summaryrefslogtreecommitdiff
path: root/25418.txt
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 02:17:07 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 02:17:07 -0700
commit67b25eb05207d5529cfc959161178e0414e6189f (patch)
tree180da258b65fc089b324722245a2facbd3f33e11 /25418.txt
initial commit of ebook 25418HEADmain
Diffstat (limited to '25418.txt')
-rw-r--r--25418.txt1409
1 files changed, 1409 insertions, 0 deletions
diff --git a/25418.txt b/25418.txt
new file mode 100644
index 0000000..559b53f
--- /dev/null
+++ b/25418.txt
@@ -0,0 +1,1409 @@
+The Project Gutenberg eBook, The Baby's Opera, by Walter Crane,
+Illustrated by Walter Crane
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: The Baby's Opera
+
+
+Author: Walter Crane
+
+
+
+Release Date: May 10, 2008 [eBook #25418]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK THE BABY'S OPERA***
+
+
+E-text prepared by Chris Curnow, Lindy Walsh, Linda Cantoni,
+and the Project Gutenberg Online Distributed Proofreading Team
+(https://www.pgdp.net).
+Music transcribed by Linda Cantoni.
+
+
+
+Note: Project Gutenberg also has an HTML version of this file
+ which includes the original lovely illustrations and which
+ has been supplemented with sheet music and audio files of
+ the songs. See 25418-h.htm or 25418-h.zip:
+ (https://www.gutenberg.org/dirs/2/5/4/1/25418/25418-h/25418-h.htm)
+ or
+ (https://www.gutenberg.org/dirs/2/5/4/1/25418/25418-h.zip)
+
+
+Transcriber's note:
+
+ All song titles are part of an illustration in the original,
+ and are marked as such, e.g., [Illustration: JACK AND JILL].
+ Lyrics contained in the music notation are marked as [Music:
+ lyrics].
+
+ In the original, some titles use V for U and I for J. This
+ has been preserved in this e-book.
+
+
+
+
+
+THE BABY'S OPERA
+
+[Illustration]
+
+A Book of Old Rhymes with New Dresses
+
+by
+
+WALTER CRANE
+
+The Music by the Earliest Masters
+
+
+
+
+
+
+
+[Illustration]
+
+
+[Illustration: 1ST FIDDLE]
+
+
+[Illustration: KING COLE]
+
+
+
+
+THE BABY'S OPERA
+
+A
+Book of Old
+Rhymes with
+New Dresses
+
+by
+
+WALTER CRANE,
+
+[Illustration]
+
+The Music by
+the Earliest
+Masters
+
+
+Engraved, & Printed in Colours by Edmund Evans.
+
+London
+Frederick Warne and Co.
+and New York
+
+[Illustration: BABY'S OPERA]
+
+
+
+
+[Illustration]
+
+_TO_
+
+_THE HONOURABLE_
+
+_MRS. GEORGE HOWARD_
+
+
+
+
+[Illustration: CONTENTS]
+
+
+_Page_
+
+9. _Girls and Boys._
+
+10, 11. _The Mulberry Bush._
+
+12. _Oranges and Lemons._
+
+13. _St. Paul's Steeple._
+
+14, 15. _My Lady's Garden._
+
+16. _Natural History._
+
+17. _Lavender's Blue._
+
+18, 19. _I saw Three Ships._
+
+20. _Ding Dong Bell._
+
+21. _Puss at Court._
+
+22. _Three Blind Mice._
+
+23. _Dickory Dock._
+
+24, 25. _Ye Frog's Wooing._
+
+26, 27. _Ye Frog and Ye Crow._
+
+28, 29. _Mrs. Bond._
+
+30. _Xmas Day in ye Morning._
+
+31. _Little Jack Horner._
+
+32, 33. _King Arthur._
+
+34. _Ye Jolly Miller._
+
+35. _Ye Song of Sixpence._
+
+36, 37. _Bo-Peep._
+
+38. _Baa! Baa! Black Sheep._
+
+39. _Tom, the Piper's Son._
+
+40, 41. _There was a Lady Loved a Swine._
+
+42. _Over the Hills & far away._
+
+43. _Cock Robin & Jenny Wren._
+
+44, 45. _I had a little Nut Tree._
+
+46. _Dr. Faustus._
+
+47. _Three Children._
+
+48, 49. _My Pretty Maid._
+
+50. _The Ploughboy in Luck._
+
+51. _Warm Hands._
+
+52, 53. _Jack & Jill._
+
+54. _Dance a Baby._
+
+55. _Hush-a-by Baby._
+
+56. _King Cole._
+
+
+
+
+[Illustration: GIRLS AND BOYS]
+
+
+[Music:
+
+1. Girls and boys come out to play,
+ The moon doth shine as bright as day;
+ Leave your supper, and leave your sleep;
+ Come to your playfellows in the street;
+
+2. Come with a whoop, and come with a call.
+ Come with a good will or not at all.
+ Up the ladder and down the wall,
+ A penny loaf will serve you all.]
+
+
+
+
+[Illustration: THE MVLBERRY BVSH]
+
+
+[Music:
+
+Here we go round the mulberry bush,
+the mulberry bush, the mulberry bush;
+Here we go round the mulberry bush,
+All on a frosty morning.
+
+This is the way we clap our hands,
+This is the way we clap our hands,
+This is the way we clap our hands,
+All on a frosty morning.]
+
+[Illustration: HERE WE GO ROVND THE MVLBERRY BVSH]
+
+
+
+
+[Illustration: ORANGES & LEMONS]
+
+
+[Music:
+
+Oranges and lemons, says the bells of St. Clemen's;
+You owe me five farthings, says the bells of St. Martin's;
+When will you pay me, says the bells of Old Bailey;
+When I grow rich, says the bells of Shoreditch;
+When will that be? says the bells of Stepney;
+I do not know, says the great bell of Bow.
+
+Here comes a candle to light you to bed,
+And here comes a chopper to chop off your head.]
+
+
+
+
+[Illustration: ST PAVL'S STEEPLE]
+
+
+[Music:
+
+Upon Paul's steeple stands a tree
+As full of apples as may be,
+The little boys of London town
+They run with hooks to pull them down;
+And then they run from hedge to hedge
+Until they come to London Bridge.]
+
+
+
+
+[Illustration: MY LADY'S GARDEN]
+
+
+[Music:
+
+How does my lady's garden grow?
+How does my lady's garden grow?
+With silver bells, and cockle shells,
+And pretty maids all in a row!]
+
+[Illustration: HOW DOES MY LADY'S GARDEN GROW?]
+
+
+
+
+[Illustration: NATURAL HISTORY]
+
+
+[Music:
+
+1. What are little boys made of?
+ What are little boys made of?
+ Frogs and snails and puppy-dog's tails,
+ And that are little boys made of.
+
+2. What are little girls made of?
+ What are little girls made of?
+ Sugar and spice and all that's nice,
+ And that are little girls made of.]
+
+3. What are young men made of?
+ What are young men made of?
+ Sighs and leers, and crocodile tears,
+ And that are young men made of.
+
+4. What are young women made of?
+ What are young women made of?
+ Ribbons and laces, and sweet pretty faces,
+ And that are young women made of.
+
+
+
+
+[Illustration: LAVENDER'S BLUE]
+
+
+[Music:
+
+1. Lavender's blue, diddle, diddle!
+ Lavender's green;
+ When I am king, diddle, diddle!
+ You shall be queen.]
+
+2. Call up your men, diddle, diddle!
+ Set them to work;
+ Some to the plough, diddle, diddle!
+ Some to the cart.
+
+3. Some to make hay, diddle, diddle!
+ Some to cut corn;
+ While you and I, diddle, diddle!
+ Keep ourselves warm.
+
+
+
+
+[Illustration: I SAW THREE SHIPS]
+
+
+[Music:
+
+1. I saw three ships come sailing by,
+ Sailing by, sailing by,
+ I saw three ships come sailing by,
+ On New-year's Day in the morning.
+
+2. And what do you think was in them then,
+ In them then, in them then,
+ And what do you think was in them then,
+ On New-year's Day in the morning?]
+
+3. Three pretty girls were in them then,
+ In them then, in them then,
+ Three pretty girls were in them then,
+ On New-year's Day in the morning.
+
+4. And one could whistle, and one could sing,
+ The other play on the violin;
+ Such joy there was at my wedding,
+ On New-year's Day in the morning.
+
+[Illustration: I SAW THREE SHIPS]
+
+
+
+
+[Illustration: DING DONG BELL]
+
+
+[Music:
+
+Ding dong bell!
+Pussy's in the well!
+Who put her in?
+Little Tommy Lin.
+Who pulled her out?
+Little Tommy Stout.
+What a naughty boy was that
+To drown poor pussy-cat,
+Who ne'er did any harm,
+But killed all the mice in father's barn.]
+
+
+
+
+[Illustration: PUSS AT COURT]
+
+
+[Music:
+
+"Pussy-cat, pussy-cat, where have you been?"
+"I've been to London to look at the Queen."
+"Pussy-cat, pussy-cat, what did you there?"
+"I caught a little mouse under the chair."]
+
+
+
+
+[Illustration: THREE BLIND MICE]
+
+
+[Music:
+
+Three blind mice,
+See how they run!
+They all ran after the farmer's wife,
+Who cut off their tails with a carving knife;
+Did ever you hear such a thing in your life?
+Three blind mice.]
+
+
+
+
+[Illustration: DICKORY DOCK]
+
+
+[Music:
+
+Hickory, dickory dock!
+The mouse ran up the clock;
+The clock struck one,
+The mouse ran down,
+Hickory, dickory dock!]
+
+
+
+
+[Illustration: Ye FROG'S WOOING]
+
+
+[Music:
+
+1.
+
+It was the frog lived in the well,
+Heigh-ho! says Rowley;
+And the merry mouse under the mill,
+With a Rowley, Powley, Gammon, and Spinach,
+Heigh-ho! says Anthony Rowley.]
+
+[Illustration]
+
+2.
+
+The frog he would a-wooing ride, Heigh-ho, &c.
+Sword and buckler at his side, With a, &c.
+
+3.
+
+When upon his high horse set, Heigh-ho, &c.
+His boots they shone as black as jet, With a, &c.
+
+4.
+
+When he came to the merry mill-pin, Heigh-ho, &c.
+"Lady Mouse, are you within?" With a, &c.
+
+5.
+
+Then came out the dusty mouse, Heigh-ho, &c.
+"I am the lady of this house," With a, &c.
+
+6.
+
+"Hast thou any mind of me?" Heigh-ho, &c.
+"I have e'en great mind of thee," With a, &c.
+
+7.
+
+"Who shall this marriage make?" Heigh-ho, &c.
+"Our lord, which is the rat," With a, &c.
+
+8.
+
+"What shall we have to our supper?" Heigh-ho, &c.
+"Three beans in a pound of butter," With a, &c.
+
+9.
+
+But when the supper they were at, Heigh-ho, &c.
+The frog, the mouse, and e'en the rat, With a, &c.
+
+10.
+
+Then came in Tib, our cat, Heigh-ho, &c.
+And caught the mouse e'en by the back, With a, &c.
+
+11.
+
+Then did they separate, Heigh-ho, &c.
+The frog leaped on the floor so flat, With a, &c.
+
+12.
+
+Then came in Dick, our drake, Heigh-ho, &c.
+And drew the frog e'en to the lake, With a, &c.
+
+13.
+
+The rat he ran up the wall, Heigh-ho, &c.
+And so the company parted all, With a, &c.
+
+
+
+
+[Illustration: Ye FROG & Ye CROW]
+
+
+[Music:
+
+1. A jolly fat frog lived in the river swim, O!
+ A comely black crow lived on the river brim, O!
+ "Come on shore, come on shore,"
+ Said the crow to the frog, and then, O!
+ "No, you'll bite me, no, you'll bite me,"
+ Said the frog to the crow again, O!]
+
+[Illustration]
+
+2. "O! there is sweet music on yonder green hill, O!
+ And you shall be a dancer, a dancer in yellow,
+ All in yellow, all in yellow."
+ Said the crow to the frog, and then, O!
+ "All in yellow, all in yellow,"
+ Said the frog to the crow again, O!
+
+3. "Farewell, ye little fishes, that in the river swim, O!
+ I'm going to be a dancer, a dancer in yellow."
+ "O beware! O beware!"
+ Said the fish to the frog, and then, O!
+ "I'll take care, I'll take care,"
+ Said the frog to the fish again, O!
+
+4. The frog began a swimming, a swimming to land, O!
+ And the crow began jumping to give him his hand, O!
+ "Sir, you're welcome, Sir, you're welcome,"
+ Said the crow to the frog, and then, O!
+ "Sir, I thank you, Sir, I thank you."
+ Said the frog to the crow, again, O!
+
+5. "But where is the sweet music on yonder green hill, O?
+ And where are all the dancers, the dancers in yellow?
+ All in yellow, all in yellow?"
+ Said the frog to the crow, and then, O!
+ "Sir, they're here, Sir, they're here."
+ Said the crow to the frog--[A]
+
+[Footnote A: Here the crow swallows the frog.]
+
+
+
+
+[Illustration: MRS. BOND]
+
+
+[Music:
+
+1. "Oh, what have you got for dinner, Mrs. Bond?"
+ "There's beef in the larder, and ducks in the pond;"
+ "Dilly, dilly, dilly, dilly, come to be killed,
+ For you must be stuffed, and my customers filled!"]
+
+2. "John Ostler, go fetch me a duckling or two,
+ John Ostler go fetch me a duckling or two;
+ Cry dilly, dilly, dilly, dilly, come and be killed,
+ For you must be stuffed, and my customers filled!"
+
+3. "I have been to the ducks that are swimming in the pond,
+ And they won't come to be killed, Mrs. Bond;
+ I cried dilly, dilly, dilly, dilly, come and be killed,
+ For you must be stuffed, and the customers filled!"
+
+4. Mrs. Bond she went down to the pond in a rage,
+ With plenty of onions, and plenty of sage;
+ She cried, "Come, little wag-tails, come, and be killed.
+ For you shall be stuffed, and my customers filled!"
+
+[Illustration: MRS. BOND]
+
+
+
+
+[Illustration: XMAS DAY IN Ye MORNING]
+
+
+[Music:
+
+1. Dame, get up and bake your pies,
+ Bake your pies, bake your pies;
+ Dame, get up and bake your pies,
+ On Christmas-day in the morning.
+
+2. Dame, what makes your maidens lie,
+ Maidens lie, maidens lie?
+ Dame, what makes your maidens lie,
+ On Christmas-day in the morning?]
+
+3. Dame, what makes your ducks to die,
+ Ducks to die, ducks to die?
+ Dame, what makes your ducks to die,
+ On Christmas-day in the morning?
+
+4. Their wings are cut, they cannot fly,
+ Cannot fly, cannot fly;
+ Their wings are cut, they cannot fly,
+ On Christmas-day in the morning.
+
+
+
+
+[Illustration: LITTLE IACK HORNER]
+
+
+[Music:
+
+Little Jack Horner sat in a corner,
+Eating a Christmas pie;
+He put in his thumb, and pulled out a plum,
+And said, "What a good boy am I!"]
+
+
+
+
+[Illustration: KING ARTHUR]
+
+
+[Music:
+
+1. When good King Arthur ruled this land,
+ He was a goodly king--
+ He stole three pecks of barley-meal,
+ To make a bag pudding.]
+
+2. A bag pudding the Queen did make,
+ And stuffed it well with plums,
+ And in it put great lumps of fat
+ As big as my two thumbs.
+
+3. The King and Queen did eat thereof,
+ And noblemen beside,
+ And what they could not eat that night
+ The Queen next morning fried.
+
+[Illustration: Ye GOOD KING ARTHUR]
+
+
+
+
+[Illustration: Ye JOLLY MILLER]
+
+
+[Music:
+
+There was a jolly miller once
+Lived on the river Dee;
+He worked and sang from morn till night,
+No lark more blithe than he.
+And this the burden of his song
+For ever used to be,
+"I care for nobody, no, not I,
+And nobody cares for me."]
+
+
+
+
+[Illustration: Ye SONG of SIXPENCE]
+
+
+[Music:
+
+1. Sing a song of sixpence, a pocket fall of rye;
+ Four and twenty blackbirds baked in a pie;
+ When the pie was open the birds began to sing,
+ Wasn't that a dainty dish to set before the king?]
+
+2. The king was in his counting-house counting out his money;
+ The queen was in the parlour eating bread and honey;
+ The maid was in the garden hanging out her clothes,
+ When up came a blackbird and pecked off her nose.
+
+
+
+
+[Illustration: BO-PEEP]
+
+
+[Music:
+
+1. Little Bo-Peep, she lost her sheep,
+ And didn't know where to find them;
+ Let them alone, they'll all come home
+ And bring their tails behind them.]
+
+2. Little Bo-Peep fell fast asleep,
+ And dreamt she heard them bleating;
+ But when she awoke, she found it a joke,
+ For they were still a-fleeting.
+
+3. Then up she took her little crook,
+ Determined for to find them,
+ She found them indeed, but it made her heart bleed
+ For they'd left their tails behind them.
+
+4. It happened one day as Bo-Peep did stray
+ Into a meadow hard by,
+ There she espied their tails side by side,
+ All hung on a tree to dry.
+
+5. She heaved a sigh and wiped her eye,
+ Then went o'er hill and dale,
+ And tried what she could, as a shepherdess should,
+ To tack to each sheep its tail.
+
+[Illustration: LITTLE BO-PEEP]
+
+
+
+
+[Illustration: BAA! BAA! BLACK SHEEP]
+
+
+[Music:
+
+"Baa! Baa! Black sheep, have you any wool?"
+"Yes, marry, have I, three bags full;
+One for my master, and one for my dame,
+But none for the little boy that lives down the lane!"]
+
+
+
+
+[Illustration: TOM, THE PIPER'S SON]
+
+
+[Music:
+
+Tom, Tom, the piper's son,
+Stole a pig and away did run;
+The pig was eat, and Tom was beat,
+And Tom went roaring down the street.]
+
+
+
+
+[Illustration: THERE WAS A LADY LOVED A SWINE]
+
+
+[Music:
+
+1. There was a lady loved a swine,
+ "Honey!" said she;
+ "Pig-hog, wilt thou be mine?"
+ "Hunc!" said he.
+
+2. "I'll build thee a silver sty,
+ Honey!" said she;
+ "And in it thou shalt lie!"
+ "Hunc!" said he.]
+
+3. "Pinned with a silver pin,
+ Honey!" said she;
+ "That thou mayest go out and in,"
+ "Hunc!" said he.
+
+4. "Will thou have me now,
+ Honey?" said she;
+ "Speak, or my heart will break,"
+ "Hunc!" said he.
+
+[Illustration: THERE WAS A LADY LOVED A SWINE]
+
+
+
+
+[Illustration: OVER THE HILLS & FAR AWAY]
+
+
+[Music:
+
+1. Tom he was a piper's son,
+ He learnt to play when he was young;
+ But all the tunes that he could play
+ Was "Over the hills and far away."
+ Over the hills and a great way off,
+ The wind shall blow my top-knot off.]
+
+2. Tom with his pipe made such a noise
+ That he pleased both the girls and boys,
+ And they stopped to hear him play,
+ "Over the hills and far away."
+ Over the hills, &c.
+
+
+
+
+[Illustration: COCK ROBIN AND JENNY WREN]
+
+
+[Music:
+
+1. 'Twas on a merry time,
+ When Jenny Wren was young,
+ So neatly as she danced,
+ And so sweetly as she sung,
+ Robin Redbreast lost his heart,
+ He was a gallant bird,
+ He doffed his cap to Jenny Wren,
+ Requesting to be heard.
+
+2. "My dearest Jenny Wren,
+ If you will but be mine,
+ You shall dine on cherry pie,
+ And drink nice currant wine;
+ I'll dress you like a gold-finch,
+ Or like a peacock gay,
+ So if you'll have me, Jenny, dear,
+ Let us appoint the day."]
+
+3. Jenny blushed behind her fan
+ And thus declared her mind--
+ "So let it be to-morrow, Rob,
+ I'll take your offer kind;
+ Cherry pie is very good,
+ And so is currant wine,
+ But I will wear my plain brown gown,
+ And never dress too fine."
+
+4. Robin Redbreast got up early,
+ All at the break of day,
+ He flew to Jenny Wren's house,
+ And sang a roundelay;
+ He sang of Robin Redbreast,
+ And pretty Jenny Wren,
+ And when he came unto the end,
+ He then began again.
+
+
+
+
+[Illustration: I HAD A LITTLE NVT-TREE]
+
+
+[Music:
+
+I had a little nut-tree, nothing would it bear
+But a silver nutmeg and a golden pear;
+The King of Spain's daughter came to visit me,
+And all for the sake of my little nut-tree.]
+
+[Illustration: I HAD A LITTLE NVT-TREE]
+
+
+
+
+[Illustration: DR. FAVSTVS]
+
+
+[Music:
+
+Doctor Faustus was a good man,
+He whipt his scholars now and then;
+When he whipt he made them dance
+Out of England into France;
+Out of France into Spain,
+And then he whipt them back again.]
+
+
+
+
+[Illustration: THREE CHILDREN]
+
+
+[Music:
+
+1. Three children sliding on the ice,
+ All on a summer's day,
+ As it fell out, they all fell in,
+ The rest they ran away.]
+
+2. Now, had these children been at home,
+ Or sliding on dry ground,
+ Ten thousand pounds to one penny,
+ They had not all been drowned.
+
+3. You parents all that children have,
+ And you that have got none,
+ If you would have them safe abroad,
+ Pray keep them safe at home.
+
+
+
+
+[Illustration: MY PRETTY MAID]
+
+
+[Music:
+
+1. "Where are you going to, my pretty maid?
+ Where are you going to, my pretty maid?"
+ "I'm going a-milking, Sir," she said,
+ "Sir," she said, "Sir," she said,
+ "I'm going a-milking, Sir," she said.]
+
+2. "Shall I go with you, my pretty maid?"
+ "Yes, if you please, kind Sir," she said,
+ "Sir," she said, "Sir," she said,
+ "Yes, if you please, kind Sir," she said.
+
+3. "What is your fortune, my pretty maid?"
+ "My face is my fortune, Sir," she said,
+ "Sir," she said, "Sir," she said,
+ "My face is my fortune, Sir," she said.
+
+4. "Then I can't marry you, my pretty maid."
+ "Nobody asked you, Sir," she said,
+ "Sir," she said, "Sir," she said,
+ "Nobody asked you, Sir," she said.
+
+[Illustration: WHERE ARE YOU GOING TO MY PRETTY MAID?]
+
+
+
+
+[Illustration: THE PLOVGH BOY IN LVCK]
+
+
+[Music:
+
+1. My daddy is dead, but I can't tell you how;
+ He left me six horses to follow the plough;
+ With my whim wham waddle ho!
+ Strim stram straddle ho!
+ Bubble ho! pretty boy, over the brow.]
+
+2. I sold my six horses to buy me a cow;
+ And wasn't that a pretty thing to follow the plough?
+ With my, &c.
+
+3. I sold my cow to buy me a calf,
+ For I never made a bargain but I lost the best half.
+ With my, &c.
+
+4. I sold my calf to buy me a cat,
+ To sit down before the fire to warm her little back.
+ With my, &c.
+
+5. I sold my cat to buy me a mouse,
+ But she took fire in her tail and so burnt up my house.
+ With my, &c.
+
+
+
+
+[Illustration: WARM HANDS]
+
+
+[Music:
+
+Warm hands, warm, thy men are gone to plough;
+If you want to warm your hands, warm your hands now.]
+
+
+
+
+[Illustration: JACK AND JILL]
+
+
+[Music:
+
+Jack and Jill went up the hill
+To fetch a pail of water;
+Jack fell down and broke his crown,
+And Jill came tumbling after.]
+
+[Illustration: JACK & JILL.]
+
+
+
+
+[Illustration: DANCE A BABY]
+
+
+[Music:
+
+Dance a baby diddy!
+What can mammy do wid'e?
+Sit in her lap,
+Give it some pap,
+And dance a baby diddy!]
+
+
+
+
+[Illustration: HVSH-A-BY BABY]
+
+
+[Music:
+
+Hush-a-by baby on the tree-top,
+When the wind blows the cradle will rock;
+When the bough breaks the cradle will fall--
+Down comes baby, cradle and all!]
+
+
+
+
+[Illustration: KING COLE]
+
+
+[Music:
+
+Old King Cole was a merry old soul,
+And a merry old soul was he;
+He called for his pipe, and he called for his bowl,
+And he called for his fiddlers three.
+Ev'ry fiddler had a fiddle,
+And a very fine fiddle had he.
+
+Tweedle dee, tweedle dee, tweedle dee, tweedle dee,
+Tweedle dee, tweedle dee, went the fiddlers three,
+O there's none so rare as can compare
+With King Cole and his fiddlers three.]
+
+
+FINIS
+
+ * * * * *
+
+[Illustration: [back cover]]
+
+[Music:
+
+Hey diddle diddle! the cat and the fiddle,
+The cow skipt over the moon;
+The little dog laughed to see the fine sport,
+And the dish ran away with the spoon.]
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK THE BABY'S OPERA***
+
+
+******* This file should be named 25418.txt or 25418.zip *******
+
+
+This and all associated files of various formats will be found in:
+https://www.gutenberg.org/dirs/2/5/4/1/25418
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://www.gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit:
+https://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+