summaryrefslogtreecommitdiff
path: root/25474.txt
diff options
context:
space:
mode:
Diffstat (limited to '25474.txt')
-rw-r--r--25474.txt10540
1 files changed, 10540 insertions, 0 deletions
diff --git a/25474.txt b/25474.txt
new file mode 100644
index 0000000..a68f4d2
--- /dev/null
+++ b/25474.txt
@@ -0,0 +1,10540 @@
+The Project Gutenberg EBook of The Job, by Sinclair Lewis
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Job
+ An American Novel
+
+Author: Sinclair Lewis
+
+Release Date: May 15, 2008 [EBook #25474]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE JOB ***
+
+
+
+
+Produced by K Nordquist, Jacqueline Jeremy and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+book was produced from scanned images of public domain
+material from the Google Print project.)
+
+
+
+
+
+
+
+
+
+ THE JOB
+
+ AN AMERICAN NOVEL
+
+ BY
+ SINCLAIR LEWIS
+
+ AUTHOR OF MAIN STREET, BABBITT, ETC.
+
+ GROSSET & DUNLAP
+ PUBLISHERS NEW YORK
+
+ Made in the United States of America
+
+
+ Copyright, 1917, by Harper & Brothers
+ Printed in the United States of America
+ Published February, 1917
+
+
+
+
+ TO
+
+ MY WIFE
+
+ WHO HAS MADE "THE JOB" POSSIBLE AND LIFE ITSELF
+ QUITE BEAUTIFULLY IMPROBABLE
+
+
+
+
+ CONTENTS
+
+
+ Page
+
+ Part I 3
+ THE CITY
+
+ Part II 133
+ THE OFFICE
+
+ Part III 251
+ MAN AND WOMAN
+
+
+
+
+Part I
+
+THE CITY
+
+CHAPTER I
+
+
+Captain Lew Golden would have saved any foreign observer a great deal of
+trouble in studying America. He was an almost perfect type of the petty
+small-town middle-class lawyer. He lived in Panama, Pennsylvania. He had
+never been "captain" of anything except the Crescent Volunteer Fire
+Company, but he owned the title because he collected rents, wrote
+insurance, and meddled with lawsuits.
+
+He carried a quite visible mustache-comb and wore a collar, but no tie.
+On warm days he appeared on the street in his shirt-sleeves, and
+discussed the comparative temperatures of the past thirty years with
+Doctor Smith and the Mansion House 'bus-driver. He never used the word
+"beauty" except in reference to a setter dog--beauty of words or music,
+of faith or rebellion, did not exist for him. He rather fancied large,
+ambitious, banal, red-and-gold sunsets, but he merely glanced at them as
+he straggled home, and remarked that they were "nice." He believed that
+all Parisians, artists, millionaires, and socialists were immoral. His
+entire system of theology was comprised in the Bible, which he never
+read, and the Methodist Church, which he rarely attended; and he desired
+no system of economics beyond the current platform of the Republican
+party. He was aimlessly industrious, crotchety but kind, and almost
+quixotically honest.
+
+He believed that "Panama, Pennsylvania, was good enough for anybody."
+
+This last opinion was not shared by his wife, nor by his daughter Una.
+
+Mrs. Golden was one of the women who aspire just enough to be vaguely
+discontented; not enough to make them toil at the acquisition of
+understanding and knowledge. She had floated into a comfortable
+semi-belief in a semi-Christian Science, and she read novels with a
+conviction that she would have been a romantic person "if she hadn't
+married Mr. Golden--not but what he's a fine man and very bright and
+all, but he hasn't got much imagination or any, well, _romance_!"
+
+She wrote poetry about spring and neighborhood births, and Captain
+Golden admired it so actively that he read it aloud to callers. She
+attended all the meetings of the Panama Study Club, and desired to learn
+French, though she never went beyond borrowing a French grammar from the
+Episcopalian rector and learning one conjugation. But in the pioneer
+suffrage movement she took no part--she didn't "think it was quite
+ladylike." ... She was a poor cook, and her house always smelled stuffy,
+but she liked to have flowers about. She was pretty of face, frail of
+body, genuinely gracious of manner. She really did like people, liked to
+give cookies to the neighborhood boys, and--if you weren't impatient
+with her slackness--you found her a wistful and touching figure in her
+slight youthfulness and in the ambition to be a romantic personage, a
+Marie Antoinette or a Mrs. Grover Cleveland, which ambition she still
+retained at fifty-five.
+
+She was, in appearance, the ideal wife and mother--sympathetic,
+forgiving, bright-lipped as a May morning. She never demanded; she
+merely suggested her desires, and, if they were refused, let her lips
+droop in a manner which only a brute could withstand.
+
+She plaintively admired her efficient daughter Una.
+
+Una Golden was a "good little woman"--not pretty, not noisy, not
+particularly articulate, but instinctively on the inside of things;
+naturally able to size up people and affairs. She had common sense and
+unkindled passion. She was a matter-of-fact idealist, with a healthy
+woman's simple longing for love and life. At twenty-four Una had half a
+dozen times fancied herself in love. She had been embraced at a dance,
+and felt the stirring of a desire for surrender. But always a native
+shrewdness had kept her from agonizing over these affairs.
+
+She was not--and will not be--a misunderstood genius, an undeveloped
+artist, an embryonic leader in feminism, nor an ugly duckling who would
+put on a Georgette hat and captivate the theatrical world. She was an
+untrained, ambitious, thoroughly commonplace, small-town girl. But she
+was a natural executive and she secretly controlled the Golden
+household; kept Captain Golden from eating with his knife, and her
+mother from becoming drugged with too much reading of poppy-flavored
+novels.
+
+She wanted to learn, learn anything. But the Goldens were too
+respectable to permit her to have a job, and too poor to permit her to
+go to college. From the age of seventeen, when she had graduated from
+the high school--in white ribbons and heavy new boots and tight new
+organdy--to twenty-three, she had kept house and gone to gossip-parties
+and unmethodically read books from the town library--Walter Scott,
+Richard Le Gallienne, Harriet Beecher Stowe, Mrs. Humphry Ward, _How to
+Know the Birds_, _My Year in the Holy Land_, _Home Needlework_, _Sartor
+Resartus_, and _Ships that Pass in the Night_. Her residue of knowledge
+from reading them was a disbelief in Panama, Pennsylvania.
+
+She was likely never to be anything more amazing than a mother and wife,
+who would entertain the Honiton Embroidery Circle twice a year.
+
+Yet, potentially, Una Golden was as glowing as any princess of balladry.
+She was waiting for the fairy prince, though he seemed likely to be
+nothing more decorative than a salesman in a brown derby. She was fluid;
+indeterminate as a moving cloud.
+
+Although Una Golden had neither piquant prettiness nor grave
+handsomeness, her soft littleness made people call her "Puss," and want
+to cuddle her as a child cuddles a kitten. If you noted Una at all, when
+you met her, you first noted her gentle face, her fine-textured hair of
+faded gold, and her rimless eye-glasses with a gold chain over her ear.
+These glasses made a business-like center to her face; you felt that
+without them she would have been too childish. Her mouth was as kind as
+her spirited eyes, but it drooped. Her body was so femininely soft that
+you regarded her as rather plump. But for all her curving hips, and the
+thick ankles which she considered "common," she was rather anemic. Her
+cheeks were round, not rosy, but clear and soft; her lips a pale pink.
+Her chin was plucky and undimpled; it was usually spotted with one or
+two unimportant eruptions, which she kept so well covered with powder
+that they were never noticeable. No one ever thought of them except Una
+herself, to whom they were tragic blemishes which she timorously
+examined in the mirror every time she went to wash her hands. She knew
+that they were the result of the indigestible Golden family meals; she
+tried to take comfort by noticing their prevalence among other girls;
+but they kept startling her anew; she would secretly touch them with a
+worried forefinger, and wonder whether men were able to see anything
+else in her face.
+
+You remembered her best as she hurried through the street in her tan
+mackintosh with its yellow velveteen collar turned high up, and one of
+those modest round hats to which she was addicted. For then you were
+aware only of the pale-gold hair fluffing round her school-mistress
+eye-glasses, her gentle air of respectability, and her undistinguished
+littleness.
+
+She trusted in the village ideal of virginal vacuousness as the type of
+beauty which most captivated men, though every year she was more
+shrewdly doubtful of the divine superiority of these men. That a woman's
+business in life was to remain respectable and to secure a man, and
+consequent security, was her unmeditated faith--till, in 1905, when Una
+was twenty-four years old, her father died.
+
+
+Sec. 2
+
+Captain Golden left to wife and daughter a good name, a number of debts,
+and eleven hundred dollars in lodge insurance. The funeral was scarcely
+over before neighbors--the furniture man, the grocer, the polite old
+homeopathic doctor--began to come in with bland sympathy and large
+bills. When the debts were all cleared away the Goldens had only six
+hundred dollars and no income beyond the good name. All right-minded
+persons agree that a good name is precious beyond rubies, but Una would
+have preferred less honor and more rubies.
+
+She was so engaged in comforting her mother that she scarcely grieved
+for her father. She took charge of everything--money, house, bills.
+
+Mrs. Golden had been overwhelmed by a realization that, however slack
+and shallow Captain Golden had been, he had adored her and encouraged
+her in her gentility, her pawing at culture. With an emerging sincerity,
+Mrs. Golden mourned him, now, missed his gossipy presence--and at the
+same time she was alive to the distinction it added to her slim
+gracefulness to wear black and look wan. She sobbed on Una's shoulder;
+she said that she was lonely; and Una sturdily comforted her and looked
+for work.
+
+One of the most familiar human combinations in the world is that of
+unemployed daughter and widowed mother. A thousand times you have seen
+the jobless daughter devoting all of her curiosity, all of her youth, to
+a widowed mother of small pleasantries, a small income, and a shabby
+security. Thirty comes, and thirty-five. The daughter ages steadily. At
+forty she is as old as her unwithering mother. Sweet she is, and
+pathetically hopeful of being a pianist or a nurse; never quite
+reconciled to spinsterhood, though she often laughs about it; often, by
+her insistence that she is an "old maid," she makes the thought of her
+barren age embarrassing to others. The mother is sweet, too, and "wants
+to keep in touch with her daughter's interests," only, her daughter has
+no interests. Had the daughter revolted at eighteen, had she stubbornly
+insisted that mother either accompany her to parties or be content to
+stay alone, had she acquired "interests," she might have meant something
+in the new generation; but the time for revolt passes, however much the
+daughter may long to seem young among younger women. The mother is
+usually unconscious of her selfishness; she would be unspeakably
+horrified if some brutal soul told her that she was a vampire. Chance,
+chance and waste, rule them both, and the world passes by while the
+mother has her games of cards with daughter, and deems herself
+unselfish because now and then she lets daughter join a party (only to
+hasten back to mother), and even "wonders why daughter doesn't take an
+interest in girls her own age." That ugly couple on the porch of the
+apple-sauce and wash-pitcher boarding-house--the mother a mute, dwarfish
+punchinello, and the daughter a drab woman of forty with a mole, a wart,
+a silence. That charming mother of white hair and real lace with the
+well-groomed daughter. That comfortable mother at home and daughter in
+an office, but with no suitors, no ambition beyond the one at home. They
+are all examples of the mother-and-daughter phenomenon, that most
+touching, most destructive example of selfless unselfishness, which robs
+all the generations to come, because mother has never been trained to
+endure the long, long thoughts of solitude; because she sees nothing by
+herself, and within herself hears no diverting voice....
+
+There were many such mothers and daughters in Panama. If they were
+wealthy, daughter collected rents and saw lawyers and belonged to a club
+and tried to keep youthful at parties. If middle-class, daughter taught
+school, almost invariably. If poor, mother did the washing and daughter
+collected it. So it was marked down for Una that she should be a
+teacher.
+
+Not that she wanted to be a teacher! After graduating from high school,
+she had spent two miserable terms of teaching in the small white
+district school, four miles out on the Bethlehem Road. She hated the
+drive out and back, the airless room and the foul outbuildings, the shy,
+stupid, staring children, the jolly little arithmetical problems about
+wall-paper, piles of lumber, the amount of time that notoriously
+inefficient workmen will take to do "a certain piece of work." Una was
+honest enough to know that she was not an honest teacher, that she
+neither loved masses of other people's children nor had any ideals of
+developing the new generation. But she had to make money. Of course she
+would teach!
+
+When she talked over affairs with her tearful mother, Mrs. Golden always
+ended by suggesting, "I wonder if perhaps you couldn't go back to
+school-teaching again. Everybody said you were so successful. And maybe
+I could get some needlework to do. I do want to help so much."
+
+Mrs. Golden did, apparently, really want to help. But she never
+suggested anything besides teaching, and she went on recklessly
+investing in the nicest mourning. Meantime Una tried to find other work
+in Panama.
+
+Seen from a balloon, Panama is merely a mole on the long hill-slopes.
+But to Una its few straggly streets were a whole cosmos. She knew
+somebody in every single house. She knew just where the succotash, the
+cake-boxes, the clothes-lines, were kept in each of the grocery-stores,
+and on market Saturdays she could wait on herself. She summed up the
+whole town and its possibilities; and she wondered what opportunities
+the world out beyond Panama had for her. She recalled two trips to
+Philadelphia and one to Harrisburg. She made out a list of openings with
+such methodical exactness as she devoted to keeping the dwindling lodge
+insurance from disappearing altogether. Hers was no poetic outreach like
+that of the young genius who wants to be off for Bohemia. It was a
+question of earning money in the least tedious way. Una was facing the
+feminist problem, without knowing what the word "feminist" meant.
+
+This was her list of fair fields of fruitful labor:
+
+She could--and probably would--teach in some hen-coop of pedagogy.
+
+She could marry, but no one seemed to want her, except old Henry
+Carson, the widower, with catarrh and three children, who called on her
+and her mother once in two weeks, and would propose whenever she
+encouraged him to. This she knew scientifically. She had only to sit
+beside him on the sofa, let her hand drop down beside his. But she
+positively and ungratefully didn't want to marry Henry and listen to his
+hawking and his grumbling for the rest of her life. Sooner or later one
+of The Boys might propose. But in a small town it was all a gamble.
+There weren't so very many desirable young men--most of the energetic
+ones went off to Philadelphia and New York. True that Jennie McTevish
+had been married at thirty-one, when everybody had thought she was
+hopelessly an old maid. Yet here was Birdie Mayberry unmarried at
+thirty-four, no one could ever understand why, for she had been the
+prettiest and jolliest girl in town. Una crossed blessed matrimony off
+the list as a commercial prospect.
+
+She could go off and study music, law, medicine, elocution, or any of
+that amazing hodge-podge of pursuits which are permitted to small-town
+women. But she really couldn't afford to do any of these; and, besides,
+she had no talent for music of a higher grade than Sousa and Victor
+Herbert; she was afraid of lawyers; blood made her sick; and her voice
+was too quiet for the noble art of elocution as practised by several
+satin-waisted, semi-artistic ladies who "gave readings" of _Enoch Arden_
+and _Evangeline_ before the Panama Study Circle and the Panama Annual
+Chautauqua.
+
+She could have a job selling dry-goods behind the counter in the Hub
+Store, but that meant loss of caste.
+
+She could teach dancing--but she couldn't dance particularly well. And
+that was all that she could do.
+
+She had tried to find work as office-woman for Dr. Mayberry, the
+dentist; in the office of the Panama Wood-Turning Company; in the
+post-office; as lofty enthroned cashier for the Hub Store; painting
+place-cards and making "fancy-work" for the Art Needlework Exchange.
+
+The job behind the counter in the Hub Store was the only one offered
+her.
+
+"If I were only a boy," sighed Una, "I could go to work in the
+hardware-store or on the railroad or anywhere, and not lose
+respectability. Oh, I _hate_ being a woman."
+
+
+Sec. 3
+
+Una had been trying to persuade her father's old-time rival, Squire
+Updegraff, the real-estate and insurance man, that her experience with
+Captain Golden would make her a perfect treasure in the office. Squire
+Updegraff had leaped up at her entrance, and blared, "Well, well, and
+how is the little girl making it?" He had set out a chair for her and
+held her hand. But he knew that her only experience with her father's
+affairs had been an effort to balance Captain Golden's account-books,
+which were works of genius in so far as they were composed according to
+the inspirational method. So there was nothing very serious in their
+elaborate discussion of giving Una a job.
+
+It was her last hope in Panama. She went disconsolately down the short
+street, between the two-story buildings and the rows of hitched
+lumber-wagons. Nellie Page, the town belle, tripping by in canvas
+sneakers and a large red hair-ribbon, shouted at her, and Charlie
+Martindale, of the First National Bank, nodded to her, but these
+exquisites were too young for her; they danced too well and laughed too
+easily. The person who stopped her for a long curbstone conference about
+the weather, while most of the town observed and gossiped, was the
+fateful Henry Carson. The village sun was unusually blank and hard on
+Henry's bald spot to-day. _Heavens!_ she cried to herself, in almost
+hysterical protest, would she have to marry Henry?
+
+Miss Mattie Pugh drove by, returning from district school. Miss Mattie
+had taught at Clark's Crossing for seventeen years, had grown meek and
+meager and hopeless. _Heavens!_ thought Una, would she have to be shut
+into the fetid barn of a small school unless she married Henry?
+
+"I _won't_ be genteel! I'll work in The Hub or any place first!" Una
+declared. While she trudged home--a pleasant, inconspicuous,
+fluffy-haired young woman, undramatic as a field daisy--a cataract of
+protest poured through her. All the rest of her life she would have to
+meet that doddering old Mr. Mosely, who was unavoidably bearing down on
+her now, and be held by him in long, meaningless talks. And there was
+nothing amusing to do! She was so frightfully bored. She suddenly hated
+the town, hated every evening she would have to spend there, reading
+newspapers and playing cards with her mother, and dreading a call from
+Mr. Henry Carson.
+
+She wanted--wanted some one to love, to talk with. Why had she
+discouraged the beautiful Charlie Martindale, the time he had tried to
+kiss her at a dance? Charlie was fatuous, but he was young, and she
+wanted, yes, yes! that was it, she wanted youth, she who was herself so
+young. And she would grow old here unless some one, one of these godlike
+young men, condescended to recognize her. Grow old among these streets
+like piles of lumber.
+
+She charged into the small, white, ambling Golden house, with its
+peculiar smell of stale lamb gravy, and on the old broken couch--where
+her father had snored all through every bright Sunday afternoon--she
+sobbed feebly.
+
+She raised her head to consider a noise overhead--the faint, domestic
+thunder of a sewing-machine shaking the walls with its rhythm. The
+machine stopped. She heard the noise of scissors dropped on the
+floor--the most stuffily domestic sound in the world. The airless house
+was crushing her. She sprang up--and then she sat down again. There was
+no place to which she could flee. Henry Carson and the district school
+were menacing her. And meantime she had to find out what her mother was
+sewing--whether she had again been wasting money in buying mourning.
+
+"Poor, poor little mother, working away happy up there, and I've got to
+go and scold you," Una agonized. "Oh, I want to earn money, I want to
+earn real money for you."
+
+She saw a quadrangle of white on the table, behind a book. She pounced
+on it. It was a letter from Mrs. Sessions, and Una scratched it open
+excitedly.
+
+Mr. and Mrs. Albert Sessions, of Panama, had gone to New York. Mr.
+Sessions was in machinery. They liked New York. They lived in a flat and
+went to theaters. Mrs. Sessions was a pillowy soul whom Una trusted.
+
+"Why don't you," wrote Mrs. Sessions, "if you don't find the kind of
+work you want in Panama, think about coming up to New York and taking
+stenography? There are lots of chances here for secretaries, etc."
+
+Una carefully laid down the letter. She went over and straightened her
+mother's red wool slippers. She wanted to postpone for an exquisite
+throbbing moment the joy of announcing to herself that she had made a
+decision.
+
+She _would_ go to New York, become a stenographer, a secretary to a
+corporation president, a rich woman, free, responsible.
+
+The fact of making this revolutionary decision so quickly gave her a
+feeling of power, of already being a business woman.
+
+She galloped up-stairs to the room where her mother was driving the
+sewing-machine.
+
+"Mumsie!" she cried, "we're going to New York! I'm going to learn to be
+a business woman, and the little mother will be all dressed in satin and
+silks, and dine on what-is-it and peaches and cream--the poem don't come
+out right, but, oh, my little mother, we're going out adventuring, we
+are!"
+
+She plunged down beside her mother, burrowed her head in her mother's
+lap, kissed that hand whose skin was like thinnest wrinkly tissue-paper.
+
+"Why, my little daughter, what is it? Has some one sent for us? Is it
+the letter from Emma Sessions? What did she say in it?"
+
+"She suggested it, but we are going up independent."
+
+"But can we afford to?... I would like the draymas and art-galleries and
+all!"
+
+"We _will_ afford to! We'll gamble, for once!"
+
+
+
+
+CHAPTER II
+
+
+Una Golden had never realized how ugly and petty were the streets of
+Panama till that evening when she walked down for the mail, spurning the
+very dust on the sidewalks--and there was plenty to spurn. An old
+mansion of towers and scalloped shingles, broken-shuttered now and
+unpainted, with a row of brick stores marching up on its once leisurely
+lawn. The town-hall, a square wooden barn with a sagging upper porch,
+from which the mayor would presumably have made proclamations, had there
+ever been anything in Panama to proclaim about. Staring loafers in front
+of the Girard House. To Una there was no romance in the sick mansion, no
+kindly democracy in the village street, no bare freedom in the hills
+beyond. She was not much to blame; she was a creature of action to whom
+this constricted town had denied all action except sweeping.
+
+She felt so strong now--she had expected a struggle in persuading her
+mother to go to New York, but acquiescence had been easy. Una had an
+exultant joy, a little youthful and cruel, in meeting old Henry Carson
+and telling him that she was going away, that she "didn't know for how
+long; maybe for always." So hopelessly did he stroke his lean brown
+neck, which was never quite clean-shaven, that she tried to be kind to
+him. She promised to write. But she felt, when she had left him, as
+though she had just been released from prison. To live with him, to give
+him the right to claw at her with those desiccated hands--she imagined
+it with a vividness which shocked her, all the while she was listening
+to his halting regrets.
+
+A dry, dusty September wind whirled down the village street. It choked
+her.
+
+There would be no dusty winds in New York, but only mellow breezes over
+marble palaces of efficient business. No Henry Carsons, but slim, alert
+business men, young of eye and light of tongue.
+
+
+Sec. 2
+
+Una Golden had expected to thrill to her first sight of the New York
+sky-line, crossing on the ferry in mid-afternoon, but it was so much
+like all the post-card views of it, so stolidly devoid of any surprises,
+that she merely remarked, "Oh yes, there it is, that's where I'll be,"
+and turned to tuck her mother into a ferry seat and count the suit-cases
+and assure her that there was no danger of pickpockets. Though, as the
+ferry sidled along the land, passed an English liner, and came close
+enough to the shore so that she could see the people who actually lived
+in the state of blessedness called New York, Una suddenly hugged her
+mother and cried, "Oh, little mother, we're going to live here and do
+things together--everything."
+
+The familiar faces of Mr. and Mrs. Albert Sessions were awaiting them at
+the end of the long cavernous walk from the ferry-boat, and New York
+immediately became a blur of cabs, cobblestones, bales of cotton, long
+vistas of very dirty streets, high buildings, surface cars, elevateds,
+shop windows that seemed dark and foreign, and everywhere such a rush of
+people as made her feel insecure, cling to the Sessionses, and try to
+ward off the dizziness of the swirl of new impressions. She was daunted
+for a moment, but she rejoiced in the conviction that she was going to
+like this madness of multiform energy.
+
+The Sessionses lived in a flat on Amsterdam Avenue near Ninety-sixth
+Street. They all went up from Cortlandt Street in the Subway, which was
+still new and miraculous in 1905. For five minutes Una was terrified by
+the jam of people, the blind roar through tunneled darkness, the sense
+of being powerlessly hurled forward in a mass of ungovernable steel. But
+nothing particularly fatal happened; and she grew proud to be part of
+this black energy, and contentedly swung by a strap.
+
+When they reached the Sessionses' flat and fell upon the gossip of
+Panama, Pennsylvania, Una was absent-minded--except when the Sessionses
+teased her about Henry Carson and Charlie Martindale. The rest of the
+time, curled up on a black-walnut couch which she had known for years in
+Panama, and which looked plaintively rustic here in New York, Una gave
+herself up to impressions of the city: the voices of many children down
+on Amsterdam Avenue, the shriek of a flat-wheeled surface car, the
+sturdy pound of trucks, horns of automobiles; the separate sounds
+scarcely distinguishable in a whirr which seemed visible as a thick,
+gray-yellow dust-cloud.
+
+Her mother went to lie down; the Sessionses (after an elaborate
+explanation of why they did not keep a maid) began to get dinner, and
+Una stole out to see New York by herself.
+
+It all seemed different, at once more real and not so jumbled together,
+now that she used her own eyes instead of the guidance of that knowing
+old city bird, Mr. Albert Sessions.
+
+Amsterdam Avenue was, even in the dusk of early autumn, disappointing in
+its walls of yellow flat-buildings cluttered with fire-escapes, the
+first stories all devoted to the same sort of shops over and over
+again--delicatessens, laundries, barber-shops, saloons, groceries,
+lunch-rooms. She ventured down a side-street, toward a furnace-glow of
+sunset. West End Avenue was imposing to her in its solid brick and
+graystone houses, and pavements milky in the waning light. Then came a
+block of expensive apartments. She was finding the city of golden
+rewards. Frivolous curtains hung at windows; in a huge apartment-house
+hall she glimpsed a negro attendant in a green uniform with a monkey-cap
+and close-set rows of brass buttons; she had a hint of palms--or what
+looked like palms; of marble and mahogany and tiling, and a flash of
+people in evening dress. In her plain, "sensible" suit Una tramped past.
+She was unenvious, because she was going to have all these things soon.
+
+Out of a rather stodgy vision of silk opera wraps and suitors who were
+like floor-walkers, she came suddenly out on Riverside Drive and the
+splendor of the city.
+
+A dull city of straight-front unvaried streets is New York. But she
+aspires in her sky-scrapers; she dreams a garden dream of Georgian days
+in Gramercy Park; and on Riverside Drive she bares her exquisite breast
+and wantons in beauty. Here she is sophisticated, yet eager, comparable
+to Paris and Vienna; and here Una exulted.
+
+Down a polished roadway that reflected every light rolled smart motors,
+with gay people in the sort of clothes she had studied in
+advertisements. The driveway was bordered with mist wreathing among the
+shrubs. Above Una shouldered the tremendous facades of gold-corniced
+apartment-houses. Across the imperial Hudson everything was enchanted by
+the long, smoky afterglow, against which the silhouettes of dome and
+tower and factory chimney stood out like an Orient city.
+
+"Oh, I want all this--it's mine!... An apartment up there--a big, broad
+window-seat, and look out on all this. Oh, dear God," she was
+unconsciously praying to her vague Panama Wesley Methodist Church God,
+who gave you things if you were good, "I will work for all this.... And
+for the little mother, dear mother that's never had a chance."
+
+In the step of the slightly stolid girl there was a new lightness, a new
+ecstasy in walking rapidly through the stirring New York air, as she
+turned back to the Sessionses' flat.
+
+
+Sec. 3
+
+Later, when the streets fell into order and became normal, Una could
+never quite identify the vaudeville theater to which the Sessionses took
+them that evening. The gold-and-ivory walls of the lobby seemed to rise
+immeasurably to a ceiling flashing with frescoes of light lovers in blue
+and fluffy white, mincing steps and ardent kisses and flaunting
+draperies. They climbed a tremendous arching stairway of marble, upon
+which her low shoes clattered with a pleasant sound. They passed niches
+hung with heavy curtains of plum-colored velvet, framing the sly peep of
+plaster fauns, and came out on a balcony stretching as wide as the sea
+at twilight, looking down on thousands of people in the orchestra below,
+up at a vast golden dome lighted by glowing spheres hung with diamonds,
+forward at a towering proscenic arch above which slim, nude goddesses in
+bas-relief floated in a languor which obsessed her, set free the bare
+brown laughing nymph that hides in every stiff Una in semi-mourning.
+
+Nothing so diverting as that program has ever been witnessed. The funny
+men with their solemn mock-battles, their extravagance in dress, their
+galloping wit, made her laugh till she wanted them to stop. The singers
+were bell-voiced; the dancers graceful as clouds, and just touched with
+a beguiling naughtiness; and in the playlet there was a chill intensity
+that made her shudder when the husband accused the wife whom he
+suspected, oh, so absurdly, as Una indignantly assured herself.
+
+The entertainment was pure magic, untouched by human clumsiness, rare
+and spellbound as a stilly afternoon in oak woods by a lake.
+
+They went to a marvelous cafe, and Mr. Sessions astounded them by the
+urbanity with which he hurried captains and waiters and 'bus-boys, and
+ordered lobster and coffee, and pretended that he was going to be wicked
+and have wine and cigarettes.
+
+Months afterward, when she was going to vaudeville by herself, Una tried
+to identify the theater of wizardry, but she never could. The Sessionses
+couldn't remember which theater it was; they thought it was the Pitt,
+but surely they must have been mistaken, for the Pitt was a shanty
+daubed with grotesque nudes, rambling and pretentious, with shockingly
+amateurish programs. And afterward, on the occasion or two when they
+went out to dinner with the Sessionses, it seemed to Una that Mr.
+Sessions was provincial in restaurants, too deprecatingly friendly with
+the waiters, too hesitating about choosing dinner.
+
+
+Sec. 4
+
+Whiteside and Schleusner's College of Commerce, where Una learned the
+art of business, occupied only five shabby rooms of crepuscular windows
+and perpetually dusty corners, and hard, glistening wall-paint, in a
+converted (but not sanctified) old dwelling-house on West Eighteenth
+Street. The faculty were six: Mr. Whiteside, an elaborate pomposity who
+smoothed his concrete brow as though he had a headache, and took
+obvious pride in being able to draw birds with Spencerian strokes. Mr.
+Schleusner, who was small and vulgar and _declasse_ and really knew
+something about business. A shabby man like a broken-down bookkeeper,
+silent and diligent and afraid. A towering man with a red face, who kept
+licking his lips with a small red triangle of tongue, and taught
+English--commercial college English--in a bombastic voice of finicky
+correctness, and always smelled of cigar smoke. An active young Jewish
+New-Yorker of wonderful black hair, elfin face, tilted hat, and smart
+clothes, who did something on the side in real estate. Finally, a thin
+widow, who was so busy and matter-of-fact that she was no more
+individualized than a street-car. Any one of them was considered
+competent to teach any "line," and among them they ground out
+instruction in shorthand, typewriting, book-keeping, English grammar,
+spelling, composition (with a special view to the construction of
+deceptive epistles), and commercial geography. Once or twice a week,
+language-masters from a linguistic mill down the street were had in to
+chatter the more vulgar phrases of French, German, and Spanish.
+
+A cluttered, wheezy omnibus of a school, but in it Una rode to spacious
+and beautiful hours of learning. It was even more to her than is the
+art-school to the yearner who has always believed that she has a talent
+for painting; for the yearner has, even as a child, been able to draw
+and daub and revel in the results; while for Una this was the first time
+in her life when her labor seemed to count for something. Her
+school-teaching had been a mere time-filler. Now she was at once the
+responsible head of the house and a seer of the future.
+
+Most of the girls in the school learned nothing but shorthand and
+typewriting, but to these Una added English grammar, spelling, and
+letter-composition. After breakfast at the little flat which she had
+taken with her mother, she fled to the school. She drove into her books,
+she delighted in the pleasure of her weary teachers when she snapped out
+a quick answer to questions, or typed a page correctly, or was able to
+remember the shorthand symbol for a difficult word like "psychologize."
+
+Her belief in the sacredness of the game was boundless.
+
+
+
+
+CHAPTER III
+
+
+Except for the young man in the bank, the new young man in the
+hardware-store, and the proprietors of the new Broadway Clothing Shop,
+Una had known most of the gallants in Panama, Pennsylvania, from
+knickerbocker days; she remembered their bony, boyish knees and their
+school-day whippings too well to be romantic about them. But in the
+commercial college she was suddenly associated with seventy entirely new
+and interesting males. So brief were the courses, so irregular the
+classifications, that there was no spirit of seniority to keep her out
+of things; and Una, with her fever of learning, her instinctive common
+sense about doing things in the easiest way, stood out among the girl
+students. The young men did not buzz about her as they did about the
+slim, diabolic, star-eyed girl from Brooklyn, in her tempting low-cut
+blouses, or the intense, curly-headed, boyish, brown Jew girl, or the
+ardent dancers and gigglers. But Una's self-sufficient eagerness gave a
+fervor to her blue eyes, and a tilt to her commonplace chin, which made
+her almost pretty, and the young men liked to consult her about things.
+She was really more prominent here, in a school of one hundred and
+seventy, than in her Panama high school with its enrolment of seventy.
+
+Panama, Pennsylvania, had never regarded Una as a particularly capable
+young woman. Dozens of others were more masterful at trimming the
+Christmas tree for Wesley Methodist Church, preparing for the annual
+picnic of the Art Needlework Coterie, arranging a surprise donation
+party for the Methodist pastor, even spring house-cleaning. But she had
+been well spoken of as a marketer, a cook, a neighbor who would take
+care of your baby while you went visiting--because these tasks had
+seemed worth while to her. She was more practical than either Panama or
+herself believed. All these years she had, without knowing that she was
+philosophizing, without knowing that there was a world-wide inquiry into
+woman's place, been trying to find work that needed her. Her father's
+death had freed her; had permitted her to toil for her mother, cherish
+her, be regarded as useful. Instantly--still without learning that there
+was such a principle as feminism--she had become a feminist, demanding
+the world and all the fullness thereof as her field of labor.
+
+And now, in this fumbling school, she was beginning to feel the theory
+of efficiency, the ideal of Big Business.
+
+For "business," that one necessary field of activity to which the
+egotistic arts and sciences and theologies and military puerilities are
+but servants, that long-despised and always valiant effort to unify the
+labor of the world, is at last beginning to be something more than dirty
+smithing. No longer does the business man thank the better classes for
+permitting him to make and distribute bread and motor-cars and books. No
+longer does he crawl to the church to buy pardon for usury. Business is
+being recognized--and is recognizing itself--as ruler of the world.
+
+With this consciousness of power it is reforming its old, petty,
+half-hearted ways; its idea of manufacture as a filthy sort of
+tinkering; of distribution as chance peddling and squalid shopkeeping;
+it is feverishly seeking efficiency.... In its machinery.... But, like
+all monarchies, it must fail unless it becomes noble of heart. So long
+as capital and labor are divided, so long as the making of munitions or
+injurious food is regarded as business, so long as Big Business believes
+that it exists merely to enrich a few of the lucky or the well born or
+the nervously active, it will not be efficient, but deficient. But the
+vision of an efficiency so broad that it can be kindly and sure, is
+growing--is discernible at once in the scientific business man and the
+courageous labor-unionist.
+
+That vision Una Golden feebly comprehended. Where she first beheld it
+cannot be said. Certainly not in the lectures of her teachers, humorless
+and unvisioned grinds, who droned that by divine edict letters must end
+with a "yours truly" one space to the left of the middle of the page;
+who sniffed at card-ledgers as new-fangled nonsense, and, at their most
+inspired, croaked out such platitudes as: "Look out for the pennies and
+the pounds will look out for themselves," or "The man who fails is the
+man who watches the clock."
+
+Nor was the vision of the inspired Big Business that shall be, to be
+found in the books over which Una labored--the flat, maroon-covered,
+dusty, commercial geography, the arid book of phrases and
+rules-of-the-thumb called "Fish's Commercial English," the manual of
+touch-typewriting, or the shorthand primer that, with its grotesque
+symbols and numbered exercises and yellow pages dog-eared by many
+owners, looked like an old-fashioned Arabic grammar headachily perused
+in some divinity-school library.
+
+Her vision of it all must have come partly from the eager talk of a few
+of the students--the girl who wasn't ever going to give up her job, even
+if she did marry; the man who saw a future in these motion pictures;
+the shaggy-haired zealot who talked about profit-sharing (which was a
+bold radicalism back in 1905; almost as subversive of office discipline
+as believing in unions). Partly it came from the new sorts of business
+magazines for the man who didn't, like his fathers, insist, "I guess I
+can run my business without any outside interference," but sought
+everywhere for systems and charts and new markets and the scientific
+mind.
+
+
+Sec. 2
+
+While her power of faith and vision was satisfied by the largeness of
+the city and by her chance to work, there was quickening in Una a shy,
+indefinable, inner life of tenderness and desire for love. She did not
+admit it, but she observed the young men about her with an interest that
+was as diverting as her ambition.
+
+At first they awed her by their number and their strangeness. But when
+she seemed to be quite their equal in this school of the timorously
+clerical, she began to look at them level-eyed.... A busy, commonplace,
+soft-armed, pleasant, good little thing she was; glancing at them
+through eye-glasses attached to a gold chain over her ear, not much
+impressed now, slightly ashamed by the delight she took in winning their
+attention by brilliant recitations.... She decided that most of them
+were earnest-minded but intelligent serfs, not much stronger than the
+girls who were taking stenography for want of anything better to do.
+They sprawled and looked vacuous as they worked in rows in the big
+study-hall, with its hard blue walls showing the marks of two removed
+partitions, its old iron fireplace stuffed with rubbers and overshoes
+and crayon-boxes. As a provincial, Una disliked the many Jews among
+them, and put down their fervor for any sort of learning to
+acquisitiveness. The rest she came to despise for the clumsy slowness
+with which they learned even the simplest lessons. And to all of them
+she--who was going to be rich and powerful, directly she was good for
+one hundred words a minute at stenography!--felt disdainfully superior,
+because they were likely to be poor the rest of their lives.
+
+In a twilight walk on Washington Heights, a walk of such vigor and happy
+absorption with new problems as she had never known in Panama, she
+caught herself being contemptuous about their frayed poverty. With a
+sharp emotional sincerity, she rebuked herself for such sordidness,
+mocked herself for assuming that she was already rich.
+
+Even out of this mass of clerklings emerged two or three who were
+interesting: Sam Weintraub, a young, active, red-headed, slim-waisted
+Jew, who was born in Brooklyn. He smoked large cigars with an air, knew
+how to wear his clothes, and told about playing tennis at the Prospect
+Athletic Club. He would be a smart secretary or confidential clerk some
+day, Una was certain; he would own a car and be seen in evening clothes
+and even larger cigars at after-theater suppers. She was rather in awe
+of his sophistication. He was the only man who made her feel like a
+Freshman.
+
+J. J. Todd, a reticent, hesitating, hard-working man of thirty, from
+Chatham on Cape Cod. It was he who, in noon-time arguments, grimly
+advocated profit-sharing, which Sam Weintraub debonairly dismissed as
+"socialistic."
+
+And, most appealing to her, enthusiastic young Sanford Hunt,
+inarticulate, but longing for a chance to attach himself to some master.
+Weintraub and Todd had desks on either side of her; they had that great
+romantic virtue, propinquity. But Sanford Hunt she had noticed, in his
+corner across the room, because he glanced about with such boyish
+loneliness.
+
+Sanford Hunt helped her find a rubber in the high-school-like coat-room
+on a rainy day when the girls were giggling and the tremendous swells of
+the institution were whooping and slapping one another on the back and
+acting as much as possible like their ideal of college men--an ideal
+presumably derived from motion pictures and college playlets in
+vaudeville. Una saw J. J. Todd gawping at her, but not offering to help,
+while a foreshortened Sanford groped along the floor, under the dusty
+line of coats, for her missing left rubber. Sanford came up with the
+rubber, smiled like a nice boy, and walked with her to the Subway.
+
+He didn't need much encouragement to tell his ambitions. He was
+twenty-one--three years younger than herself. He was a semi-orphan, born
+in Newark; had worked up from office-boy to clerk in the office of a
+huge Jersey City paint company; had saved money to take a commercial
+course; was going back to the paint company, and hoped to be
+office-manager there. He had a conviction that "the finest man in the
+world" was Mr. Claude Lowry, president of the Lowry Paint Company; the
+next finest, Mr. Ernest Lowry, vice-president and general manager; the
+next, Mr. Julius Schwirtz, one of the two city salesmen--Mr. Schwirtz
+having occupied a desk next to his own for two years--and that "_the_
+best paint on the market to-day is Lowry's Lasting Paint--simply no
+getting around it."
+
+In the five-minute walk over to the Eighteenth Street station of the
+Subway, Sanford had lastingly impressed Una by his devotion to the job;
+eager and faithful as the glory that a young subaltern takes in his
+regiment. She agreed with him that the dour J. J. Todd was "crazy" in
+his theories about profit-sharing and selling stocks to employees. While
+she was with young Sanford, Una found herself concurring that "the
+bosses know so much better about all those things--gee whiz! they've had
+so much more experience--besides you can't expect them to give away all
+their profits to please these walking delegates or a Cape Cod farmer
+like Todd! All these theories don't do a fellow any good; what he wants
+is to stick on a job and make good."
+
+Though, in keeping with the general school-boyishness of the
+institution, the study-room supervisors tried to prevent conversation,
+there was always a current of whispering and low talk, and Sam Weintraub
+gave Una daily reports of the tennis, the dances, the dinners at the
+Prospect Athletic Club. Her evident awe of his urban amusements pleased
+him. He told his former idol, the slim, blond giggler, that she was
+altogether too fresh for a Bronx Kid, and he basked in Una's admiration.
+Through him she had a revelation of the New York in which people
+actually were born, which they took casually, as she did Panama.
+
+She tried consciously to become a real New-Yorker herself. After
+lunch--her home-made lunch of sandwiches and an apple--which she ate in
+the buzzing, gossiping study-hall at noon-hour, she explored the city.
+Sometimes Sanford Hunt begged to go with her. Once Todd stalked along
+and embarrassed her by being indignant over an anti-socialist orator in
+Madison Square. Once, on Fifth Avenue, she met Sam Weintraub, and he
+nonchalantly pointed out, in a passing motor, a man whom he declared to
+be John D. Rockefeller.
+
+Even at lunch-hour Una could not come to much understanding with the
+girls of the commercial college. They seemed alternately third-rate
+stenographers, and very haughty urbanites who knew all about "fellows"
+and "shows" and "glad rags." Except for good-natured, square-rigged Miss
+Moynihan, and the oldish, anxious, industrious Miss Ingalls, who, like
+Una, came from a small town, and the adorably pretty little Miss Moore,
+whom you couldn't help loving, Una saw the girls of the school only in a
+mass.
+
+It was Sam Weintraub, J. J. Todd, and Sanford Hunt whom Una watched and
+liked, and of whom she thought when the school authorities pompously
+invited them all to a dance early in November.
+
+
+Sec. 3
+
+The excitement, the giggles, the discussions of girdles and slippers and
+hair-waving and men, which filled the study-hall at noon and the
+coat-room at closing hour, was like midnight silence compared with the
+tumult in Una's breast when she tried to make herself believe that
+either her blue satin evening dress or her white-and-pink frock of
+"novelty crepe" was attractive enough for the occasion. The crepe was
+the older, but she had worn the blue satin so much that now the crepe
+suddenly seemed the newer, the less soiled. After discussions with her
+mother, which involved much holding up of the crepe and the tracing of
+imaginary diagrams with a forefinger, she decided to put a new velvet
+girdle and new sleeve ruffles on the crepe, and then she said, "It will
+have to do."
+
+Very different is the dressing of the girl who isn't quite pretty, nor
+at all rich, from the luxurious joy which the beautiful woman takes in
+her new toilettes. Instead of the faint, shivery wonder as to whether
+men will realize how exquisitely the line of a new bodice accentuates
+the molding of her neck, the unpretty girl hopes that no one will
+observe how unevenly her dress hangs, how pointed and red and rough are
+her elbows, how clumsily waved her hair. "I don't think anybody will
+notice," she sighs, and is contemptuously conscious of her own stolid,
+straight, healthy waist, while her mother flutters about and pretends to
+believe that she is curved like a houri, like Helen of Troy, like Isolde
+at eighteen.
+
+Una was touched by her mother's sincere eagerness in trying to make her
+pretty. Poor little mother. It had been hard on her to sit alone all day
+in a city flat, with no Panama neighbors to drop in on her, no meeting
+of the Panama Study Club, and with Una bringing home her books to work
+aloof all evening.
+
+The day before the dance, J. J. Todd dourly asked her if he might call
+for her and take her home. Una accepted hesitatingly. As she did so, she
+unconsciously glanced at the decorative Sam Weintraub, who was rocking
+on his toes and flirting with Miss Moore, the kittenish belle of the
+school.
+
+She must have worried for fifteen minutes over the question of whether
+she was going to wear a hat or a scarf, trying to remember the best
+social precedents of Panama as laid down by Mrs. Dr. Smith, trying to
+recall New York women as she had once or twice seen them in the evening
+on Broadway. Finally, she jerked a pale-blue chiffon scarf over her
+mildly pretty hair, pulled on her new long, white kid gloves, noted
+miserably that the gloves did not quite cover her pebbly elbows, and
+snapped at her fussing mother: "Oh, it doesn't matter. I'm a perfect
+sight, anyway, so what's the use of worrying!"
+
+Her mother looked so hurt and bewildered that Una pulled her down into a
+chair, and, kneeling on the floor with her arms about her, crooned, "Oh,
+I'm just nervous, mumsie dear; working so hard and all. I'll have the
+best time, now you've made me so pretty for the dance." Clasped thus, an
+intense brooding affection holding them and seeming to fill the shabby
+sitting-room, they waited for the coming of her Tristan, her chevalier,
+the flat-footed J. J. Todd.
+
+They heard Todd shamble along the hall. They wriggled with concealed
+laughter and held each other tighter when he stopped at the door of the
+flat and blew his nervous nose in a tremendous blast.... More vulgar
+possibly than the trumpetry which heralded the arrival of Lancelot at a
+chateau, but on the whole quite as effective.
+
+She set out with him, observing his pitiful, home-cleaned, black
+sack-suit, and home-shined, expansive, black boots and ready-made tie,
+while he talked easily, and was merely rude about dances and clothes and
+the weather.
+
+In the study-hall, which had been cleared of all seats except for a
+fringe along the walls, and was unevenly hung with school flags and
+patriotic bunting, Una found the empty-headed time-servers, the Little
+Folk, to whom she was so superior in the class-room. Brooklyn Jews used
+to side-street dance-halls, Bronx girls who went to the bartenders'
+ball, and the dinner and grand ball of the Clamchowder Twenty, they
+laughed and talked and danced--all three at once--with an ease which
+dismayed her.
+
+To Una Golden, of Panama, the waltz and the two-step were solemn
+affairs. She could make her feet go in a one-two-three triangle with
+approximate accuracy, if she didn't take any liberties with them. She
+was relieved to find that Todd danced with a heavy accuracy which kept
+her from stumbling.... But their performance was solemn and joyless,
+while by her skipped Sam Weintraub, in evening clothes with black velvet
+collar and cuffs, swinging and making fantastic dips with the lovely
+Miss Moore, who cuddled into his arms and swayed to his swing.
+
+"Let's cut out the next," said Todd, and she consented, though Sanford
+Hunt came boyishly, blushingly up to ask her for a dance.... She was
+intensely aware that she was a wall-flower, in a row with the anxious
+Miss Ingalls and the elderly frump, Miss Fisle. Sam Weintraub seemed to
+avoid her, and, though she tried to persuade herself that his greasy,
+curly, red hair and his pride of evening clothes and sharp face were
+blatantly Jewish, she knew that she admired his atmosphere of
+gorgeousness and was in despair at being shut out of it. She even feared
+that Sanford Hunt hadn't really wanted to dance with her, and she
+wilfully ignored his frequent glances of friendliness and his efforts to
+introduce her and his "lady friend." She was silent and hard, while poor
+Todd, trying not to be a radical and lecture on single-tax or municipal
+ownership, attempted to be airy about the theater, which meant the one
+show he had seen since he had come to New York.
+
+From vague dissatisfaction she drifted into an active resentment at
+being shut out of the world of pretty things, of clinging gowns and
+graceful movement and fragrant rooms. While Todd was taking her home she
+was saying to herself over and over, "Nope; it's just as bad as parties
+at Panama. Never really enjoyed 'em. I'm out of it. I'll stick to my
+work. Oh, drat it!"
+
+
+Sec. 4
+
+Blindly, in a daily growing faith in her commercial future, she shut out
+the awkward gaieties of the school, ignored Todd and Sanford Hunt and
+Sam Weintraub, made no effort to cultivate the adorable Miss Moore's
+rather flattering friendliness for her. She was like a girl grind in a
+coeducational college who determines to head the class and to that
+devotes all of a sexless energy.
+
+Only Una was not sexless. Though she hadn't the dancing-girl's oblivious
+delight in pleasure, though her energetic common sense and willingness
+to serve had turned into a durable plodding, Una was alive, normal,
+desirous of love, as the flower-faced girl grind of the college so often
+is not, to the vast confusion of numerous ardent young gentlemen.
+
+She could not long forbid herself an interest in Sanford Hunt and Sam
+Weintraub; she even idealized Todd as a humble hero, a self-made and
+honest man, which he was, though Una considered herself highly
+charitable to him.
+
+Sweet to her--even when he told her that he was engaged, even when it
+was evident that he regarded her as an older sister or as a very young
+and understanding aunt--was Sanford Hunt's liking. "Why do you like
+me--if you do?" she demanded one lunch-hour, when he had brought her a
+bar of milk-chocolate.
+
+"Oh, I dun'no'; you're so darn honest, and you got so much more sense
+than this bunch of Bronx totties. Gee! they'll make bum stenogs. I know.
+I've worked in an office. They'll keep their gum and a looking-glass in
+the upper right-hand drawer of their typewriter desks, and the old man
+will call them down eleventy times a day, and they'll marry the
+shipping-clerk first time he sneaks out from behind a box. But you got
+sense, and somehow--gee! I never know how to express things--glad I'm
+taking this English composition stuff--oh, you just seem to understand a
+guy. I never liked that Yid Weintraub till you made me see how darn
+clever and nice he really is, even if he does wear spats."
+
+Sanford told her often that he wished she was going to come over to the
+Lowry Paint Company to work, when she finished. He had entered the
+college before her; he would be through somewhat earlier; he was going
+back to the paint company and would try to find an opening for her
+there. He wanted her to meet Mr. Julius Edward Schwirtz, the Manhattan
+salesman of the company.
+
+When Mr. Schwirtz was in that part of town, interviewing the
+department-store buyers, he called up Sanford Hunt, and Sanford insisted
+that she come out to lunch with Schwirtz and himself and his girl. She
+went shyly.
+
+Sanford's sweetheart proved to be as clean and sweet as himself, but
+mute, smiling instead of speaking, inclined to admire every one, without
+much discrimination. Sanford was very proud, very eager as host, and his
+boyish admiration of all his guests gave a certain charm to the corner
+of the crude German sausage-and-schnitzel restaurant where they lunched.
+Una worked at making the party as successful as possible, and was
+cordial to Mr. Julius Edward Schwirtz, the paint salesman.
+
+Mr. Schwirtz was forty or forty-one, a red-faced, clipped-mustached,
+derby-hatted average citizen. He was ungrammatical and jocose; he panted
+a good deal and gurgled his soup; his nails were ragged-edged, his
+stupid brown tie uneven, and there were signs of a growing grossness and
+fatty unwieldiness about his neck, his shoulders, his waist. But he was
+affable. He quietly helped Sanford in ordering lunch, to the great
+economy of embarrassment. He was smilingly ready to explain to Una how a
+paint company office was run; what chances there were for a girl. He
+seemed to know his business, he didn't gossip, and his heavy,
+coarse-lipped smile was almost sweet when he said to Una, "Makes a
+hard-cased old widower like me pretty lonely to see this nice kid and
+girly here. Eh? Wish I had some children like them myself."
+
+He wasn't vastly different from Henry Carson, this Mr. Schwirtz, but he
+had a mechanical city smartness in his manner and a jocular energy which
+the stringy-necked Henry quite lacked.
+
+Because she liked to be with Sanford Hunt, hoped to get from Mr. Julius
+Edward Schwirtz still more of the feeling of how actual business men do
+business, she hoped for another lunch.
+
+But a crisis unexpected and alarming came to interrupt her happy
+progress to a knowledge of herself and men.
+
+
+Sec. 5
+
+The Goldens had owned no property in Panama, Pennsylvania; they had
+rented their house. Captain Lew Golden, who was so urgent in advising
+others to purchase real estate--with a small, justifiable commission to
+himself--had never quite found time to decide on his own real-estate
+investments. When they had come to New York, Una and her mother had
+given up the house and sold the heavier furniture, the big beds, the
+stove. The rest of the furniture they had brought to the city and
+installed in a little flat way up on 148th Street.
+
+Her mother was, Una declared, so absolutely the lady that it was a
+crying shame to think of her immured here in their elevatorless
+tenement; this new, clean, barren building of yellow brick, its face
+broken out with fire-escapes. It had narrow halls, stairs of slate
+treads and iron rails, and cheap wooden doorways which had begun to warp
+the minute the structure was finished--and sold. The bright-green burlap
+wall-covering in the hallways had faded in less than a year to the color
+of dry grass. The janitor grew tired every now and then. He had been
+markedly diligent at first, but he was already giving up the task of
+keeping the building clean. It was one of, and typical of, a mile of
+yellow brick tenements; it was named after an African orchid of great
+loveliness, and it was filled with clerks, motormen, probationer
+policemen, and enormously prolific women in dressing-sacques.
+
+The Goldens had three rooms and bath. A small linoleous gas-stove
+kitchen. A bedroom with standing wardrobe, iron bed, and just one
+graceful piece of furniture--Una's dressing-table; a room pervasively
+feminine in its scent and in the little piles of lingerie which Mrs.
+Golden affected more, not less, as she grew older. The living-room, with
+stiff, brown, woolen brocade chairs, transplanted from their Panama
+home, a red plush sofa, two large oak-framed Biblical pictures--"The
+Wedding-feast at Cana," and "Solomon in His Temple." This living-room
+had never been changed since the day of their moving in. Una repeatedly
+coveted the German color-prints she saw in shop windows, but she had to
+economize.
+
+She planned that when she should succeed they would have such an
+apartment of white enamel and glass doors and mahogany as she saw
+described in the women's magazines. She realized mentally that her
+mother must be lonely in the long hours of waiting for her return, but
+she who was busy all day could never feel emotionally how great was that
+loneliness, and she expected her mother to be satisfied with the future.
+
+Quite suddenly, a couple of weeks after the dance, when they were
+talking about the looming topic--what kind of work Una would be able to
+get when she should have completed school--her mother fell violently
+a-weeping; sobbed, "Oh, Una baby, I want to go home. I'm so lonely
+here--just nobody but you and the Sessionses. Can't we go back to
+Panama? You don't seem to really know what you _are_ going to do."
+
+"Why, mother--"
+
+Una loved her mother, yet she felt a grim disgust, rather than pity....
+Just when she had been working so hard! And for her mother as much as
+for herself.... She stalked over to the table, severely rearranged the
+magazines, slammed down a newspaper, and turned, angrily. "Why, can't
+you see? I _can't_ give up my work now."
+
+"Couldn't you get something to do in Panama, dearie?"
+
+"You know perfectly well that I tried."
+
+"But maybe now, with your college course and all--even if it took a
+little longer to get something there, we'd be right among the folks we
+know--"
+
+"Mother, can't you understand that we have only a little over three
+hundred dollars now? If we moved again and everything, we wouldn't have
+two hundred dollars to live on. Haven't you _any_ sense of finances?"
+
+"You must not talk to me that way, my daughter!"
+
+A slim, fine figure of hurt-dignity, Mrs. Golden left the room, lay down
+in the bedroom, her face away from the door where Una stood in
+perplexity. Una ran to her, kissed her shoulder, begged for forgiveness.
+Her mother patted her cheek, and sobbed, "Oh, it doesn't matter," in a
+tone so forlorn and lonely that it did matter, terribly. The sadness of
+it tortured Una while she was realizing that her mother had lost all
+practical comprehension of the details of life, was become a child,
+trusting everything to her daughter, yet retaining a power of suffering
+such as no child can know.
+
+It had been easy to bring her mother here, to start a career. Both of
+them had preconceived a life of gaiety and beauty, of charming people
+and pictures and concerts. But all those graces were behind a dusty wall
+of shorthand and typewriting. Una's struggle in coming to New York had
+just begun.
+
+Gently arbitrary, dearer than ever to Una in her helpless longing for
+kindly neighbors and the familiar places, Mrs. Golden went on hoping
+that she could persuade Una to go back to Panama. She never seemed to
+realize that their capital wasn't increasing as time passed. Sometimes
+impatient at her obtuseness, sometimes passionate with comprehending
+tenderness, Una devoted herself to her, and Mr. Schwirtz and Sanford
+Hunt and Sam Weintraub and Todd faded. She treasured her mother's
+happiness at their Christmas dinner with the Sessionses. She encouraged
+the Sessionses to come up to the flat as often as they could, and she
+lulled her mother to a tolerable calm boredom. Before it was convenient
+to think of men again, her school-work was over.
+
+The commercial college had a graduation once a month. On January 15,
+1906, Una finished her course, regretfully said good-by to Sam
+Weintraub, and to Sanford Hunt, who had graduated in mid-December, but
+had come back for "class commencement"; and at the last moment she
+hesitated so long over J. J. Todd's hints about calling some day, that
+he was discouraged and turned away. Una glanced about the
+study-hall--the first place where she had ever been taken seriously as a
+worker--and marched off to her first battle in the war of business.
+
+
+
+
+CHAPTER IV
+
+
+Sanford Hunt telephoned to Una that he and Mr. Julius Edward
+Schwirtz--whom he called "Eddie"--had done their best to find an
+"opening" for her in the office of the Lowry Paint Company, but that
+there was no chance.
+
+The commercial college gave her the names of several possible employers,
+but they all wanted approximate perfection at approximately nothing a
+week. After ten days of panic-stricken waiting at the employment office
+of a typewriter company, and answering want advertisements, the
+typewriter people sent her to the office of the _Motor and Gas Gazette_,
+a weekly magazine for the trade. In this atmosphere of the literature of
+lubricating oil and drop forgings and body enamels, as an
+eight-dollar-a-week copyist, Una first beheld the drama and romance of
+the office world.
+
+
+Sec. 2
+
+There is plenty of romance in business. Fine, large, meaningless,
+general terms like romance and business can always be related. They take
+the place of thinking, and are highly useful to optimists and lecturers.
+
+But in the world of business there is a bewildered new Muse of Romance,
+who is clad not in silvery tissue of dreams, but in a neat blue suit
+that won't grow too shiny under the sleeves.
+
+Adventure now, with Una, in the world of business; of offices and jobs
+and tired, ordinary people who know such reality of romance as your
+masquerading earl, your shoddy Broadway actress, or your rosily amorous
+dairy-maid could never imagine. The youths of poetry and of the modern
+motor-car fiction make a long diversion of love; while the sleezy-coated
+office-man who surprises a look of humanness in the weary eyes of the
+office-woman, knows that he must compress all the wonder of madness into
+five minutes, because the Chief is prowling about, glancing meaningly at
+the little signs that declare, "Your time is your employer's money;
+don't steal it."
+
+A world is this whose noblest vista is composed of desks and
+typewriters, filing-cases and insurance calendars, telephones, and the
+bald heads of men who believe dreams to be idiotic. Here, no galleon
+breasts the sky-line; no explorer in evening clothes makes love to an
+heiress. Here ride no rollicking cowboys, nor heroes of the great
+European war. It is a world whose crises you cannot comprehend unless
+you have learned that the difference between a 2-A pencil and a 2-B
+pencil is at least equal to the contrast between London and Tibet;
+unless you understand why a normally self-controlled young woman may
+have a week of tragic discomfort because she is using a billing-machine
+instead of her ordinary correspondence typewriter. The shifting of the
+water-cooler from the front office to the packing-room may be an epochal
+event to a copyist who apparently has no human existence beyond bending
+over a clacking typewriter, who seems to have no home, no family, no
+loves; in whom all pride and wonder of life and all transforming drama
+seem to be satisfied by the possession of a new V-necked blouse. The
+moving of the water-cooler may mean that she must now pass the sentinel
+office-manager; that therefore she no longer dares break the incredible
+monotony by expeditions to get glasses of water. As a consequence she
+gives up the office and marries unhappily.
+
+A vast, competent, largely useless cosmos of offices. It spends much
+energy in causing advertisements of beer and chewing-gum and union suits
+and pot-cleansers to spread over the whole landscape. It marches out
+ponderous battalions to sell a brass pin. It evokes shoes that are
+uncomfortable, hideous, and perishable, and touchingly hopes that all
+women will aid the cause of good business by wearing them. It turns
+noble valleys into fields for pickles. It compels men whom it has never
+seen to toil in distant factories and produce useless wares, which are
+never actually brought into the office, but which it nevertheless sells
+to the heathen in the Solomon Islands in exchange for commodities whose
+very names it does not know; and in order to perform this miracle of
+transmutation it keeps stenographers so busy that they change from dewy
+girls into tight-lipped spinsters before they discover life.
+
+The reason for it all, nobody who is actually engaged in it can tell
+you, except the bosses, who believe that these sacred rites of composing
+dull letters and solemnly filing them away are observed in order that
+they may buy the large automobiles in which they do not have time to
+take the air. Efficiency of production they have learned; efficiency of
+life they still consider an effeminate hobby.
+
+An unreasonable world, sacrificing bird-song and tranquil dusk and high
+golden noons to selling junk--yet it rules us. And life lives there. The
+office is filled with thrills of love and distrust and ambition. Each
+alley between desks quivers with secret romance as ceaselessly as a
+battle-trench, or a lane in Normandy.
+
+
+Sec. 3
+
+Una's first view of the _Motor and Gas Gazette_ was of an overwhelming
+mass of desks and files and books, and a confusing, spying crowd of
+strange people, among whom the only safe, familiar persons were Miss
+Moynihan, the good-natured solid block of girl whom she had known at the
+commercial college, and Mr. S. Herbert Ross, the advertising-manager,
+who had hired her. Mr. Ross was a poet of business; a squat, nervous
+little man, whose hair was cut in a Dutch bang, straight across his
+forehead, and who always wore a black bow tie and semi-clerical black
+clothes. He had eyed Una amusedly, asked her what was her reaction to
+green and crimson posters, and given her a little book by himself, "R U
+A Time-clock, Mr. Man?" which, in large and tremendously black type,
+related two stories about the youth of Carnegie, and strongly advocated
+industry, correspondence schools, and expensive advertising. When Una
+entered the office, as a copyist, Mr. S. Herbert Ross turned her over to
+the office-manager, and thereafter ignored her; but whenever she saw him
+in pompous conference with editors and advertisers she felt proudly that
+she knew him.
+
+The commercial college had trained her to work with a number of people,
+as she was now to do in the office; but in the seriousness and savage
+continuity of its toil, the office was very different. There was no
+let-up; she couldn't shirk for a day or two, as she had done at the
+commercial college. It was not so much that she was afraid of losing her
+job as that she came to see herself as part of a chain. The others,
+beyond, were waiting for her; she mustn't hold them up. That was her
+first impression of the office system, that and the insignificance of
+herself in the presence of the office-hierarchy--manager above manager
+and the Mysterious Owner beyond all. She was alone; once she
+transgressed they would crush her. They had no personal interest in her,
+none of them, except her classmate, Miss Moynihan, who smiled at her and
+went out to lunch with her.
+
+They two did not dare to sit over parcels of lunch with the curious
+other girls. Before fifteen-cent lunches of baked apples, greasy
+Napoleons, and cups of coffee, at a cheap restaurant, Miss Moynihan and
+she talked about the office-manager, the editors, the strain of copying
+all day, and they united in lyric hatred of the lieutenant of the girls,
+a satiric young woman who was a wonderful hater. Una had regarded Miss
+Moynihan as thick and stupid, but not when she had thought of falling in
+love with Charlie Martindale at a dance at Panama, not in her most
+fervid hours of comforting her mother, had she been so closely in
+sympathy with any human being as she was with Miss Moynihan when they
+went over and over the problems of office politics, office favorites,
+office rules, office customs.
+
+The customs were simple: Certain hours for arrival, for lunch, for
+leaving; women's retiring-room embarrassedly discovered to be on
+the right behind the big safe; water-cooler in the center of the
+stenographers' room. But the office prejudices, the taboos, could
+not be guessed. They offered you every possible chance of "queering
+yourself." Miss Moynihan, on her very first day, discovered,
+perspiringly, that you must never mention the _Gazette's_ rival,
+the _Internal Combustion News_. The _Gazette's_ attitude was
+that the _News_ did not exist--except when the _Gazette_
+wanted the plate of an advertisement which the _News_ was to
+forward. You mustn't chew gum in the office; you were to ask favors
+of the lieutenant, not of the office-manager; and you mustn't be
+friendly with Mr. Bush of the circulation department, nor with Miss
+Caldwell, the filing-clerk. Why they were taboo Una never knew; it
+was an office convention; they seemed pleasant and proper people
+enough.
+
+She was initiated into the science of office supplies. In the commercial
+college the authorities had provided stenographers' note-books and
+pencils, and the representatives of typewriter companies had given
+lectures on cleaning and oiling typewriters, putting in new ribbons,
+adjusting tension-wheels. But Una had not realized how many tools she
+had to know----
+
+Desks, filing-cabinets, mimeographs, adding-machines, card indexes, desk
+calendars, telephone-extensions, adjustable desk-lights. Wire
+correspondence-baskets, erasers, carbon paper, type-brushes, dust-rags,
+waste-baskets. Pencils, hard and soft, black and blue and red. Pens,
+pen-points, backing-sheets, note-books, paper-clips. Mucilage, paste,
+stationery; the half-dozen sorts of envelopes and letter-heads.
+
+Tools were these, as important in her trade as the masthead and black
+flag, the cutlasses and crimson sashes, the gold doubloons and damsels
+fair of pirate fiction; or the cheese and cream, old horses and
+slumberous lanes of rustic comedy. As important, and perhaps to be
+deemed as romantic some day; witness the rhapsodic advertisements of
+filing-cabinets that are built like battle-ships; of carbon-paper that
+is magic-inked and satin-smooth.
+
+Not as priest or soldier or judge does youth seek honor to-day, but as a
+man of offices. The business subaltern, charming and gallant as the
+jungle-gallopers of Kipling, drills files, not of troops, but of
+correspondence. The artist plays the keys, not of pianos, but of
+typewriters. Desks, not decks; courts of office-buildings, not of
+palaces--these are the stuff of our latter-day drama. Not through
+wolf-haunted forests nor purple canons, but through tiled hallways and
+elevators move our heroes of to-day.
+
+And our heroine is important not because she is an Amazon or a Ramona,
+but because she is representative of some millions of women in business,
+and because, in a vague but undiscouraged way, she keeps on inquiring
+what women in business can do to make human their existence of loveless
+routine.
+
+
+Sec. 4
+
+Una spent much of her time in copying over and over--a hundred times,
+two hundred times--form-letters soliciting advertising, letters too
+personal in appearance to be multigraphed. She had lists of
+manufacturers of motor-car accessories, of makers of lubricating oils,
+of distributors of ball-bearings and speedometers and springs and
+carburetors and compositions for water-proofing automobile tops.
+
+Sometimes she was requisitioned by the editorial department to copy in
+form legible for the printer the rough items sent in by outsiders for
+publication in the _Gazette_. Una, like most people of Panama, had
+believed that there was something artistic about the office of any
+publication. One would see editors--wonderful men like grand dukes,
+prone to lunch with the President. But there was nothing artistic about
+the editorial office of the _Gazette_--several young men in
+shirt-sleeves and green celluloid eye-shades, very slangy and
+pipe-smelly, and an older man with unpressed trousers and ragged
+mustache. Nor was there anything literary in the things that Una copied
+for the editorial department; just painfully handwritten accounts of the
+meeting of the Southeastern Iowa Auto-dealers' Association; or boasts
+about the increased sales of Roadeater Tires, a page originally smartly
+typed, but cut and marked up by the editors.
+
+Lists and letters and items, over and over; sitting at her typewriter
+till her shoulder-blades ached and she had to shut her eyes to the blur
+of the keys. The racket of office noises all day. The three-o'clock hour
+when she felt that she simply could not endure the mill till five
+o'clock. No interest in anything she wrote. Then the blessed hour of
+release, the stretching of cramped legs, and the blind creeping to the
+Subway, the crush in the train, and home to comfort the mother who had
+been lonely all day.
+
+Such was Una's routine in these early months of 1906. After the novelty
+of the first week it was all rigidly the same, except that distinct
+personalities began to emerge from the mass.
+
+Especially the personality of Walter Babson.
+
+
+Sec. 5
+
+Out of the mist of strange faces, blurred hordes of people who swaggered
+up the office aisle so knowingly, and grinned at her when she asked
+questions, individualities began to take form:
+
+Miss Moynihan; the Jewish stenographer with the laughing lips and hot
+eyes; the four superior older girls in a corner, the still more superior
+girl lieutenant, and the office-manager, who was the least superior of
+all; the telephone-girl; the office-boys; Mr. S. Herbert Ross and his
+assistant; the managing editor; a motor magnate whose connection was
+mysterious; the owner, a courteous, silent, glancing man who was
+reported to be hard and "stingy."
+
+Other people still remained unidentifiable to her, but the office
+appeared smaller and less formidable in a month. Out of each nine
+square feet of floor space in the office a novel might have been made:
+the tale of the managing editor's neurotic wife; the tragedy of Chubby
+Hubbard, the stupid young editor who had been a college football star,
+then an automobile racer, then a failure. And indeed there was a whole
+novel, a story told and retold, in the girls' gossip about each of the
+men before whom they were so demure. But it was Walter Babson whom the
+girls most discussed and in whom Una found the most interest.
+
+On her first day in the office she had been startled by an astounding
+young man who had come flying past her desk, with his coat off, his
+figured waistcoat half open, his red four-in-hand tie askew under a
+rolling soft collar. He had dashed up to the office-manager and
+demanded, "Say! Say! Nat! Got that Kokomobile description copied for me
+yet? Heh? Gawd! you're slow. Got a cigarette?" He went off, puffing out
+cigarette smoke, shaking his head and audibly muttering, "Slow bunch,
+werry." He seemed to be of Una's own age, or perhaps a year older--a
+slender young man with horn-rimmed eye-glasses, curly black hair, and a
+trickle of black mustache. His sleeves were rolled up to his elbow, and
+Una had a secret, shamed, shivering thrill in the contrast of the
+dead-white skin of his thin forearms with the long, thick, soft, black
+hairs matted over them. They seemed at once feminine and acidly male.
+
+"Crazy idiot," she observed, apparently describing herself and the
+nervous young man together. But she knew that she wanted to see him
+again.
+
+She discovered that he was prone to such violent appearances; that his
+name was Walter Babson; that he was one of the three desk editors under
+the managing editor; that the stenographers and office-boys alternately
+disapproved of him, because he went on sprees and borrowed money from
+anybody in sight, and adored him because he was democratically frank
+with them. He was at once a hero, clown, prodigal son, and preacher of
+honesty. It was variously said that he was a socialist, an anarchist,
+and a believer in an American monarchy, which he was reported as
+declaring would "give some color to this flat-faced province of a
+country." It was related that he had been "fresh" even to the owner, and
+had escaped discharge only by being the quickest worker in the office,
+the best handy man at turning motor statistics into lively news-stories.
+Una saw that he liked to stand about, bawling to the quizzical S.
+Herbert Ross that "this is a hell of a shop to work in--rotten pay and
+no _esprit de corps_. I'd quit and free-lance if I could break in with
+fiction, but a rotten bunch of log-rollers have got the inside track
+with all the magazines and book-publishers."
+
+"Ever try to write any fiction?" Una once heard S. Herbert retort.
+
+"No, but Lord! any fool could write better stuff than they publish. It's
+all a freeze-out game; editors just accept stuff by their friends."
+
+In one week Una heard Walter Babson make approximately the same
+assertions to three different men, and to whoever in the open office
+might care to listen and profit thereby. Then, apparently, he ceased to
+hear the call of literature, and he snorted at S. Herbert Ross's stodgy
+assistant that he was a wage-slave, and a fool not to form a clerks'
+union. In a week or two he was literary again. He dashed down to the
+office-manager, poked a sheet of copy-paper at him, and yelped: "Say,
+Nat. Read that and tell me just what you think of it. I'm going to put
+some literary flavor into the _Gas-bag_ even if it does explode it.
+Look--see. I've taken a boost for the Kells Karburetor--rotten lying
+boost it is, too--and turned it into this running verse, read it like
+prose, pleasant and easy to digest, especially beneficial to children
+and S. Herbert Souse, Sherbert Souse, I mean." He rapidly read an
+amazing lyric beginning, "Motorists, you hadn't better monkey with the
+carburetor, all the racers, all the swells, have equipped their cars
+with Kells. We are privileged to announce what will give the trade a
+jounce, that the floats have been improved like all motorists would have
+loved."
+
+He broke off and shouted, "Punk last line, but I'll fix it up. Say,
+that'll get 'em all going, eh? Say, I bet the Kells people use it in
+bill-board ads. all over the country, and maybe sign my name. Ads., why
+say, it takes a literary guy to write ads., not a fat-headed
+commercialist like S. Charlie Hoss."
+
+Two days later Una heard Babson come out and lament that the managing
+editor didn't like his masterpiece and was going to use the Kells
+Karburetor Kompany's original write-up. "That's what you get when you
+try to give the _Gas-bag_ some literary flavor--don't appreciate it!"
+
+She would rather have despised him, except that he stopped by the
+office-boys' bench to pull their hair and tell them to read English
+dictionaries. And when Miss Moynihan looked dejected, Babson demanded of
+her, "What's trouble, girlie? Anybody I can lick for you? Glad to fire
+the owner, or anything. Haven't met you yet, but my name is Roosevelt,
+and I'm the new janitor," with a hundred other chuckling idiocies, till
+Miss Moynihan was happy again. Una warmed to his friendliness, like that
+of a tail-wagging little yellow pup.
+
+And always she craved the touch of his dark, blunt, nervous hands.
+Whenever he lighted a cigarette she was startled by his masculine way
+of putting out the match and jerking it away from him in one abrupt
+motion.... She had never studied male mannerisms before. To Miss Golden
+of Panama men had always been "the boys."
+
+All this time Walter Babson had never spoken to her.
+
+
+
+
+CHAPTER V
+
+
+The office-manager came casually up to Una's desk and said, "You haven't
+taken any dictation yet, have you?"
+
+"No, but," with urgent eagerness, "I'd like--I'm quite fast in
+stenography."
+
+"Well, Mr. Babson, in the editorial department, wants to give some
+dictation and you might try--"
+
+Una was so excited that she called herself a silly little fool. She
+seized her untouched note-book, her pencils sharpened like lances, and
+tried to appear a very mouse of modesty as she marched down the office
+to take her first real dictation, to begin her triumphant career.... And
+to have Walter Babson, the beloved fool, speak to her.
+
+It was a cold shock to have to stand waiting behind Babson while he
+rummaged in his roll-top desk and apparently tried to pull out his hair.
+He looked back at her and blurted, "Oh! You, Miss Golden? They said
+you'd take some dictation. Chase those blue-prints off that chair and
+sit down. Be ready in a sec."
+
+While she sat on the edge of the chair Babson yanked out drawers,
+plunged his wriggling hands into folders, thrashed through a pile of
+papers and letters that over-flowed a wire basket, and even hauled a
+dictionary down from the top of the desk and hopefully peered inside the
+front cover. All the time he kept up comment at which Una smiled
+doubtfully, not quite sure whether it was meant for her or not:
+
+"Now what the doggone doggonishness did I ever do with those doggone
+notes, anyway? I ask you, in the-- Here they-- Nope--"
+
+At last he found inside a book on motor fuels the wad of copy-paper on
+which he had scrawled notes with a broad, soft pencil, and he began to
+dictate a short article on air-cooling. Una was terrified lest she be
+unable to keep up, but she had read recent numbers of the _Gazette_
+thoroughly, she had practised the symbols for motor technologies, and
+she was not troubled by being watched. Indeed, Babson seemed to have
+enough to do in keeping his restless spirit from performing the
+dismaying feat of leaping straight out of his body. He leaned back in
+his revolving desk-chair with a complaining squawk from the spring, he
+closed his eyes, put his fingers together piously, then seized the
+chair-arms and held them, while he cocked one eye open and squinted at a
+large alarm-clock on the desk. He sighed profoundly, bent forward, gazed
+at his ankle, and reached forward to scratch it. All this time he was
+dictating, now rapidly, now gurgling and grunting while he paused to
+find a word.
+
+"Don't be so _nervous_!" Una wanted to scream at him, and she wanted to
+add, "You didn't ask my permission!" when he absently fumbled in a
+cigarette-box.
+
+She didn't like Walter Babson, after all!
+
+But he stopped after a rhapsody on the divine merits of an air-cooling
+system, clawed his billowing black hair, and sighed, "Sounds improbable,
+don't it? Must be true, though; it's going to appear in the _Gazette_,
+and that's the motor-dealer's bible. If you don't believe it, read the
+blurbs we publish about ourselves!" Then he solemnly winked at her and
+went on dictating.
+
+When he had finished he demanded, "Ever take any dictation in this
+office before?"
+
+"No, sir."
+
+"Ever take any motor dictation at all?"
+
+"No, sir."
+
+"Then you'd better read that back to me. Your immejit boss--the
+office-manager--is all right, but the secretary of the company is always
+pussy-footing around, and if you're ever having any trouble with your
+stuff when old plush-ears is in sight, keep on typing fast, no matter
+what you put down. Now read me the dope."
+
+It was approximately correct. He nodded, and, "Good work, little girl,"
+he said. "You'll get along all right. You get my dictation better than
+that agitated antelope Miss Harman does, right now. That's all."
+
+
+Sec. 2
+
+So far as anything connected with Walter Babson could be regular, Una
+became his regular stenographer, besides keeping up her copying. He was
+always rushing out, apologizing for troubling her, sitting on the edge
+of her desk, dictating a short letter, and advising her to try his
+latest brand of health food, which, this spring, was bran
+biscuits--probably combined with highballs and too much coffee. The
+other stenographers winked at him, and he teased them about their
+coiffures and imaginary sweethearts.... For three days the women's
+coat-room boiled with giggles over Babson's declaration that Miss
+MacThrostle was engaged to a burglar, and was taking a correspondence
+course in engraving in order to decorate her poor dear husband's tools
+with birds and poetic mottoes.
+
+Babson was less jocular with Una than with the bouncing girls who were
+natives of Harlem. But he smiled at her, as though they were
+understanding friends, and once he said, but quietly, rather
+respectfully, "You have nice hair--soft." She lay awake to croon that
+to herself, though she denied that she was in love with this eccentric
+waster.
+
+Always Babson kept up his ejaculations and fidgeting. He often accused
+himself of shiftlessness and begged her to make sure that he dictated
+certain matter before he escaped for the evening. "Come in and bother
+the life out of me. Come in every half-hour," he would say. When she did
+come in he would crow and chuckle, "Nope. I refuse to be tempted yet; I
+am a busy man. But maybe I'll give you those verbal jewels of great
+price on your next visitation, oh thou in the vocative--some Latin
+scholar, eh? Keep it up, kid; good work. Maybe you'll keep me from being
+fired."
+
+Usually he gave her the dictation before he went. But not always. And
+once he disappeared for four days--on a drunk, everybody said, in
+excited office gossip.
+
+During Babson's desertion the managing editor called Una in and
+demanded, "Did Mr. Babson give you some copy about the Manning Wind
+Shield? No? Will you take a look in his desk for his notes about it?"
+
+While Una was fumbling for the notes she did not expect to find, she
+went through all the agony of the little shawled foreign wife for the
+husband who has been arrested.
+
+"I've got to help you!" she said to _his_ desk, to his bag of Bull
+Durham, to his alarm-clock--even to a rather shocking collection of
+pictures of chorus-girls and diaphanously-clad dancers which was pasted
+inside the double drawer on the right side of the desk. In her great
+surge of emotion, she noticed these posturing hussies far less than she
+did a little volume of Rosetti, or the overshoes whose worn toes
+suddenly revealed to her that Walter Babson, the editor, was not
+rich--was not, perhaps, so very much better paid than herself.
+
+She did not find the notes. She had to go to the managing editor,
+trembling, all her good little heart wild with pain. The editor's brows
+made a V at her report, and he grunted, "Well--"
+
+For two days, till Walter Babson returned, she never failed to look up
+when the outer door of the office opened.
+
+She found herself immensely interested in trying to discover, from her
+low plane as copyist, just what sort of a position Walter Babson
+occupied up among the select souls. Nor was it very difficult. The
+editor's stenographer may not appreciate all the subtleties of his wit,
+and the refinements of his manner may leave her cold, but she does hear
+things, she hears the Big Chief's complaints.
+
+Una discovered that the owner and the managing editor did not regard
+Walter Babson as a permanent prop of the institution; that they would
+keep him, at his present salary of twenty-five dollars a week, only till
+some one happened in who would do the same work for less money. His
+prose was clever but irregular; he wasn't always to be depended upon for
+grammar; in everything he was unstable; yet the owner's secretary
+reported the owner as saying that some day, if Babson married the right
+woman, he would "settle down and make good."
+
+Una did not dare to make private reservations regarding what "the right
+woman" ought to mean in this case, but she burned at the thought of
+Walter Babson's marrying, and for an instant she saw quite clearly the
+film of soft dark hair that grew just below his sharp cheek-bone. But
+she forgot the sweetness of the vision in scorn of herself for even
+thinking of marriage with a weakling; scorn of herself for aspiring to
+marry a man who regarded her as only a dull stenographer; and a maternal
+anxiety over him that was untouched by passion.
+
+Babson returned to the office, immaculate, a thin, fiery soul. But he
+was closeted with the secretary of the company for an hour, and when he
+came out his step was slow. He called for Una and dictated articles in a
+quiet voice, with no jesting. His hand was unsteady, he smoked
+cigarettes constantly, and his eye was an unwholesome yellow.
+
+She said to him suddenly, a few days later, "Mr. Babson, I'd be glad if
+I could take care of any papers or anything for you."
+
+"Thanks. You might stick these chassis sketches away some place right
+now."
+
+So she was given the chance to keep his desk straight. He turned to her
+for everything.
+
+He said to her, abruptly, one dreary late afternoon of April when she
+felt immensely languid and unambitious: "You're going to succeed--unless
+you marry some dub. But there's one rule for success--mind you, I don't
+follow it myself, I _can't_, but it's a grand old hunch: 'If you want to
+get on, always be ready to occupy the job just ahead of you.' Only--what
+the devil _is_ the job just ahead of a stenog.? I've been thinking of
+you and wondering. What is it?"
+
+"Honestly, Mr. Babson, I don't know. Here, anyway. Unless it's
+lieutenant of the girls."
+
+"Well--oh, that's just miffle-business, that kind of a job. Well, you'd
+better learn to express yourself, anyway. Some time you women folks will
+come into your own with both feet. Whenever you get the chance, take my
+notes and try to write a better spiel from them than I do.... That won't
+be hard, I guess!"
+
+"I don't know why you are so modest, Mr. Babson. Every girl in the
+office thinks you write better than any of the other editors."
+
+"Yuh--but they don't know. They think that just because I chuck 'em
+under the chin. I can't do this technical stuff.... Oh, _Lord_! what an
+evening it'll be!... I suppose I'll go to a show. Nice, lonely city,
+what?... You come from here?"
+
+"From Pennsylvania."
+
+"Got any folks?"
+
+"My mother is here with me."
+
+"That's nice. I'll take her and you to some bum two-bit vaudeville show
+some night, if you'd like.... Got to show my gratitude to you for
+standing my general slovenliness.... Lord! nice evening--dine at a
+rotisserie with a newspaper for companion. Well--g' night and g' luck."
+
+Una surprised her mother, when they were vivisecting the weather after
+dinner, by suddenly crying all over the sofa cushions.
+
+She knew all of Walter Babson's life from those two or three sentences
+of his.
+
+
+Sec. 3
+
+Francois Villons America has a-plenty. An astonishing number of
+Americans with the literary itch do contrive to make a living out of
+that affliction. They write motion-picture scenarios and fiction for the
+magazines that still regard detective stories as the zenith of original
+art. They gather in woman-scented flats to discuss sex, or in
+hard-voiced groups to play poker. They seem to find in the creation of
+literature very little besides a way of evading regular office hours.
+Below this stratum of people so successful that one sometimes sees their
+names in print is the yearning band of young men who want to write. Just
+to write--not to write anything in particular; not to express any
+definite thought, but to be literary, to be Bohemian, to dance with
+slim young authoresses of easy morals, and be jolly dogs and free souls.
+Some of them are dramatists with unacted dramas; some of them do free
+verse which is just as free as the productions of regular licensed
+poets. Some of them do short stories--striking, rather biological, very
+destructive of conventions. Some of them are ever so handy at all forms;
+they are perennial candidates for any job as book-reviewer, dramatic
+critic, or manuscript-reader, since they have the naive belief that
+these occupations require neither toil nor training, and enable one to
+"write on the side." Meanwhile they make their livings as sub-editors on
+trade journals, as charity-workers, or as assistants to illiterate
+literary agents.
+
+To this slum of literature Walter Babson belonged. He felt that he was
+an author, though none of his poetry had ever been accepted, and though
+he had never got beyond the first chapter of any of his novels, nor the
+first act of any of his plays (which concerned authors who roughly
+resembled Walter Babson).
+
+He was distinguished from his fellows by the fact that each year he grew
+more aware that he hadn't even a dim candle of talent; that he was
+ill-planned and unpurposed; that he would have to settle down to the
+ordinary gray limbo of jobs and offices--as soon as he could get control
+of his chaotic desires. Literally, he hated himself at times; hated his
+own egotism, his treacherous appetite for drink and women and sloth, his
+imitative attempts at literature. But no one knew how bitterly he
+despised himself, in lonely walks in the rain, in savage pacing about
+his furnished room. To others he seemed vigorously conceited, cock-sure,
+noisily ready to blame the world for his own failures.
+
+Walter Babson was born in Kansas. His father was a farmer and
+horse-doctor, a heavy drinker, an eccentric who joined every radical
+political movement. In a country school, just such a one as Una had
+taught, then in high school in a near-by town, Walter had won all the
+prizes for essays and debating, and had learned a good deal about
+Shakespeare and Caesar and George Washington. Also he had learned a good
+deal about drinking beer, smoking manfully, and tempting the giggling
+girls who hung about the "deepot." He ran away from high school, and in
+the most glorious years of his life worked his way down the Mississippi
+and up the Rio Grande, up to Alaska and down to Costa Rica, a butt and
+jester for hoboes, sailors, longshoremen, miners, cow-punchers,
+lunch-room owners, and proprietors of small newspapers. He learned to
+stick type and run a press. He returned to Kansas and worked on a
+country newspaper, studying poetry and college-entrance requirements in
+the evening. He had, at this time, the not entirely novel idea that "he
+ought to be able to make a lot of good fiction out of all his
+experiences." Actually, he had no experiences, because he had no
+instinct for beauty. The proof is that he read quite solemnly and
+reverently a vile little periodical for would-be authors, which reduced
+authorship to a way of earning one's living by supplying editors with
+cheap but ingenious items to fill space. It put literature on a level
+with keeping a five-and-ten-cent store. But Walter conned its pompous
+trade journal discussions as to whether the name and address of the
+author should be typed on the left or the right side of the first page
+of a manuscript; its lively little symposia, by such successful
+market-gardeners of literature as Mamie Stuyvesant Blupp and Bill Brown
+and Dr. J. F. Fitzneff, on the inspiring subject of whether it paid
+better to do filler verse for cheap magazines, or long verse for the big
+magazines. At the end, this almost madly idealistic journal gave a list
+of wants of editors; the editor of _Lingerie and Laughter_ wanted
+"short, snappy stuff with a kick in it; especially good yarns about
+models, grisettes, etc." _Wanderlust_ was in the market for "stories
+with a punch that appealed to every red-blooded American; nothing about
+psychology, problems, Europe, or love wanted." _The Plymouth Rock
+Fancier_ announced that it could use "a good, lively rural poem every
+week; must be clean and original."
+
+Pathos there was in all of this; the infinitely little men and women
+daring to buy and sell "short, snappy stuff" in this somber and terribly
+beautiful world of Balzac and Wells and Turgenieff. And pathos there was
+in that wasted year when Walter Babson sought to climb from the
+gossiping little prairie town to the grandeur of great capitals by
+learning to be an efficient manufacturer of "good, lively rural poems."
+He neglected even his college-entrance books, the Ruskin whose clots of
+gilt might have trained him to look for real gold, and the stilted Burke
+who might have given him a vision of empires and races and social
+destinies. And for his pathetic treachery he wasn't even rewarded. His
+club-footed verses were always returned with printed rejection slips.
+
+When at last he barely slid into Jonathan Edwards College, Iowa, Walter
+was already becoming discouraged; already getting the habit of blaming
+the gods, capitalists, editors, his father, the owner of the country
+newspaper on which he had been working, for everything that went wrong.
+He yammered destructive theories which would have been as obnoxious to a
+genuine fighting revolutionist as they were sacrilegious to his
+hard-fisted, earnest, rustic classmates in Jonathan Edwards. For Walter
+was not protesting against social injustice. The slavery of
+rubber-gatherers in the Putumayo and of sweatshop-workers in New York
+did not exist for him. He was protesting because, at the age of twenty,
+his name was not appearing in large flattering capitals on the covers of
+magazines.
+
+Yet he was rather amusing; he helped plodding classmates with their
+assignments, and he was an active participant in all worthy movements to
+raise hell--as they admirably described it. By the end of his Freshman
+year he had given up all attempts to be a poet and to extract
+nourishment from the college classes, which were as hard and unpalatable
+as dried codfish. He got drunk, he vented his energy in noisy meetings
+with itinerant _filles de joie_, who were as provincial and rustic, as
+bewildered and unfortunate as the wild country boys, who in them found
+their only outlet for youth's madness. Walter was abruptly expelled from
+college by the one man in the college whom he respected--the saintly
+president, who had dreams of a new Harvard on the prairies.
+
+So Walter Babson found himself at twenty-one an outcast. He
+declaimed--though no one would believe him--that all the gentle souls he
+had ever encountered were weak; all the virile souls vicious or
+suspicious.
+
+He drifted. He doubted himself, and all the more noisily asserted his
+talent and the injustice of the world. He looked clean and energetic and
+desirous, but he had nothing on which to focus. He became an active but
+careless reporter on newspapers in Wichita, Des Moines, Kansas City, St.
+Louis, Seattle, Los Angeles, San Francisco. Between times he sold
+real-estate and insurance and sets of travel books, for he had no pride
+of journalism; he wanted to keep going and keep interested and make
+money and spend it; he wanted to express himself without trying to find
+out what his self was.
+
+It must be understood that, for all his vices, Walter was essentially
+clean and kindly. He rushed into everything, the bad with the good. He
+was not rotten with heavy hopelessness; though he was an outcast from
+his home, he was never a pariah. Not Walter, but the smug, devilish
+cities which took their revenues from saloon-keeping were to blame when
+he turned from the intolerable dullness of their streets to the
+excitement of alcohol in the saloons and brothels which they made so
+much more amusing than their churches and parlors.
+
+Everywhere in the Western newspaper circles Walter heard stories of
+Californians who had gone East and become geniuses the minute they
+crossed the Hudson.... Walter also went East and crossed the Hudson, but
+he did not become a genius. If there had been an attic to starve in, he
+would have starved in one, but as New York has nothing so picturesque,
+he starved in furnished rooms instead, while he wrote "special stories"
+for Sunday newspapers, and collected jokes for a syndicated humorous
+column. He was glad to become managing editor (though he himself was the
+only editor he had to manage) of a magazine for stamp-collectors. He
+wrote some advertisements for a Broadway dealer in automobile
+accessories, read half a dozen books on motors, and brazenly demanded
+his present position on the _Motor and Gas Gazette_.
+
+He was as far from the rarified air of Bohemia (he really believed that
+sort of thing) as he had been in Kansas, except that he knew one man who
+made five thousand dollars a year by writing stories about lumberjacks,
+miners, cow-punchers, and young ladies of quite astounding courage. He
+was twenty-seven years old when he met Una Golden. He still read Omar
+Khayyam. He had a vague plan of going into real estate. There ought, he
+felt, to be money in writing real-estate advertisements.
+
+He kept falling in love with stenographers and waitresses, with
+actresses whom he never met. He was never satisfied. He didn't at all
+know what he wanted, but he wanted something stronger than himself.
+
+He was desperately lonely--a humorous figure who had dared to aspire
+beyond the manure-piles of his father's farm; therefore a young man to
+be ridiculed. And in his tragic loneliness he waited for the day when he
+should find any love, any labor, that should want him enough to seek him
+and demand that he sacrifice himself.
+
+
+Sec. 4
+
+It was Una's first city spring.
+
+Save in the squares, where the bourgeoning trees made green-lighted
+spaces for noon-time lovers, there was no change; no blossomy stir in
+asphalt and cement and brick and steel. Yet everything was changed.
+Between the cornices twenty stories above the pavement you could see a
+slit of softer sky, and there was a peculiar radiance in just the light
+itself, whether it lay along the park turf or made its way down an
+air-well to rest on a stolid wall of yellow brick. The river breeze,
+flowing so persuasively through streets which had been stormed by dusty
+gales, bore happiness. Grind-organs made music for ragged, dancing
+children, and old brick buildings smelled warm. Peanut-wagons came out
+with a long, shrill whine, locusts of the spring.
+
+In the office even the most hustling of the great ones became human.
+They talked of suburban gardens and of motoring out to country clubs for
+tennis. They smiled more readily, and shamelessly said, "I certainly got
+the spring fever for fair to-day"; and twice did S. Herbert Ross go off
+to play golf all afternoon. The stenographer who commuted--always there
+is one girl in the office who commutes--brought spring in the form of
+pussy-willows and apple-blossoms, and was noisily envied.
+
+The windows were open now, and usually some one was speculatively
+looking down to the life on the pavement, eight stories below. At
+noon-hour the younger girls of the office strolled along the sidewalk in
+threes and fours, bareheaded, their arms about one another, their
+spring-time lane an irregular course between boxes in front of
+loft-buildings; or they ate their box-and-paper-napkin lunches on the
+fire-escape that wound down into the court. They gigglingly drew their
+skirts about their ankles and flirted with young porters and packers who
+leaned from windows across the court. Una sat with them and wished that
+she could flirt like the daughters of New York. She listened eagerly to
+their talk of gathering violets in Van Cortlandt Park and tramping on
+the Palisades. She noted an increased number of excited confidences to
+the effect that, "He says to me--" and "I says to him--" and, "Say, gee!
+honest, Tess, he's a swell fellow." She caught herself wanting to tramp
+the Palisades with--with the Walter Babson who didn't even know her
+first name.
+
+When she left the flat these mornings she forgot her lonely mother
+instantly in the treacherous magic of the tender sky, and wanted to run
+away, to steal the blue and silver day for her own. But it was gone when
+she reached the office--no silver and blue day was here; but, on
+golden-oak desk and oak-and-frosted-glass semi-partitions, the same
+light as in the winter. Sometimes, if she got out early, a stilly
+afterglow of amber and turquoise brought back the spring. But all day
+long she merely saw signs that otherwhere, for other people, spring did
+exist; and she wistfully trusted in it as she watched and helped Walter
+Babson.
+
+She was conscious that she was working more intimately with him as a
+comrade now, not as clerk with executive. There had been no one
+illuminating moment of understanding; he was impersonal with her; but
+each day their relationship was less of a mechanical routine, more of a
+personal friendship. She felt that he really depended on her steady
+carefulness; she knew that through the wild tangle of his impulsiveness
+she saw a desire to be noble.
+
+
+Sec. 5
+
+He came clattering down the aisle of desks to her one May afternoon, and
+begged, "Say, Miss Golden, I'm stuck. I got to get out some publicity on
+the Governor's good-roads article we're going to publish; want to send
+it out to forty papers in advance, and I can't get only a dozen proofs.
+And it's got to go off to-night. Can you make me some copies? You can
+use onion-skin paper and carbon 'em and make anyway five copies at a
+whack. But prob'ly you'd have to stay late. Got anything on to-night?
+Could you do it? Could you do it? Could you?"
+
+"Surely."
+
+"Well, here's the stuff. Just single-space that introductory spiel at
+the top, will you?"
+
+Una rudely turned out of her typewriter a form-letter which she was
+writing for S. Herbert Ross, and began to type Walter's publicity, her
+shoulders bent, her eyes intent, oblivious to the steady stream of
+gossip which flowed from stenographer to stenographer, no matter how
+busy they were. He needed her! She would have stayed till midnight.
+While the keys burred under her fingers she was unconsciously telling
+herself a story of how she would be working half the night, with the
+office still and shadowy, of how a dead-white face would peer through
+the window near her desk (difficult of accomplishment, as the window was
+eight stories up in air), of how she was to be pursued by a man on the
+way home; and how, when she got there, her mother would say, "I just
+don't see how you could neglect me like this all evening." All the while
+she felt herself in touch with large affairs--an article by the Governor
+of the State; these very sheets that she was typing to go to famous
+newspapers, to the "thundering presses" of which she had read in
+fiction; urgency, affairs, and--doing something for Walter Babson.
+
+She was still typing swiftly at five-thirty, the closing hour. The
+article was long; she had at least two hours of work ahead. Miss
+Moynihan came stockily to say good-night. The other stenographers
+fluttered out to the elevators. Their corner became oppressively quiet.
+The office-manager gently puttered about, bade her good-night, drifted
+away. S. Herbert Ross boomed out of his office, explaining the theory of
+advertising to a gasoleny man in a pin-checked suit as they waddled to
+the elevator. The telephone-girl hurried back to connect up a last call,
+frowned while she waited, yanked out the plug, and scuttled away--a
+creamy, roe-eyed girl, pretty and unhappy at her harassing job of
+connecting nervous talkers all day. Four men, editors and
+advertising-men, shouldered out, bawling over a rather feeble joke about
+Bill's desire for a drink and their willingness to help him slay the
+booze-evil. Una was conscious that they had gone, that walls of silence
+were closing about her clacking typewriter. And that Walter Babson had
+not gone; that he was sharing with her this whispering forsaken office.
+
+Presently he came rambling out of the editorial-room.
+
+He had taken off his grotesque, great horn-rimmed glasses. His eyes were
+mutinous in his dark melancholy face; he drew a hand over them and shook
+his head. Una was aware of all this in one glance. "Poor, tired boy!"
+she thought.
+
+He sat on the top of the nearest desk, hugged his knee, rocked back and
+forth, and said, "Much left, Miss Golden?"
+
+"I think I'll be through in about two hours."
+
+"Oh, Lord! I can't let you stay that late."
+
+"It doesn't matter. Really! I'll be glad. I haven't had to stay late
+much."
+
+For quite the first time he stared straight at her, saw her as a human
+being. She was desperately hoping that her hair was smooth and that
+there wasn't any blue from the typewriter ribbon daubed on her
+cheeks!... He ceased his rocking; appraised her. A part of her brain was
+wondering what he would do; a part longing to smile temptingly at him; a
+part coldly commanding, "You will not be a little fool--he isn't
+interested in you, and you won't try to make him be, either!"
+
+"Why, you look as fagged as I feel," he said. "I suppose I'm as bad as
+the rest. I kick like a steer when the Old Man shoves some extra work on
+me, and then I pass the buck and make _you_ stay late. Say! Tell you
+what we'll do." Very sweet to her was his "we," and his intimacy of
+tone. "I'll start copying, too. I'm quite considerable at
+machine-pounding myself, and we can get the thing done and mailed by
+six-thirty or so, and then I'll buy you a handsome dinner at Childs's.
+Gosh! I'll even blow you to a piece of pie; and I'll shoot you up home
+by quarter to eight. Great stuff! Gimme a copy of the drool. Meanwhile
+you'll have a whole hour for worried maiden thoughts over going out to
+eat with the bad, crazy Wally Babson!"
+
+His smile was a caress. Her breath caught, she smiled back at him
+fearfully. Then he was gone. In the editorial office was heard the
+banging of his heavy old typewriter--it was an office joke, Walter's
+hammering of the "threshing-machine."
+
+She began to type again, with mechanical rapidity, not consciously
+seeing the copy, so distraught was she as she murmured, "Oh, I oughtn't
+to go out with him.... But I will!... What nonsense! Why shouldn't I
+have dinner with him.... Oh, I mustn't--I'm a typist and he's a boss....
+But I will!"
+
+Glancing down the quiet stretches of the office, to the windows looking
+to westward, she saw that the sky was a delicate primrose. In a
+loft-building rearing out of the low structures between her and the
+North River, lights were springing out, and she--who ought to have known
+that they marked weary, late-staying people like herself, fancied that
+they were the lights of restaurants for gay lovers. She dismissed her
+problem, forgot the mother who was waiting with a demand for all of
+Una's youth, and settled down to a happy excitement in the prospect of
+going out with Walter; of knowing him, of feeling again that smile.
+
+He came prancing out with his copies of the article before she had
+finished. "Some copyist, eh?" he cried. "Say, hustle and finish. Gee!
+I've been smoking cigarettes to-day till my mouth tastes like a
+fish-market. Want to eat and forget my troubles."
+
+With her excitement dulled to a matter-of-fact hungriness, she trotted
+beside him to a restaurant, one of the string of Vance eating-places, a
+food-mill which tried to achieve originality by the use of imitation
+rafters, a plate-rack aligned with landscape plates, and varnished black
+tables for four instead of the long, marble tables which crowded the
+patrons together in most places of the sort. Walter verbosely called her
+attention to the mottoes painted on the wood, the individual table
+lights in pink shades. "Just forget the eats, Miss Golden, and you can
+imagine you're in a regular restaurant. Gosh! this place ought to
+reconcile you to dining with the crazy Babson. I can't imagine a liaison
+in a place where coffee costs five cents."
+
+He sounded boisterous, but he took her coat so languidly, he slid so
+loosely into his chair, that she burned with desire to soothe away his
+office weariness. She forgot all reserve. She burst out: "Why do you
+call yourself 'crazy'? Just because you have more energy than anybody
+else in the office?"
+
+"No," he said, grimly, snatching at the menu, "because I haven't any
+purpose in the scheme of things."
+
+Una told herself that she was pleased to see how the scrawny waitress
+purred at Walter when he gave his order. Actually she was feeling
+resentfully that no saw-voiced, galumphing Amazon of a waitress could
+appreciate Walter's smile.
+
+In a Vance eating-place, ordering a dinner, and getting approximately
+what you order, is not a delicate epicurean art, but a matter of
+business, and not till an enormous platter of "Vance's Special Ham and
+Eggs, Country Style," was slammed down between them, and catsup,
+Worcestershire sauce, napkins, more rolls, water, and another fork
+severally demanded of the darting waitress, did Walter seem to remember
+that this was a romantic dinner with a strange girl, not a deal in
+food-supplies.
+
+His wavering black eyes searched her face. She was agitatedly aware that
+her skin was broken out in a small red spot beside her lips; but she
+hoped that he would find her forehead clear, her mouth a flower. He
+suddenly nodded, as though he had grown used to her and found her
+comfortable. While his wreathing hands picked fantastically at a roll
+and made crosses with lumps of sugar, his questions probed at that
+hidden soul which she herself had never found. It was the first time
+that any one had demanded her formula of life, and in her struggle to
+express herself she rose into a frankness which Panama circles of
+courtship did not regard as proper to young women.
+
+"What's your ambition?" he blurted. "Going to just plug along and not
+get anywhere?"
+
+"No, I'm not; but it's hard. Women aren't trusted in business, and you
+can't count without responsibility. All I can do is keep looking."
+
+"Go out for suffrage, feminism, so on?"
+
+"I don't know anything about them. Most women don't know anything about
+them--about anything!"
+
+"Huh! Most _people_ don't! Wouldn't have office-grinding if people did
+know anything.... How much training have you had?"
+
+"Oh, public school, high school, commercial college."
+
+"Where?"
+
+"Panama, Pennsylvania."
+
+"I know. About like my own school in Kansas--the high-school principal
+would have been an undertaker if he'd had more capital.... Gee!
+principal and capital--might make a real cunning pun out of that if I
+worked over it a little. I know.... Go to church?"
+
+"Why--why, yes, of course."
+
+"Which god do you favor at present--Unitarian or Catholic or Christian
+Science or Seventh-Day Advent?"
+
+"Why, it's the same--"
+
+"Now don't spring that 'it's the same God' stuff on me. It isn't the
+same God that simply hones for candles and music in an Episcopal Church
+and gives the Plymouth Brotherhood a private copyright revelation that
+organs and candles are wicked."
+
+"You're terribly sacrilegious."
+
+"You don't believe any such thing. Or else you'd lam me--same as they
+used to do in the crusades. You don't really care a hang."
+
+"No, I really don't care!" she was amazed to hear herself admit.
+
+"Of course, I'm terribly crude and vulgar, but then what else can you be
+in dealing with a bunch of churches that haven't half the size or beauty
+of farmers' red barns? And yet the dubs go on asserting that they
+believe the church is God's house. If I were God, I'd sure object to
+being worse housed than the cattle. But, gosh! let's pass that up. If I
+started in on what I think of almost anything--churches or schools, or
+this lying advertising game--I'd yelp all night, and you could always
+answer me that I'm merely a neurotic failure, while the big guns that I
+jump on own motor-cars." He stopped his rapid tirade, chucked a lump of
+sugar at an interrogative cat which was making the round of the tables,
+scowled, and suddenly fired at her:
+
+"What do you think of me?"
+
+"You're the kindest person I ever met."
+
+"Huh? Kind? Good to my mother?"
+
+"Perhaps. You've made the office happy for me. I really admire you.... I
+s'pose I'm terribly unladylike to tell you."
+
+"Gee whiz!" he marveled. "Got an admirer! And I always thought you were
+an uncommonly level-headed girl. Shows how you can fool 'em."
+
+He smiled at her, directly, rather forlornly, proud of her praise.
+
+Regardless of other tables, he thrust his arm across, and with the side
+of his hand touched the side of hers for a second. Dejectedly he said:
+"But why do you like me? I've good intentions; I'm willing to pinch
+Tolstoi's laurels right off his grave, and orate like William Jennings
+Bryan. And there's a million yearners like me. There ain't a
+hall-bedroom boy in New York that wouldn't like to be a genius."
+
+"I like you because you have fire. Mr. Babson, do you--"
+
+"Walter!"
+
+"How premature you are!"
+
+"Walter!"
+
+"You'll be calling me 'Una' next, and think how shocked the girls will
+be."
+
+"Oh no. I've quite decided to call you 'Goldie.' Sounds nice and
+sentimental. But for heaven's sake go on telling me why you like me.
+That isn't a hackneyed subject."
+
+"Oh, I've never known anybody with _fire_, except maybe S. Herbert Ross,
+and he--he--"
+
+"He blobs around."
+
+"Yes, something like that. I don't know whether you are ever going to do
+anything with your fire, but you do have it, Mr. Babson!"
+
+"I'll probably get fired with it.... Say, do you read Omar?"
+
+In nothing do the inarticulate "million hall-room boys who want to be
+geniuses," the ordinary, unshaved, not over-bathed, ungrammatical young
+men of any American city, so nearly transcend provincialism as in an
+enthusiasm over their favorite minor cynic, Elbert Hubbard or John
+Kendrick Bangs, or, in Walter Babson's case, Mr. Fitzgerald's variations
+on Omar. Una had read Omar as a pretty poem about roses and murmurous
+courts, but read him she had; and such was Walter's delight in that fact
+that he immediately endowed her with his own ability to enjoy cynicism.
+He jabbed at the menu with a fork and glowed and shouted, "Say, isn't it
+great, that quatrain about 'Take the cash and let the credit go'?"
+
+While Una beamed and enjoyed her boy's youthful enthusiasm. Mother of
+the race, ancient tribal woman, medieval chatelaine, she was just now;
+kin to all the women who, in any age, have clapped their hands to their
+men's boasting.
+
+She agreed with him that "All these guys that pride themselves on being
+gentlemen--like in English novels--are jus' the same as the dubs you see
+in ordinary life."
+
+And that it was not too severe an indictment to refer to the
+advertising-manager as "S. Herbert Louse."
+
+And that "the woman feeding by herself over at that corner table looks
+mysterious, somehow. Gee! there must be a tragedy in her life."
+
+But her gratification in being admitted to his enthusiasms was only a
+background for her flare when he boldly caught up her white paw and
+muttered, "Tired little hand that has to work so hard!"
+
+She couldn't move; she was afraid to look at him. Clattering restaurant
+and smell of roast pork and people about her all dissolved in her
+agitation. She shook her head violently to awaken herself, heard herself
+say, calmly, "It's terribly late. Don't you think it is?" and knew that
+she was arising. But she moved beside him down the street in languor,
+wondering in every cell of her etherealized body whether he would touch
+her hand again; what he would do. Not till they neared the Subway
+station did she, woman, the protector, noting his slow step and dragging
+voice, rouse herself to say, "Oh, don't come up in the Subway; I'm used
+to it, really!"
+
+"My dear Goldie, you aren't used to anything in real life. Gee! I said
+that snappily, and it don't mean a thing!" he gleefully pointed out. He
+seized her arm, which prickled to the touch of his fingers, rushed her
+down the Subway steps, and while he bought their tickets they smiled at
+each other.
+
+Several times on the way up he told her that it was a pleasure to have
+some one who could "appreciate his honest-t'-God opinions of the
+managing editor and S. Herbert Frost."
+
+The Subway, plunging through unvaried darkness, levitated them from the
+district of dark loft-buildings and theater-bound taxicabs to a far-out
+Broadway, softened with trees and brightened with small apartment-houses
+and little shops. They could see a great feathery space of vernal
+darkness down over the Hudson at the end of a street. Steel-bound nature
+seemed reaching for them wherever in a vacant lot she could get free and
+send out quickening odors of fresh garden soil.
+
+"Almost country," said Walter.
+
+An urgent, daring look came into his eyes, under the light-cluster. He
+stopped, took her arm. There was an edge of spring madness in his voice
+as he demanded, "Wouldn't you like to run away with me to-night? Feel
+this breeze on your lips--it's simply plumb-full of mystery. Wouldn't
+you like to run away? and we'd tramp the Palisades till dawn and go to
+sleep with the May sun glaring down the Hudson. Wouldn't you like to,
+wouldn't you?"
+
+She was conscious that, though his head was passionately thrown back,
+his faunlike eyes stared into hers, and that his thin lips arched.
+Terribly she wanted to say, "Yes!" Actually, Una Golden of Panama and
+the _Gazette_ office speculated, for a tenth of a second, whether she
+couldn't go. Madness--river-flow and darkness and the stars! But she
+said, "No, I'm afraid we couldn't possibly!"
+
+"No," he said, slowly. "Of course--of course I didn't mean we _could_;
+but--Goldie, little Goldie that wants to live and rule things, wouldn't
+you _like_ to go? _Wouldn't_ you?"
+
+"Yes!... You hurt my arm so!... Oh, don't! We must--"
+
+Her low cry was an appeal to him to save them from spring's scornful,
+lusty demand; every throbbing nerve in her seemed to appeal to him; and
+it was not relief, but gratitude, that she felt when he said, tenderly,
+"Poor kid!... Which way? Come." They walked soberly toward the Golden
+flat, and soberly he mused, "Poor kids, both of us trying to be good
+slaves in an office when we want to smash things.... You'll be a
+queen--you'll grab the throne same as you grab papers offn my desk. And
+maybe you'll let me be court jester."
+
+"Why do you say I'll--oh, be a queen? Do you mean literally, in
+business, an executive?"
+
+"Hadn't thought just what it did imply, but I suppose it's that."
+
+"But why, _why_? I'm simply one of a million stenographers."
+
+"Oh, well, you aren't satisfied to take things just as they're handed to
+you. Most people are, and they stick in a rut and wonder who put them
+there. All this success business is a mystery--listen to how successful
+men trip themselves up and fall all over their foolish faces when they
+try to explain to a bunch of nice, clean, young clerks how they stole
+their success. But I know you'll get it, because you aren't satisfied
+easily--you take my work and do it. And yet you're willing to work in
+one corner till it's time to jump. That's my failing--I ain't willing to
+stick."
+
+"I--perhaps---- Here's the flat."
+
+"Lord!" he cried; "we _got_ to walk a block farther and back."
+
+"Well--"
+
+They were stealing onward toward the breeze from the river before she
+had finished her "Well."
+
+"Think of wasting this hypnotizing evening talking of success--word that
+means a big house in Yonkers! When we've become friends, Goldie, little
+Goldie. Business of souls grabbing for each other! Friends--at least
+to-night! Haven't we, dear? haven't we?"
+
+"Oh, I hope so!" she whispered.
+
+He drew her hand into his pocket and clasped it there. She looked shyly
+down. Strange that her hand should not be visible when she could feel
+its palm flame against his. She let it snuggle there, secure.... Mr.
+Walter Babson was not a young man with "bad prospects," or "good
+prospects"; he was love incarnate in magic warm flesh, and his hand was
+the hand of love. She was conscious of his hard-starched cuff pressing
+against her bare arm--a man's cuff under the rough surface of his man's
+coat-sleeve.
+
+He brought her back to the vestibule of the flat. For a moment he held
+both her arms at the elbow and looked at her, while with a panic fear
+she wondered why she could not move--wondered if he were going to kiss
+her.
+
+He withdrew his hands, sighed, "Good-night, Goldie. I won't be lonely
+to-night!" and turned abruptly away.
+
+Through all of Mrs. Golden's long, sobbing queries as to why Una had
+left her alone all evening Una was patient. For she knew that she had
+ahead of her a quiet moment when she would stand alone with the god of
+love and pray to him to keep her boy, her mad boy, Walter.
+
+While she heard her voice crisply explaining, "Why, you see, mother
+dear, I simply had to get some work done for the office--" Una was
+telling herself, "Some day he _will_ kiss me, and I'm _not_ sorry he
+didn't to-night--not now any more I'm not.... It's so strange--I like to
+have him touch me, and I simply never could stand other men touching
+me!... I wonder if he's excited now, too? I wonder what he's doing....
+Oh, I'm glad, glad I loved his hands!"
+
+
+
+
+CHAPTER VI
+
+
+"I never thought a nice girl could be in love with a man who is bad, and
+I s'pose Walter is bad. Kind of. But maybe he'll become good."
+
+So Una simple-heartedly reflected on her way to the Subway next morning.
+She could not picture what he would do, now that it was hard, dry day
+again, and all the world panted through dusty streets. And she
+recklessly didn't care. For Walter was not hard and dry and dusty; and
+she was going to see him again! Sometimes she was timorous about seeing
+him, because he had read the longing in her face, had known her soul
+with its garments thrown away. But, timorous or not, she had to see him;
+she would never let him go, now that he had made her care for him.
+
+Walter was not in sight when she entered the offices, and she was
+instantly swept into the routine. Not clasping hands beguiled her, but
+lists to copy, typing errors to erase, and the irritating adjustment of
+a shift-key which fiendishly kept falling. For two hours she did not see
+him.
+
+About ten-thirty she was aware that he was prosaically strolling toward
+her.
+
+Hundreds of times, in secret maiden speculations about love, the girl
+Una had surmised that it would be embarrassing to meet a man the morning
+after you had yielded to his caress. It had been perplexing--one of
+those mysteries of love over which virgins brood between chapters of
+novels, of which they diffidently whisper to other girls when young
+married friends are amazingly going to have a baby. But she found it
+natural to smile up at Walter.... In this varnished, daytime office
+neither of them admitted their madness of meeting hands.
+
+He merely stooped over her desk and said, sketchily, "Mornin', little
+Goldie."
+
+Then for hours he seemed to avoid her. She was afraid. Most of all,
+afraid of her own desire to go to him and wail that he was avoiding her.
+
+At three o'clock, when the office tribe accept with naive gratitude any
+excuse to talk, to stop and tell one another a new joke, to rush to the
+window and critically view a parade, Una saw that Walter was beginning
+to hover near her. She was angry that he did not come straight to her.
+He did not seem quite to know whether he wanted her or not. But her face
+was calm above her typing while she watched him peer at her over the
+shoulder of S. Herbert Ross, to whom he was talking. He drew nearer to
+her. He examined a poster. She was oblivious of him. She was conscious
+that he was trying to find an excuse to say something without openly
+admitting to the ever-spying row of stenographers that he was interested
+in her. He wambled up to her at last and asked for a letter she had
+filed for him. She knew from the casual-looking drop of his eyes that he
+was peering at the triangle of her clear-skinned throat, and for his
+peeping uneasiness she rather despised him. She could fancy herself
+shouting at him, "Oh, stop fidgeting! Make up your mind whether you like
+me or not, and hurry up about it. I don't care now."
+
+In which secret defiance she was able to luxuriate--since he was still
+in the office, not gone from her forever!--till five o'clock, when the
+detached young men of offices are wont to face another evening of
+lonely irrelevancy, and desperately begin to reach for companionship.
+
+At that hour Walter rushed up and begged, "Goldie, you _must_ come out
+with me this evening."
+
+"I'm sorry, but it's so late--"
+
+"Oh, I know. Gee! if you knew how I've been thinking about you all day!
+I've been wondering if I ought to-- I'm no good; blooming waster, I told
+myself; and I wondered if I had any right to try to make you care;
+but-- Oh, you _must_ come, Goldie!"
+
+Una's pride steeled her. A woman can forgive any vice of man more
+readily than she can forgive his not loving her so unhesitatingly that
+he will demand her without stopping to think of his vices. Refusal to
+sacrifice the beloved is not a virtue in youth.
+
+Una said, clearly, "I am sorry, but I can't possibly this evening."
+
+"Well--wish you could," he sighed.
+
+As he moved away Una reveled in having refused his half-hearted
+invitation, but already she was aware that she would regret it. She was
+shaken with woman's fiercely possessive clinging to love.
+
+The light on one side of her desk was shut off by the bulky presence of
+Miss Moynihan. She whispered, huskily, "Say, Miss Golden, you want to
+watch out for that Babson fellow. He acts like he was stuck on you. Say,
+listen; everybody says he's a bad one. Say, listen, honest; they say
+he'd compromise a lady jus' soon as not."
+
+"Why, I don't know what you mean."
+
+"Oh no, like fun you don't--him rubbering at you all day and
+pussy-footing around!"
+
+"Why, you're perfectly crazy! He was merely asking me about some
+papers--"
+
+"Oh yes, sure! Lemme tell you, a lady can't be none too careful about
+her reputation with one of them skinny, dark devils like a Dago snooping
+around."
+
+"Why, you're absolutely ridiculous! Besides, how do you know Mr. Babson
+is bad? Has he ever hurt anybody in the office?"
+
+"No, but they say--"
+
+"'They say'!"
+
+"Now don't you go and get peeved after you and me been such good
+friends, Miss Golden. I don't know that this Babson fellow ever done
+anything worse than eat cracker-jack at South Beach, but I was just
+telling you what they all say--how he drinks and goes with a lot of
+totties and all; but--but he's all right if you say so, and--honest t'
+Gawd, Miss Golden, listen, honest, I wouldn't knock him for nothing if I
+thought he was your fellow! And," in admiration, "and him an editor!
+Gee!"
+
+Una tried to see herself as a princess forgiving her honest servitor.
+But, as a matter of fact, she was plain angry that her romance should be
+dragged into the nastiness of office gossip. She resented being a
+stenographer, one who couldn't withdraw into a place for dreams. And she
+fierily defended Walter in her mind; throbbed with a big, sweet pity for
+her nervous, aspiring boy whose quest for splendor made him seem wild to
+the fools about them.
+
+When, just at five-thirty, Walter charged up to her again, she met him
+with a smile of unrestrained intimacy.
+
+"If you're going to be home at _all_ this evening, let me come up just
+for fifteen minutes!" he demanded.
+
+"Yes!" she said, breathlessly. "Oh, I oughtn't to, but--come up at
+nine."
+
+
+Sec. 2
+
+Una had always mechanically liked children; had ejaculated, "Oh, the
+pink little darling!" over each neighborhood infant; had pictured
+children of her own; but never till that night had the desire to feel
+her own baby's head against her breast been a passion. After dinner she
+sat on the stoop of her apartment-house, watching the children at play
+between motors on the street.
+
+"Oh, it would be wonderful to have a baby--a boy like Walter must have
+been--to nurse and pet and cry over!" she declared, as she watched a
+baby of faint, brown ringlets--hair that would be black like Walter's.
+Later she chided herself for being so bold, so un-Panamanian; but she
+was proud to know that she could long for the pressure of a baby's lips.
+The brick-walled street echoed with jagged cries of children; tired
+women in mussed waists poked their red, steamy necks out of windows; the
+sky was a blur of gray; and, lest she forget the job, Una's left wrist
+ached from typing; yet she heard the rustle of spring, and her spirit
+swelled with thankfulness as she felt her life to be not a haphazard
+series of days, but a divine progress.
+
+Walter was coming--to-night!
+
+She was conscious of her mother, up-stairs. From her place of meditation
+she had to crawl up the many steps to the flat and answer at least
+twenty questions as to what she had been doing. Of Walter's coming she
+could say nothing; she could not admit her interest in a man she did not
+know.
+
+At a quarter to nine she ventured to say, ever so casually: "I feel sort
+of headachy. I think I'll run down and sit on the steps again and get a
+little fresh air."
+
+"Let's have a little walk. I'd like some fresh air, too," said Mrs.
+Golden, brightly.
+
+"Why--oh--to tell the truth, I wanted to think over some office
+business."
+
+"Oh, of course, my dear, if I am in the _way_--!" Mrs. Golden sighed,
+and trailed pitifully off into the bedroom.
+
+Una followed her, and wanted to comfort her. But she could say nothing,
+because she was palpitating over Walter's coming. The fifteen minutes of
+his stay might hold any splendor.
+
+She could not change her clothes. Her mother was in the bedroom,
+sobbing.
+
+All the way down the four flights of stairs she wanted to flee back to
+her mother. It was with a cold impatience that she finally saw Walter
+approach the house, ten minutes late. He was so grotesque in his
+frantic, puffing hurry. He was no longer the brilliant Mr. Babson, but a
+moist young man who hemmed and sputtered, "Gee!--couldn't find clean
+collar--hustled m' head off--just missed Subway express--couldn't make
+it--whew, I'm hot!"
+
+"It doesn't matter," she condescended.
+
+He dropped on the step just below her and mopped his forehead. Neither
+of them could say anything. He took off his horn-rimmed eye-glasses,
+carefully inserted the point of a pencil through the loop, swung them in
+a buzzing circle, and started to put them on again.
+
+"Oh, keep them _off_!" she snapped. "You look so high-brow with them!"
+
+"Y-yuh; why, s-sure!"
+
+She felt very superior.
+
+He feverishly ran a finger along the upper rim of his left ear, sprang
+up, stooped to take her hand, glared into her eyes till she shrank--and
+then a nail-cleaner, a common, ten-cent file, fell out of his inner
+pocket and clinked on the stone step.
+
+"Oh, damn!" he groaned.
+
+"I really think it _is_ going to rain," she said.
+
+They both laughed.
+
+He plumped down beside her, uncomfortably wedged between her and the
+rail. He caught her hand, intertwined their fingers so savagely that
+her knuckles hurt. "Look here," he commanded, "you don't really think
+it's going to rain any such a darn thing! I've come fourteen billion hot
+miles up here for just fifteen minutes--yes, and you wanted to see me
+yourself, too! And now you want to talk about the history of recent
+rains."
+
+In the bitter-sweet spell of his clasp she was oblivious of street,
+children, sky. She tried to withdraw her hand, but he squeezed her
+fingers the more closely and their two hands dropped on her thin knee,
+which tingled to the impact.
+
+"But--but what did you want to see me about?" Her superiority was burnt
+away.
+
+He answered her hesitation with a trembling demand. "I can't talk to you
+here! Can't we go some place-- Come walk toward the river."
+
+"Oh, I daren't really, Walter. My mother feels so--so fidgety to-night
+and I must go back to her.... By and by."
+
+"But would you like to go with me?"
+
+"Yes!"
+
+"Then that's all that matters!"
+
+"Perhaps--perhaps we could go up on the roof here for just a few
+minutes. Then I must send you home."
+
+"Hooray! Come on."
+
+He boldly lifted her to her feet, followed her up the stairs. On the
+last dark flight, near the roof, he threw both arms about her and kissed
+her. She was amazed that she did not want to kiss him back, that his
+abandon did not stir her. Even while she was shocked and afraid, he
+kissed again, and she gave way to his kiss; her cold mouth grew
+desirous.
+
+She broke away, with shocked pride--shocked most of all at herself, that
+she let him kiss her thus.
+
+"You quiver so to my kiss!" he whispered, in awe.
+
+"I don't!" she denied. "It just doesn't mean anything."
+
+"It does, and you know it does. I had to kiss you. Oh, sweetheart,
+sweetheart, we are both so lonely! Kiss me."
+
+"No, no!" She held him away from her.
+
+"Yes, I tell you!"
+
+She encircled his neck with her arm, laid her cheek beside his chin,
+rejoiced boundlessly in the man roughness of his chin, of his
+coat-sleeve, the man scent of him--scent of tobacco and soap and hair.
+She opened her lips to his. Slowly she drew her arm from about his neck,
+his arm from about her waist.
+
+"Walter!" she mourned, "I did want you. But you must be good to me--not
+kiss me like that--not now, anyway, when I'm lonely for you and can't
+resist you.... Oh, it wasn't wrong, was it, when we needed each other
+so? It wasn't wrong, was it?"
+
+"Oh no--no!"
+
+"But not--not again--not for a long while. I want you to respect me.
+Maybe it wasn't wrong, dear, but it was terribly dangerous. Come, let's
+stand out in the cool air on the roof for a while and then you must go
+home."
+
+They came out on the flat, graveled roof, round which all the glory of
+the city was blazing, and hand in hand, in a confidence delicately happy
+now, stood worshiping the spring.
+
+"Dear," he said, "I feel as though I were a robber who had gone crashing
+right through the hedge around your soul, and then after that come out
+in a garden--the sweetest, coolest garden.... I _will_ try to be good to
+you--and for you." He kissed her finger-tips.
+
+"Yes, you did break through. At first it was just a kiss and the--oh, it
+was _the_ kiss, and there wasn't anything else. Oh, do let me live in
+the little garden still."
+
+"Trust me, dear."
+
+"I will trust you. Come. I must go down now."
+
+"Can I come to see you?"
+
+"Yes."
+
+"Goldie, listen," he said, as they came down-stairs to her hallway. "Any
+time you'd like to marry me--I don't advise it, I guess I'd have good
+intentions, but be a darn poor hand at putting up shelves--but any time
+you'd like to marry me, or any of those nice conventional things, just
+lemme know, will you? Not that it matters much. What matters is, I want
+to kiss you good-night."
+
+"No, what matters is, I'm not going to let you!... Not to-night....
+Good-night, dear."
+
+She scampered down the hall. She tiptoed into the living-room, and for
+an hour she brooded, felt faint and ashamed at her bold response to his
+kiss, yet wanted to feel his sharp-ridged lips again. Sometimes in a
+bitter frankness she told herself that Walter had never even thought of
+marriage till their kiss had fired him. She swore to herself that she
+would not give all her heart to love; that she would hold him off and
+make him value her precious little store of purity and tenderness. But
+passion and worry together were lost in a prayer for him. She knelt by
+the window till her own individuality was merged with that of the city's
+million lovers.
+
+
+Sec. 3
+
+Like sickness and war, the office grind absorbs all personal desires.
+Love and ambition and wisdom it turns to its own purposes. Every day Una
+and Walter saw each other. Their hands touched as he gave her papers to
+file; there was affection in his voice when he dictated, and once,
+outside the office door, he kissed her. Yet their love was kept
+suspended. They could not tease each other and flirt raucously, like the
+telephone-girl and the elevator-starter.
+
+Every day he begged her to go to dinner with him, to let him call at the
+flat, and after a week she permitted him to come.
+
+
+Sec. 4
+
+At dinner, when Una told her mother that a young gentleman at the
+office--in fact, Mr. Babson, the editor whose dictation she took--was
+going to call that evening, Mrs. Golden looked pleased, and said: "Isn't
+that nice! Why, you never told mother he was interested in you!"
+
+"Well, of course, we kind of work together--"
+
+"I do hope he's a nice, respectful young man, not one of these city
+people that flirt and drink cocktails and heaven knows what all!"
+
+"Why, uh--I'm sure you'll like him. Everybody says he's the cleverest
+fellow in the shop."
+
+"Office, dear, not shop.... Is he-- Does he get a big salary?"
+
+"Why, mums, I'm sure I haven't the slightest idea! How should I know?"
+
+"Well, I just asked.... Will you put on your pink-and-white crepe?"
+
+"Don't you think the brown silk would be better?"
+
+"Why, Una, I want you to look your prettiest! You must make all the
+impression you can."
+
+"Well, perhaps I'd better," Una said, demurely.
+
+Despite her provincial training, Mrs. Golden had a much better instinct
+for dress than her sturdy daughter. So long as she was not left at home
+alone, her mild selfishness did not make her want to interfere with
+Una's interests. She ah'd and oh'd over the torn border of Una's crepe
+dress, and mended it with quick, pussy-like movements of her fingers.
+She tried to arrange Una's hair so that its pale golden texture would
+shine in broad, loose undulations, and she was as excited as Una when
+they heard Walter's bouncing steps in the hall, his nervous tap at the
+door, his fumbling for a push-button.
+
+Una dashed wildly to the bedroom for a last nose-powdering, a last
+glance at her hair and nails, and slowly paraded to the door to let him
+in, while Mrs. Golden stood primly, with folded hands, like a cabinet
+photograph of 1885.
+
+So the irregular Walter came into a decidedly regular atmosphere and had
+to act like a pure-minded young editor.
+
+They conversed--Lord! how they conversed! Mrs. Golden respectably
+desired to know Mr. Babson's opinions on the weather, New-Yorkers, her
+little girl Una's work, fashionable city ministers, the practical value
+of motor-cars, and the dietetic value of beans--the large, white beans,
+not the small, brown ones--she had grown both varieties in her garden at
+home (Panama, Pennsylvania, when Mr. Golden, Captain Golden he was
+usually called, was alive)--and had Mr. Babson ever had a garden, or
+seen Panama? And was Una _really_ attending to her duties?
+
+All the while Mrs. Golden's canary trilled approval of the conversation.
+
+Una listened, numbed, while Walter kept doing absurd things with his
+face--pinched his lips and tapped his teeth and rubbed his jaw as though
+he needed a shave. He took off his eye-glasses to wipe them and tied
+his thin legs in a knot, and all the while said, "Yes, there's
+certainly a great deal to that."
+
+At a quarter to ten Mrs. Golden rose, indulged in a little kitten yawn
+behind her silvery hand, and said: "Well, I think I must be off to
+bed.... I find these May days so languid. Don't you, Mr. Babson? Spring
+fever. I just can't seem to get enough sleep.... Now you mustn't stay up
+_too_ late, Una dear."
+
+The bedroom door had not closed before Walter had darted from his chair,
+picked Una up, his hands pressing tight about her knees and shoulders,
+kissed her, and set her down beside him on the couch.
+
+"Wasn't I good, huh? Wasn't I good, huh? Wasn't I? Now who says Wally
+Babson ain't a good parlor-pup, huh? Oh, you old darling, you were twice
+as agonized as me!"
+
+And that was all he said--in words. Between them was a secret, a greater
+feeling of unfettered intimacy, because together they had been polite to
+mother--tragic, pitiful mother, who had been enjoying herself so much
+without knowing that she was in the way. That intimacy needed no words
+to express it; hands and cheeks and lips spoke more truly. They were
+children of emotion, young and crude and ignorant, groping for life and
+love, all the world new to them, despite their sorrows and waiting. They
+were clerklings, not lords of love and life, but all the more easily did
+they yield to longing for happiness. Between them was the battle of
+desire and timidity--and not all the desire was his, not hers all the
+timidity. She fancied sometimes that he was as much afraid as was she of
+debasing their shy seeking into unveiled passion. Yet his was the
+initiative; always she panted and wondered what he would do next, feared
+and wondered and rebuked--and desired.
+
+He abruptly drew her head to his shoulder, smoothed her hair. She felt
+his fingers again communicate to her every nerve a tingling electric
+force. She felt his lips quest along her cheek and discover the soft
+little spot just behind her ear. She followed the restless course of his
+hands across her shoulders, down her arm, lingeringly over her hand. His
+hand seemed to her to have an existence quite apart from him, to have a
+mysterious existence of its own. In silence they rested there. She kept
+wondering if his shoulder had not been made just for her cheek. With
+little shivers she realized that this was his shoulder, Walter's, a
+man's, as the rough cloth prickled her skin. Silent they were, and for a
+time secure, but she kept speculating as to what he would dare to do
+next--and she fancied that he was speculating about precisely the same
+thing.
+
+He drew a catching breath, and suddenly her lips were opening to his.
+
+"Oh, you mustn't--you promised--" she moaned, when she was able to draw
+back her head.
+
+Again he kissed her, quickly, then released her and began to talk
+rapidly of--nothing. Apropos of offices and theaters and the tides of
+spring, he was really telling her that, powerful though his restless
+curiosity was, greatly though their poor little city bodies craved each
+other, yet he did respect her. She scarce listened, for at first she was
+bemused by two thoughts. She was inquiring sorrowfully whether it was
+only her body that stirred him--whether he found any spark in her honest
+little mind. And, for her second thought, she was considering in an
+injured way that this was not love as she had read of it in novels. "I
+didn't know just what it would be--but I didn't think it would be like
+this," she declared.
+
+Love, as depicted in such American novels by literary pastors and
+matrons of perfect purity as had sifted into the Panama public library,
+was an affair of astounding rescues from extreme peril, of highly proper
+walks in lanes, of laudable industry on the part of the hero, and of not
+more than three kisses--one on the brow, one on the cheek, and, in the
+very last paragraph of the book, one daringly but reverently deposited
+upon the lips. These young heroes and heroines never thought about
+bodies at all, except when they had been deceived in a field of
+asterisks. So to Una there was the world-old shock at the earthiness of
+love--and the penetrating joy of that earthiness. If real love was so
+much more vulgar than she had supposed, yet also it was so much more
+overwhelming that she was glad to be a flesh-and-blood lover, bruised
+and bewildered and estranged from herself, instead of a polite murmurer.
+
+Gradually she was drawn back into a real communion with him when he
+damned the human race for serfs fighting in a dungeon, warring for land,
+for flags, for titles, and calling themselves kings. Walter took the
+same theories of socialism, single-tax, unionism, which J. J. Todd, of
+Chatham, had hacked out in commercial-college days, and he made them
+bleed and yawp and be hotly human. For the first time--Walter was giving
+her so many of those First Times of life!--Una realized how strong is
+the demand of the undermen for a conscious and scientific justice. She
+denied that stenographers could ever form a union, but she could not
+answer his acerb, "Why not?"
+
+It was not in the patiently marching Una to be a creative thinker, yet
+she did hunger for self-mastery, and ardently was she following the
+erratic gibes at civilization with which young Walter showed his delight
+in having an audience, when the brown, homely Golden family clock struck
+eleven.
+
+"Heavens!" she cried. "You must run home at once. Good-night, dear."
+
+He rose obediently, nor did their lips demand each other again.
+
+Her mother awoke to yawn. "He is a very polite young man, but I don't
+think he is solid enough for you, dearie. If he comes again, do remind
+me to show him the kodaks of your father, like I promised."
+
+Then Una began to ponder the problem which is so weighty to girls of the
+city--where she could see her lover, since the parks were impolite and
+her own home obtrusively dull to him.
+
+Whether Walter was a peril or not, whether or not his love was angry and
+red and full of hurts, yet she knew that it was more to her than her
+mother or her conventions or her ambitious little job. Thus gladly
+confessing, she fell asleep, and a new office day began, for always the
+office claims one again the moment that the evening's freedom is over.
+
+
+
+
+CHAPTER VII
+
+
+These children of the city, where there is no place for love-making, for
+discovering and testing each other's hidden beings, ran off together in
+the scanted parties of the ambitious poor. Walter was extravagant
+financially as he was mentally, but he had many debts, some conscience,
+and a smallness of salary. She was pleased by the smallest diversions,
+however, and found luxury in a bowl of chop-suey. He took her to an
+Italian restaurant and pointed out supposititious artists. They had
+gallery seats for a Maude Adams play, at which she cried and laughed
+whole-heartedly and held his hand all through. Her first real tea was
+with him--in Panama one spoke of "ladies' afternoon tea," not of "tea."
+She was awed by his new walking-stick and the new knowledge of cinnamon
+toast which he displayed for her. She admired, too, the bored way he
+swung his stick as they sauntered into and out of the lobbies of the
+great hotels.
+
+The first flowers from a real florist's which she had ever received,
+except for a bunch of carnations from Henry Carson at Panama high-school
+commencement, came from Walter--long-stemmed roses in damp paper and a
+florist's box, with Walter's card inside.
+
+And perhaps the first time that she had ever really seen spring, felt
+the intense light of sky and cloud and fresh greenery as her own, was on
+a Sunday just before the fragrant first of June, when Walter and she
+slipped away from her mother and walked in Central Park, shabby but
+unconscious.
+
+She explored with him, too; felt adventurous in quite respectable
+Japanese and Greek and Syrian restaurants.
+
+But her mother waited for her at home, and the job, the office, the
+desk, demanded all her energy.
+
+Had they seen each other less frequently, perhaps Walter would have let
+dreams serve for real kisses, and have been satisfied. But he saw her a
+hundred times a day--and yet their love progressed so little. The
+propinquity of the office tantalized them. And Mrs. Golden kept them
+apart.
+
+
+Sec. 2
+
+The woman who had aspired and been idle while Captain Golden had toiled
+for her, who had mourned and been idle while Una had planned for her,
+and who had always been a compound of selfishness and love, was more and
+more accustomed to taking her daughter's youth to feed her comfort and
+her canary--a bird of atrophied voice and uncleanly habit.
+
+If this were the history of the people who wait at home, instead of the
+history of the warriors, rich credit would be given to Mrs. Golden for
+enduring the long, lonely days, listening for Una's step. A proud,
+patient woman with nothing to do all day but pick at a little housework,
+and read her eyes out, and wish that she could run in and be neighborly
+with the indifferent urbanites who formed about her a wall of ice. Yet
+so confused are human purposes that this good woman who adored her
+daughter also sapped her daughter's vigor. As the office loomed behind
+all of Una's desires, so behind the office, in turn, was ever the
+shadowy thought of the appealing figure there at home; and toward her
+mother Una was very compassionate.
+
+Yes, and so was her mother!
+
+Mrs. Golden liked to sit soft and read stories of young love. Partly by
+nature and partly because she had learned that thus she could best
+obtain her wishes, she was gentle as a well-filled cat and delicate as a
+tulle scarf. She was admiringly adhesive to Una as she had been to
+Captain Golden, and she managed the new master of the house just as she
+had managed the former one. She listened to dictates pleasantly, was
+perfectly charmed at suggestions that she do anything, and then
+gracefully forgot.
+
+Mrs. Golden was a mistress of graceful forgetting. Almost never did she
+remember to do anything she didn't want to do. She did not lie about it;
+she really and quite beautifully did forget.
+
+Una, hurrying off to the office every morning, agonized with the effort
+to be on time, always had to stop and prepare a written list of the
+things her mother was to do. Otherwise, bespelled by the magazine
+stories which she kept forgetting and innocently rereading, Mrs. Golden
+would forget the marketing, forget to put the potatoes on to boil,
+forget to scrub the bathroom.... And she often contrived to lose the
+written list, and searched for it, with trembling lips but no vast
+persistence.
+
+Una, bringing home the palsying weariness of the day's drudgery, would
+find a cheery welcome--and the work not done; no vegetables for dinner,
+no fresh boric-acid solution prepared for washing her stinging eyes.
+
+Nor could Una herself get the work immediately out of the way, because
+her mother was sure to be lonely, to need comforting before Una could
+devote herself to anything else or even wash away the sticky office
+grime.... Mrs. Golden would have been shocked into a stroke could she
+have known that while Una was greeting her, she was muttering within
+herself, "I do wish I could brush my teeth first!"
+
+If Una was distraught, desirous of disappearing in order to get hold of
+herself, Mrs. Golden would sigh, "Dear, have I done something to make
+you angry?" In any case, whether Una was silent or vexed with her, the
+mother would manage to be hurt but brave; sweetly distressed, but never
+quite tearful. And Una would have to kiss her, pat her hair, before she
+could escape and begin to get dinner (with her mother helping, always
+ready to do anything that Una's doggedly tired mind might suggest, but
+never suggesting novelties herself).
+
+After dinner, Mrs. Golden was always ready to do whatever Una wished--to
+play cribbage, or read aloud, or go for a walk--not a _long_ walk; she
+was so delicate, you know, but a nice _little_ walk with her dear, dear
+daughter.... For such amusements she was ready to give up all her own
+favorite evening diversions--namely, playing solitaire, and reading and
+taking nice little walks.... But she did not like to have Una go out and
+leave her, nor have naughty, naughty men like Walter take Una to the
+theater, as though they wanted to steal the dear daughter away. And she
+wore Una's few good frocks, and forgot to freshen them in time for Una
+to wear them. Otherwise, Mrs. Golden had the unselfishness of a saint on
+a marble pillar.
+
+Una, it is true, sometimes voiced her irritation over her mother's
+forgetfulness and her subsequent pathos, but for that bitterness she
+always blamed herself, with horror remembered each cutting word she had
+said to the Little Mother Saint (as, in still hours when they sat
+clasped like lovers, she tremblingly called her).
+
+
+Sec. 3
+
+Mrs. Golden's demand of Una for herself had never been obvious till it
+clashed with Walter's demand.
+
+Una and Walter talked it over, but they seemed mutely to agree, after
+the evening of Mrs. Golden and conversation, that it was merely balking
+for him to call at the flat. Nor did Una and Mrs. Golden discuss why Mr.
+Babson did not come again, or whether Una was seeing him. Una was
+accustomed to say only that she would be "away this evening," but over
+the teapot she quoted Walter's opinions on Omar, agnosticism, motor
+magazines, pipe-smoking, Staten Island, and the Himalayas, and it was
+evident that she was often with him.
+
+Mrs. Golden's method of opposition was very simple. Whenever Una
+announced that she was going out, her mother's bright, birdlike eyes
+filmed over; she sighed and hesitated, "Shall I be alone all
+evening--after all day, too?" Una felt like a brute. She tried to get
+her mother to go to the Sessionses' flat more often, to make new
+friends, but Mrs. Golden had lost all her adaptability. She clung to Una
+and to her old furniture as the only recognizable parts of her world.
+Often Una felt forced to refuse Walter's invitations; always she refused
+to walk with him on the long, splendid Saturday afternoons of freedom.
+Nor would she let him come and sit on the roof with her, lest her mother
+see them in the hall and be hurt.
+
+So it came to pass that only in public did she meet Walter. He showed
+his resentment by inviting her out less and less, by telling her less
+and less frankly his ambitions and his daily dabs at becoming a great
+man. Apparently he was rather interested in a flour-faced actress at
+his boarding-house.
+
+Never, now, did he speak of marriage. The one time when he had spoken of
+it, Una had been so sure of their happiness that she had thought no more
+of that formality than had his reckless self. But now she yearned to
+have him "propose," in the most stupid, conventional, pink-romance
+fashion. "Why can't we be married?" she fancied herself saying to him,
+but she never dared say it aloud.
+
+Often he was abstracted when he was with her, in the office or out.
+Always he was kindly, but the kindliness seemed artificial. She could
+not read his thoughts, now that she had no hand-clasp to guide her.
+
+On a hot, quivering afternoon of early July, Walter came to her desk at
+closing-hour and said, abruptly: "Look. You've simply _got_ to come out
+with me this evening. We'll dine at a little place at the foot of the
+Palisades. I can't stand seeing you so little. I won't ask you again!
+You aren't fair."
+
+"Oh, I don't mean to be unfair--"
+
+"Will you come? Will you?"
+
+His voice glared. Regardless of the office folk about them, he put his
+hand over hers. She was sure that Miss Moynihan was bulkily watching
+them. She dared not take time to think.
+
+"Yes," she said, "I will go."
+
+
+Sec. 4
+
+It was a beer-garden frequented by yachtless German yachtsmen in
+shirt-sleeves, boating-caps, and mustaches like muffs, but to Una it was
+Europe and the banks of the Rhine, that restaurant below the Palisades
+where she dined with Walter.
+
+A placid hour it was, as dusk grew deeper and more fragrant, and they
+leaned over the terrace rail to meditate on the lights springing out
+like laughing jests incarnate--reflected lights of steamers paddling
+with singing excursionists up the Hudson to the storied hills of Rip Van
+Winkle; imperial sweeps of fire that outlined the mighty city across the
+river.
+
+Walter was at peace. He spared her his swart intensity; he shyly quoted
+Tennyson, and bounced with cynicisms about "Sherbert Souse" and "the
+_Gas-bag_." He brought happiness to her, instead of the agitation of his
+kisses.
+
+She was not an office machine now, but one with the village lovers of
+poetry, as her job-exhaustion found relief in the magic of the hour, in
+the ancient music of the river, in breezes which brought old tales down
+from the Catskills.
+
+She would have been content to sit there for hours, listening to the
+twilight, absently pleating the coarse table-cloth, trying to sip the
+saline claret which he insisted on their drinking. She wanted nothing
+more.... And she had so manoeuvered their chairs that the left side of
+her face, the better side, was toward him!
+
+But Walter grew restless. He stared at the German yachtsmen, at their
+children who ate lumps of sugar dipped in claret, and their wives who
+drank beer. He commented needlessly on a cat which prowled along the
+terrace rail. He touched Una's foot with his, and suddenly condemned
+himself for not having been able to bring her to a better restaurant. He
+volubly pointed out that their roast chicken had been petrified--"vile
+restaurant, very vile food."
+
+"Why, I love it here!" she protested. "I'm perfectly happy to be just
+like this."
+
+As she turned to him with a smile that told all her tenderness, she
+noted how his eyes kept stealing from the riverside to her, and back
+again, how his hands trembled as he clapped two thick glass salt-shakers
+together. A current of uneasiness darted between them.
+
+He sprang up. "Oh, I can't sit still!" he said. "Come on. Let's walk
+down along the river."
+
+"Oh, can't we just sit here and be quiet?" she pleaded, but he rubbed
+his chin and shook his head and sputtered: "Oh, rats, you can't see the
+river, now that they've turned on the electric lights here. Come on.
+Besides, it'll be cooler right by the river."
+
+She felt a menace; the darkness beyond them was no longer dreaming, but
+terror-filled. She wanted to refuse, but he was so fretfully demanding
+that she could only obey him.
+
+Up on the crest of the Palisades is an "amusement park," and suburbs and
+crowded paths; and across the river is New York, in a solid mass of
+apartment-houses; but between Palisades and river, at the foot of the
+cliffs, is an unfrequented path which still keeps some of the wildness
+it had when it was a war-path of the Indians. It climbs ridges, twists
+among rocks, dips into damp hollows, widens out into tiny bowling-greens
+for Hendrik Hudson's fairy men. By night it is ghostly, and beside it
+the river whispers strange tragedies.
+
+Along this path the city children crept, unspeaking, save when his two
+hands, clasping her waist to guide her down a rocky descent, were
+clamorous.
+
+Where a bare sand jetty ran from the path out into the river's broad
+current, Walter stopped and whispered, "I wish we could go swimming."
+
+"I wish we could--it's quite warm," she said, prosaically.
+
+But river and dark woods and breeze overhead seemed to whisper to
+her--whisper, whisper, all the shrouded night aquiver with low, eager
+whispers. She shivered to find herself imagining the unimaginable--that
+she might throw off her stodgy office clothes, her dull cloth skirt and
+neat blouse, and go swimming beside him, revel in giving herself up to
+the utter frankness of cool water laving her bare flesh.
+
+She closed her mind. She did not condemn herself for wanting to bathe as
+Mother Eve had bathed, naked and unafraid. She did not condemn
+herself--but neither did she excuse. She was simply afraid. She dared
+not try to make new standards; she took refuge in the old standards of
+the good little Una. Though all about her called the enticing voices of
+night and the river, yet she listened for the tried counsel voices of
+the plain Panama streets and the busy office.
+
+While she struggled, Walter stood with his arm fitted about her
+shoulder, letting the pregnant silence speak, till again he insisted:
+"Why couldn't we go swimming?" Then, with all the cruelly urgent lovers
+of the days of hungry poetry: "We're going to let youth go by and never
+dare to be mad. Time will get us--we'll be old--it will be too late to
+enjoy being mad." His lyric cry dropped to a small-boy excuse: "Besides,
+it wouldn't hurt.... Come on. Think of plunging in."
+
+"No, no, no, no!" she cried, and ran from him up the jetty, back to the
+path.... She was not afraid of him, because she was so much more afraid
+of herself.
+
+He followed sullenly as the path led them farther and farther. She
+stopped on a rise, and found herself able to say, calmly, "Don't you
+think we'd better go back now?"
+
+"Maybe we ought to. But sit down here."
+
+He hunched up his knees, rested his elbows on them, and said,
+abstractedly, apparently talking to himself as much as to her:
+
+"I'm sorry I've been so grouchy coming down the path. But I _don't_
+apologize for wanting us to go swimming. Civilization, the world's
+office-manager, tells us to work like fiends all day and be lonely and
+respectable all evening, and not even marry till we're thirty, because
+we can't afford to! That's all right for them as likes to become nice
+varnished desks, but not for me! I'm going to hunger and thirst and
+satisfy my appetites--even if it makes me selfish as the devil. I'd
+rather be that than be a bran-stuffed automaton that's never human
+enough to hunger. But of course you're naturally a Puritan and always
+will be one, no matter what you do. You're a good sort-- I'd trust you to
+the limit--you're sincere and you want to grow. But me--my Wanderjahr
+isn't over yet. Maybe some time we'll again-- I admire you, but--if I
+weren't a little mad I'd go literally mad.... Mad--mad!"
+
+He suddenly undid the first button of her blouse and kissed her neck
+harshly, while she watched him, in a maze. He abruptly fastened the
+button again, sprang up, stared out at the wraith-filled darkness over
+the river, while his voice droned on, as though it were a third person
+speaking:
+
+"I suppose there's a million cases a year in New York of crazy young
+chaps making violent love to decent girls and withdrawing because they
+have some hidden decency themselves. I'm ashamed that I'm one of
+them--me, I'm as bad as a nice little Y. M. C. A. boy--I bow to
+conventions, too. Lordy! the fact that I'm so old-fashioned as even to
+talk about 'conventions' in this age of Shaw and d'Annunzio shows that
+I'm still a small-town, district-school radical! I'm really as
+mid-Victorian as you are, in knowledge. Only I'm modern by instinct, and
+the combination will always keep me half-baked, I suppose. I don't know
+what I want from life, and if I did I wouldn't know how to get it. I'm a
+Middle Western farmer, and yet I regard myself about half the time as an
+Oxford man with a training in Paris. You're lucky, girl. You have a
+definite ambition--either to be married and have babies or to boss an
+office. Whatever I did, I'd spoil you--at least I would till I found
+myself--found out what I wanted.... _Lord!_ how I hope I do find myself
+some day!"
+
+"Poor boy!" she suddenly interrupted; "it's all right. Come, we'll go
+home and try to be good."
+
+"Wonderful! There speaks the American woman, perfectly. You think I'm
+just chattering. You can't understand that I was never so desperately in
+earnest in my life. Well, to come down to cases. Specification A--I
+couldn't marry you, because we haven't either of us got any money--aside
+from my not having found myself yet. Ditto B--We can't play, just
+because you _are_ a Puritan and I'm a typical intellectual climber. Same
+C--I've actually been offered a decent job in the advertising department
+of a motor-car company in Omaha, and now I think I'll take it."
+
+And that was all that he really had to say, just that last sentence,
+though for more than an hour they discussed themselves and their
+uncharted world, Walter trying to be honest, yet to leave with her a
+better impression of himself; Una trying to keep him with her. It was
+hard for her to understand that Walter really meant all he said.
+
+But, like him, she was frank.
+
+There are times in any perplexed love when the lovers revel in bringing
+out just those problems and demands and complaints which they have most
+carefully concealed. At such a time of mutual confession, if the lovers
+are honest and tender, there is none of the abrasive hostility of a
+vulgar quarrel. But the kindliness of the review need not imply that it
+is profitable; often it ends, as it began, with the wail, "What can we
+do?" But so much alike are all the tribe of lovers, that the debaters
+never fail to stop now and then to congratulate themselves on being so
+frank!
+
+Thus Una and Walter, after a careful survey of the facts that he was too
+restless, that she was too Panamanian and too much mothered, after much
+argument as to what he had meant when he had said this, and what she had
+thought he meant when he had said that, and whether he could ever have
+been so inconsiderate as to have said the other, and frequent admiration
+of themselves for their open-mindedness, the questing lovers were of the
+same purpose as at the beginning of their inquiry. He still felt the
+urge to take up his pilgrimage again, to let the "decent job" and Omaha
+carry him another stage in his search for the shrouded gods of his
+nebulous faith. And she still begged for a chance to love, to be needed;
+still declared that he was merely running away from himself.
+
+They had quite talked themselves out before he sighed: "I don't dare to
+look and see what time it is. Come, we'll have to go."
+
+They swung arms together shyly as they stumbled back over the path. She
+couldn't believe that he really would go off to the West, of which she
+was so ignorant. But she felt as though she were staggering into a
+darkness blinder and ever more blind.
+
+When she got home she found her mother awake, very angry over Una's
+staying out till after midnight, and very wordy about the fact that
+"that nice, clean young man," Mr. J. J. Todd, of Chatham and of the
+commercial college, had come to call that evening. Una made little
+answer to her. Through her still and sacred agony she could scarce hear
+her mother's petulant whining.
+
+
+Sec. 5
+
+Next morning at the office, Walter abruptly asked her to come out into
+the hall, told her that he was leaving without notice that afternoon. He
+could never bear to delay, once he had started out on the "Long Trail,"
+he said, not looking at her. He hastily kissed her, and darted back into
+the office. She did not see him again till, at five-thirty, he gave
+noisy farewell to all the adoring stenographers and office-boys, and
+ironical congratulations to his disapproving chiefs. He stopped at her
+desk, hesitated noticeably, then said, "Good-by, Goldie," and passed on.
+She stared, hypnotized, as, for the last time, Walter went bouncing out
+of the office.
+
+
+Sec. 6
+
+A week later J. J. Todd called on her again. He was touching in his
+description of his faithful labor for the Charity Organization Society.
+But she felt dead; she could not get herself to show approval. It was
+his last call.
+
+
+Sec. 7
+
+Walter wrote to her on the train--a jumbled rhapsody on missing her
+honest companionship. Then a lively description of his new chief at
+Omaha. A lonely letter on a barren evening, saying that there was
+nothing to say. A note about a new project of going to Alaska. She did
+not hear from him again.
+
+
+Sec. 8
+
+For weeks she missed him so tragically that she found herself muttering
+over and over, "Now I sha'n't ever have a baby that would be a little
+image of him."
+
+When she thought of the shy games and silly love-words she had lavished,
+she was ashamed, and wondered if they had made her seem a fool to him.
+
+But presently in the week's unchanging routine she found an untroubled
+peace; and in mastering her work she had more comfort than ever in his
+clamorous summons.
+
+At home she tried not merely to keep her mother from being lonely, but
+actually to make her happy, to coax her to break into the formidable
+city. She arranged summer-evening picnics with the Sessionses.
+
+She persuaded them to hold one of these picnics at the foot of the
+Palisades. During it she disappeared for nearly half an hour. She sat
+alone by the river. Suddenly, with a feverish wrench, she bared her
+breast, then shook her head angrily, rearranged her blouse, went back to
+the group, and was unusually gay, though all the while she kept her left
+hand on her breast, as though it pained her.
+
+She had been with the _Gazette_ for only a little over six months, and
+she was granted only a week's vacation. This she spent with her mother
+at Panama. In parties with old neighbors she found sweetness, and on a
+motor-trip with Henry Carson and his fiancee, a young widow, she let the
+fleeting sun-flecked land absorb her soul.
+
+At the office Una was transferred to S. Herbert Ross's department, upon
+Walter's leaving. She sometimes took S. Herbert's majestic, flowing
+dictation. She tried not merely to obey his instructions, but also to
+discover his unvoiced wishes. Her wage was raised from eight dollars a
+week to ten. She again determined to be a real business woman. She read
+a small manual on advertising.
+
+But no one in the _Gazette_ office believed that a woman could bear
+responsibilities, not even S. Herbert Ross, with his aphorisms for
+stenographers, his prose poems about the ecstatic joy of running a
+typewriter nine hours a day, which appeared in large, juicy-looking type
+in business magazines.
+
+She became bored, mechanical, somewhat hopeless. She planned to find a
+better job and resign. In which frame of mind she was rather
+contemptuous of the _Gazette_ office; and it was an unforgettable shock
+suddenly to be discharged.
+
+Ross called her in, on a winter afternoon, told her that he had orders
+from the owner to "reduce the force," because of a "change of policy,"
+and that, though he was sorry, he would have to "let her go because she
+was one of the most recent additions." He assured her royally that he
+had been pleased by her work; that he would be glad to give her "the
+best kind of a recommend--and if the situation loosens up again, I'd be
+tickled to death to have you drop in and see me. Just between us, I
+think the owner will regret this tight-wad policy."
+
+But Mr. S. Herbert Ross continued to go out to lunch with the owner, and
+Una went through all the agony of not being wanted even in the prison
+she hated. No matter what the reason, being discharged is the final
+insult in an office, and it made her timid as she began wildly to seek a
+new job.
+
+
+
+
+CHAPTER VIII
+
+
+In novels and plays architects usually are delicate young men who wear
+silky Vandyke beards, play the piano, and do a good deal with pictures
+and rugs. They leap with desire to erect charming cottages for the poor,
+and to win prize contests for the Jackson County Courthouse. They always
+have good taste; they are perfectly mad about simplicity and
+gracefulness. But from the number of flat-faced houses and three-toned
+wooden churches still being erected, it may be deduced that somewhere
+there are architects who are not enervated by too much good taste.
+
+Mr. Troy Wilkins, architect, with an office in the Septimus Building,
+was a commuter. He wore a derby and a clipped mustache, and took
+interest in cameras, player-pianos, phonographs, small motor-cars,
+speedometers, tires, patent nicotineless pipes, jolly tobacco for
+jimmy-pipes, tennis-rackets, correspondence courses, safety-razors,
+optimism, Theodore Roosevelt, pocket flashlights, rubber heels, and all
+other well-advertised wares. He was a conservative Republican and a
+Congregationalist, and on his desk he kept three silver-framed
+photographs--one of his wife and two children, one of his dog Rover, and
+one of his architectural masterpiece, the mansion of Peter B. Reardon,
+the copper king of Montana.
+
+Mr. Troy Wilkins lamented the passing of the solid and expensive stone
+residences of the nineties, but he kept "up to date," and he had added
+ideals about half-timbered villas, doorway settles, garages, and
+sleeping-porches to his repertoire. He didn't, however, as he often
+said, "believe in bungalows any more than he believed in these labor
+unions."
+
+
+Sec. 2
+
+Una Golden had been the chief of Mr. Troy Wilkins's two stenographers
+for seven months now--midsummer of 1907, when she was twenty-six. She
+had climbed to thirteen dollars a week. The few hundred dollars which
+she had received from Captain Golden's insurance were gone, and her
+mother and she had to make a science of saving--economize on milk, on
+bread, on laundry, on tooth-paste. But that didn't really matter,
+because Una never went out except for walks and moving-picture shows,
+with her mother. She had no need, no want of clothes to impress
+suitors.... She had four worn letters from Walter Babson which she
+re-read every week or two; she had her mother and, always, her job.
+
+
+Sec. 3
+
+Una, an errand-boy, and a young East-Side Jewish stenographer named
+Bessie Kraker made up the office force of Troy Wilkins. The office was
+on the eighth floor of the Septimus Building, which is a lean,
+jerry-built, flashingly pretentious cement structure with cracking walls
+and dirty, tiled hallways.
+
+The smeary, red-gold paint which hides the imperfect ironwork of its
+elevators does not hide the fact that they groan like lost souls, and
+tremble and jerk and threaten to fall. The Septimus Building is typical
+of at least one half of a large city. It was "run up" by a speculative
+builder for a "quick turn-over." It is semi-fire-proof, but more semi
+than fire-proof. It stands on Nassau Street, between two portly stone
+buildings that try to squeeze this lanky impostor to death, but there is
+more cheerful whistling in its hallways than in the halls of its
+disapproving neighbors. Near it is City Hall Park and Newspaper Row,
+Wall Street and the lordly Stock Exchange, but, aside from a few dull
+and honest tenants like Mr. Troy Wilkins, the Septimus Building is
+filled with offices of fly-by-night companies--shifty promoters,
+mining-concerns, beauty-parlors for petty brokers, sample-shoe shops,
+discreet lawyers, and advertising dentists. Seven desks in one large
+room make up the entire headquarters of eleven international
+corporations, which possess, as capital, eleven hundred and thirty
+dollars, much embossed stationery--and the seven desks. These modest
+capitalists do not lease their quarters by the year. They are doing very
+well if they pay rent for each of four successive months. But also they
+do not complain about repairs; they are not fussy about demanding a
+certificate of moral perfection from the janitor. They speak cheerily to
+elevator-boys and slink off into saloons. Not all of them keep Yom
+Kippur; they all talk of being "broad-minded."
+
+Mr. Wilkins's office was small and agitated. It consisted of two rooms
+and an insignificant entry-hall, in which last was a water-cooler, a
+postal scale, a pile of newspapers, and a morose office-boy who drew
+copies of Gibson girls all day long on stray pieces of wrapping-paper,
+and confided to Una, at least once a week, that he wanted to take a
+correspondence course in window-dressing. In one of the two rooms Mr.
+Wilkins cautiously made drawings at a long table, or looked surprised
+over correspondence at a small old-fashioned desk, or puffed and
+scratched as he planned form-letters to save his steadily waning
+business.
+
+In the other room there were the correspondence-files, and the desks of
+Una, the chief stenographer, and of slangy East-Side Bessie Kraker, who
+conscientiously copied form-letters, including all errors in them, and
+couldn't, as Wilkins complainingly pointed out, be trusted with
+dictation which included any words more difficult than "sincerely."
+
+From their window the two girls could see the windows of an office
+across the street. About once a month an interesting curly-haired youth
+leaned out of one of the windows opposite. Otherwise there was no view.
+
+
+Sec. 4
+
+Twelve o'clock, the hour at which most of the offices closed on Saturday
+in summer, was excitedly approaching. The office-women throughout the
+Septimus Building, who had been showing off their holiday frocks all
+morning, were hastily finishing letters, or rushing to the women's
+wash-rooms to discuss with one another the hang of new skirts. All
+morning Bessie Kraker had kept up a monologue, beginning, "Say, lis-ten,
+Miss Golden, say, gee! I was goin' down to South Beach with my gentleman
+friend this afternoon, and, say, what d'you think the piker had to go
+and get stuck for? He's got to work all afternoon. I don't care--I don't
+care! I'm going to Coney Island with Sadie, and I bet you we pick up
+some fellows and do the light fantastic till one G. M. Oh, you sad sea
+waves! I bet Sadie and me make 'em sad!"
+
+"But we'll be straight," said Bessie, half an hour later, apropos of
+nothing. "But gee! it's fierce to not have any good times without you
+take a risk. But gee! my dad would kill me if I went wrong. He reads
+the Talmud all the time, and hates Goys. But gee! I can't stand it all
+the time being a mollycoddle. I wisht I was a boy! I'd be a' aviator."
+
+Bessie had a proud new blouse with a deep V, the edges of which gaped a
+bit and suggested that by ingenuity one could see more than was evident
+at first. Troy Wilkins, while pretending to be absent-mindedly fussing
+about a correspondence-file that morning, had forgotten that he was much
+married and had peered at the V. Una knew it, and the sordidness of that
+curiosity so embarrassed her that she stopped typing to clutch at the
+throat of her own high-necked blouse, her heart throbbing. She wanted to
+run away. She had a vague desire to "help" Bessie, who purred at poor,
+good Mr. Wilkins and winked at Una and chewed gum enjoyably, who was
+brave and hardy and perfectly able to care for herself--an organism
+modified by the Ghetto to the life which still bewildered Una.
+
+Mr. Wilkins went home at 11.17, after giving them enough work to last
+till noon. The office-boy chattily disappeared two minutes later, while
+Bessie went two minutes after that. Her delay was due to the adjustment
+of her huge straw hat, piled with pink roses and tufts of blue malines.
+
+Una stayed till twelve. Her ambition had solidified into an unreasoning
+conscientiousness.
+
+With Bessie gone, the office was so quiet that she hesitated to
+typewrite lest They sneak up on her--They who dwell in silent offices as
+They dwell beneath a small boy's bed at night. The hush was
+intimidating; her slightest movement echoed; she stopped the sharply
+tapping machine after every few words to listen.
+
+At twelve she put on her hat with two jabs of the hat-pins, and hastened
+to the elevator, exulting in freedom. The elevator was crowded with
+girls in new white frocks, voluble about their afternoon's plans. One of
+them carried a wicker suit-case. She was, she announced, starting on her
+two weeks' vacation; there would be some boys, and she was going to have
+"a peach of a time."
+
+Una and her mother had again spent a week of June in Panama, and she now
+recalled the bright, free mornings and lingering, wonderful twilights.
+
+She had no place to go this holiday afternoon, and she longed to join a
+noisy, excited party. Of Walter Babson she did not think. She stubbornly
+determined to snatch this time of freedom. Why, of course, she asserted,
+she could play by herself quite happily! With a spurious gaiety she
+patted her small black hand-bag. She skipped across to the Sixth Avenue
+Elevated and went up to the department-store district. She made
+elaborate plans for the great adventure of shopping. Bessie Kraker had
+insisted, with the nonchalant shrillness of eighteen, that Una "had
+ought to wear more color"; and Una had found, in the fashion section of
+a woman's magazine, the suggestion for exactly the thing--"a modest,
+attractive frock of brown, with smart touches of orange"--and
+economical. She had the dress planned--ribbon-belt half brown and half
+orange, a collar edged with orange, cuffs slashed with it.
+
+There were a score of mild matter-of-fact Unas on the same Elevated
+train with her, in their black hats and black jackets and black skirts
+and white waists, with one hint of coquetry in a white-lace jabot or a
+white-lace veil; faces slightly sallow or channeled with care, but eyes
+that longed to flare with love; women whom life didn't want except to
+type its letters about invoices of rubber heels; women who would have
+given their salvation for the chance to sacrifice themselves for
+love.... And there was one man on that Elevated train, a well-bathed
+man with cynical eyes, who read a little book with a florid gold cover,
+all about Clytemnestra, because he was certain that modern cities have
+no fine romance, no high tragedy; that you must go back to the Greeks
+for real feeling. He often aphorized, "Frightfully hackneyed to say,
+'woman's place is in the home,' but really, you know, these women going
+to offices, vulgarizing all their fine womanliness, and this shrieking
+sisterhood going in for suffrage and Lord knows what. Give me the
+reticences of the harem rather than one of these office-women with
+gum-chewing vacuities. None of them clever enough to be tragic!" He was
+ever so whimsical about the way in which the suffrage movement had
+cheated him of the chance to find a "_grande amoureuse_." He sat
+opposite Una in the train and solemnly read his golden book. He did not
+see Una watch with shy desire every movement of a baby that was talking
+to its mother in some unknown dialect of baby-land. He was feeling deep
+sensations about Clytemnestra's misfortunes--though he controlled his
+features in the most gentlemanly manner, and rose composedly at his
+station, letting a well-bred glance of pity fall upon the gum-chewers.
+
+Una found a marvelously clean, new restaurant on Sixth Avenue, with lace
+curtains at the window and, between the curtains, a red geranium in a
+pot covered with red-crepe paper tied with green ribbon. A new place!
+She was tired of the office, the Elevated, the flat on 148th Street, the
+restaurants where she tediously had her week-day lunches. She entered
+the new restaurant briskly, swinging her black bag. The place had
+Personality--the white enameled tables were set diagonally and clothed
+with strips of Japanese toweling. Una smiled at a lively photograph of
+two bunnies in a basket. With a sensation of freedom and novelty she
+ordered coffee, chicken patty, and cocoanut layer-cake.
+
+But the patty and the cake were very much like the hundreds of other
+patties and cakes which she had consumed during the past two years, and
+the people about her were of the horde of lonely workers who make up
+half of New York. The holiday enchantment dissolved. She might as well
+be going back to the office grind after lunch! She brooded, while
+outside, in that seething summer street, the pageant of life passed by
+and no voice summoned her. Men and girls and motors, people who laughed
+and waged commerce for the reward of love--they passed her by, life
+passed her by, a spectator untouched by joy or noble tragedy, a woman
+desperately hungry for life.
+
+She began--but not bitterly, she was a good little thing, you know--to
+make the old familiar summary. She had no lover, no friend, no future.
+Walter--he might be dead, or married. Her mother and the office, between
+them, left her no time to seek lover or friend or success. She was a
+prisoner of affection and conscience.
+
+She rose and paid her check. She did not glance at the picture of the
+bunnies in a basket. She passed out heavily, a woman of sterile sorrow.
+
+
+Sec. 5
+
+Una recovered her holiday by going shopping. An aisle-man in the
+dress-goods department, a magnificent creature in a braided
+morning-coat, directed her to the counter she asked for, spoke
+eloquently of woolen voiles, picked up her bag, and remarked, "Yes, we
+do manage to keep it cool here, even on the hottest days." A shop-girl
+laughed with her. She stole into one of the elevators, and, though she
+really should have gone home to her mother, she went into the music
+department, where, among lattices wreathed with newly dusted roses, she
+listened to waltzes and two-steps played by a red-haired girl who was
+chewing gum and talking to a man while she played. The music roused Una
+to plan a wild dissipation. She would pretend that she had a sweetheart,
+that with him she was a-roving.
+
+Una was not highly successful in her make-believe. She could not picture
+the imaginary man who walked beside her. She refused to permit him to
+resemble Walter Babson, and he refused to resemble anybody else. But she
+was throbbingly sure he was there as she entered a drug-store and bought
+a "Berline bonbon," a confection guaranteed to increase the chronic
+nervous indigestion from which stenographers suffer. Her shadow lover
+tried to hold her hand. She snatched it away and blushed. She fancied
+that a matron at the next tiny table was watching her silly play,
+reflected in the enormous mirror behind the marble soda-counter. The
+lover vanished. As she left the drug-store Una was pretending that she
+was still pretending, but found it difficult to feel so very
+exhilarated.
+
+She permitted herself to go to a motion-picture show. She looked over
+all the posters in front of the theater, and a train-wreck, a seaside
+love-scene, a detective drama, all invited her.
+
+A man in the seat in front of her in the theater nestled toward his
+sweetheart and harshly muttered, "Oh you old honey!" In the red light
+from the globe marking an exit she saw his huge red hand, with its
+thicket of little golden hairs, creep toward the hand of the girl.
+
+Una longed for a love-scene on the motion-picture screen.
+
+The old, slow familiar pain of congestion in the back of her neck came
+back. But she forgot the pain when the love-scene did appear, in a
+picture of a lake shore with a hotel porch, the flat sheen of
+photographed water, rushing boats, and a young hero with wavy black
+hair, who dived for the lady and bore her out when she fell out of a
+reasonably safe boat. The actor's wet, white flannels clung tight about
+his massive legs; he threw back his head with masculine arrogance, then
+kissed the lady. Una was dizzy with that kiss. She was shrinking before
+Walter's lips again. She could feel her respectable, typewriter-hardened
+fingers stroke the actor's swarthy, virile jaw. She gasped with the
+vividness of the feeling. She was shocked at herself; told herself she
+was not being "nice"; looked guiltily about; but passionately she called
+for the presence of her vague, imaginary lover.
+
+"Oh, my dear, my dear, my dear!" she whispered, with a terrible
+cloistered sweetness--whispered to love itself.
+
+Deliberately ignoring the mother who waited at home, she determined to
+spend a riotous evening going to a real theater, a real play. That is,
+if she could get a fifty-cent seat.
+
+She could not.
+
+"It's been exciting, running away, even if I can't go to the theater,"
+Una comforted herself. "I'll go down to Lady Sessions's this evening.
+I'll pack mother off to bed. I'll take the Sessionses up some ice-cream,
+and we'll have a jolly time.... Mother won't care if I go. Or maybe
+she'll come with me"--knowing all the while that her mother would not
+come, and decidedly would care if Una deserted her.
+
+However negligible her mother seemed from down-town, she loomed gigantic
+as Una approached their flat and assured herself that she was glad to be
+returning to the dear one.
+
+The flat was on the fifth floor.
+
+It was a dizzying climb--particularly on this hot afternoon.
+
+
+Sec. 6
+
+As Una began to trudge up the flat-sounding slate treads she discovered
+that her head was aching as though some one were pinching the top of her
+eyeballs. Each time she moved her head the pain came in a perceptible
+wave. The hallway reeked with that smell of onions and fried fish which
+had arrived with the first tenants. Children were dragging noisy objects
+about the halls. As the throb grew sharper during the centuries it took
+her to climb the first three flights of stairs, Una realized how hot she
+was, how the clammy coolness of the hall was penetrated by stabs of
+street heat which entered through the sun-haloed windows at the stair
+landings.
+
+Una knocked at the door of her flat with that light, cheery tapping of
+her nails, like a fairy tattoo, which usually brought her mother running
+to let her in. She was conscious, almost with a physical sensation, of
+her mother; wanted to hold her close and, in the ecstasy of that caress,
+squeeze the office weariness from her soul. The Little Mother Saint--she
+was coming now--she was hurrying--
+
+But the little mother was not hurrying. There was no response to Una's
+knock. As Una stooped in the dimness of the hallway to search in her bag
+for her latch-key, the pain pulsed through the top of her head again.
+She opened the door, and her longing for the embrace of her mother
+disappeared in healthy anger.
+
+The living-room was in disorder. Her mother had not touched it all
+day--had gone off and left it.
+
+"This is a little too much!" Una said, grimly.
+
+The only signs of life were Mrs. Golden's pack of cards for solitaire,
+her worn, brown Morris-chair, and accretions of the cheap magazines with
+pretty-girl covers which Mrs. Golden ransacked for love-stories. Mrs.
+Golden had been reading all the evening before, and pages of newspapers
+were crumpled in her chair, not one of them picked up. The couch, where
+Una had slept because it had been too hot for the two of them in a
+double bed, was still an eruption of bedclothes--the pillow wadded up,
+the sheets dragging out across the unswept floor.... The room
+represented discomfort, highly respectable poverty--and cleaning, which
+Una had to do before she could rest.
+
+She sat down on the couch and groaned: "To have to come home to this! I
+simply can't trust mother. She hasn't done one--single--thing, not one
+single thing. And if it were only the first time--! But it's every day,
+pretty nearly. She's been asleep all day, and then gone for a walk. Oh
+yes, of course! She'll come back and say she'd forgotten this was
+Saturday and I'd be home early! Oh, of course!"
+
+From the bedroom came a cough, then another. Una tried to keep her soft
+little heart in its temporary state of hardness long enough to have some
+effect on household discipline. "Huh!" she grunted. "Got a cold again.
+If she'd only stay outdoors a little--"
+
+She stalked to the door of the bedroom. The blind was down, the window
+closed, the room stifling and filled with a yellow, unwholesome glimmer.
+From the bed her mother's voice, changed from its usual ring to a croak
+that was crepuscular as the creepy room, wheezed: "That--you--deary? I
+got--summer--cold--so sorry--leave work undone--"
+
+"If you would only keep your windows _open_, my dear mother--"
+
+Una marched to the window, snapped up the blind, banged up the sash, and
+left the room.
+
+"I really can't see why!" was all she added. She did not look at her
+mother.
+
+She slapped the living-room into order as though the disordered
+bedclothes and newspapers were bad children. She put the potatoes on to
+boil. She loosened her tight collar and sat down to read the "comic
+strips," the "Beauty Hints," and the daily instalment of the
+husband-and-wife serial in her evening paper. Una had nibbled at
+Shakespeare, Tennyson, Longfellow, and _Vanity Fair_ in her high-school
+days, but none of these had satisfied her so deeply as did the serial's
+hint of sex and husband. She was absorbed by it. Yet all the while she
+was irritably conscious of her mother's cough--hacking, sore-sounding,
+throat-catching. Una was certain that this was merely one of the
+frequent imaginary ailments of her mother, who was capable of believing
+that she had cancer every time she was bitten by a mosquito. But this
+incessant crackling made Una jumpily anxious.
+
+She reached these words in the serial: "I cannot forget, Amy, that
+whatever I am, my good old mother made me, with her untiring care and
+the gentle words she spoke to me when worried and harassed with doubt."
+
+Una threw down the paper, rushed into the bedroom, crouched beside her
+mother, crying, "Oh, my mother sweetheart! You're just everything to
+me," and kissed her forehead.
+
+The forehead was damp and cold, like a cellar wall. Una sat bolt up in
+horror. Her mother's face had a dusky flush, her lips were livid as
+clotted blood. Her arms were stiff, hard to the touch. Her breathing,
+rapid and agitated, like a frightened panting, was interrupted just then
+by a cough like the rattling of stiff, heavy paper, which left on her
+purple lips a little colorless liquid.
+
+"Mother! Mother! My little mother--you're sick, you're really _sick_,
+and I didn't know and I spoke so harshly. Oh, what _is_ it, what is it,
+mother dear?"
+
+"Bad--cold," Mrs. Golden whispered. "I started coughing last night--I
+closed the door--you didn't hear me; you were in the other room--"
+Another cough wheezed dismally, shook her, gurgled in her yellow
+deep-lined neck. "C-could I have--window closed now?"
+
+"No. I'm going to be your nurse. Just an awfully cranky old nurse, and
+so scientific. And you must have fresh air." Her voice broke. "Oh, and
+me sleeping away from you! I'll never do it again. I don't know what I
+_would_ do if anything happened to you.... Do you feel any headache,
+dear?"
+
+"No--not--not so much as-- Side pains me--here."
+
+Mrs. Golden's words labored like a steamer in heavy seas; the throbbing
+of her heart shook them like the throb of the engines. She put her hand
+to her right side, shakily, with effort. It lay there, yellow against
+the white muslin of her nightgown, then fell heavily to the bed, like a
+dead thing. Una trembled with fear as her mother continued, "My
+pulse--it's so fast--so hard breathing--side pain."
+
+"I'll put on an ice compress and then I'll go and get a doctor."
+
+Mrs. Golden tried to sit up. "Oh no, no, no! Not a doctor! Not a
+doctor!" she croaked. "Doctor Smyth will be busy."
+
+"Well, I'll have him come when he's through."
+
+"Oh no, no, can't afford--"
+
+"Why--"
+
+"And--they scare you so--he'd pretend I had pneumonia, like Sam's
+sister--he'd frighten me so--I just have a summer cold. I--I'll be all
+right to-morrow, deary. Oh no, no, _please_ don't, please don't get a
+doctor. Can't afford it--can't--"
+
+Pneumonia! At the word, which brought the sterile bitterness of winter
+into this fetid August room, Una was in a rigor of fear, yet galvanized
+with belief in her mother's bravery. "My brave, brave little mother!"
+she thought.
+
+Not till Una had promised that she would not summon the doctor was her
+mother quieted, though Una made the promise with reservations. She
+relieved the pain in her mother's side with ice compresses--the ice
+chipped from the pitiful little cake in their tiny ice-box. She
+freshened pillows, she smoothed sheets; she made hot broth and bathed
+her mother's shoulders with tepid water and rubbed her temples with
+menthol. But the fever increased, and at times Mrs. Golden broke through
+her shallow slumber with meaningless sentences, like the beginning of
+delirium.
+
+At midnight she was panting more and more rapidly--three times as fast
+as normal breathing. She was sunk in a stupor. And Una, brooding by the
+bed, a crouched figure of mute tragedy in the low light, grew more and
+more apprehensive as her mother seemed to be borne away from her. Una
+started up. She would risk her mother's displeasure and bring the
+doctor. Just then, even Doctor Smyth of the neighborhood practice and
+obstetrical habits seemed a miracle-worker.
+
+She had to go four blocks to the nearest drug-store that would be open
+at this time of night, and there telephone the doctor.
+
+She was aware that it was raining, for the fire-escape outside shone wet
+in the light from a window across the narrow court. She discovered she
+had left mackintosh and umbrella at the office. Stopping only to set out
+a clean towel, a spoon, and a glass on the chair by the bed, Una put on
+the old sweater which she secretly wore under her cheap thin jacket in
+winter. She lumbered wearily down-stairs. She prayed confusedly that God
+would give her back her headache and in reward make her mother well.
+
+She was down-stairs at the heavy, grilled door. Rain was pouring. A
+light six stories up in the apartment-house across the street seemed
+infinitely distant and lonely, curtained from her by the rain. Water
+splashed in the street and gurgled in the gutters. It did not belong to
+the city as it would have belonged to brown woods or prairie. It was
+violent here, shocking and terrible. It took distinct effort for Una to
+wade out into it.
+
+The modern city! Subway, asphalt, a wireless message winging overhead,
+and Una Golden, an office-woman in eye-glasses. Yet sickness and rain
+and night were abroad; and it was a clumsily wrapped peasant woman,
+bent-shouldered and heavily breathing, who trudged unprotected through
+the dark side-streets as though she were creeping along moorland paths.
+Her thought was dulled to everything but physical discomfort and the
+illness which menaced the beloved. Woman's eternal agony for the sick of
+her family had transformed the trim smoothness of the office-woman's
+face into wrinkles that were tragic and ruggedly beautiful.
+
+
+Sec. 7
+
+Again Una climbed the endless stairs to her flat. She unconsciously
+counted the beat of the weary, regular rhythm which her feet made on the
+slate treads and the landings--one, two, three, four, five, six, seven,
+landing, turn and--one, two, three, four, five, six, seven--over and
+over. At the foot of the last flight she suddenly believed that her
+mother needed her this instant. She broke the regular thumping rhythm of
+her climb, dashed up, cried out at the seconds wasted in unlocking the
+door. She tiptoed into the bedroom--and found her mother just as she had
+left her. In Una's low groan of gladness there was all the world's
+self-sacrifice, all the fidelity to a cause or to a love. But as she sat
+unmoving she came to feel that her mother was not there; her being was
+not in this wreck upon the bed.
+
+In an hour the doctor soothed his way into the flat. He "was afraid
+there might be just a little touch of pneumonia." With breezy
+fatherliness which inspirited Una, he spoke of the possible presence of
+pneumococcus, of doing magic things with Romer's serum, of trusting in
+God, of the rain, of cold baths and digitalin. He patted Una's head and
+cheerily promised to return at dawn. He yawned and smiled at himself. He
+looked as roundly, fuzzily sleepy as a bunny rabbit, but in the quiet,
+forlorn room of night and illness he radiated trust in himself. Una said
+to herself, "He certainly must know what he is talking about."
+
+She was sure that the danger was over. She did not go to bed, however.
+She sat stiffly in the bedroom and planned amusements for her mother.
+She would work harder, earn more money. They would move to a cottage in
+the suburbs, where they would have chickens and roses and a kitten, and
+her mother would find neighborly people again.
+
+Five days after, late on a bright, cool afternoon, when all the flats
+about them were thinking of dinner, her mother died.
+
+
+Sec. 8
+
+There was a certain madness in Una's grief. Her agony was a big, simple,
+uncontrollable emotion, like the fanaticism of a crusader--alarming, it
+was, not to be reckoned with, and beautiful as a storm. Yet it was no
+more morbid than the little fits of rage with which a school-teacher
+relieves her cramped spirit. For the first time she had the excuse to
+exercise her full power of emotion.
+
+Una evoked an image of her mother as one who had been altogether good,
+understanding, clever, and unfortunate. She regretted every moment she
+had spent away from her--remembered with scorn that she had planned to
+go to the theater the preceding Saturday, instead of sanctifying the
+time in the Nirvana of the beloved's presence; repented with writhing
+agony having spoken harshly about neglected household duties.
+
+She even contrived to find it a virtue in her mother that she had so
+often forgotten the daily tasks--her mind had been too fine for such
+things.... Una retraced their life. But she remembered everything only
+as one remembers under the sway of music.
+
+"If I could just have another hour, just one hour with her, and feel her
+hands on my eyes again--"
+
+On the night before the funeral she refused to let even Mrs. Sessions
+stay with her. She did not want to share her mother's shadowy presence
+with any one.
+
+She lay on the floor beside the bed where her mother was stately in
+death. It was her last chance to talk to her:
+
+"Mother ... Mother ... Don't you hear me? It's Una calling. Can't you
+answer me this one last time? Oh, mother, think, mother dear, I can't
+ever hear your voice again if you don't speak to me now.... Don't you
+remember how we went home to Panama, our last vacation? Don't you
+remember how happy we were down at the lake? Little mother, you haven't
+forgotten, have you? Even if you don't answer, you know I'm watching by
+you, don't you? See, I'm kissing your hand. Oh, you did want me to
+sleep near you again, this last night-- Oh, my God! oh, my God! the last
+night I shall ever spend with her, the very last, last night."
+
+All night long the thin voice came from the little white-clad figure so
+insignificant in the dimness, now lying motionless on the comforter she
+had spread beside the bed, and talking in a tone of ordinary
+conversation that was uncanny in this room of invisible whisperers; now
+leaping up to kiss the dead hand in a panic, lest it should already be
+gone.
+
+The funeral filled the house with intruders. The drive to the cemetery
+was irritating. She wanted to leap out of the carriage. At first she
+concentrated on the cushion beside her till she thought of nothing in
+the world but the faded bottle-green upholstery, and a ridiculous drift
+of dust in the tufting. But some one was talking to her. (It was awkward
+Mr. Sessions, for shrewd Mrs. Sessions had the genius to keep still.) He
+kept stammering the most absurd platitudes about how happy her mother
+must be in a heaven regarding which he did not seem to have very recent
+or definite knowledge. She was annoyed, not comforted. She wanted to
+break away, to find her mother's presence again in that sacred place
+where she had so recently lived and spoken.
+
+Yet, when Una returned to the flat, something was gone. She tried to
+concentrate on thought about immortality. She found that she had
+absolutely no facts upon which to base her thought. The hundreds of
+good, sound, orthodox sermons she had heard gave her nothing but vague
+pictures of an eternal church supper somewhere in the clouds--nothing,
+blankly and terribly nothing, that answered her bewildered wonder as to
+what had become of the spirit which had been there and now was gone.
+
+In the midst of her mingling of longing and doubt she realized that she
+was hungry, and she rather regretted having refused Mrs. Sessions's
+invitation to dinner. She moved slowly about the kitchen.
+
+The rheumatic old canary hobbled along the floor of his cage and tried
+to sing. At that Una wept, "She never will hear poor Dickie sing again."
+
+Instantly she remembered--as clearly as though she were actually
+listening to the voice and words--that her mother had burst out, "Drat
+that bird, it does seem as if every time I try to take a nap he just
+tries to wake me up." Una laughed grimly. Hastily she reproved herself,
+"Oh, but mother didn't mean--"
+
+But in memory of that healthily vexed voice, it seemed less wicked to
+take notice of food, and after a reasonable dinner she put on her kimono
+and bedroom slippers, carefully arranged the pillows on the couch, and
+lay among them, meditating on her future.
+
+For half an hour she was afire with an eager thought: "Why can't I
+really make a success of business, now that I can entirely devote myself
+to it? There's women--in real estate, and lawyers and magazine
+editors--some of them make ten thousand a year."
+
+So Una Golden ceased to live a small-town life in New York; so she
+became a genuine part of the world of offices; took thought and tried to
+conquer this new way of city-dwelling.
+
+"Maybe I can find out if there's anything in life--now--besides working
+for T. W. till I'm scrapped like an old machine," she pondered. "How I
+hate letters about two-family houses in Flatbush!"
+
+She dug her knuckles into her forehead in the effort to visualize the
+problem of the hopeless women in industry.
+
+She was an Average Young Woman on a Job; she thought in terms of money
+and offices; yet she was one with all the men and women, young and old,
+who were creating a new age. She was nothing in herself, yet as the
+molecule of water belongs to the ocean, so Una Golden humbly belonged to
+the leaven who, however confusedly, were beginning to demand, "Why,
+since we have machinery, science, courage, need we go on tolerating war
+and poverty and caste and uncouthness, and all that sheer clumsiness?"
+
+
+
+
+Part II
+
+THE OFFICE
+
+CHAPTER IX
+
+
+The effect of grief is commonly reputed to be noble. But mostly it is a
+sterile nobility. Witness the widows who drape their musty weeds over
+all the living; witness the mother of a son killed in war who urges her
+son's comrades to bring mourning to the mothers of all the sons on the
+other side.
+
+Grief is a paralyzing poison. It broke down Una's resistance to the
+cares of the office. Hers was no wholesome labor in which she could find
+sacred forgetfulness. It was the round of unessentials which all
+office-women know so desperately well. She bruised herself by shrinking
+from those hourly insults to her intelligence; and outside the office
+her most absorbing comfort was in the luxury of mourning--passion in
+black, even to the black-edged face-veil.... Though she was human enough
+to realize that with her fair hair she looked rather well in mourning,
+and shrewd enough to get it on credit at excellent terms.
+
+She was in the office all day, being as curtly exact as she could. But
+in the evening she sat alone in her flat and feared the city.
+
+Sometimes she rushed down to the Sessionses' flat, but the good people
+bored her with their assumption that she was panting to know all the
+news from Panama. She had drifted so far away from the town that the
+sixth assertion that "it was a great pity Kitty Wilson was going to
+marry that worthless Clark boy" aroused no interest in her. She was
+still more bored by their phonograph, on which they played over and over
+the same twenty records. She would make quick, unconvincing excuses
+about having to hurry away. Their slippered stupidity was a desecration
+of her mother's memory.
+
+Her half-hysterical fear of the city's power was increased by her daily
+encounter with the clamorous streets, crowded elevators, frantic
+lunch-rooms, and, most of all, the experience of the Subway.
+
+Amazing, incredible, the Subway, and the fact that human beings could
+become used to it, consent to spend an hour in it daily. There was a
+heroic side to this spectacle of steel trains clanging at forty miles an
+hour beneath twenty-story buildings. The engineers had done their work
+well, made a great thought in steel and cement. And then the business
+men and bureaucrats had made the great thought a curse. There was in the
+Subway all the romance which story-telling youth goes seeking: trains
+crammed with an inconceivable complexity of people--marquises of the
+Holy Roman Empire, Jewish factory hands, speculators from Wyoming, Iowa
+dairymen, quarreling Italian lovers, with their dramatic tales, their
+flux of every human emotion, under the city mask. But however striking
+these dramatic characters may be to the occasional spectator, they
+figure merely as an odor, a confusion, to the permanent serf of the
+Subway.... A long underground station, a catacomb with a cement
+platform, this was the chief feature of the city vista to the tired girl
+who waited there each morning. A clean space, but damp, stale, like the
+corridor to a prison--as indeed it was, since through it each morning
+Una entered the day's business life.
+
+Then, the train approaching, filling the tunnel, like a piston smashing
+into a cylinder; the shoving rush to get aboard. A crush that was
+ruffling and fatiguing to a man, but to a woman was horror.
+
+Una stood with a hulking man pressing as close to her side as he dared,
+and a dapper clerkling squeezed against her breast. Above her head, to
+represent the city's culture and graciousness, there were advertisements
+of soap, stockings, and collars. At curves the wheels ground with a
+long, savage whine, the train heeled, and she was flung into the arms of
+the grinning clerk, who held her tight. She, who must never be so
+unladylike as to enter a polling-place, had breathed into her very mouth
+the clerkling's virile electoral odor of cigarettes and onions and
+decayed teeth.
+
+A very good thing, the Subway. It did make Una quiver with the
+beginnings of rebellious thought as no suave preacher could ever have
+done. Almost hysterically she resented this daily indignity, which
+smeared her clean, cool womanhood with a grease of noise and smell and
+human contact.
+
+As was the Subway, so were her noons of elbowing to get impure food in
+restaurants.
+
+For reward she was permitted to work all day with Troy Wilkins. And for
+heavens and green earth, she had a chair and a desk.
+
+But the human organism, which can modify itself to arctic cold and
+Indian heat, to incessant labor or the long enervation of luxury, learns
+to endure. Unwilling dressing, lonely breakfast, the Subway, dull work,
+lunch, sleepiness after lunch, the hopelessness of three o'clock, the
+boss's ill-tempers, then the Subway again, and a lonely flat with no
+love, no creative work; and at last a long sleep so that she might be
+fresh for such another round of delight. So went the days. Yet all
+through them she found amusement, laughed now and then, and proved the
+heroism as well as the unthinking servility of the human race.
+
+
+Sec. 2
+
+The need of feeling that there were people near to her urged Una to sell
+her furniture and move from the flat to a boarding-house.
+
+She avoided Mrs. Sessions's advice. She was sure that Mrs. Sessions
+would bustle about and find her a respectable place where she would have
+to be cheery. She didn't want to be cheery. She wanted to think. She
+even bought a serious magazine with articles. Not that she read it.
+
+But she was afraid to be alone any more. Anyway, she would explore the
+city.
+
+Of the many New Yorks, she had found only Morningside Park, Central
+Park, Riverside Drive, the shopping district, the restaurants and
+theaters which Walter had discovered to her, a few down-town office
+streets, and her own arid region of flats. She did not know the
+proliferating East Side, the factories, the endless semi-suburban
+stretches--nor Fifth Avenue. Her mother and Mrs. Sessions had inculcated
+in her the earnest idea that most parts of New York weren't quite nice.
+In over two years in the city she had never seen a millionaire nor a
+criminal; she knew the picturesqueness neither of wealth nor of pariah
+poverty.
+
+She did not look like an adventurer when, at a Saturday noon of October,
+she left the office--slight, kindly, rather timid, with her pale hair
+and school-teacher eye-glasses, and clear cheeks set off by comely
+mourning. But she was seizing New York. She said over and over, "Why, I
+can go and live any place I want to, and maybe I'll meet some folks who
+are simply fascinating." She wasn't very definite about these
+fascinating folks, but they implied girls to play with and--she
+hesitated--and decidedly men, men different from Walter, who would touch
+her hand in courtly reverence.
+
+She poked through strange streets. She carried an assortment of "Rooms
+and Board" clippings from the "want-ad" page of a newspaper, and
+obediently followed their hints about finding the perfect place. She
+resolutely did not stop at places not advertised in the paper, though
+nearly every house, in some quarters, had a sign, "Room to Rent." Una
+still had faith in the veracity of whatever appeared in the public
+prints, as compared with what she dared see for herself.
+
+The advertisements led her into a dozen parts of the city frequented by
+roomers, the lonely, gray, detached people who dwell in other people's
+houses.
+
+It was not so splendid a quest as she had hoped; it was too sharp a
+revelation of the cannon-food of the city, the people who had never been
+trained, and who had lost heart. It was scarcely possible to tell one
+street from another; to remember whether she was on Sixteenth Street or
+Twenty-sixth. Always the same rows of red-brick or brownstone houses,
+all alike, the monotony broken only by infrequent warehouses or
+loft-buildings; always the same doubtful mounting of stone steps, the
+same searching for a bell, the same waiting, the same slatternly,
+suspicious landlady, the same evil hallway with a brown hat-rack, a
+steel-engraving with one corner stained with yellow, a carpet worn
+through to the flooring in a large oval hole just in front of the
+stairs, a smell of cabbage, a lack of ventilation. Always the same
+desire to escape, though she waited politely while the landlady in the
+same familiar harsh voice went through the same formula.
+
+Then, before she could flee to the comparatively fresh air of the
+streets, Una would politely have to follow the panting landlady to a
+room that was a horror of dirty carpet, lumpy mattress, and furniture
+with everything worn off that could wear off. And at last, always the
+same phrases by which Una meant to spare the woman: "Well, I'll think it
+over. Thank you so much for showing me the rooms, but before I
+decide-- Want to look around--"
+
+Phrases which the landlady heard ten times a day.
+
+She conceived a great-hearted pity for landladies. They were so patient,
+in face of her evident distaste. Even their suspiciousness was but the
+growling of a beaten dog. They sighed and closed their doors on her
+without much attempt to persuade her to stay. Her heart ached with their
+lack of imagination. They had no more imagination than those landladies
+of the insect world, the spiders, with their unchanging, instinctive,
+ancestral types of webs.
+
+Her depression was increased by the desperate physical weariness of the
+hunt. Not that afternoon, not till two weeks later, did she find a room
+in a large, long, somber railroad flat on Lexington Avenue, conducted by
+a curly-haired young bookkeeper and his pretty wife, who provided their
+clients with sympathy, with extensive and scientific data regarding the
+motion-picture houses in the neighborhood, and board which was neither
+scientific nor very extensive.
+
+It was time for Una to sacrifice the last material contact with her
+mother; to sell the furniture which she had known ever since, as a baby
+in Panama, she had crawled from this horsehair chair, all the long and
+perilous way across this same brown carpet, to this red-plush couch.
+
+
+Sec. 3
+
+It was not so hard to sell the furniture; she could even read and burn
+her father's letters with an unhappy resoluteness. Despite her
+tenderness, Una had something of youth's joy in getting rid of old
+things, as preparation for acquiring the new. She did sob when she found
+her mother's straw hat, just as Mrs. Golden had left it, on the high
+shelf of the wardrobe as though her mother might come in at any minute,
+put it on, and start for a walk. She sobbed again when she encountered
+the tiny tear in the bottom of the couch, which her own baby fingers had
+made in trying to enlarge a pirate's cave. That brought the days when
+her parents were immortal and all-wise; when the home sitting-room,
+where her father read the paper aloud, was a security against all the
+formidable world outside.
+
+But to these recollections Una could shut her heart. To one absurd
+thing, because it was living, Una could not shut her heart--to the
+senile canary.
+
+Possibly she could have taken it with her, but she felt confusedly that
+Dickie would not be appreciated in other people's houses. She evaded
+asking the Sessionses to shelter the bird, because every favor that she
+permitted from that smug family was a bond that tied her to their life
+of married spinsterhood.
+
+"Oh, Dickie, Dickie, what am I going to do with you?" she cried,
+slipping a finger through the wires of the cage.
+
+The canary hopped toward her and tried to chirp his greeting.
+
+"Even when you were sick you tried to sing to me, and mother did love
+you," she sighed. "I just can't kill you--trusting me like that."
+
+She turned her back, seeking to solve the problem by ignoring it. While
+she was sorting dresses--some trace of her mother in every fold, every
+wrinkle of the waists and lace collars--she was listening to the bird in
+the cage.
+
+"I'll think of some way--I'll find somebody who will want you, Dickie
+dear," she murmured, desperately, now and then.
+
+After dinner and nightfall, with her nerves twanging all the more
+because it seemed silly to worry over one dissolute old bird when all
+her life was breaking up, she hysterically sprang up, snatched Dickie
+from the cage, and trotted down-stairs to the street.
+
+"I'll leave you somewhere. Somebody will find you," she declared.
+
+Concealing the bird by holding it against her breast with a hand
+supersensitive to its warm little feathers, she walked till she found
+a deserted tenement doorway. She hastily set the bird down on a stone
+balustrade beside the entrance steps. Dickie chirped more cheerily,
+more sweetly than for many days, and confidingly hopped back to her
+hand.
+
+"Oh, I can't leave him for boys to torture and I can't take him,
+I can't--"
+
+In a sudden spasm she threw the bird into the air, and ran back
+to the flat, sobbing, "I can't kill it--I can't--there's so much
+death." Longing to hear the quavering affection of its song once
+more, but keeping herself from even going to the window, to look
+for it, with bitter haste she completed her work of getting rid
+of things--things--things--the things which were stones of an
+imprisoning past.
+
+
+Sec. 4
+
+Shyness was over Una when at last she was in the house of strangers.
+She sat marveling that this square, white cubby-hole of a room was
+hers permanently, that she hadn't just come here for an hour or two.
+She couldn't get it to resemble her first impression of it. Now the
+hallway was actually a part of her life--every morning she would
+face the picture of a magazine-cover girl when she came out of
+her room.
+
+Her agitation was increased by the problem of keeping up the maiden
+modesty appropriate to a Golden, a young female friend of the
+Sessionses', in a small flat with gentlemen lodgers and just one
+bathroom. Una was saved by not having a spinster friend with whom to
+share her shrinking modesty. She simply had to take waiting for her turn
+at the bathroom as a matter of course, and insensibly she was impressed
+by the decency with which these dull, ordinary people solved the
+complexities of their enforced intimacy. When she wildly clutched her
+virgin bathrobe about her and passed a man in the hall, he stalked
+calmly by without any of the teetering apologies which broad-beamed Mr.
+Sessions had learned from his genteel spouse.
+
+She could not at first distinguish among her companions. Gradually they
+came to be distinct, important. They held numberless surprises for her.
+She would not have supposed that a bookkeeper in a fish-market would be
+likely to possess charm. Particularly if he combined that amorphous
+occupation with being a boarding-house proprietor. Yet her landlord,
+Herbert Gray, with his look of a track-athlete, his confessions of
+ignorance and his naive enthusiasms about whatever in the motion
+pictures seemed to him heroic, large, colorful, was as admirable as the
+several youngsters of her town who had plodded through Princeton or
+Pennsylvania and come back to practise law or medicine or gentlemanly
+inheritance of business. And his wife, round and comely, laughing
+easily, wearing her clothes with an untutored grace which made her cheap
+waists smart, was so thoroughly her husband's comrade in everything,
+that these struggling nobodies had all the riches of the earth.
+
+The Grays took Una in as though she were their guest, but they did not
+bother her. They were city-born, taught by the city to let other people
+live their own lives.
+
+The Grays had taken a flat twice too large for their own use. The other
+lodgers, who lived, like monks on a bare corridor, along the narrow
+"railroad" hall, were three besides Una:
+
+A city failure, one with a hundred thousand failures, a gray-haired,
+neat man, who had been everything and done nothing, and who now said
+evasively that he was "in the collection business." He read Dickens and
+played a masterful game of chess. He liked to have it thought that his
+past was brave with mysterious splendors. He spoke hintingly of great
+lawyers. But he had been near to them only as a clerk for a large law
+firm. He was grateful to any one for noticing him. Like most of the
+failures, he had learned the art of doing nothing at all. All Sunday,
+except for a two hours' walk in Central Park, and one game of chess with
+Herbert Gray, he dawdled in his room, slept, regarded his stocking-feet
+with an appearance of profound meditation, yawned, picked at the Sunday
+newspaper. Una once saw him napping on a radiant autumn Sunday
+afternoon, and detested him. But he was politely interested in her work
+for Troy Wilkins, carefully exact in saying, "Good-morning, miss," and
+he became as familiar to her as the gas-heater in her cubicle.
+
+Second fellow-lodger was a busy, reserved woman, originally from Kansas
+City, who had something to do with some branch library. She had solved
+the problems of woman's lack of place in this city scheme by closing
+tight her emotions, her sense of adventure, her hope of friendship. She
+never talked to Una, after discovering that Una had no interesting
+opinions on the best reading for children nine to eleven.
+
+These gentle, inconsequential city waifs, the Grays, the failure, the
+library-woman, meant no more to Una than the crowds who were near, yet
+so detached, in the streets. But the remaining boarder annoyed her by
+his noisy whine. He was an underbred maverick, with sharp eyes of watery
+blue, a thin mustache, large teeth, and no chin worth noticing. He would
+bounce in of an evening, when the others were being decorous and dull in
+the musty dining-room, and yelp: "How do we all find our seskpadalian
+selves this bright and balmy evenin'? How does your perspegacity
+discipulate, Herby? What's the good word, Miss Golden? Well, well, well,
+if here ain't our good old friend, the Rev. J. Pilkington Corned Beef;
+how 'r' you, Pilky? Old Mrs. Cabbage feelin' well, too? Well, well,
+still discussing the movies, Herby? Got any new opinions about Mary
+Pickford? Well, well. Say, I met another guy that's as nutty as you,
+Herby; he thinks that Wilhelm Jenkins Bryan is a great statesman. Let's
+hear some more about the Sage of Free Silver, Herby."
+
+The little man was never content till he had drawn them into so bitter
+an argument that some one would rise, throw down a napkin, growl, "Well,
+if that's all you know about it--if you're all as ignorant as that, you
+simply ain't worth arguing with," and stalk out. When general topics
+failed, the disturber would catechize the library-woman about Louisa M.
+Alcott, or the failure about his desultory inquiries into Christian
+Science, or Mrs. Gray about the pictures plastering the dining-room--a
+dozen spiritual revelations of apples and oranges, which she had bought
+at a department-store sale.
+
+The maverick's name was Fillmore J. Benson. Strangers called him Benny,
+but his more intimate acquaintances, those to whom he had talked for at
+least an hour, were requested to call him Phil. He made a number of
+pretty puns about his first name. He was, surprisingly, a doctor--not
+the sort that studies science, but the sort that studies the gullibility
+of human nature--a "Doctor of Manipulative Osteology." He had earned a
+diploma by a correspondence course, and had scrabbled together a small
+practice among retired shopkeepers. He was one of the strange, impudent
+race of fakers who prey upon the clever city. He didn't expect any one
+at the Grays' to call him a "doctor."
+
+He drank whisky and gambled for pennies, was immoral in his relations
+with women and as thick-skinned as he was blatant. He had been a
+newsboy, a contractor's clerk, and climbed up by the application of his
+wits. He read enormously--newspapers, cheap magazines, medical books; he
+had an opinion about everything, and usually worsted every one at the
+Grays' in arguments. And he did his patients good by giving them
+sympathy and massage. He would have been an excellent citizen had the
+city not preferred to train him, as a child in its reeling streets, to a
+sharp unscrupulousness.
+
+Una was at first disgusted by Phil Benson, then perplexed. He would
+address her in stately Shakespearean phrases which, as a boy, he had
+heard from the gallery of the Academy of Music. He would quote poetry at
+her. She was impressed when he almost silenced the library-woman, in an
+argument as to whether Longfellow or Whittier was the better poet, by
+parroting the whole of "Snow Bound."
+
+She fancied that Phil's general pea-weevil aspect concealed the soul of
+a poet. But she was shocked out of her pleasant fabling when Phil roared
+at Mrs. Gray: "Say, what did the baker use this pie for? A bureau or a
+trunk? I've found three pairs of socks and a safety-pin in my slab, so
+far."
+
+Pretty Mrs. Gray was hurt and indignant, while her husband growled: "Aw,
+don't pay any attention to that human phonograph, Amy. He's got bats in
+his belfry."
+
+Una had acquired a hesitating fondness for the mute gentleness of the
+others, and it infuriated her that this insect should spoil their
+picnic. But after dinner Phil Benson dallied over to her, sat on the arm
+of her chair, and said: "I'm awfully sorry that I make such a bum hit
+with you, Miss Golden. Oh, I can see I do, all right. You're the only
+one here that can understand. Somehow it seems to me--you aren't like
+other women I know. There's something--somehow it's different. A--a
+temperament. You dream about higher things than just food and clothes.
+Oh," he held up a deprecating hand, "don't deny it. I'm mighty serious
+about it, Miss Golden. I can see it, even if you haven't waked up to it
+as yet."
+
+The absurd part of it was that, at least while he was talking, Mr. Phil
+Benson did believe what he was saying, though he had borrowed all of his
+sentiments from a magazine story about hobohemians which he had read the
+night before.
+
+He also spoke of reading good books, seeing good plays, and the lack of
+good influences in this wicked city.
+
+He didn't overdo it. He took leave in ten minutes--to find good
+influences in a Kelly pool-parlor on Third Avenue. He returned to his
+room at ten, and, sitting with his shoeless feet cocked up on his bed,
+read a story in _Racy Yarns_. While beyond the partition, about four
+feet from him, Una Golden lay in bed, her smooth arms behind her aching
+head, and worried about Phil's lack of opportunity.
+
+She was finding in his loud impudence a twisted resemblance to Walter
+Babson's erratic excitability, and that won her, for love goes seeking
+new images of the god that is dead.
+
+Next evening Phil varied his tactics by coming to dinner early, just
+touching Una's hand as she was going into the dining-room, and murmuring
+in a small voice, "I've been thinking so much of the helpful things you
+said last evening, Miss Golden."
+
+Later, Phil talked to her about his longing to be a great surgeon--in
+which he had the tremendous advantage of being almost sincere. He walked
+down the hall to her room, and said good-night lingeringly, holding her
+hand.
+
+Una went into her room, closed the door, and for full five minutes stood
+amazed. "Why!" she gasped, "the little man is trying to make love to
+me!"
+
+She laughed over the absurdity of it. Heavens! She had her Ideal. The
+Right Man. He would probably be like Walter Babson--though more
+dependable. But whatever the nature of the paragon, he would in every
+respect be just the opposite of the creature who had been saying
+good-night to her.
+
+She sat down, tried to read the paper, tried to put Phil out of her
+mind. But he kept returning. She fancied that she could hear his voice
+in the hall. She dropped the paper to listen.
+
+"I'm actually interested in him!" she marveled. "Oh, that's ridiculous!"
+
+
+Sec. 5
+
+Now that Walter had made a man's presence natural to her, Una needed a
+man, the excitation of his touch, the solace of his voice. She could not
+patiently endure a cloistered vacuousness.
+
+Even while she was vigorously representing to herself that he was
+preposterous, she was uneasily aware that Phil was masculine. His
+talons were strong; she could feel their clutch on her hands. "He's a
+rat. And I do wish he wouldn't--spit!" she shuddered. But under her
+scorn was a surge of emotion.... A man, not much of a man, yet a man,
+had wanted the contact of her hand, been eager to be with her.
+Sensations vast as night or the ocean whirled in her small, white room.
+Desire, and curiosity even more, made her restless as a wave.
+
+She caught herself speculating as she plucked at the sleeve of her black
+mourning waist: "I wonder would I be more interesting if I had the
+orange-and-brown dress I was going to make when mother died?... Oh,
+shame!"
+
+Yet she sprang up from the white-enameled rocker, tucked in her
+graceless cotton corset-cover, stared at her image in the mirror,
+smoothed her neck till the skin reddened.
+
+
+Sec. 6
+
+Phil talked to her for an hour after their Sunday-noon dinner. She had
+been to church; had confessed indeterminate sins to a formless and
+unresponsive deity. She felt righteous, and showed it. Phil caught the
+cue. He sacrificed all the witty things he was prepared to say about
+Mrs. Gray's dumplings; he gazed silently out of the window till she
+wondered what he was thinking about, then he stumblingly began to review
+a sermon which he said he had heard the previous Sunday--though he must
+have been mistaken, as he shot several games of Kelly pool every Sunday
+morning, or slept till noon.
+
+"The preacher spoke of woman's influence. You don't know what it is to
+lack a woman's influence in a fellow's life, Miss Golden. I can see the
+awful consequences among my patients. I tell you, when I sat there in
+church and saw the colored windows--" He sighed portentously. His hand
+fell across hers--his lean paw, strong and warm-blooded from massaging
+puffy old men. "I tell you I just got sentimental, I did, thinking of
+all I lacked."
+
+Phil melted mournfully away--to indulge in a highly cheerful walk on
+upper Broadway with Miss Becky Rosenthal, sewer for the Sans Peur Pants
+and Overalls Company--while in her room Una grieved over his forlorn
+desire to be good.
+
+
+Sec. 7
+
+Two evenings later, when November warmed to a passing Indian summer of
+golden skies that were pitifully far away from the little folk in city
+streets, Una was so restless that she set off for a walk by herself.
+
+Phil had been silent, glancing at her and away, as though he were
+embarrassed.
+
+"I wish I could do something to help him," she thought, as she poked
+down-stairs to the entrance of the apartment-house.
+
+Phil was on the steps, smoking a cigarette-sized cigar, scratching his
+chin, and chattering with his kinsmen, the gutter sparrows.
+
+He doffed his derby. He spun his cigar from him with a deft flip of his
+fingers which somehow agitated her. She called herself a little fool for
+being agitated, but she couldn't get rid of the thought that only men
+snapped their fingers like that.
+
+"Goin' to the movies, Miss Golden?"
+
+"No, I was just going for a little walk."
+
+"Well, say, walks, that's where I live. Why don't you invite Uncle Phil
+to come along and show you the town? Why, I knew this burg when they
+went picnicking at the reservoir in Bryant Park."
+
+He swaggered beside her without an invitation. He did not give her a
+chance to decline his company--and soon she did not want to. He led her
+down to Gramercy Park, loveliest memory of village days, houses of a
+demure red and white ringing a fenced garden. He pointed out to her the
+Princeton Club, the Columbia Club, the National Arts, and the Players',
+and declared that two men leaving the last were John Drew and the most
+famous editor in America. He guided her over to Stuyvesant Park, a
+barren square out of old London, with a Quaker school on one side, and
+the voluble Ghetto on the other. He conducted her through East Side
+streets, where Jewish lovers parade past miles of push-carts and
+venerable Rabbis read the Talmud between sales of cotton socks, and
+showed her a little cafe which was a hang-out for thieves. She was
+excited by this contact with the underworld.
+
+He took her to a Lithuanian restaurant, on a street which was a debacle.
+One half of the restaurant was filled with shaggy Lithuanians playing
+cards at filthy tables; the other half was a clean haunt for tourists
+who came to see the slums, and here, in the heart of these "slums," saw
+only one another.
+
+"Wait a while," Phil said, "and a bunch of Seeing-New-Yorkers will land
+here and think we're crooks."
+
+In ten minutes a van-load of sheepish trippers from the Middle West
+filed into the restaurant and tried to act as though they were used to
+cocktails. Una was delighted when she saw them secretly peering at Phil
+and herself; she put one hand on her thigh and one on the table, leaned
+forward and tried to look tough, while Phil pretended to be quarreling
+with her, and the trippers' simple souls were enthralled by this glimpse
+of two criminals. Una really enjoyed the acting; for a moment Phil was
+her companion in play; and when the trippers had gone rustling out to
+view other haunts of vice she smiled at Phil unrestrainedly.
+
+Instantly he took advantage of her smile, of their companionship.
+
+He was really as simple-hearted as the trippers in his tactics.
+
+She had been drinking ginger-ale. He urged her now to "have a real
+drink." He muttered confidentially: "Have a nip of sherry or a New
+Orleans fizz or a Bronx. That'll put heart into you. Not enough to
+affect you a-tall, but just enough to cheer up on. Then we'll go to a
+dance and really have a time. Gee! poor kid, you don't get any fun."
+
+"No, no, I _never_ touch it," she said, and she believed it, forgetting
+the claret she had drunk with Walter Babson.
+
+She felt unsafe.
+
+He laughed at her; assured her from his medical experience that "lots of
+women need a little tonic," and boisterously ordered a glass of sherry
+for her.
+
+She merely sipped it. She wanted to escape. All their momentary
+frankness of association was gone. She feared him; she hated the
+complaisant waiter who brought her the drink; the fat proprietor who
+would take his pieces of silver, though they were the price of her soul;
+the policeman on the pavement, who would never think of protecting her;
+and the whole hideous city which benignly profited by saloons. She
+watched another couple down at the end of the room--an obese man and a
+young, pretty girl, who was hysterically drunk. Not because she had
+attended the Women's Christian Temperance Union at Panama and heard them
+condemn "the demon rum," but because the sickish smell of the alcohol
+was all about her now, she suddenly turned into a crusader. She sprang
+up, seized her gloves, snapped, "I will not touch the stuff." She
+marched down the room, out of the restaurant and away, not once looking
+back at Phil.
+
+In about fifteen seconds she had a humorous picture of Phil trying to
+rush after her, but stopped by the waiter to pay his check. She began to
+wonder if she hadn't been slightly ridiculous in attempting to slay
+Demon Rum by careering down the restaurant. But "I don't care!" she
+said, stoutly. "I'm glad I took a stand instead of just rambling along
+and wondering what it was all about, the way I did with Walter."
+
+Phil caught up to her and instantly began to complain. "Say, you
+certainly made a sight out of yourself--and out of me--leaving me
+sitting there with the waiter laughing his boob head off at me. Lord!
+I'll never dare go near the place again."
+
+"Your own fault." This problem was so clear, so unconfused to her.
+
+"It wasn't all my fault," he said. "You didn't have to take a drink."
+His voice fell to a pathetic whimper. "I was showing you hospitality the
+best way I knew how. You won't never know how you hurt my feelin's."
+
+The problem instantly became complicated again. Perhaps she _had_ hurt
+his rudimentary sense of courtesy. Perhaps Walter Babson would have
+sympathized with Phil, not with her. She peeped at Phil. He trailed
+along with a forlorn baby look which did not change.
+
+She was very uncomfortable as she said a brief good-night at the flat.
+She half wished that he would give her a chance to recant. She saw him
+and his injured feelings as enormously important.
+
+She undressed in a tremor of misgiving. She put her thin, pretty kimono
+over her nightgown, braided her hair, and curled on the bed, condemning
+herself for having been so supercilious to the rat who had never had a
+chance.
+
+It was late--long after eleven--when there was a tapping on the door.
+
+She started, listened rigidly.
+
+Phil's voice whispered from the hall: "Open your door just half an inch,
+Miss Golden. Something I wanted to say."
+
+Her pity for him made his pleading request like a command. She drew her
+kimono close and peeped out at him.
+
+"I knew you were up," he whispered; "saw the light under your door. I
+been so worried. I _didn't_ mean to shock you, or nothing, but if you
+feel I _did_ mean to, I want to apologize. Gee! me, I couldn't sleep one
+wink if I thought you was offended."
+
+"It's all right--" she began.
+
+"Say, come into the dining-room. Everybody gone to bed. I want to
+explain--gee! you gotta give me a chance to be good. If _you_ don't use
+no good influence over me, nobody never will, I guess."
+
+His whisper was full of masculine urgency, husky, bold. She shivered.
+She hesitated, did not answer.
+
+"All right," he mourned. "I don't blame you none, but it's pretty
+hard--"
+
+"I'll come just for a moment," she said, and shut the door.
+
+She was excited, flushed. She wrapped her braids around her head, gentle
+braids of pale gold, and her undistinguished face, thus framed, was
+young and sweet.
+
+She hastened out to the dining-room.
+
+What was the "parlor" by day the Grays used for their own bedroom, but
+the dining-room had a big, ugly, leather settee and two rockers, and it
+served as a secondary living-room.
+
+Here Phil waited, at the end of the settee. She headed for a rocker,
+but he piled sofa-cushions for her at the other end of the settee, and
+she obediently sank down there.
+
+"Listen," he said, in a tone of lofty lamentation, "I don't know as I
+can ever, _ever_ make you understand I just wanted to give you a good
+time. I seen you was in mourning, and I thinks, 'Maybe you could
+brighten her up a little--'"
+
+"I am sorry I didn't understand."
+
+"Una, Una! Do you suppose you could ever stoop to helping a bad egg like
+me?" he demanded.
+
+His hand fell on hers. It comforted her chilly hand. She let it lie
+there. Speech became difficult for her.
+
+"Why, why yes--" she stammered.
+
+In reaction to her scorn of him, she was all accepting faith.
+
+"Oh, if you could--and if I could make you less lonely sometimes--"
+
+In his voice was a perilous tenderness; for the rat, trained to beguile
+neurotic patients in his absurd practice, could croon like the very
+mother of pity.
+
+"Yes, I am lonely sometimes," she heard herself admitting--far-off,
+dreaming, needing the close affection that her mother and Walter had
+once given her.
+
+"Poor little girl--you're so much better raised and educated than me,
+but you got to have friendship jus' same."
+
+His arm was about her shoulder. For a second she leaned against him.
+
+All her scorn of him suddenly gathered in one impulse. She sprang
+up--just in time to catch a grin on his face.
+
+"You gutter-rat!" she said. "You aren't worth my telling you what you
+are. You wouldn't understand. You can't see anything but the gutter."
+
+He was perfectly unperturbed: "Poor stuff, kid. Weak come-back. Sounds
+like a drayma. But, say, listen, honest, kid, you got me wrong. What's
+the harm in a little hugging--"
+
+She fled. She was safe in her room. She stood with both arms
+outstretched. She did not feel soiled by this dirty thing. She was
+triumphant. In the silhouette of a water-tank, atop the next-door
+apartment-house, she saw a strong tower of faith.
+
+"Now I don't have to worry about him. I don't have to make any more
+decisions. I know! I'm through! No one can get me just because of
+curiosity about sex again. I'm free. I can fight my way through in
+business and still keep clean. I can! I was hungry for--for even that
+rat. I--Una Golden! Yes, I was. But I don't want to go back to him. I've
+won!
+
+"Oh, Walter, Walter, I do want you, dear, but I'll get along without
+you, and I'll keep a little sacred image of you."
+
+
+
+
+CHAPTER X
+
+
+The three-fourths of Una employed in the office of Mr. Troy Wilkins was
+going through one of those periods of unchanging routine when all past
+drama seems unreal, when nothing novel happens nor apparently ever will
+happen--such a time of dull peacefulness as makes up the major part of
+our lives.
+
+Her only definite impressions were the details of daily work, the
+physical aspects of the office, and the presence of the "Boss."
+
+
+Sec. 2
+
+Day after day the same details of the job: letters arriving, assorted,
+opened, answered by dictation, the answers sealed and stamped (and
+almost every day the same panting crisis of getting off some cosmically
+important letter).... The reception of callers; welcome to clients;
+considerate but firm assurances to persons looking for positions that
+there was "no opening just at _present_--" The suave answering of
+irritating telephone calls.... The filing of letters and plans; the
+clipping of real-estate-transfer items from newspapers.... The
+supervision of Bessie Kraker and the office-boy.
+
+Equally fixed were the details of the grubby office itself. Like many
+men who have pride in the smartest suburban homes available, Mr. Wilkins
+was content with an office shabby and inconvenient. He regarded
+beautiful offices as in some way effeminate.... His wasn't effeminate;
+it was undecorative as a filled ash-tray, despite Una's daily following
+up of the careless scrubwomen with dust-cloth and whisk. She knew every
+inch of it, as a gardener knows his plot. She could never keep from
+noticing and running her finger along the pebbled glass of the
+oak-and-glass partition about Mr. Wilkins's private office, each of the
+hundreds of times a day she passed it; and when she lay awake at
+midnight, her finger-tips would recall precisely the feeling of that
+rough surface, even to the sharp edges of a tiny flaw in the glass over
+the bookcase.
+
+Or she would recall the floor-rag--symbol of the hard realness of the
+office grind....
+
+It always hung over the twisted, bulbous lead pipes below the stationary
+basin in the women's wash-room provided by the Septimus Building for the
+women on three floors. It was a rag ancient and slate-gray, grotesquely
+stiff and grotesquely hairy at its frayed edges--a corpse of a scrub-rag
+in _rigor mortis_. Una was annoyed with herself for ever observing so
+unlovely an object, but in the moment of relaxation when she went to
+wash her hands she was unduly sensitive to that eternal rag, and to the
+griminess of the wash-room--the cracked and yellow-stained wash-bowl,
+the cold water that stung in winter, the roller-towel which she spun
+round and round in the effort to find a dry, clean, square space, till,
+in a spasm of revulsion, she would bolt out of the wash-room with her
+face and hands half dried.
+
+Woman's place is in the home. Una was doubtless purely perverse in
+competing with men for the commercial triumphs of running that gray, wet
+towel round and round on its clattering roller, and of wondering whether
+for the entire remainder of her life she would see that dead scrub-rag.
+
+It was no less annoying a fact that Bessie and she had only one
+waste-basket, which was invariably at Bessie's desk when Una reached for
+it.
+
+Or that the door of the supply-cupboard always shivered and stuck.
+
+Or that on Thursday, which is the three P.M. of the week, it seemed
+impossible to endure the tedium till Saturday noon; and that,
+invariably, her money was gone by Friday, so that Friday lunch was
+always a mere insult to her hunger, and she could never get her gloves
+from the cleaner till after Saturday pay-day.
+
+Una knew the office to a point where it offered few beautiful surprises.
+
+And she knew the tactics of Mr. Troy Wilkins.
+
+All managers--"bosses"--"chiefs"--have tactics for keeping discipline;
+tricks which they conceive as profoundly hidden from their underlings,
+and which are intimately known and discussed by those underlings....
+There are the bosses who "bluff," those who lie, those who give
+good-fellowship or grave courtesy in lieu of wages. None of these was
+Mr. Wilkins. He was dully honest and clumsily paternal. But he was a
+roarer, a grumbler; he bawled and ordained, in order to encourage
+industry and keep his lambs from asking for "raises." Thus also he tried
+to conceal his own mistakes; when a missing letter for which everybody
+had been anxiously searching was found on his own desk, instead of in
+the files, he would blare, "Well, why didn't you tell me you put it on
+my desk, heh?" He was a delayer also and, in poker patois, a passer of
+the buck. He would feebly hold up a decision for weeks, then make a
+whole campaign of getting his office to rush through the task in order
+to catch up; have a form of masculine-commuter hysterics because Una and
+Bessie didn't do the typing in a miraculously short time.... He never
+cursed; he was an ecclesiastical believer that one of the chief aims of
+man is to keep from saying those mystic words "hell" and "damn"; but he
+could make "darn it" and "why in tunket" sound as profane as a
+gambling-den.... There was included in Una's duties the pretense of
+believing that Mr. Wilkins was the greatest single-handed villa
+architect in Greater New York. Sometimes it nauseated her. But often he
+was rather pathetic in his shaky desire to go on having faith in his
+superseded ability, and she would willingly assure him that his rivals,
+the boisterous young firm of Soule, Smith & Fissleben, were frauds.
+
+All these faults and devices of Mr. Troy Wilkins Una knew. Doubtless he
+would have been astonished to hear that fact, on evenings in his
+plate-racked, much-raftered, highly built-in suburban dining-room, when
+he discoursed to the admiring Mrs. Wilkins and the mouse-like little
+Wilkinses on the art of office discipline; or mornings in the second
+smoker of the 8.16 train, when he told the other lords of the world that
+"these stenographers are all alike--you simply can't get 'em to learn
+system."
+
+It is not recorded whether Mr. Wilkins also knew Una's faults--her habit
+of falling a-dreaming at 3.30 and trying to make it up by working
+furiously at 4.30; her habit of awing the good-hearted Bessie Kraker by
+posing as a nun who had never been kissed nor ever wanted to be; her
+graft of sending the office-boy out for ten-cent boxes of cocoanut
+candy; and a certain resentful touchiness and ladylikeness which made it
+hard to give her necessary orders. Mr. Wilkins has never given
+testimony, but he is not the villain of the tale, and some authorities
+have a suspicion that he did not find Una altogether perfect.
+
+
+Sec. 3
+
+It must not be supposed that Una or her million sisters in business were
+constantly and actively bored by office routine.
+
+Save once or twice a week, when he roared, and once or twice a month,
+when she felt that thirteen dollars a week was too little, she rather
+liked Mr. Wilkins--his honesty, his desire to make comfortable homes for
+people, his cheerful "Good-morning!" his way of interrupting dictation
+to tell her antiquated but jolly stories, his stolid, dependable-looking
+face.
+
+She had real satisfaction in the game of work--in winning points and
+tricks in doing her work briskly and well, in helping Mr. Wilkins to
+capture clients. She was eager when she popped in to announce to him
+that a wary, long-pursued "prospect" had actually called. She was rather
+more interested in her day's work than are the average of meaningless
+humanity who sell gingham and teach algebra and cure boils and repair
+lawn-mowers, because she was daily more able to approximate perfection,
+to look forward to something better--to some splendid position at twenty
+or even twenty-five dollars a week. She was certainly in no worse plight
+than perhaps ninety-five million of her free and notoriously red-blooded
+fellow-citizens.
+
+But she was in no better plight. There was no drama, no glory in
+affection, nor, so long as she should be tied to Troy Wilkins's
+dwindling business, no immediate increase in power. And the sameness,
+the unceasing discussions with Bessie regarding Mr. Wilkins--Mr.
+Wilkins's hat, Mr. Wilkins's latest command, Mr. Wilkins's lost
+fountain-pen, Mr. Wilkins's rudeness to the salesman for the Sky-line
+Roofing Company, Mr. Wilkins's idiotic friendship for Muldoon, the
+contractor, Mr. Wilkins's pronounced unfairness to the office-boy in
+regard to a certain lateness in arrival--
+
+At best, Una got through day after day; at worst, she was as profoundly
+bored as an explorer in the arctic night.
+
+
+Sec. 4
+
+Una, the initiate New-Yorker, continued her study of city ways and city
+currents during her lunch-hours. She went down to Broad Street to see
+the curb market; marveled at the men with telephones in little coops
+behind opened windows; stared at the great newspaper offices on Park
+Row, the old City Hall, the mingling on lower Broadway of
+sky-challenging buildings with the history of pre-Revolutionary days.
+She got a momentary prejudice in favor of socialism from listening to an
+attack upon it by a noon-time orator--a spotted, badly dressed man whose
+favorite slur regarding socialists was that they were spotted and badly
+dressed. She heard a negro shouting dithyrambics about some religion she
+could never make out.
+
+Sometimes she lunched at a newspaper-covered desk, with Bessie and the
+office-boy, on cold ham and beans and small, bright-colored cakes which
+the boy brought in from a bakery. Sometimes she had boiled eggs and
+cocoa at a Childs restaurant with stenographers who ate baked apples,
+rich Napoleons, and, always, coffee. Sometimes at a cafeteria, carrying
+a tray, she helped herself to crackers and milk and sandwiches.
+Sometimes at the Arden Tea Room, for women only, she encountered
+charity-workers and virulently curious literary ladies, whom she
+endured for the marked excellence of the Arden chicken croquettes.
+Sometimes Bessie tempted her to a Chinese restaurant, where Bessie, who
+came from the East Side and knew a trick or two, did not order
+chop-suey, like a tourist, but noodles and eggs foo-young.
+
+In any case, the lunch-hour and the catalogue of what she was so vulgar
+as to eat were of importance in Una's history, because that hour broke
+the routine, gave her for an hour a deceptive freedom of will, of choice
+between Boston beans and--New York beans. And her triumphant common
+sense was demonstrated, for she chose light, digestible food, and kept
+her head clear for the afternoon, while her overlord, Mr. Troy Wilkins,
+like vast numbers of his fellow business men, crammed himself with
+beefsteak-and-kidney pudding, drugged himself with cigar smoke and pots
+of strong coffee and shop-talk, spoke earnestly of the wickedness of
+drunkenness, and then, drunk with food and tobacco and coffee and talk,
+came back dizzy, blur-eyed, slow-nerved; and for two hours tried to get
+down to work.
+
+After hours of trudging through routine, Una went home.
+
+She took the Elevated now instead of the Subway. That was important in
+her life. It meant an entire change of scenery.
+
+On the Elevated, beside her all evening, hovering over her bed at night,
+was Worry.
+
+"Oh, I ought to have got all that Norris correspondence copied to-day. I
+_must_ get at it first thing in the morning.... I wonder if Mr. Wilkins
+was sore because I stayed out so long for lunch?... What would I do if I
+were fired?"
+
+So would she worry as she left the office. In the evening she wouldn't
+so much criticize herself as suddenly and without reason remember
+office settings and incidents--startle at a picture of the T-square at
+which she had stared while Mr. Wilkins was telephoning.... She wasn't
+weary because she worried; she worried because she was weary from the
+airless, unnatural, straining life. She worried about everything
+available, from her soul to her finger-nails; but the office offered the
+largest number of good opportunities.
+
+"After all," say the syndicated philosophers, "the office takes only
+eight or nine hours a day. The other fifteen or sixteen, you are free to
+do as you wish--loaf, study, become an athlete." This illuminative
+suggestion is usually reinforced by allusions to Lincoln and Edison.
+
+Only--you aren't a Lincoln or an Edison, for the most part, and you
+don't do any of those improving things. You have the office with you, in
+you, every hour of the twenty-four, unless you sleep dreamlessly and
+forget--which you don't. Probably, like Una, you do not take any
+exercise to drive work-thoughts away.
+
+She often planned to take exercise regularly; read of it in women's
+magazines. But she could never get herself to keep up the earnest
+clowning of bedroom calisthenics; gymnasiums were either reekingly
+crowded or too expensive--and even to think of undressing and dressing
+for a gymnasium demanded more initiative than was left in her fagged
+organism. There was walking--but city streets become tiresomely
+familiar. Of sports she was consistently ignorant.
+
+So all the week she was in the smell and sound of the battle, until
+Saturday evening with its blessed rest--the clean, relaxed time which
+every woman on the job knows.
+
+Saturday evening! No work to-morrow! A prospect of thirty-six hours of
+freedom. A leisurely dinner, a languorous slowness in undressing, a hot
+bath, a clean nightgown, and fresh, smooth bed-linen. Una went to bed
+early to enjoy the contemplation of these luxuries. She even put on a
+lace bed-cap adorned with pink silk roses. The pleasure of relaxing in
+bed, of looking lazily at the pictures in a new magazine, of drifting
+into slumber--not of stepping into a necessary sleep that was only the
+anteroom of another day's labor....
+
+Such was her greatest joy in this period of uneventfulness.
+
+
+Sec. 5
+
+Una was, she hoped, "trying to think about things." Naturally, one who
+used that boarding-house phrase could not think transformingly.
+
+She wasn't illuminative about Romain Rolland or Rodin or village
+welfare. She was still trying to decide whether the suffrage movement
+was ladylike and whether Dickens or Thackeray was the better novelist.
+But she really was trying to decide.
+
+She compiled little lists of books to read, "movements" to investigate.
+She made a somewhat incoherent written statement of what she was trying
+to do, and this she kept in her top bureau drawer, among the ribbons,
+collars, imitation pearl necklaces, handkerchiefs, letters from Walter,
+and photographs of Panama and her mother.
+
+She took it out sometimes, and relieved the day's accumulated suffering
+by adding such notes as:
+
+"Be nice & human w. employes if ever have any of own; office wretched
+hole anyway bec. of econ. system; W. used to say, why make worse by
+being cranky."
+
+Or:
+
+"Study music, it brings country and W. and poetry and everything; take
+piano les. when get time."
+
+So Una tramped, weary always at dusk, but always recreated at dawn,
+through one of those periods of timeless, unmarked months, when all
+drama seems past and unreal and apparently nothing will ever happen
+again.
+
+Then, in one week, everything became startling--she found melodrama and
+a place of friendship.
+
+
+
+
+CHAPTER XI
+
+
+"I'm tired of the Grays. They're very nice people, but they can't talk,"
+said Una to Bessie Kraker, at lunch in the office, on a February day.
+
+"How do yuh mean 'can't talk'? Are they dummies?" inquired Bessie.
+
+"Dummies?"
+
+"Yuh, sure, deef and dumb."
+
+"Why, no, I mean they don't talk my language--they don't, oh, they
+don't, I suppose you'd say 'conversationalize.' Do you see?"
+
+"Oh yes," said Bessie, doubtfully. "Say, listen, Miss Golden. Say, I
+don't want to butt in, and maybe you wouldn't be stuck on it much, but
+they say it's a dead-swell place to live--Miss Kitson, the boss's
+secretary where I was before, lived there--"
+
+"Say, for the love o' Mike, _say_ it: _Where?_" interrupted the
+office-boy.
+
+"You shut your nasty trap. I was just coming to it. The Temperance and
+Protection Home, on Madison Avenue just above Thirty-fourth. They say
+it's kind of strict, but, gee! there's a' _ausgezeichnet_ bunch of dames
+there, artists and everything, and they say they feed you swell, and it
+only costs eight bucks a week."
+
+"Well, maybe I'll look at it," said Una, dubiously.
+
+Neither the forbidding name nor Bessie's moral recommendation made the
+Home for Girls sound tempting, but Una was hungry for companionship;
+she was cold now toward the unvarying, unimaginative desires of men.
+Among the women "artists and everything" she might find the friends she
+needed.
+
+The Temperance and Protection Home Club for Girls was in a solemn,
+five-story, white sandstone structure with a severe doorway of iron
+grill, solid and capable-looking as a national bank. Una rang the bell
+diffidently. She waited in a hall that, despite its mission settee and
+red-tiled floor, was barrenly clean as a convent. She was admitted to
+the business-like office of Mrs. Harriet Fike, the matron of the Home.
+
+Mrs. Fike had a brown, stringy neck and tan bangs. She wore a mannish
+coat and skirt, flat shoes of the kind called "sensible" by everybody
+except pretty women, and a large silver-mounted crucifix.
+
+"Well?" she snarled.
+
+"Some one-- I'd like to find out about coming here to
+live--to see the place, and so on. Can you have somebody show me one of
+the rooms?"
+
+"My dear young lady, the first consideration isn't to 'have somebody
+show you' or anybody else a room, but to ascertain if you are a fit
+person to come here."
+
+Mrs. Fike jabbed at a compartment of her desk, yanked out a
+corduroy-bound book, boxed its ears, slammed it open, glared at Una in a
+Christian and Homelike way, and began to shoot questions:
+
+"Whatcha name?"
+
+"Una Golden."
+
+"Miss uh Miss?"
+
+"I didn't quite--"
+
+"Miss or Mrs., I _said_. Can't you understand English?"
+
+"See here, I'm not being sent to jail that I know of!" Una rose,
+tremblingly.
+
+Mrs. Fike merely waited and snapped: "Sit down. You look as though you
+had enough sense to understand that we can't let people we don't know
+anything about enter a decent place like this.... Miss or Mrs., I said?"
+
+"Miss," Una murmured, feebly sitting down again.
+
+"What's your denomination?... No agnostics or Catholics allowed!"
+
+Una heard herself meekly declaring, "Methodist."
+
+"Smoke? Swear? Drink liquor? Got any bad habits?"
+
+"No!"
+
+"Got a lover, sweetheart, gentleman friend? If so, what name or names?"
+
+"No."
+
+"That's what they all say. Let me tell you that later, when you expect
+to have all these male cousins visit you, we'll reserve the privilege to
+ask questions.... Ever served a jail sentence?"
+
+"Now really--! Do I look it?"
+
+"My dear miss, wouldn't you feel foolish if I said 'yes'? _Have_ you? I
+warn you we look these things up!"
+
+"No, I have _not_."
+
+"Well, that's comforting.... Age?"
+
+"Twenty-six."
+
+"Parents living? Name nearest relatives? Nearest friends? Present
+occupation?"
+
+Even as she answered this last simple question and Mrs. Fike's
+suspicious query about her salary, Una felt as though she were perjuring
+herself, as though there were no such place as Troy Wilkins's
+office--and Mrs. Fike knew it; as though a large policeman were secreted
+behind the desk and would at any moment pop out and drag her off to
+jail. She answered with tremorous carefulness. By now, the one thing
+that she wanted to do was to escape from that Christian and strictly
+supervised Napoleon, Mrs. Fike, and flee back to the Grays.
+
+"Previous history?" Mrs. Fike was grimly continuing, and she followed
+this question by ascertaining Una's ambitions, health, record for
+insanity, and references.
+
+Mrs. Fike closed the query-book, and observed:
+
+"Well, you are rather fresh, but you seem to be acceptable--and now you
+may look us over and see whether we are acceptable to you. Don't think
+for one moment that this institution needs you, or is trying to lift you
+out of a life of sin, or that we suppose this to be the only place in
+New York to live. We know what we want--we run things on a scientific
+basis--but we aren't so conceited as to think that everybody likes us.
+Now, for example, I can see that you don't like me and my ways one bit.
+But Lord love you, that isn't necessary. The one thing necessary is for
+me to run this Home according to the book, and if you're fool enough to
+prefer a slap-dash boarding-house to this hygienic Home, why, you'll
+make your bed--or rather some slattern of a landlady will make it--and
+you can lie in it. Come with me. No; first read the rules."
+
+Una obediently read that the young ladies of the Temperance Home were
+forbidden to smoke, make loud noises, cook, or do laundry in their
+rooms, sit up after midnight, entertain visitors "of any sort except
+mothers and sisters" in any place in the Home, "except in the parlors
+for that purpose provided." They were not permitted to be out after ten
+unless their names were specifically entered in the "Out-late Book"
+before their going. And they were "requested to answer all reasonable
+questions of matron, or board of visitors, or duly qualified inspectors,
+regarding moral, mental, physical, and commercial well-being and
+progress."
+
+Una couldn't resist asking, "I suppose it isn't forbidden to sleep in
+our rooms, is it?"
+
+Mrs. Fike looked over her, through her, about her, and remarked: "I'd
+advise you to drop all impudence. You see, you don't do it well. We
+admit East Side Jews here and they are so much quicker and wittier than
+you country girls from Pennsylvania and Oklahoma, and Heaven knows
+where, that you might just as well give up and try to be ladies instead
+of humorists. Come, we will take a look at the Home."
+
+By now Una was resolved not to let Mrs. Fike drive her away. She would
+"show her"; she would "come and live here just for spite."
+
+What Mrs. Fike thought has not been handed down.
+
+She led Una past a series of closets, each furnished with two straight
+chairs on either side of a table, a carbon print of a chilly-looking
+cathedral, and a slice of carpet on which one was rather disappointed
+not to find the label, "Bath Mat."
+
+"These are the reception-rooms where the girls are allowed to receive
+callers. _Any_ time--up to a quarter to ten," Mrs. Fike said.
+
+Una decided that they were better fitted for a hair-dressing
+establishment.
+
+The living-room was her first revelation of the Temperance Home as
+something besides a prison--as an abiding-place for living, eager,
+sensitive girls. It was not luxurious, but it had been arranged by some
+one who made allowance for a weakness for pretty things, even on the
+part of young females observing the rules in a Christian home. There was
+a broad fireplace, built-in book-shelves, a long table; and, in wicker
+chairs with chintz cushions, were half a dozen curious girls. Una was
+sure that one of them, a fizzy-haired, laughing girl, secretly nodded to
+her, and she was comforted.
+
+Up the stairs to a marvelous bathroom with tempting shower-baths, a
+small gymnasium, and, on the roof, a garden and loggia and basket-ball
+court. It was cool and fresh up here, on even the hottest summer
+evenings, and here the girls were permitted to lounge in negligees till
+after ten, Mrs. Fike remarked, with a half-smile.
+
+Una smiled back.
+
+As they went through the bedroom floors, with Mrs. Fike stalking ahead,
+a graceful girl in lace cap and negligee came bouncing out of a door
+between them, drew herself up and saluted Mrs. Fike's back, winked at
+Una amicably, and for five steps imitated Mrs. Fike's aggressive stride.
+
+"Yes, I would be glad to come here!" Una said, cheerfully, to Mrs. Fike,
+who looked at her suspiciously, but granted: "Well, we'll look up your
+references. Meantime, if you like--or don't like, I suppose--you might
+talk to a Mrs. Esther Lawrence, who wants a room-mate."
+
+"Oh, I don't think I'd like a room-mate."
+
+"My dear young lady, this place is simply full of young persons who
+would like and they wouldn't like--and forsooth we must change every
+plan to suit their high and mighty convenience! I'm not at all sure that
+we shall have a single room vacant for at least six months, and of
+course--"
+
+"Well, could I talk to Mrs.--Lawrence, was it?"
+
+"Most assuredly. I _expect_ you to talk to her! Come with me."
+
+Una followed abjectly, and the matron seemed well pleased with her
+reformation of this wayward young woman. Her voice was curiously anemic,
+however, as she rapped on a bedroom door and called, "Oh, Mrs.
+Lawrence!"
+
+A husky, capable voice within, "Yeah, what is 't?"
+
+"It's Mrs. Fike, deary. I think I have a room-mate for you."
+
+"Well, you wait 'll I get something on, will you!"
+
+Mrs. Fike waited. She waited two minutes. She looked at a wrist-watch in
+a leather band while she tapped her sensibly clad foot. She tried again:
+"We're _waiting_, deary!"
+
+There was no answer from within, and it was two minutes more before the
+door was opened.
+
+Una was conscious of a room pleasant with white-enameled woodwork; a
+denim-covered couch and a narrow, prim brass bed, a litter of lingerie
+and sheets of newspaper; and, as the dominating center of it all, a
+woman of thirty, tall, high-breasted, full-faced, with a nose that was
+large but pleasant, black eyes that were cool and direct and
+domineering--Mrs. Esther Lawrence.
+
+"You kept us waiting so long," complained Mrs. Fike.
+
+Mrs. Lawrence stared at her as though she were an impudent servant. She
+revolved on Una, and with a self-confident kindliness in her voice,
+inquired, "What's your name, child?"
+
+"Una Golden."
+
+"We'll talk this over.... Thank you, Mrs. Fike."
+
+"Well, now," Mrs. Fike endeavored, "be sure you both are satisfied--"
+
+"Don't you worry! We will, all right!"
+
+Mrs. Fike glared at her and retired.
+
+Mrs. Lawrence grinned, stretched herself on the couch, mysteriously
+produced a cigarette, and asked, "Smoke?"
+
+"No, thanks."
+
+"Sit down, child, and be comfy. Oh, would you mind opening that window?
+Not supposed to smoke.... Poor Ma Fike--I just can't help deviling her.
+Please don't think I'm usually as nasty as I am with her. She has to be
+kept in her place or she'll worry you to death.... Thanks.... Do sit
+down--woggle up the pillow on the bed and be comfy.... You look like a
+nice kid--me, I'm a lazy, slatternly, good-natured old hex, with all the
+bad habits there are and a profound belief that the world is a hell of a
+place, but I'm fine to get along with, and so let's take a shot at
+rooming together. If we scrap, we can quit instanter, and no bad
+feelings.... I'd really like to have you come in, because you look as
+though you were on, even if you are rather meek and kitteny; and I'm
+scared to death they'll wish some tough little Mick on to me, or some
+pious sister who hasn't been married and believes in pussy-footing
+around and taking it all to God in prayer every time I tell her the
+truth.... What do you think, kiddy?"
+
+Una was by this cock-sure disillusioned, large person more delighted
+than by all the wisdom of Mr. Wilkins or the soothing of Mrs. Sessions.
+She felt that, except for Walter, it was the first time since she had
+come to New York that she had found an entertaining person.
+
+"Yes," she said, "do let's try it."
+
+"Good! Now let me warn you first off, that I may be diverting at times,
+but I'm no good. To-morrow I'll pretend to be a misused and unfortunate
+victim, but your young and almost trusting eyes make me feel candid for
+about fifteen minutes. I certainly got a raw deal from my beloved
+husband--that's all you'll hear from me about him. By the way, I'm
+typical of about ten thousand married women in business about whose
+noble spouses nothing is ever said. But I suppose I ought to have bucked
+up and made good in business (I'm a bum stenog. for Pitcairn, McClure &
+Stockley, the bond house). But I can't. I'm too lazy, and it doesn't
+seem worth while.... And, oh, we are exploited, women who are on jobs.
+The bosses give us a lot of taffy and raise their hats--but they don't
+raise our wages, and they think that if they keep us till two G.M.
+taking dictation they make it all right by apologizing. Women are a lot
+more conscientious on jobs than men are--but that's because we're fools;
+you don't catch the men staying till six-thirty because the boss has
+shystered all afternoon and wants to catch up on his correspondence. But
+we--of course we don't dare to make dates for dinner, lest we have to
+stay late. We don't _dare_!"
+
+"I bet _you_ do!"
+
+"Yes--well, I'm not so much of a fool as some of the rest--or else more
+of a one. There's Mamie Magen--she's living here; she's with Pitcairn,
+too. You'll meet her and be crazy about her. She's a lame Jewess, and
+awfully plain, except she's got lovely eyes, but she's got a mind like a
+tack. Well, she's the little angel-pie about staying late, and some day
+she'll probably make four thousand bucks a year. She'll be mayor of New
+York, or executive secretary of the Young Women's Atheist Association or
+something. But still, she doesn't stay late and plug hard because she's
+scared, but because she's got ambition. But most of the women--Lord!
+they're just cowed sheep."
+
+"Yes," said Una.
+
+A million discussions of Women in Business going on--a thousand of them
+at just that moment, perhaps--men employers declaring that they couldn't
+depend on women in their offices, women asserting that women were the
+more conscientious. Una listened and was content; she had found some one
+with whom to play, with whom to talk and hate the powers.... She felt an
+impulse to tell Mrs. Lawrence all about Troy Wilkins and her mother
+and--and perhaps even about Walter Babson. But she merely treasured up
+the thought that she could do that some day, and politely asked:
+
+"What about Mrs. Fike? Is she as bad as she seems?"
+
+"Why, that's the best little skeleton of contention around here. There's
+three factions. Some girls say she's just plain devil--mean as a
+floor-walker. That's what I think--she's a rotter and a four-flusher.
+You notice the way she crawls when I stand up to her. Why, they won't
+have Catholics here, and I'm one of those wicked people, and she knows
+it! When she asked my religion I told her I was a 'Romanist
+Episcopalian,' and she sniffed and put me down as an Episcopalian--I saw
+her!... Then some of the girls think she's really good-hearted--just
+gruff--bark worse than her bite. But you ought to see how she barks at
+some of the younger girls--scares 'em stiff--and keeps picking on them
+about regulations--makes their lives miserable. Then there's a third
+section that thinks she's merely institutionalized--training makes her
+as hard as any other kind of a machine. You'll find lots like her in
+this town--in all the charities."
+
+"But the girls--they do have a good time here?"
+
+"Yes, they do. It's sort of fun to fight Ma Fike and all the fool rules.
+I enjoy smoking here twice as much as I would anywhere else. And Fike
+isn't half as bad as the board of visitors--bunch of fat, rich, old
+Upper-West-Siders with passementeried bosoms, doing tea-table charity,
+and asking us impertinent questions, and telling a bunch of hard-worked
+slaves to be virtuous and wash behind their ears--the soft, ignorant,
+conceited, impractical parasites! But still, it's all sort of like a
+cranky boarding-school for girls--and you know what fun the girls have
+there, with midnight fudge parties and a teacher pussy-footing down the
+hall trying to catch them."
+
+"I don't know. I've never been to one."
+
+"Well--doesn't matter.... Another thing--some day, when you come to know
+more men-- Know many?"
+
+"Very few."
+
+"Well, you'll find this town is full of bright young men seeking an
+economical solution of the sex problem--to speak politely--and you'll
+find it a relief not to have them on your door-step. 'S safe here....
+Come in with me, kid. Give me an audience to talk to."
+
+"Yes," said Una.
+
+
+Sec. 2
+
+It was hard to leave the kindly Herbert Grays of the flat, but Una made
+the break and arranged all her silver toilet-articles--which consisted
+of a plated-silver hair-brush, a German-silver nail-file, and a good,
+plain, honest rubber comb--on the bureau in Mrs. Lawrence's room.
+
+With the shyness of a girl on her first night in boarding-school, Una
+stuck to Mrs. Lawrence's side in the noisy flow of strange girls down to
+the dining-room. She was used to being self-absorbed in the noisiest
+restaurants, but she was trembly about the knees as she crossed the room
+among curious upward glances; she found it very hard to use a fork
+without clattering it on the plate when she sat with Mrs. Lawrence and
+four strangers, at a table for six.
+
+They all were splendidly casual and wise and good-looking. With no men
+about to intimidate them--or to attract them--they made a solid phalanx
+of bland, satisfied femininity, and Una felt more barred out than in an
+office. She longed for a man who would be curious about her, or cross
+with her, or perform some other easy, customary, simple-hearted
+masculine trick.
+
+But she was taken into the friendship of the table when Mrs. Lawrence
+had finished a harangue on the cardinal sin of serving bean soup four
+times in two weeks.
+
+"Oh, shut up, Lawrence, and introduce the new kid!" said one girl.
+
+"You wait till I get through with my introductory remarks, Cassavant.
+I'm inspired to-night. I'm going to take a plate of bean soup and fit it
+over Ma Fike's head--upside down."
+
+"Oh, give Ma Fike a rest!"
+
+Una was uneasy. She wasn't sure whether this repartee was friendly good
+spirits or a nagging feud. Like all the ungrateful human race, she
+considered whether she ought to have identified herself with the noisy
+Esther Lawrence on entering the Home. So might a freshman wonder, or the
+guest of a club; always the amiable and vulgar Lawrences are most
+doubted when they are best-intentioned.
+
+Una was relieved when she was welcomed by the four:
+
+Mamie Magen, the lame Jewess, in whose big brown eyes was an eternal
+prayer for all of harassed humanity.
+
+Jennie Cassavant, in whose eyes was chiefly a prayer that life would
+keep on being interesting--she, the dark, slender, loquacious, observant
+child who had requested Mrs. Lawrence to shut up.
+
+Rose Larsen, like a pretty, curly-haired boy, though her shoulders were
+little and adorable in a white-silk waist.
+
+Mrs. Amesbury, a nun of business, pale and silent; her thin throat
+shrouded in white net; her voice low and self-conscious; her very blood
+seeming white--a woman with an almost morbid air of guarded purity, whom
+you could never associate with the frank crudities of marriage. Her
+movements were nervous and small; she never smiled; you couldn't be
+boisterous with her. Yet, Mrs. Lawrence whispered she was one of the
+chief operators of the telephone company, and, next to the thoughtful
+and suffering Mamie Magen, the most capable woman she knew.
+
+"How do you like the Tempest and Protest, Miss Golden?" the lively
+Cassavant said, airily.
+
+"I don't--"
+
+"Why! The Temperance and Protection Home."
+
+"Well, I like Mrs. Fike's shoes. I should think they'd be fine to throw
+at cats."
+
+"Good work, Golden. You're admitted!"
+
+"Say, Magen," said Mrs. Lawrence, "Golden agrees with me about
+offices--no chance for women--"
+
+Mamie Magen sighed, and "Esther," she said, in a voice which must
+naturally have been rasping, but which she had apparently learned to
+control like a violin--"Esther dear, if you could ever understand what
+offices have done for me! On the East Side--always it was work and work
+and watch all the pretty girls in our block get T. B. in
+garment-factories, or marry fellows that weren't any good and have a
+baby every year, and get so thin and worn out; and the garment-workers'
+strikes and picketing on cold nights. And now I am in an office--all the
+fellows are dandy and polite--not like the floor superintendent where I
+worked in a department store; he would call down a cash-girl for making
+change slow--! I have a chance to do anything a man can do. The boss is
+just crazy to find women that will take an _interest_ in the work, like
+it was their own you know, he told you so himself--"
+
+"Sure, I know the line of guff," said Mrs. Lawrence. "And you take an
+interest, and get eighteen plunks per for doing statistics that they
+couldn't get a real college male in trousers to do for less than
+thirty-five."
+
+"Or put it like this, Lawrence," said Jennie Cassavant. "Magen admits
+that the world in general is a muddle, and she thinks offices are heaven
+because by comparison with sweat-shops they are half-way decent."
+
+The universal discussion was on. Everybody but Una and the nun of
+business threw everything from facts to bread pills about the table, and
+they enjoyed themselves in as unfeminized and brutal a manner as men in
+a cafe. Una had found some one with whom to talk her own shop--and shop
+is the only reasonable topic of conversation in the world; witness
+authors being intellectual about editors and romanticism; lovers
+absorbed in the technique of holding hands; or mothers interested in
+babies, recipes, and household ailments.
+
+After dinner they sprawled all over the room of Una and Mrs. Lawrence,
+and talked about theaters, young men, and Mrs. Fike for four solid
+hours--all but the pretty, boyish Rose Larsen, who had a young man
+coming to call at eight. Even the new-comer, Una, was privileged to take
+part in giving Rose extensive, highly detailed, and not entirely proper
+advice--advice of a completeness which would doubtless have astonished
+the suitor, then dressing somewhere in a furnished room and unconscious
+of the publicity of his call. Una also lent Miss Larsen a pair of silk
+stockings, helped three other girls to coerce her curly hair, and formed
+part of the solemn procession that escorted her to the top of the stairs
+when the still unconscious young man was announced from below. And it
+was Una who was able to see the young man without herself being seen,
+and to win notoriety by being able to report that he had smooth black
+hair, a small mustache, and carried a stick.
+
+Una was living her boarding-school days now, at twenty-six. The presence
+of so many possible friends gave her self-confidence and
+self-expression. She went to bed happy that night, home among her own
+people, among the women who, noisy or reticent, slack or aspiring, were
+joined to make possible a life of work in a world still heavy-scented
+with the ideals of the harem.
+
+
+
+
+CHAPTER XII
+
+
+That same oasis of a week gave to Una her first taste of business
+responsibility, of being in charge and generally comporting herself as
+do males. But in order to rouse her thus, Chance broke the inoffensive
+limb of unfortunate Mr. Troy Wilkins as he was stepping from his small
+bronchial motor-car to an icy cement block, on seven o'clock of Friday
+evening.
+
+When Una arrived at the office on Saturday morning she received a
+telephone message from Mr. Wilkins, directing her to take charge of the
+office, of Bessie Kraker, and the office-boy, and the negotiations with
+the Comfy Coast Building and Development Company regarding the planning
+of three rows of semi-detached villas.
+
+For three weeks the office was as different from the treadmill that it
+familiarly had been, as the Home Club and Lawrence's controversial room
+were different from the Grays' flat. She was glad to work late, to
+arrive not at eight-thirty, but at a quarter to eight, to gallop down to
+a cafeteria for coffee and a sandwich at noon, to be patient with
+callers, and to try to develop some knowledge of spelling in that child
+of nature, Bessie Kraker. She walked about the office quickly, glancing
+proudly at its neatness. Daily, with an operator's headgear, borrowed
+from the telephone company, over her head, she spent half an hour
+talking with Mr. Wilkins, taking his dictation, receiving his cautions
+and suggestions, reassuring him that in his absence the Subway ran and
+Tammany still ruled. After an agitated conference with the
+vice-president of the Comfy Coast Company, during which she was eloquent
+as an automobile advertisement regarding Mr. Wilkins's former
+masterpieces with their "every modern improvement, parquet floors, beam
+ceilings, plate-rack, hardwood trim throughout, natty and novel
+decorations," Una reached the zenith of salesman's virtues--she "closed
+the deal."
+
+Mr. Wilkins came back and hemmed and hawed a good deal; he praised the
+work she hadn't considered well done, and pointed out faults in what she
+considered particularly clever achievements, and was laudatory but
+dissatisfying in general. In a few days he, in turn, reached the zenith
+of virtue on the part of boss--he raised her salary. To fifteen dollars
+a week. She was again merely his secretary, however, and the office
+trudged through another normal period when all past drama seemed
+incredible and all the future drab.
+
+But Una was certain now that she could manage business, could wheedle
+Bessies and face pompous vice-presidents and satisfy querulous Mr.
+Wilkinses. She looked forward; she picked at architecture as portrayed
+in Mr. Wilkins's big books; she learned the reason and manner of the
+rows of semi-detached, semi-suburban, semi-comfortable, semi-cheap, and
+somewhat less than semi-attractive houses.
+
+She was not afraid of the office world now; she had a part in the city
+and a home.
+
+
+Sec. 2
+
+She thought of Walter Babson. Sometimes, when Mrs. Lawrence was petulant
+or the office had been unusually exhausting, she fancied that she
+missed him. But instead of sitting and brooding over folded hands, in
+woman's ancient fashion, she took a man's unfair advantage--she went up
+to the gymnasium of the Home Club and worked with the chest-weights and
+flying-rings--a solemn, happy, busy little figure. She laughed more
+deeply, and she felt the enormous rhythm of the city, not as a menacing
+roar, but as a hymn of triumph.
+
+She could never be intimate with Mamie Magen as she was with the frankly
+disillusioned Mrs. Lawrence; she never knew whether Miss Magen really
+liked her or not; her smile, which transfigured her sallow face, was
+equally bright for Una, for Mrs. Fike, and for beggars. Yet it was Miss
+Magen whose faith in the purpose of the struggling world inspired Una.
+Una walked with her up Madison Avenue, past huge old brownstone
+mansions, and she was unconscious of suiting her own quick step to Miss
+Magen's jerky lameness as the Jewess talked of her ideals of a business
+world which should have generosity and chivalry and the accuracy of a
+biological laboratory; in which there would be no need of charity to
+employee.... Or to employer.
+
+Mamie Magen was the most highly evolved person Una had ever known. Una
+had, from books and newspapers and Walter Babson, learned that there
+were such things as socialists and earnest pessimists, and the race
+sketchily called "Bohemians"--writers and artists and social workers,
+who drank claret and made love and talked about the free theater, all on
+behalf of the brotherhood of man. Una pictured the socialists as always
+attacking capitalists; the pessimists as always being bitter and
+egotistic; Bohemians as always being dissipated, but as handsome and
+noisy and gay.
+
+But Mamie Magen was a socialist who believed that the capitalists with
+their profit-sharing and search for improved methods of production were
+as sincere in desiring the scientific era as were the most burning
+socialists; who loved and understood the most oratorical of the young
+socialists with their hair in their eyes, but also loved and understood
+the clean little college boys who came into business with a desire to
+make it not a war, but a crusade. She was a socialist who was determined
+to control and glorify business; a pessimist who was, in her gentle
+reticent way, as scornful of half-churches, half-governments,
+half-educations, as the cynical Mrs. Lawrence. Finally, she who was not
+handsome or dissipated or gay, but sallow and lame and Spartan, knew
+"Bohemia" better than most of the professional Hobohemians. As an East
+Side child she had grown up in the classes and parties of the University
+Settlement; she had been held upon the then juvenile knees of half the
+distinguished writers and fighters for reform, who had begun their
+careers as settlement workers; she, who was still unknown, a clerk and a
+nobody, and who wasn't always syntactical, was accustomed to people
+whose names had been made large and sonorous by newspaper publicity; and
+at the age when ambitious lady artists and derailed Walter Babsons came
+to New York and determinedly seized on Bohemia, Mamie Magen had outgrown
+Bohemia and become a worker.
+
+To Una she explained the city, made it comprehensible, made art and
+economics and philosophy human and tangible. Una could not always follow
+her, but from her she caught the knowledge that the world and all its
+wisdom is but a booby, blundering school-boy that needs management and
+could be managed, if men and women would be human beings instead of just
+business men, or plumbers, or army officers, or commuters, or educators,
+or authors, or clubwomen, or traveling salesmen, or Socialists, or
+Republicans, or Salvation Army leaders, or wearers of clothes. She
+preached to Una a personal kinghood, an education in brotherhood and
+responsible nobility, which took in Una's job as much as it did
+government ownership or reading poetry.
+
+
+Sec. 3
+
+Not always was Una breathlessly trying to fly after the lame but
+broad-winged Mamie Magen. She attended High Mass at the Spanish church
+on Washington Heights with Mrs. Lawrence; felt the beauty of the
+ceremony; admired the simple, classic church; adored the padre; and for
+about one day planned to scorn Panama Methodism and become a Catholic,
+after which day she forgot about Methodism and Catholicism. She also
+accompanied Mrs. Lawrence to a ceremony much less impressive and much
+less easily forgotten--to a meeting with a man.
+
+Mrs. Lawrence never talked about her husband, but in this reticence she
+was not joined by Rose Dawn or Jennie Cassavant. Jennie maintained that
+the misfitted Mr. Lawrence was alive, very much so; that Esther and he
+weren't even divorced, but merely separated. The only sanction Mrs.
+Lawrence ever gave to this report was to blurt out one night: "Keep up
+your belief in the mysticism of love and all that kind of sentimental
+sex stuff as long as you can. You'll lose it some day fast enough. Me, I
+know that a woman needs a man just the same as a man needs a woman--and
+just as darned unpoetically. Being brought up a Puritan, I never can
+quite get over the feeling that I oughtn't to have anything to do with
+men--me as I am--but believe me it isn't any romantic ideal. I sure want
+'em."
+
+Mrs. Lawrence continually went to dinners and theaters with men; she
+told Una all the details, as women do, from the first highly proper
+handshake down in the pure-minded hall of the Home Club at eight, to the
+less proper good-night kiss on the dark door-step of the Home Club at
+midnight. But she was careful to make clear that one kiss was all she
+ever allowed, though she grew dithyrambic over the charming, lonely men
+with whom she played--a young doctor whose wife was in a madhouse; a
+clever, restrained, unhappy old broker.
+
+Once she broke out: "Hang it! I want love, and that's all there is to
+it--that's crudely all there ever is to it with any woman, no matter how
+much she pretends to be satisfied with mourning the dead or caring for
+children, or swatting a job or being religious or anything else. I'm a
+low-brow; I can't give you the economics of it and the spiritual
+brotherhood and all that stuff, like Mamie Magen. But I know women want
+a man and love--all of it."
+
+Next evening she took Una to dinner at a German restaurant, as chaperon
+to herself and a quiet, insistent, staring, good-looking man of forty.
+While Mrs. Lawrence and the man talked about the opera, their eyes
+seemed to be defying each other. Una felt that she was not wanted. When
+the man spoke hesitatingly of a cabaret, Una made excuse to go home.
+
+Mrs. Lawrence did not return till two. She moved about the room quietly,
+but Una awoke.
+
+"I'm _glad_ I went with him," Mrs. Lawrence said, angrily, as though she
+were defending herself.
+
+Una asked no questions, but her good little heart was afraid. Though she
+retained her joy in Mrs. Lawrence's willingness to take her and her job
+seriously, Una was dismayed by Mrs. Lawrence's fiercely uneasy interest
+in men.... She resented the insinuation that the sharp, unexpected
+longing to feel Walter's arms about her might be only a crude physical
+need for a man, instead of a mystic fidelity to her lost love.
+
+Being a lame marcher, a mind which was admittedly "shocked at each
+discovery of the aliveness of theory," Una's observation of the stalking
+specter of sex did not lead her to make any very lucid conclusions about
+the matter. But she did wonder a little if this whole business of
+marriages and marriage ceremonies and legal bonds which any clerkly
+pastor can gild with religiosity was so sacred as she had been informed
+in Panama. She wondered a little if Mrs. Lawrence's obvious requirement
+of man's companionship ought to be turned into a sneaking theft of love.
+Una Golden was not a philosopher; she was a workaday woman. But into her
+workaday mind came a low light from the fire which was kindling the
+world; the dual belief that life is too sacred to be taken in war and
+filthy industries and dull education; and that most forms and
+organizations and inherited castes are not sacred at all.
+
+
+Sec. 4
+
+The aspirations of Mamie Magen and the alarming frankness of Mrs.
+Lawrence were not all her life at the Home Club. With pretty Rose Larsen
+and half a dozen others she played. They went in fluttering, beribboned
+parties to the theater; they saw visions at symphony concerts, and
+slipped into exhibits of contemporary artists at private galleries on
+Fifth Avenue. When spring came they had walking parties in Central Park,
+in Van Cortlandt Park, on the Palisades, across Staten Island, and
+picnicked by themselves or with neat, trim-minded, polite men clerks
+from the various offices and stores where the girls worked. They had a
+perpetual joy in annoying Mrs. Fike by parties on fire-escapes, by
+lobster Newburgh suppers at midnight. They were discursively excited
+for a week when Rose Larsen was followed from the surface-car to the
+door by an unknown man; and they were unhappily excited when, without
+explanations, slim, daring Jennie Cassavant was suddenly asked to leave
+the Home Club; and they had a rose-lighted dinner when Livy Hedger
+announced her engagement to a Newark lawyer.
+
+Various were the Home Club women in training and work and ways; they
+were awkward stenographers and dependable secretaries; fashion artists
+and department-store clerks; telephone girls and clever college-bred
+persons who actually read manuscripts and proof, and wrote captions or
+household-department squibs for women's magazines--real editors, or at
+least real assistant editors; persons who knew authors and illustrators,
+as did the great Magen. They were attendants in dentists' offices and
+teachers in night-schools and filing-girls and manicurists and cashiers
+and blue-linen-gowned super-waitresses in artistic tea-rooms. And
+cliques, caste, they did have. Yet their comradeship was very sweet,
+quite real; the factional lines were not drawn according to salary or
+education or family, but according to gaiety or sobriety or propriety.
+
+Una was finding not only her lost boarding-school days, but her second
+youth--perhaps her first real youth.
+
+Though the questions inspired by the exceptional Miss Magen and the
+defiant Mrs. Lawrence kept her restless, her association with the
+play-girls, her growing acquaintanceship with women who were
+easy-minded, who had friends and relatives and a place in the city, who
+did not agonize about their jobs or their loves, who received young men
+casually and looked forward to marriage and a comfortable flat in
+Harlem, made Una feel the city as her own proper dwelling. Now she no
+longer plodded along the streets wonderingly, a detached little
+stranger; she walked briskly and contentedly, heedless of crowds,
+returning to her own home in her own city. Most workers of the city
+remain strangers to it always. But chance had made Una an insider.
+
+It was another chapter in the making of a business woman, that spring of
+happiness and new stirrings in the Home Club; it was another term in the
+unplanned, uninstructed, muddling, chance-governed college which
+civilization unwittingly keeps for the training of men and women who
+will carry on the work of the world.
+
+It passed swiftly, and July and vacation-time came to Una.
+
+
+
+
+CHAPTER XIII
+
+
+It was hard enough to get Mr. Wilkins to set a definite date for her
+summer vacation; the time was delayed and juggled till Mrs. Lawrence,
+who was to have gone with Una, had to set off alone. But it was even
+harder for Una to decide where to go for her vacation.
+
+There was no accumulation of places which she had fervently been
+planning to see. Indeed, Una wasn't much interested in any place besides
+New York and Panama; and of the questions and stale reminiscences of
+Panama she was weary. She decided to go to a farm in the Berkshires
+largely because she had overheard a girl in the Subway say that it was a
+good place.
+
+When she took the train she was brave with a new blue suit, a new
+suit-case, a two-pound box of candy, copies of the _Saturday Evening
+Post_ and the _Woman's Home Companion_, and Jack London's _People of the
+Abyss_, which Mamie Magen had given her. All the way to Pittsfield, all
+the way out to the farm by stage, she sat still and looked politely at
+every large detached elm, every cow or barefoot boy.
+
+She had set her methodical mind in order; had told herself that she
+would have time to think and observe. Yet if a census had been taken of
+her thoughts, not sex nor economics, not improving observations of the
+flora and fauna of western Massachusetts, would have been found, but a
+half-glad, half-hysterical acknowledgment that she had not known how
+tired and office-soaked she was till now, when she had relaxed, and a
+dull, recurrent wonder if two weeks would be enough to get the office
+poison out of her body. Now that she gave up to it, she was so nearly
+sick that she couldn't see the magic of the sheer green hillsides and
+unexpected ponds, the elm-shrined winding road, towns demure and white.
+She did not notice the huge, inn-like farm-house, nor her bare room, nor
+the noisy dining-room. She sat on the porch, exhausted, telling herself
+that she was enjoying the hill's slope down to a pond that was yet
+bright as a silver shield, though its woody shores had blurred into soft
+darkness, the enchantment of frog choruses, the cooing pigeons in the
+barn-yard.
+
+"Listen. A cow mooing. Thank the Lord I'm away from New York--clean
+forgotten it--might be a million miles away!" she assured herself.
+
+Yet all the while she continued to picture the office--Bessie's desk,
+Mr. Wilkins's inkwell, the sinister gray scrub-rag in the wash-room, and
+she knew that she needed some one to lure her mind from the office.
+
+She was conscious that some man had left the chattering rocking-chair
+group at the other end of the long porch and had taken the chair beside
+her.
+
+"Miss Golden!" a thick voice hesitated.
+
+"Yes."
+
+"Say, I thought it was you. Well, well, the world's pretty small, after
+all. Say, I bet you don't remember me."
+
+In the porch light Una beheld a heavy-shouldered, typical American
+business man, in derby hat and clipped mustache, his jowls shining with
+a recent shave; an alert, solid man of about forty-five. She remembered
+him as a man she had been glad to meet; she felt guiltily that she ought
+to know him--perhaps he was a Wilkins client, and she was making future
+difficulty in the office. But place him she could not.
+
+"Oh yes, yes, of course, though I can't just remember your name. I
+always can remember faces, but I never can remember names," she
+achieved.
+
+"Sure, I know how it is. I've often said, I never forget a face, but I
+never can remember names. Well, sir, you remember Sanford Hunt that went
+to the commercial college--"
+
+"Oh, _now_ I know--you're Mr. Schwirtz of the Lowry Paint Company, who
+had lunch with us and told me about the paint company--Mr. Julius
+Schwirtz."
+
+"You got me.... Though the fellows usually call me 'Eddie'--Julius
+Edward Schwirtz is my full name--my father was named Julius, and my
+mother's oldest brother was named Edward--my old dad used to say it
+wasn't respectful to him because I always preferred 'Eddie'--old codger
+used to get quite het up about it. Julius sounds like you was an old
+Roman or something, and in the business you got to have a good easy
+name. Say, speaking of that, I ain't with Lowry any more; I'm chief
+salesman for the AEtna Automobile Varnish and Wax Company. I certainly
+got a swell territory--New York, Philly, Bean-Town, Washi'nun,
+Balt'more, Cleveland, Columbus, Akron, and so on, and of course most
+especially Detroit. Sell right direct to the jobbers and the big auto
+companies. Good bunch of live wires. Some class! I'm rolling in my
+little old four thousand bucks a year now, where before I didn't hardly
+make more 'n twenty-six or twenty-eight hundred. Keeps me on the jump
+alrightee. Fact. I got so tired and run-down-- I hadn't planned to take
+any vacation at all, but the boss himself says to me, 'Eddie, we can't
+afford to let you get sick; you're the best man we've got,' he says,
+'and you got to take a good vacation now and forget all about business
+for a couple weeks.' 'Well,' I says, 'I was just wondering if you was
+smart enough to get along without me if I was to sneak out and rubber at
+some scenery and maybe get up a flirtation with a pretty summer
+girl'--and I guess that must be you, Miss Golden!--and he laughs and
+says, 'Oh yes, I guess the business wouldn't go bust for a few days,'
+and so I goes down and gets a shave and a hair-cut and a singe and a
+shampoo--there ain't as much to cut as there used to be, though--ha,
+ha!--and here I am."
+
+"Yes!" said Una affably....
+
+Miss Una Golden, of Panama and the office, did not in the least feel
+superior to Mr. Eddie Schwirtz's robust commonness. The men she knew,
+except for pariahs like Walter Babson, talked thus. She could admire
+Mamie Magen's verbal symphonies, but with Mr. Schwirtz she was able to
+forget her little private stock of worries and settle down to her
+holiday.
+
+Mr. Schwirtz hitched forward in his rocker, took off his derby, stroked
+his damp forehead, laid his derby and both his hands on his stomach,
+rocked luxuriously, and took a fresh hold on the conversation:
+
+"But say! Here I am gassing all about myself, and you'll want to be
+hearing about Sandy Hunt. Seen him lately?"
+
+"No, I've lost track of him--you _do_ know how it is in such a big
+city."
+
+"Sure, I know how it is. I was saying to a fellow just the other day,
+'Why, gosh all fish-hooks!' I was saying, 'it seems like it's harder to
+keep in touch with a fellow here in New York than if he lived in
+Chicago--time you go from the Bronx to Flatbush or Weehawken, it's time
+to turn round again and go home!' Well, Hunt's married--you know, to
+that same girl that was with us at lunch that day--and he's got a nice
+little house in Secaucus. He's still with Lowry. Good job, too,
+assistant bookkeeper, pulling down his little twenty-seven-fifty
+regular, and they got a baby, and let me tell you she makes him a mighty
+fine wife, mighty bright little woman. Well, now, say! How are _you_
+getting along, Miss Golden? Everything going bright and cheery?"
+
+"Yes--kind of."
+
+"Well, that's good. You'll do fine, and pick up some good live wire of a
+husband, too--"
+
+"I'm never going to marry. I'm going--"
+
+"Why, sure you are! Nice, bright woman like you sticking in an office!
+Office is no place for a woman. Takes a man to stand the racket. Home's
+the place for a woman, except maybe some hatchet-faced old battle-ax
+like the cashier at our shop. Shame to spoil a nice home with her. Why,
+she tried to hold up my vacation money, because she said I'd
+overdrawn--"
+
+"Oh, but Mr. _Schwirtz_, what can a poor girl do, if you high and mighty
+men don't want to marry her?"
+
+"Pshaw. There ain't no trouble like that in your case, I'll gamble!"
+
+"Oh, but there is. If I were pretty, like Rose Larsen--she's a girl that
+stays where I live--oh! I could just eat her up, she's so pretty, curly
+hair and big brown eyes and a round face like a boy in one of those
+medieval pictures--"
+
+"That's all right about pretty squabs. They're all right for a bunch of
+young boys that like a cute nose and a good figger better than they do
+sense-- Well, you notice I remembered you, all right, when you went and
+forgot poor old Eddie Schwirtz. Yessir, by golly! teetotally plumb
+forgot me. I guess I won't get over _that_ slam for a while."
+
+"Now that isn't fair, Mr. Schwirtz; you know it isn't--it's almost dark
+here on the porch, even with the lamps. I couldn't really see you. And,
+besides, I _did_ recognize you--I just couldn't think of your name for
+the moment."
+
+"Yuh, that listens fine, but poor old Eddie's heart is clean busted just
+the same--me thinking of you and your nice complexion and goldie hair
+and the cute way you talked at our lunch--whenever Hunt shut up and gave
+you a chance--honest, I haven't forgot yet the way you took off old
+man--what was it?--the old stiff that ran the commercial college, what
+was his name?"
+
+"Mr. Whiteside?" Una was enormously pleased and interested. Far off and
+dim were Miss Magen and the distressing Mrs. Lawrence; and the office of
+Mr. Troy Wilkins was fading.
+
+"Yuh, I guess that was it. Do you remember how you gave us an imitation
+of him telling the class that if they'd work like sixty they might get
+to be little tin gods on wheels like himself, and how he'd always keep
+dropping his eye-glasses and fishing 'em up on a cord while he was
+talking--don't you remember how you took him off? Why, I thought Mrs.
+Hunt-that-is--I've forgotten what her name was before Sandy married
+her--why, I thought she'd split, laughing. She admired you a whole pile,
+lemme tell you; I could see that."
+
+Not unwelcome to the ears of Una was this praise, but she was properly
+deprecatory: "Why, she probably thought I was just a stuffy, stupid,
+ugly old thing, as old as--"
+
+"As old as Eddie Schwirtz, heh? Go on, insult me! I can stand it! Lemme
+tell you I ain't forty-three till next October. Look here now, little
+sister, I know when a woman admires another. Lemme tell you, if you'd
+ever traveled for dry-goods like I did, out of St. Paul once, for a
+couple of months--nev-er again; paint and varnish is good enough for
+Eddie any day--and if you'd sold a bunch of women buyers, you'd know how
+they looked when they liked a thing, alrightee! Not that I want to knock
+The Sex, y' understand, but you know yourself, bein' a shemale, that
+there's an awful lot of cats among the ladies--God bless 'em--that
+wouldn't admit another lady was beautiful, not if she was as
+good-looking as Lillian Russell, corking figger and the swellest dresser
+in town."
+
+"Yes, perhaps--sometimes," said Una.
+
+She did not find Mr. Schwirtz dull.
+
+"But I was saying: It was a cinch to see that Sandy's girl thought you
+was ace high, alrightee. She kept her eyes glommed onto you all the
+time."
+
+"But what would she find to admire?"
+
+"Uh-huh, fishing for compliments!"
+
+"No, I am _not_, so there!" Una's cheeks burned delightfully. She was
+back in Panama again--in Panama, where for endless hours on dark porches
+young men tease young women and tell them that they are beautiful....
+Mr. Schwirtz was direct and "jolly," like Panama people; but he was so
+much more active and forceful than Henry Carson; so much more hearty
+than Charlie Martindale; so distinguished by that knowledge of New York
+streets and cafes and local heroes which, to Una, the recent convert to
+New York, seemed the one great science.
+
+Their rockers creaked in complete sympathy.
+
+The perfect summer man took up his shepherd's tale:
+
+"There's a whole lot of things she'd certainly oughta have admired in
+you, lemme tell you. I suppose probably Maxine Elliott is better-looking
+than what you are, maybe, but I always was crazy over your kind of
+girl--blond hair and nice, clear eyes and just shoulder-high--kind of a
+girl that could snuggle down beside a fireplace and look like she grew
+there--not one of these domineerin' sufferin' cats females. No, nor one
+of these overdressed New-York chickens, neither, but cute and bright--"
+
+"Oh, you're just flattering me, Mr. Schwirtz. Mr. Hunt told me I should
+watch out for you."
+
+"No, no; you got me wrong there. 'I dwell on what-is-it mountain, and my
+name is Truthful James,' like the poet says! Believe me, I may be a
+rough-neck drummer, but I notice these things."
+
+"Oh!... Oh, do you like poetry?"
+
+Without knowing precisely what she was trying to do, Una was testing Mr.
+Schwirtz according to the somewhat contradictory standards of culture
+which she had acquired from Walter Babson, Mamie Magen, Esther Lawrence,
+Mr. Wilkins's books on architecture, and stray copies of _The Outlook_,
+_The Literary Digest_, _Current Opinion_, _The Nation_, _The
+Independent_, _The Review of Reviews_, _The World's Work_, _Collier's_,
+and _The Atlantic Monthly_, which she had been glancing over in the Home
+Club library. She hadn't learned much of the technique of the arts, but
+she had acquired an uneasy conscience of the sort which rather
+discredits any book or music or picture which it easily enjoys. She was,
+for a moment, apologetic to these insistent new standards, because she
+had given herself up to Mr. Schwirtz's low conversation.... She was not
+vastly different from a young lady just back in Panama from a term in
+the normal school, with new lights derived from a gentlemanly young
+English teacher with poetic interests and a curly mustache.
+
+"Sure," affirmed Mr. Schwirtz, "I like poetry fine. Used to read it
+myself when I was traveling out of St. Paul and got kind of stuck on a
+waitress at Eau Claire." This did not perfectly satisfy Una, but she was
+more satisfied that he had heard the gospel of culture after he had
+described, with much detail, his enjoyment of a "fella from Boston,
+perfessional reciter; they say he writes swell poetry himself; gave us a
+program of Kipling and Ella Wheeler Wilcox before the Elks--real poetic
+fella."
+
+"Do you go to concerts, symphonies, and so on, much?" Una next
+catechized.
+
+"Well, no; that's where I fall down. Just between you and I, I never did
+have much time for these high-brows that try to make out they're so darn
+much better than common folks by talking about motifs and symphony poems
+and all that long-haired stuff. Fellow that's in music goods took me to
+a Philharmonic concert once, and I couldn't make head or tail of the
+stuff--conductor batting a poor musician over the ear with his
+swagger-stick (and him a union man, oughta kicked to his union about the
+way the conductor treated him) and him coming back with a yawp on the
+fiddle and getting two laps ahead of the brass band, and they all
+blowing their stuffings out trying to catch up. Music they call that!
+And once I went to grand opera--lot of fat Dutchmen all singing together
+like they was selling old rags. Aw nix, give me one of the good old
+songs like 'The Last Rose of Summer.'... I bet _you_ could sing that so
+that even a sporting-goods drummer would cry and think about the
+sweetheart he had when he was a kid."
+
+"No, I couldn't--I can't sing a note," Una said, delightedly.... She had
+laughed very much at Mr. Schwirtz's humor. She slid down in her chair
+and felt more expansively peaceful than she ever had been in the stress
+of Walter Babson.
+
+"Straight, now, little sister. Own up. Don't you get more fun out of
+hearing Raymond Hitchcock sing than you do out of a bunch of fiddles and
+flutes fighting out a piece by Vaugner like they was Kilkenny cats?
+'Fess up, now; don't you get more downright amusement?"
+
+"Well, maybe I do, sometimes; but that doesn't mean that all this cheap
+musical comedy music is as good as opera, and so on, if we had our--had
+musical educations--"
+
+"Oh yes; that's what they all say! But I notice that Hitchcock and
+George M. Cohan go on drawing big audiences every night--yes, and the
+swellest, best-dressed, smartest people in New York and Brooklyn,
+too--it's in the gallery at the opera that you find all these Wops and
+Swedes and Lord knows what-all. And when a bunch of people are out at a
+lake, say, you don't ever catch 'em singing Vaugner or Lits or Gryge or
+any of them guys. If they don't sing, 'In the Good Old Summer-Time,'
+it's 'Old Black Joe,' or 'Nelly Was a Lady,' or something that's really
+got some _melody_ to it."
+
+The neophyte was lured from her new-won altar. Cold to her knees was the
+barren stone of the shrine; and she feebly recanted, "Yes, that's so."
+
+Mr. Schwirtz cheerfully took out a cigar, smelled it, bit it,
+luxuriously removed the band, requested permission to smoke, lighted the
+cigar without waiting for an answer to that request, sighed happily, and
+dived again:
+
+"Not that I'm knocking the high-brows, y' understand. This dress-suit
+music is all right for them that likes it. But what I object to is their
+trying to stuff it down _my_ throat! I let 'em alone, and if I want to
+be a poor old low-brow and like reg'lar music, I don't see where they
+get off to be telling me I got to go to concerts. Honest now, ain't that
+the truth?"
+
+"Oh yes, _that_ way--"
+
+"All these here critics telling what low-brows us American business men
+are! Just between you and I, I bet I knock down more good, big, round,
+iron men every week than nine-tenths of these high-brow fiddlers--yes,
+and college professors and authors, too!"
+
+"Yes, but you shouldn't make money your standard," said Una, in company
+with the invisible chorus of Mamie Magen and Walter Babson.
+
+"Well, then, what _are_ you going to make a standard?" asked Mr.
+Schwirtz, triumphantly.
+
+"Well--" said Una.
+
+"Understan' me; I'm a high-brow myself some ways. I never could stand
+these cheap magazines. I'd stop the circulation of every last one of
+them; pass an act of Congress to make every voter read some A-1,
+high-class, intellectual stuff. I read Rev. Henry van Dyke and Newell
+Dwight Hillis and Herbert Kaufman and Billy Sunday, and all these
+brainy, inspirational fellows, and let me tell you I get a lot of
+talking-points for selling my trade out of their spiels, too. I don't
+_believe_ in all this cheap fiction--these nasty realistic stories (like
+all the author could see in life was just the bad side of things--I tell
+you life's bad enough without emphasizing the rotten side, all these
+unhappy marriages and poverty and everything--I believe if you can't
+write bright, optimistic, _cheerful_ things, better not write at all).
+And all these sex stories! Don't believe in 'em! Sensational! Don't
+believe in cheap literature of _no_ sort.... Oh, of course it's all
+right to read a coupla detective stories or a nice, bright, clean
+love-story just to pass the time away. But me, I like real, classy,
+high-grade writers, with none of this slangy dialogue or vulgar stuff.
+'Specially I like essays on strenuous, modern American life, about not
+being in a rut, but putting a punch in life. Yes, _sir_!"
+
+"I'm glad," said Una. "I do like improving books."
+
+"You've said it, little sister.... Say, gee! you don't know what
+a luxury it is for me to talk about books and literature with an
+educated, cultured girl like you. Now take the rest of these people
+here at the farm--nice folks, you understand, mighty well-traveled,
+broad-gauged, intelligent folks, and all that. There's a Mr. and
+Mrs. Cannon; he's some kind of an executive in the Chicago
+stock-yards--nice, fat, responsible job. And he was saying to me,
+'Mr. Schwirtz,' he says, 'Mrs. C. and I had never been to New England
+till this summer, but we'd toured every other part of the country,
+and we've done Europe thoroughly and put in a month doing Florida,
+and now,' he says, 'I think we can say we've seen every point of
+interest that's worth an American's time.' They're good American
+people like that, well-traveled and nice folks. But _books_--Lord!
+they can't talk about books no more than a Jersey City bartender. So
+you can imagine how pleased I was to find you here.... World's pretty
+small, all right. Say, I just got here yesterday, so I suppose we'll
+be here about the same length o' time. If you wouldn't think I was
+presumptuous, I'd like mighty well to show you some of the country
+around here. We could get up a picnic party, ten or a dozen of us,
+and go up on Bald Knob and see the scenery and have a real jolly
+time. And I'd be glad to take you down to Lesterhampton--there's a
+real old-fashioned inn down there, they say, where Paul Revere stayed
+one time; they say you can get the best kind of fried chicken and
+corn on cob and real old-fashioned New England blueberry pie. Would
+you like to?"
+
+"Why, I should be very pleased to," said Una.
+
+
+Sec. 2
+
+Mr. Schwirtz seemed to know everybody at the farm. He had been there
+only thirty-six hours, but already he called Mr. Cannon "Sam," and knew
+that Miss Vincent's married sister's youngest child had recently passed
+away with a severe and quite unexpected attack of cholera morbus. Mr.
+Schwirtz introduced Una to the others so fulsomely that she was
+immediately taken into the inner political ring. He gave her a first
+lesson in auction pinochle also. They had music and recitations at ten,
+and Una's shyness was so warmed away that she found herself reciting,
+"I'm Only Mammy's Pickaninny Coon."
+
+She went candle-lighted up to a four-poster bed. As she lay awake, her
+job-branded mind could not keep entirely away from the office, the work
+she would have to do when she returned, the familiar series of
+indefinite worries and disconnected office pictures. But mostly she let
+the rustle of the breathing land inspirit her while she thought of Mr.
+Julius Edward Schwirtz.
+
+She knew that he was ungrammatical, but she denied that he was uncouth.
+His deep voice had been very kindly; his clipped mustache was trim; his
+nails, which had been ragged at that commercial-college lunch, were
+manicured now; he was sure of himself, while Walter Babson doubted and
+thrashed about. All of which meant that the tired office-woman was
+touchily defensive of the man who liked her.
+
+She couldn't remember just where she had learned it, but she knew that
+Mr. Schwirtz was a widower.
+
+
+Sec. 3
+
+The fact that she did not have to get up and go to the office was Una's
+chief impression at awakening, but she was not entirely obtuse to the
+morning, to the chirp of a robin, the cluck of the hens, the creak of a
+hay-wagon, and the sweet smell of cattle. When she arose she looked
+down a slope of fields so far away that they seemed smooth as a lawn.
+Solitary, majestic trees cast long shadows over a hilly pasture of crisp
+grass worn to inviting paths by the cropping cattle. Beyond the valley
+was a range of the Berkshires with every tree distinct.
+
+Una was tired, but the morning's radiance inspired her. "My America--so
+beautiful! Why do we turn you into stuffy offices and ugly towns?" she
+marveled while she was dressing.
+
+But as breakfast was not ready, her sudden wish to do something
+magnificent for America turned into what she called a "before-coffee
+grouch," and she sat on the porch waiting for the bell, and hoping that
+the conversational Mr. Schwirtz wouldn't come and converse. It was to
+his glory that he didn't. He appeared in masterful white-flannel
+trousers and a pressed blue coat and a new Panama, which looked well on
+his fleshy but trim head. He said, "Mornin'," cheerfully, and went to
+prowl about the farm.
+
+All through the breakfast Una caught the effulgence of Mr. Schwirtz's
+prosperous-looking solidness, and almost persuaded herself that his
+jowls and the slabs of fat along his neck were powerful muscles.
+
+He asked her to play croquet. Una played a game which had been respected
+in the smartest croqueting circles of Panama; she defeated him; and
+while she blushed and insisted that he ought to have won, Mr. Schwirtz
+chuckled about his defeat and boasted of it to the group on the porch.
+
+"I was afraid," he told her, "I was going to find this farm kinda tame.
+Usually expect a few more good fellows and highballs in mine, but thanks
+to you, little sister, looks like I'll have a bigger time than a
+high-line poker Party."
+
+He seemed deeply to respect her, and Una, who had never had the
+debutante's privilege of ordering men about, who had avoided Henry
+Carson and responded to Walter Babson and obeyed chiefs in offices, was
+now at last demanding that privilege. She developed feminine whims and
+desires. She asked Mr. Schwirtz to look for her handkerchief, and bring
+her magazine, and arrange her chair cushions, and take her for a walk to
+"the Glade."
+
+He obeyed breathlessly.
+
+Following an old and rutted woodland road to the Glade, they passed a
+Berkshire abandoned farm--a solid house of stone and red timbers,
+softened by the long grasses that made the orchard a pleasant place.
+They passed berry-bushes--raspberry and blackberry and currant, now
+turned wild; green-gold bushes that were a net for sunbeams. They saw
+yellow warblers flicker away, a king-bird swoop, a scarlet tanager
+glisten in flight.
+
+"Wonder what that red bird is?" He admiringly looked to her to know.
+
+"Why, I think that's a cardinal."
+
+"Golly! I wish I knew about nature."
+
+"So do I! I don't really know a thing--"
+
+"Huh! I bet you do!"
+
+"--though I ought to, living in a small town so long. I'd planned to buy
+me a bird-book," she rambled on, giddy with sunshine, "and a flower-book
+and bring them along, but I was so busy getting away from the office
+that I came off without them. Don't you just love to know about birds
+and things?"
+
+"Yuh, I cer'nly do; I cer'nly do. Say, this beats New York, eh? I don't
+care if I never see another show or a cocktail. Cer'nly do beat New
+York. Cer'nly does! I was saying to Sam Cannon, 'Lord,' I says, 'I
+wonder what a fellow ever stays in the city for; never catch me there
+if I could rake in the coin out in the country, no, _sir_!' And he
+laughed and said he guessed it was the same way with him. No, sir; my
+idea of perfect happiness is to be hiking along here with you, Miss
+Golden."
+
+He gazed down upon her with a mixture of amorousness and awe. The leaves
+of scrub-oaks along the road crinkled and shone in the sun. She was
+lulled to slumberous content. She lazily beamed her pleasure back at
+him, though a tiny hope that he would be circumspect, not be too ardent,
+stirred in her. He was touching in his desire to express his interest
+without ruffling her. He began to talk about Miss Vincent's affair with
+Mr. Starr, the wealthy old boarder at the farm. In that topic they
+passed safely through the torrid wilderness of summer shine and tangled
+blooms.
+
+The thwarted boyish soul that persisted in Mr. Schwirtz's barbered,
+unexercised, coffee-soaked, tobacco-filled, whisky-rotted, fattily
+degenerated city body shone through his red-veined eyes. He was having a
+_fete champetre_. He gathered berries and sang all that he remembered of
+"Nut Brown Ale," and chased a cow and pantingly stopped under a tree and
+smoked a cigar as though he enjoyed it. In his simple pleasure Una was
+glad. She admired him when he showed his trained, professional side and
+explained (with rather confusing details) why the AEtna Automobile
+Varnish Company was a success. But she fluttered up to her feet, became
+the wilful debutante again, and commanded, "Come _on_, Mr. Slow! We'll
+never reach the Glade." He promptly struggled up to his feet. There was
+lordly devotion in the way he threw away his half-smoked cigar. It
+indicated perfect chivalry.... Even though he did light another in about
+three minutes.
+
+The Glade was filled with a pale-green light; arching trees shut off
+the heat of the summer afternoon, and the leaves shone translucent.
+Ferns were in wild abundance. They sat on a fallen tree, thick
+upholstered with moss, and listened to the trickle of a brook. Una was
+utterly happy. In her very weariness there was a voluptuous feeling that
+the air was dissolving the stains of the office.
+
+He urged a compliment upon her only once more that day; but she
+gratefully took it to bed with her: "You're just like this glade--make a
+fellow feel kinda calm and want to be good," he said. "I'm going to cut
+out--all this boozing and stuff-- Course you understand I never make a
+_habit_ of them things, but still a fellow on the road--"
+
+"Yes," said Una.
+
+All evening they discussed croquet, Lenox, Florida, Miss Vincent and Mr.
+Starr, the presidential campaign, and the food at the farm-house.
+Boarders from the next farm-house came a-calling, and the enlarged
+company discussed the food at both of the farm-houses, the presidential
+campaign, Florida, and Lenox. The men and women gradually separated;
+relieved of the strain of general and polite conversation, the men
+gratefully talked about business conditions and the presidential
+campaign and food and motoring, and told sly stories about Mike and Pat,
+or about Ikey and Jakey; while the women listened to Mrs. Cannon's
+stories about her youngest son, and compared notes on cooking, village
+improvement societies, and what Mrs. Taft would do in Washington society
+if Judge Taft was elected President. Miss Vincent had once shaken hands
+with Judge Taft, and she occasionally referred to the incident. Mrs.
+Cannon took Una aside and told her that she thought Mr. Starr and Miss
+Vincent must have walked down to the village together that afternoon, as
+she had distinctly seen them coming back up the road.
+
+Yet Una did not feel Panama-ized.
+
+She was a grown-up person, accepted as one, not as Mrs. Golden's
+daughter; and her own gossip now passed at par.
+
+And all evening she was certain that Mr. Schwirtz was watching her.
+
+
+Sec. 4
+
+The boarders from the two farm-houses organized a tremendous picnic on
+Bald Knob, with sandwiches and chicken salad and cake and thermos
+bottles of coffee and a whole pail of beans and a phonograph with seven
+records; with recitations and pastoral merriment and kodaks snapping
+every two or three minutes; with groups sitting about on blankets, and
+once in a while some one explaining why the scenery was so scenic. Una
+had been anxious lest Mr. Schwirtz "pay her too marked attentions; make
+them as conspicuous as Mr. Starr and Miss Vincent"; for in the morning
+he had hung about, waiting for a game of croquet with her. But Mr.
+Schwirtz was equally pleasant to her, to Miss Vincent, and to Mrs.
+Cannon; and he was attractively ardent regarding the scenery. "This
+cer'nly beats New York, eh? Especially you being here," he said to her,
+aside.
+
+They sang ballads about the fire at dusk, and trailed home along dark
+paths that smelled of pungent leaf-mold. Mr. Schwirtz lumbered beside
+her, heaped with blankets and pails and baskets till he resembled a
+camel in a caravan, and encouraged her to tell how stupid and
+unenterprising Mr. Troy Wilkins was. When they reached the farm-house
+the young moon and the great evening star were low in a wash of
+turquoise above misty meadows; frogs sang; Una promised herself a long
+and unworried sleep; and the night tingled with an indefinable magic.
+She was absolutely, immaculately happy, for the first time since she had
+been ordered to take Walter Babson's dictation.
+
+
+Sec. 5
+
+Mr. Schwirtz was generous; he invited all the boarders to a hay-ride
+picnic at Hawkins's Pond, followed by a barn dance. He took Una and the
+Cannons for a motor ride, and insisted on buying--not giving, but
+buying--dinner for them, at the Lesterhampton Inn.
+
+When the debutante Una bounced and said she _did_ wish she had some
+candy, he trudged down to the village and bought for her a two-pound box
+of exciting chocolates. And when she longed to know how to play tennis,
+he rented balls and two rackets, tried to remember what he had learned
+in two or three games of ten years before, and gave her elaborate
+explanations. Lest the farm-house experts (Mr. Cannon was said by Mrs.
+Cannon to be one of the very best players at the Winnetka Country Club)
+see them, Una and Mr. Schwirtz sneaked out before breakfast. Their
+tennis costumes consisted of new canvas shoes. They galloped through the
+dew and swatted at balls ferociously--two happy dubs who proudly used
+all the tennis terms they knew.
+
+
+Sec. 6
+
+Mr. Schwirtz was always there when she wanted him, but he never
+intruded, he never was urgent. She kept him away for a week; but in
+their second week Mr. and Mrs. Cannon, Mr. Starr, Miss Vincent, and the
+pleasant couple from Gloversville all went away, and Una and Mr.
+Schwirtz became the elder generation, the seniors, of the boarders. They
+rather looked down upon the new boarders who came in--tenderfeet,
+people who didn't know about Bald Knob or the Glade or Hawkins's Pond,
+people who weren't half so witty or comfy as the giants of those golden,
+olden days when Mr. Cannon had ruled. Una and Mr. Schwirtz deigned to
+accompany them on picnics, even grew interested in their new conceptions
+of the presidential campaign and croquet and food, yet held rather
+aloof, as became the _ancien regime_; took confidential walks together,
+and in secret laughed enormously when the green generation gossiped
+about them as though they were "interested in each other," as Mr. Starr
+and Miss Vincent had been in the far-forgotten time. Una blushed a
+little when she discovered that every one thought they were engaged, but
+she laughed at the rumor, and she laughed again, a nervous young laugh,
+as she repeated it to Mr. Schwirtz.
+
+"Isn't it a shame the way people gossip! Silly billies," she said. "We
+never talked that way about Mr. Starr and Miss Vincent--though in their
+case we would have been justified."
+
+"Yes, bet they _were_ engaged. Oh, say, did I tell you about the first
+day I came here, and Starr took me aside, and says he--"
+
+In their hour-long talks Mr. Schwirtz had not told much about himself,
+though of his business he had talked often. But on an afternoon when
+they took a book and a lunch and tramped off to a round-topped, grassy
+hill, he finally confided in her, and her mild interest in him as an
+amiable companion deepened to sympathy.
+
+The book was The _People of the Abyss_, by Jack London, which Mamie
+Magen had given to Una as an introduction to a knowledge of social
+conditions. Una had planned to absorb it; to learn how the shockingly
+poor live. Now she read the first four pages to Mr. Schwirtz. After
+each page he said that he was interested. At the end of the fourth page,
+when Una stopped for breath, he commented: "Fine writer, that fella
+London. And they say he's quite a fella; been a sailor and a miner and
+all kinds of things; ver' intimate friend of mine knows him quite
+well--met him in 'Frisco--and he says he's been a sailor and all kinds
+of things. But he's a socialist. Tell you, I ain't got much time for
+these socialists. Course I'm kind of a socialist myself lots-a ways, but
+these here fellas that go around making folks discontented--!
+Agitators--! Don't suppose it's that way with this London--he must be
+pretty well fixed, and so of course he's prob'ly growing conservative
+and sensible. But _most_ of these socialists are just a lazy bunch of
+bums that try and see how much trouble they can stir up. They think that
+just because they're too lazy to find an opening, that they got the
+right to take the money away from the fellas that hustle around and make
+good. Trouble with all these socialist guys is that they don't stop to
+realize that you can't change human nature. They want to take away all
+the rewards for initiative and enterprise, just as Sam Cannon was
+saying. Do you s'pose I'd work my head off putting a proposition through
+if there wasn't anything in it for me? Then, 'nother thing, about all
+this submerged tenth--these 'People of the Abyss,' and all the rest: I
+don't feel a darn bit sorry for them. They stick in London or New York
+or wherever they are, and live on charity, and if you offered 'em a good
+job they wouldn't take it. Why, look here! all through the Middle West
+the farmers are just looking for men at three dollars a day, and for
+hired girls, they'd give hired girls three and four dollars a week and a
+good home. But do all these people go out and get the jobs? Not a bit of
+it! They'd rather stay home and yelp about socialism and anarchism and
+Lord knows what-all. 'Nother thing: I never could figger out what all
+these socialists and I. W. W.'s, these 'I Won't Work's,' would do if we
+_did_ divide up and hand all the industries over to them. I bet they'd
+be the very first ones to kick for a return to the old conditions! I
+tell you, it surprises me when a good, bright man like Jack London or
+this fella, Upton Sinclair--they say he's a well-educated fella,
+too--don't stop and realize these things."
+
+"But--" said Una.
+
+Then she stopped.
+
+Her entire knowledge of socialism was comprised in the fact that Mamie
+Magen believed in it, and that Walter Babson alternated between
+socialism, anarchism, and a desire to own a large house in Westchester
+and write poetry and be superior to the illiterate mass. So to the
+economic spokesman for the Great American Business Man her answer was:
+
+"But--"
+
+"Then look here," said Mr. Schwirtz. "Take yourself. S'pose you like to
+work eight hours a day? Course you don't. Neither do I. I always thought
+I'd like to be a gentleman farmer and take it easy. But the good Lord
+saw fit to stick us into these jobs, that's all we know about it; and we
+do our work and don't howl about it like all these socialists and
+radicals and other windjammers that know more than the Constitution and
+Congress and a convention of Philadelphia lawyers put together. You
+don't want to work as hard as you do and then have to divide up every
+Saturday with some lazy bum of a socialist that's too lazy to support
+himself--yes, or to take a bath!--now do you?"
+
+"Well, no," Una admitted, in face of this triumphant exposure of liberal
+fallacies.
+
+The book slipped into her lap.
+
+"How wonderful that line of big woolly clouds is, there between the two
+mountains!" she said. "I'd just like to fly through them.... I _am_
+tired. The clouds rest me so."
+
+"Course you're tired, little sister. You just forget about all those
+guys in the abyss. Tell you a person on the job's got enough to do
+looking out for himself."
+
+"Well--" said Una.
+
+Suddenly she lay back, her hands behind her head, her fingers
+outstretched among the long, cool grasses. A hum of insects surrounded
+her. The grasses towering above her eyes were a forest. She turned her
+head to watch a lady-bug industriously ascend one side of a blade of
+grass, and with equal enterprise immediately descend the other side.
+With the office always in her mind as material for metaphors, Una
+compared the lady-bug's method to Troy Wilkins's habit of having his
+correspondence filed and immediately calling for it again. She turned
+her face to the sky. She was uplifted by the bold contrast of cumulus
+clouds and the radiant blue sky.
+
+Here she could give herself up to rest; she was so secure now, with the
+affable Mr. Schwirtz to guard her against outsiders--more secure and
+satisfied, she reflected, than she could ever have been with Walter
+Babson.... A hawk soared above her, a perfect thing of sun-brightened
+grace, the grasses smelled warm and pleasant, and under her beat the
+happy heart of the summer land.
+
+"I'm a poor old rough-neck," said Mr. Schwirtz, "but to-day, up here
+with you, I feel so darn good that I almost think I'm a decent citizen.
+Honest, little sister, I haven't felt so bully for a blue moon."
+
+"Yes, and I--" she said.
+
+He smoked, while she almost drowsed into slumber to the lullaby of the
+afternoon.
+
+When a blackbird chased a crow above her, and she sat up to watch the
+aerial privateering, Mr. Schwirtz began to talk.
+
+He spoke of the flight of the Wright brothers in France and Virginia,
+which were just then--in the summer of 1908--arousing the world to a
+belief in aviation. He had as positive information regarding aeroplanes
+as he had regarding socialism. It seemed that a man who was tremendously
+on the inside of aviation--who was, in fact, going to use whole tons of
+aeroplane varnish on aeroplane bodies, next month or next season--had
+given Mr. Schwirtz secret advices that within five years, by 1913,
+aeroplanes would be crossing the Atlantic daily, and conveying
+passengers and mail on regular routes between New York and Chicago....
+"Though," said Mr. Schwirtz, in a sophisticated way, "I don't agree with
+these crazy enthusiasts that believe aeroplanes will be used in war. Too
+easy to shoot 'em down." His information was so sound that he had bought
+a hundred shares of stock in his customer's company. In on the ground
+floor. Stock at three dollars a share. Would be worth two hundred a
+share the minute they started regular passenger-carrying.
+
+"But at that, I only took a hundred shares. I don't believe in all this
+stock-gambling. What I want is sound, conservative investments," said
+Mr. Schwirtz.
+
+"Yes, I should think you'd be awfully practical," mused Una. "My! three
+dollars to two hundred! You'll make an awful lot out of it."
+
+"Well, now, I'm not saying anything. I don't pretend to be a
+Wisenheimer. May be nine or ten years--nineteen seventeen or nineteen
+eighteen--before we are doing a regular business. And at that, the
+shares may never go above par. But still, I guess I'm middlin'
+practical--not like these socialists, ha, ha!"
+
+"How did you ever get your commercial training?"
+
+The question encouraged him to tell the story of his life.
+
+Mostly it was a story of dates and towns and jobs--jobs he had held and
+jobs from which he had resigned, and all the crushing things he had said
+to the wicked bosses during those victorious resignings.... Clerk in a
+general store, in a clothing-store, in a hardware-store--all these in
+Ohio. A quite excusable, almost laudable, failure in his own
+hardware-store in a tiny Wisconsin town. Half a dozen clerkships.
+Collector for a harvester company in Nebraska, going from farm to farm
+by buggy. Traveling salesman for a St. Paul wholesaler, for a Chicago
+clothing-house. Married. Partner with his brother-in-law in a drug,
+paint, and stationery store. Traveling for a Boston paint-house. For the
+Lowry Paint Company of Jersey City. Now with the automobile wax company.
+A typical American business career, he remarked, though somehow
+distinctive, _different_-- A guiding star--
+
+Una listened murmuringly, and he was encouraged to try to express the
+inner life behind his jobs. Hesitatingly he sought to make vivid his
+small-boy life in the hills of West Virginia: carving initials, mowing
+lawns, smoking corn silk, being arrested on Hallowe'en, his father's
+death, a certain Irving who was his friend, "carrying a paper route"
+during two years of high school. His determination to "make something of
+himself." His arrival in Columbus, Ohio, with just seventy-eight
+cents--he emphasized it: "just seventy-eight cents, that's every red
+cent I had, when I started out to look for a job, and I didn't know a
+single guy in town." His reading of books during the evenings of his
+first years in Ohio; he didn't "remember their titles, exactly," he
+said, but he was sure that "he read a lot of them." ... At last he spoke
+of his wife, of their buggy-riding, of their neat frame house with the
+lawn and the porch swing. Of their quarrels--he made it clear that his
+wife had been "finicky," and had "fool notions," but he praised her for
+having "come around and learned that a man is a man, and sometimes he
+means a lot better than it looks like; prob'ly he loves her a lot better
+than a lot of these plush-soled, soft-tongued fellows that give 'em a
+lot of guff and lovey-dovey stuff and don't shell out the cash. She was
+a good sport--one of the best."
+
+Of the death of their baby boy.
+
+"He was the brightest little kid--everybody loved him. When I came home
+tired at night he would grab my finger--see, this first finger--and hold
+it, and want me to show him the bunny-book.... And then he died."
+
+Mr. Schwirtz told it simply, looking at clouds spread on the blue sky
+like a thrown handful of white paint.
+
+Una had hated the word "widower"; it had suggested Henry Carson and the
+Panama undertaker and funerals and tired men trying to wash children and
+looking for a new wife to take over that work; all the smell and grease
+of disordered side-street kitchens. To her, now, Julius Edward Schwirtz
+was not a flabby-necked widower, but a man who mourned, who felt as
+despairingly as could Walter Babson the loss of the baby who had crowed
+over the bunny-book. She, the motherless, almost loved him as she stood
+with him in the same depth of human grief. And she cried a little,
+secretly, and thought of her longing for the dead mother, as he gently
+went on:
+
+"My wife died a year later. I couldn't get over it; seemed like I could
+have killed myself when I thought of any mean thing I might have said to
+her--not meaning anything, but hasty-like, as a man will. Couldn't seem
+to get over it. Evenings were just hell; they were so--empty. Even when
+I was out on the road, there wasn't anybody to write to, anybody that
+cared. Just sit in a hotel room and think about her. And I just
+couldn't realize that she was gone. Do you know, Miss Golden, for
+months, whenever I was coming back to Boston from a trip, it was _her_ I
+was coming back to, seemed like, even though I _knew_ she wasn't
+there--yes, and evenings at home when I'd be sitting there reading, I'd
+think I heard her step, and I'd look up and smile--and she wouldn't be
+there; she wouldn't _ever_ be there again.... She was a lot like
+you--same cute, bright sort of a little woman, with light hair--yes,
+even the same eye-glasses. I think maybe that's why I noticed you
+particular when I first met you at that lunch and remembered you so well
+afterward.... Though you're really a lot brighter and better educated
+than what she was--I can see it now. I don't mean no disrespect to her;
+she was a good sport; they don't make 'em any better or finer or truer;
+but she hadn't never had much chance; she wasn't educated or a live
+wire, like you are.... You don't mind my saying that, do you? How you
+mean to me what she meant--"
+
+"No, I'm glad--" she whispered.
+
+Unlike the nimble Walter Babson, Mr. Schwirtz did not make the
+revelation of his tragedy an excuse for trying to stir her to passion.
+But he had taken and he held her hand among the long grasses, and she
+permitted it.
+
+That was all.
+
+He did not arouse her; still was it Walter's dark head and the head of
+Walter's baby that she wanted to cradle on her breast. But for Mr.
+Schwirtz she felt a good will that was broad as the summer afternoon.
+
+"I am very glad you told me. I _do_ understand. I lost my mother just a
+year ago," she said, softly.
+
+He squeezed her hand and sighed, "Thank you, little sister." Then he
+rose and more briskly announced, "Getting late--better be hiking, I
+guess."
+
+Not again did he even touch her hand. But on his last night at the
+farm-house he begged, "May I come to call on you in New York?" and she
+said, "Yes, please do."
+
+She stayed for a day after his departure, a long and lonely Sunday. She
+walked five miles by herself. She thought of the momently more horrible
+fact that vacation was over, that the office would engulf her again. She
+declared to herself that two weeks were just long enough holiday to rest
+her, to free her from the office; not long enough to begin to find
+positive joy.
+
+Between shudders before the swiftly approaching office she thought of
+Mr. Schwirtz. (She still called him that to herself. She couldn't fit
+"Eddie" to his trim bulkiness, his maturity.)
+
+She decided that he was wrong about socialism; she feebly tried to see
+wherein, and determined to consult her teacher in ideals, Mamie Magen,
+regarding the proper answers to him. She was sure that he was rather
+crude in manners and speech, rather boastful, somewhat loquacious.
+
+"But I do like him!" she cried to the hillsides and the free sky. "He
+would take care of me. He's kind; and he would learn. We'll go to
+concerts and things like that in New York--dear me, I guess I don't know
+any too much about art things myself. I don't know why, but even if he
+isn't interesting, like Mamie Magen, I _like_ him--I think!"
+
+
+Sec. 7
+
+On the train back to New York, early Monday morning, she felt so fresh
+and fit, with morning vigorous in her and about her, that she relished
+the thought of attacking the job. Why, she rejoiced, every fiber of her
+was simply soaked with holiday; she was so much stronger and happier;
+New York and the business world simply couldn't be the same old routine,
+because she herself was different.
+
+But the train became hot and dusty; the Italians began to take off their
+collars and hand-painted ties.
+
+And hot and dusty, perspiring and dizzily rushing, were the streets of
+New York when she ventured from the Grand Central station out into them
+once more.
+
+It was late. She went to the office at once. She tried to push away her
+feeling that the Berkshires, where she had arisen to a cool green dawn
+just that morning, were leagues and years away. Tired she was, but
+sunburnt and easy-breathing. She exploded into the office, set down her
+suit-case, found herself glad to shake Mr. Wilkins's hand and to answer
+his cordial, "Well, well, you're brown as a berry. Have a good time?"
+
+The office _was_ different, she cried--cried to that other earlier self
+who had sat in a train and hoped that the office would be different.
+
+She kissed Bessie Kraker, and by an error of enthusiasm nearly kissed
+the office-boy, and told them about the farm-house, the view from her
+room, the Glade, Bald Knob, Hawkins's Pond; about chickens and fresh
+milk and pigeons aflutter; she showed them the kodak pictures taken by
+Mrs. Cannon and indicated Mr. Starr and Miss Vincent and laughed about
+them till--
+
+"Oh, Miss Golden, could you take a little dictation now?" Mr. Wilkins
+called.
+
+There was also a pile of correspondence unfiled, and the office supplies
+were low, and Bessie was behind with her copying, and the office-boy had
+let the place get as dusty as a hay-loft--and the stiff, old, gray
+floor-rag was grimly at its post in the wash-room.
+
+"The office _isn't_ changed," she said; and when she went out at three
+for belated lunch, she added, "and New York isn't, either. Oh, Lord! I
+really am back here. Same old hot streets. Don't believe there _are_ any
+Berkshires; just seems now as though I hadn't been away at all."
+
+She sat in negligee on the roof of the Home Club and learned that Rose
+Larsen and Mamie Magen and a dozen others had just gone on vacation.
+
+"Lord! it's over for me," she thought. "Fifty more weeks of the job
+before I can get away again--a whole year. Vacation is farther from me
+now than ever. And the same old grind.... Let's see, I've got to get in
+touch with the Adine Company for Mr. Wilkins before I even do any filing
+in the morning--"
+
+She awoke, after midnight, and worried: "I _mustn't_ forget to get after
+the Adine Company, the very first thing in the morning. And Mr. Wilkins
+has _got_ to get Bessie and me a waste-basket apiece. Oh, Lord! I wish
+Eddie Schwirtz were going to take me out for a walk to-morrow, the old
+darling that he is-- I'd walk _anywhere_ rather than ask Mr. Wilkins for
+those blame waste-baskets!"
+
+
+
+
+CHAPTER XIV
+
+
+Mrs. Esther Lawrence was, she said, bored by the general atmosphere of
+innocent and bounding girlhood at the Temperance Home Club, and she
+persuaded Una to join her in taking a flat--three small rooms--which
+they made attractive with Japanese toweling and Russian, or at least
+Russian-Jew, brassware. Here Mrs. Lawrence's men came calling, and
+sometimes Mr. Julius Edward Schwirtz, and all of them, except Una
+herself, had cigarettes and highballs, and Una confusedly felt that she
+was getting to be an Independent Woman.
+
+Then, in January, 1909, she left the stiff, gray scrub-rag which
+symbolized the routine of Mr. Troy Wilkins's office.
+
+In a magazine devoted to advertising she had read that Mr. S. Herbert
+Ross, whom she had known as advertising-manager of the _Gas and Motor
+Gazette_, had been appointed advertising-manager for Pemberton's--the
+greatest manufactory of drugs and toilet articles in the world. Una had
+just been informed by Mr. Wilkins that, while he had an almost paternal
+desire to see her successful financially and otherwise, he could never
+pay her more than fifteen dollars a week. He used a favorite phrase of
+commuting captains of commerce: "Personally, I'd be glad to pay you
+more, but fifteen is all the position is worth." She tried to persuade
+him that there is no position which cannot be made "worth more." He
+promised to "think it over." He was still taking a few months to think
+it over--while her Saturday pay-envelope remained as thin as ever--when
+Bessie Kraker resigned, to marry a mattress-renovator, and in Bessie's
+place Mr. Wilkins engaged a tall, beautiful blonde, who was too much of
+a lady to take orders from Una. This wrecked Una's little office home,
+and she was inspired to write to Mr. S. Herbert Ross at Pemberton's,
+telling him what a wise, good, noble, efficient man he was, and how much
+of a privilege it would be to become his secretary. She felt that Walter
+Babson must have been inexact in ever referring to Mr. Ross as "Sherbet
+Souse."
+
+Mr. Ross disregarded her letter for ten days, then so urgently
+telephoned her to come and see him that she took a taxicab clear to the
+Pemberton Building in Long Island City. After paying a week's lunch
+money for the taxicab, it was rather hard to discover why Mr. Ross had
+been quite so urgent. He rolled about his magnificent mahogany and
+tapestry office, looked out of the window at the Long Island Railroad
+tracks, and told her (in confidence) what fools all the _Gas Gazette_
+chiefs had been, and all his employers since then. She smiled
+appreciatively, and tried to get in a tactful remark about a position.
+She did discover that Mr. Ross had not as yet chosen his secretary at
+Pemberton's, but beyond this Una could find no evidence that he supposed
+her to have come for any reason other than to hear his mellow wisdom and
+even mellower stories.
+
+After more than a month, during which Mr. Ross diverted himself by
+making appointments, postponing them, forgetting them, telephoning,
+telegraphing, sending special-delivery letters, being paged at hotels,
+and doing all the useless melodramatic things he could think of, except
+using an aeroplane or a submarine, he decided to make her his secretary
+at twenty dollars a week. Two days later it occurred to him to test her
+in regard to speed in dictation and typing, and a few other minor things
+of the sort which her ability as a long-distance listener had made him
+overlook. Fortunately, she also passed this test.
+
+When she told Mr. Wilkins that she was going to leave, he used another
+set of phrases which all side-street office potentates know--they must
+learn these _cliches_ out of a little red-leather manual.... He
+tightened his lips and tapped on his desk-pad with a blue pencil; he
+looked grieved and said, touchingly: "I think you're making a mistake. I
+was making plans for you; in fact, I had just about decided to offer you
+eighteen dollars a week, and to advance you just as fast as the business
+will warrant. I, uh, well, I think you're making a mistake in leaving a
+sure thing, a good, sound, conservative place, for something you don't
+know anything about. I'm not in any way urging you to stay, you
+understand, but I don't like to see you making a mistake."
+
+But he had also told Bessie Kraker that she was "making a mistake" when
+she had resigned to be married, and he had been so very certain that Una
+could never be "worth more" than fifteen. Una was rather tart about it.
+Though Mr. Ross didn't want her at Pemberton's for two weeks more, she
+told Mr. Wilkins that she was going to leave on the following Saturday.
+
+It did not occur to her till Mr. Wilkins developed nervous indigestion
+by trying to "break in" a new secretary who couldn't tell a blue-print
+from a set of specifications, that he had his side in the perpetual
+struggle between ill-paid failure employers and ill-paid ambitious
+employees. She was sorry for him as she watched him putter, and she
+helped him; stayed late, and powerfully exhorted her successor. Mr.
+Wilkins revived and hoped that she would stay another week, but stay she
+could not. Once she knew that she was able to break away from the
+scrub-rag, that specter of the wash-room, and the bleak, frosted glass
+on the semi-partition in front of her desk, no wage could have helped
+her. Every moment here was an edged agony.
+
+In this refusal there may have been a trace of aspiration. Otherwise the
+whole affair was a hodge-podge of petty people and ignoble motives--of
+Una and Wilkins and S. Herbert Ross and Bessie Kraker, who married a
+mattress-renovator, and Bessie's successor; of fifteen dollars a week,
+and everybody trying to deceive everybody else; of vague reasons for
+going, and vaguer reasons for letting Una go, and no reason at all for
+her remaining; in all, an ascent from a scrub-rag to a glorified
+soap-factory designed to provide Mr. Pemberton's daughters-in-law with
+motors.
+
+So long as her world was ruled by chance, half-training, and lack of
+clear purpose, how could it be other than a hodge-podge?
+
+
+Sec. 2
+
+She could not take as a holiday the two weeks intervening between the
+Wilkins office and Pemberton's. When she left Wilkins's, exulting, "This
+is the last time I'll ever go down in one of these rickety elevators,"
+she had, besides her fifteen dollars in salary, one dollar and seventeen
+cents in the savings-bank.
+
+Mamie Magen gave her the opportunity to spend the two weeks installing a
+modern filing-system at Herzfeld & Cohn's.
+
+So Una had a glimpse of the almost beautiful thing business can be.
+
+Herzfeld and Cohn were Jews, old, white-bearded, orthodox Jews; their
+unpoetic business was the jobbing of iron beds; and Una was typical of
+that New York which the Jews are conquering, in having nebulous
+prejudices against the race; in calling them "mean" and "grasping" and
+"un-American," and wanting to see them shut out of offices and hotels.
+
+Yet, with their merry eyes, their quick little foreign cries and
+gestures of sympathy, their laughter that rumbled in their tremendous
+beards, their habit of having coffee and pinochle in the office every
+Friday afternoon, their sincere belief that, as the bosses, they were
+not omniscient rulers, but merely elder fellow-workers--with these
+un-American, eccentric, patriarchal ways, Herzfeld and Cohn had made
+their office a joyous adventure. Other people "in the trade" sniffed at
+Herzfeld and Cohn for their Quixotic notions of discipline, but they
+made it pay in dividends as well as in affection. At breakfast Una would
+find herself eager to get back to work, though Herzfeld and Cohn had but
+a plain office in an ugly building of brownstone and iron Corinthian
+columns, resembling an old-fashioned post-office, and typical of all
+that block on Church Street. There was such gentleness here as Una was
+not to find in the modern, glazed-brick palace of Pemberton's.
+
+
+Sec. 3
+
+Above railroad yards and mean tenements in Long Island City, just across
+the East River from New York, the shining milky walls of Pemberton's
+bulk up like a castle overtowering a thatched village. It is
+magnificently the new-fashioned, scientific, efficient business
+institution.... Except, perhaps, in one tiny detail. King Pemberton and
+his princely sons do not believe in all this nonsense about
+profit-sharing, or a minimum wage, or an eight-hour day, or pensions, or
+any of the other fads by which dangerous persons like Mr. Ford, the
+motor manufacturer, encourage the lazier workmen to think that they have
+just as much right to rise to the top as the men who have had nerve and
+foresight. And indeed Mr. Pemberton may be sound. He says that he bases
+wages on the economic law of supply and demand, instead of on sentiment;
+and how shrewdly successful are he and his sons is indicated by the fact
+that Pemberton's is one of the largest sources of drugs and proprietary
+medicines in the world; the second largest manufactory of soda-fountain
+syrups; of rubber, celluloid, and leather goods of the kind seen in
+corner drug-stores; and the third largest manufactory of soaps and
+toilet articles. It has been calculated that ninety-three million women
+in all parts of the world have ruined their complexions, and, therefore,
+their souls, by Pemberton's creams and lotions for saving the same; and
+that nearly three-tenths of the alcohol consumed in prohibition counties
+is obtained in Pemberton's tonics and blood-builders and women's
+specifics, the last being regarded by large farmers with beards as
+especially tasty and stimulating. Mr. Pemberton is the Napoleon of
+patent medicine, and also the Napoleon of drugs used by physicians to
+cure the effects of patent medicine. He is the Shakespeare of ice-cream
+sodas, and the Edison of hot-water bags. He rules more than five
+thousand employees, and his name is glorious on cartons in drug-stores,
+from Sandy Hook to San Diego, and chemists' shops from Hong-Kong to the
+Scilly Isles. He is a modern Allah, and Mr. S. Herbert Ross is his
+prophet.
+
+
+Sec. 4
+
+Una discovered that Mr. Ross, who had been negligible as
+advertising-manager of the _Gas and Motor Gazette_, had, in two or
+three years, become a light domestic great man, because he so completely
+believed in his own genius, and because advertising is the romance, the
+faith, the mystery of business. Mr. Pemberton, though he knew well
+enough that soap-making was a perfectly natural phenomenon, could never
+get over marveling at the supernatural manner in which advertising
+seemed to create something out of nothing. It took a cherry fountain
+syrup which was merely a chemical imitation that under an old name was
+familiar to everybody; it gave the syrup a new name, and made twenty
+million children clamor for it. Mr. Pemberton could never quite
+understand that advertising was merely a matter of salesmanship by paper
+and ink, nor that Mr. Ross's assistants, who wrote the copy and drew the
+pictures and selected the mediums and got the "mats" over to the agency
+on time, were real advertising men. No, the trusting old pirate believed
+it was also necessary to have an ordained advertising-manager like Mr.
+Ross, a real initiate, who could pull a long face and talk about "the
+psychology of the utilitarian appeal" and "pulling power" and all the
+rest of the theology. So he, who paid packing-girls as little as four
+dollars a week, paid Mr. Ross fifteen thousand dollars a year, and let
+him have competent assistants, and invited him out to the big, lonely,
+unhappy Pemberton house in the country, and listened to his sacerdotal
+discourses, and let him keep four or five jobs at once. For, besides
+being advertising-manager for Pemberton's, Mr. Ross went off to deliver
+Lyceum lectures and Chautauqua addresses and club chit-chats on the
+blessings of selling more soap or underwear; and for the magazines he
+wrote prose poems about stars, and sympathy, and punch, and early
+rising, and roadside flowers, and argosies, and farming, and saving
+money.
+
+All this doge-like splendor Una discovered, but could scarcely believe,
+for in his own office Mr. Ross seemed but as the rest of us--a small
+round man, with a clown-like little face and hair cut Dutch-wise across
+his forehead. When he smoked a big cigar he appeared naughty. One
+expected to see his mother come and judiciously smack him. But more and
+more Una felt the force of his attitude that he was a genius
+incomparable. She could not believe that he knew what a gorgeous fraud
+he was. On the same day, he received an advance in salary, discharged an
+assistant for requesting an advance in salary, and dictated a magazine
+filler to the effect that the chief duty of executives was to advance
+salaries. She could not chart him.... Thus for thousands of years have
+servants been amazed at the difference between pontiffs in the pulpit
+and pontiffs in the pantry.
+
+Doubtless it helped Mr. Ross in maintaining his sublimity to dress like
+a cleric--black, modest suits of straight lines, white shirts, small,
+black ties. But he also wore silk socks, which he reflectively scratched
+while he was dictating. He was of an elegance in linen handkerchiefs, in
+a chased-gold cigarette-case, in cigarettes with a monogram. Indeed, he
+often stopped during dictation to lean across the enormous mahogany desk
+and explain to Una how much of a connoisseur he was in tennis,
+fly-casting, the ordering of small, smart dinners at the Plaza.
+
+He was fond of the word "smart."
+
+"Rather smart poster, eh?" he would say, holding up the latest creation
+of his genius--that is to say, of his genius in hiring the men who had
+planned and prepared the creation.
+
+Mr. Ross was as full of ideas as of elegance. He gave birth to ideas at
+lunch, at "conferences," while motoring, while being refreshed with a
+manicure and a violet-ray treatment at a barber-shop in the middle of
+one of his arduous afternoons. He would gallop back to the office with
+notes on these ideas, pant at Una in a controlled voice, "Quick--your
+book--got a' idea," and dictate the outline of such schemes as the
+Tranquillity Lunch Room--a place of silence and expensive food; the
+Grand Arcade--a ten-block-long rival to Broadway, all under glass; the
+Barber-Shop Syndicate, with engagement cards sent out every third week
+to notify customers that the time for a hair-cut had come again. None of
+these ideas ever had anything to do with assisting Mr. Pemberton in the
+sale of soap, and none of them ever went any farther than being
+outlined. Whenever he had dictated one of them, Mr. Ross would assume
+that he had already made a million out of it, and in his quiet,
+hypnotizing voice he would permit Una to learn what a great man he was.
+Hitching his chair an inch nearer to her at each sentence, looking
+straight into her eyes, in a manner as unboastful as though he were
+giving the market price of eggs, he would tell her how J. Pierpont
+Morgan, Burbank, or William Randolph Hearst had praised him; or how much
+more he knew about electricity or toxicology or frogs or Java than
+anybody else in the world.
+
+Not only a priest, but a virtuoso of business was he, and Una's chief
+task was to keep assuring him that he was a great man, a very great
+man--in fact, as great as he thought he was. This task was, to the
+uneasily sincere Una, the hardest she had ever attempted. It was worth
+five dollars more a week than she had received from Troy Wilkins--it was
+worth a million more!
+
+She got confidence in herself from the ease with which she satisfied Mr.
+Ross by her cold, canned compliments. And though she was often dizzied
+by the whirling dynamo of Pemberton's, she was not bored by the routine
+of valeting Mr. Ross in his actual work.... For Mr. Ross actually did
+work now and then, though his chief duty was to make an impression on
+old Mr. Pemberton, his sons, and the other big chiefs. Still, he did
+condescend to "put his O. K." on pictures, on copy and proof for
+magazine advertisements, car cards, window-display "cut-outs," and he
+dictated highly ethical reading matter for the house organ, which was
+distributed to ten thousand drug-stores, and which spoke well of
+honesty, feminine beauty, gardening, and Pemberton's. Occasionally he
+had a really useful idea, like the celebrated slogan, "_Pemberton's_
+Means PURE," which you see in every street-car, on every fourth or fifth
+bill-board. It is frequent as the "In God We Trust" on our coins, and at
+least as accurate. This slogan, he told Una, surpassed "A train every
+hour on the hour," or "The watch that made the dollar famous," or, "The
+ham what am," or any of the other masterpieces of lyric advertising. He
+had created it after going into a sibyllic trance of five days, during
+which he had drunk champagne and black coffee, and ridden about in
+hansoms, delicately brushing his nose with a genuine California poppy
+from the Monterey garden of R. L. S.
+
+If Mr. Ross was somewhat agitating, he was calm as the desert compared
+with the rest of Pemberton's.
+
+His office, which was like a million-dollar hotel lobby, and Una's own
+den, which was like the baggage-porter's den adjoining the same, were
+the only spots at Pemberton's where Una felt secure. Outside of them,
+fourteen stories up in the titanic factory, was an enormous
+office-floor, which was a wilderness of desks, toilet-rooms, elevators,
+waiting-rooms, filing-cabinets. Her own personality was absorbed in the
+cosmic (though soapy) personality of Pemberton's. Instead of longing for
+a change, she clung to her own corner, its desk and spring-back chair,
+and the insurance calendar with a high-colored picture of Washington's
+farewell. She preferred to rest here rather than in the "club-room and
+rest-room for women employees," on which Mr. Pemberton so prided
+himself.
+
+Una heard rumors of rest-rooms which were really beautiful, really
+restful; but at Pemberton's the room resembled a Far Rockaway cottage
+rented by the week to feeble-minded bookkeepers. Musty it was, with
+curtains awry, and it must have been of use to all the branches of the
+Pemberton family in cleaning out their attics. Here was the old stuffed
+chair in which Pemberton I. had died, and the cot which had been in the
+cook's room till she had protested. The superstition among the chiefs
+was that all the women employees were very grateful for this charity.
+The room was always shown to exclamatory visitors, who told Mr.
+Pemberton that he was almost too good. But in secret conclaves at lunch
+the girls called the room "the junk-shop," and said that they would
+rather go out and sit on the curb.
+
+Una herself took one look--and one smell--at the room, and never went
+near it again.
+
+But even had it been enticing, she would not have frequented it. Her
+caste as secretary forbade. For Pemberton's was as full of caste and
+politics as a Republican national convention; caste and politics,
+cliques and factions, plots and secrets, and dynasties that passed and
+were forgotten.
+
+Plots and secrets Una saw as secretary to Mr. Ross. She remembered a day
+on which Mr. Ross, in her presence, assured old Pemberton that he hoped
+to be with the firm for the rest of his life, and immediately afterward
+dictated a letter to the president of a rival firm in the effort to
+secure a new position. He destroyed the carbon copy of that letter and
+looked at Una as serenely as ever. Una saw him read letters on the
+desks of other chiefs while he was talking to them; saw him "listen in"
+on telephone calls, and casually thrust his foot into doors, in order to
+have a glimpse of the visitors in offices. She saw one of the younger
+Pembertons hide behind a bookcase while his father was talking to his
+brother. She knew that this Pemberton and Mr. Ross were plotting to oust
+the brother, and that the young, alert purchasing agent was trying to
+undermine them both. She knew that one of the girls in the private
+telephone exchange was the mistress and spy of old Pemberton. All of the
+chiefs tried to emulate the _moyen-age_ Italians in the arts of smiling
+poisoning--but they did it so badly; they were as fussily ineffectual as
+a group of school-boys who hate their teacher. Not "big deals" and vast
+grim power did they achieve, but merely a constant current of worried
+insecurity, and they all tended to prove Mrs. Lawrence's assertion that
+the office-world is a method of giving the largest possible number of
+people the largest possible amount of nervous discomfort, to the end of
+producing the largest possible quantity of totally useless articles....
+The struggle extended from the chiefs to the clerks; they who tramped up
+and down a corridor, waiting till a chief was alone, glaring at others
+who were also manoeuvering to see him; they who studied the lightest
+remark of any chief and rushed to allies with the problem of, "Now, what
+did he mean by that, do you think?"... A thousand questions of making an
+impression on the overlords, and of "House Policy"--that malicious
+little spirit which stalks through the business house and encourages
+people to refuse favors.
+
+Una's share in the actual work at Pemberton's would have been only a
+morning's pastime, but her contact with the high-voltage current of
+politics exhausted her--and taught her that commercial rewards come to
+those who demand and take.
+
+The office politics bred caste. Caste at Pemberton's was as clearly
+defined as ranks in an army.
+
+At the top were the big chiefs, the officers of the company, and the
+heads of departments--Mr. Pemberton and his sons, the treasurer, the
+general manager, the purchasing-agent, the superintendents of the
+soda-fountain-syrup factory, of the soap-works, of the drug-laboratories,
+of the toilet-accessories shops, the sales-manager, and Mr. S. Herbert
+Ross. The Olympian council were they; divinities to whom the lesser
+clerks had never dared to speak. When there were rumors of "a change," of
+"a cut-down in the force," every person on the office floor watched the
+chiefs as they assembled to go out to lunch together--big, florid,
+shaven, large-chinned men, talking easily, healthy from motoring and
+golf, able in a moment's conference at lunch to "shift the policy" and to
+bring instant poverty to the families of forty clerks or four hundred
+workmen in the shops. When they jovially entered the elevator together,
+some high-strung stenographer would rush over to one of the older women
+to weep and be comforted.... An hour from now her tiny job might be gone.
+
+Even the chiefs' outside associates were tremendous, buyers and
+diplomatic representatives; big-chested men with watch-chains across
+their beautiful tight waistcoats. And like envoys extraordinary were the
+efficiency experts whom Mr. Pemberton occasionally had in to speed up
+the work a bit more beyond the point of human endurance.... One of these
+experts, a smiling and pale-haired young man who talked to Mr. Ross
+about the new poetry, arranged to have office-boys go about with trays
+of water-glasses at ten, twelve, two, and four. Thitherto, the
+stenographers had wasted a great deal of time in trotting to the battery
+of water-coolers, in actually being human and relaxed and gossipy for
+ten minutes a day. After the visitation of the expert the girls were so
+efficient that they never for a second stopped their work--except when
+one of them would explode in hysteria and be hurried off to the
+rest-room. But no expert was able to keep them from jumping at the
+chance to marry any one who would condescend to take them out of this
+efficient atmosphere.
+
+Just beneath the chiefs was the caste of bright young men who would some
+day have the chance to be beatified into chiefs. They believed
+enormously in the virtue of spreading the blessings of Pemberton's
+patent medicines; they worshiped the house policy. Once a month they met
+at what they called "punch lunches," and listened to electrifying
+addresses by Mr. S. Herbert Ross or some other inspirer, and turned
+fresh, excited eyes on one another, and vowed to adhere to the true
+faith of Pemberton's, and not waste their evenings in making love, or
+reading fiction, or hearing music, but to read diligently about soap and
+syrups and window displays, and to keep firmly before them the vision of
+fifteen thousand dollars a year. They had quite the best time of any one
+at Pemberton's, the bright young men. They sat, in silk shirts and new
+ties, at shiny, flat-topped desks in rows; they answered the telephone
+with an air; they talked about tennis and business conditions, and were
+never, never bored.
+
+Intermingled with this caste were the petty chiefs, the office-managers
+and bookkeepers, who were velvety to those placed in power over them,
+but twangily nagging to the girls and young men under them. Failures
+themselves, they eyed sourly the stenographers who desired two dollars
+more a week, and assured them that while _personally_ they would be
+_very_ glad to obtain the advance for them, it would be "unfair to the
+other girls." They were very strong on the subject of not being unfair
+to the other girls, and their own salaries were based on "keeping down
+overhead." Oldish men they were, wearing last-year hats and smoking
+Virginia cigarettes at lunch; always gossiping about the big chiefs, and
+at night disappearing to homes and families in New Jersey or Harlem.
+Awe-encircled as the very chiefs they appeared when they lectured
+stenographers, but they cowered when the chiefs spoke to them, and
+tremblingly fingered their frayed cuffs.
+
+Such were the castes above the buzzer-line.
+
+Una's caste, made up of private secretaries to the chiefs, was not above
+the buzzer. She had to leap to the rattlesnake tattoo, when Mr. Ross
+summoned her, as quickly as did the newest Jewish stenographer. But hers
+was a staff corps, small and exclusive and out of the regular line. On
+the one hand she could not associate with the chiefs; on the other, it
+was expected of her in her capacity as daily confidante to one of the
+gods, that she should not be friendly, in coat-room or rest-room or
+elevator, with the unrecognized horde of girls who merely copied or took
+the bright young men's dictation of letters to drug-stores. These girls
+of the common herd were expected to call the secretaries, "Miss," no
+matter what street-corner impertinences they used to one another.
+
+There was no caste, though there was much factional rivalry, among the
+slaves beneath--the stenographers, copyists, clerks, waiting-room
+attendants, office-boys, elevator-boys. They were expected to keep clean
+and be quick-moving; beyond that they were as unimportant to the larger
+phases of office politics as frogs to a summer hotel. Only the
+cashier's card index could remember their names.... Though they were not
+deprived of the chief human satisfaction and vice--feeling superior. The
+most snuffle-nosed little mailing-girl on the office floor felt superior
+to all of the factory workers, even the foremen, quite as negro
+house-servants look down on poor white trash.
+
+Jealousy of position, cattishness, envy of social standing--these were
+as evident among the office-women as they are in a woman's club; and Una
+had to admit that woman's cruelty to woman often justified the
+prejudices of executives against the employment of women in business;
+that women were the worst foes of Woman.
+
+To Una's sympathies, the office proletarians were her own poor
+relations. She sighed over the cheap jackets, with silesia linings and
+raveled buttonholes, which nameless copyists tried to make attractive by
+the clean embroidered linen collars which they themselves laundered in
+wash-bowls in the evening. She discovered that even after years of
+experience with actual office-boys and elevator-boys, Mr. Ross still saw
+them only as slangy, comic-paper devils. Then, in the elevator, she
+ascertained that the runners made about two hundred trips up and down
+the dark chutes every day, and wondered if they always found it comic to
+do so. She saw the office-boys, just growing into the age of interest in
+sex and acquiring husky male voices and shambling sense of shame, yearn
+at the shrines of pasty-faced stenographers. She saw the humanity of all
+this mass--none the less that they envied her position and spoke privily
+of "those snippy private secretaries that think they're so much sweller
+than the rest of us."
+
+She watched with peculiar interest one stratum: the old ladies, the
+white-haired, fair-handed women of fifty and sixty and even seventy,
+spinsters and widows, for whom life was nothing but a desk and a job of
+petty pickings--mailing circulars or assorting letters or checking up
+lists. She watched them so closely because she speculated always, "Will
+I ever be like that?"
+
+They seemed comfortable; gossipy they were, and fond of mothering the
+girls. But now and then one of them would start to weep, cry for an hour
+together, with her white head on a spotty desk-blotter, till she forgot
+her homelessness and uselessness. Epidemics of hysteria would spring up
+sometimes, and women of thirty-five or forty--normally well
+content--would join the old ladies in sobbing. Una would wonder if she
+would be crying like that at thirty-five--and at sixty-five, with thirty
+barren, weeping years between. Always she saw the girls of twenty-two
+getting tired, the women of twenty-eight getting dry and stringy, the
+women of thirty-five in a solid maturity of large-bosomed and widowed
+spinsterhood, the old women purring and catty and tragic.... She herself
+was twenty-eight now, and she knew that she was growing sallow, that the
+back of her neck ached more often, and that she had no release in sight
+save the affably dull Mr. Julius Edward Schwirtz.
+
+Machines were the Pemberton force, and their greatest rivals were the
+machines of steel and wood, at least one of which each new efficiency
+expert left behind him: Machines for opening letters and sealing them,
+automatic typewriters, dictation phonographs, pneumatic chutes. But none
+of the other machines was so tyrannical as the time-clock. Una admitted
+to herself that she didn't see how it was possible to get so many
+employees together promptly without it, and she was duly edified by the
+fact that the big chiefs punched it, too.... But she noticed that after
+punching it promptly at nine, in an unctuous manner which said to all
+beholders, "You see that even I subject myself to this delightful
+humility," Mr. S. Herbert Ross frequently sneaked out and had
+breakfast....
+
+She knew that the machines were supposed to save work. But she was aware
+that the girls worked just as hard and long and hopelessly after their
+introduction as before; and she suspected that there was something wrong
+with a social system in which time-saving devices didn't save time for
+anybody but the owners. She was not big enough nor small enough to have
+a patent cure-all solution ready. She could not imagine any future for
+these women in business except the accidents of marriage or death--or a
+revolution in the attitude toward them. She saw that the comfortable
+average men of the office sooner or later, if they were but faithful and
+lived long enough, had opportunities, responsibility, forced upon them.
+No such force was used upon the comfortable average women!
+
+She endeavored to picture a future in which women, the ordinary,
+philoprogenitive, unambitious women, would have some way out besides
+being married off or killed off. She envisioned a complete change in the
+fundamental purpose of organized business from the increased production
+of soap--or books or munitions--to the increased production of
+happiness. How this revolution was to be accomplished she had but little
+more notion than the other average women in business. She blindly
+adopted from Mamie Magen a half-comprehended faith in a Fabian
+socialism, a socializing that would crawl slowly through practical
+education and the preaching of kinship, through profit-sharing and
+old-age pensions, through scientific mosquito-slaying and cancer-curing
+and food reform and the abolition of anarchistic business competition,
+to a goal of tolerable and beautiful life. Of one thing she was sure:
+This age, which should adjudge happiness to be as valuable as soap or
+munitions, would never come so long as the workers accepted the
+testimony of paid spokesmen like S. Herbert Ross to the effect that they
+were contented and happy, rather than the evidence of their own wincing
+nerves to the effect that they lived in a polite version of hell.... She
+was more and more certain that the workers weren't discontented enough;
+that they were too patient with lives insecure and tedious. But she
+refused to believe that the age of comparative happiness would always be
+a dream; for already, at Herzfeld & Cohn's she had tasted of an
+environment where no one considered himself a divinely ruling chief, and
+where it was not a crime to laugh easily. But certainly she did not
+expect to see this age during her own life. She and her fellows were
+doomed, unless they met by chance with marriage or death; or unless they
+crawled to the top of the heap. And this last she was determined to do.
+Though she did hope to get to the top without unduly kicking the
+shrieking mass of slaves beneath her, as the bright young men learned to
+do.
+
+Whenever she faced Mr. Ross's imperturbable belief that
+things-as-they-are were going pretty well, that "you can't change human
+nature," Una would become meek and puzzled, lose her small store of
+revolutionary economics, and wonder, grope, doubt her millennial faith.
+Then she would again see the dead eyes of young girls as they entered
+the elevators at five-thirty, and she would rage at all chiefs and
+bright young men.... A gold-eye-glassed, kitten-stepping, good little
+thing she was, and competent to assist Mr. Ross in his mighty labors,
+yet at heart she was a shawled Irish peasant, or a muzhik lost in the
+vastness of the steppes; a creature elemental and despairing, facing
+mysterious powers of nature--human nature.
+
+
+
+
+CHAPTER XV
+
+
+Mr. Julius Edward Schwirtz was a regular visitant at the flat of Mrs.
+Lawrence and Una. Mrs. Lawrence liked him; in his presence she abandoned
+her pretense of being interested in Mamie Magen's arid intellectualism,
+and Una's quivering anxieties. Mr. Schwirtz was ready for any party,
+whenever he was "in off the road."
+
+Una began to depend on him for amusements. Mrs. Lawrence encouraged her
+to appear at her best before him. When he or one of Mrs. Lawrence's men
+was coming the two women had an early and quick dinner of cold ham and
+canned soup, and hastily got out the electric iron to press a frock;
+produced Pemberton's Flesh-Tinted Vanisho Powder, and the lip-stick
+whose use Una hated, but which she needed more and more as she came back
+from the office bloodless and cold. They studied together the feminine
+art of using a new veil, a flower, or fresh white-kid gloves, to change
+one's appearance.
+
+Poor Una! She was thinking now, secretly and shamefacedly, of the
+"beautifying methods" which she saw advertised in every newspaper and
+cheap magazine. She rubbed her red, desk-calloused elbows with
+Pemberton's cold-cream. She cold-creamed and massaged her face every
+night, standing wearily before a milky mirror in the rather close and
+lingerie-scattered bedroom, solemnly rotating her fingers about her
+cheeks and forehead, stopping to conjecture that the pores in her nose
+were getting enlarged. She rubbed her hair with Pemberton's "Olivine and
+Petrol" to keep it from growing thin, and her neck with cocoanut oil to
+make it more full. She sent for a bottle of "Mme. LeGrand's
+Bust-Developer," and spent several Saturday afternoons at the beauty
+parlors of Mme. Isoldi, where in a little booth shut off by a
+white-rubber curtain, she received electrical massages, applications of
+a magic N-ray hair-brush, vigorous cold-creaming and warm-compressing,
+and enormous amounts of advice about caring for the hair follicles, from
+a young woman who spoke French with a Jewish accent.
+
+By a twist of psychology, though she had not been particularly fond of
+Mr. Schwirtz, but had anointed herself for his coming because he was a
+representative of men, yet after months of thus dignifying his
+attentions, the very effort made her suppose that she must be fond of
+him. Not Mr. Schwirtz, but her own self did she befool with Pemberton's
+"Preparations de Paris."
+
+Sometimes with him alone, sometimes with him and Mrs. Lawrence and one
+of Mrs. Lawrence's young businessman attendants, Una went to theaters
+and dinners and heterogeneous dances.
+
+She was dazzled and excited when Mr. Schwirtz took her to the opening of
+the Champs du Pom-Pom, the latest potpourri of amusements on Broadway.
+All under one roof were a super-vaudeville show, a smart musical comedy,
+and the fireworks of one-act plays; a Chinese restaurant, and a Louis
+Quinze restaurant and a Syrian desert-caravan restaurant; a ballroom and
+an ice-skating rink; a summer garden that, in midwinter, luxuriated in
+real trees and real grass, and a real brook crossed by Japanese bridges.
+Mr. Schwirtz was tireless and extravagant and hearty at the Champs du
+Pom-Pom. He made Una dance and skate; he had a box for the vaudeville;
+he gave her caviar canape and lobster _a la Rue des Trois Soeurs_ in
+the Louis Quinze room; and sparkling Burgundy in the summer garden,
+where mocking-birds sang in the wavering branches above their table. Una
+took away an impressionistic picture of the evening--
+
+Scarlet and shadowy green, sequins of gold, slim shoulders veiled in
+costly mist. The glitter of spangles, the hissing of silk, low laughter,
+and continual music quieter than a dream. Crowds that were not harsh
+busy folk of the streets, but a nodding procession of gallant men and
+women. A kindly cleverness which inspirited her, and a dusky perfume in
+which she could meditate forever, like an Egyptian goddess throned at
+the end of incense-curtained aisles. Great tapestries of velvet and
+jeweled lights; swift, smiling servants; and the languorous well-being
+of eating strange, delicious foods. Orchids and the scent of poppies and
+spell of the lotos-flower, the bead of wine and lips that yearned;
+ecstasy in the Oriental pride of a superb Jewess who was singing to the
+demure enchantment of little violins. Her restlessness satisfied, a
+momentary pang of distrust healed by the brotherly talk of the
+broad-shouldered man who cared for her and nimbly fulfilled her every
+whim. An unvoiced desire to keep him from drinking so many highballs; an
+enduring thankfulness to him when she was back at the flat; a defiant
+joy that he had kissed her good-night--just once, and so tenderly; a
+determination to "be good for him," and a fear that he had "spent too
+much money on her to-night," and a plan to reason with him about whisky
+and extravagance. A sudden hatred of the office to which she would have
+to return in the morning, and a stronger, more sardonic hatred of
+hearing Mr. S. Herbert Ross pluck out his vest-pocket harp and hymn his
+own praise in a one-man choir, cherubic, but slightly fat. A descent
+from high gardens of moonlight to the reality of the flat, where
+Lawrence was breathing loudly in her sleep; the oily smell of hairs
+tangled in her old hair-brush; the sight of the alarm-clock which in
+just six hours would be flogging her off to the mill. A sudden,
+frightened query as to what scornful disdain Walter Babson would fling
+at her if he saw her glorying in this Broadway circus with the heavy Mr.
+Schwirtz. A ghostly night-born feeling that she still belonged to
+Walter, living or dead, and a wonder as to where in all the world he
+might be. A defiant protest that she idealized Walter, that he wasn't so
+awfully superior to the Champs du Pom-Pom as this astral body of his was
+pretending, and a still more defiant gratitude to Mr. Schwirtz as she
+crawled into the tousled bed and Mrs. Lawrence half woke to yawn, "Oh,
+that--you--Gold'n? _Gawd!_ I'm sleepy. Wha' time is 't?"
+
+
+Sec. 2
+
+Una was sorry. She hated herself as what she called a "quitter," but
+now, in January, 1910, she was at an _impasse_. She could just stagger
+through each day of S. Herbert Ross and office diplomacies. She had been
+at Pemberton's for a year and a third, and longer than that with Mrs.
+Lawrence at the flat. The summer vacation of 1909 she had spent with
+Mrs. Lawrence at a Jersey coast resort. They had been jealous, had
+quarreled, and made it up every day, like lovers. They had picked up two
+summer men, and Mrs. Lawrence had so often gone off on picnics with her
+man that Una had become uneasy, felt soiled, and come back to the city
+early. For this Mrs. Lawrence had never forgiven her. She had recently
+become engaged to a doctor who was going to Akron, Ohio, and she
+exasperated Una by giving her bland advice about trying to get married.
+Una never knew whether she was divorced, or whether the mysterious Mr.
+Lawrence had died.
+
+But even the difficile Lawrence was preferable to the strain at the
+office. Una was tired clean through and through. She felt as though her
+very soul had been drained out by a million blood-sucker
+details--constant adjustments to Ross's demands for admiration of his
+filthiest office political deals, and the need of keeping friendly with
+both sides when Ross was engaged in one of his frequent altercations
+with an assistant.
+
+Often she could not eat in the evening. She would sit on the edge of the
+bed and cry hopelessly, with a long, feeble, peculiarly feminine
+sobbing, till Mrs. Lawrence slammed the door and went off to the motion
+pictures. Una kept repeating a little litany she had made regarding the
+things she wished people would stop doing--praying to be delivered from
+Ross's buoyant egotism, from Mrs. Lawrence's wearing of Una's best
+veils, from Mr. Schwirtz's acting as though he wanted to kiss her
+whenever he had a whisky breath, from the office-manager who came in to
+chat with her just when she was busiest, from the office-boy who always
+snapped his fingers as he went down the corridor outside her door, and
+from the elevator-boy who sucked his teeth.
+
+She was sorry. She wanted to climb. She didn't want to be a quitter. But
+she was at an _impasse_.
+
+On a January day the Pemberton office beheld that most terrifying crisis
+that can come to a hard, slave-driving office. As the office put it,
+"The Old Man was on a rampage."
+
+Mr. Pemberton, senior, most hoarily awful of all the big chiefs, had
+indigestion or a poor balance-sheet. He decided that everything was
+going wrong. He raged from room to room. He denounced the new poster,
+the new top for the talcum-powder container, the arrangement of the
+files, and the whispering in the amen corner of veteran stenographers.
+He sent out flocks of "office memoes." Everybody trembled. Mr.
+Pemberton's sons actually did some work; and, as the fire spread and the
+minor bosses in turn raged among their subordinates, the girls who
+packed soap down in the works expected to be "fired." After a visitation
+from Mr. Pemberton and three raging memoes within fifteen minutes, Mr.
+S. Herbert Ross retreated toward the Lafayette Cafe, and Una was left to
+face Mr. Pemberton's bear-like growls on his next appearance.
+
+When he did appear he seemed to hold her responsible for all the world's
+long sadness. Meanwhile the printer was telephoning for Mr. Ross's O. K.
+on copy, the engravers wanted to know where the devil was that
+color-proof, the advertising agency sarcastically indicated that it was
+difficult for them to insert an advertisement before they received the
+order, and a girl from the cashier's office came nagging in about a bill
+for India ink.
+
+The memoes began to get the range of her desk again, and Mr. Pemberton's
+voice could be heard in a distant part of the office, approaching,
+menacing, all-pervading.
+
+Una fled. She ran to a wash-room, locked the door, leaned panting
+against it, as though detectives were pursuing her. She was safe for a
+moment. They might miss her, but she was insulated from demands of,
+"Where's Ross, Miss Golden? Well, why _don't_ you know where he is?"
+from telephone calls, and from memoes whose polite "please" was a gloved
+threat.
+
+But even to this refuge the familiar sound of the office penetrated--the
+whirr which usually sounded as a homogeneous murmur, but which, in her
+acute sensitiveness, she now analyzed into the voices of different
+typewriters--one flat, rapid, staccato; one a steady, dull rattle. The
+"zzzzz" of typewriter-carriages being shoved back. The roll of closing
+elevator doors, and the rumble of the ascending elevator. The long burr
+of an unanswered telephone at a desk, again and again; and at last an
+angry "Well! Hello? Yes, yes; this 's Mr. Jones. What-duh-yuh want?"
+Voices mingled; a shout for Mr. Brown; the hall-attendant yelping: "Miss
+Golden! Where's Miss Golden? Anything for Sanford? Mr. Smith, d'you know
+if there's anything for Sanford?" Always, over and through all, the
+enveloping clatter of typewriters, and the city roar behind that,
+breaking through the barrier of the door.
+
+The individual, analyzed sounds again blended in one insistent noise of
+hurry which assailed Una's conscience, summoned her back to her work.
+
+She sighed, washed her stinging eyes, opened the door, and trailed back
+toward her den.
+
+In the corridor she passed three young stenographers and heard one of
+them cry: "Yes, but I don't care if old Alfalfa goes on a rampage
+twenty-five hours a day. I'm through. Listen, May, say, what d'you know
+about me? I'm engaged! No, honest, straight I am! Look at me ring! Aw,
+it is not; it's a regular engagement-ring. I'm going to be out of this
+hell-hole in two weeks, and Papa Pemberton can work off his temper on
+somebody else. Me, I'm going to do a slumber marathon till noon every
+day."
+
+"Gee!"
+
+"Engaged!"
+
+--said the other girls, and--
+
+"Engaged! Going to sleep till noon every day. And not see Mr. Ross or
+Mr. Pemberton! That's my idea of heaven!" thought Una.
+
+There was a pile of inquiring memoes from Mr. Pemberton and the several
+department heads on her desk. As she looked at them Una reached the
+point of active protest.
+
+"S. Herbert runs for shelter when the storm breaks, and leaves me here
+to stand it. Why isn't _he_ supposed to be here on the job just as much
+as I am?" she declaimed. "Why haven't I the nerve to jump up and go out
+for a cup of tea the way he would? By jiminy! I will!"
+
+She was afraid of the indefinite menace concealed in all the Pemberton
+system as she signaled an elevator. But she did not answer a word when
+the hall-attendant said, "You are going out, Miss Golden?"
+
+She went to a German-Jewish bakery and lunch-room, and reflectively got
+down thin coffee served in a thick cup, a sugar-warted _Kaffeekuche_,
+and two crullers. She was less willing to go back to work than she had
+been in her refuge in the wash-room. She felt that she would rather be
+dead than return and subject herself to the strain. She was "through,"
+like the little engaged girl. She was a "quitter."
+
+For half an hour she remained in the office, but she left promptly at
+five-thirty, though her desk was choked with work and though Mr. Ross
+telephoned that he would be back before six, which was his chivalrous
+way of demanding that she stay till seven.
+
+Mr. Schwirtz was coming to see her that evening. He had suggested
+vaudeville.
+
+She dressed very carefully. She did her hair in a new way.
+
+When Mr. Schwirtz came she cried that she _couldn't_ go to a show. She
+was "clean played out." She didn't know what she could do. Pemberton's
+was too big a threshing-machine for her. She was tired--"absolutely all
+in."
+
+"Poor little sister!" he said, and smoothed her hair.
+
+She rested her face on his shoulder. It seemed broad and strong and
+protective.
+
+She was glad when he put his arm about her.
+
+She was married to Mr. Schwirtz about two weeks later.
+
+
+Sec. 3
+
+She had got herself to call him "Ed." ... "Eddie" she could not
+encompass, even in that fortnight of rushing change and bewilderment.
+
+She asked for a honeymoon trip to Savannah. She wanted to rest; she had
+to rest or she would break, she said.
+
+They went to Savannah, to the live-oaks and palmettoes and quiet old
+squares.
+
+But she did not rest. Always she brooded about the unleashed brutality
+of their first night on the steamer, the strong, inescapable man-smell
+of his neck and shoulders, the boisterous jokes he kept telling her.
+
+He insisted on their staying at a commercial hotel at Savannah. Whenever
+she went to lie down, which was frequently, he played poker and drank
+highballs. He tried in his sincerest way to amuse her. He took her to
+theaters, restaurants, road-houses. He arranged a three days'
+hunting-trip, with a darky cook. He hired motor-boats and motor-cars and
+told her every "here's a new one," that he heard. But she dreaded his
+casual-seeming suggestions that she drink plenty of champagne; dreaded
+his complaints, whiney as a small boy, "Come now, Unie, show a little
+fire. I tell you a fellow's got a right to expect it at this time." She
+dreaded his frankness of undressing, of shaving; dreaded his occasional
+irritated protests of "Don't be a finicking, romantic school-miss. I may
+not wear silk underclo' and perfume myself like some bum actor, but I'm
+a regular guy"; dreaded being alone with him; dreaded always the memory
+of that first cataclysmic night of their marriage; and mourned, as in
+secret, for year on year, thousands of women do mourn. "Oh, I wouldn't
+care now if he had just been gentle, been considerate.... Oh, Ed _is_
+good; he _does_ mean to care for me and give me a good time, but--"
+
+When they returned to New York, Mr. Schwirtz said, robustly: "Well,
+little old trip made consid'able hole in my wad. I'm clean busted. Down
+to one hundred bucks in the bank."
+
+"Why, I thought you were several thousand ahead!"
+
+"Oh--oh! I lost most of that in a little flyer on stocks--thought I'd
+make a killing, and got turned into lamb-chops; tried to recoup my
+losses on that damn flying-machine, passenger-carrying game that that
+---- ---- ---- ---- let me in for. Never mind, little sister; we'll
+start saving now. And it was worth it. Some trip, eh? You enjoyed it,
+didn't you--after the first couple days, while you were seasick? You'll
+get over all your fool, girly-girly notions now. Women always are like
+that. I remember the first missus was, too.... And maybe a few other
+skirts, though I guess I hadn't better tell no tales outa school on
+little old Eddie Schwirtz, eh? Ha, ha!... Course you high-strung virgin
+kind of shemales take some time to learn to get over your choosey,
+finicky ways. But, Lord love you! I don't mind that much. Never could
+stand for these rough-necks that claim they'd rather have a good,
+healthy walloping country wench than a nice, refined city lady. Why, I
+_like_ refinement! Yes, sir, I sure do!... Well, it sure was some trip.
+Guess we won't forget it in a hurry, eh? Sure is nice to rub up against
+some Southern swells like we did that night at the Avocado Club. And
+that live bunch of salesmen. Gosh! Say, I'll never forget that Jock
+Sanderson. He was a comical cuss, eh? That story of his--"
+
+"No," said Una, "I'll never forget the trip."
+
+But she tried to keep the frenzy out of her voice. The frenzy was dying,
+as so much of her was dying. She hadn't realized a woman can die so many
+times and still live. Dead had her heart been at Pemberton's, yet it had
+secreted enough life to suffer horribly now, when it was again being
+mauled to death.
+
+And she wanted to spare this man.
+
+She realized that poor Ed Schwirtz, puttering about their temporary room
+in a side-street family hotel, yawning and scratching his head, and
+presumably comfortable in suspenders over a woolen undershirt--she
+realized that he treasured a joyous memory of their Savannah diversions.
+
+She didn't want to take joy away from anybody who actually had it, she
+reflected, as she went over to the coarse-lace hotel curtains, parted
+them, stared down on the truck-filled street, and murmured, "No, I can't
+ever forget."
+
+
+
+
+Part III
+
+MAN AND WOMAN
+
+CHAPTER XVI
+
+
+For two years Una Golden Schwirtz moved amid the blank procession of
+phantoms who haunt cheap family hotels, the apparitions of the
+corridors, to whom there is no home, nor purpose, nor permanence. Mere
+lodgers for the night, though for score on score of tasteless years they
+use the same alien hotel room as a place in which to take naps and store
+their trunks and comb their hair and sit waiting--for nothing. The men
+are mysterious. They are away for hours or months, or they sit in the
+smoking-room, glancing up expectant of fortunes that never come. But the
+men do have friends; they are permitted familiarities by the bartender
+in the cafe. It is the women and children who are most dehumanized. The
+children play in the corridors; they become bold and sophisticated; they
+expect attention from strangers. At fourteen the girls have long dresses
+and mature admirers, and the boys ape the manners of their shallow
+elders and discuss brands of cigarettes. The women sit and rock,
+empty-hearted and barren of hands. When they try to make individual
+homes out of their fixed molds of rooms--the hard walls, the brass
+bedsteads, the inevitable bureaus, the small rockers, and the transoms
+that always let in too much light from the hall at night--then they are
+only the more pathetic. For the small pictures of pulpy babies
+photographed as cupids, the tin souvenirs and the pseudo-Turkish scarves
+draped over trunks rob the rooms of the simplicity which is their only
+merit.
+
+For two years--two years snatched out of her life and traded for
+somnambulatory peace, Una lived this spectral life of one room in a
+family hotel on a side street near Sixth Avenue. The only other
+dwelling-places she saw were the flats of friends of her husband.
+
+He often said, with a sound of pride: "We don't care a darn for all
+these would-be social climbers. The wife and I lead a regular Bohemian
+life. We know a swell little bunch of live ones, and we have some pretty
+nifty parties, lemme tell you, with plenty poker and hard liquor. And
+one-two of the bunch have got their own cars--I tell you they make a
+whole lot more coin than a lot of these society-column guys, even if
+they don't throw on the agony; and we all pile in and go up to some
+road-house, and sing, and play the piano, and have a real time."
+
+Conceive Una--if through the fumes of cheap cigarettes you can make out
+the low lights of her fading hair--sitting there, trying patiently to
+play a "good, canny fist of poker"--which, as her husband often and
+irritably assured her, she would never learn to do. He didn't, he said,
+mind her losing his "good, hard-earned money," but he "hated to see
+Eddie Schwirtz's own wife more of a boob than Mrs. Jock Sanderson, who's
+a regular guy; plays poker like a man."
+
+Mrs. Sanderson was a black-haired, big-bosomed woman with a face as hard
+and smooth and expressionless as a dinner-plate, with cackling laughter
+and a tendency to say, "Oh, hell, boys!" apropos of nothing. She was a
+"good sport" and a "good mixer," Mr. Schwirtz averred; and more and
+more, as the satisfaction of having for his new married mistress a
+"refined lady" grew dull, he adjured the refined lady to imitate Mrs.
+Sanderson.
+
+Fortunately, Mr. Schwirtz was out of town two-thirds of the time. But
+one-third of the time was a good deal, since for weeks before his coming
+she dreaded him; and for weeks after his going she remembered him with
+chill shame; since she hadn't even the whole-hearted enthusiasm of
+hating him, but always told herself that she was a prude, an abnormal,
+thin-blooded creature, and that she ought to appreciate "Ed's" desire to
+have her share his good times, be coarse and jolly and natural.
+
+His extravagance was constant. He was always planning to rent an
+expensive apartment and furnish it, but the money due him after each
+trip he spent immediately and they were never able to move away from the
+family hotel. He had to have taxicabs when they went to theaters. He
+would carol, "Oh, don't let's be pikers, little sister--nothing too good
+for Eddie Schwirtz, that's my motto." And he would order champagne, the
+one sort of good wine that he knew. He always overtipped waiters and
+enjoyed his own generosity. Generous he really was, in a clumsy way. He
+gave to Una all he had over from his diversions; urged her to buy
+clothes and go to matinees while he was away, and told it as a good joke
+that he "blew himself" so extensively on their parties that he often had
+to take day-coaches instead of sleepers for a week after he left New
+York.... Una had no notion of how much money he made, but she knew that
+he never saved it. She would beg: "Why don't you do like so many of the
+other traveling-men? Your Mr. Sanderson is saving money and buying real
+estate, even though he does have a good time. Let's cut out some of the
+unnecessary parties and things--"
+
+"Rats! My Mr. Sanderson is a leet-le tight, like all them Scotch
+laddies. I'm going to start saving one of these days. But what can you
+do when the firm screws you down on expense allowances and don't hardly
+allow you one red cent of bonus on new business? There's no chance for
+a man to-day--these damn capitalists got everything lashed down. I tell
+you I'm getting to be a socialist."
+
+He did not seem to be a socialist of the same type as Mamie Magen, but
+he was interested in socialism to this extent--he always referred to it
+at length whenever Una mentioned saving money.
+
+She had not supposed that he drank so much. Always he smelled of whisky,
+and she found quart bottles of it in his luggage when he returned from a
+trip.
+
+But he never showed signs of drunkenness, except in his urgent
+attentions to her after one of their "jolly Bohemian parties."
+
+More abhorrent to her was the growing slackness in his personal
+habits.... He had addressed her with great volubility and earnestness
+upon his belief that now they were married, she must get rid of all her
+virginal book-learned notions about reticence between husband and wife.
+Such feminine "hanky-panky tricks," he assured her, were the cause of
+"all these finicky, unhappy marriages and these rotten divorces--lot of
+fool clubwomen and suffragettes and highbrows expecting a man to be like
+a nun. A man's a man, and the sooner a female gets on to that fact and
+doesn't nag, nag, nag him, and let's him go round being comfortable and
+natural, the kinder he'll be to her, and the better it'll be for all
+parties concerned. Every time! Don't forget that, old lady. Why, there's
+J. J. Vance at our shop. Married one of these up-dee-dee,
+poetry-reading, finicky women. Why, he did _everything_ for that woman.
+Got a swell little house in Yonkers, and a vacuum cleaner, and a hired
+girl, and everything. Then, my God! she said she was _lonely_! Didn't
+have enough housework, that was the trouble with her; and darned if she
+doesn't kick when J. J. comes in all played out at night because he
+makes himself comfortable and sits around in his shirt-sleeves and
+slippers. Tell you, the first thing these women have gotta learn is that
+a man's a man, and if they learn that they won't _need_ a vote!"
+
+Mr. Schwirtz's notion of being a man was to perform all hygienic
+processes as publicly as the law permitted. Apparently he was proud of
+his God-given body--though it had been slightly bloated since God had
+given it to him--and wanted to inspire her not only with the artistic
+vision of it, but with his care for it.... His thick woolen
+undergarments were so uncompromisingly wooleny.
+
+Nor had Mr. Schwirtz any false modesty in his speech. If Una had made
+out a list of all the things she considered the most banal or
+nauseatingly vulgar, she would have included most of the honest fellow's
+favorite subjects. And at least once a day he mentioned his former wife.
+At a restaurant dinner he gave a full account of her death, embalming,
+and funeral.
+
+Una identified him with vulgarity so completely that she must often have
+been unjust to him. At least she was surprised now and then by a
+reassertion that he was a "highbrow," and that he decidedly disapproved
+of any sort of vulgarity. Several times this came out when he found her
+reading novels which were so coarsely realistic as to admit the sex and
+sweat of the world.
+
+"Even if they _are_ true to life," he said, "I don't see why it's
+necessary to drag in unpleasant subjects. I tell you a fella gets too
+much of bad things in this world without reading about 'em in books.
+Trouble with all these 'realists' as you call 'em, is that they're such
+dirty-minded hounds themselves that all they can see in life is the bad
+side."
+
+Una surmised that the writers of such novels might, perhaps, desire to
+show the bad side in the hope that life might be made more beautiful.
+But she wasn't quite sure of it, and she suffered herself to be
+overborne, when he snorted: "Nonsense! These fellas are just trying to
+show how sensational they can be, t' say nothing of talking like they
+was so damn superior to the rest of us. Don't read 'em. Read pure
+authors like Howard Bancock Binch, where, whenever any lady gets seduced
+or anything like that, the author shows it's because the villain is an
+atheist or something, and he treats all those things in a nice, fine,
+decent manner. Good Gawd! sometimes a fella 'd think, to see you scrooge
+up your nose when I'm shaving, that I'm common as dirt, but lemme tell
+you, right now, miss, I'm a darn sight too refined to read any of these
+nasty novels where they go to the trouble of describing homes that ain't
+any better than pig-pens. Oh, and another thing! I heard you telling
+Mrs. Sanderson you thought all kids oughta have sex education. My
+_Gawd_! I don't know where you get those rotten ideas! Certainly not
+from me. Lemme tell you, no kid of mine is going to be made nasty-minded
+by having a lot of stuff like that taught her. Yes, sir, actually taught
+her right out in school."
+
+Una was sufficiently desirous of avoiding contention to keep to novels
+which portrayed life--offices and family hotels and perspiratory
+husbands--as all for the best. But now and then she doubted, and looked
+up from the pile of her husband's white-footed black-cotton socks to
+question whether life need be confined to Panama and Pemberton and
+Schwirtz.
+
+In deference to Mr. Schwirtz's demands on the novelists, one could
+scarce even suggest the most dreadful scene in Una's life, lest it be
+supposed that other women really are subject to such horror, or that
+the statistics regarding immoral diseases really mean anything in
+households such as we ourselves know.... She had reason to suppose that
+her husband was damaged goods. She crept to an old family doctor and had
+a fainting joy to find that she had escaped contamination.
+
+"Though," said the doctor, "I doubt if it would be wise to have a child
+of his."
+
+"I won't!" she said, grimly.
+
+She knew the ways of not having children. The practical Mr. Schwirtz had
+seen to that. Strangely enough, he did not object to birth-control, even
+though it was discussed by just the sort of people who wrote these
+sensational realistic novels.
+
+There were periods of reaction when she blamed herself for having become
+so set in antipathy that she always looked for faults; saw as a fault
+even the love for amusements which had once seemed a virtue in him.
+
+She tried, wistfully and honestly, to be just. She reminded herself
+constantly that she had enjoyed some of the parties with him--theater
+and a late supper, with a couple just back from South America.
+
+But--there were so many "buts"! Life was all one obliterating But.
+
+Her worst moments were when she discovered that she had grown careless
+about appearing before him in that drabbest, most ignoble of feminine
+attire--a pair of old corsets; that she was falling into his own
+indelicacies.
+
+Such marionette tragedies mingled ever with the grander passion of
+seeing life as a ruined thing; her birthright to aspiring cleanness sold
+for a mess of quick-lunch pottage. And as she walked in a mist of agony,
+a dumb, blind creature heroically distraught, she could scarce
+distinguish between sordidness and the great betrayals, so chill and
+thick was the fog about her.
+
+She thought of suicide, often, but too slow and sullen was her protest
+for the climax of suicide. And the common sense which she still had
+urged her that some day, incredibly, there might again be hope. Oftener
+she thought of a divorce. Of that she had begun to think even on the
+second day of her married life. She suspected that it would not be hard
+to get a divorce on statutory grounds. Whenever Mr. Schwirtz came back
+from a trip he would visibly remove from his suit-case bunches of
+letters in cheaply pretentious envelopes of pink and lavender. She
+scorned to try to read them, but she fancied that they would prove
+interesting to the judges.
+
+
+Sec. 2
+
+When Mr. Schwirtz was away Una was happy by contrast. Indeed she found a
+more halcyon rest than at any other period since her girlhood; and in
+long hours of thinking and reading and trying to believe in life, the
+insignificant good little thing became a calm-browed woman.
+
+Mrs. Lawrence had married the doctor and gone off to Ohio. They motored
+much, she wrote, and read aloud, and expected a baby. Una tried to be
+happy in them.
+
+Una had completely got out of touch with Mr. and Mrs. Sessions, but
+after her marriage she had gone to call on Mamie Magen, now prosperous
+and more earnest than ever, in a Greenwich Village flat; on Jennie
+Cassavant, sometime of the Home Club, now obscurely on the stage; on
+curly-haired Rose Larsen, who had married a young lawyer. But Una had
+fancied that they were suspiciously kind to her, and in angry pride she
+avoided them. She often wondered what they had heard about Mr. Schwirtz
+from the talkative Mrs. Lawrence. She conceived scenes in which she was
+haughtily rhapsodic in defending her good, sensible husband before them.
+Then she would long for them and admit that doubtless she had merely
+imagined their supercilious pity. But she could not go back to them as a
+beggar for friendship.
+
+Also, though she never admitted this motive to herself, she was always
+afraid that some day, if she kept in touch with them, her husband would
+demand: "Why don't you trot out these fussy lady friends of yours?
+Ashamed of me, eh?"
+
+So she drifted away from them, and at times when she could not endure
+solitariness she depended upon the women of the family hotel, whom she
+met in the corridors and cafe and "parlor."
+
+The aristocrats among them, she found, were the wives of traveling
+salesmen, good husbands and well loved, most of them, writing to their
+wives daily and longing for the time when they could have places in the
+suburbs, with room for chickens and children and love. These aristocrats
+mingled only with the sound middle-class of the hotel women, whose
+husbands were clerks and bookkeepers resident in the city, or traveling
+machinery experts who went about installing small power-plants. They
+gossiped with Una about the husbands of the _declasse_ women--men
+suspected to be itinerant quack doctors, sellers of dubious mining or
+motor stock, or even crooks and gamblers.
+
+There was a group of three or four cheery, buxom, much-bediamonded,
+much-massaged women, whose occasionally appearing husbands were sleek
+and overdressed. To Una these women were cordial. They invited her to
+go shopping, to matinees. But they stopped so often for cocktails, they
+told so many intimate stories of their relations with their husbands,
+that Una was timid before them, and edged away from their invitations
+except when she was desperately lonely. Doubtless she learned more about
+the mastery of people from them, however, than from the sighing,
+country-bred hotel women of whom she was more fond; for the cheerful
+hussies had learned to make the most of their shoddy lives.
+
+Only one woman in the hotel did Una accept as an actual friend--Mrs.
+Wade, a solid, slangy, contented woman with a child to whom she was
+devoted. She had, she told Una, "been stuck with a lemon of a husband.
+He was making five thousand a year when I married him, and then he went
+to pieces. Good-looking, but regular poor white trash. So I cleaned
+house--kicked him out. He's in Boston now. Touches me for a ten-spot now
+and then. I support myself and the kid by working for a department
+store. I'm a wiz at bossing dressmakers--make a Lucile gown out of the
+rind of an Edam cheese. Take nothing off nobody--especially you don't
+see me taking any more husbands off nobody."
+
+Mostly, Una was able to make out an existence by herself.
+
+She read everything--from the lacy sentimentalism of Myrtle Read to
+Samuel Butler and translations of Gorky and Flaubert. She nibbled at
+histories of art, and was confirmed in her economic theology by shallow
+but earnest manuals of popular radicalism. She got books from a branch
+public library, or picked them up at second-hand stalls. At first she
+was determined to be "serious" in her reading, but more and more she
+took light fiction as a drug to numb her nerves--and forgot the tales as
+soon as she had read them.
+
+In ten years of such hypnotic reading Mrs. Una Golden Schwirtz would not
+be very different from that Mrs. Captain Golden who, alone in a flat,
+had read all day, and forgotten what she had read, and let life dream
+into death.
+
+But now Una was still fighting to keep in life.
+
+She began to work out her first definite philosophy of existence. In
+essence it was not so very different from the blatant optimism of Mr. S.
+Herbert Ross--except that it was sincere.
+
+"Life is hard and astonishingly complicated," she concluded. "No one
+great reform will make it easy. Most of us who work--or want to
+work--will always have trouble or discontent. So we must learn to be
+calm, and train all our faculties, and make others happy."
+
+No more original than this was her formulated philosophy--the
+commonplace creed of a commonplace woman in a rather less than
+commonplace family hotel. The important thing was not the form of it,
+but her resolve not to sink into nothingness.... She hoped that some day
+she would get a job again. She sometimes borrowed a typewriter from the
+manager of the hotel, and she took down in shorthand the miscellaneous
+sermons--by Baptists, Catholics, Reformed rabbis, Christian Scientists,
+theosophists, High Church Episcopalians, Hindu yogis, or any one else
+handy--with which she filled up her dull Sundays.... Except as practice
+in stenography she found their conflicting religions of little value to
+lighten her life. The ministers seemed so much vaguer than the
+hard-driving business men with whom she had worked; and the question of
+what Joshua had done seemed to have little relation to what Julius
+Schwirtz was likely to do. The city had come between her and the Panama
+belief that somehow, mysteriously, one acquired virtue by enduring dull
+sermons.
+
+She depended more on her own struggle to make a philosophy.
+
+That philosophy, that determination not to sink into paralyzed despair,
+often broke down when her husband was in town, but she never gave up
+trying to make it vital to her.
+
+So, through month on month, she read, rocking slowly in the small,
+wooden rocker, or lying on the coarse-coverleted bed, while round her
+the hotel room was still and stale-smelling and fixed, and outside the
+window passed the procession of life--trucks laden with crates of
+garments consigned to Kansas City and Bangor and Seattle and Bemidji;
+taxicabs with passengers for the mammoth hotels; office-girls and
+policemen and salesmen and all the lusty crew that had conquered the
+city or were well content to be conquered by it.
+
+
+
+
+CHAPTER XVII
+
+
+Late in the summer of 1912, at a time when Una did not expect the return
+of her husband for at least three weeks, she was in their room in the
+afternoon, reading "Salesmanship for Women," and ruminatively eating
+lemon-drops from a small bag.
+
+As though he were a betrayed husband dramatically surprising her, Mr.
+Schwirtz opened the door, dropped a large suit-case, and stood, glaring.
+
+"Well!" he said, with no preliminary, "so here you are! For once you
+could--"
+
+"Why, Ed! I didn't expect to see you for--"
+
+He closed the door and gesticulated. "No! Of course you didn't. Why
+ain't you out with some of your swell friends that I ain't good enough
+to meet, shopping, and buying dresses, and God knows what--"
+
+"Why, Ed!"
+
+"Oh, don't 'why-Ed' me! Well, ain't you going to come and kiss me? Nice
+reception when a man's come home tired from a hard trip--wife so busy
+reading a book that she don't even get up from her chair and make him
+welcome in his own room that he pays for. Yes, by--"
+
+"Why, you didn't--you don't act as though--"
+
+"Yes, sure, that's right; lay it all on--"
+
+"--you wanted me to kiss you."
+
+"Well, neither would anybody if they'd had all the worries I've had,
+sitting there worrying on a slow, hot train that stopped at every
+pig-pen--yes, and on a day-coach, too, by golly! _Somebody_ in this
+family has got to economize!--while you sit here cool and comfortable;
+not a thing on your mind but your hair; not a thing to worry about
+except thinking how damn superior you are to your husband! Oh, sure! But
+I made up my mind--I thought it all out for once, and I made up my mind
+to one thing, you can help me out by economizing, anyway."
+
+"Oh, Ed, I don't know what you're driving at. I _haven't_ been
+extravagant, ever. Why, I've asked you any number of times not to spend
+so much money for suppers and so forth--"
+
+"Yes, sure, lay it all onto me. I'm fair game for everybody that's
+looking for a nice, soft, easy, safe boob to kick! Why, look there!"
+
+While she still sat marveling he pounced on the meek little five-cent
+bag of lemon-drops, shook it as though it were a very small kitten, and
+whined: "Look at this! Candy or something all the while! You never have
+a single cent left when I come home--candy and ice-cream sodas, and
+matinees, and dresses, and everything you can think of. If it ain't one
+thing, it's another. Well, you'll either save from now on--"
+
+"Look here! What do you mean, working off your grouch on--"
+
+"--or else you won't _have_ anything to spend, un'erstand? And when it
+comes down to talking about grouches I suppose you'll be real _pleased_
+to know--this will be sweet news, probably, to _you_--I've been fired!"
+
+"Fired? Oh, Ed!"
+
+"Yes, fired-oh-Ed. Canned. Got the gate. Thrown out. Got the
+razzle-dazzle. Got the hook thrown into me. Bounced. Kiyudeled. That is,
+at least, I will be, as soon as I let the old man get at me, judging
+from the love-letters he's been sending me, inviting me to cut a switch
+and come out to the wood-shed with him."
+
+"Oh, Ed dear, what was the trouble?"
+
+She walked up to him, laid her hand on his shoulder. Her voice was
+earnest, her eyes full of pity. He patted her hand, seemed from her
+gentle nearness to draw comfort--not passion. He slouched over to the
+bed, and sat with his thick legs stuck out in front of him, his hands in
+his trousers pockets, while he mused:
+
+"Oh, I don't hardly know what it _is_ all about. My sales have been
+falling off, all rightee. But, good Lord! that's no fault of mine. I
+work my territory jus' as hard as I ever did, but I can't meet the
+competition of the floor-wax people. They're making an auto polish
+now--better article at a lower price--and what can I do? They got a full
+line, varnish, cleaner, polish, swell window displays, national
+advertising, swell discounts--everything; and I can't buck competition
+like that. And then a lot of the salesmen at our shop are jealous of me,
+and one thing and another. Well, now I'll go down and spit the old man
+in the eye couple o' times, and get canned, unless I can talk him out of
+his bad acting. Oh, I'll throw a big bluff. I'll be the little
+misunderstood boy, but I don't honestly think I can put anything across
+on him. I'm-- Oh, hell, I guess I'm getting old. I ain't got the pep I
+used to have. Not but what J. Eddie Schwirtz can still sell goods, but I
+can't talk up to the boss like I could once. I gotta feel some sympathy
+at the home office. And I by God deserve it--way I've worked and slaved
+for that bunch of cutthroats, and now-- Sure, that's the way it goes in
+this world. I tell you, I'm gonna turn socialist!"
+
+"Ed--listen, Ed. Please, oh, _please_ don't be offended now; but don't
+you think perhaps the boss thinks you drink too much?"
+
+"How could he? I don't drink very much, and you know it. I don't hardly
+touch a drop, except maybe just for sociability. God! this temperance
+wave gets my goat! Lot of hot-air females telling me what I can do and
+what I can't do--fella that knows when to drink and when to stop. Drink?
+Why, you ought to see some of the boys! There's Burke McCullough. Say, I
+bet he puts away forty drinks a day, if he does one, and I don't know
+that it hurts him any; but me--"
+
+"Yes, I know, dear. I was just thinking--maybe your boss is one of the
+temperance cranks," Una interrupted. Mr. Schwirtz's arguments regarding
+the privileges of a manly man sounded very familiar. This did not seem
+to be a moment for letting her husband get into the full swing of them.
+She begged: "What will you do if they let you out? I wish there was
+something I could do to help."
+
+"Dun'no'. There's a pretty close agreement between a lot of the leading
+paint-and-varnish people--gentleman's agreement--and it's pretty hard to
+get in any place if you're in Dutch with any of the others. Well, I'm
+going down now and watch 'em gwillotine me. You better not wait to have
+dinner with me. I'll be there late, thrashing all over the carpet with
+the old man, and then I gotta see some fellas and start something. Come
+here, Una."
+
+He stood up. She came to him, and when he put his two hands on her
+shoulders she tried to keep her aversion to his touch out of her look.
+
+He shook his big, bald head. He was unhappy and his eyes were old.
+"Nope," he said; "nope. Can't be done. You mean well, but you haven't
+got any fire in you. Kid, can't you understand that there are wives
+who've got so much passion in 'em that if their husbands came home
+clean-licked, like I am, they'd--oh, their husbands would just
+naturally completely forget their troubles in love--real love, with fire
+in it. Women that aren't ashamed of having bodies.... But, oh, Lord! it
+ain't your fault. I shouldn't have said anything. There's lots of wives
+like you. More 'n one man's admitted his wife was like that, when he's
+had a couple drinks under his belt to loosen his tongue. You're not to
+blame, but-- I'm sorry.... Don't mind my grouch when I came in. I was so
+hot, and I'd been worrying and wanted to blame things onto somebody....
+Don't wait for me at dinner. If I ain't here by seven, go ahead and
+feed. Good-by."
+
+
+Sec. 2
+
+All she knew was that at six a woman's purring voice on the telephone
+asked if Mr. Eddie Schwirtz had returned to town yet. That he did not
+reappear till after midnight. That his return was heralded by wafting
+breezes with whisky laden. That, in the morning, there was a smear of
+rice powder on his right shoulder and that he was not so urgent in his
+attentions to her as ordinarily. So her sympathy for him was lost. But
+she discovered that she was neither jealous nor indignant--merely
+indifferent.
+
+He told her at breakfast that, with his usual discernment, he had
+guessed right. When he had gone to the office he had been discharged.
+
+"Went out with some business acquaintances in the evening--got to pull
+all the wires I can now," he said.
+
+She said nothing.
+
+
+Sec. 3
+
+They had less than two hundred dollars ahead. But Mr. Schwirtz borrowed
+a hundred from his friend, Burke McCullough, and did not visibly have
+to suffer from want of highballs, cigars, and Turkish baths. From the
+window of their room Una used to see him cross the street to the cafe
+entrance of the huge Saffron Hotel--and once she saw him emerge from it
+with a fluffy blonde. But she did not attack him. She was spellbound in
+a strange apathy, as in a dream of swimming on forever in a warm and
+slate-hued sea. She was confident that he would soon have another
+position. He had over-ridden her own opinions about business--the
+opinions of the underling who never sees the great work as a rounded
+whole--till she had come to have a timorous respect for his commercial
+ability.
+
+Apparently her wifely respect was not generally shared in the paint
+business. At least Mr. Schwirtz did not soon get his new position.
+
+The manager of the hotel came to the room with his bill and pressed for
+payment. And after three weeks--after a night when he had stayed out
+very late and come home reeking with perfume--Mr. Schwirtz began to hang
+about the room all day long and to soak himself in the luxury of
+complaining despair.
+
+Then came the black days.
+
+There were several scenes (during which she felt like a beggar about to
+be arrested) between Mr. Schwirtz and the landlord, before her husband
+paid part of a bill whose size astounded her.
+
+Mr. Schwirtz said that he was "expecting something to turn up--nothin'
+he could do but wait for some telephone calls." He sat about with his
+stockinged feet cocked up on the bed, reading detective stories till he
+fell asleep in his chair. He drank from unlabeled pint flasks of whisky
+all day. Once, when she opened a bureau drawer of his by mistake, she
+saw half a dozen whisky-flasks mixed with grimy collars, and the sour
+smell nauseated her. But on food--they had to economize on that! He took
+her to a restaurant of fifteen-cent breakfasts and twenty-five-cent
+dinners. It was the "parlor floor" of an old brownstone house--two
+rooms, with eggy table-cloths, and moldings of dusty stucco.
+
+She avoided his presence as much as possible. Mrs. Wade, the practical
+dressmaker, who was her refuge among the women of the hotel, seemed to
+understand what was going on, and gave Una a key to her room. Here Una
+sat for hours. When she went back to their room quarrels would spring up
+apropos of anything or nothing.
+
+The fault was hers as much as his. She was no longer trying to conceal
+her distaste, while he, who had a marital conscience of a sort, was
+almost pathetic in his apologies for being unable to "show her a good
+time." And he wanted her soothing. He was more and more afraid of her as
+the despair of the jobless man in the hard city settled down on him. He
+wanted her to agree with him that there was a conspiracy against him.
+
+She listened to him and said nothing, till he would burst out in abuse:
+
+"You women that have been in business simply ain't fit to be married.
+You think you're too good to help a man. Yes, even when you haven't been
+anything but dub stenographers. I never noticed that you were such a
+whale of a success! I don't suppose you remember how you used to yawp to
+me about the job being too much for you! And yet when I want a little
+sympathy you sit there and hand me the frozen stare like you were the
+president of the Standard Oil Company and I was a bum office-boy. Yes,
+sir, I tell you business simply unfits a skirt for marriage."
+
+"No," she said, "not for marriage that has any love and comradeship in
+it. But I admit a business woman doesn't care to put up with being a cow
+in a stable."
+
+"What the devil do you mean--"
+
+"Maybe," she went on, "the business women will bring about a new kind of
+marriage in which men will _have_ to keep up respect and courtesy.... I
+wonder--I wonder how many millions of women in what are supposed to be
+happy homes are sick over being chambermaids and mistresses till they
+get dulled and used to it. Nobody will ever know. All these books about
+women being emancipated--you'd think marriage had changed entirely. Yet,
+right now, in 1912, in Panama and this hotel--not changed a bit. The
+business women must simply _compel_ men to--oh, to shave!"
+
+She went out (perhaps she slammed the door a little, in an unemancipated
+way) to Mrs. Wade's room.
+
+That discussion was far more gentle and coherent than most of their
+quarrels.
+
+It may have been rather to the credit of Mr. Schwirtz--it may have been
+a remnant of the clean pride which the boy Eddie Schwirtz must once have
+had, that, whenever she hinted that she would like to go back to
+work--he raged: "So you think I can't support you, eh? My God! I can
+stand insults from all my old friends--the fellas that used to be
+tickled to death to have me buy 'em a drink, but now they dodge around
+the corner as though they thought I was going to try to borrow four bits
+from 'em--I can stand their insults, but, by God! it _is_ pretty hard on
+a man when his own wife lets him know that she don't think he can
+support her!"
+
+And he meant it.
+
+She saw that, felt his resentment. But she more and more often invited
+an ambition to go back to work, to be independent and busy, no matter
+how weary she might become. To die, if need be, in the struggle.
+Certainly that death would be better than being choked in muck.... One
+of them would have to go to work, anyway.
+
+She discovered that an old acquaintance of his had offered him an
+eighteen-dollar-a-week job as a clerk in a retail paint-shop, till he
+should find something better. Mr. Schwirtz was scornful about it, and
+his scorn, which had once intimidated Una, became grotesquely absurd to
+her.
+
+Then the hotel-manager came with a curt ultimatum: "Pay up or get out,"
+he said.
+
+Mr. Schwirtz spent an hour telephoning to various acquaintances, trying
+to raise another hundred dollars. He got the promise of fifty. He
+shaved, put on a collar that for all practical purposes was quite clean,
+and went out to collect his fifty as proudly as though he had earned it.
+
+Una stared at herself in the mirror over the bureau, and said, aloud: "I
+don't believe it! It isn't you, Una Golden, that worked, and paid your
+debts. You can't, dear, you simply _can't_ be the wife of a man who
+lives by begging--a dirty, useless, stupid beggar. Oh, no, no! You
+wouldn't do that--you _couldn't_ marry a man like that simply because
+the job had exhausted you. Why, you'd die at work first. Why, if you
+married him for board and keep, you'd be a prostitute--you'd be marrying
+him just because he was a 'good provider.' And probably, when he didn't
+provide any more, you'd be quitter enough to leave him--maybe for
+another man. You couldn't do that. I don't believe life could bully you
+into doing that.... Oh, I'm hysterical; I'm mad. I can't believe I am
+what I am--and yet I am!... Now he's getting that fifty and buying a
+drink--"
+
+
+Sec. 4
+
+Mr. Schwirtz actually came home with forty-five out of the fifty intact.
+That was because he wanted to be able to pay the hotel-manager and
+insultingly inform him that they were going to leave.... The manager
+bore up under the blow.... They did move to a "furnished
+housekeeping-room" on West Nineteenth Street--in the very district of
+gray rooms and pathetic landladies where Una had sought a boarding-house
+after the death of her mother.
+
+As furnished housekeeping-rooms go, theirs was highly superior. Most of
+them are carpetless, rusty and small of coal-stove, and filled with
+cockroaches and the smell of carbolic acid. But the _maison_ Schwirtz
+was almost clean. It had an impassioned green carpet, a bedspring which
+scarcely sagged at all, a gas-range, and at least a dozen vases with
+rococo handles and blobs of gilt.
+
+"Gee! this ain't so bad," declared Mr. Schwirtz. "We can cook all our
+eats here, and live on next to nothing per, till the big job busts
+loose."
+
+With which he prepared to settle down to a life of leisure. He went out
+and bought a pint of whisky, a pound of steak, a pound of cheese, a loaf
+of bread, six cigars, and for her a bar of fudge.
+
+So far as Una could calculate, he had less than forty dollars. She burst
+out on him. She seemed to be speaking with the brusque voice of an
+accomplishing man. In that voice was all she had ever heard from
+executives; all the subconsciously remembered man-driving force of the
+office world. She ordered him to go and take the job in the
+paint-shop--at eighteen dollars a week, or eight dollars a week. She
+briefly, but thoroughly, depicted him as alcohol-soaked, poor white
+trash. She drove him out, and when he was gone she started to make their
+rooms presentable, with an energy she had not shown for months. She
+began to dust, to plan curtains for the room, to plan to hide the
+bric-a-brac, to plan to rent a typewriter and get commercial copying to
+do.
+
+If any one moment of life is more important than the others, this may
+have been her crisis, when her husband had become a begging pauper and
+she took charge; began not only to think earnest, commonplace, little
+Una thoughts about "mastering life," but actually to master it.
+
+
+
+
+CHAPTER XVIII
+
+
+So long as Mr. Schwirtz contrived to keep his position in the retail
+paint-store, Una was busy at home, copying documents and specifications
+and form-letters for a stenographic agency and trying to make a science
+of quick and careful housework.
+
+She suspected that, now he had a little money again, Mr. Schwirtz was
+being riotous with other women--as riotous as one can be in New York on
+eighteen dollars a week, with debts and a wife to interfere with his
+manly pleasures. But she did not care; she was getting ready to break
+the cocoon, and its grubbiness didn't much matter.
+
+Sex meant nothing between them now. She did not believe that she would
+ever be in love again, in any phase, noble or crude. While she aspired
+and worked she lived like a nun in a cell. And now that she had
+something to do, she could be sorry for him. She made the best possible
+dinners for him on their gas-range. She realized--sometimes, not often,
+for she was not a contemplative seer, but a battered woman--that their
+marriage had been as unfair to him as it was to her. In small-town
+boy-gang talks behind barns, in clerkly confidences as a young man, in
+the chatter of smoking-cars and provincial hotel offices, he had been
+trained to know only two kinds of women, both very complaisant to smart
+live-wires: The bouncing lassies who laughed and kissed and would share
+with a man his pleasures, such as poker and cocktails, and rapid
+motoring to no place in particular; and the meek, attentive, "refined"
+kind, the wives and mothers who cared for a man and admired him and
+believed whatever he told them about his business.
+
+Una was of neither sort for him, though for Walter Babson she might have
+been quite of the latter kind. Mr. Schwirtz could not understand her,
+and she was as sorry for him as was compatible with a decided desire to
+divorce him and wash off the stain of his damp, pulpy fingers with the
+water of life.
+
+But she stayed home, and washed and cooked, and earned money for
+him--till he lost his retail-store position by getting drunk and being
+haughty to a customer.
+
+Then the chrysalis burst and Una was free again. Free to labor, to
+endeavor--to die, perhaps, but to die clean. To quest and meet whatever
+surprises life might hold.
+
+
+Sec. 2
+
+She couldn't go back to Troy Wilkins's, nor to Mr. S. Herbert Ross and
+the little Pemberton stenographers who had enviously seen her go off to
+be married. But she made a real business of looking for a job. While Mr.
+Schwirtz stayed home and slept and got mental bed-sores and drank
+himself to death--rather too slowly--on another fifty dollars which he
+had borrowed after a Verdun campaign, Una was joyous to be out early,
+looking over advertisements, visiting typewriter companies' employment
+agencies.
+
+She was slow in getting work because she wanted twenty dollars a week.
+She knew that any firm taking her at this wage would respect her far
+more than if she was an easy purchase.
+
+Work was slow to come, and she, who had always been so securely above
+the rank of paupers who submit to the dreadful surgery of charity,
+became afraid. She went at last to Mamie Magen.
+
+Mamie was now the executive secretary of the Hebrew Young Women's
+Professional Union. She seemed to be a personage. In her office she had
+a secretary who spoke of her with adoring awe, and when Una said that
+she was a personal friend of Miss Magen the secretary cried: "Oh, then
+perhaps you'd like to go to her apartment, at ---- Washington Place.
+She's almost always home for tea at five."
+
+The small, tired-looking Una, a business woman again, in her old
+tailor-made and a new, small hat, walked longingly toward Washington
+Place and tea.
+
+In her seven years in New York she had never known anybody except S.
+Herbert Ross who took tea as a regular function. It meant to her the
+gentlest of all forms of distinction, more appealing than riding in
+motors or going to the opera. That Mamie Magen had, during Una's own
+experience, evolved from a Home Club girl to an executive who had tea at
+her apartment every afternoon was inspiriting; meeting her an adventure.
+
+An apartment of buff-colored walls and not bad prints was Mamie's,
+small, but smooth; and taking tea in a manner which seemed to Una
+impressively suave were the insiders of the young charity-workers'
+circle. But Mamie's uncouth face and eyes of molten heroism stood out
+among them all, and she hobbled over to Una and kissed her. When the
+cluster had thinned, she got Una aside and invited her to the "Southern
+Kitchen," on Washington Square.
+
+Una did not speak of her husband. "I want to get on the job again, and I
+wish you'd help me. I want something at twenty a week (I'm more than
+worth it) and a chance to really climb," was all she said, and Mamie
+nodded.
+
+And so they talked of Mrs. Harriet Fike of the Home Club, of dreams and
+work and the fight for suffrage. Una's marriage slipped away--she was
+ardent and unstained again.
+
+Mamie's nod was worth months of Mr. Schwirtz's profuse masculine boasts.
+Within ten days, Mamie's friend, Mr. Fein, of Truax & Fein, the
+real-estate people, sent for Una and introduced her to Mr. Daniel T.
+Truax. She was told to come to work on the following Monday as Mr.
+Truax's secretary, at twenty-one dollars a week.
+
+She went home defiant, determined to force her husband to let her take
+the job.... She didn't need to use force. He--slippered and drowsy by
+the window--said: "That's fine; that'll keep us going till my big job
+breaks. I'll hear about it by next week, _anyway_. Then, in three-four
+weeks you can kick Truax & Fein in the face and beat it. Say, girlie,
+that's fine! Say, tell you what I'll do. Let's have a little party to
+celebrate. I'll chase out and rush a growler of beer and some wienies--"
+
+"No! I've got to go out again."
+
+"Can't you stop just long enough to have a little celebration? I--I been
+kind of lonely last few days, little sister. You been away so much, and
+I'm too broke to go out and look up the boys now."
+
+He was peering at her with a real wistfulness, but in the memory of
+Mamie Magen, the lame woman of the golden heart, Una could not endure
+his cackling enthusiasm about the job he would probably never get.
+
+"No, I'm sorry--" she said, and closed the door. From the walk she saw
+him puzzled and anxious at the window. His face was becoming so ruddy
+and fatuous and babyish. She was sorry for him--but she was not big
+enough to do anything about it. Her sorrow was like sympathy for a
+mangy alley cat which she could not take home.
+
+She had no place to go. She walked for hours, planlessly, and dined at
+a bakery and lunch-room in Harlem. Sometimes she felt homeless, and
+always she was prosaically footsore, but now and then came the
+understanding that she again had a chance.
+
+
+
+
+CHAPTER XIX
+
+
+So, toward the end of 1912, when she was thirty-one years old, Mrs. Una
+Golden Schwirtz began her business career, as confidential secretary to
+Mr. Truax, of Truax & Fein.
+
+Her old enemy, routine, was constantly in the field. Routine of taking
+dictation, of getting out the letters, prompting Mr. Truax's memory as
+to who Mrs. A was, and what Mr. B had telephoned, keeping plats and
+plans and memoes in order, making out cards regarding the negotiations
+with possible sellers of suburban estates. She did not, as she had
+hoped, always find this routine one jolly round of surprises. She was
+often weary, sometimes bored.
+
+But in the splendor of being independent again and of having something
+to do that seemed worth while she was able to get through the details
+that never changed from day to day. And she was rewarded, for the whole
+job was made fascinating by human contact. She found herself
+enthusiastic about most of the people she met at Truax & Fein's; she was
+glad to talk with them, to work with them, to be taken seriously as a
+brain, a loyalty, a woman.
+
+By contrast with two years of hours either empty or filled with
+Schwirtz, the office-world was of the loftiest dignity. It may have been
+that some of the men she met were Schwirtzes to their wives, but to her
+they had to be fellow-workers. She did not believe that the long hours,
+the jealousies, the worry, or Mr. Truax's belief that he was several
+planes above ordinary humanity, were desirable or necessary parts of the
+life at Truax & Fein's. Here, too, she saw nine hours of daily strain
+aging slim girls into skinny females. But now her whole point of view
+was changed. Instead of looking for the evils of the business world, she
+was desirous of seeing in it all the blessings she could; and, without
+ever losing her belief that it could be made more friendly, she was,
+nevertheless, able to rise above her own personal weariness and see that
+the world of jobs, offices, business, had made itself creditably
+superior to those other muddled worlds of politics and amusement and
+amorous Schwirtzes. She believed again, as in commercial college she had
+callowly believed, that business was beginning to see itself as
+communal, world-ruling, and beginning to be inspired to communal, kingly
+virtues and responsibility.
+
+Looking for the good (sometimes, in her joy of escape, looking for it
+almost with the joy of an S. Herbert Ross in picking little lucrative
+flowers of sentiment along the roadside) she was able to behold more
+daily happiness about her.
+
+Fortunately, Truax & Fein's was a good office, not too hard, not too
+strained and factional like Pemberton's; not wavering like Troy
+Wilkins's. Despite Mr. Truax's tendency to courteous whining, it was
+doing its work squarely and quietly. That was fortunate. Offices differ
+as much as office-managers, and had chance condemned Una to another
+nerve-twanging Pemberton's her slight strength might have broken. She
+might have fallen back to Schwirtz and the gutter.
+
+Peaceful as reapers singing on their homeward path now seemed the
+teasing voices of men and girls as, in a group, they waited for the
+elevator at five-thirty-five. The cheerful, "Good-night, Mrs. Schwirtz!"
+was a vesper benediction, altogether sweet with its earnest of rest and
+friendship.
+
+Tranquillity she found when she stayed late in the deserted office. Here
+no Schwirtz could reach her. Here her toil counted for something in the
+world's work--in the making of suburban homes for men and women and
+children. She sighed, and her breast felt barren, as she thought of the
+children. But tranquillity there was, and a brilliant beauty of the city
+as across dark spaces of evening were strung the jewels of light, as in
+small, French restaurants sounded desirous violins. On warm evenings of
+autumn Una would lean out of the window and be absorbed in the afterglow
+above the North River: smoke-clouds from Jersey factories drifting
+across the long, carmine stain, air sweet and cool, and the
+yellow-lighted windows of other skyscrapers giving distant
+companionship. She fancied sometimes that she was watching the afterglow
+over a far northern lake, among the pines; and with a sigh more of
+content than of restlessness she turned back to her work.... Time ceased
+to exist when she worked alone. Of time and of the office she was
+manager. What if she didn't go out to dinner till eight? She could dine
+whenever she wanted to. If a clumsy man called Eddie Schwirtz got hungry
+he could get his own dinner. What if she did work slowly? There were no
+telephone messages, no Mr. Truax to annoy her. She could be leisurely
+and do the work as it should be done.... She was no longer afraid of the
+rustling silence about her, as Una Golden had been at Troy Wilkins's.
+She was a woman now, and trained to fill the blank spaces of the
+deserted office with her own colored thoughts.
+
+Hours of bustling life in the daytime office had their human joys as
+well. Una went out of her way to be friendly with the ordinary
+stenographers, and, as there was no vast Pembertonian system of caste,
+she succeeded, and had all the warmth of their little confidences. Nor
+after her extensive experience with Messrs. Schwirtz, Sanderson, and
+McCullough, did even the noisiest of the salesmen offend her. She
+laughed at the small signs they were always bringing in and displaying:
+"Oh, forget it! I've got troubles of my own!" or, "Is that you again?
+Another half hour gone to hell!" The sales-manager brought this latter
+back from Philadelphia and hung it on his desk, and when the admiring
+citizenry surrounded it, Una joined them.... As a married woman she was
+not expected to be shocked by the word, "hell!"...
+
+But most beautiful was Christmas Eve, when all distinctions were
+suspended for an hour before the office closed, when Mr. Truax
+distributed gold pieces and handshakes, when "Chas.," the hat-tilted
+sales-manager, stood on a chair and sang a solo. Mr. Fein hung holly on
+all their desks, and for an hour stenographers and salesmen and clerks
+and chiefs all were friends.
+
+When she went home to Schwirtz she tried to take some of the holiday
+friendship. She sought to forget that he was still looking for the
+hypothetical job, while he subsisted on her wages and was increasingly
+apologetic. She boasted to herself that her husband hated to ask her for
+money, that he was large and strong and masculine.
+
+She took him to dinner at the Pequoit, in a room of gold and tapestry.
+But he got drunk, and wept into his sherbet that he was a drag on her;
+and she was glad to be back in the office after Christmas.
+
+
+Sec. 2
+
+The mist of newness had passed, that confusion of the recent arrival in
+office or summer hotel or revengeful reception; and she now saw the
+office inhabitants as separate people. She wondered how she could ever
+have thought that the sales-manager and Mr. Fein were confusingly alike,
+or have been unable to get the salesmen's names right.
+
+There was the chief, Mr. Daniel T. Truax, usually known as "D. T.," a
+fussily courteous whiner with a rabbity face (his pink nose actually
+quivered), a little yellow mustache, and a little round stomach. Himself
+and his business he took very seriously, though he was far less tricky
+than Mr. Pemberton. The Real Estate Board of Trade was impressed by his
+unsmiling insistence on the Dignity of the Profession, and always asked
+him to serve on committees. It was Mr. Truax who bought the property for
+sub-development, and though he had less abstract intelligence than Mr.
+Fein, he was a better judge of "what the people want"; of just how high
+to make restrictions on property, and what whim would turn the commuters
+north or south in their quest for homes.
+
+There was the super-chief, the one person related to the firm whom Una
+hated--Mrs. D. T. Truax. She was not officially connected with the
+establishment, and her office habits were irregular. Mostly they
+consisted in appearing at the most inconvenient hours and asking
+maddening questions. She was fat, massaged, glittering, wheezy-voiced,
+nagging. Una peculiarly hated Mrs. Truax's nails. Una's own finger-tips
+were hard with typing; her manicuring was a domestic matter of clipping
+and hypocritical filing. But to Mrs. Truax manicuring was a life-work.
+Because of much clipping of the cuticle, the flesh at the base of each
+nail had become a noticeably raised cushion of pink flesh. Her nails
+were too pink, too shiny, too shapely, and sometimes they were an
+unearthly white at the ends, because of nail-paste left under them. At
+that startling whiteness Una stared all the while Mrs. Truax was tapping
+her fingers and prying into the private morals of the pretty hall-girl,
+and enfilading Una with the lorgnon that so perfectly suited her Upper
+West Side jowls.
+
+Collating Mrs. Truax and the matrons of the Visiting Board of the
+Temperance Home Club, Una concluded that women trained in egotism, but
+untrained in business, ought to be legally enjoined from giving their
+views to young women on the job.
+
+The most interesting figure in the office was Mr. Fein, the junior
+partner, a Harvard Jew, who was perfectly the new type of business man.
+Serious, tall, spectacled, clean-shaven, lean-faced, taking business as
+a profession, and kindly justice as a religion, studying efficiency, but
+hating the metamorphosis of clerks into machines, he was the distinction
+and the power of Truax & Fein. At first Una had thought him humorless
+and negligible, but she discovered that it was he who pulled Mr. Truax
+out of his ruts, his pious trickeries, his cramping economies. She found
+that Mr. Fein loved books and the opera, and that he could be boyish
+after hours.
+
+Then the sales-manager, that driving but festive soul, Mr. Charles
+Salmond, whom everybody called "Chas."--pronounced "Chaaz"--a good soul
+who was a little tiresome because he was so consistently an anthology of
+New York. He believed in Broadway, the Follies, good clothes, a
+motor-car, Palm Beach, and the value of the Salvation Army among the
+lower classes. When Mr. Fein fought for real beauty in their suburban
+developments it was Chas. who echoed all of New York by rebelling, "We
+aren't in business for our health--this idealistic game is O. K. for the
+guys that have the cash, but you can't expect my salesmen to sell this
+Simplicity and High-Thinking stuff to prospects that are interested in
+nothing but a sound investment with room for a garage and two kids."
+
+Sixty or seventy salesmen, clerks, girls--these Una was beginning to
+know.
+
+Finally, there was a keen, wide-awake woman, willing to do anything for
+anybody, not forward, but not to be overridden--a woman with a slight
+knowledge of architecture and a larger knowledge of the way of
+promotion; a woman whom Una took seriously; and the name of this paragon
+was Mrs. Una Golden Schwirtz.
+
+Round these human islands flowed a sea of others. She had a sense of
+flux, and change, and energy; of hundreds of thousands of people rushing
+about her always--crowds on Broadway and Fifth Avenue and Sixth, and on
+Thirty-fourth Street, where stood the Zodiac Building in which was the
+office. Crowds in the hall of the Zodiac Building, examining the
+black-and-white directory board with its list of two hundred offices, or
+waiting to surge into one of the twelve elevators--those packed vertical
+railroads. A whole village life in the hallway of the Zodiac Building:
+the imperial elevator-starter in a uniform of blue and gold, and merely
+regal elevator-runners with less gold and more faded blue; the oldest of
+the elevator-boys, Harry, the Greek, who knew everybody in the building;
+the cigar-stand, with piles of cigarettes, cans of advertised tobacco,
+maple fudge wrapped in tinfoil, stamps, and even a few cigars, also the
+keeper thereof, an Italian with an air of swounding romance. More
+romantic Italians in the glass-inclosed barber-shop--Desperate Desmond
+devils, with white coats like undress uniforms, and mustaches that
+recalled the Riviera and baccarat and a secret-service count; the two
+manicure-girls of the barber-shop, princesses reigning among admirers
+from the offices up-stairs; janitors, with brooms, and charwomen with
+pails, and a red, sarcastic man, the engineer, and a meek puppet who was
+merely the superintendent of the whole thing.... Una watched these
+village people, to whom the Zodiac hall was Main Street, and in their
+satisfied conformation to a life of marble floors and artificial light
+she found such settled existence as made her feel at home in this town,
+with its eighteen strata called floors. She, too, at least during the
+best hours of the day, lived in the Zodiac Building's microcosm.
+
+And to her office penetrated the ever flowing crowds--salesmen, buyers
+of real estate, inquirers, persons who seemed to have as a hobby the
+collection of real-estate folders. Indeed, her most important task was
+the strategy of "handling callers"--the callers who came to see Mr.
+Truax himself, and were passed on to Una by the hall-girl. To the clever
+secretary the management of callers becomes a question of scientific
+tactics, and Una was clever at it because she liked people.
+
+She had to recognize the type of awkward shabby visitor who looks like a
+beggar, but has in his pocket the cash for investment in lots. And the
+insinuating caller, with tailor-made garments and a smart tie, who
+presents himself as one who yearns to do a good turn to his dear, dear
+personal friend, Mr. D. T. Truax, but proves to be an insurance-agent or
+a salesman of adding-machines. She had to send away the women with
+high-pitched voices and purely imaginary business, who came in for
+nothing whatever, and were willing to spend all of their own time and
+Mr. Truax's in obtaining the same; women with unsalable houses to sell
+or improbable lots to buy, dissatisfied clients, or mere cranks--old,
+shattered, unhappy women, to whom Una could give sympathy, but no
+time.... She was expert at standing filially listening to them at the
+elevator, while all the time her thumb steadily pressed the elevator
+signal.
+
+Una had been trained, perhaps as much by enduring Mr. Schwirtz as by
+pleasing Mr. S. Herbert Ross, to be firm, to say no, to keep Mr. Truax's
+sacred rites undisturbed. She did not conventionally murmur, "Mr. Truax
+is in a conference just now, and if you will tell me the nature of your
+business--" Instead, she had surprising, delightful, convincing things
+for Mr. Truax to be doing, just at that particular _moment_--
+
+From Mr. Truax himself she learned new ways of delicately getting rid of
+people. He did not merely rise to indicate that an interview was over,
+but also arranged a system of counterfeit telephone-calls, with Una
+calling up from the outside office, and Mr. Truax answering, "Yes, I'll
+be through now in just a moment," as a hint for the visitor. He even
+practised such play-acting as putting on his hat and coat and rushing
+out to greet an important but unwelcome caller with, "Oh, I'm so sorry
+I'm just going out--late f' important engagement--given m' secretary
+full instructions, and I know she'll take care of you jus' as well as I
+could personally," and returning to his private office by a rear door.
+
+Mr. Truax, like Mr. S. Herbert Ross, gave Una maxims. But his had very
+little to do with stars and argosies, and the road to success, and
+vivisection, and the abstract virtues. They concerned getting to the
+office on time, and never letting a customer bother him if an office
+salesman could take care of the matter.
+
+So round Una flowed all the energy of life; and she of the listening and
+desolate hotel room and the overshadowing storm-clouds was happy again.
+
+She began to make friendships. "Chas.," the office-manager, stopped
+often at her desk to ridicule--and Mr. Fein to praise--the plans she
+liked to make for garden-suburbs which should be filled with poets,
+thatched roofs, excellent plumbing, artistic conversation, fireplaces,
+incinerators, books, and convenient trains.
+
+"Some day," said Mr. Fein to her, "we'll do that sort of thing, just as
+the Sage Foundation is doing it at Forest Hills." And he smiled
+encouragingly.
+
+"Some day," said Mr. Truax, "when you're head of a women's real-estate
+firm, after you women get the vote, and rusty, old-fashioned people like
+me are out of the way, perhaps you can do that sort of thing." And he
+smiled encouragingly.
+
+"Rot," said Chas., and amiably chucked her under the chin.
+
+
+
+
+CHAPTER XX
+
+
+Truax & Fein was the first firm toward which Una was able to feel such
+loyalty as is supposed to distinguish all young aspirants--loyalty which
+is so well spoken of by bosses, and which is so generally lacking among
+the bossed. Partly, this was her virtue, partly it was the firm's, and
+partly it was merely the accident of her settling down.
+
+She watched the biological growth of Truax & Fein with fascination; was
+excited when they opened a new subdivision, and proudly read the
+half-page advertisements thereof in the Sunday newspapers.
+
+That loyalty made her study real estate, not merely stenography; for to
+most stenographers their work is the same whether they take dictation
+regarding real estate, or book-publishing, or felt slippers, or the
+removal of taconite. They understand transcription, but not what they
+transcribe. She read magazines--_System_, _Printer's Ink_, _Real Estate
+Record_ (solemnly studying "Recorded Conveyances," and "Plans Filed for
+New Construction Work," and "Mechanics' Liens"). She got ideas for
+houses from architectural magazines, garden magazines, women's
+magazines. But what most indicated that she was a real devotee was the
+fact that, after glancing at the front-page headlines, the society news,
+and the joke column in her morning paper, she would resolutely turn to
+"The Real Estate Field."
+
+On Sundays she often led Mr. Schwirtz for a walk among the new suburban
+developments.... For always, no matter what she did at the office, no
+matter how much Mr. Truax depended on her or Mr. Fein praised her, she
+went home to the same cabbage-rose-carpeted housekeeping-room, and to a
+Mr. Schwirtz who had seemingly not stirred an inch since she had left
+him in the morning.... Mr. Schwirtz was of a harem type, and not much
+adapted to rustic jaunting, but he obediently followed his master and
+tried to tell stories of the days when he had known all about real
+estate, while she studied model houses, the lay of the land, the lines
+of sewers and walks.
+
+That was loyalty to Truax & Fein as much as desire for advancement.
+
+And that same loyalty made her accept as fellow-workers even the
+noisiest of the salesmen--and even Beatrice Joline.
+
+Though Mr. Truax didn't "believe in" women salesmen, one woman briskly
+overrode his beliefs: Miss Beatrice Joline, of the Gramercy Park
+Jolines, who cheerfully called herself "one of the _nouveau pauvre_,"
+and condescended to mere Upper West Side millionaires, and had to earn
+her frocks and tea money. She earned them, too; but she declined to be
+interested in office regulations or office hours. She sold suburban
+homes as a free lance, and only to the very best people. She darted into
+the office now and then, slender, tall, shoulder-swinging, an
+exclamation-point of a girl, in a smart, check suit and a Bendel hat.
+She ignored Una with a coolness which reduced her to the status of a new
+stenographer. All the office watched Miss Joline with hypnotized envy.
+Always in offices those who have social position outside are observed
+with secret awe by those who have not.
+
+Once, when Mr. Truax was in the act of persuading an unfortunate
+property-owner to part with a Long Island estate for approximately
+enough to buy one lot after the estate should be subdivided into six
+hundred lots, Miss Joline had to wait. She perched on Una's desk,
+outside Mr. Truax's door, swung her heels, inspected the finger-ends of
+her chamois gloves, and issued a command to Una to perform
+conversationally.
+
+Una was thinking, "I'd like to spank you--and then I'd adore you. You're
+what story-writers call a thoroughbred."
+
+While unconscious that a secretary in a tabby-gray dress and gold
+eye-glasses was venturing to appraise her, Miss Joline remarked, in a
+high, clear voice: "Beastly bore to have to wait, isn't it! I suppose
+you can rush right in to see Mr. Truax any time you want to, Mrs.
+Ummmmm."
+
+"Schwirtz. Rotten name, isn't it?" Una smiled up condescendingly.
+
+Miss Joline stopped kicking her heels and stared at Una as though she
+might prove to be human, after all.
+
+"Oh no, it's a very nice name," she said. "Fancy being called Joline.
+Now Schwirtz sounds rather like Schenck, and that's one of the smartest
+of the old names.... Uh, _would_ it be too much trouble to see if Mr.
+Truax is still engaged?"
+
+"He is.... Miss Joline, I feel like doing something I've wanted to do
+for some time. Of course we both know you think of me as 'that poor
+little dub, Mrs. What's-her-name, D. T.'s secretary--'"
+
+"Why, really--"
+
+"--or perhaps you hadn't thought of me at all. I'm naturally quite a
+silent little dub, but I've been learning that it's silly to be silent
+in business. So I've been planning to get hold of you and ask you where
+and how you get those suits of yours, and what I ought to wear. You
+see, after you marry I'll still be earning my living, and perhaps if I
+could dress anything like you I could fool some business man into
+thinking I was clever."
+
+"As I do, you mean," said Miss Joline, cheerfully.
+
+"Well--"
+
+"Oh, I don't mind. But, my dear, good woman--oh, I suppose I oughtn't to
+call you that."
+
+"I don't care what you call me, if you can tell me how to make a
+seventeen-fifty suit look like _Vogue_. Isn't it awful, Miss Joline,
+that us lower classes are interested in clothes, too?"
+
+"My dear girl, even the beautiful, the accomplished Beatrice
+Joline--I'll admit it--knows when she is being teased. I went to
+boarding-school, and if you think I haven't ever been properly and
+thoroughly, and oh, most painstakingly told what a disgusting, natural
+snob I am, you ought to have heard Tomlinson, or any other of my dear
+friends, taking me down. I rather fancy you're kinder-hearted than they
+are; but, anyway, you don't insult me half so scientifically."
+
+"I'm so sorry. I tried hard-- I'm a well-meaning insulter, but I haven't
+the practice."
+
+"My dear, I adore you. Isn't it lovely to be frank? When us females get
+into Mr. Truax's place we'll have the most wonderful time insulting each
+other, don't you think? But, really, please don't think I like to be
+rude. But you see we Jolines are so poor that if I stopped it all my
+business acquaintances would think I was admitting how poor we are, so
+I'm practically forced to be horrid. Now that we've been amiable to each
+other, what can I do for you?... Does that sound business-like enough?"
+
+"I want to make you give me some hints about clothes. I used to like
+terribly crude colors, but I've settled down to tessie things that are
+safe--this gray dress, and brown, and black."
+
+"Well, my dear, I'm the best little dressmaker you ever saw, and I do
+love to lay down the law about clothes. With your hair and complexion,
+you ought to wear clear blues. Order a well-made--be sure it's
+well-made, no matter what it costs. Get some clever little Jew socialist
+tailor off in the outskirts of Brooklyn, or some heathenish place, and
+stand over him. A well-made tailored suit of not too dark navy blue,
+with matching blue crepe de Chine blouses with nice, soft, white
+collars, and cuffs of crepe or chiffon--and change 'em often."
+
+"What about a party dress? Ought I to have satin, or chiffon, or blue
+net, or what?"
+
+"Well, satin is too dignified, and chiffon too perishable, and blue net
+is too tessie. Why don't you try black net over black satin? You know
+there's really lots of color in black satin if you know how to use it.
+Get good materials, and then you can use them over and over
+again--perhaps white chiffon over the black satin."
+
+"White over black?"
+
+Though Miss Joline stared down with one of the quick, secretive smiles
+which Una hated, the smile which reduced her to the rank of a novice,
+her eyes held Miss Joline, made her continue her oracles.
+
+"Yes," said Miss Joline, "and it isn't very expensive. Try it with the
+black net first, and have soft little folds of white tulle along the
+edge of the decolletage--it's scarcely noticeable, but it does soften
+the neck-line. And wear a string of pearls. Get these Artifico pearls, a
+dollar-ninety a string.... Now you see how useful a snob is to the
+world! I'd never give you all this god-like advice if I didn't want to
+advertise what an authority I am on 'Smart Fashions for Limited
+Incomes.'"
+
+"You're a darling," said Una.
+
+"Come to tea," said Miss Joline.
+
+They did go to tea. But before it, while Miss Joline was being voluble
+with Mr. Truax, Una methodically made notes on the art of dress and
+filed them for future reference. Despite the fact that, with the support
+of Mr. Schwirtz as her chief luxury, she had only sixteen dollars in the
+world, she had faith that she would sometime take a woman's delight in
+dress, and a business woman's interest in it.... This had been an
+important hour for her, though it cannot be authoritatively stated which
+was the more important--learning to dress, or learning not to be in awe
+of a Joline of Gramercy Park.
+
+They went to tea several times in the five months before the sudden
+announcement of Miss Joline's engagement to Wally Castle, of the Tennis
+and Racquet Club. And at tea they bantered and were not markedly
+different in their use of forks or choice of pastry. But never were they
+really friends. Una, of Panama, daughter of Captain Golden, and wife of
+Eddie Schwirtz, could comprehend Walter Babson and follow Mamie Magen,
+and even rather despised that Diogenes of an enameled tub, Mr. S.
+Herbert Ross; but it seemed probable that she would never be able to do
+more than ask for bread and railway tickets in the language of Beatrice
+Joline, whose dead father had been ambassador to Portugal and friend to
+Henry James and John Hay.
+
+
+Sec. 2
+
+It hurt a little, but Una had to accept the fact that Beatrice Joline
+was no more likely to invite her to the famous and shabby old house of
+the Jolines than was Mrs. Truax to ask her advice about manicuring. They
+did, however, have dinner together on an evening when Miss Joline
+actually seemed to be working late at the office.
+
+"Let's go to a Cafe des Enfants," said Miss Joline. "Such a party! And,
+honestly, I do like their coffee and the nice, shiny, bathroom walls."
+
+"Yes," said Una, "it's almost as much of a party to me as running a
+typewriter.... Let's go Dutch to the Martha Washington."
+
+"Verra well. Though I did want buckwheats and little sausages.
+Exciting!"
+
+"Huh!" said Una, who was unable to see any adventurous qualities in a
+viand which she consumed about twice a week.
+
+Miss Joline's clean litheness, her gaiety that had never been made
+timorous or grateful by defeat or sordidness, her whirlwind of nonsense,
+blended in a cocktail for Una at dinner. Schwirtz, money difficulties,
+weariness, did not exist. Her only trouble in the entire universe was
+the reconciliation of her admiration for Miss Joline's amiable
+superiority to everybody, her gibes at the salesmen, and even at Mr.
+Truax, with Mamie Magen's philanthropic socialism. (So far as this
+history can trace, she never did reconcile them.)
+
+She left Miss Joline with a laugh, and started home with a song--then
+stopped. She foresaw the musty room to which she was going, the
+slatternly incubus of a man. Saw--with just such distinctness as had
+once dangled the stiff, gray scrub-rag before her eyes--Schwirtz's every
+detail: bushy chin, stained and collarless shirt, trousers like old
+chair-covers. Probably he would always be like this. Probably he would
+never have another job. But she couldn't cast him out. She had married
+him, in his own words, as a "good provider." She had lost the bet; she
+would be a good loser--and a good provider for him.... Always,
+perhaps.... Always that mass of spoiled babyhood waiting at home for
+her.... Always apologetic and humble--she would rather have the old,
+grumbling, dominant male....
+
+She tried to push back the moment of seeing him again. Her steps
+dragged, but at last, inevitably, grimly, the house came toward her. She
+crept along the moldy hall, opened the door of their room, saw him--
+
+She thought it was a stranger, an intruder. But it was veritably her
+husband, in a new suit that was fiercely pressed and shaped, in new,
+gleaming, ox-blood shoes, with a hair-cut and a barber shave. He was
+bending over the bed, which was piled with new shirts, Afro-American
+ties, new toilet articles, and he was packing a new suit-case.
+
+He turned slowly, enjoying her amazement. He finished packing a shirt.
+She said nothing, standing at the door. Teetering on his toes and
+watching the effect of it all on her, he lighted a large cigar.
+
+"Some class, eh?" he said.
+
+"Well--"
+
+"Nifty suit, eh? And how are those for swell ties?"
+
+"Very nice.... From whom did you borrow the money?"
+
+"Now that cer'nly is a nice, sweet way to congratulate friend hubby. Oh,
+_sure_! Man lands a job, works his head off getting it, gets an advance
+for some new clothes he's simply got to have, and of course everybody
+else congratulates him--everybody but his own wife. She sniffs at
+him--not a word about the new job, of course. First crack outa the box,
+she gets busy suspecting him, and says, 'Who you been borrowing of now?'
+And this after always acting as though she was an abused little innocent
+that nobody appreciated--"
+
+He was in mid-current, swimming strong, and waving his cigar above the
+foaming waters, but she pulled him out of it with, "I _am_ sorry. I
+ought to have known. I'm a beast. I am glad, awfully glad you've got a
+new job. What is it?"
+
+"New company handling a new kind of motor for row-boats--converts 'em to
+motor-boats in a jiffy--outboard motors they call 'em. Got a swell
+territory and plenty bonus on new business."
+
+"Oh, isn't that fine! It's such a fine surprise--and it's cute of you to
+keep it to surprise me with all this while--"
+
+"Well, 's a matter of fact, I just got on to it to-day. Ran into Burke
+McCullough on Sixth Avenue, and he gave me the tip."
+
+"Oh!" A forlorn little "Oh!" it was. She had pictured him proudly
+planning to surprise her. And she longed to have the best possible
+impression of him, because of a certain plan which was hotly being
+hammered out in her brain. She went on, as brightly as possible:
+
+"And they gave you an advance? That's fine."
+
+"Well, no, _they_ didn't, exactly, but Burke introduced me to his
+clothier, and I got a swell line of credit."
+
+"Oh!"
+
+"Now for the love of Pete, don't go oh-ing and ah-ing like that. You've
+handed me the pickled visage since I got the rowdy-dow on my last
+job--good Lord! you acted like you thought I _liked_ to sponge on you.
+Now let me tell you I've kept account of every red cent you've spent on
+me, and I expect to pay it back."
+
+She tried to resist her impulse, but she couldn't keep from saying, as
+nastily as possible: "How nice. When?"
+
+"Oh, I'll pay it back, all right, trust you for that! You won't fail to
+keep wising me up on the fact that you think I'm a drunken bum. You'll
+sit around all day in a hotel and take it easy and have plenty time to
+figger out all the things you can roast me for, and then spring them on
+me the minute I get back from a trip all tired out. Like you always used
+to."
+
+"Oh, I did not!" she wailed.
+
+"Sure you did."
+
+"And what do you mean by my sitting around, from now on--"
+
+"Well, what the hell else are you going to do? You can't play the piano
+or maybe run an aeroplane, can you?"
+
+"Why, I'm going to stay on my job, of course, Ed."
+
+"You are not going-to-of-course-stay-on-your-job-Ed, any such a thing.
+Lemme tell you that right here and now, my lady. I've stood just about
+all I'm going to stand of your top-lofty independence and business
+airs--as though you weren't a wife at all, but just as 'be-damned-to-you'
+independent as though you were as much of a business man as I am! No,
+sir, you'll do what _I_ say from now on. I've been tied to your apron
+strings long enough, and now I'm the boss--see? Me!" He tapped his florid
+bosom. "You used to be plenty glad to go to poker parties and leg-shows
+with me, when I wanted to, but since you've taken to earning your living
+again you've become so ip-de-dee and independent that when I even suggest
+rushing a growler of beer you scowl at me, and as good as say you're too
+damn almighty good for Eddie Schwirtz's low-brow amusements. And you've
+taken to staying out all hours--course it didn't matter whether I stayed
+here without a piece of change, or supper, or anything else, or any
+amusements, while you were out whoop-de-doodling around-- You _said_ it
+was with women!"
+
+She closed her eyes tight; then, wearily: "You mean, I suppose, that you
+think I was out with men."
+
+"Well, I ain't insinuating anything about what you _been_ doing. You
+been your own boss, and of course I had to take anything off anybody as
+long as I was broke. But lemme tell you, from now on, no pasty-faced
+female is going to rub it in any more. You're going to try some of your
+own medicine. You're going to give up your rotten stenographer's job,
+and you're going to stay home where I put you, and when I invite you to
+come on a spree you're going to be glad--"
+
+Her face tightened with rage. She leaped at him, shook him by the
+shoulder, and her voice came in a shriek:
+
+"Now that's enough. I'm through. You did mean to insinuate I was out
+with men. I wasn't--but that was just accident. I'd have been glad to,
+if there'd been one I could have loved even a little. I'd have gone
+anywhere with him--done anything! And now we're through. I stood you as
+long as it was my job to do it. _God!_ what jobs we women have in this
+chivalrous world that honors women so much!--but now that you can take
+care of yourself, I'll do the same."
+
+"What d' yuh mean?"
+
+"I mean this."
+
+She darted at the bed, yanked from beneath it her suit-case, and into it
+began to throw her toilet articles.
+
+Mr. Schwirtz sat upon the bed and laughed enormously.
+
+"You women cer'nly are a sketch!" he caroled. "Going back to mamma, are
+you? Sure! That's what the first Mrs. Schwirtz was always doing. Let's
+see. Once she got as far as the depot before she came back and admitted
+that she was a chump. I doubt if you get that far. You'll stop on the
+step. You're too tightwad to hire a taxi, even to try to scare me and
+make it unpleasant for me."
+
+Una stopped packing, stood listening. Now, her voice unmelodramatic
+again, she replied:
+
+"You're right about several things. I probably was thoughtless about
+leaving you alone evenings--though it is _not_ true that I ever left you
+without provision for supper. And of course you've often left me alone
+back there in the hotel while you were off with other women--"
+
+"Now who's insinuating?" He performed another characteristic peroration.
+She did not listen, but stood with warning hand up, a small but
+plucky-looking traffic policeman, till he ceased, then went on:
+
+"But I can't really blame you. Even in this day when people like my
+friend Mamie Magen think that feminism has won everything, I suppose
+there must still be a majority of men like you--men who've never even
+heard of feminism, who think that their women are breed cattle. I judge
+that from the conversations I overhear in restaurants and street-cars,
+and these pretty vaudeville jokes about marriage that you love so, and
+from movie pictures of wives beating husbands, and from the fact that
+women even yet haven't the vote. I suppose that you don't really know
+many men besides the mucky cattle-drover sort, and I can't blame you for
+thinking like them--"
+
+"Say, what is all this cattle business about? I don't seem to recall we
+were discussing stockyards. Are you trying to change the conversation,
+so you won't even have to pack your grip before you call your own bluff
+about leaving me? Don't get it at all, at all!"
+
+"You will get it, my friend!... As I say, I can see--now it's too
+late--how mean I must have been to you often. I've probably hurt your
+feelings lots of times--"
+
+"You have, all right."
+
+"--but I still don't see how I could have avoided it. I don't blame
+myself, either. We two simply never could get together--you're
+two-thirds the old-fashioned brute, and I'm at least one-third the new,
+independent woman. We wouldn't understand each other, not if we talked
+a thousand years. Heavens alive! just see all these silly discussions of
+suffrage that men like you carry on, when the whole thing is really so
+simple: simply that women are intelligent human beings, and have the
+right--"
+
+"Now who mentioned suffrage? If you'll kindly let me know what you're
+trying to get _at_, then--"
+
+"You see? We two never could understand each other! So I'm just going to
+clean house. Get rid of things that clutter it up. I'm going, to-night,
+and I don't think I shall ever see you again, so do try to be pleasant
+while I'm packing. This last time.... Oh, I'm free again. And so are
+you, you poor, decent man. Let's congratulate each other."
+
+
+Sec. 3
+
+Despite the constant hammering of Mr. Schwirtz, who changed swiftly from
+a tyrant to a bewildered orphan, Una methodically finished her packing,
+went to a hotel, and within a week found in Brooklyn, near the Heights,
+a pleasant white-and-green third-floor-front.
+
+Her salary had been increased to twenty-five dollars a week.
+
+She bought the blue suit and the crepe de Chine blouse recommended by
+Miss Beatrice Joline. She was still sorry for Mr. Schwirtz; she thought
+of him now and then, and wondered where he had gone. But that did not
+prevent her enjoying the mirror's reflection of the new blouse.
+
+
+Sec. 4
+
+While he was dictating to Una, Mr. Truax monologized: "I don't see why
+we can't sell that Boutell family a lot. We wouldn't make any profit out
+of it, now, anyway--that's nearly eaten up by the overhead we've wasted
+on them. But I hate to give them up, and your friend Mr. Fein says that
+we aren't scientific salesmen if we give up the office problems that
+everybody takes a whack at and seems to fail on."
+
+More and more Mr. Truax had been recognizing Una as an intelligence, and
+often he teased her regarding her admiration for Mr. Fein's efficiency.
+Now he seemed almost to be looking to her for advice as he plaintively
+rambled on:
+
+"Every salesman on the staff has tried to sell this asinine Boutell
+family and failed. We've got the lots--give 'em anything from a
+fifteen-thousand-dollar-restriction, water-front, high-class development
+to an odd lot behind an Italian truck-farm. They've been considering a
+lot at Villa Estates for a month, now, and they aren't--"
+
+"Let me try them."
+
+"Let you try them?"
+
+"Try to sell them."
+
+"Of course, if you want to--in your own time outside. This is a matter
+that the selling department ought to have disposed of. But if you want
+to try--"
+
+"I will. I'll try them on a Saturday afternoon--next Saturday."
+
+"But what do you know about Villa Estates?"
+
+"I walked all over it, just last Sunday. Talked to the resident salesman
+for an hour."
+
+"That's good. I wish all our salesmen would do something like that."
+
+All week Una planned to attack the redoubtable Boutells. She telephoned
+(sounding as well-bred and clever as she could) and made an appointment
+for Saturday afternoon. The Boutells were going to a matinee, Mrs.
+Boutell's grating voice informed her, but they would be pleased t' see
+Mrs. Schwirtz after the show. All week Una asked advice of "Chas.," the
+sales-manager, who, between extensive exhortations to keep away from
+selling--"because it's the hardest part of the game, and, believe me, it
+gets the least gratitude"--gave her instructions in the tactics of
+"presenting a proposition to a client," "convincing a prospect of the
+salesman's expert knowledge of values," "clinching the deal," "talking
+points," and "desirability of location."
+
+Wednesday evening Una went out to Villa Estates to look it over again,
+and she conducted a long, imaginary conversation with the Boutells
+regarding the nearness of the best school in Nassau County.
+
+But on Saturday morning she felt ill. At the office she wailed on the
+shoulder of a friendly stenographer that she would never be able to
+follow up this, her first chance to advance.
+
+She went home at noon and slept till four. She arrived at the Boutells'
+flat looking like a dead leaf. She tried to skip into the presence of
+Mrs. Boutell--a dragon with a frizz--and was heavily informed that Mr.
+Boutell wouldn't be back till six, and that, anyway, they had "talked
+over the Villa Estates proposition, and decided it wasn't quite time to
+come to a decision--be better to wait till the weather cleared up, so a
+body can move about."
+
+"Oh, Mrs. Boutell, I just can't argue it out with you," Una howled. "I
+_do_ know Villa Estates and its desirability for you, but this is my
+very first experience in direct selling, and as luck _would_ have it, I
+feel perfectly terrible to-day."
+
+"You poor lamb!" soothed Mrs. Boutell. "You do look terrible sick. You
+come right in and lie down and I'll have my Lithuanian make you a cup of
+hot beef-tea."
+
+While Mrs. Boutell held her hand and fed her beef-tea, Una showed
+photographs of Villa Estates and became feebly oratorical in its
+praises, and when Mr. Boutell came home at six-thirty they all had a
+light dinner together, and went to the moving-pictures, and through them
+talked about real estate, and at eleven Mr. Boutell uneasily took the
+fountain-pen which Una resolutely held out to him, and signed a contract
+to purchase two lots at Villa Estates, and a check for the first
+payment.
+
+Una had climbed above the rank of assistant to the rank of people who do
+things.
+
+
+
+
+CHAPTER XXI
+
+
+To Una and to Mr. Fein it seemed obvious that, since women have at least
+half of the family decision regarding the purchase of suburban homes,
+women salesmen of suburban property should be at least as successful as
+men. But Mr. Truax had a number of "good, sound, conservative" reasons
+why this should not be so, and therefore declined to credit the evidence
+of Una, Beatrice Joline, and saleswomen of other firms that it really
+was so.
+
+Yet, after solving the Boutell office problem, Una was frequently
+requisitioned by "Chas." to talk to women about the advantages of sites
+for themselves and their children, while regular and intelligent (that
+is, male) salesmen worked their hypnotic arts on the equally regular and
+intelligent men of the families. Where formerly it had seemed an awesome
+miracle, like chemistry or poetry, to "close a deal" and bring thousands
+of dollars into the office, now Una found it quite normal.
+Responsibility gave her more poise and willingness to take initiative.
+Her salary was raised to thirty dollars a week. She banked two hundred
+dollars of commissions, and bought a Japanese-blue silk negligee, a
+wrist-watch, and the gown of black satin and net recommended by Miss
+Joline. Yet officially she was still Mr. Truax's secretary; she took his
+dictation and his moods.
+
+Her greatest reward was in the friendship of the careful, diligent Mr.
+Fein.
+
+
+Sec. 2
+
+She never forgot a dinner with Mr. Fein, at which, for the first time,
+she heard a complete defense of the employer's position--saw the office
+world from the stand-point of the "bosses."
+
+"I never believed I'd be friendly with one of the capitalists," Una was
+saying at their dinner, "but I must admit that you don't seem to want to
+grind the faces of the poor."
+
+"I don't. I want to wash 'em."
+
+"I'm serious."
+
+"My dear child, so am I," declared Mr. Fein. Then, apparently addressing
+his mixed grill, he considered: "It's nonsense to say that it's just the
+capitalists that ail the world. It's the slackers. Show me a man that we
+can depend on to do the necessary thing at the necessary moment without
+being nudged, and we'll keep raising him before he has a chance to ask
+us, even."
+
+"No, you don't--that is, I really think you do, Mr. Fein, personally,
+but most bosses are so afraid of a big pay-roll that they deliberately
+discourage their people till they lose all initiative. I don't know;
+perhaps they're victims along with their employees. Just now I adore my
+work, and I do think that business can be made as glorious a profession
+as medicine, or exploring, or anything, but in most offices, it seems to
+me, the biggest ideal the clerks have is _safety_--a two-family house on
+a stupid street in Flatbush as a reward for being industrious. Doesn't
+matter whether they _enjoy_ living there, if they're just secure. And
+you do know--Mr. Truax doesn't, but you do know--that the whole office
+system makes pale, timid, nervous people out of all the clerks--"
+
+"But, good heavens! child, the employers have just as hard a time. Talk
+about being nervous! Take it in our game. The salesman does the
+missionary work, but the employer is the one who has to worry. Take some
+big deal that seems just about to get across--and then falls through
+just when you reach for the contract and draw a breath of relief. Or say
+you've swung a deal and have to pay your rent and office force, and you
+can't get the commission that's due you on an accomplished sale. And
+your clerks dash in and want a raise, under threat of quitting, just at
+the moment when you're wondering how you'll raise the money to pay them
+their _present_ salaries on time! Those are the things that make an
+employer a nervous wreck. He's got to keep it going. I tell you there's
+advantages in being a wage-slave and having the wages coming--"
+
+"But, Mr. Fein, if it's just as hard on the employers as it is on the
+employees, then the whole system is bad."
+
+"Good Lord! of course it's bad. But do you know anything in this world
+that isn't bad--that's anywhere near perfect? Except maybe Bach fugues?
+Religion, education, medicine, war, agriculture, art, pleasure,
+_anything_--all systems are choked with clumsy, outworn methods and
+ignorance--the whole human race works and plays at about ten-per-cent.
+efficiency. The only possible ground for optimism about the human race
+that I can see is that in most all lines experts are at work showing up
+the deficiencies--proving that alcohol and war are bad, and consumption
+and Greek unnecessary--and making a beginning. You don't do justice to
+the big offices and mills where they have real efficiency tests, and if
+a man doesn't make good in one place, they shift him to another."
+
+"There aren't very many of them. In all the offices I've ever seen, the
+boss's indigestion is the only test of employees."
+
+"Yes, yes, I know, but that isn't the point. The point is that they are
+making such tests--beginning to. Take the schools where they actually
+teach future housewives to cook and sew as well as to read aloud. But,
+of course, I admit the very fact that there can be and are such schools
+and offices is a terrible indictment of the slatternly schools and
+bad-tempered offices we usually do have, and if you can show up this
+system of shutting people up in treadmills, why go to it, and good luck.
+The longer people are stupidly optimistic, the longer we'll have to wait
+for improvements. But, believe me, my dear girl, for every ardent
+radical who says the whole thing is rotten there's ten clever
+advertising-men who think it's virtue to sell new brands of soap-powder
+that are no better than the old brands, and a hundred old codgers who
+are so broken into the office system that they think they are perfectly
+happy--don't know how much fun in life they miss. Still, they're no
+worse than the adherents to any other paralyzed system. Look at the
+comparatively intelligent people who fall for any freak religious system
+and let it make their lives miserable. I suppose that when the world has
+no more war or tuberculosis, then offices will be exciting places to
+work in--but not till then. And meantime, if the typical business man
+with a taste for fishing heard even so mild a radical as I am, he'd
+sniff, 'The fellow don't know what he's talking about; everybody in all
+the offices I know is perfectly satisfied.'"
+
+"Yes, changes will be slow, I suppose, but that doesn't excuse bosses of
+to-day for thinking they are little tin gods."
+
+"No, of course it doesn't. But people in authority always do that. The
+only thing we can do about it is for us, personally, to make our offices
+as clean and amusing as we can, instead of trying to buy yachts. But
+don't ever think either that capitalists are a peculiar race of fiends,
+different from anarchists or scrubwomen, or that we'll have a millennium
+about next election. We've got to be anthropological in our view. It's
+taken the human race about five hundred thousand years to get where it
+is, and presumably it will take quite a few thousand more to become
+scientific or even to understand the need of scientific conduct of
+everything. I'm not at all sure that there's any higher wisdom than
+doing a day's work, and hoping the Subway will be a little less crowded
+next year, and in voting for the best possible man, and then forgetting
+all the _Weltschmertz_, and going to an opera. It sounds pretty raw and
+crude, doesn't it? But living in a world that's raw and crude, all you
+can do is to be honest and not worry."
+
+"Yes," said Una.
+
+She grieved for the sunset-colored ideals of Mamie Magen, for the fine,
+strained, hysterical enthusiasms of Walter Babson, as an enchantment of
+thought which she was dispelling in her effort to become a "good, sound,
+practical business woman." Mr. Fein's drab opportunist philosophy
+disappointed her. Yet, in contrast to Mr. Schwirtz, Mr. Truax, and
+Chas., he was hyperbolic; and after their dinner she was gushingly happy
+to be hearing the opportunist melodies of "Il Trovatore" beside him.
+
+
+Sec. 3
+
+The Merryton Realty Company had failed, and Truax & Fein were offered
+the small development property of Crosshampton Hill Gardens at so
+convenient a price that they could not refuse it, though they were
+already "carrying" as many properties as they could easily handle. In a
+characteristic monologue Mr. Truax asked a select audience, consisting
+of himself, his inkwell, and Una, what he was to do.
+
+"Shall I try to exploit it and close it out quick? I've got half a mind
+to go back to the old tent-and-brass-band method and auction it off. The
+salesmen have all they can get away with. I haven't even a good,
+reliable resident salesman I could trust to handle it on the grounds."
+
+"Let me try it!" said Una. "Give me a month's trial as salesman on the
+ground, and see what I can do. Just run some double-leaded classified
+ads. and forget it. You can trust me; you know you can. Why, I'll write
+my own ads., even: 'View of Long Island Sound, and beautiful rolling
+hills. Near to family yacht club, with swimming and sailing.' I know I
+could manage it."
+
+Mr. Truax pretended not to hear, but she rose, leaned over his desk,
+stared urgently at him, till he weakly promised: "Well, I'll talk it
+over with Mr. Fein. But you know it wouldn't be worth a bit more salary
+than you're getting now. And what would I do for a secretary?"
+
+"I don't worry about salary. Think of being out on Long Island, now that
+spring is coming! And I'll find a successor and train her."
+
+"Well--" said Mr. Truax, while Una took her pencil and awaited dictation
+with a heart so blithe that she could scarcely remember the symbols for
+"Yours of sixteenth instant received."
+
+
+
+
+CHAPTER XXII
+
+
+Of the year and a half from March, 1914, to the autumn of 1915, which
+Una spent on Long Island, as the resident salesman and director of
+Crosshampton Hill Gardens, this history has little to say, for it is a
+treatise regarding a commonplace woman on a job, and at the Gardens
+there was no job at all, but one long summer day of flushed laughter. It
+is true that "values were down on the North Shore" at this period, and
+sales slow; it is true that Una (in high tan boots and a tweed suit from
+a sporting-goods house) supervised carpenters in constructing a bungalow
+as local office and dwelling-place for herself. It is true that she
+quarreled with the engineer planning the walks and sewers, usurped
+authority and discharged him, and had to argue with Mr. Truax for three
+hours before he sustained her decision. Also, she spent an average of
+nine hours a day in waiting for people or in showing them about, and
+serving tea and biscuits to dusty female villa-hunters. And she herself
+sometimes ran a lawn-mower and cooked her own meals. But she had
+respect, achievement, and she ranged the open hills from the stirring
+time when dogwood blossoms filled the ravines with a fragrant mist,
+round the calendar, and on till the elms were gorgeous with a second
+autumn, and sunsets marched in naked glory of archangels over the
+Connecticut hills beyond the flaming waters of Long Island Sound.
+Slow-moving, but gentle, were the winter months, for she became a part
+of the commuting town of Crosshampton Harbor, not as the negligible
+daughter of a Panama Captain Golden, but as a woman with the glamour of
+independence, executive position, city knowledge, and a certain marital
+mystery. She was invited to parties at which she obediently played
+bridge, to dances at the Harbor Yacht Club, to meetings of the Village
+Friendly Society. A gay, easy-going group, with cocktail-mixers on their
+sideboards, and motors in their galvanized-iron garages, but also with
+savings-bank books in the drawers beneath their unit bookcases, took her
+up as a woman who had learned to listen and smile. And she went with
+them to friendly, unexacting dances at the Year-Round Inn, conducted by
+Charley Duquesne, in the impoverished Duquesne mansion on Smiley Point.
+She liked Charley, and gave him advice about bedroom chintzes for the
+inn, and learned how a hotel is provisioned and served. Charley did not
+know that her knowledge of chintzes was about two weeks old and derived
+from a buyer at Wanamacy's. He only knew that it solved his
+difficulties.
+
+She went into the city about once in two weeks, just often enough to
+keep in touch with Truax, Fein, Chas., and Mamie Magen, the last of whom
+had fallen in love with a socialistic Gentile charities secretary,
+fallen out again, and was quietly dedicating all her life to Hebrew
+charities.
+
+Una closed the last sale at Crosshampton Hill Gardens in the autumn of
+1915, and returned to town, to the office-world and the job. Her record
+had been so clean and promising that she was able to demand a
+newly-created position--woman sales-manager, at twenty-five hundred
+dollars a year, selling direct and controlling five other women
+salesmen.
+
+Mr. Truax still "didn't believe in" women salesmen, and his lack of
+faith was more evident now that Una was back in the office. Una grew
+more pessimistic as she realized that his idea of women salesmen was a
+pure, high, aloof thing which wasn't to be affected by anything
+happening in his office right under his nose. But she was too busy
+selling lots, instructing her women aides, and furnishing a four-room
+flat near Stuyvesant Park, to worry much about Mr. Truax. And she was
+sure that Mr. Fein would uphold her. She had the best of reasons for
+that assurance, namely, that Mr. Fein had hesitatingly made a formal
+proposal for her hand in marriage.
+
+She had refused him for two reasons--that she already had one husband
+somewhere or other, and the more cogent reason that though she admired
+Mr. Fein, found him as cooling and pleasant as lemonade on a July
+evening, she did not love him, did not want to mother him, as she had
+always wanted to mother Walter Babson, and as, now and then, when he had
+turned to her, she had wanted to mother even Mr. Schwirtz.
+
+The incident brought Mr. Schwirtz to her mind for a day or two. But he
+was as clean gone from her life as was Mr. Henry Carson, of Panama. She
+did not know, and did not often speculate, whether he lived or continued
+to die. If the world is very small, after all, it is also very large,
+and life and the world swallow up those whom we have known best, and
+they never come back to us.
+
+
+Sec. 2
+
+Una had, like a Freshman envying the Seniors, like a lieutenant in awe
+of the council of generals, always fancied that when she became a real
+executive with a salary of several thousands, and people coming to her
+for orders, she would somehow be a different person from the good
+little secretary. She was astonished to find that in her private office
+and her new flat, and in her new velvet suit she was precisely the same
+yearning, meek, efficient woman as before. But she was happier. Despite
+her memories of Schwirtz and the fear that some time, some place, she
+would encounter him and be claimed as his wife, and despite a less
+frequent fear that America would be involved in the great European war,
+Una had solid joy in her office achievements, in her flat, in taking
+part in the vast suffrage parade of the autumn of 1915, and feeling
+comradeship with thousands of women.
+
+Despite Mr. Fein's picture of the woes of executives, Una found that her
+new power and responsibility were inspiring as her little stenographer's
+wage had never been. Nor, though she did have trouble with the women
+responsible to her at times, though she found it difficult to secure
+employees on whom she could depend, did Una become a female Troy
+Wilkins.
+
+She was able to work out some of the aspirations she had cloudily
+conceived when she had herself been a slave. She did find it possible to
+be friendly with her aides, to be on tea and luncheon and gossip terms
+of intimacy with them, to confide in them instead of tricking them, to
+use frank explanations instead of arbitrary rules; and she was rewarded
+by their love and loyalty. Her chief quarrels were with Mr. Truax in
+regard to raising the salaries and commissions of her assistant
+saleswomen.
+
+Behind all these discoveries regarding the state of being an executive,
+behind her day's work and the evenings at her flat when Mamie Magen and
+Mr. Fein came to dinner, there were two tremendous secrets:
+
+For her personal life, her life outside the office, she had found a way
+out such as might, perhaps, solve the question of loneliness for the
+thousands of other empty-hearted, fruitlessly aging office-women. Not
+love of a man. She would rather die than have Schwirtz's clumsy feet
+trampling her reserve again. And the pleasant men who came to her flat
+were--just pleasant. No, she told herself, she did not need a man or
+man's love. But a child's love and presence she did need.
+
+She was going to adopt a child. That was her way out.
+
+She was thirty-four now, but by six of an afternoon she felt forty.
+Youth she would find--youth of a child's laughter, and the healing of
+its downy sleep.
+
+She took counsel with Mamie Magen (who immediately decided to adopt a
+child also, and praised Una as a discoverer) and with the good
+housekeeping women she knew at Crosshampton Harbor. She was going to be
+very careful. She would inspect a dozen different orphan-asylums.
+
+Meanwhile her second secret was making life pregnant with interest:
+
+She was going to change her job again--for the last time she hoped. She
+was going to be a creator, a real manager, unhampered by Mr. Truax's
+unwillingness to accept women as independent workers and by the growing
+animosity of Mrs. Truax.
+
+
+Sec. 3
+
+Una's interest in the Year-Round Inn at Crosshampton Harbor, the results
+obtained by reasonably good meals and a little chintz, and her memory of
+the family hotel, had led her attention to the commercial possibilities
+of innkeeping.
+
+She was convinced that, despite the ingenuity and care displayed by the
+managers of the great urban hotels and the clever resorts, no calling
+included more unimaginative slackers than did innkeeping. She had heard
+traveling-men at Pemberton's and at Truax & Fein's complain of sour
+coffee and lumpy beds in the hotels of the smaller towns; of knives and
+forks that had to be wiped on the napkins before using; of shirt-sleeved
+proprietors who loafed within reach of the cuspidors while their wives
+tried to get the work done.
+
+She began to read the _Hotel News_ and the _Hotel Bulletin_, and she
+called on the manager of a supply-house for hotels.
+
+She read in the _Bulletin_ of Bob Sidney, an ex-traveling-man, who, in
+partnership with a small capitalist, had started a syndicate of inns. He
+advertised: "The White Line Hotels. Fellow-drummers, when you see the
+White Line sign hung out, you know you're in for good beds and good
+coffee."
+
+The idea seemed good to her. She fancied that traveling-men would go
+from one White Line Hotel to another. The hotels had been established in
+a dozen towns along the Pennsylvania Railroad, in Norristown, Reading,
+Williamsport, and others, and now Bob Sidney was promising to invade
+Ohio and Indiana. The blazed White Line across the continent caught
+Una's growing commercial imagination. And she liked several of Mr.
+Sidney's ideas: The hotels would wire ahead to others of the Line for
+accommodations for the traveler; and a man known to the Line could get
+credit at any of its houses, by being registered on identifying cards.
+
+She decided to capture Mr. Sidney. She made plans.
+
+In the spring she took a mysterious two weeks' leave of absence and
+journeyed through New York State, Pennsylvania, Ohio, and Indiana. The
+woman who had quite recently regarded it as an adventure to go to
+Brooklyn was so absorbed in her Big Idea that she didn't feel
+self-conscious even when she talked to men on the train. If they
+smacked their lips and obviously said to themselves, "Gee! this is
+easy--not a bad little dame," she steered them into discussing hotels;
+what they wanted at hotels and didn't get; what was their favorite hotel
+in towns in from fifteen hundred to forty thousand inhabitants, and
+precisely what details made it the favorite.
+
+She stayed at two or three places a day for at least one meal--hotels in
+tiny towns she had never heard of, and in larger towns that were
+fumbling for metropolitanism. She sought out all the summer resorts that
+were open so early. She talked to travelers, men and women; to
+hack-drivers and to grocers supplying hotels; to proprietors and their
+wives; to clerks and waitresses and bell-boys, and unconsidered,
+observant porters. She read circulars and the catalogues of furniture
+establishments.
+
+Finally, she visited each of Mr. Bob Sidney's White Line Hotels. Aside
+from their arrangements for "accommodations" and credit, their superior
+cleanliness, good mattresses, and coffee with a real taste, she did not
+find them preferable to others. In their rows of cuspidors and
+shouldering desks, and barren offices hung with insurance calendars, and
+dining-rooms ornamented with portraits of decomposed ducks, they were
+typical of all the hotels she had seen.
+
+On the train back to New York she formulated her suggestions for hotels,
+among which, in her own words, were the following:
+
+"(1) Make the offices decent rooms--rem. living-room at Gray Wolf Lodge.
+Take out desks--guests to register and pay bills in small office off
+living-room--keep letters there, too. Not much room needed and can't
+make pleasant room with miserable old 'desk' sticking out into it.
+
+"(2) Cut out the cuspidors. Have special room where drummers can play
+cards and tell stories and _spit_. Allow smoking in 'office,' but make
+it pleasant. Rem. chintz and wicker chairs at $3 each. Small round
+tables with reading-lamps. Maybe fireplace.
+
+"(3) Better pastry and soup and keep coffee up to standard. One surprise
+in each meal--for example, novel form of eggs, good salad, or canned
+lobster cocktail. Rem. the same old pork, beans, cornbeef, steak, deadly
+cold boiled potato everywhere I went.
+
+"(4) More attractive dining-rooms. Esp. small tables for 2 and 4. Cater
+more to local customers with a la carte menus--not long but good.
+
+"(5) Women housekeepers and pay 'em good.
+
+"(6) Hygienic kitchens and advertise 'em.
+
+"(7) Train employees, as rem. trav. man told me United Cigar Stores do.
+
+"(8) Better accom. for women. Rem. several traveling men's wives told me
+they would go on many trips w. husbands if they could get decent hotels
+in all these towns.
+
+"(9) Not ape N. Y. hotels. Nix on gilt and palms and marble. But clean
+and tasty food, and don't have things like desks just because most
+hotels do."
+
+
+Sec. 4
+
+Three hours after Una reached New York she telephoned to the object of
+her secret commercial affections, the unconscious Mr. Robert Sidney, at
+the White Line Hotels office. She was so excited that she took ten
+minutes for calming herself before she telephoned. Every time she lifted
+the receiver from its hook she thrust it back and mentally apologized to
+the operator. But when she got the office and heard Mr. Bob Sidney's raw
+voice shouting, "Yas? This 's Mist' Sidney," Una was very cool.
+
+"This is Mrs. Schwirtz, realty salesman for Truax & Fein. I've just been
+through Pennsylvania, and I stayed at your White Line Hotels. Of course
+I have to be an expert on different sorts of accommodations, and I made
+some notes on your hotels--some suggestions you might be glad to have.
+If you care to, we might have lunch together to-morrow, and I'll give
+you the suggestions."
+
+"Why, uh, why--"
+
+"Of course I'm rather busy with our new Long Island operations, so if
+you have a date to-morrow, the matter can wait, but I thought you'd
+better have the suggestions while they were fresh in my mind. But
+perhaps I can lunch with you week after next, if--"
+
+"No, no, let's make it to-morrow."
+
+"Very well. Will you call for me here--Truax & Fein, Zodiac Building?"
+
+Una arose at six-thirty next morning, to dress the part of the great
+business woman, and before she went to the office she had her hair
+waved.
+
+Mr. Bob Sidney called for her. He was a simple, energetic soul, with a
+derby on the back of his head, cheerful, clean-shaven, large-chinned,
+hoarse-voiced, rapidly revolving a chewed cigar. She, the commonplace,
+was highly evolved in comparison with Mr. Sidney, and there was no
+nervousness in her as she marched out in a twenty-dollar hat and
+casually said, "Let's go to the Waldorf--it's convenient and not at all
+bad."
+
+On the way over Mr. Sidney fairly massaged his head with his agitated
+derby--cocked it over one eye and pushed it back to the crown of his
+head--in his efforts to find out what and why was Mrs. Una Schwirtz. He
+kept appraising her. It was obvious that he was trying to decide whether
+this mysterious telephone correspondent was an available widow who had
+heard of his charms. He finally stumbled over the grating beside the
+Waldorf and bumped into the carriage-starter, and dropped his dead
+cigar. But all the while Una steadily kept the conversation to the
+vernal beauties of Pennsylvania.
+
+Thanks to rice powder and the pride of a new hat, she looked cool and
+adequate. But she was thinking all the time: "I never could keep up this
+Beatrice-Joline pose with Mr. Fein or Mr. Ross. Poor Una, with them
+she'd just have to blurt out that she wanted a job!"
+
+She sailed up to a corner table by a window. The waiter gave the menu to
+Mr. Sidney, but she held out her hand for it. "This is my lunch. I'm a
+business woman, not just a woman," she said to Mr. Sidney; and she
+rapidly ordered a lunch which was shockingly imitative of one which Mr.
+Fein had once ordered for her.
+
+"Prett' hot day for April," said Mr. Sidney.
+
+"Yes.... Is the White Line going well?"
+
+"Yump. Doing a land-office business."
+
+"You're having trouble with your day clerk at Brockenfelt, I see."
+
+"How juh know?"
+
+"Oh--" She merely smiled.
+
+"Well, that guy's a four-flush. Came to us from the New Willard, and to
+hear him tell it you'd think he was the guy that put the "will" in the
+Willard. But he's a credit-grabber, that's what he is. Makes me
+think-- Nev' forget one time I was up in Boston and I met a coon porter
+and he told me he was a friend of the president of the Pullman Company
+and had persuaded him to put on steel cars. Bet a hat he believed it
+himself. That's 'bout like this fellow. He's going to get the razoo....
+Gee! I hope you ain't a friend of his."
+
+Una had perfectly learned the Boeotian dialect so strangely spoken by
+Mr. Sidney, and she was able to reply:
+
+"Oh no, no indeed! He ought to be fired. He gave me a room as though he
+were the superintendent of a free lodging-house."
+
+"But it's so hard to get trained employees that I hate to even let _him_
+go. Just to show you the way things go, just when I was trying to swing
+a deal for a new hotel, I had to bust off negotiations and go and train
+a new crew of chambermaids at Sandsonville myself. You'd died laughing
+to seen _me_ making beds and teaching those birds to clean a spittador,
+beggin' your pardon, but it certainly was some show, and I do, by gum!
+know a traveling-man likes his bed tucked in at the foot! Oh, it's
+fierce! The traveling public kicks if they get bum service, and the help
+kick if you demand any service from 'em, and the boss gets it right in
+the collar-button both ways from the ace."
+
+"Well, I'm going to tell you how to have trained service and how to make
+your hotels distinctive. They're good hotels, as hotels go, and you
+really do give people good coffee and good beds and credit conveniences,
+as you promise, but your hotels are not distinctive. I'm going to tell
+you how to make them so."
+
+Una had waited till Mr. Sidney had disposed of his soup and filet
+mignon. She spoke deliberately, almost sternly. She reached for her new
+silver link bag, drew out immaculate typewritten schedules, and while he
+gaped she read to him precisely the faults of each of the hotels, her
+suggested remedies, and her general ideas of hotels, with less
+cuspidors, more originality, and a room where traveling-men could be at
+home on a rainy Sunday.
+
+"Now you know, and I know," she wound up, "that the proprietor's ideal
+of a hotel is one to which traveling-men will travel sixty miles on
+Saturday evening, in order to spend Sunday there. You take my
+recommendations and you'll have that kind of hotels. At the same time
+women will be tempted there and the local trade will go there when wife
+or the cook is away, or they want to give a big dinner."
+
+"It does sound like it had some possibilities," said Mr. Sidney, as she
+stopped for breath, after quite the most impassioned invocation of her
+life.
+
+She plunged in again:
+
+"Now the point of all this is that I want to be the general manager of
+certain departments of the Line--catering, service, decoration, and so
+on. I'll keep out of the financial end and we'll work out the buying
+together. You know it's women who make the homes for people at home, and
+why not the homes for people traveling?... I'm woman sales-manager for
+Truax & Fein--sell direct, and six women under me. I'll show you my
+record of sales. I've been secretary to an architect, and studied
+architecture a little. And plenty other jobs. Now you take these
+suggestions of mine to your office and study 'em over with your partner
+and we'll talk about the job for me by and by."
+
+She left him as quickly as she could, got back to her office, and in a
+shaking spasm of weeping relapsed into the old, timorous Una.
+
+
+Sec. 5
+
+Tedious were the negotiations between Una and Mr. Sidney and his
+partner. They wanted her to make their hotels--and yet they had never
+heard of anything so nihilistic as actually having hotel "offices"
+without "desks." They wanted her, and yet they "didn't quite know about
+adding any more overhead at this stage of the game."
+
+Meantime Una sold lots and studied the economical buying of hotel
+supplies. She was always willing to go with Mr. Sidney and his partner
+to lunch--but they were brief lunches. She was busy, she said, and she
+had no time to "drop in at their office." When Mr. Sidney once tried to
+hold her hand (not seriously, but with his methodical system of never
+failing to look into any possibilities), she said, sharply, "Don't try
+that--let's save a lot of time by understanding that I'm what you would
+call 'straight.'" He apologized and assured her that he had known she
+was a "high-class genuwine lady all the time."
+
+The very roughness which, in Mr. Schwirtz, had abraised her, interested
+her in Mr. Sidney. She knew better now how to control human beings. She
+was fascinated by a comparison of her four average citizens--four men
+not vastly varied as seen in a street-car, yet utterly different to one
+working with them: Schwirtz, the lumbering; Troy Wilkins, the roaring;
+Truax, the politely whining; and Bob Sidney, the hesitating.
+
+The negotiations seemed to arrive nowhere.
+
+Then, unexpectedly, Bob Sidney telephoned to her at her flat one
+evening: "Partner and I have just decided to take you on, if you'll come
+at thirty-eight hundred a year."
+
+Una hadn't even thought of the salary. She would gladly have gone to her
+new creative position at the three thousand two hundred she was then
+receiving. But she showed her new training and demanded:
+
+"Four thousand two hundred."
+
+"Well, split the difference and call it four thousand for the first
+year."
+
+"All right."
+
+Una stood in the center of the room. She had "succeeded on her job."
+Then she knew that she wanted some one with whom to share the good news.
+
+She sat down and thought of her almost-forgotten plan to adopt a child.
+
+
+Sec. 6
+
+Mr. Sidney had, during his telephone proclamation, suggested: "Come down
+to the office to-morrow and get acquainted. Haven't got a very big
+force, you know, but there's a couple of stenographers, good girls,
+crazy to meet the new boss, and a bright, new Western fellow we thought
+we might try out as your assistant and publicity man, and there's an
+office-boy that's a sketch. So come down and meet your subjects, as the
+fellow says."
+
+Una found the office, on Duane Street, to consist of two real rooms and
+a bare anteroom decorated with photographs of the several White Line
+Hotels--set on maple-lined streets, with the local managers, in white
+waistcoats, standing proudly in front. She herself was to have a big
+flat-topped desk in the same room with Mr. Sidney. The surroundings were
+crude compared with the Truax & Fein office, but she was excited. Here
+she would be a pioneer.
+
+"Now come in the other room," said Mr. Sidney, "and meet the
+stenographers and the publicity man I was telling you about on the
+'phone."
+
+He opened a door and said, "Mrs. Schwirtz, wantcha shake hands with the
+fellow that's going to help you to put the Line on the map--Mr. Babson."
+
+It was Walter Babson who had risen from a desk and was gaping at her.
+
+
+
+
+CHAPTER XXIII
+
+
+"But I did write to you, Goldie--once more, anyway--letter was returned
+to me after being forwarded all over New York," said Walter, striding
+about her flat.
+
+"And then you forgot me completely."
+
+"No, I didn't--but what if I had? You simply aren't the same girl I
+liked--you're a woman that can do things; and, honestly, you're an
+inspiration to me." Walter rubbed his jaw in the nervous way she
+remembered.
+
+"Well, I hope I shall inspire you to stick to the White Line and make
+good."
+
+"Nope, I'm going to make one more change. Gee! I can't go on working for
+you. The problem of any man working for a woman boss is hard enough.
+He's always wanting to give her advice and be superior, and yet he has
+to take her orders. And it's twice as hard when it's me working for you
+that I remember as a kid--even though you have climbed past me."
+
+"Well?"
+
+"Well, I'm going to work for you till I have a job where I can make
+good, and when I do--or if I do--I'm going to ask you to marry me."
+
+"But, my dear boy, I'm a business woman. I'm making good right now. In
+three months I've boosted White Line receipts seventeen per cent., and
+I'm not going back to minding the cat and the gas-stove and waiting--"
+
+"You don't need to. We can both work, keep our jobs, and have a real
+housekeeper--a crackajack maid at forty a month--to mind the cat."
+
+"But you seem to forget that I'm more or less married already."
+
+"So do you!... If I make good-- Listen: I guess it's time now to tell you
+my secret. I'm breaking into your old game, real estate. You know I've
+been turning out pretty good publicity for the White Line, besides all
+the traveling and inspecting, and we have managed to have a few good
+times, haven't we? But, also, on the side, I've been doing a whale of a
+lot of advertising, and so on, for the Nassau County Investment Company,
+and they've offered me a steady job at forty-five a week. And now that
+I've got you to work for, my _Wanderjahre_ are over. So, if I do make
+good, will you divorce that incubus of an Eddie Schwirtz and marry me?
+Will you?"
+
+He perched on the arm of her chair, and again demanded: "Will you?
+You've got plenty legal grounds for divorcing him--and you haven't any
+ethical grounds for not doing it."
+
+She said nothing. Her head drooped. She, who had blandly been his
+manager all day, felt managed when his "Will you?" pierced her, made her
+a woman.
+
+He put his forefinger under her chin and lifted it. She was conscious of
+his restless, demanding eyes.
+
+"Oh, I must think it over," she begged.
+
+"Then you will!" he triumphed. "Oh, my soul, we've bucked the
+world--you've won, and I will win. Mr. and Mrs. Babson will be
+won'erfully happy. They'll be a terribly modern couple, both on the job,
+with a bungalow and a Ford and two Persian cats and a library of Wells,
+and Compton Mackenzie, and Anatole France. And everybody will think
+they're exceptional, and not know they're really two lonely kids that
+curl up close to each other for comfort.... And now I'm going home and
+do a couple miles publicity for the Nassau Company.... Oh, my dear, my
+dear--"
+
+
+Sec. 2
+
+"I will keep my job--if I've had this world of offices wished on to me,
+at least I'll conquer it, and give my clerks a decent time," the
+business woman meditated. "But just the same--oh, I am a woman, and I do
+need love. I want Walter, and I want his child, my own baby and his."
+
+
+THE END
+
+
+
+
+
+End of the Project Gutenberg EBook of The Job, by Sinclair Lewis
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE JOB ***
+
+***** This file should be named 25474.txt or 25474.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/5/4/7/25474/
+
+Produced by K Nordquist, Jacqueline Jeremy and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+book was produced from scanned images of public domain
+material from the Google Print project.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.