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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Peace + +Author: Aristophanes + +Release Date: December 29, 2008 [EBook #2571] +Last Updated: January 22, 2013 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK PEACE *** + + + + +Produced by Derek Davis, and David Widger + + + + + + +</pre> + <p> + <br /><br /> + </p> + <h1> + PEACE + </h1> + <p> + <br /> + </p> + <h2> + By Aristophanes + </h2> + <div class="mynote"> + <p> + Original Transcriber's Note: Translator uncredited. Footnotes have been + retained because they provide the meanings of Greek names, terms and + ceremonies and explain puns and references otherwise lost in + translation. Occasional Greek words in the footnotes have not been + included. Footnote numbers, in brackets, start anew at (1) for each + piece of dialogue, and each footnote follows immediately the dialogue to + which it refers, labeled thus: f(1). + </p> + <br /> + </div> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> + <h2> + INTRODUCTION + </h2> + <p> + The 'Peace' was brought out four years after 'The Acharnians' (422 B.C.), + when the War had already lasted ten years. The leading motive is the same + as in the former play—the intense desire of the less excitable and + more moderate-minded citizens for relief from the miseries of war. + </p> + <p> + Trygaeus, a rustic patriot, finding no help in men, resolves to ascend to + heaven to expostulate personally with Zeus for allowing this wretched + state of things to continue. With this object he has fed and trained a + gigantic dung-beetle, which he mounts, and is carried, like Bellerophon on + Pegasus, on an aerial journey. Eventually he reaches Olympus, only to find + that the gods have gone elsewhere, and that the heavenly abode is occupied + solely by the demon of War, who is busy pounding up the Greek States in a + huge mortar. However, his benevolent purpose is not in vain; for learning + from Hermes that the goddess Peace has been cast into a pit, where she is + kept a fast prisoner, he calls upon the different peoples of Hellas to + make a united effort and rescue her, and with their help drags her out and + brings her back in triumph to earth. The play concludes with the + restoration of the goddess to her ancient honours, the festivities of the + rustic population and the nuptials of Trygaeus with Opora (Harvest), + handmaiden of Peace, represented as a pretty courtesan. + </p> + <p> + Such references as there are to Cleon in this play are noteworthy. The + great Demagogue was now dead, having fallen in the same action as the + rival Spartan general, the renowned Brasidas, before Amphipolis, and + whatever Aristophanes says here of his old enemy is conceived in the + spirit of 'de mortuis nil nisi bonum.' In one scene Hermes is descanting + on the evils which had nearly ruined Athens and declares that 'The Tanner' + was the cause of them all. But Trygaeus interrupts him with the words: + </p> + <p> + "Hold-say not so, good master Hermes; Let the man rest in peace where now + he lies. He is no longer of our world, but yours." + </p> + <p> + Here surely we have a trait of magnanimity on the author's part as + admirable in its way as the wit and boldness of his former attacks had + been in theirs. + </p> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> + <h2> + DRAMATIS PERSONAE + </h2> +<pre xml:space="preserve"> + TRYGAEUS + TWO SERVANTS OF TRYGAEUS + MAIDENS, DAUGHTERS OF TRYGAEUS + HERMES + WAR + TUMULT + HIEROCLES, a Soothsayer + A SICKLE-MAKER + A CREST-MAKER + A TRUMPET-MAKER + A HELMET-MAKER + A SPEAR-MAKER + SON OF LAMACHUS + SON OF CLEONYMUS + CHORUS OF HUSBANDMEN +</pre> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> + <p> + SCENE: A farmyard, two slaves busy beside a dungheap; afterwards, in + Olympus. + </p> + <p> + FIRST SERVANT Quick, quick, bring the dung-beetle his cake. + </p> + <p> + SECOND SERVANT Coming, coming. + </p> + <p> + FIRST SERVANT Give it to him, and may it kill him! + </p> + <p> + SECOND SERVANT May he never eat a better. + </p> + <p> + FIRST SERVANT Now give him this other one kneaded up with ass's dung. + </p> + <p> + SECOND SERVANT There! I've done that too. + </p> + <p> + FIRST SERVANT And where's what you gave him just now; surely he can't have + devoured it yet! + </p> + <p> + SECOND SERVANT Indeed he has; he snatched it, rolled it between his feet + and bolted it. + </p> + <p> + FIRST SERVANT Come, hurry up, knead up a lot and knead them stiffly. + </p> + <p> + SECOND SERVANT Oh, scavengers, help me in the name of the gods, if you do + not wish to see me fall down choked. + </p> + <p> + FIRST SERVANT Come, come, another made from the stool of a young + scapegrace catamite. 'Twill be to the beetle's taste; he likes it well + ground. + </p> + <p> + SECOND SERVANT There! I am free at least from suspicion; none will accuse + me of tasting what I mix. + </p> + <p> + FIRST SERVANT Faugh! come, now another! keep on mixing with all your + might. + </p> + <p> + SECOND SERVANT I' faith, no. I can stand this awful cesspool stench no + longer, so I bring you the whole ill-smelling gear. + </p> + <p> + FIRST SERVANT Pitch it down the sewer sooner, and yourself with it. + </p> + <p> + SECOND SERVANT Maybe, one of you can tell me where I can buy a stopped-up + nose, for there is no work more disgusting than to mix food for a beetle + and to carry it to him. A pig or a dog will at least pounce upon our + excrement without more ado, but this foul wretch affects the disdainful, + the spoilt mistress, and won't eat unless I offer him a cake that has been + kneaded for an entire day.... But let us open the door a bit ajar without + his seeing it. Has he done eating? Come, pluck up courage, cram yourself + till you burst! The cursed creature! It wallows in its food! It grips it + between its claws like a wrestler clutching his opponent, and with head + and feet together rolls up its paste like a rope-maker twisting a hawser. + What an indecent, stinking, gluttonous beast! I know not what angry god + let this monster loose upon us, but of a certainty it was neither + Aphrodite nor the Graces. + </p> + <p> + FIRST SERVANT Who was it then? + </p> + <p> + SECOND SERVANT No doubt the Thunderer, Zeus. + </p> + <p> + FIRST SERVANT But perhaps some spectator, some beardless youth, who thinks + himself a sage, will say, "What is this? What does the beetle mean?" And + then an Ionian,(1) sitting next him, will add, "I think 'tis an allusion + to Cleon, who so shamelessly feeds on filth all by himself."—But now + I'm going indoors to fetch the beetle a drink. + </p> +<pre xml:space="preserve"> + f(1) 'Peace' was no doubt produced at the festival of the + Apaturia, which was kept at the end of October, a period + when strangers were numerous in Athens. +</pre> + <p> + SECOND SERVANT As for me, I will explain the matter to you all, children, + youths, grownups and old men, aye, even to the decrepit dotards. My master + is mad, not as you are, but with another sort of madness, quite a new + kind. The livelong day he looks open-mouthed towards heaven and never + stops addressing Zeus. "Ah! Zeus," he cries, "what are thy intentions? Lay + aside thy besom; do not sweep Greece away!" + </p> + <p> + TRYGAEUS Ah! ah! ah! + </p> + <p> + SECOND SERVANT Hush, hush! Mehinks I hear his voice! + </p> + <p> + TRYGAEUS Oh! Zeus, what art thou going to do for our people? Dost thou not + see this, that our cities will soon be but empty husks? + </p> + <p> + SECOND SERVANT As I told you, that is his form of madness. There you have + a sample of his follies. When his trouble first began to seize him, he + said to himself, "By what means could I go straight to Zeus?" Then he made + himself very slender little ladders and so clambered up towards heaven; + but he soon came hurtling down again and broke his head. Yesterday, to our + misfortune, he went out and brought us back this thoroughbred, but from + where I know not, this great beetle, whose groom he has forced me to + become. He himself caresses it as though it were a horse, saying, "Oh! my + little Pegasus,(1) my noble aerial steed, may your wings soon bear me + straight to Zeus!" But what is my master doing? I must stoop down to look + through this hole. Oh! great gods! Here! neighbours, run here quick! here + is my master flying off mounted on his beetle as if on horseback. + </p> +<pre xml:space="preserve"> + f(1) The winged steed of Perseus—an allusion to a lost + tragedy of Euripides, in which Bellerophon was introduced + riding on Pegasus. +</pre> + <p> + TRYGAEUS Gently, gently, go easy, beetle; don't start off so proudly, or + trust at first too greatly to your powers; wait till you have sweated, + till the beating of your wings shall make your limb joints supple. Above + all things, don't let off some foul smell, I adjure you; else I would + rather have you stop in the stable altogether. + </p> + <p> + SECOND SERVANT Poor master! Is he crazy? + </p> + <p> + TRYGAEUS Silence! silence! + </p> + <p> + SECOND SERVANT (TO TRYGAEUS) But why start up into the air on chance? + </p> + <p> + TRYGAEUS 'Tis for the weal of all the Greeks; I am attempting a daring and + novel feat. + </p> + <p> + SECOND SERVANT But what is your purpose? What useless folly! + </p> + <p> + TRYGAEUS No words of ill omen! Give vent to joy and command all men to + keep silence, to close down their drains and privies with new tiles and to + stop up their own vent-holes.(1) + </p> +<pre xml:space="preserve"> + f(1) Fearing that if it caught a whiff from earth to its + liking, the beetle might descend from the highest heaven to + satisfy itself. +</pre> + <p> + FIRST SERVANT No, I shall not be silent, unless you tell me where you are + going. + </p> + <p> + TRYGAEUS Why, where am I likely to be going across the sky, if it be not + to visit Zeus? + </p> + <p> + FIRST SERVANT For what purpose? + </p> + <p> + TRYGAEUS I want to ask him what he reckons to do for all the Greeks. + </p> + <p> + SECOND SERVANT And if he doesn't tell you? + </p> + <p> + TRYGAEUS I shall pursue him at law as a traitor who sells Greece to the + Medes.(1) + </p> +<pre xml:space="preserve"> + f(1) The Persians and the Spartans were not then allied as + the scholiast states, since a treaty between them was only + concluded in 412 B.C., i.e. eight years after the production + of 'Peace'; the great king, however, was trying to derive + advantages out of the dissensions in Greece. +</pre> + <p> + SECOND SERVANT Death seize me, if I let you go. + </p> + <p> + TRYGAEUS It is absolutely necessary. + </p> + <p> + SECOND SERVANT Alas! alas! dear little girls, your father is deserting you + secretly to go to heaven. Ah! poor orphans, entreat him, beseech him. + </p> + <p> + LITTLE DAUGHTER Father! father! what is this I hear? Is it true? What! you + would leave me, you would vanish into the sky, you would go to the + crows?(1) 'Tis impossible! Answer, father, an you love me. + </p> +<pre xml:space="preserve"> + f(1) "Go to the crows," a proverbial expression equivalent + to our "Go to the devil." +</pre> + <p> + TRYGAEUS Yes, I am going. You hurt me too sorely, my daughters, when you + ask me for bread, calling me your daddy, and there is not the ghost of an + obolus in the house; if I succeed and come back, you will have a barley + loaf every morning—and a punch in the eye for sauce! + </p> + <p> + LITTLE DAUGHTER But how will you make the journey? 'Tis not a ship that + will carry you thither. + </p> + <p> + TRYGAEUS No, but this winged steed will. + </p> + <p> + LITTLE DAUGHTER But what an idea, daddy, to harness a beetle, on which to + fly to the gods. + </p> + <p> + TRYGAEUS We see from Aesop's fables that they alone can fly to the abode + of the Immortals.(1) + </p> +<pre xml:space="preserve"> + f(1) Aesop tells us that the eagle and the beetle were at + war; the eagle devoured the beetle's young and the latter + got into its nest and tumbled out its eggs. On this the + eagle complained to Zeus, who advised it to lay its eggs in + his bosom; but the beetle flew up to the abode of Zeus, who, + forgetful of the eagle's eggs, at once rose to chase off the + objectionable insect. The eggs fell to earth and were + smashed to bits. +</pre> + <p> + LITTLE DAUGHTER Father, father, 'tis a tale nobody can believe! that such + a stinking creature can have gone to the gods. + </p> + <p> + TRYGAEUS It went to have vengeance on the eagle and break its eggs. + </p> + <p> + LITTLE DAUGHTER Why not saddle Pegasus? you would have a more TRAGIC(1) + appearance in the eyes of the gods. + </p> +<pre xml:space="preserve"> + f(1) Pegasus is introduced by Euripides both in his + 'Andromeda' and his 'Bellerophon.' +</pre> + <p> + TRYGAEUS Eh! don't you see, little fool, that then twice the food would be + wanted? Whereas my beetle devours again as filth what I have eaten myself. + </p> + <p> + LITTLE DAUGHTER And if it fell into the watery depths of the sea, could it + escape with its wings? + </p> + <p> + TRYGAEUS (EXPOSING HIMSELF) I am fitted with a rudder in case of need, and + my Naxos beetle will serve me as a boat.(1) + </p> +<pre xml:space="preserve"> + f(1) Boats, called 'beetles,' doubtless because in form they + resembled these insects, were built at Naxos. +</pre> + <p> + LITTLE DAUGHTER And what harbour will you put in at? + </p> + <p> + TRYGAEUS Why is there not the harbour of Cantharos at the Piraeus?(1) + </p> +<pre xml:space="preserve"> + f(1) Nature had divided the Piraeus into three basins— + Cantharos, Aphrodisium and Zea. (Cantharos) is Greek for + dung-beetle. +</pre> + <p> + LITTLE DAUGHTER Take care not to knock against anything and so fall off + into space; once a cripple, you would be a fit subject for Euripides, who + would put you into a tragedy.(1) + </p> +<pre xml:space="preserve"> + f(1) In allusion to Euripides' fondness for introducing lame + heroes in his plays. +</pre> + <p> + TRYGAEUS I'll see to it. Good-bye! (TO THE ATHENIANS.) You, for love of + whom I brave these dangers, do ye neither let wind nor go to stool for the + space of three days, for, if, while cleaving the air, my steed should + scent anything, he would fling me head foremost from the summit of my + hopes. Now come, my Pegasus, get a-going with up-pricked ears and make + your golden bridle resound gaily. Eh! what are you doing? What are you up + to? Do you turn your nose towards the cesspools? Come, pluck up a spirit; + rush upwards from the earth, stretch out your speedy wings and make + straight for the palace of Zeus; for once give up foraging in your daily + food.—Hi! you down there, what are you after now? Oh! my god! 'tis a + man emptying his belly in the Piraeus, close to the house where the bad + girls are. But is it my death you seek then, my death? Will you not bury + that right away and pile a great heap of earth upon it and plant wild + thyme therein and pour perfumes on it? If I were to fall from up here and + misfortune happened to me, the town of Chios(1) would owe a fine of five + talents for my death, all along of your cursed rump. Alas! how frightened + I am! oh! I have no heart for jests. Ah! machinist, take great care of me. + There is already a wind whirling round my navel; take great care or, from + sheer fright, I shall form food for my beetle.... But I think I am no + longer far from the gods; aye, that is the dwelling of Zeus, I perceive. + Hullo! Hi! where is the doorkeeper? Will no one open? + </p> +<pre xml:space="preserve"> + f(1) An allusion to the proverbial nickname applied to the + Chians (in Greek)—'crapping Chian.' There is a further + joke, of course, in connection with the hundred and one + frivolous pretexts which the Athenians invented for exacting + contributions from the maritime allies. +</pre> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> (THE SCENE CHANGES AND HEAVEN IS PRESENTED.) + </p> + <p> + HERMES Meseems I can sniff a man. (HE PERCEIVES TRYGAEUS ASTRIDE HIS + BEETLE.) Why, what plague is this? + </p> + <p> + TRYGAEUS A horse-beetle. + </p> + <p> + HERMES Oh! impudent, shameless rascal! oh! scoundrel! triple scoundrel! + the greatest scoundrel in the world! how did you come here? Oh! scoundrel + of all scoundrels! your name? Reply. + </p> + <p> + TRYGAEUS Triple scoundrel. + </p> + <p> + HERMES Your country? + </p> + <p> + TRYGAEUS Triple scoundrel. + </p> + <p> + HERMES Your father? + </p> + <p> + TRYGAEUS My father? Triple scoundrel. + </p> + <p> + HERMES By the Earth, you shall die, unless you tell me your name. + </p> + <p> + TRYGAEUS I am Trygaeus of the Athmonian deme, a good vine-dresser, little + addicted to quibbling and not at all an informer. + </p> + <p> + HERMES Why do you come? + </p> + <p> + TRYGAEUS I come to bring you this meat. + </p> + <p> + HERMES Ah! my good friend, did you have a good journey? + </p> + <p> + TRYGAEUS Glutton, be off! I no longer seem a triple scoundrel to you. + Come, call Zeus. + </p> + <p> + HERMES Ah! ah! you are a long way yet from reaching the gods, for they + moved yesterday. + </p> + <p> + TRYGAEUS To what part of the earth? + </p> + <p> + HERMES Eh! of the earth, did you say? + </p> + <p> + TRYGAEUS In short, where are they then? + </p> + <p> + HERMES Very far, very far, right at the furthest end of the dome of + heaven. + </p> + <p> + TRYGAEUS But why have they left you all alone here? + </p> + <p> + HERMES I am watching what remains of the furniture, the little pots and + pans, the bits of chairs and tables, and odd wine-jars. + </p> + <p> + TRYGAEUS And why have the gods moved away? + </p> + <p> + HERMES Because of their wrath against the Greeks. They have located War in + the house they occupied themselves and have given him full power to do + with you exactly as he pleases; then they went as high up as ever they + could, so as to see no more of your fights and to hear no more of your + prayers. + </p> + <p> + TRYGAEUS What reason have they for treating us so? + </p> + <p> + HERMES Because they have afforded you an opportunity for peace more than + once, but you have always preferred war. If the Laconians got the very + slightest advantage, they would exclaim, "By the Twin Brethren! the + Athenians shall smart for this." If, on the contrary, the latter triumphed + and the Laconians came with peace proposals, you would say, "By Demeter, + they want to deceive us. No, by Zeus, we will not hear a word; they will + always be coming as long as we hold Pylos."(1) + </p> +<pre xml:space="preserve"> + f(1) Masters of Pylos and Sphacteria, the Athenians had + brought home the three hundred prisoners taken in the latter + place in 425 B.C.; the Spartans had several times sent + envoys to offer peace and to demand back both Pylos and the + prisoners, but the Athenian pride had caused these proposals + to be long refused. Finally the prisoners had been given up + in 423 B.C., but the War was continued nevertheless. +</pre> + <p> + TRYGAEUS Yes, that is quite the style our folk do talk in. + </p> + <p> + HERMES So that I don't know whether you will ever see Peace again. + </p> + <p> + TRYGAEUS Why, where has she gone to then? + </p> + <p> + HERMES War has cast her into a deep pit. + </p> + <p> + TRYGAEUS Where? + </p> + <p> + HERMES Down there, at the very bottom. And you see what heaps of stones he + has piled over the top, so that you should never pull her out again. + </p> + <p> + TRYGAEUS Tell me, what is War preparing against us? + </p> + <p> + HERMES All I know is that last evening he brought along a huge mortar. + </p> + <p> + TRYGAEUS And what is he going to do with his mortar? + </p> + <p> + HERMES He wants to pound up all the cities of Greece in it.... But I must + say good-bye, for I think he is coming out; what an uproar he is making! + </p> + <p> + TRYGAEUS Ah! great gods! let us seek safety; meseems I already hear the + noise of this fearful war mortar. + </p> + <p> + WAR (ENTERS, CARRYING A HUGE MORTAR) Oh! mortals, mortals, wretched + mortals, how your jaws will snap! + </p> + <p> + TRYGAEUS Oh! divine Apollo! what a prodigious big mortar! Oh, what misery + the very sight of War causes me! This then is the foe from whom I fly, who + is so cruel, so formidable, so stalwart, so solid on his legs! + </p> + <p> + WAR Oh! Prasiae!(1) thrice wretched, five times, aye, a thousand times + wretched! for thou shalt be destroyed this day. + </p> +<pre xml:space="preserve"> + f(1) An important town in Eastern Laconia on the Argolic + gulf, celebrated for a temple where a festival was held + annually in honour of Achilles. It had been taken and + pillaged by the Athenians in the second year of the + Peloponnesian War, 430 B.C. As he utters this imprecation, + War throws some leeks, the root-word of the name Praisae, + into his mortar. +</pre> + <p> + TRYGAEUS This does not concern us over much; 'tis only so much the worse + for the Laconians. + </p> + <p> + WAR Oh! Megara! Megara! how utterly are you going to be ground up! what + fine mincemeat(1) are you to be made into! + </p> +<pre xml:space="preserve"> + f(1) War throws some garlic into his mortar as emblematical + of the city of Megara, where it was grown in abundance. +</pre> + <p> + TRYGAEUS Alas! alas! what bitter tears there will be among the + Megarians!(1) + </p> +<pre xml:space="preserve"> + f(1) Because the smell of bruised garlic causes the eyes to + water. +</pre> + <p> + WAR Oh, Sicily! you too must perish! Your wretched towns shall be grated + like this cheese.(1) Now let us pour some Attic honey(2) into the mortar. + </p> +<pre xml:space="preserve"> + f(1) He throws cheese into the mortar as emblematical of + Sicily, on account of its rich pastures. + + f(2) Emblematical of Athens. They honey of Mount Hymettus + was famous. +</pre> + <p> + TRYGAEUS Oh! I beseech you! use some other honey; this kind is worth four + obols; be careful, oh! be careful of our Attic honey. + </p> + <p> + WAR Hi! Tumult, you slave there! + </p> + <p> + TUMULT What do you want? + </p> + <p> + WAR Out upon you! Standing there with folded arms! Take this cuff o' the + head for your pains. + </p> + <p> + TUMULT Oh! how it stings! Master, have you got garlic in your fist, I + wonder? + </p> + <p> + WAR Run and fetch me a pestle. + </p> + <p> + TUMULT But we haven't got one; 'twas only yesterday we moved. + </p> + <p> + WAR Go and fetch me one from Athens, and hurry, hurry! + </p> + <p> + TUMULT Aye, I hasten there; if I return without one, I shall have no cause + for laughing. (EXIT.) + </p> + <p> + TRYGAEUS Ah! what is to become of us, wretched mortals that we are? See + the danger that threatens if he returns with the pestle, for War will + quietly amuse himself with pounding all the towns of Hellas to pieces. Ah! + Bacchus! cause this herald of evil to perish on his road! + </p> + <p> + WAR Well? + </p> + <p> + TUMULT (WHO HAS RETURNED) Well, what? + </p> + <p> + WAR You have brought back nothing? + </p> + <p> + TUMULT Alas! the Athenians have lost their pestle—the tanner, who + ground Greece to powder.(1) + </p> +<pre xml:space="preserve"> + f(1) Cleon, who had lately fallen before Amphipolis, in 422 + B.C. +</pre> + <p> + TRYGAEUS Oh! Athene, venerable mistress! 'tis well for our city he is + dead, and before he could serve us with this hash. + </p> + <p> + WAR Then go and seek one at Sparta and have done with it! + </p> + <p> + TUMULT Aye, aye, master! + </p> + <p> + WAR Be back as quick as ever you can. + </p> + <p> + TRYGAEUS (TO THE AUDIENCE) What is going to happen, friends? 'Tis the + critical hour. Ah! if there is some initiate of Samothrace(1) among you, + 'tis surely the moment to wish this messenger some accident—some + sprain or strain. + </p> +<pre xml:space="preserve"> + f(1) An island in the Aegean Sea, on the coast of Thrace and + opposite the mouth of the Hebrus; the Mysteries are said to + have found their first home in this island, where the + Cabirian gods were worshipped; this cult, shrouded in deep + mystery to even the initiates themselves, has remained an + almost insoluble problem for the modern critic. It was said + that the wishes of the initiates were always granted, and + they were feared as to-day the 'jettatori' (spell-throwers, + casters of the evil eye) in Sicily are feared. +</pre> + <p> + TUMULT (WHO RETURNS) Alas! alas! thrice again, alas! + </p> + <p> + WAR What is it? Again you come back without it? + </p> + <p> + TUMULT The Spartans too have lost their pestle. + </p> + <p> + WAR How, varlet? + </p> + <p> + TUMULT They had lent it to their allies in Thrace,(1) who have lost it for + them. + </p> +<pre xml:space="preserve"> + f(1) Brasidas perished in Thrace in the same battle as Cleon + at Amphipolis, 422 B.C. +</pre> + <p> + TRYGAEUS Long life to you, Thracians! My hopes revive, pluck up courage, + mortals! + </p> + <p> + WAR Take all this stuff away; I am going in to make a pestle for myself. + </p> + <p> + TRYGAEUS 'Tis now the time to sing as Datis did, as he abused himself at + high noon, "Oh pleasure! oh enjoyment! oh delights!" 'Tis now, oh Greeks! + the moment when freed of quarrels and fighting, we should rescue sweet + Peace and draw her out of this pit, before some other pestle prevents us. + Come, labourers, merchants, workmen, artisans, strangers, whether you be + domiciled or not, islanders, come here, Greeks of all countries, come + hurrying here with picks and levers and ropes! 'Tis the moment to drain a + cup in honour of the Good Genius. + </p> + <p> + CHORUS Come hither all! quick, hasten to the rescue! All peoples of + Greece, now is the time or never, for you to help each other. You see + yourselves freed from battles and all their horrors of bloodshed. The day, + hateful to Lamachus(1), has come. Come then, what must be done? Give your + orders, direct us, for I swear to work this day without ceasing, until + with the help of our levers and our engines we have drawn back into light + the greatest of all goddesses, her to whom the olive is so dear. + </p> +<pre xml:space="preserve"> + f(1) An Athenian general as ambitious as he was brave. In + 423 B.C. he had failed in an enterprise against Heracles, a + storm having destroyed his fleet. Since then he had + distingued himself in several actions, and was destined, + some years later, to share the command of the expedition to + Sicily with Alcibiades and Nicias. +</pre> + <p> + TRYGAEUS Silence! if War should hear your shouts of joy he would bound + forth from his retreat in fury. + </p> + <p> + CHORUS Such a decree overwhelms us with joy; how different to the edict, + which bade us muster with provisions for three days.(1) + </p> +<pre xml:space="preserve"> + f(1) Meaning, to start a military expedition. +</pre> + <p> + TRYGAEUS Let us beware lest the cursed Cerberus(1) prevent us even from + the nethermost hell from delivering the goddess by his furious howling, + just as he did when on earth. + </p> +<pre xml:space="preserve"> + f(1) Cleon. +</pre> + <p> + CHORUS Once we have hold of her, none in the world will be able to take + her from us. Huzza! huzza!(1) + </p> +<pre xml:space="preserve"> + f(1) The Chorus insist on the conventional choric dance. +</pre> + <p> + TRYGAEUS You will work my death if you don't subdue your shouts. War will + come running out and trample everything beneath his feet. + </p> + <p> + CHORUS Well then! LET him confound, let him trample, let him overturn + everything! We cannot help giving vent to our joy. + </p> + <p> + TRYGAEUS Oh! cruel fate! My friends! in the name of the gods, what + possesses you? Your dancing will wreck the success of a fine undertaking. + </p> + <p> + CHORUS 'Tis not I who want to dance; 'tis my legs that bound with delight. + </p> + <p> + TRYGAEUS Enough, an you love me, cease your gambols. + </p> + <p> + CHORUS There! 'Tis over. + </p> + <p> + TRYGAEUS You say so, and nevertheless you go on. + </p> + <p> + CHORUS Yet one more figure and 'tis done. + </p> + <p> + TRYGAEUS Well, just this one; then you must dance no more. + </p> + <p> + CHORUS No, no more dancing, if we can help you. + </p> + <p> + TRYGAEUS But look, you are not stopping even now. + </p> + <p> + CHORUS By Zeus, I am only throwing up my right leg, that's all. + </p> + <p> + TRYGAEUS Come, I grant you that, but pray, annoy me no further. + </p> + <p> + CHORUS Ah! the left leg too will have its fling; well, 'tis but its right. + I am so happy, so delighted at not having to carry my buckler any more. I + sing and I laugh more than if I had cast my old age, as a serpent does its + skin. + </p> + <p> + TRYGAEUS No, 'tis not time for joy yet, for you are not sure of success. + But when you have got the goddess, then rejoice, shout and laugh; + thenceforward you will be able to sail or stay at home, to make love or + sleep, to attend festivals and processions, to play at cottabos,(1) live + like true Sybarites and to shout, Io, io! + </p> +<pre xml:space="preserve"> + f(1) One of the most favourite games with the Greeks. A + stick was set upright in the ground and to this the beam of + a balance was attached by its centre. Two vessels were hung + from the extremities of the beam so as to balance; beneath + these two other and larger dishes were placed and filled + with water, and in the middle of each a brazen figure, + called Manes, was stood. The game consisted in throwing + drops of wine from an agreed distance into one or the other + vessel, so that, dragged downwards by the weight of the + liquor, it bumped against Manes. +</pre> + <p> + CHORUS Ah! God grant we may see the blessed day. I have suffered so much; + have so oft slept with Phormio(1) on hard beds. You will no longer find me + an acid, angry, hard judge as heretofore, but will find me turned + indulgent and grown younger by twenty years through happiness. We have + been killing ourselves long enough, tiring ourselves out with going to the + Lyceum(2) and returning laden with spear and buckler.—But what can + we do to please you? Come, speak; for 'tis a good Fate that has named you + our leader. + </p> +<pre xml:space="preserve"> + f(1) A general of austere habits; he disposed of all his + property to pay the cost of a naval expedition, in which he + beat the fleet of the foe off the promontory of Rhium in 429 + B.C. + + f(2) The Lyceum was a portico ornamented with paintings and + surrounded with gardens, in which military exercises took + place. +</pre> + <p> + TRYGAEUS How shall we set about removing these stones? + </p> + <p> + HERMES Rash reprobate, what do you propose doing? + </p> + <p> + TRYGAEUS Nothing bad, as Cillicon said.(1) + </p> +<pre xml:space="preserve"> + f(1) A citizen of Miletus, who betrayed his country to the + people of Pirene. When asked what he purposed, he replied, + "Nothing bad," which expression had therefore passed into a + proverb. +</pre> + <p> + HERMES You are undone, you wretch. + </p> + <p> + TRYGAEUS Yes, if the lot had to decide my life, for Hermes would know how + to turn the chance.(1) + </p> +<pre xml:space="preserve"> + f(1) Hermes was the god of chance. +</pre> + <p> + HERMES You are lost, you are dead. + </p> + <p> + TRYGAEUS On what day? + </p> + <p> + HERMES This instant. + </p> + <p> + TRYGAEUS But I have not provided myself with flour and cheese yet(1) to + start for death. + </p> +<pre xml:space="preserve"> + f(1) As the soldiers had to do when starting on an + expedition. +</pre> + <p> + HERMES You ARE kneaded and ground already, I tell you.(1) + </p> +<pre xml:space="preserve"> + f(1) That is, you are predicated. +</pre> + <p> + TRYGAEUS Hah! I have not yet tasted that gentle pleasure. + </p> + <p> + HERMES Don't you know that Zeus has decreed death for him who is surprised + exhuming Peace? + </p> + <p> + TRYGAEUS What! must I really and truly die? + </p> + <p> + HERMES You must. + </p> + <p> + TRYGAEUS Well then, lend me three drachmae to buy a young pig; I wish to + have myself initiated before I die.(1) + </p> +<pre xml:space="preserve"> + f(1) The initiated were thought to enjoy greater happiness + after death. +</pre> + <p> + HERMES Oh! Zeus, the Thunderer!(1) + </p> +<pre xml:space="preserve"> + f(1) He summons Zeus to reveal Trygaeus' conspiracy. +</pre> + <p> + TRYGAEUS I adjure you in the name of the gods, master, don't denounce us! + </p> + <p> + HERMES I may not, I cannot keep silent. + </p> + <p> + TRYGAEUS In the name of the meats which I brought you so good-naturedly. + </p> + <p> + HERMES Why, wretched man, Zeus will annihilate me, if I do not shout out + at the top of my voice, to inform him what you are plotting. + </p> + <p> + TRYGAEUS Oh, no! don't shout, I beg you, dear little Hermes.... And what + are you doing, comrades? You stand there as though you were stocks and + stones. Wretched men, speak, entreat him at once; otherwise he will be + shouting. + </p> + <p> + CHORUS Oh! mighty Hermes! don't do it; no, don't do it! If ever you have + eaten some young pig, sacrificed by us on your altars, with pleasure, may + this offering not be without value in your sight to-day. + </p> + <p> + TRYGAEUS Do you not hear them wheedling you, mighty god? + </p> + <p> + CHORUS Be not pitiless toward our prayers; permit us to deliver the + goddess. Oh! the most human, the most generous of the gods, be favourable + toward us, if it be true that you detest the haughty crests and proud + brows of Pisander;(1) we shall never cease, oh master, offering you sacred + victims and solemn prayers. + </p> +<pre xml:space="preserve"> + f(1) An Athenian captain who later had the recall of + Alcibiades decreed by the Athenian people; in 'The Birds' + Aristophanes represents him as a cowardly beggar. He was + the reactionary leader who established the Oligarchical + Government of the Four Hundred, 411 B.C., after the failure + of the Syracusan expedition. +</pre> + <p> + TRYGAEUS Have mercy, mercy, let yourself be touched by their words; never + was your worship so dear to them as to-day. + </p> + <p> + HERMES I' truth, never have you been greater thieves.(1) + </p> +<pre xml:space="preserve"> + f(1) Among other attributes, Hermes was the god of thieves. +</pre> + <p> + TRYGAEUS I will reveal a great, a terrible conspiracy against the gods to + you. + </p> + <p> + HERMES Hah! speak and perchance I shall let myself be softened. + </p> + <p> + TRYGAEUS Know then, that the Moon and that infamous Sun are plotting + against you, and want to deliver Greece into the hands of the Barbarians. + </p> + <p> + HERMES What for? + </p> + <p> + TRYGAEUS Because it is to you that we sacrifice, whereas the barbarians + worship them; hence they would like to see you destroyed, that they alone + might receive the offerings. + </p> + <p> + HERMES 'Tis then for this reason that these untrustworthy charioteers have + for so long been defrauding us, one of them robbing us of daylight and the + other nibbling away at the other's disk.(1) + </p> +<pre xml:space="preserve"> + f(1) Alluding to the eclipses of the sun and the moon. +</pre> + <p> + TRYGAEUS Yes, certainly. So therefore, Hermes, my friend, help us with + your whole heart to find and deliver the captive and we will celebrate the + great Panathenaea(1) in your honour as well as all the festivals of the + other gods; for Hermes shall be the Mysteries, the Dipolia, the Adonia; + everywhere the towns, freed from their miseries, will sacrifice to Hermes + the Liberator; you will be loaded with benefits of every kind, and to + start with, I offer you this cup for libations as your first present. + </p> +<pre xml:space="preserve"> + f(1) The Panathenaea were dedicated to Athene, the Mysteries + to Demeter, the Dipolia to Zeus, the Adonia to Aphrodite and + Adonis. Trygaeus promises Hermes that he shall be worshipped + in the place of the other gods. +</pre> + <p> + HERMES Ah! how golden cups do influence me! Come, friends, get to work. To + the pit quickly, pick in hand, and drag away the stones. + </p> + <p> + CHORUS We go, but you, cleverest of all the gods, supervise our labours; + tell us, good workman as you are, what we must do; we shall obey your + orders with alacrity. + </p> + <p> + TRYGAEUS Quick, reach me your cup, and let us preface our work by + addressing prayers to the gods. + </p> + <p> + HERMES Oh! sacred, sacred libations! Keep silence, oh! ye people! keep + silence! + </p> + <p> + TRYGAEUS Let us offer our libations and our prayers, so that this day may + begin an era of unalloyed happiness for Greece and that he who has bravely + pulled at the rope with us may never resume his buckler. + </p> + <p> + CHORUS Aye, may we pass our lives in peace, caressing our mistresses and + poking the fire. + </p> + <p> + TRYGAEUS May he who would prefer the war, oh Dionysus, be ever drawing + barbed arrows out of his elbows. + </p> + <p> + HERMES If there be a citizen, greedy for military rank and honours who + refuses, oh, divine Peace! to restore you to daylight, may he behave as + cowardly as Cleonymus on the battlefield. + </p> + <p> + TRYGAEUS If a lance-maker or a dealer in shields desires war for the sake + of better trade, may he be taken by pirates and eat nothing but barley. + </p> + <p> + CHORUS If some ambitious man does not help us, because he wants to become + a General, or if a slave is plotting to pass over to the enemy, let his + limbs be broken on the wheel, may he be beaten to death with rods! As for + us, may Fortune favour us! Io! Paean, Io! + </p> + <p> + TRYGAEUS Don't say Paean,(1) but simply, Io. + </p> +<pre xml:space="preserve"> + f(1) The pun here cannot be kept. The word (in Greek), + Paean, resembles (that for) to strike; hence the word, as + recalling the blows and wounds of the war, seems of ill omen + to Trygaeus. +</pre> + <p> + HERMES Very well, then! Io! Io! I'll simply say, Io! + </p> + <p> + TRYGAEUS To Hermes, the Graces, Hora, Aphrodite, Eros! + </p> + <p> + CHORUS But not to Ares? + </p> + <p> + TRYGAEUS No. + </p> + <p> + CHORUS Nor doubtless to Enyalius? + </p> + <p> + TRYGAEUS No. + </p> + <p> + CHORUS Come, all strain at the ropes to tear away the stones. Pull! + </p> + <p> + HERMES Heave away, heave, heave, oh! + </p> + <p> + CHORUS Come, pull harder, harder. + </p> + <p> + HERMES Heave away, heave, heave, oh! + </p> + <p> + CHORUS Still harder, harder still. + </p> + <p> + HERMES Heave away, heave! Heave away, heave, heave, oh! + </p> + <p> + TRYGAEUS Come, come, there is no working together. Come! all pull at the + same instant! you Boeotians are only pretending. Beware! + </p> + <p> + HERMES Come, heave away, heave! + </p> + <p> + CHORUS Hi! you two pull as well. + </p> + <p> + TRYGAEUS Why, I am pulling, I am hanging on to the rope and straining till + I am almost off my feet; I am working with all my might. + </p> + <p> + CHORUS Why does not the work advance then? + </p> + <p> + TRYGAEUS Lamachus, this is too bad! You are in the way, sitting there. We + have no use for your Medusa's head, friend.(1) + </p> +<pre xml:space="preserve"> + f(1) The device on his shield was a Gorgon's head. (See + 'The Acharnians.') +</pre> + <p> + HERMES But hold, the Argives have not pulled the least bit; they have done + nothing but laugh at us for our pains while they were getting gain with + both hands.(1) + </p> +<pre xml:space="preserve"> + f(1) Both Sparta and Athens had sought the alliance of the + Argives; they had kept themselves strictly neutral and had + received pay from both sides. But, the year after the + production of 'The Wasps,' they openly joined Athens, had + attacked Epidaurus and got cut to pieces by the Spartans. +</pre> + <p> + TRYGAEUS Ah! my dear sir, the Laconians at all events pull with vigour. + </p> + <p> + CHORUS But look! only those among them who generally hold the plough-tail + show any zeal,(1) while the armourers impede them in their efforts. + </p> +<pre xml:space="preserve"> + f(1) These are the Spartan prisoners from Sphacteria, who + were lying in goal at Athens. They were chained fast to + large beams of wood. +</pre> + <p> + HERMES And the Megarians too are doing nothing, yet look how they are + pulling and showing their teeth like famished curs; The poor wretches are + dying of hunger!(1) + </p> +<pre xml:space="preserve"> + f(1) 'Twas want of force, not want of will. They had + suffered more than any other people from the war. (See 'The + Acharnians.') +</pre> + <p> + TRYGAEUS This won't do, friends. Come! all together! Everyone to the work + and with a good heart for the business. + </p> + <p> + HERMES Heave away, heave! + </p> + <p> + TRYGAEUS Harder! + </p> + <p> + HERMES Heave away, heave! + </p> + <p> + TRYGAEUS Come on then, by heaven. + </p> + <p> + HERMES Heave away, heave! Heave away, heave! + </p> + <p> + CHORUS This will never do. + </p> + <p> + TRYGAEUS Is it not a shame? some pull one way and others another. You, + Argives there, beware of a thrashing! + </p> + <p> + HERMES Come, put your strength into it. + </p> + <p> + TRYGAEUS Heave away, heave! + </p> + <p> + CHORUS There are many ill-disposed folk among us. + </p> + <p> + TRYGAEUS Do you at least, who long for peace, pull heartily. + </p> + <p> + CHORUS But there are some who prevent us. + </p> + <p> + HERMES Off to the Devil with you, Megarians! The goddess hates you. She + recollects that you were the first to rub her the wrong way. Athenians, + you are not well placed for pulling. There you are too busy with + law-suits; if you really want to free the goddess, get down a little + towards the sea.(1) + </p> +<pre xml:space="preserve"> + f(1) Meaning, look chiefly to your fleet. This was the + counsel that Themistocles frequently gave the Athenians. +</pre> + <p> + CHORUS Come, friends, none but husbandmen on the rope. + </p> + <p> + HERMES Ah! that will do ever so much better. + </p> + <p> + CHORUS He says the thing is going well. Come, all of you, together and + with a will. + </p> + <p> + TRYGAEUS 'Tis the husbandmen who are doing all the work. + </p> + <p> + CHORUS Come then, come, and all together! Hah! hah! at last there is some + unanimity in the work. Don't let us give up, let us redouble our efforts. + There! now we have it! Come then, all together! Heave away, heave! Heave + away, heave! Heave away, heave! Heave away, heave! Heave away, heave! All + together! (PEACE IS DRAWN OUT OF THE PIT.) + </p> + <p> + TRYGAEUS Oh! venerated goddess, who givest us our grapes, where am I to + find the ten-thousand-gallon words(1) wherewith to greet thee? I have none + such at home. Oh! hail to thee, Opora,(2) and thee, Theoria!(3) How + beautiful is thy face! How sweet thy breath! What gentle fragrance comes + from thy bosom, gentle as freedom from military duty, as the most dainty + perfumes! + </p> +<pre xml:space="preserve"> + f(1) A metaphor referring to the abundant vintages that + peace would assure. + + f(2) The goddess of fruits. + + f(3) Aristophanes personifies under this name the sacred + ceremonies in general which peace would allow to be + celebrated with due pomp. Opora and Theoria come on the + stage in the wake of Peace, clothed and decked out as + courtesans. +</pre> + <p> + HERMES Is it then a smell like a soldier's knapsack? + </p> + <p> + TRYGAEUS Oh! hateful soldier! your hideous satchel makes me sick! it + stinks like the belching of onions, whereas this lovable deity has the + odour of sweet fruits, of festivals, of the Dionysia, of the harmony of + flutes, of the comic poets, of the verses of Sophocles, of the phrases of + Euripides... + </p> + <p> + HERMES That's a foul calumny, you wretch! She detests that framer of + subtleties and quibbles. + </p> + <p> + TRYGAEUS ...of ivy, of straining-bags for wine, of bleating ewes, of + provision-laden women hastening to the kitchen, of the tipsy servant + wench, of the upturned wine-jar, and of a whole heap of other good things. + </p> + <p> + HERMES Then look how the reconciled towns chat pleasantly together, how + they laugh; and yet they are all cruelly mishandled; their wounds are + bleeding still. + </p> + <p> + TRYGAEUS But let us also scan the mien of the spectators; we shall thus + find out the trade of each. + </p> + <p> + HERMES Ah! good gods! Look at that poor crest-maker, tearing at his + hair,(1) and at that pike-maker, who has just broken wind in yon + sword-cutler's face. + </p> +<pre xml:space="preserve"> + f(1) Aristophanes has already shown us the husbandmen and + workers in peaceful trades pulling at the rope the extricate + Peace, while the armourers hindered them by pulling the + other way. +</pre> + <p> + TRYGAEUS And do you see with what pleasure this sickle-maker is making + long noses at the spear-maker? + </p> + <p> + HERMES Now ask the husbandmen to be off. + </p> + <p> + TRYGAEUS Listen, good folk! Let the husbandmen take their farming tools + and return to their fields as quick as possible, but without either sword, + spear or javelin. All is as quiet as if Peace had been reigning for a + century. Come, let everyone go till the earth, singing the Paean. + </p> + <p> + CHORUS Oh, thou, whom men of standing desired and who art good to + husbandmen, I have gazed upon thee with delight; and now I go to greet my + vines, to caress after so long an absence the fig trees I planted in my + youth. + </p> + <p> + TRYGAEUS Friends, let us first adore the goddess, who has delivered us + from crests and Gorgons;(1) then let us hurry to our farms, having first + bought a nice little piece of salt fish to eat in the fields. + </p> +<pre xml:space="preserve"> + f(1) An allusion to Lamachus' shield. +</pre> + <p> + HERMES By Posidon! what a fine crew they make and dense as the crust of a + cake; they are as nimble as guests on their way to a feast. + </p> + <p> + TRYGAEUS See, how their iron spades glitter and how beautifully their + three-pronged mattocks glisten in the sun! How regularly they align the + plants! I also burn myself to go into the country and to turn over the + earth I have so long neglected.—Friends, do you remember the happy + life that Peace afforded us formerly; can you recall the splendid baskets + of figs, both fresh and dried, the myrtles, the sweet wine, the violets + blooming near the spring, and the olives, for which we have wept so much? + Worship, adore the goddess for restoring you so many blessings. + </p> + <p> + CHORUS Hail! hail! thou beloved divinity! thy return overwhelms us with + joy. When far from thee, my ardent wish to see my fields again made me + pine with regret. From thee came all blessings. Oh! much desired Peace! + thou art the sole support of those who spend their lives tilling the + earth. Under thy rule we had a thousand delicious enjoyments at our beck; + thou wert the husbandman's wheaten cake and his safeguard. So that our + vineyards, our young fig-tree woods and all our plantations hail thee with + delight and smile at thy coming. But where was she then, I wonder, all the + long time she spent away from us? Hermes, thou benevolent god, tell us! + </p> + <p> + HERMES Wise husbandmen, hearken to my words, if you want to know why she + was lost to you. The start of our misfortunes was the exile of Phidias;(1) + Pericles feared he might share his ill-luck, he mistrusted your peevish + nature and, to prevent all danger to himself, he threw out that little + spark, the Megarian decree,(2) set the city aflame, and blew up the + conflagration with a hurricane of war, so that the smoke drew tears from + all Greeks both here and over there. At the very outset of this fire our + vines were a-crackle, our casks knocked together;(3) it was beyond the + power of any man to stop the disaster, and Peace disappeared. + </p> +<pre xml:space="preserve"> + f(1) Having been commissioned to execute a statue of Athene, + Phidias was accused of having stolen part of the gold given + him out of the public treasury for its decoration. Rewarded + for his work by calumny and banishment, he resolved to make + a finer statue than his Athene, and executed one for the + temple of Elis, that of the Olympian Zeus, which was + considered one of the wonders of the world. + + f(2) He had issued a decree, which forbade the admission of + any Megarian on Attic soil, and also all trade with that + people. The Megarians, who obtained all their provisions + from Athens, were thus almost reduced to starvation. + + f(3) That is, the vineyards were ravaged from the very + outset of the war, and this increased the animosity. +</pre> + <p> + TRYGAEUS That, by Apollo! is what no one ever told me; I could not think + what connection there could be between Phidias and Peace. + </p> + <p> + CHORUS Nor I; I know it now. This accounts for her beauty, if she is + related to him. There are so many things that escape us. + </p> + <p> + HERMES Then, when the towns subject to you saw that you were angered one + against the other and were showing each other your teeth like dogs, they + hatched a thousand plots to pay you no more dues and gained over the chief + citizens of Sparta at the price of gold. They, being as shamelessly greedy + as they were faithless in diplomacy, chased off Peace with ignominy to let + loose War. Though this was profitable to them, 'twas the ruin of the + husbandmen, who were innocent of all blame; for, in revenge, your galleys + went out to devour their figs. + </p> + <p> + TRYGAEUS And 'twas with justice too; did they not break down my black fig + tree, which I had planted and dunged with my own hands? + </p> + <p> + CHORUS Yes, by Zeus! yes, 'twas well done; the wretches broke a chest for + me with stones, which held six medimni of corn. + </p> + <p> + HERMES Then the rural labourers flocked into the city(1) and let + themselves be bought over like the others. Not having even a grape-stone + to munch and longing after their figs, they looked towards the orators.(2) + These well knew that the poor were driven to extremity and lacked even + bread; but they nevertheless drove away the Goddess, each time she + reappeared in answer to the wish of the country, with their loud shrieks + that were as sharp as pitchforks; furthermore, they attacked the + well-filled purses of the richest among our allies on the pretence that + they belonged to Brasidas' party.(3) And then you would tear the poor + accused wretch to pieces with your teeth; for the city, all pale with + hunger and cowed with terror, gladly snapped up any calumny that was + thrown it to devour. So the strangers, seeing what terrible blows the + informers dealt, sealed their lips with gold. They grew rich, while you, + alas! you could only see that Greece was going to ruin. 'Twas the tanner + who was the author of all this woe.(4) + </p> +<pre xml:space="preserve"> + f(1) Driven in from the country parts by the Lacedaemonian + invaders. + + f(2) The demagogues, who distributed the slender dole given + to the poor, and by that means exercised undue power over + them. + + f(3) Meaning, the side of the Spartans. + + f(4) Cleon. +</pre> + <p> + TRYGAEUS Enough said, Hermes, leave that man in Hades, whither he has + gone; he no longer belongs to us, but rather to yourself.(1) That he was a + cheat, a braggart, a calumniator when alive, why, nothing could be truer; + but anything you might say now would be an insult to one of your own folk. + Oh! venerated Goddess! why art thou silent? + </p> +<pre xml:space="preserve"> + f(1) It was Hermes who conducted the souls of the dead down + to the lower regions. +</pre> + <p> + HERMES And how could she speak to the spectators? She is too angry at all + that they have made her suffer. + </p> + <p> + TRYGAEUS At least let her speak a little to you, Hermes. + </p> + <p> + HERMES Tell me, my dear, what are your feelings with regard to them? Come, + you relentless foe of all bucklers, speak; I am listening to you. (PEACE + WHISPERS INTO HERMES' EAR.) Is that your grievance against them? Yes, yes, + I understand. Hearken, you folk, this is her complaint. She says, that + after the affair of Pylos(1) she came to you unbidden to bring you a + basket full of truces and that you thrice repulsed her by your votes in + the assembly. + </p> +<pre xml:space="preserve"> + f(1) The Spartans had thrice offered to make peace after the + Pylos disaster. +</pre> + <p> + TRYGAEUS Yes, we did wrong, but forgive us, for our mind was then entirely + absorbed in leather.(1) + </p> +<pre xml:space="preserve"> + f(1) i.e. dominated by Cleon. +</pre> + <p> + HERMES Listen again to what she has just asked me. Who was her greatest + foe here? and furthermore, had she a friend who exerted himself to put an + end to the fighting? + </p> + <p> + TRYGAEUS Her most devoted friend was Cleonymus; it is undisputed. + </p> + <p> + HERMES How then did Cleonymus behave in fights? + </p> + <p> + TRYGAEUS Oh! the bravest of warriors! Only he was not born of the father + he claims; he showed it quick enough in the army by throwing away his + weapons.(1) + </p> +<pre xml:space="preserve"> + f(1) There is a pun here that cannot be rendered between + (the Greek for) 'one who throws away his weapons' and 'a + supposititious child.' +</pre> + <p> + HERMES There is yet another question she has just put to me. Who rules now + in the rostrum? + </p> + <p> + TRYGAEUS 'Tis Hyperbolus, who now holds empire on the Pnyx. (TO PEACE) + What now? you turn away your head! + </p> + <p> + HERMES She is vexed, that the people should give themselves a wretch of + that kind for their chief. + </p> + <p> + TRYGAEUS Oh! we shall not employ him again; but the people, seeing + themselves without a leader, took him haphazard, just as a man, who is + naked, springs upon the first cloak he sees. + </p> + <p> + HERMES She asks, what will be the result of such a choice of the city? + </p> + <p> + TRYGAEUS We shall be more far-seeing in consequence. + </p> + <p> + HERMES And why? + </p> + <p> + TRYGAEUS Because he is a lamp-maker. Formerly we only directed our + business by groping in the dark; now we shall only deliberate by + lamplight. + </p> + <p> + HERMES Oh! oh! what questions she does order me to put to you! + </p> + <p> + TRYGAEUS What are they? + </p> + <p> + HERMES She wants to have news of a whole heap of old-fashioned things she + left here. First of all, how is Sophocles? + </p> + <p> + TRYGAEUS Very well, but something very strange has happened to him. + </p> + <p> + HERMES What then? + </p> + <p> + TRYGAEUS He has turned from Sophocles into Simonides.(1) + </p> +<pre xml:space="preserve"> + f(1) Simonides was very avaricious, and sold his pen to the + highest bidder. It seems that Sophocles had also started + writing for gain. +</pre> + <p> + HERMES Into Simonides? How so? + </p> + <p> + TRYGAEUS Because, though old and broken-down as he is, he would put to sea + on a hurdle to gain an obolus.(1) + </p> +<pre xml:space="preserve"> + f(1) i.e. he would recoil from no risk to turn an honest + penny. +</pre> + <p> + HERMES And wise Cratinus,(1) is he still alive? + </p> +<pre xml:space="preserve"> + f(1) A comic poet as well known for his love of wine as for + his writings; he died in 431 B.C., the first year of the + war, at the age of ninety-seven. +</pre> + <p> + TRYGAEUS He died about the time of the Laconian invasion. + </p> + <p> + HERMES How? + </p> + <p> + TRYGAEUS Of a swoon. He could not bear the shock of seeing one of his + casks full of wine broken. Ah! what a number of other misfortunes our city + has suffered! So, dearest mistress, nothing can now separate us from thee. + </p> + <p> + HERMES If that be so, receive Opora here for a wife; take her to the + country, live with her, and grow fine grapes together.(1) + </p> +<pre xml:space="preserve"> + f(1) Opora was the goddess of fruits. +</pre> + <p> + TRYGAEUS Come, my dear friend, come and accept my kisses. Tell me, Hermes, + my master, do you think it would hurt me to love her a little, after so + long an abstinence? + </p> + <p> + HERMES No, not if you swallow a potion of penny-royal afterwards.(1) But + hasten to lead Theoria(2) to the Senate; 'twas there she lodged before. + </p> +<pre xml:space="preserve"> + f(1) The scholiast says fruit may be eaten with impunity in + great quantities if care is taken to drink a decoction of + this herb afterwards. + + f(2) Theoria is confided to the care of the Senate, because + it was this body who named the deputies appointed to go and + consult the oracles beyond the Attic borders to be present + at feats and games. +</pre> + <p> + TRYGAEUS Oh! fortunate Senate! Thanks to Theoria, what soups you will + swallow for the space of three days!(1) how you will devour meats and + cooked tripe! Come, farewell, friend Hermes! + </p> +<pre xml:space="preserve"> + f(1) The great festivals, e.g. the Dionysia, lasted three + days. Those in honour of the return of Peace, which was so + much desired, could not last a shorter time. +</pre> + <p> + HERMES And to you also, my dear sir, may you have much happiness, and + don't forget me. + </p> + <p> + TRYGAEUS Come, beetle, home, home, and let us fly on a swift wing. + </p> + <p> + HERMES Oh! he is no longer here. + </p> + <p> + TRYGAEUS Where has he gone to then? + </p> + <p> + HERMES He is harnessed to the chariot of Zeus and bears the thunder bolts. + </p> + <p> + TRYGAEUS But where will the poor wretch get his food? + </p> + <p> + HERMES He will eat Ganymede's ambrosia. + </p> + <p> + TRYGAEUS Very well then, but how am I going to descend? + </p> + <p> + HERMES Oh! never fear, there is nothing simpler; place yourself beside the + goddess. + </p> + <p> + TRYGAEUS Come, my pretty maidens, follow me quickly; there are plenty of + folk awaiting you with ready weapons. + </p> + <p> + CHORUS Farewell and good luck be yours! Let us begin by handing over all + this gear to the care of our servants, for no place is less safe than a + theatre; there is always a crowd of thieves prowling around it, seeking to + find some mischief to do. Come, keep a good watch over all this. As for + ourselves, let us explain to the spectators what we have in our minds, the + purpose of our play. + </p> + <p> + Undoubtedly the comic poet who mounted the stage to praise himself in the + parabasis would deserve to be handed over to the sticks of the beadles. + Nevertheless, oh Muse, if it be right to esteem the most honest and + illustrious of our comic writers at his proper value, permit our poet to + say that he thinks he has deserved a glorious renown. First of all, 'tis + he who has compelled his rivals no longer to scoff at rags or to war with + lice; and as for those Heracles, always chewing and ever hungry, those + poltroons and cheats who allow themselves to be beaten at will, he was the + first to cover them with ridicule and to chase them from the stage;(1) he + has also dismissed that slave, whom one never failed to set a-weeping + before you, so that his comrade might have the chance of jeering at his + stripes and might ask, "Wretch, what has happened to your hide? Has the + lash rained an army of its thongs on you and laid your back waste?" After + having delivered us from all these wearisome ineptitudes and these low + buffooneries, he has built up for us a great art, like a palace with high + towers, constructed of fine phrases, great thoughts and of jokes not + common on the streets. Moreover 'tis not obscure private persons or women + that he stages in his comedies; but, bold as Heracles, 'tis the very + greatest whom he attacks, undeterred by the fetid stink of leather or the + threats of hearts of mud. He has the right to say, "I am the first ever + dared to go straight for that beast with the sharp teeth and the terrible + eyes that flashed lambent fire like those of Cynna,(2) surrounded by a + hundred lewd flatterers, who spittle-licked him to his heart's content; it + had a voice like a roaring torrent, the stench of a seal, a foul Lamia's + testicles and the rump of a camel."(3) + </p> + <p> + I did not recoil in horror at the sight of such a monster, but fought him + relentlessly to win your deliverance and that of the Islanders. Such are + the services which should be graven in your recollection and entitle me to + your thanks. Yet I have not been seen frequenting the wrestling school + intoxicated with success and trying to tamper with young boys;(4) but I + took all my theatrical gear(5) and returned straight home. I pained folk + but little and caused them much amusement; my conscience rebuked me for + nothing. Hence both grown men and youths should be on my side and I + likewise invite the bald(6) to give me their votes; for, if I triumph, + everyone will say, both at table and at festivals, "Carry this to the bald + man, give these cakes to the bald one, do not grudge the poet whose talent + shines as bright as his own bare skull the share he deserves." + </p> + <p> + Oh, Muse! drive the War far from our city and come to preside over our + dances, if you love me; come and celebrate the nuptials of the gods, the + banquets of us mortals and the festivals of the fortunate; these are the + themes that inspire thy most poetic songs. And should Carcinus come to beg + thee for admission with his sons to thy chorus, refuse all traffic with + them; remember they are but gelded birds, stork-necked dancers, mannikins + about as tall as a pat of goat dung, in fact machine-made poets.(7) + Contrary to all expectation, the father has at last managed to finish a + piece, but he owns himself that a cat strangled it one fine evening.(8) + </p> + <p> + Such are the songs(9) with which the Muse with the glorious hair inspires + the able poet and which enchant the assembled populace, when the spring + swallow twitters beneath the foliage;(10) but the god spare us from the + chorus of Morsimus and that of Melanthius!(11) Oh! what a bitter + discordancy grated upon my ears that day when the tragic chorus was + directed by this same Melanthius and his brother, these two Gorgons,(12) + these two harpies, the plague of the seas, whose gluttonous bellies devour + the entire race of fishes, these followers of old women, these goats with + their stinking arm-pits. Oh! Muse, spit upon them abundantly and keep the + feast gaily with me. + </p> +<pre xml:space="preserve"> + f(1) In spite of what he says, Aristophanes has not always + disdained this sort of low comedy—for instance, his + Heracles in 'The Birds.' + + f(2) A celebrated Athenian courtesan of Aristophanes' day. + + f(3) Cleon. These four verses are here repeated from the + parabasis of 'The Wasps,' produced 423 B.C., the year before + this play. + + f(4) Shafts aimed at certain poets, who used their renown as + a means of seducing young men to grant them pederastic + favours. + + f(5) The poet supplied everything needful for the production + of his piece—vases, dresses, masks, etc. + + f(6) Aristophanes was bald himself, it would seem. + + f(7) Carcinus and his three sons were both poets and + dancers. (See the closing scene of 'The Wasps.') Perhaps + relying little on the literary value of their work, it seems + that they sought to please the people by the magnificence of + its staging. + + f(8) He had written a piece called 'The Mice,' which he + succeeded with great difficulty in getting played, but it + met with no success. + + f(9) This passage really follows on the invocation, "Oh, + Muse! drive the War," etc., from which indeed it is only + divided by the interpolated criticism aimed at Carcinus. + + f(10) The scholiast informs us that these verses are + borrowed from a poet of the sixth century B.C. + + f(11) Sons of Philocles, of the family of Aeschylus, tragic + writers, derided by Aristophanes as bad poets and notorious + gluttons. + + f(12) The Gorgons were represented with great teeth, and + therefore the same name was given to gluttons. The Harpies, + to whom the two voracious poets are also compared, were + monsters with the face of a woman, the body of a vulture and + hooked beak and claws. +</pre> + <p> + TRYGAEUS Ah! 'tis a rough job getting to the gods! my legs are as good as + broken through it. How small you were, to be sure, when seen from heaven! + you had all the appearance too of being great rascals; but seen close, you + look even worse. + </p> + <p> + SERVANT Is that you, master? + </p> + <p> + TRYGAEUS So I've been told. + </p> + <p> + SERVANT What has happened to you? + </p> + <p> + TRYGAEUS My legs pain me; it is such a plaguey long journey. + </p> + <p> + SERVANT Oh! tell me... + </p> + <p> + TRYGAEUS What? + </p> + <p> + SERVANT Did you see any other man besides yourself strolling about in + heaven? + </p> + <p> + TRYGAEUS No, only the souls of two or three dithyrambic poets. + </p> + <p> + SERVANT What were they doing up there? + </p> + <p> + TRYGAEUS They were seeking to catch some lyric exordia as they flew by + immersed in the billows of the air. + </p> + <p> + SERVANT Is it true, what they tell us, that men are turned into stars + after death? + </p> + <p> + TRYGAEUS Quite true. + </p> + <p> + SERVANT Then who is that star I see over yonder? + </p> + <p> + TRYGAEUS That is Ion of Chios,(1) the author of an ode beginning + "Morning"; as soon as ever he got to heaven, they called him "the Morning + Star." + </p> +<pre xml:space="preserve"> + f(1) A tragic and dithyrambic poet, who had written many + pieces, which had met with great success at Athens. +</pre> + <p> + SERVANT And those stars like sparks, that plough up the air as they dart + across the sky?(1) + </p> +<pre xml:space="preserve"> + f(1) The shooting stars. +</pre> + <p> + TRYGAEUS They are the rich leaving the feast with a lantern and a light + inside it.—But hurry up, show this young girl into my house, clean + out the bath, heat some water and prepare the nuptial couch for herself + and me. When 'tis done, come back here; meanwhile I am off to present this + one to the Senate. + </p> + <p> + SERVANT But where then did you get these pretty chattels? + </p> + <p> + TRYGAEUS Where? why in heaven. + </p> + <p> + SERVANT I would not give more than an obolus for gods who have got to + keeping brothels like us mere mortals. + </p> + <p> + TRYGAEUS They are not all so, but there are some up there too who live by + this trade. + </p> + <p> + SERVANT Come, that's rich! But I bethink me, shall I give her something to + eat? + </p> + <p> + TRYGAEUS No, for she would neither touch bread nor cake; she is used to + licking ambrosia at the table of the gods. + </p> + <p> + SERVANT Well, we can give her something to lick down here too. + </p> + <p> + CHORUS Here is a truly happy old man, as far as I can judge. + </p> + <p> + TRYGAEUS Ah! but what shall I be, when you see me presently dressed for + the wedding? + </p> + <p> + CHORUS Made young again by love and scented with perfumes, your lot will + be one we all shall envy. + </p> + <p> + TRYGAEUS And when I lie beside her and caress her bosoms? + </p> + <p> + CHORUS Oh! then you will be happier than those spinning-tops who call + Carcinus their father.(1) + </p> +<pre xml:space="preserve"> + f(1) It has already been mentioned that the sons of Carcinus + were dancers. +</pre> + <p> + TRYGAEUS And I well deserve it; have I not bestridden a beetle to save the + Greeks, who now, thanks to me, can make love at their ease and sleep + peacefully on their farms? + </p> + <p> + SERVANT The girl has quitted the bath; she is charming from head to foot, + both belly and buttocks; the cake is baked and they are kneading the + sesame-biscuit;(1) nothing is lacking but the bridegroom's virility. + </p> +<pre xml:space="preserve"> + f(1) It was customary at weddings, says Menander, to give + the bride a sesame-caked as an emblem of fruitfulness, + because sesame is the most fruitful of all seeds. +</pre> + <p> + TRYGAEUS Let us first hasten to lodge Theoria in the hands of the Senate. + </p> + <p> + SERVANT But tell me, who is this woman? + </p> + <p> + TRYGAEUS Why, 'tis Theoria, with whom we used formerly to go to + Brauron,(1) to get tipsy and frolic. I had the greatest trouble to get + hold of her. + </p> +<pre xml:space="preserve"> + f(1) An Attic town on the east coast, noted for a + magnificent temple, in which stood the statue of Artemis, + which Orestes and Iphigenia had brought from the Tauric + Chersonese and also for the Brauronia, festivals that were + celebrated every four years in honour of the goddess. This + was one of the festivals which the Attic people kept with + the greatest pomp, and was an occasion for debauchery. +</pre> + <p> + SERVANT Ah! you charmer! what pleasure your pretty bottom will afford me + every four years! + </p> + <p> + TRYGAEUS Let us see, who of you is steady enough to be trusted by the + Senate with the care of this charming wench? Hi! you, friend! what are you + drawing there? + </p> + <p> + SERVANT I am drawing the plan of the tent I wish to erect for myself on + the isthmus.(1) + </p> +<pre xml:space="preserve"> + f(1) Competitors intending to take part in the great + Olympic, Isthmian and other games took with them a tent, + wherein to camp in the open. Further, there is an obscene + allusion which the actor indicates by a gesture. +</pre> + <p> + TRYGAEUS Come, who wishes to take the charge of her? No one? Come, + Theoria, I am going to lead you into the midst of the spectators and + confide you to their care. + </p> + <p> + SERVANT Ah! there is one who makes a sign to you. + </p> + <p> + TRYGAEUS Who is it? + </p> + <p> + SERVANT 'Tis Ariphrades. He wishes to take her home at once. + </p> + <p> + TRYGAEUS No, I'm sure he shan't. He would soon have her done for, + absorbing all her life-force. Come, Theoria, put down all this gear.(1) + </p> + <p> + Senate, Prytanes, look upon Theoria and see what precious blessings I + place in your hands. Hasten to raise its limbs and to immolate the victim. + Admire the fine chimney,(2) it is quite black with smoke, for 'twas here + that the Senate did their cooking before the war. Now that you have found + Theoria again, you can start the most charming games from to-morrow, + wrestling with her on the ground, either on your hands and feet, or you + can lay her on her side, or stand before her with bent knees, or, well + rubbed with oil, you can boldly enter the lists, as in the Pancratium, + belabouring your foe with blows from your fist or otherwise. The next day + you will celebrate equestrian games, in which the riders will ride side by + side, or else the chariot teams, thrown one on top of another, panting and + whinnying, will roll and knock against each other on the ground, while + other rivals, thrown out of their seats, will fall before reaching the + goal, utterly exhausted by their efforts.—Come, Prytanes, take + Theoria. Oh! look how graciously yonder fellow has received her; you would + not have been in such a hurry to introduce her to the Senate, if nothing + were coming to you through it;(3) you would not have failed to plead some + holiday as an excuse. + </p> +<pre xml:space="preserve"> + f(1) Doubtless the vessels and other sacrificial objects and + implements with which Theoria was laden in her character of + presiding deity at religious ceremonies. + + f(2) Where the meats were cooked after sacrifice; this also + marks the secondary obscene sense he means to convey. + + f(3) One of the offices of the Prytanes was to introduce + those who asked admission to the Senate, but it would seem + that none could obtain this favour without payment. Without + this, a thousand excuses would be made; for instance, it + would be a public holiday, and consequently the Senate could + receive no one. As there was some festival nearly every + day, he whose purse would not open might have to wait a very + long while. +</pre> + <p> + CHORUS Such a man as you assures the happiness of all his fellow-citizens. + </p> + <p> + TRYGAEUS When you are gathering your vintages you will prize me even + better. + </p> + <p> + CHORUS E'en from to-day we hail you as the deliverer of mankind. + </p> + <p> + TRYGAEUS Wait until you have drunk a beaker of new wine, before you + appraise my true merits. + </p> + <p> + CHORUS Excepting the gods, there is none greater than yourself, and that + will ever be our opinion. + </p> + <p> + TRYGAEUS Yea, Trygaeus of Athmonia has deserved well of you, he has freed + both husbandman and craftsman from the most cruel ills; he has vanquished + Hyberbolus. + </p> + <p> + SERVANT Well then, what must be done now? + </p> + <p> + TRYGAEUS You must offer pots of green-stuff to the goddess to consecrate + her altars. + </p> + <p> + SERVANT Pots of green-stuff(1) as we do to poor Hermes—and even he + thinks the fare but mean? + </p> +<pre xml:space="preserve"> + f(1) This was only offered to lesser deities. +</pre> + <p> + TRYGAEUS What will you offer them? A fatted bull? + </p> + <p> + SERVANT Oh no! I don't want to start bellowing the battle-cry.(1) + </p> +<pre xml:space="preserve"> + f(1) In the Greek we have a play upon the similarity of the + words (for) a bull, and to shout the battle-cry. +</pre> + <p> + TRYGAEUS A great fat swine then? + </p> + <p> + SERVANT No, no. + </p> + <p> + TRYGAEUS Why not? + </p> + <p> + SERVANT We don't want any of the swinishness of Theagenes.(1) + </p> +<pre xml:space="preserve"> + f(1) Theagenes, of the Piraeus, a hideous, coarse, debauched + and evil-living character of the day. +</pre> + <p> + TRYGAEUS What other victim do you prefer then? + </p> + <p> + SERVANT A sheep. + </p> + <p> + TRYGAEUS A sheep? + </p> + <p> + SERVANT Yes. + </p> + <p> + TRYGAEUS But you must give the word the Ionic form. + </p> + <p> + SERVANT Purposely. So that if anyone in the assembly says, "We must go to + war," all may start bleating in alarm, "Oi, oi."(1) + </p> +<pre xml:space="preserve"> + f(1) That is the vocative of the Ionic form of the word; in + Attic Greek it is contracted throughout. +</pre> + <p> + TRYGAEUS A brilliant idea. + </p> + <p> + SERVANT And we shall all be lambs one toward the other, yea, and milder + still toward the allies. + </p> + <p> + TRYGAEUS Then go for the sheep and haste to bring it back with you; I will + prepare the altar for the sacrifice. + </p> + <p> + CHORUS How everything succeeds to our wish, when the gods are willing and + Fortune favours us! how opportunely everything falls out. + </p> + <p> + TRYGAEUS Nothing could be truer, for look! here stands the altar all ready + at my door. + </p> + <p> + CHORUS Hurry, hurry, for the winds are fickle; make haste, while the + divine will is set on stopping this cruel war and is showering on us the + most striking benefits. + </p> + <p> + TRYGAEUS Here is the basket of barley-seed mingled with salt, the chaplet + and the sacred knife; and there is the fire; so we are only waiting for + the sheep. + </p> + <p> + CHORUS Hasten, hasten, for, if Chaeris sees you, he will come without + bidding, he and his flute; and when you see him puffing and panting and + out of breath, you will have to give him something. + </p> + <p> + TRYGAEUS Come, seize the basket and take the lustral water and hurry to + circle round the altar to the right. + </p> + <p> + SERVANT There! 'tis done. What is your next bidding? + </p> + <p> + TRYGAEUS Hold! I take this fire-brand first and plunge it into the water. + </p> + <p> + SERVANT Be quick! be quick! Sprinkle the altar. + </p> + <p> + TRYGAEUS Give me some barley-seed, purify yourself and hand me the basin; + then scatter the rest of the barley among the audience. + </p> + <p> + SERVANT 'Tis done. + </p> + <p> + TRYGAEUS You have thrown it? + </p> + <p> + SERVANT Yes, by Hermes! and all the spectators have had their share. + </p> + <p> + TRYGAEUS But not the women? + </p> + <p> + SERVANT Oh! their husbands will give it them this evening.(1) + </p> +<pre xml:space="preserve"> + f(1) An obscene jest. +</pre> + <p> + TRYGAEUS Let us pray! Who is here? Are there any good men?(1) + </p> +<pre xml:space="preserve"> + f(1) Before sacrificing, the officiating person asked, "Who + is here?" and those present answered, "Many good men." +</pre> + <p> + SERVANT Come, give, so that I may sprinkle these. Faith! they are indeed + good, brave men. + </p> + <p> + TRYGAEUS You believe so? + </p> + <p> + SERVANT I am sure, and the proof of it is that we have flooded them with + lustral water and they have not budged an inch.(1) + </p> +<pre xml:space="preserve"> + f(1) The actors forming the chorus are meant here. +</pre> + <p> + TRYGAEUS Come, then, to prayers; to prayers, quick!—Oh! Peace, + mighty queen, venerated goddess, thou, who presidest over choruses and at + nuptials, deign to accept the sacrifices we offer thee. + </p> + <p> + SERVANT Receive it, greatly honoured mistress, and behave not like the + coquettes, who half open the door to entice the gallants, draw back when + they are stared at, to return once more if a man passes on. But do not act + like this to us. + </p> + <p> + TRYGAEUS No, but like an honest woman, show thyself to thy worshippers, + who are worn with regretting thee all these thirteen years. Hush the noise + of battle, be a true Lysimacha to us.(1) Put an end to this tittle-tattle, + to this idle babble, that set us defying one another. Cause the Greeks + once more to taste the pleasant beverage of friendship and temper all + hearts with the gentle feeling of forgiveness. Make excellent commodities + flow to our markets, fine heads of garlic, early cucumbers, apples, + pomegranates and nice little cloaks for the slaves; make them bring geese, + ducks, pigeons and larks from Boeotia and baskets of eels from Lake + Copais; we shall all rush to buy them, disputing their possession with + Morychus, Teleas, Glaucetes and every other glutton. Melanthius(2) will + arrive on the market last of all; 'twill be, "no more eels, all sold!" and + then he'll start a-groaning and exclaiming as in his monologue of + Medea,(3) "I am dying, I am dying! Alas! I have let those hidden in the + beet escape me!"(4) And won't we laugh? These are the wishes, mighty + goddess, which we pray thee to grant. + </p> +<pre xml:space="preserve"> + f(1) Lysimacha is derived from (the Greek for) put an end + to, and (the Greek for) fight. + + f(2) A tragic poet, reputed a great gourmand. + + f(3) A tragedy by Melanthius. + + f(4) Eels were cooked with beet.—A parody on some verses in + the 'Medea' of Melanthius. +</pre> + <p> + SERVANT Take the knife and slaughter the sheep like a finished cook. + </p> + <p> + TRYGAEUS No, the goddess does not wish it.(1) + </p> +<pre xml:space="preserve"> + f(1) As a matter of fact, the Sicyonians, who celebrated the + festival of Peace on the sixteenth day of the month of + Hecatombeon (July), spilled no blood upon her altar. +</pre> + <p> + SERVANT And why not? + </p> + <p> + TRYGAEUS Blood cannot please Peace, so let us spill none upon her altar. + Therefore go and sacrifice the sheep in the house, cut off the legs and + bring them here; thus the carcase will be saved for the choregus. + </p> + <p> + CHORUS You, who remain here, get chopped wood and everything needed for + the sacrifice ready. + </p> + <p> + TRYGAEUS Don't I look like a diviner preparing his mystic fire? + </p> + <p> + CHORUS Undoubtedly. Will anything that it behooves a wise man to know + escape you? Don't you know all that a man should know, who is + distinguished for his wisdom and inventive daring? + </p> + <p> + TRYGAEUS There! the wood catches. Its smoke blinds poor Stilbides.(1) I am + now going to bring the table and thus be my own slave. + </p> +<pre xml:space="preserve"> + f(1) A celebrated diviner, who had accompanied the Athenians + on their expedition to Sicily. Thus the War was necessary + to make his calling pay and the smoke of the sacrifice + offered to Peace must therefore be unpleasant to him. +</pre> + <p> + CHORUS You have braved a thousand dangers to save your sacred town. All + honour to you! your glory will be ever envied. + </p> + <p> + SERVANT Hold! Here are the legs, place them upon the altar. For myself, I + mean to go back to the entrails and the cakes. + </p> + <p> + TRYGAEUS I'll see to those; I want you here. + </p> + <p> + SERVANT Well then, here I am. Do you think I have been long? + </p> + <p> + TRYGAEUS Just get this roasted. Ah! who is this man, crowned with laurel, + who is coming to me? + </p> + <p> + SERVANT He has a self-important look; is he some diviner? + </p> + <p> + TRYGAEUS No, I' faith! 'tis Hierocles. + </p> + <p> + SERVANT Ah! that oracle-monger from Oreus.(1) What is he going to tell us? + </p> +<pre xml:space="preserve"> + f(1) A town in Euboea on the channel which separated that + island from Thessaly. +</pre> + <p> + TRYGAEUS Evidently he is coming to oppose the peace. + </p> + <p> + SERVANT No, 'tis the odour of the fat that attracts him. + </p> + <p> + TRYGAEUS Let us appear not to see him. + </p> + <p> + SERVANT Very well. + </p> + <p> + HIEROCLES What sacrifice is this? to what god are you offering it? + </p> + <p> + TRYGAEUS (TO THE SERVANT) Silence!—(ALOUD.) Look after the roasting + and keep your hands off the meat. + </p> + <p> + HIEROCLES To whom are you sacrificing? Answer me. Ah! the tail(1) is + showing favourable omens. + </p> +<pre xml:space="preserve"> + f(1) When sacrificing, the tail was cut off the victim and + thrown into the fire. From the way in which it burnt the + inference was drawn as to whether or not the sacrifice was + agreeable to the deity. +</pre> + <p> + SERVANT Aye, very favourable, oh, loved and mighty Peace! + </p> + <p> + HIEROCLES Come, cut off the first offering(1) and make the oblation. + </p> +<pre xml:space="preserve"> + f(1) This was the part that belonged to the priests and + diviners. As one of the latter class, Hierocles is in haste + to see this piece cut off. +</pre> + <p> + TRYGAEUS 'Tis not roasted enough. + </p> + <p> + HIEROCLES Yea, truly, 'tis done to a turn. + </p> + <p> + TRYGAEUS Mind your own business, friend! (TO THE SERVANT.) Cut away. Where + is the table? Bring the libations. + </p> + <p> + HIEROCLES The tongue is cut separately. + </p> + <p> + TRYGAEUS We know all that. But just listen to one piece of advice. + </p> + <p> + HIEROCLES And that is? + </p> + <p> + TRYGAEUS Don't talk, for 'tis divine Peace to whom we are sacrificing. + </p> + <p> + HIEROCLES Oh! wretched mortals, oh, you idiots! + </p> + <p> + TRYGAEUS Keep such ugly terms for yourself. + </p> + <p> + HIEROCLES What! you are so ignorant you don't understand the will of the + gods and you make a treaty, you, who are men, with apes, who are full of + malice?(1) + </p> +<pre xml:space="preserve"> + f(1) The Spartans. +</pre> + <p> + TRYGAEUS Ha, ha, ha! + </p> + <p> + HIEROCLES What are you laughing at? + </p> + <p> + TRYGAEUS Ha, ha! your apes amuse me! + </p> + <p> + HIEROCLES You simple pigeons, you trust yourselves to foxes, who are all + craft, both in mind and heart. + </p> + <p> + TRYGAEUS Oh, you trouble-maker! may your lungs get as hot as this meat! + </p> + <p> + HIEROCLES Nay, nay! if only the Nymphs had not fooled Bacis, and Bacis + mortal men; and if the Nymphs had not tricked Bacis a second time...(1) + </p> +<pre xml:space="preserve"> + f(1) Emphatic pathos, incomprehensible even to the diviner + himself; this is a satire on the obscure style of the + oracles. Bacis was a famous Boeotian diviner. +</pre> + <p> + TRYGAEUS May the plague seize you, if you don't stop wearying us with your + Bacis! + </p> + <p> + HIEROCLES ...it would not have been written in the book of Fate that the + bends of Peace must be broken; but first... + </p> + <p> + TRYGAEUS The meat must be dusted with salt. + </p> + <p> + HIEROCLES ...it does not please the blessed gods that we should stop the + War until the wolf uniteth with the sheep. + </p> + <p> + TRYGAEUS How, you cursed animal, could the wolf ever unite with the sheep? + </p> + <p> + HIEROCLES As long as the wood-bug gives off a fetid odour, when it flies; + as long as the noisy bitch is forced by nature to litter blind pups, so + long shall peace be forbidden. + </p> + <p> + TRYGAEUS Then what should be done? Not to stop War would be to leave it to + the decision of chance which of the two people should suffer the most, + whereas by uniting under a treaty, we share the empire of Greece. + </p> + <p> + HIEROCLES You will never make the crab walk straight. + </p> + <p> + TRYGAEUS You shall no longer be fed at the Prytaneum; the war done, + oracles are not wanted. + </p> + <p> + HIEROCLES You will never smooth the rough spikes of the hedgehog. + </p> + <p> + TRYGAEUS Will you never stop fooling the Athenians? + </p> + <p> + HIEROCLES What oracle ordered you to burn these joints of mutton in honour + of the gods? + </p> + <p> + TRYGAEUS This grand oracle of Homer's: "Thus vanished the dark war-clouds + and we offered a sacrifice to new-born Peace. When the flame had consumed + the thighs of the victim and its inwards had appeased our hunger, we + poured out the libations of wine." 'Twas I who arranged the sacred rites, + but none offered the shining cup to the diviner.(1) + </p> +<pre xml:space="preserve"> + f(1) Of course this is not a bona fide quotation, but a + whimsical adaptation of various Homeric verses; the last is + a coinage of his own, and means, that he is to have no part, + either in the flesh of the victim or in the wine of the + libations. +</pre> + <p> + HIEROCLES I care little for that. 'Tis not the Sibyl who spoke it.(1) + </p> +<pre xml:space="preserve"> + f(1) Probably the Sibyl of Delphi is meant. +</pre> + <p> + TRYGAEUS Wise Homer has also said: "He who delights in the horrors of + civil war has neither country nor laws nor home." What noble words! + </p> + <p> + HIEROCLES Beware lest the kite turn your brain and rob... + </p> + <p> + TRYGAEUS Look out, slave! This oracle threatens our meat. Quick, pour the + libation, and give me some of the inwards. + </p> + <p> + HIEROCLES I too will help myself to a bit, if you like. + </p> + <p> + TRYGAEUS The libation! the libation! + </p> + <p> + HIEROCLES Pour out also for me and give me some of this meat. + </p> + <p> + TRYGAEUS No, the blessed gods won't allow it yet; let us drink; and as for + you, get you gone, for 'tis their will. Mighty Peace! stay ever in our + midst. + </p> + <p> + HIEROCLES Bring the tongue hither. + </p> + <p> + TRYGAEUS Relieve us of your own. + </p> + <p> + HIEROCLES The libation. + </p> + <p> + TRYGAEUS Here! and this into the bargain (STRIKES HIM). + </p> + <p> + HIEROCLES You will not give me any meat? + </p> + <p> + TRYGAEUS We cannot give you any until the wolf unites with the sheep. + </p> + <p> + HIEROCLES I will embrace your knees. + </p> + <p> + TRYGAEUS 'Tis lost labour, good fellow; you will never smooth the rough + spikes of the hedgehog.... Come, spectators, join us in our feast. + </p> + <p> + HIEROCLES And what am I to do? + </p> + <p> + TRYGAEUS You? go and eat the Sibyl. + </p> + <p> + HIEROCLES No, by the Earth! no, you shall not eat without me; if you do + not give, I take; 'tis common property. + </p> + <p> + TRYGAEUS (TO THE SERVANT) Strike, strike this Bacis, this humbugging + soothsayer. + </p> + <p> + HIEROCLES I take to witness... + </p> + <p> + TRYGAEUS And I also, that you are a glutton and an impostor. Hold him + tight and beat the impostor with a stick. + </p> + <p> + SERVANT You look to that; I will snatch the skin from him which he has + stolen from us.(1) Are you going to let go that skin, you priest from + hell! do you hear! Oh! what a fine crow has come from Oreus! Stretch your + wings quickly for Elymnium.(2) + </p> +<pre xml:space="preserve"> + f(1) The skin of the victim, that is to say. + + f(2) A temple in Euboea, close to Oreus. The servant means, + "Return where you came from." +</pre> + <p> + CHORUS Oh! joy, joy! no more helmet, no more cheese nor onions!(1) No, I + have no passion for battles; what I love, is to drink with good comrades + in the corner by the fire when good dry wood, cut in the height of the + summer, is crackling; it is to cook pease on the coals and beechnuts among + the embers, 'tis to kiss our pretty Thracian(2) while my wife is at the + bath. Nothing is more pleasing, when the rain is sprouting our sowings, + than to chat with some friend, saying, "Tell me, Comarchides, what shall + we do? I would willingly drink myself, while the heavens are watering our + fields. Come, wife, cook three measures of beans, adding to them a little + wheat, and give us some figs. Syra! call Manes off the fields, 'tis + impossible to prune the vine or to align the ridges, for the ground is too + wet to-day. Let someone bring me the thrush and those two chaffinches; + there were also some curds and four pieces of hare, unless the cat stole + them last evening, for I know not what the infernal noise was that I heard + in the house. Serve up three of the pieces for me, slave, and give the + fourth to my father. Go and ask Aeschinades for some myrtle branches with + berries on them, and then, for 'tis the same road, you will invite + Charinades to come and drink with me to the honour of the gods who watch + over our crops." When the grasshopper sings his dulcet tune, I love to see + the Lemnian vines beginning to ripen, for 'tis the earliest plant of all. + I love likewise to watch the fig filling out, and when it has reached + maturity I eat with appreciation and exclaim, "Oh! delightful season!" + Then too I bruise some thyme and infuse it in water. Indeed I grow a great + deal fatter passing the summer in this way than in watching a cursed + captain with his three plumes and his military cloak of a startling + crimson (he calls it true Sardian purple), which he takes care to dye + himself with Cyzicus saffron in a battle; then he is the first to run + away, shaking his plumes like a great yellow prancing cock,(3) while I am + left to watch the nets.(4) Once back again in Athens, these brave fellows + behave abominably; they write down these, they scratch through others, and + this backwards and forwards two or three times at random. The departure is + set for to-morrow, and some citizen has brought no provisions, because he + didn't know he had to go; he stops in front of the statue of Pandion,(5) + reads his name, is dumbfounded and starts away at a run, weeping bitter + tears. The townsfolk are less ill-used, but that is how the husbandmen are + treated by these men of war, the hated of the gods and of men, who know + nothing but how to throw away their shield. For this reason, if it please + heaven, I propose to call these rascals to account, for they are lions in + times of peace, but sneaking foxes when it comes to fighting. + </p> +<pre xml:space="preserve"> + f(1) This was the soldier's usual ration on duty. + + f(2) Slaves often bore the name of the country of their + birth. + + f(3) Because of the new colour which fear had lent his + chlamys. + + f(4) Meaning, that he deserts his men in mid-campaign, + leaving them to look after the enemy. + + f(5) Ancient King of Athens. This was one of the twelve + statues, on the pedestals of which the names of the soldiers + chose for departure on service were written. The decrees + were also placarded on them. +</pre> + <p> + TRYGAEUS Oh! oh! what a crowd for the nuptial feast! Here! dust the tables + with this crest, which is good for nothing else now. Halloa! produce the + cakes, the thrushes, plenty of good jugged hare and the little loaves. + </p> + <p> + A SICKLE-MAKER Trygaeus, where is Trygaeus? + </p> + <p> + TRYGAEUS I am cooking the thrushes. + </p> + <p> + SICKLE-MAKER Trygaeus, my best of friends, what a fine stroke of business + you have done for me by bringing back Peace! Formerly my sickles would not + have sold at an obolus apiece; to-day I am being paid fifty drachmae for + every one. And here is a neighbour who is selling his casks for the + country at three drachmae each. So come, Trygaeus, take as many sickles + and casks as you will for nothing. Accept them for nothing; 'tis because + of our handsome profits on our sales that we offer you these wedding + presents. + </p> + <p> + TRYGAEUS Thanks. Put them all down inside there, and come along quick to + the banquet. Ah! do you see that armourer yonder coming with a wry face? + </p> + <p> + A CREST-MAKER Alas! alas! Trygaeus, you have ruined me utterly. + </p> + <p> + TRYGAEUS What! won't the crests go any more, friend? + </p> + <p> + CREST-MAKER You have killed my business, my livelihood, and that of this + poor lance-maker too. + </p> + <p> + TRYGAEUS Come, come, what are you asking for these two crests? + </p> + <p> + CREST-MAKER What do you bid for them? + </p> + <p> + TRYGAEUS What do I bid? Oh! I am ashamed to say. Still, as the clasp is of + good workmanship, I would give two, even three measures of dried figs; I + could use 'em for dusting the table. + </p> + <p> + CREST-MAKER All right, tell them to bring me the dried figs; 'tis always + better than nothing. + </p> + <p> + TRYGAEUS Take them away, be off with your crests and get you gone; they + are moulting, they are losing all their hair; I would not give a single + fig for them. + </p> + <p> + A BREASTPLATE-MAKER Good gods, what am I going to do with this fine + ten-minae breastplate, which is so splendidly made? + </p> + <p> + TRYGAEUS Oh, you will lose nothing over it. + </p> + <p> + BREASTPLATE-MAKER I will sell it to you at cost price. + </p> + <p> + TRYGAEUS 'Twould be very useful as a night-stool... + </p> + <p> + BREASTPLATE-MAKER Cease your insults, both to me and my wares. + </p> + <p> + TRYGAEUS ...if propped on three stones. Look, 'tis admirable. + </p> + <p> + BREASTPLATE-MAKER But how can you wipe, idiot? + </p> + <p> + TRYGAEUS I can pass one hand through here, and the other there, and so... + </p> + <p> + BREASTPLATE-MAKER What! do you wipe with both hands? + </p> + <p> + TRYGAEUS Aye, so that I may not be accused of robbing the State, by + blocking up an oar-hole in the galley.(1) + </p> +<pre xml:space="preserve"> + f(1) The trierarchs stopped up some of the holes made for + the oars, in order to reduce the number of rowers they had + to supply for the galleys; they thus saved the wages of the + rowers they dispensed with. +</pre> + <p> + BREASTPLATE-MAKER So you would pay ten minae(1) for a night-stool? + </p> +<pre xml:space="preserve"> + f(1) The mina was equivalent to about three pounds, ten + shillings. +</pre> + <p> + TRYGAEUS Undoubtedly, you rascal. Do you think I would sell my rump for a + thousand drachmae?(1) + </p> +<pre xml:space="preserve"> + f(1) Which is the same thing, since a mina was worth a + hundred drachmae. +</pre> + <p> + BREASTPLATE-MAKER Come, have the money paid over to me. + </p> + <p> + TRYGAEUS No, friend; I find it hurts me to sit on. Take it away, I won't + buy it. + </p> + <p> + A TRUMPET-MAKER What is to be done with this trumpet, for which I gave + sixty drachmae the other day? + </p> + <p> + TRYGAEUS Pour lead into the hollow and fit a good, long stick to the top; + and you will have a balanced cottabos.(1) + </p> +<pre xml:space="preserve"> + f(1) For 'cottabos' see note above. +</pre> + <p> + TRUMPET-MAKER Ha! would you mock me? + </p> + <p> + TRYGAEUS Well, here's another notion. Pour in lead as I said, add here a + dish hung on strings, and you will have a balance for weighing the figs + which you give your slaves in the fields. + </p> + <p> + A HELMET-MAKER Cursed fate! I am ruined. Here are helmets, for which I + gave a mina each. What I to do with them? who will buy them? + </p> + <p> + TRYGAEUS Go and sell them to the Egyptians; they will do for measuring + loosening medicines.(1) + </p> +<pre xml:space="preserve"> + f(1) Syrmoea, a kind of purgative syrup much used by the + Egyptians, made of antiscorbutic herbs, such as mustard, + horse-radish, etc. +</pre> + <p> + A SPEAR-MAKER Ah! poor helmet-maker, things are indeed in a bad way. + </p> + <p> + TRYGAEUS That man has no cause for complaint. + </p> + <p> + SPEAR-MAKER But helmets will be no more used. + </p> + <p> + TRYGAEUS Let him learn to fit a handle to them and he can sell them for + more money.(1) + </p> +<pre xml:space="preserve"> + f(1) As wine-pots or similar vessels. +</pre> + <p> + SPEAR-MAKER Let us be off, comrade. + </p> + <p> + TRYGAEUS No, I want to buy these spears. + </p> + <p> + SPEAR-MAKER What will you give? + </p> + <p> + TRYGAEUS If they could be split in two, I would take them at a drachma per + hundred to use as vine-props. + </p> + <p> + SPEAR-MAKER The insolent dog! Let us go, friend. + </p> + <p> + TRYGAEUS Ah! here come the guests, children from the table to relieve + themselves; I fancy they also want to hum over what they will be singing + presently. Hi! child! what do you reckon to sing? Stand there and give me + the opening line. + </p> + <p> + THE SON OF LAMACHUS "Glory to the young warriors..." + </p> + <p> + TRYGAEUS Oh! leave off about your young warriors, you little wretch; we + are at peace and you are an idiot and a rascal. + </p> + <p> + SON OF LAMACHUS "The skirmish begins, the hollow bucklers clash against + each other."(1) + </p> +<pre xml:space="preserve"> + f(1) These verses and those which both Trygaeus and the son + of Lamachus quote afterwards are borrowed from the 'Iliad.' +</pre> + <p> + TRYGAEUS Bucklers! Leave me in peace with your bucklers. + </p> + <p> + SON OF LAMACHUS "And then there came groanings and shouts of victory." + </p> + <p> + TRYGAEUS Groanings! ah! by Bacchus! look out for yourself, you cursed + squaller, if you start wearying us again with your groanings and hollow + bucklers. + </p> + <p> + SON OF LAMACHUS Then what should I sing? Tell me what pleases you. + </p> + <p> + TRYGAEUS "'Tis thus they feasted on the flesh of oxen," or something + similar, as, for instance, "Everything that could tickle the palate was + placed on the table." + </p> + <p> + SON OF LAMACHUS "'Tis thus they feasted on the flesh of oxen and, tired of + warfare, unharnessed their foaming steeds." + </p> + <p> + TRYGAEUS That's splendid; tired of warfare, they seat themselves at table; + sing, sing to us how they still go on eating after they are satiated. + </p> + <p> + SON OF LAMACHUS "The meal over, they girded themselves..." + </p> + <p> + TRYGAEUS With good wine, no doubt? + </p> + <p> + SON OF LAMACHUS "...with armour and rushed forth from the towers, and a + terrible shout arose." + </p> + <p> + TRYGAEUS Get you gone, you little scapegrace, you and your battles! You + sing of nothing but warfare. Who is your father then? + </p> + <p> + SON OF LAMACHUS My father? + </p> + <p> + TRYGAEUS Why yes, your father. + </p> + <p> + SON OF LAMACHUS I am Lamachus' son. + </p> + <p> + TRYGAEUS Oh! oh! I could indeed have sworn, when I was listening to you, + that you were the son of some warrior who dreams of nothing but wounds and + bruises, of some Boulomachus or Clausimachus;(1) go and sing your plaguey + songs to the spearmen.... Where is the son of Cleonymus? Sing me something + before going back to the feast. I am at least certain he will not sing of + battles, for his father is far too careful a man. + </p> +<pre xml:space="preserve"> + f(1) Boulomachus is derived from (two Greek words meaning) + to wish for battle; Clausimachus from (two others), the + tears that battles cost. The same root (for) 'battle' is + also contained in the name Lamachus. +</pre> + <p> + SON OF CLEONYMUS "An inhabitant of Sais is parading with the spotless + shield which I regret to say I have thrown into a thicket."(1) + </p> +<pre xml:space="preserve"> + f(1) A distich borrowed from Archilochus, a celebrated poet + of the seventh century B.C., born at Paros, and the author + of odes, satires, epigrams and elegies. He sang his own + shame. 'Twas in an expedition against Sais, not the town in + Egypt as the similarity in name might lead one to believe, + but in Thrace, that he had cast away his buckler. "A might + calamity truly!" he says without shame. "I shall buy + another." +</pre> + <p> + TRYGAEUS Tell me, you little good-for-nothing, are you singing that for + your father? + </p> + <p> + SON OF CLEONYMUS "But I saved my life." + </p> + <p> + TRYGAEUS And dishonoured your family. But let us go in; I am very certain, + that being the son of such a father, you will never forget this song of + the buckler. You, who remain to the feast, 'tis your duty to devour dish + after dish and not to ply empty jaws. Come, put heart into the work and + eat with your mouths full. For, believe me, poor friends, white teeth are + useless furniture, if they chew nothing. + </p> + <p> + CHORUS Never fear; thanks all the same for your good advice. + </p> + <p> + TRYGAEUS You, who yesterday were dying of hunger, come, stuff yourselves + with this fine hare-stew; 'tis not every day that we find cakes lying + neglected. Eat, eat, or I predict you will soon regret it. + </p> + <p> + CHORUS Silence! Keep silence! Here is the bride about to appear! Take + nuptial torches and let all rejoice and join in our songs. Then, when we + have danced, clinked our cups and thrown Hyperbolus through the doorway we + will carry back all our farming tools to the fields and shall pray the + gods to give wealth to the Greeks and to cause us all to gather in an + abundant barley harvest, enjoy a noble vintage, to grant that we may choke + with good figs, that our wives may prove fruitful, that in fact we may + recover all our lost blessings, and that the sparkling fire may be + restored to the hearth. + </p> + <p> + TRYGAEUS Come, wife, to the fields and seek, my beauty, to brighten and + enliven my nights. Oh! Hymen! oh! Hymenaeus! + </p> + <p> + CHORUS Oh! Hymen! oh! Hymenaeus! oh! thrice happy man, who so well deserve + your good fortune! + </p> + <p> + TRYGAEUS Oh! Hymen! oh! Hymenaeus! + </p> + <p> + CHORUS Oh! Hymen! oh! Hymenaeus! + </p> + <p> + FIRST SEMI-CHORUS What shall we do to her? + </p> + <p> + SECOND SEMI-CHORUS What shall we do to her? + </p> + <p> + FIRST SEMI-CHORUS We will gather her kisses. + </p> + <p> + SECOND SEMI-CHORUS We will gather her kisses. + </p> + <p> + CHORUS Come, comrades, we who are in the first row, let us pick up the + bridegroom and carry him in triumph. Oh! Hymen! oh! Hymenaeus! Oh! Hymen! + oh! Hymenaeus! + </p> + <p> + TRYGAEUS Oh! Hymen! oh! Hymenaeus! + </p> + <p> + CHORUS You shall have a fine house, no cares and the finest of figs. Oh! + Hymen! oh! Hymenaeus! + </p> + <p> + TRYGAEUS Oh! Hymen! oh! Hymenaeus! + </p> + <p> + CHORUS The bridegroom's fig is great and thick; the bride's very soft and + tender. + </p> + <p> + TRYGAEUS While eating and drinking deep draughts of wine, continue to + repeat: Oh! Hymen! oh! Hymenaeus! + </p> + <p> + CHORUS Oh! Hymen! oh! Hymenaeus! + </p> + <p> + TRYGAEUS Farewell, farewell, my friends. All who come with me shall have + cakes galore. + </p> + <p> + <br /><br /><br /><br /> + </p> +<pre xml:space="preserve"> + + + + + +End of the Project Gutenberg EBook of Peace, by Aristophanes + +*** END OF THIS PROJECT GUTENBERG EBOOK PEACE *** + +***** This file should be named 2571-h.htm or 2571-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/5/7/2571/ + +Produced by Derek Davis, and David Widger + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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