diff options
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 26140-8.txt | 822 | ||||
| -rw-r--r-- | 26140-8.zip | bin | 0 -> 16279 bytes | |||
| -rw-r--r-- | 26140-h.zip | bin | 0 -> 109226 bytes | |||
| -rw-r--r-- | 26140-h/26140-h.htm | 1239 | ||||
| -rw-r--r-- | 26140-h/images/title.png | bin | 0 -> 90827 bytes | |||
| -rw-r--r-- | 26140-page-images/p0053-image1.png | bin | 0 -> 745944 bytes | |||
| -rw-r--r-- | 26140-page-images/p0053.png | bin | 0 -> 63775 bytes | |||
| -rw-r--r-- | 26140-page-images/p0054.png | bin | 0 -> 81704 bytes | |||
| -rw-r--r-- | 26140-page-images/p0055.png | bin | 0 -> 75442 bytes | |||
| -rw-r--r-- | 26140-page-images/p0056.png | bin | 0 -> 72663 bytes | |||
| -rw-r--r-- | 26140-page-images/p0057.png | bin | 0 -> 76515 bytes | |||
| -rw-r--r-- | 26140-page-images/p0058.png | bin | 0 -> 79094 bytes | |||
| -rw-r--r-- | 26140-page-images/p0059.png | bin | 0 -> 76860 bytes | |||
| -rw-r--r-- | 26140-page-images/p0060.png | bin | 0 -> 83770 bytes | |||
| -rw-r--r-- | 26140-page-images/p0061.png | bin | 0 -> 15672 bytes | |||
| -rw-r--r-- | 26140.txt | 822 | ||||
| -rw-r--r-- | 26140.zip | bin | 0 -> 16260 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
20 files changed, 2899 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/26140-8.txt b/26140-8.txt new file mode 100644 index 0000000..c67cb7e --- /dev/null +++ b/26140-8.txt @@ -0,0 +1,822 @@ +The Project Gutenberg EBook of Security, by Ernest M. Kenyon + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Security + +Author: Ernest M. Kenyon + +Release Date: July 28, 2008 [EBook #26140] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK SECURITY *** + + + + +Produced by Greg Weeks, Alexander Bauer and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + + + [Illustration] + + SECURITY + + _If you let a man learn, and study, and work--and clamp + a lid on so that nothing he takes into his mind can be + let out--one way or another he'll blow a safety valve!_ + + BY ERNEST M. KENYON + + Illustrated by Freas + + +Suddenly Collins snapped the pencil between his fingers and hurled the +pieces across the lab, where they clattered, rolled from the bench to +the floor, and were still. For a moment he sat leaning against the desk, +his hands trembling. He wasn't sure just when the last straw had been +added, but he was sure that he had had enough. The restrictions, red +tape, security measures of these government laboratories seemed to +close in on his mind in boiling, chaotic waves of frustration. What +was the good of his work, all this great installation, all the gleaming +expensive equipment in the lab around him? He was alone. None of them +seemed to share his problem, the unctuous, always correct Gordon, the +easy-mannered, unbearable Mason, all of them gave him a feeling of +actual physical sickness. + +Gardner's "Nucleonics and Nuclear Problems" lay open on the desk before +him, but he looked instead beyond through the clear curving glass windows +toward the sweep of green hills and darkening sky and the shadows of the +lower forests that gave Fair Oaks its name. Beside him unfinished lay the +summaries of the day's experiments, and the unorganized, hurriedly jotted +notes for tomorrow's work. The old intellectual alertness was gone. +Delight in changing theory, in careful experimentation no longer sprang +from his work and were a part of it. There was a dull, indefinable aching +in his head and a dry, dissatisfied sensation in his mouth. + +Along the ordered walks below his laboratory windows workers and +technicians streamed toward the gates, checking out for the day through +the usual mass of red tape, passes, and Geiger tests. Lights were +flicking on in the long East Wing Dormitory across the quadrangle, and +the mess hall, where he had recently eaten a tasteless supper, was +lighted. + +Shortly after restrictions had really begun to tighten up last fall, +he had written to a worker who had published making a minor correction +in his calculations and adding some suggestions arising from his own +research. A week later his letter was returned completely censored, +stamped "Security-Violation." It was that evasive Gordon's fault. He +knew it, but he couldn't prove it. Collins suspected that the man was +not a top-notch researcher and so was in administration. Perhaps Gordon +was jealous of his own work. + +Even the Journals were drying up. Endless innocuous papers recalculating +the values of harmless constants and other such nonsense were all that +was being published. They were hardly worth reading. Others were feeling +the throttling effects of security measures, and isolated, lone +researchers were slowing down, listless and anemic from the loss of +the life blood of science, the free interchange of information. + +The present research job he was doing was coming slowly, but what +difference did it make? It would never be published. Probably it would +be filed with a Department of Defense code number as Research Report +DDNE-42 dash-dash-dash. And there it would remain, top-secret, guarded, +unread, useless. Somewhere in the desk drawers was the directive worded +in the stiff military manner describing the procedures for clearing +papers for publication. When he had first come here, he had tried that. + +"Well, good, Collins," Gordon, the Division Administrator, had said, +"glad to check it over. Always happy when one of our men has something +for publication. Gives the Division a good name. I'll let you know, but +we have to be careful. Security you know." + +Somehow he had never heard. The first time he had made a pest of himself +with Gordon who was polite, evasive, always plausible. Gordon, +Gordon--it was becoming an obsession with him he knew, but the man +appeared at every turn. He personified the system. + +In the past months his work had seemed to clog up in details and slow +down. The early days of broad, rapid outlines and facile sketching in of +details were gone. Now the endless indignities, invasion of personal +rights and freedom, the hamstringing of his work, the feeling of being +cut off from the main currents of his field, filled him with despair, +anger, and frustration. + + * * * * * + +Suddenly he raised his head, slammed the notebook shut and switched off +the desk lamp. Not tonight. Tomorrow would be time enough to write out +this stuff. He needed a drink. + +The hall was dark as he locked the door to his lab except at the far end +near the stairway where a patch of yellow light shone through an open +doorway. Mason, he thought, Allan Mason, the one guy at Fair Oaks +Nuclear Energy Laboratories who was always so damnedly cheerful, who +didn't seem to mind the security restrictions, and who was seen so often +with Gordon. As he walked rapidly past the open doorway, he caught a +flashing impression from the corner of his eye of Mason's tall figure +bent over his bench, his long legs wrapped around a lab stool, the +perpetual unlit pipe hanging from the corner of his mouth. Then as he +swung quickly toward the stairs, he heard Mason's cheerful hail. + +"Hi, Milt, hold up a sec." + +Reluctantly he paused at the head of the stairs scowling momentarily, +and then slowly turning and retraced his steps. + +The lab was brightly lighted, and Mason stretched and smiled pleasantly. + +"Come in, old man, I'm about ready to knock off for the evening. How +goes it?" + +Collins mumbled an O.K. trying to keep the irritation out of his voice, +and Mason went on. + +"Just finishing up some loose ends so I can get off to the Society +meeting on Monday. You going?" + +Shaking his head Collins felt his dislike for this man growing. The +annual meeting of the North American Society of Theoretical Physicists. +He didn't even give it any thought any more. Maybe he could go, but it +didn't seem worth the effort. In the past he had tried to go to the +meetings, but somehow work, rush work, some change of emphasis had come +up on the project, and he had had to cancel his plans. He'd finally +given up, but with Mason these things seemed to come easily, and he +wondered why-- + +"That's too bad"--his voice droned pleasantly on, and Collins' eye +caught several botany texts in the book rack above Mason's desk. So, he +had time to read stuff outside of his field. His work was going well. +He had time for meetings and was allowed to go to them--the anger rose +slowly like a swelling bubble from the hard core of his stomach. Then he +realized that Mason had stopped talking and was looking at him. + +"Milt, you look glum tonight. Is there-- Why not have supper with me, +and we'll take in the movie in the lounge?" + +"I've eaten already." Collins was on his feet. He forced a, "Thanks +anyway. See you tomorrow. I'm--" and he was gone. + +As he strode angerly across the quadrangle Mason's words and cheerful +attitude rankled in his mind. The gravel of the walk spurted from under +his shoes, and the night air was clear and cool. It was good at least to +feel something other than despair again, even anger. + +But once in his study with its attached bedroom and bath that made up +his living quarters, he sank to the couch near his desk, all of the +fight gone. He needed a drink. Today all the irritations, tensions, and +suspicions of the past months seemed to close in on him. His work was +going badly. Perhaps seeing Mason had brought it to a head. The fifth of +bourbon in the bottom desk drawer was partly gone from the party last +month. He took a swallow neat, and the fire of the liquid burned and +clawed its way down his throat and spread with blossoming warmth in his +stomach. + +Kicking off his shoes and loosening his tie he leaned back with the +bottle on the floor beside him. + +Later in the evening when the early clarity of thought had left him and +his mind moved disjointedly in and out of seemingly brilliant, emotional +solutions to his problem, he knew he must have a showdown. Lying back on +the couch he drifted into sleep determined to have it out with Gordon in +the morning--resign if necessary. + + * * * * * + +The momentary pause of lighting his cigarette gave Collins a chance +to decide where to start, as he sat across from Gordon. The Division +Administrator was older with a heavy-jowled, close shaven face, and he +waited patiently for Collins to speak. + +"Dr. Gordon, I am having a great deal of difficulty in making an +adjustment both in my work and in my personal relations here at Fair +Oaks, and last night I realized that I would have to talk to you about +it." + +Gordon's face changed slightly, his eyebrows rising almost +imperceptibly. + +"So, what ... how do you mean, Milt?" + +Use of the first name--the familiar approach thought +Collins--administrative technique number blank blank dash blank. + +"Dr. Gordon, these security measures we are under, the difficulty of +publishing, of getting to scientific meetings, the problem of getting +furloughs, lack of knowledge of what is going on in my own field, it's +just a little too much. It's personally irritating, but it greatly +hampers my work as well. Frankly, I'm against the entire security +program as it now stands. If it isn't stopped research will ... well, +simply be impossible. Free interchange of information is essential to--" +His fingers were gripping the arms of his chair. + +"Yes, of course, Milt, but corny as it sounds there is a war on you +know. Oh, not a war with military weapons--yet, but a cold war of +science and engineering, a struggle for supremacy in many fields of +knowledge. If information of our work leaks out, gets to the enemy, we +might as well not do that work. We can't be too careful." + +"I agree, but it goes too far." He leaned forward. "My private mail is +read, and on my last furlough I am certain I was watched from the time I +left the gates out there until I returned, and I don't like it. I can't +prove it, but-- That's getting to the point that life's not worth +while." + +"Come now, Milt, don't you think you're taking this a little too +seriously? You're getting stale, overwrought. You need a fresh point of +view. Lots of our people feel as you do at one time or another, but most +of us learn to live with these necessary regulations, and do our work in +spite of them. Let me make a suggestion, relax, take a little time off, +develop a hobby. Why not do some reading in a field of science other +than your own. It's good for you. Several of the people here are doing +it. I do it, Carter, even Mason for instance--" + +Collins could feel the anger rising in him again. + +"Look, Gordon, I'm not going to mince words. I'm sick and tired of +this mess, and you might as well know it. You can have all your damn +relaxations and hobbies, or what have you. I want to do my work, and +if I can't do it here, I'm going somewhere where I can do it. In plain +English unless we can have an understanding right now--I resign." + +It had come out, and Collins was breathing hard, but Gordon's expression +hardly changed as he looked over the tips of his joined fingers, while +the younger man stopped and crushed out his cigarette viciously in the +ash disposer on the arm of his chair. Gordon doodled on a small pad for +a moment, his eyes not meeting Collins'. Then he spoke slowly. + +"I'm sorry you feel that way, Milt. I ... I'm afraid I cannot accept +your resignation. You see," he said softly, "none of us can leave Fair +Oaks--now." + +Collins looked up, amazement and incredulity written on his face. + +"What do you mean--can't leave? I can leave any time--" + +Gordon slowly shook his head almost sadly. "No, only assistants, +technicians, maintenance people, and they are carefully watched or +restricted to this area. People like yourself, like me, we have +information, knowledge which cannot be let out of government hands at +this time. We're here probably for the 'duration'; maybe longer." + +"But--this is barbarous. I--" the words clogged, jumbled as he tried to +get them out. His emotions ran from anger, to amazement, to indignation, +followed by a trickle of fear, and as he stared at Gordon, the fear +grew. He could scarcely hear Gordon's words-- + +"Take my advice--relax--and forget your fears--accept the restrictions +and go ahead--read in some other field--come in again when you've +thought it out." He was scarcely aware when Gordon slipped a bound +journal volume into his hands and walked with him to the door--and +closed it behind him. + + * * * * * + +Collins left Gordon's office in Administration moving slowly, one arm +hanging loosely by his side, the other clutching the book. The corridor +stretched ahead into B Wing with its laboratories flooded with the glow +of mid-morning sunshine, bright and unreal. His mind was dazed, his +thinking processes stopped in a kind of stunned unbelief. He could not +even quit now. An undercurrent of fear ran close to the surface of his +confused mind. It was the end of science, the end of all his work. All +of the stifling, strangling restrictions of security on his work, on +his private life, came whirling back as a monstrous, formless threat, +something unspeakably big and powerful and unbeatable against which he +could not fight. + +To his right as he moved slowly down the hall the double doors of the +main library reading room were open with the stacks and study cubicles +beyond, silent and restful. He paused and then entered crossing into the +maze of the stacks through a grilled iron doorway. The important thing +now was not to meet anyone, not to have to speak or smile or think. It +was very important now to be alone and quiet. + +He walked until he found an empty cubicle, the endless walls of books, +repositories of knowledge, silent and reproachful around him. Knowledge +and books such as these would soon be added to no longer. He slumped +into the chair and gazed at the tiny reading desk with its softly +glowing lamp and the small stack of volumes on the rack left by previous +users. Absently he stared for a long time at the volume Gordon had given +him as if seeing it for the first time. Then with a deliberate effort he +opened it and thumbed through slowly only half seeing its pages. _The +Journal of Botanical Research._ + +The pages in the _Journal_ were like a look through an open window. +Outside of classified projects in "harmless" fields of research the work +of science went on, papers were published, reputations were made, +freedom still existed. He remembered Gordon's sleek smile and advice +to relax and read in other fields. This stupid useless advice still +rankled. Of course, he probably was stale, but to read junk like this! + +Silently and in his mind, he cursed the day he had studied physics, +better archeology or zoology, anything. Suddenly he stopped riffling the +pages and leaned forward, rapidly turning back to something that had +caught his eye. It was a three and one-half page paper on "The +Statistical Probability of Chromosome Crossover" written in neat +sections with several charts and references. It was by M. Mason. + +Something clicked in Collins' mind--read the journals--Mason's unconcern +with security, the botany books on his desk the night before. It didn't +make sense, but it added up to something. Mason knew something and so +did Gordon. He half rose. He had to get to the bottom of it. Clutching +the bound _Journal_ Collins turned and weaved through the stacks and out +of the library waving the protesting librarian aside and strode down the +corridor toward the laboratories. + + * * * * * + +The door to Mason's lab was partially open, and he looked up quizzically +from taking an instrument reading as Collins burst in. + +"Mason, I--" he planked the bound volume of the _Botanical Journal_ on +the lab bench beside the instrument ignoring Mason's wince as the +instrument needle quivered with the jar. "Did you write this?" His +finger jabbed at the open page. + +Mason glanced at Collins, removed a pair of glasses from his white lab +coat pocket, and putting them on leaned forward and studied the page for +a moment. + +"Yes. Not bad either though I shouldn't say it. I didn't know you were +interested in Botany." His voice was casual with a slight questioning +note. + +Collins suddenly felt ridiculous. What was he accusing the man of? Mason +had a right to publish on anything he wanted to, still a muddled series +of half facts, incidents and suspicions chased through his mind. + +Mason walked over to his desk and filling his pipe sat down thoughtfully +and leaned back motioning Collins into a nearby chair. + +"I think I know what is on your mind, Milt. Maybe I can straighten this +out. Gordon told me a little while ago that you wanted to resign." + +Collins stiffened. So, these two were working together. + +"Milt, did you ever stop to think how lucky we are? Where can you get +better equipment, help, coöperation in the country than here?" Collins +leaned forward to speak, but Mason went on. "Oh, I know all the problems +of security and how it strangles work." He paused for a moment as though +trying to grasp the right words. + +"Look, Milt, what's the basic problem? Why do security measures strangle +research? Isn't it a matter basically of a breakdown in the interchange +of ideas? Sure, and it has come about because there has been no method +of communication which would not get to and be used by our enemies. So, +like yourself, I'm forbidden to publish the results of my work here in +the journals. Why? Because those results are in my field of study, chain +reactions. + +"I'm frustrated just as you have been and science suffers. What do I do? +I write articles in a field that isn't restricted, botany. It's a new +field of interest to me, a hobby if you like. The stuff is published and +gets wide distribution. Every decent library in the country gets it. +Every scientist all over the country can read the papers if he cares to. +Then the word gets around, by the scientific grapevine, with a little +judicious ear-bending. I get a reputation--in Botany. + +"Now the botanists know that I am not a botanist. They understand what +I am doing. The word spreads, and they leave my stuff alone. The +physicists in my specialty know my name, and they get the word, and +pretty soon they are glancing over certain botany journals apparently +for relaxation. They read my papers. It's slow, but it works." Mason +leaned forward and struck a large stick match under the lab bench top. +Drawing several puffs through his pipe his eyes were on Collins' +confused face. Then he laid the pipe down. + +"The enemy botanists may read the botany journals, sure, but the enemy +physicists don't. Their totalitarian training has made them inflexible +in their thinking, besides they have their hands full trying to keep up +in their own fields. The curse of specialization is a blessing to us. +When the enemy botanists read it, it makes sense, but it doesn't help +them much in their work--more or less innocuous." He waved toward the +botany texts on his desk. "It took me six months to learn enough about +it to do the job." As he spoke Mason untangled his legs and brought the +open journal over to his desk. + +"All right, notice in my article I am writing on chromosomes--chains of +genes, and my field is--?" + +"Chain reactions," Collins finished softly, "but--" + +"The article itself is well disguised, but it's a parable. It's botany +on the surface, but it gets over enough chain-reaction theory to be good +physics, if you read it right. You see botany is what you might call my +code field." + +The bright light of noon shimmered on the white buildings and green +lawns beyond the lab windows. Collins was silent and thoughtful. + +"Well, that's about all. Gordon knows. He's in with us, but the +Government doesn't suspect--yet. Oh, they may catch on to us. Information +may leak out to the enemy. There's some chance, but when we're caught +we'll think of something else. Most of us believe it's worth the chance. +There's a risk in anything." + +Suddenly all the pieces fell into place, and Collins' anger and confusion +melted away. In its place was a sense of relief and hope, hope for the +future. It wasn't the final answer, but it was a way to keep going. He +was not alone any longer. He had friends who understood, who had been +through what he had been through. It was a good feeling. He heard +Mason's voice again. + +"Milt, why don't you do some library work? Botany's my code field. I +don't know what yours is, but you've got some catching up to do. There +may be some interesting stuff published already in your code field." + +Collins did, and he developed his new interest enthusiastically. Gordon +had been right. He had been getting stale. Besides, astronomy was a +fascinating field, and suns with their revolving planets in some +respects are very like atomic systems, if you look at it that way. + + THE END + + + + Transcriber's Note: + + This e-text was produced from Astounding Science Fiction + October 1955. Extensive research did not uncover any evidence + that the U.S. copyright on this publication was renewed. + + + + + +End of the Project Gutenberg EBook of Security, by Ernest M. Kenyon + +*** END OF THIS PROJECT GUTENBERG EBOOK SECURITY *** + +***** This file should be named 26140-8.txt or 26140-8.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/6/1/4/26140/ + +Produced by Greg Weeks, Alexander Bauer and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/26140-8.zip b/26140-8.zip Binary files differnew file mode 100644 index 0000000..3029dd2 --- /dev/null +++ b/26140-8.zip diff --git a/26140-h.zip b/26140-h.zip Binary files differnew file mode 100644 index 0000000..e5284ff --- /dev/null +++ b/26140-h.zip diff --git a/26140-h/26140-h.htm b/26140-h/26140-h.htm new file mode 100644 index 0000000..90b91ec --- /dev/null +++ b/26140-h/26140-h.htm @@ -0,0 +1,1239 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <title> + The Project Gutenberg eBook of Security, by Ernest M. Kenyon + </title> + <style type="text/css"> +/*<![CDATA[ XML blockout */ +<!-- + p { margin-top: .75em; + text-align: justify; + margin-bottom: .75em; + } + h1 { + text-align: center; /* all headings centered */ + clear: both; + } + + hr { width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; + visibility: hidden; + display: none; + } + + p.tb { + margin-top: 4em; + } + + body{margin-left: 20%; + margin-right: 20%; + } + + .pagenum { /* uncomment the next line for invisible page numbers */ + visibility: hidden; + position: absolute; + left: 92%; + font-size: smaller; + text-align: right; + } /* page numbers */ + + .center { text-align: center; } + + .figcenter { margin: auto; text-align: center; } + + p.tnote { + text-align: center; + border: 1px dashed #808080; + background-color: #eee; + padding: 0.5em; + width: 24em; + margin: 60px auto 60px auto; + text-indent: 0em; + } + + @media print { + body{margin-left: 7%; + margin-right: 7%; + } + + hr { width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; + visibility: visible; + display: block; + } + + h1 { page-break-after: avoid; } + + p.tnote { + page-break-after: always; + page-break-inside: avoid; + text-align: center; + border: 1px dashed #808080; + background-color: #eee; + padding: 0.5em; + width: 24em; + margin: 60px auto 60px auto; + text-indent: 0em; + } + + p.tb { margin-top: 2em; } + + } + // --> + /* XML end ]]>*/ + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of Security, by Ernest M. Kenyon + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Security + +Author: Ernest M. Kenyon + +Release Date: July 28, 2008 [EBook #26140] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK SECURITY *** + + + + +Produced by Greg Weeks, Alexander Bauer and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + +</pre> + + +<div class="figcenter" style="width: 600px; margin-top: 6em; page-break-before:always;"><p><span class='pagenum'><a name="Page_53" id="Page_53">[Pg 53]</a></span></p> +<img src="images/title.png" width="600" height="370" alt="" title="" /> +</div> + +<h1>SECURITY</h1> + +<p style="margin-left:10%; margin-right:10%; font-size: 115%;"><i>If you let a man learn, and study, and work—and +clamp a lid on so that nothing he takes into his mind can +be let out—one way or another he'll blow a safety valve!</i></p> + +<p class="center" style="font-size: 130%; font-weight: bold;">BY ERNEST M. KENYON</p> + +<p class="center" style="font-weight: bold;">Illustrated by Freas</p> + + +<p class='tb'>Suddenly Collins snapped the pencil +between his fingers and hurled +the pieces across the lab, where they +clattered, rolled from the bench to +the floor, and were still. For a moment +he sat leaning against the desk, +his hands trembling. He wasn't sure +just when the last straw had been +added, but he was sure that he had +had enough. The restrictions, red +tape, security measures of these government +laboratories seemed to close +in on his mind in boiling, chaotic +waves of frustration. What was the +good of his work, all this great installation, +all the gleaming expensive +equipment in the lab around him? +He was alone. None of them seemed +<span class='pagenum'><a name="Page_54" id="Page_54">[Pg 54]</a></span> +to share his problem, the unctuous, +always correct Gordon, the easy-mannered, +unbearable Mason, all of +them gave him a feeling of actual +physical sickness.</p> + +<p>Gardner's “Nucleonics and Nuclear +Problems” lay open on the desk +before him, but he looked instead +beyond through the clear curving +glass windows toward the sweep of +green hills and darkening sky and +the shadows of the lower forests that +gave Fair Oaks its name. Beside him +unfinished lay the summaries of the +day's experiments, and the unorganized, +hurriedly jotted notes for tomorrow's +work. The old intellectual +alertness was gone. Delight in +changing theory, in careful experimentation +no longer sprang from his +work and were a part of it. There +was a dull, indefinable aching in his +head and a dry, dissatisfied sensation +in his mouth.</p> + +<p>Along the ordered walks below his +laboratory windows workers and +technicians streamed toward the +gates, checking out for the day +through the usual mass of red tape, +passes, and Geiger tests. Lights were +flicking on in the long East Wing +Dormitory across the quadrangle, and +the mess hall, where he had recently +eaten a tasteless supper, was lighted.</p> + +<p>Shortly after restrictions had really +begun to tighten up last fall, he had +written to a worker who had published +making a minor correction in +his calculations and adding some suggestions +arising from his own research. +A week later his letter was +returned completely censored, stamped +“Security-Violation.” It was that +evasive Gordon's fault. He knew it, +but he couldn't prove it. Collins suspected +that the man was not a top-notch +researcher and so was in administration. +Perhaps Gordon was +jealous of his own work.</p> + +<p>Even the Journals were drying up. +Endless innocuous papers recalculating +the values of harmless constants +and other such nonsense were all +that was being published. They were +hardly worth reading. Others were +feeling the throttling effects of security +measures, and isolated, lone +researchers were slowing down, listless +and anemic from the loss of the +life blood of science, the free interchange +of information.</p> + +<p>The present research job he was +doing was coming slowly, but what +difference did it make? It would +never be published. Probably it +would be filed with a Department +of Defense code number as Research +Report DDNE-42 dash-dash-dash. +And there it would remain, top-secret, +guarded, unread, useless. Somewhere +in the desk drawers was the +directive worded in the stiff military +manner describing the procedures for +clearing papers for publication. +When he had first come here, he had +tried that.</p> + +<p>“Well, good, Collins,” Gordon, +the Division Administrator, had said, +“glad to check it over. Always happy +when one of our men has something +for publication. Gives the Division a +good name. I'll let you know, but we +have to be careful. Security you +know.”</p> + +<p><span class='pagenum'><a name="Page_55" id="Page_55">[Pg 55]</a></span> +Somehow he had never heard. The +first time he had made a pest of himself +with Gordon who was polite, +evasive, always plausible. Gordon, +Gordon—it was becoming an obsession +with him he knew, but the man +appeared at every turn. He personified +the system.</p> + +<p>In the past months his work had +seemed to clog up in details and +slow down. The early days of broad, +rapid outlines and facile sketching in +of details were gone. Now the endless +indignities, invasion of personal +rights and freedom, the hamstringing +of his work, the feeling of being +cut off from the main currents of his +field, filled him with despair, anger, +and frustration.</p> + +<hr /> + +<p class='tb'>Suddenly he raised his head, +slammed the notebook shut and +switched off the desk lamp. Not tonight. +Tomorrow would be time +enough to write out this stuff. He +needed a drink.</p> + +<p>The hall was dark as he locked +the door to his lab except at the far +end near the stairway where a patch +of yellow light shone through an +open doorway. Mason, he thought, +Allan Mason, the one guy at Fair +Oaks Nuclear Energy Laboratories +who was always so damnedly cheerful, +who didn't seem to mind the +security restrictions, and who was +seen so often with Gordon. As he +walked rapidly past the open doorway, +he caught a flashing impression +from the corner of his eye of Mason's +tall figure bent over his bench, +his long legs wrapped around a lab +stool, the perpetual unlit pipe hanging +from the corner of his mouth. +Then as he swung quickly toward +the stairs, he heard Mason's cheerful +hail.</p> + +<p>“Hi, Milt, hold up a sec.”</p> + +<p>Reluctantly he paused at the head +of the stairs scowling momentarily, +and then slowly turning and retraced +his steps.</p> + +<p>The lab was brightly lighted, and +Mason stretched and smiled pleasantly.</p> + +<p>“Come in, old man, I'm about +ready to knock off for the evening. +How goes it?”</p> + +<p>Collins mumbled an O.K. trying +to keep the irritation out of his voice, +and Mason went on.</p> + +<p>“Just finishing up some loose ends +so I can get off to the Society meeting +on Monday. You going?”</p> + +<p>Shaking his head Collins felt his +dislike for this man growing. The +annual meeting of the North American +Society of Theoretical Physicists. +He didn't even give it any thought +any more. Maybe he could go, but it +didn't seem worth the effort. In the +past he had tried to go to the meetings, +but somehow work, rush work, +some change of emphasis had come +up on the project, and he had had +to cancel his plans. He'd finally given +up, but with Mason these things +seemed to come easily, and he wondered +<span style="white-space: nowrap;">why—</span></p> + +<p>“That's too bad”—his voice +droned pleasantly on, and Collins' +eye caught several botany texts in +the book rack above Mason's desk. +So, he had time to read stuff outside +<span class='pagenum'><a name="Page_56" id="Page_56">[Pg 56]</a></span> +of his field. His work was going +well. He had time for meetings and +was allowed to go to them—the anger +rose slowly like a swelling bubble +from the hard core of his stomach. +Then he realized that Mason had +stopped talking and was looking at +him.</p> + +<p>“Milt, you look glum tonight. Is +there— Why not have supper with +me, and we'll take in the movie in +the lounge?”</p> + +<p>“I've eaten already.” Collins was +on his feet. He forced a, “Thanks +anyway. See you tomorrow. <span style="white-space: nowrap;">I'm—”</span> +and he was gone.</p> + +<p>As he strode angerly across the +quadrangle Mason's words and cheerful +attitude rankled in his mind. +The gravel of the walk spurted from +under his shoes, and the night air +was clear and cool. It was good at +least to feel something other than +despair again, even anger.</p> + +<p>But once in his study with its attached +bedroom and bath that made +up his living quarters, he sank to the +couch near his desk, all of the fight +gone. He needed a drink. Today all +the irritations, tensions, and suspicions +of the past months seemed to +close in on him. His work was going +badly. Perhaps seeing Mason had +brought it to a head. The fifth of +bourbon in the bottom desk drawer +was partly gone from the party last +month. He took a swallow neat, and +the fire of the liquid burned and +clawed its way down his throat and +spread with blossoming warmth in +his stomach.</p> + +<p>Kicking off his shoes and loosening +his tie he leaned back with the +bottle on the floor beside him.</p> + +<p>Later in the evening when the +early clarity of thought had left him +and his mind moved disjointedly in +and out of seemingly brilliant, emotional +solutions to his problem, he +knew he must have a showdown. Lying +back on the couch he drifted into +sleep determined to have it out with +Gordon in the morning—resign if +necessary.</p> + +<hr /> + +<p class='tb'>The momentary pause of lighting +his cigarette gave Collins a chance +to decide where to start, as he sat +across from Gordon. The Division +Administrator was older with a +heavy-jowled, close shaven face, and +he waited patiently for Collins to +speak.</p> + +<p>“Dr. Gordon, I am having a great +deal of difficulty in making an adjustment +both in my work and in my +personal relations here at Fair Oaks, +and last night I realized that I would +have to talk to you about it.”</p> + +<p>Gordon's face changed slightly, +his eyebrows rising almost imperceptibly.</p> + +<p>“So, what … how do you mean, +Milt?”</p> + +<p>Use of the first name—the familiar +approach thought Collins—administrative +technique number +blank blank dash blank.</p> + +<p>“Dr. Gordon, these security measures +we are under, the difficulty of +publishing, of getting to scientific +meetings, the problem of getting +furloughs, lack of knowledge of +what is going on in my own field, +<span class='pagenum'><a name="Page_57" id="Page_57">[Pg 57]</a></span> +it's just a little too much. It's personally +irritating, but it greatly +hampers my work as well. Frankly, +I'm against the entire security program +as it now stands. If it isn't +stopped research will … well, simply +be impossible. Free interchange of +information is essential <span style="white-space: nowrap;">to—”</span> His +fingers were gripping the arms of his +chair.</p> + +<p>“Yes, of course, Milt, but corny +as it sounds there is a war on you +know. Oh, not a war with military +weapons—yet, but a cold war of science +and engineering, a struggle for +supremacy in many fields of knowledge. +If information of our work +leaks out, gets to the enemy, we +might as well not do that work. We +can't be too careful.”</p> + +<p>“I agree, but it goes too far.” He +leaned forward. “My private mail is +read, and on my last furlough I am +certain I was watched from the time +I left the gates out there until I returned, +and I don't like it. I can't +prove it, but— That's getting to the +point that life's not worth while.”</p> + +<p>“Come now, Milt, don't you think +you're taking this a little too seriously? +You're getting stale, overwrought. +You need a fresh point of +view. Lots of our people feel as you +do at one time or another, but most +of us learn to live with these necessary +regulations, and do our work in +spite of them. Let me make a suggestion, +relax, take a little time off, +develop a hobby. Why not do some +reading in a field of science other +than your own. It's good for you. +Several of the people here are doing +it. I do it, Carter, even Mason for +<span style="white-space: nowrap;">instance—”</span></p> + +<p>Collins could feel the anger rising +in him again.</p> + +<p>“Look, Gordon, I'm not going to +mince words. I'm sick and tired of +this mess, and you might as well +know it. You can have all your damn +relaxations and hobbies, or what have +you. I want to do my work, and if +I can't do it here, I'm going somewhere +where I can do it. In plain +English unless we can have an understanding +right now—I resign.”</p> + +<p>It had come out, and Collins was +breathing hard, but Gordon's expression +hardly changed as he looked +over the tips of his joined fingers, +while the younger man stopped and +crushed out his cigarette viciously in +the ash disposer on the arm of his +chair. Gordon doodled on a small +pad for a moment, his eyes not meeting +Collins'. Then he spoke +slowly.</p> + +<p>“I'm sorry you feel that way, Milt. +I … I'm afraid I cannot accept your +resignation. You see,” he said softly, +“none of us can leave Fair Oaks—now.”</p> + +<p>Collins looked up, amazement and +incredulity written on his face.</p> + +<p>“What do you mean—can't leave? +I can leave any <span style="white-space: nowrap;">time—”</span></p> + +<p>Gordon slowly shook his head almost +sadly. “No, only assistants, +technicians, maintenance people, and +they are carefully watched or restricted +to this area. People like yourself, +like me, we have information, +knowledge which cannot be let out +of government hands at this time. +<span class='pagenum'><a name="Page_58" id="Page_58">[Pg 58]</a></span> +We're here probably for the ‘duration’; +maybe longer.”</p> + +<p>“But—this is barbarous. <span style="white-space: nowrap;">I—”</span> the +words clogged, jumbled as he tried +to get them out. His emotions ran +from anger, to amazement, to indignation, +followed by a trickle of fear, +and as he stared at Gordon, the fear +grew. He could scarcely hear Gordon's +<span style="white-space: nowrap;">words—</span></p> + +<p>“Take my advice—relax—and forget +your fears—accept the restrictions +and go ahead—read in some +other field—come in again when +you've thought it out.” He was +scarcely aware when Gordon slipped +a bound journal volume into his +hands and walked with him to the +door—and closed it behind him.</p> + +<hr /> + +<p class='tb'>Collins left Gordon's office in Administration +moving slowly, one arm +hanging loosely by his side, the other +clutching the book. The corridor +stretched ahead into B Wing with +its laboratories flooded with the glow +of mid-morning sunshine, bright and +unreal. His mind was dazed, his +thinking processes stopped in a kind +of stunned unbelief. He could not +even quit now. An undercurrent of +fear ran close to the surface of his +confused mind. It was the end of +science, the end of all his work. All +of the stifling, strangling restrictions +of security on his work, on his private +life, came whirling back as a +monstrous, formless threat, something +unspeakably big and powerful +and unbeatable against which he +could not fight.</p> + +<p>To his right as he moved slowly +down the hall the double doors of +the main library reading room were +open with the stacks and study +cubicles beyond, silent and restful. +He paused and then entered crossing +into the maze of the stacks through +a grilled iron doorway. The important +thing now was not to meet anyone, +not to have to speak or smile or +think. It was very important now to +be alone and quiet.</p> + +<p>He walked until he found an +empty cubicle, the endless walls of +books, repositories of knowledge, silent +and reproachful around him. +Knowledge and books such as these +would soon be added to no longer. +He slumped into the chair and gazed +at the tiny reading desk with its softly +glowing lamp and the small stack +of volumes on the rack left by previous +users. Absently he stared for a +long time at the volume Gordon had +given him as if seeing it for the +first time. Then with a deliberate +effort he opened it and thumbed +through slowly only half seeing its +pages. <cite>The Journal of Botanical Research.</cite></p> + +<p>The pages in the <cite>Journal</cite> were like +a look through an open window. +Outside of classified projects in +“harmless” fields of research the +work of science went on, papers were +published, reputations were made, +freedom still existed. He remembered +Gordon's sleek smile and advice +to relax and read in other fields. +This stupid useless advice still rankled. +Of course, he probably was +stale, but to read junk like this!</p> + +<p>Silently and in his mind, he cursed +<span class='pagenum'><a name="Page_59" id="Page_59">[Pg 59]</a></span> +the day he had studied physics, better +archeology or zoology, anything. +Suddenly he stopped riffling the +pages and leaned forward, rapidly +turning back to something that had +caught his eye. It was a three and +one-half page paper on “The Statistical +Probability of Chromosome +Crossover” written in neat sections +with several charts and references. It +was by M. Mason.</p> + +<p>Something clicked in Collins' +mind—read the journals—Mason's +unconcern with security, the botany +books on his desk the night before. +It didn't make sense, but it added +up to something. Mason knew something +and so did Gordon. He half +rose. He had to get to the bottom +of it. Clutching the bound <cite>Journal</cite> +Collins turned and weaved through +the stacks and out of the library waving +the protesting librarian aside and +strode down the corridor toward the +laboratories.</p> + +<hr /> + +<p class='tb'>The door to Mason's lab was partially +open, and he looked up quizzically +from taking an instrument +reading as Collins burst in.</p> + +<p>“Mason, <span style="white-space: nowrap;">I—”</span> he planked the +bound volume of the <cite>Botanical Journal</cite> +on the lab bench beside the instrument +ignoring Mason's wince as +the instrument needle quivered with +the jar. “Did you write this?” His +finger jabbed at the open page.</p> + +<p>Mason glanced at Collins, removed +a pair of glasses from his white lab +coat pocket, and putting them on +leaned forward and studied the page +for a moment.</p> + +<p>“Yes. Not bad either though I +shouldn't say it. I didn't know you +were interested in Botany.” His +voice was casual with a slight questioning +note.</p> + +<p>Collins suddenly felt ridiculous. +What was he accusing the man of? +Mason had a right to publish on +anything he wanted to, still a muddled +series of half facts, incidents +and suspicions chased through his +mind.</p> + +<p>Mason walked over to his desk +and filling his pipe sat down +thoughtfully and leaned back motioning +Collins into a nearby chair.</p> + +<p>“I think I know what is on your +mind, Milt. Maybe I can straighten +this out. Gordon told me a little +while ago that you wanted to resign.”</p> + +<p>Collins stiffened. So, these two +were working together.</p> + +<p>“Milt, did you ever stop to think +how lucky we are? Where can you +get better equipment, help, coöperation +in the country than here?” Collins +leaned forward to speak, but +Mason went on. “Oh, I know all the +problems of security and how it +strangles work.” He paused for a +moment as though trying to grasp +the right words.</p> + +<p>“Look, Milt, what's the basic +problem? Why do security measures +strangle research? Isn't it a matter +basically of a breakdown in the interchange +of ideas? Sure, and it has +come about because there has been +no method of communication which +would not get to and be used by our +enemies. So, like yourself, I'm forbidden +to publish the results of my +<span class='pagenum'><a name="Page_60" id="Page_60">[Pg 60]</a></span> +work here in the journals. Why? Because +those results are in my field +of study, chain reactions.</p> + +<p>“I'm frustrated just as you have +been and science suffers. What do I +do? I write articles in a field that +isn't restricted, botany. It's a new +field of interest to me, a hobby if +you like. The stuff is published and +gets wide distribution. Every decent +library in the country gets it. Every +scientist all over the country can read +the papers if he cares to. Then the +word gets around, by the scientific +grapevine, with a little judicious ear-bending. +I get a reputation—in +Botany.</p> + +<p>“Now the botanists know that I +am not a botanist. They understand +what I am doing. The word spreads, +and they leave my stuff alone. The +physicists in my specialty know my +name, and they get the word, and +pretty soon they are glancing over +certain botany journals apparently +for relaxation. They read my papers. +It's slow, but it works.” Mason +leaned forward and struck a large +stick match under the lab bench top. +Drawing several puffs through his +pipe his eyes were on Collins' confused +face. Then he laid the pipe +down.</p> + +<p>“The enemy botanists may read +the botany journals, sure, but the +enemy physicists don't. Their totalitarian +training has made them inflexible +in their thinking, besides they +have their hands full trying to keep +up in their own fields. The curse of +specialization is a blessing to us. +When the enemy botanists read it, it +makes sense, but it doesn't help them +much in their work—more or less +innocuous.” He waved toward the +botany texts on his desk. “It took me +six months to learn enough about it +to do the job.” As he spoke Mason +untangled his legs and brought the +open journal over to his desk.</p> + +<p>“All right, notice in my article I +am writing on chromosomes—chains +of genes, and my field <span style="white-space: nowrap;">is—?”</span></p> + +<p>“Chain reactions,” Collins finished +softly, <span style="white-space: nowrap;">“but—”</span></p> + +<p>“The article itself is well disguised, +but it's a parable. It's botany +on the surface, but it gets over +enough chain-reaction theory to be +good physics, if you read it right. +You see botany is what you might +call my code field.”</p> + +<p>The bright light of noon shimmered +on the white buildings and +green lawns beyond the lab windows. +Collins was silent and thoughtful.</p> + +<p>“Well, that's about all. Gordon +knows. He's in with us, but the Government +doesn't suspect—yet. Oh, +they may catch on to us. Information +may leak out to the enemy. There's +some chance, but when we're caught +we'll think of something else. Most +of us believe it's worth the chance. +There's a risk in anything.”</p> + +<p>Suddenly all the pieces fell into +place, and Collins' anger and confusion +melted away. In its place was a +sense of relief and hope, hope for +the future. It wasn't the final answer, +but it was a way to keep going. He +was not alone any longer. He had +friends who understood, who had +been through what he had been +<span class='pagenum'><a name="Page_61" id="Page_61">[Pg 61]</a></span> +through. It was a good feeling. He +heard Mason's voice again.</p> + +<p>“Milt, why don't you do some +library work? Botany's my code field. +I don't know what yours is, but +you've got some catching up to do. +There may be some interesting stuff +published already in your code field.”</p> + +<p>Collins did, and he developed his +new interest enthusiastically. Gordon +had been right. He had been getting +stale. Besides, astronomy was a fascinating +field, and suns with their +revolving planets in some respects +are very like atomic systems, if you +look at it that way.</p> + +<p class="center">THE END</p> + +<p class="tnote" style="margin-bottom: 5em;"><strong>Transcriber's Note:</strong><br /> +This e-text was produced from <cite>Astounding Science Fiction October 1955</cite>. Extensive +research did not uncover any evidence that the U.S. copyright +on this publication was renewed.</p> + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Security, by Ernest M. Kenyon + +*** END OF THIS PROJECT GUTENBERG EBOOK SECURITY *** + +***** This file should be named 26140-h.htm or 26140-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/6/1/4/26140/ + +Produced by Greg Weeks, Alexander Bauer and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/26140-h/images/title.png b/26140-h/images/title.png Binary files differnew file mode 100644 index 0000000..80ebd82 --- /dev/null +++ b/26140-h/images/title.png diff --git a/26140-page-images/p0053-image1.png b/26140-page-images/p0053-image1.png Binary files differnew file mode 100644 index 0000000..8c045d4 --- /dev/null +++ b/26140-page-images/p0053-image1.png diff --git a/26140-page-images/p0053.png b/26140-page-images/p0053.png Binary files differnew file mode 100644 index 0000000..70e21e7 --- /dev/null +++ b/26140-page-images/p0053.png diff --git a/26140-page-images/p0054.png b/26140-page-images/p0054.png Binary files differnew file mode 100644 index 0000000..0ef0d88 --- /dev/null +++ b/26140-page-images/p0054.png diff --git a/26140-page-images/p0055.png b/26140-page-images/p0055.png Binary files differnew file mode 100644 index 0000000..0a1abd9 --- /dev/null +++ b/26140-page-images/p0055.png diff --git a/26140-page-images/p0056.png b/26140-page-images/p0056.png Binary files differnew file mode 100644 index 0000000..e01a6ec --- /dev/null +++ b/26140-page-images/p0056.png diff --git a/26140-page-images/p0057.png b/26140-page-images/p0057.png Binary files differnew file mode 100644 index 0000000..3099952 --- /dev/null +++ b/26140-page-images/p0057.png diff --git a/26140-page-images/p0058.png b/26140-page-images/p0058.png Binary files differnew file mode 100644 index 0000000..0abaa7f --- /dev/null +++ b/26140-page-images/p0058.png diff --git a/26140-page-images/p0059.png b/26140-page-images/p0059.png Binary files differnew file mode 100644 index 0000000..9846172 --- /dev/null +++ b/26140-page-images/p0059.png diff --git a/26140-page-images/p0060.png b/26140-page-images/p0060.png Binary files differnew file mode 100644 index 0000000..46d2b37 --- /dev/null +++ b/26140-page-images/p0060.png diff --git a/26140-page-images/p0061.png b/26140-page-images/p0061.png Binary files differnew file mode 100644 index 0000000..78ab2a1 --- /dev/null +++ b/26140-page-images/p0061.png diff --git a/26140.txt b/26140.txt new file mode 100644 index 0000000..239da80 --- /dev/null +++ b/26140.txt @@ -0,0 +1,822 @@ +The Project Gutenberg EBook of Security, by Ernest M. Kenyon + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Security + +Author: Ernest M. Kenyon + +Release Date: July 28, 2008 [EBook #26140] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK SECURITY *** + + + + +Produced by Greg Weeks, Alexander Bauer and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + + + [Illustration] + + SECURITY + + _If you let a man learn, and study, and work--and clamp + a lid on so that nothing he takes into his mind can be + let out--one way or another he'll blow a safety valve!_ + + BY ERNEST M. KENYON + + Illustrated by Freas + + +Suddenly Collins snapped the pencil between his fingers and hurled the +pieces across the lab, where they clattered, rolled from the bench to +the floor, and were still. For a moment he sat leaning against the desk, +his hands trembling. He wasn't sure just when the last straw had been +added, but he was sure that he had had enough. The restrictions, red +tape, security measures of these government laboratories seemed to +close in on his mind in boiling, chaotic waves of frustration. What +was the good of his work, all this great installation, all the gleaming +expensive equipment in the lab around him? He was alone. None of them +seemed to share his problem, the unctuous, always correct Gordon, the +easy-mannered, unbearable Mason, all of them gave him a feeling of +actual physical sickness. + +Gardner's "Nucleonics and Nuclear Problems" lay open on the desk before +him, but he looked instead beyond through the clear curving glass windows +toward the sweep of green hills and darkening sky and the shadows of the +lower forests that gave Fair Oaks its name. Beside him unfinished lay the +summaries of the day's experiments, and the unorganized, hurriedly jotted +notes for tomorrow's work. The old intellectual alertness was gone. +Delight in changing theory, in careful experimentation no longer sprang +from his work and were a part of it. There was a dull, indefinable aching +in his head and a dry, dissatisfied sensation in his mouth. + +Along the ordered walks below his laboratory windows workers and +technicians streamed toward the gates, checking out for the day through +the usual mass of red tape, passes, and Geiger tests. Lights were +flicking on in the long East Wing Dormitory across the quadrangle, and +the mess hall, where he had recently eaten a tasteless supper, was +lighted. + +Shortly after restrictions had really begun to tighten up last fall, +he had written to a worker who had published making a minor correction +in his calculations and adding some suggestions arising from his own +research. A week later his letter was returned completely censored, +stamped "Security-Violation." It was that evasive Gordon's fault. He +knew it, but he couldn't prove it. Collins suspected that the man was +not a top-notch researcher and so was in administration. Perhaps Gordon +was jealous of his own work. + +Even the Journals were drying up. Endless innocuous papers recalculating +the values of harmless constants and other such nonsense were all that +was being published. They were hardly worth reading. Others were feeling +the throttling effects of security measures, and isolated, lone +researchers were slowing down, listless and anemic from the loss of +the life blood of science, the free interchange of information. + +The present research job he was doing was coming slowly, but what +difference did it make? It would never be published. Probably it would +be filed with a Department of Defense code number as Research Report +DDNE-42 dash-dash-dash. And there it would remain, top-secret, guarded, +unread, useless. Somewhere in the desk drawers was the directive worded +in the stiff military manner describing the procedures for clearing +papers for publication. When he had first come here, he had tried that. + +"Well, good, Collins," Gordon, the Division Administrator, had said, +"glad to check it over. Always happy when one of our men has something +for publication. Gives the Division a good name. I'll let you know, but +we have to be careful. Security you know." + +Somehow he had never heard. The first time he had made a pest of himself +with Gordon who was polite, evasive, always plausible. Gordon, +Gordon--it was becoming an obsession with him he knew, but the man +appeared at every turn. He personified the system. + +In the past months his work had seemed to clog up in details and slow +down. The early days of broad, rapid outlines and facile sketching in of +details were gone. Now the endless indignities, invasion of personal +rights and freedom, the hamstringing of his work, the feeling of being +cut off from the main currents of his field, filled him with despair, +anger, and frustration. + + * * * * * + +Suddenly he raised his head, slammed the notebook shut and switched off +the desk lamp. Not tonight. Tomorrow would be time enough to write out +this stuff. He needed a drink. + +The hall was dark as he locked the door to his lab except at the far end +near the stairway where a patch of yellow light shone through an open +doorway. Mason, he thought, Allan Mason, the one guy at Fair Oaks +Nuclear Energy Laboratories who was always so damnedly cheerful, who +didn't seem to mind the security restrictions, and who was seen so often +with Gordon. As he walked rapidly past the open doorway, he caught a +flashing impression from the corner of his eye of Mason's tall figure +bent over his bench, his long legs wrapped around a lab stool, the +perpetual unlit pipe hanging from the corner of his mouth. Then as he +swung quickly toward the stairs, he heard Mason's cheerful hail. + +"Hi, Milt, hold up a sec." + +Reluctantly he paused at the head of the stairs scowling momentarily, +and then slowly turning and retraced his steps. + +The lab was brightly lighted, and Mason stretched and smiled pleasantly. + +"Come in, old man, I'm about ready to knock off for the evening. How +goes it?" + +Collins mumbled an O.K. trying to keep the irritation out of his voice, +and Mason went on. + +"Just finishing up some loose ends so I can get off to the Society +meeting on Monday. You going?" + +Shaking his head Collins felt his dislike for this man growing. The +annual meeting of the North American Society of Theoretical Physicists. +He didn't even give it any thought any more. Maybe he could go, but it +didn't seem worth the effort. In the past he had tried to go to the +meetings, but somehow work, rush work, some change of emphasis had come +up on the project, and he had had to cancel his plans. He'd finally +given up, but with Mason these things seemed to come easily, and he +wondered why-- + +"That's too bad"--his voice droned pleasantly on, and Collins' eye +caught several botany texts in the book rack above Mason's desk. So, he +had time to read stuff outside of his field. His work was going well. +He had time for meetings and was allowed to go to them--the anger rose +slowly like a swelling bubble from the hard core of his stomach. Then he +realized that Mason had stopped talking and was looking at him. + +"Milt, you look glum tonight. Is there-- Why not have supper with me, +and we'll take in the movie in the lounge?" + +"I've eaten already." Collins was on his feet. He forced a, "Thanks +anyway. See you tomorrow. I'm--" and he was gone. + +As he strode angerly across the quadrangle Mason's words and cheerful +attitude rankled in his mind. The gravel of the walk spurted from under +his shoes, and the night air was clear and cool. It was good at least to +feel something other than despair again, even anger. + +But once in his study with its attached bedroom and bath that made up +his living quarters, he sank to the couch near his desk, all of the +fight gone. He needed a drink. Today all the irritations, tensions, and +suspicions of the past months seemed to close in on him. His work was +going badly. Perhaps seeing Mason had brought it to a head. The fifth of +bourbon in the bottom desk drawer was partly gone from the party last +month. He took a swallow neat, and the fire of the liquid burned and +clawed its way down his throat and spread with blossoming warmth in his +stomach. + +Kicking off his shoes and loosening his tie he leaned back with the +bottle on the floor beside him. + +Later in the evening when the early clarity of thought had left him and +his mind moved disjointedly in and out of seemingly brilliant, emotional +solutions to his problem, he knew he must have a showdown. Lying back on +the couch he drifted into sleep determined to have it out with Gordon in +the morning--resign if necessary. + + * * * * * + +The momentary pause of lighting his cigarette gave Collins a chance +to decide where to start, as he sat across from Gordon. The Division +Administrator was older with a heavy-jowled, close shaven face, and he +waited patiently for Collins to speak. + +"Dr. Gordon, I am having a great deal of difficulty in making an +adjustment both in my work and in my personal relations here at Fair +Oaks, and last night I realized that I would have to talk to you about +it." + +Gordon's face changed slightly, his eyebrows rising almost +imperceptibly. + +"So, what ... how do you mean, Milt?" + +Use of the first name--the familiar approach thought +Collins--administrative technique number blank blank dash blank. + +"Dr. Gordon, these security measures we are under, the difficulty of +publishing, of getting to scientific meetings, the problem of getting +furloughs, lack of knowledge of what is going on in my own field, it's +just a little too much. It's personally irritating, but it greatly +hampers my work as well. Frankly, I'm against the entire security +program as it now stands. If it isn't stopped research will ... well, +simply be impossible. Free interchange of information is essential to--" +His fingers were gripping the arms of his chair. + +"Yes, of course, Milt, but corny as it sounds there is a war on you +know. Oh, not a war with military weapons--yet, but a cold war of +science and engineering, a struggle for supremacy in many fields of +knowledge. If information of our work leaks out, gets to the enemy, we +might as well not do that work. We can't be too careful." + +"I agree, but it goes too far." He leaned forward. "My private mail is +read, and on my last furlough I am certain I was watched from the time I +left the gates out there until I returned, and I don't like it. I can't +prove it, but-- That's getting to the point that life's not worth +while." + +"Come now, Milt, don't you think you're taking this a little too +seriously? You're getting stale, overwrought. You need a fresh point of +view. Lots of our people feel as you do at one time or another, but most +of us learn to live with these necessary regulations, and do our work in +spite of them. Let me make a suggestion, relax, take a little time off, +develop a hobby. Why not do some reading in a field of science other +than your own. It's good for you. Several of the people here are doing +it. I do it, Carter, even Mason for instance--" + +Collins could feel the anger rising in him again. + +"Look, Gordon, I'm not going to mince words. I'm sick and tired of +this mess, and you might as well know it. You can have all your damn +relaxations and hobbies, or what have you. I want to do my work, and +if I can't do it here, I'm going somewhere where I can do it. In plain +English unless we can have an understanding right now--I resign." + +It had come out, and Collins was breathing hard, but Gordon's expression +hardly changed as he looked over the tips of his joined fingers, while +the younger man stopped and crushed out his cigarette viciously in the +ash disposer on the arm of his chair. Gordon doodled on a small pad for +a moment, his eyes not meeting Collins'. Then he spoke slowly. + +"I'm sorry you feel that way, Milt. I ... I'm afraid I cannot accept +your resignation. You see," he said softly, "none of us can leave Fair +Oaks--now." + +Collins looked up, amazement and incredulity written on his face. + +"What do you mean--can't leave? I can leave any time--" + +Gordon slowly shook his head almost sadly. "No, only assistants, +technicians, maintenance people, and they are carefully watched or +restricted to this area. People like yourself, like me, we have +information, knowledge which cannot be let out of government hands at +this time. We're here probably for the 'duration'; maybe longer." + +"But--this is barbarous. I--" the words clogged, jumbled as he tried to +get them out. His emotions ran from anger, to amazement, to indignation, +followed by a trickle of fear, and as he stared at Gordon, the fear +grew. He could scarcely hear Gordon's words-- + +"Take my advice--relax--and forget your fears--accept the restrictions +and go ahead--read in some other field--come in again when you've +thought it out." He was scarcely aware when Gordon slipped a bound +journal volume into his hands and walked with him to the door--and +closed it behind him. + + * * * * * + +Collins left Gordon's office in Administration moving slowly, one arm +hanging loosely by his side, the other clutching the book. The corridor +stretched ahead into B Wing with its laboratories flooded with the glow +of mid-morning sunshine, bright and unreal. His mind was dazed, his +thinking processes stopped in a kind of stunned unbelief. He could not +even quit now. An undercurrent of fear ran close to the surface of his +confused mind. It was the end of science, the end of all his work. All +of the stifling, strangling restrictions of security on his work, on +his private life, came whirling back as a monstrous, formless threat, +something unspeakably big and powerful and unbeatable against which he +could not fight. + +To his right as he moved slowly down the hall the double doors of the +main library reading room were open with the stacks and study cubicles +beyond, silent and restful. He paused and then entered crossing into the +maze of the stacks through a grilled iron doorway. The important thing +now was not to meet anyone, not to have to speak or smile or think. It +was very important now to be alone and quiet. + +He walked until he found an empty cubicle, the endless walls of books, +repositories of knowledge, silent and reproachful around him. Knowledge +and books such as these would soon be added to no longer. He slumped +into the chair and gazed at the tiny reading desk with its softly +glowing lamp and the small stack of volumes on the rack left by previous +users. Absently he stared for a long time at the volume Gordon had given +him as if seeing it for the first time. Then with a deliberate effort he +opened it and thumbed through slowly only half seeing its pages. _The +Journal of Botanical Research._ + +The pages in the _Journal_ were like a look through an open window. +Outside of classified projects in "harmless" fields of research the work +of science went on, papers were published, reputations were made, +freedom still existed. He remembered Gordon's sleek smile and advice +to relax and read in other fields. This stupid useless advice still +rankled. Of course, he probably was stale, but to read junk like this! + +Silently and in his mind, he cursed the day he had studied physics, +better archeology or zoology, anything. Suddenly he stopped riffling the +pages and leaned forward, rapidly turning back to something that had +caught his eye. It was a three and one-half page paper on "The +Statistical Probability of Chromosome Crossover" written in neat +sections with several charts and references. It was by M. Mason. + +Something clicked in Collins' mind--read the journals--Mason's unconcern +with security, the botany books on his desk the night before. It didn't +make sense, but it added up to something. Mason knew something and so +did Gordon. He half rose. He had to get to the bottom of it. Clutching +the bound _Journal_ Collins turned and weaved through the stacks and out +of the library waving the protesting librarian aside and strode down the +corridor toward the laboratories. + + * * * * * + +The door to Mason's lab was partially open, and he looked up quizzically +from taking an instrument reading as Collins burst in. + +"Mason, I--" he planked the bound volume of the _Botanical Journal_ on +the lab bench beside the instrument ignoring Mason's wince as the +instrument needle quivered with the jar. "Did you write this?" His +finger jabbed at the open page. + +Mason glanced at Collins, removed a pair of glasses from his white lab +coat pocket, and putting them on leaned forward and studied the page for +a moment. + +"Yes. Not bad either though I shouldn't say it. I didn't know you were +interested in Botany." His voice was casual with a slight questioning +note. + +Collins suddenly felt ridiculous. What was he accusing the man of? Mason +had a right to publish on anything he wanted to, still a muddled series +of half facts, incidents and suspicions chased through his mind. + +Mason walked over to his desk and filling his pipe sat down thoughtfully +and leaned back motioning Collins into a nearby chair. + +"I think I know what is on your mind, Milt. Maybe I can straighten this +out. Gordon told me a little while ago that you wanted to resign." + +Collins stiffened. So, these two were working together. + +"Milt, did you ever stop to think how lucky we are? Where can you get +better equipment, help, cooperation in the country than here?" Collins +leaned forward to speak, but Mason went on. "Oh, I know all the problems +of security and how it strangles work." He paused for a moment as though +trying to grasp the right words. + +"Look, Milt, what's the basic problem? Why do security measures strangle +research? Isn't it a matter basically of a breakdown in the interchange +of ideas? Sure, and it has come about because there has been no method +of communication which would not get to and be used by our enemies. So, +like yourself, I'm forbidden to publish the results of my work here in +the journals. Why? Because those results are in my field of study, chain +reactions. + +"I'm frustrated just as you have been and science suffers. What do I do? +I write articles in a field that isn't restricted, botany. It's a new +field of interest to me, a hobby if you like. The stuff is published and +gets wide distribution. Every decent library in the country gets it. +Every scientist all over the country can read the papers if he cares to. +Then the word gets around, by the scientific grapevine, with a little +judicious ear-bending. I get a reputation--in Botany. + +"Now the botanists know that I am not a botanist. They understand what +I am doing. The word spreads, and they leave my stuff alone. The +physicists in my specialty know my name, and they get the word, and +pretty soon they are glancing over certain botany journals apparently +for relaxation. They read my papers. It's slow, but it works." Mason +leaned forward and struck a large stick match under the lab bench top. +Drawing several puffs through his pipe his eyes were on Collins' +confused face. Then he laid the pipe down. + +"The enemy botanists may read the botany journals, sure, but the enemy +physicists don't. Their totalitarian training has made them inflexible +in their thinking, besides they have their hands full trying to keep up +in their own fields. The curse of specialization is a blessing to us. +When the enemy botanists read it, it makes sense, but it doesn't help +them much in their work--more or less innocuous." He waved toward the +botany texts on his desk. "It took me six months to learn enough about +it to do the job." As he spoke Mason untangled his legs and brought the +open journal over to his desk. + +"All right, notice in my article I am writing on chromosomes--chains of +genes, and my field is--?" + +"Chain reactions," Collins finished softly, "but--" + +"The article itself is well disguised, but it's a parable. It's botany +on the surface, but it gets over enough chain-reaction theory to be good +physics, if you read it right. You see botany is what you might call my +code field." + +The bright light of noon shimmered on the white buildings and green +lawns beyond the lab windows. Collins was silent and thoughtful. + +"Well, that's about all. Gordon knows. He's in with us, but the +Government doesn't suspect--yet. Oh, they may catch on to us. Information +may leak out to the enemy. There's some chance, but when we're caught +we'll think of something else. Most of us believe it's worth the chance. +There's a risk in anything." + +Suddenly all the pieces fell into place, and Collins' anger and confusion +melted away. In its place was a sense of relief and hope, hope for the +future. It wasn't the final answer, but it was a way to keep going. He +was not alone any longer. He had friends who understood, who had been +through what he had been through. It was a good feeling. He heard +Mason's voice again. + +"Milt, why don't you do some library work? Botany's my code field. I +don't know what yours is, but you've got some catching up to do. There +may be some interesting stuff published already in your code field." + +Collins did, and he developed his new interest enthusiastically. Gordon +had been right. He had been getting stale. Besides, astronomy was a +fascinating field, and suns with their revolving planets in some +respects are very like atomic systems, if you look at it that way. + + THE END + + + + Transcriber's Note: + + This e-text was produced from Astounding Science Fiction + October 1955. Extensive research did not uncover any evidence + that the U.S. copyright on this publication was renewed. + + + + + +End of the Project Gutenberg EBook of Security, by Ernest M. Kenyon + +*** END OF THIS PROJECT GUTENBERG EBOOK SECURITY *** + +***** This file should be named 26140.txt or 26140.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/6/1/4/26140/ + +Produced by Greg Weeks, Alexander Bauer and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/26140.zip b/26140.zip Binary files differnew file mode 100644 index 0000000..ef9e5e8 --- /dev/null +++ b/26140.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..19e2dea --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #26140 (https://www.gutenberg.org/ebooks/26140) |
