
      And laughed because it made her sick.

    John is only two and six
      And loves to do these funny tricks.




    THE CIRCUS.


    O, the circus parade! O, the circus parade!
      It lays all the politics back in the shade,
    And the merchants forget that they've got any trade,
      While many remember they've never been paid
    As they rushed out to look at the circus parade;
      And preachers who used to be terribly staid
    Yell just like boys at the circus parade.
      Every one's there, both the mistress and maid,
    All looking on at the circus parade.

    And out at the grounds, when you've seen the parade,
      How delicious it is to drink pink lemonade;
    And look at the elephant twirling his trunk,
      And laugh at the capers cut by the monk;
    Watch the old clown who is acting a dunce,
      And try hard to see three rings going at once;
    Gaze at the ringmaster cracking his whip,
      And watch the tight-rope artist skip.
    I saw that circus, Yes Sirree!
      Saw about enough for three.




    LENT.


    "Oh lend me five," the young man cried,
      "My money all is spent."
    The maiden shook her head and sighed,
      "I'm sorry but it's Lent."




    THE PROCESSIONAL.

    (Written in collaboration with R. B. Hamilton.)


    When Julius Caesar met his death,
      He muttered in his dying breath:
    "It is not patriotism now
      Prompts you to break your friendship's vow."
    Quoth Brutus, as he stabbed again
      The greatest of his countrymen:
          "You're in this fix
          Through politics."

    As on his path Columbus sped,
      A sailor to the great man said:
    "Without a break, without a bend,
      The broad Atlantic has no end."
    And to the sailor at his side,
      'Tis rumored, that great man replied:
          "I guess I know.
          You go below."

    The snow fell fast on Russia's soil,
      The soldiers, wearied with their toil,
    Cried: "'Tis not possible that we
      Our native France again shall see."
    Stern ever in the face of death,
      Napoleon said beneath his breath:
          "Go take a walk,
          I hate such talk."

    A cherry tree lay on the ground,
      On George's body, pa did pound;
    "But pa," George cried, "It seems to me
      That you are wrong; dis ain't your tree."
    The old man sadly shook his head
      And to his wayward son he said:
          "Don't lie to me
          I know my tree."

    When Dewey on his flagship sailed,
      The Spaniards never even quailed.
    "Oh, it ain't possible," said they,
      "For him to reach Manila Bay."
    But Dewey merely smiled in glee,
      "It isn't possible?" quoth he,
          "Why, hully gee,
          Just wait and see."




    MORAL.

    Thus onward as through life we go,
      Amid the pomp, and glare, and show,
    We oft some proverb misconstrue
      And mutter boldly, "'Tis not true."
    But in their calm, majestic way,
      We hear the tongues of wise men say:
          "You go way back
          And then sit down."




    AT THE TELEPHONE.


    Ting-ling--"South, please, 1085;
      Why hello, Jim--Oh, Saints alive!
    It's south, I told you--hello; no,
      I said once that I could not go.

    "Say, can you meet me there tonight?
      Confound it, Jim, you must be tight.
    What are you saying anyhow,
      I've got the wrong ear by the sow?

    "Not pretty? Why, she's out o'sight,
      Oh, shut up; that will be all right.
    You can't walk there? Why it ain't far;
      We get there on a 'lectric car.

    "Well, Great Scott, man, don't talk all day,
      But let me know now right away.
    Miss B----, Oh, let the old girl wait;
      We won't be out so very late.

    "You will? All right then--eight o'clock;
      Be sure and meet me on the block,
    Remember now, don't get it wrong;
      All right, old man (Ting-ling), so long."




    A HARDSHIP.


    I never saw a loaf of bread
      Conspicuous in its purity,
    But that I sadly shook my head
      And left five-cents as surety.




    CHRISTMAS TOYS.


    Say, I like toys,
      Christmas toys.
    Remember when we were boys
      Long ago?
    Then you were a kid
      Not a beau.
    And on Christmas Day,
      Oh, say,
    We got up in the dark
      And had a jolly lark
    Round the fire.
      The cold air was shocking
    As we peeped in our stocking--
      And, way down in the toe,
    Now say this is so--
      Dad placed a dollar.
    Made me holler.
      Yes, sirree,

    They were good to me.
      Remember Jim?
    Mean trick I did him.
      You know Jim was surly?
    Well I got up early
      Took his dollar out,
    And put a rock
      In his sock.
    Gee, he was mad,
      Went and told dad;
    But dad he just laughed
      And said:
    Might's well be dead
      If you couldn't have fun.
    Then for spite,
      I kept that dollar 'til night.
    Funny, seein' these toys
      Made me think of us boys.
    But now, Gee!
      Christmas ain't like it used to be.




    THE RUBAIYAT OF A KENTUCKIAN.


    Wake for the sun, that scatters into flight,
      The poker players who have stayed all night;
    Drives husbands home with reeling steps, and then--
      Gives to the sleepy "cops" an awful fright.

    I sometimes think that never blows so red
      The nose, as when the spirits strike the head;
    That every step one takes upon the way
      Makes him wish strongly he were home in bed.

    The moving finger writes, but having "pull",
      You think that you can settle things in full,
    But when you interview the Police Judge,
      You find that you have made an awful bull.

    Some nonsense verses underneath the bough,
      A little "booze", a time to loaf, and thou--
    Beside me howling in the wilderness,
      Would be enough for one day anyhow.




    THE MEDICINE MAN.


    Good people if you have the mumps,
      Or ever get down with the dumps;
    Or have bad cold or aching pains,
      Or ever suffer with chilblains--
    Don't seek your doctor for advice,
      And pay him some tremendous price,
    But buy a drug that's safe and sure--
      In fact, get Blank's Consumptive Cure.




    ALAS.


    He led her out across the sand,
      And by her side did sit:
    He asked to hold her little hand,
      She sweetly answered, "Nit."




    THE GLORIOUS FOURTH AND ITS MEMORIES.


    Have you ever mused in silence upon a summer's day
      And let your thoughts run riot and your feelings have full sway,
    As you sprawled full length upon the grass in some secluded dell
      And breathed the balmy country air, and smelt the country smell?

    Then as you muse,
      And gently snooze,
    Between thinks
      You remember those jinks
    When spirits were high
      On the Fourth of July.

    There was little Willie Browning, the worst of all the boys
      Who had a sure-nuff cannon that made all kinds of noise;
    And when the cannon wouldn't go he blew into the muzzle,
      But what became of Willie's teeth has always been a puzzle.

    How the folks looked askance
      At the seats of our pants,
    When those giant skyrockets
      Went off in our pockets!
    Gee whiz!
      What fun the Fourth is!

    When the red-hot July sun began to wink the clouds away,
      We were out with whoops and shoutings to celebrate the day.
    With piece of punk in one hand and crackers in the other,
      We would troop home later in the day for linseed oil and mother.

    But our burns
      Were small concerns.
    Our hearts were light,
      Injuries slight.
    Not even a sigh
      On the Fourth of July.

    And as you lie and ponder, the thought comes home to you
      That your youngest boy now celebrates the way you used to do;
    And the mother that he bawls for to have those small wounds dressed
      Is the woman whom long years ago you swore you loved the best.

    But what funny things
      Memory brings.
    Who would have thought
      That I would be caught
    With a tear in my eye
      On the Fourth of July.




    KEEP TRYIN'.


    When you're feelin' blue as ink
      An' your spirits 'gin to sink,
    Don't be weak an' take a drink
      But
            Keep Tryin'.

    There are times when all of us
      Get riled up and start a muss,
    But there ain't no use to cuss,
      Just
            Keep Tryin'.

    When things seem to go awry,
      And the sun deserts your sky,
    Don't sit down somewhere and cry,
      But
            Keep Tryin'.

    Everybody honors grit,
      Men who never whine a bit--
    Men who tell the world, "I'm IT"
      And
            Keep Tryin'.

    Get a hustle on you NOW,
      Make a great, big solemn vow
    That you'll win out anyhow,
      And
            Keep Tryin'.

    All the world's a battlefield
      Where the true man is revealed,
    But the ones who never yield
            Keep Tryin'.




    GENIUS.


    There was once a young man quite erratic
      Who lived all alone in an attic,
    He wrote magazine verse
      That made editors curse,
    But his friends thought it fine and dramatic.




    TALE OF THREE CITIES.


    A seedy young man in Savanah
      Fell in love with a rich girl named Anna,
    But her papa got mad
      And swore that "By Gad,
    The fellow shall never Havana!"

    But the couple eloped to Caracas,
      Where the Germans kicked up such a fracas;
    And he said to his wife,
      "You can bet your sweet life
    That papa dear never will track us."




    MODERN MAUD MULLER.


    Maud Muller on a summer's day,
      Raked the meadows, sweet with hay.
    Nor was this just a grand-stand play;
      Maud got a rake-off, so they say.




    NOCTURNE.


    A cat duet.
      A silhouette.
    A high brick wall,
      An awful squall.
    A moonlit night,
      A mortal fight.
    A man in bed,
      Sticks out his head.
    Gee Whiz!
      The man has riz.
    His arm draws back
      A big bootjack--
    A loud swish,
      Squish!
    "What's that?"
      A dead cat.




    THE SISSY BOY.


    Beware the Sissy Boy my child,
      Not because he's very wild;
    The Sissy Boy is never that,
      Although he'll run if you say "Scat!"
    The Sissy Boy's infinitesimal,
      He is not worth a duodecimal.

    If you should take a custard pie
      And hit a Sissy in the eye,
    He would not go before a jury,
      He'd only blush and say "Oh Fury!"
    For he is perfumed, sweet and mild,
      That's just his kind, my dearest child.

    One should never strike a Sissy,
      He is too lady-like and prissy.
    You do not need to use your fist
      But merely slap him on the wrist,
    And if this will not make him budge,
      Then glare at him and say "Oh Fudge!"

    The Sissy sports a pink cravat
      And often wears a high silk hat;
    His voice is like a turtle dove's
      And he always wears the "cutest" gloves.
    At playing ping-pong he's inured,
      And his finger-nails are manicured.

    He uses powder on his face
      And his handkerchiefs are trimmed with lace;
    He loves to play progressive euchre
      And spend his papa's hard-earned lucre.
    He wears an air of nonchalance
      And always takes in every dance.

    Socially, he's quite a pet
      And always fashionably in debt.
    He hates to be considered slow
      And poses as a famous beau.
    He loves to cut a swath and dash
      When papa dear puts up the cash.

    This, my child, is the Sissy Boy
      Who acts so womanly and coy.
    His head's as soft as new-made butter;
      His aim in life is just to flutter;
    Yet he goes along with unconcern
      And marries a woman with money to burn.




    TO GELETT BURGESS.


    I never saw a purple cow,
      You say you never saw one;
    But this I'll tell you anyhow,
      I know that I can draw one.




    THE LOBSTER.


    Lobsters haven't any feet,
      But they have lots of claws;
    Yet lobster meat is good to eat,
      And this is strange, because--
    A dog is never good to eat,
      And yet a dog has paws,
    And so have cats, and so have rats
      And so have other kind of brats.

    A lobster then, so to speak,
      Is, my child, an awful freak;
    For if you get him in a stew,
      He'll blush quite red and glare at you.
    Yet if you eat much lobster salad,
      It will make you very pallid.




    A PUN FROM THE DEEP.


    A funny thing once happened to a German from Berlin,
      For once he got too gay and seized a swordfish by the fin,
    This made the big fish angry, and he sawed the German's chin.
      "Just Tell Them That I Saw You" said the swordfish with a grin.




    STYLISH.


    There once was an old crocodile
      Who lived on the banks of the Nile.
    One day, for a meal,
      He swallowed a wheel,
    And ate for dessert, an automobile.




    IF I COULD FLY.

    (What the Little Boy Thought.)


    If I had wings just like a bird
      Do you know what I'd do?
    I'd fly way up into the sky
      An' holler down at you.

    I'd fly along the Milky Way
      Feelin' fine and chipper,
    An' then I'd drink some buttermilk
      Fresh from out the Dipper.

    I'd skim along through fleecy clouds,
      An' see the great, Big Bear
    An' ask him how he liked to live
      So high up in the air.

    Wouldn't it be dandy
      To fly just when you please,
    An' go an' ask the Dog-star
      If he worried much with fleas?

    I'd do all kinds of other things
      If I could only fly,
    But I am just a little boy
      An' so I dassn't try.




    A HAND-ME-DOWN.


    Said Sue to her suitor:
      "You'll get a new suit, or
    I'll sue for a suitor to suit."
      "Why Sue," said her suitor
    Who tried hard to suit her,
      "Your suitor is suited to suit."




    FAREWELL SNOW.

    (After Walt Whitman.)


    That light, that white, that weird, uncanny substance we call snow
      Is slowly sifting through the bare branches--and ever and anon
    My thoughts sift with the drifting snow, and I am full of pale regret.
      Yes, full of pale regret and other things--you know what I mean.
    And why? Because the snow must go; the time has came to part.
      Yes, it cannot wait much longer--like the flakes my thoughts are melting
    'Tis here, 'tis there, in fact, 'tis everywhere--the snow I mean.
      Like the thick syrup which covers buckwheat cakes it lies.

    The man who says he don't regret its passing also lies.
      And wilt thou never come again? Yes, thou ilt never come again. Alas!
    How well I remember thee! 'Twas but yesterday, methinks.
      When a great daub of snow fell from a nearby housetop
    And when I ventured--poor foolish mortal that I was--to look,
      Caught me fairly in the mouth (an awful swat) and nearly smothered me.
    There is another little trick of thine, most lovely snow--
      It is but a proof of thine affection to cling around our necks,
    But still we swear--we cannot help it, Snow.
      Now it is "Skidoo," or "23 for you." Oh, cursed inconstancy of man!




    THE SAD TURKEY GOBBLER.


    O a fat turkey gobbler once sat on a limb
      And he sighed at the wind, and the wind sighed at him.
    But the grief of the gobbler one could not diminish,
      For it was Thanksgiving and he saw his finish.
    So the heart of the gobbler was heavy as lead
      And he muttered the words of the poet who said:
    "Backward, turn backward, O Time in thy flight,
      Make me a boy again, just for to-night!"




    SPRIG HAS CUB.


    Sprig, Sprig--Oh lovely Sprig!
      Oh, hast thou cub to stay?
    Add wilt the little birdies sig
      Throughout the livelog day?
    What bessage dost thou brig to be,
      Fair Lady of by dreabs--
    Dost whisper of the babblig brook
      Ad fishig poles ad streabs?

    Those happy days have cub agaid,
      The sweetest of the year,
    Whed bad cad raise ad appetite
      Ad wholesub thirst for beer.
    I've often thought id wudder, Sprig,
      Of how the lily grows,
    But the thig that's botherig be dow
      Is how to sprig dew clothes.

    Sprig, Sprig--Oh lovely Sprig!
      By thoughts are all of you
    I saw a robid yesterday--
      How strange it seebs--ad dew!
    I've got a dreadful cold, Fair Sprig,
      Or else I'd sig to thee
    Ad air frob Beddelssohd, perhaps,
      Or "The Shade of the Old Apple Tree."




    THE HOT WEATHER FIEND.


    Ah, somewhere in another world
      There is a warmer spot,
    Where the fire is burning always.
      And always it is hot;
    And always fiends are shouting,
      And always flames are blue,
    And always Satan's asking:
      "IS IT HOT ENOUGH FOR YOU?"




    WHEN THE LID WAS ON.


    They were seated there in silence
      Each one busy with a frown,
    It was midnight in the city,
      And the lid was on the town.
    They had all been playing poker
      'Mid the rattle of the chink,
    When a gloom fell o'er the party,
      For they couldn't buy a drink,
    But a little fellow whispered
      As he held a poker hand,
    "Can't we get as drunk on water
      As we can upon the land?"
    Then we kicked the little rascal,
      And we spoke without a frown,
    And we anchored safe in harbor
      When the lid was on the town.




    THE DOODLE BUG.


    Why that's a doodle bug, my child
      Who lives alone, remote and wild.
    His domicile's a hole in the ground
      And when at home he's easily found.
    The only plan allowed by law
      Is to lure him forth upon a straw,
    For the doodle bug is a misanthrope
      And otherwise is sure to elope.




    GRIT.


    I hate the fellow who sits around
      And knocks the livelong day--
    Who tells of the work he might have done;
      If things had come his way.
    But I love the fellow who pushes ahead
      And smiles at his work or play--
    You can wager when things do come around,
      They will come his way--and stay.




    THE NEXT MORNING.


    What a difference in the morning
      When you try to raise your head;
    When your eyelids seem so heavy
      You could swear they were of lead;
    When your tongue is thickly coated
      And you have an awful thirst;
    When you drink so much cold water
      That you feel about to burst;
    When you lift your hand towards heaven
      And solemnly do say:
    "I'm going to 'cut out' drinking
      And I'll swear off right to-day."




    A WONDERFUL FEAT.


    I never walk along the street
      Because I haven't any feet;
    Nor is this strange when I repeat
      That I am but a garden beet.




    APRIL FOOL.


    'Twas on the f-f-f-first of April D-D-Day,
      W-w-w-when Nature s-s-smiled and all w-w-was gay,
    And I--w-w-why I was in a w-w-whirl,
      'C-c-cause I w-w-was w-w-walking w-w-with my g-g-girl.

    We w-w-wandered through a leafless w-w-wood
      W-w-where many giant oak-t-t-trees s-s-stood,
    And p-p-paused beside a d-d-dark g-g-green pool
      And sat d-d-down on a rustic s-s-stool.

    T-t-then out I s-s-spoke in accents b-b-bold,
      And all m-m-my l-love for her I t-t-told.
    She answered w-w-with a sweet, s-s-hy g-g-glance
      That pierced m-m-my h-h-heart like C-C-Cupid's l-lance.

    I seized her in a t-t-tight embrace,
      And s-s-showered k-k-kisses on her f-f-face,
    And t-t-told her that I'd g-g-give my l-life
      If she would only b-b-be my w-w-wife.

    "Please k-k-keep your l-l-life," the m-m-maid replied
      "F-f-for I w-w-will gladly b-b-be your b-b-bride,
    And y-y-you" she s-s-said, in t-t-tones quite c-c-cool,
      "W-w-why you c-c-can b-b-be my April F-F-Fool."




    BRUTAL MARY.


    Mary had a little lamb,
      The lamb was always buttin'
    So Mary killed the little lamb
      And turned him into mutton.




    YOU COULDN'T HARDLY NOTICE IT AT ALL.


    There was a girl in our town
      Who dearly loved to flirt,
    But the home folks never noticed it at all.
      The women in the neighborhood
    All said she was too pert,
      But she never even noticed them at all.

    One night a young man came to call
      Who was considered slow,
    But when he got alone with her,
      He turned the lights down low.
    He begged her for a little kiss,
      She softly murmured "No,"
    But you couldn't hardly notice it at all.




    THE ALARM CLOCK.


    With a clatter and a jangle,
      And a wrangle and a screech,
    How the old alarm clock wheezes
      As it sneezes out of reach!
    How you groan and yawn and stretch
      In the chilly morning air,
    As you pull the blankets tight,
      With your head clear out of sight--
    How you swear!




    A NEW VERSION.


    Old Mother Hubbard
      She went to the cupboard,
    To find a nice bone for her dog.
      But when she got there
    The cupboard was bare,
      And now they are both on the hog.




    OH SCISSORS!


    I knew a young man so conceited
      That a glance at his face made you heated.
    One night, playing whist,
      He was slapped on the wrist,
    Because some one said that he cheated.




    HE APED HER.


    An impudent Barbary ape
      Once tried on a lady's new cape.
    As he gave a big grin,
      The lady came in,
    And--his children are still wearing crepe.




    TAKE UP THE HOUSEHOLD BURDEN.


    Take up the household burden,
      No iron rule of kings,
    But make your family understand
      That you are running things,
    Don't storm around and bluster,
      And don't get mad and swear
    If in the soup is floating--
      A rag and a hank of hair.

    Take up the household burden
      In patience to abide,
    To curse the irate grocer
      And make your wife confide
    By open speech and simple
      And hundred times made plain
    How she has sought to profit
      In spending all you gain.

    Take up the household burden--
      The little baby boy,
    And walk the floor in anguish
      And don't let it annoy.
    For when the kid seems sleepy
      And you are feeling "sold,"
    There comes a cry from baby boy
      That makes your blood run cold.

    Take up the household burden
      And try and be a man,
    Just simply grin and bear it
      And do the best you can.
    Come now and try your manhood
      And let the future go,
    And listen to your elders--
      They've tried it and they know.




    VITASCOPE PICTURES.


    A young girl stands
      Upon the sands,
    And waves her hands--
      Flirtation.

    A fresh young man
      With shoes of tan,
    Looks spick and span--
      Expectation.

    They walk the beach,
      She seems a peach
    Just out of reach--
      Vexation.

    Ah what is this?
      A sound of bliss
    A kiss, a kiss--
      Elation.

    A father lean
      Upon the scene,
    Looks awful mean--
      (Curtain.)




    AN IRISH TOAST.


    Here's to dear Ould Ireland,
      Here's to the Irish lass,
    Here's to Dennis and Mike and Pat,
      Here's to the sparkling glass.
    Here's to the Irish copper,
      He may be green all right,
    But you bet he's Mickie on the spot
      Whenever it comes to a fight.
    Here's to Robert Emmet, too,
      And here's to our dear Tom Moore.
    Here's to the Irish shamrock,
      Here's to the land we adore.




    MY LIFE AND DEATH.

    (By A. Turkey Gobbler.)


    I'm just a turkey gobbler,
      But I've got a word to say
    And I'd like to say it quickly
      Before I pass away,
    For I will get it in the neck
      Upon Thanksgiving Day.

    I cannot keep from thinking
      Of poor Marie Antoinette,
    She lost her head completely,
      But this is what I'll get--
    They'll knock the stuffin' out o' me
      Without the least regret.

    I've just a few days left now
      Before I meet my fate,
    For every turkey gets the axe,
      The little and the great.
    There never was a turkey born
      Who didn't fill a plate.

    Only three days left now,
      Goodness, how time flies!
    It brings a sadness to my heart
      And teardrops to my eyes.
    Does every turkey feel that way
      Three days before he dies?

    This is a very cruel world
      (I'm talking sober facts),
    For I was only raised to be
      The victim of an axe--
    The butt of all your silly jokes,
      And all your funny cracks.

    And when you sit down Thursday
      How happy you will be,
    Every person gathered there
      Will eat enough for three.
    I'll be the guest of honor
      'Cause that dinner is on ME.




    L'ENVOI.


    I'm the ghost of that poor gobbler
      Who used to be so great,
    They took my poor, neglected bones
      And piled them on a plate.
    Reader, shed a kindly tear
      For my unhappy fate.

    This is the common lot of all
      Upon the world's great chart;
    We've got to leave a pile of bones--
      The stupid and the smart.
    Even when Napoleon died
      He left a Bonaparte.

    We are merely puppets
      Moving on a string,
    And when we think that we are IT,
      The axe will fall--"Gezing!"
    O, Grave, where is thy victory?
      O, Death, where is thy sting?




    IF I WERE CITY EDITOR.

    (After Ben King, Dedicated to E. Jesse Conway.)


    If I were City Editor
      And you should come to my cold desk and choke,
    And say, "Old man I'm actually dead broke."
      I say, if I were City Editor,
    And you should come in deepest grief and woe
      And say, "Oh Lordy let me have the dough,"
    I might arise with slow and solemn wink
      And lecture you upon the curse of drink.

    If I were City Editor
      And you should come to my hotel and reel,
    Clasping my beer to quench the thirst you feel,
      I say if I were City Editor
    And you should come in trembling and in fear
      And even hint about licking up that beer,
    I'd hit you just one swat, and then,
      I guess I'd have to order one more bier.




    TRANSCENDENTALISM.


    What is transcendentalism?
      Merely sentimentalism
    With a dash of egotism
      Somewhat mixed with mysticism.
    Not at all like Socialism,
      Nor a bit like Atheism,
    Hinges not on pessimism,
      Treats of man's asceticism,
    Quite opposes anarchism.
      Can't you name another "Ism?"
    Yes, it's transcendentalism.




    THE EPIC OF THE HOG.

    (Man's Inhumanity to Hogs Makes Countless Thousands Squeal.)


    I lived upon a little farm,
      A happy hog was I,
    I never dreamed of any harm
      Nor ever thought to die.

    All day I wallowed in the mud,
      And ate the choicest slops.
    I watched the brindles chew their cud--
      The farmer tend his crops.

    Upon the hottest days I'd go
      And flounder in the river--
    I thought that hogs might come and go,
      But I would live forever.

    Then finally I waxed so fat
      That I could hardly walk,
    And then the farmers gather 'round
      And all began to talk.

    I couldn't understand a word,
      All I did was grunt;
    You see that's all a hog can do--
      It is his only stunt.

    But finally they took me out
      And put me on a train.
    I really couldn't move about
      And squealed with might and main.

    I grunted, grunted as I flew
      And moved in vain endeavor,
    But even then I thought it true
      That I would live forever.

    And so we came to Packingtown
      Where there were hogs galore,
    I never saw so many hogs
      In all my life before.

    Then we had to shoot the chutes
      And climb a flight of stairs,
    We never had a chance to stop
      Or time to say our prayers.

    Loud-squealing hogs above, below
      They formed a seething river,
    For men may come and men may go
      But hogs go on forever.

    And then I saw an iron wheel
      Which stood alone in state,
    And then I heard an awful squeal--
      A hog had met his fate.

    A devilish chain upon the wheel
      Had seized him by the leg;
    It was no use to kick and squeal,
      It was no use to beg.

    I longed in deepest grief and woe
      To leave that brimming river;
    If once into that room you go
      Your fate is sealed forever.

    Farewell, Farewell, a long farewell,
      Around the room I spin,
    And then a fellow with a knife
      Smites me below the chin.


          L'Envoi.

    Dear reader I was just a hog,
      But O it's awful hard
    To die disgraced, and then to be--
      Turned into "Pure Leaf Lard."




    IN KENTUCKY.

    (A Response to Judge Mulligan's Famous Toast.)


    The moonlight may be softest
      In Kentucky,
    And summer days come oftest
      In Kentucky,
    But friendship is the strongest
      When the money lasts the longest
    Or you sometimes get in wrongest
      In Kentucky.

    Sunshine is the brightest
      In Kentucky,
    And a right is often rightest
      In Kentucky,
    While plain girls are the fewest,
      They work their eyes the truest,
    They leave a fellow bluest
      In Kentucky.

    All debts are treated lightest
      In Kentucky,
    So make your home the brightest
      In Kentucky,
    If you have the social entree
      You need never think of pay,
    Or, at least, that's what they say
      In Kentucky.

    Orators are the proudest
      In Kentucky,
    And they always talk the loudest
      In Kentucky.
    While boys may be the fliest,
      Their money is the shyest,
    They carry bluffs the highest
      In Kentucky.

    Pedigrees are longest
      In Kentucky,
    Family trees the strongest
      In Kentucky.
    For blue blood is a pride,
      But, if you've ever tried
    You'll find 'sporting blood' inside
      In Kentucky.

    Society is exclusive
      In Kentucky,
    So do not be intrusive
      In Kentucky.
    If you want the right of way,
      And have the coin to pay,
    You'll be in the swim to stay
      In Kentucky.

    The race track's all the money
      In Kentucky,
    But don't you go there, sonny
      In Kentucky.
    For, while thoroughbreds are fleetest,
      They get your coin the neatest,
    And leave you looking seediest
      In Kentucky.

    Short-skates are the thickest
      In Kentucky,
    They spot a sucker quickest
      In Kentucky.
    They'll set up to a drink,
      Get your money 'fore you think,
    And you get the "dinky dink"
      In Kentucky.

    If you want to be fraternal
      In Kentucky,
    Just call a fellow "Colonel"
      In Kentucky,
    Or, give a man a nudge
      And say, "How are you, Judge?"
    For they never call that "fudge"
      In Kentucky.

    But when you have tough luck
      In Kentucky,
    In other words "get stuck"
      In Kentucky,
    Just raise your voice and holler
      And you'll always raise a dollar,
    While a drink is sure to follow
      In Kentucky.

    'Tis true that birds sing sweetest
      In Kentucky,
    That women folk are neatest
      In Kentucky,
    But there are things you shouldn't tell
      About our grand old State--and, well--
    Politics is h----l
      In Kentucky.




    IN DEEPER VEIN.

    The Incubus.


    The way was dark within the gloomy church-yard,
      As I wandered through the woodland near the stream,
    With slow and heavy tread
      Through a city of the dead,
    When suddenly I heard a dreadful scream.

    My heart gave frantic leap, as when the roebuck
      Is started by the clamor of the chase,
    And I halted all atremble
      In the vain hope to dissemble,
    Or cloak the leaden pallor on my face.

    'Twas in the ghostly month of grim December,
      The frozen winds were bitter in their cry
    And I muttered half aloud
      To that white and silent crowd:
    "'Tis a somber month to live in or to die."

    And then as if in answer to my whisper,
      Came a voice of some foul fiend from Hell:
    "No longer live say I,
      'Tis better far to die
    And let the falling snow-flakes sound the knell."

    Perched upon a tombstone sat the creature
      Grewsome as an unquenched, burning lust.
    Sitting livid there
      With an open-coffin stare--
    A stare that seemed the mocking of the just.

    And in my thoughts the dreadful thing is sitting--
      Sitting there with eyelids red and blear,
    And see it there I will
      'Til my restless soul is still
    And the earth-clods roll and rumble on my bier.




    TO CLARA MORRIS.


    In days gone by, the poets wrote
      Sweet verses to the ladies fair;
    Described the nightingale's clear note,
      Or penned an Ode to Daphne's hair.

    To dare all for a woman's smile
      Or breathe one's heart out in a rose--
    Such trifles now are out of style,
      The scented manuscript must close.

    Yet Villon wrote his roundelays,
      And that sweet singer Horace;
    But I will sing of other days
      In praise of Clara Morris.

    Youth is but the joy of life,
      Not the eternal moping;
    We get no happiness from strife
      Nor yet by blindly groping.

    All the world's a stage you know
      The men and women actors;
    A little joy, a little woe--
      These are but human factors.

    The mellow days still come and go,
      The earth is full of beauty;
    If we would only think it so,
      Life is not all a duty.

    And you are young in heart not years,
      Is this not true because
    You mingle happiness with tears
      And do not look for flaws?

    Your silver hair is but the snow
      That drifts above the roses,
    And though the years may come and go
      They can but scatter posies.




    REQUIESCAT.

    (Mrs. Jefferson Davis, widow of the President of the Southern
    Confederacy died October 16, 1906.)


    Oh weep fair South, and bow thy head
      For one is gone beyond recall!
    Cast flowers on the sainted dead
      Who sleeps beneath a funeral pall.
      To the sound of muffled drum,
      To the sound of muffled drum.

    She saw a noble husband's fame
      Grow more enduring with the years,
    And in the land his honored name
      Loom brighter through a mist of tears,
      But the sound of muffled drum!
      O the sound of muffled drum!

    Our fate is but to meet and part
      Upon Life's dark and troubled sea,
    Yet recollection stirs the heart,
      Of men in gray who used to be,
      But the sound of muffled drum!
      O the sound of muffled drum!

    Brave South, 'tis but a moment's pause
      E'er on that dim and distant shore,
    The heroes of thy Fallen Cause
      Will meet again to part no more
      To the sound of muffled drum.
      To the sound of muffled drum.




    CRABBED.


    A college professor one day
      Was fishing in Chesapeake Bay;
    Said a crab to his mate,
      "Let's kick off the bait,
    This business is too old to pay."




    LIFE.


    The list is long, the stories read the same;
      Strong mortal man is but a flesh-hued toy;
    Some have their ending in a life of shame;
      Others drink deeply from the glass of joy;
    Some see the cup dashed dripping from their lip
      Or drinking, find the wine has turned to gall,
    While others taste the sweets they fain would sip
      And then Death comes--the sequel to it all.




    TO POE.


    You lived in a land horror-haunted,
      And wrote with a pen half-divine;
    You drank bitter sorrow, undaunted
      And cast precious pearls before swine.




    TO A CHILD AT CHRISTMAS TIME.


    May the day that gave Christ birth
      Bring you boundless joy and mirth,
    Fill the golden hours with gladness,
      Raise no thought to cause you sadness.




    [1]THE WAR OF THE RATS AND MICE.


    Far back within an age remote,
      Which common history fails to note,
    When dogs could talk, and pigs could sing,
      And frogs obeyed a wooden king,
    There lived a tribe of rats so mean,
      That such a set was never seen.
    For during all the livelong day
      They fought and quarrelled in the hay,
    And then at night they robbed the mice,
      Who always were so kind and nice.
    They stole their bread, they stole their meat,
      And all the jam they had to eat;
    They gobbled up their pies and cake,
      And everything the mice could bake;
    They stuffed themselves with good fresh meal,
      And ruined all they could not steal;
    They slapped their long tails in the butter
      Until they made a frightful splutter;
    Then, sleek and fine in coats of silk,
      They swam about in buttermilk.
    They ate up everything they found,
      And flung the plates upon the ground.
    And catching three mice by their tails,
      They drowned them in the water-pails;
    Then seeing it was morning light,
      They scampered home with all their might.
    The mouse-tribe living far and near,
      At once this awful thing did hear,
    And all declared with cries of rage,
      A war against the rats they'd wage.
    The mouse-king blew a trumpet blast,
      And soon the mice came thick and fast
    From every place, in every manner,
      And crowded round the royal banner.
    Each had a sword, a bow and arrow;
      Each felt as brave as any sparrow,
    And promised, in the coming fight,
      To die or put the rats to flight.
    The king put on a coat of mail,
      And tied a bow-knot to his tail;
    He wore a pistol by his side,
      And on a bull-frog he did ride.
    "March on!" he cried. And, hot and thick,
      His army rushed, in double quick.
    And hardly one short hour had waned,
      Before the ranks the rat-camp gained,
    With sounding drum and screaming fife,
      Enough to raise the dead to life.
    The rats, awakened by the clatter,
      Rushed out to see what was the matter,
    Then down the whole mouse-army flew,
      And many thieving rats it slew.
    The mice hurrahed, the rats they squealed,
      And soon the dreadful battle-field
    Was blue with smoke and red with fire,
      And filled with blood and savage ire.
    The rats had eaten so much jam,
      So many pies and so much ham,
    And were so fat and sick and swollen
      With all the good things they had stolen
    That they could neither fight nor run;
      And so the mice the battle won.
    They threw up rat-fur in the air;
      They piled up rat-tails everywhere;
    And slaughtered rats bestrewed the ground
      For ten or twenty miles around.
    The rat-king galloped from the field
      When all the rest were forced to yield;
    But though he still retained his skin,
      He nearly fainted with chagrin,
    To think that in that bloody tide
      So many of his rats had died.
    Fierce anger blazed within his breast;
      He would not stop to eat or rest;
    But spurring up his fiery steed,
      He seized a sharp and trusty reed--
    Then, wildly shouting, rushed like hail
      To cut off little mouse-king's tail.
    The mouse-king's face turned red with passion
      To see a rat come in such fashion,
    For he had just that minute said
      That every thieving rat was dead.
    The rat was scared, and tried to run,
      And vowed that he was just in fun;
    But nought could quell the mouse-king's fury--
      He cared not then for judge or jury;
    And with his sharp and quivering spear,
      He pierced the rat right through the ear.
    The rat fell backward in the clover,
      Kicked up his legs, and all was over.
    The mice, with loud and joyful tones,
      Now gathered all the bad rats' bones,
    And with them built a pyramid,
      Down which their little children slid.
    And after that eventful day
      The mice in peace and joy could play,
    For now no wicked rats could steal
      Their cakes and jam and pies and meal,
    Nor catch them by their little tails,
      And drown them in the water-pails.

          [1] Written by the author's father, the late George W. Ranck. It
          first appeared in St. Nicholas and is reprinted by permission of
          The Century Company.




    Things Worth While.


    To sit and dream in a shady nook
    While the phantom clouds roll by;
    To con some long-remembered book
    When the pulse of youth beats high.

    To thrill when the dying sunset glows
    Through the heart of a mystic wood,
    To drink the sweetness of some wild rose,
    And to find the whole world good.

    To bring unto others joy and mirth,
    And keep what friends you can;
    To learn that the rarest gift on earth
    Is the love of your fellow man.

    To hold the respect of those you know,
    To scorn dishonest pelf;
    To sympathize with another's woe,
    And just be true to yourself.

    To find that a woman's honest love
    In this great world of strife
    Gleams steadfast like a star, above
    The dark morass of life.

    To feel a baby's clinging hand,
    To watch a mother's smile;
    To dwell once more in fairyland--
    These are the things worth while.






End of the Project Gutenberg EBook of Poems for Pale People, by Edwin C. Ranck

*** END OF THIS PROJECT GUTENBERG EBOOK POEMS FOR PALE PEOPLE ***

***** This file should be named 26864.txt or 26864.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/2/6/8/6/26864/

Produced by David Garcia and the Online Distributed
Proofreading Team at https://www.pgdp.net (This file was
produced from images generously made available by The
Kentuckiana Digital Library)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.