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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Beggar's Opera + to which is prefixed the Musick to each Song + +Author: John Gay + +Editor: Claud Lovat Fraser + +Release Date: April 13, 2008 [EBook #25063] + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE BEGGAR'S OPERA *** + + + + +Produced by Louise Hope + + + + + +</pre> + +<a name = "start" id = "start"> </a> +<div class = "mynote"> + +<p>This text uses utf-8 (unicode) file encoding. If the apostrophes and +quotation marks in this paragraph appear as garbage, you may have an incompatible browser or unavailable fonts. First, make sure that the browser’s “character set” or “file encoding” is set to Unicode (UTF-8). You may also need to change your browser’s default font.</p> + +<p>The music is shown as printed, except that unused lines at the end of +the staff have been deleted. The MIDI and PDF versions include minor +corrections; details are given at the <a href = "#music_notes">end of +the e-text</a>. Handling of these files depends on your browser; they +may open directly, or they may need to be downloaded and opened through +a different application.</p> + +<p>The color Plates have been placed between scenes. The List of Plates +shows their original locations.</p> + +</div> + + +<h1>THE BEGGAR’S OPERA</h1> + + +<p class = "illustration"> +<a name = "titlepic" id = "titlepic"> </a><br> +<img src = "images/titlepage.jpg" width = "337" height = "577" +alt = "see below"> +</p> + + +<p class = "mynote"> +<a href = "#titletext">Title Page Text</a></p> + + +<div class = "contents"> +<table class = "toc" summary = "table of contents"> +<tr><td> +<h5><a name = "contents" id = "contents">Contents</a><br> +(<i>list added by transcriber</i>)</h5> +<p><a href = "#plates">List of Plates</a></p> +<p><a href = "#fraser">Claud Lovat Fraser</a> <i>by John +Drinkwater</i></p> +<p><a href = "#costumes">Note on the Scene and Costumes</a></p> +<p><a href = "#cast">Cast of Characters</a></p> +<p>Act I</p> +<p class = "inset"><a href = "#actI_sceneI"> +Scene I</a>: Peachum’s House<br> +<span class = "smaller">Airs I–XVIII</span></p> +<p>Act II</p> +<p class = "inset"><a href = "#actII_sceneI"> +Scene I</a>: A Tavern near Newgate<br> +<span class = "smaller">Airs XIX–XXIV</span></p> +<p class = "inset"><a href = "#actII_sceneII"> +Scene II</a>: Newgate<br> +<span class = "smaller">Airs XXV–XXXVIII</span></p> +<p class = "inset"><a href = "#actII_sceneIII"> +Scene III</a>: The Same<br> +<span class = "smaller">Air XXXIX</span></p> +<p>Act III</p> +<p class = "inset"><a href = "#actIII_sceneI"> +Scene I</a>: Newgate<br> +<span class = "smaller">Airs XL–XLII</span></p> +<p class = "inset"><a href = "#actIII_sceneII"> +Scene II</a>: A Gaming-House<br> +<span class = "smaller">Air XLIII</span></p> +<p class = "inset"><a href = "#actIII_sceneIII"> +Scene III</a>: Peachum’s Lock<br> +<span class = "smaller">Airs XLIV, XLV</span></p> +<p class = "inset"><a href = "#actIII_sceneIV"> +Scene IV</a>: Newgate<br> +<span class = "smaller">Airs XLVI–LVI</span></p> +<p class = "inset"><a href = "#actIII_sceneV"> +Scene V</a>: The Condemn’d Hold<br> +<span class = "smaller">Airs LVII–LXVII</span></p> +</td></tr> +</table> +</div> + + +<div class = "intro"> + +<p><i>To J. G. and to G. L. F., without whom I should have been +powerless, do I dedicate my share in this book. +C. L. F.</i></p> + +<p> </p> + +<p><i>Note.—The Text here given is taken from the edition of 1765. +The scenes have been re-numbered in the modern method denoting actual +changes of place or intervals of time.</i></p> + +<p> </p> + +<p><i>First published September 1921</i></p> + +<p><i>New Impression October 1921</i></p> + + +<span class = "pagenum">v</span> +<!-- png 007 --> + +<h4 class = "chapter"><a name = "plates" id = "plates"> +LIST OF THE PLATES</a></h4> + +<table class = "toc" summary = "list of plates"> +<tr> +<td class = "item">I.</td> +<td><a href = "#plateI">THE BEGGAR</a></td> +<td class = "number" colspan = "2"><i>Frontispiece</i></td> +</tr> +<tr> +<td class = "item">II.</td> +<td><a href = "#plateII">MRS. PEACHUM</a></td> +<td><i>To face page</i></td> +<td class = "number">6</td> +</tr> +<tr> +<td class = "item">III.</td> +<td><a href = "#plateIII">POLLY PEACHUM</a></td> +<td class = "center">„</td> +<td class = "number">18</td> +</tr> +<tr> +<td class = "item">IV.</td> +<td><a href = "#plateIV">SCENE: A TAVERN NEAR NEWGATE</a></td> +<td class = "center">„</td> +<td class = "number">28</td> +</tr> +<tr> +<td class = "item">V.</td> +<td><a href = "#plateV">CAPTAIN MACHEATH</a></td> +<td class = "center">„</td> +<td class = "number">40</td> +</tr> +<tr> +<td class = "item">VI.</td> +<td><a href = "#plateVI">LUCY LOCKIT</a></td> +<td class = "center">„</td> +<td class = "number">56</td> +</tr> +<tr> +<td class = "item">VII.</td> +<td><a href = "#plateVII">PEACHUM</a></td> +<td class = "center">„</td> +<td class = "number">70</td> +</tr> +<tr> +<td class = "item">VIII.</td> +<td><a href = "#plateVIII">LOCKIT</a></td> +<td class = "center">„</td> +<td class = "number">82</td> +</tr> +</table> + +<span class = "pagenum">1</span> +<!-- png 009 --> + +<h4 class = "chapter"><a name = "fraser" id = "fraser"> +CLAUD LOVAT FRASER</a></h4> + +<div class = "verse ital"> +<p>That when I die this word may stand for me—</p> +<p>He had a heart to praise, an eye to see,</p> +<p class = "in2">And beauty was his king.</p> +</div> + +<p><span class = "smallcaps">Dead</span> at the age of thirty-one after +a sudden operation, Claud Lovat Fraser was as surely a victim of the war +as though he had fallen in action. He was full of vigour for his work, +but shell-shock had left him with a heart that could not stand a strain +of this kind, and all his own fine courage could not help the surgeons +in a losing fight. We are not sorry for him—we learn that, not to +be sorry for the dead. But for ourselves? This terror is always so +fresh, so unexampled. I had telephoned to him to ask whether he +would help me in a certain theatrical enterprise. I was told by his +servant that he was ill, but one hears these things so often that one +gave but little thought to it beyond sending a telegram asking for news; +and now this. Personal griefs are of no public interest, but here is as +sad a public loss as has befallen us, if the world can measure truly, in +our generation.</p> + +<p>But it is not, I think, of our loss that we should speak now. These +desolations, strangely, have a way of bringing their own fortitude. +A few hours after hearing, without any warning, of Lovat Fraser’s +death, I was walking among the English landscape that he loved so +well, and I felt there how poor and inadequate a thing death really was, +how little to be feared. This apparent intention to destroy a life and +genius so young, so admirable, and so rich in promise, seemed, for all +the hurt, in some way wholly to have failed. We all knew that, given +health, the next ten years would show a splendid volume of work from the +new power and understanding to which he had been coming in these later +days. But just as it seems to me not the occasion to lament our own +loss, so does it seem idle to speculate with regret upon what art may +have lost by this sudden +<span class = "pagenum">2</span> +<!-- png 010 --> +stroke. It is, rather, well to be glad that so few years have borne so +abundantly. Not only is the work that Lovat Fraser has left full in +volume, it is decisive in character beyond all likelihood in one of his +years. Greatly as he would have added to our delight, and wider as his +influence would have grown, nothing he might have done could have added +to our knowledge of the kind of distinction that was his and that will +always mark his fame.</p> + +<p>The man himself had a charm of unusual definition. One might go to +his studio at five o’clock and find him lumbering with his great frame +among a chaos of the rare and curious books that he loved, stacked +pell-mell on to the shelves, littered on tables and the floor, his +clothes and face and fingers streaked with paint. And then an hour or +two later he would come dressed ready for the theatre, an immaculate +beau of the ’fifties, his top coat with waist and skirts, his opera hat +made to special order by a Bond Street expert on an 1850 last. And then, +before setting off, he would talk of some fellow-artist who was a little +down and out, and wonder whether some of his drawings might not be +bought at a few guineas apiece. Then to book, as it were, such an order +gave salt to his evening, and if the evening meant contact with some of +his own exquisite work, a word of admiration was taken with that +wistful gratitude that it is now almost unbearable to remember.</p> + +<p>The theatre is a complex, co-operative affair, and it is idle to +inquire who gives more than another to it. But on one side of its effort +nobody in these later years has fought for light and beauty more surely +and courageously than Claud Lovat Fraser. Like every fine artist, he was +sometimes a little puzzled, a little hurt, that the critics could +not see the clear motives inspiring his work. But the purpose never +faltered. <i>As You Like It</i>, <i>The Beggar’s Opera</i>, <i>If</i>, +the exquisite designs for Madame Karsavina’s later ballets—these +made it plain enough that a new genius of extraordinary power and +fertility was at work on the stage. With a knowledge of tradition that +combined the widest learning with profound intuition, Lovat Fraser in +his design touched the life of five +<span class = "pagenum">3</span> +<!-- png 011 --> +hundred years with the English spirit of our own time, with a certainty +that every one of his colleagues, I know, will be proud to allow +was beyond them all. The fertility of which I speak was perhaps his +peculiar distinction, and it had no touch of common facility. He could +not draw a line that was not hard with thought and rooted in imaginative +decision. But he could invent with immense rapidity. It was the old, +though rare, story. Alike in his theatre design and his tender +landscape, beauty of spirit flowed in everything he did into beauty of +execution. He was a man in whose presence everything mean or slipshod +withered.</p> + +<p>But perhaps it is most fitting at this time that we should think of +our dead friend in yet another way. We are governed by two influences, +our own character, and example. For each man his own character is for +his meditation apart, but of example we may sometimes speak together in +the open with profit. Those of us who live always striving towards +creative effort believe passionately that the thing towards which we aim +makes for all that is most chivalrous and most intelligent in life, that +it is indeed the one true honesty in the world. And yet we know how +easily that effort is beset by fears and jealousies and failure in +generosity, how lightly we who should together give all our energy to +the service of our art, waste it in little concerns of spite and +self-interest. And it is in just such ways as this that great example +may serve us nobly, and there has surely never lived an artist in whom +such example more clearly shone. Art, which for him embraced and +crystallised all that was brave and adventurous and tender, was the +worship of Lovat Fraser’s life, a worship which he kept with an +absolute loyalty.</p> + +<p>It is my privilege to know most of the best artists, in all kinds, of +my age. One has this distinction, another that. But I think that he had +the loveliest of them all. I have known nobody who brought to his +art a devotion so pure and utterly removed from self-interest. If he +could serve the beauty that he loved, he was eager always to do so with +perfect indifference to his own reward. Nobody could be with him for ten +minutes without +<span class = "pagenum">4</span> +<!-- png 012 --> +feeling that art was a thing far greater than any artist. He had the +lovely, humorous humility that is the one sure sign of greatness. One +felt always that if he should think that another might do given work +better than he, there could be for him nothing but distress if the +best was not done, even though it meant the loss of personal +opportunity. But it is one of the happy things of genius that this +exquisite humility can only live with great creative gifts, so that +Lovat Fraser knew from day to day the supreme joy of mastery. The +humility, however, is our example, and the thought that seems most +worthy to-day is that he stands at this moment, for all he was younger +than most of us, as a challenging leader to us all. It will, +I think, always be impossible to remember him without feeling that +anything mean or grudging in the spirit in which we do our work is a +betrayal and an intolerable thing. With all his gaiety, his fun, his +simplicities, and his powers, he showed us not only what a fine artist +can do but what a fine artist can be. And under his leadership at this +moment may we not go back to our work in the world with renewed courage +and faith,</p> + +<div class = "verse"> +<p>“We few, we happy few, we band of brothers.”</p> +</div> + +<p>For his fame none of us have any fear. There is in his public +achievement and his portfolios a solid body of work that more and more +must establish itself. However futile prophecy in these things must be, +one is confident that a hundred years hence his name will be highly +honoured among the little band who helped to bring back some life and +truth to the English theatre of this age. He would wish for nothing +better than that. And idle though it is to ask what his death, at little +more than youth, may mean in the way of loss to the art that he lived +for, his friends know that as dear a life as any of our time has gone +suddenly, inexplicably, taking with it the tenderest love of every one +who knew him. And he leaves with us an example without any stain.</p> + +<p class = "right smallcaps">John Drinkwater.</p> + +<p class = "hanging"> +<i>London,<br> +Midsummer 1921</i>.</p> + +<span class = "pagenum">vii</span> +<!-- png 013 --> + +<p class = "illustration chapter"> +<img src = "images/pic_vii.png" width = "160" height = "146" +alt = "three arches"> +</p> + +<h4><a name = "costumes" id = "costumes"> +THE BEGGAR’S OPERA</a></h4> + +<h6>NOTE ON THE SCENE AND COSTUMES AT THE LYRIC THEATRE, +HAMMERSMITH</h6> + +<p><span class = "smallcaps">Superficially</span> the task of staging +<i>The Beggar’s Opera</i> was one of supreme ease. Indeed, so easy was +it that it became a matter of some embarrassment to prune and select the +required amount of data. Here was Hogarth and his actual scene of +Newgate with Macheath in chains; here was Laroon’s <i>Cries of +London</i> falling, in its edition of 1733, pat into the period; here +was the National Portrait Gallery and, added to these, here was the +benefit of all Mr. Charles E. Pearce’s research.<a class = "tag" +name = "tag1" id = "tag1" href = "#note1">1</a> After a month or two of +work in designing, the ease became so marked and apparent that it +engendered in me the beginnings of mistrust. Still, I persevered in +scene and costume with historically accurate reproduction and, until +three weeks before the actual work was due to be carried out at the +costumier’s and in the painting shops, I felt comparatively +cheerful. Then I reviewed my forces—the little scale models of the +scenes, the characters in painted cardboard—all exact and +accurate. Something was wrong and the result was, I confess, +appalling. +<span class = "pagenum">viii</span> +<!-- png 014 --> +I had not made allowances either for my theatre or for my audience. +I had forgotten that it required a spacious Georgian theatre, the +intimacy of the side-boxes, the great personages sitting on the stage. +The Duke of Bolton, Major Pauncefoot and Sir Robert Fagg were not in +their places as in Hogarth’s painting; the pit would not be filled with +tye-wigs and hoops and there would be a sharper line of division between +the actors and the spectators than ever existed in 1728. Something else +had to be done. As reproduction was a failure one would try to give an +impression of the same thing. Impressionism proved even worse than +accuracy. It was neither one thing nor the other. It merged into “making +a picture of it”—a crime that is without parallel in the staging +of a play. To make a pretty picture at the expense of drama is merely to +pander to the voracity of the costumier and scene-painter.</p> + +<p>What was then to be done? Added to all these objections was the +important fact that I had designed scenes that would have seriously +hampered the resources at Hammersmith. The theatre would have required +more space for storage than could possibly have been given and, in +addition, an army of stage hands would be wanted for whom there was not +in this little theatre the accommodation.</p> + +<p>The solution was, of course, to forget one’s past work, to scrap the +models, and to start feverishly afresh. The only method left untried was +the symbolic. That is to say, to hint at the eighteenth century and to +suggest that through the doors on the stage existed the London of 1728. +The scene demanded to be simple and one which, with slight modifications +in doors and windows, remained before the audience for the whole action +of the play. It was, therefore, to be a scene of which people did not +easily tire and that remained interesting, unobtrusive +<span class = "pagenum">ix</span> +<!-- png 015 --> +and formally neat. To find such a scene it is necessary to refer back to +days when the Comic and the Tragic scenes were architectural and +permanent. This I did and, taking Palladio’s magnificent scene at +Vicenza, by a shameless process of <i>reductio ad absurdum</i>, evolved +the scene that is now in use at Hammersmith. Palladio and Gay have much +to forgive.</p> + +<p>So far the scene, but it called for a corresponding treatment in the +dresses. In <i>The Beggar’s Opera</i> no one is in the height of +fashion. Macheath and certain Ladies of the Town alone “keep Company +with Lords and Gentlemen,” and even then there must have been apparent a +distinction. Macheath is unaltered. Here it was essential to keep to +tradition. Macheath in a blue coat is unthinkable. The rest of the +characters are frankly in the neighbourhood of Newgate. The clothes of +Peachum and Lockit would be as equally unfashionable and just as +possible thirty years before as thirty years after 1728, whilst the +footpads are clad in whatever Georgian rags that happened to come their +way. With the women I have taken greater licence. I have kept +faithfully to the outlines of the age, the close-fitting bodice, the +flat hoops, the square-toed shoes, but I have taken considerable +liberties in the manner in which I have shorn them of ribbons and laces +and—for the sake of dramatic simplicity, be it +remembered—I have eliminated yards of trimming.</p> + +<p>Just so much explanation is, I consider, due to the public, but +whether I have been justified by results or whether, under the sacred +mask of Drama, I have erred unpardonably, are points which, so long +as this revival draws attention to a forgotten masterpiece, can be of no +very great importance.</p> + +<p class = "right smallcaps">C. Lovat Fraser.</p> + +<p class = "hanging"> +<i>Chelsea,<br> +February 1921</i>.</p> + +<p class = "footnote"> +<a name = "note1" id = "note1" href = "#tag1">1.</a> +<i>Polly Peachum and The Beggar’s Opera</i>, by Charles E. Pearce. +Messrs. Stanley Paul & Company, 1913.</p> + +</div> <!-- end div intro --> + + +<span class = "pagenum">xi</span> +<!-- png 017 --> + +<p class = "illustration chapter"> +<img src = "images/pic_xi_a.png" width = "157" height = "48" +alt = "line drawing"> +</p> + +<h4 class = "chapter"><a name = "cast" id = "cast"> +DRAMATIS PERSONÆ.</a></h4> + + +<table class = "bracket" summary = "cast of characters"> +<tr> +<th colspan = "2"> +MEN.</th> +</tr> +<tr> +<td class = "smallcaps" colspan = "2"> +Mr. Peachum<br> +Lockit<br> +Macheath<br> +Filch +</td> +</tr> + +<tr> +<td class = "smallcaps" rowspan = "2"> +Jemmy Twitcher<br> +Crook-finger’d Jack<br> +Wat Dreary<br> +Robin of Bagshot<br> +Nimming Ned<br> +Harry Paddington<br> +<span class = "smallcaps"><ins class = "correction" title = +"spelled ‘Matt’ in body of play">Mat</ins> of the Mint</span> +</td> +<td class = "bracket top"> </td> +</tr> + +<tr> +<!-- <td></td> --> +<td class = "bracket body"> +<img src = "images/bracket_mid.gif" width = "8" height = "13" +alt = "}"> +<i>Macheath’s</i> Gang. +</td> +</tr> + +<tr> +<td class = "smallcaps">Ben Budge</td> +<td class = "bracket bottom" style = "height: 16px;"> </td> +</tr> + +<tr> +<td class = "smallcaps" colspan = "2"> +Beggar<br> +Player +</td> +</tr> + +<tr> +<th colspan = "2"> + <br> +WOMEN.</th> +</tr> +<tr> +<td class = "smallcaps" colspan = "2"> +Mrs. Peachum<br> +Polly Peachum<br> +Lucy Lockit<br> +Diana Trapes +</td> +</tr> + +<tr> +<td class = "smallcaps" rowspan = "2"> +Mrs. Coaxer<br> +Dolly Trull<br> +Mrs. Vixen<br> +Betty Doxy<br> +Jenny Diver<br> +Mrs. Slammekin<br> +Suky Tawdry +</td> +<td class = "bracket top"> </td> +</tr> + +<tr> +<!-- <td></td> --> +<td class = "bracket body"> +<img src = "images/bracket_mid.gif" width = "8" height = "13" +alt = "}"> +<i>Women of the Town.</i> +</td> +</tr> + +<tr> +<td class = "smallcaps">Molly Brazen</td> +<td class = "bracket bottom" style = "height: 16px;"> </td> +</tr> +</table> + +<p class = "center">Constables, Drawers, Turnkey, etc.</p> + +<p class = "illustration"> +<img src = "images/pic_xi_b.png" width = "81" height = "84" +alt = "lady in powdered wig"> +</p> + +<p> </p> + +<span class = "pagenum">xiii</span> +<!-- png 019 --> + + +<h4 class = "act"><a name = "beggar_intro" id = "beggar_intro"> +INTRODUCTION</a></h4> + +<h5 class = "scene">BEGGAR, PLAYER.</h5> + +<h5 class = "smallcaps">Beggar.</h5> + +<p><span class = "smallcaps">If</span> Poverty be a Title to Poetry, I +am sure no-body can dispute mine. I own myself of the Company of +Beggars; and I make one at their Weekly Festivals at <i>St. Giles’s</i>. +I have a small Yearly Salary for my Catches, and am welcome to a +Dinner there whenever I please, which is more than most Poets can +say.</p> + +<p><span class = "speaker">Player.</span> As we live by the Muses, it is +but Gratitude in us to encourage Poetical Merit wherever we +find it. The Muses, contrary to all other Ladies, pay no +Distinction to Dress, and never partially mistake the Pertness of +Embroidery for Wit, nor the Modesty of Want for Dulness. Be the Author +who he will, we push his Play as far as it will go. So (though you are +in Want) I wish you success heartily.</p> + +<p><span class = "speaker">Beggar.</span> This piece I own was +originally writ for the celebrating the Marriage of <i>James +Chaunter</i> and <i>Moll Lay</i>, two most excellent Ballad-Singers. +I have introduced the Similes that are in all your celebrated +<i>Operas</i>: The <i>Swallow</i>, the <i>Moth</i>, the <i>Bee</i>, the +<i>Ship</i>, the <i>Flower</i>, &c. +<span class = "pagenum">xiv</span> +Besides, I have a Prison-Scene, which the Ladies always reckon +charmingly pathetic. As to the Parts, I have observed such a nice +Impartiality to our two Ladies, that it is impossible for either of them +to take Offence. I hope I may be forgiven, that I have not made my +Opera throughout unnatural, like those in vogue; for I have no +Recitative; excepting this, as I have consented to have neither Prologue +nor Epilogue, it must be allowed an Opera in all its Forms. The Piece +indeed hath been heretofore frequently represented by ourselves in our +Great Room at <i>St. Giles’s</i>, so that I cannot too often acknowledge +your Charity in bringing it now on the Stage.</p> + +<p><span class = "speaker">Player.</span> But I see it is time for us to +withdraw; the Actors are preparing to begin. Play away the Overture.</p> + +<p class = "exit">Exeunt.</p> + + +<h4>OVERTURE</h4> + +<p class = "illustration right"> +<img src = "images/pic_xiv.png" width = "75" height = "79" +alt = "man with eye patch"> +</p> + + +<p class = "illustration chapter"> +<a name = "plateI" id = "plateI"> </a> +<img src = "images/plateI.jpg" width = "343" height = "501" +alt = "color plate: The Beggar"> +</p> + +<span class = "pagenum">1</span> +<!-- png 021 --> + +<p class = "illustration chapter"> +<img src = "images/pic_1.png" width = "320" height = "117" +alt = "the three Peachums"> +</p> + +<h4 class = "act"><a name = "actI_sceneI" id = "actI_sceneI"> +ACT I. SCENE I.</a></h4> + +<h5 class = "scene"> +<span class = "smallcaps">Scene</span>, <em>Peachum’s</em> House.</h5> + +<p class = "entrance"> +<em>Peachum</em> sitting at a Table with a large Book of Accounts before +him.</p> + +<h5><a name = "air1" id = "air1"> +AIR I. An old Woman clothed in Gray, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air1.png" width = "384" height = "228" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_I.midi">MIDI</a> +<a href = "music/air_I.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>Through all the Employments of Life</p> +<p class = "in1">Each Neighbour abuses his Brother;</p> +<p>Whore and Rogue they call Husband and Wife:</p> +<p class = "in1">All Professions be-rogue one another:</p> +<p>The Priest calls the Lawyer a Cheat,</p> +<p class = "in1">The Lawyer be-knaves the Divine:</p> +<p>And the Statesman, because he’s so great,</p> +<p class = "in1">Thinks his Trade as honest as mine.</p> +</div> + +<span class = "pagenum">2</span> +<!-- png 022 --> +<p>A Lawyer is an honest Employment, so is mine. Like me too he acts in +a double Capacity, both against Rogues and for ’em; for ’tis but fitting +that we should protect and encourage Cheats, since we live by them.</p> + +<p class = "entrance"> +Enter <em>Filch</em>.</p> + +<p><span class = "speaker">Filch.</span> Sir, <i>Black Moll</i> hath +sent word her Trial comes on in the Afternoon, and she hopes you will +order Matters so as to bring her off.</p> + +<p><span class = "speaker">Peachum.</span> As the Wench is very active +and industrious, you may satisfy her that I’ll soften the Evidence.</p> + +<p><span class = "speaker">Filch.</span> <i>Tom Gagg</i>, Sir, is found +guilty.</p> + +<p><span class = "speaker">Peachum.</span> A lazy Dog! When I took him +the time before, I told him what he would come to if he did not +mend his Hand. This is Death without Reprieve. I may venture to +Book him +<span class = "stagedir">writes.</span> +For <i>Tom Gagg</i>, forty Pounds. Let <i>Betty Sly</i> know that I’ll +save her from Transportation, for I can get more by her staying in +<i>England</i>.</p> + +<p><span class = "speaker">Filch.</span> <i>Betty</i> hath brought more +Goods into our Lock to-year than any five of the Gang; and in truth, +’tis a pity to lose so good a Customer.</p> + +<p><span class = "speaker">Peachum.</span> If none of the Gang take her +off, she may, in the common course of Business, live a Twelve-month +longer. I love to let Women scape. A good Sportsman always +lets the Hen Partridges fly, because the Breed of the Game depends upon +them. Besides, here the Law allows us no Reward; there is nothing to be +got by the Death of Women—except our Wives.</p> + +<p><span class = "speaker">Filch.</span> Without dispute, she is a fine +Woman! ’Twas to her I was obliged for my Education, and (to say a bold +Word) she hath trained up more young Fellows to the Business than the +Gaming table.</p> + +<span class = "pagenum">3</span> +<!-- png 023 --> +<p><span class = "speaker">Peachum.</span> Truly, <i>Filch</i>, thy +Observation is right. We and the Surgeons are more beholden to Women +than all the Professions besides.</p> + + +<h5><a name = "air2" id = "air2"> +AIR II. The bonny gray-ey’d Morn, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air2.png" width = "397" height = "250" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_II.midi">MIDI</a> +<a href = "music/air_II.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "singer">Filch.</p> +<p>’Tis Woman that seduces all Mankind,</p> +<p class = "in1">By her we first were taught the wheedling Arts:</p> +<p>Her very Eyes can cheat; when most she’s kind,</p> +<p class = "in1">She tricks us of our Money with our Hearts.</p> +<p>For her, like Wolves by Night we roam for Prey,</p> +<p class = "in1">And practise ev’ry Fraud to bribe her Charms;</p> +<p>For Suits of Love, like Law, are won by Pay,</p> +<p class = "in1">And Beauty must be fee’d into our Arms.</p> +</div> + +<p><span class = "speaker">Peachum.</span> But make haste to +<i>Newgate</i>, Boy, and let my Friends know what I intend; for I love +to make them easy one way or other.</p> + +<p><span class = "speaker">Filch.</span> When a Gentleman is long kept +in suspence, Penitence may break his Spirit ever after. Besides, +Certainty gives a Man a good Air upon his Trial, and makes him risk +another without Fear or Scruple. But +<span class = "pagenum">4</span> +<!-- png 024 --> +I’ll away, for ’tis a Pleasure to be the Messenger of Comfort to Friends +in Affliction.</p> + +<p class = "exit">Exit <em>Filch</em>.</p> + +<p><span class = "speaker">Peachum.</span> But ’tis now high time to +look about me for a decent Execution against next Sessions. I hate +a lazy Rogue, by whom one can get nothing ’till he is hang’d. +A Register of the Gang, +<span class = "stagedir">Reading.</span> +Crook-finger’d <i>Jack</i>. A Year and a half in the Service; Let +me see how much the Stock owes to his industry; one, two, three, four, +five Gold Watches, and seven Silver ones. A mighty clean-handed +Fellow! Sixteen Snuff-boxes, five of them of true Gold. Six Dozen of +Handkerchiefs, four silver-hilted Swords, half a Dozen of Shirts, three +Tye-Periwigs, and a Piece of Broad-Cloth. Considering these are only the +Fruits of his leisure Hours, I don’t know a prettier Fellow, for no +Man alive hath a more engaging Presence of Mind upon the Road. <i>Wat +Dreary</i>, alias <i>Brown Will</i>, an irregular Dog, who hath an +underhand way of disposing of his Goods. I’ll try him only for a +Sessions or two longer upon his Good-behaviour. <i>Harry Paddington</i>, +a poor petty-larceny Rascal, without the least Genius; that Fellow, +though he were to live these six Months, will never come to the Gallows +with any Credit. Slippery <i>Sam</i>; he goes off the next Sessions, for +the Villain hath the Impudence to have Views of following his Trade as a +Tailor, which he calls an honest Employment. <i>Mat of the Mint</i>; +listed not above a Month ago, a promising sturdy Fellow, and +diligent in his way; somewhat too bold and hasty, and may raise good +Contributions on the Public, if he does not cut himself short by Murder. +<i>Tom Tipple</i>, a guzzling soaking Sot, who is always too drunk +to stand himself, or to make others stand. A Cart is absolutely +necessary for him. <i>Robin of Bagshot</i>, alias <i>Gorgon</i>, alias +<i>Bluff Bob</i>, alias <i>Carbuncle</i>, alias <i>Bob Booty</i>.</p> + +<span class = "pagenum">5</span> +<!-- png 025 --> +<p class = "entrance"> +Enter <em>Mrs. Peachum</em>.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> What of <i>Bob +Booty</i>, Husband? I hope nothing bad hath betided him. You know, +my Dear, he’s a favourite Customer of mine. ’Twas he made me a present +of this Ring.</p> + +<p><span class = "speaker">Peachum.</span> I have set his Name down in +the Black List, that’s all, my Dear; he spends his Life among Women, and +as soon as his Money is gone, one or other of the Ladies will hang him +for the Reward, and there’s forty Pound lost to us for-ever.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> You know, my Dear, +I never meddle in matters of Death; I always leave those +Affairs to you. Women indeed are bitter bad Judges in these cases, for +they are so partial to the Brave that they think every Man handsome who +is going to the Camp or the Gallows.</p> + + +<h5><a name = "air3" id = "air3"> +AIR III. Cold and raw, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air3.png" width = "376" height = "185" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_III.midi">MIDI</a> +<a href = "music/air_III.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>If any Wench <em>Venus’s</em> Girdle wear,</p> +<p class = "in1">Though she be never so ugly;</p> +<p>Lilies and Roses will quickly appear,</p> +<p class = "in1">And her Face look wond’rous smugly.</p> +<p>Beneath the left Ear so fit but a Cord,</p> +<p class = "in1">(A Rope so charming a Zone is!)</p> +<p>The Youth in his Cart hath the Air of a Lord,</p> +<p class = "in1">And we cry, There dies an <em>Adonis!</em></p> +</div> + +<span class = "pagenum">6</span> +<!-- png 026 --> +<p>But really, Husband, you should not be too hard-hearted, for you +never had a finer, braver set of Men than at present. We have not had a +Murder among them all, these seven Months. And truly, my Dear, that is a +great Blessing.</p> + +<p><span class = "speaker">Peachum.</span> What a dickens is the Woman +always a whimpring about Murder for? No Gentleman is ever look’d upon +the worse for killing a Man in his own Defence; and if Business cannot +be carried on without it, what would you have a Gentleman do?</p> + +<p><span class = "speaker">Mrs. Peachum.</span> If I am in the wrong, my +Dear, you must excuse me, for no body can help the Frailty of an +over-scrupulous Conscience.</p> + +<p><span class = "speaker">Peachum.</span> Murder is as fashionable a +Crime as a Man can be guilty of. How many fine Gentlemen have we in +<i>Newgate</i> every Year, purely upon that Article! If they have +wherewithal to persuade the Jury to bring it in Manslaughter, what are +they the worse for it? So, my Dear, have done upon this Subject. Was +Captain <i>Macheath</i> here this Morning, for the Bank-Notes he left +with you last Week?</p> + +<p><span class = "speaker">Mrs. Peachum.</span> Yes, my Dear; and though +the Bank hath stopt Payment, he was so chearful and so agreeable! Sure +there is not a finer Gentleman upon the Road than the Captain! if he +comes from <i>Bagshot</i> at any reasonable Hour, he hath promis’d to +make one this Evening with <i>Polly</i> and me, and <i>Bob Booty</i> at +a Party of Quadrille. Pray, my Dear, is the Captain rich?</p> + +<p><span class = "speaker">Peachum.</span> The Captain keeps too good +Company ever to grow rich. <i>Marybone</i> and the Chocolate-houses are +his Undoing. The Man that proposes to get Money by play should have the +Education of a fine Gentleman, and be train’d up to it from his +Youth.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> Really, I am sorry upon +<i>Polly’s</i> Account the Captain hath not more Discretion. What +Business +<span class = "pagenum">7</span> +<!-- png 029 --> +hath he to keep Company with Lords and Gentlemen? he should leave them +to prey upon one another.</p> + +<p><span class = "speaker">Peachum.</span> Upon <i>Polly’s</i> Account! +What, a Plague, does the Woman mean?—Upon <i>Polly’s</i> +Account!</p> + +<p><span class = "speaker">Mrs. Peachum.</span> Captain <i>Macheath</i> +is very fond of the Girl.</p> + +<p><span class = "speaker">Peachum.</span> And what then?</p> + +<p><span class = "speaker">Mrs. Peachum.</span> If I have any Skill in +the Ways of Women, I am sure <i>Polly</i> thinks him a very pretty +Man.</p> + +<p><span class = "speaker">Peachum.</span> And what then? You would not +be so mad to have the Wench marry him! Gamesters and Highwaymen are +generally very good to their Whores, but they are very Devils to their +Wives.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> But if <i>Polly</i> +should be in Love, how should we help her, or how can she help herself? +Poor Girl, I am in the utmost Concern about her.</p> + + +<h5><a name = "air4" id = "air4"> +AIR IV. Why is your faithful Slave disdain’d? &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air4.png" width = "390" height = "182" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_IV.midi">MIDI</a> +<a href = "music/air_IV.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>If Love the Virgin’s Heart invade,</p> +<p>How, like a Moth, the simple Maid</p> +<p class = "in1">Still plays about the Flame!</p> +<p>If soon she be not made a Wife,</p> +<p>Her Honour’s sing’d, and then for Life,</p> +<p class = "in1">She’s—what I dare not name.</p> +</div> + +<span class = "pagenum">8</span> +<!-- png 030 --> +<p><span class = "speaker">Peachum.</span> Look ye, Wife. +A handsome Wench in our way of Business is as profitable as at the +Bar of a <i>Temple</i> Coffee-House, who looks upon it as her livelihood +to grant every Liberty but one. You see I would indulge the Girl as far +as prudently we can. In any thing, but Marriage! After that, my Dear, +how shall we be safe? Are we not then in her Husband’s Power? For a +Husband hath the absolute Power over all a Wife’s Secrets but her own. +If the Girl had the Discretion of a Court-Lady, who can have a Dozen +young Fellows at her Ear without complying with one, I should not +matter it; but <i>Polly</i> is Tinder, and a Spark will at once set her +on a Flame. Married! If the Wench does not know her own Profit, sure she +knows her own Pleasure better than to make herself a Property! My +Daughter to me should be, like a Court-Lady to a Minister of State, +a Key to the whole Gang. Married! If the Affair is not already +done, I’ll terrify her from it, by the Example of our Neighbours.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> May-hap, my Dear, you +may injure the Girl. She loves to imitate the fine Ladies, and she may +only allow the Captain Liberties in the view of Interest.</p> + +<p><span class = "speaker">Peachum.</span> But ’tis your Duty, my Dear, +to warn the Girl against her Ruin, and to instruct her how to make the +most of her Beauty. I’ll go to her this moment, and sift her. In the +meantime, Wife, rip out the Coronets and Marks of these Dozen of Cambric +Handkerchiefs, for I can dispose of them this Afternoon to a Chap in the +City. +<span class = "exit">Exit <em>Peachum</em>.</span></p> + +<p><span class = "speaker">Mrs. Peachum.</span> Never was a Man more out +of the way in an Argument than my Husband! Why must our <i>Polly</i>, +forsooth, differ from her Sex, and love only her Husband? And why must +<i>Polly’s</i> Marriage, contrary to all Observations, make her the less +followed by other +<span class = "pagenum">9</span> +<!-- png 031 --> +Men? All Men are Thieves in Love, and like a Woman the better for being +another’s Property.</p> + + +<h5><a name = "air5" id = "air5"> +AIR V. Of all the simple Things we do, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air5.png" width = "367" height = "170" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_V.midi">MIDI</a> +<a href = "music/air_V.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>A Maid is like the Golden Ore,</p> +<p class = "in1">Which hath Guineas intrinsical in’t,</p> +<p>Whose Worth is never known before</p> +<p class = "in1">It is try’d and imprest in the Mint.</p> +<p>A Wife’s like a Guinea in Gold,</p> +<p class = "in1">Stampt with the Name of her Spouse;</p> +<p>Now here, now there; is bought, or is sold;</p> +<p class = "in1">And is current in every House.</p> +</div> + +<p class = "entrance"> +Enter <em>Filch</em>.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> Come hither, +<i>Filch</i>. I am as fond of this Child, as though my Mind misgave +me he were my own. He hath as fine a Hand at picking a Pocket as a +Woman, and is as nimble-finger’d as a Juggler. If an unlucky Session +does not cut the Rope of thy Life, I pronounce, Boy, thou wilt be a +great Man in History. Where was your Post last Night, my Boy?</p> + +<p><span class = "speaker">Filch.</span> I ply’d at the Opera, Madam; +and considering ’twas neither dark nor rainy, so that there was no great +Hurry in getting Chairs and Coaches, made a +<span class = "pagenum">10</span> +<!-- png 032 --> +tolerable Hand on’t. These seven Handkerchiefs, Madam.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> Colour’d ones, I see. +They are of sure Sale from our Warehouse at <i>Redriff</i> among the +Seamen.</p> + +<p><span class = "speaker">Filch.</span> And this Snuff-box.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> Set in Gold! A pretty +Encouragement this to a young Beginner.</p> + +<p><span class = "speaker">Filch.</span> I had a fair Tug at a charming +Gold Watch. Pox take the Tailors for making the Fobs so deep and narrow! +It stuck by the way, and I was forc’d to make my Escape under a Coach. +Really, Madam, I fear I shall be cut off in the Flower of my Youth, +so that every now and then (since I was pumpt) I have Thoughts of +taking up and going to Sea.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> You should go to +<i>Hockley in the Hole</i>, and to <i>Marybone</i>, Child, to learn +Valour. These are the Schools that have bred so many brave Men. +I thought, Boy, by this time, thou hadst lost Fear as well as +Shame. Poor Lad! how little does he know as yet of the <i>Old Baily</i>! +For the first Fact I’ll insure thee from being hang’d; and going to Sea, +<i>Filch</i>, will come time enough upon a Sentence of Transportation. +But now, since you have nothing better to do, ev’n go to your Book, and +learn your Catechism; for really a Man makes but an ill Figure in the +Ordinary’s Paper, who cannot give a satisfactory Answer to his +Questions. But, hark you, my Lad. Don’t tell me a Lye; for you know I +hate a Liar. Do you know of anything that hath pass’d between Captain +<i>Macheath</i> and our <i>Polly</i>?</p> + +<p><span class = "speaker">Filch.</span> I beg you, Madam, don’t ask me; +for I must either tell a Lye to you or to Miss <i>Polly</i>; for I +promis’d her I would not tell.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> But when the Honour of +our Family is concern’d—</p> + +<span class = "pagenum">11</span> +<!-- png 033 --> +<p><span class = "speaker">Filch.</span> I shall lead a sad Life with +Miss <i>Polly</i>, if ever she comes to know that I told you. Besides, +I would not willingly forfeit my own Honour by betraying any +body.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> Yonder comes my Husband +and <i>Polly</i>. Come, <i>Filch</i>, you shall go with me into my own +Room, and tell me the whole Story. I’ll give thee a Glass of a most +delicious Cordial that I keep for my own drinking.</p> + +<p class = "exit">Exeunt.</p> + +<p class = "entrance"> +Enter <em>Peachum</em>, <em>Polly</em>.</p> + +<p><span class = "speaker">Polly.</span> I know as well as any of the +fine Ladies how to make the most of myself and of my Man too. +A Woman knows how to be mercenary, though she hath never been in a +Court or at an Assembly. We have it in our Natures, Papa. If I allow +Captain <i>Macheath</i> some trifling Liberties, I have this Watch +and other visible Marks of his Favour to shew for it. A Girl who +cannot grant some Things, and refuse what is most material, will make +but a poor hand of her Beauty, and soon be thrown upon the Common.</p> + + +<h5><a name = "air6" id = "air6"> +AIR VI. What shall I do to shew how much I love her, +&c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air6.png" width = "377" height = "232" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_VI.midi">MIDI</a> +<a href = "music/air_VI.pdf" target = "_blank">PDF</a></p> + +<span class = "pagenum">12</span> +<!-- png 034 --> +<div class = "song"> +<p>Virgins are like the fair Flower in its Lustre,</p> +<p class = "in1">Which in the Garden enamels the Ground;</p> +<p>Near it the Bees in play flutter and cluster,</p> +<p class = "in1">And gaudy Butterflies frolick around.</p> +<p>But, when once pluck’d, ’tis no longer alluring,</p> +<p class = "in1">To <i>Covent-Garden</i> ’tis sent (as yet sweet),</p> +<p>There fades, and shrinks, and grows past all enduring,</p> +<p class = "in1">Rots, stinks, and dies, and is trod under feet.</p> +</div> + +<p><span class = "speaker">Peachum.</span> You know, <i>Polly</i>, +I am not against your toying and trifling with a Customer in the +way of Business, or to get out a Secret, or so. But if I find out that +you have play’d the Fool and are married, you Jade you, I’ll cut your +Throat, Hussy. Now you know my Mind.</p> + +<p class = "entrance"> +Enter <em>Mrs. Peachum</em>, in a very great Passion.</p> + + +<h5><a name = "air7" id = "air7"> +AIR VII. Oh <i>London</i> is a fine Town.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air7.png" width = "349" height = "119" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_VII.midi">MIDI</a> +<a href = "music/air_VII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>Our <em>Polly</em> is a sad Slut! nor heeds what we have taught +her.</p> +<p>I wonder any Man alive will ever rear a Daughter!</p> +<p>For she must have both Hoods and Gowns, and Hoops to swell her +Pride,</p> +<p>With Scarfs and Stays, and Gloves and Lace; and she will have Men +beside;</p> +<p>And when she’s drest with Care and Cost, all tempting, fine and +gay,</p> +<p>As Men should serve a Cucumber, she flings herself away.</p> +<p>Our <em>Polly</em> is a sad Slut! <em>&c.</em></p> +</div> + +<span class = "pagenum">13</span> +<!-- png 035 --> +<p>You Baggage! you Hussy! you inconsiderate Jade! had you been hang’d, +it would not have vex’d me, for that might have been your Misfortune; +but to do such a mad thing by Choice; The Wench is married, Husband.</p> + +<p><span class = "speaker">Peachum.</span> Married! the Captain is a +bold Man, and will risk any thing for Money; to be sure he believes her +a Fortune. Do you think your Mother and I should have liv’d comfortably +so long together, if ever we had been married? Baggage!</p> + +<p><span class = "speaker">Mrs. Peachum.</span> I knew she was always a +proud Slut; and now the Wench hath play’d the Fool and Married, because +forsooth she would do like the Gentry. Can you support the Expence of a +Husband, Hussy, in Gaming, Drinking and Whoring? Have you Money enough +to carry on the daily Quarrels of Man and Wife about who shall squander +most? There are not many Husbands and Wives, who can bear the Charges of +plaguing one another in a handsom way. If you must be married, could you +introduce no body into our Family but a Highwayman? Why, thou foolish +Jade, thou wilt be as ill-us’d, and as much neglected, as if thou hadst +married a Lord!</p> + +<p><span class = "speaker">Peachum.</span> Let not your Anger, my Dear, +break through the Rules of Decency, for the Captain looks upon himself +in the Military Capacity, as a Gentleman by his Profession. Besides what +he hath already, I know he is in a fair way of getting, or of +dying; and both these ways, let me tell you, are most excellent Chances +for a Wife. Tell me, Hussy, are you ruin’d or no?</p> + +<p><span class = "speaker">Mrs. Peachum.</span> With <i>Polly’s</i> +Fortune, she might very well have gone off to a Person of Distinction. +Yes, that you might, you pouting Slut!</p> + +<p><span class = "speaker">Peachum.</span> What is the Wench dumb? +Speak, or I’ll make you plead by squeezing out an Answer from you. +<span class = "pagenum">14</span> +<!-- png 036 --> +Are you really bound Wife to him, or are you only upon liking? +<span class = "exit">Pinches her.</span></p> + +<p><span class = "speaker">Polly.</span> Oh! +<span class = "exit">Screaming.</span></p> + +<p><span class = "speaker">Mrs. Peachum.</span> How the Mother is to be +pitied who hath handsom Daughters! Locks, Bolts, Bars, and Lectures of +Morality are nothing to them: They break through them all. They have as +much Pleasure in cheating a Father and Mother, as in cheating at +Cards.</p> + +<p><span class = "speaker">Peachum.</span> Why, <i>Polly</i>, I shall +soon know if you are married, by <i>Macheath’s</i> keeping from our +House.</p> + + +<h5><a name = "air8" id = "air8"> +AIR VIII. Grim King of the Ghosts, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air8.png" width = "370" height = "180" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_VIII.midi">MIDI</a> +<a href = "music/air_VIII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "singer">Polly.</p> +<p>Can Love be control’d by Advice?</p> +<p class = "in1">Will <em>Cupid</em> our Mothers obey?</p> +<p>Though my Heart were as frozen as Ice,</p> +<p class = "in1">At his Flame ’twould have melted away.</p> +<p>When he kist me so closely he prest,</p> +<p class = "in1">’Twas so sweet that I must have comply’d:</p> +<p>So I thought it both safest and best</p> +<p class = "in1">To marry, for fear you should chide.</p> +</div> + +<p><span class = "speaker">Mrs. Peachum.</span> Then all the Hopes of +our Family are gone for ever and ever!</p> + +<p><span class = "speaker">Peachum.</span> And <i>Macheath</i> may hang +his Father and Mother-in-law, in hope to get into their Daughter’s +Fortune.</p> + +<span class = "pagenum">15</span> +<!-- png 037 --> +<p><span class = "speaker">Polly.</span> I did not marry him (as ’tis +the Fashion) coolly and deliberately for Honour or Money. But, +I love him.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> Love him! worse and +worse! I thought the Girl had been better bred. Oh Husband, +Husband! her Folly makes me mad! my Head swims! I’m distracted! +I can’t support myself—Oh! +<span class = "exit">Faints.</span></p> + +<p><span class = "speaker">Peachum.</span> See, Wench, to what a +Condition you have reduc’d your poor Mother! a Glass of Cordial, +this instant. How the poor Woman takes it to heart!</p> + +<p class = "exit"> +<em>Polly</em> goes out, and returns with it.</p> + +<p>Ah, Hussy, now this is the only Comfort your Mother has left!</p> + +<p><span class = "speaker">Polly.</span> Give her another Glass, Sir! my +Mama drinks double the Quantity whenever she is out of Order. This, you +see, fetches her.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> The Girl shews such a +Readiness, and so much Concern, that I could almost find in my Heart to +forgive her.</p> + + +<h5><a name = "air9" id = "air9"> +AIR IX. O <i>Jenny</i>, O <i>Jenny</i>, where hast thou +been.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air9.png" width = "369" height = "114" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_IX.midi">MIDI</a> +<a href = "music/air_IX.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>O <em>Polly</em>, you might have toy’d and kist.</p> +<p>By keeping Men off, you keep them on.</p> +<p class = "singer">Polly.</p> +<p class = "in2">But he so teaz’d me,</p> +<p class = "in2">And he so pleas’d me,</p> +<p>What I did, you must have done.</p> +</div> + +<p><span class = "speaker">Mrs. Peachum.</span> Not with a +Highwayman.—You sorry Slut!</p> + +<span class = "pagenum">16</span> +<!-- png 038 --> +<p><span class = "speaker">Peachum.</span> A Word with you, Wife. ’Tis +no new thing for a Wench to take Man without Consent of Parents. You +know ’tis the Frailty of Women, my Dear.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> Yes, indeed, the Sex is +frail. But the first time a Woman is frail, she should be somewhat nice +methinks, for then or never is the time to make her Fortune. After that, +she hath nothing to do but to guard herself from being found out, and +she may do what she pleases.</p> + +<p><span class = "speaker">Peachum.</span> Make yourself a little easy; +I have a Thought shall soon set all Matters again to rights. Why so +melancholy, <i>Polly</i>? since what is done cannot be undone, we must +all endeavour to make the best of it.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> Well, <i>Polly</i>; as +far as one Woman can forgive another, I forgive thee.—Your +Father is too fond of you, Hussy.</p> + +<p><span class = "speaker">Polly.</span> Then all my Sorrows are at an +end.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> A mighty likely Speech +in troth, for a Wench who is just married!</p> + + +<h5><a name = "air10" id = "air10"> +AIR X. <i>Thomas</i>, I cannot, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air10.png" width = "383" height = "174" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_X.midi">MIDI</a> +<a href = "music/air_X.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "singer">Polly.</p> +<p>I, like a Ship in Storms, was tost;</p> +<p>Yet afraid to put in to Land:</p> + +<span class = "pagenum">17</span> +<!-- png 039 --> + +<p>For seiz’d in the Port the Vessel’s lost,</p> +<p>Whose Treasure is <ins class = "correction" +title = "spelling unchanged">contreband</ins>.</p> +<p class = "in1">The Waves are laid,</p> +<p class = "in1">My Duty’s paid.</p> +<p>O Joy beyond Expression!</p> +<p class = "in1">Thus, safe a-shore,</p> +<p class = "in1">I ask no more,</p> +<p>My All is in my Possession.</p> +</div> + +<p><span class = "speaker">Peachum.</span> I hear Customers in t’other +Room: Go, talk with ’em, <i>Polly</i>; but come to us again, as soon as +they are gone.—But, hark ye, Child, if ’tis the Gentleman who was +here Yesterday about the Repeating Watch; say, you believe we can’t get +Intelligence of it ’till to-morrow. For I lent it to <i>Suky +Straddle</i>, to make a figure with it to-night at a Tavern in +<i>Drury-Lane</i>. If t’other Gentleman calls for the Silver-hilted +Sword; you know <i>Beetle-brow’d Jemmy</i> hath it on, and he doth not +come from <i>Tunbridge</i> ’till <i>Tuesday</i> Night; so that it cannot +be had ’till then. +<span class = "exit">Exit <em>Polly</em>.</span></p> + +<p><span class = "speaker">Peachum.</span> Dear Wife, be a little +pacified<ins class = "correction" title = "text unchanged">, Don’t</ins> +let your Passion run away with your Senses. <i>Polly</i>, I grant +you, hath done a rash thing.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> If she had only an +Intrigue with the Fellow, why the very best Families have excus’d and +huddled up a Frailty of that sort. ’Tis Marriage, Husband, that makes it +a Blemish.</p> + +<p><span class = "speaker">Peachum.</span> But Money, Wife, is the true +Fuller’s Earth for Reputations, there is not a Spot or a Stain but what +it can take out. A rich Rogue now-a-days is fit Company for any +Gentleman; and the World, my Dear, hath not such a Contempt for Roguery +as you imagine. I tell you, Wife, I can make this Match turn +to our Advantage.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> I am very sensible, +Husband, that +<span class = "pagenum">18</span> +<!-- png 040 --> +Captain <i>Macheath</i> is worth Money, but I am in doubt whether he +hath not two or three Wives already, and then if he should die in a +Session or two, <i>Polly’s</i> Dower would come into Dispute.</p> + +<p><span class = "speaker">Peachum.</span> That, indeed, is a Point +which ought to be consider’d.</p> + + +<h5><a name = "air11" id = "air11"> +AIR XI. A Soldier and a Sailor.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air11.png" width = "406" height = "233" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XI.midi">MIDI</a> +<a href = "music/air_XI.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>A Fox may steal your Hens, Sir,</p> +<p>A Whore your Health and Pence, Sir,</p> +<p>Your Daughter rob your Chest, Sir,</p> +<p>Your Wife may steal your Rest, Sir.</p> +<p class = "in1">A Thief your Goods and Plate.</p> +<p>But this is all but picking,</p> +<p>With Rest, Pence, Chest and Chicken;</p> +<p>It ever was decreed, Sir,</p> +<p>If Lawyer’s Hand is fee’d, Sir,</p> +<p class = "in1">He steals your whole Estate.</p> +</div> + +<p>The Lawyers are bitter Enemies to those in our Way. They don’t care +that any body should get a clandestine Livelihood but themselves.</p> + +<span class = "pagenum">19</span> +<!-- png 043 --> + +<p class = "entrance">Enter <em>Polly</em>.</p> + +<p><span class = "speaker">Polly.</span> ’Twas only <i>Nimming Ned</i>. +He brought in a Damask Window-Curtain, a Hoop-Petticoat, +a pair of Silver Candlesticks, a Periwig, and one Silk +Stocking, from the Fire that happen’d last Night.</p> + +<p><span class = "speaker">Peachum.</span> There is not a Fellow that is +cleverer in his way, and saves more Goods out of the Fire than +<i>Ned</i>. But now, <i>Polly</i>, to your Affair; for Matters must not +be left as they are. You are married then, it seems?</p> + +<p><span class = "speaker">Polly.</span> Yes, Sir.</p> + +<p><span class = "speaker">Peachum.</span> And how do you propose to +live, Child?</p> + +<p><span class = "speaker">Polly.</span> Like other Women, Sir, upon the +Industry of my Husband.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> What, is the Wench +turn’d Fool? A Highwayman’s Wife, like a Soldier’s, hath as little +of his Pay, as of his Company.</p> + +<p><span class = "speaker">Peachum.</span> And had not you the common +Views of a Gentlewoman in your Marriage, <i>Polly</i>?</p> + +<p><span class = "speaker">Polly.</span> I don’t know what you mean, +Sir.</p> + +<p><span class = "speaker">Peachum.</span> Of a Jointure, and of being a +Widow.</p> + +<p><span class = "speaker">Polly.</span> But I love him, Sir; how then +could I have Thoughts of parting with him?</p> + +<p><span class = "speaker">Peachum.</span> Parting with him! Why, this +is the whole Scheme and Intention of all Marriage-Articles. The +comfortable Estate of Widow-hood, is the only Hope that keeps up a +Wife’s Spirits. Where is the Woman who would scruple to be a Wife, if +she had it in her Power to be a Widow, whenever she pleas’d? If you have +any Views of this sort, <i>Polly</i>, I shall think the Match not +so very unreasonable.</p> + +<p><span class = "speaker">Polly.</span> How I dread to hear your +Advice! Yet I must beg you to explain yourself.</p> + +<span class = "pagenum">20</span> +<!-- png 044 --> +<p><span class = "speaker">Peachum.</span> Secure what he hath got, have +him peach’d the next Sessions, and then at once you are made a rich +Widow.</p> + +<p><span class = "speaker">Polly.</span> What, murder the Man I love! +The Blood runs cold at my Heart with the very thought of it.</p> + +<p><span class = "speaker">Peachum.</span> Fie, <i>Polly</i>! What hath +Murder to do in the Affair? Since the thing sooner or later must happen, +I dare say, the Captain himself would like that we should get the +Reward for his Death sooner than a Stranger. Why, <i>Polly</i>, the +Captain knows, that as ’tis his Employment to rob, so ’tis ours to take +Robbers; every Man in his Business. So that there is no Malice in the +Case.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> Ay, Husband, now you +have nick’d the Matter. To have him peach’d is the only thing could ever +make me forgive her.</p> + + +<h5><a name = "air12" id = "air12"> +AIR XII. Now ponder well, ye Parents dear.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air12.png" width = "385" height = "116" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XII.midi">MIDI</a> +<a href = "music/air_XII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "singer">Polly.</p> +<p>O ponder well! be not severe;</p> +<p class = "in1">So save a wretched Wife!</p> +<p>For on the Rope that hangs my Dear</p> +<p class = "in1">Depends poor <em>Polly’s</em> Life.</p> +</div> + +<p><span class = "speaker">Mrs. Peachum.</span> But your Duty to your +Parents, Hussy, obliges you to hang him. What would many a Wife give for +such an Opportunity!</p> + +<p><span class = "speaker">Polly.</span> What is a Jointure, what is +Widow-hood to me? I know my Heart. I cannot survive him.</p> + + +<span class = "pagenum">21</span> +<!-- png 045 --> +<h5><a name = "air13" id = "air13"> +AIR XIII. Le printems rapelle aux armes.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air13.png" width = "384" height = "166" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XIII.midi">MIDI</a> +<a href = "music/air_XIII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>The Turtle thus with plaintive Crying,</p> +<p class = "in2">Her Lover dying,</p> +<p>The Turtle thus with plaintive Crying,</p> +<p class = "in2">Laments her Dove.</p> +<p>Down she drops quite spent with Sighing.</p> +<p>Pair’d in Death, as pair’d in Love.</p> +</div> + +<p>Thus, Sir, it will happen to your poor <i>Polly</i>.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> What, is the Fool in +Love in earnest then? I hate thee for being particular: Why, Wench, +thou art a Shame to thy very Sex.</p> + +<p><span class = "speaker">Polly.</span> But hear me, Mother.—If +you ever lov’d—</p> + +<p><span class = "speaker">Mrs. Peachum.</span> Those cursed Play-Books +she reads have been her Ruin. One Word more, Hussy, and I shall knock +your Brains out, if you have any.</p> + +<p><span class = "speaker">Peachum.</span> Keep out of the way, +<i>Polly</i>, for fear of Mischief, and consider of what is proposed to +you.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> Away, Hussy. Hang your +Husband, and be dutiful. +<span class = "exit">Exit <em>Polly</em>.</span></p> + +<p class = "entrance"> +Re-enter <em>Polly</em>, and listens behind column.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> The Thing, Husband, must +and shall be done. For the sake of Intelligence we must take +<span class = "pagenum">22</span> +<!-- png 046 --> +other measures, and have him peached the next Session without her +Consent. If she will not know her Duty, we know ours.</p> + +<p><span class = "speaker">Peachum.</span> But really, my Dear, it +grieves one’s Heart to take off a great Man. When I consider his +Personal Bravery, his fine Stratagem, how much we have already got by +him, and how much more we may get, methinks I can’t find in my Heart to +have a hand in his Death. I wish you could have made <i>Polly</i> +undertake it.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> But in a Case of +Necessity—our own Lives are in danger.</p> + +<p><span class = "speaker">Peachum.</span> Then, indeed, we must comply +with the Customs of the World, and make Gratitude give way to +Interest.—He shall be taken off.</p> + +<p><span class = "speaker">Mrs. Peachum.</span> I’ll undertake to manage +<i>Polly</i>.</p> + +<p><span class = "speaker">Peachum.</span> And I’ll prepare Matters for +the <i>Old-Baily</i>.</p> + +<p class = "exit">Exeunt severally.</p> + +<p><span class = "speaker">Polly.</span> Now I’m a Wretch, +indeed.—Methinks I see him already in the Cart, sweeter and more +lovely than the Nosegay in his Hand!—I hear the Crowd +extolling his Resolution and Intrepidity!—What Vollies of Sighs +are sent from the Windows of <i>Holborn</i>, that so comely a Youth +should be brought to Disgrace!—I see him at the Tree! The +whole Circle are in Tears!—even Butchers weep!—<i>Jack +Ketch</i> himself hesitates to perform his Duty, and would be glad to +lose his Fee, by a Reprieve. What then will become of +<i>Polly</i>!—As yet I may inform him of their Design, and aid him +in his Escape.—It shall be so—But then he flies, absents +himself, and I bar myself from his dear dear Conversation! That too will +distract me.—If he keep out of the way, my Papa and Mama may in +time relent, and we may be happy.—If he stays, he is hang’d, and +then he +<span class = "pagenum">23</span> +<!-- png 047 --> +is lost for ever!—He intended to lie conceal’d in my Room, ’till +the Dusk of the Evening: If they are abroad I’ll this Instant let him +out, lest some Accident should prevent him. +<span class = "exit">Exit, and returns with +<em>Macheath</em>.</span></p> + + +<h5>Macheath.<br> +<a name = "air14" id = "air14"> +AIR XIV. Pretty Parrot, say—</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air14.png" width = "394" height = "231" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XIV.midi">MIDI</a> +<a href = "music/air_XIV.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "singer">Macheath.</p> +<p class = "in1">Pretty <em>Polly</em>, say,</p> +<p class = "in1">When I was away,</p> +<p>Did your fancy never stray</p> +<p class = "in1">To some newer Lover?</p> +</div> + +<div class = "song"> +<p class = "singer">Polly.</p> +<p class = "in2">Without Disguise,</p> +<p class = "in2">Heaving Sighs,</p> +<p class = "in2">Doting Eyes,</p> +<p>My constant Heart discover.</p> +<p class = "in1">Fondly let me loll!</p> +</div> + +<div class = "song"> +<p class = "singer">Macheath.</p> +<p class = "in1">O pretty, pretty <em>Poll</em>.</p> +</div> + +<p><span class = "speaker">Polly.</span> And are <i>you</i> as fond as +ever, my Dear?</p> + +<p><span class = "speaker">Macheath.</span> Suspect my Honour, my +Courage, suspect any thing but my Love.—May my Pistols miss Fire, +<span class = "pagenum">24</span> +<!-- png 048 --> +and my Mare slip her Shoulder while I am pursu’d, if I ever forsake +thee!</p> + +<p><span class = "speaker">Polly.</span> Nay, my Dear, I have no Reason +to doubt you, for I find in the Romance you lent me, none of the great +Heroes were ever false in Love.</p> + + +<h5><a name = "air15" id = "air15"> +AIR XV. Pray, Fair one, be kind—</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air15.png" width = "396" height = "176" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XV.midi">MIDI</a> +<a href = "music/air_XV.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "singer">Macheath.</p> +<p class = "in1">My Heart was so free,</p> +<p class = "in1">It rov’d like the Bee,</p> +<p>’Till <em>Polly</em> my Passion requited;</p> +<p class = "in1">I sipt each Flower,</p> +<p class = "in1">I chang’d every Hour,</p> +<p>But here every Flower is united.</p> +</div> + +<p><span class = "speaker">Polly.</span> Were you sentenc’d to +Transportation, sure, my Dear, you could not leave me behind +you—could you?</p> + +<p><span class = "speaker">Macheath.</span> Is there any Power, any +Force that could tear me from thee? You might sooner tear a Pension out +of the Hands of a Courtier, a Fee from a Lawyer, a pretty +Woman from a Looking-glass, or any Woman from Quadrille.—But to +tear me from thee is impossible!</p> + + +<span class = "pagenum">25</span> +<!-- png 049 --> +<h5><a name = "air16" id = "air16"> +AIR XVI. Over the Hills and far away.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air16.png" width = "394" height = "167" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XVI.midi">MIDI</a> +<a href = "music/air_XVI.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>Were I laid on <em>Greenland’s</em> Coast,</p> +<p>And in my Arms embrac’d my Lass;</p> +<p>Warm amidst eternal Frost,</p> +<p>Too soon the Half Year’s Night would pass.</p> +</div> + +<div class = "song"> +<p class = "singer">Polly.</p> +<p>Were I sold on <em>Indian</em> Soil,</p> +<p>Soon as the burning Day was clos’d,</p> +<p>I could mock the sultry Toil</p> +<p>When on my Charmer’s Breast repos’d.</p> +</div> + +<div class = "song"> +<p class = "singer">Macheath.</p> +<p>And I would love you all the Day,</p> +</div> + +<div class = "song"> +<p class = "singer">Polly.</p> +<p>Every Night would kiss and play,</p> +</div> + +<div class = "song"> +<p class = "singer">Macheath.</p> +<p>If with me you’d fondly stray</p> +</div> + +<div class = "song"> +<p class = "singer">Polly.</p> +<p>Over the Hills and far away.</p> +</div> + +<p><span class = "speaker">Polly.</span> Yes, I would go with thee. But +oh!—how shall I speak it? I must be torn from thee. We must +part.</p> + +<p><span class = "speaker">Macheath.</span> How! Part!</p> + +<p><span class = "speaker">Polly.</span> We must, we must.—My Papa +and Mama are set against thy Life. They now, even now are in Search +after thee. They are preparing Evidence against thee. Thy Life depends +upon a moment.</p> + + +<span class = "pagenum">26</span> +<!-- png 050 --> +<h5><a name = "air17" id = "air17"> +AIR XVII. Gin thou wert mine awn thing—</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air17.png" width = "399" height = "233" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XVII.midi">MIDI</a> +<a href = "music/air_XVII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>Oh what Pain it is to part!</p> +<p>Can I leave thee, can I leave thee?</p> +<p>O what pain it is to part!</p> +<p>Can thy <em>Polly</em> ever leave thee?</p> +<p>But lest Death my Love should thwart,</p> +<p>And bring thee to the fatal Cart,</p> +<p>Thus I tear thee from my bleeding Heart!</p> +<p class = "in1">Fly hence, and let me leave thee.</p> +</div> + +<p>One Kiss and then—one Kiss—be gone—farewel.</p> + +<p><span class = "speaker">Macheath.</span> My Hand, my Heart, my Dear, +is so riveted to thine, that I cannot unloose my Hold.</p> + +<p><span class = "speaker">Polly.</span> But my Papa may intercept thee, +and then I should lose the very glimmering of Hope. A few Weeks, +perhaps, may reconcile us all. Shall thy <i>Polly</i> hear from +thee?</p> + +<p><span class = "speaker">Macheath.</span> Must I then go?</p> + +<p><span class = "speaker">Polly.</span> And will not Absence change +your Love?</p> + +<p><span class = "speaker">Macheath.</span> If you doubt it, let me +stay—and be hang’d.</p> + +<span class = "pagenum">27</span> +<!-- png 051 --> +<p><span class = "speaker">Polly.</span> O how I fear! how I +tremble!—Go—but when Safety will give you leave, you will be +sure to see me again; for ’till then <i>Polly</i> is wretched.</p> + + +<h5><a name = "air18" id = "air18"> +AIR XVIII. O the Broom, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air18.png" width = "378" height = "169" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XVIII.midi">MIDI</a> +<a href = "music/air_XVIII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "singer">Macheath.</p> +<p>The Miser thus a Shilling sees,</p> +<p class = "in1">Which he’s oblig’d to pay,</p> +<p>With sighs resigns it by degrees,</p> +<p class = "in1">And fears ’tis gone for ay.</p> + +<p class = "exit"> +Parting, and looking back at each other with fondness; he at one Door, +she at the other.</p> + +<p class = "singer">Polly.</p> +<p>The Boy, thus, when his Sparrow’s flown,</p> +<p class = "in1">The Bird in Silence eyes;</p> +<p>But soon as out of Sight ’tis gone,</p> +<p class = "in1">Whines, whimpers, sobs and cries.</p> +</div> + +<p class = "illustration right"> +<img src = "images/pic_27.png" width = "29" height = "79" +alt = "line drawing"> +</p> + + +<p class = "illustration chapter"> +<a name = "plateII" id = "plateII"> </a> +<img src = "images/plateII.jpg" width = "340" height = "496" +alt = "Mrs. Peachum"> +</p> + +<span class = "pagenum">28</span> +<!-- png 052 --> + +<p class = "illustration chapter"> +<img src = "images/pic_28.png" width = "317" height = "122" +alt = "men and women with pistols"> +</p> + +<h4 class = "act"><a name = "actII_sceneI" id = "actII_sceneI"> +ACT II. SCENE I.</a></h4> + +<h5 class = "scene"> +A <span class = "smallcaps">Tavern</span> near <em>Newgate</em>.</h5> + +<p class = "entrance long"> +<em>Jemmy Twitcher</em>, <em>Crook-finger’d Jack</em>, <em>Wat +Dreary</em>, <em>Robin of Bagshot</em>, <em>Nimming Ned</em>, <em>Henry +Paddington</em>, <em>Matt of the Mint</em>, <em>Ben Budge</em>, and the +rest of the Gang, at the Table, with Wine, Brandy and Tobacco.</p> + +<p><span class = "speaker">Ben.</span> But pr’ythee, <i>Matt</i>, what +is become of thy Brother <i>Tom</i>? I have not seen him since my +Return from Transportation.</p> + +<p><span class = "speaker">Matt.</span> Poor Brother <i>Tom</i> had an +Accident this time Twelve-month, and so clever a made fellow he was, +that I could not save him from those fleaing Rascals the Surgeons; and +now, poor Man, he is among the Otamys at <i>Surgeons Hall</i>.</p> + +<p><span class = "speaker">Ben.</span> So it seems, his Time was +come.</p> + +<p><span class = "speaker">Jemmy.</span> But the present Time is ours, +and no body alive hath more. Why are the Laws levell’d at us? are we +more dishonest than the rest of Mankind? What we win, Gentlemen, is our +own by the Law of Arms, and the Right of Conquest.</p> + +<p><span class = "speaker">Crook.</span> Where shall we find such +another Set of Practical Philosophers, who to a Man are above the Fear +of Death?</p> + +<p><span class = "speaker">Wat.</span> Sound Men, and true!</p> + +<p><span class = "speaker">Robin.</span> Of try’d Courage, and +indefatigable Industry!</p> + +<span class = "pagenum">29</span> +<!-- png 055 --> +<p><span class = "speaker">Ned.</span> Who is there here that would not +die for his Friend?</p> + +<p><span class = "speaker">Harry.</span> Who is there here that would +betray him for his Interest?</p> + +<p><span class = "speaker">Matt.</span> Shew me a Gang of Courtiers that +can say as much.</p> + +<p><span class = "speaker">Ben.</span> We are for a just Partition of +the World, for every Man hath a Right to enjoy Life.</p> + +<p><span class = "speaker">Matt.</span> We retrench the Superfluities of +Mankind. The World is avaritious, and I hate Avarice. A covetous +fellow, like a Jackdaw, steals what he was never made to enjoy, for the +sake of hiding it. These are the Robbers of Mankind, for Money was made +for the Free-hearted and Generous, and where is the Injury of taking +from another, what he hath not the Heart to make use of?</p> + +<p><span class = "speaker">Jemmy.</span> Our several Stations for the +Day are fixt. Good luck attend us all. Fill the Glasses.</p> + + +<h5><a name = "air19" id = "air19"> +AIR XIX. Fill every Glass, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air19.png" width = "394" height = "172" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XIX.midi">MIDI</a> +<a href = "music/air_XIX.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "singer">Matt.</p> +<p>Fill every Glass, for Wine inspires us,</p> +<p class = "in1">And fires us</p> +<p>With Courage, Love and Joy.</p> +<p>Women and Wine should life employ.</p> +<p>Is there ought else on Earth desirous?</p> + +<p class = "singer">Chorus.</p> +<p>Fill every Glass, <em>&c.</em></p> +</div> + +<span class = "pagenum">30</span> +<!-- png 056 --> +<p class = "entrance"> +To them enter <em>Macheath</em>.</p> + +<p><span class = "speaker">Macheath.</span> Gentlemen, well met. My +Heart hath been with you this Hour; but an unexpected Affair hath +detain’d me. No Ceremony, I beg you.</p> + +<p><span class = "speaker">Matt.</span> We were just breaking up to go +upon Duty. Am I to have the Honour of taking the Air with you, Sir, this +Evening upon the Heath? I drink a Dram now and then with the +Stagecoachmen in the way of Friendship and Intelligence; and I know that +about this Time there will be Passengers upon the Western Road, who are +worth speaking with.</p> + +<p><span class = "speaker">Macheath.</span> I was to have been of that +Party—but—</p> + +<p><span class = "speaker">Matt.</span> But what, Sir?</p> + +<p><span class = "speaker">Macheath.</span> Is there any Man who +suspects my Courage?</p> + +<p><span class = "speaker">Matt.</span> We have all been Witnesses +of it.</p> + +<p><span class = "speaker">Macheath.</span> My Honour and Truth to the +Gang?</p> + +<p><span class = "speaker">Matt.</span> I’ll be answerable for it.</p> + +<p><span class = "speaker">Macheath.</span> In the Division of our +Booty, have I ever shewn the least Marks of Avarice or Injustice?</p> + +<p><span class = "speaker">Matt.</span> By these Questions something +seems to have ruffled you. Are any of us suspected?</p> + +<p><span class = "speaker">Macheath.</span> I have a fixed Confidence, +Gentlemen, in you all, as Men of Honour, and as such I value and respect +you. <i>Peachum</i> is a Man that is useful to us.</p> + +<p><span class = "speaker">Matt.</span> Is he about to play us any foul +Play? I’ll shoot him through the Head.</p> + +<p><span class = "speaker">Macheath.</span> I beg you, Gentlemen, act +with Conduct and Discretion. A Pistol is your last Resort.</p> + +<p><span class = "speaker">Matt.</span> He knows nothing of this +Meeting.</p> + +<p><span class = "speaker">Macheath.</span> Business cannot go on +without him. He is a Man who knows the World, and is a necessary Agent +to us. We have had a slight Difference, and ’till it is +<span class = "pagenum">31</span> +<!-- png 057 --> +accommodated I shall be oblig’d to keep out of his way. Any private +Dispute of mine shall be of no ill consequence to my Friends. You must +continue to act under his Direction, for the moment we break loose from +him, our Gang is ruin’d.</p> + +<p><span class = "speaker">Matt.</span> As a Bawd to a Whore, I grant +you, he is to us of great Convenience.</p> + +<p><span class = "speaker">Macheath.</span> Make him believe I have +quitted the Gang, which I can never do but with Life. At our private +Quarters I will continue to meet you. A Week or so will probably +reconcile us.</p> + +<p><span class = "speaker">Matt.</span> Your Instructions shall be +observ’d. ’Tis now high time for us to repair to our several Duties; so +’till the Evening at our Quarters in Moor-Fields we bid you farewel.</p> + +<p><span class = "speaker">Macheath.</span> I shall wish myself with +you. Success attend you. +<span class = "exit">Sits down melancholy at the Table.</span></p> + + +<h5><a name = "air20" id = "air20"> +AIR XX. March in <i>Rinaldo</i>, with Drums and +Trumpets.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air20.png" width = "385" height = "168" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XX.midi">MIDI</a> +<a href = "music/air_XX.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "singer">Matt.</p> +<p>Let us take the Road.</p> +<p class = "in1">Hark! I hear the Sound of Coaches!</p> +<p class = "in1">The Hour of Attack approaches,</p> +<p>To your Arms, brave Boys, and load.</p> +<p class = "in1">See the Ball I hold!</p> + +<span class = "pagenum">32</span> +<!-- png 058 --> + +<p>Let the Chymists toil like Asses,</p> +<p>Our Fire their Fire surpasses,</p> +<p class = "in1">And turns all our Lead to Gold.</p> + +<p class = "exit"> +The Gang, rang’d in the Front of the Stage, load their Pistols, and +stick them under their Girdles; then go off singing the first Part in +Chorus.</p> +</div> + +<p><span class = "speaker">Macheath.</span> What a Fool is a fond Wench! +<i>Polly</i> is most confoundedly bit.—I love the Sex. And a +Man who loves Money, might as well be contented with one Guinea, as I +with one Woman. The Town perhaps have been as much obliged to me, for +recruiting it with free-hearted Ladies, as to any Recruiting Officer in +the Army. If it were not for us, and the other Gentlemen of the Sword, +<i>Drury-Lane</i> would be uninhabited.</p> + + +<h5><a name = "air21" id = "air21"> +AIR XXI. Would you have a young Virgin, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air21.png" width = "398" height = "233" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XXI.midi">MIDI</a> +<a href = "music/air_XXI.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>If the Heart of a Man is deprest with Cares,</p> +<p>The Mist is dispell’d when a Woman appears;</p> +<p>Like the Notes of a Fiddle, she sweetly, sweetly</p> +<p>Raises the Spirits, and charms our Ears,</p> + +<span class = "pagenum">33</span> +<!-- png 059 --> + +<p>Roses and Lilies her Cheeks disclose,</p> +<p>But her ripe Lips are more sweet than those.</p> +<p class = "in1">Press her,</p> +<p class = "in1">Caress her,</p> +<p class = "in1">With Blisses,</p> +<p class = "in1">Her Kisses</p> +<p>Dissolve us in Pleasure, and soft Repose.</p> +</div> + +<p>I must have Women. There is nothing unbends the Mind like them. Money +is not so strong a Cordial for the Time. Drawer— +<span class = "stagedir">Enter Drawer.</span> +Is the Porter gone for all the Ladies according to my Directions?</p> + +<p><span class = "speaker">Drawer.</span> I expect him back every +Minute. But you know, Sir, you sent him as far as <i>Hockley in the +Hole</i> for three of the Ladies, for one in <i>Vinegar-Yard</i>, and +for the rest of them somewhere about <i>Lewkner’s-Lane</i>. Sure some of +them are below, for I hear the Bar-Bell. As they come I will shew them +up. Coming, Coming.</p> + +<p class = "entrance"> +Enter Mrs. <em>Coaxer</em>, <em>Dolly Trull</em>, Mrs. <em>Vixen</em>, +<em>Betty Doxy</em>, <em>Jenny Diver</em>, Mrs. <em>Slammekin</em>, +<em>Suky Tawdry</em>, and <em>Molly Brazen</em>.</p> + +<p><span class = "speaker">Macheath.</span> Dear Mrs. <i>Coaxer</i>, you +are welcome. You look charmingly to-day. I hope you don’t want the +Repairs of Quality, and lay on Paint.—<i>Dolly Trull!</i> kiss me, +you Slut; are you as amorous as ever, Hussy? You are always so taken up +with stealing Hearts, that you don’t allow yourself Time to steal any +thing else.—Ah <i>Dolly</i>, thou wilt ever be a Coquette! Mrs. +<i>Vixen</i>, I’m yours, I always lov’d a Woman of Wit and Spirit; +they make charming Mistresses, but plaguy Wives—<i>Betty Doxy!</i> +Come hither, Hussy. Do you drink as hard as ever? You had better stick +to good wholesom Beer; for in troth, <i>Betty</i>, Strong-Waters will in +time ruin your Constitution. You should leave those to your +Betters.—What! and my pretty <i>Jenny Diver</i> too! As prim and +<span class = "pagenum">34</span> +<!-- png 060 --> +demure as ever! There is not any Prude, though ever so high bred, hath a +more sanctify’d Look, with a more mischievous Heart. Ah! thou art a dear +artful Hypocrite.—Mrs. <i>Slammekin!</i> as careless and genteel +as ever! all you fine Ladies, who know your own Beauty, affect an +Undress.—But see, here’s <i>Suky Tawdry</i> come to contradict +what I was saying. Every thing she gets one way she lays out upon her +Back. Why, <i>Suky</i>, you must keep at least a Dozen Tallymen. +<i>Molly Brazen!</i> +<span class = "stagedir">She kisses him.</span> +That’s well done. I love a free-hearted Wench. Thou hast a most +agreeable Assurance, Girl, and art as willing as a Turtle.—But +hark! I hear Music. The Harper is at the Door. <i>If Music be the +Food of Love, play on.</i> Ere you seat yourselves, Ladies, what think +you of a Dance? Come in. +<span class = "stagedir">Enter Harper.</span> +Play the <i>French</i> Tune, that Mrs. <i>Slammekin</i> was so +fond of.</p> + +<p class = "exit"> +A Dance <em>a la ronde</em> in the <em>French</em> manner; near the end +of it this song and Chorus.</p> + + +<h5><a name = "air22" id = "air22"> +AIR XXII. Cotillon.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air22.png" width = "388" height = "111" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XXII.midi">MIDI</a> +<a href = "music/air_XXII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "in1">Youth’s the Season made for Joys,</p> +<p class = "in2">Love is then our Duty,</p> +<p class = "in1">She alone who that employs,</p> +<p class = "in2">Well deserves her Beauty.</p> +<p class = "in3">Let’s be gay,</p> +<p class = "in3">While we may,</p> +<p>Beauty’s a Flower, despis’d in Decay.</p> +<p class = "in1">Youth’s the Season, <em>&c.</em></p> +</div> + +<span class = "pagenum">35</span> +<!-- png 061 --> +<div class = "song"> +<p class = "in1">Let us drink and sport to-day,</p> +<p class = "in2">Ours is not to-morrow.</p> +<p class = "in1">Love with Youth flies swift away,</p> +<p class = "in2">Age is nought but Sorrow.</p> +<p class = "in3">Dance and sing,</p> +<p class = "in3">Time’s on the Wing.</p> +<p>Life never knows the Return of Spring.</p> +</div> + +<div class = "song"> +<p class = "singer">Chorus.</p> +<p class = "in1">Let us drink, <em>&c.</em></p> +</div> + +<p><span class = "speaker">Macheath.</span> Now, pray Ladies, take your +Places. Here Fellow. +<span class = "stagedir">Pays the Harper.</span> +Bid the Drawer bring us more Wine. +<span class = "stagedir">Exit Harper.</span> +If any of the Ladies choose Ginn, I hope they will be so free to +call for it.</p> + +<p><span class = "speaker">Jenny.</span> You look as if you meant me. +Wine is strong enough for me. Indeed, Sir, I never drink +Strong-Waters, but when I have the Cholic.</p> + +<p><span class = "speaker">Macheath.</span> Just the Excuse of the fine +Ladies! Why, a Lady of Quality is never without the Cholic. +I hope, Mrs. <i>Coaxer</i>, you have had good Success of late in +your Visits among the Mercers.</p> + +<p><span class = "speaker">Mrs. Coaxer.</span> We have so many +Interlopers—Yet with Industry, one may still have a little +Picking. I carried a silver-flowered Lutestring, and a Piece of +black Padesoy to Mr. <i>Peachum’s</i> Lock but last Week.</p> + +<p><span class = "speaker">Mrs. Vixen.</span> There’s <i>Molly +Brazen</i> hath the Ogle of a Rattle-Snake. She rivetted a +Linen-Draper’s Eye so fast upon her, that he was nick’d of three Pieces +of Cambric before he could look off.</p> + +<p><span class = "speaker">Brazen.</span> Oh dear Madam!—But sure +nothing can come up to your handling of Laces! And then you have such a +sweet deluding Tongue! To cheat a Man is nothing; but the Woman must +have fine Parts indeed who cheats a Woman.</p> + +<p><span class = "speaker">Mrs. Vixen.</span> Lace, Madam, lies in a +small Compass, +<span class = "pagenum">36</span> +<!-- png 062 --> +and is of easy Conveyance. But you are apt, Madam, to think too well of +your Friends.</p> + +<p><span class = "speaker">Mrs. Coaxer.</span> If any woman hath more +Art than another, to be sure, ’tis <i>Jenny Diver</i>. Though her Fellow +be never so agreeable, she can pick his Pocket as coolly, as if money +were her only Pleasure. Now that is a Command of the Passions uncommon +in a Woman!</p> + +<p><span class = "speaker">Jenny.</span> I never go to the Tavern with a +Man, but in the View of Business. I have other Hours, and other +sort of Men for my Pleasure. But had I your Address, Madam—</p> + +<p><span class = "speaker">Macheath.</span> Have done with your +Compliments, Ladies; and drink about: You are not so fond of me, +<i>Jenny</i>, as you use to be.</p> + +<p><span class = "speaker">Jenny.</span> ’Tis not convenient, Sir, to +shew my Fondness among so many Rivals. ’Tis your own Choice, and not the +Warmth of my Inclination that will determine you.</p> + + +<h5><a name = "air23" id = "air23"> +AIR XXIII. All in a misty Morning, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air23.png" width = "393" height = "187" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XXIII.midi">MIDI</a> +<a href = "music/air_XXIII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>Before the Barn-Door crowing,</p> +<p class = "in1">The Cock by Hens attended,</p> +<p>His Eyes around him throwing,</p> +<p class = "in1">Stands for a while suspended.</p> + +<span class = "pagenum">37</span> +<!-- png 063 --> + +<p>Then One he singles from the Crew,</p> +<p class = "in1">And cheers the happy Hen;</p> +<p>With how do you do, and how do you do,</p> +<p class = "in1">And how do you do again.</p> +</div> + +<p><span class = "speaker">Macheath.</span> Ah <i>Jenny!</i> thou art a +dear Slut.</p> + +<p><span class = "speaker">Jenny.</span> A Man of Courage should never +put any thing to the Risk but his Life. These are the Tools of a Man of +Honour. Cards and Dice are only fit for cowardly Cheats, who prey upon +their Friends.</p> + +<p class = "exit"> +She takes up his Pistol. <em>Tawdry</em> takes up the other.</p> + +<p><span class = "speaker">Tawdry.</span> This, Sir, is fitter for your +Hand. Besides your Loss of Money, ’tis a Loss to the Ladies. Gaming +takes you off from Women. How fond could I be of you! but before Company +’tis ill bred.</p> + +<p><span class = "speaker">Macheath.</span> Wanton Hussies!</p> + +<p><span class = "speaker">Jenny.</span> I must and will have a Kiss to +give my Wine a Zest.</p> + +<p class = "exit"> +They take him about the Neck and make signs to <em>Peachum</em> and +Constables, who rush in upon him.</p> + +<p><span class = "speaker">Peachum.</span> I seize you, Sir, as my +Prisoner.</p> + +<p><span class = "speaker">Macheath.</span> Was this well done, +<i>Jenny</i>?—Women are Decoy Ducks; who can trust them! Beasts, +Jades, Jilts, Harpies, Furies, Whores!</p> + +<p><span class = "speaker">Peachum.</span> Your Case, Mr. +<i>Macheath</i>, is not particular. The greatest Heroes have been ruin’d +by Women. But, to do them Justice, I must own they are a pretty +sort of Creatures, if we could trust them. You must now, Sir, take your +Leave of the Ladies, and if they have a mind to make you a Visit, they +will be sure to find you at home. This Gentleman, Ladies, lodges in +<i>Newgate</i>. Constables, wait upon the Captain to his Lodgings.</p> + + +<span class = "pagenum">38</span> +<!-- png 064 --> +<h5><a name = "air24" id = "air24"> +AIR XXIV. When first I laid Siege to my <i>Chloris</i>, +&c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air24.png" width = "384" height = "116" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XXIV.midi">MIDI</a> +<a href = "music/air_XXIV.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "singer">Macheath.</p> +<p>At the Tree I shall suffer with Pleasure,</p> +<p>At the Tree I shall suffer with Pleasure,</p> +<p class = "in1">Let me go where I will,</p> +<p class = "in1">In all kinds of Ill,</p> +<p>I shall find no such Furies as these are.</p> +</div> + +<p><span class = "speaker">Peachum.</span> Ladies, I’ll take care the +Reckoning shall be discharged.</p> + +<p class = "exit">Exit <em>Macheath</em>, guarded with <em>Peachum and +Constables</em>.</p> + +<p><span class = "speaker">Mrs. Vixen.</span> Look ye, Mrs. +<i>Jenny</i>, though Mr. <i>Peachum</i> may have made a private Bargain +with you and <i>Suky Tawdry</i> for betraying the Captain, as we were +all assisting, we ought all to share alike.</p> + +<p><span class = "speaker">Mrs. Coaxer.</span> I think Mr. +<i>Peachum</i>, after so long an Acquaintance, might have trusted me as +well as <i>Jenny Diver</i>.</p> + +<p><span class = "speaker">Mrs. Slammekin.</span> I am sure at least +three Men of his hanging, and in a Year’s time too (if he did me +Justice) should be set down to my Account.</p> + +<p><span class = "speaker">Trull.</span> Mrs. <i>Slammekin</i>, that is +not fair. For you know one of them was taken in Bed with me.</p> + +<p><span class = "speaker">Jenny.</span> As far as a Bowl of Punch or a +Treat, I believe Mrs. <i>Suky</i> will join with me.—As for +any thing else, Ladies, you cannot in Conscience expect it.</p> + +<p><span class = "speaker">Mrs. Slammekin.</span> Dear Madam—</p> + +<span class = "pagenum">39</span> +<!-- png 065 --> +<p><span class = "speaker">Trull.</span> I would not for the +World—</p> + +<p><span class = "speaker">Mrs. Slammekin.</span> ’Tis impossible for +me—</p> + +<p><span class = "speaker">Trull.</span> As I hope to be sav’d, +Madam—</p> + +<p><span class = "speaker">Mrs. Slammekin.</span> Nay, then I must stay +here all Night—</p> + +<p><span class = "speaker">Trull.</span> Since you command me.</p> + +<p class = "exit">Exeunt with great Ceremony.</p> + +<p class = "illustration right"> +<img src = "images/pic_39.png" width = "57" height = "82" +alt = "line drawing"> +</p> + +<p class = "illustration chapter"> +<a name = "plateIII" id = "plateIII"> </a> +<img src = "images/plateIII.jpg" width = "338" height = "499" +alt = "Polly Peachum"> +</p> + +<span class = "pagenum">40</span> +<!-- png 066 --> + +<p class = "illustration chapter"> +<img src = "images/pic_40.png" width = "77" height = "81" +alt = "line drawing"> +</p> + +<h5 class = "scene"><a name = "actII_sceneII" id = "actII_sceneII"> +<em>SCENE II.</em> Newgate.</a></h5> + +<p class = "entrance"> +<em>Lockit</em>, Turnkeys, <em>Macheath</em>, Constables.</p> + +<p><span class = "speaker">Lockit.</span> Noble Captain, you are +welcome. You have not been a Lodger of mine this Year and half. You know +the Custom, Sir. Garnish, Captain, Garnish. Hand me down those Fetters +there.</p> + +<p><span class = "speaker">Macheath.</span> Those, Mr. <i>Lockit</i>, +seem to be the heaviest of the whole Set. With your Leave, I should +like the further Pair better.</p> + +<p><span class = "speaker">Lockit.</span> Look ye, Captain, we know what +is fittest for our Prisoners. When a Gentleman uses me with Civility, +I always do the best I can to please him.—Hand them down I +say.—We have them of all Prices, from one Guinea to ten, and ’tis +fitting every Gentleman should please himself.</p> + +<p><span class = "speaker">Macheath.</span> I understand you, Sir. +<span class = "stagedir">Gives Money.</span> +The Fees here are so many, and so exorbitant, that few Fortunes can bear +the Expence of getting off handsomly, or of dying like a Gentleman.</p> + +<p><span class = "speaker">Lockit.</span> Those, I see, will fit the +Captain better—Take down the further Pair. Do but examine them, +Sir.—Never was better work.—How genteely they are +made!—They will fit as easy as a Glove, and the nicest Man in +<i>England</i> might not be asham’d to wear them. +<span class = "stagedir">He puts on the Chains.</span> +If I had the best Gentleman in the Land in my Custody I could not equip +<span class = "pagenum">41</span> +<!-- png 069 --> +him more handsomly. And so, Sir—I now leave you to your +private Meditations.</p> + +<p class = "exit">Exeunt leaving <em>Macheath</em> solus.</p> + + +<h5>Macheath.<br> +<a name = "air25" id = "air25"> +AIR XXV. Courtiers, Courtiers, think it no Harm, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air25.png" width = "384" height = "111" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XXV.midi">MIDI</a> +<a href = "music/air_XXV.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>Man may escape from Rope and Gun;</p> +<p>Nay, some have out liv’d the Doctor’s Pill;</p> +<p>Who takes a Woman must be undone,</p> +<p class = "in1">That Basilisk is sure to kill.</p> +<p>The Fly that sips Treacle is lost in the Sweets,</p> +<p>So he that tastes Woman, Woman, Woman,</p> +<p class = "in1">He that tastes Woman, ruin meets.</p> +</div> + +<p>To what a woful Plight have I brought myself! Here must I (all Day +long, ’till I am hang’d) be confin’d to hear the Reproaches of a Wench +who lays her Ruin at my Door—I am in the Custody of her +Father, and to be sure, if he knows of the matter, I shall have a +fine time on’t betwixt this and my Execution.—But I promis’d the +Wench Marriage—What signifies a Promise to a Woman? Does not Man +in Marriage itself promise a hundred things that he never means to +perform? Do all we can, Women will believe us; for they look upon a +Promise as an Excuse for following their own Inclinations.—But +here comes <i>Lucy</i>, and I cannot get from her.—Wou’d I were +deaf!</p> + +<span class = "pagenum">42</span> +<!-- png 070 --> +<p class = "entrance"> +Enter <em>Lucy</em>.</p> + +<p><span class = "speaker">Lucy.</span> You base Man you,—how can +you look me in the Face after what hath passed between us?—See +here, perfidious Wretch, how I am forc’d to bear about the Load of +Infamy you have laid upon me—O <i>Macheath</i>! thou hast +robb’d me of my Quiet—to see thee tortur’d would give me +Pleasure.</p> + + +<h5><a name = "air26" id = "air26"> +AIR XXVI. A lovely Lass to a Friar came, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air26.png" width = "394" height = "177" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XXVI.midi">MIDI</a> +<a href = "music/air_XXVI.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>Thus when a good Housewife sees a Rat</p> +<p class = "in1">In her Trap in the Morning taken,</p> +<p>With Pleasure her Heart goes pit-a-pat,</p> +<p class = "in1">In Revenge for her Loss of Bacon.</p> +<p class = "in2">Then she throws him</p> +<p class = "in2">To the Dog or Cat,</p> +<p class = "in1">To be worried, crush’d and shaken.</p> +</div> + +<p><span class = "speaker">Macheath.</span> Have you no Bowels, no +Tenderness, my dear <i>Lucy</i>, to see a Husband in these +Circumstances?</p> + +<p><span class = "speaker">Lucy.</span> A Husband!</p> + +<p><span class = "speaker">Macheath.</span> In ev’ry Respect but the +Form, and that, my Dear, may be said over us at any time.—Friends +should not insist upon Ceremonies. From a Man of Honour, his Word is as +good as his Bond.</p> + +<span class = "pagenum">43</span> +<!-- png 071 --> +<p><span class = "speaker">Lucy.</span> ’Tis the Pleasure of all you +fine Men to insult the Women you have ruin’d.</p> + + +<h5><a name = "air27" id = "air27"> +AIR XXVII. ’Twas when the Sea was roaring, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air27.png" width = "399" height = "183" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XXVII.midi">MIDI</a> +<a href = "music/air_XXVII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>How cruel are the Traitors,</p> +<p class = "in1">Who lye and swear in jest,</p> +<p>To cheat unguarded Creatures</p> +<p class = "in1">Of Virtue, Fame, and Rest!</p> +<p>Whoever steals a Shilling,</p> +<p class = "in1">Through Shame the Guilt conceals:</p> +<p>In Love the perjur’d Villain</p> +<p class = "in1">With Boasts the Theft reveals.</p> +</div> + +<p><span class = "speaker">Macheath.</span> The very first Opportunity, +my Dear, (have but Patience) you shall be my Wife in whatever manner you +please.</p> + +<p><span class = "speaker">Lucy.</span> Insinuating Monster! And so you +think I know nothing of the Affair of Miss <i>Polly +Peachum</i>.—I could tear thy Eyes out!</p> + +<p><span class = "speaker">Macheath.</span> Sure, <i>Lucy</i>, you can’t +be such a Fool as to be jealous of <i>Polly</i>!</p> + +<p><span class = "speaker">Lucy.</span> Are you not married to her, you +Brute, you.</p> + +<p><span class = "speaker">Macheath.</span> Married! Very good. The +Wench gives it out only to vex thee, and to ruin me in thy good +<span class = "pagenum">44</span> +<!-- png 072 --> +Opinion. ’Tis true, I go to the House; I chat with the Girl, +I kiss her, I say a thousand things to her (as all Gentlemen +do) that mean nothing, to divert myself; and now the silly Jade hath set +it about that I am married to her, to let me know what she would be at. +Indeed, my dear <i>Lucy</i>, these violent Passions may be of ill +consequence to a Woman in your Condition.</p> + +<p><span class = "speaker">Lucy.</span> Come, come, Captain, for all +your Assurance, you know that Miss <i>Polly</i> hath put it out of your +Power to do me the Justice you promis’d me.</p> + +<p><span class = "speaker">Macheath.</span> A jealous Woman believes +every thing her Passion suggests. To convince you of my Sincerity, if we +can find the Ordinary, I shall have no Scruples of making you my +Wife; and I know the Consequence of having two at a time.</p> + +<p><span class = "speaker">Lucy.</span> That you are only to be hang’d, +and so get rid of them both.</p> + +<p><span class = "speaker">Macheath.</span> I am ready, my dear +<i>Lucy</i>, to give you Satisfaction—if you think there is any in +Marriage.—What can a Man of Honour say more?</p> + +<p><span class = "speaker">Lucy.</span> So then, it seems, you are not +married to Miss <i>Polly</i>.</p> + +<p><span class = "speaker">Macheath.</span> You know, <i>Lucy</i>, the +Girl is prodigiously conceited. No Man can say a civil thing to her, but +(like other fine Ladies) her Vanity makes her think he’s her own for +ever and ever.</p> + + +<h5><a name = "air28" id = "air28"> +AIR XXVIII. The Sun had loos’d his weary Teams, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air28.png" width = "385" height = "114" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XXVIII.midi">MIDI</a> +<a href = "music/air_XXVIII.pdf" target = "_blank">PDF</a></p> + +<span class = "pagenum">45</span> +<!-- png 073 --> +<div class = "song"> +<p>The first time at the Looking-glass</p> +<p class = "in1">The Mother sets her Daughter,</p> +<p>The Image strikes the smiling Lass</p> +<p class = "in1">With Self-love ever after,</p> +<p>Each time she looks, she, fonder grown,</p> +<p class = "in1">Thinks ev’ry Charm grows stronger.</p> +<p>But alas, vain Maid, all Eyes but your own</p> +<p class = "in1">Can see you are not younger.</p> +</div> + +<p>When Women consider their own Beauties, they are all alike +unreasonable in their Demands; for they expect their Lovers should like +them as long as they like themselves.</p> + +<p><span class = "speaker">Lucy.</span> Yonder is my +Father—perhaps this way we may light upon the Ordinary, who shall +try if you will be as good as your Word.—For I long to be made an +honest Woman. +<span class = "exit">Exeunt.</span></p> + +<p class = "entrance"> +Enter <em>Peachum</em> and <em>Lockit</em> with an Account-Book.</p> + +<p><span class = "speaker">Lockit.</span> In this last Affair, Brother +<i>Peachum</i>, we are agreed. You have consented to go halves in +<i>Macheath</i>.</p> + +<p><span class = "speaker">Peachum.</span> We shall never fall out about +an Execution—But as to that Article, pray how stands our last +Year’s Account?</p> + +<p><span class = "speaker">Lockit.</span> If you will run your Eye over +it, you’ll find ’tis fair and clearly stated.</p> + +<p><span class = "speaker">Peachum.</span> This long Arrear of the +Government is very hard upon us! Can it be expected that we would hang +our Acquaintance for nothing, when our Betters will hardly save theirs +without being paid for it. Unless the People in Employment pay better, +I promise them for the future, I shall let other Rogues live +besides their own.</p> + +<p><span class = "speaker">Lockit.</span> Perhaps, Brother, they are +afraid these Matters may be carried too far. We are treated too by them +with Contempt, as if our Profession were not reputable.</p> + +<span class = "pagenum">46</span> +<!-- png 074 --> +<p><span class = "speaker">Peachum.</span> In one respect indeed our +Employment may be reckon’d dishonest, because, like Great Statesmen, we +encourage those who betray their Friends.</p> + +<p><span class = "speaker">Lockit.</span> Such Language, Brother, any +where else, might turn to your Prejudice. Learn to be more guarded, +I beg you.</p> + + +<h5><a name = "air29" id = "air29"> +AIR XXIX. How happy are we, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air29.png" width = "398" height = "126" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XXIX.midi">MIDI</a> +<a href = "music/air_XXIX.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "in1">When you censure the Age,</p> +<p class = "in1">Be cautious and sage,</p> +<p>Lest the Courtiers offended should be:</p> +<p class = "in1">If you mention Vice or Bribe,</p> +<p class = "in1">’Tis so pat to all the Tribe;</p> +<p>Each cries—That was levell’d at me.</p> +</div> + +<p><span class = "speaker">Peachum.</span> Here’s poor <i>Ned +Clincher’s</i> Name, I see. Sure, Brother <i>Lockit</i>, there was +a little unfair Proceeding in <i>Ned’s</i> Case: for he told me in the +Condemn’d Hold, that for Value receiv’d, you had promis’d him a Session +or two longer without Molestation.</p> + +<p><span class = "speaker">Lockit.</span> Mr. <i>Peachum</i>—this +is the first time my Honour was ever call’d in Question.</p> + +<p><span class = "speaker">Peachum.</span> Business is at an +end—if once we act dishonourably.</p> + +<p><span class = "speaker">Lockit.</span> Who accuses me?</p> + +<p><span class = "speaker">Peachum.</span> You are warm, Brother.</p> + +<p><span class = "speaker">Lockit.</span> He that attacks my Honour, +attacks my +<span class = "pagenum">47</span> +<!-- png 075 --> +Livelihood.—And this Usage—Sir—is not to be borne.</p> + +<p><span class = "speaker">Peachum.</span> Since you provoke me to +speak—I must tell you too, that Mrs. <i>Coaxer</i> charges +you with defrauding her of her Information-Money, for the apprehending +of curl-pated <i>Hugh</i>. Indeed, indeed, Brother, we must punctually +pay our Spies, or we shall have no Information.</p> + +<p><span class = "speaker">Lockit.</span> Is this Language to me, +Sirrah,—who have sav’d you from the Gallows, Sirrah! +<span class = "exit">Collaring each other.</span></p> + +<p><span class = "speaker">Peachum.</span> If I am hang’d, it shall be +for ridding the World of an arrant Rascal.</p> + +<p><span class = "speaker">Lockit.</span> This Hand shall do the Office +of the Halter you deserve, and throttle you—you Dog!—</p> + +<p><span class = "speaker">Peachum.</span> Brother, Brother—We are +both in the Wrong—We shall be both Losers in the Dispute—for +you know we have it in our Power to hang each other. You should not be +so passionate.</p> + +<p><span class = "speaker">Lockit.</span> Nor you so provoking.</p> + +<p><span class = "speaker">Peachum.</span> ’Tis our mutual Interest; +’tis for the Interest of the World we should agree. If I said any thing, +Brother, to the Prejudice of your Character, I ask pardon.</p> + +<p><span class = "speaker">Lockit.</span> Brother +<i>Peachum</i>—I can forgive as well as resent.—Give me +your Hand. Suspicion does not become a Friend.</p> + +<p><span class = "speaker">Peachum.</span> I only meant to give you +Occasion to justify yourself: But I must now step home, for I expect the +Gentleman about this Snuff-box, that <i>Filch</i> nimm’d two Nights ago +in the Park. I appointed him at this Hour. +<span class = "exit">Exit <em>Peachum</em>.</span></p> + +<span class = "pagenum">48</span> +<!-- png 076 --> + +<p class = "entrance"> +Enter <em>Lucy</em>.</p> + +<p><span class = "speaker">Lockit.</span> Whence come you, Hussy?</p> + +<p><span class = "speaker">Lucy.</span> My Tears might answer that +Question.</p> + +<p><span class = "speaker">Lockit.</span> You have then been whimpering +and fondling, like a Spaniel, over the Fellow that hath abus’d you.</p> + +<p><span class = "speaker">Lucy.</span> One can’t help Love; one can’t +cure it. ’Tis not in my Power to obey you, and hate him.</p> + +<p><span class = "speaker">Lockit.</span> Learn to bear your Husband’s +Death like a reasonable Woman. ’Tis not the fashion, now-a-days, so much +as to affect Sorrow upon these Occasions. No Woman would ever marry, if +she had not the Chance of Mortality for a Release. Act like a Woman of +Spirit, Hussy, and thank your Father for what he is doing.</p> + + +<h5><a name = "air30" id = "air30"> +AIR XXX. Of a noble Race was <i>Shenkin</i>.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air30.png" width = "394" height = "178" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XXX.midi">MIDI</a> +<a href = "music/air_XXX.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "singer">Lucy.</p> +<p>Is then his Fate decreed, Sir?</p> +<p class = "in1">Such a Man can I think of quitting?</p> +<p>When first we met, so moves me yet,</p> +<p class = "in1">O see how my Heart is splitting!</p> +</div> + +<p><span class = "speaker">Lockit.</span> Look ye, +<i>Lucy</i>—There is no saving him.—So, I think, you +must ev’n do like other Widows—buy yourself Weeds, and be +chearful.</p> + + +<span class = "pagenum">49</span> +<!-- png 077 --> +<h5><a name = "air31" id = "air31"> +AIR XXXI.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air31.png" width = "376" height = "119" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XXXI.midi">MIDI</a> +<a href = "music/air_XXXI.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>You’ll think ere many Days ensue</p> +<p class = "in1">This Sentence not severe;</p> +<p>I hang your Husband, Child, ’tis true,</p> +<p class = "in1">But with him hang your Care.</p> +<p class = "in2">Twang dang dillo dee.</p> +</div> + +<p>Like a good Wife, go moan over your dying Husband. That, Child is +your Duty—Consider, Girl, you can’t have the Man and the Money +too—so make yourself as easy as you can, by getting all you can +from him. +<span class = "exit">Exit <em>Lockit</em>.</span></p> + +<p class = "entrance"> +Enter <em>Macheath</em>.</p> + +<p><span class = "speaker">Lucy.</span> Though the Ordinary was out of +the way to-day, I hope, my Dear, you will, upon the first +Opportunity, quiet my Scruples—Oh Sir!—my Father’s hard +heart is not to be soften’d, and I am in the utmost Despair.</p> + +<p><span class = "speaker">Macheath.</span> But if I could raise a small +Sum—Would not twenty Guineas, think you, move him?—Of all +the Arguments in the way of Business, the Perquisite is the most +prevailing—Your Father’s Perquisites for the Escape of Prisoners +must amount to a considerable Sum in the Year. Money well tim’d, and +properly apply’d, will do any thing.</p> + + +<span class = "pagenum">50</span> +<!-- png 078 --> +<h5><a name = "air32" id = "air32"> +AIR XXXII. <i>London</i> Ladies.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air32.png" width = "399" height = "238" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XXXII.midi">MIDI</a> +<a href = "music/air_XXXII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>If you at an Office solicit your Due,</p> +<p class = "in1">And would not have Matters neglected;</p> +<p>You must quicken the Clerk with the Perquisite too,</p> +<p class = "in1">To do what his Duty directed.</p> +</div> + +<div class = "song"> +<p>Or would you the Frowns of a Lady prevent,</p> +<p class = "in1">She too has this palpable Failing,</p> +<p>The Perquisite softens her into Consent;</p> +<p class = "in1">That Reason with all is prevailing.</p> +</div> + +<p><span class = "speaker">Lucy.</span> What Love or Money can do shall +be done: for all my Comfort depends upon your Safety.</p> + +<p class = "entrance"> +Enter <em>Polly</em>.</p> + +<p><span class = "speaker">Polly.</span> Where is my dear +Husband?—Was a Rope ever intended for this Neck!—O let +me throw my Arms about it, and throttle thee with Love!—Why dost +thou turn away from me? ’Tis thy <i>Polly</i>—’Tis thy Wife.</p> + +<p><span class = "speaker">Macheath.</span> Was ever such an unfortunate +Rascal as I am!</p> + +<span class = "pagenum">51</span> +<!-- png 079 --> +<p><span class = "speaker">Lucy.</span> Was there ever such another +Villain!</p> + +<p><span class = "speaker">Polly.</span> O <i>Macheath</i>! was it for +this we parted? Taken! Imprisoned! Try’d! Hang’d—cruel Reflection! +I’ll stay with thee ’till Death—no Force shall tear thy dear Wife +from thee now.—What means my Love?—Not one kind Word! not +one kind Look! think what thy <i>Polly</i> suffers to see thee in this +Condition.</p> + + +<h5><a name = "air33" id = "air33"> +AIR XXXIII. All in the Downs, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air33.png" width = "381" height = "173" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XXXIII.midi">MIDI</a> +<a href = "music/air_XXXIII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>Thus when the Swallow seeking Prey,</p> +<p class = "in1">Within the Sash is closely pent,</p> +<p>His Consort, with bemoaning Lay,</p> +<p class = "in1">Without sits pining for th’ Event.</p> +<p>Her chatt’ring Lovers all around her skim;</p> +<p>She heeds them not (poor Bird!) her Soul’s with him.</p> +</div> + +<p><span class = "speaker">Macheath.</span> +<span class = "stagedir">Aside.</span> +I must disown her. +<span class = "stagedir">Aloud.</span> +The Wench is distracted.</p> + +<p><span class = "speaker">Lucy.</span> Am I then bilk’d of my Virtue? +Can I have no Reparation? Sure Men were born to lie, and Women to +believe them! O Villain! Villain!</p> + +<p><span class = "speaker">Polly.</span> Am I not thy Wife?—Thy +Neglect of me, thy Aversion to me too severely proves it.—Look on +me.—Tell me, am I not thy Wife?</p> + +<span class = "pagenum">52</span> +<!-- png 080 --> +<p><span class = "speaker">Lucy.</span> Perfidious Wretch!</p> + +<p><span class = "speaker">Polly.</span> Barbarous Husband!</p> + +<p><span class = "speaker">Lucy.</span> Hadst thou been hang’d five +Months ago, I had been happy.</p> + +<p><span class = "speaker">Polly.</span> And I too—If you had been +kind to me ’till Death, it would not have vexed me—And that’s no +very unreasonable Request, (though from a Wife) to a Man who hath not +above seven or eight Days to live.</p> + +<p><span class = "speaker">Lucy.</span> Art thou then married to +another? Hast thou two Wives, Monster?</p> + +<p><span class = "speaker">Macheath.</span> If Women’s Tongues can cease +for an Answer—hear me.</p> + +<p><span class = "speaker">Lucy.</span> I won’t.—Flesh and Blood +can’t bear my Usage.</p> + +<p><span class = "speaker">Polly.</span> Shall I not claim my own? +Justice bids me speak.</p> + + +<h5><a name = "air34" id = "air34"> +AIR XXXIV. Have you heard of a frolicksome Ditty, +&c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air34.png" width = "384" height = "176" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XXXIV.midi">MIDI</a> +<a href = "music/air_XXXIV.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "singer">Macheath.</p> +<p>How happy could I be with either,</p> +<p class = "in1">Were t’other dear Charmer away!</p> +<p>But while you thus teaze me together,</p> +<p class = "in1">To neither a Word will I say;</p> +<p class = "in2">But tol de rol, <em>&c.</em></p> +</div> + +<span class = "pagenum">53</span> +<!-- png 081 --> +<p><span class = "speaker">Polly.</span> Sure, my Dear, there ought to +be some Preference shewn to a Wife! At least she may claim the +Appearance of it. He must be distracted with his Misfortunes, or he +could not use me thus.</p> + +<p><span class = "speaker">Lucy.</span> O Villain, Villain! thou hast +deceiv’d me.—I could even inform against thee with Pleasure. +Not a Prude wishes more heartily to have Facts against her intimate +Acquaintance, than I now wish to have Facts against thee. I would +have her Satisfaction, and they should all out.</p> + + +<h5><a name = "air35" id = "air35"> +AIR XXXV. <i>Irish</i> Trot.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air35.png" width = "382" height = "181" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XXXV.midi">MIDI</a> +<a href = "music/air_XXXV.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "singer">Polly.</p> +<p>I am bubbled.</p> + +<p class = "singer">Lucy.</p> +<p><span class = "invisible">I am bubbled.</span>I’m bubbled.</p> + +<p class = "singer">Polly.</p> +<p>O how I am troubled!</p> + +<p class = "singer">Lucy.</p> +<p>Bambouzled, and bit!</p> + +<p class = "singer">Polly.</p> +<p><span class = "invisible">Bambouzled, and bit!</span>My Distresses +are doubled.</p> + +<p class = "singer">Lucy.</p> +<p>When you come to the Tree, should the Hangman refuse,</p> +<p>These Fingers, with Pleasure, could fasten the Noose.</p> + +<p class = "singer">Polly.</p> +<p>I’m bubbled, <em>&c.</em></p> +</div> + +<p><span class = "speaker">Macheath.</span> Be pacified, my dear +<i>Lucy</i>—This is all a Fetch of <i>Polly’s</i>, to make me +desperate with you in case I get off. If I am hang’d, she would fain +have the Credit +<span class = "pagenum">54</span> +<!-- png 082 --> +of being thought my Widow—Really, <i>Polly</i>, this is no time +for a Dispute of this sort; for whenever you are talking of Marriage, +I am thinking of Hanging.</p> + +<p><span class = "speaker">Polly.</span> And hast thou the Heart to +persist in disowning me?</p> + +<p><span class = "speaker">Macheath.</span> And hast thou the Heart to +persist in persuading me that I am married? Why, <i>Polly</i>, dost thou +seek to aggravate my Misfortunes?</p> + +<p><span class = "speaker">Lucy.</span> Really, Miss <i>Peachum</i>, you +but expose yourself. Besides, ’tis barbarous in you to worry a Gentleman +in his Circumstances.</p> + + +<h5><a name = "air36" id = "air36"> +AIR XXXVI.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air36.png" width = "401" height = "177" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XXXVI.midi">MIDI</a> +<a href = "music/air_XXXVI.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "singer">Polly.</p> +<p class = "in1">Cease your Funning;</p> +<p class = "in1">Force or Cunning</p> +<p>Never shall my Heart trapan.</p> +<p class = "in1">All these Sallies</p> +<p class = "in1">Are but Malice</p> +<p>To seduce my constant Man.</p> +<p class = "in1">’Tis most certain,</p> +<p class = "in1">By their flirting</p> +<p>Women oft’ have Envy shown.</p> +<p class = "in1">Pleas’d, to ruin</p> +<p class = "in1">Others wooing;</p> +<p>Never happy in their own.</p> +</div> + +<span class = "pagenum">55</span> +<!-- png 083 --> +<p><span class = "speaker">Polly.</span> Decency, Madam, methinks might +teach you to behave yourself with some Reserve with the Husband, while +his Wife is present.</p> + +<p><span class = "speaker">Macheath.</span> But seriously, <i>Polly</i>, +this is carrying the Joke a little too far.</p> + +<p><span class = "speaker">Lucy.</span> If you are determin’d, Madam, to +raise a Disturbance in the Prison, I shall be obliged to send for +the Turnkey to shew you the Door. I am sorry, Madam, you force me +to be so ill-bred.</p> + +<p><span class = "speaker">Polly.</span> Give me leave to tell you, +Madam: These forward Airs don’t become you in the least, Madam. And my +Duty, Madam, obliges me to stay with my Husband, Madam.</p> + + +<h5><a name = "air37" id = "air37"> +AIR XXXVII. Good-morrow, Gossip <i>Joan</i>.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air37.png" width = "396" height = "177" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XXXVII.midi">MIDI</a> +<a href = "music/air_XXXVII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "singer">Lucy.</p> +<p>Why how now, Madam <em>Flirt</em>?</p> +<p class = "in2">If you thus must chatter;</p> +<p>And are for flinging Dirt,</p> +<p class = "in1">Let’s try who best can spatter;</p> +<p class = "in3">Madam <em>Flirt</em>.</p> +</div> + +<div class = "song"> +<p class = "singer">Polly.</p> +<p>Why how now, saucy Jade;</p> +<p class = "in1">Sure the Wench is tipsy!</p> +<p>How can you see me made +<span class = "exit">To him.</span></p> +<p class = "in1">The Scoff of such a Gipsy?</p> +<p class = "in3">Saucy Jade! +<span class = "exit">To her.</span></p> +</div> + +<span class = "pagenum">56</span> +<!-- png 084 --> +<p class = "entrance"> +Enter <em>Peachum</em>.</p> + +<p><span class = "speaker">Peachum.</span> Where’s my Wench? Ah Hussy! +Hussy!—Come you home, you Slut; and when your Fellow is hang’d, +hang yourself, to make your Family some Amends.</p> + +<p><span class = "speaker">Polly.</span> Dear, dear Father, do not tear +me from him—I must speak; I have more to say to +him—Oh! twist thy Fetters about me, that he may not haul me from +thee!</p> + +<p><span class = "speaker">Peachum.</span> Sure all Women are alike! If +ever they commit the Folly, they are sure to commit another by exposing +themselves—Away—Not a Word more—You are my Prisoner, +now, Hussy.</p> + + +<h5><a name = "air38" id = "air38"> +AIR XXXVIII. <i>Irish</i> Howl.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air38.png" width = "397" height = "229" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XXXVIII.midi">MIDI</a> +<a href = "music/air_XXXVIII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "singer">Polly.</p> +<p>No Power on Earth can e’er divide</p> +<p>The Knot that sacred Love hath ty’d.</p> +<p>When Parents draw against our Mind,</p> +<p>The True-Love’s Knot they faster bind.</p> +<p class = "in1">Oh, oh ray, oh Amborah—oh, oh, +<em>&c.</em></p> + +<p class = "exit"> +Holding <em>Macheath</em>, <em>Peachum</em> pulling her.</p> +</div> + +<p class = "illustration chapter"> +<a name = "plateIV" id = "plateIV"> </a> +<img src = "images/plateIV.jpg" width = "472" height = "346" +alt = "A Tavern Near Newgate"> +</p> + +<span class = "pagenum">57</span> +<!-- png 087 --> + +<p class = "illustration chapter"> +<img src = "images/pic_57.png" width = "30" height = "83" +alt = "line drawing"> +</p> + +<h5 class = "scene"><a name = "actII_sceneIII" id = "actII_sceneIII"> +<em>SCENE III. The Same.</em></a></h5> + +<p class = "entrance"> +<em>Lucy</em>, <em>Macheath</em>.</p> + +<p><span class = "speaker">Macheath.</span> I am naturally +compassionate, Wife; so that I could not use the Wench as she deserv’d; +which made you at first suspect there was something in what she +said.</p> + +<p><span class = "speaker">Lucy.</span> Indeed, my Dear, I was strangely +puzzled.</p> + +<p><span class = "speaker">Macheath.</span> If that had been the Case, +her Father would never have brought me into this Circumstance—No, +<i>Lucy</i>,—I had rather die than be false to thee.</p> + +<p><span class = "speaker">Lucy.</span> How happy am I, if you say this +from your Heart! For I love thee so, that I could sooner bear to see +thee hang’d than in the Arms of another.</p> + +<p><span class = "speaker">Macheath.</span> But could’st thou bear to +see me hang’d?</p> + +<p><span class = "speaker">Lucy.</span> O <i>Macheath</i>, I can never +live to see that Day.</p> + +<p><span class = "speaker">Macheath.</span> You see, <i>Lucy</i>; in the +Account of Love you are in my Debt, and you must now be convinc’d, that +I rather choose to die than be another’s.—Make me, if possible, +love thee more, and let me owe my Life to thee—If you refuse to +assist me, <i>Peachum</i> and your Father will immediately put me beyond +all means of Escape.</p> + +<p><span class = "speaker">Lucy.</span> My Father, I know, hath been +drinking hard with the Prisoners: and I fancy he is now taking his Nap +in his own Room—If I can procure the Keys, shall I go off with +thee, my Dear?</p> + +<p><span class = "speaker">Macheath.</span> If we are together, ’twill +be impossible to lie conceal’d. As soon as the Search begins to be a +<span class = "pagenum">58</span> +<!-- png 088 --> +little cool, I will send to thee—’Till then my Heart is thy +Prisoner.</p> + +<p><span class = "speaker">Lucy.</span> Come then, my dear +Husband—owe thy Life to me—and though you love me +not—be grateful,—but that <i>Polly</i> runs in my Head +strangely.</p> + +<p><span class = "speaker">Macheath.</span> A moment of Time may make us +unhappy for ever.</p> + + +<h5><a name = "air39" id = "air39"> +AIR XXXIX. The Lass of <i>Patie’s</i> Mill, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air39.png" width = "396" height = "234" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XXXIX.midi">MIDI</a> +<a href = "music/air_XXXIX.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "singer">Lucy.</p> +<p>I like the Fox shall grieve,</p> +<p class = "in1">Whose Mate hath left her Side,</p> +<p>Whom Hounds from Morn to Eve,</p> +<p class = "in1">Chase o’er the Country wide.</p> +<p>Where can my Lover hide?</p> +<p class = "in1">Where cheat the wary Pack?</p> +<p>If Love be not his Guide,</p> +<p class = "in1">He never will come back!</p> +</div> + +<p class = "exit">Exeunt.</p> + +<p class = "illustration right"> +<img src = "images/pic_58.png" width = "81" height = "81" +alt = "line drawing"> +</p> + +<p class = "illustration chapter"> +<a name = "plateV" id = "plateV"> </a> +<img src = "images/plateV.jpg" width = "343" height = "498" +alt = "Captain Macheath"> +</p> + +<span class = "pagenum">59</span> +<!-- png 089 --> + +<p class = "illustration chapter"> +<img src = "images/pic_59.png" width = "317" height = "120" +alt = "Macheath between Polly and Lucy"> +</p> + +<h4 class = "act"><a name = "actIII_sceneI" id = "actIII_sceneI"> +ACT III. SCENE I.</a></h4> + +<h5 class = "scene"><span class = "smallcaps">Scene</span>, +Newgate.</h5> + +<p class = "entrance"> +<em>Lockit</em>, <em>Lucy</em>.</p> + +<p><span class = "speaker">Lockit.</span> To be sure, Wench, you must +have been aiding and abetting to help him to this Escape.</p> + +<p><span class = "speaker">Lucy.</span> Sir, here hath been +<i>Peachum</i> and his Daughter <i>Polly</i>, and to be sure they know +the Ways of <i>Newgate</i> as well as if they had been born and bred in +the Place all their Lives. Why must all your Suspicion light +upon me?</p> + +<p><span class = "speaker">Lockit.</span> <i>Lucy</i>, <i>Lucy</i>, +I will have none of these shuffling Answers.</p> + +<p><span class = "speaker">Lucy.</span> Well then—If I know any +thing of him I wish I may be burnt!</p> + +<p><span class = "speaker">Lockit.</span> Keep your Temper, <i>Lucy</i>, +or I shall pronounce you guilty.</p> + +<p><span class = "speaker">Lucy.</span> Keep yours, Sir,—I do wish +I may be burnt. I do—And what can I say more to convince +you?</p> + +<p><span class = "speaker">Lockit.</span> Did he tip +handsomly?—How much did he come down with? Come, Hussy, don’t +cheat your Father; and I shall not be angry with you—Perhaps, you +have made a better Bargain with him than I could have done—How +much, my good Girl?</p> + +<p><span class = "speaker">Lucy.</span> You know, Sir, I am fond of him, +and would have given Money to have kept him with me.</p> + +<span class = "pagenum">60</span> +<!-- png 090 --> +<p><span class = "speaker">Lockit.</span> Ah <i>Lucy</i>! thy Education +might have put thee more upon thy Guard; for a Girl in the Bar of an +Ale-house is always besieg’d.</p> + +<p><span class = "speaker">Lucy.</span> Dear Sir, mention not my +Education—for ’twas to that I owe my Ruin.</p> + + +<h5><a name = "air40" id = "air40"> +AIR XL. If Love’s a sweet Passion, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air40.png" width = "398" height = "254" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XL.midi">MIDI</a> +<a href = "music/air_XL.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>When young at the Bar you first taught me to score,</p> +<p>And bid me be free of my Lips, and no more;</p> +<p>I was kiss’d by the Parson, the Squire, and the Sot,</p> +<p>When the Guest was departed, the Kiss was forgot.</p> +<p>But his Kiss was so sweet, and so closely he prest,</p> +<p>That I languish’d and pin’d till I granted the rest.</p> +</div> + +<p>If you can forgive me, Sir, I will make a fair Confession, for to be +sure he hath been a most barbarous Villain to me.</p> + +<p><span class = "speaker">Lockit.</span> And so you have let him +escape, Hussy—Have you?</p> + +<span class = "pagenum">61</span> +<!-- png 091 --> +<p><span class = "speaker">Lucy.</span> When a Woman loves; a kind +Look, a tender Word can persuade her to any thing—And I could +ask no other Bribe.</p> + +<p><span class = "speaker">Lockit.</span> Thou wilt always be a vulgar +Slut, <i>Lucy</i>.—If you would not be look’d upon as a Fool, you +should never do any thing but upon the foot of Interest. Those that act +otherwise are their own Bubbles.</p> + +<p><span class = "speaker">Lucy.</span> But Love, Sir, is a Misfortune +that may happen to the most discreet Women, and in Love we are all Fools +alike—Notwithstanding all he swore, I am now fully convinc’d +that <i>Polly Peachum</i> is actually his Wife.—Did I let him +escape, (Fool that I was!) to go to her?—<i>Polly</i> will wheedle +herself into his Money, and then <i>Peachum</i> will hang him, and cheat +us both.</p> + +<p><span class = "speaker">Lockit.</span> So I am to be ruin’d, because, +forsooth, you must be in Love!—a very pretty Excuse!</p> + +<p><span class = "speaker">Lucy.</span> I could murder that impudent +happy Strumpet:—I gave him his Life, and that Creature enjoys +the Sweets of it.—Ungrateful <i>Macheath</i>!</p> + + +<h5><a name = "air41" id = "air41"> +AIR XLI. <i>South-Sea</i> Ballad.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air41.png" width = "385" height = "191" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XLI.midi">MIDI</a> +<a href = "music/air_XLI.pdf" target = "_blank">PDF</a></p> + +<span class = "pagenum">62</span> +<!-- png 092 --> +<div class = "song"> +<p>My Love is all Madness and Folly,</p> +<p class = "in2">Alone I lie,</p> +<p class = "in1">Toss, tumble, and cry,</p> +<p>What a happy Creature is <em>Polly</em>!</p> +<p>Was e’er such a Wretch as I!</p> +<p>With rage I redden like Scarlet,</p> +<p>That my dear inconstant Varlet,</p> +<p class = "in1">Stark blind to my Charms,</p> +<p class = "in1">Is lost in the Arms</p> +<p>Of that Jilt, that inveigling Harlot!</p> +<p class = "in1">Stark blind to my Charms,</p> +<p class = "in1">Is lost in the Arms</p> +<p>Of that Jilt, that inveigling Harlot!</p> +<p>This, this my Resentment alarms.</p> +</div> + +<p><span class = "speaker">Lockit.</span> And so, after all this +Mischief, I must stay here to be entertain’d with your +Catterwauling, Mrs. Puss!—Out of my Sight, wanton Strumpet! you +shall fast and mortify yourself into Reason, with now and then a little +handsom Discipline to bring you to your Senses.—Go. +<span class = "exit">Exit <em>Lucy</em>.</span></p> + +<p><i>Peachum</i> then intends to outwit me in this Affair; but I’ll be +even with him.—The Dog is leaky in his Liquor, so I’ll ply him +that way, get the Secret from him, and turn this Affair to my own +Advantage.—Lions, Wolves, and Vultures don’t live together in +Herds, Droves or Flocks.—Of all Animals of Prey, Man is the only +sociable one. Every one of us preys upon his Neighbour, and yet we herd +together.—<i>Peachum</i> is my Companion, my +Friend.—According to the Custom of the World, indeed, he may quote +thousands of Precedents for cheating me—And shall not I make use +of the Privilege of Friendship to make him a Return.</p> + + +<span class = "pagenum">63</span> +<!-- png 093 --> +<h5><a name = "air42" id = "air42"> +AIR XLII. <i>Packington’s</i> Pound.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air42.png" width = "348" height = "170" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XLII.midi">MIDI</a> +<a href = "music/air_XLII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>Thus Gamesters united in Friendship are found,</p> +<p>Though they know that their Industry all is a Cheat;</p> +<p>They flock to their Prey at the Dice-Box’s Sound,</p> +<p>And join to promote one another’s Deceit.</p> +<p class = "in1">But if by mishap</p> +<p class = "in1">They fail of a Chap,</p> +<p>To keep in their Hands, they each other entrap.</p> +<p>Like Pikes, lank with Hunger, who miss of their Ends,</p> +<p>They bite their Companions, and prey on their Friends.</p> +</div> + +<p>Now, <i>Peachum</i>, you and I, like honest Tradesmen, are to have a +fair Trial which of us two can over-reach the other.</p> + +<p class = "illustration right"> +<img src = "images/pic_63.png" width = "85" height = "79" +alt = "line drawing"> +</p> + + +<span class = "pagenum">64</span> +<!-- png 094 --> + +<p class = "illustration chapter"> +<img src = "images/pic_64.png" width = "47" height = "42" +alt = "line drawing"> +</p> + +<h5 class = "scene"><a name = "actIII_sceneII" id = "actIII_sceneII"> +<em>SCENE II.</em> A Gaming-House.</a></h5> + +<p class = "entrance"> +<em>Macheath</em> in a fine tarnish’d Coat, <em>Ben Budge</em>, <em>Matt +of the Mint</em>.</p> + +<p><span class = "speaker">Macheath.</span> I am sorry, Gentlemen, the +Road was so barren of Money. When my Friends are in Difficulties, +I am always glad that my Fortune can be serviceable to them. +<span class = "stagedir">Gives them Money.</span> +You see, Gentlemen, I am not a mere Court Friend, who professes +every thing and will do nothing.</p> + + +<h5><a name = "air43" id = "air43"> +AIR XLIII. Lillibullero.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air43.png" width = "395" height = "158" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XLIII.midi">MIDI</a> +<a href = "music/air_XLIII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>The Modes of the Court so common are grown,</p> +<p class = "in1">That a true Friend can hardly be met;</p> +<p>Friendship for Interest is but a Loan,</p> +<p class = "in1">Which they let out for what they can get.</p> +<p class = "in3">’Tis true, you find</p> +<p class = "in3">Some Friends so kind,</p> +<p>Who will give you good Counsel themselves to defend.</p> +<p class = "in3">In sorrowful Ditty,</p> +<p class = "in3">They promise, they pity,</p> +<p>But shift for your Money, from Friend to Friend.</p> +</div> + +<span class = "pagenum">65</span> +<!-- png 095 --> +<p>But we, Gentlemen, have still Honour enough to break through the +Corruptions of the World.—And while I can serve you, you may +command me.</p> + +<p><span class = "speaker">Ben.</span> It grieves my Heart that so +generous a Man should be involv’d in such Difficulties, as oblige him to +live with such ill Company, and herd with Gamesters.</p> + +<p><span class = "speaker">Matt.</span> See the Partiality of +Mankind!—One Man may steal a Horse, better than another look over +a Hedge.—Of all Mechanics, of all servile Handicrafts-men, +a Gamester is the vilest. But yet, as many of the Quality are of +the Profession, he is admitted amongst the politest Company. +I wonder we are not more respected.</p> + +<p><span class = "speaker">Macheath.</span> There will be deep Play +to-night at <i>Mary-bone</i>, and consequently Money may be pick’d up +upon the Road. Meet me there, and I’ll give you the Hint who is worth +Setting.</p> + +<p><span class = "speaker">Matt.</span> The Fellow with a brown Coat +with a narrow Gold Binding, I am told, is never without Money.</p> + +<p><span class = "speaker">Macheath.</span> What do you mean, +<i>Matt</i>?—Sure you will not think of meddling with +him!—He’s a good honest kind of a Fellow, and one of us.</p> + +<p><span class = "speaker">Ben.</span> To be sure, Sir, we will put +ourselves under your Direction.</p> + +<p><span class = "speaker">Macheath.</span> Have an Eye upon the +Money-Lenders.—A <i>Rouleau</i>, or two, would prove a pretty +sort of an Expedition. I hate Extortion.</p> + +<p><span class = "speaker">Matt.</span> Those Rouleaus are very pretty +Things.—I hate your Bank Bills.—There is such a Hazard +in putting them off.</p> + +<p><span class = "speaker">Macheath.</span> There is a certain Man of +Distinction, +<span class = "pagenum">66</span> +<!-- png 096 --> +who in his Time hath nick’d me out of a great deal of the Ready. He is +in my Cash, Ben;—I’ll point him out to you this Evening, and you +shall draw upon him for the Debt.—The Company are met; I hear +the Dice-Box in the other Room. So, Gentlemen, your Servant. You’ll meet +me at <i>Mary-bone</i>.</p> + +<p class = "illustration right"> +<img src = "images/pic_66.png" width = "47" height = "76" +alt = "line drawing"> +</p> + +<p class = "illustration chapter"> +<a name = "plateVI" id = "plateVI"> </a> +<img src = "images/plateVI.jpg" width = "343" height = "498" +alt = "Lucy Lockit"> +</p> + +<span class = "pagenum">67</span> +<!-- png 097 --> + +<p class = "illustration chapter"> +<img src = "images/pic_67.png" width = "94" height = "85" +alt = "line drawing"> +</p> + +<h5 class = "scene"><a name = "actIII_sceneIII" id = "actIII_sceneIII"> +<em>SCENE III.</em> <em>Peachum’s</em> Lock.</a></h5> + +<p class = "entrance"> +A Table with Wine, Brandy, Pipes and Tobacco.</p> + +<p class = "entrance"> +<em>Peachum</em>, <em>Lockit</em>.</p> + +<p><span class = "speaker">Lockit.</span> The Coronation Account, +Brother <i>Peachum</i>, is of so intricate a nature, that I believe it +will never be settled.</p> + +<p><span class = "speaker">Peachum.</span> It consists indeed of a great +Variety of Articles.—It was worth to our People, in Fees of +different kinds, above ten Instalments.—This is part of the +Account, Brother, that lies open before us.</p> + +<p><span class = "speaker">Lockit.</span> A Lady’s Tail of rich +Brocade<ins class = "correction" title = "text unchanged">.—that,</ins> +I see, is dispos’d of.</p> + +<p><span class = "speaker">Peachum.</span> To Mrs. <i>Diana Trapes</i>, +the Tally-Woman<ins class = "correction" title = "invisible">, </ins>and +she will make a good Hand on’t in Shoes and Slippers, to trick out young +Ladies, upon their going into Keeping.—</p> + +<p><span class = "speaker">Lockit.</span> But I don’t see any Article of +the Jewels.</p> + +<p><span class = "speaker">Peachum.</span> Those are so well known that +they must be sent abroad—You’ll find them enter’d under the +Article of Exportation.—As for the Snuff-Boxes, Watches, Swords, +&c.—I thought it best to enter them under their several +Heads.</p> + +<p><span class = "speaker">Lockit.</span> Seven and twenty Women’s +Pockets complete; with the several things therein contain’d; all Seal’d, +Number’d, and Enter’d.</p> + +<p><span class = "speaker">Peachum.</span> But, Brother, it is +impossible for us now to enter upon this Affair,—We should have +the whole +<span class = "pagenum">68</span> +<!-- png 098 --> +Day before us.—Besides, the Account of the last Half Year’s Plate +is in a Book by itself, which lies at the other Office.</p> + +<p><span class = "speaker">Lockit.</span> Bring us then more +Liquor—To-day shall be for Pleasure—To-morrow for +Business—Ah, Brother, those Daughters of ours are two slippery +Hussies—Keep a watchful Eye upon <i>Polly</i>, and <i>Macheath</i> +in a Day or two shall be our own again.</p> + + +<h5><a name = "air44" id = "air44"> +AIR XLIV. Down in the North Country, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air44.png" width = "394" height = "123" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XLIV.midi">MIDI</a> +<a href = "music/air_XLIV.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "singer">Lockit.</p> +<p>What Gudgeons are we Men!</p> +<p class = "in1">Ev’ry Woman’s easy Prey.</p> +<p>Though we have felt the Hook, agen</p> +<p class = "in1">We bite and they betray.</p> +</div> + +<div class = "song"> +<p>The Bird that hath been trapt,</p> +<p class = "in1">When he hears his calling Mate,</p> +<p>To her he flies, again he’s clapt</p> +<p class = "in1">Within the wiry Grate.</p> +</div> + +<p><span class = "speaker">Peachum.</span> But what signifies catching +the Bird, if your Daughter <i>Lucy</i> will set open the Door of the +Cage?</p> + +<p><span class = "speaker">Lockit.</span> If men were answerable for the +Follies and Frailties of their Wives and Daughters, no Friends could +keep a good Correspondence together for two Days.—This in unkind +of you, Brother; for among good Friends, what they say or do goes for +nothing.</p> + +<span class = "pagenum">69</span> +<!-- png 099 --> +<p class = "entrance"> +Enter <em>a Servant</em>.</p> + +<p><span class = "speaker">Servant.</span> Sir, here’s Mrs. <i>Diana +Trapes</i> wants to speak with you.</p> + +<p><span class = "speaker">Peachum.</span> Shall we admit her, Brother +<i>Lockit</i>?</p> + +<p><span class = "speaker">Lockit.</span> By all means,—She’s a +good Customer, and a fine-spoken Woman—And a Woman who drinks and +talks so freely, will enliven the Conversation.</p> + +<p><span class = "speaker">Peachum.</span> Desire her to walk in. +<span class = "exit">Exit Servant.</span></p> + +<p class = "entrance"> +<em>Peachum</em>, <em>Lockit</em>, Mrs. <em>Trapes</em>.</p> + +<p><span class = "speaker">Peachum.</span> Dear Mrs. <i>Dye</i>, your +Servant—One may know by your Kiss, that your Ginn is +excellent.</p> + +<p><span class = "speaker">Mrs. Trapes.</span> I was always very curious +in my Liquors.</p> + +<p><span class = "speaker">Lockit.</span> There is no perfum’d Breath +like it—I have been long acquainted with the Flavour of those +Lips—Han’t I, Mrs. <i>Dye</i>.</p> + +<p><span class = "speaker">Mrs. Trapes.</span> Fill it up—I take +as large Draughts of Liquor, as I did of Love.—I hate a +Flincher in either.</p> + + +<h5><a name = "air45" id = "air45"> +AIR XLV. A Shepherd kept Sheep, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air45.png" width = "393" height = "180" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XLV.midi">MIDI</a> +<a href = "music/air_XLV.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>In the Days of my Youth I could bill like a Dove, <em>fa, la, la, +&c.</em></p> +<p>Like a Sparrow at all times was ready for Love, <em>fa, la, la, +&c.</em></p> +<p>The Life of all Mortals in Kissing should pass,</p> +<p>Lip to Lip while we’re young—then the Lip to the Glass, <em>fa, +la, &c.</em></p> +</div> + +<span class = "pagenum">70</span> +<!-- png 100 --> +<p>But now, Mr. <i>Peachum</i>, to our Business.—If you have +Blacks of any kind, brought in of late; Mantoes—Velvet +Scarfs—Petticoats—Let it be what it will—I am +your Chap—for all my Ladies are very fond of Mourning.</p> + +<p><span class = "speaker">Peachum.</span> Why, look ye, Mrs. +<i>Dye</i>—you deal so hard with us, that we can afford to give +the Gentlemen, who venture their Lives for the Goods, little or +nothing.</p> + +<p><span class = "speaker">Mrs. Trapes.</span> The hard Times oblige me +to go very near in my Dealing.—To be sure, of late Years I have +been a great Sufferer by the Parliament.—Three thousand Pounds +would hardly make me amends.—The Act for destroying the Mint, was +a severe Cut upon our Business—’Till then, if a Customer stept out +of the way—we knew where to have her—No doubt you know Mrs. +<i>Coaxer</i>—there’s a Wench now (’till to-day) with a good Suit +of Clothes of mine upon her Back, and I could never set Eyes upon her +for three Months together.—Since the Act too against Imprisonment +for small Sums, my Loss there too hath been very considerable, and it +must be so, when a Lady can borrow a handsom Petticoat, or a clean Gown, +and I not have the least Hank upon her! And, o’ my Conscience, +now-a-days most Ladies take a Delight in cheating, when they can do it +with Safety.</p> + +<p><span class = "speaker">Peachum.</span> Madam, you had a handsom Gold +Watch of us <ins class = "correction" title = "text unchanged">’tother +</ins> Day for seven Guineas.—Considering we must have our +Profit.—To a Gentleman upon the Road, a Gold Watch will be +scarce worth the taking.</p> + +<p><span class = "speaker">Mrs. Trapes.</span> Consider, Mr. +<i>Peachum</i>, that Watch was remarkable, and not of very safe +Sale.—If you have any black Velvet Scarfs—they are a handsom +Winter-wear, and take with most Gentlemen who deal with my +Customers.—’Tis I that put the Ladies upon a good Foot. ’Tis not +Youth or Beauty that fixes their Price. +<span class = "pagenum">71</span> +<!-- png 103 --> +The Gentlemen always pay according to their Dress, from half a Crown to +two Guineas; and yet those Hussies make nothing of bilking of +me.—Then too, allowing for Accidents.—I have eleven +fine Customers now down under the Surgeon’s Hands—what with Fees +and other Expenses, there are great Goings-out, and no Comings in, and +not a Farthing to pay for at least a Month’s Clothing.—We run +great Risques—great Risques indeed.</p> + +<p><span class = "speaker">Peachum.</span> As I remember, you said +something just now of Mrs. <i>Coaxer</i>.</p> + +<p><span class = "speaker">Mrs. Trapes.</span> Yes, Sir.—To be +sure I stript her of a Suit of my own Clothes about two Hours ago; and +have left her as she should be, in her Shift, with a Lover of hers at my +House. She call’d him up Stairs, as he was going to <i>Mary-bone</i> in +a Hackney Coach.—And I hope, for her own sake and mine, she will +persuade the Captain to redeem her, for the Captain is very generous to +the Ladies.</p> + +<p><span class = "speaker">Lockit.</span> What Captain?</p> + +<p><span class = "speaker">Mrs. Trapes.</span> He thought I did not know +him—An intimate Acquaintance of yours, Mr. +<i>Peachum</i>—Only Captain <i>Macheath</i>—as fine as a +Lord.</p> + +<p><span class = "speaker">Peachum.</span> To-morrow, dear Mrs. +<i>Dye</i>, you shall set your own Price upon any of the Goods you +like—We have at least half a Dozen Velvet Scarfs, and all at your +Service. Will you give me leave to make you a Present of this Suit of +Night-clothes for your own wearing?—But are you sure it is Captain +<i>Macheath</i><ins class = "correction" title = "period in original">. </ins></p> + +<p><span class = "speaker">Mrs. Trapes.</span> Though he thinks I have +forgot him; no body knows him better. I have taken a great deal of +the Captain’s Money in my Time at second-hand, for he always lov’d to +have his Ladies well drest.</p> + +<p><span class = "speaker">Peachum.</span> Mr. <i>Lockit</i> and I have +a little Business with +<span class = "pagenum">72</span> +<!-- png 104 --> +the Captain;—You understand me—and we will satisfy you for +Mrs. <i>Coaxer’s</i> Debt.</p> + +<p><span class = "speaker">Lockit.</span> Depend upon it—we will +deal like Men of Honour.</p> + +<p><span class = "speaker">Mrs. Trapes.</span> I don’t enquire after +your Affairs—so whatever happens, I wash my Hands +on’t—It hath always been my Maxim, that one Friend should assist +another—But if you please—I’ll take one of the Scarfs home +with me. ’Tis always good to have something in Hand.</p> + +<p class = "illustration right"> +<img src = "images/pic_72.png" width = "81" height = "81" +alt = "line drawing"> +</p> + +<p class = "illustration chapter"> +<a name = "plateVII" id = "plateVII"> </a> +<img src = "images/plateVII.jpg" width = "342" height = "502" +alt = "Peachum"> +</p> + +<span class = "pagenum">73</span> +<!-- png 105 --> + +<p class = "illustration chapter"> +<img src = "images/pic_73.png" width = "85" height = "95" +alt = "line drawing"> +</p> + +<h5 class = "scene"><a name = "actIII_sceneIV" id = "actIII_sceneIV"> +<em>SCENE IV.</em> Newgate.</a></h5> + +<p><span class = "speaker">Lucy.</span> Jealousy, Rage, Love and Fear +are at once tearing me to pieces, How I am weather-beaten and shatter’d +with Distresses!</p> + + +<h5><a name = "air46" id = "air46"> +AIR XLVI. One Evening, having lost my Way, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air46.png" width = "388" height = "234" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XLVI.midi">MIDI</a> +<a href = "music/air_XLVI.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "in1">I’m like a Skiff on the Ocean tost,</p> +<p class = "in2">Now high, now low, with each Billow born,</p> +<p class = "in1">With her Rudder broke, and her Anchor lost,</p> +<p class = "in2">Deserted and all forlorn.</p> +<p>While thus I lie rolling and tossing all Night,</p> +<p>That <em>Polly</em> lies sporting on Seas of Delight!</p> +<p class = "in2">Revenge, Revenge, Revenge,</p> +<p class = "in1">Shall appease my restless Spirit.</p> +</div> + +<span class = "pagenum">74</span> +<!-- png 106 --> +<p>I have the Rats-bane ready.—I run no Risque; for I can lay +her Death upon the Ginn, and so many die of that naturally that I shall +never be call’d in question.—But say, I were to be +hang’d.—I never could be hang’d for any thing that would give +me greater Comfort, than the poisoning that Slut.</p> + +<p class = "entrance"> +Enter <em>Filch</em>.</p> + +<p><span class = "speaker">Filch.</span> Madam, here’s Miss <i>Polly</i> +come to wait upon you.</p> + +<p><span class = "speaker">Lucy.</span> Show her in.</p> + +<p class = "entrance"> +Enter <em>Polly</em>.</p> + +<p>Dear Madam, your Servant.—I hope you will pardon my Passion, +when I was so happy to see you last.—I was so over-run with +the Spleen, that I was perfectly out of myself. And really when one hath +the Spleen, every thing is to be excus’d by a Friend.</p> + + +<h5><a name = "air47" id = "air47"> +AIR XLVII. Now <i>Roger</i>, I’ll tell thee because thou ’rt my +Son.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air47.png" width = "380" height = "234" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XLVII.midi">MIDI</a> +<a href = "music/air_XLVII.pdf" target = "_blank">PDF</a></p> + +<span class = "pagenum">75</span> +<!-- png 107 --> +<div class = "song"> +<p class = "in1">When a Wife’s in her Pout,</p> +<p class = "in1">(As she’s sometimes, no doubt;)</p> +<p>The good Husband as meek as a Lamb,</p> +<p class = "in1">Her Vapours to still,</p> +<p class = "in1">First grants her her Will,</p> +<p>And the quieting Draught is a Dram. Poor Man!</p> +<p>And the quieting Draught is a Dram.</p> +</div> + +<p>—I wish all our Quarrels might have so comfortable a +Reconciliation.</p> + +<p><span class = "speaker">Polly.</span> I have no Excuse for my own +Behaviour, Madam, but my Misfortunes.—And really, Madam, +I suffer too upon your Account.</p> + +<p><span class = "speaker">Lucy.</span> But, Miss <i>Polly</i>—in +the way of Friendship, will you give me leave to propose a Glass of +Cordial to you?</p> + +<p><span class = "speaker">Polly.</span> Strong-Waters are apt to give +me the Head-ache—I hope, Madam, you will excuse me.</p> + +<p><span class = "speaker">Lucy.</span> Not the greatest Lady in the +Land could have better in her Closet, for her own private +drinking.—You seem mighty low in Spirits, my Dear.</p> + +<p><span class = "speaker">Polly.</span> I am sorry, Madam, my Health +will not allow me to accept of your Offer.—I should not have +left you in the rude manner I did when we met last, Madam, had not my +Papa haul’d me away so unexpectedly—I was indeed somewhat +provok’d, and perhaps might use some Expressions that were +disrespectful.—But really, Madam, the Captain treated me with so +much Contempt and Cruelty, that I deserv’d your Pity, rather than your +Resentment.</p> + +<p><span class = "speaker">Lucy.</span> But since his Escape, no doubt +all Matters are made up again.—Ah <i>Polly</i>! <i>Polly</i>! ’tis +I am the unhappy Wife; and he loves you as if you were only his +Mistress.</p> + +<span class = "pagenum">76</span> +<!-- png 108 --> +<p><span class = "speaker">Polly.</span> Sure, Madam, you cannot think +me so happy as to be the object of your Jealousy.—A Man is +always afraid of a Woman who loves him too well—so that I must +expect to be neglected and avoided.</p> + +<p><span class = "speaker">Lucy.</span> Then our Cases, my dear +<i>Polly</i>, are exactly alike. Both of us indeed have been too +fond.</p> + + +<h5><a name = "air48" id = "air48"> +AIR XLVIII. O <i>Bessy Bell</i>.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air48.png" width = "402" height = "239" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XLVIII.midi">MIDI</a> +<a href = "music/air_XLVIII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "singer">Polly.</p> +<p>A Curse attend that Woman’s Love,</p> +<p class = "in1">Who always would be pleasing.</p> +<p class = "singer">Lucy.</p> +<p>The Pertness of the billing Dove,</p> +<p class = "in1">Like Tickling, is but teazing.</p> +<p class = "singer">Polly.</p> +<p>What then in Love can Woman do:</p> +<p class = "singer">Lucy.</p> +<p class = "in1">If we grow fond they shun us.</p> +<p class = "singer">Polly.</p> +<p>And when we fly them, they pursue:</p> +<p class = "singer">Lucy.</p> +<p class = "in1">But leave us when they’ve won us.</p> +</div> + +<p><span class = "speaker">Lucy.</span> Love is so very whimsical in +both Sexes, that it is impossible to be lasting.—But my Heart is +particular, and contradicts my own Observation.</p> + +<p><span class = "speaker">Polly.</span> But really, Mistress +<i>Lucy</i>, by his last Behaviour, I think I ought to envy +you.—When I was forc’d from +<span class = "pagenum">77</span> +<!-- png 109 --> +him, he did not shew the least Tenderness.—But perhaps, he hath a +Heart not capable of it.</p> + + +<h5><a name = "air49" id = "air49"> +AIR XLIX. Would Fate to me <i>Belinda</i> give.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air49.png" width = "399" height = "175" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_XLIX.midi">MIDI</a> +<a href = "music/air_XLIX.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>Among the Men, Coquettes we find,</p> +<p>Who court by turns all Woman-kind;</p> +<p>And we grant all their Hearts desir’d,</p> +<p>When they are flatter’d, and admir’d.</p> +</div> + +<p>The Coquettes of both Sexes are Self-lovers, and that is a Love no +other whatever can dispossess. I hear, my dear <i>Lucy</i>, our +Husband is one of those.</p> + +<p><span class = "speaker">Lucy.</span> Away with these melancholy +Reflections,—indeed, my dear <i>Polly</i>, we are both of us a Cup +too low—Let me prevail upon you to accept of my Offer.</p> + + +<h5><a name = "air50" id = "air50"> +AIR L. Come, sweet Lass.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air50.png" width = "396" height = "182" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_L.midi">MIDI</a> +<a href = "music/air_L.pdf" target = "_blank">PDF</a></p> + +<span class = "pagenum">78</span> +<!-- png 110 --> +<div class = "song"> +<p class = "in1">Come, sweet Lass,</p> +<p class = "in1">Let’s banish Sorrow</p> +<p class = "in1">’Till To-morrow;</p> +<p class = "in1">Come, sweet Lass,</p> +<p>Let’s take a chirping Glass.</p> +<p class = "in1">Wine can clear</p> +<p class = "in1">The Vapours of Despair</p> +<p class = "in1">And make us light as Air;</p> +<p class = "in1">Then drink, and banish Care.</p> +</div> + +<p>I can’t bear, Child, to see you in such low Spirits.—And I must +persuade you to what I know will do you good. +<span class = "stagedir">Aside.</span> +I shall now soon be even with the <ins class = "correction" +title = "spelling unchanged">hypocrytical</ins> Strumpet. +<span class = "exit">Exit.</span></p> + +<p><span class = "speaker">Polly.</span> All this Wheedling of +<i>Lucy</i> cannot be for nothing.—At this time too! when I know +she hates me!—The Dissembling of a Woman is always the Forerunner +of Mischief.—By pouring Strong-Waters down my Throat, she thinks +to pump some Secrets out of me,—I’ll be upon my Guard, and won’t +taste a Drop of her Liquor, I’m resolv’d.</p> + +<p class = "entrance"> +Re-enter <em>Lucy</em>, with Strong-Waters.</p> + +<p><span class = "speaker">Lucy.</span> Come, Miss <i>Polly</i>.</p> + +<p><span class = "speaker">Polly.</span> Indeed, Child, you have given +yourself trouble to no purpose.—You must, my Dear, +excuse me.</p> + +<p><span class = "speaker">Lucy.</span> Really, Miss <i>Polly</i>, you +are as squeamishly affected about taking a Cup of Strong-Waters as a +Lady before Company. I vow, <i>Polly</i>, I shall take it +monstrously ill if you refuse me.—Brandy and Men (though Women +love them ever so well) are always taken by us with some +Reluctance—unless ’tis in private.</p> + +<p><span class = "speaker">Polly.</span> I protest, Madam, it goes +against me.—What +<span class = "pagenum">79</span> +<!-- png 111 --> +do I see! <i>Macheath</i> again in Custody!—Now every Glimm’ring +of Happiness is lost.</p> + +<p class = "exit"> +Drops the Glass of Liquor on the Ground.</p> + +<p><span class = "speaker">Lucy.</span> Since things are thus, I’m glad +the Wench hath escap’d: for by this Event, ’tis plain, she was not happy +enough to deserve to be poison’d.</p> + +<p class = "entrance"> +Enter <em>Lockit</em>, <em>Macheath</em>, <em>Peachum</em>.</p> + +<p><span class = "speaker">Lockit.</span> Set your Heart to rest, +Captain.—You have neither the Chance of Love or Money for another +Escape,—for you are order’d to be call’d down upon your Trial +immediately.</p> + +<p><span class = "speaker">Peachum.</span> Away, Hussies!—This is +not a Time for a Man to be hamper’d with his Wives.—You see, the +Gentleman is in Chains already.</p> + +<p><span class = "speaker">Lucy.</span> O Husband, Husband, my Heart +long’d to see thee; but to see thee thus distracts me<ins class = +"correction" title = "question mark in original">? </ins></p> + +<p><span class = "speaker">Polly.</span> Will not my dear Husband look +upon his <i>Polly</i>? Why hadst thou not flown to me for Protection? +with me thou hadst been safe.</p> + + +<h5><a name = "air51" id = "air51"> +AIR LI. The last time I went o’er the Moor.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air51.png" width = "399" height = "235" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_LI.midi">MIDI</a> +<a href = "music/air_LI.pdf" target = "_blank">PDF</a></p> + +<span class = "pagenum">80</span> +<!-- png 112 --> +<div class = "song"> +<p class = "singer">Polly.</p> +<p>Hither, dear Husband, turn your Eyes.</p> +<p class = "singer">Lucy.</p> +<p class = "in1">Bestow one Glance to cheer me.</p> +<p class = "singer">Polly.</p> +<p>Think with that Look, thy <em>Polly</em> dies.</p> +<p class = "singer">Lucy.</p> +<p class = "in1">O shun me not—but hear me.</p> +<p class = "singer">Polly.</p> +<p>’Tis <em>Polly</em> sues.</p> +<p class = "singer">Lucy.</p> +<p><span class = "invisible">’Tis Polly sues.</span> +’Tis <em>Lucy</em> speaks.</p> +<p class = "singer">Polly.</p> +<p class = "in1">Is thus true Love requited?</p> +<p class = "singer">Lucy.</p> +<p>My Heart is bursting.</p> +<p class = "singer">Polly.</p> +<p><span class = "invisible">My Heart is bursting.</span> +Mine too breaks.</p> +<p class = "singer">Lucy.</p> +<p class = "in1">Must I</p> +<p class = "singer">Polly.</p> +<p class = "in1"><span class = "invisible">Must I</span> +Must I be slighted?</p> +</div> + +<p><span class = "speaker">Macheath.</span> What would you have me say, +Ladies?—You see this affair will soon be at an end, without my +disobliging either of you.</p> + +<p><span class = "speaker">Peachum.</span> But the settling this Point, +Captain, might prevent a Law-Suit between your two Widows.</p> + + +<h5><a name = "air52" id = "air52"> +AIR LII. <i>Tom Tinker’s</i> my true Love.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air52.png" width = "394" height = "123" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_LII.midi">MIDI</a> +<a href = "music/air_LII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "singer">Macheath.</p> +<p>Which way shall I turn me—How can I decide?</p> +<p>Wives, the Day of our Death, are as fond as a Bride.</p> +<p>One Wife is too much for most Husbands to hear,</p> +<p>But two at a time there’s no mortal can bear.</p> +<p>This way, and that way, and which way I will,</p> +<p>What would comfort the one, t’ other Wife would take ill.</p> +</div> + +<p><span class = "speaker">Polly.</span> But if his own Misfortunes have +made him +<span class = "pagenum">81</span> +<!-- png 113 --> +insensible to mine—A Father sure will be more +compassionate—Dear, dear Sir, sink the material Evidence, and +bring him off at his Trial—<i>Polly</i> upon her Knees begs it of +you.</p> + + +<h5><a name = "air53" id = "air53"> +AIR LIII. I am a poor Shepherd undone.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air53.png" width = "395" height = "248" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_LIII.midi">MIDI</a> +<a href = "music/air_LIII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>When my Heroe in Court appears,</p> +<p class = "in1">And stands arraign’d for his Life;</p> +<p>Then think of poor <em>Polly’s</em> Tears;</p> +<p class = "in1">For Ah! poor <em>Polly’s</em> his Wife.</p> +<p>Like the Sailor he holds up his hand,</p> +<p class = "in1">Distrest on the dashing Wave.</p> +<p>To die a dry Death at Land,</p> +<p class = "in1">Is as bad as a watery Grave.</p> +<p class = "in2">And alas, poor <em>Polly</em>!</p> +<p class = "in2">Alack, and well-a-day!</p> +<p class = "in2">Before I was in Love,</p> +<p class = "in2">Oh! every Month was <em>May</em>.</p> +</div> + +<p><span class = "speaker">Lucy.</span> If <i>Peachum’s</i> Heart is +harden’d; sure you, Sir, will have more Compassion on a +Daughter.—I know the Evidence is in your Power.—How +then can you be a Tyrant to me? +<span class = "exit">Kneeling.</span></p> + + +<span class = "pagenum">82</span> +<!-- png 114 --> +<h5><a name = "air54" id = "air54"> +AIR LIV. <i>Ianthe</i> the lovely, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air54.png" width = "396" height = "251" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_LIV.midi">MIDI</a> +<a href = "music/air_LIV.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>When he holds up his Hand arraign’d for his Life,</p> +<p>O think of your Daughter, and think I’m his Wife!</p> +<p>What are Canons, or Bombs, or clashing of Swords?</p> +<p>For Death is more certain by Witnesses Words.</p> +<p>Then nail up their Lips; that dread Thunder allay;</p> +<p>And each Month of my Life will hereafter be <em>May</em>.</p> +</div> + +<p><span class = "speaker">Lockit.</span> <i>Macheath’s</i> Time is +come, <i>Lucy</i>.—We know our own Affairs, therefore let us have +no more Whimpering or Whining.</p> + + +<h5><a name = "air55" id = "air55"> +AIR LV. A Cobler there was, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air55.png" width = "389" height = "178" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_LV.midi">MIDI</a> +<a href = "music/air_LV.pdf" target = "_blank">PDF</a></p> + +<span class = "pagenum">83</span> +<!-- png 117 --> +<div class = "song"> +<p>Ourselves, like the Great, to secure a Retreat,</p> +<p>When Matters require it, must give up our Gang:</p> +<p class = "in1">And good reason why,</p> +<p class = "in1">Or, instead of the Fry,</p> +<p class = "in1">Ev’n <em>Peachum</em> and I.</p> +<p>Like poor petty Rascals, might hang, hang;</p> +<p>Like poor petty Rascals, might hang.</p> +</div> + +<p><span class = "speaker">Peachum.</span> Set your Heart at rest, +<i>Polly</i>.—Your Husband is to die to-day.—Therefore if +you are not already provided, ’tis high time to look about for another. +There’s Comfort for you, you Slut.</p> + +<p><span class = "speaker">Lockit.</span> We are ready, Sir, to conduct +you to the <i>Old Baily</i>.</p> + + +<h5><a name = "air56" id = "air56"> +AIR LVI. Bonny <i>Dundee</i>.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air56.png" width = "392" height = "155" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_LVI.midi">MIDI</a> +<a href = "music/air_LVI.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p class = "singer">Macheath.</p> +<p>The Charge is prepar’d; the Lawyers are met,</p> +<p>The Judges all rang’d (a terrible Show!)</p> +<p>I go, undismay’d.—For Death is a Debt,</p> +<p>A Debt on Demand.—So take what I owe.</p> +<p>Then farewell, my Love—Dear Charmers, adieu.</p> +<p>Contented I die—’Tis the better for you.</p> +<p>Here ends all Disputes the rest of our Lives,</p> +<p>For this way at once I please all my Wives.</p> +</div> + +<p>Now, Gentlemen, I am ready to attend you.</p> + +<p class = "exit">Exeunt <em>Macheath</em>, <em>Lockit</em>, and +<em>Peachum</em>.</p> + +<span class = "pagenum">84</span> +<!-- png 118 --> +<p class = "entrance"> +Enter <em>Filch</em>.</p> + +<p><span class = "speaker">Polly.</span> Follow them, <i>Filch</i>, to +the Court. And when the Trial is over, bring me a particular Account of +his Behaviour, and of every thing that happen’d—You’ll find me +here with Miss <i>Lucy</i>. +<span class = "stagedir">Exit <em>Filch</em>.</span> +But why is all this Musick?</p> + +<p><span class = "speaker">Lucy.</span> The Prisoners, whose Trials are +put off ’till next Session, are diverting themselves.</p> + +<p><span class = "speaker">Polly.</span> Sure there is nothing so +charming as Music! I’m fond of it to Distraction!—But +alas!—now, all Mirth seems an Insult upon my Affliction.—Let +us retire, my dear <i>Lucy</i>, and indulge our Sorrows.—The noisy +Crew, you see, are coming upon us.</p> + +<p class = "exit">Exeunt.</p> + +<p class = "entrance"> +A Dance of Prisoners in Chains, <em>&c.</em></p> + +<p class = "illustration right"> +<img src = "images/pic_84.png" width = "60" height = "79" +alt = "line drawing"> +</p> + +<p class = "illustration chapter"> +<a name = "plateVIII" id = "plateVIII"> </a> +<img src = "images/plateVIII.jpg" width = "295" height = "502" +alt = "Lockit"> +</p> + +<span class = "pagenum">85</span> +<!-- png 119 --> + +<p class = "illustration chapter"> +<img src = "images/pic_85.png" width = "134" height = "82" +alt = "line drawing"> +</p> + +<h5 class = "scene"><a name = "actIII_sceneV" id = "actIII_sceneV"> +<em>SCENE V.</em> The <em>Condemn’d Hold</em>.</a></h5> + +<p class = "entrance"> +<em>Macheath</em>, in a melancholy Posture.</p> + + +<h5><a name = "air57" id = "air57"> +AIR LVII. Happy Groves.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air57.png" width = "319" height = "64" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_LVII.midi">MIDI</a> +<a href = "music/air_LVII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>O cruel, cruel, cruel Case!</p> +<p>Must I suffer this Disgrace?</p> +</div> + + +<h5><a name = "air58" id = "air58"> +AIR LVIII. Of all the Girls that are so smart.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air58.png" width = "345" height = "61" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_LVIII.midi">MIDI</a> +<a href = "music/air_LVIII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>Of all the Friends in time of Grief,</p> +<p class = "in1">When threatning Death looks grimmer,</p> +<p>Not one so sure can bring Relief,</p> +<p class = "in1">As this best Friend, a Brimmer. +<span class = "exit">Drinks.</span></p> +</div> + + +<h5><a name = "air59" id = "air59"> +AIR LIX. <i>Britons</i> strike home.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air59.png" width = "312" height = "53" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_LIX.midi">MIDI</a> +<a href = "music/air_LIX.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>Since I must swing,—I scorn, I scorn to wince or whine. +<span class = "exit">Rises.</span></p> +</div> + + +<span class = "pagenum">86</span> +<!-- png 120 --> +<h5><a name = "air60" id = "air60"> +AIR LX. Chevy Chase.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air60.png" width = "318" height = "54" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_LX.midi">MIDI</a> +<a href = "music/air_LX.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>But now again my Spirits sink;</p> +<p>I’ll raise them high with Wine. +<span class = "exit">Drinks a Glass of Wine.</span></p> +</div> + + +<h5><a name = "air61" id = "air61"> +AIR LXI. To old Sir <i>Simon</i> the King.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air61.png" width = "384" height = "118" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_LXI.midi">MIDI</a> +<a href = "music/air_LXI.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>But Valour the stronger grows,</p> +<p class = "in1">The stronger Liquor <ins class = "correction" title = +"text unchanged">we’er</ins> drinking;</p> +<p>And how can we feel our Woes,</p> +<p class = "in1">When we’ve lost the Trouble of Thinking? +<span class = "exit">Drinks.</span></p> +</div> + + +<h5><a name = "air62" id = "air62"> +AIR LXII. Joy to Great <i>Cæsar</i>.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air62.png" width = "302" height = "48" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_LXII.midi">MIDI</a> +<a href = "music/air_LXII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>If thus—A Man can die</p> +<p>Much bolder with Brandy. +<span class = "exit">Pours out a Bumper of Brandy.</span></p> +</div> + + +<span class = "pagenum">87</span> +<!-- png 121 --> +<h5><a name = "air63" id = "air63"> +AIR LXIII. There was an old Woman.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air63.png" width = "393" height = "107" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_LXIII.midi">MIDI</a> +<a href = "music/air_LXIII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>So I drink off this Bumper.—And now I can stand the Test,</p> +<p>And my Comrades shall see, that I die as brave as the Best. +<span class = "exit">Drinks.</span></p> +</div> + + +<h5><a name = "air64" id = "air64"> +AIR LXIV. Did you ever hear of a gallant Sailor.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air64.png" width = "351" height = "61" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_LXIV.midi">MIDI</a> +<a href = "music/air_LXIV.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>But can I leave my pretty Hussies,</p> +<p>Without one Tear, or tender Sigh?</p> +</div> + + +<h5><a name = "air65" id = "air65"> +AIR LXV. Why are mine Eyes still flowing.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air65.png" width = "361" height = "61" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_LXV.midi">MIDI</a> +<a href = "music/air_LXV.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>Their Eyes, their Lips, their Busses</p> +<p>Recall my Love,—Ah must I die!</p> +</div> + + +<span class = "pagenum">88</span> +<!-- png 122 --> +<h5><a name = "air66" id = "air66"> +AIR LXVI. Green Sleeves.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air66.png" width = "400" height = "168" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_LXVI.midi">MIDI</a> +<a href = "music/air_LXVI.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>Since Laws were made for ev’ry Degree,</p> +<p>To curb Vice in others, as well as me,</p> +<p>I wonder we han’t better Company,</p> +<p class = "in2">Upon <em>Tyburn</em> Tree!</p> +<p>But Gold from Law can take out the Sting;</p> +<p>And if rich Men like us were to swing,</p> +<p>’Twou’d thin the Land, such Numbers to string</p> +<p class = "in2">Upon <em>Tyburn</em> Tree!</p> +</div> + +<p><span class = "speaker">Jailor.</span> Some Friends of yours, +Captain, desire to be admitted—I leave you together.</p> + +<p class = "entrance"> +Enter <em>Ben Budge</em>, <em>Matt of the Mint</em>.</p> + +<p><span class = "speaker">Macheath.</span> For my having broke Prison, +you see, Gentlemen, I am order’d immediate Execution.—The +Sheriff’s Officers, I believe, are now at the Door.—That +<i>Jemmy Twitcher</i> should peach me, I own surpris’d +me!—’Tis a plain Proof that the World is all alike, and that even +our Gang can no more trust one another than other People. Therefore, +I beg you, Gentlemen, look well to yourselves, for in all +probability you may live some Months longer.</p> + +<p><span class = "speaker">Matt.</span> We are heartily sorry, Captain, +for your Misfortune.—But ’tis what we must all come to.</p> + +<span class = "pagenum">89</span> +<!-- png 123 --> +<p><span class = "speaker">Macheath.</span> <i>Peachum</i> and +<i>Lockit</i>, you know, are infamous Scoundrels. Their Lives are as +much in your Power, as yours are in theirs.—Remember your dying +Friend!—’Tis my last Request.—Bring those Villains to the +Gallows before you, and I am satisfied.</p> + +<p><span class = "speaker">Matt.</span> We’ll do’t.</p> + +<p><span class = "speaker">Jailor.</span> Miss <i>Polly</i> and Miss +<i>Lucy</i> intreat a Word with you.</p> + +<p><span class = "speaker">Macheath.</span> Gentlemen, adieu.</p> + +<p class = "exit">Exeunt <em>Ben Budge</em> and <em>Matt</em>.</p> + +<p class = "entrance"> +Enter <em>Lucy</em> and <em>Polly</em>.</p> + +<p><span class = "speaker">Macheath.</span> My dear <i>Lucy</i>—My +dear <i>Polly</i>—Whatsoever hath pass’d between us is now at an +end—If you are fond of marrying again, the best Advice I can give +you, is to Ship yourselves off for the <i>West-Indies</i>, where you’ll +have a fair Chance of getting a Husband a-piece, or by good Luck, two or +three, as you like best.</p> + +<p><span class = "speaker">Polly.</span> How can I support this +Sight!</p> + +<p><span class = "speaker">Lucy.</span> There is nothing moves one so +much as a great Man in Distress.</p> + + +<h5><a name = "air67" id = "air67"> +AIR LXVII. All you that must take a Leap, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air67.png" width = "396" height = "234" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_LXVII.midi">MIDI</a> +<a href = "music/air_LXVII.pdf" target = "_blank">PDF</a></p> + +<span class = "pagenum">90</span> +<!-- png 124 --> + +<div class = "song"> +<p class = "singer">Lucy.</p> +<p>Would I might be hang’d!</p> +<p class = "singer">Polly.</p> +<p><span class = "invisible">Would I might be hang’d!</span> +And I would so too!</p> +<p class = "singer">Lucy.</p> +<p>To be hang’d with you.</p> +<p class = "singer">Polly.</p> +<p><span class = "invisible">To be hang’d with you.</span> +My Dear, with you.</p> +<p class = "singer">Macheath.</p> +<p>O leave me to Thought! I fear! I doubt!</p> +<p>I tremble! I droop!—See, my Courage is out.</p> +<p class = "exit"> +Turns up the empty Bottle.</p> +<p class = "singer">Polly.</p> +<p>No Token of Love?</p> +<p class = "singer">Macheath.</p> +<p><span class = "invisible">No Token of Love?</span> +See, my Courage is out.</p> +<p class = "exit"> +Turns up the empty Pot.</p> +<p class = "singer">Lucy.</p> +<p>No Token of Love?</p> +<p class = "singer">Polly.</p> +<p><span class = "invisible">No Token of Love?</span> +Adieu.</p> +<p class = "singer">Lucy.</p> +<p><span class = "invisible">No Token of Love? Adieu.</span> +Farewell.</p> +<p class = "singer">Macheath.</p> +<p>But hark! I hear the Toll of the Bell.</p> +<p class = "singer">Chorus.</p> +<p>Tol de rol lol, <em>&c.</em></p> +</div> + +<p><span class = "speaker">Jailor.</span> Four Women more, Captain, with +a Child apiece! See, here they come.</p> + +<p class = "exit"> +Enter Women and Children.</p> + +<p><span class = "speaker">Macheath.</span> What—four Wives +more!—This is too much—Here—tell the Sheriff’s +Officers I am ready. +<span class = "exit">Exit <em>Macheath</em> guarded.</span></p> + +<p class = "entrance"> +To them, Enter <em>Player</em> and <em>Beggar</em>.</p> + +<p><span class = "speaker">Player.</span> But, honest Friend, I hope you +don’t intend that <i>Macheath</i> shall be really executed.</p> + +<p><span class = "speaker">Beggar.</span> Most certainly, Sir.—To +make the Piece perfect, I was for doing strict poetical +Justice.—<i>Macheath</i> is to be hang’d; and for the other +Personages of the Drama, the Audience must have suppos’d they were all +either hang’d or transported.</p> + +<p><span class = "speaker">Player.</span> Why then, Friend, this is a +downright deep Tragedy. The Catastrophe is manifestly wrong, for an +Opera must end happily.</p> + +<span class = "pagenum">91</span> +<!-- png 125 --> +<p><span class = "speaker">Beggar.</span> Your Objection, Sir, is very +just, and is easily remov’d. For you must allow, that in this kind of +Drama, ’tis no matter how absurdly things are brought +about—So—you Rabble there—run and cry, +A Reprieve!—let the Prisoner be brought back to his Wives in +Triumph.</p> + +<p><span class = "speaker">Player.</span> All this we must do, to comply +with the Taste of the Town.</p> + +<p><span class = "speaker">Beggar.</span> Through the whole Piece you +may observe such a Similitude of Manners in high and low Life, that it +is difficult to determine whether (in the fashionable Vices) the fine +Gentlemen imitate the Gentlemen of the Road, or the Gentlemen of the +Road the fine Gentlemen.—Had the Play remained, as I at first +intended, it would have carried a most excellent Moral. ’Twould have +shewn that the lower Sort of People have their Vices in a degree as well +as the Rich: And that they are punish’d for them.</p> + +<p class = "entrance"> +To them, <em>Macheath</em> with <em>Rabble</em>, <em>&c.</em></p> + +<p><span class = "speaker">Macheath.</span> So, it seems, I am not left +to my Choice, but must have a Wife at last.—Look ye, my Dears, we +will have no Controversy now. Let us give this Day to Mirth, and I am +sure she who thinks herself my Wife will testify her Joy by a Dance.</p> + +<p><span class = "speaker">All.</span> Come, a Dance—a +Dance.</p> + +<p><span class = "speaker">Macheath.</span> Ladies, I hope you will give +me leave to present a Partner to each of you. And (if I may without +Offence) for this time, I take <i>Polly</i> for mine.—And for +Life, you Slut,—for we were really marry’d.—As for the +rest.—But at present keep your own Secret. +<span class = "exit">To <em>Polly</em>.</span></p> + +<h4>A DANCE.</h4> + + +<span class = "pagenum">92</span> +<!-- png 126 --> +<h5><a name = "air68" id = "air68"> +AIR LXVIII. Lumps of Pudding, &c.</a></h5> + +<p class = "illustration"> +<img src = "images/airs/air68.png" width = "403" height = "459" +alt = "musical notation"> +</p> + +<p class = "musiclink"> +<a href = "music/air_LXVIII.midi">MIDI</a> +<a href = "music/air_LXVIII.pdf" target = "_blank">PDF</a></p> + +<div class = "song"> +<p>Thus I stand like the <em>Turk</em>, with his Doxies around;</p> +<p>From all Sides their Glances his Passion confound;</p> +<p>For Black, Brown, and Fair, his Inconstancy burns,</p> +<p>And the different Beauties subdue him by turns:</p> + +<span class = "pagenum">93</span> +<!-- png 127 --> + +<p>Each calls forth her Charms to provoke his Desires:</p> +<p>Though willing to all, with but one he retires.</p> +<p>But think of this Maxim, and put off your Sorrow,</p> +<p>The Wretch of To-day, may be happy To-morrow.</p> +</div> + +<div class = "song"> +<p class = "singer">Chorus.</p> +<p>But think of this Maxim, <em>&c.</em></p> +</div> + + +<h5>FINIS.</h5> + +<p class = "illustration"> +<img src = "images/pic_93.png" width = "49" height = "82" +alt = "line drawing"> +</p> + +<p> <br> </p> + +<h6 class = "smallcaps">Printed in Great Britain by<br> +Richard Clay & Sons, Limited,<br> +Bungay, Suffolk.</h6> + +<p> <br> </p> + +<p class = "mynote"> +<a name = "titletext" id = "titletext" href = "#titlepic">Title +Page</a></p> + +<p class = "center">THE<br> +BEGGAR’S<br> +OPERA.</p> + +<p class = "center">WRITTEN by Mr. <i>GAY</i>.</p> + +<p class = "center">To which is Prefixed the<br> +MUSICK to each SONG.</p> + +<p class = "center">{Decoration}</p> + +<p class = "center"><i>Nos hæc novimus esse nihil.</i>—<span class += "smallcaps">Mart.</span></p> + +<p class = "center">LONDON:<br> +WILLIAM HEINEMANN<br> +1921</p> + +<div class = "endnote"> +<h4><a name = "music_notes" id = "music_notes"> +About the Music</a></h4> + +<p><i>The following information is also given in the text file +</i><tt>about_the_music</tt><i> in the “Music” directory.</i></p> + +<p>The music in the printed book appears to be a hand-written copy of +the 1765 original, retaining or adding assorted minor errors. In +particular, the use of double bar lines or repeats seems to be almost +entirely arbitrary. In the PDF and MIDI files, obvious errors such as +missing dots after notes have been corrected, and a few ties have been +added. Repeats are used only when required by the lyrics as printed.</p> + +<p>All music files, including the PDF images, are in the “Music” +directory. In addition to individual Airs, there are PDF files +containing the collected songs for each scene that has more than one +song. Air LXVIII (the final song) has been omitted because it takes up a +complete page by itself.</p> + +<h5><b>Changing the Tempo</b></h5> + +<p>If you want to change the tempo of a MIDI file, do this:</p> + +<p class = "inset"> +Install the lilypond program (free from lilypond.org)</p> + +<p class = "inset"> +Open the file you want to edit (named in the form <tt>air_N.ly</tt> +using the same Roman numerals as in the text) and scroll down to the +bottom. The <tt>make-moment</tt> line works just like a metronome +setting. Leave the second number alone—usually a 4 for +quarter-note—and make the first number larger or smaller.</p> + +<p class = "inset"> +Select “Run” or “Typeset File” from the Compile menu. This will create +three files in the same location as the original .ly file: an updated +MIDI, a new PDF, and a Postscript (<tt>.ps</tt>) file. You may keep the +Postscript file or delete it; they are automatically generated, but were +omitted from this Project Gutenberg text because they are very large and +are easy to make on your own computer.</p> + +<p class = "center"> +<a href = "#start">Back to Top</a></p> +</div> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of The Beggar's Opera, by John Gay + +*** END OF THIS PROJECT GUTENBERG EBOOK THE BEGGAR'S OPERA *** + +***** This file should be named 25063-h.htm or 25063-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/5/0/6/25063/ + +Produced by Louise Hope + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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b/25063-h/music/ActIII_SceneI.ly new file mode 100644 index 0000000..fac637a --- /dev/null +++ b/25063-h/music/ActIII_SceneI.ly @@ -0,0 +1,84 @@ +\version "2.10.25" +\include "english.ly" + + +%{ Act II Scene III airs XL-XLII %} + +\header + {title = \markup \normal-text {ACT III. SCENE I.} } + + +\score + { + \new Staff + \relative c'' + { + \key e \minor + \time 3/4 + \clef treble \partial 4 + b4 | a4. b8 g4 | a4 fs b | g4. fs8 g fs | e2 c'8 b | a4 a d | + b4 g b | b4. c8 a4 | b2 \bar "|" b8 a | % printed as :|: + gs4 a b | c4 b e | e,4 fs g | fs2 b8 b | c4 b e | + e8( d) e( d) c( b) | c8 b a b a g | g2 b8^\segno c | a4 a a16( b c8) | + c4 b b16( cs d8) | d4 cs cs16( ds e8) | ds4. cs8 b4 | + e4 b8 c d4 | b4 g8 a b4 | g4. fs8 e4 | e2^\segno \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XL. If Love’s a sweet Passion, &c.}} + } + +\score + { + \new Staff + \relative c'' + { + \key c \major + \time 6/8 + \clef treble \partial 8 + g8 | g8 f g g f g | a8 f4~ f a8 | % printed without tie + g4 f8 e4 d8 | c4 c8 c4 e16 f | g4 g8 g f g | a8 f4~ f a8 | + g4 f8 e4 d8 | c4.~ c4 c'8 | % printed without tie + c4 c8 c b c | d8 g,4~ g d'8 | d4 d8 d c d | + e8 c4~ c \bar "|:" e8 | % added repeat + d4 c8 b4 a8 | g4 g8 g4 e16 f | g4 g8 g f g | a8 f4~ f \bar ":|" a8 | + g4 f8 e4 d8 | c4.~ c4 \bar "||" % added repeat + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XLI. \italic{South-Sea} Ballad.}} + } + +\score + { + \new Staff + \relative c' + { + \key g \minor + \time 3/4 + \clef treble \partial 4 + d4 | g4 fs g | a4 bf c | bf4 a g | a2 d,4 | bf'4 a bf | c4 c d | + bf4. a8 g4 | g2 \bar ":|" d'4 | % printed ":|:" + d4 f e | d2 d4 | d4 f e | d2 d4 | + d4 f e | d4 e f | g4 f e | d2 f4 | d4 c bf | c4 a f | bf4 a g | + a2 d,4 | bf'4 a bf | c4 c d | bf4. a8 g4 | g2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XLII. \italic{Packington’s} Pound.}} + } diff --git a/25063-h/music/ActIII_SceneI.pdf b/25063-h/music/ActIII_SceneI.pdf Binary files differnew file mode 100644 index 0000000..8339244 --- /dev/null +++ b/25063-h/music/ActIII_SceneI.pdf diff --git a/25063-h/music/ActIII_SceneIII.ly b/25063-h/music/ActIII_SceneIII.ly new file mode 100644 index 0000000..fb8dcae --- /dev/null +++ b/25063-h/music/ActIII_SceneIII.ly @@ -0,0 +1,56 @@ +\version "2.10.25" +\include "english.ly" + + +%{ Act II Scene IV airs XLIV-XLV %} + +\header + {title = \markup \normal-text {ACT III. SCENE III.} } + + +\score + { + \new Staff + \relative c' + { + \key d \major + \time 4/4 + \clef treble \partial 4 + d4 | a' 4 g8( fs) g( a) b4 | a2 d | a4 g8( fs) b( a) g( fs) | + e2. a4 | g8( fs) e( d) fs( e) d( cs) | a8 cs d4 g2~ | + g2 r4. cs,8 | d4 e8( fs) g( fs) e( d) | d2. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XLIV. Down in the North Country, &c.}} + } + +\score + { + \new Staff + \relative c'' + { + \key d \minor + \time 6/4 + \clef treble \partial 4 + a8 a | a4 c a a c a | a4 c a c2. | a4 d d d2 c4 | + a4. bf8 a g f4 d a' | a4 c a c d e | f4 e d c2 d8 e | + f4 e d c a c | f,4 g a d2. | a4. bf8 a g f4 d2 | g4. a8 g f d4 c2 | + f4 d d f g a | d2 a4 f d2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XLV. A Shepherd kept Sheep, &c.}} + } + + diff --git a/25063-h/music/ActIII_SceneIII.pdf b/25063-h/music/ActIII_SceneIII.pdf Binary files differnew file mode 100644 index 0000000..c405aa7 --- /dev/null +++ b/25063-h/music/ActIII_SceneIII.pdf diff --git a/25063-h/music/ActIII_SceneIV.ly b/25063-h/music/ActIII_SceneIV.ly new file mode 100644 index 0000000..d8fdff7 --- /dev/null +++ b/25063-h/music/ActIII_SceneIV.ly @@ -0,0 +1,279 @@ +\version "2.10.25" +\include "english.ly" + + +%{ Act III Scene IV airs XLVI-LVI %} + +\header + {title = \markup \normal-text {ACT III. SCENE IV.} } + + +\score + { + \new Staff + \relative c' + { + \key g \major + \time 6/8 + \clef treble \partial 8 + d8 | g4 a8 b a g | d'4 d8 d4 g8 | fs4 e8 d4 c8 | b8 a b g4 d8 | + g4 a8 b a g | d'4 d8 d4 g8 | fs8 e d e4. | d4.~ d4 \bar "||" d8 | + % printed ":|:" + d8 b c d e d | d8 c b c4 c8 | c8 a b c d c | c8 b a b4 d8 | + g4 d8 g4 d8 | g4.~ g8 fs e | d8 c b a4. | g4.~ g4 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XLVI. One Evening, having lost my Way, &c.}} + } + +\score + { + \new Staff + \relative c'' + { + \key g \minor + \time 6/4 + \clef treble \partial 4 + a4 | bf4 a g bf c d | c4 bf a c d c | bf4 a g g bf c | + d2.~ d2 \bar "||" d4 | ef4 d ef f ef d | c4 bf c d2 bf8 c | + d4. ef8 d4 c a d | g,2. a | bf2.~ bf2 bf8 c | d4. ef8 d4 c a d | + g,2.~ g2 \bar "||" % printed ":|:" and ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XLVII. Now \italic {Roger}, I’ll tell thee because thou ’rt my Son.}} + } + +\score + { + \new Staff + \relative c' + { + \key d \major + \time 6/8 + \clef treble + \partial 8 + d8 | fs8 g a a b c | b8 a b g4 g8 | fs8 g a a b a | fs'4. g4 fs16 g | + a8 a, a a b c | b8 a g g'4 fs16 g | a8 g fs e d cs! | + d4. fs4 \bar "||" fs16 g | a8 fs d fs a fs | e8 cs e g4 fs16 g | + a8 fs d fs a d, | fs4. g4 fs16 g | a8 fs d fs a fs | + e8 cs e g4 fs16 g | a8 g fs e d cs | d4. fs4 \bar "||" % printed ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XLVIII. O \italic {Bessy Bell}.}} + } + +\score + { + \new Staff + \relative c' + { + \key g \major + \time 3/4 + \clef treble + d4 g a | b2 g4 | b4 c2 | d2. | d4 g d | e2 d4 | e8 d c4 b | + a2. \bar "||" b4( e) d | e8( d) c4 b | a8 b c b a g | c2. | + b4( e) d | e8( d) c4 b | a4 c b | c8 b a4 g | d'4( g) fs | + e8( d) c4 b | a8 b c b a g | g2. \bar "||" + % both bars printed as repeats + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XLIX. Would Fate to me \italic {Belinda} give.}} + } + +\score + { + \new Staff + \relative c' + { + \key a \major + \time 4/4 + \clef treble + e2 b' | gs2. cs4 | b4 gs fs e | fs4 ds cs b | e2 b' | gs2. cs4 | + b4 e cs fs | ds1 \bar "||" ds2 fs | b,2. ds4 | e4 b b gs | + cs2. b4 | cs4 a a fs | ds4 fs b, b' | a4 gs fs e | e1 \bar "||" + % both printed ":|" + \pageBreak + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR L. Come, sweet Lass.}} + } + +\score + { + \new Staff + \relative c'' + { + \key c \major + \time 4/4 + \clef treble \partial 4 + g4 | e4 d8( c) c'4. d8 | e4 d8( c) b4. g8 | a4. c8 a( g) e( g) | + a4. b8 c4 g | e4 d8( c) c'4. d8 | e4 d8( c) b4. g8 | + a8( b) c( d) e( d) c( b) | a4. b8 c4 d | b4 a8 g g4. e'8 | + d8( b) a( b) g4. e8 | g4. a8 g8( e) d( e) | g4. a8 c4 r8 g | + a8( g) a( c) a4 g8( e) | g8( e) g( a) c4. d8 | + e8( d) c( a) g( a) g( e) | d4. c8 c4 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR LI. The last time I went o’er the Moor.}} + } + +\score + { + \new Staff + \relative c'' + { + \key g \major + \time 3/4 + \clef treble + d4 d8 e fs d | g4 d d | b4 g g | g2 d4 | g8 a g a b c | + d4 d a | fs4 d d | d2. \bar ":|" a'4. b8 a g | fs4 d d | + % printed ":|:" + b'4. c8 b a | g4 e e | c'4. d8 c b | + a4 fs d' | b4 g g8 a | g2. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR LII. \italic {Tom Tinker’s} my true Love.}} + } + +\score + { + \new Staff + \relative c'' + { + \key d \minor + \time 6/8 + \clef treble \partial 8 + d8 | cs8. b16 a8 a b! cs! | d4. f, | g8 bf! a f e d | + d4.~ d4 \bar ":|" e8 | f8 e f g f g | a4. r8 r e | % printed ":|:" + f8 e f g f g | a4. r8 r e | f8 e f g a bf | a4. d | + c8 bf a g f e | d4. r8 r d16 e | f4. a | f8 d4 r8 r e | + f8 e f g f g | a4. r8 r e | f8 e f g a bf | a4. d | + c8 bf a g f e | d4.~ d4 \bar "||" % printed ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR LIII. I am a poor Shepherd undone.}} + } + +\score + { + \new Staff + \relative c' + { + \key e \minor + \time 4/4 + \clef treble \partial 4 + fs8 fs | g4 fs8 e b'4 a8 b | c8 b a g fs4. g8 | a4 g8 fs g b e b | + g4 fs8 e e4. \bar "||" fs8 | % printed e4 for e4. and ":|:" + g4 g8 a b4 b8 c | d4 c8 b a4. d,8 | g4 g8 a b4 e8 d | + c8 b a g g4. b8 | + gs4 gs8 gs a4 a8 b | c8 b a g fs4 e'8 ds | e4 b8 a g4 a8 b | + c8 b a g fs4 b8 a | g4 fs8 e e4 \bar "||" % printed ":|:" + \pageBreak + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR LIV. \italic {Ianthe} the lovely, &c.}} + } + +\score + { + \new Staff + \relative c'' + { + \key g \minor + \time 6/8 + \clef treble \partial 8 + g8 | d'8. ef16 d8 c bf a | bf8. a16 g8 fs4 fs8 | + g8. a16 g8 g8. a16 g8 | g8. fs16 g8 a4 \bar ":|" c16 bf | + % printed ":|:" + a8. g16 f8 f8. g16 f8 | f8. g16 f8 f'4 fs8 | + g8. d16 bf8 ef8. d16 c8 | d8 a bf c bf a | g4. d'4 c8 | + d8 a bf c bf a | g4.~ g4 \bar "||" % printed ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR LV. A Cobler there was, &c.}} + } + +\score + { + \new Staff + \relative c' + { + \key g \minor + \time 6/4 + \clef treble \partial 4 + d4 | d4 g g g2 bf4 | a4 g f a bf c | d2 d4 d2 g4 | + d4. c8 bf a g2 \bar ":|" e'4 | % printed ":|:" + f4 a g f a g | f4 f, f a bf c | + d4 ef d d2 g4 | a4. g8 fs ef d2 e4 | f4 a g f a g | + f4 f, f a4. bf8 c4 | d2 d4 d2 g4 | d4. c8 bf a g2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR LVI. Bonny \italic {Dundee}.}} + } + diff --git a/25063-h/music/ActIII_SceneIV.pdf b/25063-h/music/ActIII_SceneIV.pdf Binary files differnew file mode 100644 index 0000000..ac45d48 --- /dev/null +++ b/25063-h/music/ActIII_SceneIV.pdf diff --git a/25063-h/music/ActIII_SceneV.ly b/25063-h/music/ActIII_SceneV.ly new file mode 100644 index 0000000..b6f4d9f --- /dev/null +++ b/25063-h/music/ActIII_SceneV.ly @@ -0,0 +1,248 @@ +\version "2.10.25" +\include "english.ly" + + +%{ Act III Scene V airs LVII-LXVII, omitting LXVIII %} + +\header + {title = \markup \normal-text {ACT III. SCENE V.} } + + +\score + { + \new Staff + \relative c'' + { + \key g \major + \time 4/4 + \clef treble + d2 e4 d | d8 c b a g2 | b4 a c b | a8 g a b a2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR LVII. Happy Groves.}} + } + +\score + { + \new Staff + \relative c''' + { + \key c \major + \time 3/4 + \clef treble \partial 4. + g16( f) e8 f | d4. e16( d) c8 d | b4. c16( b) a8 g | + f8 e d c c c' | c4. \bar ":|" % printed "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR LVIII. Of all the Girls that are so smart.}} + } + +\score + { + \new Staff + \relative c'' + { + \key c \major + \time 3/4 + \clef treble + c4 c d | e4. f8 g4 | c,4 d e | d4 e f | g4 f e | d2. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR LIX. \italic {Britons} strike home.}} + } + +\score + { + \new Staff + \relative c'' + { + \key g \major + \time 6/8 + \clef treble \partial 8 + d8 | c4 b8 a4 d,8 | fs4 g8 a4. | r8 r b c4 d8 | e4 d8 c4. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR LX. Chevy Chase.}} + } + +\score + { + \new Staff + \relative c'' + { + \key c \major + \time 9/4 + \clef treble \partial 4 + g4 | a4. b8 c4 c4. d8 c4 c2 g4 | a4. b8 c4 c4. d8 e4 f2 f4 | + a,4 f f f2 g4 a b c | d2 c4 b2 a4 g2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR LXI. To old Sir \italic {Simon} the King.}} + } + +\score + { + \new Staff + \relative c'' + { + \key d \minor + \time 3/4 + \clef treble + d4 d4. e8 | cs4 cs4. cs8 | d4 d4. d8 | e4 e2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR LXII. Joy to Great \italic {Cæsar}.}} + } + +\score + { + \new Staff + \relative c'' + { + \key d \major + \time 6/4 + \clef treble \partial 4 + a4 | b4. cs8 d4 cs4. b8 a4 | d4 cs b a fs a | e2.~ e2 a4 | + b4. cs8 d4 cs4. b8 a4 | d4. cs8 b4 a4 fs a | d,2.~ d2 \bar "||" + % printed without ties + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR LXIII. There was an old Woman.}} + } + +\score + { + \new Staff + \relative c'' + { + \key g \major + \time 3/2 + \clef treble \partial 2. + b4 c a | g2 a4 b c a | b2 c4 d e f | d2 b c4 a | g2. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR LXIV. Did you ever hear of a gallant Sailor.}} + } + +\score + { + \new Staff + \relative c'' + { + \key c \major + \time 3/4 + \clef treble + c4( e) f | d2 b4 | c8( b c e d c) | b2 b4 | c4 c8 b c g | + a4 b c | d4 c e | c2. \bar "||" \pageBreak + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR LXV. Why are mine Eyes still flowing.}} + } + +\score + { + \new Staff + \relative c'' + { + \key g \minor + \time 6/4 + \clef treble + \partial 4 + a4 | bf2 bf4 bf c d | c4 a f f g a | bf4 a g g a bf | + a2 d,4 d2 a'4 | bf2 bf4 bf c d | c4 a f f g a | bf4 a g a fs2 | + g2.~ g2 \bar "||" d'8 ef | % printed g2~ g2 + f2 f4 f ef d | c4 a f f2 fs'4 | + g4. a8 g4 bf4 a g | fs4 d d d2 e4 | f4 g f f ef d | + c4 a f f g a | bf4 a g a fs2 | g2.~ g2 \bar "||" % printed without tie + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR LXVI. Green Sleeves.}} + } + +\score + { + \new Staff + \relative c' + { + \key f \major + \time 3/2 + \clef treble \partial 2 + f2 | f2. g4 e2 | f1 f2 | c'2. d4 c2 | c,2. f'4 e2 | f2( e) d | + c2 bf4( a) g( f) | g2. f4 g2 | a1 f2 | f2. g4 e2 | f1 f2 | + c'2. d4 c2 | c,2. f'4 e2 | f2( e) d | c2 bf4( a) g( f) | + g2. f4 g2 | a1 c2 | c2. d4 b2 | c1 c2 | g'2. a4 g2 | g,1 b2 | + c2( b) a | g2 f4( e) d( c) | d2. c4 d2 | e1 f2 | + f2. g4 a( f )| bf2. c4 bf a | g2 a bf | c1 e2 | f2( e) d | + c2 bf4( a) g( f) | c2. d4 c2 | f1 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR LXVII. All you that must take a Leap, &c.}} + } + + diff --git a/25063-h/music/ActIII_SceneV.pdf b/25063-h/music/ActIII_SceneV.pdf Binary files differnew file mode 100644 index 0000000..892b0da --- /dev/null +++ b/25063-h/music/ActIII_SceneV.pdf diff --git a/25063-h/music/ActII_SceneI.ly b/25063-h/music/ActII_SceneI.ly new file mode 100644 index 0000000..e9fd135 --- /dev/null +++ b/25063-h/music/ActII_SceneI.ly @@ -0,0 +1,155 @@ +\version "2.10.25" +\include "english.ly" + + +%{ Act II Scene I airs XIX-XXIV %} + +\header + {title = \markup \normal-text {ACT II. SCENE I.} } + + +\score + { + \new Staff + \relative c'' + { + \key bf \major + \time 3/4 + \clef treble + bf4 a g | f2 c'4 | f2 c4 | d4 a bf | c4 f, g | + a2 bf4 | c4 c,2 | f2. \bar "||" % printed ":|:" + f'4 e f | d2 c4 | f4 d2 | c2. | bf4 a g | f2 g4 | + a4 bf2 | c4. d8 c4 | + bf4 a g | f2 c'4 | f2 c4 | + d4 a bf | c4 f, g | a2 bf4 | c4 c,2 | f2. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XIX. Fill every Glass, &c.}} + } + +\score + { + \new Staff + \relative c' + { + \key bf \major + \time 4/4 + \clef treble \partial 4 + d8 ef | f2 f | f2. bf8 c | d8 c d ef d4 d | d2 f | + d8 c d ef d4 d | d2 f4. ef8 | + ef4 c8 d ef8 d c bf | c2. \bar "||" a8 bf | % printed ":|:" + c2 c | c2.\trill f4 | f,8 g a bf c4 d | ef2 f4. ef8 | + d4 c8 d ef d c bf | c4 f, f'4. ef8 | + d8 c bf c c4.\trill bf8 | bf2. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XX. March in \italic {Rinaldo}, with Drums and Trumpets.}} + } + +\score + { + \new Staff + \relative c' + { + \key d \major + \time 6/4 + \clef treble \partial 4 + fs8 g | a4. b8 a4 a4. b8 a4 | d2 a4 a2 fs8 g | + a4. b8 a4 a4. b8 a4 | e'2 a,4 a2 fs8 g | a4. b8 a4 a4. b8 a4 | + d2 a4 e'2 a,4 | fs'4. e8 d4 a4. d8 cs4 | d2 d,4 d2. \bar "||" + fs'4. e8 d4 fs4. e8 d4 | e2 a,4 a2. | fs'4. e8 d4 fs4. e8 d4 | + g2 e4 e2. | fs4. e8 d4 fs4. e8 d4 | g4. fs8 e4 g4. fs8 e4 | + fs4. e8 d4 a4. d8 cs4 | d2 d,4 d2. \bar "||" + % both printed ":|:" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XXI. Would you have a young Virgin, &c.}} + } + +\score + { + \new Staff + \relative c'' + { + \key c \major + \time 4/4 + \clef treble + g4 c b c | d8 c d e d2 | g,4 c b c8 d | d2 c\fermata \bar ":|" + % printed ":|:" + e4 d8 c d2 | e4 d8 c d2 | e4 d8 e f e d e | + f8 e d c d2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XXII. Cotillon.}} + } + +\score + { + \new Staff + \relative c' + { + \key d \major + \time 4/4 + \clef treble \partial 4 + fs8 g | a4 a a a | a2 a4 g8 a | b4 a g a | b2 b4 cs8 d | + cs4 a a a | a2 a 4a | g4 e e fs | g2. a8 g | fs4 d d e | + fs4 g a g8 fs | e4 d cs d | e2. fs8 g | fs4 d d e | + fs4 g a g8 fs | b4 a gs2 | a2. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XXIII. All in a misty Morning, &c.}} + } + +\score + { + \new Staff + \relative c' + { + \key a \major + \time 6/4 + \clef treble \partial 4 + e8 e | a4. b8 a4 b4. cs8 b4 | cs4 a2~ a \bar ":|" cs4 | + % printed ":|:" + d4. e8 d4 cs4. d8 cs4 | b4. cs8 b4 gs4. fs8 e4 | + a4. b8 a4 b4. cs8 b4 | cs4 a2~ a2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XXIV. When first I laid Siege to my \italic {Chloris}, &c.}} + } + diff --git a/25063-h/music/ActII_SceneI.pdf b/25063-h/music/ActII_SceneI.pdf Binary files differnew file mode 100644 index 0000000..1dc5f00 --- /dev/null +++ b/25063-h/music/ActII_SceneI.pdf diff --git a/25063-h/music/ActII_SceneII.ly b/25063-h/music/ActII_SceneII.ly new file mode 100644 index 0000000..218591d --- /dev/null +++ b/25063-h/music/ActII_SceneII.ly @@ -0,0 +1,340 @@ +\version "2.10.25" +\include "english.ly" + + +%{ Act II Scene II airs XXV-XXXVIII %} + +\header + {title = \markup \normal-text {ACT II. SCENE II.} } + + + +\score + { + \new Staff + \relative c'' + { + \key e \minor + \time 6/4 + \clef treble + g2 e4 g2 a4 | b4. c8 b4 e,2 fs4 | g4. a8 b4 e2 b4 | + g2 %{ printed g4 %} fs8 e e2 \bar ":|" e'8 fs | % printed "||" + g4. fs8 e4 ds2 e4 | e2 e,4 e2 fs4 | g4. a8 b4 d2 b4 | + d2 b4 a2 fs4 | g4. a8 b4 e2 b4 | g2 fs8 e e2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XXV. Courtiers, Courtiers, think it no Harm, &c.}} + } + +\score + { + \new Staff + \relative c'' + { + \key g \major + \time 4/4 + \clef treble \partial 4 + a8 b | c4 c8 b a4 g | a4 fs g a8 b | c4 c8 b a4 g | + a2 g4 \bar ":|" g | % printed ":|:" + g4 d'8 d d4 d | e4 d d d | e4 d c b | b2 a4 b8 c | d2 g, | + a8 g a8 b g4 a8 b | c4 b a g | a2 g4 \bar "||" % printed ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XXVI. A lovely Lass to a Friar came, &c.}} + } + +\score + { + \new Staff + \relative c'' + { + \key e \minor + \time 6/8 + \clef treble \partial 8 + b8 | b8 a g g fs e | b8 a b r r b | e8 fs g fs g e | b'4.~ b4 b8 | + c16( d e 8) d c16 b a8 g | fs16( e) d4 r8 r d' | b8 a g d g fs | + g4.~ g4 \bar "||" b8 | b16 c d8 d, g fs e | a8 fs4 r8 r b | + c8 b c a g a | fs4.~ fs4 ds'8 | e8 d e c b c | a4.~ a4 c8 | + b8 a g g fs e | e4.~ e4 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XXVII. ’Twas when the Sea was roaring, &c.}} + } + +\score + { + \new Staff + \relative c'' + { + \key a \major + \time 6/4 + \clef treble \partial 4 + a4 | a2 e'4 e fs e | d2 cs4 b cs d | e2 a,4 a2 b4 | + cs2. e2 \bar ":|:" e4 | % printed "||" + cs2 b4 a b cs | b2 gs4 e2 e4 | e2 a4 a2 b4 | + cs2. e2 \bar ":|" % printed "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XXVIII. The Sun had loos’d his weary Teams, &c.}} + } + +\score + { + \new Staff + \relative c' + { + \key a \major + \time 4/4 + \clef treble \partial 4 + e8 e | a4 cs8 b a4 a8 gs | fs4 gs8 a b4 b8 cs | + d8 cs b a gs4 gs8 a | b2. \bar "||" b8 b | % printed ":|:" + b8 e e d cs4 cs8 b | a8 gs fs16 gs b8 gs4 e8 d | + cs4 fs8 d e4 b'8 gs | b2. \bar "||" % printed ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XXIX. How happy are we, &c.}} + } + +\score + { + \new Staff + \relative c'' + { + \key a \minor + \time 4/4 + \clef treble \partial 4 + b4 | c4 b8 a gs a b gs | a4 a,2 ^\markup {\italic {vio}} b'4 | + c4 b8 a g a b g | + a2. \bar ":|" b8 ^\markup {\italic {Song}} b | c4 c8 c g4 g | + % printed ":|:" + c4 c2. | c,4 ^\markup {\italic {vio}} c b b | + a4 a gs b' ^\markup {\italic {Song}} | c4 c b b | + a8 c b a gs4 f8 e | f4 d e gs | + a4 a2 \bar "||" + % second "Song" markup moved back from c to b + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XXX. Of a noble Race was \italic {Shenkin}.}} + } + +\score + { + \new Staff + \relative c' + { + \key a \minor + \time 4/4 + \clef treble \partial 4 + e4 | a4 b c b8 a | gs4 a e2 | r4 e c' c | e4 d c2 \bar "||" + r4 c b c | d4 b e a, | gs4 e gs a | b4 c a2 | a2 c | + gs4 e a2 \bar "||" % bars printed ":|:" and ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XXXI.}} + } + +\score + { + \new Staff + \relative c' + { + \key g \major + \time 6/4 + \clef treble \partial 4 + d4 | g4 a b c b a | b4 a g d'2 b4 | c4 d e d c b | + a2. a2 d,4 | g4 a b c b a | b4 a g g'2 fs4 | e4 fs d cs d e | + e2. d2 d4 | d4 e fs g2 fs4 | e4 d c b2 fs'4 | + g4 fs e ds e fs | fs2. e2 d4 | d4 e fs g d e | + d4 c b a2 g4 | g4 b c d b e | a,2. g2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XXXII. \italic {London} Ladies.}} + } + +\score + { + \new Staff + \relative c'' + { + \key g \major + \time 3/4 + \clef treble + d4 g, g | b2 g4 | a4 b8 c d b | e2 d4 | d4 c8 b a g | c2 e,4 | + fs8 g g2 | a2. \bar ":|" d4 fs,( g) | % printed ":|:" + a4( b) c | a4( d) fs, | g4 a2 | b2. | + e4 c a | d4 g, fs | e2 c'4 | b8 a a2 | g2.\bar "||" % printed ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XXXIII. All in the Downs, &c.}} + } + +\score + { + \new Staff + \relative c' + { + \key bf \major + \time 6/4 + \clef treble \partial 4 + f4 | bf4 c bf bf a g | a4 g f bf a bf | c4 bf c d2 d8 ef | + f4 g f f d bf | c4 a f g a bf | c4 a f bf2 \bar ":|" % printed ":|:" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XXXIV. Have you heard of a frolicksome Ditty, &c.}} + } + +\score + { + \new Staff + \relative c'' + { + \key g \major + \time 6/4 + \clef treble \partial 4 + g4 | a4 b c c d c | a4 b c c d c | b4 c b a g fs | + g4 a g b2 g4 | a4 fs a a fs a | a4 fs a a fs a | + b4 c b a g fs | g4 a g b2 g4 \bar "||" \pageBreak + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XXXV. \italic {Irish} Trot.}} + } + +\score + { + \new Staff + \relative c'' + { + \key g \major + \time 6/8 + \clef treble + g4 d'8 b8 g4 | c4 a8 fs8 d4 | b'4 g8 e8 c4 | + a'8 d, fs g4. \bar ":|" % printed "||" + g4 g'8 g8 d4 | g,4 e'8 e8 c4 | fs,4 d'8 d8 g, fs | + e8 d' cs d4. | g,4 d'8 b8 g4 | c4 a8 fs8 d4 | + b'4 g8 e8 c4 | a'8 d, fs g4. \bar "||" % printed ":|:" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XXXVI.}} + } + +\score + { + \new Staff + \relative c'' + { + \key a \major + \time 4/4 + \clef treble \partial 4 + b4 | e4 e, gs a | b2. a8 gs | a4 fs b, a' | a4 gs r b | + cs4 cs cs b8 a | b8 a b cs b4 a8 gs | a4 a a gs8 fs | + gs8 fs gs a gs4 e' | b4 e b e | fs8( e ds cs) b4 a | + gs2 fs | e2. \bar "||" % fit music to lyrics? + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XXXVII. Good-morrow, Gossip \italic {Joan}.}} + } + +\score + { + \new Staff + \relative c' + { + \key f \major + \time 4/4 + \clef treble \partial 8 + f8 | a8 a a g16 f bf8 bf bf a16 g | + f8. g16 a bf c d c bf a g f8. a16 | + a16 g g f e8. f16 g8 a16 bf a8. bf16 | + a16 bf c d c8 g bf16 a g f f4 | bf8 bf bf bf c c16 bf bf8 a | + c8 c c bf16 a c8 c c bf16 a | + f'8( e16 d) c8. d16 c d c d c d c a | + bf16 a g f f g a bf c2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XXXVIII. \italic {Irish} Howl.}} + } + diff --git a/25063-h/music/ActII_SceneII.pdf b/25063-h/music/ActII_SceneII.pdf Binary files differnew file mode 100644 index 0000000..6502478 --- /dev/null +++ b/25063-h/music/ActII_SceneII.pdf diff --git a/25063-h/music/ActI_SceneI.ly b/25063-h/music/ActI_SceneI.ly new file mode 100644 index 0000000..6bd10d8 --- /dev/null +++ b/25063-h/music/ActI_SceneI.ly @@ -0,0 +1,445 @@ +\version "2.10.25" +\include "english.ly" + + +%{ Act I Scene I airs I-XVIII %} + +\header + {title = \markup \normal-text {ACT I. SCENE I.} } + + +\score + { + \new Staff + \relative c'' + { + \key g \minor + \time 3/2 + \clef treble \partial 2. + bf2. | a4 bf g fs e fs | g2. bf | a4 bf g fs e fs | g2. bf2 bf4 | + a4 bf g fs e fs | g2. bf | a4 bf g fs e fs | g2.~ g2 a8 bf | + c4 bf a c bf a | c2.~ c2 bf8 a | bf4 c d ef d c | d2.~ d2 a8 bf | + c4 bf a c bf a | c2. bf | a4 bf g fs e fs | g2. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR I. An old Woman clothed in Gray, &c.}} + } + +\score + { + \new Staff + \relative c' + { + \key bf \major + \time 4/4 + \clef treble \partial 8 + f8 | bf8 a bf c d4 c8 bf | d8 ef f g f4. g8 | f8 g f d ef d c bf | + a8 bf c d c4. d8 | ef8 d c bf a4. a8 | bf8 a g f e4. c8 | + f8 a g bf a c ef c | bf8 a g f f4. \bar "||" c'8 | + c8 a c a f4. f'8 | f8 d f d bf4. d8 | ef8 g, c a fs4. d'8 | + c8 bf a g g4. d8 | g8 a bf g ef'4. d8 | d8 g, c bf a4. f8 | + bf8 d c ef d f g f | ef8 d c bf bf4. \bar "||" + % both bars printed as repeats + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR II. The bonny gray-ey’d Morn, &c.}} + } + +\score + { + \new Staff + \relative c' + { + \key e \minor + \time 6/4 + \clef treble + e4. fs8 e4 g4. b8 a4 | b4. c8 d4 d,2 d4 | + e2 e4 b'4. a8 g4 | e2. g2 \bar ":|" % printed ":|:" + g4 | g4 fs g g2 g4 | + a4 g a a2 a4 | b2 b4 e4. d8 c4 | b2. d2 g,4 | + g4 fs g g2 g4 | a4 g a a2 c4 | b4. a8 g4 fs4 g ds | + e2. b'2. \bar "||" % printed ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR III. Cold and raw, &c.}} + } + +\score + { + \new Staff + \relative c'' + { + \key d \major + \time 3/4 + \clef treble + d4 a \times 2/3 {b8 cs d} | a2 g4 | fs4 e8 fs g e | cs2 d4 | + e8( fs g4) fs | fs4 b( a) | a4( d) cs | b2. | a2. | + e4( d' cs) | b4 gs2 | a2 \bar "||" % printed ":|:" + a4 | d2.~ | d4 b( g) | + e4( e' d) | cs4( b a) | d2 d,4 | e4 fs2 | g2 a4 | b4 cs2 | d2. | + r4 r \times 2/3 {d8 cs b} | a4( d,) g | fs4 e2 | d2. + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR IV. Why is your faithful Slave disdain’d &c.}} + } + +\score + { + \new Staff + \relative c' + { + \key c \major + \time 6/4 + \clef treble \partial 4 + c4 | c2 d4 e2 f4 | g2 a4 b a g | a4 b c d b g | + a4 c2~ c2 \bar ":|" b8 c | % printed "||" + d4 b g c d e | a,2. f'2. | e4 d c b c d | g,2. g2 e'4 | f2 e4 d2 c4 | + b4 c d g,2 g4 | a4 b c d b g | a4 c2~ c \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR V. Of all the simple Things we do, &c.}} + } + +\score + { + \new Staff + \relative c'' + { + \key a \minor + \time 3/4 + \clef treble % \partial 4 + c4 a b | gs4. b8 a4 | b16( c d8) c( b) c( a) | b2 e,4 | e'4 a, b | + c4 e, gs | a8 b b4. a8 | a2. \bar ":|" % printed ":|:" + g4 e g | c4 g a | e8 f g4 f8 e | d2 c4 | e4 a fs | g8 a b4 e,8 ds | + e8 fs fs4. e8 | e2. | a4 fs b | gs4 e c' | a4 d8 b c a | b2 e,4 | + b'8 c d4 c8 b | c8 d e4 a,8 gs | a8 b b4. a8 | a2. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR VI. What shall I do to shew how much I love her, &c.}} + } + +\score + { + \new Staff + \relative c'' + { + \key fs \minor + \time 4/4 + \clef treble \partial 4 + b4 | gs4. fs8 e4 e | e2 e4 e | fs4 gs a b | cs4 cs2 ds4 | + e4 d cs b | cs8 ds e4 e, e | fs4 gs a gs | fs4 fs2 \bar "|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR VII. Oh \italic {"London"} is a fine Town.}} + } + +\score + { + \new Staff + \relative c' + { + \key g \minor + \time 3/4 + \clef treble \partial 4 + d4 | g4 fs g | bf4 a g | a2 d,4 | bf'4 a d | + bf4. a8 g4 | g2 \bar ":|" % printed ":|:" + bf8 c | d4 d g, | ef'4 d c8 bf | c2 d8 c | bf4 a bf | + g4 c bf | a2 d,8 d | g4 fs g | bf4 a g | a2 d,4 | + bf'4 a d | bf4. a8 g4 | g2. \bar "||" + } + + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR VIII. Grim King of the Ghosts, &c.}} + } + +\score + { + \new Staff + \relative c' + { + \key bf \major + \time 6/4 + \clef treble \partial 4 + f4 | f4 d ef f2 d'4 | c2 bf4 g2 f4 | f4 d ef f2 d'4 | c2 bf4 c2. | + c4 d ef f( ef) d | ef4 d c a2 f4 | bf4 d2 g,2 c4 | + f,4 a2 bf2 \bar "||" \pageBreak + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR IX. O \italic {Jenny}, O \italic {Jenny}, where hast thou been.}} + } + +\score + { + \new Staff + \relative c' + { + \key d \major + \time 6/4 + \clef treble \partial 4 + d4 | fs4 g a b2 a4 | d2 cs4 b2 a4 | g4( a fs) e2 d4 | + d4 d'2~ d2 \bar ":|" d4 | % printed "||" + cs2 d4( e) d cs | d4( e cs) b2 a4 | + cs2 d4 e2 fs,4 | g4( a fs) e2 d4 | cs'2 d4( e d) cs | + % first (high) e2 printed e4 + b4( cs a) cs2 d4 | a4 g fs e2 d4 | b'4 d a b d a | + a4 g fs e2 d4 | d'2.~ d2 \bar "||" % printed d'2~ d2 \bar ":|:" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR X. \italic {Thomas}, I cannot, &c.}} + } + +\score + { + \new Staff + \relative c' + { + \key f \major + \time 6/4 + \clef treble \partial 4 + a4 | a4 c( f) f( g) a | f2. c2 c4 | c4( f) a a bf c | a2. f2 g4 | + bf4 bf c c bf a | d2. d,2 e4 | f4( g) a a g( f) | c'2.~ c,2 d4 | + % misprint c'2~ c,2 d4 and others similar + e4( f) g e d c | c2.~ c2 d4 | e4( f) g g2 b4 | c2.~ c2 \bar "||" c4 | + g4 a g g2 a4 | bf2.~ bf2 c4 | d4( ef d) c2 bf4 | a2.~ a2 bf4 | + c4( d) c c bf a | g2. a4( bf) c | d4( c bf) a g f | e2. c2 c'4 | + d4( e f) e2 f4 | f2.~ f2 g,4 | a4( bf) c a2 g8 f | f2.~ f2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XI. A Soldier and a Sailor.}} + } + +\score + { + \new Staff + \relative c'' + { + \key f \major + \time 3/4 + \clef treble \partial 4 + g4 | a8 g f4. g8 | a8 g f4. a8 | bf8 d c4. a8 | g2 a4 | + bf8 d c4. bf8 | c8 a f4. c'8 | d8 f a,4 g | f2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XII. Now ponder well, ye Parents dear.}} + } + +\score + { + \new Staff + \relative c' + { + \key f \major + \time 3/4 + \clef treble + f4 a g | c2 f4 | c2 bf4 | a4 g8 a f4 | bf4 c8 bf a bf | g8 f g2 | + f4 a bf | c2 f4 | c2 bf4 | a4 b c | d4 b2 | c2. \bar "||" + % printed ":|:" + g2 a4 | g8 f e d c4 | g'2 a4 | g8 f g2 | c2 d4 | + c4 bf8 a g f | g4 g2 | f2. \bar "||" % printed ":|:" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XIII. Le printems rapelle aux armes.}} + } + +\score + { + \new Staff + \relative c'' + { + \key g \minor + \time 3/2 + \clef treble + g4 d d g bf2 | c8 bf a bf g4 bf d4. ef8 | d4 g8 d ef4 d c bf | + a2 g4 d' ef d | c2 bf r4 c | + d8( c) bf( a) bf( c) bf4 c8( bf) a( g) | + a8( bf a4) bf8( a) g( fs) g( a) g4 | r4 d'4 ef8( d) c( bf) f'4 f, | + bf2 bf d8( ef d ef) | f4 f f8( ef) d( c) bf2 | + bf8( c bf c) d4 d d8( c bf a) | g4 d' g, d' c8 bf a g | + g2.~ g2. \bar "||" % printed ":|:" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XIV. Pretty Parrot, say—.}} + } + +\score + { + \new Staff + \relative c'' + { + \key bf \major + \time 6/8 + \clef treble + \partial 8 + f8 | bf,8 c bf bf4 bf8 | c8 d c c4 c8 | d8 ef f a, bf g | + a8 f4~ f \bar "||" a8 | % printed ":|:" + bf8 c d g,4 g8 | c8 d ef a,4 a8 | + d8 ef f bf,4 d8 | ef8 f g f4. | r8 r ef d c bf | + f8 bf c d bf4 \bar "||" % printed ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XV. Pray, Fair one, be kind—.}} + } + +\score + { + \new Staff + \relative c'' + { + \key bf \major % what key? + \time 4/4 + \clef treble + bf8 c d c bf8 c d c | bf4 g g4. f8 | bf8 c d c bf8 c d bf | + ef4 c c4. f,8 | bf8 c ef c bf8 c d c | bf4 g ef'4. g,8 | + g4 f8 ef f4 d' | ef4 c c2 \bar ":|:" % typo for ":|" + f4. d8 d4 c | bf4 g g2 | f'4. ef8 d4 c8 bf | ef4 c c2 | + f4. ef8 d4 c | bf4 g ef'4. g,8 | g4 f8 ef f4 d' | ef4 c c2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XVI. Over the Hills and far away.}} + } + +\score + { + \new Staff + \relative c' + { + \key g \major + \time 4/4 + \clef treble + d4. g8 g4. b8 | a4 g8 fs e2 | g8 fs e d g8 a b4 | + c8 b a g b8 c d4 | d,4. g8 g4. b8 | a4 g8 fs e2 | + d'8( e )d b c8( b a g) | g4. a8 b2 \bar "||" % printed ":|:" + d4 d, d4. b'8 | a4 g8 fs e4. fs8 | d4 d' d4. e8 | + d8( e d c) b4 b8 b | c8 d e d b8 c d c | a8 b c a d,4. e'8 | + d8( e d b) c8( b a) g | g4. a8 b2 \bar "||" % printed ":|:" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XVII. Gin thou wert mine awn thing—}} + } + +\score + { + \new Staff + \relative c' + { + \key bf \major + \time 4/4 + \clef treble \partial 8 + ef8 | ef4. g8 bf4. c8 | bf8( g) f g ef4 ef'8( bf) | + c4 ef8.( f16) ef16( f g8) f8. ef16 | c2. ef4 | + bf8.( c16) ef8.( f16) g4 g16( f) ef8 | + ef4 ef,8. f16 g4 g16 f( ef8) | + a4 bf8.( c16) bf8.( c16) bf8.( g16) | f2.. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \header + {piece = \markup {AIR XVIII. O the Broom, &c.}} + } + diff --git a/25063-h/music/ActI_SceneI.pdf b/25063-h/music/ActI_SceneI.pdf Binary files differnew file mode 100644 index 0000000..a022807 --- /dev/null +++ b/25063-h/music/ActI_SceneI.pdf diff --git a/25063-h/music/about_the_music.txt b/25063-h/music/about_the_music.txt new file mode 100644 index 0000000..9b808aa --- /dev/null +++ b/25063-h/music/about_the_music.txt @@ -0,0 +1,37 @@ +_About the Music_ + +The following information is also given at the end of the plain-text and +html versions of the play. + +The music in the printed book appears to be a hand-written copy of the +1765 original, retaining or adding assorted minor errors. In particular, +the use of double bar lines or repeats seems to be almost entirely +arbitrary. In the PDF and MIDI files, obvious errors such as missing +dots after notes have been corrected, and a few ties have been added. +Repeats are used only when required by the lyrics as printed. + +All music files, including the PDF images, are in the "Music" directory. +In addition to individual Airs, there are PDF files containing the +collected songs for each scene that has more than one song. Air LXVIII +(the final song) has been omitted because it takes up a complete page by +itself. + + +_Changing the Tempo_ + +If you want to change the tempo of a MIDI file, do this: + +--Install the lilypond program (free from lilypond.org) + +--Open the file you want to edit (named in the form air_N.ly using the +same Roman numerals as in the text) and scroll down to the bottom. The +"make-moment" line works just like a metronome setting. Leave the second +number alone--usually a 4 for quarter-note--and make the first number +larger or smaller. + +--Select "Run" or "Typeset File" from the Compile menu. This will create +three files in the same location as the original .ly file: an updated +MIDI, a new PDF, and a Postscript (.ps) file. You may keep the +Postscript file or delete it; they are automatically generated, but were +omitted from this Project Gutenberg text because they are very large and +are easy to make on your own computer. diff --git a/25063-h/music/air_I.ly b/25063-h/music/air_I.ly new file mode 100644 index 0000000..9415601 --- /dev/null +++ b/25063-h/music/air_I.ly @@ -0,0 +1,32 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {"AIR I. An old Woman clothed in Gray, &c."} + } + +\score + { + \new Staff + \relative c'' + { + \key g \minor + \time 3/2 + \clef treble \partial 2. + bf2. | a4 bf g fs e fs | g2. bf | a4 bf g fs e fs | g2. bf2 bf4 | + a4 bf g fs e fs | g2. bf | a4 bf g fs e fs | g2.~ g2 a8 bf | + c4 bf a c bf a | c2.~ c2 bf8 a | bf4 c d ef d c | d2.~ d2 a8 bf | + c4 bf a c bf a | c2. bf | a4 bf g fs e fs | g2. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 210 4) } + } + } diff --git a/25063-h/music/air_I.midi b/25063-h/music/air_I.midi Binary files differnew file mode 100644 index 0000000..d939cf2 --- /dev/null +++ b/25063-h/music/air_I.midi diff --git a/25063-h/music/air_I.pdf b/25063-h/music/air_I.pdf Binary files differnew file mode 100644 index 0000000..54a442d --- /dev/null +++ b/25063-h/music/air_I.pdf diff --git a/25063-h/music/air_II.ly b/25063-h/music/air_II.ly new file mode 100644 index 0000000..7bb4ba1 --- /dev/null +++ b/25063-h/music/air_II.ly @@ -0,0 +1,36 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {"AIR II. The bonny gray-ey’d Morn, &c."} + } + +\score + { + \new Staff + \relative c' + { + \key bf \major + \time 4/4 + \clef treble \partial 8 + f8 | bf8 a bf c d4 c8 bf | d8 ef f g f4. g8 | f8 g f d ef d c bf | + a8 bf c d c4. d8 | ef8 d c bf a4. a8 | bf8 a g f e4. c8 | + f8 a g bf a c ef c | bf8 a g f f4. \bar "||" c'8 | + c8 a c a f4. f'8 | f8 d f d bf4. d8 | ef8 g, c a fs4. d'8 | + c8 bf a g g4. d8 | g8 a bf g ef'4. d8 | d8 g, c bf a4. f8 | + bf8 d c ef d f g f | ef8 d c bf bf4. \bar "||" + % both bars printed as repeats + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 150 4) } + } + } + diff --git a/25063-h/music/air_II.midi b/25063-h/music/air_II.midi Binary files differnew file mode 100644 index 0000000..3cb15ae --- /dev/null +++ b/25063-h/music/air_II.midi diff --git a/25063-h/music/air_II.pdf b/25063-h/music/air_II.pdf Binary files differnew file mode 100644 index 0000000..70912bd --- /dev/null +++ b/25063-h/music/air_II.pdf diff --git a/25063-h/music/air_III.ly b/25063-h/music/air_III.ly new file mode 100644 index 0000000..0209523 --- /dev/null +++ b/25063-h/music/air_III.ly @@ -0,0 +1,52 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text {"AIR III. Cold and raw, &c."} } + +\score + { + \new Staff + \relative c' + { + \key e \minor + \time 6/4 + \clef treble + e4. fs8 e4 g4. b8 a4 | b4. c8 d4 d,2 d4 | + e2 e4 b'4. a8 g4 | e2. g2 \bar ":|" % printed ":|:" + g4 | g4 fs g g2 g4 | + a4 g a a2 a4 | b2 b4 e4. d8 c4 | b2. d2 g,4 | + g4 fs g g2 g4 | a4 g a a2 c4 | b4. a8 g4 fs4 g ds | + e2. b'2. \bar "||" % printed ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + } + +\score + { + \new Staff + \relative c' + \unfoldRepeats + { + \key e \minor + \time 6/4 + \clef treble + \partial 4 + \repeat volta 2 + { r4 | e4. fs8 e4 g4. b8 a4 | b4. c8 d4 d,2 d4 | + e2 e4 b'4. a8 g4 | e2. g2 } + g4 | g4 fs g g2 g4 | + a4 g a a2 a4 | b2 b4 e4. d8 c4 | b2. d2 g,4 | + g4 fs g g2 g4 | a4 g a a2 c4 | b4. a8 g4 fs4 g ds | + e2. b'2. + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_III.midi b/25063-h/music/air_III.midi Binary files differnew file mode 100644 index 0000000..5928a50 --- /dev/null +++ b/25063-h/music/air_III.midi diff --git a/25063-h/music/air_III.pdf b/25063-h/music/air_III.pdf Binary files differnew file mode 100644 index 0000000..aa7f9c3 --- /dev/null +++ b/25063-h/music/air_III.pdf diff --git a/25063-h/music/air_IV.ly b/25063-h/music/air_IV.ly new file mode 100644 index 0000000..f78cf0d --- /dev/null +++ b/25063-h/music/air_IV.ly @@ -0,0 +1,33 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text {"AIR IV. Why is your faithful Slave disdain’d &c."} } + +\score + { + \new Staff + \relative c'' + { + \key d \major + \time 3/4 + \clef treble + d4 a \times 2/3 {b8 cs d} | a2 g4 | fs4 e8 fs g e | cs2 d4 | + e8( fs g4) fs | fs4 b( a) | a4( d) cs | b2. | a2. | + e4( d' cs) | b4 gs2 | a2 \bar "||" % printed ":|:" + a4 | d2.~ | d4 b( g) | + e4( e' d) | cs4( b a) | d2 d,4 | e4 fs2 | g2 a4 | b4 cs2 | d2. | + r4 r \times 2/3 {d8 cs b} | a4( d,) g | fs4 e2 | d2. + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } +
\ No newline at end of file diff --git a/25063-h/music/air_IV.midi b/25063-h/music/air_IV.midi Binary files differnew file mode 100644 index 0000000..23c9b3f --- /dev/null +++ b/25063-h/music/air_IV.midi diff --git a/25063-h/music/air_IV.pdf b/25063-h/music/air_IV.pdf Binary files differnew file mode 100644 index 0000000..b577c79 --- /dev/null +++ b/25063-h/music/air_IV.pdf diff --git a/25063-h/music/air_IX.ly b/25063-h/music/air_IX.ly new file mode 100644 index 0000000..ac91e0d --- /dev/null +++ b/25063-h/music/air_IX.ly @@ -0,0 +1,31 @@ +\version "2.10.25" +\include "english.ly" + + +\header + {title = \markup \smaller \normal-text + {AIR IX. O \italic {Jenny}, O \italic {Jenny}, where hast thou been.} + } + +\score + { + \new Staff + \relative c' + { + \key bf \major + \time 6/4 + \clef treble \partial 4 + f4 | f4 d ef f2 d'4 | c2 bf4 g2 f4 | f4 d ef f2 d'4 | c2 bf4 c2. | + c4 d ef f( ef) d | ef4 d c a2 f4 | bf4 d2 g,2 c4 | f,4 a2 bf2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_IX.midi b/25063-h/music/air_IX.midi Binary files differnew file mode 100644 index 0000000..5c3bae2 --- /dev/null +++ b/25063-h/music/air_IX.midi diff --git a/25063-h/music/air_IX.pdf b/25063-h/music/air_IX.pdf Binary files differnew file mode 100644 index 0000000..2591dcd --- /dev/null +++ b/25063-h/music/air_IX.pdf diff --git a/25063-h/music/air_L.ly b/25063-h/music/air_L.ly new file mode 100644 index 0000000..eae4e1a --- /dev/null +++ b/25063-h/music/air_L.ly @@ -0,0 +1,32 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR L. Come, sweet Lass.} + } + +\score + { + \new Staff + \relative c' + { + \key a \major + \time 4/4 + \clef treble + e2 b' | gs2. cs4 | b4 gs fs e | fs4 ds cs b | e2 b' | gs2. cs4 | + b4 e cs fs | ds1 \bar "||" ds2 fs | b,2. ds4 | e4 b b gs | + cs2. b4 | cs4 a a fs | ds4 fs b, b' | a4 gs fs e | e1 \bar "||" + % both printed ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 210 4) } + } + } diff --git a/25063-h/music/air_L.midi b/25063-h/music/air_L.midi Binary files differnew file mode 100644 index 0000000..3a489a7 --- /dev/null +++ b/25063-h/music/air_L.midi diff --git a/25063-h/music/air_L.pdf b/25063-h/music/air_L.pdf Binary files differnew file mode 100644 index 0000000..cdc32e5 --- /dev/null +++ b/25063-h/music/air_L.pdf diff --git a/25063-h/music/air_LI.ly b/25063-h/music/air_LI.ly new file mode 100644 index 0000000..0d3c70e --- /dev/null +++ b/25063-h/music/air_LI.ly @@ -0,0 +1,34 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR LI. The last time I went o’er the Moor.} + } + +\score + { + \new Staff + \relative c'' + { + \key c \major + \time 4/4 + \clef treble \partial 4 + g4 | e4 d8( c) c'4. d8 | e4 d8( c) b4. g8 | a4. c8 a( g) e( g) | + a4. b8 c4 g | e4 d8( c) c'4. d8 | e4 d8( c) b4. g8 | + a8( b) c( d) e( d) c( b) | a4. b8 c4 d | b4 a8 g g4. e'8 | + d8( b) a( b) g4. e8 | g4. a8 g8( e) d( e) | g4. a8 c4 r8 g | + a8( g) a( c) a4 g8( e) | g8( e) g( a) c4. d8 | + e8( d) c( a) g( a) g( e) | d4. c8 c4 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 150 4) } + } + } diff --git a/25063-h/music/air_LI.midi b/25063-h/music/air_LI.midi Binary files differnew file mode 100644 index 0000000..4c8467c --- /dev/null +++ b/25063-h/music/air_LI.midi diff --git a/25063-h/music/air_LI.pdf b/25063-h/music/air_LI.pdf Binary files differnew file mode 100644 index 0000000..f301678 --- /dev/null +++ b/25063-h/music/air_LI.pdf diff --git a/25063-h/music/air_LII.ly b/25063-h/music/air_LII.ly new file mode 100644 index 0000000..b64e9ff --- /dev/null +++ b/25063-h/music/air_LII.ly @@ -0,0 +1,50 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR LII. \italic {Tom Tinker’s} my true Love.} + } + +\score + { + \new Staff + \relative c'' + { + \key g \major + \time 3/4 + \clef treble + d4 d8 e fs d | g4 d d | b4 g g | g2 d4 | g8 a g a b c | + d4 d a | fs4 d d | d2. \bar ":|" a'4. b8 a g | fs4 d d | + % printed ":|:" + b'4. c8 b a | g4 e e | c'4. d8 c b | + a4 fs d' | b4 g g8 a | g2. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + } + +\score + { + \new Staff + \relative c'' + \unfoldRepeats + { + \key g \major + \time 3/4 + \clef treble + \repeat volta 2 + { d4 d8 e fs d | g4 d d | b4 g g | g2 d4 | g8 a g a b c | + d4 d a | fs4 d d | d2. } a'4. b8 a g | fs4 d d | + b'4. c8 b a | g4 e e | c'4. d8 c b | + a4 fs d' | b4 g g8 a | g2. + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_LII.midi b/25063-h/music/air_LII.midi Binary files differnew file mode 100644 index 0000000..e69044d --- /dev/null +++ b/25063-h/music/air_LII.midi diff --git a/25063-h/music/air_LII.pdf b/25063-h/music/air_LII.pdf Binary files differnew file mode 100644 index 0000000..acceb30 --- /dev/null +++ b/25063-h/music/air_LII.pdf diff --git a/25063-h/music/air_LIII.ly b/25063-h/music/air_LIII.ly new file mode 100644 index 0000000..4dfb744 --- /dev/null +++ b/25063-h/music/air_LIII.ly @@ -0,0 +1,54 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR LIII. I am a poor Shepherd undone.} + } + +\score + { + \new Staff + \relative c'' + { + \key d \minor + \time 6/8 + \clef treble \partial 8 + d8 | cs8. b16 a8 a b! cs! | d4. f, | g8 bf! a f e d | + d4.~ d4 \bar ":|" e8 | f8 e f g f g | a4. r8 r e | % printed ":|:" + f8 e f g f g | a4. r8 r e | f8 e f g a bf | a4. d | + c8 bf a g f e | d4. r8 r d16 e | f4. a | f8 d4 r8 r e | + f8 e f g f g | a4. r8 r e | f8 e f g a bf | a4. d | + c8 bf a g f e | d4.~ d4 \bar "||" % printed ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + } + +\score + { + \new Staff + \relative c'' + \unfoldRepeats + { + \key d \minor + \time 6/8 + \clef treble + \partial 8 + \repeat volta 2 + { d8 | cs8. b16 a8 a b! cs! | d4. f, | g8 bf! a f e d | + d4.~ d4 } e8 | f8 e f g f g | a4. r8 r e | + f8 e f g f g | a4. r8 r e | f8 e f g a bf | a4. d | + c8 bf a g f e | d4. r8 r d16 e | f4. a | f8 d4 r8 r e | + f8 e f g f g | a4. r8 r e | f8 e f g a bf | a4. d | + c8 bf a g f e | d4.~ d4 + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } + } + } diff --git a/25063-h/music/air_LIII.midi b/25063-h/music/air_LIII.midi Binary files differnew file mode 100644 index 0000000..fef92cf --- /dev/null +++ b/25063-h/music/air_LIII.midi diff --git a/25063-h/music/air_LIII.pdf b/25063-h/music/air_LIII.pdf Binary files differnew file mode 100644 index 0000000..ad5cca9 --- /dev/null +++ b/25063-h/music/air_LIII.pdf diff --git a/25063-h/music/air_LIV.ly b/25063-h/music/air_LIV.ly new file mode 100644 index 0000000..dfa74da --- /dev/null +++ b/25063-h/music/air_LIV.ly @@ -0,0 +1,34 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR LIV. \italic {Ianthe} the lovely, &c.} + } + +\score + { + \new Staff + \relative c' + { + \key e \minor + \time 4/4 + \clef treble \partial 4 + fs8 fs | g4 fs8 e b'4 a8 b | c8 b a g fs4. g8 | a4 g8 fs g b e b | + g4 fs8 e e4. \bar "||" fs8 | % printed e4 for e4. and ":|:" + g4 g8 a b4 b8 c | d4 c8 b a4. d,8 | g4 g8 a b4 e8 d | + c8 b a g g4. b8 | + gs4 gs8 gs a4 a8 b | c8 b a g fs4 e'8 ds | e4 b8 a g4 a8 b | + c8 b a g fs4 b8 a | g4 fs8 e e4 \bar "||" % printed ":|:" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 150 4) } + } + } diff --git a/25063-h/music/air_LIV.midi b/25063-h/music/air_LIV.midi Binary files differnew file mode 100644 index 0000000..22251f0 --- /dev/null +++ b/25063-h/music/air_LIV.midi diff --git a/25063-h/music/air_LIV.pdf b/25063-h/music/air_LIV.pdf Binary files differnew file mode 100644 index 0000000..8da74bc --- /dev/null +++ b/25063-h/music/air_LIV.pdf diff --git a/25063-h/music/air_LIX.ly b/25063-h/music/air_LIX.ly new file mode 100644 index 0000000..0b944fc --- /dev/null +++ b/25063-h/music/air_LIX.ly @@ -0,0 +1,29 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR LIX. \italic {Britons} strike home.} + } + +\score + { + \new Staff + \relative c'' + { + \key c \major + \time 3/4 + \clef treble + c4 c d | e4. f8 g4 | c,4 d e | d4 e f | g4 f e | d2. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 150 4) } + } + } diff --git a/25063-h/music/air_LIX.midi b/25063-h/music/air_LIX.midi Binary files differnew file mode 100644 index 0000000..9e63e6b --- /dev/null +++ b/25063-h/music/air_LIX.midi diff --git a/25063-h/music/air_LIX.pdf b/25063-h/music/air_LIX.pdf Binary files differnew file mode 100644 index 0000000..b99458f --- /dev/null +++ b/25063-h/music/air_LIX.pdf diff --git a/25063-h/music/air_LV.ly b/25063-h/music/air_LV.ly new file mode 100644 index 0000000..b43649b --- /dev/null +++ b/25063-h/music/air_LV.ly @@ -0,0 +1,53 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR LV. A Cobler there was, &c.} + } + +\score + { + \new Staff + \relative c'' + { + \key g \minor + \time 6/8 + \clef treble \partial 8 + g8 | d'8. ef16 d8 c bf a | bf8. a16 g8 fs4 fs8 | + g8. a16 g8 g8. a16 g8 | g8. fs16 g8 a4 \bar ":|" c16 bf | + % printed ":|:" + a8. g16 f8 f8. g16 f8 | f8. g16 f8 f'4 fs8 | + g8. d16 bf8 ef8. d16 c8 | d8 a bf c bf a | g4. d'4 c8 | + d8 a bf c bf a | g4.~ g4 \bar "||" % printed ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + } + +\score + { + \new Staff + \relative c'' + \unfoldRepeats + { + \key g \minor + \time 6/8 + \clef treble + \partial 8 + \repeat volta 2 + { g8 | d'8. ef16 d8 c bf a | bf8. a16 g8 fs4 fs8 | + g8. a16 g8 g8. a16 g8 | g8. fs16 g8 a4 } c16 bf | + a8. g16 f8 f8. g16 f8 | f8. g16 f8 f'4 fs8 | + g8. d16 bf8 ef8. d16 c8 | d8 a bf c bf a | g4. d'4 c8 | + d8 a bf c bf a | g4.~ g4 + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } + } + } diff --git a/25063-h/music/air_LV.midi b/25063-h/music/air_LV.midi Binary files differnew file mode 100644 index 0000000..d792c39 --- /dev/null +++ b/25063-h/music/air_LV.midi diff --git a/25063-h/music/air_LV.pdf b/25063-h/music/air_LV.pdf Binary files differnew file mode 100644 index 0000000..d7da0cf --- /dev/null +++ b/25063-h/music/air_LV.pdf diff --git a/25063-h/music/air_LVI.ly b/25063-h/music/air_LVI.ly new file mode 100644 index 0000000..c357c5f --- /dev/null +++ b/25063-h/music/air_LVI.ly @@ -0,0 +1,52 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR LVI. Bonny \italic {Dundee}.} + } + +\score + { + \new Staff + \relative c' + { + \key g \minor + \time 6/4 + \clef treble \partial 4 + d4 | d4 g g g2 bf4 | a4 g f a bf c | d2 d4 d2 g4 | + d4. c8 bf a g2 \bar ":|" e'4 | % printed ":|:" + f4 a g f a g | f4 f, f a bf c | + d4 ef d d2 g4 | a4. g8 fs ef d2 e4 | f4 a g f a g | + f4 f, f a4. bf8 c4 | d2 d4 d2 g4 | d4. c8 bf a g2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + } + +\score + { + \new Staff + \relative c' + \unfoldRepeats + { + \key g \minor + \time 6/4 + \clef treble + \partial 4 + \repeat volta 2 + { d4 | d4 g g g2 bf4 | a4 g f a bf c | d2 d4 d2 g4 | + d4. c8 bf a g2 } e'4 | + f4 a g f a g | f4 f, f a bf c | + d4 ef d d2 g4 | a4. g8 fs ef d2 e4 | f4 a g f a g | + f4 f, f a4. bf8 c4 | d2 d4 d2 g4 | d4. c8 bf a g2 + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_LVI.midi b/25063-h/music/air_LVI.midi Binary files differnew file mode 100644 index 0000000..d659850 --- /dev/null +++ b/25063-h/music/air_LVI.midi diff --git a/25063-h/music/air_LVI.pdf b/25063-h/music/air_LVI.pdf Binary files differnew file mode 100644 index 0000000..7308e5f --- /dev/null +++ b/25063-h/music/air_LVI.pdf diff --git a/25063-h/music/air_LVII.ly b/25063-h/music/air_LVII.ly new file mode 100644 index 0000000..a1ecffe --- /dev/null +++ b/25063-h/music/air_LVII.ly @@ -0,0 +1,29 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR LVII. Happy Groves.} + } + +\score + { + \new Staff + \relative c'' + { + \key g \major + \time 4/4 + \clef treble + d2 e4 d | d8 c b a g2 | b4 a c b | a8 g a b a2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_LVII.midi b/25063-h/music/air_LVII.midi Binary files differnew file mode 100644 index 0000000..b7210db --- /dev/null +++ b/25063-h/music/air_LVII.midi diff --git a/25063-h/music/air_LVII.pdf b/25063-h/music/air_LVII.pdf Binary files differnew file mode 100644 index 0000000..e2fd7e1 --- /dev/null +++ b/25063-h/music/air_LVII.pdf diff --git a/25063-h/music/air_LVIII.ly b/25063-h/music/air_LVIII.ly new file mode 100644 index 0000000..a0f8183 --- /dev/null +++ b/25063-h/music/air_LVIII.ly @@ -0,0 +1,30 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR LVIII. Of all the Girls that are so smart.} + } + +\score + { + \new Staff + \relative c''' + { + \key c \major + \time 3/4 + \clef treble \partial 4. + g16( f) e8 f | d4. e16( d) c8 d | b4. c16( b) a8 g | + f8 e d c c c' | c4. \bar ":|" % printed "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 108 4) } + } + } diff --git a/25063-h/music/air_LVIII.midi b/25063-h/music/air_LVIII.midi Binary files differnew file mode 100644 index 0000000..ce39bf3 --- /dev/null +++ b/25063-h/music/air_LVIII.midi diff --git a/25063-h/music/air_LVIII.pdf b/25063-h/music/air_LVIII.pdf Binary files differnew file mode 100644 index 0000000..0782dd6 --- /dev/null +++ b/25063-h/music/air_LVIII.pdf diff --git a/25063-h/music/air_LX.ly b/25063-h/music/air_LX.ly new file mode 100644 index 0000000..50fe878 --- /dev/null +++ b/25063-h/music/air_LX.ly @@ -0,0 +1,29 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR LX. Chevy Chase.} + } + +\score + { + \new Staff + \relative c'' + { + \key g \major + \time 6/8 + \clef treble \partial 8 + d8 | c4 b8 a4 d,8 | fs4 g8 a4. | r8 r b c4 d8 | e4 d8 c4. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 150 4) } + } + } diff --git a/25063-h/music/air_LX.midi b/25063-h/music/air_LX.midi Binary files differnew file mode 100644 index 0000000..d591ec4 --- /dev/null +++ b/25063-h/music/air_LX.midi diff --git a/25063-h/music/air_LX.pdf b/25063-h/music/air_LX.pdf Binary files differnew file mode 100644 index 0000000..3d0a7b5 --- /dev/null +++ b/25063-h/music/air_LX.pdf diff --git a/25063-h/music/air_LXI.ly b/25063-h/music/air_LXI.ly new file mode 100644 index 0000000..e3c488a --- /dev/null +++ b/25063-h/music/air_LXI.ly @@ -0,0 +1,30 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR LXI. To old Sir \italic {Simon} the King.} + } + +\score + { + \new Staff + \relative c'' + { + \key c \major + \time 9/4 + \clef treble \partial 4 + g4 | a4. b8 c4 c4. d8 c4 c2 g4 | a4. b8 c4 c4. d8 e4 f2 f4 | + a,4 f f f2 g4 a b c | d2 c4 b2 a4 g2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_LXI.midi b/25063-h/music/air_LXI.midi Binary files differnew file mode 100644 index 0000000..5b49b81 --- /dev/null +++ b/25063-h/music/air_LXI.midi diff --git a/25063-h/music/air_LXI.pdf b/25063-h/music/air_LXI.pdf Binary files differnew file mode 100644 index 0000000..b23f814 --- /dev/null +++ b/25063-h/music/air_LXI.pdf diff --git a/25063-h/music/air_LXII.ly b/25063-h/music/air_LXII.ly new file mode 100644 index 0000000..0eef1ad --- /dev/null +++ b/25063-h/music/air_LXII.ly @@ -0,0 +1,29 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR LXII. Joy to Great \italic {Cæsar}.} + } + +\score + { + \new Staff + \relative c'' + { + \key d \minor + \time 3/4 + \clef treble + d4 d4. e8 | cs4 cs4. cs8 | d4 d4. d8 | e4 e2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 150 4) } + } + } diff --git a/25063-h/music/air_LXII.midi b/25063-h/music/air_LXII.midi Binary files differnew file mode 100644 index 0000000..dca0edf --- /dev/null +++ b/25063-h/music/air_LXII.midi diff --git a/25063-h/music/air_LXII.pdf b/25063-h/music/air_LXII.pdf Binary files differnew file mode 100644 index 0000000..339b4a1 --- /dev/null +++ b/25063-h/music/air_LXII.pdf diff --git a/25063-h/music/air_LXIII.ly b/25063-h/music/air_LXIII.ly new file mode 100644 index 0000000..9590ef7 --- /dev/null +++ b/25063-h/music/air_LXIII.ly @@ -0,0 +1,31 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR LXIII. There was an old Woman.} + } + +\score + { + \new Staff + \relative c'' + { + \key d \major + \time 6/4 + \clef treble \partial 4 + a4 | b4. cs8 d4 cs4. b8 a4 | d4 cs b a fs a | e2.~ e2 a4 | + b4. cs8 d4 cs4. b8 a4 | d4. cs8 b4 a4 fs a | d,2.~ d2 \bar "||" + % printed without ties + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 210 4) } + } + } diff --git a/25063-h/music/air_LXIII.midi b/25063-h/music/air_LXIII.midi Binary files differnew file mode 100644 index 0000000..a254e10 --- /dev/null +++ b/25063-h/music/air_LXIII.midi diff --git a/25063-h/music/air_LXIII.pdf b/25063-h/music/air_LXIII.pdf Binary files differnew file mode 100644 index 0000000..6a247af --- /dev/null +++ b/25063-h/music/air_LXIII.pdf diff --git a/25063-h/music/air_LXIV.ly b/25063-h/music/air_LXIV.ly new file mode 100644 index 0000000..d4b0dc4 --- /dev/null +++ b/25063-h/music/air_LXIV.ly @@ -0,0 +1,29 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR LXIV. Did you ever hear of a gallant Sailor.} + } + +\score + { + \new Staff + \relative c'' + { + \key g \major + \time 3/2 + \clef treble \partial 2. + b4 c a | g2 a4 b c a | b2 c4 d e f | d2 b c4 a | g2. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 210 4) } + } + } diff --git a/25063-h/music/air_LXIV.midi b/25063-h/music/air_LXIV.midi Binary files differnew file mode 100644 index 0000000..0008271 --- /dev/null +++ b/25063-h/music/air_LXIV.midi diff --git a/25063-h/music/air_LXIV.pdf b/25063-h/music/air_LXIV.pdf Binary files differnew file mode 100644 index 0000000..8e066be --- /dev/null +++ b/25063-h/music/air_LXIV.pdf diff --git a/25063-h/music/air_LXV.ly b/25063-h/music/air_LXV.ly new file mode 100644 index 0000000..6864da9 --- /dev/null +++ b/25063-h/music/air_LXV.ly @@ -0,0 +1,30 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR LXV. Why are mine Eyes still flowing.} + } + +\score + { + \new Staff + \relative c'' + { + \key c \major + \time 3/4 + \clef treble + c4( e) f | d2 b4 | c8( b c e d c) | b2 b4 | c4 c8 b c g | + a4 b c | d4 c e | c2. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 150 4) } + } + } diff --git a/25063-h/music/air_LXV.midi b/25063-h/music/air_LXV.midi Binary files differnew file mode 100644 index 0000000..49aeb19 --- /dev/null +++ b/25063-h/music/air_LXV.midi diff --git a/25063-h/music/air_LXV.pdf b/25063-h/music/air_LXV.pdf Binary files differnew file mode 100644 index 0000000..369c590 --- /dev/null +++ b/25063-h/music/air_LXV.pdf diff --git a/25063-h/music/air_LXVI.ly b/25063-h/music/air_LXVI.ly new file mode 100644 index 0000000..9d1b723 --- /dev/null +++ b/25063-h/music/air_LXVI.ly @@ -0,0 +1,35 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR LXVI. Green Sleeves.} + } + +\score + { + \new Staff + \relative c'' + { + \key g \minor + \time 6/4 + \clef treble + \partial 4 + a4 | bf2 bf4 bf c d | c4 a f f g a | bf4 a g g a bf | + a2 d,4 d2 a'4 | bf2 bf4 bf c d | c4 a f f g a | bf4 a g a fs2 | + g2.~ g2 \bar "||" d'8 ef | % printed g2~ g2 + f2 f4 f ef d | c4 a f f2 fs'4 | + g4. a8 g4 bf4 a g | fs4 d d d2 e4 | f4 g f f ef d | + c4 a f f g a | bf4 a g a fs2 | g2.~ g2 \bar "||" % printed without tie + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 150 4) } + } + } diff --git a/25063-h/music/air_LXVI.midi b/25063-h/music/air_LXVI.midi Binary files differnew file mode 100644 index 0000000..a3357b3 --- /dev/null +++ b/25063-h/music/air_LXVI.midi diff --git a/25063-h/music/air_LXVI.pdf b/25063-h/music/air_LXVI.pdf Binary files differnew file mode 100644 index 0000000..c8f50a6 --- /dev/null +++ b/25063-h/music/air_LXVI.pdf diff --git a/25063-h/music/air_LXVII.ly b/25063-h/music/air_LXVII.ly new file mode 100644 index 0000000..5648e0c --- /dev/null +++ b/25063-h/music/air_LXVII.ly @@ -0,0 +1,35 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR LXVII. All you that must take a Leap, &c.} + } + +\score + { + \new Staff + \relative c' + { + \key f \major + \time 3/2 + \clef treble \partial 2 + f2 | f2. g4 e2 | f1 f2 | c'2. d4 c2 | c,2. f'4 e2 | f2( e) d | + c2 bf4( a) g( f) | g2. f4 g2 | a1 f2 | f2. g4 e2 | f1 f2 | + c'2. d4 c2 | c,2. f'4 e2 | f2( e) d | c2 bf4( a) g( f) | + g2. f4 g2 | a1 c2 | c2. d4 b2 | c1 c2 | g'2. a4 g2 | g,1 b2 | + c2( b) a | g2 f4( e) d( c) | d2. c4 d2 | e1 f2 | + f2. g4 a( f )| bf2. c4 bf a | g2 a bf | c1 e2 | f2( e) d | + c2 bf4( a) g( f) | c2. d4 c2 | f1 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 2) } + } + } diff --git a/25063-h/music/air_LXVII.midi b/25063-h/music/air_LXVII.midi Binary files differnew file mode 100644 index 0000000..38a0770 --- /dev/null +++ b/25063-h/music/air_LXVII.midi diff --git a/25063-h/music/air_LXVII.pdf b/25063-h/music/air_LXVII.pdf Binary files differnew file mode 100644 index 0000000..e63ad74 --- /dev/null +++ b/25063-h/music/air_LXVII.pdf diff --git a/25063-h/music/air_LXVIII.ly b/25063-h/music/air_LXVIII.ly new file mode 100644 index 0000000..4a63d93 --- /dev/null +++ b/25063-h/music/air_LXVIII.ly @@ -0,0 +1,52 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR LXVIII. Lumps of Pudding, &c.} + } + +\score + { + \new Staff + \relative c'' + { + \key g \minor + \time 6/4 + \clef treble \partial 4 + g8 a | bf4. a8 g4 g g' f | d4. c8 d4 g,2 a8 bf | a2 f4 a g' d | + c4. bf8 a g f2 f'8 g | a4. g8 f4 d g f | d4. c8 bf4 f'2 d4 | + c4 a fs g4. a8 bf c | d2 bf4 g2 \bar "||" \break + bf8 ^\markup {\italic {vio}} a | + bf4 d g bf, d g | bf,4 d g g,2 a8 bf | a4 c f a, c f | + a,4 c f f,2 bf8 a | bf4 d g bf, d g | bf,4 d g fs2 d4 | + c4 a fs g4. a8 bf c | d2 bf4 g2 \bar "||" \break + bf8 ^\markup {\italic {Song}} c | + d4 bf8( c d bf) d4 bf8( c d bf) | d4 bf8( c d bf) g2 bf4 | + c4 a8( bf c a) c4 a8( bf c a) | c4 a8( bf c a) f2 c'4 | + d4 bf8( c d bf) d4 bf8( c d c) | d4 bf8( c d c) f2 d4 | + c4 a fs g4. a8 bf c | d2 bf4 g2 \bar "||" \break + d'4 ^\markup {\italic {vio}} | % markup "vio" missing + g8( fs g a) g4 g8( fs! g a) g4 | g8( fs g a) g4 g,2 c4 | + f8( e f g) f4 f8( e! f g) f4 | f8( e! f g) f4 f,2 d'4 | + g8( fs g a) g4 g8( fs! g a) g4 | % first g4 missing + g8( fs g a) g4 bf2 d,4 | + c4 a fs g4. a8 bf c | d2 bf4 g2 \bar "||" \break + bf8 ^\markup {\italic {Song}} c | + d4 bf8( c d bf) d4 bf8( c d bf) | d4 bf8( c d bf) g2 bf4 | + c4 a8( bf c a) c4 a8( bf c a) | c4 a8( bf c a) f2 \bar "" \break + c'4 _\markup {\italic {Chorus}} | + d4 bf8( c d bf) d4 bf8( c d bf) | d4 bf8( c d bf) f'2 d4 | + c4 a fs g4. a8 bf c | d2 bf4 g2 \fermata \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_LXVIII.midi b/25063-h/music/air_LXVIII.midi Binary files differnew file mode 100644 index 0000000..186a468 --- /dev/null +++ b/25063-h/music/air_LXVIII.midi diff --git a/25063-h/music/air_LXVIII.pdf b/25063-h/music/air_LXVIII.pdf Binary files differnew file mode 100644 index 0000000..b6d4fc4 --- /dev/null +++ b/25063-h/music/air_LXVIII.pdf diff --git a/25063-h/music/air_V.ly b/25063-h/music/air_V.ly new file mode 100644 index 0000000..fa26fba --- /dev/null +++ b/25063-h/music/air_V.ly @@ -0,0 +1,48 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text {AIR V. Of all the simple Things we do, &c.} } + +\score + { + \new Staff + \relative c' + { + \key c \major + \time 6/4 + \clef treble \partial 4 + c4 | c2 d4 e2 f4 | g2 a4 b a g | a4 b c d b g | + a4 c2~ c2 \bar ":|" b8 c | % printed "||" + d4 b g c d e | a,2. f'2. | e4 d c b c d | g,2. g2 e'4 | f2 e4 d2 c4 | + b4 c d g,2 g4 | a4 b c d b g | a4 c2~ c \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + } + +\score + { + \new Staff + \relative c' + \unfoldRepeats + { + \key c \major + \time 6/4 + \clef treble + \partial 4 + \repeat volta 2 + { c4 | c2 d4 e2 f4 | g2 a4 b a g | a4 b c d b g | + a4 c2~ c2 } b8 c | + d4 b g c d e | a,2. f'2. | e4 d c b c d | g,2. g2 e'4 | f2 e4 d2 c4 | + b4 c d g,2 g4 | a4 b c d b g | a4 c2~ c + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 120 2) } + } + } diff --git a/25063-h/music/air_V.midi b/25063-h/music/air_V.midi Binary files differnew file mode 100644 index 0000000..0de8821 --- /dev/null +++ b/25063-h/music/air_V.midi diff --git a/25063-h/music/air_V.pdf b/25063-h/music/air_V.pdf Binary files differnew file mode 100644 index 0000000..cc0b18f --- /dev/null +++ b/25063-h/music/air_V.pdf diff --git a/25063-h/music/air_VI.ly b/25063-h/music/air_VI.ly new file mode 100644 index 0000000..cab89d8 --- /dev/null +++ b/25063-h/music/air_VI.ly @@ -0,0 +1,52 @@ +\version "2.10.25" +\include "english.ly" + + +\header + {title = \markup \smaller \normal-text + {"AIR VI. What shall I do to shew how much I love her, &c."} + } + +\score + { + \new Staff + \relative c'' + { + \key a \minor + \time 3/4 + \clef treble % \partial 4 + c4 a b | gs4. b8 a4 | b16( c d8) c( b) c( a) | b2 e,4 | e'4 a, b | + c4 e, gs | a8 b b4. a8 | a2. \bar ":|" % printed ":|:" + g4 e g | c4 g a | e8 f g4 f8 e | d2 c4 | e4 a fs | g8 a b4 e,8 ds | + e8 fs fs4. e8 | e2. | a4 fs b | gs4 e c' | a4 d8 b c a | b2 e,4 | + b'8 c d4 c8 b | c8 d e4 a,8 gs | a8 b b4. a8 | a2. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + } + +\score + { + \new Staff + \relative c'' + \unfoldRepeats + { + \key a \minor + \time 3/4 + \clef treble + \repeat volta 2 + { c4 a b | gs4. b8 a4 | b16( c d8) c( b) c( a) | b2 e,4 | e'4 a, b | + c4 e, gs | a8 b b4. a8 | a2. } + g4 e g | c4 g a | e8 f g4 f8 e | d2 c4 | e4 a fs | g8 a b4 e,8 ds | + e8 fs fs4. e8 | e2. | a4 fs b | gs4 e c' | a4 d8 b c a | b2 e,4 | + b'8 c d4 c8 b | c8 d e4 a,8 gs | a8 b b4. a8 | a2. \bar "||" + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_VI.midi b/25063-h/music/air_VI.midi Binary files differnew file mode 100644 index 0000000..a05c3f3 --- /dev/null +++ b/25063-h/music/air_VI.midi diff --git a/25063-h/music/air_VI.pdf b/25063-h/music/air_VI.pdf Binary files differnew file mode 100644 index 0000000..c303c53 --- /dev/null +++ b/25063-h/music/air_VI.pdf diff --git a/25063-h/music/air_VII.ly b/25063-h/music/air_VII.ly new file mode 100644 index 0000000..5b35cd0 --- /dev/null +++ b/25063-h/music/air_VII.ly @@ -0,0 +1,31 @@ +\version "2.10.25" +\include "english.ly" + + +\header + {title = \markup \smaller \normal-text + {AIR VII. Oh \italic {"London"} is a fine Town.} + } + +\score + { + \new Staff + \relative c'' + { + \key fs \minor + \time 4/4 + \clef treble \partial 4 + b4 | gs4. fs8 e4 e | e2 e4 e | fs4 gs a b | cs4 cs2 ds4 | + e4 d cs b | cs8 ds e4 e, e | fs4 gs a gs | fs4 fs2 \bar "|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_VII.midi b/25063-h/music/air_VII.midi Binary files differnew file mode 100644 index 0000000..e3a2c18 --- /dev/null +++ b/25063-h/music/air_VII.midi diff --git a/25063-h/music/air_VII.pdf b/25063-h/music/air_VII.pdf new file mode 100644 index 0000000..e5b9fe0 --- /dev/null +++ b/25063-h/music/air_VII.pdf @@ -0,0 +1,591 @@ +%PDF-1.4 +%쏢 +5 0 obj +<</Length 6 0 R/Filter /FlateDecode>> +stream +xYˮ 5,+zٽz !"$D,B 7MH")O=c̠+UcO6_= m톼އ~~r|<6dMr7a
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Grim King of the Ghosts, &c.} + } + +\score + { + \new Staff + \relative c' + { + \key g \minor + \time 3/4 + \clef treble \partial 4 + d4 | g4 fs g | bf4 a g | a2 d,4 | bf'4 a d | + bf4. a8 g4 | g2 \bar ":|" % printed as ":|:" + bf8 c | d4 d g, | ef'4 d c8 bf | c2 d8 c | bf4 a bf | + g4 c bf | a2 d,8 d | g4 fs g | bf4 a g | a2 d,4 | + bf'4 a d | bf4. a8 g4 | g2. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + } + +\score + { + \new Staff + \relative c' + \unfoldRepeats + { + \key g \minor + \time 3/4 + \clef treble + \partial 4 + \repeat volta 2 + { d4 | g4 fs g | bf4 a g | a2 d,4 | bf'4 a d | + bf4. a8 g4 | g2 } + bf8 c | d4 d g, | ef'4 d c8 bf | c2 d8 c | bf4 a bf | + g4 c bf | a2 d,8 d | g4 fs g | bf4 a g | a2 d,4 | + bf'4 a d | bf4. a8 g4 | g2. \bar "||" + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_VIII.midi b/25063-h/music/air_VIII.midi Binary files differnew file mode 100644 index 0000000..8f1dafa --- /dev/null +++ b/25063-h/music/air_VIII.midi diff --git a/25063-h/music/air_VIII.pdf b/25063-h/music/air_VIII.pdf Binary files differnew file mode 100644 index 0000000..2781108 --- /dev/null +++ b/25063-h/music/air_VIII.pdf diff --git a/25063-h/music/air_X.ly b/25063-h/music/air_X.ly new file mode 100644 index 0000000..e631a0e --- /dev/null +++ b/25063-h/music/air_X.ly @@ -0,0 +1,56 @@ +\version "2.10.25" +\include "english.ly" + + +\header + {title = \markup \smaller \normal-text + {AIR X. \italic {Thomas}, I cannot, &c.} + } + +\score + { + \new Staff + \relative c' + { + \key d \major + \time 6/4 + \clef treble \partial 4 + d4 | fs4 g a b2 a4 | d2 cs4 b2 a4 | g4( a fs) e2 d4 | + d4 d'2~ d2 \bar ":|" d4 | % printed "||" + cs2 d4( e) d cs | d4( e cs) b2 a4 | + cs2 d4 e2 fs,4 | g4( a fs) e2 d4 | cs'2 d4( e d) cs | + % first (high) e2 printed e4 + b4( cs a) cs2 d4 | a4 g fs e2 d4 | b'4 d a b d a | + a4 g fs e2 d4 | d'2.~ d2 \bar "||" % printed d'2~ d2 \bar ":|:" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + } + +\score + { + \new Staff + \relative c' + \unfoldRepeats + { + \key d \major + \time 6/4 + \clef treble + \partial 4 + \repeat volta 2 + { d4 | fs4 g a b2 a4 | d2 cs4 b2 a4 | g4( a fs) e2 d4 | + d4 d'2~ d2 } d4 | + cs2 d4( e) d cs | d4( e cs) b2 a4 | + cs2 d4 e2 fs,4 | g4( a fs) e2 d4 | cs'2 d4( e d) cs | + b4( cs a) cs2 d4 | a4 g fs e2 d4 | b'4 d a b d a | + a4 g fs e2 d4 | d'2.~ d2 \bar "||" + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 210 4) } + } + } diff --git a/25063-h/music/air_X.midi b/25063-h/music/air_X.midi Binary files differnew file mode 100644 index 0000000..d882348 --- /dev/null +++ b/25063-h/music/air_X.midi diff --git a/25063-h/music/air_X.pdf b/25063-h/music/air_X.pdf Binary files differnew file mode 100644 index 0000000..cd795bc --- /dev/null +++ b/25063-h/music/air_X.pdf diff --git a/25063-h/music/air_XI.ly b/25063-h/music/air_XI.ly new file mode 100644 index 0000000..ddac34a --- /dev/null +++ b/25063-h/music/air_XI.ly @@ -0,0 +1,35 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XI. A Soldier and a Sailor.} + } + +\score + { + \new Staff + \relative c' + { + \key f \major + \time 6/4 + \clef treble \partial 4 + a4 | a4 c( f) f( g) a | f2. c2 c4 | c4( f) a a bf c | a2. f2 g4 | + bf4 bf c c bf a | d2. d,2 e4 | f4( g) a a g( f) | c'2.~ c,2 d4 | + % misprint c'2~ c,2 d4 and others similar + e4( f) g e d c | c2.~ c2 d4 | e4( f) g g2 b4 | c2.~ c2 \bar "||" c4 | + g4 a g g2 a4 | bf2.~ bf2 c4 | d4( ef d) c2 bf4 | a2.~ a2 bf4 | + c4( d) c c bf a | g2. a4( bf) c | d4( c bf) a g f | e2. c2 c'4 | + d4( e f) e2 f4 | f2.~ f2 g,4 | a4( bf) c a2 g8 f | f2.~ f2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 240 4) } + } + } diff --git a/25063-h/music/air_XI.midi b/25063-h/music/air_XI.midi Binary files differnew file mode 100644 index 0000000..832827f --- /dev/null +++ b/25063-h/music/air_XI.midi diff --git a/25063-h/music/air_XI.pdf b/25063-h/music/air_XI.pdf Binary files differnew file mode 100644 index 0000000..a2ad1f3 --- /dev/null +++ b/25063-h/music/air_XI.pdf diff --git a/25063-h/music/air_XII.ly b/25063-h/music/air_XII.ly new file mode 100644 index 0000000..b100395 --- /dev/null +++ b/25063-h/music/air_XII.ly @@ -0,0 +1,30 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XII. Now ponder well, ye Parents dear.} + } + +\score + { + \new Staff + \relative c'' + { + \key f \major + \time 3/4 + \clef treble \partial 4 + g4 | a8 g f4. g8 | a8 g f4. a8 | bf8 d c4. a8 | g2 a4 | + bf8 d c4. bf8 | c8 a f4. c'8 | d8 f a,4 g | f2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 144 4) } + } + } diff --git a/25063-h/music/air_XII.midi b/25063-h/music/air_XII.midi Binary files differnew file mode 100644 index 0000000..f4f6734 --- /dev/null +++ b/25063-h/music/air_XII.midi diff --git a/25063-h/music/air_XII.pdf b/25063-h/music/air_XII.pdf Binary files differnew file mode 100644 index 0000000..225e564 --- /dev/null +++ b/25063-h/music/air_XII.pdf diff --git a/25063-h/music/air_XIII.ly b/25063-h/music/air_XIII.ly new file mode 100644 index 0000000..47605ee --- /dev/null +++ b/25063-h/music/air_XIII.ly @@ -0,0 +1,33 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XIII. Le printems rapelle aux armes.} + } + +\score + { + \new Staff + \relative c' + { + \key f \major + \time 3/4 + \clef treble + f4 a g | c2 f4 | c2 bf4 | a4 g8 a f4 | bf4 c8 bf a bf | g8 f g2 | + f4 a bf | c2 f4 | c2 bf4 | a4 b c | d4 b2 | c2. \bar "||" + % printed ":|:" + g2 a4 | g8 f e d c4 | g'2 a4 | g8 f g2 | c2 d4 | + c4 bf8 a g f | g4 g2 | f2. \bar "||" % printed ":|:" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_XIII.midi b/25063-h/music/air_XIII.midi Binary files differnew file mode 100644 index 0000000..345f65f --- /dev/null +++ b/25063-h/music/air_XIII.midi diff --git a/25063-h/music/air_XIII.pdf b/25063-h/music/air_XIII.pdf Binary files differnew file mode 100644 index 0000000..8346425 --- /dev/null +++ b/25063-h/music/air_XIII.pdf diff --git a/25063-h/music/air_XIV.ly b/25063-h/music/air_XIV.ly new file mode 100644 index 0000000..07a8bfe --- /dev/null +++ b/25063-h/music/air_XIV.ly @@ -0,0 +1,35 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XIV. Pretty Parrot, say—.} + } + +\score + { + \new Staff + \relative c'' + { + \key g \minor + \time 3/2 + \clef treble + g4 d d g bf2 | c8 bf a bf g4 bf d4. ef8 | d4 g8 d ef4 d c bf | + a2 g4 d' ef d | c2 bf r4 c | + d8( c) bf( a) bf( c) bf4 c8( bf) a( g) | + a8( bf a4) bf8( a) g( fs) g( a) g4 | r4 d'4 ef8( d) c( bf) f'4 f, | + bf2 bf d8( ef d ef) | f4 f f8( ef) d( c) bf2 | + bf8( c bf c) d4 d d8( c bf a) | g4 d' g, d' c8 bf a g | + g2.~ g2. \bar "||" % printed ":|:" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_XIV.midi b/25063-h/music/air_XIV.midi Binary files differnew file mode 100644 index 0000000..89f3ce8 --- /dev/null +++ b/25063-h/music/air_XIV.midi diff --git a/25063-h/music/air_XIV.pdf b/25063-h/music/air_XIV.pdf Binary files differnew file mode 100644 index 0000000..8f78bc2 --- /dev/null +++ b/25063-h/music/air_XIV.pdf diff --git a/25063-h/music/air_XIX.ly b/25063-h/music/air_XIX.ly new file mode 100644 index 0000000..2ee1d16 --- /dev/null +++ b/25063-h/music/air_XIX.ly @@ -0,0 +1,34 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XIX. Fill every Glass, &c.} + } + +\score + { + \new Staff + \relative c'' + { + \key bf \major + \time 3/4 + \clef treble + bf4 a g | f2 c'4 | f2 c4 | d4 a bf | c4 f, g | + a2 bf4 | c4 c,2 | f2. \bar "||" % printed ":|:" + f'4 e f | d2 c4 | f4 d2 | c2. | bf4 a g | f2 g4 | + a4 bf2 | c4. d8 c4 | + bf4 a g | f2 c'4 | f2 c4 | + d4 a bf | c4 f, g | a2 bf4 | c4 c,2 | f2. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 240 4) } + } + } diff --git a/25063-h/music/air_XIX.midi b/25063-h/music/air_XIX.midi Binary files differnew file mode 100644 index 0000000..bca2dbf --- /dev/null +++ b/25063-h/music/air_XIX.midi diff --git a/25063-h/music/air_XIX.pdf b/25063-h/music/air_XIX.pdf Binary files differnew file mode 100644 index 0000000..618177d --- /dev/null +++ b/25063-h/music/air_XIX.pdf diff --git a/25063-h/music/air_XL.ly b/25063-h/music/air_XL.ly new file mode 100644 index 0000000..da32b4c --- /dev/null +++ b/25063-h/music/air_XL.ly @@ -0,0 +1,34 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XL. If Love’s a sweet Passion, &c.} + } + +\score + { + \new Staff + \relative c'' + { + \key e \minor + \time 3/4 + \clef treble \partial 4 + b4 | a4. b8 g4 | a4 fs b | g4. fs8 g fs | e2 c'8 b | a4 a d | + b4 g b | b4. c8 a4 | b2 \bar "|" b8 a | % printed as :|: + gs4 a b | c4 b e | e,4 fs g | fs2 b8 b | c4 b e | + e8( d) e( d) c( b) | c8 b a b a g | g2 b8^\segno c | a4 a a16( b c8) | + c4 b b16( cs d8) | d4 cs cs16( ds e8) | ds4. cs8 b4 | + e4 b8 c d4 | b4 g8 a b4 | g4. fs8 e4 | e2^\segno \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_XL.midi b/25063-h/music/air_XL.midi Binary files differnew file mode 100644 index 0000000..58df207 --- /dev/null +++ b/25063-h/music/air_XL.midi diff --git a/25063-h/music/air_XL.pdf b/25063-h/music/air_XL.pdf Binary files differnew file mode 100644 index 0000000..c2cff3b --- /dev/null +++ b/25063-h/music/air_XL.pdf diff --git a/25063-h/music/air_XLI.ly b/25063-h/music/air_XLI.ly new file mode 100644 index 0000000..b324eb2 --- /dev/null +++ b/25063-h/music/air_XLI.ly @@ -0,0 +1,58 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XLI. \italic{South-Sea} Ballad.} + } + +\score + { + \new Staff + \relative c'' + { + \key c \major + \time 6/8 + \clef treble \partial 8 + g8 | g8 f g g f g | a8 f4~ f a8 | % printed without tie + g4 f8 e4 d8 | c4 c8 c4 e16 f | g4 g8 g f g | a8 f4~ f a8 | + g4 f8 e4 d8 | c4.~ c4 c'8 | % printed without tie + c4 c8 c b c | d8 g,4~ g d'8 | d4 d8 d c d | + e8 c4~ c \bar "|:" e8 | % added repeat + d4 c8 b4 a8 | g4 g8 g4 e16 f | g4 g8 g f g | a8 f4~ f \bar ":|" a8 | + g4 f8 e4 d8 | c4.~ c4 \bar "||" % added repeat + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + } + +\score + { + \new Staff + \relative c'' + \unfoldRepeats + { + \key c \major + \time 6/8 + \clef treble + \partial 8 + g8 | g8 f g g f g | a8 f4~ f a8 | % printed without tie + g4 f8 e4 d8 | c4 c8 c4 e16 f | g4 g8 g f g | a8 f4~ f a8 | + g4 f8 e4 d8 | c4.~ c4 c'8 | + c4 c8 c b c | d8 g,4~ g d'8 | d4 d8 d c d | + e8 c4~ c + \repeat volta 2 + { e8 | + d4 c8 b4 a8 | g4 g8 g4 e16 f | g4 g8 g f g | a8 f4~ f } + a8 | + g4 f8 e4 d8 | c4.~ c4 + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } + } + } diff --git a/25063-h/music/air_XLI.midi b/25063-h/music/air_XLI.midi Binary files differnew file mode 100644 index 0000000..6ce94e3 --- /dev/null +++ b/25063-h/music/air_XLI.midi diff --git a/25063-h/music/air_XLI.pdf b/25063-h/music/air_XLI.pdf Binary files differnew file mode 100644 index 0000000..8825d23 --- /dev/null +++ b/25063-h/music/air_XLI.pdf diff --git a/25063-h/music/air_XLII.ly b/25063-h/music/air_XLII.ly new file mode 100644 index 0000000..ce152c3 --- /dev/null +++ b/25063-h/music/air_XLII.ly @@ -0,0 +1,52 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XLII. \italic{Packington’s} Pound.} + } + +\score + { + \new Staff + \relative c' + { + \key g \minor + \time 3/4 + \clef treble \partial 4 + d4 | g4 fs g | a4 bf c | bf4 a g | a2 d,4 | bf'4 a bf | c4 c d | + bf4. a8 g4 | g2 \bar ":|" d'4 | % printed ":|:" + d4 f e | d2 d4 | d4 f e | d2 d4 | + d4 f e | d4 e f | g4 f e | d2 f4 | d4 c bf | c4 a f | bf4 a g | + a2 d,4 | bf'4 a bf | c4 c d | bf4. a8 g4 | g2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + } + +\score + { + \new Staff + \relative c' + \unfoldRepeats + { + \key g \minor + \time 3/4 + \clef treble + \partial 4 + \repeat volta 2 + { d4 | g4 fs g | a4 bf c | bf4 a g | a2 d,4 | bf'4 a bf | c4 c d | + bf4. a8 g4 | g2 } d'4 | + d4 f e | d2 d4 | d4 f e | d2 d4 | + d4 f e | d4 e f | g4 f e | d2 f4 | d4 c bf | c4 a f | bf4 a g | + a2 d,4 | bf'4 a bf | c4 c d | bf4. a8 g4 | g2 + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 210 4) } + } + } diff --git a/25063-h/music/air_XLII.midi b/25063-h/music/air_XLII.midi Binary files differnew file mode 100644 index 0000000..223f5af --- /dev/null +++ b/25063-h/music/air_XLII.midi diff --git a/25063-h/music/air_XLII.pdf b/25063-h/music/air_XLII.pdf Binary files differnew file mode 100644 index 0000000..80bf302 --- /dev/null +++ b/25063-h/music/air_XLII.pdf diff --git a/25063-h/music/air_XLIII.ly b/25063-h/music/air_XLIII.ly new file mode 100644 index 0000000..cda43cf --- /dev/null +++ b/25063-h/music/air_XLIII.ly @@ -0,0 +1,52 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XLIII. Lillibullero.} + } + +\score + { + \new Staff + \relative c'' + { + \key g \major + \time 6/4 + \clef treble \partial 4 + g4 | g4. a8 g4 b2 b4 | a4. b8 a4 c2. | b4 d g, c2 b4 | + a4 g fs g2 \bar ":|" fs'4 | % printed ":|:" + g2 fs4 g2 d4 | d4 e f e2 d4 | + d4 e fs g d e | d4 c b a2 d4 | e4 d c b c d | + e4 d c b c d | e4 g g, c2 b4 | a4 g fs g2 \bar "||" % printed ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + } + +\score + { + \new Staff + \relative c'' + \unfoldRepeats + { + \key g \major + \time 6/4 + \clef treble + \partial 4 + \repeat volta 2 + { g4 | g4. a8 g4 b2 b4 | a4. b8 a4 c2. | b4 d g, c2 b4 | + a4 g fs g2 } fs'4 | + g2 fs4 g2 d4 | d4 e f e2 d4 | + d4 e fs g d e | d4 c b a2 d4 | e4 d c b c d | + e4 d c b c d | e4 g g, c2 b4 | a4 g fs g2 + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 240 4) } + } + } diff --git a/25063-h/music/air_XLIII.midi b/25063-h/music/air_XLIII.midi Binary files differnew file mode 100644 index 0000000..0147347 --- /dev/null +++ b/25063-h/music/air_XLIII.midi diff --git a/25063-h/music/air_XLIII.pdf b/25063-h/music/air_XLIII.pdf Binary files differnew file mode 100644 index 0000000..c41d667 --- /dev/null +++ b/25063-h/music/air_XLIII.pdf diff --git a/25063-h/music/air_XLIV.ly b/25063-h/music/air_XLIV.ly new file mode 100644 index 0000000..2893c6b --- /dev/null +++ b/25063-h/music/air_XLIV.ly @@ -0,0 +1,31 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XLIV. Down in the North Country, &c.} + } + +\score + { + \new Staff + \relative c' + { + \key d \major + \time 4/4 + \clef treble \partial 4 + d4 | a' 4 g8( fs) g( a) b4 | a2 d | a4 g8( fs) b( a) g( fs) | + e2. a4 | g8( fs) e( d) fs( e) d( cs) | a8 cs d4 g2~ | + g2 r4. cs,8 | d4 e8( fs) g( fs) e( d) | d2. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_XLIV.midi b/25063-h/music/air_XLIV.midi Binary files differnew file mode 100644 index 0000000..c48d9a9 --- /dev/null +++ b/25063-h/music/air_XLIV.midi diff --git a/25063-h/music/air_XLIV.pdf b/25063-h/music/air_XLIV.pdf Binary files differnew file mode 100644 index 0000000..8e46f51 --- /dev/null +++ b/25063-h/music/air_XLIV.pdf diff --git a/25063-h/music/air_XLIX.ly b/25063-h/music/air_XLIX.ly new file mode 100644 index 0000000..8002096 --- /dev/null +++ b/25063-h/music/air_XLIX.ly @@ -0,0 +1,33 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XLIX. Would Fate to me \italic {Belinda} give.} + } + +\score + { + \new Staff + \relative c' + { + \key g \major + \time 3/4 + \clef treble + d4 g a | b2 g4 | b4 c2 | d2. | d4 g d | e2 d4 | e8 d c4 b | + a2. \bar "||" b4( e) d | e8( d) c4 b | a8 b c b a g | c2. | + b4( e) d | e8( d) c4 b | a4 c b | c8 b a4 g | d'4( g) fs | + e8( d) c4 b | a8 b c b a g | g2. \bar "||" + % both bars printed as repeats + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_XLIX.midi b/25063-h/music/air_XLIX.midi Binary files differnew file mode 100644 index 0000000..895c7de --- /dev/null +++ b/25063-h/music/air_XLIX.midi diff --git a/25063-h/music/air_XLIX.pdf b/25063-h/music/air_XLIX.pdf Binary files differnew file mode 100644 index 0000000..3aba85f --- /dev/null +++ b/25063-h/music/air_XLIX.pdf diff --git a/25063-h/music/air_XLV.ly b/25063-h/music/air_XLV.ly new file mode 100644 index 0000000..329fd92 --- /dev/null +++ b/25063-h/music/air_XLV.ly @@ -0,0 +1,32 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XLV. A Shepherd kept Sheep, &c.} + } + +\score + { + \new Staff + \relative c'' + { + \key d \minor + \time 6/4 + \clef treble \partial 4 + a8 a | a4 c a a c a | a4 c a c2. | a4 d d d2 c4 | + a4. bf8 a g f4 d a' | a4 c a c d e | f4 e d c2 d8 e | + f4 e d c a c | f,4 g a d2. | a4. bf8 a g f4 d2 | g4. a8 g f d4 c2 | + f4 d d f g a | d2 a4 f d2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_XLV.midi b/25063-h/music/air_XLV.midi Binary files differnew file mode 100644 index 0000000..d9c9423 --- /dev/null +++ b/25063-h/music/air_XLV.midi diff --git a/25063-h/music/air_XLV.pdf b/25063-h/music/air_XLV.pdf Binary files differnew file mode 100644 index 0000000..5580e31 --- /dev/null +++ b/25063-h/music/air_XLV.pdf diff --git a/25063-h/music/air_XLVI.ly b/25063-h/music/air_XLVI.ly new file mode 100644 index 0000000..4cc2d91 --- /dev/null +++ b/25063-h/music/air_XLVI.ly @@ -0,0 +1,33 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XLVI. One Evening, having lost my Way, &c.} + } + +\score + { + \new Staff + \relative c' + { + \key g \major + \time 6/8 + \clef treble \partial 8 + d8 | g4 a8 b a g | d'4 d8 d4 g8 | fs4 e8 d4 c8 | b8 a b g4 d8 | + g4 a8 b a g | d'4 d8 d4 g8 | fs8 e d e4. | d4.~ d4 \bar "||" d8 | + % printed ":|:" + d8 b c d e d | d8 c b c4 c8 | c8 a b c d c | c8 b a b4 d8 | + g4 d8 g4 d8 | g4.~ g8 fs e | d8 c b a4. | g4.~ g4 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 150 4) } + } + } diff --git a/25063-h/music/air_XLVI.midi b/25063-h/music/air_XLVI.midi Binary files differnew file mode 100644 index 0000000..6392bc0 --- /dev/null +++ b/25063-h/music/air_XLVI.midi diff --git a/25063-h/music/air_XLVI.pdf b/25063-h/music/air_XLVI.pdf Binary files differnew file mode 100644 index 0000000..662a0e1 --- /dev/null +++ b/25063-h/music/air_XLVI.pdf diff --git a/25063-h/music/air_XLVII.ly b/25063-h/music/air_XLVII.ly new file mode 100644 index 0000000..a804fad --- /dev/null +++ b/25063-h/music/air_XLVII.ly @@ -0,0 +1,32 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XLVII. Now \italic {Roger}, I’ll tell thee because thou ’rt my Son.} + } + +\score + { + \new Staff + \relative c'' + { + \key g \minor + \time 6/4 + \clef treble \partial 4 + a4 | bf4 a g bf c d | c4 bf a c d c | bf4 a g g bf c | + d2.~ d2 \bar "||" d4 | ef4 d ef f ef d | c4 bf c d2 bf8 c | + d4. ef8 d4 c a d | g,2. a | bf2.~ bf2 bf8 c | d4. ef8 d4 c a d | + g,2.~ g2 \bar "||" % printed ":|:" and ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_XLVII.midi b/25063-h/music/air_XLVII.midi Binary files differnew file mode 100644 index 0000000..63ef51d --- /dev/null +++ b/25063-h/music/air_XLVII.midi diff --git a/25063-h/music/air_XLVII.pdf b/25063-h/music/air_XLVII.pdf Binary files differnew file mode 100644 index 0000000..833f9b8 --- /dev/null +++ b/25063-h/music/air_XLVII.pdf diff --git a/25063-h/music/air_XLVIII.ly b/25063-h/music/air_XLVIII.ly new file mode 100644 index 0000000..eba6b09 --- /dev/null +++ b/25063-h/music/air_XLVIII.ly @@ -0,0 +1,34 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XLVIII. O \italic {Bessy Bell}.} + } + +\score + { + \new Staff + \relative c' + { + \key d \major + \time 6/8 + \clef treble + \partial 8 + d8 | fs8 g a a b c | b8 a b g4 g8 | fs8 g a a b a | fs'4. g4 fs16 g | + a8 a, a a b c | b8 a g g'4 fs16 g | a8 g fs e d cs! | + d4. fs4 \bar "||" fs16 g | a8 fs d fs a fs | e8 cs e g4 fs16 g | + a8 fs d fs a d, | fs4. g4 fs16 g | a8 fs d fs a fs | + e8 cs e g4 fs16 g | a8 g fs e d cs | d4. fs4 \bar "||" % printed ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } + } + } diff --git a/25063-h/music/air_XLVIII.midi b/25063-h/music/air_XLVIII.midi Binary files differnew file mode 100644 index 0000000..c2a8a7c --- /dev/null +++ b/25063-h/music/air_XLVIII.midi diff --git a/25063-h/music/air_XLVIII.pdf b/25063-h/music/air_XLVIII.pdf Binary files differnew file mode 100644 index 0000000..cfdfba0 --- /dev/null +++ b/25063-h/music/air_XLVIII.pdf diff --git a/25063-h/music/air_XV.ly b/25063-h/music/air_XV.ly new file mode 100644 index 0000000..a083c51 --- /dev/null +++ b/25063-h/music/air_XV.ly @@ -0,0 +1,34 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XV. Pray, Fair one, be kind—.} + } + +\score + { + \new Staff + \relative c'' + { + \key bf \major + \time 6/8 + \clef treble + \partial 8 + f8 | bf,8 c bf bf4 bf8 | c8 d c c4 c8 | d8 ef f a, bf g | + a8 f4~ f \bar "||" a8 | % printed ":|:" + bf8 c d g,4 g8 | c8 d ef a,4 a8 | + d8 ef f bf,4 d8 | ef8 f g f4. | r8 r ef d c bf | + f8 bf c d bf4 \bar "||" % printed ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } + } + } diff --git a/25063-h/music/air_XV.midi b/25063-h/music/air_XV.midi Binary files differnew file mode 100644 index 0000000..138dee5 --- /dev/null +++ b/25063-h/music/air_XV.midi diff --git a/25063-h/music/air_XV.pdf b/25063-h/music/air_XV.pdf Binary files differnew file mode 100644 index 0000000..e407309 --- /dev/null +++ b/25063-h/music/air_XV.pdf diff --git a/25063-h/music/air_XVI.ly b/25063-h/music/air_XVI.ly new file mode 100644 index 0000000..52ae4fc --- /dev/null +++ b/25063-h/music/air_XVI.ly @@ -0,0 +1,51 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XVI. Over the Hills and far away.} + } + +\score + { + \new Staff + \relative c'' + { + \key bf \major % what key? + \time 4/4 + \clef treble + bf8 c d c bf8 c d c | bf4 g g4. f8 | bf8 c d c bf8 c d bf | + ef4 c c4. f,8 | bf8 c ef c bf8 c d c | bf4 g ef'4. g,8 | + g4 f8 ef f4 d' | ef4 c c2 \bar ":|" % printed ":|:" + f4. d8 d4 c | bf4 g g2 | f'4. ef8 d4 c8 bf | ef4 c c2 | + f4. ef8 d4 c | bf4 g ef'4. g,8 | g4 f8 ef f4 d' | ef4 c c2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + } + +\score + { + \new Staff + \relative c'' + \unfoldRepeats + { + \key bf \major + \time 4/4 + \clef treble + \repeat volta 2 + { bf8 c d c bf8 c d c | bf4 g g4. f8 | bf8 c d c bf8 c d bf | + ef4 c c4. f,8 | bf8 c ef c bf8 c d c | bf4 g ef'4. g,8 | + g4 f8 ef f4 d' | ef4 c c2 } + f4. d8 d4 c | bf4 g g2 | f'4. ef8 d4 c8 bf | ef4 c c2 | + f4. ef8 d4 c | bf4 g ef'4. g,8 | g4 f8 ef f4 d' | ef4 c c2 | + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 144 4) } + } + } diff --git a/25063-h/music/air_XVI.midi b/25063-h/music/air_XVI.midi Binary files differnew file mode 100644 index 0000000..9beacb9 --- /dev/null +++ b/25063-h/music/air_XVI.midi diff --git a/25063-h/music/air_XVI.pdf b/25063-h/music/air_XVI.pdf Binary files differnew file mode 100644 index 0000000..e343f51 --- /dev/null +++ b/25063-h/music/air_XVI.pdf diff --git a/25063-h/music/air_XVII.ly b/25063-h/music/air_XVII.ly new file mode 100644 index 0000000..4c8d18f --- /dev/null +++ b/25063-h/music/air_XVII.ly @@ -0,0 +1,34 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XVII. Gin thou wert mine awn thing—} + } + +\score + { + \new Staff + \relative c' + { + \key g \major + \time 4/4 + \clef treble + d4. g8 g4. b8 | a4 g8 fs e2 | g8 fs e d g8 a b4 | + c8 b a g b8 c d4 | d,4. g8 g4. b8 | a4 g8 fs e2 | + d'8( e )d b c8( b a g) | g4. a8 b2 \bar "||" % printed ":|:" + d4 d, d4. b'8 | a4 g8 fs e4. fs8 | d4 d' d4. e8 | + d8( e d c) b4 b8 b | c8 d e d b8 c d c | a8 b c a d,4. e'8 | + d8( e d b) c8( b a) g | g4. a8 b2 \bar "||" % printed ":|:" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 160 4) } + } + } diff --git a/25063-h/music/air_XVII.midi b/25063-h/music/air_XVII.midi Binary files differnew file mode 100644 index 0000000..4ecce6a --- /dev/null +++ b/25063-h/music/air_XVII.midi diff --git a/25063-h/music/air_XVII.pdf b/25063-h/music/air_XVII.pdf Binary files differnew file mode 100644 index 0000000..8d0f511 --- /dev/null +++ b/25063-h/music/air_XVII.pdf diff --git a/25063-h/music/air_XVIII.ly b/25063-h/music/air_XVIII.ly new file mode 100644 index 0000000..3065722 --- /dev/null +++ b/25063-h/music/air_XVIII.ly @@ -0,0 +1,33 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XVIII. O the Broom, &c.} + } + +\score + { + \new Staff + \relative c' + { + \key bf \major + \time 4/4 + \clef treble \partial 8 + ef8 | ef4. g8 bf4. c8 | bf8( g) f g ef4 ef'8( bf) | + c4 ef8.( f16) ef16( f g8) f8. ef16 | c2. ef4 | + bf8.( c16) ef8.( f16) g4 g16( f) ef8 | + ef4 ef,8. f16 g4 g16 f( ef8) | + a4 bf8.( c16) bf8.( c16) bf8.( g16) | f2.. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } + } + } diff --git a/25063-h/music/air_XVIII.midi b/25063-h/music/air_XVIII.midi Binary files differnew file mode 100644 index 0000000..76179a5 --- /dev/null +++ b/25063-h/music/air_XVIII.midi diff --git a/25063-h/music/air_XVIII.pdf b/25063-h/music/air_XVIII.pdf Binary files differnew file mode 100644 index 0000000..650ce3e --- /dev/null +++ b/25063-h/music/air_XVIII.pdf diff --git a/25063-h/music/air_XX.ly b/25063-h/music/air_XX.ly new file mode 100644 index 0000000..830a5f0 --- /dev/null +++ b/25063-h/music/air_XX.ly @@ -0,0 +1,37 @@ +\version "2.10.25" +\include "english.ly" + + +% alternative XXa.ly with realized trills + +\header + {title = \markup \smaller \normal-text + {AIR XX. March in \italic {Rinaldo}, with Drums and Trumpets.} + } + +\score + { + \new Staff + \relative c' + { + \key bf \major + \time 4/4 + \clef treble \partial 4 + d8 ef | f2 f | f2. bf8 c | d8 c d ef d4 d | d2 f | + d8 c d ef d4 d | d2 f4. ef8 | + ef4 c8 d ef8 d c bf | c2. \bar "||" a8 bf | % printed ":|:" + c2 c | c2.\trill f4 | f,8 g a bf c4 d | ef2 f4. ef8 | + d4 c8 d ef d c bf | c4 f, f'4. ef8 | + d8 c bf c c4.\trill bf8 | bf2. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_XX.midi b/25063-h/music/air_XX.midi Binary files differnew file mode 100644 index 0000000..f1a6405 --- /dev/null +++ b/25063-h/music/air_XX.midi diff --git a/25063-h/music/air_XX.pdf b/25063-h/music/air_XX.pdf Binary files differnew file mode 100644 index 0000000..888e387 --- /dev/null +++ b/25063-h/music/air_XX.pdf diff --git a/25063-h/music/air_XXI.ly b/25063-h/music/air_XXI.ly new file mode 100644 index 0000000..f76ab61 --- /dev/null +++ b/25063-h/music/air_XXI.ly @@ -0,0 +1,35 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XXI. Would you have a young Virgin, &c.} + } + +\score + { + \new Staff + \relative c' + { + \key d \major + \time 6/4 + \clef treble \partial 4 + fs8 g | a4. b8 a4 a4. b8 a4 | d2 a4 a2 fs8 g | + a4. b8 a4 a4. b8 a4 | e'2 a,4 a2 fs8 g | a4. b8 a4 a4. b8 a4 | + d2 a4 e'2 a,4 | fs'4. e8 d4 a4. d8 cs4 | d2 d,4 d2. \bar "||" + fs'4. e8 d4 fs4. e8 d4 | e2 a,4 a2. | fs'4. e8 d4 fs4. e8 d4 | + g2 e4 e2. | fs4. e8 d4 fs4. e8 d4 | g4. fs8 e4 g4. fs8 e4 | + fs4. e8 d4 a4. d8 cs4 | d2 d,4 d2. \bar "||" + % both printed ":|:" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 210 4) } + } + } diff --git a/25063-h/music/air_XXI.midi b/25063-h/music/air_XXI.midi Binary files differnew file mode 100644 index 0000000..d42d722 --- /dev/null +++ b/25063-h/music/air_XXI.midi diff --git a/25063-h/music/air_XXI.pdf b/25063-h/music/air_XXI.pdf Binary files differnew file mode 100644 index 0000000..cf43e60 --- /dev/null +++ b/25063-h/music/air_XXI.pdf diff --git a/25063-h/music/air_XXII.ly b/25063-h/music/air_XXII.ly new file mode 100644 index 0000000..84ef60b --- /dev/null +++ b/25063-h/music/air_XXII.ly @@ -0,0 +1,48 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XXII. Cotillon.} + } + +\score + { + \new Staff + \relative c'' + { + \key c \major + \time 4/4 + \clef treble + g4 c b c | d8 c d e d2 | g,4 c b c8 d | d2 c\fermata \bar ":|" + % printed ":|:" + e4 d8 c d2 | e4 d8 c d2 | e4 d8 e f e d e | + f8 e d c d2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + } + +\score + { + \new Staff + \relative c'' + \unfoldRepeats + { + \key c \major + \time 4/4 + \clef treble + \repeat volta 2 + { g4 c b c | d8 c d e d2 | g,4 c b c8 d | d2 c\fermata } + e4 d8 c d2 | e4 d8 c d2 | e4 d8 e f e d e | + f8 e d c d2 | + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_XXII.midi b/25063-h/music/air_XXII.midi Binary files differnew file mode 100644 index 0000000..8c8bd29 --- /dev/null +++ b/25063-h/music/air_XXII.midi diff --git a/25063-h/music/air_XXII.pdf b/25063-h/music/air_XXII.pdf Binary files differnew file mode 100644 index 0000000..28af96c --- /dev/null +++ b/25063-h/music/air_XXII.pdf diff --git a/25063-h/music/air_XXIII.ly b/25063-h/music/air_XXIII.ly new file mode 100644 index 0000000..1a881a9 --- /dev/null +++ b/25063-h/music/air_XXIII.ly @@ -0,0 +1,32 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XXIII. All in a misty Morning, &c.} + } + +\score + { + \new Staff + \relative c' + { + \key d \major + \time 4/4 + \clef treble \partial 4 + fs8 g | a4 a a a | a2 a4 g8 a | b4 a g a | b2 b4 cs8 d | + cs4 a a a | a2 a 4a | g4 e e fs | g2. a8 g | fs4 d d e | + fs4 g a g8 fs | e4 d cs d | e2. fs8 g | fs4 d d e | + fs4 g a g8 fs | b4 a gs2 | a2. \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_XXIII.midi b/25063-h/music/air_XXIII.midi Binary files differnew file mode 100644 index 0000000..a4b3b0e --- /dev/null +++ b/25063-h/music/air_XXIII.midi diff --git a/25063-h/music/air_XXIII.pdf b/25063-h/music/air_XXIII.pdf Binary files differnew file mode 100644 index 0000000..2b2c5d7 --- /dev/null +++ b/25063-h/music/air_XXIII.pdf diff --git a/25063-h/music/air_XXIV.ly b/25063-h/music/air_XXIV.ly new file mode 100644 index 0000000..48c0106 --- /dev/null +++ b/25063-h/music/air_XXIV.ly @@ -0,0 +1,49 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XXIV. When first I laid Siege to my \italic {Chloris}, &c.} + } + +\score + { + \new Staff + \relative c' + { + \key a \major + \time 6/4 + \clef treble \partial 4 + e8 e | a4. b8 a4 b4. cs8 b4 | cs4 a2~ a \bar ":|" cs4 | + % printed ":|:" + d4. e8 d4 cs4. d8 cs4 | b4. cs8 b4 gs4. fs8 e4 | + a4. b8 a4 b4. cs8 b4 | cs4 a2~ a2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + } + +\score + { + \new Staff + \relative c' + \unfoldRepeats + { + \key a \major + \time 6/4 + \clef treble + \partial 4 + \repeat volta 2 + { e8 e | a4. b8 a4 b4. cs8 b4 | cs4 a2~ a } cs4 | + d4. e8 d4 cs4. d8 cs4 | b4. cs8 b4 gs4. fs8 e4 | + a4. b8 a4 b4. cs8 b4 | cs4 a2~ a2 + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 210 4) } + } + } diff --git a/25063-h/music/air_XXIV.midi b/25063-h/music/air_XXIV.midi Binary files differnew file mode 100644 index 0000000..55b4222 --- /dev/null +++ b/25063-h/music/air_XXIV.midi diff --git a/25063-h/music/air_XXIV.pdf b/25063-h/music/air_XXIV.pdf Binary files differnew file mode 100644 index 0000000..1b1eff7 --- /dev/null +++ b/25063-h/music/air_XXIV.pdf diff --git a/25063-h/music/air_XXIX.ly b/25063-h/music/air_XXIX.ly new file mode 100644 index 0000000..82446a5 --- /dev/null +++ b/25063-h/music/air_XXIX.ly @@ -0,0 +1,32 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XXIX. How happy are we, &c.} + } + +\score + { + \new Staff + \relative c' + { + \key a \major + \time 4/4 + \clef treble \partial 4 + e8 e | a4 cs8 b a4 a8 gs | fs4 gs8 a b4 b8 cs | + d8 cs b a gs4 gs8 a | b2. \bar "||" b8 b | % printed ":|:" + b8 e e d cs4 cs8 b | a8 gs fs16 gs b8 gs4 e8 d | + cs4 fs8 d e4 b'8 gs | b2. \bar "||" % printed ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_XXIX.midi b/25063-h/music/air_XXIX.midi Binary files differnew file mode 100644 index 0000000..e1ffabe --- /dev/null +++ b/25063-h/music/air_XXIX.midi diff --git a/25063-h/music/air_XXIX.pdf b/25063-h/music/air_XXIX.pdf Binary files differnew file mode 100644 index 0000000..db6c83f --- /dev/null +++ b/25063-h/music/air_XXIX.pdf diff --git a/25063-h/music/air_XXV.ly b/25063-h/music/air_XXV.ly new file mode 100644 index 0000000..a3c5ffa --- /dev/null +++ b/25063-h/music/air_XXV.ly @@ -0,0 +1,50 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XXV. Courtiers, Courtiers, think it no Harm, &c.} + } + +\score + { + \new Staff + \relative c'' + { + \key e \minor + \time 6/4 + \clef treble + g2 e4 g2 a4 | b4. c8 b4 e,2 fs4 | g4. a8 b4 e2 b4 | + g2 %{ printed g4 %} fs8 e e2 \bar ":|" e'8 fs | % printed "||" + g4. fs8 e4 ds2 e4 | e2 e,4 e2 fs4 | g4. a8 b4 d2 b4 | + d2 b4 a2 fs4 | g4. a8 b4 e2 b4 | g2 fs8 e e2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + } + +\score + { + \new Staff + \relative c'' + \unfoldRepeats + { + \key e \minor + \time 6/4 + \clef treble + \partial 4 + \repeat volta 2 { + r4 | g2 e4 g2 a4 | b4. c8 b4 e,2 fs4 | g4. a8 b4 e2 b4 | + g2 fs8 e e2 } e'8 fs | + g4. fs8 e4 ds2 e4 | e2 e,4 e2 fs4 | g4. a8 b4 d2 b4 | + d2 b4 a2 fs4 | g4. a8 b4 e2 b4 | g2 fs8 e e2 + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 240 4) } + } + } diff --git a/25063-h/music/air_XXV.midi b/25063-h/music/air_XXV.midi Binary files differnew file mode 100644 index 0000000..d0428fa --- /dev/null +++ b/25063-h/music/air_XXV.midi diff --git a/25063-h/music/air_XXV.pdf b/25063-h/music/air_XXV.pdf Binary files differnew file mode 100644 index 0000000..c2da581 --- /dev/null +++ b/25063-h/music/air_XXV.pdf diff --git a/25063-h/music/air_XXVI.ly b/25063-h/music/air_XXVI.ly new file mode 100644 index 0000000..7d06bdc --- /dev/null +++ b/25063-h/music/air_XXVI.ly @@ -0,0 +1,50 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XXVI. A lovely Lass to a Friar came, &c.} + } + +\score + { + \new Staff + \relative c'' + { + \key g \major + \time 4/4 + \clef treble \partial 4 + a8 b | c4 c8 b a4 g | a4 fs g a8 b | c4 c8 b a4 g | + a2 g4 \bar ":|" g | % printed ":|:" + g4 d'8 d d4 d | e4 d d d | e4 d c b | b2 a4 b8 c | d2 g, | + a8 g a8 b g4 a8 b | c4 b a g | a2 g4 \bar "||" % printed ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + } + +\score + { + \new Staff + \relative c'' + \unfoldRepeats + { + \key g \major + \time 4/4 + \clef treble + \partial 4 + \repeat volta 2 + { a8 b | c4 c8 b a4 g | a4 fs g a8 b | c4 c8 b a4 g | + a2 g4 } g | + g4 d'8 d d4 d | e4 d d d | e4 d c b | b2 a4 b8 c | d2 g, | + a8 g a b g4 a8 b | c4 b a g | a2 g4 + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_XXVI.midi b/25063-h/music/air_XXVI.midi Binary files differnew file mode 100644 index 0000000..4c52823 --- /dev/null +++ b/25063-h/music/air_XXVI.midi diff --git a/25063-h/music/air_XXVI.pdf b/25063-h/music/air_XXVI.pdf Binary files differnew file mode 100644 index 0000000..b07af9d --- /dev/null +++ b/25063-h/music/air_XXVI.pdf diff --git a/25063-h/music/air_XXVII.ly b/25063-h/music/air_XXVII.ly new file mode 100644 index 0000000..addb2a5 --- /dev/null +++ b/25063-h/music/air_XXVII.ly @@ -0,0 +1,33 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XXVII. ’Twas when the Sea was roaring, &c.} + } + +\score + { + \new Staff + \relative c'' + { + \key e \minor + \time 6/8 + \clef treble \partial 8 + b8 | b8 a g g fs e | b8 a b r r b | e8 fs g fs g e | b'4.~ b4 b8 | + c16( d e 8) d c16 b a8 g | fs16( e) d4 r8 r d' | b8 a g d g fs | + g4.~ g4 \bar "||" b8 | b16 c d8 d, g fs e | a8 fs4 r8 r b | + c8 b c a g a | fs4.~ fs4 ds'8 | e8 d e c b c | a4.~ a4 c8 | + b8 a g g fs e | e4.~ e4 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } + } + } diff --git a/25063-h/music/air_XXVII.midi b/25063-h/music/air_XXVII.midi Binary files differnew file mode 100644 index 0000000..fbb6f76 --- /dev/null +++ b/25063-h/music/air_XXVII.midi diff --git a/25063-h/music/air_XXVII.pdf b/25063-h/music/air_XXVII.pdf Binary files differnew file mode 100644 index 0000000..d0ac848 --- /dev/null +++ b/25063-h/music/air_XXVII.pdf diff --git a/25063-h/music/air_XXVIII.ly b/25063-h/music/air_XXVIII.ly new file mode 100644 index 0000000..cf623a3 --- /dev/null +++ b/25063-h/music/air_XXVIII.ly @@ -0,0 +1,52 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XXVIII. The Sun had loos’d his weary Teams, &c.} + } + +\score + { + \new Staff + \relative c'' + { + \key a \major + \time 6/4 + \clef treble \partial 4 + a4 | a2 e'4 e fs e | d2 cs4 b cs d | e2 a,4 a2 b4 | + cs2. e2 \bar ":|:" e4 | % printed "||" + cs2 b4 a b cs | b2 gs4 e2 e4 | e2 a4 a2 b4 | + cs2. e2 \bar ":|" % printed "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + } + +\score + { + \new Staff + \relative c'' + \unfoldRepeats + { + \key a \major + \time 6/4 + \clef treble + \partial 4 + \repeat volta 2 + { a4 | a2 e'4 e fs e | d2 cs4 b cs d | e2 a,4 a2 b4 | + cs2. e2 } + \repeat volta 2 + { e4 | + cs2 b4 a b cs | b2 gs4 e2 e4 | e2 a4 a2 b4 | + cs2. e2 } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 210 4) } + } + } diff --git a/25063-h/music/air_XXVIII.midi b/25063-h/music/air_XXVIII.midi Binary files differnew file mode 100644 index 0000000..5a4cc76 --- /dev/null +++ b/25063-h/music/air_XXVIII.midi diff --git a/25063-h/music/air_XXVIII.pdf b/25063-h/music/air_XXVIII.pdf Binary files differnew file mode 100644 index 0000000..9cef5e9 --- /dev/null +++ b/25063-h/music/air_XXVIII.pdf diff --git a/25063-h/music/air_XXX.ly b/25063-h/music/air_XXX.ly new file mode 100644 index 0000000..b8f7574 --- /dev/null +++ b/25063-h/music/air_XXX.ly @@ -0,0 +1,58 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XXX. Of a noble Race was \italic {Shenkin}.} + } + +\score + { + \new Staff + \relative c'' + { + \key a \minor + \time 4/4 + \clef treble \partial 4 + b4 | c4 b8 a gs a b gs | a4 a,2 ^\markup {\italic {vio}} b'4 | + c4 b8 a g a b g | + a2. \bar ":|" b8 ^\markup {\italic {Song}} b | c4 c8 c g4 g | + % printed ":|:" + c4 c2. | c,4 ^\markup {\italic {vio}} c b b | + a4 a gs b' ^\markup {\italic {Song}} | c4 c b b | + a8 c b a gs4 f8 e | f4 d e gs | + a4 a2 \bar "||" + % second "Song" markup moved back from c to b + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + } + +\score + { + \new Staff + \relative c'' + \unfoldRepeats + { + \key a \minor + \time 4/4 + \clef treble + \partial 4 + \repeat volta 2 + { b4 | c4 b8 a gs a b gs | a4 a,2 b'4 | + c4 b8 a g a b g | + a2. } b8 b | c4 c8 c g4 g | + c4 c2. | c,4 c b b | + a4 a gs b' | c4 c b b | + a8 c b a gs4 f8 e | f4 d e gs | + a4 a2 + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_XXX.midi b/25063-h/music/air_XXX.midi Binary files differnew file mode 100644 index 0000000..61cff84 --- /dev/null +++ b/25063-h/music/air_XXX.midi diff --git a/25063-h/music/air_XXX.pdf b/25063-h/music/air_XXX.pdf Binary files differnew file mode 100644 index 0000000..6d0730c --- /dev/null +++ b/25063-h/music/air_XXX.pdf diff --git a/25063-h/music/air_XXXI.ly b/25063-h/music/air_XXXI.ly new file mode 100644 index 0000000..224a3e5 --- /dev/null +++ b/25063-h/music/air_XXXI.ly @@ -0,0 +1,31 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XXXI.} + } + +\score + { + \new Staff + \relative c' + { + \key a \minor + \time 4/4 + \clef treble \partial 4 + e4 | a4 b c b8 a | gs4 a e2 | r4 e c' c | e4 d c2 \bar "||" + r4 c b c | d4 b e a, | gs4 e gs a | b4 c a2 | a2 c | + gs4 e a2 \bar "||" % bars printed ":|:" and ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 4) } + } + } diff --git a/25063-h/music/air_XXXI.midi b/25063-h/music/air_XXXI.midi Binary files differnew file mode 100644 index 0000000..91ea9c1 --- /dev/null +++ b/25063-h/music/air_XXXI.midi diff --git a/25063-h/music/air_XXXI.pdf b/25063-h/music/air_XXXI.pdf Binary files differnew file mode 100644 index 0000000..38c533a --- /dev/null +++ b/25063-h/music/air_XXXI.pdf diff --git a/25063-h/music/air_XXXII.ly b/25063-h/music/air_XXXII.ly new file mode 100644 index 0000000..4b41dd9 --- /dev/null +++ b/25063-h/music/air_XXXII.ly @@ -0,0 +1,33 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XXXII. \italic {London} Ladies.} + } + +\score + { + \new Staff + \relative c' + { + \key g \major + \time 6/4 + \clef treble \partial 4 + d4 | g4 a b c b a | b4 a g d'2 b4 | c4 d e d c b | + a2. a2 d,4 | g4 a b c b a | b4 a g g'2 fs4 | e4 fs d cs d e | + e2. d2 d4 | d4 e fs g2 fs4 | e4 d c b2 fs'4 | + g4 fs e ds e fs | fs2. e2 d4 | d4 e fs g d e | + d4 c b a2 g4 | g4 b c d b e | a,2. g2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 210 4) } + } + } diff --git a/25063-h/music/air_XXXII.midi b/25063-h/music/air_XXXII.midi Binary files differnew file mode 100644 index 0000000..0e977be --- /dev/null +++ b/25063-h/music/air_XXXII.midi diff --git a/25063-h/music/air_XXXII.pdf b/25063-h/music/air_XXXII.pdf Binary files differnew file mode 100644 index 0000000..cfc1ea0 --- /dev/null +++ b/25063-h/music/air_XXXII.pdf diff --git a/25063-h/music/air_XXXIII.ly b/25063-h/music/air_XXXIII.ly new file mode 100644 index 0000000..cf39bf4 --- /dev/null +++ b/25063-h/music/air_XXXIII.ly @@ -0,0 +1,49 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XXXIII. All in the Downs, &c.} + } + +\score + { + \new Staff + \relative c'' + { + \key g \major + \time 3/4 + \clef treble + d4 g, g | b2 g4 | a4 b8 c d b | e2 d4 | d4 c8 b a g | c2 e,4 | + fs8 g g2 | a2. \bar ":|" d4 fs,( g) | % printed ":|:" + a4( b) c | a4( d) fs, | g4 a2 | b2. | + e4 c a | d4 g, fs | e2 c'4 | b8 a a2 | g2.\bar "||" % printed ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + } + +\score + { + \new Staff + \relative c'' + \unfoldRepeats + { + \key g \major + \time 3/4 + \clef treble + \repeat volta 2 + { d4 g, g | b2 g4 | a4 b8 c d b | e2 d4 | d4 c8 b a g | c2 e,4 | + fs8 g g2 | a2. } d4 fs,( g) | + a4( b) c | a4( d) fs, | g4 a2 | b2. | + e4 c a | d4 g, fs | e2 c'4 | b8 a a2 | g2. + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 210 4) } + } + } diff --git a/25063-h/music/air_XXXIII.midi b/25063-h/music/air_XXXIII.midi Binary files differnew file mode 100644 index 0000000..3b855e6 --- /dev/null +++ b/25063-h/music/air_XXXIII.midi diff --git a/25063-h/music/air_XXXIII.pdf b/25063-h/music/air_XXXIII.pdf Binary files differnew file mode 100644 index 0000000..f802b8a --- /dev/null +++ b/25063-h/music/air_XXXIII.pdf diff --git a/25063-h/music/air_XXXIV.ly b/25063-h/music/air_XXXIV.ly new file mode 100644 index 0000000..488f605 --- /dev/null +++ b/25063-h/music/air_XXXIV.ly @@ -0,0 +1,30 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XXXIV. Have you heard of a frolicksome Ditty, &c.} + } + +\score + { + \new Staff + \relative c' + { + \key bf \major + \time 6/4 + \clef treble \partial 4 + f4 | bf4 c bf bf a g | a4 g f bf a bf | c4 bf c d2 d8 ef | + f4 g f f d bf | c4 a f g a bf | c4 a f bf2 \bar ":|" % printed ":|:" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 210 4) } + } + } diff --git a/25063-h/music/air_XXXIV.midi b/25063-h/music/air_XXXIV.midi Binary files differnew file mode 100644 index 0000000..f4cd46a --- /dev/null +++ b/25063-h/music/air_XXXIV.midi diff --git a/25063-h/music/air_XXXIV.pdf b/25063-h/music/air_XXXIV.pdf Binary files differnew file mode 100644 index 0000000..7ee7129 --- /dev/null +++ b/25063-h/music/air_XXXIV.pdf diff --git a/25063-h/music/air_XXXIX.ly b/25063-h/music/air_XXXIX.ly new file mode 100644 index 0000000..9a78021 --- /dev/null +++ b/25063-h/music/air_XXXIX.ly @@ -0,0 +1,34 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XXXIX. The Lass of \italic{Patie’s} Mill, &c.} + } + +\score + { + \new Staff + \relative c'' + { + \key c \major + \time 4/4 + \clef treble \partial 4 + g8 f | e4 c e g | c4. d8 c4 g | a4 g8( e) c'( g) f( e) | + d4. e8 d( e) f( g) | e4 c e g | c4. d8 c4 g | + a8( b) c( a) b( c) d( e) | c2. \bar "||" e8 f | + d4 c8 d b4 a8 g | c2 g | a4 g8 e c' g f e | d2. g8 f | e4 c e g | + c4. d8 c4 g | a8( b) c( a) b( c) d( e) | + c2. \bar "||" % printed ":|" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 150 4) } + } + } diff --git a/25063-h/music/air_XXXIX.midi b/25063-h/music/air_XXXIX.midi Binary files differnew file mode 100644 index 0000000..2e6f4b4 --- /dev/null +++ b/25063-h/music/air_XXXIX.midi diff --git a/25063-h/music/air_XXXIX.pdf b/25063-h/music/air_XXXIX.pdf Binary files differnew file mode 100644 index 0000000..582c2c3 --- /dev/null +++ b/25063-h/music/air_XXXIX.pdf diff --git a/25063-h/music/air_XXXV.ly b/25063-h/music/air_XXXV.ly new file mode 100644 index 0000000..4d199d1 --- /dev/null +++ b/25063-h/music/air_XXXV.ly @@ -0,0 +1,31 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XXXV. \italic {Irish} Trot.} + } + +\score + { + \new Staff + \relative c'' + { + \key g \major + \time 6/4 + \clef treble \partial 4 + g4 | a4 b c c d c | a4 b c c d c | b4 c b a g fs | + g4 a g b2 g4 | a4 fs a a fs a | a4 fs a a fs a | + b4 c b a g fs | g4 a g b2 g4 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 240 4) } + } + } diff --git a/25063-h/music/air_XXXV.midi b/25063-h/music/air_XXXV.midi Binary files differnew file mode 100644 index 0000000..d819071 --- /dev/null +++ b/25063-h/music/air_XXXV.midi diff --git a/25063-h/music/air_XXXV.pdf b/25063-h/music/air_XXXV.pdf Binary files differnew file mode 100644 index 0000000..faea5c7 --- /dev/null +++ b/25063-h/music/air_XXXV.pdf diff --git a/25063-h/music/air_XXXVI.ly b/25063-h/music/air_XXXVI.ly new file mode 100644 index 0000000..973ddd5 --- /dev/null +++ b/25063-h/music/air_XXXVI.ly @@ -0,0 +1,51 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XXXVI.} + } + +\score + { + \new Staff + \relative c'' + { + \key g \major + \time 6/8 + \clef treble + g4 d'8 b8 g4 | c4 a8 fs8 d4 | b'4 g8 e8 c4 | + a'8 d, fs g4. \bar ":|" % printed "||" + g4 g'8 g8 d4 | g,4 e'8 e8 c4 | fs,4 d'8 d8 g, fs | + e8 d' cs d4. | g,4 d'8 b8 g4 | c4 a8 fs8 d4 | + b'4 g8 e8 c4 | a'8 d, fs g4. \bar "||" % printed ":|:" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + } + +\score + { + \new Staff + \relative c'' + \unfoldRepeats + { + \key g \major + \time 6/8 + \clef treble + \repeat volta 2 + { g4 d'8 b8 g4 | c4 a8 fs8 d4 | b'4 g8 e8 c4 | + a'8 d, fs g4. } + g4 g'8 g8 d4 | g,4 e'8 e8 c4 | fs,4 d'8 d8 g, fs | + e8 d' cs d4. | g,4 d'8 b8 g4 | c4 a8 fs8 d4 | + b'4 g8 e8 c4 | a'8 d, fs g4. + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 150 4) } + } + } diff --git a/25063-h/music/air_XXXVI.midi b/25063-h/music/air_XXXVI.midi Binary files differnew file mode 100644 index 0000000..d5a19a3 --- /dev/null +++ b/25063-h/music/air_XXXVI.midi diff --git a/25063-h/music/air_XXXVI.pdf b/25063-h/music/air_XXXVI.pdf Binary files differnew file mode 100644 index 0000000..530ddd4 --- /dev/null +++ b/25063-h/music/air_XXXVI.pdf diff --git a/25063-h/music/air_XXXVII.ly b/25063-h/music/air_XXXVII.ly new file mode 100644 index 0000000..daa00cf --- /dev/null +++ b/25063-h/music/air_XXXVII.ly @@ -0,0 +1,32 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XXXVII. Good-morrow, Gossip \italic {Joan}.} + } + +\score + { + \new Staff + \relative c'' + { + \key a \major + \time 4/4 + \clef treble \partial 4 + b4 | e4 e, gs a | b2. a8 gs | a4 fs b, a' | a4 gs r b | + cs4 cs cs b8 a | b8 a b cs b4 a8 gs | a4 a a gs8 fs | + gs8 fs gs a gs4 e' | b4 e b e | fs8( e ds cs) b4 a | + gs2 fs | e2. \bar "||" % fit music to lyrics? + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 210 4) } + } + } diff --git a/25063-h/music/air_XXXVII.midi b/25063-h/music/air_XXXVII.midi Binary files differnew file mode 100644 index 0000000..4c7243f --- /dev/null +++ b/25063-h/music/air_XXXVII.midi diff --git a/25063-h/music/air_XXXVII.pdf b/25063-h/music/air_XXXVII.pdf Binary files differnew file mode 100644 index 0000000..1b6a11e --- /dev/null +++ b/25063-h/music/air_XXXVII.pdf diff --git a/25063-h/music/air_XXXVIII.ly b/25063-h/music/air_XXXVIII.ly new file mode 100644 index 0000000..1be62fb --- /dev/null +++ b/25063-h/music/air_XXXVIII.ly @@ -0,0 +1,35 @@ +\version "2.10.25" +\include "english.ly" + +\header + {title = \markup \smaller \normal-text + {AIR XXXVIII. \italic {Irish} Howl.} + } + +\score + { + \new Staff + \relative c' + { + \key f \major + \time 4/4 + \clef treble \partial 8 + f8 | a8 a a g16 f bf8 bf bf a16 g | + f8. g16 a bf c d c bf a g f8. a16 | + a16 g g f e8. f16 g8 a16 bf a8. bf16 | + a16 bf c d c8 g bf16 a g f f4 | bf8 bf bf bf c c16 bf bf8 a | + c8 c c bf16 a c8 c c bf16 a | + f'8( e16 d) c8. d16 c d c d c d c a | + bf16 a g f f g a bf c2 \bar "||" + } + \layout + { \context + { \Score + \remove Bar_number_engraver + } + } + \midi + { \context + { \Score tempoWholesPerMinute = #(ly:make-moment 180 8) } + } + } diff --git a/25063-h/music/air_XXXVIII.midi b/25063-h/music/air_XXXVIII.midi Binary files differnew file mode 100644 index 0000000..4cf3867 --- /dev/null +++ b/25063-h/music/air_XXXVIII.midi diff --git a/25063-h/music/air_XXXVIII.pdf b/25063-h/music/air_XXXVIII.pdf Binary files differnew file mode 100644 index 0000000..2020d31 --- /dev/null +++ b/25063-h/music/air_XXXVIII.pdf diff --git a/25063-h/music/air_XXt.pdf b/25063-h/music/air_XXt.pdf Binary files differnew file mode 100644 index 0000000..bd57ca0 --- /dev/null +++ b/25063-h/music/air_XXt.pdf |
