initial commit of ebook 26445HEADmain

1 files changed, 918 insertions, 0 deletions

diff --git a/26445.txt b/26445.txt
new file mode 100644
index 0000000..3805edf
--- /dev/null
+++ b/26445.txt
@@ -0,0 +1,918 @@
+The Project Gutenberg EBook of Songs from the Southland, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Songs from the Southland
+
+Author: Various
+
+Editor: Sarah Frances Price
+
+Release Date: August 28, 2008 [EBook #26445]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK SONGS FROM THE SOUTHLAND ***
+
+
+
+
+Produced by David Garcia, Diane Monico, and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Kentuckiana Digital Library)
+
+
+
+
+
+
+
+
+
+[Illustration: (signed) Very Truly Yours,
+Paul H. Hayne.]
+
+
+
+
+SONGS
+FROM THE SOUTHLAND
+
+SELECTED BY
+S. F. PRICE
+
+[Illustration]
+
+BOSTON
+D. LOTHROP COMPANY
+WASHINGTON STREET OPPOSITE BROMFIEL
+
+
+
+
+COPYRIGHT, 1890,
+BY
+D. LOTHROP COMPANY.
+
+
+
+
+SONGS
+FROM THE SOUTH-LAND.
+
+
+
+
+THE CLOSING YEAR.
+
+GEORGE D. PRENTICE.
+
+
+'Tis midnight's holy hour, and silence now
+Is brooding, like a gentle spirit o'er
+The still and pulseless world. Hark! on the winds
+The bell's deep tones are swelling; 'tis the knell
+Of the departed year. No funeral train
+Is sweeping past; yet, on the stream and wood,
+With melancholy light, the moonbeams rest
+Like a pale, spotless shroud; the air is stirred,
+As by a mourner's sigh; and, on yon cloud,
+That floats so still and placidly through heaven,
+The spirits of the Seasons seem to stand.
+Young Spring, bright Summer, Autumn's solemn form,
+And Winter with its aged locks--and breathe
+In mournful cadences, that come abroad,
+Like the far windharps wild, touching wail,
+A melancholy dirge o'er the dead year,
+Gone from the earth forever.
+
+            'Tis a time
+For memory and for tears. Within the deep,
+Still chambers of the heart, a spectre dim,
+Whose tones are like the wizard voice of time,
+Heard from the tomb of ages, points its cold
+And solemn finger to the beautiful
+And holy visions, that have passed away,
+And left no shadow of their loveliness
+On the dead waste of life. The spectre lifts
+The coffin-lid of Hope and Joy and Love,
+And bending mournfully above the pale,
+Sweet forms that slumber there, scatters dead flowers
+O'er what has passed to nothingness.
+
+            The year
+Has gone, and with it many a glorious throng
+Of happy dreams. Its mark is on each brow,
+Its shadow in each heart. In its swift course,
+It waved its sceptre o'er the beautiful;
+And they are not. It laid its pallid hand
+Upon the strong man: and the haughty form
+Is fallen, and the flashing eye is dim.
+It trod the hall of revelry, where thronged
+The bright and joyous; and the tearful wail
+Of stricken ones is heard, where erst the song
+And reckless shout resounded. It passed o'er
+The battle plain, where sword, and spear and shield,
+Flashed in the light of midday; and the strength
+Of serried hosts is shivered, and the grass,
+Green from the soil of carnage, waves above
+The crushed and mouldering skeleton. It came,
+And faded like a wreath of mist at eve;
+Yet, ere it melted in the viewless air,
+It heralded its millions to their home,
+In the dim land of dreams.
+
+            Remorseless time!
+Fierce spirit of the glass and scythe! What power
+Can stay him in his silent course, or melt
+His iron heart to pity! On, still on,
+He presses and forever. The proud bird,
+The Condor of the Andes, that can soar
+Through heaven's unfathomable depths, or brave
+The fury of the northing hurricane,
+And bath its plumage in the thunder's home
+Furls his broad wing at nightfall, and sinks down
+To rest upon his mountain crag; but Time
+Knows not the weight of sleep or weariness,
+And Night's deep darkness has no chain to bind
+His rushing pinion.
+
+            Revolutions sweep
+O'er earth, like troubled visions o'er the breast
+Of dreaming sorrow; cities rise and sink
+Like bubbles on the water; fiery isles
+Spring blazing from the ocean, and go back
+To their mysterious caverns; mountains rear
+To heaven their bold and blackened cliffs, and bow
+Their tall heads to the plain; and empires rise,
+Gathering the strength of hoary centuries,
+And rush down, like the Alpine avalanche,
+Startling the nations; and the very stars,
+Yon bright and glorious blazonry of God,
+Glitter awhile in their eternal depths,
+And like the Pleiad, loveliest of their train,
+Shoot from their glorious spheres, and pass away
+To darkle in the trackless void; yet Time,
+Time, the tomb-builder, holds his fierce career,
+Dark, stern, all pitiless, and pauses not
+Amid the mighty wrecks that strew his path,
+To sit and muse, like other conquerors,
+Upon the fearful ruin he hath wrought.
+
+
+
+
+CHRISTMAS. [1864.]
+
+HENRY TIMROD.
+
+
+    How grace this hallowed day?
+Shall happy bells, from yonder ancient spire,
+Send their glad greetings to each Christmas fire
+    Round which the children play?
+
+                  ....
+
+    How shall we grace the day?
+Ah! Let the thought that on this holy morn
+The Prince of Peace-the Prince of Peace was born,
+    Employ us, while we pray!
+
+    Pray for the peace which long
+Hath left this tortured land, and haply now
+Holds its white court on some far mountain's brow,
+    There hardly safe from wrong!
+
+    Let every sacred fane
+Call its sad votaries to the shrine of God,
+And, with the cloister and the tented sod,
+    Join in one solemn strain!
+
+    He, who, till time shall cease,
+Will watch that earth, where once, not all in vain,
+He died to give us peace, may not disdain
+    A prayer whose theme is--peace.
+
+    Perhaps ere yet the Spring
+Hath died into the Summer, over all
+The land, the Peace of His vast love shall fall,
+    Like some protecting wing.
+
+    Oh, ponder what it means!
+Oh, turn the rapturous thought in every way!
+Oh, give the vision and the fancy play,
+    And shape the coming scenes!
+
+    Peace in the quiet dales,
+Made rankly fertile by the blood of men,
+Peace in the woodland, and the lonely glen,
+    Peace in the peopled vales!
+
+    Peace in the crowded town,
+Peace in the thousand fields of waving grain,
+Peace in the highway and the flowery lane,
+    Peace on the wind-swept down!
+
+    Peace on the farthest seas,
+Peace in our sheltered bays and ample streams,
+Peace whereso'er our starry garland gleams;
+    And peace in every breeze!
+
+    Peace on the whirring marts,
+Peace where the scholar thinks--the hunter roams,
+Peace, God of Peace! Peace, peace, in all our homes,
+    And peace in all our hearts!
+
+[Illustration: "Peace in the quiet dales
+                Made rankly fertile by the blood of men."]
+
+
+
+
+LA BELLE JUIVE.
+
+HENRY TIMROD.
+
+
+Is it because your sable hair
+Is folded over brows that wear
+At times a too imperial air;
+
+Or is it that the thoughts which rise
+In those dark orbs do seek disguise
+Beneath the lids of Eastern eyes;
+
+That choose whatever pose or place
+May chance to please, in you I trace
+The noblest woman of your race?
+
+The crowd is sauntering at its ease,
+And humming like a hive of bees--
+You take your seat and touch the keys:
+
+I do not hear the giddy throng;
+The sea avenges Israel's wrong,
+And on the mind floats Miriam's song!
+
+You join me with a stately grace;
+Music to Poesy gives place;
+Some grand emotion lights your face:
+
+At once I stand by Mizpeh's walls;
+With smiles the martyred daughter falls,
+And desolate are Mizpeh's halls!
+
+Intrusive babblers come between;
+With calm, pale brow and lofty mein,
+You thread the circle like a queen!
+
+Then sweeps the royal Esther by;
+The deep devotion in her eye,
+Is looking "If I die, I die!"
+
+You stroll the gardener's flowery walks;
+The plants to me are grainless stalks,
+And Ruth to old Naomi talks.
+
+Adopted child of Judah's creed,
+Like Judah's daughters, true at need,
+I see you mid the alien seed.
+
+I watch afar the gleaner sweet;
+I watch like Boaz in the wheat,
+And find you lying at my feet.
+
+My feet! Oh! if the spell that lures,
+My heart through all these dreams endures,
+How soon shall I be stretched at yours!
+
+
+
+
+TO HELEN.
+
+EDGAR ALLAN POE.
+
+
+Helen, thy beauty is to me
+  Like those Nicean barks of yore,
+That gently, o'er a perfumed sea,
+  The weary, way-worn wanderer bore
+  To his own native shore.
+
+On desperate seas long wont to roam,
+  Thy hyacinth hair, thy classic face,
+Thy Naiad airs have brought me home
+  To the glory that was Greece
+And the grandeur that was Rome.
+
+Lo! in yon brilliant window-niche
+  How statue-like I see thee stand!
+  The agate lamp within thy hand,
+Ah! Psyche, from the regions which
+  Are Holy Land!
+
+
+
+
+A CHRISTMAS CHANT.
+
+FATHER RYAN.
+
+
+Four thousand years earth waited,
+  Four thousand years men prayed,
+Four thousand years the nations sighed
+  That their King so long delayed.
+
+The prophets told His coming,
+  The saintly for Him sighed;
+And the star of the Babe of Bethlehem
+  Shone o'er them when they died.
+
+Their faces toward the future,
+  They longed to hail the light
+That in the after centuries
+  Would rise on Christmas night.
+
+But still the Saviour tarried,
+  Within His father's home;
+And the nations wept and wondered why
+  The promise had not come.
+
+At last earth's hope was granted,
+  And God was a child of earth;
+And a thousand angels chanted
+  The lowly midnight birth.
+
+Ah! Bethlehem was grander
+  That hour than paradise;
+And the light of earth that night eclipsed
+  The splendour of the skies.
+
+Then let us sing the anthem,
+  The angels once did sing;
+Until the music of love and praise
+  O'er whole wide world will ring.
+
+    Glory in excelsis!
+      Sound the thrilling song;
+    In excelsis Deo!
+      Roll the hymn along.
+
+[Illustration: Then let us sing the anthem
+               The angels once did sing.]
+
+    Glory in excelsis!
+      Let the heavens ring;
+    In excelsis Deo!
+      Welcome, new-born King.
+    Gloria in excelsis!
+      Over the sea and land,
+    In excelsis Deo!
+      Chant the anthem grand.
+    Gloria in excelsis!
+      Let us all rejoice!
+    In excelsis Deo!
+      Lift each heart and voice.
+    Gloria in excelsis!
+      Swell the hymn on high;
+    In excelsis Deo!
+      Sound it to the sky.
+    Gloria in excelsis!
+      Sing it sinful earth.
+    In excelsis Deo!
+      For the Saviour's birth.
+
+Thus joyful and victoriously,
+Glad and ever so gloriously,
+High as the heavens, wide as the earth,
+Swelleth the hymn of the Saviour's birth.
+
+
+
+
+THE VOICE IN THE PINES.
+
+PAUL HAMILTON HAYNE.
+
+
+The morn is softly beautiful and still,
+  Its light, fair clouds in pencilled gold and gray
+Pause motionless above the pine-grown hill,
+Where the pines, tranced as by a wizard's will,
+  Uprise as mute and motionless as they!
+
+Yea! mute and moveless; not one flickering spray
+  Flashed into sunlight, nor a gaunt bough stirred;
+Yet, if wooed hence beneath those pines to stray,
+We catch a faint, thin murmur far away,
+  A bodiless voice, by grosser ears unheard.
+
+What voice is this? What low and solemn tone,
+  Which, though all wings of all the winds seemed furled,
+Nor even the zephyr's fairy flute is blown,
+Makes thus forever its mysterious moan
+  From out the whispering pine-tops' shadowy world?
+
+Ah! can it be the antique tales are true?
+  Doth some lone Dryad haunt the breezeless air,
+Fronting yon bright immitigable blue,
+And wildly breathing all her wild soul through
+  That strange unearthly music of despair?
+
+Or can it be that ages since, storm-tossed,
+  And driven far inland from the roaring lea,
+Some baffled ocean-spirit, worn and lost,
+Here, through dry summer's dearth and winter's frost,
+  Yearns for the sharp, sweet kisses of the sea?
+
+Whate'er the spell, I harken and am dumb,
+  Dream-touched, and musing in the tranquil morn;
+All woodland sounds--the pheasant's gusty drum,
+The mock-bird's fugue, the droning insect's hum--
+  Scarce heard for that strange, sorrowful voice forlorn!
+
+Beneath the drowsed sense, from deep to deep
+  Of spiritual life its mournful minor flows,
+Streamlike, with pensive tide, whose currents keep
+Low murmuring 'twixt the bounds of grief and sleep,
+  Yet locked for aye for sleep's divine repose.
+
+
+
+
+ASPECTS OF THE PINES.
+
+PAUL HAMILTON HAYNE.
+
+
+Tall, sombre, grim, against the morning sky
+  They rise, scarce touched by melancholy airs,
+Which stir the fadeless foliage dreamfully,
+  As if from realms of mystical despairs.
+
+Tall, sombre, grim, they stand with dusky gleams
+  Brightening to gold within the woodland's core,
+Beneath the gracious noontide's tranquil beams--
+  But the weird winds of morning sigh no more.
+
+A stillness, strange, divine, ineffable,
+  Broods round and o'er them in the wind's surcease,
+And on each tinted copse and shimmering dell
+  Rests the mute rapture of deep-hearted peace.
+
+Last, sunset comes--the solemn joy and might
+  Borne from the West when cloudless day declines--
+Low, flutelike breezes sweep the waves of light,
+  And lifting dark green tresses of the pines,
+
+Till every lock is luminous--gently float,
+  Fraught with hale odors up the heavens afar
+To faint when twilight on her virginal throat
+  Wears for a gem the tremulous vesper star.
+
+[Illustration: "Tall, sombre, grim, they stand with dusky gleam
+                Brightening to gold within the woodland's core."]
+
+
+
+
+IN HARBOR.
+
+PAUL HAMILTON HAYNE.
+
+
+I think it is over, over,
+  I think it is over at last,
+Voices of foeman and lover,
+  The sweet and the bitter have passed--
+Life, like a tempest of ocean
+  Hath outblown its ultimate blast.
+There's but a faint sobbing seaward
+While the calm of the tide deepens leeward,
+And behold! like the welcoming quiver
+Of heart-pulses throbbed thro' the river,
+  Those lights in the harbor at last,
+  The heavenly harbor at last!
+
+I feel it is over! over!
+  For the winds and the waters surcease;
+Ah! few were the days of the rover
+  That smiled in the beauty of peace!
+And distant and dim was the omen
+  That hinted redress or release.
+From the ravage of life, and its riot
+What marvel I yearn for the quiet
+  Which bides in the harbor at last?
+For the lights with their welcoming quiver
+That through the sanctified river
+  Which girdles the harbor at last,
+  This heavenly harbor at last?
+
+I _know_ it is over, over,
+  I know it is over at last!
+Down sail! the sheathed anchor uncover,
+  For the stress of the voyage has passed--
+Life, like a tempest of ocean
+  Hath outbreathed its ultimate blast.
+There's but a faint sobbing seaward,
+While the calm of the tide deepens leeward;
+And behold! like the welcoming quiver
+Of heart-pulses throbbed thro' the river,
+  Those lights in the harbor at last,
+  The heavenly harbor at last!
+
+       *       *       *       *       *
+
+
+
+
+Transcriber's Notes
+
+Spelling, hyphenation, and punctuation inconsistencies have been
+retained from the original book.
+
+Page 10: This is a shortened version of Henry Timrod's poem, and the
+four dots represent lines missing from the full version.
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Songs from the Southland, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK SONGS FROM THE SOUTHLAND ***
+
+***** This file should be named 26445.txt or 26445.zip *****
+This and all associated files of various formats will be found in:
+        https://www.gutenberg.org/2/6/4/4/26445/
+
+Produced by David Garcia, Diane Monico, and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Kentuckiana Digital Library)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations.  To donate, please visit: https://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.