diff options
Diffstat (limited to '26793-0.txt')
| -rw-r--r-- | 26793-0.txt | 962 |
1 files changed, 962 insertions, 0 deletions
diff --git a/26793-0.txt b/26793-0.txt new file mode 100644 index 0000000..f55ce8c --- /dev/null +++ b/26793-0.txt @@ -0,0 +1,962 @@ +The Project Gutenberg eBook, The Expedition to Birting's Land, by George +Borrow, Edited by Thomas J. Wise + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: The Expedition to Birting's Land + and other ballads + + +Translator: George Borrow + +Editor: Thomas J. Wise + +Release Date: October 6, 2008 [eBook #26793] + +Language: English + +Character set encoding: UTF-8 + + +***START OF THE PROJECT GUTENBERG EBOOK THE EXPEDITION TO BIRTING'S LAND*** + + +Transcribed from the 1914 Thomas J. Wise pamphlet by David Price, email +ccx074@pglaf.org + + + + + +THE EXPEDITION TO +BIRTING’S LAND +AND OTHER BALLADS + + + BY + GEORGE BORROW + + LONDON: + PRINTED FOR PRIVATE CIRCULATION + + 1914 + + _Copyright in the United States of America_ + _by Houghton_, _Mifflin & Co. for Clement Shorter_. + + + + +THE EXPEDITION TO BIRTING’S LAND + + +The King he o’er the castle rules, + He rules o’er all the land; +O’er many a hardy hero too, + With naked sword in hand. + +Let the courtier govern his steed, + The boor his thatchèd cot, +But Denmark’s King o’er castles rules, + For nobler is his lot. + +King Diderik sits on Brattingsborg, + And round he looks with pride: +“No one I know of in the world + Would me in fight abide.” + +Then answered Brand Sir Viferlin, + Had been in many a land: +“Methinks I know a warrior stout + Would thee in fight withstand. + +“He’s Ifald call’d, a king is he, + In Birting’s land afar; +And he has fellows following him + With savage wolves who war. + +“O he has fellows following him + ’Gainst teeth of bears who fight; +The food in which he most delights + Is flesh of Christian wight. + +“Every day in the East that dawns + His mouth he’s wont to cool +With serpents, toads, and other filth, + That come from the hellish pool.” + +As Ifald sat on his throne that day + He thus was heard to cry: +“Let some one bid my little foot page + To come to me instantly. + +“Now list to me, thou little foot page, + On my errand thee I’ll send +Unto the King of Brattingsborg, + To whom I am no friend. + +“Tell him that he must tribute pay, + Or for bloody war prepare; +Forsooth if him in the field I meet + I him will little spare.” + +Then answered straight the little foot page + And a gallant answer he gave: +“My Lord thy message I’ll carry forth, + Though they lay me in my grave.” + +In came he, the little foot page, + And stood before the board: +“Now list to me, King Diderik, + My master has sent you word. + +“Either tribute thou shalt pay, + As thou didst last year agree, +Or thou shalt meet us in the field, + And bloodshed there shall be.” + +“I will not tribute pay, forsooth, + I scorn to stoop so low; +Nay, rather unto Birting’s land + With sword unsheathed I go.” + +Then answer’d Vitting Helfredson, + And loud he laughed with glee: +“If ye fare this year into Birting’s land + I too of the troop shall be. + +“Last year wast thou in Birting’s land, + And there didst lose thy steed; +Thou hadst better stay in Brattingsborg + Than again seek Birting’s mead.” + +“On me, if I stay in Brattingsborg, + Be every malison; +If I have no horse on which to ride + I have legs on which to run.” + +There rode out from Brattingsborg + So many a knight renown’d; +The rocks were split ’neath the coursers’ feet, + And quaked the startled ground. + +There rode forth King Diderik, + The lion upon his shield; +And there too glittered the golden crown + So far across the field. + +There rode Vidrik Verlandson, + The hammer and tongs he bore; +And there rode good King Esmer’s sons, + All men of wondrous power. + +There rode the rich Count Rodengard, + A warrior stout and fine; +And there rode King Sir Sigfred, who + Displayed a monarch’s sign. + +Then followed Siward Snarenswayne, + With many arrows white; +And then came Brand Sir Viferlin, + Who never fled from fight. + +And next rode Hero Hogen, + He looked a rose so brave; +And then rode Folker Spillemand, + In his hand a naked glaive. + +Then rode the bold young Ulf Van Yern, + A glorious horse upon; +Behind him young Sir Humble rode, + And then Sir Sigfredson. + +And then rode Gunther and Gernot, + With arrow on bended bow; +And there rode Sonne Tolkerson, + With courage upon his brow. + +There rode the little Grimmer, + In golden acton dight; +And there rode Seyer the active, + Who yields to none in might. + +And then came master Hildebrand, + As though to his courser fixt; +The stalwart friar Alsing rode + The ancient hero next. + +There rode Orm the Ungarswayne, + So bold of heart was he; +So joyous were they every one, + And sure of victory. + +Out galloped they all from Brattingsborg, + As fast as they could speed; +But Vitting bold came running behind, + Because he had no steed. + +It was hardy Angelfyr, + To Grimselin he cried: +“O, he must on his bare legs run + Who has no horse to ride!” + +And still ran Vitting, and still ran he, + Till with wrath he nigh was wode; +Then he struck a warrior from his horse + And sat himself on, and rode. + +It was Sir King Diderik, + He back a glance did throw: +“O yonder I see the courtier ride + Who on foot was wont to go. + +“Here thou, Vitting Helfredson, + Thou art a warrior bold; +Thou shalt hie forward to Birting’s land, + And demand the tribute gold. + +“With thee shall Vidrik Verlandson, + And Diderik knight of Bern; +Of all my troop they are best at blows, + And most for battle yearn.” + +They set themselves upon their steeds, + And away they rode like wind; +The knights they roared, and their steeds they gored, + For wroth were they in mind. + +The watchman stood on the battlement + From whence he far could see: +“Yonder I warriors three espy + Who wrathful seem to be. + +“The one is Vitting Helfredson + Who lost his steed last year; +That a rugged guest he’ll prove to us + We have full cause to fear. + +“The second is Vidrik Verlandson, + As the tongs and hammer shew; +The third is Diderik Van Bern, + All warriors good, I trow.” + +They left their steeds in the castle yard, + To the castle strode they in; +Then might each man by their faces see + A fray would soon begin. + +Upon the porter they laid their hands, + And him to pieces hew’d; +Then in they strode to the high, high hall, + And before the King they stood. + +Then up rose Ifald the King in rage, + And thus the King did cry: +“O, whence are come the ill-starr’d loons + Before my board I spy?” + +Then answered the skinker of the King, + Who skinkèd wine and mead: +“Our sharp spears, if we ply them well, + Will drive them out with speed.” + +It was Vitting Helfredson, + By the beard the skinker has ta’en; +He smote him a blow the ear below, + Which dashed out half his brain. + +He flung the dead corse on the board, + And a merry jest had he: +“Who’ll taste,” said Vitting Helfredson, + “This precious roast for me?” + +Then forth stepped Diderik Van Bern, + And, brandishing his glaive, +He hewed upon King Ifald’s head, + And him to the navel clave. + +And forth stepped Vidrik Verlandson, + And round began to hew; +Heads and arms were smitten off + As round and round he flew. + +In came King Ifald’s mother grey, + With an eldritch scream she came; +I tell to ye in verity + There ensued a wondrous game. + +Vitting struck her with his sword, + A very fearful stroke; +But she kissed asunder the good sword, + Into pieces three it broke. + +With a single kiss of the witch’s mouth + Was shivered the trusty sword; +Vitting the hag by the weazand seized, + Without a single word. + +The beldame changed herself to a crane, + And flew to the clouds on high; +But Vitting donned a feather robe, + And pursued her through the sky. + +They flew for a day, they flew for three, + Bold Vitting and the crane; +Then Vitting seized the crane by the legs, + And her body rent in twain. + +Homeward now, with sword in hand, + The valiant comrades wended: +All the Birting kemps are dead, + And the adventure ended. + + + + +THE SINGING MARINER +_A Ballad from the Spanish_ + + +Who will ever have again, +On the land or on the main, +Such a chance as happen’d to +Count Arnaldos long ago. + +With his falcon in his hand, +Forth he went along the strand; +There he saw a galley gay, +Briskly bearing for the bay. + +Ask me not her name and trade,— +All the sails of silk were made; +He who steer’d the ship along +Raised his voice, and sang a song. + +Sang a song whose magic force +Calm’d the breaker in its course; +While the fishes, sore amazed, +Left their holes and upward gazed. + +And the fowl came flocking fast, +Round the summit of the mast; +Still he sang to wind and wave: +“God preserve my vessel brave! + +“Guard her from the rocks that grow +’Mid the sullen deep below; +From the gust, and from the breeze, +Sweeping through Gibtarek’s seas. + +“From the gulf of Venice too, +With its shoals and waters blue; +Where the mermaid chants her hymn, +Borne upon the billow’s brim.” + +Forward stept Arnaldos bold, +Thus he spake, as I am told: +“Teach me, sailor, I entreat, +Yonder song that sounds so sweet.” + +But the sailor shook his head, +Shook it thrice, and briefly said: +“Never will I teach the strain +But to him who ploughs the main.” + + + + +YOUTH’S SONG IN SPRING + + +O, scarcely is Spring a time of pure bliss, + He is wrong who full trust thereon layeth; +From many it may +Take sorrow away, + But to many it trouble conveyeth. + +O, when every thing is as joyous in Spring, + As in heaven, that never is dreary; +’Tis a grievous case +If one mournful must pace, + And cannot be also merry! + + + + +THE NIGHTINGALE +_Translated from the Danish_ + + +In midnight’s calm hour the Nightingale sings + Of freedom, of love, and delight; +Come, haste to the grove where melody rings, + ’Tis Philomel’s notes that invite. +A fowler attentively follows her there, +Resolv’d for his victim to spread out a snare: +_Think_, _girls_, _of the Nightingale’s fate_, _and beware_! + +In ambush his nets he carefully brings, + Glad innocence feels no alarm; +Unguarded her flight—’midst danger she wings— + And falls into sorrowful harm. +Alas! she is silent, and full of despair, +He glides away quick with his treasure so rare: +_Think_, _girls_, _of the Nightingale’s fate_, _and beware_! + +A beautiful cage adorns his fair prize, + In hope that for him she will sing; +But Freedom, that wafted her notes to the skies, + Bore Gladness away on its wing. +Thus you, Philomela, resemble the fair, +And we, we delight in the love that we share: +_O_, _think of the Nightingale’s fate_, _and beware_! + + + + +LINES + + +Say from what mine took Love the yellow gold + To form those tresses? from what thorn-bush tore + Those roses sleek? and from what summit bore +That stainless snow which seems no longer cold? + + + + +MORNING SONG +_Nu rinder Solen op_ + + +From Eastern quarters now + The sun’s up-wandering, +His rays on the rock’s brow + And hill’s side squandering. +Be glad, my soul! and sing amidst thy pleasure, + Fly from the house of dust, + Up with thy thanks, and trust +To heaven’s azure! + +O, countless as the grains + Of sand so tiny, +Measureless as the main’s + Deep waters briny, +God’s mercy is, which He upon me showereth. + Each morning in my shell, + A grace immeasurable +To me down-poureth. + +Thou best dost understand, + Lord God! my needing; +And placed is in Thy hand + My fortune’s speeding, +And Thou foresee’st what is for me most fitting. + Be still, then, O my soul! + To manage in the whole +Thy God permitting. + +May fruit the land array, + And corn for eating! +May truth e’er make its way, + With justice meeting! +Give thou to me my share with every other, + ’Till down my staff I lay, + And from this world away +Wend to another! + + + + +FROM THE FRENCH + + +This world by fools is occupied, + And whom the sight of a fool displeases, +Within his chamber himself should hide, + And break his looking-glass to pieces. + + + + +THE MORNING WALK + + +To the beech grove with so sweet an air + It beckon’d me. +O, Earth! that never the cruel plough-share + Had furrow’d thee! +In their dark shelter the flowerets grew, + Bright to the eye, +And smil’d by my foot on the cloudlets blue, + Which deck’d the sky. + +To the wood through a field I took my way; + There I could see +On the field an uppil’d stone-heap lay, + ’Twixt hillocks three; +So anciently grayly white it stood, + An oblong ring: +Here doubtless was held in the old time good + A royal Ting. + +The royal stone, which there doth stand, + The Stol-king press’d, +With crown on head, and sceptre in hand, + In sables drest. +And every warrior solemnly pac’d + Peaceful in thought, +And down on his stone himself calmly plac’d— + No sword he brought. + +The king’s house stood on yonder height, + With walls of power; +On yon had his daughter, the damsel bright, + Her maiden bower. +Upon the third the temple stood, + Through the North famed wide, +Where to Thor was offered the he-goat’s blood, + In reeking tide. + +O, lovely field! and forest fair, + And meads grass-clad; +Her bride-bed Freya every where + Enamelled had. +The corn-flowers rose in azure band + From earthly cell; +Nought else could I do but stop and stand, + And greet them well. + +Welcome on earth’s green breast again, + Ye flowerets dear! +In spring how charming ’mid the grain + Your heads ye rear. +Like stars ’midst lightning’s yellow ray + Ye shine red, blue: +O, how your summer aspect gay + Delights my view. + +O poet! poet! silence keep, + God help thy case: +Our owner holds us sadly cheap, + And scorns our race. +Each time he sees, he calls us scum, + Or worthless tares; +Hell-weeds that but to vex him come + ’Midst his corn-ears. + +The greatest grace done for our sake + In all his life, +Is from his pocket deep to take + His huge clasp knife; +And heavy handful then to cut, + ’Midst grumbling much— +Us with tobacco leaves to put + In seal-skin pouch. + +He says, he says, that smoked this way, + We dross of the field, +To the world by chance, by poor chance, may + Some benefit yield; +But as for our beauty, our blue and red hues, + ’Tis folly indeed— +The mouth is his only test of use, + And that’s his creed. + +O wretched mortals!—O wretched man! + O wretched crowd!— +No pleasures ye pluck—no pleasures ye plan + In life’s lone road:— +Whose eyes are blind to the glories great + Of the works of God; +And dream that the mouth is the nearest gate + To joy’s abode. + +Come flowers! for we to each other belong, + Come graceful elf, +And around my lute in sympathy strong + Now wind thyself; +And quake as if mov’d by zephyr’s wing, + ’Neath the clang of the chord, +And a morning song with glee we’ll sing + To our Maker and Lord! + + * * * * * + + LONDON: + + Printed for THOMAS J. WISE, Hampstead, N.W. + + _Edition limited to Thirty Copies_. + + + + +***END OF THE PROJECT GUTENBERG EBOOK THE EXPEDITION TO BIRTING'S LAND*** + + +******* This file should be named 26793-0.txt or 26793-0.zip ******* + + +This and all associated files of various formats will be found in: +http://www.gutenberg.org/dirs/2/6/7/9/26793 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://www.gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://www.gutenberg.org/fundraising/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: +http://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + |