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authorRoger Frank <rfrank@pglaf.org>2025-10-15 02:17:35 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 02:17:35 -0700
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+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>The Fables of Phaedrus</title>
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+
+<pre>
+
+The Project Gutenberg EBook of The Fables of Phædrus, by Phaedrus
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Fables of Phædrus
+ Literally translated into English prose with notes
+
+Author: Phaedrus
+
+Translator: Henry Thomas Riley
+ Christopher Smart
+
+Release Date: May 18, 2008 [EBook #25512]
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE FABLES OF PHÆDRUS ***
+
+
+
+
+Produced by Louise Hope, Carl Hudkins and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/Canadian Libraries)
+
+
+
+
+
+
+</pre>
+
+
+<div class = "mynote">
+
+
+<p><a name = "start" id = "start">This e-text</a> includes characters
+that will only display in UTF-8 (Unicode) file encoding, including a few
+words of accented Greek:</p>
+
+<p class = "inset">
+Œ, œ (“oe” ligature)<br>
+Μωμεῖσθαι</p>
+
+<p>If any of these characters do not display properly, or if the
+apostrophes and quotation marks in this paragraph appear as garbage, you
+may have an incompatible browser or unavailable fonts. First, make sure
+that the browser’s “character set” or “file encoding” is set to Unicode
+(UTF-8). You may also need to change your browser’s default font.</p>
+
+<p>The text is taken from an omnibus volume that also contained Riley’s
+translation of the six surviving plays of Terence. The full title page
+has been retained for completeness, but the sections of the Preface and
+Contents that apply only to Terence have been omitted.</p>
+
+<p>Footnotes have been renumbered within each Book. Footnote tags that
+were missing in the original are <a class = "tag missing">underlined</a>
+without further annotation. The name is spelled “Æsop” in Riley, “Esop”
+in Smart and in the Contents. Inconsistencies in fable numbering are
+described at the beginning of the <a href = "#contents">Table of
+Contents</a>.</p>
+
+<p>A few typographical errors have been corrected. They are
+marked in the text with <ins class = "correction" title =
+"like this">mouse-hover popups</ins>.</p>
+</div>
+
+<div class = "titlepage">
+<a name = "titlepage" id = "titlepage"> </a>
+<h1 class = "six">THE</h1>
+<h1 class = "two">COMEDIES</h1>
+<h1 class = "six">OF</h1>
+<h1><span class = "extended">TERENC</span>E.</h1>
+
+<h1 class = "six">AND</h1>
+<h1 class = "three">THE FABLES OF PHÆDRUS.</h1>
+
+<br>
+
+<h2 class = "five">
+LITERALLY TRANSLATED INTO ENGLISH PROSE<br>
+WITH NOTES,</h2>
+<h2 class = "four smallcaps">By HENRY THOMAS RILEY,&nbsp;B.A.</h2>
+<h2 class = "six">LATE SCHOLAR OF CLARE HALL, CAMBRIDGE.</h2>
+
+<br>
+
+<h2 class = "six">
+TO WHICH IS ADDED</h2>
+<h2 class = "four">A METRICAL TRANSLATION OF PHÆDRUS,</h2>
+<h2 class = "five smallcaps">By CHRISTOPHER SMART,&nbsp;A.M.</h2>
+
+<p>&nbsp;</p>
+
+<p class = "center">LONDON: GEORGE BELL &amp; SONS, YORK STREET,<br>
+COVENT GARDEN.<br>
+1887.</p>
+
+</div>
+
+
+<span class = "pagenum">[iii]</span>
+<h3 class = "extended"><a name = "preface" id = "preface">
+PREFACE.</a></h3>
+
+<hr class = "micro">
+
+<p><span class = "firstword">In</span> the Translation of Phædrus, the
+Critical Edition by Orellius, 1831, has been used, and in the Æsopian
+Fables, the text of the Parisian Edition of Gail, 1826. The Notes will,
+it is believed, be found to embody the little that is known of the
+contemporary history of the Author.</p>
+
+<p class = "right">
+H. T. R.</p>
+
+<div class = "mynote">
+
+<p>The <a name = "contents" id = "contents">Table of Contents</a> refers
+primarily to the Riley text. Fables
+<span class = "smallcaps">I.xxix</span>, <span class =
+"smallcaps">III.iii</span>, and several Fables in Book IV are missing in
+Smart; Riley’s Fable <span class = "smallcaps">IV.i</span>, “The Ass and
+the Priests of Cybele”, is Smart’s <span class =
+"smallcaps">III.xix</span>. Where Smart’s numbers are different, they
+are shown with <ins class = "renumber" title = "like this">popups</ins>.</p>
+
+<p>In the text, Book III, Fable <span class = "smallcaps">xi</span> is
+“The Eunuch to the Abusive Man”; all following fables in Riley are
+numbered one higher than in the Table of Contents. This fable is missing
+from Smart but the number X is skipped, as was number <span class =
+"smallcaps">I.xviii</span>.</p>
+</div>
+
+
+
+<span class = "pagenum">[iv]</span>
+<h3>CONTENTS.</h3>
+
+<hr class = "micro">
+
+<h4>THE FABLES OF PHÆDRUS.</h4>
+
+<table class = "toc" summary = "table of contents">
+<tr class = "header">
+<td class = "center smallcaps" colspan = "4">
+<a name = "contents_I" id = "contents_I">Book I.</a></td>
+</tr>
+<tr>
+<td></td>
+<td></td>
+<td>Prose.</td>
+<td>Verse.</td>
+</tr>
+<tr>
+<td></td>
+<td>Prologue</td>
+<td><a href = "#riley_I_pro">365</a></td>
+<td><a href = "#smart_I_pro">473</a></td>
+</tr>
+
+<tr>
+<td class = "right">Fable I.</td>
+<td><p>The Wolf and the Lamb</p></td>
+<td><a href = "#riley_I_I">365</a></td>
+<td><a href = "#smart_I_I">473</a></td>
+</tr>
+<tr>
+<td class = "right">II.</td>
+<td><p>The Frogs asking for a King</p></td>
+<td><a href = "#riley_I_II">366</a></td>
+<td><a href = "#smart_I_II">474</a></td>
+</tr>
+<tr>
+<td class = "right">III.</td>
+<td><p>The vain Jackdaw and the Peacock</p></td>
+<td><a href = "#riley_I_III">367</a></td>
+<td><a href = "#smart_I_III">475</a></td>
+</tr>
+<tr>
+<td class = "right">IV.</td>
+<td><p>The Dog carrying some Meat across a River</p></td>
+<td><a href = "#riley_I_IV">368</a></td>
+<td><a href = "#smart_I_IV">476</a></td>
+</tr>
+<tr>
+<td class = "right">V.</td>
+<td><p>The Cow, the She-Goat, the Sheep, and the Lion</p></td>
+<td><a href = "#riley_I_V">368</a></td>
+<td><a href = "#smart_I_V">476</a></td>
+</tr>
+<tr>
+<td class = "right">VI.</td>
+<td><p>The Frogs’ complaint against the Sun</p></td>
+<td><a href = "#riley_I_VI">369</a></td>
+<td><a href = "#smart_I_VI">476</a></td>
+</tr>
+<tr>
+<td class = "right">VII.</td>
+<td><p>The Fox and the Tragic Mask</p></td>
+<td><a href = "#riley_I_VII">369</a></td>
+<td><a href = "#smart_I_VII">477</a></td>
+</tr>
+<tr>
+<td class = "right">VIII.</td>
+<td><p>The Wolf and the Crane</p></td>
+<td><a href = "#riley_I_VIII">370</a></td>
+<td><a href = "#smart_I_VIII">477</a></td>
+</tr>
+<tr>
+<td class = "right">IX.</td>
+<td><p>The Sparrow and the Hare</p></td>
+<td><a href = "#riley_I_IX">370</a></td>
+<td><a href = "#smart_I_IX">478</a></td>
+</tr>
+<tr>
+<td class = "right">X.</td>
+<td><p>The Wolf, the Fox, and the Ape</p></td>
+<td><a href = "#riley_I_X">371</a></td>
+<td><a href = "#smart_I_X">478</a></td>
+</tr>
+<tr>
+<td class = "right">XI.</td>
+<td><p>The Ass and the Lion hunting</p></td>
+<td><a href = "#riley_I_XI">371</a></td>
+<td><a href = "#smart_I_XI">478</a></td>
+</tr>
+<tr>
+<td class = "right">XII.</td>
+<td><p>The Stag at the Stream</p></td>
+<td><a href = "#riley_I_XII">372</a></td>
+<td><a href = "#smart_I_XII">479</a></td>
+</tr>
+<tr>
+<td class = "right">XIII.</td>
+<td><p>The Fox and the Raven</p></td>
+<td><a href = "#riley_I_XIII">372</a></td>
+<td><a href = "#smart_I_XIII">480</a></td>
+</tr>
+<tr>
+<td class = "right">XIV.</td>
+<td><p>The Cobbler turned Physician</p></td>
+<td><a href = "#riley_I_XIV">373</a></td>
+<td><a href = "#smart_I_XIV">480</a></td>
+</tr>
+<tr>
+<td class = "right">XV.</td>
+<td><p>The Ass and the Old Shepherd</p></td>
+<td><a href = "#riley_I_XV">373</a></td>
+<td><a href = "#smart_I_XV">481</a></td>
+</tr>
+<tr>
+<td class = "right">XVI.</td>
+<td><p>The Stag, the Sheep, and the Wolf</p></td>
+<td><a href = "#riley_I_XVI">374</a></td>
+<td><a href = "#smart_I_XVI">481</a></td>
+</tr>
+<tr>
+<td class = "right">XVII.</td>
+<td><p>The Sheep, the Dog, and the Wolf</p></td>
+<td><a href = "#riley_I_XVII">374</a></td>
+<td><a href = "#smart_I_XVII">482</a></td>
+</tr>
+<tr>
+<td class = "right">
+<span class = "pagenum">v</span>
+XVIII.</td>
+<td><p>The Woman in Labour</p></td>
+<td><a href = "#riley_I_XVIII">375</a></td>
+<td class = "center">&mdash;</td>
+</tr>
+<tr>
+<td class = "right">XIX.</td>
+<td><p>The Bitch and her Whelps</p></td>
+<td><a href = "#riley_I_XIX">375</a></td>
+<td><a href = "#smart_I_XIX">482</a></td>
+</tr>
+<tr>
+<td class = "right">XX.</td>
+<td><p>The hungry Dogs</p></td>
+<td><a href = "#riley_I_XX">376</a></td>
+<td><a href = "#smart_I_XX">483</a></td>
+</tr>
+<tr>
+<td class = "right">XXI.</td>
+<td><p>The aged Lion, the Wild Boar, the Bull, and the Ass</p></td>
+<td><a href = "#riley_I_XXI">376</a></td>
+<td><a href = "#smart_I_XXI">483</a></td>
+</tr>
+<tr>
+<td class = "right">XXII.</td>
+<td><p>The Man and the Weasel</p></td>
+<td><a href = "#riley_I_XXII">376</a></td>
+<td><a href = "#smart_I_XXII">483</a></td>
+</tr>
+<tr>
+<td class = "right">XXIII.</td>
+<td><p>The Faithful Dog</p></td>
+<td><a href = "#riley_I_XXIII">377</a></td>
+<td><a href = "#smart_I_XXIII">484</a></td>
+</tr>
+<tr>
+<td class = "right">XXIV.</td>
+<td><p>The Frog and the Ox</p></td>
+<td><a href = "#riley_I_XXIV">378</a></td>
+<td><a href = "#smart_I_XXIV">484</a></td>
+</tr>
+<tr>
+<td class = "right">XXV.</td>
+<td><p>The Dog and the Crocodile</p></td>
+<td><a href = "#riley_I_XXV">377</a></td>
+<td><a href = "#smart_I_XXV">485</a></td>
+</tr>
+<tr>
+<td class = "right">XXVI.</td>
+<td><p>The Fox and the Stork</p></td>
+<td><a href = "#riley_I_XXVI">378</a></td>
+<td><a href = "#smart_I_XXVI">485</a></td>
+</tr>
+<tr>
+<td class = "right">XXVII.</td>
+<td><p>The Dog, the Treasure, and the Vulture</p></td>
+<td><a href = "#riley_I_XXVII">379</a></td>
+<td><a href = "#smart_I_XXVII">486</a></td>
+</tr>
+<tr>
+<td class = "right">XXVIII.</td>
+<td><p>The Fox and the Eagle</p></td>
+<td><a href = "#riley_I_XXVIII">380</a></td>
+<td><a href = "#smart_I_XXVIII">486</a></td>
+</tr>
+<tr>
+<td class = "right">XXIX.</td>
+<td><p>The Ass deriding the Boar</p></td>
+<td><a href = "#riley_I_XXIX">380</a></td>
+<td class = "center">&mdash;</td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "XXIX in Smart">XXX.</ins></td>
+<td><p>The Frogs frightened at the Battle of the Bulls</p></td>
+<td><a href = "#riley_I_XXX">380</a></td>
+<td><a href = "#smart_I_XXIX">487</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "XXX in Smart">XXXI.</ins></td>
+<td><p>The Kite and the Pigeons</p></td>
+<td><a href = "#riley_I_XXXI">381</a></td>
+<td><a href = "#smart_I_XXX">487</a></td>
+</tr>
+
+<tr class = "header">
+<td class = "center smallcaps" colspan = "4">
+<a name = "contents_II" id = "contents_II">Book II.</a></td>
+</tr>
+<tr>
+<td></td>
+<td>Prologue</td>
+<td><a href = "#riley_II_pro">382</a></td>
+<td><a href = "#smart_II_pro">488</a></td>
+</tr>
+<tr>
+<td class = "right">Fable I.</td>
+<td><p>The Lion, the Robber, and the Traveller</p></td>
+<td><a href = "#riley_II_I">383</a></td>
+<td><a href = "#smart_II_I">488</a></td>
+</tr>
+<tr>
+<td class = "right">II.</td>
+<td><p>Two Women of different Ages beloved by the Middle-aged
+Man</p></td>
+<td><a href = "#riley_II_II">383</a></td>
+<td><a href = "#smart_II_II">489</a></td>
+</tr>
+<tr>
+<td class = "right">III.</td>
+<td><p>The Man and the Dog</p></td>
+<td><a href = "#riley_II_III">384</a></td>
+<td><a href = "#smart_II_III">489</a></td>
+</tr>
+<tr>
+<td class = "right">IV.</td>
+<td><p>The Eagle, the Cat, and the Sow</p></td>
+<td><a href = "#riley_II_IV">384</a></td>
+<td><a href = "#smart_II_IV">490</a></td>
+</tr>
+<tr>
+<td class = "right">V.</td>
+<td><p>Cæsar to the Chamberlain</p></td>
+<td><a href = "#riley_II_V">385</a></td>
+<td><a href = "#smart_II_V">491</a></td>
+</tr>
+<tr>
+<td class = "right">VI.</td>
+<td><p>The Eagle, the Crow, and the Tortoise</p></td>
+<td><a href = "#riley_II_VI">386</a></td>
+<td><a href = "#smart_II_VI">492</a></td>
+</tr>
+<tr>
+<td class = "right">VII.</td>
+<td><p>The Mules and Robbers</p></td>
+<td><a href = "#riley_II_VII">387</a></td>
+<td><a href = "#smart_II_VII">492</a></td>
+</tr>
+<tr>
+<td class = "right">VIII.</td>
+<td><p>The Stag and the Oxen</p></td>
+<td><a href = "#riley_II_VIII">387</a></td>
+<td><a href = "#smart_II_VIII">493</a></td>
+</tr>
+<tr>
+<td></td>
+<td>Epilogue</td>
+<td><a href = "#riley_II_epi">388</a></td>
+<td><a href = "#smart_II_epi">494</a></td>
+</tr>
+
+<tr class = "header">
+<td class = "center smallcaps" colspan = "4">
+<a name = "contents_III" id = "contents_III">Book III.</a></td>
+</tr>
+<tr>
+<td></td>
+<td>Prologue, to Eutychus</td>
+<td><a href = "#riley_III_pro">390</a></td>
+<td><a href = "#smart_III_pro">497</a></td>
+</tr>
+<tr>
+<td class = "right">Fable I.</td>
+<td><p>The Old Woman and the Cask</p></td>
+<td><a href = "#riley_III_I">393</a></td>
+<td><a href = "#smart_III_I">498</a></td>
+</tr>
+<tr>
+<td class = "right">II.</td>
+<td><p>The Panther and Shepherd</p></td>
+<td><a href = "#riley_III_II">394</a></td>
+<td><a href = "#smart_III_II">498</a></td>
+</tr>
+<tr>
+<td class = "right">III.</td>
+<td><p>Esop and the Farmer</p></td>
+<td><a href = "#riley_III_III">395</a></td>
+<td class = "center">&mdash;</td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "III in Smart">IV.</ins></td>
+<td><p>The Butcher and the Ape</p></td>
+<td><a href = "#riley_III_IV">395</a></td>
+<td><a href = "#smart_III_III">499</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "IV in Smart">V.</ins></td>
+<td><p>Esop and the Insolent Man</p></td>
+<td><a href = "#riley_III_V">395</a></td>
+<td><a href = "#smart_III_IV">499</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "V in Smart">VI.</ins></td>
+<td><p>The Fly and the Mule</p></td>
+<td><a href = "#riley_III_VI">396</a></td>
+<td><a href = "#smart_III_V">499</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "VI in Smart">VII.</ins></td>
+<td><p>The Dog and the Wolf</p></td>
+<td><a href = "#riley_III_VII">397</a></td>
+<td><a href = "#smart_III_VI">500</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "VII in Smart">VIII.</ins></td>
+<td><p>The Brother and Sister</p></td>
+<td><a href = "#riley_III_VIII">398</a></td>
+<td><a href = "#smart_III_VII">501</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "VIII in Smart">IX.</ins></td>
+<td><p>Socrates to his Friends</p></td>
+<td><a href = "#riley_III_IX">398</a></td>
+<td><a href = "#smart_III_VIII">502</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "IX in Smart">X.</ins></td>
+<td><p>The Poet on Believing and not Believing</p></td>
+<td><a href = "#riley_III_X">399</a></td>
+<td><a href = "#smart_III_IX">502</a></td>
+</tr>
+<tr>
+<td class = "right">XI.</td>
+<td><p>The Eunuch to the Abusive Man</p></td>
+<td><a href = "#riley_III_XI">401</a></td>
+<td>&mdash;</td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "XII in Riley">XI.</ins></td>
+<td><p>The Cock and the Pearl</p></td>
+<td><a href = "#riley_III_XII">401</a></td>
+<td><a href = "#smart_III_XI">504</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "XIII in Riley">XII.</ins></td>
+<td><p>The Bees and the Drones, the Wasp sitting as judge</p></td>
+<td><a href = "#riley_III_XIII">402</a></td>
+<td><a href = "#smart_III_XII">505</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "XIV in Riley">XIII.</ins></td>
+<td><p>Esop at play</p></td>
+<td><a href = "#riley_III_XIV">402</a></td>
+<td><a href = "#smart_III_XIII">505</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "XV in Riley">XIV.</ins></td>
+<td><p>The Dog to the Lamb</p></td>
+<td><a href = "#riley_III_XV">403</a></td>
+<td><a href = "#smart_III_XIV">506</a></td>
+</tr>
+<tr>
+<td class = "right">
+<span class = "pagenum">vi</span>
+
+<ins class = "renumber" title = "XVI in Riley">XV.</ins></td>
+<td><p>The Grasshopper and the Owl</p></td>
+<td><a href = "#riley_III_XVI">404</a></td>
+<td><a href = "#smart_III_XV">507</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "XVII in Riley">XVI.</ins></td>
+<td><p>The Trees under the Protection of the Gods</p></td>
+<td><a href = "#riley_III_XVII">405</a></td>
+<td><a href = "#smart_III_XVI">508</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "XVIII in Riley">XVII.</ins></td>
+<td><p>The Peacock to Juno</p></td>
+<td><a href = "#riley_III_XVIII">405</a></td>
+<td><a href = "#smart_III_XVII">509</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "XIX in Riley">XVIII.</ins></td>
+<td><p>Esop’s Answer to the Inquisitive Man</p></td>
+<td><a href = "#riley_III_XIX">406</a></td>
+<td><a href = "#smart_III_XVIII">509</a></td>
+</tr>
+<tr>
+<td></td>
+<td>Epilogue</td>
+<td><a href = "#riley_III_epi">407</a></td>
+<td class = "center">&mdash;</td>
+</tr>
+
+<tr class = "header">
+<td class = "center smallcaps" colspan = "4">
+<a name = "contents_IV" id = "contents_IV">Book IV.</a></td>
+</tr>
+<tr>
+<td></td>
+<td>Prologue</td>
+<td><a href = "#riley_IV_pro">409</a></td>
+<td><a href = "#smart_IV_pro">510</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "III.XIX in Smart">Fable I.</ins></td>
+<td><p>The Ass and the Priests of Cybele</p></td>
+<td><a href = "#riley_IV_I">410</a></td>
+<td><a href = "#smart_III_XIX">509</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "I in Smart">II.</ins></td>
+<td><p>The Weasel and the Mice</p></td>
+<td><a href = "#riley_IV_II">411</a></td>
+<td><a href = "#smart_IV_I">510</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "II in Smart">III.</ins></td>
+<td><p>The Fox and the Grapes</p></td>
+<td><a href = "#riley_IV_III">411</a></td>
+<td><a href = "#smart_IV_II">511</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "III in Smart">IV.</ins></td>
+<td><p>The Horse and the Wild Boar</p></td>
+<td><a href = "#riley_IV_IV">411</a></td>
+<td><a href = "#smart_IV_III">511</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "IV in Smart">V.</ins></td>
+<td><p>Esop interpreting a Will</p></td>
+<td><a href = "#riley_IV_V">412</a></td>
+<td><a href = "#smart_IV_IV">512</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "V in Smart">VI.</ins></td>
+<td><p>The Battle of the Mice and the Weasels</p></td>
+<td><a href = "#riley_IV_VI">413</a></td>
+<td><a href = "#smart_IV_V">514</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "VI in Smart">VII.</ins></td>
+<td><p>The Poet’s Defence against the Censurers of his Fables</p></td>
+<td><a href = "#riley_IV_VII">414</a></td>
+<td><a href = "#smart_IV_VI">514</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "VII in Smart">VIII.</ins></td>
+<td><p>The Viper and the File</p></td>
+<td><a href = "#riley_IV_VIII">415</a></td>
+<td><a href = "#smart_IV_VII">515</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "VIII in Smart">IX.</ins></td>
+<td><p>The Fox and the Goat</p></td>
+<td><a href = "#riley_IV_IX">415</a></td>
+<td><a href = "#smart_IV_VIII">516</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "IX in Smart">X.</ins></td>
+<td><p>Of the Vices of Men</p></td>
+<td><a href = "#riley_IV_X">416</a></td>
+<td><a href = "#smart_IV_IX">516</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "X in Smart">XI.</ins></td>
+<td><p>A Thief pillaging the Altar of Jupiter</p></td>
+<td><a href = "#riley_IV_XI">416</a></td>
+<td><a href = "#smart_IV_X">517</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "XI in Smart">XII.</ins></td>
+<td><p>Hercules and Plutus</p></td>
+<td><a href = "#riley_IV_XII">417</a></td>
+<td><a href = "#smart_IV_XI">517</a></td>
+</tr>
+<tr>
+<td class = "right">XIII.</td>
+<td><p>The Lion reigning</p></td>
+<td><a href = "#riley_IV_XIII">417</a></td>
+<td class = "center">&mdash;</td>
+</tr>
+<tr>
+<td class = "right">XIV.</td>
+<td><p>Prometheus</p></td>
+<td><a href = "#riley_IV_XIV">418</a></td>
+<td class = "center">&mdash;</td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "XII in Smart">XV.</ins></td>
+<td><p>The She-Goats and their Beards</p></td>
+<td><a href = "#riley_IV_XV">418</a></td>
+<td><a href = "#smart_IV_XII">518</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "XIII in Smart">XVI.</ins></td>
+<td><p>The Pilot and the Mariners</p></td>
+<td><a href = "#riley_IV_XVI">419</a></td>
+<td><a href = "#smart_IV_XIII">518</a></td>
+</tr>
+<tr>
+<td class = "right">XVII.</td>
+<td><p>The Embassy of the Dogs to Jupiter</p></td>
+<td><a href = "#riley_IV_XVII">419</a></td>
+<td class = "center">&mdash;</td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "XIV in Smart">XVIII.</ins></td>
+<td><p>The Man and the Snake</p></td>
+<td><a href = "#riley_IV_XVIII">420</a></td>
+<td><a href = "#smart_IV_XIV">519</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "XV in Smart">XIX.</ins></td>
+<td><p>The Fox and the Dragon</p></td>
+<td><a href = "#riley_IV_XIX">421</a></td>
+<td><a href = "#smart_IV_XV">519</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "XVI in Smart">XX.</ins></td>
+<td><p>Phædrus</p></td>
+<td><a href = "#riley_IV_XX">422</a></td>
+<td><a href = "#smart_IV_XVI">520</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "XVII in Smart">XXI.</ins></td>
+<td><p>The Shipwreck of Simonides</p></td>
+<td><a href = "#riley_IV_XXI">422</a></td>
+<td><a href = "#smart_IV_XVII">520</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "XVIII in Smart">XXII.</ins></td>
+<td><p>The Mountain in Labour</p></td>
+<td><a href = "#riley_IV_XXII">423</a></td>
+<td><a href = "#smart_IV_XVIII">522</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "XIX in Smart">XXIII.</ins></td>
+<td><p>The Ant and the Fly</p></td>
+<td><a href = "#riley_IV_XXIII">424</a></td>
+<td><a href = "#smart_IV_XIX">522</a></td>
+</tr>
+<tr>
+<td class = "right">
+<ins class = "renumber" title = "XX in Smart">XXIV.</ins></td>
+<td><p>Simonides preserved by the Gods</p></td>
+<td><a href = "#riley_IV_XXIV">425</a></td>
+<td><a href = "#smart_IV_XX">523</a></td>
+</tr>
+<tr>
+<td></td>
+<td>Epilogue</td>
+<td><a href = "#riley_IV_epi">426</a></td>
+<td><a href = "#smart_IV_epi">524</a></td>
+</tr>
+
+<tr class = "header">
+<td class = "center smallcaps" colspan = "4">
+<a name = "contents_V" id = "contents_V">Book V.</a></td>
+</tr>
+<tr>
+<td></td>
+<td>Prologue</td>
+<td><a href = "#riley_V_pro">427</a></td>
+<td><a href = "#smart_V_pro">526</a></td>
+</tr>
+<tr>
+<td class = "right">Fable I.</td>
+<td><p>Demetrius and Menander</p></td>
+<td><a href = "#riley_V_I">427</a></td>
+<td><a href = "#smart_V_I">527</a></td>
+</tr>
+<tr>
+<td class = "right">II.</td>
+<td><p>The Travellers and the Robber</p></td>
+<td><a href = "#riley_V_II">428</a></td>
+<td><a href = "#smart_V_II">528</a></td>
+</tr>
+<tr>
+<td class = "right">III.</td>
+<td><p>The Bald Man and the Fly</p></td>
+<td><a href = "#riley_V_III">429</a></td>
+<td><a href = "#smart_V_III">529</a></td>
+</tr>
+<tr>
+<td class = "right">IV.</td>
+<td><p>The Man and the Ass</p></td>
+<td><a href = "#riley_V_IV">429</a></td>
+<td><a href = "#smart_V_IV">529</a></td>
+</tr>
+<tr>
+<td class = "right">V.</td>
+<td><p>The Buffoon and Countryman</p></td>
+<td><a href = "#riley_V_V">429</a></td>
+<td><a href = "#smart_V_V">530</a></td>
+</tr>
+<tr>
+<td class = "right">VI.</td>
+<td><p>The Two Bald Men</p></td>
+<td><a href = "#riley_V_VI">431</a></td>
+<td><a href = "#smart_V_VI">532</a></td>
+</tr>
+<tr>
+<td class = "right">VII.</td>
+<td><p>Princeps the Flute Player</p></td>
+<td><a href = "#riley_V_VII">431</a></td>
+<td><a href = "#smart_V_VII">532</a></td>
+</tr>
+<tr>
+<td class = "right">VIII.</td>
+<td><p>The Emblem of Opportunity</p></td>
+<td><a href = "#riley_V_VIII">433</a></td>
+<td><a href = "#smart_V_VIII">534</a></td>
+</tr>
+<tr>
+<td class = "right">IX.</td>
+<td><p>The Bull and the Calf</p></td>
+<td><a href = "#riley_V_IX">433</a></td>
+<td><a href = "#smart_V_IX">534</a></td>
+</tr>
+<tr>
+<td class = "right">X.</td>
+<td><p>The Huntsman and the Dog</p></td>
+<td><a href = "#riley_V_X">433</a></td>
+<td><a href = "#smart_V_X">535</a></td>
+</tr>
+</table>
+
+<span class = "pagenum">vii</span>
+
+<table class = "toc" summary = "table of contents">
+<tr class = "header">
+<td class = "center smallcaps" colspan = "3">
+The New Fables&mdash;attributed to Phædrus.</td>
+</tr>
+
+<tr>
+<td class = "right">Fable I.</td>
+<td><p>The Ape and the Fox</p></td>
+<td><a href = "#NF_I">435</a></td>
+</tr>
+<tr>
+<td class = "right">II.</td>
+<td><p>The Author</p></td>
+<td><a href = "#NF_II">436</a></td>
+</tr>
+<tr>
+<td class = "right">III.</td>
+<td><p>Mercury and the two Women</p></td>
+<td><a href = "#NF_III">436</a></td>
+</tr>
+<tr>
+<td class = "right">IV.</td>
+<td><p>Prometheus and Cunning</p></td>
+<td><a href = "#NF_IV">437</a></td>
+</tr>
+<tr>
+<td class = "right">V.</td>
+<td><p>The Author</p></td>
+<td><a href = "#NF_V">438</a></td>
+</tr>
+<tr>
+<td class = "right">VI.</td>
+<td><p>The signification of the Punishments of Tartarus</p></td>
+<td><a href = "#NF_VI">438</a></td>
+</tr>
+<tr>
+<td class = "right">VII.</td>
+<td><p>The Author</p></td>
+<td><a href = "#NF_VII">439</a></td>
+</tr>
+<tr>
+<td class = "right">VIII.</td>
+<td><p>Æsop and the Author</p></td>
+<td><a href = "#NF_VIII">439</a></td>
+</tr>
+<tr>
+<td class = "right">IX.</td>
+<td><p>Pompeius Magnus and his Soldier</p></td>
+<td><a href = "#NF_IX">440</a></td>
+</tr>
+<tr>
+<td class = "right">X.</td>
+<td><p>Juno, Venus, and the Hen</p></td>
+<td><a href = "#NF_X">441</a></td>
+</tr>
+<tr>
+<td class = "right">XI.</td>
+<td><p>The Father of a Family and Æsop</p></td>
+<td><a href = "#NF_XI">442</a></td>
+</tr>
+<tr>
+<td class = "right">XII.</td>
+<td><p>The Philosopher and the Victor in the Gymnastic Games</p></td>
+<td><a href = "#NF_XII">442</a></td>
+</tr>
+<tr>
+<td class = "right">XIII.</td>
+<td><p>The Ass and the Lyre</p></td>
+<td><a href = "#NF_XIII">443</a></td>
+</tr>
+<tr>
+<td class = "right">XIV.</td>
+<td><p>The Widow and the Soldier</p></td>
+<td><a href = "#NF_XIV">443</a></td>
+</tr>
+<tr>
+<td class = "right">XV.</td>
+<td><p>The Rich Suitor and the Poor One</p></td>
+<td><a href = "#NF_XV">444</a></td>
+</tr>
+<tr>
+<td class = "right">XVI.</td>
+<td><p>Æsop and his Mistress</p></td>
+<td><a href = "#NF_XVI">445</a></td>
+</tr>
+<tr>
+<td class = "right">XVII.</td>
+<td><p>A Cock carried in a Litter by Cats</p></td>
+<td><a href = "#NF_XVII">446</a></td>
+</tr>
+<tr>
+<td class = "right">XVIII.</td>
+<td><p>The Sow bringing forth and the Wolf</p></td>
+<td><a href = "#NF_XVIII">446</a></td>
+</tr>
+<tr>
+<td class = "right">XIX.</td>
+<td><p>The Runaway Slave and Æsop</p></td>
+<td><a href = "#NF_XIX">447</a></td>
+</tr>
+<tr>
+<td class = "right">XX.</td>
+<td><p>The Chariot Horse sold for the Mill</p></td>
+<td><a href = "#NF_XX">447</a></td>
+</tr>
+<tr>
+<td class = "right">XXI.</td>
+<td><p>The Hungry Bear</p></td>
+<td><a href = "#NF_XXI">448</a></td>
+</tr>
+<tr>
+<td class = "right">XXII.</td>
+<td><p>The Traveller and the Raven</p></td>
+<td><a href = "#NF_XXII">449</a></td>
+</tr>
+<tr>
+<td class = "right">XXIII.</td>
+<td><p>The Shepherd and the She-Goat</p></td>
+<td><a href = "#NF_XXIII">449</a></td>
+</tr>
+<tr>
+<td class = "right">XXIV.</td>
+<td><p>The Serpent and the Lizard</p></td>
+<td><a href = "#NF_XXIV">449</a></td>
+</tr>
+<tr>
+<td class = "right">XXV.</td>
+<td><p>The Crow and the Sheep</p></td>
+<td><a href = "#NF_XXV">450</a></td>
+</tr>
+<tr>
+<td class = "right">XXVI.</td>
+<td><p>The Servant and the Master</p></td>
+<td><a href = "#NF_XXVI">450</a></td>
+</tr>
+<tr>
+<td class = "right">XXVII.</td>
+<td><p>The Hare and the Herdsman</p></td>
+<td><a href = "#NF_XXVII">450</a></td>
+</tr>
+<tr>
+<td class = "right">XXVIII.</td>
+<td><p>The Young Man and the Courtesan</p></td>
+<td><a href = "#NF_XXVIII">451</a></td>
+</tr>
+<tr>
+<td class = "right">XXIX.</td>
+<td><p>The Beaver</p></td>
+<td><a href = "#NF_XXIX">451</a></td>
+</tr>
+<tr>
+<td class = "right">XXX.</td>
+<td><p>The Butterfly and the Wasp</p></td>
+<td><a href = "#NF_XXX">452</a></td>
+</tr>
+<tr>
+<td class = "right">XXXI.</td>
+<td><p>The Ground-Swallow and the Fox</p></td>
+<td><a href = "#NF_XXXI">453</a></td>
+</tr>
+<tr>
+<td></td>
+<td>Epilogue</td>
+<td><a href = "#NF_XXXII">453</a></td>
+</tr>
+
+<tr class = "header">
+<td class = "center smallcaps" colspan = "3">
+Æsopian Fables&mdash;the authors of which are not known.</td>
+</tr>
+<tr>
+<td class = "right">Fable I.</td>
+<td><p>The Sick Kite</p></td>
+<td><a href = "#AF_I">454</a></td>
+</tr>
+<tr>
+<td class = "right">II.</td>
+<td><p>The Hares tired of Life</p></td>
+<td><a href = "#AF_II">454</a></td>
+</tr>
+<tr>
+<td class = "right">III.</td>
+<td><p>Jupiter and the Fox</p></td>
+<td><a href = "#AF_III">455</a></td>
+</tr>
+<tr>
+<td class = "right">IV.</td>
+<td><p>The Lion and the Mouse</p></td>
+<td><a href = "#AF_IV">455</a></td>
+</tr>
+<tr>
+<td class = "right">V.</td>
+<td><p>The Man and the Trees</p></td>
+<td><a href = "#AF_V">456</a></td>
+</tr>
+<tr>
+<td class = "right">VI.</td>
+<td><p>The Mouse and the Frog</p></td>
+<td><a href = "#AF_VI">456</a></td>
+</tr>
+<tr>
+<td class = "right">VII.</td>
+<td><p>The Two Cocks and the Hawk</p></td>
+<td><a href = "#AF_VII">456</a></td>
+</tr>
+<tr>
+<td class = "right">VIII.</td>
+<td><p>The Snail and the Ape</p></td>
+<td><a href = "#AF_VIII">457</a></td>
+</tr>
+<tr>
+<td class = "right">IX.</td>
+<td><p>The City Mouse and the Country Mouse</p></td>
+<td><a href = "#AF_IX">457</a></td>
+</tr>
+<tr>
+<td class = "right">X.</td>
+<td><p>The Ass fawning upon his Master</p></td>
+<td><a href = "#AF_X">458</a></td>
+</tr>
+<tr>
+<td class = "right">XI.</td>
+<td><p>The Crane, the Crow, and the Countryman</p></td>
+<td><a href = "#AF_XI">459</a></td>
+</tr>
+<tr>
+<td class = "right">XII.</td>
+<td><p>The Birds and the Swallow</p></td>
+<td><a href = "#AF_XII">459</a></td>
+</tr>
+<tr>
+<td class = "right">
+<span class = "pagenum">viii</span>
+XIII.</td>
+<td><p>The Partridge and the Fox</p></td>
+<td><a href = "#AF_XIII">460</a></td>
+</tr>
+<tr>
+<td class = "right">XIV.</td>
+<td><p>The Ass, the Ox, and the Birds</p></td>
+<td><a href = "#AF_XIV">461</a></td>
+</tr>
+<tr>
+<td class = "right">XV.</td>
+<td><p>The Lion and the Shepherd</p></td>
+<td><a href = "#AF_XV">461</a></td>
+</tr>
+<tr>
+<td class = "right">XVI.</td>
+<td><p>The Goat and the Bull</p></td>
+<td><a href = "#AF_XVI">462</a></td>
+</tr>
+<tr>
+<td class = "right">XVII.</td>
+<td><p>The Horse and the Ass</p></td>
+<td><a href = "#AF_XVII">462</a></td>
+</tr>
+<tr>
+<td class = "right">XVIII.</td>
+<td><p>The Birds, the Beasts, and the Bat</p></td>
+<td><a href = "#AF_XVIII">463</a></td>
+</tr>
+<tr>
+<td class = "right">XIX.</td>
+<td><p>The Nightingale, the Hawk, and the Fowler</p></td>
+<td><a href = "#AF_XIX">463</a></td>
+</tr>
+<tr>
+<td class = "right">XX.</td>
+<td><p>The Wolf, the Fox, and the Shepherd</p></td>
+<td><a href = "#AF_XX">464</a></td>
+</tr>
+<tr>
+<td class = "right">XXI.</td>
+<td><p>The Sheep and the Wolves</p></td>
+<td><a href = "#AF_XXI">464</a></td>
+</tr>
+<tr>
+<td class = "right">XXII.</td>
+<td><p>The Ape and the Fox</p></td>
+<td><a href = "#AF_XXII">465</a></td>
+</tr>
+<tr>
+<td class = "right">XXIII.</td>
+<td><p>The Wolf, the Huntsman, and the Shepherd</p></td>
+<td><a href = "#AF_XXIII">465</a></td>
+</tr>
+<tr>
+<td class = "right">XXIV.</td>
+<td><p>The Truthful Man, the Liar, and the Apes</p></td>
+<td><a href = "#AF_XXIV">466</a></td>
+</tr>
+<tr>
+<td class = "right">XXV.</td>
+<td><p>The Man and the Lion</p></td>
+<td><a href = "#AF_XXV">467</a></td>
+</tr>
+<tr>
+<td class = "right">XXVI.</td>
+<td><p>The Stork, the Goose, and the Hawk</p></td>
+<td><a href = "#AF_XXVI">467</a></td>
+</tr>
+<tr>
+<td class = "right">XXVII.</td>
+<td><p>The Sheep and the Crow</p></td>
+<td><a href = "#AF_XXVII">468</a></td>
+</tr>
+<tr>
+<td class = "right">XXVIII.</td>
+<td><p>The Ant and the Grasshopper</p></td>
+<td><a href = "#AF_XXVIII">468</a></td>
+</tr>
+<tr>
+<td class = "right">XXIX.</td>
+<td><p>The Horse and the Ass</p></td>
+<td><a href = "#AF_XXIX">469</a></td>
+</tr>
+<tr>
+<td class = "right">XXX.</td>
+<td><p>The Old Lion and the Fox</p></td>
+<td><a href = "#AF_XXX">469</a></td>
+</tr>
+<tr>
+<td class = "right">XXXI.</td>
+<td><p>The Camel and the Flea</p></td>
+<td><a href = "#AF_XXXI">469</a></td>
+</tr>
+<tr>
+<td class = "right">XXXII.</td>
+<td><p>The Kid and the Wolf</p></td>
+<td><a href = "#AF_XXXII">470</a></td>
+</tr>
+<tr>
+<td class = "right">XXXIII.</td>
+<td><p>The Poor Man and the Serpent</p></td>
+<td><a href = "#AF_XXXIII">470</a></td>
+</tr>
+<tr>
+<td class = "right">XXXIV.</td>
+<td><p>The Eagle and the Kite</p></td>
+<td><a href = "#AF_XXXIV">471</a></td>
+</tr>
+</table>
+
+
+<div class = "riley">
+
+<span class = "pagenum">365</span>
+<h2><a name = "riley" id = "riley">THE FABLES OF PHÆDRUS.</a></h2>
+
+<hr class = "micro">
+
+<h3><a name = "riley_I" id = "riley_I">BOOK I.</a></h3>
+
+<a class = "crossref" href = "#smart_I_pro">Smart</a>
+<h4><a name = "riley_I_pro" id = "riley_I_pro">
+THE PROLOGUE.</a></h4>
+
+<p><span class = "firstword">The</span> matter which Æsop, the inventor
+<i>of Fables</i>, has provided, I&nbsp;have polished in Iambic verse.
+The advantages of <i>this</i> little work are twofold&mdash;that it
+excites laughter, and by counsel guides the life <i>of man</i>. But if
+any one shall think fit to cavil, because not only wild beasts, but even
+trees speak, let him remember that we are disporting in fables.</p>
+
+<hr class = "tiny">
+
+<a class = "crossref" href = "#smart_I_I">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_I" id = "riley_I_I">
+Fable I.</a><br>
+THE WOLF AND THE LAMB.</h4>
+
+<p>Driven by thirst, a Wolf and a Lamb had come to the same stream; the
+Wolf stood above, and the Lamb at a distance below. Then, the spoiler,
+prompted by a ravenous maw, alleged a pretext for a quarrel. “Why,” said
+he, “have you made the water muddy for me <i>while I am</i> drinking?”
+The Fleece-bearer, trembling, <i>answered</i>: “Prithee, Wolf, how can I
+do what you complain of? The water is flowing downwards from you to
+where I am drinking.” The other, disconcerted by the force of truth,
+<i>exclaimed</i>: “Six months ago, you slandered me.” “Indeed<ins class
+= "correction" title = "text has ’ for ”">,” </ins>answered
+<span class = "pagenum">366</span>
+the Lamb, “I&nbsp;was not born <i>then</i>.” “By Hercules,” said <i>the
+Wolf</i>, “<i>then ’twas</i> your father slandered me;” and so,
+snatching him up, he tore him to pieces, killing him unjustly.</p>
+
+<p>This Fable is applicable to those men who, under false pretences,
+oppress the innocent.</p>
+
+
+<a class = "crossref" href = "#smart_I_II">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_II" id = "riley_I_II">
+Fable II.</a><br>
+THE FROGS ASKING FOR A KING.</h4>
+
+<p>When Athens<a class = "tag" name = "tagI_1" id = "tagI_1" href =
+"#noteI_1">I.1</a> was flourishing under just laws, liberty grown wanton
+embroiled the city, and license relaxed the reins of ancient discipline.
+Upon this, the partisans of factions conspiring, Pisistratus the
+Tyrant<a class = "tag" name = "tagI_2" id = "tagI_2" href =
+"#noteI_2">I.2</a> seized the citadel. When the Athenians were lamenting
+their sad servitude (not that he was cruel, but because every burden is
+grievous to those who are unused to it), and began to complain, Æsop
+related a Fable to the following effect:&mdash;</p>
+
+<p>“The Frogs, roaming at large in their marshy fens, with loud clamour
+demanded of Jupiter a king, who, by <i>his</i> authority, might check
+their dissolute manners. The Father of the Gods smiled, and gave them a
+little Log, which, on being thrown <i>among them</i> startled the
+timorous race by the noise and sudden commotion in the bog. When it had
+lain for some time immersed in the mud, one <i>of them</i> by chance
+silently lifted his head above the water, and having taken a peep at the
+king, called up all the rest. Having got the better of their fears,
+vying with each other, they swim towards him, and the insolent mob leap
+upon the Log. After defiling it with every kind of insult, they sent to
+Jupiter, requesting another king, because the one that had been given
+them was useless. Upon this, he sent them a Water Snake,<a class = "tag"
+name = "tagI_3" id = "tagI_3" href = "#noteI_3">I.3</a> who with
+<span class = "pagenum">367</span>
+his sharp teeth began to gobble them up one after another. Helpless they
+strive in vain to escape death; terror deprives them of voice. By
+stealth, therefore, they send through Mercury a request to Jupiter, to
+succour them in their distress. Then said the God in reply: ‘Since you
+would not be content with your good fortune, continue to endure your bad
+fortune<ins class = "correction" title = "single quote missing">.’”</ins></p>
+
+<p>“Do you also, O fellow-citizens,” said <i>Æsop</i>, “submit to the
+present evil, lest a greater one befall you.”</p>
+
+
+<a class = "crossref" href = "#smart_I_III">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_III" id = "riley_I_III">
+Fable III.</a><br>
+THE VAIN JACKDAW AND THE PEACOCK.</h4>
+
+<p>That one ought not to plume oneself on the merits which belong to
+another, but ought rather to pass his life in his own proper guise, Æsop
+has given us this illustration:&mdash;</p>
+
+<p>A Jackdaw, swelling<a class = "tag" name = "tagI_4" id = "tagI_4"
+href = "#noteI_4">I.4</a> with empty pride, picked up some feathers
+which had fallen from a Peacock, and decked himself out
+<i>therewith</i>; upon which, despising his own <i>kind</i>, he mingled
+with a beauteous flock of Peacocks. They tore his feathers from off the
+impudent bird, and put him to flight with their beaks. The Jackdaw,
+<i>thus</i> roughly handled, in grief hastened to return to his own
+kind; repulsed by whom, he had to submit to sad disgrace. Then said one
+of those whom he had formerly despised: “If you had been content with
+our station, and had been ready to put up with what nature had given,
+you would neither have experienced the former affront, nor would your
+ill fortune have had to feel <i>the additional pang</i> of this
+repulse<ins class = "correction" title = "close quote missing">.”&nbsp;</ins></p>
+
+
+<span class = "pagenum">368</span>
+<a class = "crossref" href = "#smart_I_IV">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_IV" id = "riley_I_IV">
+Fable IV.</a><br>
+THE DOG CARRYING SOME MEAT ACROSS A RIVER.</h4>
+
+<p>He who covets what belongs to another, deservedly loses his own.</p>
+
+<p>As a Dog, swimming<a class = "tag" name = "tagI_5" id = "tagI_5" href
+= "#noteI_5">I.5</a> through a river, was carrying a piece of meat, he
+saw his own shadow in the watery mirror; and, thinking that it was
+another booty carried by another <i>dog</i>, attempted to snatch it
+away; but his greediness <i>was</i> disappointed, he both dropped the
+food which he was holding in his mouth, and was after all unable to
+reach that at which he grasped.</p>
+
+
+<a class = "crossref" href = "#smart_I_V">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_V" id = "riley_I_V">
+Fable V.</a><br>
+THE COW, THE SHE-GOAT, THE SHEEP, AND THE&nbsp;LION.</h4>
+
+<p>An alliance with the powerful is never to be relied upon: the present
+Fable testifies the truth of my maxim.</p>
+
+<p>A Cow, a She-Goat, and a Sheep<a class = "tag" name = "tagI_6" id =
+"tagI_6" href = "#noteI_6">I.6</a> patient under injuries, were partners
+in the forests with a Lion. When they had captured a Stag of vast bulk,
+thus spoke the Lion, after it had been divided into shares: “Because my
+name is Lion, I&nbsp;take the first; the second you will yield to me
+because I am courageous; then, because I am the strongest,<a class =
+"tag" name = "tagI_7" id = "tagI_7" href = "#noteI_7">I.7</a> the third
+will
+<span class = "pagenum">369</span>
+fall to my lot; if anyone touches the fourth, woe betide him.” <!-- is
+that “him” the cow, “him” the female goat, or “him” the sheep? --></p>
+
+<p>Thus did unscrupulousness seize upon the whole prey for itself.</p>
+
+
+<a class = "crossref" href = "#smart_I_VI">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_VI" id = "riley_I_VI">
+Fable VI.</a><br>
+THE FROGS’ COMPLAINT AGAINST THE SUN.</h4>
+
+<p>Æsop, on seeing the pompous wedding of a thief, who was his
+neighbour, immediately began to relate the following story:</p>
+
+<p>Once on a time, when the Sun was thinking of taking a wife,<a class =
+"tag" name = "tagI_8" id = "tagI_8" href = "#noteI_8">I.8</a> the Frogs
+sent forth their clamour to the stars. Disturbed by their croakings,
+Jupiter asked the cause of their complaints. Then <i>said</i> one of the
+inhabitants of the pool: “As it is, by himself he parches up all the
+standing waters, and compels us unfortunates to languish and die in
+<i>our</i> scorched abode. What is to become of us, if he beget
+children?”</p>
+
+
+<a class = "crossref" href = "#smart_I_VII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_VII" id = "riley_I_VII">
+Fable VII.</a><br>
+THE FOX AND THE TRAGIC MASK.</h4>
+
+<p>A Fox, by chance, casting his eyes on a Tragic Mask: “Ah,” said she,
+“great as is its beauty, still it has no brains.”<a class = "tag" name =
+"tagI_9" id = "tagI_9" href = "#noteI_9">I.9</a></p>
+
+<span class = "pagenum">370</span>
+<p>This is meant for those to whom fortune has granted honor and renown,
+leaving them void of common sense.</p>
+
+
+<a class = "crossref" href = "#smart_I_VIII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_VIII" id = "riley_I_VIII">
+Fable VIII.</a><br>
+THE WOLF AND THE CRANE.</h4>
+
+<p>He who expects a recompense for his services from the dishonest
+commits a twofold mistake; first, because he assists the undeserving,
+and in the next place, because he cannot be gone while he is yet
+safe.</p>
+
+<p>A bone that he had swallowed stuck in the jaws of a Wolf. Thereupon,
+overcome by extreme pain, he began to tempt all and sundry by great
+rewards to extract the cause of misery. At length, on his taking an
+oath, a&nbsp;Crane was prevailed on, and, trusting the length of her
+neck to his throat, she wrought, with danger to herself, a&nbsp;cure for
+the Wolf. When she demanded the promised reward for this <i>service</i>,
+“You are an ungrateful one,” replied <i>the Wolf</i>, “to have taken
+your head in safety out of my mouth, and <i>then</i> to ask for a
+reward.”</p>
+
+
+<a class = "crossref" href = "#smart_I_IX">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_IX" id = "riley_I_IX">
+Fable IX.</a><br>
+THE SPARROW AND THE HARE.</h4>
+
+<p>Let us show, in a few lines, that it is unwise to be heedless<a class
+= "tag" name = "tagI_10" id = "tagI_10" href = "#noteI_10">I.10</a> of
+ourselves, while we are giving advice to others.</p>
+
+<p>A Sparrow upbraided a Hare that had been pounced upon by an Eagle,
+and was sending forth piercing cries. “Where now,” said he, “is that
+fleetness for which you are so remarkable? Why were your feet
+<i>thus</i> tardy?” While he was speaking, a&nbsp;Hawk seizes him
+unawares, and kills him, shrieking aloud with vain complaints. The Hare,
+almost dead, as a consolation in his agony, <i>exclaimed</i>: “You, who
+so lately, free from care, were ridiculing my misfortunes, have now to
+deplore your own fate with as woful cause.”</p>
+
+
+<span class = "pagenum">371</span>
+<a class = "crossref" href = "#smart_I_X">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_X" id = "riley_I_X">
+Fable X.</a><br>
+THE WOLF, THE FOX, AND THE APE.</h4>
+
+<p>Whoever has once become notorious by base fraud, even if he speaks
+the truth, gains no belief. To this, a&nbsp;short Fable of Æsop bears
+witness.</p>
+
+<p>A Wolf indicted a Fox upon a charge of theft; the latter denied that
+she was amenable to the charge. Upon this, the Ape sat as judge between
+them; and when each of them had pleaded his cause, the Ape is said to
+have pronounced <i>this</i> sentence: “You, <i>Wolf</i>, appear not to
+have lost what you demand; I&nbsp;believe that you, <i>Fox</i>, have
+stolen what you so speciously deny<ins class = "correction" title =
+"close quote missing">.”&nbsp;</ins></p>
+
+
+<a class = "crossref" href = "#smart_I_XI">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_XI" id = "riley_I_XI">
+Fable XI.</a><br>
+THE ASS AND THE LION HUNTING.</h4>
+
+<p>A dastard, who in his talk brags of his prowess, and is devoid of
+courage,<a class = "tag" name = "tagI_11" id = "tagI_11" href =
+"#noteI_11">I.11</a> imposes upon strangers, but is the jest of all who
+know him.</p>
+
+<p>A Lion having resolved to hunt in company with an Ass, concealed him
+in a thicket, and at the same time enjoined him to frighten the wild
+beasts with his voice, to which they were unused, while he himself was
+to catch them as they fled. Upon this, Long-ears, with all his might,
+suddenly raised a cry, and terrified the beasts with <i>this</i> new
+cause of astonishment.<a class = "tag" name = "tagI_12" id = "tagI_12"
+href = "#noteI_12">I.12</a> While, in their alarm, they are flying to
+the well-known outlets, they are overpowered by the dread onset of the
+Lion; who, after he was wearied with slaughter, called forth the Ass
+<i>from his retreat</i>, and bade him cease his clamour. On this the
+other, in his insolence, <i>inquired</i>: “What think you of the
+assistance given by my voice?” “Excellent!” said <i>the Lion</i>, “so
+much so, that if I had not been acquainted with your spirit and your
+race, I&nbsp;should have fled in alarm like <i>the rest</i><ins class =
+"correction" title = "close quote missing">.”&nbsp;</ins></p>
+
+
+<span class = "pagenum">372</span>
+<a class = "crossref" href = "#smart_I_XII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_XII" id = "riley_I_XII">
+Fable XII.</a><br>
+THE STAG AT THE STREAM.</h4>
+
+<p>This story shows that what you contemn is often found of more utility
+than what you load with praises.</p>
+
+<p>A Stag, when he had drunk at a stream, stood still, and gazed upon
+his likeness in the water. While there, in admiration, he was praising
+his branching horns, and finding fault with the extreme thinness of his
+legs, suddenly roused by the cries of the huntsmen, he took to flight
+over the plain, and with nimble course escaped the dogs. Then a wood
+received the beast; in which, being entangled and caught by his horns,
+the dogs began to tear him to pieces with savage bites. While dying, he
+is said to have uttered these words: “Oh, how unhappy am I, who now too
+late find out how useful to me were the things that I despised; and what
+sorrow the things I used to praise, have caused me.”</p>
+
+
+<a class = "crossref" href = "#smart_I_XIII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_XIII" id = "riley_I_XIII">
+Fable XIII.</a><br>
+THE FOX AND THE RAVEN.</h4>
+
+<p>He who is delighted at being flattered with artful words,
+<i>generally</i> pays the ignominious penalty of a late repentance.</p>
+
+<p>As a Raven, perched in a lofty tree, was about to eat a piece of
+cheese, stolen from a window,<a class = "tag" name = "tagI_13" id =
+"tagI_13" href = "#noteI_13">I.13</a> a&nbsp;Fox espied him, <i>and</i>
+thereupon began thus to speak: “O&nbsp;Raven, what a glossiness there is
+upon those feathers of yours! What grace you carry in your shape and
+air! If you had a voice, no bird whatever would be superior to you.” On
+this, the other, while, in his folly, attempting to show off his voice,
+let fall the cheese from his mouth, which the crafty Fox with greedy
+teeth instantly snatched up. Then, too late, the Raven, thus, in his
+stupidity overreached, heaved a bitter sigh.</p>
+
+<p>By this story<a class = "tag" name = "tagI_14" id = "tagI_14" href =
+"#noteI_14">I.14</a> it is shown, how much ingenuity avails, <i>and</i>
+how wisdom is always an overmatch for strength.</p>
+
+
+
+<span class = "pagenum">373</span>
+<a class = "crossref" href = "#smart_I_XIV">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_XIV" id = "riley_I_XIV">
+Fable XIV.</a><br>
+THE COBBLER TURNED PHYSICIAN.</h4>
+
+<p>A bungling Cobbler, broken down by want, having begun to practise
+physic in a strange place, and selling his antidote<a class = "tag" name
+= "tagI_15" id = "tagI_15" href = "#noteI_15">I.15</a> under a feigned
+name, gained some reputation for himself by his delusive speeches.</p>
+
+<p>Upon this, the King of the city, who lay ill, being afflicted with a
+severe malady, asked for a cup, for the purpose of trying him; and then
+pouring water into it, and pretending that he was mixing poison with the
+fellow’s antidote, ordered him to drink it off, <i>in consideration
+of</i> a stated <ins class = "correction" title = "d. invisible">reward.</ins> Through fear of death, the cobbler then
+confessed that not by any skill in the medical art, but through the
+stupidity of the public, he had gained his reputation. The King, having
+summoned a council, thus remarked: “What think you of the extent of your
+madness, when you do not hesitate to trust your lives<a class = "tag"
+name = "tagI_16" id = "tagI_16" href = "#noteI_16">I.16</a> to one to
+whom no one would trust his feet to be fitted with shoes?”</p>
+
+<p>This, I should say with good reason, is aimed at those through whose
+folly impudence makes a profit.</p>
+
+
+<a class = "crossref" href = "#smart_I_XV">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_XV" id = "riley_I_XV">
+Fable XV.</a><br>
+THE ASS AND THE OLD SHEPHERD.</h4>
+
+<p>In a change of government, the poor change nothing beyond the name of
+their master. That this is the fact this little Fable shows.</p>
+
+<span class = "pagenum">374</span>
+<p>A timorous Old Man was feeding an Ass <ins class = "correction" title
+= "i invisible">in</ins> a&nbsp;meadow. Frightened by a sudden alarm of
+the enemy, he tried to persuade the Ass to fly, lest they should be
+taken prisoners. But he leisurely replied: “Pray, do you suppose that
+the conqueror will place double panniers upon me?” The Old Man said,
+“No.” “Then what matters it to me, so long as I have to carry my
+panniers, whom I serve?”</p>
+
+
+<a class = "crossref" href = "#smart_I_XVI">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_XVI" id = "riley_I_XVI">
+Fable XVI.</a><br>
+THE STAG, THE SHEEP, AND THE WOLF.</h4>
+
+<p>When a rogue offers his name as surety in a doubtful case, he has no
+design to act straight-forwardly, but is looking to mischief.</p>
+
+<p>A Stag asked a Sheep for a measure<a class = "tag" name = "tagI_17"
+id = "tagI_17" href = "#noteI_17">I.17</a> of wheat, a&nbsp;Wolf being
+his surety. The other, however, suspecting fraud, <i>replied</i>: “The
+Wolf has always been in the habit of plundering and absconding; you, of
+rushing out of sight with rapid flight: where am I to look for you both
+when the day comes?”<a class = "tag" name = "tagI_18" id = "tagI_18"
+href = "#noteI_18">I.18</a></p>
+
+
+<a class = "crossref" href = "#smart_I_XVII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_XVII" id = "riley_I_XVII">
+Fable XVII.</a><br>
+THE SHEEP, THE DOG, AND THE WOLF.</h4>
+
+<p>Liars generally<a class = "tag" name = "tagI_19" id = "tagI_19" href
+= "#noteI_19">I.19</a> pay the penalty of their guilt.</p>
+
+<p>A Dog, who was a false accuser, having demanded of a Sheep a loaf of
+bread, which he affirmed he had entrusted to her charge; a&nbsp;Wolf,
+summoned as a witness, affirmed that not only one was owing but ten.
+Condemned on false testimony, the Sheep had to pay what she did not owe.
+A&nbsp;few days after, the Sheep saw the Wolf lying in a pit. “This,”
+said she, “is the reward of <ins class = "correction" title = "not an error">villany</ins>, sent by the Gods.”</p>
+
+
+<span class = "pagenum">375</span>
+<h4 class = "smallcaps"><a name = "riley_I_XVIII" id = "riley_I_XVIII">
+Fable XVIII.</a><br>
+THE WOMAN IN LABOUR.</h4>
+
+<p>No one returns with good will to the place which has done him a
+mischief.</p>
+
+<p>Her months completed,<a class = "tag" name = "tagI_20" id = "tagI_20"
+href = "#noteI_20">I.20</a> a Woman in labour lay upon the ground,
+uttering woful moans. Her Husband entreated her to lay her body on the
+bed, where she might with more ease deposit her ripe burden.
+“I&nbsp;feel far from confident,” said she, “that my pains can end in
+the place where they originated.”</p>
+
+
+<a class = "crossref" href = "#smart_I_XIX">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_XIX" id = "riley_I_XIX">
+Fable XIX.</a><br>
+THE BITCH AND HER WHELPS.</h4>
+
+<p>The fair words of a wicked man are fraught with treachery, and the
+subjoined lines warn us to shun them.</p>
+
+<p>A Bitch, ready to whelp,<a class = "tag" name = "tagI_21" id =
+"tagI_21" href = "#noteI_21">I.21</a> having entreated another that she
+might give birth to her offspring in her kennel, easily obtained the
+favour. Afterwards, on the other asking for her place back again, she
+renewed her entreaties, earnestly begging for a short time, until she
+might be enabled to lead forth her whelps when they had gained
+sufficient strength. This time being also expired, <i>the other</i>
+began more urgently to press for her abode: “If” said <i>the tenant</i>,
+“you can be a match for me and my litter, I&nbsp;will depart from the
+place.”</p>
+
+
+<a class = "crossref" href = "#smart_I_XX">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_XX" id = "riley_I_XX">
+Fable XX.</a><br>
+THE HUNGRY DOGS.</h4>
+
+<p>An ill-judged project is not only without effect, but also lures
+mortals to their destruction.</p>
+
+<span class = "pagenum">376</span>
+<p>Some Dogs espied a raw hide sunk in a river. In order that they might
+more easily get it out and devour it, they fell to drinking up the
+water; they burst, however, and perished before they could reach what
+they sought.</p>
+
+
+<a class = "crossref" href = "#smart_I_XXI">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_XXI" id = "riley_I_XXI">
+Fable XXI.</a><br>
+THE AGED LION, THE WILD BOAR, THE BULL, AND&nbsp;THE&nbsp;ASS.</h4>
+
+<p>Whoever has fallen from a previous high estate, is in his calamity
+the butt even of cowards.</p>
+
+<p>As a Lion, worn out with years, and deserted by his strength, lay
+drawing his last breath, a&nbsp;Wild Boar came up to him, with flashing
+tusks,<a class = "tag" name = "tagI_22" id = "tagI_22" href =
+"#noteI_22">I.22</a> and with a blow revenged an old affront. Next, with
+hostile horns, a&nbsp;Bull pierced the body of his foe. An Ass, on
+seeing the wild beast maltreated with impunity, tore up his forehead
+with his heels. On this, expiring, he <i>said</i>: “I&nbsp;have borne,
+with indignation, the insults of the brave; but in being inevitably
+forced to bear with you, disgrace to nature! I&nbsp;seem to die a double
+death.”</p>
+
+
+<a class = "crossref" href = "#smart_I_XXII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_XXII" id = "riley_I_XXII">
+Fable XXII.</a><br>
+THE MAN AND THE WEASEL.</h4>
+
+<p>A Weasel, on being caught by a Man, wishing to escape impending
+death: “Pray,” said she, “do spare me, for ’tis I who keep your house
+clear of troublesome mice.” The Man made answer: “If you did so for my
+sake, it would be a reason for thanking you, <i>and</i> I should have
+granted you the pardon you entreat. But, inasmuch as you do your best
+that you may enjoy the scraps which they would have gnawed, and devour
+the mice as well, don’t think of placing your pretended services to my
+account;” and so saying, he put the wicked <i>creature</i> to death.</p>
+
+<span class = "pagenum">377</span>
+<p>Those persons ought to recognize this as applicable to themselves,
+whose object is private advantage, and who boast to the unthinking of an
+unreal merit.</p>
+
+
+<a class = "crossref" href = "#smart_I_XXIII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_XXIII" id = "riley_I_XXIII">
+Fable XXIII.</a><br>
+THE FAITHFUL DOG.</h4>
+
+<p>The man who becomes liberal all of a sudden, gratifies the foolish,
+but for the wary spreads his toils in vain.</p>
+
+<p>A Thief one night threw a crust of bread to a Dog, to try whether he
+could be gained by the proffered victuals: “Hark you,” said the Dog, “do
+you think to stop my tongue so that I may not bark for my master’s
+property? You are greatly mistaken. For this sudden liberality bids me
+be on the watch, that you may not profit by my neglect<ins class =
+"correction" title = "close quote missing">.”&nbsp;</ins></p>
+
+
+<a class = "crossref" href = "#smart_I_XXIV">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_XXIV" id = "riley_I_XXIV">
+Fable XXIV.</a><br>
+THE FROG AND THE OX.</h4>
+
+<p>The needy man, while affecting to imitate the powerful, comes to
+ruin.</p>
+
+<p>Once on a time, a Frog espied an Ox in a meadow, and moved with envy
+at his vast bulk, puffed out her wrinkled skin, <i>and</i> then asked
+her young ones whether she was bigger than the Ox. They said “No.”
+Again, with still greater efforts, she distended her skin, and in like
+manner enquired which was the bigger:<a class = "tag" name = "tagI_23"
+id = "tagI_23" href = "#noteI_23">I.23</a> they said: “The Ox.” At last,
+while, full of indignation, she tried, with all her might, to puff
+herself out, she burst her body on the spot.</p>
+
+
+<a class = "crossref" href = "#smart_I_XXV">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_XXV" id = "riley_I_XXV">
+Fable XXV.</a><br>
+THE DOG AND THE CROCODILE.</h4>
+
+<p>Those who give bad advice to discreet persons, both lose their pains,
+and are laughed to scorn.</p>
+
+<span class = "pagenum">378</span>
+<p>It has been related,<a class = "tag" name = "tagI_24" id = "tagI_24"
+href = "#noteI_24">I.24</a> that Dogs drink at the river Nile running
+along, that they may not be seized by the Crocodiles. Accordingly,
+a&nbsp;Dog having begun to drink while running along, a&nbsp;Crocodile
+thus addressed him: “Lap as leisurely as you like; drink on; come
+nearer, and don’t be afraid,” said he. The other <i>replied</i>: “Egad,
+I&nbsp;would do so with all my heart, did I not know that you are eager
+for my flesh.”</p>
+
+
+<a class = "crossref" href = "#smart_I_XXVI">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_XXVI" id = "riley_I_XXVI">
+Fable XXVI.</a><br>
+THE FOX AND THE STORK.</h4>
+
+<p>Harm should be done to no man; but if any one do an injury, this
+Fable shows that he may be visited with a like return.</p>
+
+<p>A Fox is said to have given a Stork the first invitation to a
+banquet, and to have placed before her some thin broth in a flat dish,
+of which the hungry Stork could in no way get a taste. Having invited
+the Fox in return, she set <i>before him</i> a narrow-mouthed jar,<a
+class = "tag" name = "tagI_25" id = "tagI_25" href =
+"#noteI_25">I.25</a> full of minced meat:<a class = "tag" name =
+"tagI_26" id = "tagI_26" href = "#noteI_26">I.26</a> and, thrusting her
+beak into it, satisfied herself, <i>while</i> she tormented her guest
+with hunger; who, after having in vain licked the neck of the jar, as we
+have heard, thus addressed the foreign bird:<a class = "tag" name =
+"tagI_27" id = "tagI_27" href = "#noteI_27">I.27</a> “Every one is bound
+to bear patiently the results of his own example.”</p>
+
+
+<span class = "pagenum">379</span>
+<a class = "crossref" href = "#smart_I_XXVII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_XXVII" id = "riley_I_XXVII">
+Fable XXVII.</a><br>
+THE DOG, THE TREASURE, AND THE VULTURE.</h4>
+
+<p>This Fable may be applied to the avaricious, and to those, who, born
+to a humble lot, affect to be called rich.</p>
+
+<p>Grubbing up human bones,<a class = "tag" name = "tagI_28" id =
+"tagI_28" href = "#noteI_28">I.28</a> a Dog met with a Treasure; and,
+because he had offended the Gods the Manes,<a class = "tag" name =
+"tagI_29" id = "tagI_29" href = "#noteI_29">I.29</a> a&nbsp;desire for
+riches was inspired in him, that so he might pay the penalty <i>due</i>
+to the holy character of the place. Accordingly, while he was watching
+over the gold, forgetful of food, he was starved to death; on which a
+Vulture, standing over him, is reported to have said: “O&nbsp;Dog, you
+justly meet your death, who, begotten at a cross-road, and bred up on a
+dunghill, have suddenly coveted regal wealth<ins class = "correction"
+title = "close quote missing">.”&nbsp;</ins></p>
+
+
+<a class = "crossref" href = "#smart_I_XXVIII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_XXVIII" id =
+"riley_I_XXVIII">
+Fable XXVIII.</a><br>
+THE FOX AND THE EAGLE.</h4>
+
+<p>Men, however high in station, ought to be on their guard against the
+lowly; because, to ready address, revenge lies near at hand.</p>
+
+<p>An Eagle one day carried off the whelps of a Fox, and placed them in
+<i>her</i> nest before her young ones, for them to tear in pieces as
+food. The mother, following her, began to entreat that she would not
+cause such sorrow to her miserable <i>suppliant</i>. The other despised
+her, as being safe in the very situation of the spot. The Fox snatched
+from an altar a burning torch, and surrounded the whole tree with
+flames, intending to mingle anguish to her foe with the loss
+<span class = "pagenum">380</span>
+of her offspring. The Eagle, that she might rescue her young ones from
+the peril of death, in a suppliant manner restored to the Fox her whelps
+in safety.</p>
+
+
+<h4 class = "smallcaps"><a name = "riley_I_XXIX" id = "riley_I_XXIX">
+Fable XXIX.</a><br>
+THE ASS DERIDING THE BOAR.</h4>
+
+<p>Fools often, while trying to raise a silly laugh, provoke others by
+gross affronts, and cause serious danger to themselves.</p>
+
+<p>An Ass meeting a Boar: “Good morrow to you, brother,” says he. The
+other indignantly rejects the salutation, and enquires why he thinks
+proper to utter such an untruth. The Ass, with legs<a class = "tag" name
+= "tagI_30" id = "tagI_30" href = "#noteI_30">I.30</a> crouching down,
+replies: “If you deny that you are like me, at all events I have
+something very like your snout.” The Boar, just on the point of making a
+fierce attack, suppressed his rage, and <i>said</i>: “Revenge were easy
+for me, but I decline to be defiled with <i>such</i> dastardly blood<ins
+class = "correction" title = "close quote missing">.”&nbsp;</ins></p>
+
+
+<a class = "crossref" href = "#smart_I_XXIX">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_XXX" id = "riley_I_XXX">
+Fable XXX.</a><br>
+THE FROGS FRIGHTENED AT THE BATTLE OF THE&nbsp;BULLS.</h4>
+
+<p>When the powerful<a class = "tag" name = "tagI_31" id = "tagI_31"
+href = "#noteI_31">I.31</a> are at variance, the lowly are the
+sufferers.</p>
+
+<p>A Frog, viewing from a marsh, a combat of some Bulls: “Alas!” said
+she, “what terrible destruction is threatening us.” Being asked by
+another why she said so, as the Bulls were contending for the
+sovereignty of the herd, and passed their lives afar from them: “Their
+habitation is at a distance,” <i>said she</i>,<ins class = "correction"
+title = "open quote missing">&nbsp;“</ins>and they are of a different
+kind; still, he who <i>is</i> expelled from the sovereignty of the
+meadow, will take
+<span class = "pagenum">381</span>
+to flight, <i>and</i> come to the secret hiding-places in the fens, and
+trample and crush us with his hard hoof. Thus does their fury concern
+our safety.”</p>
+
+
+<a class = "crossref" href = "#smart_I_XXX">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_I_XXXI" id = "riley_I_XXXI">
+Fable XXXI.</a><br>
+THE KITE AND THE PIGEONS.</h4>
+
+<p>He who entrusts himself to the protection of a wicked man, while he
+seeks assistance, meets with destruction.</p>
+
+<p>Some Pigeons, having often escaped from a Kite, and by their
+swiftness of wing avoided death, the spoiler had recourse to stratagem,
+and by a crafty device of this nature, deceived the harmless race. “Why
+do you prefer to live a life of anxiety, rather than conclude a treaty,
+and make me <i>your</i> king, who can ensure your safety from every
+injury?” They, putting confidence in him, entrusted themselves to the
+Kite, who, on obtaining the sovereignty, began to devour them one by
+one, and to exercise authority with his cruel talons. Then said one of
+those that were left: “Deservedly are we smitten.”</p>
+
+<hr class = "tiny">
+
+<h5><a name = "notes_I" id = "notes_I">Footnotes to Book&nbsp;I</a></h5>
+
+<div class = "footnote">
+
+<p><a name = "noteI_1" id = "noteI_1" href = "#tagI_1">1.</a>
+<i>When Athens</i>)&mdash;Ver. 1. This probably alludes to the
+government of Solon, when Archon of Athens.</p>
+
+<p><a name = "noteI_2" id = "noteI_2" href = "#tagI_2">2.</a>
+<i>Pisistratus the Tyrant</i>)&mdash;Ver. 5. From Suidas and Eusebius we
+learn that Æsop died in the fifty-fourth Olympiad, while Pisistratus did
+not seize the supreme power at Athens till the first year of the
+fifty-fifth. These dates, however, have been disputed by many, and
+partly on the strength of the present passage.</p>
+
+<p><a name = "noteI_3" id = "noteI_3" href = "#tagI_3">3.</a>
+<i>A Water-Snake</i>)&mdash;Ver. 24. Pliny tells us that the “hydrus”
+lives in the water, and is exceedingly venomous. Some Commentators think
+that Phædrus, like Æsop, intends to conceal a political meaning under
+this Fable, and that by the Water-Snake he means Caligula, and by the
+Log, Tiberius. Others, perhaps with more probability, think that the
+cruelty of Tiberius alone is alluded to in the mention of the snake.
+Indeed, it is doubtful whether Phædrus survived to the time of Caligula:
+and it is more generally believed that the First and Second Books were
+written in the time of Augustus and Tiberius.</p>
+
+<p><a name = "noteI_4" id = "noteI_4" href = "#tagI_4">4.</a>
+<i>A Jackdaw, swelling</i>)&mdash;Ver. 4. Scheffer thinks that Sejanus
+is alluded to under this image.</p>
+
+<p><a name = "noteI_5" id = "noteI_5" href = "#tagI_5">5.</a>
+<i>As a Dog swimming</i>)&mdash;Ver. 9. Lessing finds some fault with
+the way in which this Fable is related, and with fair reason. The Dog
+swimming would be likely to disturb the water to such a degree, that it
+would be impossible for him to see with any distinctness the reflection
+of the meat. The version which represents him as crossing a bridge is
+certainly more consistent with nature.</p>
+
+<p><a name = "noteI_6" id = "noteI_6" href = "#tagI_6">6.</a>
+<i>And a Sheep</i>)&mdash;Ver. 3. Lessing also censures this Fable on
+the ground of the partnership being contrary to nature; neither the cow,
+the goat, nor the sheep feed on flesh.</p>
+
+<p><a name = "noteI_7" id = "noteI_7" href = "#tagI_7">7.</a>
+<i>I am the strongest</i>)&mdash;Ver. 9. Some critics profess to see no
+difference between “sum fortis” in the eighth line, and “plus valeo”
+here; but the former expression appears to refer to his courage, and the
+latter to his strength. However, the second and third reasons are
+nothing but reiterations of the first one, under another form. Davidson
+remarks on this passage: “I&nbsp;am not certain that the Poet meant any
+distinction; nay, there is, perhaps, a&nbsp;propriety in supposing that
+he industriously makes the Lion plead twice upon the same title, to
+represent more strongly by what unjust claims men in power often invade
+the property of another.”</p>
+
+<p><a name = "noteI_8" id = "noteI_8" href = "#tagI_8">8.</a>
+<i>Taking a wife</i>)&mdash;Ver. 3. It has been suggested by Brotier and
+Desbillons, that in this Fable Phædrus covertly alludes to the marriage
+which was contemplated by Livia, or Livilla, the daughter of the elder
+Drusus and Antonia, and the wife of her first-cousin, the younger
+Drusus, with the infamous Sejanus, the minister and favourite of
+Tiberius, after having, with his assistance, removed her husband by
+poison. In such case, the Frogs will represent the Roman people, the Sun
+Sejanus, who had greatly oppressed them, and by Jupiter, Tiberius will
+be meant.</p>
+
+<p><a name = "noteI_9" id = "noteI_9" href = "#tagI_9">9.</a>
+<i>Has no brains</i>)&mdash;Ver. 2. To make the sense of this remark of
+the Fox the more intelligible, we must bear in mind that the ancient
+masks covered the whole head, and sometimes extended down to the
+shoulders; consequently, their resemblance to the human head was much
+more striking than in the masks of the present day.</p>
+
+<p><a name = "noteI_10" id = "noteI_10" href = "#tagI_10">10.</a>
+<i>To be heedless</i>)&mdash;Ver. 1. “Cavere” is a word of legal
+signification, meaning to give advice to a person by way of assistance
+or precaution, as a patron to his client.</p>
+
+<p><a name = "noteI_11" id = "noteI_11" href = "#tagI_11">11.</a>
+<i>Devoid of courage</i>)&mdash;Ver. 1. Burmann suggests, with great
+probability, that Phædrus had here in mind those braggart warriors, who
+have been so well described by Plautus and Terence, under the characters
+of Pyrgopolynices and Thraso.</p>
+
+<p><a name = "noteI_12" id = "noteI_12" href = "#tagI_12">12.</a>
+<i>This new cause of astonishment</i>)<ins class = "correction" title =
+"dash printed after verse number">&mdash;</ins>Ver. 8. Never having
+heard the voice of an ass in the forests before<ins class = "correction"
+title = ". missing">.&nbsp;</ins></p>
+
+<p><a name = "noteI_13" id = "noteI_13" href = "#tagI_13">13.</a>
+<i>From a window</i>)&mdash;Ver. 3. Burmann suggests that the window of
+a house in which articles of food were exposed for sale, is probably
+meant.</p>
+
+<p><a name = "noteI_14" id = "noteI_14" href = "#tagI_14">14.</a>
+<i>By this story</i>)&mdash;Ver. 13. Heinsius thinks this line and the
+next to be spurious; because, though Phædrus sometimes at the beginning
+mentions the design of his Fable, he seldom does so at the end. In this
+conjecture he is followed by Bentley, Sanadon, and many others of the
+learned.</p>
+
+<p><a name = "noteI_15" id = "noteI_15" href = "#tagI_15">15.</a>
+<i>Selling his antidote</i>)&mdash;Ver. 3. “Antidotum” probably means a
+universal remedy, capable of curing all natural diseases, as well as
+neutralizing the effects of poison.</p>
+
+<p><a name = "noteI_16" id = "noteI_16" href = "#tagI_16">16.</a>
+<i>Trust your lives</i>)&mdash;Ver. 15. He seems to pun upon the word
+“capita,” as meaning not only “the life,” but “the head,” in
+contradistinction to “the feet,” mentioned in the next line. As in
+l.&nbsp;2 we find that he came to a place where he was not known, we
+must suppose that the Cobbler confessed to the King his former
+calling.</p>
+
+<p><a name = "noteI_17" id = "noteI_17" href = "#tagI_17">17.</a>
+<i>For a measure</i>)&mdash;Ver. 3. Properly “modius;” the principal dry
+measure of the Romans. It was equal to one-third of the amphora, and
+therefore to nearly two gallons English.</p>
+
+<p><a name = "noteI_18" id = "noteI_18" href = "#tagI_18">18.</a>
+<i>Day comes</i>)&mdash;Ver. 6. “Quum dies adveniat,” a&nbsp;law term,
+signifying “when the day of payment comes.”</p>
+
+<p><a name = "noteI_19" id = "noteI_19" href = "#tagI_19">19.</a>
+<i>Liars generally</i>)&mdash;Ver. 1. It is supposed by some that this
+Fable is levelled against the informers who infested Rome in the days of
+Tiberius.</p>
+
+<p><a name = "noteI_20" id = "noteI_20" href = "#tagI_20">20.</a>
+<i>Her months completed</i>)&mdash;Ver. 2. Plutarch relates this, not as
+a Fable, but as a true narrative.</p>
+
+<p><a name = "noteI_21" id = "noteI_21" href = "#tagI_21">21.</a>
+<i>Ready to whelp</i>)&mdash;Ver. 3. Justin, B.&nbsp;I., c.&nbsp;3,
+mentions this Fable with some little variation, as being related by a
+Ligurian to Comanus, the son of King Nannus, who had granted (about B.C.
+540) some land to the Phocæans for the foundation of the city of
+Massilia; signifying thereby that the natives would be quickly
+dispossessed by the newcomers.</p>
+
+<p><a name = "noteI_22" id = "noteI_22" href = "#tagI_22">22.</a>
+<i>With flashing tusks</i>)&mdash;Ver. 5. “Fulmineus,” “lightning-like,”
+is an epithet given by Ovid and Statius also, to the tusks of the wild
+boar; probably by reason of their sharpness and the impetuosity of the
+blow inflicted thereby. Scheffer suggests that they were so called from
+their white appearance among the black hair of the boar’s head.</p>
+
+<p><a name = "noteI_23" id = "noteI_23" href = "#tagI_23">23.</a>
+<i>Which was the bigger</i>)&mdash;Ver. 8. “Quis major esset. Illi
+dixerunt Bovem.” Bentley censures this line, and thinks it spurious. In
+good Latin, he says “uter” would occupy the place of “quis,” and “bovem”
+would be replaced by “bos.”</p>
+
+<p><a name = "noteI_24" id = "noteI_24" href = "#tagI_24">24.</a>
+<i>It has been related</i>)&mdash;Ver. 3. Pliny, in his Natural History,
+B.&nbsp;viii. c.&nbsp;40, and Ælian, in his Various and Natural
+Histories, relate the same fact as to the dogs drinking of the Nile. “To
+treat a thing, as the dogs do the Nile,” was a common proverb with the
+ancients, signifying to do it superficially; corresponding with our
+homely saying, “To give it a lick and a promise.” Macrobius, in the
+Saturnalia, B.&nbsp;i. c.&nbsp;2, mentions a story, that after the
+defeat at Mutina, when enquiry was made as to what had become of Antony,
+one of his servants made answer: “He has done what the dogs do in Egypt,
+he drank and ran away<ins class = "correction" title = "text has , for .">.” &nbsp;</ins></p>
+
+<p><a name = "noteI_25" id = "noteI_25" href = "#tagI_25">25.</a>
+<i>Of minced meat</i>)&mdash;Ver. 7. “Intritus cibus,” is thought here
+to signify a peculiar dish, consisting of bread soaked in milk, cheese,
+garlic, and other herbs.</p>
+
+<p><a name = "noteI_26" id = "noteI_26" href = "#tagI_26">26.</a>
+<i>Narrow-mouthed jar</i>)&mdash;Ver. 8. The <ins class = "correction"
+title = "standard form is ‘lagoena’">“lagena,” or “lagona,”</ins> was a
+long-necked bottle or flagon, made of earth, and much used for keeping
+wine or fruit.</p>
+
+<p><a name = "noteI_27" id = "noteI_27" href = "#tagI_27">27.</a>
+<i>The foreign bird</i>)&mdash;Ver. 11. Alluding probably to the
+migratory habits of the stork, or the fact of her being especially a
+native of Egypt.</p>
+
+<p><a name = "noteI_28" id = "noteI_28" href = "#tagI_28">28.</a>
+<i>Human bones</i>)&mdash;Ver. 3. This plainly refers to the custom
+which prevailed among the ancients, of burying golden ornaments, and
+even money, with the dead; which at length was practised to such an
+excess, that at Rome the custom was forbidden by law. It was probably
+practised to a great extent by the people of Etruria; if we may judge
+from the discoveries of golden ornaments frequently made in their
+tombs.</p>
+
+<p><a name = "noteI_29" id = "noteI_29" href = "#tagI_29">29.</a>
+<i>Gods the Manes</i>)&mdash;Ver. 4. Perhaps by “Deos Manes” are meant
+the good and bad Genii of the deceased.</p>
+
+<p><a name = "noteI_30" id = "noteI_30" href = "#tagI_30">30.</a>
+<i>The ass, with legs</i>)&mdash;Ver. 7. This line is somewhat modified
+in the translation.</p>
+
+<p><a name = "noteI_31" id = "noteI_31" href = "#tagI_31">31.</a>
+<i>When the powerful</i>)&mdash;Ver. 1. This is similar to the line of
+Horace, “Quicquid delirant reges, plectuntur Achivi.”</p>
+
+</div>
+
+
+<span class = "pagenum">382</span>
+<h3><a name = "riley_II" id = "riley_II">BOOK II.</a></h3>
+
+<a class = "crossref" href = "#smart_II_pro">Smart</a>
+<h4><a name = "riley_II_pro" id = "riley_II_pro">
+THE PROLOGUE.</a></h4>
+
+<p><span class = "firstword">The</span> plan of Æsop is confined to
+instruction by examples; nor by Fables is anything else<a class = "tag"
+name = "tagII_1" id = "tagII_1" href = "#noteII_1">II.1</a> aimed at
+than that the errors of mortals may be corrected, and persevering
+industry<a class = "tag" name = "tagII_2" id = "tagII_2" href =
+"#noteII_2">II.2</a> exert itself. Whatever the playful invention,
+therefore, of the narrator, so long as it pleases the ear, and answers
+its purpose, it is recommended by its merits, not by the Author’s
+name.</p>
+
+<p>For my part, I will with all care follow the method of the sage;<a
+class = "tag" name = "tagII_3" id = "tagII_3" href =
+"#noteII_3">II.3</a> but if I should think fit to insert something<a
+class = "tag" name = "tagII_4" id = "tagII_4" href =
+"#noteII_4">II.4</a> <i>of my own</i>, that variety of subjects may
+gratify the taste, I&nbsp;trust, Reader, you will take it in good part;
+provided that my brevity be a fair return for such a favour: of which,
+that <i>my</i> praises may not be verbose, listen to the reason why you
+ought to deny the covetous, <i>and</i> even to offer to the modest that
+for which they have not asked.</p>
+
+
+<span class = "pagenum">383</span>
+<a class = "crossref" href = "#smart_II_I">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_II_I" id = "riley_II_I">
+Fable I.</a><br>
+THE LION, THE ROBBER, AND THE TRAVELLER.</h4>
+
+<p>While a Lion was standing over a Bullock, which he had brought to the
+ground, a&nbsp;Robber came up, and demanded a share. “I&nbsp;would give
+it you,” said <i>the Lion</i>, “were you not in the habit of taking
+without leave;” and <i>so</i> repulsed the rogue. By chance,
+a&nbsp;harmless Traveller was led to the same spot, and on seeing the
+wild beast, retraced his steps; on which the Lion kindly said to him:
+“You have nothing to fear; boldly take the share which is due to your
+modesty.” Then having divided the carcase, he sought the woods, that he
+might make room for the Man.</p>
+
+<p>A very excellent example, and worthy of all praise; but covetousness
+is rich and modesty in want.<a class = "tag" name = "tagII_5" id =
+"tagII_5" href = "#noteII_5">II.5</a></p>
+
+
+<a class = "crossref" href = "#smart_II_II">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_II_II" id = "riley_II_II">
+Fable II.</a><br>
+THE TWO WOMEN OF DIFFERENT AGES BELOVED BY THE
+MIDDLE-AGED&nbsp;MAN.</h4>
+
+<p>That the men, under all circumstances, are preyed upon by the women,
+whether they love or are beloved, <i>this</i> truly we learn from
+examples.</p>
+
+<p>A Woman, not devoid of grace, held enthralled a certain Man of middle
+age,<a class = "tag" name = "tagII_6" id = "tagII_6" href =
+"#noteII_6">II.6</a> concealing her years by the arts of the toilet:
+a&nbsp;lovely Young creature, too, had captivated the heart of the same
+person. Both, as they were desirous to appear of the same age with him,
+began, each in her turn, to pluck out the hair of the Man. While he
+imagined that
+<span class = "pagenum">384</span>
+he was made trim by the care of the women, he suddenly found himself
+bald; for the Young Woman had entirely pulled out the white hairs, the
+Old Woman the black ones.</p>
+
+
+<a class = "crossref" href = "#smart_II_III">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_II_III" id = "riley_II_III">
+Fable III.</a><br>
+THE MAN AND THE DOG.</h4>
+
+<p>A Man, torn by the bite of a savage Dog, threw a piece of bread, dipt
+in his blood, to the offender; a&nbsp;thing that he had heard was a
+remedy for the wound. Then said Æsop: “Don’t do this before many dogs,
+lest they devour us alive, when they know that such is the reward of
+guilt.”</p>
+
+<p>The success of the wicked is a temptation to many.</p>
+
+
+<a class = "crossref" href = "#smart_II_IV">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_II_IV" id = "riley_II_IV">
+Fable IV.</a><br>
+THE EAGLE, THE CAT, AND THE WILD SOW.</h4>
+
+<p>An Eagle had made her nest at the top of an oak; a&nbsp;Cat who had
+found a hole in the middle, had kittened <i>there</i>; a&nbsp;Sow,
+a&nbsp;dweller in the woods, had laid her offspring at the bottom. Then
+thus does the Cat with deceit and wicked malice, destroy the community
+so formed by accident. She mounts up to the nest of the Bird:
+“Destruction,” says she, “is preparing for you, perhaps, too, for
+wretched me; for as you see, the Sow, digging up the earth every day, is
+insidiously trying to overthrow the oak, that she may easily seize our
+progeny on the ground.” Having <i>thus</i> spread terror, and bewildered
+<i>the Eagle’s</i> senses, the Cat creeps down to the lair of the
+bristly Sow: “In great danger,” says she, “are your offspring; for as
+soon as you go out to forage with your young litter, the Eagle is ready
+to snatch away from you your little pigs.” Having filled this place
+likewise with alarm, she cunningly hides herself in her safe hole.
+Thence she wanders forth on tiptoe by night, and having filled herself
+and her offspring with food, she looks out all day long, pretending
+alarm. Fearing the downfall, the Eagle sits still in the branches; to
+avoid the attack of the spoiler, the Sow stirs not abroad. Why make a
+long story?
+<span class = "pagenum">385</span>
+They perished through hunger, with their young ones, and afforded the
+Cat and her kittens an ample repast.</p>
+
+<p>Silly credulity may take this as a proof how much evil a
+double-tongued man may often contrive.</p>
+
+
+<a class = "crossref" href = "#smart_II_V">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_II_V" id = "riley_II_V">
+Fable V.</a><br>
+CÆSAR TO THE CHAMBERLAIN.</h4>
+
+<p>There is a certain set of busybodies at Rome, hurriedly running to
+and fro, busily engaged in idleness, out of breath about nothing at all,
+with much ado doing nothing, a&nbsp;trouble to themselves, and most
+annoying to others. It is my object, by a true story, to reform this
+race, if indeed I can: it is worth your while to attend.</p>
+
+<p>Tiberius Cæsar, when on his way to Naples, came to his country-seat
+at Misenum,<a class = "tag" name = "tagII_7" id = "tagII_7" href =
+"#noteII_7">II.7</a> which, placed by the hand of Lucullus on the summit
+of the heights, beholds the Sicilian sea in the distance, and that of
+Etruria close at hand. One of the highly girt Chamberlains,<a class =
+"tag" name = "tagII_8" id = "tagII_8" href = "#noteII_8">II.8</a> whose
+tunic of Pelusian linen was nicely smoothed from his shoulders
+downwards, with hanging fringes, while his master was walking through
+the pleasant shrubberies, began with bustling officiousness to
+sprinkle<a class = "tag" name = "tagII_9" id = "tagII_9" href =
+"#noteII_9">II.9</a> the parched ground with a wooden watering-pot; but
+<i>only</i> got laughed at. Thence, by short cuts <i>to him</i>
+<span class = "pagenum">386</span>
+well known, he runs before into another walk,<a class = "tag" name =
+"tagII_10" id = "tagII_10" href = "#noteII_10">II.10</a> laying the
+dust. Cæsar takes notice of the fellow, and discerns his object. Just as
+he is supposing that there is some extraordinary good fortune in store
+for him: “Come hither,” says his master; on which he skips up to him,
+quickened by the joyous hope of a sure reward. Then, in a jesting tone,
+thus spoke the mighty majesty of the prince: “You have not profited
+much; your labour is all in vain; manumission stands at a much higher
+price with me<ins class = "correction" title = "close quote missing">.”</ins><a class = "tag" name = "tagII_11" id = "tagII_11" href
+= "#noteII_11">II.11</a></p>
+
+
+<a class = "crossref" href = "#smart_II_VI">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_II_VI" id = "riley_II_VI">
+Fable VI.</a><br>
+THE EAGLE, THE CROW, AND THE TORTOISE.</h4>
+
+<p>No one is sufficiently armed against the powerful; but if a wicked
+adviser joins them, nothing can withstand such a combination of violence
+and unscrupulousness.<a class = "tag" name = "tagII_12" id = "tagII_12"
+href = "#noteII_12">II.12</a></p>
+
+<p>An Eagle carried a Tortoise aloft, who had hidden her body in her
+horny abode, and in her concealment could not, while thus sheltered, be
+injured in any way. A&nbsp;Crow came through the air, and flying near,
+exclaimed: “You really have carried off a rich prize in your talons; but
+if I don’t instruct you what you must do, in vain will you tire yourself
+with the heavy weight.” A&nbsp;share being promised her, she persuades
+the Eagle to dash the hard shell from the lofty stars upon a rock, that,
+it being broken to pieces, she may easily feed upon the meat. Induced by
+her words, the Eagle attends to her suggestion, and at the same time
+gives a large share of the banquet to her instructress.</p>
+
+<span class = "pagenum">387</span>
+<p>Thus she who had been protected by the bounty of nature, being an
+unequal match for the two, perished by an unhappy fate.</p>
+
+
+<a class = "crossref" href = "#smart_II_VII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_II_VII" id = "riley_II_VII">
+Fable VII.</a><br>
+THE MULES AND THE ROBBERS.</h4>
+
+<p>Laden with burdens, two Mules were travelling along; the one was
+carrying baskets<a class = "tag" name = "tagII_13" id = "tagII_13" href
+= "#noteII_13">II.13</a> with money, the other sacks distended with
+store of barley. The former, rich with his burden, goes exulting along,
+with neck erect, and tossing to-and-fro upon his throat <i>his</i>
+clear-toned bell:<a class = "tag" name = "tagII_14" id = "tagII_14" href
+= "#noteII_14">II.14</a> his companion follows, with quiet and easy
+step. Suddenly some Robbers rush from ambush upon them, and amid the
+slaughter<a class = "tag" name = "tagII_15" id = "tagII_15" href =
+"#noteII_15">II.15</a> pierce the Mule with a sword, and carry off the
+money; the valueless barley they neglect. While, then, the one despoiled
+was bewailing their mishaps: “For my part,” says the other, “I&nbsp;am
+glad I was thought so little of; for I have lost nothing, nor have I
+received hurt by a wound.”</p>
+
+<p>According to the moral of this Fable, poverty is safe; great riches
+are liable to danger.</p>
+
+
+<a class = "crossref" href = "#smart_II_VIII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_II_VIII" id = "riley_II_VIII">
+Fable VIII.</a><br>
+THE STAG AND THE OXEN.</h4>
+
+<p>A Stag, aroused from his woodland lair, to avoid impending death
+threatened by huntsmen, repaired with blind fear to the nearest
+farm-house, and hid himself in an ox-stall close at hand. Upon this, an
+Ox said to him, as he concealed himself: “Why, what do you mean, unhappy
+one, in thus rushing of your own accord upon
+<span class = "pagenum">388</span>
+destruction, and trusting your life to the abode of man?” To this he
+suppliantly replied: “Do you only spare me; the moment an opportunity is
+given I will again rush forth.” Night in her turn takes the place of
+day; the Neat-herd brings fodder, but yet sees him not. All the farm
+servants pass and repass every now and then; no one perceives him; even
+the Steward passes by, nor does he observe anything. Upon this, the
+stag, in his joy, began to return thanks to the Oxen who had kept so
+still, because they had afforded him hospitality in the hour of
+adversity. One of them made answer: “We really do wish you well; but if
+he, who has a hundred eyes, should come, your life will be placed in
+great peril.” In the meanwhile the Master himself comes back from
+dinner; and having lately seen the Oxen in bad condition, comes up to
+the rack: “Why,” says he, “is there so little fodder? Is litter scarce?
+What great trouble is it to remove those spiders’ webs?”<a class = "tag"
+name = "tagII_16" id = "tagII_16" href = "#noteII_16">II.16</a> While he
+is prying into every corner, he perceives too the branching horns of the
+Stag, and having summoned the household, he orders him to be killed, and
+carries off the prize.</p>
+
+<p>This Fable signifies that the master sees better than any one else in
+his own affairs.</p>
+
+
+<a class = "crossref" href = "#smart_II_epi">Smart</a>
+<h4><a name = "riley_II_epi" id = "riley_II_epi">THE EPILOGUE.</a></h4>
+
+<p>The Athenians erected a statue to the genius of Æsop, and placed him,
+though a slave, upon an everlasting pedestal, that all might know that
+the way to fame is open to all, and that glory is not awarded to birth
+but to merit. Since another<a class = "tag" name = "tagII_17" id =
+"tagII_17" href = "#noteII_17">II.17</a> has prevented me from being the
+first, I&nbsp;have
+<span class = "pagenum">389</span>
+made it my object, a&nbsp;thing which still lay in my power, that he
+should not be the only one. Nor is this envy, but emulation; and if
+Latium shall favour my efforts, she will have still more <i>authors</i>
+whom she may match with Greece. <i>But</i> if jealousy shall attempt to
+detract from my labours, still it shall not deprive me of the
+consciousness of deserving praise. If my attempts reach your ears, and
+<i>your</i> taste relishes <i>these</i> Fables, as being composed with
+skill, <i>my</i> success <i>then</i> banishes every complaint. But if,
+on the contrary, my learned labours fall into the hands of those whom a
+perverse nature has brought to the light of day, and <i>who</i> are
+unable to do anything except carp at their betters, I&nbsp;shall endure
+my unhappy destiny<a class = "tag" name = "tagII_18" id = "tagII_18"
+href = "#noteII_18">II.18</a> with strength of mind, until Fortune is
+ashamed of her own injustice.</p>
+
+<hr class = "tiny">
+
+<h5><a name = "notes_II" id = "notes_II">Footnotes to
+Book&nbsp;II</a></h5>
+
+<div class = "footnote">
+
+<p><a name = "noteII_1" id = "noteII_1" href = "#tagII_1">1.</a>
+<i>Is anything else</i>)&mdash;Ver. 2. Burmann thinks that the object of
+the Author in this Prologue is to defend himself against the censures of
+those who might blame him for not keeping to his purpose, mentioned in
+the Prologue of the First Book, of adhering to the fabulous matter used
+by Æsop, but mixing up with such stories narratives of events that had
+happened in his own time.</p>
+
+<p><a name = "noteII_2" id = "noteII_2" href = "#tagII_2">2.</a>
+<i>Persevering industry</i>)&mdash;Ver. 5. “Diligens industria.” An
+industry or ingenuity that exerts itself in trying to discover the
+meaning of his Fables.</p>
+
+<p><a name = "noteII_3" id = "noteII_3" href = "#tagII_3">3.</a>
+<i>Of the sage</i>)&mdash;Ver. 8. Meaning Æsop.</p>
+
+<p><a name = "noteII_4" id = "noteII_4" href = "#tagII_4">4.</a>
+<i>To insert something</i>)&mdash;Ver. 9. He probably alludes to such
+contemporary narratives as are found in Fable v. of the present Book; in
+Fable x. of the Third; in B.&nbsp;IV., Fables v., xxi., xxiv.; and
+B.&nbsp;V., Fables i., v., vii.</p>
+
+<p><a name = "noteII_5" id = "noteII_5" href = "#tagII_5">5.</a>
+<i>Modesty in want</i>)&mdash;Ver. 12. Martial has a similar passage,
+B.&nbsp;iv., Epig. 9:&mdash;</p>
+
+<div class = "verse">
+<p>“Semper eris pauper, si pauper es, Æmiliane,</p>
+<p>Dantur opes nulli nunc nisi divitibus.”</p>
+</div>
+
+<p><a name = "noteII_6" id = "noteII_6" href = "#tagII_6">6.</a>
+<i>Of middle age</i>)&mdash;Ver 8. It has been a matter of doubt among
+Commentators to which “ætatis mediæ” applies&mdash;the man or the woman.
+But as she is called “anus,” <!-- **P3 inhales her coffee --> “an Old
+Woman,” in the last line, it is most probable that the man is meant.</p>
+
+<p class = "mynote">
+The Latin language had two unrelated words spelled “anus”. The one
+referenced here is “anūs” with long final <b>u</b>.</p>
+
+<p><a name = "noteII_7" id = "noteII_7" href = "#tagII_7">7.</a>
+<i>Country-seat at Misenum</i>)&mdash;Ver. 8. This villa was situate on
+Cape Misenum, a&nbsp;promontory of Campania, near Baiæ and Cumæ, so
+called from Misenus, the trumpeter of Æneas, who was said to have been
+buried there. The villa was originally built by C. Marius, and was
+bought by Cornelia, and then by Lucullus, who either rebuilt it or added
+extensively to it.</p>
+
+<p><a name = "noteII_8" id = "noteII_8" href = "#tagII_8">8.</a>
+<i>Of the chamberlains</i>)&mdash;Ver. 11. The “atrienses” were a
+superior class of the domestic slaves. It was their duty to take charge
+of the “atrium,” or hall; to escort visitors or clients, and to explain
+to strangers all matters connected with the pictures, statues, and other
+decorations of the house.</p>
+
+<p><a name = "noteII_9" id = "noteII_9" href = "#tagII_9">9.</a>
+<i>To sprinkle</i>)&mdash;Ver. 16. Burmann suggests that this duty did
+not belong to the “atriensis,” who would consequently think that his
+courteous politeness would on that account be still more pleasing to the
+Emperor.</p>
+
+<p><a name = "noteII_10" id = "noteII_10" href = "#tagII_10">10.</a>
+<i>Another walk</i>)&mdash;Ver. 18. The “xystus” was a level piece of
+ground, in front of a portico, divided into flower-beds of various
+shapes by borders of box.</p>
+
+<p><a name = "noteII_11" id = "noteII_11" href = "#tagII_11">11.</a>
+<i>Much higher price</i>)&mdash;Ver. 25. He alludes to the Roman mode of
+manumission, or setting the slaves at liberty. Before the master
+presented the slave to the Quæstor, to have the “vindicta,” or lictor’s
+rod, laid on him, he turned him round and gave him a blow on the face.
+In the word “veneunt,” “sell,” there is a reference to the purchase of
+their liberty by the slaves, which was often effected by means of their
+“peculium,” or savings.</p>
+
+<p><a name = "noteII_12" id = "noteII_12" href = "#tagII_12">12.</a>
+Literally: Whatever violence and unscrupulousness attack, comes<ins
+class = "correction" title = ". missing">.&nbsp;</ins></p>
+
+<p><a name = "noteII_13" id = "noteII_13" href = "#tagII_13">13.</a>
+<i>Carrying baskets</i>)&mdash;Ver. 2. “Fisci” were baskets made of
+twigs, or panniers, in which the Romans kept and carried about sums of
+money. Being used especially in the Roman treasury, the word in time
+came to signify the money itself. Hence our word “fiscal.”</p>
+
+<p><a name = "noteII_14" id = "noteII_14" href = "#tagII_14">14.</a>
+<i>Clear-toned bell</i>)&mdash;Ver. 5. Scheffer and Gronovius think that
+the bell was used, as in some countries at the present day, for the
+purpose of warning those who came in an opposite direction to make room
+where the path was narrow.</p>
+
+<p><a name = "noteII_15" id = "noteII_15" href = "#tagII_15">15.</a>
+<i>Amid the slaughter</i>)&mdash;Ver. 8. He alludes no doubt to the
+murder of the men conducting the mules by the Robbers.</p>
+
+<p><a name = "noteII_16" id = "noteII_16" href = "#tagII_16">16.</a>
+<i>Those spiders’ webs</i>)&mdash;Ver. 23. The mode of clearing away the
+spider webs may be seen described in the beginning of the “Stichus” of
+Plautus.</p>
+
+<p><a name = "noteII_17" id = "noteII_17" href = "#tagII_17">17.</a>
+<i>Since another</i>)&mdash;Ver. 5. He probably refers to Æsop: though
+Heinsius thinks that he refers to C. Mecænas Melissus, mentioned by
+Ovid, in his Pontic Epistles, B.&nbsp;iv., El. xvi., l.&nbsp;30,
+a&nbsp;freedman of Mecænas, who compiled a book of jests partly from the
+works <ins class = "correction" title = "f invisible">of</ins> Æsop.
+Burmann, however, ridicules this supposition.</p>
+
+<p><a name = "noteII_18" id = "noteII_18" href = "#tagII_18">18.</a>
+<i>Unhappy destiny</i>)&mdash;Ver. 17. The words “fatale exitium” have
+been considered as being here inappropriately used. It is very doubtful
+whether the last part of this Epilogue is genuine.</p>
+
+</div>
+
+
+<span class = "pagenum">390</span>
+<h3><a name = "riley_III" id = "riley_III">BOOK III.</a></h3>
+
+<a class = "crossref" href = "#smart_III_pro">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_III_pro" id = "riley_III_pro">
+THE PROLOGUE.</a><br>
+To Eutychus.<a class = "tag missing" name = "tagIII_1" id = "tagIII_1"
+href = "#noteIII_1">III.1</a></h4>
+
+<p>If you have a desire, Eutychus, to read the little books of Phædrus,
+you must keep yourself disengaged from business, that your mind, at
+liberty, may relish the meaning of the lines. “But,” you say, “my genius
+is not of such great value, that a moment of time should be lost <i>for
+it</i> to my own pursuits.” There is no reason then why that should be
+touched by your hands which is not suited for ears so engaged. Perhaps
+you will say, “some holidays will come,<a class = "tag" name =
+"tagIII_2" id = "tagIII_2" href = "#noteIII_2">III.2</a> which
+<span class = "pagenum">391</span>
+will invite me to study with mind unbent.” Will you <i>rather</i>,
+I&nbsp;ask you, read worthless ditties,<a class = "tag" name =
+"tagIII_3" id = "tagIII_3" href = "#noteIII_3">III.3</a> than bestow
+attention upon your domestic concerns, give moments to your friends,
+your leisure to your wife, relax your mind, and refresh your body, in
+order that you may return more efficiently to your wonted duties? You
+must change your purpose and your mode of life, if you have thoughts of
+crossing the threshold of the Muses. I, whom my mother brought forth on
+the Pierian hill,<a class = "tag" name = "tagIII_4" id = "tagIII_4" href
+= "#noteIII_4">III.4</a> upon which hallowed Mnemosyne, nine times
+fruitful, bore the choir of Muses to thundering Jove: although I was
+born almost in the very school itself, and have entirely erased
+<i>all</i> care for acquiring wealth from my breast, and with the
+approval of many have applied myself to these pursuits, am still with
+difficulty received into the choir <i>of the Poets</i>. What do you
+imagine must be the lot of him who seeks, with ceaseless vigilance, to
+amass great wealth, preferring the sweets of gain to the labours of
+learning?</p>
+
+<p>But now, come of it what may (as Sinon said<a class = "tag" name =
+"tagIII_5" id = "tagIII_5" href = "#noteIII_5">III.5</a> when he
+<span class = "pagenum">392</span>
+was brought before the King of Dardania), I&nbsp;will trace a third book
+with the pen of Æsop, and dedicate it to you, in acknowledgment of your
+honor and your goodness.<a class = "tag" name = "tagIII_6" id =
+"tagIII_6" href = "#noteIII_6">III.6</a> If you read it, I&nbsp;shall
+rejoice; but if otherwise, at least posterity will have something with
+which to amuse themselves.</p>
+
+<p>Now will I explain in a few words why Fabulous narrative was
+invented. Slavery,<a class = "tag" name = "tagIII_7" id = "tagIII_7"
+href = "#noteIII_7">III.7</a> subject to the will of another, because it
+did not dare to say what it wished, couched its sentiments in Fables,
+and by pleasing fictions eluded censure. In place of its foot-path I
+have made a road, and have invented more than it left, selecting some
+points to my own misfortune.<a class = "tag" name = "tagIII_8" id =
+"tagIII_8" href = "#noteIII_8">III.8</a> But if any other than Sejanus<a
+class = "tag" name = "tagIII_9" id = "tagIII_9" href =
+"#noteIII_9">III.9</a> had been the informer, if any other the witness,
+if any other the judge, in fine, I&nbsp;should confess myself deserving
+of such severe woes; nor should I soothe my sorrow with these
+expedients. If any one shall make erroneous surmises, and apply to
+himself what is applicable to all in common, he will absurdly expose the
+secret convictions of his mind. And still, to him I would hold myself
+excused; for it is no intention of mine to point at individuals, but to
+describe life itself and the manners of mankind. Perhaps some one will
+say, that I undertake a
+<span class = "pagenum">393</span>
+weighty task. If Æsop of Phrygia, if Anacharsis of Scythia<a class =
+"tag missing" name = "tagIII_10" id = "tagIII_10" href =
+"#noteIII_10">III.10</a> could, by their genius, found a lasting fame,
+why should I who am more nearly related to learned Greece, forsake in
+sluggish indolence the glories of my country? especially as the Thracian
+race numbers its own authors, and Apollo was the parent of Linus,
+a&nbsp;Muse of Orpheus, who with his song moved rocks and tamed wild
+beasts, and held the current of Hebrus in sweet suspense. Away then,
+envy! nor lament in vain, because to me the customary fame is due.</p>
+
+<p>I have urged you to read <i>these lines</i>; I&nbsp;beg that you will
+give me your sincere opinion<a class = "tag" name = "tagIII_11" id =
+"tagIII_11" href = "#noteIII_11">III.11</a> of them with <i>your</i>
+well-known candour.</p>
+
+
+<a class = "crossref" href = "#smart_III_I">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_III_I" id = "riley_III_I">
+Fable I.</a><br>
+THE OLD WOMAN AND THE CASK.</h4>
+
+<p>An Old Woman espied a Cask,<a class = "tag" name = "tagIII_12" id =
+"tagIII_12" href = "#noteIII_12">III.12</a> which had been drained to
+the dregs, lying on the ground, <i>and</i> which still spread forth from
+its ennobled shell a delightful smell of the Falernian lees.<a class =
+"tag" name = "tagIII_13" id = "tagIII_13" href =
+"#noteIII_13">III.13</a> After she had greedily snuffed it up her
+nostrils with all her might; “O&nbsp;delicious fragrance,<a class =
+"tag" name = "tagIII_14" id = "tagIII_14" href =
+"#noteIII_14">III.14</a>” said
+<span class = "pagenum">394</span>
+she, “how good I should say were your former contents, when the remains
+of them are such!”</p>
+
+<p>What this refers to let him say who knows me.<a class = "tag" name =
+"tagIII_15" id = "tagIII_15" href = "#noteIII_15">III.15</a></p>
+
+
+<a class = "crossref" href = "#smart_III_II">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_III_II" id = "riley_III_II">
+Fable II.</a><br>
+THE PANTHER AND THE SHEPHERD.</h4>
+
+<p>Repayment in kind is generally made by those who are despised.</p>
+
+<p>A Panther<a class = "tag" name = "tagIII_16" id = "tagIII_16" href =
+"#noteIII_16">III.16</a> had once inadvertently fallen into a pit. The
+rustics saw her; some belaboured her with sticks, others pelted her with
+stones; while some, on the other hand, moved with compassion, seeing
+that she must die even though no one should hurt her, threw her some
+bread to sustain existence. Night comes on apace; homeward they go
+without concern, making sure of finding her dead on the following day.
+She, however, after having recruited her failing strength, with a swift
+bound effected her escape from the pit, and with hurried pace hastened
+to her den. A&nbsp;few days intervening, she sallies forth, slaughters
+the flocks, kills the shepherds themselves, and laying waste every side,
+rages with unbridled fury. Upon this those who had shown mercy to the
+beast,
+<span class = "pagenum">395</span>
+alarmed for their safety, made no demur to the loss <i>of their flocks,
+and</i> begged only for their lives. But she <i>thus answered them</i>:
+“I&nbsp;remember him who attacked me with stones, <i>and</i> him who
+gave me bread; lay aside your fears; I&nbsp;return as an enemy to those
+<i>only</i> who injured me.”</p>
+
+
+<h4 class = "smallcaps"><a name = "riley_III_III" id = "riley_III_III">
+Fable III.</a><br>
+ÆSOP AND THE FARMER.</h4>
+
+<p>One taught by experience is proverbially said to be more
+quick-<i>witted</i> than a wizard, but the reason is not told; which,
+now for the first time, shall be made known by my Fable.</p>
+
+<p>The ewes of a certain Man who reared flocks, brought forth lambs with
+human heads. Dreadfully alarmed at the prodigy, he runs full of concern
+to the soothsayers. One answers that it bears reference to the life of
+the owner, and that the danger must be averted with a victim. Another,
+no wiser, affirms that it is meant that his wife is an adultress, and
+his children are spurious; but that it can be atoned for by a victim of
+greater age.<a class = "tag" name = "tagIII_17" id = "tagIII_17" href =
+"#noteIII_17">III.17</a> Why enlarge? They all differ in opinions, and
+greatly aggravate the anxiety of the Man. Æsop being at hand,
+a&nbsp;sage of nice discernment, whom nature could never deceive <i>by
+appearances</i>, remarked:&mdash; “If you wish, Farmer, to take due
+precautions against <i>this</i> portent, find wives for your
+shepherds.”<a class = "tag" name = "tagIII_18" id = "tagIII_18" href =
+"#noteIII_18">III.18</a></p>
+
+
+<a class = "crossref" href = "#smart_III_III">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_III_IV" id = "riley_III_IV">
+Fable IV.</a><br>
+THE BUTCHER AND THE APE.</h4>
+
+<p>A man seeing an Ape hanging up at a Butcher’s among the rest of his
+commodities and provisions, enquired how it might taste;<a class = "tag"
+name = "tagIII_19" id = "tagIII_19" href = "#noteIII_19">III.19</a> on
+which the Butcher, joking, replied: “Just as the head is, such,
+I&nbsp;warrant, is the taste.”</p>
+
+
+<span class = "pagenum">396</span>
+<p>This I deem to be said more facetiously than correctly; for on the
+one hand I have often found the good-looking to be very knaves, and on
+the other I have known many with ugly features to be most worthy
+men.</p>
+
+
+<a class = "crossref" href = "#smart_III_IV">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_III_V" id = "riley_III_V">
+Fable V.</a><br>
+ÆSOP AND THE INSOLENT MAN.</h4>
+
+<p>Success leads many astray to their ruin.</p>
+
+<p>An Insolent Fellow threw a stone at Æsop. “Well done,” said he, and
+then gave him a penny, thus continuing: “Upon my faith I have got no
+more, but I will show you where you can get some; see, yonder comes a
+rich and influential man; throw a stone at him in the same way, and you
+will receive a due reward.” The other, being persuaded, did as he was
+advised. His daring impudence, however, was disappointed of its hope,
+for, being seized, he paid the penalty on the cross.<a class = "tag"
+name = "tagIII_20" id = "tagIII_20" href = "#noteIII_20">III.20</a></p>
+
+
+<a class = "crossref" href = "#smart_III_V">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_III_VI" id = "riley_III_VI">
+Fable VI.</a><br>
+THE FLY AND THE MULE.</h4>
+
+<p>A Fly sat on the pole of a chariot, and rebuking the Mule: “How slow
+you are,” said she; “will you not go faster? Take care that I don’t
+prick your neck with my sting.” The Mule made answer: “I&nbsp;am not
+moved by your words, but I fear him who, sitting on the next seat,
+guides my yoke<a class = "tag" name = "tagIII_21" id = "tagIII_21" href
+= "#noteIII_21">III.21</a> with his pliant whip, and governs my mouth
+with the foam-covered
+<span class = "pagenum">397</span>
+reins. Therefore, cease your frivolous impertinence, for I well know
+when to go at a gentle pace, and when to run.”</p>
+
+<p>In this Fable, he may be deservedly ridiculed, who, without
+<i>any</i> strength, gives utterance to vain threats.</p>
+
+
+<a class = "crossref" href = "#smart_III_VI">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_III_VII" id = "riley_III_VII">
+Fable VII.</a><br>
+THE DOG AND THE WOLF.</h4>
+
+<p>I will shew in a few words how sweet is Liberty.</p>
+
+<p>A Wolf, quite starved with hunger, chanced to meet a well-fed Dog,
+and as they stopped to salute each other, “Pray,” <i>said the
+Wolf</i>,<ins class = "correction" title = "open quote missing">
+“</ins>how is it that you are so sleek? or on what food have you made so
+much flesh? I, who am far stronger, am perishing with hunger.” The Dog
+frankly <i>replied</i>: “You may enjoy the same condition, if you can
+render the like service to your master.” “What <i>is it?</i>” said the
+other. “To be the guardian of his threshold, <i>and</i> to protect the
+house from thieves at night.” “I&nbsp;am quite ready for that,” <i>said
+the Wolf</i>; “at present I have to endure snow and showers, dragging on
+a wretched existence in the woods. How much more pleasant for me to be
+living under a roof, and, at my ease, to be stuffed with plenty of
+victuals.” “Come along, then, with me,” <i>said the Dog</i>. As they
+were going along, the Wolf observed the neck of the Dog, where it was
+worn with the chain. “Whence comes this, my friend?” “Oh, it is
+nothing.<a class = "tag" name = "tagIII_22" id = "tagIII_22" href =
+"#noteIII_22">III.22</a>” “Do tell me, though.” “Because I appear to be
+fierce, they fasten me up in the day-time, that I may be quiet when it
+is light, and watch when night comes; unchained at midnight,
+I&nbsp;wander wherever I please. Bread is brought me without my asking;
+from his own table my master gives me bones; the servants throw me bits,
+and whatever dainties each person leaves; thus, without trouble <i>on my
+part</i>, is my belly filled.” “Well, if you have a mind to go anywhere,
+are you at liberty?” “Certainly not,” replied <i>the Dog</i>.
+“<i>Then</i>, Dog, enjoy what you boast of; I&nbsp;would not be a king,
+to lose my liberty.”</p>
+
+
+<span class = "pagenum">398</span>
+<a class = "crossref" href = "#smart_III_VII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_III_VIII" id =
+"riley_III_VIII">
+Fable VIII.</a><br>
+THE BROTHER AND SISTER.</h4>
+
+<p>Warned by this lesson, often examine yourself.</p>
+
+<p>A certain Man had a very ugly Daughter, and also a Son, remarkable
+for his handsome features. These, diverting themselves, as children do,
+chanced to look into a mirror, as it lay upon their mother’s chair.<a
+class = "tag" name = "tagIII_23" id = "tagIII_23" href =
+"#noteIII_23">III.23</a> He praises his own good looks; she is vexed,
+and cannot endure the raillery of her boasting brother, construing
+everything (and how could she do otherwise?) as a reproach <i>against
+herself</i>. Accordingly, off she runs to her Father, to be avenged
+<i>on him</i> in her turn, and with great rancour, makes a charge
+against the Son, how that he, though a male, has been meddling with a
+thing that belongs to the women. Embracing them both, kissing them, and
+dividing his tender affection between the two, he said: “I&nbsp;wish you
+both to use the mirror every day: you, that you may not spoil your
+beauty by vicious conduct; you, that you may make amends by your virtues
+for your looks.”</p>
+
+
+<a class = "crossref" href = "#smart_III_VIII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_III_IX" id = "riley_III_IX">
+Fable IX.</a><br>
+SOCRATES TO HIS FRIENDS.</h4>
+
+<p>The name of a friend is common; but fidelity is rarely found.</p>
+
+<p>Socrates having laid for himself the foundation of a small house (a
+man, whose death I would not decline, if I could acquire <i>similar</i>
+fame, and <i>like him</i> I could yield to envy, if I might be but
+acquitted<a class = "tag" name = "tagIII_24" id = "tagIII_24" href =
+"#noteIII_24">III.24</a> when ashes); one of the people, no
+<span class = "pagenum">399</span>
+matter who, <i>amongst such passing remarks</i> as are usual in these
+cases, asked: “Why do you, so famed as you are, build so small a
+house?”</p>
+
+<p>“I <i>only</i> wish,” he replied, “I could fill it with real
+friends.”</p>
+
+
+<a class = "crossref" href = "#smart_III_IX">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_III_X" id = "riley_III_X">
+Fable X.</a><br>
+THE POET, ON BELIEVING, AND NOT BELIEVING.</h4>
+
+<p>It is dangerous alike to believe or to disbelieve. Of either fact,
+I&nbsp;will briefly lay before you an instance.</p>
+
+<p>Hippolytus met his death,<a class = "tag" name = "tagIII_25" id =
+"tagIII_25" href = "#noteIII_25">III.25</a> because his step-mother was
+believed: because Cassandra was not believed, Troy fell. Therefore, we
+ought to examine strictly into the truth of a matter, rather than
+<i>suffer</i> an erroneous impression to pervert our judgment. But, that
+I may not weaken <i>this truth</i> by referring to fabulous antiquity,
+I&nbsp;will relate to you a thing that happened within my own
+memory.</p>
+
+<p>A certain married Man, who was very fond of his Wife, having now
+provided the white toga<a class = "tag" name = "tagIII_26" id =
+"tagIII_26" href = "#noteIII_26">III.26</a> for his Son, was privately
+taken aside by his Freedman, who hoped that he should be substituted as
+his next heir, <i>and</i> who, after telling many lies about the youth,
+and still more about the misconduct of the chaste Wife, added, what he
+knew would especially grieve one so fond, that a gallant was in the
+habit of paying her visits, and that the honor of his house was stained
+with base adultery. Enraged at the supposed guilt of his Wife, the
+husband pretended a journey to his country-house, and privately stayed
+behind in town; then at night he suddenly entered at the door, making
+straight to his Wife’s apartment,
+<span class = "pagenum">400</span>
+in which the mother had ordered her son to sleep, keeping a strict eye
+over his ripening years. While they are seeking for a light, while the
+servants are hurrying to and fro, unable to restrain the violence of his
+raging passion, he approaches the bed, and feels a head in the dark.
+When he finds the hair cut close,<a class = "tag" name = "tagIII_27" id
+= "tagIII_27" href = "#noteIII_27">III.27</a> he plunges his sword into
+<i>the sleeper’s</i> breast, caring for nothing, so he but avenge his
+injury. A&nbsp;light being brought, at the same instant he beholds his
+son, and his chaste wife sleeping in her apartment; who, fast locked in
+her first sleep, had heard nothing: on the spot he inflicted punishment
+on himself for his guilt, and fell upon the sword which a too easy
+belief had unsheathed. The accusers indicted the woman, and dragged her
+to Rome, before the Centumviri.<a class = "tag" name = "tagIII_28" id =
+"tagIII_28" href = "#noteIII_28">III.28</a> Innocent as she was, dark
+suspicion weighed heavily against her, because she had become possessor
+of his property: her patrons stand<a class = "tag" name = "tagIII_29" id
+= "tagIII_29" href = "#noteIII_29">III.29</a> and boldly plead the cause
+of the guiltless woman. The judges then besought the Emperor Augustus
+that he would aid them in the discharge of their oath, as the intricacy
+of the case had embarrassed them. After he had dispelled the clouds
+raised by calumny, and had discovered a sure source of truth<a class =
+"tag" name = "tagIII_30" id = "tagIII_30" href =
+"#noteIII_30">III.30</a>: “Let the Freedman,” said he, “the cause of the
+mischief, suffer punishment; but as for her, at the same instant bereft
+of a son, and deprived of a husband, I&nbsp;deem her to be pitied rather
+than condemned. If the father of the family had thoroughly enquired into
+the charge preferred, and had shrewdly sifted the lying
+<span class = "pagenum">401</span>
+accusations, he would not, by a dismal crime, have ruined his house from
+the very foundation.”</p>
+
+<p>Let the ear despise nothing, nor yet let it accord implicit belief at
+once: since not only do those err whom you would be far from suspecting,
+but those who do not err are <i>sometimes</i> falsely and maliciously
+accused.</p>
+
+<p>This also may be a warning to the simple, not to form a judgment on
+anything according to the opinion of another; for the different aims of
+mortals either follow the bias of their goodwill or their prejudice. He
+<i>alone</i> will be correctly estimated <i>by you</i>, whom you judge
+of by personal experience.</p>
+
+<p>These points I have enlarged upon, as by too great brevity I have
+offended some.</p>
+
+
+<h4 class = "smallcaps"><a name = "riley_III_XI" id = "riley_III_XI">
+Fable XI.</a><br>
+THE EUNUCH TO THE ABUSIVE MAN.</h4>
+
+<p>A Eunuch had a dispute with a scurrilous fellow, who, in addition to
+obscene remarks and insolent abuse, reproached him with the misfortune
+of his mutilated person. “Look you,” said <i>the Eunuch</i>, “this is
+the only point as to which I am effectually staggered, forasmuch as I
+want the evidences of integrity. But why, simpleton, do you charge me
+with the faults of fortune? That <i>alone</i> is really disgraceful to a
+man, which he has deserved to suffer.”<a class = "tag" name =
+"tagIII_31" id = "tagIII_31" href = "#noteIII_31">III.31</a></p>
+
+
+<a class = "crossref" href = "#smart_III_XI">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_III_XII" id = "riley_III_XII">
+Fable XII.</a><br>
+THE COCK AND THE PEARL.</h4>
+
+<p>A young Cock, while seeking for food on a dunghill, found a Pearl,
+and exclaimed: “What a fine thing are you to be lying in <i>so</i>
+unseemly a place. If any one sensible of your value had espied you here,
+you would long ago have returned to your former brilliancy. And it is I
+who have
+<span class = "pagenum">402</span>
+found you, I&nbsp;to whom food is far preferable! I&nbsp;can be of no
+use to you or you to me.”</p>
+
+<p>This I relate for those who have no relish for me.<a class = "tag"
+name = "tagIII_32" id = "tagIII_32" href = "#noteIII_32">III.32</a></p>
+
+
+<a class = "crossref" href = "#smart_III_XII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_III_XIII" id =
+"riley_III_XIII">
+Fable XIII.</a><br>
+THE BEES AND THE DRONES, THE WASP SITTING AS&nbsp;JUDGE.</h4>
+
+<p>Some Bees had made their combs in a lofty oak. Some lazy Drones
+asserted that these belonged to them. The cause was brought into court,
+the Wasp <i>sitting as</i> judge; who, being perfectly acquainted with
+either race, proposed to the two parties these terms: “Your shape is not
+unlike, and your colour is similar; so that the affair clearly and
+fairly becomes a matter of doubt. But that my sacred duty may not be at
+fault through insufficiency of knowledge, <i>each of you</i> take hives,
+and pour your productions into the waxen cells; that from the flavour of
+the honey and the shape of the comb, the maker of them, about which the
+present dispute exists, may be evident.” The Drones decline; the
+proposal pleases the Bees. Upon this, the Wasp pronounces sentence to
+the following effect: “It is evident who cannot, and who did, make
+<i>them</i>; wherefore, to the Bees I restore the fruits of their
+labours.”</p>
+
+<p>This Fable I should have passed by in silence, if the Drones had not
+refused the proposed stipulation.<a class = "tag" name = "tagIII_33" id
+= "tagIII_33" href = "#noteIII_33">III.33</a></p>
+
+
+<a class = "crossref" href = "#smart_III_XIII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_III_XIV" id = "riley_III_XIV">
+Fable XIV.</a><br>
+ÆSOP AT PLAY.</h4>
+
+<p>An Athenian seeing Æsop in a crowd of boys at play with nuts,<a class
+= "tag" name = "tagIII_34" id = "tagIII_34" href =
+"#noteIII_34">III.34</a> stopped and laughed at him for a madman. As
+<span class = "pagenum">403</span>
+soon as the Sage,&mdash;a laugher at others rather than one to be
+laughed at,&mdash;perceived this, he placed an unstrung bow in the
+middle of the road: “Hark you, wise man,” said he, “unriddle what I have
+done.” The people gather round. The man torments his invention a long
+time, but cannot make out the reason of the proposed question. At last
+he gives up. Upon this, the victorious Philosopher says: “You will soon
+break the bow, if you always keep it bent; but if you loosen it, it will
+be fit for use when you want it.”</p>
+
+<p>Thus ought recreation sometimes to be given to the mind, that it may
+return to you better fitted for thought.</p>
+
+
+<a class = "crossref" href = "#smart_III_XIV">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_III_XV" id = "riley_III_XV">
+Fable XV.</a><br>
+THE DOG TO THE LAMB.</h4>
+
+<p>A Dog said to a Lamb<a class = "tag" name = "tagIII_35" id =
+"tagIII_35" href = "#noteIII_35">III.35</a> bleating among some
+She-Goats: “Simpleton, you are mistaken; your mother is not here;” and
+pointed out some Sheep at a distance, in a flock by themselves.
+“I&nbsp;am not looking for her,” <i>said the Lamb</i>, “who, when she
+thinks fit, conceives, then carries her unknown burden for a certain
+number of months, and at last empties out the fallen bundle; but for her
+who, presenting her udder, nourishes me, and deprives her young ones of
+milk that I may not go without.” “Still,” said the Dog, “she ought to be
+preferred who brought you forth.” “Not at all: how was she to know
+whether I should be born black or white?<a class = "tag" name =
+"tagIII_36" id = "tagIII_36" href = "#noteIII_36">III.36</a> However,
+<span class = "pagenum">404</span>
+suppose she did know; seeing I was born a male, truly she conferred a
+great obligation on me in giving me birth, that I might expect the
+butcher every hour. Why should she, who had no power in engendering me,
+be preferred to her who took pity on me as I lay, and of her own accord
+shewed me a welcome affection? It is kindliness makes parents, not the
+ordinary course <i>of Nature</i>.”</p>
+
+<p>By these lines the author meant to show that men are averse to fixed
+rules, but are won by kind services.</p>
+
+
+<a class = "crossref" href = "#smart_III_XV">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_III_XVI" id = "riley_III_XVI">
+Fable XVI.</a><br>
+THE GRASSHOPPER AND THE OWL.</h4>
+
+<p>He who does not conform to courtesy, mostly pays the penalty of his
+superciliousness.</p>
+
+<p>A Grasshopper was making a chirping that was disagreeable to an Owl,
+who was wont to seek her living in the dark, and in the day-time to take
+her rest in a hollow tree. She was asked to cease her noise, but she
+began much more loudly to send forth her note; entreaties urged again
+only set her on still more. The Owl, when she saw she had no remedy, and
+that her words were slighted, attacked the chatterer with this
+stratagem: “As your song, which one might take for the tones of Apollo’s
+lyre, will not allow me to go to sleep, I&nbsp;have a mind to drink some
+nectar which Pallas lately gave me;<a class = "tag" name = "tagIII_37"
+id = "tagIII_37" href = "#noteIII_37">III.37</a> if you do not object,
+come, let us drink together.” The other, who was parched with thirst, as
+soon as she found her voice complimented, eagerly flew up. The Owl,
+coming forth from her hollow, seized the trembling thing, and put her to
+death.</p>
+
+<p>Thus what she had refused when alive, she gave when dead.</p>
+
+
+<span class = "pagenum">405</span>
+<a class = "crossref" href = "#smart_III_XVI">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_III_XVII" id =
+"riley_III_XVII">
+Fable XVII.</a><br>
+THE TREES UNDER THE PROTECTION OF THE GODS.</h4>
+
+<p>The Gods in days of yore made choice of such Trees as they wished to
+be under their protection. The Oak pleased Jupiter, the Myrtle Venus,
+the Laurel Phœbus, the Pine Cybele, the lofty Poplar Hercules. Minerva,
+wondering why they had chosen the barren ones, enquired the reason.
+Jupiter answered: “That we may not seem to sell the honor for the
+fruit.” “Now, so heaven help me,”<a class = "tag" name = "tagIII_38" id
+= "tagIII_38" href = "#noteIII_38">III.38</a> said she, “let any one say
+what he likes, but the Olive is more pleasing to me on account of its
+fruit.” Then said the Father of the Gods and the Creator of men:
+“O&nbsp;daughter, it is with justice that you are called wise by all;
+unless what we do is useful, vain is our glory.”<a class = "tag" name =
+"tagIII_39" id = "tagIII_39" href = "#noteIII_39">III.39</a></p>
+
+<p>This little Fable admonishes us to do nothing that is not
+profitable.</p>
+
+
+<a class = "crossref" href = "#smart_III_XVII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_III_XVIII" id =
+"riley_III_XVIII">
+Fable XVIII.</a><br>
+THE PEACOCK TO JUNO.</h4>
+
+<p>A Peacock came to Juno, complaining sadly that she had not given to
+him the song of the Nightingale; that it was the admiration of every
+ear, while he himself was laughed
+<span class = "pagenum">406</span>
+at the very instant he raised his voice. The Goddess, to console him,
+replied: “But you surpass the <i>nightingale</i> in beauty, you surpass
+<i>him</i> in size; the brilliancy of the emerald shines upon your neck;
+and you unfold a tail begemmed with painted plumage.” “Wherefore
+<i>give</i> me,” he retorted, “a&nbsp;beauty that is dumb, if I am
+surpassed in voice?” “By the will of the Fates,” <i>said she</i>, “have
+your respective qualities been assigned; beauty to you, strength to the
+Eagle, melody to the Nightingale, to the Raven presages, unpropitious
+omens to the Crow; all of <i>these</i> are contented with their own
+endowments.”</p>
+
+<p>Covet not that which has not been granted you, lest your baffled
+hopes sink down to <i>useless</i> repinings.</p>
+
+
+<a class = "crossref" href = "#smart_III_XVIII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_III_XIX" id = "riley_III_XIX">
+Fable XIX.</a><br>
+ÆSOP’S ANSWER TO THE INQUISITIVE MAN.</h4>
+
+<p>When Æsop was the only servant of his master, he was ordered to
+prepare dinner earlier than usual. Accordingly, he went round to several
+houses, seeking for fire,<a class = "tag" name = "tagIII_40" id =
+"tagIII_40" href = "#noteIII_40">III.40</a> and at last found a place at
+which to light his lantern. Then as he had made a rather long circuit,
+he shortened the way back, for he went home straight through the Forum.
+There a certain Busybody in the crowd <i>said to him</i>: “Æsop, why
+with a light at mid-day?” “I’m in search of a man,”<a class = "tag" name
+= "tagIII_41" id = "tagIII_41" href = "#noteIII_41">III.41</a> said he;
+and went hastily homewards.</p>
+
+<p>If the <ins class = "correction" title = "text reads ‘inquistive’">inquisitive</ins> fellow reflected on this <i>answer</i>,
+he must have perceived that the sage did not deem him a man, who could
+so unseasonably rally him when busy.</p>
+
+
+<span class = "pagenum">407</span>
+<h4><a name = "riley_III_epi" id = "riley_III_epi">EPILOGUE.</a>
+<a class = "tag" name = "tagIII_42" id = "tagIII_42" href =
+"#noteIII_42">III.42</a></h4>
+
+<p>There are yet remaining <i>Fables</i> for me to write, but I
+purposely abstain; first, that I may not seem troublesome to you, whom a
+multiplicity of matters distract; and next, that, if perchance any other
+person is desirous to make a like attempt, he may still have something
+left to do; although there is so abundant a stock of matter that an
+artist will be wanting to the work, not work to the artist.
+I&nbsp;request that you will give the reward to my brevity which you
+promised; make good your word. For life each day is nearer unto death;
+and the greater the time that is wasted in delays, the less the
+advantage that will accrue to me. If you dispatch the matter quickly,
+the more lasting will be <i>my</i> enjoyment; the sooner I receive
+<i>your favours</i>, the longer shall I have the benefit <i>thereof</i>.
+While there are yet some remnants of a wearied life,<a class = "tag"
+name = "tagIII_43" id = "tagIII_43" href = "#noteIII_43">III.43</a>
+there is room for <i>your</i> goodness; in aftertimes your kindness will
+in vain endeavour to aid me, infirm with old age; for then I shall have
+ceased to be able to enjoy your kindness, and death, close at hand, will
+be claiming its due. I&nbsp;deem it foolish to address my entreaties to
+you, when your compassion is so ready, spontaneously, to render
+assistance. A&nbsp;criminal has often gained pardon by confessing; how
+much more reasonably ought it to be granted to the innocent? It is your
+province<a class = "tag" name = "tagIII_44" id = "tagIII_44" href =
+"#noteIII_44">III.44</a> <i>now to judge of my cause</i>; it will fall
+<span class = "pagenum">408</span>
+to others by-and-by; and again by a like revolution, the turn of others
+will come. Pronounce the sentence, as religion&mdash;as your oath
+permits; and give me reason to rejoice in your decision. My feelings
+have passed the limits they had proposed; but the mind is with
+difficulty restrained, which, conscious of unsullied integrity, is
+exposed to the insults of spiteful men. “Who are they?” you will ask:
+they will be seen in time. For my part, so long as I shall continue in
+my senses, I&nbsp;shall take care to recollect that “it is a dangerous
+thing for a man of humble birth to murmur in public.<a class = "tag"
+name = "tagIII_45" id = "tagIII_45" href = "#noteIII_45">III.45</a>”</p>
+
+<hr class = "tiny">
+
+<h5><a name = "notes_III" id = "notes_III">Footnotes to
+Book&nbsp;III</a></h5>
+
+<div class = "footnote">
+
+<p><a name = "noteIII_1" id = "noteIII_1" href = "#tagIII_1">1.</a>
+<i>Eutychus</i>)&mdash;Ver. 2. It is not known with certainty who this
+Eutychus was to whom he addresses himself. It has been suggested that he
+is the same person who is mentioned by Josephus, Antiq. B.&nbsp;xix.,
+c.&nbsp;4, as flourishing at the Court of Caligula, and who had
+previously been a charioteer and inspector of buildings at the stables
+of Claudius. He is also supposed, from the words of the Epilogue of this
+Book, line 20-26, to have held more than one public office. It has been
+suggested that he was the freedman of the Emperor Claudius or Augustus,
+an inscription having been found in the tomb of the freedmen of the
+latter to C. Julius Eutychus. But it is hardly probable that he is the
+person meant; as there is little doubt that Phædrus wrote the present
+Book of Fables long after the time of Augustus. Indeed it has been
+suggested by some that he wrote it as late as the reign of Caligula.</p>
+
+<p><a name = "noteIII_2" id = "noteIII_2" href = "#tagIII_2">2.</a>
+<i>Some holidays</i>)&mdash;Ver. 8. The Romans had three kinds of public
+“feriæ,” or holidays, which all belonged to the “dies nefasti,” or days
+on which no public business could be done. These were the “feriæ
+stativæ,” “conceptivæ,” and “imperativæ.” The first were held regularly,
+and on stated days set forth in the Calendar. To these belonged the
+Lupercalia, Carmentalia, and Agonalia. The “conceptivæ,” or “conceptæ,”
+were moveable feasts held at certain seasons in every year, but not on
+fixed days; the times for holding them being annually appointed by the
+magistrates or priests. Among these were the “feriæ Latinæ,” Sementivæ,
+Paganalia, and Compitalia. The “<ins class = "correction" title = "text reads ‘feræ’">feriæ</ins> imperativæ” were appointed to be held on
+certain emergencies by order of the Consuls, Prætors, and Dictators; and
+were in general held to avert national calamities or to celebrate great
+victories.</p>
+
+<p><a name = "noteIII_3" id = "noteIII_3" href = "#tagIII_3">3.</a>
+<i>Worthless ditties</i>)&mdash;Ver. 10. “Nænia” were, properly, the
+improvised songs that were sung at funerals by the hired mourners, who
+were generally females. From their trivial nature, the word came to be
+generally applied to all worthless ditties, and under this name Phædrus,
+with all humility, alludes to his Fables.</p>
+
+<p><a name = "noteIII_4" id = "noteIII_4" href = "#tagIII_4">4.</a>
+<i>On the Pierian Hill</i>)&mdash;Ver. 17. Judging from this passage it
+would appear that Phædrus was a Macedonian by birth, and not, as more
+generally stated, a&nbsp;Thracian. Pieria was a country on the
+south-east coast of Macedonia, through which ran a ridge of mountains,
+a&nbsp;part of which were called Pieria, or the Pierian mountain. The
+inhabitants are celebrated in the early history of the music and poesy
+of Greece, as their country was one of the earliest seats of the worship
+of the Muses, and Orpheus was said to have been buried there. It is most
+probable that Phædrus was carried away in slavery to Rome in his early
+years, and that he remembered but little of his native country.</p>
+
+<p><a name = "noteIII_5" id = "noteIII_5" href = "#tagIII_5">5.</a>
+<i>As Sinon said</i>)&mdash;Ver. 27. He here alludes to the words of
+Sinon, the Grecian spy, when brought before Priam, in the Second Book of
+Virgil, 77-78:&mdash;</p>
+
+<div class = "verse">
+<p>“Cuncta equidem tibi, rex, fuerit quodcumque fatebor</p>
+<p>Vera, inquit&mdash;&mdash;<ins class = "correction" title = "close quote missing">”&nbsp;</ins></p>
+</div>
+
+<p>Others, again, suppose that this was a proverbial expression in
+general use at Rome. It is not improbable that it may have become so on
+being adopted from the work of Virgil: “Come what may of it, as Sinon
+said.”</p>
+
+<p><a name = "noteIII_6" id = "noteIII_6" href = "#tagIII_6">6.</a>
+<i>And your goodness</i>)&mdash;Ver. 30. “Honori et meritis dedicam
+illum tuis.” We learn from ancient inscriptions that this was a
+customary formula in dedications.</p>
+
+<p><a name = "noteIII_7" id = "noteIII_7" href = "#tagIII_7">7.</a>
+<i>Slavery</i>)&mdash;Ver. 34. He probably alludes to Æsop’s state of
+slavery, in the service of the philosopher Xanthus.</p>
+
+<p><a name = "noteIII_8" id = "noteIII_8" href = "#tagIII_8">8.</a>
+<i>To my own misfortune</i>)&mdash;Ver. 40. He evidently alludes to some
+misfortune which has befallen him in consequence of having alluded in
+his work to the events of his own times. It has been suggested that he
+fell under the displeasure of Tiberius and his minister Sejanus, in
+consequence of the covert allusions made to them in Fables II and VI in
+the First Book. This question is, however, involved in impenetrable
+obscurity.</p>
+
+<p><a name = "noteIII_9" id = "noteIII_9" href = "#tagIII_9">9.</a>
+<i>Than Sejanus</i>)&mdash;Ver. 41. He means that Ælius Sejanus had
+acted against him as both informer, witness, and judge; but that had an
+honest man condemned him to the sufferings he then experienced, he
+should not have complained. The nature of the punishment here alluded to
+is not known.</p>
+
+<p><a name = "noteIII_10" id = "noteIII_10" href = "#tagIII_10">10.</a>
+<i>Anacharsis of Scythia</i>)&mdash;Ver. 52. A&nbsp;Scythian
+philosopher, and supposed contemporary of Æsop. He came to Athens in
+pursuit of knowledge while Solon was the lawgiver of that city. He is
+said to have written works on legislation and the art of war.</p>
+
+<p><a name = "noteIII_11" id = "noteIII_11" href = "#tagIII_11">11.</a>
+<i>Nearer to learned Greece</i>)&mdash;Ver. 54. Alluding to Pieria, the
+place of his birth. The people of Pieria were supposed to have been of
+Thracian origin.</p>
+
+<p><a name = "noteIII_12" id = "noteIII_12" href = "#tagIII_12">12.</a>
+<i>A cask</i>)&mdash;Ver. 1. “Amphoram.” Properly, the “amphora,” or
+earthen vessel with two handles, in which wine was usually kept.</p>
+
+<p><a name = "noteIII_13" id = "noteIII_13" href = "#tagIII_13">13.</a>
+<i>Falernian <ins class = "correction" title = "not capitalized in body text">Lees</ins></i>)&mdash;Ver. 2. The Falernian wine held the second
+rank in estimation among the Romans. The territory where it was grown
+commenced at the “Pons Campanus,” and extended from the Massic Hills to
+the river Vulturnus. Pliny mentions three kinds, the rough, the sweet,
+and the thin. It is supposed to have been of an amber colour, and of
+considerable strength. It was the custom to write the age of the wine
+and the vintage on the “amphora,” or cask.</p>
+
+<p><a name = "noteIII_14" id = "noteIII_14" href = "#tagIII_14">14.</a>
+<i><ins class = "correction" title = "no comma in body text">O,
+</ins>delicious fragrance</i>)&mdash;Ver. 5. “Anima,” most probably
+applies to the savour or smell of the wine; though some Commentators
+have thought that she addresses the cask as “anima,” meaning “O dear
+soul;” others, that she speaks of the wine as being the soul of life;
+while Walchius seems to think that she is addressing her own soul, which
+is quite cheered by the fumes.</p>
+
+<p><a name = "noteIII_15" id = "noteIII_15" href = "#tagIII_15">15.</a>
+<i>Who knows me</i>)&mdash;Ver. 7. Burmann thinks that the author
+covertly hints here at the habits of the Emperor Tiberius in his old
+age, who still hankered after those vicious indulgences which had been
+his main pursuits in his former days; or else that the Poet simply
+refers to human life, in the same spirit in which Seneca, Ep. lvii.,
+calls old age, “fæx vitæ,” “the lees of life.” Others again suppose that
+Phædrus alludes to his own old age, and means that those who knew him
+when this Fable was written, may judge from their present acquaintance
+with him what he must have been in his younger days. Heinsius thinks
+that it refers to the present state of servitude of Phædrus, compared
+with his former liberty; but, if he was manumitted, as generally
+supposed<ins class = "correction" title = "comma missing">,&nbsp;</ins>by Augustus, and this Fable was not written till
+after the death of Sejanus, that cannot be the case.</p>
+
+<p><a name = "noteIII_16" id = "noteIII_16" href = "#tagIII_16">16.</a>
+<i>A Panther</i>)&mdash;Ver. 2. Some have suggested, Burmann and Guyetus
+in the number, that by the Panther is meant Tiberius, who, during his
+banishment to the isle of Rhodes, occupied himself in studying how to
+wreak his vengeance upon his enemies at Rome, and, with the fury of the
+Panther, as soon as he had the opportunity, glutted his vengeance. This
+notion, however, seems more ingenious than well founded.</p>
+
+<p><a name = "noteIII_17" id = "noteIII_17" href = "#tagIII_17">17.</a>
+<i>Of greater age</i>)&mdash;Ver. 11. “Majori hostiâ;” probably,
+a&nbsp;sheep of two years old instead of a lamb.</p>
+
+<p><a name = "noteIII_18" id = "noteIII_18" href = "#tagIII_18">18.</a>
+<i>For your shepherds</i>)&mdash;Ver. 17. Plutarch introduces Thales in
+his “Convivium Sapientium,” as telling a somewhat similar story. Phædrus
+might, with better grace, have omitted this so-called Fable.</p>
+
+<p><a name = "noteIII_19" id = "noteIII_19" href = "#tagIII_19">19.</a>
+<i>How it might taste</i>)&mdash;Ver. 3. The Butcher puns upon the
+twofold meaning of “sapio,” “to taste of,” or “have a flavour,” and “to
+be wise.” The customer uses the word in the former sense, while the
+Butcher answers it in the latter, and perhaps in the former as well;
+“Such as the head is,” pointing to it, “I’ll warrant the wisdom of the
+animal to be;” the words at the same time bearing the meaning of, “It
+has an ape’s head, and therefore it can only taste like the head of an
+ape.” “Sapor” ordinarily means “flavour,” or “taste;” but Cicero uses it
+in the signification of wisdom or genius. Many other significations of
+this passage have been suggested by the various Editors.</p>
+
+<p><a name = "noteIII_20" id = "noteIII_20" href = "#tagIII_20">20.</a>
+<i>On the cross</i>)&mdash;Ver. 10. The cross was especially used as an
+instrument of punishment for malefactors of low station, and, as we see
+here, sometimes on very trivial occasions.</p>
+
+<p><a name = "noteIII_21" id = "noteIII_21" href = "#tagIII_21">21.</a>
+<i>Guides my yoke</i>)&mdash;Ver. 6. “Jugum meum;” meaning, “me who bear
+the yoke.”</p>
+
+<p><a name = "noteIII_22" id = "noteIII_22" href = "#tagIII_22">22.</a>
+<i>It is nothing</i>)&mdash;Ver. 17. “Nihil est.” This was a form of
+expression used when they wished to cut short any <ins class =
+"correction" title = "spelling unchanged">disagreable</ins> question, to
+which they did not think fit to give a direct answer.</p>
+
+<p><a name = "noteIII_23" id = "noteIII_23" href = "#tagIII_23">23.</a>
+<i>Their mother’s chair</i>)&mdash;Ver. 4. The “cathedra” was properly a
+soft or easy chair used in the “gynæcæa,” or women’s apartments. These
+were of various forms and sizes, and had backs to them; it was
+considered effeminate for the male sex to use them. “Sellæ” was the name
+of seats common to both sexes. The use of the “speculum,” or mirror, was
+also confined to the female sex; indeed, even Pallas or Minerva was
+represented as shunning its use, as only befitting her more voluptuous
+fellow-goddess, Venus.</p>
+
+<p><a name = "noteIII_24" id = "noteIII_24" href = "#tagIII_24">24.</a>
+<i>I might be acquitted</i>)&mdash;Ver. 4. He alludes to the fate of
+Socrates, who, after he was put to death by his countrymen, was publicly
+pronounced to be innocent, and a statue was erected in his honour.</p>
+
+<p><a name = "noteIII_25" id = "noteIII_25" href = "#tagIII_25">25.</a>
+<i>Met his death</i>)&mdash;Ver. 3. The story of Hippolytus, who met his
+death in consequence of the treachery of his step-mother Phædra, is
+related at length in the Play of Euripides of that name, and in the
+Fifteenth Book of Ovid’s Metamorphoses. The fate of Cassandra, the
+daughter of Priam, who in vain prophesied the fall of Troy, is related
+in the Second Book of the Æneid, l.&nbsp;246, <i>et seq.</i></p>
+
+<p><a name = "noteIII_26" id = "noteIII_26" href = "#tagIII_26">26.</a>
+<i>The white toga</i>)&mdash;Ver. 10. The “toga prætexta,” or Consular
+robe, was worn by the male children of the Romans till their sixteenth
+year; when they assumed the ordinary “toga,” which was called “pura,”
+because it had no purple border, and was entirely white.</p>
+
+<p><a name = "noteIII_27" id = "noteIII_27" href = "#tagIII_27">27.</a>
+<i>The hair cut close</i>)&mdash;Ver. 27. This is appropriately
+introduced, as the hair of youths was allowed to grow long until they
+had reached the age of manhood, on which it was cut close, and
+consecrated to the Gods.</p>
+
+<p><a name = "noteIII_28" id = "noteIII_28" href = "#tagIII_28">28.</a>
+<i>The Centumviri</i>)&mdash;Ver. 35. The “Centumviri” were a body of
+105 officers, whose duty it was to assist the prætor in litigated
+questions. They were sometimes called “judices selecti,” or
+“commissioned judges.”</p>
+
+<p><a name = "noteIII_29" id = "noteIII_29" href = "#tagIII_29">29.</a>
+<i>The patrons stand</i>)&mdash;Ver. 37. The patrons stood while
+pleading the causes of their clients, while the judges sat, as with
+us.</p>
+
+<p><a name = "noteIII_30" id = "noteIII_30" href = "#tagIII_30">30.</a>
+<i>Sure source of truth</i>)&mdash;Ver. 43. It is suggested that the
+source of information here alluded to was the evidence of the slaves,
+who had heard their master mention in his last moments the treachery of
+his freedman. It is not probable that the freedman voluntarily came
+forward, and declared the truth to Augustus. In l.&nbsp;39, Augustus is
+called “Divus,” as having been deified after his death. Domitian was the
+first who was so called during his lifetime.</p>
+
+<p><a name = "noteIII_31" id = "noteIII_31" href = "#tagIII_31">31.</a>
+<i>Deserved to suffer</i>)&mdash;Ver. 7. Though this moral may apply to
+all misfortunes in general, it is supposed by some of the Commentators
+that by the insulter some individual notorious for his adulteries was
+intended to be represented; who consequently merited by law to be
+reduced to the same situation as the innocent Eunuch.</p>
+
+<p><a name = "noteIII_32" id = "noteIII_32" href = "#tagIII_32">32.</a>
+<i>Have no relish for me</i>)&mdash;Ver. 8. From this passage we may
+infer either that Phædrus himself had many censurers at Rome, or that
+the people in general were not admirers of Fables.</p>
+
+<p><a name = "noteIII_33" id = "noteIII_33" href = "#tagIII_33">33.</a>
+<i>The proposed stipulation</i>)&mdash;Ver. 17. It has been suggested
+that Phædrus here alludes to some who had laid claim to the authorship
+of his Fables, and had refused a challenge given by him, such as that
+here given to the Drones, to test the correctness of their
+assertions.</p>
+
+<p><a name = "noteIII_34" id = "noteIII_34" href = "#tagIII_34">34.</a>
+<i>At play with nuts</i>)&mdash;Ver. 2. It is thought by Schwabe that
+Phædrus wrote this Fable in defence of his early patron Augustus,
+against those who censured him for the levity of his conduct in his old
+age, as we learn from Suetonius that he amused himself with fishing,
+playing with dice, pebbles, or nuts with boys. &mdash;For some account
+of Roman games with nuts, see “The Walnut-tree,” a&nbsp;fragment of
+Ovid, in vol. iii. p.&nbsp;491, of Bohn’s Translation of that
+author.</p>
+
+<p><a name = "noteIII_35" id = "noteIII_35" href = "#tagIII_35">35.</a>
+<i>To a Lamb</i>)&mdash;Ver. 1. Burmann suggests that this Fable is
+levelled against the cruelty of parents, who were much in the habit of
+exposing their children, who were consequently far from indebted to
+them. Schwabe conjectures that the system of employing wet-nurses is
+intended here to be censured.</p>
+
+<p><a name = "noteIII_36" id = "noteIII_36" href = "#tagIII_36">36.</a>
+<i>Black or white</i>)&mdash;Ver. 10. This, though disregarded by the
+mother, would be of importance to him, as the black lambs were first
+selected for sacrifice.</p>
+
+<p><a name = "noteIII_37" id = "noteIII_37" href = "#tagIII_37">37.</a>
+<i>Pallas lately gave me</i>)&mdash;Ver. 13. The Owl was sacred to
+Pallas.</p>
+
+<p><a name = "noteIII_38" id = "noteIII_38" href = "#tagIII_38">38.</a>
+<i>So heaven help me</i>)&mdash;Ver. 8. “Mehercule,” literally “By
+Hercules.” This was a form of oath used generally by men, and Phædrus
+has been censured for here putting it in the mouth of Minerva. Some
+Commentators also think that he is guilty of a slight anachronism in
+using the name of Hercules here to give emphasis to an asseveration; but
+there does not appear to be any ground for so thinking, as the choice
+must, of course, be supposed to have been made after his death and
+deification. In the Amphitryon of Plautus, Mercury is represented as
+swearing by Hercules before that God was born.</p>
+
+<p><a name = "noteIII_39" id = "noteIII_39" href = "#tagIII_39">39.</a>
+<i>Vain is our glory</i>)&mdash;Ver. 12. “Nisi utile est quod facimus,
+stulta est gloria.” This line is said to have been found copied on a
+marble stone, as part of a sepulchral inscription, at Alba Julia or
+Weissenburg, in Transylvania.</p>
+
+<p><a name = "noteIII_40" id = "noteIII_40" href = "#tagIII_40">40.</a>
+<i>Seeking for fire</i>)&mdash;Ver. 3. Fire was kindled in general by
+being kept smouldering in a log under the ashes, from day to day, for
+culinary purposes; or else it was begged from a neighbour, as we learn
+from the Aulularia of Plautus, A.&nbsp;I., Sc.&nbsp;ii., l.&nbsp;12
+<i>et seq.</i>; and so generally was this done that we find it stated in
+the Trinummus, A.&nbsp;II., sc.&nbsp;ii., l.&nbsp;53, that it was the
+custom not to refuse fire when asked for even to an enemy.</p>
+
+<p><a name = "noteIII_41" id = "noteIII_41" href = "#tagIII_41">41.</a>
+<i>In search of a man</i>)&mdash;Ver 9. Meaning that he did not deem the
+enquirer to be a man. The same story is told in Diogenes Laertius, of
+Diogenes the Cynic.</p>
+
+<p><a name = "noteIII_42" id = "noteIII_42" href = "#tagIII_42">42.</a>
+This and the following Prologue seem better suited to their present
+places than to the close of the Fourth Book, where in most of the
+editions they appear.</p>
+
+<p><a name = "noteIII_43" id = "noteIII_43" href = "#tagIII_43">43.</a>
+<i>Of a wearied life</i>)&mdash;Ver. 15. It is impossible to say with
+any certainty to what he refers; but the most probable conjecture is
+that he has again got into trouble through his compositions, and is
+begging Eutychus, in some public capacity, immediately to give a
+favourable decision in his behalf. That “Languens ævum” means a life
+worn out with misfortune, and does not refer to himself as sinking, in
+want, under old age, is evident from the next line. It has been
+conjectured by some that Phædrus wrote these lines in prison, where he
+had been thrown through the malice of his enemies.</p>
+
+<p><a name = "noteIII_44" id = "noteIII_44" href = "#tagIII_44">44.</a>
+<i>It is your province</i>)&mdash;Ver. 24. He is supposed to allude to
+some judicial position held by Eutychus, which he would have to vacate
+at the end of a year, and be succeeded by others, probably not so
+favourably disposed to himself.</p>
+
+<p><a name = "noteIII_45" id = "noteIII_45" href = "#tagIII_45">45.</a>
+<i>To murmur in public</i>)&mdash;Ver. 33. “Palam mutire plebeio
+piaculum est.” These words are quoted from the Telephus of Ennius.</p>
+
+</div>
+
+
+<span class = "pagenum">409</span>
+<h3><a name = "riley_IV" id = "riley_IV">BOOK IV.</a></h3>
+
+<a class = "crossref" href = "#smart_IV_pro">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_pro" id = "riley_IV_pro">
+PROLOGUE.</a><br>
+To Particulo.</h4>
+
+<p>When I had determined to put an end to my labours, with the view that
+there might be material enough <i>left</i> for others, in my mind I
+silently condemned <i>my</i> resolve. For even if there is any one
+desirous of the like fame, how will he guess what it is I have
+omitted,<a class = "tag" name = "tagIV_1" id = "tagIV_1" href =
+"#noteIV_1">IV.1</a> so as to wish to hand down that same to posterity;
+since each man has a turn of thinking of his own, and a tone peculiar to
+himself. It was not, therefore, <i>any</i> fickleness, but assured
+grounds, that set me upon writing <i>again</i>. Wherefore, Particulo,<a
+class = "tag" name = "tagIV_2" id = "tagIV_2" href =
+"#noteIV_2">IV.2</a> as you are amused by Fables (which I will style
+“Æsopian,” not “those of Æsop;” for whereas he published but few,
+I&nbsp;have brought out a great many, employing the old style, but with
+modern subjects), now at your leisure you shall peruse a Fourth Book. If
+envy shall choose to carp at it, so long as it cannot imitate,<a class =
+"tag" name = "tagIV_3" id = "tagIV_3" href = "#noteIV_3">IV.3</a> why
+let it carp. I&nbsp;have gained glory <i>enough</i>, in that you, and
+<i>others</i> like to you, have quoted my words in your writings, and
+have thought me worthy of being long remembered. Why should I stand in
+need of the applause of the illiterate?</p>
+
+
+<span class = "pagenum">410</span>
+<a class = "crossref" href = "#smart_III_XIX">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_I" id = "riley_IV_I">
+Fable I.</a><br>
+THE ASS AND THE PRIESTS OF CYBELE.</h4>
+
+<p>He who has been born to ill luck, not only passes an unhappy life,
+but even after death the cruel rigour of destiny pursues him.</p>
+
+<p>The Galli, <i>priests</i> of Cybele,<a class = "tag" name = "tagIV_4"
+id = "tagIV_4" href = "#noteIV_4">IV.4</a> were in the habit, on their
+begging excursions, of leading about an Ass, to carry their burdens.
+When he was dead with fatigue and blows, his hide being stripped off,
+they made themselves tambourines<a class = "tag" name = "tagIV_5" id =
+"tagIV_5" href = "#noteIV_5">IV.5</a> therewith. Afterwards, on being
+asked by some one what they had done with their favourite, they answered
+in these words: “He fancied that after death he would rest in quiet; but
+see, dead as he is, fresh blows are heaped upon him.”</p>
+
+
+<a class = "crossref" href = "#smart_IV_I">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_II" id = "riley_IV_II">
+Fable II.</a><br>
+THE WEASEL AND THE MICE.</h4>
+
+<p>This way of writing seems to you facetious; and no doubt, while we
+have nothing of more importance, we do sport with the pen. But examine
+these Fables with attention, <i>and</i> what useful lessons will you
+find <i>concealed</i> under them! Things are not always what they seem;
+first appearances deceive many: few minds understand what skill has
+hidden in an inmost corner. That I may not appear to have said this
+without reason, I&nbsp;will add a Fable about the Weasel and the
+Mice.</p>
+
+<p>A Weasel, worn out with years and old age, being unable to overtake
+the active Mice, rolled herself in flour, and threw herself carelessly
+along in a dark spot. A&nbsp;Mouse, thinking her food, jumped upon her,
+and, being caught, was put to death:
+<span class = "pagenum">411</span>
+another in like manner perished, and then a third. Some others having
+followed, an <i>old</i> brindled fellow came, who had escaped snares and
+mouse-traps full oft; and viewing from afar the stratagem of the crafty
+foe: “So fare you well,<a class = "tag" name = "tagIV_6" id = "tagIV_6"
+href = "#noteIV_6">IV.6</a>” said he, “you that are lying there, as you
+are flour.”</p>
+
+
+<a class = "crossref" href = "#smart_IV_II">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_III" id = "riley_IV_III">
+Fable III.</a><br>
+THE FOX AND THE GRAPES.</h4>
+
+<p>Urged by hunger, a Fox, leaping with all her might, tried to reach a
+cluster of Grapes upon a lofty vine. When <i>she found</i> she could not
+reach them, she left them, saying: “They are not ripe yet; I&nbsp;don’t
+like to eat them while sour.”</p>
+
+<p>Those who disparage what they cannot perform, ought to apply this
+lesson to themselves.</p>
+
+
+<a class = "crossref" href = "#smart_IV_III">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_IV" id = "riley_IV_IV">
+Fable IV.</a><br>
+THE HORSE AND THE WILD BOAR.</h4>
+
+<p>While a Wild Boar was wallowing, he muddied the shallow water, at
+which a Horse had been in the habit of quenching his thirst. Upon this,
+a&nbsp;disagreement arose. The Horse,<a class = "tag" name = "tagIV_7"
+id = "tagIV_7" href = "#noteIV_7">IV.7</a> enraged with the beast,
+sought the aid of man, and, raising him on his back, returned against
+the foe. After the Horseman, hurling his javelins, had slain <i>the
+Boar</i>, he is said to have spoken thus: “I&nbsp;am glad that I gave
+assistance at your entreaties, for I have captured a prey, and have
+learned how useful you are;” and so compelled him, unwilling as he was,
+to submit to the rein. Then <i>said the Horse</i>, sorrowing: “Fool that
+I am! while seeking to revenge a trifling matter, I&nbsp;have met with
+slavery.”</p>
+
+<p>This Fable will admonish the passionate, that it is better to be
+injured with impunity, than to put ourselves in the power of
+another.</p>
+
+
+<span class = "pagenum">412</span>
+<a class = "crossref" href = "#smart_IV_IV">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_V" id = "riley_IV_V">
+Fable V.</a><br>
+ÆSOP INTERPRETING A WILL.</h4>
+
+<p>I will show to posterity, by a short story, that there is often more
+merit in one man than in a multitude.</p>
+
+<p>A Person, at his death, left three Daughters; one handsome, and
+hunting for the men with her eyes; the second, an industrious spinner of
+wool,<a class = "tag" name = "tagIV_8" id = "tagIV_8" href =
+"#noteIV_8">IV.8</a> frugal, and fond of a country life; the third,
+given to wine, and very ugly. Now the old man made their Mother his
+heir, on this condition, that she should distribute his whole fortune
+equally among the three, but in such a manner that they should not
+possess or enjoy what was given them; <i>and</i> further, that as soon
+as they should cease to have the property which they had received, they
+should pay over to their Mother a hundred thousand sesterces. The rumour
+spreads all over Athens. The anxious Mother consults the learned in the
+law. No one can explain in what way they are not to possess what has
+been given, or have the enjoyment <i>of it</i>; and then again, in what
+way those who have received nothing, are to pay money. After a long time
+had been wasted, and still the meaning of the will could not be
+understood, the Parent, disregarding the strict letter of the law,
+consulted equity.<a class = "tag" name = "tagIV_9" id = "tagIV_9" href =
+"#noteIV_9">IV.9</a> For the Wanton, she sets aside the garments, female
+trinkets, silver bathing-vessels, eunuchs, <i>and</i> beardless boys:
+for the Worker in wool, the fields, cattle, farm, labourers, oxen,
+beasts of burden, and implements of husbandry: for the Drinker,
+a&nbsp;store-room,<a class = "tag" name = "tagIV_10" id = "tagIV_10"
+href = "#noteIV_10">IV.10</a> well stocked with casks of old
+<span class = "pagenum">413</span>
+wine, a&nbsp;finely finished house,<a class = "tag" name = "tagIV_11" id
+= "tagIV_11" href = "#noteIV_11">IV.11</a> and delightful gardens. When
+she was intending to distribute what was thus set apart for each, and
+the public approved, who knew them well; Æsop suddenly stood up in the
+midst of the multitude, <i>and exclaimed</i>: “O! if consciousness
+remained to their buried father, how would he grieve that the people of
+Athens are unable to interpret his will!”</p>
+
+<p>On this, being questioned, he explained the error of them all: “The
+house and the furniture, with the fine gardens, and the old wines, give
+to the Worker in wool, so fond of a country life. The clothes, the
+pearls, the attendants, and other things, make over to her who spends
+her life in luxury. The fields, the vines, and the flocks, with the
+shepherds, present to the Wanton. Not one will be able to retain
+possession of what is alien to her taste. The Ungainly one will sell her
+wardrobe to procure wine; the Wanton will part with the lands to procure
+fine clothes; and she who delights in cattle, and attends to her
+spinning, will get rid of her luxurious abode at any price. Thus, no one
+will possess what was given, and they will pay to their Mother the sum
+named from the price of the things, which each of them has sold.”</p>
+
+<p>Thus did the sagacity of one man find out what had baffled the
+superficial enquiries of many.</p>
+
+
+<a class = "crossref" href = "#smart_IV_V">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_VI" id = "riley_IV_VI">
+Fable VI.</a><br>
+THE BATTLE OF THE MICE AND THE WEASELS.</h4>
+
+<p>When the Mice, overcome by the army of the Weasels, (whose History is
+painted in <i>our</i> taverns<ins class = "correction" title = "text reads ‘1’ (error for ‘2’)"></ins><a class = "tag" name = "tagIV_12" id =
+"tagIV_12" href = "#noteIV_12">IV.12</a>), took to flight, and crowded
+in trepidation about their narrow lurking-holes, with difficulty getting
+in, they managed, however, to escape death.
+<span class = "pagenum">414</span>
+Their Leaders, who had fastened horns to their heads, in order that they
+might have a conspicuous sign for <i>their</i> troops to follow in
+battle, stuck fast at the entrance, and were captured by the enemy. The
+victor, sacrificing them with greedy teeth, plunged them into the
+Tartarean recesses of his capacious paunch.</p>
+
+<p>Whenever a people is reduced to the last extremity, the high position
+of its chiefs is in danger; the humble commonalty easily finds safety in
+obscurity.</p>
+
+
+<a class = "crossref" href = "#smart_IV_VI">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_VII" id = "riley_IV_VII">
+Fable VII.</a><br>
+THE POET’S DEFENCE AGAINST THE CENSURERS OF HIS&nbsp;FABLES.</h4>
+
+<p>You, fastidious <i>critic</i>, who carp at my writings, and disdain
+to read trifles of this kind, endure with some small patience this
+little book, while I smooth down the severity of your brow, and Æsop
+comes forward in a new and more lofty style.<a class = "tag" name =
+"tagIV_13" id = "tagIV_13" href = "#noteIV_13">IV.13</a></p>
+
+<p>Would that the pine had never fallen on the summits of Pelion<a class
+= "tag" name = "tagIV_14" id = "tagIV_14" href = "#noteIV_14">IV.14</a>
+under the Thessalian axe! and that Argus had never, with the aid of
+Pallas, invented a way boldly to meet certain death, <i>in the</i> ship
+which, to the destruction of Greeks and Barbarians, first laid open the
+bays of the inhospitable Euxine. For both had the house of the proud
+Æetes to lament it, and the realms of Pelias<a class = "tag" name =
+"tagIV_15" id = "tagIV_15" href = "#noteIV_15">IV.15</a> fell by the
+guilt of Medea, who, after concealing by various methods the cruelty of
+her disposition, there effected her escape, by means of the limbs<a
+class = "tag" name = "tagIV_16" id = "tagIV_16" href =
+"#noteIV_16">IV.16</a> of
+<span class = "pagenum">415</span>
+her brother, <i>and</i> here embrued the hands of the daughters of
+Pelias in their father’s blood.</p>
+
+<p>What think you of this? “This, too, is mere folly,” say you, “and is
+an untrue story; for long before this, Minos, of more ancient date,
+subjected the Ægæan seas with his fleet, and by seasonable correction,
+punished <i>piratical</i> attacks.” What then can I possibly do for you,
+my Cato of a Reader, if neither Fables<a class = "tag" name = "tagIV_17"
+id = "tagIV_17" href = "#noteIV_17">IV.17</a> nor Tragic Stories suit
+your taste? Do not be too severe upon <i>all</i> literary men, lest they
+repay you the injury with interest.</p>
+
+<p>This is said to those who are over-squeamish in their folly, and, to
+gain a reputation for wisdom, would censure heaven itself.</p>
+
+
+<a class = "crossref" href = "#smart_IV_VII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_VIII" id = "riley_IV_VIII">
+Fable VIII.</a><br>
+THE VIPER AND THE FILE.</h4>
+
+<p>Let him who with greedy teeth attacks one who can bite harder,
+consider himself described in this Fable.</p>
+
+<p>A Viper came<a class = "tag" name = "tagIV_18" id = "tagIV_18" href =
+"#noteIV_18">IV.18</a> into a smith’s workshop; <i>and</i> while on the
+search whether there was anything fit to eat, fastened her teeth upon a
+File. That, however, disdainfully exclaimed “Why, fool, do you try to
+wound me with your teeth, who am in the habit of gnawing asunder every
+kind of iron?”</p>
+
+
+<a class = "crossref" href = "#smart_IV_VIII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_IX" id = "riley_IV_IX">
+Fable IX.</a><br>
+THE FOX AND THE GOAT.</h4>
+
+<p>As soon as a crafty man has fallen into danger, he seeks to make his
+escape by the sacrifice of another.</p>
+
+<span class = "pagenum">416</span>
+<p>A Fox, through inadvertence, having fallen into a well,<a class =
+"tag" name = "tagIV_19" id = "tagIV_19" href = "#noteIV_19">IV.19</a>
+and being closed in by the sides which were too high for her,
+a&nbsp;Goat parched with thirst came to the same spot, and asked whether
+the water was good, and in plenty. The other, devising a stratagem,
+<i>replied</i>: “Come down, <i>my</i> friend: such is the goodness of
+the water, that my pleasure <i>in drinking</i> cannot be satisfied.”
+Longbeard descended; then the Fox, mounting on his high horns, escaped
+from the well, and left the Goat to stick fast in the enclosed mud.</p>
+
+
+<a class = "crossref" href = "#smart_IV_IX">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_X" id = "riley_IV_X">
+Fable X.</a><br>
+OF THE VICES OF MEN.</h4>
+
+<p>Jupiter has loaded us with a couple of Wallets: the one, filled with
+our own vices, he has placed at our backs, <i>the other</i>, heavy with
+those of others, he has hung before.</p>
+
+<p>From this circumstance, we are not able to see our own faults: but as
+soon as others make a slip, we are ready to censure.</p>
+
+
+<a class = "crossref" href = "#smart_IV_X">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_XI" id = "riley_IV_XI">
+Fable XI.</a><br>
+A THIEF PILLAGING THE ALTAR OF JUPITER.</h4>
+
+<p>A Thief lighted his Lamp at the altar of Jupiter, and then plundered
+it by the help of its own light. Just as he was taking his departure,
+laden with the results of his sacrilege, the Holy Place suddenly sent
+forth these words: “Although these were the gifts of the wicked, and to
+me abominable, so much so that I care not to be spoiled of them, still,
+profane man, thou shalt pay the penalty with thy life, when hereafter,
+the day of punishment, appointed by fate, arrives. But, that our fire,
+by means of which piety worships the awful Gods, may not afford its
+light to crime, I&nbsp;forbid that <i>henceforth</i> there shall be any
+such interchange of light.” Accordingly, to this day, it is neither
+lawful for a lamp <i>to be lighted</i> at the fire of the Gods, nor yet
+a sacrifice kindled from a lamp.<a class = "tag" name = "tagIV_20" id =
+"tagIV_20" href = "#noteIV_20">IV.20</a></p>
+
+
+<span class = "pagenum">417</span>
+<p>No other than he who invented this Fable, could explain how many
+useful lessons it affords. In the first place, it teaches that those
+whom you yourself have brought up, may often be found the most hostile
+to you: then again, it shows that crimes are punished not through the
+wrath of the Gods, but at the time appointed by the Fates: lastly, it
+warns the good to use nothing in common with the wicked.</p>
+
+
+<a class = "crossref" href = "#smart_IV_XI">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_XII" id = "riley_IV_XII">
+Fable XII.</a><br>
+THE EVILS OF WEALTH.<br>
+Hercules <i>and</i> Plutus.</h4>
+
+<p>Riches are deservedly despised by a man of worth,<a class = "tag"
+name = "tagIV_21" id = "tagIV_21" href = "#noteIV_21">IV.21</a> because
+a well-stored chest intercepts praise from its true objects.</p>
+
+<p>When Hercules was received into heaven as the reward of his virtues,
+and saluted in turn the Gods who were congratulating him, on Plutus
+approaching, who is the child of Fortune, he turned away his eyes.
+<i>His</i> father, <i>Jupiter</i>, enquired the reason: “I&nbsp;hate
+him,” says he, “because he is the friend of the wicked, and at the same
+time corrupts all by presenting the temptation of gain.”</p>
+
+
+<h4 class = "smallcaps"><a name = "riley_IV_XIII" id = "riley_IV_XIII">
+Fable XIII.</a><br>
+THE LION REIGNING.</h4>
+
+<p>Nothing is more advantageous to a man than to speak the truth;
+a&nbsp;maxim that ought indeed to be approved of by all; but still
+sincerity is frequently impelled to its own destruction.</p>
+
+<p>The Lion having made himself king of the wild beasts, and wishing to
+acquire the reputation of equity, abandoned his former course <i>of
+rapine</i>, and, content among them
+<span class = "pagenum">418</span>
+with a moderate supply of food, distributed hallowed justice with
+incorruptible fidelity. But after second thoughts began to prevail<a
+class = "tag" name = "tagIV_22" id = "tagIV_22" href =
+"#noteIV_22">IV.22</a><span class = "missing">*****</span></p>
+
+<p class= "center"><i>(The rest is lost).</i></p>
+
+
+<h4 class = "smallcaps"><a name = "riley_IV_XIV" id = "riley_IV_XIV">
+Fable XIV.</a><br>
+PROMETHEUS.</h4>
+
+<p class = "missing">*****</p>
+<p class = "missing">*****</p>
+
+<div class = "verse">
+<p>A fictione veretri linguam mulieris,</p>
+<p>Affinitatem traxit inde obscœnitas.</p>
+<p>Rogavit alter, tribadas et molles mares</p>
+<p>Quæ ratio procreasset? Exposuit senex.</p>
+<p>Idem Prometheus auctor vulgi fictilis</p>
+<p>(Qui simul offendit ad fortunam, frangitur,)</p>
+<p>Naturæ partes, veste quas celat pudor,</p>
+<p>Quum separatim toto finxisset die,</p>
+<p>Aptare mox ut posset corporibus suis,</p>
+<p>Ad cœnam est invitatus subito a Libero;</p>
+<p>Ubi irrigatus multo venas nectare</p>
+<p>Sero domum est reversus titubanti pede.</p>
+<p>Tum semisomno corde et errore ebrio,</p>
+<p>Applicuit virginale generi masculo,</p>
+<p>Et masculina membra applicuit fæminis;</p>
+<p>Ita nunc libido pravo fruitur gaudio.</p>
+</div>
+
+<a class = "crossref" href = "#smart_IV_XII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_XV" id = "riley_IV_XV">
+Fable XV.</a><br>
+THE SHE-GOATS AND THEIR BEARDS.</h4>
+
+<p>The She-Goats<a class = "tag" name = "tagIV_23" id = "tagIV_23" href
+= "#noteIV_23">IV.23</a> having obtained of Jupiter the favour of a
+<span class = "pagenum">419</span>
+beard, the He-Goats, full of concern, began to be indignant that the
+females rivalled them in their dignity. “Suffer them,” said <i>the
+God</i>, “to enjoy their empty honours, and to use the badge that
+belongs to your rank, so long as they are not sharers in your
+courage.”</p>
+
+<p>This Fable teaches you to bear that those who are inferior to you in
+merit should be like you in outside appearances.</p>
+
+
+<a class = "crossref" href = "#smart_IV_XIII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_XVI" id = "riley_IV_XVI">
+Fable XVI.</a><br>
+THE PILOT AND THE MARINERS.</h4>
+
+<p>On a certain man complaining of his <i>adverse</i> fortune, Æsop, for
+the purpose of consoling him, invented <i>this Fable</i>.</p>
+
+<p>A ship which had been tossed by a fierce tempest (while the
+passengers were all in tears, and filled with apprehensions of death) on
+the day suddenly changing to a serene aspect, began to be borne along in
+safety upon the buoyant waves, and to inspire the mariners with an
+excess of gladness. On this, the Pilot, who had been rendered wise by
+experience, <i>remarked</i>: “We ought to be moderate in our joy, and to
+complain with caution; for the whole of life is a mixture of grief and
+joy.”</p>
+
+
+<h4 class = "smallcaps"><a name = "riley_IV_XVII" id = "riley_IV_XVII">
+Fable XVII.</a><br>
+THE EMBASSY OF THE DOGS TO JUPITER.</h4>
+
+<p>The Dogs once sent<a class = "tag" name = "tagIV_24" id = "tagIV_24"
+href = "#noteIV_24">IV.24</a> Ambassadors to Jupiter, to entreat of him
+a happier lot in life, and that he would deliver them from the insulting
+treatment of man, who gave them bread mixed with bran, and satisfied
+their most urgent hunger with filthy offal. The ambassadors set out,
+<i>but</i> with no hasty steps, while snuffing with their nostrils for
+food in every filth. Being summoned, they fail to make their appearance.
+After some difficulty Mercury finds them at last, and brings them
+<span class = "pagenum">420</span>
+up in confusion. As soon, however, as they saw the countenance of mighty
+Jove, in their fright they bewrayed the whole palace. Out they go,
+driven away with sticks; but great Jove forbade that they should be sent
+back. <i>The Dogs</i>, wondering that their Ambassadors did not return,
+<i>and</i> suspecting that they had committed something disgraceful,
+after a while ordered others to be appointed to aid them. Rumour
+<i>soon</i> betrayed the former Ambassadors. Dreading that something of
+a similar nature may happen a second time, they stuff the Dogs behind
+with perfumes, and plenty of them. They give their directions; the
+Ambassadors are dispatched; at once they take their departure. They beg
+for an audience, <i>and</i> forthwith obtain it. Then did the most
+mighty Father of the Gods take his seat <i>on his throne</i>, and
+brandish his thunders; all things began to shake. The Dogs in alarm, so
+sudden was the crash, in a moment let fall the perfumes with their dung.
+All cry out, that the affront must be avenged. <i>But</i> before
+proceeding to punishment, thus spoke Jupiter:&mdash; “It is not for a
+King to send Ambassadors away, nor is it a difficult matter to inflict a
+<i>proper</i> punishment on the offence; but by way of judgment this is
+the reward you shall have. I&nbsp;don’t forbid their return, but they
+shall be famished with hunger, lest they be not able to keep their
+stomachs in order<ins class = "correction" title = "extra ..">.
+</ins>And as for those who sent such despicable <i>Ambassadors</i> as
+you, they shall never be free from the insults of man.”</p>
+
+<p>And so it is,<a class = "tag" name = "tagIV_25" id = "tagIV_25" href
+= "#noteIV_25">IV.25</a> that even now <i>the Dogs</i> of the present
+day are in expectation of their Ambassadors. When one of them sees a
+strange <i>Dog</i> appear, he snuffs at his tail.</p>
+
+
+<a class = "crossref" href = "#smart_IV_XIV">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_XVIII" id =
+"riley_IV_XVIII">
+Fable XVIII.</a><br>
+THE MAN AND THE SNAKE.</h4>
+
+<p>He who gives relief to the wicked has to repent it before long.</p>
+
+<p>A Man took up a Snake stiffened with frost, and warmed
+<span class = "pagenum">421</span>
+her in his bosom, being compassionate to his own undoing; for when she
+had recovered, she instantly killed the Man. On another one asking her
+the reason of <i>this</i> crime, she made answer: “That people may learn
+not to assist the wicked<ins class = "correction" title = "close quote missing">.”</ins><a class = "tag" name = "tagIV_26" id = "tagIV_26" href
+= "#noteIV_26">IV.26</a></p>
+
+
+<a class = "crossref" href = "#smart_IV_XV">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_XIX" id = "riley_IV_XIX">
+Fable XIX.</a><br>
+THE FOX AND THE DRAGON.</h4>
+
+<p>While a Fox, digging a lair, was throwing out the earth, and making
+deeper and more numerous burrows, she came to the farthest recesses of a
+Dragon’s den,<a class = "tag" name = "tagIV_27" id = "tagIV_27" href =
+"#noteIV_27">IV.27</a> who was watching some treasure hidden there. As
+soon as <i>the Fox</i> perceived him, <i>she began</i>:&mdash; “In the
+first place, I&nbsp;beg that you will pardon my unintentional
+<i>intrusion</i>; and next, as you see clearly enough that gold is not
+suited to my mode of life, have the goodness to answer me: what profit
+do you derive from this toil, or what is the reward, so great that you
+should be deprived of sleep, and pass your life in darkness?” “None
+<i>at all</i>,” replied the other; “but this <i>task</i> has been
+assigned me by supreme Jove.” “Then you neither take <i>anything</i> for
+yourself, nor give to another?” “Such is the will of the Fates.” “Don’t
+be angry <i>then</i>, if I say frankly: the man is born under the
+displeasure of the Gods who is like you.”</p>
+
+<p>As you must go to that place to which <i>others</i> have gone before,
+why in the blindness of your mind do you torment your wretched
+existence? To you I address myself, Miser, joy of your heir,<a class =
+"tag" name = "tagIV_28" id = "tagIV_28" href = "#noteIV_28">IV.28</a>
+who rob the Gods of their incense, <ins class = "correction" title =
+"text reads ‘your-/yourself’ at line break">yourself</ins> of food; who
+hear with sorrow the musical sound of the lyre; whom the joyous notes of
+the pipes torment;
+<span class = "pagenum">422</span>
+from whom the price of provisions extorts a groan;<a class = "tag" name
+= "tagIV_29" id = "tagIV_29" href = "#noteIV_29">IV.29</a> who, while
+adding some farthings to your estate, offend heaven by your sordid
+perjuries; who are for cutting down<a class = "tag" name = "tagIV_30" id
+= "tagIV_30" href = "#noteIV_30">IV.30</a> every expense at your
+funeral, for fear Libitina<a class = "tag" name = "tagIV_31" id =
+"tagIV_31" href = "#noteIV_31">IV.31</a> should be at all a gainer at
+the expense of your property.</p>
+
+
+<a class = "crossref" href = "#smart_IV_XVI">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_XX" id = "riley_IV_XX">
+Fable XX.</a><br>
+PHÆDRUS.</h4>
+
+<p>Although malice may dissemble for the present, I&nbsp;am still
+perfectly aware what judgment it will think proper to arrive at.
+Whatever it shall <i>here</i> deem worthy <i>to be transmitted</i> to
+posterity, it will say belongs to Æsop; if it shall be not so well
+pleased with any portion, it will, for any wager, contend that the same
+was composed by me. One who thus thinks, I&nbsp;would refute once for
+all by <i>this</i> my answer: whether this work is silly, or whether it
+is worthy of praise, he was the inventor: my hand has brought it to
+perfection. But let us pursue our purpose in the order we proposed.</p>
+
+
+<a class = "crossref" href = "#smart_IV_XVII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_XXI" id = "riley_IV_XXI">
+Fable XXI.</a><br>
+THE SHIPWRECK OF SIMONIDES.</h4>
+
+<p>A learned man has always a fund of riches in himself.</p>
+
+<p>Simonides, who wrote <i>such</i> excellent <i>lyric</i> poems, the
+more easily to support his poverty, began to make a tour of the
+celebrated cities of Asia, singing the praises of victors for such
+reward as he might receive. After he had become enriched by this kind of
+gain, he resolved to return to his
+<span class = "pagenum">423</span>
+native land by sea; (for he was born, it is said, in the island of
+Ceos<a class = "tag" name = "tagIV_32" id = "tagIV_32" href =
+"#noteIV_32">IV.32</a>). <i>Accordingly</i> he embarked in a ship, which
+a dreadful tempest, together with its own rottenness, caused to founder
+at sea. Some gathered together their girdles,<a class = "tag" name =
+"tagIV_33" id = "tagIV_33" href = "#noteIV_33">IV.33</a> others their
+precious effects, <i>which formed</i> the support of their existence.
+One who was over inquisitive, <i>remarked</i>: “Are you going to save
+none of your property, Simonides?” He made reply: “All my
+<i>possessions</i> are about me.” A&nbsp;few <i>only</i> made their
+escape by swimming, for the majority, being weighed down by their
+burdens, perished. Some thieves make their appearance, and seize what
+each person has saved, leaving them naked. Clazomenæ, an ancient city,
+chanced to be near; to which the shipwrecked persons repaired. Here a
+person devoted to the pursuits of literature, who had often read the
+lines of Simonides, and was a very great admirer of him though he had
+never seen him, knowing from his very language <i>who he was</i>,
+received him with the greatest pleasure into his house, and furnished
+him with clothes, money, and attendants. The others <i>meanwhile</i>
+were carrying about their pictures,<a class = "tag" name = "tagIV_34" id
+= "tagIV_34" href = "#noteIV_34">IV.34</a> begging for victuals.
+Simonides chanced to meet them; and, as soon as he saw them, remarked:
+“I&nbsp;told you that all my property was about me; what you endeavoured
+to save is lost.”</p>
+
+
+<a class = "crossref" href = "#smart_IV_XVIII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_XXII" id = "riley_IV_XXII">
+Fable XXII.</a><br>
+THE MOUNTAIN IN LABOUR.</h4>
+
+<p>A Mountain<a class = "tag" name = "tagIV_35" id = "tagIV_35" href =
+"#noteIV_35">IV.35</a> was in labour, sending forth dreadful groans,
+<span class = "pagenum">424</span>
+and there was in the districts the highest expectation. After all, it
+brought forth a Mouse.</p>
+
+<p>This is designed for you, who, when you have threatened great things,
+produce nothing.</p>
+
+
+<a class = "crossref" href = "#smart_IV_XIX">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_XXIII" id =
+"riley_IV_XXIII">
+Fable XXIII.</a><br>
+THE ANT AND THE FLY.</h4>
+
+<p>An Ant and a Fly were contending with great warmth which was of the
+greater importance. The Fly was the first to begin: “Can you possibly
+compare with my endowments? When a sacrifice is made, I&nbsp;am the
+first to taste of the entrails that belong to the Gods. I&nbsp;pass my
+time among the altars, I&nbsp;wander through all the temples; soon as I
+have espied it, I&nbsp;seat myself on the head of a king; and I taste of
+the chaste kisses of matrons. I&nbsp;labour not, and yet enjoy the
+nicest of things: what like to this, <i>good</i> rustic, falls to your
+lot?” “Eating with the Gods,” said the Ant, “is certainly a thing to be
+boasted of; but by him who is invited, not him who is loathed <i>as an
+intruder</i>. You talk about kings and the kisses of matrons. While I am
+carefully heaping up a stock of grain for winter, I&nbsp;see you feeding
+on filth about the walls. You frequent the altars; yes, and are driven
+away as often as you come. You labour not; therefore it is that you have
+nothing when you stand in need of it. And, further, you boast about what
+modesty ought to conceal. You tease me in summer; when winter comes you
+are silent. While the cold is shrivelling you up and putting you to
+death, a&nbsp;well-stored abode harbours me. Surely I have now pulled
+down your pride enough.”</p>
+
+<p>A Fable of this nature distinctly points out the characters of those
+who set themselves off with unfounded praises, and of those whose
+virtues gain solid fame.</p>
+
+
+<span class = "pagenum">425</span>
+<a class = "crossref" href = "#smart_IV_XX">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_IV_XXIV" id = "riley_IV_XXIV">
+Fable XXIV.</a><br>
+SIMONIDES PRESERVED BY THE GODS.</h4>
+
+<p>I have said, above, how greatly learning is esteemed among men:
+I&nbsp;will now hand down to posterity how great is the honor paid to it
+by the Gods.</p>
+
+<p>Simonides, the very same of whom I have <i>before</i> made mention,
+agreed, at a fixed price, to write a panegyric for a certain Pugilist,<a
+class = "tag" name = "tagIV_36" id = "tagIV_36" href =
+"#noteIV_36">IV.36</a> who had been victorious: <i>accordingly</i> he
+sought retirement. As the meagreness of his subject cramped his
+imagination, he used, according to general custom, the license of the
+Poet, and introduced the twin stars of Leda,<a class = "tag" name =
+"tagIV_37" id = "tagIV_37" href = "#noteIV_37">IV.37</a> citing them as
+an example of similar honours. He finished the Poem according to
+contract, but received <i>only</i> a third part of the sum agreed upon.
+On his demanding the rest: “They,” said he, “will give it you whose
+praises occupy <i>the other</i> two-thirds; but, that I may feel
+convinced that you have not departed in anger, promise to dine with me,
+<i>as</i> I intend to-day to invite my kinsmen, in the number of whom I
+reckon you<ins class = "correction" title = "close quote missing">.”
+</ins>Although defrauded, and smarting under the injury, in order that
+he might not, by parting on bad terms, break off all friendly
+intercourse, he promised that he would. At the hour named he returned,
+<i>and</i> took his place at table. The banquet shone joyously with its
+cups; the house resounded with gladness, amid vast preparations, when,
+on a sudden, two young men, covered with dust, and dripping with
+perspiration, their bodies of more than human form, requested one of the
+servants to call Simonides to them, <i>and say</i> that it was of
+consequence to him to make no delay. The man, quite confused, called
+forth Simonides; <i>and</i> hardly had he put one foot out of the
+banquetting room, when suddenly the fall of the ceiling crushed the
+rest, and no young men were to be seen at the gate.</p>
+
+<span class = "pagenum">426</span>
+<p>When the circumstances of the story I have told were made known, all
+were persuaded that the personal intervention of the Divinities had
+saved the Poet’s life by way of reward.</p>
+
+
+<a class = "crossref" href = "#smart_IV_epi">Smart</a>
+<h4><a name = "riley_IV_epi" id = "riley_IV_epi">EPILOGUE.</a></h4>
+
+<p>There are still remaining many things which I might say, and there is
+a copious abundance of subjects; but <i>though</i> witticisms,
+well-timed, are pleasing; out of place, they disgust. Wherefore, most
+upright Particulo (a name destined to live in my writings, so long as a
+value shall continue to be set upon the Latin literature), if <i>you
+like not</i> my genius, at least approve my brevity, which has the more
+just claim to be commended, seeing how wearisome Poets <i>usually</i>
+are.<a class = "tag" name = "tagIV_38" id = "tagIV_38" href =
+"#noteIV_38">IV.38</a></p>
+
+<hr class = "tiny">
+
+<h5><a name = "notes_IV" id = "notes_IV">Footnotes to
+Book&nbsp;IV</a></h5>
+
+<div class = "footnote">
+
+<p><a name = "noteIV_1" id = "noteIV_1" href = "#tagIV_1">1.</a>
+<i>I have omitted</i>)&mdash;Ver. 5. “Divinabit” seems preferable here
+to “damnabit,” or “demonstrabit,” the other readings; and Burmann is
+probably right in supposing that he means to say that many of the
+Æsopian fables had not yet been used by him, and though others may make
+use of them as bearing a general moral, they will not be able so well as
+himself to point their moral in reference to individuals or classes, in
+consequence of his advantage in having already adapted many of them to
+the censure of particular vices.</p>
+
+<p><a name = "noteIV_2" id = "noteIV_2" href = "#tagIV_2">2.</a>
+<i>Particulo</i>)&mdash;Ver. 10. Of Particulo nothing whatever is known,
+except that he was a freedman.</p>
+
+<p><a name = "noteIV_3" id = "noteIV_3" href = "#tagIV_3">3.</a>
+<i>Cannot imitate</i>)&mdash;Ver. 16. Gronovius thinks that he alludes
+to the Greek proverb “<span class = "greek" title = "Mômeisthai rhadion ê mimeisthai">Μωμεῖσθαι ῥάδιον ἢ μιμεῖσθαι</span>.” “’Tis easier to
+blame than to imitate.”</p>
+
+<p><a name = "noteIV_4" id = "noteIV_4" href = "#tagIV_4">4.</a>
+<i>Priests of Cybele</i>)&mdash;Ver. 4. During the Festival of Cybele,
+the Galli or eunuch-priests of the Goddess went about with an image of
+her seated on an ass, and beating a tambourine, for the purpose of
+making a collection to defray the expenses of the worship<ins class =
+"correction" title = "text has , for .">.&nbsp;</ins>They were called by
+the Greeks <span class = "greek" title =
+"mêtragurtai">μητραγύρται</span>, “Collectors for the Mother.” See the
+Fasti of Ovid, B.&nbsp;iv., l.&nbsp;350, vol. <ins class = "correction"
+title = "text has .i,">i.,</ins> p.&nbsp;149, of Bohn’s Translation.</p>
+
+<p><a name = "noteIV_5" id = "noteIV_5" href = "#tagIV_5">5.</a>
+<i>Tambourines</i>)&mdash;Ver. 7. “The tympana,” which were almost
+exactly similar to our tambourines, were covered with the skin of asses
+or of oxen, and were beaten with the hand or a small stick.</p>
+
+<p><a name = "noteIV_6" id = "noteIV_6" href = "#tagIV_6">6.</a>
+<i>So fare you well</i>)&mdash;Ver. 21. “Sic valeas.” &mdash;“Fare you
+well, if you are flour, which you are not. I&nbsp;wish you luck as much
+as I believe you are what you pretend to be, <i>i.e.</i>, not at
+all.”</p>
+
+<p><a name = "noteIV_7" id = "noteIV_7" href = "#tagIV_7">7.</a>
+<i>The horse</i>)&mdash;Ver. 3. “Sonipes,” literally “sounding-hoof.”
+This was a name commonly given to the horse by the Romans. Lucan
+repeatedly calls a war-horse by this epithet.</p>
+
+<p><a name = "noteIV_8" id = "noteIV_8" href = "#tagIV_8">8.</a>
+<i>Spinner of wool</i>)&mdash;Ver. 5. “Lanificam.” Working in wool was
+the constant employment of the more industrious among the females of the
+higher class. Ovid, in the Fasti, Book ii., l.&nbsp;742, represents
+Lucretia as being found thus employed by her husband and Tarquinius. The
+Emperor Augustus refused to wear any clothes that were not woven by the
+females of his family.</p>
+
+<p><a name = "noteIV_9" id = "noteIV_9" href = "#tagIV_9">9.</a>
+<i>Consulted equity</i>)&mdash;Ver. 20. This seems to be the meaning of
+“fidem advocare:” but the passage has caused considerable difficulty to
+the Commentators.</p>
+
+<p><a name = "noteIV_10" id = "noteIV_10" href = "#tagIV_10">10.</a>
+<i>A store-room</i>)&mdash;Ver. 25. The “apotheca” was a place in the
+upper part of the house, in which the Romans frequently placed the
+amphoræ in which their wine was stored. It was situate above the
+“fumarium,” as the smoke was thought to heighten the flavour of the
+wine.</p>
+
+<p><a name = "noteIV_11" id = "noteIV_11" href = "#tagIV_11">11.</a>
+<i>A finely finished house</i>)&mdash;Ver. 26. “Politam” probably refers
+to the care with which the houses of the opulent in cities were smoothed
+by the workman’s art. According to some Commentators, however, “domus
+polita” here means “a house furnished with every luxury.”</p>
+
+<p><a name = "noteIV_12" id = "noteIV_12" href = "#tagIV_12">12.</a>
+<i>In our taverns</i>)&mdash;Ver. 2. We learn from Horace and other
+ancient writers, that it was the custom to paint comic subjects on the
+walls of the taverns; and similar subjects have been found painted on
+walls at Pompeii.</p>
+
+<p><a name = "noteIV_13" id = "noteIV_13" href = "#tagIV_13">13.</a>
+<i>More lofty style</i>)&mdash;Ver. 5. “Cothurnis,” literally “the
+buskins of Tragedy.”</p>
+
+<p><a name = "noteIV_14" id = "noteIV_14" href = "#tagIV_14">14.</a>
+<i>Summits of Pelion</i>)&mdash;Ver 6. The ship Argo was said to have
+been built of wood grown on Mount Pelion. The author alludes to the
+expedition of Jason to Colchis to fetch thence the Golden Fleece.</p>
+
+<p><a name = "noteIV_15" id = "noteIV_15" href = "#tagIV_15">15.</a>
+<i>The realms of Pelias</i>)&mdash;Ver. 13. He alludes to the death of
+Pelias, King of Thessaly, through the schemes of Medea, daughter of
+Æetes, King of Colchis, at the hands of his own daughters. See Ovid’s
+Metamorphoses, B.&nbsp;vii. l.&nbsp;297, <i>et seq.</i></p>
+
+<p><a name = "noteIV_16" id = "noteIV_16" href = "#tagIV_16">16.</a>
+<i>Limbs of her brother</i>)&mdash;Ver. 15. When, on her flight with
+Jason, Æetes pursued his daughter Medea, she, having taken with her her
+brother Absyrtus, in order to retard her father in the pursuit, cut her
+brother in pieces, and scattered his limbs in the way. Thus, while the
+father was employed in gathering the limbs of his son, Medea made her
+escape. The place where this happened was thence said to have had the
+name of Tomi; and to this place Ovid was banished by Augustus. See the
+Story related in the Tristia of Ovid, B.&nbsp;iii. El. ix.</p>
+
+<p><a name = "noteIV_17" id = "noteIV_17" href = "#tagIV_17">17.</a>
+<i>If neither Fables</i>)&mdash;Ver. 22. By “fabellæ,” he probably means
+Æsopian fables, while by “fabulæ,” the more lofty stories of tragedy are
+meant. By “Cato,” he means a censorious or over-scrupulous reader.</p>
+
+<p><a name = "noteIV_18" id = "noteIV_18" href = "#tagIV_18">18.</a>
+<i>A Viper entered</i>)&mdash;Ver. 3. Lokman, the Arabian Fabulist, has
+the same fable; but there a Cat plays the part of the Viper.</p>
+
+<p><a name = "noteIV_19" id = "noteIV_19" href = "#tagIV_19">19.</a>
+<i>Fallen into a well</i>)&mdash;Ver. 3. Some of the Commentators think
+that Tiberius and Sejanus are pointed at in this Fable.</p>
+
+<p><a name = "noteIV_20" id = "noteIV_20" href = "#tagIV_20">20.</a>
+<i>From a lamp</i>)&mdash;Ver. 13. The ancients were compelled to light
+sacrifices to the Gods from torches, and not with fire from a lamp. More
+usually a fire was kept constantly burning in the temple for the
+purpose.</p>
+
+<p><a name = "noteIV_21" id = "noteIV_21" href = "#tagIV_21">21.</a>
+<i>A man of worth</i>)&mdash;Ver. 1. It has been suggested that by
+“forti viro,” Phædrus means a military man. The word “fortis” seems
+rather here to mean “of real worth,” or “of strong mind.” Some of
+ancient authors make Plutus to be the son of Ceres and Jasius.</p>
+
+<p><a name = "noteIV_22" id = "noteIV_22" href = "#tagIV_22">22.</a>
+<i>Began to prevail</i>)&mdash;Ver. 9. The remainder of this Fable is
+lost. It is supposed to have been torn out of the MS. of the writings of
+Phædrus by some pious monk, who, objecting to the following Fable,
+destroyed the leaf which contained the latter part of the present one,
+as well as some part of the next. Orellius considers the lines ending
+with “obscœnitas” as the fragment of a Fable distinct from the
+succeeding lines.</p>
+
+<p><a name = "noteIV_23" id = "noteIV_23" href = "#tagIV_23">23.</a>
+<i>The She-Goats</i>)&mdash;Ver. 1. This Fable is thought by some to
+bear reference to the interference of Livia in affairs of state.</p>
+
+<p><a name = "noteIV_24" id = "noteIV_24" href = "#tagIV_24">24.</a>
+<i>The Dogs once sent</i>)&mdash;Ver. 1. It is supposed that in this
+singular Fable, Phædrus ridicules, in a covert manner, some of the
+prevailing superstitions of his day, or else that he satirizes Tiberius
+and Sejanus, while the Dogs signify the Roman people.</p>
+
+<p><a name = "noteIV_25" id = "noteIV_25" href = "#tagIV_25">25.</a>
+<i>And so it is</i>)&mdash;Ver. 35. This and the next line are regarded
+by many as spurious: indeed Hare is disinclined to believe that this
+Fable was written by Phædrus at all.</p>
+
+<p><a name = "noteIV_26" id = "noteIV_26" href = "#tagIV_26">26.</a>
+<i>Not to assist the wicked</i>)&mdash;Ver. 5. It has been remarked that
+Phædrus here deviates from nature, in making the Serpent give a bad
+character of itself. Those who think that Phædrus wrote after the time
+of Tiberius, suggest that Caligula is represented by the snake, who
+wreaked his cruelty on his former benefactors, Macro and Ennia.</p>
+
+<p><a name = "noteIV_27" id = "noteIV_27" href = "#tagIV_27">27.</a>
+<i>Of a Dragon’s den</i>)&mdash;Ver. 3. In former times, when riches
+were more commonly <ins class = "correction" title = "text reads ‘duried’">buried</ins> in the earth, it was perhaps found convenient to
+encourage a superstitious notion, which was very prevalent, that they
+were guarded by watchful Dragons.</p>
+
+<p><a name = "noteIV_28" id = "noteIV_28" href = "#tagIV_28">28.</a>
+<i>Joy of your heir</i>)&mdash;Ver. 18. That is to say, in his
+death.</p>
+
+<p><a name = "noteIV_29" id = "noteIV_29" href = "#tagIV_29">29.</a>
+<i>Extorts a groan</i>)&mdash;Ver. 22. So in the Aulularia of Plautus,
+Act&nbsp;II. Sc.&nbsp;viii. the miser Euclio is represented as groaning
+over the high price of provisions.</p>
+
+<p><a name = "noteIV_30" id = "noteIV_30" href = "#tagIV_30">30.</a>
+<i>Cutting down</i>)&mdash;Ver. 25. In his will.</p>
+
+<p><a name = "noteIV_31" id = "noteIV_31" href = "#tagIV_31">31.</a>
+<i>Lest Libitina</i>)&mdash;Ver. 26. The “pollinctores,” or
+“undertakers,” kept their biers and other implements required at
+funerals, at the Temple of the Goddess Libitina.</p>
+
+<p><a name = "noteIV_32" id = "noteIV_32" href = "#tagIV_32">32.</a>
+<i>In the island of Ceos</i>)&mdash;Ver. 28. The poet Simonides was born
+at Iulis, a&nbsp;city of the isle of Ceos, one of the Cyclades, in the
+Ægæan Sea.</p>
+
+<p><a name = "noteIV_33" id = "noteIV_33" href = "#tagIV_33">33.</a>
+<i>Their girdles</i>)&mdash;Ver. 11. Among the ancients, the zones or
+girdles were sometimes used for the purpose of keeping money there;
+while sometimes purses were carried suspended from them.</p>
+
+<p><a name = "noteIV_34" id = "noteIV_34" href = "#tagIV_34">34.</a>
+<i>Carrying about their pictures</i>)&mdash;Ver. 24. It was the custom
+for shipwrecked persons to go about soliciting charity with a painting
+suspended from the neck, representing their calamity; much in the
+fashion which we sometimes see followed at the present day.</p>
+
+<p><a name = "noteIV_35" id = "noteIV_35" href = "#tagIV_35">35.</a>
+<i>A Mountain</i>)&mdash;Ver. 1. Tachos, King of Egypt, is said by
+Plutarch to have said to Agesilaüs, King of Sparta, when he came to his
+assistance: “The mountain has been in labour, Jupiter has been in alarm,
+but it has brought forth a mouse,” alluding to the diminutive stature of
+Agesilaus; who contented himself with replying, in answer to this rude
+remark: “One day I shall appear to you even to be a lion.”</p>
+
+<p><a name = "noteIV_36" id = "noteIV_36" href = "#tagIV_36">36.</a>
+<i>A certain Pugilist</i>)&mdash;Ver. 5. “Pyctæ;” from the Greek <span
+class = "greek" title = "puktês">πυκτὴς</span>, a&nbsp;“boxer,” or
+“pugilist,” Latinized.</p>
+
+<p><a name = "noteIV_37" id = "noteIV_37" href = "#tagIV_37">37.</a>
+<i>Twin stars of Leda</i>)&mdash;Ver. 9. Castor and Pollux, the twin
+sons of Leda.</p>
+
+<p><a name = "noteIV_38" id = "noteIV_38" href = "#tagIV_38">38.</a>
+<i>Usually are</i>)&mdash;Ver. 9. Orellius introduces this after Fable V
+in the Fifth Book.</p>
+
+</div>
+
+
+<span class = "pagenum">427</span>
+<h3><a name = "riley_V" id = "riley_V">BOOK V.</a></h3>
+
+<a class = "crossref" href = "#smart_V_pro">Smart</a>
+<h4><a name = "riley_V_pro" id = "riley_V_pro">
+PROLOGUE.</a></h4>
+
+<p>If I shall anywhere insert the name of Æsop, to whom I have already
+rendered every <i>honor</i> that was his due, know that it is for the
+sake of <i>his</i> authority, just as some statuaries do in our day, who
+obtain a much greater price for their productions, if they inscribe the
+name of Praxiteles on their marbles, and Myron<a class = "tag" name =
+"tagV_1" id = "tagV_1" href = "#noteV_1">V.1</a> on their polished
+silver. <i>Therefore</i> let <i>these</i> Fables obtain a hearing.
+Carping envy more readily favours the works of antiquity than those of
+the present day. But now I turn to a Fable, with a moral to the
+purpose.</p>
+
+
+<a class = "crossref" href = "#smart_V_I">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_V_I" id = "riley_V_I">
+Fable I.</a><br>
+DEMETRIUS AND MENANDER.</h4>
+
+<p>Demetrius,<ins class = "correction" title = "text reads ‘1’"><a class
+= "tag" name = "tagV_2" id = "tagV_2" href = "#noteV_2">V.2</a></ins>
+who was called Phalereus, unjustly took possession of the sovereignty of
+Athens. The mob, according to their usual practice, rush from all
+quarters vying with each other, and cheer him, and wish him joy. Even
+the
+<span class = "pagenum">428</span>
+chief men kiss the hand by which they are oppressed, while they silently
+lament the sad vicissitudes of fortune. Moreover, those who live in
+retirement, and take their ease, come creeping in last of all, that
+their absence may not injure them. Among these Menander, famous<a class
+= "tag" name = "tagV_3" id = "tagV_3" href = "#noteV_3">V.3</a> for his
+Comedies (which Demetrius, who did not know him, had read, and had
+admired the genius of the man), perfumed with unguents, and clad in a
+flowing robe, came with a mincing and languid step. As soon as the
+Tyrant caught sight of him at the end of the train: “What effeminate
+wretch,” said he, “is this, who presumes to come into my presence?”
+Those near him made answer: “This is Menander the Poet.” Changed in an
+instant, he exclaimed: “A&nbsp;more agreeable looking man could not
+possibly exist.”</p>
+
+
+<a class = "crossref" href = "#smart_V_II">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_V_II" id = "riley_V_II">
+Fable II.</a><br>
+THE TRAVELLERS AND THE ROBBER.</h4>
+
+<p>Two Soldiers having fallen in with a Robber, one fled, while the
+other stood his ground, and defended himself with a stout right-hand.
+The Robber slain, his cowardly companion comes running up, and draws his
+sword; then throwing back his travelling cloak,<a class = "tag" name =
+"tagV_4" id = "tagV_4" href = "#noteV_4">V.4</a> says: “Let’s have him;”
+“I’ll take care he shall soon know whom he attacks.” On this, he who had
+vanquished <i>the robber made answer</i>: “I&nbsp;wish you had seconded
+me just now at least with those words; I&nbsp;should have been still
+more emboldened, believing them true; now keep your sword quiet, as well
+as your silly tongue, that you may be able to deceive others who don’t
+know you. I, who have experienced with what speed you take to your
+heels, know full well that no dependence is to be placed upon your
+valour.”</p>
+
+<p>This story may be applied to him who is courageous in prosperity, in
+times of danger takes to flight.</p>
+
+
+<span class = "pagenum">429</span>
+<a class = "crossref" href = "#smart_V_III">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_V_III" id = "riley_V_III">
+Fable III.</a><br>
+THE BALD MAN AND THE FLY.</h4>
+
+<p>A Fly bit the bare pate of a Bald Man; who, endeavouring to crush it,
+gave himself a heavy blow. Then said the Fly jeeringly: “You wanted to
+revenge the sting of a tiny insect with death; what will you do to
+yourself, who have added insult to injury?” <i>The Man</i> made answer:
+“I&nbsp;am easily reconciled to myself, because I know that there was no
+intention of doing harm. But you, worthless insect, and one of a
+contemptible race, who take a delight in drinking human blood,
+I&nbsp;could wish to destroy you, even at a heavier penalty.”</p>
+
+<p>This Fable teaches that pardon is to be granted to him who errs
+through mistake. But him who is designedly mischievous, I&nbsp;deem to
+be deserving of <i>any</i> punishment.</p>
+
+
+<a class = "crossref" href = "#smart_V_IV">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_V_IV" id = "riley_V_IV">
+Fable IV.</a><br>
+THE MAN AND THE ASS.</h4>
+
+<p>A Man having sacrificed a young boar to the god Hercules, to whom he
+owed performance of a vow <i>made</i> for the preservation of his
+health, ordered the remains of the barley to be set for the Ass. But he
+refused <i>to touch it</i>, and said: “I&nbsp;would most willingly
+accept your food, if he who had been fed upon it had not had his throat
+cut.”</p>
+
+<p>Warned by the significance of this Fable, I&nbsp;have always been
+careful to avoid the gain that exposed to hazard. “But,” say you, “those
+who have got riches by rapine, are <i>still</i> in possession of them.”
+Come, then, let us enumerate those, who, being detected, have come to a
+bad end; you will find that those <i>so</i> punished constitute a great
+majority.</p>
+
+<p>Rashness brings luck to a few, misfortune to most.</p>
+
+
+<a class = "crossref" href = "#smart_V_V">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_V_V" id = "riley_V_V">
+Fable V.</a><br>
+THE BUFFOON AND THE COUNTRYMAN.</h4>
+
+<p>Men are in the habit of erring through prejudice; and
+<span class = "pagenum">430</span>
+while they stand up in defence of their erroneous notions, <i>are
+wont</i> to be driven by plain facts to confession of their
+mistakes.</p>
+
+<p>A rich Man, about to entertain the people with grand shows, invited
+all, by the promise of a reward, to exhibit whatever new piece of
+ingenuity any one could. The Performers came to the contest for fame,
+among whom a Buffoon, well known for his drollery, said that he had a
+kind of entertainment which had never yet been brought out at <i>any</i>
+theatre. The rumour, spreading, brought together the <i>whole</i> city;
+and the places, empty shortly before, sufficed not for the multitude.
+But as soon as he appeared on the stage, alone, <i>and</i> without any
+apparatus, any stage-assistants, the very intenseness of expectation
+produced silence. Suddenly, he dropped down his head towards his bosom,
+and so well did he imitate the voice of a pig with his own, that they
+concluded there was a real one under his cloak, and ordered it to be
+shaken out. This being done, as soon as they found that nothing was
+discovered, they loaded the Man with many praises, and bestowed upon him
+the greatest applause.</p>
+
+<p>A Countryman seeing this take place: “Egad,” said he, “he shan’t
+surpass me;” and immediately gave out that he would do the same thing
+still better on the following day. A&nbsp;still greater crowd assembled.
+Prejudice had already taken possession of their minds, and they took
+their seats, determined to deride, and not as <i>unbiassed</i>
+spectators. Both Performers come forth. First, the Buffoon grunts away,
+and excites their applause, and <ins class = "correction" title = "text reads ‘awaken’">awakens</ins> their acclamations. Next, the Countryman,
+pretending that he concealed a pig beneath his clothes (which, in fact,
+he did; but quite unsuspected, because they had found none about the
+other), twitched the ear of the real <i>pig</i>, which he was
+concealing, and with the pain forced from it its natural cry. The people
+shouted with one voice that the Buffoon had given a much more exact
+imitation, and ordered the Countryman to be driven from the stage. On
+this, he produced the pig itself from the folds of his cloak, and
+convicting them of their disgraceful mistake by a manifest proof:
+“Look,” said <i>he</i>, “this shows what sort of judges you are.”</p>
+
+
+<span class = "pagenum">431</span>
+<a class = "crossref" href = "#smart_V_VI">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_V_VI" id = "riley_V_VI">
+Fable VI.</a><br>
+THE TWO BALD MEN.</h4>
+
+<p>A Bald Man chanced to find a comb in the public road. Another,
+equally destitute of hair, came up: “Come,” said he, “shares, whatever
+it is you have found.” The other showed the booty, and added withal:
+“The will of the Gods has favoured us, but through the malignity of
+fate, we have found, as the saying is, a&nbsp;coal instead of a
+treasure.”</p>
+
+<p>This complaint befits him whom hope has disappointed.</p>
+
+
+<a class = "crossref" href = "#smart_V_VII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_V_VII" id = "riley_V_VII">
+Fable VII.</a><br>
+PRINCEPS, THE FLUTE-PLAYER.</h4>
+
+<p>When a weak mind, beguiled by frivolous applause, has once given way
+to insolent self-sufficiency, <i>such</i> foolish vanity is easily
+exposed to ridicule.</p>
+
+<p>Princeps, the Flute-player, was pretty well known, being accustomed
+to accompany Bathyllus<a class = "tag" name = "tagV_5" id = "tagV_5"
+href = "#noteV_5">V.5</a> with his music on the stage. It chanced that,
+at a representation, I&nbsp;don’t well remember what it was, while the
+flying-machine<a class = "tag" name = "tagV_6" id = "tagV_6" href =
+"#noteV_6">V.6</a> was being whirled along, he fell heavily, through
+inadvertence, and broke his left leg, when he would much rather have
+parted with two right ones.<a class = "tag" name = "tagV_7" id =
+"tagV_7" href = "#noteV_7">V.7</a> He was picked up and carried to his
+house groaning aloud. Some months pass by before his cure is completed.
+As is the way with the spectators, for <i>they are</i> a merry race, the
+man began to be missed, by
+<span class = "pagenum">432</span>
+whose blasts the vigour of the dancer was wont to be kept at full
+stretch.</p>
+
+<p>A certain Nobleman was about to exhibit a show, just when Princeps
+was beginning to walk abroad. With a present <i>and</i> entreaties he
+prevailed upon him merely to present himself on the day of the show.
+When the day came a rumour about the Flute-player ran through the
+theatre. Some affirmed that he was dead, some that he would appear
+before them without delay. The curtain falling,<a class = "tag" name =
+"tagV_8" id = "tagV_8" href = "#noteV_8">V.8</a> the thunders rolled,<a
+class = "tag" name = "tagV_9" id = "tagV_9" href = "#noteV_9">V.9</a>
+and the Gods conversed in the usual form. At this moment the Chorus
+struck up a song unknown to him who had so recently returned; of which
+the burthen was this: “Rejoice, Rome, in security, for your prince
+[<i>Princeps</i>] is well.” All rise with one consent and applaud. The
+Flute-player kisses hands, <i>and</i> imagines that his friends are
+congratulating him. The Equestrian order perceive the ridiculous
+mistake, and with loud laughter encore the song. It is repeated. My man
+<i>now</i> throws himself <i>sprawling</i> at full length upon the
+stage.<a class = "tag" name = "tagV_10" id = "tagV_10" href =
+"#noteV_10">V.10</a> Ridiculing him, the Knights applaud; while the
+people fancy he is <i>only</i> asking for a chaplet. When, however, the
+reality came to be known throughout all the tiers, Princeps, his leg
+bound up with a snow-white fillet, clad in snow-white tunic, <i>and</i>
+snow-white shoes,<a class = "tag" name = "tagV_11" id = "tagV_11" href =
+"#noteV_11">V.11</a> while pluming himself on the honors really paid to
+the Deified House,<a class = "tag" name = "tagV_12" id = "tagV_12" href
+= "#noteV_12">V.12</a> was thrust out headlong by common consent.</p>
+
+
+<span class = "pagenum">433</span>
+<a class = "crossref" href = "#smart_V_VIII">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_V_VIII" id = "riley_V_VIII">
+Fable VIII.</a><br>
+THE EMBLEM OF OPPORTUNITY.</h4>
+
+<p>A Bald Man, balancing on a razor’s edge, fleet of foot, his forehead
+covered with hair,<a class = "tag" name = "tagV_13" id = "tagV_13" href
+= "#noteV_13">V.13</a> his body naked&mdash;if you have caught him, hold
+him fast; when he has once escaped, not Jupiter himself can overtake
+him: he is the emblem how shortlived is Opportunity.</p>
+
+<p>The ancients devised such a portraiture of Time, <i>to signify</i>
+that slothful delay should not hinder the execution of our purposes.</p>
+
+
+<a class = "crossref" href = "#smart_V_IX">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_V_IX" id = "riley_V_IX">
+Fable IX.</a><br>
+THE BULL AND THE CALF.</h4>
+
+<p>When a Bull was struggling with his horns in a narrow passage, and
+could hardly effect an entrance to the manger, a&nbsp;Calf began to
+point out in what way he might turn himself: “Hush,” said <i>the
+Bull</i>, “I&nbsp;knew that before you were born.”</p>
+
+<p>Let him who would instruct a wiser man, consider <i>this as</i> said
+to himself.</p>
+
+
+<a class = "crossref" href = "#smart_V_X">Smart</a>
+<h4 class = "smallcaps"><a name = "riley_V_X" id = "riley_V_X">
+Fable X.</a><br>
+THE HUNTSMAN AND THE DOG.</h4>
+
+<p>A Dog, who had always given satisfaction to his master by his
+boldness against swift and savage beasts, began to grow feeble under
+increasing years. On one occasion, being
+<span class = "pagenum">434</span>
+urged to the combat with a bristling Boar, he seized him by the ear;
+but, through the rottenness of his teeth, let go his prey. Vexed at
+this, the Huntsman upbraided the Dog. Old Barker<a class = "tag" name =
+"tagV_14" id = "tagV_14" href = "#noteV_14">V.14</a> <i>replied</i>: “It
+is not my courage that disappoints you, but my strength. You commend me
+for what I have been; and you blame me that I am not <i>what I
+was</i><ins class = "correction" title = "close quote missing">.”&nbsp;</ins></p>
+
+<p>You, Philetus,<a class = "tag" name = "tagV_15" id = "tagV_15" href =
+"#noteV_15">V.15</a> may easily perceive why I have written this.</p>
+
+<hr class = "tiny">
+
+<h5><a name = "notes_V" id = "notes_V">Footnotes to Book&nbsp;V</a></h5>
+
+<div class = "footnote">
+
+<p><a name = "noteV_1" id = "noteV_1" href = "#tagV_1">1.</a>
+<i>And Myron</i>)&mdash;Ver. 7. Myron was a famous sculptor, statuary,
+and engraver, of Greece. He was a native of Eleutheræ, in Bœotia, and
+according to Petronius Arbiter, died in extreme poverty.</p>
+
+<p><a name = "noteV_2" id = "noteV_2" href = "#tagV_2">2.</a>
+<i>Called Phalereus</i>)&mdash;Ver. 1. Demetrius Phalereus, the
+statesman, philosopher, and ruler of Athens, was so called from the
+Attic demus, or borough of Phalerus, where he was born. He died in exile
+in Egypt, according to some accounts, of the bite of a serpent. There
+seems no good reason for giving to his rule over the Athenians the
+epithet of “improbum,” found in the next line, although in the latter
+years of his government he gave himself up in a great measure to sensual
+pursuits.</p>
+
+<p><a name = "noteV_3" id = "noteV_3" href = "#tagV_3">3.</a>
+<i>Menander, famous</i>)&mdash;Ver. 9. Menander, the inventor of the New
+Comedy. Some of the Comedies of Terence are Translations from his
+works.</p>
+
+<p><a name = "noteV_4" id = "noteV_4" href = "#tagV_4">4.</a>
+<i>His travelling cloak</i>)&mdash;Ver. 5. The “pænula” was a
+travelling-cloak made of leather or wool, with a hood attached to it, to
+cover the head.</p>
+
+<p><a name = "noteV_5" id = "noteV_5" href = "#tagV_5">5.</a>
+<i>Accompany Bathyllus</i>)&mdash;Ver. 5. He alludes to Bathyllus, the
+favourite and freedman of Mecænas, and who brought to perfection
+pantomimic dancing at Rome.</p>
+
+<p><a name = "noteV_6" id = "noteV_6" href = "#tagV_6">6.</a>
+<i>Flying-machine</i>)&mdash;Ver. 7. The “pegma” was a piece of
+machinery used on the stage for the purpose of aiding the ascents and
+descents of the Gods there represented.</p>
+
+<p><a name = "noteV_7" id = "noteV_7" href = "#tagV_7">7.</a>
+<i>Losing two right ones</i>)&mdash;Ver. 9. The Poet puns on the twofold
+meanings of the word “tibia,” which signifies the main bone of the leg,
+and a pipe or flute. These pipes were right-handed or left-handed,
+probably varying in tone, two being played at a time. Explained at
+length, the pun means, “Princeps broke his left leg, when he could have
+better afforded to break two right-handed pipes.”</p>
+
+<p class = "mynote">
+Not an error: until recently, English “leg” often had the narrower
+meaning of “lower leg”.</p>
+
+<p><a name = "noteV_8" id = "noteV_8" href = "#tagV_8">8.</a>
+<i>The curtain falling</i>)&mdash;Ver. 23. The “aulæum,” or
+stage-curtain, called also “siparium,” was a piece of tapestry stretched
+on a frame, which, rising before the stage, concealed it till the actors
+appeared. Instead of drawing up this curtain to discover the stage and
+actors, according to the present practice, it was depressed when the
+play began, and fell beneath the level of the stage: whence “aulæa
+premuntur” or “mittuntur,” “the curtain is dropped,” meant that the play
+had began.</p>
+
+<p><a name = "noteV_9" id = "noteV_9" href = "#tagV_9">9.</a>
+<i>The thunders rolled</i>)&mdash;Ver. 23. This thunder was made by the
+noise of rolling stones in copper vessels.</p>
+
+<p><a name = "noteV_10" id = "noteV_10" href = "#tagV_10">10.</a>
+<i>Upon the stage</i>)&mdash;Ver. 32. The “pulpitum” was properly an
+elevated place on the proscenium, or space between the scene and the
+orchestra.</p>
+
+<p><a name = "noteV_11" id = "noteV_11" href = "#tagV_11">11.</a>
+<i>Snow-white shoes</i>)&mdash;Ver. 37. We learn from Ovid and other
+authors that white shoes were solely worn by the female sex.</p>
+
+<p><a name = "noteV_12" id = "noteV_12" href = "#tagV_12">12.</a>
+<i>To the Deified house</i>)&mdash;Ver. 38. Taking to himself the honor
+that belonged to the house of Augustus, which was worshipped with Divine
+honors<ins class = "correction" title = ". missing">.&nbsp;</ins></p>
+
+<p><a name = "noteV_13" id = "noteV_13" href = "#tagV_13">13.</a>
+<i>His forehead covered with hair</i>)&mdash;Ver. 2. From this figure of
+Time or Opportunity, Time came to be represented in the middle ages with
+a tuft of hair on his forehead; whence our common expression “To take
+time by the forelock,” signifying to make the best of an opportunity<ins
+class = "correction" title = "text has superfluous close quote">.&nbsp;</ins></p>
+
+<p><a name = "noteV_14" id = "noteV_14" href = "#tagV_14">14.</a>
+<i>Old Barker</i>)&mdash;Ver. 7. We may here enumerate the names of this
+nature, which we find given by Phædrus to various animals: “laniger,”
+“wool-bearer,” the sheep; “auritulus,” “long-ears,” the ass; “sonipes,”
+“sounding-hoof,” the horse; “barbatus,” “long-beard,” the goat;
+“retorridus,” “brindle,” the mouse; and “latrans,” “barker,” the
+dog.</p>
+
+<p><a name = "noteV_15" id = "noteV_15" href = "#tagV_15">15.</a>
+<i><ins class = "correction" title = "anomalous final .">Philetus.</ins></i>)&mdash;Ver. 10. Of this Philetus nothing certain
+is known, but he is supposed to have been a freedman of the emperor
+Claudius.</p>
+
+</div>
+
+
+<span class = "pagenum">435</span>
+<h3>THE NEW FABLES,<br>
+<span class = "smallroman">BY SOME ATTRIBUTED TO PHÆDRUS</span>.<a class
+= "tag missing" name = "tagNF_1" id = "tagNF_1" href =
+"#noteNF_1">NF.1</a></h3>
+
+<hr class = "mid">
+
+<h4 class = "smallcaps"><a name = "NF_I" id = "NF_I">
+Fable I.</a><br>
+THE APE AND THE FOX.</h4>
+
+<p class = "moral">
+The Greedy Man is not willing to give even from his superabundance.</p>
+
+<p><span class = "firstword">An</span> Ape asked a Fox for a part of her
+tail, that he might decently cover his naked hinder parts therewith; but
+the ill-natured creature <i>replied</i>: “Although it grow <i>even</i>
+longer <i>than it is</i>, still I will sooner drag it through mud and
+brambles, than give you ever so small a part <i>thereof</i>.”</p>
+
+
+<span class = "pagenum">436</span>
+<h4 class = "smallcaps"><a name = "NF_II" id = "NF_II">
+Fable II.</a><br>
+THE AUTHOR.</h4>
+
+<p class = "moral">
+We must not require what is unreasonable.</p>
+
+<p>If Nature had<a class = "tag" name = "tagNF_2" id = "tagNF_2" href =
+"#noteNF_2">NF.2</a> formed the human race according to my notions, it
+would have been far better endowed: for she would have given us every
+good quality that indulgent Fortune has bestowed on <i>any</i> animal:
+the strength of the Elephant, and the impetuous force of the Lion, the
+age of the Crow, the majestic port of the fierce Bull, the gentle
+tractableness of the fleet Horse; and Man should still have had the
+ingenuity that is peculiarly his own. Jupiter in heaven laughs to
+himself, no doubt, he who, in his mighty plan, denied these
+<i>qualities</i> to men, lest our audacity should wrest <i>from him</i>
+the sceptre of the world. Contented, therefore, with the gifts of
+unconquered Jove, let us pass the years of our time allotted by fate,
+nor attempt more than mortality permits.</p>
+
+
+<h4 class = "smallcaps"><a name = "NF_III" id = "NF_III">
+Fable III.</a><br>
+MERCURY AND THE TWO WOMEN.</h4>
+
+<p class = "moral">
+Another Fable on the same subject.</p>
+
+<p>Once on a time, two Women had given their guest, Mercury, a&nbsp;mean
+and sordid entertainment; one of the women had a little son in the
+cradle, while the profession of a Courtesan had its charms for the
+other. In order, therefore that he might give a suitable return for
+their services, when about to depart, and just crossing the threshold,
+he said: “In me you behold a God; I&nbsp;will give you at once whatever
+each may wish.” The Mother makes her request, and asks that she may
+immediately see her Son graced with a beard; the Courtesan
+<i>requests</i> that whatever she touches may follow her. Mercury flies
+away&mdash;the women return in-doors: behold
+<span class = "pagenum">437</span>
+the infant, with a beard, is crying aloud. The Courtesan happened to
+laugh heartily at this, on which the humours <i>of the head</i> filled
+her nostrils, as is often the case. Intending therefore to blow her
+nose, she seized it with her hand, and drew out its length to the
+ground; and <i>thus</i>, while laughing at another, she became herself a
+subject for laughter.<a class = "tag" name = "tagNF_3" id = "tagNF_3"
+href = "#noteNF_3">NF.3</a></p>
+
+
+<h4 class = "smallcaps"><a name = "NF_IV" id = "NF_IV">
+Fable IV.</a><br>
+PROMETHEUS AND CUNNING.</h4>
+
+<p class = "moral">
+On Truth and Falsehood.</p>
+
+<p>When once Prometheus, the framer of a new race, had formed Truth from
+fine earth, that she might be able to dispense justice among mankind,
+being suddenly summoned by the messenger of great Jove, he left
+<i>his</i> workshop in charge of treacherous Cunning, whom he had lately
+received in apprenticeship. The latter, inflamed by zeal, with clever
+hand formed an image of similar appearance, corresponding stature, and
+like in every limb, so far as the time permitted. When nearly the whole
+had now been wondrously set up, he found he had no clay to make the
+feet. <i>His</i> master came back, and Cunning, confused by fear at his
+quick return, sat down in his own place. Prometheus, admiring so strong
+a resemblance, wished the merit to appear to belong to his own skill,
+<i>and</i> therefore placed the two images together in the furnace. When
+they were thoroughly baked, and life had been breathed into them,
+hallowed Truth moved on with modest gait; but her imperfect copy
+remained fixed on the spot. Thence the spurious image, the result of the
+stealthy work, was called Mendacity,<a class = "tag" name = "tagNF_4" id
+= "tagNF_4" href = "#noteNF_4">NF.4</a> because they say, she has no
+feet,&mdash;an assertion with which I readily agree.</p>
+
+
+<span class = "pagenum">438</span>
+<h4 class = "smallcaps"><a name = "NF_V" id = "NF_V">
+Fable V.</a><a class = "tag" name = "tagNF_5" id = "tagNF_5" href =
+"#noteNF_5">NF.5</a><br>
+THE AUTHOR.</h4>
+
+<p class = "moral">
+Nothing is long concealed.</p>
+
+<p><span class = "missing">***</span>Pretended vices are sometimes
+profitable to men, but still the truth appears in time.</p>
+
+
+<h4 class = "smallcaps"><a name = "NF_VI" id = "NF_VI">
+Fable VI.</a><br>
+THE SIGNIFICATION OF THE PUNISHMENTS OF TARTARUS.</h4>
+
+<p class = "moral">
+The meaning is to be considered, not the mere words.</p>
+
+<p>The story of Ixion, whirling round upon the wheel, teaches <i>us</i>
+what a rolling thing is fortune. Sisyphus, with immense labour, pushing
+the stone up the lofty hill, which ever, his labour lost, rolls back
+from the top, shows that men’s miseries are endless. When Tantalus is
+athirst, standing in the midst of the river, the greedy are described,
+whom a sufficiency of blessings surrounds, but none can they enjoy. The
+wicked Danaïds carry water in urns, and cannot fill their pierced
+vessels; just so, whatever you bestow on luxury, will flow out beneath.
+Wretched Tityus is stretched over nine acres,<a class = "tag" name =
+"tagNF_6" id = "tagNF_6" href = "#noteNF_6">NF.6</a> presenting for dire
+punishment a liver that ever grows again: by this it is shown that the
+greater the extent of land a man possesses, the heavier are his cares.
+Antiquity purposely wrapped up the truth, in order that the wise might
+understand&mdash;the ignorant remain in error.</p>
+
+
+<span class = "pagenum">439</span>
+<h4 class = "smallcaps"><a name = "NF_VII" id = "NF_VII">
+Fable VII.</a><br>
+THE AUTHOR.</h4>
+
+<p class = "moral">
+On the Oracle of Apollo.</p>
+
+<p>Phœbus! who dost inhabit Delphi and the beauteous Parnassus, say what
+is most useful to us. Why do the locks of the holy prophetess stand
+erect; the tripods shake; the holy shrines resound; the laurels, too,<a
+class = "tag" name = "tagNF_7" id = "tagNF_7" href =
+"#noteNF_7">NF.7</a> quiver, and the very day grow pale? Smitten by the
+Divinity, the Pythia utters <i>these</i> words, and the warning of the
+Delian God instructs the nations: “Practise virtue; pay your vows to the
+Gods above; defend your country, your parents, your children, <i>and</i>
+your chaste wives with arms; repel the foe with the sword; assist your
+friends; spare the wretched; favour the good; meet the treacherous face
+to face; punish offences; chastise the impious; inflict vengeance on
+those who, by base adultery, defile the marriage couch; beware of the
+wicked; trust no man too far.” Thus having said, the Maiden falls
+frenzied to the ground: frenzied, indeed, for what she said, she said in
+vain.</p>
+
+
+<h4 class = "smallcaps"><a name = "NF_VIII" id = "NF_VIII">
+Fable VIII.</a><br>
+ÆSOP AND THE AUTHOR.</h4>
+
+<p class = "moral">
+On a bad Author who praised himself.</p>
+
+<p>A Person had recited<a class = "tag" name = "tagNF_8" id = "tagNF_8"
+href = "#noteNF_8">NF.8</a> some worthless composition to Æsop, in which
+he had inordinately bragged about himself. Desirous, therefore, to know
+what the Sage thought <i>thereof</i>: “Does it appear to you,” said he,
+“that I have been too
+<span class = "pagenum">440</span>
+conceited? I&nbsp;have no empty confidence in my own capacity.” Worried
+to death with the execrable volume, Æsop replied: “I&nbsp;greatly
+approve of your bestowing praise on yourself, for it will never be your
+lot to receive it from another.”</p>
+
+
+<h4 class = "smallcaps"><a name = "NF_IX" id = "NF_IX">
+Fable IX.</a><br>
+POMPEIUS MAGNUS AND HIS SOLDIER.</h4>
+
+<p class = "moral">
+How difficult it is to understand a man.</p>
+
+<p>A Soldier of Pompeius Magnus, a man of huge bulk, by talking
+mincingly and walking with an affected gait, had acquired the character
+of an effeminate wretch, <i>and that</i> most fully established. Lying
+in wait by night for the beasts of burden of his General, he drives away
+the mules <i>laden</i> with garments and gold, and a vast weight of
+silver. A&nbsp;rumour of what has been done gets abroad; the soldier is
+accused, <i>and</i> carried off to the Prætorium. On this, Magnus
+<i>says to him</i>: “How say you? Have you dared to rob me, comrade?”
+The soldier forthwith spits into his left hand, and scatters about the
+spittle with his fingers. “Even thus, General,” says he, “may my eyes
+drip out, if I have seen or touched <i>your property</i>.” Then Magnus,
+a&nbsp;man of easy disposition, orders the false accusers to be sent
+about their business,<a class = "tag" name = "tagNF_9" id = "tagNF_9"
+href = "#noteNF_9">NF.9</a> and will not believe the man guilty of so
+great audacity.</p>
+
+<p>Not long afterwards a barbarian, confiding in his strength of hand,
+challenges one of the Romans. Each man fears to accept the challenge,
+and the leaders of highest rank mutter <i>among themselves</i>. At
+length, this effeminate wretch in appearance, but Mars in prowess,
+approached the General, who was seated on his tribunal, and, with a
+lisping voice, said “May I?”<a class = "tag" name = "tagNF_10" id =
+"tagNF_10" href = "#noteNF_10">NF.10</a> But Magnus, getting angry,
+<span class = "pagenum">441</span>
+<ins class = "correction" title = "text reads ‘as // as’ at page break; italicized as shown">as</ins> <i>well he might</i>, the matter being so
+serious, ordered him to be turned out. Upon this, an aged man among the
+Chieftain’s friends, <i>remarked</i>: “I&nbsp;think it would be better
+for this person to be exposed to the hazards of Fortune, since in him
+our loss would be but small, than a valiant man, who, if conquered
+through <i>some</i> mischance, might entail upon you a charge of
+rashness.” Magnus acquiesced, and gave the Soldier permission to go out
+to meet <i>the champion</i>, whose head, to the surprise of the army, he
+whipped off sooner than you could say it, and returned victorious.
+Thereupon said Pompeius: “With great pleasure I present you with the
+soldier’s crown, because you have vindicated the honor of the Roman
+name; nevertheless,” said he, “may my eyes drip out” (imitating the
+unseemly act with which the Soldier had accompanied his oath), “if you
+did not carry off my property from among the baggage.”</p>
+
+
+<h4 class = "smallcaps"><a name = "NF_X" id = "NF_X">
+Fable X.</a><br>
+JUNO, VENUS, AND THE HEN.</h4>
+
+<p class = "moral">
+On the Lustfulness of Women.</p>
+
+<p>When Juno<a class = "tag" name = "tagNF_11" id = "tagNF_11" href =
+"#noteNF_11">NF.11</a> was praising her own chastity, Venus did not lose
+the opportunity of a joke, and, to show that there was no female equal
+to herself <i>in that virtue</i>, is said to have asked this question of
+the Hen: “Tell me, will you, with how much food could you be satisfied?”
+The hen replied: “Whatever you give me will be enough; but still you
+must let me scratch a bit with my feet.” “To keep you from scratching,”
+said <i>the Goddess</i>, “is a measure of wheat enough?” “Certainly;
+indeed it is too much; but still do allow me to scratch.” “In fine,”
+<i>said Venus</i>, “what do you require, on condition of not scratching
+at all?” Then at last the hen confessed the weak point in her nature:
+“Though a <i>whole</i> barn were open for me, still scratch I must.”
+Juno is said to have laughed at the joke of Venus, for by the Hen she
+meant the Female Sex.</p>
+
+
+<span class = "pagenum">442</span>
+<h4 class = "smallcaps"><a name = "NF_XI" id = "NF_XI">
+Fable XI.</a><br>
+THE FATHER OF A FAMILY AND ÆSOP.</h4>
+
+<p class = "moral">
+How a bad-tempered Son may be tamed.</p>
+
+<p>A Father of a family had a passionate Son, who, as soon as he had got
+out of his fathers sight, inflicted many a blow upon the servants, and
+gave loose to the impetuous temper of youth. Æsop consequently told this
+short story to the old man.</p>
+
+<p>A certain Man was yoking an old Ox along with a Calf; and when the Ox
+shunning <i>to bear</i> the yoke with a neck so unfit for it, alleged
+the failing strength of his years: “You have no reason to fear,” said
+the Countryman, “I&nbsp;don’t do this that you may labour, but that you
+may tame him, who with his heels and horns has made many lame.” Just so,
+unless you always keep your son by you, and by your management restrain
+his temper, take care that the broils in your house don’t increase to a
+still greater degree. Gentleness is the remedy for a bad temper.<a class
+= "tag" name = "tagNF_12" id = "tagNF_12" href =
+"#noteNF_12">NF.12</a></p>
+
+
+<h4 class = "smallcaps"><a name = "NF_XII" id = "NF_XII">
+Fable XII.</a><br>
+THE PHILOSOPHER AND THE VICTOR IN THE GYMNASTIC&nbsp;GAMES.</h4>
+
+<p class = "moral">
+How Boastfulness may sometimes be checked.</p>
+
+<p>A Philosopher chancing to find the Victor in a gymnastic contest too
+fond of boasting, asked him whether his adversary had been the stronger
+man. <i>To this</i> the other <i>replied</i>: “Don’t mention it; my
+strength was far greater.” “Then, you simpleton,” retorted <i>the
+Philosopher</i>, “what praise do you deserve, if you, being the
+stronger, have conquered one who was not so powerful? You might perhaps
+have been tolerated if you had told us that you had conquered one who
+was your superior in strength.”</p>
+
+
+<span class = "pagenum">443</span>
+<h4 class = "smallcaps"><a name = "NF_XIII" id = "NF_XIII">
+Fable XIII.</a><br>
+THE ASS AND THE LYRE.</h4>
+
+<p class = "moral">
+How Genius is often wasted through Misfortune.</p>
+
+<p>An Ass espied a Lyre lying in a meadow: he approached and tried the
+strings with his hoof; they sounded at his touch. “By my faith,
+a&nbsp;pretty thing,” said he; “it happens unfortunately that I am not
+skilled in the art. If any person of greater skill had found it, he
+might have charmed my ears with divine notes.”</p>
+
+<p>So Genius is often wasted through Misfortune.<a class = "tag" name =
+"tagNF_13" id = "tagNF_13" href = "#noteNF_13">NF.13</a></p>
+
+
+<h4 class = "smallcaps"><a name = "NF_XIV" id = "NF_XIV">
+Fable XIV.</a><br>
+THE WIDOW AND THE SOLDIER.</h4>
+
+<p class = "moral">
+The great Inconstancy and Lustfulness of Women.</p>
+
+<p>A certain Woman<a class = "tag" name = "tagNF_14" id = "tagNF_14"
+href = "#noteNF_14">NF.14</a> had for some years lost her beloved
+Husband, and had placed his body in a tomb; and as she could by no means
+be forced from it, and passed her life in mourning at the sepulchre, she
+obtained a distinguished character for strict chastity. In the meantime,
+some persons who had plundered the temple of Jupiter suffered the
+penalty of crucifixion. In order that no one might remove their remains,
+soldiers were appointed as guards of the dead bodies, close by the
+monument in which the woman had shut herself up. Some time after, one of
+the Guards, being thirsty, asked, in the middle of the night, for some
+water, of a servant-maid, who chanced just then to be assisting her
+mistress, who was going to rest; for she had been watching by a lamp,
+and had prolonged her vigils to a late hour. The door being a little
+open, the Soldier peeps in, and beholds
+<span class = "pagenum">444</span>
+a Woman, emaciated indeed, but of beauteous features. His smitten heart
+is immediately inflamed, and he gradually burns with unchaste desires.
+His crafty shrewdness invents a thousand pretences for seeing her more
+frequently. Wrought upon by daily intercourse, by degrees she became
+more complaisant to the stranger, and soon enthralled his heart by a
+closer tie. While the careful Guard is here passing his nights,
+a&nbsp;body is missed from one of the crosses. The Soldier in his alarm
+relates to the Woman what has happened; but the chaste Matron replies:
+“You have no grounds for fear;” and gives up the body of her Husband to
+be fastened to the cross, that he may not undergo punishment for his
+negligence. <!-- obviously a tale about the great inconstancy and
+lustfulness of women, yes. --></p>
+
+<p>Thus did profligacy usurp the place of honour.</p>
+
+
+<h4 class = "smallcaps"><a name = "NF_XV" id = "NF_XV">
+Fable XV.</a><br>
+THE RICH SUITOR AND THE POOR ONE.</h4>
+
+<p class = "moral">
+Fortune sometimes favours Men beyond their hopes and expectations.</p>
+
+<p>Two Youths were courting a Maiden at the same time; the Rich man got
+the better of the birth and good looks of the Poor one. When the
+appointed day for the nuptials had arrived, the woe-begone Lover,
+because he could not endure his grief, betook himself to some gardens
+near at hand; a&nbsp;little beyond which, the splendid villa of the Rich
+man was about to receive the Maiden from her mother’s bosom, as his
+house in the city seemed not to be roomy enough. The marriage procession
+is arranged, a&nbsp;great crowd flocks to the scene, and Hymenæus gives
+the marriage torch. Now an Ass, which used to gain a living for the Poor
+man, was standing at the threshold of a gate; and it so happens the
+maidens lead him along, that the fatigues of the way may not hurt the
+tender feet <i>of the Bride</i>. On a sudden, by the pity of Venus, the
+heavens are swept by winds, the crash of thunder resounds through the
+firmament, and brings on a rough night with heavy rain; light is
+withdrawn from their eyes, and at the same moment a storm of hail,
+spreading in all directions, beats upon them, frightening and
+<span class = "pagenum">445</span>
+scattering them on all sides, compelling each to seek safety for himself
+in flight. The Ass runs under the well-known roof close at hand, and
+with a loud voice gives notice of his presence. The servants run out of
+doors, behold with admiration the beautiful Maiden, and then go and tell
+their master. He, seated at table with a few companions, was consoling
+his passion with repeated draughts. When the news was brought him,
+exulting with delight, <i>both</i> Bacchus and Venus exhorting him, he
+celebrated his joyous nuptials amid the applauses of his comrades. The
+bride’s parents sought their daughter through the crier, <i>while</i>
+the intended Husband grieved at the loss of his Wife. After what had
+taken place became known to the public, all agreed in approving of the
+favour shown by the Gods of heaven.</p>
+
+
+<h4 class = "smallcaps"><a name = "NF_XVI" id = "NF_XVI">
+Fable XVI.</a><br>
+ÆSOP AND HIS MISTRESS.</h4>
+
+<p class = "moral">
+How injurious it often is to tell the Truth.</p>
+
+<p>Æsop being in the service of an Ugly Woman, who wasted the whole day
+in painting herself up, and used fine clothes, pearls, gold, <i>and</i>
+silver, yet found no one who would touch her with a finger: “May I
+<i>say</i> a few words?” said he. “Say on,” <i>she replied</i>.
+“<i>Then</i> I think,” <i>said he</i>, “that you will effect anything
+you wish, if you lay aside your ornaments.” “Do I then seem to you so
+much preferable by myself?” <i>said she</i>. “Why, no; if you don’t make
+presents, your bed will enjoy its repose.” “But your sides,” she
+replied, “shan’t enjoy their repose;”<a class = "tag" name = "tagNF_15"
+id = "tagNF_15" href = "#noteNF_15">NF.15</a> and ordered the talkative
+Slave to be flogged. Shortly after a thief took away a silver bracelet.
+When the Woman was told that it could not be found, full of fury she
+summoned all <i>her slaves</i>, and threatened them with a severe
+flogging if they did not tell the truth. “Threaten others,” said
+<i>Æsop</i>, “indeed you won’t trick me, mistress; I&nbsp;was lately
+beaten with the whip because I told the truth.”</p>
+
+
+<span class = "pagenum">446</span>
+<h4 class = "smallcaps"><a name = "NF_XVII" id = "NF_XVII">
+Fable XVII.</a><br>
+A COCK CARRIED IN A LITTER BY CATS.</h4>
+
+<p class = "moral">
+An extreme feeling of Security often leads Men into Danger.</p>
+
+<p>A Cock had some Cats to carry him in his litter: a&nbsp;Fox on seeing
+him borne along in this pompous manner, said: “I&nbsp;advise you to be
+on your guard against treachery, for if you were to examine the
+countenances of those creatures, you would pronounce that they are
+carrying a booty, not a burden.” As soon as the savage brotherhood<a
+class = "tag" name = "tagNF_16" id = "tagNF_16" href =
+"#noteNF_16">NF.16</a> began to be hungry, they tore their Master to
+pieces, and went shares in the proceeds of their guilt.</p>
+
+
+<h4 class = "smallcaps"><a name = "NF_XVIII" id = "NF_XVIII">
+Fable XVIII.</a><br>
+THE SOW BRINGING FORTH, AND THE WOLF</h4>
+
+<p class = "moral">
+We must first make trial of a Man before we entrust ourselves to
+him.</p>
+
+<p>A Sow was lying and groaning, her travail coming on; a&nbsp;Wolf came
+running to her aid, and, offering his assistance, said that he could
+perform the duties of midwife. She, however, understanding the treachery
+of the wicked animal, rejected the suspicious services of the evil-doer,
+and said: “If you keep at a greater distance it is enough.”</p>
+
+<p>But had she entrusted herself to the perfidious Wolf, she would have
+had just as much pain to cry for, and her death <i>into the
+bargain</i>.</p>
+
+
+<span class = "pagenum">447</span>
+<h4 class = "smallcaps"><a name = "NF_XIX" id = "NF_XIX">
+Fable XIX.</a><br>
+THE RUNAWAY SLAVE AND ÆSOP.</h4>
+
+<p class = "moral">
+There is no necessity to add evil to evil.</p>
+
+<p>A Slave, when running away from a Master of severe disposition, met
+Æsop, to whom he was known as a neighbour: “Why <i>are</i> you in such a
+hurry?” <i>said Æsop</i>. “I’ll tell you candidly, father,” <i>said the
+other</i>, “for you are worthy to be called by that name, as our sorrows
+are safely entrusted to you. Stripes are in superabundance; victuals
+fail: every now and then I am sent to the farm as a slave to the rustics
+<i>there</i>: if he dines at home I am kept standing by him all night,
+or if he is invited out, I&nbsp;remain until daylight in the street.
+I&nbsp;have fairly earned my liberty; but with grey hairs I am
+<i>still</i> a slave. If I were conscious to myself of any fault,
+I&nbsp;should bear this patiently: I&nbsp;never have had a bellyful,
+and, unhappy that I am, I&nbsp;have to put up with a severe master
+besides. For these reasons, and <i>for others</i> which it would take
+too long to recount, I&nbsp;have determined to go wherever my feet may
+carry me.” “Listen then,” said Æsop; “When you have committed no fault,
+you suffer these inconveniences as you say: what if you had offended?
+What do you suppose you would <i>then</i> have had to suffer?”</p>
+
+<p>By such advice he was prevented from running away.</p>
+
+
+<h4 class = "smallcaps"><a name = "NF_XX" id = "NF_XX">
+Fable XX.</a><br>
+THE CHARIOT-HORSE SOLD FOR THE MILL.</h4>
+
+<p class = "moral">
+Whatever happens, we must bear it with equanimity.</p>
+
+<p>A certain Man withdrew from his chariot a Horse, ennobled by many
+victories, and sold him for the mill. As he was being led out of doors
+from the mill-stones to water, he saw his fellows going towards the
+Circus, to celebrate the joyous contests at the games. With tears
+starting forth, he
+<span class = "pagenum">448</span>
+said, “Go on and be happy; celebrate without me the festive day in the
+race; at the place to which the accursed hand of the thief has dragged
+me, will I lament my sad fate.”</p>
+
+
+<h4 class = "smallcaps"><a name = "NF_XXI" id = "NF_XXI">
+Fable XXI.</a><br>
+THE HUNGRY BEAR.</h4>
+
+<p class = "moral">
+Hunger sharpens the wits.</p>
+
+<p>If at any time<a class = "tag missing" name = "tagNF_17" id =
+"tagNF_17" href = "#noteNF_17">NF.17</a> sustenance is wanting to the
+Bear in the woods, he runs to the rocky shore, and, grasping a rock,
+gradually lets down his shaggy thighs into the water; and as soon as the
+Crabs have stuck to the long hair, betaking himself to shore, the crafty
+fellow shakes off his sea-spoil, and enjoys the food that he has
+collected in every quarter. Thus even in Fools does hunger sharpen the
+wits.</p>
+
+
+<h4 class = "smallcaps"><a name = "NF_XXII" id = "NF_XXII">
+Fable XXII.</a><br>
+THE TRAVELLER AND THE RAVEN.</h4>
+
+<p class = "moral">
+Men are very frequently imposed upon by words.</p>
+
+<p>A Man while going through the fields along his solitary path, heard
+the word “Hail!” whereat he stopped for a moment, but seeing no one,
+went on his way. Again the same sound saluted him from a hidden spot;
+encouraged by the hospitable voice, he stopped short, that whoever it
+was might receive the like civility. When, looking all about, he had
+remained long in perplexity, and had lost the time in which he might
+have walked some miles, a&nbsp;Raven showed himself, and hovering above
+him, continually repeated “Hail!” Then, perceiving that he had been
+deluded: “Perdition seize you,” said he, “most mischievous bird, to have
+thus delayed me when I was in such a hurry.”</p>
+
+
+<span class = "pagenum">449</span>
+<h4 class = "smallcaps"><a name = "NF_XXIII" id = "NF_XXIII">
+Fable XXIII.</a><br>
+THE SHEPHERD AND THE SHE-GOAT.</h4>
+
+<p class = "moral">
+Nothing is secret which shall not be made manifest.<a class = "tag" name
+= "tagNF_18" id = "tagNF_18" href = "#noteNF_18">NF.18</a></p>
+
+<p>A Shepherd had broken<a class = "tag" name = "tagNF_19" id =
+"tagNF_19" href = "#noteNF_19">NF.19</a> the horn of a She-Goat with his
+staff, <i>and</i> began to entreat her not to betray him to his Master.
+“Although unjustly injured,” <i>said she</i>, “still, I&nbsp;shall be
+silent; but the thing itself will proclaim your offence.”</p>
+
+
+<h4 class = "smallcaps"><a name = "NF_XXIV" id = "NF_XXIV">
+Fable XXIV.</a><br>
+THE SERPENT AND THE LIZARD.</h4>
+
+<p class = "moral">
+When the Lion’s skin fails, the Fox’s must be employed; that is to say,
+when strength fails, we must employ craftiness.</p>
+
+<p>A Serpent chanced to catch a Lizard by the tail; but when she tried
+to devour it with open throat, it snatched up a little twig that lay
+close at hand, and, holding it transversely with pertinacious bite,
+checked the greedy jaws, agape to devour it, by this cleverly contrived
+impediment. So the Serpent dropped the prey from her mouth unenjoyed<ins
+class = "correction" title = ". missing">.&nbsp;</ins></p>
+
+
+<h4 class = "smallcaps"><a name = "NF_XXV" id = "NF_XXV">
+Fable XXV.</a><br>
+THE CROW AND THE SHEEP.</h4>
+
+<p class = "moral">
+Many are in the habit of injuring the weak and cringing to the
+powerful.</p>
+
+<p>An pestilent Crow had taken her seat upon a Sheep; which after
+carrying her a long time on her back and much against
+<span class = "pagenum">450</span>
+her inclination, remarked: “If you had done thus to a Dog with his sharp
+teeth, you would have suffered for it<ins class = "correction" title =
+"close quote missing">.”&nbsp;</ins>To this the rascally <i>Crow
+replied</i>: “I&nbsp;despise the defenceless, and I yield to the
+powerful; I&nbsp;know whom to vex, and whom to flatter craftily; by
+these means I put off my old age for years.”</p>
+
+
+<h4 class = "smallcaps"><a name = "NF_XXVI" id = "NF_XXVI">
+Fable XXVI.</a><br>
+THE SERVANT AND THE MASTER.</h4>
+
+<p class = "moral">
+There is no curse more severe than a bad conscience.</p>
+
+<p>A Servant having been guilty<a class = "tag" name = "tagNF_20" id =
+"tagNF_20" href = "#noteNF_20">NF.20</a> of a secret offence in
+debauching the wife of his master, on the latter coming to know of it,
+he said, in the presence of those standing by: “Are you quite pleased
+with yourself? For, when you ought not, you do please yourself; but not
+with impunity, for when you ought to be pleased, you cannot be.”</p>
+
+
+<h4 class = "smallcaps"><a name = "NF_XXVII" id = "NF_XXVII">
+Fable XXVII.</a><br>
+THE HARE AND THE HERDSMAN.</h4>
+
+<p class = "moral">
+Many are kind in words, faithless at heart.</p>
+
+<p>A Hare was flying from the Huntsman with speedy foot, and being seen
+by a Herdsman, as she was creeping into a thicket: “By the Gods of
+heaven, I&nbsp;beg of you,” said she, “and by all your hopes, do not
+betray me, Herdsman; I&nbsp;have never done any injury to this field<ins
+class = "correction" title = "close quote missing">.”</ins><a class =
+"tag" name = "tagNF_21" id = "tagNF_21" href = "#noteNF_21">NF.21</a>
+“Don’t be afraid,”
+<span class = "pagenum">451</span>
+the Countryman replied, “remain concealed without apprehension.” And now
+the Huntsman coming up, <i>enquired</i>: “Pray, Herdsman, has a Hare
+come this way?” “She did come, but went off that way to the left;” <i>he
+answered</i>, winking and nodding to the right. The Huntsman in his
+haste did not understand him, and hurried out of sight.</p>
+
+<p>Then <i>said</i> the Herdsman: “Are you not glad that I concealed
+you?” “I&nbsp;don’t deny,” said she, “that to your tongue I owe most
+sincere thanks, and I return them, but I wish you may be deprived of
+your perfidious eyes.”</p>
+
+
+<h4 class = "smallcaps"><a name = "NF_XXVIII" id = "NF_XXVIII">
+Fable XXVIII.</a><br>
+THE YOUNG MAN AND THE COURTESAN.</h4>
+
+<p class = "moral">
+Many things are pleasing which still are not to our advantage.</p>
+
+<p>While a perfidious Courtesan was fawning upon a Youth, and he, though
+wronged <i>by her</i> many a time and oft, still showed himself
+indulgent to the Woman, the faithless <i>Creature thus addressed
+him</i>: “Though many contend <i>for me</i> with <i>their</i> gifts,
+still do I esteem you the most.” The Youth, recollecting how many times
+he had been deceived, replied: “Gladly, my love, do I hear these words;
+not because you are constant, but because you administer to my
+pleasures.”</p>
+
+
+<h4 class = "smallcaps"><a name = "NF_XXIX" id = "NF_XXIX">
+Fable XXIX.</a><br>
+THE BEAVER.</h4>
+
+<p class = "moral">
+Many would escape, if for the sake of safety they would disregard their
+comforts.</p>
+
+<p>The Beaver (to which the talkative Greeks have given the name of
+Castor, thus bestowing upon an animal the name of a God<a class = "tag"
+name = "tagNF_22" id = "tagNF_22" href =
+"#noteNF_22">NF.22</a>&mdash;they who boast of the abundance of their
+epithets)
+<span class = "pagenum">452</span>
+<ins class = "correction" title = "missing ‘he’ or similar">when
+can</ins> no <ins class = "correction" title = "text has ’longerescape’ without space">longer escape</ins> the dogs, is said to bite off his
+testicles, because he is aware that it is for them he is sought;
+a&nbsp;thing which I would not deny being done through an instinct
+granted by the Gods; for as soon as the Huntsman has found the drug, he
+ceases his pursuit, and calls off the dogs.</p>
+
+<p>If men could manage, so as to be ready to part with what they own, in
+order to live in safety for the future, there would be no one to devise
+stratagems to the detriment of the naked body.</p>
+
+
+<h4 class = "smallcaps"><a name = "NF_XXX" id = "NF_XXX">
+Fable XXX.</a><br>
+THE BUTTERFLY AND THE WASP.</h4>
+
+<p class = "moral">
+Not past but present Fortune must be regarded.</p>
+
+<p>A Butterfly<a class = "tag" name = "tagNF_23" id = "tagNF_23" href =
+"#noteNF_23">NF.23</a> seeing a Wasp flying by: “Oh, sad is our lot,”
+said she, “derived from the depths of hell, from the recesses of which
+we have received our existence. I, eloquent in peace, brave in battle,
+most skilled in every art, whatever I once was, behold, light and
+rotten, and mere ashes do I fly.<a class = "tag" name = "tagNF_24" id =
+"tagNF_24" href = "#noteNF_24">NF.24</a> You, who were a Mule<a class =
+"tag" name = "tagNF_25" id = "tagNF_25" href = "#noteNF_25">NF.25</a>
+with panniers, hurt whomsoever you
+<span class = "pagenum">453</span>
+choose, by fixing your sting in him<ins class = "correction" title =
+"close quote missing">.” </ins>The Wasp, too, uttered these words, well
+suited to her disposition: “Consider not what we were, but what we now
+are.”</p>
+
+
+<h4 class = "smallcaps"><a name = "NF_XXXI" id = "NF_XXXI">
+Fable XXXI.</a><br>
+THE GROUND-SWALLOW AND THE FOX.</h4>
+
+<p class = "moral">
+Confidence is not to be placed in the wicked.</p>
+
+<p>A Bird which the Rustics call a Ground-Swallow (<i>terraneola</i>),
+because it makes its nest in the ground, chanced to meet a wicked Fox,
+on seeing whom she soared aloft on her wings. “Save you,” said the
+other; “why, pray, do you fly from me, as though I had not abundance of
+food in the meadows,&mdash;crickets, beetles, <i>and</i> plenty of
+locusts. You have nothing to fear, I&nbsp;beg <i>to assure you</i>;
+I&nbsp;love you dearly for your quiet ways, and your harmless life<ins
+class = "correction" title = "close quote missing">.”&nbsp;</ins><i>The
+Bird</i> replied: “You speak very fairly, indeed; however, I&nbsp;am not
+near you, but up in the air; I&nbsp;shall therefore proceed, and that is
+the way in which I trust my life to you.”</p>
+
+
+<h4 class = "smallcaps"><a name = "NF_XXXII" id = "NF_XXXII">
+Fable XXXII.</a><br>
+THE EPILOGUE.<a class = "tag" name = "tagNF_26" id = "tagNF_26" href =
+"#noteNF_26">NF.26</a></h4>
+
+<p class = "moral">
+Of those who read this book.</p>
+
+<p>Whatever my Muse has here written in sportive mood, both malice and
+worth equally join in praising; but the latter with candour, while the
+other is secretly annoyed.</p>
+
+<hr class = "tiny">
+
+<h5><a name = "notes_NF" id = "notes_NF">
+Footnotes to New Fables</a></h5>
+
+<div class = "footnote">
+
+<p><a name = "noteNF_1" id = "noteNF_1" href = "#tagNF_1">1.</a>
+<i>Attributed to Phædrus</i>)&mdash;Cassito and Jannelli, with several
+other critics, are strongly of opinion that these Fables were written by
+Phædrus. On a critical examination, however, they will be found to be so
+dissimilar in style and language from those acknowledged to be by
+Phædrus, that it is very difficult not to come to the conclusion that
+they are the work of some more recent writer, of inferior genius, and
+less pure latinity. They were first published in 1809, at Naples, by
+Cassito, from a MS. which had belonged to Nicholas Perotti, Archbishop
+of Sipontum or Manfredonia, at the end of the fifteenth century, and
+who, notwithstanding his assertions to the contrary, was perhaps either
+the author of them or altered them very materially. They appear in the
+MSS. in a mutilated condition; and the lacunæ have been filled up
+according to the fancy of the successive Editors of the Fables. Those
+inserted in Gail’s edition have in general been here adopted.</p>
+
+<p><a name = "noteNF_2" id = "noteNF_2" href = "#tagNF_2">2.</a>
+<i>If nature had</i>)&mdash;Ver. 1. This can hardly be styled a Fable;
+it is merely an Epilogue or moral lesson.</p>
+
+<p><a name = "noteNF_3" id = "noteNF_3" href = "#tagNF_3">3.</a>
+<i>For laughter</i>)&mdash;Ver. 17. This story savours more of the false
+wit of the middle ages than of the genius of Phædrus.</p>
+
+<p><a name = "noteNF_4" id = "noteNF_4" href = "#tagNF_4">4.</a>
+<i>Was called Mendacity</i>)&mdash;Ver. 21. There is a sort of pun
+intended upon the word “menda,” a&nbsp;blemish<ins class = "correction"
+title = "text has superfluous close quote">. </ins>Because Falsehood was
+blemished in having no feet, she was called “mendacium” or “mendacity.”
+Here the author’s etymology is at fault, as the word “mendacity” comes
+from “mentior,” to lie; which is not likely to have been derived from
+“menda.” Besides, Falsehood, whether she has feet or not, generally
+travels more speedily than Truth.</p>
+
+<p><a name = "noteNF_5" id = "noteNF_5" href = "#tagNF_5">5.</a>
+<i>Fable V.</i>)&mdash;This seems to be only a fragment; probably the
+moral of a Fable now lost.</p>
+
+<p><a name = "noteNF_6" id = "noteNF_6" href = "#tagNF_6">6.</a>
+<i>Nine acres</i>)&mdash;Ver. 13. “Jugera.” The “jugerum” was a piece of
+land 240 feet long by 120 wide.</p>
+
+<p><a name = "noteNF_7" id = "noteNF_7" href = "#tagNF_7">7.</a>
+<i>The laurels, too</i>)&mdash;Ver. 5. The “cortina” or oracular shrine
+was surrounded with laurels; which were said to quiver while the oracles
+were being pronounced. This is probably the most beautiful portion of
+these newly-discovered poems. Still, it cannot with propriety be called
+a Fable.</p>
+
+<p><a name = "noteNF_8" id = "noteNF_8" href = "#tagNF_8">8.</a>
+<i>A person had recited</i>)&mdash;Ver. 1. Adry remarks that this is not
+a Fable, but only an Epigram.</p>
+
+<p><a name = "noteNF_9" id = "noteNF_9" href = "#tagNF_9">9.</a>
+<i>About their business</i>)&mdash;Ver. 13. The words suggested in
+Orellius, “Indicii falsi auctores propelli jubet,” are used here to fill
+up the lacuna.</p>
+
+<p><a name = "noteNF_10" id = "noteNF_10" href = "#tagNF_10">10.</a>
+<i>May I?</i>)&mdash;Ver. 29. “Licet?” meaning: “Do you give me
+permission to go against the enemy?” The story about the spittle savours
+of the middle ages.</p>
+
+<p><a name = "noteNF_11" id = "noteNF_11" href = "#tagNF_11">11.</a>
+<i>When Juno</i>)&mdash;Ver. 1. This story is both silly and in very bad
+taste. <!-- F2: This footnote is both silly and undeserved --></p>
+
+<p><a name = "noteNF_12" id = "noteNF_12" href = "#tagNF_12">12.</a>
+<i>Remedy for a bad temper</i>)&mdash;Ver. 15. This doctrine is stated
+in far too general terms.</p>
+
+<p><a name = "noteNF_13" id = "noteNF_13" href = "#tagNF_13">13.</a>
+<i>Genius often wasted.</i>)&mdash;Ver. 7. It seems to border upon the
+absurd to speak of an ass losing the opportunity of cultivating his
+“ingenium.” He can hardly with propriety be quoted under any
+circumstances as a specimen of a “mute inglorious Milton.”</p>
+
+<p><a name = "noteNF_14" id = "noteNF_14" href = "#tagNF_14">14.</a>
+<i>A certain Woman</i>)&mdash;Ver. 1. This is the story of the Matron of
+Ephesus, told in a much more interesting manner by Petronius
+Arbiter.</p>
+
+<p><a name = "noteNF_15" id = "noteNF_15" href = "#tagNF_15">15.</a>
+<i>Shan’t enjoy their repose</i>)&mdash;Ver. 9. The play upon the word
+“cessabo,” seems redolent of the wit of the middle ages, and not of the
+days of Phædrus.</p>
+
+<p><a name = "noteNF_16" id = "noteNF_16" href = "#tagNF_16">16.</a>
+<i>Savage brotherhood</i>)&mdash;Ver. 6. “Societas.” The brotherhood of
+litter-carriers, perhaps four or six in number.</p>
+
+<p><a name = "noteNF_17" id = "noteNF_17" href = "#tagNF_17">17.</a>
+<i>If at any time</i>)&mdash;Ver. 1. This is not a Fable; it is merely
+an anecdote in natural history, and one not very unlikely to have been
+true.</p>
+
+<p><a name = "noteNF_18" id = "noteNF_18" href = "#tagNF_18">18.</a>
+<i>Be made manifest</i>)&mdash;Ver. 1. This moral is couched in the same
+words as St. Luke, viii. 17: “For nothing is secret which shall not be
+made manifest.”</p>
+
+<p><a name = "noteNF_19" id = "noteNF_19" href = "#tagNF_19">19.</a>
+<i>A Shepherd had broken</i>)&mdash;Ver. 1. As Adry remarks, this Fable
+more closely resembles the brevity and elegance of Phædrus.</p>
+
+<p><a name = "noteNF_20" id = "noteNF_20" href = "#tagNF_20">20.</a>
+<i>Having been guilty</i>)&mdash;Ver. 5. Chambry, one of the French
+Editors, omits this, as unworthy of Phædrus, and Adry pronounces it
+unintelligible. The meaning of this, which is Jannelli’s version, seems
+to be: “When you ought not to please yourself, you do please yourself,
+in committing the crime; but the consequence is that, afterwards, when
+you ought to feel pleased, in that you have gratified your desires, you
+cannot, in consequence of your guilty conscience.” It is so mutilated,
+however, that Cassitti, Jannelli, and other Editors give entirely
+different versions.</p>
+
+<p><a name = "noteNF_21" id = "noteNF_21" href = "#tagNF_21">21.</a>
+<i>Injury to this field</i>)&mdash;Ver. 4. The Hare is more an enemy to
+the flowers in gardens than to the fields. It was probably for this
+reason that the Romans sacrificed this animal to the Goddess Flora.</p>
+
+<p><a name = "noteNF_22" id = "noteNF_22" href = "#tagNF_22">22.</a>
+<i>Name of a God</i>)&mdash;Ver. 3. This pun upon the <ins class =
+"correction" title = "text reads ‘resesemblance’">resemblance</ins> of
+“Castor,” the name of the demigod, to “Castor,” “a&nbsp;beaver,” seems
+to be a puerile pun; and the remark upon the limited “copia verborum” of
+the Greeks, seems more likely to proceed from the Archbishop of Sipontum
+than from Phædrus, who was evidently proud of his Grecian origin.</p>
+
+<p><a name = "noteNF_23" id = "noteNF_23" href = "#tagNF_23">23.</a>
+<i>A Butterfly</i>)&mdash;Ver. 1. This Fable is in a sadly mutilated
+state, and critics are at a loss to say, with any certainty, what is
+meant by it. Whether the supposed word in l.&nbsp;2, “barathris,” (if
+really the correct reading), means the depths of hell, or the inner
+folds of the leaves in which the Butterfly is enveloped in the chrysalis
+state, or whether it means something else, will probably always remain a
+matter of doubt. However, the Fable seems to allude to the prevalent
+idea, that the soul, when disengaged from the body, took the form of a
+butterfly. Indeed the Greeks called both the soul and a butterfly by the
+name of <span class = "greek" title = "psuchê (printed with misplaced accent)">ψυχή</span>. There are six or seven different versions of the
+first five lines.</p>
+
+<p><a name = "noteNF_24" id = "noteNF_24" href = "#tagNF_24">24.</a>
+<i>Ashes do I fly</i>)&mdash;Ver. 6. It is just possible that this may
+allude to the soul being disengaged from the corruption of the body.</p>
+
+<p><a name = "noteNF_25" id = "noteNF_25" href = "#tagNF_25">25.</a>
+<i>Who were a Mule</i>)&mdash;Ver. 7. She would seem here to allude to
+the doctrine of the transmigration of souls. It may possibly have been a
+notion, that as the human soul took the form of a Butterfly, the souls
+of animals appeared in the shapes of Wasps and Flies.</p>
+
+<p><a name = "noteNF_26" id = "noteNF_26" href = "#tagNF_26">26.</a>
+<i>The Epilogue</i>)&mdash;This appears in reality to be only the
+Fragment of an Epilogue.</p>
+
+</div>
+
+
+<span class = "pagenum">454</span>
+
+<h3>ÆSOPIAN FABLES.<a class = "tag" name = "tagAF_1" id = "tagAF_1" href
+= "#noteAF_1">AF.1</a><br>
+<span class = "smallroman">THE AUTHORS OF WHICH ARE NOT
+KNOWN</span></h3>
+
+<hr class = "mid">
+
+<h4 class = "smallcaps"><a name = "AF_I" id = "AF_I">
+Fable I.</a><br>
+THE SICK KITE.</h4>
+
+<p>A Kite having been sick for many months, and seeing now there was no
+longer any hope of his recovery, asked his Mother to go round the sacred
+places, and make the most earnest vows for his recovery. “I&nbsp;will do
+so, my Son,” said she, “but I am greatly afraid I shall obtain no help;
+but you, who have polluted every temple <i>and</i> every altar with your
+ravages, sparing no sacrificial food, what is it you would now have me
+ask?”</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_II" id = "AF_II">
+Fable II.</a><br>
+THE HARES TIRED OF LIFE.</h4>
+
+<p>He who cannot endure his own misfortune, let him look at others, and
+learn patience.</p>
+
+<p>On one occasion, the Hares being scared in the woods by a great
+noise, cried out, that, on account of their continued alarms, they would
+end their lives. So they repaired to a certain pond, into which, in
+their despondency, they were
+<span class = "pagenum">455</span>
+going to throw themselves. Alarmed at their approach, some Frogs fled
+distractedly into the green sedge. “Oh!” says one <i>of the hares</i>,
+“there are others too whom fear of misfortune torments. Endure existence
+as others do.”</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_III" id = "AF_III">
+Fable III.</a><br>
+JUPITER AND THE FOX.</h4>
+
+<p>No fortune conceals baseness of nature.</p>
+
+<p>Jupiter having changed a Fox into a human shape, while she was
+sitting as a Mistress on a royal throne, she saw a beetle creeping out
+of a corner, and sprang nimbly towards the well-known prey. The Gods of
+heaven smiled; the Great Father was ashamed, and expelled the Concubine,
+repudiated and disgraced, addressing her in these words: “Live on in the
+manner that you deserve, you, who cannot make a worthy use of my
+kindness.”</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_IV" id = "AF_IV">
+Fable IV.</a><br>
+THE LION AND THE MOUSE.</h4>
+
+<p>This Fable teaches that no one should hurt those of more humble
+condition.</p>
+
+<p>While a Lion was asleep in a wood, where some Field-Mice were
+sporting about, one of them by chance leaped upon the Lion as he lay.
+The Lion awoke and seized the wretched <i>creature</i> with a sudden
+spring. The captive implored pardon <i>and</i> suppliantly confessed his
+crime, a&nbsp;sin of imprudence. The Monarch, not deeming it a glorious
+thing to exact vengeance for this, pardoned him and let him go.
+A&nbsp;few days after, the Lion, while roaming by night, fell into a
+trap. When he perceived that he was caught in the snare, he began to
+roar with his loudest voice. At this tremendous noise the Mouse
+instantly ran to his assistance, and exclaimed: “You have no need to
+fear; I&nbsp;will make an adequate return for your great kindness.”
+Immediately he began to survey all the knots and the fastenings of the
+knots; and
+<span class = "pagenum">456</span>
+gnawing the strings after he had examined them, loosened the snare. Thus
+did the Mouse restore the captured Lion to the woods.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_V" id = "AF_V">
+Fable V.</a><br>
+THE MAN AND THE TREES.</h4>
+
+<p>Those perish, who give assistance to their foes.</p>
+
+<p>A certain Man, having made an axe, besought the Trees to afford him a
+handle from their wood that would prove firm: they all desired that a
+piece of Olive-tree should be given. He accepted the offer, and, fitting
+on the handle, set to work with the axe to hew down the huge trunks.
+While he was selecting such as he thought fit, the Oak is reported thus
+to have said to the Ash: “We richly deserve to be cut down.”</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_VI" id = "AF_VI">
+Fable VI.</a><br>
+THE MOUSE AND THE FROG.</h4>
+
+<p>A Mouse, in order that he might pass over a river with greater ease,
+sought the aid of a Frog. She tied the fore leg of the Mouse to her
+hinder thigh. Hardly had they swum to the middle of the river, when the
+Frog dived suddenly, trying to reach the bottom, that she might
+perfidiously deprive the Mouse of life. While he struggled with all his
+might not to sink, a&nbsp;Kite that was flying near at hand, beheld the
+prey, and seizing the floundering Mouse in his talons, at the same time
+bore off the Frog that was fastened to him.</p>
+
+<p>Thus do men often perish while meditating the <ins class =
+"correction" title = "missing ‘of’">destruction others</ins>.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_VII" id = "AF_VII">
+Fable VII.</a><br>
+THE TWO COCKS AND THE HAWK.</h4>
+
+<p>A Cock who had often fought with <i>another</i> Cock, and been
+beaten, requested a Hawk <i>to act as</i> umpire in the contest.
+<span class = "pagenum">457</span>
+The latter conceived hopes, if both should come, of devouring him who
+should first present himself. Shortly after, when he saw that they had
+come to plead their cause, he seized the one who first brought his case
+into court. The victim clamorously exclaimed: “’Tis not I that should be
+punished, but the one who took to flight;” the Bird <i>replied</i>: “Do
+not suppose that you can this day escape my talons; it is just that you
+should now yourself endure the treacheries you were planning for
+another.”<a class = "tag" name = "tagAF_2" id = "tagAF_2" href =
+"#noteAF_2">AF.2</a></p>
+
+<p>He who often cogitates upon the death of others, little knows what
+sad Fate he may be preparing for himself.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_VIII" id = "AF_VIII">
+Fable VIII.</a><br>
+THE SNAIL AND THE APE.</h4>
+
+<p>A Snail, smitten with admiration of a Mirror which she had found,
+began to climb its shining face, and lick it, fancying she could confer
+no greater favour upon it, than to stain its brightness with her slime.
+An Ape, when he saw the Mirror <i>thus</i> defiled, remarked: “He who
+allows himself to be trodden by such <i>beings</i>, deserves to suffer
+such a disgrace.”</p>
+
+<p>This Fable is written for those Women who unite themselves to
+ignorant and foolish Men.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_IX" id = "AF_IX">
+Fable IX.</a><br>
+THE CITY MOUSE AND COUNTRY MOUSE.</h4>
+
+<p>A City Mouse being once entertained at the table of a Country one,
+dined on humble acorns in a hole. Afterwards he prevailed upon the
+Countryman by his entreaties to enter the city and a cellar that
+abounded with the choicest things. Here, while they were enjoying
+remnants of various kinds, the door is thrown open, and in comes the
+Butler; the Mice, terrified at the noise, fly in different directions,
+<span class = "pagenum">458</span>
+and the City one easily hides himself in his well-known holes; while the
+unfortunate Rustic, all trepidation in that strange house, and dreading
+death, runs to-and-fro along the walls. When the Butler had taken what
+he wanted, and had shut the door, the City Mouse bade the Country one
+again to take courage. The latter, still in a state of perturbation,
+replied: “I&nbsp;hardly can take any food for fear. Do you think he will
+come?” &mdash;“Why are you in such a fright?” said the City one; “come,
+let us enjoy dainties which you may seek in vain in the country.” The
+Countryman <i>replied</i>: “You, who don’t know what it is to fear, will
+enjoy all these things; but, free from care and at liberty, may acorns
+be my food!”</p>
+
+<p>’Tis better to live secure in poverty, than to be consumed by the
+cares attendant upon riches.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_X" id = "AF_X">
+Fable X.</a><br>
+THE ASS FAWNING UPON HIS MASTER.</h4>
+
+<p>An Ass, seeing the Dog fawn upon his master, and how he was crammed
+at his table each day, and had bits thrown to him in abundance by the
+Servants, thus remarked: “If the Master and the Servants are so very
+fond of a most filthy Dog, what must it be with me, if I should pay him
+similar attentions, who am much better than this Dog, and useful and
+praiseworthy in many respects; who am supported by the pure streams of
+undefiled water, and never in the habit of feeding upon nasty food?
+Surely I am more worthy than a whelp to enjoy a happy life, and to
+obtain the highest honor.” While the Ass is thus soliloquising, he sees
+his Master enter the stable; so running up to him in haste and braying
+aloud, he leaps upon him, claps both feet on his shoulders, begins to
+lick his face; and tearing his clothes with his dirty hoofs, he fatigues
+his Master with his heavy weight, as he stupidly fawns upon him. At
+their Master’s outcry the Servants run to the spot, and seizing
+everywhere such sticks and stones as come in their way, they punish the
+braying <i>beast</i>, and knocking him off his Master’s body, soon send
+him back, half-dead to the manger, with sore limbs and battered
+rump.</p>
+
+<span class = "pagenum">459</span>
+<p><i>This</i> Fable teaches that a fool is not to thrust himself upon
+those who do not want him, or affect to perform the part of one superior
+<i>to him</i>.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_XI" id = "AF_XI">
+Fable XI.</a><br>
+THE CRANE, THE CROW, AND THE COUNTRYMAN.</h4>
+
+<p>A Crane and a Crow had made a league on oath, that the Crane should
+protect the Crow against the Birds, <i>and</i> that the Crow should
+foretell the future, so that the Crane might be on her guard. After
+this, on their frequently flying into the fields of a certain
+Countryman, and tearing up by the roots what had been sown, the owner of
+the field saw it, and being vexed, cried out: “Give me a stone, Boy,
+that I may hit the Crane.” When the Crow heard this, at once she warned
+the Crane, who took all due precaution. On another day, too, the Crow
+hearing him ask for a stone, again warned the Crane carefully to avoid
+the danger. The Countryman, suspecting that the divining Bird heard his
+commands, said to the Boy: “If I say, give me a cake, do you secretly
+hand me a stone.” The Crane came <i>again</i>; he bade the Boy give him
+a cake, but the Boy gave him a stone, with which he hit the Crane, and
+broke her legs. The Crane, on being wounded, said: “Prophetic Crow,
+where now are your auspices? Why did you not hasten to warn your
+companion, as you swore you would, that no such evil might befall me?”
+The Crow made answer: “It is not my art that deserves to be blamed; but
+the purposes of double-tongued people are so deceiving, who say one
+thing and do another.”</p>
+
+<p>Those who impose upon the inexperienced by deceitful promises, fail
+not to cajole them by-and-bye with pretended reasons.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_XII" id = "AF_XII">
+Fable XII.</a><br>
+THE BIRDS AND THE SWALLOW.</h4>
+
+<p>The Birds having assembled in one spot, saw a Man sowing flax in a
+field. When the Swallow found that they thought
+<span class = "pagenum">460</span>
+nothing at all of this, she is reported to have called them together,
+and thus addressed them: “Danger awaits us all from this, if the seed
+should come to maturity.” The Birds laughed <i>at her</i>. When the
+crop, however, sprang up, the Swallow again remarked: “Our destruction
+is impending; come, let us root up the noxious blades, lest, if they
+shortly grow up, nets may be made thereof, and we may be taken by the
+contrivances of man.” The Birds persist in laughing at the words of the
+Swallow, and foolishly despise <i>this</i> most prudent advice. But she,
+in her caution, at once betook herself to Man, that she might suspend
+her nest in safety under his rafters. The Birds, however, who had
+disregarded her wholesome advice, being caught in nets made of the flax,
+came to an untimely end.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_XIII" id = "AF_XIII">
+Fable XIII.</a><br>
+THE PARTRIDGE AND THE FOX.</h4>
+
+<p>Once on a time a Partridge was sitting in a lofty tree. A&nbsp;Fox
+came up, and began <i>thus</i> to speak: “O&nbsp;Partridge, how
+beautiful is your aspect! Your beak transcends the coral; your thighs
+the brightness of purple. And then, if you were to sleep, how much more
+beauteous you would be<ins class = "correction" title = "close quote missing">.”&nbsp;</ins>As soon as the silly Bird had closed her eyes,
+that instant the Fox seized the credulous thing. Suppliantly she uttered
+these words, mingled with loud cries: “O&nbsp;Fox, I&nbsp;beseech you,
+by the graceful dexterity of your exquisite skill, utter my name as
+before, and then you shall devour me.” The Fox, willing to speak, opened
+his mouth, and so the Partridge escaped destruction. Then said the
+deluded Fox: “What need was there for me to speak?” The Partridge
+retorted: “And what necessity was there for me to sleep, when my hour
+for sleep had not come?”</p>
+
+<p>This is for those who speak when there is no occasion, and who sleep
+when it is requisite to be on the watch.</p>
+
+
+<span class = "pagenum">461</span>
+<h4 class = "smallcaps"><a name = "AF_XIV" id = "AF_XIV">
+Fable XIV.</a><br>
+THE ASS, THE OX, AND THE BIRDS.</h4>
+
+<p>An Ass and an Ox, fastened to the same yoke, were drawing a waggon.
+While the Ox was pulling with all his might he broke his horn. The Ass
+swears that he experiences no help whatever from his weak companion.
+Exerting himself in the labour, the Ox breaks his other horn, and at
+length falls dead upon the ground. Presently, the Herdsman loads the Ass
+with the flesh of the Ox, and he breaks down amid a thousand blows, and
+stretched in the middle of the road, expires. The Birds flying to the
+prey, exclaim: “If you had shown yourself compassionate to the Ox when
+he entreated you, you would not have been food for us through your
+untimely death.”</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_XV" id = "AF_XV">
+Fable XV.</a><br>
+THE LION AND THE SHEPHERD.</h4>
+
+<p>A Lion,<a class = "tag" name = "tagAF_3" id = "tagAF_3" href =
+"#noteAF_3">AF.3</a> while wandering in a wood, trod on a thorn, and
+soon after came up, wagging his tail, to a Shepherd: “Don’t be alarmed,”
+<i>said he</i>, “I&nbsp;suppliantly entreat your aid; I&nbsp;am not in
+search for prey.” Lifting up the <i>wounded</i> foot, the Man places it
+in his lap, and, taking out the thorn, relieves <i>the patient’s</i>
+severe pain: whereupon the Lion returns to the woods. Some time after,
+the Shepherd (being accused on a false charge) is condemned, and is
+ordered to be exposed to ravening Beasts at the ensuing games. While the
+Beasts, on being let out,<a class = "tag" name = "tagAF_4" id =
+"tagAF_4" href = "#noteAF_4">AF.4</a> are roaming to-and-fro, the Lion
+recognizes the Man who effected the cure, and again raising his foot,
+places it in the Shepherd’s lap. The King, as soon as <ins class =
+"correction" title = "text unchanged: missing word">he aware</ins> of
+this, immediately restored the Lion to the woods, and the Shepherd to
+his friends.</p>
+
+
+<span class = "pagenum">462</span>
+<h4 class = "smallcaps"><a name = "AF_XVI" id = "AF_XVI">
+Fable XVI.</a><br>
+THE GNAT AND THE BULL.</h4>
+
+<p>A Gnat having challenged a Bull to a trial of strength, all the
+People came to see the combat. Then <i>said</i> the Gnat: “’Tis enough
+that you have come to meet me in combat; for <i>though</i> little in my
+own idea, I&nbsp;am great in your judgment,” <i>and so saying</i>, he
+took himself off on light wing through the air, and duped the multitude,
+and eluded the threats of the Bull. <i>Now</i> if the Bull had kept in
+mind his strength of neck, and had contemned an ignoble foe, the
+vapouring of the trifler would have been all in vain.</p>
+
+<p>He loses character who puts himself on a level with the
+undeserving.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_XVII" id = "AF_XVII">
+Fable XVII.</a><br>
+THE HORSE AND THE ASS.</h4>
+
+<p>A Steed, swelling <i>with pride</i> beneath his trappings, met an
+Ass, and because the latter, wearied with his load, made room very
+slowly: “Hardly,” said <i>the Horse</i>, “can I restrain myself from
+kicking you severely.” The Ass held his peace, only appealing with his
+groans to the Gods. The Horse in a short space of time, broken-winded
+with running, is sent to the farm. There the Ass espying him laden with
+dung, thus jeered him: “Where are your former trappings, vain boaster,
+who have now fallen into the misery which you treated with such
+contempt?”</p>
+
+<p>Let not the fortunate man, unmindful of the uncertainty of fortune,
+despise the lowly one, seeing that he knows not what he may come to
+himself.</p>
+
+
+<span class = "pagenum">463</span>
+<h4 class = "smallcaps"><a name = "AF_XVIII" id = "AF_XVIII">
+Fable XVIII.</a><br>
+THE BIRDS, THE BEASTS, AND THE BAT.</h4>
+
+<p>The Birds were at war with the Beasts, and the conquerors were
+defeated in their turn; but the Bat, fearing the doubtful issue of
+<i>the strife</i>, always betook himself to those whom he saw
+victorious. When they had returned to their former state of peace, the
+fraud was apparent to both sides; convicted therefore of a crime so
+disgraceful, <i>and</i> flying from the light, he thenceforth hid
+himself in deep darkness, always flying alone by night.</p>
+
+<p>Whoever offers himself for sale to both sides, will live a life of
+disgrace, hateful to them both.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_XIX" id = "AF_XIX">
+Fable XIX.</a><br>
+THE NIGHTINGALE, THE HAWK, AND THE FOWLER.</h4>
+
+<p>While a Hawk was sitting in a Nightingale’s nest, on the watch for a
+Hare, he found there some young ones. The Mother, alarmed at the danger
+of her offspring, flew up, and suppliantly entreated him to spare her
+young ones. “I&nbsp;will do what you wish,” he replied, “if you will
+sing me a tuneful song with a clear voice.” On this, much as her heart
+failed her, still, through fear, she obeyed, and being compelled, full
+of grief she sang. The Hawk, who had seized the prey, <i>then</i> said:
+“You have not sung your best;” and, seizing one of the young ones with
+his claws, began to devour it. A&nbsp;Fowler approaches from another
+direction, and stealthily extending his reed,<a class = "tag" name =
+"tagAF_5" id = "tagAF_5" href = "#noteAF_5">AF.5</a> touches the
+perfidious <i>creature</i> with bird-lime, and drags him to the
+ground.</p>
+
+<p>Whoever lays crafty stratagems for others, ought to beware that he
+himself be not entrapped by cunning.</p>
+
+
+<span class = "pagenum">464</span>
+<h4 class = "smallcaps"><a name = "AF_XX" id = "AF_XX">
+Fable XX.</a><br>
+THE WOLF, THE FOX, AND THE SHEPHERD.</h4>
+
+<p>A Wolf, in the course of time, had collected a store in his den, that
+he might have food, which he might enjoy at his ease for many months.
+A&nbsp;Fox, on learning this, went to the Wolf’s den, and <i>said</i>
+with tremulous voice: “Is all right, brother? For not having seen you on
+the look-out for prey in your woods, life has been saddened every day.”
+The Wolf, when he perceived the envy of his rival, <i>replied</i>: “You
+have not come hither from any anxiety on my account, but that you may
+get a share. I&nbsp;know what is your deceitful aim.” The Fox enraged,
+comes to a Shepherd, <i>and</i> says: “Shepherd, will you return me
+thanks, if to-day I deliver up to you the enemy of your flock, so that
+you need have no more anxiety?” The Shepherd <i>replied</i>:
+“I&nbsp;will serve you, and will with pleasure give you anything you
+like.” She points out the Wolf’s den to the Shepherd, who shuts him in,
+despatches him immediately with a spear, and gladly gratifies his rival
+with the property of another. When, however, the Fox had fallen into the
+Hunter’s hands, being caught and mangled by the Dogs, she said: “Hardly
+have I done an injury to another, ere I am now punished
+<i>myself</i>.”</p>
+
+<p>Whoever ventures to injure another, ought to beware lest a greater
+evil befall himself.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_XXI" id = "AF_XXI">
+Fable XXI.</a><br>
+THE SHEEP AND THE WOLVES.</h4>
+
+<p>When the Sheep and the Wolves<a class = "tag" name = "tagAF_6" id =
+"tagAF_6" href = "#noteAF_6">AF.6</a> engaged in battle, the former,
+safe under the protection of the dogs, were victorious. The Wolves sent
+ambassadors, and demanded a peace,
+<span class = "pagenum">465</span>
+ratified on oath, on these terms; that the Sheep should give up the
+Dogs, and receive as hostages the whelps of the Wolves. The Sheep,
+hoping that lasting concord would be thus secured, did as the Wolves
+demanded. Shortly after, when the whelps began to howl, the Wolves,
+alleging as a pretext, that their young ones were being murdered, and
+that the peace had been broken by the Sheep, made a simultaneous rush on
+every side, and attacked the latter <i>thus</i> deprived of protectors;
+<i>and</i> so a late repentance condemned their folly in putting faith
+in their enemies.</p>
+
+<p>If a person gives up to others the safeguard under which he has
+previously lived in security, he will afterwards wish it back, but in
+vain.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_XXII" id = "AF_XXII">
+Fable XXII.</a><br>
+THE APE AND THE FOX.</h4>
+
+<p>An Ape asked a Fox to spare him some part of her exceeding length of
+tail, with which he might be enabled to cover his most unseemly hinder
+parts. “For of what use,” said he, “is a tail of such extraordinary
+length? For what purpose do you drag such a vast weight along the
+ground?” The Fox <i>answered</i>: “Even if it were longer, and much
+bulkier, I&nbsp;would rather drag it along the ground and through mud
+and thorns, than give you a part; that you might not appear more comely
+through what covers me.”</p>
+
+<p>Greedy and rich <i>man</i>, this Fable has a lesson for you, who,
+though you have a superabundance, still give nothing to the poor.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_XXIII" id = "AF_XXIII">
+Fable XXIII.</a><br>
+THE WOLF, THE SHEPHERD, AND THE HUNTSMAN.</h4>
+
+<p>A Wolf, flying from the Huntsman’s close pursuit, was seen by a
+Shepherd, <i>who noticed</i> which way he fled, and in what spot he
+concealed himself. “Herdsman,” <i>said</i> the terrified fugitive, “by
+all your hopes, do not, I&nbsp;do adjure you by the great Gods, betray
+an innocent being, who has done you no injury.”</p>
+
+<span class = "pagenum">466</span>
+<p>“Don’t fear,” the Shepherd replied; “I’ll point in another
+direction.” Soon after, the Huntsman comes up in haste: “Shepherd, have
+you not seen a Wolf come this way? Which way did he run?” The Shepherd
+replied, in a loud voice: “He certainly did come, but he fled to the
+left,” but he secretly motioned with his eyes towards the right. The
+other did not understand him, and went on in haste. Then <i>said</i> the
+Shepherd to the Wolf: “What thanks will you give me for having concealed
+you?” “To your tongue, I&nbsp;give especial ones,” said the Wolf, “but
+on your deceitful eyes I pray that the darkness of eternal night may
+fall.”</p>
+
+<p>He who, courteous in his words, conceals deceit in his heart, may
+understand that he is himself described in this Fable.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_XXIV" id = "AF_XXIV">
+Fable XXIV.</a><br>
+THE TRUTHFUL MAN, THE LIAR, AND THE APES.</h4>
+
+<p>A Liar and a Truthful Man, while travelling together, chanced to come
+into the land of the Apes. One of the number, who had made himself King,
+seeing them, ordered them to be detained, that he might learn what men
+said of him, <i>and</i> at the same time he ordered all the Apes to
+stand in lengthened array on the right and left; and that a throne
+should be placed for himself, as he had formerly seen was the practice
+with the Kings among men. After this he questions the men <i>so</i>
+ordered to be brought before him: “What do you think of me, strangers?”
+“You seem to be a most mighty King,” the Liar replied. “What of these
+whom you see now about me?” “These are ministers,<a class = "tag" name =
+"tagAF_7" id = "tagAF_7" href = "#noteAF_7">AF.7</a> these are
+lieutenants, and leaders of troops.” The Ape thus lyingly praised,
+together with his crew, orders a present to be given to the flatterer.
+On this the Truth-teller <i>remarked</i> to himself: “If so great the
+reward for lying, with what gifts shall I not be presented, if,
+according to my custom, I&nbsp;tell the truth?” The Ape then
+<i>turns</i> to the Truthful Man: “And
+<span class = "pagenum">467</span>
+what do you think of me and those whom you see standing before me?” He
+made answer: “You are a genuine Ape, and all these <i>are</i> Apes, who
+are like you.” The King, enraged, ordered him to be torn with teeth and
+claws, because he had told the truth.</p>
+
+<p>A courtly lie is praised by the wicked; plain-spoken truth brings
+destruction on the good.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_XXV" id = "AF_XXV">
+Fable XXV.</a><br>
+THE MAN AND THE LION.</h4>
+
+<p>A Man was disputing with a Lion which was the stronger of the two,
+and while they were seeking evidence on the matter in dispute, they came
+at last to a sepulchre, on which <i>the human disputant</i> pointed out
+a Lion, depicted with his jaws rent asunder by a Man&mdash;a striking
+proof of superior strength. The Lion made answer: “This was painted by a
+human hand; if Lions knew how to paint, you would see the man undermost.
+But I will give a more convincing proof of our valour.” He
+<i>accordingly</i> led the Man to some games,<a class = "tag" name =
+"tagAF_8" id = "tagAF_8" href = "#noteAF_8">AF.8</a> where, calling his
+attention to men slain in reality by Lions, he said: “There is no need
+of the testimony of pictures here; real valour is shown by deeds.”</p>
+
+<p><i>This</i> Fable teaches that liars use colouring in vain, when a
+sure test is produced.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_XXVI" id = "AF_XXVI">
+Fable XXVI.</a><br>
+THE STORK, THE GOOSE, AND THE HAWK.</h4>
+
+<p>A Stork, having come to a well-known pool, found a Goose diving
+frequently beneath the water, <i>and</i> enquired why she did so. The
+other replied: “This is our custom, and we find our food in the mud; and
+then, besides, we thus find safety, and escape the attack of the Hawk
+when he <ins class = "correction" title = "text reads ‘cames’">comes</ins> against
+<span class = "pagenum">468</span>
+us.” “I&nbsp;am much stronger than the Hawk,” said the Stork; “if you
+choose to make an alliance with me, you will be able victoriously to
+deride him.” The Goose believing her, and immediately accepting her aid,
+goes with her into the fields: forthwith comes the Hawk, and seizes the
+Goose in his remorseless claws and devours her, while the Stork flies
+off. The Goose <i>called out after her</i>: “He who trusts himself to so
+weak a protector, deserves to come to a still worse end.”</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_XXVII" id = "AF_XXVII">
+Fable XXVII.</a><br>
+THE SHEEP AND THE CROW.</h4>
+
+<p>A Crow, sitting at her ease upon a Sheep’s back, pecked her with her
+beak. After she had done this for a long time, the Sheep, so patient
+under injury, remarked: “If you had offered this affront to the Dog, you
+could not have endured his barking.” But the Crow <i>thus answered</i>
+the Sheep: “I&nbsp;never sit on the neck of one so strong, as I know
+whom I may provoke; my years having taught me cunning, I&nbsp;am civil
+to the robust, but insolent to the defenceless. Of such a nature have
+the Gods thought fit to create me.”</p>
+
+<p><i>This</i> Fable was written for those base persons who oppress the
+innocent, <i>and</i> fear to annoy the bold.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_XXVIII" id = "AF_XXVIII">
+Fable XXVIII.</a><br>
+THE ANT AND THE GRASSHOPPER.</h4>
+
+<p>In winter time, an Ant was dragging forth from <ins class =
+"correction" title = "text reads ‘her her’">her</ins> hole, and drying,
+the grains which, in her foresight, she had collected during the summer.
+A&nbsp;Grasshopper, being hungry, begged her to give him something: the
+Ant <i>replied</i>: “What were you doing in summer?” The other
+<i>said</i>: “I&nbsp;had not leisure to think of the future: I&nbsp;was
+wandering through hedges and meadows, singing away.” The Ant laughing,
+and carrying back the grains, said: “Very well, you who were singing
+away in the summer, <ins class = "correction" title = "d invisible">dance</ins> in the winter.”</p>
+
+<p>Let the sluggard always labour at the proper time, lest when he has
+nothing, he beg in vain.</p>
+
+
+<span class = "pagenum">469</span>
+<h4 class = "smallcaps"><a name = "AF_XXIX" id = "AF_XXIX">
+Fable XXIX.</a><br>
+THE HORSE AND THE ASS.</h4>
+
+<p>An Ass asked a Horse for a little barley. “With all my heart,” said
+he, “if I had more than I wanted, I&nbsp;would give you plenty, in
+accordance with my dignified position; but bye-and-bye, as soon as I
+shall have come to my manger in the evening, I&nbsp;will give you a
+sackful of wheat.” The Ass replied: “If you now deny me on a trifling
+occasion, what am I to suppose you will do on one of greater
+importance?”</p>
+
+<p>They who, while making great promises, refuse small favours, show
+that they are very tenacious of giving.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_XXX" id = "AF_XXX">
+Fable XXX.</a><br>
+THE OLD LION AND THE FOX.</h4>
+
+<p>Worn with years, a Lion pretended illness. Many Beasts came for the
+purpose of visiting the sick King, whom at once he devoured. But a wary
+Fox stood at a distance before the den, saluting the King. On the Lion
+asking her why she did not come in: “Because,” <i>said she</i>,
+“I&nbsp;see many foot-marks of those who have gone in, but none of those
+who came out.”</p>
+
+<p>The dangers of others are generally of advantage to the wary.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_XXXI" id = "AF_XXXI">
+Fable XXXI.</a><br>
+THE CAMEL AND THE FLEA.</h4>
+
+<p>A Flea, chancing to sit on the back of a Camel who was going along
+weighed down with heavy burdens, was quite delighted with himself, as he
+appeared to be so much higher. After they had made a long journey, they
+came together in the evening to the stable. The Flea immediately
+exclaimed, skipping lightly to the ground: “See, I&nbsp;have got down
+directly, that I may not weary you any longer, <i>so</i> galled as you
+are.” The Camel <i>replied</i>: “I&nbsp;thank you; but neither
+<span class = "pagenum">470</span>
+when you were on me did I find myself oppressed by your weight, nor do I
+feel myself at all lightened now you have dismounted.”</p>
+
+<p>He who, while he is of no standing, boasts to be of a lofty one,
+falls under contempt when he comes to be known.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_XXXII" id = "AF_XXXII">
+Fable XXXII.</a><br>
+THE KID AND THE WOLF.</h4>
+
+<p>A She-Goat, that she might keep her young one in safety, on going
+forth to feed, warned <i>her</i> heedless Kid not to open the door,
+because she knew that many wild beasts were prowling about the cattle
+stalls. When she was gone, there came a Wolf, imitating the voice of the
+dam, and ordered the door to be opened for him. When the Kid heard him,
+looking through a chink, he said to the Wolf: “I&nbsp;hear a sound like
+my Mother’s <i>voice</i>, but you are a deceiver, and an enemy to me;
+under my Mother’s voice you are seeking to drink my blood, and stuff
+yourself with my flesh. Farewell.”</p>
+
+<p>’Tis greatly to the credit of children to be obedient to their
+parents.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_XXXIII" id = "AF_XXXIII">
+Fable XXXIII.</a><br>
+THE POOR MAN AND THE SERPENT.</h4>
+
+<p>In the house of a certain Poor Man, a Serpent was always in the habit
+of coming to his table, and being fed there plentifully upon the crumbs.
+Shortly after, the Man becoming rich, he began to be angry with the
+Serpent, and wounded him with an axe. After the lapse of some time he
+returned to his former poverty. When he saw that like the varying lot of
+the Serpent, his own fortunes also changed, he coaxingly begged him to
+pardon the offence. Then said the Serpent to him: “You will repent of
+your wickedness until my wound is healed; don’t suppose, however, that I
+take you henceforth with implicit confidence to be my friend. Still,
+I&nbsp;could wish to be reconciled with you, if only I could never
+recall to mind the perfidious axe.”</p>
+
+<span class = "pagenum">471</span>
+<p>He deserves to be suspected, who has once done an injury; and an
+intimacy with him is always to be renewed with caution.</p>
+
+
+<h4 class = "smallcaps"><a name = "AF_XXXIV" id = "AF_XXXIV">
+Fable XXXIV.</a><br>
+THE EAGLE AND THE KITE.</h4>
+
+<p>An Eagle was sitting on a branch with a Kite, in sorrowful mood.
+“Why,” <i>said</i> the Kite, “do I see you with such a melancholy air?”
+“I&nbsp;am looking out,” said she, “for a mate suited to myself, and
+cannot find one.” “Take me,” <i>said the Kite</i>, “who am so much
+stronger than you.” “Well, are you able to get a living by what you can
+carry away?” “Many’s the time that I have seized and carried off an
+ostrich in my talons.” Induced by his words, the Eagle took him as her
+mate. A&nbsp;short time having passed after the nuptials, the Eagle
+<i>said</i>: “Go and carry off for me the booty you promised me.”
+Soaring aloft, the Kite brings back a field-mouse, most filthy, and
+stinking from long-contracted mouldiness. “Is this,” said the Eagle,
+“the performance of your promise?” The Kite replied to her: “That I
+might contract a marriage with royalty, there is nothing I would not
+have pledged myself to do, although I knew that I was unable.”</p>
+
+<p>Those who seek anxiously for partners of higher rank, painfully
+lament a deception that has united them to the worthless.</p>
+
+<hr class = "tiny">
+
+<h5><a name = "notes_AF" id = "notes_AF">
+Footnotes to Æsopian Fables</a></h5>
+
+<div class = "footnote">
+
+<p><a name = "noteAF_1" id = "noteAF_1" href = "#tagAF_1">1.</a>
+<i>Æsopian Fables</i>)&mdash;These Æsopian Fables appear much more
+worthy of the genius of Phædrus than the preceding ones, which have been
+attributed to him by the Italian Editors. The name of the author or
+authors of these is unknown; but from the internal evidence, it is not
+improbable that some may have been composed by Phædrus.</p>
+
+<p><a name = "noteAF_2" id = "noteAF_2" href = "#tagAF_2">2.</a>
+<i>Planning for another</i>)&mdash;Ver. 10. The nature of the reason
+assigned by the Hawk is not very clear. Perhaps the writer did not care
+that he should give even so much as a specious reason.</p>
+
+<p><a name = "noteAF_3" id = "noteAF_3" href = "#tagAF_3">3.</a>
+<i>A Lion</i>)&mdash;Ver. 1. This story is also told by Seneca&mdash;De
+Beneficiis, B.&nbsp;II. c.&nbsp;19, and by Aulus Gellius, B. III.
+c.&nbsp;14.</p>
+
+<p><a name = "noteAF_4" id = "noteAF_4" href = "#tagAF_4">4.</a>
+<i>The Beasts, on being let out</i>)&mdash;Ver. 10. The beasts were sent
+forth from “caveæ,” or “cages,” into the area of the Circus or
+Amphitheatre.</p>
+
+<p><a name = "noteAF_5" id = "noteAF_5" href = "#tagAF_5">5.</a>
+<i>Extending his reed</i>)&mdash;Ver. 13. From this it would appear,
+that fowlers stood behind trees, and used reeds tipped with birdlime,
+for the purpose of taking birds.</p>
+
+<p><a name = "noteAF_6" id = "noteAF_6" href = "#tagAF_6">6.</a>
+<i>The Sheep and the Wolves</i>)&mdash;Ver. 1. Demosthenes is said to
+have related this Fable to the Athenians, when dissuading them from
+surrendering the Orators to Alexander.</p>
+
+<p><a name = "noteAF_7" id = "noteAF_7" href = "#tagAF_7">7.</a>
+<i>Your ministers</i>)&mdash;Ver. 13. “Comites” here seems to mean
+“ministers,” in the sense in which the word was used in the times of the
+later Roman emperors.</p>
+
+<p><a name = "noteAF_8" id = "noteAF_8" href = "#tagAF_8">8.</a>
+<i>Some games</i>)&mdash;Ver. 9. “Spectaculum,” or “venatio.” These were
+exhibited by the wealthy Romans in the amphitheatre or circus, and on
+some occasions many hundred beasts were slain in one day. Of course, as
+here mentioned, their assailants would sometimes meet with an untimely
+end.</p>
+
+</div>
+
+
+<span class = "pagenum">472</span>
+
+</div> <!-- end div riley -->
+
+
+<div class = "smart">
+
+<span class = "pagenum">473</span>
+
+<h2><a name = "smart" id = "smart">THE FABLES OF PHÆDRUS,</a></h2>
+
+<h2 class = "six">TRANSLATED INTO ENGLISH&nbsp;VERSE</h2>
+
+<h2 class = "five smallcaps"><span class = "extended">By
+CHRISTOPHER SMAR</span>T, A.M.,</h2>
+
+<h2 class = "six">FELLOW OF PEMBROKE HALL, CAMBRIDGE.</h2>
+
+<hr class = "mid">
+
+<h3><a name = "smart_I" id = "smart_I">BOOK I.</a></h3>
+
+<a class = "crossref" href = "#riley_I_pro">Riley</a>
+<h4><a name = "smart_I_pro" id = "smart_I_pro">
+PROLOGUE.</a></h4>
+
+<div class = "verse">
+<p><span class = "firstword">What</span> from the founder Esop fell,</p>
+<p>In neat familiar verse I tell:</p>
+<p>Twofold’s the genius of the page,</p>
+<p>To make you smile and make you sage.</p>
+<p>But if the critics we displease,</p>
+<p>By wrangling brutes and talking trees,</p>
+<p>Let them remember, ere they blame,</p>
+<p>We’re working neither sin nor shame;</p>
+<p>’Tis but a play to form the youth</p>
+<p>By fiction, in the cause of truth.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_I">Riley</a>
+<h4><a name = "smart_I_I" id = "smart_I_I">
+<span class = "smallcaps">Fable I.</span></a>
+<span class = "smallroman">THE WOLF AND THE LAMB.</span></h4>
+
+<div class = "verse">
+<p><span class = "firstword">By</span> thirst incited; to the brook</p>
+<p>The Wolf and Lamb themselves betook.</p>
+<p>The Wolf high up the current drank,</p>
+<p>The Lamb far lower down the bank.</p>
+<p>Then, bent his rav’nous maw to cram,</p>
+<p>The Wolf took umbrage at the Lamb.</p>
+
+<p class = "indent">
+“How dare you trouble all the flood,</p>
+<p>And mingle my good drink with mud?”</p>
+<p>“Sir,” says the Lambkin, sore afraid,</p>
+<p>“How should I act, as you upbraid?</p>
+<span class = "pagenum">474</span>
+<p>The thing you mention cannot be,</p>
+<p>The stream descends from you to me.”</p>
+<p>Abash’d by facts, says he, “I know</p>
+<p>’Tis now exact six months ago</p>
+<p>You strove my honest fame to blot”&mdash;</p>
+<p>“Six months ago, sir, I was not.”</p>
+<p>“Then ’twas th’ old ram thy sire,” he cried,</p>
+<p>And so he tore him, till he died.</p>
+
+<p class = "indent">
+To those this fable I address</p>
+<p>Who are determined to oppress,</p>
+<p>And trump up any false pretence,</p>
+<p>But they will injure innocence.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_II">Riley</a>
+<h4><a name = "smart_I_II" id = "smart_I_II">II.</a>
+<span class = "smallroman">THE FROGS DESIRING A KING.</span></h4>
+
+<div class = "verse">
+<p>With equal laws when Athens throve,</p>
+<p>The petulance of freedom drove</p>
+<p>Their state to license, which o’erthrew</p>
+<p>Those just restraints of old they knew.</p>
+<p>Hence, as a factious discontent</p>
+<p>Through every rank and order went,</p>
+<p>Pisistratus the tyrant form’d</p>
+<p>A party, and the fort he storm’d:</p>
+<p>Which yoke, while all bemoan’d in grief,</p>
+<p>(Not that he was a cruel chief,</p>
+<p>But they unused to be controll’d)</p>
+<p>Then Esop thus his fable told:</p>
+
+<p class = "indent">
+The Frogs, a freeborn people made,</p>
+<p>From out their marsh with clamor pray’d</p>
+<p>That Jove a monarch would assign</p>
+<p>With power their manners to refine.</p>
+<p>The sovereign smiled, and on their bog</p>
+<p>Sent his petitioners a log,</p>
+<p>Which, as it dash’d upon the place,</p>
+<p>At first alarm’d the tim’rous race.</p>
+<p>But ere it long had lain to cool,</p>
+<p>One slily peep’d out of the pool,</p>
+<p>And finding it a king in jest,</p>
+<p>He boldly summon’d all the rest.</p>
+<p>Now, void of fear, the tribe advanced,</p>
+<p>And on the timber leap’d and danced,</p>
+<span class = "pagenum">475</span>
+<p>And having let their fury loose,</p>
+<p>In gross affronts and rank abuse,</p>
+<p>Of Jove they sought another king,</p>
+<p>For useless was this wooden thing.</p>
+<p>Then he a water-snake empower’d,</p>
+<p>Who one by one their race devour’d.</p>
+<p>They try to make escape in vain,</p>
+<p>Nor, dumb through fear, can they complain.</p>
+<p>By stealth they Mercury depute,</p>
+<p>That Jove would once more hear their suit,</p>
+<p>And send their sinking state to save;</p>
+<p>But he in wrath this answer gave:</p>
+<p>“You scorn’d the good king that you had,</p>
+<p>And therefore you shall bear the bad.”</p>
+
+<p class = "indent">
+Ye likewise, O Athenian friends,</p>
+<p>Convinced to what impatience tends,</p>
+<p>Though slavery be no common curse,</p>
+<p>Be still, for fear of worse and worse.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_III">Riley</a>
+<h4><a name = "smart_I_III" id = "smart_I_III">III.</a>
+<span class = "smallroman">THE VAIN JACKDAW.</span></h4>
+
+<div class = "verse">
+<p>Lest any one himself should plume,</p>
+<p>And on his neighbour’s worth presume;</p>
+<p>But still let Nature’s garb prevail&mdash;</p>
+<p>Esop has left this little tale:</p>
+
+<p class = "indent">
+A Daw, ambitious and absurd,</p>
+<p>Pick’d up the quills of Juno’s bird;</p>
+<p>And, with the gorgeous spoil adorn’d,</p>
+<p>All his own sable brethren scorn’d,</p>
+<p>And join’d the peacocks&mdash;who in scoff</p>
+<p>Stripp’d the bold thief, and drove him off.</p>
+<p>The Daw, thus roughly handled, went</p>
+<p>To his own kind in discontent:</p>
+<p>But they in turn contemn the spark,</p>
+<p>And brand with many a shameful mark.</p>
+<p>Then one he formerly disdain’d,</p>
+<p>“Had you,” said he, “at home remain’d&mdash;</p>
+<p>Content with Nature’s ways and will,</p>
+<p>You had not felt the peacock’s bill;</p>
+<p>Nor ’mongst the birds of your own dress</p>
+<p>Had been deserted in distress.”</p>
+</div>
+
+
+<span class = "pagenum">476</span>
+<a class = "crossref" href = "#riley_I_IV">Riley</a>
+<h4><a name = "smart_I_IV" id = "smart_I_IV">IV.</a>
+<span class = "smallroman">THE DOG IN THE RIVER.</span></h4>
+
+<div class = "verse">
+<p>The churl that wants another’s fare</p>
+<p>Deserves at least to lose his share.</p>
+
+<p class = "indent">
+As through the stream a Dog convey’d</p>
+<p>A piece of meat, he spied his shade</p>
+<p>In the clear mirror of the flood,</p>
+<p>And thinking it was flesh and blood,</p>
+<p>Snapp’d to deprive him of the treat:&mdash;</p>
+<p>But mark the glutton’s self-defeat,</p>
+<p>Miss’d both another’s and his own,</p>
+<p>Both shade and substance, beef and bone.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_V">Riley</a>
+<h4><a name = "smart_I_V" id = "smart_I_V">V.</a>
+<span class = "smallroman">THE HEIFER, GOAT, SHEEP, AND
+LION.</span></h4>
+
+<div class = "verse">
+<p>A partnership with men in power</p>
+<p>We cannot build upon an hour.</p>
+<p>This Fable proves the fact too true:</p>
+
+<p class = "indent">
+An Heifer, Goat, and harmless Ewe,</p>
+<p>Were with the Lion as allies,</p>
+<p>To raise in desert woods supplies.</p>
+<p>There, when they jointly had the luck</p>
+<p>To take a most enormous buck,</p>
+<p>The Lion first the parts disposed,</p>
+<p>And then his royal will disclosed.</p>
+<p>“The first, as Lion hight, I crave;</p>
+<p>The next you yield to me, as brave;</p>
+<p>The third is my peculiar due,</p>
+<p>As being stronger far than you;</p>
+<p>The fourth you likewise will renounce,</p>
+<p>For him that touches, I shall trounce.”</p>
+<p>Thus rank unrighteousness and force</p>
+<p>Seized all the prey without remorse.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_VI">Riley</a>
+<h4><a name = "smart_I_VI" id = "smart_I_VI">VI.</a>
+<span class = "smallroman">THE FROGS AND SUN.</span></h4>
+
+<div class = "verse">
+<p>When Esop saw, with inward grief,</p>
+<p>The nuptials of a neighb’ring thief,</p>
+<p>He thus his narrative begun:</p>
+
+<p class = "indent">
+Of old ’twas rumor’d that the Sun</p>
+<p>Would take a wife: with hideous cries</p>
+<p>The quer’lous Frogs alarm’d the skies.</p>
+<span class = "pagenum">477</span>
+<p>Moved at their murmurs, Jove inquired</p>
+<p>What was the thing that they desired?</p>
+<p>When thus a tenant of the lake,</p>
+<p>In terror, for his brethren spake:</p>
+<p>“Ev’n now one Sun too much is found,</p>
+<p>And dries up all the pools around,</p>
+<p>Till we thy creatures perish here;</p>
+<p>But oh, how dreadfully severe,</p>
+<p>Should he at length be made a sire,</p>
+<p>And propagate a race of fire!”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_VII">Riley</a>
+<h4><a name = "smart_I_VII" id = "smart_I_VII">VII.</a>
+<span class = "smallroman">THE FOX AND THE TRAGIC MASK.</span></h4>
+
+<div class = "verse">
+<p>A Fox beheld a Mask&mdash; “O rare</p>
+<p>The headpiece, if but brains were there!”</p>
+<p>This holds&mdash;whene’er the Fates dispense</p>
+<p>Pomp, pow’r, and everything but sense.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_VIII">Riley</a>
+<h4><a name = "smart_I_VIII" id = "smart_I_VIII">VIII.</a>
+<span class = "smallroman">THE WOLF AND CRANE.</span></h4>
+
+<div class = "verse">
+<p>Who for his merit seeks a price</p>
+<p>From men of violence and vice,</p>
+<p>Is twice a fool&mdash;first so declared,</p>
+<p>As for the worthless he has cared;</p>
+<p>Then after all, his honest aim</p>
+<p>Must end in punishment and shame.</p>
+
+<p class = "indent">
+A bone the Wolf devour’d in haste,</p>
+<p>Stuck in his greedy throat so fast,</p>
+<p>That, tortured with the pain, he roar’d,</p>
+<p>And ev’ry beast around implored,</p>
+<p>That who a remedy could find</p>
+<p>Should have a premium to his mind.</p>
+<p>A Crane was wrought upon to trust</p>
+<p>His oath at length&mdash;and down she thrust</p>
+<p>Her neck into his throat impure,</p>
+<p>And so perform’d a desp’rate cure.</p>
+<p>At which, when she desired her fee,</p>
+<p>“You base, ungrateful minx,” says he,</p>
+<p>“Whom I so kind forbore to kill,</p>
+<p>And now, forsooth, you’d bring your bill<ins class = "correction"
+title = "text has ’ for ”">!”&nbsp;</ins></p>
+</div>
+
+
+<span class = "pagenum">478</span>
+<a class = "crossref" href = "#riley_I_IX">Riley</a>
+<h4><a name = "smart_I_IX" id = "smart_I_IX">IX.</a>
+<span class = "smallroman">THE HARE AND THE SPARROW.</span></h4>
+
+<div class = "verse">
+<p>Still to give cautions, as a friend,</p>
+<p>And not one’s own affairs attend,</p>
+<p>Is but impertinent and vain,</p>
+<p>As these few verses will explain.</p>
+
+<p class = "indent">
+<p>A Sparrow taunted at a Hare</p>
+<p>Caught by an eagle high in air,</p>
+<p>And screaming loud&mdash; “Where now,” says she,</p>
+<p>“Is your renown’d velocity?</p>
+<p>Why loiter’d your much boasted speed?”</p>
+<p>Just as she spake, an hungry glede</p>
+<p>Did on th’ injurious railer fall,</p>
+<p>Nor could her cries avail at all.</p>
+<p>The Hare, with its expiring breath,</p>
+<p>Thus said: “See comfort ev’n in death!</p>
+<p>She that derided my distress</p>
+<p>Must now deplore her own no less.”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_X">Riley</a>
+<h4><a name = "smart_I_X" id = "smart_I_X">X.</a>
+<span class = "smallroman">THE WOLF AND FOX, WITH THE APE FOR
+JUDGE.</span></h4>
+
+<div class = "verse">
+<p>Whoe’er by practice indiscreet</p>
+<p>Has pass’d for a notorious cheat,</p>
+<p>Will shortly find his credit fail,</p>
+<p>Though he speak truth, says Esop’s tale.</p>
+
+<p class = "indent">
+The Wolf the Fox for theft arraign’d;</p>
+<p>The Fox her innocence maintain’d:</p>
+<p>The Ape, as umpire, takes his seat;</p>
+<p>Each pleads his cause with skill and heat.</p>
+<p>Then thus the Ape, with aspect grave,</p>
+<p>The sentence from the hustings gave:</p>
+<p>“For you, Sir Wolf, I do descry</p>
+<p>That all your losses are a lie&mdash;</p>
+<p>And you, with negatives so stout,</p>
+<p>O Fox! have stolen the goods no doubt.”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_XI">Riley</a>
+<h4><a name = "smart_I_XI" id = "smart_I_XI">XI.</a>
+<span class = "smallroman">THE ASS AND THE LION HUNTING.</span></h4>
+
+<div class = "verse">
+<p>A coward, full of pompous speech,</p>
+<p>The ignorant may overreach;</p>
+<p>But is the laughing-stock of those</p>
+<p>Who know how far his valor goes.</p>
+<span class = "pagenum">479</span>
+
+<p class = "indent">
+Once on a time it came to pass,</p>
+<p>The Lion hunted with the Ass,</p>
+<p>Whom hiding in the thickest shade</p>
+<p>He there proposed should lend him aid,</p>
+<p>By trumpeting so strange a bray,</p>
+<p>That all the beasts he should dismay,</p>
+<p>And drive them o’er the desert heath</p>
+<p>Into the lurking Lion’s teeth.</p>
+<p>Proud of the task, the long-ear’d loon</p>
+<p>Struck up such an outrageous tune,</p>
+<p>That ’twas a miracle to hear&mdash;</p>
+<p>The beasts forsake their haunts with fear,</p>
+<p>And in the Lion’s fangs expired:</p>
+<p>Who, being now with slaughter tired,</p>
+<p>Call’d out the Ass, whose noise he stops.</p>
+<p>The Ass, parading from the copse,</p>
+<p>Cried out with most conceited scoff,</p>
+<p>“How did my music-piece go off<ins class = "correction" title =
+"close quote missing">?”&nbsp;</ins></p>
+<p>“So well&mdash;were not thy courage known,</p>
+<p>Their terror had been all my own!”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_XII">Riley</a>
+<h4><a name = "smart_I_XII" id = "smart_I_XII">XII.</a>
+<span class = "smallroman">THE STAG AT THE FOUNTAIN.</span></h4>
+
+<div class = "verse">
+<p>Full often what you now despise</p>
+<p>Proves better than the things you prize;</p>
+<p>Let Esop’s narrative decide:</p>
+
+<p class = "indent">
+A Stag beheld, with conscious pride,</p>
+<p>(As at the fountain-head he stood)</p>
+<p>His image in the silver flood,</p>
+<p>And there extols his branching horns,</p>
+<p>While his poor spindle-shanks he scorns&mdash;</p>
+<p>But, lo! he hears the hunter’s cries,</p>
+<p>And, frighten’d, o’er the champaign flies&mdash;</p>
+<p>His swiftness baffles the pursuit:</p>
+<p>At length a wood receives the brute,</p>
+<p>And by his horns entangled there,</p>
+<p>The pack began his flesh to tear:</p>
+<p>Then dying thus he wail’d his fate:</p>
+<p>“Unhappy me! and wise too late!</p>
+<p>How useful what I did disdain!</p>
+<p>How grievous that which made me vain.”</p>
+</div>
+
+
+<span class = "pagenum">480</span>
+<a class = "crossref" href = "#riley_I_XIII">Riley</a>
+<h4><a name = "smart_I_XIII" id = "smart_I_XIII">XIII.</a>
+<span class = "smallroman">THE FOX AND THE CROW.</span></h4>
+
+<div class = "verse">
+<p>His folly in repentance ends,</p>
+<p>Who, to a flatt’ring knave attends.</p>
+
+<p class = "indent">
+A Crow, her hunger to appease,</p>
+<p>Had from a window stolen some cheese,</p>
+<p>And sitting on a lofty pine</p>
+<p>In state, was just about to dine.</p>
+<p>This, when a Fox observed below,</p>
+<p>He thus harangued the foolish Crow:</p>
+<p>“Lady, how beauteous to the view</p>
+<p>Those glossy plumes of sable hue!</p>
+<p>Thy features how divinely fair!</p>
+<p>With what a shape, and what an air!</p>
+<p>Could you but frame your voice to sing,</p>
+<p>You’d have no rival on the wing.”</p>
+<p>But she, now willing to display</p>
+<p>Her talents in the vocal way,</p>
+<p>Let go the cheese of luscious taste,</p>
+<p>Which Renard seized with greedy haste.</p>
+<p>The grudging dupe now sees at last</p>
+<p>That for her folly she must fast.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_XIV">Riley</a>
+<h4><a name = "smart_I_XIV" id = "smart_I_XIV">XIV.</a>
+<span class = "smallroman">THE COBBLER TURNED DOCTOR.</span></h4>
+
+<div class = "verse">
+<p>A bankrupt Cobbler, poor and lean,</p>
+<p>(No bungler e’er was half so mean)</p>
+<p>Went to a foreign place, and there</p>
+<p>Began his med’cines to prepare:</p>
+<p>But one of more especial note</p>
+<p>He call’d his sovereign antidote;</p>
+<p>And by his technical bombast</p>
+<p>Contrived to raise a name at last.</p>
+<p>It happen’d that the king was sick,</p>
+<p>Who, willing to detect the trick,</p>
+<p>Call’d for some water in an ewer,</p>
+<p>Poison in which he feign’d to pour</p>
+<p>The antidote was likewise mix’d;</p>
+<p>He then upon th’ empiric fix’d</p>
+<p>To take the medicated cup,</p>
+<p>And, for a premium, drink it up</p>
+<span class = "pagenum">481</span>
+<p>The quack, through dread of death, confess’d</p>
+<p>That he was of no skill possess’d;</p>
+<p>But all this great and glorious job</p>
+<p>Was made of nonsense and the mob.</p>
+<p>Then did the king his peers convoke,</p>
+<p>And thus unto th’ assembly spoke:</p>
+<p>“My lords and gentlemen, I rate</p>
+<p>Your folly as inordinate,</p>
+<p>Who trust your heads into his hand,</p>
+<p>Where no one had his heels japann’d.”&mdash;</p>
+
+<p class = "indent">
+This story their attention craves</p>
+<p>Whose weakness is the prey of knaves.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_XV">Riley</a>
+<h4><a name = "smart_I_XV" id = "smart_I_XV">XV.</a>
+<span class = "smallroman">THE SAPIENT ASS.</span></h4>
+
+<div class = "verse">
+<p>In all the changes of a state,</p>
+<p>The poor are the most fortunate,</p>
+<p>Who, save the name of him they call</p>
+<p>Their king, can find no odds at all.</p>
+<p>The truth of this you now may read&mdash;</p>
+
+<p class = "indent">
+A fearful old man in a mead,</p>
+<p>While leading of his Ass about,</p>
+<p>Was startled at the sudden shout</p>
+<p>Of enemies approaching nigh.</p>
+<p>He then advised the Ass to fly,</p>
+<p>“Lest we be taken in the place:”</p>
+<p>But loth at all to mend his pace,</p>
+<p>“Pray, will the conqueror,” quoth Jack,</p>
+<p>“With double panniers load my back?”</p>
+<p>“No,” says the man. “If that’s the thing,”</p>
+<p>Cries he, “I care not who is king.”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_XVI">Riley</a>
+<h4><a name = "smart_I_XVI" id = "smart_I_XVI">XVI.</a>
+<span class = "smallroman">THE SHEEP, THE STAG, AND THE WOLF<ins class =
+"correction" title = ". missing">.&nbsp;</ins></span></h4>
+
+<div class = "verse">
+<p>When one rogue would another get</p>
+<p>For surety in a case of debt,</p>
+<p>’Tis not the thing t’ accept the terms,</p>
+<p>But dread th’ event&mdash;the tale affirms.</p>
+
+<p class = "indent">
+A Stag approach’d the Sheep, to treat</p>
+<p>For one good bushel of her wheat.</p>
+<p>“The honest Wolf will give his bond.”</p>
+<p>At which, beginning to despond,</p>
+<span class = "pagenum">482</span>
+<p>“The Wolf (cries she) ’s a vagrant bite.</p>
+<p>And you are quickly out of sight;</p>
+<p>Where shall I find or him or you</p>
+<p>Upon the day the debt is due?”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_XVII">Riley</a>
+<h4><a name = "smart_I_XVII" id = "smart_I_XVII">XVII.</a>
+<span class = "smallroman">THE SHEEP, THE DOG, AND
+THE&nbsp;WOLF.</span></h4>
+
+<div class = "verse">
+<p>Liars are liable to rue</p>
+<p>The mischief they’re so prone to do.</p>
+
+<p class = "indent">
+The Sheep a Dog unjustly dunn’d</p>
+<p>One loaf directly to refund,</p>
+<p>Which he the Dog to the said Sheep</p>
+<p>Had given in confidence to keep.</p>
+<p>The Wolf was summoned, and he swore</p>
+<p>It was not one, but ten or more.</p>
+<p>The Sheep was therefore cast at law</p>
+<p>To pay for things she never saw.</p>
+<p>But, lo! ere many days ensued,</p>
+<p>Dead in a ditch the Wolf she view’d:</p>
+<p>“This, this,” she cried, “is Heaven’s decree</p>
+<p>Of justice on a wretch like thee.”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_XIX">Riley</a>
+<h4><a name = "smart_I_XIX" id = "smart_I_XIX">XIX.</a>
+<span class = "smallroman">THE BITCH AND HER PUPPIES.</span></h4>
+
+<div class = "verse">
+<p>Bad men have speeches smooth and fair,</p>
+<p>Of which, that we should be aware,</p>
+<p>And such designing villains thwart,</p>
+<p>The underwritten lines exhort.</p>
+
+<p class = "indent">
+A Bitch besought one of her kin</p>
+<p>For room to put her Puppies in:</p>
+<p>She, loth to say her neighbour nay,</p>
+<p>Directly lent both hole and hay.</p>
+<p>But asking to be repossess’d,</p>
+<p>For longer time the former press’d,</p>
+<p>Until her Puppies gather’d strength,</p>
+<p>Which second lease expired at length;</p>
+<p>And when, abused at such a rate,</p>
+<p>The lender grew importunate,</p>
+<p>“The place,” quoth she, “I will resign</p>
+<p>When you’re a match for me and mine.”</p>
+</div>
+
+
+<span class = "pagenum">483</span>
+<a class = "crossref" href = "#riley_I_XX">Riley</a>
+<h4><a name = "smart_I_XX" id = "smart_I_XX">XX.</a>
+<span class = "smallroman">THE HUNGRY DOGS.</span></h4>
+
+<div class = "verse">
+<p>A stupid plan that fools project,</p>
+<p>Not only will not take effect,</p>
+<p><ins class = "correction" title = "B invisible">But</ins> proves
+destructive in the end</p>
+<p>To those that bungle and pretend.</p>
+
+<p class = "indent">
+Some hungry Dogs beheld an hide</p>
+<p>Deep sunk beneath the crystal tide,</p>
+<p>Which, that they might extract for food,</p>
+<p>They strove to drink up all the flood;</p>
+<p>But bursten in the desp’rate deed,</p>
+<p>They perish’d, ere they could succeed.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_XXI">Riley</a>
+<h4><a name = "smart_I_XXI" id = "smart_I_XXI">XXI.</a>
+<span class = "smallroman">THE OLD LION.</span></h4>
+
+<div class = "verse">
+<p>Whoever, to his honor’s cost,</p>
+<p>His pristine dignity has lost,</p>
+<p>Is the fool’s jest and coward’s scorn,</p>
+<p>When once deserted and forlorn.</p>
+
+<p class = "indent">
+With years enfeebled and decay’d,</p>
+<p>A Lion gasping hard was laid:</p>
+<p>Then came, with furious tusk, a boar,</p>
+<p>To vindicate his wrongs of yore:</p>
+<p>The bull was next in hostile spite,</p>
+<p>With goring horn his foe to smite:</p>
+<p>At length the ass himself, secure</p>
+<p>That now impunity was sure,</p>
+<p>His blow too insolently deals,</p>
+<p>And kicks his forehead with his heels.</p>
+<p>Then thus the Lion, as he died:</p>
+<p>“’Twas hard to bear the brave,” he cried;</p>
+<p><ins class = "correction" title = "open quote missing">“But</ins> to
+be trampled on by thee</p>
+<p>Is Nature’s last indignity;</p>
+<p>And thou, O despicable thing,</p>
+<p>Giv’st death at least a double sting.”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_XXII">Riley</a>
+<h4><a name = "smart_I_XXII" id = "smart_I_XXII">XXII.</a>
+<span class = "smallroman">THE MAN AND THE WEASEL.</span></h4>
+
+<div class = "verse">
+<p>A Weasel, by a person caught,</p>
+<p>And willing to get off, besought</p>
+<p>The man to spare. “Be not severe</p>
+<p>On him that keeps your pantry clear</p>
+<span class = "pagenum">484</span>
+<p>Of those intolerable mice.”</p>
+<p>“This were,” says he, “a work of price,</p>
+<p>If done entirely for my sake,</p>
+<p>And good had been the plea you make:</p>
+<p>But since, with all these pains and care,</p>
+<p>You seize yourself the dainty fare</p>
+<p>On which those vermin used to fall,</p>
+<p>And then devour the mice and all,</p>
+<p>Urge not a benefit in vain.”</p>
+<p>This said, the miscreant was slain.</p>
+
+<p class = "indent">
+The satire here those chaps will own,</p>
+<p>Who, useful to themselves alone,</p>
+<p>And bustling for a private end,</p>
+<p>Would boast the merit of a friend.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_XXIII">Riley</a>
+<h4><a name = "smart_I_XXIII" id = "smart_I_XXIII">XXIII.</a>
+<span class = "smallroman">THE FAITHFUL HOUSE-DOG.</span></h4>
+
+<div class = "verse">
+<p>A Man that’s gen’rous all at once</p>
+<p>May dupe a novice or a dunce;</p>
+<p>But to no purpose are the snares</p>
+<p>He for the knowing ones prepares.</p>
+
+<p class = "indent">
+When late at night a felon tried</p>
+<p>To bribe a Dog with food, he cried,</p>
+<p>“What ho! do you attempt to stop</p>
+<p>The mouth of him that guards the shop?</p>
+<p>You ’re mightily mistaken, sir,</p>
+<p>For this strange kindness is a spur,</p>
+<p>To make me double all my din,</p>
+<p>Lest such a scoundrel should come in.”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_XXIV">Riley</a>
+<h4><a name = "smart_I_XXIV" id = "smart_I_XXIV">XXIV.</a>
+<span class = "smallroman">THE PROUD FROG.</span></h4>
+
+<div class = "verse">
+<p>When poor men to expenses run,</p>
+<p>And ape their betters, they’re undone.</p>
+
+<p class = "indent">
+An Ox the Frog a-grazing view’d,</p>
+<p>And envying his magnitude,</p>
+<p>She puffs her wrinkled skin, and tries</p>
+<p>To vie with his enormous size:</p>
+<p>Then asks her young to own at least</p>
+<p>That she was bigger than the beast.</p>
+<p>They answer, No. With might and main</p>
+<p>She swells and strains, and swells again.</p>
+<span class = "pagenum">485</span>
+<p>“Now for it, who has got the day?”</p>
+<p>The Ox is larger still, they say.</p>
+<p>At length, with more and more ado,</p>
+<p>She raged and puffed, and burst in two.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_XXV">Riley</a>
+<h4><a name = "smart_I_XXV" id = "smart_I_XXV">XXV.</a>
+<span class = "smallroman">THE DOG AND THE CROCODILE.</span></h4>
+
+<div class = "verse">
+<p>Who give bad precepts to the wise,</p>
+<p>And cautious men with guile advise,</p>
+<p>Not only lose their toil and time,</p>
+<p>But slip into sarcastic rhyme.</p>
+
+<p class = "indent">
+The dogs that are about the Nile,</p>
+<p>Through terror of the Crocodile,</p>
+<p>Are therefore said to drink and run.</p>
+<p>It happen’d on a day, that one,</p>
+<p>As scamp’ring by the river side,</p>
+<p>Was by the Crocodile espied:</p>
+<p>“Sir, at your leisure drink, nor fear</p>
+<p>The least design or treach’ry here.”</p>
+<p>“That,” says the Dog, “ma’m, would I do</p>
+<p>With all my heart, and thank you too,</p>
+<p>But as you can on dog’s flesh dine,</p>
+<p>You shall not taste a bit of mine.”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_XXVI">Riley</a>
+<h4><a name = "smart_I_XXVI" id = "smart_I_XXVI">XXVI.</a>
+<span class = "smallroman">THE FOX AND THE STORK.</span></h4>
+
+<div class = "verse">
+<p>One should do injury to none;</p>
+<p>But he that has th’ assault begun,</p>
+<p>Ought, says the fabulist, to find</p>
+<p>The dread of being served in kind,</p>
+
+<p class = "indent">
+A Fox, to sup within his cave</p>
+<p>The Stork an invitation gave,</p>
+<p>Where, in a shallow dish, was pour’d</p>
+<p>Some broth, which he himself devour’d;</p>
+<p>While the poor hungry Stork was fain</p>
+<p>Inevitably to abstain.</p>
+<p>The Stork, in turn, the Fox invites,</p>
+<p>And brings her liver and her lights</p>
+<p><ins class = "correction" title = "text has ‘Ina’ with no space">In
+a</ins> tall flagon, finely minced,</p>
+<p>And thrusting in her beak, convinced</p>
+<p>The Fox that he in grief must fast,</p>
+<p>While she enjoy’d the rich repast.</p>
+<span class = "pagenum">486</span>
+<p>Then, as in vain he lick’d the neck,</p>
+<p>The Stork was heard her guest to check,</p>
+<p>“That every one the fruits should bear</p>
+<p>Of their example, is but fair.”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_XXVII">Riley</a>
+<h4><a name = "smart_I_XXVII" id = "smart_I_XXVII">XXVII.</a>
+<span class = "smallroman">THE DOG, TREASURE, AND VULTURE.</span></h4>
+
+<div class = "verse">
+<p>A Dog, while scratching up the ground,</p>
+<p>’Mongst human bones a treasure found;</p>
+<p>But as his sacrilege was great,</p>
+<p>To covet riches was his fate,</p>
+<p>And punishment of his offence;</p>
+<p>He therefore never stirr’d from thence,</p>
+<p>But both in hunger and the cold,</p>
+<p>With anxious care he watch’d the gold,</p>
+<p>Till wholly negligent of food,</p>
+<p>A ling’ring death at length ensued.</p>
+
+<p class = "indent">
+Upon his corse a Vulture stood,</p>
+<p>And thus descanted:&mdash; “It is good,</p>
+<p>O Dog, that there thou liest bereaved</p>
+<p>Who in the highway wast conceived,</p>
+<p>And on a scurvy dunghill bred,</p>
+<p>Hadst royal riches in thy head.”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_XXVIII">Riley</a>
+<h4><a name = "smart_I_XXVIII" id = "smart_I_XXVIII">XXVIII.</a>
+<span class = "smallroman">THE FOX AND EAGLE.</span></h4>
+
+<div class = "verse">
+<p>Howe’er exalted in your sphere,</p>
+<p>There’s something from the mean to fear;</p>
+<p>For, if their property you wrong,</p>
+<p>The poor’s revenge is quick and strong.</p>
+
+<p class = "indent">
+When on a time an Eagle stole</p>
+<p>The cubs from out a Fox’s hole,</p>
+<p>And bore them to her young away,</p>
+<p>That they might feast upon the prey,</p>
+<p>The dam pursues the winged thief,</p>
+<p>And deprecates so great a grief;</p>
+<p>But safe upon the lofty tree,</p>
+<p>The Eagle scorn’d the Fox’s plea.</p>
+<p>With that the Fox perceived at hand</p>
+<p>An altar, whence she snatch’d a brand,</p>
+<p>And compassing with flames the wood,</p>
+<p>Put her in terror for her brood.</p>
+<span class = "pagenum">487</span>
+<p>She therefore, lest her house should burn,</p>
+<p>Submissive did the cubs return.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_XXX">Riley</a>
+<h4><a name = "smart_I_XXIX" id = "smart_I_XXIX">XXIX.</a>
+<span class = "smallroman">THE FROGS AND BULLS.</span></h4>
+
+<div class = "verse">
+<p>Men of low life are in distress</p>
+<p>When great ones enmity profess.</p>
+
+<p class = "indent">
+There was a Bull-fight in the fen,</p>
+<p>A Frog cried out in trouble then,</p>
+<p>“Oh, what perdition on our race!”</p>
+<p>“How,” says another, “can the case</p>
+<p>Be quite so desp’rate as you’ve said?</p>
+<p>For they’re contending who is head,</p>
+<p>And lead a life from us disjoin’d,</p>
+<p>Of sep’rate station, diverse kind.”&mdash;</p>
+<p>“But he, who worsted shall retire,</p>
+<p>Will come into this lowland mire,</p>
+<p>And with his hoof dash out our brains,</p>
+<p>Wherefore their rage to us pertains.”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_I_XXXI">Riley</a>
+<h4><a name = "smart_I_XXX" id = "smart_I_XXX">XXX.</a>
+<span class = "smallroman">THE KITE AND THE DOVES<ins class =
+"correction" title = ". missing">.&nbsp;</ins></span></h4>
+
+<div class = "verse">
+<p>He that would have the wicked reign,</p>
+<p>Instead of help will find his bane.</p>
+<p>The Doves had oft escaped the Kite,</p>
+<p>By their celerity of flight;</p>
+<p>The ruffian then to coz’nage stoop’d,</p>
+<p>And thus the tim’rous race he duped:</p>
+<p>“Why do you lead a life of fear,</p>
+<p>Rather than my proposals hear?</p>
+<p>Elect me for your king, and</p>
+<p>I Will all your race indemnify.”</p>
+<p>They foolishly the Kite believed,</p>
+<p>Who having now the pow’r received,</p>
+<p>Began upon the Doves to prey,</p>
+<p>And exercise tyrannic sway.</p>
+<p>“Justly,” says one who yet remain’d,</p>
+<p>“We die the death ourselves ordain’d.”</p>
+</div>
+
+<hr class = "mid">
+
+<span class = "pagenum">488</span>
+<h3><a name = "smart_II" id = "smart_II">BOOK II.</a></h3>
+
+<a class = "crossref" href = "#riley_II_pro">Riley</a>
+<h4><a name = "smart_II_pro" id = "smart_II_pro">
+PROLOGUE.</a></h4>
+
+<div class = "verse">
+<p><span class = "firstword">The</span> way of writing Esop chose,</p>
+<p>Sound doctrine by example shows;</p>
+<p>For nothing by these tales is meant,</p>
+<p>So much as that the bad repent;</p>
+<p>And by the pattern that is set,</p>
+<p>Due diligence itself should whet.</p>
+<p>Wherefore, whatever arch conceit</p>
+<p>You in our narratives shall meet</p>
+<p>(If with the critic’s ear it take,</p>
+<p>And for some special purpose make),</p>
+<p>Aspires by real use to fame,</p>
+<p>Rather than from an author’s name.</p>
+<p>In fact, with all the care I can,</p>
+<p>I shall abide <ins class = "correction" title = "text reads ‘my’">by</ins> Esop’s plan:</p>
+<p>But if at times I intersperse</p>
+<p>My own materials in the verse,</p>
+<p>That sweet variety may please</p>
+<p>The fancy, and attention ease;</p>
+<p>Receive it in a friendly way;</p>
+<p>Which grace I purpose to repay</p>
+<p>By this consciousness of my song;</p>
+<p>Whose praises, lest they be too long,</p>
+<p>Attend, why you should stint the sneak,</p>
+<p>But give the modest, ere they seek.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_II_I">Riley</a>
+<h4><a name = "smart_II_I" id = "smart_II_I">
+<span class = "smallcaps">Fable I.</span></a>
+<span class = "smallroman">THE JUDICIOUS LION.</span></h4>
+
+<div class = "verse">
+<p>A Lion on the carcass stood</p>
+<p>Of a young heifer in the wood;</p>
+<p>A robber that was passing there,</p>
+<p>Came up, and ask’d him for a share.</p>
+<p>“A share,” says he, “you should receive,</p>
+<p>But that you seldom ask our leave</p>
+<p>For things so handily removed.”</p>
+<p>At which the ruffian was reproved.</p>
+<span class = "pagenum">489</span>
+<p>It happen’d that the selfsame day</p>
+<p>A modest pilgrim came that way,</p>
+<p>And when he saw the Lion, fled:</p>
+<p>Says he, “There is no cause of dread,</p>
+<p>In gentle tone&mdash;take you the chine,</p>
+<p>Which to your merit I assign.”&mdash;</p>
+<p>Then having parted what he slew,</p>
+<p>To favour his approach withdrew.</p>
+<p>A great example, worthy praise,</p>
+<p>But not much copied now-a-days!</p>
+<p>For churls have coffers that o’erflow,</p>
+<p>And sheepish worth is poor and low.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_II_II">Riley</a>
+<h4><a name = "smart_II_II" id = "smart_II_II">II.</a>
+<span class = "smallroman">THE BALD-PATE DUPE.</span></h4>
+
+<div class = "verse">
+<p>Fondling or fondled&mdash;any how&mdash;</p>
+<p>(Examples of all times allow)</p>
+<p>That men by women must be fleeced.</p>
+
+<p class = "indent">
+A dame, whose years were well increased,</p>
+<p>But skill’d t’ affect a youthful mien,</p>
+<p>Was a staid husband’s empress queen;</p>
+<p>Who yet sequester’d half his heart</p>
+<p>For a young damsel, brisk and smart.</p>
+<p>They, while each wanted to attach</p>
+<p>Themselves to him, and seem his match,</p>
+<p>Began to tamper with his hair.</p>
+<p>He, pleased with their officious care,</p>
+<p>Was on a sudden made a coot;</p>
+<p>For the young strumpet, branch and root,</p>
+<p>Stripp’d of the hoary hairs his crown,</p>
+<p>E’en as th’ old cat grubb’d up the brown.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_II_III">Riley</a>
+<h4><a name = "smart_II_III" id = "smart_II_III">III.</a>
+<span class = "smallroman">THE MAN AND THE DOG.</span></h4>
+
+<div class = "verse">
+<p>Torn by a Cur, a man was led</p>
+<p>To throw the snappish thief some bread</p>
+<p>Dipt in the blood, which, he was told,</p>
+<p>Had been a remedy of old. Then</p>
+<p>Esop thus:&mdash; “Forbear to show</p>
+<p>A pack of dogs the thing you do,</p>
+<p>Lest they should soon devour us quite,</p>
+<p>When thus rewarded as they bite.”</p>
+<span class = "pagenum">490</span>
+
+<p class = "indent">
+One wicked miscreant’s success</p>
+<p>Makes many more the trade profess.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_II_IV">Riley</a>
+<h4><a name = "smart_II_IV" id = "smart_II_IV">IV.</a>
+<span class = "smallroman">THE EAGLE, THE CAT, AND THE SOW.</span></h4>
+
+<div class = "verse">
+<p>An Eagle built upon an oak</p>
+<p>A Cat and kittens had bespoke</p>
+<p>A hole about the middle bough;</p>
+<p>And underneath a woodland</p>
+<p>Sow Had placed her pigs upon the ground.</p>
+<p>Then treach’rous Puss a method found</p>
+<p>To overthrow, for her own good,</p>
+<p>The peace of this chance neighbourhood</p>
+<p>First to the Eagle she ascends&mdash;</p>
+<p>“Perdition on your head impends,</p>
+<p>And, far too probable, on mine;</p>
+<p>For you observe that grubbing</p>
+<p>Swine Still works the tree to overset,</p>
+<p>Us and our young with ease to get.”</p>
+<p>Thus having filled the Eagle’s pate</p>
+<p>With consternation very great,</p>
+<p>Down creeps she to the Sow below;</p>
+<p>“The Eagle is your deadly foe,</p>
+<p>And is determined not to spare</p>
+<p>Your pigs, when you shall take the air.”</p>
+<p>Here too a terror being spread,</p>
+<p>By what this tattling gossip said,</p>
+<p>She slily to her kittens stole,</p>
+<p>And rested snug within her hole.</p>
+<p>Sneaking from thence with silent tread</p>
+<p>By night her family she fed,</p>
+<p>But look’d out sharply all the day,</p>
+<p>Affecting terror and dismay.</p>
+<p>The Eagle lest the tree should fall,</p>
+<p>Keeps to the boughs, nor stirs at all;</p>
+<p>And anxious for her grunting race,</p>
+<p>The Sow is loth to quit her place.</p>
+<p>In short, they and their young ones starve,</p>
+<p>And leave a prey for Puss to carve.</p>
+
+<p class = "indent">
+Hence warn’d ye credulous and young,</p>
+<p>Be cautious of a double tongue.</p>
+</div>
+
+
+<span class = "pagenum">491</span>
+<a class = "crossref" href = "#riley_II_V">Riley</a>
+<h4><a name = "smart_II_V" id = "smart_II_V">V.</a>
+<span class = "smallroman">CÆSAR AND HIS SLAVE.</span></h4>
+
+<div class = "verse">
+<p>There is in town a certain set</p>
+<p>Of mortals, ever in a sweat,</p>
+<p>Who idly bustling here and there,</p>
+<p>Have never any time to spare,</p>
+<p>While upon nothing they discuss</p>
+<p>With heat, and most outrageous fuss,</p>
+<p>Plague to themselves, and to the rest</p>
+<p>A most intolerable pest.</p>
+<p>I will correct this stupid clan</p>
+<p>Of busy-bodies, if I can,</p>
+<p>By a true story; lend an ear,</p>
+<p>’Tis worth a trifler’s time to hear.</p>
+
+<p class = "indent">
+Tiberius Cæsar, in his way</p>
+<p>To Naples, on a certain day</p>
+<p>Came to his own Misenian seat,</p>
+<p>(Of old Lucullus’s retreat,)</p>
+<p>Which from the mountain top surveys</p>
+<p>Two seas, by looking different ways.</p>
+<p>Here a shrewd slave began to cringe</p>
+<p>With dapper coat and sash of fringe,</p>
+<p>And, as his master walk’d between</p>
+<p>The trees upon the tufted green,</p>
+<p>Finding the weather very hot,</p>
+<p>Officiates with his wat’ring-pot;</p>
+<p>And still attending through the glade,</p>
+<p>Is ostentatious of his aid.</p>
+<p>Cæsar turns to another row,</p>
+<p>Where neither sun nor rain could go;</p>
+<p>He, for the nearest cut he knows,</p>
+<p>Is still before with pot and rose.</p>
+<p>Cæsar observes him twist and shift,</p>
+<p>And understands the fellow’s drift;</p>
+<p>“Here, you sir,” says th’ imperial lord.</p>
+<p>The bustler, hoping a reward,</p>
+<p>Runs skipping up. The chief in jest</p>
+<p>Thus the poor jackanapes address’d</p>
+<p>“As here is no great matter done,</p>
+<p>Small is the premium you have won:</p>
+<span class = "pagenum">492</span>
+<p>The cuffs that make a servant free,</p>
+<p>Are for a better man than thee.”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_II_VI">Riley</a>
+<h4><a name = "smart_II_VI" id = "smart_II_VI">VI.</a>
+<span class = "smallroman">THE EAGLE, CARRION CROW,
+AND&nbsp;TORTOISE.</span></h4>
+
+<div class = "verse">
+<p>No soul can warrant life or right,</p>
+<p>Secure from men of lawless might;</p>
+<p>But if a knave’s advice assist,</p>
+<p>’Gainst fraud and force what can exist?</p>
+
+<p class = "indent">
+An Eagle on a Tortoise fell,</p>
+<p>And mounting bore him by the shell:</p>
+<p>She with her house her body screens,</p>
+<p>Nor can be hurt by any means.</p>
+<p>A Carrion Crow came by that way,</p>
+<p>“You’ve got,” says she, “a luscious prey;</p>
+<p>But soon its weight will make you rue,</p>
+<p>Unless I show you what to do.”</p>
+<p>The captor promising a share,</p>
+<p>She bids her from the upper air</p>
+<p>To dash the shell against a rock,</p>
+<p>Which would be sever’d by the shock.</p>
+<p>The Eagle follows her behest,</p>
+<p>Then feasts on turtle with his guest.</p>
+
+<p class = "indent">
+Thus she, whom Nature made so strong,</p>
+<p>And safe against external wrong,</p>
+<p>No match for force, and its allies,</p>
+<p>To cruel death a victim dies.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_II_VII">Riley</a>
+<h4><a name = "smart_II_VII" id = "smart_II_VII">VII.</a>
+<span class = "smallroman">THE MULES AND ROBBERS.</span></h4>
+
+<div class = "verse">
+<p>Two laden Mules were on the road&mdash;</p>
+<p>A charge of money was bestowed</p>
+<p>Upon the one, the other bore</p>
+<p>Some sacks of barley. He before.</p>
+<p>Proud of his freight, begun to swell,</p>
+<p>Stretch’d out his neck, and shook his bell.</p>
+<p>The poor one, with an easy pace,</p>
+<p>Came on behind a little space,</p>
+<p>When on a sudden, from the wood</p>
+<p>A gang of thieves before them stood;</p>
+<p>And, while the muleteers engage,</p>
+<p>Wound the poor creature in their rage</p>
+<span class = "pagenum">493</span>
+<p>Eager they seize the golden prize,</p>
+<p>But the vile barley-bags despise.</p>
+<p>The plunder’d mule was all forlorn,</p>
+<p>The other thank’d them for their scorn:</p>
+<p>“’Tis now my turn the head to toss,</p>
+<p>Sustaining neither wound nor loss.”</p>
+<p>The low estate’s from peril clear,</p>
+<p>But wealthy men have much to fear.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_II_VIII">Riley</a>
+<h4><a name = "smart_II_VIII" id = "smart_II_VIII">VIII.</a>
+<span class = "smallroman">THE STAG AND THE OXEN.</span></h4>
+
+<div class = "verse">
+<p>A Stag unharbour’d by the hounds,</p>
+<p>Forth from his woodland covert bounds,</p>
+<p>And blind with terror, at th’ alarm</p>
+<p>Of death, makes to a neighb’ring farm;</p>
+<p>There snug conceals him in some straw,</p>
+<p>Which in an ox’s stall he saw.</p>
+<p>“Wretch that thou art!” a bullock cried,</p>
+<p>“That com’st within this place to hide;</p>
+<p>By trusting man you are undone,</p>
+<p>And into sure destruction run.”</p>
+<p>But he with suppliant voice replies:</p>
+<p>“Do you but wink with both your eyes,</p>
+<p>I soon shall my occasions shape,</p>
+<p>To make from hence a fair escape.”</p>
+<p>The day is spent, the night succeeds,</p>
+<p>The herdsman comes, the cattle feeds,</p>
+<p>But nothing sees&mdash;then to and fro</p>
+<p>Time after time the servants go;</p>
+<p>Yet not a soul perceives the case.</p>
+<p>The steward passes by the place,</p>
+<p>Himself no wiser than the rest.</p>
+<p>The joyful Stag his thanks address’d</p>
+<p>To all the Oxen, that he there</p>
+<p>Had found a refuge in despair.</p>
+<p>“We wish you well,” an Ox return’d,</p>
+<p>“But for your life are still concern’d,</p>
+<p>For if old Argus come, no doubt,</p>
+<p>His hundred eyes will find you out.”</p>
+<p>Scarce had the speaker made an end,</p>
+<p>When from the supper of a friend</p>
+<span class = "pagenum">494</span>
+<p>The master enters at the door,</p>
+<p>And, seeing that the steers were poor</p>
+<p>Of late, advances to the rack.</p>
+<p>“Why were the fellow’s hands so slack?</p>
+<p>Here’s hardly any straw at all,</p>
+<p>Brush down those cobwebs from the wall.</p>
+<p>Pray how much labour would it ask?”</p>
+<p>While thus he undertakes the task,</p>
+<p>To dust, and rummage by degrees,</p>
+<p>The Stag’s exalted horns he sees:</p>
+<p>Then calling all his folks around,</p>
+<p>He lays him breathless on the ground.</p>
+
+<p class = "indent">
+The master, as the tale declares,</p>
+<p>Looks sharpest to his own affairs.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_II_epi">Riley</a>
+<h4><a name = "smart_II_epi" id = "smart_II_epi">EPILOGUE.</a></h4>
+
+<div class = "verse">
+<p><span class = "firstword">A statue</span> of great cost and fame</p>
+<p>Th’ Athenians raised to Esop’s name,</p>
+<p>Him setting on <ins class = "correction" title = "text reads ‘th’ the’">th’</ins> eternal base,</p>
+<p>Whom servile rank could not disgrace;</p>
+<p>That they might teach to all <ins class = "correction" title = "text reads ‘makind’">mankind</ins></p>
+<p>The way to honor’s unconfined,</p>
+<p>That glory’s due to rising worth,</p>
+<p>And not alone to pomp and birth.</p>
+
+<p class = "indent">
+Since then another seized the post</p>
+<p>Lest I priority should boast,</p>
+<p>This pow’r and praise was yet my own,</p>
+<p>That he should not excel alone:</p>
+<p>Nor is this Envy’s jealous ire,</p>
+<p>But Emulation’s genuine fire.</p>
+
+<p class = "indent">
+And if Rome should approve my piece,</p>
+<p>She’ll soon have more to rival Greece.</p>
+<p>But should th’ invidious town declare</p>
+<p>Against my plodding over-care,</p>
+<p>They cannot take away, nor hurt</p>
+<p>Th’ internal conscience of desert.</p>
+
+<p class = "indent">
+If these my studies reach their aim,</p>
+<p>And, reader, your attention claim,</p>
+<p>If your perception fully weighs</p>
+<p>The drift of these my labour’d lays;</p>
+<span class = "pagenum">495</span>
+<p>Then such success precludes complaint.</p>
+<p>But if the Picture which I paint</p>
+<p>Should happen to attract their sight,</p>
+<p>Whom luckless Nature brought to light,</p>
+<p>Who scorn the labours of a man,</p>
+<p>And when they carp do all they can;</p>
+<p>Yet must this fatal cause to mourn</p>
+<p>With all its bitterness be borne,</p>
+<p>Till fortune be ashamed of days,</p>
+<p>When genius fails, and int’rest sways.</p>
+</div>
+
+<hr class = "mid">
+
+<h3><a name = "smart_III" id = "smart_III">BOOK III.</a></h3>
+
+<a class = "crossref" href = "#riley_III_pro">Riley</a>
+<h4><a name = "smart_III_pro" id = "smart_III_pro">
+PROLOGUE, TO EUTYCHUS.</a></h4>
+
+<div class = "verse">
+<p><span class = "firstword">The</span> tales of Phædrus would you
+read,</p>
+<p>O Eutychus, you must be freed</p>
+<p>From business, that the mind unbent</p>
+<p>May take the author’s full intent.</p>
+
+<p class = "indent">
+You urge that this poetic turn</p>
+<p>Of mine is not of such concern,</p>
+<p>As with your time to interfere</p>
+<p>A moment’s space: ’tis therefore clear</p>
+<p>For those essays you have no call,</p>
+<p>Which suit not your affairs at all.</p>
+<p>A time may come, perhaps you’ll say,</p>
+<p>That I shall make a holiday,</p>
+<p>And have my vacant thoughts at large,</p>
+<p>The student’s office to discharge&mdash;</p>
+<p>And can you such vile stuff peruse,</p>
+<p>Rather than serve domestic views,</p>
+<p>Return the visits of a friend,</p>
+<p>Or with your wife your leisure spend,</p>
+<p>Relax your mind, your limbs relieve,</p>
+<p>And for new toil new strength receive?</p>
+
+<p class = "indent">
+From <ins class = "correction" title = "text reads ‘wordly’">worldly</ins> cares you must estrange</p>
+<p>Your thoughts, and feel a perfect change,</p>
+<span class = "pagenum">496</span>
+<p>If to Parnassus you repair,</p>
+<p>And seek for your admission there,</p>
+<p>Me&mdash;(whom a Grecian mother bore</p>
+<p>On Hill Pierian, where of yore</p>
+<p>Mnemosyne in love divine</p>
+<p>Brought forth to Jove the tuneful Nine.</p>
+<p>Though sprung where genius reign’d with art,</p>
+<p>I grubb’d up av’rice from my heart,</p>
+<p>And rather for applause than pay,</p>
+<p>Embrace the literary way)</p>
+<p>Yet as a writer and a wit,</p>
+<p>With some abatements they admit.</p>
+<p>What is his case then, do you think,</p>
+<p>Who toils for wealth nor sleeps a wink,</p>
+<p>Preferring to the pleasing pain</p>
+<p>Of composition sordid gain?</p>
+<p>But hap what will (as Sinon said,</p>
+<p>When to king Priam he was led),</p>
+<p>I book the third shall now fulfil,</p>
+<p>With <ins class = "correction" title = "anomalous Æ in original">Æsop</ins> for my master still;</p>
+<p>Which book I dedicate to you,</p>
+<p>As both to worth and honour due.</p>
+<p>Pleased, if you read&mdash;if not, content</p>
+<p>As conscious of a sure event,</p>
+<p>That these my fables shall remain,</p>
+<p>And after-ages entertain.</p>
+
+<p class = "indent">
+In a few words I now propose</p>
+<p>To point from whence the Fable rose.</p>
+<p>A servitude was all along</p>
+<p>Exposed to most oppressive wrong,</p>
+<p>The suff’rer therefore did not dare</p>
+<p>His heart’s true dictates to declare;</p>
+<p>But couch’d his meaning in the veil</p>
+<p>Of many an allegoric tale,</p>
+<p>And jesting with a moral aim,</p>
+<p>Eluded all offence and blame.</p>
+<p>This is the path that I pursue,</p>
+<p>Inventing more than <ins class = "correction" title = "anomalous Æ in original">Æsop</ins> knew;</p>
+<p>And certain topics by-the-by,</p>
+<p>To my own <ins class = "correction" title = "spelling unchanged">hindrence</ins> did I try.</p>
+<span class = "pagenum">497</span>
+<p>But was there any of mankind,</p>
+<p>Besides Sejanus, so inclined,</p>
+<p>Who was alone to work my fall,</p>
+<p>Informer, witness, judge and all;</p>
+<p>I would confess the slander true,</p>
+<p>And own such hardships were my due;</p>
+<p>Nor would I fly, my grief to ease,</p>
+<p>To such poor lenitives as these.</p>
+<p>If any through suspicion errs,</p>
+<p>And to himself alone refers,</p>
+<p>What was design’d for thousands more</p>
+<p>He’ll show too plainly, where he’s sore.</p>
+<p>Yet ev’n from such I crave excuse,</p>
+<p>For (far from personal abuse)</p>
+<p>My verse in gen’ral would put down</p>
+<p>True life and manners of the town.</p>
+
+<p class = "indent">
+But here, perhaps, some one will ask</p>
+<p>Why I, forsooth, embraced this task?</p>
+<p>If Esop, though a Phrygian, rose,</p>
+<p>And ev’n derived from Scythian snows;</p>
+<p>If Anacharsis could devise</p>
+<p>By wit to gain th’ immortal prize;</p>
+<p>Shall I, who to learn’d Greece belong,</p>
+<p>Neglect her honour and her song,</p>
+<p>And by dull sloth myself disgrace?</p>
+<p>Since we can reckon up in Thrace,</p>
+<p>The authors that have sweetest sung,</p>
+<p>Where Linus from Apollo sprung;</p>
+<p>And he whose mother was a muse,</p>
+<p>Whose voice could tenderness infuse</p>
+<p>To solid rocks, strange monsters quell’d,</p>
+<p>And Hebrus in his course withheld.</p>
+
+<p class = "indent">
+Envy, stand clear, or thou shalt rue</p>
+<p>Th’ attack, for glory is my due.</p>
+<p>Thus having wrought upon your ear,</p>
+<p>I beg that you would be sincere,</p>
+<p>And in the poet’s cause avow</p>
+<p>That candor, all the world allow.</p>
+</div>
+
+
+<span class = "pagenum">498</span>
+<a class = "crossref" href = "#riley_III_I">Riley</a>
+<h4><a name = "smart_III_I" id = "smart_III_I">
+<span class = "smallcaps">Fable I.</span></a>
+<span class = "smallroman">THE OLD WOMAN AND
+EMPTY&nbsp;CASK.</span></h4>
+
+<div class = "verse">
+<p>An ancient dame a firkin sees,</p>
+<p>In which the rich Falernian lees</p>
+<p>Send from the nobly tinctured shell</p>
+<p>A rare and most delicious smell!</p>
+<p>There when a season she had clung</p>
+<p>With greedy nostrils to the bung,</p>
+<p>“O spirit exquisitely sweet!”</p>
+<p>She cried, “how perfectly complete</p>
+<p>Were you of old, and at the best,</p>
+<p>When ev’n your dregs have such a zest!”</p>
+
+<p class = "indent">
+They’ll see the drift of this my rhyme,</p>
+<p>Who knew the author in his prime.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_III_II">Riley</a>
+<h4><a name = "smart_III_II" id = "smart_III_II">II.</a>
+<span class = "smallroman">THE PANTHER AND SHEPHERDS.</span></h4>
+
+<div class = "verse">
+<p>Their scorn comes home to them again</p>
+<p>Who treat the wretched with disdain.</p>
+
+<p class = "indent">
+A careless Panther long ago</p>
+<p>Fell in a pit, which overthrow</p>
+<p>The Shepherds all around alarm’d;</p>
+<p>When some themselves with cudgels arm’d;</p>
+<p>Others threw stones upon its head;</p>
+<p>But some in pity sent her bread,</p>
+<p>As death was not the creature’s due.</p>
+<p>The night came on&mdash;the hostile crew</p>
+<p>Went home, not doubting in the way</p>
+<p>To find the Panther dead next day.</p>
+<p>But she, recovering of her strength,</p>
+<p>Sprang from the pit and fled at length.</p>
+<p>But rushing in a little space</p>
+<p>From forth her den upon the place,</p>
+<p>She tears the flock, the Shepherd slays,</p>
+<p>And all the region round dismays.</p>
+<p>Then they began to be afraid</p>
+<p>Who spared the beast and lent their aid;</p>
+<p>They reck not of the loss, but make</p>
+<p>Their pray’r for life, when thus she spake:</p>
+<p>“I well remember them that threw</p>
+<p>The stones, and well remember you</p>
+<span class = "pagenum">499</span>
+<p>Who gave me bread&mdash;desist to fear,</p>
+<p>For ’twas the oppressor brought me here.”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_III_IV">Riley</a>
+<h4><a name = "smart_III_III" id = "smart_III_III">III.</a>
+<span class = "smallroman">THE APE’S HEAD.</span></h4>
+
+<div class = "verse">
+<p>A certain person, as he stood</p>
+<p>Within the shambles buying food,</p>
+<p>Amongst the other kitchen fare</p>
+<p>Beheld an Ape suspended there;</p>
+<p>And asking how ’twould taste, when dress’d,</p>
+<p>The butcher shook his head in jest;</p>
+<p>“If for such prog your fancy is,</p>
+<p>Judge of the flavour by the phiz.”</p>
+
+<p class = "indent">
+This speech was not so true as keen,</p>
+<p>For I in life have often seen</p>
+<p>Good features with a wicked heart,</p>
+<p>And plainness acting virtue’s part.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_III_V">Riley</a>
+<h4><a name = "smart_III_IV" id = "smart_III_IV">IV.</a>
+<span class = "smallroman">ESOP AND THE INSOLENT FELLOW.</span></h4>
+
+<div class = "verse">
+<p>Fools from success perdition meet.</p>
+
+<p class = "indent">
+An idle wretch about the street</p>
+<p>At Esop threw a stone in rage.</p>
+<p>“So much the better,” quoth the sage,</p>
+<p>And gives three farthings for the job;</p>
+<p>“I’ve no more money in my fob;</p>
+<p>But if you’ll follow my advice,</p>
+<p>More shall be levied in a trice.”</p>
+<p>It happen’d that the selfsame hour</p>
+<p>Came by a man of wealth and pow’r.</p>
+<p>“There, throw your pellet at my lord,</p>
+<p>And you shall have a sure reward!”</p>
+<p>The fellow did as he was told;</p>
+<p>But mark the downfall of the bold;</p>
+<p>His hopes are baulk’d, and, lo! he gains</p>
+<p>A rope and gibbet for his pains.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_III_VI">Riley</a>
+<h4><a name = "smart_III_V" id = "smart_III_V">V.</a>
+<span class = "smallroman">THE FLY AND THE MULE.</span></h4>
+
+<div class = "verse">
+<p>A Fly that sat upon the beam Rated the</p>
+<p>Mule: “Why, sure you dream?</p>
+<span class = "pagenum">500</span>
+<p><ins class = "correction" title = "text has superfluous “ at page-top">Pray</ins> get on faster with the cart</p>
+<p>Or I shall sting you till you smart!”</p>
+<p>She answers: “All this talk I hear</p>
+<p>With small attention, but must fear</p>
+<p>Him who upon the box sustains</p>
+<p>The pliant whip, and holds the reins.</p>
+<p>Cease then your pertness&mdash;for I know</p>
+<p>When to give back, and when to go.”</p>
+
+<p class = "indent">
+This tale derides the talking crew,</p>
+<p>Whose empty threats are all they do.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_III_VII">Riley</a>
+<h4><a name = "smart_III_VI" id = "smart_III_VI">VI.</a>
+<span class = "smallroman">THE DOG AND THE WOLF.</span></h4>
+
+<div class = "verse">
+<p>I will, as briefly as I may,</p>
+<p>The sweets of liberty display.</p>
+
+<p class = "indent">
+A Wolf half famish’d, chanced to see</p>
+<p>A Dog, as fat as dog could be:</p>
+<p>For one day meeting on the road,</p>
+<p>They mutual compliments bestowed:</p>
+<p>“Prithee,” says Isgrim, faint and weak,</p>
+<p>“How came you so well fed and sleek?</p>
+<p>I starve, though stronger of the two.”</p>
+<p>“It will be just as well with you,”</p>
+<p>The Dog quite cool and frank replied,</p>
+<p>“If with my master you’ll abide.”</p>
+<p>“For what?” “Why merely to attend,</p>
+<p>And from night thieves the door defend.”</p>
+<p>“I gladly will accept the post,</p>
+<p>What! shall I bear with snow and frost</p>
+<p>And all this rough inclement plight,</p>
+<p>Rather than have a home at night,</p>
+<p>And feed on plenty at my ease?”</p>
+<p>“Come, then, with me” &mdash;the Wolf agrees.</p>
+<p>But as they went the mark he found,</p>
+<p>Where the Dog’s collar had been bound:</p>
+<p>“What’s this, my friend?” “Why, nothing.”</p>
+<p>“Nay, Be more explicit, sir, I pray.”</p>
+<p>“I’m somewhat fierce and apt to bite,</p>
+<p>Therefore they hold me pretty tight,</p>
+<p>That in the day-time I may sleep,</p>
+<p>And night by night my vigils keep.</p>
+<span class = "pagenum">501</span>
+<p>At evening tide they let me out,</p>
+<p>And then I freely walk about:</p>
+<p>Bread comes without a care of mine.</p>
+<p>I from my master’s table dine;</p>
+<p>The servants throw me many a scrap,</p>
+<p>With choice of pot-liquor to lap;</p>
+<p>So, I’ve my bellyful, you find.”</p>
+<p>“But can you go where you’ve a mind?”</p>
+<p>“Not always, to be flat and plain.”</p>
+<p>“Then, Dog, enjoy your post again,</p>
+<p>For to remain this servile thing,</p>
+<p>Old Isgrim would not be a king.”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_III_VIII">Riley</a>
+<h4><a name = "smart_III_VII" id = "smart_III_VII">VII.</a>
+<span class = "smallroman">THE BROTHER AND SISTER.</span></h4>
+
+<div class = "verse">
+<p>Warn’d by our <ins class = "correction" title = "error for ‘counsel’?">council</ins>, oft beware,</p>
+<p>And look into yourself with care.</p>
+
+<p class = "indent">
+There was a certain father had</p>
+<p>A homely girl and comely lad.</p>
+<p>These being at their childish play</p>
+<p>Within their mother’s room one day,</p>
+<p>A looking-glass was in the chair,</p>
+<p>And they beheld their faces there.</p>
+<p>The boy grows prouder as he looks;</p>
+<p>The girl is in a rage, nor brooks</p>
+<p>Her boasting brother’s jests and sneers,</p>
+<p>Affronted at each word she hears:</p>
+<p>Then to her father down she flies,</p>
+<p>And urges all she can devise</p>
+<p>Against the boy, who could presume</p>
+<p>To meddle in a lady’s room.</p>
+<p>At which, embracing each in turn,</p>
+<p>With most affectionate concern,</p>
+<p>“My dears,” he says, “ye may not pa<ins class = "correction" title =
+"second ‘s’ missing or invisible">ss</ins></p>
+<p>A day without this useful glass;</p>
+<p>You, lest you spoil a pretty face,</p>
+<p>By doing things to your disgrace;</p>
+<p>You, by good conduct to correct</p>
+<p>Your form, and beautify defect.”</p>
+</div>
+
+
+<span class = "pagenum">502</span>
+<a class = "crossref" href = "#riley_III_IX">Riley</a>
+<h4><a name = "smart_III_VIII" id = "smart_III_VIII">VIII.</a>
+<span class = "smallroman">A SAYING OF SOCRATES.</span></h4>
+
+<div class = "verse">
+<p>Though common be the name of friend,</p>
+<p>Few can to faithfulness pretend,</p>
+<p>That Socrates (whose cruel case,</p>
+<p>I’d freely for his fame embrace,</p>
+<p>And living any envy bear</p>
+<p>To leave my character so fair)</p>
+<p>Was building of a little cot,</p>
+<p>When some one, standing on the spot,</p>
+<p>Ask’d, as the folks are apt to do,</p>
+<p>“How comes so great a man as you</p>
+<p>Content with such a little hole?”&mdash;</p>
+<p>“I wish,” says he, “with all my <ins class = "correction" title = "l invisible">soul</ins></p>
+<p>That this same little house I build</p>
+<p>Was with true friends completely fill’d.”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_III_X">Riley</a>
+<h4><a name = "smart_III_IX" id = "smart_III_IX">IX.</a>
+<span class = "smallroman">OF DOUBT AND CREDULITY.</span></h4>
+
+<div class = "verse">
+<p>’Tis frequently of bad event</p>
+<p>To give or to withhold assent.</p>
+<p>Two cases will th’ affair explain&mdash;</p>
+<p>The good Hippolytus was slain;</p>
+<p>In that his stepdame credit found,</p>
+<p>And Troy was levell’d with the ground;</p>
+<p>Because Cassandra’s prescious care</p>
+<p>Sought, but obtain’d no credence there.</p>
+<p>The facts should then be very strong,</p>
+<p>Lest the weak judge determine wrong:</p>
+<p>But that I may not make too free</p>
+<p>With fabulous antiquity,</p>
+<p>I now a curious tale shall tell,</p>
+<p>Which I myself remember well.</p>
+
+<p class = "indent">
+An honest man, that loved his wife,</p>
+<p>Was introducing into life</p>
+<p>A son upon the man’s estate.</p>
+<p>One day a servant (whom, of late,</p>
+<p>He with his freedom had endu’d)</p>
+<p>Took him aside, and being shrewd,</p>
+<p>Supposed that he might be his heir</p>
+<p>When he’d divulged the whole affair.</p>
+<span class = "pagenum">503</span>
+<p>Much did he lie against the youth,</p>
+<p>But more against the matron’s truth:</p>
+<p>And hinted that, which worst of all</p>
+<p>Was sure a lover’s heart to gall,</p>
+<p>The visits of a lusty rake,</p>
+<p>And honour of his house at stake.</p>
+
+<p class = "indent">
+He at this scandal taking heat,</p>
+<p>Pretends a journey to his seat;</p>
+<p>But stopp’d at hand, while it was light,</p>
+<p>Where, on a sudden, and by night,</p>
+<p>He to his wife’s apartment sped,</p>
+<p>Where she had put the lad to bed,</p>
+<p>As watchful of his youthful bloom.</p>
+<p>While now they’re running to the room,</p>
+<p>And seek a light in haste, the sire,</p>
+<p>No longer stifling of his ire,</p>
+<p>Flies to the couch, where grouping round,</p>
+<p>A head, but newly shaved, he found;</p>
+<p>Then, as alone, he vengeance breath’d,</p>
+<p>The sword within his bosom sheath’d&mdash;</p>
+<p>The candle ent’ring, when he spied</p>
+<p>The bleeding youth, and by his side</p>
+<p>The spotless dame, who being fast</p>
+<p>Asleep, knew nothing that had pass’d,</p>
+<p>Instant in utmost grief involved,</p>
+<p>He vengeance for himself resolved;</p>
+<p>And on that very weapon flew,</p>
+<p>Which his too cred’lous fury drew.</p>
+<p>Th’ accusers take the woman straight,</p>
+<p>And drag to the centumvirate;</p>
+<p>Th’ ill-natured world directly built</p>
+<p>A strong suspicion of her guilts,</p>
+<p>As she th’ estate was to enjoy&mdash;</p>
+<p>The lawyers all their skill employ;</p>
+<p>And a great spirit those exert</p>
+<p>Who most her innocence assert.</p>
+<p>The judges then to Cæsar pray’d</p>
+<p>That he would lend his special aid;</p>
+<p>Who, as they acted upon oath,</p>
+<p>Declared themselves extremely loth</p>
+<span class = "pagenum">504</span>
+<p>To close this intricate affair&mdash;</p>
+<p>He, taking then himself the chair,</p>
+<p>The clouds of calumny displaced.</p>
+<p>And Truth up to her fountain traced.</p>
+<p>“Let the freedman to vengeance go,</p>
+<p>The cause of all this scene of woe:</p>
+<p>For the poor widow, thus undone,</p>
+<p>Deprived of husband and of son,</p>
+<p>To pity has a greater plea</p>
+<p>Than condemnation, I decree&mdash;</p>
+<p>But if the man, with caution due,</p>
+<p>Had rather blamed than listen’d to</p>
+<p>The vile accuser, and his lie</p>
+<p>Had strictly search’d with Reason’s eye,</p>
+<p>This desp’rate guilt he had not known,</p>
+<p>Nor branch and root his house o’erthrown.”</p>
+
+<p class = "indent">
+Nor wholly scorn, nor yet attend</p>
+<p>Too much at what the tatlers vend,</p>
+<p>Because there’s many a sad neglect.</p>
+<p>Where you have little to suspect;</p>
+<p>And treach’rous persons will attaint</p>
+<p>Men, against whom there’s no complaint.</p>
+<p>Hence simple folks too may be taught</p>
+<p>How to form judgments as they ought,</p>
+<p>And not see with another’s glass;</p>
+<p>For things are come to such a pass,</p>
+<p>That love and hate work diff’rent ways,</p>
+<p>As int’rest or ambition sways.</p>
+<p>Them you may know, in them confide,</p>
+<p>Whom by experience you have tried.</p>
+
+<p class = "indent">
+Thus have I made a long amends</p>
+<p>For that brief style which some offends.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_III_XII">Riley</a>
+<h4><a name = "smart_III_XI" id = "smart_III_XI">XI.</a>
+<span class = "smallroman">THE COCK AND THE PEARL.</span></h4>
+
+<div class = "verse">
+<p>A Cock, while scratching all around,</p>
+<p>A Pearl upon the dunghill found:</p>
+
+<p class = "indent">
+“O splendid thing in foul disgrace,</p>
+<p>Had there been any in the place</p>
+<span class = "pagenum">505</span>
+<p>That saw and knew thy worth when sold,</p>
+<p>Ere this thou hadst been set in gold.</p>
+<p>But I, who rather would have got</p>
+<p>A corn of barley, heed thee not;</p>
+<p>No service can there render’d be</p>
+<p>From me to you, and you to me.”</p>
+
+<p class = "indent">
+I write this tale to them alone</p>
+<p>To whom in vain my pearls are thrown.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_III_XIII">Riley</a>
+<h4><a name = "smart_III_XII" id = "smart_III_XII">XII.</a>
+<span class = "smallroman">THE BEES AND THE DRONES<ins class =
+"correction" title = ". missing">.&nbsp;</ins></span></h4>
+
+<div class = "verse">
+<p>Up in a lofty oak the Bees</p>
+<p>Had made their honey-combs: but these</p>
+<p>The Drones asserted they had wrought.</p>
+<p>Then to the bar the cause was brought</p>
+<p>Before the wasp, a learned chief,</p>
+<p>Who well might argue either brief,</p>
+<p>As of a middle nature made.</p>
+<p>He therefore to both parties said:</p>
+<p>“You’re not dissimilar in size,</p>
+<p>And each with each your color vies,</p>
+<p>That there’s a doubt concerning both:</p>
+<p>But, lest I err, upon my oath,</p>
+<p>Hives for yourselves directly choose,</p>
+<p>And in the wax the work infuse,</p>
+<p>That, from the flavor and the form,</p>
+<p>We may point out the genuine swarm.”</p>
+<p>The Drones refuse, the Bees agree&mdash;</p>
+<p>Then thus did Justice Wasp decree:</p>
+<p>“Who can, and who cannot, is plain,</p>
+<p>So take, ye Bees, your combs again.”</p>
+
+<p class = "indent">
+This narrative had been suppress’d</p>
+<p>Had not the Drones refused the test.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_III_XIV">Riley</a>
+<h4><a name = "smart_III_XIII" id = "smart_III_XIII">XIII.</a>
+<span class = "smallroman">ESOP PLAYING.</span></h4>
+
+<div class = "verse">
+<p>As Esop was with boys at play,</p>
+<p>And had his nuts as well as they,</p>
+<p>A grave Athenian, passing by,</p>
+<p>Cast on the sage a scornful eye,</p>
+<p>As on a dotard quite bereaved:</p>
+<p>Which, when the moralist perceived,</p>
+<span class = "pagenum">506</span>
+<p>(Rather himself a wit profess’d</p>
+<p>Than the poor subject of a jest)</p>
+<p>Into the public way he flung</p>
+<p>A bow that he had just unstrung:</p>
+<p>“There solve, thou conjurer,” he cries,</p>
+<p>“The problem, that before thee lies.”</p>
+<p>The people throng; he racks his brain,</p>
+<p>Nor can the thing enjoin’d explain.</p>
+<p>At last he gives it up&mdash;the seer</p>
+<p>Thus then in triumph made it clear:</p>
+<p>“As the tough bow exerts its spring,</p>
+<p>A constant tension breaks the string;</p>
+<p>But if ’tis let at seasons loose,</p>
+<p>You may depend upon its use.”</p>
+
+<p class = "indent">
+Thus recreative sports and play</p>
+<p>Are good upon a holiday,</p>
+<p>And with more spirit they’ll pursue</p>
+<p>The studies which they shall renew.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_III_XV">Riley</a>
+<h4><a name = "smart_III_XIV" id = "smart_III_XIV">XIV.</a>
+<span class = "smallroman">THE DOG AND THE LAMB.</span></h4>
+
+<div class = "verse">
+<p>A Dog bespoke a sucking Lamb,</p>
+<p>That used a she-goat as her dam,</p>
+<p>“You little fool, why, how you baa!</p>
+<p>This goat is not your own mamma:”</p>
+<p>Then pointed to a distant mead,</p>
+<p>Where several sheep were put to feed.</p>
+<p>“I ask not,” says the Lamb, “for her</p>
+<p>Who had me first at Nature’s spur,</p>
+<p>And bore me for a time about,</p>
+<p>Then, like a fardel, threw me out;</p>
+<p>But her that is content to bilk</p>
+<p>Her own dear kids, to give me milk.”</p>
+<p>“Yet she that yean’d you sure,” says Tray,</p>
+<p>“Should be preferr’d” &mdash;“I tell thee nay&mdash;</p>
+<p>Whence could she know that what she hid</p>
+<p>Was black or white?&mdash;but grant she did&mdash;</p>
+<p>I being thus a male begot</p>
+<p>’Twas no great favor, since my lot</p>
+<p>Was hour by hour, throughout my life,</p>
+<p>To dread the butcher and his knife.</p>
+<span class = "pagenum">507</span>
+<p>Why should I therefore give my voice</p>
+<p>For her who had no pow’r or choice</p>
+<p>In my production, and not cleave</p>
+<p>To her so ready to relieve,</p>
+<p>When she beheld me left alone,</p>
+<p>And has such sweet indulgence shown?”</p>
+
+<p class = "indent">
+Kind deeds parental love proclaim,</p>
+<p>Not mere necessity and name.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_III_XVI">Riley</a>
+<h4><a name = "smart_III_XV" id = "smart_III_XV">XV.</a>
+<span class = "smallroman">THE OWL AND THE GRASSHOPPER.</span></h4>
+
+<div class = "verse">
+<p>Those who will not the forms obey</p>
+<p>To be obliging in their way,</p>
+<p>Must often punishment abide</p>
+<p>For their ill-nature, and their pride.</p>
+
+<p class = "indent">
+A Grasshopper, in rank ill-will,</p>
+<p>Was very loud and very shrill</p>
+<p>Against a sapient Owl’s repose,</p>
+<p>Who was compelled by day to doze</p>
+<p>Within a hollow oak’s retreat,</p>
+<p>As wont by night to quest for meat&mdash;</p>
+<p>She is desired to hold her peace.</p>
+<p>But at the word her cries increase;</p>
+<p>Again requested to abate</p>
+<p>Her noise, she’s more importunate.</p>
+<p>The Owl perceiving no redress,</p>
+<p>And that her words were less and less</p>
+<p>Accounted of, no longer pray’d,</p>
+<p>But thus an artifice essay’d:</p>
+<p>“Since ’tis impossible to nod,</p>
+<p>While harping like the Delphian god,</p>
+<p>You charm our ears, stead of a nap,</p>
+<p>A batch of nectar will I tap,</p>
+<p>Which lately from Minerva came;</p>
+<p>Now if you do not scorn the same,</p>
+<p>Together let us bumpers ply.”</p>
+<p>The Grasshopper, extremely dry,</p>
+<p>And, finding she had hit the key</p>
+<p>That gain’d applause, approach’d with glee;</p>
+<p>At which the Owl upon her flew,</p>
+<p>And quick the trembling vixen slew.</p>
+<span class = "pagenum">508</span>
+
+<p class = "indent">
+Thus by her death she was adjudged</p>
+<p>To give what in her life she grudged.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_III_XVII">Riley</a>
+<h4><a name = "smart_III_XVI" id = "smart_III_XVI">XVI.</a>
+<span class = "smallroman">THE TREES PROTECTED.</span></h4>
+
+<div class = "verse">
+<p>The gods took certain trees (th’ affair</p>
+<p>Was some time since) into their care.</p>
+<p>The oak was best approved by Jove,</p>
+<p>The myrtle by the queen of love;</p>
+<p>The god of music and the day</p>
+<p>Vouchsafed to patronise the bay;</p>
+<p>The pine Cybele chanced to please,</p>
+<p>And the tall poplar Hercules.</p>
+<p>Minerva upon this inquired</p>
+<p>Why they all barren trees admired?</p>
+<p>“The cause,” says Jupiter, “is plain,</p>
+<p>Lest we give honour up for gain.”</p>
+
+<p class = "indent">
+“Let every one their fancy suit,</p>
+<p>I choose the olive for its fruit.”</p>
+<p>The sire of gods and men replies,</p>
+<p>“Daughter, thou shalt be reckon’d wise</p>
+<p>By all the world, and justly too;</p>
+<p>For whatsover things we do,</p>
+<p>If not a life of useful days,</p>
+<p>How vain is all pretence to praise!”</p>
+
+<p class = "indent">
+Whate’er experiments you try,</p>
+<p>Have some advantage in your eye.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_III_XVIII">Riley</a>
+<h4><a name = "smart_III_XVII" id = "smart_III_XVII">XVII.</a>
+<span class = "smallroman">JUNO AND THE PEACOCK.</span></h4>
+
+<div class = "verse">
+<p>Her fav’rite bird to Juno came,</p>
+<p>And was in dudgeon at the dame,</p>
+<p>That she had not attuned her throat</p>
+<p>With Philomela’s matchless note;</p>
+<p>“She is the wonder of all ears;</p>
+<p>But when I speak the audience sneers<ins class = "correction" title =
+"close quote missing">.”&nbsp;</ins></p>
+<p>The goddess to the bird replied,</p>
+<p>(Willing to have him pacified,)</p>
+<p>“You are above the rest endued</p>
+<p>With beauty and with magnitude;</p>
+<p>Your neck the em’rald’s gloss outvies,</p>
+<p>And what a blaze of gemmeous dies</p>
+<span class = "pagenum">509</span>
+<p>Shines from the plumage of your tail!”</p>
+<p>“All this dumb show will not avail,”</p>
+<p>Cries he, “if I’m surpass’d in voice.”</p>
+<p>“The fates entirely have the choice</p>
+<p>Of all the lots&mdash;fair form is yours;</p>
+<p>The eagle’s strength his prey secures;</p>
+<p>The nightingale can sing an ode;</p>
+<p>The crow and raven may forebode:</p>
+<p>All these in sheer contentment crave</p>
+<p>No other voice than Nature gave.”</p>
+
+<p class = "indent">
+By affectation be not sway’d,</p>
+<p>Where Nature has not lent her aid;</p>
+<p>Nor to that flatt’ring hope attend,</p>
+<p>Which must in disappointment end.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_III_XIX">Riley</a>
+<h4><a name = "smart_III_XVIII" id = "smart_III_XVIII">XVIII.</a>
+<span class = "smallroman">ESOP AND THE IMPORTUNATE FELLOW.</span></h4>
+
+<div class = "verse">
+<p>Esop (no other slave at hand)</p>
+<p>Received himself his lord’s command</p>
+<p>An early supper to provide.</p>
+<p>From house to house he therefore tried</p>
+<p>To beg the favor of a light;</p>
+<p>At length he hit upon the right.</p>
+<p>But as when first he sallied out</p>
+<p>He made his tour quite round about,</p>
+<p>On his return he took a race</p>
+<p>Directly, cross the market-place:</p>
+<p>When thus a talkative buffoon,</p>
+<p>“Esop, what means this light at noon?”</p>
+<p>He answer’d briefly, as he ran,</p>
+<p>“Fellow, I’m looking for a man.”</p>
+
+<p class = "indent">
+Now if this jackanapes had weigh’d</p>
+<p>The true intent of what was said,</p>
+<p>He’d found that Esop had no sense</p>
+<p>Of manhood in impertinence.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_I">Riley</a>
+<h4><a name = "smart_III_XIX" id = "smart_III_XIX">XIX.</a>
+<span class = "smallroman">THE ASS AND PRIESTS OF CYBELE.</span></h4>
+
+<div class = "verse">
+<p>The luckless wretch that’s born to woe</p>
+<p>Must all his life affliction know&mdash;</p>
+<p>And harder still, his cruel fate</p>
+<p>Will on his very ashes wait.</p>
+<span class = "pagenum">510</span>
+
+<p class = "indent">
+Cybele’s priests, in <ins class = "correction" title = "s invisible">quest</ins> of bread,</p>
+<p>An Ass about the village led,</p>
+<p>With things for sale from door to door;</p>
+<p>Till work’d and beaten more and more,</p>
+<p>At length, when the poor creature died,</p>
+<p>They made them drums out of his hide.</p>
+<p>Then question’d “how it came to pass</p>
+<p>They thus could serve their darling Ass?”</p>
+<p>The answer was, “He thought of peace</p>
+<p>In death, and that his toils would cease;</p>
+<p>But see his mis’ry knows no bounds,</p>
+<p>Still with our blows his back resounds.”</p>
+</div>
+
+<hr class = "mid">
+
+<h3><a name = "smart_IV" id = "smart_IV">BOOK IV.</a></h3>
+
+<a class = "crossref" href = "#riley_IV_pro">Riley</a>
+<h4><a name = "smart_IV_pro" id = "smart_IV_pro">
+PROLOGUE.</a></h4>
+
+<div class = "verse">
+<p>To you, who’ve graver things bespoke,</p>
+<p>This seems no better than a joke,</p>
+<p>And light for mere amusement made;</p>
+<p>Yet still we drive the scribbling trade,</p>
+<p>And from the pen our pleasure find,</p>
+<p>When we’ve no greater things to mind.</p>
+<p>Yet if you look with care intense,</p>
+<p>These tales your toil shall recompense;</p>
+<p>Appearance is not always true,</p>
+<p>And thousands err by such a view.</p>
+<p>’Tis a choice spirit that has pried</p>
+<p>Where clean contrivance chose to hide;</p>
+<p>That this is not at random said,</p>
+<p>I shall produce upon this head</p>
+<p>A fable of an arch device,</p>
+<p>About the Weasel and the Mice.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_II">Riley</a>
+<h4><a name = "smart_IV_I" id = "smart_IV_I">
+<span class = "smallcaps">Fable I.</span></a>
+<span class = "smallroman">THE <ins class = "correction" title =
+"spelling in original">WEAZEL</ins> AND MICE.</span></h4>
+
+<div class = "verse">
+<p>A Weasel, worn with years, and lame,</p>
+<p>That could not overtake its game,</p>
+<span class = "pagenum">511</span>
+<p>Now with the nimble Mice to deal,</p>
+<p>Disguised herself with barley meal;</p>
+<p>Then negligent her limbs she spread</p>
+<p>In a sly nook, and lay for dead.</p>
+<p>A Mouse that thought she there might feed,</p>
+<p>Leapt up, and perish’d in the deed;</p>
+<p>A second in like manner died;</p>
+<p>A third, and sundry more beside:</p>
+<p>Then comes the brindled Mouse, a chap</p>
+<p>That oft escaped both snare and trap,</p>
+<p>And seeing how the trick was played,</p>
+<p>Thus to his crafty foe he said:&mdash;</p>
+<p>“So may’st thou prosper day and night,</p>
+<p>As thou art not an errant bite.”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_III">Riley</a>
+<h4><a name = "smart_IV_II" id = "smart_IV_II">II.</a>
+<span class = "smallroman">THE FOX AND THE GRAPES.</span></h4>
+
+<div class = "verse">
+<p>An hungry Fox with fierce attack</p>
+<p>Sprang on a Vine, but tumbled back,</p>
+<p>Nor could attain the point in view,</p>
+<p>So near the sky the bunches grew.</p>
+<p>As he went off, “They’re scurvy stuff,”</p>
+<p>Says he, “and not half ripe enough&mdash;</p>
+<p>And I’ve more rev’rence for my tripes</p>
+<p>Than to torment them with the gripes.”</p>
+
+<p class = "indent">
+For those this tale is very pat</p>
+<p>Who lessen what they can’t come at.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_IV">Riley</a>
+<h4><a name = "smart_IV_III" id = "smart_IV_III">III.</a>
+<span class = "smallroman">THE HORSE AND BOAR.</span></h4>
+
+<div class = "verse">
+<p>A Wild-Boar wallow’d in the flood,</p>
+<p>And troubled all the stream with mud,</p>
+<p>Just where a horse to drink repair’d&mdash;</p>
+<p>He therefore having war declared,</p>
+<p>Sought man’s alliance for the fight,</p>
+<p>And bore upon his back the knight;</p>
+<p>Who being skill’d his darts to throw,</p>
+<p>Despatched the Wild-Boar at a blow.</p>
+<p>Then to the steed the victor said,</p>
+<p>“I’m glad you came to me for aid,</p>
+<p>For taught how useful you can be,</p>
+<p>I’ve got at once a spoil and thee.”</p>
+<span class = "pagenum">512</span>
+<p>On which the fields he made him quit,</p>
+<p>To feel the spur and champ the bit.</p>
+<p>Then he his sorrow thus express’d:</p>
+<p>“I needs must have my wrongs redress’d,</p>
+<p>And making tyrant man the judge,</p>
+<p>Must all my life become a drudge.”</p>
+
+<p class = "indent">
+This tale the passionate may warn,</p>
+<p>To bear with any kind of scorn;</p>
+<p>And rather all complaint withdraw</p>
+<p>Than either go to war or law.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_V">Riley</a>
+<h4><a name = "smart_IV_IV" id = "smart_IV_IV">IV.</a>
+<span class = "smallroman">ESOP AND THE WILL.</span></h4>
+
+<div class = "verse">
+<p>That one man sometimes is more shrewd</p>
+<p>Than a stupendous multitude,</p>
+<p>To after-times I shall rehearse</p>
+<p>In my concise familiar verse.</p>
+
+<p class = "indent">
+A certain man on his decease,</p>
+<p>Left his three girls so much a-piece:</p>
+<p>The first was beautiful and frail,</p>
+<p>With eyes still hunting for the male;</p>
+<p>The second giv’n to spin and card,</p>
+<p>A country housewife working hard;</p>
+<p>The third but very ill to pass,</p>
+<p>A homely slut, that loved her glass.</p>
+<p>The dying man had left his wife</p>
+<p>Executrix, and for her life</p>
+<p>Sole tenant, if she should fulfil</p>
+<p>These strange provisos of his will:</p>
+<p>“That she should give th’ estate in fee</p>
+<p>In equal portions to the three;</p>
+<p>But in such sort, that this bequest</p>
+<p>Should not be holden or possess’d;</p>
+<p>Then soon as they should be bereav’n</p>
+<p>Of all the substance that was giv’n,</p>
+<p>They must for their good mother’s ease</p>
+<p>Make up an hundred sesterces.”</p>
+<p>This spread through Athens in a trice;</p>
+<p>The prudent widow takes advice.</p>
+<p>But not a lawyer could unfold</p>
+<p>How they should neither have nor hold</p>
+<span class = "pagenum">513</span>
+<p>The very things that they were left.</p>
+<p>Besides, when once they were bereft,</p>
+<p>How they from nothing should confer</p>
+<p>The money that was due to her.</p>
+
+<p class = "indent">
+When a long time was spent in vain,</p>
+<p>And no one could the will explain,</p>
+<p>She left the counsellors unfeed,</p>
+<p>And thus of her own self decreed:</p>
+<p>The minstrels, trinkets, plate, and dress,</p>
+<p>She gave the Lady to possess.</p>
+<p>Then Mrs. Notable she stocks</p>
+<p>With all the fields, the kine and flocks:</p>
+<p>The workmen, farm, with a supply</p>
+<p>Of all the tools of husbandry.</p>
+<p>Last, to the Guzzler she consigns</p>
+<p>The cellar stored with good old wines,</p>
+<p>A handsome house to see a friend,</p>
+<p>With pleasant gardens at the end.</p>
+<p>Thus as she strove th’ affair to close,</p>
+<p>By giving each the things they chose,</p>
+<p>And those that knew them every one</p>
+<p>Highly applauded what was done</p>
+<p>Esop arose, and thus address’d</p>
+<p>The crowd that to his presence press’d:</p>
+<p>“O that the dead could yet perceive!</p>
+<p>How would the prudent father grieve,</p>
+<p>That all th’ Athenians had not skill</p>
+<p>Enough to understand his will<ins class = "correction" title = "close quote missing">!”&nbsp;</ins></p>
+<p>Then at their joint request he solved</p>
+<p>That error, which had all involved.</p>
+<p>“The gardens, house, and wine vaults too,</p>
+<p>Give to the spinster as her due;</p>
+<p>The clothes, the jewels, and such ware,</p>
+<p>Be all the tippling lady’s share;</p>
+<p>The fields, the barns, and flocks of sheep,</p>
+<p>Give the gay courtesan to keep.</p>
+<p>Not one will bear the very touch</p>
+<p>Of things that thwart their tastes so much;</p>
+<p>The slut to fill her cellar straight</p>
+<p>Her wardrobe will evacuate;</p>
+<span class = "pagenum">514</span>
+<p>The lady soon will sell her farms,</p>
+<p>For garments to set off her charms;</p>
+<p>But she that loves the flocks and kine</p>
+<p>Will alienate her stores of wine,</p>
+<p>Her rustic genius to employ.</p>
+<p>Thus none their portions shall enjoy,</p>
+<p>And from the money each has made</p>
+<p>Their mother shall be duly paid.”</p>
+
+<p class = "indent">
+Thus one man by his wit disclosed</p>
+<p>The point that had so many posed.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_VI">Riley</a>
+<h4><a name = "smart_IV_V" id = "smart_IV_V">V.</a>
+<span class = "smallroman">THE BATTLE OF THE MICE AND
+WEASELS.</span></h4>
+
+<div class = "verse">
+<p>The routed Mice upon a day</p>
+<p>Fled from the Weasels in array;</p>
+<p>But in the hurry of the flight,</p>
+<p>What with their weakness and their fright</p>
+<p>Each scarce could get into his cave:</p>
+<p>Howe’er, at last their lives they save.</p>
+<p>But their commanders (who had tied</p>
+<p>Horns to their heads in martial pride,</p>
+<p>Which as a signal they design’d</p>
+<p>For non-commission’d mice to mind)</p>
+<p>Stick in the entrance as they go,</p>
+<p>And there are taken by the foe,</p>
+<p>Who, greedy of the victim, gluts</p>
+<p>With mouse-flesh his ungodly guts.</p>
+
+<p class = "indent">
+Each great and national distress</p>
+<p>Must chiefly mighty men oppress;</p>
+<p>While folks subordinate and poor</p>
+<p>Are by their littleness secure.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_VII">Riley</a>
+<h4><a name = "smart_IV_VI" id = "smart_IV_VI">VI.</a>
+<span class = "smallroman">PHÆDRUS TO THE CAVILLERS.</span></h4>
+
+<div class = "verse">
+<p>Thou that against my tales inveigh’st,</p>
+<p>As much too pleasant for thy taste;</p>
+<p>Egregious critic, cease to scoff,</p>
+<p>While for a time I play you off,</p>
+<p>And strive to soothe your puny rage.</p>
+<p>As Esop comes upon the stage,</p>
+<span class = "pagenum">515</span>
+<p>And dress’d entirely new in Rome,</p>
+<p>Thus enters with the tragic plume.&mdash;</p>
+<p>“O that the fair Thessalian pine</p>
+<p>Had never felt the wrath divine,</p>
+<p>And fearless of the axe’s wound,</p>
+<p>Had still the Pelian mountain crown’d!</p>
+<p>That Argus by Palladian aid</p>
+<p>Had ne’er the advent’rous vessel made;</p>
+<p>In which at first, without dismay,</p>
+<p>Death’s bold professors won their way,</p>
+<p>In which th’ inhospitable main</p>
+<p>Was first laid open for the bane</p>
+<p>Of Grecians and barbarians too.</p>
+<p>Which made the proud Æetas rue,</p>
+<p>And whence Medea’s crimes to nought</p>
+<p>The house and reign of Pelias brought.</p>
+<p>She&mdash;while in various forms she tries</p>
+<p>Her furious spirit to disguise,</p>
+<p>At one place in her flight bestow’d</p>
+<p>Her brother’s limbs upon the road;</p>
+<p>And at another could betray</p>
+<p>The daughters their own sire to slay<ins class = "correction" title =
+"close quote missing">.”&nbsp;</ins></p>
+
+<p class = "indent">
+How think you now?&mdash;What arrant trash!</p>
+<p>And our assertions much too rash!&mdash;</p>
+<p>Since prior to th’ Ægean fleet</p>
+<p>Did Minos piracy defeat,</p>
+<p>And made adventures on the sea.</p>
+<p>How then shall you and I agree?</p>
+<p>Since, stern as Cato’s self, you hate</p>
+<p>All tales alike, both small and great.</p>
+
+<p class = "indent">
+Plague not too much the man of parts;</p>
+<p>For he that does it surely smarts.&mdash;</p>
+<p>This threat is to the fools, that squeam</p>
+<p>At every thing of good esteem;</p>
+
+<p class = "indent">
+And that they may to taste pretend,</p>
+<p>Ev’n heaven itself will discommend.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_VIII">Riley</a>
+<h4><a name = "smart_IV_VII" id = "smart_IV_VII">VII.</a>
+<span class = "smallroman">THE VIPER AND THE FILE.</span></h4>
+
+<div class = "verse">
+<p>He that a greater biter bites,</p>
+<p>His folly on himself requites,</p>
+<span class = "pagenum">516</span>
+<p>As we shall manifest forthwith.&mdash;</p>
+
+<p class = "indent">
+There was a hovel of a smith,</p>
+<p>Where a poor Viper chanced to steal,</p>
+<p>And being greedy of a meal,</p>
+<p>When she had seized upon a file,</p>
+<p>Was answer’d in this rugged style:</p>
+<p>“Why do you think, O stupid snake!</p>
+<p>On me your usual meal to make,</p>
+<p>Who’ve sharper teeth than thine by far,</p>
+<p>And can corrode an iron bar?”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_IX">Riley</a>
+<h4><a name = "smart_IV_VIII" id = "smart_IV_VIII">VIII.</a>
+<span class = "smallroman">THE FOX AND THE GOAT.</span></h4>
+
+<div class = "verse">
+<p>A crafty knave will make escape,</p>
+<p>When once he gets into a scrape,</p>
+<p>Still meditating self-defence,</p>
+<p>At any other man’s expense.</p>
+
+<p class = "indent">
+A Fox by some disaster fell</p>
+<p>Into a deep and fenced well:</p>
+<p>A thirsty Goat came down in haste,</p>
+<p>And ask’d about the water’s taste,</p>
+<p>If it was plentiful and sweet?</p>
+<p>At which the Fox, in rank deceit,</p>
+<p>“So great the solace of the run,</p>
+<p>I thought I never should have done.</p>
+<p>Be quick, my friend, your sorrows drown<ins class = "correction"
+title = ". missing">.”&nbsp;</ins></p>
+<p>This said, the silly Goat comes down.</p>
+<p>The subtle Fox herself avails,</p>
+<p>And by his horns the mound she scales,</p>
+<p>And leaves the Goat in all the mire,</p>
+<p>To gratify his heart’s desire.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_X">Riley</a>
+<h4><a name = "smart_IV_IX" id = "smart_IV_IX">IX.</a>
+<span class = "smallroman">THE TWO BAGS.</span></h4>
+
+<div class = "verse">
+<p>Great Jove, in his paternal care,</p>
+<p>Has giv’n a man two Bags to bear;</p>
+<p>That which his own default contains</p>
+<p>Behind his back unseen remains;</p>
+<p>But that which others’ vice attests</p>
+<p>Swags full in view before our breasts.</p>
+
+<p class = "indent">
+Hence we’re inevitably blind,</p>
+<p>Relating to the Bag behind;</p>
+<span class = "pagenum">517</span>
+<p>But when our neighbours misdemean,</p>
+<p>Our censures are exceeding keen.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_XII">Riley</a>
+<h4><a name = "smart_IV_X" id = "smart_IV_X">X.</a>
+<span class = "smallroman">THE SACRILEGIOUS THIEF<ins class =
+"correction" title = ". missing">.&nbsp;</ins></span></h4>
+
+<div class = "verse">
+<p>A villain to Jove’s altar came</p>
+<p>To light his candle in the flame,</p>
+<p>And robb’d the god in dead of night,</p>
+<p>By his own consecrated light:</p>
+<p>Then thus an awful voice was sent,</p>
+<p>As with the sacrilege he went:</p>
+<p>“Though all this gold and silver plate</p>
+<p>As gifts of evil men I hate;</p>
+<p>And their removal from the fane</p>
+<p>Can cause the Deity no pain;</p>
+<p>Yet, caitiff, at th’ appointed time,</p>
+<p>Thy life shall answer for thy crime.</p>
+<p>But, for the future, lest this blaze,</p>
+<p>At which the pious pray and praise,</p>
+<p>Should guide the wicked, I decree</p>
+<p>That no such intercourse there be.”</p>
+<p>Hence to this day all men decline</p>
+<p>To light their candle at the shrine;</p>
+<p>Nor from a candle e’er presume</p>
+<p>The holy light to re-illume.</p>
+
+<p class = "indent">
+How many things are here contain’d,</p>
+<p>By him alone can be explain’d</p>
+<p>Who could this useful tale invent.</p>
+<p>In the first place, herein is meant,</p>
+<p>That they are often most your foes</p>
+<p>Who from your fost’ring hand arose.</p>
+<p>Next, that the harden’d villain’s fate</p>
+<p>Is not from wrath precipitate,</p>
+<p>But rather at a destined hour.</p>
+<p>Lastly, we’re charg’d with all our pow’r,</p>
+<p>To keep ourselves, by care intense,</p>
+<p>From all connexions with offence.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_XII">Riley</a>
+<h4><a name = "smart_IV_XI" id = "smart_IV_XI">XI.</a>
+<span class = "smallroman">HERCULES AND PLUTUS.</span></h4>
+
+<div class = "verse">
+<p>Wealth by the brave is justly scorn’d,</p>
+<p>Since men are from the truth suborn’d,</p>
+<span class = "pagenum">518</span>
+<p>And a full chest perverts their ways</p>
+<p>From giving or deserving praise.</p>
+
+<p class = "indent">
+When Hercules, for matchless worth,</p>
+<p>Was taken up to heav’n from earth,</p>
+<p>As in their turns to all the crowd</p>
+<p>Of gratulating gods he bow’d,</p>
+<p>When Plutus, Fortune’s son, he spies,</p>
+<p>He from his face averts his eyes.</p>
+<p>Jove ask’d the cause of this disgust:</p>
+<p>“I hate him, as he is unjust,</p>
+<p>To wicked men the most inclined,</p>
+<p>And grand corrupter of mankind.”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_XV">Riley</a>
+<h4><a name = "smart_IV_XII" id = "smart_IV_XII">XII.</a>
+<span class = "smallroman">THE HE-GOATS AND&nbsp;SHE-GOATS.</span></h4>
+
+<div class = "verse">
+<p>When the She-Goats from Jove obtain’d</p>
+<p>A beard, th’ indignant Males complain’d,</p>
+<p>That females by this near approach</p>
+<p>Would on their gravity encroach.</p>
+<p>“Suffer, my sapient friends,” says he,</p>
+<p>“Their eminence in this degree,</p>
+<p>And bear their beard’s most graceful length,</p>
+<p>As they can never have your strength.”</p>
+
+<p class = "indent">
+Warn’d by this little tale, agree</p>
+<p>With men in gen’ral form’d like thee,</p>
+<p>While you by virtue still exceed,</p>
+<p>And in the spirit take the lead.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_XVI">Riley</a>
+<h4><a name = "smart_IV_XIII" id = "smart_IV_XIII">XIII.</a>
+<span class = "smallroman">THE PILOT AND SAILORS.</span></h4>
+
+<div class = "verse">
+<p>On hearing a poor man lament</p>
+<p>His worldly thoughts in discontent,</p>
+<p>Esop this tale began to write,</p>
+<p>For consolation and delight.</p>
+
+<p class = "indent">
+The ship by furious tempests toss’d,</p>
+<p>The Mariners gave all for lost;</p>
+<p>But midst their tears and dread, the scene</p>
+<p>Is changed at once, and all serene.</p>
+<p>The wind is fair, the vessel speeds,</p>
+<p>The Sailors’ boist’rous joy exceeds:</p>
+<p>The Pilot then, by peril wise,</p>
+<p>Was prompted to philosophise.</p>
+<span class = "pagenum">519</span>
+<p>“’Tis right to put a due restraint</p>
+<p>On joy, and to retard complaint,</p>
+<p>Because alternate hope and fright</p>
+<p>Make up our lives of black and white.”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_XVIII">Riley</a>
+<h4><a name = "smart_IV_XIV" id = "smart_IV_XIV">XIV.</a>
+<span class = "smallroman">THE MAN AND THE ADDER.</span></h4>
+
+<div class = "verse">
+<p>He, that malicious men relieves,</p>
+<p>His folly in a season grieves.</p>
+<p>A Man, against himself humane,</p>
+<p>Took up an Adder, that had lain</p>
+<p>And stiffen’d in the frosty air,</p>
+<p>And in his bosom placed with care,</p>
+<p>Where she with speed recov’ring breath,</p>
+<p>Her benefactor stung to death.</p>
+<p>Another Adder near the place,</p>
+<p>On asking why she was so base,</p>
+<p>Was told, “’Tis others to dissuade</p>
+<p>From giving wickedness their aid.”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_XIX">Riley</a>
+<h4><a name = "smart_IV_XV" id = "smart_IV_XV">XV.</a>
+<span class = "smallroman">THE FOX AND THE DRAGON.</span></h4>
+
+<div class = "verse">
+<p>A Fox was throwing up the soil,</p>
+<p>And while with his assiduous toil</p>
+<p>He burrow’d deep into the ground,</p>
+<p>A Dragon in his den he found,</p>
+<p>A-watching hidden treasure there,</p>
+<p>Whom seeing, Renard speaks him fair:</p>
+<p>“First, for your pardon I apply</p>
+<p>For breaking on your privacy;</p>
+<p>Then, as you very plainly see</p>
+<p>That gold is of no use to me,</p>
+<p>Your gentle leave let me obtain</p>
+<p>To ask you, what can be the gain</p>
+<p>Of all this care, and what the fruit,</p>
+<p>That you should not with sleep recruit</p>
+<p>Your spirits, but your life consume</p>
+<p>Thus in an everlasting gloom?”</p>
+<p>“’Tis not my profit here to stay,”</p>
+<p>He cries; “but I must Jove obey.”</p>
+<p>“What! will you therefore nothing take</p>
+<p>Yourself, nor others welcome make?”</p>
+<span class = "pagenum">520</span>
+<p>“Ev’n so the fates decree:” &mdash;“Then, sir,</p>
+<p>Have patience, whilst I do aver</p>
+<p>That he who like affections knows</p>
+<p>Is born with all the gods his foes.</p>
+<p>Since to that place you needs must speed,</p>
+<p>Where all your ancestors precede,</p>
+<p>Why in the blindness of your heart</p>
+<p>Do you torment your noble part?”</p>
+
+<p class = "indent">
+All this to thee do I indite,</p>
+<p>Thou grudging churl, thy heir’s delight,</p>
+<p>Who robb’st the gods of incense due,</p>
+<p>Thyself of food and raiment too;</p>
+<p>Who hear’st the harp with sullen mien,</p>
+<p>To whom the piper gives the spleen;</p>
+<p>Who’rt full of heavy groans and sighs</p>
+<p>When in their price provisions rise;</p>
+<p>Who with thy frauds heaven’s patience tire</p>
+<p>To make thy heap a little higher,</p>
+<p>And, lest death thank thee, in thy will</p>
+<p>Hast tax’d the undertaker’s bill.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_XX">Riley</a>
+<h4><a name = "smart_IV_XVI" id = "smart_IV_XVI">XVI.</a>
+<span class = "smallroman">PHÆDRUS, ON HIS FABLES.</span></h4>
+
+<div class = "verse">
+<p>What certain envious hearts intend</p>
+<p>I very clearly comprehend,</p>
+<p>Let them dissemble e’er so much.&mdash;</p>
+<p>When they perceive the master’s touch,</p>
+<p>And find ’tis likely to endure,</p>
+<p>They’ll say ’tis Esop to be sure&mdash;</p>
+<p>But what appears of mean design,</p>
+<p>At any rate they’ll vouch for mine.</p>
+<p>These in a word I would refute:</p>
+<p>Whether of great or no repute,</p>
+<p>What sprung from Esop’s fertile thought</p>
+<p>This hand has to perfection brought;</p>
+<p>But waiving things to our distaste,</p>
+<p>Let’s to the destined period haste.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_XXI">Riley</a>
+<h4><a name = "smart_IV_XVII" id = "smart_IV_XVII">XVII.</a>
+<span class = "smallroman">THE SHIPWRECK OF SIMONIDES.</span></h4>
+
+<div class = "verse">
+<p>A man, whose learned worth is known,</p>
+<p>Has always riches of his own.</p>
+<span class = "pagenum">521</span>
+
+<p class = "indent">
+Simonides, who was the head</p>
+<p>Of lyric bards, yet wrote for bread,</p>
+<p>His circuit took through every town</p>
+<p>In Asia of the first renown,</p>
+<p>The praise of heroes to rehearse,</p>
+<p>Who gave him money for his verse.</p>
+<p>When by this trade much wealth was earn’d,</p>
+<p>Homewards by shipping he return’d</p>
+<p>(A Cean born, as some suppose):</p>
+<p>On board he went, a tempest rose,</p>
+<p>Which shook th’ old ship to that degree,</p>
+<p>She founder’d soon as out at sea.</p>
+<p>Some purses, some their jewels tie</p>
+<p>About them for a sure supply;</p>
+<p>But one more curious, ask’d the seer,</p>
+<p>“Poet, have you got nothing here?”</p>
+<p>“My all,” says he, “is what I am.”&mdash;</p>
+<p>On this some few for safety swam</p>
+<p>(For most o’erburden’d by their goods,</p>
+<p>Were smother’d in the whelming floods).</p>
+<p>The spoilers came, the wealth demand,</p>
+<p>And leave them naked on the strand.</p>
+<p>It happen’d for the shipwreck’d crew</p>
+<p>An ancient city was in view,</p>
+<p>By name Clazomena, in which</p>
+<p>There lived a scholar learn’d and rich,</p>
+<p>Who often read, his cares to ease,</p>
+<p>The verses of Simonides,</p>
+<p>And was a vast admirer grown</p>
+<p>Of this great poet, though unknown.</p>
+<p>Him by his converse when he traced,</p>
+<p>He with much heartiness embraced,</p>
+<p>And soon equipp’d the bard anew,</p>
+<p>With servants, clothes, and money too,</p>
+<p>The rest benevolence implored,</p>
+<p>With case depicted on a board:</p>
+<p>Which when Simonides espied,</p>
+<p>“I plainly told you all,” he cried,</p>
+<p>“That all my wealth was in myself;</p>
+<p>As for your chattels and your pelf,</p>
+<span class = "pagenum">522</span>
+<p>On which ye did so much depend,</p>
+<p>They’re come to nothing in the end.”</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_XXII">Riley</a>
+<h4><a name = "smart_IV_XVIII" id = "smart_IV_XVIII">XVIII.</a>
+<span class = "smallroman">THE MOUNTAIN IN LABOR.</span></h4>
+
+<div class = "verse">
+<p>The Mountain labor’d, groaning loud,</p>
+<p>On which a num’rous gaping crowd</p>
+<p>Of noodles came to see the sight,</p>
+<p>When, lo! a mouse was brought to light!</p>
+
+<p class = "indent">
+This tale’s for men of swagg’ring cast,</p>
+<p>Whose threats, voluminous and vast,</p>
+<p>With all their verse and all their prose,</p>
+<p>Can make but little on’t, God knows.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_XXIII">Riley</a>
+<h4><a name = "smart_IV_XIX" id = "smart_IV_XIX">XIX.</a>
+<span class = "smallroman">THE ANT AND THE FLY.</span></h4>
+
+<div class = "verse">
+<p>An Ant and Fly had sharp dispute</p>
+<p>Which creature was of most repute;</p>
+<p>When thus began the flaunting Fly:</p>
+<p>“Are you so laudible as I?</p>
+<p>I, ere the sacrifice is carved,</p>
+<p>Precede the gods; first come, first served&mdash;</p>
+<p>Before the altar take my place,</p>
+<p>And in all temples show my face,</p>
+<p>Whene’er I please I set me down</p>
+<p>Upon the head that wears a crown.</p>
+<p>I with impunity can taste</p>
+<p>The kiss of matrons fair and chaste.</p>
+<p>And pleasure without labor claim&mdash;</p>
+<p>Say, trollop, canst thou do the same?”</p>
+
+<p class = "indent">
+“The feasts of gods are glorious fare.</p>
+<p>No doubt, to those who’re welcome there;</p>
+<p>But not for such detested things.&mdash;</p>
+<p>You talk of matron’s lips and kings;</p>
+<p>I, who with wakeful care and pains</p>
+<p>Against the winter hoard my grains,</p>
+<p>Thee feeding upon ordure view.&mdash;</p>
+<p>The altars you frequent, ’tis true;</p>
+<p>But still are driv’n away from thence,</p>
+<p>And elsewhere, as of much offence.</p>
+<span class = "pagenum">523</span>
+<p>A life of toil you will not lead,</p>
+<p>And so have nothing when you need.</p>
+<p>Besides all this, you talk with pride</p>
+<p>Of things that modesty should hide.</p>
+<p>You plague me here, while days increase,</p>
+<p>But when the winter comes you cease.</p>
+<p>Me, when the cold thy life bereaves,</p>
+<p>A plenteous magazine receives.</p>
+<p>I think I need no more advance</p>
+<p>To cure you of your arrogance.”</p>
+
+<p class = "indent">
+The tenor of this tale infers</p>
+<p>Two very diff’rent characters;</p>
+<p>Of men self-praised and falsely vain,</p>
+<p>And men of real worth <ins class = "correction" title = "missing ‘the’ or equivalent">in grain</ins>.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_XXIV">Riley</a>
+<h4><a name = "smart_IV_XX" id = "smart_IV_XX">XX.</a>
+<span class = "smallroman">THE ESCAPE OF SIMONIDES<ins class =
+"correction" title = ". missing">.&nbsp;</ins></span></h4>
+
+<div class = "verse">
+<p>Th’ attention letters can engage,</p>
+<p>Ev’n from a base degen’rate age,</p>
+<p>I’ve shown before; and now shall show</p>
+<p>Their lustre in another view,</p>
+<p>And tell a memorable tale,</p>
+<p>How much they can with heav’n prevail<ins class = "correction" title
+= "text has , for .">.&nbsp;</ins></p>
+
+<p class = "indent">
+Simonides, the very same</p>
+<p>We lately had a call to name,</p>
+<p>Agreed for such a sum to blaze</p>
+<p>A certain famous champion’s praise.</p>
+<p>He therefore a retirement sought,</p>
+<p>But found the theme on which he wrote</p>
+<p>So scanty, he was forced to use</p>
+<p>Th’ accustom’d license of the muse,</p>
+<p>And introduced and praise bestow’d</p>
+<p>On Leda’s sons to raise his ode;</p>
+<p>With these the rather making free,</p>
+<p>As heroes in the same degree.</p>
+<p>He warranted his work, and yet</p>
+<p>Could but one third of payment get.</p>
+<p>Upon demanding all the due,</p>
+<p>“Let them,” says he, “pay t’other two,</p>
+<p>Who take two places in the song;</p>
+<p>But lest you think I do you wrong</p>
+<span class = "pagenum">524</span>
+<p>And part in dudgeon&mdash;I invite</p>
+<p>Your company to sup this night,</p>
+<p>For then my friends and kin I see,</p>
+<p>’Mongst which I choose to reckon thee.”</p>
+<p>Choused and chagrined, yet shunning blame,</p>
+<p>He promised, set the hour, and came;</p>
+<p>As fearful lest a favour spurn’d</p>
+<p>Should to an open breach be turn’d.</p>
+<p>The splendid banquet shone with plate,</p>
+<p>And preparations full of state</p>
+<p>Made the glad house with clamors roar&mdash;</p>
+<p>When on a sudden at the door</p>
+<p>Two youths, with sweat and dust besmear’d,</p>
+<p>Above the human form appear’d,</p>
+<p>And charged forthwith a little scout</p>
+<p>To bid Simonides come out,</p>
+<p>That ’twas his int’rest not to stay.&mdash;</p>
+<p>The slave, in trouble and dismay,</p>
+<p>Roused from his seat the feasting bard,</p>
+<p>Who scarce had stirr’d a single yard</p>
+<p>Before the room at once fell in,</p>
+<p>And crush’d the champion and his kin.</p>
+<p>No youths before the door are found.&mdash;</p>
+<p>The thing soon spread the country round;</p>
+<p>And when each circumstance was weigh’d,</p>
+<p>They knew the gods that visit made,</p>
+<p>And saved the poet’s life in lieu</p>
+<p>Of those two-thirds which yet were due.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_IV_epi">Riley</a>
+<h4><a name = "smart_IV_epi" id = "smart_IV_epi">
+EPILOGUE TO EUTYCHUS.</a></h4>
+
+<div class = "verse">
+<p>I yet have stock in hand to spare,</p>
+<p>And could write on&mdash;but will forbear&mdash;</p>
+<p>First, lest I tire a friend, whose state</p>
+<p>And avocations are so great:</p>
+<p>And then, if other pens should try</p>
+<p>This <ins class = "correction" title = "text reads ‘morals cheme’">moral scheme</ins> as well as I,</p>
+<p>They may have something to pursue:&mdash;</p>
+<p>Yet if the spacious field we view,</p>
+<p>More men are wanting for the plan,</p>
+<p>Rather than matter for the man.</p>
+<span class = "pagenum">525</span>
+<p>Now for that prize I make my plea</p>
+<p>You promised to my brevity.</p>
+<p>Keep your kind word; for life, my friend,</p>
+<p>Is daily nearer to its end;</p>
+<p>And I shall share your love the less</p>
+<p>The longer you your hand repress:</p>
+<p>The sooner you the boon insure,</p>
+<p>The more the tenure must endure;</p>
+<p>And if I quick possession take,</p>
+<p>The greater profit must I make,</p>
+<p>While yet declining age subsists,</p>
+<p>A room for friendly aid exists.</p>
+<p>Anon with tasteless years grown weak,</p>
+<p>In vain benevolence will seek</p>
+<p>To do me good&mdash;when Death at hand</p>
+<p>Shall come and urge his last demand.</p>
+<p>’Tis folly, you’ll be apt to say,</p>
+<p>A thousand times to beg and pray</p>
+<p>Of one with so much worth and sense,</p>
+<p>Whose gen’rous bounty is propense.</p>
+<p>If e’er a miscreant succeeds,</p>
+<p>By fair confession of his deeds,</p>
+<p>An innocent offender’s case</p>
+<p>Is far more worthy of your grace.</p>
+<p>You for example sake begin,</p>
+<p>Then others to the lure you’ll win,</p>
+<p>And in rotation more and more</p>
+<p>Will soon communicate their store.</p>
+<p>Consider in your mind how far</p>
+<p>At stake your word and honour are;</p>
+<p>And let your closing the debate</p>
+<p>By what I may congratulate.</p>
+<p>I have been guilty of excess</p>
+<p>Beyond my thought in this address</p>
+<p>But ’tis not easy to refrain</p>
+<p>A spirit work’d up to disdain</p>
+<p>By wretches insolent and vile,</p>
+<p>With a clear conscience all the while.</p>
+<p>You’ll ask me, sir, at whom I hint&mdash;</p>
+<p>In time they may appear in print.</p>
+<span class = "pagenum">526</span>
+<p>But give me leave to cite a phrase</p>
+<p>I met with in my boyish days.</p>
+<p>“’Tis dangerous for the mean and low</p>
+<p>Too plain their grievances to show.”</p>
+<p>This is advice I shall retain</p>
+<p>While life and sanity remain.</p>
+</div>
+
+<hr class = "mid">
+
+<h3><a name = "smart_V" id = "smart_V">BOOK V.</a></h3>
+
+<a class = "crossref" href = "#riley_V_pro">Riley</a>
+<h4><a name = "smart_V_pro" id = "smart_V_pro">
+PROLOGUE, TO PARTICULO</a></h4>
+
+<div class = "verse">
+<p><span class = "firstword">When</span> I resolved my hand to stay</p>
+<p>For this, that others might have play,</p>
+<p>On reconsidering of my part</p>
+<p>I soon recanted in my heart:</p>
+<p>For if a rival should arise,</p>
+<p>How can he possibly devise</p>
+<p>The things that I have let alone,</p>
+<p>Since each man’s fancy is his own,</p>
+<p>And likewise colouring of the piece<ins class = "correction" title =
+"text has superfluous close quote">?&mdash;</ins></p>
+<p>It was not therefore mere caprice,</p>
+<p>But strong reflection made me write:</p>
+<p>Wherefore since you in tales delight,</p>
+<p>Which I, in justice, after all,</p>
+<p>Not Esop’s, but Esopian call;</p>
+<p>Since he invented but a few;</p>
+<p>I more, and some entirely new,</p>
+<p>Keeping indeed the ancient style,</p>
+<p>With fresh materials all the while.</p>
+<p>As at your leisure you peruse</p>
+<p>The fourth collection of my muse,</p>
+<p>That you may not be at a stand,</p>
+<p>A fifth shall shortly come to hand;</p>
+<p>’Gainst which, if as against the rest,</p>
+<p>Malignant cavillers protest,</p>
+<p>Let them carp on, and make it plain</p>
+<p>They carp at what they can’t attain.</p>
+<p>My fame’s secure, since I can show</p>
+<p>How men of eminence like you,</p>
+<span class = "pagenum">527</span>
+<p>My little book transcribe and quote,</p>
+<p>As like to live of classic note.</p>
+<p>It is th’ ambition of my pen</p>
+<p>To win th’ applause of learned men.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_V_I">Riley</a>
+<h4 class = "smallcaps"><a name = "smart_V_I" id = "smart_V_I">I.
+Demetrius and Menander.</a></h4>
+
+<div class = "verse">
+<p>If Esop’s name at any time</p>
+<p>I bring into this measured rhyme,</p>
+<p>To whom I’ve paid whate’er I owe,</p>
+<p>Let all men by these presents know,</p>
+<p>I with th’ old fabulist make free,</p>
+<p>To strengthen my authority.</p>
+<p>As certain sculptors of the age,</p>
+<p>The more attention to engage,</p>
+<p>And raise their price, the curious please,</p>
+<p>By forging of Praxiteles;</p>
+<p>And in like manner they purloin</p>
+<p>A Myro to their silver coin.</p>
+<p>’Tis thus our fables we can smoke,</p>
+<p>As pictures for their age bespoke:</p>
+<p>For biting envy, in disgust</p>
+<p>To new improvements, favors rust;</p>
+<p>But now a tale comes in of course,</p>
+<p>Which these assertions will enforce.</p>
+
+<p class = "indent">
+Demetrius, who was justly call’d</p>
+<p>The tyrant, got himself install’d,</p>
+<p>And held o’er Athens impious sway.</p>
+<p>The crowd, as ever is the way,</p>
+<p>Came, eager rushing far and wide,</p>
+<p>And, “Fortunate event!” they cried.</p>
+<p>The nobles came, the throne address’d:</p>
+<p>The hand by which they were oppress’d</p>
+<p>They meekly kiss’d, with inward stings</p>
+<p>Of anguish for the face of things.</p>
+<p>The idlers also, with the tribe</p>
+<p>Of those who to themselves prescribe</p>
+<p>Their ease and pleasure, in the end</p>
+<p>Came sneaking, lest they should offend.</p>
+<p>Amongst this troop Menander hies,</p>
+<p>So famous for his comedies.</p>
+<span class = "pagenum">528</span>
+<p>(Him, though he was not known by sight,</p>
+<p>The tyrant read with great delight,</p>
+<p>Struck with the genius of the bard.)</p>
+<p>In flowing robes bedaub’d with nard,</p>
+<p>And saunt’ring tread he came along,</p>
+<p>Whom, at the bottom of the throng,</p>
+<p>When Phalereus beheld, he said:</p>
+<p>“How dares that fribble show his head</p>
+<p>In this our presence?” he was told&mdash;</p>
+<p>“It is Menander you behold.”</p>
+<p>Then, changed at once from fierce to bland,</p>
+<p>He call’d, and took him by the hand.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_V_II">Riley</a>
+<h4><a name = "smart_V_II" id = "smart_V_II">II.</a>
+<span class = "smallroman">THE THIEF AND THE TRAVELLERS.</span></h4>
+
+<div class = "verse">
+<p>Two men equipp’d were on their way;</p>
+<p>One fearful; one without dismay,</p>
+<p>An able fencer. As they went,</p>
+<p>A robber came with black intent;</p>
+<p>Demanding, upon pain of death,</p>
+<p>Their gold and silver in a breath.</p>
+<p>At which the man of spirit drew,</p>
+<p>And instantly disarm’d and slew</p>
+<p>The Thief, his honor to maintain.</p>
+<p>Soon as the rogue was fairly slain,</p>
+<p>The tim’rous chap began to puff,</p>
+<p>And drew his sword, and stripp’d in buff&mdash;</p>
+<p>“Leave me alone with him! stand back!</p>
+<p>I’ll teach him whom he should attack.”</p>
+<p>Then he who fought, “I wish, my friend,</p>
+<p>But now you’d had such words to lend;</p>
+<p>I might have been confirm’d the more,</p>
+<p>Supposing truth to all you swore;</p>
+<p>Then put your weapon in the sheath,</p>
+<p>And keep your tongue within your teeth,</p>
+<p>Though you may play an actor’s part</p>
+<p>On them who do not know your heart.</p>
+<p>I, who have seen this very day</p>
+<p>How lustily you ran away,</p>
+<p>Experience when one comes to blows</p>
+<p>How far your resolution goes.”</p>
+<span class = "pagenum">529</span>
+
+<p class = "indent">
+This narrative to those I tell</p>
+<p>Who stand their ground when all is well;</p>
+<p>But in the hour of pressing need</p>
+<p>Abash’d, most shamefully recede.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_V_III">Riley</a>
+<h4><a name = "smart_V_III" id = "smart_V_III">III.</a>
+<span class = "smallroman">THE BALD MAN AND THE FLY.</span></h4>
+
+<div class = "verse">
+<p>As on his head she chanced to sit,</p>
+<p>A Man’s bald pate a Gadfly bit;</p>
+<p>He, prompt to crush the little foe,</p>
+<p>Dealt on himself a grievous blow:</p>
+<p>At which the Fly, deriding said,</p>
+<p>“You that would strike an insect dead</p>
+<p>For one slight sting, in wrath so strict,</p>
+<p>What punishment will you inflict</p>
+<p>Upon yourself, who was so blunt</p>
+<p>To do yourself this gross affront?”&mdash;</p>
+<p>“O,” says the party, “as for me,</p>
+<p>I with myself can soon agree.</p>
+<p>The spirit of th’ intention’s all;</p>
+<p>But thou, detested cannibal!</p>
+<p>Blood-sucker! to have thee secured</p>
+<p>More would I gladly have endured.”</p>
+
+<p class = "indent">
+What by this moral tale is meant</p>
+<p>Is&mdash;those who wrong not with intent</p>
+<p>Are venial; but to those that do</p>
+<p>Severity, I think, is due.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_V_IV">Riley</a>
+<h4><a name = "smart_V_IV" id = "smart_V_IV">IV.</a>
+<span class = "smallroman">THE MAN AND THE ASS.</span></h4>
+
+<div class = "verse">
+<p>A certain Man, when he had made</p>
+<p>A sacrifice, for special aid</p>
+<p>To Hercules, and kill’d a swine,</p>
+<p>Did for his Ass’s share assign</p>
+<p>All the remainder of the corn;</p>
+<p>But he, rejecting it with scorn,</p>
+<p>Thus said: “I gladly would partake&mdash;</p>
+<p>But apprehend that life’s at stake;</p>
+<p>For he you fatted up and fed</p>
+<p>With store of this, is stuck and dead.”</p>
+
+<p class = "indent">
+Struck with the import of this tale,</p>
+<p>I have succeeded to prevail</p>
+<span class = "pagenum">530</span>
+<p>Upon my passions, and abstain,</p>
+<p>From peril of immod’rate gain.</p>
+<p>But, you will say, those that have come</p>
+<p>Unjustly by a handsome sum,</p>
+<p>Upon the pillage still subsist&mdash;</p>
+<p>Why, if we reckon up the list,</p>
+<p>You’ll find by far the major part</p>
+<p>Have been conducted in the cart:</p>
+<p>Temerity for some may do,</p>
+<p>But many more their rashness rue.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_V_V">Riley</a>
+<h4><a name = "smart_V_V" id = "smart_V_V">V.</a>
+<span class = "smallroman">THE BUFFOON AND COUNTRY-FELLOW.</span></h4>
+
+<div class = "verse">
+<p>In ev’ry age, in each profession,</p>
+<p>Men err the most by prepossession;</p>
+<p>But when the thing is clearly shown,</p>
+<p>Is fairly urged, and fully known,</p>
+<p>We soon applaud what we deride,</p>
+<p>And penitence succeeds to pride.</p>
+
+<p class = "indent">
+A certain noble, on a day,</p>
+<p>Having a mind to show away,</p>
+<p>Invited by reward the mimes</p>
+<p>And play’rs and tumblers of the times,</p>
+<p>And built a large commodious stage</p>
+<p>For the choice spirits of the age:</p>
+<p>But, above all, amongst the rest</p>
+<p>There came a genius who profess’d</p>
+<p>To have a curious trick in store</p>
+<p>That never was perform’d before.</p>
+<p>Through all the town this soon got air,</p>
+<p>And the whole house was like a fair;</p>
+<p>But soon his entry as he made,</p>
+<p>Without a prompter or parade,</p>
+<p>’Twas all expectance and suspense,</p>
+<p>And silence gagg’d the audience.</p>
+<p>He, stooping down and looking big,</p>
+<p>So wondrous well took off a pig,</p>
+<p>All swore ’twas serious, and no joke,</p>
+<p>For that, or underneath his cloak</p>
+<p>He had concealed some grunting elf,</p>
+<p>Or was a real hog himself.</p>
+<span class = "pagenum">531</span>
+<p>A search was made&mdash;no pig was found&mdash;</p>
+<p>With thund’ring claps the seats resound,</p>
+<p>And pit, and box, and gall’ries roar</p>
+<p>With&mdash; “O rare! bravo!” and “encore.”</p>
+<p>Old Roger Grouse, a country clown,</p>
+<p>Who yet knew something of the town,</p>
+<p>Beheld the mimic of his whim,</p>
+<p>And on the morrow challenged him</p>
+<p>Declaring to each beau and belle</p>
+<p>That he this grunter would excel.</p>
+<p>The morrow came&mdash;the crowd was greater&mdash;</p>
+<p>But prejudice and rank ill-nature</p>
+<p>Usurp’d the minds of men and wenches,</p>
+<p>Who came to hiss and break the benches.</p>
+<p>The mimic took his usual station,</p>
+<p>And squeak’d with general approbation;</p>
+<p>Again “Encore! encore!” they cry&mdash;</p>
+<p>“’Tis quite the thing, ’tis very high.”</p>
+<p>Old Grouse conceal’d, amidst this racket,</p>
+<p>A real pig beneath his jacket&mdash;</p>
+<p>Then forth he came, and with his nail</p>
+<p>He pinch’d the urchin by the tail.</p>
+<p>The tortured pig, from out his throat,</p>
+<p>Produced the genuine nat’ral note.</p>
+<p>All bellow’d out ’twas very sad!</p>
+<p>Sure never stuff was half so bad.</p>
+<p>“That like a pig!” each cried in scoff;</p>
+<p>“Pshaw! nonsense! blockhead! off! off! off!”</p>
+<p>The mimic was extoll’d, and Grouse</p>
+<p>Was hiss’d, and catcall’d from the house.</p>
+<p>“Soft ye, a word before I go,”</p>
+<p>Quoth honest Hodge; and stooping low,</p>
+<p>Produced the pig, and thus aloud</p>
+<p>Bespoke the stupid partial crowd:</p>
+<p>“Behold, and learn from this poor cratur,</p>
+<p>How much you critics know of natur!”</p>
+</div>
+
+
+<h4><span class = "smallroman">TO PARTICULO</span></h4>
+
+<div class = "verse">
+<p class = "indent">
+As yet my muse is not to seek,</p>
+<p>But can from fresh materials speak;</p>
+<span class = "pagenum">532</span>
+<p>And our poetic fountain springs</p>
+<p>With rich variety of things.</p>
+<p>But you’re for sallies short and sweet;</p>
+<p>Long tales their purposes defeat.</p>
+<p>Wherefore, thou worthiest, best of men</p>
+<p>Particulo, for whom my pen</p>
+<p>Immortal honour will insure,</p>
+<p>Long as a rev’rence shall endure</p>
+<p>For Roman learning&mdash;if this strain</p>
+<p>Cannot your approbation gain,</p>
+<p>Yet, yet my brevity admire,</p>
+<p>Which may the more to praise aspire,</p>
+<p>The more our poets now-a-days</p>
+<p>Are tedious in their lifeless lays.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_V_VI">Riley</a>
+<h4><a name = "smart_V_VI" id = "smart_V_VI">VI.</a>
+<span class = "smallroman">THE TWO BALD MEN.</span></h4>
+
+<div class = "verse">
+<p>As on his way a Bald-pate went,</p>
+<p>He found a comb by accident;</p>
+<p>Another, with a head as bare,</p>
+<p>Pursued, and hollow’d for a share.</p>
+<p>The first produced the prize, and cried,</p>
+<p>“Good Providence was on our side;</p>
+<p>But by the strange caprice of Fate,</p>
+<p>We’re to no purpose fortunate;</p>
+<p>And, as the proverb says, have found</p>
+<p>A hobnail, for a hundred pound.”</p>
+
+<p class = "indent">
+They by this tale may be relieved</p>
+<p>Whose sanguine hopes have been deceived.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_V_VII">Riley</a>
+<h4><a name = "smart_V_VII" id = "smart_V_VII">VII.</a>
+<span class = "smallroman">PRINCE THE PIPER.</span></h4>
+
+<div class = "verse">
+<p>A little, friv’lous, abject mind,</p>
+<p>Pleased with the rabble, puff’d with wind,</p>
+<p>When once, as fast as pride presumes,</p>
+<p>Itself with vanity it plumes,</p>
+<p>Is by fond lightness brought with ease</p>
+<p>To any ridicule you please.</p>
+
+<p class = "indent">
+One Prince, a piper to the play,</p>
+<p>Was rather noted in his way,</p>
+<p>As call’d upon to show his art,</p>
+<p>Whene’er Bathyllus did his part.</p>
+<span class = "pagenum">533</span>
+<p>He being at a certain fair,</p>
+<p>(I do not well remember where,)</p>
+<p>While they pull’d down the booth in haste,</p>
+<p>Not taking heed, his leg displaced,</p>
+<p>He from the scaffold fell so hard&mdash;</p>
+<p>(Would he his pipes had rather marr’d!</p>
+<p>Though they, poor fellow! were to him</p>
+<p>As dear almost as life and limb).</p>
+<p>Borne by the kind officious crowd,</p>
+<p>Home he’s conducted, groaning loud.</p>
+<p>Some months elapsed before he found</p>
+<p>Himself recover’d of his wound:</p>
+<p>Meantime, according to their way,</p>
+<p>The droll frequenters of the play</p>
+<p>Had a great miss of him, whose touch</p>
+<p>The dancers’ spirits raised so much.</p>
+<p>A certain man of high renown</p>
+<p>Was just preparing for the town</p>
+<p>Some games the mob to entertain,</p>
+<p>When Prince began to walk again;</p>
+<p>Whom, what with bribes and pray’rs, his grace</p>
+<p>Prevail’d upon to show his face</p>
+<p>In this performance, by all means&mdash;</p>
+<p>And while he waits behind the scenes,</p>
+<p>A rumour through the house is spread,</p>
+<p>By certain, that “the piper’s dead.”</p>
+<p>Others cried out, “The man is here,</p>
+<p>And will immediately appear.”</p>
+<p>The curtain draws, the lightnings flash,</p>
+<p>The gods speak out their usual trash.</p>
+<p>An ode, not to the Piper known,</p>
+<p>Was to the chorus leader shown,</p>
+<p>Which he was order’d to repeat,</p>
+<p>And which was closed with this conceit&mdash;</p>
+<p>“Receive with joy, O loyal Rome,</p>
+<p>Thy Prince just rescued from his tomb.”</p>
+<p>They all at once stand up and clap,</p>
+<p>At which my most facetious chap</p>
+<p>Kisses his hand, and scrapes and bows</p>
+<p>To his good patrons in the house.</p>
+<span class = "pagenum">534</span>
+<p>First the equestrian order smoke</p>
+<p>The fool’s mistake, and high in joke,</p>
+<p>Command the song to be encored;</p>
+<p>Which ended, flat upon the board</p>
+<p>The Piper falls, the knights acclaim;</p>
+<p>The people think that Prince’s aim</p>
+<p>Is for a crown of bays at least.</p>
+<p>Now all the seats perceived the jest,</p>
+<p>And with his bandage white as snow,</p>
+<p>White frock, white pumps, a perfect beauty</p>
+<p>Proud of the feats he had achieved,</p>
+<p>And these high honours he received,</p>
+<p>With one unanimous huzza, Poor</p>
+<p>Prince was kick’d out of the play.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_V_VIII">Riley</a>
+<h4><a name = "smart_V_VIII" id = "smart_V_VIII">VIII.</a>
+<span class = "smallroman">OPPORTUNITY.</span></h4>
+
+<div class = "verse">
+<p>Bald, naked, of a human shape,</p>
+<p>With fleet wings ready to escape,</p>
+<p>Upon a razor’s edge his toes,</p>
+<p>And lock that on his forehead grows&mdash;</p>
+<p>Him hold, when seized, for goodness’ sake,</p>
+<p>For Jove himself cannot retake</p>
+<p>The fugitive when once he’s gone.</p>
+<p>The picture that we here have drawn</p>
+<p>Is Opportunity so brief.&mdash;</p>
+
+<p class = "indent">
+The ancients, in a bas-relief,</p>
+<p>Thus made an effigy of Time,</p>
+<p>That every one might use their prime;</p>
+<p>Nor e’er impede, by dull delay,</p>
+<p>Th’ effectual business of to-day.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_V_IX">Riley</a>
+<h4><a name = "smart_V_IX" id = "smart_V_IX">IX.</a>
+<span class = "smallroman">THE BULL AND THE CALF.</span></h4>
+
+<div class = "verse">
+<p>A Bull was struggling to secure</p>
+<p>His passage at a narrow door,</p>
+<p>And scarce could reach the rack of hay,</p>
+<p>His horns so much were in his way.</p>
+<p>A Calf officious, fain would show</p>
+<p>How he might twist himself and go.</p>
+<span class = "pagenum">535</span>
+<p>“Hold thou thy prate; all this,” says he,</p>
+<p>“Ere thou wert calved was known to me.”</p>
+
+<p class = "indent">
+He, that a wiser man by half</p>
+<p>Would teach, may think himself this Calf.</p>
+</div>
+
+
+<a class = "crossref" href = "#riley_V_X">Riley</a>
+<h4><a name = "smart_V_X" id = "smart_V_X">X.</a>
+<span class = "smallroman">THE OLD DOG AND THE HUNTSMAN.</span></h4>
+
+<div class = "verse">
+<p>A Dog, that time and often tried,</p>
+<p>His master always satisfied;</p>
+<p>And whensoever he assail’d,</p>
+<p>Against the forest-beasts prevail’d</p>
+<p>Both by activity and strength,</p>
+<p>Through years began to flag at length.</p>
+<p>One day, when hounded at a boar,</p>
+<p>His ear he seized, as heretofore;</p>
+<p>But with his teeth, decay’d and old,</p>
+<p>Could not succeed to keep his hold.</p>
+<p>At which the huntsman, much concern’d,</p>
+<p>The vet’ran huff’d, who thus return’d:</p>
+<p>“My resolution and my aim,</p>
+<p>Though not my strength, are still the same;</p>
+<p>For what I am if I am chid,</p>
+<p>Praise what I was, and what I did.”</p>
+
+<p class = "indent">
+Philetus, you the drift perceive</p>
+<p>Of this, with which I take my leave.</p>
+</div>
+
+</div> <!-- end div smart -->
+
+<h2 class = "five">THE END.</h2>
+
+<p>&nbsp;<br>&nbsp;</p>
+
+<p class = "center smaller">
+LONDON: PRINTED BY WILLIAM CLOWES AND SONS, LIMITED,<br>
+STAMFORD STREET AND CHARING CROSS.</p>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
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