path: root/26242.txt

The Project Gutenberg EBook of The Bill-Toppers, by Andre Castaigne

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Bill-Toppers

Author: Andre Castaigne

Release Date: August 9, 2008 [EBook #26242]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK THE BILL-TOPPERS ***




Produced by Roger Frank and the Online Distributed
Proofreading Team at http://www.pgdp.net





[Illustration: Poland, the Parisienne. Page 123. Frontispiece.]

-------------------------------------------------------------------------

THE BILL-TOPPERS

By
ANDRE CASTAIGNE

With Illustrations
BY THE AUTHOR

A. L. BURT COMPANY
Publishers--New York

-------------------------------------------------------------------------

Copyright, 1909
The Bobbs-Merrill Company

August

-------------------------------------------------------------------------

TO MY LITTLE FRIENDS
THE STARS!

-------------------------------------------------------------------------

THE BILL-TOPPERS

-------------------------------------------------------------------------

THE BILL-TOPPERS

OVERTURE

All around stretched the great blue sky and the blue sea of the Gulf of
Bengal.

Mrs. Clifton lay dozing at full length on a pillowed bench and her husband
sat near her and followed his Lily, his daughter, with his eyes: his Lily,
eight years old, "that high," waving among the passengers the white coral
necklace which Pa had bought her on leaving Australia; his Lily, his star,
his New Zealander on Wheels! His Lily who had had such successes at
Melbourne, at Sidney: bouquets, tons and cart-loads of bouquets! And the
past would be nothing compared with the future, with the astounding tricks
which he was inventing for his Lily. The mere sight of her raised his
enthusiasm to boiling-point. And he was going to show them, in Calcutta
and elsewhere, if they knew how to make stars in New Zealand or if they
were only fit for raising mutton.

Clifton was an artist, an "artiste," a born artiste: starting as a mere
clerk in an office, he had become an amateur cyclist and then a
professional on the track. He married an Englishwoman at Wellington and,
at Lily's birth, decided upon a career: the stage, with Lily for a star
later on! And he set to work, with vim and vigor, learned a few tricks on
his bike, taught his wife the business in less than no time; and Lily's
first memories as a four-year-old were:

"I was sitting on Ma's shoulders, Ma on Pa's and Pa on the bike."

And Lily zigzagged through New Zealand, from east to west and north to
south, and Australia after, where she received plenty of applause for her
tricks, childish in themselves, but well presented. Her triumphant path
wound among tinseled bottles containing paper flowers, with a faultless
standstill for the climax, one hand on the handle-bar, the other blowing
kisses to the audience. This procured Pa an engagement for India. He
ordered a beautiful colored poster, "The Clifton Family, Trick Cyclists,"
with a portrait in the corner of his own strong face and bristling
mustache--"P. T. Clifton, Manager"--one more rung in the ladder of life
mounted, thanks to his Lily.

And Pa smiled to his daughter and, as she ran past him, lifted her on his
knee and stroked her fair curls; and the child cuddled up to her Pa,
opened her lips to ask questions, but was silent, with her eyes lost in
space, puckering her little forehead, in which were heaped so many mingled
memories of the stage and the great world outside: the Boxing Kangaroo;
tall cliffs; green islands; the bike; Batavia among the trees; Singapore,
with its noise and dust. And Lily, wearily, dreamed and murmured things,
while the steamer sped on, thud, thud, thud, flat as a stage in its blue
"set."

Lily's impressions of India were months of jolting and bumping, stops in
the dead of night while the tent was pitched, rains, strong smells,
oppressive heats--months and months of it, Ma on Pa, Pa on the wheel and
she on top, waving flags. Yellow faces on the benches, red flowers and,
somewhere, on a river-bank, two eyes glittering in the dark: a tiger,
somebody said! And every night the artistes, carrying lanterns, walked in
file between the circus and the hotel, with the ladies in the center and
Lily clinging to Ma's skirt.

She did more now, in addition to the bike: a song-and-dance turn. In a
piping falsetto, she quavered:

"Star light! Star bright!"

She was spoiled by the ladies, the wives of the officers stationed in
those out-of-the-way holes. She played with smart children, was taken for
drives, had her social successes! Chocolates, sweets, kisses. And a lady
gave her such a pretty dress: his Lily! Pa burst with delighted pride to
see her treated like that; and Ma scolded her a bit, for the little flirt
that she was, while fondly tying the two satin bows over her ears.

Lily was a regular tomboy, with pranks invented by herself, from ideas
which she picked up in traveling: for instance, she would choose her
moment and chuck a piece of bacon among the Mohammedans sitting under her
window; and she would revel in her own fright at those furious faces
suddenly glaring up at her from below! And she would stand with drooping
head, one finger in her mouth:

"Oh, _so_ sorry!"

What fun! And as an artiste she was spoiled and petted everywhere. Goa,
Bangalore, Tanjore and then Colombo, and a ship with elephants, tigers,
camels, children, men, women, wagons, one great mix-up, a circus and
menagerie in one, steaming toward South Africa; and Miss Lily of the
Clifton Troupe paraded her well-brushed, neatly-parted curls in the midst
of it all, gazed open-mouthed at the blue expanse of water until, her eyes
drunk and dazed with light, she went and lay in her cabin.... And more and
more blue water. And thud, thud, thud. And Cape Town in the mountains.
Africa behind it: a country all yellow, where the trains wound in and out
of the rocks; villages, up, up, up, or else right low down, on the yellow
veldt; and, at night, on the benches, crowds and crowds. Immediately after
the show came sleep, troubled by the jolting of the train; and the circus
was always there next day, on the right or on the left, with its Chinamen
and its niggers driving stakes or tugging at ropes. A bell for dinner, a
whistle for the show; and, as soon as the show was over, to bed,--and off
again.

Pa made her practice harder now, wanted to make a great artiste of her.
And there was a class, too, kept by a "marm" who traveled with the circus
and taught spelling and arithmetic and the art of letter-writing, from
"Yours to hand with thanks" down to "Believe me to be." Lily would have
been bored to death but for the accidents of travel: sometimes the engine
broke down, bringing the train to a dead stop amid the great African
silence, near a field of Indian corn, in which the children played
hide-and-seek. Or else there were locusts, locusts "that thick," right
inside the carriages. Lily would tie them by the leg and:

"Flip! Flap! Lively now! Jump!"

But funniest of all was the caravan--she couldn't remember where, in Natal
or thereabouts--wagons with ten yoke of oxen. They climbed up endless
winding roads. The men shot at birds and prospected for diamonds along the
wayside; and at night they took the hay from the mattresses to give to the
cattle. Lolling indolence was in the air and plenty in the larder: big
fruits, strange game, which they cooked in a makeshift oven consisting of
a few stones. Then they rolled themselves up in a blanket, near the
elephants tugging at their chains, and slept under the tent in the cool,
bright, starry night.

[Illustration: LILY IN INDIA]

Months and months passed. Lily was becoming very clever: the New Zealander
on Wheels! She was cleverer than Pa, who no longer performed, nor Ma
either. On their return to Australia, Lily appeared by herself in the
music-halls, and P. T. Clifton, Manager, watched her from the wings, in
growing admiration: his Lily was a star now, too good for a circus! And
Australia, pooh! Sidney, Melbourne, pooh! What Lily wanted was New York,
London, the Hippodromes, the Palaces! He'd show them a star that was a
star! And Clifton clenched his fists and pretended not to see when Lily
made a blunder on the stage: his Lily missing a trick! Disgracing her Pa
like that! He blushed to the eyes at the thought of it! And, when she
returned to the wings, he twitted her proudly:

"What next, Lily! An artiste like you!"

And Ma adopted a sarcastic air and congratulated "mademoiselle" as she
threw the white wrapper over "mademoiselle's" shoulders.

Ma detested the stage. She did not think it a nice place for herself; but
for a brat like Lily, Lord, it was quite different! And she ought to have
tried to please her Pa and Ma. Mrs. Clifton, though she never voiced the
wish, had visions of a trip to London, to stagger some relations, a
sister-in-law she had there, and sneer at the old country, in the usual
colonial fashion, and show them what the new countries can do, countries
where you make a fortune in less than no time! And, little by little,
smitten with Mr. Clifton's enthusiasm, she came to believe that, in Lily,
they really possessed the infant prodigy, the treasure-child upon whom
their fortune depended. And Ma, too, was vexed when Lily missed a trick on
the stage.

Lily laughed at their anger. Ma had never raised a hand to her; and, as
for Pa, when he scolded, Lily had such a way of looking at him, with
lowered head--"Oh, _so_ sorry!"--that Pa simmered down again at once.
Lily, a regular "tenter," shot up freely, grew up a real tomboy, went a
bit too far, in fact, Ma said: at Honolulu, for instance, on the road to
'Frisco and New York, where Pa had resolved to go, at all costs, come what
might--it was one step nearer London!--at Honolulu--ten days there and
such a success!--the child played truant in the gardens teeming with birds
and fruit, climbed apple-trees, was caught one day and scampered off at
full speed, pursued by Ma, who threatened to give her a sound smacking
this time, the little thief! But Pa thought it ridiculous, for the sake of
an apple....

"And suppose Lily had broken her leg with her nonsense?" asked Ma
indignantly. "Where would your New York be?"

Pa felt himself a conquering hero when they steamed through the Golden
Gate: the States at last! And no sooner was his foot on the wharf at
'Frisco than off to the agents at once, with his photographs, his
contracts, his posters! But it was her birth-certificate they asked to
see. And no babes and sucklings allowed on the stage here. It was all
right down yonder, but the law prevented it here.

"Damn your laws!" snapped Pa furiously. "Do you think we make stars to
hide them under bushels?"

And whoosh! Off for Mexico, where children are allowed to perform.

Now, in Arizona, near Phoenix, where the train stopped for some hours,
owing to an accident to the Rio Gila bridge, Pa happened upon a
merrymaking which reminded him of West Australia. Cow-boys, galloping
horses, a pretense at fighting, lassoing, revolvers, a track for amateur
cyclists and--yes, there, in the desert!--on a platform, right in the
middle, what should Pa see but an amazing artiste, riding on the
back-wheel, with the other in the air! And such twirls! And the boys
shouted to him:

"Hullo, Trampy! Have a drink, Trampy!"

And Trampy accepted:

"With you, my lord! As soon as I've done, my lord!"

And off he wheeled, head on the saddle, feet in the air, whistling _Yankee
Doodle_!

It was impossible! Pa rubbed his eyes: what! Was this what they did in the
States in the desert? And he who had hoped, with Lily ... why, damn it,
Lily knew nothing! He himself, her manager, knew less than nothing! He,
who thought he had formed a star! Pa was red with shame. And, suddenly, he
had a happy thought: he, too, offered Trampy a drink, something to propose
to him....

"All right."

They shook hands, went to the bar, lit a cigar, like men, by Jove! Clifton
loved to talk business, to pull out notebooks, quick, and jot things down
with a knowing air. Trampy, a mere boy, easy-going, genial, without a red
cent for the time being, didn't care a hang about business and was soon
telling Clifton the story of his life: drummer, reporter, racer; his
descent,--"Two whiskies, boy!"--what was he saying? Oh, yes, his descent
of a staircase on the bike, yes, siree, with a red-hot stove under his
arm--a stove painted to look red-hot--pursued by a policeman, leaping over
obstacles on the bike; great success at Duluth and Denver as a tramp
cyclist: hence his name of Trampy Wheel-Pad. But those girls, by Jove!
Well, he who fights and runs away lives to fight another day. Still, a
rolling stone doesn't climb hills. Here he was, stranded. Go to Mexico? So
much a week? Such and such a turn? Teach the child? Cert!

Lily never alluded to Mexico afterward without shaking with anger. My, to
listen to her, how badly they treated her in Mexico! Worse than a Dago! To
tell the truth, it was hot; and Lily, already tired by those long journeys
in varying climates, Lily would have preferred to do nothing and to
continue to lead her careless life as a playful filly. But no, poor Lily
was caught by the hind-leg in Mexico! Ambition had seized upon Pa, body
and soul, and life became a more serious matter for the child.

"Look here!" said Pa, pointing to Trampy. "What he, a man, does, you can
do! I'll see to that!"

Pa arranged for a place in which to practise at their ease. In the
evening, on the stage, he watched and studied Trampy's tricks and, in the
morning, quick, out of bed, look alive, the bike! Pa no longer had his
open-mouthed admiration for Lily, as in South Africa and Asia: his Lily
knew nothing at all! But in three months, six months, if necessary, if it
cost him every penny he possessed. And it was:

"Come along, Lily ... to work! Show what you can do!"

Trampy, in this country of _manolas_--"Grand, by Jove!"--came round about
eleven; and Pa, all out of breath, passed Lily on to him:

"You have a go at her, Trampy! I give up, she won't do what I say!"

And Trampy put down his cigar, took off his collar and cuffs and it was,
"Come along, Lily!" till lunch-time. The child, her eyes blinking with
fatigue, fell fast asleep before the end of the meal.

Pa was delighted.

And he confided her to Trampy more and more, with orders not to spare
smackings in case of need:

"Eh, Lily? Eh?"

As for him, he had business to do, letters to write, great schemes in his
head! for instance, he must try to get permission for Lily to appear in
the States.

"Time for a cigar, I guess," said Trampy, as soon as Clifton was gone.

Work stopped abruptly; a tumbler's carpet rolled up in a corner formed an
inviting lounge; and Lily, panting from her practice, would stretch
herself beside him and enjoy a few happy moments, the only really happy
moments of the day; for there were matinees in the afternoon and the
evening performance at night, till she was ready to drop with weariness.
Trampy treated Lily nicely, like a grown-up person, called her by the name
of a fruit, or a flower, or a bird, jollied her, called her "little
wifie:" it was all one to her. He made her laugh with his funny stories,
his fairy tales about himself, his terrible struggle with a snake in the
streets of 'Frisco, after a champagne supper: girls, by Jove! He toned
down his anecdotes and dished them up for Lily's entertainment; told her
absurd yarns enlivened with mimicry, in which he excelled, like the real
mummer that he was, and Lily shrieked with laughter, head thrown back,
full-throated.

And there was a spice of fear in it all: was that Pa coming back? No, a
carpenter or scene-shifter, perhaps, or else the Martellos, brother and
sister, going to practise slack-wire, head and hand balancing. Their
father, old Martello, a famous name, lived in London, it appeared, alone
with his Bambinis, mere babes still. His other children and his
apprentices had all run away, to escape his horsewhip, and the brother in
Mexico was continuing the tradition. His brutality, in fact, got him into
trouble wherever he went, so much so that the big music-halls were closed
to him, for fear of scandal. And he terrorized his sister, Ave Maria, a
girl of sixteen, a dark girl with great dark eyes. Ave Maria never spoke
to anybody; when she passed through the room where Lily was having fun
with Trampy, she fixed a fiery glance upon them, even ventured on a smile,
for Trampy in particular, whose lively stories reached her through the
partition behind which she dressed. Oh, how she envied Lily! But she
passed very quickly, because of her brother.

And this time it was Pa! Lily jumped on to the saddle like mad, played her
part to perfection, puffed and panted, as if the last drop of strength
were oozing out of her, and Trampy joined in the little comedy of fibbing
and dissembling:

"There, like that, Lily, or I'll smack you!"

"That's right," said Pa. "Make her work!"

And, just to show Lily what work meant and that her Pa was not so unkind
after all--"It's for your good, Lily! You'll thank me one of these
days!"--he took her to the stage, where Ave Maria was practising. Now, of
course, in the circuses, Lily, occasionally, had seen children knocked and
cut about with blows and trained to say, "It was the cat," when any one
asked them about the marks. They were ordinary children; she had rolled
about in the sawdust with them, played hide-and-seek with them in the
fields of Indian corn; they were children who romped and ran about and
laughed. Ave Maria was different. The brother, a savage, scowling brute,
was always after her, harrying her with muttered threats. She was in a
constant, visible tremble of fear; and, if she slipped on her wire, the
fellow snarled as if to bite her in the foot, pinched her black and blue,
restored her balance with a blow of the belt, shook the supports to make
her fall just to see!...

"Oh, Pa, he'll kill her!" whispered Lily, when she saw Ave Maria
practising.

"It's none of our damned business," replied Pa curtly.

Martello's evil example ended by catching hold of Pa: that's how artistes
were formed, damn it! And, at the thought of the time wasted, he clenched
his fists. To have a Lily of his own, all his own, and to have made
nothing out of her yet! Still, it was not Lily's fault. Yes, though, it
was her fault, she was so stubborn, so wilful! When he told her to do a
thing, why not do it? Instead of bleating:

"Pa, I can't! Pa, I can't!"

A brief struggle, in a way, followed between Lily and her Pa. Lily was not
built for passive obedience, wasn't used to it. She no longer knew her Pa.
When he came at her with his hand lifted to strike, when he spoke of
unbuckling his belt--"Damn those blasted brats!"--Lily eyed him with a
look of anguish:

"But Pa, I'm not Ave Maria!" she said. "I'm not a Dago."

And she raised her little rebellious face to him. He humbled her with a
smack on the cheek:

"On the saddle! Up! Quick!"

The child, mastered by her Pa's strength and energy, ceased to be the
spoiled child, became an artiste.... Head on the saddle, back-wheel: just
like Trampy! Pooh, Trampy, after a few months of this life, was nowhere,
Clifton admired him less and less, Lily was doing all that he did, more
than he did; and without a fault, without a hitch, unerring and exact! Pa
swelled with pride at the mere sight of his Lily, his four stone ten of
flesh and bones fitted to the machine, his Lily, the Lily of his dreams!

"I'll dress you in velvet and satin!" he said, in his enthusiasm. "I'll
cover you with diamonds."

Pa, thanks to his indomitable energy, had made something of his Lily, a
real artiste, at last! And business was moving, too! He had a contract in
his pocket for the States, where Lily would no doubt get permission to do
her "childish tricks," seeing that she was traveling with her Pa and Ma.
As for Trampy, Pa had no use for Trampy, made no bones about sacking him
on some pretext or other:

"Run away and play with your girls, by Jove! Or whatever you please!
Good-by! Ta-ta!"

And off for Denver, whence they were to continue the journey up to
Chicago.

                    *       *       *       *       *

It was the dive for good and all into the stuffy atmosphere behind the
scenes, which Lily was never again to leave, brick walls, where she waited
her turn on the elaborate program of the "continuous performances," amid
the thunder of the orchestra and the lightning of the reflectors. No time
to go out, meals consumed in your dressing-room on the top of the basket
trunk. In the mornings, new tricks to practise on the stage, in the midst
of a herd of girls whom gentlemen in their shirtsleeves were training to
sing in chorus and to keep step to the strum of the piano. And ever and
ever so many new faces, a tumult of tongues which Lily heard on the stage,
in the dressing-room, and even in her room at the hotel, through the thin
partition walls: a lingo made up of coarse remarks and thick stories,
punctuated with spitting and oaths strong enough to carry a tower of
Babel. Lily opened her eyes and ears, heaping it all up, storing it all
away behind her stubborn forehead....

And new people, new people: "families," "brothers," "sisters," troupes,
troupes, troupes! Or else stars by themselves, "bests," "uniques:" a
female-impersonator, a green-eyed boy who wagged his hips like the very
devil and took off the girls; Poland, a Warsaw Jewess, a redheaded,
overscented beauty, who did the "Parisienne," and ever and ever so many
others. And Lily, so slender and frail, was the pet of them all. They
called her their pretty baby, their _petit cheri_, and, with their painted
mugs, kissed her full on the lips.

Pa detested this "rotten lot" and Pa was not always in a good temper. Lily
"under age,"--again! Why, there were even managers who informed the
police, so as to be on the safe side; "traveling with her parents;
childish tricks; nothing difficult."... Ma's indignation knew no bounds:
what nonsense to prevent a great big girl of fifteen from earning her
living! For she aged Lily as much as she could, to obtain the permission,
when no papers were asked for; and she had trained Lily to reply to the
indiscreet questions of the officials: was her trick hard? Was she forced
into doing it? Lily answered mechanically that she liked the bike very
much. And then they allowed her to perform.

As for practising, permission or none, that was nobody's damned business.
And if some old sheep took to bleating--"Poor child, you'll be the death
of her!"--Pa sent the old sheep to eat coke; and it was:

"Up, Lily! Get on your bike! Look alive!"

And the bloomers that Lily wore out! Ma was kept busy in the dressing-room
mending the rents at the knees and patching the seats:

"What a tomboy!" Ma cried.

And this went on for months and months. And then came Chicago; a visit of
Pa's to the agents; and a contract with the New York Olympians, a
variety-show coming from the West and returning to New York by Columbus
and Pittsburg. And new people, new people; stars of every kind: the Para
woman, a rheumatic juggler, who was obliged to change her turn and become
an exhibitor of performing parrots, a ragged, molting troupe, picked up
cheap at second-hand; an infant prodigy who topped the bill, a
boy-violinist, leading an orchestra, too, at fourteen, a pretentious
little humbug trained to make a few movements, while others did the work.
Lily thought him so good-looking she simply couldn't take her eyes off
him. And then she had some big girl-friends who had had love affairs! They
were the Three Graces, gymnasts endowed with bodies like so many Apollos,
honest German faces and a bewildering amount of strength, pluck and
precision....

"What smackings that must have taken!" thought Pa.

But no, their uncle and manager, Mr. Fuchs--a name as famous in its way as
Martello's--was known for his gentleness and adored and coddled and
pampered by the Three Graces, who, at a sign from "Nunkie," as they called
him, joyously rushed to practice, taking a pride in pleasing their dear
Nunkie.

"The old rogue!" said Pa enviously. "He has an easy time of it; whereas I,
with my skinny kitten, damn it ...!"

Well, well, he mustn't complain, as he himself admitted: one more rung
which he had mounted, thanks to his Lily, that engagement with the best
variety-show in the States; nothing but big theaters: Orpheums! Dominions!
And New York next! And then London! Things were moving, moving! And Pa
looked lovingly at his Lily, as she played at being grown up with the
Three Graces, in the train on Sunday, traveling from town to town, while
Ma was knitting things for her tomboy. He talked to Mr. Fuchs as between
equals, as between man and man, as between the manager of a star and the
owner of a troupe; and the train rushed on, rushed on, with an indistinct
sound of the engine-bell, now and again, when they crossed a street. Mr.
Fuchs, heavy-jawed, slow of speech, said that he had had enough of
traveling, at his age, if it were not for his dear nieces. He would like
to retire to the country, to his little home, and grow his roses, as soon
as he had married off his dear nieces, which would not be long, no doubt.
As it was, one of them, Thea, the one who did five pullings-up with her
left hand, had his permission to receive letters from her sweetheart, a
young man at St. Louis, quite well-off. The idyl made good Mr. Fuchs
blossom into a genial smile: family life! Simple joys! The only true ones!
Worth more than the stage! And Nunkie talked and talked: the Parisienne, a
perpetual scandal! And wait a bit: what was that he heard at an agent's
the other day? Yes, the daughter of his old friend Martello, Ave Maria her
name was, had left her brother, and run away from Mexico with a man! Tut,
tut, the things one saw nowadays!

Pa hardly listened to the old crock, preferred to dream of New York and
the success his Lily would achieve there! And Lily, sitting close by,
listened with all her ears, puckered her little forehead: love, love....
And Ave Maria, who had run away with a man.... Why with a man? And she
squeezed up against Thea, the Grace who was in love ... put question after
question.... She talked of her boy-violinist, of Trampy. And they all
laughed boisterously, with heads thrown back, full-throated, and Nunkie,
very paternally, congratulated Mr. Clifton on his daughter's niceness.

"For goodness' sake, don't go putting it into her head that she's pretty,
the little devil!" protested Ma. "That would be the last straw!"

                    *       *       *       *       *

The arrival in New York was a disappointment to Pa. The authorities
insisted on seeing the papers this time. Lily was under age; just as at
'Frisco. What! Why? Because of former scandals, it appeared: Martello and
Ave Maria. What had he, a British subject, to do with those Dagoes who
spoil the profession? growled Pa. He ended by rebelling against the
injustice of it, thought of the Three Graces hard at work rehearsing under
Nunkie's eye, while he, Clifton, had not even the right to set foot on a
stage and let Lily practise there. To work, to work, damn it! And he
locked her up all day in her room doing her balancings, the boomerang on
the front wheel, the standstill on the back-wheel, or the bike upside
down, with Lily standing on the pedals, like a convict on the tread-mill.
The pack of fools! Because a Dago had whipped his sister, wasn't a Pa to
have the right to bring his own daughter up? To work, to work! And he kept
her at it for hours and hours, watched and knit his brows, like a sage
pondering for hours over the solution of a problem.

Lily, breathless, would turn a look of entreaty upon her Ma, but Mrs.
Clifton, with her nose bent over her work, pretended not to see,
obstinately went on cutting out, patching, sewing her tomboy's bloomers.
Lily longed for Trampy....

At night, Pa ran from theater to theater: from Fourteenth Street, where
they lodged, to Twenty-third Street; took the elevated to Fifty-eighth
Street, to Hundred and-twenty-fifth Street! All theaters at which Lily
would have triumphed but for those dirty Dagoes! And the things that were
served up to the public, pooh! Clifton laughed with scorn. Troupes of
English dancing-girls--the famous Roofers--with movements like stuffed
dolls; and cyclists, pooh! Hauptmanns, fat freaks turned out in Berlin: if
that was the best they could do, pooh! Oh, if he had only had the right to
send his New Zealander on Wheels scooting in among their legs, just to
show the public what a star really was! And all the morning he ran about
the town talking of "childish tricks--a big girl" to the police and
"wonderful tricks--the only girl of her age who can do them" to the agents
in the St. James' Building. Oh, if he could have London! He longed to
measure his strength against all those famous names--Marjutti, Laurence,
the Pawnees--just to show them his Lily!

                    *       *       *       *       *

And now it was the last stage. All around stretched the dark sea; and the
liner sped--thud, thud, thud--through a gloomy set. Three days more and
then Liverpool; and London at last! Pa was about to realize his dream. He
had signed, at last, for the Castle, in London! It was all right, it was
all right! Prospects fine! And Harrasford was on board; it seemed a sign
of good luck! He was traveling with his architect. Harrasford, the great
English manager--Pa knew them all by name--Harrasford, the man for whom a
whole nation of "artistes" toiled and moiled nightly. Pa had caught a
glimpse of him.... He would have liked to introduce his Lily to him; no
matter, he would know her one day, when she was starring in his halls! And
on the Bill and Boom Tour! And elsewhere! She would soon be famous.

Ma, who remained lying in her bunk sucking lemons, would have liked to
have her Lily by her, within call, to keep her mother company, that great
big girl spoiled by her Pa, even when she was not performing, as in New
York; ... a new cloak and boots and gewgaws ... a couple of fools
together, that's what Ma called them! And she needed watching, that
tomboy, who would break her leg one of these days, tumbling up and down
the companion-way. But Lily preferred to enjoy herself and expended on
running about the energies which she no longer had to devote to her
practising. Her accumulated weariness disappeared under the influence of
the sleep and the good meals, which she had not the boredom of having to
get ready, as in Fourteenth Street, where Lily, big girl that she was, had
to help her Ma.

She flitted all over the deck, munching candies, showed everybody her new
boots and her red cloak, held her head high, was very proud of being
looked at. Lily dreamed of the Three Graces; of the boy-violinist; of
Trampy. She made conquest upon conquest, down to the electrician of the
ship, quite a young lad, who looked as cold as ice.

She sometimes stopped at his door, watched him handling levers, pressing
buttons. It was like the switchboard of a theater. She pointed to this and
to that. The lad smiled, told the New Zealander on Wheels all about his
little world....

As for Lily, she was going to star in London, where her Pa would cover her
with diamonds! And she went on to tell him stories, like a little
school-girl who has read a book or two: India, two eyes glittering in the
dark, gee! And elephants she had known, little birds which she had kept in
a cage in Natal, and kangaroos. The lion, who stands up on his hind legs
when he's angry; and the tiger, who lies down flat. And parrots. And
starry nights in Africa: stars "that big." And storms: waves "miles high!"
And successes at Gangpur; and in Chicago, where she shared a dressing-room
with three girls who, when they were undressed, were all over muscles,
just like men. She liked the bike well enough, but those falls: oh, damn
it!

"That little monkey has seen everything in her time," thought Jimmy, the
electrician.

And he mused upon the numberless things which she had seen, the countries,
the cities, and all that she would yet see, in her life as a wandering
star, while he would remain walled up in his cabin, with his nose to the
switchboard.

And the steamer sped--thud, thud, thud--over the dark sea, where the noise
of the waves sounded like the roar of multitudes of men. Huge clouds in
the east were tinged with red, as though London were about to loom above
the horizon in all its glory, filling the vast expanse with its rumors and
its lights....




CURTAIN RISES

I


"Lily ... who's Lily? A New Zealander: really? Ah well, we will look into
the matter; it will be settled later on ..."

Clifton, when he returned home that evening, gnawed his mustache and
clenched his fists with rage. Ah, he would not soon forget his arrival in
London! To get there and be chucked! Was that what he had come from New
York for? To see Lily's place at the Castle filled by another troupe of
the Hauptmanns--the Hauptmanns again, those fat freaks!--and nothing to be
said or done?

"Engagement not valid. Ought at least to have waited for the London
agency's signed contract before leaving!"

Intent upon his vexations of the moment, he described his day to Mrs.
Clifton. What had staggered him, done for him, was his visit to the agent,
where they hadn't seemed to know Lily!

He had rushed at once to others, just to show them who Miss Lily was! But
he got the same reply wherever he went:

"Lily? Who's Lily? A Maori? Let's see the photograph."

And would Mrs. Clifton ever believe, asked the indignant Pa, what they
said when they handed him back the photograph? Yes, to him, the father, to
his face, they said:

"She's too thin, that Lily of yours!" "If that's the way they welcome
British subjects returning to the mother-country, it's jolly encouraging,
on my word it is!" concluded Clifton.

Ma, among the open boxes, listened and said nothing; she was exasperated.
Their entry into the metropolis struck her, too, as anything but
triumphal. For all her dislike of those breakneck trades, for all her
contempt for the bike, she displayed even more anxiety than Pa. With those
fat freaks at the Castle and if engagements continued scarce, how would
they manage, later on, lost in that huge London, with no money, and a
child to feed? Her vanity was wounded as well. She had dreamed of dazzling
her sister-in-law, making them all burst with jealousy over the splendid
engagement at the Castle; and now everything was slipping from their
hands, on the very day of their arrival, and there was nothing for them
but to sit at home and keep quiet.

But Pa, the next day, tore through London like one possessed, grinding his
teeth and clenching his fists, railing at everybody, himself included. He
thought of Lily, who had lost a week on the voyage and who was now messing
about in the house, instead of practising her bike. This idea pursued him,
clung to him; but his perseverance was indomitable, his courage ready to
face anything or anybody. Lily should perform at the Castle! She had come
to perform there and perform there she should! There were more visits to
the agents, to this one and that one, to one and all, indefatigable
visits. Clifton insisted on his Lily's merits, pulled out his pocket-book,
bursting with press-cuttings, offered to prove his statements. The agent,
on his side, had made inquiries. Lily was very clever for her age: a
little thin, it was true, but very graceful; and the New Zealander on
Wheels ought to get on. Clifton would work up her turn, no doubt. And, at
last, Pa obtained a promise in writing--and signed--of an engagement in
eight months' time ... at the Castle, damn it!

An engagement in eight months was better than nothing; but what to do in
the meanwhile? It wasn't the money question that bothered him; Pa had
money; but Lily worried him: he wanted work for Lily, bike all the time
and hard at it. Now, London was closed to him; he couldn't let her perform
in London before appearing at the Castle; that was in the contract; and
there was nothing for the provinces.

His tenacity continued to do him good service. He got a few offers, in the
London suburbs; that could do him no harm, he knew, though his Lily did
appear at Dulwich, Deptford or West Ham: who would think of going there to
discover that shrimp?... damn their impudence! And meantime the shrimp
would work and her day would come, you pack of fat freaks, you!

Pa, on the whole, was satisfied. To show Lily, that was all he asked for!
He was quieter, now that she could practise. And Lily, also, was delighted
and relieved. At first it was jolly, doing nothing; but to be always at
home with Ma had its drawbacks; only the other day, because she had asked
for a tam-o'-shanter with a feather in it, like those she saw the little
girls wear in the street, she had nearly had a box on the ear, the
extravagant little beast, who would bring them all to the workhouse!

Better biking with Pa, from morning till night, and only coming home after
the show. Besides, away from the work, Pa was nice to her: a packet of
sweets here, a bunch of violets there; and then there were the train
journeys out of London and back, over the roofs: all those little yellow
houses, with white curtains, and those little back yards, no bigger than
that--real dolls' houses, all alike--and such lots of little chimneys,
such lots and lots of little chimneys; and those gorgeous posters:
Hippodrome, Olympia, Bovril, mustard, elephants, the Hauptmanns. Pa
wouldn't look at them, those fat freaks; but, oh, if he had them here--and
a whip--just for five minutes ... and the chance of saying a word or two!
To think that they were working at the Castle, while he was puffing out to
the suburbs! And he racked his brain, as he traveled over the town--that
town which he had to conquer and which was veiled from him between-whiles
by the curtain of posters in the railway-stations, on the hoardings,
everywhere--again, again; and imperial troupes and royal troupes, endless
troupes, arrays of pink tights, lines of legs uplifted amid a flight of
scarlet skirts, alternating with Sunlight and Van Houten and national and
colonial troupes, loud as a trumpet-blare and with nothing behind them, he
dared say....

Those "troupes," those "families"--he turned it all over in his mind--yes,
they judged talent by weight; the public wanted a lot for its money: well,
why shouldn't he have a troupe? Why not? Lily--he had noticed it in the
few shows she had given--Lily didn't cut much of a figure in London: five
stone of flesh and bones, a mite, a minnow, a nothing. Well, if Lily
wasn't enough by herself, he'd give them more: a whole troupe, if need be!
Why, he'd set about it at once!

With his customary determination, yielding to a fixed idea, he devoted
himself to it. And, in the halls, at the agents', in the bars, at the
Internationale Artisten-Klause in Lisle Street, that universal
meeting-place, Pa, ever on the watch, strove to make people talk, listened
with all his ears, took notes. It was very difficult to get at the real
facts; one had to ferret them out; the owners of the troupes jealously
concealed their methods, endeavored to put you off, talked of apprentices
at five or six shillings a day, plus food and expenses. Pa saw through
these tricks and, to arrive at the truth, discounted the six shillings
down to sixpence. Lily, her Pa's own daughter, easily obtained information
from the apprentices themselves which she afterward repeated to him. He
studied _The Era_, the paper of the Profession, got the names by heart:
the managers, the "Pas", the "bosses", the "profs." He got acquainted with
some of them personally. Old Martello, for instance, the father of Ave
Maria and the "Bambinis." Martello could have given Pa hints; but he no
longer interested himself in anything except his Bambinis, whom the poor
man, grown calm with age and overwork, was now spoiling. The rest left him
indifferent; he hardly listened, spoke in short sentences, like a man too
old to care:

"Train apprentices? What's the good? Run a troupe? Pooh, madness!"

Pa thought this exclusive admiration very touching, but it wasn't what he
wanted and, madness or not, damn it, he was resolved to carry out his idea
to the end!

There were imperial and royal troupes, "Risleys," carpet acrobats,
pyramids of tumblers, some of them undergoing an apprenticeship of cuffs
and thumps. Pa was not interested in these methods, did not approve of
them; he had never knocked Lily about, never let her fall on
purpose--"Have I, Lily?"--whereas in the imperial and royal they sent the
apprentice sprawling on his back, just to teach him, when he started
wrong.

Still, all these were boys; and it was the little girls that interested
him, for he meant to have only girls among his apprentices. The rest
wasn't his damned business; but the different troupes of Roofer girls, for
instance, affected him directly: where did old Roofer fish those girls
out? That's what Pa wanted to know. He had even, in order to visit the
school, pretended to bring Lily as a pupil. He had seen the place in Broad
Street, where they turned out "sisters" by the gross; had watched the
squads in knickerbockers, scattered over the immense room, like recruits
drilling in a barrack-yard: groups engaged in club-swinging, juggling,
clog-dancing, all together, a tangle of different movements timed "one,
two, three!" Roofer chose among the heap, sorted out the sizes, called
this lot the Merry Wives, that lot the Crazy Things, christened them after
an insect or a flower, packed them up in lots of ten or twelve girls, with
snub-noses or Greek profiles, as preferred, despatched them,
carriage-paid, C. O. D., with words, music and muslin skirts complete, and
received every day a detailed account of his Honeysuckles and Bees,
scattered all over the world, from the Klondike to Calcutta.

This superlative organization produced upon Pa the effect of a state
affair; it was something beyond him, above him; it interested him
especially from the recruiting point of view; and what stimulated him
above all was the troupes of trick cyclists. He had seen plenty of them in
America, but then, wholly occupied as he was with his Lily, they did not
interest him, whereas now he was seeking to fathom their lives, so that he
might know. Some of them, who went cheap, slept three in a bed, niggers
and whites all mixed; others, who were well paid, lived easily and
comfortably and put themselves forward with less work and for more money
than Lily, Lily who possessed artistic talent, and who had toiled harder
than all the rest of them put together! Patience, his turn would come ...
when she was a bit less thin. And he would have the troupe of troupes,
he'd show them, jolly soon!

Mrs. Clifton was terrified at her husband's boldness, but dared not
protest; however, she observed that it was a big undertaking.

"We shall have five apprentices," interrupted Clifton, "six including
Lily. We must find lodgings."

"But, dear...!"

"Don't you think...?"

"Yes, dear."

As for the apprentices, he would see to that to-morrow. Ma suggested that
her sister-in-law's daughter might do, but Pa wouldn't have relatives at
any price--blubbering for a smacking bestowed upon their daughters--he
knew all about them, thank you. Let such sheep bleat elsewhere. No, give
him strangers. He could be freer with them and get as many as he wished.
An advertisement in _The Daily Mail_--"Wanted, young girls for trick
cycling," followed by the address--fetched them the same day. The pavement
before the house was blocked with white aprons, sailor-hats and
tam-o'-shanters. There were consumptive-looking girls, long hanks of
girls, chunky girls, all crowding outside the door, until the landlady
drove them away with her broom and threatened to do as much for Pa and Ma
if all the street-arabs of London were to go on soiling her nice white
steps.

Pa, for that matter, found nothing in the bunch, not one in twenty that
was any good; or else they made exhorbitant demands--two shillings a day
those guttersnipes expected--as though shillings were to be had for the
asking! But why look so far? There were girls, sometimes, at the back
entrances of the theaters: stage-struck kids who devoured Lily with their
eyes and looked at Pa as though to say, "Take me, take me!" That's what he
wanted, damn it, girls who had the business in their blood and who
wouldn't go whining over a professional slap or two, which he dared say
he'd have to distribute to make up for lost time.

[Illustration: "TAKE ME, TAKE ME!"]

The first girl whom he engaged he had already seen gazing ecstatically at
Lily, as they left the theater, far away down the Mile End Road, and he
saw her again, one morning, in front of his house in the very heart of
London! He could not believe his eyes. She must have followed his scent,
slept on the threshold like a lost dog. Her Pa? Gone away. Her Ma? Dead.
Her name? Maud. Her age? Didn't know. Born somewhere in the immensity of
Whitechapel, towheaded, round-faced. Nothing to eat for two days. She'd
do! He would go to the police-court, get the license later; meantime, he
netted her and that was one!

As regards the others, he had to make a selection. He chose them by
preference in families which were overstocked with brats, so that one more
or less, in the heap, made no difference. He got one this way; that made
two! Next, a "local girl," seized with ambition, came and offered herself.
Three! He found two others: a little Beak Street shop-girl and a
Shoreditch Jewess. That made five. It did not take him long to judge the
girls. He gave them a few days' trial before signing a contract; and what
an anxiety for them, Mr. Clifton's final decision! If one trembled too
much, was caught holding Pa's shoulder for no reason, for fear of falling,
or blubbered because of a scratch on the skin, her fate was settled.

"Pack up, my lady," Pa would say quite calmly.

There was no getting out of it: off she had to go, before dinner, and home
she went, through the gloomy streets, after a brief glimpse of paradise.

He had to replace some of them: they were slack; or else, independent at
times, they looked at him for the least push, as if they would fly at his
throat. He asked himself whether he wouldn't be compelled to get some over
from Germany or else to pick up on the highroads, in the Gipsies'
caravans, children with skins tanned like donkeys', a troupe of
blackamoors on wheels, who, perched up on the handle-bars of the bikes,
would have looked like cockroaches mounted as brooches, damn it!

However, by dint of selection, he ended by having only good ones left; and
then he made a contract in due form with the parents for three years, or
even five, such was his faith in the future. A few pence a week to the
family, a few pence to the baggage herself: he to dress, lodge and board
her and engage to make an artiste of her. Everything was provided for:
during the training, just the board and the rest; when she began to work,
a shilling a day in addition. Over and above, she would be looked after by
a lady, Mrs. Clifton. Was that all right? Both parties signed; the girl
was an artiste, became a New Zealander.

They brought their little wardrobe: one spare chemise, on the average, one
pair of stockings; their only protection against the weather was the dress
they had on, a factory-girl's ulster and a tam-o'-shanter. Later on, when
performing, they would be entitled to a celluloid collar, satinette
knickers and pumps.

Pa, though at first he took one extra room and then two in the same house
and though he also made his apprentices sleep three in a bed, Pa soon
found himself cramped. It would have been nice to have a little house
somewhere in good air, next door to the country. But there was one thing
which made Pa decide to remain in the West Central district. Jimmy, the
young electrician with whom Lily used to chat on shipboard, had given up
traveling. Harrasford and his architect had noticed him on board and the
great man had engaged him to manage the electric installation of his
theaters. Jimmy had taken possession of a lodging in Gresse Street,
Tottenham Court Road. He slept over the shop, which, for the rest, served
him rather as a place in which to keep the tools for his outside work. Pa
often ran upon him in the neighborhood and had a nodding acquaintance with
him which turned out to be useful, as Jimmy, being in Harrasford's
employment, was more or less at home in the variety-theaters and nothing
was easier than for him to obtain leave for Clifton to practise on the
stage. This it was that persuaded Clifton to settle in the west end. In
any case, it would be cheaper than dragging the six girls and himself
daily from one end of London to the other. The house in which he took up
his quarters, in Rathbone Place, quite close to Jimmy, was small and dark,
but not dear. The upper story was occupied by people who were out all day
and the basement served as a lumber room. They would feel quite at home
here ... with no old sheep to listen at the keyholes.

[Illustration: TOM, THE SHOEBLACK]

And then he would have slept in the parks, if necessary, anywhere, rather
than waste more precious time! His Lily, his troupe, before everything.
What he had to do was to get a move on. He went so far as to engage a boy,
a shoeblack at the corner of Oxford Street and Tottenham Court Road for
the rest of the time, to attend to the bikes and the girls at practice.

Pa gave his mind to the gear, the expenses, the general business. Ma saw
to good order, to domestic discipline. It was no longer the quiet life of
a Pa and Ma trotting round the world in the company of their one and only
bread-winning star. As for Lily, the daughter of the boss and manager, she
owed a good example to one and all. In the morning, with Maud, she went
down to the kitchen, lit the stove, made the coffee. Next, she carried up
the breakfast to Pa and Ma in bed, then distributed their rations to the
famished girls. And off they went, all six of them, with Pa following at
their heels.

The stage-door gave the apprentices a thrill the first day they entered.
The passage, gently sloping, tall and wide, because of the scenery,
smelt of elephants and cheap scent. It was blocked with properties, with
queer-shaped cases, flat as a slab or round as a ball. There were long,
narrow boxes, for the horizontal bars; sometimes a row of wicker
coffins, with a ventriloquist's figures inside. And labels from
everywhere--Melbourne, Chicago, Berlin, Lisbon--and "Rlys." and "S. S."
that made you feel in the hold of a liner, off to foreign ports.

At the end, beyond an iron door, was the stage, very dark, pricked here
and there with electric lamps. There were things that glittered with
spangles. To the girls it seemed like the Kingdom of Puss-in-Boots or
Blue-Beard; but to Lily it was an old story. She was a little like the
school-girl in the good days long past, for whom the master was always
waiting, cane in hand. The rest she didn't care about.

Nevertheless, huge as the stage was, there was not always room to
practise: ponies or elephants would monopolize it for hours at a time. Or
else, when Roofer was supplying a ballet, he took up the whole stage, all
day long: Lily, secretly delighted, sat down modestly in a corner, so as
to be in no one's way. Roofer made his collection of calves and ankles
flutter about, followed the new dances with an expert eye, throwing his
hat back on his head, mopping his forehead, grumbling, finding fault:

"Don't eat chocolates while you're dancing, you, Eva! Hi, you,
Gwendolen!"

And, to emphasize his remarks, he threw his felt hat at them.

"Silly old ass!" thought Pa, with a grin. "To think you can train artistes
like that. You'll use up fifty hats, you old fool, while my belt remains
as good as new!"

For that was now Pa's system, the strap--"a la Mexico!"--not that he used
it often nor very hard; but he terrorized Lily with it and the other girls
were afraid of it, too, though they never got more than the threat, seeing
that they were apprentices, who might have run away if he had struck out.

All this did not prevent them from working with a will--trot, trot,
trot--when there was no Roofer on the stage and no elephants or ponies:
yoop, on to the bikes and the fun began! The sight of Pa training his star
made the apprentices shake in their knickers. Lily was to do everything
and to do it very well: Pa ran after her, in a never-ending circle, and,
from the corner of his eye, watched Tom, who held the girls and made them
work, upon his instructions; and when they got off their bikes to wipe
their foreheads:

"Bravo, Miss Woolly-legs!" said Pa sarcastically. "Tired, eh? Dead, eh?
Suppose you tried to get up again ... and be quick about it! And as for
you, Tom, don't let them fall, or I'll catch you one on the side of the
head!"

For Pa already knew by experience that their little ladyships shirked
work; that they shook with fright; that they lost confidence after a bad
fall; and that then it was finished, nothing to be done with them: they'd
let themselves be killed sooner.

Maud, for instance, that Jonah, ever after one day she had seen her blood
flow, trembled before her bike like a sheep that scents the
slaughter-house. It was no use Pa's threatening her with his belt: she
wouldn't let herself go, on the contrary, held on to everything, no matter
what, for fear of falling. He ought to have sent her away long ago; he
would pack her off that very night ... and made no bones about telling her
so, that Jonah!

Then Pa, giving Lily a rest, occupied himself with the girls: taught them
the principle of the standstill, of side-riding, of the "swan," of the
"frog." And,--quickly!--the indefatigable Pa went back to Lily, made her
begin a trick ten times, twenty times over, so great was his rage at the
lost time, the elephants, the Hauptmanns, Roofer. He pulled faces,
clenched his fists:

"Why don't you do as I say when I tell you, damn it!"

"But, Pa, I can't!" protested Lily.

"You can, if you like," said Pa, exasperated this time and unbuckling his
belt.

Crash! A heap behind him, a medley of limbs and steel fittings! Maud, who
was still trying, on her bike, startled by Pa's threatening movement, had
fallen flat down.

"Maud again! That damned Jonah!" cried Pa, going up to her. "Well, Miss
Woolly-legs, do you mean to stay there all night?"

But she did not move; and, when they had disentangled her from the bike,
Pa saw an eye that was quite red and a little stream of blood trickling
down her cheek.

"Let's look!" said Pa anxiously.

A spoke sprung from the felly had scratched her eye.

It was a serious accident. Sprained wrists, barked shins didn't count; but
a spoke in the eye.... Luckily, Maud had no relations; there was no claim
to be feared: not a vestige of old sheep on the mother's side. Pa said all
this to himself as he ran to the chemist, and Lily consoled poor Maud as
best she could, said that, after all, it was part of the game: she'd know
better another time, eh? She'd be a great star yet, eh, Maud?

The poor maimed thing lifted her face to Lily, stammered through her tears
that it was nothing ... all right again now ... Pa's fault, with his
belt.

"For a little thing like that!" said Lily, laughing. "Fancy falling from
your bike for that! Why, I'd rather have twenty 'contracts on the back'
than lose an eye."

For that was what it amounted to. Pa realized it, after he had dressed the
wound. Clifton's mind was not at ease: a glass eye was not a very
difficult matter ... but, who knows, some callous person might inform
Harrasford, who stood no nonsense on that subject. Fortunately the
artistes present had not paid much attention ... had hardly noticed
anything, in the dim light of the stage....

And soon after the New Zealanders were walking back to Rathbone place with
Maud in their midst, her head a roll of bandages, leaning on Lily's arm.

It was a pathetic home-coming. Ma had told them what would happen! That
would teach them to take in vagabonds from the streets. Mrs. Clifton
thought that, in a respectable house....

"That'll do," said Pa, dropping into the easy-chair in the dining-room.
"I'm worn out. If you'd been like me, Mrs. Clifton, running after those
Woolly-legs all the morning"--and he pointed to the apprentices standing
round the table--"gee, you wouldn't talk so much! I'll take Maud to the
hospital this afternoon; it's only a trifle. Is dinner ready?"

"Yes, dear."

"Come along, then, all of you Woolly-legs," said Pa jovially.

Pa was sorry for poor Maud, as a rule, but he felt a need to shed a little
gaiety, to extenuate the accident as far as possible, to turn it into a
joke, so as to prevent his girls from being panic-stricken. He talked of
heads smashed to a jelly, of legs in smithereens, of a bicyclist who had
had not one, but both eyes caught in the chain. As for himself, when he
was a small boy--that was in the time when they brought up artistes, real
ones, mind you; not, as nowadays, on sugar and sweets; no, real ones, on
the whip and the stick, damn it!--why, the accidents which he'd seen! Yes,
he himself, to go no farther, he could have shown them, here, there,
there, here, damn it, all over his body, scars deep enough to put your
finger in!

"Eh? Frightens you, does it? Never fear," added Pa, in a good-humored
voice, "that sort of thing won't happen to any of you Woolley-legs; a good
Irish stew is better than a kick of the pedal, eh?"

And Pa, after a last cup of strong tea, dismissed the girls, lit his pipe,
threw himself into the easy-chair, with his legs long out in front of him;
but soon:

"Well, Maud, what is it? What are you crying for now? I tell you, I'll buy
you a glass one," said Pa, at the sight of Maud, who blubbered silently
and sat glued to her chair instead of getting up to go.

Poor lost dog! Clifton, at the theater, had threatened to send her away.
She knew what that meant: leaving Miss Lily, losing those good meals....

Maud faltered something about packing up; pain in her eye; not her fault.

"So what you want is to stay with us?" asked Pa.

"Oh!" gasped Maud.

"Well, then, stay! But no more bike; you shall be Lily's lady's maid,"
said Pa, puffing at his pipe.

It went down so well, as an effort of dry humor, that Ma could not help
laughing. But Mr. Clifton was talking seriously. Then Ma, amazed,
protested: what, a servant in her house! A lady's maid for Lily! He would
end by giving her the moon! And what would Lily do all day? She'd sit
twiddling her thumbs! Had Mr. Clifton thought of that?

Yes, Mr. Clifton had thought of it. He was too tired to explain his
reasons; but take it from him, it was best like that. Pa, in fact, feared
lest that smashed eye might prove a worry to him: the papers weren't in
order. He had made no declaration to the police; there was the Workmen's
Compensation Act.... Much better keep Maud safe in the house, for a while
...

"Lily won't sit twiddling her thumbs for all that, will you, Lily?"
continued Pa, smiling to his star.

A touch of the brush and comb, a stroll through the streets with the
girls, by leave of Pa, who wished Lily to take the air, then home again,
more housework.... The apprentices, who did not yet perform in public,
were sent to bed early, while Lily, escorted by Pa, went off to East,
West, South or North London. An hour to get there; then undress, dress,
appear on the stage under Pa's eye, undress and dress again; another hour
to get back; a morsel of cold Irish stew, a cup of tea; and drowsily up to
her room and bed....




CHAPTER II


"Lily!"

Ma's voice woke her with a start in the morning. Lily dressed quickly and
quickly ran down-stairs to the kitchen, where Maud had gone before her;
and it was the same thing every day, except on tour, when discipline was
less strict. It had gone on for months and months, for two years, ever
since they came to London. Pa, with his iron will, had overcome
everything. He felt at home in the old country, at last. After his
engagements in the London suburbs, he had obtained a triumph at the
Castle, a Bill and Boom tour of forty weeks, a season at Blackpool, the
Harrasford tour now, successes everywhere. Before his boyish little girls,
before his own particular troupe, the fat freaks trembled in their
knickers! For Clifton, the new-comer, but yesterday unknown, it was an
unhoped-for success and fame and fortune.

Ma nearly always remained in London with Maud. Lily was not big enough yet
to need the supervision of a Ma. Therefore, on tour,--when she was not
practising with her Pa,--Lily did the catering, saw to the porridge and
the Irish stew; Pa was not hard to please. Provided Lily was "great" on
the stage, he asked for nothing more. Dishes burned for want of butter,
salad mixed in the wash-hand basin: he swallowed everything with an
appetite, ate standing, with his plate on the trunk, or else seated with
the girls round a little table hardly large enough for three. This
Bohemian life pleased him. He loved youth, gaiety and good fellowship. He
was fond of a laugh, took Lily on his knee after dinner, played with her,
praised her home-made cakes, her tough chops, and then began talking bike
to Lily ... who hated bikes, and who got something different from a hat
flung at her, when she missed a trick.

No matter, hard as it was, she preferred touring to staying in London. The
work was the same, but, at least, it was a change. She was spoiled by
every one, down to that landlady who cried when she left.... After all
there were many worse off than she, everlastingly set about by "profs,"
confined to their rooms all day to practise their balancing; she had had a
taste of it in New York; no, thank you! She preferred having good times
with the girls, practical jokes, boxing-matches even, scrimmages,
pillow-fights. In the boarding-houses, they flirted with the boys; they
kept pet pigeons, white mice, a lizard; they exchanged secrets, stories of
every country, professionals all! Sometimes, they consoled one another;
promised to send kisses--x x x--on post-cards. And then there were new
faces, always; a week in each town, no longer; a real life of adventure
from one end of England to the other. Now it wasn't like that in London;
she felt less free there. Ma was particular and hard to please; there were
no pillow-fights, no romps; Ma hated those ways. The stage, yes, she put
up with that because it was Lily's profession; but one came in contact
with all sorts there; and that little devil of a Lily was wicked enough
already! It took all the home influence to thwart the bad examples which
she received outside; and it was Ma's business to see to it.

The house in Rathbone Place had been smartened up. There was a dining-room
which was used only for meals and which never had a bed put into it at
night. There were things on what-nots: little photograph-frames, loose
photographs, lucky charms, china cups; all shining and bright, thanks to
the adjunction of a lady's maid, as Pa called Maud, in his funny way. At
first, after the accident, it was terrible. Her natural awkwardness was
made worse by a glass eye; she could not tell one side from the other,
spilt the tea on the cloth, broke the crockery. Maud did the heavy work,
washed and scrubbed all day long. When the girls were in London, she went
with them to the theater, as dresser. Maud stood in the wings and admired
the New Zealanders whirling about in the light. She stretched out her face
in ecstasy toward Lily: that Lily who had traveled everywhere, who was
born so far away, in a land full of monkeys and parrots. She followed Lily
to her dressing-room, trotted after her like a dog, worshiped her
open-mouthed.

Lily had ripened out, was becoming more beautiful, more of a woman daily,
despite the fact that her Pa still treated her like a kid. She no longer
looked at things from the point of view of the child-girl who had been
delighted with a satin hair-ribbon in India; now her pride was not
appeased with such trifles. Ma, according to Lily, seemed ashamed of her,
dressed her badly: an odd skirt here, an odd frock there, of a cheap make.
That was not what Lily wanted. She was an artiste: she wanted a hat with
big feathers and a gown with gold braid to it; but, when she showed Ma a
dress which she liked in the shop windows, Ma would exclaim:

"What do you want with that? My poor Lily, you must be mad! That's for
rich little girls, girls who have time to be pretty; it wouldn't suit you
at all. Why, if we listened to you, we'd soon be in the workhouse!"

[Illustration: P.T. CLIFTON, MANAGER]

Ma always said no, pretending that she had no money; whereas Lily knew to
the contrary. She knew that the troupe earned a great deal and that the
troupe was herself. The other day, at the theater, she had heard her aunt,
who felt bitter that Mr. Clifton had not accepted her daughter Daisy--who
could have learned the business and later on have starred by herself!--she
had heard that "old sheep" say, speaking of her:

"What a shame to dress her like that! A girl who brings them in capital to
invest!"

So Pa was investing capital. She didn't exactly know what investing
capital meant; no doubt it meant making a lot of money. She asked for none
of it! Children belong to their parents! But she would have liked to be
treated with more consideration, to be spoiled; to get presents, nice
things. She had plenty from her Pa, true enough: presents, my! But they
were cheap gifts, for all that.... She was always having promises made her
of more important things; and the promises were never kept: that big gold
watch, for instance. She had a thirsting for luxury. It seemed to her that
she was being treated like a performing dog, not a bit better. Ma, without
exactly knowing, but with an infallible instinct, saw all this budding
under that obstinate brow. Mr. Clifton might see nothing in it; but it was
not so easy to take in a mother! Was there a love affair beneath it all,
Ma asked herself. No, not yet; it might come later on, as with that
apprentice who had run away, or that other one whom she had had to send
packing for being too free with men. But Lily would not leave them like
that.

She did not let her go out. "Glass-eye Maud" ran the errands and Lily
stayed at home, like a good little girl of whom her mother wished to make
a lady. When she did happen to go out, she must not be long, or else it
was, "Where have you been? Tell me at once!" At the theater, when Pa lost
his temper, she could reckon on a mighty fillip, and then it was over: Pa
was sorry, rather than otherwise. Ma, on the contrary, would nag for
hours; muttered inarticulate phrases about "devil," "wild bull," and
"taming her;" there was no end to it. Lily champed the bit! A star,
indeed! Was that being a star? She thought differently! She had seen
others drive up to the theater in their motors, accompanied by gentlemen
carrying flowers, like that famous "M'dlle" at the Palace. Yes, those were
stars: they dined at the Horse Shoe and did not spend their time in
useless housework. Oh, she was quite sick and tired of that life! She'd
had enough of it. Meanwhile, the days passed and the weeks and it was
always the same thing: housework and stage-work; work, work, work....

It was late that morning; they were not practising. Pa had run down on the
previous day to see a troupe of cyclists, the famous Pawnees, who were
back from the Continent, on their way to New York, and performing that
week at the Brighton Hippodrome. Lily was in her room later than usual, as
Ma was not awake. Maud had gone down to the kitchen. The apprentices were
getting up, joking with one another, like tom-boys used to sharing the
same bed at home, the same room at the theater, to dressing, undressing,
splashing about naked in the same bath-tub.

"Get up, Lily," said one of them, laughing and raising her sturdy little
hand. "Get up, or...."

"No," said Lily, "let me alone, I'm dead."

As it happened, on the day before there had been a general tumble, six in
a row, on the back-wheel; one of them, losing her balance, had dragged the
others with her and the lot had fallen flat in a tangle of steel and
flesh. Bucking Horse, Old Jigger, Street Donkey--the nicknames they gave
their bikes--had kicked them to the raw. They showed one another the
bruises on their limbs: "Oh, don't it hurt, just!" "What about mine?"
"Look here!" like young recruits bragging of their wounds after the
skirmish.

"Lily!"

"Yes, Ma!"

And Lily washed quickly, put on her frock and ran down-stairs to prepare
the coffee, but her Ma stopped her on her way.

"Lily, you light the fire."

"What about Maud?" said Lily. "Why can't Maud do it?"

"You young impudence," ... said Ma; "Maud has gone to Jimmy's to take the
bike which Tom couldn't get to him yesterday; he was shut. It's the bike
you spoiled, you little bedlamite!"

Lily had to laugh at the thought of Maud struggling with Old Jigger: Maud,
who couldn't lead the machine by the handle-bar, or even walk beside it,
without barking her shins.

"Why!" cried Lily. "She'll explain everything wrong to Jimmy, and the bike
will be no use!"

"Well, then, go yourself," said Ma, after a pause. "And mind you, come
back quickly; don't go loitering in the street; and don't stay long with
that drunkard."

"Yes, Ma."

Gresse Street, where Jimmy lived, was quite as dreary as Rathbone Place:
here and there, a few posters on the walls; some low-fronted shops,
displaying sweets and candies, or else a dazzling case of oranges on the
muddy pavement; alleys, stables, cab-yards....

It was here that Jimmy had his workshop, or rather his tool-store, for he
did not do much work there. The time which his occupation at the theater
left him he devoted to improving himself. Electricity and its manifold
uses held his interest. There was no doubt that, had he given all his time
to it, he would have become very clever, for he had an inventor's brain
and, moreover, possessed an astonishing manual skill for altering and
perfecting things. He worked in copper and steel, was glad to make and
repair bikes for a few customers, the New Zealanders, among others. While
working, he brewed all manner of plans in his brain. They all revealed a
practical intelligence. Saddle-supports which reduced the shaking on a
bike, improved carriage-springs and so on; and, on the stage, inventions
to dispense with men in the flies and wings; to work everything--scenery,
curtain, lime-light--by means of the switchboard; and ever so many other
things....

Since joining the theater, Jimmy had naturally undergone the influence of
the stage. It had affected his ideas, with all its new-fangled "turns,"
which owed their success to a maximum of daring--or bluff--coupled with a
minimum of scientific knowledge: illusionists basing their effects upon
the reflections of invisible mirrors and the cunning use of combined
lights; "looping the loop," "circles of death," in which sheer weight did
the cyclist's work for him, his arrival at a given point depending upon
his accelerated and calculated speed. From seeing so many of this sort
scouring the world--erstwhile acrobats, former laboratory-students, who
now, venturing all and risking all, topped the bills at the
music-halls--Jimmy, greatly interested in this scientific side, had
himself made researches in that direction. _Engineering_ and other
journals had printed some of his schemes, including that of an apparatus
based upon the notion of exterior ballistics: the resistance of the air
proportional to the square of the velocity and, according to this
velocity, the exact proportion of the angle of incidence to the angle of
projection. Theoretically, it was perfect; in reality there might be some
unexpected hitch. It was a question for the venturesome performer, who
allowed himself to be projected by a series of powerful springs, to fall
accurately from pedestal to pedestal, preserving a faultless balance; in a
word, to risk his life six times in as many seconds. The daring of a
Laurence and the agility of a Lily combined would not have been enough for
the task; and so Jimmy had prudently contented himself with pinning his
diagrams on the walls of the workshop and dismissing the idea from his
mind. Not that he was afraid, rather not; but simply because it appeared
impossible to him.

Other plans had interested him, besides; flying machines, for instance,
etc. He was a real enthusiast about flying machines! One day, perhaps,
when he knew more ... to say nothing of the theater, which did not leave
him much leisure; yet he managed, somehow, for he took but little sleep
and the rest of the time he devoted to study.

This was the Jimmy of whom Ma made a bugbear to Lily--in Lily's
interest--for he was one of the few men whom she saw often; and you can
never tell ... with those devils of the stage....

Meanwhile, Lily, as soon as she had turned the corner of the street, drew
herself up and, with a light step, went down Percy Street and Tottenham
Court Road, instead of keeping straight on. It took her only five minutes
longer and it suggested luxury, fine shops, handsome furniture,
patent-leather shoes. She adored shopping, even if it was only with the
eyes, through the plate-glass windows.

She loved to pass in front of the Horse Shoe, where stars lived, real
ones, not performing dogs. And then, round a piece of waste land, there
was a hoarding covered with advertisements that interested her: the
Hippodrome, the Kingdom, the Castle were displayed between extract of beef
and mustard; and there were always new programs; always new names; and
elephants, horses, lions; and tights....

Lily looked at this for a few seconds. And, suddenly, she felt a thrill;
on a scarlet poster, dazzling as the sun, she read:

"Great success! Trampy Wheel-Pad!! At the Kingdom!!!" Trampy in London!

Not that Lily was astonished: it seemed to her quite simple that he should
be there, as simple as for her to be in Chicago, Bombay or Capetown;
people do sometimes meet on tour, it all depends: you can be separated for
years and then perform at the same theater for months. No, she was not in
the least astonished: a little excited, that was all, without exactly
knowing why....

"But, if I should meet him," she thought, "what shall I say to him? What
will he say to me? Will he think me grown prettier or uglier?"

Lily came to herself again and continued on her errand; crossed Tottenham
Court Road, plunged into a labyrinth of blocked alleys, of dark courts,
and, suddenly, was at Jimmy's.

Lily did not like him much; she considered him good-looking, for a man,
but too shy. He never paid her a compliment. He seemed to think her ugly,
whereas many others admired her and made no bones about telling her so,
especially since the last few months; but he was ashamed of himself, no
doubt: a drunkard, as Ma said.

Poor Lily had no luck. She would have been so happy to be courted, to
relieve her boredom. But nothing disgusted her so much as drink. And yet
it didn't show in Jimmy. He always walked straight, never fell, like that
head-balancer who, the other night, had come tumbling down from his perch.
Besides, that one had an excuse; he drank because he was crossed in love;
to forget, they said. Lily forgave everything the moment there was love in
it; but an icicle like Jimmy, who loved nobody and who drank for the sake
of drinking ... ugh!

Jimmy was at work when Lily entered. The small, dark shop, crammed with
things in steel, with loose wheels, queer-shaped objects, reminded Lily of
a property store, only it was dirtier. There were tools everywhere;
designs for machinery pinned on the walls; it was all very ugly.

And Jimmy's greeting was none too engaging either. A curt smile--"Glad to
see you, Miss Lily"--and, as for the bike, he hadn't understood a word of
what the one-eyed creature who had just left had tried to say.

"I thought as much," said Lily, laughing. "That's why I came."

And, in a few words, she explained what she wanted. First, repair the
twisted frame; next, a slight alteration for a new trick; a step here,
another there.

"Always fresh tricks, Lily?"

"Always, Jimmy. No end of bruises, I tell you!"

"It's part of the game," said Jimmy.

"I should like to see you try it," retorted Lily contemptuously,
"squeezing through the frame while it's going, with that pedal barking
your back," and she rubbed herself as she spoke. "Only yesterday I got a
kick; gee! It's like those new tricks in which I don't feel safe: riding
with one foot on the saddle and the other on the bar and playing a banjo;
it makes me shiver as I go past the footlights; and Pa watching me, you
know; and, if I lose my balance, I get black and blue somewhere."

"Pooh!" said Jimmy. "One can't expect a white skin at the game."

Lily didn't care for this. If she couldn't be courted, at least she liked
to be pitied: that flattered her pride.... It was all very well for Pa to
say, "It's part of the game, my little lady." But that josser of a Jimmy,
talking like that at his ease!

"I'm glad I'm not your daughter!" she said. "My! You'd be harder than
Pa."

"Your Pa is hard, sometimes; but he's very fond of you, for all that."

"Of course," said Lily, "he wouldn't like me to break my neck; I bring him
in too much for that, eh?"

"Come," interrupted Jimmy, "don't talk nonsense. It's not right to speak
as you're doing. You'll be sorry for it, I'm sure. Tell me, rather: you
were saying you wanted a step here, another there; do you mean like
this?"

And he rummaged among his tools, looked for loose pieces, showed them to
Lily, while thinking of other things:

"Look here," he went on, "do you think you're the only one that's got to
work? Suppose you were shut up all day in a factory? Have you ever been to
a factory? Do you know the life of a metal-buffer girl at Sheffield,
standing in front of her wheel, from morning till night, and work, work,
work?"

"But I'm not a work-girl, you great silly! You know I'm an artiste! And,
now, shall I tell you what I think of you, Jimmy?" said Lily, pouting.
"You're a bad man, that's what you are!"

And thereupon she put out her tongue, turned her back on him and began to
look at the walls, the diagrams, the drawings, an illustration out of
_Engineering_.

There was a pause.

Jimmy, while handling the bike, gazed at Lily. There was no sentimentality
about Jimmy, but his lively imagination made him see things through and
through; and, whatever he might be, Jimmy was not bad. That little Lily:
to think that, among all the girls of her own age, she was the only one to
do that trick! He pitied her and all child prodigies. To his mind, there
was something unsportsmanlike about it; something like a race won by a
one-year-old, with jockey, whip and spurs. He did not believe all he
heard, of course. He knew, he lived with them, he was one of them. He knew
the peculiar mania of the music-hall, the instinctive lie, uttered as if
to discourage competition by giving it a fright at the start. To listen to
them, it meant the horsewhip, the belt, all day long; going "through the
mill," all the time. Among the people with the painted faces, it was a
shot at martyrdom, a chance for professional boasting. The most
commonplace, the most coddled lives were made more interesting by means of
imaginary wounds and scars, like those explorers, in the books, who cross
Africa without food or drink, barefooted, with a crocodile snapping at
their heels.

He took good care not to exaggerate. Life in the halls was no worse than
anywhere else, thank God! It had its good side and its bad side and its
professional risks. The "pros," taking them all round, were as good as the
"jossers." He wanted to be just. He had seen many who were very happy; one
could get anything done by firm kindness. He could also understand, in the
terrible struggle for bread, that a man went on toiling hard in the trade
in which he was born. A pro could not make a blue-stocking of his
daughter; some were born duchesses, on satin; others artistes on the
boards. One trade was as good as another; but dangerous practicings,
bruised flesh, seamed skins: no, he didn't approve of that. He had seen
the Laurences, mad with ambition, beginning all over again, in spite of
falls calculated to stave in the stage; had seen girls who "do knots"
lying in the dressing-rooms, gasping, exhausted. Even when professional
vanity alone prompted such excesses, Jimmy protested within himself; and
then there were so many abuses.... Besides, the stage so often spoiled a
woman: every branch of the stage, from the highest to the lowest. All that
coaxing familiarity! What he said was, if Lily had been his daughter, she
should not be on the stage; but there she was and he couldn't help it;
and, as it was her natural place to be there, he would not be guilty of
the meanness of disgusting a poor girl with the profession which she had
been at pains to learn. He preferred to let her call him "a bad man." And
that required a certain courage; for it was no longer a child talking to
him, but an exquisitely pretty girl. Jimmy could not believe his eyes.
What a change! Was it possible? Having been away from London, on
Harrasford's service, he had not seen her for many months, except the day
before, just in time to shake hands behind the scenes, in the dusk; but
here, in his shop, he hardly recognized her, he could not exactly say why.
One thing was certain: he had left her a child and he now found her a
beautiful girl.

"Tush!" he said to himself. "She's a child for all that. Only, if she
keeps on like this, what a handsome woman she will be!"

That familiarity on the stage: he reproached himself for thinking of it;
it seemed to him an insult to Lily. And he began to talk to her of
different things, kindly and pleasantly, changing from subject to subject.
He explained his drawings on the wall, his ideas: exterior ballistics; the
resistance of the air; risking his life six times in as many seconds....

"He's drunk," thought Lily.

And, to stop this flow of words, as though talking to herself, Lily said
she did not complain; no, she would quite like the bike, if she hadn't got
to practise so hard; she only complained that they didn't treat her "fair"
at home:

"And look how I'm dressed! I've had the same toque two years. And what do
you think of this frock? The material cost four-three a yard. I look like
a tenter in it."

Jimmy did not share Lily's indignation. He thought her neatly and nicely
dressed, in spite of her performing-dog's toque, as she said. It all
suited her so well. But, on examining that clear-cut little face, lifted
toward him with a rebellious air, he felt that the fatigue, even the blows
didn't count; that the hardest thing, for Lily, was to be "badly dressed;"
that she would never swallow that.

"But, look here," said Jimmy, "all this isn't worth making a fuss for; you
get cross about nothing at all; when you came, you were all smiles; and
now ..."

"That's because," Lily began, with a sly laugh--oh, she was exasperated
with Jimmy's coldness! She'd show him, the icicle, and have a bit of fun
with him--"on my way here, Jimmy, I met ... now you won't give me away,
Jimmy? ... I met my ... sweetheart."

"A sweetheart? You? Lily?"

"Yes, yes, yes," said Lily, nodding her head and looking at him archly,
for she could see, by Jimmy's expression, that he was caught.

"And your father and mother know nothing about it?" insisted Jimmy,
nonplussed.

"No, no; it doesn't concern them: at my age, a girl earns a living for her
Pa and Ma; I have as much right to a sweetheart as any one else, I
suppose."

And, greatly amused, she fixed Jimmy with her mocking eyes.

Jimmy stared at her in amazement.

Then she understood that it was not a thing to joke about and that what
she had just said was terrible. And, suddenly:

"No, it's not true, Jimmy! I was only laughing! Oh, Jimmy, you're going to
give me away!" cried Lily, squeezing Jimmy's arm with a convulsive little
hand. "Oh, Jimmy, don't tell Ma, please, please, Jimmy!"

And there was something so sincere in her voice that Jimmy saw that she
was speaking the truth, that it was only the jest of a flapper used to the
manners of the stage.

"No," he said briskly, "I shan't tell; don't be afraid, Lily; only ..."

"Ah, that's nice of you," said Lily, much relieved. "Marriage! If you only
knew! And what would become of the troupe? I shall never marry. I
think...."

"Still, some day, it's bound to come," said Jimmy, interrupting her. "You
won't spend all your life on a bike. You are sure to marry some day...."

"Don't talk to me about marriage! No, not that. Gee!"

"But--"

"Love stories! With men! I! And you believed it," said Lily, drawing back
her shoulder and raising her hand. "I could smack you, you great silly!"
And, all of a sudden, "I must go," she cried, "I've stayed too long; Ma
will be waiting for me with her broom!"

And Lily rushed outside, without giving Jimmy time to answer. He could
just see her turn the corner of the street.

Jimmy went back to his work, silently, wrapped up in his thoughts. That
nice little Lily! She could be easy in her mind. No, he would never be a
cause of worry to her....

Meanwhile, Lily ran home as fast as she could and, on entering, saw that
it was no use; her Ma was waiting for her, furious.

"Where have you been?"

"Why, I've come straight from Jimmy's, Ma."

"That's a lie! The butcher's boy, who has just left, saw you outside the
Horse Shoe. Who were you waiting for?"

"I wasn't waiting for any one!" cried Lily, her eyes blazing with anger.

"You devil!" said Ma, looking round for a stick, an umbrella....

And, when she saw nothing within reach, her anger increased. Then she
stiffened her arm and made for Lily, who sprang behind the table....

But Ma, tripping on the carpet, fell at full length, dragging down with
her the table-cloth and two cups that were on it.

"My two china cups! You viper!" she yelled.

At that moment, the door opened; Clifton entered. He seemed preoccupied;
looked at his watch:

"Nine o'clock. We ought to be at the theater! Where are the girls? And
what ... what's all this?" he asked, on seeing the disorder, Mrs. Clifton
scrambling up from the floor, Lily scowling in a corner.

Ma grunted an explanation. Two cups broken, Lily a gadabout who would
bring them to the grave with shame!

"But, Pa, I was only looking at the posters."

"Posters?" repeated Clifton. "Which posters? What's all this nonsense?"

And, when Ma had told him, interrupted by despairing "But, Pas," and "No,
Pas," from Lily, he very calmly asked, was he going to have peace in his
own house, or was he not? All this fuss about two broken cups; beating
Lily for nothing!

Never, in any circumstances, would Clifton have snubbed Mrs. Clifton like
this before Lily. He would have waited until she had gone. But to come
upon all this rot when there were so many serious things to discuss! The
sisters Pawnee whom he had seen last night: Polly, Edith, Lillian. Yes,
that Lillian, damn it, a winged rose! And the things they did on their
bike without seeming to touch it!

"My poor Lily," Pa went on, going up to his daughter and stroking her
hair. "I'm not saying it to vex you; but you're not in it with the
Pawnees! Come on! Beg your Ma's pardon; and let's be off to the theater.
I'm in form this morning. We shall have a great practice."




CHAPTER III


A few minutes later, Pa was hustling his herd before him:

"Quicker, my Woolly-legs! No time to lose!"

He thought of the tricks which he had jotted down the evening before in
his note-book. Lily would learn them quick enough: she was as clever as
the Pawnees, when all was said, only less graceful. She had the balancing
power all right; but grace, grace, damn it, to do a thing like that as
though it were child's play: that's what she hadn't got! You saw the
effort. And the apprentices had no precision in their groupings. Now the
fat freaks had. To combine German discipline with English gracefulness,
that was the question; to have the troupe of troupes; to have a Lily who
would be worth more by herself than Polly, Edith and Lillian put together.
But that meant work and going through the mill! This last made Pa think of
the old sheep and their bleatings. He gave a nervous little laugh and his
hand had a convulsive movement, as though to strangle those pests.

Pa had recovered his good humor and was grinning by the time they reached
the theater. Merely by his way of taking the key of his dressing-room from
the stage-doorkeeper one recognized the owner of a troupe, the man with a
"permanent address," the manager, the boss, the prof, the Pa. On entering
the lobby, he, with his six girls, took possession of the theater. He
nodded to the staff; growled a "Lazybones!" as the Roofers passed out two
by two, always two by two: a fair one with made-up eyes, a dark one with
kiss-me-quick lips; sniffed their cheap perfumes amid the tarry smell of
the packages marked Sidney, New York, Paris....

[Illustration: "QUICKER, MY WOOLLY-LEGS!"]

On reaching the stage, Pa first gave a glance to make sure that there were
no elephants, or ponies, or Merry Wives, that they could practise at their
ease, without having to burrow in a corner, like rats. The stage was
almost empty. After the live street, it was a pallid light, in which
ghosts moved. The New Zealanders, it need not be said, no longer fancied
themselves in the cavern of Bluebeard or Puss-in-Boots; they had seen too
many stages during the past two years. The slant of the floor, the
roughness or smoothness of the boards was what interested them, for fear
of falls and barked shins. Pa hurried them to their dressing-room to get
into their knickers, while he took off his jacket and turned up his
trousers, so as to run better. No more time to lose, with his Lily! He was
still in a fever from seeing those Pawnees last night. As for the stage
and the boards, a lot he cared, slanting or straight, rough or smooth! To
work! to work! And he got ready the bikes, which Tom had brought down,
without a glance around him.

To a poet, to a painter, that glance would have been worth the taking. The
iron curtain was raised, the house loomed vaguely; the balconies, covered
with cloth, stood out like cliffs; the pit, with its seats under a gray
drugget, because of the dust, lifted toward the stage its rows of
motionless waves. The stage itself was strange: a sort of huge cave, with
strips of scenery hanging like stalactites; near the wall, a metal
pedestal, with a red velvet platform, looked like a blood-stained
scaffold; one suspected the presence of properties: wheels, iron
implements, tangled ropes, like so many instruments of torture. At the New
Zealanders' feet, half-naked bodies, suggesting the souls of the damned,
were tumbling, practising falls; a woman in a white wrap hovered round;
and, near the proscenium, a pack of trained seals, lying in their moist
boxes, raised their frightened heads, as who should say corpses cast up on
the shores of hell by the silent waves of the pit.

But three slender forms, spinning on their trapeze almost above Pa's head,
sprang lightly to the stage, near an old fellow in spectacles.

"Why, Mr. Fuchs and the Three Graces! Here's a surprise!" said Pa, who had
not seen them since the New York Olympians. "When did you get here?
Yesterday?"

There was a general shaking of hands. Fuchs congratulated Pa on his
success, said he had followed his progress in the papers. Pa owned a
troupe now and had a name.

"So this is your Lily," said Fuchs, tapping her on the cheek as she joined
the group. "A real lady! And good, eh?"

The Three Graces also congratulated Pa ... kissed Lily:

"How sweet you've grown! Why, Lily, how pretty you are!"

Lily was so surprised, so pleased; and her Pa was very proud. He thanked
Mr. Fuchs, complimented the Three Graces in his turn, to their delight:

"What arms! What muscles!" Then, "Excuse us, eh? Lily must get ready. We
shall meet again presently, after practice."

The Graces had gone back to it already. Pa tested the bikes; took a
hurried turn at the pumps; and, when the apprentices and Lily returned:

"Yoop, up with you!"

The round began. Tom looked to the girls, constantly; ran after them; kept
an eye on their falls. Pa, constantly, hung on to Lily. Nothing else
existed when he was handling his star. His wish to do well, his love of
art for art's sake worked him up, stimulated him, made him hit out but not
in anger: it was the spark of enthusiasm, of which the apprentices caught
the reflection.

"Hi, you there, Mary! I'll pull your ear! Birdie, if I take my belt to
you!"

But his Lily above all; his Lily! his seven stone of flesh and bones! Pa
was an artiste; he had thought of a thousand things since his trip to
Brighton. New and astounding tricks; and easy at that ... if Lily only
would! Oh, he'd soon make her graceful! But, for that, she would have to
obey, to let go the handle-bar at a sign, instead of endlessly seeking her
balance. For instance, Pa held her rein to prevent falls--there was
nothing spiteful about Pa, he never let you fall on purpose--and
Lily--"One! Two!--Count together, Lily!"--put one foot on the saddle, the
other on the handle-bar: "Three!" That's where she had to let go her
hands, smartly, and stand erect as she rode. The machine slipped under
her. Lily, shaking with fear, stooped to seize the handle-bar.

"Stand up, Lily! Show pluck, Lily!" said Pa.

Lily, accustomed to obeying blindly, drew herself up again. But,
sometimes, crash! The whole came tumbling down. Notwithstanding the rein,
Lily fell to the ground; and the bike, in addition, caught her a kick in
passing.

"Nothing broken? A tiny scratch; it's nothing. Tom, the white stuff!"

Tom left his Woolley-legs, brought a bottle of embrocation; a few drops of
that on the skin, a bit of sticking-plaster; there, that was all right.

"You see, Lily, you're not dead yet! Nothing to be frightened about. Come,
try again!"

The great thing was to hustle. Pa displayed so much enthusiasm--"Those
Pawnees, damn it!"--that Lily, for all her fears, was smitten in her turn,
ended by becoming exasperated against those Pawnees, felt a longing to
wring their necks!

She obeyed her Pa like an automaton, in her anxiety to do well.

"More graceful! That's it! Not so stiff!" said Pa.

"But, Pa, I can't!" protested Lily, soaked in perspiration.

"But you've got to, my little lady!"

They passed from one practice to another, almost without resting. Lily was
worn out, Pa seemed indefatigable.

Sometimes, practising was marked by interruptions. Maud's gouged eye
remained the typical accident. Another time, a girl lay fainting for ten
minutes after falling on her head; or else the stage was invaded by a
ballet. There was no end to it. On this particular day, they had a visit
from Harrasford himself, Harrasford the chief and master, who came along
with Jimmy; a visit which was the more sensational for being quite rare.
Pa, now that he was the owner of a troupe and sure of his position, would
not have been sorry to be noticed by Harrasford, just to impress Mr. Fuchs
and show him what they thought of Lily in London.

"Do your best, my Lily," said Pa. "He's watching us."

But bill-toppers, New Zealanders though they might be, were nobodies to
"him;" Lily--one of a thousand, among all those of both sexes who
performed in his theaters. There might have been ten cycling rhinoceroses
on the boards; he might have seen Lily swallow her bike, and change into a
butterfly: he would have paid no attention. Those were details that
concerned the stage-manager. He hurried across the stage to the
fly-ladder, made Jimmy explain things, took notes as he went, wanted to
see for himself, pointed to the first batten, to the electric switches.

"How much for so many lamps? And that? What does that come to, roughly?"

And he stopped for a second in his course, his ear stretched toward Jimmy
to catch his answer flying; then both of them went on again, quickly.

Jimmy was now following Harrasford along the bridges, with the whole stage
below him, in the ruddy semi-darkness; at one side, the half-naked bodies
fell with a heavy thud after their somersaults; or else it was the sharp
sound of a bike skidding; and distant voices rose up to him:

"But, Pa, I can't!"

"But you've got to, my little lady!"

"Poor little thing!" thought Jimmy, disappearing in the flies, toward the
side-rails, at Harrasford's heels. And Lily went on riding and Pa running
after her, round and round and round. She seemed to be fleeing madly,
pursued by a devil. Suddenly, Pa stopped, having exhausted his strength,
and Lily fell rather than sat upon a hamper by the wall.

"Here, Lily, put this over your shoulders," said Pa, giving her his
jacket. "You'll catch cold, darling. Oof, let's take breath a bit!"

But a glad voice burst through the silence: it came from the Three Graces,
who always worked on stubbornly, even during the absence of Nunkie, who
had been out for a smoke. Thea greeted his return with a cry of triumph:

"Ten pullings-up with one arm, Nunkie! Ten without stopping!"

"Well done! I'm very pleased with you," said Mr. Fuchs; and he crowned
their excitement by declaring that, as a reward, he would that very day
buy Thea the sleeve-links which he had promised her ever since last year.

"Dear Nunkie!"

A spasm of vanity made them rush back to their work; and soon the three of
them formed, in mid-air, an involved group of ropes, bars and hardened
limbs.

Lily, in spite of her fatigue, was amused at those mad girls. To take all
that trouble for the sake of a pair of sleeve-links! Her shoulders shook
with nervous laughter, in spite of Pa's presence. He quieted her with a
gesture, scolded her under his breath, kindly:

"Shut up, Lily!... Aren't you ashamed of yourself, Lily?"

And he looked at Nunkie with an air of saying:

"You old rogue!"

As for the Three Graces, it was a pleasure to watch them: their pluck was
infectious.

"To work!" said Pa. "Let's have a somersault, eh?"

And, at a sign from him, two of the apprentices, assisted by Tom, fixed a
little steel-legged table in the middle of the stage, bore down upon it
with all their weight. The bike, set at full speed, stopped short as it
struck the table; and Lily, carried on by the impulse, continued her
whirl, full on her back, and, carrying the machine with her, came to the
ground on the other side of the table and went on riding. But that shook
her, in her stomach, her heart, everywhere. Each time, she was nearly
succeeding, but it wasn't quite right.

"I can see," said Pa, "you want to make me lose my temper!"

"But, Pa, it hurts!"

"Oh, those blasted little brats!" shouted Pa angrily. "Rickety machines,
every one of them: no more energy than a sparrow and lazy into the
bargain!"

Then, suddenly, Lily succeeded magnificently.

"You see you can do it when you like, you obstinate little wretch!" said
Pa. "Now try not to miss it again, next time! That will do for to-day," he
added, seeing Lily out of breath. "Go and get dressed, my Lily."

The Three Graces were finishing also. Good old Nunkie wiped the
perspiration from their foreheads with his big checked handkerchief,
invited Clifton to come with Lily and choose the sleeve-links and
suggested that they could have a chat at the restaurant.

"Would you like to, Lily?" asked Pa.

"Yes, Pa."

"Very well, then."

The girls would go back alone. Tom, having carried up the bikes, was told
to run home and fetch Miss Lily's new dress and boots, Mrs. Clifton's
brooch and big hat. And, half an hour later, Lily, who had crawled up to
her dressing-room stiff-legged, exhausted, feeling sixty, came tripping
down the stairs all freshly dressed, wearing the great hat of her mother,
and a pair of creaking boots. She soon recovered when she was dressed out.
She drew up her dainty figure, so as to be level with the imposing group
of Pa, Nunkie and the Three Graces.

Lily, very proud of herself, spun out the pleasure of drawing on her
gloves to go shopping with those big girls, who had had love stories. Then
they discussed what restaurant.... Nunkie, long ago--"Zaeo's year at the
Aquarium:--that doesn't make me any younger, eh?"--had discovered a little
German place....

Lily would have liked to propose the Horse Shoe, to walk in there with her
big hat and creaking boots as though the place belonged to her. But they
decided upon a "Lyons" in Wardour Street. At the table, it was touching to
watch the attentions which the Three Graces lavished upon their Nunkie,
the respect they showed him. Pa was not sorry that Lily should see that,
but Lily took no notice at all: she just removed her gloves, held her
knife and fork with the tips of her fingers, let Pa help her, thanked him
with a pretty "'K you." From the corner of her eye, she watched other
groups, to pick up good manners. She seemed to have frequented smart
restaurants all her life: beside her, Nunkie and the Three Graces, who cut
their bread with their knives and made a noise when eating, looked like a
family of small farmers on a visit to London town. Pa was greatly amused,
enjoyed his daughter's aristocratic ways, admired her refined air. When
they went out, in obedience to a look from Lily, he bought her a bunch of
violets, which he pinned to her bodice himself:

"Well, Lily, are you happy? Do you love your Pa? Tell me you love your
Pa," and he looked at her gently as if in regret at having been so harsh
at practice.

"It's for your good, my Lily, you'll thank me one of these days. I'll give
you lovely dresses, I'll cover you with diamonds!"

"Why not to-day?" asked Lily, with a comic pout.

Then both of them laughed and Lily forgot everything, even the blow with
the fist, at being treated so like a lady.

"If I was married," she said to the Three Graces, "I should like to go
shopping all day long and have fine dresses, a gold watch and no bike!"

The Three Graces, with their heroic strength, had no thought of such
luxuries. Thea told Lily of her successes in America:

"Five pullings-up with one arm at Boston. Six at 'Frisco. Eight when we
got back to New York! Eight, Lily! And to-day...."

"And your lover in America, tell me about your lover ..." interrupted
Lily, pressing Thea's arm.

"Talk low," said Thea, looking back at Nunkie, who was walking behind with
Pa. "Nunkie is furious with him. If he ever meets him! He says it's
disgraceful, not writing to me, after asking leave to. It's an insult that
ought to disgust me with men for good and all, Nunkie says."

She told Lily everything, her unhappiness at first, for she loved him.
Lily, with her little nose in the air, sniffed those love stories, gulped
them down, so to speak, with an instinctive movement of the lips.

"And did you write to him?"

"I wrote to him, but he never answered. Oh, if Nunkie knew! He forbids us
to write, because writing, you know, Lily, puts out the muscles of the
arms, interferes with the pullings-up, Nunkie says...."

[Illustration: NUNKIE]

But they turned into Regent Street: to Lily it was the entrance to the
paradise of shops. The huge curve displayed its window fronts; and ladies
and gentlemen and little girls: not dressed in their Ma's leavings, these
last, but a superior branch of mankind, similar to that in the front
boxes.

Nunkie blinked his eyes behind his spectacles: all this luxury terrified
him; he had almost forgotten the sleeve-links, talking with Clifton of
people they had known:

"The boy-violinist? Not up to much. Ave Maria? A disgrace: married,
deserted, I don't know what. Poland, the Parisienne? A scandal!" As for
him, he had but one wish, after getting his girls married: to retire to
his home, grow his roses, look after his pigeons; simple joys, the only
ones....

"Look, Thea!" Lily broke in, pointing through the plate-glass to a heap of
imitation jewelry, lying, among watches, on red and black velvet.

"Come on!" said Mr. Fuchs.

But, when Thea saw the prices--ten shillings, twelve shilling's--she
refused to go in, saying she could have it just as pretty in Wardour
Street and ever so much cheaper.

"Just as you please, my darling. I'll do whatever you like. I don't know
anything about it!"

Clifton felt something rise in revolt within him, he was unable to resist
it; a case of showing that old curmudgeon what a Pa was and that his
little girl, too, did pullings-up in her way and that he knew how to treat
her as a Pa should:

"Your watch, Lily," he said, opening the door and pushing her in. "Now's
the chance to get it. Come, choose for yourself!"

"Oh, Pa! Do you really mean it, Pa?" she said incredulously.

"Now look here, I'll smack you, Lily! When your Pa tells you a thing!"

Lily seemed a princess, with her way of saying, "'K you," of touching the
ornaments, the watches, like a little creature thirsting for luxury and
yielding to her inclination at the first opportunity. There was so great a
look of happiness in her eyes; and Clifton was so proud of his Lily, that
he offered her a chain as well, to go with the watch. Lily refused at
first, for form's sake, and then took courage--like a poor little martyr
who did not like to disoblige her Pa--and chose a very pretty watch-chain,
to the great wonderment of the Three Graces and of Nunkie, who thought, as
they left the shop, that the children of to-day ... upon his word ... the
parents of to-day ... it was all very different in his time....

Clifton laughed to himself at that old curmudgeon as he left him to go
home, with his star. Lily hung heavily on her father's arm, passed the
draper's shops with a serious air.

"No, another time!" said Pa, who felt what she was after.

And he hurried his daughter off, for he might have yielded, she was so
nice.

Lily set her watch in Piccadilly, as they passed; then at the Cafe de
l'Europe, by the big clock at the back; and again, twenty steps farther,
at the bar of the Crown. Lily looked at the time and Pa showed his Lily
off. He was proud to be seen with her in the neighborhood of Lisle Street,
where everybody knew him. True, he seemed to have the name of being hard
with Lily. But, come, was he hard? Did she look like a martyr? It was
preposterous, all those stories. And he redoubled his attentions to his
daughter, who talked a heap of nonsense, asked funny questions:

"Why should writing a letter interfere with the trapeze, when a girl has
arms harder than a horse's hocks?"

"What? What?" asked Pa, taken aback, and when he understood, he would have
held his sides for laughing, if he had been at home:

"Oh, the old rogue!" he said admiringly. "He loves his dear girls, does
Nunkie!"

He was still laughing when they reached Tottenham Court Road; and, as they
passed the Horse Shoe, a voice, which Lily seemed to remember, called to
them from behind:

"Hullo, Clifton!"

Pa turned his head in surprise:

"Hullo, Trampy!"

For he recognized him at once, though he was much changed. Besides, he
knew him to be in London. But it was a prosperous and gorgeous Trampy,
quite unlike the old days; and forthwith Trampy explained: a champagne
supper last night, just come from the bar; glass of Vichy water, you know.
Huge success in London. Girls, by Jove! And then, pretending not to know
Lily:

"I congratulate you, Clifton; what a dear little wife!"

Pa, greatly amused, protested: not his wife, no, his Lily! Then Trampy
went into ecstasies: how pretty she had grown, one of the handsomest girls
in London, sure! And in the United Kingdom of Great Britain and Ireland!
And in all the British dominions beyond the seas, by Jove! And what a
change since Mexico! She was a woman now, a peach, a regular peach!

Lily seemed fascinated by Trampy, examined him, his shiny hat, his gold
rings, his patent-leather shoes. A swell, Trampy, a toff, a gentleman like
those in the front boxes.

"Yes, Lily," said Trampy, guessing her thoughts, "yes, that's the way it
is; one's not always hard up. I've struck oil since leaving America. Heaps
of money! Eh, what!" he continued, offering Clifton an expensive cigar.
"You wouldn't have thought it, would you, when you left me stranded in
Mexico? That was a nice dirty trick you played me! Come and have a drain,
old man, to drink Miss Lily's health and show there's no ill feeling!"

"No, another time," said Clifton, vexed at this recollection of Mexico,
now that he was the established owner of a troupe, a man whose word was as
good as gold. "I'm in a hurry to get home: a very nice home, Trampy, a
real good one. Come and see us some day. _Au revoir_."

But Trampy was so pleased at meeting them, he never stopped shaking them
by the hand. Lily had to accept a bag of cakes to share with the troupe
when they had their tea. Then, at last:

"_Au revoir_, old man; _au revoir_, my love, my little peach!"

Lily's head was quite turned by this jolly day: it made her forget six
months of worries. To think that, for some people, every day was like
that! However, she mustn't complain: a watch, a chain as well, the
somersault pulled off, compliments from Trampy....

Ma's reception of them, when they got home, was icy. Pa looked a little
like a school-boy caught at fault; and Lily, none too easy in her mind,
put the cakes on the sideboard, and hastened to take off her mother's big
hat. Ma grumbled, under her breath: it was nothing but going out, now. Old
Cinderella could stay at home, bareheaded, while my lady went shopping! A
fine thing, my word, for a great sensible girl to abuse her Pa's weakness!
There was nothing to do at home, of course! Well, if it pleased Mr.
Clifton, she had no more to say!... And, while she grumbled, Ma prepared
the tea and shot glances at Lily, a Lily with red cheeks and bright eyes
and looking so pretty that Ma, full of mixed pride and anxiety, felt
sudden longings to eat her up with kisses, "ugly" that she was!

Pa did his best to calm Mrs. Clifton, tried to amuse her with the story of
the sleeve-links, of the horse's hocks, and Pa laughed, my!

"He laughs best who laughs last," growled Ma.

"Just think, Ma," said Lily, taking courage from Pa's merriment. "That old
rogue forbids his daughter to write, he pretends that...."

"And quite right too!" said Ma. "What do girls want with writing? And who
do you mean? What old rogue? You don't mean Mr. Fuchs, I suppose?"

"Why, yes, Ma, old Fuchs."

"Old Fuchs! You chit, to talk like that of respectable people! Go to your
room, impudence! Dry bread for you!"

"But, Ma...!" said Lily rebelliously.

"That's what comes of it," said Mrs. Clifton, addressing her husband,
"when a mother no longer has the right to correct her daughter."

And she pointed to Lily, who persisted in remaining, who was even
beginning an explanation:

"But, Pa ... but...."

"Obey your mother first," said Clifton.

"Yes, Pa."

And Lily went out, very anxious at the turn which things had taken.

Clifton realized that he had perhaps been wrong that morning to blame Mrs.
Clifton in Lily's presence. He was wrong also to laugh at old Fuchs before
Lily. But, all the same, that old rogue ... and they had believed it,
those Graces! That wouldn't go down with Lily!

"It's an example you ought to follow, instead of laughing at it, Mr.
Clifton!"

"Upon my word, I'm very proud of my Lily; she works well, she really
does," said Pa, stretching himself in the easy-chair. "I'm pleased with
her; you know as well as I do, a girl is not a boy. She can do with a
little spoiling. And only just now I made Lily a present of a gold watch
and chain."

"Then I give up!" said Ma, in a voice of exasperation. "Then I give up!
Why should I take all this trouble bringing up your daughter? A little
spendthrift who will bring us all to the workhouse! And a good thing when
she does!"

But Pa wanted peace in his own house. That was enough of it! Peace was
what he wanted, damn it, and not a monkey-and-parrot life!

And, jumping up from his chair, he opened the door and shouted up the
staircase:

"Come down, my Lily! Your Ma says you may! The cakes are on the table."




CHAPTER IV


Pa would have covered his Lily with diamonds, if he had the money ... and
if Ma had allowed it! But, on this special point, she ventured to oppose
him. She had been Lily's age herself, had Ma, and she enlarged upon the
necessity of keeping a tight rein on Lily.

Ma enumerated the fugitives: Ave Maria, and this one, and that one, and
ever so many others who had bolted; and troupes ruined by the flight,--or
the marriage,--of the star....

"Lily has changed a good deal lately, dear, are you sure she hasn't a man
in her mind?"

"There we are again!" said Pa. "Always the same old story! But just tell
me, who does she see? Who does she know? Jimmy? You don't mean him, I
suppose? Very well! Trampy, then? A married man, divorced, married again,
goodness knows what! and then ... and then ... Oh, well, let's have peace
at home, at any rate! Damn it, Lily may be a bit of a flirt: why shouldn't
she be, a pretty girl like that? Beauty, in the profession, is half the
battle."

And Pa entered into details, comforted Ma with good news: a fresh contract
signed with Bill and Boom, after that, the Harrasford tour: big salaries
now....

"No, dear, this isn't the time to worry Lily about trifles. And I don't
want her to be bothered with useless work, either."

"Call home work useless! A woman's greatest charm!" exclaimed Ma.

Lily was a subject of friendly discussion to them. Both adored her
equally: both were proud of her at heart. For Lily was growing very
beautiful; everybody said so at the theater: the stage-manager; the acting
manager, down to Jimmy, who stammered things. It was an endless series of
compliments; Harrasford's friend, the architect, who had not seen her for
a long time, fell into raptures when he met her on the stage:

"Magneeficent!" he exclaimed, in his Franco-Belgian accent. "How old is
she: sixteen? seventeen?"

"Fourteen," said Ma, with a mincing air, for to that damned "parley-voo"
she was as anxious to make Lily out a child now, in order to keep a firmer
hold of her, as she had been to increase her age in America, so as to make
her work.

"What, fourteen, Ma!" protested Lily.

"Yes, fourteen, of course; do you think you know better than your mother,
you little fool? Can't you see everybody's laughing at you?"

Ma dreaded those irresponsible jossers, who filled Lily's head with a pack
of false notions, and kept a good watch, in her growing anxiety.

Ma, in the early days of their arrival in London, had been terribly
obsessed by the dread of being left without means in the huge city. Lily
had got them out of that difficulty. And now she was earning such a lot of
money: one day, who knows, they would have made enough to assure their
independence for good and all! When she thought of this possibility, Ma's
eyes lit up with yellow gleams; she felt like catching hold of Lily and
locking her up in a safe.

Pa was less eager for gain, less ant-like in his economies; he was an
artiste, above all; he knew how to make allowances; there was a time for
work and a time for play. He often treated himself to the pleasure of
taking Lily out; and, each time, as usual, she got a nice little
present--he liked to pass for a Pa who spoiled his daughter, loved to hear
himself so described, and took a wicked delight in repeating it all to
Mrs. Clifton.

Lily was the gainer by the difference in opinion; she felt herself a
little freer. When she went out in the morning, she considered herself at
liberty to walk less fast, and no longer trembled on returning. She loved
to loiter in the Tottenham Court Road; her little person assumed an air of
importance; if, after practice, some artiste passed her in the street and
gave her a smile, she believed that he was waiting for her; a "comic
quartet," the Out-of-Tune Musicals, happening to come out of a bar and
blow a kiss to her, were there on her account, she thought--four lovers at
a swoop!

It was almost impossible that she should not meet Trampy, who was always
prowling about from bar to bar, between Oxford Street and Leicester
Square. She did meet him, in fact. Trampy, that day, wore a felt hat, a
blue suit, a red tie, with a sixpenny Murias cocked in the corner of his
mouth, and he greeted her with a triumphant "Hullo, peach!" as she passed.
Lily was quite excited, stopped just long enough to refuse a drink and
then left him very quickly. She was afraid it showed on her face, when she
got home, and his words still rang in her ears, that she was awfully
pretty, the prettiest girl on the stage, a peach, a duck, a pearl, a
daisy, a bird.

All that she had seen and heard in her jostled existence, now came back to
her, grew and sprouted in her ... now that Lily was being made love to by
gentlemen, not the monkey-faces or the blue-chins, but men like Trampy,
her craving for admiration oozed out of her at every pore....

Trampy! Lily did not care for Trampy; but she thought him amiable, polite
with the girls.... She was grateful to him for being there to say pretty
things to her when she passed. She preferred that type to men like Jimmy,
for instance, savages who always seemed on the point of speaking and never
opened their mouths; with them, she thought, a wife would be bored to
death. Besides, Jimmy, pooh, a common workman, a josser! While Trampy was
an artiste, a bill-topper and rich, no doubt. You had only to listen to
Trampy to see that he was very well off! Chocolates, sweets, jewelry,
ostrich-feathers, patent-leather boots, everything! He would have loaded
her with presents, if she had let him, but she had never accepted anything
except a little gold ring, which she hid in her pocket when she came in,
for, if Ma had caught sight of it, gee, what a smacking!

Trampy often met her; he seemed almost to do so on purpose; he found
pretty speeches, compliments which he had already uttered a score of times
to ever so many girls, on ever so many stages, like a real Don Juan who
had been all over the world and everywhere picked up love-speeches and
jokes to "fetch" the ladies with. He tickled her vanity, told her that a
dear little girl like her was cut out for dress, that a big hat with
ostrich feathers would go well with her fair hair and that men, by Jove,
ought to go on their knees whenever they spoke to her!

All this hummed and buzzed in her head. At night, when she fell asleep in
Maud's arms, she dreamed of big hats and fine dresses and referred to it
during the day. Pa hardly knew what to think; if she did as well as last
night--three encores--Lily could have half a sovereign, to buy a new hat
in the Tottenham Court Road with, said Pa.

"Oh, Pa, I shall do all right, you'll see. Will you be very nice? Then get
me that one at two guineas, you know, in Regent Street."

"But you're mad, Lily!" said Pa, without attaching too much importance to
it, for he had other cares: agents to see, letters to write, business,
damn it!

That took down Lily's cheek a bit; but her luxurious ideas returned,
nevertheless. For instance, from admiring the Three Graces or the Gilson
girl, who looked like Venuses in their silk tights and whose entrance on
the stage caused every opera-glass to glint upon them, the wish to appear
in tights began to grow on Lily. Oh, not the plain tights of living
statues; no, but with flowers and leaves embroidered here and there and
jet braid laced about the right arm. She was tired of bloomers and told Pa
so, straight out, when the apprentices had left the room and Pa, stretched
in his easy-chair, seemed in a good temper. Pa thought this notion about
tights, silly:

"They're very nice, those bloomers; those little shirts. Ask your
mother."

"Oh, yes," said Ma sarcastically, "but bloomers are made at home, in the
afternoon; you have to stitch them yourself, dear. Tights, which you buy
ready-made and which cost just ten times as much and last only half as
long, are much more convenient, aren't they, Lily? To say nothing of the
absurdity of an ugly girl like you showing yourself in tights!"

"And the troupe," said Pa. "What would the troupe look like? Might as well
not have a troupe; there'd be no one but you!"

"Well, what harm would that do? I _am_ the troupe!" said Lily, tossing her
obstinate forehead. "And all the money you give them you could give me!"

"Lily," said Pa, alarmed, "you deserve to be smacked for that!"

"Oh, Pa, what an idea!" said Lily, who was just arranging her fringe
before the glass. "A Pa to beat his Lily for a little thing like that,
away from work!" And, darting a bright smile at Pa, "You never would, Pa,
would you?" she ventured.

Clifton, taken aback, looked at his Lily, as if to say that she was right,
damn it! But Ma, in her fury, cried:

"Wait a bit! You shall see if _I_ would!"

Bang! A box on the ears, followed by an order to go to her room, on dry
bread and water, impudence! And practise her banjo till the evening!

The blow itself was nothing, but what an humiliation for Lily, who, only
yesterday, had been told that she had the sweetest nose in the world,
cheeks to cover with kisses, eyes, lovely eyes: there wasn't a girl in a
hundred with eyes like that, by Jove! And those lovely eyes were only fit
to cry with! And those pretty cheeks Ma had covered with smacks! When she
thought of it, she felt inclined to kick over the traces. Did they think
her such a kid, then, her Pa and Ma? She'd show Ma if she was fourteen!
She'd be off like the others. Lily, at this idea, felt her heart come into
her mouth: no, no; she would never dare; she never would. She swore it to
herself; took the great oath of the stage: three fingers of her right hand
uplifted, the left hand on her lucky charm. And yet, one day, she would
marry. She didn't lack chances, if she wanted them. And a gentleman, too!
And her Pa and Ma, to disgust her, of course, pretended that he was
married! They must take her for an idiot: how could Trampy be married,
considering that he had suggested ... suggested different things to
her?...

Lily brooded like this, reviewing the tiny events of which her life was
made up. Then a gleam of sunshine came to change her thoughts. She amused
herself by breathing on the window-pane, making a circle ... wrote a name
with her finger and quickly licked it out with her tongue ... and Lily
brooded ... brooded....

But Ma's voice made her jump:

"What are you doing there, you good-for-nothing? I told you to take your
banjo!"

"Yes, Ma," Lily replied mechanically, with her nose glued to the window.

"Do you hear, Mr. Clifton?" said Ma furiously. "That's the way she
obeys!"

Mrs. Clifton had no doubt whatever that there was a man at the bottom of
it ... a flirtation ... something or other. It was useless for Ma to
provide for everything, to do her best to oppose Mr. Clifton's weakness.
There was Lily now, taking up an independent attitude. She thought herself
pretty, no doubt; some booby must have been stuffing her up, making love
to her, to laugh at her later on! If she, Mrs. Clifton, had been a man,
she would certainly never look at that ill-mannered baggage; but the
London jossers liked that brazen type! And to think that time was passing
... passing!... Oh, Ma would have liked to get hold of the man who
invented the law about girls coming of age ... and love ... and marriage!
A fierce jealousy seized upon her at the thought. Lily would have
bouquets, champagne suppers; Lily would be loved by gentlemen! Tell Lily
that she was pretty and, in less than six months the little hussy would
think herself a fine lady! And, on that day, Mrs. Clifton would wash her
hands of her!

These continued attacks ended by shaking Pa. He didn't quite know what to
say; there was a certain amount of truth in it:

"But," he persisted, "why should she go? She has everything she wants
here?"

But he was more and more annoyed; yes, he admitted, he was wrong to laugh
at Mr. Fuchs: you must never set children a bad example. And, from that
moment, once his attention had been called to the matter, he daily
discovered fresh causes for uneasiness: where the devil did she get that
love of dress from? And who sent her that bouquet behind the scenes the
other night? Why, Lily wanted to have it handed to her across the
footlights, like a singer!

And Pa and Ma watched Lily like a bag of money on which one keeps one's
hand, for fear of pickpockets. Ma doubled her precautions.

The gentlemen in the front boxes, especially, alarmed her, even more than
the Jim Crows: creatures apart, devilish creatures, the gentlemen in the
front boxes! She fancied she saw a reflection of hell in the eye-glass of
every one of them. If ever Lily dared to smile to them, she knew what
awaited her! Ma would get angry for nothing at all; she even scolded Lily
for allowing herself to be approached on the stage by a contributor to
_The Piccadilly Magazine_, which was publishing articles on _The Little
Favorites of the Public_.

"I am sure you only told him a lot of nonsense," said Ma. "A girl should
call her mother in a case like that. What have you to do with the public?
Aren't you ashamed?"

No, Lily was not ashamed. She was exasperated rather. And she had not told
the journalist any lies: just the plain truth, in her own little way.
Sweat and blood! Broken legs! Broken arms! And here, there, there, all
over her body, scars deep enough to put your finger in! That would revenge
her a bit for the way in which she was treated. She knew that, when the
article appeared, she would catch it at Pa's hands; but never mind! She
had told everything, everything, in revenge; just as she might have flung
her bike at their heads in a fit of anger!




CHAPTER V


There had been a terrible scene at home that day. Ma had searched Lily's
trunk and had not, it is true, discovered the love letters which she
believed to be hidden there, but she had found a ring! It was Trampy's
ring, which Lily, who usually concealed it about her person, had left by
accident in the trunk among her things. Ma's face was a sight, when she
came down to the dining-room. She was so upset that Pa asked her:

"Are you ill, dear?"

Ma, without answering the question, pushed the ring under his nose and
screamed that she had told him so:

"An engagement ring, dear; an engagement ring! Perhaps you'll believe me
now!"

Pa and Ma, when they had recovered from their surprise, had time to lay
their heads together and replace the ring, pretending to know nothing, to
be watching more closely than ever ... and then Pa had gone out; for, if
Lily, who was walking with the apprentices, had come home just then, he
could not have resisted the temptation to smack her face. It was better to
go out and postpone the explanation until later. He had, indeed, resolved
never to beat his daughter again ... but still! And he clenched his fists
and ground his teeth when he reached the theater.

On the stage, he looked round for Tom, who should have been there to mend
a tire. He saw nothing at first: only a few electric lamps studding the
darkness; a faint glimmer lighting up a number of properties; farther on,
the dull gleam of stacked-up bikes; and, lastly, Tom, with his cap cocked
back and trousers turned up, trying--brrr!--to do a clog-dance!

"Bravo, Tom!" shouted Clifton, the moment he saw him. "Just you wait a
bit. I'll teach you to dance: with the clogs on your hands and your head
downwards, damn it! Here, take this to go on with!" continued Pa, fetching
him a clout on the shoulder. "And get to the bikes and hurry up, or I'll
smash your jaw in!"

Meanwhile, Jimmy had also come, unseen by Pa. And the great batten lit up:
the stage came to life again. Right up above, in the galleries from which
the ropes were worked, mysterious forms moved to and fro. The iron curtain
rose ... there was a clash of orchestra ... Jimmy, with his back against
the drop-scene and his face to the stage, gave sharp orders....

Pa watched the scene vaguely from the wings. He gnawed his mustache: the
apprentices would be there soon, with his Lily. And he had something to
say to the stage-manager; something of a delicate character.

But Clifton was surprised to see Jimmy instead of the usual
stage-manager:

"Hullo! So it's you now," he couldn't help saying.

"Why, yes, Mr. Clifton; since this morning. The other chap's ill, you
know. Harrasford asked me to take his place ... for a few days, I suppose
... or perhaps longer. Do you want to speak to me, Mr. Clifton?" added
Jimmy, observing Pa's look of embarrassment. "Just a minute and I am
yours."

Two tall footmen, caparisoned in velvet and gold, disappeared behind the
curtain with the number of the next turn. They came back in a few seconds.
Jimmy pressed a button. The stage filled with light and noise, the turn
marked on the program entered and, suddenly, under the dazzling light, it
was a series of somersaults, of flights from shoulder to shoulder, and the
muffled fall of feet on the thick carpet.

"There will be eight minutes of this," said Jimmy, taking out his watch.
"What have you to say to me, Mr. Clifton?"

Oh, what he had to say was very simple; he wouldn't have mentioned it
himself, but Mrs. Clifton had asked him to. To cut a long story short,
wasn't it a shame that gentlemen should throw bouquets on the stage when
Lily was giving her show? Like last night, for instance: why, it was
making game of a child, putting ideas into her head! Lily, of course, paid
no attention to it. However, was it or was it not allowed to throw or send
bouquets on the stage?

"Why, you know it is!" said Jimmy. "How would you have me prevent it?"

If he could have prevented it, he would. To begin with, Jimmy realized the
bothers which it brought down upon Lily. Moreover, Jimmy, who was vaguely
uneasy himself, wondered who that ardent admirer could be. Some of
Roofer's girls thought they had recognized Trampy, from the stage, in the
front seats. What Jimmy had heard of Trampy did not inspire him with
confidence. And Trampy, it appeared, was making love to Lily. Mr. Fuchs
had met them at the corner of Oxford Street and Newman Street. The story
was quite definite.

Jimmy was astonished at the audacity of a Trampy: what could he say to
her? he asked himself, what could he propose to her? Marriage? He was
married, they said, in America. To run away with him? His scandalous life,
his habit of easy conquest made this very likely. Jimmy had seen plenty of
others, big ones who topped the bill and who did not despise a girl's
companionship--on the contrary--and six months later, a year, two years
later, left the girl in a hole, stranded, undone; mustard and game for Jim
Crow. And he grew more and more anxious on Lily's behalf: not that Lily
would come to that! Yet he had seen plenty of them, since he had
frequented the stage, plenty of Lilies who had taken to flight for
injuries often less serious than hers. He could have mentioned names: his
head was full of those who let their anger, or their folly, get the better
of them and escaped at random, and who went back to every-day
life--through the door of scandal--sometimes to meet with worse: martyrdom
of the heart, base exploitation in the name of love. Oh, he pitied them
from the bottom of his soul! No, Lily shouldn't run away: it was
impossible! But what a pity, all the same, that he could think of it! And
what chance, what meeting would settle her fate and make her--who could
say?--the companion of a loving heart, or a prey to some footy rotter? Oh,
how he would have liked to go for Trampy, to break his jaw for him, to
teach him to mind his business and leave Lily alone! And what Jimmy wanted
to do he was never far from doing! And, then, oh, if he could procure a
good position for Clifton, as an equivalent for his star and make Lily
love him, marry him: that would be better still!

This idea, perhaps, without his knowing it, dominated his present life,
doubled his power of work: to invent something! To get himself talked
about! To make money, plenty of money, become somebody! Others before him
had risen from nothing. Harrasford, to go no farther ... a chap who had
climbed every rung of the ladder: a small music-hall first; then two; then
a big one; then two; then ten. And a whole army now toiling and moiling
for him every night, for him the chief and master.

"Oh!" thought Jimmy. "If I could only climb the ladder too!"

First of all, he must choose his line, for his efforts to tell. And, since
chance had given him a start at the theater, why not go on? Here his
scientific luggage would be of use to him. It was only a question of
adding pluck to it. He was the man to do so and now more than ever. Things
which used to seem impossible to him, such as his invention published in
_Engineering_, appeared quite feasible, now that he had watched Lily do
her wonderful feats of balancing on the stage. It was only a question of
courage and hard practice. Another line suggested itself: to find capital
and start a theater. As regards the stage itself, by this time he
understood the management of it from grid to cellar. He seemed to take in
at a glance that huge entirety, from the flies with their windlasses,
their bridges, the labyrinth of stairs, the maze of passages, down to the
dressing-rooms and the painted faces that filled them: here, a Lily;
there, a buck nigger; farther on, a living-picture girl. He felt all this
rustle round him, carried it all in his head: he knew it all, from the
porter's box at the stage-door to the glittering front of the house, with
its palm-trees and its liveried chuckers-out. Jimmy knew what to think of
the enchantments of the stage, those luminous visions which the audience
admired to the tune of the orchestra: jealousies, vanities, hatreds to
knock up against and calm down; recruits to put through their paces; and
the whole day of it--and the whole night, too--for a few pounds a week,
including the tips received from the artistes, twenty-five to forty
shillings a month.

But Jimmy had his idea: he was determined to obtain a thorough grasp of
the business; he had already taken possession of the stage-manager's room
and of his desk with the many compartments: photographs, programs,
contracts, electric light, staff, scenery. A whole small people depended
upon him, and asked his advice, bragged of its successes or told him of
its misfortunes. And here again was Clifton continuing his jeremiads: they
would drive his daughter silly by making game of her, pretending to be in
love with her, at her age! Jimmy listened attentively, with one eye on the
stage and the other on his watch:

"Tut!" he said, trying to arrange things. "There's no great harm in
receiving bouquets on the stage. However, as you object, if any more of
them come, they shall be handed to you, to dispose of as you please.
That's all that I can do."

It was gradually filling up behind Clifton and Jimmy; the iron door was
constantly slamming upon the passage; knowing-looking Roofer girls passed,
two by two, always two by two, joked for a moment with the scene shifters,
shook hands here and there, disappeared up the dressing-room staircase.
There was life, swarming life, everywhere, in the corners, behind the
back-cloth. The New Zealanders arrived, with Lily and her Ma, for Ma never
left her now, for fear of the gentlemen who prowled around like famished
hyenas: villains who did not hesitate to throw bouquets on the stage to
make ugly girls think they were pretty!

Lily seemed sad. She stopped for a moment. A haunting serenade droned
across the stage, a Spanish melody sung by soft tremolo voices, with
tapping of tambourines. It reminded her of Mexico: everything reminded her
of that time now. She compared herself with Ave Maria. Oh, she would have
liked to tell the whole world how she was treated, just the plain
truth!--in her own little way. But no one cared, not even that rotten
josser of a journalist, with his article published in _The Piccadilly
Magazine_. It made her out a spoiled child, who had learned to ride in the
country-lanes, with her French governess, and who had surprised her father
and mother by coming home one day with her head on the saddle of her
bicycle and her feet in the air, thereby causing an unparalleled scandal
in that old Yorkshire family. Since then, they had been obliged to yield
to her fancies and allow her to go on the stage with her little troupe of
friends. Her salary? Ten pounds a night. Her recreation? The banjo....

"Rotten josser of a journalist!" thought Lily.

Nevertheless, she was flattered at heart because of the ten pounds a night
and the governess.

But things happened to distract her thoughts: the Three Graces entered in
their turn, followed by Nunkie; they stood talking for a few moments,
while the apprentices went and dressed; and Lily soon followed them, after
a last glance at a little woman and her "partner," who were getting things
ready for their performance---some little hoops, two cardboard bottles,
gilt balls--and then waited humbly in the shadow.

Lily recognized Para, who used to exhibit a troupe of parrots; somebody
had put her "in his show," no doubt, the Para-Paras, a new turn.

"How poor she looks!" Lily could not help whispering to Ma.

"You'll be worse off yourself, some day," said Ma, "if you go on as you're
doing! Don't laugh at other people."

Lily had dressed quickly and had come down to the stage with the Three
Graces and they had ten minutes of joking behind the scenes, while Ma was
still up-stairs, busy with the girls. Thea walked on tip-toe to restore
the circulation to her legs; Kala practised back-bendings: Lily applauded
with the tip of her thumbnail, flung back her head and laughed and, from
time to time, looked round over her shoulder to see if Ma was coming
down.

She amused herself also by feeling Thea's arms, all those little muscles
which stood out, man's arms: she would have liked to nestle in them, to
feel herself squeezed till she cried out. And everything around them
savored of love: there were lots of Roofers; little intrigues were
embarked upon; there were stifled fits of laughter and cries of "Hands
off!" and "Stop!" Amorous speeches and stories of romantic adventures were
exchanged in whispers; the flight of the Gilson girl, the other day, at
Liverpool, was told in full detail; a Roofer, it seemed, giving a high
kick the day before, had sent her slipper flying into the audience; it was
returned to her filled with chocolate creams; and to-day there was a
boquet with a letter in it.

Ting! The curtain, the light; and, on the stage, the Roofers were
glittering with gold and silver and their boyish voices came in gusts,
punctuated by the jerky flights of their short skirts.

"Your old sweetheart, eh, Lily?" said Thea, pointing to the boy-violinist,
who had just arrived.

Lily had only a careless glance for the boy-violinist, who was wiping his
eye-glasses and pulling at his cuffs, while a call-boy was adjusting the
false seat into which two bulldogs would presently dig their teeth. All
the fascination was gone for Lily: it was no longer the child prodigy; a
grotesque Orpheus, in a laurel and parsley crown, he now introduced his
music-hating dogs, who interrupted his performance with plaintive and
angry howls and ended by leaping at the seat of his trousers in a mad rush
across the stage.

Lily, who had "gone through the mill," looked upon him as a mere josser,
had for him the instinctive contempt entertained by the real artiste for
those fiddlers, those singers, those dancers and other drones brought up
with blows of the hat.

"Pooh! I have some one better than that," exclaimed Lily, excited by the
proximity of the Roofers.

"If you have any one better than that and he loves you," said Thea, in a
dreamy voice, "love him, Lily, keep him; as for me, I no longer risk
having to do with men."

"I do!" Lily whispered, with a frightened glance around her. "As much as I
can! I love talking to men! Why, Thea, and don't you like love letters and
p.-c.'s?"

Ting! Ting! Orpheus left the stage, with his bulldogs hanging to him.

Ting! It was dark again; ropes, plated rings were let down from the flies;
the Three Graces, like quivering marble statues, took one another by the
hand to make their entrance.

Ting! From their perches on either side, two electricians sent the
lime-light beating down on an involved group of ropes, bars and hardened
limbs.

Ting! A crescendo in the orchestra and, bowing to the audience across the
footlights, the Three Graces made their exit, their smiles suddenly
hollowed out into tired wrinkles, but cheerful nevertheless. And Nunkie
wiped their foreheads with his checked handkerchief, helped them on with
their big cloaks; and the three goddesses were now just a wrapped-up
group, limping off to the staircase, like gouty patients at a spa.

Ting! A forest scene is let down, the wings are shifted. A click of
chains, a flash of steel. The bikes in the shadow, the apprentices
mounted, Lily leading.

"And try to do your best, my Lily."

"Yes, Pa."

"And try to behave."

"Yes, Ma."

Ting!

Lily gave a nervous smile. She always felt a little thrill before going
on. Then, quick, in Indian file, two and two, three and three, the New
Zealanders whirled round in the light, to the roar of a triumphal air.

Pa ground his teeth and clenched his fists the moment he heard his music:
at the mere sight of his Lily, his seven stone of flesh and bones adapted
to the machine, unerring and exact, an immense intoxication exalted his
pride, gladness dilated his heart. At last! He was there now: German
discipline! English gracefulness! Everything! He, too, would have his
London home, with a lawn behind the house and a plot of rose-trees. He
would learn the meaning of family joys, as Nunkie understood them, with
texts along the staircase: "Welcome!" and "God bless our home!" And, more
and more excited, he built up his dream; his imagination gave itself scope
amid the unreal scenery, the forest depths, the green and gold sky and his
Lily, his faultless Lily, haloed in light! Every hope was permissible when
he looked at his Lily, his joy, his handiwork! His New Zealander on
Wheels! That india-rubber suppleness, those little nerves of iron, his
Lily, his glory, his star, his own star! He romanced about her, dreamed of
an imperial tour, a steamer of his own, a floating Barnum's show, with
Roofers, elephants, rhinoceroses, Ave Marias, dogs, monkeys, the whole
boiling; and Lily starring on her bike, stopping in every port, from
Liverpool to Suez, from Suez to Yokohama: down to the desert, damn it, to
show the whole world what an artiste he, Clifton, he, the father, had made
of his Lily! And he looked at her with loving eyes, applauded her with a
smile, restored her self-possession with a twitch of the eyebrow and
counted her twirls on the back-wheel--O pride unspeakable!--a dozen!

[Illustration: SHE NEVER LOST SIGHT OF LILY]

Ma, standing by him, interested herself less in the show and, neglecting
the artiste, watched the daughter and the faces she made at the gentlemen:
the brazen flapper, whose sole attraction lay in the wickedness in her
blood! She never lost sight of Lily and watched her closely, for Ma seemed
always to catch her throwing an appealing glance to the seducers in the
front boxes, to some St. George in full dress who would dart across the
footlights to carry off her daughter.

Thus caught between Pa and Ma, Lily's situation was hard indeed. As for
the audience, she never troubled about it, from custom, like a true
professional, who gives her performance mechanically, without minding
about the rest. The audience, to Lily, was, behind a streak of flame, in
the semi-darkness, a confused mass of black and gray. All this had no
existence for Lily or the apprentices. The audience didn't pay them! The
audience wouldn't give her a whacking if the show went badly! Pa, in the
wings, frightened her much more than all the audiences in the world; and
Ma was worse still, when a gentleman smiled at her from a box. Then Lily
would stare at her Ma with the terrified eye of a parrot contemplating
Para's whip. She even exaggerated, pinched her lips, like a school-girl
applying herself to her book for fear of the ferule. Ma did not ask so
much as that. Sometimes, when Lily, after a successful trick, threw out
her chest to draw breath more easily and rode round the stage with a
pretty smile on her lips, Ma saw no harm in it, even rejoiced within
herself at her daughter's beauty. Ma knew how to be just and not to be
angry for nothing. But what she could not forgive, what exasperated her
was, just that very evening, with her own eyes, to see Lily smile at some
person unknown and shoot fiery glances at the front boxes, the little
devil, who would bring them to the grave with shame!

For Lily, it must be confessed, flung prudence to the winds that night.
Her head was turned with all those love stories. They sang in her ears,
they distended her nostrils. Oppressed on every side, she escaped in
imagination toward that spacious house, toward the confused mass in which
her lover sat hidden. And, in spite of Pa and in spite of Ma, who stood
watching her in the wings, Lily searched the audience with her eyes. Was
it really Trampy? Had he come back? She had not met him for some time. She
wanted to know and he would surely reveal himself. Ma might say what she
pleased. Even in the final pyramid, she looked, while, with one apprentice
on her shoulders, another forked before her, another standing behind, two
others on either side, she twice went round the stage, with flags waving,
to the hurricane of the orchestra. And then ting! And darkness anew, the
stage suddenly invaded by scene-shifters dragging heavy sets along; and
Lily, passing out, was seized by her Ma, who said:

"Who were you laughing at?"

"I wasn't laughing, Ma!"

"I'll teach you to make eyes at gentlemen, you baggage you! I saw you this
time! I saw you!" grumbled Ma, who had the engagement ring still upon her
mind. "You shall pay for this, Lily; we'll see if I can drive the devil
out of you or not!"

And Ma squeezed Lily's arm as if she meant to break it, but all this
noiselessly, in the shadow, behind the scenery, for fear of the stage
manager. Besides, it was nobody's business what a mother thought fit to
say to her daughter, and Lily, when people passed, pluckily tried to
smile, so as to put them off, not to let them know that she was being
beaten, a big girl like her; but, as soon as they were gone, she resumed
her rebellious face.

"I wasn't laughing, I wasn't laughing, Ma!"

"That's to teach you to lie!" said Ma, catching her a blow in the back of
the neck.

The door of the staircase had swung to behind them; and, in the empty
passage, the thumps continued all the way to the dressing-room, which the
apprentices had not yet reached. Then, once inside, Ma pushed the bolt and
made a rush at Lily. And Lily raised her elbow in vain: accompanied by a
furious series of grunts--"Ugh! Ugh! Ugh!"--Ma's diligent fist "signed a
contract on her back":

"And don't you dare to cry out, or I'll give it you twice as hard!"

Lily, bruised all over, felt inclined to scratch her mother, like a
wildcat; but the apprentices were coming. So she cooled her head in a
basin of cold water and dressed with all speed, assisted by Ma, who
perhaps regretted having been so hasty; but you had to be, with devils
like that! And Ma's anger returned when, on reaching the stage again, she
was herself, in accordance with Jimmy's orders, handed a bouquet intended
for Miss Lily. What, another! Lily, following her down the stairs with the
New Zealanders, saw Ma take the bouquet and toss it through the open
door.

"Come along," said Ma. "Give me your arm, Lily."

And the New Zealanders walked away from the brightly lit-up music-hall,
plunged through the drifting crowd, crossed the eddy of cabs, motors,
'buses and, on the pavements, through the windows, had visions of elegant
couples at sumptuous tables. Then they all went through the dark streets;
and Lily, escorted by Pa and Ma, followed the herd of girls. Her face was
hard and, from an angry brow, she shot glances askance at flight.




CHAPTER VI


Now Trampy--even if he had to marry her for it, by Jove!--had set his mind
on having Lily, at any cost; and that not only because of her prettiness,
but also that he might play Clifton a damned good trick and teach him that
he must smart for treating a gentleman as he had treated him in Mexico. It
would be paying him out with interest to take his Lily from him. Besides,
think of the credit it would give Trampy in the profession to have for his
wife the prettiest, the cleverest girl on the boards, each of whose shows,
when she performed alone, would be worth at least three pounds, as much as
a whole troupe! He suspected in her the ripe fruit that was bound to drop;
and he shook the tree to hasten the fall. He considered his reputation at
stake: he, the man with the thirty-six girls, as he was called at the
music-hall. He got caught in his own toils and wanted Lily madly, out of
revenge and pride ... and jealousy too, for he suspected that Jimmy was
courting her; and the idea that he had a rival inflamed his ardor.

In the evening, pen in hand, in his dressing-room, or else at a table in a
cafe, after a second and a third glass of old port, he prepared his
batteries: letters, post-cards, he excelled in everything, was careful
about his phrases, with the vanity of an author whose writings are widely
quoted. Lily was "fascinating" and "bewildering;" he compared her to
"those strange Indian poppies whose scent intoxicates a man and sometimes
gives him death." Gee, but that set Lily dreaming! Fancy having all that
in her! Who on earth would have thought it? Never mind, it was very nice.

And the way in which she received her correspondence amused her as much as
the rest. Trampy, it goes without saying, did not write direct: a few
pence to Tom, who hated Clifton, and Lily received the cards in secret,
devoured them when she was alone and then quickly tore them into little
pieces and sent them flying through the window.

Her trouble was how to answer. She really did not know what to say:

  "Pa was so angry with the girls yesterday. I got a kick of the pedal
  on my shin. Otherwise I am quite well. Excuse more for the present. I
  must now conclude.

                                                              "Lily."

By return of post, she received "a thousand kisses on her rosy cheeks, on
her fair tresses, everywhere," kisses without end.

"He's mad," thought Lily.

But she was greatly flattered by Trampy's attentions. He treated her as a
woman, not as a child, as Pa and Ma went out of their way to do. Her life,
after all, would be more agreeable if she was Trampy's wife; and he was
delivering the attack in person, since his return from Lancashire, where
he had traveled about with his property red-hot stove. He overwhelmed her
with bouquets, even as a general bombards a bastion before the final
assault, and he managed to meet her now. He dazzled Lily with his big gold
watch-chain and the diamond in his tie. When he was able to whisper a word
to her, it was always the same thing--"Motor-cars! Paris gowns! Jewels!
Flowers!"--until Lily thought she saw all the shop-windows in Regent
Street poured out at her feet.

Jimmy made but a sorry lover, compared with Trampy. He never promised
anything, silk dresses, diamonds or jewels. "The husband at work, the wife
at home." Gee, there were no ostrich-feathers in that! But he adored her
all the same, as Lily was well able to see; and she had many occasions to
talk to both of them. Not that Lily was less closely watched. She never
went out alone, but it was not always Ma who was at her heels: it was
sometimes Glass-Eye. With faithful Glass-Eye, things took their own course
and the interviews with Trampy became easy. As for Jimmy, he saw her every
day at practice and he took that opportunity to tell her of his ideas, his
plans for the future.

"I shall succeed, you will see, Lily," he said. "I shall do something some
day. I'm a bit of a mechanic, a bit of an electrician, that is to say, a
bit of a wizard. Others have started lower down and climbed very high."

"Yes," replied Lily, "I know. It's like Pa. He wasn't much before he got
me into shape; and look at him now!"

This was said with an artless candor that enraptured Jimmy.

"What a dear little girlie you are!" he said. "What an adorable kid!"

"That's right," retorted Lily. "Why not a baby, while you're about it, a
school-girl in the biking-class and so on? Some people treat me as a
woman, Jimmy, and propose to marry me!"

"What's that?"

"What I say, Jimmy."

"And this man making up to you is worthy of you, I suppose? And do you
love him?" asked Jimmy, greatly upset.

"Pooh!" said Lily. "I'm not quite sure."

"But you wouldn't marry him unless you loved him?"

"I should marry him to change my life."

"A change, Lily," said Jimmy, with feeling, "is not always a change for
the better! And your life is a little pleasanter now, you told me so
yourself. Your mother is sorry. You're getting pocket-money; ten shillings
a week, eh? Why, Lily, that's splendid!"

"Well; and I earn it, I suppose," said Lily. "And Ma isn't a bit sorry. Pa
said he wouldn't have it, that's all. They were afraid of my running away
if it went on. I am no longer a child!"

"No," said Jimmy, taking her hands, "an adorable girl; that's what you
are. Oh, a man whom you would love should do great things! He would love
you with all his heart! And your life would be different then! No, you
would not be a performing dog, as you call it; you would be a darling
little wife. It's all very well to rove about the world, from theater to
theater, riding round and round on your bike...."

"I adore the stage, for all that!" interrupted Lily.

"But that can't go on for ever," continued Jimmy. "You're entitled to have
a nicer life: a home of your own, Lily; you have the making of a lady in
you, if you were taught. In a year or two, Lily, you would be the equal of
any lady in the land."

"Learning, more learning, always learning! I've had enough of it in my
life!" muttered Lily, affected, nevertheless, by Jimmy's intense
excitement, and lowering her eyes under his glance.

"Why, yes, Lily, always learning, that's life!" said Jimmy. "But the other
chap, of course, promises you the earth! Some millionaire, I suppose: an
admirer in the front boxes?"

"He's an artiste," said Lily.

"Why," said Jimmy, stepping back, without letting go of her. "But, no,
it's impossible; you're not thinking of Trampy!"

"Why not?" said Lily angrily, trying to release herself from Jimmy's
passionate grasp.

"Why, because ... because he's a drunkard ... a ... The other day I saw
him at the bar of the Crown, as I was passing. He was blind-drunk."

"What's the good of talking?" said Lily. "He's miserable. He worships me.
He drinks to forget. He told me so himself!"

"But they say he's married," said Jimmy. "Why ..."

"It's mean and jealous of you to say that," said Lily, suddenly
withdrawing her hands. "You deserve a smacking! How can he be married,
when he wants to marry me?"

And with that she left him and went up to the dressing-room.

Jimmy was heartbroken.

"It's a joke of Lily's ... as in my shop, some months ago, when she
pretended to have a sweetheart, though she hadn't!"

But, argue as he would, Jimmy thought with terror of Trampy's habits of
conquest, of his reputation in the profession as a Don Juan. He bitterly
regretted waiting so long to speak to Lily. He had thought that he was
pleasing her by keeping in the background, for fear of causing her
annoyance at home: was his sole offense now that of coming too late?

Oh, if he had only had evidence to hand! But Trampy's marriage was one of
those vague rumors. One could say nothing for certain. However, the
danger, no doubt, was not yet imminent. And Jimmy had a friend who was
doing America in the theaters of the Eastern and Western Trust: he
resolved to write to him; the friend would receive his letter at the
Majestic, Houston, Texas, or at the Denver Orpheum. The thing had happened
over there; they would probably remember it in the theaters he passed
through; he could make inquiries, perhaps even obtain proofs. That
exquisite Lily, that masterpiece of grace: what a darling wife she would
make! And all for Trampy! Jimmy was determined to do everything to prevent
it.

He did not despair of supplying Lily, before long, with the proof that
Trampy was married; he would give the name, the date; he would compel
Trampy to admit it. But he was not sure enough yet to accuse him openly:
Lily would have seen nothing in it but a ridiculous jealousy and would
never have forgiven him.

Then Jimmy was worried: people came to him for this, for that, for the
thousand details of the stage.

Lily, on her side, left the theater. That day, she was accompanied by
Maud, who fixed her with her glass eye, while the other was engaged in
watching the flies. Of course, Trampy was prowling round the theater to
see her part of the way home; for he, too, had decided to carry things
with a high hand. And he set to work at a quicker pace than ever.

He had none of Jimmy's scruples; he was not afraid of exaggerating: far
from it. Lily always left him under the impression of a glimpse of
paradise. This time, however, she failed to smile when Trampy vowed that
she was "the sweetest little thing that one could lay eyes on, by Jove!"
For a long time, but especially since that morning, she had been burning
to put a question to him. Possibly she had no intention of marrying him,
but she wouldn't allow him to make a fool of her; and she interrupted him
in his compliments to ask if what they said was true.

"Who says so? It's a lie!" Trampy hastened to answer.

"I mean your marriage," replied Lily.

"I thought as much," said Trampy.

"Tell me the truth," persisted Lily innocently, looking him straight in
the eyes.

"If I was married, Lily, would I want to marry you?"

"Of course not," said Lily, already shaken.

"Who's been talking to you about that?" asked Trampy. "Your Pa, eh? And
Jimmy: I'll bet that Jimmy ...?"

"Jimmy too."

"If I don't box that fellow's ears!" shouted Trampy. "Can't you see that
he's jealous? Why? He didn't even give you my bouquets! He handed them to
your Ma! And so I've been married, eh? Whereabouts? In America, I'll
wager?"

"Yes, somewhere on the Western Tour."

"Of course," said Trampy. "That's what I've heard myself. Still, it seems
to me that, if I had a wife, I ought to be the first to know it; don't you
think so, Lily?"

This was proof positive. Lily could find nothing to answer.

"Come and have a drink, Lily?"

"They're waiting for me at home," said Lily.

Trampy went into the bar alone, in a desperate state of love which made
him call for a port and another, by Jove! Then he sat down at a table in a
corner, lit a cigar and examined his glass, as though truth lay at the
bottom. For he could not tell for certain. Was he married or was he not?
That's what he himself would like to know! According to him, upon his soul
and conscience, he was not a married man; he did himself that justice.
Opportunities, certainly, had not been wanting ... with all the girls he
had known ... enough to fill a dozen beauty-shows. Sometimes even he had
had a narrow escape, as in that damned town in the West, in one of those
states where you can't so much as take a girl to supper without finding
yourself married to her in the morning, all for entering yourself in the
hotel book as "Mr. and Mrs. Trampy," in other words, as man and wife. And
yet he couldn't ask the girl who adored him to sleep on the mat! Yes, a
poor girl who had found glowing words in which to tell him her love, one
night in Mexico, words which had set Trampy quivering with longing
compassion: was he to be reproached with that? He had made her happy,
after all; and, on the whole, this lark was one of his pleasantest
memories; it hadn't lasted too long: a matter of a few weeks at most. He
had left Mexico, taking the girl with him, and played Trampy Wheel-Pad in
the Western States, with any amount of success, by Jove! Encores, packets
of tobacco, a new suit of clothes! And, by way of _entr'acte_, the
girl--"Tramp Wheel-Pad's Jumping Flea," as she was called--turned
somersaults and flip-flaps. But she would have killed him, this dark girl
with great dark eyes,--this girl with a boy's figure, all muscle and
sinew, keeping him awake all night and talking of nothing but smackings,
as though she had never learned anything else. And so much in love that
she would bite and scratch: a very tigress. Any one but himself would have
wearied of it. And then, one fine morning, for coupling their names in the
visitors' book, they found themselves married, in the name of the law! And
that was what people called a marriage! So little married were they,
according to him, that he had given her the slip then and there, leaving
her all the money he possessed, however: he was not the man to look at
fifteen dollars, when honor demanded it. Trampy had had more stories of
this kind in his life; they left as much impression on his mind as the
recollection of a "schooner" swallowed at a bar on a summer night.

It was dishonest, he considered, to pretend that he was married. Not that
he was perfect: far from it! He did not set up as a model. He had had
scandals in his life: he admitted it humbly; and, if some jealous person,
some Jimmy, for instance, wanted to do him harm, all he had to do was to
dig in the heap, instead of hawking round that story of an imaginary
marriage.

His differences with Poland, the Parisienne, for instance: a regular Mrs.
Potiphar, that one. He had found it a hard job to get away from her. And
ever and ever so many others! He couldn't remember. People were always
talking ill of him. There was more than that, however: he, too, was
capable of manly ambition; he, too, had taken a breakneck risk. He had
perfected and patented at Washington an invention of which he had seen a
drawing, by accident, in a scientific journal--_Engineering_, or
another--a purely theoretical invention. The inventor himself, a young
London electrician, declared it to be unrealizable. Well, he,
Trampy--Poland had helped him with her purse; she was very nice about
it--he, Trampy, had had the thing made. He had deposited the models at the
Patent Office; and the apparatus itself was now in a London storage. He
would get it out, some day, and show them all what he was capable of.

Now he was wrong, perhaps, in abandoning Poland, after accepting her
services; but, after all, those were matters which concerned nobody but
himself. It was not fair play to tell Lily about them: she, he felt, would
always be the girl of his heart, the thirty-seventh and last, and it would
take a better man than Jimmy to snatch her from him!

Already, it was much to have pacified Lily on that incident of the
marriage: Lily believed him. One thing, however, disquieted Trampy:
bigamy, all the same, meant doing time. Now, if some jealous person
produced the proof of that marriage, contracted under the Western law ...
suppose it were valid ... really valid? H'm! Was he going to lose Lily for
that? And his liberty into the bargain? That Lily who was worth her weight
in gold, love and fortune in one!

Trampy resolved to broach this delicate subject:

"Suppose I was married," he hinted, one day, "that wouldn't matter.
Couldn't we ... live together ... eh?"

"I like your style!" said Lily, feeling slightly indignant at such a
proposal. "What do you take me for?"

"I was only joking," Trampy hastened to say. "If you want to be married,
I'm quite agreeable."

"I insist upon it!"

"So then you prefer to take strangers into our confidence?"

"What strangers?" asked Lily, in surprise.

"Why, the quill-drivers at Somerset House and those damned fire-escapes."

Lily had enough religion to know that the fire-escape was the clergyman:

"As for that," she said, "we shall see later; but I want the registrar's
office. If I'm to be your little wife, I want to be so for good and all:
marriage or nothing!"

"I shall be delighted, Lily!"

"And I'm determined!"

Lily was the more bent upon it, because marriage made her free: that was
the essential point. If she were not married, her parents could make her
come back, she thought ... keep her with them ... gee! It gave her cold
shivers down the back! Once married, she was protected by law; Pa and Ma
had nothing to say; and so she was very keen upon marriage.

"What a dear little wife she'll make!" thought Trampy. "And how she loves
me!"

That, however, did not advance matters. It was all very well for him to
put his arm round her waist, to talk softly to her, to whisper those words
which had already won him so many conquests:--one day, even, he had kissed
her on the lips,--Lily thought that very nice; it was all very well for
him to cut a dash at the bar, to stand her a claret and a biscuit; it was
all very well for him to sing his love-litany: all this did not help him;
at the rate at which he was going, he wouldn't get anywhere in six
months.

Lily, between those two jossers, amused herself immensely. How lucky she
was! Two men, at her age! They irritated her, sometimes; when they went
too far--Trampy, especially, who got excited at the game--anyhow, it was a
homage paid to her beauty. Between that and going away with him there was
all the difference in the world! To leave home was quite another matter.
Why, goodness, if things went on as they were, she could do without
marriage at all!




CHAPTER VII


"Lily, come down!" Pa's voice thundered from below.

Lily was out of bed in a bound. She could hardly tie her skirt-strings for
trembling. Why was Pa in such a rage?

The moment Lily entered her parents' room, she realized what it was. Pa
was holding a letter in his hand and scowling at her.

"These are nice stories I hear!" he cried. "You let men kiss you? You've
got a love affair? Come, Lily, is this true?"

"It's Jimmy's doing," thought Lily. "The mean cur! He's given me away!"

Pa went on hotly:

"And you're going to marry, are you? To marry Trampy? Here, read that!"

Lily felt hopeless. She took the letter, but did not attempt to read it.
White with fear, could she have sprung through the window and fled, she
would have done so.

"Well," Pa went on apace, growing more and more excited, "is all this
true? All that they tell me: about your receiving letters, post-cards,
jewelry ... and that ring! I've seen it! You're going to marry Trampy, are
you? Oh, the man who writes to me knows all about it, saw you with him at
the corner of Oxford Street and Newman Street. Is that true, miss? What
did you have to tell him, pray? Speak out!"

Lily, terror-stricken, could only droop her head.

"It's true then that you want to get married, you baggage!"

"Pa!" cried Lily.

But he, with an "Ah!" of rage, sprang upon her, clutched her mass of hair,
banged her head against the wall:

"On your knees! Say, 'I--beg--your--par--don--'"

And, Bang! Bang! Bang! The phrase was punctuated with thumps.

"Oh, Clifton," implored Ma, "stop! Not so hard!"

"Beg--par--don! Beg--par--don!" continued Pa, without relenting.

Lily was half-stunned, the world throbbed before her eyes, and, delirious
with wrath, she hissed:

"Never!"

"But I say, I say you shall not marry him! I'll kill you first!"

"Yes, I will marry him, yes, yes, I will marry him! kill me, if you like!
God is my witness that I had not thought of getting married, but, as you
say so, I will!"

His fist closed her mouth. She clasped her arms about her head, to protect
herself as best she could, but soon sank to the floor, fainting....

For three days she was in bed, broken, dazed--then, no sooner on her feet,
than off to the theater, guarded by Pa and Ma. If they could, they would
have padlocked a chain to her ankle and a collar about her neck. Ma
chilled Lily with her scornful pity, or racked her with repeated insults:

"A disgrace to the family! You'll be the death of us!"

She would shower cuffs upon Lily, throw books at her head, or whatever
came readiest to hand. Lily hid the books, the umbrellas, shrank into
corners, longing to cry; but the tears refused to come. She was too angry.
And, with head down, but eyes alert, she crouched like a dog rebelling
under blows, with lips drawn back above her teeth, ready to bite.

"I'm going out, or I'll kill her!" growled Pa, slamming the door behind
him.

Pa was thoroughly upset: for Lily to leave him! Just when Hauptmann was
starting a fifth troupe; when Pawnee was drawing full houses with his
three stars; when competition was increasing and threatening: it meant
disaster, certain ruin, the disbanding of his troupe, his contracts
canceled. He seethed with indignation; or else, in despair, felt like
taking Lily in his arms, seating her on his knee, begging her to tell him
that it was all a nightmare, that she would never marry, never marry that
Trampy: his good little Lily ... whom her Pa would cover with diamonds!
She should have all she wished, and everything, if only she would assure
him that it was not true that Trampy, that ungrateful cur, whom he, Pa,
had picked out of the gutter, was going to steal his Lily! That damned Jim
Crow! Pa, in his fury, bought a revolver to scatter the footy rotter's
brains with, but Trampy received the tip from Tom and vanished, hey,
presto, leaving no trace, allowing no sign of himself to crop up anywhere.
Pa's rage was vented on his daughter.

Happily for her, Lily now was a model of conduct. She felt thoroughly
calm. Peace seemed to reign in the house. Lily was such a gentle little
thing! One day--the very day on which Tom passed her a note from Trampy
and she made a package of her new dress and of her photographs, and
souvenirs--that evening, as she kissed her father and mother, tears came
to her eyes. Then, instead of going to the kitchen, she fetched her
bundle, stealthily opened the street-door and ran to the corner, where
Trampy was waiting in a hansom, and hi, off for the holidays, the
champagne, the long-dreamed-of Paradise!




PLAYING 'EM IN

I


They were seated on the basket trunk marked, "Trampy Wheel-Pad," in big
black letters. The steamer had left Harwich and was making for Holland.
The English coast was disappearing in the mist. On the deck, a heap of
luggage and parcels made a sort of nest for them. Trampy, with his dear
little wife by his side, was thinking of the future ... so many things
which he had flashed before Lily's eyes and which he could not give her
... not directly, at least ... but, pooh, she'd get used to it by degrees.
The great thing, to Trampy, was that he had his Lily! He was going to
stuff himself to the throat with love and, first of all, to seek a shelter
for his sweet wife and himself. England was no place for them. Pa was
prowling round and Jimmy, too. Once their anger was over and they found
themselves face to face with the irreparable, everything would calm down;
meantime, the wisest thing for Trampy and Lily was to be prudent and run
away as fast as they could. Trampy had his plan, he had seen the agents:
Holland and Belgium first; then a performance at Ludwig's Concert House,
in Hamburg, and a brilliant first appearance before a hall filled with
managers. Already he saw himself in the famous little room of the Cafe
Grueber, where so many contracts were signed during the few days that the
hearing-season lasted, and then he would have the whole continent, from
St. Petersburg to Lisbon, make heaps of money, treat Lily like the little
peach she was and cover her with diamonds, by Jove! Trampy, meanwhile, was
none too easy in his mind: funds were low; the two pounds paid at the
registrar's office had lightened his purse still more. Fortunately, the
fire-escape had not had his seven-and-six-pence: that was so much saved.

"A poor consolation," thought Trampy. "The price of a dog-license."

But he was gay, nevertheless, in his wife's company. He forgot his
thirty-six girls. He told Lily stories, made her squirm with laughter,
played with her, dazzled her with the champagne suppers ... which they
would have later on. Or else, like the consummate mummer that he was, he
put on the gloomy countenance of a man about to reveal the secret of his
heart:

"I'm a wretch," he muttered, while Lily, in her innocence--Lily, who had
been living on tenter-hooks since her flight from home a few days
before--turned her frightened eyes upon him. "A miserable wretch ...
married. Yes, it's true; I'm married, Lily."

"It's true what they said? You're married?"

"Yes, I am."

"Oh, I knew it!" said Lily, in despair. "But then ... if you are ... I'm
not!"

"You silly little thing!" said Trampy, kissing her and taking her on his
knee. "Yes, I'm married; yes; and no one shall separate us. Haven't I the
prettiest little wife--here, on my knee--my little Lily?"

"Oh, how you frightened me!" said Lily, nestling against him. "Oh, don't
ever let us part!"

With a wife like that, said Trampy to himself, a little discomfort more or
less made no difference. As long as she had her dear husband, she would be
happy. She would have eyes for nothing but him and would not care a fig
for all the rest.

Now she loved him: there was no doubt about that. She had left everything
for him! He could even have had her without marriage, by Jove, and saved
two pounds, if he had insisted! So he thought, at least, and he put a
conquering arm round Lily's waist, while she, with her head on his
shoulder, dreamed and dreamed, her eyes fixed upon the horizon. She was
married! She had dared! She would be, at last, the little lady she had
always been by instinct! And Lily went on building her castles in Spain
until, after the smooth crossing, arriving at the Hook of Holland, she
would not have been surprised to find her own motor-car and servants
waiting for her on the quay. But no, she had to carry her bag herself,
under the fine drizzle, upon the slippery pavement, to the train ... and
third-class to Rotterdam. It was all very well for Trampy to adopt a
triumphant air, but Lily was greatly vexed at the idea of going with her
husband to a little hotel frequented by artistes, bill-toppers though they
were. She would have liked something different.

Trampy observed that, with her Pa....

"With Pa," said Lily, "it was not the same thing ... and I'm not with Pa
now."

Trampy showed himself accommodating. That evening, Lily had the proud
satisfaction of walking into a smart hotel, with waiters in the hall, as
at the Horse Shoe. She carried her head high, conscious of being looked
at. She would have liked always to shine like that--to sit down to meals
amid the rustling of silk dresses ... but she felt uneasy in her modest
attire. Trampy would be only too pleased to give her a new outfit, later
on, yes; but as he explained to Lily, he had had so many expenses
recently, wouldn't it be better to take rooms somewhere, in a sort of
place like Lisle Street, or St. Pauli, at Hamburg? Lily yielded to these
arguments, she had to; but it was a bitter grief for her to leave that
fine hotel, where everybody saw her as a lady ... perhaps because of her
big hat, on which a bird, flat-spread, opened wide its wings and held in
its beak a diamond the size of an egg.

And, thenceforth, the mean life returned: Lily relapsed among the potatoes
and the wash-hand-basin salads. There were occasional revolts, tart words,
sudden disputes, which, at times, wrinkled her forehead with anger....

Nevertheless, she had her good moments: she enjoyed the sensation of being
a lady who does no work, of wearing gloves and a big hat and of looking at
the time on her fine gold watch while her husband is on the stage. It
seemed pleasant to her no longer to appear before the audience doing her
performing-dog tricks, with Pa scrutinizing her from the wings. It was her
turn now to make one of the small nation: pas, mas, profs, bosses,
brothers, sisters, sons, daughters, all watching their bread-winners on
the boards. She mingled with them, or else sat down prettily in a corner,
talked to the artistes: other Martellos, other Nunkies; new faces every
week, according to the theaters they were at: owners of troupes; sketch
comedians, serio-comics; dancers of the Roofer class; laced-up, glittering
"Mdlles.;" or else, from time to time, some josser, a friend of the
manager's or an agent, prowling around among the flesh-colored tights.
Lily had seen all this a hundred times, a thousand times before, when she
was with her parents; and the mere thought of Ma made her talk nicely,
from bravado, to all of them, though she was married now. Lily bore Pa no
malice, in spite of the buckled belt. Pa was a man, with hair on his chest
and harsh like all of them ... no, not all ... and not so bad, perhaps ...
not always ... no; however, a man.... But her Ma, a lady, ought to have
stood up for her! If Ma could see her now, gee! Lily felt a lump in her
throat at the notion. And it was their fault that she had run away! It
served them right! She was much happier, now, when she was a lady in her
turn. Her talent and her beauty received the homage due to them. Lily
Clifton, the New Zealander, what ho! A famous name in the profession! She
was one of those whom the stage people point out to one another:

"Gee!" she sometimes heard a voice say behind her. "Fancy owning a girl
like that and not having the sense to keep her!"

Lily was flattered to the core at hearing her parents blamed; she felt
inclined to rise and say, "'K you," with the great stage bow: her right
hand on her heart, the other raising her dress, her body bent forward in a
sweeping curtsey.

She took part in the conversations: she knew a little Spanish, which she
had learned in Mexico, and a little German, which she had picked up in
America from the Three Graces; and besides they all jabbered English, they
were all "families," "misses," "the's," with impossible accents,
suggesting some of those cosmopolitan towns beyond the "Rockies." In this
medley, she was at her ease; but she did not at all like being called
Lily, now that she was a lady:

"Call me Mrs. Trampy," she said.

After the show, she would sit in the restaurant with Trampy. There, amid
clouds of tobacco-smoke, they all supped in a crowd. There were separate
tables, at which silent little parties gobbled down their cutlets and
compote in ten minutes and then slipped away quietly. Sometimes, a whole
band of girls would swoop down at once, like a flight of thrushes, or
exchange funny remarks over other people's heads and blow volleys of
kisses in every direction.

Trampy, always full of good stuff, amused the company. He lorded it in the
select corner, the corner of the stage-manager and the pretty girls. After
supper, he cocked a cigar between his teeth and told thick stories in the
midst of an admiring throng. Lily followed with her lips, so as not to
lose a word, but, when the final point was at hand, she blushed in
advance, turned away her head, as though tired of listening without
understanding, and talked to her neighbor, like a lady who respects
herself. Or, sometimes, it was more than she could help and Lily would
laugh and laugh:

"Oh, dear! Oh, my!"

Then they would "talk shop" among pros, they passed one another the
papers: _Der Artist, The Era, Das Program_, they discussed engagements,
quoted personal anecdotes: the Ma who made her star go down to the
kitchen, lest the landlady, when peeling the potatoes, should slip one
into her pocket. Yes, her own daughter, a star who brought her in a
hundred marks a day!

"That's just like it!" thought Lily.

They made fun of that prof who pinched his apprentices till the blood
came, while pretending to smile, or clawed them like a monkey. And the
company laughed and laughed, especially when Trampy put out his hand to
Lily to show her how the monkeys ... Lily would jump back and the crowd
roared with laughter. And the glasses of beer and Moselwein accumulated on
the table; and round backs were bent over interminable games of cards....

And then, gradually, the room emptied; the girls went away and Lily,
waiting for her husband, sank into her chair and yawned as though her jaws
would drop. As they left, she reproached Trampy for his coarseness: those
horrid stories which made her blush before everybody's eyes. Her Pa would
never have permitted himself ... She was not accustomed ...

"That didn't keep you from splitting your sides with laughter," said
Trampy.

"What an idea!" replied Lily, in a vexed tone. "Do you think I'm going to
play the goody goody 'lalerperlooser'? One has to do as others do and not
make one's self conspicuous."

"Quite right!" said Trampy.

But she turned crimson with rage when Trampy, some other night, forgot
himself so far as to monkey-claw the girls. There were short violent
scenes when they returned home, chairs upset, angry words. Trampy could
not understand this jealousy. When he was confronted with these outbursts,
he was greatly surprised, sought for a reason, muttered Jimmy's name--that
was his sensitive point: he thought of it in spite of himself--ironically
inquired of Lily if it was Jimmy who had put all that nonsense into her
head. Lily was sorry to see the conversation take this turn. She flung her
arms round her husband's neck, loved him, kissed him prettily, the great
silly: he knew better; he knew she never thought of Jimmy:

"Kiss me, darling! I wish you would make me happy," said Lily, moved to
pity for herself. "I want to be a good little wife!"

Thereupon they made it up. Lily did not feel, with her husband, that
thrill which she had often noticed in other women: but she wanted to love
him, stubbornly pursued the idea, fagged away at her love like a little
school-girl only too anxious to learn. Trampy, on his side, could be
amiable when he liked. He became the old Trampy again at times and treated
Lily like a little playfellow. They would both run about in the
_Biergarten_, in the morning, at practice-time, larking like children,
hiding behind the tables, and their laughter enlivened the empty place,
still soiled with the remnants of last night's meal and littered with
programs and cigar-stumps.

And time passed like this for weeks ... it was months now ... an existence
like another, with good in it and bad ... and monotonous and common....

"I should have been better off, perhaps, at home," she thought. "If this
is marriage, it's not much."

For, she saw it quite clearly, _that_ wasn't love; Trampy didn't
understand her. A "girl" and a wife were all the same to Trampy: a mere
pastime, both of them. He spoke of it lightly, through the smoke of his
cigar. She learned to know him, heard him boast of his prowess, caught
passing words:

"Girls, girls, my!"

She would have laughed, she would even have felt flattered at being chosen
among so many, if he had put an end to his conquests. But he continued to
prowl round the stage-girls, as he used to do before he was married. If
even he had shone upon the stage, she would have understood that he had
got "swelled head," that he was yielding to temptation; but his success
was only middling. He had not made a hit at Hamburg. The manager of
Ludwig's had told him flatly that he would do well to practise and
practise a great deal. Trampy posed as a victim of jealousy, spoke of
showing them--all of them, if once he put his back to it!--a new turn, a
discovery that would show what he was made of! Meanwhile he had a new
idea, as a sketch comedian, with a make-up of his own invention, the face
painted white on one side and red on the other, with wrinkles cunningly
drawn--a laughing Johnny and a crying Johnny, two men in one. He pestered
Lily with his plans, made her cut out dresses for him, came back from the
old-clothes shop laden with uniforms in rags, into which Lily had to put
patches. And shoes, in particular, ran in his head; shoes of which the
soles and the uppers yawned like lips; talking shoes, which said, "Papa!"
and "Mamma!" This last suggestion made Lily laugh.

Trampy haunted the bazaars, bought children's toys, took the stomachs out
of the cardboard dogs and rabbits to make his quackers, sought about for
his right note, pursued inspiration to the bottom of the glasses.

Lily was sometimes driven to exasperation. This tramp-cyclist, this
sketch-comedian was making her, Lily Clifton, patch up his dresses! And
her husband rewarded her for it by making love to the girls, poor idiot!
Oh, if Pa and Ma had not been so harsh with her! Lily always harked back
to that, stiffened herself with the thought, remembered the Marjutti girl,
in whom love of art produced wonders and whose Pa and Ma were so gentle
and kind.

"They should have treated me like that," she concluded, "and I should have
been at home still!"

She regretted her marriage. And there were some who pitied her for
belonging to Trampy: they looked upon him as not worthy of her, blamed him
for openly carrying on with girls. Others asked, as though it did not
matter, was she really married or were they just "living together?"

"What? Am I married? Is that what they think about me?" she said, a little
annoyed. "Of course I am! At the Kennington registry-office!"

And yet a doubt entered her mind too. Was she really married, after all?
Lily did not know much about it. Had the banns been published? And those
two witnesses picked up in the street ... a ceremony that took just five
minutes ... like a conjuring trick. If it was true that they were "living
together" without her knowing it, she would not stay with him. She would
go back home at once. Marriage, certainly, was never intended for her.
This she realized now. When she thought of the Gilson girl, mad on her
man, and of others whom she sometimes caught in the dressing-rooms and
passages eating each other up with kisses, she was at a loss to
understand. How could they make so much fuss about it?

Poor little wife, with so little love for her husband and no admiration at
all! As an artiste she thought him lamentable. Trampy, who had seemed so
great to her in Mexico ... why, she had shot miles ahead of him since! She
felt that he was getting second-rate. He himself was well aware of it, for
that matter; blamed everybody: suspected a hoodoo somewhere: some son of a
gun bringing him ill-luck. And he was always casting about for an easy
means of success ... another new plan ... always something new ... a
high-sounding title: "Rusty Bike," an old jigger which, at each turn of
the wheel, would grate like a cart, "Crrrra! Crrrra!" and bring the house
down with laughter, while Lily, in the wings, was to sound an
accompaniment on a grating rattle:

"Crrrra! Crrrra!"

"All that set-out for nothing!" said Lily to herself. "It would be much
simpler to have a little talent."

She felt herself overcome with contempt for her husband: what a sorry
bread-winner he made! Why take a wife, when you had only that to keep her
on? Lily did not know whether to laugh or to cry when she saw Trampy come
down from his dressing-room, proud as a peacock, his chest swelling at the
sight of so many girls at a time, a treat of which he never wearied. He
was magnificent, was Trampy, against that background of shoulders, thighs
and calves: in his element as a fish in water. Nor did he make any bones
about smiling to them or monkey-clawing them as they came off the stage.
The presence of his wife did not hinder him. He was sure of her love: he
knew she must adore him, as all the others did. And, leaving Lily in a
corner, in the shade of a pillar, with his eyes he devoured all that
powdered flesh, all those coarse wigs.

Lily hated him at such times. She could have boxed his ears. She had
enough of it, at last. One evening, she caught hold of his arm to take him
away, furious that a gentleman could find a pleasure in making his wife
look so ridiculous! And Trampy, more or less flattered at what he
considered a fond wife's jealousy, was turning to go, when a lady with
plumes on her head and a woolly dog under her arm greeted him with:

"Hullo, old boy! Glad to see you, Trampy!"

Lily--it was a distant memory, but no matter--recognized Poland, the
Parisienne, with the painted face and the violent scent. Trampy took a
step backward. He expected a scene, though he owed her nothing, after all;
but she did not seem angry, no. On the contrary, she looked at him with a
roguish eye. She knew of Trampy's marriage, no doubt, as she knew of his
conquests, having been his victim herself.

"Hullo, old boy!" repeated Poland, sizing up Lily with an appraising
glance and then fixing her eyes upon Trampy. "Still having your successes,
old boy? Is this your number thirty? Thirty-six? Thirty-eight, eh?"

"What!" Lily broke in, astounded at these manners. "What number
thirty-six, thirty-eight?"

"Ugh! A number in a lottery," said Trampy, looking quite vain between
those two women in love with him. "Yes, a number ... with which I drew a
prize!... Why, by Jove," he continued, addressing Poland, "this is my
wife!... Lily Clifton! ... the New Zealander on Wheels."

"Oh, yes," said Poland to Lily. "I did hear that you ran away: tired of
this, eh?"

And, tapping the back of her left hand with the palm of her right, she
made the professional gesture that denotes a whipping.

"Yes, I was a bit," said Lily, feeling rather proud than otherwise. "I've
been through the mill, I have!"

"You've had your fair share, eh?" insisted Poland. "You're not the first
that has left her family to escape being whipped. You did quite right,"
she concluded.

Trampy was dumfounded and utterly floored by the revelation. What! He! He!
Lily had married him because of that! Because ... And people said it! And
talked about it!

"Come along, Lily," said Trampy. "Let's go home."

And, giving no further heed to Poland, who followed him with a mocking
smile, he took Lily by the arm and went out with her.

Lily felt her arm shake. Trampy was furious, evidently. She saw her
mistake, too late. There would be a stormy scene when they got in. Well,
who cared? She was resolved, under that obstinate forehead of hers, to
face the facts. She had had enough of this husband. And she meant to know,
that very moment, if she was married or not ... because with him one never
knew. When she admitted that she had married him because of "that,"
Trampy, in his humiliation would put her out of doors at once; if the
marriage wasn't valid, he would get rid of her. There was no doubt about
it.

And she did not have to wait, for Trampy, even before they were out of the
theater, in the passage, among the trunks and properties, Trampy, unable
to restrain himself any longer, seized her by the wrists and looked her
straight in the face:

"Is it true?" he asked, in a voice trembling with rage.

Lily, without replying, lowered her eyes as though to say yes, like a good
little wife, oh, _so_ sorry to offend her husband!

"And," said Trampy, choking with shame, "you married me for 'that:' me,
Trampy!"

"Yes," said Lily confusedly.

"Damn you!" cried Trampy. "Oh, if we weren't married for good, wouldn't I
just make you sleep out to-night!"




CHAPTER II


Poor Lily! She was Trampy's little wife, his little wife for ever! And
life, monotonous and common, followed its usual course: a week here, a
week there; and the theater every night at the fixed time, according
to the scene-plot which they went and consulted on reaching the stage:
"X, Corridor, 9.5; Z, Wood, 10.17; Y, Palace, 11.10," and so on. And
for Trampy it was an everlasting grumbling at his ill-luck, a dull anger
at "playing 'em in," so sure was he of seeing his name first,
always--"Garden, 8.30, Trampy Wheel-Pad"--he who had had such a success
in England with his red-hot stove. It was no use his saying to himself
that it wouldn't last, that it would be better next week. It was just as
though done on purpose. He played 'em in, always, from Bremen to
Brunswick, from Leipzig to Madgeburg:

"I wish I knew the son of a gun who has his knife into me!" growled
Trampy, persuaded that he was the victim of an agent's jealousy, or else
the stage-managers didn't understand their business.

"If you had more talent," thought Lily to herself, "that sort of thing
wouldn't happen. I'd like to see you with Pa: _he'd_ show you, _he'd_ make
you stir your stumps, you rusty biker!"

However, she was careful not to say so to him, for fear of blows; and Lily
knew that, if ever she received them once, twice, without returning them,
it was all up with her, she would lapse under the yoke again, it would
become a habit: there would be nothing for it but to leave her husband, if
she wished to avoid slaps, just as she had left her family, to avoid
whippings.

That would have been too grotesque. She did not want to give Pa and Ma the
satisfaction of seeing her unhappily married. Lily armed herself with
patience; and she needed it! Trampy was in a frightful temper, said that
he would have been the ideal husband, if she had been the little wife he
had dreamed of: but to think that she had married him for "that!"

Now it was the constant allusion to "that" which made him die with shame.
Everywhere, on the stages of the different music-halls, people had for
Lily that sort of sympathetic pity which they feel for a performing dog:
they approved of her running away; everybody seemed to know about it.
Poland, it must be said, scored a fine revenge against Trampy, without
counting the artistes who had seen Lily practising and who knew what harsh
treatment meant, the Munich Roofers, among others, real ones, with their
blows of the hat, gee!

Among them, it became the fashion, when they saw Lily, to tap the back of
their hands, and then to applaud with the tip of the nail, as though to
approve her flight. Lily at first was annoyed at the reputation for
cruelty which they were giving her Pa. He was right to hit her, she
thought, sometimes. She was also annoyed on her own account. She was an
artiste, damn it! It was not only a question of smackings! Why, if she
hadn't had it in her...! It was a gift! But, on the other hand, to excuse
the folly of her marriage, she let them talk, without protesting, like a
poor little thing who would still be with her Pa and Ma if she had been
treated "fair."

And there were always angry disputes between her and Trampy. They were
seen to disappear through the stage-entrance, Lily with an arrogant air,
Trampy drooping his head, his lips distorted with stinging replies. Lily,
though she was not performing at the theater, sometimes received a letter
there. When there was one for her in the heap of envelopes, bearing the
stamps of all countries, which had been round the world prior to "waiting
arrival" in the doorkeeper's pigeonholes, Trampy looked at her furiously,
wanted to know. Lily refused. Forthwith, in the passages, or on the stage,
endless disputes went on between them ... oh, not in the least tragic in
appearance and interlarded with "Hullo, boys!" and "Hullo, girls!" to left
and right, whenever they passed any acquaintances. And in a low voice,
abruptly:

"Show it to me, you wench!"

"Shut up, you footy rotter!"

Trampy could not forgive Lily for marrying him on that account. He, who
had only to choose among the crowd that walks the boards or flutters about
in muslin skirts, suffered from Lily's scorn, looked upon himself as a
sultan dethroned before the eyes of his harem. In order to infuriate Lily,
though he did not feel in the least like laughing, he exaggerated his
conquering ways. It ended by affecting his work. Only the night before, he
had got drunk with two "sisters" out of ten: the fourth and seventh from
the right. Result: he was still in bed when the matinee began. And his
performance went so badly that they had to drop the curtain on him. That
would pass for once: an illness was allowable; but it couldn't go on at
that rate. He was becoming worse than the head-balancer who tumbled off
his perch, without having his excuse of sorrow, the loss of a beloved
wife, seeing that he, Trampy, had a dear little wife and very much alive,
this one!

Lily, in her calmer moments, foresaw that they would soon have to face
hard times, flat poverty. She felt her contempt for Trampy increase. Those
sketch-comedians, those tramp cyclists, pooh, they were less than nothing,
bluff, that's all, as old Martello said!

She saw her dreams flung to the ground. At first, it had been charming for
her, so full of novelty, but, after all, she had only changed masters. She
ended by considering herself more unhappy than she had been with Pa and
Ma. To begin with, Pa always had money. She brought them in a lot. She
lived much less comfortably with Trampy. She used to think that being a
married woman would change everything, whereas--not a bit of it!--there
was no change at all: potatoes, coal, all sorts of dirty, messy things;
and no Maud to help her. And it was always as in the old days: damp
sheets, dirty glasses, rickety tables, beds with worn-out mattresses; and
the nights were dull as ditch-water. Trampy had hoped for something
different, expected to find a whole harem in Lily, his thirty-six girls in
one, including Ave Maria, with her body like a wildcat's. Alas, it was far
from that!

Lily loathed those nights. Love, yes, but not that, not that! Sacred love,
not profane love (Lily had seen paintings of it in museums and remembered
the title). Love, that is to say, to lie ever so nicely on the breast of
the dear one, yes, as with Glass-Eye, and dream of hats and diamonds. No
doubt, it was ambitious to want so much. She, who had seen everything, had
never come across that; but it was what she wanted, what she had been
promised, damn it! Things were going from bad to worse. Memories of her
childhood moved her almost to tears, when she thought of it: those happy
times in Africa, on the straw beside the horses, the stars seen through
the tent and the smell of the elephants. When she was there, perhaps that
had seemed less sweet to her: the hard ground, the noise of the chains;
but everything was made more poetic by remembrance: it was the past, what!
Nights sweet as milk, far from a man reeking of tobacco. And not only her
early childhood, but her life of yesterday returned to her: touring with
the troupe, the oatmeal porridge and the cakes she made--bricks!--but Pa
laughed at them, took them good-humoredly, whereas Trampy lost his temper.
In those days, it is true, she wasn't a lady, she used to work; but they
had good fun, all the same, in the dressing-rooms; they had tea at the
theater, romps in the passages, or else did crochet-work, to pass the
time; and all those practical jokes, intensified by distance: hustling
Glass-Eye into the hamper; coaxing the black cat into the dressing-room,
for luck; or making the pantomime lady speak her tag; or going in to the
Roofers, on some pretext, and giving a whistle which made them all rush
out, dressed or undressed or half-dressed, never mind, and spin round
three times to ward off the ill omen: all those memories touched her till
she felt inclined to cry. Oh, if she had been with her Pa now, she would
have sat down on his knee and begged his pardon!

At such times, if Trampy became affectionate and tried to kiss his little
wife, Lily would simply turn her back on him. Poor Trampy! And he could
not play the master! For, call on the agents as he might and write as many
fine letters as he pleased--an art in which he excelled--work was becoming
scarce. He no longer had any money. One pay-day, Trampy was obliged to
confess that he had had his salary in advance and spent it; a money-lender
held his contract and kept back three-quarters of his pay. Trampy,
tormented by urgent needs, had let himself in with a Brixton "financier,"
a specialist in "loans from five pounds upward, music-hall artistes
treated with the strictest confidence," who pocketed nearly the whole. Now
Lily just happened to want a new dress, a new petticoat and a tiny
mother-of-pearl lucky charm. Trampy had to own that he couldn't afford
these fancies and Lily had a fit of temper! But then why promise so many
things to a poor little wife who deserved better than that?

"A poor little wife," said Trampy, "should marry her husband for love and
not to escape whippings! There are ups and downs in the profession. It was
your own lookout; you shouldn't have married a star!"

"A star!" cried Lily, with a nervous laugh. "You a star! A damned
comedian! A nice sort of star, indeed! A music-hall could have twenty
black cats in it and you'd turn them into a white elephant!"

In other words, Trampy, according to her, was a Jonah, good only for
playing the people in, if that!

"A wife has no right to speak to her husband as you do!" exclaimed Trampy,
leaping up under the insult. "You deserve a good thrashing!"

"None of that!" said Lily angrily, ready to fly at his throat.

"A wife," resumed Trampy, with great dignity, "helps her husband, instead
of insulting him."

"We're in for it, I suppose!" said Lily.

"Certainly, we're in for it! I have no engagement now, but that's no
reason why you shouldn't find one. Look for one and work!"

Lily was in for it, knee-deep, as she said. She was not excessively
astonished: it was the inevitable end! Not that she disliked to work: her
idleness, on the contrary, was beginning to pall upon her; but it was the
humiliation of going back to it after putting on so much side and posing
as the lady. She had worked for Pa; now she would work for Trampy; it was
natural and proper. There were exceptions--the wife at home, as Jimmy
said, that josser!--but they were rare.

"Take up your bike again," said Trampy, after a pause. "Be a good little
wife, help me out of this. I have something in my mind, a scheme which
will make us rich; you'll see later on."

"But," said Lily, "I haven't a stage bike, and yours is really too ugly."

"I know of one for sale."

"Very well, I'll work," said Lily. "I'll make them give me this tour which
they promised you and didn't sign for; and to-morrow you shall see!"

At heart, Lily was not sorry to show her husband how people got out of a
scrape, when they had talent; and, the next day, she went to an agent,
accompanied by Trampy, looking very dignified. Her cheeky feather was made
to dance attendance for a moment; and then she was shown into the office.
Lily Clifton? The New Zealander on Wheels? Straight away a contract,
signed in duplicate! A week in each town; later on, perhaps, a month in
Berlin, at the Kolossal. Lily displayed wonderful tact, did not triumph
too openly over Trampy. She acted to perfection the part of the little
lady who takes up the bike again just for fun--as in the time of her
"French governess"--or rather of a dear little thing wholly wrapped up now
in her wifely duty: her poor husband ill, she herself needing exercise,
just for fun, you know.

On leaving the agent's, she bought some material, then ran home, cut out
stage dresses. In the evening, Lily was still hemming and stitching,
indefatigably, seized once more with professional pride after her
excursions into private life. And, all night, under the lamp, she
contrived, cut out and sewed. Then came practice, without Pa. In an hour,
in spite of the new machine, which put her out, she had picked up her
"times" again. She felt as if she had been spinning round the night
before, under Pa's eye, so absolutely at her ease was she, with her head
on the saddle or twirling on the back-wheel.

And, on the following Monday, her first appearance, her name on the walls:
"Miss Lily" in big letters, right at the top of the posters, "Miss Lily,"
not "Mrs." or "Madame." Had she had ten children, two husbands and three
divorces, she would still have been "Miss," everywhere and always, as a
further attraction for the swells in the front boxes and as a certificate
of youth. Mighty few husbands, on the continent especially; not more men
of any kind than could be helped, on the stage, except a few noted
"profs," standing by the perches of velvet and steel or under the
trapezes, displaying, beside the pink-silk tights, against the "palace"
back-drop, the faultless correctness of their full-dress suits. But, for
the rest, people preferred to ignore husbands, brothers and "friends;"
Lily had known some who never showed themselves at all, who remained
squatting at home, so as not to stand in their wives' way.

Trampy, for that matter, knew better than to parade himself with Lily. And
he preferred it so. He could have wished one thing to the exclusion of all
others: that people should not know of his marriage, that they should
cease to speak of it. Unfortunately, this was not to be. The story of the
whippings was enlivening Lisle Street, exaggerated, as usual. The Bill and
Boom tour, the Harrasford tour were beginning to spread it on every stage
in England; before six months were over, it would have made the round of
the world from the Klondike to Calcutta. What a disgrace for Trampy! Yet
no sooner had he put his New Zealander on her wheels again than Trampy
blossomed out once more. After all, who cared if people were seen to smack
the back of their hands? He wasn't to be put out by a little thing like
that:

"Just so," he seemed to say. "We are married, whippings or no whippings,
and I am the master; I have set her to work again; and there you are!"

Trampy's reputation, so far from suffering, increased; all his compeers
now envied him from the bottom of their hearts; the bosses, the profs, the
managers, the Pas, the Mas treated him, in their own minds, as a lucky
dog, all the more inasmuch as Trampy was not uppish and gladly stood
drinks, while his wife, "Miss Lily," made money for him with her breakneck
tricks. It was much smarter than doing it for one's self: the great thing
was to have a "girl" like that! Trampy was having his revenge: he had been
laughed at; he now had the laugh on them! and Trampy knew glorious times,
in the _Biergarten_, or lounging at street-corners, near the stage-door,
chaffing the girls, hat cocked back, hands deep in his pockets, a cigar
stuck between his teeth. He told the story of his life, not without pride;
said that he must write it one day, sell it to _The New York Standard_ for
a thousand dollars. The girls _he'd_ had: whew! His love adventures: all
over the world, by Jove! And his marriage with Lily Clifton, the New
Zealander on Wheels, a dear little wife, so gentle, so obedient. No, he
had no reason to complain of his life. He would write it, mark his words!
To say nothing of a scheme he had in mind:

"Just you wait and see! It's a trick to make a millionaire of you or break
your neck."

"Will you make Miss Lily do it?"

"I'll see, I'll think it over," said Trampy, in a lordly tone.

The directors, the stage-managers took no notice of him; but, among the
artistes, Trampy Wheel-Pad was some one, he enjoyed his leisure, recovered
his self-assurance: if, in addition, he could have destroyed the legend of
the whippings, he would have been perfectly happy. He would turn the
conversation on the subject of smackings in the music-hall generally, in
the hope of hearing them contradicted or made little of; but it was no
use; every one believed in them: all, boys and girls, even the most
spoiled, quoted facts: blows which they had received! my! blows hard
enough to split the front of a music-hall from top to bottom! The nation
with the painted faces, the blue-chins seemed to vie with one another as
to who had been most through the mill.

"You're exaggerating," said Trampy. "It may be true, to a certain extent,
in your case. But, Miss Lily, for instance: do you mean to say you believe
all she tells?"

"Oh, quite!" said two Roofer girls who were there.

They had seen Lily practising. And they knew what it meant. They had had
their share, too: old Roofer, gee! And Lily had done quite right to run
away from her whippings.

"There you go again!" said Trampy. "Can't you see she's humbugging you?"

[Illustration: TRAMPY ENJOYED HIS LEISURE]

But he pulled himself up suddenly, if Lily arrived, for, in spite of his
big airs, he was all submission in her presence.

"Oh, really! Glass-Eye caught it instead of me, I suppose," said Lily,
drawing back her shoulder as though threatening to smack him, "when Pa
went for me with his leather belt. And I have witnesses. I've been through
the mill, if anybody has: that much I _can_ say!"

Lily, after this burst of pride, would lower her head, a trifle
embarrassed, like a dear little thing, all wrapped up in her duties as a
wife, a wife whom her husband would cause to break her back one of these
days, perhaps.

This created a circle of admirers around her: all, besides, agreed in
saying that you had to have the business "rubbed into your skin" to be as
clever as she was.

"'K you!" said Lily, with a stage bow.

It was certain that she made a hit. They wanted her everywhere. She was
asked to appear in tights. The engagements grew better and better. "Miss
Lily" was more and more talked about. It was no longer a Trampy Wheel-Pad
on a rusty bike: it was grace, youth ... and stage-smiles fit to turn the
heads in the front boxes. When Lily appeared on the stage, she transfixed
every white shirt-front, every opera-glass. She took a real delight in it
all. Her beauty captivated the audience. In her pink tights, Lily turned
and turned and turned, to the hum of the orchestra, against the "wood"
back-drop of purple and gold. Then she returned to the wings, all excited
by her show, received bouquets, chatted freely with the comrades. She met
old friends: the green-eyed female-impersonator, for instance, pressed her
closely. He, too, was touring Germany: a week here, a week there. Chance
brought them together again. He was enraptured by Lily: how lovely she had
grown! He would have liked to adopt her.... Lily threw her head back,
laughed and repelled him with a thump in the ribs when he tried to kiss
her.

Another time, she saw the Bambinis, who were playing, by a lucky accident,
at matinees only and by special permission, because of their age. She
larked with them like a child. Elsewhere, it was Nunkie Fuchs, on his way
to Vienna, where he was going to see to the building of his pigeon-house,
leaving the Three Graces for a few weeks on the Harrasford tour. He had
seen Lily's name on the posters and had come to say, "How do you do?" to
her.

And, amid the thunder of the band or the lull of the _entr'actes_, Lily
received tidings of her Pa and Ma and details of what happened after her
flight, as reported by Glass-Eye Maud. After Lily's departure, they had
hunted everywhere. Then Ma thought of looking in the trunk: the pretty
dress was gone. Then they had rushed to the theater: no Lily. Then they
had guessed: Lily had run away. Ma fell on her knees and cried and cried.
Pa seized his revolver and spoke of going to shoot the man who had robbed
him of his child! His little Lily gone! And the contracts had to be
canceled and Pa did not go out for a week and the house remained still and
silent for a month. Pa, thoroughly upset, cried whenever Lily's name was
mentioned and was near dying of shame when he felt himself blamed, even by
those who used to congratulate him on his way of turning out an artiste.
And Nunkie himself maintained that one must know how to handle young
girls: gentleness above all.

Lily bit her lips when she heard that. Her little nose tingled. She
hardened her features, wrinkled her obstinate forehead, lest she also
should cry:

"If I had to do it again, I would!" she said quickly, just like that,
without reflecting, in the way one says a thing to one's self which one
knows to be untrue.

They also told her things that made her laugh. Glass-Eye Maud no longer
left her hole, cried like a tap, so much so that one day, Ma, noticing an
insipid taste in the porridge, threatened her with the sack if that sort
of thing went on.

As for business, people did not know exactly. Pa, they said, had written
to a Hauptmann's "fat freak" to take Lily's place. The reply ran:

"No, thanks, I'm all right where I am.

                                                             "Fat Freak."

The signature was underlined, for people had ended by knowing about Pa's
disrespectful remarks. Lily laughed when she heard this: my!

"I will come ... when you take to wearing braces!" another had answered.

This was an allusion to the blows with the belt; and Lily, with head
thrown back, full-throated, her hand on her heart, laughed ... laughed ...
laughed:

"Bravo, girls!" she said, applauding with her thumbnail.

And Tom? Tom had had the boot, with a bang on the nose, for carrying
letters to Lily. For Pa ended by learning all: some one had told him.

"Jimmy, that son of a gun!" said Lily.

And Jimmy himself, what had become of that josser? Jimmy was no longer
stage-manager. He had left everything after Lily's flight. He, too, had
flown into a terrible rage when he heard about it ... spoke of Trampy as a
thief in the night ... would have killed him, if he had met him ... and he
was going to star in his turn.

"Singing?" asked Lily.

"No, something to do with the bike."

"What a fool!" thought Lily. "Fancies himself an artiste because he used
to mend my bike for me!"

Jimmy, it seemed, had hired a huge shed and there, all alone, fitted up
some apparatus of a complicated kind. He never went out by day. He worked
and worked. A trick to break your neck at, it appeared, or make your
fortune.

"Those jossers!" exclaimed Lily scornfully.

And what was he going to do on his bike? Nobody knew. There was something
published in the papers, they said. It was something on the back-wheel.

"What rot!"

Lily laughed open-mouthed, laughed with all her muscles, twisting her
hips, splitting her sides, smacking her thighs. What! Jimmy on the
back-wheel! He! He! He cutting twirls, that josser!

"And the troupe?"

The troupe nobody knew about: dispersed, most likely; the troupe, after
all, was Lily. When she went, everything was bound to fall to pieces. Pa
didn't care either; told any one who would listen to him that he was going
to retire to Kennington, that he was well off now ... thousands of pounds
in the bank ... made his fortune ... meant to live on his dividends.

"I knew it," said Lily; "I knew I had made his fortune! Thousands of
pounds, damn it!"

"Lily, don't swear like that!" said Nunkie Fuchs. "It's not right!"

Lily lowered her head, taken aback; excused herself, like a lady who knows
her manners:

"And yet," she said to herself, "if he had had my troubles, that old
rogue, perhaps he would have sworn, too!"

For Trampy was becoming terrible: life was impossible with him. All the
money which Lily earned went on champagne ... and on girls, probably; and
the more she earned the greedier he grew. He wanted money, heaps of money;
Lily had nothing left for herself. Trampy sought out new tricks, invented
balancing-feats, made her practise them, in the morning, on the stage,
with his sleeves turned back and his trousers turned up, absolutely like a
Pa. Lily, accustomed to yield obedience, relapsed under the yoke. Bike in
the morning, bike at the matinee, bike in the evening; and, with that, the
cooking, the washing-up ... and not a farthing in her pocket, though she
had made a fortune for her Pa, damn it! Pa living on his income at
Kennington, while she continued her life of slavery! Wasn't it enough to
make her send everybody to the devil, and Nunkie, that old rogue, with the
rest? A pack of nigger drivers, that's what they were, every one of them!
And what an idiot she was, to keep on barking her shins for other people!
Would she go on doing it until she was fifty? And if she didn't begin now
to put money by, who would do it for her later? Not that worthless
husband, surely! He, who, that very morning, had dared, the loafer, to
tell her of a scheme--a sort of a risky trick which she was to perform, a
thing calculated to break your head or make a millionaire of you--for him,
of course, just as for Pa! It had come to this, that her turn wasn't good
enough, that it had to be more sensational; and she was expected to make
it so for a man she didn't love! Oh, she had put him nicely in his place!
Rather! Thank you for nothing: none of that for her! In the evening Lily
was still trembling, with her two elbows on the table, as she sat facing
her glass in her dressing-room; angrily she crushed the grease-paint on to
her cheeks, which were pale with rage.

Ting! Straight on to the stage, turning round and round, fifty rounds from
habit, mechanically, without any "go" in them: an indolent performance,
which would have earned her a good smacking in Pa's time.

"You were shockingly bad!" said Trampy, who was waiting for her in the
bar, after watching her from the front. "What's the matter with you? Are
you ill?"

Lily did not even answer.

"I'm speaking to you," said Trampy crossly. "You did nothing right
to-night."

"Yes, I know; that'll do," said Lily.

"It's not a question of 'Yes, I know,' but of doing better next time,"
said Trampy.

"I'm not taking any orders to-night," said Lily.

"No, darling, but there was an agent in the house. He must have thought
you bad."

"That's none of your business!"

"And, if you don't get engagements, what's to become of us?"

"I don't care a hang," said Lily. "_I_ can always manage."

"You ... you ... and what about me? We're married, aren't we?"

"But the money I earn's mine," said Lily. "I mean to buy dresses and
whatever I want to, with _my_ money. You'll be wanting to come on the
stage next, in evening-dress, to stand over me while I do my turn, and
getting out your belt. Do you take me for your daughter, tell me?"

"What I'm saying," said Trampy, aghast, "is for your good, from the point
of view of the business, the salary."

"_My_ business, _my_ salary, damn it!" cried Lily. "_Mine, mine_, do you
understand? And it concerns nobody but myself!"




CHAPTER III


It came as a smack in the jaw to Trampy.

"_My_ pay, _my_ work, _mine_!"

It meant no more pocket-money with which to lord it at the bar. It meant a
cheap cigarette instead of his glorious cigar. It was the end of a
beautiful dream; and the awakening was a hard one. At first, he hoped to
make Lily jealous by going about openly with the stage-girls; but she no
longer paid any attention, seemed to suggest that he had better amuse
himself on his side and she on hers:

"What is sauce for the goose is sauce for the gander," she said.

Lily would no longer take his orders; and, because he felt his wife escape
him, it was he, Trampy, who now became jealous. When, from a distance,
among the tables, he saw Lily ride round the stage and all those heads
raised toward her, those opera-glasses pointed at her, he followed her
with an anxious eye. "Miss Lily!" "Miss Lily" was his wife, after all!
Those rounded arms, that lissom figure, those twinkling legs were all his,
every bit of them! He was the husband, by Jove! It was not a marriage for
fun, as with Ave Maria: it was a marriage for good and all, which had cost
him two pounds--"Yes, siree!"--at the Kennington registry-office. And it
wasn't only her flightiness, her smiles at the front boxes, but "_my_
work, _my_ salary, _mine_" into the bargain! She was acting like a bad
wife, forgetting her most sacred duties!

Lily stood on no ceremony with him, took her title of "Miss" seriously:
very flattering for him, very flattering, he must say! He no longer knew
himself: he who, in the old days, used to answer: "My lord, rely on me!"
when a half-tipsy swell invited him to come and drink champagne with some
stage-girls, now became furious if men in the audience, not knowing who he
was, sized up "Miss Lily" before him--her shoulders, arms and the
rest--with reflections such as "I could do with a bit of that!" or, "A
nice little supper ..." He felt inclined to shout in their faces that she
was no "miss," but his wife, by Jove!

He became more and more jealous. The thought of Jimmy, especially, kept
running in his head. He felt a twinge whenever he heard him mentioned. And
Jimmy was often mentioned just at present, for he was said to be preparing
a new turn, a turn which would make him famous, unless it killed him.

"If only it would!" Trampy hoped.

Jimmy was Trampy's bugbear. He had flattered himself that he had snatched
Lily from Jimmy by sheer prowess; and not a bit of it! The recollection of
that drove him mad, the sense of his powerlessness exasperated him, he had
but one idea left: to show Lily ... and Jimmy ... the sort of man he was;
to take his revenge. That great scheme of his, that discovery that would
show what he was made of, the invention which he had patented in America
with Poland's money--oh, she had revenged herself finely, had that
Parisienne!--well, the time to apply himself to that trick had come. Lily
had refused to do it. All right, he would do it himself!

But, if he was to succeed, it was necessary that Lily should supply him
with money, more money, lots of money. The apparatus was incomplete and
had probably got damaged in the London warehouse; it would need repairs,
improvements. Now Lily seemed intractable. She was vexed at having to earn
money for two, pretended to have none too much for herself; it was her
costumes now: six sets of tights, one for each evening, pink, green, red,
blue, gray, white and assorted ornaments, silk ribbons....

She didn't want to kill herself with work for nothing, as she had been
doing up to now:

"A lady isn't a performing dog!" she said.

Trampy swallowed his bitterness when he heard that. Lily was escaping him
altogether. Sometimes, he would go on the stage, sit down in a corner and,
from there, see Lily, a shawl over her shoulders, her throat wrapped in a
scarf, walk up and down, behind the back-drop, like a passenger on the
deck of a ship, at one time with a monkey-faced, red-whiskered
sketch-comedian; at others, according to the chances of the week, with the
female-impersonator, the boy with the green eyes. There was no harm in
that: they were at home, among themselves, Lily was no damned
lalerperlooser, he wouldn't have had her so. And Trampy did not dare say
anything, for fear of being made a laughing stock and also lest he should
offend "Miss Lily." But he was tormented with jealousy nevertheless,
merely at seeing her talk pleasantly with her acquaintances. And yet it
was innocent enough, a mere "Hullo, Lily!" "Hullo, old boy!" by way of
keeping herself in touch with the news, for Lily hardly ever looked into
_The Era_ or _Das Program_; all those names, all that competition
frightened her!

[Illustration: THE BOY WITH THE GREEN EYES]

She had learned nothing new about Pa, except that the troupe still
existed, but in quite a small way, of course. Her Pa was in favor of soft
treatment, now, so they said; he had changed his manner. "Too late!"
murmured Lily thoughtfully; but she was much amused when she heard that
Tom, in addition to keeping up his trade as a shoeblack, was learning
boxing, with bulldog obstinacy, in order to give Pa back his blow on the
nose and beat him in a square fight. And didn't some one say that Tom was
stage-struck, too? Tom, that dwarf, with his short arms, on the stage!
Crazy! every one of them!

And then they were always talking of Jimmy: Jimmy here, Jimmy there. It
was becoming serious, Lily couldn't get over it. She wondered what old
Martello would say if he heard that: Jimmy an artiste! Pooh! Nonsense! And
it was true, mind you! It was repeated from mouth to mouth, his fame was
spreading, his fame, that is to say, in the bars, in the wings, among
pros; you heard his name mentioned together with a hundred others; but
that already was a great deal, that one could say, Butt Snyders, Laurence,
Jimmy, Marjutti, all mixed up, as though he were their equal, he who had
done nothing! But he would "do," it was in the air: some stroke of luck,
who could tell? And Lily knew him to be ambitious. Lady or no lady, she
was an artiste first and foremost and hated competition. She had been
whipped for her rivals, Lillian, Edith and Polly, had caught it for
Laurence and for the fat freaks, too, and she depended on her work for her
bread. When she saw a new troupe come to the front it made her anxious:
even children "that high," who played bike in between the pillars of the
stage, she felt inclined to stamp upon; and if people ever asked her
advice, she did not hesitate to tell them wrong. Men especially were
disastrous competitors, even the ignorant ones. You never knew where you
were with them, they dared do anything! She could not help getting mad
when she thought of it. One more to take the bread out of her mouth! For
it was all very well to treat him as a simpleton, to talk of his
crotchets--he had views concerning a stage-apprentices' fund, a home of
rest for superannuated artistes and so on--Lily considered him dangerous.
He was not a silly Glass-Eye or a stage-struck Tom; he was an ambitious
Jimmy. But all the same, how absurd! A hypocrite like that was fit to
write to Pa and get a poor girl in trouble, but was not the man to risk
his skin! She laughed, not a stage smile, no, a real laugh, head thrown
back, full-throated. An artiste, O Lord! Yes, like a heap of bluffers who
were to do this and that, all sorts of wonderful things! and who ended by
making a laughing stock of themselves, the whole business was so childish,
faked up with ropes and weights, nursery-toys, Punch-and-Judy rubbish. It
would be just like that with Jimmy, sure: lots of noise and then ...
nothing! And he would have lost his place as manager and he would starve,
the josser: that would teach him to be spiteful! And where was Jimmy? He
might be very clever, in his shed in London, swinging from his rope, like
a monkey on a string, but to do that before an audience was different.
There would be no Jimmy left!

She liked to talk to herself like that. Miss Lily avoided thinking of a
possible stroke of luck, she who had taken such pains to attain so little,
just to become Mrs. Trampy, to have the honor of working for Trampy and
feeding Trampy. Oh, she was tired of it, did all she could to find him
work, to spur him on! She even wanted him to practise. And she mentioned
Tom and Jimmy to him, all those beginners, all the others who were coming
on.

"She thinks more of him than of me," he said to himself.

And time passed and passed. It was now eight months that they had been
traveling through Germany: and then, at last, came Berlin, the center of
the agencies, like the plunge into Chicago, after the Western Tour, or New
York, after the Eastern, or Paris, or London. Lily asked herself for what
part of the world she would sign contracts. She would have liked
Australia, South Africa, the States, so as to leave her husband in Europe,
sitting up on his hind-quarters, like a trained dog, waiting for his
"missis" to come back:

"If I could have the Kolossal in the meantime," Lily thought. "A month
there would do me nicely! I'd like to beat the fat freaks in their own
country and show Pa that I don't need his old troupe to star with!"

And Lily had some hope: an agent had given her to understand that she
would be engaged, without a doubt, at that famous music-hall. But no! She
learned that the Kolossal was not wanting cyclists, it had an attraction
for next month, something sensational, it was said. And, in fact,
suddenly, in the space of a night, the walls of the capital were covered
with huge posters--"Bridging the Abyss!"--at the Kolossal!

"What's that?" Lily asked herself.

And she was thunderstruck when she learned that this was Jimmy's new
trick! She had no doubt left when, looking into a bookseller's window, she
saw Jimmy's portrait in _Die Illustrirte Zeitung_, the popular illustrated
paper in Berlin.

Her arms fell to her sides! What, she thought, already? All this
advertisement for that Jimmy? She had lost the Kolossal because of him.
Already Jimmy was taking the bread out of her mouth! She could have wrung
his neck!

Never had the New Zealanders, or the Hauptmanns, or the Pawnees, or any
one, or anybody known such advertising as that, except the great breakneck
performers, Laurence, the Loopers, the Motor Girl; and even then the girl
was packed up in her machine like a sausage. But "Bridging the Abyss," the
papers said, required art: everything depended on the exact impetus, the
faultless balance. The press was filled with clever puffs, biographies,
descriptions of the apparatus, the cool daring which it needed to try that
without a rope, to risk the performer's life six times in six seconds.
London and Paris were both said to have wanted the attraction; and Berlin
was to have it first; and _hoch_ for the Kolossal!

Trampy also was flabbergasted, when he read about this:

"But ... but ... but it's my apparatus and nothing else! Why, I patented
it in America! Do you understand now," he asked, without, however,
entering into technical explanations, "do you understand now, when I
wanted you to help me? It wasn't a question of the rusty bike! You've made
me miss fame and fortune! And to think that I have an apparatus rotting
away in London, in a warehouse, and that, if you'd listened to me, I
should have been at the Kolossal now ... and covering you with diamonds!"

"I like your style!" said Lily. "You'd have made me break my back in your
stead! I know you!"

"Oh, but I shan't swallow that," said Trampy, in his exasperation. "We
shall see! I have my rights. I shall enforce them!"

"Don't make a fool of yourself," said Lily. "When a thing has to be done,
it gets done without all that talk: look at Jimmy!"

"Hang your Jimmy!"

"It's not a question of _my_ Jimmy," retorted Lily, "but of _my_ money. I
should simply have flung it away! You, do a thing like that! You risk your
skin! Rot!"

Trampy, in his rage, would have boxed Lily's ears, had it not been for her
nails, which she held ready to scratch his face, and he went out fuming.
He ran off to the agents, but there was nothing for him. And yet Trampy
knew or, at least, supposed that they must want an opposition show to
"Bridging the Abyss." They must, surely! Why, everywhere, in all the great
centers, every music-hall had its rival opposite or beside it: everywhere,
each establishment strove to inflict empty houses upon its rival by
offering more sensational or more breakneck tricks. At the Kaiserin, the
rival of the Kolossal, they were, without a doubt, looking for something
to set against "Bridging the Abyss" and they had nothing, or else Trampy
would have known it: among pros such matters were always known long
beforehand. Oh, Trampy was prepared to do anything to escape his wife's
sarcasm!

And, one evening, behold Trampy returning in triumph to the cafe where
Lily awaited him:

"I knew it!" he cried. "I knew it wouldn't go like that!"

"Well, what?" asked Lily. "Have you got a number thirty-seven?
Thirty-eight? A fresh conquest? Something quite out of the common?"

"Laugh away, Lily! That son of a gun shall hear me talked about yet, by
Jove! And everybody else will, too. You must be prepared for anything,
Lily, when you marry an artiste!"

"Why, what's happened?" asked Lily, much surprised.

This had happened: the two music-halls had fought. Jimmy, who was unable,
it seemed, to get London or Paris, had offered his "Bridging the Abyss" to
the Kaiserin, but his price was considered too high. From there he went to
the Kolossal and made the same proposal. Now, times were hard for the
music-halls, sucked dry by the enormous salaries that had to be paid. The
managers were standing shoulder to shoulder, in the presence of the common
enemy, the artiste and, more particularly, the originator of sensations,
who is indispensable and who makes you an offer with a pistol at your
head, like a highwayman demanding your money or your life.

But a turn like that meant an assured success; and the Kolossal offered
Jimmy five hundred marks a night, so as to spike the Kaiserin's guns by
getting hold of a unique turn and one not easy to replace; a piece of
underhand work involving two months' empty houses at the Kaiserin, which,
as it was, had only a second-rate troupe by way of "sisters," while at the
Kolossal they had Roofers engaged by the year, real ones, the complete
dozen, words and music guaranteed. And now the Kolossal would make huge
money with "Bridging the Abyss" and sink its rival; it was a
master-stroke. But they knew everything at the Kaiserin. The Kaiserin also
wanted a "Bridging the Abyss." It would have one, a better one, with a
finer title: "Arching the Gulf!" And they would get it for three hundred
marks! And they must be ready, quick, quick, before the Kolossal, and it
was just possible: they had twenty days yet; the apparatus would be made;
they knew the plans, the dimensions; the house would be fixed up
accordingly; they must succeed at all costs and not let themselves be
strangled without defense! It was a struggle to the death! They would
fight with corpses, if need be! Other people had broken their backs for
them before now; there would be no difficulty in finding one more to risk
his life six times in six seconds for three hundred marks a night.

And it was at that moment that Trampy offered himself. They had heard his
name:

"Trampy Wheel-Pad, the tramp cyclist with the red-hot stove?"

"That's me," said Trampy.

And, full of self-assurance, he explained the object of his visit:

"I was the first to construct it; I patented it myself at Washington; I
will produce the documents!"

It will be understood why Trampy wore his air of conquest when he returned
home that day. He had his engagement in his pocket! He displayed it
victoriously to Lily, passed it over her face, reveled in his revenge. At
last he was going to show Lily whether he was able to keep a wife or not;
and champagne suppers every evening, by Jove, with girls--no damned
lalerperloosers--just to show her!

That same evening, he left for London, with an advance from the
management, and came back to Berlin with the apparatus, the whole set up
and repaired in a week, a gang of men working night and day. Followed
practice with the rope, on a movable pulley, from early dawn, like a man
determined to accomplish his breakneck feat, alive or dead; for Trampy
would have done, no matter what, for Lily to cease being "Miss" Lily, to
admit herself married and married for love and not to escape whippings, to
cease being ashamed of him, to show herself proud of him, on the contrary,
especially before Jimmy!

Trampy, in his less enthusiastic moments, felt a certain uneasiness:
Jimmy's proximity, his own patents far away, in America. But he assumed a
bold face, declared himself the inventor, practised unrelentingly, with
hatred of his rival in his heart. This hatred seemed to increase his
powers of work. He practised, practised. He had a lively intelligence, if
his heart was a trifle flabby. And he was very skilful, besides, when he
condescended to take the trouble. He was a quick worker: in less than
twenty days everything was ready, and "Arching the Gulf" sprawled over the
hoardings of Berlin, side by side with "Bridging the Abyss." One saw
nothing else; and the Kaiserin opened its doors forty-eight hours before
Jimmy. It was a huge success. Trampy received an ovation when, after the
release of the terrible springs which flung the bike from one pedestal to
another, in five seconds he fell on the mattresses outspread to receive
him, behind a cloth.

It goes without saying that Jimmy was present at the show. He was smashed
before he had even begun! There, before his eyes, was his own invention
worked by another! He had expected competition, of course; it was
impossible, he knew, to discover anything that wasn't copied at once;
snatchers of ideas, who prowl around artistes, plagiarists, pirates,
swarmed as thick as any other sort of thieves. And, as ill luck would have
it, though his turn was difficult to perform, the apparatus, at least, was
simple to construct: four powerful springs, screwed down with a jack,
which the weight of the leaping cyclist, as he fell upon each pedestal,
released one after the other, causing him to take enormous jumps forward.
It was an ideal breakneck machine, easy to carry about; only the
calculations had been difficult. They had cost him a lot of trouble to
establish; and now another was profiting by them! Perhaps some one had
patented the invention before him! For he, too, before showing it in
public, had patented it in England and Germany; and his anger knew no
bounds, his energy was increased fourfold when he learned the name of the
plagiarist: Trampy again! Trampy, who had stolen his love, who had stolen
his Lily ... and who was now stealing his idea ... robbing him of the
fruit of his labor! Jimmy, in spite of his fury, resolved to keep calm:
the law first. He was protected by the law, unless--and that was
impossible--unless Trampy had had the same idea as himself before him and
taken out his patents before the publication in _Engineering_. Jimmy
showed a prompt decision, a feverish activity. First of all, he must put
the law in motion, bring an action against Trampy, telegraph to the patent
office at Washington to ascertain the date. Meanwhile, he made his first
appearance on the day fixed for it. His success was even greater than
Trampy's; his leaps were twice as wide, more in accordance with his
courage. The way in which he "bridged the abyss," in the huge hall where
he gave his show, was enough to prove that he was the inventor, the
creator, the great, typical, daring performer, who, disclaiming death,
marches to glory and fortune even as heroes, flag in hand, rush to the
assault under fire.

It was a bolt from the blue for the Kaiserin when the little paper
arrived, the injunction against "Arching the Gulf." A steamer caught in a
cyclone would undergo much the same disablement, under a sea sweeping her
from stem to stern, swamping the saloons, drowning the very rats in the
hold. Jimmy's active inquiries had not taken long: telegram followed upon
telegram; the British consul woke up. The law at Washington was formal and
precise: nothing could be patented that had been known, or used, or
published before the patent was applied for. Now the article in
_Engineering_, of course, appeared prior to the step taken by Trampy. And
in Germany, also, Jimmy won his case; the court found in favor of the
absolute novelty of the invention. The Kaiserin could not give its
performance short of paying five hundred marks a night to its rival, the
Kolossal. This meant the wreck of "Arching the Gulf;" and Trampy came down
with it. For a few days, he led a terrible life, a desperate struggle,
made efforts in every direction; but, at last, worried, hustled, driven to
bay, Trampy disappeared into the darkness, while Jimmy, freed from this
enervating opposition and feeling sure of himself henceforward, gained
fresh courage, added another arch to "Bridging the Abyss."

It was done, he had made his start, he had a name, he was the man who
draws crowds; he received brilliant proposals from all sides, from the
Western Trust, among others. He felt himself somebody; and money also was
coming in. He could at last realize what he had in his head ... in the
absence of love there would be fame ... oh, something a thousand times
more sensational than "Bridging the Abyss," more modern, more scientific,
something which he confided to nobody, which he kept locked up in his
brain, in his heart, like a love passion, a thing which would be his
alone, this time, which no one could take from him! For it would not be a
question of a spring and a click, only. The thing moved in his breast,
lived in his brain. When he thought of it, his cheeks became hollow with
ambition, his eyes lit up. He seemed to tower over immense perspectives;
and, from that height, Trampy appeared to him so small, so small, so
really small that he felt his anger decrease. And then there was Lily! To
send Trampy to his wife with a black eye or a bloody nose, to turn the
husband into an object of ridicule to his wife, that was impossible for
him; it would have shown lack of respect for Lily, poor darling; he would
not humiliate her in her man! She loved him, perhaps, in the illusion of
her seventeen years! Hurt _her_? Never! Jimmy wiped the episode from the
slate; hard as it was, he forgave that highway robber, in the name of his
dead love.

Ah, if he could have seen Lily when Trampy was driven to confess his
discomfiture to her! He would have been revenged offhand! Lily seethed
with rage against her husband, that footy rotter! What! Was that his great
scheme? Did he call that an idea? How often had not Jimmy spoken to her
about it! It was pinned on the wall, it lay about in the Gresse Street
workshop for months. She remembered seeing the plans, the diagrams, the
drawings in the papers. Jimmy had explained everything to her at the time
when he was still a josser. And Trampy had stolen it from him, stolen it,
stolen it! Oh, he would make her die of shame!

It was a terrible dispute, a real "playing humanity," with threats,
clenched fists, broken crockery strewing the floor.

"To humiliate me like that before Jimmy!" said Lily, furious.

"Drop that about Jimmy!" snarled Trampy, green with jealousy. "I won't
have you mention him!"

"I shall mention him if I like! Jimmy is a son of a gun! Very well! But
he's a man! He's worth two of you."

Trampy strode up to her with his fist raised.

"If you touch me," cried Lily, seizing the lamp, "if you touch me, I'll
smash it over your head!"




CHAPTER IV


When Trampy received the visit of the _Gerichtsdiener_, with the bill of
costs to pay--for the Kolossal sued the Kaiserin for damages and the
Kaiserin came down upon Trampy--when Trampy learned that, he became a limp
rag. Already he saw himself dragged before the courts, his whole past laid
bare: two wives on his hands, for all he knew; Lily crushing him with her
scorn; Jimmy triumphant.

Trampy had a moment of real despair. Lily preferred him like that, humbled
at her feet. She seemed to understand her husband, a man spoiled by easy
conquests, a boozer, a rake, who had taken too much upon himself when he
wedded a wife. Trampy was certainly not made for marriage: having a wife
was a different thing from having thirty-six girls. His heart, weakened
with premature enjoyment, was no longer made for real love. All this he
too now perceived; and, in spite of himself, realizing his unworthiness,
he felt overcome by an ever-increasing jealousy.

Those were melancholy weeks in the small room. He sat for hours brooding
over his disgrace. Lily silently turned this time of rest to account and
mended her costumes, sewed spangles on her bodices, beside the earthenware
stove, on which the stew was bubbling; and then came the meal, on the
table hastily cleared of the mass of ribbons, thread and needles, to make
room for the plates. Trampy choked as he swallowed that dinner which he
had not earned, sighed sadly for the good cheer of his dreams, the
champagne suppers with girls. He gulped down his meagre fare in silence,
he who had known the gay junketings, the noisy laughter and the "Roman
nights!" To go from there and drown his sorrows in the bar next door was
but a step. And Trampy had sorrows outside his recent defeat: sorrows
which were even more bitter. He felt that, this time, he was losing Lily.

Lily was surrounded with sympathy. When she went the round of the
agencies, the pros courted her. They looked upon Lily in the light of a
wife tired of her husband. They prowled round that possible prey. A Lily
was worth the having, meant an assured income for whoever succeeded in
winning her affections and managing her properly: not with brutality, no,
rather not; home joys, like Mr. Fuchs! Who was destined one day to own
those full-blown seventeen years, those twinkling legs, that lissom body,
trained to spin round and round, unerring and exact? What lucky dog would
have her for himself, would succeed in making her love him? They pitied
Lily openly, to disgust her with her husband and hasten on the
catastrophe. Trampy? He was no husband for her! They, ah, yes, now that
was a different matter! And they talked of the dangers attendant upon
Trampy's mode of life; the impersonator told her of the terrible diseases
brought on by constant tippling; they exaggerated it all on purpose,
amused themselves by frightening her; until Lily, sometimes, would look
upon herself as a pretty little gazelle chained to a mangy bear.

Trampy suspected all this, having himself, in the old days, in the time of
his glory, been one of those who hovered round wives ready for divorce,
helping them, if need be. He could have smashed the face of that
green-eyed impersonator. There was also that architect, that
theater-builder, Harrasford's friend: he was passing through Berlin and
Lily had taken his fancy the other evening, at the cafe; he had patted her
cheek gaily:

"I knew you when you were 'that high.' You used to sit on my knee. How
beautiful you've grown!"

There appeared to be an infinity of people who had known Lily when she was
"that high." They paid her more and more attention ... and then they
believed her to be looked after by Jimmy. That again was a friendship
dating back to her childhood, they said: Jimmy, the bill-topper. He, too,
had known her when she was "that high."

The greater part of this talk reached Trampy's ears. Oh, he could have
killed that Jimmy! But he was obliged to hold his tongue. Jimmy had him
under his heel, with that crushing lawsuit.

They did not even dare speak of it, so painful was the subject. The little
table by the earthenware stove separated them like a wall; and there was
one thing always between them: Jimmy. Trampy never mentioned his name now.
He would have had too much to say.... And there were continual summonses,
always; and lawyers, always; and costs, always. Money melted away, like
butter in the sun. Lily was tired of it; and an agony overcame her at the
thought of leading a life like that for the rest of her days:

"Oh," she said, "he's taking the very bread from our mouths, with his
lawsuit! And I haven't a decent hat to wear."

"He'll drive us to the workhouse," grumbled Trampy, staring before him,
with folded arms.

"It's your fault!" Lily began, but soon stopped: the subject led to a
surfeit of quarreling.

But, in her own mind:

"That son of a gun of a Jimmy!" she thought. "All the same, who would ever
have believed it of him? Can he guess that all of this falls upon me?"

"Suppose you were to go and see him," said Trampy, at his wits' end, one
day when he had exhausted himself in stormy explanations with the manager
of the Kaiserin.

"I go and see Jimmy?" exclaimed Lily. "What for?"

"To try and arrange things," replied Trampy, dropping his head. "No one
but you could ..."

"I'll think about it, I'll see," said Lily.

But she had to get used by degrees to the idea of going and seeing that
Jimmy who was now ruining her. A strange curiosity, nevertheless, drove
her toward that conqueror, once a bike-cleaning workman, who was now
topping the bill at Berlin and making as much money by himself as a whole
program put together. He would receive her kindly, she was sure of that.
Oh and then she wanted to tell him that she had had nothing to do with
that business of the patents ... that she did not approve of Trampy's
conduct ...! And then he could give her news of Pa and Ma, as he had come
from London, where he must have seen them! And she was dying to know! The
idea was increasing with her that life with Trampy had become impossible.
And, in case she should leave him, she dreaded finding herself alone.
Already there were all those offers being made to her, a married woman,
driving her mad! She, Lily Clifton, was treated like a "Parisienne": she
hated that sort! To walk about the stage, two by two, might pass; but it
was possible to go too far, like the conductor of the orchestra, who, the
other day, tried to kiss her in her dressing-room, married woman though
she was! Then what would it be when she traveled alone! On the continent,
too! Oh, she would have liked to be a good little wife! But, as that could
not be, better go back to her Pa and Ma and have a home, a real one, with
a servant in it. She was yearning for a home. But how would she be
received in that case? Would they put the blame on her? Had they forgiven
her? Had she a Pa and Ma still? That was what she wanted to know.

Lily would have liked to look handsome and elegant on the day when she
went to Jimmy, so as to show him that he was not the only one who made a
lot of money; but she felt very small and terribly excited. The hotel
itself, the great clock, the waiters, everything made an impression on
her, so different from her boarding-house in the Akerstrasse. She felt
like running away after knocking at his door; and Jimmy opened it with the
preoccupied air of a man who is disturbed at an inconvenient moment. But
suddenly he put out his hand in hearty greeting:

"Hullo, Lily! Come in."

Lily entered a bright sitting-room, neatly furnished with a sofa and
comfortable chairs; no bed; a room which served only for that. She at once
felt more at her ease. Jimmy motioned her to a seat near a table covered
with papers, full of marks and signs which she did not understand, and
books, rulers and compasses. She tried to be simple and dignified;
apologized for interrupting him:

"Brain-work, I see," she said, pointing to the papers. "That's hard, too,
I suppose," she added, to say something, for a start, like talking about
the weather.

"A matter of habit, like the bike," said Jimmy, in a tone of conviction.
"Sit down, Lily, there in that big arm-chair; you're not disturbing me."

"'K you," said Lily, sitting down, feeling reassured by his cordial
welcome and thinking that, at least, he was polite.

"I am glad to see you again, Lily," Jimmy went on, taking a chair himself.
"Always glad to see you. And how are you? Keeping well?"

"'K you," said Lily.

"I'm very glad to hear it," said Jimmy, scrutinizing Lily with great
kindness and trying not to see her preoccupied expression. "I know what
brings you here, Lily. You're a dear little thing, a kid, eh? A real kid
at heart, aren't you? I bet you I guess. I've come from London. You want
to hear the latest news of your Pa and Ma, eh? You're not angry with them,
I hope? Oh, it would be wrong of you to be angry with them still! They're
very fond of you, you know. They cried when you went away, Lily. Your ...
going away," Jimmy insisted, with a quaver in his voice, "was ... a great
blow ... to them ... too."

"How do they get on without me?" asked Lily eagerly, not wishing to break
down and cry before Jimmy. "Poor Pa! Yes, he was fond of me. He never let
me fall on purpose. He did not force me to work when I was ill."

"Your Pa!" Jimmy broke in, glad of the chance to give a fresh turn to the
conversation. "Why, there's no harm in him! Your Pa's an artiste in love
with his art, that's all! I shouldn't be surprised if the troupe made a
hit yet. It's had a success of a sort already--in the small halls--at
Maidstone and Tunbridge Wells. Your Pa just does without you as well as he
can. He runs after his pupils all day long, damn it!" said Jimmy, with a
laugh. "Your cousin stars."

[Illustration: COUSIN DAISY]

"_Who_ stars?" asked Lily.

"Your cousin Daisy. She came as soon as you ... as you went away and
offered to take your place. Pa Clifton sent her to the right-about,
treated her like a ... like an I don't know what, but she returned to the
charge. She's doing very well now. She tries to be like you."

"No! Impossible!" exclaimed Lily. "What, that fat freak?"

"And your Pa will succeed," Jimmy hastened to add. "You'll see. You ought
to be proud of having a Pa like that."

"Yes, in a sense," said Lily, who felt a certain satisfaction at being the
daughter of her Pa.

He was a bit harsh at times; but a man like her Pa, or like Jimmy, was
much better than her loafer of a tramp cyclist!

"And ... Ma?" asked Lily.

"Your Ma," said Jimmy, in a lower voice, "cried ... oh, how she cried when
she found that you had gone! No doubt, she exaggerated any wrong she had
done you. It seems she fell upon her knees and prayed and asked for
forgiveness."

"Forgiveness? What for? Of whom?" Lily inquired.

"Why," said Jimmy, in a serious tone, "of whom do you think people ask
forgiveness, when they are alone, on their knees?"

"Oh," said Lily, greatly touched, "I understand! So they didn't put the
blame on me?"

"What blame?"

"For my marriage," said Lily, lowering her eyes.

"No ... if you had gone off to live with him ... oh, not you, not you, I
know!" protested Jimmy, seeing a gesture of Lily's. "But marriage is
different, I suppose. You had the right, you were old enough to go away
with the man you loved."

Jimmy turned pale as he said this; but Lily, hanging her head and red with
shame, did not notice it.

"What!" said Jimmy. "You're blushing! Do you regret it?"

Lily did not reply.

"Then," continued Jimmy slowly, "what they said--I wouldn't believe it,
but you know they say a lot of things--is it true?"

She nodded yes and raised her eyes to him with a sad, weary smile.

"He doesn't love you? And ... and ... you, Lily," asked Jimmy, taking her
hand in his, "don't you love him?"

"Certainly not!" said Lily, with such an accent of conviction and such a
look of disgust that Jimmy was, at one and the same time, delighted to the
bottom of his heart and pained to the verge of tears.

Poor Lily! He now noticed her pallor, the dark rims round her eyes, that
exquisite face refined by inmost grief. Lily, upon whom, since her visit
to the shop in Gresse Street, he had built his hopes of happiness! It
seemed to him like yesterday and already it was the distant past. Was that
what her rebellion, her bid for freedom had ended in? Was that the
crowning point of her hard life? Lily, fashioned to be the companion of a
loving heart, was the prey of a footy rotter! Oh, if Jimmy had not
controlled himself, if he had not clenched his teeth, for fear of talking!
If he had listened to his anger, let loose the storm that raged within
him, shouted out what he felt! But what would be the good of telling her
his love? Why add to Lily's sorrows by letting her know what might have
been and thus cause trouble in her household, when he wished for one thing
only, Lily's happiness? Suppose she did not love her husband: Trampy,
alas, unworthy though he was, remained her husband, nevertheless! And
there was no hope of breaking the chain. The letters from Denver and
Houston were anything but encouraging. No proofs, no recollections of
Trampy's marriage over there. So there seemed no way out.

Nor did he wish to incense Trampy's jealousy. Lily would have had to bear
the brunt of it ... as in the old days, with Ma's temper. Oh, there was no
doubt about it: Jimmy, to hold his tongue now, needed more courage than
when risking his life six times in six seconds! But what was the use of
fighting against fate? Better submit, when there was no remedy, and strive
for peace!

"Everything gets straight sooner or later," Jimmy went on. "Many lives
that once seemed spoiled have become quite endurable. Time is the great
healer. Trampy, no doubt, will get over his faults. He will learn to
appreciate you. Have patience. Don't exaggerate your bothers, Lily. There
are others unhappier than yourself. You have a claim to happiness. You
will know it yet. Just think. You're so young, you have all your life
before you."

"The simpleton!" thought Lily. "It's easy for him to talk. But then ...
why was he so jealous? Why did he tell Pa about me? But for him, I should
be at home now!"

It was certain that, notwithstanding his kindly reception, Jimmy now
seemed to be taking Trampy's part, as formerly he had sided with Pa and
Ma. And he was lalerperlooser enough to ask Lily if her husband knew that
she had come to see him:

"I hope he knows, Lily. We must have no secrets: did you tell him?"

"He sent me," she said, resolving to tell everything frankly, since that
was what she had come for and not, after all, to talk about love ...
money, only, and business ... it was a question of bread and butter to
her.

"Ah! He did!" said Jimmy, a little surprised.

"Yes," said Lily, "it's about that lawsuit."

"Speak quite frankly, Lily. Tell me everything," said Jimmy, very calm.

"Well," said Lily, yielding before his air of candor, "Trampy is at the
end of his tether; he has no money"--she colored up to the eyes--"no
money, no work; the law-costs ..."

"And whose fault is that?" interrupted Jimmy, rising and picking up a
cigarette, so as to have something to fumble at with his fingers. "Whose
fault is it, Lily, if not that ... well, if not Trampy's? Isn't it fair
that he should pay for it? It would really become too easy, else, to steal
other people's ideas! You know quite well, Lily--you saw it at my place,
on the wall--is it my invention or is it not? And here comes Trampy," he
continued, crunching up his cigarette with a nervous gesture, "and patents
it ... as if it were his own. It's a bit too much, you know!"

"Jimmy," cried Lily, starting up from her chair, "I swear to you that I
had nothing to do with it! If I had known, Jimmy, I would have stopped it!
I call it stealing, as you do."

"Oh, I'm quite sure of that, Lily! I never thought it was you! Calm
yourself; sit down, do," said Jimmy, relieved at the sight of Lily's
indignation, as she stood before him with blazing eyes and her face
crimson with shame.

"Important tricks like that!" went on Lily, sitting down again. "No, those
have no right to be copied. It's brain-work. You designed it yourself."

"Yes, but about the present," said Jimmy, with a serious air. "I can't
give in to Trampy. I'm bound to defend myself. You came to see me about my
action, Lily. I can't say anything on the subject. It's ... Trampy's
business, I suppose! Why, what would you do in my place, Lily?"

"I should do as you're doing, Jimmy, you're perfectly right," said Lily,
very low, without raising her head. "But couldn't one come to terms ...
avoid a lawsuit ... and not waste all that money on jossers? What do you
gain by it yourself? We can't pay up, Jimmy: those costs are breaking
us."

"What do you mean by 'us'?"

"Trampy isn't working," continued Lily. "He hasn't done anything for a
long time."

"But then," asked Jimmy, stopping in front of her, "how does he live?"

"I ... I'm earning money," explained Lily, blushing, ashamed to own her
distress.

Oh, it was hard for her, Lily Clifton, to have no money and to confess it
to Jimmy, that josser, who was making his five hundred marks a day! Jimmy
saw her before him, huddled in her chair ... her faded hat, her mean gown.
He took in everything at a glance. Poor Lily, who used to dream of
dresses, to be reduced to that! Then he understood. Pity moved him at the
sight of that poor Lily. It was all very well for him to say, just now,
"Business is business," and to ask, "What would you do in my place?" He
knew what he would do. A lawsuit was not a question of sentiment,
everybody knew that; but still, it was no longer between men....

"Listen, Lily," he said, putting his hand kindly on her shoulder, "if all
this is to fall upon you, we must see how we can arrange matters. Sorry
you didn't come sooner; I don't want to add to your burdens, Lily, heaven
knows I don't! I never thought of that. I ought to have suspected,
perhaps. However, I will withdraw the case. I'll manage. And the costs ...
well, I'll pay them myself, if necessary, for you, Lily, for you; because
I knew you when you were 'that high' ... no, not quite so small; how old
were you? Thirteen ... and such a little thing, such a dear little wee
thing. Do you remember when I made night and day in your cabin, by just
touching my levers? And then it seems to me that I always knew you: in
Mexico, in India, in South Africa, at the time of the elephants and the
tiny birds. And then later, that other Lily, the London one: the one of
only a few months ago. The one for whom ..." continued Jimmy, in a voice
smothered with emotion. "The Lily of Rathbone Place. The Lily of Gresse
Street. That little toque, which suited you so well and which you
complained of ... you poor little Lily!... You poor silly little thing!
There, go home now and make your mind easy, as far as I'm concerned, Lily.
None of your troubles shall come from me. Besides, as they say, a bad
settlement is better than the best lawsuit. I'm doing it for your sake.
Well, is that all right?"

"Oh, how kind you are!" she said, raising her eyes to him, with a tear in
them. "Why, Jimmy, you're not so bad, after all!"

"Pooh!" said Jimmy, lighting a cigarette. "I'm no better than most, Lily,
and no worse. Flesh and blood, like the rest. And, besides, for you, Lily
... If ever you need me, Lily, if I can be of any use to you ..."

                    *       *       *       *       *

"For me," thought Lily, as she returned home, "for me. Ah, if I had known!
Ah, when I think that he, too, wanted to marry me, what a fool I was!" she
said, with a sigh.

She still felt in her own palm the gentle, manly pressure of Jimmy's hand.
She still heard the kind words with which he had comforted her on the
threshold. Goodness, how happy she would have been with a man like him!
Her ill-will disappeared. He was no longer a cur, that josser, but a
gentleman, rather, a brother, a friend.... And she was proud, also, that
Jimmy, who was so busy and making such a lot of money, had promised to
come and applaud her, one of these evenings, at her theater, at Kleim's
Garden, before his own turn at the Kolossal. Oh, wouldn't she work hard
that night! She would do all her tricks! She was bent on pleasing him. And
how vulgar and common Trampy appeared in comparison. However, there was no
help for it now; and Lily hastened home to bring him the good news.... In
any case, Trampy would be grateful to her for what she had done for him.
As a matter of fact, it had cost her an effort to go and pay this visit.

She happened to run up against Trampy coming out of the bar, where,
according to his custom, he had been drowning his cares. He had a moment
of delight on learning the result of the visit, but, mad with jealousy, at
once adopted a lofty tone, so as not to have to thank her:

"I knew he would knuckle under!" he said, without looking at Lily. "The
braggart! He prefers a settlement, eh? And quite right too! He knows he's
in the wrong. He's retreating, he's afraid."

"Afraid of what?" asked Lily, bewildered.

"Afraid of me. He knows it won't pay to try my patience too far!"

"Afraid? Jimmy?" said Lily, indignant at all that foolery. "Do you think
he's done that because he's afraid?"

"And for what other reason would he have given in so soon?"

"He did it to please me, he did it for _me_, damn it, for _me_!" said
Lily. "You're rid of your lawsuit: you ought to talk differently and thank
me!"

"And why should he do it to please you? What is there between you?" asked
Trampy, looking her in the face.

"You're drunk!" said Lily furiously, with her hand ready to scratch.

"No scenes in the street!" said Trampy. "We'll go into this at home ..."

"Then I shan't come in!" said Lily, abruptly turning her back on him. "I'm
going to the theater!"

She had nothing to do on the stage; only the idea of being alone in the
room with Trampy seemed intolerable to her. At the least discussion, Lily
felt it, she would have thrown the lamp at his head, so great was her
indignation at his insolence!

She was boiling over with anger when she reached the theater. There were
people practising; it was the time for it. Lily went up to her
dressing-room, shifted things in her trunk, anyhow, for something to do.
The idea that her husband thought her capable of anything wrong made her
angry. Oh, to get a divorce, to part from him! As this could not go on for
ever, it might as well be done at once; but it would be better if there
were no fault on her part. A divorce, yes; but with the honors on her
side; a divorce in her favor! Patience, the opportunity would come! It
ought to be quite easy, with the girls whom Trampy beguiled, the love
letters which he received, to catch him in the act, cover him with
ridicule, get the best of him. Oh, if she only could! To be a poor little
victim, how touching! A dear little outraged wife!

"You fool, if I catch you!" she said.

Then another idea passed through her brain. Oh, if it were true! She would
have danced for joy! Trampy's marriage in America.

"Is it true? Is it true? God above, grant that it be true!"

It was possible. Already, a few days before, the Jim Crows who hovered
round her had talked about it, in covert words, in the hope of making
things worse. There must be some truth in it. There was so much news going
from mouth to mouth: Lillian, Edith and Polly were the rage in Chicago....
That poor boy-violinist: at Budapest, the stuffed seat to his trousers had
slipped from its place and allowed the dog's teeth to reach the living
flesh; he had had to spend a week in bed with poultices.... Harrasford was
contemplating a theatrical trust on the Continent, planning a model
music-hall in Paris.... There were Jimmy's successes, his ambitions....
Amid all this news, to which Lily listened, sometimes absent-mindedly,
sometimes with interest, among these adventures dating from
everywhere--names which she greeted like old acquaintances, with a little
nod: "Denver? Yes, I know; a big flat stage. Mexico? I remember!"--among
all those tales, Lily pricked her ears when she heard the name of Ave
Maria coupled with Trampy's. She had a vague recollection of Ave Maria's
flight, after her departure from Mexico; was it with Trampy? Were they
really married then? Oh, if it were only true! God above, grant that it
were true!

Lily, haunted by this idea of a divorce which would set her free, had
rummaged in Trampy's trunk, among his programs and posters. It was full of
letters, photographs of girls in outrageous hats, in tucked-up skirts, in
tights, with inscriptions. All this dated back to before the marriage, a
collection of treasures which he had not had the courage to destroy. She
had hoped to find some proof, some clue; but no, there was nothing serious
in it. Lily did not give up, for all that; on the contrary. After the
visit to Jimmy, which made Trampy so meanly jealous, she lost no
opportunity of inquiring. But Martello himself, the father, never had news
of his daughter. He hadn't heard for ever so long; and it was to no avail
that Lily asked about Ave Maria, the one who ran away with a man, a great
artiste; she always received the same reply:

"Ave Maria? Don't know the name. Ave Maria? Haven't seen her since ..."

But Jimmy, always; Jimmy here, Jimmy there; they talked about him all the
time: his ideas; something new he had invented; something no one had ever
seen: much cleverer than "Bridging the Abyss," it seemed; but nobody knew
what.

"I know!" said Lily, with a well-informed air and very proud of knowing
Jimmy and of letting people think ...

"Do you know Jimmy?"

"Ever since I was that high," answered Lily. "He used to hold me on his
knees."

"And what is his new trick?"

"I'm not allowed to tell. He asked me not to say."

Everybody praised her for her discretion. The sympathy with which she was
surrounded increased.

"Jimmy," they hinted. "Now there's a fellow you ought to have married,
instead of your ..."

"Not a word against my husband," she said, like a good and devoted little
wife. "I won't have him insulted."

That did not prevent her from laughing with her friends. She felt a need
of forgetting, or she would have died of boredom, with a husband like
that. She was heavy at heart, sometimes. She was a woman, not an icicle.
She felt herself made for love. She was flesh and blood, like Jimmy. She
would have liked some one to console her, to talk softly to her, as
Glass-Eye Maud used to do. There were plenty willing to play the part of
Glass-Eye Maud, no doubt: the female-impersonator, for instance, with the
green eyes. Oh, she would have liked to be hugged, kissed full on the
mouth, or else stroked and petted gently! No home, no happiness; marriage
without love; that was her life henceforth. These stage friendships were a
relief.

The Bambinis romped with her. She loved their gaiety, liked to touch their
sturdy little limbs. That evening, Lily, who was ready for her performance
early, was having fun with them. Dressed in her pink tights, she looked
like a blithe nymph playing with rollicking cupids.

"What a charming group!" said a voice behind her. "If I were a painter,
Lily, I would do you like that!"

It was Jimmy, who had come to see her on the stage, as he had promised.

"Am I spoiling your game?" he asked. "It's so pretty! It makes me want to
kiss the lot of you!"

"Well, booby!" said Lily, all excited and laughing. "Why don't you? You
daren't!"

"I daren't! I'll show you whether I dare ... and ... I'm stronger than I
look!"

And thereupon he caught hold of Lily and lifted her like a feather--Lily,
all taken aback, had not time to say "Oof!" so great was her surprise--and
Jimmy crossed the whole stage with Lily in his arms, shouting to the
manager:

"Look what a dear little baby I've found! Isn't she sweet, eh?"

And then, in the wings, he gave her a good big kiss on the cheek before
putting her down.

The people around them laughed, applauded that stage joke:

"Jimmy, her old friend," they said, "knew her when she was that high."

Lily was very proud of it. And, a few minutes after, when he had left her
to take a seat in front, Lily jumped into the saddle and rode round and
round, without a hitch, smiling to the audience, smiling to Jimmy in a
front box, Jimmy to whom she was grateful for coming to see her: a famous
bill-topper putting himself out for her ... before everybody! She was
faultless that evening, did a dozen twirls on the back-wheel, made a
record, was grand.

Trampy, meanwhile, was waiting for Lily outside, in the passage leading to
the stage-door. He had not seen Jimmy kiss Lily, but he saw him carry her
across the stage, just as he was coming on himself, so he had turned and
hurried out to avoid scandal ... giving way to his wife, who worked while
he did not. He had gone out at once, time to run to the bar and drown two
or three sorrows, and he was waiting for her now, without paying any
attention to the girls passing. As soon as he saw Lily, he seized her by
the arm:

"I've had enough of this," he said. "I saw you, you and your Jimmy! You
can't deny it this time!"

"Oh, Trampy, don't insult me like that!" protested Lily. "Why do you
always say 'my' Jimmy? One can have a laugh and a joke on the stage
without meaning wrong, you know one can. Besides, if you didn't like to
see him carry me in his arms, you ought to have smashed his face, without
so much talk."

"I didn't want to make a fuss."

"You were afraid to. You're afraid of him, that's what you are!"

"Stop jeering at me!" said Trampy, shaking her violently. "You're dragging
me in the mud; it's like those whippings of yours! I'm tired of the
affronts you put upon me! You ought to have married your Jimmy and left me
in peace."

"I can't say," sneered Lily, "that I remember running after you!"

"That Jimmy!" repeated Trampy. "I'll kill that fellow like a dog! If I
don't do it now, I will later, in a year, in a hundred years, if
necessary. I'll kill him like a dog!"

Lily gave a little laugh as she went out, followed by Trampy. She did not
wish, in that lobby, before the people passing, to look like a woman
insulted by her husband. She laughed bravely, as she used to, on the
stage, with Ma, in the days of the great smackings. To see her laugh, one
would have thought that Trampy was telling her a story; and he repeated:

"I'll kill him like a dog, like a dog!"

"Pooh!" said Lily, who knew Trampy. "You talk too much to act."

"We shall see. Where's your Jimmy hiding?"

"You'd be nicely caught, if you met him," said Lily, who had just noticed
Jimmy leaving the music-hall to go to the Kolossal: "there he is, behind
you."...

"What's that? Don't you try to get at me!" said Trampy.

"I tell you, he's behind you, damn it! Turn round and you'll see ... if
you have eyes to see with."

Trampy turned round, half-reluctantly: he didn't like those jokes, but he
didn't wish to seem afraid.

"Where? Where do you see Jimmy?" he grumbled.

"There, in front of you," insisted Lily, pointing with her finger and
pushing him by the shoulder. "Off you go!"

There was no drawing back. He marched straight up to Jimmy, who did not
even recognize him and who stopped politely. But Trampy had time for
reflection, no doubt: a clearer perception of professional brotherhood.
Better, after all, to remain friends ... among artistes. And, when he
stood before him:

"H'm, h'm. Have you got a light about you, Jimmy? Give us a match," said
Trampy, taking a cigar from his pocket.




CHAPTER V


It stifled Lily, for the moment. She would rather have received twenty
"contracts" with the steel buckle than see that cowardice in her husband.
She had her Pa's blood in her, damn it!

"What!" she thought. "He believes me to misconduct myself with Jimmy, and
he is too much of a coward to object!"

But there was nothing to be done. Trampy was as incapable of anger as of
love. All those years of a low life had degraded him to that point. And
Trampy had even lost the right to bear Jimmy a grudge, made as though he
had forgotten everything, said that, after all, it was much better to be
friends. And all this under Lily's critical eye!

Jimmy! To be obliged to look pleasant at Jimmy! It gave him a lump in his
throat. Fortunately, he had the others, the crowd of assiduous pros who
thronged round his wife. Against those he gave free scope to his jealousy,
and showed himself as strict with the rest as he had been accommodating
with Jimmy. He meant to keep an eye on his wife:

"A married woman, on the stage, alone! I won't have any more of that!"

He hit upon a contrivance to be always with her: he would be her "comic."
It was a new system which had come into fashion: the most plastic
performances spoiled by the juxtaposition of their caricatures; acrobats,
Olympian gods, parodied by a merry-andrew in a ridiculous coat: just as
though Nunkie Fuchs, for instance, had taken it into his head to appear
with his Three Graces and mimic their tricks, kicking about at the end of
a wire with his fat, fatherly paunch and his round, silly face.

And Trampy, riding behind Lily, would simply give a parody of her tricks;
it meant little work to him and was as good a way as another of going on
the stage with her and establishing his title to _her_ work and _her_
salary....

And off they went again, with the basket trunk, and the bikes; and on the
stage, every night, Lily, looking like a goddess, and Trampy, dressed in
rags, went through their tricks and smiled ... applause for her, always;
none for him, ever. Lily wore a very sad look in consequence, when they
returned to the wings: a poor little wife, so sorry for her husband; but
she triumphed at the bottom of her heart, while Trampy turned green with
spite. He was furious with Lily: tried to make her fall, pushed her in
turning; but Lily was too clever and sat as firmly on her bike as Ave
Maria walked her slack-wire, when the brother used to shake it on purpose,
whip in hand and snarling as if to bite.

Oh, if Lily had not made efforts to be a good little wife! Trampy was
becoming unbearable. She posed as the poor little thing, despised,
deceived and betrayed by her husband; she loved to hear people tell her
so, called them to witness and continued, but without result, to make
inquiries about Ave Maria.

And there were everlasting scenes at home. Lily had enough of it, more
than enough of it! She had even decided to go away, to return to London;
but, worn out with worry, she had to take to her bed, with a high fever.
It was the finishing stroke: no work,--all the savings gone....

Trampy, fortunately, found an engagement:

"It's all right, the neighbors will look after you," he said, as he took
his leave. "A man's duty is to see that his wife doesn't starve, eh,
darling? I'm going to make money, too, and I'll bring you heaps when I
come back; and I'll send you some. That's the sort of man I am. I don't
talk of '_my_ money!'"

                    *       *       *       *       *

Lily was left alone in Berlin.

Generally, she hated the hotels frequented by artistes, but she was very
glad to be in one this time. She, poor little broken-down thing, was not
left to the care of a common servant; she had nice, kind nurses.... And
she had no lack of friends who took interest in her, very sincerely, for
that matter, for she was a favorite with all of them, that pretty Miss
Lily, who would soon be free....

Lily let herself be coddled. Pending the arrival of the money which Trampy
was to send, she wanted for nothing, especially in the way of luxuries:
chocolates, sweets, flowers, they brought her everything. Her friends
passing through Berlin, the impersonator, the Paras, many others, hearing
that she was ill, came to see her, treated her as a lady, cried out how
well she was looking, how pretty she was and how it suited her to be ill
in bed.

Lily thought that very nice, put on a languid air, like a poor little
jaded thing that had got out of gear:

"I shall die of overdoing it, I know I shall," she said. "I've been at the
bike ever since I was that high"--raising her hand twelve inches above the
bed--"and my heart's worn out by the hard work. My knees, too. Sit down
there on the basket trunk. You at the foot of the bed. Have a chocolate."

Then she turned over in her sheets, which molded her firm, plump shape,
took a bag of sweets from the chair beside her and offered it round. Poor
little martyr, she had been forbidden them by the doctor, because of a
cough.... But she took them all the same, merely for the sake of taking
them, with a graceful movement, her bare arm outstretched, her wrist
making a supple curve, like a swan's neck, as she dipped her pretty hand
into the bag.

                    *       *       *       *       *

In addition to her regular friends, such as the impersonator or the Paras,
others, the people staying in the hotel, would tap discreetly at the glass
door between her room and the passage, come in on tip-toe, speak in a
whisper.

"What nonsense!" Lily would say. "I'm not dead yet, you know!"

And she laughed, and "Ugh! Ugh!" a cough or so, a matter of lifting her
embroidered handkerchief to her mouth, a favorite gesture. And there were
stories from all parts, the cackle of the profession. The Paras were
living together now, as they explained to her. The parrots? No go; given
them up; one had its neck wrung by a monkey in Chicago; another died of
consumption at Stockholm; the rest of the troupe sold to the
stage-doorkeepers of the different variety-theaters. His sight was
beginning to fail. She wanted smartness; wasn't--how should he put it? The
husband looked for a word--wasn't "Tottie" enough. However, they managed
somehow, as "eccentric duetists." Lily thought that very nice, those two
talents combined, very original; but could they give her any news of Ave
Maria ... a great artiste ... on the wire?...

If ever Lily might have hoped to receive news of Ave Maria, it was during
this illness, from the artistes who visited her, on their way from
anywhere to God knows where. Lily had news of everybody: of Mirzah, the
white elephant, who had to be pole-axed for killing his keeper; of Captain
North's seals; of the Three Graces, who were doing triumphantly in
England; of Poland, the Parisienne, now starring at Bill and Boom's. Tom
was talked about: biceps like thighs, now: a hornpipe danced on the hands.
She had news of the Pawnees, of the Hauptmanns. Roofer was sending out
four new troupes, to Canada, Australia, India, Cape Colony: the
Greater-England Girls. She had news of the New Zealanders and of her
cousin Daisy, who seemed to find the star business jolly hard work:

"The wind-bag!" said Lily.

They talked of Jimmy, of dogs, cats and monkeys and of Tom Grave and Butt
Snyders, those great breakneck acrobats: they talked of one and all, but
not a word of Ave Maria. They knew her by reputation, as one who had been
through the mill, more than Lily had, as Lily modestly admitted.

"Darling," said the impersonator affectionately, "don't bother about that
Ave Maria of yours. I'm jealous. Be mine, darling! How well we two should
get on together, eh, Lily?"

"Hands off!" said Lily. "Be good ... there ... like that ... down by your
sides ... or you'll get a smacking!"

Concerts were got up for Lily's amusement. Sketch-comedians pulled their
faces: a musician twanged his banjo. At other times, by closing her eyes,
Lily could have imagined herself in an aviary: the Whistling Wonder
imitated the nightingale, the thrush, the lark. Another, an equilibrist,
showed her how, when he was obliged to stay in bed with a broken leg and
had nobody to wait on him, he used to wait on himself by going round the
room on his hands ... like that. Lily was given, for nothing, a
performance which was worth a whole music-hall program. To put everybody
at their ease, Lily told them to smoke, took a puff or two at a cigarette
herself--"Ugh! Ugh!"--almost choked....

They amused themselves, among themselves, free from any constraint due to
the presence of jossers. Lily joked with them as she used to do with the
apprentices in the mornings, when they showed one another their bruises of
the day before. She made them look at her pigeon's egg, on the side of her
foot, the little ball-shaped muscle special to her profession, like the
triceps of the pugilist or the dancing-girls' calves. She was vain enough
to put on a silk stocking, poked out her foot from under the bedclothes,
let them feel "her egg," made it jump under their fingers by a sudden
contraction.

"Is that all you've got to show us, darling?" asked the impersonator.

"You don't want much, I _don't_ think!" said Lily, pulling back her foot
under the quilt.

The incident was interrupted by new-comers who had also known Lily when
she was that high. They brought fresh news from Lisle Street. They had had
a drink with P. T. Clifton himself, had had a drink with an author who was
writing a book on the business.

"Another josser who's sure to talk a lot of nonsense!" cried Lily. "If
only they told the truth and described us as we are, a sight better than
the society ladies, who come and wait for pros outside the stage-door!"

And they went on. The healths they had drunk with this girl and that girl;
and new turns: competitors who were cropping up ... names ... names ...
Ave Maria? Dead, they said: somewhere in Ecuador or Peru.

Then Lily stretched herself to her full length in the sheets, feeling
weary, weary, crushed under all that talk.

And Trampy just didn't write, sent no money at all. She blushed for him
... in spite of her wish to catch him tripping, before witnesses. She was
ashamed to be his wife, his only wife, his little wife for ever.

On that day, as it happened, Jimmy came to pay her a visit. His engagement
at the Kolossal was ending. He was to perform at the London Hippodrome,
before going to the States. A certain air of respect surrounded him from
the moment he entered the room, that Jimmy who already stood higher than
any of them among the famous bill-toppers! And they gradually retired, as
though Lily would prefer that. It was no use her saying, "Do stay!" They
went all the same; and Lily was left alone with him, a little embarrassed
and yet flattered at being thought on such good terms with Jimmy. As for
him, he had just heard about Lily's illness, Trampy's absence, and hurried
to see her, bringing her the good news that the lawsuit was over. Trampy
would have nothing more to pay....

From that day, Jimmy was sometimes seen at Lily's. He spoke little, sat
down on the basket trunk, listened, thought of things. He was known to
have his mind full of an invention superior to "Bridging the Abyss," one
could expect anything from him: a wonderful chap Jimmy, a bit cracked,
though, with ideas of his own which went the round of the profession and
were variously appreciated. A fund for stage-children; a reserve upon
their earnings, to be banked and kept untouched till they came of age; a
home of rest for the old and the sick; a weekly matinee for the benefit of
the fund....

Jimmy described the piteous lot of those who grow old in a profession
intended for youth: but a few shillings a month paid into the fund, a
benefit performance or two ... and our home is established and endowed and
we should see no more stars flung aside, to die in hopeless poverty, after
amusing crowds of people for years and years.

"I'm with you," said Lily, laughing. "Put me down for a pension for my old
age ... if ever I reach old age ... ugh, ugh!"

And she coughed, with the embroidered handkerchief at her lips.

But Lily's joke was left unechoed: everybody talked professional shop,
quoted figures; the habit of signing contracts, of avoiding the traps laid
by the agents had given them all a keen sense of business. And the
frequent traveling, in the absence of education, had made them sharp at
understanding, quick in the uptake. Their clean-shaven faces fell into
wise folds, like lawyers'.

Jimmy also explained his idea about the apprentices, the compulsory so
much per cent., the inalienable deposit paid in by the Pas and Mas ...
and, much more still, by the profs and managers....

"Good!" said Lily. "I'm with you!"

There was a general laugh. The Whistling Wonder interrupted the
conversation by quacking like a duck at Jimmy and cooing like a pigeon at
Lily. Jimmy got up and said good-by, pleased to see Lily making daily
progress.

"Ah, Lily," they said again, when he had gone, "that's the one you ought
to have married, not the other!"

And thereupon they began to pursue their favorite theme and amuse
themselves by describing the awful troubles which she would get into one
day with "the other," that drunkard;--the man with the thirty-six girls!
And they laughed and they laughed, my! Lily herself held her sides with
laughing.

All this was stage effect, professional exaggeration. Lily dared not
indulge in it before Jimmy. She was more sincere, always a little
embarrassed, in the presence of that man toward whom everybody was driving
her, as though they all saw farther into her life than she herself could.
She was no longer ill, only tired, with an accumulation of past
wearinesses that made her love to lie down flat. But she would get up
to-morrow, instead of remaining in bed to see her friends; no humbug
before Jimmy.

The next day when he came, Lily was alone. So much the better, he had
something to say to her. He had made up his mind that day. His own present
prosperity formed too great a contrast with the poverty of Lily ... that
poor kiddie who had run away from home in pursuit of happiness and whom he
now found here, in this squalid room.... It was all very well to theorize
about children who have earned fortunes and who haven't a farthing; but
that was mere talk! Suppose he helped Lily a little in the meantime. He
had prepared all sorts of good reasons; he had found a smart excuse, the
great excuse of the music-hall, that he had been betting on horses and
losing. He would ask Lily to keep his money for him, as a kindness,
otherwise he simply couldn't help it, his money burned a hole in his
pocket. Then, on second thought, why all that fuss? Hadn't he known her
since she was that high? And, the moment he came in, he just handed Lily a
thousand-mark note:

"For the law-costs, Lily! And, anything over, for your expenses, till
Trampy's money comes. Only too pleased to be of any use. You can pay it
back when it suits you. And good-by, Lily, ta-ta!"

And he hurried out, leaving Lily with the thousand marks in her hand.

Lily was stupefied and confused. She asked herself why? why? a real piece
of brain-work, which made her head ache. Anyhow she would give back the
money to-morrow! She wouldn't keep it! Trampy would be sure to bring some;
it was impossible that he should bring nothing; but, come what may, she
would give back the money to-morrow! She took the great oath of the stage
upon it: three fingers of her right hand uplifted; her left hand on the
lucky charm. And then she went and shut the door, turned the key in the
lock and lay down....

                    *       *       *       *       *

A noise woke her: some one was knocking outside; but, before she could get
out of bed, one of the glass panes of the door broke into fragments.
Somebody had smashed it with his elbow. A hand came through the opening,
turned back the key. The door opened and Trampy entered, raging,
growling:

"There's a man here!"

"You won't find him; you can kill me if you do!" cried Lily.

She expected a terrible scene. Trampy, drunk, had the look which he wore
on his bad days. He peered into the corners, turned a cunning eye on
Lily.

Trampy had spent the evening at the cafe and there heard of the visits
which Lily received during his absence. The neighbors he didn't mind
about, but Jimmy. Jimmy again! The damned dog! Why should he poke his nose
in? And, perhaps, at heart, Trampy was not sorry to have a scene with
Lily, for he wasn't bringing home a pfennig, having spent all his money on
champagne with girls. He felt himself at fault. He would get out of it
with violence.

"There's a man here!" repeated Trampy, walking up to Lily like a madman.

She was humiliated to the core when she saw Trampy, dazed with tobacco,
heavy with beer, stoop and look under the bed. And, suddenly, seeing the
banknote which Lily had laid on the table, Trampy shouted:

"You can't deny it this time. Tell me where the money comes from!"

"It's from Jimmy," said Lily, beside herself. "He thinks of me, Jimmy
does, while you leave me here to starve. It's ... it's for the
law-costs."

"Oh, that's another thing!" said Trampy, putting the note in his pocket.

"Let the money be!" cried Lily, leaping out of bed. "Don't you touch it!"

"Everything here belongs to me, I should think," said Trampy, a little
more calmly, already overcome with drunken drowsiness. "Everything, even a
dear little wifie," he continued, putting his snout under Lily's disgusted
nose.

But she gave a movement of revulsion so spontaneous that Trampy turned
pale under the insult:

"W-what! N-no love?" he stammered. "I'm not used to that. I can get
l-l-love for the asking ... at the ca-ca-cafe ... or the th-theater ... or
anywhere."

And Trampy, making a false step, caught hold of the curtain and drew it
back.

In the pitiless light of the morning, he appeared to Lily like a drowned
man, with a puffed-out face, swollen eyes and wan cheeks. To think that
she belonged to that! Lily spat at him in contempt. Oh, rather sleep with
lizards and guinea-pigs than that; rather with a woolly dog, like Poland,
that Parisienne! Oh, to get rid of him and be free again, thought Lily,
never again to have Trampy before her eyes! And, suddenly, her mind was
made up. She dressed herself hurriedly.

"Where are you going?" asked Trampy.

"I'm off!" said Lily. "I've had enough of this!"

"What's that?" said Trampy, dull-mouthed, flinging his body across the
bed. "What's that? Say it again!"

"I say I hate the sight of you! I'm going back to my Pa and Ma!"

"You, you're going back to ... well, good-by, darling, goo-good ...
goo-good-by," stammered Trampy, sprawling on the bed, among the disordered
clothes....

Lily moved freely round the room, without even troubling about him, like
one who has made up her mind once and for all. She packed up her things in
the basket trunk. She put her bike outside the door; and, just as she was
going to look for a neighbor to help her down with her trunk, an idea
entered her head. She stopped on the threshold, came back to Trampy,
slipped her hand into his pocket and gingerly took out the banknote:

"An insult like that!" she muttered. "I'd rather starve than not give
Jimmy back the money!"




CHAPTER VI


"Lily!"

She thought she heard herself called, in her dream, just because she was
back in her room again, in London, among familiar objects. She felt as if
her life was going on exactly as in the old days, as if nothing had
happened in between. Her marriage? A nightmare. And her home-coming
yesterday had been very nice: no questions asked, no whys and hows. Her
parents knew, of course. They knew all about her troubles with Trampy. But
no reproaches, nothing: kisses, everybody very happy, including herself.
She snuggled under the bedclothes, in the hollow left by Glass-Eye, who
had gone down-stairs. Lily felt sorry that she had left her trunk at the
hotel, when she thought of the cordial welcome she had received at the
hands of Pa and Ma.

It was quite three weeks since she left her husband. She went over it all
again in her head. Her departure from Berlin! She meant to go straight to
Jimmy, first, and give him back that money; only, those Vienna hats,
displayed in the shop-windows, those dresses, those boots, when she saw
all that, Lily understood that she could not return to London, to her
parents, with dingy-looking clothes, after her successes on the continent!
Pa and Ma would have laughed in her face.

Lily felt bound to say that she had been most reasonable: three hundred
marks for that Vienna dress, which suited her so well; why, Jimmy himself
would have approved.

"Let's see!"

She reckoned on her fingers: forty marks the hat, three hundred the dress;
and the underthings, chemises, stays, a silk petticoat, boots ... that
came to ... came to ... a week at a hotel in Berlin ... time lost at
Hamburg ... the journey from Hamburg to Rotterdam, Harwich and London ...
the hotel on arriving, so as to be able to dress before going home: it
left her just fifty shillings to play the lady with and buy presents for
Pa and Ma. And Jimmy ... Jimmy, who was in London also, due to open at the
Hippodrome! And she had sworn that she would give him back that money at
once! To quiet her conscience, Lily, under her blankets, took the
"counter-oath" of the stage, with her left hand behind her back, the
fingers closed over the thumb, that she would repay him the money, most
certainly, as soon as she began to earn any.

"Lily! Can I come in, Lily?"

It was Ma, bringing her breakfast and a paper, _The Era_. Lily gave a
quick glance round the room: her skirt was hanging on the peg; the bodice
lay, without a crease, over the back of a chair, the hat on top of it, the
linen neatly folded: good! She did not look a scarecrow, at any rate! And,
sitting up against the pillows, with a napkin on her knees, Lily
breakfasted daintily, with her finger-tips:

"Pa, Where's Pa?" asked Lily. "Tell him to come up."

"Your Pa has gone out with the apprentices," said Ma. "He wouldn't wake
you, you looked so tired last night. Here, Lily, some more coffee? Another
slice of bread and butter?" continued Ma, spreading it for her.

"'K you!"

Lily accepted this as her due, like a lady accustomed to the manners of
good society, to having her breakfast brought to her in bed by the maid.

"Oh, Ma," said Lily, as she sugared her coffee, "they do understand things
on the continent! They know how to appreciate artistes there. I've had
such successes!"

"And you were angry with us for teaching you your profession," said Ma.
"You see now that it was for your good."

"But it depends on how it's done," said Lily. "If I had always been
treated like this, I should never have left you."

"Well, you don't bear your Pa and me a grudge, I suppose," said Ma, "or
you wouldn't have come back. We knew you'd come back. This has always been
your address; your Pa never took your name out of _The Era_."

"You didn't treat me fair," said Lily, "but I've forgotten most of it. Oh,
don't let's talk about it any more! Let's talk of something else; let's
talk of you."

Lily knew all about their struggles, their successes; had heard of it on
the stage, in the cafes. But here, in her room, as described by Ma, she
put her finger on it, so to speak, and realized more fully what a blank
her flight had made, what a catastrophe it had been for them.

And Ma gave details, tried to interest Lily in the fate of the troupe;
told her that, for months, the troupe had been refused everywhere, because
she wasn't in it, and her Pa had to change apprentices.

"I was the troupe!" said Lily.

"Oh, the trouble your Pa took running after his own fat freaks! I thought
he would get heart-disease! And months of it, without earning a thing. Oh,
if your Pa hadn't had some money ...!"

"But he had plenty!" said Lily.

"Oh, not much, not so much as you think!" Ma hastened to say, thinking she
saw a spiteful allusion in Lily's remark.

"Yes, all right, I know," said Lily. "Never mind about that. It's my turn
to make money now, for myself."

"Still that independent spirit! We haven't got her yet!" thought Ma.

And she went on talking of the troupe, of the cousin who played the star.

"Pooh!" said Lily. "A nice sort of star!"

"It's not every one who can star in Berlin by herself, like you," said Ma.
"Do you know, Lily, you ought to stay with us: we should get on so well
together. You would manage the troupe; and, one day--who knows?--you might
make a nice marriage."

"But I am married, Ma! I didn't live with him! Do you mean to say you
think ...? Not I!"

"I know you're married, but you can get a divorce. Jimmy used to make love
to you; now there's a man who ..."

"And you used to say he was a drunkard, Ma!"

"Never!" said Ma, rising to leave.

Lily was flattered, at heart, to be received like that. She also felt
proud that her Pa had not been ashamed of her and that he had kept her
name in _The Era_. Well, they treated her as a lady, saw her value, gave
her her due. And she lay for a while enjoying her triumph, while she
turned the pages of _The Era_ in an absent-minded way: Miss This, Miss
That, Cape Town, Calcutta ... actors, singers ...

"Those aren't artistes, any of them!"

Programs, plays, songs: "_Why I Love Women_!"

"I know, you footy rotter!"

"_Is Marriage a Failure_?"

"I should think so!" thought Lily.

And articles, biographies ...

"Pack of lies!" thought Lily.

And pages of "Wanted ... Wanted ..."

Lily ran her eye down the columns: artistes' boarding-houses,
_costumiers_, scene-painters, dancing-schools, every town, every theater.
Hullo!--she had turned the page--Tom, the dancer--Hullo! At Milan!

"Bravo, Tom!"

Jimmy at the Hippodrome next week; private address, Whitcomb Mansions.

"Pooh, he's well off! What's fifty pounds to him?"

Hullo! Miss Lily--Berlin--Permanent address, Rathbone Place, London, W.

"Well done, Pa! Serve him right, the tramp cyclist!" said Lily, throwing
down the paper and jumping out of bed.

Quite a business, her toilet. She was two hours titivating herself. She
wanted Pa and Ma to be proud of her, of her successes on the continent.
And, when the apprentices came in from practice, you should have seen her
walk into the dining-room. A little air of simplicity, her forehead put
out for her delighted Pa to kiss, hands all round--"Hullo, girls! Hullo,
Daisy!" And she sat down like a lady accustomed to smart restaurants, who
does not despise dinner at home, however, with a boiled leg of mutton to
recruit her inside after those champagne suppers, those truffled
pheasants, that damned continental cooking! She accepted everything, and
thought it all very nice, simple life, simple joys, the only ones!

She set a good example to the new apprentices, who eyed her stealthily,
instead of eating, for Miss Lily's presence turned their heads entirely.
My! A star like that, a real one! Lily Clifton, the New Zealander on
Wheels! And dressed ... dressed like a lady in the front boxes! Cousin
Daisy was green with jealousy. Lily talked of her travels, her successes
and the crossing, gee! Waves "miles high," the boat standing on end! Glass
Eye Maud devoured her with her one eye, screwed up her fat red cheeks in a
fixed and motionless laugh, scared before Lily, who came from over the
sea, from countries where savages live. Glass-Eye, in her perturbation,
served Lily first. Pa made no objection, asked Lily's permission to light
his pipe: was she sure she didn't mind smoke? Lord, you never knew, with
those ladies! He swelled with pride. If it had been Christmas-time, he
would have ordered a pudding, my, a real wedding-cake three feet across!
His ideas of grandeur returned, his triumphal tour round the world, the
definite extermination of the fat freaks ... if Lily remained with him
...

After dinner, the apprentices retired, to finish sewing some bloomers.
Lily approved:

"Bloomers? Very nice ... for a troupe!"

Presently, in the afternoon, the three of them went for a walk: Pa freshly
shaven; Ma decked out in her jewelry: Lily did not wear any, "only in the
evening when she went into society." Tottenham Court Road, the Palace, the
Hippodrome.... Pa would have liked to write up on his hat:

"Lily has come back!"

He looked to right and left, had the satisfaction of distributing nods and
bows to some artistes, with Lily on his arm, as though to say:

"You see it was wrong, all that people were saying, about those smackings!
And the proof is, here she is,--on my arm, damn it!"

As for Lily, she thought only of showing herself:

"If Trampy could see me now!" she reflected. "And Jimmy, if he could see
me, in my fine dress, while it's still new!"

Regent Street reminded Lily of Pa's generosity. She would not be
behindhand. Pa had to accept a red tie, a pair of gloves, a match-box, as
a present; Ma, an embroidered handkerchief, a lucky charm. Lily had the
satisfaction of paying with gold and receiving change.

She was tired, in the evening, put on a languid air: gee, her mother would
have shaken her for less in the old days! Lily put it on still more, to
show them all that times were changed. But she did the troupe the honor of
going to see their performance at the Castle. It was a great success for
her.

"Made a bit, eh?" asked the manager, seeing her fine dress. "Coming back
for good, to star with the New Zealanders?"

"I don't know; I shall see."

Lily was quite ready to come back, in her own mind, but she wanted to
return in triumph. It all depended on the price offered: to think that she
had worked for them at ten shillings a week, when she was worth quite two
pounds a night! She would see; she would make her own conditions: for
instance, herself in tights, the others in bloomers ... a special tune for
her entrance ... no star beside herself!

Lily watched the New Zealanders' performance with the air of an expert:

"Not so bad; quite good ..."

And she had various ideas: herself as a fine lady, undressing on the
stage. Or rather, no, as a statue, on a pedestal in a park ... with Cousin
Daisy at her feet, throwing flowers to her. Then she would come to life,
as though waking from sleep, and step down prettily to a special tune.
Hullo, what's this? A bike! And then, gee, a blast of the trombone and she
would show them what a star was, a real one! Yes ... she would see ... if
Pa and Ma insisted ... perhaps ...

But her real triumph was next day, at practice. Her Pa, excited by her
presence, ran and ran, notwithstanding his palpitations of the heart. It
was no use his trying to restrain himself: his enthusiasm mastered him as
soon as he saw them all in the saddle, his little Woolly-legs!

And no more Tom: he was all by himself now; and, when he sat down to take
breath, he still ordered his little Woolly-legs about, shouted his cutting
remarks at them.

Lily raised her head proudly. She seemed to take the apprentices to
witness. She had gone through that, much worse than that, for years! She
was a gentle little lady, all the same. Besides, she was all for
gentleness:

"Leave her to me, Pa; you're making poor Cousin Daisy quite nervous. She
doesn't know; I'll show her!"

And, under her great waving feather, Lily, without even taking off her
gloves:

"There, put your foot there ... like that ... and like that ... firmly.
No, not like that!"

And, suddenly, stimulated with professional zeal:

"Wait, I'll show you how it's done!"

And, in an instant, to show them all how you're got up when you're a star
and when you come back from the continent, Lily took off her bodice,
pinned up her skirt amid the rustling of the silk and, bare-armed, in a
lace-trimmed chemisette:

"Now then, I'll show you!"

And Lily, with all her little muscles alive, took a bike, jumped on it as
she would on a stool and then--yoop!--the bike on its back-wheel, spinning
round like a top.

"Twirls are as easy as anything: you only have to know how to do them.
Come on! Have a try!"

And the other, encouraged by a friendly slap, tried in her turn
and--yoop!--succeeded ... very nearly.

Pa was enraptured at the mere sight of Lily's little curled nostrils and
her earnest look:

"What a professor she would make!" he thought. "If ever she takes the
belt, she'll be simply grand. I can just fold my arms!"

But he made her dress very quickly. That exhibition of dainty underwear,
which flattered his pride as a father, would have driven girls used to
sewing their own calico shifts quite crazy: there would have been no
holding them; and, besides, artistes might come in at any moment. It would
not do for Lily to be seen half-dressed like that; and she realized this
herself, like a sensible little lady, who hates scandal.

"Stay with us, Lily," said her Pa, at home, after dinner, when the
apprentices had gone out. "Stay with us."

"It's your duty," said Ma.

"If you stay," continued Pa, "I'll make you a present of a brand-new
banjo!"

"Thank you, no more banjo for me," said Lily, laughing. "I've had my
share."

"All right, no more banjo," agreed Pa, "provided you stay with us: that's
all I ask. I shall be afraid of nobody then; I'll show them what an
artiste is!"

And, warming to his subject, Pa built up his plans: the great English
tours; and Eastern and Western America, Australia, South Africa:

"Eh, Lily? Wouldn't you like to see it all again? Or else, for once, I'll
get up a troupe and take it round the world myself, with you in it!"

"But, Pa," said Lily, very coldly, "I have business arrangements of my
own, more engagements than I want."

"It's a business arrangement I'm proposing to you," said Pa.

"And shall I come on in tights?"

"In tights, if you like."

"And no other star but me!" continued Lily, explaining her idea:
undressing on the stage, or else the statue, her own scenery ...

"Capital idea!" cried Pa.

"And then there's the money side of the question," said Lily. "I make a
lot of money now. I want to work for myself."

"And what you make with us, won't it be yours, one day?" suggested Ma.

"Stay with us," said Pa, "and Trampy will burst with spite and you'll be
much happier here, with your Pa and Ma, instead of with that
good-for-nothing!"

"Or instead of remaining alone, which is even worse," Ma insisted. "You
want us still, Lily ..."

"And you me! Let us talk business," interrupted Lily, who would have liked
a pencil and paper, to make her calculations with.

Ma, in her heart of hearts, did not think it at all nice of a daughter to
consider only her own interests; but Pa hurried up, thought Lily was quite
right ... although he was greatly embarrassed in reality and asked himself
how much he could well offer her, so as to make a profit for himself.

Fortunately, he was relieved of his predicament by Glass-Eye, who came in
with a telegram for Miss Lily.

"Give it here!" said Lily, who noticed, as she opened the envelope, that a
chair had creaked and that the palm of her left hand was itching: a sign
of money. "I'll bet it's about an engagement. I have offers from every
side; you have no idea ... Well, I never!" she said. "A telegram from
Jimmy, at the Horse Shoe! I thought he was at Whitcomb Mansions. What can
he want with me? He asks me to call on him! Funny way of treating a lady.
Why can't he come himself?"

But Pa and Ma thought differently: Jimmy was "somebody," a man to be
considered, right at the top of the profession; she'd have done better to
marry him and not her Trampy Wheel-Pad!...

"You must go," insisted Ma. "Don't you like going alone? Shall I come with
you?"

"Yes, that's different," said Lily, who had a certain pride and who felt
sure that Jimmy would never mention that thousand marks before a witness.

Her heart beat a little, as she went up the staircase of the Horse Shoe to
the third floor, on the left, door 32. At first, she was surprised that he
should be there, having read in _The Era_ ... but he might have moved. On
the whole, she was not sorry to show herself to Jimmy in her pretty frock,
he having seen her last in her room in Berlin, looking ill, unkempt and
frightfully ugly. She was not sorry, either, that Ma was with her:

"He's in love, I suppose," said Lily. "Everybody makes love to me: why do
they, Ma? I'm not a bit pretty, off the stage."

And she took a mischievous pleasure in enlarging upon her successes and
her flirtations, there, on the staircase of the Horse Shoe, with Ma beside
her, and no smackings, gee, nor any fear of smackings in the future! What
a change since her marriage!

"Yes," Lily went on, as she read the numbers on the doors--29--"Ma, you
ought to see the flowers I get, the chocolates, the sweets"--31--"but all
that does not prevent a lady from keeping straight"--32--

Then she gave a stifled cry, her voice stuck in her throat: Trampy, Trampy
himself stood in the doorway, his hands in his pockets, a cigar in his
mouth, his hat cocked over one ear; and he looked at her with a bantering
air:

"Sorry to disappoint you, Miss Lily. You hoped to find some one else,
eh?"

Ma, utterly flabbergasted, had dropped on to a bench in the passage, in
the shadow. Trampy did not even see her. Lily was crimson with shame at
being caught tripping by Trampy: she could not deny it. She wanted to run
away, but, stupefied with surprise, remained where she stood, with dilated
pupils, open-mouthed.

"You can look at me till to-morrow morning and it won't help you," said
Trampy quietly, with the air of a man who has prepared his speech. "I've
got you this time! I sent the telegram; I knew you'd come, wherever he
thought fit to meet you; you'd have come for less than Jimmy; you'd have
come for the impersonator or any one else, never mind whom; any one in the
rotten lot, any gentleman in the front boxes, eh? It's 'Whistle and I'll
come to you, my lad!' with you! But I thought Jimmy would do best, Jimmy
your lover, whom you followed to London. Now my luck has brought me here,
too ... for my work ... not like you! And, by the way, Miss Lily, have you
brought me that thousand marks which you got from Jimmy and which I was
going to give back to him, when you stole it out of my pocket? Or did you
spend it on the way here? You hadn't a rag to your back, when you left me,
and I find you dressed up like a Tottie. My compliments, Miss Lily."

"O God, strike him dead!" prayed Lily. "Strike him, kill him, kill him!"

Lily felt like fainting. She could not breathe, her ribs seemed to be
crushing her lungs. At last she drew a long, slow breath:

"Well," she stammered, overcome with shame, "well, we can be divorced ...
if you like."

"I'll see," said Trampy, hardening his voice and throwing away his cigar.
"Go back to your Jimmy in the meantime. You may be sure I have no use for
a traitress like you, an idler who refuses to work, a woman who lets every
man make love to her!" And, suddenly, pointing to the stairs, "You can be
sure that I've no further use for you! Get out of this, damn you! And
you're not going, mind you: I'm kicking you out!"

And therewith Trampy went back into his room and slammed the door in her
face.

Mrs. Clifton and Lily remained glued where they were. At last, Ma,
trembling all over, rose from the bench and led away her daughter, who
shook her fist at the door, crying:

"Liar!"

"Why didn't you speak just now, my poor Lily?" said Ma. "You ought to have
answered back! So it's true, all that? A nice thing! You, who
pretended...."

"Oh, let go, you're crushing my sleeve!" retorted Lily angrily, pulling
her arm away from the hand that clasped it.

She went down the stairs, followed by Ma, without knowing what she was
doing. She would have liked to find a train on the pavement, a motor, to
jump into it, to make off and never see anybody again, after the
humiliation which she had undergone before Ma.

She flung herself into the first cab that came along, yelled a direction
to the driver: Hyde Park, anywhere! Ma found herself by Lily's side,
without being asked to step in, and she repeated:

"Lily, you ought to have ... Why did you let him treat you like that? Is
it true?"

"First of all," said Lily, suddenly turning and facing her Ma; "first of
all, it's your fault ... yours ... all that's happened, damn it! If you
had been less hard on me, I shouldn't have gone off with that footy
rotter!"

"I've often been sorry since," said Ma. "I've been sorry for it. Calm
yourself, Lily. And then ... were we so very wrong? Look how your husband
has just treated you before me, before your mother!"

"He's a liar! I swear it!"

"And Jimmy's thousand marks? What was that money for? Why didn't you give
it back?"

"It's a lie! It's a lie!"

"You, who pretended you were making such a lot of money!" continued Ma.
"There's not a word of truth in what you said. You haven't a penny. I can
see it. Oh, you're the same as ever, my poor Lily--extravagant habits,
dresses--and here you are, penniless, left to yourself with your expensive
tastes. You'll die in poverty one day, without a Pa or Ma. Come back to
us, Lily."

"To make nothing? No, thank you!"

"Who says so?"

"Oh, I know! Ten shillings a week, eh? Family life, as that old beast of a
Fuchs says!"

"Lily," said Ma severely, "don't insult decent people! Have some respect,
at any rate."

But Lily had no respect left for anybody. Pas, Mas, Trampies, Nunkies, one
and all, were so many slave-drivers!

"And yet it's quite true, I'm penniless," thought Lily to herself. "I, who
have earned a fortune for you!" she grumbled under her breath, stifling a
sob.

"You're mad, my poor Lily! All that we have will be yours some day. You
never think of the future; you spend your last penny."

"I earn and I spend!"

"And suppose you fell ill, my poor Lily?"

"Hospitals aren't made for dogs! Besides, I have friends. And then, at
least, I shall have had some fun for my money, while you, if you died
to-morrow, Pa would marry another woman, who would spend all your savings,
all the money I have earned for you."

"Lily," cried Mrs. Clifton, "you're insulting your father!"

"I'm telling you things as they are; and I won't come back to you, because
I can make more elsewhere! Every one for himself!"

"But you don't make a penny!" said Ma, gradually getting angry. "You heard
Trampy, just now. He called you an idler. Your Pa, at least, used to make
you work. You're trying to bluff us with those stories of your successes.
I dare say you'll be glad, one day, of a crust of bread with us."

"Ma!"

"Your contracts," said Ma, "you're always talking of your contracts. I
should like to see them and your programs too."

"Certainly," said Lily. "I'll show them to you: Munich, Berlin, Hamburg.
I've had successes everywhere, engagements everywhere! I make more by
myself than all Pa's troupe put together!"

"Yes, but how do you get your engagements?" said Ma, pale with anger,
seeing that Lily was escaping them and, this time, for good. "Tell me how
you get them?"

"Why, through my talent, I suppose."

"Your talent! Pooh! You've none left! You get them through your friends:
through your Jimmy, your gentlemen friends...."

"That's a lie!"

"You get them ... by looking pretty and getting round the men ... you ...
you ... you...."

"Mother!"

Lily drew back her shoulder, her arm stiff, ready to strike; but a sense
of respect withheld her.

"Stop!" she cried to the cabman, in a hoarse voice.

And, without even waiting for the cab to pull up beside the curb, Lily
jumped out in the roadway, into the mud.

"Mother," she said to Mrs. Clifton, "mother, I shall never forget this!"

And, mechanically, in her haste to get away, she handed the man what money
she had left, made a sign to him to go on and, without saying good-by,
Lily saw the cab drive off. It was evening, in a quiet street: where was
she? Lily did not know; her head was in a whirl. She recognized Old
Compton Street: had they gone no farther? It seemed to her that she had
been riding for an hour ... but no, barely a few minutes....

Alone in London, without money, in the mud, in the dark, oh! she wished
she could be swallowed up in the sewer. She felt like killing herself.

"If I walk toward the Thames," she muttered, "I am done for!"

And she took a street on the left, leading in the direction of the
embankment. The movement restored her to her self-consciousness.

An idea came to her, a distant hope, a glimmer, very faint at first, which
suddenly grew in dimensions within her and lit her up in every particle.
Jimmy! He appeared to her, all at once, like a giant eight feet high, as
on his posters. Ah, people seemed to associate her life with his, to
presume all sorts of things ... though he had never even kissed her! Yes,
he had ... on the stage ... in Berlin, but that was before everybody! And
everything drove her toward him, she always found herself on his path:
Jimmy was everywhere, always. And Jimmy was powerful and he was
good-looking and he loved her! He loved her! To keep straight was no use.
Why, all of them, all of them, including her husband, that footy rotter,
who was jealous of Jimmy without reason: she'd give him cause for jealousy
soon, if it killed him with rage, him and all the rotten lot. And she'd do
it that very moment! At two minutes' walk from where she stood, in
Whitcomb Mansions! She was not one of those women whom you can drive to
despair with impunity: she had her vengeance ready....

                    *       *       *       *       *

Jimmy was alone in his room; his table was covered with books and papers.
He was still at his great plan.

Jimmy sat plunged in work, without the least thought of what was happening
near him: in fact, he did not even know that Lily was in London. His
installation of "Bridging the Abyss" at the Hippodrome had taken him the
whole day. There was a scenic effect to contrive with the manager: a
"hydrodrama" ... bridging the abyss over a torrent ... with a waterfall
behind ... and the whole thing set and framed in a pantomine, which was
ready for production, because Jimmy had been expected for a month; in
short, it would go of itself.

And under the peaceful light he resumed his compasses, or else flung
himself back in his chair, lit a cigarette, followed the smoke with his
eyes....

Poor Lily, what was she doing, over there, in Berlin, thought Jimmy. She
deserved something better than Trampy, that adorable Lily, to whom he,
Jimmy, would gladly have devoted his life ... and whom he felt as it were
swelling up inside him ... in his heart ... in his brain ... in spite of
himself! That poor Lily! To think that he could do nothing for her, that
he almost regretted having done her a service, after the short scene which
he had had the day after with Trampy, blinded with jealousy, because he,
Jimmy, had visited Lily during his absence; the reproaches which that
simple action had earned for him:

"Look here, you righter of wrongs, you who preach to others and go making
love to their wives!"

To have put himself in a position that he could be spoken to like that, in
a position to have Lily suspected! What a shame! Oh, the worries it would
cause her! Yes, he had been imprudent, perhaps: it was all his fault;
another man's wife....

[Illustration: "Oh, you mean cur!" roared Lily.]

A tap at the door. It was opened behind him, before he had time to say,
"Come in," and Lily walked up to Jimmy, who sat dumb with surprise: a
strange Lily, feverish, distraught with passion. At any other time, she
would have felt constrained, because of the thousand marks, or proud to
show off her dress. Perhaps also she had prepared things to say. But all
that was forgotten, gone, blown away, like a straw in the storm, for
nothing came from her but this, in an anxious voice:

"Tell me, Jimmy, is it true that you love me?"

"Why," said Jimmy, perceiving Lily's agitation, without guessing the
reason: oh, but for Lily to do a thing like that! How she would regret it
later; it was terrible this time really. He saw all that at a glance; a
great pity invaded him; and yet he was a man of flesh and blood and felt
stirred to the marrow. "Why," he began, in a voice which he strove to make
friendly, no more, "why, Lily, who told you that? Why really ... I...."

"Jimmy," she cried, fixing her eyes, like two flaming swords upon him,
"answer me! Do you love me or not?"

Jimmy, turning as pale as a corpse, looked at her without flinching and
shook his head in sign of no.

"Oh, you mean cur!" roared Lily.

And she struck him on the face with her clenched fist.

                    *       *       *       *       *

Then she went out without a word, ran down the stairs, out into the blaze
of Leicester Square, made for the dark streets and plunged into the
night....




INTERMEZZO

I


The artistes' special left Euston at noon that Sunday. The Three Graces
were the first to arrive; then the waiting-rooms, until lately deserted,
began to fill with silent groups of five or six persons at a time, who
had, no doubt, arranged the night before, at the theater, to travel
together and avail themselves of the reduction allowed to members of the
M. H. A. R. A.: a reduction of at least a third, provided there were five
in the party. They now swarmed into the station from every side: pale
faces, under huge feathers; wrists hooped round with bangles; breasts
bristling with gollywogs and lucky charms. There were little girls with
bows over their ears, dressed in plush and velvet and following their Pas
and Mas. There were troupes of carpet acrobats, with low foreheads, broad
shoulders and bow legs; and profs, bosses and managers, recognizable by
the richness of their watch-chains, looked after the luggage. Theater-vans
discharged immense basket trunks, marked with letters a foot
high--"Brothers This ... Sisters That ... So-and-so Trio ... Miss
Such-and-such"--and bearing on the handles, on the yellow labels of the M.
H. A. R. A., addresses of Empires and Palaces and of Grand Opera-Houses
and Grand Theaters, too, for there were not only "artistes," but singers,
actresses, "chicken-necks," "woolly-legs," who rubbed shoulders with the
muscular acrobats. All of them crowded round the booking-office; they
handed in professional cards, helped one another, among pros; those who
were traveling alone borrowed tickets to enable them to get their
over-weight luggage labeled: complicated pieces of apparatus,
nickel-plated rods wrapped up in sacking, equilibrists' perches; the
coaches, which were carried by assault, were encumbered with hand-luggage,
bags, parcels, picture-frames containing photographs for the doors of the
theaters, heaped up in the racks, under the seats, in the corridor; and
there was a constant fire of "Hullo, girls! Hullo, boys!"

The Three Graces, standing before the carriage-door, now that their things
were settled, watched this tumult sadly, especially Thea. What was it?
Nunkie's absence? No, but poor Lily had been kicked out by her husband, so
they heard, and turned out by her mother as well: was it possible? Lily
was dead or vanished, they didn't know which; they were told about it at
the theater; a stagehand had met her near St. Martin's Lane, in a small
street, with her hair undone and her hat on the back of her head, crying,
biting her handkerchief, drunk, apparently, and running in the direction
of the Thames. And, since then, they had had no news of her.

"Poor Lily, what can she have done, what can have happened?" sighed Thea.
"Poor Lily, she was always so nice!"

Thea could have cried for sadness.

The start caused a diversion. The collector punched the tickets:

"Blackpool? Glasgow?"

The Three Graces stepped in, the engine whistled. But a porter rushed
past, pushing before him, with a rumbling like thunder, a huge trunk on a
barrow. Thea turned her head and a name in scarlet letters caught her
eyes: "Miss Lily!" And, running after the trunk, magnificently bedecked,
in a hat all feathers and gold tassels, who? What? Lily! Lily herself, red
and out of breath, leading her bike with one hand, carrying an umbrella in
the other, and Glass-Eye, her arms stretched wide with parcels, following
in her train! Just time to throw her bike to the porter in the luggage-van
and quick, quick, Lily came scudding back, hustled along by the
train-master! She would have missed the start, were it not for Thea, who
opened the door and, with her arms of steel, gripped her as she passed:

"Hullo, Lily! That's a good girl! Quick!"

Lily leaped into the carriage with a bound. Glass-Eye, entangled in her
parcels, had, amid general laughter, to be dragged by main force, through
the narrow doorway, like a piece of luggage. Oof, just in time ... Off
they were!

In the railway-carriage was nothing but gaiety and handshaking and
ingenuous questions:

"Traveling by yourself? Where's Trampy? And your Pa and Ma? So you're not
dead, eh?"

"Certainly not," said Lily. "If they had come to annoy me at the station,
I'd have shown them if I was alive or dead! I was ready for them!"

And she brandished her umbrella.

Then she had to make herself comfortable, to find room for all her
belongings as best she could. Lily pushed Glass-Eye about, like a fine
lady used to being waited on:

"Here, take my hat, Glass-Eye; hang it up. Take my wrist-bag. Wait, give
me my handkerchief first!"

To look at Lily, all fresh and rosy, one would never have suspected the
trials she had passed through, but a few days ago. Still quite flustered
with that hurried departure, she smiled as she watched the Three Graces,
who, on their side, were carefully folding up their cloaks. And the train
rushed on, rushed on through deep cuttings, dashed through deserted
stations ... and then, suddenly, entered a tunnel. Lily, but for the noise
of the wheels, would have seen herself as she had been that night. Oh, she
would never forget it! It clutched at her heart. She clenched her fists
with anger. Turned out by Trampy! Insulted by her Ma! Flouted by Jimmy,
that mean cur! Oh, when she left his place, a few days ago, she felt like
a madwoman! Her first idea was to disappear, to take a header into the
black water! But, ugh, the mud, the cold! And then the hospital, with
those people who cut you up! She must also show Pa and Ma whether it was
through her gentlemen friends that she meant to earn more by herself alone
than they and all their rotten troupe put together. Perhaps Pa and Ma
would come to her, one day, to beg their bread! But Ma must first ask
Lily's pardon on her knees. On her knees, damn it! And, in despair,
inwardly raging, her chest aching with grief and spite, Lily, penniless,
but brave for all that and ready for the fray, returned to her hotel,
where, to her great surprise, she found some one waiting for her, with a
parcel in her hand.

Lily recognized Glass-Eye.

It was, indeed, poor Glass-Eye. When she heard what had happened and that
Lily would starve in London and a jolly good thing too, that she could
sleep in Leicester Square for all they cared: when she heard this behind
the door, Glass-Eye almost fainted. Without a word to a soul, she had
packed up her parcel and gone to join Lily; and Lily, in her misery, cried
for joy when she saw the decent girl, who offered her her savings, twelve
shillings in all, saying:

"Take me with you, Miss Lily; I'll wait on you for nothing. Take me, take
me!"

Oh, not to feel alone, to have some one beside you who loves you: that had
consoled Lily....

The next day, accompanied by Glass-Eye, she called on the agents, in the
Leicester Square quarter, at the risk of meeting Pa, or Trampy, or Jimmy;
but who cared? With her umbrella in her hand, she feared nobody and did
not give a fig for any of them.

Nothing for her at Harrasford's, where the Warwicks were starring. Very
well, she'd come back again some other time! And straight on to Bill and
Boom's in Whitcomb Mansions, below Jimmy. As she climbed the stairs, Lily
screwed up her eyes, like a short-sighted person, for fear of meeting
Jimmy, prepared a haughty attitude; but she saw no one. She was not kept
waiting, was shown in at once to Boom's office. Lily Clifton? the New
Zealander on Wheels? Straight away a contract! And Lily left with twenty
music-halls in her pocket! Liverpool, Birmingham, Sheffield and so on: a
week in each town, beginning on Monday next. And that was how she got
engagements through her gentlemen friends!

The next day, she borrowed some money on her contracts from the Brixton
financier: "loans from five pounds upward, in the strictest confidence."
Then, proposed and seconded by two artistes, she joined the Variety
Artistes' Federation and, in return for ten shillings, received the red
card of membership. She paid another ten shillings and the same for
Glass-Eye, her maid, to the M. H. A. R. A. and obtained the right, for one
year, to travel at reduced fares, including an insurance against
accidents: five hundred pounds to her heirs in case of death--her
heirs!--and two hundred and fifty pounds if she lost a hand or foot in a
railway accident; and one hundred and fifty for a serious injury. Then she
bought a big gollywog, for her dressing-room, and a little lucky charm for
her watch-chain--a closed black hand, with the thumb between the fingers,
as a preservative against falls--and with that and her bike she would have
set out for India and Australia as calmly as she might have taken the
omnibus to Earl's Court.

Oh yes, she had done a deal in those few days and, above all, she had got
out of her difficulties, thanks, to a certain extent, to Glass-Eye, who
had comforted her. And besides, hang it, that was all over now! The
worries were forgotten, and, as the train emerged from the tunnel, Lily,
with her arm round Glass-Eye's waist, was patting that decent girl and
Glass-Eye lifted her one good eye to Lily, while the other, the glass one,
gazing fixedly at the door, reflected the thinly scattered houses and the
beginning of the country.

Lily, when she had recovered a little from her mad rush, lay down at full
length among her bags, parcels and bandboxes. She laughed with the Three
Graces; and there was no one there to interfere with them; there they
were, by themselves, among themselves, alone in the compartment, a
regular, rollicking school-girls' picnic. Lily made them scream by telling
them about her life since they had last seen her. She felt a need for a
reaction of gaiety, after her sadness of the days just past. The Graces
fixed their round eyes upon her, upon that Lily who was so thoroughly up
in all sorts of things which they knew only by hearsay: men, love. A life
fit to kill a horse; and a very nice girl, for all that: a kind of
forbidden fruit, pink and fair-haired, soft to the touch; and no jealousy
between them, friendship rather, a rare thing, in the "Profession"....

Lily grew excited in talking, told of her successes, the receptions, the
teas she used to give in her drawing-room, in Berlin, when she was ill.
Jossers, according to her, would have paid any price to have been there!
It would form a subject of conversation over there for many a long day to
come. And then her journeys, her impressions of the continent--"Jam with
your meat, my dear!"--and such clean dressing-rooms in Germany; very
severe managers, though: gee, harder than Pas. But very good to her, all
the same. The Battenberg at Leipzig: nothing but leading turns; and she
had topped the bill at Leipzig! And to see all those people eating, during
the show, when you were hungry yourself, had a very funny effect upon you.
By the way, she didn't like that system of being lodged and boarded by the
management; it was all very well for those people; but none of that for
her: give her a nice flat in town or a smart hotel! Once she was started,
Lily never stopped, called Glass-Eye to witness, went on telling of her
life in Berlin; how Jimmy had fallen in love with her when he saw her on
the stage, and he had the cheek to want her to run away with him; but who
got a box on the ear that day, eh? She perhaps: yes, rather, over the
left! And Jimmy and Trampy had fought for her! So had all the pros, worse
than dogs in September!

"What a rotten lot!" concluded Lily.

"My, how you've changed!" said Thea. "You used to be so fond of men."

"I give it them where they deserve," said Lily, slapping her firm, round
hips.

And they laughed noisily at Lily's anger when, with her shoulder drawn
back and her arm ready to strike, she spoke of breaking the jaws of those
two scoundrels.

"Go it! Hit me!" said Thea, putting forward her deltoid muscle. "Hit away!
You'll only smash your wrist!"

And then those Spartans calmed down, asked one another for news of absent
friends, talked about different people they had known, all over the place,
on the stage: their conversation always came round to the profession.
Lily, with greater refinement, sometimes tried to discuss dress: tulle
ruches were to be worn this year, she heard; feather boas. The Graces knew
nothing about that, stuck to their "Did you ever know...? Do you
remember...?" And every part of the world was mixed up in their talk:
India, Tasmania, Mexico, South Wales, New South Wales, York, New York,
Hampshire, New Hampshire.

"Did you know Ave Maria?" asked Lily.

"No."

But they mentioned other friends, like school-girls living in the same
quarter; only, for them, the school, the quarter was San Francisco,
Chicago, Berlin, and the schoolmates were the girl in a knot, who had sold
her skeleton in advance to the Medical College: Marjutti, the
double-knotted girl, to whom the South Kensington Museum offered five
hundred pounds for a cast of her figure; the Pawnees, who had just won a
treble beauty prize; and the Laurence girl, whose cruelly daring
performance was forbidden by the Manchester police; and heaps of others
whom they had known and who, at that moment, were asleep at the antipodes,
right under your feet, or waking up in the Far West, or going to bed in
the Far East, or pitching on the ocean, or rolling in express trains
toward the five corners of the earth. And their own traveling adventures,
the Graces' and Lily's: broken railway-bridges! ships on fire at sea!
towns blazing up in the night! ropes breaking, falls head-first, my! One
would have thought that these girls of seventeen to twenty were South Sea
pirates, talking of hangings and tortures, or, rather, children playing at
frightening one another. Lily, for instance, in India: two eyes glaring at
her in the dark, gee! And, in New York, a fall into a mirror; all over
blood; half dead. She grew excited, in her desire to outdo Laurence and
Crack-o'-Whip: the steel-buckled belt, the kicks in the ribs! Stories of
brutal treatment picked up on every side--from the Gilson girl, from Ave
Maria, from all the boys and all the girls and all the monkeys who had
been through the mill--she made every one of them her own, served them up
hot and hot to the astounded Graces, talked of whole days spent in
practising on rough, uneven boards--"And given no food, was I,
Glass-Eye?"--so much so that she would sometimes get up in the night and
go and pick up the crusts under the table, gee! Lily reveled in the
pitying expressions of the Three Graces and her heart swelled with pride
when Thea, greatly touched, remarked that, in such cases, it would have
been better not to be born.

"You're quite right," said Lily, with a drooping air; but she burst into a
peal of fresh, young laughter when she saw Glass-Eye overcome with
emotion. "What's that?" asked Lily, giving her a thump in the ribs.
"Crying? You silly cuckoo!"

If it hadn't been for her Ma's insults and Jimmy's and Trampy's--when it
all came back to her, it was like a needle stuck in her heart!--Lily would
have been in the seventh heaven! No more Pa, no more Ma, no more anybody;
no boss, no prof, no husband, nothing, all alone ... with her maid!
Certainly, there would be the worry of business, looking for her "digs,"
seeing the agents, writing letters and so on; but she would know how to
put herself forward, how to make the most of her work; and she smiled as
she reflected how little all those worries meant, compared with her past
life: and she would be free, free, free at last. She was going to earn
money, to enjoy life.

And the train rushed on, rushed on through the fields. Glass-Eye, with her
nose glued to the window, was astonished to find everything so large
outside of London: red villages decked the green country-side; and then
came empty railway stations. Sometimes the train slowed down:--a large
silent town lay spread in the valley, white smoke rose from the endless
roofs; homes, more homes; the air of rest, the empty streets and the
indistinct chimes of the church-bells proclaimed to the pale heavens the
majesty of prayer. Lily listened with a dreamy air; it all reminded her of
things:

"It's like the American engines," she said to the Three Graces, "that used
to ring their bells when they passed through Syracuse."

But the train rushed on, rushed on.... And they again began to talk shop,
as always: with, here and there, an excursion into the cost of food. The
Graces, just then, were unpacking their lunch; and Lily fetched her
traveling provisions from her bag in the corridor. There was a sound of
clattering plates from end to end of the train, in a mist of
tobacco-smoke. Lily rejoined the party very quickly, to avoid coming in
contact with the pros, and, waited on by Glass-Eye, attacked her meal and
broke her bread so heartily that the crusts flew to the ceiling. They
drank out of the same cup, took their meat in their hands, Lily saying
that fingers were made before forks. They chattered noisily, with the
time-honored jokes about apples and bananas. They made Glass-Eye talk a
lot of nonsense. Lily, flinging back her head, laughed full-throated, held
her sides.

"My!" said the Graces. "What a pity that we are separating! It would have
been so nice to travel together; one's never bored with you. What a
tomboy!"

"'K you!" said Lily, greatly flattered, with a stage curtsey.

Unfortunately, they would have to part at Warrington. The Graces were
going on to Glasgow, Lily was changing for Liverpool; a few moments more
and it was good-by, until chance....

At Lily's request, the Graces gave her a few last words of advice,
explained the system of the pass-book of the Artistes' Federation: the
sixpenny stamp to be stuck in the little square every week; the extra
stamp at each death of a member, for the benefit of the heirs. They talked
to her of the Friday meetings at Manchester, at which every artiste can
speak and see himself printed afterward in the London _Performer_.

"Good!" thought Lily. "I may have things to say. There will be news for
somebody!"

The Graces had a "three years' book," the professional _agenda_, with
nothing but Mondays marked on it for the weekly engagement: 8 January, 15
January and so on.

"Yes, I know," said Lily. "Mine's full for months ahead!"

They showed her, on theirs, the last pages containing portrait
advertisements of famous artistes: the Pawnees, Marjutti, Laurence.

"Oh, if I could get there one day!" thought Lily. "I'd post it to Pa; it
would be the death of him!"

And then followed the thousand and one details of the wandering life: your
name on the red list, the list handed in at the station; the journeys at
reduced fares; the music for twelve instruments, forty executants, sent on
to the theater a fortnight in advance.

"And matinees are paid for now. And you know, Lily, in the Federation you
can get a solicitor free."

"That's a good thing to know," thought Lily, "for my divorce from that
rusty biker!"

Oh, how she hated pros, now! The sight of them in the corridor, looking at
her with glistening eyes, made her want to put out her tongue at them! But
she preferred not to see:

"I don't like to seem stuck-up with them, it's not polite," she observed.

Nevertheless, she shrugged her shoulders when one of them who, no doubt,
had known her when she was "that high," blew kisses to her from the tips
of his fingers, with a gesture straight at her heart, through the window.

And the train rushed on, rushed on. They were nearing Warrington. The
slopes, on either side, bristled with chimneys and houses, houses, endless
roofs ... a Lancashire rid of its black smoke, like an extinct and silent
crater ... Warrington!

A few minutes' wait. There was a general hustle, pros stretching their
legs, running to the refreshment-room for a drink, some seeking seats in
the train, others saying good-by:

"Write to me, eh? Cathedral Hotel, Melbourne."

And a shake of the hand; so long; perhaps for ever. More basket trunks
were being trundled down the platform. A wife was leaving her husband: six
months, twelve months, without meeting; who could tell? Or else, perhaps,
between two trains, as the luck of the tours would have it; and they
seemed very fond of each other, too; Lily thought it very pretty. But she
had other things to do than sentimentalize. She handed out her parcels to
Glass-Eye and then, standing on the platform, said good-by to the Three
Graces:

"Hope you'll have a good journey! _Au revoir_! Send me some post-cards,"
said Lily. "Address them to the theater, I love that! Good-by! Ta-ta!"

The train started. Lily waved her handkerchief to the Three Graces.

One more separation; one more little rent: Lily had had so many in her
life. As far back as she could remember there had been heads at the
carriage-window, like that; ships standing out to sea; trains rushing into
the night. But, this time, she was alone, with her maid. And she drew
herself up proudly, like a lady who had a sense of her responsibilities. A
new life was opening before Lily, as before a girl just coming out. Poor
Lily, a girl still, in her way, yes, with, for her portion, a feather in
her hat, a gollywog in her trunk, a pair of supple legs and nerves of
steel, unerring and exact, trained to turn round and round....




CHAPTER II


"Liverpool! Come along, Glass-Eye!" said Lily, jogging her maid in the
ribs.

Glass-Eye, half asleep, clumsily gathered up her parcels, while Lily
looked round for the baggage-man. On the platform was an avalanche of
bags, boxes, picture-frames, as at the departure from Euston; the basket
trunks were being piled up in the theater-vans. Lily pointed out her
hamper and her bike to the boy from the theater, who had come to meet the
"program" at the station.

"Are you the bicyclist?"

"I am," replied Lily modestly.

She gave her address: not the pros' boarding-house, but private "digs"
which had been recommended to her in London, with a note of introduction.
Then she walked out of the station, followed by Glass-Eye.

Lily knew Liverpool, vaguely, as she knew all the towns of the United
Kingdom and those of America, too, and Australia and India and Germany and
Holland and elsewhere. They were all muddled up in her memory, she had
seen so many, and made as it were one great city, but for occasional
salient points, as in the towns which you came to in a boat, or those in
which you had a circus parade, or others still, here and there: Glasgow,
where she had fallen and broken a tooth; Blackpool with its ball-rooms,
its tower and a "contract!" Sheffield, with its smoking chimneys;
Washington, with a dome at the end; New York, with its sky-scrapers. The
towns of her early childhood, leaning against mountains, buried under
trees, were more remote, more like a dream. Elephants, monkeys, harnessed
buffaloes; and then Mexico and Ave Maria, London and those footy rotters!

Liverpool was Lime Street: Lily remembered a sort of round church; when
you got to that, you turned to the left. She soon found the house and
received from a huge, full-blown lady the friendly welcome which Lily's
artless air and fair curls always insured her. No gentleman with them? All
alone by themselves? A room with a big double bed, a little parlor with a
bow-window; sixteen shillings a week, including the use of the kitchen.
Just then, the baggage-man arrived, took the trunk up to the room and went
on with the bike to the pros' boarding-house and the theater. Lily,
assisted by Glass-Eye, fixed herself up for the week: her dresses on the
pegs, her linen safe under lock and key in the hamper. Then she made a
special parcel of things for the stage: paper flowers, ostrich feathers,
white laced boots.

"There, wrap that up in my petticoat," said Lily. "And the music and the
gollywog: you can bring all that to my dressing-room to-morrow morning."

Next, Lily made herself look smart, freshened up her two bows, threw her
green muslin scarf over her shoulders and went down to the parlor to pick
out her favorite tune--_The Bluebells of Scotland_--with one finger on the
piano. Meanwhile, the landlady spread the cloth: bread, marmalade,
watercress, two eggs. Then, according to instructions received, Glass-Eye
announced to Miss Lily that tea was ready. Lily affably invited Glass-Eye
to sit down to table with her; and the two ate away like friends. Lily
took the opportunity to settle her expenses; for instance--and this she
insisted upon--if she, Lily, took a maid, she wouldn't have her for
nothing; she intended to pay her some small monthly wage.

"And a good many little perquisites besides, you understand, Glass-Eye; my
old frocks, my hats."

Glass-Eye did not ask that, would have given her other eye to serve Miss
Lily.

Lily was still asleep, at twelve o'clock the next morning, when Glass-Eye
entered the room. She had lost her way, had walked miles, had been to the
landing-stage of the music-hall....

"At what time's rehearsal?" asked Lily.

"At one o'clock, Miss Lily."

"And you let me sleep till twelve, when I have so much to do!" said Lily.
"Go and get breakfast ready ... or you'd better mind yourself!"

And Lily put out her hand to lay hold of a boot; but Glass-Eye was gone.

[Illustration: GLASS-EYE MAUD]

Lily, while dressing, reflected upon her new responsibilities, upon the
way in which servants should be treated. No familiarity; not too severe,
either; and no smackings ... that is to say ... however ...

"I must dress her simply," thought Lily. "My hats, but without the
feathers; coarse thread gloves; and she must always carry a parcel."

Lily was eager to go to rehearsal, accompanied by her maid. There is no
rehearsing at "rehearsal:" the "times," the scenic effects are settled
with the conductor of the band; there are no bare arms or bloomers
practising on their carpets: a few dark groups, in ordinary walking dress;
others, in their shirt sleeves, are opening boxes, and no mystery, no
shifting lights: the stage and the house one wan hole, except the red and
gold note of the curtain and the black mass of the musicians, with the
gleaming brasses.

The artistes went up to the conductor, one after the other, and explained
their "turns:"

"When I come on, this tune, soft, six times, to begin with; then, once,
loud. When I go off ... a roll of drums."

The band, each time, played two or three bars, mechanically, at sight;
then it was understood and ... next, please.

Lily had seen this before, but not under these conditions; not dressed as
at present; not accompanied by a maid. She listened as hard as she could
when she walked on to the stage, caught the remarks, enjoyed the
impression which she produced. They seemed to ask:

"Who is it? A singer? A dancer?"

"No, Lily; Miss Lily, you know."

She guessed all that. Then:

"My score, Maud!"

And, leaning toward the orchestra, she explained, in her turn: pizzicati,
mazurka, frog, swan, back-wheel, the waltz for the twirls, the march for
the exit. And Lily withdrew with a half-curtsey and a pretty smile. Next,
she put out her things in her dressing-room, on the table, before the
looking-glass: brushes, pencils, grease-paints, strings of pearls for her
hair. She hung a cord from the door to the window, to dry her tights on,
when she washed a pair in the basin. She got out her little work-box, in
case of anything tearing, threaded a needle, freshened up the knots of her
ribbons, pinned photographs and p.-c.'s on the wall. And, over all, she
hung her gollywog, a hairy doll, white-collared, red-waistcoated, with, in
its black face, under the bristling hair, two shining tacks by way of
eyes. It was the protecting idol. Not that Lily, ever faithful to the
Church of England, believed much in gollywogs; but, like most music-hall
people, she felt safer when she knew it was there. And her dressing-room,
with the spangled skirts and the tights hanging down like flayed skins,
suggested some strange, exotic chapel in which a fetish sat enthroned.

After that, Lily had nothing left to do. She went out with Glass-Eye and
walked round to the front to look at her lithos. She saw to her annoyance
that a serio was topping the bill--and a comic singer middling it and a
cinematograph bottoming it. But no matter, she had a good place, just
under the bill-topper.

Next came shopping, through the windows. She bought a pair of thread
gloves for Glass-Eye at Lewis's and then went in and lay on her bed,
feeling ever so tired from getting up late that morning. She dreamed and
dreamed, while Glass-Eye went marketing. As soon as Lily was alone, the
thought pricked her like a pin: looking pretty, indeed! Her gentlemen
friends! Jimmy, that traitor, and Trampy! Trampy would be sure to play her
some dirty trick. Oh, if she could get a divorce from him, in spite of
all! She had made inquiries in London. She would want a solicitor. She
must have one, to set inquiries on foot.... She could have as many
witnesses as she pleased: all those girls ... and the stage hands ... and
two artistes, on the day when Trampy, in his fury, had flung his bike at
her on the stairs; the pedal had grazed her temple, yes, at Dresden. That
wasn't the way to treat a lady. Everything that had happened was his
fault; and they'd see who won the day, he or she. Her forehead wrinkled up
with anger when she thought of it. She bit her lips and clenched her fists
and then ... and then ... enough of that! She'd see to-morrow. And other
cares came to bother her: the indispensable things which she would have to
buy at the end of the week out of her salary; open-work stockings, an
aigrette for the theater, a little black bog-oak pig to wear at her wrist.
And Jimmy's thousand marks ...

"Damn it, let him wait!" And, with her hand on her lucky charm, Lily fell
asleep.

In the evening, at the theater, she forgot everything. She felt a longing,
a fevered desire to appear. When her turn came, after the xylophones, who
seemed, behind their tables laden with bottles, to be keeping a bar of
musical sounds; when the light shining on the great back-drop threw up
into dazzling relief the blue sea, the blue sky and the white colonnade
and terraces; when, amid the flash of the lime-light and the thunder of
the orchestra, she made her entrance on the stage, Lily had a smile of
triumph. Life was beginning for her at last! She could have cried out for
happiness to that human mass which, behind the flaming streak of the
footlights, spread itself, bare-necked and bedizened, in the warm shadow
of the front boxes. And she directed a scarlet smile, set off with a glint
of gold, to the audience.

"I believe I was grand to-night," said Lily, as she went off, out of
breath. "Oh, if there had been an agent in the house! But no such luck:
they're never there when they're wanted! And those two fellows," she
thought to herself. "If they had been there, they'd have died of
jealousy."

Everybody spoiled her. She needed a strong head to resist the flatteries
with which she was overwhelmed, both as artiste and woman. For instance,
when a row of Roofers were puffing away on the stage, some manager, who
had known her when she was "that high," was sure to observe that her
talent, her firm, round hips--"Eh, Lily, you've got plenty of that now!"
... Lily blushed under the compliment--would make more impression than a
whole herd of Roofers:

"Eh, Lily? I say, what are you doing to-night? Come and have some ..."

"Glass-Eye, my handkerchief," Lily broke in, suspecting an invitation to
supper.

Glass-Eye, in obedience to a gesture of Lily's, opened the wrist-bag, gave
Lily the lace handkerchief and Lily hid her mocking smile in a scented
gesture. Then:

"Good-by. Ta-ta!"

And they shook hands, like good friends, nothing more.

Glass-Eye frightened off the admirers with her fixed stare. And Lily had
no lack of them. She loved flirting. She wanted adulation, wanted to be
made much of. She had a revenge to take, arrears to make up; she and
sympathy had, till then, been strangers. She now took her fill of it, got
carried away, saw nothing but lovers around her, three or four at a time,
as when the comic quartet, the Out-of-Tunes, used to grin kisses to her in
the street. It was for her that they were there, every one of them, down
to the acting managers, who did not disdain to come round from the front
and take a turn on the stage. It might be a question of steam-pipes or
electric wires; no matter, Lily took it all to herself, made herself
amiable toward their dress-coats and white shirt-fronts, and said "'K
you!" with the great stage bow, the body bent in a sweeping curtsey, when
they complimented her on her firm, round hips. She stabbed them with
smiles, to make sure of complimentary phrases in their weekly reports to
the central boards. All of them; the electrician, the conductor of the
band, she had them all at her feet. It became a need for Lily to see
people all around her dying for love. It gave her a feeling of mingled
pride and remorse.

"Can I help it, Glass-Eye?" she would ask, to quiet her conscience.
"They're mad. They would leave their wives and children for me!"

She had an autograph album filled with "thoughts" and declarations:

"I love you! _Je vous aime! Ich liebe dich_!"

[Illustration: In the pros' smoking-room.]

Lily, now that the audience was good for invitations to supper, bouquets
and sweets, occupied herself with that somber mass which, formerly, did
not cause her so much uneasiness as the presence of her Pa. Lily, like a
real stage-girl, who had beheld waves miles high between Harwich and the
Hook of Holland, saw in a few flowers a bouquet large enough to fill a cab
and the least little love letter grew, in her eyes, into an offer to
present her with motor-cars and to abandon wife and child. If a gentleman,
for once in a way, stood on the pavement waiting for her, she dreamed of
an elopement. And there were pros, too, who prowled around her, in the
half light of the wings, and came up to her with outstretched hand:

"Hullo, Mrs. Trampy!"

"Call me Miss Lily," she said, in a vexed voice. "That's the name I'm
known by."

And many of them did know her, in fact, from having talked about her in
Fourteenth Street in New York, or in State Street at Sidney, or in the
theaters in South Africa, for that story of the whippings had traveled all
around the world, under the folds of the Union Jack. Some proposed to take
her with them in their show, or to go with her to clean her bike, instead
of Glass-Eye:

"Is it a bargain?"

"Yes, I _don't_ think!" said Lily.

Another, just off for Melbourne, told her that, in Australia, you could
find fire-escapes to marry you for half-a-crown. They joked without
constraint, in the pros' smoking-room, a small and dark corner between the
house and the stage.... All of them, all the pros, she had them all at her
feet; but she didn't care for that sort and she sent them all to eat
coke.

The months all passed alike. She had finished the Bill and Boom tour. She
continued in the private music-halls, from north to south, from east to
west of England. In spite of Glass-Eye's impossible cooking and the
everlasting ham sandwiches and pork-pies of the railway station
refreshment rooms, Lily grew plumper and plumper, her nervous leanness
filled out, with pigeon's eggs and ostrich's eggs everywhere, in front and
behind. She did not kill herself with work. Once, in Glasgow, at a
music-hall where, a few weeks earlier, Laurence had had a terrible fall,
lying unconscious for two whole hours, the frightened manager said:

"No dangerous tricks, mind! They only get us into trouble!"

Another time, she was given only seven minutes, watch in hand, on the
stage.

"Couldn't you cut that little trick? You know the one I mean," said the
manager.

He called a little trick a performance which it had cost her eighteen
months' hard practice and no end of bruises to learn. Lily did not wait to
be asked twice. She cut as desired and thought it a jolly lot easier to
trot round quietly, as though out for a ride, with pretty smiles to the
audience. She ended by paying more attention to her dresses than to her
work:

"It's not so much what one does," she said, "as the way one does it."

The sympathy with which she was surrounded unmanned the Spartan in her.
She strove to please, no longer gave her performance for herself, like a
machine, unerring and exact. Already in a few months, she was spoiled. She
looked for adventitious successes. She said, "The audience is very cold at
Birmingham," because she was not asked out to supper, and, "They do like
artistes at Sheffield, gee!" because a gentleman had sent her champagne
and flowers in her dressing-room.

In the towns where she played three times a day--a matinee and two night
turns--she gave half of her performance, cut whatever was dangerous or
tiring. She never practised now; just went down in the morning to fetch
her letters at the theater, where she loved receiving them, post-cards
especially, which any one could read. She said to the jossers:

"Send me lots; talk about motor-cars and champagne suppers: that drives
the pros wild."

She left them lying on the table, or else walked about on the stage, with
her letters in her hand, like a lady overwhelmed with offers, with
invitations. If, by any chance, she went to the practice at the end of the
week, it was to display her hat, her new boots; and she laughed to herself
when she saw the artistes, each on his carpet, fagging away like mad. She
felt like a fine lady visiting a boarding-school, among those little girls
practising their flip-flaps or gluing themselves to the wall to try their
back-bendings. The pride of a Marjutti, who, they said, tortured her
spinal column to achieve a double knot; the inordinate ambition of a
Laurence, risking her life for the pleasure of risking it, were things
which she did not understand. And then, all those accidents! Dolly Pawnee,
the other day, had broken her arm at the New York Hippodrome; the Gilson
girl had fallen on her head at Budapest. They were mad, thought Lily, to
do all that without being obliged to! No, no; no more of that for her! The
last thing she wanted was to spoil her face, seeing that she had nothing
but her smile to keep her. And Lily grew timid, looked upon herself more
and more as a very precious little thing. She gave herself terrible airs
on rehearsal day; thought the stage too slippery, or too small. Lily
wanted a stage thirty feet wide, no less; she who, in the old days, at a
gesture from Pa, would have performed her whole turn, including the
head-on-the-saddle, on the top of a cab or on the Stoke Newington
pavement. Formerly, she used to think everything good, did not know what
fatigue meant; now, in the middle of her turn, she would say to herself,
sometimes with a feeling of discouragement:

"I've only done half. I've still got this and that to do."

And the audience itself seemed to act as her confederate. When she missed
one of her tricks, Lily would lay her bike on the stage, step down to the
footlights, bow with a confused air, beg pardon with a smile and receive a
reassuring round of applause. Lily loved these refined audiences: _her_
audiences, as she said; not the matinee audiences, with seats at reduced
prices: to see your grocer or your butcher in the front boxes was rotten;
and those people gave themselves such airs. A cheap way of doing the
grand!

And the landladies spoiled her, too; those worthy souls who treated her as
their own daughter.

"And a jolly sight better!" thought Lily.

Others pitied her for the profession she followed, feared she would break
something, one fine day. Lily thought that very sweet of them, would have
liked to stay with them for ever; but there was the constant rent at
parting, a bit of herself which Lily left behind her every week. And the
bothers that Maud caused her! Her stupidity drove Lily mad: tickets lost,
bags mislaid, disputes with the tradesmen, battles with the bike,
scratches on the shins, on the hands, everywhere. Lily lost patience,
threatened her with the leather belt, damn it!

Sometimes, Lily became incensed with herself and everybody. Her divorce
kept running in her head. And her three years' book, with its last pages
unsoiled by engagements, also gave her cause for uneasiness; and yet the
acting managers must have sung her praises, in their weekly reports,--the
ones who came and made love to her on the stage!

After different music-halls, she had done the Harrasford tour, but without
any great success. People who had known her with the troupe thought that
she had gone off. Lily was furious: if, on those evenings, she missed a
trick, she would knock Glass-Eye about when she returned to the wings,
storm at the stage--"Slippery as ice, damn it!"--fling her bike, which was
not to blame, against the wall. Lily, in her pink tights, under the
pendants of false pearls on her forehead, looked like an angry savage,
ready to fly at your throat.

That was her life. No adventures, really; theaters in which she caught on,
theaters in which she didn't go down so well; more or less prolonged
applause; an encore or two; and, here and there, a bouquet large enough to
fill a cab: those were the great events. And it was always the same show,
on the same stage, from one end of England to the other; theaters and
theaters; so many theaters that, in her memory, they ended, like the
towns, by making only one. It was always herds of Roofers, swaying in
unison, with flaxen wigs, scarlet legs, boyish voices; and "families,"
"sisters," "brothers," all different, but all alike, going up the
staircase to their dressing-rooms in wraps, like gouty people at a spa,
and serios, serios, with choruses emphasized by dances. Sometimes, a new
attraction, a Venus without tights, or a bare-breasted Salome, would draw
whole groups, boys and girls mixed, to the wings, with their necks
stretched toward the stage. And there were exotic features, too: conjurers
from Malabar; boomerang-throwing bush-men; the Light of Asia, a Chinese
girl without arms, an artificial product, like those beggar-monsters whom
they cultivate in pots in the mountains of Navarre. She saw the
boy-violinist again. Since that bite in the seat of his trousers, at
Budapest, he had abandoned all hope of fame and was looking for an
engagement in the orchestra. She saw the female-impersonator with the
green eyes. She saw numbers and numbers. She ended by seeing them all
again, in the various greenrooms. She heard names mentioned. People were
coming on all round: Tom, singing-girls, dancing-girls. She would have to
do something, too, after all, to get herself talked about! She had
received a shock on opening _The Era_: they had not taken out her name!
There was still a Miss Lily at Rathbone Place: her cousin Daisy, it
appeared, a stranger, was there in her stead, under her name! And they
were stealing her idea! The New Zealanders were now called the New
Trickers; no doubt the turn which she had described to Pa. Something new,
something new was essential. She must manage to hit upon something! She
turned it all over in her head. There were too many Lilies, Lilians,
Lillians; you saw nothing but Lillians on the posters. But what about a
Lilia Godiva, quite naked on her bike, like the other on her horse? She
would mimic the scene, love and despair, and she would think of something
to raise a laugh! Peeping Tom, for instance, stretching out his neck and
stealing a kiss as she passed. Oh, she would find a way--trust her!--of
showing them what she had in her! And Jimmy and Trampy pursued her
incessantly with their hateful memory. Trampy, she was told, was still the
darling of the fair.

Lily was greatly astonished that he had not tried to obtain a divorce, on
his side:

"He's afraid," she said to herself.

More than ever, she busied herself with collecting her witnesses; she
would soon be rid of her tramp cyclist.

People also talked about Jimmy, whose reputation was still increasing.
After a triumphant season at the Hippodrome, he had left for America.
Jimmy was becoming a national champion. An article in _The Era_ spoke of
"our Jimmy."

"He's a friend of yours, Lily," people said. "You ought to know all about
him."

Lily tossed her head, like one who could say a great deal if she
would....

Oh, how she longed for revenge when she thought of that! Oh, if she could
only have served them out somehow! If she could get _The Performer Annual_
to send her those questions to answer: "Q. Your favorite town? Your
favorite audience? Your idea of marriage? Your pet aversion?" wouldn't she
give it them hot, just! She thought of having her biography written, the
real one. She herself sometimes jotted down things she remembered, on bits
of paper, on the backs of envelopes, in her dressing-room; arranged her
picture post-cards in order; called that writing her memoirs. She would
crush them with her successes, give names and dates: that lord who wanted
to travel with her, the fifty-pound diamond brooch he had given her. And
bouquets, chocolates, sweets ... by the cart-load! That stage-manager who
cried when she went away! All, all in love with her: yes, those and ever
so many more!

She had so much to say that she did not know where to begin. She knocked
up against too many people, men and women, without counting monkeys,
parrots, dogs, cats, ponies, elephants; it all ended by getting mixed up
in her head, like the theaters and the towns. She grew quite bewildered,
among so many different things. She had seen everything and done
everything. Once, during a week when she was "resting," she had helped her
landlady, who kept a public-house, to draw the beer and had waited on the
customers, with her fifty-pound diamond brooch at her throat.

At a benefit performance, one night, when they were drinking champagne on
the stage, actors, singers, artistes, all together, her pink tights had
excited the dress-coats. Lily had been "pressed in company," that is to
say, surrounded till she did not know which way to turn, while her time
was pretty well taken up with saying, "Paws off!" before, behind, on every
side. She had triumphed at galas, above a tumult of heads and parasols: at
Roundhay Park, among other places, beneath the motto, "Let Leeds
flourish!" Feeling anxious about her future, she had consulted a "Zanzig"
at Earl's Court. Each week brought its surprises, its fresh knowledge.
Lily learned something every day: "If you see a lamb in the fields with
its head turned toward you, that's lucky; if you see its tail first, it's
a sign of bad luck," and the way of holding your hands, of placing your
fingers, of whispering certain words in certain circumstances.

She collected halfpennies with holes in them. In Ireland, she had kissed
the Blarney stone and picked shamrock in the ruins. She had lost her
little mother-of-pearl hunchback in the labyrinth of underground passages
at the Blackpool Tower Circus. The loss of this lucky charm had damped her
spirits for a week. And her profits were small and her "exes" constantly
increasing: tips to the call-boy, who cleaned her bike; tips to the
stage-manager; half-crowns and five shillings in every direction. As soon
as she had put a trifle by, a week without an engagement made her hard-up
again. Though she traveled at reduced fares and contented herself with a
ham sandwich or a slice of pork-pie on the road, she would never, never be
able to repay Jimmy that money: she had not even paid Glass-Eye yet! Her
dresses for on and off the stage swallowed up everything. And yet she
couldn't go about naked, like Lady Godiva!

And time passed and passed. Lily was growing _old_: she was eighteen!
There were girls of her age who were already beyond work, used up, like
that girl contortionist who had just been cut open for a tumor; and Lily
had as yet achieved nothing! Oh, she ought to have signed for America or
Australia, or else for Russia, of which she had heard wonders--Poland, the
Parisienne, had just returned from there covered with diamonds--theaters
that played all night and did not close till dawn, to the clicking of
champagne-glasses. Lily dreamed of it, ecstatically: England was no good
to her now. The New Trickers, with their own cheap Lily, were working her
idea on the Bill and Boom Tour! If only she could have the continent! They
were talking of a new music-hall which Harrasford was to open in Paris. He
meant to make a palace of it, they said, and he was also stretching out
his arm toward Antwerp, Cologne, Lyons, Marseilles, a continental
trust....

"That's what I ought to have," thought Lily.

Her present life seemed empty, notwithstanding its excitement: it was like
the sound of a band; nothing remained of it. Departures, constant
departures from one town to another, always leaving, never staying. But
for Glass-Eye's company she would have cried, sometimes, for sheer
melancholy, as at the sight of those really loving couples in the
boarding-houses, on the stage itself; those babies in the arms of their
Mas; it made her heart ache; the thought of it pursued her like the call
of distant bells, while the train rushed into the darkness.




CHAPTER III


               "May joy and pleasure be your lot
               As through this world you trot, trot, trot.

                                                      "X."

        "In the golden chain of friendship, regard me as a link.

                               "Loving Pal (Palace, Sheffield)."

There were pages and pages like this in Lily's autograph book. The last
entry was that of a couple of friends, the dark one and the fair one:

        "May success always follow you, and eventually a good
        fellow collar you, is the sincere wish of the

          "Sisters Arriett and Nancy--The ideal pair (of legs!)"

Since Miss Lily's arrival in Paris, her collection had been increased by
the addition of a fervent declaration from her friend, the architect. This
had been her welcome in Paris, the good fellow, no doubt, prophesied by
the ideal pair of legs; yes, she had hardly reached Paris and already
there were people dying of love around her, already a man at her feet.

Lily was delighted to meet this sincere friend again, a friend of her
childhood, who, she said, had known her when she was "that high": one poor
devil the more ready to leave wife and children for her sake. The evening
before, in her dressing-room, at the Bijou Theater, she had told him the
story of her life since leaving her parents. It made her forget to ask
about Harrasford and the new theater which he was to open: was it ready?
The architect ought to know better than anybody. She would ask him
to-night. And Lily lay turning this over, in the morning, in bed,
notwithstanding her other cares, for she must get clear somehow, must see
the agents that afternoon. She had plenty to do beside her turn. She had
to busy herself with those thousand and one details.... She would never
have believed that it was so hard to fill her three years' book. Lily felt
half-dead with fatigue before she started:

"Let me sleep!" said Lily, stretching herself in the big double bed which
Glass-Eye had just left; "clear out! Let me sleep!"

But Glass-Eye made a rush at Lily, tickled her in the neck, stifled her
laughter under the pillow: it was a necessity for them in the morning,
those few minutes of horse-play, of thumps and smacks, which rang out on
every side. Lily, at last, full-throated, with fluttering nostrils, cried
out for mercy. The maid went off, Lily, now quite awake, remained alone,
and her worries returned: no more love, no more music, as at the theater,
no more purple rays, nothing but gloomy hours, a long day stretching out
before her like a gray corridor. It was real life now: letters to write,
costumes to mend, last night's tights to wash in the basin.... Lily,
sitting on the edge of her bed, took her purse from where she had hidden
it under the bolster--a habit she had acquired in marriage, because of
Trampy's nightly ferretings--and emptied it on the sheets: one blue
banknote; one, two, three gold coins. How much did that make in pounds,
shillings and pence? Hardly seven pounds. It was all in vain for her to
economize, like that Ma of a star, who counted the potatoes. It was all in
vain for her to stint in every way, to keep back Glass-Eye's wages for
over a year, saying that she would pay her in a lump: she would have
almost nothing left after the purchases which she had to make. It was true
that, to-morrow, she would receive her fortnight's pay; and she hoped for
a renewal. She felt sure of it, if only because of the way in which the
manager had taken her by the chin. Then a fortnight at the Brussels
Alhambra--1 November, Flora, Amsterdam--10 January, Copenhagen--and, for
the rest, her three years' book was empty and each empty page represented
months without work--all her profits would be swallowed up by her enforced
idleness. She would never clear herself, never be able to pay Jimmy. Oh,
she was furious with him because she could not discharge her debt to him
once and for all, fling his money in his face, show him if people remained
penniless long when they had her talent! That idea comforted Lily. And it
was important that she should look nice to-day, to go the round of the
agents. Lily dressed quickly, cunningly puffed out her bows, a trick she
had learned as a child, and then, before putting on her dress, cooked the
food with Glass-Eye, who had just come in with her parcels.

Then a dash of scent on the handkerchief, a touch of rouge on the lips
and, leaving the room all untidy, she went out, followed by Glass-Eye,
rigged out in a pair of thread mittens and carrying the sunshade and the
wrist-bag. Quick, quick! For Lily knew by experience that it is well to be
the first at the agent's or else there's nothing for you.

She did not dislike those walks through the Paris streets:

"Let's have some fun," she said to Glass-Eye.

By this, Lily meant laughing at those "tiny Frenchies"; and, if they
ventured to accost her, crushing them with a "_Vous hettes oun cochon_!"
Although, among the people she mixed with, agents, artistes, stage-hands,
everybody spoke English, Lily had not come to Paris without learning a few
words, "_Oui_ ... _Non_ ... _Vous_ _hettes oun cochon_!" and so on, which
were indispensable, she thought, to a girl who wanted to make herself
respected on the continent, a girl alone, especially. And she loved to
snub those damned _parley-voos_ who dared to accost ladies. It seemed to
lighten those days of visits to the agents, the very prospect of which
gave her a headache in advance, because one had to think of everything,
lithos, photographs, programs; and, if the agent wasn't in, ruin one's
self in correspondence; and puff one's self in every way, rub it into them
that one was the cleverest person on earth....

"If you're too modest," said Lily, "they'll take you at your word!"

And the pay would drop, in consequence.

"Never tell your salary!" was another of Lily's favorite maxims.

She gave out that she made heaps, that a little star like her, the Marie
Loyd of the bike, was only to be obtained for untold gold. But, at the
agent's, she had to cut her prices: there was no hiding anything from
them; it was like going to the doctor.

"And, when you're in work, everybody wants you; and, when you're out of
work, they have nothing for you: it's help yourself as best you may!" she
said.

She had to help herself now; and it was delicate business dealing with
people who have only one idea in their heads, to swindle you, in order to
curry favor with the managers by getting them cheap turns. They would have
skinned you alive:

"Two pounds a week. Do you accept?"

"Go to Halifax!" Lily would reply in such cases, looking them straight in
the face. It took courage to do that: the agent might grow bigger, become
an enemy. She didn't care! She wasn't going to lower her price for
anybody! And the commission she had to pay them was a torment to Lily;
calculating the percentage made her head split--not to speak of the
complicated nature of the contracts, worse than insurance policies. The
poor artiste was bound down on every side, at the mercy of the manager;
everything was foreseen, down to the prohibition of black tights, which
concealed one's poverty. And it was bad enough in England; but in the Dago
countries, on the continent, it was worse.

"Can you understand a word of it, Glass-Eye?" asked Lily, explaining to
her maid the tricks which the artiste had to fight against. "I don't know
how the small turns manage," she concluded, in the tone of a woman who
towers above all that.

Lily's prettiness made the people in the street turn round to look at her.
They would gaze at her cheeky feather, whisper, "You pretty, pretty
darling!" in her ear. Lily, secretly delighted, held herself ready to
crush the saucy rascal with a "How dare you?" like a lady who knows how to
appreciate a compliment, without permitting the least familiarity. And
when she approached the agency, she insisted on Glass-Eye's keeping by her
side, asked for things: her wrist-bag, her embroidered handkerchief. And
her way of walking in! Lily pretended to be short-sighted, so as to see no
one in the rotten lot. She sent in her card, sat down in the waiting-room.
It reminded her of the dentist's, with those pale people sitting on
benches; those serio-comics, all over-fat; loud-voiced topical singers,
who took the place of the real artistes, just like the bioscopes and
cinematographs! There were also little families--small turns that had
struggled hard to learn a few tricks--nobody wanted them, because they had
no "chic" costumes, sometimes, or no lithos....

Those were received like dogs: a wretched couple was just coming out, a
man and a woman, sad with a humility accustomed to rebuffs; and the agent
drove them toward the door, with his voice:

"Eccentric mashers? No opening for you. Call again."

Lily got a good reception, in the agent's room; but there was nothing for
her. And the agent saw her to the door, with a satisfied air and a knowing
wink, as though to make the others believe ... Lily didn't like that
kind--her short-sightedness did not prevent her noticing it and blushing
at it--but she was very pleased, all the same, to be seen to the door,
before those small turns who were received like dogs....

On the pavement outside, the wretched couple came up to her shyly:

"Don't you know us, Miss Lily? The Para-Paras."

She had to listen to a pitiful tale. She heard nothing but that, when she
went on her rounds of visits to the agents. Oh, the distress which she
beheld there! It made Lily feel quite ill at night. A little more and she
would have said her prayers, before getting into bed, to thank God that
she hadn't come to that. Poor Paras! Starving, no doubt, remaining for
weeks in their garret, pretending that they had been performing in the
provinces ... abroad.... Lily pictured them passing the stage-doorkeepers
to whom they had sold their parrots and being greeted with a "What's for
breakfast, Polly?"

"Miss Lily," they confessed, in a whisper, "you know such a lot of people:
if ever you hear of anything for us, never mind where ..."

"Poor beggars!" thought Lily.

And her Ma had prophesied to her that, one day, she would be worse off
than they! No, she would never be half so badly off! Why, she could have
had anything she wanted, motor-cars, Paris gowns, for the asking.

[Illustration: THE PARA-PARAS]

"Glass-Eye, my bag!" And, handing a small gold coin to the wretched
couple, "There ... between artistes, you know ... give it back when you
can; good-by. Did you notice, Glass-Eye," asked Lily, as she walked away,
"how flattered they were when I said, 'Between artistes?' They looked
quite touched."

But there was no time to waste in nonsense, on a day when she was calling
on the agents. The thing was to get there first; and Lily consulted her
addresses....

She was exasperated at being obliged, with her talent, to climb all those
stairs, to hang about in the waiting-room, she, Lily Clifton! And it
reeked of vice, stunk with the trashy scent of the "not-up-to-muches:"
merely to look at them suggested faces seen in Piccadilly at night or in
the Burlington Arcade.

Lily sent in her card, threw a short-sighted glance around her and
remained standing, like a lady who is never kept waiting and who is sure
to be received at once. And, with her head bent down and her chin in her
gold-spotted tie, she turned over the pages of _Le Courrier des Cafes
Concerts_ on the table ... names which she didn't know ... the small
"numbers" of the continent ... so much the better ... all the more chance
for her. But the engagement which she dreamed of did not offer this time
either. What the agent did propose to her, almost without lowering his
voice, with the door open, before everybody, was the grated private boxes
of South America ... the private rooms of Russia ... accompanied, at a
startled movement on Lily's part, by this concession:

"You needn't sleep there, you know!"

To talk like that to a lady! Lily felt stifled. Was that what she had
learned the bike for? To exhibit herself after the show, at the customers'
disposal? Lily could have fainted on the stairs, as she went down.

"One of those!" she said. "Not I!"

And she continued her weary pilgrimage of stairs, from agent to agent.

"I must have six months filled up in my book before to-night!" she said,
determined to visit them all, small and large, rather than go back
empty-handed.

There were some who suggested to her that ten per cent. was really very
little....

"I like their style!" thought Lily. "They want an extra sop thrown to
them: one might as well work for nothing!"

She thanked them, nevertheless, so as not to make enemies of them--one
never knows--and the agent doesn't matter so much; but the assistant, who
happens to have known you when you were "that high" ... better give him a
tip, lest he should round on you.

She also saw a former artiste, a friend of Pa's, who had become an agent.

"Miss Lily? Lily Clifton? What are you doing now? Won't you see my
secretary? Leave your address with him."

"Fellows whom Pa helped!" she grumbled angrily, as she went down the
stairs. "They're the worst of all! They make you pay for the humiliation
of their own failure on the stage!"

Presently, she came to an agent who practised almost in the street, in an
arcade somewhat like the Burlington, an agent for everything ... circus,
music-hall, theater ... artistes formed in a week ... white flesh at
famine salaries. There were all sorts of people there, a moving heap of
frayed velvet and shabby plush. Lily passed by with great dignity. Next,
she came to the big agent, with offices in Berlin and London ... the
ting-ting of telephones, the tick-tack of typewriters all day ... business
pure and simple, an exchange for supple loins, swelling biceps, muslin
skirts, pigeon's eggs ... a sheaf of stars who, from there, radiated over
Australia, America, England, the Eastern and Western Trusts, Bill and
Boom, Harrasford, the continent. Lily felt a little ill at ease as she
entered--she had a pain in the pit of her stomach, as when she used to
expect a smacking--and again in the private office crammed with papers and
registers, when alone with the agent, who looked at her card, he seated,
she standing. Then, suddenly:

"Lily? Miss Lily? Your price is two hundred francs a week, I believe."

"What!" said Lily. "With a bike and a maid?"

"It's what you had at Maidstone, so I was told."

"What a lie!" said Lily. "Three hundred francs is the lowest I've ever
had. I'll show you my contracts."

"Don't trouble," said the agent. "I thought ... we can get plenty at that
price, you know ... in your style...."

"In my style, perhaps ... but not me."

"Pooh, the audience doesn't know the difference." And he started looking
through a register, turning over the pages and repeating mechanically,
like a refrain or a lullaby, "The audience doesn't care a hang; it's all
the same to the audience." And, suddenly, with his hand flat on the open
book and the other ready to take up the pen, with a piercing eye fixed
upon Lily, "I can give you a month at a thousand francs ... they want a
girl in tights ... at Lisbon."

"Lisbon?" said Lily. "That's at the Colosseo. A thousand francs to go to
the Colosseo, with one's luggage and a maid?"

"Well?" broke in the agent. "And what do you want a maid for, you
extravagant little beast? Why not your maid's family while you're about
it? A thousand francs: will you take it? I've got some one who will, if
you don't."

Lily had to say yes or no quickly. Her forehead was wrinkled with the
effort of turning the francs into shillings, the shillings into pounds.
She consulted her book, like an artiste who doesn't know, who may not be
free, for a whole month. She lowered her chin in her tie, but without
smiling ... had a cramp in her stomach, rather ... at a pinch, by leaving
Glass-Eye in Paris.... After Lisbon, one generally had Madrid and
Barcelona and returned by Marseilles and Lyons. Friends of hers had done
well like that. But to accept a lower salary once meant accepting it
always, in establishments of the same class; it meant reducing her price,
for always, by two pounds a week, at least.

"A thousand francs: will you have it?"

And Lily:

"No, it's impossible! I can't take less than twelve pounds a week." And
she began to sum up her proofs: "Look here, at the Hippodrome, Glasgow ...
at the Palace, Leeds...."

But the agent wouldn't listen, shut up the register, was sorry:

"Can't do it ... bad season ... cyclists to be had for the asking.
Good-by."

"Good-by."

And Lily went out, went down the stairs, feeling half-inclined to go back
and accept; but no! Lower her prices? Never! Oh, those cheap artistes,
those black-legs deserved to be hanged! Great lazybones who learn a few
baby tricks on the bike or the tight-rope, back-shop acrobats, slop-shop
Lilies, who practise at a safe distance, by watching you on the stage,
through an opera-glass. They cut your prices by half; they would work for
a handful of rice, like a monkey. They deserved to have the iron curtain
come down on them, and flatten them out like black-beetles, the
wind-bags!

"I say, Glass-Eye, perhaps it's they who fell into the orchestra, was it,
when I got my thighs full of lamp-glass from the footlights, eh? They copy
you, think themselves artistes.... What! Yes? You say they are, Glass-Eye?
Damn it, I'll have your eye out!"

And Lily had a fit of laughing when she saw Glass-Eye, who hadn't said a
word, raise her elbow in affright to ward off the blow.

Lily held the banister with one hand, leaned on Maud's shoulder with the
other and laughed and laughed, only to see her maid's terrified face, a
regular fat freak shrinking before the belt. My! She would have fallen
with laughing, if Glass-Eye had not held her up; she plugged her lips with
her scented handkerchief, slapped her thighs. She had never laughed so
much in her life. She already felt consoled for all her bothers:

"Watch me, Glass-Eye! This is the way to go down-stairs!"

And, nimbly as a bird, Lily hopped on the banister, with her back to the
wall, and--w-w-w-w-whew!--slid down to the bottom, keeping her balance
faultlessly, sprang to her feet on the last stair and, with a wave of the
hand, as after a successful trick:

"There! What do you think of that?"

Lily was not given to long spells of sadness. Reaction always followed
immediately upon her worries, made the thousand and one vexations of a day
like this easier for her to bear. The compliments which caught her ear in
the street comforted her too:

"You pretty, pretty ..."

But she had no time to listen. Six months in her book before night! As
time passed, Lily would have been content with less. And trot, trot, trot:
while she was at it; then she would end by seeing whether they would get
her for a handful of rice.

This idea amused her. Lily had confidence in her talent and continued her
visits. She saw them all: other agents, former bosses or profs, who had
sucked apprentices dry to the marrow and who continued their evil
practices in their offices; this sort sized you up with the eye of a
slave-dealer. There was also the lucky agent, who had started a
sensational attraction, a Laurence or a Light of Asia. This agent had a
touch of pride about him, with his eternal, "I gave her her first start!"
as though to say:

"They'll never find another like her, never! They don't turn them out like
that now!"

And all this was a pretext for offering you ridiculous terms, because you
were neither Light of Asia nor Laurence. It was no use Lily's boasting of
having declined Bill and Boom and Harrasford, pretending to be an artiste
for whom the managers were competing against one another with sheaves of
banknotes. There was nothing for her at this one's ... nothing for her at
the others', either ... only a scrap of news of her family, through an
artiste. The New Trickers were all the rage in Scotland, it seemed; an
engagement in London, at the Palace, was waiting for them. When Lily heard
that, she turned pale with envy: so it was on their account that she had
been refused that tour in England, so that they might have it! Patience!
Her

[Illustration: LILY]

day would come ... when she returned from the continent and, instead of
Miss, called herself Mlle., like Adeline Genee and lots of others!
Meanwhile, she had found nothing. Still, Lily knew that one sometimes had
whole months of enforced idleness, without knowing the reason, and then,
suddenly, one's luck returned. One only has to wait a bit, thought Lily,
making herself very short-sighted as she passed before the arcade, the
haunt of the out-at-elbow pros and of the piffling little agents, the
jackals of the profession, on the lookout for a bone to gnaw. And it was
not a little vexing to hear her name pass from mouth to mouth--"Mrs.
Trampy, Mrs. Trampy"--and who could be drawing attention to her in that
rotten lot? Was Trampy there, by any chance, pointing his finger at her?
She felt inclined to go back to them, to tell them in two words what she
thought of them. Mrs. Trampy, indeed! It was not for long, in any case.
Her divorce was not far off!

In the evening, at the theater, she forgot her bothers, as usual. The day,
for that matter, was quite an ordinary one: it was the typical day, the
trot, trot, trot, of the star alone, in search of engagements. And,
thoroughly tired, in her dressing-room, she related in her own way the
adventures which she had had since the morning, the compliments on her
beauty; and at the agents', my! If she had liked, she could have filled up
her three years' book! The architect came in her dressing-room for a
moment: so interesting a Lily! so amusing, he thought, as funny, in her
way, as Light of Asia, the Chinese girl without arms. Sitting on the big
trunk, he admired by turns Lily and the disorderly dressing-table, its
cracked looking-glass, scribbled over with names, and, under the glaring
light, the grease-paints--red, white, black--the powder-puffs and hare's
feet, the biscuits in the tray among the hair-pins, a bottle and glasses
beside the powder-box. From nails on the whitewashed walls, scratched all
over with inscriptions, covered with penciled dates, hung rainbow skirts,
bodices with metallic flowers. The bike shone in a corner, half-buried
under Lily's outdoor clothes. Tights hung beside it, like pink skins, gold
spangles strewed the uncarpeted floor and scent hovered over
everything.... Half-open doors admitted gusts of music from the orchestra;
and Lily, opposite the glass, fumbled among her pots with the tip of her
finger, stained her lips blood-red, fixed the rebellious curl to her
forehead with a touch of gum. Outside, in the passage, was the row of
doors, with spy-holes and visiting cards, half-sheets of paper, stuck down
with wafers and bearing the names of the various occupants:

"Prof. X. The Famous X. Family. Absolutely the best."

There were others "absolutely the best."

On Lily's door, her card--"Miss Lily"--and, under that, modestly:

"And maid."

Lily revived amid these surroundings; here she forgot her fatigue,
blossomed out to her heart's delight. With her rainbow dress, her feathers
and her pearl pendants, combined with her elaborate gestures as she made
up her face in front of the gollywog, she resembled the officiating
priestess of a strange religion, pacifying some angry-eyed idol to the
sound of distant choirs.

While finishing her make-up, Lily continued her stories, talked of her
successes in England and here and there and everywhere ... and the lord
who wanted to marry her and rained down presents upon her: fifty-pound
brooches, diamonds.... Everybody in love with her: to listen to her you
could have followed her traces like the passage of a cyclone ... men gone
mad ... others blinded through weeping ... millionaires ruined in
chocolates and sweets ... and flowers, my!

"You could fill the Colosseum with them, couldn't you, Glass-Eye? I've
been spoiled everywhere," continued Lily, "and I'm known everywhere! Even
in Paris, to-day, there were a lot of ladies and gentlemen under an arcade
and you heard nothing but 'Miss Lily, Miss Lily,' didn't you, Glass-Eye?"

"Yes, Miss Lily."

But these social successes did not make Lily forget her business affairs.
Harrasford's new music-hall worried her: if she could only play there,
only snatch it from the New Trickers! For they would certainly try to get
there; and the architect, of course, knew ...

But Lily was interrupted by the call-boy: time for her to go down to the
stage!

A hurricane came up from the orchestra, muffled, with beats of the big
drum, like distant cannon. The curtain would go up soon; it was the time
when Lily stretched her legs, before giving her performance, and took a
breath of air in the painted forest. A click of the padlock and:

"Come along, Glass-Eye, the bike!"

Lily, in spite of her brilliant successes in England, was dead tired of
tipping the boys; it ran away with all her money. As she allowed herself
the luxury of a maid, by Gollywog, she might as well make use of her; she
wasn't going to feed her to do nothing! And poor Glass-Eye attended to the
bike, at the risk of putting out her other eye. Every day the struggle
between Glass-Eye and the bike formed the joy and the delight of the
passage. There were incredible swervings, scratchings of the wall,
barkings of Glass-Eye's shins. Lily followed behind, bursting with
laughter, warning Glass-Eye to take care or she would put the bike out of
gear by knocking it about with her legs:

"Oh, where's my belt?" she cried, patting the back of her hand.

The artistes, attracted by the noise, half-opened the doors; laughing eyes
gleamed at the spy-holes; voices cried:

"Go it! Never say die!"

Glass-Eye perspired like anything, pursed her eyebrows above her fat, red
cheeks, grumbled, in her Whitechapel slang:

"Kim up, you lousy moke! Igher up, Jerusalem, you pig-headed bag of
tricks!"

Lily lost patience, snatched the machine from her, ran it down the stairs,
pushed the door of the "meat-tray," and found herself behind the scenes,
the drops rising and falling, the nightly spectacle since she had been
"that high," the land of the unreal lights. And the sudden glare from the
reflectors set clusters of shoulders blazing with a silvery glow, brought
up out of the shade the pale flesh of the dancing-girls, heaped up behind
the pillars. It swarmed from every side, right and left--"Hi, there! Meat,
meat!"--under the rush of the stage-hands shifting the wings. There were
fleecy foams of fair wigs, smiles from kiss-me-quick lips, blinkings of
made-up eyelids, a swarm of arms, thighs and necks, preparatory to a
ballet, _Heures d'amour_, in which Poland, the Parisienne, triumphed with
her costumes _Deshabille gallant, Dessous diaphanes, Le tub, Volupte,
Dodo_, eight pantomimic scenes in a sumptuous setting, with girls to
impersonate the Hours, from pale-pink flirtation to scarlet desire.

Lily watched this familiar sight with a wandering eye; and suddenly she
turned pale: what was that? Who was that? In the midst of it all, smiling
to her from a distance, as though laughing at her, stood Trampy! My!

"Here, hold my bike, Glass-Eye!"

It was close on her turn, but, before going on, she had a word to say to
the stage-manager and, walking up to him:

"Do you see that josser looking at me?" said Lily, pointing to Trampy. "If
he stays here, I ... to begin with, I shan't go on. I won't be humbugged
by any one!"

"Who is it?"

"My husband!"

"All right, darling," said the stage-manager and, suddenly, between the
scene which was being hoisted up and the other let down on the silent,
empty stage: "You there! Get out!"

Trampy could not believe that the words were meant for him. He waited
until the order had been twice repeated. He, an artiste, before those
girls! He made a gesture as though to ask:

"Do you mean me?"

"Yes, you! No jossers here," said the stage-manager. "Sling your hook!"

"Gee!" thought Lily, when he had gone. "This time you've been paid back in
your own coin! So you kicked me out at the Horse Shoe, did you? It's my
turn now, you damned tramp!"

She exulted with delight, as she went through her performance. It was her
first revenge! the other's turn would come next.

"I don't forgive and I don't forget," she muttered to herself. "Every dog
has his day."

Oh, how happy she was! She was magnificent on the stage, under the
flashing lights, and the dull sounds in the orchestra were to her as the
throbbing of a riotous heart.

"Well, Trampy, you got soaked to-night, to-night," thought Lily, as she
might have said, "One, two!" to mark her times. "To-night, to-night. And,
if you don't like it--one, two--you've only got to lump it! Divorce was
made for men and women, not for dogs!"

Lily was triumphant, laughed, winked her eye, as she rode past, at the
stage-manager, who threw her a kiss and grinned. Immediately after her
turn, she ran to her dressing-room, poured water on her steaming skin,
while the make-up trickled in pink streaks down her face, and devoted an
hour to the dainty care of her person, like a cat licking itself. And then
Lily, without paint or powder--awfully ugly, not in the least pretty off
the stage, as she said, smiling in her muslin tie with the gold
spots--Lily went out by the front, to avoid the pros' corridor.

The moment she was in the lobby, she assumed the air of a lady accompanied
by her maid. She cast an indifferent eye at the string of carriages, like
one who changes her mind and prefers to walk, a smile to the gentlemen at
the _controle_, a nod to the Roofers going out, two by two, always, a dark
one and a fair one. Lily stopped for a second, to look round....

Then: "Let's go home, Glass-Eye!"

She took a few steps along the street, but a jolly voice behind her
cried:

"Gee, what a spanking walk!"

She turned round; it was Trampy again!

"Ah, this time," thought Lily, "I shall have witnesses!"

She expected blows! She would have given anything to be struck: her
divorce, at last, would be hastened on! Cruelty, public insults! But no:

"How's my dear little wife?" asked Trampy, with outstretched hand.

Lily was so greatly surprised that it took her some seconds to recover her
presence of mind; and then, without turning her head:

"Come away, Glass-Eye," she said. "There are drunkards about."

"Don't let us quarrel, little wifie. Aren't you my dear little wifie?
Well, then...."

And Trampy took her by the arm.

"Let me go, or I'll break your jaw," muttered Lily, under her breath.

Trampy seemed in a jovial mood, with his cigar in his mouth, his cheeks
flushed with insolence, his eyes moist with libations.

"Let's make peace," said Trampy. "Peace in the home: that's my motto!"

"Divorce!" cried Lily.

"Peace in the home for me!" rejoined Trampy, who grew the more radiant as
Lily grew more and more incensed.

"Let me tell you," he continued, puffing luxuriously at his cigar, "that
divorce--why, how can you think of it?--means a public scandal, my name
dragged in the mud...."

"Footy rotter!" roared Lily.

"Dragged in the mud; and my dear little wife left to her own resources,
marrying again, as she feels inclined, marrying some one unworthy of her,
perhaps. I won't have it! I'm responsible for you! I'm your natural
protector! You're not Miss Lily, you're Mrs. Trampy. You've been in the
wrong, certainly; you had me turned off the stage, me, your husband; but I
forgive you."

"And I ... take that!" Lily broke in, spitting in his face. "That's how
_I_ forgive _you_! Take that! And that!"

Trampy reveled with delight:

"You _are_ my dear little wifie, aren't you? And you'll remain so ... and
you'll never belong to any one else, do you hear? I am a faithful husband.
You're trying for a divorce, I know, but you won't get it. The wrong is on
your side and I'm not going to law, and you're Mrs. Trampy and Mrs. Trampy
you'll remain! Will you come and have a drink, Mrs. Trampy?" he continued,
lighting a fresh cigar. "Won't you? Very well. Good night, wifie!"

And Trampy, turning his back to her, disappeared in a cloud of smoke.




CHAPTER IV


Lily came home and went straight to bed, without even waiting for supper,
so great was her hurry to forget. It seemed to her that things had
happened, things without end; that this day had been as long as a year.
She simply could not understand Trampy. She could have imagined anything,
except that! She racked her brain to conjecture how, why; and sleep
quieted her till the next morning; and she woke up with teeth clenched and
eyebrows set and ... why? Why? And again why? Did he still want to keep
her?--after realizing in a hundred different ways that she did not love
him, that she loathed him, that she had married him only to escape her
whippings and that she had but one idea in her head: to divorce him!

Now--only Lily could not know this--it was because of that very reason
that Trampy clung to her, like a faithful husband: Jimmy, Jimmy was his
bugbear. He believed Jimmy to be in love with his wife. Once Lily was
divorced, Jimmy could marry her; and Trampy would see him further first!
The greater Jimmy became, the more jealous Trampy grew. He knew the steps
Lily had taken to obtain a divorce, the witnesses she had tried to secure.
She was very keen on a divorce, was she? All the more reason for not
gratifying her; and she wasn't going to get it. The witnesses, Trampy had
just heard, declined to give evidence. They had seen nothing, heard
nothing. A bike at her head? Maybe. They didn't know. A bit of a fuss
between artistes, such as you see every day, and none of their damned
business. Outside that, Lily had nothing to go upon; on the contrary. She
had abandoned the conjugal home; all the wrong, apparently, was on her
side. He, Trampy, alone was entitled to file a petition; but that never!
He considered that Jimmy and Lily had trifled with him sufficiently. He
could not swallow the idea that they were only waiting for the divorce to
get married; the idea that Lily would be Mrs. Jimmy, of her own free
choice, after marrying him, Trampy, to escape her whippings; no, he
couldn't swallow that! Now it rested entirely with him to prevent that
marriage. He had only to keep his dear little wife for himself. In that
case, Jimmy, if he wanted her, would be obliged to do without her or else
to "live with her" and set a bad example, lavish bestower of good advice
that he was, the dirty hypocrite, preaching morality to others! That was
what Trampy had determined to do. As for Lily, Trampy, who was incapable,
at bottom, of either hatred or love, didn't care one way or the other. He
was always sure to want for nothing, so long as there were girls on the
boards and whisky in the bars.

There was another reason still that urged him to let matters rest, without
going further. To embark on a divorce-case, to have his name in the papers
and his story hawked round the four quarters of the globe--"Trampy, you
know. You knew Trampy, didn't you? The husband of Lily?" and so on--was
what he didn't want at any price, for a reason known to himself. He had
made inquiries, quite privately, at the beginning, when he thought of
petitioning for a divorce; and what he had learned had made him prudent:
his marriage in America was valid beyond a doubt. He was well and duly
married, whether he liked it or not. By the common law, two wives meant
bigamy; and bigamy meant prison, which was the last thing he wanted, as he
himself said. But, so long as there was no scandal, he ran no great risk.
He had lived on tenter-hooks at first, in Germany. Chance might have
brought him face to face with Ave Maria, on the stage of a music-hall.
This danger was not to be feared now, so far as he knew. Ave Maria and her
brother Martello were no longer fit stars for Europe, nor for North
America. He was too well known to the agencies; his brutality had produced
too many complaints, too many denunciations to the police; it discredited
any theater employing him. He might have come to Europe--who knew?--to try
to get hold of the Bambinis, now that the old man had not much longer to
live. But that was not very likely, either. An artiste, come across by
accident, had seen the pair at Iquique, in a wretched circus that was
doing the coast of Chili. He gave Trampy details: poor Ave Maria had grown
very ugly; a body all skin and bone and nerves; no hips, no chest; nothing
of the woman about her; in the last stages of consumption; and finished,
as an artiste, done for; no spring left in her overworked thighs, no
suppleness in her loins: even her brother, that brute, could get nothing
out of her now. And Trampy, who knew Chili, followed them, in his mind, on
their tour along the coast, from Iquique to Copiapo, to Valdivia: a trying
climate, biting winds which would kill her on the spot, unless she went
and perished in the fever-stricken plains of the Argentine.... When people
had fallen so low as that, they did not rise again: there was nothing to
fear from that side. But her presence was not necessary; the danger still
existed. There were documents, in black and white. Their names were
bracketed on a register somewhere or other: he knew where. It was better,
therefore, in every way, not to call attention to himself. Meanwhile, he
was playing a nice trick on Lily and her Jimmy. And Lily was Mrs. Trampy
and Mrs. Trampy she would remain; and that was all there was about it.

But it was no use for Lily to give herself a headache trying to make out
why and how. She did not guess Trampy's secret thoughts, any more than he
suspected the actual nature of her relations with Jimmy. For her, too, one
thing was certain: Mrs. Trampy she was and Mrs. Trampy she would remain!
She would never be free; she would always be chained to that tramp
cyclist! And, if a match should happen to turn up for her among her
admirers, the architect, for instance--you can never tell: plenty of
others had already proposed for her hand in marriage, in England--she
would be obliged to refuse! And, if some gentleman were to pay her his
addresses, treat her like a lady, take her to choose a hat or a silk
petticoat in a smart shop, there was somebody who would have the right to
say to her, as she passed:

"How's my little wife getting on?"

Oh, those two Jim Crows round her, spoiling her future! Jimmy and Trampy!
They would end by being the death of her. Oh, if she had had Thea's arm,
what a blow in the jaw for one or both of them! And Lily, when she thought
of it, wore the face which was hers on her bad days, teeth clenched,
stubborn forehead. Glass-Eye shook in her boots when she saw it, for
sometimes Lily vented her anger upon the poor girl with a smack,
considering herself quits if she begged pardon after!

"If it's one of those footy rotters," growled Lily, hearing a knock at the
door, "smash a bottle over his head!"

But no, it was simply her letters, sent on from the theater. Nothing of
importance this morning; prospectuses, mostly: a wig-maker, special
theatrical department; a manufacturer of traveling-hampers, for South
Africa, Australia....

"No use for them," thought Lily, with a sigh.

[Illustration: A ROOFER GIRL]

And, on opening _The Era_, she received that discouraging sensation:
always so many names, and so many tricks, and all "the best;" new ideas
and troupes, troupes, troupes; another new troupe of fat freaks, a very
flood of them; and Roofers, Roofers; "Greater-Greater England Girls,"
words and music guaranteed, with scarlet legs and muslin skirts, complete;
page upon page of pink tights; and national troupes and colonial troupes;
and one had to earn a livelihood and shine among all that! Lily was half
crushed; and everybody she knew was triumphing: the Pawnees,--one hundred
and thirty music-halls, the whole of the Eastern and Western Trusts, the
great two-years' tour! The Three Graces also were continuing their
triumphs. Lily, who felt herself the equal of any of them, held her breath
as she read the news. Laurence had won her terrible bet that she would
ride straight across Manchester and Salford on her bike, hands tied
together, feet fastened to the pedals. At the Art Institute in Chicago,
Marjutti had given a lecture on the art of contortion.

"Some josser of a journalist wrote it for her," thought Lily.

And _The Performer Annual_ had sent Marjutti its set of questions to
answer, she had been published in print! And Lily was still waiting! And
Tom? Tom was in England now, in the De Frece circuit; had had a triumph at
the Portsmouth Hippodrome, as "Topsy Turvy Tommy," dancing a sailor's
hornpipe on his hands. All, all were successful, including others even who
were not so good as she was: one who obtained engagements because she had
a nigger in her show; another because of a monkey.

"And I've done nothing yet!" grumbled Lily.

Oh, to be talked about in her turn, to achieve something, to become "our
Lily!"

"It's twelve o'clock and I'm still in bed!" she cried. "I ought to be
practising!"

It was just a flash of pride, mixed with remorse. She knew it well enough;
often and often, she had reproached herself for her idleness, for her
habit of sleeping till the middle of the day, of taking her meals before
the performance; but she would make up for it to-morrow! It is the usual
refrain of stars who have become detached from their troupes, far removed
from regimental discipline, so to speak: without a Pa, without a boss, you
can do nothing. You must have some one to force you.

"A month on the three years' book before to-night!" prayed Lily, touching
her lucky charm.

And she studied the omens with an expert air, gave an ear to passing
sounds, tried to catch the meaning of them, for she had visits to pay,
letters to write, business, damn it!

That was what Pa used to say before her. And it was not so easy to turn a
letter prettily: that was Trampy's forte. She knew something about it.
Lily, in her night-dress, with her elbows on the table, bit her pen,
reflected, in a mental effort that gave her a headache. And that
note-paper wasn't nice, either, without a heading; true, it only rested
with herself; every day she was approached with offers of artistic
photographs, even of tricks which she did not do: standing with one foot
on the saddle, the other in the air and her arms stretched out before her,
like a flying genius; or as Cupid, with his dart in his hand: impossible
things which neither the Pawnees nor Laurence would have dared to attempt!
But it would look well, with her name in red letters: "Miss Lily," or "La
Belle Lily." Or else a photograph showing her strolling in a great park,
with a palace in the background, taken from nature, followed by her maid,
or by a footman, hired by the hour, for the occasion.

"I think I shall select the governess," said Lily to herself, "because of
my biography; it will be nicer, truer. Or I might be taken riding on the
back-wheel, like a lady just leaving the house and doing that to amuse
herself?"

Lily, still undecided, took up the pen again: one foot on the saddle; six
pairs of tights; three dresses; the theaters at which she had
appeared....

What a pack of jossers! She couldn't forgive the agents for her present
want of success. She was exasperated. She felt inclined to go and see the
managers themselves, those who had made love to her on the stage, and to
send in her card to them--"Miss Lily"--just to teach those jossers of
agents! Her independent ways had already made enemies for her: she knew
that; but how could she help being angry? The tricks they played you, down
to making you miss a marriage, as had happened in London, the other day,
to the Three Graces, to one of them, who had been courted, during Mr.
Fuchs' absence, by the boy-violinist. Their agent had launched into
slanders and even insults to prevent the marriage, which would have split
up the troupe and broken the contract....

"What a pack of nigger-drivers!" thought Lily. "As long as they get their
ten per cent., the rest can go hang, for all they care!"

There was no doubt that Lily had got out of bed on the wrong side, at the
thought of having to climb all those staircases again and to dance
attendance with the rotten lot in the waiting-rooms. But, by Jove, she
could have boxed the ears of the first agent she visited that afternoon!
He had the impudence to offer her a magnificent engagement in the Indian
show at Earl's Court, she to stain her skin brown, dye her hair black,
with rings in her nose, at the wrists, at her ankles; a costume like Miss
Ruth's, all in gauze; the nautch-girl on the bicycle; six times a day, in
the open air, to the sound of tomtoms. Play the negress; that's what he
offered her! She could not help laughing, in spite of her anger. But she
became quite intractable and snubbed another agent who suggested a one
day's billet in a tiny music-hall at a ridiculous price.

"I don't give my performance under five pounds, or on a stage of less than
thirty feet!" cried Lily.

At last, luck seemed to turn; she settled for Spain and Portugal, and that
same evening, at the Bijou Theater, she was offered another engagement,
for three months hence. This contract would procure her others, after her
spell of ill luck. Lily at once took courage again:

"Oh, if I had the Astrarium!" she thought.

Everywhere, at the theater, at the agents, people were talking of the new
music-hall. It even became a current joke. They said, "So-and-So's
performing at the Astrarium," as though to say, "He's not performing! He's
living in a castle in the air!" Every one was talking of the great
music-hall which was to open in a few months and which was not to be seen
building anywhere. Some said that it was serious; they quoted engagements:
Tom; the Three Graces; the impersonator; nothing but turns quite unknown
to Paris; novelties, nothing but novelties: Marjutti; Laurence, perhaps;
or the New Trickers. Lily shivered when she heard that!... She opened wide
eyes, like Alice in Wonderland. Oh, to appear there! But she had performed
in Paris. Then she would change her name; bike mixed with dancing; and her
whole trick done backward, as Pa had once advised Trampy to do in Mexico!
Oh, if she could have that! Lily Godiva, undressed on the bike! She'd show
them she was a lady, not a performing dog! The Astrarium, that was
certain, would open in Paris in a few months. Harrasford had said so
himself. There was no doubt about it. They even told the name of the
stage-manager, Joe Brooks, the cleverest of all. Lily felt herself carried
away with ambition. Oh! to open there! Oh, if it were true! God grant that
it might come true! Oh, if Daisy, their star, could only break a leg! The
few days which Lily was still to remain in Paris, before leaving for
Spain, she employed in obtaining further information. She learned the most
exact particulars. Incredible though it seemed, the Astrarium was to open
quite shortly! The blue-chins discussed the thing, amid clouds of tobacco
smoke, in the bars, after the show. To allude to it now was not like
talking of castles in the air; on the contrary. To tease a pal, one said:

"You're opening at the Astrarium, aren't you? I _don't_ think!"

Which was another way of saying:

"The Astrarium's no place for you! They're taking nothing but bill-toppers
there!"

The new music-hall, even before it came into existence, was beginning to
spread, like the story of the whippings; it would be talked about, all
round the world, as something stunning, a more complete show than the
Tivoli at Sidney or the New York Hippodrome. Harrasford was credited with
designs for a palace in onyx and marble. He had bought or was going to buy
a theater with the object of transforming it; names and prices were given.
Everybody was interested in it. Just now, especially, when the bioscopes
and the gramophones and the singers were taking the bread out of the
"artistes'" mouths, it meant twenty turns more to receive princely
salaries there; and, every month, that galaxy of stars, which Harrasford
would send shooting to Paris, was to disperse toward Brussels, Antwerp,
Marseilles, Hamburg: the European Trust, the Moss and Stoll tour of the
continent, managed by Harrasford, the great English manager.

To open at the Astrarium meant having work insured and your three years'
book filled for ever so long; meant appearing in public, later, wearing on
your chest the medal which they meant to distribute in memory of the
opening. Gee, Lily had a pain in her side at the thought of it! The Three
Graces, it was said, were on the program. Lily would have consulted
them--there was no jealousy about the Graces--but they were not yet in
Paris. Oh, Lily was longing and dying to be settled! Who was Harrasford's
agent? If she had to go to London to see him, she would go.

Why, damn it, she would go to Heaven itself to get the Astrarium!
Anything, anything to open there! That dream of greatness made her endure
her present vexations. Mrs. Trampy ... Mrs. Trampy ... She was addressed
as Mrs. Trampy everywhere. Trampy must be telling the story, taking his
revenge for the whippings, making little of her in his turn. One night
even, the night before her departure for Spain, when the architect was to
wait for her at the door of the theater, Lily, who had dressed herself in
her best, once more had the humiliation of being accosted by Trampy in
front of everybody.

"Hullo, wifie! How are you, darling? All right?"

Lily bristled with rage as she left Paris. Even when she was far away, she
still felt that she was dragging a chain which lengthened out endlessly
without breaking. Never, oh, nothing could ever get her out of that! Yes,
a brilliant triumph. Then, at least, she could crush him from the height
of her success, that footy rotter with his red-hot stove! Oh, what a
grudge she bore him! Jimmy was different: that was a wound of her own and
nobody would ever know; but Trampy, who laughed at her everywhere and
called himself her husband! He would make her lose all her friends. To say
nothing of the fact that those tales perhaps counted for much in her
failure: they were repeated from mouth to mouth. Oh, her profession
disgusted her at times! And to think that she, an English girl, was going
to earn her bread among the Dagoes, instead of starring in England!

Her wandering life continued; her journeys from town to town, in the
Spanish provinces, her arrival in the chill of the morning, her anxiety
about her salary, the hustle and bustle of departure and--trot, trot,
trot!--lugged about in the railway-carriage, like a performing dog in his
box.

And what theaters! It was worse than Germany or even Paris. In England, on
the Harrasford tour or the Bill and Boom, they had nice dressing-rooms,
with a carpet, water hot and cold, quick attendance, stairs swept every
day. Here, old plaster and those idiots who looked as if they understood
nothing--it took three of them to shift a scene--Dagoes who asked her
straight out, in Pidgin-English, if she was alone:

"No man viz you?"

It touched her on the raw. Lily lost all her cheerfulness: to begin with,
that engagement was not a particularly brilliant one; it was not at all
calculated to prompt her to do better, to introduce novelties into her
turn. Besides, on stages not yet overrun with Roofers or fat freaks, an
artiste performing by herself made an impression. Her old tricks sufficed;
sometimes she topped the bill:

"Theaters are the same everywhere; artistes the same everywhere, from New
York to Bilbao. Topping the bill in one means topping the bill in the
others ... doesn't it, Glass-Eye?"

But she knew quite well that it didn't; and, besides, that satisfaction of
her vanity put no money in her pocket. The amount she owed, my! She
thought of the past, of what she had earned for "them" since Mexico. If
she had only had half of it, a quarter, a quarter of a quarter, damn it!

Meantime, she had to make herself respected. In those countries, where
people used gestures when they spoke to you, a lady could not be too
careful. Why, the men treated an English girl just as they treated their
own women. She could have flung her bike at their heads! And they kept it
up all night, as in Russia, all except the jewels; you had to stay till
morning and were expected to accept invitations for supper, so as to keep
the customer there and push business! A little more and she would have had
to sleep there! She had threatened to tear up her contract, to complain to
the consul. And what annoyed her also was being in the same dressing-room
with singers who undressed without shame, while receiving their friends,
and made eyes at Lily worse than the impersonator.

And she had to have her food at the theater, no dessert, nothing but a
biscuit or an apple; and, if she asked for a pear, it caused a terrible
to-do. Rather than stand that, Lily went to the hotel, which put her to
double expense, for the board at the theater was compulsory. She had to
pay in any case; so that she went away without a farthing, thinking
herself very lucky if the manager did not try to kiss her in his office.
Oh, the things she saw, the things she rubbed shoulders with, the vice,
the promiscuity, the rushes of girls in the passages before the onslaughts
of footy rotters, direct propositions, with eyes looking straight into
eyes, brief wooings on the stairs, behind the properties, between people
just about to take the train, one east, the other west, and in a hurry to
have done with it; a silent embrace in the dressing-room, a neigh, a kiss;
and _au revoir_, ta-ta!

And the conversations between the stage-girls, who were always surrounded
by legends of the white slave-trade; stories of disappearances; of
"engagements for Caracas" and finding one's self over there without
resources, stranded in a bad house: like that poor girl, a Roofer, who had
received a letter and some sweets in her slipper, which she had sent
flying into the audience with a high kick--Lily remembered--well, she had
disappeared in South America, somewhere; one or two despairing letters and
then silence. And that other one, at Alexandria, who had called out for
help, behind her green blinds; and ever and ever so many others, whom she
had known slightly. Lily shivered: brrrrrr!

She was sick to death of it. She had had enough of it, was fed up with it.
She aspired to better things. Lily had hoped that her engagement in Spain
would have marked the end of her bad luck; but no, nothing offered. She
was sour, bitter, fierce; a wild bull, a stallion, as Ma used to say. And
she became especially terrible now, when her energy was spent in neither
work nor love, so much so that there was a cross against her name in the
agents' books.

Oh, she had often felt inclined to send them all to the devil: the made-up
eyes, the kiss-me-quick lips, the tow wigs, the low jokes, the
monkey-claws! There were some who had merit, no doubt, like that boy who
was all over scratches, from head to foot, through training cats; but the
rest, almost all of them, were a pack of good-for-nothings who copied
their betters: amateurs, jossers all; and they had more work than she, who
had taken such pains and who had made a fortune for her Pa. Oh, if that
wasn't enough to make her chuck everything and see life, in her turn. She
had only to choose ...

These reflections came to her more particularly when she returned to
Paris, after Brussels and Copenhagen, and was again performing at the
Bijou Theater, where she had already appeared.

"To make all that money," thought Lily, when she saw Poland again, "and
never to have been through the mill!"

She admired Poland for that, envied her good manners, her grace, the way
she slipped on her dressing-wrap in the living picture, _The Bath_. She
turned green with jealousy at the sight of Poland's motor-car, her
thousand-pound ear-rings, her sable furs. It was not that Lily lacked
admirers or sympathizers. She even had a little triumph at the Bijou
Theater, one day when she passed round the hat for old Martello, who was
ill in bed and penniless. Lily topped the bill in her own fashion, by
putting her name at the head of the list, and the collection was a
success, everybody contributed ... including the architect, who was still
prowling round her, in the passages, on the stage, everywhere. Lily was
decidedly courted: the rich bookmaker who ran the theater as his private
harem, he, too, patted her cheek in a funny way, complimented her on her
firm, round hips before the group of dancing-girls packed like poultry, in
the shadow of the pillars. Gee, it only rested with herself to have as
much of that as Poland! And everything reeked with love, amid the
cannonade of the big drums and the clash of the cymbals, while the sudden
flashes of the reflectors, moonlight-blue on one side, bright-red on the
other, lit up all around her the herd of the languid Hours. But her heart
swelled and puffed with pride. No, no, not that! She would succeed by her
talent, damn it, not by getting round men! She, an English girl; she, Pa's
daughter; she, who had gone through the mill, to sell herself like cat's
meat! Never! And her Ma should beg her pardon on her knees, on her knees,
damn it! The thought infuriated her.

She was quite sincere with herself. It was all her fault. She ought to
have worked and practised, practised every day, improved and improved her
turn; but she would do so now, to-morrow. It was her last chance. She had
hardly any money left; her three years' book was virgin once again,
unsoiled by contracts; but she had a stage to practise on and she was
going to practise to-morrow even if she had to pay somebody to run after
her, with the belt, if need be! Lily had nothing but that in her head now:
to get out of her present life, to get out of the mud, to reach the summit
at a bound. Was it possible? She consulted the Zanzigs; she spent a
fortune in penny-in-the-slot machines to learn the future, but always
received the same reply:

"You will marry the man who loves you. You will be very happy."

She smiled with pity when she read that nonsense; to prophesy her
marriage: how silly! She was only too much married! That was not what she
wanted to know; but the Astrarium! the Astrarium! Would she be there or
would she not? The New Trickers were plotting to get there, with a turn
which she had given them, goose that she was; and Cousin Daisy, that
farthing dip, would triumph and not she, a star, a real one! Lily was
rather in the position of Pa, when he arrived in London from New York ...
with this difference, that Pa had money and Lily had none. But there was
the same display of energy, once her pride was aroused. Lily also had run
round Paris like a mad thing: not to the agents!--with them it was: "Lily?
Lily Clifton? nothing your way to-day!"--but to her friends and
acquaintances, to find out about the Astrarium. Lily grew crazy at the
idea that she might perform there, be there at the opening, ride over all
of them, treat the New Trickers like so many fat freaks!

"Oh, God, if it were true!" she cried, with her hand on her lucky charm.
"God above grant that it may come true!"

She was at the end of her tether. Nothing short of the Astrarium could set
her on her legs again. She had no choice; it was either that or an
absolute come-down: the nautch-girl on the bike, at Earl's Court, or else
nights of dissipation, champagne and diamonds, like Poland; and Lily, like
her Pa in the old days, clenched her fists and gnawed her lip as she went
off to the Three Graces, who had their engagement and who would be able to
give her some hints.

Lily knew their hotel by reputation. Nothing but pros; a rallying-point of
troupes, an hotel where nobody's skin was free from bruises and where,
from morning until night, you heard the clatter of the clog-dancers'
heels. It reeked of potatoes, of sleepers three in a bed; chests,
strange-shaped packing-cases, ticketed with distant labels, made the yard
look like the stage-entrance of a music-hall. Lily did not care for that
sort of place: no matter; besides, the Bambinis were there and their mad
rushes, their yells of mirth filled the gloomy house with gaiety. And Lily
did not mind walking in with her gold-tasseled hat on. All those heads at
the windows: it was just like a fine lady visiting the poor. And yet she
was not proud now. Formerly, she would have laughed on learning the kind
of life led by the Three Graces, those three girls who remained good so as
not to break up the troupe and annoy Nunkie and who were said to spend
their spare time in sewing and cooking and doing Sandow exercises and
measuring one another round the biceps and the chest: simple joys, the
only true ones.

"They may be right, after all," thought Lily, who envied them from the
bottom of her heart for having the Astrarium. "If I had only practised
too! Practising is certainly better than attaching all that importance to
dresses or sending those puff photographs to the agents!"

A surprise awaited Lily when she entered the hotel; pros were talking with
a mysterious air. There was muttering in the corners, a piece of news was
going round: the Bijou Theater had closed, that very day; the treasury was
empty, bankrupt; everything sealed up; just on the eve of pay-day too!

[Illustration: THE BAMBINIS]

"My! Is it possible?" thought Lily, distracted and forgetting the
Astrarium and the Three Graces. "And what am I to do for food to-morrow?
Come, quick, Glass-Eye!" she whispered, catching her a thump in the ribs.
"To the theater, quick!"

For Lily knew by experience that it was a good thing to be first. Her Pa
had saved his salary once, in a similar case, at Perth, in Australia; but
one must arrive in time.




CHAPTER V


There was a crowd in front of the Bijou when she arrived. They were
commenting on a notice pasted on the door:

"_Ferme_."

What could that mean? Lily had not provided for this in her vocabulary of
the French language; but the theater was closed until new arrangements
could be made. It meant complete ruin, enforced idleness....

"The rotten lot!" growled Lily. "Money, damn it, money! Pay up, you pack
of thieves!"

But Lily soon recovered herself, when she saw that there was nothing to be
done. She had been through worse than that, when the iron curtain all but
smashed her to a jelly, at Milwaukee, and when she tumbled into the
orchestra, at Glasgow! Notwithstanding the anguish that wrung her inside
and heralded the coming hunger, Lily put a good face on the matter before
all those people, like a lady who is above that sort of thing: a
disappointment, that was all.

"But how will those small artistes manage?" she seemed to say. "Those
families with babies?"

Lily declared that it was very sad, called Glass-Eye to witness, as usual;
but poor Glass-Eye remained dumb, reflected that she would never, never be
paid, if this went on. Lily owed her eighteen months' wages now! True, she
got enough to eat, or nearly; she traveled with Lily; and she wore her old
hats.

Meanwhile, the door opened; the artistes were allowed to take away the
implements of their work, before the final closing. The move began: they
fetched out basket trunks, hoisted packing-cases on to cabs. It was a
heartrending sight, all those things, made for the glitter of the
footlights, now displayed in the street. And everybody made such haste as
he could, under the eyes of the inquisitive passers-by, for fear of a
general execution, with every door sealed up and days to wait before one
could recover one's property. Fellow-artistes from other theaters came to
look on. Some were indignant that the Artistes' Federation could not take
up the matter and hurl the experience of its lawyers at the heads of the
proprietor or syndicate responsible, to say nothing of the moral weight of
its five thousand members, who had already made the English music-halls
come to terms by means of a wholesale strike. Others observed that it was
a private theater, one of those theaters run, for the fun of it, by some
prosperous gambler or lucky bookmaker; a sort of harem theater, with
almost empty houses, but with swells on the stage, among the swarm of
half-naked women; and no one responsible, the old boy ruined, the treasury
empty, bankruptcy; couldn't be helped; take in your belt a peg, that's
all!

"What do you think of this, eh, Lily?" asked a voice. "Only yesterday we
were passing the hat for others!"

Lily still had the list; and the money was locked up in one of the
dressing-rooms. Then it passed from mouth to mouth, like a watchword: they
would give back the collection; but not in the street, not before
everybody, for the honor of the profession. Lily, quite excited, entered
the passage and there, in the dim light, assisted by two one-legged
artistes, who called out the amounts and ticked off the names, she handed
back the collection of the previous day. Some received their share with an
air of furious determination; others looked shy and blushed; others,
again, refused, Lily among them; and it was decided to go to the "Pros'
Corner," or artistes' bar, near the stage entrance, to drink up what
remained: the ups and downs of life, damn it! Your turn to-day, mine
to-morrow; jolly lucky not to break a leg, after all! And their gaiety
returned, amid the smoke and the glasses, through a need of reaction; and,
after the first drink or two, came jokes, after-dinner stories, impromptus
which had traveled ten times round the world and brought tears of laughter
to the eyes of the audiences in thousands of music-halls, not to speak of
the second-class cabins of every ship of every line and the
smoking-carriages of every train, from the G. I. P. R. of Bombay to the S.
F. of Buenos Ayres.

                     "Owen Moore went West one day,
                     Owing more than he could pay.
                     Owen Moore came back to-day--
                     Owing more!"

And they joined in the chorus and they sang, "We all came into this world
with nothing!" and the one-legged artistes beat time with their crutches,
my! the pink Hour and the scarlet Hour, who were there, got a stitch in
their sides. Lily, with her head flung back, full-throated, laughed
nervously. Besides, as she said, artistes did as they pleased and didn't
care a hang for anybody! All made plans for the morrow, all had been
through that sort of thing before and much worse, too: six stories cleared
at a bound, to escape from a theater in flames! Falls of seventy feet on
one's head! And wrecks! And waves miles high! Already they began to talk
of going away, of traveling; traced the route with their finger on the
table: Cape Town, Australia, the States. To listen to them, those
everlasting wanderers seemed to have pretty nearly the whole world under
their hands. They spoke of taking a rest at their permanent addresses:
good old London; good old Manchester; there was nothing like good old
England, after all, eh? They'd had enough of the Dago countries!

But enthusiasm broke out when the great news arrived, brought by some one
straight from the agencies: Harrasford--"Guess, boys!"--Harrasford had
bought the Bijou Theater! It was all signed and sealed. He was carrying
out his program: and he wanted to open at once. For three months, it
appeared, there had been a silent struggle between him and the unlucky
bookmaker, who did not want to sell; and Harrasford had got it almost for
nothing; he had practically won it, yesterday, at the races,--with Dare
Devil, his wonderful horse. Dare Devil had beaten Cataplasm, his rival's
colt, and the smash had followed at once: the Bijou closed; a forced sale;
Harrasford had bagged it; and that was one, with more to come!

The artistes were carried away by this daring stroke! Harrasford, a son of
a gun, who could put them all in his pocket! The one-legged artistes
fought a mock duel between France and England, the victor to marry Lily:
what did they think of that? Hurrah!

"Say, boys, which is the quickest way of dropping money?"

"Fast women!"

"No, slow horses!"

It was grand. They drank to everybody's health. They drank to Harrasford;
they drank to the Astrarium! They counted the money on the bar-counter;
the amount of the collection had been greatly exceeded and somebody
suggested that it was a nice thing, upon my word, yes, a very nice thing,
what they were doing: having a good time, while the Bambinis, perhaps,
were going to bed without any supper! The whiskies and sodas had warmed
their hearts: my turn to-day, yours to-morrow, damn it! It might happen to
any of them, to hop the twig and leave Bambinis behind him.

"Lily, the hat!"

And Lily handed round the hat again and collected more than on the day
before, even among those who had had their money back.

"Take that to the Bambinis," they said. "We've been behaving like Dagoes,
damn it! Artistes ought not to act as such!"

"'K you! 'K you!"

And Lily Clifton walked off, very proudly, with her maid, to hand the
money to Nunkie, who was acting as treasurer.

"And, meantime, one's got to live," said Lily to herself, when she was
outside.

After the spurious gaiety of the moment, she seemed to be returning to her
distress, with no work, no money, the Bijou closed, Harrasford taking
possession of the theater. She revolved all this in her head, without
succeeding in connecting the whole: rags of ideas hung in her brain, like
the strips of scenery at the back of the stage. She had not even the
courage to go and take her bike ... to-morrow ... to-morrow. The Hours,
the pink one and the scarlet one, who came out of the bar also, resigned
themselves gaily. Their salary mattered so little. As they explained to
Lily, you're always well paid, when you have rich friends, and, if you
haven't, all you have to do is to look out for them:

"Like Poland, what! A fat lot she cares the old boy's ruined! All she will
do is to find another, change her owner!"

Lily had knocked up against everything, seen everything, heard everything,
in her adventurous life; but this way of getting out of a difficulty
always made her blush to her eyes. No, a triumph at the Astrarium: that
was the only solution for her, Lily Clifton! She was eager also to hand
the money to Nunkie. The Bambinis' money was a different matter from
Jimmy's: they were hungry children. Nunkie must be at the theater now,
with his Three Graces, quite close, and they were going to perform at the
Astrarium. So it was not essential never to have appeared in Paris! That
meant one more chance for her!

"Come along, Glass-Eye!"

They now passed into the noisy quarters. The Olympia opened its furnace of
light before them. The Three Graces stood displayed in life-size on
posters, with others beside them, names which Lily knew vaguely, as she
knew them all, from seeing them somewhere,--as she knew the stage-entrance
of the Olympia, by instinct, in the dark street, at the side: the mouth by
which the monster nightly swallowed and rejected its fill of meat. A
courtyard ... three steps up ... turn to the right ... Lily was at home
again, amid rainbow lights.

"Hullo, Lily!"

It was Nunkie greeting her on the stage, while his dear girls were
dressing in their room. He took the money for the Bambinis, congratulated
Lily on the result of her collection, thanked her.

"And what about the Astrarium?" asked Lily. "Do you know...?"

Of course, Nunkie knew. His dear girls were engaged to perform there. And
he had seen some one on his way to the theater: the opening would take
place in a month ... in six weeks at the latest....

The architect--"You know, Lily?" said Nunkie--the architect who used to
hang about on the stage, in the passages, on some pretext or other--to
make love to girls, apparently--was minding everything for Harrasford! He
was taking measurements, drawing out plans:

[Illustration: THE ARCHITECT]

"Everything is ready in advance, everything's ordered; they've only got to
put things in their places; the workmen will start to-morrow."

"So that's what he came for!" thought Lily angrily. "The damned
_parley-voo_!"

"And your Pa, you know," continued Nunkie, "will be there too, with his
New Trickers: it would have been easy for you to get there first," he
added, with a meaning smile.

"The New Trickers! Daisy Woolly-legs!" stammered Lily, turning pale. "Who
told you so?"

"I'm sure of it, I had it from Jimmy himself," replied Nunkie.

"Jimmy told you? And what has Jimmy to do with it?" asked Lily,
anguish-stricken.

"What has he to do with it? Why, he's simply going to top the bill," said
Nunkie. "And, besides, Harrasford has left it to him to make out the
program. Why, didn't you know?... Your friend Jimmy...?"

She was in the street once more, feeling weak-kneed and light-headed. She
leaned on Glass-Eye's arm; she had a pain in her side from the emotion.
She felt inclined to enter a cafe, to get drunk on champagne, to forget.

The next day an awful headache made her keep her room.

"To-morrow," she said to Glass-Eye, "to-morrow I will fetch my bike."

She dared not go out; she felt as if it was written on her forehead:

"The New Trickers at the Astrarium! Daisy Woolly-legs at the Astrarium and
not you!"

And, "to-morrow," again she spent the day stretched on her bed. And the
next day, well, as she had to ... as her bike was her bread-winner, after
all ... her only bread-winner, whatever happened!...

"Come on, Glass-Eye! Let's go for the bike! I don't care if I do play the
darky at Earl's Court!"

But, on reaching the Bijou, she could not restrain a cry. Nunkie had
spoken the truth; they were at work everywhere, unloading joists, running
up scaffoldings, attacking the theater from every side. Her friend, the
architect, passed, looking very busy, greeted her with a "Hullo, Lily!"
But Lily did not even see him.

"I hope our things are still in the dressing-room. Hurry up, Glass-Eye!"

And Lily ran along the passage, where already sacks of plaster had taken
the place of the velvet and nickel properties. She crossed the stage,
which was still untouched, took the dressing-room corridor and there,
almost before her door, met Jimmy! She felt like turning her back on him,
after spitting on the floor, as a mark of contempt; but, after all, no!
The coward! They'd see which of them should lower eyes first! And she
planted hers straight in his face, like a blow of the fist!

Jimmy, who was coming toward her, had a moment of hesitation ... but it
did not last. He soon recovered himself. It would have been obvious to any
one seeing that masterful face that here was a man cured of his love, a
strong man and sure of himself, a man whom a kid like Lily--Lily had
always remained a kid to him, and not Mrs. Trampy, not the wife of Trampy,
that thief in the night!--a man whom a kid like Lily could not have at her
beck and call. And he held out his hand, like a good friend, simply, among
artistes:

"How do you do, Lily? Delighted to see you."

"Glass-Eye," said Lily, opening the door of her dressing-room, "Glass-Eye,
my bag ... the key of my trunk ... get out the bike first. One can't turn
in this rotten hole," she added, as she entered.

And, as Glass-Eye seemed all day releasing the bike from the hooked-up
skirts and tights hanging from the wall, to say nothing of the kicks which
she received from the pedals, Lily, grumbling, snatched it out of her
hands, and ordered her maid to go and wait for her in the street, great
good-for-nothing that she was!

"So you refuse to speak to me?" asked Jimmy.

Lily lowered her head, took no more notice of him than if he had not been
there, collected her clothes, pulled the gollywog from the wall without
the slightest regard, heaped up everything promiscuously in the trunk,
thumping it down with her fists, as though eager to have done with it.

"Come, Lily, are you still angry with me?" asked Jimmy, quite at a loss.
"When you took me by surprise that day, at Whitcomb Mansions ..."

"A lot I care for your love!" growled Lily contemptuously.

"But my friendship, Lily ..."

"Your friendship," said Lily, "your friendship ... a rag! I'll show you
how I value your friendship!" she said, flinging a dirty towel on the
floor and stamping on it in her rage.

"And that Daisy Woolly-legs!" resumed Lily, with an unspeakable expression
of scorn on her face.

"What do you mean?" asked Jimmy, who did not understand.

"Giving that shop to the New Trickers!" she continued violently. "You who
always used to talk of my talent! Giving a shop like that to those New
Trickers, who haven't as much talent among the six of them as I have in my
little finger!... You! To treat me like that!... When I think," cried
Lily, beside herself, "when I think that Pa and Ma will be here ... with
tricks stolen from me! footy rotter that you are!"

Jimmy understood that the engagement of the New Trickers exasperated Lily:
a question of outraged pride, of professional jealousy. He tried to
explain: she had already performed in Paris and Harrasford insisted on
that. He, Jimmy, wasn't altogether the master. The New Trickers were very
clever, very original, very new ...

"And I'm only fit to throw to the dogs, eh?" cried Lily furiously. "And
that rot about having performed in Paris. The Graces have performed in
Paris and they're to be at the Astrarium and why not I? Because you're my
friend, perhaps. Such a friend! When it would have been so easy for you to
give me that pleasure. But no one will ever do anything to please me! Yes,
strangers, gentlemen in the front boxes; but not friends like you! You
always bore me a grudge for marrying Trampy.... And who knows what people
say of me behind my back!... that I cut my turn ... that I do less than I
might. You know what I can do, damn it! But it's work I want, do you hear,
work! I'm not what you think!... One of those ... not I! I'd rather chew
glass than take any of that!"

And Lily spoke with nervous movements of the shoulder and fiery glances
and she forced Jimmy to lower his eyes and she told him what she thought
of him straight out, told him all her heaped-up, rankling spite, told him
all she had at heart, in words round and solid enough to build a tower of
Babel on!

"And I would have given my life, yes, given my life to perform here!
However, it's done now, isn't it? And it can't be undone," said Lily, more
calmly, and two tears sprang to her eyelids.... Then, while Jimmy, plunged
in his own thoughts, watched her without speaking and listened to her like
a judge, "You've nothing to say to me, eh?" she continued, closing her
trunk with a thump of the fist. "Nor I either. Then help me to carry down
my hamper: you haven't helped me to get into the Astrarium; at least you
can help me to get out of it. No? You refuse? And you so generous!" she
said, with a scornful laugh. "Well, then, help me take it on my shoulders.
No? Not even that? Then I must try by myself ... and never mind if I do
get crushed! _That's_ all I care for my life now!" added Lily, snapping
her fingers.

"But, Lily," said Jimmy, taking up the hamper. "You're going out of your
sense; you know that ..."

Jimmy could find nothing to say. He was pained to the bottom of his heart
... for the grief which he was causing her. The tone of feverish banter
which Lily was adopting upset him more than her anger had done. He felt
himself filled with pity for that poor little creature standing at bay.

With a turn of the hip, Jimmy jerked to his shoulder the great basket
trunk which contained all Lily's fortune. It was not very heavy: tights,
spangled skirts, faded flowers. And, in the passage down-stairs, the
astounded stage-doorkeeper saw the famous bill-topper submissively
carrying the trunk of the bicyclist, who walked in front of him, wheeling
her machine beside her.




CHAPTER VI


The fortnight that followed upon this meeting was such a strenuous one for
Jimmy, with eighteen hours out of the twenty-four spent at the Astrarium,
among the day and night gangs; his life was such a slavery that he had
hardly time to think of Lily. But he did think of her, for all that. He
seemed to hear her still. Yes, he confessed to himself, he had, perhaps,
believed ... he had, in fact, been told that Lily was Lily no longer ...
But he had just been admiring her magnificent anger. He had seen her eaten
up with ambition, quivering from head to foot, and that brave face lifted
up to his. Twenty times over he was on the point of saying something to
her; but he must see first ... Would she herself be willing? Even though
she had seemed resolved to do anything?

"Meanwhile," thought Jimmy, as on the former occasion, when she was ill,
in Berlin, "how are we to help her out of this ... how?"

And he was caught in the whirlwind again: it was Jimmy here, Jimmy there.
He had to be in ten places at once. Not that he was manager or
stage-manager: his was a special case. Since his return from America,
Jimmy possessed an even more thorough knowledge of all the machinery of
the theater. He had his memorandum-books filled with notes, his head
crammed with new ideas. He had a smattering of everything, a vast amount
of experience picked up in rushing about the world. After his triumphs
with "Bridging the Abyss," the managers, knowing that he had prepared
something different, something strange and terrible, without knowing
exactly what, the managers had bombarded him with offers: Chicago, Berlin,
London. A conversation with Harrasford, whom the Astrarium held body and
soul, had determined the matter otherwise: he would open the Astrarium
with Jimmy and remodel the theater from top to bottom in view of the new
trick, the most sensational that had ever been seen. And Jimmy should make
the necessary alterations, he should have a free hand.

Jimmy accepted. To open in a theater made for himself seemed preferable to
Jimmy to launching his new invention in a closed hall, such as the London
Hippodrome, for instance, which did not provide the aperture in the roof,
the door opening on to the stars, which he required to obtain his effect
upon the crowd. And that was why, in the work at the Astrarium, everything
turned upon Jimmy. He was responsible to both Harrasford and himself. For
that matter, he was fully equal to the interests at stake. Harrasford, a
great judge of men, intrusted everything to Jimmy, the sensational
bill-topper, removed above all jealousy; and he left it to his experience
to construct the program. Harrasford himself, the chief and master, rarely
left London; he managed all his theaters from his office, with the 'phone
at his ear, or else flew like the wind in every direction, buying a
theater here, picking up a star there, on the wing. It was not until the
third week that he came to see for himself how the work was doing and to
discuss the accounts. His broad back was seen, followed by Jimmy, to
plunge down the plastery corridors, to pass under the

scaffoldings. He looked like a conqueror, tracing with his finger the plan
of the palace that was to rise upon the ruins of the destroyed city; or
else he would point out things with a jerk of the chin:

"The proscenium pushed forward to here, eh, Jimmy? A cluster of electric
lights here. Another there. And what about your trick, Jimmy?"

"You must imagine the house in darkness," said Jimmy, "and blue and green
rays falling on the stage from above. Through the blue, we send a great
dazzling beam, from over there, lighting up every inch of the house, a
terrific light, the light of the Last Judgment...."

"Good!" said Harrasford. "We want two or three fits of hysterics at the
opening, real ones, not hired at two bob a night," he added, with a wink.
"They're working, up there," he continued, a piece of old plastering
falling on his shoulder, as they crossed the floor of the house, denuded
of its seats.

"It's the opening in the roof," said Jimmy. "I should have liked to show
you ... the staircase is blocked with scaffoldings ..."

But Harrasford, at the risk of breaking his neck, had already grasped the
rungs of a provisional ladder, made of spokes stuck through one of the
four beams which rose from the floor to the ceiling and supported it,
while the whole of the space between them was being opened. The architect
was there when Harrasford came out on the roof. He showed him four piers
of strong masonry which were being built against the outer walls,
explained that two T irons of considerable strength would rest with their
ends on the piers and run across the roofing from wall to wall. Two other
irons, also parallel, but running lengthwise, would be bolted to the first
two. This arrangement would make a horizontal frame of twenty by thirty
feet. They would then remove the beams which supported the roof during the
operations. When the plastering was finished and the gilding applied, this
would form, as seen from below, a handsome frame to the sky. The architect
also explained how the truncated roof would be secured to the frame,
forming a whole as firm as a rock, and how a light iron sash, completely
glazed, could be drawn along the two transverse T irons, thus opening or
closing the hall as desired.

"The whole thing's worked from below by electricity," said Jimmy.

"How long will it take?" asked Harrasford.

"It's all ready. It's only got to be fixed up," said the architect.

"And how much? Give me the detailed account to-night, at the station. I'll
study it on my way to Berlin." And, turning to the workmen, "_Faites vite!
Depechez_!"

They were the only words of French he knew, a vocabulary no more extensive
than Lily's, but of a different kind.

"And the lights?" asked Harrasford, before he went down again.

"Here, there," said Jimmy, "on steel rods, connected by electric wires."

"That'll dish the Berlin Winter Garden, with its stars set in black
velvet," said Harrasford.

And he followed Jimmy toward the stage wall, which stood out above the
roof of the auditorium. Here some other workmen were cutting a doorway.

"Let's go and see the floor now."

And Harrasford plunged through the door, followed by Jimmy. They crossed
the fly-galleries and

made for the blocked staircases. Before they went down, Jimmy called his
attention to a pulley which was being fixed to the ceiling and which was
to carry a rope with a stirrup for the performer's foot, to enable him to
reach the stage in a few seconds, after doing the trick.

"Very good," said Harrasford.

In half an hour, he had visited everything: the roof, the flies, the
cellar, the auditorium, the front entrance. Workmen were hurrying
everywhere. Harrasford encouraged them with a slap on the shoulder:

"_Depechez! Faites vite_!"

They were working at everything at once, from the new installation of
electric light and the steam-heating apparatus, in the basement, to the
emergency exits and the main lobby. Upholsterers were taking measurements
in the front boxes. The sound of the hammer rang out from top to bottom,
amid a cloud of dust; men climbed the scaffoldings, hoisted up things; and
the sight of all this activity gave the impression of a plan thought out
in advance, executed with great certainty, but incomprehensible to any one
not in the secret. There could be no doubt but that the spectacle which
was being prepared would be of a sensational character: even the back-wall
of the stage, which was empty at that moment, had been altered. By
clearing away a few dressing-rooms, they had raised the floor and ceiling
of the huge property-entrance. It had been closed up at the back and
fitted with a sliding door in front.

"The bird's cage," said Jimmy, with a smile.

"And how does he get out?" asked Harrasford.

"Windlasses here ... a rope up above ... hooks," said Jimmy.

"And when will it be fixed?"

"Finished next week, everything's ready, the trials have been made. It
will only need a little practice, here, on the spot, calculating the
effort, getting used to the distance."

"House packed for six months!" said the manager. "Here's a cigar to your
success, Jimmy! Come and let's have a drink at the bar; we'll settle the
program over there."

A moment later, the two entered the bar where, a fortnight earlier, Lily
had handed round the hat a second time for old Martello and his Bambinis
and where the artistes, who had already dispersed toward the four corners
of Europe, had raised their glasses to the success of the Astrarium. And
there, in the little back room, which was deserted by the artistes, now
that the theater was closed, but which would soon again be the
intersecting point of so many vagabond existences ... where the nigger
cake-walker from Chicago would play poker with the equilibrist from Japan
... where the profs and the bosses would exchange complaints about the
strictness of the regulations concerning the work of apprentices ... where
little girls, worth their weight in gold, would come, coyly, encompassed
by Pas and Mas, but with glances askance at flight; in that corner where
funny men would swallow mixed drinks and talk through their noses; there,
under the frames containing row upon row of signed photographs of
artistes: human pyramids, girls in a knot, foaming muslins, Apollos and
Venuses all muscles; there, in Pros' Corner, Harrasford, the man for whom
all those people toiled and moiled, head down or feet in the air, the man
from whom one thousand persons drew salaries night after night, Harrasford
lit his cigar and sat down at a table with Jimmy, over a

bottle of beer, and, forthwith, pencil and note-book in hand:

"Let's see the program."

Jimmy, on his side, took a written list from his pocket and laid it on the
table.

It goes without saying that the select turns which they were about to
discuss had long been engaged for Harrasford's different music-halls, some
of them two or three years ahead, as often happens in the case of the
great bill-toppers, and the question was to choose among the best, so as
to insure the triumph of the opening night. For Harrasford, who had as yet
appointed no one as manager or stage-manager, the thing was to settle a
program which would discourage any attempt at competition, to have none
appearing except stars, without counting those whom he held in reserve for
the following month, before distributing them over his variety-theaters in
England, or, later, to any part of Europe, in the "Great Powers Tour"
which he proposed to create and of which the Astrarium would be a sort of
"commodore" music-hall, or headquarters. Jimmy only gave his opinion,
after which Harrasford would decide.

Harrasford's dream was a model music-hall, something, in its own way, like
the Grand Opera in Paris: a palatial edifice, in a new style of
architecture, with friezes displaying bodies in contortion, caryatids,
cast from life, supporting the springers of the arches, mixed groups of
loins and chests with swelling muscles, under the electric lights, and, in
the lobbies, a lavish display of African onyx, Scotch granite and Russian
porphyry. The crowd would pass in between Venus and Apollo, holding
flowers and lights; and there would be music everywhere; gaiety, noise,
red and gold everywhere; all cares would be laid aside and forgotten on
entering; it would be a hall containing every modern convenience, like the
Iroquois at Buffalo or a 'Frisco sky-scraper: newspapers, cafe, bars,
smoking-room, barbers' saloon, telegraph-office, telephone-office,
messenger-boys, ticket-office, private rooms in which phonographs would
shout out the latest news illustrated with telesteriography, from eight
o'clock till midnight. The idea was to create, thirty years ahead of its
time, the great popular music-hall, with its ball-rooms, as at Blackpool,
its side-shows, a palm-garden, a roof-garden; to draw to the theater those
who, on getting up from dinner, go to the cafe and stay there; to give
them an atmosphere of mirth and jollity, of comforting lights, a sort of
night forum, of People's Palace, with, in the middle, in the sumptuous
hall, facing the furnace that was the stage, a long thrill of three hours'
duration.

And he would realize it next year, but he was in a hurry to open now, to
plant his flag of victory:

"_Faites vite! Depechez_!"

Dare Devil had won the place for him and Jimmy was bringing him the
sensational attraction, the inspired godsend which would pack the
Astrarium for six months and fill its till and spread its name far and
wide over Europe.

Harrasford thought of this with a puff at his cigar, after glancing at the
photographs on the wall, and then, suddenly:

"Let's see the program."

"Nothing but bill-toppers," said Jimmy. "Picked turns from the first to
the last ..."

"Which will be you," Harrasford broke in.

"Yes ... I ... or somebody else ..."

"What do you mean, somebody else?"

"Perhaps," said Jimmy, "to heighten the effect of my turn ... for reasons
which I'll explain to you ... perhaps it would be better to have a woman
... better for the success of the attraction!" he hastened to add, at an
astonished gesture of Harrasford's.

"And ... are you sure?" asked the other.

"I think so," said Jimmy.

"The program first," said Harrasford, returning to his notes.

"We open with a gallery in marble and gold, something showy and quaint, in
the Potsdam style, with a negress inside."

"I know. Light of Asia, eh? The armless Chinese girl whom I discovered at
Poplar.... Music of cymbals and triangles, eh?"

"No," said Jimmy. "I have something better ... more aesthetic, less cruel
... a Soudanese woman from Chicago. She walks on to the stage in a
low-necked dress ... a magnificent woman ... a creamy complexion, with a
touch of pink ... and golden hair ..."

"You said a negress," interrupted Harrasford.

"Wait ... a splendid voice ... classical music ... then a wild African
melody.... She feels a flutter of homesickness; the perspiration streams
down her face; she presses the sponge soaked in water, hidden beneath her
wig,--and the enamel, the white of the shoulders, the pink cheeks all
trickle away and, finally she appears black as ebony, and, to the growl of
the kettle-drums, does a disheveled dance, kicking up her legs like a
puppet on a string ... Patti-Patty ... talent and absurdity mixed ... a
crazy toy ... movement and noise, while the hall fills."

"Next?" asked Harrasford.

"Next, without any interval," continued Jimmy, "directly after that
performance by the court fool before his majesty the audience, the curtain
rises upon a park ... and the New Trickers chasing one another among the
trees."

"The New Trickers!" said Harrasford. "Bicyclists: that's very stale. And,
besides, what about you?"

"Has one ever," asked Jimmy, "seen a music-hall give two similar special
turns, two bicycle turns, for instance, in the same show?"

"Absurd!" said Harrasford. "Explain yourself."

"It's to differentiate between my invention and trick-riding from the very
first," replied Jimmy, "to show, once and for all, that mine has nothing
in common with the ordinary turns you see on the stage: 'Bridging the
Abyss' or 'Looping the Loop.'"

"You may be right," said Harrasford, "it will prevent confusion; yours is
purely scientific. And the New Trickers: tights? Bloomers?"

"Skirts, all in white, Warwick style," said Jimmy. "A school-girls' spree:
see-saw on the bike ... somersaults over the benches ... waltzes, lively
tunes: an impression of gaiety and happiness. The star is a statue on a
pedestal in the park. The others throw flowers to her. She wakes; steps
down: 'Hullo, a bike!' And then a special tune for the star and a waltz on
the back-wheel, amid the admiring circle of school-girls."

"All right," said Harrasford. "And what's the price of the New Trickers?"

"So much."

And he jotted it down in his note-book, near the prices of Dare Devil and
Cataplasm.

Jimmy also took notes, mentioned the names of the great serio, the great
comic singer, with their figures:

"So much."

"They earn their money pretty easily, those two!" grunted Harrasford. "But
I've got to submit to it, I suppose. Next?"

Jimmy only described the spectacular turns. Harrasford listened, saw it in
his head: a corner of untamed nature, a valley in the mountains, blue
distances, sunshine in the foreground. The Three Graces arrive all out of
breath.

"You understand," said Jimmy, "they are supposed to have been chasing the
deer or hunting butterflies. As a matter of fact, Mr. Fuchs will have made
them do their Sandow, before going on, to bring the blood to their cheeks;
he's full of ideas, is Mr. Fuchs. On arriving, a moment's rest, an
adorable group in all the splendor of the nude ... sweet, solemn music ...
and then a glorious performance, a sort of human cluster hanging from the
trapezes, something healthy and robust."

"All right," said Harrasford, putting a cross in his note-book opposite
the Three Graces. "And next?"

With Harrasford it was always "And next?" like a man who never has more
than just so many minutes to spare, because his train's waiting.

It was a curious sight to see the two talking together in low voices, with
an occasional glance at the door when some indiscreet person looked in.
They might have been taken for a pair of conspirators plotting a move; no
one would ever have suspected that they were composing a performance,
unique of its sort, which would be famous to-morrow. Everything was
provided for: scenery, music, the color of the dresses, effects of light,
the alternate doses of laughter or grace or terror to be served up to the
audience; everything was discussed then and there, in all its details,
down to those two sketch-comedians, with faces streaked red and white,
against a back-drop representing an old English street, two drunken
sports, with hats mashed in, coats turned inside out, ten minutes of mad
tricks and inhuman cries; for the audience must have its pittance of the
grotesque as well.

There was a herd of comic elephants, five enormous animals in a Hindoo
setting; and no master on the stage, no boss, no prof: they all obeyed a
whistle blown in the wings. And, conducting the orchestra with an air of
unspeakable gravity, a monkey, Mozart II., a caricature of an infant
prodigy, made the huge brutes perform their evolutions, to the Soldiers'
Chorus from _Faust_. Then, in his enthusiasm, Mozart sent his desk flying
into the air, followed by his coat, his shoes, his conductor's baton, and
ended by seizing his tail in his hand and beating time with that.

"That dishes Orpheus and Mad-darewski," said Harrasford. "And next?"

The _entr'acte_ came next, with portraits and biographies of the artistes
distributed among the audience.

"Yes, yes," said Harrasford, laughing. "Old English families ...
clergymen's daughters...."

"Learned all that with their governesses, as a surprise for their Pa and
Ma!" continued Jimmy. "Mozart II., a favorite of the king of Lahore;
Patti-Patty, a descendant of the Queen of Sheba: we've got to do it.
There's no getting away from it."

"We must hide the bruises," said Harrasford. "And next?"

"Next, I hope to have the Bambinis: ten minutes of rosy mirth; real
biographical babies, born with that in their blood, brother and sister,
two marvels. I shall obtain permission for them to appear, though they're
under the age; the old father is dying, the famous Martello."

"We must engage them for my tour," said Harrasford.

"If the old man doesn't die first; in that case, there's a brother who
will come and claim them, it seems. They're a fortune, the two Bambinis,
to whomever secures them."

"One dress-coat more on the stage," said Harrasford. "And next?"

"Topsy Turvy Tom."

"Oh, yes, I know!" said Harrasford, laughing. "The fellow who used to wear
leaden armlets to harden his muscles and smash Clifton's jaw."

"That's the one," said Jimmy, laughing in his turn. "A threat of
Clifton's, who said that he would 'make him dance the hornpipe on his
hands, damn it!' suggested the idea of a turn to him, so they say. He set
to work with superhuman energy--and now he is a bill-topper...."

"Well done!" cried Harrasford, banging his fist on the table. "There's no
country but old England can turn out bulldogs like that, lads who jump
from the gutter to the top of the bill! That's what I call a man! And
what's his turn like?"

"A scene of his own: the front of a palace. A pink marble figure, naked
down to the waist, supports a huge cornice. A thunder of big drums, a
flash of lime-light and the palace splits from top to bottom. The figure
staggers, falls on its hands and gives a stupendous acrobatic performance:
somersaults on the hands; waltzing; treading the ball: the 'hornpipe, damn
it!' And then Tom stands on his feet, all in shadow. A powerful ray of
light is thrown upon him, and you see the muscles of the abdomen slowly
moving, the pectoral muscles quivering, the deltoids leaping and starting,
the biceps swelling; and, when he turns round, the rhomboids hollowing
out, the muscles of the back rolling: the triumph of the human machine ...
and of Tom."

"And of will," said Harrasford. "How much?"

"So much."

"It's worth it. And next?"

"Roofers, high-kickers: the Merry Wives. We begin with dancing and end
with dancing. The puppets make their bow to the public before being put
away in their boxes ... the curtain falls ... and good night!"

"And then you come!"

"Then I come," said Jimmy. "Or she."

"Your invention," said Harrasford seriously, "is not a music-hall
entertainment. It is, undoubtedly, the greatest of all scientific toys, a
marvel of modern ingenuity. Do you really want a pair of tights on the top
of that? And, first of all, where will you find the woman who will dare?"

"That's the question, obviously," admitted Jimmy.

Not that Jimmy must have been in love with Lily, to think of her! It had
first just passed through his head, no more. But, on reflecting, it had
appeared to him that, in the theater, the beauty of a Lily would add
greatly to the success of his attraction. To work his invention in public
was different from experimenting with it in his shed in London. It was
leaving the laboratory to take its place in life; and it would be a
triumph to see the daring trick succeed, every day, at the fixed hour,
within a restricted compass; to see it go through the opening above; to
see that machine worked by a young girl in whom one would have suspected
neither the strength nor the nerve: it would make the public infer the
excellence of the engine. Now Jimmy was possessed, above all, of
scientific enthusiasm. His machine before everything; not his personal
triumph, his machine. He dreamed of giving that added grace to his
diagrams; and he considered that there was no disadvantage in allowing
science to be introduced by youth and beauty. Moreover, Jimmy was a little
heavy for an apparatus in which he had even suppressed the motor, in order
to make it more easily manageable ... a lighter body would perhaps be
better ... Lily, Lily was the ideal operator; but was she capable of it?
Jimmy had confidence in her. Jimmy, certainly, did not allow sentiment to
mix in his affairs; there was the weight of his responsibility to
consider. But then there was also his meeting with Lily in the
dressing-room passage. And he had understood her mental agony. He had seen
the gleam in her eyes and so great a display of energy in her face that
Jimmy had resolved to try her; and he would judge her much better by the
way in which she should face death.

That is what Jimmy explained to the manager, leaving a good deal untold,
of course, and Harrasford retired behind the smoke of his cigar, listened,
approved.

"It's your affair, when all is said and done. All you want is success, I
suppose? And will you arrange with her ... with your ... what did you say
her name was?"

"Lily."

"There are so many Lilies; and, if somebody has to break his or her back,
I had rather it was a Lily, one out of the bunch, than you."

Lily, meanwhile, was loitering outside. Harrasford and Jimmy had no notion
that the girl about whom they were talking was quite close to them,
thinking of them. Lily had heard an artiste say that Harrasford was
visiting the Astrarium. She had come in all haste, impelled by some vague
hope. Chance would have it that she was still in Paris. Everything,
besides, seemed to be keeping her there: an agent, the day after her
interview with Jimmy, had advised her to stay a few days longer; there
might be something important for her. Lily could not understand in what
way; however, she had stayed, though she was almost without means of
support. She began by trying to sell her jewels, the fifty-pound diamond,
among others, which that lord had given her in England: the jeweler handed
it back to her, saying that it might be worth eight francs! That meant
destitution. And yet hope always returned to her in one way or another.
She had even received three blue banknotes, three hundred francs, in an
envelope! Her fortnight at the Bijou! No doubt about it, they were paying
the artistes' salaries; perhaps the Federation had taken the matter up?
Three hundred francs; not enough to pay Glass-Eye or to give to Jimmy, but
just sufficient to settle her small debts, buy some new dresses and go to
London to play the darky at Earl's Court. Oh, what a ridiculous come-down!
And so, when she learned that Harrasford was at the Astrarium, she took
her courage in both hands: she would see Harrasford. She would try the
fascination of her smile upon him. She would be settled at once and for
ever.... When she thought of the New Trickers, her blood seemed to stand
still in her veins: the New Trickers at the Astrarium! And Jimmy, the mean
cur, not to have got her that shop, when she had such a splendid idea:
Lady Godiva on a bike! And a scene of her own: the front of Peeping Tom's
club, with all the boys at the windows!

Just then, Harrasford came out of the bar. She hurried up to him and
introduced herself:

"Miss Lily."

"Which one?" said Harrasford. "Excuse me; no time now. See Jimmy, will
you?"

And he plunged into a cab and shouted an address to his driver.

Lily stood stupefied, as she watched the cab disappear. This time it was
finished, quite finished.... She gave a last glance at the Astrarium and
sighed....

"Lily!" It was Jimmy coming out and crossing the street. "Hullo, Lily!"

She did not reply.

"Listen, Lily," said Jimmy, gently and gravely. "You wanted to get there
the other day, didn't you? You told me you would do anything for that."

"To take the place of the New Trickers, yes!" exclaimed Lily. "I'd have
risked my life!"

"The New Trickers are there," said Jimmy, "and are going to remain. Listen
to me, what I have to propose to you is very serious: it's something
else."

"What else? You know that's all I'm good for ... to go round and round ...
you know it quite well!" cried Lily, her face drawn with impotent anger.
"I know what you can do. Look here: would you like to be above the New
Trickers? Would you like to top the bill? Are you ready to do everything
for that?"

"May God forgive you for mocking at me!"

"Will you top the bill?" asked Jimmy again, in an accent that sent a
thrill down her back. "Answer me: yes or no?"

"Yes," cried Lily. "My life, everything, damn it!"




AMONG THE STARS

I


Jimmy was greatly excited when Lily had given him her answer and he led
her to the Astrarium. To understand his feelings fully, one would have to
know his life since the evening when, at Whitcomb Mansions, he had looked
Lily in the face and told her no. He realized then, from the emotion which
he experienced, how great a place Lily had filled in his heart, the little
passenger from New York to Liverpool; the girl who came to see him in his
shop in Gresse Street; the Lily whom he dreamed of "helping out of that"
when he saw her on the stage, from up in the fly-galleries; the one whom
he had tried to take away from Trampy; the poor sick girl in Berlin; those
Lilies whom he felt moving inside him, around him, like a breath of April;
all those Lilies, he had broken with them all! Oh, it was hard! Lily
should never, never know what courage he had needed to keep silent, he,
the man she thought so cold, nor what a tempest ... oh, if she could only
have seen into him! And then ... he had not met her again....

He, after his engagement at the Hippodrome, went off to America; Lily
traveled on her part. Also, he was a prey to his fixed idea, his great
project, always: his ambition increased, the same longing for success
which, formerly, in Gresse Street, had made him spend nights in study
after days of toil, at the time when, under Lily's influence, his roaming
thoughts built castles in the air, when he felt awakening within himself
his racial instinct as an heroic seeker after profitable adventures.

And his ambition took great strides forward, was not limited, as in
Clifton's case, to upsetting the fat freaks or training New Zealanders to
spin round and round. He dreamed of a useful life, based upon his own
efforts. He wished to found his future upon a discovery of his own, which
had long haunted him and which had ripened in Berlin, between his flights
in "Bridging the Abyss," a thing at which he worked incessantly in
Whitcomb Mansions; and, this time, the stage prowlers, should not steal
his idea. To begin with, apart from a few pieces of technical advice which
he received from a friend of his, an engineer, nobody knew about it; and
Jimmy felt sure that, even when the apparatus was at work, he would not
fall a victim to the confraternity who, ever on the watch for new tricks,
study them, judge of the weak points, copy whatever suits them, including
scenery and music, and, sometimes, succeed in earning more money than the
inventor himself; he would have nothing to fear from the Trampies, the
pirates, the plagiarists, those plagues of the profession. Certainly,
there were great bill-toppers, creators of sensations who discovered new
things--terrifying feats of gyroscopic balancing, or flights through
space, based upon principles of ballistics, assisted by the spiral
spring--daring risk-alls, nerve-shakers, purveyors of thrills, turning to
intelligent account the seductive power which dangerous feats exercise
upon the public. Jimmy knew all about that. He was not the only one; but,
this time, it was a question of a scientific application which would,
beyond a doubt, place him at the head of that pick of the music-hall. It
would be pure science and patient calculation: an algebraical hippogriff,
with pluck in the saddle.

Jimmy's plans resulted from intuition rather than real knowledge; but
learning has nothing to do with the creative spirit. Now Jimmy, although
he was unaware of it, possessed the genius that invents; and his
comparative ignorance did him no great harm: his imagination, unhampered
by theories, was all the freer for it. Jimmy had the higher instinct of
the born machinist, who is content to use a bit of string where a
school-bred engineer will cram every manner of gear, chains, pulleys and
windlasses. It is true that he was assisted in his research by many
experiments already tried elsewhere; but he dreamed of something different
and, in the calm of Whitcomb Mansions, had studied without respite.

"Pooh!" he reflected. "All those sails, all that weight! Boxes heaped one
on the top of the other--cubes to catch the air--a man sitting inert in a
basket, with his hand on a lever and a crank: it's as though one tried to
make a stuffed bird fly! And what becomes of the man in all that: the back
push, the daring stroke? The man has got to be the backbone of the
machine, with his quick balancings, his bendings, which are worth more
than any wheelwork."

And, always, his inventive imagination built on without respite, pulled
down, built up again.

His daily success at the Hippodrome did not divert him from the end he had
in view. "Bridging the Abyss," for him, was but a means of making money,
to enable him to climb higher. He thought of nothing but that: getting on,
climbing higher; and this obsession of the future made him scorn or rather
overlook the temptations of the stage. He would only have had to choose
among the lot. All, down to the great Parisienne, would have jumped at a
champagne supper with Jimmy, the famous bill-topper, the man who looked
like the swells in the front boxes and who made such a "pile." But Jimmy
knew all about that: he left the theater in the quietest way, took a glass
of ale with the boys or girls at the Crown, had a light supper and went
home. And sometimes a frenzy for work made him rush to his table, as
though the band of the Hippodrome were shaking his nerves:

"Get to work," he would growl, "get to work, cheesy brain!"

"But, Pa, I can't!"

"But you've got to, my little siree!" he insisted, with a flickering
smile.

And he read treatises, made diagrams; took up his compasses again ... or
else stayed as he was, with his chin in his hand, plunged in his thoughts,
his mind soaring above London.... He seemed to fly over the huge city,
whose distant rumbling rose up to him, similar to the roar of the sea....
Oh, he would succeed, he knew he would! And he felt within himself an
increasing will of so tenacious a character that he could have swung it,
so it seemed to him, like a battering-ram against the obstacle to be
overcome and then:

"Damn it!" he would growl, banging his fist on the table. "That thief in
the night! What a sweet wife he got hold of! Poor Lily, to fall into such
hands! Ah, yes, she would have done better to stay at home!"

And Jimmy got to work again, to forget Lily; and he kept on thinking of
her:

"Damn that girl!"

What on earth did he think of her for ... when he didn't love her, after
all?

Even during his triumphal tour of the Eastern and Western Trust, that
Lily, whom he did not love, haunted his memory. At first, he hoped to
forget her in his life of excessive activity. And he saw so many theaters,
as many as Lily did in England: so many artistes, on so many stages ...
faces whom he had already met in England: fair wigs, scarlet legs, boyish
voices; "Roofers," "brothers" and "sisters," returning from London,
Manchester, or Glasgow. He would have ended by seeing them all again in
time. There were other Lilies shooting up, Lilies "that high," elbowed by
every vice, petted by every hand, kissed by every pair of lips. His
sympathy went out to them all; and Lily had lived amid all that; it was
just her life. He found something to remind him of her at every turn, on
those stages on which she had performed. He seemed to see her near him,
with her light walk, in her little black dress, looking so nice in her
"performing-dog" toque: the poor little silly thing, running away with
that thief in the night and left alone now, quite alone, it appeared,
among the "rotten lot." The thought drove him mad:

"Damn that girl!" he said to himself. "I don't love her. Then why am I
always thinking about her?"

And he rushed into work, into danger, when he thought of that; risked
terrible leaps in "Bridging the Abyss." He sometimes felt as though he
were rushing toward oblivion, into the jaws of death! And his great
project also nearly outweighed Lily's influence:

"What are the leaps in 'Bridging the Abyss,'" he thought, "if not a
fractional flight? If I had two flat surfaces, one on either side, and a
motor behind me, it seems to me that I should continue to go upward; and
the best rudder would be the man riding it, with his flexible body, his
springy back: a live weight is less heavy than a dead weight. How many
hundred volts does pluck stand for ... or skill ... or hatred ... or
love?"

By dint of composing his machine in his head and studying it on paper,
Jimmy grew calmer. He thought less about Lily, or, at least, thought about
her only in her interest, not his. For instance, in that little town in
the West which was not on his tour, but in which Trampy had appeared,
Jimmy tried to obtain information. He went out of his way in order to make
inquiries. A marriage with Trampy Wheel-Pad? It was impossible to discover
anything; and he would not be able to make Lily the magnificent present
which he had dreamed of: her divorce from Trampy!

And "Miss Lily," Miss Lily, always; he was not satisfied with thinking of
her, he heard her name mentioned. Boys and girls who had seen Lily in
England and whom the chances of travel brought across his path in America
told him with many amplifications, of her outrageous adventures, her
passion for flirting. She no longer did all her turn. She paid more
attention to her dresses than to her performance. She was extravagant,
traveled with her maid, put up at the big hotels. She received bouquets,
my, as big as cabs, and invitations to supper and post-cards covered with
x x x x! She had an autograph-book full of declarations of love.
Motor-cars, furnished houses: she was offered everything. The son of a
lord had ruined himself in jewelry for her, the impersonator was nearly
off his head for love of her, gee, she did have a good time! She spent her
life receiving chocolates and sweets and distributing her photograph as
Lady Godiva, with her signature. Lily, according to them, laid waste every
heart; men had left wife and children for her sake; her love affairs were
going the round of the world, like her whippings. Lily was the thing; and
game and mustard for Jim Crow.

These tales left Jimmy very sad. He made allowances for professional
exaggeration in matters of love as of smackings, but, nevertheless, there
must be some truth in what they said, for it reached him from various
sides. Oh, he pitied that dear little Lily from the bottom of his heart!
The harm was done, the theater had spoiled the woman. This time, he felt
that it was finished, between her and him.... He, no doubt--who could
tell?--would continue his forward progress, and, one day, he would have a
wife of his own, a woman without a past, and he would take his stand
firmly on the earth, with a home and love; and Lily, soon, would be little
more than a dead memory....

Meanwhile, his brain, redoubling in vigor amid those stormy squalls, took
in everything, seized everything in a wide sense, became steeped in life,
rejected bitterness and retained enthusiasm. He heaped up personal
observations which he noted every evening, enough to build the ideal
music-hall one day. Harrasford, he knew, was cherishing that plan. Perhaps
they would realize it together? And the retreat for the aged and the home
of rest for the sick, and, in each capital or large town, a local
artistes' home--like the Sailors' Home--a little corner of England,
providing comfort for the man and protection for the girl. And his scheme,
his scheme was ripe now, the bold stroke which would enable him to realize
all the rest later. He felt the strength within him, if not to succeed, at
least to dare everything: "Brass Heart," as he had been christened at
'Frisco. He had served an apprenticeship to will-power: he had bruised his
ribs with a vengeance in a fall at the Columbia Theater at Cincinnati; he
had nearly split his skull at the Milwaukee Majestic; he had shed his
blood at the Washington Orpheum; and he was going to risk more with his
new invention. No matter, he had now but one idea, to return to England,
in spite of magnificent offers from Australia.

The moment he reached London, he set to work. And he fixed up the whole
apparatus at his leisure, in the shed which he had kept, notwithstanding
the expense: a sort of large hall in which he had already rehearsed his
"Bridging the Abyss." Here, with a couple of confidential assistants who
had traveled with him in America, he worked from morning till night,
correcting, revising, improving, in the midst of stretched cords and nets.
And then came his interview with Harrasford, his engagement at the
Astrarium, his meeting with Lily, in the dressing-room passage....

And it was untrue! What they had said about her was a lie! Lily had not
fallen! Jimmy, merely at that moment's sight of her, would have sworn it
in the face of the whole world: the tales about Lily, due probably to
professional boasting on her own part,--were false! He knew it, because he
had seen her magnificent anger and the flash from her chaste eyes. And he
would give Lily that joy--he owed at least as much as that to his dead
love--and he would see that it was all right. It would not be a question
of:

"Pa, I can't!"

"But you've got to, my little lady!"

She would have to dare of her own accord, with a will of adamant, and Lily
would do it, Jimmy was sure of that. He had found the partner wanted for
his success and he rejoiced to the bottom of his heart as he led Lily to
the stage of the Astrarium.

Lily, on the other hand, felt an anxiety which made her sides ache and her
heart beat:

"What on earth can it be?" she asked herself.

But, whatever it was, she would do it if it cost her her skin! And Lily
did not even take the stage oath, so sincere and spontaneous was her
resolve.

"I'll show you, Lily," said Jimmy, seeing her look at the hall and the
opening in the ceiling as she passed. "It's a new trick."

"Yes," said Lily, "new: it'll be like the last, they'll take it from you
as soon as it's out. It's like me, the tricks which Pa invented and which
the fat freaks cribbed from me. Tricks are always copied, you know they
are," continued Lily, who trembled at the thought of seeing others beside
herself topping the bill with that.

"You needn't be afraid," said Jimmy, "they won't take this one from me;
and yet I hope, in a few years' time, to see it all over the place."

"You hope to have it taken from you in a few years only, eh? But why?"

"For all the world to profit by it."

"All the world on the back-wheel!" protested Lily, who was always thinking
bikes. "Then what will become of the artistes?"

"In a few years, Lily, people won't go about on wheels," said Jimmy
jokingly.

"What will they do then?"

"They'll fly!"

Lily would have burst out laughing, in other circumstances; but they had
now reached the stage. The iron curtain was down. She looked round with
scared eyes for something out of the common. Jimmy, after making sure that
they were quite alone, walked up to the monster's cage, slid back the door
...

The aerobike, with wings wide open, seemed to loom out of the darkness.

"My!" cried Lily. "It's a bird! So that was your brain-work in Berlin and
in ... What is it?"

It was, in any case, a strange creature, with two inclined planes, one on
either side, that looked like wings; and, at the back, it showed a
screw-propeller sticking up in the air, like a tail. The whole thing
rested on two wheels.

"And it's a bike, too! I knew it!" cried Lily, clapping her hands. "Well
done, Jimmy! And do you want me to get up on it? Come along! Just wait
till I take my hat off," she went on, drawing out the hat-pins from under
her big feathers.

"Not so fast!" said Jimmy, laughing. "Keep calm! We'll start next week.
There are a good many little things to make sure of first; and then I must
put up a cable in case of a fall."

"I don't care a hang for a fall," cried Lily, immensely excited. "You'll
soon see if I'm afraid!"

"Be serious, Lily. Listen to me," replied Jimmy. "Yes, you will have to
stand on the back-wheel, but not to ride round the stage. You will have to
start up at full speed and then go up and up, straight up, into space and
then shoot out through a hole which they are making in the roof."

"Yes," said Lily, "I saw. . . . My, that makes a good distance! And, when
I'm through the hole, what do I do up there? Go on...!"

"I'll explain all that to you," said Jimmy.

"Dive into the street, eh?" asked Lily, in her Spartan voice. "Well, I
don't care! Anything! I'll do anything! And I'll show them," she added, to
herself, "if you can do _that_ through your gentlemen friends!"

But she calmed herself: after all, she was going to top the bill; have her
name in all the papers, with her portrait; see the walls covered with her
posters. What a revenge for her! That was enough, for the moment. She did
not want to appear surprised before Jimmy. The right thing was to take it
as something very natural, like a lady who is used to the best.

Jimmy, meanwhile, was explaining his trick:

"We shan't fly at once," he said. "We shall practise on the stand to learn
how the handles work. Oh, you'll have to think of everything during the
few seconds that the flight lasts! The machine isn't perfect, it's a first
attempt, it can only be ridden by a professional and a very clever one.
Look here," he continued, "it's the principle of the back-wheel; you'll
have to keep your side-balance and front and back, but you'll do it, I'm
sure. _I've_ done it."

"What you can do, a man," Lily interrupted, "I can do too. One can do
anything on the bike!"

The machine which Jimmy explained to Lily in detail was a bike just like
another, with a few differences in its general construction, bearing upon
the services which it was expected to perform. The saddle, for instance,
was made to slide backward and forward, so that the center of equilibrium
could be shifted with a push of the rider's back. The stability of the
apparatus did not depend upon that alone. The ascensional rudder or
screw-propeller, which was able to impart a speed of thirty miles an hour
to the machine, was in the extension of the horizontal bar of the frame.
It was fitted to a long piece of bent steel, pinned below the saddle,
which, running beside the frame, ended by forming a pedal, so that, with a
pressure of the foot, the rider could move it downward, at will, within an
arc of some ten degrees. This propeller, which was small in dimensions,
but endowed with enormous speed, was, in its normal position,
perpendicular to the frame. The pressure of the foot raised it to its
highest point. In this position, the propeller turned at full speed and
therefore tended to descend and, consequently, to point the front of the
aerobike upward. When brought still lower, its ascensional force increased
and the front of the aerobike pitched downward. These two extremes would
obviously serve only in sudden movements. In reality, the rider's skill
would consist in moving the propeller only very slightly, in order to
maintain a horizontal flight. As for the machine itself, Jimmy had
rejected the cumbersome system of cells, which he compared to boxes:

"The shape of a fish for the ship, the shape of a bird for the
flying-machine," he said.

He stuck to that principle and therefore he had added two enormous wings,
one on each side. He had first experimented with reduced models, shaped
like a bird, sending them up anyhow, to see, and he had ended by
constructing one which preserved its stability when gliding over the
atmospheric layers. He had thus been led to construct wings with a
slightly rounded surface whose coefficient of yield was nearly double that
of wings with flat surfaces. The width of these wings was about five feet
and their length about sixteen. They tapered a little, were drawn out in
front and widened at the opposite end, so as to get a more powerful hold
of the air. They were made of double-milled canvas, stretched on curved
ash and fastened to the sections by aluminum stays riveted with copper and
clenched. They were as light as they were stiff. These two wings pointed
slightly upward in front, parallel to the machine, and were fastened to it
in the middle by means of an axis below the saddle-pillar, which brought
their axis to the center of gravity. Other ingenious and quite individual
arrangements made the apparatus very manageable. The resistance of the
air, combined with the propelling power of the screw, exercised all its
force in vain: the wings remained stationary. Their lines were carefully
studied to facilitate the flow of the air, on the principle of Langley's
kite: and the two of them presented a carrying surface of forty-nine
square feet.

"It's not much," Jimmy explained to Lily, who listened attentively. "If I
carried my motor," he said, "I should have a bigger surface. The machine
ought then, theoretically speaking, to rise when it is going at a rate of
thirty miles an hour; with a good back push the front-wheel would leave
the ground and continue its course upward. But, on the stage, we have no
room to acquire speed: we shall get it from an inclined plane, as at the
start of 'Looping the Loop.' As for the side steering, the front wheel has
spokes fitted with canvas and offers resistance to the air: it will steer
the aerobike to left or right at a touch of the handle-bar, as in ordinary
riding, and there you are, Lily."

"My!" said Lily, bewildered by all this complicated apparatus. "Did you
work it all out on paper? It's enough to drive one mad!"

"When you're on it, Lily," said Jimmy, smiling, "you'll have to work also,
_I_ promise you. But, with your talent, ... you'll manage better than I
should. And to-morrow," he added, "I will give you something on account of
your salary."

"No, I have money," said Lily, very proudly and fearing lest she should
wear out her luck by adding that to it, by being paid for doing
nothing....

Lily spent the whole week in a fever of expectation; she did not know
where she was for joy. But she stifled that within herself. And it was
owing to her talent, all owing to her talent! When people wanted a
difficult trick done, they did not go to Daisy or the fat freaks, no, they
came to little Lily! And it was settled, she wanted no more familiarity,
now that she was going to top the bill at the Astrarium! A lady should be
more reserved in her friendships: she would make herself very
short-sighted, so short-sighted as to be almost blind, when she met the
rotten lot! Resolved, that she would give up saying, "Damn it!" give up
talking of smackings and using vulgar expressions:

"Do you hear, Glass-Eye?" she said, calling her maid to witness. "You're
to box my ears if you catch me at it again!"

The thought of having to handle that delicate machine increased Lily's
importance in her own eyes. She had noticed that Poland, apart from an
inordinate love of champagne suppers, had very nice manners: Lily would
profit by her example and become more refined; she would show Pa and Ma
the kind of Lily they had lost and she would crush them with the amount of
her salary! She would earn more by herself than the whole troupe. She
would let them know it, even if she had to do the trick for nothing, for
glory, to see her Ma beg her pardon on her knees! She had recovered all
the pride of her eighteen years, all her freshness, in a day: the touch of
bitterness about her lips had changed into a smile. It would have taken
very little more to make her dance for joy. But she restrained herself,
dared not believe in her happiness; and she was quite decided not to
accept anything from Jimmy before earning it. It was bad enough to owe him
that thousand marks. She made herself a nice practising dress and spent
the morning in bed reading a novel of fashionable life, of which the
heroine was called Lily, like herself! And she, too, would become a
society-girl, just to show them, damn it! But, suddenly, catching herself
at fault, she laughed and asked Glass-Eye for a box on the ear; and a
desperate pillow-fight ensued, in which they indulged whole-heartedly,
like two regular tom-boys who loved to wrestle and punch each other. And
it put her in a good humor for the rest of the day. She went shopping
through the windows, only bought herself a spray of roses to fasten to her
bodice. She went to the Astrarium, walked in as though the place belonged
to her, followed by her maid. She examined the works with the eye of an
expert. Three days, three days more and she would begin to rehearse! Her
legs were itching to commence!

The alterations to the stage especially interested her. The door of the
cage remained closed and Lily looked at the auditorium:

"Is it possible, after all?" she thought.

And she measured the distance with her eye. It seemed enormous to her, but
never mind, she'd do it! And she grew wildly enthusiastic in the midst of
all that activity, of a theater which was being rearranged for her: "For
me, Glass-Eye! All of it for me! From here," she said, stamping her foot
on the stage, "from here to right up there!" And she pointed to the hole
in the sky. "All that on the bike! A somersault miles high!"

[Illustration: OLD MARTELLO]

Glass-Eye opened two terrified eyes, wondered if Lily was going mad....

Glass-Eye had become dulled through constant obedience, had lost her
memory, mixed up her yeses and noes, like those actors who forget their
parts through playing them too frequently; her recent life had excited her
too much, and never a sou in her pocket, only barely enough to eat ... it
was ten times worse than in Rathbone Place.... And then that new crotchet
of Lily's.

"Can I fly, Glass-Eye, or can't I? Am I a bird or am I not?" It was enough
to make Glass-Eye lose her head....

Glass-Eye was obliged to answer yes ... and that very quickly. But she
kept on trotting behind Lily, who, realizing that she would soon be taken
up with her rehearsals, took advantage of her last days of liberty to pay
visits and show herself a little, accompanied by her maid, like the fine
lady that she was. She went and took the Bambinis some candies. Poor kids!
Their games and laughter no longer filled the hotel with mirth and gaiety:
old Martello was getting worse and worse and was now not able to leave his
room at all. Lily found a kind word for everybody and was grieved at not
having any money, which would have allowed her to be generous. That would
come later. She worked out a scheme for occupying herself with the
children when the old man was gone, for having them always with her, like
two dear little lucky charms. It was impossible, of course: never mind, it
was the idea of a lady, which she would not have had in the old days, and
Lily was pleased with herself for having entertained it.

"I will speak about you to Jimmy," she said to the Bambinis. "I'll get you
engaged at the Astrarium, eh?"

And the old man trembled with delight, stammered out his thanks, tried to
accompany her to the door, like a princess; and the little boy, to thank
her, promised to teach her a way of standing on your head which he had
learned all by himself!

"Poor darlings!" thought Lily, as she left them. "If ever they fall into
their brother's hands! They would be better dead! Luckily for them, he has
disappeared for good; and his Ave Maria with him, unluckily for me!"

For Lily understood how badly her position as a lady went with that name
of Mrs. Trampy. It was like dragging a tin kettle at her skirts, to make
the people in the street turn round and look at her.

And, more than ever before, Trampy posed as a faithful husband. Nothing
sufficed to take down his arrogance. Always the same old Trampy: great, by
Jove! And, with his red lips, his glittering eye and the cigar stuck in
the corner of his mouth, he made love to second-rate "sisters," inferior
Roofers in red calico skirts. His glamorous title as the bill-topper's
husband still won him a few conquests. And Trampy, especially since
Jimmy's return, plumed himself more and more on the fact that he was the
husband of his dear little wife!

Lily knew all this and it made her fume with rage at heart; but she showed
nothing, pretended, on the contrary, to treat it as a little matter of no
account. For instance, after her visit to the Bambinis, as she passed an
artistes' bar, quite close, there stood Trampy, lording it on the
pavement, among a lot of unemployed pros. Lily made herself short-sighted
to the point of absolute blindness. Trampy caught her, as she passed, with
a:

"Hullo, Lily! Hullo, my dear little wife!"

But Lily behaved like a real fine lady who knows how to put people in
their place without calling them names:

"Hullo, Mr. Trampy!" she replied, in a sarcastic tone. "Still got your
red-hot stove, Mr. Trampy? Still a success with the girls? Kind regards,
Mr. Trampy!"




CHAPTER II


But Lily was grandest of all at the rehearsals. She was now no longer a
lady: she once more became the Spartan, bare-necked, her hair undone, her
body streaming with perspiration, and to work, to work, to make up for
lost time! In the mornings, alone on the deserted stage, she practised and
practised....

"Come on!" said Jimmy. "And mind you do your work properly," he added,
with a laugh, "or else, you know ..."

And he patted the back of his hand.

"I don't care!" said Lily.

"You may break your head, you know," continued Jimmy, to try her.

"It's none of your damned business if I do! Show me your tricks. To
work!"

And Jimmy showed her a movement to execute on her bike, which she had
brought with her: balancings, as in "Bridging the Abyss," an excellent
training for the aerobike. And Lily went about it clear-eyed,
hard-cheeked, with all the little muscles contracted on her stubborn
forehead, ready to butt at the obstacle. A few falls to begin with, but
she jumped up again nimbly:

"That's all right!" she said. "It's part of the game!"

"But stop, stop," insisted Jimmy. "Be careful!"

They were sometimes on the stage for hours at a time, but to Lily, all
wrapped in her work, it seemed so many minutes. She understood the jerk
which she was to give at the moment when, after rolling along the inclined
plane, she should shoot out into space for the soaring flight of fifty
yards:

"The start, that's the great thing with the back-wheel," she observed.
"The rest goes of itself."

"Don't cry till you're out of the wood!" said Jimmy. "It'll be different
when you're riding the aerobike."

Lily was longing to begin that famous practice! And, a few days later, she
at last had that delight, took that further step toward triumph. Jimmy
removed the bird from the cage, fixed it on a stand. When Lily sat in the
saddle, she was crimson with pleasure, prouder than a princess sitting on
a throne for the first time:

"There," she said. "Here I am! And what next?"

Jimmy explained the complicated touches--"Press your left foot, there,
like that, to make it point upward"--and showed how, explained why; then
he passed to the working of the handle-bar--"There, like that, to turn it,
there"--and how and why the saddle slipped backward and forward.

"And then?"

"That's all."

"That's all?" repeated Lily. "That won't want any smackings! Let's see,
like this, eh? Then that. Suppose I'm coming down at full speed. I throw
myself backward, a back push, there, like that. A kick, gently, there,
that's it. I'll do it as soon as you like! This minute, if necessary!"

But Jimmy, without replying to these sallies, proceeded methodically. He
made her practise again, standing still, with the motor going at
half-speed. This was a different impulse: the displacement of the air
raised a stormy wind, the dust flew, the scenery hanging from the flies
waved to and fro and Lily shook in her saddle under the vibration of the
propeller.

"Well, Lily?" said Jimmy. "That shakes you up, eh? That complicates
matters?"

"Pooh!" said Lily. "And what about the boards? There are some of them that
are pretty rough, too! At Pittsburg, you know, it's like riding over
cobblestones. I prefer that to a stage that's too smooth: it's less
treacherous."

A few days later, Jimmy ran up a steel cable from the stage to the opening
in the ceiling, which was now finished and covered with a tarpaulin; and
Lily was to try the flying. At the time for practice, there was no one in
the theater, from which the scaffoldings had been removed. There were no
seats on the floor or in the boxes: everything was being made outside, and
would be put in place in a day or two. In the afternoon, when there was no
practice, the house was filled with workmen, painters, upholsterers,
carpenters, whose places were taken by others at night, working by
electric light. Ten days more and they would have the triumphal opening;
already Paris was covered with picture placards: you saw Tom, as a
caryatid, supporting the weight of a palace; the Three Graces entwined in
their radiant nudity; the impersonator standing, like a Don Juan,
surrounded by a bevy of women: the ballet-girl, the shop-girl, the fine
lady; then, besides those, the New Trickers--"My idea!" thought Lily, but
she didn't care a jot now--the New Trickers fluttered round Daisy. You saw
the elephants; the monkey; Patti-Patty, the white negress; all, all, down
to the Bambinis, whom Lily had "got" engaged. The whole program was
reverberated on the walls and hoardings, like a thousand-voiced echo. An
even larger poster than the others, all blue, strewn with stars, displayed
the aerobike in full flight in the sky; and a human figure, seated upon
it, lifted a hand filled with rays.

The mere sight of the posters was enough to stimulate Lily to the maddest
feats of daring. She felt herself firmer than steel, when she thought of
the New Trickers and of Pa and Ma, who were coming with Daisy, their
farthing dip!

When everything was ready, Jimmy hung the aerobike to the steel cable by
two ropes, ten feet long, ending in pulleys which ran along the cable.
Each of these two ropes was looped up and the loop secured with thin
twine: this was an infallible way of ascertaining if the aerobike weighed
down upon them or if it was supporting itself in the air; the two cords
acted as a spring balance registering the tension in the rope. Should the
twine break, because the aerobike rested on the ropes, then the ropes
would unloop and the machine remain hanging without any danger for Lily.
This was the way in which Jimmy had worked when learning "his trade as a
bird," as he called it; and Lily, he had no doubt, would succeed even
better than he did, being more supple, lighter and quite as plucky.

Oh, the rapture with which Lily bestrode the aerobike for the first
flight!

Jimmy and two confidential assistants hauled up the machine to the top of
the inclined plane that gave it its impetus. Jimmy spent an endless time
in verifying and testing everything. The electric wire that set the
propeller in motion also caused him uneasiness. It had to unroll behind
and follow the aerobike without weighing upon it, without retarding its
flight; for the machine, which was necessarily a small one, to be able to
move within a confined space, did not carry the additional load of a
motor, but only a wire, as wireless transmission of power was not yet
available. At last, when everything was provided for, Jimmy allowed Lily
to make her trial. He trembled; not that she ran any danger, for a fall
was impossible: the machine was stopped, up above, automatically, by a
cable stretched crosswise and fastened to a strong spring, which slowed
and stayed the flight within the space of a few yards. But if the two
pieces of twine broke suddenly and if this happened several times in
succession, the shocks might come to frighten Lily, for all her
self-control.

And Jimmy went on explaining.

"I know," said Lily. "I quite understand. It's like this, like this, yes,
I know. It's only a matter of trying! It's a trick I've got to do and
that's all about it! Daisy would kill herself on it and so would the fat
freaks, but I shan't! I shall succeed."

"Well, then, steady!" cried Jimmy, and his voice rang through the empty
theater. "Go!"

The machine ran down with a swoop, the propeller whirred, Lily gave a
magnificent back push, when she reached the bottom of the inclined plane;
then she went straight up and the two pieces of twine snapped in two. Lily
found herself hanging fifty feet in the air, the two pulleys glided slowly
backward toward the stage. Jimmy stopped the machine.

"That's wrong!" cried Lily. "Let's try again. I see what it was: I forgot
to push down my foot to point the machine up. It was a slip."

However, at the next attempt, it went better. The twine broke each time,
but Lily rectified her movements:

"It's my back push! It's the propeller! It's the front-wheel!"

And, in fact, that was what it was. Jimmy and his assistants, who followed
her with their eyes, had noted the fault and Lily, too, had observed it,
in spite of the giddy flight. She was extraordinarily plucky and cool, her
eight stone of flesh and bone, unerring and exact, seemed made for the
aerobike.

"Bravo, Lily! Hurrah!" cried Jimmy.

She could have screamed for joy in the street, as she went out.

Her unparalleled stroke of luck in being chosen tickled her heart. She
felt her sense of responsibility increase and also her wish to do well; no
sooner had she left off practising than she was seized with but one idea,
to begin again:

"Eight days more!" she thought.

At night, she dreamed of backward jerks, of turning the handle-bar,
pushing the pedal. Poor Glass-Eye, cowering in a corner of the bed, had
terrible nightmares, and, in the morning, after Lily's kicks, she rose
with her ribs smarting and her shins all black and blue. That was all her
profit, for Lily had hardly any money left and was not yet drawing a
salary.

Lily submitted to all sorts of privation with a proud dignity. She would
be beholden to nobody. Soon her whole fortune would consist of her box of
lucky halfpence and a franc which she had won by turning a cartwheel, for
a bet, among artistes, in the country, to stagger the jossers. And so
their little evening meal was a scanty one. A sausage, a little fruit, a
cup of tea ... and then to bed. That was better than listening to the
owner of the Hours and all those men who propose things to you. Never,
never! Her work, her work! Lord, after what she had seen of Poland and the
Hours, it was much simpler to work, to be self-reliant. At night,
sometimes, Lily would lie awake and think ... where did that three hundred
francs of the Bijou come from? Not from the Bijou: Cataplasm's defeat had
swallowed up everything and the theater had long been without a penny;
they used to fill the house with paper distributed among the staff, with
orders to get rid of it anyhow. They were not far short of inviting
soldiers from the barracks. There had never been more than two hundred
seats paid for of an evening; it meant flat bankruptcy. And she was the
only one who had received anything: why? How? Then it must have been some
admirer, but who? Not the architect, surely, that josser! Who then? And
why had Jimmy engaged the Bambinis, when she asked him to? He did
everything to please her. He was letting her top the bill: why? She made a
heap of guesses, without getting at the exact truth ... Jimmy ... Jimmy
... that man, with his coldness, interested her. While so many others were
prowling around her, he alone seemed indifferent. She would have liked to
see him in love with her ... to make him suffer a little in his turn! All
the beauty-shows which Lily had seen, all the exhibitions of painted Hours
had not spoiled her good taste: Jimmy pleased her, with that strong face
of his. What an endless pity that she had married Trampy! She gave a
scornful pout when she thought of it: she married to Trampy! Married to
that soaker: she, a woman made for a man, a creature of flesh and blood,
who admired fine muscles, rough sport and virile smackings! Gee, if she
had been a man, it seemed to her that she would have enjoyed spoiling a
little Lily: outside working hours, of course! And, if a little Lily had
asked her, "Do you love me, yes or no?" she would never have answered no.
To-day, she would have bitten off her own tongue rather than put that
question to Jimmy! And yet Jimmy had a dignity about him that pleased her.
She could see into the game of the others. The architect, for instance,
would give her just a smile in passing, a pleasant word, as one performs a
social duty, between two pieces of business. A little amusement, no more:
that was all she was to him ... and to all of them. Jimmy seemed
different. But, still, if he loved her, why hadn't he the courage to tell
her so? And, besides, when all was said, she was sick and tired of men!
Some of them ran after you like dogs; others, damn it, were icicles! A
girl could have Marjutti's figure, Thea's arms, Nancy's legs, Lillian's or
Laurence's face ... and still they would not be satisfied! And thereupon
Lily pursed her brows, asked herself how and why and went to sleep like a
baby.

And the rehearsals continued every day, without respite. Lily became
terrible the nearer she drew to success: her indomitable spirit mounted to
her heart. Jimmy had difficulty in holding her in. She made twenty
flights, thirty flights ... and the twine no longer broke. From that
moment, she was sure of succeeding, always. When you have once succeeded,
even if it be but once, you have no right ever to fail again. She had been
brought up in those principles, had had them rubbed into her skin. She
could not fail now, it was impossible! Even in her flight to the opening
up above! She had learned her "times," she knew how to aim exactly at the
right spot. Jimmy hastened to have the roof arranged for the final exit,
when the aerobike would disappear before the eyes of the audience, in the
star-strewn sky. All that remained was to get everything ready for the
final rehearsal: the complete show, with all lights lit, as for a gala
night. Lily seemed to see it all beforehand. On the day when she realized
that no accident was possible, that it was a trick of which she was
certain, she stifled a cry of triumph in her throat. She was afraid to
believe in it herself, so greatly did it surpass her dreams. She would
have stayed for days on the aerobike to experience the delight of the leap
into space. It seemed to her as though she were becoming a bird and about
to hover in mid-air and leave them all behind her, in the crowd below ...
all, all ... and be a little Lily, flying away on the back-wheel before
their noses.

"You'll make yourself ill," said Jimmy. "Take a rest; there's no need to
tire yourself; you do it as well as I."

For Jimmy, of course, had done the thing too, if only to show Lily;
besides, it was easy for him, who had had so much practice in London and
who knew his machine from end to end. And he appreciated the difficulty
all the more. He admired Lily's incredible pluck, her all-devouring
ambition and that splendid determination to get out of her scrape, to be a
little Lily earning her bread as she knew how, by her work, even if she
had to break her neck in the doing of it! And proud to her finger-tips, in
spite of the dog's life she had led.

"If I had not procured her this delight," thought Jimmy, "I should never
have forgiven myself to the end of my days."

And, from working with her for hours and hours, from holding her by the
waist at the first trials, from feeling that little body quiver under his
hand, from seeing Lily rush at danger, Jimmy became madly in love with her
again ... if he had ever ceased to be so! Ah, if Trampy...! But Lily was
married ... the divorce depended on the husband ... and the husband
wouldn't have it ... at any price: not for a million, he said, by Jove,
would he be separated from a little wife whom he adored!

"Poor Lily!" thought Jimmy sadly. "Will she always be doomed to drag that
dead weight about with her?"

During the intervals for rest, while Lily wiped the perspiration from her
forehead, Jimmy talked to her ... at first, of insignificant things ...
the name "Astrarium," for instance ... a place devoted to planets, to
stars: as a palmarium is to palms. Stars ... that was to say,
bill-toppers: the Three Graces; the Laurences; the Lillians; the
Marjuttis; the Lilies ... yes, the Lilies! Then he pitied her for
belonging to Trampy; and what a good little Lily she would have been if
she had remained with her family!

"But I _am_ a good little Lily!" she said, with a display of childish
vehemence. "What more do you want? We artistes do what we jolly well
please, and we don't care a damn for the rest!" And she had half a mind to
tell him that it was all his fault! "I had to do a silly thing and I did
it," she continued, with an expression of regret on her face. "I married
without love, but lovers, my! I've had, I may say, as many as I wanted ...
from the son of a lord down."

And Lily, to excite him, told him the long array of her love affairs, as
it was told everywhere, on the Bill and Boom Tour, on the Harrasford, on
the Eastern and Western Tours, like the whippings and the rest.

"Yes, I know," replied Jimmy, very coldly.

"What, you don't believe me!" exclaimed Lily. "There were men who would
have left wife and child for me! ... heaps of lovers, tons of them!"

"My poor Lily, having so many is the same as having none at all," added
Jimmy dreamily.

But still he did not declare his love: besides, he had constantly to leave
her, to go and give orders, or climb up on the roof, or look at the
heating-apparatus, below.

Lily watched him go, followed him with a sphinx-like glance, while a vague
smile flickered about her lips....

But she hardly had time to think of all this: the assistants replaced the
bird in its cage, locked the door, opened that leading to the
dressing-room passage and the artistes arrived and took up their places on
their carpets.

Lily had seen it a hundred times, a thousand times, "millions of times!"
She never wearied of it. She spent the day there, among the groups of
bloomers: the Three Graces, bare-armed, went to work, practised the human
cluster; Nunkie kept an eye on his dear nieces and rehearsed the Bambinis,
now that old Martello was keeping his room for good. Lily, who was almost
reduced to eating dry bread, but who remained the fine lady nevertheless,
brought them bags of sweets. Calmed by her work, she sat down in a corner,
laughed, her head thrown back, full-throated, applauded the others with
her thumbnail, shook hands with new-comers, made herself liked by all. And
it was:

"Hullo, girls! Hullo, boys! Dear old Blackpool! What's the news at the
Palace? Who's topping the bill at the Hippodrome?"

Lily, on her rickety chair, made as it were a little center at which the
news was exchanged; to think that, instead of being there, at the top of
the profession, she might have been at Glasgow, some twopenny theater,
where ladies are admitted without shoes or stockings, or playing the darky
at Earl's Court! Yes, but for Jimmy, that's where she would have been! Or
else the Parisienne, in Russia! She, an English girl, my! And Lily
fervently touched her lucky charm: oh, work, work, thank goodness for it!
And Lily rendered homage to work and sprang from her chair to shake hands
with Tom, who had come to see his palace unpacked:

"Good morning, Tom! Welcome!"

This Tom, who now topped the bill everywhere and had a permanent address
and his own scenery: wasn't it wonderful? He was no longer her Pa's old
servant: genius removes all distances; a man is what he makes himself! And
they shook hands warmly, like equals.

Lily, as a sensational bill-topper and a friend of Jimmy's, was always in
great request. She talked nicely, without pose of any kind, like a woman
who is sure of herself and knows things. The Astrarium ... the Astrarium
... what did that mean? They asked Lily:

"It's like ... a palmarium," she explained, "with sunflowers in it, all
sorts of things ... girls ... stars ..."

She described her journeys, storms, gee! Weren't there, Glass-Eye? People
who had never been outside Europe and the States had no idea! Lily talked
of India, Africa, Australia; talked of lions, which stand on their
hind-legs when they're angry, and tigers, which lie down flat; mentioned
stage friendships between elephants and camels and herself in the midst of
it all: "That high!" lowering her hand to six inches from the floor;
talked of animal-training: dogs, cats, sea-lions and that "great, big,
wicked Australian rabbit" which boxed like a man. She was a well-informed
person, was Lily. And a providence for her family also, to listen to her.
When any one brought news of her Pa and the New Trickers, with Daisy as a
statue on her pedestal, one of the successes of the year:

"Yes," Lily replied, in a patronizing tone, "I know. It was my idea. I
gave it to them!"

They thought it very nice of her. She listened with great dignity to what
they said about the New Trickers. They would not be at the Astrarium on
the opening night. They were finishing an engagement on the Bill and Boom
that same evening. They would be in Paris the next day. Mr. Clifton was
reckoning on this appearance for the final triumph of his troupe ... and
he deserved it. What a man, Mr. Clifton, what a man! "Not easy to please,
eh, Lily?" And the inevitable gesture followed. But Lily would have none
of that now, she would not hear her Pa spoken of as a brute! Did they take
her for a performing dog? One was born with the gift or else one remained
all one's life a Daisy or a fat freak! She was proud to have a Pa like
hers. She wasn't a mountebank picked up on the road! Lily had a Pa and a
Ma: a Ma of her own, a Ma whom she was certain about. She bore a
well-known name. She belonged to the "father and son" aristocracy of the
music-hall. She had never needed "that" to make her practice, she an
artiste, brought up like a lady:

"Wasn't I, Glass-Eye? Tom, wasn't I?"

And the jewelry and the sweets her Pa bought her, my! Tons of it! Of
course, he would stand no nonsense about behavior; and Lily made them all
laugh till the tears came about that footy rotter who made love to her in
London, before the time when drink made him look so disgusting, and, when
she loitered in the street with him, Pa, the moment she reached the door,
caught her such a blow that she took all the steps to the basement at one
jump; and there found her Ma waiting for her ... gee!

"And they were quite right, too! And ... do they know that I'm going to
top the bill at the Astrarium?" she asked.

"No, they think you're in Spain or somewhere."

"Somewhere!" said Lily to herself, with a thrill at her heart. "I'll show
them!"

She choked with joy at the idea of the startled look on the faces of Pa
and Ma when they saw her on the aerobike. An exuberant gladness filled her
heart. And that feverish work, those laborers everywhere, the opening in
the roof, the terrace up above, those posters all over Paris and there,
behind the iron door, in the dark, the bird! It was all for her: a theater
for herself! And she felt a need to leap, to laugh, to spread gaiety all
around her; and she rushed about madly with the Bambinis, romped with them
behind the pillars, rolled with them on the floor of her dressing-room,
became once again the Lily who had played truant all around the world,
inventing practical jokes in India and climbing apple-trees in Honolulu.
She crossed the combs and tooth-brushes on the Roofer girls' tables,
rushed into their room when they were undressed, drove the trembling herd
of them distracted, talked of the thousand dangers that awaited them if
they didn't mend their ways, made them fly to their lucky charms to ward
off ill-luck, when she offered them a yellow flower, with great pomp, or
some broken glass in a jewel-box. Then she talked to the Three Graces,
those big girls who always astonished her with their cloistered
existence--Nunkie before everything--and who amused themselves by
measuring one another round the biceps, round the chest, or else, with
their elbows on the table, played at who should first bend back the
other's wrist. Lily sat down for a moment with them, then stopped,
breathless with larking and talking, and went back to her dressing-room:

"I shall have months to spend in here!" she thought.

[Illustration: LILY'S GOLLYWOG]

And, assisted by Glass-Eye, she pinned up bits of stuff, tied a silk bow
to the back of the chair, put up nails for her costumes, laid out on her
table long rows of post-cards, photographs of friends, all dispersed to
the four quarters of the globe, some dead, others done for, all the poor
witnesses of her life. Then she took her black gollywog from her trunk and
kissed it passionately--"Darling! Darling! Darling!"--before hanging it up
on the wall. And along the dressing-room passage and through the window
came the sound of voices ... snatches of homesick tunes: _From Rangoon to
Mandalay_ or _Way down upon the Suwanee River_ ... and "Hullo, Lily!
Hullo, old boy!"... The female-impersonator walked into her room as though
it were his own, sat down on the basket trunk, plunging his green eyes
into hers.

And sometimes Jimmy passed, always at a run: something had gone wrong
somewhere, the heating apparatus, the electric light....

"Hullo, Lily!" And he stopped for a moment, frowned at the sight of the
impersonator. "Always busy?" he asked, seeing Lily, bare-armed, washing
something in her basin.

"Have to be," said Lily. "I always wash my little blouses; we do
everything ourselves, don't we, Glass-Eye? And, when I'm performing, I
have two pairs of tights to wash a day!"

"Two pairs of tights!"

"Why, of course, matinee and night! You have no idea, Jimmy ... the nickel
... when I sit on the handle-bar, it makes a great mark ... just here,
look!"

And she laughed at Jimmy over her shoulder while she pointed to the place
... and then blushed, like a frolicsome child that has been found out and
is, oh, so sorry!

"Every one's got to keep to his own dressing-room!" said Jimmy, feeling
very uncomfortable, to the man with the green eyes. "You can't stay here;
it's against the rules!"

"We're doing no harm, please, Mr. Jimmy," retorted Lily, sitting down
beside the impersonator and slipping her arm round his waist.

"Poor Jimmy!" said the impersonator, when the other had left the room in a
rage. "He's jealous, isn't he, darling?"

"He jealous? Then why doesn't he say so? One can't guess a thing like
that! When you're a man, you speak out!"

And the architect appeared in his turn, he, too, running from one end of
the theater to the other. He wore a bandage over one eye:

"Knocked up against a beam ... a little accident. Have you seen Jimmy?"

"He's over there, I think," replied Lily, without troubling to look at
him.

There was no jealousy about the architect. He stayed for a moment, sniffed
at the scent-bottle, smiled at the photographs on the wall. A green-eyed
impersonator, a blue-eyed impersonator: the room could have been full of
impersonators, for all he cared. Dark girls, yellow girls, fair girls, so
many playthings to distract him from his rules and compasses. He was bored
at once; turned to another at once; and it was all so amusing! He was the
typical lover of the woman of the stage, with his little surface passions.
And very amiable withal, knowing them all, and friendly with them, a great
purveyor of anecdotes:

"The Para-Paras, you know, Lily, committed suicide in their room ... awful
poverty. The wife wasn't ... Tottie enough ... and the husband was
teaching the English accent to continental clowns! Poland? A magnificent
engagement in Russia. Old Martello hasn't three days to live. Oh ... and
Nunkie! There's news among the Three Graces! The troupe's done for this
time!"

And he told how, last night, poor Thea, while mending her uncle's
overcoat, found in the lining an old letter from America ... from some
swain she had had over there ... a letter glowing with love and regret.
Yes, Nunkie knew how to hold his nieces, the architect explained, laughing
... watched them like a Spanish duenna, confiscated the letters that came
for them, if necessary, the old rogue, and calmed their ardors with a few
drops of bromide in a glass of water, every evening, on the pretense of
keeping them from catching cold in the drafts. Oh, the old rogue! And Thea
had almost fainted with grief in her dressing-room when she read the
letter.

"Quite a business, Lily! A scandal in their little home! Very funny, eh?"
he added, as he ogled Lily's pigeon's eggs and rolled a cigarette.

Lily, who had seen poor Thea cry before and who knew to what extent her
lover's treachery had humiliated her, was secretly furious to hear that
josser talk carelessly of things like that: did he imagine, the idiot,
that they weren't built like other people, in the profession, that they
had no feelings? What need had the public to know about their lives? It
was among themselves, quite among themselves, all that!

"Get out of my sight, you damned josser!" said Lily. "Go and eat coke!"

But the other, greatly amused, described his latest discovery, a pearl, in
an out-of-the-way neighborhood ... at Vaugirard fair ... an extraordinary
girl, showing off on a couple of trestles in front of a canvas booth, in
which her man lifted weights to the light of the Argand burners:

"Picture this girl, Lily," said the enthusiastic josser, "picture this
girl on her trestles, doing weights, balancings, all sorts of things. A
body like a boy's, all muscle, and thin: whew! Not _that_ much fat on her,
no hips, arms and shoulders, like Michael Angelo's flayed model. And I
talked to her afterward! And her man gave me a queer look you know ... I
got a blow...."

"Well done!" cried Lily, clapping her hands. "The beam, eh? That'll teach
you to meddle in other people's business! Oh, you don't know those
tenters! One of these days you'll be picked up with your face smashed in,
or shot through the chest with a revolver."

"I say, though," the architect interrupted, "that girl ... I don't know
how we came to speak of you ... she knows you, Lily!"

"That's right! Now I have mountebanks among my acquaintances!" said Lily,
with an air of disgust. "Get out of this, I say!... You wanted Jimmy;
there he is, look!"

And Lily, furious, jerked her head toward the passage.

When Lily went home again she did not even think of what she had just
heard. The death of the Paras; the Graces ... Nunkie, that old rogue!...
She forgot all about it.... She saw only that: the theater, the aerobike,
the theater! Ah! she had it in her blood, in spite of those ugly stories!
Even outside, when, upon Jimmy's advice, she went to take the air in the
parks, under the great blue sky, she regretted the dark stage, the canvas
landscapes of the back-drops; the open-air scenery appeared paltry to her,
beside it. Between her and nature there was always the aerobike! In a few
days ... was it possible? She clenched her little hands over an imaginary
handle-bar, hardened her pigeon's eggs, made pedaling movements, in spite
of herself, on the floor of the tram-car which she very soon took to get
back to the theater again! It was her life, her joy, her suffering, her
good and evil ... it was her field, her very own field, the field which
she had sown with sweat that she might reap fame and glory.

And, when she returned, she reveled in that smell of hot glue and tar and
scent; oh, it was much nicer than the country! And more interesting, too:
all the little drama that was being enacted among the Graces, for
instance; Nunkie had lost his wonderful reputation, he was surrounded with
less reverence; the story of the confiscated letters was beginning its
round of the world. It was all very well for him to spoil his dear girls,
to double his attentions, to treble the doses of bromide; there was no
doubt about it, the troupe's days were numbered. The boy-violinist and
others were making love to the Three Graces, fresh troupes were being
formed, three more, any number! And they all talked freely, turned their
backs without hesitation upon Nunkie, who was prowling round:

"Well?" he asked. "What's the mystery?"

"We were discussing marriage, Nunkie," the Graces answered.

"That's right, my children," he replied, with a sigh.

Lily, in all these plots and counter-plots, knew how to remain neuter and
to be very nice to everybody; she had been trained from childhood to keep
her opinions to herself; none of her damned business, all that; something
that might have been foreseen and expected ... like the death of old
Martello, which Jimmy told her of.... Yes, the old man had flickered out
in his bed just like that....

But she needed all her composure, indeed, when Jimmy told her that those
dear little Bambinis ... ah, there was bad news for them, the poor loves!

"What? What?" asked Lily.

"Well, we are going to lose them; they've been claimed by their brother,
it seems."

"What!" cried Lily. "Their brother? The ... the Mexican one?"

"Yes, I think so," said Jimmy. "He's come back from South America. He is
in Paris now ... somewhere in a penny show, in the suburbs ... I don't
know where ... with a girl."

"With a girl!" thought Lily.

Everything returned to her in a flash! The girl with the bruised skin ...
that boy's body all muscle ... Ave Maria! Ave Maria! Not dead! She felt
inclined to run up to Trampy, to fly at his throat, to bellow in his face
that Ave Maria was here, just to see the effect! But she restrained
herself. Suppose it were not true? Oh, she would soon know! That footy
rotter, if it were true! O God, grant that it might be true!

All this passed through her brain in less than a second.

"Why!" said Jimmy, seeing her turn pale. "Does that affect you so much ...
the loss of your little friends, the Bambinis? For you're going to lose
them...."

"No, Jimmy!" she replied indignantly. "You shall not give up the Bambinis
to their brother, a cruel, cowardly brute like that, right at the bottom
of the profession. I know ... I've seen.... You shan't do it, Jimmy, and,
look here, I forbid you!"

"Well, Lily, Lily, I'll do what I can, to please you, you know; I'll try;
I'll see the police; you must give your evidence, if you have anything to
say. Do you know, Lily, you are as good as gold. You're a good little
Lily: hard upon herself and kind to others."

But he was interrupted ... Jimmy here, Jimmy there ... he was wanted ...
for the flies, for the roof.... Jimmy flew to the stage, bothered on every
side, worried by the Astrarium ... and Lily. Lily! He could not escape her
now, do what he might! He had her in his heart, in his brain, everywhere.
She lived and existed in his breast, shot up there like a flame! Whatever
he had been told about her he no longer knew, did not want to know. And,
besides, even if it had been true, oh, he would have forgiven everything!
He would have passed over everything! He would have plunged into the abyss
to get Lily out of it, whatever she had done; yes! In spite of everything!
in spite of everybody! In spite of Trampy, husband or not!




CHAPTER III


To-morrow was to be the great day, the opening of the Astrarium, the first
night; and Jimmy, more bustled than ever, forgot Lily ... almost ... on
that evening, especially, the evening of the dress-rehearsal: not an
ordinary rehearsal, with the band-parts handed to the conductor across the
footlights--"A march here, please, a waltz there. 'K you"--no, the whole
show, with orchestra and all complete; the stage flooded with light; each
turn in its own setting: corridor, wood, room, palace. Jimmy multiplied
himself in the final fever. The theater, arranged according to his ideas,
was still encumbered with ladders and scaffoldings; but gangs of laborers
were hard at work on every side. The obstructions all disappeared like
magic, were juggled away. Jimmy had made sure that the roof was ready; he
had run from the landing-point, out of sight of the audience, through the
door contrived in the wall of the stage, crossed the fly-galleries, come
down by the pulley-rope; the whole thing, from roof to stage, had taken
him, watch in hand, thirty seconds. And Lily had done it also. It formed
part of the turn, a sensational addition to the aerobike. All would be
ready, all would go well, provided that Lily was not nervous that evening
... and to-morrow especially! Those confounded crazy little girls! Crazy
every one of them: Laurence herself, the bravest of the lot, had just had
an awful fall, at Boston, in her excitement at losing her lucky charm. It
was the event in the profession, the accident of the day. Lily might be
frightened by it. Now it was essential that she should succeed and succeed
at the first attempt. His fortune and hers, his future, the success of the
Astrarium depended on it. And Jimmy, obsessed by his labors, had hardly
time to think of Trampy, in the formidable effort of the eleventh hour.
And yet, sometimes, he felt a pain at his heart. That adorable Lily! Would
he succeed in making her love him? And now there was that impersonator!
Oh, to work, to work! And he went at it, hammer and tongs, to make sure of
the aerobike's success. To make them talk of him ... to achieve fame ...
which was as sweet as love! And he was wanted from one end of the theater
to the other. Oh, he might well look upon the Astrarium as his creation!
Already, a few days before, rumors of a strike were current. The managers
were boycotted by the artistes, in England.... Jimmy feared lest the
Astrarium should feel the consequences, under the pressure of the
Performers' Association, but he had arranged everything, seen each artiste
separately, explained his plans: gala matinees, creation of an asylum, a
home of rest ... a glory to help in such a task ... who could tell but
that they were working for themselves by adding their stone to the
edifice? He quoted the Para-Paras and their wretched end; old Martello,
dead without leaving a penny; the Bambinis, homeless; Ave Maria,
unprotected. The men listened, with serious faces. As for the girls, his
words came straight from the heart. Those decent girls, who earned their
living as they knew how and the living of others besides, they understood
him at once; and Lily no longer laughed; on the contrary:

"Me? Whatever you like! For nothing, if you like; rely on me, Jimmy!"

And now the hour had come; they were to appear under the critical eye of
Harrasford. The acting-manager had arrived from England that same day with
the stage-manager, who was "behind." It made a strange impression, that
huge red-and-gold house, glittering with light and sounding curiously
empty to the thunder of the band. Everybody was at his post: the tall
flunkeys stood motionless at the entrance-doors, in the promenades, as if
the audience had been there, whereas there was practically nobody except
Harrasford and the manager. And on the stage, which had been cleared of
every superfluous piece of property, splendid order reigned: the
scene-shifters, up above, had their hands on the windlasses; the two
electricians, on their perches, turned the lime-light where it was to
fall; the drops rose and fell without a hitch; the scenes slipped into
their places, shifted, in the English fashion, by one man. For each turn
on the stage, the next was ready to come on, no more; all the rest were in
the dressing-rooms. But there, behind the iron curtain, one could picture
staircases crowded with people running up and down, passages full of
light, a flurried ant-hill, and feel that a ring of bells would be enough
to bring tumbling on to the stage a whole glittering, grotesque or radiant
world of people, from the monkey-faced comedian to Lily, in her pink
tights, an image of Venus. There was electricity in the air of that empty
house, in which all felt the presence of the powerful master, harder to
please than a crowd! And rays of light ran along the stage, the back-drop
seemed a cloud ready to split in the crash of the thunder, under the storm
of the raging brasses. On the stage, the turns defiled in their order,
under the shimmering lights: the Bambinis, brother and sister, supple
grace and strength combined, filled the huge space with the free play of
their rosy bodies and the brightness of their genuine gaiety. The Three
Graces formed the human cluster, a hanging group of faces, figures,
shoulders and glorious lines. The program poured out laughter, harmony,
beauty, till, against the blue forest, came the scarlet step-dances of the
Roofers. And then silence: the feature of the evening, the aerobike! There
was a moment's anxiety. A net was stretched above the stalls, from the
footlights to the opening in the roof. For the audience, at any rate, all
danger was removed, even in case of a fall. Then the glass dome above
opened, and the curtain rose on the Elysian glimmer of a scene studded
with stars; and everything was empty, stage and auditorium. The distance
seemed immense: "miles and miles!" The machine was to start out suddenly,
rush through space, disappear up above, like a meteor that shoots out from
infinity and returns to it.

A few seconds passed, during which Jimmy gave Lily her last instructions:

"You're not afraid, Lily? Would you like me to do it?"

Afraid! She turned her calm face to him. Oh, she could have accomplished
impossible and cruel things, braved torture, walked on burning coals! She
felt herself made of supple steel, unerring and exact:

"Up, quick, quick! Ready, Jimmy?"

"Ready!"

"Then ... GO!"

The aerobike flashed like an arrow from the bow, raised itself with a
magnificent jerk; the propeller hummed like a thunder-bolt, the wings
rustled in flight, pointed toward the opening, went up ... up ... up ...
disappeared in the star-strewn sky.... It was done! The band struck up the
triumphal march, Harrasford, the manager, the few who were present all
burst into cheers; and, suddenly, over the house plunged in darkness, from
the back of the stage, came a burst of light. Lily, after running over the
roof and sliding down the pulley, was descending against the blue
back-drop, bringing with her the star! First, one saw the light breaking,
then swelling and increasing in brilliancy, and Lily appeared, a starry
Eve, holding, in her upraised hand, a dazzling luminary, a crystal globe,
which an invisible wire from behind filled with an intensity of light. And
powerful rays shot to every side, end-of-the-world coruscations, above the
crater of the orchestra.

"Splendid!" cried Harrasford. "That dishes the waterspouts at the
Hippodrome, the avalanches, everything!" And, as Jimmy came up, "Good boy,
Jimmy!" he said, catching him a great smack on the shoulder by way of a
compliment. "And your girl ... your ... Maggy ... your ... what's her
name? Lily ... glorious! Very good indeed! Couldn't be better! Capital
idea!"

He gave a quick glance at his watch, a few words to Jimmy, to the manager,
over his shoulder, on the wing:

"All the boxes booked three weeks ahead? All the stalls? That's right!
Good-by, good luck!"

Already his broad back was disappearing through the door; had to catch the
midnight train for Cologne; presence indispensable.

"Telephone to-morrow; let me know how things go. Ta-ta!"

And Harrasford was far away.

And Lily? Lily was in her dressing-room, stupefied with delight. How soon
it was done! How simple it was! Jimmy, after all, with his scrawls and his
scribbles, with his brain-work: what a discovery he had made! She would
have liked it to last for ever, the flight on the aerobike; she still
seemed to be rushing up to the stars, to feel the coolness of the night on
her face. How funny it was, going up, up, up and out through that hole.
She was still laughing at it, with little convulsive movements of the
shoulders, and stammering out things.

When she was dressed, she received Jimmy's congratulations and
everybody's. They gave her a bouquet:

"To our little favorite!"

She answered, without knowing what she said; went home. Everything seemed
to be turning round and round. She ate a few mouthfuls, washed down with a
glass of milk; and then, suddenly, made a rush for Glass-Eye! A pillow
fight followed:

"Here, take that! Take that! And that! And that!"

Ten minutes of an epic struggle, on the bed thrown into confusion and
disorder, as after a murder; huge slaps on the firm, rounded forms; virile
smackings; and Glass-Eye, breathlessly, had to own herself beaten, to beg
for mercy.

"That'll teach them!" cried Lily, falling on the bed, panting, drunk with
joy, drunk with joy! Trampy, Mexico, Ma's insults, the jealousies, the
grudges, Daisy, the fat freaks: pooh, none of that existed for her!
Nothing remained but herself, drunk with an immense joy! She was almost
delirious, in the excess of her great happiness:

"I'll smash up their damned troupes, do you hear, Glass-Eye? There! Like
that!" And she tried to renew the fight, but her strength failed her.
"Dished and done for, their damned troupes!"

And she laughed, she burst with laughing, when she thought of their
eighteen feet of stage:

"Stages as big as my hand, Glass-Eye, is what they've got to turn in!"

Whereas, she went straight up in the air, up to the stars, miles high, up
above everything! Bang! A smack for Glass-Eye, who was just taking off her
skirt!

"And I say, Glass-Eye! Ma, who said that I ... you know what she said! But
wait till they see me in my grand dresses! I'll order them to-morrow; and
my hats too. And I'll invite Pa and Ma to the hotel! And we'll drink
champagne and I'll have fifty francs' worth of flowers on the table, just
to show them! 'Our Lily,' that's what I'm going to be, 'our own Lily,'
damn it!"

Lily, when she was in bed, turned things over and over in her brain. Yes,
her Pa was quite right. It was for her good, for her own good! Big
salaries, which would all belong to her! And no more performing-dog
toques, but big hats and feathers and motor-cars and furs, but no goggles!
No, she must find something that wouldn't hide her face, so that people
would recognize her and say:

"That's Lily!"

And the road behind her motor would be strewn with the bodies of pros who
had died of jealousy!

And she would consult Pa and Ma on the color of her liveries, on her
crest: a wheel, with wings to it! And Lily dropped off into a sleep
interrupted by awful nightmares, in which Ma was dead--poor Ma!--before
witnessing her triumph--and in which elephants trumpeted in her honor and
sea-lions applauded her with their finny fore-paws, all along a queer sort
of Tottenham Court Road, paved with fat freaks, at the end of which a
Horse Shoe, as big as the Marble Arch, opened out upon the stars.

Poor Glass-Eye, on her side, had the most outlandish dreams. Her brain was
turned from living in the midst of all that. She dreamed that she was
flying, too; that she was Lily in her turn; that she was soaring over
Whitechapel; but, from time to time, a nervous kick from Lily recalled her
to the realities of life.

                    *       *       *       *       *

"Glass-Eye! There's a knock at the door, I think. Or else I'm dreaming.
What's the time? Ten o'clock. Get up, Glass-Eye! If it's the landlady,
tell her I'll pay her next week!"

But Glass-Eye, who had gone to the door, shut it suddenly and came back to
Lily, looking quite startled:

"Miss Lily, there's some one, all in black, on the stairs; a ghost!"

"If you're trying to frighten me," cried Lily, jumping out of bed, "I'll
knock your other eye out! Take care!"

She was choking with excitement. Lily was afraid of nothing. But those
confounded ghosts: poor Ma, perhaps! And she quickly separated two fingers
wide behind her back, so as to be on the safe side and ward off ill-luck:

"Come with me, Glass-Eye; you go first!"

And Lily, in her night-dress, half-opened the door, looked out.

A thin woman, all in black, stood motionless. It was not Ma. Lily breathed
more freely:

"What do you want?" she asked.

"I want to speak to Miss Lily," said the woman in black. "I went to the
theater and they gave me your address. I came.... I suppose you don't
remember me, it's so long ago. Ave Maria, on the wire in Mexico?"

"Ave Maria! Come in," said Lily.

Ave Maria, whom she had sought for so long. She would know at last! Oh, if
it were true! God grant that it might be true! Lily, hardly recovered from
her fright, quivered at the thought. And she devoured Ave Maria with her
eyes. She recognized her, now that she knew: it was she indeed, but grown
old before her time, looking wretched, thin, hollow-eyed, a face all skin
and bone. And the two stood contemplating each other in silence.

"How pretty you've grown!" whispered Ave Maria timidly. "No one would take
you for a professional."

But a sudden fit of coughing brought scarlet patches to her pale cheeks.

"It catches me here," she said, pressing her hand to her chest. "It's
damp, sometimes, in the tent. And then half-naked on those trestles. The
work warms one, it's true. The other night I saw some one who knew you, a
gentleman. I should have liked to ask him more, but my brother struck him
in the face. I got my turn after. However, I wanted to see you. I went to
the Astrarium. I asked them."

"Go on," said Lily, who was burning to know, but did not want to show it.
"Glass-Eye, give me my dressing-gown. Go on, please!"

"I don't know that I dare," said Ave Maria, "now that I have seen you. You
are so much better-looking than I am. Are you still living with him?" she
asked, in a low voice, fixing two fiery eyes on Lily.

"No," said Lily, "I am living with nobody!"

"But they told me. I heard at Buenos Ayres ... the story of the whippings,
your running away with him...."

"What whippings? And I'm living with nobody!" retorted Lily, very
haughtily.

"But you have lived with him ... in Germany ... Trampy, you know."

"No," said Lily, "I was married, wasn't I, Glass-Eye?"

"But _I'm_ married to him!" Ave Maria broke in, more aggressively than
before.

"Oh, if it were true!" thought Lily. "Oh, if it were true!"

She dared not believe it, it would have been too beautiful, beautiful
beyond dreams. And, with her nerves stretching to breaking-point:

"Prove it!" she said coldly, to Ave Maria.

"Yes, I have my proofs," replied Ave Maria, shaken with a furious cough.
"And I'll show them! Trampy belongs to me, not to you! He's in Paris, they
tell me.... And I mean to have him, do you hear? I've suffered enough and
to spare. I've done everything since he left me. Look here, at Caracas
people used to offer me twopence to let them black my eye, sometimes, when
my brother was locked up at the police-station. And there were the
one-horse circuses where we slept in a heap on the straw, in Chili or some
such country. And, sometimes, I lost my balance on the wire, because of my
cough. And my brother: you know him! And the cattle-men, when they're
drunk! One of them stabbed me here, with a knife, there, here, in the
breast; they had to cut it off--the breast--later, at Montevideo, because
of the gangrene. Yes, he stabbed me with a knife, because I wouldn't say,
'I love you,' to him! Fancy my saying, 'I love you,' to any one but
Trampy! Never! I would have let them jump on my chest with their hobnailed
boots first! And, now that Trampy's here, I want him! He belongs to me and
I mean to have him."

"Well, take him, if he belongs to you!" said Lily. "I don't care a hang
for your Trampy; I've turned him out long ago!"

"So ... it's true? If he's no longer with you, I can have him again. I
shall have him! I'll have my brother locked up, if necessary, to be free!
I have only to say a word, not because of the story of that nose which he
bit off at Rio: no, the other day, at Vaugirard, he used the knife. I'll
tell everything, to have my Trampy back."

And her rough voice became gentle now, in her Anglo-Italian jargon, with a
dash of Spanish in it; everything became clear, everything yielded before
the violence of that fierce love. Lily was astounded to hear it:

"That's what I call love!" she thought. "I had no idea, my! And all for
Trampy! It's worse than in the novels."

And she was touched, in spite of herself, and, when Ave Maria cried, "Oh,
how happy you must be, if he loves you!" Lily dared not protest that she
didn't care a hang for that soaker, for fear of hurting the poor martyr.
She replied, on the contrary, that Trampy was very nice, but that he was
hers no longer, that he belonged to Ave Maria, since Ave Maria had the
proofs ... _if_ she had the proofs.

"I have them here, Miss Lily, my marriage-lines. I was able to get them,
after he went. I had the certificate witnessed. My brother, when he came
to fetch me, never knew about it. I sewed it into the lining of a
portmanteau; no chance of losing it: here it is."

And she produced a yellow document from her bodice and laid it on the
table.

Lily seized upon it ... read it at a glance ... it was quite regular! Oh,
the footy rotter! Two wives! To say nothing of his thirty-six girls! And
what a fine trick she would play him! At last, she was about to get rid of
her festering sore! She could not breathe for happiness. And, as Ave Maria
was watching her movements, lest she should keep the paper, Lily handed it
back to her, certain that it was in good hands, that it would not be
lost.

Then and there an idea came to her. Trampy would be at the theater that
afternoon with Tom, who, knowing little about all these stories,
interested only in the condition of those biceps of his, had taken Trampy
as his assistant and had told Lily so. And Lily had said nothing,
reserving to herself the right to have him turned off the stage by Jimmy,
with a smack in the eye, before everybody: the footy rotter, coming there
to defy her! Well, there would be no smack in the eye; she would simply
hand him over to Ave Maria, as one flings a lump of carrion to a tigress!

"Wait a bit, you faithful husband!" she growled. "You'll see, presently!"

And, first of all, when Ave Maria rose to go, Lily forbade her to do
anything of the kind, for fear that the brother, who must be out looking
for her, might drag her back to the booth at the fair and then take the
first train to some other place, after getting hold of the Bambinis. And
Lily meant none of all this to take place; she would rather go to the
police and have the brute arrested!

"Stay here, Ave Maria," she said. "I'll give you back your Trampy this
afternoon."

Oh, if she had been alone, how she would have flown at Glass-Eye, to work
off her superabundant joy! It would have been a merciless fight, with
slaps in the Mexican style! But a lady receiving her friends must set a
good example. She contented herself with hustling Glass-Eye by word and
gesture:

"My new dress! My big hat!"

Ave Maria, quite taken up with the excitement of seeing Trampy again, of
having him back again, left herself in Lily's hands. She felt as if she
were looking at a princess, when Lily made Glass-Eye spin round the room.
She could not even help smiling when she saw Glass-Eye catch her foot in
the dresses spread out on the floor, so much so that Lily asked her
angrily if she meant to go on hopping about like that for ever, if she
really wanted to have a candle lit in her glass eye to make her see that
bodice, there, right in front of her nose, damn it! And Glass-Eye's
fright, when she heard that ... though Glass-Eye was never surprised at
anything that Lily said or did!

Going to the Astrarium, Lily, followed by Glass-Eye, walked along the
street with her cheeky feather waving like a flag in battle. Ave Maria, by
her side, kept close to the wall, with frightened glances to right and
left; Lily did not call her attention to the Astrarium posters for fear of
humiliating her: she would have had to explain that she was topping the
bill and poor Ave Maria, who was starring at the fair, would never have
understood. A professional abyss separated the two of them. Lily saw this
and had too kind a heart to let the other feel it. What a difference
between them! Merely in the way in which Lily entered the theater and
smiled to the stage-doorkeeper! Ave Maria followed very timidly, like a
beggar-woman stealing into a palace. She felt out of her element in those
big theaters, where she had not appeared for ever so long, having come
down to the level of one-horse circuses, patched canvas tents, acrobatic
performances in the open air, on the slack-wire stretched from tree to
tree. Lily looked a princess beside her, really. Ave Maria was even
surprised to see her address a gentleman who was there: it was the
architect, with a bandage over his eye. Ave Maria recognized him; and he,
rendered prudent by the blow which he had received from "her man," stepped
back instinctively at the sight of her. But Lily caught him by the lapel
of his coat:

"You've been fooling me ... with your measurements," she said, "and there
are certain things that jossers oughtn't to meddle with; and it serves you
right, that black eye of yours; but I forgive you, because of the immense
service you're doing me ... without knowing it ... you lover of
second-rate goods!" she muttered, as she watched him slink off, taking her
forgiveness with him.

The stage was almost empty. Tom had come, not Trampy; so much the better,
there would be all the more there presently, for the great scene!

"Wait for me a minute," she said to Ave Maria. "Sit down over there, in
the corner."

And Lily went up to her dressing-room; she wanted to look her best, to
bedizen herself ... a little red on her lips, a little blue on her eyelids
... to make Trampy regret the more what he was going to lose. And, when
she was ready, Jimmy passed and, icicle though he was, could not help
paying her a compliment on her good looks. He appeared quite
disconcerted:

"Just imagine, Lily. What do you think happened to me, in the
impersonator's dressing-room? I had something to say to him ... I walk in
... see the impersonator half undressed ... and it's a woman, Lily, a
magnificent woman! You never told me, you kiddie!"

"Hush!" said Lily. "Don't give her away; it's a secret, it's her living,
Jimmy."

"Don't be afraid, Lily, I won't prevent any one from earning her living,
as long as she does all right on the stage. But I don't know where I am
now. That woman who came in with you, for instance," continued Jimmy
jestingly, "she looks just like a man; there's no knowing; nothing would
surprise me after that!"

"She's a woman, Jimmy, a married woman! You'll see presently. We'll have a
good laugh; mind you're there! I want everybody to be there! It's a
surprise, Jimmy!"

What a kiddie she was, thought Jimmy, as he went down the stairs. The
architect, the impersonator: the two scandals of her life. That
impersonator whom she kissed in front of him, a story that had gone round
the world, Lily's love affairs, one more ready to leave wife and children
for her sake: the exaggeration of the stage, always; professional
boasting. Like the story of the whippings, like those girls whom she had
described to him, and herself, with all over her skin--"Here, here, damn
it!"--wounds that you could put your finger into. Or like those who were
said to be done for, or burned alive, or drowned in shipwrecks, with waves
miles high, all for the honor of the profession; when, perhaps, it was
simply as good a way as another of retiring from the stage, to get
married, with a flourish of trumpets! It wasn't true, all that, or their
parade of vice either, all humbug, from end to end, their amorous
conquests, their orgies, their escapades, like their ostrich-feathers,
that long, or their sham diamonds, that big, and bouquets large enough to
fill a cab. But they were decent-hearted girls, all the same: that Lily,
what a kiddie, thought Jimmy, feeling quite comforted, quite glad on her
account.

And just then, as luck would have it, he met Tom, to whom Glass-Eye had
brought Miss Lily's album, with a request for his autograph. Tom, whose
formidable muscles were hardly capable of wielding a pen, especially to
write "thoughts," was holding the album with a sheepish look, turning it
round and round:

"I say," he said, as Jimmy passed, "write something; for me!"

"All right!" said Jimmy.

And he lightly turned the pages of the album, the famous album, said to be
crammed with passionate declarations. Not a bit of it! Nothing but foolery
and childish nonsense:

                    "May joy and pleasure be your lot
                    . . . trot, trot, trot!"

                      "... Regard me as a link.
                                      Loving Pal."

"_Un afetuoso saludo y un augurio de feliz viaje le desea Pedro y
Paolo_."

            "Hoping we shall meet again, if not here, there.

                            "Joe Brooks."

"_Puedo decir que nunca he visto yoo ... tan cuida y bella_...."

There was page upon page, in this style, with, here and there, a rough
sketch: a heart pierced by an arrow, signed, "Castaigne;" a dried
shamrock: "Blarney Castle;" a bit of seaweed: "Dundee." Jimmy smiled to
himself and especially at what he heard beside him, where Glass-Eye, while
gazing wide-eyed at Tom's immense arms, was telling him all her troubles:
quite mad, Miss Lily, ought to be locked up! And _she_ ought to know:
never left her side since she began traveling by herself, day or night.

"You're a lucky one, you are!" Tom broke in.

"I should like to see you try it, just!" Glass-Eye retorted. "And meantime
I get more smacks than halfpence. Oh, I know she'll pay me all in a lump,
when she gets it! She's very generous, really. And her Pa and Ma ... yes
... do you know what she means to do? She's not angry with them any
longer. She's going to stuff them with turkey and pudding at the hotel and
stand them fifty francs' worth of flowers. She's forgiven them!"

"That's more than I have!" replied Tom. "Her Pa will know what I am made
of to-morrow, the brute! He'll have one on the mug, for boxing my ears and
kicking me out ... you know ... because of the letters from Trampy."

"If you do that, Tom, you'll have Miss Lily to reckon with! What! You're
laughing!" cried Glass-Eye angrily. "You don't know how it hurts ... on
one's bones! And those pillow-fights: I've had my nose smashed in one of
them before now! Nothing surprises me that Miss Lily says or does. Why,
this very morning, she wanted to put a lighted candle in my glass eye!"

"Eh, what? A light in your eye?" exclaimed Tom suddenly. "I wonder if one
really could ... I say, Jimmy, could one?"

"Yes," said Jimmy, greatly amused, "with an invisible wire under the
dress...."

"Hurrah!" cried Tom. "Would you like two shillings a day, Glass-Eye? And
your food and clothes? You shall travel with me; you shall appear on the
stage. Come along to the cafe, we'll sign the engagement!"

"But what will Miss Lily say?" objected Glass-Eye, trembling at the idea
of announcing her departure to her terrible mistress.

"Well," said Tom, "I'll be nice to her Pa, if she's nice to you. Come
along!"

"But I don't know how to sign my name."

"You can make your mark, before two witnesses. Come along!"

Glass-Eye, dazzled and beglamored, followed Tom. She, an artiste! On the
stage! At last! Going round the world with Tom ... living with him ...
married ... almost!

"That's come in the nick of time!" said Jimmy, as he watched her go off
the stage. "Lily, perhaps ... in her new position ... will want a real
maid, not a Glass-Eye! Lily ... why, she's perfection! To think of the
abysses she has walked along without falling! There's more merit than one
thinks in that kind of life. And how I should like to get hold of the
people who talk ill of her. And that ... that ... oh, that one!"

And Jimmy clenched his fists, at the thought of Trampy, and his heart
burst forth: all his patient, brave, manly heart, now well nigh
exhausted.




CHAPTER IV


Poor Ave Maria, indifferent to what was going on before her, was still
waiting on the stage. For that matter, it was but a few minutes since Lily
brought her there. Ave Maria felt inclined to go and meet Trampy on the
pavement, to throw her arms round his neck as soon as he appeared. But
Lily had earnestly recommended her not to move, whatever happened. So she
remained in her corner and, under the pale light, with her back to the
forest scene, in the shadow, Ave Maria looked like a lurking she-wolf,
ready to leap out at any moment.

[Illustration: AVE MARIA]

As for Lily, she tripped down the stairs to the stage, for a few seconds
contemplated all those bill-toppers at her feet, so to speak; but she took
the last stairs at a bound: Trampy had just entered! Ave Maria, in her
corner, behind the pillars and the confused heap of scenery, could not see
him. Lily preferred that. She would manage everything her own way and get
rid of him once and for all ... get rid of that footy rotter who had come
there to jeer at her. He stepped along, with his hat on one side and a
dead cigar between his teeth. Trampy, broken, diseased, done for, was
jubilant for all that; turned his broad smile from girl to girl, winked
his eye gaily at the Roofers, who drew back in disgust, and, with
outstretched hand:

"How d'you do, Lily? How's my dear little wife?"

He enjoyed the humiliation which he was inflicting upon her, would have
liked his clothes to be still shabbier, his shoes more down at heel, so
that he might thoroughly disgrace his dear little wife--that great
bill-topper, who was leaving the pink of husbands in such a state of
destitution. And he threw out his chest, increased his familiarities, and
even pretended to kiss her, pushed his blotched and pimpled mug close to
that charming face. Jimmy gave a bound: Trampy! On the stage! Lily's
tormentor! Jimmy, pale with fury, walked up to him, stiff-armed, ready to
break the jaw of that thief in the night and chuck him into the street,
without more words! But Lily stopped him with a quick gesture:

"Why, Jimmy," she said, "would you keep a man from earning his living? Do
you find fault with a husband for loving his little wife? I am your little
wife, am I not?" she continued, tantalizing Trampy with her peach-like
cheek, tickling his nose with her fair curls. "Don't you deserve a dear
little wife?"

"Why, of course I do!" Trampy agreed, surprised, all the same, at this
loving reception from his dear little wife.

"There!" cried Lily, unable to restrain herself any longer and giving him
a box on the ears. "That'll teach you to call me your little wife, you
damned tramp cyclist! I've never been your little wife. I'll show you your
little wife, the real one. Come along, Ave Maria! Here's Trampy!"

"Eh, what?" said Trampy, turning color. "Ave Maria? I don't know any Ave
Maria."

But already Ave Maria was upon him, pressing him in her arms: her Trampy!
And her cough brought pink-red patches to her hectic cheeks.

"What's this mean? I don't know you," he stammered, gazing horror-stricken
at this old, lean woman, who was taking possession of him before
everybody, taking possession of him who cared only for plump little
things, sultan that he was. "I don't know her, I don't know her!"

"Here!" cried Lily, snatching the paper from Ave Maria's bodice. "Do you
know that? Can you read? Now will you deny that she's your wife ... your
wife ... your wife?" she repeated, rejoicing in being able to hurl the
word to Trampy, who turned pale with fright.

"We'll try and arrange it," whispered Jimmy, still hardly recovered from
his surprise. "A divorce in Lily's favor first! She'll dictate your answer
for you; you've only got to say yes to everything. And then you can be off
somewhere; to West Australia. I'll pay your expenses. And don't you ever
dare to show your face again! Never! Do you understand?"

"And that'll teach you to make little of people!" cried Lily. "Let's drink
to the health of Trampy, the faithful husband! I'll stand champagne all
round to the health of good old Trampy and his dear little wife!"

But, without waiting for the champagne, already Ave Maria was dragging
Trampy to the door and the Roofer girls gave him a triumphal exit. They
sent him to Halifax, they sent him to Coventry. They flourished things at
his head, amid an uproar of jolly hootings, and took aim at him--"Ping!
Ping!"--and pinched him, as the Merry Wives did Falstaff in Windsor
Forest. And they slipped off their shoes in honor of his wedding, by Jove!
And Trampy fled under a shower of boots and slippers, fled like mad, as
though the devil were after him.

Jimmy did not know if he was on his head or his heels for joy:

"I'll stand the champagne!" he said. "To Miss Lily's health!"

So much had happened in those few minutes: Lily free again ... and no
scandal ... the divorce assured ... Trampy admitting his misdeeds,
inventing them, if necessary, confessing anything they asked him to, as
long as they did not mention bigamy.... Jimmy, had it been possible, would
have offered a general picnic to the whole company. He, usually so calm,
felt inclined to sing, to laugh. Never would he have dared to hope.... And
it had all come so simply, like the things that are bound to happen. Lily
was free!

"Bring the bottles up here," he said to the call-boy, "and biscuits and
cakes. We'll drink it here! We'll christen the stage, as if we were
launching a ship ... in champagne, here, by ourselves! among ourselves!
Here's to the stage-manager! Here's to all of us!"

Lily, happy as happy could be, shook everybody by the hand, distributed a
"'K you" here and a "'K you" there. She would have liked to have Glass-Eye
by her side, to keep her in countenance, open her bag, give her her
handkerchief ... liked to be a little lady who can't do without her maid
... but, damn it, where was Glass-Eye? And Lily clenched her fist when she
saw her return with cakes in her hands, escorted by Tom, who helped to
carry the champagne.

"Where have you been, Glass-Eye?" asked Lily severely. "What have you been
doing with Tom? Give me my handkerchief, Glass-Eye."

"Here's your bag, Miss Lily," said Glass-Eye excitedly. "I'm going to
leave you, Miss Lily."

"What for?" said Lily, feeling vexed. "Because I owe you a few little
things?"

"Oh, no, not that! I'm going to be a star, too; on my hands: Demon Maud,
the lady with the flaming eye; a candle in my glass eye ... before two
witnesses ... I made my mark at the bottom."

"She's drunk!" cried Lily, utterly dumfounded. "Or else she's going mad.
Jimmy! Tom! Glass-Eye's going mad!"

But, when Tom had explained, Lily approved. Glass-Eye wasn't stupid,
really; very intelligent, though you'd never think it. Glad to see her
engaged.... And she shook her by the hand, like an old friend and comrade,
glad to hear of the success of others ... among artistes....

And, suddenly, with head thrown back, full-throated, her feather nodding
hysterically on her head, Lily laughed ... laughed ... laughed!

Maud an artiste! On her hands! A candle in her eye! One fat freak the more
on the stage! Gee, they must drink to Glass-Eye's health: Glass-Eye, the
bill-topper!

They were all laughing now, filling their glasses at a table in the middle
of the stage, eating cakes, amusing themselves with the corks, which went
pop, like toy guns, and applauding with their thumb-nails. To the
Astrarium! And long live jollity! That night, they would one and all risk
their skins. They were like soldiers drinking to their sweethearts, in the
trenches, before the battle. And everything promised well; already a
legend was forming among the painted faces: the booking office besieged;
ladies and gentlemen in motors; motors in a row, miles and miles of
motors; the street bursting with people who had come to book seats! And
champagne on the stage, cakes, my, for the asking! An orgy which would
start its trip around the world to-morrow, with those few bottles
transformed into a Niagara of champagne, enough to flood every greenroom
from the Klondike to Calcutta!

They all enjoyed themselves and let themselves go. And the Roofers, who
worshiped Lily, in spite of her abominable tricks, raised their glasses to
her health, crowded round her, smiled merrily at her with their white
teeth, congratulated her for sending that footy rotter packing:

"Here's to Miss Lily! And a round on the thumbnail in honor of Miss
Lily!"

This christening of the Astrarium was turning into a triumph for her; and
there was the evening to come ... the evening! It made her forget Trampy,
Jimmy, Glass-Eye, everybody. And ... the next day ... her Pa, her Ma, the
New Trickers would be at her feet! Oh, she would give ten years of her
life if to-morrow could be there now!

And the evening came. Lily did not leave the theater. She walked nervously
from her dressing-room to the stage, inspected the final operations,
interested herself in everything, stopped the boy-violinist, who was
crossing the stage with the other members of the band, congratulated him
on his approaching marriage with one of the Graces. She talked to the
artistes going up to their dressing-rooms, bestowed a smile upon Jimmy,
another on the stage-manager, joked with the limelight-men working their
apparatus on either side of the stage. The footlights lit up with a row of
flames, the storm approached. There was a ringing of electric
bells--"Ting! Ting! Ting!"--as in the machine-room of a ship before the
tempest; the orchestra roared; and, as though at a thunder-clap, the
velvet curtain split asunder: Patti-Patty was revealed on the stage, while
the band played as if possessed. Lily, in the shadow of the wings, put her
hand to her heart; her veins were ablaze. And that audience, at which she
peeped through a crack in the scenery; that audience was hers, with its
rustling silks, its bare shoulders, its diamonds, its flowers! She would
have liked to step forward, to say:

"Here I am!"

She felt herself excited by a curious feeling; an aggressive mood, which,
no doubt, came from all the healths she had drunk: to the Astrarium, to
this one, to that one, to all of us! Gee, what fun it had been: champagne,
cakes, my, tons of cakes! And Lily, who had long been unused to any such
excess, felt her head splitting. A fever seemed also to reign all over the
dressing-rooms and passages. They talked of front boxes reserved at a
thousand francs by the Aero Club; stalls at fifty francs; every seat in
the house filled; and the best people, nothing but the best! Lily, in her
exalted condition, took it that they had all come for her; and she had to
dazzle them all! And soar above them all! To a hurricane of applause from
"her favorite audience," the Astrarium audience, on a first night!

And she felt so gay that she was not angry when Glass-Eye asked her, now
that _she_ was an artiste, too, to teach her her stage-smile.

"Why, of course, Glass-Eye! I owe you that, to say nothing of the rest!
But you won't lose by waiting! Take my word for it: among friends, you
know!..."

And she kissed her maid, felt inclined to cry, became quite sentimental at
her going....

She was less amiable to Nunkie, who was prowling around near her. Oh, how
angry she felt with that old rogue! Because of Thea, first of all; and
then it was he who gave her away, not Jimmy! Tom had told her. Nunkie
mumbled something to her: his dear girls; ungrateful creatures who were
leaving him! His poor life shattered! His pigeons, he had his pigeons
left; yes, and his home; but what was that compared with loving hearts?
And, as she was on such good terms with Jimmy and everybody, couldn't she
use her influence? Oh, if he could have the Bambinis, be appointed their
guardian! "He would bring together such a nice little family troupe: all
the joys of home!

"You old wretch!" cried Lily, in a threatening voice. "Just go and look,
at the corner of Oxford Street and Newman Street, if you can see me! You
old snaky! You old bromide merchant! Hiding letters, too, you
nigger-driving humbug! Oh, you're sure to get the Bambinis, I _don't_
think!"

"_Ver-r-rdammt_!"

Nunkie turned on his heel, shaking the passage with tremendous oaths.

"I thought," Lily shot at him from behind sarcastically, "I thought one
ought never to swear! It's wicked to swear, Mr. Fuchs!"

In her dressing-room, she went on laughing at Nunkie and his
"_Donner-r-r-wetter-r-r_!" and his "_S-s-satan_! _S-s-satan_!" It made her
comb her hair all awry and apply the grease-paint to her cheeks with a
trembling hand. She felt a buzzing in her head: that confounded music
which seemed to come from everywhere and hissed in her ears! But, when her
turn came, she'd show them! Never had she felt so light. She was sure of
herself, strangely sure. It seemed to her that, if need be, she'd have
shot up to the stars, damn it!

As soon as she was ready, she went down to the stage. She didn't know why.
It was her wish to be everywhere, her craving for movement. The aerobike
had been taken from its cage, behind the back-drop; the stage-manager,
Jimmy and Jimmy's assistants were standing round it. Jimmy was testing
everything, for the last time, making sure that there would be no hitch:

"Hullo, Lily!" he said, when he saw her. "Are you ready?"

"Ready?" said Lily. "Look!"

And she flung back her wrap with her two bare arms and stood, a figure all
charm and grace, with youth, joy and courage sparkling in her eyes. In the
mysterious half-light, amid the endless sounds from the band, Lily seemed
to shed rays. Jimmy, dazzled, looked at that dainty form, that delicate
breast, those rounded shoulders, that splendid body fashioned by years of
Spartan life, each muscle of which was quivering with enthusiasm. And she
laughed ... laughed ... head thrown back, full-throated; told the story of
Nunkie, with furious gestures, as though she were strangling the old
beast. And then came sudden displays of feeling, for the Three Graces and
the Bambinis.

Jimmy had never seen her like that. The stage-manager also thought her
queer, for he looked at Jimmy as though to ask what on earth was the
matter with her. And, going up to him, he said:

"Look how she's trembling! One would think she had a fever."

"It's quite true," said Jimmy.

And the two stared at each other in consternation when Lily, stooping to
pick up her cloak, was nearly losing her balance and coming to the ground.
They exchanged a few words in a whisper. Then the stage-manager said:

"Go up to your dressing-room, Miss Lily. You mustn't stay here, you know.
We'll send for you when the time comes. Go and put your hair straight."

It was only a pretext; but the same thought had passed through both their
minds: it was the champagne! Lily, who was accustomed to drink nothing but
water, was ... if not exactly drunk ... well ...

Thereupon, in an instant, Jimmy made up his mind: it was finished and
settled, irrevocably, as though he had spent hours in reflecting. The
newspapers had expressed doubts; there had been suggestions of trickery.
An immediate, brilliant success was essential, to carry the thing off: a
hitch and all was lost and the luck of the Astrarium and his own fame
vanished in smoke! Lily was out of the question that night: she was
bubbling over at every pore with unnatural excitement ... she was not
Lily,--was not herself ... it meant certain death to her, the aerobike
smashed to pieces, the end of all things! Lily would do it to-morrow, the
next night; but not to-night.

He had just time to go to his dressing-room and put on his white sweater,
black breeches, black stockings: an athletic costume which he always kept
at the theater in case of need. And quick, in the saddle: the moment had
come! He must succeed, now or never! And Jimmy, calm and sure of himself,
took his seat on the aerobike. A great silence followed....

Lily, at that very minute, anxious at not being sent for in her
dressing-room, was going back to the stage, but she was stopped at the top
of the stairs by the stage-manager, who said that he had received an order
by telephone from Cologne, from Harrasford: Lily not to perform that
night....

"Let me pass," cried Lily, laughing in spite of everything. "That's enough
of a joke. It's time for me to go on, I say! Are you mad? I tell you, it's
my turn!"

But she ceased, as though struck by thunder. The aerobike, with wings wide
open, was taking flight toward the stars, in a tempestuous wind.

It was done! The thing had shot past her very nose! She thought that she
would fall, so great was the pain at her heart.

"No! No!" she gasped, with dilated eyes.

And, suddenly, she understood and uttered a cry of rage!

But she could have shouted, "Murder!" and it would have sounded as the
buzzing of a bee amid that explosion of cheers. And the orchestra grew
like a flame and the light appeared, increased and shone all over the
house.

Lily flung herself back, closed her eyes so as not to see, fled to her
dressing-room with a shriek like a wounded beast's....




CHAPTER V


She dropped into her chair, stopped up her ears; but the cheers never
ceased, kept on increasing, filled the theater with a roar as of thunder!
Oh, it seemed to her that her chest was on fire, that they were pounding
her heart; that some one was taking her by the hair and banging her head
against the walls! And that storm of applause kept on and kept on ... but
it wasn't for her! It was for Jimmy all the time: they had tried it with
her, that was all! To see if it worked! And she, she, she who, only just
now, was giving herself airs with the others: a poor rag, yes, that was
all she was, less than anybody; less than Tom, her old servant, less than
Glass-Eye, that idiot, less than Ave Maria, less than a performing dog,
less than anything, worse than anything, perhaps! Mad with rage she jumped
at her gollywog, pulled down the white-eyed idol--the traitor!--spat on
it, crushed it on the floor with her heel, furious, beside herself; and
then dropped into her chair again, with her two arms flat on the table,
her head between her arms, among the grease-paints, the powder, the
overturned box of spangles, which rolled about everywhere and strewed the
floor. She felt inclined to bite into her flesh to relieve herself, she
clenched her fists and dug her nails into her skin. Oh, she would have
liked to die, to die! It was so fierce a longing, so desperate a cry that
the force of her prayer ought to have struck her dead where she sat. And
suddenly the tears began to flow and she cried and cried, all convulsed
with sobs, floored, shipwrecked, done for. She cried and cried, as though
stupefied, saw nothing save through a thick veil of water, like a person
drowning, sinking. It seemed to her as if the tears would groove her face,
for always. Oh, what would she give to be at home, in bed! Never, never
again would she have the strength to do a thing. She was done for, buried
alive. And that coward of a Jimmy, to obey Harrasford's order! Oh, the
harm he had done her! She would rather have died smashed to a jelly on the
stage: she would have suffered less! Oh, to behave like that: to flash so
much before her eyes; and then to fling her to the ground! Oh, when she
had thought that he loved her and that she loved him also, perhaps! And
Lily cried and cried....

                    *       *       *       *       *

Meanwhile, in front, the aerobike was receiving endless applause. The
disappearance through the opening, the plunge into space, the star
snatched from up above, that piece of theatrical symbolism filled the
audience with enthusiasm. The aerobike brought down the house, its success
surpassed all expectation, and the Astrarium was opening with a victorious
clamor.

"Yes, but at what a cost!" said Jimmy to himself, in spite of the cheers.

And, as soon as he was able to escape, putting off for a few minutes his
replies to the cards that poured in--the chairman of the Aero Club,
journalists begging for interviews--Jimmy had but one idea, to console
Lily for her disappointment of that evening: poor Lily!

His heart was beating very loudly as he went to her dressing-room. Jimmy
was no longer the fellow who knew no fear. To fly away on the aerobike, to
risk his skin was easy, for him at least; but to face Lily ... to explain
to her ... with all those things seething within him ... and, oh, the pain
he was causing her! How could he approach her after that? And could he
ever get her to love him? Ah, perhaps it would have been better if he had
gone and broken his neck in the street, on the pavement! Jimmy was
trembling like a child; in his perturbation, he even forgot to knock at
the door ... turned the knob ... entered....

Lily heard nothing, seemed crushed into her chair, with her face buried in
her right arm folded on the table, while the left hung lifeless by her
side. Her whole attitude expressed abject misery, profound despair; she
seemed extinguished in a terrifying calmness.

Jimmy, to attract her attention, closed the door noisily. Lily stirred no
more than a wax figure: one might have thought her dead.

He shivered; and, stepping forward, leaning over to her, anxiously, he
placed his hand on her shoulder.

It was like a spring that is suddenly released! Lily threw up her
sorrow-stricken face, down which the tears, mingling with the red paint,
flowed like blood, looked at him for a few seconds with a wandering air
and then leaped at him, as though she meant to bite him in the face; but
her lips shriveled up in silence, nothing came from them; and she crushed
Jimmy with an unspeakable look of terror and contempt.

Jimmy did not flinch:

"You must not be angry with me," he said gently. "I was bound to do it,
Lily; I had to save the theater."

"And get rid of me!" cried Lily, wild-haired, hard-eyed, hoarse-throated,
with the tears drying on her red-hot cheeks.

Jimmy was pale as death. Ah, all his dreams, too, were fading away!

"Lily," he said, in a voice which he strove to make firm, but which
trembled with emotion. "I have done my duty to everybody, yourself
included! But for me, you would be lying dead at this minute and the
Astrarium would be ruined. You were not in a state to appear in public ...
this evening ... believe me, Lily. The stage-manager himself...."

Lily lowered her head under his calm gaze....

"But you'll do it to-morrow," continued Jimmy, very quickly, "before Pa
and Ma! To-morrow and the following days ... and always! Your name will be
right at the top of the bill! Do you hear? To-morrow ... and always!"

"But what...? Why...?" asked Lily, as though stupefied.

"Poor Lily," he replied, gently raising that face all distorted with
grief. "Poor little Lily! I have caused you a heap of pain."

Lily, for her sole answer, gave a convulsive sob; a tear leaped to her
eyelids.

"Don't cry," whispered Jimmy, "don't cry any more. It will be your turn
to-morrow, before the New Trickers. To-morrow! Every night!"

"Every night?" asked Lily, still incredulous and yet transfigured with
hope. "You're saying that, Jimmy; but...."

"Do you doubt my word, Lily?" he replied, pressing her gently to him.
"What, I, your best friend, your only friend ... I who ... haven't I
always loved you, Lily? Do you think I've changed?... I love you more than
ever I did! I will explain everything later. And you doubt me ... who
would give my life for you; yes, life without you means nothing to me,"
continued Jimmy, in a stifled voice and clasping Lily in his arms.

Lily quivered in his embrace, hid her blushing features on his breast,
where she heard great dull throbs. She trembled from head to foot. Her
quickened senses seemed to perceive everything now; the passing
indisposition from which she had suffered, without knowing it, the light
fumes of the champagne: all that had suddenly gone, was far away; she had
never felt more lucid; she saw, she understood and was overcome with
delight, overcome with a delight beside which her enthusiasm of the
previous day seemed dark and dreary. The ardor of her eighteen years
swelled her breast. Success, in any case! To-morrow! And that man was
hers, that heart was hers! It was a dream, an enchantment! Her head rolled
back, a smile drew up her lips, her eyes, through her tangled curls,
seemed all ablaze. Jimmy bent his glowing face over her. Lily, on the
point of swooning, raised her lips to his.

Vanished around them the low ceiling, the scratched walls, the shabby
rags. Standing on the wretched spangles that strewed the dusty floor,
Lily, drunk with joy ... Jimmy, distraught with pride ... seemed like
youth and love, in mid-sky, among the stars!

CURTAIN

[Illustration: Lily quivered in his embrace.]

-------------------------------------------------------------------------

Popular Copyright Books
AT MODERATE PRICES

Any of the following titles can be bought of your
bookseller at the price you paid for this volume


Marcaria. By Augusta J. Evans.
Mam' Linda. By Will N. Harben.
Maids of Paradise, The. By Robert W. Chambers.
Man in the Corner, The. By Baroness Orczy.
Marriage A La Mode. By Mrs. Humphry Ward.
Master Mummer, The. By E. Phillips Oppenheim.
Much Ado About Peter. By Jean Webster.
Old, Old Story, The. By Rosa N. Carey.
Pardners. By Rex Beach.
Patience of John Moreland, The. By Mary Dillon.
Paul Anthony, Christian. By Hiram W. Hays.
Prince of Sinners, A. By E. Phillips Oppenheim.
Prodigious Hickey, The. By Owen Johnson.
Red Mouse, The. By William Hamilton Osborne.
Refugees, The. By A. Conan Doyle.
Round the Corner in Gay Street. Grace S. Richmond.
Rue: With a Difference. By Rosa N. Carey.
Set in Silver. By C. N. and A. M. Williamson.
St. Elmo. By Augusta J. Evans.
Silver Blade, The. By Charles E. Walk.
Spirit in Prison, A. By Robert Hichens.
Strawberry Handkerchief, The. By Amelia E. Barr.
Tess of the D'Urbervilles. By Thomas Hardy.
Uncle William. By Jennette Lee.
Way of a Man, The. By Emerson Hough.
Whirl, The. By Foxcroft Davis.
With Juliet in England. By Grace S. Richmond.
Yellow Circle, The. By Charles E. Walk.

-------------------------------------------------------------------------

Popular Copyright Books
AT MODERATE PRICES

Any of the following titles can be bought of your
bookseller at the price you paid for this volume


Purple Parasol, The. By George Barr McCutcheon.
Princess Dehra, The. By John Reed Scott.
Making of Bobby Burnit, The. By George Randolph Chester.
Last Voyage of the Donna Isabel, The. By Randall Parrish.
Bronze Bell, The. By Louis Joseph Vance.
Pole Baker. By Will N. Harben.
Four Million, The. By O. Henry.
Idols. By William J. Locke.
Wayfarers, The. By Mary Stewart Cutting.
Held for Orders. By Frank H. Spearman.
Story of the Outlaw, The. By Emerson Hough.
Mistress of Brae Farm, The. By Rosa N. Carey.
Explorer, The. By William Somerset Maugham.
Abbess of Vlaye, The. By Stanley Weyman.
Alton of Somasco. By Harold Bindloss.
Ancient Law, The. By Ellen Glasgow.
Barrier, The. By Rex Beach.
Bar 20. By Clarence E. Mulford.
Beloved Vagabond, The. By William J. Locke.
Beulah. (Illustrated Edition.) By Augusta J. Evans.
Chaperon, The. By C. N. and A. M. Williamson.
Colonel Greatheart. By H. C. Bailey.
Dissolving Circle, The. By Will Lillibridge.
Elusive Isabel. By Jacques Futrelle.
Fair Moon of Bath, The. By Elizabeth Ellis.
54-40 or Fight. By Emerson Hough.

-------------------------------------------------------------------------

Popular Copyright Books
AT MODERATE PRICES

Any of the following titles can be bought of your
bookseller at the price you paid for this volume


Anna the Adventuress. By E. Phillips Oppenheim.
Ann Boyd. By Will N. Harben.
At The Moorings. By Rosa N. Carey.
By Right of Purchase. By Harold Bindloss.
Carlton Case, The. By Ellery H. Clark.
Chase of the Golden Plate. By Jacques Futrelle.
Cash Intrigue, The. By George Randolph Chester.
Delafield Affair, The. By Florence Finch Kelly.
Dominant Dollar, The. By Will Lillibridge.
Elusive Pimpernel, The. By Baroness Orczy.
Ganton & Co. By Arthur J. Eddy.
Gilbert Neal. By Will N. Harben.
Girl and the Bill, The. By Bannister Merwin.
Girl from His Town, The. By Marie Van Vorst.
Glass House, The. By Florence Morse Kingsley.
Highway of Fate, The. By Rosa N. Carey.
Homesteaders, The. By Kate and Virgil D. Boyles.
Husbands of Edith, The. George Barr McCutcheon.
Inez. (Illustrated Ed.) By Augusta J. Evans.
Into the Primitive. By Robert Ames Bennet.
Jack Spurlock, Prodigal. By Horace Lorimer.
Jude the Obscure. By Thomas Hardy.
King Spruce. By Holman Day.
Kingsmead. By Bettina Von Hutten.
Ladder of Swords, A. By Gilbert Parker.
Lorimer of the Northwest. By Harold Bindloss.
Lorraine. By Robert W. Chambers.
Loves of Miss Anne, The. By S. R. Crockett.

-------------------------------------------------------------------------

Popular Copyright Books
AT MODERATE PRICES

Any of the following titles can be bought of your
bookseller at the price you paid for this volume


Spirit of the Border, The. By Zane Grey.
Spoilers, The. By Rex Beach.
Squire Phin. By Holman F. Day.
Stooping Lady, The. By Maurice Hewlett.
Subjection of Isabel Carnaby. By Ellen Thorneycroft Fowler.
Sunset Trail, The. By Alfred Henry Lewis.
Sword of the Old Frontier, A. By Randall Parrish.
Tales of Sherlock Holmes. By A. Conan Doyle.
That Printer of Udell's. By Harold Bell Wright.
Throwback, The. By Alfred Henry Lewis.
Trail of the Sword, The. By Gilbert Parker.
Treasure of Heaven, The. By Marie Corelli.
Two Vanrevels, The. By Booth Tarkington.
Up From Slavery. By Booker T. Washington.
Vashti. By Augusta Evans Wilson.
Viper of Milan, The (original edition). By Marjorie Bowen.
Voice of the People, The. By Ellen Glasgow.
Wheel of Life, The. By Ellen Glasgow.
When Wilderness Was King. By Randall Parrish.
Where the Trail Divides. By Will Lillibridge.
Woman in Grey, A. By Mrs. C. N. Williamson.
Woman in the Alcove, The. By Anna Katharine Green.
Younger Set, The. By Robert W. Chambers.
The Weavers. By Gilbert Parker.
The Little Brown Jug at Kildare. By Meredith Nicholson.
The Prisoners of Chance. By Randall Parrish.
My Lady of Cleve. By Percy J. Hartley.
Loaded Dice. By Ellery H. Clark.
Get Rich Quick Wallingford. By George Randolph Chester.
The Orphan. By Clarence Mulford.
A Gentleman of France. By Stanley J. Weyman.

-------------------------------------------------------------------------

Popular Copyright Books
AT MODERATE PRICES

Any of the following titles can be bought of your
bookseller at the price you paid for this volume


The Shepherd of the Hills. By Harold Bell Wright.
Jane Cable. By George Barr McCutcheon.
Abner Daniel. By Will N. Harben.
The Far Horizon. By Lucas Malet.
The Halo. By Bettina von Hutten.
Jerry Junior. By Jean Webster.
The Powers and Maxine. By C. N. and A. M. Williamson.
The Balance of Power. By Arthur Goodrich.
Adventures of Captain Kettle. By Cutcliffe Hyne.
Adventures of Gerard. By A. Conan Doyle.
Adventures of Sherlock Holmes. By A. Conan Doyle.
Arms and the Woman. By Harold MacGrath.
Artemus Ward's Works (extra illustrated).
At the Mercy of Tiberius. By Augusta Evans Wilson.
Awakening of Helena Richie. By Margaret Deland.
Battle Ground, The. By Ellen Glasgow.
Belle of Bowling Green, The. By Amelia E. Barr.
Ben Blair. By Will Lillibridge.
Best Man, The. By Harold MacGrath.
Beth Norvell. By Randall Parrish.
Bob Hampton of Placer. By Randall Parrish.
Bob, Son of Battle. By Alfred Ollivant.
Brass Bowl, The. By Louis Joseph Vance.
Brethren, The. By H. Rider Haggard.
Broken Lance, The. By Herbert Quick.
By Wit of Women. By Arthur W. Marchmont.
Call of the Blood, The. By Robert Hitchens.
Cap'n Eri. By Joseph C. Lincoln.
Cardigan. By Robert W. Chambers.
Car of Destiny, The. By C. N. and A. N. Williamson.
Casting Away of Mrs. Lecks and Mrs. Aleshine. By Frank R. Stockton.
Cecilia's Lovers. By Amelia E. Barr.

-------------------------------------------------------------------------

Popular Copyright Books
AT MODERATE PRICES

Any of the following titles can be bought of your
bookseller at the price you paid for this volume


Circle, The. By Katherine Cecil Thurston
  (author of "The Masquerader," "The Gambler").
Colonial Free Lance, A. By Chauncey C. Hotchkiss.
Conquest of Canaan, The. By Booth Tarkington.
Courier of Fortune, A. By Arthur W. Marchmont.
Darrow Enigma, The. By Melvin Severy.
Deliverance, The. By Ellen Glasgow.
Divine Fire, The. By May Sinclair.
Empire Builders. By Francis Lynde.
Exploits of Brigadier Gerard. By A. Conan Doyle.
Fighting Chance, The. By Robert W. Chambers.
For a Maiden Brave. By Chauncey C. Hotchkiss.
Fugitive Blacksmith, The. By Chas. D. Stewart.
God's Good Man. By Marie Corelli.
Heart's Highway, The. By Mary E. Wilkins.
Holladay Case, The. By Burton Egbert Stevenson.
Hurricane Island. By H. B. Marriott Watson.
In Defiance of the King. By Chauncey C. Hotchkiss.
Indifference of Juliet, The. By Grace S. Richmond.
Infelice. By Augusta Evans Wilson.
Lady Betty Across the Water. By C. N. and A. M. Williamson.
Lady of the Mount, The. By Frederic S. Isham.
Lane That Had No Turning, The. By Gilbert Parker.
Langford of the Three Bars. By Kate and Virgil D. Boyles.
Last Trail, The. By Zane Grey.
Leavenworth Case, The. By Anna Katharine Green.
Lilac Sunbonnet, The. By S. R. Crockett.
Lin McLean. By Owen Wister.
Long Night, The. By Stanley J. Weyman.
Maid at Arms, The. By Robert W. Chambers.

-------------------------------------------------------------------------

Popular Copyright Books
AT MODERATE PRICES

Any of the following titles can be bought of your
bookseller at the price you paid for this volume


Man from Red Keg, The. By Eugene Thwing.
Marthon Mystery, The. By Burton Egbert Stevenson.
Memoirs of Sherlock Holmes. By A. Conan Doyle.
Millionaire Baby, The. By Anna Katharine Green.
Missourian, The. By Eugene P. Lyle, Jr.
Mr. Barnes, American. By A. C. Gunter.
Mr. Pratt. By Joseph C. Lincoln.
My Friend the Chauffeur. By C. N. and A. M. Williamson.
My Lady of the North. By Randall Parrish.
Mystery of June 13th. By Melvin L. Severy.
Mystery Tales. By Edgar Allan Poe.
Nancy Stair. By Elinor Macartney Lane.
Order No. 11. By Caroline Abbot Stanley.
Pam. By Bettina von Hutten.
Pam Decides. By Bettina von Hutten.
Partners of the Tide. By Joseph C. Lincoln.
Phra the Phoenician. By Edwin Lester Arnold.
President, The. By Alfred Henry Lewis.
Princess Passes, The. By C. N. and A. M. Williamson.
Princess Virginia, The. By C. N. and A. M. Williamson.
Prisoners. By Mary Cholmondeley.
Private War, The. By Louis Joseph Vance.
Prodigal Son, The. By Hall Caine.
Quickening, The. By Francis Lynde.
Richard the Brazen. By Cyrus T. Brady and Edw. Peple.
Rose of the World. By Agnes and Egerton Castle.
Running Water. By A. E. W. Mason.
Sarita the Carlist. By Arthur W. Marchmont.
Seats of the Mighty, The. By Gilbert Parker.
Sir Nigel. By A. Conan Doyle.
Sir Richard Calmady. By Lucas Malet.
Speckled Bird, A. By Augusta Evans Wilson.






End of the Project Gutenberg EBook of The Bill-Toppers, by Andre Castaigne

*** END OF THIS PROJECT GUTENBERG EBOOK THE BILL-TOPPERS ***

***** This file should be named 26242.txt or 26242.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/2/6/2/4/26242/

Produced by Roger Frank and the Online Distributed
Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.