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diff --git a/2646.txt b/2646.txt new file mode 100644 index 0000000..b848230 --- /dev/null +++ b/2646.txt @@ -0,0 +1,853 @@ +The Project Gutenberg EBook of John Leech's Pictures of Life and Character, by +William Makepeace Thackeray + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: John Leech's Pictures of Life and Character + +Author: William Makepeace Thackeray + +Release Date: May 21, 2006 [EBook #2646] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK JOHN LEECH'S PICTURES *** + + + + +Produced by Donald Lainson + + + + + +JOHN LEECH'S PICTURES OF LIFE AND CHARACTER + + +By William Makepeace Thackeray + + + +* Reprinted from the Quarterly Review, No. 191, Dec. 1854, by permission +of Mr. John Murray. + + + +We, who can recall the consulship of Plancus, and quite respectable, +old-fogyfied times, remember amongst other amusements which we had as +children the pictures at which we were permitted to look. There was +Boydell's Shakspeare, black and ghastly gallery of murky Opies, glum +Northcotes, straddling Fuselis! there were Lear, Oberon, Hamlet, with +starting muscles, rolling eyeballs, and long pointing quivering fingers; +there was little Prince Arthur (Northcote) crying, in white satin, and +bidding good Hubert not put out his eyes; there was Hubert crying; there +was little Rutland being run through the poor little body by bloody +Clifford; there was Cardinal Beaufort (Reynolds) gnashing his teeth, and +grinning and howling demoniacally on his death-bed (a picture frightful +to the present day); there was Lady Hamilton (Romney) waving a torch, +and dancing before a black background,--a melancholy museum indeed. +Smirke's delightful "Seven Ages" only fitfully relieved its general +gloom. We did not like to inspect it unless the elders were present, and +plenty of lights and company were in the room. + +Cheerful relatives used to treat us to Miss Linwood's. Let the children +of the present generation thank their stars THAT tragedy is put out +of their way. Miss Linwood's was worsted-work. Your grandmother or +grandaunts took you there and said the pictures were admirable. You saw +"the Woodman" in worsted, with his axe and dog, trampling through the +snow; the snow bitter cold to look at, the woodman's pipe wonderful: a +gloomy piece, that made you shudder. There were large dingy pictures +of woollen martyrs, and scowling warriors with limbs strongly knitted; +there was especially, at the end of a black passage, a den of lions, +that would frighten any boy not born in Africa, or Exeter 'Change, and +accustomed to them. + +Another exhibition used to be West's Gallery, where the pleasing figures +of Lazarus in his grave-clothes, and Death on the pale horse, used to +impress us children. The tombs of Westminster Abbey, the vaults at St. +Paul's, the men in armor at the Tower, frowning ferociously out of +their helmets, and wielding their dreadful swords; that superhuman Queen +Elizabeth at the end of the room, a livid sovereign with glass eyes, a +ruff, and a dirty satin petticoat, riding a horse covered with steel: +who does not remember these sights in London in the consulship of +Plancus? and the wax-work in Fleet Street, not like that of Madame +Tussaud's, whose chamber of death is gay and brilliant; but a nice old +gloomy wax-work, full of murderers; and as a chief attraction, the Dead +Baby and the Princess Charlotte lying in state? + +Our story-books had no pictures in them for the most part. Frank (dear +old Frank!) had none; nor the "Parent's Assistant;" nor the "Evenings +at Home;" nor our copy of the "Ami des Enfans:" there were a few just at +the end of the Spelling-Book; besides the allegory at the beginning, of +Education leading up Youth to the temple of Industry, where Dr. Dilworth +and Professor Walkinghame stood with crowns of laurel. There were, we +say, just a few pictures at the end of the Spelling-Book, little oval +gray woodcuts of Bewick's, mostly of the Wolf and the Lamb, the Dog and +the Shadow, and Brown, Jones, and Robinson with long ringlets and +little tights; but for pictures, so to speak, what had we? The rough old +wood-blocks in the old harlequin-backed fairy-books had served hundreds +of years; before OUR Plancus, in the time of Priscus Plancus--in Queen +Anne's time, who knows? We were flogged at school; we were fifty boys in +our boarding-house, and had to wash in a leaden trough, under a cistern, +with lumps of fat yellow soap floating about in the ice and water. +Are OUR sons ever flogged? Have they not dressing-rooms, hair-oil, +hip-baths, and Baden towels? And what picture-books the young villains +have! What have these children done that they should be so much happier +than we were? + +We had the "Arabian Nights" and Walter Scott, to be sure. Smirke's +illustrations to the former are very fine. We did not know how good +they were then; but we doubt whether we did not prefer the little old +"Miniature Library Nights" with frontispieces by Uwins; for THESE books +the pictures don't count. Every boy of imagination does his own pictures +to Scott and the "Arabian Nights" best. + +Of funny pictures there were none especially intended for us children. +There was Rowlandson's "Doctor Syntax": Doctor Syntax in a fuzz-wig, on +a horse with legs like sausages, riding races, making love, frolicking +with rosy exuberant damsels. Those pictures were very funny, and that +aquatinting and the gay-colored plates very pleasant to witness; but if +we could not read the poem in those days, could we digest it in this? +Nevertheless, apart from the text which we could not master, we remember +Doctor Syntax pleasantly, like those cheerful painted hieroglyphics in +the Nineveh Court at Sydenham. What matter for the arrow-head, illegible +stuff? give us the placid grinning kings, twanging their jolly bows over +their rident horses, wounding those good-humored enemies, who tumble +gayly off the towers, or drown, smiling, in the dimpling waters, amidst +the anerithmon gelasma of the fish. + +After Doctor Syntax, the apparition of Corinthian Tom, Jerry Hawthorn, +and the facetious Bob Logic must be recorded--a wondrous history indeed +theirs was! When the future student of our manners comes to look over +the pictures and the writing of these queer volumes, what will he think +of our society, customs, and language in the consulship of Plancus? +"Corinthian," it appears, was the phrase applied to men of fashion +and ton in Plancus's time: they were the brilliant predecessors of the +"swell" of the present period--brilliant, but somewhat barbarous, it +must be confessed. The Corinthians were in the habit of drinking a great +deal too much in Tom Cribb's parlor: they used to go and see "life" in +the gin-shops; of nights, walking home (as well as they could), they +used to knock down "Charleys," poor harmless old watchmen with lanterns, +guardians of the streets of Rome, Planco Consule. They perpetrated a +vast deal of boxing; they put on the "mufflers" in Jackson's rooms; +they "sported their prads" in the Ring in the Park; they attended +cock-fights, and were enlightened patrons of dogs and destroyers of +rats. Besides these sports, the delassemens of gentlemen mixing with the +people, our patricians, of course, occasionally enjoyed the society of +their own class. What a wonderful picture that used to be of Corinthian +Tom dancing with Corinthian Kate at Almack's! What a prodigious dress +Kate wore! With what graceful ABANDON the pair flung their arms about +as they swept through the mazy quadrille, with all the noblemen standing +round in their stars and uniforms! You may still, doubtless, see the +pictures at the British Museum, or find the volumes in the corner of +some old country-house library. You are led to suppose that the English +aristocracy of 1820 DID dance and caper in that way, and box and drink +at Tom Cribb's, and knock down watchmen; and the children of to-day, +turning to their elders, may say "Grandmamma, did you wear such a dress +as that, when you danced at Almack's? There was very little of it, +grandmamma. Did grandpapa kill many watchmen when he was a young man, +and frequent thieves' gin-shops, cock-fights, and the ring, before you +married him? Did he use to talk the extraordinary slang and jargon which +is printed in this book? He is very much changed. He seems a gentlemanly +old boy enough now." + +In the above-named consulate, when WE had grandfathers alive, there +would be in the old gentleman's library in the country two or three old +mottled portfolios, or great swollen scrap-books of blue paper, full of +the comic prints of grandpapa's time, ere Plancus ever had the fasces +borne before him. These prints were signed Gilray, Bunbury, Rowlandson, +Woodward, and some actually George Cruikshank--for George is a veteran +now, and he took the etching needle in hand as a child. He caricatured +"Boney," borrowing not a little from Gilray in his first puerile +efforts. He drew Louis XVIII. trying on Boney's boots. Before the +century was actually in its teens we believe that George Cruikshank was +amusing the public. + +In those great colored prints in our grandfathers' portfolios in +the library, and in some other apartments of the house, where the +caricatures used to be pasted in those days, we found things quite +beyond our comprehension. Boney was represented as a fierce dwarf, with +goggle eyes, a huge laced hat and tricolored plume, a crooked sabre, +reeking with blood: a little demon revelling in lust, murder, massacre. +John Bull was shown kicking him a good deal: indeed he was prodigiously +kicked all through that series of pictures; by Sidney Smith and +our brave allies the gallant Turks; by the excellent and patriotic +Spaniards; by the amiable and indignant Russians,--all nations had boots +at the service of poor Master Boney. How Pitt used to defy him! How +good old George, King of Brobdingnag, laughed at Gulliver-Boney, sailing +about in his tank to make sport for their Majesties! This little fiend, +this beggar's brat, cowardly, murderous, and atheistic as he was (we +remember, in those old portfolios, pictures representing Boney and his +family in rags, gnawing raw bones in a Corsican hut; Boney murdering the +sick at Jaffa; Boney with a hookah and a large turban, having adopted +the Turkish religion, &c.)--this Corsican monster, nevertheless, had +some devoted friends in England, according to the Gilray chronicle,--a +set of villains who loved atheism, tyranny, plunder, and wickedness in +general, like their French friend. In the pictures these men were all +represented as dwarfs, like their ally. The miscreants got into power +at one time, and, if we remember right, were called the Broad-backed +Administration. One with shaggy eyebrows and a bristly beard, the +hirsute ringleader of the rascals, was, it appears, called Charles +James Fox; another miscreant, with a blotched countenance, was a certain +Sheridan; other imps were hight Erskine, Norfolk (Jockey of), Moira, +Henry Petty. As in our childish, innocence we used to look at these +demons, now sprawling and tipsy in their cups; now scaling heaven, from +which the angelic Pitt hurled them down; now cursing the light (their +atrocious ringleader Fox was represented with hairy cloven feet, and a +tail and horns); now kissing Boney's boot, but inevitably discomfited by +Pitt and the other good angels: we hated these vicious wretches, as good +children should; we were on the side of Virtue and Pitt and Grandpapa. +But if our sisters wanted to look at the portfolios, the good old +grandfather used to hesitate. There were some prints among them very odd +indeed; some that girls could not understand; some that boys, indeed, +had best not see. We swiftly turn over those prohibited pages. How many +of them there were in the wild, coarse, reckless, ribald, generous book +of old English humor! + +How savage the satire was--how fierce the assault--what garbage hurled +at opponents--what foul blows were hit--what language of Billingsgate +flung! Fancy a party in a country-house now looking over Woodward's +facetiae or some of the Gilray comicalities, or the slatternly +Saturnalia of Rowlandson! Whilst we live we must laugh, and have folks +to make us laugh. We cannot afford to lose Satyr with his pipe and +dances and gambols. But we have washed, combed, clothed, and taught the +rogue good manners: or rather, let us say, he has learned them himself; +for he is of nature soft and kindly, and he has put aside his mad +pranks and tipsy habits; and, frolicsome always, has become gentle and +harmless, smitten into shame by he pure presence of our women and the +sweet confiding smiles of our children. Among the veterans, the old +pictorial satirists, we have mentioned the famous name of one humorous +designer who is still alive and at work. Did we not see, by his own +hand, his own portrait of his own famous face, and whiskers, in the +Illustrated London News the other day? There was a print in that paper +of an assemblage of Teetotalers in "Sadler's Wells Theatre," and we +straightway recognized the old Roman hand--the old Roman's of the time +of Plancus--George Cruikshank's. There were the old bonnets and droll +faces and shoes, and short trousers, and figures of 1820 sure enough. +And there was George (who has taken to the water-doctrine, as all the +world knows) handing some teetotal cresses over a plank to the table +where the pledge was being administered. How often has George drawn that +picture of Cruikshank! Where haven't we seen it? How fine it was, +facing the effigy of Mr. Ainsworth in Ainsworth's Magazine when George +illustrated that periodical! How grand and severe he stands in that +design in G. C.'s "Omnibus," where he represents himself tonged like +St. Dunstan, and tweaking a wretch of a publisher by the nose! The +collectors of George's etchings--oh the charming etchings!--oh the +dear old "German Popular Tales!"--the capital "Points of Humor"--the +delightful "Phrenology" and "Scrap-books," of the good time, OUR +time--Plancus's in fact!--the collectors of the Georgian etchings, we +say, have at least a hundred pictures of the artist. Why, we remember +him in his favorite Hessian boots in "Tom and Jerry" itself; and in +woodcuts as far back as the Queen's trial. He has rather deserted satire +and comedy of late years, having turned his attention to the serious, +and warlike, and sublime. Having confessed our age and prejudices, we +prefer the comic and fanciful to the historic, romantic, and at present +didactic George. May respect, and length of days, and comfortable +repose attend the brave, honest, kindly, pure-minded artist, humorist, +moralist! It was he first who brought English pictorial humor and +children acquainted. Our young people and their fathers and mothers owe +him many a pleasant hour and harmless laugh. Is there no way in which +the country could acknowledge the long services and brave career of such +a friend and benefactor? + +Since George's time humor has been converted. Comus and his wicked +satyrs and leering fauns have disappeared, and fled into the lowest +haunts; and Comus's lady (if she had a taste for humor, which may be +doubted) might take up our funny picture-books without the slightest +precautionary squeamishness. What can be purer than the charming fancies +of Richard Doyle? In all Mr. Punch's huge galleries can't we walk as +safely as through Miss Pinkerton's schoolrooms? And as we look at Mr. +Punch's pictures, at the Illustrated News pictures, at all the pictures +in the book-shop windows at this Christmas season, as oldsters, we feel +a certain pang of envy against the youngsters--they are too well off. +Why hadn't WE picture-books? Why were we flogged so? A plague on the +lictors and their rods in the time of Plancus! + +And now, after this rambling preface, we are arrived at the subject in +hand--Mr. John Leech and his "Pictures of Life and Character," in +the collection of Mr. Punch. This book is better than plum-cake at +Christmas. It is an enduring plum-cake, which you may eat and which you +may slice and deliver to your friends; and to which, having cut it, +you may come again and welcome, from year's end to year's end. In the +frontispiece you see Mr. Punch examining the pictures in his gallery--a +portly, well-dressed, middle-aged, respectable gentleman, in a white +neck-cloth, and a polite evening costume--smiling in a very bland and +agreeable manner upon one of his pleasant drawings, taken out of one of +his handsome portfolios. Mr. Punch has very good reason to smile at the +work and be satisfied with the artist. Mr. Leech, his chief contributor, +and some kindred humorists, with pencil and pen have served Mr. Punch +admirably. Time was, if we remember Mr. P.'s history rightly, that he +did not wear silk stockings nor well-made clothes (the little dorsal +irregularity in his figure is almost an ornament now, so excellent a +tailor has he). He was of humble beginnings. It is said he kept a ragged +little booth, which he put up at corners of streets; associated +with beadles, policemen, his own ugly wife (whom he treated most +scandalously), and persons in a low station of life; earning a +precarious livelihood by the cracking of wild jokes, the singing of +ribald songs, and halfpence extorted from passers-by. He is the Satyric +genius we spoke of anon: he cracks his jokes still, for satire +must live; but he is combed, washed, neatly clothed, and perfectly +presentable. He goes into the very best company; he keeps a stud at +Melton; he has a moor in Scotland; he rides in the Park; has his stall +at the Opera; is constantly dining out at clubs and in private society; +and goes every night in the season to balls and parties, where you +see the most beautiful women possible. He is welcomed amongst his new +friends the great; though, like the good old English gentleman of the +song, he does not forget the small. He pats the heads of street boys and +girls; relishes the jokes of Jack the costermonger and Bob the dustman; +good-naturedly spies out Molly the cook flirting with policeman X, or +Mary the nursemaid as she listens to the fascinating guardsman. He used +rather to laugh at guardsmen, "plungers," and other military men; +and was until latter days very contemptuous in his behavior towards +Frenchmen. He has a natural antipathy to pomp, and swagger, and fierce +demeanor. But now that the guardsmen are gone to war, and the dandies +of "The Rag"--dandies no more--are battling like heroes at Balaklava and +Inkermann* by the side of their heroic allies, Mr. Punch's laughter is +changed to hearty respect and enthusiasm. It is not against courage +and honor he wars: but this great moralist--must it be owned?--has some +popular British prejudices, and these led him in peace time to laugh +at soldiers and Frenchmen. If those hulking footmen who accompanied the +carriages to the opening of Parliament the other day, would form a plush +brigade, wear only gunpowder in their hair, and strike with their great +canes on the enemy, Mr. Punch would leave off laughing at Jeames, who +meanwhile remains among us, to all outward appearance regardless of +satire, and calmly consuming his five meals per diem. Against lawyers, +beadles, bishops and clergy, and authorities, Mr. Punch is still rather +bitter. At the time of the Papal aggression he was prodigiously angry; +and one of the chief misfortunes which happened to him at that period +was that, through the violent opinions which he expressed regarding the +Roman Catholic hierarchy, he lost the invaluable services, the graceful +pencil, the harmless wit, the charming fancy of Mr. Doyle. Another +member of Mr. Punch's cabinet, the biographer of Jeames, the author +of the "Snob Papers," resigned his functions on account of Mr. Punch's +assaults upon the present Emperor of the French nation, whose anger +Jeames thought it was unpatriotic to arouse. Mr. Punch parted with these +contributors: he filled their places with others as good. The boys at +the railroad stations cried Punch just as cheerily, and sold just as +many numbers, after these events as before. + + * This was written in 1854. + +There is no blinking the fact that in Mr. Punch's cabinet John Leech is +the right-hand man. Fancy a number of Punch without Leech's pictures! +What would you give for it? The learned gentlemen who write the work +must feel that, without him, it were as well left alone. Look at the +rivals whom the popularity of Punch has brought into the field; the +direct imitators of Mr. Leech's manner--the artists with a manner of +their own--how inferior their pencils are to his in humor, in depicting +the public manners, in arresting, amusing the nation. The truth, the +strength, the free vigor, the kind humor, the John Bull pluck and spirit +of that hand are approached by no competitor. With what dexterity he +draws a horse, a woman, a child! He feels them all, so to speak, like +a man. What plump young beauties those are with which Mr. Punch's chief +contributor supplies the old gentleman's pictorial harem! What famous +thews and sinews Mr. Punch's horses have, and how Briggs, on the back +of them, scampers across country! You see youth, strength, enjoyment, +manliness in those drawings, and in none more so, to our thinking, than +in the hundred pictures of children which this artist loves to design. +Like a brave, hearty, good-natured Briton, he becomes quite soft and +tender with the little creatures, pats gently their little golden heads, +and watches with unfailing pleasure their ways, their sports, their +jokes, laughter, caresses. Enfans terribles come home from Eton; young +Miss practising her first flirtation; poor little ragged Polly making +dirt-pies in the gutter, or staggering under the weight of Jacky, her +nursechild, who is as big as herself--all these little ones, patrician +and plebeian, meet with kindness from this kind heart, and are watched +with curious nicety by this amiable observer. + +We remember, in one of those ancient Gilray portfolios, a print which +used to cause a sort of terror in us youthful spectators, and in +which the Prince of Wales (his Royal Highness was a Foxite then) was +represented as sitting alone in a magnificent hall after a voluptuous +meal, and using a great steel fork in the guise of a toothpick. Fancy +the first young gentleman living employing such a weapon in such a +way! The most elegant Prince of Europe engaged with a two-pronged iron +fork--the heir of Britannia with a BIDENT! The man of genius who drew +that picture saw little of the society which he satirized and amused. +Gilray watched public characters as they walked by the shop in St. +James's Street, or passed through the lobby of the House of Commons. +His studio was a garret, or little better; his place of amusement a +tavern-parlor, where his club held its nightly sittings over their pipes +and sanded floor. You could not have society represented by men to whom +it was not familiar. When Gavarni came to England a few years since--one +of the wittiest of men, one of the most brilliant and dexterous of +draughtsmen--he published a book of "Les Anglais," and his Anglais +were all Frenchmen. The eye, so keen and so long practised to observe +Parisian life, could not perceive English character. A social painter +must be of the world which he depicts, and native to the manners which +he portrays. + +Now, any one who looks over Mr. Leech's portfolio must see that the +social pictures which he gives us are authentic. What comfortable little +drawing-rooms and dining-rooms, what snug libraries we enter; what fine +young-gentlemanly wags they are, those beautiful little dandies who wake +up gouty old grandpapa to ring the bell; who decline aunt's pudding and +custards, saying that they will reserve themselves for an anchovy +toast with the claret; who talk together in ball-room doors, where Fred +whispers Charley--pointing to a dear little partner seven years old--"My +dear Charley, she has very much gone off; you should have seen that girl +last season!" Look well at everything appertaining to the economy of +the famous Mr. Briggs: how snug, quiet, appropriate all the appointments +are! What a comfortable, neat, clean, middle-class house Briggs's is (in +the Bayswater suburb of London, we should guess from the sketches of the +surrounding scenery)! What a good stable he has, with a loose box for +those celebrated hunters which he rides! How pleasant, clean, and +warm his breakfast-table looks! What a trim little maid brings in +the top-boots which horrify Mrs. B! What a snug dressing-room he has, +complete in all its appointments, and in which he appears trying on the +delightful hunting-cap which Mrs. Briggs flings into the fire! How +cosy all the Briggs party seem in their dining-room: Briggs reading +a Treatise on Dog-breaking by a lamp; Mamma and Grannie with their +respective needleworks; the children clustering round a great book of +prints--a great book of prints such as this before us, which, at this +season, must make thousands of children happy by as many firesides! +The inner life of all these people is represented: Leech draws them as +naturally as Teniers depicts Dutch boors, or Morland pigs and stables. +It is your house and mine: we are looking at everybody's family circle. +Our boys coming from school give themselves such airs, the young +scapegraces! our girls, going to parties, are so tricked out by fond +mammas--a social history of London in the middle of the nineteenth +century. As such, future students--lucky they to have a book so +pleasant--will regard these pages: even the mutations of fashion they +may follow here if they be so inclined. Mr. Leech has as fine an eye for +tailory and millinery as for horse-flesh. How they change those cloaks +and bonnets. How we have to pay milliners' bills from year to year! +Where are those prodigious chatelaines of 1850 which no lady could be +without? Where those charming waistcoats, those "stunning" waistcoats, +which our young girls used to wear a few brief seasons back, and which +cause 'Gus, in the sweet little sketch of "La Mode," to ask Ellen for +her tailor's address. 'Gus is a young warrior by this time, very likely +facing the enemy at Inkerman; and pretty Ellen, and that love of a +sister of hers, are married and happy, let us hope, superintending one +of those delightful nursery scenes which our artist depicts with such +tender humor. Fortunate artist, indeed! You see he must have been bred +at a good public school; that he has ridden many a good horse in his +day; paid, no doubt, out of his own purse for the originals of some of +those lovely caps and bonnets; and watched paternally the ways, smiles, +frolics, and slumbers of his favorite little people. + +As you look at the drawings, secrets come out of them,--private jokes, +as it were, imparted to you by the author for your special delectation. +How remarkably, for instance, has Mr. Leech observed the hair-dressers +of the present age! Look at "Mr. Tongs," whom that hideous old bald +woman, who ties on her bonnet at the glass, informs that "she has used +the whole bottle of Balm of California, but her hair comes off yet." +You can see the bear's-grease not only on Tongs's head but on his hands, +which he is clapping clammily together. Remark him who is telling his +client "there is cholera in the hair;" and that lucky rogue whom +the young lady bids to cut off "a long thick piece"--for somebody, +doubtless. All these men are different, and delightfully natural and +absurd. Why should hair-dressing be an absurd profession? + +The amateur will remark what an excellent part hands play in Mr. Leech's +pieces: his admirable actors use them with perfect naturalness. Look at +Betty, putting the urn down; at cook, laying her hands on the kitchen +table, whilst her policeman grumbles at the cold meat. They are cook's +and housemaid's hands without mistake, and not without a certain beauty +too. The bald old lady, who is tying her bonnet at Tongs's, has hands +which you see are trembling. Watch the fingers of the two old harridans +who are talking scandal: for what long years past they have pointed out +holes in their neighbors' dresses and mud on their flounces. "Here's a +go! I've lost my diamond ring." As the dustman utters this pathetic +cry, and looks at his hand, you burst out laughing. These are among the +little points of humor. One could indicate hundreds of such as one turns +over the pleasant pages. + +There is a little snob or gent, whom we all of us know, who wears little +tufts on his little chin, outrageous pins and pantaloons, smokes cigars +on tobacconists' counters, sucks his cane in the streets, struts +about with Mrs. Snob and the baby (Mrs. S. an immense woman, whom Snob +nevertheless bullies), who is a favorite abomination of Leech, and +pursued by that savage humorist into a thousand of his haunts. There he +is, choosing waistcoats at the tailor's--such waistcoats! Yonder he +is giving a shilling to the sweeper who calls him "Capting;" now he is +offering a paletot to a huge giant who is going out in the rain. They +don't know their own pictures, very likely; if they did, they would have +a meeting, and thirty or forty of them would be deputed to thrash Mr. +Leech. One feels a pity for the poor little bucks. In a minute or two, +when we close this discourse and walk the streets, we shall see a dozen +such. + +Ere we shut the desk up, just one word to point out to the +unwary specially to note the backgrounds of landscapes in Leech's +drawings--homely drawings of moor and wood, and seashore and London +street--the scenes of his little dramas. They are as excellently true +to nature as the actors themselves; our respect for the genius and humor +which invented both increases as we look and look again at the designs. +May we have more of them; more pleasant Christmas volumes, over which we +and our children can laugh together. Can we have too much of truth, and +fun, and beauty, and kindness? + + + + + +End of the Project Gutenberg EBook of John Leech's Pictures of Life and +Character, by William Makepeace Thackeray + +*** END OF THIS PROJECT GUTENBERG EBOOK JOHN LEECH'S PICTURES *** + +***** This file should be named 2646.txt or 2646.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/6/4/2646/ + +Produced by Donald Lainson + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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