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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/25560-8.txt b/25560-8.txt new file mode 100644 index 0000000..5fbcf19 --- /dev/null +++ b/25560-8.txt @@ -0,0 +1,2878 @@ +The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 146, +June 24, 1914, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Punch, or the London Charivari, Vol. 146, June 24, 1914 + +Author: Various + +Editor: Owen Seaman + +Release Date: May 22, 2008 [EBook #25560] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + + + + +Produced by Neville Allen, Malcolm Farmer and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + + + + + + PUNCH, OR THE LONDON CHARIVARI. + + VOL 146 + + JUNE 24, 1914. + + + + + CHARIVARIA. + + +The Cambridge University Boat Club has decided to spend £8,000 in +improving the Cam. There is talk of making it into a river. + + * * * + +Says a writer in a contemporary, "Don't live in a houseboat during a +flood." And yet NOAH always declared that he owed his life to having +done so. + + * * * + +The gentlemen who formed M. RIBOT'S Cabinet are objecting to being +described as "The One-Day Ministry." They were, they assert, in office +for some hours more than that. + + * * * + +The attack on M. RIBOT'S Ministry in the matter of the Three Years' +Service was led in the Chamber by three quite undistinguished +Socialists; and the contest was described succinctly by an unsympathetic +onlooker as "_Trois ânes_ v. _Trois ans._" + + * * * + +By the way, M. VIVIANI'S Finance Minister is, we see, M. NOULENS. Is he, +we wonder, any relation of M. Noulens-Voulens? + + * * * + +The KAISER has commanded that the Colonial War Memorial to be erected in +Berlin shall take the form of an elephant. Presumably it is to be of +Parian marble in order to signify that some of the German colonies are a +bit like a white elephant. + + * * * + +A French squadron of eighteen vessels has lately been visiting Portland. +It was perhaps a little unfortunate that Admiral CALLAGHAN'S ship should +have been _The Iron Duke_--but no doubt our tactful officers explained +to their visitors that the vessel had been so named after a wealthy +iron-master who had been ennobled. + + * * * + +The report that an airship expedition is being prepared against the MAD +MULLAH is said to have caused keen delight to the old gentleman, as he +has never seen an aeronautical display of any kind. + + * * * + +It is now suggested that when Mr. HOBHOUSE took possession of H.M.S. +_Monarch_, he was labouring under the delusion that he was +Postmaster-Admiral as well as Postmaster-General. + + * * * + +The publication of _The Best of Lamb_, by Messrs. METHUEN, reminds one +that a literary butcher once complained that LAMB had not been issued in +The Canterbury Poets. + + * * * + +Although Mr. T. P. O'CONNOR is severing his connection with _T. P.'s +Weekly_ the name of the paper will not be changed. This sort of thing is +well calculated to confuse and unsettle the public. "T. P. or not T. P.? +that'll be the question." + + * * * + +Illustration: _Examining Admiral_ (_to naval candidate_). "NOW MENTION +THREE GREAT ADMIRALS." + +_Candidate._ "DRAKE, NELSON AND--I BEG YOUR PARDON, SIR, I DIDN'T QUITE +CATCH YOUR NAME." + + * * * + +It is denied that the title of our newest magazine--_Blast_--was +suggested by Mr. BERNARD SHAW. + + * * * + +"Old Spot Pigs," we are informed, are now being bred successfully once +more. It surprises us to hear this announced as a triumph. One would +have thought that in these days of beauty culture a clear complexion +would have been the desideratum. + + * * * + +"If," says a contemporary, "the middle-class girl were regularly +provided with a dowry, the matrimonial enthusiasm of young men would +probably be stimulated." We cannot imagine how people think of these +clever things. + + * * * + +Members of the Women's Social and Political Union are, says _The Daily +Mail_, boycotting West-End shopkeepers and stores not advertising in the +Militant organs. However, if the rest of the public will agree to +boycott such firms as do advertise in these organs the matter should +come all right. + + * * * + +A warning has been issued to pic-nic parties as to the danger from +adders, which are exceptionally numerous this year. They are apt to bite +if suddenly sat upon, and prudent persons are taking the precaution of +sitting on their plates. + + * * * + +"I shall never," writes a journalist in _The Express_, "forget the +shudder with which I saw a very well-known dramatist at a garden party +eating strawberries with his gloves on." We ourselves sometimes have +these sudden sensations, but, unlike the writer, are very prone to let +them slip out of our memory. + + * * * + +A dress-designer, we read, went mad one day last week in Paris and fired +a number of revolver shots at the police. To judge by many of the +creations one sees there must be quite an epidemic of mental deficiency +just now among designers of modes. + + * * * + +"Bags," we read in a lady's paper, "are going out of fashion." Men will, +however, continue to wear them. + + * * * * * + +From a list of awards at the Horse Show:-- + + "Riding Jonies ... Shetland Jones ... Pairs of Pones ..."--_Morning + Post._ + +You see the animal they mean. + + * * * * * + + "Cutter wanted for ladies' and gentlemen's trade; city house; state + experience, salary." + +An ordinary enough advertisement, but _The Irish Times_ imparts a +certain melancholy humour to it by inserting it in the section headed +"Yachts, Boats, etc." + + * * * * * + + "GRAND NIGHTS." + + + O benchers of the various ancient Inns + At whose so generous tables I have battened, + Where potions of the best and fruitiest bins + And fare on which LUCULLUS might have fattened + Tend to reduce the awe + Proper to laymen shadowed by the Law; + + How good I find it, full of meat, to sit + (The while Oporto's juice of '87, + Served on the polished board with silver lit, + Heartens me to postpone the joys of Heaven) + And hear, _remotis curis_, + The legal jest, the apt _scintilla juris_. + + But most I compliment, with thanks profuse, + The touch that gives your feasts their crowning savour, + Whose absence must have marred the duckling _mousse_, + Ruined the _neige au Kirsch_, and soured the flavour + Of Madame MELBA'S peaches-- + I mean the pledge upon my card, "No Speeches." + + There's only one I like, and that's "The KING"! + (I give the text in full--no superfluities); + Why should I have to hear some dodderer sing + Praise of the Government (whichever crew it is), + While some one else endorses + The obvious merits of our fighting forces? + + If I have dined too well, to-morrow's cure + Shall be the fine for my excessive feasting; + But, at the night's tail-end, I can't endure + A punishment that bores me like a bee-sting, + Poisoning all the mirth + That should companion my distended girth. + + For this relief from those who spoil the vine + (How oft have I refused, O learned Benchers, + For fear of speeches, other men's and mine, + The chance of feeding off the choicest trenchers)-- + For this relief I rank you + High up among my benefactors. Thank you. + + O. S. + + * * * * * + + HOW THE CHAMPIONSHIP WAS WON. + + (A _Story of 1918._) + + +The last match of the season was between Kent and Somerset. Kent and +Surrey were at the top of the Championship table, with the following +percentages:-- + + Kent 87.51 + Surrey 87.23 + +Surrey had completed its programme. Thus all depended on the result of +this Kent-Somerset match. To become champions Kent had either to win +outright or to keep their percentage intact by the circumstance of both +sides not completing an innings. + +Play was impossible on the first day owing to rain. On the second day +Somerset scored 157. Rain fell again and Kent were unable to commence +their innings till the afternoon of the third day. Obviously they had to +strain every nerve to accomplish two things: (1) to avoid getting out +and (2) to avoid scoring more than 157. At all hazards they must neither +win nor lose on the first innings. They could not win the match. There +was no time. And either a win or a loss on the first innings would lower +their percentage sufficiently to enable Surrey to go to the top. For in +the matter of averages it is better under certain conditions not to have +fought at all than to secure only a portion of the honours. + +It was an extraordinary afternoon's cricket. The Kent batsmen were very +careful, but two minutes before time there were 156 runs on the board +and the last two batsmen were at the wicket. If a wicket fell or a +couple of runs were scored Kent would lose the Championship. Strong men +shivered like leaves as ball after ball was steadily blocked by the +batsmen. Red-faced farmers wore their pencils to stumps in explaining +the appalling alternatives. Somerset, in the most sporting spirit, were +trying their hardest. A couple of deliberately-bowled wides would, of +course, have given Surrey the championship, but Somerset were playing +for the honour and glory of defeating Kent on the first innings. + +The last two Kent men displayed wonderful nerve. The straight ones were +carefully stopped and every ball off the wicket was left alone. Needless +to say the softest long hop to leg would not have tempted them to hit. + +When the bowler prepared to deliver the last ball of the day the very +trees round the ground seemed to stop whispering. It was a good length +ball, very fast and pitched slightly to the off. The batsman raised his +bat, expecting it to fly past the wicket. To his horror it nipped in. +Down came the bat in frantic haste. Heaven be praised! Just in time! The +bat just snicked the ball off. It missed the wicket by an eighth of an +inch and shot away to leg. + +Then occurred one of those incidents that men boast of having witnessed, +one of those strange happenings in sport that are recounted to +generation after generation. + +The ball had shot away to leg where there was no fieldsman. One of the +slips immediately made after it. The batsmen naturally did not run as +they did not wish to score. But suddenly it occurred to the striker that +it might reach the boundary, that the slip field might not be fast +enough to catch it up, and that, therefore, Kent would win on the first +innings and in so doing lose the championship. The idea flashed across +his mind almost immediately after he had hit the ball, and with a +promptness of action that was really beyond all admiration he dropped +his bat and ran like a madman in pursuit of the ball. + +He easily outstripped the Somerset slip, who was rather a stout man, and +fled like a hare after the little red devil that was scorching fast in +search of the fatal four. + +Men groaned in the agony of their excitement and women shrieked +hysterically. + +On flew the gallant Kent batsman. Nearer and nearer he got to the ball. +He overtook it. He stopped it. Three inches from the boundary he fell on +it and hugged it to his chest. The match was a draw, a glorious draw! +Neither side had won or lost a point. It did not count in the +Championship table. Kent were Champions! + +In the mad excitement of the moment no one thought of appealing on the +question of handling the ball or interfering with the field. Moreover +both the umpires had swooned and were being removed on shutters. The +result stood. The hero of the game was carried into the pavilion by two +music-hall agents and a reporter. + + * * * * * + +Editorial Amenities. + + "I have no fault to find with 'Towser,' except that it is very much + like scores of other dog stories; that is probably why you have + failed to place it. Have you tried the 'Manchester Guardian'?" + + _T.P.'s Weekly._ + + * * * * * + + "What comes after Home Rule?--Mormons in Germany." + + _Vancouver Daily Province._ + +Fortunately we shan't mind that. + + * * * * * + +Illustration: "CAPTAINS COURAGEOUS." + + * * * * * + + MUSICAL NOTES. + + +The remarkable and altogether epoch-making article in _The Times_ of the +16th inst., on the stimulating effect of the bath on unmusical people, +has already borne notable fruit. Meetings of the Governing Bodies of all +the principal Musical Colleges and Academies were held on the following +day, at which it was unanimously determined, as one of the speakers put +it, to effect a closer synthesis of harmony and ablution. Sir HUBERT +PARRY, himself celebrated in his youth for his prowess in natation, has +offered to present the Royal College of Music with a magnificent +swimming bath; Mr. LANDON RONALD has drafted a scheme for the erection +of a floating bath in the Thames for the convenience of the Guildhall +School, and Sir ALEXANDER MACKENZIE has offered the students of the +R.A.M. an annual prize for the best vocal composition in praise of +saponaceous abstergents. + + * * * * * + +Outside our musical academies the impetus given to musicians and +composers has been equally remarkable. Professor Banville de Quantock, +whose Oriental proclivities are well known, has at once embarked on a +gigantic choral symphony, to words of his own composition, in which the +whole process and procedure of the Turkish Bath is treated historically, +dramatically and realistically in seventeen movements. The title has not +yet been definitely fixed, but it will probably be known as the +_Symphonie Bathétique_, to differentiate it from TSCHAIKOVSKY'S +hackneyed work. + + * * * * * + +STRAUSS is reported by Mr. KALISCH to be engaged on a series of +_Spritzbadlieder_ of extraordinary beauty and complexity, in which a +wonderful effect is produced by the employment in the orchestral +accompaniment of a new instrument called the Loofaphone, which produces +a curious hissing noise like that emitted by a groom when using the +currycomb. Another instrument to which prominence is assigned in the +score is called the Saponola and bears a resemblance to the spalacoid +sub-family of mandrils, which have the mandibular angles in close +proximity to the sockets of the lower cephalopods. The motto of the work +is "_Das ewig Seifige_." + +We may further note, as one of the most valuable by-products of _The +Times_ article, the announcement that an international Balneo-Musical +Congress will be shortly held in the Albert Hall, with a view to +discussing the best methods of promoting harmonic hygiene. The arena, we +understand, is to be converted into a vast demonstration-tank, in which +prominent composers, conductors and singers will appear. Miss CARRIE +TUBB has kindly promised to preside. Amongst other items in the +programme we may mention an exhibition of under-water violin-playing by +Mr. Bamberger, and a game of symphonic water-polo between two teams of +Rhine maidens, captained by Herr NIKISCH and Sir HENRY WOOD +respectively. + + * * * * * + +Illustration: THE TRIUMPH OF THE ENEMY. + + * * * * * + + IDEAL HOLIDAYS. + +SOME FURTHER OPINIONS. + + +_COLONEL ROOSEVELT._--There is no doubt whatever that the best holiday +ground is Brazil. There one can have excitement day and night. When one +is not escaping from a man-eating trout one is eluding a vampire bat. If +the time is slow one can always seek the Rapids. Next to Brazil I should +suggest the offices of the New River Company. + +_MR. HOBHOUSE (P.M.G.)._--I know very little of holidays, having to keep +my nose to St. Martin's-le-Grind-stone day and night, but I have thought +that, if I did take a week or so off, I should choose to spend it on the +Post Office yacht, roughing it. + +_SIR EDWARD CARSON._--Such time as I can spare from Ulster and my daily +journey to and from London I should like to spend in explaining to +REDMOND the duties of a War-lord. + +_MR. FRANK TINNEY (the famous American tragedian)._--Ordinary holidays +is just so much junk. Me and ERNEST don't hold with them. Our idea of a +holiday is to go down town and hear jokes. The more jokes we hear the +bigger stock we have not to tell. + +_MR. WINSTON CHURCHILL._--I have often wondered if a busy administrator +might not get a very restful time by steadily refusing to fly. + +_MR. ASQUITH._--This talk about the constant need for holidays seems to +me to be, if I may say so, one of the great illusions of the day. The +wise man surely is he who, seated in his chair of office, welcomes every +new complication and perplexity that the moments bring, and in labour +finds the true repose. + +_MR. MASTERMAN._--I am spending my own holiday just now very agreeably +in composing conundrums. This is my latest: "Why do I differ from my +trousers?" The answer is, "Because they don't want reseating." + +_LORD WIMBORNE._--There is no place for a holiday like Meadowbrook. + + * * * * * + +A set of 12 Elizabethan "Apostle" spoons were recently offered for sale +at Messrs. CHRISTIE'S. Only one actual Apostle (Saint PETER) was +available, but excellent substitutes were provided in the persons of +ALEXANDER THE GREAT, CHARLEMAGNE, JULIUS CÆSAR, KING ARTHUR, GUY OF +WARWICK, QUEEN ELIZABETH, JUDAS MACCABEUS and others. + + * * * * * + + "The fielding was particularly smart and the batsmen could not get + the ball away, the only hit worth mention for several hours being a + 4 by Tarrant off Bullough." + + _Newcastle Evening Chronicle._ + +A few more efforts like this and we shall suspect TARRANT of having read +the "Brighter Cricket" articles. + + * * * * * + + "A wireless message has been received here from the liner, New + York, reporting that while in a dense fog she was struck a glancing + blow abaft the bow by the steamer Pretoria. + + The New York was stooping at the time, and the shock was only + slight." + + _Glasgow Evening News._ + +Showing the advantage of being caught bending. + + * * * * * + +Illustration: _Sergeant (to new recruit who is grooming his horse very +gingerly)._ "NOW THEN, CULLY, JUST YOU BE CAREFUL 'OW YOU DUST THAT +THERE 'ORSE; 'E'S A DELICATE PIECE, 'E IS, AND 'E SHOWS THE SLIGHTEST +SCRATCH." + + * * * * * + + "WHEN OTHER LIPS ..." + + +The most original feature of the Opera-Ballet, _Le Coq d'Or_, given last +week for the first time in England, was the arrangement by which the +actors were excused from singing, and the singers from acting. Chorus +and soloists, dressed uniformly, without distinction of sex, in a +nondescript maroon attire, were disposed on each side of the stage in a +couple of grand stands, from which they saw little or nothing of the +entertainment but enjoyed an uninterrupted view of the conductor. This +left the actors free to attend to the primary business of miming, which, +when it came to the distribution of applause, they clearly regarded as +the most important element in the show. + +I look for great things from this new departure. It is rare enough for +an operatic performer to be capable of both singing and acting, or to be +alike beautiful to look on and to listen to. Once we have accepted the +convention by which an actor's lips are allowed to move in one part of +the stage while the sound comes from a totally different quarter, we may +go further and arrange for the singers to be put out of sight +altogether. He (and more particularly, she) might be posted behind some +sort of screen, diaphanous in respect of the vocalists' view of the +conductor, but opaque to the audience. When I think of some of the +rather antique and amorphous _prime donne_ of German, Italian and French +opera, I know that any scheme which would render them invisible and +permit their acting parts to be played by young and gracious figures +would meet with my unqualified approval. It would be necessary, of +course, to consult them first (a task which I would not care to +undertake), and this division of labour would no doubt entail additional +expense, but I am convinced that the pure love of art for art's sake +which is inherent in the nature of all operatic stars and syndicates +would ultimately rise superior to considerations whether of pelf or +_amour propre_. + + O. S. + + * * * * * + +From a catalogue:-- + + "WELLS (H. G.) Ann Veronica, a Modern Love Story, cr. 8vo. _cloth_ + (_rather dull_)." + + * * * * * + + DOMESTIC ECONOMY. + + + [Another Husband Housekeeper, supplementing the information already + published in _The Daily Mail_, reveals the system of housekeeping + by enforcing which he saves pounds and pounds and pounds a year.] + + When Sunday's heavy meal is done + Our joint's career is but begun. + + _Imprimis_, undismayed and bold, + It reappears on Monday, cold. + + And lo! the same on Tuesday will + Appear again, and colder still. + + The odds and ends we keep in store, + Divided neatly into four. + + A portion (No. 1) will do + For Wednesday's so-to-speak "ragoût"; + + A portion (No. 2) will be + The gist of Thursday's "fricassee"; + + A portion (No. 3) supply + The pith of Friday's "cottage pie"; + + A portion (No. 4) will play + The leading _rôle_ on Saturday, + + Entitled, may be, "_à la russe_," + Or, better still, "anonymous." + + Thus is economy attained, + For thus is appetite constrained. + + * * * * * + + "DRIVEN." + +(_With a slight hook to it_). + + + I. + +SCENE--_The drawing-room of_ John Staffurth, M. P. _Enter_ Staffurth +_and_ Barbara Cullen. + +_Staffurth._ Barbara, the doctors have given their verdict. My wife has +only two years to live. + +_Barbara._ John, but she looks so well! What's the matter with her? + +_Staffurth._ Well, it's a little difficult to explain. But without being +technical I may say that it is--er--not exactly appendicitis and +yet--er--not exactly mumps. Anyhow, it's always very fatal on the stage. + +_Barbara._ Two years! John, I'm not quite clear whether I'm _your_ +relation or Diana's, or, in fact, what I'm doing in the house at all, +but as an old friend of _somebody's_ may I give you a word of advice? + +_Staffurth._ (_looking at his watch_). Certainly, but you must be quick. +I have to be back at the House in five seconds. + +_Barbara._ Then, John, give Diana a good time for those two years. Ask +her to recite sometimes, tell her about Welsh Disestablishment, at all +costs keep her amused. + +_Staffurth._ (_amazed_). My dear girl, do you realise I'm an Opposition +Member? The Government may spring a snap division on us at any moment. +(_Taking out his engagement book._) Still, let me see what I can do. On +July 15th, 1916---- Oh no, that will be too late. November 25th, +1915--how's that? We might have an afternoon at Kew then if the Whips +don't want me. (_Looking at his watch._) Well, I must be off. Don't let +Diana know she's ill. + +[_Exit hastily._ + +_Enter_ Diana Staffurth. + +_Diana._ I listened outside the door! Two years, and he won't even ask +me to recite to him! He doesn't love me. + +_Barbara._ He does, he does! But he's one of those men who never show it +till the Last Act. + +_Diana._ Well, I know somebody who doesn't mind showing it in the First +Act. (_Goes to telephone._) Is that you, Captain Furness? I've just +learnt a new little piece.... Yes, don't be long. [_She sits down to +play the piano till he comes._ + +CURTAIN. + + +II. + +_Six months later._ + +Captain Furness's _rooms, 11.30 p.m._ + +_Enter_ Furness _and_ Diana. + +_Furness._ There, dear, now we can have a nice little supper together. +You do love me, don't you? + +_Diana._ I suppose so. I love talking to you on the telephone, anyway. I +can't think what we should have done in this play without the telephone. + +_Furness._ And you will come away with me to-morrow? + +_Diana._ Yes. (_To the audience_) Oh, I've only got eighteen months---- +(_To_ Furness) Excuse me, Philip, this is a soliloquy; would you mind +not listening for a moment? (_He turns away and prepares the supper._) +Oh, I've only got eighteen months more, and I want to _live_! I want to +talk on the telephone to people, and keep on changing my clothes, and +recite--and--and--_Philip_! You _don't_ mean to say those are _marrons +glacés_ you've got there? + +_Furness._ Rather. Don't you like 'em? + +_Diana._ How dare you? You _know_ the doctors won't let me touch them. + +_Furness._ My dear, you never told me what the doctors said to you. What +did they say? + +_Diana._ Well, anyhow, they said, "No more _marrons glacés_." + +_Furness._ Really, Diana, how could I know? + +_Diana._ You ought to have guessed. You've insulted me and I'm going +home. And I shan't run away with you now. (_Picks up her cloak and goes +to the door._) Er--if I _should_ change my mind in the morning +I'll--er--telephone. + +_Next morning._ + +_Furness_ (_at the telephone_). Yes--yes--no, Lorenzo--both ways. What? +Oh, I beg your pardon, I thought it was--is it you, Diana?... You _will_ +come? Good. + +_Enter_ John Staffurth. + +_Staffurth._ Good morning. (_Looking at his watch._) I want a little +talk with you if you aren't busy, + +_Furness._ Certainly. (_Handing box._) Won't you begin a cigarette? + +_Staffurth_ (_taking out case_). Thanks, I'll begin one of my own. +(_Does so._) Now then. My sister-in-law--or cousin or--anyhow, my friend +Miss--or Mrs.--Cullen, Barbara Cullen, who--er--is still with us, told +me some days ago that you were about to elope with my wife. Is that so? + +_Furness._ Yes. + +_Staffurth._ Yes. I ought to have spoken to you about it before, but I +have been very busy lately at the House. The Government is bringing in +its Bill for the Abolition of Telephones on the Stage, and it is +necessary for the full strength of the Opposition to be there. As I said +in my speech, any such Bill would, to take a case, ruin Mr. TEMPLE +THURSTON'S new play at the Haymarket, and recent by-elections have shown +that the country was---- However, I need not bother you with that. The +point is that I have at last managed to get away to see you, and I want +to know what it is you propose to do. + +_Furness._ I'm going to send in my papers and take your wife away with +me. + +_Staffurth._ Ah! Then perhaps before you ruin your career I'd better +tell you what the doctors say about her, She is not---- + +_Furness_ (_impatiently_). My dear chap, I know. She told me last night. +But it's all right, I don't much care for them myself. + +_Staffurth._----not likely to live for more than eighteen months. + +_Furness._ My God! + +_Staffurth._ That's what we all said several times when we heard it. +Well? + +_Furness._ Well, I mean, this wants thinking about. I had no---- My +career--only eighteen months---- + +_Staffurth_ (_breaking out at last_). You beastly egotist! You think of +nothing but your rotten career. You cur, you hound, you dog! You---- + +_Furness_ (_annoyed_). Now I warn you, Staffurth, I may only be about +half your size, but I shall have to thrash you severely if you talk like +that. + +_Staffurth._ You dog. + +_Furness_ (_with dignity_). For the sake of your wife, go before I climb +up you and strike you. [_Exit_ Staffurth. + +CURTAIN. + + * * * * * +Illustration: A THREATENED STRIKE. + +_John Staffurth_ .. Mr. C. AUBREY SMITH. +_CAPTAIN FURNESS_ .. MR. OWEN NARES. + + * * * * * + +III. + +_The Drawing-room again._ + +_Barbara_ (_joyfully_). Diana, I've got some exciting news for you. +Guess! + +_Diana._ You're going away? + +_Barbara._ No! + +_Diana._ Oh, well, after all you've only stayed with us six months. +Er--you've got a new dress? + +_Barbara._ No. + +_Diana._ No; that was a silly one. Er--John's got a half-holiday? + +_Barbara._ No. Well, I must tell you! Diana, you're not going to die +after all! The doctors made a mistake! + +[_Exit._ + +_Diana._ Not going to die? But then I don't want to run away with +Philip. (_Rushes to desk and seizes the telephone._) I must let him +know. (_With a shriek_) Help! the telephone's broken! Then I have +nothing to live for. (_She takes out poison from poison drawer._) I +shall count three before I drink. One--two---- Why doesn't John come? +One--two---- If he isn't quick he'll be too late. One---- + +_Enter_ John _quickly._ + +_John_ (_looking at his watch._) My darling, I have just time to forgive +you. Let us be happy together again. + +_Diana._ But the telephone's broken! + +_John_ (_embracing her tenderly_). My darling, I've sent for a man to +mend it. + +_Diana_ (_much moved_). My husband! + +A. A. M. + + * * * * * + + "Miss Gluck only arrived in London from New York after a tour in + America earlier in the morning, and proceeded to Richmond to + rest."--_Times._ + +Which she must have wanted after her busy morning. + + * * * * * + +Illustration: _First Visitor from the country_ (_to second ditto_). +"AY, FRED, LONDON'S THE PLACE TO SEE THE SWELLS ENJOYING THEMSELVES THIS +TIME O' YEAR. NOTHING BUT LIFE AND GAIETY ON ALL SIDES." + + * * * * * + + THE BIG TROUT. + + + Pull up the rypecks! Push her home! + It's roses all the way! + Let garlands lie on Thames's foam-- + A trout has died to-day! + Room for the victor--ho, there, room!-- + Who calls the gods to scan + No halfling of the lilied gloom, + But that leviathan. + + Anew (with jostling words unstayed) + We fight it, inch by inch, + From that first moment when he made + The line scream off the winch; + 'Twas so we struck, we held him so + Lest weed had triumph wrecked; + Thus to his leap the point dropped low, + And thus a rush was checked. + + O sought-for prize! Full many a day + The old black punt has swung + Beyond his stance, in twilight's grey, + Or when the dawn was young; + What hopes were ours, what heart-beats high + Have thrilled us, when he rolled + Up from the jade-green deep, a-nigh, + Dull-gleaming as of gold! + + Glide on, ye stately swans, with grace-- + Ye ne'er again shall see + His headlong dash among the dace + Beneath the willow-tree; + Ye little bleak, lift up your heads, + Ye gudgeon, skip at score, + The run between the lily beds + Shall know its lord no more! + + Yet, while th' exalted pulses stir, + Regret takes hands with Pride, + Regret for that most splendid spur-- + The Wish Ungratified; + With hammering heart that bulk I con, + That spread of tail and fin, + And sigh, like him of Macedon, + With no more worlds to win. + + Pull up the rypecks, can't you, Jim! + It's roses all the way! + But ne'er another fish like him + For any other day! + Room for the victor--lock, there, room!-- + Who calls the gods to scan + No halfling of the amber gloom, + But that leviathan. + + * * * * * + +Commercial Candour. + + "Avoid Income-Tax and Death Duties by investing in selected + Canadian Securities." + + _Advt. in "Times Financial Supplement."_ + + * * * * * + +Motto for golfer who has foozled his approach:-- + + "I will not stir, nor wince, nor speak a word, + Nor look upon the iron angerly." + + _King John_, iv., 1. + + * * * * * + + A LEGAL DOCUMENT. + + +"There is," I said, "a guilty look about you. You are hanging round. At +this time of the morning you have usually retreated to your fastnesses. +Why has not the telephone claimed you? There is something on your mind." + +"No," said the lady of the house airily; "I have a vacant mind." + +"Where, then," I said, "is your loud laugh? I have not heard you shout +'Ha-ha,' or anything remotely resembling 'Ha-ha.' Something is weighing +upon you." + +"Not at all." + +"Yes at all," I said decisively. "You have something to confess." + +"Confess!" she said scornfully. "What nonsense is this about confession? +We are not early-Victorians." + +"Yes, we are. I insist upon it. I shall be busy with my writing. You +will come and kneel unperceived at my feet with an imploring look upon +your tear-stained face. I shall give a sudden start----" + +"And," she went on enthusiastically, "I shall stretch out my hands to +you, and you will raise me tenderly from the floor, and I shall then +explain----" + +"That appearances were against you, but that Eugene is really your +brother by a first marriage----" + +"And I shall then call for the smelling salts and swoon like this"--she +collapsed in an inanimate heap on the sofa--"and you will rise to your +full height----" + +"Yes," I said, "I shall forgive you freely." + +"No," she said, "you will blame yourself for not having appreciated my +angelic nature, for having treated me as a mere toy, for having----" + +"Yes," I said," for having married you at all. But I shall forgive you +all the same, and I shall present you with the locket containing my +grandmother's miniature. Come on; let us start at once. I forgive you +from the bottom of my heart." + +"All right," she said, "I accept your forgiveness. And now that we've +cleared the ground, you'll perhaps allow me----" + +"Aha," I said, "then there _is_ something after all?" + +"There always is _something_," she said, "so perhaps you'll allow me to +ask you a question?" + +"A question?" I said. "Ask me fifty. I don't promise to answer them. I'm +only human, you know, but----" + +"Surely," she said, "this humility is exaggerated." + +"Anyhow," I said, "I'll do my best, so fire away." + +"What," she said, "does one do with a legal document?" + +"Isn't this rather sudden?" I said. "'What does one do with a legal +document?' My dear, one does a thousand things. One buys land, or sells +it--which is much better. One gets separated, or, rather, two get +separated; one gets a legacy, generally quite inadequate; one executes a +mortgage, but you mustn't ask me who is the mortgagor and who is the +mortgagee, for, upon my sacred word of honour, I never can remember +which is which or who does what. One leaves one's money to one's beloved +wife by a legal document, or one cuts her off with a shilling and one's +second best bed, like SHAKSPEARE, you know. Really, there's nothing you +can't do with a legal document." + +"How on earth," she said admiringly, "did you get to know all these +things?" + +"Oh, I don't know," I said. "One learns as one goes along. Men have to +know more or less about the law." + +"Tell me," she said; "do you feel paralysed when you see a legal +document?" + +"No, not now. They used to make me tremble, but I'm up to them now. I +understand their jargon." + +"And frankly," she said, "I don't." + +"But that doesn't matter," I said. "You've got a man----" + +"Lucky me," she said. + +"You've got a man to help you. That's what he's there for--to help you +with legal documents and to have his work interrupted and all his ideas +scattered. But, bless you, he doesn't mind. He knows his place." + +"Well," she said, "it's this way. A very dear friend of mine has taken a +house at the seaside, and they've sent her a document." + +"A letting agreement," I said. + +"I suppose so," she said; "and they want her to sign it; and they say +something about a counterpart which somebody else is to sign." + +"That," I said, "is the usual way." + +"What I want to know is, ought she to sign her document?" + +"Is it the sort of house she wants?" + +"The very house," she said. "She's been over it. Lots of rooms; nice +garden with tennis-lawn; splendid view of the sea; drainage in perfect +order; weekly rent a mere nothing. There's to be an inventory." + +"Of course there is. It's always done. Does the document embody +everything she requires?" + +"Yes," she said, "everything; and they've thrown in two extra days for +nothing." + +"In that case," I said, "her duty is clear. She must sign it." + +"Do you advise that?" + +"I do," I said, "most strongly." + +"Thank you so much," she said, "I'll do it at once," and before I could +interfere she had sat down at the writing-table, produced a document, +unfolded it and signed it. + +"It is," she explained, "the agreement for letting Sandstone House, +Sandy Bay. They made it out in my name." + +"But this," I said, seizing the paper, "is madness. It is not worth the +paper on which it is written." + +"I did nothing," she said, "without your advice." + +"I shall repudiate it," I said, "as having been obtained by fraud." + +"Right-o," she said; "we leave for Sandy Bay on July 28th." + +R. C. L. + + * * * * * + + A SECOND-HAND SERENADE. + + +(_The modern youth, we are told, is content to hymn his Lady in the +amorous diction of other bards._) + + It is not mine, Aminta, to commend you + According to your merits. Miles above + My puny lyre were this; I therefore send you, + For reference, "The Classic Gems of Love." + + Would I approve your tresses? See p. 7, + L. 2, for what I frankly think of them; + Your lips? p. 8; your dimples, p. 11; + Your teeth and ears and ankles? _ibidem._ + + Your kisses? _vide_ JONSON, B., "To Celia;" + See "Annie Laurie" for the way I greet + Your neck and voice and eyes (the song has really a + Trustworthy picture also of your feet). + + But nay! It ill behoves the ardent lover + To turn your gaze to any single spot, + In every line, from cover unto cover, + My passion finds an echo. Read the lot. + + * * * * * + + "SIR BAT-EARS." + + + Sir Bat-ears was a dog of birth + And bred in Aberdeen, + But he favoured not his noble kin + And so his lot is mean, + And Sir Bat-ears sits by the almshouses + On the stones with grass between. + + Under the ancient archway + His pleasure is to wait + Between the two stone pineapples + That flank the weathered gate; + + And old, old alms-persons go by, + All rusty, bent and black, + "Good day, good day, Sir Bat-ears!" + They say and stroke his back. + + And old, old alms-persons go by, + Shaking and well-nigh dead, + "Good night, good night, Sir Bat-ears!" + They say and pat his head. + + So courted and considered + He sits out hour by hour, + Benignant in the sunshine + And prudent in the shower. + + (Nay, stoutly can he stand a storm + And stiffly breast the rain, + That rising when the cloud is gone + He leaves a circle of dry stone + Whereon to sit again.) + + A dozen little door-steps + Under the arch are seen, + A dozen aged alms-persons + To keep them bright and clean; + + Two wrinkled hands to scour each step + With a square of yellow stone-- + But print-marks of Sir Bat-ears' paws + Bespeckle every one. + + And little eats an alms-person, + But, though his board be bare, + There never lacks a bone of the best + To be Sir Bat-ears' share. + + Mendicant muzzle and shrewd nose, + He quests from door to door; + Their grace they say--his shadow gray + Is instant on the floor, + Humblest of all the dogs there be, + A pensioner of the poor. + + * * * * * + +Illustration: _Harold (who has had the worst of an argument with his +father)._ "ALL RIGHT, THEN, YOU DON'T GET THOSE SIX STROKES I WAS GOING +TO GIVE YOU THIS AFTERNOON." + + * * * * * + + OUR PERSONAL COLUMN. + +(_The New Indigence._) + + +ADMIRABLE CRICHTON, double Blue and double First at Oxford, weary of +gerund-grinding at a fashionable preparatory school for £500 a year, +charming conversationalist, expert auction-bridge player, is open to +accept partnership in well-established financial house on the basis of +four months' holiday a year and genuine week-ends--Friday till Tuesday. + + * * * * * + +NONCONFORMIST, with open mind on the subject of gambling, but modest +means and conscientious objection to hard work, is desirous of meeting +liberal-minded philanthropist who will advance him £750 to operate +infallible system at Monte Carlo. + + * * * * * + +VIGOROUS YOUNG MAN of titled family, who is sick to death of England, is +prepared to undertake any duties of a sporting kind for unmarried +heiress in America or elsewhere. + + * * * * * + +A LADY, whose income is only £4,000 a year, is greatly in need of a +month's yachting, but cannot afford a yacht of her own and dislikes the +mixed company to be met with on the ordinary advertised cruises. Will +some kind friend be so good as to lend her a yacht and endow it? + + * * * * * + +UNIVERSITY MAN, strong, healthy, in early forties, who has never done a +day's work in his life, but has suddenly fallen on comparative poverty, +wishes to communicate with some person of means willing to save him from +the pain and indignity of having to do without luxuries which have +become second nature to him. + + * * * * * + +=£2,000= WANTED, at once, for speculation by Undergraduate. A safe two per +cent. offered; advertiser cannot afford more. No professional +money-lenders need apply. + + * * * * * + +CHRISTIAN and Teetotaler, who has not yet been to Japan, would be quite +grateful to any wealthy travel-enthusiast who would make it possible for +him to see this fascinating country. Excellent references. + + * * * * * + +Illustration: "NOW THEN, COUSIN EMMA, LET ME GIVE YOU A BIT OFF THE +BREAST." + +"YES, PLEASE, I SHOULD LIKE TO TASTE THAT, FOR IN MY YOUNG DAYS THEY +ALWAYS GAVE IT TO THE GROWN-UPS, AND NOW THEY KEEP IT FOR THE CHILDREN, +SO I'VE ALWAYS MISSED IT." + + * * * * * + + REVELATION REVISED. + + +[_A portion of "The Photodrama of Creation," a cinematograph enterprise +hailing from the United States, has recently been exhibited._] + + Oh, would I were a preacher or a prophet + Of some wild pagan creed, I know not where-- + One of whom people said, "This man is off it" + (But still I had a following sparse and rare), + + That so, if cynics urged, "How hard to prove is + The faith ye cling to fondly and so fast!" + By favour of the men who work the "movies," + I might expound the future and the past. + + Hiring a lot of lads with mobile faces, + And all the world to tap for filméd scenes, + Would I not set backsliders in their places + And give my errant congregation beans? + + Uprising in the darkened tabernacle, + A canvas sheet across the stage unfurled, + "To-night, dear brethren, we propose to tackle," + I should commence, "the Making of the World. + + "Doubts have arisen lately if the cosmos + Sprang as I stated; an egregious don + Has published pamphlets asking if it _was_ moss, + Or something else, that formed the primal _On._ + + "Well, to confute at once this creeping scandal, + You shall behold the facts before your eyes, + (If Mr. Potts will kindly turn that handle-- + Thank you) _and note, the camera never lies_." + + Yes, I would teach them; and if any scoffers + Still weltered in the quagmire of their sin, + If when I overhauled the monthly coffers + I found the business part a trifle thin, + + Choosing a model for the worst offender + I should unroll a still more lively lot + Of films depicting him in pomp and splendour, + "Swift glories," I should say, "and doomed to rot;" + + And then turn on "The Day of Retribution," + Shades of avengers in the world below + Prodding my man with verve and resolution, + And broiling him on spits exceeding slow, + + And flaying him, and squeezing him with pincers; + And whilst I pointed to his shrivelled shape + (These moving picture-men are rare convincers), + How I should thunder to the stalls agape! + + "Look at yon sinner perishing _in toto_, + Take warning lest the same occurs to you; + Each fraction of each wriggle is a photo, + And therefore must be absolutely true." + + EVOE. + + * * * * * + + "At the short fourteenth Vardon was bunkered, and took an + hour."--_Exeter Express._ + +He should have read our book, "How to get out of a Bunker in Forty-five +Minutes. By One who often Does." + + * * * * * + + "This move of the Powers, sending a rural gentleman from the Rhine + to do the big stick stunt in Albania with a lot of blood-thirsty + savages, is about as much use as putting a boy sprout in the room + of Sir John French."--_London Mail._ + +Personally we put an elderly artichoke in Sir JOHN'S room when he comes +to stay with us. This, of course, in addition to the usual tin of +biscuits. + + * * * * * + +Illustration: THE DOVE OF PEACE. + +LORD CREWE. "I DON'T SAY HE'S A PERFECT BIRD, MY LORDS, BUT HE'S THE +BEST WE COULD MANAGE, AND A LITTLE ENCOURAGEMENT MIGHT DO WONDERS FOR +HIM." + + * * * * * + + ESSENCE OF PARLIAMENT. + +(EXTRACTED FROM THE DIARY OF TOBY, M.P.) + + +_House of Commons, Monday, June 15._--In the mid seventies, when dear +JOHNNY TOOLE was at height of well-earned fame, he for a while played +three several parts on the same night. Bold advertisement announced +"Toole in Three Pieces." Being just the kind of joke that has the widest +run over the low level of mediocrity, it filled the gallery and upper +boxes. + +To-night it was recalled with fresh application. House privileged to see +PREMIER in Three Pieces. For some weeks he has appeared at Question time +in dual character as Prime Minister and Secretary of State for War. +To-night takes on duties of absent CHANCELLOR OF DUCHY OF LANCASTER. His +versatility as marvellous as his industry. In response to group of five +questions addressed to him "as representing the CHANCELLOR OF THE DUCHY +OF LANCASTER," bristles with minute information respecting number of +livings in gift of the Duchy in West Riding of Yorkshire, together with +amount of income of each benefice and nature of the security. Equally +master of intricate case of the calamity overshadowing the Pontefract +Cricket Club whose playing pitch has been damaged through subsidence +caused by underground workings. + + * * * * * + +Illustration: A GENEROUS RESTRAINT. + + * * * * * + +"I believe the Almighty has endowed us all with a certain amount of +brains; but we don't all use them." (Cheers).--_Mr. TICKLER in the +debate on the Plural Voting Bill._ + +Situation raised nice questions as to responsibility of the underground +leaseholder and the prospect of compensation from coal royalties. +PREMIER as fully informed on these subjects as later he proved himself +when by way of Supplementary Question AMERY, with pretty air of one +really in search of elementary information, inquired "In whose hands is +the government of Ireland at the present moment?" "In the hands of HIS +MAJESTY'S Ministers," said ASQUITH. + +Illustration: "The one thing borne home to me was what a genius the +Irish people have for admiring each other."--_Mr. BIRRELL._ + +All very well for Duchy of Lancaster. Its affairs in strong capable +hands. But that does little to assuage grief of WORTHINGTON-EVANS. For +months before the day when MASTERMAN, greatly daring, exchanged safe +position of Secretary of Treasury for dizzy heights of Duchy of +Lancaster, WORTHINGTON-EVANS was daily accustomed to pose him with +questions as to working of Insurance Act. In MASTERMAN'S enforced +absence from House WEDGWOOD BENN placed in charge of Insurance Act +Department. Does a difficult business exceedingly well. Has earned +approval from both sides of House. But WORTHINGTON-EVANS is +inconsolable. His feelings find expression in couple of lines, learned +at his mother's knee, descriptive of anguish of blind boy parted from +his brother by ruthless hand of death:-- + + Oh, give my brother back to me; + I cannot play alone. + +Visibly brightened up on eve of Ipswich election, which seemed to +promise return of the wanderer. As to-night he sits forlorn in corner +seat below Gangway to left of SPEAKER, gazing sadly at corner of +Treasury bench opposite (once amply filled by figure of former Secretary +of Treasury), STEPHEN GWYNNE, seated next to him, gently nudges BUTCHER, +and with softened memories of _Peggotty_ contemplating _Mrs. Gummidge_ +in exceptionally low spirits, whispers, "He's thinking of the old 'un." + +_Business done._--After brief unsparkling debate Plural Voters Bill read +a third time. Hostile amendment moved from Front Opposition Bench +negatived by 320 votes against 242. Bill passed final stage without +division. + +_Tuesday._--Home Rule fills the bill in both Houses. The Lords, back +from brief holiday, protest against delay in introducing Amending Bill. +In vigorous speech LANSDOWNE insists on early day being named. CREWE, +wringing his hands over unreasonable ways of some people, promises +Tuesday next. Adds that, if upon consideration of proposed amendments +noble lords should require longer interval before Second Reading of +parent measure than is provided by original fixture for 30th June, there +will be no objection to postponement. + + * * * * * + +Illustration: "I don't know whether the hon. Member regards me as a +particularly frivolous person." + +_Lord ROBERT CECIL._ + + * * * * * + +In the Commons ROBERT CECIL, interposing in ordered business of Supply, +moves adjournment with view of calling attention to "growing danger +created in Ireland by existence of volunteer forces and failure of +Government to deal with situation." It is plurality of situation that +disturbs philosophical mind. As long as there was but one volunteer +force, its locality confined to Ulster, its purpose to defeat Home Rule +Bill, its commander-in-chief CARSON, it was well. Nay more, it was +patriotic. But when Ulster's challenge, uttered by one hundred thousand +armed men, is answered by the South and West of Ireland with creation of +an army exceeding that number, whole aspect is altered. Now, as in the +time when "Measure for Measure" was written-- + + That in the captain's but a choleric word + Which in the soldier is flat blasphemy, + +Opposition, to a man, stand up to support LORD BOB'S demand that matter +shall be discussed as one of urgent public importance. + +In course of animated speech LORD BOB delighted House by equalling, if +not going one better than, the late Lord CROSS'S historic _jeu +d'esprit_. + +"I hear an hon. member smile," said GRAND CROSS on a memorable occasion. + +"I wish," said LORD BOB to-night, sternly regarding hilarious +Ministerialists, "those laughs could be photographed and shown +throughout the country." + +Suggestion will doubtless not be lost on enterprising purveyors of +cinematograph shows. + +There was another opportunity for the snap-shotter when, LORD BOB +lamenting the "ingrained frivolity of the Radicals in this grave +crisis," ARTHUR MARKHAM interposed with Supplementary Question. + +"What about Satan rebuking sin?" he asked. + +Turning upon Member for Mansfield more in sorrow than in anger, LORD BOB +remarked: "I don't know whether the hon. Member regards me as a +particularly frivolous person." General and generous cheering approved +this implied disclaimer, and LORD BOB returned to consideration of "the +characteristic vice of the Radical Government--fear of losing their +places." + +Tendency to introduce personal observations cropped up from time to time +through debate, which occupied greater part of sitting. CARSON having +genially alluded to main body of Ministerialists as "lunatics," NEIL +PRIMROSE, turning upon the WISTFUL WINSTON, who hadn't been saying +anything, denounced him as "a human palimpsest." + +Perhaps most touching case was that of BYLES of Bradford. Having long +remained silent under undeserved contumely, he suddenly rose at +half-past ten and irrelevantly remarked, "I cannot understand how the +myth has grown up in this House that I am a blood-thirsty ruffian. Why, +Mr. SPEAKER, I would not kill a fly." + +In view of proved inconvenience, not to say danger, of unrestrained +plague of flies, this protestation was received with mixed feelings. + +_Business done._--On division motion for adjournment of House negatived +by majority of 65. After this, the House, nothing if not logical, +forthwith adjourned. + + * * * * * + +Illustration: POURING COLD WATER ON THE TROUBLED OIL. + +(LORD CHARLES BERESFORD and Mr. DILLON.) + + * * * * * + +_Thursday._--The Irish Members, long quiescent, suddenly resumed former +habit of activity. House owes to AMERY the pleasing variation. He cited +newspaper report of remarks recently made by Captain BELLINGHAM, +aide-de-camp to the LORD-LIEUTENANT OF IRELAND. Inspecting and +addressing body of National Volunteers, he exhorted them to ensure +triumph of Home Rule. + +Was this a proper thing to do? Certainly not. ST. AUGUSTINE BIRRELL, +answering AMERY'S question founded on incident, stated that when Lord +ABERDEEN heard of matter he immediately called for explanation, and +Captain BELLINGHAM frankly acknowledged error of judgment. + +Irish Members recognised that in measure the error of judgment was +slight compared with AMERY'S in stirring up this dangerously attractive +pool. As everyone knows, and as House was promptly reminded, Colonel the +Marquis of LONDONDERRY and Colonel Lord KILMOREY, aides-de-camp to HIS +MAJESTY, have on more than one occasion, when inspecting Ulster +Volunteers, urged them to stand indomitable in resistance to +establishment of Home Rule in their Northern Province. Irish Members +want to know whether these noble and gallant gentlemen have been called +upon to make explanation of their conduct similar to that peremptorily +exacted from Captain BELLINGHAM. + +PREMIER not to be drawn into delicate controversy. Pleaded lack of +notice of questions put to him. Irish Members will be delighted to +provide it. Shall hear more on the subject next week. + +_Business done._--The INFANT SAMUEL, appearing in new calling as +President of Local Government Board, carries vote for his Department by +rattling majority of 127. + + * * * * * + + CORRESPONDENCE. + + +_To the Editor of "The Oblate Spheroid."_ + +SIR,--I congratulate you on your new departure. The time is ripe for +Politics without Partisanship. I look to you for scathing denunciations +of the arch humbugs who now wear the mantle of the once great Liberal +Party. + +Yours, etc., + +"PATRIOT." + +SIR,--I hail with joy your abandonment of Party Shibboleths, and await +your exposure of ASQUITH, LLOYD GEORGE and all such traitors. + +Yours, etc., + +"IMPARTIAL." + +SIR,--You will find it hard to live up to your professions, but the +thinking Public will support you. + +We need a judicial paper that will set truth above Party considerations, +revealing, incidentally, the devilish character of the REDMOND-cum-Cabinet +compact. + +Yours, etc., + +"DULCE ET DECORUM." + + * * * * * + + "Pink Chestnut.--When ices are given at a dinner it is usual to + have them, but not otherwise." + + _From "Etiquette" in "The Lady_." + +It is therefore incorrect, "Pink Chestnut," to produce a private Bombe +Vanille from your handkerchief bag. + + * * * * * + + "The death of an infant from 'convulsions,' without further + explanation, can never be wholly satisfactory." + + _Australian Medical Journal._ + +It takes a lot to satisfy some people. + + * * * * * + +Illustration: _Short-sighted Old Lady (to gentleman taking his morning +exercise in the park). "GO AWAY, GO AWAY; YOU SHAN'T PUT A FINGER ON +_MY_ LUGGAGE!" + + * * * * * + + OUR BOOKING-OFFICE. + + (_By Mr. Punch's Staff of Learned Clerks._) + + +All the world recognises Sir MARTIN CONWAY as a paramount peak-compeller +and explorer of resource, while superior persons, like this learned +clerk, know him as an effective _dilettante_ in the realms of art. In +_The Sport of Collecting_ (FISHER UNWIN), with a general candour, but a +specific, canny (and of course rather tiresome and disappointing) +reticence as to prices, he gives us, in effect, a treatise on the craft +of curio-hunting, gaily illustrated by anecdotes of the bagging of +bronze cats in Egypt, Foppas and Giorgiones in Italian byways, Inca +jewellery in Peru, and heaven knows what and where beside. The authentic +method, apparently, is to mark down your quarry as you enter the +dealer's stockade, to pay no visible attention to it but bargain +furiously over some pretentious treasure which you don't in the least +want; later, admitting with regret your inability to afford the price, +to suggest that as a memento of your pleasant visit you might be +disposed to carry off that odd trifle in the corner over there; then, +bursting with hardly controlled excitement to see your priceless +primitive wrapped in brown paper and thrown into your cab, to drive to +your quarters, hug yourself ecstatically and boast to your friends and +fellow-conspirators about it. Shooting the driven tiger from the howdah +is quite evidently nothing to this royal sport of dealer-spoofing, +especially when the dealer knows a thing or two, as Sir MARTIN bravely +confesses he sometimes does. I wonder if this arch-collector, when he +discovered his best piece, Allington Castle (of which he discourses with +such pleasant and knowledgable enthusiasm), turned a contemptuous back +on the battlements and made a casual offer for the moat. A most +diverting book. + + * * * * * + +The name of MADAME YOI PAWLOWSKA is new to me; but if her previous books +were anything like so good as _A Child Went Forth_ (DUCKWORTH) I am +heartily sorry to have missed them. There have been many books written +about childhood, and the end of them is not yet in sight; but I have +known none that so successfully attains the simplicity that should +belong to the subject. You probably identify the title as a quotation +from WALT WHITMAN, about the child that went forth every day, "and the +first object that he looked upon, that object he became." The child in +the present instance was one _Anna_, who went forth in the Hungarian +village where she was born, and saw and became a number of picturesque +and amusing things, all of which her narrator has quite obviously +herself recalled, and sat down in excellent fashion. I don't want you to +run away with the idea that _Anna_ was a good or even a pleasant child. +Anything but that. The things she did and said furnished a more than +sufficient reason for her father to threaten again and again to send her +to school in England. The book ends with the realisation of this, which +had always been to _Anna_ as a kind of shadowy horror in the background +of life. We are not told which particular English school was favoured +with her patronage, nor how she got on there. I was too interested in +her career not to be sorry for this omission; and that shall be my +personal tribute to her attractions. + + * * * * * + +There are few persons who can write love stories with a surer and more +tender touch than KATHARINE TYNAN. So I expect that many gentle souls +will share my pleasure in the fact that she has just put together a +volume of studies in this kind under the amiable title of _Lovers' +Meetings_ (WERNER LAURIE). Personally my only complaint about them is +that in a short story lovers' meetings mean the journey's end, and I +wished to spend a longer time in the society of many of the agreeable +characters of Mrs. HINKSON'S studies. Take for example the first--and my +own favourite--of the series. There really isn't anything special in +it--and yet there is everything. What happened was that _Challoner_, a +confirmed bachelor, went to the Dublin quay to see off a friend on the +boat to Holyhead. The friend didn't turn up; but a young governess, with +whom _Challoner_ had only the slightest previous acquaintance, was going +by the boat--so _Challoner_ went with her, and they were married, and +lived happy ever after. You may think that this doesn't sound very +probable, and perhaps it doesn't; but it is so charmingly +told--_Challoner's_ growing delight in the initial mistake that confuses +the pair as man and wife is so alluringly developed, and the whole +little episode of twenty pages has such a way with it as to take your +credulity a willing captive. This was my individual choice; but there +are fifteen others of various styles; some mild detective studies, and a +pathetic little ghost story that recalls to me one of KIPLING'S best. +Altogether an attractive collection, very far above many such that have +appeared lately. + + * * * * * + +Mr. WILKINSON SHERREN, in his new novel, _The Marriage Tie_ (GRANT +RICHARDS), is very serious about the hypocrisies of the virtuous and the +injustice of our moral conventions. Other writers before him have been +serious about these things, and I do not know that Mr. SHERREN has +anything very new to say. I must also confess to thinking that a sense +of humour would have assisted him greatly in his task. Nevertheless his +readers are certain to sympathise with his beautiful heroine in her +dismay at her unfortunate illegitimacy, and she is a good girl with a +great regard for the feelings of all her friends, even though she +expresses this regard a little stiffly. Mr. SHERREN uses his background +well, and many of his scenes would be effective if only his characters +were debarred from dialogue. It would be, I am sure, beyond _Johanna's_ +powers, were she limited to the deaf and dumb alphabet, to convey such a +speech as this: "I wish you to consent to your father's suggestions, +dear. By doing so you do not injure me, and you cheer his declining +days. I am sure your dear mother wishes it." Her methods would become +something much brusquer and more direct. I doubt if Mr. SHERREN is at +his best in a novel. An essay on the confused issues of illegitimacy and +the punishment of the children for the sins of their fathers would show +him, I am convinced, at his ease; but dialogue and a beautiful heroine +are an embarrassment to him. + + * * * * * + +In a volume of tales and sketches entitled _The Mercy of the Lord_ +(HEINEMANN) Mrs. FLORA ANNIE STEEL revives pleasant memories of her +Indian romances once beloved by me. In these new stories everybody +dies--if Europeans, with the latest slang upon their lips; if natives, +with a lusty invocation to Allah. Mrs. STEEL does not believe in letting +the reader know what she is about, and there is generally something up +her sleeve. Each story has its own little puzzle, and, if the puzzles +are not always solved by the end of the tale, one can make all kinds of +pleasant conjectures as to what really did happen, and Mrs. STEEL'S +mysterious hints and shrugs and fingers on the lip do beyond question +assist her atmosphere. I like best of the stories "Salt of the Earth," a +most moving tale, beautifully told. Always Mrs. STEEL is interesting, +and I hope these sketches are only little preludes to another of her +thrilling romances. + + * * * * * + +If Mr. BERTRAM SMITH'S _Caravan Days_ (NISBET) has not made me eager to +take to the road at once, the reason is that he seems to delight in +things that I most cordially detest. For instance, he likes cooking and +he is "very fond of rain." With such tastes he has more facilities for +enjoying himself than are offered to most of us, and I find myself +wondering whether life in a caravan, always supposing that he was not +there to do the cooking and admire the rain, would be quite as much fun +as he would have us believe. I am confident that when next he goes upon +his travels the majority of his friends will be anxious to share the +attractions of his _Sieglinda_, that caravan of caravans, but I doubt if +they will be ordering _Sieglindas_ for themselves. Meanwhile, so human +has Mr. BERTRAM SMITH made his _Sieglinda_ that I can well imagine her +sulking in her retirement because she wants to see Argyll, the only +county in Scotland she has not yet sampled. + + * * * * * + +If you are a musical genius yourself and want to do a young composer a +good turn, I implore you not to get his opera produced under the +pretence that it is yours and wait until it has been received +enthusiastically before you announce whose work it is. For that is what +_Jess Levellier_ did, and "Miss LOUISE MACK" tells us what a deal of +trouble was brought about by this impulsive action. There are several +love stories in _The Music Makers_ (MILLS AND BOON). There is the affair +of _Jess_ and there is the affair of _Jess's_ father; and in regard to +the second of these I would say that I am a little tired of adventurous +women who are first attracted by dollars and then find that they are +head over ears in love with the man himself. But in case you are not +adequately intrigued by either of these romances, I can also tell you +that _Sir William_ (big and burly) and _Trixie Harrison_, though +married, gave considerable cause for anxiety before with "outstretched +hands she went tottering towards him." Even the most jaded novel-readers +will suffer thrills and surprises from _The Music Makers_, and +occasionally, perhaps, they will wonder whether coincidence's long arm +has not been stretched to the point of dislocation. However that may be, +the book is breezy and its author is lavish of her material. +Parsimonious writers would have made half-a-dozen novels out of the +stuff of Mrs. CREED'S book. + + * * * * * + +Illustration: THE ART OF WINDOW-DRESSING. + +_Shop-Manager (sternly, to assistant)._ "SURELY, MR. JENKINS, YOU OUGHT +TO KNOW BETTER THAN TO PUT THE KITCHEN COBBLES IN THE CENTRE VASE. +REMEMBER IN FUTURE THAT IT IS ABSOLUTELY NECESSARY YOU SHOULD ALWAYS +STRIKE THE KEY-NOTE WITH THE _SELECTED NUTS_." + + * * * * * + +Illustration: EPILOGUE. + + * * * * * + + MORE MUNITIONS OF PEACE. + + (_An Episode in the Camp of the Nationalist Volunteers._) + + +Several further months had elapsed in the history of the scheme for the +"better government of Ireland." The Home Rule Bill had been read for the +third time in the Inferior Chamber, but, apart from this conciliatory +action, no effective attempt had been made to avert the horrors of Civil +War. + +Meanwhile two coups had been planned, of which the one failed and the +other succeeded. And during the arrangements for the first coup (for it +got no further than the preparatory stage--and even this was denied) it +was revealed that British officers were not very greatly inclined to +shoot down their fellow-countrymen for the sake of the _beaux jeux_ of a +political party. And for this the politicians of that party, selecting +the worst name they could think of, described these officers as +politicians. And the cry of "The Army _v._ the People," started by a +Labour Member (who wore a large hat), and supported by the FIRST LORD OF +THE ADMIRALTY (who wore a small one), was raised very high and then +dropped, as likely to prove inexpedient. + +But the other coup (which succeeded) was a very clever feat of +gun-running on the part of the Ulster Volunteers. And, the law having +been broken, the Government, as its guardian, determined to take no +punitive measures--an attitude that was repellent both to Sir WILLIAM +BYLES and to Mr. NEIL PRIMROSE. + +And now there grew up in each political party a body of rebellion. For +on the Liberal side there were those, notorious at other seasons for +their advocacy of peace at whatever charges, who gave out that there +were worse things than Civil War, and one of the worse things was the +stultification of their own projects, or, as they put it, of the Will of +the People; though they showed no strong anxiety to discover, by the +usual tests, what the Will of the People might actually be in the +matter. + +And on the Unionist side there were those who said that they would do +nothing to provoke Civil War, but that, since it took two sides to +conduct a Civil or any other kind of War, and the British Army was +apparently not available, there was no fear of Civil War, and they (the +Unionist Party) could well afford to stiffen themselves about the lips. + +And all this tended to embarrass the labours (if any) of those leaders +who were still supposed to be holding communion together for the +furtherance of a compromise. + +Now, among the Ulster Volunteers, though perfect sobriety was exhorted +and maintained, it was excusably felt that it would be a pity if so fine +a force should have been raised and armed at such expense and sacrifice +and then have no chance of showing what it could do. And this feeling +evoked sympathy in the breasts of the Irish of the South and West; and +they said to them of Ulster, "Rather than see your army wasted we will +ourselves raise one for you to shoot at." And this they did, in part for +sheer joy of the chance of a fight, and in part for admiration of the +sportsmanship of a people that had defied a British Government. And +though some joined the new Volunteers for love of Home Rule, and with +the object of offering themselves as substitutes for the British Army, +yet the promoters were content to allege, vaguely and inoffensively, +that their object was just the protection of Irish liberty, whatever +that might be taken to mean. And, being Irish, no exact logic was asked +of them. + +But at first Mr. REDMOND, as a supporter of the law, and scandalised by +its breach in Ulster, declined to approve this illegal development, +which for the rest he regarded as negligible. But later, when it had +grown too large to be ignored, he generously consented to overlook its +illegality and to place it under official patronage. But his offer was +received in a spirit of very regrettable independence. On reflection, +however, this attitude was exchanged for one of sullen submission. + +Now a private army is a dangerous thing when you know what it is for; +but it is a very dangerous thing when you don't. And there were +cynics--not too frivolous--who held that the best course for the +Government would be to withdraw from Ireland for the time being and +leave Ulster and the Rest to come to an agreement of their own, either +with or without a bloody prelude. And there were other critics--not much +more frivolous--who replied that, if we walked out of Ireland and left +Ulster and the Rest to come to terms, they might get to understand one +another to such good purpose that we should never have the opportunity +of walking in again. + +And the Government's only consolation lay in the thought that the Rest +of Ireland lacked the munitions of war owing to the vigilant precautions +taken to prevent the importation of arms into Ulster. + + * * * * * + +A thrill of emotion rippled over the tented plain. Into the camp of the +Nationalist Volunteers had dashed a motor-car which was taken to be the +forerunner of a great consignment of smuggled arms, for it contained a +bulky wooden case with the label "Munitions of Peace" pasted upon its +façade--a superscription that might well have been designed to mislead +the wariest of coastguards and patrols. Its sole convoy was an old +gentleman--evidently selected for the part, for by his air of simple +benevolence you would have judged him the last man in the world to be +suspected of nefarious practices. + +A cry of bitter disappointment broke out on the discovery that the +"munitions" consisted of nothing but books. But the uproar died down as +the old gentleman was seen to assume the attitude of an orator. His +words were at first received in courteous silence; then with sympathetic +approval; finally with deafening applause. + +"Nationalist Volunteers!" he said: "I come from performing a similar +mission of camaraderie among the hosts of Ulster. I am no partisan. I am +like a certain philanthropist of whom I have heard who purveyed sherbet +to the rival camps of the Sultan of MOROCCO and the Pretender. I trust +that my fate may not be his, for he was the sole person killed in one of +the noisiest battles ever fought in the environs of Fez. + +"This tome, identical with the rest of my munitions of peace, embodies +(for I made the contents myself, and so ought to know) the highest +wisdom mingled with the purest material for mirth. Its contemporaneous +perusal in both camps should encourage a common ideal of humour and so +promote mutual respect and affection. + +"I would go even further and express the hope that here may be found a +spirit of genial tolerance which, if assimilated by all parties, will +infallibly lead to a solution of the Irish Question without the +inconvenience of bloodshed. Gentlemen, permit me!" And thereupon he +presented to the admiring gaze of his audience _Mr. Punch's_ + +ONE HUNDRED AND FORTY-SIXTH VOLUME. + + * * * * * + + ILLUSTRATION: CARTOON. + + ILLUSTRATION: INDEX + + +PARTRIDGE, BERNARD + After Ten Years, 311 + Amending Bill (The), 411 + Asquith to the Rescue (An), 271 + Couleur d'Orange, 51 + Crescendo, 371 + Desperate Remedies, 151 + Devotee of "The Doctrine" (A), 171 + Diversion (A), 331 + Dove of Peace (The), 491 + From Fife to Harp, 291 + Gift Horse (The), 111 + Holiday Task (A), 431 + Latest Velasquith (The), 211 + Missing Word (The), 131 + Neptune's Ally, 231 + New Bellerophon (The), 91 + New Shylock (The), 391 + Price of Admiralty (The), 71 + "Sincerest Flattery" (The), 451 + "There's Many a Slip...", 251 + Triumph of the Voluntary System, 471 + Ulster King-at-Arms (The), 351 + Wooing (The), 191 + +RAVEN-HILL, L. + After Closing Hours, 243 + Black Man's Burden (The), 43 + Captains Courageous, 483 + Circus of Empire (The), 423 + Clean Slate (A), 103 + Coalition Touch (The), 403 + Concert of South America (The), 383 + Easter Egg (An), 263 + Exit Tango, 83 + Fight for the Banner (The), 283 + Giants Refreshed, 443 + Gift for Gift, 183 + Lightening the Darkness, 223 + Nine Old Men of the Sea (The), 163 + One of Us--Now, 123 + Penny Wisdom, 203 + Penultimatum (A), 303 + Refreshing the Fruit, 463 + Sand Campaign (The), 31 + Sitting Tight, 343 + "Sort of War" (A), 323 + Splendid Paupers (The), 11 + Swashbucklers (The), 363 + Throne Perilous (The), 143 + Trust Clinch (The), 63 + +TOWNSEND, F. H. + Earthly Paradise (The), 3 + Sea-Change (A), 23 + + * * * * * + +ARTICLES. + + +AUMONIER, STACEY + Moon (The), 246 + +BILSBOROUGH, J. H. + Mr. Punch's Pantomime Analysis, 122 + +BIRD, A. W. + Given Away, 46 + Manners for Parents, 162 + +BIRRELL, S. E. + To Minki-Poo, 158 + Toast (A), 441 + +BREX, J. TWELLS + Key to Cubism (A), 106 + +CHALMERS, P. R. + Adventurers, 478 + Annabel Lee, 290 + Below the Wire, 390 + Big Trout (The), 487 + Buddha, 100 + Con, 277 + Fox (The), 196 + Huntsman's Story (The), 16 + In March, 216 + Johnny Rigg, 354 + Old China, 258 + Pandean, 336 + Song, 221 + Tattie-Bogle (The), 425 + To Septimius on Trout, 138 + Tortoiseshell Cat (The), 178 + Trophy (The), 106 + Uncle Steve's Fairy, 68 + West Highland, 368 + +CLAUGHTON, HAROLD + Lost Leader (A), 180 + +COCHRANE, ALFRED + Rock Gardeness in London (The), 475 + +COLLINS, G. H. + Best Policy (The), 222 + Pessimism, 77 + Second-hand Serenade (A), 488 + +DARK, RICHARD + Two Eyes of Gray, 455 + +DAVIS, OSWALD H. + How to Get On Off-hand, 262 + +DUFFIN, Miss RUTH + Advance Finale (An), 453 + +ECKERSLEY, ARTHUR + Reversible Rhetoric, 275 + Silver Jubilee (A), 366 + Three-Card Trick (The), 426 + Three Wishes (The), 113 + Winter Sports, 27 + +EDEN, Mrs. + Idol of the Market Place (An), 218 + "Sir Bat-Ears", 489 + +EDWARDES, C. + Continental Intelligence, 15 + +ELIAS, F. + Food--Not Merely for Thought, 227 + Very Much Greater London, 417 + +EMANUEL, WALTER + Charivaria, weekly + What Our Readers Think of Us, 13 + +FARJEON, HERBERT + Question of Courtesy (A), 338 + +FISH, W. W. BLAIR + Bargain in Fashions (A), 347 + Carpet Sales, 255 + Charm (A), 90 + Spell (The), 13 + Sweet of the Year (The), 407 + Villain in Revolt (A), 296 + +FISHER, MURRAY + Hullo, Bedroom Scene, 436 + +FOWLER, F. G. +Bath Unrest (The), 398 + "On", 340 + Once One, 237 + +FOWLER, P. A. + Laid, 278 + Love at the Cinema, 58 + +FREEMAN, WILLIAM + Gwendolen's Hobbies, 309 + +FRENCH, C. O. + Our Literary Advice Department, 168 + +FRY, C. H. + Commercial Side (The), 82 + +GARVEY, Miss INA + At the Gates of the West, 236 + Blanche's Letters, 94, 346, 446 + Guess Who It Is, 122 + Sitter Sat Upon (The), 309 + +GITTINS, H. N. + Love's Labour, 115 + Married Man's Advantage (The), 34 + Sporting Chance (A), 357 + Welcome Flaw (A), 456 + +GRAVES, C. L. + Ballad of the Watchful Eye, 270 + Drastic Reform of Schools, 409 + Gnomes for Golfers, 170 + In the Garden of Allah, 34 + Liberals Day by Day, 267 + Qualities that Count (The), 97 + Tragedy of Middle Age (The), 55 + +GRAVES, C. L., AND LUCAS, E. V. + April for the Epicure, 286 + Artistes' Aliases, 249 + Author (The), 338 + Book-buyer (The), 266 + Cautious Conclusions, 302 + Colonel Talks (The), 405 + Country Life Exhibition, 258 + "Dash", 206 + Eavesdropper (The), 349 + Fares, 177 + Gleanings from Grub Street, 367 + Grub Street Gossip, 307 + How to Improve London, 369 + Indomitables (The), 68 + In Extremis, 116 + Laconics, 48 + Letters and Life, 129 + Lidbetter, 85 + Mr. Balfour: Mixed Double Life, 218 + Mr. Roosevelt's Discoveries, 362 + Music and Millinery, 65 + Musical Notes, 335, 484 + National Calamity (A), 394 + New Book of Beauty (A), 6 + Newspaper War, 422 + Nose Has It (The), 114 + Novelist and Millionaire, 345 + Oblique Method (The), 95 + One of Our Greatest, 406 + One Way With Them, 196 + Our Ready Writers, 109 + Popular Misconceptions, 226 + Professor Splurgeon on Personality, 336 + Record Risks, 17 + Romance of a Battleship (A), 5 + Secret Out (The), 28 + Studies in Discipleship, 185 + Sufferer (The), 386 + Tempora Mutantur, 478 + Too Good to be True, 128 + Water is Best, 350 + Water on the Brain, 216 + When Boss Eats Boss, 127 + Young Everything (The), 467 + +HARTY, FRANK + Mouse of Mydra (The), 434 + +HASLAM, RALPH + Critic at the R.A. (The), 312 + +HASTINGS, B. MACDONALD + How the Championship was Won, 482 + +HERBERT, A. P. + Call of the Blood (The), 470 + +HODGKINSON, T. + Cry for Guidance (A), 120 + Danger Signal (The), 157 + Hospitable Door (The), 98 + Last Straw (The), 8 + News from the Front, 327 + Next of the Dandies (The), 241 + Noblest Work of Man (The), 365 + Piercing of the Veil (The), 385 + Sign of Decay (A), 174 + Time Exposure(A), 461 + +HOPKINS, E. T. + Moan of the Old Horses (The), 73 + Young Mother's Swan Song, 21 + +HOSKEN, J. F. + An Apology that Made Things Worse, 148 + Curling, 48 + Interviewing Father, 166 + Miranda's Will, 76 + +HUGHES, C. E. + Great Occasion (A), 438 + +JENKINS, ERNEST + Bludyard, 406 + Kakekikokuans (The), 47 + Little Wonder (The), 16 + New Penny Paper (The), 205 + Strike of School Teachers (The), 121 + +JOHNSTON, ALEC + Argumentum ad Feminam, 276 + Coward (The), 37 + Local Colour, 89 + "Milestones", 376 + Old Master (The), 74 + Slit Trouser (The), 206 + Stanzas written in Dejection before Matrimony, 230 + Subscription (The), 10 + +KENDALL, Captain + Floral Dangers, 374 + Hen (The), 130 + House of Punch (The), 46 + Shop, 256 + Wild Swan (The), 210 + +KIDD, ARTHUR + Earthly Hades (The), 458 + Myth of Bond Street (A), 298 + +KIRK, LAURENCE + Billiards à la Golf, 69 + "For Professional Services", 117 + +KNOX, E. G. V. + Amending a Bill, 466 + Chimes and the Chube (The), 227 + "Cines" of the Times, 125 + Civil War, 329 + Forgiveness, 190 + Hazard on the Home Green (A), 442 + Highway Loot, 388 + Inspiration, 410 + Ivory, 87 + Loop! Loop!, 38 + Manes à la Mode, 110 + Manly Part (The), 265 + Moving, 167 + Nocturne, 287 + Olympic Talent, 67 + Perfection, 370 + "Punch" in his Element, 250 + Revelation Revised, 490 + Revenge, 50 + Smile of the Sea Kings (The), 430 + Sporting Offer (A), 450 + +LANGLEY, F. O. + Audit (The), 402 + Billet Doux, 388 + Bygone (A), 58 + Character (A), 158 + Epidemic (The), 78 + Impressing of Perkins (The), 328 + Modern Idyll (A), 93 + Nonentity (A), 285 + Old Friends, 30 + Opportunist (The), 198 + Root of all Evil (The), 457 + Spectrum (The), 235 + +LAWS, A. GORDON + What to tell an Editor, 25 + +LEHMANN, R. C. + Abandoner (The), 458 + Bad Dream (A), 38 + Beer Fight (The), 77 + Exile, 278 + Federal Solution (The), 298 + Great Resigner (The), 142 + Hat (The), 202 + Jobson's, 222 + Last Straw (The), 57 + Lean-to Shed (The), 116 + Legal Document (A), 488 + May Picnic (A), 418 + Mediation, 398 + Not a Line, 435 + Odd Man (The), 255 + Paper-Chase (The), 14 + Per Asparagos ad Astra, 325 + Peter, a Pekinese Puppy, 347 + Post Office Savings Bank (The), 318 + Roosevelt Resurgit, 465 + Singing Water, 147 + Smiles and Laughter, 187 + Sultan of Morocco (The), 378 + Trying-on, 96 + Wedding Present (The), 176 + +LONGSTAFF, GILBERT + Time's Revenge, 238 + +LUCAS, E. V. + Another Information Bureau, 436, 456 + In the Brave 3d. Days, 225 + Once upon a Time, 55, 314 + +LUCY, HENRY + Essence of Parliament, 133, 153, 173, 193, 213, 233, 253, 273, 293, + 313, 333, 353, 373, 393, 413, 433, 473 + +McCLELLAND, W. E. + Yellow Furze (The), 86 + +MARILLIER, Mrs. + Points of View, 238 + To my Husband's Banker, 362 + +MARSHALL, ARCHIBALD + Cabinet Crisis (A), 54 + +MARTIN, N. R. + Cabinet Meets (The), 102 + End of It All (The), 182 + New Journal-Insurance (The), 23 + Politics on the Links, 302 + Red Head and White Paws, 474 + Royalists (The), 146 + "Scene" in 1916 (A), 322 + Signers of the Times, 217 + +MATKIN, C. + Way Out (The), 438 + +MELVIN, H. E. + Lord of the Leviathans (The), 378 + +MILNE, A. A. + At the Play, 195, 375 + Competition Spirit (The), 348 + Complete Dramatist (The), 428, 448, 462 + "Driven", 486 + Farewell Tour (A), 42 + "Grumpy", 396 + Hanging Garden in Babylon (A), 408 + Lesson (The), 108 + My Lord's Dinner, 326 + Obvious (The), 308 + Oranges and Lemons, 188, 208, 228, 248, 208, 268, 288 + Play of Features (A), 2 + Same Old Story (The), 26 + Silver Linings, 66 + Strong Man (The), 88 + "Wrongly Attributed", 368 + +MUIR, WARD + London's Links with the Past, 237 + +NAISMITH, J. B. + Every Author's Wife, 148 + In Search of Peter, 289 + +PHILLIPS, C. K. + Post Office Again (The), 53 + Telephone Again (The), 175 + To Obey or Not to Obey, 36 + +POPE, Miss JESSIE + Bomb (The), 282 + Downward Trend (The), 194 + Militant's Song (The), 168 + Vagrant (A), 385 + +RANDELL, WILFRID L. + Art of Conversation (The), 296 + Can-Can (The), 454 + Perfect Conductor (The), 162 + +REDINGTON, Miss S. + Legend of Everymatron (The), 95 + +RIGBY, REGINALD + Language of Colour (The), 390 + Security, 98 + +RISK, R. K. + Cowl (The), 294 + +RITTENBERG, MAX + Cinema Habit (The), 215 + +SALTER, Miss GURNEY + "Pereant Qui Ante Nos ...", 302 + +SALVIDGE, STANLEY + Man of the Evening (The), 468 + +SEAMAN, OWEN + At the Play, 18, 56, 74, 135, 156, 178, 276, 316, 356, 376, 416, 476 + Bowles without a Bias, 102 + Byles for the Bill, 182 + Civil War Estimates, 142 + Cockaigne of Dreams (A), 62 + General Villa breaks into Poetry, 322 + "Grand Nights", 482 + Holiday Mood (The), 422 + In Memoriam (Sir John Tenniel), 162 + Prancing Prussian (A), 22 + Smithers, B. C., 82 + Spirit of Ulster and the Army (The), 242 + To Mr. Chamberlain, 40 + To the Cabinet, 280 + Ulster for Scotland, 442 + Unhappy Mean (The), 362 + Union of Irish Hearts (The), 282 + "Who Fears to Speak of"--Nineteen-six?, 382 + +SMITH, BERTRAM + Bazaar Cushion (The), 126 + Corncrake (The), 418 + Game Licence (The), 28 + Vandalism, 387 + +SMITH, C. TURLEY + Fuser (The), 354 + Triumph of Thinness (A), 234 + +SMITH, E. B. + Business friendship, 382 + +STERNE, ASHLEY + Buying a Piano, 414 + +SYKES, A. A. + Deadly Button (The), 155 + Intellectual Damage to Animals, 138 + Pidgin Trot (The), 70 + +TOMBS, J. S. M. + In the Park, 466 + Isabel in Springtime, 327 + Proof, 275 + Season's Delights (The), 334 + +WHITE, R. F. + Amende Déshonorable, 1 + Belles Lettres and Others, 169 + Canal (The), 154 + Commercial Art, 297 + Converted Statistician (The), 78 + Epic from the Provinces (An), 358 + Ideal Film Plot (The), 149 + Ring (The), 197 + +WILSON, A. J. A. + Serenity, 480 + +WODEHOUSE, P. G. + Egbert, Bull-frog, 242 + Misunderstood, 6 + Sluggard (The), 306 + +WYNDHAM-BROWN, W. F. + Political Correspondence (A), 256 + + * * * * * + +PICTURES AND SKETCHES. + + +ARMOUR, G. D., 19, 37, 59, 79, 97, 117, 139, 147, 197, 219, 259, 279, + 299, 319, 335, 359, 379, 397, 417, 459, 479 + +BAUMER, LEWIS, 70, 85, 110, 150, 190, 269, 337, 410, 470 + +BAYNES, PHILIP, 430, 490 + +BELCHER, GEORGE, 129, 159, 189, 225, 265, 297, 307, 339, 375, 399, + 419, 457, 469 + +BIRD, W., 21, 41, 100, 137, 180, 206, 241, 295, 306, 467 + +BRIGHTWELL, L. R., 5, 141, 167, 347, 446, 484 + +BROOK, RICARDO, 114, 281, 441 + +CHENEY, LEO, 35 + +COBB, Miss RUTH, 175 + +COWES, DUDLEY S., 261 + +DIXON, G. S., 400 + +DOWD, J. H., 61, 87, 249, 481 + +FENNING, WILSON, 461, 466 + +FRASER, P., 86, 106, 236, 321, 386, 406 + +GILL, ARTHUR, 218 + +GRAVE, CHARLES, 7, 29, 201, 226, 370, 387, 401, 429, 477 + +HARRIS, H. H., 286 + +HARRISON, CHARLES, 36, 65, 246, 434, 455 + +HART, FRANK, 57 + +HASELDEN, W. K., 18, 56, 135, 136, 156, 178, 276, 316, 326, 356, 375, + 376, 396, 416, 476, 486 + +HENRY, THOMAS, 75, 94, 301 + +HINCKLING, P. B., 366 + +JENNIS, G., 17, 69, 155, 217 + +LLOYD, A. W., 14, 118, 133, 134, 153, 154, 173, 174, 193, 194, 213, + 214, 233, 234, 253, 273, 274, 293, 294, 313, 314, 333, 334, 353, + 354, 373, 374, 393, 394, 413, 414, 433, 454, 473, 474, 493, 494 + +LUNT, WILMOT, 74, 270 + +MAYBANK, THOMAS, 209 + +MILLS, A. WALLIS, 9, 33, 49, 77, 90, 169, 199, 215, 227, 255, 207, 315, + 327, 349, 395, 415, 427, 453, 475 + +MOBBS, HEDLEY A., 287 + +MORROW, E. A., 460 + +MORROW, GEORGE, 20, 40, 60, 80, 99, 120, 140, 160, 179, 200, 220, 240, + 260, 280, 300, 310, 340, 360, 377, 389, 420, 440, 480, 496 + +NORRIS, A., 27, 67, 115, 121, 166, 207, 320, 346, 381, 421, 487 + +PARTRIDGE, BERNARD, 1 + +PEARS, CHARLES, 55, 89, 119, 237, 380, 437 + +PEGRAM, FRED, 53 + +PRANCE, BERTRAM, 266 + +RAVEN-HILL, L., 50, 289, 330, 390, 498 + +REYNOLDS, FRANK, 107, 170, 187, 247, 317 + +ROSE, D. T., 81 + +ROUNTREE, HARRY, 15, 39, 355 + +SHEPARD, F. H., 6, 30, 113, 135, 165, 181, 229, 350, 407, 449 + +SHEPPERSON, C. A., 130, 145, 210, 230, 250, 309, 329, 409 + +SIMMONDS, GRAHAM, 10, 126, 336, 447 + +SMITH, A. T., 13, 101, 127, 146, 195, 257, 357, 361, 367, 439 + +STAMPA, G. L., 25, 47, 95, 105, 157, 235, 275, 290, 341, 369, 435, 450 + +STRANGE, C. S., 186, 426 + +TERRY, S., 254 + +THOMAS, BERT, 495 + +THORPE, J. H., 177, 489 + +TOWNSEND, F. H., 45, 73, 93, 109, 125, 149, 161, 185, 205, 239, 245, + 262, 277, 285, 305, 325, 345, 365, 385, 405, 425, 445, 465, 485 + +WOOD, STARR, 54 + +YOUNG, D. A., 221 + + * * * * * + +ILLUSTRATION: FINIS. + + * * * * * + + + + + +End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. +146, June 24, 1914, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + +***** This file should be named 25560-8.txt or 25560-8.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/5/5/6/25560/ + +Produced by Neville Allen, Malcolm Farmer and the Online +Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Punch, or the London Charivari, Vol. 146, June 24, 1914 + +Author: Various + +Editor: Owen Seaman + +Release Date: May 22, 2008 [EBook #25560] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + + + + +Produced by Neville Allen, Malcolm Farmer and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + +</pre> + + + + + +<h1>PUNCH, OR THE LONDON CHARIVARI.</h1> + +<h1>VOL 146</h1> +<hr class="full" /> +<h1>JUNE 24, 1914.</h1> +<hr class="full" /> +<span class='pagenum'><a name="Page_481" id="Page_481">[Pg 481]</a></span> + + +<h2>CHARIVARIA.</h2> + + +<p>The Cambridge University Boat Club has decided to spend £8,000 in +improving the Cam. There is talk of making it into a river.</p> + +<hr class="short" /> + +<p>Says a writer in a contemporary, "Don't live in a houseboat during a +flood." And yet <span class="sc">Noah</span> always declared that he owed his life to having +done so.</p> + +<hr class="short" /> + +<p>The gentlemen who formed <span class="sc">M. Ribot's</span> Cabinet are objecting to being +described as "The One-Day Ministry." They were, they assert, in office +for some hours more than that.</p> + +<hr class="short" /> + +<p>The attack on M. <span class="sc">Ribot's</span> Ministry in the matter of the Three Years' +Service was led in the Chamber by three quite undistinguished +Socialists; and the contest was described succinctly by an unsympathetic +onlooker as "<i>Trois ânes</i> v. <i>Trois ans.</i>"</p> + +<hr class="short" /> + +<p>By the way, M. <span class="sc">Viviani's</span> Finance Minister is, we see, <span class="sc">M. Noulens</span>. Is he, +we wonder, any relation of M. Noulens-Voulens?</p> + +<hr class="short" /> + +<p>The <span class="sc">Kaiser</span> has commanded that the Colonial War Memorial to be erected in +Berlin shall take the form of an elephant. Presumably it is to be of +Parian marble in order to signify that some of the German colonies are a +bit like a white elephant.</p> + +<hr class="short" /> + +<p>A French squadron of eighteen vessels has lately been visiting Portland. +It was perhaps a little unfortunate that Admiral <span class="sc">Callaghan's</span> ship should +have been <i>The Iron Duke</i>—but no doubt our tactful officers explained +to their visitors that the vessel had been so named after a wealthy +iron-master who had been ennobled.</p> + +<hr class="short" /> + +<p>The report that an airship expedition is being prepared against the <span class="sc">Mad +Mullah</span> is said to have caused keen delight to the old gentleman, as he +has never seen an aeronautical display of any kind.</p> + +<hr class="short" /> + +<p>It is now suggested that when Mr. <span class="sc">Hobhouse</span> took possession of H.M.S. +<i>Monarch</i>, he was labouring under the delusion that he was +Postmaster-Admiral as well as Postmaster-General.</p> + +<hr class="short" /> + +<p>The publication of <i>The Best of Lamb</i>, by Messrs. <span class="sc">Methuen</span>, reminds one +that a literary butcher once complained that <span class="sc">Lamb</span> had not been issued in +The Canterbury Poets.</p> + +<hr class="short" /> + +<p>Although Mr. <span class="sc">T. P. O'Connor</span> is severing his connection with <i>T. P.'s +Weekly</i> the name of the paper will not be changed. This sort of thing is +well calculated to confuse and unsettle the public. "T. P. or not T. P.? +that'll be the question."</p> + +<hr class="short" /> + +<p>It is denied that the title of our newest magazine—<i>Blast</i>—was +suggested by Mr. <span class="sc">Bernard Shaw</span>.</p> + +<hr class="short" /> + +<p>"Old Spot Pigs," we are informed, are now being bred successfully once +more. It surprises us to hear this announced as a triumph. One would +have thought that in these days of beauty culture a clear complexion +would have been the desideratum.</p> + +<hr class="short" /> + +<p>"If," says a contemporary, "the middle-class girl were regularly +provided with a dowry, the matrimonial enthusiasm of young men would +probably be stimulated." We cannot imagine how people think of these +clever things.</p> + +<hr class="short" /> + +<p>Members of the Women's Social and Political Union are, says <i>The Daily +Mail</i>, boycotting West-End shopkeepers and stores not advertising in the +Militant organs. However, if the rest of the public will agree to +boycott such firms as do advertise in these organs the matter should +come all right.</p> + +<hr class="short" /> + +<p>A warning has been issued to pic-nic parties as to the danger from +adders, which are exceptionally numerous this year. They are apt to bite +if suddenly sat upon, and prudent persons are taking the precaution of +sitting on their plates.</p> + +<hr class="short" /> + +<p>"I shall never," writes a journalist in <i>The Express</i>, "forget the +shudder with which I saw a very well-known dramatist at a garden party +eating strawberries with his gloves on." We ourselves sometimes have +these sudden sensations, but, unlike the writer, are very prone to let +them slip out of our memory.</p> + +<hr class="short" /> + +<p>A dress-designer, we read, went mad one day last week in Paris and fired +a number of revolver shots at the police. To judge by many of the +creations one sees there must be quite an epidemic of mental deficiency +just now among designers of modes.</p> + +<hr class="short" /> + +<p>"Bags," we read in a lady's paper, "are going out of fashion." Men will, +however, continue to wear them.</p> + +<hr class="short" /> + +<div class="figcenter" style="width: 60%;"> +<a href="images/481.png"> +<img width="100%" alt="Now mention +three great Admirals." src="images/481.png"/> +</a><br /><br /> +<p><i>Examining Admiral</i> (<i>to naval candidate</i>). "<span class="sc">Now mention +three great Admirals</span>."</p> +<p><i>Candidate.</i> <span class="sc">"Drake, Nelson and—I beg your pardon, Sir, I didn't quite +catch your name</span>."</p> +</div> + +<hr /> + +<p>From a list of awards at the Horse Show:—</p> + +<div class="blockquot"><p>"Riding Jonies ... Shetland Jones ... Pairs of Pones ..."—<i>Morning +Post.</i></p></div> + +<p>You see the animal they mean.</p> + +<hr /> + +<div class="blockquot"><p>"Cutter wanted for ladies' and gentlemen's trade; city house; state +experience, salary."</p></div> + +<p>An ordinary enough advertisement, but <i>The Irish Times</i> imparts a +certain melancholy humour to it by inserting it in the section headed +"Yachts, Boats, etc."</p> + +<hr /> +<span class='pagenum'><a name="Page_482" id="Page_482">[Pg 482]</a></span> +<h2>"GRAND NIGHTS."</h2> + +<div class="poem"><div class="stanza"> +<p class="i0">O benchers of the various ancient Inns</p> +<p class="i2">At whose so generous tables I have battened,</p> +<p class="i0">Where potions of the best and fruitiest bins</p> +<p class="i2">And fare on which <span class="sc">Lucullus</span> might have fattened</p> +<p class="i6">Tend to reduce the awe</p> +<p class="i2">Proper to laymen shadowed by the Law;</p> +</div><div class="stanza"> +<p class="i0">How good I find it, full of meat, to sit</p> +<p class="i2">(The while Oporto's juice of '87,</p> +<p class="i0">Served on the polished board with silver lit,</p> +<p class="i2">Heartens me to postpone the joys of Heaven)</p> +<p class="i6">And hear, <i>remotis curis</i>,</p> +<p class="i2">The legal jest, the apt <i>scintilla juris</i>.</p> +</div><div class="stanza"> +<p class="i0">But most I compliment, with thanks profuse,</p> +<p class="i2">The touch that gives your feasts their crowning savour,</p> +<p class="i0">Whose absence must have marred the duckling <i>mousse</i>,</p> +<p class="i2">Ruined the <i>neige au Kirsch</i>, and soured the flavour</p> +<p class="i6">Of Madame <span class="sc">Melba's</span> peaches—</p> +<p class="i2">I mean the pledge upon my card, "No Speeches."</p> +</div><div class="stanza"> +<p class="i0">There's only one I like, and that's "The <span class="sc">King</span>"!</p> +<p class="i2">(I give the text in full—no superfluities);</p> +<p class="i0">Why should I have to hear some dodderer sing</p> +<p class="i2">Praise of the Government (whichever crew it is),</p> +<p class="i6">While some one else endorses</p> +<p class="i2">The obvious merits of our fighting forces?</p> +</div><div class="stanza"> +<p class="i0">If I have dined too well, to-morrow's cure</p> +<p class="i2">Shall be the fine for my excessive feasting;</p> +<p class="i0">But, at the night's tail-end, I can't endure</p> +<p class="i2">A punishment that bores me like a bee-sting,</p> +<p class="i6">Poisoning all the mirth</p> +<p class="i2">That should companion my distended girth.</p> +</div><div class="stanza"> +<p class="i0">For this relief from those who spoil the vine</p> +<p class="i2">(How oft have I refused, O learned Benchers,</p> +<p class="i0">For fear of speeches, other men's and mine,</p> +<p class="i2">The chance of feeding off the choicest trenchers)—</p> +<p class="i6">For this relief I rank you</p> +<p class="i2">High up among my benefactors. Thank you.</p> +</div></div> + +<p class="author">O. S.</p> + +<hr /> + +<h2>HOW THE CHAMPIONSHIP WAS WON.</h2> + +<p class="center">(<i>A Story of 1918.</i>)</p> + +<p>The last match of the season was between Kent and Somerset. Kent and +Surrey were at the top of the Championship table, with the following +percentages:—</p> + +<p class="center"> +Kent 87.51<br /> +Surrey 87.23<br /> +</p> + +<p>Surrey had completed its programme. Thus all depended on the result of +this Kent-Somerset match. To become champions Kent had either to win +outright or to keep their percentage intact by the circumstance of both +sides not completing an innings.</p> + +<p>Play was impossible on the first day owing to rain. On the second day +Somerset scored 157. Rain fell again and Kent were unable to commence +their innings till the afternoon of the third day. Obviously they had to +strain every nerve to accomplish two things: (1) to avoid getting out +and (2) to avoid scoring more than 157. At all hazards they must neither +win nor lose on the first innings. They could not win the match. There +was no time. And either a win or a loss on the first innings would lower +their percentage sufficiently to enable Surrey to go to the top. For in +the matter of averages it is better under certain conditions not to have +fought at all than to secure only a portion of the honours.</p> + +<p>It was an extraordinary afternoon's cricket. The Kent batsmen were very +careful, but two minutes before time there were 156 runs on the board +and the last two batsmen were at the wicket. If a wicket fell or a +couple of runs were scored Kent would lose the Championship. Strong men +shivered like leaves as ball after ball was steadily blocked by the +batsmen. Red-faced farmers wore their pencils to stumps in explaining +the appalling alternatives. Somerset, in the most sporting spirit, were +trying their hardest. A couple of deliberately-bowled wides would, of +course, have given Surrey the championship, but Somerset were playing +for the honour and glory of defeating Kent on the first innings.</p> + +<p>The last two Kent men displayed wonderful nerve. The straight ones were +carefully stopped and every ball off the wicket was left alone. Needless +to say the softest long hop to leg would not have tempted them to hit.</p> + +<p>When the bowler prepared to deliver the last ball of the day the very +trees round the ground seemed to stop whispering. It was a good length +ball, very fast and pitched slightly to the off. The batsman raised his +bat, expecting it to fly past the wicket. To his horror it nipped in. +Down came the bat in frantic haste. Heaven be praised! Just in time! The +bat just snicked the ball off. It missed the wicket by an eighth of an +inch and shot away to leg.</p> + +<p>Then occurred one of those incidents that men boast of having witnessed, +one of those strange happenings in sport that are recounted to +generation after generation.</p> + +<p>The ball had shot away to leg where there was no fieldsman. One of the +slips immediately made after it. The batsmen naturally did not run as +they did not wish to score. But suddenly it occurred to the striker that +it might reach the boundary, that the slip field might not be fast +enough to catch it up, and that, therefore, Kent would win on the first +innings and in so doing lose the championship. The idea flashed across +his mind almost immediately after he had hit the ball, and with a +promptness of action that was really beyond all admiration he dropped +his bat and ran like a madman in pursuit of the ball.</p> + +<p>He easily outstripped the Somerset slip, who was rather a stout man, and +fled like a hare after the little red devil that was scorching fast in +search of the fatal four.</p> + +<p>Men groaned in the agony of their excitement and women shrieked +hysterically.</p> + +<p>On flew the gallant Kent batsman. Nearer and nearer he got to the ball. +He overtook it. He stopped it. Three inches from the boundary he fell on +it and hugged it to his chest. The match was a draw, a glorious draw! +Neither side had won or lost a point. It did not count in the +Championship table. Kent were Champions!</p> + +<p>In the mad excitement of the moment no one thought of appealing on the +question of handling the ball or interfering with the field. Moreover +both the umpires had swooned and were being removed on shutters. The +result stood. The hero of the game was carried into the pavilion by two +music-hall agents and a reporter.</p> + +<hr /> + +<h4>Editorial Amenities.</h4> + +<div class="blockquot"><p>"I have no fault to find with 'Towser,' except that it is very much +like scores of other dog stories; that is probably why you have +failed to place it. Have you tried the 'Manchester Guardian'?"</p> + +<p><i>T.P.'s Weekly.</i></p></div> + +<hr class="short" /> + +<div class="blockquot"><p>"What comes after Home Rule?—Mormons in Germany."</p> + +<p><i>Vancouver Daily Province.</i></p></div> + +<p>Fortunately we shan't mind that.</p> + +<hr /> + +<span class='pagenum'><a name="Page_483" id="Page_483">[Pg 483]</a></span> + +<div class="figcenter" style="width: 60%;"> +<a href="images/483.png"> +<img width="100%" alt="CAPTAINS COURAGEOUS." src="images/483.png"/> +</a> +<h4>"CAPTAINS COURAGEOUS."</h4> +</div> + +<hr /> + +<span class='pagenum'><a name="Page_484" id="Page_484">[Pg 484]</a></span> + +<h2>MUSICAL NOTES.</h2> + +<p>The remarkable and altogether epoch-making article in <i>The Times</i> of the +16th inst., on the stimulating effect of the bath on unmusical people, +has already borne notable fruit. Meetings of the Governing Bodies of all +the principal Musical Colleges and Academies were held on the following +day, at which it was unanimously determined, as one of the speakers put +it, to effect a closer synthesis of harmony and ablution. Sir <span class="sc">Hubert +Parry</span>, himself celebrated in his youth for his prowess in natation, has +offered to present the Royal College of Music with a magnificent +swimming bath; Mr. <span class="sc">Landon Ronald</span> has drafted a scheme for the erection +of a floating bath in the Thames for the convenience of the Guildhall +School, and Sir <span class="sc">Alexander Mackenzie</span> has offered the students of the +R.A.M. an annual prize for the best vocal composition in praise of +saponaceous abstergents.</p> + +<hr class="short" /> + +<p>Outside our musical academies the impetus given to musicians and +composers has been equally remarkable. Professor Banville de Quantock, +whose Oriental proclivities are well known, has at once embarked on a +gigantic choral symphony, to words of his own composition, in which the +whole process and procedure of the Turkish Bath is treated historically, +dramatically and realistically in seventeen movements. The title has not +yet been definitely fixed, but it will probably be known as the +<i>Symphonie Bathétique</i>, to differentiate it from <span class="sc">Tschaikovsky's</span> +hackneyed work.</p> + +<hr class="short" /> + +<p><span class="sc">Strauss</span> is reported by Mr. <span class="sc">Kalisch</span> to be engaged on a series of +<i>Spritzbadlieder</i> of extraordinary beauty and complexity, in which a +wonderful effect is produced by the employment in the orchestral +accompaniment of a new instrument called the Loofaphone, which produces +a curious hissing noise like that emitted by a groom when using the +currycomb. Another instrument to which prominence is assigned in the +score is called the Saponola and bears a resemblance to the spalacoid +sub-family of mandrils, which have the mandibular angles in close +proximity to the sockets of the lower cephalopods. The motto of the work +is "<i>Das ewig Seifige</i>."</p> + +<hr class="short" /> + +<p>We may further note, as one of the most valuable by-products of <i>The +Times</i> article, the announcement that an international Balneo-Musical +Congress will be shortly held in the Albert Hall, with a view to +discussing the best methods of promoting harmonic hygiene. The arena, we +understand, is to be converted into a vast demonstration-tank, in which +prominent composers, conductors and singers will appear. Miss <span class="sc">Carrie +Tubb</span> has kindly promised to preside. Amongst other items in the +programme we may mention an exhibition of under-water violin-playing by +Mr. Bamberger, and a game of symphonic water-polo between two teams of +Rhine maidens, captained by Herr <span class="sc">Nikisch</span> and Sir <span class="sc">Henry Wood</span> +respectively.</p> + +<hr /> + +<div class="figcenter" style="width: 60%;"> +<a href="images/484.png"> +<img width="100%" alt="THE TRIUMPH OF THE ENEMY." src="images/484.png"/> +</a> +<h4>THE TRIUMPH OF THE ENEMY.</h4> +</div> + +<hr /> + +<h2>IDEAL HOLIDAYS.</h2> + + +<p class="center"><span class="sc">Some Further Opinions.</span></p> + +<p><i><span class="sc">Colonel Roosevelt</span>.</i>—There is no doubt whatever that the best holiday +ground is Brazil. There one can have excitement day and night. When one +is not escaping from a man-eating trout one is eluding a vampire bat. If +the time is slow one can always seek the Rapids. Next to Brazil I should +suggest the offices of the New River Company.</p> + +<p><i><span class="sc">Mr. Hobhouse</span> (P.M.G.).</i>—I know very little of holidays, having to keep +my nose to St. Martin's-le-Grind-stone day and night, but I have thought +that, if I did take a week or so off, I should choose to spend it on the +Post Office yacht, roughing it.</p> + +<p><i><span class="sc">Sir Edward Carson</span>.</i>—Such time as I can spare from Ulster and my daily +journey to and from London I should like to spend in explaining to +<span class="sc">Redmond</span> the duties of a War-lord.</p> + +<p><i><span class="sc">Mr. Frank Tinney</span> (the famous American tragedian).</i>—Ordinary holidays +is just so much junk. Me and <span class="sc">Ernest</span> don't hold with them. Our idea of a +holiday is to go down town and hear jokes. The more jokes we hear the +bigger stock we have not to tell.</p> + +<p><i><span class="sc">Mr. Winston Churchill</span>.</i>—I have often wondered if a busy administrator +might not get a very restful time by steadily refusing to fly.</p> + +<p><i><span class="sc">Mr. Asquith</span>.</i>—This talk about the constant need for holidays seems to +me to be, if I may say so, one of the great illusions of the day. The +wise man surely is he who, seated in his chair of office, welcomes every +new complication and perplexity that the moments bring, and in labour +finds the true repose.</p> + +<p><i><span class="sc">Mr. Masterman</span>.</i>—I am spending my own holiday just now very agreeably +in composing conundrums. This is my latest: "Why do I differ from my +trousers?" The answer is, "Because they don't want reseating."</p> + +<p><i><span class="sc">Lord Wimborne</span>.</i>—There is no place for a holiday like Meadowbrook.</p> + +<hr /> + +<p>A set of 12 Elizabethan "Apostle" spoons were recently offered for sale +at Messrs. <span class="sc">Christie's</span>. Only one actual Apostle (Saint <span class="sc">Peter</span>) was +available, but excellent substitutes were provided in the persons of +<span class="sc">Alexander the Great</span>, <span class="sc">Charlemagne</span>, <span class="sc">Julius Cæsar</span>, King <span class="sc">Arthur</span>, <span class="sc">Guy of +Warwick</span>, <span class="sc">Queen Elizabeth</span>, <span class="sc">Judas Maccabeus</span> and others.</p> + +<hr class ="short" /> + +<div class="blockquot"><p>"The fielding was particularly smart and the batsmen could not get +the ball away, the only hit worth mention for several hours being a +4 by Tarrant off Bullough."</p> + +<p><i>Newcastle Evening Chronicle.</i></p></div> + +<p>A few more efforts like this and we shall suspect <span class="sc">Tarrant</span> of having read +the "Brighter Cricket" articles.</p> + +<hr class ="short" /> + +<div class="blockquot"><p>"A wireless message has been received here from the liner, New +York, reporting that while in a dense fog she was struck a glancing +blow abaft the bow by the steamer Pretoria.</p> + +<p>The New York was stooping at the time, and the shock was only +slight."</p> + +<p><i>Glasgow Evening News.</i></p></div> + +<p>Showing the advantage of being caught bending.</p> + +<hr /> + +<span class='pagenum'><a name="Page_485" id="Page_485">[Pg 485]</a></span> + +<div class="figcenter" style="width: 80%;"> +<a href="images/485.png"> +<img width="100%" alt="Now then, cully, just you be careful" src="images/485.png"/> +</a><br /><br /> +<p><i>Sergeant (to new recruit who is grooming his horse very +gingerly).</i> "<span class="sc">Now then, cully, just you be careful 'ow you dust that +there 'orse; 'e's a delicate piece, 'e is, and 'e shows the slightest +scratch.</span>"</p> +</div> + +<hr /> + +<h2>"WHEN OTHER LIPS ..."</h2> + +<p>The most original feature of the Opera-Ballet, <i>Le Coq d'Or</i>, given last +week for the first time in England, was the arrangement by which the +actors were excused from singing, and the singers from acting. Chorus +and soloists, dressed uniformly, without distinction of sex, in a +nondescript maroon attire, were disposed on each side of the stage in a +couple of grand stands, from which they saw little or nothing of the +entertainment but enjoyed an uninterrupted view of the conductor. This +left the actors free to attend to the primary business of miming, which, +when it came to the distribution of applause, they clearly regarded as +the most important element in the show.</p> + +<p>I look for great things from this new departure. It is rare enough for +an operatic performer to be capable of both singing and acting, or to be +alike beautiful to look on and to listen to. Once we have accepted the +convention by which an actor's lips are allowed to move in one part of +the stage while the sound comes from a totally different quarter, we may +go further and arrange for the singers to be put out of sight +altogether. He (and more particularly, she) might be posted behind some +sort of screen, diaphanous in respect of the vocalists' view of the +conductor, but opaque to the audience. When I think of some of the +rather antique and amorphous <i>prime donne</i> of German, Italian and French +opera, I know that any scheme which would render them invisible and +permit their acting parts to be played by young and gracious figures +would meet with my unqualified approval. It would be necessary, of +course, to consult them first (a task which I would not care to +undertake), and this division of labour would no doubt entail additional +expense, but I am convinced that the pure love of art for art's sake +which is inherent in the nature of all operatic stars and syndicates +would ultimately rise superior to considerations whether of pelf or +<i>amour propre</i>.</p> + +<p class="author">O. S.</p> + +<hr /> + +<h4>From a catalogue:—</h4> + +<div class="blockquot"><p>"<span class="sc">Wells</span> (H. G.) Ann Veronica, a Modern Love Story, cr. 8vo, <i>cloth</i> +(<i>rather dull</i>)."</p></div> +<hr /> + +<h2>DOMESTIC ECONOMY.</h2> + +<div class="blockquot"><p>[Another Husband Housekeeper, supplementing the information already +published in <i>The Daily Mail</i>, reveals the system of housekeeping +by enforcing which he saves pounds and pounds and pounds a year.]</p></div> + +<div class="poem"><div class="stanza"> +<p class="i0">When Sunday's heavy meal is done</p> +<p class="i0">Our joint's career is but begun.</p> +</div><div class="stanza"> +<p class="i0"><i>Imprimis</i>, undismayed and bold,</p> +<p class="i0">It reappears on Monday, cold.</p> +</div><div class="stanza"> +<p class="i0">And lo! the same on Tuesday will</p> +<p class="i0">Appear again, and colder still.</p> +</div><div class="stanza"> +<p class="i0">The odds and ends we keep in store,</p> +<p class="i0">Divided neatly into four.</p> +</div><div class="stanza"> +<p class="i0">A portion (No. 1) will do</p> +<p class="i0">For Wednesday's so-to-speak "ragoût";</p> +</div><div class="stanza"> +<p class="i0">A portion (No. 2) will be</p> +<p class="i0">The gist of Thursday's "fricassee";</p> +</div><div class="stanza"> +<p class="i0">A portion (No. 3) supply</p> +<p class="i0">The pith of Friday's "cottage pie";</p> +</div><div class="stanza"> +<p class="i0">A portion (No. 4) will play</p> +<p class="i0">The leading <i>rôle</i> on Saturday,</p> +</div><div class="stanza"> +<p class="i0">Entitled, may be, "<i>à la russe</i>,"</p> +<p class="i0">Or, better still, "anonymous."</p> +</div><div class="stanza"> +<p class="i0">Thus is economy attained,</p> +<p class="i0">For thus is appetite constrained.</p> +</div></div> +<br /> + +<hr /> + +<span class='pagenum'><a name="Page_486" id="Page_486">[Pg 486]</a></span> + +<h2>"DRIVEN."</h2> + +<p class="center">(<i>With a slight hook to it</i>).</p> + + +<h4>I.</h4> +<div class="drama"> +<div class="direction"><span class="sc">Scene</span>—<i>The drawing-room of</i> John Staffurth, M.P. <i>Enter</i> Staffurth +<i>and</i> Barbara Cullen.</div> + +<p><i>Staffurth.</i> Barbara, the doctors have given their verdict. My wife has +only two years to live.</p> + +<p><i>Barbara.</i> John, but she looks so well! What's the matter with her?</p> + +<p><i>Staffurth.</i> Well, it's a little difficult to explain. But without being +technical I may say that it is—er—not exactly appendicitis and +yet—er—not exactly mumps. Anyhow, it's always very fatal on the stage.</p> + +<p><i>Barbara.</i> Two years! John, I'm not quite clear whether I'm <i>your</i> +relation or Diana's, or, in fact, what I'm doing in the house at all, +but as an old friend of <i>somebody's</i> may I give you a word of advice?</p> + +<p><i>Staffurth</i> (<i>looking at his watch</i>). Certainly, but you must be quick. +I have to be back at the House in five seconds.</p> + +<p><i>Barbara.</i> Then, John, give Diana a good time for those two years. Ask +her to recite sometimes, tell her about Welsh Disestablishment, at all +costs keep her amused.</p> + +<p><i>Staffurth</i> (<i>amazed.</i>) My dear girl, do you realise I'm an Opposition +Member? The Government may spring a snap division on us at any moment. +(<i>Taking out his engagement book.</i>) Still, let me see what I can do. On +July 15th, 1916—— Oh no, that will be too late. November 25th, +1915—how's that? We might have an afternoon at Kew then if the Whips +don't want me. (<i>Looking at his watch.</i>) Well, I must be off. Don't let +Diana know she's ill.</p><br /> + +<div class="direction">[<i>Exit hastily.</i> <i>Enter</i> Diana Staffurth.</div> + +<p><i>Diana.</i> I listened outside the door! Two years, and he won't even ask +me to recite to him! He doesn't love me.</p> + +<p><i>Barbara.</i> He does, he does! But he's one of those men who never show it +till the Last Act.</p> + +<p><i>Diana.</i> Well, I know somebody who doesn't mind showing it in the First +Act. (<i>Goes to telephone.</i>) Is that you, Captain Furness? I've just +learnt a new little piece.... Yes, don't be long.</p><br /> +<div class="direction">[<i>She sits down to +play the piano till he comes.</i></div> + +<h4><span class="sc">Curtain</span>.</h4> + +<h4>II.</h4> + +<div class="direction"><i>Six months later.</i> + +Captain Furness's <i>rooms</i>, 11.30 <i>p.m.</i> + +<i>Enter</i> Furness <i>and</i> Diana.</div> + +<p><i>Furness.</i> There, dear, now we can have a nice little supper together. +You do love me, don't you?</p> + +<p><i>Diana.</i> I suppose so. I love talking to you on the telephone, anyway. I +can't think what we should have done in this play without the telephone.</p> + +<p><i>Furness.</i> And you will come away with me to-morrow?</p> + +<p><i>Diana.</i> Yes. (<i>To the audience</i>) Oh, I've only got eighteen months—— +(<i>To</i> Furness) Excuse me, Philip, this is a soliloquy; would you mind +not listening for a moment? (<i>He turns away and prepares the supper.</i>) +Oh, I've only got eighteen months more, and I want to <i>live!</i> I want to +talk on the telephone to people, and keep on changing my clothes, and +recite—and—and—<i>Philip!</i> You <i>don't</i> mean to say those are <i>marrons +glacés</i> you've got there?</p> + +<p><i>Furness.</i> Rather. Don't you like 'em?</p> + +<p><i>Diana.</i> How dare you? You <i>know</i> the doctors won't let me touch them.</p> + +<p><i>Furness</i>. My dear, you never told me what the doctors said to you. What +did they say?</p> + +<p><i>Diana.</i> Well, anyhow, they said, "No more <i>marrons glacés</i>."</p> + +<p><i>Furness.</i> Really, Diana, how could I know?</p> + +<p><i>Diana.</i> You ought to have guessed. You've insulted me and I'm going +home. And I shan't run away with you now. (<i>Picks up her cloak and goes +to the door.</i>) Er—if I <i>should</i> change my mind in the morning +I'll—er—telephone.</p><br /> + +<div class="direction"><i>Next morning.</i></div> + +<p><i>Furness</i> (<i>at the telephone</i>). Yes—yes—no, Lorenzo—both ways. What? +Oh, I beg your pardon, I thought it was—is it you, Diana?... You <i>will</i> +come? Good.</p><br /> + +<div class="direction"><i>Enter</i> John Staffurth.</div> + +<p><i>Staffurth.</i> Good morning. (<i>Looking at his watch.</i>) I want a little +talk with you if you aren't busy,</p> + +<p><i>Furness.</i> Certainly. (<i>Handing box.</i>) Won't you begin a cigarette?</p> + +<p><i>Staffurth</i> (<i>taking out case</i>). Thanks, I'll begin one of my own. +(<i>Does so.</i>) Now then. My sister-in-law—or cousin or—anyhow, my friend +Miss—or Mrs.—Cullen, Barbara Cullen, who—er—is still with us, told +me some days ago that you were about to elope with my wife. Is that so?</p> + +<p><i>Furness.</i> Yes.</p> + +<p><i>Staffurth.</i> Yes. I ought to have spoken to you about it before, but I +have been very busy lately at the House. The Government is bringing in +its Bill for the Abolition of Telephones on the Stage, and it is +necessary for the full strength of the Opposition to be there. As I said +in my speech, any such Bill would, to take a case, ruin Mr. <span class="sc">Temple +Thurston's</span> new play at the Haymarket, and recent by-elections have shown +that the country was—— However, I need not bother you with that. The +point is that I have at last managed to get away to see you, and I want +to know what it is you propose to do.</p> + +<p><i>Furness.</i> I'm going to send in my papers and take your wife away with +me.</p> + +<p><i>Staffurth.</i> Ah! Then perhaps before you ruin your career I'd better +tell you what the doctors say about her, She is not——</p> + +<p><i>Furness</i> (<i>impatiently</i>). My dear chap, I know. She told me last night. +But it's all right, I don't much care for them myself.</p> + +<p><i>Staffurth.</i>—— not likely to live for more than eighteen months.</p> + +<p><i>Furness.</i> My God!</p> + +<p><i>Staffurth.</i> That's what we all said several times when we heard it. +Well?</p> + +<p><i>Furness.</i> Well, I mean, this wants thinking about. I had no—— My +career—only eighteen months——</p> + +<p><i>Staffurth</i> (<i>breaking out at last</i>). You beastly egotist! You think of +nothing but your rotten career. You cur, you hound, you dog! You——</p> + +<p><i>Furness</i> (<i>annoyed</i>). Now I warn you, Staffurth, I may only be about +half your size, but I shall have to thrash you severely if you talk like +that.</p> + +<p><i>Staffurth.</i> You dog.</p> + +<p><i>Furness</i> (<i>with dignity</i>). For the sake of your wife, go before I climb +up you and strike you.</p><br /> + +<div class="direction">[<i>Exit</i> Staffurth.</div> + +<h4><span class="sc">Curtain</span>.</h4> + +<div class="figcenter" style="width: 40%;"> +<a href="images/486.png"> +<img width="100%" alt="A THREATENED STRIKE." src="images/486.png"/> +</a><br /><br /> +<h4>A THREATENED STRIKE.</h4> +<p><i>John Staffurth</i>.. Mr. <span class="sc">C. Aubrey Smith</span>.</p> +<p><i>Captain Furness</i>.. Mr. <span class="sc">Owen Nares</span>.</p> +</div> + +<h4>III.</h4> + +<div class="direction"><i>The Drawing-room again.</i></div> + +<p><i>Barbara</i> (<i>joyfully</i>). Diana, I've got some exciting news for you. +Guess!</p> + +<p><i>Diana.</i> You're going away?</p> + +<p><i>Barbara.</i> No!</p> + +<p><i>Diana.</i> Oh, well, after all you've only stayed with us six months. +Er—you've got a new dress?</p> + +<span class='pagenum'><a name="Page_487" id="Page_487">[Pg 487]</a></span> + +<p><i>Barbara.</i> No.</p> + +<p><i>Diana.</i> No; that was a silly one. Er—John's got a half-holiday?</p> + +<p><i>Barbara.</i> No. Well, I must tell you! Diana, you're not going to die +after all! The doctors made a mistake!</p><br /> + +<div class="direction">[<i>Exit.</i></div> + +<p><i>Diana.</i> Not going to die? But then I don't want to run away with +Philip. (<i>Rushes to desk and seizes the telephone.</i>) I must let him +know. (<i>With a shriek</i>) Help! the telephone's broken! Then I have +nothing to live for. (<i>She takes out poison from poison drawer.</i>) I +shall count three before I drink. One—two—— Why doesn't John come? +One—two—— If he isn't quick he'll be too late. One——</p><br /> + +<div class="direction"><i>Enter</i> John <i>quickly.</i></div> + +<p><i>John</i> (<i>looking at his watch</i>). My darling, I have just time to forgive +you. Let us be happy together again.</p> + +<p><i>Diana.</i> But the telephone's broken!</p> + +<p><i>John</i> (<i>embracing her tenderly</i>). My darling, I've sent for a man to +mend it.</p> + +<p><i>Diana</i> (<i>much moved</i>). My husband!</p> +</div> +<p class ="author">A. A. M.</p> + +<hr /> + +<div class="blockquot"><p>"Miss Gluck only arrived in London from New York after a tour in +America earlier in the morning, and proceeded to Richmond to +rest."—<i>Times.</i></p></div> + +<p>Which she must have wanted after her busy morning.</p> + +<hr /> + +<div class="figcenter" style="width: 100%;"> +<a href="images/487.png"> +<img width="100%" alt="Visitor from the country." src="images/487.png"/> +</a><br /><br /> +<p><i>First Visitor from the country</i> (<i>to second ditto</i>). +"<span class="sc">Ay, Fred, London's the place to see the swells enjoying themselves this +time o' year. Nothing but life and gaiety on all sides.</span>"</p> +</div> + +<hr /> + +<h2>THE BIG TROUT.</h2> + +<div class="poem"><div class="stanza"> +<p class="i0">Pull up the rypecks! Push her home!</p> +<p class="i4">It's roses all the way!</p> +<p class="i0">Let garlands lie on Thames's foam—</p> +<p class="i4">A trout has died to-day!</p> +<p class="i0">Room for the victor—ho, there, room!—</p> +<p class="i4">Who calls the gods to scan</p> +<p class="i0">No halfling of the lilied gloom,</p> +<p class="i4">But that leviathan.</p> +</div><div class="stanza"> +<p class="i0">Anew (with jostling words unstayed)</p> +<p class="i4">We fight it, inch by inch,</p> +<p class="i0">From that first moment when he made</p> +<p class="i4">The line scream off the winch;</p> +<p class="i0">'Twas so we struck, we held him so</p> +<p class="i4">Lest weed had triumph wrecked;</p> +<p class="i0">Thus to his leap the point dropped low,</p> +<p class="i4">And thus a rush was checked.</p> +</div><div class="stanza"> +<p class="i0">O sought-for prize! Full many a day</p> +<p class="i4">The old black punt has swung</p> +<p class="i0">Beyond his stance, in twilight's grey,</p> +<p class="i4">Or when the dawn was young;</p> +<p class="i0">What hopes were ours, what heart-beats high</p> +<p class="i4">Have thrilled us, when he rolled</p> +<p class="i0">Up from the jade-green deep, a-nigh,</p> +<p class="i4">Dull-gleaming as of gold!</p> +</div><div class="stanza"> +<p class="i0">Glide on, ye stately swans, with grace—</p> +<p class="i4">Ye ne'er again shall see</p> +<p class="i0">His headlong dash among the dace</p> +<p class="i4">Beneath the willow-tree;</p> +<p class="i0">Ye little bleak, lift up your heads,</p> +<p class="i4">Ye gudgeon, skip at score,</p> +<p class="i0">The run between the lily beds</p> +<p class="i4">Shall know its lord no more!</p> +</div><div class="stanza"> +<p class="i0">Yet, while th' exalted pulses stir,</p> +<p class="i4">Regret takes hands with Pride,</p> +<p class="i0">Regret for that most splendid spur—</p> +<p class="i4">The Wish Ungratified;</p> +<p class="i0">With hammering heart that bulk I con,</p> +<p class="i4">That spread of tail and fin,</p> +<p class="i0">And sigh, like him of Macedon,</p> +<p class="i4">With no more worlds to win.</p> +</div><div class="stanza"> +<p class="i0">Pull up the rypecks, can't you, Jim!</p> +<p class="i4">It's roses all the way!</p> +<p class="i0">But ne'er another fish like him</p> +<p class="i4">For any other day!</p> +<p class="i0">Room for the victor—lock, there, room!—</p> +<p class="i4">Who calls the gods to scan</p> +<p class="i0">No halfling of the amber gloom,</p> +<p class="i4">But that leviathan.</p> +</div></div> + +<hr /> + +<h4>Commercial Candour.</h4> + +<div class="blockquot"><p>"Avoid Income-Tax and Death Duties by investing in selected +Canadian Securities."</p> + +<p><i>Advt. in "Times Financial Supplement."</i></p></div> + +<hr /> + +<p>Motto for golfer who has foozled his approach:—</p> + +<div class="blockquot"><p>"I will not stir, nor wince, nor speak a word, Nor look upon the +iron angerly."</p> + +<p><i>King John</i>, iv., 1.</p></div> + +<hr /> + +<span class='pagenum'><a name="Page_488" id="Page_488">[Pg 488]</a></span> + +<h2>A LEGAL DOCUMENT.</h2> + + +<p>"There is," I said, "a guilty look about you. You are hanging round. At +this time of the morning you have usually retreated to your fastnesses. +Why has not the telephone claimed you? There is something on your mind."</p> + +<p>"No," said the lady of the house airily; "I have a vacant mind."</p> + +<p>"Where, then," I said, "is your loud laugh? I have not heard you shout +'Ha-ha,' or anything remotely resembling 'Ha-ha.' Something is weighing +upon you."</p> + +<p>"Not at all."</p> + +<p>"Yes at all," I said decisively. "You have something to confess."</p> + +<p>"Confess!" she said scornfully. "What nonsense is this about confession? +We are not early-Victorians."</p> + +<p>"Yes, we are. I insist upon it. I shall be busy with my writing. You +will come and kneel unperceived at my feet with an imploring look upon +your tear-stained face. I shall give a sudden start——"</p> + +<p>"And," she went on enthusiastically, "I shall stretch out my hands to +you, and you will raise me tenderly from the floor, and I shall then +explain——"</p> + +<p>"That appearances were against you, but that Eugene is really your +brother by a first marriage——"</p> + +<p>"And I shall then call for the smelling salts and swoon like this"—she +collapsed in an inanimate heap on the sofa—"and you will rise to your +full height——"</p> + +<p>"Yes," I said, "I shall forgive you freely."</p> + +<p>"No," she said, "you will blame yourself for not having appreciated my +angelic nature, for having treated me as a mere toy, for having——"</p> + +<p>"Yes," I said," for having married you at all. But I shall forgive you +all the same, and I shall present you with the locket containing my +grandmother's miniature. Come on; let us start at once. I forgive you +from the bottom of my heart."</p> + +<p>"All right," she said, "I accept your forgiveness. And now that we've +cleared the ground, you'll perhaps allow me——"</p> + +<p>"Aha," I said, "then there <i>is</i> something after all?"</p> + +<p>"There always is <i>something</i>," she said, "so perhaps you'll allow me to +ask you a question?"</p> + +<p>"A question?" I said. "Ask me fifty. I don't promise to answer them. I'm +only human, you know, but——"</p> + +<p>"Surely," she said, "this humility is exaggerated."</p> + +<p>"Anyhow," I said, "I'll do my best, so fire away."</p> + +<p>"What," she said, "does one do with a legal document?"</p> + +<p>"Isn't this rather sudden?" I said. "'What does one do with a legal +document?' My dear, one does a thousand things. One buys land, or sells +it—which is much better. One gets separated, or, rather, two get +separated; one gets a legacy, generally quite inadequate; one executes a +mortgage, but you mustn't ask me who is the mortgagor and who is the +mortgagee, for, upon my sacred word of honour, I never can remember +which is which or who does what. One leaves one's money to one's beloved +wife by a legal document, or one cuts her off with a shilling and one's +second best bed, like <span class="sc">Shakspeare</span>, you know. Really, there's nothing you +can't do with a legal document."</p> + +<p>"How on earth," she said admiringly, "did you get to know all these +things?"</p> + +<p>"Oh, I don't know," I said. "One learns as one goes along. Men have to +know more or less about the law."</p> + +<p>"Tell me," she said; "do you feel paralysed when you see a legal +document?"</p> + +<p>"No, not now. They used to make me tremble, but I'm up to them now. I +understand their jargon."</p> + +<p>"And frankly," she said, "I don't."</p> + +<p>"But that doesn't matter," I said. "You've got a man——"</p> + +<p>"Lucky me," she said.</p> + +<p>"You've got a man to help you. That's what he's there for—to help you +with legal documents and to have his work interrupted and all his ideas +scattered. But, bless you, he doesn't mind. He knows his place."</p> + +<p>"Well," she said, "it's this way. A very dear friend of mine has taken a +house at the seaside, and they've sent her a document."</p> + +<p>"A letting agreement," I said.</p> + +<p>"I suppose so," she said; "and they want her to sign it; and they say +something about a counterpart which somebody else is to sign."</p> + +<p>"That," I said, "is the usual way."</p> + +<p>"What I want to know is, ought she to sign her document?"</p> + +<p>"Is it the sort of house she wants?"</p> + +<p>"The very house," she said. "She's been over it. Lots of rooms; nice +garden with tennis-lawn; splendid view of the sea; drainage in perfect +order; weekly rent a mere nothing. There's to be an inventory."</p> + +<p>"Of course there is. It's always done. Does the document embody +everything she requires?"</p> + +<p>"Yes," she said, "everything; and they've thrown in two extra days for +nothing."</p> + +<p>"In that case," I said, "her duty is clear. She must sign it."</p> + +<p>"Do you advise that?"</p> + +<p>"I do," I said, "most strongly."</p> + +<p>"Thank you so much," she said, "I'll do it at once," and before I could +interfere she had sat down at the writing-table, produced a document, +unfolded it and signed it.</p> + +<p>"It is," she explained, "the agreement for letting Sandstone House, +Sandy Bay. They made it out in my name."</p> + +<p>"But this," I said, seizing the paper, "is madness. It is not worth the +paper on which it is written."</p> + +<p>"I did nothing," she said, "without your advice."</p> + +<p>"I shall repudiate it," I said, "as having been obtained by fraud."</p> + +<p>"Right-o," she said; "we leave for Sandy Bay on July 28th."</p> + +<p class="author">R. C. L.</p> + + + + +<h2>A SECOND-HAND SERENADE.</h2> + +<p class="center">(<i>The modern youth, we are told, is content to hymn his Lady in the +amorous diction of other bards.</i>)</p> + +<div class="poem"><div class="stanza"> +<p class="i0">It is not mine, Aminta, to commend you</p> +<p class="i2">According to your merits. Miles above</p> +<p class="i0">My puny lyre were this; I therefore send you,</p> +<p class="i2">For reference, "The Classic Gems of Love."</p> +</div><div class="stanza"> +<p class="i0">Would I approve your tresses? See p. 7,</p> +<p class="i2">L. 2, for what I frankly think of them;</p> +<p class="i0">Your lips? p. 8; your dimples, p. 11;</p> +<p class="i2">Your teeth and ears and ankles? <i>ibidem</i>.</p> +</div><div class="stanza"> +<p class="i0">Your kisses? <i>vide</i> <span class="sc">Jonson</span>, B., "To Celia;"</p> +<p class="i2">See "Annie Laurie" for the way I greet</p> +<p class="i0">Your neck and voice and eyes (the song has really a</p> +<p class="i2">Trustworthy picture also of your feet).</p> +</div><div class="stanza"> +<p class="i0">But nay! It ill behoves the ardent lover</p> +<p class="i2">To turn your gaze to any single spot,</p> +<p class="i0">In every line, from cover unto cover,</p> +<p class="i2">My passion finds an echo. Read the lot.</p> +</div></div> + +<hr /> + +<span class='pagenum'><a name="Page_489" id="Page_489">[Pg 489]</a></span> + +<h2>"SIR BAT-EARS."</h2> + + +<div class="poem"><div class="stanza"> +<p class="i0">Sir Bat-ears was a dog of birth</p> +<p class="i2">And bred in Aberdeen,</p> +<p class="i0">But he favoured not his noble kin</p> +<p class="i2">And so his lot is mean,</p> +<p class="i0">And Sir Bat-ears sits by the almshouses</p> +<p class="i2">On the stones with grass between.</p> +</div><div class="stanza"> +<p class="i0">Under the ancient archway</p> +<p class="i2">His pleasure is to wait</p> +<p class="i0">Between the two stone pineapples</p> +<p class="i2">That flank the weathered gate;</p> +</div><div class="stanza"> +<p class="i0">And old, old alms-persons go by,</p> +<p class="i2">All rusty, bent and black,</p> +<p class="i0">"Good day, good day, Sir Bat-ears!"</p> +<p class="i2">They say and stroke his back.</p> +</div><div class="stanza"> +<p class="i0">And old, old alms-persons go by,</p> +<p class="i2">Shaking and well-nigh dead,</p> +<p class="i0">"Good night, good night, Sir Bat-ears!"</p> +<p class="i2">They say and pat his head.</p> +</div><div class="stanza"> +<p class="i0">So courted and considered</p> +<p class="i2">He sits out hour by hour,</p> +<p class="i0">Benignant in the sunshine</p> +<p class="i2">And prudent in the shower.</p> +</div><div class="stanza"> +<p class="i0">(Nay, stoutly can he stand a storm</p> +<p class="i2">And stiffly breast the rain,</p> +<p class="i0">That rising when the cloud is gone</p> +<p class="i0">He leaves a circle of dry stone</p> +<p class="i2">Whereon to sit again.)</p> +</div><div class="stanza"> +<p class="i0">A dozen little door-steps</p> +<p class="i2">Under the arch are seen,</p> +<p class="i0">A dozen aged alms-persons</p> +<p class="i2">To keep them bright and clean;</p> +</div><div class="stanza"> +<p class="i0">Two wrinkled hands to scour each step</p> +<p class="i2">With a square of yellow stone—</p> +<p class="i0">But print-marks of Sir Bat-ears' paws</p> +<p class="i2">Bespeckle every one.</p> +</div><div class="stanza"> +<p class="i0">And little eats an alms-person,</p> +<p class="i2">But, though his board be bare,</p> +<p class="i0">There never lacks a bone of the best</p> +<p class="i2">To be Sir Bat-ears' share.</p> +</div><div class="stanza"> +<p class="i0">Mendicant muzzle and shrewd nose,</p> +<p class="i2">He quests from door to door;</p> +<p class="i0">Their grace they say—his shadow gray</p> +<p class="i2">Is instant on the floor,</p> +<p class="i0">Humblest of all the dogs there be,</p> +<p class="i2">A pensioner of the poor.</p> +</div></div> + +<hr /> + +<div class="figcenter" style="width: 60%;"> +<a href="images/489.png"> +<img width="80%" alt="" src="images/489.png"/> +</a><br /><br /> +<p><i>Harold (who has had the worst of an argument with his +father).</i> "<span class="sc">All right, then, you don't get those six strokes I was going +to give you this afternoon.</span>"</p> +</div> + +<hr /> + +<h2>OUR PERSONAL COLUMN.</h2> + +<p class="center">(<i>The New Indigence.</i>)</p> + + +<p><span class="sc">Admirable Crichton</span>, double Blue and double First at Oxford, weary of +gerund-grinding at a fashionable preparatory school for £500 a year, +charming conversationalist, expert auction-bridge player, is open to +accept partnership in well-established financial house on the basis of +four months' holiday a year and genuine week-ends—Friday till Tuesday.</p> + +<hr class="short" /> + +<p><span class="sc">Nonconformist</span>, with open mind on the subject of gambling, but modest +means and conscientious objection to hard work, is desirous of meeting +liberal-minded philanthropist who will advance him £750 to operate +infallible system at Monte Carlo.</p> + +<hr class="short" /> + +<p><span class="sc">Vigorous Young Man</span> of titled family, who is sick to death of England, is +prepared to undertake any duties of a sporting kind for unmarried +heiress in America or elsewhere.</p> + +<hr class="short" /> + +<p><span class="sc">A Lady</span>, whose income is only £4,000 a year, is greatly in need of a +month's yachting, but cannot afford a yacht of her own and dislikes the +mixed company to be met with on the ordinary advertised cruises. Will +some kind friend be so good as to lend her a yacht and endow it?</p> + +<hr class="short" /> + +<p><span class="sc">University Man</span>, strong, healthy, in early forties, who has never done a +day's work in his life, but has suddenly fallen on comparative poverty, +wishes to communicate with some person of means willing to save him from +the pain and indignity of having to do without luxuries which have +become second nature to him.</p> + +<hr class="short" /> + +<p><b>£2,000</b> <span class="sc">wanted</span>, at once, for speculation by Undergraduate. A safe two per +cent. offered; advertiser cannot afford more. No professional +money-lenders need apply.</p> + +<hr class="short" /> + +<p><span class="sc">Christian</span> and Teetotaler, who has not yet been to Japan, would be quite +grateful to any wealthy travel-enthusiast who would make it possible for +him to see this fascinating country. Excellent references.</p> + +<hr /> + +<span class='pagenum'><a name="Page_490" id="Page_490">[Pg 490]</a></span> + +<div class="figcenter" style="width: 80%;"> +<a href="images/490.png"> +<img width="100%" alt="Now then, cousin Emma" src="images/490.png"/> +</a><br /><br /> +<p>"<span class="sc">Now then, cousin Emma, let me give you a bit off the +breast."</span></p> +<p><span class="sc">"Yes, please, I should like to taste that, for in my young days they +always gave it to the grown-ups, and now they keep it for the children, +so I've always missed it</span>."</p> +</div> + +<hr /> + + +<h2>REVELATION REVISED.</h2> + +<p class="center">[<i>A portion of "The Photodrama of Creation," a cinematograph enterprise +hailing from the United States, has recently been exhibited.</i>]</p> + +<div class="poem"><div class="stanza"> +<p class="i0">Oh, would I were a preacher or a prophet</p> +<p class="i2">Of some wild pagan creed, I know not where—</p> +<p class="i0">One of whom people said, "This man is off it"</p> +<p class="i2">(But still I had a following sparse and rare),</p> +</div><div class="stanza"> +<p class="i0">That so, if cynics urged, "How hard to prove is</p> +<p class="i2">The faith ye cling to fondly and so fast!"</p> +<p class="i0">By favour of the men who work the "movies,"</p> +<p class="i2">I might expound the future and the past.</p> +</div><div class="stanza"> +<p class="i0">Hiring a lot of lads with mobile faces,</p> +<p class="i2">And all the world to tap for filméd scenes,</p> +<p class="i0">Would I not set backsliders in their places</p> +<p class="i2">And give my errant congregation beans?</p> +</div><div class="stanza"> +<p class="i0">Uprising in the darkened tabernacle,</p> +<p class="i2">A canvas sheet across the stage unfurled,</p> +<p class="i0">"To-night, dear brethren, we propose to tackle,"</p> +<p class="i2">I should commence, "the Making of the World.</p> +</div><div class="stanza"> +<p class="i0">"Doubts have arisen lately if the cosmos</p> +<p class="i2">Sprang as I stated; an egregious don</p> +<p class="i0">Has published pamphlets asking if it <i>was</i> moss,</p> +<p class="i2">Or something else, that formed the primal <i>On</i>.</p> +</div><div class="stanza"> +<p class="i0">"Well, to confute at once this creeping scandal,</p> +<p class="i2">You shall behold the facts before your eyes,</p> +<p class="i0">(If Mr. Potts will kindly turn that handle—</p> +<p class="i2">Thank you) <i>and note, the camera never lies</i>."</p> +</div><div class="stanza"> +<p class="i0">Yes, I would teach them; and if any scoffers</p> +<p class="i2">Still weltered in the quagmire of their sin,</p> +<p class="i0">If when I overhauled the monthly coffers</p> +<p class="i2">I found the business part a trifle thin,</p> +</div><div class="stanza"> +<p class="i0">Choosing a model for the worst offender</p> +<p class="i2">I should unroll a still more lively lot</p> +<p class="i0">Of films depicting him in pomp and splendour,</p> +<p class="i2">"Swift glories," I should say, "and doomed to rot;"</p> +</div><div class="stanza"> +<p class="i0">And then turn on "The Day of Retribution,"</p> +<p class="i2">Shades of avengers in the world below</p> +<p class="i0">Prodding my man with verve and resolution,</p> +<p class="i2">And broiling him on spits exceeding slow,</p> +</div><div class="stanza"> +<p class="i0">And flaying him, and squeezing him with pincers;</p> +<p class="i2">And whilst I pointed to his shrivelled shape</p> +<p class="i0">(These moving picture-men are rare convincers),</p> +<p class="i2">How I should thunder to the stalls agape!</p> +</div><div class="stanza"> +<p class="i0">"Look at yon sinner perishing <i>in toto</i>,</p> +<p class="i2">Take warning lest the same occurs to you;</p> +<p class="i0">Each fraction of each wriggle is a photo,</p> +<p class="i2">And therefore must be absolutely true."</p> +</div></div> +<p class="author">Evoe</p> + +<hr /> + +<div class="blockquot"><p>"At the short fourteenth Vardon was bunkered, and took an +hour."—<i>Exeter Express.</i></p></div> + +<p>He should have read our book, "How to get out of a Bunker in Forty-five +Minutes. By One who often Does."</p> + +<hr class="short" /> + +<div class="blockquot"><p>"This move of the Powers, sending a rural gentleman from the Rhine +to do the big stick stunt in Albania with a lot of blood-thirsty +savages, is about as much use as putting a boy sprout in the room +of Sir John French."—<i>London Mail.</i></p></div> + +<p>Personally we put an elderly artichoke in Sir <span class="sc">John's</span> room when he comes +to stay with us. This, of course, in addition to the usual tin of +biscuits.</p> + +<hr /> + +<span class='pagenum'><a name="Page_491" id="Page_491">[Pg 491]</a></span> + +<div class="figcenter" style="width: 50%;"> +<a href="images/491.png"> +<img width="100%" alt="THE DOVE OF PEACE." src="images/491.png"/> +</a> +<h4>THE DOVE OF PEACE.</h4> +<span class="sc">Lord Crewe.</span> "I DON'T SAY HE'S A PERFECT BIRD, MY LORDS, BUT HE'S THE +BEST WE COULD MANAGE, AND A LITTLE ENCOURAGEMENT MIGHT DO WONDERS FOR +HIM." +</div> + +<hr /> + +<span class='pagenum'><a name="Page_492" id="Page_492">[Pg 492]</a></span> + +<br /> + +<span class='pagenum'><a name="Page_493" id="Page_493">[Pg 493]</a></span> + +<h2>ESSENCE OF PARLIAMENT.</h2> + +<p class="center">(<span class="sc">Extracted from the Diary of Toby, M.P.</span>)</p> + +<p><i>House of Commons, Monday, June 15.</i>—In the mid seventies, when dear +<span class="sc">Johnny Toole</span> was at height of well-earned fame, he for a while played +three several parts on the same night. Bold advertisement announced +"Toole in Three Pieces." Being just the kind of joke that has the widest +run over the low level of mediocrity, it filled the gallery and upper +boxes.</p> + +<p>To-night it was recalled with fresh application. House privileged to see +<span class="sc">Premier</span> in Three Pieces. For some weeks he has appeared at Question time +in dual character as Prime Minister and Secretary of State for War. +To-night takes on duties of absent <span class="sc">Chancellor of Duchy of Lancaster</span>. His +versatility as marvellous as his industry. In response to group of five +questions addressed to him "as representing the <span class="sc">Chancellor of the Duchy +of Lancaster</span>," bristles with minute information respecting number of +livings in gift of the Duchy in West Riding of Yorkshire, together with +amount of income of each benefice and nature of the security. Equally +master of intricate case of the calamity overshadowing the Pontefract +Cricket Club whose playing pitch has been damaged through subsidence +caused by underground workings.</p> + +<div class="figleft" style="width: 30%;"> +<a href="images/493a.png"> +<img width="100%" alt="A GENEROUS RESTRAINT." src="images/493a.png"/> +</a><br /><br /> +A GENEROUS RESTRAINT.<br /> +<p>"I believe the Almighty has endowed us all with a certain amount of +brains; but we don't all use them." (Cheers).—<i>Mr. <span class="sc">Tickler</span> in the +debate on the Plural Voting Bill.</i></p> +</div> + +<p>Situation raised nice questions as to responsibility of the underground +leaseholder and the prospect of compensation from coal royalties. +<span class="sc">Premier</span> as fully informed on these subjects as later he proved himself +when by way of Supplementary Question <span class="sc">Amery</span>, with pretty air of one +really in search of elementary information, inquired "In whose hands is +the government of Ireland at the present moment?" "In the hands of <span class="sc">His +Majesty's</span> Ministers," said <span class="sc">Asquith</span>.</p> + +<div class="figright" style="width: 35%;"> +<a href="images/493b.png"> +<img width="100%" alt="The one thing borne home to me." src="images/493b.png"/> +</a><br /><br /> +<p>"The one thing borne home to me was what a genius the +Irish people have for admiring each other."—<i>Mr. <span class="sc">Birrell</span>.</i></p> +</div> + +<p>All very well for Duchy of Lancaster. Its affairs in strong capable +hands. But that does little to assuage grief of <span class="sc">Worthington-Evans</span>. For +months before the day when <span class="sc">Masterman</span>, greatly daring, exchanged safe +position of Secretary of Treasury for dizzy heights of Duchy of +Lancaster, <span class="sc">Worthington-Evans</span> was daily accustomed to pose him with +questions as to working of Insurance Act. In <span class="sc">Masterman's</span> enforced +absence from House <span class="sc">Wedgwood Benn</span> placed in charge of Insurance Act +Department. Does a difficult business exceedingly well. Has earned +approval from both sides of House. But <span class="sc">Worthington-Evans</span> is +inconsolable. His feelings find expression in couple of lines, learned +at his mother's knee, descriptive of anguish of blind boy parted from +his brother by ruthless hand of death:—</p> + +<div class="poem"><div class="stanza"> +<p class="i0">Oh, give my brother back to me;</p> +<p class="i2">I cannot play alone.</p> +</div></div> + +<p>Visibly brightened up on eve of Ipswich election, which seemed to +promise return of the wanderer. As to-night he sits forlorn in corner +seat below Gangway to left of <span class="sc">Speaker</span>, gazing sadly at corner of +Treasury bench opposite (once amply filled by figure of former Secretary +of Treasury), <span class="sc">Stephen Gwynne</span>, seated next to him, gently nudges <span class="sc">Butcher</span>, +and with softened memories of <i>Peggotty</i> contemplating <i>Mrs. Gummidge</i> +in exceptionally low spirits, whispers, "He's thinking of the old 'un."</p> + +<p><i>Business done.</i>—After brief unsparkling debate Plural Voters Bill read +a third time. Hostile amendment moved from Front Opposition Bench +negatived by 320 votes against 242. Bill passed final stage without +division.</p> + +<p><i>Tuesday.</i>—Home Rule fills the bill in both Houses. The Lords, back +from brief holiday, protest against delay in introducing Amending Bill. +In vigorous speech <span class="sc">Lansdowne</span> insists on early day being named. <span class="sc">Crewe</span>, +wringing his hands over unreasonable ways of some people, promises +Tuesday next. Adds that, if upon consideration of proposed amendments +noble lords should require longer interval before Second Reading of +parent measure than is provided by original fixture for 30th June, there +will be no objection to postponement.</p> + +<div class="figright" style="width: 30%;"> +<a href="images/493c.png"> +<img width="100%" alt="A GENEROUS RESTRAINT." src="images/493c.png"/> +</a><br /><br /> +<p>"I don't know whether the hon. Member regards me as a +particularly frivolous person."</p> +<p class="author"><i>Lord <span class="sc">Robert Cecil</span>.</i></p> +</div> + +<p>In the Commons <span class="sc">Robert Cecil</span>, interposing in ordered business of Supply, +moves adjournment with view of calling attention to "growing danger +created in Ireland by existence of volunteer forces and failure of +Government to deal with situation." It is plurality of situation that +disturbs philosophical mind. As long as there was but one volunteer +force, its locality confined to Ulster, its purpose to defeat Home Rule +<span class='pagenum'><a name="Page_494" id="Page_494">[Pg 494]</a></span> +Bill, its commander-in-chief <span class="sc">Carson</span>, it was well. Nay more, it was +patriotic. But when Ulster's challenge, uttered by one hundred thousand +armed men, is answered by the South and West of Ireland with creation of +an army exceeding that number, whole aspect is altered. Now, as in the +time when "Measure for Measure" was written—</p> + +<div class="poem"><div class="stanza"> +<p class="i0">That in the captain's but a choleric word</p> +<p class="i0">Which in the soldier is flat blasphemy,</p> +</div></div> + + +<p>Opposition, to a man, stand up to support <span class="sc">Lord Bob's</span> demand that matter +shall be discussed as one of urgent public importance.</p> + +<p>In course of animated speech <span class="sc">Lord Bob</span> delighted House by equalling, if +not going one better than, the late Lord <span class="sc">Cross's</span> historic <i>jeu +d'esprit</i>.</p> + +<p>"I hear an hon. member smile," said <span class="sc">Grand Cross</span> on a memorable occasion.</p> + +<p>"I wish," said <span class="sc">Lord Bob</span> to-night, sternly regarding hilarious +Ministerialists, "those laughs could be photographed and shown +throughout the country."</p> + +<p>Suggestion will doubtless not be lost on enterprising purveyors of +cinematograph shows.</p> + +<p>There was another opportunity for the snap-shotter when, <span class="sc">Lord Bob</span> +lamenting the "ingrained frivolity of the Radicals in this grave +crisis," <span class="sc">Arthur Markham</span> interposed with Supplementary Question.</p> + +<p>"What about Satan rebuking sin?" he asked.</p> + +<p>Turning upon Member for Mansfield more in sorrow than in anger, <span class="sc">Lord Bob</span> +remarked: "I don't know whether the hon. Member regards me as a +particularly frivolous person." General and generous cheering approved +this implied disclaimer, and <span class="sc">Lord Bob</span> returned to consideration of "the +characteristic vice of the Radical Government—fear of losing their +places."</p> + +<p>Tendency to introduce personal observations cropped up from time to time +through debate, which occupied greater part of sitting. <span class="sc">Carson</span> having +genially alluded to main body of Ministerialists as "lunatics," <span class="sc">Neil +Primrose</span>, turning upon the <span class="sc">Wistful Winston</span>, who hadn't been saying +anything, denounced him as "a human palimpsest."</p> + +<p>Perhaps most touching case was that of <span class="sc">Byles</span> of Bradford. Having long +remained silent under undeserved contumely, he suddenly rose at +half-past ten and irrelevantly remarked, "I cannot understand how the +myth has grown up in this House that I am a blood-thirsty ruffian. Why, +Mr. <span class="sc">Speaker</span>, I would not kill a fly."</p> + +<p>In view of proved inconvenience, not to say danger, of unrestrained +plague of flies, this protestation was received with mixed feelings.</p> + +<p><i>Business done.</i>—On division motion for adjournment of House negatived +by majority of 65. After this, the House, nothing if not logical, +forthwith adjourned.</p> + +<div class="figcenter" style="width: 50%;"> +<a href="images/494.png"> +<img width="100%" alt="Pouring cold water on the troubled oil" src="images/494.png"/> +</a><br /> +<p>POURING COLD WATER ON THE TROUBLED OIL.</p> +<p>(<span class="sc">Lord Charles Beresford</span> and Mr. <span class="sc">Dillon</span>.)</p> +</div> + +<p><i>Thursday.</i>—The Irish Members, long quiescent, suddenly resumed former +habit of activity. House owes to <span class="sc">Amery</span> the pleasing variation. He cited +newspaper report of remarks recently made by Captain <span class="sc">Bellingham</span>, +aide-de-camp to the <span class="sc">Lord-lieutenant of Ireland</span>. Inspecting and +addressing body of National Volunteers, he exhorted them to ensure +triumph of Home Rule.</p> + +<p>Was this a proper thing to do? Certainly not. <span class="sc">St. Augustine Birrell</span>, +answering <span class="sc">Amery's</span> question founded on incident, stated that when Lord +<span class="sc">Aberdeen</span> heard of matter he immediately called for explanation, and +Captain <span class="sc">Bellingham</span> frankly acknowledged error of judgment.</p> + +<p>Irish Members recognised that in measure the error of judgment was +slight compared with <span class="sc">Amery's</span> in stirring up this dangerously attractive +pool. As everyone knows, and as House was promptly reminded, Colonel the +Marquis of <span class="sc">Londonderry</span> and Colonel Lord <span class="sc">Kilmorey</span>, aides-de-camp to <span class="sc">His +Majesty</span>, have on more than one occasion, when inspecting Ulster +Volunteers, urged them to stand indomitable in resistance to +establishment of Home Rule in their Northern Province. Irish Members +want to know whether these noble and gallant gentlemen have been called +upon to make explanation of their conduct similar to that peremptorily +exacted from Captain <span class="sc">Bellingham</span>.</p> + +<p><span class="sc">Premier</span> not to be drawn into delicate controversy. Pleaded lack of +notice of questions put to him. Irish Members will be delighted to +provide it. Shall hear more on the subject next week.</p> + +<p><i>Business done.</i>—The <span class="sc">Infant Samuel</span>, appearing in new calling as +President of Local Government Board, carries vote for his Department by +rattling majority of 127.</p> + +<hr /> + +<h2>CORRESPONDENCE.</h2> + +<p><i>To the Editor of "The Oblate Spheroid."</i></p> + +<p><span class="sc">Sir</span>,—I congratulate you on your new departure. The time is ripe for +Politics without Partisanship. I look to you for scathing denunciations +of the arch humbugs who now wear the mantle of the once great Liberal +Party.</p> + +<p>Yours, etc.,</p> + +<p>"<span class="sc">Patriot</span>."</p> + +<p><span class="sc">Sir</span>,—I hail with joy your abandonment of Party Shibboleths, and await +your exposure of <span class="sc">Asquith, Lloyd George</span> and all such traitors.</p> + +<p>Yours, etc.,</p> + +<p><span class="sc">"Impartial."</span></p> + +<p><span class="sc">Sir</span>,—You will find it hard to live up to your professions, but the +thinking Public will support you.</p> + +<p>We need a judicial paper that will set truth above Party considerations, +revealing, incidentally, the devilish character of the +<span class="sc">Redmond</span>-cum-Cabinet compact.</p> + +<p>Yours, etc.,</p> + +<p>"<span class="sc">Dulce et Decorum</span>."</p> + +<hr class="short" /> + +<div class="blockquot"><p>"Pink Chestnut.—When ices are given at a dinner it is usual to +have them, but not otherwise."</p> + +<p><i>From "Etiquette" in "The Lady</i>."</p></div> + +<p>It is therefore incorrect, "Pink Chestnut," to produce a private Bombe +Vanille from your handkerchief bag.</p> + +<hr class="short" /> + +<div class="blockquot"><p>"The death of an infant from 'convulsions,' without further +explanation, can never be wholly satisfactory."</p> + +<p><i>Australian Medical Journal.</i></p></div> + +<p>It takes a lot to satisfy some people.</p> + +<hr /> + +<span class='pagenum'><a name="Page_495" id="Page_495">[Pg 495]</a></span> + +<div class="figcenter" style="width: 80%;"> +<a href="images/495.png"> +<img width="100%" alt="Short-sighted Old Lady" src="images/495.png"/> +</a><br /><br /> +<p><i>Short-sighted Old Lady (to gentleman taking his morning +exercise in the park</i>). "<span class="sc">Go away, go away; you shan't put a finger on +<i>my</i> luggage!</span>"</p> +</div> +<hr /> + + +<h2>OUR BOOKING-OFFICE.</h2> + + +<p class="center">(<i>By Mr. Punch's Staff of Learned Clerks.</i>)</p> + +<p>All the world recognises Sir <span class="sc">Martin Conway</span> as a paramount peak-compeller +and explorer of resource, while superior persons, like this learned +clerk, know him as an effective <i>dilettante</i> in the realms of art. In +<i>The Sport of Collecting</i> (<span class="sc">Fisher Unwin</span>), with a general candour, but a +specific, canny (and of course rather tiresome and disappointing) +reticence as to prices, he gives us, in effect, a treatise on the craft +of curio-hunting, gaily illustrated by anecdotes of the bagging of +bronze cats in Egypt, Foppas and Giorgiones in Italian byways, Inca +jewellery in Peru, and heaven knows what and where beside. The authentic +method, apparently, is to mark down your quarry as you enter the +dealer's stockade, to pay no visible attention to it but bargain +furiously over some pretentious treasure which you don't in the least +want; later, admitting with regret your inability to afford the price, +to suggest that as a memento of your pleasant visit you might be +disposed to carry off that odd trifle in the corner over there; then, +bursting with hardly controlled excitement to see your priceless +primitive wrapped in brown paper and thrown into your cab, to drive to +your quarters, hug yourself ecstatically and boast to your friends and +fellow-conspirators about it. Shooting the driven tiger from the howdah +is quite evidently nothing to this royal sport of dealer-spoofing, +especially when the dealer knows a thing or two, as Sir <span class="sc">Martin</span> bravely +confesses he sometimes does. I wonder if this arch-collector, when he +discovered his best piece, Allington Castle (of which he discourses with +such pleasant and knowledgable enthusiasm), turned a contemptuous back +on the battlements and made a casual offer for the moat. A most +diverting book.</p> + +<hr class="short" /> + +<p>The name of <span class="sc">Madame Yoi Pawlowska</span> is new to me; but if her previous books +were anything like so good as <i>A Child Went Forth</i> (<span class="sc">Duckworth</span>) I am +heartily sorry to have missed them. There have been many books written +about childhood, and the end of them is not yet in sight; but I have +known none that so successfully attains the simplicity that should +belong to the subject. You probably identify the title as a quotation +from <span class="sc">Walt Whitman</span>, about the child that went forth every day, "and the +first object that he looked upon, that object he became." The child in +the present instance was one <i>Anna</i>, who went forth in the Hungarian +village where she was born, and saw and became a number of picturesque +and amusing things, all of which her narrator has quite obviously +herself recalled, and sat down in excellent fashion. I don't want you to +run away with the idea that <i>Anna</i> was a good or even a pleasant child. +Anything but that. The things she did and said furnished a more than +sufficient reason for her father to threaten again and again to send her +to school in England. The book ends with the realisation of this, which +had always been to <i>Anna</i> as a kind of shadowy horror in the background +of life. We are not told which particular English school was favoured +with her patronage, nor how she got on there. I was too interested in +her career not to be sorry for this omission; and that shall be my +personal tribute to her attractions.</p> + +<hr class="short" /> + +<p>There are few persons who can write love stories with a surer and more +tender touch than <span class="sc">Katharine Tynan</span>. So I expect that many gentle souls +will share my pleasure in the fact that she has just put together a +volume of studies in this kind under the amiable title of <i>Lovers' +Meetings</i> (<span class="sc">Werner Laurie</span>). Personally my only complaint about them is +that in a short story lovers' meetings <span class='pagenum'><a name="Page_496" id="Page_496">[Pg 496]</a></span>mean the journey's end, and I +wished to spend a longer time in the society of many of the agreeable +characters of Mrs. <span class="sc">Hinkson's</span> studies. Take for example the first—and my +own favourite—of the series. There really isn't anything special in +it—and yet there is everything. What happened was that <i>Challoner</i>, a +confirmed bachelor, went to the Dublin quay to see off a friend on the +boat to Holyhead. The friend didn't turn up; but a young governess, with +whom <i>Challoner</i> had only the slightest previous acquaintance, was going +by the boat—so <i>Challoner</i> went with her, and they were married, and +lived happy ever after. You may think that this doesn't sound very +probable, and perhaps it doesn't; but it is so charmingly +told—<i>Challoner's</i> growing delight in the initial mistake that confuses +the pair as man and wife is so alluringly developed, and the whole +little episode of twenty pages has such a way with it as to take your +credulity a willing captive. This was my individual choice; but there +are fifteen others of various styles; some mild detective studies, and a +pathetic little ghost story that recalls to me one of <span class="sc">Kipling's</span> best. +Altogether an attractive collection, very far above many such that have +appeared lately.</p> + +<hr class="short" /> + +<p>Mr. <span class="sc">Wilkinson Sherren</span>, in his new novel, <i>The Marriage Tie</i> (<span class="sc">Grant +Richards</span>), is very serious about the hypocrisies of the virtuous and the +injustice of our moral conventions. Other writers before him have been +serious about these things, and I do not know that Mr. <span class="sc">Sherren</span> has +anything very new to say. I must also confess to thinking that a sense +of humour would have assisted him greatly in his task. Nevertheless his +readers are certain to sympathise with his beautiful heroine in her +dismay at her unfortunate illegitimacy, and she is a good girl with a +great regard for the feelings of all her friends, even though she +expresses this regard a little stiffly. Mr. <span class="sc">Sherren</span> uses his background +well, and many of his scenes would be effective if only his characters +were debarred from dialogue. It would be, I am sure, beyond <i>Johanna's</i> +powers, were she limited to the deaf and dumb alphabet, to convey such a +speech as this: "I wish you to consent to your father's suggestions, +dear. By doing so you do not injure me, and you cheer his declining +days. I am sure your dear mother wishes it." Her methods would become +something much brusquer and more direct. I doubt if Mr. <span class="sc">Sherren</span> is at +his best in a novel. An essay on the confused issues of illegitimacy and +the punishment of the children for the sins of their fathers would show +him, I am convinced, at his ease; but dialogue and a beautiful heroine +are an embarrassment to him.</p> + +<hr class="short" /> + +<p>In a volume of tales and sketches entitled <i>The Mercy of the Lord</i> +(<span class="sc">Heinemann</span>) Mrs. <span class="sc">Flora Annie Steel</span> revives pleasant memories of her +Indian romances once beloved by me. In these new stories everybody +dies—if Europeans, with the latest slang upon their lips; if natives, +with a lusty invocation to Allah. Mrs. <span class="sc">Steel</span> does not believe in letting +the reader know what she is about, and there is generally something up +her sleeve. Each story has its own little puzzle, and, if the puzzles +are not always solved by the end of the tale, one can make all kinds of +pleasant conjectures as to what really did happen, and Mrs. <span class="sc">Steel's</span> +mysterious hints and shrugs and fingers on the lip do beyond question +assist her atmosphere. I like best of the stories "Salt of the Earth," a +most moving tale, beautifully told. Always Mrs. <span class="sc">Steel</span> is interesting, +and I hope these sketches are only little preludes to another of her +thrilling romances.</p> + +<hr class="short" /> + +<p>If Mr. <span class="sc">Bertram Smith's</span> <i>Caravan Days</i> (<span class="sc">Nisbet</span>) has not made me eager to +take to the road at once, the reason is that he seems to delight in +things that I most cordially detest. For instance, he likes cooking and +he is "very fond of rain." With such tastes he has more facilities for +enjoying himself than are offered to most of us, and I find myself +wondering whether life in a caravan, always supposing that he was not +there to do the cooking and admire the rain, would be quite as much fun +as he would have us believe. I am confident that when next he goes upon +his travels the majority of his friends will be anxious to share the +attractions of his <i>Sieglinda</i>, that caravan of caravans, but I doubt if +they will be ordering <i>Sieglindas</i> for themselves. Meanwhile, so human +has Mr. <span class="sc">Bertram Smith</span> made his <i>Sieglinda</i> that I can well imagine her +sulking in her retirement because she wants to see Argyll, the only +county in Scotland she has not yet sampled.</p> + +<hr class="short" /> + +<p>If you are a musical genius yourself and want to do a young composer a +good turn, I implore you not to get his opera produced under the +pretence that it is yours and wait until it has been received +enthusiastically before you announce whose work it is. For that is what +<i>Jess Levellier</i> did, and "Miss <span class="sc">Louise Mack</span>" tells us what a deal of +trouble was brought about by this impulsive action. There are several +love stories in <i>The Music Makers</i> (<span class="sc">Mills and Boon</span>). There is the affair +of <i>Jess</i> and there is the affair of <i>Jess's</i> father; and in regard to +the second of these I would say that I am a little tired of adventurous +women who are first attracted by dollars and then find that they are +head over ears in love with the man himself. But in case you are not +adequately intrigued by either of these romances, I can also tell you +that <i>Sir William</i> (big and burly) and <i>Trixie Harrison</i>, though +married, gave considerable cause for anxiety before with "outstretched +hands she went tottering towards him." Even the most jaded novel-readers +will suffer thrills and surprises from <i>The Music Makers</i>, and +occasionally, perhaps, they will wonder whether coincidence's long arm +has not been stretched to the point of dislocation. However that may be, +the book is breezy and its author is lavish of her material. +Parsimonious writers would have made half-a-dozen novels out of the +stuff of Mrs. <span class="sc">Creed's</span> book.</p> + +<hr /> + +<div class="figcenter" style="width: 80%;"> +<a href="images/496.png"> +<img width="100%" alt="THE ART OF WINDOW-DRESSING." src="images/496.png"/> +</a><br /><br /> +<h4>THE ART OF WINDOW-DRESSING.</h4> +<p><i>Shop-Manager (sternly, to assistant).</i> "<span class="sc">Surely, Mr. Jenkins, you ought +to know better than to put the Kitchen Cobbles in the centre vase. +Remember in future that it is absolutely necessary you should always +strike the key-note with the <i>Selected Nuts</i>.</span>"</p> +</div> + +<hr /> + +<span class='pagenum'><a name="Page_497" id="Page_497">[Pg 497]</a></span> + +<div class="figcenter" style="width: 80%;"> +<a href="images/497.png"> +<img width="100%" alt="EPILOGUE" src="images/497.png"/> +</a><br /><br /> +</div> + +<hr /> + +<h2>MORE MUNITIONS OF PEACE.</h2> + +<p class="center">(<i>An Episode in the Camp of the Nationalist Volunteers.</i>)</p> + +<p>Several further months had elapsed in the history of the scheme for the +"better government of Ireland." The Home Rule Bill had been read for the +third time in the Inferior Chamber, but, apart from this conciliatory +action, no effective attempt had been made to avert the horrors of Civil +War.</p> + +<p>Meanwhile two coups had been planned, of which the one failed and the +other succeeded. And during the arrangements for the first coup (for it +got no further than the preparatory stage—and even this was denied) it +was revealed that British officers were not very greatly inclined to +shoot down their fellow-countrymen for the sake of the <i>beaux jeux</i> of a +political party. And for this the politicians of that party, selecting +the worst name they could think of, described these officers as +politicians. And the cry of "The Army <i>v.</i> the People," started by a +Labour Member (who wore a large hat), and supported by the <span class="sc">First Lord of +the Admiralty</span> (who wore a small one), was raised very high and then +dropped, as likely to prove inexpedient.</p> + +<p>But the other coup (which succeeded) was a very clever feat of +gun-running on the part of the Ulster Volunteers. And, the law having +been broken, the Government, as its guardian, determined to take no +punitive measures—an attitude that was repellent both to Sir <span class="sc">William +Byles</span> and to Mr. <span class="sc">Neil Primrose</span>.</p> + +<p>And now there grew up in each political party a body of rebellion. For +on the Liberal side there were those, notorious at other seasons for +their advocacy of peace at whatever charges, who gave out that there +were worse things than Civil War, and one of the worse things was the +stultification of their own projects, or, as they put it, of the Will of +the People; though they showed no strong anxiety to discover, by the +usual tests, what the Will of the People might actually be in the +matter.</p> + +<p>And on the Unionist side there were those who said that they would do +nothing to provoke Civil War, but that, since it took two sides to +conduct a Civil or any other kind of War, and the British Army was +apparently not available, there was no fear of Civil War, and they (the +Unionist Party) could well afford to stiffen themselves about the lips.</p> + +<p>And all this tended to embarrass the labours (if any) of those leaders +who were still supposed to be holding communion together for the +furtherance of a compromise.</p> + +<p>Now, among the Ulster Volunteers, though perfect sobriety was exhorted +and maintained, it was excusably felt that it would be a pity if so fine +a force should have been raised and armed at such expense and sacrifice +and then<span class='pagenum'><a name="Page_498" id="Page_498">[Pg 498]</a></span> have no chance of showing what it could do. And this feeling +evoked sympathy in the breasts of the Irish of the South and West; and +they said to them of Ulster, "Rather than see your army wasted we will +ourselves raise one for you to shoot at." And this they did, in part for +sheer joy of the chance of a fight, and in part for admiration of the +sportsmanship of a people that had defied a British Government. And +though some joined the new Volunteers for love of Home Rule, and with +the object of offering themselves as substitutes for the British Army, +yet the promoters were content to allege, vaguely and inoffensively, +that their object was just the protection of Irish liberty, whatever +that might be taken to mean. And, being Irish, no exact logic was asked +of them.</p> + +<p>But at first Mr. <span class="sc">Redmond</span>, as a supporter of the law, and scandalised by +its breach in Ulster, declined to approve this illegal development, +which for the rest he regarded as negligible. But later, when it had +grown too large to be ignored, he generously consented to overlook its +illegality and to place it under official patronage. But his offer was +received in a spirit of very regrettable independence. On reflection, +however, this attitude was exchanged for one of sullen submission.</p> + +<p>Now a private army is a dangerous thing when you know what it is for; +but it is a very dangerous thing when you don't. And there were +cynics—not too frivolous—who held that the best course for the +Government would be to withdraw from Ireland for the time being and +leave Ulster and the Rest to come to an agreement of their own, either +with or without a bloody prelude. And there were other critics—not much +more frivolous—who replied that, if we walked out of Ireland and left +Ulster and the Rest to come to terms, they might get to understand one +another to such good purpose that we should never have the opportunity +of walking in again.</p> + +<p>And the Government's only consolation lay in the thought that the Rest +of Ireland lacked the munitions of war owing to the vigilant precautions +taken to prevent the importation of arms into Ulster.</p> + +<hr /> + +<p>A thrill of emotion rippled over the tented plain. Into the camp of the +Nationalist Volunteers had dashed a motor-car which was taken to be the +forerunner of a great consignment of smuggled arms, for it contained a +bulky wooden case with the label "Munitions of Peace" pasted upon its +façade—a superscription that might well have been designed to mislead +the wariest of coastguards and patrols. Its sole convoy was an old +gentleman—evidently selected for the part, for by his air of simple +benevolence you would have judged him the last man in the world to be +suspected of nefarious practices.</p> + +<p>A cry of bitter disappointment broke out on the discovery that the +"munitions" consisted of nothing but books. But the uproar died down as +the old gentleman was seen to assume the attitude of an orator. His +words were at first received in courteous silence; then with sympathetic +approval; finally with deafening applause.</p> + +<p>"Nationalist Volunteers!" he said: "I come from performing a similar +mission of camaraderie among the hosts of Ulster. I am no partisan. I am +like a certain philanthropist of whom I have heard who purveyed sherbet +to the rival camps of the Sultan of <span class="sc">Morocco</span> and the Pretender. I trust +that my fate may not be his, for he was the sole person killed in one of +the noisiest battles ever fought in the environs of Fez.</p> + +<p>"This tome, identical with the rest of my munitions of peace, embodies +(for I made the contents myself, and so ought to know) the highest +wisdom mingled with the purest material for mirth. Its contemporaneous +perusal in both camps should encourage a common ideal of humour and so +promote mutual respect and affection.</p> + +<p>"I would go even further and express the hope that here may be found a +spirit of genial tolerance which, if assimilated by all parties, will +infallibly lead to a solution of the Irish Question without the +inconvenience of bloodshed. Gentlemen, permit me!" And thereupon he +presented to the admiring gaze of his audience <i>Mr. Punch's</i></p> + +<div class="figcenter" style="width: 80%;"> +<a href="images/498.png"> +<img width="80%" alt="One hundred and forty-Sixth Volume." src="images/498.png"/> +</a><br /><br /> +</div> + +<span class='pagenum'><a name="Page_499" id="Page_499">[Pg 499]</a></span> + +<hr /> + +<div class="figcenter" style="width: 80%;"> +<a href="images/499.png"> +<img width="100%" alt="INDEX." src="images/499.png"/> +</a><br /><br /> +</div> + +<h2>INDEX</h2> + +<h3>Cartoons.</h3><br /> + +<div class="poem1"><div class="stanza"> +<span class="sc">Partridge, Bernard</span> + <p>After Ten Years, 311</p> + <p>Amending Bill (The), 411</p> + <p>Asquith to the Rescue (An), 271</p> + <p>Couleur d'Orange, 51</p> + <p>Crescendo, 371</p> + <p>Desperate Remedies, 151</p> + <p>Devotee of "The Doctrine" (A), 171</p> + <p>Diversion (A), 331</p> + <p>Dove of Peace (The), 491</p> + <p>From Fife to Harp, 291</p> + <p>Gift Horse (The), 111</p> + <p>Holiday Task (A), 431</p> + <p>Latest Velasquith (The), 211</p> + <p>Missing Word (The), 131</p> + <p>Neptune's Ally, 231</p> + <p>New Bellerophon (The), 91</p> + <p>New Shylock (The), 391</p> + <p>Price of Admiralty (The), 71</p> + <p>"Sincerest Flattery" (The), 451</p> + <p>"There's Many a Slip...", 251</p> + <p>Triumph of the Voluntary System, 471</p> + <p>Ulster King-at-Arms (The), 351</p> + <p>Wooing (The), 191</p> +<br /> +<span class="sc">Raven-hill, L.</span> +<p>After Closing Hours, 243</p> +<p>Black Man's Burden (The), 43</p> +<p>Captains Courageous, 483</p> +<p>Circus of Empire (The), 423</p> +<p>Clean Slate (A), 103</p> +<p>Coalition Touch (The), 403</p> +<p>Concert of South America (The), 383</p> +<p>Easter Egg (An), 263</p> +<p>Exit Tango, 83</p> +<p>Fight for the Banner (The), 283</p> +<p>Giants Refreshed, 443</p> +<p>Gift for Gift, 183</p> +<p>Lightening the Darkness, 223</p> +<p>Nine Old Men of the Sea (The), 163</p> +<p>One of Us—Now, 123</p> +<p>Penny Wisdom, 203</p> +<p>Penultimatum (A), 303</p> +<p>Refreshing the Fruit, 463</p> +<p>Sand Campaign (The), 31</p> +<p>Sitting Tight, 343</p> +<p>"Sort of War" (A), 323</p> +<p>Splendid Paupers (The), 11</p> +<p>Swashbucklers (The), 363</p> +<p>Throne Perilous (The), 143</p> +<p>Trust Clinch (The), 63</p> +<br /> +<span class="sc">Townsend, F. H.</span> +<p>Earthly Paradise (The), 3</p> +<p>Sea-Change (A), 23</p> + +<h3>Articles.</h3> +<br /><br /> + +<span class="sc">Aumonier, Stacey</span><br /> +<p>Moon (The), 246</p> +<br /> +<span class="sc">Bilsborough, J. H.</span><br /> +<p>Mr. Punch's Pantomime Analysis, 122</p> +<br /> +<span class="sc">Bird, A. W.</span><br /> +<p>Given Away, 46</p> +<p>Manners for Parents, 162</p> +<br /> +<span class="sc">Birrell, S. E.</span><br /> +<p>To Minki-Poo, 158</p> +<p>Toast (A), 441</p> +<br /> +<span class="sc">Brex, J. Twells</span><br /> +<p>Key to Cubism (A), 106</p> +<br /> +<span class="sc">Chalmers, P. R.</span><br /> +<p>Adventurers, 478</p> +<p>Annabel Lee, 290</p> +<p>Below the Wire, 390</p> +<p>Big Trout (The), 487</p> +<p>Buddha, 100</p> +<p>Con, 277</p> +<p>Fox (The), 196</p> +<p>Huntsman's Story (The), 16</p> +<p>In March, 216</p> +<p>Johnny Rigg, 354</p> +<p>Old China, 258</p> +<p>Pandean, 336</p> +<p>Song, 221</p> +<p>Tattie-Bogle (The), 425</p> +<p>To Septimius on Trout, 138</p> +<p>Tortoiseshell Cat (The), 178</p> +<p>Trophy (The), 106</p> +<p>Uncle Steve's Fairy, 68</p> +<p>West Highland, 368</p> +<br /> +<span class="sc">Claughton, Harold</span><br /> +<p>Lost Leader (A), 180</p> +<br /> +<span class="sc">Cochrane, Alfred</span><br /> +<p>Rock Gardeness in London (The), 475</p> +<br /> +<span class="sc">Collins, G. H.</span><br /> +<p>Best Policy (The), 222</p> +<p>Pessimism, 77</p> +<p>Second-hand Serenade (A), 488</p> +<br /> +<span class="sc">Dark, Richard</span><br /> +<p>Two Eyes of Gray, 455</p> +<br /> +<span class="sc">Davis, Oswald H.</span><br /> +<p>How to Get On Off-hand, 262</p> +<br /> +<span class="sc">Duffin</span>, Miss <span class="sc">Ruth</span><br /> +<p>Advance Finale (An), 453</p> +<br /> +<span class="sc">Eckersley, Arthur</span><br /> +<p>Reversible Rhetoric, 275</p> +<p>Silver Jubilee (A), 366</p> +<p>Three-Card Trick (The), 426</p> +<p>Three Wishes (The), 113</p> +<p>Winter Sports, 27</p> +<br /> +<span class="sc">Eden</span>, Mrs.<br /> +<p>Idol of the Market Place (An), 218</p> +<p>"Sir Bat-Ears", 489</p> +<br /> +<span class="sc">Edwardes, C.</span><br /> +<p>Continental Intelligence, 15</p> +<br /> +<span class="sc">Elias, F.</span><br /> +<p>Food—Not Merely for Thought, 227</p> +<p>Very Much Greater London, 417</p> +<br /> +<span class="sc">Emanuel, Walter</span><br /> +<p>Charivaria, weekly</p> +<p>What Our Readers Think of Us, 13</p> +<br /> +<span class="sc">Farjeon, Herbert</span><br /> +<p>Question of Courtesy (A), 338</p> +<br /> +<span class="sc">Fish, W. W. Blair</span><br /> +<p>Bargain in Fashions (A), 347</p> +<p>Carpet Sales, 255</p> +<p>Charm (A), 90</p> +<p>Spell (The), 13</p> +<p>Sweet of the Year (The), 407</p> +<p>Villain in Revolt (A), 296</p> +<br /> +<span class="sc">Fisher, Murray</span><br /> +<p>Hullo, Bedroom Scene, 436</p> +<br /> +<span class="sc">Fowler, F. G.</span><br /> +Bath Unrest (The), 398<br /> +<p>"On", 340</p> +<p>Once One, 237</p> +<br /> +<span class="sc">Fowler, P. A.</span><br /> +<p>Laid, 278</p> +<p>Love at the Cinema, 58</p> +<br /> +<span class="sc">Freeman, William</span><br /> +<p>Gwendolen's Hobbies, 309</p> +<br /> +<span class="sc">French, C. O.</span><br /> +<p>Our Literary Advice Department, 168</p> +<br /> +<span class="sc">Fry, C. H.</span><br /> +<p>Commercial Side (The), 82</p> +<br /> +<span class="sc">Garvey</span>, Miss <span class="sc">Ina</span><br /> +<p>At the Gates of the West, 236</p> +<p>Blanche's Letters, 94, 346, 446</p> +<p>Guess Who It Is, 122</p> +<p>Sitter Sat Upon (The), 309</p> +<br /> +<span class="sc">Gittins, H. N.</span><br /> +<p>Love's Labour, 115</p> +<p>Married Man's Advantage (The), 34</p> +<p>Sporting Chance (A), 357</p> +<p>Welcome Flaw (A), 456</p> +<br /> +<span class="sc">Graves, C. L.</span><br /> +<p>Ballad of the Watchful Eye, 270</p> +<p>Drastic Reform of Schools, 409</p> +<p>Gnomes for Golfers, 170</p> +<p>In the Garden of Allah, 34</p> +<p>Liberals Day by Day, 267</p> +<p>Qualities that Count (The), 97</p> +<p>Tragedy of Middle Age (The), 55</p> +<br /> +<span class="sc">Graves, C. L., and Lucas, E. V.</span><br /> +<p>April for the Epicure, 286</p> +<p>Artistes' Aliases, 249</p> +<p>Author (The), 338</p> +<p>Book-buyer (The), 266</p> +<p>Cautious Conclusions, 302</p> +<p>Colonel Talks (The), 405</p> +<p>Country Life Exhibition, 258</p> +<p>"Dash", 206</p> +<p>Eavesdropper (The), 349</p> +<p>Fares, 177</p> +<p>Gleanings from Grub Street, 367</p> +<p>Grub Street Gossip, 307</p> +<p>How to Improve London, 369</p> +<p>Indomitables (The), 68</p> +<p>In Extremis, 116</p> +<p>Laconics, 48</p> +<p>Letters and Life, 129</p> +<p>Lidbetter, 85</p> +<p>Mr. Balfour: Mixed Double Life, 218</p> +<p>Mr. Roosevelt's Discoveries, 362</p> +<p>Music and Millinery, 65</p> +<p>Musical Notes, 335, 484</p> +<p>National Calamity (A), 394</p> +<p>New Book of Beauty (A), 6</p> +<p>Newspaper War, 422</p> +<p>Nose Has It (The), 114</p> +<p>Novelist and Millionaire, 345</p> +<p>Oblique Method (The), 95</p> +<p>One of Our Greatest, 406</p> +<p>One Way With Them, 196</p> +<p>Our Ready Writers, 109</p> +<p>Popular Misconceptions, 226</p> +<p>Professor Splurgeon on Personality, 336</p> +<p>Record Risks, 17</p> +<p>Romance of a Battleship (A), 5</p> +<p>Secret Out (The), 28</p> +<p>Studies in Discipleship, 185</p> +<p>Sufferer (The), 386</p> +<p>Tempora Mutantur, 478</p> +<p>Too Good to be True, 128</p> +<p>Water is Best, 350</p> +<p>Water on the Brain, 216</p> +<p>When Boss Eats Boss, 127</p> +<p>Young Everything (The), 467</p> +<br /> +<span class="sc">Harty, Frank</span><br /> +<p>Mouse of Mydra (The), 434</p> +<br /> +<span class="sc">Haslam, Ralph</span><br /> +<p>Critic at the R.A. (The), 312</p> +<br /> +<span class="sc">Hastings, B. Macdonald</span><br /> +<p>How the Championship was Won, 482</p> +<br /> +<span class="sc">Herbert, A. P.</span><br /> +<p>Call of the Blood (The), 470</p> +<br /> +<span class="sc">Hodgkinson, T.</span><br /> +<p>Cry for Guidance (A), 120</p> +<p>Danger Signal (The), 157</p> +<p>Hospitable Door (The), 98</p> +<p>Last Straw (The), 8</p> +<p>News from the Front, 327</p> +<p>Next of the Dandies (The), 241</p> +<p>Noblest Work of Man (The), 365</p> +<p>Piercing of the Veil (The), 385</p> +<p>Sign of Decay (A), 174</p> +<p>Time Exposure(A), 461</p> +<br /> +<span class="sc">Hopkins, E. T.</span><br /> +<p>Moan of the Old Horses (The), 73</p> +<p>Young Mother's Swan Song, 21</p> +<br /> +<span class="sc">Hosken, J. F.</span><br /> +<p>An Apology that Made Things Worse, 148</p> +<p>Curling, 48</p> +<p>Interviewing Father, 166</p> +<p>Miranda's Will, 76</p> +<br /> +<span class="sc">Hughes, C. E.</span><br /> +<p>Great Occasion (A), 438</p> +<br /> +<span class="sc">Jenkins, Ernest</span><br /> +<p>Bludyard, 406</p> +<p>Kakekikokuans (The), 47</p> +<p>Little Wonder (The), 16</p> +<p>New Penny Paper (The), 205</p> +<p>Strike of School Teachers (The), 121</p><br /> +<span class='pagenum'><a name="Page_500" id="Page_500">[Pg 500]</a></span> +<span class="sc">Johnston, Alec</span><br /> +<p>Argumentum ad Feminam, 276</p> +<p>Coward (The), 37</p> +<p>Local Colour, 89</p> +<p>"Milestones", 376</p> +<p>Old Master (The), 74</p> +<p>Slit Trouser (The), 206</p> +<p>Stanzas written in Dejection before Matrimony, 230</p> +<p>Subscription (The), 10</p> +<br /> +<span class="sc">Kendall</span>, Captain<br /> +<p>Floral Dangers, 374</p> +<p>Hen (The), 130</p> +<p>House of Punch (The), 46</p> +<p>Shop, 256</p> +<p>Wild Swan (The), 210</p> +<br /> +<span class="sc">Kidd, Arthur</span><br /> +<p>Earthly Hades (The), 458</p> +<p>Myth of Bond Street (A), 298</p> +<br /> +<span class="sc">Kirk, Laurence</span><br /> +<p>Billiards à la Golf, 69</p> +<p>"For Professional Services", 117</p> +<br /> +<span class="sc">Knox, E. G. V.</span><br /> +<p>Amending a Bill, 466</p> +<p>Chimes and the Chube (The), 227</p> +<p>"Cines" of the Times, 125</p> +<p>Civil War, 329</p> +<p>Forgiveness, 190</p> +<p>Hazard on the Home Green (A), 442</p> +<p>Highway Loot, 388</p> +<p>Inspiration, 410</p> +<p>Ivory, 87</p> +<p>Loop! Loop!, 38</p> +<p>Manes à la Mode, 110</p> +<p>Manly Part (The), 265</p> +<p>Moving, 167</p> +<p>Nocturne, 287</p> +<p>Olympic Talent, 67</p> +<p>Perfection, 370</p> +<p>"Punch" in his Element, 250</p> +<p>Revelation Revised, 490</p> +<p>Revenge, 50</p> +<p>Smile of the Sea Kings (The), 430</p> +<p>Sporting Offer (A), 450</p> +<br /> +<span class="sc">Langley, F. O.</span><br /> +<p>Audit (The), 402</p> +<p>Billet Doux, 388</p> +<p>Bygone (A), 58</p> +<p>Character (A), 158</p> +<p>Epidemic (The), 78</p> +<p>Impressing of Perkins (The), 328</p> +<p>Modern Idyll (A), 93</p> +<p>Nonentity (A), 285</p> +<p>Old Friends, 30</p> +<p>Opportunist (The), 198</p> +<p>Root of all Evil (The), 457</p> +<p>Spectrum (The), 235</p> +<br /> +<span class="sc">Laws, A. Gordon</span><br /> +<p>What to tell an Editor, 25</p> +<br /> +<span class="sc">Lehmann, R. C.</span><br /> +<p>Abandoner (The), 458</p> +<p>Bad Dream (A), 38</p> +<p>Beer Fight (The), 77</p> +<p>Exile, 278</p> +<p>Federal Solution (The), 298</p> +<p>Great Resigner (The), 142</p> +<p>Hat (The), 202</p> +<p>Jobson's, 222</p> +<p>Last Straw (The), 57</p> +<p>Lean-to Shed (The), 116</p> +<p>Legal Document (A), 488</p> +<p>May Picnic (A), 418</p> +<p>Mediation, 398</p> +<p>Not a Line, 435</p> +<p>Odd Man (The), 255</p> +<p>Paper-Chase (The), 14</p> +<p>Per Asparagos ad Astra, 325</p> +<p>Peter, a Pekinese Puppy, 347</p> +<p>Post Office Savings Bank (The), 318</p> +<p>Roosevelt Resurgit, 465</p> +<p>Singing Water, 147</p> +<p>Smiles and Laughter, 187</p> +<p>Sultan of Morocco (The), 378</p> +<p>Trying-on, 96</p> +<p>Wedding Present (The), 176</p> +<br /> +<span class="sc">Longstaff, Gilbert</span><br /> +<p>Time's Revenge, 238</p> +<br /> +<span class="sc">Lucas, E. V.</span><br /> +<p>Another Information Bureau, 436, 456</p> +<p>In the Brave 3d. Days, 225</p> +<p>Once upon a Time, 55, 314</p> +<br /> +<span class="sc">Lucy, Henry</span><br /> +<p>Essence of Parliament, 133, 153, 173, 193, 213, 233, 253, 273, 293, 313, 333, 353, 373, 393, 413, 433, 473</p> +<br /> +<span class="sc">McClelland, W. E.</span><br /> +<p>Yellow Furze (The), 86</p> +<br /> +<span class="sc">Marillier</span>, Mrs.<br /> +<p>Points of View, 238</p> +<p>To my Husband's Banker, 362</p> +<br /> +<span class="sc">Marshall, Archibald</span><br /> +<p>Cabinet Crisis (A), 54</p> +<br /> +<span class="sc">Martin, N. R.</span><br /> +<p>Cabinet Meets (The), 102</p> +<p>End of It All (The), 182</p> +<p>New Journal-Insurance (The), 23</p> +<p>Politics on the Links, 302</p> +<p>Red Head and White Paws, 474</p> +<p>Royalists (The), 146</p> +<p>"Scene" in 1916 (A), 322</p> +<p>Signers of the Times, 217</p> +<br /> +<span class="sc">Matkin, C.</span><br /> +<p>Way Out (The), 438</p> +<br /> +<span class="sc">Melvin, H. E.</span><br /> +<p>Lord of the Leviathans (The), 378</p> +<br /> +<span class="sc">Milne, A. A.</span><br /> +<p>At the Play, 195, 375</p> +<p>Competition Spirit (The), 348</p> +<p>Complete Dramatist (The), 428, 448, 462</p> +<p>"Driven", 486</p> +<p>Farewell Tour (A), 42</p> +<p>"Grumpy", 396</p> +<p>Hanging Garden in Babylon (A), 408</p> +<p>Lesson (The), 108</p> +<p>My Lord's Dinner, 326</p> +<p>Obvious (The), 308</p> +<p>Oranges and Lemons, 188, 208, 228, 248, 208, 268, 288</p> +<p>Play of Features (A), 2</p> +<p>Same Old Story (The), 26</p> +<p>Silver Linings, 66</p> +<p>Strong Man (The), 88</p> +<p>"Wrongly Attributed", 368</p> +<br /> +<span class="sc">Muir, Ward</span><br /> +<p>London's Links with the Past, 237</p> +<br /> +<span class="sc">Naismith, J. B.</span><br /> +<p>Every Author's Wife, 148</p> +<p>In Search of Peter, 289</p> +<br /> +<span class="sc">Phillips, C. K.</span><br /> +<p>Post Office Again (The), 53</p> +<p>Telephone Again (The), 175</p> +<p>To Obey or Not to Obey, 36</p> +<br /> +<span class="sc">Pope</span>, Miss <span class="sc">Jessie</span><br /> +<p>Bomb (The), 282</p> +<p>Downward Trend (The), 194</p> +<p>Militant's Song (The), 168</p> +<p>Vagrant (A), 385</p> +<br /> +<span class="sc">Randell, Wilfrid L.</span><br /> +<p>Art of Conversation (The), 296</p> +<p>Can-Can (The), 454</p> +<p>Perfect Conductor (The), 162</p> +<br /> +<span class="sc">Redington</span>, Miss S. <br /> +<p>Legend of Everymatron (The), 95</p> +<br /> +<span class="sc">Rigby, Reginald</span><br /> +<p>Language of Colour (The), 390</p> +<p>Security, 98</p> +<br /> +<span class="sc">Risk, R. K.</span><br /> +<p>Cowl (The), 294</p> +<br /> +<span class="sc">Rittenberg, Max</span><br /> +<p>Cinema Habit (The), 215</p> +<br /> +<span class="sc">Salter</span>, Miss <span class="sc">Gurney</span><br /> +<p>"Pereant Qui Ante Nos ...", 302</p> +<br /> +<span class="sc">Salvidge, Stanley</span><br /> +<p>Man of the Evening (The), 468</p> +<br /> +<span class="sc">Seaman, Owen</span><br /> +<p>At the Play, 18, 56, 74, 135, 156, 178, 276, 316, 356, 376, 416, 476</p> +<p>Bowles without a Bias, 102</p> +<p>Byles for the Bill, 182</p> +<p>Civil War Estimates, 142</p> +<p>Cockaigne of Dreams (A), 62</p> +<p>General Villa breaks into Poetry, 322</p> +<p>"Grand Nights", 482</p> +<p>Holiday Mood (The), 422</p> +<p>In Memoriam (Sir John Tenniel), 162</p> +<p>Prancing Prussian (A), 22</p> +<p>Smithers, B. C., 82</p> +<p>Spirit of Ulster and the Army (The), 242</p> +<p>To Mr. Chamberlain, 40</p> +<p>To the Cabinet, 280</p> +<p>Ulster for Scotland, 442</p> +<p>Unhappy Mean (The), 362</p> +<p>Union of Irish Hearts (The), 282</p> +<p>"Who Fears to Speak of"—Nineteen-six?, 382</p> +<br /> +<span class="sc">Smith, Bertram</span><br /> +<p>Bazaar Cushion (The), 126</p> +<p>Corncrake (The), 418</p> +<p>Game Licence (The), 28</p> +<p>Vandalism, 387</p> +<br /> +<span class="sc">Smith, C. Turley</span><br /> +<p>Fuser (The), 354</p> +<p>Triumph of Thinness (A), 234</p> +<br /> +<span class="sc">Smith, E. B.</span><br /> +<p>Business friendship, 382</p> +<br /> +<span class="sc">Sterne, Ashley</span><br /> +<p>Buying a Piano, 414</p> +<br /> +<span class="sc">Sykes, A. A.</span><br /> +<p>Deadly Button (The), 155</p> +<p>Intellectual Damage to Animals, 138</p> +<p>Pidgin Trot (The), 70</p> +<br /> +<span class="sc">Tombs, J. S. M.</span><br /> +<p>In the Park, 466</p> +<p>Isabel in Springtime, 327</p> +<p>Proof, 275</p> +<p>Season's Delights (The), 334</p> +<br /> +<span class="sc">White, R. F.</span><br /> +<p>Amende Déshonorable, 1</p> +<p>Belles Lettres and Others, 169</p> +<p>Canal (The), 154</p> +<p>Commercial Art, 297</p> +<p>Converted Statistician (The), 78</p> +<p>Epic from the Provinces (An), 358</p> +<p>Ideal Film Plot (The), 149</p> +<p>Ring (The), 197</p> +<br /> +<span class="sc">Wilson, A. J. A.</span><br /> +<p>Serenity, 480</p> +<br /> +<span class="sc">Wodehouse, P. G.</span><br /> +<p>Egbert, Bull-frog, 242</p> +<p>Misunderstood, 6</p> +<p>Sluggard (The), 306</p> +<br /> +<span class="sc">Wyndham-Brown, W. F.</span><br /> +<p>Political Correspondence (A), 256</p><br /> + + + + +<h3>Pictures and Sketches.</h3> + + +<span class="sc">Armour, G. D.</span>, 19, 37, 59, 79, 97, 117, 139, 147, 197, 219, 259, 279, 299, 319, 335, 359, 379, 397, 417, 459, 479<br /> +<br /> +<span class="sc">Baumer, Lewis</span>, 70, 85, 110, 150, 190, 269, 337, 410, 470<br /> +<br /> +<span class="sc">Baynes, Philip</span>, 430, 490<br /> +<br /> +<span class="sc">Belcher, George</span>, 129, 159, 189, 225, 265, 297, 307, 339, 375, 399, 419, 457, 469<br /> +<br /> +<span class="sc">Bird, W.</span>, 21, 41, 100, 137, 180, 206, 241, 295, 306, 467<br /> +<br /> +<span class="sc">Brightwell, L. R.</span>, 5, 141, 167, 347, 446, 484<br /> +<br /> +<span class="sc">Brook, Ricardo</span>, 114, 281, 441<br /> +<br /> +<span class="sc">Cheney, Leo</span>, 35<br /> +<br /> +<span class="sc">Cobb</span>, Miss <span class="sc">Ruth</span>, 175<br /> +<br /> +<span class="sc">Cowes, Dudley S.</span>, 261<br /> +<br /> +<span class="sc">Dixon, G. S.</span>, 400<br /> +<br /> +<span class="sc">Dowd, J. H.</span>, 61, 87, 249, 481<br /> +<br /> +<span class="sc">Fenning, Wilson</span>, 461, 466<br /> +<br /> +<span class="sc">Fraser, P.</span>, 86, 106, 236, 321, 386, 406<br /> +<br /> +<span class="sc">Gill, Arthur</span>, 218<br /> +<br /> +<span class="sc">Grave, Charles</span>, 7, 29, 201, 226, 370, 387, 401, 429, 477<br /> +<br /> +<span class="sc">Harris, H. H.</span>, 286<br /> +<br /> +<span class="sc">Harrison, Charles</span>, 36, 65, 246, 434, 455<br /> +<br /> +<span class="sc">Hart, Frank</span>, 57<br /> +<br /> +<span class="sc">Haselden, W. K.</span>, 18, 56, 135, 136, 156, 178, 276, 316, 326, 356, 375, 376, 396, 416, 476, 486<br /> +<br /> +<span class="sc">Henry, Thomas</span>, 75, 94, 301<br /> +<br /> +<span class="sc">Hinckling, P. B.</span>, 366<br /> +<br /> +<span class="sc">Jennis, G.</span>, 17, 69, 155, 217<br /> +<br /> +<span class="sc">Lloyd, A. W.</span>, 14, 118, 133, 134, 153, 154, 173, 174, 193, 194, 213, 214, 233, 234, 253, 273, 274, 293, 294, 313, 314, 333, 334, 353, 354, 373, 374, 393, 394, 413, 414, 433, 454, 473, 474, 493, 494<br /> +<br /> +<span class="sc">Lunt, Wilmot</span>, 74, 270<br /> +<br /> +<span class="sc">Maybank, Thomas</span>, 209<br /> +<br /> +<span class="sc">Mills, A. Wallis</span>, 9, 33, 49, 77, 90, 169, 199, 215, 227, 255, 207, 315, 327, 349, 395, 415, 427, 453, 475<br /> +<br /> +<span class="sc">Mobbs, Hedley A.</span>, 287<br /> +<br /> +<span class="sc">Morrow, E. A.</span>, 460<br /> +<br /> +<span class="sc">Morrow, George</span>, 20, 40, 60, 80, 99, 120, 140, 160, 179, 200, 220, 240, 260, 280, 300, 310, 340, 360, 377, 389, 420, 440, 480, 496<br /> +<br /> +<span class="sc">Norris, A.</span>, 27, 67, 115, 121, 166, 207, 320, 346, 381, 421, 487<br /> +<br /> +<span class="sc">Partridge, Bernard</span>, 1<br /> +<br /> +<span class="sc">Pears, Charles</span>, 55, 89, 119, 237, 380, 437<br /> +<br /> +<span class="sc">Pegram, Fred</span>, 53<br /> +<br /> +<span class="sc">Prance, Bertram</span>, 266<br /> +<br /> +<span class="sc">Raven-Hill, L.</span>, 50, 289, 330, 390, 498<br /> +<br /> +<span class="sc">Reynolds, Frank</span>, 107, 170, 187, 247, 317<br /> +<br /> +<span class="sc">Rose, D. T.</span>, 81<br /> +<br /> +<span class="sc">Rountree, Harry</span>, 15, 39, 355<br /> +<br /> +<span class="sc">Shepard, F. H.</span>, 6, 30, 113, 135, 165, 181, 229, 350, 407, 449<br /> +<br /> +<span class="sc">Shepperson, C. A.</span>, 130, 145, 210, 230, 250, 309, 329, 409<br /> +<br /> +<span class="sc">Simmonds, Graham</span>, 10, 126, 336, 447<br /> +<br /> +<span class="sc">Smith, A. T.</span>, 13, 101, 127, 146, 195, 257, 357, 361, 367, 439<br /> +<br /> +<span class="sc">Stampa, G. L.</span>, 25, 47, 95, 105, 157, 235, 275, 290, 341, 369, 435, 450<br /> +<br /> +<span class="sc">Strange, C. S.</span>, 186, 426<br /> +<br /> +<span class="sc">Terry, S.</span>, 254<br /> +<br /> +<span class="sc">Thomas, Bert</span>, 495<br /> +<br /> +<span class="sc">Thorpe, J. H.</span>, 177, 489<br /> +<br /> +<span class="sc">Townsend, F. H.</span>, 45, 73, 93, 109, 125, 149, 161, 185, 205, 239, 245, 262, 277, 285, 305, 325, 345, 365, 385, 405, 425, 445, 465, 485<br /> +<br /> +<span class="sc">Wood, Starr</span>, 54<br /> +<br /> +<span class="sc">Young, D. A.</span>, 221<br /><br /> +</div></div> +<hr /> + +<div class="figcenter" style="width: 50%;"> +<a href="images/500.png"> +<img width="100%" alt="INDEX." src="images/500.png"/> +</a><br /><br /> +</div> + +<hr class="full" /> +<br /><br /> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. +146, June 24, 1914, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + +***** This file should be named 25560-h.htm or 25560-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/5/5/6/25560/ + +Produced by Neville Allen, Malcolm Farmer and the Online +Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Punch, or the London Charivari, Vol. 146, June 24, 1914 + +Author: Various + +Editor: Owen Seaman + +Release Date: May 22, 2008 [EBook #25560] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + + + + +Produced by Neville Allen, Malcolm Farmer and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + + + + + + PUNCH, OR THE LONDON CHARIVARI. + + VOL 146 + + JUNE 24, 1914. + + + + + CHARIVARIA. + + +The Cambridge University Boat Club has decided to spend L8,000 in +improving the Cam. There is talk of making it into a river. + + * * * + +Says a writer in a contemporary, "Don't live in a houseboat during a +flood." And yet NOAH always declared that he owed his life to having +done so. + + * * * + +The gentlemen who formed M. RIBOT'S Cabinet are objecting to being +described as "The One-Day Ministry." They were, they assert, in office +for some hours more than that. + + * * * + +The attack on M. RIBOT'S Ministry in the matter of the Three Years' +Service was led in the Chamber by three quite undistinguished +Socialists; and the contest was described succinctly by an unsympathetic +onlooker as "_Trois anes_ v. _Trois ans._" + + * * * + +By the way, M. VIVIANI'S Finance Minister is, we see, M. NOULENS. Is he, +we wonder, any relation of M. Noulens-Voulens? + + * * * + +The KAISER has commanded that the Colonial War Memorial to be erected in +Berlin shall take the form of an elephant. Presumably it is to be of +Parian marble in order to signify that some of the German colonies are a +bit like a white elephant. + + * * * + +A French squadron of eighteen vessels has lately been visiting Portland. +It was perhaps a little unfortunate that Admiral CALLAGHAN'S ship should +have been _The Iron Duke_--but no doubt our tactful officers explained +to their visitors that the vessel had been so named after a wealthy +iron-master who had been ennobled. + + * * * + +The report that an airship expedition is being prepared against the MAD +MULLAH is said to have caused keen delight to the old gentleman, as he +has never seen an aeronautical display of any kind. + + * * * + +It is now suggested that when Mr. HOBHOUSE took possession of H.M.S. +_Monarch_, he was labouring under the delusion that he was +Postmaster-Admiral as well as Postmaster-General. + + * * * + +The publication of _The Best of Lamb_, by Messrs. METHUEN, reminds one +that a literary butcher once complained that LAMB had not been issued in +The Canterbury Poets. + + * * * + +Although Mr. T. P. O'CONNOR is severing his connection with _T. P.'s +Weekly_ the name of the paper will not be changed. This sort of thing is +well calculated to confuse and unsettle the public. "T. P. or not T. P.? +that'll be the question." + + * * * + +Illustration: _Examining Admiral_ (_to naval candidate_). "NOW MENTION +THREE GREAT ADMIRALS." + +_Candidate._ "DRAKE, NELSON AND--I BEG YOUR PARDON, SIR, I DIDN'T QUITE +CATCH YOUR NAME." + + * * * + +It is denied that the title of our newest magazine--_Blast_--was +suggested by Mr. BERNARD SHAW. + + * * * + +"Old Spot Pigs," we are informed, are now being bred successfully once +more. It surprises us to hear this announced as a triumph. One would +have thought that in these days of beauty culture a clear complexion +would have been the desideratum. + + * * * + +"If," says a contemporary, "the middle-class girl were regularly +provided with a dowry, the matrimonial enthusiasm of young men would +probably be stimulated." We cannot imagine how people think of these +clever things. + + * * * + +Members of the Women's Social and Political Union are, says _The Daily +Mail_, boycotting West-End shopkeepers and stores not advertising in the +Militant organs. However, if the rest of the public will agree to +boycott such firms as do advertise in these organs the matter should +come all right. + + * * * + +A warning has been issued to pic-nic parties as to the danger from +adders, which are exceptionally numerous this year. They are apt to bite +if suddenly sat upon, and prudent persons are taking the precaution of +sitting on their plates. + + * * * + +"I shall never," writes a journalist in _The Express_, "forget the +shudder with which I saw a very well-known dramatist at a garden party +eating strawberries with his gloves on." We ourselves sometimes have +these sudden sensations, but, unlike the writer, are very prone to let +them slip out of our memory. + + * * * + +A dress-designer, we read, went mad one day last week in Paris and fired +a number of revolver shots at the police. To judge by many of the +creations one sees there must be quite an epidemic of mental deficiency +just now among designers of modes. + + * * * + +"Bags," we read in a lady's paper, "are going out of fashion." Men will, +however, continue to wear them. + + * * * * * + +From a list of awards at the Horse Show:-- + + "Riding Jonies ... Shetland Jones ... Pairs of Pones ..."--_Morning + Post._ + +You see the animal they mean. + + * * * * * + + "Cutter wanted for ladies' and gentlemen's trade; city house; state + experience, salary." + +An ordinary enough advertisement, but _The Irish Times_ imparts a +certain melancholy humour to it by inserting it in the section headed +"Yachts, Boats, etc." + + * * * * * + + "GRAND NIGHTS." + + + O benchers of the various ancient Inns + At whose so generous tables I have battened, + Where potions of the best and fruitiest bins + And fare on which LUCULLUS might have fattened + Tend to reduce the awe + Proper to laymen shadowed by the Law; + + How good I find it, full of meat, to sit + (The while Oporto's juice of '87, + Served on the polished board with silver lit, + Heartens me to postpone the joys of Heaven) + And hear, _remotis curis_, + The legal jest, the apt _scintilla juris_. + + But most I compliment, with thanks profuse, + The touch that gives your feasts their crowning savour, + Whose absence must have marred the duckling _mousse_, + Ruined the _neige au Kirsch_, and soured the flavour + Of Madame MELBA'S peaches-- + I mean the pledge upon my card, "No Speeches." + + There's only one I like, and that's "The KING"! + (I give the text in full--no superfluities); + Why should I have to hear some dodderer sing + Praise of the Government (whichever crew it is), + While some one else endorses + The obvious merits of our fighting forces? + + If I have dined too well, to-morrow's cure + Shall be the fine for my excessive feasting; + But, at the night's tail-end, I can't endure + A punishment that bores me like a bee-sting, + Poisoning all the mirth + That should companion my distended girth. + + For this relief from those who spoil the vine + (How oft have I refused, O learned Benchers, + For fear of speeches, other men's and mine, + The chance of feeding off the choicest trenchers)-- + For this relief I rank you + High up among my benefactors. Thank you. + + O. S. + + * * * * * + + HOW THE CHAMPIONSHIP WAS WON. + + (A _Story of 1918._) + + +The last match of the season was between Kent and Somerset. Kent and +Surrey were at the top of the Championship table, with the following +percentages:-- + + Kent 87.51 + Surrey 87.23 + +Surrey had completed its programme. Thus all depended on the result of +this Kent-Somerset match. To become champions Kent had either to win +outright or to keep their percentage intact by the circumstance of both +sides not completing an innings. + +Play was impossible on the first day owing to rain. On the second day +Somerset scored 157. Rain fell again and Kent were unable to commence +their innings till the afternoon of the third day. Obviously they had to +strain every nerve to accomplish two things: (1) to avoid getting out +and (2) to avoid scoring more than 157. At all hazards they must neither +win nor lose on the first innings. They could not win the match. There +was no time. And either a win or a loss on the first innings would lower +their percentage sufficiently to enable Surrey to go to the top. For in +the matter of averages it is better under certain conditions not to have +fought at all than to secure only a portion of the honours. + +It was an extraordinary afternoon's cricket. The Kent batsmen were very +careful, but two minutes before time there were 156 runs on the board +and the last two batsmen were at the wicket. If a wicket fell or a +couple of runs were scored Kent would lose the Championship. Strong men +shivered like leaves as ball after ball was steadily blocked by the +batsmen. Red-faced farmers wore their pencils to stumps in explaining +the appalling alternatives. Somerset, in the most sporting spirit, were +trying their hardest. A couple of deliberately-bowled wides would, of +course, have given Surrey the championship, but Somerset were playing +for the honour and glory of defeating Kent on the first innings. + +The last two Kent men displayed wonderful nerve. The straight ones were +carefully stopped and every ball off the wicket was left alone. Needless +to say the softest long hop to leg would not have tempted them to hit. + +When the bowler prepared to deliver the last ball of the day the very +trees round the ground seemed to stop whispering. It was a good length +ball, very fast and pitched slightly to the off. The batsman raised his +bat, expecting it to fly past the wicket. To his horror it nipped in. +Down came the bat in frantic haste. Heaven be praised! Just in time! The +bat just snicked the ball off. It missed the wicket by an eighth of an +inch and shot away to leg. + +Then occurred one of those incidents that men boast of having witnessed, +one of those strange happenings in sport that are recounted to +generation after generation. + +The ball had shot away to leg where there was no fieldsman. One of the +slips immediately made after it. The batsmen naturally did not run as +they did not wish to score. But suddenly it occurred to the striker that +it might reach the boundary, that the slip field might not be fast +enough to catch it up, and that, therefore, Kent would win on the first +innings and in so doing lose the championship. The idea flashed across +his mind almost immediately after he had hit the ball, and with a +promptness of action that was really beyond all admiration he dropped +his bat and ran like a madman in pursuit of the ball. + +He easily outstripped the Somerset slip, who was rather a stout man, and +fled like a hare after the little red devil that was scorching fast in +search of the fatal four. + +Men groaned in the agony of their excitement and women shrieked +hysterically. + +On flew the gallant Kent batsman. Nearer and nearer he got to the ball. +He overtook it. He stopped it. Three inches from the boundary he fell on +it and hugged it to his chest. The match was a draw, a glorious draw! +Neither side had won or lost a point. It did not count in the +Championship table. Kent were Champions! + +In the mad excitement of the moment no one thought of appealing on the +question of handling the ball or interfering with the field. Moreover +both the umpires had swooned and were being removed on shutters. The +result stood. The hero of the game was carried into the pavilion by two +music-hall agents and a reporter. + + * * * * * + +Editorial Amenities. + + "I have no fault to find with 'Towser,' except that it is very much + like scores of other dog stories; that is probably why you have + failed to place it. Have you tried the 'Manchester Guardian'?" + + _T.P.'s Weekly._ + + * * * * * + + "What comes after Home Rule?--Mormons in Germany." + + _Vancouver Daily Province._ + +Fortunately we shan't mind that. + + * * * * * + +Illustration: "CAPTAINS COURAGEOUS." + + * * * * * + + MUSICAL NOTES. + + +The remarkable and altogether epoch-making article in _The Times_ of the +16th inst., on the stimulating effect of the bath on unmusical people, +has already borne notable fruit. Meetings of the Governing Bodies of all +the principal Musical Colleges and Academies were held on the following +day, at which it was unanimously determined, as one of the speakers put +it, to effect a closer synthesis of harmony and ablution. Sir HUBERT +PARRY, himself celebrated in his youth for his prowess in natation, has +offered to present the Royal College of Music with a magnificent +swimming bath; Mr. LANDON RONALD has drafted a scheme for the erection +of a floating bath in the Thames for the convenience of the Guildhall +School, and Sir ALEXANDER MACKENZIE has offered the students of the +R.A.M. an annual prize for the best vocal composition in praise of +saponaceous abstergents. + + * * * * * + +Outside our musical academies the impetus given to musicians and +composers has been equally remarkable. Professor Banville de Quantock, +whose Oriental proclivities are well known, has at once embarked on a +gigantic choral symphony, to words of his own composition, in which the +whole process and procedure of the Turkish Bath is treated historically, +dramatically and realistically in seventeen movements. The title has not +yet been definitely fixed, but it will probably be known as the +_Symphonie Bathetique_, to differentiate it from TSCHAIKOVSKY'S +hackneyed work. + + * * * * * + +STRAUSS is reported by Mr. KALISCH to be engaged on a series of +_Spritzbadlieder_ of extraordinary beauty and complexity, in which a +wonderful effect is produced by the employment in the orchestral +accompaniment of a new instrument called the Loofaphone, which produces +a curious hissing noise like that emitted by a groom when using the +currycomb. Another instrument to which prominence is assigned in the +score is called the Saponola and bears a resemblance to the spalacoid +sub-family of mandrils, which have the mandibular angles in close +proximity to the sockets of the lower cephalopods. The motto of the work +is "_Das ewig Seifige_." + +We may further note, as one of the most valuable by-products of _The +Times_ article, the announcement that an international Balneo-Musical +Congress will be shortly held in the Albert Hall, with a view to +discussing the best methods of promoting harmonic hygiene. The arena, we +understand, is to be converted into a vast demonstration-tank, in which +prominent composers, conductors and singers will appear. Miss CARRIE +TUBB has kindly promised to preside. Amongst other items in the +programme we may mention an exhibition of under-water violin-playing by +Mr. Bamberger, and a game of symphonic water-polo between two teams of +Rhine maidens, captained by Herr NIKISCH and Sir HENRY WOOD +respectively. + + * * * * * + +Illustration: THE TRIUMPH OF THE ENEMY. + + * * * * * + + IDEAL HOLIDAYS. + +SOME FURTHER OPINIONS. + + +_COLONEL ROOSEVELT._--There is no doubt whatever that the best holiday +ground is Brazil. There one can have excitement day and night. When one +is not escaping from a man-eating trout one is eluding a vampire bat. If +the time is slow one can always seek the Rapids. Next to Brazil I should +suggest the offices of the New River Company. + +_MR. HOBHOUSE (P.M.G.)._--I know very little of holidays, having to keep +my nose to St. Martin's-le-Grind-stone day and night, but I have thought +that, if I did take a week or so off, I should choose to spend it on the +Post Office yacht, roughing it. + +_SIR EDWARD CARSON._--Such time as I can spare from Ulster and my daily +journey to and from London I should like to spend in explaining to +REDMOND the duties of a War-lord. + +_MR. FRANK TINNEY (the famous American tragedian)._--Ordinary holidays +is just so much junk. Me and ERNEST don't hold with them. Our idea of a +holiday is to go down town and hear jokes. The more jokes we hear the +bigger stock we have not to tell. + +_MR. WINSTON CHURCHILL._--I have often wondered if a busy administrator +might not get a very restful time by steadily refusing to fly. + +_MR. ASQUITH._--This talk about the constant need for holidays seems to +me to be, if I may say so, one of the great illusions of the day. The +wise man surely is he who, seated in his chair of office, welcomes every +new complication and perplexity that the moments bring, and in labour +finds the true repose. + +_MR. MASTERMAN._--I am spending my own holiday just now very agreeably +in composing conundrums. This is my latest: "Why do I differ from my +trousers?" The answer is, "Because they don't want reseating." + +_LORD WIMBORNE._--There is no place for a holiday like Meadowbrook. + + * * * * * + +A set of 12 Elizabethan "Apostle" spoons were recently offered for sale +at Messrs. CHRISTIE'S. Only one actual Apostle (Saint PETER) was +available, but excellent substitutes were provided in the persons of +ALEXANDER THE GREAT, CHARLEMAGNE, JULIUS CAESAR, KING ARTHUR, GUY OF +WARWICK, QUEEN ELIZABETH, JUDAS MACCABEUS and others. + + * * * * * + + "The fielding was particularly smart and the batsmen could not get + the ball away, the only hit worth mention for several hours being a + 4 by Tarrant off Bullough." + + _Newcastle Evening Chronicle._ + +A few more efforts like this and we shall suspect TARRANT of having read +the "Brighter Cricket" articles. + + * * * * * + + "A wireless message has been received here from the liner, New + York, reporting that while in a dense fog she was struck a glancing + blow abaft the bow by the steamer Pretoria. + + The New York was stooping at the time, and the shock was only + slight." + + _Glasgow Evening News._ + +Showing the advantage of being caught bending. + + * * * * * + +Illustration: _Sergeant (to new recruit who is grooming his horse very +gingerly)._ "NOW THEN, CULLY, JUST YOU BE CAREFUL 'OW YOU DUST THAT +THERE 'ORSE; 'E'S A DELICATE PIECE, 'E IS, AND 'E SHOWS THE SLIGHTEST +SCRATCH." + + * * * * * + + "WHEN OTHER LIPS ..." + + +The most original feature of the Opera-Ballet, _Le Coq d'Or_, given last +week for the first time in England, was the arrangement by which the +actors were excused from singing, and the singers from acting. Chorus +and soloists, dressed uniformly, without distinction of sex, in a +nondescript maroon attire, were disposed on each side of the stage in a +couple of grand stands, from which they saw little or nothing of the +entertainment but enjoyed an uninterrupted view of the conductor. This +left the actors free to attend to the primary business of miming, which, +when it came to the distribution of applause, they clearly regarded as +the most important element in the show. + +I look for great things from this new departure. It is rare enough for +an operatic performer to be capable of both singing and acting, or to be +alike beautiful to look on and to listen to. Once we have accepted the +convention by which an actor's lips are allowed to move in one part of +the stage while the sound comes from a totally different quarter, we may +go further and arrange for the singers to be put out of sight +altogether. He (and more particularly, she) might be posted behind some +sort of screen, diaphanous in respect of the vocalists' view of the +conductor, but opaque to the audience. When I think of some of the +rather antique and amorphous _prime donne_ of German, Italian and French +opera, I know that any scheme which would render them invisible and +permit their acting parts to be played by young and gracious figures +would meet with my unqualified approval. It would be necessary, of +course, to consult them first (a task which I would not care to +undertake), and this division of labour would no doubt entail additional +expense, but I am convinced that the pure love of art for art's sake +which is inherent in the nature of all operatic stars and syndicates +would ultimately rise superior to considerations whether of pelf or +_amour propre_. + + O. S. + + * * * * * + +From a catalogue:-- + + "WELLS (H. G.) Ann Veronica, a Modern Love Story, cr. 8vo. _cloth_ + (_rather dull_)." + + * * * * * + + DOMESTIC ECONOMY. + + + [Another Husband Housekeeper, supplementing the information already + published in _The Daily Mail_, reveals the system of housekeeping + by enforcing which he saves pounds and pounds and pounds a year.] + + When Sunday's heavy meal is done + Our joint's career is but begun. + + _Imprimis_, undismayed and bold, + It reappears on Monday, cold. + + And lo! the same on Tuesday will + Appear again, and colder still. + + The odds and ends we keep in store, + Divided neatly into four. + + A portion (No. 1) will do + For Wednesday's so-to-speak "ragout"; + + A portion (No. 2) will be + The gist of Thursday's "fricassee"; + + A portion (No. 3) supply + The pith of Friday's "cottage pie"; + + A portion (No. 4) will play + The leading _role_ on Saturday, + + Entitled, may be, "_a la russe_," + Or, better still, "anonymous." + + Thus is economy attained, + For thus is appetite constrained. + + * * * * * + + "DRIVEN." + +(_With a slight hook to it_). + + + I. + +SCENE--_The drawing-room of_ John Staffurth, M. P. _Enter_ Staffurth +_and_ Barbara Cullen. + +_Staffurth._ Barbara, the doctors have given their verdict. My wife has +only two years to live. + +_Barbara._ John, but she looks so well! What's the matter with her? + +_Staffurth._ Well, it's a little difficult to explain. But without being +technical I may say that it is--er--not exactly appendicitis and +yet--er--not exactly mumps. Anyhow, it's always very fatal on the stage. + +_Barbara._ Two years! John, I'm not quite clear whether I'm _your_ +relation or Diana's, or, in fact, what I'm doing in the house at all, +but as an old friend of _somebody's_ may I give you a word of advice? + +_Staffurth._ (_looking at his watch_). Certainly, but you must be quick. +I have to be back at the House in five seconds. + +_Barbara._ Then, John, give Diana a good time for those two years. Ask +her to recite sometimes, tell her about Welsh Disestablishment, at all +costs keep her amused. + +_Staffurth._ (_amazed_). My dear girl, do you realise I'm an Opposition +Member? The Government may spring a snap division on us at any moment. +(_Taking out his engagement book._) Still, let me see what I can do. On +July 15th, 1916---- Oh no, that will be too late. November 25th, +1915--how's that? We might have an afternoon at Kew then if the Whips +don't want me. (_Looking at his watch._) Well, I must be off. Don't let +Diana know she's ill. + +[_Exit hastily._ + +_Enter_ Diana Staffurth. + +_Diana._ I listened outside the door! Two years, and he won't even ask +me to recite to him! He doesn't love me. + +_Barbara._ He does, he does! But he's one of those men who never show it +till the Last Act. + +_Diana._ Well, I know somebody who doesn't mind showing it in the First +Act. (_Goes to telephone._) Is that you, Captain Furness? I've just +learnt a new little piece.... Yes, don't be long. [_She sits down to +play the piano till he comes._ + +CURTAIN. + + +II. + +_Six months later._ + +Captain Furness's _rooms, 11.30 p.m._ + +_Enter_ Furness _and_ Diana. + +_Furness._ There, dear, now we can have a nice little supper together. +You do love me, don't you? + +_Diana._ I suppose so. I love talking to you on the telephone, anyway. I +can't think what we should have done in this play without the telephone. + +_Furness._ And you will come away with me to-morrow? + +_Diana._ Yes. (_To the audience_) Oh, I've only got eighteen months---- +(_To_ Furness) Excuse me, Philip, this is a soliloquy; would you mind +not listening for a moment? (_He turns away and prepares the supper._) +Oh, I've only got eighteen months more, and I want to _live_! I want to +talk on the telephone to people, and keep on changing my clothes, and +recite--and--and--_Philip_! You _don't_ mean to say those are _marrons +glaces_ you've got there? + +_Furness._ Rather. Don't you like 'em? + +_Diana._ How dare you? You _know_ the doctors won't let me touch them. + +_Furness._ My dear, you never told me what the doctors said to you. What +did they say? + +_Diana._ Well, anyhow, they said, "No more _marrons glaces_." + +_Furness._ Really, Diana, how could I know? + +_Diana._ You ought to have guessed. You've insulted me and I'm going +home. And I shan't run away with you now. (_Picks up her cloak and goes +to the door._) Er--if I _should_ change my mind in the morning +I'll--er--telephone. + +_Next morning._ + +_Furness_ (_at the telephone_). Yes--yes--no, Lorenzo--both ways. What? +Oh, I beg your pardon, I thought it was--is it you, Diana?... You _will_ +come? Good. + +_Enter_ John Staffurth. + +_Staffurth._ Good morning. (_Looking at his watch._) I want a little +talk with you if you aren't busy, + +_Furness._ Certainly. (_Handing box._) Won't you begin a cigarette? + +_Staffurth_ (_taking out case_). Thanks, I'll begin one of my own. +(_Does so._) Now then. My sister-in-law--or cousin or--anyhow, my friend +Miss--or Mrs.--Cullen, Barbara Cullen, who--er--is still with us, told +me some days ago that you were about to elope with my wife. Is that so? + +_Furness._ Yes. + +_Staffurth._ Yes. I ought to have spoken to you about it before, but I +have been very busy lately at the House. The Government is bringing in +its Bill for the Abolition of Telephones on the Stage, and it is +necessary for the full strength of the Opposition to be there. As I said +in my speech, any such Bill would, to take a case, ruin Mr. TEMPLE +THURSTON'S new play at the Haymarket, and recent by-elections have shown +that the country was---- However, I need not bother you with that. The +point is that I have at last managed to get away to see you, and I want +to know what it is you propose to do. + +_Furness._ I'm going to send in my papers and take your wife away with +me. + +_Staffurth._ Ah! Then perhaps before you ruin your career I'd better +tell you what the doctors say about her, She is not---- + +_Furness_ (_impatiently_). My dear chap, I know. She told me last night. +But it's all right, I don't much care for them myself. + +_Staffurth._----not likely to live for more than eighteen months. + +_Furness._ My God! + +_Staffurth._ That's what we all said several times when we heard it. +Well? + +_Furness._ Well, I mean, this wants thinking about. I had no---- My +career--only eighteen months---- + +_Staffurth_ (_breaking out at last_). You beastly egotist! You think of +nothing but your rotten career. You cur, you hound, you dog! You---- + +_Furness_ (_annoyed_). Now I warn you, Staffurth, I may only be about +half your size, but I shall have to thrash you severely if you talk like +that. + +_Staffurth._ You dog. + +_Furness_ (_with dignity_). For the sake of your wife, go before I climb +up you and strike you. [_Exit_ Staffurth. + +CURTAIN. + + * * * * * +Illustration: A THREATENED STRIKE. + +_John Staffurth_ .. Mr. C. AUBREY SMITH. +_CAPTAIN FURNESS_ .. MR. OWEN NARES. + + * * * * * + +III. + +_The Drawing-room again._ + +_Barbara_ (_joyfully_). Diana, I've got some exciting news for you. +Guess! + +_Diana._ You're going away? + +_Barbara._ No! + +_Diana._ Oh, well, after all you've only stayed with us six months. +Er--you've got a new dress? + +_Barbara._ No. + +_Diana._ No; that was a silly one. Er--John's got a half-holiday? + +_Barbara._ No. Well, I must tell you! Diana, you're not going to die +after all! The doctors made a mistake! + +[_Exit._ + +_Diana._ Not going to die? But then I don't want to run away with +Philip. (_Rushes to desk and seizes the telephone._) I must let him +know. (_With a shriek_) Help! the telephone's broken! Then I have +nothing to live for. (_She takes out poison from poison drawer._) I +shall count three before I drink. One--two---- Why doesn't John come? +One--two---- If he isn't quick he'll be too late. One---- + +_Enter_ John _quickly._ + +_John_ (_looking at his watch._) My darling, I have just time to forgive +you. Let us be happy together again. + +_Diana._ But the telephone's broken! + +_John_ (_embracing her tenderly_). My darling, I've sent for a man to +mend it. + +_Diana_ (_much moved_). My husband! + +A. A. M. + + * * * * * + + "Miss Gluck only arrived in London from New York after a tour in + America earlier in the morning, and proceeded to Richmond to + rest."--_Times._ + +Which she must have wanted after her busy morning. + + * * * * * + +Illustration: _First Visitor from the country_ (_to second ditto_). +"AY, FRED, LONDON'S THE PLACE TO SEE THE SWELLS ENJOYING THEMSELVES THIS +TIME O' YEAR. NOTHING BUT LIFE AND GAIETY ON ALL SIDES." + + * * * * * + + THE BIG TROUT. + + + Pull up the rypecks! Push her home! + It's roses all the way! + Let garlands lie on Thames's foam-- + A trout has died to-day! + Room for the victor--ho, there, room!-- + Who calls the gods to scan + No halfling of the lilied gloom, + But that leviathan. + + Anew (with jostling words unstayed) + We fight it, inch by inch, + From that first moment when he made + The line scream off the winch; + 'Twas so we struck, we held him so + Lest weed had triumph wrecked; + Thus to his leap the point dropped low, + And thus a rush was checked. + + O sought-for prize! Full many a day + The old black punt has swung + Beyond his stance, in twilight's grey, + Or when the dawn was young; + What hopes were ours, what heart-beats high + Have thrilled us, when he rolled + Up from the jade-green deep, a-nigh, + Dull-gleaming as of gold! + + Glide on, ye stately swans, with grace-- + Ye ne'er again shall see + His headlong dash among the dace + Beneath the willow-tree; + Ye little bleak, lift up your heads, + Ye gudgeon, skip at score, + The run between the lily beds + Shall know its lord no more! + + Yet, while th' exalted pulses stir, + Regret takes hands with Pride, + Regret for that most splendid spur-- + The Wish Ungratified; + With hammering heart that bulk I con, + That spread of tail and fin, + And sigh, like him of Macedon, + With no more worlds to win. + + Pull up the rypecks, can't you, Jim! + It's roses all the way! + But ne'er another fish like him + For any other day! + Room for the victor--lock, there, room!-- + Who calls the gods to scan + No halfling of the amber gloom, + But that leviathan. + + * * * * * + +Commercial Candour. + + "Avoid Income-Tax and Death Duties by investing in selected + Canadian Securities." + + _Advt. in "Times Financial Supplement."_ + + * * * * * + +Motto for golfer who has foozled his approach:-- + + "I will not stir, nor wince, nor speak a word, + Nor look upon the iron angerly." + + _King John_, iv., 1. + + * * * * * + + A LEGAL DOCUMENT. + + +"There is," I said, "a guilty look about you. You are hanging round. At +this time of the morning you have usually retreated to your fastnesses. +Why has not the telephone claimed you? There is something on your mind." + +"No," said the lady of the house airily; "I have a vacant mind." + +"Where, then," I said, "is your loud laugh? I have not heard you shout +'Ha-ha,' or anything remotely resembling 'Ha-ha.' Something is weighing +upon you." + +"Not at all." + +"Yes at all," I said decisively. "You have something to confess." + +"Confess!" she said scornfully. "What nonsense is this about confession? +We are not early-Victorians." + +"Yes, we are. I insist upon it. I shall be busy with my writing. You +will come and kneel unperceived at my feet with an imploring look upon +your tear-stained face. I shall give a sudden start----" + +"And," she went on enthusiastically, "I shall stretch out my hands to +you, and you will raise me tenderly from the floor, and I shall then +explain----" + +"That appearances were against you, but that Eugene is really your +brother by a first marriage----" + +"And I shall then call for the smelling salts and swoon like this"--she +collapsed in an inanimate heap on the sofa--"and you will rise to your +full height----" + +"Yes," I said, "I shall forgive you freely." + +"No," she said, "you will blame yourself for not having appreciated my +angelic nature, for having treated me as a mere toy, for having----" + +"Yes," I said," for having married you at all. But I shall forgive you +all the same, and I shall present you with the locket containing my +grandmother's miniature. Come on; let us start at once. I forgive you +from the bottom of my heart." + +"All right," she said, "I accept your forgiveness. And now that we've +cleared the ground, you'll perhaps allow me----" + +"Aha," I said, "then there _is_ something after all?" + +"There always is _something_," she said, "so perhaps you'll allow me to +ask you a question?" + +"A question?" I said. "Ask me fifty. I don't promise to answer them. I'm +only human, you know, but----" + +"Surely," she said, "this humility is exaggerated." + +"Anyhow," I said, "I'll do my best, so fire away." + +"What," she said, "does one do with a legal document?" + +"Isn't this rather sudden?" I said. "'What does one do with a legal +document?' My dear, one does a thousand things. One buys land, or sells +it--which is much better. One gets separated, or, rather, two get +separated; one gets a legacy, generally quite inadequate; one executes a +mortgage, but you mustn't ask me who is the mortgagor and who is the +mortgagee, for, upon my sacred word of honour, I never can remember +which is which or who does what. One leaves one's money to one's beloved +wife by a legal document, or one cuts her off with a shilling and one's +second best bed, like SHAKSPEARE, you know. Really, there's nothing you +can't do with a legal document." + +"How on earth," she said admiringly, "did you get to know all these +things?" + +"Oh, I don't know," I said. "One learns as one goes along. Men have to +know more or less about the law." + +"Tell me," she said; "do you feel paralysed when you see a legal +document?" + +"No, not now. They used to make me tremble, but I'm up to them now. I +understand their jargon." + +"And frankly," she said, "I don't." + +"But that doesn't matter," I said. "You've got a man----" + +"Lucky me," she said. + +"You've got a man to help you. That's what he's there for--to help you +with legal documents and to have his work interrupted and all his ideas +scattered. But, bless you, he doesn't mind. He knows his place." + +"Well," she said, "it's this way. A very dear friend of mine has taken a +house at the seaside, and they've sent her a document." + +"A letting agreement," I said. + +"I suppose so," she said; "and they want her to sign it; and they say +something about a counterpart which somebody else is to sign." + +"That," I said, "is the usual way." + +"What I want to know is, ought she to sign her document?" + +"Is it the sort of house she wants?" + +"The very house," she said. "She's been over it. Lots of rooms; nice +garden with tennis-lawn; splendid view of the sea; drainage in perfect +order; weekly rent a mere nothing. There's to be an inventory." + +"Of course there is. It's always done. Does the document embody +everything she requires?" + +"Yes," she said, "everything; and they've thrown in two extra days for +nothing." + +"In that case," I said, "her duty is clear. She must sign it." + +"Do you advise that?" + +"I do," I said, "most strongly." + +"Thank you so much," she said, "I'll do it at once," and before I could +interfere she had sat down at the writing-table, produced a document, +unfolded it and signed it. + +"It is," she explained, "the agreement for letting Sandstone House, +Sandy Bay. They made it out in my name." + +"But this," I said, seizing the paper, "is madness. It is not worth the +paper on which it is written." + +"I did nothing," she said, "without your advice." + +"I shall repudiate it," I said, "as having been obtained by fraud." + +"Right-o," she said; "we leave for Sandy Bay on July 28th." + +R. C. L. + + * * * * * + + A SECOND-HAND SERENADE. + + +(_The modern youth, we are told, is content to hymn his Lady in the +amorous diction of other bards._) + + It is not mine, Aminta, to commend you + According to your merits. Miles above + My puny lyre were this; I therefore send you, + For reference, "The Classic Gems of Love." + + Would I approve your tresses? See p. 7, + L. 2, for what I frankly think of them; + Your lips? p. 8; your dimples, p. 11; + Your teeth and ears and ankles? _ibidem._ + + Your kisses? _vide_ JONSON, B., "To Celia;" + See "Annie Laurie" for the way I greet + Your neck and voice and eyes (the song has really a + Trustworthy picture also of your feet). + + But nay! It ill behoves the ardent lover + To turn your gaze to any single spot, + In every line, from cover unto cover, + My passion finds an echo. Read the lot. + + * * * * * + + "SIR BAT-EARS." + + + Sir Bat-ears was a dog of birth + And bred in Aberdeen, + But he favoured not his noble kin + And so his lot is mean, + And Sir Bat-ears sits by the almshouses + On the stones with grass between. + + Under the ancient archway + His pleasure is to wait + Between the two stone pineapples + That flank the weathered gate; + + And old, old alms-persons go by, + All rusty, bent and black, + "Good day, good day, Sir Bat-ears!" + They say and stroke his back. + + And old, old alms-persons go by, + Shaking and well-nigh dead, + "Good night, good night, Sir Bat-ears!" + They say and pat his head. + + So courted and considered + He sits out hour by hour, + Benignant in the sunshine + And prudent in the shower. + + (Nay, stoutly can he stand a storm + And stiffly breast the rain, + That rising when the cloud is gone + He leaves a circle of dry stone + Whereon to sit again.) + + A dozen little door-steps + Under the arch are seen, + A dozen aged alms-persons + To keep them bright and clean; + + Two wrinkled hands to scour each step + With a square of yellow stone-- + But print-marks of Sir Bat-ears' paws + Bespeckle every one. + + And little eats an alms-person, + But, though his board be bare, + There never lacks a bone of the best + To be Sir Bat-ears' share. + + Mendicant muzzle and shrewd nose, + He quests from door to door; + Their grace they say--his shadow gray + Is instant on the floor, + Humblest of all the dogs there be, + A pensioner of the poor. + + * * * * * + +Illustration: _Harold (who has had the worst of an argument with his +father)._ "ALL RIGHT, THEN, YOU DON'T GET THOSE SIX STROKES I WAS GOING +TO GIVE YOU THIS AFTERNOON." + + * * * * * + + OUR PERSONAL COLUMN. + +(_The New Indigence._) + + +ADMIRABLE CRICHTON, double Blue and double First at Oxford, weary of +gerund-grinding at a fashionable preparatory school for L500 a year, +charming conversationalist, expert auction-bridge player, is open to +accept partnership in well-established financial house on the basis of +four months' holiday a year and genuine week-ends--Friday till Tuesday. + + * * * * * + +NONCONFORMIST, with open mind on the subject of gambling, but modest +means and conscientious objection to hard work, is desirous of meeting +liberal-minded philanthropist who will advance him L750 to operate +infallible system at Monte Carlo. + + * * * * * + +VIGOROUS YOUNG MAN of titled family, who is sick to death of England, is +prepared to undertake any duties of a sporting kind for unmarried +heiress in America or elsewhere. + + * * * * * + +A LADY, whose income is only L4,000 a year, is greatly in need of a +month's yachting, but cannot afford a yacht of her own and dislikes the +mixed company to be met with on the ordinary advertised cruises. Will +some kind friend be so good as to lend her a yacht and endow it? + + * * * * * + +UNIVERSITY MAN, strong, healthy, in early forties, who has never done a +day's work in his life, but has suddenly fallen on comparative poverty, +wishes to communicate with some person of means willing to save him from +the pain and indignity of having to do without luxuries which have +become second nature to him. + + * * * * * + +=L2,000= WANTED, at once, for speculation by Undergraduate. A safe two per +cent. offered; advertiser cannot afford more. No professional +money-lenders need apply. + + * * * * * + +CHRISTIAN and Teetotaler, who has not yet been to Japan, would be quite +grateful to any wealthy travel-enthusiast who would make it possible for +him to see this fascinating country. Excellent references. + + * * * * * + +Illustration: "NOW THEN, COUSIN EMMA, LET ME GIVE YOU A BIT OFF THE +BREAST." + +"YES, PLEASE, I SHOULD LIKE TO TASTE THAT, FOR IN MY YOUNG DAYS THEY +ALWAYS GAVE IT TO THE GROWN-UPS, AND NOW THEY KEEP IT FOR THE CHILDREN, +SO I'VE ALWAYS MISSED IT." + + * * * * * + + REVELATION REVISED. + + +[_A portion of "The Photodrama of Creation," a cinematograph enterprise +hailing from the United States, has recently been exhibited._] + + Oh, would I were a preacher or a prophet + Of some wild pagan creed, I know not where-- + One of whom people said, "This man is off it" + (But still I had a following sparse and rare), + + That so, if cynics urged, "How hard to prove is + The faith ye cling to fondly and so fast!" + By favour of the men who work the "movies," + I might expound the future and the past. + + Hiring a lot of lads with mobile faces, + And all the world to tap for filmed scenes, + Would I not set backsliders in their places + And give my errant congregation beans? + + Uprising in the darkened tabernacle, + A canvas sheet across the stage unfurled, + "To-night, dear brethren, we propose to tackle," + I should commence, "the Making of the World. + + "Doubts have arisen lately if the cosmos + Sprang as I stated; an egregious don + Has published pamphlets asking if it _was_ moss, + Or something else, that formed the primal _On._ + + "Well, to confute at once this creeping scandal, + You shall behold the facts before your eyes, + (If Mr. Potts will kindly turn that handle-- + Thank you) _and note, the camera never lies_." + + Yes, I would teach them; and if any scoffers + Still weltered in the quagmire of their sin, + If when I overhauled the monthly coffers + I found the business part a trifle thin, + + Choosing a model for the worst offender + I should unroll a still more lively lot + Of films depicting him in pomp and splendour, + "Swift glories," I should say, "and doomed to rot;" + + And then turn on "The Day of Retribution," + Shades of avengers in the world below + Prodding my man with verve and resolution, + And broiling him on spits exceeding slow, + + And flaying him, and squeezing him with pincers; + And whilst I pointed to his shrivelled shape + (These moving picture-men are rare convincers), + How I should thunder to the stalls agape! + + "Look at yon sinner perishing _in toto_, + Take warning lest the same occurs to you; + Each fraction of each wriggle is a photo, + And therefore must be absolutely true." + + EVOE. + + * * * * * + + "At the short fourteenth Vardon was bunkered, and took an + hour."--_Exeter Express._ + +He should have read our book, "How to get out of a Bunker in Forty-five +Minutes. By One who often Does." + + * * * * * + + "This move of the Powers, sending a rural gentleman from the Rhine + to do the big stick stunt in Albania with a lot of blood-thirsty + savages, is about as much use as putting a boy sprout in the room + of Sir John French."--_London Mail._ + +Personally we put an elderly artichoke in Sir JOHN'S room when he comes +to stay with us. This, of course, in addition to the usual tin of +biscuits. + + * * * * * + +Illustration: THE DOVE OF PEACE. + +LORD CREWE. "I DON'T SAY HE'S A PERFECT BIRD, MY LORDS, BUT HE'S THE +BEST WE COULD MANAGE, AND A LITTLE ENCOURAGEMENT MIGHT DO WONDERS FOR +HIM." + + * * * * * + + ESSENCE OF PARLIAMENT. + +(EXTRACTED FROM THE DIARY OF TOBY, M.P.) + + +_House of Commons, Monday, June 15._--In the mid seventies, when dear +JOHNNY TOOLE was at height of well-earned fame, he for a while played +three several parts on the same night. Bold advertisement announced +"Toole in Three Pieces." Being just the kind of joke that has the widest +run over the low level of mediocrity, it filled the gallery and upper +boxes. + +To-night it was recalled with fresh application. House privileged to see +PREMIER in Three Pieces. For some weeks he has appeared at Question time +in dual character as Prime Minister and Secretary of State for War. +To-night takes on duties of absent CHANCELLOR OF DUCHY OF LANCASTER. His +versatility as marvellous as his industry. In response to group of five +questions addressed to him "as representing the CHANCELLOR OF THE DUCHY +OF LANCASTER," bristles with minute information respecting number of +livings in gift of the Duchy in West Riding of Yorkshire, together with +amount of income of each benefice and nature of the security. Equally +master of intricate case of the calamity overshadowing the Pontefract +Cricket Club whose playing pitch has been damaged through subsidence +caused by underground workings. + + * * * * * + +Illustration: A GENEROUS RESTRAINT. + + * * * * * + +"I believe the Almighty has endowed us all with a certain amount of +brains; but we don't all use them." (Cheers).--_Mr. TICKLER in the +debate on the Plural Voting Bill._ + +Situation raised nice questions as to responsibility of the underground +leaseholder and the prospect of compensation from coal royalties. +PREMIER as fully informed on these subjects as later he proved himself +when by way of Supplementary Question AMERY, with pretty air of one +really in search of elementary information, inquired "In whose hands is +the government of Ireland at the present moment?" "In the hands of HIS +MAJESTY'S Ministers," said ASQUITH. + +Illustration: "The one thing borne home to me was what a genius the +Irish people have for admiring each other."--_Mr. BIRRELL._ + +All very well for Duchy of Lancaster. Its affairs in strong capable +hands. But that does little to assuage grief of WORTHINGTON-EVANS. For +months before the day when MASTERMAN, greatly daring, exchanged safe +position of Secretary of Treasury for dizzy heights of Duchy of +Lancaster, WORTHINGTON-EVANS was daily accustomed to pose him with +questions as to working of Insurance Act. In MASTERMAN'S enforced +absence from House WEDGWOOD BENN placed in charge of Insurance Act +Department. Does a difficult business exceedingly well. Has earned +approval from both sides of House. But WORTHINGTON-EVANS is +inconsolable. His feelings find expression in couple of lines, learned +at his mother's knee, descriptive of anguish of blind boy parted from +his brother by ruthless hand of death:-- + + Oh, give my brother back to me; + I cannot play alone. + +Visibly brightened up on eve of Ipswich election, which seemed to +promise return of the wanderer. As to-night he sits forlorn in corner +seat below Gangway to left of SPEAKER, gazing sadly at corner of +Treasury bench opposite (once amply filled by figure of former Secretary +of Treasury), STEPHEN GWYNNE, seated next to him, gently nudges BUTCHER, +and with softened memories of _Peggotty_ contemplating _Mrs. Gummidge_ +in exceptionally low spirits, whispers, "He's thinking of the old 'un." + +_Business done._--After brief unsparkling debate Plural Voters Bill read +a third time. Hostile amendment moved from Front Opposition Bench +negatived by 320 votes against 242. Bill passed final stage without +division. + +_Tuesday._--Home Rule fills the bill in both Houses. The Lords, back +from brief holiday, protest against delay in introducing Amending Bill. +In vigorous speech LANSDOWNE insists on early day being named. CREWE, +wringing his hands over unreasonable ways of some people, promises +Tuesday next. Adds that, if upon consideration of proposed amendments +noble lords should require longer interval before Second Reading of +parent measure than is provided by original fixture for 30th June, there +will be no objection to postponement. + + * * * * * + +Illustration: "I don't know whether the hon. Member regards me as a +particularly frivolous person." + +_Lord ROBERT CECIL._ + + * * * * * + +In the Commons ROBERT CECIL, interposing in ordered business of Supply, +moves adjournment with view of calling attention to "growing danger +created in Ireland by existence of volunteer forces and failure of +Government to deal with situation." It is plurality of situation that +disturbs philosophical mind. As long as there was but one volunteer +force, its locality confined to Ulster, its purpose to defeat Home Rule +Bill, its commander-in-chief CARSON, it was well. Nay more, it was +patriotic. But when Ulster's challenge, uttered by one hundred thousand +armed men, is answered by the South and West of Ireland with creation of +an army exceeding that number, whole aspect is altered. Now, as in the +time when "Measure for Measure" was written-- + + That in the captain's but a choleric word + Which in the soldier is flat blasphemy, + +Opposition, to a man, stand up to support LORD BOB'S demand that matter +shall be discussed as one of urgent public importance. + +In course of animated speech LORD BOB delighted House by equalling, if +not going one better than, the late Lord CROSS'S historic _jeu +d'esprit_. + +"I hear an hon. member smile," said GRAND CROSS on a memorable occasion. + +"I wish," said LORD BOB to-night, sternly regarding hilarious +Ministerialists, "those laughs could be photographed and shown +throughout the country." + +Suggestion will doubtless not be lost on enterprising purveyors of +cinematograph shows. + +There was another opportunity for the snap-shotter when, LORD BOB +lamenting the "ingrained frivolity of the Radicals in this grave +crisis," ARTHUR MARKHAM interposed with Supplementary Question. + +"What about Satan rebuking sin?" he asked. + +Turning upon Member for Mansfield more in sorrow than in anger, LORD BOB +remarked: "I don't know whether the hon. Member regards me as a +particularly frivolous person." General and generous cheering approved +this implied disclaimer, and LORD BOB returned to consideration of "the +characteristic vice of the Radical Government--fear of losing their +places." + +Tendency to introduce personal observations cropped up from time to time +through debate, which occupied greater part of sitting. CARSON having +genially alluded to main body of Ministerialists as "lunatics," NEIL +PRIMROSE, turning upon the WISTFUL WINSTON, who hadn't been saying +anything, denounced him as "a human palimpsest." + +Perhaps most touching case was that of BYLES of Bradford. Having long +remained silent under undeserved contumely, he suddenly rose at +half-past ten and irrelevantly remarked, "I cannot understand how the +myth has grown up in this House that I am a blood-thirsty ruffian. Why, +Mr. SPEAKER, I would not kill a fly." + +In view of proved inconvenience, not to say danger, of unrestrained +plague of flies, this protestation was received with mixed feelings. + +_Business done._--On division motion for adjournment of House negatived +by majority of 65. After this, the House, nothing if not logical, +forthwith adjourned. + + * * * * * + +Illustration: POURING COLD WATER ON THE TROUBLED OIL. + +(LORD CHARLES BERESFORD and Mr. DILLON.) + + * * * * * + +_Thursday._--The Irish Members, long quiescent, suddenly resumed former +habit of activity. House owes to AMERY the pleasing variation. He cited +newspaper report of remarks recently made by Captain BELLINGHAM, +aide-de-camp to the LORD-LIEUTENANT OF IRELAND. Inspecting and +addressing body of National Volunteers, he exhorted them to ensure +triumph of Home Rule. + +Was this a proper thing to do? Certainly not. ST. AUGUSTINE BIRRELL, +answering AMERY'S question founded on incident, stated that when Lord +ABERDEEN heard of matter he immediately called for explanation, and +Captain BELLINGHAM frankly acknowledged error of judgment. + +Irish Members recognised that in measure the error of judgment was +slight compared with AMERY'S in stirring up this dangerously attractive +pool. As everyone knows, and as House was promptly reminded, Colonel the +Marquis of LONDONDERRY and Colonel Lord KILMOREY, aides-de-camp to HIS +MAJESTY, have on more than one occasion, when inspecting Ulster +Volunteers, urged them to stand indomitable in resistance to +establishment of Home Rule in their Northern Province. Irish Members +want to know whether these noble and gallant gentlemen have been called +upon to make explanation of their conduct similar to that peremptorily +exacted from Captain BELLINGHAM. + +PREMIER not to be drawn into delicate controversy. Pleaded lack of +notice of questions put to him. Irish Members will be delighted to +provide it. Shall hear more on the subject next week. + +_Business done._--The INFANT SAMUEL, appearing in new calling as +President of Local Government Board, carries vote for his Department by +rattling majority of 127. + + * * * * * + + CORRESPONDENCE. + + +_To the Editor of "The Oblate Spheroid."_ + +SIR,--I congratulate you on your new departure. The time is ripe for +Politics without Partisanship. I look to you for scathing denunciations +of the arch humbugs who now wear the mantle of the once great Liberal +Party. + +Yours, etc., + +"PATRIOT." + +SIR,--I hail with joy your abandonment of Party Shibboleths, and await +your exposure of ASQUITH, LLOYD GEORGE and all such traitors. + +Yours, etc., + +"IMPARTIAL." + +SIR,--You will find it hard to live up to your professions, but the +thinking Public will support you. + +We need a judicial paper that will set truth above Party considerations, +revealing, incidentally, the devilish character of the REDMOND-cum-Cabinet +compact. + +Yours, etc., + +"DULCE ET DECORUM." + + * * * * * + + "Pink Chestnut.--When ices are given at a dinner it is usual to + have them, but not otherwise." + + _From "Etiquette" in "The Lady_." + +It is therefore incorrect, "Pink Chestnut," to produce a private Bombe +Vanille from your handkerchief bag. + + * * * * * + + "The death of an infant from 'convulsions,' without further + explanation, can never be wholly satisfactory." + + _Australian Medical Journal._ + +It takes a lot to satisfy some people. + + * * * * * + +Illustration: _Short-sighted Old Lady (to gentleman taking his morning +exercise in the park). "GO AWAY, GO AWAY; YOU SHAN'T PUT A FINGER ON +_MY_ LUGGAGE!" + + * * * * * + + OUR BOOKING-OFFICE. + + (_By Mr. Punch's Staff of Learned Clerks._) + + +All the world recognises Sir MARTIN CONWAY as a paramount peak-compeller +and explorer of resource, while superior persons, like this learned +clerk, know him as an effective _dilettante_ in the realms of art. In +_The Sport of Collecting_ (FISHER UNWIN), with a general candour, but a +specific, canny (and of course rather tiresome and disappointing) +reticence as to prices, he gives us, in effect, a treatise on the craft +of curio-hunting, gaily illustrated by anecdotes of the bagging of +bronze cats in Egypt, Foppas and Giorgiones in Italian byways, Inca +jewellery in Peru, and heaven knows what and where beside. The authentic +method, apparently, is to mark down your quarry as you enter the +dealer's stockade, to pay no visible attention to it but bargain +furiously over some pretentious treasure which you don't in the least +want; later, admitting with regret your inability to afford the price, +to suggest that as a memento of your pleasant visit you might be +disposed to carry off that odd trifle in the corner over there; then, +bursting with hardly controlled excitement to see your priceless +primitive wrapped in brown paper and thrown into your cab, to drive to +your quarters, hug yourself ecstatically and boast to your friends and +fellow-conspirators about it. Shooting the driven tiger from the howdah +is quite evidently nothing to this royal sport of dealer-spoofing, +especially when the dealer knows a thing or two, as Sir MARTIN bravely +confesses he sometimes does. I wonder if this arch-collector, when he +discovered his best piece, Allington Castle (of which he discourses with +such pleasant and knowledgable enthusiasm), turned a contemptuous back +on the battlements and made a casual offer for the moat. A most +diverting book. + + * * * * * + +The name of MADAME YOI PAWLOWSKA is new to me; but if her previous books +were anything like so good as _A Child Went Forth_ (DUCKWORTH) I am +heartily sorry to have missed them. There have been many books written +about childhood, and the end of them is not yet in sight; but I have +known none that so successfully attains the simplicity that should +belong to the subject. You probably identify the title as a quotation +from WALT WHITMAN, about the child that went forth every day, "and the +first object that he looked upon, that object he became." The child in +the present instance was one _Anna_, who went forth in the Hungarian +village where she was born, and saw and became a number of picturesque +and amusing things, all of which her narrator has quite obviously +herself recalled, and sat down in excellent fashion. I don't want you to +run away with the idea that _Anna_ was a good or even a pleasant child. +Anything but that. The things she did and said furnished a more than +sufficient reason for her father to threaten again and again to send her +to school in England. The book ends with the realisation of this, which +had always been to _Anna_ as a kind of shadowy horror in the background +of life. We are not told which particular English school was favoured +with her patronage, nor how she got on there. I was too interested in +her career not to be sorry for this omission; and that shall be my +personal tribute to her attractions. + + * * * * * + +There are few persons who can write love stories with a surer and more +tender touch than KATHARINE TYNAN. So I expect that many gentle souls +will share my pleasure in the fact that she has just put together a +volume of studies in this kind under the amiable title of _Lovers' +Meetings_ (WERNER LAURIE). Personally my only complaint about them is +that in a short story lovers' meetings mean the journey's end, and I +wished to spend a longer time in the society of many of the agreeable +characters of Mrs. HINKSON'S studies. Take for example the first--and my +own favourite--of the series. There really isn't anything special in +it--and yet there is everything. What happened was that _Challoner_, a +confirmed bachelor, went to the Dublin quay to see off a friend on the +boat to Holyhead. The friend didn't turn up; but a young governess, with +whom _Challoner_ had only the slightest previous acquaintance, was going +by the boat--so _Challoner_ went with her, and they were married, and +lived happy ever after. You may think that this doesn't sound very +probable, and perhaps it doesn't; but it is so charmingly +told--_Challoner's_ growing delight in the initial mistake that confuses +the pair as man and wife is so alluringly developed, and the whole +little episode of twenty pages has such a way with it as to take your +credulity a willing captive. This was my individual choice; but there +are fifteen others of various styles; some mild detective studies, and a +pathetic little ghost story that recalls to me one of KIPLING'S best. +Altogether an attractive collection, very far above many such that have +appeared lately. + + * * * * * + +Mr. WILKINSON SHERREN, in his new novel, _The Marriage Tie_ (GRANT +RICHARDS), is very serious about the hypocrisies of the virtuous and the +injustice of our moral conventions. Other writers before him have been +serious about these things, and I do not know that Mr. SHERREN has +anything very new to say. I must also confess to thinking that a sense +of humour would have assisted him greatly in his task. Nevertheless his +readers are certain to sympathise with his beautiful heroine in her +dismay at her unfortunate illegitimacy, and she is a good girl with a +great regard for the feelings of all her friends, even though she +expresses this regard a little stiffly. Mr. SHERREN uses his background +well, and many of his scenes would be effective if only his characters +were debarred from dialogue. It would be, I am sure, beyond _Johanna's_ +powers, were she limited to the deaf and dumb alphabet, to convey such a +speech as this: "I wish you to consent to your father's suggestions, +dear. By doing so you do not injure me, and you cheer his declining +days. I am sure your dear mother wishes it." Her methods would become +something much brusquer and more direct. I doubt if Mr. SHERREN is at +his best in a novel. An essay on the confused issues of illegitimacy and +the punishment of the children for the sins of their fathers would show +him, I am convinced, at his ease; but dialogue and a beautiful heroine +are an embarrassment to him. + + * * * * * + +In a volume of tales and sketches entitled _The Mercy of the Lord_ +(HEINEMANN) Mrs. FLORA ANNIE STEEL revives pleasant memories of her +Indian romances once beloved by me. In these new stories everybody +dies--if Europeans, with the latest slang upon their lips; if natives, +with a lusty invocation to Allah. Mrs. STEEL does not believe in letting +the reader know what she is about, and there is generally something up +her sleeve. Each story has its own little puzzle, and, if the puzzles +are not always solved by the end of the tale, one can make all kinds of +pleasant conjectures as to what really did happen, and Mrs. STEEL'S +mysterious hints and shrugs and fingers on the lip do beyond question +assist her atmosphere. I like best of the stories "Salt of the Earth," a +most moving tale, beautifully told. Always Mrs. STEEL is interesting, +and I hope these sketches are only little preludes to another of her +thrilling romances. + + * * * * * + +If Mr. BERTRAM SMITH'S _Caravan Days_ (NISBET) has not made me eager to +take to the road at once, the reason is that he seems to delight in +things that I most cordially detest. For instance, he likes cooking and +he is "very fond of rain." With such tastes he has more facilities for +enjoying himself than are offered to most of us, and I find myself +wondering whether life in a caravan, always supposing that he was not +there to do the cooking and admire the rain, would be quite as much fun +as he would have us believe. I am confident that when next he goes upon +his travels the majority of his friends will be anxious to share the +attractions of his _Sieglinda_, that caravan of caravans, but I doubt if +they will be ordering _Sieglindas_ for themselves. Meanwhile, so human +has Mr. BERTRAM SMITH made his _Sieglinda_ that I can well imagine her +sulking in her retirement because she wants to see Argyll, the only +county in Scotland she has not yet sampled. + + * * * * * + +If you are a musical genius yourself and want to do a young composer a +good turn, I implore you not to get his opera produced under the +pretence that it is yours and wait until it has been received +enthusiastically before you announce whose work it is. For that is what +_Jess Levellier_ did, and "Miss LOUISE MACK" tells us what a deal of +trouble was brought about by this impulsive action. There are several +love stories in _The Music Makers_ (MILLS AND BOON). There is the affair +of _Jess_ and there is the affair of _Jess's_ father; and in regard to +the second of these I would say that I am a little tired of adventurous +women who are first attracted by dollars and then find that they are +head over ears in love with the man himself. But in case you are not +adequately intrigued by either of these romances, I can also tell you +that _Sir William_ (big and burly) and _Trixie Harrison_, though +married, gave considerable cause for anxiety before with "outstretched +hands she went tottering towards him." Even the most jaded novel-readers +will suffer thrills and surprises from _The Music Makers_, and +occasionally, perhaps, they will wonder whether coincidence's long arm +has not been stretched to the point of dislocation. However that may be, +the book is breezy and its author is lavish of her material. +Parsimonious writers would have made half-a-dozen novels out of the +stuff of Mrs. CREED'S book. + + * * * * * + +Illustration: THE ART OF WINDOW-DRESSING. + +_Shop-Manager (sternly, to assistant)._ "SURELY, MR. JENKINS, YOU OUGHT +TO KNOW BETTER THAN TO PUT THE KITCHEN COBBLES IN THE CENTRE VASE. +REMEMBER IN FUTURE THAT IT IS ABSOLUTELY NECESSARY YOU SHOULD ALWAYS +STRIKE THE KEY-NOTE WITH THE _SELECTED NUTS_." + + * * * * * + +Illustration: EPILOGUE. + + * * * * * + + MORE MUNITIONS OF PEACE. + + (_An Episode in the Camp of the Nationalist Volunteers._) + + +Several further months had elapsed in the history of the scheme for the +"better government of Ireland." The Home Rule Bill had been read for the +third time in the Inferior Chamber, but, apart from this conciliatory +action, no effective attempt had been made to avert the horrors of Civil +War. + +Meanwhile two coups had been planned, of which the one failed and the +other succeeded. And during the arrangements for the first coup (for it +got no further than the preparatory stage--and even this was denied) it +was revealed that British officers were not very greatly inclined to +shoot down their fellow-countrymen for the sake of the _beaux jeux_ of a +political party. And for this the politicians of that party, selecting +the worst name they could think of, described these officers as +politicians. And the cry of "The Army _v._ the People," started by a +Labour Member (who wore a large hat), and supported by the FIRST LORD OF +THE ADMIRALTY (who wore a small one), was raised very high and then +dropped, as likely to prove inexpedient. + +But the other coup (which succeeded) was a very clever feat of +gun-running on the part of the Ulster Volunteers. And, the law having +been broken, the Government, as its guardian, determined to take no +punitive measures--an attitude that was repellent both to Sir WILLIAM +BYLES and to Mr. NEIL PRIMROSE. + +And now there grew up in each political party a body of rebellion. For +on the Liberal side there were those, notorious at other seasons for +their advocacy of peace at whatever charges, who gave out that there +were worse things than Civil War, and one of the worse things was the +stultification of their own projects, or, as they put it, of the Will of +the People; though they showed no strong anxiety to discover, by the +usual tests, what the Will of the People might actually be in the +matter. + +And on the Unionist side there were those who said that they would do +nothing to provoke Civil War, but that, since it took two sides to +conduct a Civil or any other kind of War, and the British Army was +apparently not available, there was no fear of Civil War, and they (the +Unionist Party) could well afford to stiffen themselves about the lips. + +And all this tended to embarrass the labours (if any) of those leaders +who were still supposed to be holding communion together for the +furtherance of a compromise. + +Now, among the Ulster Volunteers, though perfect sobriety was exhorted +and maintained, it was excusably felt that it would be a pity if so fine +a force should have been raised and armed at such expense and sacrifice +and then have no chance of showing what it could do. And this feeling +evoked sympathy in the breasts of the Irish of the South and West; and +they said to them of Ulster, "Rather than see your army wasted we will +ourselves raise one for you to shoot at." And this they did, in part for +sheer joy of the chance of a fight, and in part for admiration of the +sportsmanship of a people that had defied a British Government. And +though some joined the new Volunteers for love of Home Rule, and with +the object of offering themselves as substitutes for the British Army, +yet the promoters were content to allege, vaguely and inoffensively, +that their object was just the protection of Irish liberty, whatever +that might be taken to mean. And, being Irish, no exact logic was asked +of them. + +But at first Mr. REDMOND, as a supporter of the law, and scandalised by +its breach in Ulster, declined to approve this illegal development, +which for the rest he regarded as negligible. But later, when it had +grown too large to be ignored, he generously consented to overlook its +illegality and to place it under official patronage. But his offer was +received in a spirit of very regrettable independence. On reflection, +however, this attitude was exchanged for one of sullen submission. + +Now a private army is a dangerous thing when you know what it is for; +but it is a very dangerous thing when you don't. And there were +cynics--not too frivolous--who held that the best course for the +Government would be to withdraw from Ireland for the time being and +leave Ulster and the Rest to come to an agreement of their own, either +with or without a bloody prelude. And there were other critics--not much +more frivolous--who replied that, if we walked out of Ireland and left +Ulster and the Rest to come to terms, they might get to understand one +another to such good purpose that we should never have the opportunity +of walking in again. + +And the Government's only consolation lay in the thought that the Rest +of Ireland lacked the munitions of war owing to the vigilant precautions +taken to prevent the importation of arms into Ulster. + + * * * * * + +A thrill of emotion rippled over the tented plain. Into the camp of the +Nationalist Volunteers had dashed a motor-car which was taken to be the +forerunner of a great consignment of smuggled arms, for it contained a +bulky wooden case with the label "Munitions of Peace" pasted upon its +facade--a superscription that might well have been designed to mislead +the wariest of coastguards and patrols. Its sole convoy was an old +gentleman--evidently selected for the part, for by his air of simple +benevolence you would have judged him the last man in the world to be +suspected of nefarious practices. + +A cry of bitter disappointment broke out on the discovery that the +"munitions" consisted of nothing but books. But the uproar died down as +the old gentleman was seen to assume the attitude of an orator. His +words were at first received in courteous silence; then with sympathetic +approval; finally with deafening applause. + +"Nationalist Volunteers!" he said: "I come from performing a similar +mission of camaraderie among the hosts of Ulster. I am no partisan. I am +like a certain philanthropist of whom I have heard who purveyed sherbet +to the rival camps of the Sultan of MOROCCO and the Pretender. I trust +that my fate may not be his, for he was the sole person killed in one of +the noisiest battles ever fought in the environs of Fez. + +"This tome, identical with the rest of my munitions of peace, embodies +(for I made the contents myself, and so ought to know) the highest +wisdom mingled with the purest material for mirth. Its contemporaneous +perusal in both camps should encourage a common ideal of humour and so +promote mutual respect and affection. + +"I would go even further and express the hope that here may be found a +spirit of genial tolerance which, if assimilated by all parties, will +infallibly lead to a solution of the Irish Question without the +inconvenience of bloodshed. Gentlemen, permit me!" And thereupon he +presented to the admiring gaze of his audience _Mr. Punch's_ + +ONE HUNDRED AND FORTY-SIXTH VOLUME. + + * * * * * + + ILLUSTRATION: CARTOON. + + ILLUSTRATION: INDEX + + +PARTRIDGE, BERNARD + After Ten Years, 311 + Amending Bill (The), 411 + Asquith to the Rescue (An), 271 + Couleur d'Orange, 51 + Crescendo, 371 + Desperate Remedies, 151 + Devotee of "The Doctrine" (A), 171 + Diversion (A), 331 + Dove of Peace (The), 491 + From Fife to Harp, 291 + Gift Horse (The), 111 + Holiday Task (A), 431 + Latest Velasquith (The), 211 + Missing Word (The), 131 + Neptune's Ally, 231 + New Bellerophon (The), 91 + New Shylock (The), 391 + Price of Admiralty (The), 71 + "Sincerest Flattery" (The), 451 + "There's Many a Slip...", 251 + Triumph of the Voluntary System, 471 + Ulster King-at-Arms (The), 351 + Wooing (The), 191 + +RAVEN-HILL, L. + After Closing Hours, 243 + Black Man's Burden (The), 43 + Captains Courageous, 483 + Circus of Empire (The), 423 + Clean Slate (A), 103 + Coalition Touch (The), 403 + Concert of South America (The), 383 + Easter Egg (An), 263 + Exit Tango, 83 + Fight for the Banner (The), 283 + Giants Refreshed, 443 + Gift for Gift, 183 + Lightening the Darkness, 223 + Nine Old Men of the Sea (The), 163 + One of Us--Now, 123 + Penny Wisdom, 203 + Penultimatum (A), 303 + Refreshing the Fruit, 463 + Sand Campaign (The), 31 + Sitting Tight, 343 + "Sort of War" (A), 323 + Splendid Paupers (The), 11 + Swashbucklers (The), 363 + Throne Perilous (The), 143 + Trust Clinch (The), 63 + +TOWNSEND, F. H. + Earthly Paradise (The), 3 + Sea-Change (A), 23 + + * * * * * + +ARTICLES. + + +AUMONIER, STACEY + Moon (The), 246 + +BILSBOROUGH, J. H. + Mr. Punch's Pantomime Analysis, 122 + +BIRD, A. W. + Given Away, 46 + Manners for Parents, 162 + +BIRRELL, S. E. + To Minki-Poo, 158 + Toast (A), 441 + +BREX, J. TWELLS + Key to Cubism (A), 106 + +CHALMERS, P. R. + Adventurers, 478 + Annabel Lee, 290 + Below the Wire, 390 + Big Trout (The), 487 + Buddha, 100 + Con, 277 + Fox (The), 196 + Huntsman's Story (The), 16 + In March, 216 + Johnny Rigg, 354 + Old China, 258 + Pandean, 336 + Song, 221 + Tattie-Bogle (The), 425 + To Septimius on Trout, 138 + Tortoiseshell Cat (The), 178 + Trophy (The), 106 + Uncle Steve's Fairy, 68 + West Highland, 368 + +CLAUGHTON, HAROLD + Lost Leader (A), 180 + +COCHRANE, ALFRED + Rock Gardeness in London (The), 475 + +COLLINS, G. H. + Best Policy (The), 222 + Pessimism, 77 + Second-hand Serenade (A), 488 + +DARK, RICHARD + Two Eyes of Gray, 455 + +DAVIS, OSWALD H. + How to Get On Off-hand, 262 + +DUFFIN, Miss RUTH + Advance Finale (An), 453 + +ECKERSLEY, ARTHUR + Reversible Rhetoric, 275 + Silver Jubilee (A), 366 + Three-Card Trick (The), 426 + Three Wishes (The), 113 + Winter Sports, 27 + +EDEN, Mrs. + Idol of the Market Place (An), 218 + "Sir Bat-Ears", 489 + +EDWARDES, C. + Continental Intelligence, 15 + +ELIAS, F. + Food--Not Merely for Thought, 227 + Very Much Greater London, 417 + +EMANUEL, WALTER + Charivaria, weekly + What Our Readers Think of Us, 13 + +FARJEON, HERBERT + Question of Courtesy (A), 338 + +FISH, W. W. BLAIR + Bargain in Fashions (A), 347 + Carpet Sales, 255 + Charm (A), 90 + Spell (The), 13 + Sweet of the Year (The), 407 + Villain in Revolt (A), 296 + +FISHER, MURRAY + Hullo, Bedroom Scene, 436 + +FOWLER, F. G. +Bath Unrest (The), 398 + "On", 340 + Once One, 237 + +FOWLER, P. A. + Laid, 278 + Love at the Cinema, 58 + +FREEMAN, WILLIAM + Gwendolen's Hobbies, 309 + +FRENCH, C. O. + Our Literary Advice Department, 168 + +FRY, C. H. + Commercial Side (The), 82 + +GARVEY, Miss INA + At the Gates of the West, 236 + Blanche's Letters, 94, 346, 446 + Guess Who It Is, 122 + Sitter Sat Upon (The), 309 + +GITTINS, H. N. + Love's Labour, 115 + Married Man's Advantage (The), 34 + Sporting Chance (A), 357 + Welcome Flaw (A), 456 + +GRAVES, C. L. + Ballad of the Watchful Eye, 270 + Drastic Reform of Schools, 409 + Gnomes for Golfers, 170 + In the Garden of Allah, 34 + Liberals Day by Day, 267 + Qualities that Count (The), 97 + Tragedy of Middle Age (The), 55 + +GRAVES, C. L., AND LUCAS, E. V. + April for the Epicure, 286 + Artistes' Aliases, 249 + Author (The), 338 + Book-buyer (The), 266 + Cautious Conclusions, 302 + Colonel Talks (The), 405 + Country Life Exhibition, 258 + "Dash", 206 + Eavesdropper (The), 349 + Fares, 177 + Gleanings from Grub Street, 367 + Grub Street Gossip, 307 + How to Improve London, 369 + Indomitables (The), 68 + In Extremis, 116 + Laconics, 48 + Letters and Life, 129 + Lidbetter, 85 + Mr. Balfour: Mixed Double Life, 218 + Mr. Roosevelt's Discoveries, 362 + Music and Millinery, 65 + Musical Notes, 335, 484 + National Calamity (A), 394 + New Book of Beauty (A), 6 + Newspaper War, 422 + Nose Has It (The), 114 + Novelist and Millionaire, 345 + Oblique Method (The), 95 + One of Our Greatest, 406 + One Way With Them, 196 + Our Ready Writers, 109 + Popular Misconceptions, 226 + Professor Splurgeon on Personality, 336 + Record Risks, 17 + Romance of a Battleship (A), 5 + Secret Out (The), 28 + Studies in Discipleship, 185 + Sufferer (The), 386 + Tempora Mutantur, 478 + Too Good to be True, 128 + Water is Best, 350 + Water on the Brain, 216 + When Boss Eats Boss, 127 + Young Everything (The), 467 + +HARTY, FRANK + Mouse of Mydra (The), 434 + +HASLAM, RALPH + Critic at the R.A. (The), 312 + +HASTINGS, B. MACDONALD + How the Championship was Won, 482 + +HERBERT, A. P. + Call of the Blood (The), 470 + +HODGKINSON, T. + Cry for Guidance (A), 120 + Danger Signal (The), 157 + Hospitable Door (The), 98 + Last Straw (The), 8 + News from the Front, 327 + Next of the Dandies (The), 241 + Noblest Work of Man (The), 365 + Piercing of the Veil (The), 385 + Sign of Decay (A), 174 + Time Exposure(A), 461 + +HOPKINS, E. T. + Moan of the Old Horses (The), 73 + Young Mother's Swan Song, 21 + +HOSKEN, J. F. + An Apology that Made Things Worse, 148 + Curling, 48 + Interviewing Father, 166 + Miranda's Will, 76 + +HUGHES, C. E. + Great Occasion (A), 438 + +JENKINS, ERNEST + Bludyard, 406 + Kakekikokuans (The), 47 + Little Wonder (The), 16 + New Penny Paper (The), 205 + Strike of School Teachers (The), 121 + +JOHNSTON, ALEC + Argumentum ad Feminam, 276 + Coward (The), 37 + Local Colour, 89 + "Milestones", 376 + Old Master (The), 74 + Slit Trouser (The), 206 + Stanzas written in Dejection before Matrimony, 230 + Subscription (The), 10 + +KENDALL, Captain + Floral Dangers, 374 + Hen (The), 130 + House of Punch (The), 46 + Shop, 256 + Wild Swan (The), 210 + +KIDD, ARTHUR + Earthly Hades (The), 458 + Myth of Bond Street (A), 298 + +KIRK, LAURENCE + Billiards a la Golf, 69 + "For Professional Services", 117 + +KNOX, E. G. V. + Amending a Bill, 466 + Chimes and the Chube (The), 227 + "Cines" of the Times, 125 + Civil War, 329 + Forgiveness, 190 + Hazard on the Home Green (A), 442 + Highway Loot, 388 + Inspiration, 410 + Ivory, 87 + Loop! Loop!, 38 + Manes a la Mode, 110 + Manly Part (The), 265 + Moving, 167 + Nocturne, 287 + Olympic Talent, 67 + Perfection, 370 + "Punch" in his Element, 250 + Revelation Revised, 490 + Revenge, 50 + Smile of the Sea Kings (The), 430 + Sporting Offer (A), 450 + +LANGLEY, F. O. + Audit (The), 402 + Billet Doux, 388 + Bygone (A), 58 + Character (A), 158 + Epidemic (The), 78 + Impressing of Perkins (The), 328 + Modern Idyll (A), 93 + Nonentity (A), 285 + Old Friends, 30 + Opportunist (The), 198 + Root of all Evil (The), 457 + Spectrum (The), 235 + +LAWS, A. GORDON + What to tell an Editor, 25 + +LEHMANN, R. C. + Abandoner (The), 458 + Bad Dream (A), 38 + Beer Fight (The), 77 + Exile, 278 + Federal Solution (The), 298 + Great Resigner (The), 142 + Hat (The), 202 + Jobson's, 222 + Last Straw (The), 57 + Lean-to Shed (The), 116 + Legal Document (A), 488 + May Picnic (A), 418 + Mediation, 398 + Not a Line, 435 + Odd Man (The), 255 + Paper-Chase (The), 14 + Per Asparagos ad Astra, 325 + Peter, a Pekinese Puppy, 347 + Post Office Savings Bank (The), 318 + Roosevelt Resurgit, 465 + Singing Water, 147 + Smiles and Laughter, 187 + Sultan of Morocco (The), 378 + Trying-on, 96 + Wedding Present (The), 176 + +LONGSTAFF, GILBERT + Time's Revenge, 238 + +LUCAS, E. V. + Another Information Bureau, 436, 456 + In the Brave 3d. Days, 225 + Once upon a Time, 55, 314 + +LUCY, HENRY + Essence of Parliament, 133, 153, 173, 193, 213, 233, 253, 273, 293, + 313, 333, 353, 373, 393, 413, 433, 473 + +McCLELLAND, W. E. + Yellow Furze (The), 86 + +MARILLIER, Mrs. + Points of View, 238 + To my Husband's Banker, 362 + +MARSHALL, ARCHIBALD + Cabinet Crisis (A), 54 + +MARTIN, N. R. + Cabinet Meets (The), 102 + End of It All (The), 182 + New Journal-Insurance (The), 23 + Politics on the Links, 302 + Red Head and White Paws, 474 + Royalists (The), 146 + "Scene" in 1916 (A), 322 + Signers of the Times, 217 + +MATKIN, C. + Way Out (The), 438 + +MELVIN, H. E. + Lord of the Leviathans (The), 378 + +MILNE, A. A. + At the Play, 195, 375 + Competition Spirit (The), 348 + Complete Dramatist (The), 428, 448, 462 + "Driven", 486 + Farewell Tour (A), 42 + "Grumpy", 396 + Hanging Garden in Babylon (A), 408 + Lesson (The), 108 + My Lord's Dinner, 326 + Obvious (The), 308 + Oranges and Lemons, 188, 208, 228, 248, 208, 268, 288 + Play of Features (A), 2 + Same Old Story (The), 26 + Silver Linings, 66 + Strong Man (The), 88 + "Wrongly Attributed", 368 + +MUIR, WARD + London's Links with the Past, 237 + +NAISMITH, J. B. + Every Author's Wife, 148 + In Search of Peter, 289 + +PHILLIPS, C. K. + Post Office Again (The), 53 + Telephone Again (The), 175 + To Obey or Not to Obey, 36 + +POPE, Miss JESSIE + Bomb (The), 282 + Downward Trend (The), 194 + Militant's Song (The), 168 + Vagrant (A), 385 + +RANDELL, WILFRID L. + Art of Conversation (The), 296 + Can-Can (The), 454 + Perfect Conductor (The), 162 + +REDINGTON, Miss S. + Legend of Everymatron (The), 95 + +RIGBY, REGINALD + Language of Colour (The), 390 + Security, 98 + +RISK, R. K. + Cowl (The), 294 + +RITTENBERG, MAX + Cinema Habit (The), 215 + +SALTER, Miss GURNEY + "Pereant Qui Ante Nos ...", 302 + +SALVIDGE, STANLEY + Man of the Evening (The), 468 + +SEAMAN, OWEN + At the Play, 18, 56, 74, 135, 156, 178, 276, 316, 356, 376, 416, 476 + Bowles without a Bias, 102 + Byles for the Bill, 182 + Civil War Estimates, 142 + Cockaigne of Dreams (A), 62 + General Villa breaks into Poetry, 322 + "Grand Nights", 482 + Holiday Mood (The), 422 + In Memoriam (Sir John Tenniel), 162 + Prancing Prussian (A), 22 + Smithers, B. C., 82 + Spirit of Ulster and the Army (The), 242 + To Mr. Chamberlain, 40 + To the Cabinet, 280 + Ulster for Scotland, 442 + Unhappy Mean (The), 362 + Union of Irish Hearts (The), 282 + "Who Fears to Speak of"--Nineteen-six?, 382 + +SMITH, BERTRAM + Bazaar Cushion (The), 126 + Corncrake (The), 418 + Game Licence (The), 28 + Vandalism, 387 + +SMITH, C. TURLEY + Fuser (The), 354 + Triumph of Thinness (A), 234 + +SMITH, E. B. + Business friendship, 382 + +STERNE, ASHLEY + Buying a Piano, 414 + +SYKES, A. A. + Deadly Button (The), 155 + Intellectual Damage to Animals, 138 + Pidgin Trot (The), 70 + +TOMBS, J. S. M. + In the Park, 466 + Isabel in Springtime, 327 + Proof, 275 + Season's Delights (The), 334 + +WHITE, R. F. + Amende Deshonorable, 1 + Belles Lettres and Others, 169 + Canal (The), 154 + Commercial Art, 297 + Converted Statistician (The), 78 + Epic from the Provinces (An), 358 + Ideal Film Plot (The), 149 + Ring (The), 197 + +WILSON, A. J. A. + Serenity, 480 + +WODEHOUSE, P. G. + Egbert, Bull-frog, 242 + Misunderstood, 6 + Sluggard (The), 306 + +WYNDHAM-BROWN, W. F. + Political Correspondence (A), 256 + + * * * * * + +PICTURES AND SKETCHES. + + +ARMOUR, G. D., 19, 37, 59, 79, 97, 117, 139, 147, 197, 219, 259, 279, + 299, 319, 335, 359, 379, 397, 417, 459, 479 + +BAUMER, LEWIS, 70, 85, 110, 150, 190, 269, 337, 410, 470 + +BAYNES, PHILIP, 430, 490 + +BELCHER, GEORGE, 129, 159, 189, 225, 265, 297, 307, 339, 375, 399, + 419, 457, 469 + +BIRD, W., 21, 41, 100, 137, 180, 206, 241, 295, 306, 467 + +BRIGHTWELL, L. R., 5, 141, 167, 347, 446, 484 + +BROOK, RICARDO, 114, 281, 441 + +CHENEY, LEO, 35 + +COBB, Miss RUTH, 175 + +COWES, DUDLEY S., 261 + +DIXON, G. S., 400 + +DOWD, J. H., 61, 87, 249, 481 + +FENNING, WILSON, 461, 466 + +FRASER, P., 86, 106, 236, 321, 386, 406 + +GILL, ARTHUR, 218 + +GRAVE, CHARLES, 7, 29, 201, 226, 370, 387, 401, 429, 477 + +HARRIS, H. H., 286 + +HARRISON, CHARLES, 36, 65, 246, 434, 455 + +HART, FRANK, 57 + +HASELDEN, W. K., 18, 56, 135, 136, 156, 178, 276, 316, 326, 356, 375, + 376, 396, 416, 476, 486 + +HENRY, THOMAS, 75, 94, 301 + +HINCKLING, P. B., 366 + +JENNIS, G., 17, 69, 155, 217 + +LLOYD, A. W., 14, 118, 133, 134, 153, 154, 173, 174, 193, 194, 213, + 214, 233, 234, 253, 273, 274, 293, 294, 313, 314, 333, 334, 353, + 354, 373, 374, 393, 394, 413, 414, 433, 454, 473, 474, 493, 494 + +LUNT, WILMOT, 74, 270 + +MAYBANK, THOMAS, 209 + +MILLS, A. WALLIS, 9, 33, 49, 77, 90, 169, 199, 215, 227, 255, 207, 315, + 327, 349, 395, 415, 427, 453, 475 + +MOBBS, HEDLEY A., 287 + +MORROW, E. A., 460 + +MORROW, GEORGE, 20, 40, 60, 80, 99, 120, 140, 160, 179, 200, 220, 240, + 260, 280, 300, 310, 340, 360, 377, 389, 420, 440, 480, 496 + +NORRIS, A., 27, 67, 115, 121, 166, 207, 320, 346, 381, 421, 487 + +PARTRIDGE, BERNARD, 1 + +PEARS, CHARLES, 55, 89, 119, 237, 380, 437 + +PEGRAM, FRED, 53 + +PRANCE, BERTRAM, 266 + +RAVEN-HILL, L., 50, 289, 330, 390, 498 + +REYNOLDS, FRANK, 107, 170, 187, 247, 317 + +ROSE, D. T., 81 + +ROUNTREE, HARRY, 15, 39, 355 + +SHEPARD, F. H., 6, 30, 113, 135, 165, 181, 229, 350, 407, 449 + +SHEPPERSON, C. A., 130, 145, 210, 230, 250, 309, 329, 409 + +SIMMONDS, GRAHAM, 10, 126, 336, 447 + +SMITH, A. T., 13, 101, 127, 146, 195, 257, 357, 361, 367, 439 + +STAMPA, G. L., 25, 47, 95, 105, 157, 235, 275, 290, 341, 369, 435, 450 + +STRANGE, C. S., 186, 426 + +TERRY, S., 254 + +THOMAS, BERT, 495 + +THORPE, J. H., 177, 489 + +TOWNSEND, F. H., 45, 73, 93, 109, 125, 149, 161, 185, 205, 239, 245, + 262, 277, 285, 305, 325, 345, 365, 385, 405, 425, 445, 465, 485 + +WOOD, STARR, 54 + +YOUNG, D. A., 221 + + * * * * * + +ILLUSTRATION: FINIS. + + * * * * * + + + + + +End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. +146, June 24, 1914, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + +***** This file should be named 25560.txt or 25560.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/5/5/6/25560/ + +Produced by Neville Allen, Malcolm Farmer and the Online +Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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