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diff --git a/old/frsal10.txt b/old/frsal10.txt new file mode 100644 index 0000000..feaf28f --- /dev/null +++ b/old/frsal10.txt @@ -0,0 +1,9624 @@ +The Project Gutenberg Etext of The Women of the French Salons by +Amelia Gere Mason + + +Copyright laws are changing all over the world, be sure to check +the copyright laws for your country before posting these files!! + +Please take a look at the important information in this header. +We encourage you to keep this file on your own disk, keeping an +electronic path open for the next readers. Do not remove this. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**Etexts Readable By Both Humans and By Computers, Since 1971** + +*These Etexts Prepared By Hundreds of Volunteers and Donations* + +Information on contacting Project Gutenberg to get Etexts, and +further information is included below. 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FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END* + + + + + +THE WOMEN OF THE FRENCH SALONS + +By Amelia Gere Mason + +PREFACE + +It has been a labor of love with many distinguished Frenchmen to +recall the memories of the women who have made their society so +illustrious, and to retouch with sympathetic insight the features +which time was beginning to dim. One naturally hesitates to +enter a field that has been gleaned so carefully, and with such +brilliant results, by men like Cousin, Sainte-Beuve, Goncourt, +and others of lesser note. But the social life of the two +centuries in which women played so important a role in France is +always full of human interest from whatever point of view one may +regard it. If there is not a great deal to be said that is new, +old facts may be grouped afresh, and old modes of life and +thought measured by modern standards. + +In searching through the numerous memoirs, chronicles, letters, +and original manuscripts in which the records of these centuries +are hidden away, nothing has struck me so forcibly as the +remarkable mental vigor and the far-reaching influence of women +whose theater was mainly a social one. Though society has its +frivolities, it has also its serious side, and it is through the +phase of social evolution that was begun in the salons that women +have attained the position they hold today. However beautiful, +or valuable, or poetic may have been the feminine types of other +nationalities, it is in France that we find the forerunners of +the intelligent, self-poised, clear-sighted, independent modern +woman. It is possible that in the search for larger fields the +smaller but not less important ones have been in a measure +forgotten. The great stream of civilization flows from a +thousand unnoted rills that make sweet music in their course, and +swell the current as surely as the more noisy torrent. The +conditions of the past cannot be revived, nor are they desirable. +The present has its own theories and its own methods. But at a +time when the reign of luxury is rapidly establishing false +standards, and the best intellectual life makes hopeless +struggles against an ever aggressive materialism, it may be +profitable as well as interesting to consider the possibilities +that lie in a society equally removed from frivolity and +pretension, inspired by the talent, the sincerity, and the moral +force of American women, and borrowing a new element of +fascination from the simple and charming but polite informality +of the old salons. + +It has been the aim in these studies to gather within a limited +compass the women who represented the social life of their time +on its most intellectual side, and to trace lightly their +influence upon civilization through the avenues of literature and +manners. Though the work may lose something in fullness from the +effort to put so much into so small a space, perhaps there is +some compensation in the opportunity of comparing, in one +gallery, the women who exercised the greatest power in France for +a period of more than two hundred years. The impossibility of +entering into the details of so many lives in a single volume is +clearly apparent. Only the most salient points can be +considered. Many who would amply repay a careful study have +simply been glanced at, and others have been omitted altogether. +As it would be out of the question in a few pages to make an +adequate portrait of women who occupy so conspicuous a place in +history as Mme. De Maintenon and Mme. De Stael, the former has +been reluctantly passed with a simple allusion, and the latter +outlined in a brief resume not at all proportional to the +relative interest or importance of the subject. + +I do not claim to present a complete picture of French society, +and without wishing to give too rose-colored a view, it has not +seemed to me necessary to dwell upon its corrupt phases. If +truth compels one sometimes to state unpleasant facts in +portraying historic characters, it is as needless and unjust as +in private life to repeat idle and unproved tales, or to draw +imaginary conclusions from questionable data. The conflict of +contemporary opinion on the simplest matters leads one often to +the suspicion that all personal history is more or less disguised +fiction. The best one can do in default of direct records is to +accept authorities that are generally regarded as the most +trustworthy. + +This volume is affectionately dedicated to the memory of my +mother, who followed the work with appreciative interest in its +early stages, hut did not live to see its conclusion. + +Amelia Gere Mason +Paris, July 6, 1891 + + +TABLE OF CONTENTS + +CHAPTER I. SALONS OF THE SEVENTEENTH CENTURY +Characteristics of French Woman--Gallic Genius for Conversation +--Social Conditions--Origin of the Salons--Their Power--Their +Composition--Their Records + +CHAPTER II. THE HOTEL DE RAMBOUILLET +Mme. De Rambouillet--The Salon Bleu--Its Habitues--Its +Diversions--Corneille--Balzac--Richelieu--Romance of the +Grand Conde--the Young Bossuet--Voiture--The Duchesse de +Longueville--Angelique Paulet--Julie d'Angennes--Les +Precieuses Ridicules--Decline of the Salon--Influence upon +Literature and Manners + +CHAPTER III. MADEMOISELLE DE SCUDERY AND THE SAMEDIS +Salons of the Noblesse--"The Illustrious Sappho"--Her Romances--The +Samedis--Bons Mots of Mme. Cornuel--Estimate of Mlle. De Scudery + +CHAPTER IV. LA GRANDE MADEMOISELLE +Her Character--Her Heroic Part in the Fronde--Her Exile--Literary +Diversions of her Salon--A Romantic Episode + +CHAPTER V. A LITERARY SALON AT PORT ROYAL +Mme. De Sable--Her Worldly Life--Her Retreat--Her Friends--Pascal-- +The Maxims of La Rochefoucauld--Last Days of the Marquise + +CHAPTER VI. MADAME DE SEVIGNE +Her Genius--Her Youth--Her Unworthy Husband--Her Impertinent +Cousin--Her love for her Daughter--Her Letters--Hotel de +Carnavalet--Mme. Duplessis Guengaud--Mme. De Coulanges--The +Curtain Falls + +CHAPTER VII. MADAME DE LA FAYETTE +Her Friendship with Mme. De Sevigne--Her Education--Her +Devotion to the Princess Henrietta--Her Salon--La Rochefoucauld-- +Talent as a Diplomatist--Comparison with Mme. De Maintenon--Her +Literary Work--Sadness of her Last Days--Woman in Literature + +CHAPTER VIII. SALONS OF THE EIGHTEENTH CENTURY +Characteristics of the Eighteenth Century--Its Epicurean +Philosophy--Anecdote of Mme. Du Deffand--The Salon an Engine of +Political Power--Great Influence of Woman--Salons Defined--Literary +Dinners--Etiquette of the Salons--An Exotic on American Soil + +CHAPTER IX. AN ANTECHAMBER OF THE ACADEMIE FRANCAISE +The Marquise de Lambert--Her "Bureau d'Esprit"--Fontenelle-- +Advice to her Son--Wise Thoughts on the Education of Women--Her +Love of Consideration--Her Generosity--Influence of Women upon +the Academy + +CHAPTER X. THE DUCHESSE DU MAINE +Her Capricious Character--Her Esprit--Mlle. De Launay--Clever +Portrait of her Mistress--Perpetual Fetes at Sceaux--Voltaire +and the "Divine Emilie"--Dilettante Character of this Salon + +CHAPTERXI. MADAME DE TENCIN AND MADAM DU CHATELET +An Intriguing Chanoinesse--Her Singular Fascination--Her Salon--Its +Philosophical Character--Mlle. Aisse--Romances of Mme. De +Tencin--D'Alembert--La Belle Emilie--Voltaire--the Two Women +Compared + +CHAPTER XII. MADAME GEOFFRIN AND THE PHILOSOPHERS +Cradles of the New Philosophy--Noted Salons of this Period-- +Character of Mme. Geoffrin--Her Practical Education--Anecdotes +of her Husband--Composition of her Salon--Its Insidious +Influence--Her Journey to Warsaw--Her Death + +CHAPTER XIII. ULTRA PHILOSOPHICAL SALONS--MADAME D'EPINAY +Mme. De Graffigny--Baron D'Holbach--Mme. D'Epinay's Portrait of +Herself--Mlle. Quinault--Rousseau--La Chevrette--Grimm--Diderot-- +The Abbe Galiani--Estimate of Mme. D'Epinay + +CHAPTER XIV. SALONS OF THE NOBLESSE--MADAME DU DEFFAND +La Marechale de Luxenbourg--The Temple--Comtesse de Boufflers--Mme. +Du Dufand--Her Convent Salon--Rupture with Mlle. De Lespinasse--Her +Friendship with Horace Walpole--Her Brilliancy +and her Ennui + +CHAPTER XV. MADEMOISELLE DE LESPINASSE +A Romantic Career--Companion of Mme. Du Deffand--Rival Salons-- +Association with the Encyclopedists--D'Alembert--A Heart Tragedy-- +Impassioned Letters--A Type Unique in her Age + +CHAPTER XVI. THE SALON HELVETIQUE +The Swiss Pastor's Daughter--Her Social Ambition--Her Friends +Mme. De Marchais--Mme. D'Houdetot--Duchesse de Lauzun--Character of +Mme. Necker--Death at Coppet--Close of the Most Brilliant Period of +the Salons + +CHAPTER XVII. SALONS OF THE REVOLUTION--MADAME ROLAND +Change in the Character of the Salons--Mme. De Condorcet--Mme. +Roland's Story of her Own Life--A Marriage of Reason--Enthusiasm +for the Revolution--Her Modest Salon--Her Tragical Fate + +CHAPTER XVIII. MADAM DE STAEL +Supremacy of Her Genius--Her Early Training--Her Sensibility--A +Mariage de Convenance--Her Salon--Anecdote of Benjamin Constant-- +Her Exile--Life at Coppet--Secret Marriage--Close of a Stormy Life + +CHAPTER XIX. SALONS OF THE EMPIRE AND RESTORATION--MADAME RECAMIER +A Transition period--Mme. De Montesson--Mme. De Genus--Revival +of the Literary Spirit--Mme. De Beaumont--Mme. De Remusat--Mme. De +Souza--Mme. De Duras--Mme. De Krudener--Fascination of +Mme. Recamier--Her Friends--Her Convent Salon--Chateaubriand +Decline of the Salon + + + +CHAPTER I. SALONS OF THE SEVENTEENTH CENTURY +Characteristics of French Woman--Gallic Genius for Conversation +--Social Conditions--Origin of the Salons--Their Power--Their +Composition--Their Records. + +"Inspire, but do not write," said LeBrun to women. Whatever we +may think today of this rather superfluous advice, we can readily +pardon a man living in the atmosphere of the old French salons, +for falling somewhat under the special charm of their leaders. +It was a charm full of subtle flattery. These women were usually +clever and brilliant, but their cleverness and brilliancy were +exercised to bring into stronger relief the talents of their +friends. It is true that many of them wrote, as they talked, out +of the fullness of their own hearts or their own intelligence, +and with no thought of a public; but it was only an incident in +their lives, another form of diversion, which left them quite +free from the dreaded taint of feminine authorship. Their +peculiar gift was to inspire others, and much of the fascination +that gave them such power in their day still clings to their +memories. Even at this distance, they have a perpetual interest +for us. It may be that the long perspective lends them a certain +illusion which a closer view might partly dispel. Something also +may be due to the dark background against which they were +outlined. But, in spite of time and change, they stand out upon +the pages of history, glowing with an ever-fresh vitality, and +personifying the genius of a civilization of which they were the +fairest flower. + +The Gallic genius is eminently a social one, but it is, of all +others, the most difficult to reproduce. The subtle grace of +manner, the magic of spoken words, are gone with the moment. The +conversations of two centuries ago are today like champagne which +has lost its sparkle. We may recall their tangible forms--the +facts, the accessories, the thoughts, even the words, but the +flavor is not there. It is the volatile essence of gaiety and +wit that especially characterizes French society. It glitters +from a thousand facets, it surprises us in a thousand delicate +turns of thought, it appears in countless movements and shades of +expression. But it refuses to be imprisoned. Hence the +impossibility of catching the essential spirit of the salons. We +know something of the men and women who frequented them, as they +have left many records of themselves. We have numerous pictures +of their social life from which we may partially reconstruct it +and trace its influence. But the nameless attraction that held +for so long a period the most serious men of letters as well as +the gay world still eludes us. + +We find the same elusive quality in the women who presided over +these reunions. They were true daughters of a race of which Mme. +De Graffigny wittily said that it "escaped from the hands of +Nature when there had entered into its composition only air and +fire. They certainly were not faultless; indeed, some of them +were very faulty. Nor were they, as a rule, remarkable for +learning. Even the leaders of noted literary salons often lacked +the common essentials of a modern education. But if they wrote +badly and spelled badly, they had an abundance of that delicate +combination of intellect and wit which the French call ESPRIT. +They had also, in superlative measure, the social gifts which +women of genius reared in the library or apart from the world, +are apt to lack. The close study of books leads to a knowledge +of man rather than of men. It tends toward habits of +introspection which are fatal to the clear and swift vision +required for successful leadership of any sort. Social talent is +distinct, and implies a happy poise of character and intellect; +the delicate blending of many gifts, not the supremacy of one. +It implies taste and versatility, with fine discrimination, and +the tact to sink one's personality as well as to call out the +best in others. It was this flexibility of mind, this active +intelligence tempered with sensibility and the native instinct of +pleasing, that distinguished the French women who have left such +enduring traces upon their time. "It is not sufficient to be +wise, it is necessary also to please," said the witty and +penetrating Ninon, who thus very aptly condensed the feminine +philosophy of her race. Perhaps she has revealed the secret of +their fascination, the indefinable something which is as +difficult to analyze as the perfume of a rose. + +A history of the French salons would include the history of the +entire period of which they were so prominent a factor. It would +make known to us its statesmen and its warriors; it would trace +the great currents of thought; it would give us glimpses of every +phase of society, from the diversions of the old noblesse, with +their sprinkling of literature and philosophy, to the familiar +life of the men of letters, who cast about their intimate +coteries the halo of their own genius. These salons were closely +interwoven with the best intellectual life of more than two +hundred years. Differing in tone according to the rank, taste, +or character of their leaders, they were rallying points for the +most famous men and women of their time. In these brilliant +centers, a new literature had its birth. Here was found the fine +critical sense that put its stamp on a new poem or a new play. +Here ministers were created and deposed, authors and artists were +brought into vogue, and vacant chairs in the Academie Francaise +were filled. Here the great philosophy of the eighteenth century +was cradled. Here sat the arbiters of manners, the makers of +social success. To these high tribunals came, at last, every +aspirant for fame. + +It was to the refinement, critical taste, and oral force of a +rare woman, half French and half Italian, that the first literary +salons owed their origin and their distinctive character. In +judging of the work of Mme. De Rambouillet, we have to consider +that in the early days of the seventeenth century knowledge was +not diffused as it is today. A new light was just dawning upon +the world, but learning was still locked in the brains of +savants, or in the dusty tomes of languages that were practically +obsolete. Men of letters were dependent upon the favors of noble +but often ignorant patrons, whom they never met on a footing of +equality. The position of women was as inferior as their +education, and the incredible depravity of morals was a +sufficient answer to the oft-repeated fallacy that the purity of +the family is best maintained by feminine seclusion. It is true +there were exceptions to this reign of illiteracy. With the +natural disposition to glorify the past, the writers of the next +generation liked to refer to the golden era of the Valois and the +brilliancy of its voluptuous court. Very likely they exaggerated +a little the learning of Marguerite de Navarre, who was said to +understand Latin, Italian, Spanish, even Greek and Hebrew. But +she had rare gifts, wrote religious poems, besides the very +secular "Heptameron" which was not eminently creditable to her +refinement, held independent opinions, and surrounded herself +with men of letters. This little oasis of intellectual light, +shadowed as it was with vices, had its influence, and there were +many women in the solitude of remote chateaux who began to +cultivate a love for literature. "The very women and maidens +aspired to this praise and celestial manna of good learning," +said Rabelais. But their reading was mainly limited to his own +unsavory satires, to Spanish pastorals, licentious poems, and +their books of devotion. It was on such a foundation that Mme. +De Rambouillet began to rear the social structure upon which her +reputation rests. She was eminently fitted for this role by her +pure character and fine intelligence; but she added to these the +advantages of rank and fortune, which gave her ample facilities +for creating a social center of sufficient attraction to focus +the best intellectual life of the age, and sufficient power to +radiate its light. Still it was the tact and discrimination to +select from the wealth of material about her, and quietly to +reconcile old traditions with the freshness of new ideas, that +especially characterized Mme. De Rambouillet. + +It was this richness of material, the remarkable variety and +originality of the women who clustered round and succeeded their +graceful leader, that gave so commanding an influence to the +salons of the seventeenth century. No social life has been so +carefully studied, no women have been so minutely portrayed. The +annals of the time are full of them. They painted one another, +and they painted themselves, with realistic fidelity. The lights +and shadows are alike defined. We know their joys and their +sorrows, their passions and their follies, their tastes and their +antipathies. Their inmost life has been revealed. They animate, +as living figures, a whole class of literature which they were +largely instrumental in creating, and upon which they have left +the stamp of their own vivid personality. They appear later in +the pages of Cousin and Sainte-Beuve, with their radiant features +softened and spiritualized by the touch of time. We rise from a +perusal of these chronicles of a society long passed away, with +the feeling that we have left a company of old friends. We like +to recall their pleasant talk of themselves, of their companions, +of the lighter happenings, as well as the more serious side of +the age which they have illuminated. We seem to see their faces, +not their manner, watch the play of intellect and feeling, while +they speak. The variety is infinite and full of charm. + +Mme. de Sevigne talks upon paper, of the trifling affairs of +every-day life, adding here and there a sparkling anecdote, a bit +of gossip, a delicate characterization, a trenchant criticism, a +dash of wit, a touch of feeling, or a profound thought. All this +is lighted up by her passionate love of her daughter, and in this +light we read the many-sided life of her time for twenty-five +years. Mme. de La Fayette takes the world more seriously, and +replaces the playful fancy of her friend by a richer vein of +imagination and sentiment. She sketches for us the court of +which Madame (title given to the wife of the king's brother) is +the central figure--the unfortunate Princes Henrietta whom she +loved so tenderly, and who died so tragically in her arms. She +writes novels too; not profound studies of life, but fine and +exquisite pictures of that side of the century which appealed +most to her poetic sensibility. We follow the leading characters +of the age through the ten-volume romances of Mlle. de Scudery, +which have mostly long since fallen into oblivion. Doubtless the +portraits are a trifle rose-colored, but they accord, in the +main, with more veracious history. The Grande Mademoiselle +describes herself and her friends, with the curious naivete of a +spoiled child who thinks its smallest experiences of interest to +all the world. Mme. de Maintenon gives us another picture, more +serious, more thoughtful, but illuminated with flashes of +wonderful insight. + +Most of these women wrote simply to amuse themselves and their +friends. It was only another mode of their versatile expression. +With rare exceptions, they were not authors consciously or by +intention. They wrote spontaneously, and often with reckless +disregard of grammar and orthography. But the people who move +across their gossiping pages are alive. The century passes in +review before us as we read. The men and women who made its +literature so brilliant and its salons so famous, become vivid +realities. Prominent among the fair faces that look out upon us +at every turn, from court and salon, is that of the Duchesse de +Longueville, sister of the Grand Conde, and heroine of the +Fronde. Her lovely blue eyes, with their dreamy languor and +"luminous awakenings," turn the heads alike of men and women, of +poet and critic, of statesman and priest. We trace her brief +career through her pure and ardent youth, her loveless marriage, +her fatal passion for La Rochefoucauld, the final shattering of +all her illusions; and when at last, tired of the world, she bows +her beautiful head in penitent prayer, we too love and forgive +her, as others have done. Were not twenty-five years of +suffering and penance an ample expiation? She was one of the +three women of whom Cardinal Mazarin said that they were "capable +of governing and overturning three kingdoms." The others were +the intriguing Duchesse de Chevreuse, who dazzled the age by her +beauty and her daring escapades, and the fascinating Anne de +Gonzague, better known as the Princesse Palatine, of whose +winning manners, conversational charm, penetrating intellect, and +loyal character Bossuet spoke so eloquently at her death. We +catch pleasant glimpses of Mme. Deshoulieres, beautiful and a +poet; of Mme. Cornuel, of whom it was said that "every sin she +confessed was an epigram"; of Mme. de Choisy, witty and piquante; +of Mme. de Doulanges, also a wit and femme d'esprit. + +Linked with these by a thousand ties of sympathy and affection +were the worthy counterparts of Pascal and Arnauld, of Bossuet +and Fenelon, the devoted women who poured out their passionate +souls at the foot of the cross, and laid their earthly hopes upon +the altar of divine love. We follow the devout Jacqueline Pascal +to the cloister in which she buries her brilliant youth to die at +thirty-five of a wounded conscience and a broken heart. Many a +bruised spirit, as it turns from the gay world to the mystic +devotion which touches a new chord in its jaded sensibilities, +finds support and inspiration in the strong and fervid sympathy +of Jacqueline Arnauld, better known as Mere Angelique of Port +Royal. This profound spiritual passion was a part of the intense +life of the century, which gravitated from love and ambition to +the extremes of penitence and asceticism. + +A multitude of minor figures, graceful and poetic, brilliant and +spirituelles, flit across the canvas, leaving the fragrance of an +exquisite individuality, and tempting one to extend the list of +the versatile women who toned and colored the society of the +period. But we have to do, at present, especially with those who +gathered and blended this fresh intelligence, delicate fancy, +emotional wealth, and religious fervor, into a society including +such men as Corneille, Balzac, Bossuet, Richelieu, Conde, Pascal, +Arnault, and La Rochefoucauld--those who are known as leaders of +more or less celebrated salons. Of these, Mme. de Rambouillet +and Mme. de Sable were among the best representative types of +their time, and the first of the long line of social queens who, +through their special gift of leadership, held so potent a sway +for two centuries. + + +CHAPTER II. THE HOTEL DE RAMBOUILLET +Mme. de Rambouillet--The Salon Bleu--Its Habitues--Its +Diversions--Corneille--Balzac--Richelieu--Romance of the +Grand Conde--The Young Bossuet--Voiture--The Duchesse de +Longueville--Angelique Paulet--Julie d'Angennes--Les +Precieuses Ridicules--Decline of the Salon--Influence upon +Literature and Manners + +The Hotel de Rambouillet has been called the "cradle of polished +society," but the personality of its hostess is less familiar +than that of many who followed in her train. This may be partly +due to the fact that she left no record of herself on paper. She +aptly embodied the kind advice of Le Brun. It was her special +talent to inspire others and to combine the various elements of a +brilliant and complex social life. The rare tact which enabled +her to do this lay largely in a certain self-effacement and the +peculiar harmony of a nature which presented few salient points. +She is best represented by the salon of which she was the +architect and the animating spirit; but even this is better known +today through its faults than its virtues. It is a pleasant task +to clear off a little dust from its memorials, and to paint in +fresh colors one who played so important a role in the history of +literature and manners. + +Catherine de Vivonne was born at Rome in 1588. Her father, the +Marquis de Pisani, was French ambassador, and she belonged +through her mother to the old Roman families of Strozzi and +Savelli. Married at sixteen to the Count d'Angennes, afterwards +Marquis de Rambouillet, she was introduced to the world at the +gay court of Henry IV. But the coarse and depraved manners which +ruled there were altogether distasteful to her delicate and +fastidious nature. At twenty she retired from these brilliant +scenes of gilded vice, and began to gather round her the coterie +of choice spirits which later became so famous. + +Filled with the poetic ideals and artistic tastes which had been +nourished in a thoughtful and elegant seclusion, it seems to have +been the aim of her life to give them outward expression. Her +mind, which inherited the subtle refinement of the land of her +birth, had taken its color from the best Italian and Spanish +literature, but she was in no sense a learned woman. She was +once going to study Latin, in order to read Virgil, but was +prevented by ill health. It is clear, however, that she had a +great diversity of gifts, with a basis of rare good sense and +moral elevation. "She was revered, adored," writes Mme. de +Motteville; "a model of courtesy, wisdom, knowledge, and +sweetness." She is always spoken of in the chronicles of her +time as a loyal wife, a devoted mother, the benefactor of the +suffering, and the sympathetic adviser of authors and artists. +The poet Segrais says: "She was amiable and gracious, of a sound +and just mind; it is she who has corrected the bad customs which +prevailed before her. She taught politeness to all those of her +time who frequented her house. She was also a good friend, and +kind to every one." We are told that she was beautiful, but we +know only that her face was fair and delicate, her figure tall +and graceful, and her manner stately and dignified. Her Greek +love of beauty expressed itself in all her appointments. The +unique and original architecture of her hotel,--which was +modeled after her own designs,--the arrangement of her salon, +the pursuits she chose, and the amusements she planned, were all +a part of her own artistic nature. This was shown also in her +code of etiquette, which imposed a fine courtesy upon the members +of her coterie, and infused into life the spirit of politeness, +which one of her countrymen has called the "flower of humanity." +But this esthetic quality was tempered with a clear judgment, and +a keen appreciation of merit and talent, which led her to gather +into her society many not "to the manner born." Sometimes she +delicately aided a needy man of letters to present a respectable +appearance--a kindness much less humiliating in those days of +patronage that it would be today. As may readily be imagined, +these new elements often jarred upon the tastes and prejudices of +her noble guests, but in spite of this it was considered an honor +to be received by her, and, though not even a duchess, she was +visited by princesses. + +Adding to this spirit of noble independence the prestige of rank, +beauty, and fortune; a temper of mingled sweetness and strength; +versatile gifts controlled by an admirable reason; a serene and +tranquil character; a playful humor, free from the caprices of a +too exacting sensibility; a perfect savoir-faire, and we have the +unusual combination which enabled her to hold her sway for so +many years, without a word of censure from even the most scandal- +loving of chroniclers. + +"We have sought in vain," writes Cousin, "for that which is +rarely lacking in any life of equal or even less brilliancy, some +calumny or scandal, an equivocal word, or the lightest epigram. +We have found only a concert of warm eulogies which have run +through many generations. . . . She has disarmed Tallemant +himself. This caricaturist of the seventeenth century has been +pitiless towards the habitues of her illustrious house, but he +praises her with a warmth which is very impressive from such a +source." + +The modern spirit of change has long since swept away all +vestiges of the old Rue Saint-Thomas-du-Lourvre and the time- +honored dwellings that ornamented it. Conspicuous among these, +and not far from the Palais Royal, was the famous Hotel de +Rambouillet. The Salon Bleu has become historic. This +"sanctuary of the Temple of Athene," as it was called in the +stilted language of the day, has been illuminated for us by the +rank, beauty, and talent of the Augustan age of France. We are +more or less familiar with even the minute details of the +spacious room, whose long windows, looking across the little +garden towards the Tuileries, let in a flood of golden sunlight. +We picture to ourselves its draperies of blue and gold, its +curious cabinets, its choice works of art, its Venetian lamps, +and its crystal vases always filled with flowers that scatter the +perfume of spring. + +It was here that Mme. de Rambouillet held her court for nearly +thirty years, her salon reaching the height of its power under +Richelieu, and practically closing with the Fronde. She sought +to gather all that was most distinguished, whether for wit, +beauty, talent, or birth, into an atmosphere of refinement and +simple elegance, which should tone down all discordant elements +and raise life to the level of a fine art. There was a strongly +intellectual flavor in the amusements, as well as in the +discussions of this salon, and the place of honor was given to +genius, learning, and good manners, rather than to rank. But it +was by no means purely literary. The exclusive spirit of the old +aristocracy, with its hauteur and its lofty patronage, found +itself face to face with fresh ideals. The position of the +hostess enabled her to break the traditional barriers, and form a +society upon a new basis, but in spite of the mingling of classes +hitherto separated, the dominant life was that of the noblesse. +Woman of rank gave the tone and made the laws. Their code of +etiquette was severe. They aimed to combine the graces of Italy +with the chivalry of Spain. The model man must have a keen +sense of honor, and wit without pedantry; he must be brave, +heroic, generous, gallant, but he must also possess good breeding +and gentle courtesy. The coarse passions which had disgraced the +court were refined into subtle sentiments, and women were raised +upon a pedestal, to be respectfully and platonically adored. In +this reaction from extreme license, familiarity was forbidden, +and language was subjected to a critical censorship. It was here +that the word PRECIEUSE was first used to signify a woman of +personal distinction, accomplished in the highest sense, with a +perfect accord of intelligence, good taste, and good manners. +Later, when pretension crept into the inferior circles which took +this one for a model, the term came to mean a sort of +intellectual parvenue, half prude and half pedant, who affected +learning, and paraded it like fine clothes, for effect. + +"Do you remember," said Flechier, many years later, in his +funeral oration on the death of the Duchesse de Montausier, "the +salons which are still regarded with so much veneration, where +the spirit was purified, where virtue was revered under the name +of the incomparable Arthenice; where people of merit and quality +assembled, who composed a select court, numerous without +confusion, modest without constraint, learned without pride, +polished without affectation?" + +Whatever allowance we may be disposed to make for the friendship +of the eminent abbe, he spoke with the authority of personal +knowledge, and at a time when the memories of the Hotel de +Rambouillet were still fresh. It is true that those who belonged +to this professed school of morals were not all patterns of +decorum. But we cannot judge by the Anglo-Saxon standards of the +nineteenth century the faults of an age in which a Ninon de +L'Enclos lives on terms of veiled intimacy with a strait-laced +Mme. de Maintenon, and, when age has given her a certain title to +respectability, receives in her salon women of as spotless +reputation as Mme. de La Fayette. Measured from the level of +their time, the lives of the Rambouillet coterie stand out white +and shining. The pure character of the Marquise and her +daughters was above reproach, and they were quoted as "models +whom all the world cited, all the world admired, and every one +tried to imitate." To be a precieuse was in itself an evidence +of good conduct. + +"This salon was a resort not only for all the fine wits, but for +every one who frequented the court," writes Mme. de Motteville. +"It was a sort of academy of beaux esprits, of gallantry, of +virtue, and of science," says St. Simon; "for these things +accorded marvelously. It was a rendevous of all that was most +distinguished in condition and in merit; a tribunal with which it +was necessary to count, and whose decisions upon the conduct and +reputation of people of the court and the world, had great +weight." + +Corneille read most of his dramas here, and, if report be true, +read them very badly. He says of himself: + +Et l'on peut rarement m'ecouter sans ennui, +Que quand je me produis par la bouche d'autrui. + +He was shy, awkward, ill at ease, not clear in speech, and rather +heavy in conversation, but the chivalric and heroic character of +his genius was quite in accord with the lofty and rather romantic +standards affected by this circle, and made him one of its +central literary figures. Another was Balzac, whose fine +critical taste did so much for the elegance and purity of the +French language, and who was as noted in his day as was his +namesake, the brilliant author of the "Comedie Humaine," two +centuries later. His long letters to the Marquise, on the +Romans, were read and discussed in his absence, and it was +through his influence, added to her own classic ideals, that +Roman dignity and urbanity were accepted as models in the new +code of manners; indeed, it was he who introduced the word +URBANITE into the language. Armand du Plessis, who aimed to be +poet as well as statesman, read here in his youth a thesis on +love. When did a Frenchman ever fail to write with facility upon +this fertile theme? After he became Cardinal de Richelieu he +feared the influence of the Hotel de Rambouillet, and sent a +request to its hostess to report what was said of him there. She +replied with consummate tact, that her guests were so strongly +persuaded of her friendship for his Eminence, that no one would +have the temerity to speak ill of him in her presence. + +Even the Grand Conde courted the muses, and wrote verses which +were bad for a poet, though fairly good for a warrior. If it be +true that every man is a poet once in his life, we may infer that +this was about the time of his sad little romance with the pretty +and charming Mlle. du Vigean, who was one of the youthful +attractions of this coterie. Family ambition stood in the way of +their marriage, and the prince yielded to the wishes of his +friends. The Grande Mademoiselle tells us that this was the only +veritable passion of the brave young hero of many battles, and +that he fainted at the final separation. United to a wife he did +not love, and whom he did not scruple to treat very ill, he gave +himself to glory and, it must be added, to unworthy intrigues. +The pure-hearted young girl buried her beauty and her sorrows in +the convent of the Carmelites, and was no more heard of in the +gay world. + +It is evident that the great soldier sometimes forgot the +urbanity which was so strongly insisted upon in this society. He +is said to have carried the impetuosity of his character into his +conversation. When he had a good cause, he sustained it with +grace and amiability. If it was a bad one, however, his eyes +flashed, and he became so violent that it was thought prudent not +to contradict him. It is related that Boileau, after yielding +one day in a dispute, remarked in a low voice to a friend: +"Hereafter I shall always be of the opinion of the Prince when he +is wrong." + +Bossuet, when a boy of seventeen, improvised here one evening a +sermon on a given theme, which was so eloquent that it held the +company until near midnight. "I have never heard any one preach +so early and so late," remarked the witty Voiture, as he +congratulated the youthful orator at the close. + +This famous bel esprit played a very prominent part here. His +role was to amuse, and his talents gave him great vogue, but at +this distance his small vanities strike one much more vividly +than the wit which flashed out with the moment, or the vers de +societe on which his fame rests. He owed his social success to a +rather high-flown love letter which he evidently thought too good +to be lost to the world. He sent it to a friend, who had it +printed and circulated. What the lady thought does not appear, +but it made the fortune of the poet. Though the son of a wine +merchant, and without rank, he had little more of the spirit of a +courtier than Voltaire, and his biting epigrams were no less +feared. "If he were one of us, he would be insupportable," said +Conde. But his caprices were tolerated for the sake of his +inexhaustible wit, and he was petted and spoiled to the end. + +A list of the men of letters who appeared from time to time at +the Hotel de Rambouillet would include the most noted names of +the century, besides many which were famous in their day, but at +present are little more than historical shadows. The +conversations were often learned, doubtless sometimes +pretentious. One is inclined to wonder if these noble cavaliers +and high-born woman did not yawn occasionally over the scholarly +discourse of Corneille and Balzac upon the Romans, the endless +disputes about rival sonnets, and the long discussions on the +value of a word. "Doubtless it is a very beautiful poem, but +also very tiresome," said Mme. de Longueville, after Chapelain +had finished reading his "Pucelle"--a work which aimed to be the +Iliad of France, but succeeded only in being very long and rather +heavy. + +This lovely young Princess, who at sixteen had the exaltation of +a religieuse, and was with difficulty won from her dreams of +renunciation and a cloister, had become the wife of a man many +years her senior, whom she did not love, and the idol of the +brilliant world in which she lived. La Rochefoucauld had not yet +disturbed the serenity of her heart, nor political intrigues her +peace of mind. It was before the Fronde, in which she was +destined to play so conspicuous a part, and she was still content +with the role of a reigning beauty; but she was not at all averse +to the literary entertainments of this salon, in which her own +fascinations were so delightfully sung. She found the flattering +verses of Voiture more to her taste than the stately epic of +Chapelain, took his side warmly against Benserade in the famous +dispute as to the merits of their two sonnets, "Job" and "Urania," +and won him a doubtful victory. The poems of Voiture lose much +of their flavor in translation, but I venture to give a verse in +the original, which was addressed to the charming princesse, and +which could hardly fail to win the favor of a young and beautiful +woman. + +De perles, d'astres, et de fleurs, +Bourbon, le ciel fit tes couleurs, +Et mit dedans tout ce melange +L'esprit d'une ange. + +But the diversions were by no means always grave or literary. +Life was represented on many sides, one secret, doubtless, of the +wide influence of this society. The daughters of Mme. de +Rambouillet, and her son, the popular young Marquis de Pisani, +formed a nucleus of youth and gaiety. To these we may add the +beautiful Angelique Paulet, who at seventeen had turned the head +of Henri IV, and escaped the fatal influence of that imperious +sovereign's infatuation by his timely, or untimely, death. Fair +and brilliant, the best singer of her time, skilled also in +playing the lute, and gifted with a special dramatic talent, she +was always a favorite, much loved by her friends and much sung by +the poets. Her proud and impetuous character, her frank and +original manners, together with her luxuriance of blonde hair, +gained her the sobriquet of La Belle Lionne. Nor must we forget +Mlle. de Scudery, one of the most constant literary lights of +this salon, and in some sense its chronicler; nor the fastidious +Mme. de Sable. + +The brightest ornament of the Hotel de Rambouillet, however, was +Julie d'Angennes, the petted daughter of the house, the devoted +companion and clever assistant of her mother. Her gaiety of +heart, amiable temper, ready wit, and gracious manners surrounded +her with an atmosphere of perpetual sunshine. Fertile in +resources, of fine intelligence, winning the love alike of men +and women, she was the soul of the serious conversations, as well +as of the amusements which relieved them. These amusements were +varied and often original. They played little comedies. They +had mythological fetes, draping themselves as antique gods and +goddesses. Sometimes they indulged in practical jokes and +surprises, which were more laughable than dignified. Malherbe +and Racan, the latter sighing hopelessly over the attractions of +the dignified Marquise, gave her the romantic name of Arthenice, +and forthwith the other members of the coterie took some nom de +parnasse, by which they were familiarly known. They read the +"Astree" of d'Urfe, that platonic dream of a disillusioned lover; +discussed the romances of Calprenede and the sentimental +Bergeries of Racan. Such Arcadian pictures seemed to have a +singular fascination for these courtly dames and plumed +cavaliers. They tried to reproduce them. Assuming the +characters of the rather insipid Strephons and florimels, they +made love in pastoral fashion, with pipe and lute--these rustic +diversions serving especially to while away the long summer days +in the country at Rambouillet, at Chantilly, or at Ruel. They +improvised sonnets and madrigals; they praised each other in +verse; they wrote long letters on the slightest pretext. As a +specimen of the badinage so much in vogue, I quote from a letter +written by Voiture to one of the daughters of Mme. de +Rambouillet, who was an abbess, and had sent him a present of a +cat. + +"Madame, I was already so devoted to you that I supposed you knew +there was no need of winning me by presents, or trying to take me +like a rat, with a cat. Nevertheless, if there was anything in +my thought that was not wholly yours, the cat which you have sent +me has captured it." After a eulogy upon the cat, he adds: "I +can only say that it is very difficult to keep, and for a cat +religiously brought up it is very little inclined to seclusion. +It never sees a window without wishing to jump out, it would have +leaped over the wall twenty times if it had not been prevented, +and no secular cat could be more lawless or more self-willed." + +The wit here is certainly rather attenuated, but the subject is +an ungrateful one. Mme. de Sevigne finds Voiture "libre, badin, +charmant," and disposes of his critics by saying, "So much the +worse for those who do not understand him." One is often puzzled +to detect this rare spirituelle quality; but it is fair to +presume that it was of the volatile sort that evaporates with +time. + +All this sentimental masquerading and exaggerated gallantry +suggests the vulnerable side of the Hotel de Rambouillet, and the +side which its enemies have been disposed to make very prominent. +Among those who tried to imitate this salon, Spanish chivalry +doubtless degenerated into a thousand absurdities, and it must be +admitted that the salon itself was not free from reproach on this +point. It became the fashion to write and talk in the language +of hyperbole. Sighing lovers were consumed with artificial +fires, and ready to die with affected languors. Like the old +poets of Provence, whose spirit they caught and whose phrases +they repeated, they were dying of love they did not feel. The +eyes of Phyllis extinguished the sun. The very nightingales +expired of jealousy, after hearing the voice of Angelique. + +It would be difficult, perhaps, to find anywhere a company of +clever people bent upon amusing themselves and passing every day +more or less together, whose sayings and doings would bear to be +exactly chronicled. The literary diversions and poetic ideals of +this circle, too, gave a certain color to the charge of +affectation, among people of less refined instincts, who found +its esprit incomprehensible, its manners prudish, and its virtue +a tacit reproach; but the dignified and serious character of many +of its constant habitues should be a sufficient guarantee that it +did not greatly pass the limits of good taste and good sense. +The only point upon which Mme. de Rambouillet seems to have been +open to criticism was a certain formal reserve and an over- +fastidious delicacy; but in an age when the standards of both +refinement and morals were so low, this implies a virtue rather +than a defect. Nor does her character appear to have been at all +tinged with pretension. "I should fear from your example to +write in a style too elevated," says Voiture, in a letter to her. +But traditions are strong, and people do not readily adapt +themselves to new models. Character and manners are a growth. +That which is put on, and not ingrained, is apt to lack true +balance and proportion. Hence it is not strange that this new +order of things resulted in many crudities and exaggerations. + +It is not worth while to criticize too severely the plumed +knights who took the heroes of Corneille as models, played the +harmless lover, and paid the tribute of chivalric deference to +women. The strained politeness may have been artificial, and the +forms of chivalry very likely outran the feeling, but they served +at least to keep it alive, while the false platonism and ultra- +refined sentiment were simply moral protests against the coarse +vices of the time. The prudery which reached a satirical climax +in "Les Precieuses Ridicules" was a natural reaction from the +sensuality of a Marguerite and a Gabrielle. Mme. de Rambouillet +saw and enjoyed the first performance of this celebrated play, +nor does it appear that she was at all disturbed by the keen +satire which was generally supposed to have been directed toward +her salon. Moliere himself disclaims all intention of attacking +the true precieuse; but the world is not given to fine +discrimination, and the true suffers from the blow aimed at the +false. This brilliant comedian, whose manners were not of the +choicest, was more at home in the lax and epicurean world of +Ninon and Mme. de la Sabliere--a world which naturally did not +find the decorum of the precieuses at all to its taste; the +witticism of Ninon, who defined them as the "Jansenists of love," +is well known. It is not unlikely that Moliere shared her +dislike of the powerful and fastidious coterie whose very virtues +might easily have furnished salient points for his scathing wit. + +But whatever affectations may have grown out of the new code of +manners, it had a more lasting result in the fine and stately +courtesy which pervaded the later social life of the century. We +owe, too, a profound gratitude to these women who exacted and +were able to command a consideration which with many shades of +variation has been left as a permanent heritage to their sex. We +may smile at some of their follies; have we not our own which +some nineteenth century Moliere may serve up for the delight and +possible misleading of future generations? + +There is a warm human side to this daily intercourse, with its +sweet and gracious courtesies. The women who discuss grave +questions and make or unmake literary reputations in the salon, +are capable of rare sacrifices and friendships that seem quixotic +in their devotion. Cousin, who has studied them so carefully and +so sympathetically, has saved from oblivion many private letters +which give us pleasant glimpses of their everyday life. As we +listen to their quiet exchange of confidences, we catch the smile +that plays over the light badinage, or the tear that lurks in the +tender words. + +A little son of Mme. de Rambouillet has the small pox, and his +sister Julie shares the care of him with her mother, when every +one else has fled. At his death, she devotes herself to her +friend Mme. de Longueville, who soon after her marriage is +attacked with the same dreaded malady. Mme. de Sable is afraid +of contagion, and refuses to see Mlle. de Rambouillet, who writes +her a characteristic letter. As it gives us a vivid idea of her +esprit as well as of her literary style, I copy it in full, +though it has been made already familiar to the English reader by +George Eliot, in her admirable review of Cousin's "Life of Mme. De +Sable." + +Mlle de Chalais (Dame de compagnie to the Marquise) will please +read this letter to Mme. la Marquise, out of the wind. + +Madame, I cannot begin my treaty with you too early, for I am +sure that between the first proposition made for me to see you, +and the conclusion, you will have so many reflections to make, so +many physicians to consult, and so many fears to overcome, that I +shall have full leisure to air myself. The conditions which I +offer are, not to visit you until I have been three days absent +from the Hotel de Conde, to change all my clothing, to choose a +day when it has frozen, not to approach you within four paces, +not to sit down upon more than one seat. You might also have a +great fire in your room, burn juniper in the four corners, +surround yourself with imperial vinegar, rue, and wormwood. If +you can feel safe under these conditions, without my cutting off +my hair, I swear to you to execute them religiously; and if you +need examples to fortify you, I will tell you that the Queen saw +M. de Chaudebonne when he came from Mlle. de Bourbon's room, and +that Mme. d'Aiguillon, who has good taste and is beyond criticism +on such points, has just sent me word that if I did not go to see +her, she should come after me. + +Mme. de Sable retorts in a satirical vein, that her friend is too +well instructed in the needed precautions, to be quite free from +the charge of timidity, adding the hope that since she +understands the danger, she will take better care of herself in +the future. + +This calls forth another letter, in which Mlle. de Rambouillet +says, "One never fears to see those whom one loves. I would have +given much, for your sake, if this had not occurred." She closes +this spicy correspondence, however, with a very affectionate +letter which calms the ruffled temper of her sensitive companion. + +Mme. de Sable has another friend, Mlle. d'Attichy, who figures +quite prominently in the social life of a later period, as the +Comtesse de Maure. "This lady was just leaving Paris to visit +her in the country, when she learned that Mme. de Sable had +written to Mme. de Rambouillet that she could conceive of no +greater happiness than to pass her life alone with Julie +d'Angennes. This touches her sensibilities so keenly that she +changes her plans, and refuses to visit one who could find her +pleasure away from her. Mme. de Sable tries in vain to appease +her exacting friend, who replies to her explanations by a long +letter in which she recalls their tender and inviolable +friendship, and closes with these words: + +Malheurteuse est l'ignorance, +Et plus malheureux le savoir. + +Having thus lost a confidence which alone rendered life +supportable to me, I cannot dream of taking the journey so much +talked of; for there would be no propriety in traveling sixty +leagues at this season, in order to burden you with a person so +uninteresting to you, that after years of a passion without +parallel you cannot help thinking that the greatest pleasure +would consist in passing life without her. I return then into my +solitude, to examine the faults which cause me so much +unhappiness, and unless I can correct them, I should have less +joy than confusion in seeing you. I kiss your hands very humbly. + +How this affair was adjusted does not appear, but as they +remained devoted friends through life, unable to live apart, or +pass a day happily without seeing each other, it evidently did +not end in a serious alienation. It suggests, however, a +delicacy and an exaltation of feeling which we are apt to accord +only to love, and which go far toward disproving the verdict of +Mongaigne, that "the soul of a woman is not firm enough for so +durable a tie as friendship." + +We like to dwell upon these inner phases of a famous and powerful +coterie, not only because they bring before us so vividly the +living, moving, thinking, loving women who composed it, letting +us into their intimate life with its quiet shadings, its +fantastic humors, and its wayward caprices, but because they lead +us to the fountain head of a new form of literary expression. We +have seen that the formal letters of Balzac were among the early +entertainments of the Hotel de Rambouillet, and that Voiture had +a witty or sentimental note for every occasion. Mlle. de Scudery +held a ready pen, and was in the habit of noting down in her +letters to absent friends the conversation, which ran over a +great variety of topics, from the gossip of the moment to the +gravest questions. There was no morning journal with its columns +of daily news, no magazine with its sketches of contemporary +life, and these private letters were passed from one to another +to be read and discussed. The craze for clever letters spread. +Conversations literally overflowed upon paper. A romantic +adventure, a bit of scandal, a drawing room incident, or a +personal pique, was a fruitful theme. Everybody aimed to excel +in an art which brought a certain prestige. These letters, most +of which had their brief day, were often gathered into little +volumes. Many have long since disappeared, or found burial in +the dust of old libraries from which they are occasionally +exhumed to throw fresh light upon some forgotten nook and by way +of an age whose habits and manners, virtues and follies, they so +faithfully record. A few, charged with the vitality of genius, +retain their freshness and live among the enduring monuments of +the society that gave them birth. The finest outcome of this +prevailing taste was Mme. de Sevigne, who still reigns as the +queen of graceful letter writers. Although her maturity belongs +to a later period, she was familiar with the Rambouillet circle +in her youth, and inherited its best spirit. + +The charm of this literature is its spontaneity. It has no +ulterior aim, but delights in simple expression. These people +write because they like to write. They are original because they +sketch from life. There is something naive and fresh in their +vivid pictures. They give us all the accessories. They tell us +how they lived, how they dressed, how they thought, how they +acted. They talk of their plans, their loves, and their private +piques, with the same ingenuous frankness. They condense for us +their worldly philosophy, their sentiments, and their experience. +The style of these letters is sometimes heavy and stilted, the +wit is often strained and far-fetched, but many of them are +written with an easy grace and a lightness of touch as +fascinating as inimitable. + +The marriage of Julie d'Angennes, in 1645, deprived the Hotel de +Rambouillet of one of its chief attractions. It was only through +the earnest wish of her family that, after a delay of thirteen +years, she yielded at last to the persevering suit of the +Marquis, afterwards the Duc de Montausier, and became his wife. +She was then thirty-eight, and he three years younger. The +famous "Guirlande de Julie," which he dedicated and presented to +her, still exists, as the unique memorial of his patient and +enduring love. This beautiful volume, richly bound, decorated +with a flower exquisitely painted on each of the twenty-nine +leaves and accompanied by a madrigal written by the Marquis +himself or by some of the poets who frequented her house, was a +remarkable tribute to the graces of the woman whose praises were +so delicately sung. The faithful lover, who was a Protestant, +gave a crowning proof of his devotion, in changing his religion. +So much adoration could hardly fail to touch the most capricious +and obdurate of hearts. + +We cannot dismiss this woman, whom Cousin regards as the most +accomplished type of the society she adorned, without a word +more. Though her ambition was gratified by the honors that fell +upon her husband, who after holding many high positions was +finally entrusted with the education of the Dauphin; and though +her own appointment of dame d'honneur to the Queen gave her an +envied place at court, we trace with regret the close of her +brilliant career. As has been already indicated, she added to +much esprit a character of great sweetness, and manners facile, +gracious, even caressing. With less elevation, less +independence, and less firmness than her mother, she had more of +the sympathetic quality, the frank unreserve, that wins the +heart. No one had so many adorers; no one scattered so many +hopeless passions; no one so gently tempered these into +friendships. She knew always how to say the fitting word, to +charm away the clouds of ill humor, to conciliate opposing +interests. But this spirit of complaisance which, however +charming it may be, is never many degrees removed from the spirit +of the courtier, proved to be the misfortune of her later life. +Too amiable, perhaps too diplomatic, to frown openly upon the +King's irregularities, she was accused, whether justly or +otherwise, of tacitly favoring his relations with Mme. De +Montespan. The husband of this lady took his wife's infidelity +very much to heart, and, failing to find any redress, forced +himself one day into the presence of Madam de Montausier, and +made a violent scene which so affected her that she fell into a +profound melancholy and an illness from which she never rallied. +There is always an air of mystery thrown about this affair, and +it is difficult to fathom the exact truth; but the results were +sufficiently tragical to the woman who was quoted by her age as a +model of virtue and decorum. + +In 1648, the troubles of the Fronde, which divided friends and +added fuel to petty social rivalries, scattered the most noted +guests of the Hotel de Rambouillet. Voiture was dead; Angelique +Paulet died two years later. The young Marquis de Pisani, the +only son and the hope of his family, had fallen with many brave +comrades on the field of Nordlingen. Of the five daughters, +three were abbesses of convents. The health of the Marquise, +which had always been delicate, was still further enfeebled by +the successive griefs which darkened her closing years. Her +husband, of whom we know little save that he was sent on various +foreign missions, and "loved his wife always as a lover," died in +1652. She survived him thirteen years, living to see the death +of her youngest daughter, Angelique, wife of the Comte de Grignan +who was afterwards the son-in-law of Mme. de Sevigne. She +witnessed the elevation of her favorite Julie, but was spared the +grief of her death which occurred five or six years after her +own. The aged Marquise, true to her early tastes, continued to +receive her friends in her ruelle, and her salon had a brief +revival when the Duchesse de Montausier returned from the +provinces, after the second Fronde; but its freshness had faded +with its draperies of blue and gold. The brilliant company that +made it so famous was dispersed, and the glory of the Salon Bleu +was gone. + +There is something infinitely pathetic in the epitaph this much- +loved and successful woman wrote for herself when she felt that +the end was near: + +Ici git Arthenice, exempte des rigueurs +Don't la rigueur du sort l'a touours poursuivie. +Et si tu veux, passant, compter tous ses malheurs, +Tu n'aura qu'a, compter les moments de sa vie. + +The spirit of unrest is there beneath the calm exterior. It may +be some hidden wound; it may be only the old, old weariness, the +inevitable burden of the race. "Mon Dieu!" wrote Mme. de +Maintenon, in the height of her worldly success, "how sad life +is! I pass my days without other consolation than the thought +that death will end it all." + +Mme. de Rambouillet had worked unconsciously toward a very +important end. She found a language crude and inelegant, manners +coarse and licentious, morals dissolute and vicious. Her +influence was at its height in the age of Corneille and +Descartes, and she lived almost to the culmination of the era of +Racine and Moliere, of Boileau and La Bruyere, of Bossuet and +Fenelon, the era of simple and purified language, of refined and +stately manners, and of at least outward respect for morality. +To these results she largely contributed. Her salon was the +social and literary power of the first half of the century. In +an age of political espionage, it maintained its position and its +dignity. It sustained Corneille against the persecutions of +Richelieu, and numbered among its habitues the founders of the +Academie Francaise, who continued the critical reforms begun +there. + +As a school of politeness, it has left permanent traces. This +woman of fine ideals and exalted standards exacted of others the +purity of character, delicacy of thought, and urbanity of manner, +which she possessed in so eminent a degree herself. Her code was +founded upon the best instincts of humanity, and whatever +modifications of form time has wrought its essential spirit +remains unchanged. "Politeness does not always inspire goodness, +equity, complaisance, gratitude," says La Bruyere, "but it gives +at least the appearance of these qualities, and makes man seem +externally what he ought to be internally." + +It was in this salon, too, that the modern art of conversation, +which has played so conspicuous a part in French life, may be +said to have had its birth. Men and women met on a footing of +equality, with similar tastes and similar interests. Different +ranks and conditions were represented, giving a certain +cosmopolitan character to a society which had hitherto been +narrow in its scope and limited in its aims. Naturally +conversation assumed a new importance, and was subject to new +laws. To quote again from LaBruyere, who has so profoundly +penetrated the secrets of human nature: "The esprit of +conversation consists much less in displaying itself than in +drawing out the wit of others . . . Men do not like to admire +you, they wish to please; they seek less to be instructed or even +to be entertained, than to be appreciated and applauded, and the +most delicate pleasure is to make that of others." "To please +others," says La Rochefoucauld, "one must speak of the things +they love and which concern them, avoid disputes upon indifferent +maters, ask questions rarely, and never let them think that one +is more in the right than themselves." + +Many among the great writers of the age touch in the same tone +upon the philosophy underlying the various rules of manners and +conversation which were first discussed at the Hotel de +Rambouillet, and which have passed into permanent though +unwritten laws--unfortunately a little out of fashion in the +present generation. + +It is difficult to estimate the impulse given to intelligence and +literary taste by this breaking up of old social +crystallizations. What the savant had learned in his closet +passed more or less into current coin. Conversation gave point +to thought, clearness to expression, simplicity to language. +Women of rank and recognized ability imposed the laws of good +taste, and their vivid imaginations changed lifeless abstractions +into something concrete and artistic. Men of letters, who had +held an inferior and dependent position, were penetrated with the +spirit of a refined society, while men of the world, in a circle +where wit and literary skill were distinctions, began to aspire +to the role of a bel esprit, to pride themselves upon some +intellectual gift and the power to write without labor and +without pedantry, as became their rank. Many of them lacked +seriousness, dealing mainly with delicate fancies and trivial +incidents, but pleasures of the intellect and taste became the +fashion. Burlesques and chansons disputed the palm with madrigals +and sonnets. A neatly turned epigram or a clever letter made a +social success. + +Perhaps it was not a school for genius of the first order. +Society favors graces of form and expression rather than profound +and serious thought. No Homer, nor Aeschylus, nor Milton, nor +Dante is the outgrowth of such a soil. The prophet or seer +shines by the light of his own soul. He deals with problems and +emotions that lie deep in the pulsing heart of humanity, but he +does not best interpret his generation. It is the man living +upon the level of his time, and finding his inspiration in the +world of events, who reflects its life, marks its currents, and +registers its changes. Matthew Arnold has aptly said that "the +qualities of genius are less transferable than the qualities of +intelligence, less can be immediately learned and appropriated +from their product; they are less direct and stringent +intellectual agencies, though they may be more beautiful and +divine." It was this quality of intelligence that eminently +characterized the literature of the seventeenth century. It was +a mirror of social conditions, or their natural outcome. The +spirit of its social life penetrated its thought, colored its +language, and molded its forms. We trace it in the letters and +vers de societe which were the pastime of the Hotel de +Rambouillet and the Samedis of Mlle. de Scudery, as well as in +the romances which reflected their sentiments and pictured their +manners. We trace it in the literary portraits which were the +diversion of the coterie of Mademoiselle, at the Luxembourg, and +in the voluminous memoirs and chronicles which grew out of it. +We trace it also in the "Maxims" and "Thoughts" which were polished +and perfected in the convent salon of Mme. de Sable, and were the +direct fruits of a wide experience and observation of the great +world. It would be unfair to say that anything so complex as the +growth of a new literature was wholly due to any single +influence, but the intellectual drift of the time seems to have +found its impulse in the salons. They were the alembics in which +thought was fused and crystallized. They were the schools in +which the French mind cultivated its extraordinary clearness and +flexibility. + +As the century advanced, the higher literature was tinged and +modified by the same spirit. Society, with its follies and +affectations, inspired the mocking laughter of Moliere, but its +unwritten laws tempered his language and refined his wit. Its +fine urbanity was reflected in the harmony and delicacy of +Racine, as well as in the critical decorum of Boileau. The +artistic sentiment rules in letters, as in social life. It was +not only the thought that counted, but the setting of the +thought. The majestic periods of Bossuet, the tender +persuasiveness of Fenelon, gave even truth a double force. The +moment came when this critical refinement, this devotion to form, +passed its limits, and the inevitable reaction followed. The +great literary wave of the seventeenth century reached its +brilliant climax and broke upon the shores of a new era. But the +seeds of thought had been scattered, to spring up in the great +literature of humanity that marked the eighteenth century. + + +CHAPTER III. MADEMOISELLE DE SCUDERY AND THE SAMEDIS +Salons of the Noblesse--"The Illustrious Sappho"--Her Romances-- +The Samedis--Bon Mots of Mme. Cornuel--Estimate of Mlle. de Scudery + +There were a few contemporary salons among the noblesse, modeled +more or less after the Hotel de Rambouillet, but none of their +leaders had the happy art of conciliating so many elements. They +had a literary flavor, and patronized men of letters, often +doubtless, because it was the fashion and the name of a well- +known litterateur gave them a certain eclat; but they were not +cosmopolitan, and have left no marked traces. One of the most +important of these was the Hotel de Conde, over which the +beautiful Charlotte de Montmorency presided with such dignity and +grace, during the youth of her daughter, the Duchesse de +Longueville. Another was the Hotel de Nevers, where the gifted +Marie de Gonzague, afterward Queen of Poland, and her charming +sister, the Princesse Palatine, were the central attractions of a +brilliant and intellectual society. Richelieu, recognizing the +power of the Rambouillet circle, wished to transfer it to the +salon of his niece at the Petit Luxembourg. We have a glimpse of +the young and still worldly Pascal, explaining here his +discoveries in mathematics and his experiments in physics. The +tastes of this courtly company were evidently rather serious, as +we find another celebrity, of less enduring fame, discoursing +upon the immortality of the soul. But the rank, talent, and +masterful character of the Duchesse d'Aiguillon did not suffice +to give her salon the wide influence of its model; it was tainted +by her own questionable character, and always hampered by the +suspicion of political intrigues. + +There were smaller coteries, however, which inherited the spirit +and continued the traditions of the Hotel de Rambouillet. +Prominent among these was that of Madeleine de Scudery, who held +her Samedis in modest fashion in the Marais. These famous +reunions lacked the prestige and the fine tone of their model, +but they had a definite position, and a wide though not +altogether favorable influence. As the forerunner of Mme. de La +Fayette and Mme. de Sevigne, and one of the most eminent literary +women of the century with which her life ran parallel, Mlle. de +Scudery has a distinct interest for us and it is to her keen +observation and facile pen that we are indebted for the most +complete and vivid picture of the social life of the period. + +The "illustrious Sappho," as she was pleased to be called, +certainly did not possess the beauty popularly accorded to her +namesake and prototype. She was tall and thin, with a long, +dark, and not at all regular face; Mme. Cornuel said that one +could see clearly "she was destined by Providence to blacken +paper, as she sweat ink from every pore." But, if we may credit +her admirers, who were numerous, she had fine eyes, a pleasing +expression, and an agreeable address. She evidently did not +overestimate her personal attractions, as will be seen from the +following quatrain, which she wrote upon a portrait made by one +of her friends. + +Nanteuil, en faisant mon image, +A de son art divin signale le pouvoir; +Je hais mes yeux dans mon miroir, +Je les aime dans son ouvrage. + +She had her share, however, of small but harmless vanities, and +spoke of her impoverished family, says Tallemant, "as one might +speak of the overthrow of the Greek empire." Her father belonged +to an old and noble house of Provence, but removed to Normandy, +where he married and died, leaving two children with a heritage +of talent and poverty. A trace of the Provencal spirit always +clung to Madeleine, who was born in 1607, and lived until the +first year of the following century. After losing her mother, +who is said to have been a woman of some distinction, she was +carefully educated by an uncle in all the accomplishments of the +age, as well as in the serious studies which were then unusual. +According to her friend Conrart she was a veritable encyclopedia +of knowledge both useful and ornamental. "She had a prodigious +imagination," he writes, "an excellent memory, an exquisite +judgment, a lively temper, and a natural disposition to +understand everything curious which she saw done, and everything +laudable which she heard talked of. She learned the things that +concern agriculture, gardening, housekeeping, cooking, and a life +in the country; also the causes and effects of maladies, the +composition of an infinite number of remedies, perfumes, scented +waters and distillations useful or agreeable. She wished to play +the lute, and took some lessons with success." In addition to +all this, she mastered Spanish and Italian, read extensively and +conversed brilliantly. At the death of her uncle and in the +freshness of her youth, she went to Paris with her brother who +had some pretension as a poet and dramatic writer. He even posed +as a rival of Corneille, and was sustained by Richelieu, but time +has long since relegated him to comparative oblivion. His +sister, who was a victim of his selfish tyranny, is credited with +much of the prose which appeared under his name; indeed, her +first romances were thus disguised. Her love for conversation +was so absorbing, that he is said to have locked her in her room, +and refused her to her friends until a certain amount of writing +was done. But, in spite of this surveillance, her life was so +largely in the world that it was a mystery when she did her +voluminous work. + +Of winning temper and pleasing address, with this full equipment +of knowledge and imagination, versatility and ambition, she was +at an early period domesticated in the family of Mme. de +Rambouillet as the friend and companion of Julie d'Angennes. Her +graces of mind and her amiability made her a favorite with those +who frequented the house, and she was thus brought into close +contact with the best society of her time. She has painted it +carefully and minutely in the "Grand Cyrus," a romantic allegory in +which she transfers the French aristocracy and French manners of +the seventeenth century to an oriental court. The Hotel de +Rambouillet plays an important part as the Hotel Cleomire. When +we consider that the central figures were the Prince de Conde and +his lovely sister the Duchesse de Longueville, also that the most +distinguished men and women of the age saw their own portraits, +somewhat idealized but quite recognizable through the thin +disguise of Persians, Greeks, Armenians, or Egyptians, it is easy +to imagine that the ten volumes of rather exalted sentiment were +eagerly sought and read. She lacked incident and constructive +power, but excelled in vivid portraits, subtle analysis, and fine +conversations. She made no attempt at local color; her plots +were strained and unnatural, her style heavy and involved. But +her penetrating intellect was thoroughly tinged with the romantic +spirit, and she had the art of throwing a certain glamour over +everything she touched. Cousin, who has rescued the memory of +Mlle. de Scudery from many unjust aspersions, says that she was +the "creator of the psychological romance." Unquestionably her +skill in character painting set the fashion for the pen portraits +which became a mania a few years later. + +She depicts herself as Sapppho, whose opinions may be supposed to +reflect her own. In these days, when the position of women is +discussed from every possible point of view, it may be +interesting to know how it was regarded by one who represented +the thoughtful side of the age in which their social power was +first distinctly asserted. She classes her critics and enemies +under several heads. Among them are the "light and coquettish +women whose only occupation is to adorn their persons and pass +their lives in fetes and amusements--women who think that +scrupulous virtue requires them to know nothing but to be the +wife of a husband, the mother of children, and the mistress of a +family; and men who regard women as upper servants, and forbid +their daughters to read anything but their prayer books." + +"One does not wish women to be coquettes," she writes again, "but +permits them to learn carefully all that fits them for gallantry, +without teaching them anything which can fortify their virtue or +occupy their minds. They devote ten or a dozen years to learning +to appear well, to dress in good style, to dance and sing, for +five or six; but this same person, who requires judgment all her +life and must talk until her last sigh, learns nothing which can +make her converse more agreeably, or act with more wisdom." + +But she does not like a femme savante, and ridicules, under the +name of Damophile, a character which might have been the model +for Moliere's Philaminte. This woman has five or six masters, of +whom the least learned teaches astrology. She poses as a Muse, +and is always surrounded with books, pencils, and mathematical +instruments, while she uses large words in a grave and imperious +tone, although she speaks only of little things. After many long +conversations about her, Sappho concludes thus: "I wish it to be +said of a woman that she knows a hundred things of which she does +not boast, that she has a well-informed mind, is familiar with +fine works, speaks well, writes correctly, and knows the world; +but I do not wish it to be said of her that she is a femme +savante. The two characters have no resemblance." She evidently +recognized the fact that when knowledge has penetrated the soul, +it does not need to be worn on the outside, as it shines through +the entire personality. + +After some further discussion, to the effect that the wise woman +will conceal superfluous learning and especially avoid pedantry, +she defines the limit to which a woman may safely go in knowledge +without losing her right to be regarded as the "ornament of the +world, made to be served and adored." + +One may know some foreign languages and confess to reading Homer, +Hesiod, and the works of the illustrious Aristee (Chapelain), +without being too learned. One may express an opinion so +modestly that, without offending the propriety of her sex, she +may permit it to be seen that she has wit, knowledge, and +judgment. That which I wish principally to teach women is not to +speak too much of that which they know well, never to speak of +that which they do not know at all, and to speak reasonably. + +We note always a half-apologetic tone, a spirit of compromise +between her conscious intelligence and the traditional prejudice +which had in no wise diminished since Martial included, in his +picture of a domestic menage, a wife not too learned..." She is +not willing to lose a woman's birthright of love and devotion, +but is not quite sure how far it might be affected by her ability +to detect a solecism. Hence, she offers a great deal of subtle +flattery to masculine self-love. With curious naivete she says: + +Whoever should write all that was said by fifteen or twenty women +together would make the worst book in the world, even if some of +them were women of intelligence. But if a man should enter, a +single one, and not even a man of distinction, the same +conversation would suddenly become more spirituelle and more +agreeable. The conversation of men is doubtless less sprightly +when there are no women present; but ordinarily, although it may +be more serious, it is still rational, and they can do without us +more easily than we can do without them. + +She attaches great importance to conversation as "the bond of +society, the greatest pleasure of well-bred people, and the best +means of introducing, not only politeness into the world, but a +purer morality." She dwells always upon the necessity of "a +spirit of urbanity, which banishes all bitter railleries, as well +as everything that can offend the taste, " also of a certain +"esprit de joie." + +We find here the code which ruled the Hotel de Rambouillet, and +the very well-defined character of the precieuse. But it may be +noted that Mlle. de Scudery, who was among the avant-coureurs of +the modern movement for the advancement of women, always +preserved the forms of the old traditions, while violating their +spirit. True to her Gallic instincts, she presented her +innovations sugar-coated. She had the fine sense of fitness +which is the conscience of her race, and which gave so much power +to the women who really revolutionized society without +antagonizing it. + +Her conversations, which were full of wise suggestions and showed +a remarkable insight into human character, were afterwards +published in detached form and had a great success. Mme. de +Sevigne writes to her daughter: "Mlle. De Scudery has just sent +me two little volumes of conversations; it is impossible that +they should not be good, when they are not drowned in a great +romance." + +When the Hotel de Rambouillet was closed, Mlle. de Scudery tried +to replace its pleasant reunions by receiving her friends on +Saturdays. These informal receptions were frequented by a few +men and women of rank, but the prevailing tone was literary and +slightly bourgeois. We find there, from time to time, Mme. de +Sable, the Duc and Duchesse de Montausier, and others of the old +circle who were her lifelong friends. La Rochefoucauld is there +occasionally, also Mme. de. La Fayette, Mme. de Sevigne, and the +young Mme. Scarron whose brilliant future is hardly yet in her +dreams. Among those less known today, but of note in their age, +were the Comtesse de la Suze, a favorite writer of elegies, who +changed her faith and became a Catholic, as she said, that she +"might not meet her husband in this world or the next;" the +versatile Mlle. Cheron who had some celebrity as a poet, +musician, and painter; Mlle. de la Vigne and Mme. Deshoulieres, +also poets; Mlle. Descartes, niece of the great philosopher; and, +at rare intervals, the clever Abbess de Rohan who tempered her +piety with a little sage worldliness. One of the most brilliant +lights in this galaxy of talent was Mme. Cornuel, whose bons mots +sparkle from so many pages in the chronicles of the period. A +woman of high bourgeois birth and of the best associations, she +had a swift vision, a penetrating sense, and a clear intellect +prompt to seize the heart of a situation. Mlle. De Scudery said +that she could paint a grand satire in four words. Mme. de +Sevigne found her admirable, and even the grave Pomponne begged +his friend not to forget to send him all her witticisms. Of the +agreeable but rather light Comtesse de Fiesque, she said: "What +preserves her beauty is that it is salted in folly." Of James II +of England, she remarked, "The Holy Spirit has eaten up his +understanding." The saying that the eight generals appointed at +the death of Turenne were "the small change for Turenne" has been +attributed to her. It is certainly not to a woman of such keen +insight and ready wit that one can attach any of the affectations +which later crept into the Samedis. + +The poet Sarasin is the Voiture of this salon. Conrart, to whose +house may be traced the first meetings of the little circle of +lettered men which formed the nucleus of the Academie Francaise, +is its secretary; Pellisson, another of the founders and the +historian of the same learned body, is its chronicler. Chapelain +is quite at home here, and we find also numerous minor authors +and artists whose names have small significance today. The +Samedis follow closely in the footsteps of the Hotel de +Rambouillet. It is the aim there to speak simply and naturally +upon all subjects grave or gay, to preserve always the spirit of +delicacy and urbanity, and to avoid vulgar intrigues. There is a +superabundance of sentiment, some affectation, and plenty of +esprit. + +They converse upon all the topics of the day, from fashion to +politics, from literature and the arts to the last item of +gossip. They read their works, talk about them, criticize them, +and vie with one another in improvising verses. Pellisson takes +notes and leaves us a multitude of madrigals, sonnets, chansons +and letters of varied merit. He says there reigned a sort of +epidemic of little poems. "The secret influence began to fall +with the dew. Here one recites four verses; there, one writes a +dozen. All this is done gaily and without effort. No one bites +his nails, or stops laughing and talking. There are challenges, +responses, repetitions, attacks, repartees. The pen passes from +hand to hand, and the hand does not keep pace with the mind. One +makes verses for every lady present." Many of these verses were +certainly not of the best quality, but it would be difficult, in +any age, to find a company of people clever enough to divert +themselves by throwing off such poetic trifles on the spur of the +moment. + +In the end, the Samedis came to have something of the character +of a modern literary club, and were held at different houses. +The company was less choice, and the bourgeois coloring more +pronounced. These reunions very clearly illustrated the fact +that no society can sustain itself above the average of its +members. They increased in size, but decreased in quality, with +the inevitable result of affectation and pretension. +Intelligence, taste, and politeness were in fashion. Those who +did not possess them put on their semblance, and, affecting an +intellectual tone, fell into the pedantry which is sure to grow +out of the effort to speak above one's altitude. The fine-spun +theories of Mlle. de Scudery also reached a sentimental climax in +"Clelie," which did not fail of its effect. Platonic love and the +ton galant were the texts for innumerable follies which finally +reacted upon the Samedis. After a few years, they lost their +influence and were discontinued. But Mlle. de Scudery retained +the position which her brilliant gifts and literary fame had +given her, and was the center of a choice circle of friends until +a short time before her death at the ripe age of ninety-four. +Even Tallemant, writing of the decline of these reunions, says, +"Mlle. De Scudery is more considered than ever." At sixty-four +she received the first Prix D'Eloquence from the Academie +Francaise, for an essay on Glory. This prize was founded by +Balzac, and the subject was specified. Thus the long procession +of laureates was led by a woman. + +In spite of her subtle analysis of love, and her exact map of the +Empire of Tenderness, the sentiment of the "Illustrious Sappho" +seems to have been rather ideal. She had numerous adorers, of +whom Conrart and Pellisson were among the most devoted. During +the long imprisonment of the latter for supposed complicity with +Fouquet, she was of great service to him, and the tender +friendship ended only with his life, upon which she wrote a +touching eulogy at its close. But she never married. She feared +to lose her liberty. "I know," she writes, "that there are many +estimable men who merit all my esteem and who can retain a part +of my friendship, but as soon as I regard them as husbands, I +regard them as masters, and so apt to become tyrants that I must +hate them from that moment; and I thank the gods for giving me an +inclination very much averse to marriage." + +It was the misfortune of Mlle. de Scudery to outlive her literary +reputation. The interminable romances which had charmed the +eloquent Flechier, the Grand Conde in his cell at Vincennes, the +ascetic d'Andilly at Port Royal, as well as the dreaming maidens +who signed over their fanciful descriptions and impossible +adventures, passed their day. The touch of a merciless criticism +stripped them of their already fading glory. Their subtle +analysis and etherealized sentiment were declared antiquated, and +fashion ran after new literary idols. It was Boileau who gave +the severest blow. "This Despreaux," said Segrais, "knows how to +do nothing else but talk of himself and criticize others; why +speak ill of Mlle. de Scudery as he has done?" + +There has been a disposition to credit the founder of the Samedis +with many of the affectations which brought such deserved +ridicule upon their bourgeois imitators, and to trace in her the +original of Moliere's "Madelon." But Cousin has relieved her of +such reproach, and does ample justice to the truth and sincerity +of her character, the purity of her manners, and the fine quality +of her intellect. He calls her "a sort of French sister of +Addison." Perhaps her resemblance to one of the clearest, +purest, and simplest of English essayists is not quite apparent +on the surface; but as a moralist and a delineator of manners she +may have done a similar work in her own way. + +Sainte-Beuve, who has left so many vivid and exquisite portraits +of his countrywomen, does not paint Mlle. de Scudery with his +usual kindly touch. He admits her merit, her accomplishments, +her versatility, and the perfect innocence of her life; but he +finds her didactic, pedantic, and tiresome as a writer, and +without charm or grace as a woman. Doubtless one would find it +difficult to read her romances today. She lacks the genius which +has no age and belongs to all ages. Her literary life pertains +to the first half of the seventeenth century, when style had not +reached the Attic purity and elegance of a later period. She was +teacher rather than artist; but no one could be farther from a +bas bleu, or more severe upon pedantry or pretension of any sort. +She takes the point of view of her time, and dwells always upon +the wisdom of veiling the knowledge she claims for her sex behind +the purely feminine graces. How far she practiced her own +theories, we can know only from the testimony of her +contemporaries. It is not possible to perpetuate so indefinable +a thing as personal charm, but we are told repeatedly that she +had it in an eminent degree. It is certain that no woman without +beauty, fortune, or visible rank, living simply and depending +mainly upon her own talents, could have retained such powerful +and fastidious friends, during a long life, unless she had had +some rare attractions. That she was much loved, much praised, +and much sought, we have sufficient evidence among the writers of +her own time. She was familiarly spoken of as the tenth Muse, +and she counted among her personal friends the greatest men and +women of the century. Leibnitz sought her correspondence. The +Abbe de Pure, who was not friendly to the precieuses and made the +first severe attack upon them, thus writes of her: "One may call +Mlle. de Scudery the muse of our age and the prodigy of her sex. +It is not only her goodness and her sweetness, but her intellect +shines with so much modesty, her sentiments are expressed with so +much reserve, she speaks with so much discretion, and all that +she says is so fit and reasonable, that one cannot help both +admiring and loving her. Comparing what one sees of her, and +what one owes to her personally, with what she writes, one +prefers, without hesitation, her conversation to her works. +Although she has a wonderful mind, her heart outweighs it. It is +in the heart of this illustrious woman that one finds true and +pure generosity, an immovable constancy, a sincere and solid +friendship." + +The loyalty of her character was conspicuously shown in her brave +devotion to the interests of the Conde family, through all the +reverses of the Fronde. In one of her darkest moments Mme. de +Longueville received the last volume of the "Grand Cyrus," which +was dedicated to her, and immediately sent her own portrait +encircled with diamonds, as the only thing she had left worthy of +this friend who, without sharing ardently her political +prejudices, had never deserted her waning fortunes. The same +rare quality was seen in her unwavering friendship for Fouquet, +during his long disgrace and imprisonment. Mme. de Sevigne, +whose satire was so pitiless toward affectation of any sort, +writes to her in terms of exaggerated tenderness. + +"In a hundred thousand words, I could tell you but one truth, +which reduces itself to assuring you, Mademoiselle, that I shall +love you and adore you all my life; it is only this word that can +express the idea I have of your extraordinary merit. I am happy +to have some part in the friendship and esteem of such a person. +As constancy is a perfection, I say to myself that you will not +change for me; and I dare to pride myself that I shall never be +sufficiently abandoned of God not to be always yours . . . I +take to my son your conversations. I wish him to be charmed with +them, after being charmed myself." + +Mlle. de Scudery is especially interesting to us as marking a +transition point in the history of women; as the author of the +first romances of any note written by her sex; as a moral teacher +in an age of laxity; and as a woman who combined high +aspirations, fine ideals, and versatile talents with a pure and +unselfish character. She aimed at universal accomplishments +from the distillation of a perfume to the writing of a novel, +from the preparation of a rare dish to fine conversation, from +playing the lute to the dissection of the human heart. In this +versatility she has been likened to Mme. de Genlis, whom she +resembled also in her moral teaching and her factitious +sensibility. She was, however, more genuine, more amiable, and +far superior in true elevation of character. She was full of +theories and loved to air them, hence the people who move across +the pages of her novels are often lost in a cloud of speculation. +But she gave a fresh impulse to literature, adding a fine quality +of grace, tenderness, and pure though often exaggerated +sentiment. Mme. de La Fayette, who had more clearness of mind as +well as a finer artistic sense, gave a better form to the novel +and pruned it of superfluous matter. The sentiment which casts +so soft and delicate a coloring over her romances was more subtle +and refined. It may be questioned, however, if she wrote so much +that has been incorporated in the thought of her time. + + +CHAPTER IV. LA GRANDE MADEMOISELLE +Her Character--Her Heroic Part in the Fronde--Her Exile-- +Literary Diversions of her Salon--A Romantic Episode + +There are certain women preeminently distinguished by diversity +of gifts, who fail to leave behind them a fame at all +commensurate with their promise. It may be from a lack of unity, +resulting from a series of fragmentary efforts, no one of which +is of surpassing excellence; it may be that the impression of +power they give is quite beyond any practical manifestation of +it; or it may be that talents in themselves remarkable are cast +into the shade by some exceptional brilliancy of position. The +success of life is measured by the harmony between its ideals and +its attainments. It is the symmetry of the temple that gives the +final word, not the breadth of its foundations nor the wealth of +its material. + +It was this lack of harmony and fine proportion which marred the +career of a woman who played a very conspicuous part in the +social and political life of her time, and who belongs to my +subject only through a single phase of a stormy and eventful +history. No study of the salons would be complete without that +of the Grande Mademoiselle, but it was not as the leader of a +coterie that she held her special claim to recognition. By the +accident of birth she stood apart, subject to many limitations +that modified the character of her salon and narrowed its scope, +though they emphasized its influence. It was only an incident of +her life, but through the quality of its habitues and their +unique diversions it became the source of an important +literature. + +Anne Marie Louise d'Orleans, Duchesse de Montpensier, has left a +very distinct record of herself in letters, romances, memoirs and +portraits, written out of an abounding fullness of nature, but +with infinite detail and royal contempt for precision and +orthography. She talks naively of her happy childhood, of her +small caprices, of the love of her grandmother, Marie de Medicis, +of her innocent impressions of the people about her. She dwells +with special pleasure upon a grand fete at the Palais Royal, in +which she posed as an incipient queen. She was then nineteen. +"They were three entire days in arranging my costume," she +writes. "My robe was covered with diamonds, and trimmed with +rose, black, and white tufts. I wore all the jewels of the crown +and of the Queen of England, who still had some left. No one +could be better or more magnificently attired than I was that +day, and many people said that my beautiful figure, my imposing +mien, my fair complexion, and the splendor of my blonde hair did +not adorn me less than all the riches which were upon my person." +She sat resplendent upon a raised dais, with the proud +consciousness of her right and power to grace a throne. Louis +XIV, than a child, and the Prince of Wales, afterwards Charles +II, were at her feet. The latter was a devoted suitor. "My +heart as well as my eyes regarded the prince de haut en bas," she +says. "I had the spirit to wed an emperor." + +There were negotiations for her marriage with the Emperor of +Austria, and she thought it wise to adapt herself in advance to +his tastes. She had heard that he was religious, and immediately +began to play the part of a devote so seriously, that she was +seized with a violent desire to become a veritable religieuse and +enter the convent of the Carmelites. She could neither eat nor +sleep, and it was feared that she would fall dangerously ill. "I +can only say that, during those eight days, the empire was +nothing to me," she writes. But she confesses to a certain +feeling of vanity at her own spirit of self-sacrifice, and the +sensibility which made her weep at the thought of leaving those +she loved. This access of piety was of short duration, however, +as her father quickly put to flight all her exalted visions of a +cloister. Her dreams of an emperor for whom she lost a +prospective king were alike futile. + +"She had beauty, talent, wealth, virtue, and a royal birth," says +Mme. de Motteville. "Her face was not without defects, and her +intellect was not one which always pleases. Her vivacity +deprived all her actions of the gravity necessary to people of +her rank, and her mind was too much carried away by her feelings. +As she was fair, had fine eyes, a pleasing mouth, was of good +height, and blonde, she had quite the air of a great beauty." +But it was beauty of a commanding sort, without delicacy, and +dependent largely upon the freshness of youth. The same +veracious writer says that "she spoiled all she went about by the +eagerness and impatience of her temper. She was always too hasty +and pushed things too far." What she may have lacked in grace +and charm, she made up by the splendors of rank and position. + +A princess by birth, closely related to three kings, and glowing +with all the fiery instincts of her race, the Grand Mademoiselle +curiously blended the courage of an Amazon with the weakness of a +passionate and capricious woman. As she was born in 1627, the +most brilliant days of her youth were passed amid the excitements +of the Fronde. She casts a romantic light upon these trivial +wars, which were ended at last by her prompt decision and +masculine force. We see her at twenty-five, riding victoriously +into the city of Orleans at the head of her troops and, later, +ordering the cannon at the Bastile turned against the royal +forces, and opening the gates of Paris to the exhausted army of +Conde. This adventure gives us the key-note to her haughty and +imperious character. She would have posed well for the heroine +of a great drama; indeed, she posed all her life in real dramas. + +At this time she had hopes of marrying the Prince de Conde, whom +she regarded as a hero worthy of her. His wife, an amiable woman +who was sent to a convent after her marriage to learn to read and +write, was dangerously ill, and her illustrious husband did not +scruple to make tacit arrangements to supply her place. +Unfortunately for these plans, and fortunately perhaps for a +certain interesting phase of literature, she recovered. Soon +afterwards, Mademoiselle found the reward of her heroic +adventures in a sudden exile to her estates at Saint Fargeau. +The country life, so foreign to her tastes, pressed upon her very +heavily at first, the more so as she was deserted by most of her +friends. "I received more compliments than visits," she writes. +"I had made everybody ill. All those who did not dare send me +word that they feared to embroil themselves with the court +pretended that some malady or accident had befallen them." By +degrees, however, she adapted herself to her situation, and in +her loneliness and disappointment betook herself to pursuits +which offered a strong contrast to the dazzling succession of +magnificent fetes and military episodes which had given variety +and excitement to her life at the Tuileries. When she grew tired +of her parrots, her dogs, her horses, her comedians and her +violin, she found solace in literature, beginning the "Memoirs," +which were finished thirty years later, and writing romances, +after the manner of Mlle. de Scudery. The drift of the first +one, "Les Nouvelles Francaises et les Divertissements de la +Princesse Aurelie," is suggested by its title. It was woven from +the little stories or adventures which were told to amuse their +solitude by the small coterie of women who had followed the +clouded fortunes of Mademoiselle. A romance of more pretension +was the "Princesse de Paphlagonie," in which the writer pictures +her own little court, and introduces many of its members under +fictitious names. These romances have small interest for the +world today, but the exalted position of their author and their +personal character made them much talked of in their time. + +It was in quite another fashion, however, that the Grande +Mademoiselle made her most important contribution to literature. +One day in 1657, while still in the country, she proposed to her +friends to make pen portraits of themselves, and set the fashion +by writing her own, with a detailed description of her physical, +mental, and moral qualities. This was followed by carefully +drawn pictures of others, among whom were Louis XIV, Monsieur, +and the Grand Conde. All were bound in honor to give the lights +and shadows with the same fidelity, though it would be hardly +wise to call them to too strict an account on this point. As may +be readily imagined, the result was something piquant and +original. That the amusement was a popular one goes without +saying. People like to talk of themselves, not only because the +subject is interesting, but because it gives them an opportunity +of setting in relief their virtues and tempering their foibles. +They like also to know what others think of them--at least, what +others say of them. It is too much to expect of human nature, +least of all, of French human nature, that an agreeable modicum +of subtle flattery should not be added under such conditions. + +When Mademoiselle opened her salon in the Luxembourg, on her +return from exile, these portraits formed one of its most marked +features. The salon was limited mainly to the nobility, with the +addition of a few men of letters. Among those who frequented it +on intimate terms were the Marquise de Sable, the Comtesse de +Maure, the beautiful and pure-hearted Mme. de Hautefort, the dame +d'honneur of Anne of Austria, so hopelessly adored by Louis XIII, +and Mme. de Choisy, the witty wife of the chancellor of the Duc +d'Orleans. Its most brilliant lights were Mme. de Sevigne, Mme. +de La Fayette, and La Rochefoucauld. It was here that Mme. de La +Fayette made the vivid portrait of her friend Mme. de Sevigne. +"It flatters me," said the latter long afterwards, "but those who +loved me sixteen years ago may have thought it true." The +beautiful Comtesse de Bregy, who was called one of the muses of +the time, portrayed the Princess Henrietta and the irrepressible +Queen Christine of Sweden. Mme. de Chatillon, known later as the +Duchesse de Mecklenbourg, who was mingled with all the intrigues +of this period, traces a very agreeable sketch of herself, which +may serve as a specimen of this interesting diversion. After +minutely describing her person, which she evidently regards with +much complacence, she continues: + +"I have a temper naturally cheerful and a little given to +raillery; but I correct this inclination, for fear of +displeasing. I have much esprit, and enter agreeably into +conversation. I have a pleasant voice and a modest air. I am +very sincere and do not fail my friends. I have not a trifling +mind, nor do I cherish a thousand small malices against my +neighbor. I love glory and fine actions. I have heart and +ambition. I am very sensitive to good and ill, but I never +avenge myself for the ill that has been done me, although I might +have the inclination; I am restrained by self-love. I have a +sweet disposition, take pleasure in serving my friends, and fear +nothing so much as the petty drawing-room quarrels which usually +grow out of little nothings. I find my person and my temper +constructed something after this fashion; and I am so satisfied +with both, that I envy no one. I leave to my friends or to my +enemies the care of seeking my faults." + +It was under this stimulating influence that La Rochefoucauld +made the well-known pen-portrait of himself. "I will lack +neither boldness to speak as freely as I can of my good +qualities," he writes, "nor sincerity to avow frankly that I have +faults." After describing his person, temper, abilities, +passions, and tastes, he adds with curious candor: "I am but +little given to pity, and do not wish to be so at all. +Nevertheless there is nothing I would not do for an afflicted +person; and I sincerely believe one should do all one can to show +sympathy for misfortune, as miserable people are so foolish that +this does them the greatest good in the world; but I also hold +that we should be content with expressing sympathy, and carefully +avoid having any. It is a passion that is wholly worthless in a +well-regulated mind, that only serves to weaken the heart, and +should be left to people, who, never doing anything from reason, +have need of passion to stimulate their actions. I love my +friends; and I love them to such an extent that I would not for a +moment weigh my interest against theirs. I condescend to them, I +patiently endure their bad temper. But I do not make much of +their caresses, and I do not feel great uneasiness at their +absence." + +It would be interesting to quote in full this sample of the close +and not always flattering self-analysis so much in fashion, but +its length forbids. Its revelation of the hidden springs of +character is at least unique. + +The poet Segrais, who was attached to Mademoiselle's household, +collected these graphic pictures for private circulation, but +they were so much in demand that they were soon printed for the +public under the title of "Divers Portraits." They served the +double purpose of furnishing to the world faithful delineations +of many more or less distinguished people and of setting a +literary fashion. The taste for pen-portraits, which originated +in the romances of Mlle. de Scudery, and received a fresh impulse +from this novel and personal application, spread rapidly among +all classes. It was taken up by men of letters and men of the +world, the nobility, and the bourgeoisie. There were portraits +of every grade of excellence and every variety of people, until +they culminated, some years later in "Les Caracteres" of La +Bruyere, who dropped personalities and gave them the form of +permanent types. It is a literature peculiarly adapted to the +flexibility and fine perception of the French mind, and one in +which it has been preeminent, from the analytic but diffuse Mlle. +de Scudery, and the clear, terse, spirited Cardinal de Retz, to +the fine, penetrating, and exquisitely finished Sainte-Beuve, the +prince of modern critics and literary artists. It was this skill +in vivid delineation that gave such point and piquancy to the +memoirs of the period, which are little more than a series of +brilliant and vigorous sketches of people outlined upon a +shifting background of events. In this rapid characterization +the French have no rivals. It is the charm of their fiction as +well as of their memoirs. Balzac, Victor Hugo, and Daudet, are +the natural successors of La Bruyere and Saint-Simon. + +The marriage of Louis XIV shattered one of the most brilliant +illusions of the Grande Mademoiselle, and it was about this time +that she wrote a characteristic letter to Mme. de Motteville, +picturing an Arcadia in some beautiful forest, where people are +free to do as they like. The most ardent apostle of socialism +could hardly dream of an existence more democratic or more +Utopian. These favored men and women lead a simple, pastoral +life. They take care of the house and the garden, milk the cows, +make cheese and cakes, and tend sheep on pleasant days. But this +rustic community must have its civilized amusements. They visit, +drive, ride on horseback, paint, design, play on the lute or +clavecin, and have all the new books sent to them. After reading +the lives of heroes and philosophers, the princess is convinced +that no one is perfectly happy, and that Christianity is +desirable, as it gives hope for the future. Her platonic and +Christian republic is composed of "amiable and perfect people," +but it is quite free from the entanglements of love and the +"vulgar institution of marriage." Mme. de Motteville replies +very gracefully, accepting many of these ideas, but as it is +difficult to repress love altogether, she thinks "one will be +obliged to permit that error which an old custom has rendered +legitimate, and which is called marriage." This curious +correspondence takes its color from the Spanish pastorals which +tinged the romantic literature of the time as well as its social +life. The long letters, carefully written on large and heavy +sheets yellow with age, have a peculiarly old-time flavor, and +throw a vivid light upon the woman who could play the role of a +heroine of Corneille or of a sentimental shepherdess, as the +caprice seized her. + +A tragical bit of romance colored the mature life of the Grande +Mademoiselle. She had always professed a great aversion to love, +regarding it as "unworthy of a well-ordered soul." She even went +so far as to say that it was better to marry from reason or any +other thing imaginable, dislike included, than from passion that +was, in any case, short-lived. But this princess of intrepid +spirit, versatile gifts, ideal fancies, and platonic theories, +who had aimed at an emperor and missed a throne; this amazon, +with her penchant for glory and contempt for love, forgot all her +sage precepts, and at forty-two fell a victim to a violent +passion for the Comte de Lauzun. She has traced its course to +the finest shades of sentiment. Her pride, her infatuation, her +scruples, her new-born humility--we are made familiar with them +all, even to the finesse of her respectful adorer, and the +reluctant confession of love which his discreet silence wrings +from her at last.. Her royal cousin, after much persuasion, +consented to the unequal union. The impression this affair made +upon the world is vividly shown in a letter written by Mme. de +Sevigne to her daughter: + +I am going to tell you a thing the most astonishing, the most +surprising, the most marvelous, the most miraculous, the most +triumphant, the most astounding, the most unheard of, the most +singular, the most extraordinary, the most incredible, the most +unexpected, the grandest, the smallest, the rarest, the most +common, the most dazzling, the most secret even until today, the +most brilliant, the most worthy of envy . . . . a thing in fine +which is to be done Sunday, when those who see it will believe +themselves dazed; a thing which is to be done Sunday and which +will not perhaps have been done Monday . . . M. de Lauzun +marries Sunday, at the Louvre--guess whom? . . . He marries +Sunday at the Louvre, with the permission of the King, +Mademoiselle, Mademoiselle de, Mademoiselle; guess the name; he +marries Mademoiselle, MA FOI, PAR MA FOI, MA FOI JUREE, +Mademoiselle, la grande Mademoiselle, Mademoiselle, daughter of +the late Monsieur, Mademoiselle, grand-daughter of Henry IV, +Mademoiselle d'Eu, Mademoiselle de Dombes, Mademoiselle de +Montpensier, Mademoiselle d'Orleans, Mademoiselle, cousin of the +king, Mademoiselle, destined to the throne, Mademoiselle, the +only parti in France worthy of Monsieur. VOILA a fine subject +for conversation. If you cry out, if you are beside yourself, if +you say that we have deceived you, that it is false, that one +trifles with you, that it is a fine bit of raillery, that it is +very stupid to imagine, if, in fine, you abuse us, we shall find +that you are right; we have done as much ourselves. + +In spite of the prudent warnings of her friends, the happy +princess could not forego the eclat of a grand wedding, and +before the hasty arrangements were concluded, the permission was +withdrawn. Her tears, her entreaties, her cries, her rage, and +her despair, were of no avail. Louis XIV took her in his arms, +and mingled his tears with hers, even reproaching her for the two +or three days of delay; but he was inexorable. Ten years of +loyal devotion to her lover, shortly afterward imprisoned at +Pignerol, and of untiring efforts for his release which was at +last secured at the cost of half her vast estates, ended in a +brief reunion. A secret marriage, a swift discovery that her +idol was of very common clay, abuse so violent that she was +obliged to forbid him forever her presence, and the +disenchantment was complete. The sad remnant of her existence +was devoted to literature and to conversation; the latter she +regarded as "the greatest pleasure in life, and almost the only +one." When she died, the Count de Lauzun wore the deepest +mourning, had portraits of her everywhere, and adopted +permanently the subdued colors that would fitly express the +inconsolable nature of his grief. + +Without tact or fine discrimination, the Grande Mademoiselle was +a woman of generous though undisciplined impulses, loyal +disposition, and pure character; but her egotism was colossal. +Under different conditions, one might readily imagine her a +second Joan of Arc, or a heroine of the Revolution. She says of +herself: "I know not what it is to be a heroine; I am of a birth +to do nothing that is not grand or elevated. One may call that +what one likes. As for myself, I call it to follow my own +inclination and to go my own way. I am not born to take that of +others." She lacked the measure, the form, the delicacy of the +typical precieuse; but her quick, restless intellect and ardent +imagination were swift to catch the spirit of the Hotel de +Rambouillet, and to apply it in an original fashion. Though many +subjects were interdicted in her salon, and many people were +excluded, it gives us interesting glimpses into the life of the +literary noblesse, and furnishes a complete gallery of pen- +portraits of more or less noted men and women. With all the +brilliant possibilities of her life, it was through the diversion +of her idle hours that this princess, author, amazon, prospective +queen, and disappointed woman has left the most permanent trace +upon the world. + + +CHAPTER V. A LITERARY SALON AT PORT ROYAL +Mme. de Sable--Her Worldly Life--Her Retreat--Her Friends-- +Pascal--The Maxims of La Rochefoucauld--Last Days of the Marquise + +The transition from the restless character and stormy experiences +of the Grande Mademoiselle, to the gentler nature and the convent +salon of her friend and literary confidante, Mme. de Sable, is a +pleasant one. Perhaps no one better represents the true +precieuse of the seventeenth century, the happy blending of +social savoir-faire with an amiable temper and a cultivated +intellect. Without the genius of Mme. de Sevigne or Mme. de La +Fayette, without the force or the rare attractions of Mme. de +Longueville, without the well-poised character and catholic +sympathies of Mme. de Rambouillet, she played an important part +in the life of her time, through her fine insight and her +consummate tact in bringing together the choicest spirits, and +turning their thoughts into channels that were fresh and unworn. +Born in 1599, Madeleine de Souvre passed her childhood in +Touraine, of which province her father was governor. In the +brilliancy of her youth, we find her in Paris among the early +favorites of the Hotel de Rambouillet, and on terms of lifelong +intimacy with its hostess and her daughter Julie. Beautiful, +versatile, generous, but fastidious and exacting in her +friendships, with a dash of coquetry--inevitable when a woman is +fascinating and French--she repeated the oft-played role of a +mariage de convenance at sixteen, a few brilliant years of +social triumphs marred by domestic neglect and suffering, a +period of enforced seclusion after the death of her unworthy +husband, a brief return to the world, and an old age of mild and +comfortable devotion. + +"The Marquise de Sable," writes Mme. de Motteville, "was one of +those whose beauty made the most sensation when the Queen (Anne +of Austria) came into France. But if she was amiable, she +desired still more to appear so. Her self-love rendered her a +little too sensible to that which men professed for her. There +was still in France some remnant of the politeness which +Catherine de Medicis had brought from Italy, and Mme. de Sable +found so much delicacy in the new dramas, as well as in other +works, in prose and verse, which came from Madrid, that she +conceived a high idea of the gallantry which the Spaniards had +learned from the Moors. She was persuaded that men may without +wrong have tender sentiments for women; that the desire of +pleasing them leads men to the greatest and finest actions, +arouses their spirit, and inspires them with liberality and all +sorts of virtues; but that, on the other side, women, who are the +ornaments of the world, and made to be served and adored, ought +to permit only respectful attentions. This lady, having +sustained her views with much talent and great beauty, gave them +authority in her time." + +The same writer says that she has "much light and sincerity," +with "penetration enough to unfold all the secrets of one's +heart." + +Mlle. de Scudery introduces her in the "Grand Cyrus," as Parthenie, +"a tall and graceful woman, with fine eyes, the most beautiful +throat in the world, a lovely complexion, blonde hair, and a +pleasant mouth, with a charming air, and a fine and eloquent +smile, which expresses the sweetness or the bitterness of her +soul." She dwells upon her surprising and changeful beauty, upon +the charm of her conversation, the variety of her knowledge, the +delicacy of her tact, and the generosity of her tender and +passionate heart. One may suspect this portrait of being +idealized, but it seems to have been in the main correct. + +Of her husband we know very little, excepting that he belonged to +the family of Montmorency, passed from violent love to heart- +breaking indifference, and died about 1640, leaving her with four +children and shattered fortunes. To recruit her failing health, +and to hide her chagrin and sorrow at seeing herself supplanted +by unworthy rivals, she had lived for some time in the country, +where she had leisure for the reading and reflection which fitted +her for her later life. But after the death of her husband she +was obliged to sell her estates, and we find her established in +the Place Royale with her devoted friend, the Comtesse de Maure, +and continuing the traditions of the Hotel de Rambouillet. Her +tastes had been formed in this circle, and she had also been +under the instruction of the Chevalier de Mere, a litterateur and +courtier who had great vogue, was something of an oracle, and +molded the character and manners of divers women of this period, +among others the future Mme. de Maintenon. His confidence in his +own power of bringing talent out of mediocrity was certainly +refreshing. Among his pupils was the Duchesse de Lesdiguieres, +who said to him one day, "I wish to have esprit."--"Eh bien, +Madame," replied the complaisant chevalier, "you shall have it." + +How much Mme. de Sable may have been indebted to this modest bel +esprit we do not know, but her finished manner, fine taste, +exquisite tact, cultivated intellect, and great experience of the +world made her an authority in social matters. To be received in +her salon was to be received everywhere. Cardinal Mazarin +watched her influence with a jealous eye. "Mme. de Longueville +is very intimate with the Marquise de Sable," he writes in his +private note book. "She is visited constantly by D'Andilly, the +Princesse de Guemene, d'Enghien and his sister, Nemours, and many +others. They speak freely of all the world. It is necessary to +have some one who will advise us of all that passes there." + +But the death of her favorite son--a young man distinguished for +graces of person, mind, heart, and character, who lost his life +in one of the battles of his friend and comrade, the Prince de +Conde--together with the loss of her fortune and the fading of +her beauty, turned the thoughts of the Marquise to spiritual +things. We find many traces of the state of mind which led her +first into a mild form of devotion, serious but not too ascetic, +and later into pronounced Jansenism. In a note to a friend who +had neglected her, she dwells upon "the misery and nothingness of +the world," recalls the strength of their long friendship, the +depth of her own affection, and tries to account for the +disloyalty to herself, by the inherent weakness and emptiness of +human nature, which renders it impossible for even the most +perfect to do anything that is not defective. All this is very +charitable, to say the least, as well as a little abstract. Time +has given a strange humility and forgivingness to the woman who +broke with her dearest friend, the unfortunate Duc de +Montmorency, because he presumed to lift his eyes to the Queen, +saying that she "could not receive pleasantly the regards which +she had to share with the greatest princess in the world." + +The fashion of the period furnished a peaceful and dignified +refuge for women, when their beauty waned and the "terrible +forties" ended their illusions. To go into brief retreat for +penitence and prayer was at all times a graceful thing to do, +besides making for safety. It was only a step further to retire +altogether from the scenes of pleasure which had begun to pall. +The convent offered a haven of repose to the bruised heart, a +fresh aim for drooping energies, a needed outlet for devouring +emotions, and a comfortable sense of security, not only for this +world, but for the next. It was the next world which was +beginning to trouble Mme. de Sable. She had great fear of death, +and after many penitential retreats to Port Royal, she finally +obtained permission to build a suite of apartments within its +precincts, and retired there about 1655 to prepare for that +unpleasant event which she put off as long as possible by the +most assiduous care of her health. "If she was not devoted, she +had the idea of becoming so," said Mademoiselle. But her +devotion was in quite a mundane fashion. Her pleasant rooms were +separate and independent, thus enabling her to give herself not +only to the care of her health and her soul, but to a select +society, to literature, and to conversation. She never practiced +the severe asceticism of her friend, Mme. de Longueville. With a +great deal of abstract piety, the iron girdle and the hair shirt +were not included. She did not even forego her delicate and +fastidious tastes. Her elegant dinners and her dainty comfitures +were as famous as ever. "Will the anger of the Marquise go so +far, in your opinion, as to refuse me her recipe for salad?" +writes Mme. de Choisy at the close of a letter to the Comtesse de +Maure, in which she has ridiculed her friend's Jansenist +tendencies; "If so, it will be a great inhumanity, for which she +will be punished in this world and the other." She had great +skill in delicate cooking, and was in the habit of sending cakes, +jellies, and other dainties, prepared by herself, to her intimate +friends. La Rochefoucauld says, "If I could hope for two dishes +of those preserves, which I did not deserve to eat before, I +should be indebted to you all my life." Mme. de Longueville, who +is about to visit her, begs her not to give a feast as she has +"scruples about such indulgence." + +This spice of worldliness very much tempered the austerity of her +retreat, and lent an added luster to its intellectual +attractions. But the Marquise had many conflicts between her +luxurious tastes and her desire to be devout. Her dainty and +epicurean habits, her extraordinary anxiety about her health, and +her capricious humors were the subject of much light badinage +among her friends. The Grande Mademoiselle sketches these traits +with a satiric touch in the "Princesse de Paphlagonie," where she +introduces her with the Comtesse de Maure. "There are no hours +when they do not confer together upon the means of preventing +themselves from dying, and upon the art of rendering themselves +immortal," she writes. "Their conferences are not like those of +other people; the fear of breathing an air too cold or too hot, +the apprehension that the wind may be too dry or too damp, a +fancy that the weather is not as moderate as they judge necessary +for the preservation of their health--these are sufficient +reasons for writing from one room to another . . . . If one +could find this correspondence, one might derive great advantages +in every way; for they were princesses who had nothing mortal, +except the knowledge of being so . . . Of Mme. de Sable she +adds: "The Princess Parthenie had a taste as dainty as her mind; +nothing equaled the magnificence of her entertainments; all the +viands were exquisite, and her elegance was beyond anything that +one could imagine." The fastidious Marquise suffered, with all +the world, from the defects of her qualities. Her extreme +delicacy and sensibility appear under many forms and verge often +upon weakness; but it is an amiable weakness that does not +detract greatly from her fascination. She was not cast in a +heroic mold, and her faults are those which the world is pleased +to call essentially feminine. + +The records of her life were preserved by Conrart, also by her +friend and physician, Valant. They give us a clear picture of +her character, with its graces and its foibles, as well as of her +pleasant intercourse and correspondence with many noted men and +women. They give us, too, interesting glimpses of her salon. We +find there the celebrated Jansenists Nicole and Arnauld, the +eminent lawyer Domat, Esprit, sometimes Pascal, with his sister, +Mme. Perier; the Prince and Princesse de Conti, the Grand Conde, +La Rochefoucauld, the penitent Mme. de Longueville, Mme. de La +Fayette, and many others among the cultivated noblesse, who are +attracted by its tone of bel esprit and graceful, but by no means +severe, devotion. The Duc d'Orleans and the lovely but +unfortunate Madame were intimate and frequent visitors. + +In this little world, in which religion, literature, and fashion +are curiously blended, they talk of theology, morals, physics, +Cartesianism, friendship, and love. The youth and gaiety of the +Hotel de Rambouillet have given place to more serious thoughts +and graver topics. The current which had its source there is +divided. At the Samedis, in the Marais, they are amusing +themselves about the same time with letters and Vers de Societe. +At the Luxembourg, a more exclusive coterie is exercising its +mature talent in sketching portraits. These salons touch at many +points, but each has a channel of its own. The reflective nature +of Mme. de Sable turns to more serious and elevated subjects, and +her friends take the same tone. They make scientific +experiments, discuss Calvinism, read the ancient moralists, and +indulge in dissertations upon a great variety of topics. Mme. de +Bregy, poet, dame d'honneur and femme d'esprit, who amused the +little court of Mademoiselle with so many discreetly flattering +pen-portraits, has left two badly written and curiously spelled +notes upon the merits of Socrates and Epictetus, which throw a +ray of light upon the tastes of this aristocratic and rather +speculative circle. Mme. de Sable writes an essay upon the +education of children, which is very much talked about, also a +characteristic paper upon friendship. The latter is little more +than a series of detached sentences, but it indicates the drift +of her thought, and might have served as an antidote to the +selfish philosophy of La Rochefoucauld. It calls out an +appreciative letter from d'Andilly, who, in his anchorite's cell, +continues to follow the sayings and doings of his friends in the +little salon at Port Royal. + +"Friendship," she writes, "is a kind of virtue which can only be +founded upon the esteem of people whom one loves--that is to +say, upon qualities of the soul, such as fidelity, generosity, +discretion, and upon fine qualities of mind." + +After insisting that it must be reciprocal, disinterested, and +based upon virtue, she continues: "One ought not to give the name +of friendship to natural inclinations because they do not depend +upon our will or our choice; and, though they render our +friendships more agreeable, they should not be the foundation of +them. The union which is founded upon the same pleasures and the +same occupations does not deserve the name of friendship because +it usually comes from a certain egotism which causes us to love +that which is similar to ourselves, however imperfect we may be." +She dwells also upon the mutual offices and permanent nature of +true friendship, adding, "He who loves his friend more than +reason and justice, will on some other occasion love his own +pleasure and profit more than his friend." + +The Abbe Esprit, Jansenist and academician, wrote an essay upon +"Des Amities en Apparence les Plus Saints des Hommes avec les +Femmes," which was doubtless suggested by the conversations in +this salon, where the subject was freely discussed. The days of +chivalry were not so far distant, and the subtle blending of +exalted sentiment with thoughtful companionship, which revived +their spirit in a new form, was too marked a feature of the time +to be overlooked. These friendships, half intellectual, half +poetic, and quite platonic, were mostly formed in mature life, on +a basis of mental sympathy. "There is a taste in pure friendship +which those who are born mediocre do not reach," said La Gruyere. +Mme. de Lambert speaks of it as "the product of a perfect social +culture, and, of all affections, that which has most charm." + +The well-known friendship of Mme. de La Fayette and La +Rochefoucauld, which illustrates the mutual influence of a +critical man of intellect and a deep-hearted, thoughtful woman +who has passed the age of romance, began in this salon. Its +nature was foreshadowed in the tribute La Rochefoucauld paid to +women in his portrait of himself. "Where their intellect is +cultivated," he writes, :"I prefer their society to that of men. +One finds there a gentleness one does not meet with among +ourselves; and it seems to me, beyond this, that they express +themselves with more neatness, and give a more agreeable turn to +the things they talk about." + +Mme. de Sable was herself, in less exclusive fashion, the +intimate friend and adviser of Esprit, d'Andilly, and La +Rochefoucauld. The letters of these men show clearly their warm +regard as well as the value they attached to her opinions. +"Indeed," wrote Voiture to her many years before, "those who +decry you on the side of tenderness must confess that if you are +not the most loving person in the world, you are at least the +most obliging. True friendship knows no more sweetness than +there is in your words." Her character, so delicately shaded and +so averse to all violent passions, seems to have been peculiarly +fitted for this calm and enduring sentiment which cast a soft +radiance, as of Indian summer, over her closing years. + +At a later period, the sacred name of friendship was +unfortunately used to veil relations that had lost all the purity +and delicacy of their primitive character. This fact has +sometimes been rather illogically cited, as an argument not only +against the moral influence of the salons but against the +intellectual development of women. There is neither excuse nor +palliation to be offered for the Italian manners and the +recognized system of amis intimes, which disgraced the French +society the next century. But, while it is greatly to be +deplored that the moral sense has not always kept pace with the +cultivation of the intellect, there is no reason for believing +that license of manners is in any degree the result of it. There +is striking evidence to the contrary, in the incredible ignorance +and laxity that found its reaction in the early salons; also in +the dissolute lives of many distinguished women of rank who had +no pretension to wit or education. The fluctuation of morals, +which has always existed, must be traced to quite other causes. +Virtue has not invariably accompanied intelligence, but it has +been still less the companion of ignorance. + +It was Mme. de Sable who set the fashion of condensing the +thoughts and experiences of life into maxims and epigrams. This +was her specific gift to literature; but her influence was felt +through what she inspired others to do rather than through what +she did herself. It was her good fortune to be brought into +contact with the genius of a Pascal and a La Rochefoucauld,--men +who reared immortal works upon the pastime of an idle hour. One +or two of her own maxims will suffice to indicate her style as +well as to show the estimate she placed upon form and measure in +the conduct of life: + +A bad manner spoils everything, even justice and reason. The HOW +constitutes the best part of things, and the air which one gives +them gilds, modifies, and softens the most disagreeable. + +There is a certain command in the manner of speaking and acting, +which makes itself felt everywhere, and which gains, in advance, +consideration and respect. + +We find here the spirit that underlies French manners, in which +form counts for so much. + +There is another, which suggests the delicate flavor of sentiment +then in vogue: + +Wherever it is, love is always the master. It seems truly that +it is to the soul of the one who loves, what the soul is to the +body it animates. + +Among the eminent men who lent so much brilliancy to this salon +was the great jurist Domat. He adds his contribution and falls +into the moralizing vein: + +A little fine weather, a good word, a praise, a caress, draws me +from a profound sadness from which I could not draw myself by any +effort of meditation. What a machine is my soul, what an abyss +of misery and weakness! + +Here is one by the Abbe d'Ailly, which foreshadows the thought of +the next century: + +Too great submission to books, and to the opinions of the +ancients, as to the eternal truths revealed of God, spoils the +head and makes pedants. + +The finest and most vigorous of these choice spirits was Pascal, +who frequented more or less the salon of Mme. de Sable previous +to his final retirement to the gloom and austerity of the +cloister. His delicate platonism and refined spirituality go far +towards offsetting the cold cynicism of La Rochefoucauld. Each +gives us a different phase of life as reflected in a clear and +luminous intelligence. The one led to Port Royal, the other +turned an electric light upon the selfish corruption of courts. +Many of the pensees of Pascal were preserved among the records of +this salon, and Cousin finds reason for believing that they were +first suggested and discussed here; he even thinks it possible, +if not probable, that the "Discours sur les Passions de L'amour," +which pertains to his mundane life, and presents the grave and +ascetic recluse in a new light, had a like origin. + +But the presiding genius was La Rochefoucauld. He complains that +the mode of relaxation is fatiguing, and that the mania for +sentences troubles his repose. The subjects were suggested for +conversation, and the thoughts were condensed and reduced to +writing at leisure. "Here are all the maxims I have," he writes +to Mme. de Sable; "but as one gives nothing for nothing, I demand +a potage aux carottes, un ragout de mouton, etc." + +"When La Rochefoucauld had composed his sentences," says Cousin, +"he talked them over before or after dinner, or he sent them at +the end of a letter. They were discussed, examined, and +observations were made, by which he profited. One could lessen +their faults, but one could lend them no beauty. There was not a +delicate and rare turn, a fine and keen touch, which did not come +from him." + +After availing himself of the general judgment in this way, he +took a novel method of forestalling crtiticism before committing +himself to publication. Mme. de Sable sent a collection of the +maxims to her friends, asking for a written opinion. One is +tempted to make long extracts from their replies. The men +usually indorse the worldly sentiments, the women rarely. The +Princesse de Guemene, who, in the decline of her beauty, was +growing devout, and also had apartments for penitential retreat +at Port Royal, responds: "I was just going to write to beg you +to send me your carriage as soon as you had dined. I have yet +seen only the first maxims, as I had a headache yesterday; but +those I have read appear to me to be founded more upon the +disposition of the author than upon the truth, for he believes +neither in generosity without interest, nor in pity; that is, he +judges every one by himself. For the greater number of people, +he is right; but surely there are those who desire only to do +good." The Countesse de Maure, who does not believe in the +absolute depravity of human nature, and is inclined to an +elevated Christian philosophy quite opposed to Jansenism, writes +with so much severity that she begs her friend not to show her +letter to the author. Mme. de Hautefort expresses her +disapproval of a theory which drives honor and goodness out of +the world. After many clever and well-turned criticisms, she +says: "But the maxim which is quite new to me, and which I +admire, is that idleness, languid as it is, destroys all the +passions. It is true, and he had searched his heart well to find +a sentiment so hidden, but so just . . . I think one ought, at +present, to esteem idleness as the only virtue in the world, +since it is that which uproots all the vices. As I have always +had much respect for it, I am glad it has so much merit." But +she adds wisely: "If I were of the opinion of the author, I would +not bring to the light those mysteries which will forever deprive +him of all the confidence one might have in him." + +There is one letter, written by the clever and beautiful Eleonore +de Rohan, Abbess de Malnoue, and addressed to the author, which +deserves to be read for its fine and just sentiments. In closing +she says: + +The maxim upon humility appears to me perfectly beautiful; but I +have been so surprised to find it there, that I had the greatest +difficulty in recognizing it in the midst of all that precedes +and follows it. It is assuredly to make this virtue practiced +among your own sex, that you have written maxims in which their +self-love is so little flattered. I should be very much +humiliated on my own part, if I did not say to myself what I have +already said to you in this note, that you judge better the +hearts of men than those of women, and that perhaps you do not +know yourself the true motive which makes you esteem them less. +If you had always met those whose temperament had been submitted +to virtue, and in whom the senses were less strong than reason, +you would think better of a certain number who distinguish +themselves always from the multitude; and it seems to me that +Mme. de La Fayette and myself deserve that you should have a +better opinion of the sex in general. + +Mme. de La Fayette writes to the Marquise: "All people of good +sense are not so persuaded of the general corruption as is M. de +La Rochefoucauld. I return to you a thousand thanks for all you +have done for this gentleman."--At a later period she said: "La +Rochefoucauld stimulated my intellect, but I reformed his heart." +It is to be regretted that he had not known her sooner. + +At his request Mme. de Sable wrote a review of the maxims, which +she submitted to him for approval. It seems to have been a fair +presentation of both sides, but he thought it too severe, and she +kindly gave him permission to change it to suit himself. He took +her at her word, dropped the adverse criticisms, retained the +eulogies, and published it in the "Journal des Savants" as he +wished it to go to the world. The diplomatic Marquise saved her +conscience and kept her friend. + +The maxims of La Rochefoucauld, which are familiar to all, have +extended into a literature. That he generalized from his own +point of view, and applied to universal humanity the motives of a +class bent upon favor and precedence, is certainly true. But +whatever we may think of his sentiments, which were those of a +man of the world whose observations were largely in the +atmosphere of courts, we are compelled to admit his unrivaled +finish and perfection of form. Similar theories of human nature +run through the maxims of Esprit and Saint Evremond, without the +exquisite turn which makes each one of La Rochefoucauld's a gem +in itself. His tone was that of a disappointed courtier, with a +vein of sadness only half disguised by cold philosophy and bitter +cynicism. La Bruyere, with a broader outlook upon humanity, had +much of the same fine analysis, with less conciseness and +elegance of expression. Vauvenargues and Joubert were his +legitimate successors. But how far removed in spirit! + +"The body has graces," writes Vauvenargues, "the mind has +talents; has the heart only vices? And man capable of reason, +shall he be incapable of virtue?" + +With a fine and delicate touch, Joubert says: "Virtue is the +health of the soul. It gives a flavor to the smallest leaves of +life." + +These sentiments are in the vein of Pascal, who represents the +most spiritual element of the little coterie which has left such +a legacy of condensed thought to the world. + +The crowning act of the life of Mme. de Sable was her defense of +Port Royal. She united with Mme. de Longueville in protecting +the persecuted Jansenists, Nicole and Arnauld, but she had +neither the courage, the heroism, nor the partisan spirit of her +more ardent companion. With all her devotion she was something +of a sybarite and liked repose. She had the tact, during all the +troubles which scattered her little circle, to retain her +friends, of whatever religious color, though not without a few +temporary clouds. Her diplomatic moderation did not quite please +the religieuses of Port Royal, and chilled a little her pleasant +relations with d'Andilly. + +Toward the close of her life, the Marquise was in the habit of +secluding herself for days together, and declining to see even +her dearest friends. The Abbe de la Victoire, piqued at not +being received, spoke of her one day as "the late Mme. la +Marquise de Sable." + +La Rochefoucauld writes to her, "I know no more inventions for +entering your house; I am refused at the door every day." Mme. +de La Fayette declares herself offended, and cites this as a +proof of her attachment, saying, "There are very few people who +could displease me by not wishing to see me." But the friends of +the Marquise are disposed to treat her caprices very leniently. +As the years went by and the interests of life receded, Mme. de +Sable became reconciled to the thought that had inspired her with +so much dread. When she died at the advanced age of seventy- +nine, the longed-for transition was only the quiet passing from +fevered dreams to peaceful sleep. + +It is a singular fact that this refined, exclusive, fastidious +woman, in whom the artistic nature was always dominant to the +extent of weakness, should have left a request to be buried, +without ceremony, in the parish cemetery with the people, remote +alike from the tombs of her family and the saints of Port Royal. + + +CHAPTER VI. MADAME DE SEVIGNE +Her Genius--Her Youth--Her unworthy Husband--Her impertinent +Cousin--Her love for her Daughter--Her Letters--Hotel de +Carnavalet--Mme. Duiplessis Guenegaud--Mme. de Coulanges--The +Curtain Falls + +Among the brilliant French women of the seventeenth century, no +one is so well-known today as Mme. de Sevigne. She has not only +been sung by poets and portrayed by historians, but she has left +us a complete record of her own life and her own character. Her +letters reflect every shade of her many-sided nature, as well as +the events, even the trifling incidents, of the world in which +she lived; the lineaments, the experiences, the virtues, and the +follies of the people whom she knew. We catch the changeful +tints of her mind that readily takes the complexion of those +about her, while retaining its independence; we are made familiar +with her small joys and sorrows, we laugh with her at her own +harmless weaknesses, we feel the inspiration of her sympathy, we +hear the innermost throbbings of her heart. No one was ever less +consciously a woman of letters. No one would have been more +surprised than herself at her own fame. One is instinctively +sure that she would never have seated herself deliberately to +write a book of any sort whatever. While she was planning a form +for her thoughts, they would have flown. She was essentially a +woman of the great world, for which she was fitted by her +position, her temperament, her esprit, her tastes, and her +character. She loved its variety, its movement, its gaiety; she +judged leniently even its faults and its frailties. If they +often furnished a target for her wit, behind her sharpest +epigrams one detects an indulgent smile. + +The natural outlet for her full mind and heart was in +conversation. When she was alone, they found vent in +conversation of another sort. She talks on paper. Her letters +have the unstudied freedom, the rapidity, the shades, the +inflections of spoken words. She gives her thoughts their own +course, "with reins upon the neck," as she was fond of saying, +and without knowing where they will lead her. But it is the +personal element that inspires her. Let her heart be piqued, or +touched by a profound affection, and her mind is illuminated; her +pen flies. Her nature unveils itself, her emotions chase one +another in quick succession, her thoughts crystallize with +wonderful brilliancy, and the world is reflected in a thousand +varying colors. The sparkling wit, the swift judgment, the +subtle insight, the lightness of touch, the indefinable charm of +style--these belong to her temperament and her genius. But the +clearness, the justness of expression, the precision, the +simplicity that was never banal--such qualities nature does not +bestow. One must find their source in careful training, in wise +criticism, in early familiarity with good models. + +Living from 1626 to 1696, Mme. de Sevigne was en rapport with the +best life of the great century of French letters. She was the +granddaughter of the mystical Mme. de Chantal, who was too much +occupied with her convents and her devotions to give much +attention to the little Marie, left an orphan at the age of six +years. The child did not inherit much of her grandmother's +spirit of reverence, and at a later period was wont to indulge in +many harmless pleasantries about her pious ancestress and "our +grandfather, St. Francois de Sales." Deprived so early of the +care of a mother, she was brought up by an uncle, the good Abbe +de Coulanges--the "Bien-Bon"--whose life was devoted to her +interests. Though born in the Place Royale, that long-faded +center of so much that was brilliant and fascinating two +centuries ago, much of her youth was passed in the family chateau +at Livry, where she was carefully educated in a far more solid +fashion than was usual among the women of her time. She had an +early introduction to the Hotel de Rambouillet, and readily +caught its intellectual tastes, though she always retained a +certain bold freedom of speech and manners, quite opposed to its +spirit. + +Her instructors were Chapelain and Menage, both honored habitues +of that famous salon. The first was a dull poet, a profound +scholar, somewhat of a pedant, and notoriously careless in his +dress--le vieux Chapelain, his irreverent pupil used to call +him. When he died of apoplexy, years afterwards, she wrote to +her daughter: "He confesses by pressing the hand; he is like a +statue in his chair. So God confounds the pride of +philosophers." But he taught her Latin, Spanish, and Italian, +made her familiar with the beauties of Virgil and Tasso, and gave +her a critical taste for letters. + +Menage was younger, and aspired to be a man of the world as well +as a savant. Repeating one day the remark of a friend, that out +of ten things he knew he had learned nine in conversation, he +added, "I could say about the same thing myself"--a confession +that savors more of the salon than of the library. He had a good +deal of learning, but much pretension, and Moliere has given him +an undesirable immortality as Vadius in "Les Femmes Savantes," in +company with his deadly enemy, the Abbe Cotin, who figures as +"Trissotin." It appears that the susceptible savant lost his heart +to his lively pupil, and sighed not only in secret but quite +openly. He wrote her bad verses in several languages, loaded her +with eulogies, and followed her persistently. "The name of Mme. +de Sevigne," said the Bishop of Laon, "is in the works of Menage +what Bassan's dog is in his portraits. He cannot help putting it +there." She treated him in a sisterly fashion that put to flight +all sentimental illusions, but she had often to pacify his +wounded vanity. One day, in the presence of several friends, she +gave him a greeting rather more cordial than dignified. Noticing +the looks of surprise, she turned away laughing and said, "So +they kissed in the primitive church." But the wide knowledge and +scholarly criticism of Menage were of great value to the +versatile woman, who speedily surpassed her master in style if +not in learning. Evidently she appreciated him, since she +addressed him in one of her letters as "friend of all friends, +the best." + +At eighteen the gay and unconventional Marie de Rabutin-Chantal +was married to the Marquis de Sevigne; but her period of +happiness was a short one. The husband, who was rich, handsome, +and agreeable, proved weak and faithless. He was one of the +temporary caprices of the dangerous Ninon, led a dashing, +irresponsible life, spent his fortune recklessly, and left his +pretty young wife to weep alone at a convenient distance, under +the somber skies of Brittany. Fortunately for her and for +posterity, his career was rapid and brief. For some trifling +affair of so-called honor--a quality of which, from our point of +view, he does not seem to have possessed enough to be worth the +trouble of defending--he had the kindness to get himself killed +in a duel, after seven years of marriage. His spirited wife had +loved him sincerely, and first illusions die slowly. She shed +many bitter and natural tears, but she never showed any +disposition to repeat the experiment. Perhaps she was of the +opinion of another young widow who thought it "a fine thing to +bear the name of a man who can commit no more follies." But it +is useless to speculate upon the reasons why a woman does or does +not marry. It is certain that the love of her two children +filled the heart of Mme. de Sevigne; her future life was devoted +to their training, and to repairing a fortune upon which her +husband's extravagance had made heavy inroads. + +But the fascinating widow of twenty-five had a dangerous path to +tread. That she lived in a society so lax and corrupt, +unprotected and surrounded by distinguished admirers, without a +shadow of suspicion having fallen upon her fair reputation is a +strong proof of her good judgment and her discretion. She was +not a great beauty, though the flattering verses of her poet +friends might lead one to think so. A complexion fresh and fair, +eyes of remarkable brilliancy, an abundance of blond hair, a face +mobile and animated, and a fine figure--these were her visible +attractions. She danced well, sang well, talked well, and had +abounding health. Mme. de La Fayette made a pen-portrait of her, +which was thought to be strikingly true. It was in the form of a +letter from an unknown man. A few extracts will serve to bring +her more vividly before us. + +"Your mind so adorns and embellishes your person, that there is +no one in the world so fascinating when you are animated by a +conversation from which constraint is banished. All that you say +has such a charm, and becomes you so well, that the words attract +the Smiles and the Graces around you; the brilliancy of your +intellect gives such luster to your complexion and your eyes, +that although it seems that wit should touch only the ears, yours +dazzles the sight. + +"Your soul is great and elevated. You are sensitive to glory and +to ambition, and not less so to pleasures; you were born for them +and they seem to have been made for you . . . In a word, joy is +the true state of your soul, and grief is as contrary to it as +possible. You are naturally tender and impassioned; there was +never a heart so generous, so noble, so faithful . . . You are +the most courteous and amiable person that ever lived, and the +sweet, frank air which is seen in all your actions makes the +simplest compliments of politeness seem from your lips +protestations of friendship." + +Mlle. de Scudery sketches her as the Princesse Clarinte in +"Clelie," concluding with these words: "I have never seen together +so many attractions, so much gaiety, so much coquetry, so much +light, so much innocence and virtue. No one ever understood +better the art of having grace without affectation, raillery +without malice, gaiety without folly, propriety without +constraint, and virtue without severity." + +Her malicious cousin, Bussy-Rabutin, who was piqued by her +indifference, and basely wished to avenge himself, said that her +"warmth was in her intellect;" that for a woman of quality she +was too badine, too economical, too keenly alive to her own +interests; that she made too much account of a few trifling words +from the queen, and was too evidently flattered when the king +danced with her. This opinion of a vain and jealous man is not +entitled to great consideration, especially when we recall that +he had already spoken of her as "the delight of mankind,:" and +said that antiquity would have dressed altars for her and she +would "surely have been goddess of something." The most +incomprehensible page in her history is her complaisance towards +the persistent impertinences of this perfidious friend. The only +solution of it seems to lie in the strength of family ties, and +in her unwillingness to be on bad terms with one of her very few +near relatives. Bussy-Rabutin was handsome, witty, brilliant, a +bel esprit, a member of the Academie Francaise, and very much in +love with his charming cousin, who clearly appreciated his +talents, if not his character. "You are the fagot of my +intellect," she says to him; but she forbids him to talk of love. +Unfortunately for himself, his vanity got the better of his +discretion. He wrote the "Histoire Amoureuse des Gauls," and +raised such a storm about his head by his attack upon many fair +reputations, that, after a few months of lonely meditation in the +Bastille, he was exiled from Paris for seventeen years. Long +afterwards he repented the unkind blow he had given to Mme. de +Sevigne, confessed its injustice, apologized, and made his peace. +But the world is less forgiving, and wastes little sympathy upon +the base but clever and ambitious man who was doomed to wear his +restless life away in the uncongenial solitude of his chateau. + +Among the numerous adorers of Mme. de Sevigne were the Prince de +Conti, the witty Comte de Lude, the poet Segrais, Fouquet, and +Turenne. Her friendship for the last two seems to have been the +most lively and permanent. We owe to her sympathetic pen the +best account of the death of Turenne. Her devotion to the +interests of Fouquet and his family lasted though the many years +of imprisonment that ended only with his life. There was nothing +of the spirit of the courtier in her generous affection for the +friends who were out of favor. The loyalty of her character was +notably displayed in her unwavering attachment to Cardinal de +Retz, during his long period of exile and misfortune, after the +Fronde. + +But one must go outside the ordinary channels to find the +veritable romance of Mme. de Sevigne's life. Her sensibility +lent itself with great facility to impressions, and her gracious +manners, her amiable character, her inexhaustible fund of gaiety +could not fail to bring her a host of admirers. She had +doubtless a vein of harmless coquetry, but it was little more +than the natural and variable grace of a frank and sympathetic +woman who likes to please, and who scatters about her the flowers +of a rich mind and heart, without taking violent passions too +seriously, if, indeed, she heeds them at all. Friendship, too, +has its shades, its subtleties, its half-perceptible and quite +unconscious coquetries. But the supreme passion of Mme. de +Sevigne was her love for her daughter. It was the exaltation of +her mystical grandmother, in another form. "To love as I love +you makes all other friendships frivolous," she writes. Whatever +her gifts and attractions may have been, she is known to the +world mainly through this affection and the letters which have +immortalized it. Nowhere in literature has maternal love found +such complete and perfect expression. Nowhere do we find a +character so clearly self-revealed. Others have professed to +unveil their innermost lives, but there is always a suspicion of +posing in deliberate revelations. Mme. De Sevigne has portrayed +herself unconsciously. It is the experience of yesterday, the +thought of today, the hope of tomorrow, the love that is at once +the joy and sorrow of all the days, that are woven into a +thousand varying but living forms. One naturally seeks in the +character of the daughter a key to the absorbing sentiment which +is the inspiration and soul of these letters; but one does not +find it there. More beautiful than her mother, more learned, +more accomplished, she lacked her sympathetic charm. Cold, +reserved, timid, and haughty, without vivacity and apparently +without fine sensibility, she was much admired but little loved +by the world in which she lived. "When you choose, you are +adorable," wrote her mother; but evidently she did not always so +choose. Bussy-Rabutin says of her, "This woman has esprit, but +it is esprit soured and of insupportable egotism. She will make +as many enemies as her mother makes friends and adorers." He did +not like her, and one must again take his opinion with reserve; +but she says of herself that she is "of a temperament little +communicative." In her mature life she naively writes: "At first +people thought me amiable enough, but when they knew me better +they loved me no more." "The prettiest girl in France," whose +beauty was expected to "set the world on fire," created a mild +sensation at court; was noticed by the king, who danced with her, +received her share of adulation, and finally became the third +wife of the Comte de Grignan, who carried her off to Provence, to +the lasting grief of her adoring mother, and to the great +advantage of posterity, which owes to this fact the series of +incomparable letters that made the fame of their writer, and +threw so direct and vivid a light upon an entire generation. + +The world has been inclined to regard the son of Mme. de Sevigne +as the more lovable of her two children, but she doubtless +recognized in his light and inconsequent character many of the +qualities of her husband which had given her so much sorrow +during the brief years of her marriage. Amiable, affectionate, +and not without talent, he was nevertheless the source of many +anxieties and little pride. He followed in the footsteps of his +father, and became a willing victim to the fascinations of Ninon; +he frequented the society of Champmesle, where he met habitually +Boileau and Racine. He recited well, had a fine literary taste, +much sensibility, and a gracious ease of manner that made him +many friends. "He was almost as much loved as I am," remarked +the brilliant Mme. de Coulanges, after accompanying him on a +visit to Versailles. He appealed to Mme. de La Fayette to use +her influence with his mother to induce her to pay his numerous +debts. There is a touch of satire in the closing line of the +note in which she intercedes for him. "The great friendship you +have for Mme. de Grignan," she writes, "makes it necessary to +show some for her brother."--But we have glimpses of his +weakness and instability in many of his mother's intimate +letters. In the end, however, having exhausted the pleasures of +life and felt the bitterness of its disappointments, he took +refuge in devotion, and died in the odor of sanctity, after the +example of his devout ancestress. + +Mme. de Grignan certainly offered a more solid foundation for her +mother's confidence and affection. It is quite possible, too, +that her reserve concealed graces of character only apparent on a +close intimacy. But love does not wait for reasons, and this +one had all the shades and intensities of a passion, with few of +its exactions. D'Andilly called the mother a "pretty pagan," +because she made such an idol of her daughter. She sometimes has +her own misgivings on the score of religion. "I make this a +little Trappe," she wrote from Livry, after the separation. "I +wish to pray to God and make a thousand reflections; but, Ma +pauvre chere, what I do better than all that is to think of you. +. . I see you, you are present to me, I think and think again of +everything; my head and my mind are racked; but I turn in vain, I +seek in vain; the dear child whom I love with so much passion is +two hundred leagues away. I have her no more. Then I weep +without the power to help myself." She rings the changes upon +this inexhaustible theme. A responsive word delights her; a +brief silence terrifies her; a slight coldness plunges her into +despair. "I have an imagination so lively that uncertainty makes +me die," she writes. If a shadow of grief touches her idol, her +sympathies are overflowing. "You weep, my very dear child; it is +an affair for you; it is not the same thing for me, it is my +temperament." + +But though this love pulses and throbs behind all her letters, it +does not make up the substance of them. To amuse her daughter +she gathers all the gossip of the court, all the news of her +friends; she keeps her au courant with the most trifling as well +as the most important events. Now she entertains her with a +witty description of a scene at Versailles, a tragical adventure, +a gracious word about Mme. Scarron, "who sups with me every +evening," a tender message from Mme. de La Fayette; now it is a +serious reflection upon the death of Turenne, a vivid picture of +her own life, a bit of philosophy, a spicy anecdote about a dying +man who takes forty cups of tea every morning, and is cured. A +few touches lay bare a character or sketch a vivid scene. It is +this infinite variety of detail that gives such historic value to +her letters. In a correspondence so intimate she has no interest +to conciliate, no ends to gain. She is simply a mirror in which +the world about her is reflected. + +But the most interesting thing we read in her letters is the life +and nature of the woman herself. She has a taste for society and +for seclusion, for gaiety and for thought, for friendship and for +books. For the moment each one seems dominant. "I am always of +the opinion of the one heard last," she says, laughing at her own +impressibility. It is an amiable admission, but she has very +fine and rational ideas of her own, notwithstanding. In books, +for which she had always a passion, she found unfailing +consolation. Corneille and La Fontaine were her favorite +traveling companions. "I am well satisfied to be a substance +that thinks and reads," she says, finding her good uncle a trifle +dull for a compagnon de voyage. Her tastes were catholic. She +read Astree with delight, loved Petrarch, Ariosto, and Montaigne; +Rabelais made her "die of laughter," she found Plutarch +admirable, enjoyed Tacitus as keenly as did Mme. Roland a century +later, read Josephus and Lucian, dipped into the history of the +crusades and of the iconoclasts, of the holy fathers and of the +saints. She preferred the history of France to that of Rome +because she had "neither relatives nor friends in the latter +place." She finds the music of Lulli celestial and the preaching +of Bourdaloue divine. Racine she did not quite appreciate. In +his youth, she said he wrote tragedies for Champmesle and not for +posterity. Later she modified her opinion, but Corneille held +always the first place in her affection. She had a great love +for books on morals, read and reread the essays of Nicole, which +she found a perpetual resource against the ills of life -- even +rain and bad weather. St. Augustine she reads with pleasure, and +she is charmed with Bossuet and Pascal; but she is not very +devout, though she often tries to be. There is a serious naivete +in all her efforts in this direction. She seems to have always +one eye upon the world while she prays, and she mourns over her +own lack of devotion. "I wish my heart were for God as it is for +you," she writes to her daughter. "I am neither of God nor of +the devil," she says again; "that state troubles me though, +between ourselves, I find it the most natural in the world." Her +reason quickly pierces to the heart of superstition; sometimes +she cannot help a touch of sarcasm. "I fear that this trappe, +which wishes to pass humanity, may become a lunatic asylum," she +says. She believes little in saints and processions. Over the +high altar of her chapel she writes SOLI DEO HONOR ET GLORIA. +"It is the way to make no one jealous," she remarks. + +She was rather inclined toward Jansenism, but she could not +fathom all the subtleties of her friends the Port Royalists, and +begged them to "have the kindness, out of pity for her, to +thicken their religion a little as it evaporated in so much +reasoning." As she grows older the tone of seriousness is more +perceptible. "If I could only live two hundred years," she +writes, "it seems to me that I might be an admirable person." +The rationalistic tendencies of Mme. de Grignan give her some +anxiety, and she rallies her often upon the doubtful philosophy +of her PERE DESCARTES. She could not admit a theory which +pretended to prove that her dog Marphise had no soul, and she +insisted that if the Cartesians had any desire to go to heaven, +it was out of curiosity. "Talk to the Cardinal (de Retz) a +little of your MACHINES; machines that love, machines that have a +choice for some one, machines that are jealous, machines that +fear. ALLEZ, ALLEZ, you are jesting! Descartes never intended +to make us believe all that." + +In her youth Mme. de Sevigne did not like the country because it +was windy and spoiled her beautiful complexion; perhaps, too, +because it was lonely. But with her happy gift of adaptation she +came to love its tranquillity. She went often to the solitary +old family chateau in Brittany to make economies and to retrieve +the fortune which suffered successively from the reckless +extravagance of her husband and son, and from the expensive +tastes of the Comte de Grignan, who was acting governor of +Provence, and lived in a state much too magnificent for his +resources. Of her life at The Rocks she has left us many +exquisite pictures. "I go out into the pleasant avenues; I have +a footman who follows me; I have books, I change place, I vary +the direction of my promenade; a book of devotion, a book of +history; one changes from one to the other; that gives diversion; +one dreams a little of God, of his providence; one possesses +one's soul, one thinks of the future." + +She embellishes her park, superintends the planting of trees, and +"a labyrinth from which one could not extricate one's self +without the thread of Ariadne;" she fills her garden with orange +trees and jessamine until the air is so perfumed that she +imagines herself in Provence. She sits in the shade and +embroiders while her son "reads trifles, comedies which he plays +like Moliere, verses, romances, tales; he is very amusing, he has +esprit, he is appreciative, he entertains us." She notes the +changing color of the leaves, the budding of the springtime. "It +seems to me that in case of need I should know very well how to +make a spring," she writes. She loves too the "fine, crystal +days of autumn." Sometimes, in the evening, she has "gray-brown +thoughts which grow black at night," but she never dwells upon +these. Her "habitual thought--that which one must have for God, +if one does his duty"--is for her daughter. "My dear child," +she writes, "it is only you that I prefer to the tranquil repose +I enjoy here." + +If her own soul is open to us in all its variable and charming +moods, we also catch in her letters many unconscious reflections +of her daughter's character. She offers her a little needed +worldly advice. "Try, my child," she says, "to adjust yourself +to the manners and customs of the people with whom you live; +adapt yourself to that which is not bad; do not be disgusted with +that which is only mediocre; make a pleasure of that which is not +ridiculous." She entreats her to love the little Pauline and not +to scold her, nor send her away to the convent as she did her +sister Marie-Blanche. With what infinite tenderness she always +speaks of this child, smiling at her small outbursts of temper, +soothing her little griefs, and giving wise counsels about her +education. Evidently she doubted the patience of the mother. +"You do not yet too well comprehend maternal love," she writes; +"so much the better, my child; it is violent." + +Unfortunately this adoring mother could not get on very well with +her daughter when they were together. She drowned her with +affection, she fatigued her with care for her health, she was +hurt by her ungracious manner, she was frozen by her indifference + in short, they killed each other. It is not a rare thing to +make a cult of a distant idol, and to find one's self unequal to +the perpetual shock of the small collisions which diversities of +taste and temperament render inevitable in daily intercourse. In +this instance, one can readily imagine that a love so interwoven +with every fiber of the mother's life, must have been a little +over-sensitive, a little exacting, a trifle too demonstrative for +the colder nature of the daughter; but that it was the less +genuine and profound, no one who has at all studied the character +of Mme. de Sevigne can for a moment imagine. How she suffers +when it becomes necessary for Mme. de Grignan to go back to +Provence! How the tears flow! How readily she forgives all, +even to denying that there is anything to forgive. "A word, a +sweetness, a return, a caress, a tenderness, disarms me, cures me +in a moment," she writes. And again: "Would to God, my daughter, +that I might see you once more at the Hotel de Carnavalet, not +for eight days, nor to make there a penitence, but to embrace you +and to make you see clearly that I cannot be happy without you, +and that the chagrins which my friendship for you might give me +are more agreeable than all the false peace of a wearisome +absence." In spite of these little clouds, the old love is never +dimmed; we are constantly bewildered with the inexhaustible +riches of a heart which gives so lavishly and really asks so +little for itself. + +The Hotel de Carnavalet was one of the social centers of the +latter part of the century, but it was the source of no special +literature and of no new diversions. Mme. de Sevigne was herself +luminous, and her fame owes none of its luster to the reflection +from those about her. She was original and spontaneous. She +read because she liked to read, and not because she wished to be +learned. She wrote as she talked, from the impulse of the +moment, without method or aim excepting to follow where her rapid +thought led her. Her taste for society was of the same order. +Her variable and sparkling genius would have broken loose from +the formal conversations and rather studied brilliancy that had +charmed her youth at the Hotel de Rambouillet. The onerous +duties of a perpetual hostess would not have suited her +temperament, which demanded its hours of solitude and repose. +But she was devoted to her friends, and there was a delightful +freedom in all her intercourse with them. She has not chronicled +her salon, but she has chronicled her world, and we gather from +her letters the quality of her guests. She liked to pass an +evening in the literary coterie at the Luxembourg; to drop in +familiarly upon Mme. de La Fayette, where she found La +Rochefoucauld, Cardinal de Retz, sometimes Segrais, Huet, La +Fontaine, Moliere, and other wits of the time; to sup with Mme. +de Coulanges and Mme. Scarron. She is a constant visitor at the +old Hotel de Nevers, where Marie de Gonzague and the Princesse +Palatine had charmed an earlier generation, and where Mme. +Duplessis Guenegaud, a woman of brilliant intellect, heroic +courage, large heart, and pure character, whom d'Andilly calls +one of the great souls, presided over a new circle of young poets +and men of letters, reviving the fading memories of the Hotel de +Rambouillet. Mme. De Sevigne, who had fine dramatic talent, +acted here in little comedies. She heard Boileau read his +satires and Racine his tragedies. She met the witty Chevalier de +Chatillon, who asked eight days to make an impromptu, and +Pomponne, who wrote to his father that the great world he found +in this salon did not prevent him from appearing in a gray habit. +In a letter from the country house of Mme. Duplessis, at Fresnes, +to the same Pomponne, then ambassador to Sweden, Mme. de Sevigne +says: "I have M. d'Andilly at my left, that is, on the side of my +heart; I have Mme. de La Fayette at my right; Mme. Duplessis +before me, daubing little pictures; Mme. De Motteville a little +further off, who dreams profoundly; our uncle de Cessac, whom I +fear because I do not know him very well." + +It is this life of charming informality; this society of lettered +tastes, of wit, of talent, of distinction, that she transfers to +her own salon. Its continuity is often broken by her long +absences in the country or in Provence, but her irresistible +magnetism quickly draws the world around her, on her return. In +addition to her intimate friends and to men of letters like +Racine, Boileau, Benserade, one meets representatives of the most +distinguished of the old families of France. Conde, Richelieu, +Colberg, Louvois, and Sully are a few among the great names, of +which the list might be indefinitely extended. We have many +interesting glimpses of the Grande Mademoiselle, the "adorable" +Duchesse de Chaulnes, the Duc and Duchesse de Rohan, who were +"Germans in the art of savoir-vivre," the Abbess de Fontevrault, +so celebrated for her esprit and her virtue, and a host of others +too numerous to mention. The sculptured portals and time-stained +walls of the Hotel de Carnavalet are still alive with the +memories of these brilliant reunions and the famous people who +shone there two hundred years ago. + +Among those who exercised the most important influence upon the +life of Mme. de Sevigne was Corbinelli, the wise counselor, who, +with a soul untouched by the storms of adversity through which he +had passed, devoted his life to letters and the interests of his +friends. No one had a finer appreciation of her gifts and her +character. Her compared her letters to those of Cicero, but he +always sought to temper her ardor, and to turn her thoughts +toward an elevated Christian philosophy. "In him," said Mme. de +Sevigne, "I defend one who does not cease to celebrate the +perfections and the existence of God; who never judges his +neighbor, who excuses him always; who is insensible to the +pleasures and delights of life, and entirely submissive to the +will of Providence; in fine, I sustain the faithful admirer of +Sainte Therese, and of my grandmother, Sainte Chantal." This +gentle, learned, and disinterested man, whose friendship deepened +with years, was an unfailing resource. In her troubles and +perplexities she seeks his advice; in her intellectual tastes she +is sustained by his sympathy. She speaks often of the happy days +in Provence, when, together with her daughter, they translate +Tacitus, read Tasso, and get entangled in endless discussions +upon Descartes. Even Mme. de Grignan, who rarely likes her +mother's friends, in the end gives due consideration to this +loyal confidant, though she does not hesitate to ridicule the +mysticism into which he finally drifted. + +After Mme. de La Fayette, the woman whose relations with Mme. de +Sevigne were the most intimate was Mme. de Coulanges, who merits +here more than a passing word. Her wit was proverbial, her +popularity universal. The Leaf, the Fly, the Sylph, the Goddess, +her friend calls her in turn, with many a light thrust at her +volatile but loyal character. This brilliant, spirituelle, +caustic woman was the wife of a cousin of the Marquis de Sevigne, +who was as witty as herself and more inconsequent. Both were +amiable, both sparkled with bons mots and epigrams, but they +failed to entertain each other. The husband goes to Italy or +Germany or passes his time in various chateaux, where he is sure +of a warm welcome and good cheer. The wife goes to Versailles, +visits her cousin Louvois, the Duchesse de Richelieu, and Mme. de +Maintenon, who loves her much; or presides at home over a salon +that is always well filled. "Ah, Madame," said M. de Barillon, +"how much your house pleases me! I shall come here very evening +when I am tired of my family." "Monsieur," she replied, "I +expect you tomorrow." When she was ill and likely to die, her +husband had a sudden access of affection, and nursed her with +great tenderness. Mme. de Coulanges dying and her husband in +grief, seemed somehow out of the order of things. "A dead +vivacity, a weeping gaiety, these are prodigies," wrote Mme. de +Sevigne. When the wife recovered, however, they took their +separate ways as before. + +"Your letters are delicious," she wrote once to Mme. de Sevigne, +"and you are as delicious as your letters." Her own were as much +sought in her time, but she had no profound affection to +consecrate them and no children to collect them, so that only a +few have been preserved. There is a curious vein of philosophy +in one she wrote to her husband, when the pleasures of life began +to fade. "As for myself, I care little for the world; I find it +no longer suited to my age; I have no engagements, thank God, to +retain me there. I have seen all there is to see. I have only +an old face to present to it, nothing new to show nor to discover +there. Ah! What avails it to recommence every day the visits, +to trouble one's self always about things that do not concern us? +. . . . My dear sir, we must think of something more solid." +She disappears from the scene shortly after the death of Mme. De +Sevigne. Long years of silence and seclusion, and another +generation heard one day that she had lived and that she was +dead. + +The friends of Mme. de Sevigne slip away one after another; La +Rochefoucauld, De Retz, Mme. de La Fayette are gone. "Alas!" she +writes, "how this death goes running about and striking on all +sides." The thought troubles her. "I am embarked in life without +my consent," she says; "I must go out of it--that overwhelms me. +And how shall I go? Whence: By what door? When will it be? In +what disposition: How shall I be with God? What have I to +present to him? What can I hope?--Am I worthy of paradise? Am +I worthy of hell? What an alternative! What a complication! I +would like better to have died in the arms of my nurse." + +The end came to her in the one spot where she would most have +wished it. She died while on a visit to her daughter in +Provence. Strength and resignation came with the moment, and she +faced with calmness and courage the final mystery. To the last +she retained her wit, her vivacity, and that eternal youth of the +spirit which is one of the rarest of God's gifts to man. "There +are no more friends left to me," said Mme. de Coulanges; and +later she wrote to Mme. de Grignan, "The grief of seeing her no +longer is always fresh to me. I miss too many things at the +Hotel de Carnavalet." + +The curtain falls upon this little world which the magical pen of +Mme. de Sevigne has made us know so well. The familiar faces +retreat into the darkness, to be seen no more. But the picture +lives, and the woman who has outlined it so clearly, and colored +it so vividly and so tenderly, smiles upon us still, out of the +shadows of the past, crowned with the white radiance of immortal +genius and immortal love. + + +CHAPTER VII. MADAME DE LA FAYETTE +Her Friendship with Mme. de Sevigne--Her Education--Her +Devotion to the Princess Henrietta--Her Salon--La Rochefoucauld +--Talent as a Diplomatist--Comparison with Mme. de Maintenon +Her Literary Work--Sadness of her Last Days--Woman in Literature + +"Believe me, my dearest, you are the person in the world whom I +have most truly loved," wrote Mme. de La Fayette to Mme. de +Sevigne a short time before her death. This friendship of more +than forty years, which Mme. de Sevigne said had never suffered +the least cloud, was a living tribute to the mind and heart of +both women. It may also be cited for the benefit of the +cynically disposed who declare that feminine friendships are +simply "pretty bows of ribbon" and nothing more. These women +were fundamentally unlike, but they supplemented each other. The +character of Mme. de La Fayette was of firmer and more serious +texture. She had greater precision of thought, more delicacy of +sentiment, and affections not less deep. But her temperament was +less sunny, her genius less impulsive, her wit less sparkling, +and her manner less demonstrative. "She has never been without +that divine reason which was her dominant trait," wrote her +friend. No praise pleased her so much as to be told that her +judgment was superior to her intellect, and that she loved truth +in all things. "She would not have accorded the least favor to +any one, if she had not been convinced it was merited," said +Segrais; "this is why she was sometimes called hard, though she +was really tender." As an evidence of her candor, he thinks it +worth while to record that "she did not even conceal her age, but +told freely in what year and place she was born." But she +combined to an eminent degree sweetness with strength, +sensibility with reason, and it was the blending of such diverse +qualities that gave so rare a flavor to her character. In this, +too, lies the secret of the vast capacity for friendship which +was one of her most salient points. It is through the records +which these friendships have left, through the literary work that +formed the solace of so many hours of sadness and suffering, and +through the letters of Mme. de Sevigne, that we are able to trace +the classic outlines of this fine and complex nature, so noble, +so poetic, so sweet, and yet so strong. + +Mme. de La Fayette was eight years younger than Mme. de Sevigne, +and died three years earlier; hence they traversed together the +brilliant world of the second half of the century of which they +are among the most illustrious representatives. The young Marie- +Madeleine Pioche de La Vergne had inherited a taste for letters +and was carefully instructed by her father, who was a field- +marshal and the governor of Havre, where he died when she was +only fifteen. She had not passed the first flush of youth when +her mother contracted a second marriage with the Chevalier Renaud +de Sevigne, whose name figures among the frondeurs as the ardent +friend of Cardinal de Retz, and later among the devout Port +Royalists. It is a fact of more interest to us that he was an +uncle of the Marquis de Sevigne, and the best result of the +marriage to the young girl, who was not at all pleased and whose +fortunes it clouded a little, was to bring her into close +relations with the woman to whom we owe the most intimate details +of her life. + +The rare natural gifts of Mlle. De La Vergne were not left +without due cultivation. Rapin and Menage taught her Latin. +"That tiresome Menage," as she lightly called him, did not fail, +according to his custom, to lose his susceptible heart to the +remarkable pupil who, after three months of study, translated +Virgil and Horace better than her masters. He put this amiable +weakness on record in many Latin and Italian verses, in which he +addresses her as Laverna, a name more musical than flattering, if +one recalls its Latin significance. She received an education of +another sort, in the salon of her mother, a woman of much +intelligence, as well as a good deal of vanity, who posed a +little as a patroness of letters, gathering about her a circle of +beaux esprits, and in other ways signaling the taste which was a +heritage from her Provencal ancestry. On can readily imagine the +rapidity with which the young girl developed in such an +atmosphere. The abbe Costar, "most gallant of pedants and most +pedantic of gallants," who had an equal taste for literature and +good dinners, calls her "the incomparable," sends her his books, +corresponds with her, and expresses his delight at finding her +"so beautiful, so spirituelle, so full of reason." The poet +Scarron speaks of her as "toute lumineuse, toute precieuse." + +The circle she met in the salon of her godmother, the Duchesse +d'Aiguillon, had no less influence in determining her future +fortunes. With her rare reputation for beauty and esprit, as +well as learning, she took her place early in this brilliant and +distinguished society in which she was to play so graceful and +honored a part. She was sought and admired not only by the men +of letters who were so cordially welcomed by the favorite niece +of Richelieu, but by the gay world that habitually assembled at +the Petit Luxembourg. It was here that she perfected the tone of +natural elegance which always distinguished her and made her +conspicuous even at court, where she passed so many years of her +life. + +She was not far from twenty-one when she became the wife of the +Comte de La Fayette, of whom little is known save that he died +early, leaving her with two sons. He is the most shadowy of +figures, and whether he made her life happy or sad does not +definitely appear, though there is a vague impression that he +left something to be desired in the way of devotion. A certain +interest attaches to him as the brother of the beautiful Louise +de La Fayette, maid of honor to Anne of Austria, who fled from +the compromising infatuation of Louis XIII, to hide her youth and +fascinations in the cloister, under the black robe and the +cherished name of Mere Angelique de Chaillot. + +The young, brilliant, and gifted comtesse goes to the convent to +visit her gently austere sister-in-law, and meets there the +Princess Henrietta of England, than a child of eleven years. The +attraction is mutual and ripens into a deep and lasting +friendship. When this graceful and light-hearted girl becomes +the Duchesse d'Orleans, and sister-in-law of the king, she +attaches her friend to her court and makes her the confidante of +her romantic experiences. "Do you not think," she said to her +one day, "that if all which has happened to me, and the things +relating to it, were told it would make a fine story? You write +well; write; I will furnish you good materials." The interesting +memorial, to which madame herself contributes many pages, is +interrupted by the mysterious death of the gay and charming woman +who had found so sympathetic and so faithful a chronicler. She +breathed her last sigh in the arms of this friend. "It is one of +those sorrows for which one never consoles one's self, and which +leave a shadow over the rest of one's life," wrote Mme. de La +Fayette. She had no heart to finish the history, and added only +the few simple lines that record the touching incidents which +left upon her so melancholy and lasting an impression. She did +not care to remain longer at court, where she was constantly +reminded of her grief, and retired permanently from its gaieties; +but in these years of intimacy with one of its central figures, +she had gained an insight into its spirit and its intrigues, +which was of inestimable value in the memoirs and romances of her +later years. + +The natural place of Mme. de La Fayette was in a society of more +serious tone and more lettered tastes. In her youth she had been +taken by her mother to the Hotel de Rambouillet, and she always +retained much of its spirit, without any of its affectations. We +find her sometimes at the Samedis, and she belonged to the +exclusive coterie of the Grande Mademoiselle, at the Luxembourg, +where her facile pen was in demand for the portraits so much in +vogue. She was also a frequent visitor in the literary salon of +Mme. de Sable, at Port Royal. It was here that her friendship +with La Rochefoucauld glided imperceptibly into the intimacy +which became so important a feature in her life. This intimacy +was naturally a matter of some speculation, but the world made up +its mind of its perfectly irreproachable character. "It appears +to be only friendship," writes Mme. de Scudery to Bussy-Rabutin; +"in short the fear of God on both sides, and perhaps policy, have +cut the wings of love. She is his favorite and his first +friend." "I do not believe he has ever been what one calls in +love," writes Mme. de Sevigne. But this friendship was a +veritable romance, without any of the storms or vexations or +jealousies of a passionate love. "You may imagine the sweetness +and charm of an intercourse full of all the friendship and +confidence possible between two people whose merit is not +ordinary," she says again; "add to this the circumstance of their +bad health, which rendered them almost necessary to each other, +and gave them the leisure not to be found in other relations, to +enjoy each other's good qualities. It seems to me that at court +people have no time for affection; the whirlpool which is so +stormy for others was peaceful for them, and left ample time for +the pleasures of a friendship so delicious. I do not believe +that any passion can surpass the strength of such a tie." + +In the earlier stages of this intimacy, Mme. de La Fayette was a +little sensitive as to how the world might regard it, as may be +seen in a note to Mme. de Sable, in which she asks her to explain +it to the young Comte de Saint-Paul, a son of Mme. de Longueville. + +"I beg of you to speak of the matter in such a way as to put out +of his head the idea that it is anything serious," she writes. +"I am not sufficiently sure what you think of it yourself to feel +certain that you will say the right thing, and it may be +necessary to begin by convincing my embassador. However, I must +trust to your tact, which is superior to ordinary rules. Only +convince him. I dislike mortally that people of his age should +imagine that I have affairs of gallantry. It seems to them that +every one older than themselves is a hundred, and they are +astonished that such should be regarded of any account. Besides, +he would believe these things of M. de La Rochefoucauld more +readily than of any one else. In fine, I do not want him to +think anything about it except that the gentleman is one of my +friends." + +The picture we have of La Rochefoucauld from the pen of Mme. de +Sevigne has small resemblance to the ideal that one forms of the +cynical author of the Maxims. He had come out of the storms of +the Fronde a sad and disappointed man. The fires of his nature +seem to have burned out with the passions of his youth, if they +had ever burned with great intensity. "I have seen love nowhere +except in romances," he says, and even his devotion to Mme. de +Longueville savors more of the ambitious courtier than of the +lover. His nature was one that recoiled from all violent +commotions of the soul. The cold philosophy of the Maxims marked +perhaps the reaction of his intellect against the disenchanting +experiences of his life. In the tranquil atmosphere of Mme. de +Sable he found a certain mental equilibrium; but his character +was finally tempered and softened by the gentle influence of Mme. +de La Fayette, whose exquisite poise and delicacy were singularly +in harmony with a nature that liked nothing in exaggeration. "I +have seen him weep with a tenderness that made me adore him," +writes Mme. de Sevigne, after the death of his mother. "The +heart or M. de La Rochefoucauld for his family is a thing +incomparable." When the news came that his favorite grandson had +been killed in battle, she says again: "I have seen his heart +laid bare in this cruel misfortune; he ranks first among all I +have ever known for courage, fortitude, tenderness, and reason; I +count for nothing his esprit and his charm." In all the +confidences of the two women, La Rochefoucauld makes a third. He +seems always to be looking over the shoulder of Mme. de La +Fayette while she writes to the one who "satisfies his idea of +friendship in all its circumstances and dependences"; adding +usually a message, a line or a pretty compliment to Mme. de +Grignan that is more amiable than sincere, because he knows it +will gladden the heart of her adoring mother. + +The side of Mme. de La Fayette which has the most fascination for +us is this intimate life of which Mme. de Sevigne gives such +charming glimpses. For a moment it was her ambition to establish +a popular salon, a role for which she had every requisite of +position, talent, and influence. "She presumed very much upon +her esprit," says Gourville, who did not like her, "and proposed +to fill the place of the Marquise de Sable, to whom all the young +people were in the habit of paying great deference, because, +after she had fashioned them a little, it was a passport for +entering the world; but this plan did not succeed, as Mme. de La +Fayette was not willing to give her time to a thing so futile." +One can readily understand that it would not have suited her +tastes or her temperament. Besides, her health was too delicate, +and her moods were too variable. "You know how she is weary +sometimes of the same thing," wrote Mme. de Sevigne. But she had +her coterie, which was brilliant in quality if not in numbers. +The fine house with its pretty garden, which may be seen today +opposite the Petit Luxembourg, was a favorite meeting place for a +distinguished circle. The central figure was La Rochefoucauld. +Every day he came in and seated himself in the fauteuil reserved +for him. One is reminded of the little salon in the Abbaye-aux- +Bois, where more than a century later Chateaubriand found the +pleasure and the consolation of his last days in the society of +Mme. Recamier. They talk, they write, they criticize each other, +they receive their friends. The Cardinal de Retz comes in, and +they recall the fatal souvenirs of the Fronde. Perhaps he thinks +of the time when he found the young Mlle. De LaVergne pretty and +amiable, and she did not smile upon him. The Prince de Conde is +there sometimes, and honors her with his confidence, which Mme. +de Sevigne thinks very flattering, as he does not often pay such +consideration to women. Segrais has transferred his allegiance +from the Grande Mademoiselle to Mme. de La Fayette, and is her +literary counselor as well as a constant visitor. La Fontaine, +"so well known by his fables and tales, and sometimes so heavy in +conversation," may be found there. Mme. de Sevigne comes almost +every day with her sunny face and her witty story. "The Mist" +she calls Mme. de La Fayette, who is so often ill and sad. She +might have called herself The Sunbeam, though she, too, has her +hours when she can only dine tete-a-tete with her friend, because +she is "so gloomy that she cannot support four people together." +Mme. de Coulanges adds her graceful, vivacious, and sparkling +presence. Mme. Scarron, before her days of grandeur, is +frequently of the company, and has lost none of the charm which +made the salon of her poet-husband so attractive during his later +years. "She has an amiable and marvelously just mind," says Mme. +de Sevigne. . . "It is pleasant to hear her talk. These +conversations often lead us very far, from morality to morality, +sometimes Christian, sometimes political." This circle was not +limited however to a few friends, and included from time to time +the learning, the elegance and the aristocracy of Paris. + +But Mme. de La Fayette herself is the magnet that quietly draws +together this fascinating world. In her youth she had much life +and vivacity, perhaps a spice of discreet coquetry, but at this +period she was serious, and her fresh beauty had given place to +the assured and captivating grace of maturity. She had a face +that might have been severe in its strength but for the +sensibility expressed in the slight droop of the head to one +side, the tender curve of the full lips, and the variable light +of the dark, thoughtful eyes. In her last years, when her +stately figure had grown attenuated, and her face was pallid with +long suffering, the underlying force of her character was more +distinctly defined in the clear and noble outlines of her +features. Her nature was full of subtle shades. Over her +reserved strength, her calm judgment, her wise penetration played +the delicate light of a lively imagination, the shifting tints of +a tender sensibility. Her sympathy found ready expression in +tears, and she could not even bear the emotion of saying good-by +to Mme. de Sevigne when she was going away to Provence. But her +accents were always tempered, and her manners had the gracious +and tranquil ease of a woman superior to circumstances. Her +extreme frankness lent her at times a certain sharpness, and she +deals many light blows at the small vanities and affectations +that come under her notice. "Mon Dieu," said the frivolous Mme. +de Marans to her one day, "I must have my hair cut." "Mon Dieu," +replied Mme. de La Fayette simply, "do not have it done; that is +becoming only to young persons." Gourville said she was +imperious and over-bearing, scolding those she loved best, as +well as those she did not love. But this valet-de-chambre of La +Rochefoucauld, who amassed a fortune and became a man of some +note, was jealous of her influence over his former master, and +his opinions should be taken with reservation. Her delicate +satire may have been sometimes a formidable weapon, but it was +directed only against follies, and rarely, if ever, used +unkindly. She was a woman for intimacies, and it is to those who +knew her best that we must look for a just estimate of her +qualities. "You would love her as soon as you had time to be +with her, and to become familiar with her esprit and her wisdom," +wrote Mme. de Sevigne to her daughter, who was disposed to be +critical; "the better one knows her, the more one is attached to +her." + +One must also take into consideration her bad health. People +thought her selfish or indifferent when she was only sad and +suffering. For more than twenty years she was ill, consumed by a +slow fever which permitted her to go out only at intervals. La +Rochefoucauld had the gout, and they consoled each other. Mme. +de Sevigne thought it better not to have the genius of a Pascal, +than to have so many ailments. "Mme. De La Fayette is always +languishing, M. de La Rochefoucauld always lame," she writes; "we +have conversations so sad that it seems as if there were nothing +more to do but to bury us; the garden of Mme. de La Fayette is +the prettiest spot in the world, everything blooming, everything +perfumed; we pass there many evenings, for the poor woman does not +dare go out in a carriage." "Her health is never good," she writes +again, "nevertheless she sends you word that she should not like +death better; AU CONTRAIRE." There are times when she can no +longer "think, or speak, or answer, or listen; she is tired of +saying good morning and good evening." Then she goes away to +Meudon for a few days, leaving La Rochefoucauld "incredibly sad." +She speaks for herself in a letter from the country house which +Gourville has placed at her disposal. + +"I am at Saint Maur; I have left all my affairs and all my +husbands; I have my children and the fine weather; that suffices. +I take the waters of Forges; I look after my health, I see no +one. I do not mind at all the privation; every one seems to me +so attached to pleasures which depend entirely upon others, that +I find my disposition a gift of the fairies. + +"I do not know but Mme de Coulanges has already sent you word of +our after-dinner conversations at Gourville's about people who +have taste above or below their intelligence. Mme. Scarron and +the Abbe Tetu were there; we lost ourselves in subtleties until +we no longer understood anything. If the air of Provence, which +subtilizes things still more, magnifies for you our visions, you +will be in the clouds. You have taste below your intelligence; +so has M. de La Rochefoucauld; and myself also, but not so much +as you two. VOILA an example which will guide you." + +She disliked writing letters, and usually limited herself to a +few plain facts, often in her late years to a simple bulletin of +her health. This negligence was the subject of many passages-at- +arms between herself and Mme. de Sevigne. "If I had a lover who +wished my letters every morning, I would break with him," she +writes. "Do not measure our friendship by our letters. I shall +love you as much in writing you only a page in a month, as you me +in writing ten in eight days." Again she replies to some +reproach: "Make up your mind, ma belle, to see me sustain, all my +life, with the whole force of my eloquence, that I love you still +more than you love me. I will make Corbinelli agree with me in a +quarter of an hour; your distrust is your sole defect, and the +only thing in you that can displease me." + +But in spite of a certain apparent indolence, and her constant +ill health, there were many threads that connected with the +outside world the pleasant room in which Mme. de La Fayette spent +so many days of suffering. "She finds herself rich in friends +from all sides and all conditions," writes Mme. de Sevigne; "she +has a hundred arms; she reaches everywhere. Her children +appreciate all this, and thank her every day for possessing a +spirit so engaging." She goes to Versailles, on one of her best +days, to thank the king for a pension, and receives so many kind +words that it "suggests more favors to come." He orders a +carriage and accompanies her with other ladies through the park, +directing his conversation to her, and seeming greatly pleased +with her judicious praise. She spends a few days at Chantilly, +where she is invited to all the fetes, and regrets that Mme. de +Sevigne could not be with her in that charming spot, which she is +"fitted better than anyone else to enjoy." No one understands so +well the extent of her influence and her credit as this devoted +friend, who often quotes her to Mme. de Grignan as a model. +"Never did any one accomplish so much without leaving her place," +she says. + +But there was one phase in the life of Mme. de La Fayette which +was not fully confided even to Mme. de Sevigne. It concerns a +chapter of obscure political history which it is needless to +dwell upon here, but which throws much light upon her capacity +for managing intricate affairs. Her connection with it was long +involved in mystery, and was only unveiled in a correspondence +given to the world at a comparatively recent date. It was in the +salon of the Grande Mademoiselle that she was thrown into +frequent relations with the two daughters of Charles Amedee de +Savoie, Duc de Nemours, one of whom became Queen of Portugal, the +other Duchesse de Savoie and, later, Regent during the minority +of her son. These relations resulted in one of the ardent +friendships which played so important a part in her career. Her +intercourse with the beautiful but vain, intriguing, and +imperious Duchesse de Savoie assumed the proportion of a delicate +diplomatic mission. "Her salon," says Lescure, "was, for the +affairs of Savoy, a center of information much more important in +the eyes of shrewd politicians than that of the ambassador." She +not only looked after the personal matters of Mme. Royale, but +was practically entrusted with the entire management of her +interests in Paris. From affairs of state and affairs of the +heart to the daintiest articles of the toilette her versatile +talent is called into requisition. Now it is a message to +Louvois or the king, now a turn to be adroitly given to public +opinion, now the selection of a perfume or a pair of gloves. +"She watches everything, thinks of everything, combines, visits, +talks, writes, sends counsels, procures advice, baffles +intrigues, is always in the breach, and renders more service by +her single efforts than all the envoys avowed or secret whom the +Duchesse keeps in France." Nor is the value of these services +unrecognized. "Have I told you," wrote Mme. de Sevigne to her +daughter, "that Mme. de Savoie has sent a hundred ells of the +finest velvet in the world to Mme. de La Fayette, and a hundred +ells of satin to line it, and two days ago her portrait, +surrounded with diamonds, which is worth three hundred louis?" + +The practical side of Mme. de La Fayette's character was +remarkable in a woman of so fine a sensibility and so rare a +genius. Her friends often sought her counsel; and it was through +her familiarity with legal technicalities that La Rochefoucauld +was enabled to save his fortune, which he was at one time in +danger of losing. In clear insight, profound judgment, and +knowledge of affairs, she was scarcely, if at all, surpassed by +Mme. de Maintenon, the feminine diplomatist par excellence of her +time, though her field of action was less broad and conspicuous. +But her love of consideration was not so dominant and her +ambition not so active. It was one of her theories that people +should live without ambition as well as without passion. "It is +sufficient to exist," she said. Her energy when occasion called +for it does not quite accord with this passive philosophy, and +suggests at least a vast reserved force; but if she directed her +efforts toward definite ends it was usually to serve other +interests than her own. She had been trained in a different +school from Mme. de Maintenon, her temperament was modified by +her frail health, and the prizes of life had come to her +apparently without special exertion. She was a woman, too, of +more sentiment and imagination. Her fastidious delicacy and +luxurious tastes were the subject of critical comment on the part +of this austere censor, who condemned the gilded decorations of +her bed as a useless extravagance, giving the characteristic +reason that "the pleasure they afforded was not worth the +ridicule they excited." The old friendship that had existed when +Mme. Scarron was living in such elegant and mysterious seclusion, +devoting herself to the king's children, and finding her main +diversion in the little suppers enlivened by the wit of Mme. de +Sevigne and Mme. de Coulanges, and the more serious, but not less +agreeable, conversation of Mme. de La Fayette, had evidently +grown cool. They had their trifling disagreements. "Mme. de La +Fayette puts too high a price upon her friendship," wrote Mme. de +Maintenon, who had once attached such value to a few approving +words from her. In her turn Mme. de La Fayette indulged in a +little light satire. Referring to the comedy of Esther, which +Racine had written by command for the pupils at Saint Cyr, she +said, "It represents the fall of Mme. de Montespan and the rise +of Mme. de Maintenon; all the difference is that Esther was +rather younger, and less of a precieuse in the matter of piety." +There was certainly less of the ascetic in Mme. de La Fayette. +She had more color and also more sincerity. In symmetry of +character, in a certain feminine quality of taste and tenderness, +she was superior, and she seems to me to have been of more +intrinsic value as a woman. Whether under the same conditions +she would have attained the same power may be a question. If +not, I think it would have been because she was unwilling to pay +the price, not because she lacked the grasp, the tact, or the +diplomacy. + +It is mainly as a woman of letters that Mme. de La Fayette is +known today, and it was through her literary work that she made +the strongest impression upon her time. Boileau said that she +had a finer intellect and wrote better than any other woman in +France. But she wrote only for the amusement of idle or lonely +hours, and always avoided any display of learning, in order not +to attract jealousy as well as from instinctive delicacy of +taste. "He who puts himself above others," she said, "whatever +talent he may possess, puts himself below his talent." But her +natural atmosphere was an intellectual one, and the friend of La +Rochefoucauld, who would have "liked Montaigne for a neighbor," +had her own message for the world. Her mind was clear and +vigorous, her taste critical and severe, and her style had a +flexible quality that readily took the tone of her subject. In +concise expression she doubtless profited much from the author of +the MAXIMS, who rewrote many of his sentences at least thirty +times. "A phrase cut out of a book is worth a louis d'or," she +said, "and every word twenty sous." Unfortunately her "Memoires +de la Cour de France" is fragmentary, as her son carelessly lent +the manuscripts, and many of them were lost. But the part that +remains gives ample evidence of the breadth of her intelligence, +the penetrating, lucid quality of her mind, and her talent for +seizing the salient traits of the life about her. In her +romances, which were first published under the name of Segrais, +one finds the touch of an artist, and the subtle intuitions of a +woman. In the rapid evolution of modern taste and the hopeless +piling up of books, these works have fallen somewhat into the +shade, but they are written with a vivid naturalness of style, a +truth of portraiture, and a delicacy of sentiment, that commend +them still to all lovers of imaginative literature. Fontenelle +read the "Princesse de Cleves" four times when it appeared. La +Harpe said it was "the first romance that offered reasonable +adventures written with interest and elegance." It marked an era +in the history of the novel. "Before Mme. de La Fayette," said +Voltaire, "people wrote in a stilted style of improbable things." +We have the rare privilege of reading her own criticism in a +letter to the secretary of the Duchesse de Savoie, in which she +disowns the authorship, and adds a few lines of discreet eulogy. + +"As for myself," she writes, :"I am flattered at being suspected +of it. I believe I should acknowledge the book, if I were +assured the author would never appear to claim it. I find it +very agreeable and well written without being excessively +polished, full of things of admirable delicacy, which should be +read more than once; above all, it seems to be a perfect +presentation of the world of the court and the manner of living +there. It is not romantic or ambitious; indeed it is not a +romance; properly speaking, it is a book of memoirs, and that I +am told was its title, but it was changed. VOILA, monsieur, my +judgment upon Mme. De Cleves; I ask yours, for people are divided +upon this book to the point of devouring each other. Some +condemn what others admire; whatever you may say, do not fear to +be alone in your opinion." + +Sainte-Beuve, whose portrait of Mme. de La Fayette is so +delightful as to make all others seem superfluous, has devoted +some exquisite lines to this book. "It is touching to think," he +writes, "of the peculiar situation which gave birth to these +beings so charming, so pure, these characters so noble and so +spotless, these sentiments so fresh, so faultless, so tender; how +Mme. de La Fayette put into it all that her loving, poetic soul +retained of its first, ever-cherished dreams, and how M. de La +Rochefoucauld was pleased doubtless to find once more in "M. De +Nemours" that brilliant flower of chivalry which he had too much +misused--a sort of flattering mirror in which he lived again his +youth. Thus these two old friends renewed in imagination the +pristine beauty of that age when they had not known each other, +hence could not love each other. The blush so characteristic of +Mme. De Cleves, and which at first is almost her only language, +indicates well the design of the author, which is to paint love +in its freshest, purest, vaguest, most adorable, most disturbing, +most irresistible--in a word, in its own color. It is +constantly a question of that joy which youth joined to beauty +gives, of the trouble and embarrassment that love causes in the +innocence of early years, in short, of all that is farthest from +herself and her friend in their late tie." + +But whatever tints her tender and delicate imaginings may have +taken from her own soul, Mme. de La Fayette has caught the +eternal beauty of a pure and loyal spirit rising above the mists +of sense into the serene air of a lofty Christian renunciation. + +The sad but triumphant close of her romance foreshadowed the +swift breaking up of her own pleasant life. In 1680, not long +after the appearance of the "Princesse de Cleves," La Rochefoucauld +died, and the song of her heart was changed to a miserere. Mme. +de La Fayette has fallen from the clouds," says Mme. de Sevigne. +"Where can she find such a friend, such society, a like +sweetness, charm, confidence, consideration for her and her son?" +A little later she writes from The Rocks, "Mme. de La Fayette +sends me word that she is more deeply affected than she herself +believed, being occupied with her health and her children; but +these cares have only rendered more sensible the veritable +sadness of her heart. She is alone in the world . . . The poor +woman cannot close the ranks so as to fill this place." + +The records of the thirteen years that remain to Mme. de La +Fayette are somber and melancholy. "Nothing can replace the +blessings I have lost," she says. Restlessly she seeks diversion +in new plans. She enlarges her house as her horizon diminishes; +she finds occupation in the affairs of Mme. Royale and interests +herself in the marriage of the daughter of her never-forgotten +friend, the Princess Henrietta, with the heir to the throne of +Savoy. She writes a romance without the old vigor, occupies +herself with historic reminiscences, and takes a passing refuge +in an ardent affection for the young Mme. de Schomberg, which +excites the jealousy of some older friends. But the strongest +link that binds her to the world is the son whose career opens so +brilliantly as a young officer and for whom she secures an ample +fortune and a fine marriage. In this son and the establishment +of a family centered all her hopes and ambitions. She was spared +the pain of seeing them vanish like the "baseless fabric of a +vision." The object of so many cares survived her less than two +years; her remaining son and the only person left to represent +her was the abbe who had so little care for her manuscripts and +her literary fame. A century later, through a collateral branch +of the family, the glory of the name was revived by the +distinguished general so dear to the American heart. It was in +the less tangible realm of the intellect that Mme. de La Fayette +was destined to an unlooked-for immortality. + +But in spite of these interests, the sense of loneliness and +desolation is always present. Her few letters give us occasional +flashes of the old spirit, but the burden of them is +inexpressibly sad. Her sympathies and associations led her +toward a mild form of Jansenism, and as the evening shadows +darkened, her thoughts turned to fresh speculations upon the +destiny of the soul. She went with Mme. de Coulanges to visit +Mme. de La Sabliere, who was expiating the errors and follies of +her life in austere penitence at the Incurables. The devotion of +this once gay and brilliant woman, who had been so deeply tinged +with the philosophy of Descartes, touched her profoundly, and +suggested a source of consolation which she had never found. She +sought the counsels of her confessor, who did not spare her, and +though she was never sustained by the ardor and exaltation of the +religieuse, her last days were not without peace and a tranquil +hope. To the end she remained a gracious, thoughtful, self- +poised, calmly-judging woman whose illusions never blinded her to +the simple facts of existence, though sometimes throwing over +them a transparent veil woven from the tender colors of her own +heart. Above the weariness and resignation of her last words +written to Mme. de Sevigne sounds the refrain of a life that +counts among its crowning gifts and graces a genius for +friendship. + +"Alas, ma belle, all I have to tell you of my health is very bad; +in a word, I have repose neither night nor day, neither in body +nor in mind. I am no more a person either by one or the other. +I perish visibly. I must end when it pleases God, and I am +submissive. BELIEVE ME, MY DEAREST, YOU ARE THE PERSON IN THE +WORLD WHOM I HAVE MOST TRULY LOVED." + +Mme. de La Fayette represents better than any other woman the +social and literary life of the last half of the seventeenth +century. Mme. de Sevigne had an individual genius that might +have made itself equally felt in any other period. Mme. de +Maintenon, whom Roederer regards as the true successor of Mme. de +Rambouillet, was narrowed by personal ambition, and by the +limitations of her early life. Born in a prison, reared in +poverty, wife in name, but practically secretary and nurse of a +crippled, witty, and licentious poet over whose salon she +presided brilliantly; discreet and penniless widow, governess of +the illegitimate children of the king, adviser and finally wife +of that king, friend of Ninon, model of virtue, femme d'esprit, +politician, diplomatist, and devote--no fairy tale can furnish +more improbable adventures and more striking contrasts. But she +was the product of exceptional circumstances joined to an +exceptional nature. It is true she put a final touch upon the +purity of manners which was so marked a feature of the Hotel de +Rambouillet, and for a long period gave a serious tone to the +social life of France. But she ruled through repression, and one +is inclined to accept the opinion of Sainte-Beuve that she does +not represent the distinctive social current of the time. In +Mme. de La Fayette we find its delicacy, its courtesy, its +elegance, its intelligence, its critical spirit, and its charm. + +In considering the great centers in which the fashionable, +artistic, literary, and scientific Paris of the seventeenth +century found its meeting ground, one is struck with the +practical training given to its versatile, flexible feminine +minds. Women entered intelligently and sympathetically into the +interests of men, who, in turn, did not reserve their best +thoughts for the club or an after-dinner talk among themselves. +There was stimulus as well as diversity in the two modes of +thinking and being. Men became more courteous and refined, women +more comprehensive and clear. But conversation is the +spontaneous overflow of full minds, and the light play of the +intellect is only possible on a high level, when the current +thought has become a part of the daily life, so that a word +suggests infinite perspectives to the swift intelligence. It is +not what we know, but the flavor of what we know, that +adds"sweetness and light" to social intercourse. With their +rapid intuition and instinctive love of pleasing, these French +women were quick to see the value of a ready comprehension of the +subjects in which clever men are most interested. It was this +keen understanding, added to the habit of utilizing what they +thought and read, their ready facility in grasping the salient +points presented to them, a natural gift of graceful expression, +with a delicacy of taste and an exquisite politeness which +prevented them from being aggressive, that gave them their +unquestioned supremacy in the salons which made Paris for so long +a period the social capital of Europe. It was impossible that +intellects so plastic should not expand in such an atmosphere, +and the result is not difficult to divine. From Mme. de +Rambouillet to Mme. de La Fayette and Mme. de Sevigne, from these +to Mme. de Stael and George Sand, there is a logical sequence. +The Saxon temperament, with a vein of La Bruyere, gives us George +Eliot. + +This new introduction of the feminine element into literature, +which is directly traceable to the salons of the seventeenth +century, suggests a point of special interest to the moralist. +It may be assumed that, whether through nature or a long process +of evolution, the minds of women as a class have a different +coloring from the minds of men as a class. Perhaps the best +evidence of this lies in the literature of the last two +centuries, in which women have been an important factor, not only +through what they have done themselves, but through their reflex +influence. The books written by them have rapidly multiplied. +Doubtless, the excess of feeling is often unbalanced by mental or +artistic training; but even in the crude productions, which are +by no means confined to one sex, it may be remarked that women +deal more with pure affections and men with the coarser passions. +A feminine Zola of any grade of ability has not yet appeared. + +It is not, however, in literature of pure sentiment that the +influence of women has been most felt. It is true that, as a +rule, they look at the world from a more emotional standpoint +than men, but both have written of love, and for one Sappho there +have been many Anacreons. Mlle. de Scudery and Mme. de La +Fayette did not monopolize the sentiment of their time, but they +refined and exalted it. The tender and exquisite coloring of +Mme. de Stael and George Sand had a worthy counterpart in that of +Chateaubriand or Lamartine. But it is in the moral purity, the +touch of human sympathy, the divine quality of compassion, the +swift insight into the soul pressed down by + +The heavy and weary weight +Of all this unintelligible world, + +that we trace the minds of women attuned to finer spiritual +issues. This broad humanity has vitalized modern literature. It +is the penetrating spirit of our century, which has been aptly +called the Woman's Century. We do not find it in the great +literatures of the past. The Greek poets give us types of tragic +passions, of heroic virtues, of motherly and wifely devotion, but +woman is not recognized as a profound spiritual force. This +masculine literature, so perfect in form and plastic beauty, so +vigorous, so statuesque, so calm, and withal so cold, shines +across the centuries side by side with the feminine Christian +ideal--twin lights which have met in the world of today. It may +be that from the blending of the two, the crowning of a man's +vigor with a woman's finer insight, will spring the perfected +flower of human thought. + +Robert Browning in his poem "By the Fireside" has said a fitting +word: + +Oh, I must feel your brain prompt mine, +Your heart anticipate my heart. +You must be just before, in fine, +See and make me see, for your part, +New depths of the Divine! + + +CHAPTER VIII. SALONS OF THE EIGHTEENTH CENTURY +Characteristics of the Eighteenth Century - Its Epicurean +Philosophy - Anecdote of Mme. du Deffand--the Salon an Engine of +Political Power--Great Influence of Women--Salons Defined +Literary Dinners--Etiquette of the Salons--An Exotic on +American Soil. + +The traits which strike us most forcibly in the lives and +characters of the women of the early salons, which colored their +minds, ran through their literary pastimes, and gave a +distinctive flavor to their conversation, are delicacy and +sensibility. It was these qualities, added to a decided taste +for pleasures of the intellect, and an innate social genius, that +led them to revolt from the gross sensualism of the court, and +form, upon a new basis, a society that has given another +complexion to the last two centuries. The natural result was, at +first, a reign of sentiment that was often over-strained, but +which represented on the whole a reaction of morality and +refinement. The wits and beauties of the Salon Bleu may have +committed a thousand follies, but their chivalrous codes of honor +and of manners, their fastidious tastes, even their prudish +affectations, were open though sometimes rather bizarre tributes +to the virtues that lie at the very foundation of a well-ordered +society. They had exalted ideas of the dignity of womanhood, of +purity, of loyalty, of devotion. The heroines of Mlle. de +Scudery, with their endless discourses upon the metaphysics of +love, were no doubt tiresome sometimes to the blase courtiers, as +well as to the critics; but they had their originals in living +women who reversed the common traditions of a Gabrielle and a +Marion Delorme, who combined with the intellectual brilliancy and +fine courtesy of the Greek Aspasia the moral graces that give so +poetic a fascination to the Christian and medieval types. Mme. +de la Fayette painted with rare delicacy the old struggle between +passion and duty, but character triumphs over passion, and duty +is the final victor. In spite of the low standards of the age, +the ideal woman of society, as of literature, was noble, tender, +modest, pure, and loyal. + +But the eighteenth century brings new types to the surface. The +precieuses, with their sentimental theories and naive reserves, +have had their day. It is no longer the world of Mme. de +Rambouillet that confronts us with its chivalrous models, its +refined platonism, and its flavor of literature, but rather that +of the epicurean Ninon, brilliant, versatile, free, lax, +skeptical, full of intrigue and wit, but without moral sense of +spiritual aspiration. Literary portraits and ethical maxims have +given place to a spicy mixture of scandal and philosophy, +humanitarian speculations and equivocal bons mots. It is piquant +and amusing, this light play of intellect, seasoned with clever +and sparkling wit, but the note of delicacy and sensibility is +quite gone. Society has divested itself of many crudities and +affectations perhaps, but it has grown as artificial and self- +conscious as its rouged and befeathered leaders. + +The woman who presided over these centers of fashion and +intelligence represent to us the genius of social sovereignty. +We fall under the glamour of the luminous but factitious +atmosphere that surrounded them. We are dazzled by the subtlety +and clearness of their intellect, the brilliancy of their wit. +Their faults are veiled by the smoke of the incense we burn +before them, or lost in the dim perspective. It is fortunate, +perhaps, for many of our illusions, that the golden age, which is +always receding, is seen at such long range that only the softly +colored outlines are visible. Men and women are transfigured in +the rosy light that rests on historic heights as on far-off +mountain tops. But if we bring them into closer view, and turn +on the pitiless light of truth, the aureole vanishes, a thousand +hidden defects are exposed, and our idol stands out hard and +bare, too often divested of its divinity and its charm. + +To do justice to these women, we must take the point of view of +an age that was corrupt to the core. It is needless to discuss +here the merits of the stormy, disenchanting eighteenth century, +which was the mother of our own, and upon which the world is +likely to remain hopelessly divided. But whatever we may think of +its final outcome, it can hardly be denied that this period, +which in France was so powerful in ideas, so active in thought, +so teeming with intelligence, so rich in philosophy, was poor in +faith, bankrupt in morals, without religion, without poetry, and +without imagination. The divine ideals of virtue and +renunciation were drowned in a sea of selfishness and +materialism. The austere devotion of Pascal was out of fashion. +The spiritual teachings of Bossuet and Fenelon represented the +out-worn creeds of an age that was dead. It was Voltaire who +gave the tone, and even Voltaire was not radical enough for many +of these iconoclasts. "He is a bigot and a deist," exclaimed a +feminine disciple of d'Holbach's atheism. The gay, witty, +pleasure-loving abbe, who derided piety, defied morality, was the +pet of the salon, and figured in the worst scandals, was a fair +representative of the fashionable clergy who had no attribute of +priesthood but the name, and clearly justified the sneers of the +philosophers. Tradition had given place to private judgment and +in its first reaction private judgment knew no law but its own +caprices. The watchword of intellectual freedom was made to +cover universal license, and clever sophists constructed theories +to justify the mad carnival of vice and frivolity. "As soon as +one does a bad action, one never fails to make a bad maxim," said +the clever Marquise de Crequi. "As soon as a school boy has his +love affairs, he wishes no more to say his prayers; and when a +woman wrongs her husband, she tries to believe no more in God." + +The fact that this brilliant but heartless and epicurean world +was tempered with intellect and taste changed its color but not +its moral quality. Talent turned to intrigue, and character was +the toy of the scheming and flexible brain. The maxims of La +Rochefoucauld were the rule of life. Wit counted for everything, +the heart for nothing. The only sins that could not be pardoned +were stupidity and awkwardness. "Bah! He has only revealed +every one's secret," said Mme. du Defand to an acquaintance who +censured Helvetius for making selfishness the basis of all human +actions. To some one who met this typical woman of her time, in +the gay salon of Mme. de Marchais, and condoled with her upon the +death of her lifelong friend and lover, Pont de Veyle, she +quietly replied, "Alas! He died this evening at six o"clock; +otherwise you would not see me here." "My friend fell ill, I +attended him; he died, and I dissected him" was the remark of a +wit on reading her satirical pen portrait of the Marquise du +Chatelet. This cold skepticism, keen analysis, and undisguised +heartlessness strike the keynote of the century which was +socially so brilliant, intellectually so fruitful, and morally so +weak. + +The liberty and complaisance of the domestic relations were +complete. It is true there were examples of conjugal devotion, +for the gentle human affections never quite disappear in any +atmosphere; but the fact that they were considered worthy of note +sufficiently indicates the drift of the age. In the world of +fashion and of form there was not even a pretense of preserving +the sanctity of marriage, if the chronicles of the time are to be +credited. It was simply a commercial affair which united names +and fortunes, continued the glory of the families, replenished +exhausted purses, and gave freedom to women. If love entered +into it at all, it was by accident. This superfluous sentiment +was ridiculed, or relegated to the bourgeoisie, to whom it was +left to preserve the tradition of household virtues. Every one +seems to have accepted the philosophy of the irrepressible Ninon, +who "returned thanks to God every evening for her esprit, and +prayed him every morning to be preserved from follies of the +heart." If a young wife was modest or shy, she was the object of +unflattering persiflage. If she betrayed her innocent love for +her husband, she was not of the charmed circle of wit and good +tone which frowned upon so vulgar a weakness, and laughed at +inconvenient scruples. + +"Indeed," says a typical husband of the period, "I cannot +conceive how, in the barbarous ages, one had the courage to wed. +The ties of marriage were a chain. Today you see kindness, +liberty, peace reign in the bosom of families. If husband and +wife love each other, very well; they live together; they are +happy. If they cease to love, they say so honestly, and return +to each other the promise of fidelity. They cease to be lovers; +they are friends. That is what I call social manners, gentle +manners." This reign of the senses is aptly illustrated by the +epitaph which the gay, voluptuous, and spirtuelle Marquise de +Boufflers wrote for herself: + +Ci-git dans une paix profonde +Cette Dame de Volupte +Qui, pour plus grande surete, +Fit son paradis de ce monde. + +"Courte et bonne," said the favorite daughter of the Regent, in +the same spirit. + +It is against such a background that the women who figure so +prominently in the salons are outlined. Such was the air they +breathed, the spirit they imbibed. That it was fatal to the +finer graces of character goes without saying. Doubtless, in +quiet and secluded nooks, there were many human wild flowers that +had not lost their primitive freshness and delicacy, but they did +not flourish in the withering atmosphere of the great world. The +type in vogue savored of the hothouse. With its striking beauty +of form and tropical richness of color, it had no sweetness, no +fragrance. Many of these women we can only consider on the +worldly and intellectual side. Sydney Smith has aptly +characterized them as "women who violated the common duties of +life, and gave very pleasant little suppers." But standing on +the level of a time in which their faults were mildly censured, +if at all, their characteristic gifts shine out with marvelous +splendor. It is from this standpoint alone that we can present +them, drawing the friendly mantle of silence over grave +weaknesses and fatal errors. + +In this century, in which women have so much wider scope, when +they may paint, carve, act, sing, write, enter professional life, +or do whatever talent and inclination dictate, without loss of +dignity or prestige, unless they do it ill,--and perhaps even +this exception is a trifle superfluous,--it is difficult to +understand fully, or estimate correctly, a society in which the +best feminine intellect was centered upon the art of entertaining +and of wielding an indirect power through the minds of men. +These Frenchwomen had all the vanity that lies at the bottom of +the Gallic character, but when the triumphs of youth were over, +the only legitimate path to individual distinction was that of +social influence. This was attained through personal charm, +supplemented by more or less cleverness, or through the gift of +creating a society that cast about them an illusion of talent of +which they were often only the reflection. To these two classes +belong the queens of the salons. But the most famous of them +only carried to the point of genius a talent that was universal. + +In its best estate a brilliant social life is essentially an +external one. Its charm lies largely in the superficial graces, +in the facile and winning manners, the ready tact, the quick +intelligence, the rare and perishable gifts of conversation--in +the nameless trifles which are elusive as shadows and potent as +light. It is the way of putting things that tells, rather than +the value of the things themselves. This world of draperies and +amenities, of dinners and conversaziones, of epigrams, +coquetries, and sparkling trivialities in the Frenchwoman's +milieu. It has little in common with the inner world that surges +forever behind and beneath it; little sympathy with inconvenient +ideals and exalted sentiments. The serious and earnest soul to +which divine messages have been whispered in hours of solitude +finds its treasures unheeded, its language unspoken here. The +cares, the burdens, the griefs that weigh so heavily on the great +heart of humanity are banished from this social Eden. The +Frenchman has as little love for the somber side of life as the +Athenian, who veiled every expression of suffering. "Joy marks +the force of the intellect," said the pleasure-loving Ninon. It +is this peculiar gift of projecting themselves into a joyous +atmosphere, of treating even serious subjects in a piquant and +lively fashion, of dwelling upon the pleasant surface of things, +that has made the French the artists, above all others, of social +life. The Parisienne selects her company, as a skillful leader +forms his orchestra, with a fine instinct of harmony; no single +instrument dominates, but every member is an artist in his way, +adding his touch of melody or color in the fitting place. She +aims, perhaps unconsciously, at a poetic ideal which shall +express the best in life and thought, divested of the rude and +commonplace, untouched by sorrow or passion, and free from +personality. + +But the representative salons, which have left a permanent mark +upon their time, and a memory that does not seem likely to die, +were no longer simply centers of refined and intellectual +amusement. The moral and literary reaction of the seventeenth +century was one of the great social and political forces of the +eighteenth. The salon had become a vast engine of power, an +organ of public opinion, like the modern press. Clever and +ambitious women had found their instrument and their opportunity. +They had long since learned that the homage paid to weakness is +illusory; that the power of beauty is short-lived. With none of +the devotion which had made the convent the time-honored refuge +of tender and exalted souls, finding little solace in the +domestic affections which played so small a role in their lives, +they turned the whole force of their clear and flexible minds to +this new species of sovereignty. Their keenness of vision, their +consummate skill in the adaptation of means to ends, their +knowledge of the world, their practical intelligence, their +instinct of pleasing, all fitted them for the part they assumed. +They distinctly illustrated the truth that "our ideal is not out +of ourselves, but in ourselves wisely modified." The intellect +of these women was rarely the dupe of the emotions. Their +clearness was not befogged by sentiment, nor, it may be added, +were their characters enriched by it. "The women of the +eighteenth century loved with their minds and not with their +hearts," said the Abbe Galiani. The very absence of the +qualities so essential to the highest womanly character, +according to the old poetic types, added to their success. To be +simple and true is to forget often to consider effects. +Spontaneity is not apt to be discriminating, and the emotions are +not safe guides to worldly distinction. It is not the artist who +feels the most keenly, who sways men the most powerfully; it is +the one who has most perfectly mastered the art of swaying men. +Self-sacrifice and a lofty sense of duty find their rewards in +the intangible realm of the spirit, but they do not find them in +a brilliant society whose foundations are laid in vanity and +sensualism. "The virtues, though superior to the sentiments, are +not so agreeable," said Mme. du Deffand; and she echoed the +spirit of an age of which she was one of the most striking +representatives. To be agreeable was the cardinal aim in the +lives of these women. To this end they knew how to use their +talents, and they studied, to the minutest shade, their own +limitations. They had the gift of the general who marshals his +forces with a swift eye for combination and availability. To +this quality was added more or less mental brilliancy, or, what +is equally essential, the faculty of calling out the brilliancy +of others; but their education was rarely profound or even +accurate. To an abbe who wished to dedicate a grammar to Mme. +Geoffrin she replied: "To me? Dedicate a grammar to me? Why, I +do not even know how to spell." Even Mme. du Deffand, whom +Sainte Beuve ranks next to Voltaire as the purest classic of the +epoch in prose, says of herself, "I do not know a word of +grammar; my manner of expressing myself is always the result of +chance, independent of all rule and all art." + +But it is not to be supposed that women who were the daily and +lifelong companions and confidantes of men like Fontenelle, +d'Alembert, Montesquieu, Helvetius, and Marmontel were deficient +in a knowledge of books, though this was always subservient to a +knowledge of life. It was a means, not an end. When the salon +was at the height of its power, it was not yet time for Mme. de +Stael; and, with rare exceptions, those who wrote were not +marked, or their literary talent was so overshadowed by their +social gifts as to be unnoted. Their writings were no measure of +their abilities. Those who wrote for amusement were careful to +disclaim the title of bel esprit, and their works usually reached +the public through accidental channels. Mme. de Lambert herself +had too keen an eye for consideration to pose as an author, but +it is with an accent of regret at the popular prejudice that she +says of Mme. Dacier, "She knows how to associate learning with +the amenities; for at present modesty is out of fashion; there is +no more shame for vices, and women blush only for knowledge." + +But if they did not write, they presided over the mint in which +books were coined. They were familiar with theories and ideas at +their fountain source. Indeed the whole literature of the period +pays its tribute to their intelligence and critical taste. "He +who will write with precision, energy, and vigor only," said +Marmontel, "may live with men alone; but he who wishes for +suppleness in his style, for amenity, and for that something +which charms and enchants, will, I believe, do well to live with +women. When I read that Pericles sacrificed every morning to the +Graces, I understand by it that every day Pericles breakfasted +with Aspasia." This same author was in the habit of reading his +tales in the salon, and noting their effect. He found a happy +inspiration in "the most beautiful eyes in the world, swimming in +tears;" but he adds, "I well perceived the cold and feeble +passages, which they passed over in silence, as well as those +where I had mistaken the word, the tone of nature, or the just +shade of truth." He refers to the beautiful, witty, but erring +and unfortunate Mme. de la Popeliniere, to whom he read his +tragedy, as the best of all his critics. "Her corrections," he +said, "struck me as so many rays of light." "A point of morals +will be no better discussed in a society of philosophers than in +that of a pretty woman of Paris," said Rousseau. This constant +habit of reducing thoughts to a clear and salient form was the +best school for aptness and ready expression. To talk wittily +and well, or to lead others to talk wittily and well, was the +crowning gift of these women. This evanescent art was the life +and soul of the salons, the magnet which attracted the most +brilliant of the French men of letters, who were glad to discuss +safely and at their ease many subjects which the public +censorship made it impossible to write about. They found +companions and advisers in women, consulted their tastes, sought +their criticism, courted their patronage, and established a sort +of intellectual comradeship that exists to the same extent in no +country outside of France. Its model may be found in the limited +circle that gathered about Aspasia in the old Athenian days. + +It is perhaps this habit of intellectual companionship that, more +than any other single thing, accounts for the practical +cleverness of the Frenchwomen and the conspicuous part they have +played in the political as well as social life of France. +Nowhere else are women linked to the same degree with the success +of men. There are few distinguished Frenchmen with whose fame +some more or less gifted woman is not closely allied. Montaigne +and Mlle. de Gournay, La Rochefoucauld and Mme. de La Fayette, +d'Alembert and Mlle. de Lespinasse, Chateaubriand and Mme. +Recamier, Joubert and Mme. de Beaumont--these are only a few of +the well-known and unsullied friendships that suggest themselves +out of a list that might be extended indefinitely. The social +instincts of the French, and the fact that men and women met on a +common plane of intellectual life, made these friendships +natural; that they excited little comment and less criticism made +them possible. + +The result was that from the quiet and thoughtful Marquise de +Lambert, who was admitted to have made half of the Academicians, +to the clever but less scrupulous Mme. de Pompadour, who had to +be reckoned with in every political change in Europe, women were +everywhere the power behind the throne. No movement was carried +through without them. "They form a kind of republic," said +Montesquieu, "whose members, always active, aid and serve one +another. It is a new state within a state; and whoever observes +the action of those in power, if he does not know the women who +govern them, is like a man who sees the action of a machine but +does not know its secret springs." Mme. de Tenein advised +Marmontel, before all things, to cultivate the society of women, +if he wished to succeed. It is said that both Diderot and +Thomas, two of the most brilliant thinkers of their time, failed +of the fame they merited, through their neglect to court the +favor of women. Bolingbroke, then an exile in Paris, with a few +others, formed a club of men for the discussion of literary and +political questions. While it lasted it was never mentioned by +women. It was quietly ignored. Cardinal Fleury considered it +dangerous to the State, and suppressed it. At the same time, in +the salon of Mme. de Tenein, the leaders of French thought were +safely maturing the theories which Montesquieu set forth in his +"Esprit des Lois," the first open attack on absolute monarchy, the +forerunner of Rousseau, and the germ of the Revolution. + +-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- + +But the salons were far from being centers of "plain living and +high thinking." "Supper is one of the four ends of man," said +Mme. du Deffand; and it must be admitted that the great doctrine +of human equality was rather luxuriously cradled. The supreme +science of the Frenchwomen was a knowledge of men. Understanding +their tastes, their ambitions, their interests, their vanities, +and their weaknesses, they played upon this complicated human +instrument with the skill of an artist who knows how to touch the +lightest note, to give the finest shade of expression, to bring +out the fullest harmony. In their efforts to raise social life +to the most perfect and symmetrical proportions, the pleasures of +sense and the delicate illusions of color were not forgotten. +They were as noted for their good cheer, for their attention to +the elegances that strike the eye, the accessories that charm the +taste, as for their intelligence, their tact, and their +conversation. + +But one must look for the power and the fascination of the French +salons in their essential spirit and the characteristics of the +Gallic race, rather than in any definite and tangible form. The +word simply suggests habitual and informal gatherings of men and +women of intelligence and good breeding in the drawing-room, for +conversation and amusement. The hostess who opened her house for +these assemblies selected her guests with discrimination, and +those who had once gained an entree were always welcome. In +studying the character of the noted salons, one is struck with a +certain unity that could result only from natural growth about a +nucleus of people bound together by many ties of congeniality and +friendship. Society, in its best sense, does not signify a +multitude, nor can a salon be created on commercial principles. +This spirit of commercialism, so fatal to modern social life, was +here conspicuously absent. It was not at all a question of debit +and credit, of formal invitations to be given and returned. +Personal values were regarded. The distinctions of wealth were +ignored and talent, combined with the requisite tact, was, to a +certain point, the equivalent of rank. If rivalries existed, +they were based upon the quality of the guests rather than upon +material display. But the modes of entertainment were as varied +as the tastes and abilities of the women who presided. Many of +the well-known salons were open daily. Sometimes there were +suppers, which came very much into vogue after the petits soupers +of the regent. The Duchesse de Choiseul, during the ministry of +her husband, gave a supper every evening excepting on Friday and +Sunday. At a quarter before ten the steward glanced through the +crowded rooms, and prepared the table for all who were present. +The Monday suppers at the Temple were thronged. On other days a +more intimate circle gathered round the tables, and the ladies +served tea after the English fashion. A few women of rank and +fortune imitated these princely hospitalities, but it was the +smaller coteries which presented the most charming and +distinctive side of French society. It was not the luxurious +salon of the Duchesse du Maine, with its whirl of festivities and +passion for esprit, nor that of the Temple, with its brilliant +and courtly, but more or less intellectual, atmosphere; nor that +of the clever and critical Marechale de Luxembourg, so elegant, +so witty, so noted in its day--which left the most permanent +traces and the widest fame. It was those presided over by women +of lesser rank and more catholic sympathies, of whom Voltaire +aptly said that "the decline of their beauty revealed the dawn of +their intellect;" women who had the talent, tact, and address to +gather about them a circle of distinguished men who have crowned +them with a luminous ray from their own immortality. The names +of Mme. de Lambert, Mme. de Tencin, Mme. Geoffrin, Mme. du +Deffand, Mme. Necker, Mme. de Stael, and others of lesser note, +call up visions of a society which the world is not likely to see +repeated. + +Not the least among the attractions of this society was its +charming informality. A favorite custom in the literary and +philosophical salons was to give dinners, at an early hour, two +or three times a week. In the evening a larger company assembled +without ceremony. A popular man of letters, so inclined, might +dine Monday and Wednesday with Mme. Geoffrin, Tuesday with Mme. +Helvetius, Friday with Mme. Necker, Sunday and Thursday with Mme. +d'Holbach, and have ample time to drop into other salons +afterward, passing an hour or so, perhaps, before going to the +theater, in the brilliant company that surrounded Mlle. de +Lespinasse, and, very likely, supping elsewhere later. At many +of these gatherings he would be certain to find readings, +recitations, comedies, music, games, or some other form of +extemporized amusement. The popular mania for esprit, for +literary lions, for intellectual diversions ran through the +social world, as the craze for clubs and culture, poets and +parlor readings, musicales and amateur theatricals, runs through +the society of today. It had numberless shades and gradations, +with the usual train of pretentious follies which in every age +furnish ample material for the pen of the satirist, but it was a +spontaneous expression of the marvelously quickened taste for +things of the intellect. The woman who improvised a witty verse, +invented a proverb, narrated a story, sang a popular air, or +acted a part in a comedy entered with the same easy grace into +the discussion of the last political problem, or listened with +the subtlest flattery to the new poem, essay, or tale of the +aspiring young author, whose fame and fortune perhaps hung upon +her smile. In the musical and artistic salon of Mme. de la +Popeliniere the succession of fetes, concerts, and receptions +seems to have been continuous. On Sunday there was a mass in the +morning, afterward a grand dinner, at five o'clock a light +repast, at nine a supper, and later a musicale. One is inclined +to wonder if there was ever any retirement, any domesticity in +this life so full of movement and variety. + +But it was really the freedom, wit, and brilliancy of the +conversation that constituted the chief attraction of the salons. +Men were in the habit of making the daily round of certain +drawing rooms, just as they drop into clubs in our time, sure of +more or less pleasant discussion on whatever subject was +uppermost at the moment, whether it was literature, philosophy, +art, politics, music, the last play, or the latest word of their +friends. The talk was simple, natural, without heat, without +aggressive egotism, animated with wit and repartee, glancing upon +the surface of many things, and treating all topics, grave or +gay, with the lightness of touch, the quick responsiveness that +make the charm of social intercourse. + +The unwritten laws that governed this brilliant world were drawn +from the old ideas of chivalry, upon which the etiquette of the +early salons was founded. The fine morality and gentle virtues +which were the bases of these laws had lost their force in the +eighteenth century, but the manners which grew out of them had +passed into a tradition. If morals were in reality not pure, nor +principles severe, there was at least the vanity of posing as +models of good breeding. Honor was a religion; politeness and +courtesy were the current, though by no means always genuine, +coin of unselfishness and amiability; the amenities stood in the +place of an ethical code. Egotism, ill temper, disloyalty, +ingratitude, and scandal were sins against taste, and spoiled the +general harmony. Evil passions might exist, but it was agreeable +to hide them, and enmities slept under a gracious smile. +noblesse OBLIGE was the motto of these censors of manners; and as +it is perhaps a Gallic trait to attach greater importance to +reputation than to character, this sentiment was far more potent +than conscience. Vice in many veiled forms might be tolerated, +but that which called itself good society barred its doors +against those who violated the canons of good taste, which +recognize at least the outward semblance of many amiable virtues. +Sincerity certainly was not one of these virtues; but no one was +deceived, as it was perfectly well understood that courteous +forms meant little more than the dress which may or may not +conceal a physical defect, but is fit and becoming. It was not +best to inquire too closely into character and motives, so long +as appearances were fair and decorous. How far the individual +may be affected by putting on the garb of qualities and feelings +that do not exist may be a question for the moralist; but this +conventional untruth has its advantages, not only in reducing to +a minimum the friction of social machinery, and subjecting the +impulses to the control of the will, but in the subtle influence +of an ideal that is good and true, however far one may in reality +fall short of it. + +Imagine a society composed of a leisure class with more or less +intellectual tastes; men eminent in science and letters; men less +eminent, whose success depended largely upon their social gifts, +and clever women supremely versed in the art of pleasing, who +were the intelligent complements of these men; add a universal +talent for conversation, a genius for the amenities of social +life, habits of daily intercourse, and manners formed upon an +ideal of generosity, amiability, loyalty, and urbanity; consider, +also, the fact that the journals and the magazines, which are so +conspicuous a feature of modern life, were practically unknown; +that the salons were centers in which the affairs of the world +were discussed, its passing events noted--and the power of these +salons may be to some extent comprehended. + +The reason, too, why it is idle to dream of reproducing them +today on American soil will be readily seen. The forms may be +repeated, but the vitalizing spirit is not there. We have no +leisure class that finds its occupation in this pleasant daily +converse. Our feverish civilization has not time for it. We sit +in our libraries and scan the news of the world, instead of +gathering it in the drawing rooms of our friends. Perhaps we +read and think more, but we talk less, and conversation is a +relaxation rather than an art. The ability to think aloud, +easily and gracefully, is not eminently an Anglo-Saxon gift, +though there are many individual exceptions to this limitation. +Our social life is largely a form, a whirl, a commercial +relation, a display, a duty, the result of external accretion, +not of internal growth. It is not in any sense a unity, nor an +expression of our best intellectual life; this seeks other +channels. Men are immersed in business and politics, and prefer +the easy, less exacting atmosphere of the club. The woman who +aspires to hold a salon is confronted at the outset by this +formidable rival. She is a queen without a kingdom, presiding +over a fluctuating circle without homogeneity, and composed +largely of women--a fact in itself fatal to the true esprit de +societe. It is true we have our literary coteries, but they are +apt to savor too much of the library; we take them too seriously, +and bring into them too strong a flavor of personality. We find +in them, as a rule, little trace of the spontaneity, the variety, +the wit, the originality, the urbanity, the polish, that +distinguished the French literary salons of the last century. +Even in their own native atmosphere, the salons exist no longer +as recognized institutions. This perfected flower of a past +civilization has faded and fallen, as have all others. The salon +in its widest sense, and in some modified form, may always +constitute a feature of French life, but the type has changed, +and its old glory has forever departed. In a foreign air, even +in its best days, it could only have been an exotic, flourishing +feebly, and lacking both color and fragrance. As a copy of past +models it is still less likely to be a living force. Society, +like government, takes its spirit and its vitality from its own +soil. + + +CHAPTER IX. AN ANTECHAMBER OF THE ACADEMIE FRANCAISE +The Marquise de Lambert--Her "Bureau d'Esprit"--Fontenelle-- +Advice to her Son--Wise Thoughts on the Education of Women--Her +love of Consideration--Her Generosoty--Influence of Women upon +the Academy. + +While the gay suppers of the regent were giving a new but by no +means desirable tone to the great world of Paris, and chasing +away the last vestiges of the stately decorum that marked the +closing days of Louis XIV, and Mme. de Maintenon, there was one +quiet drawing room which still preserved the old traditions. The +Marquise de Lambert forms a connecting link between the salons of +the seventeenth and eighteenth centuries, leaning to the side of +the latter, intellectually, but retaining much of the finer +morality that distinguished the best life of the former. Her +attitude towards the disorders of the regency was similar to that +which Mme. de Rambouillet had held towards the profligate court +of Henry IV, though her salon never attained the vogue of its +model. It lacked a certain charm of youth and freshness perhaps, +but it was one of the few in which gambling was not permitted, +and in which conversation had not lost its serious and critical +flavor. + +If Mme. de Lambert were living today she would doubtless figure +openly as an author. Her early tastes pointed clearly in that +direction. She was inclined to withdraw from the amusements of +her age, and to pass her time in reading, or in noting down the +thoughts that pleased her. The natural bent of her mind was +towards moral reflections. In this quality she resembled Mme. de +Sable, but she was a woman of greater breadth and originality, +though less fine and exclusive. She wrote much in later life on +educational themes, for the benefit of her children and for her +own diversion; but she yielded to the prejudices of her age +against the woman author, and her works were given to the world +only through the medium of friends to whom she had read or lent +them. "Women," she said, "should have towards the sciences a +modesty almost as sensitive as towards vices." But in spite of +her studied observance of the conventional limits which tradition +still assigned to her sex, her writings suggest much more care +than is usually bestowed upon the amusement of an idle hour. If, +like many other women of her time, she wrote only for her +friends, she evidently doubted their discretion in the matter of +secrecy. + +As the child who inherited the rather formidable name of Anne +Theresa de Marguenat de Coucelles was born during the last days +of the Hotel de Rambouillet, she doubtless cherished many +illusions regarding this famous salon. Its influence was more or +less apparent when the time came to open one of her own. Her +father was a man of feeble intellect, who died early; but her +mother, a woman more noted for beauty than for decorum, was +afterward married to Bachaumont, a well-known bel esprit, who +appreciated the gifts of the young girl, and brought her within a +circle of wits who did far more towards forming her impressible +mind than her light and frivolous mother had done. She was still +very young when she became the wife of the Marquis de Lambert, an +officer of distinction, to whose interests she devoted her +talents and her ample fortune. The exquisitely decorated Hotel +Lambert, on the Ile Saint Louis, still retains much of its old +splendor, though the finest masterpieces of Lebrun and Lesueur +which ornamented its walls have found their way to the Louvre. +"It is a home made for a sovereign who would be a philosopher," +wrote Voltaire to Frederick the Great. In these magnificent +salons, Mme. de Lambert, surrounded by every luxury that wealth +and taste could furnish, entertained a distinguished company. +She carried her lavish hospitalities also to Luxembourg, where +she adorned the position of her husband, who was governor of that +province for a short period before his death in 1686. After this +event, she was absorbed for some years in settling his affairs, +which were left in great disorder, and in protecting the fortunes +of her two children. This involved her in long and vexatious +lawsuits which she seems to have conducted with admirable +ability. "There are so few great fortunes that are innocent," +she writes to her son, "that I pardon your ancestors for not +leaving you one. I have done what I could to put in order our +affairs, in which there is left to women only the glory of +economy." It was not until the closing years of her life, from +1710 to 1733, that her social influence was at its height. She +was past sixty, at an age when the powers of most women are on +the wane, when her real career began. She fitted up luxurious +apartments in the Palais Mazarin, employing artists like Watteau +upon the decorations, and expending money as lavishly as if she +had been in the full springtide of life, instead of the golden +autumn. Then she gathered about her a choice and lettered +society, which seemed to be a world apart, a last revival of the +genius of the seventeenth century, and quite out of the main +drift of the period. "She was born with much talent," writes one +of her friends; "she cultivated it by assiduous reading; but the +most beautiful flower in her crown was a noble and luminous +simplicity, of which, at sixty years, she took it into her head +to divest herself. She lent herself to the public, associated +with the Academicians, and established at her house a bureau +d'esprit." Twice a week she gave dinners, which were as noted +for the cuisine as for the company, and included, among others, +the best of the forty Immortals. Here new works were read or +discussed, authors talked of their plans, and candidates were +proposed for vacant chairs in the Academy. "The learned and the +lettered formed the dominant element," says a critic of the time. +"They dined at noon, and the rest of the day was passed in +conversations, in readings, in literary and scientific +discussions. No card tables; it was in ready wit that each one +paid his contribution." Ennui never came to shed its torpors +over these reunions, of which the Academy furnished the most +distinguished guests, in company with grands seigneurs eager to +show themselves as worthy by intelligence as by rank to play a +role in these gatherings of the intellectual elite. Fontenelle +was the presiding genius of this salon, and added to its critical +and literary spirit a tinge of philosophy. This gallant savant, +who was adored in society as "a man of rare and exquisite +conversation," has left many traces of himself here. No one was +so sparkling in epigram; no one talked so beautifully of love, of +which he knew nothing; and no one talked to delightfully of +science, of which he knew a great deal. But he thought that +knowledge needed a seasoning of sentiment to make it palatable to +women. In his "Pluralite des Mondes," a singular melange of +science and sentiment, which he had written some years before and +dedicated to a daughter of the gay and learned Mme. de La +Sabliere, he talks about the stars, to la belle marquise, like a +lover; but his delicate flatteries are the seasoning of serious +truths. It was the first attempt to offer science sugar-coated, +and suggests the character of this coterie, which prided itself +upon a discreet mingling of elevated thought with decorous +gaiety. The world moves. Imagine a female undergraduate of +Harvard or Columbia taking her astronomy diluted with sentiment! + +President Henault, the life-long friend of Mme. du Deffand, whose +light criticism of a pure-minded woman might be regarded as +rather flattering than otherwise, says: "It was apparent that +Mme. de Lambert touched upon the time of the Hotel de +Rambouillet; she was a little affected, and had not the force to +overstep the limits of the prude and the precieuse. Her salon +was the rendevous of celebrated men . . . . In the evening the +scenery changed as well as the actors. A more elegant world +assembled at the suppers. The Marquise took pleasure in +receiving people who were agreeable to each other. Her tone, +however, did not vary, and she preached la belle galanterie to +some who went a little beyond it. I was of the two parties; I +dogmatized in the morning and sang in the evening." The two +eminent Greek Scholars, La Motte and Mme. Dacier, held spirited +discussions on the merits of Homer, which came near ending in +permanent ill-feeling, but the amiable hostess gave a dinner for +them, "they drank to the health of the poet, and all was +forgotten." The war between the partizans of the old and the new +was as lively then as it is today. "La Motte and Fontenelle +prefer the moderns," said the caustic Mme. du Deffand; "but the +ancients are dead, and the moderns are themselves." The names of +Sainte-Aulaire, de Sacy, Mairan, President Henault, and others +equally scholarly and witty, suffice to indicate the quality of +the conversation, which treated lightly and gracefully of the +most serious things. The Duchesse du Maine and her clever +companion, Mlle. de Launay were often among the guests; also the +beautiful and brilliant Mme. de Caylus, a niece of Mme. de +Maintenon, whom some poetical critic has styled "the last flower +of the seventeenth century." Sainte-Aulaire, tired of the +perpetual excitement at Sceaux, characterized this salon by a +witty quatrain: + +Je suis las de l'esprit, il me met en courroux, +Il me renverse la cervelle; +Lambert, je viens chercher un asile chez vous, +Entre La Motte et Fontenelle. + +The wits of the day launched many a shaft of satire against it, +as they had against the Hotel de Rambouillet a century earlier; +but it was an intellectual center of great influence, and was +regarded as the sanctuary of old manners as well as the asylum of +new liberties. Its decorous character gave it the epithet of +"very respectable;" but this eminently respectable company, which +represented the purest taste of the time, often included Adrienne +Lecouvreur, who was much more remarkable for talent than for +respectability. We have a direct glimpse of it through the pen +of d'Artenson: + +"I have just met with a very grievous loss in the death of the +Marquise de Lambert" (he writes in 1733). "For fifteen years I +have been one of her special friends, and she has done me the +favor of inviting me to her house, where it is an honor to be +received. I dined there regularly on Wednesday, which was one of +her days . . . . . She was rich, and made a good and amiable use +of her wealth, for the benefit of her friends, and above all for +the unfortunate. A pupil of Bachaumont, having frequented only +the society of people of the world, and of the highest +intelligence, she knew no other passion than a constant and +platonic tenderness." + +The quality of character and intellect which gave Mme. de Lambert +so marked an influence, we find in her own thoughts on a great +variety of subjects. She gives us the impression of a woman +altogether sensible and judicious, but not without a certain +artificial tone. Her well-considered philosophy of life had an +evident groundwork of ambition and worldly wisdom, which appears +always in her advice to her children. She counsels her son to +aim high and believe himself capable of great things. "Too much +modesty," she says, "is a languor of the soul, which prevents it +from taking flight and carrying itself rapidly towards glory"--a +suggestion that would be rather superfluous in this generation. +Again, she advises him to seek the society of his superiors, in +order to accustom himself to respect and politeness. "With +equals one grows negligent; the mind falls asleep." But she does +not regard superiority as an external thing, and says very +wisely, "It is merit which should separate you from people, not +dignity or pride." By "people" she indicates all those who think +meanly and commonly. "The court is full of them," she adds. Her +standards of honor are high, and her sentiments of humanity quite +in the vein of the coming age. She urges her daughter to treat +her servants with kindness. "One of the ancients says they +should be regarded as unfortunate friends. Think that humanity +and Christianity equalize all." + +Her criticisms on the education of women are of especial +interest. Behind her conventional tastes and her love of +consideration she has a clear perception of facts and an +appreciation of unfashionable truths. She recognizes the +superiority of her sex in matters of taste and in the enjoyment +of "serious pleasures which make only the MIND LAUGH and do not +trouble the heart" She reproaches men with "spoiling the +dispositions nature has given to women, neglecting their +education, filling their minds with nothing solid, and destining +them solely to please, and to please only by their graces or +their vices." But she had not always the courage of her +convictions, and it was doubtless quite as much her dislike of +giving voice to unpopular opinions as her aversion to the +publicity of authorship, that led her to buy the entire edition +of her "Reflexions sur les Femmes," which was published without her +consent. + +One of her marked traits was moderation. "The taste is spoiled +by amusements," she writes. "One becomes so accustomed to ardent +pleasures that one cannot fall back upon simple ones. We should +fear great commotions of the soul, which prepare ennui and +disgust." This wise thought suggests the influence of +Fontenelle, who impressed himself strongly upon the salons of the +first half of the century. His calm philosophy is distinctly +reflected in the character of Mme. de Lambert, also in that of +Mme. Geoffrin, with whom he was on very intimate terms. It is +said that this poet, critic, bel esprit, and courtly favorite, +whom Rousseau calls "the daintiest pedant in the world," was +never swayed by any emotion whatever. He never laughed, only +smiled; never wept; never praised warmly, though he did say +pretty things to women; never hurried; was never angry; never +suffered, and was never moved by suffering. "He had the gout," +says one of his critics, "but no pain; only a foot wrapped in +cotton. He put it on a footstool; that was all." It is perhaps +fair to present, as the other side of the medallion, the portrait +drawn by the friendly hand of Adrienne LeCouvreur. "The charms +of his intellect often veiled its essential qualities. Unique of +his kind, he combines all that wins regard and respect. +Integrity, rectitude, equity compose his character; an +imagination lively and brilliant, turns fine and delicate, +expressions new and always happy ornament it. A heart pure, +actions clear, conduct uniform, and everywhere principles . . . . +Exact in friendship, scrupulous in love; nowhere failing in the +attributes of a gentleman. Suited to intercourse the most +delicate, though the delight of savants; modest in his +conversation, simple in his actions, his superiority is evident, +but he never makes one feel it." He lived a century, apparently +because it was too much trouble to die. When the weight of years +made it too much trouble to live, he simply stopped. "I do not +suffer, my friends, but I feel a certain difficulty in existing," +were his last words. With this model of serene tranquillity, who +analyzed the emotions as he would a problem in mathematics, and +reduced life to a debit and credit account, it is easy to +understand the worldly philosophy of the women who came under his +influence. + +But while Mme. de Lambert had a calm and equable temperament, and +loved to surround herself with an atmosphere of repose, she was +not without a fine quality of sentiment. "I exhort you much more +to cultivate your heart," she writes to her son, "than to perfect +your mind; the true greatness of the man is in the heart." "She +was not only eager to serve her friends without waiting for their +prayers or the humiliating exposure of their needs," said +Fontenelle, "but a good action to be done in favor of indifferent +people always tempted her warmly . . .. The ill success of some +acts of generosity did not correct the habit; she was always +equally ready to do a kindness." She has written very delicately +and beautifully of friendships between men and women; and she had +her own intimacies that verged upon tenderness, but were free +from any shadow of reproach. Long after her death, d'Alembert, +in his academic eulogy upon de Sacy, refers touchingly to the +devoted friendship that linked this elegant savant with Mme. de +Lambert. "It is believed," says President Henault, "that she was +married to the Marquis de Sainte-Aulaire. He was a man of +esprit, who only bethought himself, after more than sixty years, +of his talent for poetry; and Mme. de Lambert, whose house was +filled with Academicians, gained him entrance into the Academy, +not without strong opposition on the part of Boileau and some +others." Whether the report of this alliance was true or not, +the families were closely united, as the daughter of Mme. de +Lambert was married to a son of Sainte-Aulaire; it is certain +that the enduring affection of this ancient friend lighted the +closing years of her life. + +Though tinged with the new philosophy, Mme. de Lambert regarded +religion as a part of a respectable, well-ordered life. +"Devotion is a becoming sentiment in women, and befitting in both +sexes," she writes. But she clearly looked upon it as an +external form, rather than an internal flame. When about to die, +at the age of eighty-six, she declined the services of a friendly +confessor, and sent for an abbe who had a great reputation for +esprit. Perhaps she thought he would give her a more brilliant +introduction into the next world; this points to one of her +weaknesses, which was a love of consideration that carried her +sometimes to the verge of affectation. It savors a little of the +hypercritical spirit that is very well illustrated by an anecdote +of the witty Duchesse de Luxenbourg. One morning she took up a +prayer book that was lying upon the table and began to criticize +severely the bad taste of the prayers. A friend ventured to +remark that if they were said reverently and piously, God surely +would pay no attention to their good or bad form. "Indeed," +exclaimed the fastidious Marechale, whose religion was evidently +a becoming phase of estheticism, "do not believe that." + +The thoughts of Mme. de Lambert, so elevated in tone, so fine in +moral quality, so rich in worldly wisdom, and often so felicitous +in expression, tempt one to multiply quotations, especially as +they show us an intimate side of her life, of which otherwise we +know very little. Her personality is veiled. Her human +experiences, her loves, her antipathies, her mistakes, and her +errors are a sealed book to us, excepting as they may be dimly +revealed in the complexion of her mind. Of her influence we need +no better evidence than the fact that her salon was called the +antechamber to the Academie Francaise. + +The precise effect of this influence of women over the most +powerful critical body ot eh century, or of any century, perhaps, +we can hardly measure. In the fact that the Academy became for a +time philosophical rather than critical, and dealt with theories +rather than with pure literature, we trace the finger of the more +radical thinkers who made themselves so strongly felt in the +salons. Sainte=Beuve tells us that Fontenelle, with other +friends of Mme. de Lambert, first gave it this tendency; but his +mission was apparently an unconscious one, and strikingly +illustrates the accidental character of the sources of the +intellectual currents which sometimes change the face of the +world. "If I had a handful of truths, I should take good care +not to open it," said this sybarite, who would do nothing that +was likely to cause him trouble. But the truths escaped in spite +of him, and these first words of the new philosophy were perhaps +the more dangerous because veiled and insidious. "You have +written the 'Histoire des Oracles,'" said a philosopher to him, +after he had been appointed the royal censor, "and you refuse me +your approbation." "Monsieur," replied Fontenelle, "if I had +been censor when I wrote the 'Histoire des Oracles,' I should have +carefully avoided giving it my approbation." But if the +philosophers finally determined the drift of this learned body, +it was undoubtedly the tact and diplomacy of women which +constituted the most potent factor in the elections which placed +them there. The mantle of authority, so gracefully worn by Mme. +de Lambert, fell upon her successors, Mme. Geoffrin and Mlle. de +Lespinasse, losing none of its prestige. As a rule, the best men +in France were sooner or later enrolled among the Academicians. +If a few missed the honor through failure to enlist the favor of +women, as has been said, and a few better courtiers of less merit +attained it, the modern press has not proved a more judicious +tribunal. + + +CHAPTER X. THE DUCHESSE DU MAINE +Her Capricious Character--Her Esprit--Mlle. de Launay--Clever +Portrait of Her Mistress--Perpetual Fetes at Sceaux--Voltaire +and the "Divine Emilie"--Dilettante Character of this Salon. + +The life of the eighteenth century, with its restlessness, its +love of amusements, its ferment of activities, and its essential +frivolity, finds a more fitting representative in the Duchesse du +Maine, granddaughter of the Grand Conde, and wife of the favorite +son of Louis XIV, and Mme. de Montespan. The transition from the +serene and thoughtful atmosphere which surrounded Mme. de +Lambert, to the tumultuous whirl of existence at Sceaux, was like +passing from the soft light and tranquillity of a summer evening +to the glare and confusion of perpetual fireworks. Of all the +unique figures of a masquerading age this small and ambitious +princess was perhaps the most striking, the most pervading. It +was by no means her aim to take her place in the world as queen +of a salon. Louise-Benedicte de Bourbon belonged to the royal +race, and this was by far the most vivid fact in her life. She +was but a few steps from the throne, and political intrigues +played a conspicuous part in her singular career. But while she +waited for the supreme power to which she aspired, and later, +when the feverish dream of her life was ended, she must be +amused, and her diversions must have an intellectual and +imaginative flavor. Wits, artists, literary men, and savants +were alike welcome at Sceaux, if they amused her and entertained +her guests. "One lived there by esprit, and esprit is my God," +said Mme. du Deffand, who was among the brightest ornaments of +this circle. + +Born in 1676, the Duchesse du Maine lived through the first half +of the next century, of which her little court was one of the +most notable features. Scarcely above the stature of a child of +ten years, slightly deformed, with a fair face lighted by fine +eyes; classically though superficially educated; gifted in +conversation, witty, brilliant, adoring talent, but cherishing +all the prejudices of the old noblesse--she represented in a +superlative degree the passion for esprit which lent such +exceptional brilliancy to the social life of the time. + +In character the duchess was capricious and passionate. "If she +were as good as she is wicked," said the sharp-tongued Palatine, +"there would be nothing to say against her. She is tranquil +during the day and passes it playing at cards, but at its close +the extravagances and fits of passion begin; she torments her +husband, her children, her servants, to such a point that they do +not know which way to turn." Her will brooked no opposition. +When forced to leave the Tuileries after the collapse of her +little bubble of political power, she deliberately broke every +article of value in her apartments, consigning mirrors, vases, +statues, porcelains alike to a common ruin, that no one else +might enjoy them after her. This fiery scion of a powerful +family, who had inherited its pride, its ambition, its +uncontrollable passions, and its colossal will, had little +patience with the serene temperament and dilettante tastes of her +amiable husband, and it is said she did not scruple to make him +feel the force of her small hands. "You will waken some morning +to find yourself in the Academie Francaise, and the Duc d'Orleans +regent," she said to him one day when he showed her a song he had +translated. Her device was a bee, with this motto: "I am small, +but I make deep wounds." Doubtless its fitness was fully +realized by those who belonged to the Ordre de la Mouche-a-miel +which she had instituted, and whose members were obliged to +swear, by Mount Hymettus, fidelity and obedience to their +perpetual dictator. But what pains and chagrins were not +compensated by the bit of lemon-colored ribbon and its small meed +of distinction! + +The little princess worked valiantly for political power, but she +worked in vain. The conspiracy against the regent, which seemed +to threaten another Fronde, came to nothing, and this ardent +instrigante, who had the disposition to "set the four corners of +the kingdom on fire" to attain her ends, found her party +dispersed and herself in prison. But this was only an episode, +and though it gave a death blow to her dreams of power, it did +not quench her irrepressible ardor. If she could not rule in one +way, she would in another. As soon as she regained her freedom, +her little court was again her kingdom, and no sovereign ever +reigned more imperiously. "I am fond of company," she said, "for +I listen to no one, and every one listens to me." It was an +incessant thirst for power, a perpetual need of the sweet incense +of flattery, that was at the bottom of this "passion for a +multitude." "She believed in herself," writes Mlle. de Launay, +afterward Baronne de Staal, "as she believed in God or Descartes, +without examination and without discussion." + +This lady's maid, who loved mathematics and anatomy, was familiar +with Malebranche and Descartes, and left some literary reputation +as a writer of gossipy memoirs, was a prominent figure in the +lively court at Sceaux for more than forty years, and has given +us some vivid pictures of her capricious mistress. A young girl +of clear intellect and good education, but without rank, friends, +or fortune, she was forced to accept the humiliating position of +femme de chambre with the Duchesse du Maine, who had been +attracted by her talents. She was brought into notice through a +letter to Fontenelle, which was thought witty enough to be copied +and circulated. If she had taken this cool dissector of human +motives as a model, she certainly did credit to his teaching. +Her curiously analytical mind is aptly illustrated by her novel +method of measuring her lover's passion. He was in the habit of +accompanying her home from the house of a friend. When he began +to cross the square, instead of going round it, she concluded +that his love had diminished in the exact proportion of two sides +of a square to the diagonal. Promoted to the position of a +companion, she devoted herself to the interests of her restless +mistress, read to her, talked with her, wrote plays for her, and +was the animating spirit of the famous Nuits Blanches. While the +duchess was in exile she shared her disgrace, refused to betray +her, and was sent to the Bastille for her loyalty. She resigned +herself to her imprisonment with admirable philosophy, amused +herself in the study of Latin, in watching the gambols of a cat +and kitten, and in carrying on a safe and sentimental flirtation +with the fascinating Duc de Richelieu, who occupied an adjoining +cell and passed the hours in singing with her popular airs from +Iphigenie. "Sentimental" is hardly a fitting word to apply to +the coquetries of this remarkably clear and calculating young +woman. She returned with her patroness to Sceaux, found many +admirers, but married finally with an eye to her best worldly +interests, and, it appears, in the main happily--at least, not +unhappily. The shade of difference implies much. She had a +keen, penetrating intellect which nothing escaped, and as it had +the peculiar clearness in which people and events are reflected +as in a mirror, her observations are of great value. "Aside from +the prose of Voltaire, I know of none more agreeable than that of +Mme. de Staal de Launay," said Grimm. Her portrait of her +mistress serves to paint herself as well. + +"Mme. la Duchesse du Maine, at the age of sixty years, has yet +learned nothing from experience; she is a child of much talent; +she has its defects and its charms. Curious and credulous, she +wishes to be instructed in all the different branches of +knowledge; but she is contented with their surface. The +decisions of those who educated her have become for her +principles and rules upon which her mind has never formed the +least doubt; she submits once for all. Her provision for ideas +is made; she rejects the best demonstrated truths and resists the +best reasonings, if they are contrary to the first impressions +she has received. All examination is impossible to her +lightness, and doubt is a state which her weakness cannot +support. Her catechism and the philosophy of Descartes are two +systems which she understands equally well . . . . Her mirror +cannot make her doubt the charms of her face; the testimony of +her eyes is more questionable than the judgment of those who have +decided that she is beautiful and well-formed. Her vanity is of +a singular kind, but seems the less offensive because it is not +reflective, though in reality it is the more ridiculous, +Intercourse with her is a slavery; her tyranny is open; she does +not deign to color it with the appearance of friendship. She +says frankly that she has the misfortune of not being able to do +without people for whom she does not care. She proves it +effectually. One sees her learn with indifference the death of +those who would call forth torrents of tears if they were a +quarter of an hour too late for a card party or a promenade." + +But this vain and self-willed woman read Virgil and Terence in +the original, was devoted to Greek tragedies, dipped into +philosophy, traversed the surface of many sciences, turned a +madrigal with facility, and talked brilliantly. "The language is +perfect only when you speak it or when one speaks of you," wrote +Mme. de Lambert, in a tone of discreet flattery. "No one has +ever spoken with more correctness, clearness, and rapidity, +neither in a manner more noble or more natural," said Mlle. de +Launay. + +Through this feminine La Bruyere, as Sainte-Beuve has styled her, +we are introduced to the life at Sceaux. It was the habit of the +guests to assemble at eight, listen to music or plays, improvise +verses for popular airs, relate racy anecdotes, or amuse +themselves with proverbs. "Write verses for me," said the +insatiable duchess when ill; "I feel that verses only can give me +relief." The quality does not seem to have been essential, +provided they were sufficiently flattering. Sainte-Aulaire wrote +madrigals for her. Malezieu, the learned and versatile preceptor +of the Duc du Maine, read Sophocles and Euripides. Mme. du Maine +herself acted the roles of Athalie and Iphigenie with the famous +Baron. They played at science, contemplated the heavens through +a telescope and the earth through a microscope. In their eager +search for novelty they improvised fetes that rivaled in +magnificence the Arabian Nights; they posed as gods and +goddesses, or, affecting simplicity, assumed rustic and pastoral +characters, even to their small economies and romantic +platitudes. Mythology, the chivalry of the Middle Ages, +costumes, illuminations, scenic effects, the triumphs of the +artists, the wit of the bel esprit--all that ingenuity could +devise or money could buy was brought into service. It was the +life that Watteau painted, with its quaint and grotesque fancies, +its sylvan divinities, and its sighing lovers wandering in +endless masquerade, or whispering tender nothings on banks of +soft verdure, amid the rustle of leaves, the sparkle of +fountains, the glitter of lights, and the perfume of innumerable +flowers. It was a perpetual carnival, inspired by imagination, +animated by genius, and combining everything that could charm the +taste, distract the mind, and intoxicate the senses. The +presiding genius of this fairy scene was the irrepressible +duchess, who reigned as a goddess and demanded the homage due to +one. Well might the weary courtiers cry out against les galeres +du bel esprit. + +But this fantastic princess who carried on a sentimental +correspondence with the blind La Motte, and posed as the tender +shepherdess of the adoring but octogenarian Sainte-Aulaire, had +no really democratic notions. There was no question in her mind +of the divine right of kings or of princesses. She welcomed +Voltaire because he flattered her vanity and amused her guests, +but she was far enough from the theories which were slowly +fanning the sparks of the Revolution. Her rather imperious +patronage of literary and scientific men set a fashion which all +her world tried to follow. It added doubtless to the prestige of +those who were insidiously preparing the destruction of the very +foundations on which this luxurious and pleasure-loving society +rested. But, after all, the bond between this restless, +frivolous, heartless coterie and the genuine men of letters was +very slight. There was no seriousness, no earnestness, no +sincerity, no solid foundation. + +The literary men, however, who figured most conspicuously in the +intimate circle of the Duchesse du Maine were not of the first +order. Malezieu was learned, a member of two Academies, faintly +eulogized by Fontenelle, warmly so by Voltaire, and not at all by +Mlle. de Launay; but twenty-five years devoted to humoring the +caprices and flattering the tastes of a vain and exacting +patroness were not likely to develop his highest possibilities. +There is a point where the stimulating atmosphere of the salon +begins to enervate. His clever assistant, the Abbe Genest, poet +and Academician, was a sort of Voiture, witty, versatile, and +available. He tried to put Descartes into verse, which suggests +the quality of his poetry. Sainte-Aulaire, who, like his friend +Fontenelle, lived a century, frequented this society more or less +for forty years, but his poems are sufficiently light, if one may +judge from a few samples, and his genius doubtless caught more +reflections in the salon than in a larger world. He owed his +admission to the Academy partly to a tender quatrain which he +improvised in praise of his lively patroness. It is true we have +occasional glimpses of Voltaire. Once he sought an asylum here +for two months, after one of his numerous indiscretions, writing +tales during the day, which he read to the duchess at night. +Again he came with his "divine Emilie," the learned Marquise du +Chatelet, who upset the household with her eccentric ways. "Our +ghosts do not show themselves by day," writes Mlle. de Launay; +"they appeared yesterday at ten o'clock in the evening. I do not +think we shall see them earlier today; one is writing high facts, +the other, comments upon Newton. They wish neither to play nor +to promenade; they are very useless in a society where their +learned writings are of no account." But Voltaire was a +courtier, and, in spite of his frequent revolts against +patronage, was not at all averse to the incense of the salons and +the favors of the great. It was another round in the ladder that +led him towards glory. + +The cleverest women in France were found at Sceaux, but the +dominant spirit was the princess herself. It was amusement she +wanted, and even men of talent were valued far less for what they +were intrinsically than for what they could contribute to her +vanity or to her diversion. "She is a predestined soul," wrote +Voltaire. "She will love comedy to the last moment, and when she +is ill I counsel you to administer some beautiful poem in the +place of extreme unction. One dies as one has lived." + +Mme. du Maine represented the conservative side of French society +in spite of the fact that her abounding mental vitality often +broke through the stiff boundaries of old traditions. It was not +because she did not still respect them, but she had the defiant +attitude of a princess whose will is an unwritten law superior to +all traditions. The tone of her salon was in the main +dilettante, as is apt to be the case with any circle that plumes +itself most upon something quite apart from intellectual +distinction. It reflected the spirit of an old aristocracy, with +its pride, its exclusiveness, its worship of forms, but faintly +tinged with the new thought that was rapidly but unconsciously +encroaching upon time-honored institutions. Beyond the clever +pastimes of a brilliant coterie, it had no marked literary +influence. This ferment of intellectual life was one of the +signs of the times, but it led to no more definite and tangible +results than the turning of a madrigal or the sparkle of an +epigram. + + +CHAPTER XI. MADAME DE TENCIN AND MADAME DU CHATELET +An Intriguing Chanoinesse--Her Singular Fascination--Her Salon +--Its Philosophical Character--Mlle. Aisse--Romances of Mme. de +Tencin--D'Alembert--La Belle Emilie--Voltaire--The Two Women +Compared + +It was not in the restless searchings of an old society for new +sensations, new diversions, nor in the fleeting expressions of +individual taste or caprice, which were often little more than +the play of small vanities, that the most potent forces in the +political as well as in the intellectual life of France were +found. It was in the coteries which attracted the best +representatives of modern thought, men and women who took the +world on a more serious side, and mingled more or less of +earnestness even in their amusements. While the Duchesse du +Maine was playing her little comedy, which began and ended in +herself, another woman, of far different type, and without rank +or riches , was scheming for her friends, and nursing the germs +of the philosophic party in one of the most notable salons of the +first half of the century. Mme. de Tencin is not an interesting +figure to contemplate from a moral standpoint. "She was born +with the most fascinating qualities and the most abominable +defects that God ever gave to one of his creatures," said Mme. du +Deffand, who was far from being able to pose, herself, as a model +of virtue or decorum. But sin has its degrees, and the woman who +errs within the limits of conventionality considers herself +entitled to sit in judgment upon her sister who wanders outside +of the fold. Measured even by the complaisant standards of her +own time, there can be but one verdict upon the character of Mme. +de Tencin, though it is to be hoped that the scandal-loving +chroniclers have painted her more darkly than she deserved. But +whatever her faults may have been, her talent and her influence +were unquestioned. She posed in turn as a saint, an intrigante, +and a femme d'esprit, with marked success in every one of these +roles. But it was not a comedy she was playing for the amusement +of the hour. Beneath the velvet softness of her manner there was +a definite aim, an inflexible purpose. With the tact and +facility of a Frenchwoman, she had a strong, active intellect, +boundless ambition, indomitable energy, and the subtlety of an +Italian. + +An incident of her early life, related by Mme. du Deffand, +furnishes a key to her complex character, and reveals one secret +of her influence. Born of a poor and proud family in Grenoble, +in 1681, Claudine Alexandrine Guerin de Tencin was destined from +childhood for the cloister. Her strong aversion to the life of a +nun was unavailing, and she was sent to a convent at Montfleury. +This prison does not seem to have been a very austere one, and +the discipline was far from rigid. The young novice was so +devout that the archbishop prophesied a new light for the church, +and she easily persuaded him of the necessity of occupying the +minds of the religieuses by suitable diversions. Though not yet +sixteen, this pretty, attractive, vivacious girl was fertile in +resources, and won her way so far into the good graces of her +superiors as to be permitted to organize reunions, and to have +little comedies played which called together the provincial +society. She transformed the convent, but her secret +disaffection was unchanged. She took the final vows under the +compulsion of her inflexible father, then continued her role of +devote to admirable purpose. By the zeal of her piety, the +severity of her penance, and the ardor of her prayers, she gained +the full sympathy of her ascetic young confessor, to whom she +confided her feeling of unfitness for a religious life, and her +earnest desire to be freed from the vows which sat so uneasily +upon her sensitive conscience. He exhorted her to steadfastness, +but finally she wrote him a letter in which she confessed her +hopeless struggle against a consuming passion, and urged the +necessity of immediate release. The conclusion was obvious. The +Abbe Fleuret was horrified by the conviction that this pretty +young nun was in love with himself, and used his influence to +secure her transference to a secular order at Neuville, where as +chanoinesse, she had many privileges and few restrictions. Here +she became at once a favorite, as before, charming by her modest +devotion, and amusing by her brilliant wit. Artfully, and by +degrees, she convinced those in authority of the need of a +representative in Paris. This office she was chosen to fill. +Playing her pious part to the last, protesting with tears her +pain at leaving a life she loved, and her unfitness for so great +an honor she set out upon her easy mission. There are many tales +of a scandalous life behind all this sanctity and humility, but +her new position gave her consideration, influence, and a good +revenue. "Young, beautiful, clever, with an adorable talent," +this "nun unhooded" fascinated the regent, and was his favorite +for a few days. But her ambition got the better of her prudence. +She ventured upon political ground, and he saw her no more. With +his minister, the infamous Dubois, she was more successful, and +he served her purpose admirably well. Through her notorious +relations with him she enriched her brother and secured him a +cardinal's hat. The intrigues of this unscrupulous trio form an +important episode in the history of the period. When Dubois +died, within a few months of the regent, she wept, as she said, +"that fools might believe she regretted him." + +Her clear, incisive intellect and conversational charm would have +assured the success of any woman at a time when these things +counted for so much. "At thirty-six," wrote Mme. du Deffand, +"she was beautiful and fresh as a woman of twenty; her eyes +sparkled, her lips had a smile at the same time sweet and +perfidious; she wished to be good, and gave herself great trouble +to seem so, without succeeding." Indolent and languid with +flashes of witty vivacity, insinuating and facile, unconscious of +herself, interested in everyone with whom she talked, she +combined the tact, the finesse, the subtle penetration of a woman +with the grasp, the comprehensiveness, and the knowledge of +political machinery which are traditionally accorded to a man. +"If she wanted to poison you, she would use the mildest poison," +said the Abbe Trublet. + +"I cannot express the illusion which her air of nonchalance and +easy grace left with me," says Marmontel. "Mme. de Tencin, the +woman in the kingdom who moved the most political springs, both +in the city and at court, was for me only an indolente. Ah, what +finesse, what suppleness, what activity were concealed beneath +this naive air, this appearance of calm and leisure!" But he +confesses that she aided him greatly with her counsel, and that +he owed to her much of his knowledge of the world. + +"Unhappy those who depend upon the pen," she said to him; +"nothing is more chimerical. The man who makes shoes is sure of +his wages; the man who makes a book or a tragedy is never sure of +anything." She advises him to make friends of women rather than +of men. "By means of women, one attains all that one wishes from +men, of whom some are too pleasure-loving, others too much +preoccupied with their personal interests not to neglect yours; +whereas women think of you, if only from idleness. Speak this +evening to one of them of some affair that concerns you; tomorrow +at her wheel, at her tapestry, you will find her dreaming of it, +and searching in her head for some means of serving you." + +Prominent among her friends were Bolingbroke and Fontenelle. "It +is not a heart which you have there," she said to the latter, +laying her hand on the spot usually occupied by that organ, "but +a second brain." She had enlisted what stood in the place of it, +however, and he interested himself so far as to procure her final +release from her vows, through Benedict XIV, who, as Cardinal +Lambertini, had frequented her salon, and who sent her his +portrait as a souvenir, after his election to the papacy. + +Through her intimacy with the Duc de Richelieu, Mme. de Tencin +made herself felt even in the secret councils of Louis XV. Her +practical mind comprehended more clearly than many of the +statesmen the forces at work and the weakness that coped with +them. "Unless God visibly interferes," she said, "it is +physically impossible that the state should not fall in pieces." +It was her influence that inspired Mme. de Chateauroux with the +idea of sending her royal lover to revive the spirits of the army +in Flanders. "It is not, between ourselves, that he is in a +state to command a company of grenadiers," she wrote to her +brother, "but his presence will avail much. The troops will do +their duty better, and the generals will not dare to fail them so +openly . . . A king, whatever he may be, is for the soldiers and +people what the ark of the covenant was for the Hebrews; his +presence alone promises success." + +Her devotion to her friends was the single redeeming trait in her +character, and she hesitated at nothing to advance the interests +of her brother, over whose house she gracefully presided. But +she failed in her ultimate ambition to elevate him to the +ministry, and her intrigues were so much feared that Cardinal +Fleury sent her away from Paris for a short time. Her +disappointments, which it is not the purpose to trace here, left +her one of the disaffected party, and on her return her drawing +room became a rallying point for the radical thinkers of France. + +Such was the woman who courted, flattered, petted, and patronized +the literary and scientific men of Paris, called them her +menagerie, put them into a sort of uniform, gave them two suppers +a week, and sent them two ells of velvet for small clothes at New +Year's. Of her salon, Marmontel gives us an interesting glimpse. +He had been invited to read one of his tragedies, and it was his +first introduction. + +"I saw assembled there Montesquieu, Fontenelle, Mairan, Marivaux, +the young Helvetius, Astruc, and others, all men of science or +letters, and, in the midst of them, a woman of brilliant +intellect and profound judgment, who, with her kind and simple +exterior, had rather the appearance of the housekeeper than the +mistress. This was Mme. de Tencin. . . . I soon perceived that +the guests came there prepared to play their parts, and that +their wish to shine did not leave the conversation always free to +follow its easy and natural course. Every one tried to seize +quickly and on the wing the moment to bring in his word, his +story, his anecdote, his maxim, or to add his dash of light and +sparkling wit; and, in order to do this opportunely, it was often +rather far-fetched. In Marivaux, the impatience to display his +finesse and sagacity was quite apparent. Montesquieu, with more +calmness, waited for the ball to come to him, but he waited. +Mairan watched his opportunity. Astruc did not deign to wait. +Fontenelle alone let it come to him without seeking it, and he +used so discreetly the attention given him, that his witty +sayings and his clever stories never occupied more than a moment. +Alert and reserved, Helvetius listened and gathered material for +the future." + +Mme. de Tencin loved literature and philosophy for their own +sake, and received men of letters at their intrinsic value. She +encouraged, too, the freedom of thought and expression at that +time so rare and so dangerous. It was her influence that gave +its first impulse to the success of Montesquieu's esprit DES +LOIS, of which she personally bought and distributed many copies. +If she talked well, she knew also how to listen, to attract by +her sympathy, to aid by her generosity, to inspire by her +intelligence, to charm by her versatility. + +Another figure flits in and out of this salon, whose fine +qualities of soul shine so brightly in this morally stifling +atmosphere that one forgets her errors in a mastering impulse of +love and pity. There is no more pathetic history in this arid +and heartless age than that of Mlle. Aisse, the beautiful +Circassian, with the lustrous, dark, Oriental eyes," who was +brought from Constantinople in infancy by the French envoy, and +left as a precious heritage to Mme. de Ferriol, the intriguing +sister of Mme. de Tencin, and her worthy counterpart, if not in +talent, in the faults that darkened their common womanhood. This +delicate young girl, surrounded by worldly and profligate +friends, and drawn in spite of herself into the errors of her +time, redeemed her character by her romantic heroism, her +unselfish devotion, and her final revolt against what seemed to +be an inexorable fate. The struggle between her self-forgetful +love for the knightly Chevalier d'Aydie and her sensitive +conscience, her refusal to cloud his future by a portionless +marriage, and her firmness in severing an unholy tie, knowing +that the sacrifice would cost her life, as it did, form an +episode as rare as it is tragical. But her exquisite +personality, her rich gifts of mind and soul, her fine +intelligence, her passionate love, almost consecrated by her +pious but fatal renunciation, call up one of the loveliest +visions of the century--a vision that lingers in the memory like +a medieval poem. + +Mme. de Tencin amused her later years b writing sentimental +tales, which were found among her papers after her death. These +were classed with the romances of Mme. de La Fayette. Speaking +of the latter, La Harpe said, "Only one other woman succeeded, a +century later, in painting with equal power the struggles of love +and virtue." It is one of the curious inconsistencies of her +character, that her creations contained an element which her life +seems wholly to have lacked. Behind all her faults of conduct +there was clearly an ideal of purity and goodness. Her stories +are marked by a vividness and an ardor of passion rarely found in +the insipid and colorless romances of the preceding age. Her +pictures of love and intrigue and crime are touched with the +religious enthusiasm of the cloister, the poetry of devotion, the +heroism of self-sacrifice. Perhaps the dark and mysterious facts +of her own history shaped themselves in her imagination. Did the +tragedy of La Fresnaye, the despairing lover who blew out his +brains at her feet, leaving the shadow of a crime hanging over +her, with haunting memories of the Bastille, recall the innocence +of her own early convent days? Did she remember some long-buried +love, and the child left to perish upon the steps of St. Jean le +Rond, but grown up to be her secret pride in the person of the +great mathematician and philosopher d'Alembert? What was the +subtle link between this worldly woman and the eternal passion, +the tender self-sacrifice of Adelaide, the loyal heroine who +breathes out her solitary and devoted soul on the ashes of La +Trappe, unknown to her faithful and monastic lover, until the +last sigh? The fate of Adelaide has become a legend. It has +furnished a theme for the poet and the artist, an inspiration for +the divine strains of Beethoven, another leaf in the annals of +pure and heroic love. But the woman who conceived it toyed with +the human heart as with a beautiful flower, to be tossed aside +when its first fragrance was gone. She apparently knew neither +the virtue, nor the honor, nor the purity, nor the truth of which +she had so exquisite a perception in the realm of the +imagination. Or were some of the episodes which darken the story +of her life simply the myths of a gossiping age, born of the +incidents of an idle tale, to live forever on the pages of +history? + +But it was not as a literary woman that Mme. de Tencin held her +position and won her fame. Her gifts were eminently those of her +age and race, and it may be of interest to compare her with a +woman of larger talent of a purely intellectual order, who +belonged more or less to the world of the salons, without +aspiring to leadership, and who, though much younger, died in the +same year. Mme. du Chatelet was essentially a woman of letters. +She loved the exact sciences, expounded Leibnitz, translated +Newton, gave valuable aid to Voltaire in introducing English +thought into France, and was one of the first women among the +nobility to accept the principles of philosophic deism. "I +confess that she is tyrannical," said Voltaire; "one must talk +about metaphysics, when the temptation is to talk of love. Ovid was +formerly my master; it is now the turn of Locke." She +has been clearly but by no means pleasantly painted for us in the +familiar letters of Mme. de Graffigny, in the rather malicious +sketches of the Marquise de Crequi, and in the still more +strongly outlined portrait or Mme. du Deffand, as a veritable bas +bleu, learned, pedantic, eccentric, and without grace or beauty. +"Imagine a woman tall and hard, with florid complexion, face +sharp, nose pointed--VOILA LA BELLE EMILIE," writes the latter; +"a face with which she was so contented that she spared nothing +to set it off; curls, topknots, precious stones, all are in +profusion . . . She was born with much esprit; the desire of +appearing to have more made her prefer the study of the abstract +sciences to agreeable branches of knowledge; she thought by this +singularity to attain a greater reputation and a decided +superiority over all other women. Madame worked with so much +care to seem what she was not, that no one knew exactly what she +was; even her defects were not natural." "She talks like an +angel"--"she sings divinely"--"our sex ought to erect altars +to her," wrote Mme. de Graffigny during a visit at her chateau. +A few weeks later her tone changed. They had quarreled. Of such +stuff is history made. But she had already given a charming +picture of the life at Cirey. + +Mme. du Chatelet plunged into abstractions during the day. In +the evening she was no more the savante, but gave herself up to +the pleasures of society with the ardor of a nature that was +extreme in everything. Voltaire read his poetry and his dramas, +told stories that made them weep and then laugh at their tears, +improvised verses, and amused them with marionettes, or the magic +lantern. La belle Emilie criticized the poems, sang, and played +prominent parts in the comedies and tragedies of the philosopher +poet, which were first given in her little private theater. +Among the guests were the eminent scientist, Maupertuis, her +life-long friend and teacher; the Italian savant, Algarotti, +President Henault, Helvetius, the poet, Saint-Lambert, and many +others of equal distinction. "Of what do we not talk!" writes +Mme. de Graffigny. "Poetry, science, art, everything, in a tone +of graceful badinage. I should like to be able to send you these +charming conversations, these enchanting conversations, but it is +not in me." + +Mme. du Chatelet owned for several years the celebrated Hotel +Lambert, and a choice company of savants assembled there as in +the days when Mme. de Lambert presided in those stately +apartments. But this learned salon had only a limited vogue. +The thinking was high, but the dinners were too plain. The real +life of Mme. du Chatelet was an intimate one. "I confess that in +love and friendship lies all my happiness," said this astronomer, +metaphysician, and mathematician, who wrote against revelation +and went to mass with her free-thinking lover. Her learning and +eccentricities made her the target for many shafts of ridicule, +but she counted for much with Voltaire, and her chief title to +fame lies in his long and devoted friendship. He found the +"sublime and respectable Emilie" the incarnation of all the +virtues, though a trifle ill-tempered. The contrast between his +kindly portrait and those of her feminine friends is striking and +rather suggestive. + +"She joined to the taste for glory a simplicity which does not +always accompany it, but which is often the fruit of serious +studies. No woman was ever so learned, and no one deserves less +to be called a femme savante. Born with a singular eloquence, +this eloquence manifested itself only when she found subjects +worthy of it . . . The fitting word, precision, justness, and +force were the characteristics of her style. She would rather +write like Pascal and Nicole than like Mme. de Sevigne; but this +severe strength and this vigorous temper of her mind did not +render her inaccessible to the beauties of sentiment. The charms +of poetry and eloquence penetrated her, and no one was ever more +sensitive to harmony . . . She gave herself to the great world +as to study. Everything that occupies society was in her +province except scandal. She was never known to repeat an idle +story. She had neither time nor disposition to give attention to +such things, and when told that some one had done her an +injustice, she replied that she did not wish to hear about it." + +"She led him a life a little hard," said Mme. de Graffigny, after +her quarrel; but he seems to have found it agreeable, and broke +his heart--for a short time--when she died. "I have lost half +of my being," he wrote--"a soul for which mine was made." To +Marmontel he says: "Come and share my sorrow. I have lost my +illustrious friend. I am in despair. I am inconsolable." One +cannot believe that so clear-sighted a man, even though a poet, +could live for twenty years under the spell of a pure illusion. +What heart revelations, what pictures of contemporary life, were +lost in the eight large volumes of his letters which were +destroyed at her death! + +While Mme. de Tencin studied men and affairs, Mme. du Chatelet +studied books. One was mistress of the arts of diplomacy, gentle +but intriguing, ambitious, always courting society and shunning +solitude. The other was violent and imperious, hated finesse, +and preferred burying herself among the rare treasures of her +library at Cirey. + +The influence of Mme. de Tencin was felt, not only in the social +and intellectual, but in the political life of the century. The +traditions of her salon lingered in those which followed, +modified by the changes that time and personal taste always +bring. Mme. du Chatelet was more learned, but she lacked the +tact and charm which give wide personal ascendancy. Her +influence was largely individual, and her books have been mostly +forgotten. These women were alike defiant of morality, but taken +all in all, the character of Mme. Chatelet has more redeeming +points, though little respect can be accorded to either. With +the wily intellect of a Talleyrand, Mme. de Tencin represents the +social genius, the intelligence, the esprit, and the worst vices +of the century on which she has left such conspicuous traces. + +"She knew my tastes and always offered me those dishes I +preferred," said Fontenelle when she died in 1740. "It is an +irreparable loss." Perhaps his hundred years should excuse his +not going to her funeral for fear of catching cold. + + +CHAPTER XII. MADAME GEOFFRIN AND THE PHILOSOPHERS +Cradles of the New Philosophy--Noted Salons of this Period-- +Character of Mme. Geoffrin--Her Practical Education--Anecdotes +of her Husband--Composition of her Salon--Its Insidious +Influence--Her Journey to Warsaw--Her Death + +During the latter half of the eighteenth century the center of +social life was no longer the court, but the salons. They had +multiplied indefinitely, and, representing every shade of taste +and thought, had reached the climax of their power as schools of +public opinion, as well as their highest perfection in the arts +and amenities of a brilliant and complex society. There was a +slight reaction from the reckless vices and follies of the +regency. If morals were not much better, manners were a trifle +more decorous. Though the great world did not take the tone of +stately elegance and rigid propriety which it had assumed under +the rule of Mme. de Maintenon, it was superficially polished, and +a note of thoughtfulness was added. Affairs in France had taken +too serious an aspect to be ignored, and the theories of the +philosophers were among the staple topics of conversation; +indeed, it was the great vogue of the philosophers that gave many +of the most noted social centers their prestige and their fame. +It is not the salons of the high nobility that suggest themselves +as the typical ones of this age. It is those which were animated +by the habitual presence of the radical leaders of French +thought. Economic questions and the rights of man were discussed +as earnestly in these brilliant coteries as matters of faith and +sentiment, of etiquette and morals, had been a hundred years +before. Such subjects were forced upon them by the inexorable +logic of events; and fashion, which must needs adapt itself in +some measure to the world over which it rules, took them up. If +the drawing rooms of the seventeenth century were the cradles of +refined manners and a new literature, those of the eighteenth +were literally the cradles of a new philosophy. + +The practical growth and spread of French philosophy was too +closely interwoven with the history of the salons not to call for +a word here. Its innovations were faintly prefigured in the +coterie of Mme. de Lambert, where it colored almost imperceptibly +the literary and critical discussions. But its foundations were +more firmly laid in the drawing room of Mme. de Tencin, where the +brilliant wit and radical theories of Montesquieu, as well as the +pronounced materialism of Helvetius, found a congenial +atmosphere. Though the mingled romance and satire of the "Persian +Letters," with their covert attack upon the state and society, +raised a storm of antagonism, they called out a burst of +admiration as well. The original and aggressive thought of men +like Voltaire, Rousseau, d'Alembert, and Diderot, with its +diversity of shading, but with the cardinal doctrine of freedom +and equality pervading it all, had found a rapidly growing +audience. It no longer needed careful nursing, in the second +half of the century. It had invaded the salons of the haute +noblesse, and was discussed even in the anterooms of the court. +Mme. de Pompadour herself stole away from her tiresome lover-king +to the freethinking coterie that met in her physician's +apartments in the Entresol at Versailles, and included the +greatest iconoclasts of the age. If she had any misgivings as to +the outcome of these discussions, they were fearlessly cast aside +with "Apres Nous le Deluge." "In the depth of her heart she was +with us," said Voltaire when she died. + +There were clairvoyant spirits who traced the new theories to +their logical results. Mme. du Deffand speaks with prophetic +vision of the reasoners and beaux esprits "who direct the age and +lead it to its ruin." There were conservative women, too, who +used their powerful influence against them. It was in the salon +of the delicate but ardent young Princesse de Robecq that +Palissot was inspired to write the satirical comedy of "The +Philosophers," in which Rousseau was represented as entering on +all fours, browsing a lettuce, and the Encyclopedists were so +mercilessly ridiculed. This spirited and heroic daughter-in-law +of the Duchesse de Luxembourg, the powerful patroness of +Rousseau, was hopelessly ill at the time, and, in a caustic reply +to the clever satire, the abbe Morellet did not spare the +beautiful invalid who desired for her final consolation only to +see its first performance and be able to say, "Now, Lord, thou +lettest thy servant depart in peace, for mine eyes have seen +vengeance." The cruel attack was thought to have hastened her +death, and the witty abbe was sent to the Bastille; but he came +out in two months, went away for a time, and returned a greater +hero than ever. There is a picture, full of pathetic +significance, which represents the dying princess on her pillow, +crowned with a halo of sanctity, as she devotes her last hours to +the defense of the faith she loves. One is reminded of the sweet +and earnest souls of Port Royal; but her vigorous protest, which +furnished only a momentary target for the wit of the +philosophers, was lost in the oncoming wave of skepticism. + +The vogue of these men received its final stamp in the admiring +patronage of the greatest sovereigns in Europe. Voltaire had his +well-known day of power at the court of Frederick the Great. +Grimm and Diderot, too, were honored guests of that most liberal +of despots, and discussed their novel theories in familiar +fashion with Catherine II, at St. Petersburg. The reply of this +astute and clear-sighted empress to the eloquent plea of Diderot +may be commended for its wisdom to the dreamers and theorists of +today. + +"I have heard, with the greatest pleasure, all that your +brilliant intellect has inspired you to say; but with all your +grand principles, which I comprehend very well, one makes fine +books and bad business. You forget in all your plans of reform +the difference of our two positions. You work only on paper, +which permits everything; it is quite smooth and pliant, and +opposes no obstacles to your imagination nor to your pen; while +I, poor empress, I work upon the human cuticle, which is quite +sensitive and irritable." + +It is needless to say that the men so honored by sovereigns were +petted in the salons, in spite of their disfavor with the +Government. They dined, talked, posed as lions or as martyrs, +and calmly bided their time. The persecution of the +Encyclopedists availed little more than satire had done, in +stemming the slowly rising tide of public opinion. Utopian +theories took form in the ultra circles, were insidiously +disseminated in the moderate ones, and were lightly discussed in +the fashionable ones. Men who talked, and women who added +enthusiasm, were alike unconscious of the dynamic force of the +material with which they were playing. + +Of the salons which at this period had a European reputation, the +most noted were those of Mme. du Deffand, Mlle. de Lespinasse, +and Mme. Geoffrin. The first was the resort of the more +intellectual of the noblesse, as well as the more famous of the +men of letters. The two worlds mingled here; the tone was spiced +with wit and animated with thought, but it was essentially +aristocratic. The second was the rallying point of the +Encyclopedists and much frequented by political reformers, but +the rare gifts of its hostess attracted many from the great +world. The last was moderate in tone, though philosophical and +thoroughly cosmopolitan. Sainte-Beuve pronounced it "the most +complete, the best organized, and best conducted of its time; the +best established since the foundation of the salons; that is, +since the Hotel de Rambouillet." + +"Do you know why La Geoffrin comes here? It is to see what she +can gather from my inventory," remarked Mme. de Tencin on her +death bed. She understood thoroughly her world, and knew that +her friend wished to capture the celebrities who were in the +habit of meeting in her salon. But she does not seem to have +borne her any ill will for her rather premature schemes, as she +gave her a characteristic piece of advice: "Never refuse any +advance of friendship," she said; "for, if nine out of ten bring +you nothing, one alone may repay you. Everything is of service +in a menage if one knows how to use his tools." Mme. Geoffrin +was an apt pupil in the arts of diplomacy, and the key to her +remarkable social success may be found in her ready assimilation +of the worldly wisdom of her sage counselor. But to this she +added a far kinder heart and a more estimable character. + +Of all the women who presided over famous salons, Mme. Geoffrin +had perhaps the least claim to intellectual preeminence. The +secret of her power must have lain in some intangible quality +that has failed to be perpetuated in any of her sayings or +doings. A few commonplace and ill-spelled letters, a few wise or +witty words, are all the direct record she has left of herself. +Without rank, beauty, youth, education, or remarkable mental +gifts of a sort that leave permanent traces, she was the best +representative of the women of her time who held their place in +the world solely through their skill in organizing and conducting +a salon. She was in no sense a luminary; and conscious that she +could not shine by her own light, she was bent upon shining by +that of others. But, in a social era so brilliant, even this +implied talent of a high order. A letter to the Empress of +Russia, in reply to a question concerning her early education, +throws a ray of light upon her youth and her peculiar training. + +"I lost my father and mother," she writes, "in the cradle. I was +brought up by an aged grandmother, who had much intelligence and +a well-balanced head. She had very little education; but her +mind was so clear, so ready, so active, that it never failed her; +it served always in the place of knowledge. She spoke so +agreeably of the things she did not know that no one wished her +to understand them better; and when her ignorance was too +visible, she got out of it by pleasantries which baffled the +pedants who tried to humiliate her. She was so contented with +her lot that she looked upon knowledge as a very useless thing +for a woman. She said: 'I have done without it so well that I +have never felt the need of it. If my granddaughter is stupid, +learning will make her conceited and insupportable; if she has +talent and sensibility, she will do as I have done--supply by +address and with sentiment what she does not know; when she +becomes more reasonable, she will learn that for which she has +the most aptitude, and she will learn it very quickly.' She +taught me in my childhood simply to read, but she made me read +much; she taught me to think by making me reason; she taught me +to know men by making me say what I thought of them, and telling +me also the opinion she had formed. She required me to render +her an account of all my movements and all my feelings, +correcting them with so much sweetness and grace that I never +concealed from her anything that I thought or felt; my internal +life was as visible as my external. My education was continual." + +The daughter of a valet de chambre of the Duchess of Burgundy, +who gave her a handsome dowry, Marie Therese Rodet became, at +fourteen, the wife of a lieutenant-colonel of the National Guard +and a rich manufacturer of glass. Her husband did not count for +much among the distinguished guests who in later years frequented +her salon, and his part in her life seems to have consisted +mainly in furnishing the money so essential to her success, and +in looking carefully after the interests of the menage. It is +related that some one gave him a history to read, and when he +called for the successive volumes the same one was always +returned to him. Not observing this, he found the work +interesting, but "thought the author repeated a little." He read +across the page a book printed in two columns, remarking that "it +seemed to be very good, but a trifle abstract." One day a +visitor inquired for the white-haired old gentleman who was in +the habit of sitting at the head of the table. "That was my +husband," replied Mme. Geoffrin; "he is dead." + +But if her marriage was not an ideal one, it does not appear that +it was unhappy. Perhaps her bourgeois birth and associations +saved her youth from the domestic complications which were so far +the rule in the great world as to have, in a measure, its +sanction. At all events her life was apparently free from the +shadows that rested upon many of her contemporaries. + +"Her character was a singular one," writes Marmontel, who lived +for ten years in her house, "and difficult to understand or +paint, because it was all in half-tints and shades; very decided +nevertheless, but without the striking traits by which one's +nature distinguishes and defines itself. She was kind, but had +little sensibility; charitable, without any of the charms of +benevolence; eager to aid the unhappy, but without seeing them, +for fear of being moved; a sure, faithful, even officious friend, +but timid and anxious in serving others, lest she should +compromise her credit or her repose. She was simple in her +taste, her dress, and her furniture, but choice in her +simplicity, having the refinements and delicacies of luxury, but +nothing of its ostentation nor its vanity; modest in her air, +carriage, and manners, but with a touch of pride, and even a +little vainglory. Nothing flattered her more than her +intercourse with the great. At their houses she rarely saw them, +--indeed she was not at her ease there,--but she knew how to +attract them to her own by a coquetry subtly flattering; and in +the easy, natural, half-respectful and half-familiar air with +which she received them, I thought I saw remarkable address." + +In a woman of less tact and penetration, this curious vein of +hidden vanity would have led to pretension. But Mme. Geoffrin +was preeminently gifted with that fine social sense which is apt +to be only the fruit of generations of culture. With her it was +innate genius. She was mistress of the amiable art of +suppressing herself, and her vanity assumed the form of a +gracious modesty. "I remain humble, but with dignity," she +writes to a friend; "that is, in depreciating myself I do not +suffer others to depreciate me." She had the instinct of the +artist who knows how to offset the lack of brilliant gifts by the +perfection of details, the modesty that disarms criticism, and a +rare facility in the art of pleasing. + +There was an air of refinement and simple elegance in her +personality that commanded respect. Tall and dignified, with her +silvery hair concealed by her coif, she combined a noble presence +with great kindliness of manner. She usually wore somber colors +and fine laces, for which she had great fondness. Her youth was +long past when she came before the world, and that sense of +fitness which always distinguished her led her to accept her age +seriously and to put on its hues. The "dead-leaf mantle" of Mme. +de Maintenon was worn less severely perhaps, but it was worn +without affectation. Diderot gives us a pleasant glimpse of her +at Grandval, where they were dining with Baron d'Holbach. "Mme. +Geoffrin was admirable," he wrote to Mlle. Volland. "I remark +always the noble and quiet taste with which this woman dresses. +She wore today a simple stuff of austere color, with large +sleeves, the smoothest and finest linen, and the most elegant +simplicity throughout." + +In her equanimity and her love of repose she was a worthy +disciple of Fontenelle. She carefully avoided all violent +passions and all controversies. To her lawyer, who was +conducting a suit that worried her, she said, "Wind up my case. +Do they want my money? I have some, and what can I do with money +better than to buy tranquillity with it?" This aversion to +annoyance often reached the proportions of a very amiable +selfishness. "She has the habit of detesting those who are +unhappy," said the witty Abbe Galiani, "for she does not wish to +be so, even by the sight of the unhappiness of others. She has +an impressionable heart; she is old; she is well; she wishes to +preserve her health and her tranquillity. As soon as she learns +that I am happy she will love me to folly." + +But her generosity was exceptional. "Donner et pardonner" was +her device. Many anecdotes are related of her charitable temper. +She had ordered two marble vases of Bouchardon. One was broken +before reaching her. Learning that the man who broke it would +lose his place if it were known, and that he had a family of four +children, she immediately sent word to the atelier that the +sculptor was not to be told of the loss, adding a gift of twelve +francs to console the culprit for his fright. She often +surprised her impecunious friends with the present of some bit of +furniture she thought they needed, or an annuity delicately +bestowed. "I have assigned to you fifteen thousand francs," she +said one day to the Abbe Morellet; "do not speak of it and do not +thank me." "Economy is the source of independence and liberty" +was one of her mottoes, and she denied herself the luxuries of +life that she might have more to spend in charities. But she +never permitted any one to compromise her, and often withheld her +approbation where she was free with her purse. To do all the +good possible and to respect all the convenances were her +cardinal principles. Marmontel was sent to the Bastille under +circumstances that were rather creditable than otherwise; but it +was a false note, and she was never quite the same to him +afterwards. She wept at her own injustice, schemed for his +election to the Academy, and scolded him for his lack of +diplomacy; but the little cloud was there. When the Sorbonne +censured his Belisarius her friendship could no longer bear the +strain, and, though still received at her dinners, he ceased to +live in her house. + +Her dominant passion seems to have been love of consideration, if +a calm and serene, but steadily persistent, purpose can be called +a passion. No trained diplomatist ever understood better the +world with which he had to deal, or managed more adroitly to +avoid small antagonisms. It was her maxim not to create jealousy +by praising people, nor irritation by defending them. If she +wished to say a kind word, she dwelt upon good qualities that +were not contested. She prided herself upon ruling her life by +reason. Sainte-Beuve calls her the Fontenelle of women, but it +was Fontenelle tempered with a heart. + +This "foster-mother of philosophers" evidently wished to make +sure of her own safety, however matters might turn out in the +next world. She had a devotional vein, went to mass privately, +had a seat at the Church of the Capucins, and an apartment for +retreat in a convent. During her last illness the Marquise de la +Ferte-Imbault, who did not love her mother's freethinking +friends, excluded them, and sent for a confessor. Mme. Geoffrin +submitted amiably, and said, smiling, "My daughter is like +Godfrey of Bouillon; she wishes to defend my tomb against the +infidels." + +Into the composition of her salon she brought the talent of an +artist. We have a glimpse of her in 1748 through a letter from +Montesquieu. She was then about fifty, and had gathered about +her a more or less distinguished company, which was enlarged +after the death of Mme. de Tencin, in the following year. She +gave dinners twice a week--one on Monday for artists, among whom +were Vanloo, Vernet, and Boucher; and one on Wednesday for men of +letters. As she believed that women were apt to distract the +conversation, only one was usually invited to dine with them. +Mlle. de Lespinasse, the intellectual peer and friend of these +men, sat opposite her, and aided in conducting the conversation +into agreeable channels. The talent of Mme. Geoffrin seems to +have consisted in telling a story well, in a profound knowledge +of people, ready tact, and the happy art of putting every one at +ease. She did not like heated discussions nor a too pronounced +expression of opinion. "She was willing that the philosophers +should remodel the world," says one of her critics, "on condition +that the kingdom of Diderot should come without disorder or +confusion." But though she liked and admired this very free and +eloquent Diderot, he was too bold and outspoken to have a place +at her table. Helvetius, too, fell into disfavor after the +censure which his atheistic DE L'esprit brought upon him; and +Baron d'Holbach was too apt to overstep the limits at which the +hostess interfered with her inevitable "Voila qui est bien." +Indeed, she assumed the privilege of her years to scold her +guests if they interfered with the general harmony or forgot any +of the amenities. But her scoldings were very graciously +received as a slight penalty for her favor, and more or less a +measure of her friendship. She graded her courtesies with fine +discrimination, and her friends found the reflection of their +success or failure in her manner of receiving them. Her keen, +practical mind pierced every illusion with merciless precision. +She defined a popular abbe who posed for a bel esprit, as a "fool +rubbed all over with wit." Rulhiere had read in her salon a work +on Russia, which she feared might compromise him, and she offered +him a large sum of money to throw it into the fire. The author +was indignant at such a reflection upon his courage and honor, +and grew warmly eloquent upon the subject. She listened until he +had finished, then said quietly, "How much more do you want, M. +Rulhiere?" + +The serene poise of a character without enthusiasms and without +illusions is very well illustrated by a letter to Mme. Necker. +After playfully charging her with being always infatuated, never +cool and reserved, she continues: + +"Do you know, my pretty one, that your exaggerated praises +confound me, instead of pleasing and flattering me? I am always +afraid that your giddiness will evaporate. You will then judge +me to be so different from your preconceived opinion that you +will punish me for your own mistake, and allow me no merit at +all. I have my virtues and my good qualities, but I have also +many faults. Of these I am perfectly well aware, and every day I +try to correct them. + +"My dear friend, I beg of you to lessen your excessive +admiration. I assure you that you humiliate me; and that is +certainly not your intention. The angels think very little about +me, and I do not trouble myself about them. Their praise or +their blame is indifferent to me, for I shall not come in their +way; but what I do desire is that you should love me, and that +you should take me as you find me." + +Again she assumes her position of mentor and writes: "How is it +possible not to answer the kind and charming letter I have +received from you? But still I reply only to tell you that it +made me a little angry. I see that it is impossible to change +anything in your uneasy, restless, and at the same time weak +character." + +Horace Walpole, who met her during his first visit to Paris, and +before his intimacy with Mme. du Deffand had colored his +opinions, has left a valuable pen-portrait of Mme. Geoffrin. In +a letter to Gray, in 1766, he writes: + +"Mme. Geoffrin, of whom you have heard much, is an extraordinary +woman, with more common sense than I almost ever met with, great +quickness in discovering characters, penetrating and going to the +bottom of them, and a pencil that never fails in a likeness, +seldom a favorable one. She exacts and preserves, spite of her +birth and their nonsensical prejudices about nobility, great +court and attention. This she acquires by a thousand little arts +and offices of friendship, and by a freedom and severity which +seem to be her sole end for drawing a concourse to her. She has +little taste and less knowledge, but protects artisans and +authors, and courts a few people to have the credit of serving +her dependents. In short, she is an epitome of empire, +subsisting by rewards and punishments." + +Later, when he was less disinterested, perhaps, he writes to +another friend: "Mme. du Deffand hates the philosophers, so you +must give them up to her. She and Mme. Geoffrin are no friends; +so if you go thither, don't tell her of it--Indeed you would be +sick of that house whither all the pretended beaux esprits and +false savants go, and where they are very impertinent and +dogmatic." + +The real power of this woman may be difficult to define, but a +glance at her society reveals, at least partly, its secret. +Nowhere has the glamour of a great name more influence than at +Paris. A few celebrities form a nucleus of sufficient attraction +to draw all the world, if they are selected with taste and +discrimination. After the death of Fontenelle, d'Alembert, +always witty, vivacious, and original, in spite of the serious +and exact nature of his scientific studies, was perhaps the +leading spirit of this salon. Among its constant habitues were +Helvetius, who put his selfishness into his books, reserving for +his friends the most amiable and generous of tempers; Marivaux, +the novelist and dramatist, whose vanity rivaled his genius, but +who represented only the literary spirit, and did not hesitate to +ridicule his companions the philosophers; the caustic but +brilliant and accomplished Abbe Morellet, who had "his heart in +his head and his head in his heart;" the severe and cheerful +Mairan, mathematician, astronomer, physician, musical amateur, +and member of two academies, whose versatile gifts and courtly +manners gave him as cordial a welcome in the exclusive salon at +the Temple as among his philosophical friends; the gay young +Marmontel, who has left so clear and simple a picture of this +famous circle and its gentle hostess; Grimm, who combined the +SAVANT and the courtier; Saint-Lambert, the delicate and +scholarly poet; Thomas, grave and thoughtful, shining by his +character and intellect, but forgetting the graces which were at +that time so essential to brilliant success; the eloquent Abbe +Raynal; and the Chevalier de Chastellux, so genial, so +sympathetic, and so animated. To these we may add Galiani, the +smallest, the wittiest, and the most delightful of abbes, whose +piercing insight and Machiavellian subtlety lent a piquant charm +to the stories with which for hours he used to enliven this +choice company; Caraccioli, gay, simple, ingenuous, full of +Neapolitan humor, rich in knowledge and observation, luminous +with intelligence and sparkling with wit; and the Comte de +Crentz, the learned and versatile Swedish minister, to whom +nature had "granted the gift of expressing and painting in +touches of fire all that had struck his imagination or vividly +seized his soul." Hume, Gibbon, Walpole, indeed every foreigner +of distinction who visited Paris, lent to this salon the eclat of +their fame, the charm of their wit, or the prestige of their +rank. It was such men as these who gave it so rare a fascination +and so lasting a fame. + +A strong vein of philosophy was inevitable, though in this circle +of diplomats and litterateurs there were many counter-currents of +opinion. It was her consummate skill in blending these diverse +but powerful elements, and holding them within harmonious limits, +that made the reputation of the autocratic hostess. The friend +of savants and philosophers, she had neither read nor studied +books, but she had studied life to good purpose. Though +superficial herself, she had the delicate art of putting every +one in the most advantageous light by a few simple questions or +words. It was one of her maxims that "the way not to get tired +of people is to talk to them of themselves; at the same time, it +is the best way to prevent them from getting tired of you." +Perhaps Mme. Necker was thinking of her when she compared certain +women in conversation to "light layers of cotton wool in a box +packed with porcelain; we do not pay much attention to them, but +if they were taken away everything would be broken." + +Mme. Geoffrin was always at home in the evening, and there were +simple little suppers to which a few women were invited. The +fare was usually little more than "a chicken, some spinach, and +omelet." Among the most frequent guests were the charming, +witty, and spirituelle Comtesse d'Egmont, daughter of the Duc de +Richelieu, who added to the vivacious and elegant manners of her +father an indefinable grace of her own, and a vein of sentiment +that was doubtless deepened by her sad little romance; the +Marquise de Duras, more dignified and discreet; and the beautiful +Comtesse de Brionne, "a Venus who resembled Minerva." These +women, with others who came there, were intellectual complements +of the men; some of them gay and not without serious faults, but +adding beauty, rank, elegance, and the delicate tone of esprit +which made this circle so famous that it was thought worth while +to have its sayings and doings chronicled at Berlin and St. +Petersburg. Perhaps its influence was the more insidious and far +reaching because of its polished moderation. The "let us be +agreeable" of Mme. Geoffrin was a potent talisman. + +Among the guests at one time was Stanislas Poniatowski, +afterwards King of Poland. Hearing that he was about to be +imprisoned by his creditors, Mme. Geoffrin came forward and paid +his debts. "When I make a statue of friendship, I shall give it +your features," he said to her; "this divinity is the mother of +charity." On his elevation to the throne he wrote to her, +"Maman, your son is king. Come and see him." This led to her +famous journey when nearly seventy years of age. It was a series +of triumphs at which no one was more surprised than herself, and +they were all due, she modestly says, "to a few mediocre dinners +and some petits soupers." One can readily pardon her for feeling +flattered, when the emperor alights from his carriage on the +public promenade at Vienna and pays her some pretty compliments, +"just as if he had been at one of our little Wednesday suppers." +There is a charm in the simple naivete with which she tells her +friends how cordially Maria Theresa receives her at Schonbrunn, +and she does not forget to add that the empress said she had the +most beautiful complexion in the world. She repeats quite +naturally, and with a slight touch of vanity perhaps, the fine +speeches made to her by the "adorable Prince Galitzin" and Prince +Kaunitz, "the first minister in Europe," both of whom entertained +her. But she would have been more than a woman to have met all +this honor with indifference. No wonder she believes herself to +be dreaming. "I am known here much better than in the Rue St. +Honore," she writes, "and in a fashion the most flattering. My +journey has made an incredible sensation for the last fifteen +days." To be sure, she spells badly for a woman who poses as the +friend of litterateurs and savants, and says very little about +anything that does not concern her own fame and glory. But she +does not cease to remember her friends, whom she "loves, if +possible, better than ever." Nor does she forget to send a +thousand caresses to her kitten. + +A messenger from Warsaw meets her with everything imaginable that +can add to the comfort and luxury of her journey, and on reaching +there she finds a room fitted up for her like her own boudoir in +the Rue St. Honore. She accepts all this consideration with +great modesty and admirable good sense. "This tour finished," +she writes to d'Alembert, "I feel that I shall have seen enough +of men and things to be convinced that they are everywhere about +the same. I have my storehouse of reflections and comparisons +well furnished for the rest of my life. All that I have seen +since leaving my Penates makes me thank God for having been born +French and a private person." + +The peculiar charm which attracted such rare and marked +attentions to a woman not received at her own court, and at a +time when social distinctions were very sharply defined, eludes +analysis, but it seems to have lain largely in her exquisite +sense of fitness, her excellent judgment, her administrative +talent, the fine tact and penetration which enabled her to avoid +antagonism, an instinctive knowledge of the art of pleasing, and +a kind but not too sensitive heart. These qualities are not +those which appeal to the imagination or inspire enthusiasm. We +find in her no spark of that celestial flame which gives +intellectual distinction. In her amiability there seems to be a +certain languor of the heart. Her kindness has a trace of +calculation, and her friendship of self-consciousness. Of +spontaneity she has none. "She loved nothing passionately, not +even virtue," says one of her critics. There was a certain +method in her simplicity. She carried to perfection the art of +savoir vivre, and though she claimed freedom of thought and +action, it was always strictly within conventional limits. + +She suffered the fate of all celebrities in being occasionally +attacked. The role assigned to her in the comedy of "The +Philosophers" was not a flattering one, and some criticisms of +Montesquieu wounded her so deeply that she succeeded in having +them suppressed. She did not escape the shafts of envy, nor the +sneers of the grandes dames who did not relish her popularity. +But these were only spots on the surface of a singularly +brilliant career. Calm, reposeful, charitable, without +affectation or pretension, but not untouched by ennui, the malady +of her time, she held her position to the end of a long life +which closed in 1777. + +"Alas," said d'Alembert, who had been in the habit of spending +his mornings with Mlle. de Lespinasse until her death, and his +evenings with Mme. Geoffrin, "I have neither evenings nor +mornings left." + +"She has made for fifty years the charm of her society," said the +Abbe Morellet. "She has been constantly, habitually virtuous and +benevolent." Her salon brought authors and artists into direct +relation with distinguished patrons, especially foreigners, and +thus contributed largely to the spread of French art and letters. +It was counted among "the institutions of the eighteenth +century." + + +CHAPTER XIII. ULTRA-PHILOSOPHICAL SALONS--MADAME D'EPINAY +Mme. de Graffigny--Baron d'Holbach--Mme. d'Epinay's Portrait of +Herself--Mlle. Quinault--Rousseau--La Chevrette--Grimm-- +Diderot--The Abbe Galiani--Estimate of Mme. d'Epinay + +A few of the more radical and earnest of the philosophers rarely, +if ever, appeared at the table of Mme. Geoffrin. They would have +brought too much heat to this company, which discussed everything +in a light and agreeable fashion. Perhaps, too, these free and +brilliant spirits objected to the leading-strings which there +held every one within prescribed limits. They could talk more at +their ease at the weekly dinners of Baron d'Holbach, in the +salons of Mme. Helvetius, Mme. de Marchais, or Mme. de Graffigny, +in the Encyclopedist coterie of Mlle. de Lespinasse, or in the +liberal drawing room of Mme. d'Epinay, who held a more +questionable place in the social world, but received much good +company, Mme. Geoffrin herself included. + +Mme. de Graffigny is known mainly as a woman of letters whose +life had in it many elements of tragedy. Her youth was passed in +the brilliant society of the little court at Luneville. She was +distantly related to Mme. du Chatelet, and finally took refuge +from the cruelties of a violent and brutal husband in the +"terrestrial paradise" at Cirey. La belle Emilie was moved to +sympathy, and Voltaire wept at the tale of her sorrows. A little +later she became a victim to the poet's sensitive vanity. He +accused her of sending to a friend a copy of his "Pucello," an +unfinished poem which was kept under triple lock, though parts of +it had been read to her. Her letters were opened, her innocent +praises were turned against her, there was a scene, and Cirey was +a paradise no more. She came to Paris, ill, sad, and penniless. +She wrote "Les Lettres d'une Peruvienne" and found herself famous. +She wrote "Cenie," which was played at the Comedie Francaise, and +her success was established. Then she wrote another drama. "She +read it to me," says one of her friends; "I found it bad; she +found me ill-natured. It was played; the public died of ennui +and the author of chagrin." "I am convinced that misfortune will +follow me into paradise," she said. At all events, it seems to +have followed her to the entrance. + +Her salon was more or less celebrated. The freedom of the +conversations may be inferred from the fact that Helvetius +gathered there the materials for his "De l'Esprit," a book +condemned by the Pope, the Parliament, and the Sorbonne. It was +here also that he found his charming wife, a niece of Mme. de +Graffigny, and the light of her house as afterwards of his own. + +A more permanent interest is attached to the famous dinners of +Baron d'Holbach, where twice a week men like Diderot, Helvetius, +Grimm, Marmontel, Duclos, the Abbe Galiani and for a time Buffon +and Rousseau, met in an informal way to enjoy the good cheer and +good wines of this "maitre d'hotel of philosophy," and discuss +the affairs of the universe. The learned and free-thinking baron +was agreeable, kind, rich, and lavish in his hospitality, but +without pretension. "He was a man simply simple," said Mme. +Geoffrin. We have many pleasant glimpses of his country place at +Grandval, with its rich and rare collections, its library, its +pictures, its designs, and of the beautiful wife who turned the +heads of some of the philosophers, whom, as a rule, she did not +like overmuch, though she received them so graciously. "We dine +well and a long time," wrote Diderot. "We talk of art, of +poetry, of philosophy, and of love, of the greatness and vanity +of our own enterprises . . . Of gods and kings, of space and +time, of death and of life." + +"They say things to make a thunderbolt strike the house a hundred +times, if it struck for that," said the Abbe Morellet. + +Among the few women admitted to these dinners was Mme. d'Epinay, +for whom d'Holbach, as well as his amiable wife, always +entertained the warmest friendship. This woman, whose position +was not assured enough to make people overlook her peculiar and +unfortunate domestic complications, has told the story of her own +life in her long and confidential correspondence with Grimm, +Galiani, and Voltaire. The senseless follies of a cruel and +worthless husband, who plunged her from great wealth into extreme +poverty, and of whom Diderot said that "he had squandered two +millions without saying a good word or doing a good action," +threw her into intimate relations with Grimm; this brought her +into the center of a famous circle. Her letters give us a clear +but far from flattering reflection of the manners of the time. +She unveils the bare and hard facts of her own experience, the +secret workings of her own soul. The picture is not a pleasant +one, but it is full of significance to the moralist, and +furnishes abundant matter for psychological study. + +The young girl, who had entered upon the scene about 1725, under +the name of Louise Florence Petronille-Tardieu d'Esclavelles, was +married at twenty to her cousin. It seems to have been really a +marriage of love; but the weak and faithless M. d'Epinay was +clearly incapable of truth or honor, and the torturing process by +which the confiding young wife was disillusioned, the insidious +counsel of a false and profligate friend, with the final betrayal +of a tender and desolate heart, form a chapter as revolting as it +is pathetic. The fresh, lively, pure-minded, sensitive girl, +whose intellect had been fed on Rollin's history and books of +devotion, who feared the dissipations of the gay world and shrank +with horror from the rouge which her frivolous husband compelled +her to put on, learned her lesson rapidly in the school of +suffering. + +At thirty she writes of herself, after the fashion of the pen +portraits of the previous century: + +"I am not pretty; yet I am not plain. I am small, thin, very +well formed. I have the air of youth, without freshness, but +noble, sweet, lively, spirituelle, and interesting. My +imagination is tranquil. My mind is slow, just, reflective, and +inconsequent. I have vivacity, courage, firmness, elevation, and +excessive timidity. I am true without being frank. Timidity +often gives me the appearance of dissimulation and duplicity; but +I have always had the courage to confess my weakness, in order to +destroy the suspicion of a vice which I have not. I have the +finesse to attain my end and to remove obstacles; but I have none +to penetrate the purposes of others. I was born tender and +sensible, constant and no coquette. I love retirement, a life +simple and private; nevertheless I have almost always led one +contrary to my taste. Bad health, and sorrows sharp and +repeated, have given a serious cast to my character, which is +naturally very gay." + +Her first entrance into the world in which wit reigned supreme +was in the free but elegant salon of Mlle. Quinault, an actress +of the Comedie Francaise, who had left the stage, and taking the +role of a femme d'esprit, had gathered around her a distinguished +and fashionable coterie. This woman, who had received a +decoration for a fine motet she had composed for the queen's +chapel, who was loved and consulted by Voltaire, and who was the +best friend of d'Alembert after the death of Mlle. de Lespinasse, +represented the genius of esprit and finesse. She was the +companion of princes, the adoration of princesses, the oracle of +artists and litterateurs, the model of elegance, and the +embodiment of social success. It did not matter much that the +tone of her salon was lax; it was fashionable. "It distilled +dignity, la convenance, and formality," says the Marquise de +Crequi, who relates an anecdote that aptly illustrates the +glamour which surrounded talent at that time. She was taken by +her grandmother to see Mlle. Quinault, and by some chance mistook +her for Mlle. de Vertus, who was so much flattered by her +innocent error that she left her forty thousand francs, when she +died a few months later. + +Mme. d'Epinay was delighted to find herself in so brilliant a +world, and was greatly fascinated by its wit, though she was not +sure that those who met there did not "feel too much the +obligation of having it." But she caught the spirit, and +transferred it, in some degree, to her own salon, which was more +literary than fashionable. Here Francueil presents "a sorry +devil of an author who is as poor as Job, but has wit and vanity +enough for four." This is Rousseau, the most conspicuous figure +in the famous coterie. "He is a man to whom one should raise +altars," wrote Mme. d'Epinay. "And the simplicity with which he +relates his misfortunes! I have still a pitying soul. It is +frightful to imagine such a man in misery." She fitted up for +him the Hermitage, and did a thousand kind things which entitled +her to a better return than he gave. There is a pleasant moment +when we find him the center of an admiring circle at La +Chevrette, falling madly in love with her clever and beautiful +sister-in-law the Comtesse d'Houdetot, writing "La Nouvelle +Heloise" under the inspiration of this passion, and dreaming in +the lovely promenades at Montmorency, quite at peace with the +world. But the weeping philosopher, who said such fine things +and did such base ones, turned against his benefactress and +friend for some imaginary offense, and revenged himself by false +and malicious attacks upon her character. The final result was a +violent quarrel with the whole circle of philosophers, who +espoused the cause of Mme. d'Epinay. This little history is +interesting, as it throws so much light upon the intimate +relations of some of the greatest men of the century. Behind the +perpetual round of comedies, readings, dinners, music, and +conversation, there is a real comedy of passion, intrigue, +jealousy, and hidden misery that destroys many illusions. + +Mme. d'Epinay has been made familiar to us by Grimm, Galiani, +Diderot, Rousseau, and Voltaire. Perhaps, on the whole, Voltaire +has given us the most agreeable impression. She was ill of grief +and trouble, and had gone to Geneva to consult the famous +Tronchin when she was thrown into more or less intimacy with the +Sage of Ferney. He invited her to dinner immediately upon her +arrival. "I was much fatigued, besides having confessed and +received communion the evening before. I did not find it fitting +to dine with Voltaire two days afterward," writes this curiously +sensitive friend of the free-thinkers. He addresses her as ma +belle philosophe, speaks of her as "an eagle in a cage of gauze," +and praises in verse her philosophy, her esprit, her heart, and +her "two great black eyes." He weeps at her departure, tells her +she is "adored at Delices, adored at Paris, adored present and +absent." But "the tears of a poet do not always signify grief," +says Mme. d'Epinay. + +There is a second period in her life, when she introduces us +again to the old friends who always sustained her, and to many +new ones. The world that meets in her salon later is much the +same as that which dines with Baron d'Holbach. To measure its +attractions one must recall the brilliancy and eloquence of +Diderot; the wit, the taste, the learning, the courtly +accomplishments of Grimm; the gaiety and originality of +d'Holbach, who had "read everything and forgotten nothing +interesting;" the sparkling conversation of the most finished and +scholarly diplomats in Europe, many of whom we have already met +at the dinners of Mme. Geoffrin. They discuss economic +questions, politics, religion, art, literature, with equal +freedom and ardor. They are as much divided on the merits of +Gluck's "Armida" and Piccini's "Roland" as upon taxes, grains, and +the policy of the government. The gay little Abbe Galiani brings +perennial sunshine with the inexhaustible wit and vivacity that +lights his clear and subtle intellect. "He is a treasure on +rainy days," says Diderot. "If they made him at the toy shops +everybody would want one for the country." "He was the nicest +little harlequin that Italy has produced," says Marmontel, "but +upon the shoulders of this harlequin was the head of a +Machiavelli. Epicurean in his philosophy and with a melancholy +soul, seeing everything on the ridiculous side, there was nothing +either in politics or morals apropos of which he had not a good +story to tell, and these stories were always apt and had the salt +of an unexpected and ingenious allusion." He did not accept the +theories of his friends, which he believed would "cause the +bankruptcy of knowledge, of pleasure, and of the human +intellect." "Messieurs les philosophes, you go too fast," he +said. "I begin by saying that if I were pope I would put you in +the Inquisition, and if I were king of France, into the +Bastille." He saw the drift of events; but if he reasoned like a +philosopher he laughed like a Neapolitan. What matters tomorrow +if we are happy today! + +The familiar notes and letters of these clever people picture for +us a little world with its small interests, its piques, its +loves, its friendships, its quarrels, and its hatreds. Diderot, +who refused for a long time to meet Mme. d'Epinay, but finally +became an intimate and lasting friend, touches often, in his +letters to Sophie, upon the pleasant informality of La Chevrette, +with its curious social episodes and its emotional undercurrents. +He does not forget even the pigeons, the geese, the ducks, and +the chickens, which he calls his own. Pouf, the dog, has his +place here too, and flits often across the scene, a tiny bit of +reflected immortality. These letters represent the bold +iconoclast on his best side, kind, simple in his tastes, and +loyal to his friends. He was never at home in the great world. +He was seen sometimes in the salons of Mme. Geoffrin, Mme. +Necker, and others, but he made his stay as brief as possible. +Mme. d'Epinay succeeded better in attaching him to her coterie. +There was more freedom, and he probably had a more sympathetic +audience. "Four lines of this man make me dram more and occupy +me more," she said, "than a complete work of our pretended beaux +esprits." Grimm, too, was a central figure here, and Grimm was +his friend. But over his genius, as over that of Rousseau, there +was the trail of the serpent. The breadth of his thought, the +brilliancy of his criticisms, the eloquence of his style were +clouded with sensualism. "When you see on his forehead the +reflection of a ray from Plato," says Sainte-Beuve, "do not trust +it; look well, there is always the foot of a satyr." + +It was to the clear and penetrating intellect of Grimm, with its +vein of German romanticism, that Mme. d'Epinay was indebted for +the finest appreciation and the most genuine sympathy. "Bon +Dieu," he writes to Diderot, "how this woman is to be pitied! I +should not be troubled about her if she were as strong as she is +courageous. She is sweet and trusting; she is peaceful, and +loves repose above all; but her situation exacts unceasingly a +conduct forced and out of her character; nothing so wears and +destroys a machine naturally frail." She aided him in his +correspondance litteraire; wrote a treatise on education, which +had the honor of being crowned by the Academy; and, among other +things of more or less value, a novel, which was not published +until long after her death. With many gifts and attractions, +kind, amiable, forgiving, and essentially emotional, Mme. +d'Epinay seems to have been a woman of weak and undecided +character, without sufficient strength of moral fiber to sustain +herself with dignity under the unfortunate circumstances which +surrounded her. "It depends only upon yourself," said Grimm, "to +be the happiest and most adorable creature in the world, provided +that you do not put the opinions of others before your own, and +that you know how to suffice for yourself." Her education had +not given her the worldly tact and address of Mme. Geoffrin, and +her salon never had a wide celebrity; but it was a meeting place +of brilliant and radical thinkers, of the men who have perhaps +done the most to change the face of the modern world. In a quiet +and intimate way, it was one among the numberless forces which +were gathering and gaining momentum to culminate in the great +tragedy of the century. Mme. d'Epinay did not live to see the +catastrophe. Worn out by a life of suffering and ill health, she +died in 1783. + +Whatever her faults and weaknesses may have been, the woman who +could retain the devoted affection of so brilliant and versatile +a man as Grimm for twenty-seven years, who was the lifelong +friend and correspondent of Galiani and Voltaire, and the valued +confidante of Diderot, must have had some rare attractions of +mind, heart, or character. + + +CHAPTER XIV. SALONS OF THE NOBLESSE--MADAME DU DEFFAND +La Marechale de Luxembourg--The Temple--Comtesse de Boufflers-- +Mme. du Deffand--Her Convent Salon--Rupture with Mlle. de +Lespinasse--Her Friendship with Horace Walpole--Her brilliancy +and Her Ennui + +While the group of iconoclasts who formed the nucleus of the +philosophical salons was airing its theories and enjoying its +increasing vogue, there was another circle which played with the +new ideas more or less as a sort of intellectual pastime, but was +aristocratic au fond, and carefully preserved all the traditions +of the old noblesse. One met here the philosophers and men of +letters, but they did not dominate; they simply flavored these +coteries of rank and fashion. In this age of esprit no salon was +complete without its sprinkling of literary men. We meet the shy +and awkward Rousseau even in the exclusive drawing room of the +clever and witty but critical Marechale de Luxembourg, who +presides over a world in which the graces rule--a world of +elegant manners, of etiquette, and of forms. This model of the +amenities, whose gay and faulty youth ripened into a pious and +charitable age, was at the head of that tribunal which pronounced +judgment upon all matters relating to society. She was learned +in genealogy, analyzed and traced to their source the laws of +etiquette, possessed a remarkable memory, and without profound +education, had learned much from conversation with the savants +and illustrious men who frequented her house. Her wit was +proverbial, and she was never at a loss for a ready repartee or a +spicy anecdote. She gave two grand suppers a week. Mme. de +Genlis, who was often there, took notes, according to her custom, +and has left an interesting record of conversations that were +remarkable not only for brilliancy, but for the thoughtful wisdom +of the comments upon men and things. La Harpe read a great part +of his works in this salon. Rousseau entertained the princely +guests at Montmorency with "La Nouvelle Heloise" and "Emile," and +though never quite at ease, his democratic theories did not +prevent him from feeling greatly honored by their friendly +courtesies; indeed, he loses his usual bitterness when speaking +of this noble patroness. He says that her conversation was +marked by an exquisite delicacy that always pleased, and her +flatteries were intoxicating because they were simple and seemed +to escape without intention. + +Mme. de Luxembourg was an autocrat, and did not hesitate to +punish errors in taste by social ostracism. "Erase the name of +Monsieur -- -- -- from my list," she said, as a gentleman left +after relating a scandalous story reflecting upon some one's +honor. It was one of her theories that "society should punish +what the law cannot attack." She maintained that good manners +are based upon noble and delicate sentiments, that mutual +consideration, deference, politeness, gentleness, and respect to +age are essential to civilization. The disloyal, the ungrateful +bad sons, bad brothers, bad husbands, and bad wives, whose +offenses were serious enough to be made public, she banished from +that circle which called itself la bonne compagnie. It must be +admitted, however, that it was les convenances rather than +morality which she guarded. + +A rival of this brilliant salon, and among the most celebrated of +its day, was the one at the Temple. The animating spirit here +was the amiable and vivacious Comtesse de Boufflers, celebrated +in youth for her charms, and later for her talent. She was dame +d'honneur to the Princesse de Conti, wife of the Duc d'Orleans, +who was noted for her caustic wit, as well as for her beauty. It +was in the salon of his clever and rather capricious sister that +the learned Prince de Conti met her and formed the intimacy that +ended only with his life. She was called the idole of the +Temple, and her taste for letters gave her also the title of +Minerve savante. She wrote a tragedy which was said to be good, +though she would never let it go out of her hands, and has been +immortalized by Rousseau, with whom she corresponded for sixteen +years. Hume also exchanged frequent letters with her, and she +tried in vain to reconcile these two friends after their quarrel. +President Henault said he had never met a woman of so much +esprit, adding that "outside all her charms she had character." +For society she had a veritable passion. She said that when she +loved England the best she could not think of staying there +without "taking twenty-four or twenty-five intimate friends, and +sixty or eighty others who were absolutely necessary to her." +Her conversation was full of fire and brilliancy, and her gaiety +of heart, her gracious manners, and her frank appreciation of the +talent of others added greatly to her piquant fascination. She +delighted in original turns of expression, which were sometimes +far-fetched and artificial. One of her friends said that "she +made herself the victim of consideration, and lost it by running +after it." Her rule of life may be offered as a model. "In +conduct, simplicity and reason; in manners, propriety and +decorum; in actions, justice and generosity; in the use of +wealth, economy and liberality; in conversation, clearness, +truth, precision; in adversity, courage and pride; in prosperity, +modesty and moderation." Unfortunately she did not put all this +wisdom into practice, if we judge her by present standards. We +have a glimpse of the famous circle over which she presided in an +interesting picture formerly at Versailles, now at the Louvre. +The figures are supposed to be portraits. Among others are Mme. +de Luxembourg, the Comtesse de Boufflers, and the lovely but ill- +fated young stepdaughter, Amelie, Comtesse de Lauzun, to whom she +is so devoted; the beautiful Comtesse d'Egmont, Mme. de Beauvan, +President Henault, the witty Pont de Veyle, Mairan, the versatile +scientist, and the Prince de Conti. In the midst of this group +the little Mozart, whose genius was then delighting Europe, sits +at the harpsichord. The chronicles of the time give us pleasant +descriptions of the literary diversions of this society, which +met by turns at the Temple and Ile-Adam. But the Prince as well +as the clever Comtesse had a strong leaning towards philosophy, +and the amusements were interspersed with much conversation of a +serious character that has a peculiar interest today when read by +the light of after events. + +Among the numerous salons of the noblesse there was one which +calls for more than a passing word, both on account of its world- +wide fame and the exceptional brilliancy of its hostess. Though +far less democratic and cosmopolitan than that of Mme. Geoffrin, +with which it was contemporary, its character was equally +distinct and original. Linked by birth with the oldest of the +nobility, allied by intellect with the most distinguished in the +world of letters, Mme. du Deffand appropriated the best in +thought, while retaining the spirit of an elegant and refined +social life. She was exclusive by nature and instinct, as well +as by tradition, and could not dispense with the arts and +amenities which are the fruit of generations of ease; but the +energy and force of her intellect could as little tolerate +shallowness and pretension, however disguised beneath the +graceful tyranny of forms. Her salon offers a sort of compromise +between the freedom of the philosophical coteries and the +frivolities of the purely fashionable ones. It included the most +noted of the men of letters--those who belonged to the old +aristocracy and a few to whom nature had given a prescriptive +title of nobility--as well as the flower of the great world. +Her sarcastic wit, her clear intelligence, and her rare +conversational gifts added a tone of individuality that placed +her salon at the head of the social centers of the time in +brilliancy and in esprit. In this group of wits, LITTERATEURS, +philosophers, statesmen, churchmen, diplomats, and men of rank, +Mme. du Deffand herself is always the most striking figure. The +art of self-suppression she clearly did not possess. But the art +of so blending a choice society that her own vivid personality +was a pervading note of harmony she had to an eminent degree. +She could easily have made a mark upon her time through her +intellectual gifts without the factitious aid of the men with +whom her name is associated. But society was her passion +society animated by intellect, sparkling with wit, and expressing +in all its forms the art instincts of her race. She never +aspired to authorship, but she has left a voluminous +correspondence in which one reads the varying phases of a +singularly capricious character. In her old age she found refuge +from a devouring ennui in writing her own memoirs. Merciless to +herself as to others, she veils nothing, revealing her frailties +with a freedom that reminds one of Rousseau. + +It is not the portrait of an estimable woman that we can paint +from these records; but in her intellectual force, her social +gifts, and her moral weakness she is one of the best exponents of +an age that trampled upon the finest flowers of the soul in the +blind pursuit of pleasure and the cynical worship of a hard and +unpitying realism. Living from 1697 to 1780, she saw the train +laid for the Revolution, and died in time to escape its horrors. +She traversed the whole experience of the women of her world with +the independence and abandon of a nature that was moderate in +nothing. It is true she felt the emptiness of this arid +existence, and had an intellectual perception of its errors, but +she saw nothing better. "All conditions appear to me equally +unhappy, from the angel to the oyster," is the burden of her +hopeless refrain. + +She reveals herself to us as two distinct characters. The one +best known is hard, bitter, coldly analytic, and mocks at +everything bordering upon sentiment or feeling. The other, which +underlies this, and of which we have rare glimpses, is frank, +tender, loving even to weakness, and forever at war with the +barrenness of a period whose worst faults she seems to have +embodied, and whose keenest penalties she certainly suffered. + +Voltaire, the lifelong friend whom she loved, but critically +measured, was three years old when she was born; Mme. de Sevigne +had been dead nearly a year. Of a noble family in Burgundy, +Marie de Vichy-Chamroud was brought to Paris at six years of age +and placed in the convent of St. Madeleine de Traisnel, where she +was educated after the superficial fashion which she so much +regrets in later years. She speaks of herself as a romantic, +imaginative child, but she began very early to shock the pious +sisters by her dawning skepticism. One of the nuns had a wax +figure of the infant Jesus, which she discovered to have been a +doll formerly dressed to represent the Spanish fashions to Anne +of Austria. This was the first blow to her illusions, and had a +very perceptible influence upon her life. She pronounced it a +deception. Eight days of solitude with a diet of bread and water +failed to restore her reverence. "It does not depend upon me to +believe or disbelieve," she said. The eloquent and insinuating +Massillon was called in to talk with her. "She is charming," was +his remark, as he left her after two hours of conversation; +adding thoughtfully, "Give her a five-cent catechism." + +Skeptical by nature and saturated with the free-thinking spirit +of the time, she reasoned that all religion was au fond, only +paganism disguised. In later years, when her isolated soul +longed for some tangible support, she spoke regretfully of the +philosophic age which destroyed beliefs by explaining and +analyzing everything. + +But a beautiful, clever, high-spirited girl of sixteen is apt to +feel her youth all suffering. It is certain that she had no +inclination towards the life of a religieuse, and the country +quickly became insupportable after her return to its provincial +society. Ennui took possession of her. She was glad even to go +to confessional, for the sake of telling her thoughts to some +one. She complained bitterly that the life of women compelled +dependence upon the conduct of others, submission to all ills and +all consequences. Long afterwards she said that she would have +married the devil if he had been clothed as a gentleman and +assured her a moderate life. But a husband was at last found for +her, and merely to escape the monotony of her secluded existence, +she was glad, at twenty-one, to become the wife of the Marquis du +Deffand--a good but uninteresting man, much older than herself. + +Brilliant, fascinating, restless, eager to see and to learn, she +felt herself in her element in the gay world of Paris. She +confessed that, for the moment, she almost loved her husband for +bringing her there. But the moment was a short one. They did +not even settle down to what a witty Frenchman calls the +"politeness of two indifferences." It is a curious commentary +upon the times, that the beautiful but notorious Mme. de +Parabere, who introduced her at once into her own unscrupulous +world and the petits soupers of the Regent, condoled with the +young bride upon her marriage, regretting that she had not taken +the easy vows of a chanoinesse, as Mme. de Tencin had done. "In +that case," she said, "you would have been free; well placed +everywhere; with the stability of a married woman; a revenue +which permits one to live and accept aid from others; the +independence of a widow, without the ties which a family imposes; +unquestioned rank, which you would owe to no one; indulgence, and +impunity. For these advantages there is only the trouble of +wearing a cross, which is becoming; black or gray habits, which +can be made as magnificent as one likes; a little imperceptible +veil, and a knitting sheath." + +Under such teaching she was not long in taking her own free and +independent course, which was reckless even in that age of +laxity. At her first supper at the Palais Royal she met Voltaire +and fascinated the Regent, though her reign lasted but a few +days. The counsels of her aunt, the dignified Duchesse de +Luynes, availed nothing. Her husband was speedily sent off on +some mission to the provinces and she plunged into the current. +Once afterwards, in a fit of ennui, she recalled him, frankly +stating her position. But she quickly wearied of him again, grew +dull, silent, lost her vivacity, and fell into a profound +melancholy. Her friend Mme. de Parabere took it upon herself to +explain to him the facts, and he kindly relieved her forever of +his presence, leaving a touching and pathetic letter which gave +her a moment of remorse in spite of her lightened heart. This +sin against good taste the Parisian world could not forgive, and +even her friends turned against her for a time. But the Duchesse +due Maine came to her aid with an all-powerful influence, and +restored her finally to her old position. For some years she +passed the greater part of her time at Sceaux, and was a favorite +at this lively little court. + +It is needless to trace here the details of a career which gives +us little to admire and much to condemn. It was about 1740 when +her salon became noted as a center for the fashionable and +literary world of Paris. Montesquieu and d'Alembert were then +among her intimate friends. Of the latter she says: "The +simplicity of his manners, the purity of his morals, the air of +youth, the frankness of character, joined to all his talents, +astonished at first those who saw him." It is said to have been +through her zeal that he was admitted to the Academy so young. +Among others who formed her familiar circle were her devoted +friend Pont de Veyle; the Chevalier d'Aydie; Formont, the +"spirituel idler and amiable egotist," who was one of the three +whom she confesses really to have loved; and President Henault, +who brought always a fund of lively anecdote and agreeable +conversation. This world of fashion and letters, slightly +seasoned with philosophy, is also the world of Mme. de +Luxembourg, of the brilliant Mme. de Mirepoix, of the Prince and +Princesse de Beauvau, and of the lovely Duchesse de Choiseul, a +femme d'esprit and "mistress of all the elegances," whose gentle +virtues fall like a ray of sunlight across the dark pages of this +period. It is the world of elegant forms, the world in which a +sin against taste is worse than a sin against morals, the world +which hedges itself in by a thousand unwritten laws that save it +from boredom. + +After the death of the Duchesse du Maine, Mme. du Deffand retired +to the little convent of St. Joseph, where, after the manner of +many women of rank with small fortunes, she had her menage and +received her friends. "I have a very pretty apartment," she +writes to Voltaire; "very convenient; I only go out for supper. +I do not sleep elsewhere, and I make no visits. My society is +not numerous, but I am sure it will please you; and if you were +here you would make it yours. I have seen for some time many +savants and men of letters; I have not found their society +delightful." The good nuns objected a little to Voltaire at +first, but seem to have been finally reconciled to the visits of +the arch-heretic. At this time Mme. du Deffand had supposably +reformed her conduct, if not her belief. + +She continued to entertain the flower of the nobility and the +stars of the literary and scientific world. But while the most +famous of the men of letters were welcome in her salon, the tone +was far from pedantic or even earnest. It was a society of +conventional people, the elite of fashion and intelligence, who +amused themselves in an intellectual but not too serious way. +Montesquieu, who liked those houses in which he could pass with +his every-day wit, said, "I love this woman with all my heart; +she pleases and amuses me; it is impossible to feel a moment's +ennui in her company." Mme. de Genlis, who did not love her +expressed her surprise at finding her so natural and so kindly. +Her conversation was simple and without pretension. When she was +pleased, her manners were even affectionate. She never entered +into a discussion, confessing that she was not sufficiently +attached to any opinion to defend it. She disliked the +enthusiasm of the philosophers unless it was hidden behind the +arts of the courtier, as in Voltaire, whose delicate satire +charmed her. Diderot came once, "eyed her epicurean friends," +and came no more. The air was not free enough. When at home she +had three or four at supper every day, often a dozen, and, once a +week, a grand supper. All the intellectual fashions of the time +are found here. La Harpe reads a translation from Sophocles and +his own tragedy. Clairon, the actress in vogue, recites the +roles of Phedre and Agrippine, Lekain reads Voltaire, and Goldoni +a comedy of his own, which the hostess finds tiresome. New +books, new plays, the last song, the latest word of the +philosophers--all are talked about, eulogized, or dismissed with +a sarcasm. The wit of Mme. du Deffand is feared, but it +fascinates. She delights in clever repartees and sparkling +epigrams. A shaft of wit silences the most complacent of +monologues. "What tiresome book are you reading?" she said one +day to a friend who talked too earnestly and too long--saving +herself from the charge of rudeness by an easy refuge in her +blindness. + +Her criticisms are always severe. "There are only two pleasures +for me in the world--society and reading," she writes. "What +society does one find? Imbeciles, who utter only commonplaces, +who know nothing, feel nothing, think nothing; a few people of +talent, full of themselves, jealous, envious, wicked, whom one +must hate or scorn." To some one who was eulogizing a mediocre +man, adding that all the world was of the same opinion, she +replied, "I make small account of the world, Monsieur, since I +perceive that one can divide it into three parts, les trompeurs, +les trompes, et les trompettes." Still it is life alone that +interests her. Though she is not satisfied with people, she has +always the hope that she will be. In literature she likes only +letters and memoirs, because they are purely human; but the age +has nothing that pleases her. "It is cynical or pedantic," she +writes to Voltaire; "there is no grace, no facility, no +imagination. Everything is a la glace, hardness without force, +license without gaiety; no talent, much presumption." + +As age came on, and she felt the approach of blindness, she found +a companion in Mlle. de Lespinasse, a young girl of remarkable +gifts, who had an obscure and unacknowledged connection with her +family. For ten years the young woman was a slave to the +caprices of her exacting mistress, reading to her through long +nights of wakeful restlessness, and assisting to entertain her +guests. The one thing upon which Mme. du Deffand most prided +herself was frankness. She hated finesse, and had stipulated +that she would not tolerate artifice in any form. It was her +habit to lie awake all night and sleep all day, and as she did +not receive her guests until six o'clock, Mlle. de Lespinasse, +whose amiable character and conversational charm had endeared her +at once to the circle of her patroness, arranged to see her +personal friends--among whom were d'Alembert, Turgot, +Chastellux, and Marmontel--in her own apartments for an hour +before the marquise appeared. When this came to the knowledge of +the latter, she fell into a violent rage at what she chose to +regard as a treachery to herself, and dismissed her companion at +once. The result was the opening of a rival salon which carried +off many of her favorite guests, notably d'Alembert, to whom she +was much attached. "If she had died fifteen years earlier, I +should not have lost d'Alembert," was her sympathetic remark when +she heard of the death of Mlle. de Lespinasse. + +But the most striking point in the career of this worldly woman +was her friendship for Horace Walpole. When they first met she +was nearly seventy, blind, ill-tempered, bitter, and hopelessly +ennuyee. He was not yet fifty, a brilliant, versatile man of the +world, and saw her only at long intervals. Their curious +correspondence extends over a period of fifteen years, ending +only with her death. + +In a letter to Grayson, after meeting her, he writes: "Mme. du +Deffand is now very old and stone blind, but retains all her +vivacity, wit, memory, judgment, passion, and agreeableness. She +goes to operas, plays, suppers, Versailles; gives supper twice a +week; has everything new read to her; makes new songs and +epigrams--aye, admirably--and remembers every one that has been +made these fourscore years. She corresponds with Voltaire, +dictates charming letters to him, contradicts him, is no bigot to +him or anybody, and laughs both at the clergy and the +philosophers. In a dispute, into which she easily falls, she is +very warm, and yet scarce ever in the wrong; her judgment on +every subject is as just as possible; on every point of conduct +as wrong as possible; for she is all love and hatred, passionate +for her friends to enthusiasm, still anxious to be loved--I +don't mean by lovers--and a vehement enemy openly." + +The acquaintance thus begun quickly drilled into an intimacy. +Friendship she calls this absorbing sentiment, but it has all the +caprices and inconsistencies of love. Fed by the imagination, +and prevented by separation from wearing itself out, it became +the most permanent interest of her life. There is something +curiously pathetic in the submissive attitude of this blind, +aged, but spirited woman--who scoffs at sentiment and confesses +that she could never love anything--towards the man who +criticizes her, scolds her, crushes back her too ardent feeling, +yet calls her his dear old friend, writes her a weekly letter, +and modestly declares that she "loves him better than all France +together." + +The spirit of this correspondence greatly modifies the impression +which her own words, as well as the facts of her career, would +naturally give us. We find in the letters of this period little +of the freshness and spontaneity that lent such a charm to the +letters of Mme. de Sevigne and her contemporaries. Women still +write of the incidents of their lives, the people they meet, +their jealousies, their rivalries, their loves, and their +follies; but they think, where they formerly mirrored the world +about them. They analyze, they compare, the criticize, they +formulate their own emotions, they add opinions to facts. The +gaiety, the sparkle, the wit, the play of feeling, is not there. +Occasionally there is the tone of passion, as in the letters of +Mlle. Aisse and Mlle. de Lespinasse, but this is rare. Even +passion has grown sophisticated and deals with phrases. There is +more or less artificiality in the exchange of written thoughts. +Mme. du Deffand thinks while she writes, and what she sees takes +always the color of her own intelligence. She complains of her +inability to catch the elusive quality, the clearness, the +flexibility of Mme. de Sevigne, whom she longs to rival because +Walpole so admires her. But if she lacks the vivacity, the +simplicity, the poetic grace of her model, she has qualities not +less striking, though less lovable. Her keen insight is +unfailing. With masterly penetration she grasps the essence of +things. No one has portrayed so concisely and so vividly the men +and women of her time. No one has discriminated between the +shades of character with such nicety. No one has so clearly +fathomed the underlying motives of action. No one has forecast +the outcome of theories and events with such prophetic vision. +The note of bitterness and cynicism is always there. The nature +of the woman reveals itself in every line: keen, dry, critical, +with clear ideals which she can never hope to attain. But we +feel that she has stripped off the rags of pretension and brought +us face to face with realities. "All that I can do is to love +you with all my heart, as I have done for about fifty years," +wrote Voltaire. "How could I fail to love you? Your soul seeks +always the true; it is a quality as rare as truth itself." So +far does she carry her hatred of insincerity that one is often +tempted to believe she affects a freedom from affectation. "I am +so fatigued with the vanity of others that I avoid the occasion +of having any myself," she writes. Is there not here a trace of +the quality she so despises? + +But beneath all this runs the swift undercurrent of an absorbing +passion. A passion of friendship it may be, but it forces itself +through the arid shells of conventionalism; it is at once the +agony and the consolation of a despairing soul. Heartless, Mme. +du Deffand is called, and her life seems to prove the truth of +the verdict; but these letters throb and palpitate with feeling +which she laughs at, but cannot still. It is the cry of the soul +for what it has not; what the world cannot give; what it has +somehow missed out of a cold, hard, restless, and superficial +existence. With a need of loving, she is satisfied with no one. +There is something wanting; even in the affection of her friends. +"Ma grand'maman," she says to the gentle Duchesse de Choiseul, +"you KNOW that you love me, but you do not FEEL it." + +Devouring herself in solitude, she despises the society she +cannot do without. "Men and women appear to me puppets who go, +come, talk, laugh, without thinking, without reflecting, without +feeling," she writes. She confesses that she has a thousand +troubles in assembling a choice company of people who bore her to +death. "One sees only masks, one hears only lies," is her +constant refrain. She does not want to live, but is afraid to +die; she says she is not made for this world, but does not know +that there is any other. She tries devotion, but has no taste +for it. Of the light that shines from within upon so many +darkened and weary souls she has no knowledge. Her vision is +bounded by the tangible, which offers only a rigid barrier, +against which her life flutters itself away. She dies as she has +lived, with a deepened conviction of the nothingness of +existence. "Spare me three things," she said to her confessor in +her last moments; "let me have no questions, no reasons, and no +sermons." Seeing Wiart, her faithful servitor, in tears, she +remarks pathetically, as if surprised, "You love me then?" +"Divert yourself as much as you can," was her final message to +Walpole. "You will regret me, because one is very glad to know +that one is loved." She commends to his care and affection +Tonton, her little dog. + +Strong but not gentle, brilliant but not tender, too penetrating +for any illusions, with a nature forever at war with itself, its +surroundings, and its limitations, no one better points the moral +of an age without faith, without ideals, without the inner light +that reveals to hope what is denied to sense. + +The influence of such a woman with her gifts, her energy, her +power, and her social prestige, can hardly be estimated. It was +not in the direction of the new drift of thought. "I am not a +fanatic as to liberty," she said; "I believe it is an error to +pretend that it exists in a democracy. One has a thousand +tyrants in place of one." She had no breadth of sympathy, and +her interests were largely personal; but in matters of style and +form her taste was unerring. Pitiless in her criticisms, she +held firmly to her ideals of clear, elegant, and concise +expression, both in literature and in conversation. She +tolerated no latitudes, no pretension, and left behind her the +traditions of a society that blended, more perfectly, perhaps, +than any other of her time, the best intellectual life with +courtly manners and a strict observance of les convenances. + + +CHAPTER XV. MADEMOISELLE DE LESPINASSE +A Romantic Career--Companion of Mme. du Deffand--Rival Salons-- +Association with the Encyclopedists--D'Alembert--A Heart +Tragedy--Impassioned Letters--A Type Unique in her Age + +Inseparably connected with the name of Mme. du Deffand is that of +her companion and rival, Mlle. de Lespinasse, the gifted, +charming, tender and loving woman who presided over one of the +most noted of the philosophical salons; who was the chosen friend +and confidante of the Encyclopedists; and who died in her prime +of a broken heart, leaving the world a legacy of letters that +rival those of Heloise or the poems of Sappho, as "immortal +pictures of passion." The memory of her social triumphs, +remarkable as they were, pales before the singular romances of +her life. In the midst of a cold, critical, and heartless +society, that adored talent and ridiculed sentiment, she became +the victim of a passion so profound, so ardent, so hopeless, that +her powerful intellect bent before it like a reed before a storm. +She died of that unsuspected passion, and years afterwards these +letters found the light and told the tale. + +The contrast between the two women so closely linked together is +complete. Mme. du Deffand belonged to the age of Voltaire by +every fiber of her hard and cynical nature. What she called love +was a fire of the intellect which consumed without warming. It +was a violent and fierce prejudice in favor of those who +reflected something of herself. The tenderness of self-sacrifice +was not there. Mlle. de Lespinasse was of the later era of +Rousseau; the era of exaggerated feeling, of emotional delirium, +of romantic dreams; the era whose heroine was the loving and +sentimental "Julie," for whose portrait she might have sat, with a +shade or so less of intellect and brilliancy. But it was more +than a romantic dream that shadowed and shortened the life of +Mlle. de Lespinasse. She had a veritable heart of flame, that +consumed not only itself but its frail tenement as well. + +Julie-Jeanne-Eleonore de Lespinasse, who was born at Lyons in +1732, had a birthright of sorrow. Her mother, the Comtesse +d'Albon, could not acknowledge this fugitive and nameless +daughter, but after the death of her husband she received her on +an inferior footing, had her carefully educated, and secretly +gave her love and care. Left alone and without resources at +fifteen, Julie was taken, as governess and companion, into the +family of a sister who was the wife of Mme. du Deffand's brother. +Here the marquise met her on one of her visits and heard the +story of her sorrows. Tearful, sad, and worn out by +humiliations, the young girl had decided to enter a convent. +"There is no misfortune that I have not experienced," she wrote +to Guibert many years afterwards. "Some day, my friend, I will +relate to you things not to be found in the romances of Prevost +nor of Richardson . . . I ought naturally to devote myself to +hating; I have well fulfilled my destiny; I have loved much and +hated very little. Mon Dieu, my friend, I am a hundred years +old." Mme. du Deffand was struck with her talent and a certain +indefinable fascination of manner which afterwards became so +potent. "You have gaiety," she wrote to her, "you are capable of +sentiment; with these qualities you will be charming so long as +you are natural and without pretension." After a negotiation of +some months, Mlle. de Lespinasse went to Paris to live with her +new friend. The history of this affair has been already related. + +Parisian society was divided into two factions on the merits of +the quarrel--those who censured the ingratitude of the younger +woman, and those who accused the marquise of cruelty and +injustice. But many of the oldest friends of the latter aided +her rival. The Marechale de Luxembourg furnished her apartments +in the Rue de Belle-Chasse. The Duc de Choiseul procured her a +pension, and Mme. Geoffrin gave her an annuity. She carried with +her a strong following of eminent men from the salon of Mme. du +Deffand, among whom was d'Alembert, who remained faithful and +devoted to the end. It is said that President Henault even +offered to marry her, but how, under these circumstances, he +managed to continue in the good graces of his lifelong friend, +the unforgiving marquise, does not appear. A letter which he +wrote to Mlle. de Lespinasse throws a direct light upon her +character, after making due allowance for the exaggeration of +French gallantry. + +"You are cosmopolitan; you adapt yourself to all situations. The +world pleases you; you love solitude. Society amuses you, but it +does not seduce you. Your heart does not give itself easily. +Strong passions are necessary to you, and it is better so, for +they will not return often. Nature, in placing you in an +ordinary position, has given you something to relieve it. Your +soul is noble and elevated, and you will never remain in a crowd. +It is the same with your person. It is distinguished and +attracts attention, without being beautiful. There is something +piquante about you . . . You have two things which do not often +go together: you are sweet and strong; your gaiety adorns you and +relaxes your nerves, which are too tense . . . You are extremely +refined; you have divined the world." + +The age of portraits was not quite passed, and the privilege of +seeing one's self in the eyes of one's friends was still +accorded, a fact to which we owe many striking if sometimes +rather highly colored pictures. A few words from d'Alembert are +of twofold interest. He writes some years later: + +"The regard one has for you does not depend alone upon your +external charms; it depends, above all, upon your intellect and +your character. That which distinguishes you in society is the +art of saying to every one the fitting word and that art is very +simple with you; it consists in never speaking of yourself to +others, and much of themselves. It is an infallible means of +pleasing; thus you please every one, though it happens that all +the world pleases you; you know even how to avoid repelling those +who are least agreeable." + +This epitome of the art of pleasing may be commended for its +wisdom, aside from the very delightful picture it gives of an +amiable and attractive woman. Again he writes: + +"The excellence of your tone would not be a distinction for one +reared in a court, and speaking only the language she has +learned. In you it is a merit very real and very rare. You have +brought it from the seclusion of a province, where you met no one +who could teach you. You were, in this regard, as perfect the +day after your arrival at Paris as you are today. You found +yourself, from the first, as free, as little out of place in the +most brilliant and most critical society as if you had passed +your life there; you have felt its usages before knowing them, +which implies a justness and fineness of tact very unusual, an +exquisite knowledge of les convenances." + +It was her innate tact and social instinct, combined with rare +gifts of intellect and great conversational charm, that gave this +woman without name, beauty, or fortune so exceptional a position, +and her salon so distinguished a place among the brilliant +centers of Paris. As she was not rich and could not give costly +dinners, she saw her friends daily from five to nine, in the +interval between other engagements. This society was her chief +interest, and she rarely went out. "If she made an exception to +this rule, all Paris was apprised of it in advance," says Grimm. +The most illustrious men of the State, the Church, the Court, and +the Army, as well as celebrated foreigners and men of letters, +were sure to be found there. "Nowhere was conversation more +lively, more brilliant, or better regulated," writes Marmontel. . +. "It was not with fashionable nonsense and vanity that every +day during four hours, without languor or pause, she knew how to +make herself interesting to a circle of sensible people." +Caraccioli went from her salon one evening to sup with Mme. du +Deffand. "He was intoxicated with all the fine works he had +heard read there," writes the latter. "There was a eulogy of one +named Fontaine by M. de Condorcet. There were translations of +Theocritus; tales, fables by I know not whom. And then some +eulogies of Helvetius, an extreme admiration of the esprit and +the talents of the age; in fine, enough to make one stop the +ears. All these judgments false and in the worst taste." A hint +of the rivalry between the former friends is given in a letter +from Horace Walpole. "There is at Paris," he writes, "a Mlle. de +Lespinasse, a pretended bel esprit, who was formerly a humble +companion of Mme. du Deffand, and betrayed her and used her very +ill. I beg of you not to let any one carry you thither. I dwell +upon this because she has some enemies so spiteful as to try to +carry off all the English to Mlle. de Lespinasse." + +But this "pretended bel esprit" had socially the touch of genius. +Her ardent, impulsive nature lent to her conversation a rare +eloquence that inspired her listeners, though she never drifted +into monologue, and understood the value of discreet silence. +"She rendered the marble sensible, and made matter talk," said +Guibert. Versatile and suggestive herself, she knew how to draw +out the best thoughts of others. Her swift insight caught the +weak points of her friends, and her gracious adaptation had all +the fascination of a subtle flattery. Sad as her experience had +been, she had nevertheless been drawn into the world most +congenial to her tastes. "Ah, how I dislike not to love that +which is excellent," she wrote later. "How difficult I have +become! But is it my fault? Consider the education I have +received with Mme. du Deffand. President Henault, Abbe Bon, the +Archbishop of Toulouse, the Archbishop of Aix, Turgot, +d'Alembert, Abbe de Boismont--these are the men who have taught +me to speak, to think, and who have deigned to count me for +something." + +It was men like these who thronged her own salon, together with +such women as the Duchesse d'Anville, friend of the economists, +the Duchesse de Chatillon whom she loved so passionately, and +others well-known in the world of fashion and letters. But its +tone was more philosophical than that of Mme. du Deffand. Though +far from democratic by taste or temperament, she was so from +conviction. The griefs and humiliations of her life had left her +peculiarly open to the new social and political theories which +were agitating France. She liked free discussion, and her own +large intelligence, added to her talent for calling out and +giving point to the ideas of others, went far towards making the +cosmopolitan circle over which she presided one of the most +potent forces of the time. Her influence may be traced in the +work of the encyclopedists, in which she was associated, and +which she did more than any other woman to aid and encourage. As +a power in the making of reputations and in the election of +members to the Academy she shared with Mme. Geoffrin the honor of +being a legitimate successor of Mme. de Lambert. Chastellux owed +his admission largely to her, and on her deathbed she secured +that of La Harpe. + +But the side of her character which strikes us most forcibly at +this distance of time is the emotional. The personal charm which +is always so large a factor in social success is of too subtle a +quality to be caught in words. The most vivid portrait leaves a +divine something to be supplied by the imagination, and the +fascination of eloquence is gone with the flash of the eye, the +modulation of the voice, or some fleeting grace of manner. But +passion writes itself out in indelible characters, especially +when it is a rare and spontaneous overflow from the heart of a +man or woman of genius, whose emotions readily crystallize into +form. + +Her friendship for d'Alembert, loyal and devoted as it was, seems +to have been without illusions. It is true she had cast aside +every other consideration to nurse him through a dangerous +illness, and as soon as he was able to be removed, he had taken +an apartment in the house where she lived, which he retained +until her death. But he was not rich, and marriage was not to be +thought of. On this point we have his own testimony. "The one +to whom they marry me in the gazettes is indeed a person +respectable in character, and fitted by the sweetness and charm +of her society to render a husband happy," he writes to Voltaire; +"but she is worthy of an establishment better than mine, and +there is between us neither marriage nor love, but mutual esteem, +and all the sweetness of friendship. I live actually in the same +house with her, where there are besides ten other tenants; this +is what has given rise to the rumor." His devotion through so +many years, and his profound grief at her loss, as well as his +subsequent words, leave some doubt as to the tranquillity of his +heart, but the sentiments of Mlle. de Lespinasse seem never to +have passed the calm measure of an exalted and sympathetic +friendship. It was remarked that he lost much of his prestige, +and that his society which had been so brilliant, became +infinitely more miscellaneous and infinitely less agreeable after +the death of the friend whose tact and finesse had so well served +his ambition. + +Not long after leaving Mme. du Deffand she met the Marquis de +Mora, a son of the Spanish ambassador, who became a constant +habitue of her salon. Of distinguished family and large fortune, +brilliant, courtly, popular, and only twenty-four, he captivated +at once the fiery heart of this attractive woman of thirty-five. +It seems to have been a mutual passion, as during one brief +absence of ten days he wrote her twenty-two letters. But his +family became alarmed and made his delicate health a pretext for +recalling him to Spain. Her grief at the separation enlisted the +sympathy of d'Alembert. At her request he procured from his +physician a statement that the climate of Madrid would prove +fatal to M. de Mora, whose health had steadily failed since his +return home, and that if his friends wished to save him they must +lose no time in sending him back to Paris. The young man was +permitted to leave at once, but he died en route at Bordeaux. + +In the meantime Mlle. de Lespinasse, sad and inconsolable, had +met M. Guibert, a man of great versatility and many +accomplishments, whose genius seems to have borne no adequate +fruit. We hear of him later through the passing enthusiasm of +Mme. de Stael, who in her youth, made a pen-portrait of him, +sufficiently flattering to account in some degree for the +singular passion of which he became the object. Mlle. de +Lespinasse was forty. He was twenty-nine, had competed for the +Academie Francaise, written a work on military science, also a +national tragedy which was still unpublished. She was dazzled by +his brilliancy, and when she fathomed his shallow nature, as she +finally did, it was too late to disentangle her heart. He was a +man of gallantry, and was flattered by the preference of a woman +much in vogue, who had powerful friends, influence at the +Academy, and the ability to advance his interest in many ways. +He clearly condescended to be loved, but his own professions have +little of the true ring. + +Distracted by this new passion on one side, and by remorse for +her disloyalty to the old one, on the other, the health of Mlle. +de Lespinasse, naturally delicate and already undermined, began +to succumb to the hidden struggle. The death of M. de Mora +solved one problem; the other remained. Mr. Guibert wished to +advance his fortune by a brilliant marriage without losing the +friend who might still be of service to him. She sat in judgment +upon her own fate, counseled him, aided him in his choice, even +praised the woman who became his wife, hoping still, perhaps, for +some repose in that exaltation of friendship which is often the +last consolation of passionate souls. But she was on a path that +led to no haven of peace. There was only a blank wall before +her, and the lightning impulses of her own heart were forced back +to shatter her frail life. The world was ignorant of this fresh +experience; and, believing her crushed by the death of M. de +Mora, sympathized with her sorrow and praised her fidelity. She +tried to sustain a double role--smiles and gaiety for her +friends, tears and agony for the long hours of solitude. The +tension was too much for her. She died shortly afterwards at the +age of forty-three. "If to think, to love, and to suffer is that +which constitutes life, she lived in these few years many ages," +said one who knew her well. + +It was not until many years later, when those most interested +were gone, that the letters to Guibert, which form her chief +title to fame, were collected, and, curiously enough, by his +widow. Then for the first time the true drama of her life was +unveiled. It is impossible in a few extracts to convey an +adequate idea of the passion and devotion that runs through these +letters. They touch the entire gamut of emotion, from the tender +melancholy of a lonely soul, the inexpressible sweetness of self- +forgetful love, to the tragic notes or agony and despair. There +are many brilliant passages in them, many flashes of profound +thought, many vivid traits of the people about her; but they are, +before all, the record of a soul that is rapidly burning out its +casket. + +"I prefer my misery to all that the world calls happiness or +pleasure," she writes. "I shall die of it, perhaps, but that is +better than never to have lived." + +"I have no more the strength to love," she says again; "my soul +fatigues me, torments me; I am no more sustained by anything. I +have every day a fever; and my physician, who is not the most +skillful of men, repeats to me without ceasing that I am consumed +by chagrin, that my pulse, my respiration, announce an active +grief, and he always goes out saying, 'We have no cure for the +soul.'" + +"Adieu, my friend," were her last words to him. "If I ever +return to life I shall still love to employ it in loving you; but +there is no more time." + +One could almost wish that these letters had never come to light. +A single grand passion has always a strong hold upon the +imagination and the sympathies, but two passions contending for +the mastery verge upon something quite the reverse of heroic. +The note of heart-breaking despair is tragic enough, but there is +a touch of comedy behind it. Though her words have the fire, the +devotion, the abandon of Heloise, they leave a certain sense of +disproportion. One is inclined to wonder if they do not overtop +the feeling. + +D'Alembert was her truest mourner, and fell into a profound +melancholy after her death. "Yes," he said to Marmontel, "she +was changed, but I was not; she no longer lived for me, but I +ever lived for her. Since she is no more, I know not why I +exist. Ah! Why have I not still to suffer those moments of +bitterness that she knew so well how to sweeten and make me +forget? Do you remember the happy evenings we passed together? +Now what have I left? I return home, and instead of herself I +find only her shade. This lodging at the Louvre is itself a +tomb, which I never enter but with horror." To this "shade" he +wrote two expressive and well-considered eulogies, which paint in +pathetic words the perfections of his friend and his own +desolation. "Adieu, adieu, my dear Julie," says the heartbroken +philosopher; "for these eyes which I should like to close forever +fill with tears in tracing these last lines, and I see no more +the paper on which I write." His grief called out a sympathetic +letter from Frederick the Great which shows the philosophic +warrior and king in a new light. There is a touch of bitter +irony in the inflated eulogy of Guibert, who gave the too-loving +woman a death blow in furthering his ambition, then exhausted his +vocabulary in laments and praises. Perhaps he hoped to borrow +from this friendship a fresh ray of immortality. + +Whatever we may think of the strange inconsistencies of Mlle. de +Lespinasse, she is doubly interesting to us as a type that +contrasts strongly with that of her age. Her exquisite tact, her +brilliant intellect, her conversational gifts, her personal charm +made her the idol of the world in which she lived. Her influence +was courted, her salon was the resort of the most distinguished +men of the century, and while she loved to discuss the great +social problems which her friends were trying to solve, she +forgot none of the graces. With the intellectual strength and +grasp of a man, she preserved always the taste, the delicacy, the +tenderness of a woman. Her faults were those of a strong nature. +Her thoughts were clear and penetrating, her expression was +lively and impassioned. But in her emotional power she reached +the proportion of genius. With "the most ardent soul, the +liveliest fancy, the most inflammable imagination that has +existed since Sappho," she represents the embodied spirit of +tragedy outlined against the cold, hard background of a +skeptical, mocking, realistic age. "I love in order to live," +she said, "and I live to love." This is the key-note of her +life. + + +CHAPTER XVI. THE SALON HELVETIQUE +The Swiss Pastor's Daughter--Her Social Ambition--Her Friends-- +Mme. de Marchais--Mme. d'Houdetot--Duchesse de Lauzun-- +Character of Mme. Necker--Death at Coppet--Close of the most +Brilliant Period of the Salons. + +There was one woman who held a very prominent place in the +society of this period, and who has a double interest for us, +though she was not French, and never quite caught the spirit of +the eighteenth-century life whose attractive forms she loved so +well. Mme. Necker, whose history has been made so familiar +through the interesting memoirs of the Comte d'Haussonville, owes +her fame to her marked qualities of intellect and character +rather than to the brilliancy of her social talents. These found +an admirable setting in the surroundings which her husband's +fortune and political career gave her. The Salon Helvetique had +a distinctive color of its own, and was always tinged with the +strong convictions and exalted ideals of the Swiss pastor's +daughter, who passed through this world of intellectual affluence +and moral laxity like a white angel of purity--in it, but not of +it. The center of a choice and lettered circle which included +the most noted men and women of her time, she brought into it not +only rare gifts, a fine taste, and genuine literary enthusiasm, +but the fresh charm of a noble character and a beautiful family +life, with the instincts of duty and right conduct which she +inherited from her simple Protestant ancestry. She lacked a +little, however, in the tact, the ease, the grace, the +spontaneity, which were the essential charm of the French women. +Her social talents were a trifle theoretical. "She studied +society," says one of her critics, "as she would a literary +question." She had a theory of conducting a salon, as she had of +life in general, and believed that study would attain everything. +But the ability to do a thing superlatively well is by no means +always implied in the knowledge of how it ought to be done. +Social genius is as purely a gift of nature as poetry or music; +and, of all others, it is the most subtle and indefinable. It +was a long step from the primitive simplicity in which Suzanne +Curchod passed her childhood on the borders of Lake Leman to the +complex life of a Parisian salon; and the provincial beauty, +whose fair face, soft blue eyes, dignified but slightly +coquettish manner, brilliant intellect, and sparkling though +sometimes rather learned conversation had made her a local queen, +was quick to see her own shortcomings. She confessed that she +had a new language to learn, and she never fully mastered it. +"Mme. Necker has talent, but it is in a sphere too elevated for +one to communicate with her," said Mme. du Deffand, though she +was glad to go once a week to her suppers at Saint-Ouen, and +admitted that in spite of a certain stiffness and coldness she +was better fitted for society than most of the grandes dames. +The salon of Mme. Necker marks a transition point between two +periods, and had two quite distinct phases. One likes best to +recall her in the freshness of her early enthusiasm, when she +gave Friday dinners, modeled after those of Mme. Geoffrin, to men +of letters, and received a larger world in the evening; when her +guests were enlivened by the satire of Diderot, the anecdotes of +Marmontel, the brilliancy or learning of Grimm, d'Alembert, +Thomas, Suard, Buffon, the Abbe Raynal, and other wits of the +day; when they discussed the affairs of the Academy and decided +the fate of candidates; when they listened to the recitations of +Mlle. Clairon, and the works of many authors known and unknown. +It is interesting to recall that "Paul and Virginia" was first read +here. But there was apt to be a shade of stiffness, and the +conversation had sometimes too strong a flavor of pedantry. "No +one knows better or feels more sensibly than you, my dear and +very amiable friend," wrote Mme. Geoffrin, "the charm of +friendship and its sweetness; no one makes others experience them +more fully. But you will never attain that facility, that ease, +and that liberty which give to society its perfect enjoyment." +The Abbe Morellet complained of the austerity that always held +the conversation within certain limits, and the gay little Abbe +Galiani found fault with Mme. Necker's coldness and reserve, +though he addresses her as his "Divinity" after his return to +Naples, and his racy letters give us vivid and amusing pictures +of these Fridays, which in his memory are wholly charming. + +In spite of her firm religious convictions, Mme. Necker cordially +welcomed the most extreme of the philosophers. "I have atheistic +friends," she said. "Why not? They are unfortunate friends." +But her admiration for their talents by no means extended to +their opinions, and she did not permit the discussion of +religious questions. It was at one of her own dinners that she +started the subscription for a statue of Voltaire, for whom she +entertained the warmest friendship. One may note here, as +elsewhere, a fine mental poise, a justness of spirit, and a +discrimination that was superior to natural prejudices. +Sometimes her frank simplicity was misunderstood. "There is a +Mme. Necker here, a pretty woman and a bel esprit, who is +infatuated with me; she persecutes me to have me at her house," +wrote Diderot to Mlle. Volland, with an evident incapacity to +comprehend the innocent appreciation of a pure-hearted woman. +When he knew her better, he expressed his regret that he had not +known her sooner. "You would certainly have inspired me with a +taste for purity and for delicacy," he says, "which would have +passed from my soul into my works." He refers to her again as "a +woman who possesses all that the purity of an angelic soul adds +to an exquisite taste." + +Among the many distinguished foreigners who found their way into +this pleasant circle was her early lover, Gibbon. The old days +were far away when she presided over the literary coterie at +Lausanne, speculated upon the mystery of love, talked of the +possibility of tender and platonic friendships between men and +women, after the fashion of the precieuses, and wept bitter tears +over the faithlessness of the embryo historian. The memory of +her grief had long been lost in the fullness of subsequent +happiness, and one readily pardons her natural complacency in the +brilliancy of a position which took little added luster from the +fame of the man who had wooed and so easily forgotten her. + +This period of Mme. Necker's career shows her character on a very +engaging side. Loving her husband with a devotion that verged +upon idolatry, she was rich in the friendship of men like Thomas, +Buffon, Grimm, Diderot, and Voltaire, whose respectful tone was +the highest tribute to her dignity and her delicacy. But the +true nature of a woman is best seen in her relations with her own +sex. There are a thousand fine reserves in her relations with +men that, in a measure, veil her personality. They doubtless +call out the most brilliant qualities of her intellect, and +reveal her character, in some points, on its best and most +lovable side; but the rare shades of generous and unselfish +feeling are more clearly seen in the intimate friendships, free +from petty vanities and jealous rivalries, rich in cordial +appreciation and disinterested affection, which we often find +among women of the finest type. It is impossible that one so +serious and so earnest as Mme. Necker should have cherished such +passionate friendships for her own sex, if she had been as cold +or as calculating as she has been sometimes represented. Her +intimacy with Mme. de Marchais, of which we have so many pleasant +details, furnishes a case in point. + +This graceful and vivacious woman, who talked so eloquently upon +philosophical, political, and economic questions, was the center +of a circle noted for its liberal tendencies. A friend of Mme. +de Pompadour, at whose suppers she often sang; gifted, witty, +and, in spite of a certain seriousness, retaining always the +taste, the elegance, the charming manners which were her native +heritage, she attracted to her salon not only a distinguished +literary company, but many men and women from the great world of +which she only touched the borders. Mme. Necker had sought the +aid and advice of Mme. de Marchais in the formation of her own +salon, and had taken for her one of those ardent attachments so +characteristic of earnest and susceptible natures. She confided +to her all the secrets of her heart; she felt a double pleasure +when her joys and her little troubles were shared with this +sympathetic companion. "I had for her a passionate affection," +she says. "When I first saw her my whole soul was captivated. I +thought her one of those enchanting fairies who combine all the +gifts of nature and of magic. I loved her; or, rather, I +idolized her." So pure, so confiding, so far above reproach +herself, she refuses to see the faults of one she loves so +tenderly. Her letters glow with exalted sentiment. "Adieu, my +charming, my beautiful, my sweet friend," she writes. "I embrace +you. I press you to my bosom; or, rather, to my soul, for it +seems to me that no interval can separate yours from mine." + +But the character of Mme. de Marchais was evidently not equal to +her fascination. Her vanity was wounded by the success of her +friend. She took offense at a trifling incident that touched her +self-love. "The great ladies have disgusted me with friendship," +she wrote, in reply to Mme. Necker's efforts to repair the +breach. They returned to each other the letters so full of vows +of eternal fidelity, and were friends no more. Apparently +without any fault of her own, Mme. Necker was left with an +illusion the less, and the world has another example to cite of +the frail texture of feminine friendships. + +She was not always, however, so unfortunate in her choice. She +found a more amiable and constant object for her affections in +Mme. d'Houdetot, a charming woman who, in spite of her errors, +held a very warm place in the hearts of her cotemporaries. We +have met her before in the philosophical circles of La Chevrette, +and in the beautiful promenades of the valley of Montmorency, +where Rousseau offered her the incense of a passionate and poetic +love. She was facile and witty, graceful and gay, said wise and +thoughtful things, wrote pleasant verses which were the +exhalations of her own heart, and was the center of a limited +though distinguished circle; but her chief attraction was the +magic of a sunny temper and a loving spirit. "He only is unhappy +who can neither love, nor work, nor die," she writes. Though +more or less linked with the literary coteries of her time, Mme. +d'Houdetot seems to have been singularly free from the small +vanities and vulgar ambitions so often met there. She loved +simple pleasures and the peaceful scenes of the country. "What +more have we to desire when we can enjoy the pleasures of +friendship and of nature?" she writes. "We may then pass lightly +over the small troubles of life." She counsels repose to her +more restless friend, and her warm expressions of affection have +always the ring of sincerity, which contrasts agreeably with the +artificial tone of the time. Mme. d'Houdetot lived to a great +age, preserving always her youthfulness of spirit and sweet +serenity of temper, in spite of sharp domestic sorrows. She took +refuge from these in the life-long friendship of Saint-Lambert, +for whom Mme. Necker has usually a gracious message. It is a +curious commentary upon the manners of the age that one so rigid +and severe should have chosen for her intimate companionship two +women whose lives were so far removed from her own ideal of +reserved decorum. But she thought it best to ignore errors which +her world did not regard as grave, if she was conscious of them +at all. + +One finds greater pleasure in recalling her ardent and romantic +attachment to the granddaughter of the Marechale de Luxembourg, +the lovely Amelie de Boufflers, Duchesse de Lauzun, whose pen- +portrait she sketched so gracefully and so tenderly; whose gentle +sweetness and shy delicacy, in the rather oppressive glare of her +surroundings, suggest a modest wild flower astray among the +pretentious beauties of the hothouse, and whose untimely death on +the scaffold has left her fragrant memory entwined with a garland +of cypress. But we cannot dwell upon the intimate phases of this +friendship, whose fine quality is shown in the few scattered +leaves of a correspondence overflowing with the wealth of two +rare though unequally gifted natures. + +At a later period her husband's position in the ministry, and the +pronounced opinions of her brilliant daughter, gave to the salon +of Mme. Necker a marked political and semi-revolutionary +coloring. Her inclinations always led her to literary +diversions, rather than to the discussion of economic questions, +but as Mme. de Stael gradually took the scepter that was falling +from her hand, she found it difficult to guide the conversation +into its old channels. Her pale, thoughtful face, her gentle +manner, her soft and penetrating voice, all indicated an +exquisitely feminine quality quite in unison with the spirit of +urbanity and politeness that was even then going out of fashion. +Her quiet and earnest though interesting conversation was +somewhat overshadowed by the impetuous eloquence of Mme. de +Stael, who gave the tone to every circle into which she came. "I +am more and more convinced that I am not made for the great +world," she said to the Duchesse de Lauzun, with an accent of +regret. "It is Germaine who should shine there and who should +love it, for she possesses all the qualities which put her in a +position to be at once feared and sought." + +If she was allied to the past, however, by her tastes and her +sympathies, she belonged to the future by her convictions, and +her many-sided intellect touched upon every question of the day. +Profoundly religious herself, she was broadly tolerant; always +delicate in health, she found time amid her numerous social +duties to aid the poor and suffering, and to establish the +hospital that still bears her name. Her letters and literary +records reveal a woman of liberal thought and fine insight, as +well as scholarly tastes. If she lacked a little in the facile +graces of the French women, she had to an eminent degree the +qualities of character that were far rarer in her age and sphere. +Though she was cold and reserved in manner, beneath the light +snow which she brought from her native hills beat a heart of warm +and tender, even passionate, impulses. Devoted wife, loyal +friend, careful mother, large-minded and large-souled woman, she +stands conspicuous, in a period of lax domestic relations, for +the virtues that grace the fireside as well as for the talents +that shine in the salon. + +But she was not exempt from the sorrows of a nature that exacts +from life more than life can give, and finds its illusions vanish +before the cold touch of experience. She had her hours of +darkness and of suffering. Even the love that was the source of +her keenest happiness was also the source of her sharpest griefs. +In the days of her husband's power she missed the exclusive +attention she craved. There were moments when she doubted the +depth of his affection, and felt anew that her "eyes were wedded +to eternal tears." She could not see without pain his extreme +devotion to her daughter, whose rich nature, so spontaneous, so +original, so foreign to her own, gave rise to many anxieties and +occasional antagonisms. This touches the weak point in her +character. She was not wholly free from a certain egotism and +intellectual vanity, without the imagination to comprehend fully +an individuality quite remote from all her preconceived ideas. +She was slow to accept the fact that her system of education was +at fault, and her failure to mold her daughter after her own +models was long a source of grief and disappointment. She was +ambitious too, and had not won her position without many secret +wounds. When misfortunes came, the blows that fell upon her +husband struck with double force into her own heart. She was +destined to share with him the chill of censure and neglect, the +bitter sting of ingratitude, the lonely isolation of one fallen +from a high place, whose friendship and whose favors count no +more. + +In the solitude of Coppet, where she died at fifty-seven, during +the last and darkest days of the Revolution, perhaps she realized +in the tireless devotion of her husband and the loving care of +Mme. de Stael the repose of heart which the brilliant world of +Paris never gave her. + +With all her gifts, which have left many records that may be +read, and in spite of a few shadows that fall more or less upon +all earthly relations, not the least of her legacies to posterity +was the beautiful example, rarer then than now, of that true and +sympathetic family life in which lies the complete harmony of +existence, a safeguard against the storms of passion, a perennial +fount of love that keeps the spirit young, the tranquility out of +which spring the purest flowers of human happiness and human +endeavor. + +There were many salons of lesser note which have left agreeable +memories. It would be pleasant to recall other clever and +beautiful women whose names one meets so often in the chronicles +of the time, and whose faces, conspicuous for their clear, strong +outlines, still look out upon us from the galleries that +perpetuate its life; but the list is too long and would lead us +too far. From the moving procession of social leaders who made +the age preceding the Revolution so brilliant I have chosen only +the few who were most widely known, and who best represent its +dominant types and its special phases. + +The most remarkable period of the literary salons was really +closed with the death of Mme. du Deffand, in 1780. Mme. Geoffrin +had already been dead three years, and Mlle. de Lespinasse, four. +Some of the most noted of the philosophers and men of letters +were also gone, others were past the age of forming fresh ties, +the young men belonged to another generation, and no new drawing +rooms exactly replaced the old ones. Mme. Necker still received +the world that was wont to assemble in the great salons, Mme. de +Condorcet presided over a rival coterie, and there were numerous +small and intimate circles; but the element of politics was +beginning to intrude, and with it a degree of heat which +disturbed the usual harmony. The reign of esprit, the perpetual +play of wit had begun to pall upon the tastes of people who found +themselves face to face with problems so grave and issues so +vital. There was a slight reaction towards nature and +simplicity. "They may be growing wiser," said Walpole, "but the +intermediate change is dullness." For nearly half a century +learned men and clever women had been amusing themselves with +utopian theories, a few through conviction, the majority through +fashion, or egotism, or the vanity of saying new things, just as +the world is doing today. The doctrines put forth by +Montesquieu, vivified by Voltaire, and carried to the popular +heart by Rousseau had been freely discussed in the salons, not +only by philosophers and statesmen, but by men of the world, +poets, artists, and pretty women. The sparks of thought with +which they played so lightly filtered slowly through the social +strata. The talk of the drawing room at last reached the street. +But the torch of truth which, held aloft, serves as a beacon star +to guide the world towards some longed for ideal becomes often a +deadly explosive when it falls among the poisonous vapors of +inflammable human passions. Liberty, equality, fraternity +assumed a new and fatal significance in the minds of the hungry +and restless masses who, embittered by centuries of wrong, were +ready to carry these phrases to their immediate and living +conclusions. They had found their watchwords and their hour. +The train was already laid beneath this complex social structure, +and the tragedy that followed carried to a common ruin court and +salon, philosophers and beaux esprits, innocent women and +dreaming men. + +That the salons were unconscious instruments in hastening the +catastrophe, which was sooner or later inevitable, is undoubtedly +true. Their influence in the dissemination of thought was +immense. The part they played was, to a limited extent, +precisely that of the modern press, with an added personal +element. They moved in the drift of their time, directed its +intelligence, and reflected its average morality. As centers of +serious conversation they were distinctly stimulating. It is +quite possible that they stimulated the intellect to the +exclusion of the more solid qualities of character, and that they +were the source of a vast amount of affectation. It was the +fashion to have esprit, and those who were deficient in an +article so essential to success were naturally disposed to borrow +it, or to put on the semblance of it. But no phase of life is +without its reverse side, and the present generation cannot claim +freedom from pretension of the same sort. It is not unlikely +that in expanding the intelligence they established new standards +of distinction, which in a measure weakened the old ones. But if +they precipitated the downfall of the court they began by +rivaling, it was in the logical course of events, which few were +wise enough to foresee, much less to determine. + +It is worthy of remark that this reign of women, in which the +manners and forms of modern society found their initiative and +their models, was not a reign of youth, or beauty, though these +qualities are never likely to lose their own peculiar +fascination. It was, before all things, a reign of intelligence, +and ascendency of women who had put on the hues of age without +laying aside the permanent charm of a fully developed +personality. It was intelligence blended with practical +knowledge of the world and with the graceful amenities that +heightened while half disguising its power. The women of the +present have different aims. They are no longer content with the +role of inspirer. Their methods are more direct. They depend +less upon finesse, more upon inherent right and strength. But it +is to the women who shone so conspicuously in France for more +than two hundred years that we may trace the broadened +intellectual life, the unfettered activities, the wide and +beneficent influence of the women of today. + + +CHAPTER XVII. SALONS OF THE REVOLUTION--MADAME ROLAND +Change in the Character of the Salons--Mme. de Condorcet--Mme. +Roland's Story of Her Own Life--A Marriage of Reason-- +Enthusiasm for the Revolution--Her Modest Salon--Her Tragical +Fate + +The salons of the Revolution were no longer simply the fountains +of literary and artistic criticism, the centers of wit, +intelligence, knowledge, philosophy, and good manners, but the +rallying points of parties. They took the tone of the time and +assumed the character of political clubs. The salon of 1790 was +not the salon of 1770. A new generation had arisen, with new +ideals and a new spirit that made for itself other forms or +greatly modified the old ones. It was not led by philosophers +and beaux esprits who evolved theories and turned them over as an +intellectual diversion, but by men of action, ready to test +these theories and force them to their logical conclusions. +Mirabeau, Vergniaud, and Robespierre had succeeded Voltaire, +Diderot, and d'Alembert. Impelled towards one end, by vanity, +ambition, love of glory, or genuine conviction, these men and +their colleagues turned the salon, which had so long been the +school of public opinion, into an engine of revolution. The +exquisite flower of the eighteenth century had blossomed, +matured, and fallen. Perhaps it was followed by a plant of +sturdier growth, but the rare quality of its beauty was not +repeated. The time was past when the gentle touch of women could +temper the violence of clashing opinions, or subject the +discussion of vital questions to the inflexible laws of taste. +No tactful hostess could hold in leading strings these fiery +spirits. The voices that had charmed the old generation were +silent. Of the women who had made the social life of the century +so powerful and so famous, many were quietly asleep before the +storm broke; many were languishing in prison cells, with no +outlook but the scaffold; some were pining in the loneliness of +exile; and a few were buried in a seclusion which was their only +safeguard. + +But nature has always in reserve fresh types that come to the +surface in a great crisis. The women who made themselves felt +and heard above the din of revolution, though by no means +deficient in the graces, were mainly distinguished for quite +other qualities than those which shine in a drawing room or lead +a coterie. They were either women of rare genius and the courage +of their convictions, or women trained in the stern school of a +bitter experience, who found their true milieu in the midst of +stirring events. The names of Mme. de Stael, Mme. Roland, and +Mme. de Condorcet readily suggest themselves as the most +conspicuous representatives of this stormy period. With +different gifts and in different measure, each played a prominent +role in the brief drama to which they lent the inspiration of +their genius and their sympathy, until they were forced to turn +back with horror from that carnival of savage passions which they +had unconsciously helped to let loose upon the world. + +The salon of the young, beautiful, and gifted Mme. de Condorcet +had its roots in the old order of things. During the ministry of +Necker it was in come degree a rival of the Salon Helvetique, and +included many of the same guests; later it became a rendezvous +for the revolutionary party. The Marquis de Condorcet was not +only philosopher, savant, litterateur, a member of two academies, +and among the profoundest thinkers of his time, but a man of the +world, who inherited the tastes and habits of the old noblesse. +His wife, whom he had married late in life, was Sophie de +Grouchy, sister of the Marechal, and was noted for remarkable +talents, as well as for surpassing beauty. Belonging by birth +and associations to the aristocracy, and by her pronounced +opinions to the radical side of the philosophic party, her salon +was a center in which two worlds met. In its palmy days people +were only speculating upon the borders of an abyss which had not +yet opened visibly before them. The revolutionary spirit ran +high, but had not passed the limits of reason and humanity. Mme. +de Condorcet, who was deeply tinged with the new doctrines, +presided with charming grace, and her youthful beauty lent an +added fascination to the brilliancy of her intellect and the +rather grave eloquence of her conversation. In her drawing room +were gathered men of letters and women of talent, nobles and +scientists, philosophers and BEAUX espritS. Turgot and +Malesherbes represented its political side; Marmontel, the Abbe +Morellet, and Suard lent it some of the wit and vivacity that +shone in the old salons. Literature, science, and the arts were +discussed here, and there was more or less reading, music, or +recitation. But the tendency was towards serious conversation, +and the tone was often controversial. + +The character of Condorcet was a sincere and elevated one. "He +loved much and he loved many people," said Mlle. de Lespinasse. +He aimed at enlightening and regenerating the world, not at +overturning it; but, like many others, strong souls and true, he +was led from practical truth in the pursuit of an ideal one. His +wife, who shared his political opinions, united with them a fiery +and independent spirit that was not content with theories. Her +philosophic tastes led her to translate Adam Smith, and to write +a fine analysis of the "Moral Sentiments." But the sympathy of +which she spoke so beautifully, and which gave so living a force +to the philosophy it illuminated, if not directed by broad +intelligence and impartial judgment, is often like the ignis +fatuus that plays over the poisonous marsh and lures the unwary +to destruction. For a brief day the magical influence of Mme. de +Condorcet was felt more or less by all who came within her +circle. She inspired the equable temper of her husband with her +own enthusiasm, and urged him on to extreme measures from which +his gentler soul would have recoiled. When at last he turned +from those scenes of horror, choosing to be victim rather than +oppressor, it was too late. Perhaps she recalled the days of her +power with a pang of regret when her friends had fallen one by +one at the scaffold, and her husband, hunted and deserted by +those he tried to serve, had died by his own hand, in a lonely +cell, to escape a sadder fate; while she was left, after her +timely release from prison, to struggle alone in poverty and +obscurity, for some years painting water-color portraits for +bread. She was not yet thirty when the Revolution ended, and +lived far into the present century; but though the illusions of +her youth had been rudely shattered, she remained always devoted +to her liberal principles and a broad humanity. + +The woman, however, who most fitly represents the spirit of the +Revolution, who was at once its inspiration, its heroine, and its +victim, is Mme. Roland. It is not as the leader of a salon that +she takes her place in the history of her time, but as one of the +foremost and ablest leaders of a powerful political party. Born +in the ranks of the bourgeoisie, she had neither the prestige of +a name nor the distinction of an aristocratic lineage. Reared in +seclusion, she was familiar with the great world by report only. +Though brilliant, even eloquent in conversation when her interest +was roused, her early training had added to her natural distaste +for the spirit, as well as the accessories, of a social life that +was inevitably more or less artificial. She would have felt +cramped and caged in the conventional atmosphere of a drawing +room in which the gravest problems were apt to be forgotten in +the flash of an epigram or the turn of a bon mot. The strong and +heroic outlines of her character were more clearly defined on the +theater of the world. But at a time when the empire of the salon +was waning, when vital interests and burning convictions had for +the moment thrown into the shade all minor questions of form and +convenance, she took up the scepter in a simpler fashion, and, +disdaining the arts of a society of which she saw only the fatal +and hopeless corruption, held her sway over the daring and ardent +men who gathered about her by the unassisted force of her clear +and vigorous intellect. + +It would be interesting to trace the career of the thoughtful and +precocious child known as Manon or Marie Phlipon, who sat in her +father's studio with the burin of an engraver in one hand and a +book in the other, eagerly absorbing the revolutionary theories +which were to prove so fatal to her, but it is not the purpose +here to dwell upon the details of her life. In the solitude of a +prison cell and under the shadow of the scaffold she told her own +story. She has introduced us to the simple scenes of her +childhood, the modest home on the Quai de l'Horloge, the wise and +tender mother, the weak and unstable father. We are made +familiar with the tiny recess in which she studies, reads, and +makes extracts from the books which are such strange companions +for her years. We seem to see the grave little face as it lights +with emotion over the inspiring pages of Fenelon or the +chivalrous heroes of Tasso, and sympathize with the fascination +that leads the child of nine years to carry her Plutarch to mass +instead of her prayer book. She portrays for us her convent life +with its dreams, its exaltations, its romantic friendships, and +its ardent enthusiasms. We have vivid pictures of the calm and +sympathetic Sophie Cannet, to whom she unburdens all her hopes +and aspirations and sorrows; of the lively sister Henriette, who +years afterward, in the generous hope of saving her early friend, +proposed to exchange clothes and take her place in the cells of +Sainte-Pelagie. In the long and commonplace procession of +suitors that files before us, one only touches her heart. La +Blancherie has a literary and philosophic turn, and the young +girl's imagination drapes him in its own glowing colors. The +opposition of her father separates them, but absence only lends +fuel to this virgin flame. One day she learns that his views are +mercenary, that he is neither true nor disinterested, and the +charm is broken. She met him afterward in the Luxembourg +gardens with a feather in his hat, and the last illusion +vanished. + +There is an idyllic charm in these pictures so simply and +gracefully sketched. She sees with the vision of one lying down +to sleep after a life of pain, and dreaming of the green fields, +the blue skies, the running brooks, the trees, the flowers, that +make so beautiful a background for youthful loves and hopes. +Perhaps we could wish sometimes that she were a little less +frank. We miss a touch of delicacy in this nature that was so +strong and self-poised. We are sorry that she dismissed La +Blancherie quite so theatrically. There is a trace too much of +consciousness in her fine self-analysis, perhaps a little vanity, +and we half suspect that her unchildlike penetration and +precocity of motive was sometimes the reflection of an +afterthought. But it is to be remembered that, even in +childhood, she had lived in such close companionship with the +heroes and moralists of the past that their sentiments had become +her own. She doubtless posed a little to herself, as well as to +the world, but her frankness was a part of that uncompromising +truthfulness which scorned disguises of any sort, and led her to +paint faults and virtues alike. + +Family sorrows--the death of the mother whom she adored, and the +unworthiness of her father--combined to change the current of +her free and happy life, and to deepen a natural vein of +melancholy. In her loneliness of soul the convent seemed to +offer itself as the sole haven of peace and rest. The child, who +loved Fenelon, and dreamed over the lives of the saints, had in +her much of the stuff out of which mystics and fanatics are made. +Her ardent soul was raised to ecstasy by the stately ceremonial +of the Church; her imagination was captivated by its majestic +music, its mystery, its solemnity, and she was wont to spend +hours in rapt meditation. But her strong fund of good sense, her +firm reason fortified by wide and solid reading, together with +her habits of close observation and analysis, saved her from +falling a victim to her own emotional needs, or to chimeras of +any sort. She had drawn her mental nourishment too long from +Voltaire, Rousseau, Montesquieu, the English philosophers, and +classic historians, to become permanently a prey to exaggerated +sensibilities, though it was the same temperament fired by a +sense of human inequality and wrong, that swept her at last along +the road that led to the scaffold. At twenty-six the vocation of +the religieuse had lost its fascination; the pious fervor of her +childhood had vanished before the skepticism of her intellect, +its ardent friendships had grown dim, its fleeting loves had +proved illusive, and her romantic dreams ended in a cold marriage +of reason. + +It may be noted here that though Mme. Roland had lost her belief +in ecclesiastical systems, and, as she said, continued to go to +mass only for the "edification of her neighbors and the good +order of society," there was always in her nature a strong +undercurrent of religious feeling. Her faith had not survived +the full illumination of her reason, but her trust in immortality +never seriously wavered. The Invocation that was among her last +written words is the prayer of a soul that is conscious of its +divine origin and destiny. She retained, too, the firm moral +basis that was laid in her early teachings, and which saved her +from the worst errors of her time. She might be shaken by the +storms of passion, but one feels that she could never be swept +from her moorings. + +Tall and finely developed, with dark brown hair; a large mouth +whose beauty lay in a smile of singular sweetness; dark, serious +eyes with a changeful expression which no artist could catch; a +fresh complexion that responded to every emotion of a passionate +soul; a deep, well-modulated voice; manners gentle, modest, +reserved, sometimes timid with the consciousness that she was not +readily taken at her true value--such was the PERSONNELLE of the +woman who calmly weighed the possibilities of a life which had no +longer a pleasant outlook in any direction, and, after much +hesitation, became the wife of a grave, studious, austere man of +good family and moderate fortune, but many years her senior. + +It was this marriage, into which she entered with all +seriousness, and a devotion that was none the less sincere +because it was of the intellect rather than the heart, that gave +the final tinge to a character that was already laid on solid +foundations. Strong, clear-sighted, earnest, and gifted, her +later experience had accented a slightly ascetic quality which +had been deepened also by her study of antique models. Her +tastes were grave and severe. But they had a lighter side. As a +child she had excelled in music, dancing, drawing, and other +feminine accomplishments, though one feels always that her +distinctive talent does not lie in these things. She is more at +home with her thoughts. There was a touch of poetry, too, in her +nature, that under different circumstances might have lent it a +softer and more graceful coloring. She had a natural love for +the woods and the flowers. The single relief to her somber life +at La Platiere, after her marriage, was in the long and lonely +rambles in the country, whose endless variations of hill and vale +and sky and color she has so tenderly and so vividly noted. In +her last days a piano and a few flowers lighted the darkness of +her prison walls, and out of these her imagination reared a world +of its own, peopled with dreams and fancies that contrasted +strangely with the gloom of her surroundings. This poetic vein +was closely allied to the keen sensibility that tempered the +seriousness of her character. With the mental equipment of a +man, she combined the rich sympathy of a woman. Her devotion to +her mother was passionate in its intensity; her letters to Sophie +throb with warmth and sentiment. She is tender and loving, as +well as philosophic and thoughtful. Her emotional ardor was +doubtless partly the glow of youth and not altogether in the +texture of a mind so eminently rational; but there were rich +possibilities behind it. A shade of difference in the mental and +moral atmosphere, a trace more or less of sunshine and happiness +are important factors in the peculiar combination of qualities +that make up a human being. The marriage of Mme. Roland led her +into a world that had little color save what she brought into it. +Her husband did not smile upon her friends. Sympathy other than +that of the intellect she does not seem to have had. But her +story is best told in her own words, written in the last days of +her life. + +"In considering only the happiness of my partner, I soon +perceived that something was wanting to my own. I had never, for +a single instant, ceased to see in my husband one of the most +estimable of men, to whom I felt it an honor to belong; but I +have often realized that there was a lack of equality between us, +that the ascendency of an overbearing character, added to that of +twenty years more of age, gave him too much superiority. If we +lived in solitude, I had many painful hours to pass; if we went +into the world, I was loved by men of whom I saw that some might +touch me too deeply. I plunged into work with my husband, +another excess which had its inconvenience; I gave him the habit +of not knowing how to do without me for anything in the world, +nor at any moment. + +"I honor, I cherish my husband, as a sensible daughter adores a +virtuous father to whom she would sacrifice even her lover; but I +have found the man who might have been that lover, and remaining +faithful to my duties, my frankness has not known how to conceal +the feelings which I subjected to them. My husband, excessively +sensitive both in his affections and his self-love, could not +support the idea of the least change in his influence; his +imagination darkened, his jealousy irritated me; happiness fled; +he adored me, I sacrificed myself for him, and we were miserable. + +"If I were free, I would follow him everywhere to soften his +griefs and console his old age; a soul like mine leaves no +sacrifices imperfect. But Roland was embittered by the thought +of sacrifice, and the knowledge once acquired that I mad made one +ruined his happiness; he suffered in accepting it, and could not +do without it." + +The sequel to this tale is told in allusions and half +revelations, in her letters to Buzot, which glow with suppressed +feeling; in her touching farewell to one whom she dared not to +name, but whom she hoped to meet where it would not be a crime to +love; in those final words of her "Last Thoughts"--"Adieu. . . . +No, it is from thee alone that I do not separate; to leave the +earth is to approach each other." + +Beneath this semi-transparent veil the heart-drama of her life is +hidden. + +For the sake of those who would be pained by this story, as well +as for her own, we would rather it had never been told. We +should like to believe that the woman who worked so nobly with +and for the man who died by his own hand five days after her +death, because he could stay no longer in a world where such +crimes were possible, had lived in the full perfection of +domestic sympathy. But, if she carried with her an incurable +wound, one cannot help regretting that her Spartan courage had +not led her to wear the mantle of silence to the end. Posterity +is curious rather than sympathetic, and the world is neither +wiser nor better for these needless soul-revelations. There is +always a certain malady of egotism behind them. But it is often +easier to scale the heights of human heroism than to still the +cry of a bruised spirit. Mme. Roland had moments of falling +short of her own ideals, and this was one of them. Pure, loyal, +self-sustained as she was, her strong sense of verity did not +permit the veil which would have best served the interests of the +larger truth. It is fair to say that she thought the malicious +gossip of her enemies rendered this statement necessary to the +protection of her fame. Perhaps, after all, she shows here her +most human and lovable if not her strongest side. We should like +Minerva better if she were not so faultlessly wise. + +The outbreak of the Revolution found Mme. Roland at La Platiere, +where she shared her husband's philosophic and economic studies, +brought peace into a discordant family, attended to her household +duties and the training of her child, devoted many hours to +generous care for the sick and poor, and reserved a little +leisure for poetry and the solitary rambles she loved so well. +The first martial note struck a responsive chord in her heart. +Her opportunity had come. Embittered by class distinctions over +which she had long brooded, saturated with the sentiments of +Rousseau, and full of untried theories constructed in the closet, +with small knowledge of the wide and complex interests with which +it was necessary to deal, she centered all the hitherto latent +energies of her forceful nature upon the quixotic effort to +redress human wrongs. Her birth, her intellect, her character, +her temperament, her education, her associations--all led her +towards the role she played so heroically. She had a keen +appreciation for genuine values, but none whatever for factitious +ones. Her inborn hatred of artificial distinctions had grown +with her years and colored all her estimates of men and things. +When she came to Paris, she noted with a sort of indignation the +superior poise and courtesy of the men in the assembly who had +been reared in the habit of power. It added fuel to her enmity +towards institutions in which reason, knowledge, and integrity +paid homage to fine language and distinguished manners. She +found even Vergniaud too refined and fastidious in his dress for +a successful republican leader. Her old contempt for a +"philosopher with a feather" had in no wise abated. With such +principles ingrained and fostered, it is not difficult to +forecast the part Mme. Roland was destined to play in the coming +conflict of classes. Whatever we may think of the wisdom of her +attitude towards the Revolution, she represented at least its +most sincere side. As she stood white-robed and courageous at +the foot of the scaffold, facing the savage populace she had laid +down her life to befriend, perhaps her perspectives were truer. +Experience had given her an insight into the characters of men +which is not to be gained in the library, nor in the worship of +dead heroes. If it had not shaken her faith in human +perfectibility, it had taught her at least the value of tradition +in chaining brutal human passions. + +The tragical fate of Mme. Roland has thrown a strong light upon +the modest little salon in which the unfortunate Girondists met +four times a week to discuss the grave problems that confronted +them. A salon in the old sense it certainly was not. It had +little in common with the famous centers of conversation and +esprit. It was simply the rallying point of a party. The only +woman present was Mme. Roland herself, but at first she assumed +no active leadership. She sat at a little table outside of the +circle, working with her needle, or writing letters, alive to +everything that was said, venturing sometimes a word of counsel +or a thoughtful suggestion, and often biting her lips to repress +some criticism that she feared might not be within her province. +She had left her quiet home in the country fired with a single +thought--the regeneration of France. The men who gathered about +her were in full accord with her generous aims. It was not to +such enthusiasms that the old salons lost themselves. They had +been often the centers of political intrigues, as in the days of +the Fronde; or of religious partisanship, as during the troubles +of Port Royal; they had ranged themselves for and against rival +candidates for literary or artistic honors; but they had +preserved, on the whole, a certain cosmopolitan character. All +shades of opinion were represented, and social brilliancy was the +end sought, not the triumph of special ideas. It is indeed true +that earnest convictions were, to some extent, stifled in the +salons, where charm and intelligence counted for so much, and the +sterling qualities of character for so little. But the +etiquette, the urbanity, the measure, which assured the outward +harmony of a society that courted distinction of every kind, were +quite foreign to the iconoclasts who were bent upon leveling all +distinctions. The Revolution which attacked the whole +superstructure of society, was antagonistic to its minor forms as +well, and it was the revolutionary party alone which was +represented in the salon of Mme. Roland. Brissot, Vergniaud, +Petion, Guadet, and Buzot were leaders there--men sincere and +ardent, though misguided, and unable to cope with the storm they +had raised, to be themselves swept away by its pitiless rage. +Robespierre, scheming and ambitious, came there, listened, said +little, appropriated for his own ends, and bided his time. Mme. +Roland had small taste for the light play of intellect and wit +that has no outcome beyond the meteoric display of the moment, +and she was impatient with the talk in which an evening was often +passed among these men without any definite results. As she +measured their strength, she became more outspoken. She +communicated to them a spark of her own energy. The most daring +moves were made at her bidding. She urged on her timid and +conservative husband, she drew up his memorials, she wrote his +letters, she was at once his stimulus, and his helper. Weak and +vacillating men yielded to her rapid insight, her vigor, her +earnestness, and her persuasive eloquence. This was probably the +period of her greatest influence. Many of the swift changes of +those first months may be traced to her salon. The moves which +were made in the Assembly were concocted there, the orators who +triumphed found their inspiration there. Still, in spite of her +energy, her strength, and her courage, she prides herself upon +maintaining always the reserve and decorum of her sex. + +If she assumed the favorite role of the French woman for a short +time while her husband was in the ministry, it was in a sternly +republican fashion. She gave dinners twice a week to her +husband's political friends. The fifteen or twenty men who met +around her table at five o'clock were linked by political +interests only. The service was simple, with no other luxury +than a few flowers. There were no women to temper the +discussions or to lighten their seriousness. After dinner the +guests lingered for an hour or so in the drawing room, but by +nine o'clock it was deserted. She received on Friday, but what a +contrast to the Fridays of Mme. Necker in those same apartments! +It was no longer a brilliant company of wits, savants, and men of +letters, enlivened by women of beauty, esprit, rank, and fashion. +There was none of the diversity of taste and thought which lends +such a charm to social life. Mme. Roland tells us that she never +had an extended circle at any time, and that, while her husband +was in power, she made and received no visits, and invited no +women to her house. She saw only her husband's colleagues, or +those who were interested in his tastes and pursuits, which were +also her own. The world of society wearied her. She was +absorbed in a single purpose. If she needed recreation, she +sought it in serious studies. + +It is always difficult to judge what a man or a woman might have +been under slightly altered conditions. But for some single +circumstance that converged and focused their talent, many a hero +would have died unknown and unsuspected. The key that unlocks +the treasure house of the soul is not always found, and its +wealth is often scattered on unseen shores. But it is clear that +the part of Mme. Roland could never have been a distinctively +social one. She lived at a time when great events brought out +great qualities. Her clear intellect, her positive convictions, +her boundless energy, and her ardent enthusiasm, gave her a +powerful influence in those early days of the Revolution, that +looked towards a world reconstructed but not plunged into the +dark depths of chaos, and it is through this that she has left a +name among the noted women of France. In more peaceful times her +peculiar talent would doubtless have led her towards literature. +In her best style she has rare vigor and simplicity. She has +moments of eloquent thought. There are flashes of it in her +early letters to Sophie, which she begs her friend not to burn, +though she does not hope to rival Mme. de Sevigne, whom she takes +for her model. She lacked the grace, the lightness, the wit, the +humor of this model, but she had an earnestness, a serious depth +of thought, that one does not find in Mme. de Sevigne. She had +also a vein of sentiment that was an underlying force in her +character, though it was always subject to her masculine +intellect. She confesses that she should like to be the annalist +of her country, and longs for the pen of Tacitus, for whom she +has a veritable passion. When one reads her sharp, incisive pen- +portraits, drawn with such profound insight and masterly skill, +one feels that her true vocation was in the world of letters. At +the close she verges a little upon the theatrical, as sometimes +in her young days. But when she wrote her final records she felt +her last hours slipping away. Life, with its large possibilities +undeveloped and its promises unfulfilled, was behind her. +Darkness was all around her, eternal silence before her. And +she had lived but thirty-nine years. + +Mme. Roland does not really belong to the world of the salons, +though she has been included among them by some of her own +cotemporaries. She was of quite another genre. She represents a +social reaction in which old forms are adapted to new ideas and +lose their essential quality by the change. But she foreshadows +a type of woman that has had great influence since the salons +have lost their prestige. She relied neither upon the reflected +light of a coterie, the arts of the courtier,nor the subtle power +of personal attraction; but, firm in her convictions, clear in +her purpose, and unselfish in her aims, she laid down her +interests, and, in the end, her life, upon the altar of liberty +and humanity. She could hardly be regarded, however, as herself +a type. She was cast in a rare mold and lived under rare +conditions. She was individual, as were Hypatia, Joan of Arc, +and Charlotte Corday--a woman fitted for a special mission which +brought her little but a martyr's crown and a permanent fame. + + +CHAPTER XVIII. MADAME DE STAEL +Supremacy of Her Genius--Her Early Training--Her Sensibility -- +a Mariage de Convenance--Her Salon--Anecdote of Benjamin +Constant--Her Exile--Life at Coppet--Secret Marriage--Close +of a Stormy Life. + +The fame of all other French women is more or less overshadowed +by that of one who was not only supreme in her own world, but who +stands on a pinnacle so high that time and distance only serve to +throw into stronger relief the grand outlines of her many-sided +genius. Without the simplicity and naturalness of Mme. de +Sevigne, the poise and judgment of Mme. de Lafayette, or the calm +foresight and diplomacy of Mme. de Maintenon, Mme. de Stael had a +brilliancy of imagination, a force of passion, a grasp of +intellect, and a diversity of gifts that belonged to none of +these women. It is not possible within the limits of a brief +chapter to touch even lightly upon the various phases of a +character so complex and talents so versatile. One can only +gather a few scattered traits and indicate a few salient points +in a life of which the details are already familiar. As woman, +novelist, philosopher, litterateur, and conversationist, she has +marked, if not equal, claims upon our attention. To speak of her +as simply the leader of a salon is to merge the greater talent +into the less, but her brilliant social qualities in a measure +brought out and illuminated all the others. It was not the gift +of reconciling diverse elements, and of calling out the best +thoughts of those who came within her radius, that distinguished +her. Her personality was too dominant not to disturb sometimes +the measure and harmony which fashion had established. She did +not listen well, but her gift was that of the orator, and, taking +whatever subject was uppermost into her own hands, she talked +with an irresistible eloquence that held her auditors silent and +enchained. Living as she did in the world of wit and talent +which had so fascinated her mother, she ruled it as an autocrat. + +The mental coloring of Mme. de Stael was not taken in the shade, +as that of Mme. Roland had been. She was reared in the +atmosphere of the great world. That which her eager mind +gathered in solitude was subject always to the modification which +contact with vigorous living minds is sure to give. The little +Germaine Necker who sat on a low stool at her mother's side, +charming the cleverest men of her time by her precocious wit; who +wrote extracts from the dramas she heard, and opinions upon the +authors she read; who made pen-portraits of her friends, and cut +out paper kings and queens to play in the tragedies she composed; +whose heart was always overflowing with love for those around +her, and who had supreme need for an outlet to her sensibilities, +was a fresh type in that age of keen analysis, cold skepticism, +and rigid forms. The serious utterances of her childhood were +always suffused with feeling. She loved that which made her +weep. Her sympathies were full and overflowing, and when her +vigorous and masculine intellect took the ascendency it directed +them, but only partly held them in check. It never dulled nor +subdued them. The source of her power, as also of her weakness, +lay perhaps in her vast capacity for love. It gave color and +force to her rich and versatile character. It animated all she +did and gave point to all she wrote. It found expression in the +eloquence of her conversation, in the exaltation and passionate +intensity of her affections, in the fervor of her patriotism, in +the self-forgetful generosity that brought her very near the +verge of the scaffold. Here was the source of that indefinable +quality we call genius--not genius of the sort which Buffon has +defined as patience, but the divine flame that crowns with life +the dead materials which patience has gathered. + +It was impossible that a child so eager, so sympathetic, so full +of intellect and esprit, should not have developed rapidly in the +atmosphere of her mother's salon. Whether it was the best school +for a young girl may be a question, but a character like that of +Mme. de Stael is apt to go its own way in whatever circumstances +it finds itself. She was the despair of Mme. Necker, whose +educational theories were altogether upset by this precocious +daughter who refused to be cast in a mold. But she was +habituated to a high altitude of thought. Men like Marmontel, La +Harpe, Grimm, Thomas, and the Abbe Raynal delighted in calling +out her ready wit, her brilliant repartee, and her precocious +ideas. Surrounded thus from childhood with all the appointments +as well as the talent and esprit that made the life of the salons +so fascinating; inheriting the philosophic insight of her father, +the literary gifts of her mother, to which she added a genius all +her own; heir also to the spirit of conversation, the facility, +the enthusiasm, the love of pleasing which are the Gallic +birthright, she took her place in the social world as a queen by +virtue of her position, her gifts, and her heritage. Already, +before her marriage, she had changed the tone of her mother's +salon. She brought into it an element of freshness and +originality which the dignified and rather precise character of +Mme. Necker had failed to impart. She gave it also a strong +political coloring. This influence was more marked after she +became the wife of the Swedish ambassador, as she continued for +some time to pass her evenings in her mother's drawing room, +where she became more and more a central figure. Her temperament +and her tastes were of the world in which she lived, but her +reason and her expansive sympathies led her to ally herself with +the popular cause; hence she was, to some extent, a link between +two conflicting interests. + +It was in 1786 that Mme. de Stael entered the world as a married +woman. This marriage was arranged for her after the fashion of +the time, and she accepted it as she would have accepted anything +tolerable that pleased her idolized father and revered mother. +When only ten years of age, she observed that they took great +pleasure in the society of Gibbon, and she gravely proposed to +marry him, that they might always have this happiness. The full +significance of this singular proposition is not apparent until +one remembers that the learned historian was not only rather old, +but so short and fat as to call out from one of his friends the +remark that when he needed a little exercise he had only to take +a turn of three times around M. Gibbon. The Baron de Stael had +an exalted position, fine manners, a good figure, and a handsome +face, but he lacked the one thing that Mme. de Stael most +considered, a commanding talent. She did not see him through the +prism of a strong affection which transfigures all things, even +the most commonplace. What this must have meant to a woman of +her genius and temperament whose ideal of happiness was a +sympathetic marriage, it is not difficult to divine. It may +account, in some degree, for her restlessness, her perpetual need +of movement, of excitement, of society. But, whatever her +domestic troubles may have been, they were of limited duration. +She was quietly separated from her husband in 1798. Four years +later she decided to return to Coppet with him, as he was unhappy +and longed to see his children. He died en route. + +The period of this marriage was one of the most memorable of +France, the period when noble and generous spirits rallied in a +spontaneous movement for national regeneration. Mme. De Stael +was in the flush of hope and enthusiasm, fresh from the study of +Rousseau and her own dreams of human perfectibility; radiant, +too, with the reflection of her youthful fame. Among those who +surrounded her were the Montmorencys, Lafayette, and Count Louis +de Narbonne, whose brilliant intellect and charming manners +touched her perhaps too deeply for her peace of mind. There were +also Barnave, Chenier, Talleyrand, Mirabeau, Vergniaud, and many +others of the active leaders of the Revolution. A few woman +mingled in her more intimate circle, which was still of the old +society. Of these were the ill-fated Duchesse de Gramont, Mme. +de Lauzun, the Princesse de Poix, and the witty, lovable +Marechale de Beauvau. As a rule, though devoted to her friends +and kind to those who sought her aid, Mme. de Stael did not like +the society of women. Perhaps they did not always respond to her +elevated and swiftly flowing thoughts; or it may be that she +wounded the vanity of those who were cast into the shade by +talents so conspicuous and conversation so eloquent, and who felt +the lack of sympathetic rapport. Society is au fond republican, +and is apt to resent autocracy, even the autocracy of genius, +when it takes the form of monologue. It is contrary to the +social spirit. The salon of Mme. de Stael not only took its tone +from herself, but it was a reflection of herself. She was not +beautiful, and she dressed badly; indeed, she seems to have been +singularly free from that personal consciousness which leads +people to give themselves the advantages of an artistic setting, +even if the taste is not inborn. She was too intent upon what +she thought and felt, to give heed to minor details. But in her +conversation, which was a sort of improvisation, her eloquent +face was aglow, her dark eyes flashed with inspiration, her +superb form and finely poised head seemed to respond to the +rhythmic flow of thoughts that were emphasized by the graceful +gestures of an exquisitely molded hand, in which she usually held +a sprig of laurel. "If I were queen," said Mme. de Tesse, "I +would order Mme. de Stael to talk to me always." + +But this center in which the more thoughtful spirits of the old +regime met the brilliant and active leaders of the new was broken +up by the storm which swept away so many of its leaders, and Mme. +de Stael, after lingering in the face of dangers to save her +friends, barely escaped with her life on the eve of the September +massacres of 1792. "She is an excellent woman," said one of her +contemporaries, "who drowns all her friends in order to have the +pleasure of angling for them." + +Mme. de Stael resumed her place and organized her salon anew in +1795.l But it was her fate to live always in an atmosphere +surcharged with storms. She was too republican for the +aristocrats, and too aristocratic for the republicans. +Distrusted by both parties and feared by the Directoire, she +found it advisable after a few months to retire to Coppet. Less +than two years later she was again in Paris. Her friends were +then in power, notably Talleyrand. "If I remain here another year +I shall die," he had written her from America, and she had +generously secured the repeal of the decree that exiled him, a +kindness which he promptly forgot. Though her enthusiasm for the +republic was much moderated, and though she had been so far +dazzled by the genius of Napoleon as to hail him as a restorer of +order, her illusions regarding him were very short-lived. She +had no sympathy with his aims at personal power. Her drawing +room soon became the rallying point for his enemies and the +center of a powerful opposition. But she had a natural love for +all forms of intellectual distinction, and her genius and fame +still attracted a circle more or less cosmopolitan. Ministers of +state and editors of leading journals were among her guests. +Joseph and Lucien Bonaparte were her devoted friends. The small +remnant of the noblesse that had any inclination to return to a +world which had lost its charm for them found there a trace of +the old politeness. Mathieu de Montmorency, devout and +charitable; his brother Adrien, delicate in spirit and gentle in +manners; Narbonne, still devoted and diplomatic, and the +Chevalier de Boufflers, gay, witty, and brilliant, were of those +who brought into it something of the tone of the past regime. +There were also the men of the new generation, men who were +saturated with the principles of the Revolution though regretting +its methods. Among these were Chebnier, Regnault, and Benjamin +Constant. + +The influence of Mme. de Stael was at its height during this +period. Her talent, her liberal opinions, and her persuasive +eloquence gave her great power over the constitutional leaders. +The measures of the Government were freely discussed and +criticized in her salon, and men went out with positions well +defined and speeches well considered. The Duchesse d'Abrantes +relates an incident which aptly illustrates this power and its +reaction upon herself. Benjamin Constant had prepared a +brilliant address. The evening before it was to be delivered, +Mme. de Stael was surrounded by a large and distinguished +company. After tea was served he said to her: + +"Your salon is filled with people who please you; if I speak +tomorrow, it will be deserted. Think of it." + +"One must follow one's convictions," she replied, after a +moment's hesitation. + +She admitted afterward that she would never have refused his +offer not to compromise her, if she could have foreseen all that +would follow. + +The next day she invited her friends to celebrate his triumph. +At four o'clock a note of excuse; in an hour, ten. From this +time her fortunes waned. Many ceased to visit her salon. Even +Talleyrand, who owed her so much, came there no more. + +In later years she confessed that the three men she had most +loved were Narbonne, Talleyrand, and Mathieu de Montmorency. Her +friendship for the first of these reached a passionate +exaltation, which had a profound and not altogether wholesome +influence upon her life. How completely she was disenchanted is +shown in a remark she made long afterward of a loyal and +distinguished man: "He has the manners of Narbonne and a heart." +It is a character in a sentence. Mathieu de Montmorency was a +man of pure motives, who proved a refuge of consolation in many +storms, but her regard for him was evidently a gentler flame that +never burned to extinction. Whatever illusions she may have had +as to Talleyrand--and they seem to have been little more than an +enthusiastic appreciation of his talent--were certainly broken +by his treacherous desertion in her hour of need. Not the least +among her many sorrows was the bitter taste of ingratitude. + +But Napoleon, who, like Louis XIV, sought to draw all influences +and merge all power in himself, could not tolerate a woman whom +he felt to be in some sense a rival. He thought he detected her +hand in the address of Benjamin Constant which lost her so many +friends. He feared the wit that flashed in her salon, the satire +that wounded the criticism that measured his motives and his +actions. He recognized the power of a coterie of brilliant +intellects led by a genius so inspiring. His brothers, knowing +her vulnerable point and the will with which she had to deal, +gave her a word of caution. But the advice and intercession of +her friends were alike without avail. The blow which she so much +feared fell at last, and she found herself an exile and a +wanderer from the scenes she most loved. + +We have many pleasant glimpses of her life at Coppet, but a +shadow always rests upon it. A few friends still cling to her +through the bitter and relentless persecutions that form one of +the most singular chapters in history, and offer the most +remarkable tribute to her genius and her power. We find here +Schlegel, Sismondi, Mathieu de Montmorency, Prince Augustus, +Monti, Mme. Recamier, and many other distinguished visitors of +various nationalities. The most prominent figure perhaps was +Benjamin Constant, brilliant, gifted, eloquent, passionate, vain, +and capricious, the torturing consolation and the stormy problem +of her saddest years. She revived the old literary diversions. +At eleven o'clock, we are told, the guests assembled at +breakfast, and the conversations took a high literary tone. They +were resumed at dinner, and continued often until midnight. +Here, as elsewhere, Mme. de Stael was queen, holding her guests +entranced by the magic of her words. "Life is for me like a ball +after the music has ceased," said Sismondi when her voice was +silent. She was a veritable Corinne in her esprit, her +sentiment, her gift of improvisation, and her underlying +melancholy. But in this choice company hers was not the only +voice, though it was heard above all the others. Thought and wit +flashed and sparkled. Dramas were played--the "Zaire" and +"Tancred" of Voltaire, and tragedies written by herself. Mme. +Recamier acted the Aricie to Mme. de Stael's Phedre. This life +that seems to us so fascinating, has been described too often to +need repetition. It had its tumultuous elements, its passionate +undercurrents, its romantic episodes. But in spite of its +attractions Mme. de Stael fretted under the peaceful shades of +Coppet. Its limited horizon pressed upon her. The silence of +the snowcapped mountains chilled her. She looked upon their +solitary grandeur with "magnificent horror." The repose of +nature was an "infernal peace" which plunged her into gloomier +depths of ennui and despair. To some one who was admiring the +beauties of Lake Leman she replied; "I should like better the +gutters of the Rue du Bac." It was people, always people, who +interested her. "French conversation exists only in Paris," she +said, "and conversation has been from infancy my greatest +pleasure." Restlessly she sought distraction in travel, but +wherever she went the iron hand pressed upon her still. Italy +fostered her melancholy. She loved its ruins, which her +imagination draped with the fading colors of the past and +associated with the desolation of a living soul. But its +exquisite variety of landscape and color does not seem to have +touched her. "If it were not for the world's opinion," she said, +"I would not open my window to see the Bay of Naples for the +first time, but I would travel five hundred leagues to talk with +a clever man whom I have not met." Germany gave her infinite +food for thought, but her "astonishing volubility," her +"incessant movement," her constant desire to know, to discuss, to +penetrate all things wearied the moderate Germans, as it had +already wearied the serious English. "Tell me, Monsieur Fichte," +she said one day, "could you in a short time, a quarter of an +hour for example, give me a glimpse of your system and explain +what you understand by your ME; I find it very obscure." The +philosopher was amazed at what he thought her impertinence, but +made the attempt through an interpreter. At the end of ten +minutes she exclaimed, "That is sufficient, Monsieur Fichte. +That is quite sufficient. I comprehend you perfectly. I have +seen your system in illustration. It is one of the adventures of +Baron Munchhausen." "We are in perpetual mental tension," said +the wife of Schiller. Even Schiller himself grew tired. "It +seems as if I were relieved of a malady," he said, when she left. + +It was this excess of vivacity and her abounding sensibility that +constituted at once her fascination and her misfortune. Her +beliefs were enthusiasms. Her friendships were passions. "No +one has carried the religion of friendship so far as myself," she +said. To love, to be loved was the supreme need of her soul; but +her love was a flame that irradiated her intellect and added +brilliancy to the life it consumed. She paints in "Corinne" the +passions, the struggles, the penalties, and the sorrows of a +woman of genius. It is a life she had known, a life of which she +had tasted the sweetest delights and experienced the most cruel +disenchantments. "Corinne" at the Capitol, "Corinne" thinking, +analyzing, loving, suffering, triumphing, wearing a crown of +laurel upon her head and an invisible crown of thorns upon her +heart--it is Mme. de Stael self-revealed by the light of her own +imagination. + +It was in a moment of weakness and weariness, when her idols had +one after another been shattered, and all the pleasant vistas of +her youth seemed shut out forever, that she met M. de Rocca, a +wounded officer of good family, but of little more than half her +years, whose gentle, chivalric character commanded her +admiration, whose suffering touched her pity, and whose devotion +won her affection. "I will love her so much that she will end by +marrying me," he said, and the result proved his penetration. +This marriage, which was a secret one, has shadowed a little the +brilliancy of her fame, but if it was a weakness to bend from her +high altitude, it was not a sin, though more creditable to her +heart than to her worldly wisdom. At all events it brought into +her life a new element of repose, and gave her a tender +consolation in her closing years. + +When at last the relentless autocrat of France found his rock- +bound limits, and she was free to return to the spot which had +been the goal of all her dreams, it was too late. Her health was +broken. It is true her friends rallied around her, and her +salon, opened once more, retook a little of its ancient glory. +Few celebrities who came to Paris failed to seek the drawing room +of Mme. de Stael, which was still illuminated with the brilliancy +of her genius and the splendor of her fame. But her triumphs +were past, and life was receding. Her few remaining days of +weakness and suffering, darkened by vain regrets, were passed +more and more in the warmth and tenderness of her devoted family, +in the noble and elevated thought that rose above the strife of +politics into the serene atmosphere of a Christian faith. At her +death bed Chateaubriand did her tardy justice. "Bon jour, my +dear Francis; I suffer, but that does not prevent me from loving +you," she said to one who had been her critic, but never her +friend. Her magnanimity was as unfailing as her generosity, and +it may be truly said that she never cherished a hatred. + +The life of Mme. de Stael was in the world. She embodied the +French spirit; she could not conceive of happiness in a secluded +existence; a theater and an audience were needed to call out her +best talents. She could not even bear her griefs alone. The +world was taken into her confidence. She demanded its sympathy. +She chanted exquisite requiems over her dead hopes and her lost +illusions, but she chanted them in costume, never quite +forgetting that her role was a heroic one. She added, however, +to the gifts of an improvisatrice something infinitely higher and +deeper. There was no problem with which she was not ready to +deal. She felt the pulse beats in the great heart of humanity, +and her tongue, her pen, her purse, and her influence were ever +at the bidding of the unfortunate. She traversed all fields of +thought, from the pleasant regions of poetry and romance to the +highest altitudes of philosophy. We may note the drift of her +ardent and imaginative nature in the youthful tales into which +she wove her romantic dreams, her fancied griefs, her inward +struggles, and her tears. In the pages of "Corinne" we read the +poetry, the sensibility, the passion, the melancholy, the thought +of a matured woman whose youth of the soul neither sorrow nor +experience could destroy. We may divine the direction of her +sympathies, and the fountain of her inspiration, in her letters +on Rousseau, written at twenty, and foreshadowing her own +attitude towards the theories which appealed so powerfully to the +generous spirits of the century. We may follow the active and +scholarly workings of her versatile intellect in her pregnant +thoughts on literature, on the passions, on the Revolution; or +measure the clearness of her insight, the depth of her +penetration, the catholicity of her sympathies, and the breadth +of her intelligence in her profound and masterly, if not always +accurate, studies of Germany. The consideration of all this +pertains to a critical estimate of her character and genius which +cannot be attempted here. + +It has grown to be somewhat the fashion to depreciate the +literary work of Mme. de Stael. Measured by present standards +she leaves something to be desired in logical precision; she had +not the exactness of the critical scholar, nor the simplicity of +the careful artist; the luxuriance of her language often obscures +her thought. She is talking still, and her written words have +the rapid, tumultuous flow of conversation, together with its +occasional negligences, its careless periods, its sudden turns, +its encumbered phrases. Misguided she sometimes was, and carried +away by the resistless rush of ideas that, like the mountain +torrent, gathered much debris along their course. But her rapid +judgments, which have the force of inspiration, are in advance of +her time, though in the main correct from her own point of view, +while her flaws in workmanship are more than counterbalanced by +that inward illumination which is Heaven's richest and rarest +gift. But who cares to dwell upon the shadows that scarcely dim +the brilliancy of a genius so rare and so commanding? They are +but spots on the sun that are only discovered by looking through +a glass that veils its radiance. It is just to weigh her by the +standards of her own age. Born at its highest level, she soared +far above her generation. She carried within herself the vision +of a statesman, the penetration of a critic, the insight of a +philosopher, the soul of a poet, and the heart of a woman. If +she was not without faults, she had rare virtues. No woman has +ever exercised a wider or more varied influence. With one or two +exceptions, none stands on so high a pinnacle. George Sand was a +more finished artist; George Eliot was a greater novelist, a more +accurate scholar, and a more logical thinker; but in versatility, +in intellectual spontaneity, in brilliancy of conversation and +natural eloquence of thought she is without a rival. Her moral +standards, too, were above the average of her time. Her ideals +were high and pure. The wealth of her emotions and the rich +coloring of sentiment in which her thoughts and feelings were +often clothed left her open to possible misconceptions. It was +her fate to be grossly misunderstood, to miss the domestic +happiness she craved, to be the victim of a sleepless +persecution, to pass her best years in a dreary exile from the +life she most loved, to be maligned by her enemies and betrayed +by her friends. Her very virtues were construed into faults and +turned against her. Though we may not lift the veil from her +intimate life, we may fairly judge her by her own ideals and her +dominant traits. The world, which is rarely indulgent, has been +in the main just to her motives and her character. "I have been +ever the same, intense and sad," were among her last words. "I +have loved God, my father, and liberty." But she was a victim to +the contradictory elements in her own nature, and walked always +among storms. This nature, so complex, so rich, so ardent, so +passionate, could it ever have found permanent repose? + + +CHAPTER XIX. THE SALONS OF THE EMPIRE AND RESTORATION--MADAME +RECAMIER +A Transition Period--Mme. de Montesson--Mme. de Genlis-- +Revival of the Literary Spirit--Mme. de Beaumont--Mme. de +Remusat--Mme. de Souza--Mme. de Duras--Mme. de Krudener-- +Fascination of Mme. Recamier--Her Friends--Her Convent Salon-- +Chateaubriand--Decline of the Salon + +In the best sense, society is born, not made. A crowd of well- +dressed people is not necessarily a society. They may meet and +disperse with no other bond of union than a fine house and lavish +hospitality can give. It may be an assembly without unity, +flavor, or influence. In the social chaos that followed the +Revolution, this truth found a practical illustration. The old +circles were scattered. The old distinctions were virtually +destroyed, so far as edicts can destroy that which lies in the +essence of things. A few who held honored names were left, or +had returned from a long exile, to find themselves bereft of +rank, fortune, and friends; but these had small disposition to +form new associations, and few points of contact with the +parvenus who had mounted upon the ruins of their order. The new +society was composed largely of these parvenus, who were +ambitious for a position and a life of which they had neither the +spirit, the taste, the habits, nor the mellowing traditions. +Naturally they mistook the gilded frame for the picture. +Unfamiliar with the gentle manners, the delicate sense of honor, +and the chivalrous instincts which underlie the best social life, +though not always illustrated by its individual members, they +were absorbed in matters of etiquette of which they were +uncertain, and exacting of non-essentials. They regarded society +upon its commercial side, contended over questions of precedence, +and, as one of the most observing of their contemporaries has +expressed it, "bargained for a courtesy and counted visits." "I +have seen quarrels in the imperial court," she adds, "over a +visit more or less long, more or less deferred." Perhaps it is +to be considered that in a new order which has many aggressive +elements, this balancing of courtesies is not without a certain +raison d'etre as a protection against serious inroads upon time +and hospitality; but the fault lies behind all this, in the lack +of that subtle social sense which makes the discussion of these +things superfluous, not to say impossible. + +It was the wish of Napoleon to reconstruct a society that should +rival in brilliancy the old courts. With this view he called to +his aid a few women whose names, position, education, and +reputation for esprit and fine manners he thought a sufficient +guarantee of success. But he soon learned that it could not be +commanded at will. The reply of the Duchesse d'Brantes, who has +left us so many pleasant reminiscences of this period, in which +she was an actor as well as an observer, was very apt. + +"You can do all that I wish," he said to her; "you are all young, +and almost all pretty; ah, well! A young and pretty woman can do +anything she likes." + +"Sire, what your Majesty says may be true," she replied, "but +only to a certain point. If the Emperor, instead of his guard +and his good soldiers, had only conscripts who would recoil under +fire, he could not win great battles like that of Austerlitz. +Nevertheless, he is the first general in the world." + +But this social life was to serve a personal end. It was to +furnish an added instrument of power to the autocrat who ruled, +to reflect always and everywhere the glory of Napoleon. The +period which saw its cleverest woman in hopeless exile, and its +most beautiful one under a similar ban for the crime of being her +friend, was not one which favored intellectual supremacy. The +empire did not encourage literature, it silenced philosophy, and +oppressed the talent that did not glorify itself. Its blighting +touch rested upon the whole social fabric. The finer elements +which, to some extent, entered into it were lost in the glitter +of display and pretension. The true spirit of conversation was +limited to private coteries that kept themselves in the shade, +and were too small to be noted. + +The salon which represented the best side of the new regime was +that of Mme. de Montesson, wife of the Duc d'Orleans, a woman of +brilliant talents, finished manners, great knowledge of the +world, fine gifts of conversation, and, what was equally +essential, great discrimination and perfect tact. If her niece, +Mme. de Genlis, is to be trusted, she had more ambition that +originality, her reputation was superior to her abilities, and +her beauty covered many imperfections. But she had experience, +finesse, and prestige. Napoleon was quick to see the value of +such a woman in reorganizing a court, and treated her with the +greatest consideration, even asking her to instruct Josephine in +the old customs and usages. Her salon, however, united many +elements which it was impossible to fuse. There were people of +all parties and all conditions, a few of the nobles and returned +emigres, the numerous members of the Bonaparte family, the new +military circle, together with many people of influence "not to +the manner born." Mme. de Montesson revived the old amusements, +wrote plays for the entertainment of her guests gave grand +dinners and brilliant fetes. But the accustomed links were +wanting. Her salon simply illustrates a social life in a state +of transition. + +Mme. de Genlis had lived much in the world before the Revolution, +and her position in the family of the Duc d'Orleans, together +with her great versatility of talent, had given her a certain +vogue. Author, musician, teacher, moralist, critic, poser, +egotist, femme d'esprit, and friend of princes, her romantic life +would fill a volume and cannot be even touched upon in a few +lines. After ten years of exile she returned to Paris, and her +salon at the Arsenal was a center for a few celebrities. Many of +these names have small significance today. A few men like +Talleyrand, LaHarpe, Fontanes, and Cardinal Maury were among her +friends,, and she was neutral enough, or diplomatic enough, not +to give offense to the new government. But she was a woman of +many affectations, and in spite of her numerous accomplishments, +her cleverness, and her literary fame, the circle she gathered +about her was never noted for its brilliancy or its influence. +As a historic figure, she is more remarkable for the variety of +her voluminous work, her educational theories, and her +observations upon the world in which she lived, than for talents +of a purely social order. + +One is little inclined to dwell upon the ruling society of this +period. It had neither the dignity of past traditions nor +freedom of intellectual expression. Its finer shades were +drowned in loud and glaring colors. The luxury that could be +commanded counted for more than the wit and intelligence that +could not. + +As the social elements readjusted themselves on a more natural +basis, there were a few salons out of the main drift of the time +in which the literary spirit flourished once more, blended with +the refined tastes, the elegant manners, and the amiable courtesy +that had distinguished the old regime. But the interval in which +history was made so rapidly, and the startling events of a +century were condensed into a decade, had wrought many vital +changes. It was no longer the spirit of the eighteenth century +that reappeared under its revived and attractive forms. We note +a tone of seriousness that had no permanent place in that world +of esprit and skepticism, of fine manners and lax morals, which +divided its allegiance between fashion and philosophy. The +survivors of so many heart-breaking tragedies, with their weary +weight of dead hopes and sad memories, found no healing balm in +the cold speculation and scathing wit of Diderot or Voltaire. +Even the devotees of philosophy gave it but a half-hearted +reverence. It was at this moment that Chateaubriand, saturated +with the sorrows of his age, and penetrated with the hopelessness +of its philosophy, offered anew the truths that had sustained the +suffering and broken-hearted for eighteen centuries, in a form so +sympathetic, so fascinating, that it thrilled the sensitive +spirits of his time, and passed like an inspiration into the +literature of the next fifty years. The melancholy of "Rene" found +its divine consolation in the "Genius of Christianity." It was +this spirit that lent a new and softer coloring to the intimate +social life that blended in some degree the tastes and manners of +the old noblesse with a refined and tempered form of modern +thought. It recalls, in many points, the best spirit of the +seventeenth century. There is a flavor of the same seriousness, +the same sentiment. It is the sentiment that sent so many +beautiful women to the solitude of the cloister, when youth had +faded and the air of approaching age began to grow chilly. But +it is not to the cloister that these women turn. They weave +romantic tales out of the texture of their own lives, they repeat +their experiences, their illusions, their triumphs, and their +disenchantments. As the day grows more somber and the evening +shadows begin to fall, they meditate, they moralize, they +substitute prayers for dreams. But they think also. The drama +of the late years had left no thoughtful soul without earnest +convictions. There were numerous shades of opinion, many finely +drawn issues. In a few salons these elements were delicately +blended, and if they did not repeat the brilliant triumphs of the +past, if they focused with less power the intellectual light +which was dispersed in many new channels, they have left behind +them many fragrant memories. One is tempted to linger in these +temples of a goddess half-dethroned. One would like to study +these women who added to the social gifts of their race a +character that had risen superior to many storms, hearts that +were mellowed and purified by premature sorrow, and intellects +that had taken a deeper and more serious tone from long brooding +over the great problems of their time. But only a glance is +permitted us here. Most of them have been drawn in living colors +by Saint-Beuve, from whom I gather here and there a salient +trait. + +Who that is familiar with the fine and exquisite thought of +Joubert can fail to be interested in the delicate and fragile +woman whom he met in her supreme hour of suffering, to find in +her a rare and permanent friend, a literary confidante, and an +inspiration? Mme. de Beaumont--the daughter of Montmorin, who +had been a colleague of Necker in the ministry--had been +forsaken by a worthless husband, had seen father, mother, +brother, perish by the guillotine, and her sister escape it only +by losing her reason, and then her life, before the fatal day. +She, too, had been arrested with the others, but was so ill and +weak that she was left to die by the roadside en route to Paris-- +a fate from which she was saved by the kindness of a peasant. It +was at this moment that Joubert befriended her. These numerous +and crushing sorrows had shattered her health, which was never +strong, but during the few brief years that remained to her she +was the center of a coterie more distinguished for quality than +numbers. Joubert and Chateaubriand were its leading spirits, but +it included also Fontanes, Pasquier, Mme. de Vintimille, Mme. de +Pastoret, and other friends who had survived the days in which +she presided with such youthful dignity over her father's salon. +The fascination of her fine and elevated intellect, her gentle +sympathy, her keen appreciation of talent, and her graces of +manner lent a singular charm to her presence. Her character was +aptly expressed by this device which Rulhiere had suggested for +her seal: "Un souffle m'agite et rien ne m'ebrante." +Chateaubriand was enchanted with a nature so pure, so poetic, and +so ardent. He visited her daily, read to her "Atala" and "Rene," +and finished the "Genius of Christianity" under her influence. He +was young then, and that she loved him is hardly doubtful, though +the friendship of Joubert was far truer and more loyal than the +passing devotion of this capricious man of genius, who seems to +have cared only for his own reflection in another soul. But this +sheltered nook of thoughtful repose, this conversational oasis in +a chaotic period had a short duration. Mme. de Beaumont died at +Rome, where she had gone in the faint hope of reviving her +drooping health, in 1803. Chateaubriand was there, watched over +her last hours with Bertin, and wrote eloquently of her death. +Joubert mourned deeply and silently over the light that had gone +out of his life. + +We have pleasant reminiscences of the amiable, thoughtful, and +spirituelle Mme. de Remusat, who has left us such vivid records +of the social and intimate life of the imperial court. A +studious and secluded childhood, prematurely saddened by the +untimely fate of her father in the terrible days of 1794, an +early and congenial marriage, together with her own wise +penetration and clear intellect, enabled her to traverse this +period without losing her delicate tone or serious tastes. She +had her quiet retreat into which the noise and glare did not +intrude, where a few men of letters and thoughtful men of the +world revived the old conversational spirit. She amused her idle +hours by writing graceful tales, and, after the close of her +court life and the weakening of her health, she turned her +thoughts towards the education and improvement of her sex. +Blended with her wide knowledge of the world, there is always a +note of earnestness, a tender coloring of sentiment, which +culminates towards the end in a lofty Christian resignation. + +We meet again at this time a woman known to an earlier generation +as Mme. de Flahaut, and made familiar to us through the pens of +Talleyrand and Gouverneur Morris. She saw her husband fall by +the guillotine, and, after wandering over Europe for years as an +exile, became the wife of M. de Souza, and, returning to Paris, +took her place in a quiet corner of the unaccustomed world, +writing softly colored romances after the manner of Mme. de La +Fayette, wearing with grace the honors her literary fame brought +her, and preserving the tastes, the fine courtesies, the gentle +manners, the social charms, and the delicate vivacity of the old +regime. + +One recalls, too, Mme. de Duras, whose father, the noble and +fearless Kersaint, was the companion of Mme. Roland at the +scaffold; who drifted to our own shores until the storms had +passed, and, after saving her large fortune in Martinique, +returned matured and saddened to France. As the wife of the Duc +de Duras, she gathered around her a circle of rank, talent, and +distinction. Chateaubriand, Humboldt, Curier, de Montmorency +were among her friends. What treasures of thought and +conversation do these names suggest! What memories of the past, +what prophecies for the future! Mme. de Duras, too, wore +gracefully the mantle of authorship with which she united +pleasant household cares. She, too, put something of the sad +experiences of her own life into romances which reflect the +melancholy of this age of restlessness and lost illusions. She, +too, like many of the women of her time whose youth had been +blighted by suffering, passed into an exalted Christian strain. +The friend of Mme. de Stael, the literary CONFIDANTE of +Chateaubriand, the woman of many talents, many virtues, and many +sorrows, died with words of faith and hope and divine consolation +on her lips. + +The devotion of Mme. de Cantal, the mysticism of Mme. Guyon, find +a nineteenth-century counterpart in the spiritual illumination of +Mme. de Krudener. Passing from a life of luxury and pleasure to +a life of penitence and asceticism, singularly blending +worldliness and piety, opening her salon with prayer, and adding +a new sensation to the gay life of Paris, this adviser of +Alexander I, and friend of Benjamin Constant, who put her best +life into the charming romances which ranked next to "Corinne" and +"Delphine" in their time; this beautiful woman, novelist, +prophetess, mystic, illuminee, fanatic, with the passion of the +South and the superstitious vein of the far North, disappeared +from the world she had graced, and gave up her life in an ecstasy +of sacrifice in the wilderness of the Crimea. + +It is only to indicate the altered drift of the social life that +flowed in quiet undercurrents during the Empire and came to the +surface again after the Restoration; to trace lightly the slow +reaction towards the finer shades of modern thought and modern +morality, that I touch--so briefly and so inadequately--upon +these women who represent the best side of their age, leaving +altogether untouched many of equal gifts and equal note. + +There is one, however, whose salon gathered into itself the last +rays of the old glory, and whose fame as a social leader has +eclipsed that of all her contemporaries. Mme. Recamier, "the +last flower of the salons," is the woman of the century who has +been, perhaps, most admired, most loved, and most written about. +It has been so much the fashion to dwell upon her marvelous +beauty, her kindness, and her irresistible fascination, that she +has become, to some extent, an ideal figure invested with a +subtle and poetic grace that folds itself about her like the +invisible mantle of an enchantress. Her actual relations to the +world in which she lived extended over a long period, terminating +only on the threshold of our own generation. Without strong +opinions or pronounced color, loyal to her friends rather than to +her convictions, of a calm and happy temperament, gentle in +character, keenly appreciative of all that was intellectually +fine and rare, but without exceptional gifts herself, fascinating +in manner, perfect in tact, with the beauty of an angel and the +heart of a woman--she presents a fitting close to the long reign +of the salons. + +We hear of her first in the bizarre circles of the Consulate, as +the wife of a man who was rather father than husband, young, +fresh, lovely, accomplished, surrounded by the luxuries of +wealth, and captivating all hearts by that indefinable charm of +manner which she carried with her to the end of her life. Both +at Paris and at her country house at Clichy she was the center of +a company in which the old was discreetly mingled with the new, +in which enmities were tempered, antagonisms softened, and the +most discordant elements brought into harmonious rapport, for the +moment, at least, by her gracious word or her winning smile. +Here we find Adrien and Mathieu de Montmorency, who already +testified the rare friendship that was to outlive years and +misfortunes; Mme. de Stael before her exile; Narbonne, Barrere, +Bernadotte, Moreau, and many distinguished foreigners. Lucien +Bonaparte was at her feet; LaHarpe was devoted to her interests; +Napoleon was trying in vain to draw her into his court, and +treasuring up his failure to another. The salon of Mme. Recamie +was not in any sense philosophical or political, but after the +cruel persecution of LaHarpe, the banishment or Mme. de Stael, +and the similar misfortunes of other friends, her sympathies were +too strong for her diplomacy, and it gradually fell into the +ranks of the opposition. It was well known that the emperor +regarded all who went there as his enemies, and this young and +innocent woman was destined to feel the full bitterness of his +petty displeasure. We cannot trace here the incidents of her +varied career, the misfortunes of the father to whom she was a +ministering angel, the loss of her husband's fortune and her own, +the years of wandering and exile, the second period of brief and +illusive prosperity, and the swift reverses which led to her +final retreat. She was at the height of her beauty and her fame +in the early days of the Restoration, when her salon revived its +old brilliancy, and was a center in which all parties met on +neutral ground. Her intimate relations with those in power gave +it a strong political influence, but this was never a marked +feature, as it was mainly personal. + +But the position in which one is most inclined to recall Mme. +Recamier is in the convent of Abbaye-aux-Bois, where, divested of +fortune and living in the simplest manner, she preserved for +nearly thirty years the fading traditions of the old salons. +Through all the changes which tried her fortitude and revealed +the latent heroism of her character, she seems to have kept her +sweet serenity unbroken, bending to the passing storms with the +grace of a facile nature, but never murmuring at the inevitable. +One may find in this inflexible strength and gentleness of temper +a clue to the subtle fascination which held the devoted +friendship of so many gifted men and women, long after the fresh +charm of youth was gone. + +The intellectual gifts of Mme. Recamier, as has been said before, +were not of a high or brilliant order. She was neither profound +nor original, nor given to definite thought. Her letters were +few, and she has left no written records by which she can be +measured. She read much, was familiar with current literature, +also with religious works. But the world is slow to accord a +twofold superiority, and it is quite possible that the fame of +her beauty has prevented full justice to her mental abilities. +Mme. de Genlis tells us that she has a great deal of esprit. It +is certain that no woman could have held her place as the center +of a distinguished literary circle and the confidante and adviser +of the first literary men of her time, without a fine +intellectual appreciation. "To love what is great," said Mme. +Necker "is almost to be great one's self." Ballanche advised her +to translate Petrarch, and she even began the work, but it was +never finished. "Believe me," he writes, "you have at your +command the genius of music, flowers, imagination, and elegance. +. . . Do not fear to try your hand on the golden lyre of the +poets." He may have been too much blinded by a friendship that +verged closely upon a more passionate sentiment to be an +altogether impartial critic, but it was a high tribute to her +gifts that a man of such conspicuous talents thought her capable +of work so exacting. Her qualities were those of taste and a +delicate imagination rather than of reason. Her musical +accomplishments were always a resource. She sang, played the +harp and piano, and we hear of her during a summer at Albano +playing the organ at vespers and high mass. She danced +exquisitely, and it was her ravishing grace that suggested the +shawl dance of "Corinne" to Mme. de Stael and of "Valerie" to Mme. +de Krudener. One can fancy her, too, at Coppet, playing the role +of the angel to Mme. de Stael's Hagar--a spirit of love and +consolation to the stormy and despairing soul of her friend. + +But her real power lay in the wonderful harmony of her nature, in +the subtle penetration that divined the chagrins and weaknesses +of others, only to administer a healing balm; in the delicate +tact that put people always on the best terms with themselves, +and gave the finest play to whatever talents they possessed. Add +to this a quality of beauty which cannot be caught by pen or +pencil, and one can understand the singular sway she held over +men and women alike. Mme. de Krudener, whose salon so curiously +united fashion and piety, worldliness and mysticism, was troubled +by the distraction which the entrance of Mme. Recamier was sure +to cause, and begged Benjamin Constant to write and entreat her +to make herself as little charming as possible. His note is +certainly unique, though it loses much of its piquancy in +translation: + +"I acquit myself with a little embarrassment of a commission +which Mme. de Krudener has just given me. She begs you to come +as little beautiful as you can. She says that you dazzle all the +world, and that consequently every soul is troubled and attention +is impossible. You cannot lay aside your charms, but do not add +to them." + +In her youth she dressed with great simplicity and was fond of +wearing white with pearls, which accorded well with the dazzling +purity of her complexion. + +Mme. Recamier was not without vanity, and this is the reverse +side of her peculiar gifts. She would have been more than mortal +if she had been quite unconscious of attractions so rare that +even the children in the street paid tribute to them. But one +finds small trace of the petty jealousies and exactions that are +so apt to accompany them. She liked to please, she wished to be +loved, and this inevitably implies a shade of coquetry in a young +and beautiful woman. There is an element of fascination in this +very coquetry, with its delicate subtleties and its shifting +tints of sentiment. That she carried it too far is no doubt +true; that she did so wittingly is not so certain. Her victims +were many, and if they quietly subsided into friends, as they +usually did, it was after many struggles and heart burnings. But +if she did not exercise her power with invariable discretion, it +seems to have been less the result of vanity than a lack of +decision and an amiable unwillingness to give immediate pain, or +to lose the friend with the lover. With all her fine qualities +of heart and soul, she had a temperament that saved her from much +of the suffering she thoughtlessly inflicted upon others. The +many violent passions she roused do not seem to have disturbed at +all her own serenity. The delicate and chivalrous nature of +Mathieu de Montmorency, added to his years, gave his relations to +her a half-paternal character, but that he loved her always with +the profound tenderness of a loyal and steadfast soul is apparent +through all the singularly disinterested phases of a friendship +that ended only with his life. + +Prince Augustus, whom she met at Coppet, called up a passing +ripple on the surface of her heart, sufficiently strong to lead +her to suggest a divorce to her husband, whose relations to her, +though always friendly, were only nominal. But he appealed to +her generosity, and she thought of it no more. Why she permitted +her princely suitor to cherish so long the illusions that time +and distance do not readily destroy is one of the mysteries that +are not easy to solve. Perhaps she thought it more kind to let +absence wear out a passion than to break it too rudely. At all +events, he cherished no permanent bitterness, and never forgot +her. At his death, nearly forty years later he ordered her +portrait by Gerard to be returned, but her ring was buried with +him. + +The various phases of the well-known infatuation of Benjamin +Constant, which led him to violate his political principles and +belie his own words rather than take a course that must result in +separation from her, suggest a page of highly colored romance. +The letters of Mlle. de Lespinasse scarcely furnish us with a +more ardent episode in the literature of hopeless passion. The +worshipful devotion of Ampere and Ballanche would form a chapter +no less interesting, though less intense and stormy. + +But the name most inseparably connected with Mme. Recamier is +that of Chateaubriand. The friendship of an unquestioned sort +that seems to have gone quite out of the world, had all the +phases of a more tender sentiment, and goes far towards +disproving the charge of coldness that has often been brought +against her. It was begun after she had reached the dreaded +forties, by the death bed of Mme. de Stael, and lasted more than +thirty years. It seems to have been the single sentiment that +mastered her. One may trace in the letters of Chateaubriand the +restless undercurrents of this life that was outwardly so serene. +He writes to her from Berlin, from England, from Rome. He +confides to her his ambitions, tells her his anxieties, asks her +counsel as to his plans, chides her little jealousies, and +commends his wife to her care and attention. This recalls a +remarkable side of her relations with the world. Women are not +apt to love formidable rivals, but the wives of her friends +apparently shared the admiration with which their husbands +regarded her. If they did not love her, they exchanged friendly +notes, and courtesies that were often more than cordial. She +consoles Mme. de Montmorency in her sorrow, and Mme. de +Chateaubriand asks her to cheer her husband's gloomy moods. +Indeed, she roused little of that bitter jealousy which is +usually the penalty of exceptional beauty or exceptional gifts of +any sort. The sharp tongue of Mme. de Genlis lost its sting in +writing of her. She idealized her as Athenais, in the novel of +that name, which has for its background the beauties of Coppet, +and vaguely reproduces much of its life. The pious and austere +Mme. Swetchine, whose prejudices against her were so strong that +for a long time she did not wish to meet her, confessed herself +at once a captive to her "penetrating and indefinable charm." +Though she did not always escape the shafts of malice, no better +tribute could be offered to the graces of her character than the +indulgence with which she was regarded by the most severely +judging of her own sex. + +But she has her days of depression. Chateaubriand is absorbed in +his ambitions and sometimes indifferent; his antagonistic +attitude towards Montmorency, who is far the nobler character of +the two, is a source of grief to her. She tries in vain to +reconcile her rival friends. Once she feels compelled to tear +herself from an influence which is destroying her happiness, and +goes to Italy. But she carries within her own heart the seeds +of unrest. She still follows the movements of the man who +occupies so large a space in her horizon, sympathizes from afar +with his disappointments, and cares for his literary interest, +ordering from Tenerani, a bas-relief of a scene from "The Martyrs." + +After her return her life settles into more quiet channels. +Chateaubriand, embittered by the chagrins of political life, +welcomed her with the old enthusiasm. From this time he devoted +himself exclusively to letters, and sought his diversion in the +convent-salon which has left so wide a fame, and of which he was +always the central figure. The petted man of genius was moody +and capricious. His colossal egotism found its best solace in +the gentle presence of the woman who flattered his restless +vanity, anticipated his wishes, studied his tastes, and watched +every shadow that flitted across his face. He was in the habit +of writing her a few lines in the morning; at three o'clock he +visited her, and they chatted over their tea until four, when +favored visitors began to arrive. In the evening it was a little +world that met there. The names of Ampere, Tocqueville, +Montalembert, Merimee, Thierry, and Sainte-Beuve suggest the +literary quality of this circle, in which were seen from time to +time such foreign celebrities as Sir Humphry and Lady Darcy, +Maria Edgeworth, Humboldt, the Duke of Hamilton, the gifted +Duchess of Devonshire, and Miss Berry. Lamartine read his +"Meditations" and Delphine Gay her first poems. Rachel recited, +and Pauline Viardot, Garcia, Rubini, and Lablache sang. +Delacroix, David, and Gerard represented the world of art, and +the visitors from the grand monde were too numerous to mention. +In this brilliant and cosmopolitan company, what resources of wit +and knowledge, what charms of beauty and elegance, what splendors +of rank and distinction were laid upon the altar of the lovely +and adored woman, who recognized all values, and never forgot the +kindly word or the delicate courtesy that put the most modest +guests at ease and brought out the best there was in them! + +One day in 1847 there was a vacant place, and the faithful +Ballanche came no more from his rooms across the street. A year +later Chateaubriand died. After the death of his wife he had +wished to marry Mme. Recamier, but she thought it best to change +nothing, believing that age and blindness had given her the right +to devote herself to his last days. To her friends she said that +if she married him, he would miss the pleasure and variety of his +daily visits. + +Old, blind, broken in health and spirit, but retaining always the +charm which had given her the empire over so many hearts, she +followed him in a few months. + +Mme. Recamier represents better than any woman of her time the +peculiar talents that distinguished the leaders of some of the +most famous salons. She had tact, grace, intelligence, +appreciation, and the gift of inspiring others. The cleverest +men and women of the age were to be met in her drawing room. One +found there genius, beauty, esprit, elegance, courtesy, and the +brilliant conversation which is the Gallic heritage. But not +even her surpassing fascination added to all these attractions +could revive the old power of the salon. Her coterie was +charming, as a choice circle gathered about a beautiful, refined, +accomplished woman, and illuminated by the wit and intelligence +of thoughtful men, will always be; but its influence was limited +and largely personal, and it has left no perceptible traces. Nor +has it had any noted successor. It is no longer coteries +presided over by clever women that guide the age and mold its +tastes or its political destinies. The old conditions have +ceased to exist, and the prestige of the salon is gone. + +The causes that led to its decline have been already more or less +indicated. Among them, the decay of aristocratic institutions +played only a small part. The salons were au fond democratic in +the sense that all forms of distinction were recognized so far as +they were amenable to the laws of taste, which form the ultimate +tribunal of social fitness in France. But it cannot be denied +that the code of etiquette which ruled them had its foundation in +the traditions of the noblesse. The genteel manners, the absence +of egotism and self-assertion, as of disturbing passions, the +fine and uniform courtesy which is the poetry of life, are the +product of ease and assured conditions. It is struggle that +destroys harmony and repose, whatever stronger qualities it may +develop, and the greater mingling of classes which inevitably +resulted in this took something from the exquisite flavor of the +old society. The increase of wealth, too, created new standards +that were fatal to a life in which the resources of wit, +learning, and education in its highest sense were the chief +attractions. The greater perfection of all forms of public +amusement was not without its influence. Men drifted, also, more +and more into the one-sided life of the club. Considered as a +social phase, no single thing has been more disastrous to the +unity of modern society than this. But the most formidable enemy +of the salon has been the press. Intelligence has become too +universal to be focused in a few drawing rooms. Genius and +ambition have found a broader arena. When interest no longer led +men to seek the stimulus and approval of a powerful coterie, it +ceased to be more than an elegant form of recreation, a theater +of small talents, the diversion of an idle hour. When the press +assumed the sovereignty, the salon was dethroned. + + + + +End of the Project Gutenberg Etext of The Women of the French Salons +by Amelia Gere Mason diff --git a/old/frsal10.zip b/old/frsal10.zip Binary files differnew file mode 100644 index 0000000..4338147 --- /dev/null +++ b/old/frsal10.zip |