summaryrefslogtreecommitdiff
path: root/26357.txt
diff options
context:
space:
mode:
Diffstat (limited to '26357.txt')
-rw-r--r--26357.txt746
1 files changed, 746 insertions, 0 deletions
diff --git a/26357.txt b/26357.txt
new file mode 100644
index 0000000..ecddea5
--- /dev/null
+++ b/26357.txt
@@ -0,0 +1,746 @@
+Project Gutenberg's Is The Young Man Absalom Safe?, by David Wright
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Is The Young Man Absalom Safe?
+ A Sermon Preached in The Church of St. Mary Magdalene,
+ Stoke Bishop, on Sunday, July 19th, 1885
+
+Author: David Wright
+
+Release Date: August 19, 2008 [EBook #26357]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK IS THE YOUNG MAN ABSALOM SAFE? ***
+
+
+
+
+Produced by Gerard Arthus and the Online Distributed
+Proofreading Team at https://www.pgdp.net (This book was
+produced from scanned images of public domain material
+from the Google Print project.)
+
+
+
+
+
+
+
+
+
+THE FOLLOWING IS A LIST OF
+
+Cabinet and Carte-de-Visite Photographs
+
+OF
+
+HAWORTH
+
+AND
+
+THE BRONTE FAMILY.
+
+
+_Cartes-de-Visite._
+
+ CHARLOTTE BRONTE
+ MR. NICHOLS
+ MR. BRONTE
+ MR. GRIMSHAW
+ THE OLD CHURCH
+ THE OLD PARSONAGE
+ THE BRONTE GROUP
+ THE TABLET
+ THE OLD PEW
+ THE OLD PULPIT
+ THE WATERFALLS
+ THE NEW CHURCH
+
+ _6d. each._ _Post Free 7d._
+
+_Cabinets._
+
+ CHARLOTTE BRONTE
+ MR. BRONTE
+ THE OLD CHURCH
+ THE NEW CHURCH
+ THE PARSONAGE
+ THE BRONTE GROUP
+ THE INTERIOR OF OLD CHURCH
+
+ _1s. each._ _Post 13 stamps._
+
+R. BROWN,
+
+Stationer, Kirkgate, Haworth.
+
+
+
+
+"IS THE YOUNG MAN ABSALOM
+SAFE?"
+
+
+A SERMON
+
+
+PREACHED IN THE CHURCH OF ST. MARY MAGDALENE, STOKE BISHOP,
+ON SUNDAY, JULY 19TH, 1885;
+
+
+BY
+
+DAVID WRIGHT, M.A.,
+
+VICAR.
+
+
+LONDON:
+HAMILTON, ADAMS, & CO., 32, PATERNOSTER ROW.
+BRISTOL: I.E. CHILLCOTT, 26, CLARE STREET.
+1885.
+
+_PRICE THREEPENCE._
+
+
+
+
+SERMON.
+
+
+2 SAMUEL xviii. 29.
+
+"IS THE YOUNG MAN ABSALOM SAFE?"
+
+
+The touch of nature comes out strongly here. And it is this touch of
+nature appearing always in the Old Testament stories which gives to
+them their reality. The writer of ordinary histories has for the most
+part his favourites. These are the heroes of his imagination, and the
+history of their doings is unconsciously tempered by this partiality.
+And there are others whom he holds in disfavour. And the figure of
+these on his page is darkened accordingly. And the book of another
+historian passes over the same ground. But his sympathies are all the
+other way; and the lineaments are altered; and the heroes are
+displaced; and forms which are not heroes stand where they had stood.
+And so the readers of history are mystified. They _do_ get at events.
+But the actors in them wear no fixed shape. Their form varies.
+
+It is not so with the figures in the Old Testament. It is true they
+are seen upon that page only. No second historian of the least
+authority has any place in those scenes. But yet the narrative shows
+its faithfulness apart from any such test. There are no signs anywhere
+of favour or of disfavour interfering with fidelity. It is not certain
+who the author was of the Books of Samuel. But whoever he may have
+been he was certainly an admirer of David. That illustrious king stood
+on a pedestal of his own before all the nation. And this writer tells
+the principal events with which David's life and reign were mixed up.
+But we can discover without a critical eye that he tells them with
+rigid and inexorable adherence to nature and to fact. One of the very
+darkest transactions belonging to that life, or indeed to any other
+life in those past ages, is related point by point with no attempt at
+alleviation: only with this comment at the end: "But the thing which
+David had done displeased the Lord." If the pen of the writer who
+tells the story of Absalom's rebellion had been guided by favour or
+flattery, the fact would have been suppressed or at least toned down,
+that the King's first word to the breathless messenger who brings
+tidings of the victory which has saved his crown is this, "Is the
+young man Absalom safe?" It is natural, it is human, it is fatherly,
+it is pathetic and beautiful, but it is not heroic.
+
+This young man Absalom comes upon the page a few chapters back, and
+gathers upon his name quickly the dark stain of murder. It is true he
+has received most awful provocation, and the victim of that crime has
+little of our sympathy. But there is no sign of penitence or of sorrow
+in the mind of Absalom for this deep offence, by which he has violated
+God's most holy law. His course runs on; it is a selfish, wilful,
+violent, and graceless course, unredeemed, as far as we can see, by
+any trace of better things. And it ends in base rebellion against the
+throne and life of the father who had shown to this son more favour
+and affection than to any of the rest. And the king fled before
+Absalom and went over Jordan, and the rebel host followed, and there
+was a great battle. And the servants of David conquered in that fight;
+and we know the fate of Absalom. But who shall tell the king of this?
+He was lodged in a stronghold called Mahanaim not far from the field
+of battle; and had taken his place in the chamber between the inner
+and the outer gate. And a watchman on the roof of this chamber kept
+watch.
+
+Who shall tell the king of what has happened? Two messengers ran--one
+following the other--the first the shorter way by the hills; the
+second the longer way by the plain. But this one outran the other, and
+the eye of the watchman on the roof of the chamber caught sight of
+this single figure hastening over the plain, and then of the second in
+the farther distance; and it did not need the sagacity of king David
+to know that both of these brought tidings. And how would the tidings
+be given in these days? "We have won the battle," or words like that.
+And how were the tidings given in those days? "Blessed be the Lord thy
+God, which hath delivered up the men that lifted up their hand against
+my lord the king." The difference is worth observing.
+
+But we are looking upon the king and listening to his word. The
+messengers have told the good tidings, and the king is speaking to
+them very eagerly. "In what state is the army? Was the slaughter
+great? Have any of the captains fallen?" He is not asking these
+questions. The king of the people--the commander of the hosts--might
+be expected to ask such questions. And David was both these. But David
+was _the father of Absalom_, and all things besides gave way to the
+yearning of the father's heart. "Is the young man Absalom safe?" The
+first messenger cannot answer: or rather he evades the answer, for he
+does know the fact. And then quickly comes up the second messenger.
+And again the king is forgotten, and the interests of the nation are
+forgotten, and everything else is forgotten, and the voice of the
+_father_ speaks out again, "_Is the young man Absalom safe?_" We
+remember the answer. It is gently said, but very finely, "The enemies
+of my lord the king, and all that rise against thee to do thee hurt,
+be as that young man is."
+
+We shall not need to follow the history further now. We are listening
+to this same word from the lips of the fathers of the earth, and the
+mothers of the earth, and all whom care for young men and young women
+chiefly touches and most nearly concerns. Are they safe? We bring the
+question down from the watch tower of Mahanaim, or from the chamber
+between the walls, and give to it shape and interpretation after the
+times in which we live. From the mouth of David it meant I think only,
+Does Absalom still live? Is he not among the slain? We are not to
+anticipate the revelation of later ages and say, as some have said,
+that it was the thought of the future for his son after death which
+moved the king of Israel so deeply. It was just the sorrow of another
+father at an earlier time, also in the first throes of its bitterness:
+"I will go down unto the grave unto my son mourning." And yet I think
+that without anticipating any revelation, the man whose thoughts about
+God and holiness were those which the Psalms of David disclose, cannot
+have lost his best-loved son in the very act and deed of direful
+guilt, without an aggravation of his anguish because of this sad
+thing. If Absalom in the midst of upright walking and works of
+righteousness had been stricken by disease and had died in his bed,
+the tidings of this when it reached the father might and would no
+doubt have moved him to deep sorrow. But I think we should not have
+heard that wail of grievous lamentation from the roof of the chamber,
+"O my son Absalom, my son, my son Absalom, would God I had died for
+thee, O Absalom, my son, my son!"
+
+We sometimes hear of the world growing old. Brethren, the world can
+never grow old. If by the world is meant the generations of men, it
+can never grow old. Its seed is in itself; while it decays it
+germinates; as it withers, it grows. The elders fall off, but their
+place is filled and more than filled. The world is and must be while
+things remain as they are now, for ever young. But of what kind is
+its youth? That is the awful and tremendous question. Shall the
+Absaloms abound? or the Josephs and the Josiahs?
+
+The elders have much to say to this. We bring no charge against the
+father of Absalom. He was not fortunate indeed as to any of his sons,
+of whom any record remains. Even of Solomon it can only be said that
+he began well. But the ways of an Eastern court are past our knowledge
+and judgment. We have to do with English homes. The youth of the
+world, that which is now its youth and is keeping it from growing old,
+of what kind is the influence upon it which they are bringing to bear
+with whom the influence lies? And not the influence only, not that
+only which comes from example and (as it were) unconscious agency, but
+from counsel, from authority, from particular guidance? This must of
+course vary according to the age. The young man or the young woman
+does not brook the treatment which is fitting for the child. And the
+attempt to enforce it will surely show itself wrong. Just as setting
+the child on the footing of the young man or the young woman is
+mistaken also; and that too will appear. As to the mode of treatment,
+discretion, and (if I may use the word, for there is no other which
+answers to it) _tact_, must decide upon this. But as to the principle
+of it, as to that which should be the governing purpose of all
+treatment of the young, its intention and its end, let us take from
+the lips of the father of Absalom his word "safe." If it meant only in
+that case, is he alive? still the word is to be noted: Is he safe? Or
+is it well with him? It is the safety of the young--its being well
+with them--which all who have their interests in charge should to the
+utmost of their power care for.
+
+And what do we mean by their safety? We know there are some in these
+days who ask the question--"Are you saved?" meaning by that, "Have you
+the eternal salvation?" It is a presumptuous question, and if answered
+at all is answered presumptuously. It is forestalling the everlasting
+things. Safety as we speak of it is not that. But--peril tracks the
+course of the young, peril in some way perhaps of deeper hazard than
+our fathers knew. There is that peril as old at least as Solomon, and
+which he expressed in this way: "Rejoice, O young man, in thy youth,
+and let thy heart cheer thee in the days of thy youth: and walk in the
+ways of thine heart, and in the sight of thine eyes." Follow, that
+is--putting the poetry aside--follow the life of selfish pleasure and
+indulgence to which thou art inclined. There has always been that
+peril. It has run upon the courses of the world's youth all down the
+ages. But now its lines are darker--at all events than they were in
+the days of the writer of Ecclesiastes--"Know thou," _he_ said, "that
+for all these things God will bring thee into judgment." And we may
+say this too. But there is a large number of young persons now who
+will answer: "We do not know this: we know nothing about God: who He
+is, or _whether_ He is. If we are not to walk in the ways of our heart
+and the sight of our eyes, to please ourselves and care for nothing
+else, you must say to us something beyond this, that God will bring us
+into judgment."
+
+Brethren, here is the greatest peril of this age. We may find one here
+and another there who, with atheism at his heart, is still upright in
+life. But break down the belief in God, and what the morals of the
+people shall be, let that nation answer which set upon her altars now
+nearly a hundred years ago the image of the goddess of reason. Let
+faith in God fall out of the young man's heart or the young woman's
+heart, and with it all fear of God, and what shall you put in its
+place? What instead of this shall keep them straight in their way?
+shall hold them safe?
+
+There is reputation. But this is a shifting authority. It changes with
+conditions. It has no fixed standard. It depends on opinion. That
+which makes the young in the most disastrous sense of the word
+_unsafe_, may in no way interfere with their reputation--but quite
+otherwise--with those among whom they live.
+
+Then there is what some have called the enthusiasm of humanity. We
+cannot form any estimate of this as a power over men, because we have
+no sort of understanding what it means.
+
+And there is civilization. Is it civilization which makes laws or
+admits of laws and finds accommodating administrators of laws, under
+the action of which the most sacred charge of a State--its helpless
+and innocent childhood--is left a prey to vile associations of men and
+women, from whose soul within them is obliterated all that was Divine,
+and all which is not devilish?
+
+Civilization goes on its soft way, and takes under its smiling
+protection persons who walk upon the earth's higher places, and finds
+for them kind excuse and screens them from harsh frown, as they pass
+from their pleasures back to its silvery paths, leaving behind them as
+the price of their pleasures misery and ruin of which we may not speak
+in this place. No fouler crimes debased old Rome in its worst days
+than the crimes which the civilization of England's metropolis
+condones. But the heart of the people does not condone them: and if a
+great voice does not say this, we shall wonder and be sorry. In the
+mean while let the parents and guardians of the young, and let the
+young themselves, shrink back from civilization as a guide to their
+way and as a power for keeping them safe, in the place of the Living
+God.
+
+And our closing word shall be to the young. I said just now that the
+world could not grow old. And because of the world having within it
+the seeds of a ceaseless vitality, that is true. The world as it now
+is cannot grow old. But a nation may grow old, may decay, and die. And
+the youth of a nation--its young people--carry with them its
+destinies. If there is in these more of wilfulness, of selfishness, of
+slothful and luxurious bias--less of energy, of gentleness, of
+kindness, of manliness, of purity--than there was in those who were
+young twenty--thirty years ago, then decrepitude is growing upon the
+nation. It is sinking. The sap of its life is drying up.
+
+But the young are not likely to think much of what they do or of what
+they are, as it concerns the nation. Let them think of it as it
+concerns themselves. My younger brethren, shall the life that you are
+living be a blessing to you and not a curse? Shall it be to those
+around you a blessing and not a curse? Then hold fast your faith in
+the Living God. Is it drooping in some minds? Do they ask where they
+shall find Him? The Jews of old time wore fringes on the borders of
+their garments, and upon these were written some words of the law. It
+was an ordained thing. "And ye shall look upon this fringe," it is
+said in a noble passage of the book of Numbers, "it shall be to you
+for a fringe, and ye shall look upon it, and ye shall remember the
+commandments of the Lord your God, and do them, that ye seek not after
+your own heart and your own eyes, but that ye may remember, and do all
+my commandments and be holy unto your God."
+
+We wear no fringes on the borders of our garments. But the law is
+written in every heart. Look upon it, young men and young women, and
+remember--_That is God_: not a stream of tendency or any such vague
+and fantastic shadow. But, _That is God_--the Father of our Lord Jesus
+Christ, and in Him your Father.
+
+Are you astray from Him? not fulfilling His word? We are all astray.
+But is your eye towards Him, and your heart and your foot moving that
+way? We see no messengers running with tidings in their mouth, one
+over the hills and the other over the plain. The father of the son who
+is astray waiteth not in the chamber between the walls until he may
+ask of the messengers who come, Is my son safe? But the Father _runs
+Himself_: "when he was yet a great way off his father ... _ran_." The
+distance between these two is lessening hour by hour. Let the son who
+was and is still astray, bend his steps with earnest will on the track
+by which the Father comes; and--it is not my word--it is the greatest
+of all words which has been spoken upon this earth, the Father shall
+receive him "_safe_ and sound."
+
+
+
+I.E. CHILLCOTT, STEAM PRESS, BRISTOL.
+
+
+
+
+
+End of Project Gutenberg's Is The Young Man Absalom Safe?, by David Wright
+
+*** END OF THIS PROJECT GUTENBERG EBOOK IS THE YOUNG MAN ABSALOM SAFE? ***
+
+***** This file should be named 26357.txt or 26357.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/6/3/5/26357/
+
+Produced by Gerard Arthus and the Online Distributed
+Proofreading Team at https://www.pgdp.net (This book was
+produced from scanned images of public domain material
+from the Google Print project.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.