diff options
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 25444-h.zip | bin | 0 -> 230699 bytes | |||
| -rw-r--r-- | 25444-h/25444-h.htm | 1832 | ||||
| -rw-r--r-- | 25444-h/images/divider.png | bin | 0 -> 292 bytes | |||
| -rw-r--r-- | 25444-h/images/divider2.png | bin | 0 -> 466 bytes | |||
| -rw-r--r-- | 25444-h/images/frontispiece.jpg | bin | 0 -> 38227 bytes | |||
| -rw-r--r-- | 25444-h/images/i001.jpg | bin | 0 -> 22727 bytes | |||
| -rw-r--r-- | 25444-h/images/i002.jpg | bin | 0 -> 29357 bytes | |||
| -rw-r--r-- | 25444-h/images/i003.jpg | bin | 0 -> 12908 bytes | |||
| -rw-r--r-- | 25444-h/images/i004.jpg | bin | 0 -> 27503 bytes | |||
| -rw-r--r-- | 25444-h/images/letter.png | bin | 0 -> 9857 bytes | |||
| -rw-r--r-- | 25444-h/images/title.jpg | bin | 0 -> 67448 bytes | |||
| -rw-r--r-- | 25444.txt | 1123 | ||||
| -rw-r--r-- | 25444.zip | bin | 0 -> 18222 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
16 files changed, 2971 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/25444-h.zip b/25444-h.zip Binary files differnew file mode 100644 index 0000000..b6a5426 --- /dev/null +++ b/25444-h.zip diff --git a/25444-h/25444-h.htm b/25444-h/25444-h.htm new file mode 100644 index 0000000..1e91bdf --- /dev/null +++ b/25444-h/25444-h.htm @@ -0,0 +1,1832 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <title> + The Project Gutenberg eBook of Dolly & I, by Oliver Optic. + </title> + <style type="text/css"> +/*<![CDATA[ XML blockout */ +<!-- + p {margin-top: .75em; + text-align: justify; + text-indent: 1.25em; + margin-bottom: .75em; + } + img {border: 0;} + .tnote {border: dashed 1px; margin-left: 10%; margin-right: 10%; padding-bottom: .5em; padding-top: .5em; + padding-left: .5em; padding-right: .5em;} + ins {text-decoration:none; border-bottom: thin dotted gray;} + h1,h2,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; + } + hr { width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; + } + + table {margin-left: auto; margin-right: auto;} + + body{margin-left: 10%; + margin-right: 10%; + } + + .pagenum { /* uncomment the next line for invisible page numbers */ + /* visibility: hidden; */ + position: absolute; + left: 92%; + font-size: smaller; + text-align: right; + } /* page numbers */ + + .blockquot{margin-left: 5%; margin-right: 10%; text-align: justify;} + + .bbox {border: solid 2px; margin-left: 20%; margin-right: 20%; padding-bottom: .5em; padding-top: .5em; + padding-left: .5em; padding-right: .5em;} + + .center {text-align: center;} + .smcap {font-variant: small-caps;} + + .caption {font-weight: bold;} + + .figcenter {margin: auto; text-align: center;} + + .figleft {float: left; clear: left; margin-left: 0; margin-bottom: 1em; margin-top: + 1em; margin-right: 1em; padding: 0; text-align: center;} + + .figright {float: right; clear: right; margin-left: 1em; margin-bottom: 1em; + margin-top: 1em; margin-right: 0; padding: 0; text-align: center;} + + .unindent {margin-top: .75em; + text-align: justify; + margin-bottom: .75em; + } + .right {text-align: right;} + .poem {margin-left: 30%; margin-right: 10%; text-align: left;} + .poem2 {margin-left: 15%; margin-right: 10%; text-align: left;} + .sig {margin-right: 10%; text-align: right;} + .hang1 {text-indent: -3em; margin-left: 3em;} + // --> + /* XML end ]]>*/ + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of Dolly and I, by Oliver Optic + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Dolly and I + A Story for Little Folks + +Author: Oliver Optic + +Release Date: May 12, 2008 [EBook #25444] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK DOLLY AND I *** + + + + +Produced by David Edwards, Emmy and the Online Distributed +Proofreading Team at http://www.pgdp.net (This book was +produced from scanned images of public domain material +from the Google Print project.) + + + + + + +</pre> + + + + +<p><span class='pagenum'><a name="Page_3" id="Page_3">[3]</a></span></p> + +<div class='center'> +<table border="0" cellpadding="4" cellspacing="0" summary=""> +<tr><td align='left'><img src="images/title.jpg" width="328" height="450" alt="RIVERDALE STORY BOOKS: DOLLY & I Title Page" title="RIVERDALE STORY BOOKS: DOLLY & I Title Page" /> +</td><td align='center'><img src="images/frontispiece.jpg" width="337" height="400" alt="Miss Fanny and others." title="Miss Fanny and others." /> +<span class="caption">Miss Fanny and others.</span> +</td></tr> +</table></div> +<p><span class='pagenum'><a name="Page_4" id="Page_4">[4]</a></span></p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_5" id="Page_5">[5]</a></span></p> +<h3>The Riverdale Books.</h3> +<div class="figcenter" style="width: 90px;"> +<img src="images/divider.png" width="90" height="12" alt="Divider" title="Divider" /> +</div> +<h1>DOLLY AND I.</h1> + +<h2>A STORY FOR LITTLE FOLKS.</h2> + +<h3>BY</h3> + +<h2>OLIVER OPTIC,</h2> + +<div class='center'> +AUTHOR OF "THE BOAT CLUB," "ALL ABOARD," "NOW OR NEVER," "TRY<br /> +AGAIN," "POOR AND PROUD," "LITTLE BY LITTLE," &c.<br /><br /><br /></div> +<div class="figcenter" style="width: 90px;"> +<img src="images/divider.png" width="90" height="12" alt="Divider" title="Divider" /> +</div><div class='center'><br /><br /> +BOSTON:<br /> +LEE AND SHEPARD,<br /> +(SUCCESSORS TO PHILLIPS, SAMPSON & CO.)<br /> +1864<br /></div><hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_6" id="Page_6">[6]</a></span></p> + + +<div class='center'> +Entered, according to Act of Congress, in the year 1862, by<br /> +<br /> +WILLIAM T. ADAMS,<br /> +<br /> +In the Clerk's Office of the District Court of the District of Massachusetts.<br /> +<br /> +ELECTROTYPED AT THE<br /> +BOSTON STEREOTYPE FOUNDRY.<br /> +</div> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_7" id="Page_7">[7]</a></span></p> +<h2>DOLLY AND I.</h2> + + + +<div class="figcenter" style="width: 125px;"> +<img src="images/divider2.png" width="125" height="12" alt="Divider" title="Divider" /> +</div> +<h2><a name="I" id="I"></a>I.</h2> + + +<p><span class='smcap'>Do</span> you know what <i>envy</i> +means? I hope you have +never felt it, for it is a very +wicked feeling. It is being +sorry when another has any +good thing. Perhaps you will +know better what the word<span class='pagenum'><a name="Page_8" id="Page_8">[8]</a></span> +means when you have read +my story; and I hope it will +help you to keep the feeling +away from your own heart.</p> + +<p>Not far from Mr. Lee's +house, in Riverdale, lived a +man by the name of Green. +He was the agent of one of +the factories in the village. +Mr. Green had two little girls +and three sons. The boys +have nothing to do with my +story, and for that reason I<span class='pagenum'><a name="Page_9" id="Page_9">[9]</a></span> +shall not say a great deal +about them.</p> + +<p>Katy, Mr. Green's older +daughter, was ten years old. +She was a pretty good girl, +but she did not like to have +others get good things, when +she did not have any herself. +If any person gave one of +her brothers an apple, or an +orange, she seemed to think +she ought to have it.</p> + +<p>When she was a baby, she<span class='pagenum'><a name="Page_10" id="Page_10">[10]</a></span> +used to cry for every thing +she saw, and would give her +parents no peace till they gave +it to her. I am sorry to say +they were sometimes very +weak on this point, and gave +her things which she ought not +to have had, just to quiet her.</p> + +<p>Her father and mother +hoped, when she grew older, +she would not want every +thing that belonged to her +brothers. If Charles had a<span class='pagenum'><a name="Page_11" id="Page_11">[11]</a></span> +plaything, Katy wanted it, and +would cry till she got it. Very +often, just to make her stop +crying, her mother made poor +Charley give up the thing.</p> + +<p>But as Katy grew older, she +seemed to want every thing +that others had just as much +as ever. She was now ten +years old, and still she did not +like to see others have any +thing which she could not +have. It is true she did not<span class='pagenum'><a name="Page_12" id="Page_12">[12]</a></span> +always say so, but she felt it +just as much, and was very +apt to be cross and sullen towards +those whom she envied.</p> + +<p>Nellie Green was not at all +like her sister. She was only +eight years old, but there was +not a bit of envy in her. She +would give a part, and often +the whole, of her apples, +oranges, candy, and playthings +to her sister, and to her brothers. +She liked to see them<span class='pagenum'><a name="Page_13" id="Page_13">[13]</a></span> +happy, and when Charley ate +an apple, it tasted just as good +to her as though she were +eating it herself.</p> + +<p>She was not selfish. She +would always divide her good +things with her friends. Did +you ever see a little boy or a +little girl eating an apple or +some candy, and another little +boy or girl standing by, and +looking just as if he wanted +some?<span class='pagenum'><a name="Page_14" id="Page_14">[14]</a></span></p> + +<p>Nellie always gave her +friends a part, and then she +not only enjoyed what she ate +herself, but she enjoyed what +they ate. This is the way to +make apples, oranges, and candy +taste good.</p> + +<p>One New Year's Day, Katy's +aunt, after whom she was +named, sent her a beautiful +wax doll. It was a very pretty +doll, and the little girl was +the happiest child in Riverdale<span class='pagenum'><a name="Page_15" id="Page_15">[15]</a></span> +when the welcome present +reached her.</p> + +<p>There was another little girl +in Riverdale who was almost +if not quite as happy; and that +was Nellie, her sister. It is +true, the doll was not for her; +she did not own any of it, and +Katy would hardly let her +touch it; but for all this, Nellie +was pleased to see her +sister so happy.</p> + +<p>The dolly's name was Lady<span class='pagenum'><a name="Page_16" id="Page_16">[16]</a></span> +Jane; for Katy thought, as she +was a very fine doll, she ought +to have a very fine name. So, +when she spoke to the doll,—and +she talked a great deal +with her,—she always called +her Lady Jane.</p> + +<p>The two little girls had five +or six other dolls, but none of +them were any thing near +such fine ladies as Lady Jane. +Their heads were made of +porcelain, or rubber, or com<span class='pagenum'><a name="Page_17" id="Page_17">[17]</a></span>position, +and they had grown +so old that they were really +ugly.</p> + +<p>Miss Lucy, who had a rubber +head, looked as though +she "had been through the +wars." Her nose was worn +out, so that she had a great +hole in the end of it. I suppose, +if she had wanted to +sneeze, this hole would have +been very handy; but Miss +Lucy was a very proper young<span class='pagenum'><a name="Page_18" id="Page_18">[18]</a></span> +lady, and never sneezed in +company. If she ever sneezed +when alone, of course there +was no one present to know +any thing about it.</p> + +<p>There was another hole +right in the top of her head, +so that if she had had any +brains, they would certainly +have leaked out; but as Miss +Lucy was not a strong-minded +woman, I suppose she had no +use for brains.<span class='pagenum'><a name="Page_19" id="Page_19">[19]</a></span></p> + +<p>One of the family of dolls +was a little black girl, whose +name was Dinah. She had +seen hard service in her day, +and did not look as though +is she would last much longer.</p> + +<p>Miss Fanny had once been +a fine lady, but times had gone +hard with her, and her fine +clothes were both ragged and +dirty. But hard times were +not so very bad, for she wore +the same smile as when her<span class='pagenum'><a name="Page_20" id="Page_20">[20]</a></span> +clothes had been new and +nice.</p> + +<p>Miss Mary was a poor cripple. +By a sad accident she +had broken one of her legs. +Katy placed her on a table +one day, and either because +the height from the floor +made her dizzy, or because +she was laid too near the +edge, she had tumbled off, +and one leg was so badly +broken that neither a wooden<span class='pagenum'><a name="Page_21" id="Page_21">[21]</a></span> +nor a cork one could be fastened +in its place.</p> + +<p>Therefore Miss Mary could +not walk about the room, and +never went any where, except +when she was carried. But +she was not half so badly off +as Miss Susie, who had broken +her neck, and lost off her +head. The head was tied on +with a string, but it kept +falling off while the family +were at play; but Miss Susie<span class='pagenum'><a name="Page_22" id="Page_22">[22]</a></span> +did not seem to mind it at +all.</p> + +<p>She got along a great deal +better without her head than +you and I could without ours. +Indeed, she wore the same +smile upon her face whether +the head was on or off—which +teaches us that we +ought always to be cheerful +in misfortune.</p> + +<p>Besides these fine young +ladies there were two or three<span class='pagenum'><a name="Page_23" id="Page_23">[23]</a></span> +rag babies; but as you could +not tell by the looks of them +what they were thinking about, +I will not say any thing about +them. They had no virtues +worth telling; they never ate +soup with a fork, or gave +money to the poor.</p> + +<p>Some of my readers may +not think much of this family +of dollies, but I am sure Katy +and Nellie had fine times with +them. They used to spend<span class='pagenum'><a name="Page_24" id="Page_24">[24]</a></span> +hours together with them, and +the dollies used to do every +thing that any body could do.</p> + +<p>Miss Fanny used to visit a +great deal, in spite of her +dirty, ragged clothes; so did +Miss Lucy, with two holes in +her head, and Miss Mary, with +her broken leg, and Miss Susie, +with her broken neck. All +of them used to go a-visiting, +except Miss Dinah, and she, +being a black girl, had to do<span class='pagenum'><a name="Page_25" id="Page_25">[25]</a></span> +the sweeping and tend the +door.</p> + +<p>These ladies were all of +them so bashful that they +would not speak in company, +and Katy and Nellie had to +do all the talking for them.</p> + +<p>But they used to "make +believe" the dollies talked, +and this did just as well. +They used to say just such +things as the ladies did who +called on Mrs. Green, and<span class='pagenum'><a name="Page_26" id="Page_26">[26]</a></span> +never left without being urged +to stay longer, and also to +call again; which they always +promised to do.</p> + +<p>On the whole, they were +very wonderful dollies; at +least they were until Lady +Jane came, and she was such +a fine lady, with her white silk +dress and her <i>real</i> hair, that +none of them could shine after +that.<span class='pagenum'><a name="Page_28" id="Page_28">[28]</a></span></p> + +<div class="figcenter" style="width: 300px;"> +<img src="images/i001.jpg" width="300" height="256" alt=""Lend us your Dolly."" title=""Lend us your Dolly."" /> +<span class="caption">"Lend us your Dolly."</span> +</div> + + +<p><span class='pagenum'><a name="Page_29" id="Page_29">[29]</a></span></p> + +<div class="figcenter" style="width: 125px;"> +<img src="images/divider2.png" width="125" height="12" alt="Divider" title="Divider" /> +</div> +<h2><a name="II" id="II"></a>II.</h2> + + +<p><span class='smcap'>One</span> day Flora Lee came +to see Nellie Green, and to +spend the afternoon with her. +It was in the month of November, +and the weather was +too cold to permit them to +play in the garden; so they +said they would have a good +time in the house.</p> + +<p>Katy Green had to go away,<span class='pagenum'><a name="Page_30" id="Page_30">[30]</a></span> +and could not play with them. +Nellie was very sorry for this, +for she not only liked to have +her sister with her, but she +also wanted the company of +Lady Jane.</p> + +<p>She told Flora how sorry +she was, and they agreed that +it was too bad Katy had to +go away, for she was older +than they, and could help +them a great deal in their +plays. Besides, they wanted<span class='pagenum'><a name="Page_31" id="Page_31">[31]</a></span> +one fine lady among the dollies, +for they had a certain +play which required just such +a person.</p> + +<p>"I wish I had brought Miss +Dolly with me. I guess she +is fine enough," said Flora.</p> + +<p>"I wish you had," replied +Nellie; "but as you have not, +we can't help it now. I dare +say Miss Fanny will do."</p> + +<p>"I'll tell you what you can +do, Nellie."<span class='pagenum'><a name="Page_32" id="Page_32">[32]</a></span></p> + +<p>"What?"</p> + +<p>"You can just ask Katy to +lend you her dolly. We won't +hurt her a mite, you know. +We will use her just as if +she were made of glass."</p> + +<p>Nellie did not know what +to say. She did not like to +ask Katy to let her play with +Lady Jane, for she knew how +careful her sister was of her +fine lady. And she did not +like to tell Flora her thoughts,<span class='pagenum'><a name="Page_33" id="Page_33">[33]</a></span> +lest she should think her sister +was selfish. She did not like +to have any one think hard of +her sister.</p> + +<p>"We must have Lady Jane. +I don't see how we can get +along without her," added +Flora, a little puzzled by the +silence of Nellie.</p> + +<p>"I don't like to ask Katy," +said Nellie, at last.</p> + +<p>"Why not? She will let +you have her. Of <i>course</i> she<span class='pagenum'><a name="Page_34" id="Page_34">[34]</a></span> +will let you have her," added +Flora, warmly.</p> + +<p>"I don't think she will. You +know we might break her +neck, or lose off her legs or +arms; or we might dirty her +white silk dress."</p> + +<p>"But we will be very careful. +Let us go and ask her. +It won't do any harm to ask +her, you know. She can't do +any more than refuse."</p> + +<p>Nellie did not like to be<span class='pagenum'><a name="Page_35" id="Page_35">[35]</a></span> +refused, and she tried to prevent +Flora from going any +farther in the matter. She +was sorry to have it appear +that her sister was selfish, and +she thought more of this than +she did of being refused.</p> + +<p>Flora said so much that at +last she thought Katy might +let her have the doll, and they +ran down stairs to the sitting +room, to have the matter settled.<span class='pagenum'><a name="Page_36" id="Page_36">[36]</a></span></p> + +<p>"Will you lend us your +dolly, Katy?" asked Nellie, +and the tones of her voice +showed how doubtful she was +of the result of the question.</p> + +<p>"What dolly do you mean?" +asked Katy.</p> + +<p>"Your wax dolly—Lady +Jane."</p> + +<p>"I am very sure I shall not," +replied Katy.</p> + +<p>"We will be very careful of +her," added Flora. "We won't<span class='pagenum'><a name="Page_37" id="Page_37">[37]</a></span> +let her be hurt a bit—you +may depend on that."</p> + +<p>"I'm not going to let you +have my dolly to break and +spoil—I'm sure I shall not," +said Katy; who even seemed +to be angry because she was +asked.</p> + +<p>"But don't I say we won't +hurt it a bit?" continued Flora. +"And when you come +over to my house, you shall +have my dolly just as long as<span class='pagenum'><a name="Page_38" id="Page_38">[38]</a></span> +you want her; and her house +too, and all the chairs and +tables and things."</p> + +<p>"I don't want them."</p> + +<p>"Do please to let us have +Lady Jane," teased Nellie. +"We want her ever so much; +and I know she won't get +broken or dirty. Please to +lend her to us, Katy."</p> + +<p>"I shan't do any such thing; +so it's no use to tease me. +Why don't you play with your<span class='pagenum'><a name="Page_39" id="Page_39">[39]</a></span> +own dollies? I won't lend +Lady Jane—that's flat."</p> + +<p>Nellie felt so bad she could +not help crying,—not because +she could not have the doll, +but because her sister was so +harsh and unkind. She would +not have cared so much if +Flora had not been there, for +she did not like to have her +see her sister behave in this +manner.</p> + +<p>Poor Flora wanted to cry,<span class='pagenum'><a name="Page_40" id="Page_40">[40]</a></span> +too, when she saw how badly +Nellie felt; but she tried to +be brave, and placed her arm +round her friend's neck, as if +to let her know that she would +be kind to her.</p> + +<p>"Come, Nellie, let's go up +stairs again. We won't say +any thing more about it," said +Flora; and she led her out of +the room.</p> + +<p>"Now you won't like Katy, +after this," replied Nellie.<span class='pagenum'><a name="Page_41" id="Page_41">[41]</a></span></p> + +<p>"O, yes, I will."</p> + +<p>"Katy would have lent us +the dolly, only aunt Jane gave +it to her, and she is afraid it +will be broken. If it hadn't +been for this, she would have +lent us Lady Jane—I know +she would," added Nellie, wiping +away her tears.</p> + +<p>"I dare say she would; but +we won't think any thing more +about it. And when I come +over again, some time, I will<span class='pagenum'><a name="Page_42" id="Page_42">[42]</a></span> +bring her something, just to +show her that I don't feel hard +towards her."</p> + +<p>"What a dear, good girl +you are, Flora! I was afraid +you would hate her after what +she said."</p> + +<p>"O, dear, no, I should hope +not. My mother tells me I +must love those who don't do +what I want them to; and I +try to do so; but it is very +hard sometimes. I wish you<span class='pagenum'><a name="Page_43" id="Page_43">[43]</a></span> +had a wax doll, Nellie. You +ought to have one, you are +such a good girl, and love +your sister so much, even +when she is not kind to you."</p> + +<p>"I wish I had one; it would +be so nice to have one like +Lady Jane. I should be so +happy; but then if only one +of us can have one, I would +rather Katy had it than have +it myself."</p> + +<p>"You are not a bit selfish,<span class='pagenum'><a name="Page_44" id="Page_44">[44]</a></span> +Nellie. Do you know what +<i>selfish</i> means? I do."</p> + +<p>"I guess I do. It means +when you have an apple or +any candy to refuse to give a +part to your sister."</p> + +<p>"Yes, or to any body that +happens to be with you. Candy +is good, but don't you like +to see others eat it almost as +well as you do to eat it yourself?"</p> + +<p>"Well, yes, I think I do."<span class='pagenum'><a name="Page_45" id="Page_45">[45]</a></span></p> + +<p>"Then you know just what +I mean, and I guess we'll play +'visiting' now."</p> + +<p>"So we will; and Miss Fanny +shall be the great lady, and +Dinah shall be her servant."</p> + +<p>"Yes, and this shall be her +house," said Nellie, as she +placed Miss Fanny in a large +arm chair which they were to +"make believe" was her elegant +mansion.</p> + +<p>"You shall stay here, and I<span class='pagenum'><a name="Page_46" id="Page_46">[46]</a></span> +will bring Miss Mary to visit +Miss Fanny."</p> + +<p>Flora bounded over to the +other side of the room, which +was supposed to be the home +of the other dolls, and Miss +Mary, in spite of her broken +leg, was soon on her way to +visit the fine lady.</p> + +<p>"Ting, a ling, a ling!" said +Flora, which meant that the +caller had rung the bell, and +Dinah appeared at the door.<span class='pagenum'><a name="Page_47" id="Page_47">[47]</a></span></p> + +<p>"Is Miss Fanny at home?" +asked Flora, speaking for the +lady with the broken leg.</p> + +<p>"No, marm, she is not," replied +Nellie, who had to speak +for Dinah, because, though her +mouth was very large, she +could not speak for herself.</p> + +<p>"What an awful fib!" cried +Flora. "There she is; don't +I see her through the door?"</p> + +<p>"But that's just the way +some of the fine folks do," re<span class='pagenum'><a name="Page_48" id="Page_48">[48]</a></span>plied +Nellie, laughing at Flora's +earnestness.</p> + +<p>"It is an awful story, and I +wouldn't say it even in fun."</p> + +<p>Nellie said she would not +say it again, only she wanted +to have Miss Fanny do just as +the big folks did. And so +they played all the afternoon, +though Lady Jane did not +honor them with her company. +All the dollies paid lots of +visits; and Flora went home.<span class='pagenum'><a name="Page_50" id="Page_50">[50]</a></span></p> + +<div class="figcenter" style="width: 300px;"> +<img src="images/i002.jpg" width="300" height="256" alt="The Christmas Present." title="The Christmas Present." /> +<span class="caption">The Christmas Present.</span> +</div> + + +<div class="figcenter" style="width: 125px;"> +<img src="images/divider2.png" width="125" height="12" alt="Divider" title="Divider" /> +</div><p><span class='pagenum'><a name="Page_51" id="Page_51">[51]</a></span></p> + +<h2><a name="III" id="III"></a>III.</h2> + + +<p><span class='smcap'>When</span> Flora reached home, +she told her mother what a +nice time she had, and what +splendid visits Miss Lucy and +Miss Mary and Miss Susie had +made to Miss Fanny.</p> + +<p>She could not help telling +her mother what a good girl +Nellie was, and how she loved +her sister, even when she was<span class='pagenum'><a name="Page_52" id="Page_52">[52]</a></span> +unkind and spoke pettishly to +her.</p> + +<p>Then she told her how much +she wished Nellie had a wax +doll, with real hair, and a white +silk dress. Mrs. Lee thought +such a good girl ought to have +one, and the very next time +she went to the city, she bought +the prettiest wax doll she could +find for her.</p> + +<p>Flora was full of joy when +she saw the doll, and learned<span class='pagenum'><a name="Page_53" id="Page_53">[53]</a></span> +whom it was for. She was a +great deal happier than if the +doll had been bought for herself; +and she wanted to run +right over to Mr. Green's with +the beautiful present. She +longed to see the eyes of Nellie +sparkle as she saw the doll, +and to hear what she would +say when told it was for her. +But Mrs. Lee thought they +had better keep the doll till +Christmas, and let her find<span class='pagenum'><a name="Page_54" id="Page_54">[54]</a></span> +it with her stocking in the +morning.</p> + +<p>"But then I shan't see her +when she first gets the dolly," +said Flora.</p> + +<p>"That is true; but you must +write a little note, which shall +be pinned on the doll's dress."</p> + +<p>"That will be splendid, +mother! And I will go right +away and write the note now."</p> + +<p>Flora got a pencil and a +piece of paper, and seated<span class='pagenum'><a name="Page_55" id="Page_55">[55]</a></span> +herself in the corner. She +worked away for half an hour +as busy as a bee, and then she +carried the note to her mother. +She was not much of a writer, +having been to school only a +year. She could only print +the note.</p> + +<p>Flora was very fond of +writing notes, and long before +she could make a single letter, +she would fill up a piece of +paper with pothooks and spi<span class='pagenum'><a name="Page_56" id="Page_56">[56]</a></span>ders' +legs, and send them to +her mother and Frank.</p> + +<p>She did not spell all the +words right, but her mother +told her how to correct them, +and then she printed the note +over again, on a nice sheet of +gilt-edged paper. Thinking +my little friends might want +to see this note, I place a copy +of it in the book, just exactly +as she wrote it.<span class='pagenum'><a name="Page_57" id="Page_57">[57]</a></span></p> + +<div class="figcenter" style="width: 363px;"> +<img src="images/letter.png" width="363" height="400" alt="Dear Nellie This Dolly is From Me. I Love You Very Much And I Wish You A Merry Christmas. Flora Lee." title="Dear Nellie This Dolly is From Me. I Love You Very Much And I Wish You A Merry Christmas. Flora Lee." /> +</div><p><span class='pagenum'><a name="Page_58" id="Page_58">[58]</a></span></p> + +<p>When Christmas morning +came, Nellie found the doll in +a chair, close by her stocking. +I can't tell you how pleased +she was, but you can all +guess. Then she took the +note from the dress, and read +it. She was more pleased +than ever to find it was from +Flora.</p> + +<p>She almost cried with joy +as she puzzled out the note, +and thought how kind Flora<span class='pagenum'><a name="Page_59" id="Page_59">[59]</a></span> +and her mother were to remember +her.</p> + +<p>"What a dear you are, Miss +Dolly!" said she, as she took +up the doll and kissed her, +just as though she had been +a real live baby. "You and +I shall be first-rate friends, +just as long as we live. I will +take such good care of you! +Dear me! Why, mother! Only +think!"</p> + +<p>"What is the matter, Nel<span class='pagenum'><a name="Page_60" id="Page_60">[60]</a></span>lie?" +asked Mrs. Green, who +was almost as much pleased +as her daughter.</p> + +<p>"Did you see that?"</p> + +<p>"What, child? What do +you mean?"</p> + +<p>"Did you see those eyes?"</p> + +<p>"Yes, I see them."</p> + +<p>"Why, just as true as I am +alive, she moved them!"</p> + +<p>"I think not, my child. She +is a very handsome doll, but I +don't think she could move<span class='pagenum'><a name="Page_61" id="Page_61">[61]</a></span> +her eyes, if she tried ever so +hard."</p> + +<p>"But she did; I know she +did;" and Nellie took hold +of her head to examine it +more closely. As she did so, +she bent the body a little. +"There! as true as I live, she +moved them again!"</p> + +<p>Mrs. Green took the doll, +and found that the eyes did +really move. It was funny, +but it was true. Mrs. Lee<span class='pagenum'><a name="Page_62" id="Page_62">[62]</a></span> +and Flora knew all about it. +The eyes were made of glass, +and there was something inside +of the doll which moved +them when the body was bent.</p> + +<p>"Let me see," said Katy, +who had been looking on in +silence all this time. Nellie +gave her the doll at once; +and she bent the body and +saw the eyes move twenty +times. The happy owner of +Miss Dolly waited with pa<span class='pagenum'><a name="Page_63" id="Page_63">[63]</a></span>tience +till her sister had done +with her.</p> + +<p>"Why didn't aunt Jane get +me one like that, I wonder," +said Katy, when she gave the +doll to Nellie.</p> + +<p>"I suppose she could not +afford to buy one like this, for +she is not so rich as Mrs. Lee."</p> + +<p>"But you shall have her to +play with just when you want +her," said Nellie.</p> + +<p>"Pooh! I don't want your<span class='pagenum'><a name="Page_64" id="Page_64">[64]</a></span> +old dolly," snarled Katy. "She +isn't half so good as mine. I +would rather have Lady Jane +than have her, any day."</p> + +<p>"Why, then, did you wish +your aunt Jane had given +you one like this?" asked +her mother.</p> + +<p>"I don't care for her old +dolly! She may keep it for +all me," replied Katy.</p> + +<p>"But it shall be yours just +as much as mine, Katy," said<span class='pagenum'><a name="Page_65" id="Page_65">[65]</a></span> +Nellie, in tones so gentle and +sweet that her sister ought to +have kissed her for them, and +loved her more than she ever +loved her before.</p> + +<p>But she did not. She was +envious. She was sorry the +doll had been given to Nellie—sorry +because it was a prettier +one than her own. It was +a very wicked feeling. She +had some presents of her own, +but her envy spoiled all the<span class='pagenum'><a name="Page_66" id="Page_66">[66]</a></span> +pleasure she might have taken +in them.</p> + +<p>Nellie was almost sorry the +doll had been given to her, +when she saw how Katy felt +about it. Mrs. Green talked +to the envious girl till she +cried, about her conduct. She +tried to make her feel how +odious and wicked envy made +her.</p> + +<p>Whenever Katy saw the +new doll, she seemed to be<span class='pagenum'><a name="Page_67" id="Page_67">[67]</a></span> +angry with her sister. Poor +Nellie's pleasure was nearly +spoiled, and she even offered +to exchange her doll for +Katy's, but her mother would +not let her do so.</p> + +<p>In a few days, however, she +seemed to feel better, and the +two sisters had some good +times with their dolls. I say +she seemed to feel better, but +she really did not. She did +not like it that Nellie's doll<span class='pagenum'><a name="Page_68" id="Page_68">[68]</a></span> +was a finer one than her +own.</p> + +<p>Yet Nellie was happier, for +she thought Katy was cured +of her ill feeling. Then she +loved her doll more than ever. +She was a cunning little girl, +and she thought so much of +her new friend that she always +used to say "Dolly and I."</p> + +<p>When her mother asked her +where she had been, she would +reply, "Dolly and I have been<span class='pagenum'><a name="Page_69" id="Page_69">[69]</a></span> +having a nice time up stairs." +"Dolly and I" used to do ever +so many things, and no two +little ladies could ever enjoy +themselves more than did +Dolly and Nellie.</p> + +<p>I am sorry to say that Katy +did not like Dolly at all. She +could never forgive her for +moving her eyes, because Lady +Jane could not move hers. It +is true that, after she saw how +silly and wicked her envy<span class='pagenum'><a name="Page_70" id="Page_70">[70]</a></span> +made her appear to others, she +tried very hard not to show it.</p> + +<p>We may be just as wicked +without showing our sin to +others, as we can be when we +let the world see just what we +are. When we are wicked, +the sin is more in the heart +than in the actions.</p> + +<p>Men may seem to be very +good when they are really +very bad, though people almost +always find out such<span class='pagenum'><a name="Page_71" id="Page_71">[71]</a></span> +persons. Katy was just as +wicked, just as envious, when +her sister thought she was +kind and loving, as she was +on that Christmas morning, +when the doll was found in +the chamber.</p> + +<p>You will be surprised and +sorry when you see just how +wicked her envy made her. +I shall tell you about it in the +next chapter, and I hope it +will lead you to drive any<span class='pagenum'><a name="Page_72" id="Page_72">[72]</a></span> +such feeling from your own +hearts. If you have such feelings, +they will make you very +unhappy; and the sooner you +begin to get rid of them, the +better.</p> + +<div class="figcenter" style="width: 209px;"> +<img src="images/i003.jpg" width="209" height="250" alt="Deer" title="Deer" /> +</div><p><span class='pagenum'><a name="Page_74" id="Page_74">[74]</a></span></p> + +<div class="figcenter" style="width: 300px;"> +<img src="images/i004.jpg" width="300" height="245" alt="What Katy did." title="What Katy did." /> +<span class="caption">What Katy did.</span> +</div> + + +<div class="figcenter" style="width: 125px;"> +<img src="images/divider2.png" width="125" height="12" alt="Divider" title="Divider" /> +</div><p><span class='pagenum'><a name="Page_75" id="Page_75">[75]</a></span></p> + +<h2><a name="IV" id="IV"></a>IV.</h2> + + +<p><span class='smcap'>Lady Jane</span> and Miss Dolly +were kept in the lower drawer +of the bureau, for they were +very fine young ladies, and +Mrs. Green wished to have +them kept clean and nice.</p> + +<p>One day, about two weeks +after Miss Dolly was given to +Nellie, both she and Katy had +been playing with the dolls.<span class='pagenum'><a name="Page_76" id="Page_76">[76]</a></span> +When the bell rang for tea, +they ran down stairs; but before +they went they put the +dolls in the drawer. As they +were in a hurry, they were not +very careful, and the dresses +of both the dolls were sadly +tumbled.</p> + +<p>Mrs. Green, who was in the +room, saw in what manner +Miss Dolly and Lady Jane +had been thrown into the +drawer; and before she went<span class='pagenum'><a name="Page_77" id="Page_77">[77]</a></span> +down to tea, she took them +both out, smoothed down their +dresses, and put them back in +a more proper manner.</p> + +<p>Katy and Nellie had had +some talk about their dolls; +and the envious girl had said +hers was better than her sister's. +Nellie did not dispute +with her about it, but she saw +that Katy had not got over +that bad feeling yet.</p> + +<p>The children ate their sup<span class='pagenum'><a name="Page_78" id="Page_78">[78]</a></span>pers, +and not a word more +was said about the dolls; but +Katy looked very sour. She +was thinking about Miss Dolly's +eyes, and wishing Lady +Jane's eyes would move like +the other's.</p> + +<p>She finished her supper, and +ran up stairs again. By this +time it was quite dark in the +room where the dolls were +kept, and Nellie and her +mother wondered why she<span class='pagenum'><a name="Page_79" id="Page_79">[79]</a></span> +went up stairs at that late +hour.</p> + +<p>Katy was still thinking of +those eyes. She thought her +aunt Jane was real mean not +to buy her such a doll; and +then she was very sorry that +Flora's mother had bought it +for her sister.</p> + +<p>While she was thinking +these wicked thoughts she went +to the bureau, and opened the +lower drawer. It was so dark<span class='pagenum'><a name="Page_80" id="Page_80">[80]</a></span> +she could hardly see the dolls, +but she took out one of them.</p> + +<p>"Your dolly shall not be +better than mine any longer," +said she to herself.</p> + +<p>As she said this, she took +the scissors from the work +basket on the bureau, and +finding one of the eyes with +her fingers, she struck one of +the points right into it. Then +she turned the scissors, so as +entirely to destroy the eye.<span class='pagenum'><a name="Page_81" id="Page_81">[81]</a></span> +Not content with this, she +spoiled the other eye in the +same manner.</p> + +<p>"Now your doll isn't so +good as mine, any how," said +she to herself, as she put the +poor spoiled lady back into +the drawer.</p> + +<p>I would not have a little +girl feel as she felt then for +all the world. Her heart was +full of envy and wickedness. +To gratify her ill feeling she<span class='pagenum'><a name="Page_82" id="Page_82">[82]</a></span> +had thrust the scissors into +the eyes of the doll. She +knew how badly her sister +would feel, but she did not +care for this. Now Lady +Jane was the best doll, and +she did not care for any thing +else.</p> + +<p>She staid in the room but +a few moments. Closing the +drawer, she hastened down +stairs, and took a seat by the +fire. She tried to look as<span class='pagenum'><a name="Page_83" id="Page_83">[83]</a></span> +though nothing had happened; +but she was sour and sullen, +for she felt that she had done +a very naughty act.</p> + +<p>"Come, Katy; let us go up +stairs, and play with the dollies +again," said Nellie, when +she had got through with her +supper.</p> + +<p>"I don't want to," replied +she, without even looking at +her sister.</p> + +<p>"Do come, Katy."<span class='pagenum'><a name="Page_84" id="Page_84">[84]</a></span></p> + +<p>"I tell you I don't want +to," snarled she.</p> + +<p>"You can bring your dolly +down stairs, and play with her +here, Nellie," said her mother.</p> + +<p>"May I, mother?"</p> + +<p>"You may—take a light +with you."</p> + +<p>"I don't want any light, +mother; I can find her just +as well in the dark;" and +away she ran to get the doll.</p> + +<p>Don't you think Katy trem<span class='pagenum'><a name="Page_85" id="Page_85">[85]</a></span>bled +then? She did tremble, +like a leaf, and wished she +had not done the naughty +deed. In a moment Nellie +would return with poor Miss +Dolly, whose eyes had been +spoiled with the scissors. She +did not think it would be +found out so soon, and she +could not think what to say +before the doll came down.</p> + +<p>She felt just as though she +should sink through the floor,<span class='pagenum'><a name="Page_86" id="Page_86">[86]</a></span> +when Nellie came into the +room with the doll in her +arms. There would be an +awful time in a moment, and +her father and mother would +want to know who had spoiled +Miss Dolly's eyes.</p> + +<p>They knew she had been up +stairs since tea, and they would +charge her with the naughty +act. She meant to deny it, +for those who are wicked +enough to do such things<span class='pagenum'><a name="Page_87" id="Page_87">[87]</a></span> +are almost always wicked +enough to lie about them.</p> + +<p>"Now won't you and I have +a nice time, Dolly?" said Nellie, +as she rushed into the sitting +room, with the doll in +her arms. "Come, Katy, let's +play Dolly is the queen of +England."</p> + +<p>"I don't want to play."</p> + +<p>"Well—won't you make +me a crown for her?"</p> + +<p>"I can't."<span class='pagenum'><a name="Page_88" id="Page_88">[88]</a></span></p> + +<p>Katy was waiting for her +sister to find out the mischief +that had been done, and she +dreaded the moment when +she should do so. She did +not dare to look at her, for +fear her looks might betray +her.</p> + +<p>"You shall be queen without +any crown," said Nellie, +as she placed the doll on the +table. "This pincushion shall +be your throne. There, you<span class='pagenum'><a name="Page_89" id="Page_89">[89]</a></span> +look just like a queen—don't +she, mother?"</p> + +<p>"I think she does," replied +Mrs. Green, with a smile. "I +hope she will be as good as +Queen Victoria."</p> + +<p>"She will, mother—only +she ought to have a crown."</p> + +<p>"I have got a piece of gilt +paper up stairs, and I will +make her one. I'm going up +in a minute."</p> + +<p>Katy, not daring to look<span class='pagenum'><a name="Page_90" id="Page_90">[90]</a></span> +yet, did not know what to +think of this talk. How could +the doll look like a queen when +her eyes had been punched +out with the scissors? It was +very strange to her, and she +stole a glance at the queenly +Miss Dolly on the table.</p> + +<p>There she was, seated on +her pincushion throne, just as +if nothing had happened. Her +eyes were just as bright as +ever, and as Nelly bent her<span class='pagenum'><a name="Page_91" id="Page_91">[91]</a></span> +body, she moved them as well +as ever she could.</p> + +<p>Katy did not know what to +make of it. She had certainly +driven the scissors into the +eyes of the doll as hard as +she could; but there was Miss +Dolly as good as new. She +could not explain it, and it +was of no use to try.</p> + +<p>Mrs. Green brought down +the scissors, and cut out the +crown. Then Miss Dolly cer<span class='pagenum'><a name="Page_92" id="Page_92">[92]</a></span>tainly +looked like a queen, +and Nelly spent a very pleasant +hour with her majesty, till +it was time for her to go to +bed.</p> + +<p>Katy was very unhappy. +She had not done what she +meant to do, and she was +filled with doubt. But she +did not have to wait long to +find out what she had done. +When Mrs. Green went up +stairs with the children, Miss<span class='pagenum'><a name="Page_93" id="Page_93">[93]</a></span> +Dolly had to be put to bed +first, for she was a queen.</p> + +<p>When the bureau drawer +was opened, what do you +think they saw? There lay +Lady Jane, with both of her +eyes punched out!</p> + +<p>Katy burst into tears when +she saw that her doll was entirely +spoiled. Then she found +that she had made a mistake. +In the darkness she had +punched out the eyes of Lady<span class='pagenum'><a name="Page_94" id="Page_94">[94]</a></span> +Jane instead of Miss Dolly. +This is the way that wicked +people often punish themselves +instead of others.</p> + +<p>Her mother had changed +the places of the dolls in the +drawer, and this was the reason +why Katy had made the +mistake. Don't you think it +served her right?</p> + +<p>Katy felt so badly that she +could not tell any of the lies +she had made up, and the<span class='pagenum'><a name="Page_95" id="Page_95">[95]</a></span> +truth was found out by her +mother. Mrs. Green scolded +her for what she had done, +and for what she meant to do. +The naughty girl cried herself +to sleep that night, but poor +Lady Jane was utterly ruined.</p> + +<p>Nellie felt almost as bad as +her sister, and said all she could +to console her. The next day +Katy was so ashamed of herself +that she did not wish to +see any body. But in a few<span class='pagenum'><a name="Page_96" id="Page_96">[96]</a></span> +days she got over it; and her +mother hoped the affair would +do her a great deal of good. +Whenever she showed a spirit +of envy, Mrs. Green reminded +her of her doll, and she tried +to conquer the feeling; but it +took many years to cure her.</p> + +<p>When you envy others, although +you may not punch out +the eyes of your own doll, you +hurt yourself more than any +one else.</p> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Dolly and I, by Oliver Optic + +*** END OF THIS PROJECT GUTENBERG EBOOK DOLLY AND I *** + +***** This file should be named 25444-h.htm or 25444-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/5/4/4/25444/ + +Produced by David Edwards, Emmy and the Online Distributed +Proofreading Team at http://www.pgdp.net (This book was +produced from scanned images of public domain material +from the Google Print project.) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/25444-h/images/divider.png b/25444-h/images/divider.png Binary files differnew file mode 100644 index 0000000..d307399 --- /dev/null +++ b/25444-h/images/divider.png diff --git a/25444-h/images/divider2.png b/25444-h/images/divider2.png Binary files differnew file mode 100644 index 0000000..476acf0 --- /dev/null +++ b/25444-h/images/divider2.png diff --git a/25444-h/images/frontispiece.jpg b/25444-h/images/frontispiece.jpg Binary files differnew file mode 100644 index 0000000..98463c5 --- /dev/null +++ b/25444-h/images/frontispiece.jpg diff --git a/25444-h/images/i001.jpg b/25444-h/images/i001.jpg Binary files differnew file mode 100644 index 0000000..5d597ce --- /dev/null +++ b/25444-h/images/i001.jpg diff --git a/25444-h/images/i002.jpg b/25444-h/images/i002.jpg Binary files differnew file mode 100644 index 0000000..6a4f363 --- /dev/null +++ b/25444-h/images/i002.jpg diff --git a/25444-h/images/i003.jpg b/25444-h/images/i003.jpg Binary files differnew file mode 100644 index 0000000..6ec4eb8 --- /dev/null +++ b/25444-h/images/i003.jpg diff --git a/25444-h/images/i004.jpg b/25444-h/images/i004.jpg Binary files differnew file mode 100644 index 0000000..89e8e42 --- /dev/null +++ b/25444-h/images/i004.jpg diff --git a/25444-h/images/letter.png b/25444-h/images/letter.png Binary files differnew file mode 100644 index 0000000..28e81a7 --- /dev/null +++ b/25444-h/images/letter.png diff --git a/25444-h/images/title.jpg b/25444-h/images/title.jpg Binary files differnew file mode 100644 index 0000000..2d38dc3 --- /dev/null +++ b/25444-h/images/title.jpg diff --git a/25444.txt b/25444.txt new file mode 100644 index 0000000..e64cb52 --- /dev/null +++ b/25444.txt @@ -0,0 +1,1123 @@ +The Project Gutenberg EBook of Dolly and I, by Oliver Optic + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Dolly and I + A Story for Little Folks + +Author: Oliver Optic + +Release Date: May 12, 2008 [EBook #25444] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK DOLLY AND I *** + + + + +Produced by David Edwards, Emmy and the Online Distributed +Proofreading Team at http://www.pgdp.net (This book was +produced from scanned images of public domain material +from the Google Print project.) + + + + + + + + +[Illustration: Miss Fanny and others.] + +[Illustration: RIVERDALE STORY BOOKS + +DOLLY & I + +Boston, Lee & Shepard.] + + + + +The Riverdale Books. + +DOLLY AND I. + +A STORY FOR LITTLE FOLKS. + +BY + +OLIVER OPTIC, + + AUTHOR OF "THE BOAT CLUB," "ALL ABOARD," "NOW OR NEVER," "TRY + AGAIN," "POOR AND PROUD," "LITTLE BY LITTLE," &c. + + BOSTON: + LEE AND SHEPARD, + (SUCCESSORS TO PHILLIPS, SAMPSON & CO.) + 1864 + + + Entered, according to Act of Congress, in the year 1862, by + + WILLIAM T. ADAMS, + + In the Clerk's Office of the District Court of the District of + Massachusetts. + + ELECTROTYPED AT THE + BOSTON STEREOTYPE FOUNDRY. + + + + +DOLLY AND I. + + + + +I. + + +Do you know what _envy_ means? I hope you have never felt it, for it is +a very wicked feeling. It is being sorry when another has any good +thing. Perhaps you will know better what the word means when you have +read my story; and I hope it will help you to keep the feeling away from +your own heart. + +Not far from Mr. Lee's house, in Riverdale, lived a man by the name of +Green. He was the agent of one of the factories in the village. Mr. +Green had two little girls and three sons. The boys have nothing to do +with my story, and for that reason I shall not say a great deal about +them. + +Katy, Mr. Green's older daughter, was ten years old. She was a pretty +good girl, but she did not like to have others get good things, when she +did not have any herself. If any person gave one of her brothers an +apple, or an orange, she seemed to think she ought to have it. + +When she was a baby, she used to cry for every thing she saw, and would +give her parents no peace till they gave it to her. I am sorry to say +they were sometimes very weak on this point, and gave her things which +she ought not to have had, just to quiet her. + +Her father and mother hoped, when she grew older, she would not want +every thing that belonged to her brothers. If Charles had a plaything, +Katy wanted it, and would cry till she got it. Very often, just to make +her stop crying, her mother made poor Charley give up the thing. + +But as Katy grew older, she seemed to want every thing that others had +just as much as ever. She was now ten years old, and still she did not +like to see others have any thing which she could not have. It is true +she did not always say so, but she felt it just as much, and was very +apt to be cross and sullen towards those whom she envied. + +Nellie Green was not at all like her sister. She was only eight years +old, but there was not a bit of envy in her. She would give a part, and +often the whole, of her apples, oranges, candy, and playthings to her +sister, and to her brothers. She liked to see them happy, and when +Charley ate an apple, it tasted just as good to her as though she were +eating it herself. + +She was not selfish. She would always divide her good things with her +friends. Did you ever see a little boy or a little girl eating an apple +or some candy, and another little boy or girl standing by, and looking +just as if he wanted some? + +Nellie always gave her friends a part, and then she not only enjoyed +what she ate herself, but she enjoyed what they ate. This is the way to +make apples, oranges, and candy taste good. + +One New Year's Day, Katy's aunt, after whom she was named, sent her a +beautiful wax doll. It was a very pretty doll, and the little girl was +the happiest child in Riverdale when the welcome present reached her. + +There was another little girl in Riverdale who was almost if not quite +as happy; and that was Nellie, her sister. It is true, the doll was not +for her; she did not own any of it, and Katy would hardly let her touch +it; but for all this, Nellie was pleased to see her sister so happy. + +The dolly's name was Lady Jane; for Katy thought, as she was a very +fine doll, she ought to have a very fine name. So, when she spoke to the +doll,--and she talked a great deal with her,--she always called her Lady +Jane. + +The two little girls had five or six other dolls, but none of them were +any thing near such fine ladies as Lady Jane. Their heads were made of +porcelain, or rubber, or composition, and they had grown so old that +they were really ugly. + +Miss Lucy, who had a rubber head, looked as though she "had been through +the wars." Her nose was worn out, so that she had a great hole in the +end of it. I suppose, if she had wanted to sneeze, this hole would have +been very handy; but Miss Lucy was a very proper young lady, and never +sneezed in company. If she ever sneezed when alone, of course there was +no one present to know any thing about it. + +There was another hole right in the top of her head, so that if she had +had any brains, they would certainly have leaked out; but as Miss Lucy +was not a strong-minded woman, I suppose she had no use for brains. + +One of the family of dolls was a little black girl, whose name was +Dinah. She had seen hard service in her day, and did not look as though +is she would last much longer. + +Miss Fanny had once been a fine lady, but times had gone hard with her, +and her fine clothes were both ragged and dirty. But hard times were not +so very bad, for she wore the same smile as when her clothes had been +new and nice. + +Miss Mary was a poor cripple. By a sad accident she had broken one of +her legs. Katy placed her on a table one day, and either because the +height from the floor made her dizzy, or because she was laid too near +the edge, she had tumbled off, and one leg was so badly broken that +neither a wooden nor a cork one could be fastened in its place. + +Therefore Miss Mary could not walk about the room, and never went any +where, except when she was carried. But she was not half so badly off as +Miss Susie, who had broken her neck, and lost off her head. The head was +tied on with a string, but it kept falling off while the family were at +play; but Miss Susie did not seem to mind it at all. + +She got along a great deal better without her head than you and I could +without ours. Indeed, she wore the same smile upon her face whether the +head was on or off--which teaches us that we ought always to be cheerful +in misfortune. + +Besides these fine young ladies there were two or three rag babies; but +as you could not tell by the looks of them what they were thinking +about, I will not say any thing about them. They had no virtues worth +telling; they never ate soup with a fork, or gave money to the poor. + +Some of my readers may not think much of this family of dollies, but I +am sure Katy and Nellie had fine times with them. They used to spend +hours together with them, and the dollies used to do every thing that +any body could do. + +Miss Fanny used to visit a great deal, in spite of her dirty, ragged +clothes; so did Miss Lucy, with two holes in her head, and Miss Mary, +with her broken leg, and Miss Susie, with her broken neck. All of them +used to go a-visiting, except Miss Dinah, and she, being a black girl, +had to do the sweeping and tend the door. + +These ladies were all of them so bashful that they would not speak in +company, and Katy and Nellie had to do all the talking for them. + +But they used to "make believe" the dollies talked, and this did just as +well. They used to say just such things as the ladies did who called on +Mrs. Green, and never left without being urged to stay longer, and also +to call again; which they always promised to do. + +On the whole, they were very wonderful dollies; at least they were until +Lady Jane came, and she was such a fine lady, with her white silk dress +and her _real_ hair, that none of them could shine after that. + +[Illustration: "Lend us your Dolly."] + + + + +II. + + +One day Flora Lee came to see Nellie Green, and to spend the afternoon +with her. It was in the month of November, and the weather was too cold +to permit them to play in the garden; so they said they would have a +good time in the house. + +Katy Green had to go away, and could not play with them. Nellie was +very sorry for this, for she not only liked to have her sister with her, +but she also wanted the company of Lady Jane. + +She told Flora how sorry she was, and they agreed that it was too bad +Katy had to go away, for she was older than they, and could help them a +great deal in their plays. Besides, they wanted one fine lady among the +dollies, for they had a certain play which required just such a person. + +"I wish I had brought Miss Dolly with me. I guess she is fine enough," +said Flora. + +"I wish you had," replied Nellie; "but as you have not, we can't help it +now. I dare say Miss Fanny will do." + +"I'll tell you what you can do, Nellie." + +"What?" + +"You can just ask Katy to lend you her dolly. We won't hurt her a mite, +you know. We will use her just as if she were made of glass." + +Nellie did not know what to say. She did not like to ask Katy to let her +play with Lady Jane, for she knew how careful her sister was of her fine +lady. And she did not like to tell Flora her thoughts, lest she should +think her sister was selfish. She did not like to have any one think +hard of her sister. + +"We must have Lady Jane. I don't see how we can get along without her," +added Flora, a little puzzled by the silence of Nellie. + +"I don't like to ask Katy," said Nellie, at last. + +"Why not? She will let you have her. Of _course_ she will let you have +her," added Flora, warmly. + +"I don't think she will. You know we might break her neck, or lose off +her legs or arms; or we might dirty her white silk dress." + +"But we will be very careful. Let us go and ask her. It won't do any +harm to ask her, you know. She can't do any more than refuse." + +Nellie did not like to be refused, and she tried to prevent Flora from +going any farther in the matter. She was sorry to have it appear that +her sister was selfish, and she thought more of this than she did of +being refused. + +Flora said so much that at last she thought Katy might let her have the +doll, and they ran down stairs to the sitting room, to have the matter +settled. + +"Will you lend us your dolly, Katy?" asked Nellie, and the tones of her +voice showed how doubtful she was of the result of the question. + +"What dolly do you mean?" asked Katy. + +"Your wax dolly--Lady Jane." + +"I am very sure I shall not," replied Katy. + +"We will be very careful of her," added Flora. "We won't let her be +hurt a bit--you may depend on that." + +"I'm not going to let you have my dolly to break and spoil--I'm sure I +shall not," said Katy; who even seemed to be angry because she was +asked. + +"But don't I say we won't hurt it a bit?" continued Flora. "And when you +come over to my house, you shall have my dolly just as long as you want +her; and her house too, and all the chairs and tables and things." + +"I don't want them." + +"Do please to let us have Lady Jane," teased Nellie. "We want her ever +so much; and I know she won't get broken or dirty. Please to lend her to +us, Katy." + +"I shan't do any such thing; so it's no use to tease me. Why don't you +play with your own dollies? I won't lend Lady Jane--that's flat." + +Nellie felt so bad she could not help crying,--not because she could not +have the doll, but because her sister was so harsh and unkind. She would +not have cared so much if Flora had not been there, for she did not like +to have her see her sister behave in this manner. + +Poor Flora wanted to cry, too, when she saw how badly Nellie felt; but +she tried to be brave, and placed her arm round her friend's neck, as if +to let her know that she would be kind to her. + +"Come, Nellie, let's go up stairs again. We won't say any thing more +about it," said Flora; and she led her out of the room. + +"Now you won't like Katy, after this," replied Nellie. + +"O, yes, I will." + +"Katy would have lent us the dolly, only aunt Jane gave it to her, and +she is afraid it will be broken. If it hadn't been for this, she would +have lent us Lady Jane--I know she would," added Nellie, wiping away her +tears. + +"I dare say she would; but we won't think any thing more about it. And +when I come over again, some time, I will bring her something, just to +show her that I don't feel hard towards her." + +"What a dear, good girl you are, Flora! I was afraid you would hate her +after what she said." + +"O, dear, no, I should hope not. My mother tells me I must love those +who don't do what I want them to; and I try to do so; but it is very +hard sometimes. I wish you had a wax doll, Nellie. You ought to have +one, you are such a good girl, and love your sister so much, even when +she is not kind to you." + +"I wish I had one; it would be so nice to have one like Lady Jane. I +should be so happy; but then if only one of us can have one, I would +rather Katy had it than have it myself." + +"You are not a bit selfish, Nellie. Do you know what _selfish_ means? I +do." + +"I guess I do. It means when you have an apple or any candy to refuse to +give a part to your sister." + +"Yes, or to any body that happens to be with you. Candy is good, but +don't you like to see others eat it almost as well as you do to eat it +yourself?" + +"Well, yes, I think I do." + +"Then you know just what I mean, and I guess we'll play 'visiting' now." + +"So we will; and Miss Fanny shall be the great lady, and Dinah shall be +her servant." + +"Yes, and this shall be her house," said Nellie, as she placed Miss +Fanny in a large arm chair which they were to "make believe" was her +elegant mansion. + +"You shall stay here, and I will bring Miss Mary to visit Miss Fanny." + +Flora bounded over to the other side of the room, which was supposed to +be the home of the other dolls, and Miss Mary, in spite of her broken +leg, was soon on her way to visit the fine lady. + +"Ting, a ling, a ling!" said Flora, which meant that the caller had rung +the bell, and Dinah appeared at the door. + +"Is Miss Fanny at home?" asked Flora, speaking for the lady with the +broken leg. + +"No, marm, she is not," replied Nellie, who had to speak for Dinah, +because, though her mouth was very large, she could not speak for +herself. + +"What an awful fib!" cried Flora. "There she is; don't I see her through +the door?" + +"But that's just the way some of the fine folks do," replied Nellie, +laughing at Flora's earnestness. + +"It is an awful story, and I wouldn't say it even in fun." + +Nellie said she would not say it again, only she wanted to have Miss +Fanny do just as the big folks did. And so they played all the +afternoon, though Lady Jane did not honor them with her company. All the +dollies paid lots of visits; and Flora went home. + +[Illustration: The Christmas Present.] + + + + +III. + + +When Flora reached home, she told her mother what a nice time she had, +and what splendid visits Miss Lucy and Miss Mary and Miss Susie had made +to Miss Fanny. + +She could not help telling her mother what a good girl Nellie was, and +how she loved her sister, even when she was unkind and spoke pettishly +to her. + +Then she told her how much she wished Nellie had a wax doll, with real +hair, and a white silk dress. Mrs. Lee thought such a good girl ought to +have one, and the very next time she went to the city, she bought the +prettiest wax doll she could find for her. + +Flora was full of joy when she saw the doll, and learned whom it was +for. She was a great deal happier than if the doll had been bought for +herself; and she wanted to run right over to Mr. Green's with the +beautiful present. She longed to see the eyes of Nellie sparkle as she +saw the doll, and to hear what she would say when told it was for her. +But Mrs. Lee thought they had better keep the doll till Christmas, and +let her find it with her stocking in the morning. + +"But then I shan't see her when she first gets the dolly," said Flora. + +"That is true; but you must write a little note, which shall be pinned +on the doll's dress." + +"That will be splendid, mother! And I will go right away and write the +note now." + +Flora got a pencil and a piece of paper, and seated herself in the +corner. She worked away for half an hour as busy as a bee, and then she +carried the note to her mother. She was not much of a writer, having +been to school only a year. She could only print the note. + +Flora was very fond of writing notes, and long before she could make a +single letter, she would fill up a piece of paper with pothooks and +spiders' legs, and send them to her mother and Frank. + +She did not spell all the words right, but her mother told her how to +correct them, and then she printed the note over again, on a nice sheet +of gilt-edged paper. Thinking my little friends might want to see this +note, I place a copy of it in the book, just exactly as she wrote it. + +[Illustration: Dear Nellie + +This Dolly Is From Me. I Love You Very Much And I Wish You A Merry +Christmas. + +Flora Lee.] + +When Christmas morning came, Nellie found the doll in a chair, close by +her stocking. I can't tell you how pleased she was, but you can all +guess. Then she took the note from the dress, and read it. She was more +pleased than ever to find it was from Flora. + +She almost cried with joy as she puzzled out the note, and thought how +kind Flora and her mother were to remember her. + +"What a dear you are, Miss Dolly!" said she, as she took up the doll and +kissed her, just as though she had been a real live baby. "You and I +shall be first-rate friends, just as long as we live. I will take such +good care of you! Dear me! Why, mother! Only think!" + +"What is the matter, Nellie?" asked Mrs. Green, who was almost as much +pleased as her daughter. + +"Did you see that?" + +"What, child? What do you mean?" + +"Did you see those eyes?" + +"Yes, I see them." + +"Why, just as true as I am alive, she moved them!" + +"I think not, my child. She is a very handsome doll, but I don't think +she could move her eyes, if she tried ever so hard." + +"But she did; I know she did;" and Nellie took hold of her head to +examine it more closely. As she did so, she bent the body a little. +"There! as true as I live, she moved them again!" + +Mrs. Green took the doll, and found that the eyes did really move. It +was funny, but it was true. Mrs. Lee and Flora knew all about it. The +eyes were made of glass, and there was something inside of the doll +which moved them when the body was bent. + +"Let me see," said Katy, who had been looking on in silence all this +time. Nellie gave her the doll at once; and she bent the body and saw +the eyes move twenty times. The happy owner of Miss Dolly waited with +patience till her sister had done with her. + +"Why didn't aunt Jane get me one like that, I wonder," said Katy, when +she gave the doll to Nellie. + +"I suppose she could not afford to buy one like this, for she is not so +rich as Mrs. Lee." + +"But you shall have her to play with just when you want her," said +Nellie. + +"Pooh! I don't want your old dolly," snarled Katy. "She isn't half so +good as mine. I would rather have Lady Jane than have her, any day." + +"Why, then, did you wish your aunt Jane had given you one like this?" +asked her mother. + +"I don't care for her old dolly! She may keep it for all me," replied +Katy. + +"But it shall be yours just as much as mine, Katy," said Nellie, in +tones so gentle and sweet that her sister ought to have kissed her for +them, and loved her more than she ever loved her before. + +But she did not. She was envious. She was sorry the doll had been given +to Nellie--sorry because it was a prettier one than her own. It was a +very wicked feeling. She had some presents of her own, but her envy +spoiled all the pleasure she might have taken in them. + +Nellie was almost sorry the doll had been given to her, when she saw how +Katy felt about it. Mrs. Green talked to the envious girl till she +cried, about her conduct. She tried to make her feel how odious and +wicked envy made her. + +Whenever Katy saw the new doll, she seemed to be angry with her sister. +Poor Nellie's pleasure was nearly spoiled, and she even offered to +exchange her doll for Katy's, but her mother would not let her do so. + +In a few days, however, she seemed to feel better, and the two sisters +had some good times with their dolls. I say she seemed to feel better, +but she really did not. She did not like it that Nellie's doll was a +finer one than her own. + +Yet Nellie was happier, for she thought Katy was cured of her ill +feeling. Then she loved her doll more than ever. She was a cunning +little girl, and she thought so much of her new friend that she always +used to say "Dolly and I." + +When her mother asked her where she had been, she would reply, "Dolly +and I have been having a nice time up stairs." "Dolly and I" used to do +ever so many things, and no two little ladies could ever enjoy +themselves more than did Dolly and Nellie. + +I am sorry to say that Katy did not like Dolly at all. She could never +forgive her for moving her eyes, because Lady Jane could not move hers. +It is true that, after she saw how silly and wicked her envy made her +appear to others, she tried very hard not to show it. + +We may be just as wicked without showing our sin to others, as we can be +when we let the world see just what we are. When we are wicked, the sin +is more in the heart than in the actions. + +Men may seem to be very good when they are really very bad, though +people almost always find out such persons. Katy was just as wicked, +just as envious, when her sister thought she was kind and loving, as she +was on that Christmas morning, when the doll was found in the chamber. + +You will be surprised and sorry when you see just how wicked her envy +made her. I shall tell you about it in the next chapter, and I hope it +will lead you to drive any such feeling from your own hearts. If you +have such feelings, they will make you very unhappy; and the sooner you +begin to get rid of them, the better. + +[Illustration] + +[Illustration: What Katy did.] + + + + +IV. + + +Lady Jane and Miss Dolly were kept in the lower drawer of the bureau, +for they were very fine young ladies, and Mrs. Green wished to have them +kept clean and nice. + +One day, about two weeks after Miss Dolly was given to Nellie, both she +and Katy had been playing with the dolls. When the bell rang for tea, +they ran down stairs; but before they went they put the dolls in the +drawer. As they were in a hurry, they were not very careful, and the +dresses of both the dolls were sadly tumbled. + +Mrs. Green, who was in the room, saw in what manner Miss Dolly and Lady +Jane had been thrown into the drawer; and before she went down to tea, +she took them both out, smoothed down their dresses, and put them back +in a more proper manner. + +Katy and Nellie had had some talk about their dolls; and the envious +girl had said hers was better than her sister's. Nellie did not dispute +with her about it, but she saw that Katy had not got over that bad +feeling yet. + +The children ate their suppers, and not a word more was said about the +dolls; but Katy looked very sour. She was thinking about Miss Dolly's +eyes, and wishing Lady Jane's eyes would move like the other's. + +She finished her supper, and ran up stairs again. By this time it was +quite dark in the room where the dolls were kept, and Nellie and her +mother wondered why she went up stairs at that late hour. + +Katy was still thinking of those eyes. She thought her aunt Jane was +real mean not to buy her such a doll; and then she was very sorry that +Flora's mother had bought it for her sister. + +While she was thinking these wicked thoughts she went to the bureau, and +opened the lower drawer. It was so dark she could hardly see the dolls, +but she took out one of them. + +"Your dolly shall not be better than mine any longer," said she to +herself. + +As she said this, she took the scissors from the work basket on the +bureau, and finding one of the eyes with her fingers, she struck one of +the points right into it. Then she turned the scissors, so as entirely +to destroy the eye. Not content with this, she spoiled the other eye in +the same manner. + +"Now your doll isn't so good as mine, any how," said she to herself, as +she put the poor spoiled lady back into the drawer. + +I would not have a little girl feel as she felt then for all the world. +Her heart was full of envy and wickedness. To gratify her ill feeling +she had thrust the scissors into the eyes of the doll. She knew how +badly her sister would feel, but she did not care for this. Now Lady +Jane was the best doll, and she did not care for any thing else. + +She staid in the room but a few moments. Closing the drawer, she +hastened down stairs, and took a seat by the fire. She tried to look as +though nothing had happened; but she was sour and sullen, for she felt +that she had done a very naughty act. + +"Come, Katy; let us go up stairs, and play with the dollies again," said +Nellie, when she had got through with her supper. + +"I don't want to," replied she, without even looking at her sister. + +"Do come, Katy." + +"I tell you I don't want to," snarled she. + +"You can bring your dolly down stairs, and play with her here, Nellie," +said her mother. + +"May I, mother?" + +"You may--take a light with you." + +"I don't want any light, mother; I can find her just as well in the +dark;" and away she ran to get the doll. + +Don't you think Katy trembled then? She did tremble, like a leaf, and +wished she had not done the naughty deed. In a moment Nellie would +return with poor Miss Dolly, whose eyes had been spoiled with the +scissors. She did not think it would be found out so soon, and she could +not think what to say before the doll came down. + +She felt just as though she should sink through the floor, when Nellie +came into the room with the doll in her arms. There would be an awful +time in a moment, and her father and mother would want to know who had +spoiled Miss Dolly's eyes. + +They knew she had been up stairs since tea, and they would charge her +with the naughty act. She meant to deny it, for those who are wicked +enough to do such things are almost always wicked enough to lie about +them. + +"Now won't you and I have a nice time, Dolly?" said Nellie, as she +rushed into the sitting room, with the doll in her arms. "Come, Katy, +let's play Dolly is the queen of England." + +"I don't want to play." + +"Well--won't you make me a crown for her?" + +"I can't." + +Katy was waiting for her sister to find out the mischief that had been +done, and she dreaded the moment when she should do so. She did not dare +to look at her, for fear her looks might betray her. + +"You shall be queen without any crown," said Nellie, as she placed the +doll on the table. "This pincushion shall be your throne. There, you +look just like a queen--don't she, mother?" + +"I think she does," replied Mrs. Green, with a smile. "I hope she will +be as good as Queen Victoria." + +"She will, mother--only she ought to have a crown." + +"I have got a piece of gilt paper up stairs, and I will make her one. +I'm going up in a minute." + +Katy, not daring to look yet, did not know what to think of this talk. +How could the doll look like a queen when her eyes had been punched out +with the scissors? It was very strange to her, and she stole a glance at +the queenly Miss Dolly on the table. + +There she was, seated on her pincushion throne, just as if nothing had +happened. Her eyes were just as bright as ever, and as Nelly bent her +body, she moved them as well as ever she could. + +Katy did not know what to make of it. She had certainly driven the +scissors into the eyes of the doll as hard as she could; but there was +Miss Dolly as good as new. She could not explain it, and it was of no +use to try. + +Mrs. Green brought down the scissors, and cut out the crown. Then Miss +Dolly certainly looked like a queen, and Nelly spent a very pleasant +hour with her majesty, till it was time for her to go to bed. + +Katy was very unhappy. She had not done what she meant to do, and she +was filled with doubt. But she did not have to wait long to find out +what she had done. When Mrs. Green went up stairs with the children, +Miss Dolly had to be put to bed first, for she was a queen. + +When the bureau drawer was opened, what do you think they saw? There lay +Lady Jane, with both of her eyes punched out! + +Katy burst into tears when she saw that her doll was entirely spoiled. +Then she found that she had made a mistake. In the darkness she had +punched out the eyes of Lady Jane instead of Miss Dolly. This is the +way that wicked people often punish themselves instead of others. + +Her mother had changed the places of the dolls in the drawer, and this +was the reason why Katy had made the mistake. Don't you think it served +her right? + +Katy felt so badly that she could not tell any of the lies she had made +up, and the truth was found out by her mother. Mrs. Green scolded her +for what she had done, and for what she meant to do. The naughty girl +cried herself to sleep that night, but poor Lady Jane was utterly +ruined. + +Nellie felt almost as bad as her sister, and said all she could to +console her. The next day Katy was so ashamed of herself that she did +not wish to see any body. But in a few days she got over it; and her +mother hoped the affair would do her a great deal of good. Whenever she +showed a spirit of envy, Mrs. Green reminded her of her doll, and she +tried to conquer the feeling; but it took many years to cure her. + +When you envy others, although you may not punch out the eyes of your +own doll, you hurt yourself more than any one else. + + + + + +End of the Project Gutenberg EBook of Dolly and I, by Oliver Optic + +*** END OF THIS PROJECT GUTENBERG EBOOK DOLLY AND I *** + +***** This file should be named 25444.txt or 25444.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/5/4/4/25444/ + +Produced by David Edwards, Emmy and the Online Distributed +Proofreading Team at http://www.pgdp.net (This book was +produced from scanned images of public domain material +from the Google Print project.) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/25444.zip b/25444.zip Binary files differnew file mode 100644 index 0000000..e9b0b89 --- /dev/null +++ b/25444.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..db16ade --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #25444 (https://www.gutenberg.org/ebooks/25444) |
