summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--263-h.zipbin0 -> 24598 bytes
-rw-r--r--263-h/263-h.htm2055
-rw-r--r--263.txt1766
-rw-r--r--263.zipbin0 -> 23172 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/trees10.txt1667
-rw-r--r--old/trees10.zipbin0 -> 21074 bytes
9 files changed, 5504 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/263-h.zip b/263-h.zip
new file mode 100644
index 0000000..2e20d40
--- /dev/null
+++ b/263-h.zip
Binary files differ
diff --git a/263-h/263-h.htm b/263-h/263-h.htm
new file mode 100644
index 0000000..0979268
--- /dev/null
+++ b/263-h/263-h.htm
@@ -0,0 +1,2055 @@
+<?xml version="1.0" encoding="us-ascii"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ Trees and Other Poems, by Joyce Kilmer
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of Trees and Other Poems, by Joyce Kilmer
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Trees and Other Poems
+
+Author: Joyce Kilmer
+
+Release Date: July 12, 2008 [EBook #263]
+Last Updated: February 4, 2013
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK TREES AND OTHER POEMS ***
+
+
+
+
+Produced by A. Light, and David Widger
+
+
+
+
+
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <h1>
+ TREES AND OTHER POEMS
+ </h1>
+ <p>
+ <br />
+ </p>
+ <h2>
+ by Joyce Kilmer
+ </h2>
+ <p>
+ <br /> <br />
+ </p>
+ <h4>
+ [Alfred Joyce Kilmer, American<br /> (New Jersey &amp; New York) Poet
+ &mdash; 1886-1918.]
+ </h4>
+ <p>
+ <br /> <br />
+ </p>
+ <h3>
+ Edition of 1914.
+ </h3>
+ <h5>
+ [A number of these poems originally appeared in various periodicals.]
+ </h5>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ TREES AND OTHER POEMS
+ </h2>
+<pre xml:space="preserve">
+ "Mine is no horse with wings, to gain
+ The region of the Spheral chime;
+ He does but drag a rumbling wain,
+ Cheered by the coupled bells of rhyme."
+
+ Coventry Patmore
+</pre>
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ To My Mother
+ </h2>
+<pre xml:space="preserve">
+ Gentlest of critics, does your memory hold
+ (I know it does) a record of the days
+ When I, a schoolboy, earned your generous praise
+ For halting verse and stories crudely told?
+ Over these childish scrawls the years have rolled,
+ They might not know the world's unfriendly gaze;
+ But still your smile shines down familiar ways,
+ Touches my words and turns their dross to gold.
+
+ More dear to-day than in that vanished time
+ Comes your nigh praise to make me proud and strong.
+ In my poor notes you hear Love's splendid chime,
+ So unto you does this, my work belong.
+ Take, then, a little gift of fragile rhyme:
+ Your heart will change it to authentic song.
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <blockquote>
+ <p class="toc">
+ <big><b>CONTENTS</b></big>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> To My Mother </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0003"> <b>TREES AND OTHER POEMS</b> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0004"> The Twelve-Forty-Five </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0005"> Pennies </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0006"> Trees </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0007"> Stars </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0008"> Old Poets </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0009"> Delicatessen </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0010"> Servant Girl and Grocer's Boy </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0011"> Wealth </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0012"> Martin </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0013"> The Apartment House </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0014"> As Winds That Blow Against A Star </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0015"> St. Laurence </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0016"> To A Young Poet Who Killed Himself </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0017"> Memorial Day </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0018"> The Rosary </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0019"> Vision </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0020"> To Certain Poets </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0021"> Love's Lantern </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0022"> St. Alexis </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0023"> Folly </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0024"> Madness </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0025"> Poets </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0026"> Citizen of the World </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0027"> To a Blackbird and His Mate Who Died in the
+ Spring </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0028"> The Fourth Shepherd </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0029"> Easter </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0030"> Mount Houvenkopf </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0031"> The House with Nobody in It </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0032"> Dave Lilly </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0033"> Alarm Clocks </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0034"> Waverley </a>
+ </p>
+ </blockquote>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0003" id="link2H_4_0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h1>
+ TREES AND OTHER POEMS
+ </h1>
+ <p>
+ <a name="link2H_4_0004" id="link2H_4_0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ The Twelve-Forty-Five
+ </h2>
+<pre xml:space="preserve">
+ (For Edward J. Wheeler)
+</pre>
+<pre xml:space="preserve">
+ Within the Jersey City shed
+ The engine coughs and shakes its head,
+ The smoke, a plume of red and white,
+ Waves madly in the face of night.
+ And now the grave incurious stars
+ Gleam on the groaning hurrying cars.
+ Against the kind and awful reign
+ Of darkness, this our angry train,
+ A noisy little rebel, pouts
+ Its brief defiance, flames and shouts &mdash;
+ And passes on, and leaves no trace.
+ For darkness holds its ancient place,
+ Serene and absolute, the king
+ Unchanged, of every living thing.
+ The houses lie obscure and still
+ In Rutherford and Carlton Hill.
+ Our lamps intensify the dark
+ Of slumbering Passaic Park.
+ And quiet holds the weary feet
+ That daily tramp through Prospect Street.
+ What though we clang and clank and roar
+ Through all Passaic's streets? No door
+ Will open, not an eye will see
+ Who this loud vagabond may be.
+ Upon my crimson cushioned seat,
+ In manufactured light and heat,
+ I feel unnatural and mean.
+ Outside the towns are cool and clean;
+ Curtained awhile from sound and sight
+ They take God's gracious gift of night.
+ The stars are watchful over them.
+ On Clifton as on Bethlehem
+ The angels, leaning down the sky,
+ Shed peace and gentle dreams. And I &mdash;
+ I ride, I blasphemously ride
+ Through all the silent countryside.
+ The engine's shriek, the headlight's glare,
+ Pollute the still nocturnal air.
+ The cottages of Lake View sigh
+ And sleeping, frown as we pass by.
+ Why, even strident Paterson
+ Rests quietly as any nun.
+ Her foolish warring children keep
+ The grateful armistice of sleep.
+ For what tremendous errand's sake
+ Are we so blatantly awake?
+ What precious secret is our freight?
+ What king must be abroad so late?
+ Perhaps Death roams the hills to-night
+ And we rush forth to give him fight.
+ Or else, perhaps, we speed his way
+ To some remote unthinking prey.
+ Perhaps a woman writhes in pain
+ And listens &mdash; listens for the train!
+ The train, that like an angel sings,
+ The train, with healing on its wings.
+ Now "Hawthorne!" the conductor cries.
+ My neighbor starts and rubs his eyes.
+ He hurries yawning through the car
+ And steps out where the houses are.
+ This is the reason of our quest!
+ Not wantonly we break the rest
+ Of town and village, nor do we
+ Lightly profane night's sanctity.
+ What Love commands the train fulfills,
+ And beautiful upon the hills
+ Are these our feet of burnished steel.
+ Subtly and certainly I feel
+ That Glen Rock welcomes us to her
+ And silent Ridgewood seems to stir
+ And smile, because she knows the train
+ Has brought her children back again.
+ We carry people home &mdash; and so
+ God speeds us, wheresoe'er we go.
+ Hohokus, Waldwick, Allendale
+ Lift sleepy heads to give us hail.
+ In Ramsey, Mahwah, Suffern stand
+ Houses that wistfully demand
+ A father &mdash; son &mdash; some human thing
+ That this, the midnight train, may bring.
+ The trains that travel in the day
+ They hurry folks to work or play.
+ The midnight train is slow and old
+ But of it let this thing be told,
+ To its high honor be it said
+ It carries people home to bed.
+ My cottage lamp shines white and clear.
+ God bless the train that brought me here.
+</pre>
+ <p>
+ <a name="link2H_4_0005" id="link2H_4_0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Pennies
+ </h2>
+<pre xml:space="preserve">
+ A few long-hoarded pennies in his hand
+ Behold him stand;
+ A kilted Hedonist, perplexed and sad.
+ The joy that once he had,
+ The first delight of ownership is fled.
+ He bows his little head.
+ Ah, cruel Time, to kill
+ That splendid thrill!
+
+ Then in his tear-dimmed eyes
+ New lights arise.
+ He drops his treasured pennies on the ground,
+ They roll and bound
+ And scattered, rest.
+ Now with what zest
+ He runs to find his errant wealth again!
+
+ So unto men
+ Doth God, depriving that He may bestow.
+ Fame, health and money go,
+ But that they may, new found, be newly sweet.
+ Yea, at His feet
+ Sit, waiting us, to their concealment bid,
+ All they, our lovers, whom His Love hath hid.
+
+ Lo, comfort blooms on pain, and peace on strife,
+ And gain on loss.
+ What is the key to Everlasting Life?
+ A blood-stained Cross.
+</pre>
+ <p>
+ <a name="link2H_4_0006" id="link2H_4_0006">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Trees
+ </h2>
+<pre xml:space="preserve">
+ (For Mrs. Henry Mills Alden)
+</pre>
+<pre xml:space="preserve">
+ I think that I shall never see
+ A poem lovely as a tree.
+
+ A tree whose hungry mouth is prest
+ Against the earth's sweet flowing breast;
+
+ A tree that looks at God all day,
+ And lifts her leafy arms to pray;
+
+ A tree that may in Summer wear
+ A nest of robins in her hair;
+
+ Upon whose bosom snow has lain;
+ Who intimately lives with rain.
+
+ Poems are made by fools like me,
+ But only God can make a tree.
+</pre>
+ <p>
+ <a name="link2H_4_0007" id="link2H_4_0007">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Stars
+ </h2>
+<pre xml:space="preserve">
+ (For the Rev. James J. Daly, S. J.)
+</pre>
+<pre xml:space="preserve">
+ Bright stars, yellow stars, flashing through the air,
+ Are you errant strands of Lady Mary's hair?
+ As she slits the cloudy veil and bends down through,
+ Do you fall across her cheeks and over heaven too?
+
+ Gay stars, little stars, you are little eyes,
+ Eyes of baby angels playing in the skies.
+ Now and then a winged child turns his merry face
+ Down toward the spinning world &mdash; what a funny place!
+
+ Jesus Christ came from the Cross (Christ receive my soul!)
+ In each perfect hand and foot there was a bloody hole.
+ Four great iron spikes there were, red and never dry,
+ Michael plucked them from the Cross and set them in the sky.
+
+ Christ's Troop, Mary's Guard, God's own men,
+ Draw your swords and strike at Hell and strike again.
+ Every steel-born spark that flies where God's battles are,
+ Flashes past the face of God, and is a star.
+</pre>
+ <p>
+ <a name="link2H_4_0008" id="link2H_4_0008">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Old Poets
+ </h2>
+<pre xml:space="preserve">
+ (For Robert Cortez Holliday)
+</pre>
+<pre xml:space="preserve">
+ If I should live in a forest
+ And sleep underneath a tree,
+ No grove of impudent saplings
+ Would make a home for me.
+
+ I'd go where the old oaks gather,
+ Serene and good and strong,
+ And they would not sigh and tremble
+ And vex me with a song.
+
+ The pleasantest sort of poet
+ Is the poet who's old and wise,
+ With an old white beard and wrinkles
+ About his kind old eyes.
+
+ For these young flippertigibbets
+ A-rhyming their hours away
+ They won't be still like honest men
+ And listen to what you say.
+
+ The young poet screams forever
+ About his sex and his soul;
+ But the old man listens, and smokes his pipe,
+ And polishes its bowl.
+
+ There should be a club for poets
+ Who have come to seventy year.
+ They should sit in a great hall drinking
+ Red wine and golden beer.
+
+ They would shuffle in of an evening,
+ Each one to his cushioned seat,
+ And there would be mellow talking
+ And silence rich and sweet.
+
+ There is no peace to be taken
+ With poets who are young,
+ For they worry about the wars to be fought
+ And the songs that must be sung.
+
+ But the old man knows that he's in his chair
+ And that God's on His throne in the sky.
+ So he sits by the fire in comfort
+ And he lets the world spin by.
+</pre>
+ <p>
+ <a name="link2H_4_0009" id="link2H_4_0009">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Delicatessen
+ </h2>
+<pre xml:space="preserve">
+ Why is that wanton gossip Fame
+ So dumb about this man's affairs?
+ Why do we titter at his name
+ Who come to buy his curious wares?
+
+ Here is a shop of wonderment.
+ From every land has come a prize;
+ Rich spices from the Orient,
+ And fruit that knew Italian skies,
+
+ And figs that ripened by the sea
+ In Smyrna, nuts from hot Brazil,
+ Strange pungent meats from Germany,
+ And currants from a Grecian hill.
+
+ He is the lord of goodly things
+ That make the poor man's table gay,
+ Yet of his worth no minstrel sings
+ And on his tomb there is no bay.
+
+ Perhaps he lives and dies unpraised,
+ This trafficker in humble sweets,
+ Because his little shops are raised
+ By thousands in the city streets.
+
+ Yet stars in greater numbers shine,
+ And violets in millions grow,
+ And they in many a golden line
+ Are sung, as every child must know.
+
+ Perhaps Fame thinks his worried eyes,
+ His wrinkled, shrewd, pathetic face,
+ His shop, and all he sells and buys
+ Are desperately commonplace.
+
+ Well, it is true he has no sword
+ To dangle at his booted knees.
+ He leans across a slab of board,
+ And draws his knife and slices cheese.
+
+ He never heard of chivalry,
+ He longs for no heroic times;
+ He thinks of pickles, olives, tea,
+ And dollars, nickles, cents and dimes.
+
+ His world has narrow walls, it seems;
+ By counters is his soul confined;
+ His wares are all his hopes and dreams,
+ They are the fabric of his mind.
+
+ Yet &mdash; in a room above the store
+ There is a woman &mdash; and a child
+ Pattered just now across the floor;
+ The shopman looked at him and smiled.
+
+ For, once he thrilled with high romance
+ And tuned to love his eager voice.
+ Like any cavalier of France
+ He wooed the maiden of his choice.
+
+ And now deep in his weary heart
+ Are sacred flames that whitely burn.
+ He has of Heaven's grace a part
+ Who loves, who is beloved in turn.
+
+ And when the long day's work is done,
+ (How slow the leaden minutes ran!)
+ Home, with his wife and little son,
+ He is no huckster, but a man!
+
+ And there are those who grasp his hand,
+ Who drink with him and wish him well.
+ O in no drear and lonely land
+ Shall he who honors friendship dwell.
+
+ And in his little shop, who knows
+ What bitter games of war are played?
+ Why, daily on each corner grows
+ A foe to rob him of his trade.
+
+ He fights, and for his fireside's sake;
+ He fights for clothing and for bread:
+ The lances of his foemen make
+ A steely halo round his head.
+
+ He decks his window artfully,
+ He haggles over paltry sums.
+ In this strange field his war must be
+ And by such blows his triumph comes.
+
+ What if no trumpet sounds to call
+ His armed legions to his side?
+ What if, to no ancestral hall
+ He comes in all a victor's pride?
+
+ The scene shall never fit the deed.
+ Grotesquely wonders come to pass.
+ The fool shall mount an Arab steed
+ And Jesus ride upon an ass.
+
+ This man has home and child and wife
+ And battle set for every day.
+ This man has God and love and life;
+ These stand, all else shall pass away.
+
+ O Carpenter of Nazareth,
+ Whose mother was a village maid,
+ Shall we, Thy children, blow our breath
+ In scorn on any humble trade?
+
+ Have pity on our foolishness
+ And give us eyes, that we may see
+ Beneath the shopman's clumsy dress
+ The splendor of humanity!
+</pre>
+ <p>
+ <a name="link2H_4_0010" id="link2H_4_0010">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Servant Girl and Grocer's Boy
+ </h2>
+<pre xml:space="preserve">
+ Her lips' remark was: "Oh, you kid!"
+ Her soul spoke thus (I know it did):
+
+ "O king of realms of endless joy,
+ My own, my golden grocer's boy,
+
+ I am a princess forced to dwell
+ Within a lonely kitchen cell,
+
+ While you go dashing through the land
+ With loveliness on every hand.
+
+ Your whistle strikes my eager ears
+ Like music of the choiring spheres.
+
+ The mighty earth grows faint and reels
+ Beneath your thundering wagon wheels.
+
+ How keenly, perilously sweet
+ To cling upon that swaying seat!
+
+ How happy she who by your side
+ May share the splendors of that ride!
+
+ Ah, if you will not take my hand
+ And bear me off across the land,
+
+ Then, traveller from Arcady,
+ Remain awhile and comfort me.
+
+ What other maiden can you find
+ So young and delicate and kind?"
+
+ Her lips' remark was: "Oh, you kid!"
+ Her soul spoke thus (I know it did).
+</pre>
+ <p>
+ <a name="link2H_4_0011" id="link2H_4_0011">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Wealth
+ </h2>
+<pre xml:space="preserve">
+ (For Aline)
+</pre>
+<pre xml:space="preserve">
+ From what old ballad, or from what rich frame
+ Did you descend to glorify the earth?
+ Was it from Chaucer's singing book you came?
+ Or did Watteau's small brushes give you birth?
+
+ Nothing so exquisite as that slight hand
+ Could Raphael or Leonardo trace.
+ Nor could the poets know in Fairyland
+ The changing wonder of your lyric face.
+
+ I would possess a host of lovely things,
+ But I am poor and such joys may not be.
+ So God who lifts the poor and humbles kings
+ Sent loveliness itself to dwell with me.
+</pre>
+ <p>
+ <a name="link2H_4_0012" id="link2H_4_0012">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Martin
+ </h2>
+<pre xml:space="preserve">
+ When I am tired of earnest men,
+ Intense and keen and sharp and clever,
+ Pursuing fame with brush or pen
+ Or counting metal disks forever,
+ Then from the halls of Shadowland
+ Beyond the trackless purple sea
+ Old Martin's ghost comes back to stand
+ Beside my desk and talk to me.
+
+ Still on his delicate pale face
+ A quizzical thin smile is showing,
+ His cheeks are wrinkled like fine lace,
+ His kind blue eyes are gay and glowing.
+ He wears a brilliant-hued cravat,
+ A suit to match his soft grey hair,
+ A rakish stick, a knowing hat,
+ A manner blithe and debonair.
+
+ How good that he who always knew
+ That being lovely was a duty,
+ Should have gold halls to wander through
+ And should himself inhabit beauty.
+ How like his old unselfish way
+ To leave those halls of splendid mirth
+ And comfort those condemned to stay
+ Upon the dull and sombre earth.
+
+ Some people ask: "What cruel chance
+ Made Martin's life so sad a story?"
+ Martin? Why, he exhaled romance,
+ And wore an overcoat of glory.
+ A fleck of sunlight in the street,
+ A horse, a book, a girl who smiled,
+ Such visions made each moment sweet
+ For this receptive ancient child.
+
+ Because it was old Martin's lot
+ To be, not make, a decoration,
+ Shall we then scorn him, having not
+ His genius of appreciation?
+ Rich joy and love he got and gave;
+ His heart was merry as his dress;
+ Pile laurel wreaths upon his grave
+ Who did not gain, but was, success!
+</pre>
+ <p>
+ <a name="link2H_4_0013" id="link2H_4_0013">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ The Apartment House
+ </h2>
+<pre xml:space="preserve">
+ Severe against the pleasant arc of sky
+ The great stone box is cruelly displayed.
+ The street becomes more dreary from its shade,
+ And vagrant breezes touch its walls and die.
+ Here sullen convicts in their chains might lie,
+ Or slaves toil dumbly at some dreary trade.
+ How worse than folly is their labor made
+ Who cleft the rocks that this might rise on high!
+
+ Yet, as I look, I see a woman's face
+ Gleam from a window far above the street.
+ This is a house of homes, a sacred place,
+ By human passion made divinely sweet.
+ How all the building thrills with sudden grace
+ Beneath the magic of Love's golden feet!
+</pre>
+ <p>
+ <a name="link2H_4_0014" id="link2H_4_0014">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ As Winds That Blow Against A Star
+ </h2>
+<pre xml:space="preserve">
+ (For Aline)
+</pre>
+<pre xml:space="preserve">
+ Now by what whim of wanton chance
+ Do radiant eyes know sombre days?
+ And feet that shod in light should dance
+ Walk weary and laborious ways?
+
+ But rays from Heaven, white and whole,
+ May penetrate the gloom of earth;
+ And tears but nourish, in your soul,
+ The glory of celestial mirth.
+
+ The darts of toil and sorrow, sent
+ Against your peaceful beauty, are
+ As foolish and as impotent
+ As winds that blow against a star.
+</pre>
+ <p>
+ <a name="link2H_4_0015" id="link2H_4_0015">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ St. Laurence
+ </h2>
+<pre xml:space="preserve">
+ Within the broken Vatican
+ The murdered Pope is lying dead.
+ The soldiers of Valerian
+ Their evil hands are wet and red.
+
+ Unarmed, unmoved, St. Laurence waits,
+ His cassock is his only mail.
+ The troops of Hell have burst the gates,
+ But Christ is Lord, He shall prevail.
+
+ They have encompassed him with steel,
+ They spit upon his gentle face,
+ He smiles and bleeds, nor will reveal
+ The Church's hidden treasure-place.
+
+ Ah, faithful steward, worthy knight,
+ Well hast thou done. Behold thy fee!
+ Since thou hast fought the goodly fight
+ A martyr's death is fixed for thee.
+
+ St. Laurence, pray for us to bear
+ The faith which glorifies thy name.
+ St. Laurence, pray for us to share
+ The wounds of Love's consuming flame.
+</pre>
+ <p>
+ <a name="link2H_4_0016" id="link2H_4_0016">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ To A Young Poet Who Killed Himself
+ </h2>
+<pre xml:space="preserve">
+ When you had played with life a space
+ And made it drink and lust and sing,
+ You flung it back into God's face
+ And thought you did a noble thing.
+ "Lo, I have lived and loved," you said,
+ "And sung to fools too dull to hear me.
+ Now for a cool and grassy bed
+ With violets in blossom near me."
+
+ Well, rest is good for weary feet,
+ Although they ran for no great prize;
+ And violets are very sweet,
+ Although their roots are in your eyes.
+ But hark to what the earthworms say
+ Who share with you your muddy haven:
+ "The fight was on &mdash; you ran away.
+ You are a coward and a craven.
+
+ "The rug is ruined where you bled;
+ It was a dirty way to die!
+ To put a bullet through your head
+ And make a silly woman cry!
+ You could not vex the merry stars
+ Nor make them heed you, dead or living.
+ Not all your puny anger mars
+ God's irresistible forgiving.
+
+ "Yes, God forgives and men forget,
+ And you're forgiven and forgotten.
+ You might be gaily sinning yet
+ And quick and fresh instead of rotten.
+ And when you think of love and fame
+ And all that might have come to pass,
+ Then don't you feel a little shame?
+ And don't you think you were an ass?"
+</pre>
+ <p>
+ <a name="link2H_4_0017" id="link2H_4_0017">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Memorial Day
+ </h2>
+<pre xml:space="preserve">
+ "Dulce et decorum est"
+</pre>
+<pre xml:space="preserve">
+ The bugle echoes shrill and sweet,
+ But not of war it sings to-day.
+ The road is rhythmic with the feet
+ Of men-at-arms who come to pray.
+
+ The roses blossom white and red
+ On tombs where weary soldiers lie;
+ Flags wave above the honored dead
+ And martial music cleaves the sky.
+
+ Above their wreath-strewn graves we kneel,
+ They kept the faith and fought the fight.
+ Through flying lead and crimson steel
+ They plunged for Freedom and the Right.
+
+ May we, their grateful children, learn
+ Their strength, who lie beneath this sod,
+ Who went through fire and death to earn
+ At last the accolade of God.
+
+ In shining rank on rank arrayed
+ They march, the legions of the Lord;
+ He is their Captain unafraid,
+ The Prince of Peace . . . Who brought a sword.
+</pre>
+ <p>
+ <a name="link2H_4_0018" id="link2H_4_0018">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ The Rosary
+ </h2>
+<pre xml:space="preserve">
+ Not on the lute, nor harp of many strings
+ Shall all men praise the Master of all song.
+ Our life is brief, one saith, and art is long;
+ And skilled must be the laureates of kings.
+ Silent, O lips that utter foolish things!
+ Rest, awkward fingers striking all notes wrong!
+ How from your toil shall issue, white and strong,
+ Music like that God's chosen poet sings?
+
+ There is one harp that any hand can play,
+ And from its strings what harmonies arise!
+ There is one song that any mouth can say, &mdash;
+ A song that lingers when all singing dies.
+ When on their beads our Mother's children pray
+ Immortal music charms the grateful skies.
+</pre>
+ <p>
+ <a name="link2H_4_0019" id="link2H_4_0019">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Vision
+ </h2>
+<pre xml:space="preserve">
+ (For Aline)
+</pre>
+<pre xml:space="preserve">
+ Homer, they tell us, was blind and could not see the beautiful faces
+ Looking up into his own and reflecting the joy of his dream,
+ Yet did he seem
+ Gifted with eyes that could follow the gods to their holiest places.
+
+ I have no vision of gods, not of Eros with love-arrows laden,
+ Jupiter thundering death or of Juno his white-breasted queen,
+ Yet have I seen
+ All of the joy of the world in the innocent heart of a maiden.
+</pre>
+ <p>
+ <a name="link2H_4_0020" id="link2H_4_0020">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ To Certain Poets
+ </h2>
+<pre xml:space="preserve">
+ Now is the rhymer's honest trade
+ A thing for scornful laughter made.
+
+ The merchant's sneer, the clerk's disdain,
+ These are the burden of our pain.
+
+ Because of you did this befall,
+ You brought this shame upon us all.
+
+ You little poets mincing there
+ With women's hearts and women's hair!
+
+ How sick Dan Chaucer's ghost must be
+ To hear you lisp of "Poesie"!
+
+ A heavy-handed blow, I think,
+ Would make your veins drip scented ink.
+
+ You strut and smirk your little while
+ So mildly, delicately vile!
+
+ Your tiny voices mock God's wrath,
+ You snails that crawl along His path!
+
+ Why, what has God or man to do
+ With wet, amorphous things like you?
+
+ This thing alone you have achieved:
+ Because of you, it is believed
+
+ That all who earn their bread by rhyme
+ Are like yourselves, exuding slime.
+
+ Oh, cease to write, for very shame,
+ Ere all men spit upon our name!
+
+ Take up your needles, drop your pen,
+ And leave the poet's craft to men!
+</pre>
+ <p>
+ <a name="link2H_4_0021" id="link2H_4_0021">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Love's Lantern
+ </h2>
+<pre xml:space="preserve">
+ (For Aline)
+</pre>
+<pre xml:space="preserve">
+ Because the road was steep and long
+ And through a dark and lonely land,
+ God set upon my lips a song
+ And put a lantern in my hand.
+
+ Through miles on weary miles of night
+ That stretch relentless in my way
+ My lantern burns serene and white,
+ An unexhausted cup of day.
+
+ O golden lights and lights like wine,
+ How dim your boasted splendors are.
+ Behold this little lamp of mine;
+ It is more starlike than a star!
+</pre>
+ <p>
+ <a name="link2H_4_0022" id="link2H_4_0022">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ St. Alexis
+ </h2>
+<pre xml:space="preserve">
+ Patron of Beggars
+</pre>
+<pre xml:space="preserve">
+ We who beg for bread as we daily tread
+ Country lane and city street,
+ Let us kneel and pray on the broad highway
+ To the saint with the vagrant feet.
+ Our altar light is a buttercup bright,
+ And our shrine is a bank of sod,
+ But still we share St. Alexis' care,
+ The Vagabond of God.
+
+ They gave him a home in purple Rome
+ And a princess for his bride,
+ But he rowed away on his wedding day
+ Down the Tiber's rushing tide.
+ And he came to land on the Asian strand
+ Where the heathen people dwell;
+ As a beggar he strayed and he preached and prayed
+ And he saved their souls from hell.
+
+ Bowed with years and pain he came back again
+ To his father's dwelling place.
+ There was none to see who this tramp might be,
+ For they knew not his bearded face.
+ But his father said, "Give him drink and bread
+ And a couch underneath the stair."
+ So Alexis crept to his hole and slept.
+ But he might not linger there.
+
+ For when night came down on the seven-hilled town,
+ And the emperor hurried in,
+ Saying, "Lo, I hear that a saint is near
+ Who will cleanse us of our sin,"
+ Then they looked in vain where the saint had lain,
+ For his soul had fled afar,
+ From his fleshly home he had gone to roam
+ Where the gold-paved highways are.
+
+ We who beg for bread as we daily tread
+ Country lane and city street,
+ Let us kneel and pray on the broad highway
+ To the saint with the vagrant feet.
+ Our altar light is a buttercup bright,
+ And our shrine is a bank of sod,
+ But still we share St. Alexis' care,
+ The Vagabond of God!
+</pre>
+ <p>
+ <a name="link2H_4_0023" id="link2H_4_0023">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Folly
+ </h2>
+<pre xml:space="preserve">
+ (For A. K. K.)
+</pre>
+<pre xml:space="preserve">
+ What distant mountains thrill and glow
+ Beneath our Lady Folly's tread?
+ Why has she left us, wise in woe,
+ Shrewd, practical, uncomforted?
+ We cannot love or dream or sing,
+ We are too cynical to pray,
+ There is no joy in anything
+ Since Lady Folly went away.
+
+ Many a knight and gentle maid,
+ Whose glory shines from years gone by,
+ Through ignorance was unafraid
+ And as a fool knew how to die.
+ Saint Folly rode beside Jehanne
+ And broke the ranks of Hell with her,
+ And Folly's smile shone brightly on
+ Christ's plaything, Brother Juniper.
+
+ Our minds are troubled and defiled
+ By study in a weary school.
+ O for the folly of the child!
+ The ready courage of the fool!
+ Lord, crush our knowledge utterly
+ And make us humble, simple men;
+ And cleansed of wisdom, let us see
+ Our Lady Folly's face again.
+</pre>
+ <p>
+ <a name="link2H_4_0024" id="link2H_4_0024">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Madness
+ </h2>
+<pre xml:space="preserve">
+ (For Sara Teasdale)
+</pre>
+<pre xml:space="preserve">
+ The lonely farm, the crowded street,
+ The palace and the slum,
+ Give welcome to my silent feet
+ As, bearing gifts, I come.
+
+ Last night a beggar crouched alone,
+ A ragged helpless thing;
+ I set him on a moonbeam throne &mdash;
+ Today he is a king.
+
+ Last night a king in orb and crown
+ Held court with splendid cheer;
+ Today he tears his purple gown
+ And moans and shrieks in fear.
+
+ Not iron bars, nor flashing spears,
+ Not land, nor sky, nor sea,
+ Nor love's artillery of tears
+ Can keep mine own from me.
+
+ Serene, unchanging, ever fair,
+ I smile with secret mirth
+ And in a net of mine own hair
+ I swing the captive earth.
+</pre>
+ <p>
+ <a name="link2H_4_0025" id="link2H_4_0025">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Poets
+ </h2>
+<pre xml:space="preserve">
+ Vain is the chiming of forgotten bells
+ That the wind sways above a ruined shrine.
+ Vainer his voice in whom no longer dwells
+ Hunger that craves immortal Bread and Wine.
+
+ Light songs we breathe that perish with our breath
+ Out of our lips that have not kissed the rod.
+ They shall not live who have not tasted death.
+ They only sing who are struck dumb by God.
+</pre>
+ <p>
+ <a name="link2H_4_0026" id="link2H_4_0026">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Citizen of the World
+ </h2>
+<pre xml:space="preserve">
+ No longer of Him be it said
+ "He hath no place to lay His head."
+
+ In every land a constant lamp
+ Flames by His small and mighty camp.
+
+ There is no strange and distant place
+ That is not gladdened by His face.
+
+ And every nation kneels to hail
+ The Splendour shining through Its veil.
+
+ Cloistered beside the shouting street,
+ Silent, He calls me to His feet.
+
+ Imprisoned for His love of me
+ He makes my spirit greatly free.
+
+ And through my lips that uttered sin
+ The King of Glory enters in.
+</pre>
+ <p>
+ <a name="link2H_4_0027" id="link2H_4_0027">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ To a Blackbird and His Mate Who Died in the Spring
+ </h2>
+<pre xml:space="preserve">
+ (For Kenton)
+</pre>
+<pre xml:space="preserve">
+ An iron hand has stilled the throats
+ That throbbed with loud and rhythmic glee
+ And dammed the flood of silver notes
+ That drenched the world in melody.
+ The blosmy apple boughs are yearning
+ For their wild choristers' returning,
+ But no swift wings flash through the tree.
+
+ Ye that were glad and fleet and strong,
+ Shall Silence take you in her net?
+ And shall Death quell that radiant song
+ Whose echo thrills the meadow yet?
+ Burst the frail web about you clinging
+ And charm Death's cruel heart with singing
+ Till with strange tears his eyes are wet.
+
+ The scented morning of the year
+ Is old and stale now ye are gone.
+ No friendly songs the children hear
+ Among the bushes on the lawn.
+ When babies wander out a-Maying
+ Will ye, their bards, afar be straying?
+ Unhymned by you, what is the dawn?
+
+ Nay, since ye loved ye cannot die.
+ Above the stars is set your nest.
+ Through Heaven's fields ye sing and fly
+ And in the trees of Heaven rest.
+ And little children in their dreaming
+ Shall see your soft black plumage gleaming
+ And smile, by your clear music blest.
+</pre>
+ <p>
+ <a name="link2H_4_0028" id="link2H_4_0028">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ The Fourth Shepherd
+ </h2>
+<pre xml:space="preserve">
+ (For Thomas Walsh)
+</pre>
+<pre xml:space="preserve">
+ I
+</pre>
+<pre xml:space="preserve">
+ On nights like this the huddled sheep
+ Are like white clouds upon the grass,
+ And merry herdsmen guard their sleep
+ And chat and watch the big stars pass.
+
+ It is a pleasant thing to lie
+ Upon the meadow on the hill
+ With kindly fellowship near by
+ Of sheep and men of gentle will.
+
+ I lean upon my broken crook
+ And dream of sheep and grass and men &mdash;
+ O shameful eyes that cannot look
+ On any honest thing again!
+
+ On bloody feet I clambered down
+ And fled the wages of my sin,
+ I am the leavings of the town,
+ And meanly serve its meanest inn.
+
+ I tramp the courtyard stones in grief,
+ While sleep takes man and beast to her.
+ And every cloud is calling "Thief!"
+ And every star calls "Murderer!"
+</pre>
+<pre xml:space="preserve">
+ II
+</pre>
+<pre xml:space="preserve">
+ The hand of God is sure and strong,
+ Nor shall a man forever flee
+ The bitter punishment of wrong.
+ The wrath of God is over me!
+
+ With ashen bread and wine of tears
+ Shall I be solaced in my pain.
+ I wear through black and endless years
+ Upon my brow the mark of Cain.
+</pre>
+<pre xml:space="preserve">
+ III
+</pre>
+<pre xml:space="preserve">
+ Poor vagabond, so old and mild,
+ Will they not keep him for a night?
+ And She, a woman great with child,
+ So frail and pitiful and white.
+
+ Good people, since the tavern door
+ Is shut to you, come here instead.
+ See, I have cleansed my stable floor
+ And piled fresh hay to make a bed.
+
+ Here is some milk and oaten cake.
+ Lie down and sleep and rest you fair,
+ Nor fear, O simple folk, to take
+ The bounty of a child of care.
+</pre>
+<pre xml:space="preserve">
+ IV
+</pre>
+<pre xml:space="preserve">
+ On nights like this the huddled sheep &mdash;
+ I never saw a night so fair.
+ How huge the sky is, and how deep!
+ And how the planets flash and glare!
+
+ At dawn beside my drowsy flock
+ What winged music I have heard!
+ But now the clouds with singing rock
+ As if the sky were turning bird.
+
+ O blinding Light, O blinding Light!
+ Burn through my heart with sweetest pain.
+ O flaming Song, most loudly bright,
+ Consume away my deadly stain!
+</pre>
+<pre xml:space="preserve">
+ V
+</pre>
+<pre xml:space="preserve">
+ The stable glows against the sky,
+ And who are these that throng the way?
+ My three old comrades hasten by
+ And shining angels kneel and pray.
+
+ The door swings wide &mdash; I cannot go &mdash;
+ I must and yet I dare not see.
+ Lord, who am I that I should know &mdash;
+ Lord, God, be merciful to me!
+</pre>
+<pre xml:space="preserve">
+ VI
+</pre>
+<pre xml:space="preserve">
+ O Whiteness, whiter than the fleece
+ Of new-washed sheep on April sod!
+ O Breath of Life, O Prince of Peace,
+ O Lamb of God, O Lamb of God!
+</pre>
+ <p>
+ <a name="link2H_4_0029" id="link2H_4_0029">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Easter
+ </h2>
+<pre xml:space="preserve">
+ The air is like a butterfly
+ With frail blue wings.
+ The happy earth looks at the sky
+ And sings.
+</pre>
+ <p>
+ <a name="link2H_4_0030" id="link2H_4_0030">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Mount Houvenkopf
+ </h2>
+<pre xml:space="preserve">
+ Serene he stands, with mist serenely crowned,
+ And draws a cloak of trees about his breast.
+ The thunder roars but cannot break his rest
+ And from his rugged face the tempests bound.
+ He does not heed the angry lightning's wound,
+ The raging blizzard is his harmless guest,
+ And human life is but a passing jest
+ To him who sees Time spin the years around.
+
+ But fragile souls, in skyey reaches find
+ High vantage-points and view him from afar.
+ How low he seems to the ascended mind,
+ How brief he seems where all things endless are;
+ This little playmate of the mighty wind
+ This young companion of an ancient star.
+</pre>
+ <p>
+ <a name="link2H_4_0031" id="link2H_4_0031">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ The House with Nobody in It
+ </h2>
+<pre xml:space="preserve">
+ Whenever I walk to Suffern along the Erie track
+ I go by a poor old farmhouse with its shingles broken and black.
+ I suppose I've passed it a hundred times, but I always stop for a minute
+ And look at the house, the tragic house, the house with nobody in it.
+
+ I never have seen a haunted house, but I hear there are such things;
+ That they hold the talk of spirits, their mirth and sorrowings.
+ I know this house isn't haunted, and I wish it were, I do;
+ For it wouldn't be so lonely if it had a ghost or two.
+
+ This house on the road to Suffern needs a dozen panes of glass,
+ And somebody ought to weed the walk and take a scythe to the grass.
+ It needs new paint and shingles, and the vines should be trimmed and tied;
+ But what it needs the most of all is some people living inside.
+
+ If I had a lot of money and all my debts were paid
+ I'd put a gang of men to work with brush and saw and spade.
+ I'd buy that place and fix it up the way it used to be
+ And I'd find some people who wanted a home and give it to them free.
+
+ Now, a new house standing empty, with staring window and door,
+ Looks idle, perhaps, and foolish, like a hat on its block in the store.
+ But there's nothing mournful about it; it cannot be sad and lone
+ For the lack of something within it that it has never known.
+
+ But a house that has done what a house should do,
+ a house that has sheltered life,
+ That has put its loving wooden arms around a man and his wife,
+ A house that has echoed a baby's laugh and held up his stumbling feet,
+ Is the saddest sight, when it's left alone, that ever your eyes could meet.
+
+ So whenever I go to Suffern along the Erie track
+ I never go by the empty house without stopping and looking back,
+ Yet it hurts me to look at the crumbling roof and the shutters fallen apart,
+ For I can't help thinking the poor old house is a house with a broken heart.
+</pre>
+ <p>
+ <a name="link2H_4_0032" id="link2H_4_0032">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Dave Lilly
+ </h2>
+<pre xml:space="preserve">
+ There's a brook on the side of Greylock that used to be full of trout,
+ But there's nothing there now but minnows; they say it is all fished out.
+ I fished there many a Summer day some twenty years ago,
+ And I never quit without getting a mess of a dozen or so.
+
+ There was a man, Dave Lilly, who lived on the North Adams road,
+ And he spent all his time fishing, while his neighbors reaped and sowed.
+ He was the luckiest fisherman in the Berkshire hills, I think.
+ And when he didn't go fishing he'd sit in the tavern and drink.
+
+ Well, Dave is dead and buried and nobody cares very much;
+ They have no use in Greylock for drunkards and loafers and such.
+ But I always liked Dave Lilly, he was pleasant as you could wish;
+ He was shiftless and good-for-nothing, but he certainly could fish.
+
+ The other night I was walking up the hill from Williamstown
+ And I came to the brook I mentioned,
+ and I stopped on the bridge and sat down.
+ I looked at the blackened water with its little flecks of white
+ And I heard it ripple and whisper in the still of the Summer night.
+
+ And after I'd been there a minute it seemed to me I could feel
+ The presence of someone near me, and I heard the hum of a reel.
+ And the water was churned and broken, and something was brought to land
+ By a twist and flirt of a shadowy rod in a deft and shadowy hand.
+
+ I scrambled down to the brookside and hunted all about;
+ There wasn't a sign of a fisherman; there wasn't a sign of a trout.
+ But I heard somebody chuckle behind the hollow oak
+ And I got a whiff of tobacco like Lilly used to smoke.
+
+ It's fifteen years, they tell me, since anyone fished that brook;
+ And there's nothing in it but minnows that nibble the bait off your hook.
+ But before the sun has risen and after the moon has set
+ I know that it's full of ghostly trout for Lilly's ghost to get.
+
+ I guess I'll go to the tavern and get a bottle of rye
+ And leave it down by the hollow oak, where Lilly's ghost went by.
+ I meant to go up on the hillside and try to find his grave
+ And put some flowers on it &mdash; but this will be better for Dave.
+</pre>
+ <p>
+ <a name="link2H_4_0033" id="link2H_4_0033">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Alarm Clocks
+ </h2>
+<pre xml:space="preserve">
+ When Dawn strides out to wake a dewy farm
+ Across green fields and yellow hills of hay
+ The little twittering birds laugh in his way
+ And poise triumphant on his shining arm.
+ He bears a sword of flame but not to harm
+ The wakened life that feels his quickening sway
+ And barnyard voices shrilling "It is day!"
+ Take by his grace a new and alien charm.
+
+ But in the city, like a wounded thing
+ That limps to cover from the angry chase,
+ He steals down streets where sickly arc-lights sing,
+ And wanly mock his young and shameful face;
+ And tiny gongs with cruel fervor ring
+ In many a high and dreary sleeping place.
+</pre>
+ <p>
+ <a name="link2H_4_0034" id="link2H_4_0034">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Waverley
+ </h2>
+<pre xml:space="preserve">
+ 1814-1914
+</pre>
+<pre xml:space="preserve">
+ When, on a novel's newly printed page
+ We find a maudlin eulogy of sin,
+ And read of ways that harlots wander in,
+ And of sick souls that writhe in helpless rage;
+ Or when Romance, bespectacled and sage,
+ Taps on her desk and bids the class begin
+ To con the problems that have always been
+ Perplexed mankind's unhappy heritage;
+
+ Then in what robes of honor habited
+ The laureled wizard of the North appears!
+ Who raised Prince Charlie's cohorts from the dead,
+ Made Rose's mirth and Flora's noble tears,
+ And formed that shining legion at whose head
+ Rides Waverley, triumphant o'er the years!
+</pre>
+ <hr />
+ <p>
+ The following biographical information is taken from the 1917 edition of
+ Jessie B. Rittenhouse's anthology of Modern Verse.
+ </p>
+ <p>
+ Kilmer, Joyce. Born at New Brunswick, New Jersey, December 6, 1886, and
+ graduated at Columbia University in 1908. After a short period of teaching
+ he became associated with Funk and Wagnalls Company, where he remained
+ from 1909 to 1912, when he assumed the position of literary editor of "The
+ Churchman". In 1913 Mr. Kilmer became a member of the staff of the "New
+ York Times", a position which he still occupies. His volumes of poetry
+ are: "A Summer of Love", 1911, and "Trees, and Other Poems", 1914.
+ </p>
+ <p>
+ Kilmer died in France in 1918, and also published another volume, "Main
+ Street and Other Poems", 1917, as well as individual poems, essays, etc.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of Trees and Other Poems, by Joyce Kilmer
+
+*** END OF THIS PROJECT GUTENBERG EBOOK TREES AND OTHER POEMS ***
+
+***** This file should be named 263-h.htm or 263-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/6/263/
+
+Produced by A. Light, and David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/263.txt b/263.txt
new file mode 100644
index 0000000..9dc9564
--- /dev/null
+++ b/263.txt
@@ -0,0 +1,1766 @@
+The Project Gutenberg EBook of Trees and Other Poems, by Joyce Kilmer
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Trees and Other Poems
+
+Author: Joyce Kilmer
+
+Posting Date: July 12, 2008 [EBook #263]
+Release Date: May, 1995
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK TREES AND OTHER POEMS ***
+
+
+
+
+Produced by A. Light
+
+
+
+
+
+TREES AND OTHER POEMS
+
+by Joyce Kilmer
+
+[Alfred Joyce Kilmer, American
+(New Jersey & New York) Poet -- 1886-1918.]
+
+
+Edition of 1914.
+
+
+
+[A number of these poems originally appeared in various periodicals.]
+
+
+
+
+
+TREES AND OTHER POEMS
+
+
+ "Mine is no horse with wings, to gain
+ The region of the Spheral chime;
+ He does but drag a rumbling wain,
+ Cheered by the coupled bells of rhyme."
+
+ Coventry Patmore
+
+
+
+
+To My Mother
+
+
+
+ Gentlest of critics, does your memory hold
+ (I know it does) a record of the days
+ When I, a schoolboy, earned your generous praise
+ For halting verse and stories crudely told?
+ Over these childish scrawls the years have rolled,
+ They might not know the world's unfriendly gaze;
+ But still your smile shines down familiar ways,
+ Touches my words and turns their dross to gold.
+
+ More dear to-day than in that vanished time
+ Comes your nigh praise to make me proud and strong.
+ In my poor notes you hear Love's splendid chime,
+ So unto you does this, my work belong.
+ Take, then, a little gift of fragile rhyme:
+ Your heart will change it to authentic song.
+
+
+
+
+Contents
+
+ The Twelve-Forty-Five
+ Pennies
+ Trees
+ Stars
+ Old Poets
+ Delicatessen
+ Servant Girl and Grocer's Boy
+ Wealth
+ Martin
+ The Apartment House
+ As Winds That Blow Against A Star
+ St. Laurence
+ To A Young Poet Who Killed Himself
+ Memorial Day
+ The Rosary
+ Vision
+ To Certain Poets
+ Love's Lantern
+ St. Alexis
+ Folly
+ Madness
+ Poets
+ Citizen of the World
+ To a Blackbird and His Mate Who Died in the Spring
+ The Fourth Shepherd
+ Easter
+ Mount Houvenkopf
+ The House with Nobody in It
+ Dave Lilly
+ Alarm Clocks
+ Waverley
+
+
+
+
+
+TREES AND OTHER POEMS
+
+
+
+
+The Twelve-Forty-Five
+
+ (For Edward J. Wheeler)
+
+
+
+ Within the Jersey City shed
+ The engine coughs and shakes its head,
+ The smoke, a plume of red and white,
+ Waves madly in the face of night.
+ And now the grave incurious stars
+ Gleam on the groaning hurrying cars.
+ Against the kind and awful reign
+ Of darkness, this our angry train,
+ A noisy little rebel, pouts
+ Its brief defiance, flames and shouts --
+ And passes on, and leaves no trace.
+ For darkness holds its ancient place,
+ Serene and absolute, the king
+ Unchanged, of every living thing.
+ The houses lie obscure and still
+ In Rutherford and Carlton Hill.
+ Our lamps intensify the dark
+ Of slumbering Passaic Park.
+ And quiet holds the weary feet
+ That daily tramp through Prospect Street.
+ What though we clang and clank and roar
+ Through all Passaic's streets? No door
+ Will open, not an eye will see
+ Who this loud vagabond may be.
+ Upon my crimson cushioned seat,
+ In manufactured light and heat,
+ I feel unnatural and mean.
+ Outside the towns are cool and clean;
+ Curtained awhile from sound and sight
+ They take God's gracious gift of night.
+ The stars are watchful over them.
+ On Clifton as on Bethlehem
+ The angels, leaning down the sky,
+ Shed peace and gentle dreams. And I --
+ I ride, I blasphemously ride
+ Through all the silent countryside.
+ The engine's shriek, the headlight's glare,
+ Pollute the still nocturnal air.
+ The cottages of Lake View sigh
+ And sleeping, frown as we pass by.
+ Why, even strident Paterson
+ Rests quietly as any nun.
+ Her foolish warring children keep
+ The grateful armistice of sleep.
+ For what tremendous errand's sake
+ Are we so blatantly awake?
+ What precious secret is our freight?
+ What king must be abroad so late?
+ Perhaps Death roams the hills to-night
+ And we rush forth to give him fight.
+ Or else, perhaps, we speed his way
+ To some remote unthinking prey.
+ Perhaps a woman writhes in pain
+ And listens -- listens for the train!
+ The train, that like an angel sings,
+ The train, with healing on its wings.
+ Now "Hawthorne!" the conductor cries.
+ My neighbor starts and rubs his eyes.
+ He hurries yawning through the car
+ And steps out where the houses are.
+ This is the reason of our quest!
+ Not wantonly we break the rest
+ Of town and village, nor do we
+ Lightly profane night's sanctity.
+ What Love commands the train fulfills,
+ And beautiful upon the hills
+ Are these our feet of burnished steel.
+ Subtly and certainly I feel
+ That Glen Rock welcomes us to her
+ And silent Ridgewood seems to stir
+ And smile, because she knows the train
+ Has brought her children back again.
+ We carry people home -- and so
+ God speeds us, wheresoe'er we go.
+ Hohokus, Waldwick, Allendale
+ Lift sleepy heads to give us hail.
+ In Ramsey, Mahwah, Suffern stand
+ Houses that wistfully demand
+ A father -- son -- some human thing
+ That this, the midnight train, may bring.
+ The trains that travel in the day
+ They hurry folks to work or play.
+ The midnight train is slow and old
+ But of it let this thing be told,
+ To its high honor be it said
+ It carries people home to bed.
+ My cottage lamp shines white and clear.
+ God bless the train that brought me here.
+
+
+
+
+Pennies
+
+
+
+ A few long-hoarded pennies in his hand
+ Behold him stand;
+ A kilted Hedonist, perplexed and sad.
+ The joy that once he had,
+ The first delight of ownership is fled.
+ He bows his little head.
+ Ah, cruel Time, to kill
+ That splendid thrill!
+
+ Then in his tear-dimmed eyes
+ New lights arise.
+ He drops his treasured pennies on the ground,
+ They roll and bound
+ And scattered, rest.
+ Now with what zest
+ He runs to find his errant wealth again!
+
+ So unto men
+ Doth God, depriving that He may bestow.
+ Fame, health and money go,
+ But that they may, new found, be newly sweet.
+ Yea, at His feet
+ Sit, waiting us, to their concealment bid,
+ All they, our lovers, whom His Love hath hid.
+
+ Lo, comfort blooms on pain, and peace on strife,
+ And gain on loss.
+ What is the key to Everlasting Life?
+ A blood-stained Cross.
+
+
+
+
+Trees
+
+ (For Mrs. Henry Mills Alden)
+
+
+
+ I think that I shall never see
+ A poem lovely as a tree.
+
+ A tree whose hungry mouth is prest
+ Against the earth's sweet flowing breast;
+
+ A tree that looks at God all day,
+ And lifts her leafy arms to pray;
+
+ A tree that may in Summer wear
+ A nest of robins in her hair;
+
+ Upon whose bosom snow has lain;
+ Who intimately lives with rain.
+
+ Poems are made by fools like me,
+ But only God can make a tree.
+
+
+
+
+Stars
+
+ (For the Rev. James J. Daly, S. J.)
+
+
+
+ Bright stars, yellow stars, flashing through the air,
+ Are you errant strands of Lady Mary's hair?
+ As she slits the cloudy veil and bends down through,
+ Do you fall across her cheeks and over heaven too?
+
+ Gay stars, little stars, you are little eyes,
+ Eyes of baby angels playing in the skies.
+ Now and then a winged child turns his merry face
+ Down toward the spinning world -- what a funny place!
+
+ Jesus Christ came from the Cross (Christ receive my soul!)
+ In each perfect hand and foot there was a bloody hole.
+ Four great iron spikes there were, red and never dry,
+ Michael plucked them from the Cross and set them in the sky.
+
+ Christ's Troop, Mary's Guard, God's own men,
+ Draw your swords and strike at Hell and strike again.
+ Every steel-born spark that flies where God's battles are,
+ Flashes past the face of God, and is a star.
+
+
+
+
+Old Poets
+
+ (For Robert Cortez Holliday)
+
+
+
+ If I should live in a forest
+ And sleep underneath a tree,
+ No grove of impudent saplings
+ Would make a home for me.
+
+ I'd go where the old oaks gather,
+ Serene and good and strong,
+ And they would not sigh and tremble
+ And vex me with a song.
+
+ The pleasantest sort of poet
+ Is the poet who's old and wise,
+ With an old white beard and wrinkles
+ About his kind old eyes.
+
+ For these young flippertigibbets
+ A-rhyming their hours away
+ They won't be still like honest men
+ And listen to what you say.
+
+ The young poet screams forever
+ About his sex and his soul;
+ But the old man listens, and smokes his pipe,
+ And polishes its bowl.
+
+ There should be a club for poets
+ Who have come to seventy year.
+ They should sit in a great hall drinking
+ Red wine and golden beer.
+
+ They would shuffle in of an evening,
+ Each one to his cushioned seat,
+ And there would be mellow talking
+ And silence rich and sweet.
+
+ There is no peace to be taken
+ With poets who are young,
+ For they worry about the wars to be fought
+ And the songs that must be sung.
+
+ But the old man knows that he's in his chair
+ And that God's on His throne in the sky.
+ So he sits by the fire in comfort
+ And he lets the world spin by.
+
+
+
+
+Delicatessen
+
+
+
+ Why is that wanton gossip Fame
+ So dumb about this man's affairs?
+ Why do we titter at his name
+ Who come to buy his curious wares?
+
+ Here is a shop of wonderment.
+ From every land has come a prize;
+ Rich spices from the Orient,
+ And fruit that knew Italian skies,
+
+ And figs that ripened by the sea
+ In Smyrna, nuts from hot Brazil,
+ Strange pungent meats from Germany,
+ And currants from a Grecian hill.
+
+ He is the lord of goodly things
+ That make the poor man's table gay,
+ Yet of his worth no minstrel sings
+ And on his tomb there is no bay.
+
+ Perhaps he lives and dies unpraised,
+ This trafficker in humble sweets,
+ Because his little shops are raised
+ By thousands in the city streets.
+
+ Yet stars in greater numbers shine,
+ And violets in millions grow,
+ And they in many a golden line
+ Are sung, as every child must know.
+
+ Perhaps Fame thinks his worried eyes,
+ His wrinkled, shrewd, pathetic face,
+ His shop, and all he sells and buys
+ Are desperately commonplace.
+
+ Well, it is true he has no sword
+ To dangle at his booted knees.
+ He leans across a slab of board,
+ And draws his knife and slices cheese.
+
+ He never heard of chivalry,
+ He longs for no heroic times;
+ He thinks of pickles, olives, tea,
+ And dollars, nickles, cents and dimes.
+
+ His world has narrow walls, it seems;
+ By counters is his soul confined;
+ His wares are all his hopes and dreams,
+ They are the fabric of his mind.
+
+ Yet -- in a room above the store
+ There is a woman -- and a child
+ Pattered just now across the floor;
+ The shopman looked at him and smiled.
+
+ For, once he thrilled with high romance
+ And tuned to love his eager voice.
+ Like any cavalier of France
+ He wooed the maiden of his choice.
+
+ And now deep in his weary heart
+ Are sacred flames that whitely burn.
+ He has of Heaven's grace a part
+ Who loves, who is beloved in turn.
+
+ And when the long day's work is done,
+ (How slow the leaden minutes ran!)
+ Home, with his wife and little son,
+ He is no huckster, but a man!
+
+ And there are those who grasp his hand,
+ Who drink with him and wish him well.
+ O in no drear and lonely land
+ Shall he who honors friendship dwell.
+
+ And in his little shop, who knows
+ What bitter games of war are played?
+ Why, daily on each corner grows
+ A foe to rob him of his trade.
+
+ He fights, and for his fireside's sake;
+ He fights for clothing and for bread:
+ The lances of his foemen make
+ A steely halo round his head.
+
+ He decks his window artfully,
+ He haggles over paltry sums.
+ In this strange field his war must be
+ And by such blows his triumph comes.
+
+ What if no trumpet sounds to call
+ His armed legions to his side?
+ What if, to no ancestral hall
+ He comes in all a victor's pride?
+
+ The scene shall never fit the deed.
+ Grotesquely wonders come to pass.
+ The fool shall mount an Arab steed
+ And Jesus ride upon an ass.
+
+ This man has home and child and wife
+ And battle set for every day.
+ This man has God and love and life;
+ These stand, all else shall pass away.
+
+ O Carpenter of Nazareth,
+ Whose mother was a village maid,
+ Shall we, Thy children, blow our breath
+ In scorn on any humble trade?
+
+ Have pity on our foolishness
+ And give us eyes, that we may see
+ Beneath the shopman's clumsy dress
+ The splendor of humanity!
+
+
+
+
+Servant Girl and Grocer's Boy
+
+
+
+ Her lips' remark was: "Oh, you kid!"
+ Her soul spoke thus (I know it did):
+
+ "O king of realms of endless joy,
+ My own, my golden grocer's boy,
+
+ I am a princess forced to dwell
+ Within a lonely kitchen cell,
+
+ While you go dashing through the land
+ With loveliness on every hand.
+
+ Your whistle strikes my eager ears
+ Like music of the choiring spheres.
+
+ The mighty earth grows faint and reels
+ Beneath your thundering wagon wheels.
+
+ How keenly, perilously sweet
+ To cling upon that swaying seat!
+
+ How happy she who by your side
+ May share the splendors of that ride!
+
+ Ah, if you will not take my hand
+ And bear me off across the land,
+
+ Then, traveller from Arcady,
+ Remain awhile and comfort me.
+
+ What other maiden can you find
+ So young and delicate and kind?"
+
+ Her lips' remark was: "Oh, you kid!"
+ Her soul spoke thus (I know it did).
+
+
+
+
+Wealth
+
+ (For Aline)
+
+
+
+ From what old ballad, or from what rich frame
+ Did you descend to glorify the earth?
+ Was it from Chaucer's singing book you came?
+ Or did Watteau's small brushes give you birth?
+
+ Nothing so exquisite as that slight hand
+ Could Raphael or Leonardo trace.
+ Nor could the poets know in Fairyland
+ The changing wonder of your lyric face.
+
+ I would possess a host of lovely things,
+ But I am poor and such joys may not be.
+ So God who lifts the poor and humbles kings
+ Sent loveliness itself to dwell with me.
+
+
+
+
+Martin
+
+
+
+ When I am tired of earnest men,
+ Intense and keen and sharp and clever,
+ Pursuing fame with brush or pen
+ Or counting metal disks forever,
+ Then from the halls of Shadowland
+ Beyond the trackless purple sea
+ Old Martin's ghost comes back to stand
+ Beside my desk and talk to me.
+
+ Still on his delicate pale face
+ A quizzical thin smile is showing,
+ His cheeks are wrinkled like fine lace,
+ His kind blue eyes are gay and glowing.
+ He wears a brilliant-hued cravat,
+ A suit to match his soft grey hair,
+ A rakish stick, a knowing hat,
+ A manner blithe and debonair.
+
+ How good that he who always knew
+ That being lovely was a duty,
+ Should have gold halls to wander through
+ And should himself inhabit beauty.
+ How like his old unselfish way
+ To leave those halls of splendid mirth
+ And comfort those condemned to stay
+ Upon the dull and sombre earth.
+
+ Some people ask: "What cruel chance
+ Made Martin's life so sad a story?"
+ Martin? Why, he exhaled romance,
+ And wore an overcoat of glory.
+ A fleck of sunlight in the street,
+ A horse, a book, a girl who smiled,
+ Such visions made each moment sweet
+ For this receptive ancient child.
+
+ Because it was old Martin's lot
+ To be, not make, a decoration,
+ Shall we then scorn him, having not
+ His genius of appreciation?
+ Rich joy and love he got and gave;
+ His heart was merry as his dress;
+ Pile laurel wreaths upon his grave
+ Who did not gain, but was, success!
+
+
+
+
+The Apartment House
+
+
+
+ Severe against the pleasant arc of sky
+ The great stone box is cruelly displayed.
+ The street becomes more dreary from its shade,
+ And vagrant breezes touch its walls and die.
+ Here sullen convicts in their chains might lie,
+ Or slaves toil dumbly at some dreary trade.
+ How worse than folly is their labor made
+ Who cleft the rocks that this might rise on high!
+
+ Yet, as I look, I see a woman's face
+ Gleam from a window far above the street.
+ This is a house of homes, a sacred place,
+ By human passion made divinely sweet.
+ How all the building thrills with sudden grace
+ Beneath the magic of Love's golden feet!
+
+
+
+
+As Winds That Blow Against A Star
+
+ (For Aline)
+
+
+
+ Now by what whim of wanton chance
+ Do radiant eyes know sombre days?
+ And feet that shod in light should dance
+ Walk weary and laborious ways?
+
+ But rays from Heaven, white and whole,
+ May penetrate the gloom of earth;
+ And tears but nourish, in your soul,
+ The glory of celestial mirth.
+
+ The darts of toil and sorrow, sent
+ Against your peaceful beauty, are
+ As foolish and as impotent
+ As winds that blow against a star.
+
+
+
+
+St. Laurence
+
+
+
+ Within the broken Vatican
+ The murdered Pope is lying dead.
+ The soldiers of Valerian
+ Their evil hands are wet and red.
+
+ Unarmed, unmoved, St. Laurence waits,
+ His cassock is his only mail.
+ The troops of Hell have burst the gates,
+ But Christ is Lord, He shall prevail.
+
+ They have encompassed him with steel,
+ They spit upon his gentle face,
+ He smiles and bleeds, nor will reveal
+ The Church's hidden treasure-place.
+
+ Ah, faithful steward, worthy knight,
+ Well hast thou done. Behold thy fee!
+ Since thou hast fought the goodly fight
+ A martyr's death is fixed for thee.
+
+ St. Laurence, pray for us to bear
+ The faith which glorifies thy name.
+ St. Laurence, pray for us to share
+ The wounds of Love's consuming flame.
+
+
+
+
+To A Young Poet Who Killed Himself
+
+
+
+ When you had played with life a space
+ And made it drink and lust and sing,
+ You flung it back into God's face
+ And thought you did a noble thing.
+ "Lo, I have lived and loved," you said,
+ "And sung to fools too dull to hear me.
+ Now for a cool and grassy bed
+ With violets in blossom near me."
+
+ Well, rest is good for weary feet,
+ Although they ran for no great prize;
+ And violets are very sweet,
+ Although their roots are in your eyes.
+ But hark to what the earthworms say
+ Who share with you your muddy haven:
+ "The fight was on -- you ran away.
+ You are a coward and a craven.
+
+ "The rug is ruined where you bled;
+ It was a dirty way to die!
+ To put a bullet through your head
+ And make a silly woman cry!
+ You could not vex the merry stars
+ Nor make them heed you, dead or living.
+ Not all your puny anger mars
+ God's irresistible forgiving.
+
+ "Yes, God forgives and men forget,
+ And you're forgiven and forgotten.
+ You might be gaily sinning yet
+ And quick and fresh instead of rotten.
+ And when you think of love and fame
+ And all that might have come to pass,
+ Then don't you feel a little shame?
+ And don't you think you were an ass?"
+
+
+
+
+Memorial Day
+
+ "Dulce et decorum est"
+
+
+
+ The bugle echoes shrill and sweet,
+ But not of war it sings to-day.
+ The road is rhythmic with the feet
+ Of men-at-arms who come to pray.
+
+ The roses blossom white and red
+ On tombs where weary soldiers lie;
+ Flags wave above the honored dead
+ And martial music cleaves the sky.
+
+ Above their wreath-strewn graves we kneel,
+ They kept the faith and fought the fight.
+ Through flying lead and crimson steel
+ They plunged for Freedom and the Right.
+
+ May we, their grateful children, learn
+ Their strength, who lie beneath this sod,
+ Who went through fire and death to earn
+ At last the accolade of God.
+
+ In shining rank on rank arrayed
+ They march, the legions of the Lord;
+ He is their Captain unafraid,
+ The Prince of Peace . . . Who brought a sword.
+
+
+
+
+The Rosary
+
+
+
+ Not on the lute, nor harp of many strings
+ Shall all men praise the Master of all song.
+ Our life is brief, one saith, and art is long;
+ And skilled must be the laureates of kings.
+ Silent, O lips that utter foolish things!
+ Rest, awkward fingers striking all notes wrong!
+ How from your toil shall issue, white and strong,
+ Music like that God's chosen poet sings?
+
+ There is one harp that any hand can play,
+ And from its strings what harmonies arise!
+ There is one song that any mouth can say, --
+ A song that lingers when all singing dies.
+ When on their beads our Mother's children pray
+ Immortal music charms the grateful skies.
+
+
+
+
+Vision
+
+ (For Aline)
+
+
+
+ Homer, they tell us, was blind and could not see the beautiful faces
+ Looking up into his own and reflecting the joy of his dream,
+ Yet did he seem
+ Gifted with eyes that could follow the gods to their holiest places.
+
+ I have no vision of gods, not of Eros with love-arrows laden,
+ Jupiter thundering death or of Juno his white-breasted queen,
+ Yet have I seen
+ All of the joy of the world in the innocent heart of a maiden.
+
+
+
+
+To Certain Poets
+
+
+
+ Now is the rhymer's honest trade
+ A thing for scornful laughter made.
+
+ The merchant's sneer, the clerk's disdain,
+ These are the burden of our pain.
+
+ Because of you did this befall,
+ You brought this shame upon us all.
+
+ You little poets mincing there
+ With women's hearts and women's hair!
+
+ How sick Dan Chaucer's ghost must be
+ To hear you lisp of "Poesie"!
+
+ A heavy-handed blow, I think,
+ Would make your veins drip scented ink.
+
+ You strut and smirk your little while
+ So mildly, delicately vile!
+
+ Your tiny voices mock God's wrath,
+ You snails that crawl along His path!
+
+ Why, what has God or man to do
+ With wet, amorphous things like you?
+
+ This thing alone you have achieved:
+ Because of you, it is believed
+
+ That all who earn their bread by rhyme
+ Are like yourselves, exuding slime.
+
+ Oh, cease to write, for very shame,
+ Ere all men spit upon our name!
+
+ Take up your needles, drop your pen,
+ And leave the poet's craft to men!
+
+
+
+
+Love's Lantern
+
+ (For Aline)
+
+
+
+ Because the road was steep and long
+ And through a dark and lonely land,
+ God set upon my lips a song
+ And put a lantern in my hand.
+
+ Through miles on weary miles of night
+ That stretch relentless in my way
+ My lantern burns serene and white,
+ An unexhausted cup of day.
+
+ O golden lights and lights like wine,
+ How dim your boasted splendors are.
+ Behold this little lamp of mine;
+ It is more starlike than a star!
+
+
+
+
+St. Alexis
+
+ Patron of Beggars
+
+
+
+ We who beg for bread as we daily tread
+ Country lane and city street,
+ Let us kneel and pray on the broad highway
+ To the saint with the vagrant feet.
+ Our altar light is a buttercup bright,
+ And our shrine is a bank of sod,
+ But still we share St. Alexis' care,
+ The Vagabond of God.
+
+ They gave him a home in purple Rome
+ And a princess for his bride,
+ But he rowed away on his wedding day
+ Down the Tiber's rushing tide.
+ And he came to land on the Asian strand
+ Where the heathen people dwell;
+ As a beggar he strayed and he preached and prayed
+ And he saved their souls from hell.
+
+ Bowed with years and pain he came back again
+ To his father's dwelling place.
+ There was none to see who this tramp might be,
+ For they knew not his bearded face.
+ But his father said, "Give him drink and bread
+ And a couch underneath the stair."
+ So Alexis crept to his hole and slept.
+ But he might not linger there.
+
+ For when night came down on the seven-hilled town,
+ And the emperor hurried in,
+ Saying, "Lo, I hear that a saint is near
+ Who will cleanse us of our sin,"
+ Then they looked in vain where the saint had lain,
+ For his soul had fled afar,
+ From his fleshly home he had gone to roam
+ Where the gold-paved highways are.
+
+ We who beg for bread as we daily tread
+ Country lane and city street,
+ Let us kneel and pray on the broad highway
+ To the saint with the vagrant feet.
+ Our altar light is a buttercup bright,
+ And our shrine is a bank of sod,
+ But still we share St. Alexis' care,
+ The Vagabond of God!
+
+
+
+
+Folly
+
+ (For A. K. K.)
+
+
+
+ What distant mountains thrill and glow
+ Beneath our Lady Folly's tread?
+ Why has she left us, wise in woe,
+ Shrewd, practical, uncomforted?
+ We cannot love or dream or sing,
+ We are too cynical to pray,
+ There is no joy in anything
+ Since Lady Folly went away.
+
+ Many a knight and gentle maid,
+ Whose glory shines from years gone by,
+ Through ignorance was unafraid
+ And as a fool knew how to die.
+ Saint Folly rode beside Jehanne
+ And broke the ranks of Hell with her,
+ And Folly's smile shone brightly on
+ Christ's plaything, Brother Juniper.
+
+ Our minds are troubled and defiled
+ By study in a weary school.
+ O for the folly of the child!
+ The ready courage of the fool!
+ Lord, crush our knowledge utterly
+ And make us humble, simple men;
+ And cleansed of wisdom, let us see
+ Our Lady Folly's face again.
+
+
+
+
+Madness
+
+ (For Sara Teasdale)
+
+
+
+ The lonely farm, the crowded street,
+ The palace and the slum,
+ Give welcome to my silent feet
+ As, bearing gifts, I come.
+
+ Last night a beggar crouched alone,
+ A ragged helpless thing;
+ I set him on a moonbeam throne --
+ Today he is a king.
+
+ Last night a king in orb and crown
+ Held court with splendid cheer;
+ Today he tears his purple gown
+ And moans and shrieks in fear.
+
+ Not iron bars, nor flashing spears,
+ Not land, nor sky, nor sea,
+ Nor love's artillery of tears
+ Can keep mine own from me.
+
+ Serene, unchanging, ever fair,
+ I smile with secret mirth
+ And in a net of mine own hair
+ I swing the captive earth.
+
+
+
+
+Poets
+
+
+
+ Vain is the chiming of forgotten bells
+ That the wind sways above a ruined shrine.
+ Vainer his voice in whom no longer dwells
+ Hunger that craves immortal Bread and Wine.
+
+ Light songs we breathe that perish with our breath
+ Out of our lips that have not kissed the rod.
+ They shall not live who have not tasted death.
+ They only sing who are struck dumb by God.
+
+
+
+
+Citizen of the World
+
+
+
+ No longer of Him be it said
+ "He hath no place to lay His head."
+
+ In every land a constant lamp
+ Flames by His small and mighty camp.
+
+ There is no strange and distant place
+ That is not gladdened by His face.
+
+ And every nation kneels to hail
+ The Splendour shining through Its veil.
+
+ Cloistered beside the shouting street,
+ Silent, He calls me to His feet.
+
+ Imprisoned for His love of me
+ He makes my spirit greatly free.
+
+ And through my lips that uttered sin
+ The King of Glory enters in.
+
+
+
+
+To a Blackbird and His Mate Who Died in the Spring
+
+ (For Kenton)
+
+
+
+ An iron hand has stilled the throats
+ That throbbed with loud and rhythmic glee
+ And dammed the flood of silver notes
+ That drenched the world in melody.
+ The blosmy apple boughs are yearning
+ For their wild choristers' returning,
+ But no swift wings flash through the tree.
+
+ Ye that were glad and fleet and strong,
+ Shall Silence take you in her net?
+ And shall Death quell that radiant song
+ Whose echo thrills the meadow yet?
+ Burst the frail web about you clinging
+ And charm Death's cruel heart with singing
+ Till with strange tears his eyes are wet.
+
+ The scented morning of the year
+ Is old and stale now ye are gone.
+ No friendly songs the children hear
+ Among the bushes on the lawn.
+ When babies wander out a-Maying
+ Will ye, their bards, afar be straying?
+ Unhymned by you, what is the dawn?
+
+ Nay, since ye loved ye cannot die.
+ Above the stars is set your nest.
+ Through Heaven's fields ye sing and fly
+ And in the trees of Heaven rest.
+ And little children in their dreaming
+ Shall see your soft black plumage gleaming
+ And smile, by your clear music blest.
+
+
+
+
+The Fourth Shepherd
+
+ (For Thomas Walsh)
+
+
+
+ I
+
+
+ On nights like this the huddled sheep
+ Are like white clouds upon the grass,
+ And merry herdsmen guard their sleep
+ And chat and watch the big stars pass.
+
+ It is a pleasant thing to lie
+ Upon the meadow on the hill
+ With kindly fellowship near by
+ Of sheep and men of gentle will.
+
+ I lean upon my broken crook
+ And dream of sheep and grass and men --
+ O shameful eyes that cannot look
+ On any honest thing again!
+
+ On bloody feet I clambered down
+ And fled the wages of my sin,
+ I am the leavings of the town,
+ And meanly serve its meanest inn.
+
+ I tramp the courtyard stones in grief,
+ While sleep takes man and beast to her.
+ And every cloud is calling "Thief!"
+ And every star calls "Murderer!"
+
+
+
+ II
+
+
+ The hand of God is sure and strong,
+ Nor shall a man forever flee
+ The bitter punishment of wrong.
+ The wrath of God is over me!
+
+ With ashen bread and wine of tears
+ Shall I be solaced in my pain.
+ I wear through black and endless years
+ Upon my brow the mark of Cain.
+
+
+
+ III
+
+
+ Poor vagabond, so old and mild,
+ Will they not keep him for a night?
+ And She, a woman great with child,
+ So frail and pitiful and white.
+
+ Good people, since the tavern door
+ Is shut to you, come here instead.
+ See, I have cleansed my stable floor
+ And piled fresh hay to make a bed.
+
+ Here is some milk and oaten cake.
+ Lie down and sleep and rest you fair,
+ Nor fear, O simple folk, to take
+ The bounty of a child of care.
+
+
+
+ IV
+
+
+ On nights like this the huddled sheep --
+ I never saw a night so fair.
+ How huge the sky is, and how deep!
+ And how the planets flash and glare!
+
+ At dawn beside my drowsy flock
+ What winged music I have heard!
+ But now the clouds with singing rock
+ As if the sky were turning bird.
+
+ O blinding Light, O blinding Light!
+ Burn through my heart with sweetest pain.
+ O flaming Song, most loudly bright,
+ Consume away my deadly stain!
+
+
+
+ V
+
+
+ The stable glows against the sky,
+ And who are these that throng the way?
+ My three old comrades hasten by
+ And shining angels kneel and pray.
+
+ The door swings wide -- I cannot go --
+ I must and yet I dare not see.
+ Lord, who am I that I should know --
+ Lord, God, be merciful to me!
+
+
+
+ VI
+
+
+ O Whiteness, whiter than the fleece
+ Of new-washed sheep on April sod!
+ O Breath of Life, O Prince of Peace,
+ O Lamb of God, O Lamb of God!
+
+
+
+
+Easter
+
+
+
+ The air is like a butterfly
+ With frail blue wings.
+ The happy earth looks at the sky
+ And sings.
+
+
+
+
+Mount Houvenkopf
+
+
+
+ Serene he stands, with mist serenely crowned,
+ And draws a cloak of trees about his breast.
+ The thunder roars but cannot break his rest
+ And from his rugged face the tempests bound.
+ He does not heed the angry lightning's wound,
+ The raging blizzard is his harmless guest,
+ And human life is but a passing jest
+ To him who sees Time spin the years around.
+
+ But fragile souls, in skyey reaches find
+ High vantage-points and view him from afar.
+ How low he seems to the ascended mind,
+ How brief he seems where all things endless are;
+ This little playmate of the mighty wind
+ This young companion of an ancient star.
+
+
+
+
+The House with Nobody in It
+
+
+
+ Whenever I walk to Suffern along the Erie track
+ I go by a poor old farmhouse with its shingles broken and black.
+ I suppose I've passed it a hundred times, but I always stop for a minute
+ And look at the house, the tragic house, the house with nobody in it.
+
+ I never have seen a haunted house, but I hear there are such things;
+ That they hold the talk of spirits, their mirth and sorrowings.
+ I know this house isn't haunted, and I wish it were, I do;
+ For it wouldn't be so lonely if it had a ghost or two.
+
+ This house on the road to Suffern needs a dozen panes of glass,
+ And somebody ought to weed the walk and take a scythe to the grass.
+ It needs new paint and shingles, and the vines should be trimmed and tied;
+ But what it needs the most of all is some people living inside.
+
+ If I had a lot of money and all my debts were paid
+ I'd put a gang of men to work with brush and saw and spade.
+ I'd buy that place and fix it up the way it used to be
+ And I'd find some people who wanted a home and give it to them free.
+
+ Now, a new house standing empty, with staring window and door,
+ Looks idle, perhaps, and foolish, like a hat on its block in the store.
+ But there's nothing mournful about it; it cannot be sad and lone
+ For the lack of something within it that it has never known.
+
+ But a house that has done what a house should do,
+ a house that has sheltered life,
+ That has put its loving wooden arms around a man and his wife,
+ A house that has echoed a baby's laugh and held up his stumbling feet,
+ Is the saddest sight, when it's left alone, that ever your eyes could meet.
+
+ So whenever I go to Suffern along the Erie track
+ I never go by the empty house without stopping and looking back,
+ Yet it hurts me to look at the crumbling roof and the shutters fallen apart,
+ For I can't help thinking the poor old house is a house with a broken heart.
+
+
+
+
+Dave Lilly
+
+
+
+ There's a brook on the side of Greylock that used to be full of trout,
+ But there's nothing there now but minnows; they say it is all fished out.
+ I fished there many a Summer day some twenty years ago,
+ And I never quit without getting a mess of a dozen or so.
+
+ There was a man, Dave Lilly, who lived on the North Adams road,
+ And he spent all his time fishing, while his neighbors reaped and sowed.
+ He was the luckiest fisherman in the Berkshire hills, I think.
+ And when he didn't go fishing he'd sit in the tavern and drink.
+
+ Well, Dave is dead and buried and nobody cares very much;
+ They have no use in Greylock for drunkards and loafers and such.
+ But I always liked Dave Lilly, he was pleasant as you could wish;
+ He was shiftless and good-for-nothing, but he certainly could fish.
+
+ The other night I was walking up the hill from Williamstown
+ And I came to the brook I mentioned,
+ and I stopped on the bridge and sat down.
+ I looked at the blackened water with its little flecks of white
+ And I heard it ripple and whisper in the still of the Summer night.
+
+ And after I'd been there a minute it seemed to me I could feel
+ The presence of someone near me, and I heard the hum of a reel.
+ And the water was churned and broken, and something was brought to land
+ By a twist and flirt of a shadowy rod in a deft and shadowy hand.
+
+ I scrambled down to the brookside and hunted all about;
+ There wasn't a sign of a fisherman; there wasn't a sign of a trout.
+ But I heard somebody chuckle behind the hollow oak
+ And I got a whiff of tobacco like Lilly used to smoke.
+
+ It's fifteen years, they tell me, since anyone fished that brook;
+ And there's nothing in it but minnows that nibble the bait off your hook.
+ But before the sun has risen and after the moon has set
+ I know that it's full of ghostly trout for Lilly's ghost to get.
+
+ I guess I'll go to the tavern and get a bottle of rye
+ And leave it down by the hollow oak, where Lilly's ghost went by.
+ I meant to go up on the hillside and try to find his grave
+ And put some flowers on it -- but this will be better for Dave.
+
+
+
+
+Alarm Clocks
+
+
+
+ When Dawn strides out to wake a dewy farm
+ Across green fields and yellow hills of hay
+ The little twittering birds laugh in his way
+ And poise triumphant on his shining arm.
+ He bears a sword of flame but not to harm
+ The wakened life that feels his quickening sway
+ And barnyard voices shrilling "It is day!"
+ Take by his grace a new and alien charm.
+
+ But in the city, like a wounded thing
+ That limps to cover from the angry chase,
+ He steals down streets where sickly arc-lights sing,
+ And wanly mock his young and shameful face;
+ And tiny gongs with cruel fervor ring
+ In many a high and dreary sleeping place.
+
+
+
+
+Waverley
+
+ 1814-1914
+
+
+
+ When, on a novel's newly printed page
+ We find a maudlin eulogy of sin,
+ And read of ways that harlots wander in,
+ And of sick souls that writhe in helpless rage;
+ Or when Romance, bespectacled and sage,
+ Taps on her desk and bids the class begin
+ To con the problems that have always been
+ Perplexed mankind's unhappy heritage;
+
+ Then in what robes of honor habited
+ The laureled wizard of the North appears!
+ Who raised Prince Charlie's cohorts from the dead,
+ Made Rose's mirth and Flora's noble tears,
+ And formed that shining legion at whose head
+ Rides Waverley, triumphant o'er the years!
+
+
+*****
+
+
+The following biographical information is taken from the 1917 edition
+of Jessie B. Rittenhouse's anthology of Modern Verse.
+
+
+Kilmer, Joyce. Born at New Brunswick, New Jersey, December 6, 1886,
+and graduated at Columbia University in 1908. After a short period
+of teaching he became associated with Funk and Wagnalls Company,
+where he remained from 1909 to 1912, when he assumed the position
+of literary editor of "The Churchman". In 1913 Mr. Kilmer became
+a member of the staff of the "New York Times", a position which
+he still occupies. His volumes of poetry are: "A Summer of Love", 1911,
+and "Trees, and Other Poems", 1914.
+
+
+Kilmer died in France in 1918, and also published another volume,
+"Main Street and Other Poems", 1917, as well as individual poems,
+essays, etc.
+
+
+
+
+
+End of the Project Gutenberg EBook of Trees and Other Poems, by Joyce Kilmer
+
+*** END OF THIS PROJECT GUTENBERG EBOOK TREES AND OTHER POEMS ***
+
+***** This file should be named 263.txt or 263.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/6/263/
+
+Produced by A. Light
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/263.zip b/263.zip
new file mode 100644
index 0000000..8025103
--- /dev/null
+++ b/263.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..773d117
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #263 (https://www.gutenberg.org/ebooks/263)
diff --git a/old/trees10.txt b/old/trees10.txt
new file mode 100644
index 0000000..ac81609
--- /dev/null
+++ b/old/trees10.txt
@@ -0,0 +1,1667 @@
+The Project Gutenberg Etext of Trees, etc. by Joyce Kilmer
+
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers. Do not remove this.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*These Etexts Prepared By Hundreds of Volunteers and Donations*
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below. We need your donations.
+
+
+Trees and Other Poems, by Joyce Kilmer
+
+May, 1995 [Etext #263]
+
+
+entered/proofed by A. Light, of Waxhaw <alight@cybernetics.net>
+Proofed by Linda Bowser
+
+
+The Project Gutenberg Etext of Trees, etc. by Joyce Kilmer
+***This file should be named trees10.txt or trees10.zip***
+
+Corrected EDITIONS of our etexts get a new NUMBER, trees11.txt
+VERSIONS based on separate sources get new LETTER, trees10a.txt
+
+We are now trying to release all our books one month in advance
+of the official release dates, for time for better editing.
+
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so. To be sure you have an
+up to date first edition [xxxxx10x.xxx] please check file sizes
+in the first week of the next month. Since our ftp program has
+a bug in it that scrambles the date [tried to fix and failed] a
+look at the file size will have to do, but we will try to see a
+new copy has at least one byte more or less.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+fifty hours is one conservative estimate for how long it we take
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar, then we produce 2
+million dollars per hour this year we, will have to do four text
+files per month: thus upping our productivity from one million.
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by the December 31, 2001. [10,000 x 100,000,000=Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is 10% of the expected number of computer users by the end
+of the year 2001.
+
+We need your donations more than ever!
+
+All donations should be made to "Project Gutenberg/IBC", and are
+tax deductible to the extent allowable by law ("IBC" is Illinois
+Benedictine College). (Subscriptions to our paper newsletter go
+to IBC, too)
+
+For these and other matters, please mail to:
+
+Project Gutenberg
+P. O. Box 2782
+Champaign, IL 61825
+
+When all other email fails try our Michael S. Hart, Executive
+Director:
+hart@vmd.cso.uiuc.edu (internet) hart@uiucvmd (bitnet)
+
+We would prefer to send you this information by email
+(Internet, Bitnet, Compuserve, ATTMAIL or MCImail).
+
+******
+If you have an FTP program (or emulator), please
+FTP directly to the Project Gutenberg archives:
+[Mac users, do NOT point and click. . .type]
+
+ftp mrcnext.cso.uiuc.edu
+login: anonymous
+password: your@login
+cd etext/etext91
+or cd etext92
+or cd etext93 [for new books] [now also in cd etext/etext93]
+or cd etext/articles [get suggest gut for more information]
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+get INDEX100.GUT
+get INDEX200.GUT
+for a list of books
+and
+get NEW.GUT for general information
+and
+mget GUT* for newsletters.
+
+**Information prepared by the Project Gutenberg legal advisor**
+(Three Pages)
+
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you can distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
+tm etexts, is a "public domain" work distributed by Professor
+Michael S. Hart through the Project Gutenberg Association at
+Illinois Benedictine College (the "Project"). Among other
+things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the Project's "PROJECT GUTENBERG" trademark.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] the Project (and any other party you may receive this
+etext from as a PROJECT GUTENBERG-tm etext) disclaims all
+liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold the Project, its directors,
+officers, members and agents harmless from all liability, cost
+and expense, including legal fees, that arise directly or
+indirectly from any of the following that you do or cause:
+[1] distribution of this etext, [2] alteration, modification,
+or addition to the etext, or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word pro-
+ cessing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Project of 20% of the
+ net profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Association / Illinois
+ Benedictine College" within the 60 days following each
+ date you prepare (or were legally required to prepare)
+ your annual (or equivalent periodic) tax return.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+The Project gratefully accepts contributions in money, time,
+scanning machines, OCR software, public domain etexts, royalty
+free copyright licenses, and every other sort of contribution
+you can think of. Money should be paid to "Project Gutenberg
+Association / Illinois Benedictine College".
+
+This "Small Print!" by Charles B. Kramer, Attorney
+Internet (72600.2026@compuserve.com); TEL: (212-254-5093)
+*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
+
+
+
+
+
+
+Trees and Other Poems
+by Joyce Kilmer
+
+[Alfred Joyce Kilmer, American (New Jersey & New York) Poet -- 1886-1918.]
+
+
+
+
+[Note on text: There were no italics to mark in this text.
+Lines longer than 76 characters have been broken according to metre,
+and the continuation is indented two spaces.]
+
+[Note: This etext was transcribed from the edition of 1914.]
+
+
+
+
+
+
+Trees and Other Poems
+
+
+
+
+
+
+"Mine is no horse with wings, to gain
+ The region of the Spheral chime;
+He does but drag a rumbling wain,
+ Cheered by the coupled bells of rhyme."
+
+ Coventry Patmore
+
+
+
+
+
+
+Trees and Other Poems
+by Joyce Kilmer
+
+
+
+
+
+
+To My Mother
+
+
+
+Gentlest of critics, does your memory hold
+ (I know it does) a record of the days
+ When I, a schoolboy, earned your generous praise
+For halting verse and stories crudely told?
+Over these childish scrawls the years have rolled,
+ They might not know the world's unfriendly gaze;
+ But still your smile shines down familiar ways,
+Touches my words and turns their dross to gold.
+
+More dear to-day than in that vanished time
+ Comes your nigh praise to make me proud and strong.
+In my poor notes you hear Love's splendid chime,
+ So unto you does this, my work belong.
+Take, then, a little gift of fragile rhyme:
+ Your heart will change it to authentic song.
+
+
+
+
+
+
+[A number of these poems originally appeared in various periodicals.]
+
+
+
+
+
+
+Contents
+
+
+
+The Twelve-Forty-Five
+Pennies
+Trees
+Stars
+Old Poets
+Delicatessen
+Servant Girl and Grocer's Boy
+Wealth
+Martin
+The Apartment House
+As Winds That Blow Against A Star
+St. Laurence
+To A Young Poet Who Killed Himself
+Memorial Day
+The Rosary
+Vision
+To Certain Poets
+Love's Lantern
+St. Alexis
+Folly
+Madness
+Poets
+Citizen of the World
+To a Blackbird and His Mate Who Died in the Spring
+The Fourth Shepherd
+Easter
+Mount Houvenkopf
+The House with Nobody in It
+Dave Lilly
+Alarm Clocks
+Waverley
+
+
+
+
+
+
+Trees and Other Poems
+
+
+
+
+
+
+The Twelve-Forty-Five
+
+(For Edward J. Wheeler)
+
+
+
+Within the Jersey City shed
+The engine coughs and shakes its head,
+The smoke, a plume of red and white,
+Waves madly in the face of night.
+And now the grave incurious stars
+Gleam on the groaning hurrying cars.
+Against the kind and awful reign
+Of darkness, this our angry train,
+A noisy little rebel, pouts
+Its brief defiance, flames and shouts --
+And passes on, and leaves no trace.
+For darkness holds its ancient place,
+Serene and absolute, the king
+Unchanged, of every living thing.
+The houses lie obscure and still
+In Rutherford and Carlton Hill.
+Our lamps intensify the dark
+Of slumbering Passaic Park.
+And quiet holds the weary feet
+That daily tramp through Prospect Street.
+What though we clang and clank and roar
+Through all Passaic's streets? No door
+Will open, not an eye will see
+Who this loud vagabond may be.
+Upon my crimson cushioned seat,
+In manufactured light and heat,
+I feel unnatural and mean.
+Outside the towns are cool and clean;
+Curtained awhile from sound and sight
+They take God's gracious gift of night.
+The stars are watchful over them.
+On Clifton as on Bethlehem
+The angels, leaning down the sky,
+Shed peace and gentle dreams. And I --
+I ride, I blasphemously ride
+Through all the silent countryside.
+The engine's shriek, the headlight's glare,
+Pollute the still nocturnal air.
+The cottages of Lake View sigh
+And sleeping, frown as we pass by.
+Why, even strident Paterson
+Rests quietly as any nun.
+Her foolish warring children keep
+The grateful armistice of sleep.
+For what tremendous errand's sake
+Are we so blatantly awake?
+What precious secret is our freight?
+What king must be abroad so late?
+Perhaps Death roams the hills to-night
+And we rush forth to give him fight.
+Or else, perhaps, we speed his way
+To some remote unthinking prey.
+Perhaps a woman writhes in pain
+And listens -- listens for the train!
+The train, that like an angel sings,
+The train, with healing on its wings.
+Now "Hawthorne!" the conductor cries.
+My neighbor starts and rubs his eyes.
+He hurries yawning through the car
+And steps out where the houses are.
+This is the reason of our quest!
+Not wantonly we break the rest
+Of town and village, nor do we
+Lightly profane night's sanctity.
+What Love commands the train fulfills,
+And beautiful upon the hills
+Are these our feet of burnished steel.
+Subtly and certainly I feel
+That Glen Rock welcomes us to her
+And silent Ridgewood seems to stir
+And smile, because she knows the train
+Has brought her children back again.
+We carry people home -- and so
+God speeds us, wheresoe'er we go.
+Hohokus, Waldwick, Allendale
+Lift sleepy heads to give us hail.
+In Ramsey, Mahwah, Suffern stand
+Houses that wistfully demand
+A father -- son -- some human thing
+That this, the midnight train, may bring.
+The trains that travel in the day
+They hurry folks to work or play.
+The midnight train is slow and old
+But of it let this thing be told,
+To its high honor be it said
+It carries people home to bed.
+My cottage lamp shines white and clear.
+God bless the train that brought me here.
+
+
+
+
+Pennies
+
+
+
+A few long-hoarded pennies in his hand
+Behold him stand;
+A kilted Hedonist, perplexed and sad.
+The joy that once he had,
+The first delight of ownership is fled.
+He bows his little head.
+Ah, cruel Time, to kill
+That splendid thrill!
+
+Then in his tear-dimmed eyes
+New lights arise.
+He drops his treasured pennies on the ground,
+They roll and bound
+And scattered, rest.
+Now with what zest
+He runs to find his errant wealth again!
+
+So unto men
+Doth God, depriving that He may bestow.
+Fame, health and money go,
+But that they may, new found, be newly sweet.
+Yea, at His feet
+Sit, waiting us, to their concealment bid,
+All they, our lovers, whom His Love hath hid.
+
+Lo, comfort blooms on pain, and peace on strife,
+ And gain on loss.
+What is the key to Everlasting Life?
+ A blood-stained Cross.
+
+
+
+
+Trees
+
+(For Mrs. Henry Mills Alden)
+
+
+
+I think that I shall never see
+A poem lovely as a tree.
+
+A tree whose hungry mouth is prest
+Against the earth's sweet flowing breast;
+
+A tree that looks at God all day,
+And lifts her leafy arms to pray;
+
+A tree that may in Summer wear
+A nest of robins in her hair;
+
+Upon whose bosom snow has lain;
+Who intimately lives with rain.
+
+Poems are made by fools like me,
+But only God can make a tree.
+
+
+
+
+Stars
+
+(For the Rev. James J. Daly, S. J.)
+
+
+
+Bright stars, yellow stars, flashing through the air,
+Are you errant strands of Lady Mary's hair?
+As she slits the cloudy veil and bends down through,
+Do you fall across her cheeks and over heaven too?
+
+Gay stars, little stars, you are little eyes,
+Eyes of baby angels playing in the skies.
+Now and then a winged child turns his merry face
+Down toward the spinning world -- what a funny place!
+
+Jesus Christ came from the Cross (Christ receive my soul!)
+In each perfect hand and foot there was a bloody hole.
+Four great iron spikes there were, red and never dry,
+Michael plucked them from the Cross and set them in the sky.
+
+Christ's Troop, Mary's Guard, God's own men,
+Draw your swords and strike at Hell and strike again.
+Every steel-born spark that flies where God's battles are,
+Flashes past the face of God, and is a star.
+
+
+
+
+Old Poets
+
+(For Robert Cortez Holliday)
+
+
+
+If I should live in a forest
+ And sleep underneath a tree,
+No grove of impudent saplings
+ Would make a home for me.
+
+I'd go where the old oaks gather,
+ Serene and good and strong,
+And they would not sigh and tremble
+ And vex me with a song.
+
+The pleasantest sort of poet
+ Is the poet who's old and wise,
+With an old white beard and wrinkles
+ About his kind old eyes.
+
+For these young flippertigibbets
+ A-rhyming their hours away
+They won't be still like honest men
+ And listen to what you say.
+
+The young poet screams forever
+ About his sex and his soul;
+But the old man listens, and smokes his pipe,
+ And polishes its bowl.
+
+There should be a club for poets
+ Who have come to seventy year.
+They should sit in a great hall drinking
+ Red wine and golden beer.
+
+They would shuffle in of an evening,
+ Each one to his cushioned seat,
+And there would be mellow talking
+ And silence rich and sweet.
+
+There is no peace to be taken
+ With poets who are young,
+For they worry about the wars to be fought
+ And the songs that must be sung.
+
+But the old man knows that he's in his chair
+ And that God's on His throne in the sky.
+So he sits by the fire in comfort
+ And he lets the world spin by.
+
+
+
+
+Delicatessen
+
+
+
+Why is that wanton gossip Fame
+ So dumb about this man's affairs?
+Why do we titter at his name
+ Who come to buy his curious wares?
+
+Here is a shop of wonderment.
+ From every land has come a prize;
+Rich spices from the Orient,
+ And fruit that knew Italian skies,
+
+And figs that ripened by the sea
+ In Smyrna, nuts from hot Brazil,
+Strange pungent meats from Germany,
+ And currants from a Grecian hill.
+
+He is the lord of goodly things
+ That make the poor man's table gay,
+Yet of his worth no minstrel sings
+ And on his tomb there is no bay.
+
+Perhaps he lives and dies unpraised,
+ This trafficker in humble sweets,
+Because his little shops are raised
+ By thousands in the city streets.
+
+Yet stars in greater numbers shine,
+ And violets in millions grow,
+And they in many a golden line
+ Are sung, as every child must know.
+
+Perhaps Fame thinks his worried eyes,
+ His wrinkled, shrewd, pathetic face,
+His shop, and all he sells and buys
+ Are desperately commonplace.
+
+Well, it is true he has no sword
+ To dangle at his booted knees.
+He leans across a slab of board,
+ And draws his knife and slices cheese.
+
+He never heard of chivalry,
+ He longs for no heroic times;
+He thinks of pickles, olives, tea,
+ And dollars, nickles, cents and dimes.
+
+His world has narrow walls, it seems;
+ By counters is his soul confined;
+His wares are all his hopes and dreams,
+ They are the fabric of his mind.
+
+Yet -- in a room above the store
+ There is a woman -- and a child
+Pattered just now across the floor;
+ The shopman looked at him and smiled.
+
+For, once he thrilled with high romance
+ And tuned to love his eager voice.
+Like any cavalier of France
+ He wooed the maiden of his choice.
+
+And now deep in his weary heart
+ Are sacred flames that whitely burn.
+He has of Heaven's grace a part
+ Who loves, who is beloved in turn.
+
+And when the long day's work is done,
+ (How slow the leaden minutes ran!)
+Home, with his wife and little son,
+ He is no huckster, but a man!
+
+And there are those who grasp his hand,
+ Who drink with him and wish him well.
+O in no drear and lonely land
+ Shall he who honors friendship dwell.
+
+And in his little shop, who knows
+ What bitter games of war are played?
+Why, daily on each corner grows
+ A foe to rob him of his trade.
+
+He fights, and for his fireside's sake;
+ He fights for clothing and for bread:
+The lances of his foemen make
+ A steely halo round his head.
+
+He decks his window artfully,
+ He haggles over paltry sums.
+In this strange field his war must be
+ And by such blows his triumph comes.
+
+What if no trumpet sounds to call
+ His armed legions to his side?
+What if, to no ancestral hall
+ He comes in all a victor's pride?
+
+The scene shall never fit the deed.
+ Grotesquely wonders come to pass.
+The fool shall mount an Arab steed
+ And Jesus ride upon an ass.
+
+This man has home and child and wife
+ And battle set for every day.
+This man has God and love and life;
+ These stand, all else shall pass away.
+
+O Carpenter of Nazareth,
+ Whose mother was a village maid,
+Shall we, Thy children, blow our breath
+ In scorn on any humble trade?
+
+Have pity on our foolishness
+ And give us eyes, that we may see
+Beneath the shopman's clumsy dress
+ The splendor of humanity!
+
+
+
+
+Servant Girl and Grocer's Boy
+
+
+
+Her lips' remark was: "Oh, you kid!"
+Her soul spoke thus (I know it did):
+
+"O king of realms of endless joy,
+My own, my golden grocer's boy,
+
+I am a princess forced to dwell
+Within a lonely kitchen cell,
+
+While you go dashing through the land
+With loveliness on every hand.
+
+Your whistle strikes my eager ears
+Like music of the choiring spheres.
+
+The mighty earth grows faint and reels
+Beneath your thundering wagon wheels.
+
+How keenly, perilously sweet
+To cling upon that swaying seat!
+
+How happy she who by your side
+May share the splendors of that ride!
+
+Ah, if you will not take my hand
+And bear me off across the land,
+
+Then, traveller from Arcady,
+Remain awhile and comfort me.
+
+What other maiden can you find
+So young and delicate and kind?"
+
+Her lips' remark was: "Oh, you kid!"
+Her soul spoke thus (I know it did).
+
+
+
+
+Wealth
+
+(For Aline)
+
+
+
+From what old ballad, or from what rich frame
+ Did you descend to glorify the earth?
+Was it from Chaucer's singing book you came?
+ Or did Watteau's small brushes give you birth?
+
+Nothing so exquisite as that slight hand
+ Could Raphael or Leonardo trace.
+Nor could the poets know in Fairyland
+ The changing wonder of your lyric face.
+
+I would possess a host of lovely things,
+ But I am poor and such joys may not be.
+So God who lifts the poor and humbles kings
+ Sent loveliness itself to dwell with me.
+
+
+
+
+Martin
+
+
+
+When I am tired of earnest men,
+ Intense and keen and sharp and clever,
+Pursuing fame with brush or pen
+ Or counting metal disks forever,
+Then from the halls of Shadowland
+ Beyond the trackless purple sea
+Old Martin's ghost comes back to stand
+ Beside my desk and talk to me.
+
+Still on his delicate pale face
+ A quizzical thin smile is showing,
+His cheeks are wrinkled like fine lace,
+ His kind blue eyes are gay and glowing.
+He wears a brilliant-hued cravat,
+ A suit to match his soft grey hair,
+A rakish stick, a knowing hat,
+ A manner blithe and debonair.
+
+How good that he who always knew
+ That being lovely was a duty,
+Should have gold halls to wander through
+ And should himself inhabit beauty.
+How like his old unselfish way
+ To leave those halls of splendid mirth
+And comfort those condemned to stay
+ Upon the dull and sombre earth.
+
+Some people ask: "What cruel chance
+ Made Martin's life so sad a story?"
+Martin? Why, he exhaled romance,
+ And wore an overcoat of glory.
+A fleck of sunlight in the street,
+ A horse, a book, a girl who smiled,
+Such visions made each moment sweet
+ For this receptive ancient child.
+
+Because it was old Martin's lot
+ To be, not make, a decoration,
+Shall we then scorn him, having not
+ His genius of appreciation?
+Rich joy and love he got and gave;
+ His heart was merry as his dress;
+Pile laurel wreaths upon his grave
+ Who did not gain, but was, success!
+
+
+
+
+The Apartment House
+
+
+
+Severe against the pleasant arc of sky
+ The great stone box is cruelly displayed.
+ The street becomes more dreary from its shade,
+And vagrant breezes touch its walls and die.
+Here sullen convicts in their chains might lie,
+ Or slaves toil dumbly at some dreary trade.
+ How worse than folly is their labor made
+Who cleft the rocks that this might rise on high!
+
+Yet, as I look, I see a woman's face
+ Gleam from a window far above the street.
+This is a house of homes, a sacred place,
+ By human passion made divinely sweet.
+How all the building thrills with sudden grace
+ Beneath the magic of Love's golden feet!
+
+
+
+
+As Winds That Blow Against A Star
+
+(For Aline)
+
+
+
+Now by what whim of wanton chance
+ Do radiant eyes know sombre days?
+And feet that shod in light should dance
+ Walk weary and laborious ways?
+
+But rays from Heaven, white and whole,
+ May penetrate the gloom of earth;
+And tears but nourish, in your soul,
+ The glory of celestial mirth.
+
+The darts of toil and sorrow, sent
+ Against your peaceful beauty, are
+As foolish and as impotent
+ As winds that blow against a star.
+
+
+
+
+St. Laurence
+
+
+
+Within the broken Vatican
+ The murdered Pope is lying dead.
+The soldiers of Valerian
+ Their evil hands are wet and red.
+
+Unarmed, unmoved, St. Laurence waits,
+ His cassock is his only mail.
+The troops of Hell have burst the gates,
+ But Christ is Lord, He shall prevail.
+
+They have encompassed him with steel,
+ They spit upon his gentle face,
+He smiles and bleeds, nor will reveal
+ The Church's hidden treasure-place.
+
+Ah, faithful steward, worthy knight,
+ Well hast thou done. Behold thy fee!
+Since thou hast fought the goodly fight
+ A martyr's death is fixed for thee.
+
+St. Laurence, pray for us to bear
+ The faith which glorifies thy name.
+St. Laurence, pray for us to share
+ The wounds of Love's consuming flame.
+
+
+
+
+To A Young Poet Who Killed Himself
+
+
+
+When you had played with life a space
+ And made it drink and lust and sing,
+You flung it back into God's face
+ And thought you did a noble thing.
+"Lo, I have lived and loved," you said,
+ "And sung to fools too dull to hear me.
+Now for a cool and grassy bed
+ With violets in blossom near me."
+
+Well, rest is good for weary feet,
+ Although they ran for no great prize;
+And violets are very sweet,
+ Although their roots are in your eyes.
+But hark to what the earthworms say
+ Who share with you your muddy haven:
+"The fight was on -- you ran away.
+ You are a coward and a craven.
+
+"The rug is ruined where you bled;
+ It was a dirty way to die!
+To put a bullet through your head
+ And make a silly woman cry!
+You could not vex the merry stars
+ Nor make them heed you, dead or living.
+Not all your puny anger mars
+ God's irresistible forgiving.
+
+"Yes, God forgives and men forget,
+ And you're forgiven and forgotten.
+You might be gaily sinning yet
+ And quick and fresh instead of rotten.
+And when you think of love and fame
+ And all that might have come to pass,
+Then don't you feel a little shame?
+ And don't you think you were an ass?"
+
+
+
+
+Memorial Day
+
+"Dulce et decorum est"
+
+
+
+The bugle echoes shrill and sweet,
+ But not of war it sings to-day.
+The road is rhythmic with the feet
+ Of men-at-arms who come to pray.
+
+The roses blossom white and red
+ On tombs where weary soldiers lie;
+Flags wave above the honored dead
+ And martial music cleaves the sky.
+
+Above their wreath-strewn graves we kneel,
+ They kept the faith and fought the fight.
+Through flying lead and crimson steel
+ They plunged for Freedom and the Right.
+
+May we, their grateful children, learn
+ Their strength, who lie beneath this sod,
+Who went through fire and death to earn
+ At last the accolade of God.
+
+In shining rank on rank arrayed
+ They march, the legions of the Lord;
+He is their Captain unafraid,
+ The Prince of Peace . . . Who brought a sword.
+
+
+
+
+The Rosary
+
+
+
+Not on the lute, nor harp of many strings
+ Shall all men praise the Master of all song.
+ Our life is brief, one saith, and art is long;
+And skilled must be the laureates of kings.
+Silent, O lips that utter foolish things!
+ Rest, awkward fingers striking all notes wrong!
+ How from your toil shall issue, white and strong,
+Music like that God's chosen poet sings?
+
+There is one harp that any hand can play,
+ And from its strings what harmonies arise!
+There is one song that any mouth can say, --
+ A song that lingers when all singing dies.
+When on their beads our Mother's children pray
+ Immortal music charms the grateful skies.
+
+
+
+
+Vision
+
+(For Aline)
+
+
+
+Homer, they tell us, was blind and could not see the beautiful faces
+ Looking up into his own and reflecting the joy of his dream,
+ Yet did he seem
+Gifted with eyes that could follow the gods to their holiest places.
+
+I have no vision of gods, not of Eros with love-arrows laden,
+ Jupiter thundering death or of Juno his white-breasted queen,
+ Yet have I seen
+All of the joy of the world in the innocent heart of a maiden.
+
+
+
+
+To Certain Poets
+
+
+
+Now is the rhymer's honest trade
+A thing for scornful laughter made.
+
+The merchant's sneer, the clerk's disdain,
+These are the burden of our pain.
+
+Because of you did this befall,
+You brought this shame upon us all.
+
+You little poets mincing there
+With women's hearts and women's hair!
+
+How sick Dan Chaucer's ghost must be
+To hear you lisp of "Poesie"!
+
+A heavy-handed blow, I think,
+Would make your veins drip scented ink.
+
+You strut and smirk your little while
+So mildly, delicately vile!
+
+Your tiny voices mock God's wrath,
+You snails that crawl along His path!
+
+Why, what has God or man to do
+With wet, amorphous things like you?
+
+This thing alone you have achieved:
+Because of you, it is believed
+
+That all who earn their bread by rhyme
+Are like yourselves, exuding slime.
+
+Oh, cease to write, for very shame,
+Ere all men spit upon our name!
+
+Take up your needles, drop your pen,
+And leave the poet's craft to men!
+
+
+
+
+Love's Lantern
+
+(For Aline)
+
+
+
+Because the road was steep and long
+ And through a dark and lonely land,
+God set upon my lips a song
+ And put a lantern in my hand.
+
+Through miles on weary miles of night
+ That stretch relentless in my way
+My lantern burns serene and white,
+ An unexhausted cup of day.
+
+O golden lights and lights like wine,
+ How dim your boasted splendors are.
+Behold this little lamp of mine;
+ It is more starlike than a star!
+
+
+
+
+St. Alexis
+
+Patron of Beggars
+
+
+
+We who beg for bread as we daily tread
+ Country lane and city street,
+Let us kneel and pray on the broad highway
+ To the saint with the vagrant feet.
+Our altar light is a buttercup bright,
+ And our shrine is a bank of sod,
+But still we share St. Alexis' care,
+ The Vagabond of God.
+
+They gave him a home in purple Rome
+ And a princess for his bride,
+But he rowed away on his wedding day
+ Down the Tiber's rushing tide.
+And he came to land on the Asian strand
+ Where the heathen people dwell;
+As a beggar he strayed and he preached and prayed
+ And he saved their souls from hell.
+
+Bowed with years and pain he came back again
+ To his father's dwelling place.
+There was none to see who this tramp might be,
+ For they knew not his bearded face.
+But his father said, "Give him drink and bread
+ And a couch underneath the stair."
+So Alexis crept to his hole and slept.
+ But he might not linger there.
+
+For when night came down on the seven-hilled town,
+ And the emperor hurried in,
+Saying, "Lo, I hear that a saint is near
+ Who will cleanse us of our sin,"
+Then they looked in vain where the saint had lain,
+ For his soul had fled afar,
+From his fleshly home he had gone to roam
+ Where the gold-paved highways are.
+
+We who beg for bread as we daily tread
+ Country lane and city street,
+Let us kneel and pray on the broad highway
+ To the saint with the vagrant feet.
+Our altar light is a buttercup bright,
+ And our shrine is a bank of sod,
+But still we share St. Alexis' care,
+ The Vagabond of God!
+
+
+
+
+Folly
+
+(For A. K. K.)
+
+
+
+What distant mountains thrill and glow
+ Beneath our Lady Folly's tread?
+Why has she left us, wise in woe,
+ Shrewd, practical, uncomforted?
+We cannot love or dream or sing,
+ We are too cynical to pray,
+There is no joy in anything
+ Since Lady Folly went away.
+
+Many a knight and gentle maid,
+ Whose glory shines from years gone by,
+Through ignorance was unafraid
+ And as a fool knew how to die.
+Saint Folly rode beside Jehanne
+ And broke the ranks of Hell with her,
+And Folly's smile shone brightly on
+ Christ's plaything, Brother Juniper.
+
+Our minds are troubled and defiled
+ By study in a weary school.
+O for the folly of the child!
+ The ready courage of the fool!
+Lord, crush our knowledge utterly
+ And make us humble, simple men;
+And cleansed of wisdom, let us see
+ Our Lady Folly's face again.
+
+
+
+
+Madness
+
+(For Sara Teasdale)
+
+
+
+The lonely farm, the crowded street,
+ The palace and the slum,
+Give welcome to my silent feet
+ As, bearing gifts, I come.
+
+Last night a beggar crouched alone,
+ A ragged helpless thing;
+I set him on a moonbeam throne --
+ Today he is a king.
+
+Last night a king in orb and crown
+ Held court with splendid cheer;
+Today he tears his purple gown
+ And moans and shrieks in fear.
+
+Not iron bars, nor flashing spears,
+ Not land, nor sky, nor sea,
+Nor love's artillery of tears
+ Can keep mine own from me.
+
+Serene, unchanging, ever fair,
+ I smile with secret mirth
+And in a net of mine own hair
+ I swing the captive earth.
+
+
+
+
+Poets
+
+
+
+Vain is the chiming of forgotten bells
+ That the wind sways above a ruined shrine.
+Vainer his voice in whom no longer dwells
+ Hunger that craves immortal Bread and Wine.
+
+Light songs we breathe that perish with our breath
+ Out of our lips that have not kissed the rod.
+They shall not live who have not tasted death.
+ They only sing who are struck dumb by God.
+
+
+
+
+Citizen of the World
+
+
+
+No longer of Him be it said
+"He hath no place to lay His head."
+
+In every land a constant lamp
+Flames by His small and mighty camp.
+
+There is no strange and distant place
+That is not gladdened by His face.
+
+And every nation kneels to hail
+The Splendour shining through Its veil.
+
+Cloistered beside the shouting street,
+Silent, He calls me to His feet.
+
+Imprisoned for His love of me
+He makes my spirit greatly free.
+
+And through my lips that uttered sin
+The King of Glory enters in.
+
+
+
+
+To a Blackbird and His Mate Who Died in the Spring
+
+(For Kenton)
+
+
+
+An iron hand has stilled the throats
+ That throbbed with loud and rhythmic glee
+And dammed the flood of silver notes
+ That drenched the world in melody.
+The blosmy apple boughs are yearning
+For their wild choristers' returning,
+ But no swift wings flash through the tree.
+
+Ye that were glad and fleet and strong,
+ Shall Silence take you in her net?
+And shall Death quell that radiant song
+ Whose echo thrills the meadow yet?
+Burst the frail web about you clinging
+And charm Death's cruel heart with singing
+ Till with strange tears his eyes are wet.
+
+The scented morning of the year
+ Is old and stale now ye are gone.
+No friendly songs the children hear
+ Among the bushes on the lawn.
+When babies wander out a-Maying
+Will ye, their bards, afar be straying?
+ Unhymned by you, what is the dawn?
+
+Nay, since ye loved ye cannot die.
+ Above the stars is set your nest.
+Through Heaven's fields ye sing and fly
+ And in the trees of Heaven rest.
+And little children in their dreaming
+Shall see your soft black plumage gleaming
+ And smile, by your clear music blest.
+
+
+
+
+The Fourth Shepherd
+
+(For Thomas Walsh)
+
+
+
+ I
+
+
+On nights like this the huddled sheep
+ Are like white clouds upon the grass,
+And merry herdsmen guard their sleep
+ And chat and watch the big stars pass.
+
+It is a pleasant thing to lie
+ Upon the meadow on the hill
+With kindly fellowship near by
+ Of sheep and men of gentle will.
+
+I lean upon my broken crook
+ And dream of sheep and grass and men --
+O shameful eyes that cannot look
+ On any honest thing again!
+
+On bloody feet I clambered down
+ And fled the wages of my sin,
+I am the leavings of the town,
+ And meanly serve its meanest inn.
+
+I tramp the courtyard stones in grief,
+ While sleep takes man and beast to her.
+And every cloud is calling "Thief!"
+ And every star calls "Murderer!"
+
+
+
+ II
+
+
+The hand of God is sure and strong,
+ Nor shall a man forever flee
+The bitter punishment of wrong.
+ The wrath of God is over me!
+
+With ashen bread and wine of tears
+ Shall I be solaced in my pain.
+I wear through black and endless years
+ Upon my brow the mark of Cain.
+
+
+
+ III
+
+
+Poor vagabond, so old and mild,
+ Will they not keep him for a night?
+And She, a woman great with child,
+ So frail and pitiful and white.
+
+Good people, since the tavern door
+ Is shut to you, come here instead.
+See, I have cleansed my stable floor
+ And piled fresh hay to make a bed.
+
+Here is some milk and oaten cake.
+ Lie down and sleep and rest you fair,
+Nor fear, O simple folk, to take
+ The bounty of a child of care.
+
+
+
+ IV
+
+
+On nights like this the huddled sheep --
+ I never saw a night so fair.
+How huge the sky is, and how deep!
+ And how the planets flash and glare!
+
+At dawn beside my drowsy flock
+ What winged music I have heard!
+But now the clouds with singing rock
+ As if the sky were turning bird.
+
+O blinding Light, O blinding Light!
+ Burn through my heart with sweetest pain.
+O flaming Song, most loudly bright,
+ Consume away my deadly stain!
+
+
+
+ V
+
+
+The stable glows against the sky,
+ And who are these that throng the way?
+My three old comrades hasten by
+ And shining angels kneel and pray.
+
+The door swings wide -- I cannot go --
+ I must and yet I dare not see.
+Lord, who am I that I should know --
+ Lord, God, be merciful to me!
+
+
+
+ VI
+
+
+O Whiteness, whiter than the fleece
+ Of new-washed sheep on April sod!
+O Breath of Life, O Prince of Peace,
+ O Lamb of God, O Lamb of God!
+
+
+
+
+Easter
+
+
+
+The air is like a butterfly
+ With frail blue wings.
+The happy earth looks at the sky
+ And sings.
+
+
+
+
+Mount Houvenkopf
+
+
+
+Serene he stands, with mist serenely crowned,
+ And draws a cloak of trees about his breast.
+ The thunder roars but cannot break his rest
+And from his rugged face the tempests bound.
+He does not heed the angry lightning's wound,
+ The raging blizzard is his harmless guest,
+ And human life is but a passing jest
+To him who sees Time spin the years around.
+
+But fragile souls, in skyey reaches find
+ High vantage-points and view him from afar.
+How low he seems to the ascended mind,
+ How brief he seems where all things endless are;
+This little playmate of the mighty wind
+ This young companion of an ancient star.
+
+
+
+
+The House with Nobody in It
+
+
+
+Whenever I walk to Suffern along the Erie track
+I go by a poor old farmhouse with its shingles broken and black.
+I suppose I've passed it a hundred times, but I always stop for a minute
+And look at the house, the tragic house, the house with nobody in it.
+
+I never have seen a haunted house, but I hear there are such things;
+That they hold the talk of spirits, their mirth and sorrowings.
+I know this house isn't haunted, and I wish it were, I do;
+For it wouldn't be so lonely if it had a ghost or two.
+
+This house on the road to Suffern needs a dozen panes of glass,
+And somebody ought to weed the walk and take a scythe to the grass.
+It needs new paint and shingles, and the vines should be trimmed and tied;
+But what it needs the most of all is some people living inside.
+
+If I had a lot of money and all my debts were paid
+I'd put a gang of men to work with brush and saw and spade.
+I'd buy that place and fix it up the way it used to be
+And I'd find some people who wanted a home and give it to them free.
+
+Now, a new house standing empty, with staring window and door,
+Looks idle, perhaps, and foolish, like a hat on its block in the store.
+But there's nothing mournful about it; it cannot be sad and lone
+For the lack of something within it that it has never known.
+
+But a house that has done what a house should do,
+ a house that has sheltered life,
+That has put its loving wooden arms around a man and his wife,
+A house that has echoed a baby's laugh and held up his stumbling feet,
+Is the saddest sight, when it's left alone, that ever your eyes could meet.
+
+So whenever I go to Suffern along the Erie track
+I never go by the empty house without stopping and looking back,
+Yet it hurts me to look at the crumbling roof and the shutters fallen apart,
+For I can't help thinking the poor old house is a house with a broken heart.
+
+
+
+
+Dave Lilly
+
+
+
+There's a brook on the side of Greylock that used to be full of trout,
+But there's nothing there now but minnows; they say it is all fished out.
+I fished there many a Summer day some twenty years ago,
+And I never quit without getting a mess of a dozen or so.
+
+There was a man, Dave Lilly, who lived on the North Adams road,
+And he spent all his time fishing, while his neighbors reaped and sowed.
+He was the luckiest fisherman in the Berkshire hills, I think.
+And when he didn't go fishing he'd sit in the tavern and drink.
+
+Well, Dave is dead and buried and nobody cares very much;
+They have no use in Greylock for drunkards and loafers and such.
+But I always liked Dave Lilly, he was pleasant as you could wish;
+He was shiftless and good-for-nothing, but he certainly could fish.
+
+The other night I was walking up the hill from Williamstown
+And I came to the brook I mentioned,
+ and I stopped on the bridge and sat down.
+I looked at the blackened water with its little flecks of white
+And I heard it ripple and whisper in the still of the Summer night.
+
+And after I'd been there a minute it seemed to me I could feel
+The presence of someone near me, and I heard the hum of a reel.
+And the water was churned and broken, and something was brought to land
+By a twist and flirt of a shadowy rod in a deft and shadowy hand.
+
+I scrambled down to the brookside and hunted all about;
+There wasn't a sign of a fisherman; there wasn't a sign of a trout.
+But I heard somebody chuckle behind the hollow oak
+And I got a whiff of tobacco like Lilly used to smoke.
+
+It's fifteen years, they tell me, since anyone fished that brook;
+And there's nothing in it but minnows that nibble the bait off your hook.
+But before the sun has risen and after the moon has set
+I know that it's full of ghostly trout for Lilly's ghost to get.
+
+I guess I'll go to the tavern and get a bottle of rye
+And leave it down by the hollow oak, where Lilly's ghost went by.
+I meant to go up on the hillside and try to find his grave
+And put some flowers on it -- but this will be better for Dave.
+
+
+
+
+Alarm Clocks
+
+
+
+When Dawn strides out to wake a dewy farm
+ Across green fields and yellow hills of hay
+ The little twittering birds laugh in his way
+And poise triumphant on his shining arm.
+He bears a sword of flame but not to harm
+ The wakened life that feels his quickening sway
+ And barnyard voices shrilling "It is day!"
+Take by his grace a new and alien charm.
+
+But in the city, like a wounded thing
+ That limps to cover from the angry chase,
+He steals down streets where sickly arc-lights sing,
+ And wanly mock his young and shameful face;
+And tiny gongs with cruel fervor ring
+ In many a high and dreary sleeping place.
+
+
+
+
+Waverley
+
+1814-1914
+
+
+
+When, on a novel's newly printed page
+ We find a maudlin eulogy of sin,
+ And read of ways that harlots wander in,
+And of sick souls that writhe in helpless rage;
+Or when Romance, bespectacled and sage,
+ Taps on her desk and bids the class begin
+ To con the problems that have always been
+Perplexed mankind's unhappy heritage;
+
+Then in what robes of honor habited
+ The laureled wizard of the North appears!
+Who raised Prince Charlie's cohorts from the dead,
+ Made Rose's mirth and Flora's noble tears,
+And formed that shining legion at whose head
+ Rides Waverley, triumphant o'er the years!
+
+
+
+
+[End of Trees and Other Poems.]
+
+
+
+
+
+
+The following biographical information is taken from the 1917 edition
+of Jessie B. Rittenhouse's anthology of Modern Verse.
+
+
+Kilmer, Joyce. Born at New Brunswick, New Jersey, December 6, 1886,
+and graduated at Columbia University in 1908. After a short period
+of teaching he became associated with Funk and Wagnalls Company,
+where he remained from 1909 to 1912, when he assumed the position
+of literary editor of "The Churchman". In 1913 Mr. Kilmer became
+a member of the staff of the "New York Times", a position which
+he still occupies. His volumes of poetry are: "A Summer of Love", 1911,
+and "Trees, and Other Poems", 1914.
+
+
+Kilmer died in France in 1918, and also published another volume,
+"Main Street and Other Poems", 1917, as well as individual poems,
+essays, etc.
+
+
+
+
+
+
+End of this etext of Trees and Other Poems
+
+
+
+
diff --git a/old/trees10.zip b/old/trees10.zip
new file mode 100644
index 0000000..9929035
--- /dev/null
+++ b/old/trees10.zip
Binary files differ