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+The Project Gutenberg Etext of John Ingerfield etc by Jerome K. Jerome
+#25 in our series by Jeroke K. Jerome
+
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+John Ingerfield and Other Stories
+
+by Jerome K. Jerome
+
+February, 2001 [Etext #2525]
+
+
+The Project Gutenberg Etext of John Ingerfield etc by Jerome K. Jerome
+******This file should be named jhnng10.txt or jhnng10.zip******
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+
+JOHN INGERFIELD AND OTHER STORIES
+
+
+
+
+Contents
+
+To the Gentle Reader
+In Remembrance of John Ingerfield and of Anne, his Wife
+The Woman of the Saeter
+Variety Patter
+Silhouettes
+The Lease of the "Cross Keys"
+
+
+
+TO THE GENTLE READER;
+also
+TO THE GENTLE CRITIC.
+
+
+Once upon a time, I wrote a little story of a woman who was crushed
+to death by a python. A day or two after its publication, a friend
+stopped me in the street. "Charming little story of yours," he
+said," that about the woman and the snake; but it's not as funny as
+some of your things!" The next week, a newspaper, referring to the
+tale, remarked, "We have heard the incident related before with
+infinitely greater humour."
+
+With this--and many similar experiences--in mind, I wish distinctly
+to state that "John Ingerfield," "The Woman of the Saeter," and
+"Silhouettes," are not intended to be amusing. The two other items--
+"Variety Patter," and "The Lease of the Cross Keys"--I give over to
+the critics of the new humour to rend as they will; but "John
+Ingerfield," "The Woman of the Saeter," and "Silhouettes," I repeat,
+I should be glad if they would judge from some other standpoint than
+that of humour, new or old.
+
+
+IN REMEMBRANCE OF JOHN INGERFIELD AND OF ANNE, HIS WIFE
+A STORY OF OLD LONDON, IN TWO CHAPTERS
+
+
+
+CHAPTER I.
+
+
+
+If you take the Underground Railway to Whitechapel Road (the East
+station), and from there take one of the yellow tramcars that start
+from that point, and go down the Commercial Road, past the George, in
+front of which starts--or used to stand--a high flagstaff, at the
+base of which sits--or used to sit--an elderly female purveyor of
+pigs' trotters at three-ha'pence apiece, until you come to where a
+railway arch crosses the road obliquely, and there get down and turn
+to the right up a narrow, noisy street leading to the river, and then
+to the right again up a still narrower street, which you may know by
+its having a public-house at one corner (as is in the nature of
+things) and a marine store-dealer's at the other, outside which
+strangely stiff and unaccommodating garments of gigantic size flutter
+ghost-like in the wind, you will come to a dingy railed-in
+churchyard, surrounded on all sides by cheerless, many-peopled
+houses. Sad-looking little old houses they are, in spite of the
+tumult of life about their ever open doors. They and the ancient
+church in their midst seem weary of the ceaseless jangle around them.
+Perhaps, standing there for so many years, listening to the long
+silence of the dead, the fretful voices of the living sound foolish
+in their ears.
+
+Peering through the railings on the side nearest the river, you will
+see beneath the shadow of the soot-grimed church's soot-grimed porch-
+-that is, if the sun happen, by rare chance, to be strong enough to
+cast any shadow at all in that region of grey light--a curiously high
+and narrow headstone that once was white and straight, not tottering
+and bent with age as it is now. There is upon this stone a carving
+in bas-relief, as you will see for yourself if you will make your way
+to it through the gateway on the opposite side of the square. It
+represents, so far as can be made out, for it is much worn by time
+and dirt, a figure lying on the ground with another figure bending
+over it, while at a little distance stands a third object. But this
+last is so indistinct that it might be almost anything, from an angel
+to a post.
+
+And below the carving are the words (already half obliterated) that I
+have used for the title of this story.
+
+Should you ever wander of a Sunday morning within sound of the
+cracked bell that calls a few habit-bound, old-fashioned folk to
+worship within those damp-stained walls, and drop into talk with the
+old men who on such days sometimes sit, each in his brass-buttoned
+long brown coat, upon the low stone coping underneath those broken
+railings, you might hear this tale from them, as I did, more years
+ago than I care to recollect.
+
+But lest you do not choose to go to all this trouble, or lest the old
+men who could tell it you have grown tired of all talk, and are not
+to be roused ever again into the telling of tales, and you yet wish
+for the story, I will here set it down for you.
+
+But I cannot recount it to you as they told it to me, for to me it
+was only a tale that I heard and remembered, thinking to tell it
+again for profit, while to them it was a thing that had been, and the
+threads of it were interwoven with the woof of their own life. As
+they talked, faces that I did not see passed by among the crowd and
+turned and looked at them, and voices that I did not hear spoke to
+them below the clamour of the street, so that through their thin
+piping voices there quivered the deep music of life and death, and my
+tale must be to theirs but as a gossip's chatter to the story of him
+whose breast has felt the press of battle.
+
+
+John Ingerfield, oil and tallow refiner, of Lavender Wharf,
+Limehouse, comes of a hard-headed, hard-fisted stock. The first of
+the race that the eye of Record, piercing the deepening mists upon
+the centuries behind her, is able to discern with any clearness is a
+long-haired, sea-bronzed personage, whom men call variously Inge or
+Unger. Out of the wild North Sea he has come. Record observes him,
+one of a small, fierce group, standing on the sands of desolate
+Northumbria, staring landward, his worldly wealth upon his back.
+This consists of a two-handed battle-axe, value perhaps some forty
+stycas in the currency of the time. A careful man, with business
+capabilities, may, however, manipulate a small capital to great
+advantage. In what would appear, to those accustomed to our slow
+modern methods, an incredibly short space of time, Inge's two-handed
+battle-axe has developed into wide lands and many head of cattle;
+which latter continue to multiply with a rapidity beyond the dreams
+of present-day breeders. Inge's descendants would seem to have
+inherited the genius of their ancestor, for they prosper and their
+worldly goods increase. They are a money-making race. In all times,
+out of all things, by all means, they make money. They fight for
+money, marry for money, live for money, are ready to die for money.
+
+In the days when the most saleable and the highest priced article in
+the markets of Europe was a strong arm and a cool head, then each
+Ingerfield (as "Inge," long rooted in Yorkshire soil, had grown or
+been corrupted to) was a soldier of fortune, and offered his strong
+arm and his cool head to the highest bidder. They fought for their
+price, and they took good care that they obtained their price; but,
+the price settled, they fought well, for they were staunch men and
+true, according to their lights, though these lights may have been
+placed somewhat low down, near the earth.
+
+Then followed the days when the chief riches of the world lay tossed
+for daring hands to grasp upon the bosom of the sea, and the sleeping
+spirit of the old Norse Rover stirred in their veins, and the lilt of
+a wild sea-song they had never heard kept ringing in their ears; and
+they built them ships and sailed for the Spanish Main, and won much
+wealth, as was their wont.
+
+Later on, when Civilisation began to lay down and enforce sterner
+rules for the game of life, and peaceful methods promised to prove
+more profitable than violent, the Ingerfields became traders and
+merchants of grave mien and sober life; for their ambition from
+generation to generation remains ever the same, their various
+callings being but means to an end.
+
+A hard, stern race of men they would seem to have been, but just--so
+far as they understood justice. They have the reputation of having
+been good husbands, fathers, and masters; but one cannot help
+thinking of them as more respected than loved.
+
+They were men to exact the uttermost farthing due to them, yet not
+without a sense of the thing due from them, their own duty and
+responsibility--nay, not altogether without their moments of heroism,
+which is the duty of great men. History relates how a certain
+Captain Ingerfield, returning with much treasure from the West
+Indies--how acquired it were, perhaps, best not to inquire too
+closely--is overhauled upon the high seas by King's frigate. Captain
+of King's frigate sends polite message to Captain Ingerfield
+requesting him to be so kind as to promptly hand over a certain
+member of his ship's company, who, by some means or another, has made
+himself objectionable to King's friends, in order that he (the said
+objectionable person) may be forthwith hanged from the yard-arm.
+
+Captain Ingerfield returns polite answer to Captain of King's frigate
+that he (Captain Ingerfield) will, with much pleasure, hang any
+member of his ship's company that needs hanging, but that neither the
+King of England nor any one else on God Almighty's sea is going to do
+it for him. Captain of King's frigate sends back word that if
+objectionable person be not at once given up he shall be compelled
+with much regret to send Ingerfield and his ship to the bottom of the
+Atlantic. Replies Captain Ingerfield, "That is just what he will
+have to do before I give up one of my people," and fights the big
+frigate--fights it so fiercely that after three hours Captain of
+King's frigate thinks it will be good to try argument again, and
+sends therefore a further message, courteously acknowledging Captain
+Ingerfield's courage and skill, and suggesting that, he having done
+sufficient to vindicate his honour and renown, it would be politic to
+now hand over the unimportant cause of contention, and so escape with
+his treasure.
+
+"Tell your Captain," shouts back this Ingerfield, who has discovered
+there are sweeter things to fight for than even money, "that the Wild
+Goose has flown the seas with her belly full of treasure before now,
+and will, if it be God's pleasure, so do again, but that master and
+man in her sail together, fight together, and die together."
+
+Whereupon King's frigate pounds away more vigorously than ever, and
+succeeds eventually in carrying out her threat. Down goes the Wild
+Goose, her last chase ended--down she goes with a plunge, spit
+foremost with her colours flying; and down with her goes every man
+left standing on her decks; and at the bottom of the Atlantic they
+lie to this day, master and man side by side, keeping guard upon
+their treasure.
+
+Which incident, and it is well authenticated, goes far to prove that
+the Ingerfields, hard men and grasping men though they be--men caring
+more for the getting of money than for the getting of love--loving
+more the cold grip of gold than the grip of kith or kin, yet bear
+buried in their hearts the seeds of a nobler manhood, for which,
+however, the barren soil of their ambition affords scant nourishment.
+
+The John Ingerfield of this story is a man very typical of his race.
+He has discovered that the oil and tallow refining business, though
+not a pleasant one, is an exceedingly lucrative one. These are the
+good days when George the Third is king, and London is rapidly
+becoming a city of bright night. Tallow and oil and all materials
+akin thereto are in ever-growing request, and young John Ingerfield
+builds himself a large refining house and warehouse in the growing
+suburb of Limehouse, which lies between the teeming river and the
+quiet fields, gathers many people round about him, puts his strong
+heart into his work, and prospers.
+
+All the days of his youth he labours and garners, and lays out and
+garners yet again. In early middle age he finds himself a wealthy
+man. The chief business of life, the getting of money, is
+practically done; his enterprise is firmly established, and will
+continue to grow with ever less need of husbandry. It is time for
+him to think about the secondary business of life, the getting
+together of a wife and home, for the Ingerfields have ever been good
+citizens, worthy heads of families, openhanded hosts, making a brave
+show among friends and neighbours.
+
+John Ingerfield, sitting in his stiff, high-backed chair, in his
+stiffly, but solidly, furnished dining-room, above his counting-
+house, sipping slowly his one glass of port, takes counsel with
+himself.
+
+What shall she be?
+
+He is rich, and can afford a good article. She must be young and
+handsome, fit to grace the fine house he will take for her in
+fashionable Bloomsbury, far from the odour and touch of oil and
+tallow. She must be well bred, with a gracious, noble manner, that
+will charm his guests and reflect honour and credit upon himself; she
+must, above all, be of good family, with a genealogical tree
+sufficiently umbrageous to hide Lavender Wharf from the eyes of
+Society.
+
+What else she may or may not be he does not very much care. She
+will, of course, be virtuous and moderately pious, as it is fit and
+proper that women should be. It will also be well that her
+disposition be gentle and yielding, but that is of minor importance,
+at all events so far as he is concerned: the Ingerfield husbands are
+not the class of men upon whom wives vent their tempers.
+
+Having decided in his mind WHAT she shall be, he proceeds to discuss
+with himself WHO she shall be. His social circle is small.
+Methodically, in thought, he makes the entire round of it, mentally
+scrutinising every maiden that he knows. Some are charming, some are
+fair, some are rich; but no one of them approaches near to his
+carefully considered ideal.
+
+He keeps the subject in his mind, and muses on it in the intervals of
+business. At odd moments he jots down names as they occur to him
+upon a slip of paper, which he pins for the purpose on the inside of
+the cover of his desk. He arranges them alphabetically, and when it
+is as complete as his memory can make it, he goes critically down the
+list, making a few notes against each. As a result, it becomes clear
+to him that he must seek among strangers for his wife.
+
+He has a friend, or rather an acquaintance, an old school-fellow, who
+has developed into one of those curious social flies that in all ages
+are to be met with buzzing contentedly within the most exclusive
+circles, and concerning whom, seeing that they are neither rare nor
+rich, nor extraordinarily clever nor well born, one wonders "how the
+devil they got there!" Meeting this man by chance one afternoon, he
+links his arm in his and invites him home to dinner.
+
+So soon as they are left alone, with the walnuts and wine between
+them, John Ingerfield says, thoughtfully cracking a hard nut between
+his fingers -
+
+"Will, I'm going to get married."
+
+"Excellent idea--delighted to hear it, I'm sure," replies Will,
+somewhat less interested in the information than in the delicately
+flavoured Madeira he is lovingly sipping. "Who's the lady?"
+
+"I don't know, yet," is John Ingerfield's answer.
+
+His friend glances slyly at him over his glass, not sure whether he
+is expected to be amused or sympathetically helpful.
+
+"I want you to find one for me."
+
+Will Cathcart puts down his glass and stares at his host across the
+table.
+
+"Should be delighted to help you, Jack," he stammers, in an alarmed
+tone--"'pon my soul I should; but really don't know a damned woman I
+could recommend--'pon my soul I don't."
+
+"You must see a good many: I wish you'd look out for one that you
+COULD recommend."
+
+"Certainly I will, my dear Jack!" answers the other, in a relieved
+voice. "Never thought about 'em in that way before. Daresay I shall
+come across the very girl to suit you. I'll keep my eyes open and
+let you know."
+
+"I shall be obliged to you if you will," replies John Ingerfield,
+quietly; "and it's your turn, I think, to oblige me, Will. I have
+obliged you, if you recollect."
+
+"Shall never forget it, my dear Jack," murmurs Will, a little
+uneasily. "It was uncommonly good of you. You saved me from ruin,
+Jack: shall think about it to my dying day--'pon my soul I shall."
+
+"No need to let it worry you for so long a period as that," returns
+John, with the faintest suspicion of a smile playing round his firm
+mouth. "The bill falls due at the end of next month. You can
+discharge the debt then, and the matter will be off your mind."
+
+Will finds his chair growing uncomfortable under him, while the
+Madeira somehow loses its flavour. He gives a short, nervous laugh.
+
+"By Jove," he says: "so soon as that? The date had quite slipped my
+memory."
+
+"Fortunate that I reminded you," says John, the smile round his lips
+deepening.
+
+Will fidgets on his seat. "I'm afraid, my dear Jack," he says, "I
+shall have to get you to renew it, just for a month or two,--deuced
+awkward thing, but I'm remarkably short of money this year. Truth
+is, I can't get what's owing to myself."
+
+"That's very awkward, certainly," replies his friend, "because I am
+not at all sure that I shall be able to renew it."
+
+Will stares at him in some alarm. "But what am I to do if I hav'n't
+the money?"
+
+John Ingerfield shrugs his shoulders.
+
+"You don't mean, my dear Jack, that you would put me in prison?"
+
+"Why not? Other people have to go there who can't pay their debts."
+
+Will Cathcart's alarm grows to serious proportions. "But our
+friendship," he cries, "our--"
+
+"My dear Will," interrupts the other, "there are few friends I would
+lend three hundred pounds to and make no effort to get it back. You,
+certainly, are not one of them."
+
+"Let us make a bargain," he continues. "Find me a wife, and on the
+day of my marriage I will send you back that bill with, perhaps, a
+couple of hundred added. If by the end of next month you have not
+introduced me to a lady fit to be, and willing to be, Mrs. John
+Ingerfield, I shall decline to renew it."
+
+John Ingerfield refills his own glass and hospitably pushes the
+bottle towards his guest--who, however, contrary to his custom, takes
+no notice of it, but stares hard at his shoe-buckles.
+
+"Are you serious?" he says at length.
+
+"Quite serious," is the answer. "I want to marry. My wife must be a
+lady by birth and education. She must be of good family--of family
+sufficiently good, indeed, to compensate for the refinery. She must
+be young and beautiful and charming. I am purely a business man. I
+want a woman capable of conducting the social department of my life.
+I know of no such lady myself. I appeal to you, because you, I know,
+are intimate with the class among whom she must be sought."
+
+"There may be some difficulty in persuading a lady of the required
+qualifications to accept the situation," says Cathcart, with a touch
+of malice.
+
+"I want you to find one who will," says John Ingerfield.
+
+Early in the evening Will Cathcart takes leave of his host, and
+departs thoughtful and anxious; and John Ingerfield strolls
+contemplatively up and down his wharf, for the smell of oil and
+tallow has grown to be very sweet to him, and it is pleasant to watch
+the moonbeams shining on the piled-up casks.
+
+Six weeks go by. On the first day of the seventh John takes Will
+Cathcart's acceptance from its place in the large safe, and lays it
+in the smaller box beside his desk, devoted to more pressing and
+immediate business. Two days later Cathcart picks his way across the
+slimy yard, passes through the counting-house, and enters his
+friend's inner sanctum, closing the door behind him.
+
+He wears a jubilant air, and slaps the grave John on the back. "I've
+got her, Jack," he cries. "It's been hard work, I can tell you:
+sounding suspicious old dowagers, bribing confidential servants,
+fishing for information among friends of the family. By Jove, I
+shall be able to join the Duke's staff as spy-in-chief to His
+Majesty's entire forces after this!"
+
+"What is she like?" asks John, without stopping his writing.
+
+"Like! My dear Jack, you'll fall over head and ears in love with her
+the moment you see her. A little cold, perhaps, but that will just
+suit you."
+
+"Good family?" asks John, signing and folding the letter he has
+finished.
+
+"So good that I was afraid at first it would be useless thinking of
+her. But she's a sensible girl, no confounded nonsense about her,
+and the family are poor as church mice. In fact--well, to tell the
+truth, we have become most excellent friends, and she told me herself
+frankly that she meant to marry a rich man, and didn't much care
+whom."
+
+"That sounds hopeful," remarks the would-be bridegroom, with his
+peculiar dry smile: "when shall I have the pleasure of seeing her?"
+
+"I want you to come with me to-night to the Garden," replies the
+other; "she will be in Lady Heatherington's box, and I will introduce
+you."
+
+So that evening John Ingerfield goes to Covent Garden Theatre, with
+the blood running a trifle quicker in his veins, but not much, than
+would be the case were he going to the docks to purchase tallow--
+examines, covertly, the proposed article from the opposite side of
+the house, and approves her--is introduced to her, and, on closer
+inspection, approves her still more--receives an invitation to visit-
+-visits frequently, and each time is more satisfied of the rarity,
+serviceableness, and quality of the article.
+
+If all John Ingerfield requires for a wife is a beautiful social
+machine, surely here he has found his ideal. Anne Singleton, only
+daughter of that persistently unfortunate but most charming of
+baronets, Sir Harry Singleton (more charming, it is rumoured, outside
+his family circle than within it), is a stately graceful, high-bred
+woman. Her portrait, by Reynolds, still to be seen above the carved
+wainscoting of one of the old City halls, shows a wonderfully
+handsome and clever face, but at the same time a wonderfully cold and
+heartless one. It is the face of a woman half weary of, half
+sneering at the world. One reads in old family letters, whereof the
+ink is now very faded and the paper very yellow, long criticisms of
+this portrait. The writers complain that if the picture is at all
+like her she must have greatly changed since her girlhood, for they
+remember her then as having a laughing and winsome expression.
+
+They say--they who knew her in after-life--that this earlier face
+came back to her in the end, so that the many who remembered opening
+their eyes and seeing her bending down over them could never
+recognise the portrait of the beautiful sneering lady, even when they
+were told whom it represented.
+
+But at the time of John Ingerfield's strange wooing she was the Anne
+Singleton of Sir Joshua's portrait, and John Ingerfield liked her the
+better that she was.
+
+He had no feeling of sentiment in the matter himself, and it
+simplified the case that she had none either. He offered her a plain
+bargain, and she accepted it. For all he knew or cared, her attitude
+towards this subject of marriage was the usual one assumed by women.
+Very young girls had their heads full of romantic ideas. It was
+better for her and for him that she had got rid of them.
+
+"Ours will be a union founded on good sense," said John Ingerfield.
+
+"Let us hope the experiment will succeed," said Anne Singleton.
+
+
+
+CHAPTER II.
+
+
+
+But the experiment does not succeed. The laws of God decree that man
+shall purchase woman, that woman shall give herself to man, for other
+coin than that of good sense. Good sense is not a legal tender in
+the marriage mart. Men and women who enter therein with only sense
+in their purse have no right to complain if, on reaching home, they
+find they have concluded an unsatisfactory bargain.
+
+John Ingerfield, when he asked Anne Singleton to be his wife, felt no
+more love for her than he felt for any of the other sumptuous
+household appointments he was purchasing about the same time, and
+made no pretence of doing so. Nor, had he done so, would she have
+believed him; for Anne Singleton has learned much in her twenty-two
+summers and winters, and knows that love is only a meteor in life's
+sky, and that the true lodestar of this world is gold. Anne
+Singleton has had her romance and buried it deep down in her deep
+nature and over its grave, to keep its ghost from rising, has piled
+the stones of indifference and contempt, as many a woman has done
+before and since. Once upon a time Anne Singleton sat dreaming out a
+story. It was a story old as the hills--older than some of them--but
+to her, then, it was quite new and very wonderful. It contained all
+the usual stock material common to such stories: the lad and the
+lass, the plighted troth, the richer suitors, the angry parents, the
+love that was worth braving all the world for. One day into this
+dream there fell from the land of the waking a letter, a poor,
+pitiful letter: "You know I love you and only you," it ran; "my
+heart will always be yours till I die. But my father threatens to
+stop my allowance, and, as you know, I have nothing of my own except
+debts. Some would call her handsome, but how can I think of her
+beside you? Oh, why was money ever let to come into the world to
+curse us?" with many other puzzling questions of a like character,
+and much severe condemnation of Fate and Heaven and other parties
+generally, and much self-commiseration.
+
+Anne Singleton took long to read the letter. When she had finished
+it, and had read it through again, she rose, and, crushing it her
+hand, flung it in the fire with a laugh, and as the flame burnt up
+and died away felt that her life had died with it, not knowing that
+bruised hearts can heal.
+
+So when John Ingerfield comes wooing, and speaks to her no word of
+love but only of money, she feels that here at last is a genuine
+voice that she can trust. Love of the lesser side of life is still
+left to her. It will be pleasant to be the wealthy mistress of a
+fine house, to give great receptions, to exchange the secret poverty
+of home for display and luxury. These things are offered to her on
+the very terms she would have suggested herself. Accompanied by love
+she would have refused them, knowing she could give none in return.
+
+But a woman finds it one thing not to desire affection and another
+thing not to possess it. Day by day the atmosphere of the fine house
+in Bloomsbury grows cold and colder about her heart. Guests warm it
+at times for a few hours, then depart, leaving it chillier than
+before.
+
+For her husband she attempts to feel indifference, but living
+creatures joined together cannot feel indifference for each other.
+Even two dogs in a leash are compelled to think of one another. A
+man and wife must love or hate, like or dislike, in degree as the
+bond connecting them is drawn tight or allowed to hang slack. By
+mutual desire their chains of wedlock have been fastened as loosely
+as respect for security will permit, with the happy consequence that
+her aversion to him does not obtrude itself beyond the limits of
+politeness.
+
+Her part of the contract she faithfully fulfils, for the Singletons
+also have their code of honour. Her beauty, her tact, her charm, her
+influence, are devoted to his service--to the advancement of his
+position, the furtherance of his ambition. Doors that would
+otherwise remain closed she opens to him. Society, that would
+otherwise pass by with a sneer, sits round his table. His wishes and
+pleasures are hers. In all things she yields him wifely duty, seeks
+to render herself agreeable to him, suffers in silence his occasional
+caresses. Whatever was implied in the bargain, that she will perform
+to the letter.
+
+He, on his side, likewise performs his part with businesslike
+conscientiousness--nay, seeing that the pleasing of her brings no
+personal gratification to himself--not without generosity. He is
+ever thoughtful of and deferential to her, awarding her at all times
+an unvarying courteousness that is none the less sincere for being
+studied. Her every expressed want is gratified, her every known
+distaste respected. Conscious of his presence being an oppression to
+her, he is even careful not to intrude it upon her oftener than is
+necessary.
+
+At times he asks himself, somewhat pertinently, what he has gained by
+marriage--wonders whether this social race was quite the most
+interesting game he could have elected to occupy his leisure--wonders
+whether, after all, he would not have been happier over his counting-
+house than in these sumptuous, glittering rooms, where he always
+seems, and feels himself to be, the uninvited guest.
+
+The only feeling that a closer intimacy has created in him for his
+wife is that of indulgent contempt. As there is no equality between
+man and woman, so there can be no respect. She is a different being.
+He must either look up to her as superior to himself, or down upon
+her as inferior. When a man does the former he is more or less in
+love, and love to John Ingerfield is an unknown emotion. Her beauty,
+her charm, her social tact--even while he makes use of them for his
+own purposes, he despises as the weapons of a weak nature.
+
+So in their big, cold mansion John Ingerfield and Anne, his wife, sit
+far apart, strangers to one another, neither desiring to know the
+other nearer.
+
+About his business he never speaks to her, and she never questions
+him. To compensate for the slight shrinkage of time he is able to
+devote to it, he becomes more strict and exacting; grows a harsher
+master to his people, a sterner creditor, a greedier dealer,
+squeezing the uttermost out of every one, feverish to grow richer, so
+that he may spend more upon the game that day by day he finds more
+tiresome and uninteresting.
+
+And the piled-up casks upon his wharves increase and multiply; and on
+the dirty river his ships and barges lie in ever-lengthening lines;
+and round his greasy cauldrons sweating, witch-like creatures swarm
+in ever-denser numbers, stirring oil and tallow into gold.
+
+Until one summer, from its nest in the far East, there flutters
+westward a foul thing. Hovering over Limehouse suburb, seeing it
+crowded and unclean, liking its fetid smell, it settles down upon it.
+
+Typhus is the creature's name. At first it lurks there unnoticed,
+battening upon the rich, rank food it finds around it, until, grown
+too big to hide longer, it boldly shows its hideous head, and the
+white face of Terror runs swiftly through alley and street, crying as
+it runs, forces itself into John Ingerfield's counting-house, and
+tells its tale. John Ingerfield sits for a while thinking. Then he
+mounts his horse and rides home at as hard a pace as the condition of
+the streets will allow. In the hall he meets Anne going out, and
+stops her.
+
+"Don't come too near me," he says quietly. "Typhus fever has broken
+out at Limehouse, and they say one can communicate it, even without
+having it oneself. You had better leave London for a few weeks. Go
+down to your father's: I will come and fetch you when it is all
+over."
+
+He passes her, giving her a wide berth, and goes upstairs, where he
+remains for some minutes in conversation with his valet. Then,
+coming down, he remounts and rides off again.
+
+After a little while Anne goes up into his room. His man is kneeling
+in the middle of the floor, packing a valise.
+
+"Where are you to take it?" she asks.
+
+"Down to the wharf, ma'am," answers the man: "Mr. Ingerfield is
+going to be there for a day or two."
+
+Then Anne sits in the great empty drawing-room, and takes HER turn at
+thinking.
+
+John Ingerfield finds, on his return to Limehouse, that the evil has
+greatly increased during the short time he has been away. Fanned by
+fear and ignorance, fed by poverty and dirt, the scourge is spreading
+through the district like a fire. Long smouldering in secret, it has
+now burst forth at fifty different points at once. Not a street, not
+a court but has its "case." Over a dozen of John's hands are down
+with it already. Two more have sunk prostrate beside their work
+within the last hour. The panic grows grotesque. Men and women tear
+their clothes off, looking to see if they have anywhere upon them a
+rash or a patch of mottled skin, find that they have, or imagine that
+they have, and rush, screaming, half-undressed, into the street. Two
+men, meeting in a narrow passage, both rush back, too frightened to
+pass each other. A boy stoops down and scratches his leg--not an
+action that under ordinary circumstances would excite much surprise
+in that neighbourhood. In an instant there is a wild stampede from
+the room, the strong trampling on the weak in their eagerness to
+escape.
+
+These are not the days of organised defence against disease. There
+are kind hearts and willing hands in London town, but they are not
+yet closely enough banded together to meet a swift foe such as this.
+There are hospitals and charities galore, but these are mostly in the
+City, maintained by the City Fathers for the exclusive benefit of
+poor citizens and members of the guilds. The few free hospitals are
+already over-crowded and ill-prepared. Squalid, outlying Limehouse,
+belonging to nowhere, cared for by nobody, must fight for itself.
+
+John Ingerfield calls the older men together, and with their help
+attempts to instil some sense and reason into his terrified people.
+Standing on the step of his counting-house, and addressing as many of
+them as are not too scared to listen, he tells them of the danger of
+fear and of the necessity for calmness and courage.
+
+"We must face and fight this thing like men," he cries, in that deep,
+din-conquering voice that has served the Ingerfields in good stead on
+many a steel-swept field, on many a storm-struck sea; "there must be
+no cowardly selfishness, no faint-hearted despair. If we've got to
+die we'll die; but please God we'll live. Anyhow, we will stick
+together, and help each other. I mean to stop here with you, and do
+what I can for you. None of my people shall want."
+
+John Ingerfield ceases, and as the vibrations of his strong tones
+roll away a sweet voice from beside him rises clear and firm:-
+
+"I have come down to be with you also, and to help my husband. I
+shall take charge of the nursing and tending of your sick, and I hope
+I shall be of some real use to you. My husband and I are so sorry
+for you in your trouble. I know you will be brave and patient. We
+will all do our best, and be hopeful."
+
+He turns, half expecting to see only the empty air and to wonder at
+the delirium in his brain. She puts her hand in his, and their eyes
+meet; and in that moment, for the first time in their lives, these
+two see one another.
+
+They speak no word. There is no opportunity for words. There is
+work to be done, and done quickly, and Anne grasps it with the greed
+of a woman long hungry for the joy of doing. As John watches her
+moving swiftly and quietly through the bewildered throng,
+questioning, comforting, gently compelling, the thought comes to him,
+Ought he to allow her to be here, risking her life for his people?
+followed by the thought, How is he going to prevent it? For in this
+hour the knowledge is born within him that Anne is not his property;
+that he and she are fellow hands taking their orders from the same
+Master; that though it be well for them to work together and help
+each other, they must not hinder one another.
+
+As yet John does not understand all this. The idea is new and
+strange to him. He feels as the child in a fairy story on suddenly
+discovering that the trees and flowers has he passed by carelessly a
+thousand times can think and talk. Once he whispers to her of the
+labour and the danger, but she answers simply, "They are my people
+too, John: it is my work"; and he lets her have her way.
+
+Anne has a true woman's instinct for nursing, and her strong sense
+stands her in stead of experience. A glance into one or two of the
+squalid dens where these people live tells her that if her patients
+are to be saved they must be nursed away from their own homes; and
+she determines to convert the large counting-house--a long, lofty
+room at the opposite end of the wharf to the refinery--into a
+temporary hospital. Selecting some seven or eight of the most
+reliable women to assist her, she proceeds to prepare it for its
+purpose. Ledgers might be volumes of poetry, bills of lading mere
+street ballads, for all the respect that is shown to them. The older
+clerks stand staring aghast, feeling that the end of all things is
+surely at hand, and that the universe is rushing down into space,
+until, their idleness being detected, they are themselves promptly
+impressed for the sacrilegious work, and made to assist in the
+demolition of their own temple.
+
+Anne's commands are spoken very sweetly, and are accompanied by the
+sweetest of smiles; but they are nevertheless commands, and somehow
+it does not occur to any one to disobey them. John--stern,
+masterful, authoritative John, who has never been approached with
+anything more dictatorial than a timid request since he left Merchant
+Taylors' School nineteen years ago, who would have thought that
+something had suddenly gone wrong with the laws of Nature if he had
+been--finds himself hurrying along the street on his way to a
+druggist's shop, slackens his pace an instant to ask himself why and
+wherefore he is doing so, recollects that he was told to do so and to
+make haste back, marvels who could have dared to tell him to do
+anything and to make haste back, remembers that it was Anne, is not
+quite sure what to think about it, but hurries on. He "makes haste
+back," is praised for having been so quick, and feels pleased with
+himself; is sent off again in another direction, with instructions
+what to say when he gets there. He starts off (he is becoming used
+to being ordered about now). Halfway there great alarm seizes him,
+for on attempting to say over the message to himself, to be sure that
+he has it quite right, he discovers he has forgotten it. He pauses,
+nervous and excited; cogitates as to whether it will be safe for him
+to concoct a message of his own, weighs anxiously the chances--
+supposing that he does so--of being found out. Suddenly, to his
+intense surprise and relief, every word of what he was told to say
+comes back to him; and he hastens on, repeating it over and over to
+himself as he walks, lest it should escape him again.
+
+And then a few hundred yards farther on there occurs one of the most
+extraordinary events that has ever happened in that street before or
+since: John Ingerfield laughs.
+
+John Ingerfield, of Lavender Wharf, after walking two-thirds of Creek
+Lane, muttering to himself with his eyes on the ground, stops in the
+middle of the road and laughs; and one small boy, who tells the story
+to his dying day, sees him and hears him, and runs home at the top of
+his speed with the wonderful news, and is conscientiously slapped by
+his mother for telling lies.
+
+All that day Anne works like a heroine, John helping her, and
+occasionally getting in the way. By night she has her little
+hospital prepared and three beds already up and occupied; and, all
+now done that can be done, she and John go upstairs to his old rooms
+above the counting-house.
+
+John ushers her into them with some misgiving, for by contrast with
+the house at Bloomsbury they are poor and shabby. He places her in
+the arm-chair near the fire, begging her to rest quiet, and then
+assists his old housekeeper, whose wits, never of the strongest, have
+been scared by the day's proceeding, to lay the meal.
+
+Anne's eyes follow him as he moves about the room. Perhaps here,
+where all the real part of his life has been passed, he is more his
+true self than amid the unfamiliar surroundings of fashion; perhaps
+this simpler frame shows him to greater advantage; but Anne wonders
+how it is she has never noticed before that he is a well-set,
+handsome man. Nor, indeed, is he so very old-looking. Is it a trick
+of the dim light, or what? He looks almost young. But why should he
+not look young, seeing he is only thirty-six, and at thirty-six a man
+is in his prime? Anne wonders why she has always thought of him as
+an elderly person.
+
+A portrait of one of John's ancestors hangs over the great
+mantelpiece--of that sturdy Captain Ingerfield who fought the King's
+frigate rather than give up one of his people. Anne glances from the
+dead face to the living and notes the strong likeness between them.
+Through her half-closed eyes she sees the grim old captain hurling
+back his message of defiance, and his face is the face she saw a few
+hours ago, saying, "I mean to stop here with you and do what I can
+for you. None of my people shall want."
+
+John is placing a chair for her at the table, and the light from the
+candles falls upon him. She steals another glance at his face--a
+strong, stern, handsome face, capable of becoming a noble face. Anne
+wonders if it has ever looked down tenderly at anyone; feels a sudden
+fierce pain at the thought; dismisses the thought as impossible;
+wonders, nevertheless, how tenderness would suit it; thinks she would
+like to see a look of tenderness upon it, simply out of curiosity;
+wonders if she ever will.
+
+She rouses herself from her reverie as John, with a smile, tells her
+supper is ready, and they seat themselves opposite each other, an odd
+air of embarrassment pervading.
+
+Day by day their work grows harder; day by day the foe grows
+stronger, fiercer, more all-conquering; and day by day, fighting side
+by side against it, John Ingerfield and Anne, his wife, draw closer
+to each other. On the battle-field of life we learn the worth of
+strength. Anne feels it good, when growing weary, to glance up and
+find him near her; feels it good, amid the troubled babel round her,
+to hear the deep, strong music of his voice.
+
+And John, watching Anne's fair figure moving to and fro among the
+stricken and the mourning; watching her fair, fluttering hands, busy
+with their holy work, her deep, soul-haunting eyes, changeful with
+the light and shade of tenderness; listening to her sweet, clear
+voice, laughing with the joyous, comforting the comfortless, gently
+commanding, softly pleading, finds creeping into his brain strange
+new thoughts concerning women--concerning this one woman in
+particular.
+
+One day, rummaging over an old chest, he comes across a coloured
+picture-book of Bible stories. He turns the torn pages fondly,
+remembering the Sunday afternoons of long ago. At one picture,
+wherein are represented many angels, he pauses; for in one of the
+younger angels of the group--one not quite so severe of feature as
+her sisters--he fancies he can trace resemblance to Anne. He lingers
+long over it. Suddenly there rushes through his brain the thought,
+How good to stoop and kiss the sweet feet of such a woman! and,
+thinking it, he blushes like a boy.
+
+So from the soil of human suffering spring the flowers of human love
+and joy, and from the flowers there fall the seeds of infinite pity
+for human pain, God shaping all things to His ends.
+
+Thinking of Anne, John's face grows gentler, his hand kinder;
+dreaming of him, her heart grows stronger, deeper, fuller. Every
+available room in the warehouse has been turned into a ward, and the
+little hospital is open free to all, for John and Anne feel that the
+whole world are their people. The piled-up casks are gone--shipped
+to Woolwich and Gravesend, bundled anywhere out of the way, as though
+oil and tallow and the gold they can be stirred into were matters of
+small moment in this world, not to be thought of beside such a thing
+as the helping of a human brother in sore strait.
+
+All the labour of the day seems light to them, looking forward to the
+hour when they sit together in John's old shabby dining-room above
+the counting-house. Yet a looker-on might imagine such times dull to
+them; for they are strangely shy of one another, strangely sparing of
+words--fearful of opening the flood-gates of speech, feeling the
+pressure of the pent-up thought.
+
+One evening, John, throwing out words, not as a sop to the necessity
+for talk, but as a bait to catch Anne's voice, mentions girdle-cakes,
+remembers that his old housekeeper used to be famous for the making
+of them, and wonders if she has forgotten the art.
+
+Anne, answering tremulously, as though girdle-cakes were a somewhat
+delicate topic, claims to be a successful amateur of them herself.
+John, having been given always to understand that the talent for them
+was exceedingly rare, and one usually hereditary, respectfully doubts
+Anne's capabilities, deferentially suggesting that she is thinking of
+scones. Anne indignantly repudiates the insinuation, knows quite
+well the difference between girdle-cakes and scones, offers to prove
+her powers by descending into the kitchen and making some then and
+there, if John will accompany her and find the things for her.
+
+John accepts the challenge, and, guiding Anne with one shy, awkward
+hand, while holding aloft a candle in the other, leads the way. It
+is past ten o'clock, and the old housekeeper is in bed. At each
+creaking stair they pause, to listen if the noise has awakened her;
+then, finding all silent, creep forward again, with suppressed
+laughter, wondering with alarm, half feigned, half real, what the
+prim, methodical dame would say were she to come down and catch them.
+
+They reach the kitchen, thanks more to the suggestions of a friendly
+cat than to John's acquaintanceship with the geography of his own
+house; and Anne rakes together the fire and clears the table for her
+work. What possible use John is to her--what need there was for her
+stipulating that he should accompany her, Anne might find it
+difficult, if examined, to explain satisfactorily. As for his
+"finding the things" for her, he has not the faintest notion where
+they are, and possesses no natural aptitude for discovery. Told to
+find flour, he industriously searches for it in the dresser drawers;
+sent for the rolling-pin--the nature and characteristics of rolling-
+pins being described to him for his guidance--he returns, after a
+prolonged absence, with the copper stick. Anne laughs at him; but
+really it would seem as though she herself were almost as stupid, for
+not until her hands are covered with flour does it occur to her that
+she has not taken that preliminary step in all cooking operations of
+rolling up her sleeves.
+
+She holds out her arms to John, first one and then the other, asking
+him sweetly if he minds doing it for her. John is very slow and
+clumsy, but Anne stands very patient. Inch by inch he peels the
+black sleeve from the white round arm. Hundreds of times must he
+have seen those fair arms, bare to the shoulder, sparkling with
+jewels; but never before has he seen their wondrous beauty. He longs
+to clasp them round his neck, yet is fearful lest his trembling
+fingers touching them as he performs his tantalising task may offend
+her. Anne thanks him, and apologises for having given him so much
+trouble, and he murmurs some meaningless reply, and stands foolishly
+silent, watching her.
+
+Anne seems to find one hand sufficient for her cake-making, for the
+other rests idly on the table--very near to one of John's, as she
+would see were not her eyes so intent upon her work. How the impulse
+came to him, where he--grave, sober, business-man John--learnt such
+story-book ways can never be known; but in one instant he is down on
+both knees, smothering the floury hand with kisses, and the next
+moment Anne's arms are round his neck and her lips against his, and
+the barrier between them is swept away, and the deep waters of their
+love rush together.
+
+With that kiss they enter a new life whereinto one may not follow
+them. One thinks it must have been a life made strangely beautiful
+by self-forgetfulness, strangely sweet by mutual devotion--a life too
+ideal, perhaps, to have remained for long undimmed by the mists of
+earth.
+
+They who remember them at that time speak of them in hushed tones, as
+one speaks of visions. It would almost seem as though from their
+faces in those days there shone a radiance, as though in their voices
+dwelt a tenderness beyond the tenderness of man.
+
+They seem never to rest, never to weary. Day and night, through that
+little stricken world, they come and go, bearing healing and peace,
+till at last the plague, like some gorged beast of prey, slinks
+slowly back towards its lair, and men raise their heads and breathe.
+
+One afternoon, returning from a somewhat longer round than usual,
+John feels a weariness creeping into his limbs, and quickens his
+step, eager to reach home and rest. Anne, who has been up all the
+previous night, is asleep, and not wishing to disturb her, he goes
+into the dining-room and sits down in the easy chair before the fire.
+The room strikes cold. He stirs the logs, but they give out no
+greater heat. He draws his chair right in front of them, and sits
+leaning over them with his feet on the hearth and his hands
+outstretched towards the blaze; yet he still shivers.
+
+Twilight fills the room and deepens into dusk. He wonders listlessly
+how it is that Time seems to be moving with such swift strides.
+After a while he hears a voice close to him, speaking in a slow,
+monotonous tone--a voice curiously familiar to him, though he cannot
+tell to whom it belongs. He does not turn his head, but sits
+listening to it drowsily. It is talking about tallow: one hundred
+and ninety-four casks of tallow, and they must all stand one inside
+the other. It cannot be done, the voice complains pathetically.
+They will not go inside each other. It is no good pushing them.
+See! they only roll out again.
+
+The voice grows wearily fretful. Oh! why do they persist when they
+see it is impossible? What fools they all are!
+
+Suddenly he recollects the voice, and starts up and stares wildly
+about him, trying to remember where he is. With a fierce straining
+of his will he grips the brain that is slipping away from him, and
+holds it. As soon as he feels sure of himself he steals out of the
+room and down the stairs.
+
+In the hall he stands listening; the house is very silent. He goes
+to the head of the stairs leading to the kitchen and calls softly to
+the old housekeeper, and she comes up to him, panting and grunting as
+she climbs each step. Keeping some distance from her, he asks in a
+whisper where Anne is. The woman answers that she is in the
+hospital.
+
+"Tell her I have been called away suddenly on business," he says,
+speaking in quick, low tones: "I shall be away for some days. Tell
+her to leave here and return home immediately. They can do without
+her here now. Tell her to go back home at once. I will join her
+there."
+
+He moves toward the door but stops and faces round again.
+
+"Tell her I beg and entreat her not to stop in this place an hour
+longer. There is nothing to keep her now. It is all over: there is
+nothing that cannot be done by any one. Tell her she must go home--
+this very night. Tell her if she loves me to leave this place at
+once."
+
+The woman, a little bewildered by his vehemence, promises, and
+disappears down the stairs. He takes his hat and cloak from the
+chair on which he had thrown them, and turns once more to cross the
+hall. As he does so, the door opens and Anne enters.
+
+He darts back into the shadow, squeezing himself against the wall.
+Anne calls to him laughingly, then, as he does not answer, with a
+frightened accent:
+
+"John,--John, dear. Was not that you? Are not you there?"
+
+He holds his breath, and crouches still closer into the dark corner;
+and Anne, thinking she must have been mistaken in the dim light,
+passes him and goes upstairs.
+
+Then he creeps stealthily to the door, lets himself out and closes it
+softly behind him.
+
+After the lapse of a few minutes the old housekeeper plods upstairs
+and delivers John's message. Anne, finding it altogether
+incomprehensible, subjects the poor dame to severe examination, but
+fails to elicit anything further. What is the meaning of it? What
+"business" can have compelled John, who for ten weeks has never let
+the word escape his lips, to leave her like this--without a word!
+without a kiss! Then suddenly she remembers the incident of a few
+moments ago, when she had called to him, thinking she saw him, and he
+did not answer; and the whole truth strikes her full in the heart.
+
+She refastens the bonnet-strings she has been slowly untying, and
+goes down and out into the wet street.
+
+She makes her way rapidly to the house of the only doctor resident in
+the neighbourhood--a big, brusque-mannered man, who throughout these
+terrible two months has been their chief stay and help. He meets her
+on her entrance with an embarrassed air that tells its own tale, and
+at once renders futile his clumsy attempts at acting
+
+How should he know where John is? Who told her John had the fever--a
+great, strong, hulking fellow like that? She has been working too
+hard, and has got fever on the brain. She must go straight back
+home, or she will be having it herself. She is more likely to take
+it than John.
+
+Anne, waiting till he has finished jerking out sentences while
+stamping up and down the room, says gently, taking no notice of his
+denials,--"If you will not tell me I must find out from some one
+else--that is all." Then, her quick eyes noting his momentary
+hesitation, she lays her little hand on his rough paw, and, with the
+shamelessness of a woman who loves deeply, wheedles everything out of
+him that he has promised to keep secret.
+
+He stops her, however, as she is leaving the room. "Don't go in to
+him now," he says; "he will worry about you. Wait till to-morrow."
+
+So, while John lies counting endless casks of tallow, Anne sits by
+his side, tending her last "case."
+
+Often in his delirium he calls her name, and she takes his fevered
+hand in hers and holds it, and he falls asleep.
+
+Each morning the doctor comes and looks at him, asks a few questions
+and gives a few commonplace directions, but makes no comment. It
+would be idle his attempting to deceive her.
+
+The days move slowly through the darkened room. Anne watches his
+thin hands grow thinner, his sunken eyes grow bigger; yet remains
+strangely calm, almost contented.
+
+Very near the end there comes an hour when John wakes as from a
+dream, and remembers all things clearly.
+
+He looks at her half gratefully, half reproachfully.
+
+"Anne, why are you here?" he asks, in a low, laboured voice. "Did
+they not give you my message?"
+
+For answer she turns her deep eyes upon him.
+
+"Would you have gone away and left me here to die?" she questions
+him, with a faint smile.
+
+She bends her head down nearer to him, so that her soft hair falls
+about his face.
+
+"Our lives were one, dear," she whispers to him. "I could not have
+lived without you; God knew that. We shall be together always."
+
+She kisses him, and laying his head upon her breast, softly strokes
+it as she might a child's; and he puts his weak arms around her.
+
+Later on she feels them growing cold about her, and lays him gently
+back upon the bed, looks for the last time into his eyes, then draws
+the lids down over them.
+
+His people ask that they may bury him in the churchyard hard by, so
+that he may always be among them; and, Anne consenting, they do all
+things needful with their own hands, wishful that no unloving labour
+may be mingled with their work. They lay him close to the porch,
+where, going in and out the church, their feet will pass near to him;
+and one among them who is cunning with the graver's chisel shapes the
+stone.
+
+At the head he carves in bas-relief the figure of the good Samaritan
+tending the brother fallen by the way, and underneath the letters,
+"In Remembrance of John Ingerfield."
+
+He thinks to put a verse of Scripture immediately after; but the
+gruff doctor says, "Better leave a space, in case you want to add
+another name."
+
+So the stone remains a little while unfinished; till the same hand
+carves thereon, a few weeks later, "And of Anne, his Wife."
+
+
+
+
+THE WOMAN OF THE SAETER.
+
+
+
+Wild-reindeer stalking is hardly so exciting a sport as the evening's
+verandah talk in Norroway hotels would lead the trustful traveller to
+suppose. Under the charge of your guide, a very young man with the
+dreamy, wistful eyes of those who live in valleys, you leave the
+farmstead early in the forenoon, arriving towards twilight at the
+desolate hut which, for so long as you remain upon the uplands, will
+be your somewhat cheerless headquarters.
+
+Next morning, in the chill, mist-laden dawn, you rise; and, after a
+breakfast of coffee and dried fish, shoulder your Remington, and step
+forth silently into the raw, damp air; the guide locking the door
+behind you, the key grating harshly in the rusty lock.
+
+For hour after hour you toil over the steep, stony ground, or wind
+through the pines, speaking in whispers, lest your voice reach the
+quick ears of your prey, that keeps its head ever pressed against the
+wind. Here and there, in the hollows of the hills lie wide fields of
+snow, over which you pick your steps thoughtfully, listening to the
+smothered thunder of the torrent, tunnelling its way beneath your
+feet, and wondering whether the frozen arch above it be at all points
+as firm as is desirable. Now and again, as in single file you walk
+cautiously along some jagged ridge, you catch glimpses of the green
+world, three thousand feet below you; though you gaze not long upon
+the view, for your attention is chiefly directed to watching the
+footprints of the guide, lest by deviating to the right or left you
+find yourself at one stride back in the valley--or, to be more
+correct, are found there.
+
+These things you do, and as exercise they are healthful and
+invigorating. But a reindeer you never see, and unless, overcoming
+the prejudices of your British-bred conscience, you care to take an
+occasional pop at a fox, you had better have left your rifle at the
+hut, and, instead, have brought a stick which would have been
+helpful. Notwithstanding which the guide continues sanguine, and in
+broken English, helped out by stirring gesture, tells of the terrible
+slaughter generally done by sportsmen under his superintendence, and
+of the vast herds that generally infest these fields; and when you
+grow sceptical upon the subject of Reins he whispers alluringly of
+Bears.
+
+Once in a way you will come across a track, and will follow it
+breathlessly for hours, and it will lead to a sheer precipice.
+Whether the explanation is suicide, or a reprehensible tendency on
+the part of the animal towards practical joking, you are left to
+decide for yourself. Then, with many rough miles between you and
+your rest, you abandon the chase.
+
+But I speak from personal experience merely.
+
+All day long we had tramped through the pitiless rain, stopping only
+for an hour at noon to eat some dried venison and smoke a pipe
+beneath the shelter of an overhanging cliff. Soon afterwards Michael
+knocked over a ryper (a bird that will hardly take the trouble to hop
+out of your way) with his gun-barrel, which incident cheered us a
+little; and, later on, our flagging spirits were still further
+revived by the discovery of apparently very recent deer-tracks.
+These we followed, forgetful, in our eagerness, of the lengthening
+distance back to the hut, of the fading daylight, of the gathering
+mist. The track led us higher and higher, farther and farther into
+the mountains, until on the shores of a desolate rock-bound vand it
+abruptly ended, and we stood staring at one another, and the snow
+began to fall.
+
+Unless in the next half-hour we could chance upon a saeter, this
+meant passing the night upon the mountain. Michael and I looked at
+the guide; but though, with characteristic Norwegian sturdiness, he
+put a bold face upon it, we could see that in that deepening darkness
+he knew no more than we did. Wasting no time on words, we made
+straight for the nearest point of descent, knowing that any human
+habitation must be far below us.
+
+Down we scrambled, heedless of torn clothes and bleeding hands, the
+darkness pressing closer round us. Then suddenly it became black--
+black as pitch--and we could only hear each other. Another step
+might mean death. We stretched out our hands, and felt each other.
+Why we spoke in whispers, I do not know, but we seemed afraid of our
+own voices. We agreed there was nothing for it but to stop where we
+were till morning, clinging to the short grass; so we lay there side
+by side, for what may have been five minutes or may have been an
+hour. Then, attempting to turn, I lost my grip and rolled. I made
+convulsive efforts to clutch the ground, but the incline was too
+steep. How far I fell I could not say, but at last something stopped
+me. I felt it cautiously with my foot: it did not yield, so I
+twisted myself round and touched it with my hand. It seemed planted
+firmly in the earth. I passed my arm along to the right, then to the
+left. I shouted with joy. It was a fence.
+
+Rising and groping about me, I found an opening, and passed through,
+and crept forward with palms outstretched until I touched the logs of
+a hut; then, feeling my way round, discovered the door, and knocked.
+There came no response, so I knocked louder; then pushed, and the
+heavy woodwork yielded, groaning. But the darkness within was even
+darker than the darkness without. The others had contrived to crawl
+down and join me. Michael struck a wax vesta and held it up, and
+slowly the room came out of the darkness and stood round us.
+
+Then something rather startling happened. Giving one swift glance
+about him, our guide uttered a cry, and rushed out into the night.
+We followed to the door, and called after him, but only a voice came
+to us out of the blackness, and the only words that we could catch,
+shrieked back in terror, were: "Saetervronen! Saetervronen!" ("The
+woman of the saeter").
+
+"Some foolish superstition about the place, I suppose," said Michael.
+"In these mountain solitudes men breed ghosts for company. Let us
+make a fire. Perhaps, when he sees the light, his desire for food
+and shelter may get the better of his fears."
+
+We felt about in the small enclosure round the house, and gathered
+juniper and birch-twigs, and kindled a fire upon the open stove built
+in the corner of the room. Fortunately, we had some dried reindeer
+and bread in our bag, and on that and the ryper and the contents of
+our flasks we supped. Afterwards, to while away the time, we made an
+inspection of the strange eyrie we had lighted on.
+
+It was an old log-built saeter. Some of these mountain farmsteads
+are as old as the stone ruins of other countries. Carvings of
+strange beasts and demons were upon its blackened rafters, and on the
+lintel, in runic letters, ran this legend: "Hund builded me in the
+days of Haarfager." The house consisted of two large apartments.
+Originally, no doubt, these had been separate dwellings standing
+beside one another, but they were now connected by a long, low
+gallery. Most of the scanty furniture was almost as ancient as the
+walls themselves, but many articles of a comparatively recent date
+had been added. All was now, however, rotting and falling into
+decay.
+
+The place appeared to have been deserted suddenly by its last
+occupants. Household utensils lay as they were left, rust and dirt
+encrusted on them. An open book, limp and mildewed, lay face
+downwards on the table, while many others were scattered about both
+rooms, together with much paper, scored with faded ink. The curtains
+hung in shreds about the windows; a woman's cloak, of an antiquated
+fashion, drooped from a nail behind the door. In an oak chest we
+found a tumbled heap of yellow letters. They were of various dates,
+extending over a period of four months; and with them, apparently
+intended to receive them, lay a large envelope, inscribed with an
+address in London that has since disappeared.
+
+Strong curiosity overcoming faint scruples, we read them by the dull
+glow of the burning juniper twigs, and, as we lay aside the last of
+them, there rose from the depths below us a wailing cry, and all
+night long it rose and died away, and rose again, and died away
+again; whether born of our brain or of some human thing, God knows.
+
+And these, a little altered and shortened, are the letters:-
+
+
+Extract from first letter:
+
+"I cannot tell you, my dear Joyce, what a haven of peace this place
+is to me after the racket and fret of town. I am almost quite
+recovered already, and am growing stronger every day; and, joy of
+joys, my brain has come back to me, fresher and more vigorous, I
+think, for its holiday. In this silence and solitude my thoughts
+flow freely, and the difficulties of my task are disappearing as if
+by magic. We are perched upon a tiny plateau halfway up the
+mountain. On one side the rock rises almost perpendicularly,
+piercing the sky; while on the other, two thousand feet below us, the
+torrent hurls itself into the black waters of the fiord. The house
+consists of two rooms--or, rather, it is two cabins connected by a
+passage. The larger one we use as a living room, and the other is
+our sleeping apartment. We have no servant, but do everything for
+ourselves. I fear sometimes Muriel must find it lonely. The nearest
+human habitation is eight miles away, across the mountain, and not a
+soul comes near us. I spend as much time as I can with her, however,
+during the day, and make up for it by working at night after she has
+gone to sleep; and when I question her, she only laughs, and answers
+that she loves to have me all to herself. (Here you will smile
+cynically, I know, and say, 'Humph, I wonder will she say the same
+when they have been married six years instead of six months.') At
+the rate I am working now I shall have finished my first volume by
+the spring, and then, my dear fellow, you must try and come over, and
+we will walk and talk together 'amid these storm-reared temples of
+the gods.' I have felt a new man since I arrived here. Instead of
+having to 'cudgel my brains,' as we say, thoughts crowd upon me.
+This work will make my name."
+
+
+Part of the third letter, the second being mere talk about the book
+(a history apparently) that the man was writing:
+
+"MY DEAR JOYCE,--I have written you two letters--this will make the
+third--but have been unable to post them. Every day I have been
+expecting a visit from some farmer or villager, for the Norwegians
+are kindly people towards strangers--to say nothing of the
+inducements of trade. A fortnight having passed, however, and the
+commissariat question having become serious, I yesterday set out
+before dawn, and made my way down to the valley; and this gives me
+something to tell you. Nearing the village, I met a peasant woman.
+To my intense surprise, instead of returning my salutation, she
+stared at me, as if I were some wild animal, and shrank away from me
+as far as the width of the road would permit. In the village the
+same experience awaited me. The children ran from me, the people
+avoided me. At last a grey-haired old man appeared to take pity on
+me, and from him I learnt the explanation of the mystery. It seems
+there is a strange superstition attaching to this house in which we
+are living. My things were brought up here by the two men who
+accompanied me from Drontheim, but the natives are afraid to go near
+the place, and prefer to keep as far as possible from any one
+connected with it.
+
+"The story is that the house was built by one Hund, 'a maker of
+runes' (one of the old saga writers, no doubt), who lived here with
+his young wife. All went peacefully until, unfortunately for him, a
+certain maiden stationed at a neighbouring saeter grew to love him.
+
+"Forgive me if I am telling you what you know, but a 'saeter' is the
+name given to the upland pastures to which, during the summer, are
+sent the cattle, generally under the charge of one or more of the
+maids. Here for three months these girls will live in their lonely
+huts, entirely shut off from the world. Customs change little in
+this land. Two or three such stations are within climbing distance
+of this house, at this day, looked after by the farmers' daughters,
+as in the days of Hund, 'maker of runes.'
+
+"Every night, by devious mountain paths, the woman would come and tap
+lightly at Hund's door. Hund had built himself two cabins, one
+behind the other (these are now, as I think I have explained to you,
+connected by a passage); the smaller one was the homestead; in the
+other he carved and wrote, so that while the young wife slept the
+'maker of runes' and the saeter woman sat whispering.
+
+"One night, however, the wife learnt all things, but said no word.
+Then, as now, the ravine in front of the enclosure was crossed by a
+slight bridge of planks, and over this bridge the woman of the saeter
+passed and repassed each night. On a day when Hund had gone down to
+fish in the fiord, the wife took an axe, and hacked and hewed at the
+bridge, yet it still looked firm and solid; and that night, as Hund
+sat waiting in his workshop, there struck upon his ears a piercing
+cry, and a crashing of logs and rolling rock, and then again the dull
+roaring of the torrent far below.
+
+"But the woman did not die unavenged; for that winter a man, skating
+far down the fiord, noticed a curious object embedded in the ice; and
+when, stooping, he looked closer, he saw two corpses, one gripping
+the other by the throat, and the bodies were the bodies of Hund and
+his young wife.
+
+"Since then, they say, the woman of the saeter haunts Hund's house,
+and if she sees a light within she taps upon the door, and no man may
+keep her out. Many, at different times, have tried to occupy the
+house, but strange tales are told of them. 'Men do not live at
+Hund's saeter,' said my old grey-haired friend, concluding his tale,-
+-'they die there.'
+
+"I have persuaded some of the braver of the villagers to bring what
+provisions and other necessaries we require up to a plateau about a
+mile from the house and leave them there. That is the most I have
+been able to do. It comes somewhat as a shock to one to find men and
+women--fairly educated and intelligent as many of them are--slaves to
+fears that one would expect a child to laugh at. But there is no
+reasoning with superstition."
+
+
+Extract from the same letter, but from a part seemingly written a day
+or two later:
+
+"At home I should have forgotten such a tale an hour after I had
+heard it, but these mountain fastnesses seem strangely fit to be the
+last stronghold of the supernatural. The woman haunts me already.
+At night instead of working, I find myself listening for her tapping
+at the door; and yesterday an incident occurred that makes me fear
+for my own common sense. I had gone out for a long walk alone, and
+the twilight was thickening into darkness as I neared home. Suddenly
+looking up from my reverie, I saw, standing on a knoll the other side
+of the ravine, the figure of a woman. She held a cloak about her
+head, and I could not see her face. I took off my cap, and called
+out a good-night to her, but she never moved or spoke. Then--God
+knows why, for my brain was full of other thoughts at the time--a
+clammy chill crept over me, and my tongue grew dry and parched. I
+stood rooted to the spot, staring at her across the yawning gorge
+that divided us; and slowly she moved away, and passed into the
+gloom, and I continued my way. I have said nothing to Muriel, and
+shall not. The effect the story has had upon myself warns me not to
+do so."
+
+
+From a letter dated eleven days later:
+
+"She has come. I have known she would, since that evening I saw her
+on the mountain; and last night she came, and we have sat and looked
+into each other's eyes. You will say, of course, that I am mad--that
+I have not recovered from my fever--that I have been working too
+hard--that I have heard a foolish tale, and that it has filled my
+overstrung brain with foolish fancies: I have told myself all that.
+But the thing came, nevertheless--a creature of flesh and blood? a
+creature of air? a creature of my own imagination?--what matter? it
+was real to me.
+
+"It came last night, as I sat working, alone. Each night I have
+waited for it, listened for it--longed for it, I know now. I heard
+the passing of its feet upon the bridge, the tapping of its hand upon
+the door, three times--tap, tap, tap. I felt my loins grow cold, and
+a pricking pain about my head; and I gripped my chair with both
+hands, and waited, and again there came the tapping--tap, tap, tap.
+I rose and slipped the bolt of the door leading to the other room,
+and again I waited, and again there came the tapping--tap, tap, tap.
+Then I opened the heavy outer door, and the wind rushed past me,
+scattering my papers, and the woman entered in, and I closed the door
+behind her. She threw her hood back from her head, and unwound a
+kerchief from about her neck, and laid it on the table. Then she
+crossed and sat before the fire, and I noticed her bare feet were
+damp with the night dew.
+
+"I stood over against her and gazed at her, and she smiled at me--a
+strange, wicked smile, but I could have laid my soul at her feet.
+She never spoke or moved, and neither did I feel the need of spoken
+words, for I understood the meaning of those upon the Mount when they
+said, 'Let us make here tabernacles: it is good for us to be here.'
+
+"How long a time passed thus I do not know, but suddenly the woman
+held her hand up, listening, and there came a faint sound from the
+other room. Then swiftly she drew her hood about her face and passed
+out, closing the door softly behind her; and I drew back the bolt of
+the inner door and waited, and hearing nothing more, sat down, and
+must have fallen asleep in my chair.
+
+"I awoke, and instantly there flashed through my mind the thought of
+the kerchief the woman had left behind her, and I started from my
+chair to hide it. But the table was already laid for breakfast, and
+my wife sat with her elbows on the table and her head between her
+hands, watching me with a look in her eyes that was new to me.
+
+"She kissed me, though her lips were cold; and I argued to myself
+that the whole thing must have been a dream. But later in the day,
+passing the open door when her back was towards me, I saw her take
+the kerchief from a locked chest and look at it.
+
+"I have told myself it must have been a kerchief of her own, and that
+all the rest has been my imagination; that, if not, then my strange
+visitant was no spirit, but a woman; and that, if human thing knows
+human thing, it was no creature of flesh and blood that sat beside me
+last night. Besides, what woman would she be? The nearest saeter is
+a three-hours' climb to a strong man, and the paths are dangerous
+even in daylight: what woman would have found them in the night?
+What woman would have chilled the air around her, and have made the
+blood flow cold through all my veins? Yet if she come again I will
+speak to her. I will stretch out my hand and see whether she be
+mortal thing or only air."
+
+
+The fifth letter:
+
+"MY DEAR JOYCE,--Whether your eyes will ever see these letters is
+doubtful. From this place I shall never send them. They would read
+to you as the ravings of a madman. If ever I return to England I may
+one day show them to you, but when I do it will be when I, with you,
+can laugh over them. At present I write them merely to hide away,--
+putting the words down on paper saves my screaming them aloud.
+
+"She comes each night now, taking the same seat beside the embers,
+and fixing upon me those eyes, with the hell-light in them, that burn
+into my brain; and at rare times she smiles, and all my being passes
+out of me, and is hers. I make no attempt to work. I sit listening
+for her footsteps on the creaking bridge, for the rustling of her
+feet upon the grass, for the tapping of her hand upon the door. No
+word is uttered between us. Each day I say: 'When she comes to-
+night I will speak to her. I will stretch out my hand and touch
+her.' Yet when she enters, all thought and will goes out from me.
+
+"Last night, as I stood gazing at her, my soul filled with her
+wondrous beauty as a lake with moonlight, her lips parted, and she
+started from her chair; and, turning, I thought I saw a white face
+pressed against the window, but as I looked it vanished. Then she
+drew her cloak about her, and passed out. I slid back the bolt I
+always draw now, and stole into the other room, and, taking down the
+lantern, held it above the bed. But Muriel's eyes were closed as if
+in sleep."
+
+
+Extract from the sixth letter:
+
+"It is not the night I fear, but the day. I hate the sight of this
+woman with whom I live, whom I call 'wife.' I shrink from the blow
+of her cold lips, the curse of her stony eyes. She has seen, she has
+learnt; I feel it, I know it. Yet she winds her arms around my neck,
+and calls me sweetheart, and smoothes my hair with her soft, false
+hands. We speak mocking words of love to one another, but I know her
+cruel eyes are ever following me. She is plotting her revenge, and I
+hate her, I hate her, I hate her!"
+
+
+Part of the seventh letter:
+
+"This morning I went down to the fiord. I told her I should not be
+back until the evening. She stood by the door watching me until we
+were mere specks to one another, and a promontory of the mountain
+shut me from view. Then, turning aside from the track, I made my
+way, running and stumbling over the jagged ground, round to the other
+side of the mountain, and began to climb again. It was slow, weary
+work. Often I had to go miles out of my road to avoid a ravine, and
+twice I reached a high point only to have to descend again. But at
+length I crossed the ridge, and crept down to a spot from where,
+concealed, I could spy upon my own house. She--my wife--stood by the
+flimsy bridge. A short hatchet, such as butchers use, was in her
+hand. She leant against a pine trunk, with her arm behind her, as
+one stands whose back aches with long stooping in some cramped
+position; and even at that distance I could see the cruel smile about
+her lips.
+
+"Then I recrossed the ridge, and crawled down again, and, waiting
+until evening, walked slowly up the path. As I came in view of the
+house she saw me, and waved her handkerchief to me, and in answer I
+waved my hat, and shouted curses at her that the wind whirled away
+into the torrent. She met me with a kiss, and I breathed no hint to
+her that I had seen. Let her devil's work remain undisturbed. Let
+it prove to me what manner of thing this is that haunts me. If it be
+a spirit, then the bridge wilt bear it safely; if it be woman -
+
+"But I dismiss the thought. If it be human thing, why does it sit
+gazing at me, never speaking? why does my tongue refuse to question
+it? why does all power forsake me in its presence, so that I stand as
+in a dream? Yet if it be spirit, why do I hear the passing of her
+feet? and why does the night-rain glisten on her hair?
+
+"I force myself back into my chair. It is far into the night, and I
+am alone, waiting, listening. If it be spirit, she will come to me;
+and if it be woman, I shall hear her cry above the storm--unless it
+be a demon mocking me.
+
+"I have heard the cry. It rose, piercing and shrill, above the
+storm, above the riving and rending of the bridge, above the downward
+crashing of the logs and loosened stones. I hear it as I listen now.
+It is cleaving its way upward from the depths below. It is wailing
+through the room as I sit writing.
+
+"I have crawled upon my belly to the utmost edge of the still
+standing pier, until I could feel with my hand the jagged splinters
+left by the fallen planks, and have looked down. But the chasm was
+full to the brim with darkness. I shouted, but the wind shook my
+voice into mocking laughter. I sit here, feebly striking at the
+madness that is creeping nearer and nearer to me. I tell myself the
+whole thing is but the fever in my brain. The bridge was rotten.
+The storm was strong. The cry is but a single one among the many
+voices of the mountain. Yet still I listen; and it rises, clear and
+shrill, above the moaning of the pines, above the sobbing of the
+waters. It beats like blows upon my skull, and I know that she will
+never come again."
+
+
+Extract from the last letter:
+
+"I shall address an envelope to you, and leave it among these
+letters. Then, should I never come back, some chance wanderer may
+one day find and post them to you, and you will know.
+
+"My books and writings remain untouched. We sit together of a night-
+-this woman I call 'wife' and I--she holding in her hands some
+knitted thing that never grows longer by a single stitch, and I with
+a volume before me that is ever open at the same page. And day and
+night we watch each other stealthily, moving to and fro about the
+silent house; and at times, looking round swiftly, I catch the smile
+upon her lips before she has time to smooth it away.
+
+"We speak like strangers about this and that, making talk to hide our
+thoughts. We make a pretence of busying ourselves about whatever
+will help us to keep apart from one another.
+
+"At night, sitting here between the shadows and the dull glow of the
+smouldering twigs, I sometimes think I hear the tapping I have learnt
+to listen for, and I start from my seat, and softly open the door and
+look out. But only the Night stands there. Then I close-to the
+latch, and she--the living woman--asks me in her purring voice what
+sound I heard, hiding a smile as she stoops low over her work; and I
+answer lightly, and, moving towards her, put my arm about her,
+feeling her softness and her suppleness, and wondering, supposing I
+held her close to me with one arm while pressing her from me with the
+other, how long before I should hear the cracking of her bones.
+
+"For here, amid these savage solitudes, I also am grown savage. The
+old primeval passions of love and hate stir within me, and they are
+fierce and cruel and strong, beyond what you men of the later ages
+could understand. The culture of the centuries has fallen from me as
+a flimsy garment whirled away by the mountain wind; the old savage
+instincts of the race lie bare. One day I shall twine my fingers
+about her full white throat, and her eyes will slowly come towards
+me, and her lips will part, and the red tongue creep out; and
+backwards, step by step, I shall push her before me, gazing the while
+upon her bloodless face, and it will be my turn to smile. Backwards
+through the open door, backwards along the garden path between the
+juniper bushes, backwards till her heels are overhanging the ravine,
+and she grips life with nothing but her little toes, I shall force
+her, step by step, before me. Then I shall lean forward, closer,
+closer, till I kiss her purpling lips, and down, down, down, past the
+startled sea-birds, past the white spray of the foss, past the
+downward peeping pines, down, down, down, we will go together, till
+we find the thing that lies sleeping beneath the waters of the
+fiord."
+
+
+With these words ended the last letter, unsigned. At the first
+streak of dawn we left the house, and, after much wandering, found
+our way back to the valley. But of our guide we heard no news.
+Whether he remained still upon the mountain, or whether by some false
+step he had perished upon that night, we never learnt.
+
+
+
+VARIETY PATTER.
+
+
+
+My first appearance at a Music Hall was in the year one thousand
+eight hundred and s--. Well, I would rather not mention the exact
+date. I was fourteen at the time. It was during the Christmas
+holidays, and my aunt had given me five shillings to go and see
+Phelps--I think it was Phelps--in Coriolanus--I think it was
+Coriolanus. Anyhow, it was to see a high-class and improving
+entertainment, I know.
+
+I suggested that I should induce young Skegson, who lived in our
+road, to go with me. Skegson is a barrister now, and could not tell
+you the difference between a knave of clubs and a club of knaves. A
+few years hence he will, if he works hard, be innocent enough for a
+judge. But at the period of which I speak he was a red-haired boy of
+worldly tastes, notwithstanding which I loved him as a brother. My
+dear mother wished to see him before consenting to the arrangement,
+so as to be able to form her own opinion as to whether he was a fit
+and proper companion for me; and, accordingly, he was invited to tea.
+He came, and made a most favourable impression upon both my mother
+and my aunt. He had a way of talking about the advantages of
+application to study in early life, and the duties of youth towards
+those placed in authority over it, that won for him much esteem in
+grown-up circles. The spirit of the Bar had descended upon Skegson
+at a very early period of his career.
+
+My aunt, indeed, was so much pleased with him that she gave him two
+shillings towards his own expenses ("sprung half a dollar" was how he
+explained the transaction when we were outside), and commended me to
+his especial care.
+
+Skegson was very silent during the journey. An idea was evidently
+maturing in his mind. At the Angel he stopped and said: "Look here,
+I'll tell you what we'll do. Don't let's go and see that rot. Let's
+go to a Music Hall."
+
+I gasped for breath. I had heard of Music Halls. A stout lady had
+denounced them across our dinner table on one occasion--fixing the
+while a steely eye upon her husband, who sat opposite and seemed
+uncomfortable--as low, horrid places, where people smoked and drank,
+and wore short skirts, and had added an opinion that they ought to be
+put down by the police--whether the skirts or the halls she did not
+explain. I also recollected that our charwoman, whose son had lately
+left London for a protracted stay in Devonshire, had, in conversation
+with my mother, dated his downfall from the day when he first visited
+one of these places; and likewise that Mrs. Philcox's nursemaid, upon
+her confessing that she had spent an evening at one with her young
+man, had been called a shameless hussy, and summarily dismissed as
+being no longer a fit associate for the baby.
+
+But the spirit of lawlessness was strong within me in those days, so
+that I hearkened to the voice of Skegson, the tempter, and he lured
+my feet from the paths that led to virtue and Sadler's Wells, and we
+wandered into the broad and crowded ways that branch off from the
+Angel towards Merry Islington.
+
+Skegson insisted that we should do the thing in style, so we stopped
+at a shop near the Agricultural Hall and purchased some big cigars.
+A huge card in the window claimed for these that they were "the most
+satisfactory twopenny smokes in London." I smoked two of them during
+the evening, and never felt more satisfied--using the word in its
+true sense, as implying that a person has had enough of a thing, and
+does not desire any more of it, just then--in all my life. Where we
+went, and what we saw, my memory is not very clear upon. We sat at a
+little marble table. I know it was marble because it was so hard,
+and cool to the head. From out of the smoky mist a ponderous
+creature of strange, undefined shape floated heavily towards us, and
+deposited a squat tumbler in front of me containing a pale yellowish
+liquor, which subsequent investigation has led me to believe must
+have been Scotch whisky. It seemed to me then the most nauseous
+stuff I had ever swallowed. It is curious to look back and notice
+how one's tastes change.
+
+I reached home very late and very sick. That was my first
+dissipation, and, as a lesson, it has been of more practical use to
+me than all the good books and sermons in the world could have been.
+I can remember to this day standing in the middle of the room in my
+night-shirt, trying to catch my bed as it came round.
+
+Next morning I confessed everything to my mother, and, for several
+months afterwards, was a reformed character. Indeed, the pendulum of
+my conscience swung too far the other way, and I grew exaggeratedly
+remorseful and unhealthily moral.
+
+There was published in those days, for the edification of young
+people, a singularly pessimistic periodical, entitled The Children's
+Band of Hope Review. It was a magazine much in favour among grown-up
+people, and a bound copy of Vol. IX. had lately been won by my sister
+as a prize for punctuality (I fancy she must have exhausted all the
+virtue she ever possessed, in that direction, upon the winning of
+that prize. At all events, I have noticed no ostentatious display of
+the quality in her later life.) I had formerly expressed contempt
+for this book, but now, in my regenerate state, I took a morbid
+pleasure in poring over its denunciations of sin and sinners. There
+was one picture in it that appeared peculiarly applicable to myself.
+It represented a gaudily costumed young man, standing on the topmost
+of three steep steps, smoking a large cigar. Behind him was a very
+small church, and below, a bright and not altogether uninviting
+looking hell. The picture was headed "The Three Steps to Ruin," and
+the three stairs were labelled respectively "Smoking," "Drinking,"
+"Gambling." I had already travelled two-thirds of the road! Was I
+going all the way, or should I be able to retrace those steps? I
+used to lie awake at night and think about it till I grew half crazy.
+Alas! since then I have completed the descent, so where my future
+will be spent I do not care to think.
+
+Another picture in the book that troubled me was the frontispiece.
+This was a highly-coloured print, illustrating the broad and narrow
+ways. The narrow way led upward past a Sunday-school and a lion to a
+city in the clouds. This city was referred to in the accompanying
+letterpress as a place of "Rest and Peace," but inasmuch as the town
+was represented in the illustration as surrounded by a perfect mob of
+angels, each one blowing a trumpet twice his own size, and obviously
+blowing it for all he was worth, a certain confusion of ideas would
+seem to have crept into the allegory.
+
+The other path--the "broad way"--which ended in what at first glance
+appeared to be a highly successful display of fireworks, started from
+the door of a tavern, and led past a Music Hall, on the steps of
+which stood a gentleman smoking a cigar. All the wicked people in
+this book smoked cigars--all except one young man who had killed his
+mother and died raving mad. He had gone astray on short pipes.
+
+This made it uncomfortably clear to me which direction I had chosen,
+and I was greatly alarmed, until, on examining the picture more
+closely, I noticed, with much satisfaction, that about midway the two
+paths were connected by a handy little bridge, by the use of which it
+seemed feasible, starting on the one path and ending up on the other,
+to combine the practical advantages of both roads. From subsequent
+observation I have come to the conclusion that a good many people
+have made a note of that little bridge.
+
+My own belief in the possibility of such convenient compromise must,
+I fear, have led to an ethical relapse, for there recurs to my mind a
+somewhat painful scene of a few months' later date, in which I am
+seeking to convince a singularly unresponsive landed proprietor that
+my presence in his orchard is solely and entirely due to my having
+unfortunately lost my way.
+
+It was not until I was nearly seventeen that the idea occurred to me
+to visit a Music Hall again. Then, having regard to my double
+capacity of "Man About Town" and journalist (for I had written a
+letter to The Era, complaining of the way pit doors were made to
+open, and it had been inserted), I felt I had no longer any right to
+neglect acquaintanceship with so important a feature in the life of
+the people. Accordingly, one Saturday night, I wended my way to the
+"Pav."; and there the first person that I ran against was my uncle.
+He laid a heavy hand upon my shoulder, and asked me, in severe tones,
+what I was doing there. I felt this to be an awkward question, for
+it would have been useless trying to make him understand my real
+motives (one's own relations are never sympathetic), and I was
+somewhat nonplussed for an answer, until the reflection occurred to
+me: What was HE doing there? This riddle I, in my turn, propounded
+to him, with the result that we entered into treaty, by the terms of
+which it was agreed that no future reference should be made to the
+meeting by either of us--especially not in the presence of my aunt--
+and the compact was ratified according to the usual custom, my uncle
+paying the necessary expenses.
+
+In those days, we sat, some four or six of us, round a little table,
+on which were placed our drinks. Now we have to balance them upon a
+narrow ledge; and ladies, as they pass, dip the ends of their cloaks
+into them, and gentlemen stir them up for us with the ferrules of
+their umbrellas, or else sweep them off into our laps with their coat
+tails, saying as they do so, "Oh, I beg your pardon."
+
+Also, in those days, there were "chairmen"--affable gentlemen, who
+would drink anything at anybody's expense, and drink any quantity of
+it, and never seem to get any fuller. I was introduced to a Music
+Hall chairman once, and when I said to him, "What is your drink?" he
+took up the "list of beverages" that lay before him, and, opening it,
+waved his hand lightly across its entire contents, from clarets, past
+champagnes and spirits, down to liqueurs. "That's my drink, my boy,"
+said he. There was nothing narrow-minded or exclusive about his
+tastes.
+
+It was the chairman's duty to introduce the artists. "Ladies and
+gentlemen," he would shout, in a voice that united the musical
+characteristics of a foghorn and a steam saw, "Miss 'Enerietta
+Montressor, the popular serio-comic, will now happear." These
+announcements were invariably received with great applause by the
+chairman himself, and generally with chilling indifference by the
+rest of the audience.
+
+It was also the privilege of the chairman to maintain order, and
+reprimand evil-doers. This he usually did very effectively,
+employing for the purpose language both fit and forcible. One
+chairman that I remember seemed, however, to be curiously deficient
+in the necessary qualities for this part of his duty. He was a mild
+and sleepy little man, and, unfortunately, he had to preside over an
+exceptionally rowdy audience at a small hall in the South-East
+district. On the night that I was present, there occurred a great
+disturbance. "Joss Jessop, the Monarch of Mirth," a gentleman
+evidently high in local request was, for some reason or other, not
+forthcoming, and in his place the management proposed to offer a
+female performer on the zithern, one Signorina Ballatino.
+
+The little chairman made the announcement in a nervous, deprecatory
+tone, as if he were rather ashamed of it himself. "Ladies and
+gentlemen," he began,--the poor are staunch sticklers for etiquette:
+I overheard a small child explaining to her mother one night in Three
+Colts Street, Limehouse, that she could not get into the house
+because there was a "lady" on the doorstep, drunk,--"Signorina
+Ballatino, the world-renowned--"
+
+Here a voice from the gallery requested to know what had become of
+"Old Joss," and was greeted by loud cries of "'Ear, 'ear."
+
+The chairman, ignoring the interruption, continued:
+
+"--the world-renowned performer on the zither--"
+
+"On the whoter?" came in tones of plaintive inquiry from the back of
+the hall.
+
+"HON the zither," retorted the chairman, waxing mildly indignant; he
+meant zithern, but he called it a zither. "A hinstrument well-known
+to anybody as 'as 'ad any learning."
+
+This sally was received with much favour, and a gentleman who claimed
+to be acquainted with the family history of the interrupter begged
+the chairman to excuse that ill-bred person on the ground that his
+mother used to get drunk with the twopence a week and never sent him
+to school.
+
+Cheered by this breath of popularity, our little president
+endeavoured to complete his introduction of the Signorina. He again
+repeated that she was the world-renowned performer on the zithern;
+and, undeterred by the audible remark of a lady in the pit to the
+effect that she'd "never 'eard on 'er," added:
+
+"She will now, ladies and gentlemen, with your kind permission, give
+you examples of the--"
+
+"Blow yer zither!" here cried out the gentleman who had started the
+agitation; "we want Joss Jessop."
+
+This was the signal for much cheering and shrill whistling, in the
+midst of which a wag with a piping voice suggested as a reason for
+the favourite's non-appearance that he bad not been paid his last
+week's salary.
+
+A temporary lull occurred at this point; and the chairman, seizing
+the opportunity to complete his oft-impeded speech, suddenly
+remarked, "songs of the Sunny South"; and immediately sat down and
+began hammering upon the table.
+
+Then Signora Ballatino, clothed in the costume of the Sunny South,
+where clothes are less essential than in these colder climes, skipped
+airily forward, and was most ungallantly greeted with a storm of
+groans and hisses. Her beloved instrument was unfeelingly alluded to
+as a pie-dish, and she was advised to take it back and get the penny
+on it. The chairman, addressed by his Christian name of "Jimmee,"
+was told to lie down and let her sing him to sleep. Every time she
+attempted to start playing, shouts were raised for Joss.
+
+At length the chairman, overcoming his evident disinclination to take
+any sort of hand whatever in the game, rose and gently hinted at the
+desirability of silence. The suggestion not meeting with any
+support, he proceeded to adopt sterner measures. He addressed
+himself personally to the ringleader of the rioters, the man who had
+first championed the cause of the absent Joss. This person was a
+brawny individual, who, judging from appearances, followed in his
+business hours the calling of a coalheaver. "Yes, sir," said the
+chairman, pointing a finger towards him, where he sat in the front
+row of the gallery; "you, sir, in the flannel shirt. I can see you.
+Will you allow this lady to give her entertainment?"
+
+"No," answered he of the coalheaving profession, in stentorian tones.
+
+"Then, sir," said the little chairman, working himself up into a
+state suggestive of Jove about to launch a thunderbolt--"then, sir,
+all I can say is that you are no gentleman."
+
+This was a little too much, or rather a good deal too little, for the
+Signora Ballatino. She had hitherto been standing in a meek attitude
+of pathetic appeal, wearing a fixed smile of ineffable sweetness but
+she evidently felt that she could go a bit farther than that herself,
+even if she was a lady. Calling the chairman "an old messer," and
+telling him for Gawd's sake to shut up if that was all he could do
+for his living, she came down to the front, and took the case into
+her own hands.
+
+She did not waste time on the rest of the audience. She went direct
+for that coalheaver, and thereupon ensued a slanging match the memory
+of which sends a trill of admiration through me even to this day. It
+was a battle worthy of the gods. He was a heaver of coals, quick and
+ready beyond his kind. During many years sojourn East and South, in
+the course of many wanderings from Billingsgate to Limehouse Hole,
+from Petticoat Lane to White-chapel Road; out of eel-pie shop and
+penny gaff; out of tavern and street, and court and doss-house, he
+had gathered together slang words and terms and phrases, and they
+came back to him now, and he stood up against her manfully.
+
+But as well might the lamb stand up against the eagle, when the
+shadow of its wings falls across the green pastures, and the wind
+flies before its dark oncoming. At the end of two minutes he lay
+gasping, dazed, and speechless.
+
+Then she began.
+
+She announced her intention of "wiping down the bloomin' 'all" with
+him, and making it respectable; and, metaphorically speaking, that is
+what she did. Her tongue hit him between the eyes, and knocked him
+down and trampled on him. It curled round and round him like a whip,
+and then it uncurled and wound the other way. It seized him by the
+scruff of his neck, and tossed him up into the air, and caught him as
+he descended, and flung him to the ground, and rolled him on it. It
+played around him like forked lightning, and blinded him. It danced
+and shrieked about him like a host of whirling fiends, and he tried
+to remember a prayer, and could not. It touched him lightly on the
+sole of his foot and the crown of his head, and his hair stood up
+straight, and his limbs grew stiff. The people sitting near him drew
+away, not feeling it safe to be near, and left him alone, surrounded
+by space, and language.
+
+It was the most artistic piece of work of its kind that I have ever
+heard. Every phrase she flung at him seemed to have been woven on
+purpose to entangle him and to embrace in its choking folds his
+people and his gods, to strangle with its threads his every hope,
+ambition, and belief. Each term she put upon him clung to him like a
+garment, and fitted him without a crease. The last name that she
+called him one felt to be, until one heard the next, the one name
+that he ought to have been christened by.
+
+For five and three-quarter minutes by the clock she spoke, and never
+for one instant did she pause or falter; and in the whole of that
+onslaught there was only one weak spot.
+
+That was when she offered to make a better man than he was out of a
+Guy Fawkes and a lump of coal. You felt that one lump of coal would
+not have been sufficient.
+
+At the end, she gathered herself together for one supreme effort, and
+hurled at him an insult so bitter with scorn so sharp with insight
+into his career and character, so heavy with prophetic curse, that
+strong men drew and held their breath while it passed over them, and
+women hid their faces and shivered.
+
+Then she folded her arms, and stood silent; and the house, from floor
+to ceiling, rose and cheered her until there was no more breath left
+in its lungs.
+
+In that one night she stepped from oblivion into success. She is now
+a famous "artiste."
+
+But she does not call herself Signora Ballatino, and she does not
+play upon the zithern. Her name has a homelier sound, and her
+speciality is the delineation of coster character.
+
+
+
+SILHOUETTES.
+
+
+
+I fear I must be of a somewhat gruesome turn of mind. My sympathies
+are always with the melancholy side of life and nature. I love the
+chill October days, when the brown leaves lie thick and sodden
+underneath your feet, and a low sound as of stifled sobbing is heard
+in the damp woods--the evenings in late autumn time, when the white
+mist creeps across the fields, making it seem as though old Earth,
+feeling the night air cold to its poor bones, were drawing ghostly
+bedclothes round its withered limbs. I like the twilight of the long
+grey street, sad with the wailing cry of the distant muffin man. One
+thinks of him, as, strangely mitred, he glides by through the gloom,
+jangling his harsh bell, as the High Priest of the pale spirit of
+Indigestion, summoning the devout to come forth and worship. I find
+a sweetness in the aching dreariness of Sabbath afternoons in genteel
+suburbs--in the evil-laden desolateness of waste places by the river,
+when the yellow fog is stealing inland across the ooze and mud, and
+the black tide gurgles softly round worm-eaten piles.
+
+I love the bleak moor, when the thin long line of the winding road
+lies white on the darkening heath, while overhead some belated bird,
+vexed with itself for being out so late, scurries across the dusky
+sky, screaming angrily. I love the lonely, sullen lake, hidden away
+in mountain solitudes. I suppose it was my childhood's surroundings
+that instilled in me this affection for sombre hues. One of my
+earliest recollections is of a dreary marshland by the sea. By day,
+the water stood there in wide, shallow pools. But when one looked in
+the evening they were pools of blood that lay there.
+
+It was a wild, dismal stretch of coast. One day, I found myself
+there all alone--I forget how it came about--and, oh, how small I
+felt amid the sky and the sea and the sandhills! I ran, and ran, and
+ran, but I never seemed to move; and then I cried, and screamed,
+louder and louder, and the circling seagulls screamed back mockingly
+at me. It was an "unken" spot, as they say up North.
+
+In the far back days of the building of the world, a long, high ridge
+of stones had been reared up by the sea, dividing the swampy
+grassland from the sand. Some of these stones--"pebbles," so they
+called them round about--were as big as a man, and many as big as a
+fair-sized house; and when the sea was angry--and very prone he was
+to anger by that lonely shore, and very quick to wrath; often have I
+known him sink to sleep with a peaceful smile on his rippling waves,
+to wake in fierce fury before the night was spent--he would snatch up
+giant handfuls of these pebbles and fling and toss them here and
+there, till the noise of their rolling and crashing could be heard by
+the watchers in the village afar off.
+
+"Old Nick's playing at marbles to-night," they would say to one
+another, pausing to listen. And then the women would close tight
+their doors, and try not to hear the sound.
+
+Far out to sea, by where the muddy mouth of the river yawned wide,
+there rose ever a thin white line of surf, and underneath those
+crested waves there dwelt a very fearsome thing, called the Bar. I
+grew to hate and be afraid of this mysterious Bar, for I heard it
+spoken of always with bated breath, and I knew that it was very cruel
+to fisher folk, and hurt them so sometimes that they would cry whole
+days and nights together with the pain, or would sit with white
+scared faces, rocking themselves to and fro.
+
+Once when I was playing among the sandhills, there came by a tall,
+grey woman, bending beneath a load of driftwood. She paused when
+nearly opposite to me, and, facing seaward, fixed her eyes upon the
+breaking surf above the Bar. "Ah, how I hate the sight of your white
+teeth!" she muttered; then turned and passed on.
+
+Another morning, walking through the village, I heard a low wailing
+come from one of the cottages, while a little farther on a group of
+women were gathered in the roadway, talking. "Ay," said one of them,
+"I thought the Bar was looking hungry last night."
+
+So, putting one and the other together, I concluded that the "Bar"
+must be an ogre, such as a body reads of in books, who lived in a
+coral castle deep below the river's mouth, and fed upon the fishermen
+as he caught them going down to the sea or coming home.
+
+From my bedroom window, on moonlight nights, I could watch the
+silvery foam, marking the spot beneath where he lay hid; and I would
+stand on tip-toe, peering out, until at length I would come to fancy
+I could see his hideous form floating below the waters. Then, as the
+little white-sailed boats stole by him, tremblingly, I used to
+tremble too, lest he should suddenly open his grim jaws and gulp them
+down; and when they had all safely reached the dark, soft sea beyond,
+I would steal back to the bedside, and pray to God to make the Bar
+good, so that he would give up eating the poor fishermen.
+
+Another incident connected with that coast lives in my mind. It was
+the morning after a great storm--great even for that stormy coast--
+and the passion-worn waters were still heaving with the memory of a
+fury that was dead. Old Nick had scattered his marbles far and wide,
+and there were rents and fissures in the pebbly wall such as the
+oldest fisherman had never known before. Some of the hugest stones
+lay tossed a hundred yards away, and the waters had dug pits here and
+there along the ridge so deep that a tall man might stand in some of
+them, and yet his head not reach the level of the sand.
+
+Round one of these holes a small crowd was pressing eagerly, while
+one man, standing in the hollow, was lifting the few remaining stones
+off something that lay there at the bottom. I pushed my way between
+the straggling legs of a big fisher lad, and peered over with the
+rest. A ray of sunlight streamed down into the pit, and the thing at
+the bottom gleamed white. Sprawling there among the black pebbles it
+looked like a huge spider. One by one the last stones were lifted
+away, and the thing was left bare, and then the crowd looked at one
+another and shivered.
+
+"Wonder how he got there," said a woman at length; "somebody must ha'
+helped him."
+
+"Some foreign chap, no doubt," said the man who had lifted off the
+stones; "washed ashore and buried here by the sea."
+
+"What, six foot below the water-mark, wi' all they stones atop of
+him?" said another.
+
+"That's no foreign chap," cried a grizzled old woman, pressing
+forward. "What's that that's aside him?"
+
+Some one jumped down and took it from the stone where it lay
+glistening, and handed it up to her, and she clutched it in her
+skinny hand. It was a gold earring, such as fishermen sometimes
+wear. But this was a somewhat large one, and of rather unusual
+shape.
+
+"That's young Abram Parsons, I tell 'ee, as lies down there," cried
+the old creature, wildly. "I ought to know. I gave him the pair o'
+these forty year ago."
+
+It may be only an idea of mine, born of after brooding upon the
+scene. I am inclined to think it must be so, for I was only a child
+at the time, and would hardly have noticed such a thing. But it
+seems to my remembrance that as the old crone ceased, another woman
+in the crowd raised her eyes slowly, and fixed them on a withered,
+ancient man, who leant upon a stick, and that for a moment, unnoticed
+by the rest, these two stood looking strangely at each other.
+
+From these sea-scented scenes, my memory travels to a weary land
+where dead ashes lie, and there is blackness--blackness everywhere.
+Black rivers flow between black banks; black, stunted trees grow in
+black fields; black withered flowers by black wayside. Black roads
+lead from blackness past blackness to blackness; and along them
+trudge black, savage-looking men and women; and by them black, old-
+looking children play grim, unchildish games.
+
+When the sun shines on this black land, it glitters black and hard;
+and when the rain falls a black mist rises towards heaven, like the
+hopeless prayer of a hopeless soul.
+
+By night it is less dreary, for then the sky gleams with a lurid
+light, and out of the darkness the red flames leap, and high up in
+the air they gambol and writhe--the demon spawn of that evil land,
+they seem.
+
+Visitors who came to our house would tell strange tales of this black
+land, and some of the stories I am inclined to think were true. One
+man said he saw a young bull-dog fly at a boy and pin him by the
+throat. The lad jumped about with much sprightliness, and tried to
+knock the dog away. Whereupon the boy's father rushed out of the
+house, hard by, and caught his son and heir roughly by the shoulder.
+"Keep still, thee young --, can't 'ee!" shouted the man angrily; "let
+'un taste blood."
+
+Another time, I heard a lady tell how she had visited a cottage
+during a strike, to find the baby, together with the other children,
+almost dying for want of food. "Dear, dear me!" she cried, taking
+the wee wizened mite from the mother's arms, "but I sent you down a
+quart of milk, yesterday. Hasn't the child had it?"
+
+"Theer weer a little coom, thank 'ee kindly, ma'am," the father took
+upon himself to answer; "but thee see it weer only just enow for the
+poops."
+
+We lived in a big lonely house on the edge of a wide common. One
+night, I remember, just as I was reluctantly preparing to climb into
+bed, there came a wild ringing at the gate, followed by a hoarse,
+shrieking cry, and then a frenzied shaking of the iron bars.
+
+Then hurrying footsteps sounded through the house, and the swift
+opening and closing of doors; and I slipped back hastily into my
+knickerbockers and ran out. The women folk were gathered on the
+stairs, while my father stood in the hall, calling to them to be
+quiet. And still the wild ringing of the bell continued, and, above
+it, the hoarse, shrieking cry.
+
+My father opened the door and went out, and we could hear him
+striding down the gravel path, and we clung to one another and
+waited.
+
+After what seemed an endless time, we heard the heavy gate unbarred,
+and quickly clanged to, and footsteps returning on the gravel. Then
+the door opened again, and my father entered, and behind him a
+crouching figure that felt its way with its hands as it crept along,
+as a blind man might. The figure stood up when it reached the middle
+of the hall, and mopped its eyes with a dirty rag that it carried in
+its hand; after which it held the rag over the umbrella-stand and
+wrung it out, as washerwomen wring out clothes, and the dark
+drippings fell into the tray with a dull, heavy splut.
+
+My father whispered something to my mother, and she went out towards
+the back; and, in a little while, we heard the stamping of hoofs--the
+angry plunge of a spur-startled horse--the rhythmic throb of the
+long, straight gallop, dying away into the distance.
+
+My mother returned and spoke some reassuring words to the servants.
+My father, having made fast the door and extinguished all but one or
+two of the lights, had gone into a small room on the right of the
+hall; the crouching figure, still mopping that moisture from its
+eyes, following him. We could hear them talking there in low tones,
+my father questioning, the other voice thick and interspersed with
+short panting grunts.
+
+We on the stairs huddled closer together, and, in the darkness, I
+felt my mother's arm steal round me and encompass me, so that I was
+not afraid. Then we waited, while the silence round our frightened
+whispers thickened and grew heavy till the weight of it seemed to
+hurt us.
+
+At length, out of its depths, there crept to our ears a faint murmur.
+It gathered strength like the sound of the oncoming of a wave upon a
+stony shore, until it broke in a Babel of vehement voices just
+outside. After a few moments, the hubbub ceased, and there came a
+furious ringing--then angry shouts demanding admittance.
+
+Some of the women began to cry. My father came out into the hall,
+closing the room door behind him, and ordered them to be quiet, so
+sternly that they were stunned into silence. The furious ringing was
+repeated; and, this time, threats mingled among the hoarse shouts.
+My mother's arm tightened around me, and I could hear the beating of
+her heart.
+
+The voices outside the gate sank into a low confused mumbling. Soon
+they died away altogether, and the silence flowed back.
+
+My father turned up the hall lamp, and stood listening.
+
+Suddenly, from the back of the house, rose the noise of a great
+crashing, followed by oaths and savage laughter.
+
+My father rushed forward, but was borne back; and, in an instant, the
+hall was full of grim, ferocious faces. My father, trembling a
+little (or else it was the shadow cast by the flickering lamp), and
+with lips tight pressed, stood confronting them; while we women and
+children, too scared to even cry, shrank back up the stairs.
+
+What followed during the next few moments is, in my memory, only a
+confused tumult, above which my father's high, clear tones rise every
+now and again, entreating, arguing, commanding. I see nothing
+distinctly until one of the grimmest of the faces thrusts itself
+before the others, and a voice which, like Aaron's rod, swallows up
+all its fellows, says in deep, determined bass, "Coom, we've had enow
+chatter, master. Thee mun give 'un up, or thee mun get out o' th'
+way an' we'll search th' house for oursel'."
+
+Then a light flashed into my father's eyes that kindled something
+inside me, so that the fear went out of me, and I struggled to free
+myself from my mother's arm, for the desire stirred me to fling
+myself down upon the grimy faces below, and beat and stamp upon them
+with my fists. Springing across the hall, he snatched from the wall
+where it hung an ancient club, part of a trophy of old armour, and
+planting his back against the door through which they would have to
+pass, he shouted, "Then be damned to you all, he's in this room!
+Come and fetch him out."
+
+(I recollect that speech well. I puzzled over it, even at that time,
+excited though I was. I had always been told that only low, wicked
+people ever used the word "damn," and I tried to reconcile things,
+and failed.)
+
+The men drew back and muttered among themselves. It was an ugly-
+looking weapon, studded with iron spikes. My father held it secured
+to his hand by a chain, and there was an ugly look about him also,
+now, that gave his face a strange likeness to the dark faces round
+him.
+
+But my mother grew very white and cold, and underneath her breath she
+kept crying, "Oh, will they never come--will they never come?" and a
+cricket somewhere about the house began to chirp.
+
+Then all at once, without a word, my mother flew down the stairs, and
+passed like a flash of light through the crowd of dusky figures. How
+she did it I could never understand, for the two heavy bolts had both
+been drawn, but the next moment the door stood wide open; and a hum
+of voices, cheery with the anticipation of a period of perfect bliss,
+was borne in upon the cool night air.
+
+My mother was always very quick of hearing.
+
+
+Again, I see a wild crowd of grim faces, and my father's, very pale,
+amongst them. But this time the faces are very many, and they come
+and go like faces in a dream. The ground beneath my feet is wet and
+sloppy, and a black rain is falling. There are women's faces in the
+crowd, wild and haggard, and long skinny arms stretch out
+threateningly towards my father, and shrill, frenzied voices call out
+curses on him. Boys' faces also pass me in the grey light, and on
+some of them there is an impish grin.
+
+I seem to be in everybody's way; and to get out of it, I crawl into a
+dark, draughty corner and crouch there among cinders. Around me,
+great engines fiercely strain and pant like living things fighting
+beyond their strength. Their gaunt arms whirl madly above me, and
+the ground rocks with their throbbing. Dark figures flit to and fro,
+pausing from time to time to wipe the black sweat from their faces.
+
+The pale light fades, and the flame-lit night lies red upon the land.
+The flitting figures take strange shapes. I hear the hissing of
+wheels, the furious clanking of iron chains, the hoarse shouting of
+many voices, the hurrying tread of many feet; and, through all, the
+wailing and weeping and cursing that never seem to cease. I drop
+into a restless sleep, and dream that I have broken a chapel window,
+stone-throwing, and have died and gone to hell.
+
+At length, a cold hand is laid upon my shoulder, and I awake. The
+wild faces have vanished and all is silent now, and I wonder if the
+whole thing has been a dream. My father lifts me into the dog-cart,
+and we drive home through the chill dawn.
+
+My mother opens the door softly as we alight. She does not speak,
+only looks her question. "It's all over, Maggie," answers my father
+very quietly, as he takes off his coat and lays it across a chair;
+"we've got to begin the world afresh."
+
+My mother's arms steal up about his neck; and I, feeling heavy with a
+trouble I do not understand, creep off to bed.
+
+
+
+THE LEASE OF THE "CROSS KEYS."
+
+
+
+This story is about a shop: many stories are. One Sunday evening
+this Bishop had to preach a sermon at St. Paul's Cathedral. The
+occasion was a very special and important one, and every God-fearing
+newspaper in the kingdom sent its own special representative to
+report the proceedings.
+
+Now, of the three reporters thus commissioned, one was a man of
+appearance so eminently respectable that no one would have thought of
+taking him for a journalist. People used to put him down for a
+County Councillor or an Archdeacon at the very least. As a matter of
+fact, however, he was a sinful man, with a passion for gin. He lived
+at Bow, and, on the Sabbath in question, he left his home at five
+o'clock in the afternoon, and started to walk to the scene of his
+labours. The road from Bow to the City on a wet and chilly Sunday
+evening is a cheerless one; who can blame him if on his way he
+stopped once or twice to comfort himself with "two" of his favourite
+beverage? On reaching St. Paul's he found he had twenty minutes to
+spare--just time enough for one final "nip." Half way down a narrow
+court leading out of the Churchyard he found a quiet little hostelry,
+and, entering the private bar, whispered insinuatingly across the
+counter:
+
+"Two of gin hot, if you please, my dear."
+
+His voice had the self-satisfied meekness of the successful
+ecclesiastic, his bearing suggested rectitude tempered by desire to
+avoid observation. The barmaid, impressed by his manner and
+appearance, drew the attention of the landlord to him. The landlord
+covertly took stock of so much of him as could be seen between his
+buttoned-up coat and his drawn-down hat, and wondered how so bland
+and innocent-looking a gentleman came to know of gin.
+
+A landlord's duty, however, is not to wonder, but to serve. The gin
+was given to the man, and the man drank it. He liked it. It was
+good gin: he was a connoisseur, and he knew. Indeed, so good did it
+seem to him that he felt it would be a waste of opportunity not to
+have another twopen'orth. Therefore he had a second "go"; maybe a
+third. Then he returned to the Cathedral, and sat himself down with
+his notebook on his knee and waited.
+
+As the service proceeded there stole over him that spirit of
+indifference to all earthly surroundings that religion and drink are
+alone able to bestow. He heard the good Bishop's text and wrote it
+down. Then he heard the Bishop's "sixthly and lastly," and took that
+down, and looked at his notebook and wondered in a peaceful way what
+had become of the "firstly" to "fifthly" inclusive. He sat there
+wondering until the people round him began to get up and move away,
+whereupon it struck him swiftly and suddenly that be had been asleep,
+and had thereby escaped the main body of the discourse.
+
+What on earth was he to do? He was representing one of the leading
+religious papers. A full report of the sermon was wanted that very
+night. Seizing the robe of a passing wandsman, he tremulously
+inquired if the Bishop had yet left the Cathedral. The wandsman
+answered that he had not, but that he was just on the point of doing
+so.
+
+"I must see him before he goes!" exclaimed the reporter, excitedly.
+
+"You can't," replied the wandsman. The journalist grew frantic.
+
+"Tell him," he cried, "a penitent sinner desires to speak with him
+about the sermon he has just delivered. To-morrow it will be too
+late."
+
+The wandsman was touched; so was the Bishop. He said he would see
+the poor fellow.
+
+As soon as the door was shut the man, with tears in his eyes, told
+the Bishop the truth--leaving out the gin. He said that he was a
+poor man, and not in good health, that he had been up half the night
+before, and had walked all the way from Bow that evening. He dwelt
+on the disastrous results to himself and his family should he fail to
+obtain a report of the sermon. The Bishop felt sorry for the man.
+Also, he was anxious that his sermon should be reported.
+
+"Well, I trust it will be a warning to you against going to sleep in
+church," he said, with an indulgent smile. "Luckily, I have brought
+my notes with me, and if you will promise to be very careful of them,
+and to bring them back to me the first thing in the morning, I will
+lend them to you."
+
+With this, the Bishop opened and handed to the man a neat little
+black leather bag, inside which lay a neat little roll of manuscript.
+
+"Better take the bag to keep it in," added the Bishop. "Be sure and
+let me have them both back early to-morrow."
+
+The reporter, when he examined the contents of the bag under a lamp
+in the Cathedral vestibule, could hardly believe his good fortune.
+The careful Bishop's notes were so full and clear that for all
+practical purposes they were equal to a report. His work was already
+done. He felt so pleased with himself that he determined to treat
+himself to another "two" of gin, and, with this intent, made his way
+across to the little "public" before-mentioned.
+
+"It's really excellent gin you sell here," he said to the barmaid
+when he had finished; "I think, my dear, I'll have just one more."
+
+At eleven the landlord gently but firmly insisted on his leaving, and
+he went, assisted, as far as the end of the court, by the potboy.
+After he was gone, the landlord noticed a neat little black bag on
+the seat where he had been lying. Examining it closely, he
+discovered a brass plate between the handles, and upon the brass
+plate were engraved the owner's name and title. Opening the bag, the
+landlord saw a neat little roll of manuscript, and across a corner of
+the manuscript was written the Bishop's name and address.
+
+The landlord blew a long, low whistle, and stood with his round eyes
+wide open gazing down at the open bag. Then he put on his hat and
+coat, and taking the bag, went out down the court, chuckling hugely
+as he walked. He went straight to the house of the Resident Canon
+and rang the bell.
+
+"Tell Mr. --," he said to the servant, "that I must see him to-night.
+I wouldn't disturb him at this late hour if it wasn't something very
+important."
+
+The landlord was ushered up. Closing the door softly behind him, he
+coughed deferentially.
+
+"Well, Mr. Peters" (I will call him "Peters"), said the Canon, "what
+is it?"
+
+"Well, sir," said Mr. Peters, slowly and deliberately, "it's about
+that there lease o' mine. I do hope you gentlemen will see your way
+to makin' it twenty-one year instead o' fourteen."
+
+"God bless the man!" cried the Canon, jumping up indignantly, "you
+don't mean to say you've come to me at eleven o'clock on a Sunday
+night to talk about your lease?"
+
+"Well, not entirely, sir," answered Peters, unabashed; "there's
+another little thing I wished to speak to you about, and that's
+this"--saying which, he laid the Bishop's bag before the Canon and
+told his story.
+
+The Canon looked at Mr. Peters, and Mr. Peters looked at the Canon.
+
+"There must be some mistake," said the Canon.
+
+"There's no mistake," said the landlord. "I had my suspicions when I
+first clapped eyes on him. I seed he wasn't our usual sort, and I
+seed how he tried to hide his face. If he weren't the Bishop, then I
+don't know a Bishop when I sees one, that's all. Besides, there's
+his bag, and there's his sermon."
+
+Mr. Peters folded his arms and waited. The Canon pondered. Such
+things had been known to happen before in Church history. Why not
+again?
+
+"Does any one know of this besides yourself?" asked the Canon.
+
+"Not a livin' soul," replied Mr. Peters, "as yet."
+
+"I think--I think, Mr. Peters," said the Canon, "that we may be able
+to extend your lease to twenty-one years."
+
+"Thank you kindly, sir," said the landlord, and departed. Next
+morning the Canon waited on the Bishop and laid the bag before him.
+
+"Oh," said the Bishop cheerfully, "he's sent it back by you, has he?"
+
+"He has, sir," replied the Canon; "and thankful I am that it was to
+me he brought it. It is right," continued the Canon, "that I should
+inform your lordship that I am aware of the circumstances under which
+it left your hands."
+
+The Canon's eye was severe, and the Bishop laughed uneasily.
+
+"I suppose it wasn't quite the thing for me to do," he answered
+apologetically; "but there, all's well that ends well," and the
+Bishop laughed.
+
+This stung the Canon. "Oh, sir," he exclaimed, with a burst of
+fervour, "in Heaven's name--for the sake of our Church, let me
+entreat--let me pray you never to let such a thing occur again."
+
+The Bishop turned upon him angrily.
+
+"Why, what a fuss you make about a little thing!" he cried; then,
+seeing the look of agony upon the other's face, he paused.
+
+"How did you get that bag?" he asked.
+
+"The landlord of the Cross Keys brought it me," answered the Canon;
+"you left it there last night."
+
+The Bishop gave a gasp, and sat down heavily. When he recovered his
+breath, he told the Canon the real history of the case; and the Canon
+is still trying to believe it.
+
+
+
+
+End of the Project Gutenberg eText John Ingerfield and Other Stories