summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 02:15:13 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 02:15:13 -0700
commit3554185f34f1df5864ca453965a9f449e2824972 (patch)
tree4e3601e028e3518dbdadc0e60cb424f5d4e82b89
initial commit of ebook 24985HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--24985-8.txt9242
-rw-r--r--24985-8.zipbin0 -> 139575 bytes
-rw-r--r--24985-h.zipbin0 -> 152256 bytes
-rw-r--r--24985-h/24985-h.htm12377
-rw-r--r--24985.txt9242
-rw-r--r--24985.zipbin0 -> 139525 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
9 files changed, 30877 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/24985-8.txt b/24985-8.txt
new file mode 100644
index 0000000..7adba38
--- /dev/null
+++ b/24985-8.txt
@@ -0,0 +1,9242 @@
+The Project Gutenberg EBook of Comedies of Courtship, by Anthony Hope
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Comedies of Courtship
+
+Author: Anthony Hope
+
+Release Date: April 4, 2008 [EBook #24985]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK COMEDIES OF COURTSHIP ***
+
+
+
+
+
+
+
+
+
+
+COMEDIES OF COURTSHIP
+
+By Anthony Hope
+
+
+
+ "It is a familiar fact that the intensity of a passion varies
+ with the proximity of the appropriate object."
+ Mr. Leslie Stephen, 'Science of Ethics'
+
+ "How the devil is it that fresh features
+ Have such a charm for us poor human creatures?"
+ Lord Byron, 'Don Juan'
+
+
+Charles Scribner's Sons New York 1896
+
+Copyright, 1896 Charles Scribner's Sons
+
+Copyright, 1894, 1896, by Anthony Hope
+
+
+NOTE
+
+"The Wheel of Love," published in Scribner's Magazine during the past
+year, and "The Lady of the Pool," both protected by American copyright,
+are here printed for the first time in book form. The four other
+stories appeared without their author's consent or knowledge, with
+their titles changed beyond recognition, and combined with other
+unauthorized material, in a small volume printed by an American firm.
+They are here given for the first time in their proper form and by my
+authority.
+
+Anthony Hope.
+
+
+
+CONTENTS
+
+The Wheel of Love The Lady of the Pool The Curate of Poltons A
+Three-Volume Novel The Philosopher in the Apple Orchard The Decree of
+Duke Deodonato
+
+
+
+THE WHEEL OF LOVE
+
+
+
+CHAPTER I
+
+THE VIRTUOUS HYPOCRITES
+
+
+AT first sight they had as little reason for being unhappy as it is
+possible to have in a world half full of sorrow. They were young and
+healthy; half a dozen times they had each declared the other more than
+common good-looking; they both had, and never knew what it was not to
+have, money enough for comfort and, in addition that divine little
+superfluity wherefrom joys are born. The house was good to look at and
+good to live in; there were horses to ride, the river to go a-rowing
+on, and a big box from Mudie's every week. No one worried them; Miss
+Bussey was generally visiting the poor; or, as was the case at this
+moment, asleep in her arm-chair, with Paul, the terrier, in his basket
+beside her, and the cat on her lap. Lastly, they were plighted lovers,
+and John was staying with Miss Bussey for the express purpose of
+delighting and being delighted by his fiancée, Mary Travers. For these
+and all their mercies certainly they should have been truly thankful.
+
+However the heart of man is wicked. This fact alone can explain why
+Mary sat sadly in the drawing-room, feeling a letter that was tucked
+inside her waistband and John strode moodily up and down the gravel
+walk, a cigar, badly bitten, between his teeth, and his hand over and
+again covertly stealing toward his breast-pocket and pressing a scented
+note that lay there. In the course of every turn John would pass the
+window of the drawing-room; then Mary would look up with a smile and
+blow him a kiss, and he nodded and laughed and returned the salute.
+But, the window passed, both sighed deeply and returned to lingering
+those hidden missives.
+
+"Poor little girl! I must keep it up," said John.
+
+"Dear good John! He must never know," thought Mary.
+
+And the two fell to thinking just what was remarked a few lines back,
+namely, that the human heart is very wicked; they were shocked at
+themselves; the young often are.
+
+Miss Bussey awoke, sat up, evicted the cat, and found her spectacles.
+
+"Where are those children?" said she. "Billing and cooing somewhere, I
+suppose. Bless me, why don't they get tired of it?"
+
+They had--not indeed of billing and cooing in general, for no one at
+their age does or ought to get tired of that--but of billing and cooing
+with one another.
+
+It will be observed that the situation promised well for a tragedy.
+Nevertheless this is not the story of an unhappy marriage.
+
+If there be one thing which Government should forbid, it is a secret
+engagement. Engagements should be advertised as marriages are; but
+unless we happen to be persons of social importance, or considerable
+notoriety, no such precautions are taken. Of course there are
+engagement rings; but a man never knows one when he sees it on a lady's
+hand--it would indeed be impertinent to look too closely--and when he
+goes out alone he generally puts his in his pocket, considering that
+the evening will thus be rendered more enjoyable. The Ashforth--Travers
+engagement was not a secret now, but it had been, and had been too
+long. Hence, when Mary went to Scotland and met Charlie Ellerton, and
+when John went to Switzerland and met Dora Bellairs-the truth is, they
+ought never to have separated, and Miss Bussey (who was one of the
+people in the secret) had been quite right when she remarked that it
+seemed a curious arrangement. John and Mary had scoffed at the idea of
+a few weeks' absence having any effect on their feelings except, if
+indeed it were possible, that of intensifying them.
+
+"I really think I ought to go and find them," said Miss Bussey. "Come,
+Paul!"
+
+She took a parasol, for the April sun was bright, and went into the
+garden. "When she came to the drawing-room window John was away at the
+end of the walk. She looked at him: he was reading a letter. She looked
+in at the window: Mary was reading a letter.
+
+"Well!" exclaimed Miss Bussey. "Have they had a tiff?" And she slowly
+waddled (truth imposes this word-she was very stout) toward the
+unconscious John. He advanced toward her still reading; not only did he
+not see her, but he failed to notice that Paul had got under his feet.
+He fell over Paul, and as he stumbled the letter fluttered out of his
+hand. Paul seized it and began to toss it about in great glee.
+
+"Good doggie!" Cried Miss Bussey. "Come then! Bring it to me, dear.
+Good Paul!"
+
+John's face was distorted with agony. He darted toward Paul, fell on
+him, and gripped him closely. Paul yelped and Miss Bussey observed, in
+an indignant tone, that John need not throttle the dog. John muttered
+something.
+
+"Is the letter so very precious?" asked his hostess ironically.
+
+"Precious!" cried John. "Yes!--No!--It's nothing at all."
+
+But he opened Paul's mouth and took out his treasure with wonderful
+care.
+
+"And why," inquired Miss Bussey, "are you not with Mary, young man?
+You're very neglectful."
+
+"Neglectful! Surely, Miss Bussey, you haven't noticed anything--like
+neglect? Don't say----"
+
+"Bless the boy! I was only joking. You're a model lover."
+
+"Thank you, thank you. I'll go to her at once," and he sped towards the
+window, opened it and walked up to Mary. Miss Bussey followed him and
+arrived just in time to see the lovers locked in one another's arms,
+their faces expressing all appropriate rapture.
+
+"There's nothing much wrong," said Miss Bussey; wherein Miss Bussey
+herself was much wrong.
+
+"What a shame! I've left you alone for more than an hour!" said John.
+"Have you been very unhappy?" and he added, "darling." It sounded like
+an afterthought.
+
+"I have been rather unhappy," answered Mary, and her answer was true.
+As she said it she tucked in a projecting edge of her letter. John had
+hurriedly slipped his (it was rather the worse for its mauling) into
+his trousers-pocket.
+
+"You--you didn't think me neglectful?"
+
+"Oh, no."
+
+"I was thinking of you all the time,"
+
+"And I was thinking of you, dear."
+
+"Are you very happy?"
+
+"Yes, John; aren't you?"
+
+"Of course I am. Happy! I should think so," and he kissed her with
+unimpeachable fervor.
+
+When a conscientious person makes up his mind that he ought, for good
+reasons, to deceive somebody, there is no one like him for
+thorough-paced hypocrisy. When two conscientious people resolve; to
+deceive one another, on grounds of duty, the acme of duplicity is in a
+fair way to be reached. John Ashforth and Mary Travers illustrated this
+proposition. The former had been all his life a good son, and was now a
+trustworthy partner, to his father, who justly relied no less on his
+character than on his brains. The latter, since her parents' early
+death had left her to her aunt's care, had been the comfort and prop of
+Miss Bussey's life. It is difficult to describe good people without
+making them seem dull; but luckily nature is defter than novelists, and
+it is quite possible to be good without being dull. Neither Mary nor
+John was dull; a trifle limited, perhaps, they were, a thought severe
+in their judgments of others as well as of themselves; a little
+exacting with their friends and more than a little with themselves.
+One description paints them both; doubtless their harmony of mind had
+contributed more than Mary's sweet expression and finely cut features,
+or John's upstanding six feet, and honest capable face, to produce that
+attachment between them which had, six months before this story begins,
+culminated in their engagement. Once arrived at, this ending seemed to
+have been inevitable. Everybody discovered that they had foretold it
+from the first, and modestly disclaimed any credit for anticipating a
+union between a couple so obviously made for one another.
+
+The distress into which lovers such as these fell when they discovered
+by personal experience that sincerely to vow eternal love is one thing,
+and sincerely to give it quite another, may be well imagined, and may
+well be left to be imagined. They both went through a terrible period
+of temptation, wherein they listened longingly to the seductive
+pleading of their hearts; but both emerged triumphant, resolved to
+stifle their mad fancy, to prefer good faith to mere inclination, and
+to avoid, at all costs, wounding one to whom they had sworn to be true.
+Thus far their steadfastness carried them, but not beyond. They could
+part from their loved ones, and they did; but they could not leave them
+without a word. Each wrote, after leaving Scotland and Switzerland
+respectively, a few lines of adieu, confessing the love they felt, but
+with resolute sadness saying farewell forever. They belonged to another.
+
+It was the answers that Mary and John were reading when Miss Bussey
+discovered them.
+
+Mary's ran:
+
+
+"MY DEAR MISS TRAVERS: I have received your letter. I can't tell you
+what it means to me. You say all must be over between us. Don't be
+offended--but I won't say that yet. It can't be your duty to marry a
+man you don't love. You forbid me to write or come to you; and you ask
+only for a word of good-by. I won't say good-by. I'll say _Au
+revoir--au revoir_, my darling."
+
+"Charlie."
+
+"Burn this."
+
+
+This was John's:
+
+"MY DEAR MR. ASHFORTH: What am I to say to you? Oh, why, why didn't you
+tell me before? I oughtn't to say that, but it is too late to conceal
+anything from you. Yes, you are right. It must be good-by. Yes, I will
+try to forget you. But oh, John, it's very, very, very difficult. I
+don't know how to sign this--so I won't. You'll know who it comes from,
+won't you? Good-by. Burn this."
+
+
+These letters, no doubt, make it plain that there had been at least a
+momentary weakness both in Mary and in John; but in a true and
+charitable view their conduct in rising superior to temptation finally
+was all the more remarkable and praiseworthy. They had indeed, for the
+time, been carried away. Even now Mary found it hard not to make
+allowances for herself, little as she was prone to weakness when she
+thought of the impetuous _abandon_ and conquering whirl with which
+Charlie Ellerton had wooed her; and John confessed that flight alone, a
+hasty flight from Interlaken after a certain evening spent in gazing at
+the Jungfrau, had saved him from casting everything to the winds and
+yielding to the slavery of Dora Bellairs's sunny smiles and charming
+coquetries. He had always thought that that sort of girl had no
+attractions for him, just as Mary had despised 'butterfly-men' like
+Charlie Ellerton. Well, they were wrong. The only comfort was that
+shallow natures felt these sorrows less; it would have broken Mary's
+heart (thought John), or John's (thought Mary), but Dora and Charlie
+would soon find consolation in another. But here, oddly enough, John
+generally swore heartily and Mary always began to search for her
+handkerchief. "They're as affectionate as one could wish when they're
+together," mused Miss Bussey, as she stroked the cat, "but at other
+times they're gloomy company. I suppose they can't be happy apart.
+Dear! dear!" and the good old lady fell to wondering whether she had
+ever been so foolish herself.
+
+
+
+CHAPTER II
+
+SYMPATHY IN SORROW
+
+
+"Give me," observed Sir Roger Deane, "Cannes, a fine day, a good set to
+look at, a beehive chair, a good cigar, a cocktail on one side and a
+nice girl on the other, and there I am! I don't want anything else."
+
+General Bellairs pulled his white mustache and examined Sir Roger's
+figure and surroundings with a smile.
+
+"Then only Lady Deane is wanting to your complete happiness," said he.
+
+"Maud is certainly a nice girl, but when she deserts me----"
+
+"Where is she?"
+
+"I don't know."
+
+"I do," interposed a young man, who wore an eye--glass and was in
+charge of a large jug. "She's gone to Monte."
+
+"I might have known," said Sir Roger. "Being missed here always means
+you've gone to Monte--like not being at church means you've gone to
+Brighton."
+
+"Surely she doesn't play?" asked the General.
+
+"Not she! She's going to put it in a book. She writes books you know.
+She put me in the last--made me a dashed fool, too, by Jove!"
+
+"That was unkind," said the General, "from your wife."
+
+"Oh, Lord love you, she didn't mean it. I was the hero. That's how I
+came to be such an ass. The dear girl meant everything that was kind.
+Who's taken her to Monte?"
+
+"Charlie Ellerton," said the young man with the eye-glass.
+
+"There! I told you she was a kind girl. She's trying to pull old
+Charlie up a peg or two. He's had the deuce of a facer, you know."
+
+"I thought he seemed less cheerful than usual."
+
+"Oh, rather. He met a girl somewhere or other--I always forget
+places--Miss--Miss--hang it, I can't remember names--and got awfully
+smitten, and everything went pleasantly and she took to him like
+anything--, and at last old Charlie spoke up like a man, and----" Sir
+Roger paused dramatically.
+
+"Well?" asked the General.
+
+"She was engaged to another fellow. Rough, wasn't it? She told old
+Charlie she liked him infernally, but promises were promises, don't you
+know, and she'd thank him to take his hook. And he had to take it, by
+Gad! Rough, don't you know? So Maud's been cheering him up. The devil!"
+
+"What's the matter now?" inquired the General.
+
+"Why, I've just remembered that I promised to say nothing about it. I
+say, don't you repeat it, General, nor you either, Laing."
+
+The General laughed.
+
+"Well," said Sir Roger, "he oughtn't to have been such a fool as to
+tell me. He knows I never remember to keep things dark. It's not my
+fault."
+
+A girl came out of the hotel and strolled up to where the group was.
+She was dark, slight, and rather below middle height; her complexion at
+this moment was a trifle sallow and her eyes listless, but it seemed
+rather as though she had dressed her face into a tragic cast, the set
+of the features being naturally mirthful. She acknowledged the men's
+salutations and sat down with a sigh.
+
+"Not on to-day?" asked Sir Roger, waving his cigar toward the
+lawn-tennis courts.
+
+"No," said Miss Bellairs.
+
+"Are you seedy, Dolly?" inquired the General.
+
+"No," said Miss Bellairs.
+
+Mr. Laing fixed his eye-glass and surveyed the young lady.
+
+"Are you taking any?" said he, indicating the jug.
+
+"I don't see any fun in vulgarity," observed Miss Bellairs.
+
+The General smiled. Sir Roger's lips assumed the shape for a whistle.
+
+"That's a nasty one for me," said Laing.
+
+"Ah, here you are, Roger," exclaimed a fresh clear voice from behind
+the chairs. "I've been looking for you everywhere. We've seen
+everything--Mr. Ellerton was most kind--and I do so want to tell you my
+impressions."
+
+The new-comer was Lady Deane, a tall young woman, plainly dressed in a
+serviceable cloth walking-gown. By her side stood Charlie Ellerton in a
+flannel suit of pronounced striping; he wore a little yellow mustache,
+had blue eyes and curly hair, and his face was tanned a wholesome
+ruddy-brown. He looked very melancholy.
+
+"Letters from Hell," murmured Sir Roger.
+
+"But I was so distressed," continued his wife. "Mr. Ellerton would
+gamble, and he lost ever so much money."
+
+"A fellow must amuse himself," remarked Charlie gloomily, and with
+apparent unconsciousness he took a glass from Laing and drained it.
+
+"Gambling and drink--what does that mean?" asked Sir Roger.
+
+"Shut up, Deane," said Charlie.
+
+Miss Bellairs rose suddenly and walked away. Her movement expressed
+impatience with her surroundings. After a moment Charlie Ellerton
+slowly sauntered after her. She sat down on a garden-seat some way off.
+Charlie placed himself at the opposite end. A long pause ensued.
+
+"I'm afraid I'm precious poor company," said Charlie.
+
+"I didn't want you to be company at all," answered Miss Bellairs, and
+she sloped her parasol until it obstructed his view of her face.
+
+"I'm awfully sorry, but I can't stand the sort of rot Deane and Laing
+are talking."
+
+"Can't you? Neither can I."
+
+"They never seem to be serious about anything, you know," and Charlie
+sighed deeply, and for three minutes there was silence.
+
+"Do you know Scotland at all?" asked Charlie at last.
+
+"Only a little."
+
+"There last year?"
+
+"No, I was in Switzerland."
+
+"Oh."
+
+"Do you know Interlaken?"
+
+"No."
+
+"Oh."
+
+"May I have a cigarette?"
+
+"Of course, if you like."
+
+Charlie lit his cigarette and smoked silently for a minute or two.
+
+"I call this a beastly place," said he.
+
+"Yes, horrid," she answered, and the force of sympathy made her move
+the parasol and turn her face towards her companion. "But I thought,"
+she continued, "you came here every spring?"
+
+"Oh, I don't mind the place so much. It's the people."
+
+"Yes, isn't it? I know what you mean."
+
+"You can't make a joke of everything, can you?"
+
+"Indeed no," sighed Dora.
+
+Charlie looked at his cigarette, and, his eyes carefully fixed on it,
+said in a timid tone:
+
+"What's the point, for instance, of talking as if love was all bosh?"
+
+Dora's parasol swept down again swiftly, but Charlie was still looking
+at the cigarette and he did not notice its descent, nor could he see
+that Miss Bellairs's cheek was no longer sallow.
+
+"It's such cheap rot," he continued, "and when a fellow's--I say, Miss
+Bellairs, I'm not boring you?"
+
+The parasol wavered and finally moved.
+
+"No," said Miss Bellairs.
+
+"I don't know whether you--no, I mustn't say that; but I know what it
+is to be in love, Miss Bellairs; but what's the good of talking about
+it? Everybody laughs."
+
+Miss Bellairs put down her parasol.
+
+"I shouldn't laugh," she said softly. "It's horrid to laugh at people
+when they're in trouble," and her eyes were very sympathetic.
+
+"You are kind. I don't mind talking about it to you. You know I'm not
+the sort of fellow who falls in love with every girl he meets; so of
+course it's worse when I do."
+
+"Was it just lately?" murmured Dora.
+
+"Last summer."
+
+"Ah! And--and didn't she----?"
+
+"Oh, I don't know. Yes, hang it, I believe she did. She was perfectly
+straight, Miss Bellairs. I don't say a word against her. She-I think
+she didn't know her own feelings until--until I spoke, you know--and
+then----"
+
+"Do go on, if--if it doesn't----"
+
+"Why, then, the poor girl cried and said it couldn't be because
+she--she was engaged to another fellow; and she sent me away."
+
+Miss Bellairs was listening attentively.
+
+"And," continued Charlie, "she wrote and said it must be good-by
+and--and----"
+
+"And you think she----?"
+
+"She told me so," whispered Charlie. "She said she couldn't part
+without telling me. Oh, I say, Miss Bellairs, isn't it all damnable? I
+beg your pardon."
+
+Dora was tracing little figures on the gravel with her parasol.
+
+"Now what would you do?" cried Charlie. "She loves me, I know she does,
+and she's going to marry this other fellow because she promised him
+first. I don't suppose she knew what love was then."
+
+"Oh, I'm sure she didn't," exclaimed Dora earnestly.
+
+"You can't blame her, you know. And it's absurd to--to--to--not
+to--well, to marry a fellow you don't care for when you care for
+another fellow, you know!"
+
+"Yes."
+
+"Of course you can hardly imagine yourself in that position, but
+suppose a man liked you and-and was placed like that, you know, what
+should you feel you ought to do?"
+
+"Oh, I don't know," exclaimed Dora, clasping her hands. "Oh, do tell me
+what you think! I'd give the world to know!"
+
+Charlie's surprised glance warned her of her betrayal. "You mustn't ask
+me." she exclaimed hastily.
+
+"I won't ask a word. I--I'm awfully sorry, Miss Bellairs."
+
+"Nobody knows," she murmured.
+
+"Nobody shall through me."
+
+"You're not very--? I'm very ashamed."
+
+"Why? And because of me! After what I've told you!"
+
+Charlie rose suddenly.
+
+"I'm not going to stand it," he announced.
+
+Dora looked up eagerly.
+
+"What? You're going to----?"
+
+"I'm going to have a shot at it. Am I to stand by and see her----? I'm
+hanged if I do. Could that be right?"
+
+"I should like to know what one's _duty_ is?"
+
+"This talk with you has made me quite clear. We've reasoned it out, you
+see. They're not to be married for two or three months. A lot can be
+done in that time."
+
+"Ah, you're a man!"
+
+"I shall write first. If that doesn't do, I shall go to her."
+
+Dora shook her head mournfully.
+
+"Now, look here, Miss Bellairs you don't mind me advising you?"
+
+"I ought not to have let you see, but as it is--"
+
+"You do as I do, you stick to it. Confound it, you know, when one's
+life's happiness is at stake--"
+
+"Oh, yes, yes!"
+
+"One mustn't be squeamish, must one?"
+
+And Dora Bellairs, in a very low whisper, answered, "No."
+
+"I shall write to-night."
+
+"Oh! To-night?"
+
+"Yes. Now promise me you will too."
+
+"It's harder for me than you."
+
+"Not if he really----."
+
+"Oh, indeed, he really does, Mr. Ellerton."
+
+"Then you'll write?"
+
+"Perhaps."
+
+"No. Promise!"
+
+"Well--it must be right. Yes, I will."
+
+"I feel the better for our talk, Miss Bellairs, don't you?"
+
+"I do a little."
+
+"We shall be friends now, you know; even if I bring it off I shan't be
+content unless you do too. Won't you give me your good wishes?"
+
+"Indeed I will."
+
+"Shake hands on it."
+
+They shook hands and began to stroll back to the tennis-courts.
+
+"They look a little better," observed Sir Roger Deane, who had been
+listening to an eloquent description of the gaming-tables.
+
+Dora and Charlie walked on towards the hotel.
+
+"Hi!" shouted Sir Roger. "Tea's coming out here."
+
+"I've got a letter to write," said Charlie.
+
+"Well, Miss Bellairs, you must come. Who's to pour it out?"
+
+"I must catch the post, Sir Roger," answered Dora.
+
+They went into the house together. In the hall they parted.
+
+"You'll let me know what happens, Mr. Ellerton, won't you? I'm so
+interested."
+
+"And you?"
+
+"Oh--well, perhaps," and the sallow of her cheeks had turned to a fine
+dusky red as she ran upstairs.
+
+Thus it happened that a second letter for John Ashforth and a second
+letter for Mary Travers left Cannes that night.
+
+And if it seems a curious coincidence that Dora and Charlie should meet
+at Cannes, it can only be answered that they were each of them just as
+likely to be at Cannes as anywhere else. Besides, who knows that these
+things are all coincidence?
+
+
+
+CHAPTER III
+
+A PROVIDENTIAL DISCLOSURE
+
+
+On Wednesday the eleventh of April, John Ashforth rose from his bed
+full of a great and momentous resolution. There is nothing very strange
+in that, perhaps it is just the time of day when such things come to a
+man, and, in ordinary cases, they are very prone to disappear with the
+relics of breakfast. But John was of sterner stuff. He had passed a
+restless night, tossed to and fro by very disturbing gusts of emotion,
+and he arose with the firm conviction that if he would escape shipwreck
+he must secure his bark by immovable anchors while he was, though not
+in honor, yet in law and fact, free; he could not trust himself.
+Sorrowfully admitting his weakness, he turned to the true, the right,
+the heroic remedy.
+
+"I'll marry Mary to--day fortnight," said he. "When we are man and wife
+I shall forget this madness and love her as I used to."
+
+He went down to breakfast, ate a bit of toast and drank a cup of very
+strong tea. Presently Mary appeared and greeted him with remarkable
+tenderness. His heart smote him, and his remorse strengthened his
+determination.
+
+"I want to speak to you after breakfast," he told her.
+
+His manner was so significant that a sudden gleam of hope flashed into
+her mind. Could it be that he had seen, that he would be generous? She
+banished the shameful hope. She would not accept generosity at the
+expense of pain to him.
+
+Miss Bussey, professing to find bed the best place in the world, was in
+the habit of taking her breakfast there. The lovers were alone, and,
+the meal ended, they passed together into the conservatory. Mary sat
+down and John leant against the glass door opposite her.
+
+"Well?" said she, smiling at him.
+
+It suddenly struck John that, in a scene of this nature, it
+ill-befitted him to stand three yards from the lady. He took a chair
+and drew it close beside her. The thing had to be done and it should be
+done properly.
+
+"We've made a mistake, Mary," he announced, taking her hand and
+speaking in a rallying tone.
+
+"A mistake!" she cried; "oh, how?"
+
+"In fixing our marriage----."
+
+"So soon?"
+
+"My darling!" said John (and it was impossible to deny admiration to
+the tone he said it in), "no. So late! What are we waiting for? Why are
+we wasting all this precious time?"
+
+Mary could not speak, but consternation passed for an appropriate
+confusion, and John pursued his passionate pleadings. As Mary felt his
+grasp and looked into his honest eyes, her duty lay plain before her.
+She would not stoop to paltry excuses on the score of clothes,
+invitations, or such trifles. She had made up her mind to the thing;
+surely she ought to do it in the way most gracious and most pleasing to
+her lover.
+
+"If Aunt consents," she murmured at last, "do as you like, John dear,"
+and the embrace which each felt to be inevitable at such a crisis
+passed between them.
+
+A discreet cough separated them. The butler stood in the doorway, with
+two letters on a salver. One he handed to Mary, the other to John, and
+walked away with a twinkle in his eye. However even our butlers do not
+know everything that happens in our houses (to say nothing of our
+hearts), although much they may think they do.
+
+John looked at his letter, started violently and crushed it into his
+pocket. He glanced at Mary; her letter lay neglected on her lap. She
+was looking steadily out of the window.
+
+"Well, that's settled," said John. "I--I think I'll have a cigar, dear."
+
+"Yes, do, darling," said Mary, and John went out.
+
+These second letters were unfortunately so long as to make it
+impossible to reproduce them. They were also very affecting, Dora's
+from its pathos, Charlie's from its passion. But the waves of emotion
+beat fruitlessly on the rock-built walls of conscience. At almost the
+same moment, Mary, brushing away a tear, and John, blowing his nose,
+sat down to write a brief, a final answer. "We are to be married
+today fortnight," they said. They closed the envelopes without a
+moment's delay and went to drop their letters in the box. The servant
+was already waiting to go to the post with them and a second later the
+fateful documents were on their way to Cannes.
+
+"Now," said John, with a ghastly smile, "we can have a glorious long
+day together!"
+
+Mary was determined to leave herself no loophole.
+
+"We must tell Aunt what--what we have decided upon this morning," she
+reminded him. "It means that the wedding must be very quiet."
+
+"I shan't mind that. Shall you?"
+
+"I shall like it of all things." she answered. "Come and find Aunt
+Sarah."
+
+Miss Bussey had always--or at least for a great many years
+back--maintained the general proposition that young people do not know
+their own minds. This morning's news confirmed her opinion.
+
+"Why the other day you both agreed that the middle of June would do
+perfectly. Now you want it all done in a scramble."
+
+The pair stood before her, looking very guilty.
+
+"What is the meaning of this--this (she very nearly said 'indecent')
+extraordinary haste?"
+
+Miss Bussey asked only one indulgence from her friends. Before she did
+a kind thing she liked to be allowed to say one or two sharp ones. Her
+niece was aware of this fancy of hers and took refuge in silence.
+John, less experienced in his hostess's ways, launched into the
+protests appropriate to an impatient lover.
+
+"Well," said Miss Bussey, "I must say you look properly ashamed of
+yourself [John certainly did], so I'll see what can be done. What a
+fluster we shall live in! Upon my word you might as well have made it
+tomorrow. The fuss would have been no worse and a good deal shorter."
+
+The next few days passed, as Miss Bussey had predicted, in a fluster.
+Mary was running after dress makers, John after licenses, Cook's
+tickets, a best man, and all the impedimenta of a marriage. The
+intercourse of the lovers was much interrupted, and to this Miss Bussey
+attributed the low spirits that Mary sometimes displayed.
+
+"There, there, my dear," she would say impatiently--for the cheerful
+old lady hated long faces--"you'll have enough of him and to spare by
+and by."
+
+Curiously this point of view did not comfort Mary. She liked John very
+much, she esteemed him even more than she liked him, he would, she
+thought, have made an ideal brother. Ah, why had she not made a brother
+of him while there was time? Then she would have enjoyed his constant
+friendship all her life; for it was not with him as with that foolish
+boy Charlie, all or nothing. John was reasonable; he would not have
+threatened--well, reading--his letter one way, Charlie almost seemed to
+be tampering with propriety. John would never have done that. And these
+reflections, all of which should have pleaded for John, ended in
+weeping over the lost charms of Charlie.
+
+One evening, just a week before the wedding, she roused herself from
+some such sad meditations, and, duty-driven, sought John in the
+smoking-room. The door was half open and she entered noiselessly. John
+was sitting at the table; his arms were outspread on it, and his face
+buried in his hands. Thinking he was asleep she approached on tiptoe
+and leant over his shoulder. As she did so her eyes fell on a sheet of
+note-paper; it was clutched in John's right hand, and the encircling
+grasp covered it, save at the top. The top was visible, and Mary,
+before she knew what she was doing, had read the embossed
+heading--nothing else, just the embossed heading--Hotel de Luxe,
+Cannes, Alpes Maritimes.
+
+The drama teaches us how often a guilty mind rushes, on some trifling
+cause, to self-revelation. Like a flash came the conviction that
+Charlie had written to John, that her secret was known, and John's
+heartbroken. In a moment she fell on her knees crying, "Oh, how wicked
+I've been! Forgive me, do forgive me! Oh, John, can you forgive me?"
+
+John was not asleep, he also was merely meditating; but if he had been
+a very Rip Van Winkle this cry of agony would have roused him. He
+started violently--as well he might--from his seat, looked at Mary, and
+crumpled the letter into a shapeless ball.
+
+"You didn't see?" he asked hoarsely.
+
+"No, but I know. I mean I saw the heading, and knew it must be from
+him. Oh, John!"
+
+"From him!"
+
+"Yes. He's--he's staying there. Oh, John! Really I'll never see or
+speak to him again. Really I won't. Oh, you can trust me, John. See!
+I'll hide nothing. Here's his letter! You see I've sent him away?"
+
+And she took from her pocket Charlie's letter, and in her noble
+fidelity (to John--the less we say about poor Charlie the better)
+handed it to him.
+
+"What's this?" asked John, in bewilderment. "Who's it from?"
+
+"Charlie Ellerton," she stammered.
+
+"Who's Charlie Ellerton? I never heard--but am I to read it?"
+
+"Yes, please, I--I think you'd better."
+
+John read it; Mary followed his eyes, and the moment they reached the
+end, without giving him time to speak, she exclaimed, "There, you see I
+spoke the truth. I had sent him away. What does he say to you, John?"
+
+"I never heard of him in my life before."
+
+"John! Then who is your letter from?"
+
+He hesitated. He felt an impulse to imitate her candor, but prudence
+suggested that he should be sure of his ground first.
+
+"Tell me all," he said, sitting down. "Who is this man, and what has he
+to do with you?"
+
+"Why don't you show me his letter? I don't know what he's said about
+me."
+
+"What could he say about you?"
+
+"Well he--he might say that--that I cared for him, John."
+
+"And do you?" demanded John, and his voice was anxious.
+
+Duty demanded a falsehood; Mary did her very best to satisfy its
+imperious commands. It was no use.
+
+"Oh, John," she murmured, and then began to cry.
+
+For a moment wounded pride struggled with John's relief; but then a
+glorious vision of what this admission of Mary's might mean to him
+swept away his pique.
+
+"Read this," he said, giving her Dora Bellairs's letter, "and then
+we'll have an explanation."
+
+Half an hour later Miss Bussey was roused from a pleasant snooze. John
+and Mary stood beside her, hand in hand. They wore brother and sister
+now--that was an integral part of the arrangement--and so they stood
+hand in hand. Their faces were radiant.
+
+"We came to tell you, Auntie dear, that we have decided that we're not
+suited to one another," began Mary.
+
+"Not at all," said John decisively.
+
+Miss Bussey stared helplessly from one to the other.
+
+"It's all right, Miss Bussey," remarked John cheerfully. "We've had an
+explanation; we part by mutual consent."
+
+"John," said Mary, "is to be just my brother and I his sister. Oh, and
+Auntie, I want to go with him to Cannes."
+
+This last suggestion, which naturally did not appear to any
+well-regulated mind to harmonize with what had gone before, restored
+voice to Miss Bussey.
+
+"What's the matter with you? Are you mad?" she demanded.
+
+John sat down beside her. His friends anticipated a distinguished
+Parliamentary career for John; he could make anything sound reasonable.
+Miss Bussey was fascinated by his suave and fluent narrative of what
+had befallen Mary and himself; she could not but admire his just
+remarks on the providential disclosure of the true state of the case
+before it was too late, and sympathized with the picture of suffering
+nobly suppressed which grew under his skilful hand; she was inflamed
+when he ardently declared his purpose of seeking out Dora; she was
+touched when he kissed Mary's hand and declared that the world held no
+nobler woman. Before John's eloquence even the stern facts of a public
+engagement, of invited guests, of dresses ordered and presents
+received, lost their force, and the romantic spirit, rekindled, held
+undivided sway in Miss Bussey's heart.
+
+"But," she said, "why does Mary talk of going to Cannes with you?"
+
+"Mr. Ellerton is at Cannes, Aunt," murmured Mary, shyly.
+
+"But you can't travel with John."
+
+"Oh, but you must come too."
+
+"It looks as if you were running after him."
+
+"I'll chance Charlie thinking that," cried Mary, clasping her hands in
+glee.
+
+Miss Bussey pretended to be reluctant to undertake the journey, but she
+was really quite ready to yield, and soon everything was settled on the
+new basis.
+
+"And now to write and tell people," said Miss Bussey. "That's the worst
+part of it."
+
+"Poor dear! We'll help," cried Mary. "But I must write to Cannes."
+
+"Wire!" cried John.
+
+"Of course, wire!" echoed Mary.
+
+"The first thing tomorrow."
+
+"Before breakfast."
+
+"Mary, I shall never forget----."
+
+"No, John, it's you who----." and they went off in a torrent of mutual
+laudation.
+
+Miss Bussey shook her head.
+
+"If they think all that of one another why don't they marry?" she said.
+
+
+
+CHAPTER IV
+
+THE TALE OF A POSTMARK
+
+
+"Yes," said Lady Deane, "we leave today week: Roger has to be back the
+first week in May, and I want to stop at one or two places en route."
+
+"Let's see. To-day's the 19th, no, the 20th; there's nothing to remind
+one of time here. That'll be the 27th. That's about my date; we might
+go together if you and Deane have no objection."
+
+"Oh, I should be delighted, General; and shall you stay at all in
+Paris?"
+
+"A few days--just to show Dolly the sights."
+
+"How charming! And you and I must have some expeditions together.
+Roger is so odd about not liking to take me."
+
+"We'll do the whole thing, Lady Deane," answered General Bellairs,
+heartily. "Notre Dame, the Versailles, the Invalides, Eiffel Tower."
+
+Lady Deane's broad white brow showed a little pucker.
+
+"That wasn't quite what I meant," said she. "Oh, but Roger could take
+Dora to those, couldn't he, while you and I made a point of seeing some
+of the real life of the people? Of studying them in their ordinary
+resorts, their places of recreation and amusement."
+
+"Oh, the Francais, and the opera, and so on, of course."
+
+"No, no, no," exclaimed Lady Deane, tapping her foot impatiently and
+fixing her gray eyes on the General's now puzzled face. "Not the same
+old treadmill in Paris as in London! Not that, General!"
+
+"What then, my dear lady?" asked he. "Your wish is law to me," and it
+was true that he had become very fond of his earnest young friend.
+"What do you want to see? The Chamber of Deputies?"
+
+Sir Roger's voice struck in.
+
+"I'm not a puritanical husband, Bellairs, but I must make a stand
+somewhere. Not the Chamber of Deputies."
+
+"Don't be silly, Roger dear," said Lady Deane, in her usual tone of
+dispassionate reproof.
+
+"I can't find out where she does want to go to," remarked the General.
+
+"I can tell you," said Sir Roger, and he leant down and whispered a
+name; in the General's ear. The General jumped.
+
+"Good heavens!" he exclaimed. "I haven't been there since the fifties.
+Is it still like what it used to be?"
+
+"How should I know?" inquired Sir Roger. "I'm not a student of social
+phenomena. Maud is, so she wants to go."
+
+Lady Deane was looking on with a quiet smile.
+
+"She never mentioned it," protested the General.
+
+"Oh, of course if there's a worse place now!" conceded Sir Roger.
+
+"I'll make up my mind when we arrive," observed Lady Deane. "Anyhow I
+shall rely on you, General."
+
+The General looked a little uncomfortable.
+
+"If Deane doesn't object----."
+
+"I shouldn't think of taking my wife to such places."
+
+Suddenly Dora Bellairs rushed up to them.
+
+"Have you seen Mr. Ellerton?" she cried. "Where is he?"
+
+"In the smoking-room," answered Sir Roger. "Do you want him?"
+
+"Would you mind? I can't go in there: it's full of men."
+
+"After all we must be somewhere," pleaded Sir Roger as he went on his
+errand.
+
+"Dolly," said the General, "I've just made a charming arrangement.
+Lady Deane and Sir Roger start for Paris to-day week, and we're going
+with them. You said you'd like another week here."
+
+"It's charming our being able to go together, isn't it?" said Lady
+Deane. Dora's face did not express rapture, yet she liked the Deanes
+very much.
+
+"Oh, but----" she began.
+
+"Well?" asked her father.
+
+"I rather want to go a little sooner."
+
+"I'm afraid," said Lady Deane, "we shan't get Roger to move before
+then. He's bent on seeing the tennis tournament through. When did you
+want to go, Dora?"
+
+"Well, in fact--to--night."
+
+"My dear Dolly, what a weathercock you are! It's impossible. I'm
+dining with the Grand Duke on Monday. You must make up your mind to
+stay, young woman."
+
+"Oh, please, papa----."
+
+"But why do you want to go?" asked the General, rather impatiently.
+
+Dora had absolutely no producible reason for her eagerness to go. And
+yet--Oh, if they only knew what was at stake! "We're to be married in a
+fortnight!" She could see the words dancing before her eyes. And she
+must waste a precious week here!
+
+"Do you want me, Miss Bellairs?" asked Charlie Ellerton, coming up to
+them.
+
+"Yes. I want--oh, I want to go to Rumpelmayer's."
+
+"All right. Come along. I'm delighted to go with you."
+
+They walked off in silence. Dora was in distress. She saw that the
+General was immovable.
+
+Suddenly Charlie turned to her and remarked,
+
+"Well, it's all over with me, Miss Bellairs."
+
+"What? How do you mean?"
+
+"My chance is gone. They're to be married in a fortnight. I had a
+letter to say so this morning."
+
+Dora turned suddenly to him.
+
+"Oh, but it's too extraordinary," she cried. "So had I!"
+
+"What?"
+
+"Why, a letter to say they were to be married in a fortnight."
+
+"Nonsense!"
+
+"Yes. Mr. Ellerton--who--who is your friend?"
+
+"Her name's Mary Travers."
+
+"And who is she going--to marry?"
+
+"Ah! She hasn't told me that."
+
+A suspicion of the truth struck them both. Charlie produced his letter.
+
+"She writes," he said, showing the postmark, "from Dittington."
+
+"It is! It is!" she cried. "It must be Mary Travers that Mr. Ashforth
+is going to marry!"
+
+"Is that your friend?"
+
+"Yes. Is she pretty, Mr. Ellerton?"
+
+"Oh, awfully. What sort of a fellow is he?"
+
+"Splendid!"
+
+"Isn't it a deuced queer thing?"
+
+"Most extraordinary. And when we told one another we never thought----."
+
+"How could we?"
+
+"Well, no, we couldn't, of course."
+
+A pause followed. Then Charlie observed: "I suppose there's nothing to
+be done."
+
+"Nothing to be done, Mr. Ellerton! Why if I were a man I'd leave for
+England tonight."
+
+"And why can't you?"
+
+"Papa won't. But you might."
+
+"Ye--es, I suppose I might. It would look rather odd, wouldn't it?"
+
+"Why, you yourself suggested it!"
+
+"Yes, but the marriage was a long way off then."
+
+"There's the more reason now for haste."
+
+"Of course, that's true, but----."
+
+"Oh, if papa would only take me!" A sudden idea seemed to strike
+Charlie; he assumed an air of chivalrous sympathy. "When shall you go?"
+he asked. "Not till to-day week," she said. "We shan't get to England
+till three or four days before it." Dora knew nothing of the proposed
+stay in Paris.
+
+"Look here, Miss Bellairs," said Charlie, "we agreed to stand by one
+another. I shall wait and go when you do."
+
+"But think----."
+
+"I've thought."
+
+"You're risking everything."
+
+"If she'll break it off ten days before, she'll do the same four days
+before."
+
+"If she really loves you she will."
+
+"Anyhow we'll stand or fall together."
+
+"Oh, I oughtn't to let you, but I can't refuse. How kind you are!"
+
+"Then that's settled," said Charlie, "And we must try to console one
+another till then."
+
+"The suspense is awful, isn't it?"
+
+"Of course. But we must appear cheerful. We mustn't betray ourselves."
+
+"Not for the world! I can never thank you enough. You'll come with us
+all the way?"
+
+"Yes."
+
+"Thank you again."
+
+She gave him her hand, which he pressed gently.
+
+"Hullo!" said he. "We seem to have got up by the church somewhere.
+Where were we going to?"
+
+"Why, to Rumpelmayer's."
+
+"Oh, ah! Well, let's go back to the hotel."
+
+Wonderings on the extraordinary coincidence, with an occasional
+reference to the tender tie of a common sorrow which bound them
+together, beguiled the journey back, and when they reached the hotel
+Dora was quite calm. Charlie seemed distinctly cheerful, and when his
+companion left him he sat down by Deane and remarked in a careless way,
+just as if he neither knew nor cared what the rest of them were going
+to do, "Well, I shall light out of here in a few days. I suppose
+you're staying some time longer?"
+
+"Off in a week," said Sir Roger.
+
+"Oh, by Jove, that's about my mark. Going back to England?"
+
+"Yes, I suppose--so--ultimately. We shall stay a few days in Paris en
+route. The Bellairs' go with us."
+
+"Oh, do they?"
+
+Sir Roger smiled gently.
+
+"Surprised?" he asked.
+
+Charlie ignored the question.
+
+"And you aren't going to hurry?" he inquired.
+
+"Why should we?"
+
+Charlie sat silent. It was tolerably plain that, unless the few days
+en route were very few indeed, John Ashforth and Mary Travers were in a
+fair way to be prosperously and peacefully married before Dora Bellairs
+set foot in England. And if he stayed with the Bellairs', before he
+did, either! Charlie lit a cigarette and sat puffing and thinking.
+
+"Dashed nice girl, Dora Bellairs," observed Sir Roger.
+
+"Think so?"
+
+"I do. She's the only girl I ever saw that Laing was smitten with."
+
+"Laing!" said Charlie.
+
+"Well, what's the matter? He's an uncommon good chap, Laing--one of the
+best chaps I know--and he's got lots of coin. I don't expect she'd
+sneeze at Laing."
+
+It is, no doubt, taking a very serious responsibility to upset an
+arrangement arrived at deliberately and carried almost to a conclusion.
+A man should be very sure that he can make a woman happy--happier than
+any other man could-before he asks her to face the turmoil and the
+scandal of breaking off her marriage only a week before its
+celebration. Sure as he may be of his own affection, he must be equally
+sure of hers, equally sure that their mutual love is deep and
+permanent. He must consider his claims to demand such a sacrifice. What
+remorse will be his if, afterwards, he discovers that what he did was
+not, in truth, for her real happiness! He must be on his guard against
+mere selfishness or mere vanity masquerading in the garb of a genuine
+passion.
+
+As these thoughts occurred to Charlie Ellerton he felt that he was at a
+crisis of his life. He also felt glad that he had still a quiet week at
+Cannes in which to revolve these considerations in his mind. Above all,
+he must do nothing hastily.
+
+Dora came out, a book in her hand. Her soft white frock fluttered in
+the breeze, and she pushed back a loose lock of dark hair that caressed
+her check.
+
+"A dashed nice girl, upon my honor," said Sir Roger Deane.
+
+"Oh, very."
+
+"I say, old chap, I suppose you're in no hurry. You'll put in a few
+days in Paris? We might have a day out, mightn't we?"
+
+"I don't know yet," said Charlie, and, when Deane left him, he sat on
+in solitude.
+
+Was it possible that in the space of a week--? No, it was impossible.
+And yet, with a girl like that----.
+
+"I did the right thing in waiting to go with her, anyhow," said
+Charlie, comforting himself.
+
+
+
+CHAPTER V
+
+A SECOND EDITION
+
+
+"Don't you think it's an interesting sort of title?" inquired Lady
+Deane of Mr. Laing.
+
+Laing was always a little uneasy in her presence. He felt not only that
+she was analyzing him, but that the results of the analysis seemed to
+her to be a very small residuum, of solid matter. Besides, he had been
+told that she had described him as a "commonplace young man," a thing
+nobody could be expected to like.
+
+"Capital!" he answered, nervously fingering his eye glass. "The
+Transformation of Giles Brockleton! Capital!"
+
+"I think it will do," said Lady Deane complacently.
+
+"Er--what was he transformed into, Lady Deane?"
+
+"A man," replied the lady emphatically.
+
+"Of course. I see," murmured Laing apologetically, stifling a desire to
+ask what Giles had been before.
+
+A moment later the author enlightened him.
+
+"Yes," said she, "into a man, from a useless, mischievous, contemptible
+idler, a parasite, Mr. Laing, a creature to whom----"
+
+"What did it, Lady Deane?" interrupted Laing hastily. He felt somehow
+as if he were being catalogued.
+
+"Just a woman's influence."
+
+Laing's face displayed relief; he felt that he was in his depth again.
+
+"Oh, got married, you mean? Well, of course, he'd have to pull up a
+bit, wouldn't he? Hang it, I think it's a fellow's duty.
+
+"You don't quite understand me," observed Lady Deane coldly. "He did
+not marry the woman."
+
+"What, did she give him the--I mean, wouldn't she have him, Lady Deane?"
+
+"She would have married him; but beside her he saw himself in his true
+colors. Knowing what he was, how could he dare? That was his
+punishment, and punishment brought transformation."
+
+As Lady Deane sketched her idea, her eyes kindled and her tone became
+animated. Laing admired both her and her idea, and he expressed his
+feeling's by saying:
+
+"Remarkable sort of chap, Lady Deane. I shall read it all right, you
+know."
+
+"I think you ought," said she, rising, and leaving him to wonder
+whether she had "meant anything."
+
+He gave himself a little shake, as though to escape from the atmosphere
+of seriousness which she had diffused about him, and looked round. A
+little way off he saw Dora Bellairs and Charlie Ellerton sitting side
+by side. His brow clouded. Before Charlie came it had been his
+privilege to be Miss Bellairs's cavalier, and although he never hoped,
+nor, to tell the truth, desired more than a temporary favor in her
+eyes, he did not quite like being ousted.
+
+"Pretty good for a fellow who's just had the bag!" he remarked
+scornfully, referring to Roger Deane's unauthorized revelation.
+
+It was the day before the exodus to Paris. Dora's period of weary
+waiting had worn itself away, and she was acknowledging to Charlie that
+the last two or three days had passed quicker than she had ever thought
+they could.
+
+"The first two days I was wretched, the next two gloomy, but these last
+almost peaceful. In spite of--you know what--I think you've done me
+good on the whole."
+
+"Don't mention it," said Charlie, flinging his arm over the back of the
+seat and looking at his companion.
+
+"And now--in the end," pursued Dora, "I'm actually a little sorry to
+leave all this; it's so beautiful," and she waved her parasol vaguely
+at the hills and the islands, while with the other hand she took off
+her hat and allowed the breeze to blow through her hair.
+
+"It is jolly, isn't it?" she asked.
+
+"I should rather think it was," said Charlie. "The jolliest I've ever
+seen." It was evident that he did not refer to the scenery.
+
+"Oh, you promised you wouldn't," cried Dora reproachfully.
+
+"Well, then, I'll promise again," he replied, smiling amiably.
+
+"What must I think of you, when only a week or so ago----? Oh, and
+what must you think of me to suppose I could? Oh, Mr. Ellerton!"
+
+"Like to know what I think of you?" inquired Charlie, quite unperturbed
+by this passionate rebuke.
+
+"Certainly not," said she, with dignity, and turned away. A moment
+later, however, she attacked him again.
+
+"And you've done nothing," she said indignantly, "but suggest to papa
+interesting places to stop at on the way, and things he ought to see in
+Paris. Yes, and you actually suggested going home by sea from
+Marseilles. And all the time you knew it was vital to me to get home as
+soon as possible. To me? Yes, and to you _last week_. Shall I tell you
+something, Mr. Ellerton?"
+
+"Please," said Charlie. "Whisper it in my ear," and he offered his head
+in fitting proximity.
+
+"I shouldn't mind who heard," she declared. "I despise you, Mr.
+Ellerton."
+
+Charlie was roused to a protest.
+
+"For downright unfairness give me a girl!" said he. "Here have I taken
+the manly course! After a short period of weakness--I admit that--I
+have conquered my feelings; I have determined not to distress Miss
+Travers by intruding upon her; I have overcome the promptings of a
+cowardly despair; I have turned my back resolutely on a past devoid of
+hope. I am, after a sore struggle, myself again. And my reward, Miss
+Bellairs, is to be told that you despise me. Upon my honor, you'll be
+despising Simon Stylites next."
+
+"And you wrote and told Miss Travers you were coming!"
+
+"All right. I shall write and toll her I'm not coming. I shall say,
+Miss Bellairs, that it seems to me to be an undignified thing----"
+
+"To do what I'm going to do? Thank you, Mr. Ellerton."
+
+"Oh, I forgot."
+
+"The irony of it is that you persuaded me to do it yourself."
+
+"I was a fool; but I didn't know you so well then."
+
+"What's that got to do with it?"
+
+"Everything."
+
+"You didn't know yourself, I'm afraid," she remarked. "You thought you
+were a man of some--some depth of feeling, some constancy, a man
+whose--whose regard a girl would value, instead of being----"
+
+"Just a poor devil who worships the ground you tread on."
+
+Dora laughed scornfully.
+
+"Second edition!" said she. "The first dedicated to Miss Travers."
+
+And then Charlie (and it is thing's like these which shake that faith
+in human nature that we try to cling to) said in a low but quite
+distinct voice:
+
+"Oh, d----n Miss Travers!"
+
+Dora shot--it almost looked as if something had shot her, as it used,
+in old days, Miss Zazel--up from her seat.
+
+"I thought I was talking to a _gentleman_," said she, "I suppose you'll
+use that--expression--about me in a week."
+
+"In a good deal less, if you treat me like this," said Charlie, and his
+air was one of hopeless misery.
+
+We all recollect that Anne ended by being tolerably kind to wicked King
+Richard. After all, Charlie had the same excuse.
+
+"I don't want to be unkind," said Dora more gently.
+
+"I'll do anything in the world to please you."
+
+"Then make papa go straight to Paris, and straight on from Paris," said
+Dora, using her power mercilessly.
+
+"Oh, I say, I didn't mean that, Miss Bellairs."
+
+"You said you'd do anything I liked."
+
+Charlie looked at her thoughtfully.
+
+"I suppose you've no pity?" he inquired.
+
+"For you? Not a bit,"
+
+"You probably don't know how beautiful you are?"
+
+"Don't be foolish, and--and impertinent."
+
+She was standing opposite to him. With a sudden motion, he sprang
+forward, fell on one knee, seized her ungloved hand, covered it with
+kisses, sprang up, and hastened away, crying as he went:
+
+"All right. I'll do it."
+
+Dora stood where he left her. First she looked at her hand, then at
+Charlie's retreating back, then again at her hand. Her cheek was
+flushed and she trembled a little.
+
+"John never did that," she said, "at least, not without asking. And
+even then, not quite like that."
+
+She walked on slowly, then stopped and exclaimed:
+
+"I wonder if he ever did that to Mary Travers."
+
+And her last reflection was:
+
+"Poor boy. He must be--oh, dear me!"
+
+When Charlie reached the tennis-courts, he was, considering the moving
+scene through which he had passed, wonderfully calm. In fact he was
+smiling and whistling. Espying Sir Roger Deane, he went and sat down by
+him.
+
+"Roger," said he, "I'm going with you and the Bellairs' to-morrow."
+
+"I know that."
+
+"Miss Bellairs wants to go straight through to England without stopping
+anywhere."
+
+"She'll have to want, I expect."
+
+"And I've promised to try and get the General to do what she wants."
+
+"Have you though?"
+
+"I suppose, Roger, old fellow--you know you've great influence with
+him--I suppose it's no use asking you to say a word to him?"
+
+"Not a bit."
+
+"Why?"
+
+"Because Maud particularly wants him to stay with us in Paris."
+
+"Oh, of course, if Lady Deane wishes it, I mustn't say a word. She's
+quite made up her mind about it, has she?"
+
+"Well, I suppose so."
+
+"She's strong on it, I mean? Not likely to change?"
+
+"I think not, Charlie."
+
+"She'd ask him to stay, as a favor to her?"
+
+"I shouldn't at all wonder."
+
+"Oh, well then, my asking him won't make much difference."
+
+"Frankly, I don't see why it should."
+
+"Thanks. I only wanted to know. You're not in a hurry, Roger? I mean,
+you won't ask your wife to go straight on?"
+
+"No, I shan't, Charlie. I want to stop myself."
+
+"Thanks, old chap! See you at dinner," and Charlie strolled off with a
+reassured air.
+
+Sir Roger sat and thought.
+
+"I see his game," he said to himself at last, "but I'm hanged if I see
+hers. Why does she want to get back to England? Perhaps if I delay her
+as much as I can, she'll tell me. Hanged if I don't! Anyhow I'm glad
+to see old Charlie getting convalescent."
+
+The next morning the whole party left Cannes by the early train. The
+Bellairs, the Deanes, and Charlie Ellerton travelled together. Laing
+announced his intention of following by the afternoon train.
+
+"Oh," said Lady Deane, "you'll get to Paris sooner than we do." Dora
+looked gloomy; so did Charlie, after a momentary, hastily smothered
+smile.
+
+The porter approached and asked for an address. They told him the Grand
+Hotel, Paris.
+
+"If anything comes to-day, I'll bring it on," said Laing.
+
+"Yes, do; we shall have no address before Paris," answered General
+Bellairs.
+
+They drove off, and Laing, feeling rather solitary, returned to his
+cigar. An hour later the waiter brought him two telegrams, one for Dora
+and one for Charlie, he looked at the addresses.
+
+"Just too late, by Jove! All right, garçon, I'll take 'em," and he
+thrust them into the pocket of his flannel jacket. And when, after
+lunch, he could not stand the dullness any longer and went to Monte
+Carlo, he left the telegrams in the discarded flannels, where they lay
+till--the time when they were discovered. For Mr. Laing clean forgot
+all about them!
+
+
+
+CHAPTER VI
+
+A MAN WITH A THEORY
+
+
+Even Miss Bussey was inclined to think that all had happened for the
+best. John's eloquence had shaken her first disapprobation; the visible
+happiness of the persons chiefly concerned pleaded yet more
+persuasively. What harm, after all, was done, except for a little
+trouble and a little gossip? To these Mary and John were utterly
+indifferent. At first they had been rather shy in referring, before one
+another, to their loves, but custom taught them to mention the names
+without confusion, and ere long they had exchanged confidences as to
+their future plans. John's arrangement was obviously the more prudent
+and becoming. He discountenanced Mary's suggestion of an unannounced
+descent on Cannes, and persuaded her to follow his example and inform
+her lover that she would await news from him in Paris. They were to put
+up at the European, and telegrams there from Cannes would rind them on
+and after April 28th. All this valuable information was contained in
+the dispatches, which lay, with their priceless messages, on the said
+April 28th, in Mr. Arthur Laing's flannel jacket, inside his
+portmanteau, on the way to Paris.
+
+Paris claims to be the centre of the world, and if it be, the world has
+a very good centre. Anyhow Paris becomes, from this moment, the centre
+of this drama. Not only was Arthur Laing being whirled there by the
+Nice express, and Miss Bussey's party proceeding thither by the eleven
+o'clock train from Victoria--Mary laughed as she thought it might have
+been her honeymoon she was starting on--but the Bellairs and their
+friends were heading for the same point. Miss Bussey's party had the
+pleasanter journey; they were all of one mind; Miss Bussey was eager to
+reach Paris because it was the end of the journey; John and Mary
+desired nothing but the moment when with trembling fingers they should
+tear open their telegrams in the hall of the hotel. The expedition from
+the south did not enjoy a like unanimity; but before following their
+steps we may, in the interest of simplicity, land the first detachment
+safely at its destination.
+
+When Mary and John, followed by Miss Bussey--they outstripped her in
+their eagerness--entered the hotel, a young man with an eye-glass was
+just engaging a bedroom. John took his place beside the stranger, and
+asked in a voice, which he strove to render calm, if there were any
+letters for----.
+
+"Beg pardon, sir. In one moment," said the clerk, and he added to
+Laing, "Number 37, sir." Laing--Oh, the irony of things!--turned on
+John and his companion just that one supercilious glance which we
+bestow on other tourists, and followed his baggage upstairs.
+
+"Anything," resumed John, "for Miss Travers or Mr. Ashforth?" And he
+succeeded in looking as if he did not care a straw whether there were
+or not.
+
+After a search the porter answered, "Nothing, sir."
+
+"What?" exclaimed John, aghast? "Oh, nonsense, look again."
+
+Another search followed; it was without result.
+
+John saw Mary's appealing eyes fixed on him.
+
+"Nothing," he said tragically.
+
+"Oh, John!"
+
+"Have you taken the rooms, Mr. Ash forth?" inquired Miss Bussey.
+
+"No. I'm sorry. I forgot all about them."
+
+Miss Bussey was tired; she had been seasick, and the train always made
+her feel queer.
+
+"Has neither of you got an ounce of wits about you?" she demanded, and
+plunged forward to the desk. John and Mary received their numbers in
+gloomy silence, and mounted the stairs.
+
+Now Arthur Laing in his hasty survey of the party had arrived at a not
+unnatural but wholly erroneous conclusion. He had seen a young man,
+rather nervous, a young woman, looking anxious and shy, and an elderly
+person, plainly dressed (Miss Bussey was no dandy) sitting (Miss Bussey
+always sat as soon as she could) on, a trunk. He took John and Mary for
+a newly married couple, and Miss Bussey for an old family servant
+detailed to look after her young mistress's entry into independent
+housekeeping.
+
+"More infernal honeymooners," he said to himself, as he washed his
+hands. "The place is always full of 'em. Girl wasn't bad-looking,
+though."
+
+The next morning, unhappily, confirmed him in his mistake. For Miss
+Bussey, overcome by the various trials of the day before, kept her bed,
+and when Laing came down, the first sight which met his eyes was a
+breakfast-table, whereat Mary and John sat tête-à-tête. He eyed them
+with that mixture of scorn and envy which their supposed situation
+awakens in a bachelor's heart, and took a place from which he could
+survey them at leisure. There is a bright side to everything; and that
+of Laing's mistake was the pleasure he derived from his delusion.
+Sticking his glass firmly in his eye, he watched like a cat for those
+playful little endearments which his cynical mood--he was, like many of
+us, not at his best in the morning--led him to anticipate. He watched
+in vain. The young people were decorum itself; more than that, they
+showed signs of preoccupation; they spoke only occasionally, and then
+with a business-like brevity.
+
+Suddenly the waiter entered, with a hand fid of letters which he
+proceeded to distribute. Laing expected none, and kept his gaze on his
+honeymooners. To his surprise they showed animation enough now; their
+eyes were first on the waiter's approaching form; the bridegroom even
+rose an inch or two from his seat; both stretched out their hands.
+
+Alas, with a little bow, a smile, and a shrug, the waiter passed by,
+and the disappointed couple sank back, with looks of blank despair.
+
+Surely here was enough to set any open-minded man on the right track!
+Yes; but not enough to free one who was tied and bound to his own
+theory.
+
+"She's dashed anxious to hoar from home!" mused Laing. "Poor girl! It
+ain't over and above flattering to him, though."
+
+He finished his breakfast and went out to smoke. Presently he saw his
+friends come out also; they went to the porter's desk and he hoard one
+of them say "telegram." A sudden idea struck him.
+
+"I am an ass!" said he. "Tell you what it is they've wired for rooms
+somewhere--Monte, most likely--and can't start till they get an answer."
+
+He was so pleased with his explanation that his last doubt vanished and
+he watched Mary and John start for a walk--the fraternal relations they
+had established would have allowed such a thing even in London, much
+more in Paris--with quite a benevolent smile.
+
+"Aunt Sarah is really quite poorly," remarked Mary as they crossed the
+road and entered the Tuileries Gardens. "She'll have to stay in all
+to-day and perhaps tomorrow. Isn't it hard upon her? Paris amuses her
+so much."
+
+John expressed his sympathy.
+
+"Now if it had been you or I," he ended, "we shouldn't have minded.
+Paris doesn't amuse us just now."
+
+"Oh, but, John, we must be ready to start at any moment."
+
+"You can't start without Miss Bussey,"
+
+"I think that in a wagon-lit----" began Mary.
+
+"But what's the good of talking?" cried John, bitterly. "Why is there
+no news from her?"
+
+"He _might_ have wired--John, is it possible our telegrams went astray?"
+
+"Well, we must wait a day or two; or, if you like, we can wire again."
+
+Mary hesitated.
+
+"I--I can't do that, John. Suppose he'd received the first, and--and--"
+
+"Yes, I see. I don't want to humiliate myself either."
+
+"We'll wait a day, anyhow. And, now, John, let's think no more about
+them! Oh, well, that's nonsense; but let's enjoys ourselves as well as
+we can."
+
+They managed to enjoy themselves very well. The town was new to Mary,
+and John found a pleasure in showing it off to her. After a morning of
+sight-seeing, they drove in the Bois, and ended the day at the theatre.
+Miss Bussey, unfortunately, was no better. She had sent for an English
+doctor and he talked vaguely about two or three days in bed. Mary
+ventured to ask whether her aunt could travel.
+
+"Oh, if absolutely necessary, perhaps; but much better not," was the
+answer.
+
+Well, it was not absolutely necessary yet, for no letter and no
+telegram arrived. This was the awful fact that greeted them when they
+came in from the theatre.
+
+"We'll wire the first thing to-morrow," declared John, in a resolute
+tone. "Write yours to-night, Mary, and I'll give, them to the porter--"
+
+"Oh, not mine, please," cried Mary, in shrinking bashfulness. "I can't
+let the porter see mine!"
+
+"Well, then, we'll take them out before breakfast to-morrow."
+
+To this Mary agreed, and they sat down and wrote their dispatches.
+While they were so engaged Laing jumped out of a cab and entered the
+room. He seized an English paper, and, flinging himself into a chair,
+began to study the sporting news. Presently he stole a glance at Mary.
+It so chanced that just at the same moment she was stealing a glance at
+him. Mary dropped her eyes with a blush; Laing withdrew behind his
+paper.
+
+"Shy, of course. Anybody would be," he thought, with a smile.
+
+"Did you like the piece, Mary?" asked John.
+
+"Oh, very much. I wish Aunt Sarah could have seen it. She missed so
+much fun."
+
+"Well, she could hardly have come with us, could she?" remarked John.
+
+"Oh, no," said Mary.
+
+"Well, I should rather think not," whispered Laing, who failed to
+identify 'Aunt Sarah' with the elderly person on the trunk.
+
+"I shouldn't have been happy if she had," said Mary.
+
+"I simply wouldn't have let her," said John, in that authoritative tone
+which so well became him.
+
+"No more would I in your place, old chap," murmured Mr. Laing.
+
+Mary rose.
+
+"Thanks for all your kindness, John. Good-night."
+
+"I'm so glad you've had a pleasant day. Good-night, Mary."
+
+So they parted--with a good-night as calm, as decorous, as frankly
+fraternal as one could wish (or wish otherwise). Yet its very virtues
+undid it in the prematurely suspicious eyes of Arthur Laing. For no
+sooner was he left alone than he threw down his paper and began to
+chuckle.
+
+"All for my benefit, that, eh? 'Goodnight, Mary!' 'Good-night, John!'
+Lord! Lord!" and he rose, lit a cigarette, and ordered a
+brandy-and-soda. And ever and again he smiled. He felt very acute
+indeed.
+
+So vain is it for either wisdom or simplicity, candor or
+diplomacy--nay, for facts themselves--to struggle against a Man with a
+Theory. Mr. Laing went to bed no more doubting that Mary and John were
+man and wife than he doubted that he had 'spotted' the winner of the
+Derby. Certitude could no farther go.
+
+
+
+CHAPTER VII
+
+THE SIGHTS OF AVIGNON
+
+
+"It's a curious thing," observed Roger Deane, "but this fellow Baedeker
+always travels the opposite way to what I do. When I'm coming back,
+he's always going out, and vice versa. It makes him precious difficult
+to understand, I can tell you, Miss Dora. However I think I've got him
+now. Listen to this! 'Marseilles to Arles (Amphitheatre starred) one
+day. Arles to Avignon (Palace of the Popes starred) two days--slow
+going that--Avignon to----'"
+
+"Do you want to _squat_ in this wretched country, Sir Roger?" demanded
+Dora angrily.
+
+A faint smile played round Sir Roger's lips.
+
+"You're the only one who's in a hurry." he remarked.
+
+"No, I'm not. Mr. Ellerton is in just as much of a hurry."
+
+"Then he bears disappointment better."
+
+"What in the world did papa and--well, and Lady Deane, you know--want
+to stop here for?"
+
+"You don't seem to understand how interesting Marseilles is. Let me
+read you a passage. 'Marseilles was a colony founded about 600
+B.C.'--What? Oh, all right! We'll skip a bit. 'In 1792 hordes of
+galley-slaves were sent hence to Paris, where they committed frightful
+excesses.' That's what Maud and your father are going to do. 'It was
+for them that Rouget--' I say, what's the matter, Miss Dora?"
+
+"I don't know why you should enjoy teasing me, but you _have_ nearly
+made me cry, so perhaps you'll be happy now."
+
+"You tried to take me in. I pretended to be taken in. That's all."
+
+"Well, it was very unkind of you."
+
+"So, after all, it's not a matter of indifference to you at what rate
+we travel, as you said in the train to-day?"
+
+"Oh, I had to. I--I couldn't let papa see."
+
+"And why are you in a hurry?"
+
+"I can't tell you; but I must--oh, I must!--be in England in four days."
+
+"You'll hardly get your father to give up a day at Avignon."
+
+"Well, one day there; then we should just do it, if we only slept in
+Paris."
+
+"Yes, but my wife----"
+
+"Oh, you can stay. Don't say anything about Paris yet. Help me to get
+there. I'll make papa go on. Please do, Sir Roger. I shall be so
+awfully obliged to you; so will Mr. Ellerton."
+
+"Charlie Ellerton? Not he! He's in no hurry."
+
+"What do you mean? Didn't you hear him to-day urging papa to travel
+straight through?"
+
+"Oh, yes, I heard that."
+
+"Well?"
+
+"You were there then."
+
+"What of that?"
+
+"He's not so pressing when you're away."
+
+"I don't understand. Why should he pretend to be in a hurry when he
+isn't?"
+
+"Ah, I don't know. Don't you?"
+
+"Not in the least, Sir Roger. But never mind Mr. Ellerton. Will you
+help me?"
+
+"As far as Paris. You must look out for yourself there."
+
+These terms Dora accepted. Surely at Paris she would hear some news of
+or from John Ashforth. She thought he must have written one line in
+response to her last letter, and that his answer must have been so far
+delayed as to arrive at Cannes after her departure; it would be waiting
+for her at Paris and would tell her whether she was in time or whether
+there was no more use in hurrying. The dread that oppressed her was
+lest, arriving too late in Paris, she should find that she had missed
+happiness by reason of this wretched dawdling in Southern France.
+
+Seeing her meditative, Deane slipped away to his cigar, and she sat in
+the hotel hall, musing. Deane's revelation of Charlie's treachery
+hardly surprised her; she meant to upbraid him severely, but she was
+conscious that, if little surprised, she was hardly more than a little
+angry. His conduct was indeed contemptible; it revealed an utter
+instability and fickleness of mind which made her gravely uneasy as to
+Mary Travers's chances of permanent happiness. Yes, scornful one might
+b; but who could be seriously angry with the poor boy? And perhaps,
+after all, she did him injustice. Some natures were more prone than
+others to sudden passions; it really did not follow that a feeling must
+be either shallow or short-lived because it was sudden; whether it
+survived or passed away would depend chiefly on the person who excited
+it. It was clear that Mary Travers was incapable of maintaining a
+permanent hold over Charlie's affections, but another girl might--might
+have. If so, it would perhaps be a pity if Charlie and Mary Travers
+were to come together again. She doubted very much if they were suited
+to one another. She pictured Mary as a severe, rather stern young
+woman; and she hardly knew whether to laugh or groan at the thought of
+Charlie adapting himself to such a mate. Meanwhile her own position was
+certainly very difficult, and she acknowledged its thorniness with a
+little sigh. To begin with, the suspense was terrible; at times she
+would have been almost relieved to hear that John was married beyond
+recall. Then Charlie was a great and a growing difficulty. He had not
+actually repeated the passionate indiscretion, of which he had been
+guilty at Cannes, but more and more watchfulness and severity were
+needed to keep him within the bounds proper to their relative
+positions, and it was odious to be disagreeable to a fellow-traveller,
+especially when he was such a good and devoted friend as Charlie.
+
+Sir Roger loyally carried out his bargain. Lady Deane was hurried on,
+leaving Marseilles, with its varied types of humanity and its profound
+social significance, practically unexplored; Aries and Amphitheatre, in
+spite of the beckoning "star," were dropped out of the programme, and
+the next day found the party at Avignon. And now they were once more
+for a moment in harmony. Dora could spare twenty-four hours; Lady Deane
+and the General were mollified by conscious unselfishness; the prospect
+of a fresh struggle at Paris lay well in the background and was
+discreetly ignored; Charlie Ellerton, who had reached the most
+desperate stage of love, looked neither back nor forward. It was enough
+for him to have wrung four-and-twenty hours of Dora's company from
+fate's reluctant grasp. He meant to make the most of it.
+
+She and he sat, on the afternoon of their arrival, in the gardens, hard
+by the Cathedral, where Lady Deane and the General wore doing their
+duty. Sir Roger had chartered a cab and gone for a drive on the
+boulevards.
+
+"And we shall really be in Paris to-morrow night?" said Dora. "And in
+England, I hope, six-and-thirty hours afterwards. I want papa to cross
+the next evening. Mr. Ellerton, I believe we shall be in time."
+
+Charlie said nothing. He seemed to be engrossed by the magnificent view
+before him.
+
+"Well? Have you nothing to say?" she asked.
+
+"It's a sin to rush through a place like this," he observed. "We ought
+to stay a week. There's no end to see. It's an education!"
+
+By way, probably, of making the most of his brief opportunity, he went
+on gazing, across the river which flowed below, now towards the heights
+of Mont Ventoux, now at the ramparts of Villeneuve. Dora, on the other
+hand, fixed pensive eyes on his curly hatless head, which leant forward
+as he rested his elbows on his knees. He had referred to the
+attractions of Avignon in tones of almost overpowering emotion.
+
+Presently he turned his head towards her with a quick jerk.
+
+"I don't want to be in time," he said, and, with equal rapidity, he
+returned to his survey of Villeneuve.
+
+Dora made no answer, unless a perplexed wrinkle on her brow might serve
+for one. A long silence followed. It was broken at last by Charlie. He
+left the landscape with a sigh of satisfaction, as though he could not
+reproach himself with having neglected it, and directed his gaze into
+his companion's eyes. Dora blushed and pulled the brim of her hat a
+little lower down over her brow.
+
+"What's more," said Charlie, in deliberate tones, and as if no pause
+had occurred between this remark and his last, "I don't believe you do."
+
+Dora started and straightened herself in her seat; it looked as if the
+rash remark were to be met with a burst of indignation, but, a second
+later, she leant back again and smiled scornfully.
+
+"How can you be so silly, Mr. Ellerton?" she asked.
+
+"We both of us," pursued Charlie, "see now that we made up our minds to
+be very foolish; we both of us mistook our real feelings; we're
+beginning--at least I began some time ago, and you're beginning now--to
+understand the true state of affairs."
+
+"Oh, I know what you mean, and I ought to be very angry, I suppose; but
+it's too absurd."
+
+"Not in the least. The absurd thing is your fancying that you care
+about this follow Ashforth."
+
+"No, you must really stop, you must indeed. I don't----"
+
+"I know the sort of fellow he is--a dull dry chap, who makes love as if
+he was dancing a minuet."
+
+"You're quite wrong."
+
+"And kisses you as if it was part of the church service."
+
+This last description, applied to John Ashforth's manner of wooing, had
+enough of aptness to stir Dora into genuine resentment.
+
+"A Girl doesn't like a man less because he respects her; nor more
+because he ridicules better men than himself."
+
+"Don't be angry. I'm only saying what's true. Why should I want to run
+him down?"
+
+"I suppose--well, I suppose because----"
+
+"Well?"
+
+"You're a little bit--but I don't think I ought to talk about it."
+
+"Jealous, you were going to say."
+
+"Was I?"
+
+"And that shows you know what I mean."
+
+"Well, by now I suppose I do. I can't help your doing it or I would."
+
+Charlie moved closer, and leaning forward till his face was only a yard
+from hers, while his hand, sliding along the back of the seat, almost
+touched her, said in a low voice, "Are you sure you would?"
+
+Dora's answer was a laugh--a laugh with a hint of nervousness in it.
+Perhaps she knew what was in it, for she looked away towards the river.
+
+"Dolly," he whispered, "shall I go back to Cannes? Shall I?"
+
+Perhaps the audacity of this per saltum advance from the distance of
+Miss 'Bellairs' to the ineffable assumption involved in 'Dolly' made
+the subject of it dumb.
+
+"I will, if you ask me," he said, us she, was silent for a space.
+
+Then with profile towards him and eyes away, she murmured,
+
+"What would Miss Travers say if you turned back now?"
+
+The mention of Mary did not on this occasion evoke any unseemly words.
+On the contrary, Charlie smiled. He glanced at his companion. He
+glanced behind him and round him. Then, drilling his deep design into
+the semblance of an uncontrollable impulse, he seized Dora's hand in
+his and, before she could stir, kissed her cheek.
+
+She leapt to her feet.
+
+"How dare you?" she cried.
+
+"How could I help it?"
+
+"I'll never speak to you again. No gentleman would have--oh, I do hope
+you're ashamed of yourself!"
+
+Her words evidently struck home. With an air of contrition he sank on
+the seat.
+
+"I'm a beast," he said ruefully. "You're quite right, Miss Bellairs.
+Don't have anything more to say to me. I wish I was--I wish I had
+some--some self-control--and self-respect, you know. If I were a
+fellow like Ashforth now, I should never have done that! Of course you
+can't forgive me," and, in his extremity of remorse, he buried his face
+in his hands.
+
+Dora stood beside him. She made one step as if to leave him; a glance
+at him brought her back, and she looked down at him for a minute.
+Presently a troubled doubtful little smile appeared on her face; when
+she realized it was there, she promptly banished it. Alas! It was too
+late. The rascal had been peeping through his fingers, and, with a
+ringing laugh, he sprang to his feet, caught both her hands, and cried,
+"Shocking, wasn't it? Awful?"
+
+"Let me go, Mr. Ellerton."
+
+"Must I?"
+
+"Yes, yes."
+
+"Why? Why, when you----?"
+
+"Sir Roger's coming. Look behind you."
+
+"Oh, the deuce!"
+
+An instant later they were sitting demurely at opposite ends of the
+seat, inspecting Villeneuve with interest.
+
+In another moment Deane stood before them, puffing a cigarette, and
+wearing an expression of amiability tempered by boredom.
+
+"Wonderful old place, isn't it, Deane?" asked Charlie.
+
+"Such a view, Sir Roger!" cried Dora, in almost breathless enthusiasm.
+
+"You certainly," assented Deane, "do see some wonderful sights on this
+Promenade. I'm glad I came up. The air's given you quite a color, Miss
+Dora."
+
+"It's tea-time," declared Dora suddenly. "Take me down with you, Sir
+Roger. Mr. Ellerton, go and tell the others we're going home to tea."
+
+Charlie started off, and Sir Roger strolled along by Miss Bellairs's
+side. Presently he said:
+
+"Still anxious to get to Paris?"
+
+"Why shouldn't I be?" she asked quickly.
+
+"I thought perhaps the charms of Avignon would have decided you to
+linger. Haven't you been tempted?"
+
+Dora glanced at him, but his face betrayed no secondary meaning.
+
+"Tempted? Oh, perhaps," she answered, with the same nervous little
+laugh, "but not quite led astray. I'm going on."
+
+
+
+CHAPTER VIII
+
+MR. AND MRS. ASHFORTH (1)
+
+
+All that evening Miss Bellairs was not observed--and Deane watched her
+very closely--to address a word to Charlie Ellerton; even 'good-night'
+was avoided by a premature disappearance and unexpected failure to
+return. Perhaps it was part of the same policy of seclusion which made
+her persuade Lady Deane to travel to Paris with her in one compartment
+and relegate the men to another--a proposal which the banished accepted
+by an enthusiastic majority of two to one. The General foresaw an
+infinity of quiet naps and Deane uninterrupted smoking; Charlie alone
+chafed against the necessary interruption of his bold campaign, but, in
+face of Dora's calm coldness of aspect, he did not dare to lift up his
+voice.
+
+Lady Deane was so engrossed in the study--or the search for
+opportunities of study--of sides of life with which she was unfamiliar
+as to be, for the most part, blind to what took place immediately
+around her. General Bellairs himself (who vaguely supposed that some
+man might try to make love to his daughter five years hence, and
+thereupon be promptly sent off with a flea in his ear) was not more
+unconscious than she that there was, had been, or might be anything, as
+the phrase runs, 'between' the two junior members of the party. Lady
+Deane had no hints to give and no questions to ask; she seated herself
+placidly in a corner and began to write in a large note-book. She had
+been unwillingly compelled to 'scamp' Marseilles, but, as she wrote,
+she found that the rough notes she was copying, aided by fresh memory,
+supplied her with an ample fund of material. Alternately she smiled
+contentedly to herself, and gazed out of the window with a preoccupied
+air. Clearly a plot was brewing-, and the author was grateful to Dora
+for restricting her interruptions to an occasional impatient sigh and
+the taking up and dropping again of her Tauchnitz.
+
+With the men tongues moved more.
+
+"Well, General," said Deane, "what's Miss Dora's ultimatum about your
+staying in Paris?"
+
+Charlie pricked up his ears and buried his face behind La Vie
+Parisienne.
+
+"You'll think me very weak, Deane," rejoined the General, with an
+apologetic laugh, "but I've promised to go straight on if she wants me
+to."
+
+"And does she?"
+
+"I don't know what the child has got in her head, but she says she'll
+tell me when she gets to Paris. We shall have a day with you anyhow; I
+don't think she's so set on not staying as she was, but I don't profess
+to understand her fancies. Still, as you see, I yield to them."
+
+"Man's task in the world," said Deane. "Eh, Charlie? What are you
+hiding behind that paper for?"
+
+"I was only looking at the pictures."
+
+"Quite enough too. You're going to stay in Paris, aren't you?"
+
+"Don't know yet, old fellow. It depends on whether I get a letter
+calling me back or not."
+
+"Hang it, one might as well be in a house where the shooting turns out
+a fraud. Nobody knows that he won't have a wire any morning and have to
+go back to town. My wife 'll be furious if you desert her, General."
+
+"Oh, I hope it won't come to that."
+
+"I hope awfully that I shall be able to stay," said Charlie, with
+obvious sincerity.
+
+"Then," observed Deane with a slight smile, "if the General and Miss
+Bellairs leave us you can take my wife about."
+
+"I should think you might take her yourself," and he gently kicked
+Deane. He was afraid of arousing the General's dormant suspicions.
+
+It was late at night when they arrived in Paris, but the faithful Laing
+was on the platform to meet them, and received them with a warm
+greeting. While the luggage was being collected by Deane's man, they
+stood and talked on the platform. Presently the General, struck by a
+sudden thought, asked:
+
+"I suppose nothing came for us at Cannes, oh, Laing? You said you'd
+bring anything on, you know."
+
+Laing interrupted a pretty speech which he was trying to direct into
+Dora's inattentive ears.
+
+"Beg pardon, General?"
+
+"No letters for any of us before you left Cannes?"
+
+"No, Gen--" he began, but suddenly stopped. His mouth remained open and
+his glass fell from his eye.
+
+The General, not waiting to hear more than the first word, had rushed
+of to hail a cab and Deane was escorting his wife. Dora and Charlie
+stood waiting for the unfinished speech.
+
+The end came slowly and with a prodigious emphasis of despair.
+
+"Oh, by Jove!"
+
+"Well, Mr. Laing?" said Dora.
+
+"The morning you left--just after--there were two telegrams."
+
+"For me?" said each of his auditors.
+
+"One for each of you, but
+
+"Oh, give me mine."
+
+"Hand over mine, old chap."
+
+"I--I haven't got 'em."
+
+"What?"
+
+"I--I'm awfully sorry, I.----I forgot 'em."
+
+"Oh, how tiresome of you, Mr. Laing!"
+
+"Send 'em round first thing to-morrow, Laing."
+
+"But--but I don't know where I put 'em. I know I laid 'em down. Then I
+took 'em up. Then I put 'em--where the deuce did I put 'em? Here's a
+go, Miss Bellairs! I say, I am an ass!"
+
+No contradiction assailed him. His victims glared reproachfully at him.
+
+"I must have left them at Cannes. I'll wire first thing in the morning,
+Miss Bellairs; I'll get up as soon as ever the office is open. I say,
+do forgive me."
+
+"Well, Mr. Laing, I'll try, but----"
+
+"Laing! Here! My wife wants you," shouted Sir Roger, and the criminal,
+happy to escape, ran away, leaving Dora and Charlie alone.
+
+"They must have been from _them_," murmured Dora.
+
+"No doubt; and that fool Laing----"
+
+"What has he done with them?"
+
+"Lit his pipe with them, I expect."
+
+"Oh, what shall we do?"
+
+"I don't know."
+
+"What--what do you think they said, Mr. Ellerton?"
+
+"How can I tell? Perhaps that the marriage was off!"
+
+"Oh!" escaped from Dora.
+
+"Perhaps that it was going on."
+
+"It's worse than ever. They may have asked for answers."
+
+"Probably."
+
+"And they won't have written here!"
+
+"Sure not to have."
+
+"And--and I shan't know what to do. I--I believe it was to say he had
+broken off the marriage."
+
+"Is the wish father to the thought?"
+
+The lights of the station flickered, but Charlie saw, or thought he
+saw, a hasty unpremeditated gesture of protest.
+
+"Dolly!" he whispered.
+
+"Hush, hush! How can you now--before we know?"
+
+"The cab's waiting," called Deane. "Come along."
+
+They got in in silence. The General and the Deanes went first, and the
+three young people followed in a second vehicle. It was but just
+twelve, and the boulevards were gay and full of people.
+
+Suddenly, as they were near the Opera, they saw the tall figure of an
+unmistakable Englishman walking away from them down the Avenue de
+l'Opera. Dora clutched Charlie's arm with a convulsive grip.
+
+"Hullo, what's the--" he began, but a second pinch enforced silence.
+
+"See that chap?" asked Laing, pointing to the figure. "He's at my
+hotel."
+
+"Is he?" said Dora in a faint voice.
+
+"Yes, I've got a good deal of amusement out of him. He oughtn't to be
+out so late though, and by himself, too!"
+
+"Who is it?" asked Charlie.
+
+"I don't know his name."
+
+"And why oughtn't he to be out?"
+
+"Because he's on his honeymoon,"
+
+"What?" cried Dora.
+
+"Just married," explained Laing. "Wife's a tallish girl, fair, rather
+good-looking; looks standoffish though."
+
+"You--you're sure they're married, Mr. Laing?" gasped Dora, and
+Charlie, in whom her manner had awakened a suspicion of the truth, also
+waited eagerly for the reply.
+
+"What, Miss Bellairs?" asked Laing in surprise.
+
+"Oh, I mean--I mean you haven't made a mistake?"
+
+"Well, they're together all day, and nobody's with them except a
+lady's-maid. I should think that's good enough."
+
+With a sigh Dora sank back against the cushions. They were at the hotel
+now; the others had already entered, and, bidding Laing a hearty
+good-night, Dora ran in, followed closely by Charlie. He did not
+overtake her before she found her father.
+
+"Well, Dolly," said the General, "there's no letter."
+
+"Oh," cried Dolly, "I'll stay as long as ever you like, papa."
+
+"That's right," said Deane. "And you, Charlie?"
+
+Charlie took his cue.
+
+"A month if you like."
+
+"Capital! Now for a wash--come along, Maud--and then supper!"
+
+Dora lingered behind the others, and Charlie with her. Directly they
+were alone, he asked:
+
+"What does it all mean?"
+
+She sat down, still panting with agitation.
+
+"Why--why, that man we saw--the man Mr. Laing says is on his honeymoon,
+is--is----"
+
+"Yes, yes?"
+
+"Mr. Ashforth!"
+
+"Dolly! And his wife! By Jove! It's an exact description of Mary
+Travers!"
+
+"The telegrams were to say the marriage was to be at once."
+
+"Yes, and--they're married!"
+
+"Yes!"
+
+A short pause marked the astounding conclusion. Then Charlie came up
+very close and whispered:
+
+"Are you broken-hearted, Dolly?"
+
+She turned her face away with a blush.
+
+"Are you, Dolly?"
+
+"I'm very much ashamed of myself," she murmured. "Oh, Mr. Ellerton, not
+just yet!" and in deference to her entreaty Charlie had the grace to
+postpone what he was about to do.
+
+When the supper was ready Sir Roger Deane looked round the table
+inquiringly.
+
+"Well," said he, "what is it to be?"
+
+"Champagne--champagne in magnums!" cried Charlie Ellerton, with a
+ringing laugh.
+
+
+
+CHAPTER IX
+
+MR. AND MRS. ASHFORTH (2)
+
+
+Miss Bussey was much relieved when the doctor pronounced her
+convalescent and allowed her to come downstairs. To fall ill on an
+outing is always exasperating, but beyond that she felt that her
+enforced seclusion was particularly unfortunate at the moment. Here
+were two young people, not engaged nor going to be engaged to one
+another; and for three days or more circumstances had abandoned them to
+an inevitable and unchaperoned tête-à-tête! Mary made light of it; she
+relied on the fraternal relationship, but that was, after all, a
+fiction, quite incapable, in Miss Bussey's opinion, of supporting the
+strain to which It had been subjected. Besides Mary's sincerity
+appeared doubtful; the kind girl, anxious to spare her aunt worry, made
+light of the difficulties of her position, but Miss Bussey detected a
+restlessness in her manner which clearly betrayed uneasiness. Here, of
+course, Miss Bussey was wrong; neither Mary nor John were the least
+self-conscious; they felt no embarrassment, but, poor creatures, wore
+out their spirits in a useless vigil over the letter-rack.
+
+Miss Bussey was restored to active life on the morning after the party
+from Cannes arrived in Paris, and she hastened to emphasize the fact of
+her return to complete health by the unusual effort of coming down to
+breakfast. She was in high feather, and her cheery conversation lifted,
+to some extent, the gloom which had settled on her young friends. While
+exhorting to patience she was full of hope, and dismissed as chimerical
+all the darker explanations which the disconsolate lovers invented to
+account for the silence their communications had met with. Under her
+influence the breakfast-table became positively cheerful, and at last
+all the three burst into a hearty laugh at one of the old lady's little
+jokes.
+
+At this moment Arthur Laing entered the room. His brow was clouded. He
+had searched his purse, his cigar-case, the lining of his hat--in fact
+every depository where a careful man would be likely to bestow
+documents whose existence he wished to remember; as no careful man
+would put such things in the pocket of his 'blazer', he had not
+searched there; thus the telegrams had not appeared, and the culprit
+was looking forward, with some alarm, to the reception which would
+await him when he 'turned up' to lunch with his friends, as he had
+promised to do. Hardly, however, had he sat down to his coffee when his
+sombre thoughts were cleared away by the extraordinary spectacle of
+young Mr. and Mrs. Ashforth hobnobbing with their maid, the latter lady
+appearing quite at home and leading the gayety and the conversation.
+Laing laid down his roll and his knife and looked at them in
+undisguised amazement.
+
+For a moment doubt of his cherished theory began to assail his mind.
+He heard the old lady call Ashforth "John;" that was a little strange,
+and it was rather strange that John answered by saying: "That must be
+as you wish; I am entirely at your disposal." And yet, reflected Laing,
+was it very strange, after all? In his own family they had an old
+retainer who called all the children, whatever their age, by their
+Christian names, and was admitted to a degree of intimacy hardly
+distinguishable from that accorded to a relative.
+
+Laing, weighing the evidence pro and contra, decided that there was an
+overwhelming balance in favor of his old view, and dismissed the matter
+with the comment that, if it ever befell him to go on a wedding-tour,
+he would ask his wife to take a maid with rather less claims on her
+kindness and his toleration.
+
+That same morning the second pair of telegrams, forwarded by post from
+Cannes, duly arrived. Dora and Charlie, reading them in the light of
+their recent happy information, found them most kind and comforting,
+although in reality they, apart from their missing forerunners, told
+the recipients nothing at all. John's ran: "Am in Paris at European.
+Please write. Anxious to hear. Everything decided for the best.--John."
+Mary's to Charlie was even briefer; it said, "Am here at European. Why
+no answer to last?"
+
+"It's really very kind of Mr. Ashforth," said Dora to Charlie, as they
+strolled in the garden of the Tuileries, "to make such a point of what
+I think. I expect the wire that stupid Mr. Laing lost was just to tell
+me the date of the marriage."
+
+"Not a doubt of it. Miss Tr--Mrs. Ashforth's wire to me makes that
+clear. They want to hear that we're not desperately unhappy. Well, we
+aren't, are we, Dolly?"
+
+"Well, perhaps not."
+
+"Isn't it extraordinary how we mistook our feelings? Of course, though,
+it's natural in you. You had never been through anything of the sort
+before. How could you tell whether it was the real thing or not?"
+
+Dora shot a glance out of the corner of her eye at her lover, but did
+not disclaim the innocence he imputed to her; she knew men liked to
+think that, and why shouldn't they, poor things? She seized on his
+implied admission and carried the war into his country.
+
+"But you,--you who are so experienced--how did you come to make such a
+mistake?"
+
+Charlie was not at a loss.
+
+"It wasn't a mistake _then_," he said. "I was quite right then. Mary
+Travers was about the nicest girl I had ever seen. I thought her as
+charming as a girl could be."
+
+"Oh, you did! Then why----"
+
+"My eyes have been opened since then."
+
+"What did that?"
+
+"Why don't you ever pronounce my name?"
+
+"Never mind your name. What opened your eyes?"
+
+"Why, yours, of course."
+
+"What nonsense! They're very nice about it, aren't they? Do you think
+we ought to call?"
+
+"Shall you feel it awkward?"
+
+"Yes, a little. Shan't you? Still we must let them know we're here.
+Will you write to Mrs. Ashforth?"
+
+"I suppose I'd better. After lunch 'll do, won't it?"
+
+"Oh, yes. And I'll write a note to him. I expect they won't be staying
+here long."
+
+"I hope not. Hullo, it's a quarter past twelve. We must be getting
+back. Laing's coming to lunch."
+
+"Where arc the Deanes?"
+
+"Lady Deane's gone to Belleville with your father to see slums, and
+Roger's playing tennis with Laing. He said we weren't to wait lunch.
+Are you hungry, Dolly?"
+
+"Not very. It seems only an hour since breakfast."
+
+"How charming of you! We've been walking here since ten o'clock."
+
+"Mr. Ellerton, will you be serious for a minute? I want to say
+something important. When we meet the Ashforths there mustn't be a word
+said about--about--you know."
+
+"Why not?"
+
+"Oh, I couldn't! So soon! Surely you see that. Why, it would be hardly
+civil to them, would it, apart from anything else?"
+
+"Well, it might look rather casual."
+
+"And I positively couldn't face John Ashforth. You promise, don't you?"
+
+"It's a nuisance, because, you see, Dolly----
+
+"You're not to get into the habit of saying 'Dolly'. At least not yet."
+
+"Presently?"
+
+"If you're good. Now promise!"
+
+"All right."
+
+"We're not engaged."
+
+"All right."
+
+"Nor thinking of it,"
+
+"Rather not."
+
+"That's very nice of you, and when the Ashforths are gone----"
+
+"I shall be duly rewarded?"
+
+"Oh, we'll see. Do come along. Papa hates being kept waiting for his
+meals, and they must have finished their slums long ago."
+
+They found Lady Deane and the General waiting for them, and the latter
+proposed an adjournment to a famous restaurant near the Opera. Thither
+they repaired, and ordered their lunch.
+
+"Deane and Laing will find out where we've gone and follow," said the
+General. "We won't wait," and he resumed his conversation with Lady
+Deane on the events of the morning.
+
+A moment later the absentees came in; Sir Roger in his usual leisurely
+fashion, Laing; hurriedly. The latter held in his hand two telegrams,
+or the crumpled débris thereof. He rushed up to the table and panted
+out, "Found 'em in the pocket of my blazer--must have put 'em
+there--stupid ass--never thought of it--put it on for tennis--awfully
+sorry."
+
+Wasting no time in reproaches, Dora and Charlie grasped their recovered
+property.
+
+"Excuse me!" they cried simultaneously, and opened the envelopes. A
+moment later both leant back in their chairs, the pictures of helpless
+bewilderment.
+
+Dora had read: "Marriage broken off. Coming to you 28th. Write
+directions--European, Paris."
+
+Charlie had read: "Engagement at end. Aunt and I coming to
+Paris--European, on 28th. Can you meet?"
+
+Lady Deane was writing in her notebook. The General, Sir Roger, and
+Laing were busy with the waiter, the menu, and the wine-list. Quick as
+thought the lovers exchanged telegrams. They read, and looked at one
+another.
+
+"What does it mean?" whispered Dora.
+
+"You never saw anything like the lives those ragpickers lead, Dora,"
+observed Lady Deane, looking up from her task. "I was talking to one
+this morning and he said----"
+
+"Maitre d'hotel for me," broke in Sir Roger.
+
+"I haven't a notion," murmured Charlie.
+
+"Look here, what's your liquor, Laing?"
+
+"Anything; with this thirst on me----"
+
+"There are ample materials for a revolution more astonishing and
+sanguinary----"
+
+"Nonsense, General, yon must have something to drink."
+
+"Can they have changed their minds again, Dolly?"
+
+"They must have, if Mr. Laing is----"
+
+"Dry? I should think I was. So would you be, if you'd been playing
+tennis."
+
+Laing cut across the currents of conversation:
+
+"Hope no harm done, Miss Bellairs, about that wire?"
+
+"I--I--I don't think so."
+
+"Or yours, Charlie?"
+
+Charlie took a hopeful view.
+
+"Upon my honor, Laing, I'm glad you hid it."
+
+"Oh, I see!" cried Laing. "Tip for the wrong 'un, eh, and too late to
+put it on now?"
+
+"You're not far off," answered Charlie Ellerton.
+
+"Roger, is it to-night that the General is going to take me to the----"
+
+"Hush! Not before Miss Bellairs, my dear! Consider her filial feelings.
+You and the General must make a quiet bolt of it. We're only going to
+the Palais-Royal."
+
+The arrival of fish brought a momentary pause, but the first mouthful
+was hardly swallowed when Arthur Laing started, hunted hastily for his
+eyeglass, and stuck it in his eye.
+
+"Yes, it is them," said he. "See, Charlie, that table over there.
+They've got their backs to us, but lean see 'em in the mirror."
+
+"See who?" asked Charlie in an irritable tone.
+
+"Why, those honeymooners. I say, Lady Deane, it's a queer thing to have
+a lady's-maid to breakf--Why, by Jove, she's with them now! Look!"
+
+His excited interest aroused the attention of the whole party, and they
+looked across the long room.
+
+"Ashforth's their name," concluded Laing. "I heard the Abigail call him
+Ashforth; and the lady is----"
+
+He was interrupted by the clatter of a knife and fork falling on a
+plate. He turned in the direction whence the sound came.
+
+Dora Bellairs leant back in her chair, her hands in her lap; Charlie
+Ellerton had hidden himself behind the wine-list. Lady Deane, her
+husband, and the General gazed inquiringly at Dora.
+
+At the same instant there came a shrill little cry from the other end
+of the room. The mirror had served Mary Travers as well as it had
+Laing. For a moment she spoke hastily to her companion; then she and
+John rose, and, with radiant smiles on their faces, advanced toward
+their friends. The long-expected meeting had come; at last.
+
+Dora sat still, in consternation. Charlie, peeping out from behind his
+menu, saw the approach.
+
+"Now, in Heaven's name," he groaned, "are they married or aren't they?"
+and having said this he awaited the worst.
+
+
+
+CHAPTER X
+
+MR. AND NOT MRS. ASHFORTH
+
+
+Suum cuique: to the Man belongeth courage in great things, but in
+affairs of small moment Woman is pre-eminent. Charlie Ellerton was
+speechless; Dora Bellairs, by a supreme effort, rose on shaking legs
+and advanced with outstretched hands to meet John Ashforth.
+
+"Mr. Ashforth, I declare! Who would have thought of meeting you here?"
+she exclaimed; and she added in an almost imperceptible, mysterious
+whisper, "Hush!"
+
+John at once understood that he was to make no reference to the
+communications which had resulted in this happy meeting. He expressed a
+friendly gratification in appropriate words. Dora began to breathe
+again; everything was passing off well. Suddenly she glanced from John
+to Mary. Mary stood alone, about three yards from the table, gazing at
+Charlie. Charlie sat as though paralyzed. He would ruin everything.
+
+"Mr. Ellerton," she called sharply. Charlie started up, but before he
+could reach Dora's side, the latter had turned to Mary and was holding
+out a friendly hand. Mary responded with alacrity.
+
+"Miss Bellairs, isn't it? We ought to know one another. I'm so glad to
+meet you."
+
+Charlie was by them now.
+
+"And how do you do, Mr. Ellerton?" went on Mary, rivalling Dora in
+composure. And she also added a barely visible and quite inaudible
+"Hush!"
+
+"Who are they?" asked Deane in a low voice.
+
+"Their name's Ashforth," answered Laing.
+
+"God bless my soul!" exclaimed the General. "I remember him now. We
+made his acquaintance at Interlaken, but his name had slipped from my
+memory. And that's his wife? Fine girl, too. I must speak to him." And
+full of kindly intent he bustled off and shook John warmly by the hand.
+
+"My dear Ashforth, delighted to meet you again, and under such
+delightful conditions, too! Ah, well, it only comes once in a lifetime,
+does it?--in your case anyhow, I hope. I see Dora has introduced
+herself. You must present me. When was it?"
+
+Portions of this address puzzled John considerably, but he thought it
+best to do as he was told.
+
+"Mary," he said, "let me introduce General Bellairs--Miss Bellairs's
+father--to you. General Bell--"
+
+The General interrupted him by addressing Mary with much, effusion.
+
+"Delighted to meet you. Ah, you know our young friend Ellerton?
+Everybody does, it seems to me. Come, you must join us. Waiter, two
+more places. Lady Deane, let me introduce Mr. Ashforth. They're on
+their----"
+
+He paused. An inarticulate sound had proceeded from Mary's lips.
+
+"Beg pardon?" said the General.
+
+A pin might have been heard to drop, while Mary, recovering herself,
+said coldly:
+
+"I think there's some mistake. I'm not Mrs. Ashforth."
+
+"Gad, it's the old 'un!" burst in a stage whisper from Arthur Laing,
+who seemed determined that John Ashforth should have a wife.
+
+The General looked to his daughter for an explanation. Dora dared not
+show the emotion pictured on her face, and her back was towards the
+party. Charlie Ellerton was staring with a vacant look at the lady who
+was not Mrs. Ashforth. The worst had happened.
+
+John came to the rescue. With an awkward laugh he said:
+
+"Oh, you--you attribute too much happiness to me. This is Miss Travers.
+I--I--Her aunt, Miss Bussey, and she have kindly allowed me to join
+their travelling party. Miss Bussey is at that table," and he pointed
+to "the old 'un."
+
+Perhaps it was as well that at this moment the pent-up feelings which
+the situation, and above all the remorseful horror with which Laing was
+regarding his fictitious lady's-maid, overcame Roger Deane. He burst
+into a laugh. After a moment the General followed heartily. Laing was
+the next, bettering his examples in his poignant mirth. Sir Roger
+sprang up.
+
+"Come, Miss Travers," he said, "sit down. Here's the fellow who gave
+you your new name. Blame him," and he indicated Laing, Then he cried,
+"General, we must have Miss Bussey, too."
+
+The combined party, however, was not, when fully constituted by the
+addition of Miss Bussey, a success. Two of its members ate nothing and
+alternated between gloomy silence and forced gayety; who these were may
+well be guessed. Mary and John found it difficult to surmount their
+embarrassment at the contretemps which had attended the introduction,
+or their perplexity over the cause of it. Laing was on thorns lest his
+distributions of parts and stations in life should be disclosed. The
+only bright feature was the congenial feeling which appeared at once to
+unite Miss Bussey and Sir Roger Deane. They sat together, and, aided by
+the General's geniality and Lady Deane's supramundane calm, carried the
+meal to a conclusion without an actual breakdown, ending up with a
+friendly wrangle over the responsibility for the bill. Finally it was
+on Sir Roger's proposal that they all agreed to meet at five o'clock
+and take coffee, or what they would, together at a café by the water in
+the Bois de Boulogne. With this understanding the party broke up.
+
+Dora and Charlie, lagging behind, found themselves alone. They hardly
+dared to look at one another, lest their composure should fail.
+
+"They're not married," said Charlie.
+
+"No."
+
+"They've broken it off!"
+
+"Yes."
+
+"Because of us."
+
+"Yes."
+
+"While we----"
+
+"Yes."
+
+"Well, in all my life, I never----"
+
+"Oh, do be quiet."
+
+"What an infernal ass that fellow Laing----"
+
+"Do you think they saw anything?"
+
+"No. I half wish they had."
+
+"Oh, Mr. Ellerton, what shall we do? They're still in love with us!"
+
+"Rather. They've been waiting for us."
+
+Dora entered the hotel gates and sank into a chair in the court-yard.
+
+"Well? she asked helplessly; but Charlie had no suggestion to offer.
+
+"How could they?" she broke out indignantly. "How could they break off
+their marriage at the last moment like that? They--they were as good as
+married. It's really hardly--people should know their own minds."
+
+She caught sight of a rueful smile on Charlie's face.
+
+"Oh, I know, but it's different," she added impatiently. "One expects
+it of you, but I didn't expect it of John Ashforth."
+
+"And of yourself?" he asked softly.
+
+"It's all your fault, you wicked boy," she answered.
+
+Charlie sighed heavily.
+
+"We must break it to them," said he. "Mary will understand; she has
+such delicacy of feeling that----"
+
+"You're always praising that girl. I believe you're in love with her
+still."
+
+"Well, you as good as told me I wasn't fit to black Ashforth's boots."
+
+"Anyhow he wouldn't have--have--have tried to make a girl care for him
+when he knew she cared for somebody else."
+
+"Hang it, it seems to me Ashforth isn't exactly immaculate. Why, in
+Switzerland----"
+
+"Never mind Switzerland, Mr. Ellerton, please."
+
+A silence ensued. Then Charlie remarked, with a reproachful glance at
+Dora's averted face, "And this is the sequel to Avignon! I shouldn't
+have thought a girl could change so in forty-eight hours."
+
+Dora said nothing. She held her head very high in the air and looked
+straight in front of her.
+
+"When you gave me that kiss----" resumed Charlie.
+
+Now this form of expression was undoubtedly ambiguous; to give a kiss
+may mean: 1. What it literally says--to bestow a kiss. 2. To offer
+one's self to be kissed. 3. To accept willingly a proffered kiss; and,
+without much straining of words, 4. Merely to refrain from angry
+expostulation and a rupture of acquaintance when one is kissed--this
+last partaking rather of the nature of the ratification of an
+unauthorized act, and being, in fact, the measure of Dora's
+criminality. But the other shades of meaning caught her attention.
+
+"You know it's untrue; I never did," she cried angrily. "I told you at
+the time that no gentleman would have done it."
+
+"Oh, you mean Ashforth, I suppose? It's always Ashforth."
+
+"Well, he wouldn't."
+
+"And some girls I know wouldn't forgive a man on Monday and round on
+him on Wednesday."
+
+"Oh, you needn't trouble to mention names. I know the paragon you're
+thinking of!"
+
+They were now at the hotel.
+
+"Going in?" asked Charlie.
+
+"Yes."
+
+"I suppose we shall go to the Bois together?"
+
+"I shall ask papa or Sir Roger to take me."
+
+"Then I'll go with Lady Deane."
+
+"I don't mind who you go with, Mr. Ellerton."
+
+"I'll take care that you're annoyed as little as possible by my
+presence,"
+
+"It doesn't annoy me."
+
+"Doesn't it, D----?"
+
+"I don't notice it one way or the other."
+
+"Oh."
+
+"Good-by for the present, Mr. Ellerton."
+
+"Good-by, Miss Bellairs; but I ought to thank you."
+
+"What for?"
+
+"For making it easy to me to do what's right," and Charlie turned on
+his heel and made rapidly for the nearest café, where he ordered an
+absinthe.
+
+Dora went wearily up to her bedroom, and, sitting down, reviewed the
+recent conversation. She could not make out how, or why, or where they
+had begun to quarrel. Yet they had certainly not only begun but made
+very fair progress, considering the time at their disposal. It had all
+been Charlie's fault. He must be fond of that girl after all; if so, it
+was not likely that she would let him see that she minded. Let him go
+to Mary Travers, if--if he liked that sort of prim creature. She, Dora
+Bellairs, would not interfere. She would have no difficulty in finding
+someone who did care for her. Poor John! How happy he looked when he
+saw her! It was quite touching.
+
+He really looked almost--almost. To her sudden annoyance and alarm she
+found herself finishing the sentence thus, "almost as Charlie did at
+Avignon."
+
+"Oh, he's worth a thousand of Charlie," she exclaimed, impatiently.
+
+At half-past four Sir Roger Deane was waiting; in the hall. Presently
+Dora appeared.
+
+"Where are the others?" she asked.
+
+"Charlie's having a drink. Your father and Maud aren't coming. They're
+going to rest."
+
+"Oh, well, we might start."
+
+"Excuse me, Miss Dora, there's some powder on your nose."
+
+"Oh, is there? Thanks."
+
+"What have you been powdering for?"
+
+"Really, Sir Roger! Besides the sun has ruined my complexion."
+
+"Oh, the sun,"
+
+"Yes. Don't be horrid. Do let's start."
+
+"But Charlie--"
+
+"I hate riding three in a cab."
+
+"Oh, and I like riding alone in one, so----"
+
+"No, no. You must come with me. Mr. Ellerton can follow us. He's always
+drinking, isn't he? I dislike it so."
+
+Sir Roger, with a wink at an unresponsive plaster bust of M. le
+President, followed her to the door. They had just got into their
+little victoria when Charlie appeared, cigarette in hand.
+
+"Charlie," observed Deane, "Miss Bell airs thinks you'll be more
+comfortable by yourself than perched on this front seat."
+
+"Especially as you're smoking," added Dora. "Allez, cocher."
+
+Charlie hailed another vehicle and got in. As he did so he remarked
+between his teeth, "I'm d----d if I stand it."
+
+
+
+CHAPTER XI
+
+A DYNAMITE OUTRAGE
+
+
+On one side of the Lake Dora mid John walked together, on the other
+Mary and Charlie. Miss Bussey and Roger Deane sat in the garden of the
+café. The scene round them was gay. Carriages constantly drove up,
+discharging daintily attired ladies and their cavaliers. There was a
+constant stream of bicycles, some of them steered by fair riders in
+neat bloomer-suits; the road-waterers spread a grateful coolness in
+their ambit, for the afternoon was hot for the time of year, and the
+dust had an almost autumnal volume. Miss Bussey had been talking for
+nearly ten minutes on end, and now she stopped with an exhausted air,
+and sipped her coffee. Deane lit another cigar and sat silently looking
+on at the life that passed and repassed before him.
+
+"It's a curious story," he observed at last.
+
+"Very; but I suppose it's all ended happily now. Look at them, Sir
+Roger."
+
+"Oh, I see them."
+
+"Their troubles are over at last, poor children; and really I think
+they've all behaved very well. And yet----"
+
+"Yes?"
+
+"I should have thought Mary and Mr. Ashforth so suited to one another.
+Well, well, the heart's an unaccountable thing--to an old spinster,
+anyhow."
+
+"You're right, Miss Bussey. Take my wife and me. You wouldn't have
+thought we should have hit it off, would you? First year I knew her I
+hardly dared to speak to her--used to mug up Browning and--(Sir Roger
+here referred to an eminent living writer) and chaps like that, before
+I went to see her, you know. No use! I bored her to death. At last I
+chucked it up."
+
+"Well?"
+
+"And I went one day and talked about the Grand National for half an
+hour by the clock. Well, she asked me to come again next day, and I
+went, and told her all about the last burlesque and--and so on, you
+know. And then I asked her to marry me."
+
+"And she said 'Yes'?"
+
+"Not directly. She said there was an impassable gulf between us--an
+utter want of sympathy in our tastes and an irreconcilable difference
+of intellectual outlook."
+
+"Dear me! Didn't that discourage you?"
+
+"I said I didn't care a dash; she was the only girl I ever cared for
+(all right, Miss Bussey, don't laugh), and I'd have any outlook she
+liked. I said I knew I was an ass, but I thought I knew a pretty girl
+when I saw one, and I'd go away if she'd show me a prettier one."
+
+"Well?"
+
+"Well, she didn't."
+
+Miss Bussey laughed a little.
+
+"Of course," resumed Sir Roger, "I've got money, you know, and all
+that, and perhaps----"
+
+"Sir Roger! What a thing to say of your wife!"
+
+"Well, with another girl--but hang it, I don't believe Maud would.
+Still, you see, it's so dashed queer that sometimes----"
+
+"I'm sure she's very fond of you," said Miss Bussey, rather surprised
+fit the nature of the confidence which she was receiving.
+
+"I expect it's all right," resumed Deane, more cheerfully, "and that
+brings us back to where we started, doesn't it?"
+
+"And we started in bewilderment."
+
+"You're puzzled that Dora, Bellairs and Ashforth should pair off
+together, and----?"
+
+"Well, the other combination would seem more natural, wouldn't it?
+Doesn't it surprise you a little?"
+
+"I'm never surprised at anything till I know it's true," said Sir Roger.
+
+"What, you----?"
+
+They were interrupted by the return of their friends, and a move was
+made. Three vehicles were necessary to take them back, for the twos
+could, obviously, neither be separated from one another nor united with
+anybody else, and in procession, Miss Bussey and Deane leading, they
+filed along the avenues back to the Arc de Triomphe.
+
+They had hardly passed the open Place when their progress was suddenly
+arrested. A crowd spread almost across the broad road, and
+sergents-de-ville imperiously commanded a halt. There was a babble of
+tongues, great excitement, and a thousand eager fingers pointing at a
+house. The doorway was in ruins, and workmen were busy shoring it up
+with beams. In the middle of the crowd there was an open circle,
+surrounded by gendarmes, and kept clear of people. In the middle of it
+lay a thing like a rather tall slim watering-pot, minus the handle. The
+crowd, standing on tiptoe and peeping over the shoulders of their
+guardians, shook their fists at this harmless-looking article and
+apostrophised it with a wonderful wealth of passionate invectives.
+
+"What in the world's the matter?" cried Miss Bussey, who was nervous in
+a crowd.
+
+"Revolution, I suppose;" responded Deane calmly, mid turning to his
+nearest neighbor, he continued in the first French that came to him,
+"Une autre révolution, n'est-ce-pas, Monsieur?"
+
+The man stared, but a woman near him burst into a voluble explanation,
+from the folds of which unlearned English ears disentangled, at the
+third reiteration, the ominous word, "Dynamite;" and she pointed to the
+watering-pot.
+
+"Oh, it'll go off!" shrieked Miss Bussey.
+
+"It's gone off," said Sir Roger. "We're too late," and there was a
+touch of disappointment in his voice, as he turned and shouted to the
+others, "Keep your seats! It's all over. Only an explosion."
+
+"Only!" shuddered Miss Bussey. "It's a mercy we weren't killed."
+
+It appeared that this mercy had not stopped at Miss Bussey and her
+friends. Nobody had been killed--not even the magistrate on the third
+floor for whose discipline and reformation the occurrence had been
+arranged; and presently the carriages were allowed to proceed.
+
+Lady Deane's grief at having missed so interesting an occasion was very
+poignant.
+
+"No, Roger," said she, "it is not a mere craving for horrors, or a
+morbid love of excitement; I wish I had been there to observe the
+crowd, because it's just at such moments that people reveal their true
+selves. The veil is lifted--the veil of hypocrisy and convention--and
+you see the naked soul."
+
+"You could hear it too, Maud," observed Sir Roger. "Fine chance of
+improving your French vocabulary. Still, I daresay you're right."
+
+"I'm sure I am."
+
+Deane looked at his wife meditatively.
+
+"You think," he asked, "that being in danger might make people----"
+
+"Reveal their inmost natures and feelings? I'm sure of it."
+
+"Gad! Then we might try."
+
+"What do you mean, Roger?"
+
+"Nothing. You're going out with the General to-night? Very well, I
+shall take a turn on my own hook."
+
+As he strolled toward the smoking-room, he met Charlie Ellerton.
+
+"Well, old fellow, had a pleasant afternoon?"
+
+"Glorious!" answered Charlie in a husky voice.
+
+"Are we to congratulate you?"
+
+"I--I--well, it's not _absolutely_ settled yet, Deane, but--soon, I
+hope."
+
+"That's right. Miss Bussey told me the whole story, and I think you're
+precious lucky to get such a girl."
+
+"Yes, aren't I?"
+
+"You don't look over and above radiant."
+
+"Do you want me to go grinning about the hotel like an infernal hyena?"
+
+"I think a chastened joy would be appropriate."
+
+"Don't be an ass, Deane. I suppose you think you're funny."
+
+Sir Roger passed on, with a smile on his lips. As he passed the
+reading-room Dora Bellairs came out.
+
+"Well, Miss Dora, enjoyed your afternoon?"
+
+"Oh, awfully--except that dreadful explosion."
+
+"You must excuse a friend, you know. I'm awfully glad it's all come
+right in the end."
+
+"You--you're very kind, Sir Roger. It's--it's--there's nothing quite
+settled yet."
+
+"Oh, of course not, but still----! Well, I heard all about it and I
+think he's worthy of you. I can't say more. He seems a capital fellow."
+
+"Yes, isn't he? I----"
+
+"Yes?"
+
+"Oh, I'm very, very, _very_ happy," and, after making this declaration
+in a shaky voice, she fairly ran away down the passage. Deane watched
+her as she went.
+
+"Maud's right," said he. "She always is. There's nothing for it but
+dynamite. I wonder where it's to be got?"
+
+General Bellairs clapped him on the shoulders.
+
+"Inclined for a turn, Deane? I'm going to see an old servant of
+mine--Painter's his name. He married my poor wife's French maid, and
+set up as a restaurant-keeper in the Palais-Royal. I always look him up
+when I come to Paris."
+
+"I'm your man," answered Deane, and they set out for Mr. Painter's
+establishment. It proved to be a neat little place, neither of the very
+cheap nor of the very sumptuous class, and the General was soon
+promising to bring the whole party to dejeuner there. Painter was
+profuse in thanks and called Madame to thank the General. The General
+at once entered into conversation with the trim little woman.
+
+"Nice place yours, Painter," observed Deane.
+
+"Pleased to hear you say so, Sir Roger."
+
+"Very nice. Ah--er--heard of the explosion?"
+
+"Yes, Sir Roger. Abominable thing, sir. These Socialists----"
+
+"Quite so. Never had one here, I suppose?"
+
+"No, sir. We're pretty well looked after in here."
+
+"Like one?" asked Deane.
+
+"Beg pardon, sir. Ha-ha. No, sir."
+
+"Because I want one."
+
+"You--beg pardon, sir?"
+
+"Look here, Painter. I'll drop in here after dinner for some coffee. I
+want to talk to you. See? Not a word to the General."
+
+"Glad to see you, Sir Roger, but----"
+
+"All right. I'll put you up to it. Here they come. Present me to
+Madame."
+
+They went away, haying; arranged with the Painters for luncheon and a
+private room on the next day but one.
+
+"Lunch for eight," said Deane. "At least, General, I thought we might
+ask our friends from the European."
+
+"Yes--and young Laing."
+
+"Oh, I forgot him. Yes, Laing, of course. For nine--neuf, you know,
+please, madame."
+
+"That's all right," said the General, "I'm glad to do him a turn."
+
+"Yes, that's all right," assented Sir Roger, with the slightest
+possible chuckle. "We shall have a jolly lunch, eh, General?"
+
+
+
+CHAPTER XII
+
+ANOTHER!
+
+
+"I shall never, never forgot your generosity, John."
+
+"No, Mary. It was your honesty and courage that did it."
+
+"I told Mr. Ellerton the whole story, and he seemed positively
+astonished."
+
+"And Miss Bellairs admitted that when she wrote she considered such a
+tiling utterly impossible. She's changed a little, Mary. She's not so
+cheerful and light-hearted as she used to be."
+
+"Think what she's gone through. I've noticed just the same in Mr.
+Ellerton, but--"
+
+"You hope to restore him soon?"
+
+"Oh, well, I expect Miss Bellairs--what a pretty girl she is,
+John--will soon revive too, now she is with you again. John, have; you
+observed anything peculiar in Aunt Sarah's manner?"
+
+"To tell you the truth, I fancied she was rather short with me once or
+twice at dinner."
+
+"I believe she is--isn't pleased at--at what's happened. She hasn't
+taken much to Mr. Ellerton, and you know she liked you so much, that I
+think she still wants you as one of the family."
+
+John laughed: then he leant forward and said in a low voice:
+
+"Have you settled anything about dates?"
+
+"No. Mr. Ellerton--well he didn't introduce the subject: so of course I
+didn't. Have you?"
+
+"No, we haven't. I made some suggestion of the kind, but Miss Bellairs
+didn't fall in with it. She won't even let me ask her father's consent
+just yet."
+
+"Mr. Ellerton proposes not to announce our--anything--for a few days."
+
+"Well," said John, "I shall insist on an announcement very shortly, and
+you ought to do the same, Mary. We know the evils--" He checked
+himself, but Mary was not embarrassed.
+
+"Of secret engagements?" she said calmly. "We do indeed."
+
+"Besides it's a bore. I couldn't go with Miss Bellairs to the theatre
+to-night, because she said it would look too marked."
+
+"Yes, and Mr. Ellerton said that if he dined here he might as well
+announce our engagement from the statue of Strasburg."
+
+John frowned, and Mary perceiving the bent of his thoughts ventured to
+say, though with a timid air unusual to her:
+
+"I think they're the least little bit inconsiderate, don't you,
+John--after all we have done for them?"
+
+"Well, I don't mind admitting that I do feel that. I do not consider
+that Miss Bellairs quite appreciates the effort I have made."
+
+Mary sighed.
+
+"We mustn't expect too much of them, must we?" she asked.
+
+"I suppose not," John conceded; but he still frowned.
+
+When we consider how simple the elements of perfect happiness appear to
+be, regarded in the abstract, it becomes surprising to think how
+difficult it is to attain them in the concrete. A kind magician may
+grant us all we ask, may transport us whither we would go, dower us
+with all we lack, bring to us one desired companion after another, but
+something is wrong. We have a toothache, or in spite of our rich
+curtains there's a draught, or the loved one haps not to be at the
+moment congenial: and we pitifully pray the wizard to wave his wand
+again. Would any magician wave his for these four troublesome folk? It
+must be admitted that they hardly deserved it.
+
+Nevertheless a magician was at work, and, with the expiration of the
+next night, his train was laid. At eleven o'clock in the forenoon of
+Friday, Roger Deane had a final interview with the still hesitating
+Painter.
+
+"But if the police should come, Sir Roger?" urged the fearful man.
+
+"Why, you'll look a fool, that's all. Isn't the figure high enough?"
+
+"Most liberal, Sir Roger, but--but it will alarm my wife."
+
+"If you come to that, it'll alarm my wife."
+
+"Very true, Sir Roger." Painter seemed to derive some comfort from this
+indirect community of feeling with the aristocracy.
+
+"It'll alarm everybody, I hope. That's what it's for. Now mind--2.30
+sharp--and when the coffee's been in ten minutes. Not before! I must
+have time for coffee."
+
+"Very good, Sir Roger."
+
+"Is the ladder ready?"
+
+"Yes, Sir Roger."
+
+"And the what's-its-name?"
+
+"Quite ready, Sir Roger."
+
+"Let's see it."
+
+It was inspected and pronounced satisfactory. Then Roger Deane set out
+to return to his hotel, murmuring contentedly:
+
+"If that don't make up their minds for 'em, I don't know what will."
+
+Then he paused suddenly.
+
+"Gad! Will the women have hysterics?" he asked, but in a moment he
+added, reassuring himself, "Maud never has, and, hang it, we must
+chance the rest."
+
+Arrived at home he found Arthur Laing kicking his heels in the
+smoking-room.
+
+"Lunching with you to-day, ain't I, somewhere in the Palais-Royal?"
+asked the visitor.
+
+"Yes, some place the General's found out. Look here, Laing, are you a
+nervous man?"
+
+"Nervous! What do you take me for?"
+
+"Lose your head in moments of excitement?"
+
+"I never have 'em."
+
+"Oh, well, hang you! I say, Laing, you're not a fool. Just look here.
+Anything I say--anything, mind--at lunch today, you're not to
+contradict. You're to back me up."
+
+"Right you are, old chap."
+
+"And the more infernal nonsense it sounds, the more you're to take your
+oath about it."
+
+"I'm there."
+
+"And finally, you're on no account to lay a finger either on Miss
+Travers or on Dora Bellairs."
+
+"Hullo! I'm not in the habit of beating women at any time, let alone at
+a lunch-party."
+
+"I mean what I say: you're not to touch either of them. If you do
+you'll spoil it. You're to go for Miss Bussey."
+
+"She's not done me any harm."
+
+"Never mind. As soon as the row begins and I say, 'Save the ladies!'
+you collar Miss Bussey. See?"
+
+"Oh, I see. Seems to me we're going to have a lively lunch. Am I to
+carry the old lady?"
+
+"Yes."
+
+"Oh, by Jove! How's my biceps? Just feel, will you?"
+
+Deane felt and gravely pronounced the muscle to be equal to its task.
+Laing was much gratified, and awaited the unknown future with
+philosophic patience.
+
+Sir Roger had predicted "a jolly lunch," but, in its early stages, the
+entertainment hardly earned this description. Something was wrong
+somewhere; Dora started by refusing, very pointedly, to sit near
+Charlie Ellerton; and yet, when she found herself between Ashforth and
+Laing, she was absent, silent, and melancholy. Charlie, on the other
+hand, painfully practised a labored attentiveness to Mary Travers which
+contrasted ill with his usual spontaneous and gay courtesy. Miss Bussey
+wore an air of puzzled gravity, and Laing kept looking at her with a
+calculating eye. He seemed to be seeking the best grip. Lady Deane and
+the General, engrossed in a tête-à-tête discussion, did little to
+promote the hilarity of the table, and it was left to Deane to maintain
+the flow of conversation as he best could. Apparently he found the task
+a heavy one, for, before long, he took a newspaper out of his pocket,
+and, à propos to one of his own remarks, began to read a highly
+decorated account of the fearful injuries under which the last victim
+of the last diabolical explosion had been in danger of succumbing. Sir
+Roger read his gruesome narrative with much emphasis, and as he laid
+down the paper he observed:
+
+"Well, I hope I'm not more of a coward than most men, but in face of
+dynamite--ugh!" and he shuddered realistically.
+
+"I should make for the door," said Laing.
+
+"Yes, but in this case the bomb was at the door!"
+
+"Then," said Laing, "I should exit by the window."
+
+"But this poor man." remarked Mary Travers, "stayed to rescue the woman
+he loved," and her eyes rested for an instant in confident affection on
+Charlie Ellerton.
+
+"We should all do as much, I trust," said John, glancing at Dora
+Bellairs.
+
+"I'm sure I hope you won't have to," said Dora, rather ungraciously.
+
+"Think what a convincing test of affection it would be," suggested
+Deane persuasively. "After that you could never doubt that the man
+loved you."
+
+"My good Sir Roger," observed Miss Bussey, "it would be common
+humanity."
+
+"Suppose there were two girls," said Laing, "and you couldn't take 'em
+both!"
+
+Deane hastily interposed.
+
+"Haven't we had enough of this dreary subject?" he asked, and he
+frowned slightly at Laing.
+
+"Isn't it about time for coffee?" the General suggested.
+
+Deane looked at his watch.
+
+"What does the time matter, Deane, if we're ready?"
+
+"Not a bit. 2.20. That's all right," and he rang the bell.
+
+Painter came in with the coffee: the little man looked rather pale and
+nervous, but succeeded in serving the company without upsetting the
+cups. He came to Deane last.
+
+"Is everything ready?" whispered that gentleman, and receiving a
+trembling "Yes, sir," he added, "in ten minutes."
+
+"This," he observed out loud, "has been a pleasant gathering--a
+pleasant end to our outing."
+
+"What? You're going?" asked Miss Bussey.
+
+"Yes: my wife and I cross to England to-morrow."
+
+"I shall go the next day," announced the General, "if Dora is ready."
+
+John threw a glance toward Dora, but she was busy drinking her coffee.
+
+"Well," said Deane, "I hope we may soon meet again, under equally
+delightful circumstances, in London. At any rate," he added with a
+laugh, "there we shall be safe from----"
+
+Crash! A loud noise came from the door, as if of some metallic
+substance thrown against the panels.
+
+"Hullo!" said Laing.
+
+"Oh, somebody tumbled downstairs," said Deane reassuringly. "Don't
+move, Miss Bussey."
+
+"Oh, but Sir Roger, what is it? What do you think? It didn't sound at
+all like what you say."
+
+The General laughed.
+
+"Come, Miss Bussey, I don't suppose it's----"
+
+As he spoke the form of Painter appeared at the open window. He was
+breathless, and shrieked hastily:
+
+"Dynamite, dynamite! Save yourselves! It'll be off in a minute."
+
+"Then I shall be off in half a minute," said Laing.
+
+There was a rush to the door, and Laing, remembering his instructions,
+joined hastily in it.
+
+"No, no. The bomb's there!" cried Painter, excitedly.
+
+They stood still in horror for ten seconds.
+
+"To the window, to the window, for your lives! Save the ladies!" cried
+Sir Roger Deane.
+
+
+
+CHAPTER XIII
+
+FAITHFUL TO DEATH
+
+
+The ladies looked at one another. Even in that awful moment, the
+becoming, the seemly, the dignified had its claims. The window was
+narrow: the ladder--Mary Travers had gone to look at it--was steep: a
+little, curious, excited crowd was gathering below. Deane saw their
+hesitation. He rushed to the door and cautiously opened it. The thing
+was there! Across the very entrance--that villainous oblong case! And
+from below came a shriek--it was Madame's voice, and a cry of "Quick!
+quick!"
+
+"This," said the General firmly (he had been through the Mutiny), "is
+not a time for punctilio. Excuse me," and he lifted Lady Deane in his
+stalwart arms and bore her toward the window.
+
+With a distant reminiscence of the ball room, Arthur Laing approached
+Miss Bussey, murmuring "May I have the--" and with a mighty effort
+swung the good lady from the ground. She clutched his cravat wildly,
+crying "Save me!"
+
+Mary Travers was calmness itself. With quiet mien and unfaltering
+voice, she laid her hand on Charlie's arm and murmured:
+
+"I am ready, Charlie."
+
+At the same moment John Ashforth, the light of heroism in his eye,
+whispered to Dora, "You must trust yourself implicitly to me."
+
+"Quick, quick!" cried Deane, "or it's all up with you. Quick, Ashforth!
+Quick, Charlie, quick, man!"
+
+There was one more pause. Mary's hand pressed a little harder. John's
+arm was advancing towards Dora's waist. Sir Roger looked on with
+apparent impatience.
+
+"Are you never going?" he called. "Must I----"
+
+Suddenly a loud cry rang out. It came from Miss Bellairs.
+
+"Oh, Charlie, save me, save me!" she cried, and then and there flung
+herself into his arms.
+
+"My darling!" he whispered loudly, and catching her up made for the
+window. As they disappeared through it, Deane softly and swiftly opened
+the door and disappeared in his turn. Mary and John were left alone.
+Then Mary's composure gave way. Sinking into a chair she cried:
+
+"And I am left! Nobody cares for me. What shall I do?"
+
+In an instant John's strong arm was round her. "I care for you!" he
+cried, and raising her almost senseless form, he rushed to the window.
+The ladder was gone!
+
+"Gone!" he shrieked. "Where is it?"
+
+There was no answer. The little crowd had gone too.
+
+"We are lost," he said.
+
+Mary opened her eyes.
+
+"Lost!" she echoed.
+
+"Lost! Abandoned--by those who loved--ah, no, no, Mary. In the hour of
+danger--then we see the truth!"
+
+Mary's arms clasped him closer.
+
+"Ah, John, John," she said, "we must die together, dear."
+
+John stooped and kissed her.
+
+Suddenly the door was opened and Deane entered. He wore a comically
+apologetic look, and carried an oblong metal vessel in his right hand.
+
+"Excuse me," he said. "There's been--er--slight but very natural
+mistake. It wasn't--er--exactly dynamite--it's--er--a preserved-peach
+tin. That fool Painter----"
+
+"Then we're safe!" cried Mary.
+
+"Yes, thank Heaven," answered Deane fervently.
+
+"Oh, John!" she cried.
+
+Sir Roger, with a smile, retired and closed the door after him.
+
+Downstairs Lady Deane and Miss Bussey, forgetful of their sufferings,
+were restoring Madame Painter to her senses; Painter was uncorking a
+bottle of champagne for Arthur Laing; Sir Roger Deane was talking in a
+low voice and persuasive tones to an imposing representative of the
+police. "What passed between them is unknown; possibly only words,
+possibly something else; at any rate, after a time, Deane smiled, the
+great man smiled responsively, saluted, and disappeared, murmuring
+something about Anglais, milords, and drôles. The precise purport of
+his reflections could not be distinctly understood by those in the
+house, for civility made him inarticulate, but when he was safely
+outside he looked at a piece of crisp paper in his hand, then, with his
+thumb pointing over his shoulder, he gave an immense shrug, and
+exclaimed:
+
+"Mais voilà, un fou!" and to this day he considers Roger Deane the very
+type of a maniac.
+
+Mary and John descended. As soon as they appeared Dora jumped up from
+her seat and ran towards John, crying, "Oh, Mr. Ashforth!"
+
+While Charlie, advancing more timidly to Mary, murmured: "Forgive me,
+but--"
+
+Mary with a slight bow, John with a lift of his hat, both without a
+halt or a word, passed through the room, arm-in-arm, and vanished from
+Mr. Painter's establishment.
+
+Sir Roger had seized on Laing's champagne and was pouring it out. He
+stopped now, and looked at Dora. A sudden gleam of intelligence glanced
+from her eyes. Rushing up to him, she whispered, "You did it all? It
+was all a hoax?"
+
+He nodded.
+
+"And why?"
+
+"Ask Charlie Ellerton," he answered.
+
+"Oh, but Mr. Ashforth and Mary Travers are so angry!"
+
+"With one another?"
+
+"No, with us."
+
+Sir Roger looked her mercilessly full in the face, regardless of her
+blushes.
+
+"That," he observed with emphasis, "is exactly what you wanted, Miss
+Bellairs."
+
+Then he turned to the company, holding a full glass in his hand.
+"Ladies and gentlemen," said he, "some of us have had a narrow escape.
+Whether we shall be glad of it or sorry hereafter, I don't know--do
+you, Charlie? But hero's a health to----"
+
+But Dora, glancing apprehensively at the General, whispered, "Not yet!"
+
+"To Dynamite!" said Sir Roger Deane.
+
+
+
+POSTSCRIPT
+
+
+It should be added that a fuller, more graphic, and more sensational
+account of the outrage in the Palais-Royal than this pen has been
+capable of inscribing will appear, together with much other curious and
+enlightening matter, in Lady Deane's next work. The author also takes
+occasion in that work--and there is little doubt that the subject was
+suggested by the experiences of some of her friends--to discuss the
+nature, quality, and duration of the Passion of Love. She concludes--if
+it be permissible thus far to anticipate the publication of her
+book--that all True Love is absolutely permanent and indestructible,
+untried by circumstance and untouched by time; and this opinion is, she
+says, indorsed by every woman who has ever been in love. Thus
+fortified, the conclusion seems beyond cavil. If, therefore, any
+incidents here recorded appear to conflict with it, we must imitate the
+discretion of Plato and say, either these persons were not Sons of the
+Gods--that is. True Lovers--or they did not do such things.
+Unfortunately, however, Lady Deane's proof-sheets were accessible too
+late to allow of the title of this story being changed. So it must
+stand--"The Wheel of Love;" but if any lady (men are worse than
+useless) will save the author's credit by proving that wheels do not go
+round, he will be very much obliged--and will offer her every facility.
+
+
+
+
+THE LADY OF THE POOL
+
+
+CHAPTER I
+
+A FIRM BELIEVER
+
+
+"I see Mr. Vansittart Merceron's at the Court again, mamma."
+
+"Yes, dear. Lady Merceron told me he was coming. She wanted to consult
+him about Charlie."
+
+"She's always consulting him about Charlie, and it never makes any
+difference."
+
+Mrs. Bushell looked up from her needlework; her hands were full with
+needle and stuff, and a couple of pins protruded from her lips. She
+glanced at her daughter, who stood by the window in the bright blaze of
+a brilliant sunset, listlessly hitting the blind-cord and its tassel to
+and fro.
+
+"The poor boy's very young still," mumbled Mrs. Bushell through her
+pins.
+
+"He's twenty-five last month," returned Millicent. "I know, because
+there's exactly three years between him and me."
+
+The sinking rays defined Miss Bushell's form with wonderful clearness.
+She was very tall, and the severe well-cut cloth gown she wore set off
+the stately lines of her figure. She had a great quantity of fair hair
+and a handsome face, spoilt somewhat by a slightly excessive breadth
+across the cheeks; as her height demanded or excused, her hands and
+feet were not small, though well shaped. Would Time have arrested his
+march for ever, there would have been small fault to find with Nature's
+gifts to Miss Bushell; but, as her mother said, Millie was just what
+she had been at twenty-one; and Mrs. Bushell was now extremely stout.
+Millie escaped the inference by discrediting her mother's recollection.
+
+The young lady wore her hat, and presently she turned away from the
+window, remarking:
+
+"I think I shall go for a stroll. I've had no exercise to-day."
+
+Either inclination, or perhaps that threatening possibility from which
+she strove to avert her eyes, made Millie a devotee of active pursuits.
+She hunted, she rode, she played lawn-tennis, and, when at the seaside,
+golf; when all failed, she walked resolutely four or five miles on the
+high-road, swinging along at a healthy pace, and never pausing save to
+counsel an old woman or rebuke a truant urchin. On such occasions her
+manner (for we may not suppose that her physique aided the impression)
+suggested the benevolent yet stern policeman, and the vicar
+acknowledged in her an invaluable assistant. By a strange coincidence
+she seemed to suit the house she lived in--one of those large white
+square dwelling's, devoid of ornament, yet possessing every substantial
+merit, and attaining, by virtue of their dimensions and simplicity, an
+effect of handsomeness denied to many more tricked-out building's. The
+house satisfied; so did Millie, unless the judge were very critical.
+
+"I shall just walk round by the Pool and back," she added as she opened
+the door.
+
+"My dear, it's four miles!"
+
+"Well, it's only a little after six, and we don't dine till eight."
+
+Encountering no further opposition than a sigh of admiration--three
+hundred yards was the limit of pleasure in a walk to her mother--Millie
+Bushell started on her way, dangling a neat ebony stick in her hand,
+and setting her feet down with a firm decisive tread. It did not take
+her long to cover the two miles between her and her destination.
+Leaving the road, she entered the grounds of the Court and, following a
+little path which ran steeply down hill, she found herself by the
+willows and reeds fringing the edge of the Pool. Opposite to her, on
+the higher bank, some seven or eight feet above the water, rose the
+temple, a small classical erection, used now, when at all, as a
+summer-house, but built to commemorate the sad fate of Agatha Merceron.
+The sun had just sunk, and the Pool looked chill and gloomy; the deep
+water under the temple was black and still. Millie's robust mind was
+not prone to superstition, yet she was rather relieved to think that,
+with the sun only just gone, there was a clear hour before Agatha
+Merceron would come out of the temple, slowly and fearfully descend the
+shallow flight of marble steps, and lay herself down in the water to
+die. That happened every evening, according to the legend, an hour
+after sunset--every evening, for the last two hundred years, since poor
+Agatha, bereft and betrayed, had found the Pool kinder than the world,
+and sunk her sorrow and her shame and her beauty there--such shame and
+such beauty as had never been before or after in all the generations of
+the Mercerons.
+
+"What nonsense it all is!" said Millie aloud. "But I'm afraid Charlie
+is silly enough to believe it."
+
+As she spoke her eye fell on a Canadian canoe, which lay at the foot of
+the steps. She recognized it as Charlie Merceron's, and, knowing that
+approach to the temple from the other side was to be gained only by a
+difficult path through a tangled wood, and that the canoe usually lay
+under a little shed a few yards from where she stood, she concluded
+that Charlie was in the temple. There was nothing surprising in that:
+it was a favorite haunt of his. She raised her voice; and called to
+him. At first no answer came, and she repeated:
+
+"Charlie! Charlie!"
+
+After a moment of waiting a head was thrust out of a window in the side
+of the temple--a head in a straw hat.
+
+"Hullo!" said Charlie; Merceron in tones of startled surprise. Then,
+seeing the visitor, he added: "Oh, it's you, Millie! How did you know I
+was here?"
+
+"By the canoe, of course."
+
+"Hang the canoe!" muttered Charlie, and his head disappeared. A second
+later he came out of the doorway and down the steps. Standing on the
+lowest, he shouted--the Pool was about sixty feet across--"What do you
+want?"
+
+"How rude you are!" shouted Miss Bushell in reply.
+
+Charlie got into the canoe and began to paddle across. He had just
+reached the other side, when Millie screamed:
+
+"Look, look, Charlie!" she cried. "The temple!"
+
+"What?"
+
+"I--I saw something white at the window."
+
+Charlie got out of the canoe; hastily.
+
+"What?" he asked again, walking up to Miss Bushell.
+
+"I declare I saw something white at the window. Oh, Charlie! But it's
+all----"
+
+"Bosh? Of course it is. There's nothing in the temple."
+
+"Well, I thought--I wonder you like to be there."
+
+"Why shouldn't I?"
+
+The mysterious appearance not being repeated, Millie's courage returned.
+
+"I thought you believed in the ghost," she said, smiling.
+
+"So I do, but I don't mind it."
+
+"You've never seen it?"
+
+"Supposing I haven't? That doesn't prove it's not true."
+
+"But you're often here at the time?"
+
+"Never," answered Charlie with emphasis. "I always go away before the
+time."
+
+"Then you'd better come now. Put the canoe to bed and walk with me."
+
+Charlie Merceron thrust his hands into his pockets and smiled at his
+companion. He was tall also, and just able to look down on her.
+
+"No," he said, "I'm not going yet."
+
+"How rude--oh, there it is again, Charlie! I saw it! I'm--I'm
+frightened," and her healthy color paled a trifle, as she laid a hand
+on Charlie's arm.
+
+"I tell you what," observed Charlie. "If you have fancies of this kind
+you'd better not come here any more--not in the evening, at all events.
+You know people who think they're going to see things always do see
+'em."
+
+"My heart is positively beating," said Miss Bushell. "I--I don't quite
+like walking back alone."
+
+"I'll see you as far as the road," Charlie conceded, and with
+remarkable promptitude he led the way, turning his head over his
+shoulder to remark:
+
+"Really, if you're so nervous, you oughtn't to come here."
+
+"I never will again--not alone, I mean."
+
+Charlie had breasted the hill with such goodwill that they were already
+at the road.
+
+"And you're really going back?" she asked.
+
+"Oh, just for a few minutes. I left my book in the temple--I was
+reading there. She's not due for half an hour yet, you know."
+
+"What--what happens if you see her?"
+
+"Oh, you die," answered Charlie. "Goodnight;" and with a smile and a
+nod he ran down the hill towards the Pool.
+
+Miss Bushell, cavalierly deserted, made her way home at something more
+than her usual rate of speed. She had never believed in that nonsense,
+but there was certainly something white at that window--something white
+that moved. Under the circumstances, Charlie really might have seen her
+home, she thought, for the wood-fringed road was gloomy, and dusk
+coming on apace. Besides, where was the hardship in being her escort?
+
+Doubtless none, Charlie would have answered, unless a man happened to
+have other fish to fry. The pace at which the canoe crossed the Pool
+and brought up at its old moorings witnessed that he had no leisure to
+spend on Miss Bushell. Leaping out, he ran up the stops into the
+temple, crying in a loud whisper:
+
+"She's gone!"
+
+The temple was empty, and Charlie, looking round in vexation, added:
+
+"So has she, by Jingo!"
+
+He sat down disconsolately on the low marble seat that ran round the
+little shrine.
+
+There were no signs of the book of which he had spoken to Millie
+Bushell. There were no signs of anybody whom he could have meant to
+address. Stay! One sign there was: a long hat-pin lay on the floor.
+Charlie picked it tip with a sad smile.
+
+"Agatha's," he said to himself.
+
+And yet, as everyone in the neighborhood knew, poor Agatha Merceron
+went nightly to her phantom death bareheaded and with golden locks
+tossed by the wind. Moreover, the pin was of modern manufacture;
+moreover, ghosts do not wear--but there is no need to enter on
+debatable ground; the pin was utterly modern.
+
+"Now, if uncle Van," mused Charlie, "came here and saw this--!" He
+carefully put the pin in his breast-pocket, and looked at his watch.
+It was exactly Agatha Merceron's time; yet Charlie leant back on his
+cold marble seat, put his hands in his pockets, and gazed up at the
+ceiling with the happiest possible smile on his face. For one steeped
+in family legends, worshipping the hapless lady's memory with warm
+devotion, and reputed a sincere believer in her ghostly wanderings, he
+awaited her coming with marvellous composure. In point of fact he had
+forgotten all about her, and there was nothing to prevent her coming,
+slipping down the steps, and noiselessly into the water, all unnoticed
+by him. His eyes were glued to the ceiling, the smile played on his
+lips, his ears were filled with sweet echoes, and his thoughts were far
+away. Perhaps the dead lady came and passed unseen. That Charlie did
+not see her was ridiculously slight evidence whereon to damn so ancient
+and picturesque a legend. He thought the same himself, for that night
+at dinner--he came in late for dinner--he maintained the credit of the
+story with fierce conviction against Mr. Vansittart Merceron's
+scepticism.
+
+
+
+CHAPTER II
+
+MISS WALLACE'S FRIEND
+
+
+In old days the Mercerons had been great folk. They had held the
+earldom of Langbury and the barony of Warmley. A failure of direct
+descent in the male line extinguished the earldom; the Lady Agatha was
+the daughter of the last earl, and would have been Baroness Warmley had
+she lived. On her death that title passed to her cousin, and continued
+in that branch till the early days of the present century. Then came
+another break. The Lord Warmley of that day, a Regency dandy, had a
+son, but not one who could inherit his honors, and away went the barony
+to a yet younger branch, where, falling a few years later into female
+hands, it was merged in a brand-new viscounty, and was now waiting till
+chance again should restore it to an independent existence. From the
+Mercerons of the Court it was gone for ever, and the blot on their
+escutcheon which lost it them was a sore point, from which it behooved
+visitors and friends to refrain their tongues. The Regent had, indeed,
+with his well-known good nature, offered a baronetcy to hide the stain;
+but pride forbade, and the Mercerons now held no titles, save the
+modest dignity which Charlie's father, made a K.C.B. for services in
+the North-West Provinces, had left behind him to his widow. But the old
+house was theirs, and a comfortable remnant of the lands, and the
+pictures of the extinct earls and barons, down to him whose sins had
+robbed the line of its surviving rank and left it in a position, from
+an heraldic point of view, of doubtful respectability. Lady Merceron
+felt so acutely on the subject that she banished this last nobleman to
+the smoking-room. There was, considering everything, an appropriateness
+in that position, and he no longer vexed her eyes as she sat at meat in
+the dining room. She had purposed a like banishment for Lady Agatha;
+but here Charlie had interceded, and the unhappy beauty hung still
+behind his mother's chair and opposite his own. It was just to remember
+that but for poor Agatha's fault and fate the present branch might
+never have enjoyed the honors at all; so Charlie urged to Lady
+Merceron, catching at any excuse for keeping Lady Agatha. Lady
+Merceron's way of judging pictures may seem peculiar, but the fact is
+that she lacked what is called the sense of historical perspective: she
+did not see why our ancestors should be treated so tenderly and
+allowed, with a charitable reference to the change in manners,
+forgiveness for what no one to-day could hope to win a pardon. Mr.
+Vansittart Merceron smiled at his sister-in-law and shrugged his
+shoulders; but in vain. To the smoking-room went the wicked Lord
+Warmley, and Lady Agatha was remarkably lucky in that she did not
+follow him.
+
+Mr. Vansittart, half-brother to the late Sir Victor, and twenty years
+younger than he, was a short thick-set man, with a smooth round white
+face, and a way of speaking so deliberate and weighty that it imparted
+momentousness to nothings and infallibility to nonsense. When he really
+had something sensible to say, and that was very fairly often, the
+effect was enormous. He was now forty-four, a widower, well off by his
+marriage, and a Member of Parliament. Naturally, Lady Merceron relied
+much, on his advice, especially in what concerned her son; she was hazy
+about the characters and needs of young men, not knowing how they
+should be treated or what appealed to them. Amid her haziness, one fact
+only stood out clear. To deal with a young man, you wanted a man of the
+world. In this capacity Mr. Vansittart had now been sent for to the
+Court, the object of his visit being nothing less than the arrangement
+and satisfactory settlement of Charlie's future.
+
+Mr. Vansittart approached the future through the present and the past.
+"Yon wasted your time at school, you wasted your time at Oxford, you're
+wasting your time now," he remarked, when Charlie and he were left
+alone after dinner.
+
+Charlie was looking at Lady Agatha's picture. "With a sigh he turned to
+his uncle.
+
+"That's all very well," he said tolerantly, "but what is there for me
+to do?"
+
+"If you took more interest in country pursuits it might be different.
+But you don't hunt, you shoot very seldom----"
+
+"And very badly."
+
+"And not at all well, as you admit. You say you won't become a
+magistrate, you show no interest in politics or--or--social questions.
+You simply moon about."
+
+Charlie was vividly reminded of a learned judge whom he had once heard
+pronouncing sentence of death. His uncle's denunciation seemed to lack
+its appropriate conclusion--that he should be hanged by the neck till
+he was dead. He was roused to defend himself.
+
+"You're quite wrong, uncle," he said. "I'm working hard. I'm writing a
+history of the family."
+
+"A history of the family!" groaned Mr. Vansittart. "Who wants one?
+Who'll read one?"
+
+"From an antiquarian point of view--" began Charlie stoutly.
+
+"Of all ways of wasting time, antiquarianism is perhaps the most
+futile;" and Mr. Vansittart wiped his mouth with an air of finality.
+
+"Now the Agatha Merceron story," continued Charlie, "is in itself---"
+
+"Perhaps we'd better finish our talk tomorrow. The ladies will, expect
+us in the garden."
+
+"All right," said Charlie, with much content. He enjoyed himself more
+in the garden, for, while Lady Merceron and her brother in law took
+counsel, he strolled through the moonlit shrubberies with Mrs. Marland,
+and Mrs. Marland was very sympathetically interested in him and his
+pursuits. She was a little eager woman, the very antithesis in body and
+mind to Millie Bushell; she had plenty of brains but very little sense,
+a good deal of charm but no beauty, and, without any counterbalancing
+defect at all, a hearty liking for handsome young men. She had also a
+husband in the City.
+
+"Ghost-hunting again to-night, Mr. Merceron?" she asked, glancing up at
+Charlie, who was puffing happily at a cigar.
+
+"Yes," he answered, "I'm very regular."
+
+"And did you see anyone?
+
+"I saw Millie Bushell."
+
+"Miss Bushell's hardly ghost-like, is she?"
+
+"We'll," said Charlie meditatively, "I suppose if one was fat oneself
+one's ghost would be fat, wouldn't it?"
+
+Mrs. Marland, letting the problem alone, laughed softly.
+
+"Poor Miss Bushell! If she heard you say that! Or if Lady Merceron
+heard you!"
+
+"It would hardly surprise my mother to hear that I thought Millie
+Bushell plump. She is plump, you know;" and Charlie's eyes expressed a
+candid homage to truth.
+
+"Oh, I know what's being arranged for you."
+
+"So do I."
+
+"And you'll do it. Oh, you think you won't, but you will. Men always
+end by doing what they're told."
+
+"Does Mr. Marland?"
+
+"He begins by it," laughed his wife.
+
+"Is that why he's not coming till Saturday week?"
+
+"Mr. Merceron! But what was Miss Bushell doing at the Pool? Did she
+come to find you?"
+
+"Oh, no; just for a walk."
+
+"Poor girl!"
+
+"Why--it's good for her."
+
+"I didn't mean the walk,"
+
+"I'd blush if there was light enough to make it any use, Mrs. Marland."
+
+"Oh, but I know there's something. You don't go there every evening to
+look for a dead lady, Mr. Merceron."
+
+Charlie stopped short, and took his cigar from his mouth.
+
+"What?" he asked, a little abruptly.
+
+"Well, I shall follow you some day, and I shouldn't be surprised if I
+met--not Agatha--but----"
+
+"Well?" asked Charlie, with an uncertain smile.
+
+"Why, poor Miss Bushell!"
+
+Charlie laughed and replaced his cigar.
+
+"What are we standing still for?" he said.
+
+"I don't know. You stopped. She'd be such an ideal match for you."
+
+"Then I should never have done for you, Mrs. Marland."
+
+"My dear boy, I was married when you were still in Eton collars."
+
+They had completed the circuit of the garden, and now approached where
+Lady Merceron sat, enveloped in a shawl.
+
+"Charlie!" she called. "Here's a letter from Victor Button. He's coming
+to-morrow."
+
+"I didn't know you'd asked him," said Charlie, with no sign of pleasure
+at the news. Victor had been at school and college with Charlie, and
+often, in his holidays, at the Court, for he was Sir Victor's godson.
+Yet Charlie did not love him. For the rest, he was very rich, and was
+understood to cut something of a figure in London society.
+
+"Mr. Sutton? Oh, I know him," exclaimed Mrs. Marland. "He's charming!"
+
+"Then you shall entertain him," said Charlie. "I resign him."
+
+"I can't think why you're not more pleased to have him here, Charlie,"
+remarked Lady Merceron. "He's very popular in London, isn't he,
+Vansittart?"
+
+"I've met him at some very good houses," answered Mr. Vansittart. And
+that, he seemed to imply, is better than mere popularity.
+
+"The Bushells were delighted with him last time he was here," continued
+Lady Merceron.
+
+"There! A rival for you!" Mrs. Marland whispered.
+
+Charlie laughed cheerfully. Sutton would be no rival of his, he
+thought; and if he and Millie liked one another, by all means let them
+take one another. A month before he would hardly have dismissed the
+question in so summary a fashion, for the habit of regarding Millie as
+a possibility and her readiness as a fact had grown strong by the
+custom of years, and, far as he was from a passion, he might not have
+enjoyed seeing her allegiance transferred to Victor Sutton. Certainly
+he would have suffered defeat from that hand with very bad grace. Now,
+however, everything was changed.
+
+"Vansittart," said Lady Merceron, "Charlie and I want to consult you
+(she often coupled Charlie's hypothetical desire for advice with her
+own actual one in appeals to Mr. Vansittart) about Mr. Prime's rent."
+
+"Oh, at the old farm?"
+
+"Yes. He wants another reduction."
+
+"He'll want to be paid for staying there next."
+
+"Well, poor man, he's had to take lodgers this summer--a thing he's
+never done before. Charlie, did you know that?"
+
+"Yes," said Charlie, interrupting an animated conversation which he had
+started with Mrs. Marland.
+
+"Do you know who they are?" pursued his mother, wandering from Mr.
+Prime's rent to the more interesting subject of his lodgers.
+
+"Ladies from London," answered Charlie.
+
+"Rather vague," commented Mr. Vansittart. "Young ladies or old ladies,
+Charlie?"
+
+"Why does he want to know?" asked Mrs. Marland; but chaff had about as
+much effect on Mr. Vansittart as it would have on an ironclad. He
+seemed not to hear, and awaited an answer with a bland smile. In truth,
+he thought Mrs. Marland a silly woman.
+
+"Young, I believe," answered Charlie, in a careless tone.
+
+"It's curious I've not seen them about," said Lady Merceron. "I pass
+the farm almost every day. Who are they, Charlie?"
+
+"One's a Miss Wallace. She's engaged to Willie Prime."
+
+"To Willie? Fancy!"
+
+"H'm! I think," remarked Mr. Vansittart, "that, from the point of view
+of a reduction of rent, these lodgers are a delusion. Of course she
+stays with Prime if she's going to many his son."
+
+"Fancy Willie!" reiterated Lady Merceron. "Surely he can't afford to
+marry? He's in a bank, you know, Vansittart, and he only gets a hundred
+and twenty pounds a year."
+
+"One blessing of the country is that everybody knows his neighbor's
+income," observed Mr. Vansittart.
+
+"Perhaps the lady has money," suggested Mrs. Marland. "But, Mr.
+Merceron, who's the other lady?"
+
+"A friend of Miss Wallace's, I believe. I don't know her name."
+
+"Oh, they're merely friends of Prime's?" Mr. Vansittart concluded. "If
+that's all he bases his claim for a reduction on---"
+
+"Hang it! He might as well have it," interrupted Charlie. "He talks to
+me about it for half an hour every time we meet."
+
+"But, my dear Charlie, you have more time than money to waste--at
+least, so it seems."
+
+His uncle's sarcasm never affected Charlie's temper.
+
+"I'll turn him on to you, uncle," he replied, "and you can see how you
+like it."
+
+"I'll go and call on him tomorrow. You'd better come too, Charlie."
+
+"And then you can see the ladies from London," added Mrs. Marland.
+"Perhaps the one who isn't young Mr. Prime's will be interesting."
+
+"Or," said Charlie, "as mostly happens in this woeful world, the one
+who is."
+
+"I think the less we see of that sort of person at all, the better,"
+observed Lady Merceron, with gentle decision. "They can hardly be quite
+what we're accustomed to."
+
+"That sort of person!"
+
+Charlie went to bed with the phrase ringing in his horror-struck ears.
+If to be the most beautiful, the most charming, and the most refined,
+the daintiest, the wittiest and prettiest, the kindest and the
+sweetest, the merriest and most provoking creature in the whole
+world--if to be all this were yet not to weigh against being 'that sort
+of person'--if it were not, indeed, to outweigh, banish, and obliterate
+everything else why, the world was not fit to live in, and he no true
+Merceron! For the Merceron men had always pleased themselves.
+
+
+
+CHAPTER III
+
+ALL NONSENSE
+
+
+On the evening of the next day, while the sun was still on the Pool,
+and its waters, forgetful of darker moods and bygone tragedies, smiled
+under the tickling of darting golden gleams, a girl sat on the broad
+lowest step of the temple. She had rolled the sleeves of her white gown
+above her elbow, up well-nigh to her shoulder, and, the afternoon being
+sultry, from time to time dipped her arms in the water and, taking them
+out again, amused herself by watching the bright drops race down to her
+rosy fingertips. The sport was good, apparently, for she laughed and
+flung back her head so that the stray locks of hair might not spoil her
+sight of it. On either side of this lowest step there was a margin of
+smooth level grass, and, being unable as she sat to bathe both arms at
+once, presently she moved on to the grass and lay down, sinking her
+elbows in the pond and leaning her face over the edge of it. The
+posture had another advantage she had not thought of, and she laughed
+again when she saw her own eyes twinkling at her from the depths. As
+she lay there a longing came upon her.
+
+"If I could be sure he wouldn't come I'd dip my feet," she murmured.
+
+As, however, he had come every evening for a fortnight past the fancy
+was not to be indulged, and she consoled herself by a deeper dive yet
+of her arms and by drooping her head till her nose and the extreme
+fringe of her eyelashes were wetted, and the stray locks floated on
+either side.
+
+Presently, as she still looked, she saw another shadow on the water,
+and exchanged with her image a confidential glance.
+
+"You again?" she asked.
+
+The other shadow nodded.
+
+"Why didn't you come in the canoe?"
+
+"Because people see it."
+
+It struck her that her attitude was unconventional, and by a lithe
+complicated movement, whereof Charlie noticed only the elegance and not
+the details, she swept round and, sitting, looked up at him.
+
+"I know who she was," she observed.
+
+"She very nearly knew who you were. You oughtn't to have come to the
+window."
+
+"She thought I was the ghost."
+
+"You shouldn't reckon on people being foolish."
+
+"Shouldn't I? Yet I reckoned on your coming--or there'd have been some
+more of me in the water."
+
+"I wish I were an irregular man," said Charlie.
+
+She was slowly turning down her sleeves, and, ignoring his remark,
+said, with a question in her tones:
+
+"Nettie Wallace says that Willie Prime says that everybody says that
+you're going to marry that girl."
+
+"I believe it's quite true."
+
+"Oh!" and she looked across the Pool.
+
+"True that everybody says so," added Charlie. "Why do you turn down
+your sleeves?"
+
+"How funny I must have looked, sprawling on the bank like that!" she
+remarked.
+
+"Awful!" said Charlie, sitting down.
+
+She looked at him with uneasiness in her eye.
+
+"Nothing but an ankle, I swear," he answered.
+
+She blushed and smiled.
+
+"I think you should whistle, or something, as you come."
+
+"Not I," said Charlie, with decision.
+
+Suddenly she turned to him with a serious face, or one that tried to be
+serious.
+
+"Why do you come?" she asked.
+
+"Why do I eat?" he returned.
+
+"And yet you were angry the first time."
+
+"Nobody likes to be caught ranting out poetry especially his own."
+
+"I believe you were frightened--you thought I was Agatha. The poetry
+was about her, wasn't it?"
+
+"It's not at all a bad poem," observed Charlie.
+
+"You remember I liked it so much that I clapped my hands."
+
+"And I jumped!"
+
+The girl laughed.
+
+"Ah, well," she said, "it's time to go home."
+
+"Oh, dear, no," said Charlie!
+
+"But I've promised to be early, because Willie Prime's coming, and I'm
+to be introduced to him."
+
+"Willie Prime can wait. He's got Miss Wallace to comfort him, and I've
+got nobody to comfort me."
+
+"Oh, yes. Miss Bushell."
+
+"You know her name?"
+
+"Yes--and yours--your surname, I mean; you told me the other."
+
+"That's more than you've done for me."
+
+"I told you my name was Agatha."
+
+"Ah, but that was a joke. I'd been talking about Agatha Merceron."
+
+"Very well. I'm sorry it doesn't satisfy you. If you won't believe
+me--!"
+
+"But your surname?"
+
+"Oh, mine? Why, mine's Brown."
+
+"Brown!" re-echoed Charlie, with a tinge of disappointment in his tone.
+
+"Don't you like it?" asked Miss Agatha Brown with a smile.
+
+"Oh, it will do for the present," laughed Charlie.
+
+"Well, I don't mean to keep it all my life. I've spent to-day, Mr.
+Merceron, in spying out your house. Nettie Wallace and I ventured quite
+near. It's very pretty."
+
+"Rather dilapidated, I'm afraid."
+
+"What's the time, Mr. Merceron?"
+
+"Half-past six. Oh, by Jove!"
+
+"Well? Afraid of seeing poor Agatha?"
+
+"I should see nobody but you, if you were here. No. I forgot that.
+I've got to meet someone at the station at a quarter-past seven."
+
+"Oh, do tell me who?"
+
+"You'd be none the wiser. It's a Mr. Victor Sutton."
+
+"Victor Sutton!" she exclaimed, with a glance at Charlie which passed
+unnoticed by him. "Is he a friend of yours?"
+
+"I suppose so. Of my family's, anyhow."
+
+"Good-by. I'm going," she announced.
+
+"You'll be here to-morrow?"
+
+"Yes. For the last time."
+
+She dropped this astounding thunderbolt on Charlie's head as though it
+had been the most ordinary remark in the world.
+
+"The last time! Oh, Miss---" No: somehow he could not lay his tongue to
+that "Miss Brown."
+
+"I can't spend all my life in Lang Marsh," said she.
+
+"Agatha," he burst out.
+
+"No, no. This is not the last time. Sha'n't we keep that?" she asked,
+with a provokingly light-hearted smile.
+
+"You promise to be here to-morrow?"
+
+"Oh, yes."
+
+"I shall have something to say to you then," Charlie announced with a
+significant air.
+
+"Oh, you never lack conversation."
+
+"You'll be here at five?"
+
+"Precisely," she answered with mock gravity; "and now I'm gone!"
+
+Charlie took off his straw hat, stretched out his right hand, and took
+hers. For a moment she drew back, but he looked very handsome and
+gallant as he bowed his head down to her hand, and she checked the
+movement.
+
+"Oh, well!" she murmured; she was protesting against any importance
+being attached to the incident.
+
+Charlie, having paid his homage, walked, or rather ran, swiftly away.
+To begin with, he had none too much time if he was to meet Victor
+Sutton; secondly, he was full of a big resolve, and that generally
+makes a man walk fast.
+
+The lady pursued a more leisurely progress. Swinging her hat in her
+hand, she made her way through the tangled wood back to the high-road,
+and turned towards Mr. Prime's farm. She went slowly along, thinking
+perhaps of the attractive young fellow she had left behind her,
+wondering perhaps why she had promised to meet him again. She did not
+know why, for there was sure to happen at that last meeting the one
+thing which she did not, she supposed, wish to happen. However, a
+promise is a promise. She heard the sound of wheels behind her, and,
+turning, found the farmer's spring-cart hard on her heels. The farmer
+was driving, and by his side sat a nice-looking girl dressed in the
+extreme of fashion. On the back seat was a young man in a very light
+suit, with a fine check pattern, and a new pair of brown leather shoes.
+The cart pulled up.
+
+"We can make room for ye, Miss," said old Mr. Prime.
+
+Nettie Wallace jumped tip and stood with her foot on the step. Willie
+Prime jumped down and effected her transfer to the back seat. Agatha
+climbed up beside the farmer and stretched her hand back to greet
+Willie. Willie took it rather timidly. He did not quite 'savvy' (as he
+expressed it to himself); his fiancée's friend was very simply attired,
+infinitely more simply than Nettie herself. Nettie had told him that
+her friend was 'off and on'(a vague and rather obscure qualification of
+the statement) in the same line as herself--namely, Court and
+high-class dressmaking. Yet there was a difference between Nettie and
+her friend.
+
+"Anybody else arrived by the train?" asked Agatha.
+
+"A visitor for the Court. A good-looking gentleman, wasn't he, Willie?"
+
+Nettie was an elegant creature and, but for the 'gentleman' and that
+slight but ineradicable twang that clings like Nessus' shirt to the
+cockney, all effort and all education notwithstanding (it will even
+last three generations, and is audible, perhaps, now and then in the
+House of Lords), her speech was correct and even dainty in its prim
+nicety.
+
+"Ah!" said Agatha.
+
+"His name's Sutton," said Willie; "Mr. Charles--young Mr.
+Merceron--told me so when he was talking to me on the platform."
+
+"You know young Mr. Merceron?" asked Agatha.
+
+"Why, they was boys together," interrupted the old farmer, who made
+little of the refinements of speech. In his youth no one, from the lord
+to the laborer, spoke grammar in the country. "Used to larn to swim
+together in the Pool, didn't you, Willie?"
+
+"I must have a dip there to-morrow," cried Willie; and Agatha wondered
+what time he would choose. "And I'll take you there, Nettie. Ever been
+yet?"
+
+"No. They--they say it's haunted, don't they, Willie?"
+
+"That's nonsense," said Willie. London makes a man sceptical. The old
+farmer shook his head and grunted doubtfully. His mother had seen poor
+Agatha Merceron; this was before the farmer was born--a little while
+before--and the shock had come nigh to being most serious to him. The
+whole countryside knew it.
+
+"Why do you call it nonsense, Mr. Prime?" asked Agatha.
+
+"Oh, I don't know, Miss---"
+
+"Miss Brown, Willie," said Nettie.
+
+"Miss Brown. Anyway, we needn't go the time the ghost comes."
+
+"I should certainly avoid that," laughed Agatha.
+
+"We'll go in the morning, Nettie, and I'll have my swim in the evening."
+
+Agatha frowned. It would be particularly inconvenient if Willie Prime
+took his swim in the evening.
+
+"Oh, don't, Willie," cried Nettie. "She--she might do you some harm."
+
+Willie was hard to persuade. He was not above liking to appear a
+daredevil; and the discussion was still raging when they reached the
+farm. The two girls went upstairs to the little rooms which they
+occupied. Agatha turned into hers, and Nettie Wallace followed her.
+
+"Your Willie is very nice," said Agatha, sitting on her bed.
+
+Nettie smiled with pleasure.
+
+"And now that you've other company I shall go."
+
+"You're going, Miss?"
+
+"Not Miss."
+
+Nettie laughed.
+
+"I forget sometimes," she said.
+
+"Well, you must remember just over tomorrow. I shall go next day. I
+must meet my grandfather in London."
+
+Nettie offered no opposition. On the contrary, she appeared rather
+relieved.
+
+"Nettie, did you like Mr. Sutton's looks?" asked Agatha after a pause.
+
+"He's too black and blue for my taste," answered Nettie.
+
+Willie Prime was red and yellow.
+
+"Blue? Oh: you mean his cheeks?"
+
+"Yes. But he's a handsome gentleman all the same; and you should have
+seen his luggage! Such a dressing-bag--cost fifty pounds, I daresay."
+
+"Oh, dear, me," said Agatha, "Yes, Nettie, I shall go the day after
+to-morrow."
+
+"Mr. Merceron asked to be introduced to me," said Nettie proudly. "And
+he asked where you were--he said he'd seen you at the window."
+
+"Did he?" said Agatha negligently; and Nettie, finding the conversation
+flag, retired to her own room.
+
+Agatha sat a moment longer on the bed.
+
+"What a very deceitful young man," she exclaimed at last. "I must be a
+very strict secret indeed. Well, I suppose I should be."
+
+
+
+CHAPTER IV
+
+A CATASTROPHE AT THE POOL
+
+
+Mr. Vansittart Merceron was not quite sure that Victor Sutton had any
+business to call him "Merceron." He was nearly twenty years older than
+Victor, and a man of considerable position; nor was he, as some
+middle-aged men are, flattered by the implication of
+contemporaneousness carried by the mode of address. But it is hard to
+give a hint to a man who has no inkling that there is room for one; and
+when Mr. Vansittart addressed Victor as 'Mr. Sutton' the latter
+graciously told him to "hang the Mister." Reciprocity was inevitable,
+and the elder man asked himself, with a sardonic grin, how soon he
+would be "Van."
+
+"Coming to bathe, Merceron?" he heard under his window at eight o'clock
+the next morning. "We're off to the Pool."
+
+Mr. Vansittart shouted an emphatic negative, and the two young fellows
+started off by themselves. Charlie's manner was affected by the
+ceremonious courtesy which a well-bred host betrays towards a guest not
+very well-beloved, but Victor did not notice this. It seldom occurred
+to him that people did not like him.
+
+"Yes," he was saying, "I'm just twenty-nine. I've had my fling,
+Charlie, and now I shall get to business."
+
+Charlie was relieved to find that according to this reckoning he had
+several more years 'fling' before him.
+
+"Next year," pursued Victor, "I shall marry; then I shall go into
+Parliament, and then I shall go ahead."
+
+"I didn't know you were engaged."
+
+"No, I'm not, but I'm going to be. I can please myself, you see; I've
+got lots of coin."
+
+"Oh, yes, but can you please the lady?" asked Charlie.
+
+"My dear boy," began Victor, "when you've seen a little more of the
+world----
+
+"Here we are," said Charlie. "Why, hullo! Who's that?"
+
+A dripping head and a blowing mouth were visible in the middle of the
+Pool.
+
+"Willie Prime by Jove! 'Morning Willie;" and Charlie set about flinging
+off his flannels, Victor following his example in a more leisurely
+fashion.
+
+Willie Prime was a little puzzled to know how he ought to treat
+Charlie. 'Charlie' he had been in very old days--then Master Charlie
+(that was Willie's mother's doing)--then Mr. Charles. But now Willie
+had set up for himself. He had played billiards with a lord, and
+football against the Sybarites, and, incidentally, hobnobbed with quite
+great people. It is not very easy to assert a social position when one
+has nothing on, and only one's head out of water, but Willie did it.
+
+"Good-morning--er--Merceron," said he.
+
+Victor heard him, and put up his eyeglass in amazement; but he, in his
+turn, had only a shirt on, and the hauteur was a failure. Charlie
+utterly failed to notice the incident.
+
+"Is it cold?" he shouted.
+
+"Beastly," answered Willie. The man who has got in always tells the man
+who is going to get in that it is "beastly cold."
+
+"Here goes!" cried Charlie; and a minute later he was treading water by
+Willie's side.
+
+"Miss Wallace all fit?" he asked.
+
+"Thank you, yes, she's all right."
+
+"And her friend?"
+
+"All right, I believe."
+
+"And when is it to be, old fellow?"
+
+"Soon as I get a rise."
+
+"What?" asked the unsophisticated Charlie, who knew the phrase chiefly
+in connection with fish.
+
+"A rise of screw, you know."
+
+"Oh, ah, yes--what a fool I am!" and Charlie disappeared beneath the
+waves.
+
+When they were all on the bank, drying, Willie, encouraged by not being
+discouraged (save by Sutton's silence) in his advances, ventured
+further, and asked in a joking tone:
+
+"And aren't you marked off yet? We've been expecting to hear of it for
+the last twelve months."
+
+"What do you mean'?"
+
+"Why, you and Miss Bushell."
+
+Charlie struggled through his shirt, and then answered, with his first
+touch of distance:
+
+"Nothing in it. People've got no business to gossip."
+
+"It's damned impertinent," observed Victor Sutton in slow and
+deliberate tones.
+
+Willie flushed.
+
+"I beg pardon," he said gruffly. "I only repeated what I heard."
+
+"My dear fellow, no harm's done," cried Charlie. "Who was the fool?"
+
+"Well--in fact--my father."
+
+The situation was awkward, but they wisely eluded it by laughter. But a
+thought struck Charlie.
+
+"I say, did your father state it as a fact?"
+
+"Oh no; but as a certainty, you know."
+
+"When?"
+
+"Last night at supper."
+
+Charlie's brow clouded. Miss B--that is, Agatha, was certain to have
+been at supper. However, all that could be put right in the
+evening--that one blessed evening left to him. He looked at Willie and
+opened his mouth to speak; but he shut it again. It did not seem to him
+that he could question Willie Prime about the lady. She had chosen to
+tell him nothing, and her will was his law. But he was yearning to know
+what she was and how she came there. He refrained; and this time virtue
+really had a reward beyond itself, for Willie would blithely have told
+him that she was a dressmaker (he called Nettie, however, the manager
+of a Court modiste's business), and that would not have pleased Charlie.
+
+It was all very well for Charlie to count on that blessed evening; but
+he reckoned without his host--or rather without his guests.
+
+The Bushells came to lunch, Millie driving her terrified mother in a
+lofty gig; and at lunch Millie recounted her vision of Agatha Merceron.
+She did not believe it, of course; but it was queer, wasn't it? Victor
+Sutton rose to the bait at once.
+
+"We'll investigate it," he cried. "Merceron," (he meant the patient Mr.
+Vansittart), "didn't yon once write an article on 'Apparitions' for
+_Intellect_?"
+
+"Yes, I proved there were none," answered Mr. Vansittart.
+
+"That's impossible, you know," remarked Mrs. Marland gently.
+
+"We'll put you to the proof this very evening," declared Mr. Sutton.
+
+Charlie started.
+
+"Are you game, Miss Bushell?" continued Victor.
+
+"Ye--yes, if you'll keep quite near me, answered Millie, with a playful
+shudder. Charlie reflected how ill playfulness became her, and frowned.
+But Millie was pleased to see him frown; she enjoyed showing him that
+other men liked to keep quite near to her.
+
+"Then this evening we'll go in a body to the Pool."
+
+"I shall not go," shuddered Mrs. Marland.
+
+"An hour after sunset!"
+
+"Half an hour. She might be early--and we'll stay half an hour after.
+We'll give her a fair show."
+
+"Come," thought Charlie. "I shall get an hour with Agatha."
+
+"You'll come, Charlie?" asked Victor.
+
+"Oh, all right," he answered, hiding all signs of vexation. He could
+get back by six and join the party. But why was Mrs. Marland looking at
+him?
+
+The first step, however, towards getting back is to get there, and
+Charlie found this none so easy. After lunch came lawn-tennis, and he
+was impressed. Mr. Vansittart played a middle-aged game, and Victor had
+found little leisure for this modest sport among his more ambitious
+amusements. Charlie had to balance Millie Bushell, and he spent a very
+hot and wearying afternoon. They would go on: Victor declared it was
+good for him, Uncle Van delighted in a hard game (it appeared to be a
+very hard game to him from the number of strokes he missed), and Millie
+grew in vigor, ubiquity, and (it must be added) intensity of color as
+the hours wore away. It was close on five before Charlie, with a groan,
+could throw down his racquet.
+
+"Poor boy!" said Mrs. Marland.
+
+"Charlie, dear," called Lady Merceron, who had been talking comfortably
+to Mrs. Bushell in the shade, "come and hand the tea. I'm sure you must
+all want some. Millie, my dear, how hot you look!"
+
+"She never will take any care of her complexion, complained Mrs.
+Bushell.
+
+"Take care of your stom--your health--and your complexion will take
+care of itself," observed Mr. Vansittart.
+
+"Charlie! Where; is the boy?" called Lady Merceron again.
+
+The boy was gone. He was flying as fast as his legs would take him to
+the Pool. Where was that cherished interview now? He could hope only
+for a few wretched minutes--hardly enough to say good-by once--before
+he must hustle--yes, positively hustle--Agatha out of sight. He had
+heard that abominable Sutton remark that they might as well start
+directly after tea.
+
+He was breathless when he burst through the willows. But there he came
+to a sudden, a dead stop, and then drew back into shelter again. There
+on the bank, scarcely a dozen feet from it, sat two people--a. young
+man with his arm round a young woman's waist. Willie Prime and Nettie
+Wallace, "by all that's damnable!" as Sir Peter says! Charlie said
+something quite as forcible.
+
+He felt for his watch, but he had left it with his waistcoat on the
+lawn. What was the time? Was it going quickly or slowly? Could he
+afford to wait, or must he run round to the road and intercept Agatha?
+Five minutes passed in vacillation.
+
+"I'll go and stop her," he said, and began a cautious retreat. As he
+moved he heard Willie's voice.
+
+"Well, my dear, let's be off," said Willie.
+
+Nettie rose with a sigh of content, adjusted her hat coquettishly, and
+smoothed her skirts.
+
+"I'm ready, Willie. It's been beautiful, hasn't it?"
+
+They came towards Charlie. Evidently they intended to regain the road
+by the same path as he had chosen. Indeed, from that side of the Pool
+there was no choice, unless one clambered round by the muddy bank.
+
+"We must make haste," said Willie. "Father'll want his tea."
+
+If they made haste they would be close on his heels. Charlie shrank
+back behind a willow and let them go by; then, quick as thought, rushed
+to his canoe and paddled across--up the steps and into the temple he
+rushed. She wasn't there! Fate is too hard for the best of us
+sometimes. Charlie sat down and, stretching out his legs, stared
+gloomily at his toes.
+
+Thus he must have sat nearly ten minutes, when a head was put round the
+Corinthian pilaster of the doorway.
+
+"Poor boy! Am I very late?"
+
+Charlie leapt up and forward, breathlessly blurting out joy tempered by
+uneasiness.
+
+Agatha gathered the difficulty of the position.
+
+"Well," said she, smiling, "I must disappear, and you must go back to
+your friends."
+
+"No," said Charlie. "I must talk to you."
+
+"But they may come any moment."
+
+"I don't care!"
+
+"Oh, but I do. Charlie, what's the matter? Oh, didn't I ever call you
+'Charlie' before? Well, Charlie, if you love me (yes, I know!) you'll
+not let these people see me."
+
+"All right! Come along. I'll take you to the road and come back.
+Hullo! What's that?"
+
+"It's them!" exclaimed the lady.
+
+It was. The pair dived back into the temple. On the opposite bank stood
+Millie Bushell, Mr. Vansittart, and Victor Sutton.
+
+"Hullo, there, Charlie, you thief!" cried Victor. "Bring that canoe
+over here. Miss Bushell wants to get to the temple."
+
+"Hush! Don't move!" whispered Agatha.
+
+"But they know I'm here; they see that confounded canoe."
+
+"Charlie! Charlie!" was shouted across in three voices.
+
+"What the devil--," muttered Charlie.
+
+"They mustn't see me," urged Agatha.
+
+Victor Sutton's voice rose clear and distinct,
+
+"I'll unearth him!" he cried. "I know the way round. You wait here with
+Miss Bushell, Merceron."
+
+"Oh, he's coming round!"
+
+"I must chance it," said Charlie, and he came out of hiding. A cry
+greeted him. Victor was already started, but stopped. Charlie embarked
+and shot across.
+
+"You villain! You gave us the slip," cried Uncle Van.
+
+Miss Bushell began quietly to embark. Uncle Van followed her example.
+
+"Oh, Mr. Merceron, you'll sink us!" cried Millie.
+
+Charlie sat glum and silent. The situation beat him completely.
+
+Uncle Van drew back. Millie seized the paddle and propelled the canoe
+out from the bank.
+
+"You come round with me, Merceron," called Sutton, and the two men
+turned to the path. "No," added Victor. "Look here, we can climb round
+here," and he pointed to the bank. There was a little narrow muddy
+track, but it was enough.
+
+The canoe was half-way across; the two men--Victor leading at a good
+pace--were half-way round. Charlie glanced at the window of the temple
+and caught a fleeting glance of a despairing face. "If you love me,
+they mustn't see me!"
+
+"Here, give me the paddle!" he exclaimed, and reached forward for it.
+
+"No, I can do it," answered Millie, lifting the instrument out of his
+reach.
+
+Charlie stepped forward--rather, he jumped forward, as a man jumps over
+a ditch. There was a shriek from Millie; the canoe swayed, tottered,
+and upset. In a confused mass, Millie Bushell and Charlie were hurled
+into the water. Victor and Uncle Van, hardly five yards from the steps,
+turned in amazement.
+
+"Help! help!" screamed Millie.
+
+"Help!" echoed Charlie. "I can't hold her up. Victor, come and help me!
+Uncle Van, come along!"
+
+"The devil!" murmured Uncle Van,
+
+"Quick, quick!" called Charlie; and Victor, with a vexed laugh, peeled
+off his coat and jumped in. Mr. Vansittart stood with a puzzled air.
+Then a happy thought struck him. He turned and trotted back the way he
+had come. He would get a rope!
+
+As he went, as Victor reached the stragglers in the water, a slim
+figure in white, with a smile on her face, stole cautiously from the
+temple and disappeared in the wood behind. Charlie saw her go, but he
+held poor Millie's head remorselessly tight towards the other bank.
+
+And that was the last he saw of the Lady of the Pool.
+
+Millie Bushell landed, her dripping clothes clinging round her. Victor
+was shivering, for the evening had turned chilly. Uncle Van had a bit
+of rope from the boat-shed in his hand, and a doubtful smile on his
+face.
+
+"We'd best get Miss Bushel home," he suggested, and they started in
+gloomy procession. Charlie, in remorse, gave Millie his arm.
+
+"Oh, how could you?" she murmured piteously. She was cold, she was wet,
+and she was sure that she looked frightful.
+
+I--I didn't do it on purpose, "Charlie blurted out eagerly.
+
+"On purpose! Well, I suppose not," she exclaimed, bewildered. Charlie
+flushed. Victor shot a swift glance at him.
+
+Half-way home they met Mrs. Marland and the whole affair had to be
+explained to her. Charlie essayed the task.
+
+"Still, I don't see how you managed to upset the canoe," observed Mrs.
+Marland.
+
+"No more do I," said Victor Sutton. Charlie gave it up.
+
+"I'm so sorry, Millie," he whispered. "You must try to forgive me."
+
+So, once again, the coast was left clear for Agatha Merceron, if she
+came that night. But, whether she did or not, the other Agatha came no
+more, and Charlie's great resolve went unfulfilled. Yet the next
+evening he went: alone to the temple, and he found, lying on the floor,
+a little handkerchief trimmed with lace and embroidered with the name
+of "Agatha." This he put in his pocket, thanking heaven that his
+desperate manoeuvre had kept the shrine inviolate the day before.
+
+"Poor Millie!" said he. "But then I had to do it."
+
+"I hear," remarked Lady Merceron a few days later, "that one of Mr.
+Prime's friends has left him--not Willie's young lady--the other."
+
+"Has she?" asked Charlie.
+
+No one pursued the subject, and, after a moment's pause, Mrs. Marland,
+who was sitting next to Charlie, asked him in a low voice whether he
+had been to the Pool that evening--.
+
+"No," answered Charlie. "I don't go every night."
+
+"Oh, poor dear Miss Bushell!" laughed Mrs. Marland; and, when Charlie
+looked inquiringly at her, she shook her head.
+
+"You see, I know something of young men," she explained.
+
+
+
+CHAPTER V
+
+AN UNFORESEEN CASE
+
+
+"I wish to goodness," remarked the Reverend Sigismund Taylor rubbing
+the bridge of his nose with a corner of the Manual, "that the Vicar had
+never introduced auricular confession. It may be in accordance with the
+practice of the Primitive Church, but--one does meet with such very
+curious cases. There's nothing the least like it, in the Manual."
+
+He opened the book and searched its pages over again. No, the case had
+not been foreseen. It must be included in those which were "left to the
+discretion of the priest."
+
+"It's a poor Manual," said Mr. Taylor, throwing it down and putting his
+hands in the pocket of his cassock. "Poor girl! She was quite
+distressed, too. I must have something to tell her when she comes next
+week."
+
+Mr. Taylor had, in face of the difficulty, taken time to consider, and
+the penitent had gone away in suspense. To represent oneself as a
+dressmaker--well, there was nothing very outrageous in that; it was
+unbecoming, but venial, to tell sundry fibs by way of supporting the
+assumed character--the Manual was equal to that; but the rest of the
+disclosure was the crux. Wrong, no doubt, was the conduct--but how
+wrong? That made all the difference. And then there followed another
+question: What ought to be done? She had asked for advice about that
+also, and, although such counsel was not strictly incumbent on him, he
+felt that he ought not to refuse it. Altogether he was puzzled. At
+eight-and-twenty one cannot be ready for everything; yet she had
+implored him to consult nobody else, and decide for her himself. "I've
+such trust in you," she had said, wiping away an incipient teardrop;
+and, although Mr. Taylor told her that the individual was nothing and
+the Office everything, he had been rather gratified. Thinking that a
+turn in the open air might clear his brain and enable him better to
+grapple with this very thorny question, he changed his cassock for a
+long tailed coat, put on his wide awake, and, leaving the precincts of
+St. Edward Confessor, struck across Park Lane and along the Row. He
+passed several people he knew, both men and women: Mrs. Marland was
+there, attended by two young men, and, a little farther on, he saw old
+Lord Thrapston tottering along on his stick. Lord Thrapston hated a
+parson, and scowled at poor Mr. Taylor as he went by. Mr. Taylor shrank
+from meeting his eye, and hurried along till he reached the Serpentine,
+where he stood still for a few minutes, drinking in the fresh breeze.
+But the breeze could not blow his puzzle out of his brain. Was it a
+crime, or merely an escapade? What had she said to the young man? What
+had her feelings been or become towards the young man? Moreover, what
+had she caused the young man's feelings to be for her? When he came to
+think it over, Mr. Taylor discovered, with a shock of surprise, that on
+all these distinctly material points the confession had been singularly
+incomplete. He was ashamed of this, for, of course, it was his business
+to make the confession full and exhaustive. He could only plead that,
+at the moment, it had seemed thorough and candid--an unreserved
+revelation. Yet those points did, as a fact, remain obscure.
+
+"I wish I knew a little more about human nature," sighed Mr. Taylor: he
+was thinking of one division of human nature, and it is likely enough
+that he knew next to nothing of it.
+
+A hand clapped him on the shoulder, and, with a start, he turned round.
+A tall young man, in a new frock-coat and a faultless hat, stood by
+him, smiling at him.
+
+"What, Charlie, old fellow!" cried Taylor; "where do you spring from?"
+
+Charlie explained that he was up in town for a month or two.
+
+"It's splendid to meet you first day! I was going to look you up," he
+said.
+
+Sigismund Taylor and Charlie had been intimate friends at Oxford,
+although Charlie was, as time counts there, very considerably the
+junior. For the last two or three years they had hardly met.
+
+"But what are you up for?"
+
+"Oh, well, you see, my uncle wants me to get called to the Bar, or
+something, so I ran tip to have a look into it."
+
+"Will that take a month?"
+
+"Look here, old fellow, I've got nothing else to do--I don't see why I
+shouldn't stretch it to three months. Besides, I want to spend some
+time with my ancestors."
+
+"With your ancestors?"
+
+"In the British Museum: I'm writing a book about them. Queer lot some
+of them were, too. Of course I'm specially interested in Agatha
+Merceron; but I suppose you never heard of her."
+
+Mr. Taylor confessed his ignorance, and Charlie, taking his arm, walked
+him up and down the bank, while he talked on his pet subject. Agatha
+Merceron was always interesting, and just now anything about the Pool
+was interesting; for there was one reason for his visit to London which
+he had not disclosed. Nettie Wallace had, when he met her one day,
+incautiously dropped a word which seemed to imply that the other Agatha
+was often in London. Nettie tried to recall her words; but the mischief
+was done, and Charlie became more than ever convinced that he would
+grow rusty if he stayed always at Langbury Court. In fact, he could
+suffer it no longer, and to town he went.
+
+For a long while Sigismund Taylor listened with no more than average
+interest to Charlie's story, but it chanced that one word caught his
+notice.
+
+"She comes out of the temple," said Charlie, in the voice of hushed
+reverence with which he was wont to talk of the unhappy lady.
+
+"Out of where?" asked Mr. Taylor.
+
+"The temple. Oh, I forgot, the temple is--" and Charlie gave a
+description which need not be repeated.
+
+Temple! temple! Where had he heard of a temple lately? Mr. Taylor
+cudgelled his brains. Why--why--yes, she had spoken of a temple. She
+said they met in a temple. It was a strange coincidence: the word had
+struck him at the time. But then everybody knows that, at a certain
+period, it was common enough to put up these little classical erections
+as a memorial or merely as an ornament to pleasure-grounds. It must be
+a mere coincidence. But--Mr. Taylor stopped short.
+
+"What's up?" asked Charlie, who had finished his narrative, and was now
+studying the faces of the ladies who rode past.
+
+"Nothing," answered Mr. Taylor.
+
+And really it was not much--taken by itself, entirely unworthy of
+notice; even taken in conjunction with the temple, of no real
+significance, that he could see. Still, it was a whimsical thing that,
+as had just struck him, Charlie's spectre should be named Agatha. But
+it came; to nothing: how could the name of Charlie's spectre have
+anything to do with that of his penitent?
+
+Presently Charlie, too, fell into silence. He beat his stick moodily
+against his leg and looked glum and absent.
+
+"Ah, well," he said at last, "poor Agatha was hardly used: she paid
+part of the debt we owe woman."
+
+Mr. Taylor raised his brows and smiled at this gloomily misogynistic
+sentiment. He had the perception to grasp in a moment what it
+indicated. His young friend was, or had lately been, or thought he was
+likely to be, a lover, and an unhappy one. But he did not press
+Charlie. Confessions were no luxury to him.
+
+Presently they began to walk back, and Charlie, saying he had to dine
+with Victor Button, made an appointment to see Taylor again, and left
+him, striking across the Row. Taylor strolled on, and, finding Mrs.
+Marland still in her seat, sat down by her. She was surprised and
+pleased to hear that Charlie was in town.
+
+"I left him at home in deep dumps. You've never been to Langbury Court,
+have you?"
+
+Taylor shook his head.
+
+"Such a sweet old place! But, of course, rather dull for a young man,
+with nobody hut his mother and just one or two slow country neighbors."
+
+"Oh, a run 'll do him good."
+
+"Yes; he was quite moped;" and Mrs. Marland glanced at her companion.
+She wanted only a very little encouragement to impart her suspicions to
+him. It must, in justice to Mrs. Marland, be remembered that she had
+always found the simplest explanation of Charlie's devotion to the Pool
+hard to accept, and the most elaborate demonstration of how a Canadian
+canoe may be upset unconvincing.
+
+"You're a great friend of his, aren't you?" pursued Mrs. Marland. "So I
+suppose there's no harm in mentioning my suspicions to you. Indeed, I
+daresay you could be of use to him--I mean, persuade him to be wise.
+I'm afraid, Mr. Taylor, that he is in some entanglement."
+
+"Dear, dear!" murmured Mr. Taylor.
+
+"Oh, I've no positive proof, but I fear so--and a very undesirable
+entanglement, too, with someone quite beneath him. Yes, I think I had
+better tell you about it."
+
+Mr. Taylor sat silent and, save for a start or two, motionless while
+his companion detailed her circumstantial evidence. Whether it was
+enough to prove Mrs. Marland's case or not--whether, that is, it is
+inconceivable that a young man should go to any place fourteen evenings
+running, and upset a friend of his youth out of a canoe, except there
+be a lady involved, is perhaps doubtful; but it was more than enough to
+show Mr. Sigismund Taylor that the confession he had listened to was
+based upon fact, and that Charlie Merceron was the other party to those
+stolen interviews, into whose exact degree of heinousness he was now
+inquiring. This knowledge caused Mr. Taylor to feel that he was in an
+awkward position.
+
+"Now," asked Mrs. Marland, "candidly, Mr. Taylor, can you suppose
+anything else than that our friend Charlie was carrying on a very
+pronounced flirtation with this dressmaker?"
+
+"Dressmaker?"
+
+"Her friend was, and I believe she was too. Something of the kind,
+anyhow."
+
+"You--you never saw the--the other person?"
+
+"No; she kept out of the way. That looks bad, doesn't it? No doubt she
+was a tawdry vulgar creature. But a man never notices that!"
+
+At this moment two people were seen approaching. One of them was a man
+of middle height and perhaps five-and-thirty years of age; he was stout
+and thick-built; he had a fat face with bulging cheeks; his eyes were
+rather like a frog's; he leant very much forward as he walked, and
+swayed gently from side to side with a rolling swagger; and as his body
+rolled, his eye rolled too, and he looked this way and that with a
+jovial leer and a smile of contentment and amusement on his face. The
+smile and the merry eye redeemed his appearance from blank ugliness,
+but neither of them indicated a spiritual or exalted mind.
+
+By his side walked a girl, dressed, as Mrs. Marland enviously admitted,
+as really very few women in London could dress, and wearing, in virtue
+perhaps of the dress, perhaps of other more precious gifts, an air of
+assured perfection and dainty disdain. She was listening to her
+companion's conversation, and did not notice Sigismund Taylor, with
+whom she was well acquainted.
+
+"Dear me, who are those, I wonder?" exclaimed Mrs. Marland. "She's very
+distinguée."
+
+"It's Miss Glyn," answered he.
+
+"What--Miss Agatha, Glyn?"
+
+"Yes," he replied, wondering whether that little coincidence as to the
+'Agatha' would suggest itself to anyone else.
+
+"Lord Thrapston's granddaughter?"
+
+"Yes."
+
+"Horrid old man, isn't he?"
+
+"I know him very slightly."
+
+"And the man--who's he?"
+
+"Mr. Calder Wentworth."
+
+"To be sure. Why, they're engaged, aren't they? I saw it in the paper."
+
+"I'm sure I don't know," said Mr. Taylor, in a voice more troubled than
+the matter seemed to require. "I saw it in the paper too."
+
+"He's no beauty, at any rate; but he's a great match, I suppose?"
+
+"Oh, perhaps it isn't true."
+
+"You speak as if you wished it wasn't. I've heard about Mr. Wentworth
+from Victor Sutton--you know who I mean?" and Mrs. Marland proceeded to
+give some particulars of Calder Wentworth's career.
+
+Meanwhile that gentleman himself was telling Agatha Glyn a very
+humorous story. Agatha did not laugh. Suddenly she interrupted him.
+
+"Why don't you ask me more about it?"
+
+"I thought you'd tell me if you wanted me to know," he answered.
+
+"You are the most insufferable man. Don't you care in the least what I
+do or where I go?"
+
+"Got perfect confidence in you," said Calder politely.
+
+"I don't deserve it."
+
+"Oh, I daresay not; but it's so much more comfortable for me."
+
+"I disappeared--simply disappeared--for a fortnight; and you've never
+asked where I went, or what I did, or--or anything."
+
+"Haven't I? Where did you go?"
+
+"I can't tell you."
+
+"There, you see! What the dickens was the good of my asking?"
+
+"If you knew what I did I suppose you'd never speak to me again."
+
+"All right. Keep it dark then, please."
+
+"For one tiling, I met--No, I won't."
+
+"I never asked you to, you know."
+
+They walked on a little way in silence.
+
+"Met young Sutton at lunch," observed Calder. "He's been rusticating
+with some relations of old Van Merceron's. They've got a nice place
+apparently."
+
+"I particularly dislike Mr. Sutton."
+
+"All right. He sha'n't come when we're married. Eh? What?"
+
+"I didn't speak," said Miss Glyn, who had certainly done something.
+
+"Beg pardon," smiled Calder. "Victor told me rather a joke. It appears
+there's a young Merceron, and the usual rustic beauty, don't you
+know--forget the name--but a fat girl, Victor said, and awfully gone on
+young Merceron. Well, there's a pond or something----"
+
+"How long will this story last?" asked Miss Glyn with a tragic air.
+
+"It's an uncommon amusing one," protested Calder. "He upset her in the
+pond, and----"
+
+"Do you mind finishing it some other time?"
+
+"Oh, all right. Thought it'd interest you."
+
+"It doesn't."
+
+"Never knew such a girl! No sense of humor!" commented Calder, with a
+shake of his head and a backward roll of his eye towards his companion.
+
+But it makes such a difference whether a story is new to the hearer.
+
+
+
+CHAPTER VI
+
+THERE WAS SOMEBODY
+
+
+Two worlds and half a dozen industries had conspired to shower gold on
+Calder Wentworth's head. There was land in the family, brought by his
+grandmother; there was finance on the paternal side (whence came a
+Portuguese title, carefully eschewed by Calder); there had been a
+London street, half a watering-place, a South African mine, and the
+better part of an American railway. The street and the watering-place
+remained; the mine and the railway had been sold at the top of the
+market. About the same time the family name became Wentworth--it had
+been Stripes, which was felt to be absurd--and the family itself began
+to take an exalted place in society. The rise was the easier because,
+when old Mr. Stripes-Wentworth died, young Mr. Calder S. Wentworth
+became the only representative; and a rich young bachelor can rise
+lightly to heights inaccessible to the feet of less happily situated
+folk. It seemed part of Providence's benevolence that when Lady
+Forteville asked how many 'Stripes women' there were, the answer could
+be 'None'; whereupon the countess at once invited Mr. Calder Wentworth
+to dinner. Calder went, and rolled his frog's eyes with much amusement
+when the lady asked him to what Wentworths he belonged, for, as he
+observed to Miss Glyn, whom he had the pleasure of escorting, his
+Wentworths were an entirely new brand, and Lady Forteville knew it as
+well as if she had read the letters patent and invented the
+coat-of-arms.
+
+"Mr. Wentworth--Mr. Merceron," said Victor Sutton, with a wave of his
+hand.
+
+"I believe I know an uncle of yours--an uncommon clever fellow," said
+Calder, unfolding his napkin and glancing round the dining-room of the
+Themis Club.
+
+"Oh, Uncle Van? Yes, we consider him our----"
+
+"Leading article? Quite so. I've heard a bit about you too--something
+about a canoe, eh?"
+
+Charlie looked somewhat disturbed.
+
+"Oughtn't Sutton to have told me? Well, it's too late now because I've
+told half a dozen fellows."
+
+"But there's nothing to tell."
+
+"Well, I told it to old Thrapston--you don't know him, do you?
+Cunningest old boy in London. Upon my honor, you know, I shouldn't like
+to be like old Thrapston, not when I was getting old, you know. He's
+too----"
+
+"Well, what did he say?" asked Victor.
+
+"He said what you never had the sense to see, my boy; but I expect Mr.
+Merceron won't be obliged to me for repeating it."
+
+"I should like to hear it," said Charlie, with necessary politeness.
+
+"Well, it's not me, its old Thrapston; and if you say it's wrong, I'll
+believe yon. Old Thrapston--hang it, Victor, that old man ought to be
+hanged! Why, only the other day I saw him----"
+
+"Do stick to the point," groaned Victor.
+
+"All right. Well, he said, 'I'll lay a guinea there was a'--and he
+winked his sinful old eye, you know, for all the world like a
+what-d'ye-call-it in a cathedral one of those hideous--I say, what is
+the word, Victor? I saw 'em when Agatha took me--beg pardon, Merceron?"
+
+Was the world full of Agathas? If so, it would be well not to start
+whenever one was mentioned. Charlie recovered himself.
+
+"I think you must mean a gargoyle," he said, wondering who this Agatha
+might be.
+
+"Of course I do. Fancy forgetting that! Gargoyle, of course. Well, old
+Thrapston said, 'I'll lay a guinea there was a woman in that dashed
+summer house, Calder, my boy.'"
+
+Victor Button's eyes lighted with a gleam,
+
+"Well, I'm hanged if I ever thought of that! Charlie, you held us all!"
+
+"Bosh!" said Charlie Merceron. "There was no one there."
+
+"All right. But there ought to have been, you know--to give interest to
+the position."
+
+"Honor bright, Charlie?" asked Victor Sutton.
+
+"Shut up, Sutton," interposed Calder, "He's not in the Divorce Court,
+Let's change the subject."
+
+Charlie was in a difficulty, but the better course seemed to be to
+allow the subject to be changed, in spite of the wink that accompanied
+Calder's suggestion.
+
+"All right," said Victor. "How is Miss Glyn, Wentworth?"
+
+"Oh, she's all right. She's been in the country for a bit, but she's
+back now."
+
+"And when is the happy event to be?"
+
+Calder laid down his knife and fork and remarked deliberately:
+
+"I haven't, my dear boy, the least idea."
+
+"I should hurry her up," laughed Sutton.
+
+"I'd just like--now I should just like to put you in my shoes for half
+an hour, and see you hurry up Agatha."
+
+"She couldn't eat me."
+
+"Eat you? No, but she'd flatten you out so that you'd go under that
+door and leave room for the jolly draught there is all the same."
+
+Sutton laughed complacently.
+
+"Well, you're a patient man," he observed. "For my part, I like a thing
+to be off or on."
+
+It came to Charlie Merceron almost as a surprise to find that Victor's
+impudence--he could call it by no other name--was not reserved for his
+juniors or for young men from the country; but Calder took it quite
+good-humoredly, contenting himself with observing, "Well, it was very
+soon off in your case, wasn't it, old fellow?"
+
+Sutton flushed.
+
+"I've told you before that that's not true," he said angrily.
+
+Calder laughed.
+
+"All right, all right. We used to think, once upon a time, Merceron,
+you know, that old Victor here was a bit smitten himself; but he hasn't
+drugged my champagne yet, so of course, as he says, it was all a
+mistake."
+
+After dinner the three separated. Victor had to go to a party. Calder
+Wentworth proposed to Charlie that they should take a stroll together
+with a view to seeing whether, when they came opposite to the door of a
+music-hall, they would 'feel like' dropping in to see part of the
+entertainment. Charlie agreed, and, having lit their cigars, they set
+out. He found his now friend amusing, and Calder, for his part, took a
+liking for Charlie, largely on account of his good looks; like many
+plain people, he was extremely sensitive to the influence of beauty in
+women and men alike.
+
+"I say, old fellow," he said, pressing Charlie's arm as if he had known
+him all his life, "there was somebody in that summer-house, eh?"
+
+Charlie turned with a smile and a blush. He felt confidential.
+
+"Yes, there was, only Victor----"
+
+"Oh, I know. I nearly break his head whenever he mentions any girl I
+like."
+
+"You know what he'd have thought--and it wasn't anything like that
+really."
+
+"Who was she, then?"
+
+"I--I don't know."
+
+"Oh, I don't mean her name, of course. But what was she?"
+
+"I don't know."
+
+"Where did she come from?"
+
+"London, I believe."
+
+"Oh! I say, that's a queer go, Merceron."
+
+"I don't know what to think about it. She's simply vanished," said poor
+Charlie, and no one should wonder if his voice faltered a little.
+Calder Wentworth laughed at many things, but he did not laugh now at
+Charlie Merceron. Indeed he looked unusually grave.
+
+"I should drop it," he remarked. "It don't look--well--healthy."
+
+"Ah, you've never seen her," said Charlie.
+
+"No, and I tell you what--it won't be a bad thing if you don't see her
+again."
+
+"Why?"
+
+"Because you're just in the state of mind to marry her."
+
+"And why shouldn't I?"
+
+Mr. Wentworth made no answer, and they walked on till they readied
+Piccadilly Circus. Then Charlie suddenly darted forward.
+
+"Hullo, what's up?" cried Calder, following him.
+
+Charlie was talking eagerly to a very smart young lady who had just got
+down from an omnibus.
+
+"By Jove! he can't have found, her!" thought Calder.
+
+It was not the unknown, but her friend Nettie Wallace, whom Charlie's
+quick eye had discerned; and the next moment Willie Prime made his
+appearance. Charlie received them both almost with enthusiasm, and the
+news from Lang Marsh was asked and given. Calder drew near, and Charlie
+presented his friends to one another with the intent that he might get
+a word with Nettie while Calder engrossed her fiances attention.
+
+"Have--have you heard from Miss Brown lately?" he was just beginning,
+when Calder, who had been looking steadily at Nettie, burst out:
+
+"Hullo, I say, Miss Wallace, we've met before, haven't we? You know me,
+don't you?"
+
+Nettie laughed.
+
+"Oh, yes, I know you, sir. You're---"
+
+She paused abruptly, and glanced from Charlie to Calder, and back from
+Calder to Charlie. Then she blushed very red indeed.
+
+"Well, who am I?"
+
+"I--I saw you at--at Miss Glyn's, Mr. Wentworth."
+
+"'Course you did--that's it;" and, looking curiously at the girl's
+flushed face, he added: "Don't be afraid to mention Miss Glyn; Mr.
+Merceron knows all about it."
+
+"All about it, does he, sir?" cried Nettie. "Well, I'm glad of that. I
+haven't been easy in my mind ever since."
+
+Calder's conformation of eye enabled him to express much surprise by
+facial expression, and at this moment he used his power to the full.
+
+"Awfully kind of you, Miss Wallace," said he, "but I don't see where
+your responsibility comes in. Ever since what?"
+
+Nettie shot a glance of inquiry at Charlie, but here too she met only
+bewilderment.
+
+"Does he know that Miss Glyn is---" she began.
+
+"Engaged to me? Certainly."
+
+"Oh!"
+
+Willie stood by in silence. He had never heard of this Miss Glyn.
+Charlie, puzzled as he was, was too intent on Miss Brown to spend much
+time wondering why Miss Glyn's affairs should have been a trouble to
+Nettie.
+
+"You'll let me know if you hear about her, won't you?" he asked in a
+low voice.
+
+Nettie gave up the hope of understanding. She shook her head.
+
+"I'll ask her, if I see her, whether she wishes it," she whispered
+back; and, with a hasty good-night, she seized Willie's arm and hurried
+him off. Charlie was left alone with Calder.
+
+"What the deuce did she mean?" asked Calder.
+
+"I don't know," answered Charlie.
+
+"Where did you meet her?"
+
+"Oh, down at home. The fellow she was with is a son of a tenant of
+ours; she's going to marry him."
+
+"She's a nice little girl, but I'm hanged if I know what she meant."
+
+And, as the one was thinking exclusively of Agatha Glyn, and the other
+spared a thought for no one but Agatha Brown, they did not arrive at an
+explanation.
+
+One result, however, that chance encounter had. The next morning Miss
+Agatha Glyn received a letter in the following terms:
+
+
+"Madam:--I hope you will excuse me intruding, but I think you would
+wish to know that Mr. Charles Merceron is in London, and that I met him
+this evening with Mr. Wentworth. As you informed me that you had passed
+Mr. Merceron on the road two or three times during your visit to Lang
+Marsh, I think you may wish to be informed of the above. I may add that
+Mr. Merceron is aware that you are engaged to Mr. Wentworth, but I
+could not make out how far he was aware of what happened at Lang Marsh.
+I think he does not know it. Of course you will know whether Mr.
+Wentworth is aware of your visit there. I should be much obliged if you
+would be so kind as to tell me what to say if I meet the gentlemen
+again. Mr. Merceron is very pressing in asking me for news of you. I am
+to be married in a fortnight from the present date, and I am, Madam,
+yours respectfully, Nettie Wallace."
+
+
+"In London, and with Calder!" exclaimed Agatha Glyn. "Oh dear! oh dear!
+oh dear! What is to be done? I wish I'd never gone near the wretched
+place!"
+
+Then she took up the letter and reread it.
+
+"He and I mustn't meet, that's all," she said.
+
+Then she slowly tore the letter into very small pieces and put them in
+the waste-paper basket.
+
+"Calder has no idea where I was," she said, and she sat down by the
+window and looked out over the Park for nearly ten minutes.
+
+"Ah, well! I should like to see him just once again. Dear old Pool."
+said she.
+
+Then she suddenly began to laugh--an action only to be excused in one
+in her position, and burdened with her sins, by the fact of her having
+at the moment a peculiarly vivid vision of Millie Bushell going head
+first out of a canoe.
+
+
+
+CHAPTER VII
+
+THE INEVITABLE MEETING
+
+
+The first Viscount Thrapston had been an eminent public character, and
+the second a respectable private person; the third had been neither.
+And yet there was some good in the third. He had loved his only son
+with a fondness rare to find; and for ten whole years, while the young
+man was between seventeen and twenty-seven, the old lord lived, for his
+sake, a life open to no reproach. Then the son died, leaving a lately
+married wife and a baby-girl, and Lord Thrapston, deprived at once of
+hope and of restraint, returned to his old courses, till age came upon
+him and drove him from practice into reminiscence. Mrs. Glyn had
+outlived her husband fifteen years and then followed him, fairly
+snubbed to death, some said, by her formidable father-in-law. The
+daughter was of sterner stuff, and early discovered for herself that
+nothing worse than a scowl or a snarl was to be feared. On her, indeed,
+descended a relic of that tenderness her father had enjoyed, and Agatha
+used to the full the advantages it gave her. She knew her own
+importance. It is not every girl who will be a peeress in her own
+right, and she amused her grandfather by calmly informing him that it
+was not on the whole a subject for regret that she had not been a boy.
+"You see," said she, "we get rid of the new viscounty, and it's much
+better to be Warmley than Thrapston."
+
+The fact that she was some day to be 'Warmley' was the mainspring of
+that hairbrained jaunt to Lang Marsh in company with Nettie Wallace.
+Nettie was the daughter of Lord Thrapston's housekeeper, and the two
+girls had been intimate in youth, much as Charlie Merceron and Willie
+Prime had been at the Court; and when Nettie, scorning servitude, set
+up in life for herself, Agatha gave her her custom and did not withdraw
+her friendship. In return, she received an allegiance which refused
+none of her behests, and a regard which abolished all formality between
+them, except when Nettie got a pen in her hand and set herself to
+compose a polite letter. The expedition was, of course, to see the
+Court--the old home of the Warmleys, for which Agatha felt a
+sentimental attraction. She had told herself that some day, if she were
+rich (and, Lord Thrapston not being rich, she must have had some other
+resource in her mind), she would buy back Langbury Court and get rid of
+the Mercerons altogether. There were only a widow and a boy, she had
+heard, and they should have their price. So she went to the Court in
+the business-like mood of a possible purchaser (Calder could afford
+anything), as well as in the romantic mood of a girl escaped from
+every-day surroundings and plunging into a past full of interest to
+her. Had not she also read of Agatha Merceron? And in this mixed mood
+she remained till one evening at the Pool she had met 'the boy', when
+the mood became more mixed still. She dared not now look back on the
+struggles she had gone through before her meeting with the boy became
+first a daily event, and then the daily event. She had indulged herself
+for once. It was not to last; but for once it was overpoweringly sweet
+to be gazed at by eyes that did not remind her of a frog's, and to see
+swiftly darting towards her a lithe straight figure crowned with a head
+that (so she said) reminded her of Lord Byron's. But alas! alas! why
+had nobody told her that the boy was like that before she went? Why did
+her grandfather take no care of her? Why did Calder never show any
+interest in what she did? Why, in fine, was everybody so cruel as to
+let her do exactly what she liked, and thereby get into a scrape like
+this?
+
+One thing was certain. If that boy were in London, she must avoid him.
+They must never meet. It was nonsense for Mr. Sigismund Taylor to talk
+of making a. clean breast of it--of a dignified apology to Charlie,
+coupled with a no less dignified intimation that their acquaintance
+must be regarded as closed. Mr. Taylor knew nothing of the world. He
+even wanted her to tell Calder! No. She was truly and properly
+penitent, and she hoped that she received all he said in that line in a
+right spirit; but when it came to a question of expediency, she would
+rather have Mrs. Blunt's advice than that of a thousand Mr. Taylors. So
+she wrote to Mrs. Blunt and asked herself to lunch, and Mrs. Blunt,
+being an accomplished painstaking hostess, and having no reason to
+suppose that her young friend desired a confidential interview, at once
+cast about for some one whom Agatha would like to meet. She did not ask
+Calder Wentworth--she was not so commonplace as that--but she invited
+Victor Sutton, and, delighting in a happy flash of inspiration, she
+added Mr. Vansittart Merceron. The families were connected in some way,
+she knew, and Agatha certainly ought to know Mr. Merceron.
+
+Accordingly, when Agatha arrived, she found Victor, and she had not
+been there five minutes before the butler, throwing open the door,
+announced "Mr. Merceron."
+
+Uncle Van had reached that state of body when he took his time over
+stairs, and between the announcement and his entrance there was time
+for Agatha to exclaim, quite audibly, "Oh!"
+
+"What's the matter, dear?" asked Mrs. Blunt; but Uncle Van's entrance
+forbade a reply, and left Agatha blushing but relieved.
+
+Was she never to hear the end of that awful story? It might be natural
+that, her hereditary connection with the Mercerons being disclosed, Mr.
+Vansittart should discourse of Langbury Court, of the Pool, and of
+Agatha Merceron; but was it necessary that Victor Sutton should chime
+in with the whole history of the canoe and Miss Bushell, or joke with
+Mr. Merceron about his nephew's 'assignations'? The whole topic seemed
+in bad taste, and she wondered that Mrs. Blunt did not discourage it.
+But what horrible creatures men were! Did they really think it
+impossible for a girl to like to talk to a man for an hour or so in the
+evening without----?
+
+"You must let me bring my nephew to meet Miss Glyn," said Uncle Van
+graciously to his hostess. "She is so interested in the family history
+that she and Charlie would get on like wildfire. He's mad about it."
+
+"In fact," sniggered Victor (Miss Glyn always detested that man), "so
+interested that, as you hear, he went to meet Agatha Merceron every
+evening for a fortnight!"
+
+"You'll be delighted to meet him, won't you, Agatha? We must arrange a
+day," said Mrs. Blunt.
+
+"Calder knows him," added Victor.
+
+"He's an idle young dog," said Uncle Van, "but a nice fellow. A little
+flighty and fanciful, as boys will be, but no harm in him. You mustn't
+attach too much importance to our chaff about his meetings at the Pool,
+Miss Glyn; we don't mean any harm."
+
+Agatha tried to smile, but the attempt was not a brilliant success.
+She stammered that she would be delighted to meet Mr. Charles Merceron,
+swearing in her heart that she would sooner start for Tierra del Fuego.
+But her confession to Mrs. Blunt would save her, if only these odious
+men would go. They had had their coffee, and their liqueurs, and their
+cigarettes. What more, in Heaven's name, could even a man want to
+propitiate the god of his idolatry?
+
+Apparently the guests themselves became aware that they were
+trespassing, for Uncle Van, turning to his hostess with his blandest
+smile, remarked, "I hope we're not staying too long. The fact is, my
+dear Mrs. Blunt, you're always so kind that we took the liberty of
+telling Calder Wentworth to call for us here. He ought to have come by
+now."
+
+Mrs. Blunt declared that she would be offended if they thought of going
+before Calder came. Agatha rose in despair: the confession must be put
+off. She held out her hand to her hostess. At this moment the door-bell
+rang.
+
+"That's him," said Victor.
+
+"Sit down again for a minute, dear," urged Mrs. Blunt.
+
+There was renewed hope for the confession. Agatha sat down. But hardly
+had she done so before the strangest presentiment came over her. She
+heard the door below open and shut, and it was borne in upon her mind
+that two men had entered. How she guessed it, she could not tell, but,
+as she sat there, she had no doubt at all that Charlie Merceron had
+come with Calder Went worth. Escape was impossible, but she walked
+across to the window and stood there, with her back to the door.
+
+"Mr. Wentworth!" she heard, and then, cutting the servant short, came
+Calder's voice.
+
+"I took the liberty---" he began: and she did not know how he went on,
+for her head was swimming.
+
+"Agatha! Agatha, dear!" called Mrs. Blunt.
+
+Perforce she turned, passing her hand quickly across her brow. Yes! It
+was so. There he stood by Calder's side, and Calder was saying, "My
+dear Agatha, this is Charlie Merceron."
+
+She would not look at Charlie. She moved slowly forward, her eyes fixed
+on Calder, and bowed with a little set smile. Luckily people pay slight
+attention to one another's expressions on social occasions, or they
+must all have noticed her agitation. As it was, only Calder Wentworth
+looked curiously at her before he turned aside to shake hands with
+Uncle Van.
+
+Then she felt Charlie Merceron coining nearer, and, a second later, she
+heard his voice.
+
+"Is it possible that it's you?" he asked, in a low tone.
+
+Then she looked at him. His face was pale and his eyes eagerly
+straining to read what might be in hers.
+
+"Hush!" she whispered. "Yes. Hush! hush!"
+
+"But--but he told me your name was Glyn?"
+
+"Yes."
+
+"And he says you're engaged to him."
+
+Agatha clasped her hands, and Calder's voice broke in, between them:
+"Come along, Merceron, we're waiting for you."
+
+"They've got into antiquities already," smiled Mrs. Blunt. "You must
+come again, Mr. Merceron, and meet Miss Glyn. Mustn't he, Agatha?"
+
+Agatha threw one glance at him.
+
+"If he will," she said.
+
+Charlie pulled himself together, muttered something appropriate, and
+shuffled out tinder his uncle's wing. Mr. Vansittart was surprised to
+find him a trifle confused and awkward in society.
+
+Outside the house, Charlie ranged up beside Calder "Wentworth, leaving
+Uncle Van and Sutton together.
+
+"Well, what do you think of her?" asked Calder.
+
+Charlie gave no opinion. He asked just one question:
+
+"How long have you been engaged to her?"
+
+"How long? Oh, let's see. About--yes, just about a year. I never knew
+that there was a sort of connection between you and her--sort of
+relationship, you know. I ain't strong on the Peerage."
+
+"A sort of connection!" There was that in more senses than the one
+Calder had been told of by Uncle Van. There was a connection that poor
+Charlie thought Heaven itself had tied on those summer evenings by the
+Pool, which to strengthen and confirm forever he had sallied from his
+home, like a knight in search of his mistress the world over in olden
+days. And he found her--such as this girl must be! Stay! He did not
+know all yet. Perhaps she had been forced into a bond she hated. He
+knew that happened. Did not stories tell of it, and moralists declaim
+against it? This man--this creature, Calder Wentworth--was buying her
+with his money, forcing himself on her, brutally capturing her. Of
+course! How could he have doubted her? Charlie dropped Calder's arm as
+though it had been made of red-hot iron.
+
+"Hullo!" exclaimed that worthy fellow, unconscious of offence.
+
+Charlie stopped short. "I can't come," he said. "I--I've remembered an
+engagement;" and without more he turned away and shot out of sight
+round the nearest corner.
+
+"Well, I'm hanged!" said Calder Wentworth, and, with a puzzled frown,
+he joined his other friends.
+
+
+
+CHAPTER VIII
+
+THE MORAL OF IT
+
+
+Left alone with Mrs. Blunt, Agatha sank into the nearest chair.
+
+"A very handsome young man, isn't he?" asked the good lady, pushing a
+chair back into its place. "He'll be an acquisition, I think."
+
+Agatha made no answer, and Mrs. Blunt, glancing at her, found her
+devouring the carpet with a stony stare.
+
+"What on earth's the matter, child?"
+
+"I'm the wretchedest wickedest girl alive," declared Agatha.
+
+"Good gracious!"
+
+"Mrs. Blunt, who do you think was in the summer-house when Mr. Merceron
+went there?"
+
+"My dear, are you ill? You jump about so from subject to subject."
+
+"It's all one subject, Mrs. Blunt. There was a girl there."
+
+"Well, my dear, and if there was? Boys will be boys; and I'm sure there
+was no harm."
+
+"No harm! Oh!"
+
+"Agatha, are you crazy?" demanded Mrs. Blunt, with an access of
+sternness.
+
+"Could I fancy," pursued Agatha, in despairing playfulness mimicking
+Uncle Van's manner, "how Miss Bushell looked, and how Victor looked,
+and how everybody looked? Could I fancy it? Why, I was there!"
+
+"There! Where?"
+
+"Why, in that wretched little temple. I was the girl, Mrs. Blunt.
+I--I--I was the milkmaid, as Mr. Sutton says. I was the country wench!
+Oh dear! oh dear! oh dear!"
+
+Mrs. Blunt, knowing her sex, held out a bottle of salts.
+
+"I'm not mad," said Agatha.
+
+"You're nearly hysterical."
+
+Agatha took a long sniff.
+
+"I think I can tell you now," she said more calmly. "But was ever a
+girl in such an awful position before?"
+
+It is needless to repeat what Mrs. Blunt said. Her censures will have
+been long ago anticipated by every right-thinking person, and if she
+softened them down a little more than strict justice allowed, it must
+have been because Agatha was an old favorite of hers, and Lord
+Thrapston an old antipathy. Upon her word, she always wondered that the
+poor child, brought up by that horrid old man, was not twice as bad as
+she was.
+
+"But what am I to do about them?" cried Agatha.
+
+'Them' evidently meant Calder and Charlie.
+
+"Do! Why, there's nothing to do. You must just apologize to Mr.
+Merceron, and tell him that an end had better be put--"
+
+"Oh, I know--Mr. Taylor said that; but, Mrs. Blunt, I don't want an end
+to be put to our acquaintance. I like him very very much. Oh, and he
+thinks me horrid! Oh!"
+
+"Take another sniff," advised Mrs. Blunt, "Of course, if Mr. Merceron
+is willing to let bygones be bygones, and just be an acquaintance----"
+
+"Oh, but I know he won't. If you knew Charlie
+
+"Knew who, Agatha?"
+
+"Mr. Merceron," said Agatha, in a very humble voice. "If you knew him
+at all, you'd know he wouldn't do that."
+
+"Then you must send him about his business. Oh, yes, I know. You've
+treated him atrociously, but Calder Wentworth must be considered first;
+that is, if you care two straws for the poor fellow, which I begin to
+doubt."
+
+"Oh, I do, Mrs. Blunt!"
+
+"Agatha, you shameless girl, which of these men---?"
+
+"Don't talk as if there were a dozen of them, dear Mrs. Blunt. There
+are only two."
+
+"One too many."
+
+"Yes, I know. You--you see I'm--I'm accustomed to Calder."
+
+"Oh, are you?"
+
+"Yes. Don't be unkind, Mrs. Blunt. And then Charlie was something so
+new--such a charming change--that----"
+
+"Upon my word, you might be your grandfather. Talk about heredity, and
+Ibsen, and all that!"
+
+"Can't you help me, dear Mrs. Blunt?"
+
+"I can't give you two husbands, if that's what you want. There, child,
+don't cry. Never mind me. Have another sniff."
+
+"I shall go home," said Agatha. "Perhaps grandpapa may be able to
+advise me."
+
+"Your grandfather! Gracious goodness, girl, you're never going to tell
+him?"
+
+"Yes, I shall. Grandpapa's had a lot of experience: he says so."
+
+"I should think he had!" whispered Mrs. Blunt with uplifted hands.
+
+"Good-by, Mrs. Blunt. You don't know how unhappy I am. Thanks, yes, a
+hansom, please. Mrs. Blunt, are you going to ask Mr. Merceron here
+again?"
+
+Mrs. Blunt's toleration was exhausted.
+
+"Be off with you!" she said sternly, pointing a forefinger at the door.
+
+By great good fortune Agatha found Lord Thrapston at home. Drawing a
+footstool beside his chair, she sat down. Her agitation was past, and
+she wore a gravely business like air.
+
+"Grandpapa," she began, "I have got something to tell you."
+
+"Go ahead, my dear," said the old gentleman, stroking her golden hair.
+Her father had curls like that when he was a boy.
+
+"Something dreadful I've done, you know. But you won't be very angry,
+will you?"
+
+"We'll see."
+
+"You oughtn't to be, because you're not very good yourself, are you?"
+and she first glanced up into his burnt-out old eyes and then pressed
+her lips on his knotted lean old hand.
+
+"Aggy," said he, "I expect you play the deuce with the young fellows,
+don't you?"
+
+Agatha laughed softly, but a frown succeeded.
+
+"That's just it," she said. "Now, you're to listen and not interrupt,
+or I shall never be able to manage it. And you're not to look at me,
+grandpapa."
+
+The narrative--that thrice-told tale--began. As the comments of Mr.
+Taylor and Mrs. Blunt were omitted, those of Lord Thrapston may well
+receive like treatment, more especially as they tended not to
+edification; but before his granddaughter had finished her story the
+old man had sworn softly four times and chuckled audibly twice.
+
+"I knew there was a girl in that temple, soon as Calder told me," said
+he.
+
+"But you didn't know who it was. Oh, and Calder doesn't?"
+
+"Not he. Well, you've made a pretty little fool of yourself, missie.
+What are you going to do now?"
+
+"That's what you've got to tell me."
+
+"I? Oh, I dare say. No, no; you got into the scrape and you can get out
+of it. And---" He suddenly recollected his duties. "Look here, Agatha,
+I must--hang it, Agatha, I shouldn't be doing my duty as--as a
+grandfather if I didn't say that it's a monstrous disgraceful thing of
+you to have done. Yes, d----d disgraceful;" and he took a pinch of
+snuff with an air of severe virtue.
+
+"Yes, dear; but you shouldn't swear, should you?"
+
+Lord Thrapston felt that he had spoilt the moral effect of his reproof,
+and, without dwelling further on that aspect of the subject, he
+addressed his mind to the more practical question. The outcome,
+different as the source was, was the same old verdict.
+
+"We must tell Calder, my dear. It isn't right to keep him in the dark."
+
+"I can't tell him. Why must he be told?"
+
+"Well," said Lord Thrapston, "it's just possible, Aggy, that he may
+have something to say to it, isn't it?"
+
+"I don't mind what he says," declared Agatha.
+
+"Eh? Why, I thought you were so fond of him."
+
+"So I am."
+
+"And as you're going to marry him
+
+"I never said I was going to marry him. I only said he might be engaged
+to me, if he liked."
+
+"Oho! So this young Merceron----"
+
+"Not at all, grandpapa. Oh, I do wish somebody would help me!"
+
+Lord Thrapston rose from his seat.
+
+"You must do what you like," he said. "I'm going to tell Calder."
+
+"Oh, why?"
+
+"Because," he answered, "I'm a man of honor."
+
+Before the impressive invocation of her grandfather's one religion,
+Agatha's opposition collapsed.
+
+"I suppose he must be told," she admitted mournfully. "I expect he'll
+never speak to me again, and I'm sure Mr. Merceron won't;" and she sat
+on the footstool, the picture of dejection.
+
+Lord Thrapston was moved to enunciate a solemn truth.
+
+"Aggy," said he, shaking his finger at her, "in this world you can't
+have your fun for nothing." But then he spoilt it by adding
+regretfully, "More's the pity!" and off he hobbled to the club, intent
+on finding Calder Wentworth.
+
+For some time after he went, Agatha sat on her stool in deep thought.
+Then she rose, sat down at the writing-table, took a pen, and began to
+bite the end of it. At last she started to write:
+
+"I don't know whether I ought to write or not, but I must tell you how
+it happened. Oh, don't think too badly of me! I came down just because
+I had heard so much about the Court and I wanted to see it, and I came
+as I did with Nettie Wallace just for fun. I never meant to say I was a
+dress-maker, you know; but people would ask questions and I had to say
+something. I never, never thought of you. I thought you were about
+fifteen. And you know--oh, you must know--that I met you quite by
+accident, and was just as surprised as you were. And the rest was all
+your fault. I didn't want to come again; you know I refused ever so
+many times; and you promised you wouldn't come if I came, and then you
+did come. It was really all your fault. And I'm very, very sorry, and
+you must please try to forgive me, dear Mr. Merceron, and not think me
+a very wicked girl. I had no idea of coming every evening, but you
+persuaded me. You know you persuaded me. And how could I tell you I was
+engaged? You know you never asked me. I would have told you if you had.
+I am telling Mr. Wentworth all about it, and I don't think you ought to
+have persuaded me to meet you as you did. It wasn't really kind or nice
+of you, was it? Because, of course, I'm not very old, and I don't know
+much about the world, and I never thought of all the horrid things
+people would say. Do, please, keep this quite a secret. I felt I must
+write you just a line. I wonder what you're thinking about me, or
+whether you're thinking about me at all. You must never think of me
+again. I am very, very unhappy, and I do most earnestly hope, dear Mr.
+Merceron, that I have not made you unhappy. We were both very much to
+blame, weren't we? But we slipped into it without knowing. Good-by. I
+don't think I shall ever forget the dear old Pool, and the temple,
+and--the rest. But you must please forget me and forgive me. I am very
+miserable about it and about everything. I think we had better not know
+each other any more, so please don't answer this. Just put it in the
+fire and think no more about it or me. I wanted to tell you all this
+when I saw you to-day, but I couldn't. Good-by. Why did we ever meet?"
+
+"Agatha Glyn."
+
+
+She read this rather confused composition over twice, growing more
+sorry for herself each time. Then she put it in an envelope, addressed
+it to Charlie, looked out Uncle Van in the Directory, and sent it under
+cover to his residence. Then she went and lay down on the hearth-rug,
+and began to cry, and through her tears she said aloud to herself,
+
+"I wonder whether he'll write or come."
+
+Because it seemed to her entirely impossible that, in spite of her
+prayer, he should put the letter in the fire and let her go. Surely he
+too remembered the dear old Pool, and the temple, and--the rest!
+
+
+
+CHAPTER IX
+
+TWO MEN OF SPIRIT
+
+
+"The fact is," observed Lord Thrapston complacently, "the girl very
+much resembles me in disposition."
+
+Calder's eyes grew larger and rounder.
+
+"Do you really think so?" he asked anxiously.
+
+"Well, this little lark of hers--hang me, it's just what I should have
+enjoyed doing fifty years ago."
+
+"Ah--er--Lord--Thrapston, have you noticed the resemblance you speak of
+in any other way?"
+
+"That girl, except that she is a girl, is myself over again--myself
+over again."
+
+"The deuce!"
+
+"I beg your pardon, Calder; I grow hard of hearing."
+
+"Nothing. Lord Thrapston. Look here, Lord Thrapston----"
+
+"Well, well, my dear boy?"
+
+"Oh, nothing; that is--"
+
+"But she'll be all right in your hands, my boy. You must keep an eye;
+on her, don't you know: she'll need a bit o' driving; but I really
+don't see why you should come to grief. I don't, 'pon my soul. No.
+With tact on your part, you might very well pull through."
+
+"How d'ye mean tact, Lord Thrapston?"
+
+"Oh, amuse her. Let her travel; give her lots of society; don't bother
+her with domestic affairs. Don't let her feel she's under any
+obligation. That's what she kicks against. So do I; always did."
+
+Calder pulled his mustache. Lord Thrapston had briefly sketched the
+exact opposite of his ideal of married life.
+
+"The fact is," continued the old man, "the boy's an uncommon handsome
+boy. She can't resist that. No more can I; never could."
+
+There chanced to be a mirror opposite Calder, and he impartially
+considered himself. There was, he concluded, every prospect of Miss
+Glyn resisting any engrossing passion for him.
+
+"It's very good of you to have told, me all about it," he remarked,
+rising. "I'll think it over."
+
+"Yes, do. Of course, I admit she's given you a perfectly good reason
+for breaking off your engagement if you like. Mind that. We don't feel
+aggrieved, Calder. Act as you think best. We admit we're in the wrong,
+but we must stand by what we've done."
+
+"I shouldn't like to give her any pain--"
+
+"Pain! Oh, dear me, no, my dear boy. She won't fret. Make your mind
+easy about that."
+
+Calder felt a sudden impulse to disclose to Lord Thrapston his secret
+opinion of him, and he recollected, with a pang, that in the course of
+so doing he would have to touch on more than one characteristic shared
+by the old man and Agatha. Where were his visions of a quiet home in
+the country, of freedom from the irksome duties of society, of an
+obedient and devoted wife, surrounded by children and flanked by
+jampots? He had once painted this picture for Agatha, shortly after she
+had agreed to that arrangement which she declined to call a promise of
+marriage; and it occurred to him now that she had allowed the subject
+to drop without any expression of concurrence. He took leave of Lord
+Thrapston and went for a solitary walk. He wanted to think. But the
+position of affairs was such that other persons also felt the need of
+reflection, and Calder had not been walking by the Row very long
+before, lifting his eyes, he saw a young man approaching. The young man
+was not attired as he ought to have been: he wore a light suit, a
+dissolute necktie, and a soft wideawake crammed down low on his head.
+He had obviously forsworn the vanities of the world and was wearing the
+willow. He came up to Calder and held out his hand.
+
+"Wentworth," he said, "I left you rudely the other day. I was doing you
+an injustice. I have heard the truth from Mrs. Blunt. You are free from
+all blame. We--we are fellow-sufferers."
+
+His tones were so mournful that Calder shook his hand with warm
+sympathy, and remarked, "Pretty rough, on us both, ain't it?"
+
+"For me," declared Charlie, "everything is over. My trust in woman is
+destroyed; my pleasure in life is--"
+
+"Well, I don't feel A1 myself, old chap," said Calder.
+
+"I have written to--to her, to say good-by."
+
+"No, have yon, though?"
+
+"What else could I do? Wentworth, do you suppose that, even if she was
+free, I would think of her for another moment? Can there be love where
+there is no esteem, no trust, no confidence?"
+
+"I was just thinking that when you came up," said Calder.
+
+"No, at whatever cost, I--every self-respecting man--must consider
+first of all what he owes to his name, to his family, to
+his--Wentworth, to his unborn children."
+
+Calder nodded.
+
+"You, of course," pursued Charlie, "will be guided by your own
+judgment. As to that, the circumstances seal my lips."
+
+"I don't like it, you know," said Calder.
+
+"As regards you, she may or may not have excuses. I don't know; but she
+wilfully and grossly deceived me. I have done with her."
+
+"Gad, I believe you're right, Merceron, old chap! A chap ought to stand
+up for himself, by Jove! You'd never feel safe with her, would you, by
+Jove?"
+
+"Good-by," said Charlie suddenly. "I leave Paddington by the 4.15."
+
+"Where are you off to?"
+
+"Hell--I mean home," answered Charlie.
+
+Calder beat his stick against his leg.
+
+"I can't stay here either," he said moodily.
+
+Charlie stretched out his hand again.
+
+"Come with me," said he.
+
+"Eh? what?"
+
+"Come with me; we'll forget her together."
+
+Calder looked at him.
+
+"Well, you are a good chap. Dashed if I don't. Yes, I will. We'll enjoy
+ourselves like thunder. But I say, Merceron, I--I ought to write to
+her, oughtn't I?"
+
+"I am just going to write myself."
+
+"To--to say good-by, eh?"
+
+"Yes."
+
+"I shall write and break it off."
+
+"Come along. We'll go to your rooms and got the thing done, and then
+catch the train. My luggage is at the station now."
+
+"It won't take me a minute to get mine."
+
+"Wentworth, I'm glad to be rid of her."
+
+"All--oh, well--so am I," said Calder.
+
+Late that evening the butler presented Miss Agatha Glyn with two
+letters on a salver. As her eye fell on the addresses, she started.
+Her heart began to beat. She sat and looked at the two momentous
+missives.
+
+"Now which," she thought, "shall I read first? And what shall I do, if
+they are both obstinate?"
+
+There was another contingency which Miss Glyn did not contemplate.
+
+After a long hesitation, she took up Charlie's letter, and opened it.
+It was very short, and began abruptly without any words of address:
+
+"I have received your letter. Your excuses make it worse. I could
+forgive everything except deceit. I leave London to-day. Good-by.--C.
+M."
+
+"Deceit!" cried Agatha. "How dare he? What a horrid boy!"
+
+She was walking up and down the room in a state of great indignation.
+She had never been talked to like that in her life before. It was
+ungentlemanly, cruel, brutal. She flung Charlie's letter angrily down
+on the table.
+
+"I am sure poor dear old Calder won't treat me like that!" she
+exclaimed, taking up his letter.
+
+It ran thus: "My dear Agatha:--I hope you will believe that I write
+this without any feeling of anger towards you. My regard for you
+remains very great, and I hope we shall always be very good friends;
+but, after long and careful consideration, I have come to the
+conclusion that the story Lord Thrapston told, me shows conclusively
+what I have been fearing for some time past--namely, that I have not
+been so lucky as to win a real affection from you, and that we are not
+likely to make one another happy. Therefore, thanking you very much for
+your kindness in the past, I think I had better restore your liberty to
+you. I shall hear with, very great pleasure of your happiness. I leave
+town to day for a little while, in order that you may not be exposed to
+the awkwardness of meeting me.
+
+"Always your most sincerely,
+
+"Calder Wentworth."
+
+Agatha passed her hand across her brow; then she reread Calder's
+letter, and then Charlie's. Yes, there, was not the least doubt about
+it! Both of the gentlemen had well, what they had done did not admit of
+being put into tolerable words. With a little shriek, Agatha flung
+herself on the sofa.
+
+The door opened and Lord Thrapston entered.
+
+"Well, Aggy, what's the news? Still bothered by your two young men?
+Hullo! what's wrong?"
+
+"Read them!" cried Agatha, with a gesture towards the table.
+
+"Eh? Head what? Oh, I see."
+
+He sat down at the table and put on his glasses. Agatha turned her face
+towards the wall; for her also everything was over. For a time no sound
+was audible save an occasional crackle of the note-paper in Lord
+Thrapston's shaking fingers. Then, to Agatha's indescribable
+indignation, there came another sort of crackle--a dry, grating,
+derisive chuckle--from that flinty-hearted old man, her grandfather.
+
+"Good, monstrous good, 'pon my life!" said he.
+
+"You're laughing at me!" she cried, leaping up.
+
+"Well, my dear, I'm afraid I am."
+
+"Oh, how cruel men are!"
+
+"H'm! They're both men of spirit evidently."
+
+"Calder I can just understand. I--perhaps I did treat Calder rather
+badly---"
+
+"Oh, you go so far as to admit that, do you, Aggy?"
+
+"But Charlie! Oh, to think that Charlie should treat me like that!" and
+she threw herself on the sofa again.
+
+Lord Thrapston sat quite still. Presently Agatha rose, came to the
+table, and took up her two letters. She looked at them both; and the
+old man, seeming to notice nothing, yet kept his eye on her.
+
+"I shall destroy these things," said she; and she tore Calder's letter
+into tiny fragments, and flung them on the fire. Charlie's she crumpled
+up and held in her hand.
+
+"Good-night, grandpapa," she said wearily, and kissed him.
+
+"Good-night, my dear," he answered.
+
+And, whatever she did when she went upstairs, Lord Thrapston was in a
+position to swear that Charlie's letter was not destroyed in the
+drawing-room.
+
+
+
+CHAPTER X
+
+THE INCARNATION OF LADY AGATHA
+
+
+"She's such a dear good girl, Mr. Wentworth," said Lady Merceron.
+"She's the greatest comfort I have."
+
+It was after luncheon at Langbury Court. Lady Merceron and Calder sat
+on the lawn: Mrs. Marland and Millie Bushell were walking up and down;
+Charlie was lying in a hammock. A week had passed since the two young
+men had startled Lady Merceron by their unexpected arrival, and since
+then the good lady had been doing her best to entertain them; for, as
+she could not help noticing-, they seemed a little dull. It was a great
+change from the whirl of London to the deep placidity of the Court, and
+Lady Merceron could not quite understand why Charlie had tired so soon
+of his excursion, or why his friend persisted with so much fervor that
+anything was better than London, and the Court was the most charming
+place he had ever seen. Of the two Charlie seemed to feel the ennui
+much the more severely. Yet, while Mr. Wentworth spoke of returning to
+town in a few weeks, Charlie asseverated that he had paid his last
+visit to that revolting and disappointing place. Lady Merceron wished
+she had Uncle Van by her side to explain these puzzling
+inconsistencies. However, there was a bright side to the affair: the
+presence of the young men was a godsend to poor Millie, who, by reason
+of the depressed state of agriculture, had been obliged this year to go
+without her usual six weeks of London in the season.
+
+"And she never grumbles about it," said Lady Merceron admiringly. "She
+looks after her district, and takes a ride, and plays tennis, when she
+can get a game, poor girl, and is always cheerful and happy. She'd be a
+treasure of a wife to any man."
+
+"You'd better persuade Charlie of that, Lady Merceron."
+
+"Oh, Charlie never thinks of such a thing as marrying. He thinks of
+nothing but his antiquities."
+
+"Doesn't he?" asked Calder, with apparent sympathy and a covert sad
+amusement.
+
+"Mr. Wentworth," said Mrs. Marland, approaching, "I believe it's
+actually a fact that you've been here a week and have never yet been to
+the Pool."
+
+At this fateful word, Calder looked embarrassed, Charlie raised his
+head from the hammock, and Millie glanced involuntarily towards him.
+
+"We must take you," pursued Mrs. Marland, "this very evening. You'll
+come, Miss Bushell?"
+
+"I don't think I care very much about the Pool," said Millie.
+
+"We won't let Mr. Merceron take you in his canoe this time."
+
+Charlie rolled out of the hammock and came up to them.
+
+"You must take us to the Pool. I don't believe you've been there since
+you came back. Poor Agatha will quite---"
+
+"Agatha?" exclaimed Calder.
+
+"Agatha Merceron, you know. Why, haven't you heard---?"
+
+"Oh, ah! Yes, of course. I beg your pardon."
+
+"I hate that beastly Pool," said Charlie.
+
+"How can you?" smiled Mrs. Marland. "You used to spend hours there
+every evening."
+
+Charlie glanced uneasily at Calder, who turned very red.
+
+"Times have changed, have they?" Mrs. Marland asked archly. "You've got
+tired of looking in vain for Agatha?"
+
+"Oh, all right," said Charlie crossly, "we'll go after tea."
+
+Anything seemed better than this rallying mood of Mrs. Marland's.
+
+Presently the two young men went off together to play a game at
+billiards; but after half a dozen strokes Charlie plumped down in a
+chair.
+
+"I say, Calder, old chap, how do you feel?" he asked.
+
+Calder licked his cigar meditatively.
+
+"Better," said he at last.
+
+"Oh!"
+
+"And you?"
+
+"Worse--worse every day. I can't stand it, old chap. I shall go back."
+
+"What, to her?"
+
+"Yes."
+
+"That's hardly sticking to our bargain, you know."
+
+"But, hang it, what's the good of our both cutting her?"
+
+"Oh, I thought you did it because you were disgusted with her. That was
+my reason."
+
+"So it was mine, but---"
+
+"Probably she's got some other fellow by now," observed Calder calmly.
+
+"The devil!" cried Charlie. "What makes you think so?"
+
+"Oh, nothing. I know her way, you see."
+
+"You think she's that sort of girl? Good heavens!"
+
+"Well, if she wasn't, I'd like to know where you'd be, my friend. I
+shouldn't have the honor of your acquaintance."
+
+Charlie ignored this point.
+
+"And yet you wanted, to marry her?"
+
+"I dare say I was an ass--like better men before me and--er--since me."
+
+"Hang it!" cried Charlie. "I'm sick of the whole thing. I'm sick of
+life. I'm sick of all the nonsense of it. For two straws I'd have done
+with it, and marry Millie Bushell."
+
+"What! Look here, Charlie--"
+
+Calder left his sentence unfinished.
+
+"Well?" said Charlie.
+
+"If," said Calder slowly, "there are any girls, either down here or in
+London, whom you're quite sure you'll never want to marry, I should
+like to be introduced to one of 'em, Charlie, if you've no objections."
+
+"What do you mean?"
+
+"Why, in fact, during this last week, Charlie, I have come to have a
+great esteem for Miss Bushell. There's about her a something--a
+solidity---"
+
+"She can't help that, poor girl."
+
+"A solidity of mind," said Calder, a little stiffly.
+
+"Oh, I beg pardon. But I say, Calder, what are you driving at?"
+
+"Charlie! Charlie!" sounded from outside. "Tea's ready."
+
+Calder rose and took Charlie by the arm.
+
+"Should I be safe," he asked solemnly, "in allowing myself to fall in
+love with Miss Bushell, or are you likely to step in again?"
+
+"You mean it? Honor bright, Calder?"
+
+"Yes."
+
+"Where's Bradshaw? By Jove, where's Bradshaw?"
+
+"Bradshaw? What the devil has Bradshaw----?"
+
+"Why, a train, man--a train to town."
+
+"I don't want to go to town, bless the man---"
+
+"You! No, but I do. To town, Calder--to Agatha, you old fool."
+
+"Oh, that's your lay?"
+
+"Yes, of course. I couldn't go back on you, but if you're off---"
+
+"Charlie, old fellow, think again."
+
+"Go to the deuce! Where's that---?"
+
+"Charlie, Charlie! Tea!"
+
+"Hang tea!" he cried; but Calder dragged him off, telling him that
+to-morrow would do for Bradshaw.
+
+At tea Charlie's spirits were very much better, and it was observed
+that Calder Wentworth paid marked attention to Millie Bushell, so that,
+when they started for the Pool, Millie was prevailed upon to be one of
+the party, on the understanding that Mr. Went worth would take care of
+her. This time the expedition went off more quietly than it had
+previously, but at the last moment the ladies declared that they would,
+be late for dinner if they waited till it was time for Agatha Merceron
+to come.
+
+"Oh, nonsense!" said Calder. "Come over to the temple, Miss Bushell. I
+won't upset the canoe."
+
+"Well, if you insist," said Millie.
+
+Then Mrs. Marland remarked in the quietest voice in the world---
+
+"There's some one in the temple."
+
+"What?" cried Millie.
+
+"Eh?" exclaimed Calder.
+
+"Nonsense!" said Charlie.
+
+"I saw a face at the window," insisted Mrs. Marland.
+
+"Oh, Mrs. Marland! Was it very awful?"
+
+"Not at all, Millie--very pretty," and she gave Charlie a look full of
+meaning.
+
+"Look, look!" cried Millie in strong agitation.
+
+And, as they looked, a slim figure in white came quietly out of the
+temple, a smile--and, alas! no vestige of a blush--on her face, walked
+composedly down the steps, and, standing on the lowest one, thence--did
+not throw herself into the water--but called, in the most natural voice
+in the world, "Which of you is coming to fetch me?"
+
+Charlie looked at Calder. Calder said,
+
+"I think you'd better put her across, old man. And--er--we might as
+well walk on."
+
+They turned away, Millie's eyes wide in surprise, Mrs. Marland smiling
+the smile of triumphant sagacity.
+
+"I was coming to you to-morrow," cried Charlie the moment his canoe
+bumped against the stops.
+
+"What do you mean, sir, by staying away a whole week? How could you?"
+
+"I don't know," said Charlie. "You see, I couldn't come till Calder----
+
+"Oh, what about Calder?"
+
+"He's all right."
+
+"What? Miss--the girl you upset out of the canoe?"
+
+"I think so," said Charlie.
+
+"Ah, well!" said Agatha. "But how very curious!" Then she smiled at
+Charlie, and asked, "But what love can there be, Mr. Merceron, where
+there is deceit?"
+
+Charlie took no notice at all of this question.
+
+"Do you mind Calder going?" he whispered.
+
+"Well, not much," said Miss Glyn.
+
+Thus it was that the barony of Warmley returned to the house of
+Merceron, and the portrait of the wicked lord came to hang once more in
+the dining-room. So the curtain falls on the comedy; and what happened
+afterwards behind the scenes, whether another comedy, or a tragedy, or
+a mixed half-and-half sort of entertainment, now grave, now gay,
+sometimes perhaps delightful, and again of tempered charm--why, as to
+all this, what reck the spectators who are crowding out of the theatre
+and home to bed?
+
+But it seems as if, in spite of certain drawbacks in Agatha Merceron's
+character, nothing very dreadful can have happened, because Mr. and
+Mrs. Wentworth, who are very particular folk, went to stay at the Court
+the other day, and their only complaint was that Charlie and his bride
+were always at the Pool!
+
+And, for his own part, if he may be allowed a word (which some people
+say he ought not to be) here, just at the end, the writer begs to say
+that he once knew Agatha, and--he would have taken the risks. However,
+a lady to whom he has shown this history differs entirely from him, and
+thinks that no sensible man would have married her. But, then, that is
+not the question.
+
+
+
+
+THE CURATE OF POLTONS
+
+
+I must confess at once that at first, at least, I very much admired the
+curate. I am not referring to my admiration of his fine figure--six
+feet high and straight as an arrow--nor of his handsome, open,
+ingenuous countenance, or his candid blue eye, or his thick curly hair.
+No; what won my heart from an early period of my visit to my cousins,
+the Poltons of Poltons Park, was the fervent, undisguised, unashamed,
+confident, and altogether matter-of-course manner in which he made love
+to Miss Beatrice Queenborough, only daughter and heiress of the wealthy
+shipowner Sir Wagstaff Queenborough, Bart., and Eleanor his wife. It
+was purely the manner of the curate's advances that took my fancy: in
+the mere fact of them there was nothing remarkable. For all the men in
+the house (and a good many outside) made covert. stealthy, and
+indirect steps in the same direction; for Trix (as her friends called
+her) was, if not wise, at least pretty and witty, displaying to the
+material eye a charming figure, and to the mental a delicate
+heartlessness--both attributes which challenge a self-respecting mans
+best efforts. But then came the fatal obstacle. From heiresses in
+reason a gentleman need neither shrink nor let himself be driven; but
+when it comes to something like twenty thousand a year--the reported
+amount of Trix's dot--he distrusts his own motives almost as much as
+the lady's relatives distrust them for him. We all felt this--Stanton,
+Rippleby, and I; and, although I will not swear that we spoke no tender
+words and gave no meaning glances, yet we reduced such concessions to
+natural weakness to a minimum, not only when Lady Queenborough was by,
+but at all times. To say truth, we had no desire to see our scalps
+affixed to Miss Trix's pretty belt, nor to have our hearts broken (like
+that of the young man in the poem) before she went to Homburg in the
+autumn. With the curate it was otherwise. He--Jack Ives, by the way,
+was his name--appeared to rush, not only upon his fate, but in the face
+of all possibility and of Lady Queenborough. My cousin and hostess,
+Dora Polton, was very much distressed about him. She said that he was
+such a nice young fellow, and that it was a great pity to see him
+preparing such unhappiness for himself. Nay, I happen to know that she
+spoke very seriously to Trix, pointing out the wickedness of trifling
+with him; whereupon Trix, who maintained a bowing acquaintance with her
+conscience, avoided him for a whole afternoon and endangered all Algy
+Stanton's prudent resolutions by taking him out in the Canadian canoe.
+This demonstration in no way perturbed the curate. He observed that, as
+there was nothing better to do, we might as well play billiards, and
+proceeded to defeat me in three games of a hundred up (no, it is quite
+immaterial whether we played for anything or not), after which he told
+Dora that the vicar was taking the evening service--it happened to be
+the day when there was one at the parish church--a piece of information
+only relevant in so far as it suggested that Mr. Ives could accept an
+invitation to dinner if one were proffered to him. Dora, very weakly,
+rose to the bait; Jack Ives, airily remarking that there was no use in
+ceremony among friends, seized the place next to Trix at dinner (her
+mother was just opposite) and walked on the terrace after dinner with
+her in the moonlight. When the ladies retired he came into the
+smoking-room, drank a whiskey-and-soda, said that Miss Queenborough was
+really a very charming companion, and apologized for leaving us early
+on the ground that his sermon was still unwritten. My good cousin, the
+squire, suggested rather grimly that a discourse on the vanity of human
+wishes might be appropriate.
+
+"I shall preach." said Mr. Ives thoughtfully, "on the opportunities of
+wealth."
+
+This resolution he carried out on the next day but one, that being a
+Sunday. I had the pleasure of sitting next to Miss Trix, and I watched
+her with some interest as Mr. Ives developed his theme. I will not try
+to reproduce the sermon, which would have seemed by no means a bad one,
+had any of our party been able to ignore the personal application which
+we read into it: for its main burden was no other than this--that
+wealth should be used by those who were fortunate enough to possess it
+(here Trix looked down and fidgeted with her prayer-book) as a means of
+promoting greater union between themselves and the less richly endowed,
+and not--as, alas, had too often been the case--as though it were a new
+barrier set up between them and their fellow--creatures. (Here Miss
+Trix blushed slightly, and had recourse to her smelling-bottle.) "You,"
+said the curate, waxing rhetorical as he addressed an imaginary, but
+bloated, capitalist, "have no more right to your money than I have. It
+is intrusted to you to be shared with me." At this point I heard Lady
+Queenborough sniff, and Algy Stanton snigger. I stole a glance at Trix
+and detected a slight waver in the admirable lines of her mouth.
+
+"A very good sermon, didn't you think?" I said to her, as we walked
+home.
+
+"Oh, very, she replied demurely.
+
+"Ah, if we followed all we heard in church!" I sighed.
+
+Miss Trix walked in silence for a few yards. By dint of never becoming
+anything else, we had become very good friends; and presently she
+remarked, quite confidentially, "He's very silly, isn't he?"
+
+"Then you ought to snub him," said I, severely.
+
+"So I do--sometimes. He's rather amusing, though.
+
+"Of course, if you're prepared to make the sacrifice involved---"
+
+"Oh, what nonsense!"
+
+"Then you've no business to amuse yourself with him."
+
+"Dear, dear! how moral you are!" said Trix.
+
+The next development in the situation was this. My cousin Dora received
+a letter from the Marquis of Newhaven, with whom she was acquainted,
+praying her to allow him to run down to Poltons for a few days: he
+reminded her that she had once given him a general invitation: if it
+would not be inconvenient--and so forth. The meaning of this
+communication did not, of course, escape my cousin, who had witnessed
+the writers attentions to Trix in the preceding season, nor did it
+escape the rest of us (who had talked over the said attentions at the
+club) when she told us about it, and announced that Lord Newhaven would
+arrive in the middle of next day. Trix affected dense unconsciousness;
+her mother allowed herself a mysterious smile--which, however, speedily
+vanished when the curate (he was taking lunch with us) observed in a
+cheerful tone, "Newhaven! oh, I remember the chap at the
+House--ploughed twice in Smalls--stumpy fellow, isn't he? Not a bad
+chap, though, you know, barring his looks. I'm glad he's coming."
+
+"You won't be soon, young man," Lady Queenborough's angry eye seemed to
+say.
+
+"I remember him," pursued Jack, "awfully smitten with a tobacconist's
+daughter in the Corn--oh, it's all right, Lady Queenborough--she
+wouldn't look at him."
+
+This quasi-apology was called forth by the fact of Lady Queenborough
+pushing back her chair and making for the door. It did not at all
+appease her to hear of the scorn of the tobacconist's daughter. She
+glared sternly at Jack, and disappeared. He turned to Trix and reminded
+her--without diffidence and coram populo, as his habit was, that she
+had promised him a stroll in the west wood.
+
+What happened on that stroll I do not know; but meeting Miss Trix on
+the stairs later in the afternoon, I ventured to remark, "I hope you
+broke it to him gently, Miss Queenborough?"
+
+"I don't know what you mean," replied Trix, haughtily.
+
+"You were out nearly two hours," said I.
+
+"Were we?" asked Trix with a start. "Good gracious! Where was mamma,
+Mr. Wynne?"
+
+"On the lawn--watch in hand."
+
+Miss Trix went slowly upstairs, and there is not the least doubt that
+something serious passed between her and her mother, for both of them
+were in the most atrocious of humors that evening; fortunately the
+curate was not there. He had a Bible class.
+
+The next day Lord Newhaven arrived. I found him on the lawn when I
+strolled up, after a spell of letter-writing, about four o'clock.
+Lawn-tennis was the order of the day, and we were all in flannels.
+
+"Oh, here's Mark," cried Dora, seeing me.
+
+"Now, Mark, you and Mr. Ives had better play against Trix and Lord
+Newhaven. That'll make a very good set."
+
+"No, no, Mrs. Polton," said Jack Ives. "They wouldn't have a chance.
+Look here, I'll play with Miss Queenborough against Lord Newhaven and
+Wynne."
+
+Newhaven--whose appearance, by the way, though hardly distinguished,
+was not quite so unornamental as the curate had led us to
+expect--looked slightly displeased, but Jack gave him no time for
+remonstrance. He whisked Trix off, and began to serve all in a moment.
+I had a vision of Lady Queenborough approaching from the house with
+face aghast. The set went on; and, owing entirely to Newhaven's absurd
+chivalry in sending all the balls to Jack Ives instead of following the
+well-known maxim to "pound away at the lady," they beat us. Jack wiped
+his brow, strolled up to the tea-table with Trix, and remarked in
+exultant tones:
+
+"We make a perfect couple, Miss Queenborough; we ought never to be
+separated."
+
+Dora did not ask the curate to dinner that night, but he dropped in
+about nine o'clock to ask her opinion as to the hymns on Sunday; and
+finding Miss Trix and Newhaven in the small drawing-room he sat down
+and talked to them. This was too much for Trix; she had treated him
+very kindly and had allowed him to amuse her; but it was impossible to
+put up with presumption of that kind. Difficult as it was to discourage
+Mr. Ives, she did it, and he went away with a disconsolate, puzzled
+expression. At the last moment, however, Trix so far relented as to
+express a hope that he was coming to tennis to-morrow, at which he
+brightened up a little. I do not wish to be uncharitable--least of all
+to a charming young lady--but my opinion is that Miss Trix did not wish
+to set the curate altogether adrift. I think, however, that Lady
+Queenborough must have spoken again, for when Jack did come to tennis,
+Trix treated him with the most freezing civility and a hardly disguised
+disdain, and devoted herself to Lord Newhaven with as much assiduity as
+her mother could wish. We men, over our pipes, expressed the opinion
+that Jack Ives's little hour of sunshine was passed, and that nothing
+was left to us but to look on at the prosperous uneventful course of
+Lord Newhaven's wooing. Trix had had her fun (so Algy Stanton bluntly
+phrased it) and would now settle down to business.
+
+"I believe, though," he added, "that she likes the curate a bit, you
+know."
+
+During the whole of the next day--Wednesday--Jack Ives kept away; he
+had, apparently, accepted the inevitable, and was healing his wounded
+heart by a strict attention to his parochial duties. Newhaven remarked
+on his absence with an air of relief; and Miss Trix treated it as a
+matter of no importance; Lady Queenborough was all smiles; and Dora
+Polton restricted herself to exclaiming, as I sat by her at tea, in a
+low tone and à propos of nothing in particular, "Oh, well--poor Mr.
+Ives!"
+
+But on Thursday there occurred an event, the significance of which
+passed at the moment unperceived, but which had, in fact, most
+important results. This was no other than the arrival of little Mrs.
+Wentworth, an intimate friend of Dora's. Mrs. Wentworth had been left a
+widow early in life; she possessed a comfortable competence; she was
+not handsome, but she was vivacious, amusing, and, above all,
+sympathetic. She sympathized at once with Lady Queenborough in her
+maternal anxieties, with Trix on her charming romance, with Newhaven on
+his sweet devotedness, with the rest of us in our obvious
+desolation--and, after a confidential chat with Dora; she sympathized
+most strongly with poor Mr. Ives on his unfortunate attachment.
+Nothing would satisfy her, so Dora told me, except the opportunity of
+plying Mr. Ives with her soothing balm; and Dora was about to sit down
+and write him a note, when he strolled in through the drawing-room
+window, and announced that his cooks mother was ill, and that he should
+be very much obliged if Mrs. Polton would give him some dinner that
+evening. Trix and Newhaven happened to enter by the door at the same
+moment, and Jack darted up to them, and shook hands with the greatest
+effusion. He had evidently buried all unkindness--and with it, we
+hoped, his mistaken folly. However that might be, he made no effort to
+engross Trix, but took his seat most docilely by his hostess--and she,
+of course, introduced him to Mrs. Wentworth. His behavior, was, in
+fact, so exemplary, that even Lady Queenborough relaxed her severity,
+and condescended to cross-examine him on the morals and manners of the
+old women of the parish. "Oh, the Vicar looks after them," said Jack;
+and he turned to Mrs. Wentworth again.
+
+There can be no doubt that Mrs. Wentworth had a remarkable power of
+sympathy. I took her into dinner, and she was deep in the subject of my
+"noble and inspiring art," before the soup was off the table. Indeed,
+I'm sure that my life's ambitions would have been an open book to her
+by the time that the joint arrived, had not Jack Ives, who was sitting
+on the lady's other side, cut into the conversation just as Mrs.
+Wentworth was comparing my early struggles with those of Mr. Carlyle.
+After this intervention of Jack's I had not a chance. I ate my dinner
+without the sauce of sympathy, substituting for it a certain amusement
+which I derived from studying the face of Miss Trix Queenborough, who
+was placed on the opposite side of the table. And if Trix did look now
+and again at Mrs. Wentworth and Jack Ives, I cannot say that her
+conduct was unnatural. To tell the truth, Jack was so obviously
+delighted with his new friend that it was quite pleasant--and, as I
+say, under the circumstances, rather amusing--to watch them. We felt
+that the Squire was justified in having a hit at Jack when Jack said,
+in the smoking-room, that he found himself rather at a loss for a
+subject for his next sermon.
+
+"What do you say," suggested my cousin, puffing at his pipe, "to taking
+constancy as your text?"
+
+Jack considered the idea for a moment, but then he shook his head.
+
+"No. I think," he said, reflectively, "that I shall preach on the power
+of sympathy."
+
+That sermon afforded me--I must confess it, at the risk of seeming
+frivolous--very great entertainment. Again I secured a place by Miss
+Trix--on her left, Newhaven being on her right, and her face was worth
+study when Jack Ives gave us a most eloquent description of the
+wonderful gift in question. It was, he said, the essence and the crown
+of true womanliness, and it showed itself--well, to put it quite
+plainly, it showed itself, according to Jack Ives, in exactly that sort
+of manner and bearing which so honorably and gracefully distinguished
+Mrs. Wentworth. The lady was not, of course, named, but she was clearly
+indicated. "Your gift, your precious gift," cried the curate,
+apostrophizing the impersonation of sympathy, "is given to you, not for
+your profit, but for mine. It is yours, but it is a trust to be used
+for me. It is yours, in fact, to share with me." At this climax, which
+must have struck upon her ear with a certain familiarity, Miss Trix
+Queenborough, notwithstanding the place and occasion, tossed her pretty
+head and whispered to me, "What horrid stuff!"
+
+In the ensuing week Jack Ives was our constant companion; the continued
+illness of his servant's mother left him stranded, and Dora's kind
+heart at once offered him the hospitality of her roof. For my part I
+was glad, for the little drama which now began was not without its
+interest. It was a pleasant change to see Jack genially polite to Trix
+Queenborough, but quite indifferent to her presence or absence, and
+content to allow her to take Newhaven for her partner at tennis as
+often as she pleased. He himself was often an absentee from our games.
+
+Mrs. Wentworth did not play, and Jack would sit under the trees with
+her, or take her out in the canoe. What Trix thought I did not know,
+but it is a fact that she treated poor Newhaven like dirt beneath her
+feet, and that Lady Queenborough's face began to lose its transiently
+pleasant expression. I had a vague idea that a retribution was working
+itself out, and disposed myself to see the process with all the
+complacency induced by the spectacle of others receiving punishment for
+their sins.
+
+A little scene which occurred after lunch one day was significant. I
+was sitting on the terrace, ready booted and breeched, waiting for my
+horse to be brought round. Trix came out and sat down by me.
+
+"Where's Newhaven?" I asked.
+
+"Oh, I don't always want Lord Newhaven," she exclaimed petulantly; "I
+sent him off for a walk--I'm going out in the Canadian canoe with Mr.
+Ives."
+
+"Oh, you are, are you?" said I smiling. As I spoke, Jack Ives ran up to
+us.
+
+"I say, Miss Queenborough," he cried, "I've just got your message
+saying you'd let me take you on the lake."
+
+"Is it a great bore?" asked Trix, with a glance--a glance that meant
+mischief.
+
+"I should like it awfully, of course," said Jack; "but the fact is I've
+promised to take Mrs. Wentworth--before I got your message, you know."
+
+Trix drew herself up.
+
+"Of course, if Mrs. Wentworth---" she began.
+
+"I'm very sorry," said Jack.
+
+Then Miss Queenborough, forgetting--as I hope--or choosing--to
+disregard my presence, leant forward and asked in her most coaxing
+tones, "Don't you ever forget a promise, Mr. Ives?"
+
+Jack looked at her. I suppose her dainty prettiness struck him afresh,
+for he wavered and hesitated.
+
+"She's gone upstairs," pursued the tempter, "and we shall be safe away
+before she comes down again."
+
+Jack shuffled with one foot on the gravel.
+
+"I tell you what," he said. "I'll ask her if she minds me taking you
+for a little while before I----"
+
+I believe he really thought that he had hit upon a compromise
+satisfactory to all parties. If so, lie was speedily undeceived. Trix
+flushed rod and answered angrily, "Pray don't trouble. I don't want to
+go."
+
+"Perhaps afterwards you might--" suggested the curate, but now rather
+timidly.
+
+"I'm going out with Lord Newhaven," said she. And she added in an
+access of uncontrollable annoyance, "Go, please go. I--I don't want
+you."
+
+Jack sheered off, with a look of puzzled shamefacedness. He disappeared
+into the house. Nothing passed between Miss Trix and myself. A moment
+later Newhaven came out.
+
+"Why, Miss Queenborough," said he, in apparent surprise, "Ives is going
+with Mrs. Wentworth in the canoe!"
+
+In an instant I saw what she had done. In rash presumption she had told
+Newhaven that she was going with the curate--and now the curate had
+refused to take her--and Ives had met him in search of Mrs. Wentworth.
+What could she do? Well, she rose--or fell--to the occasion. In the
+coldest of voices she said, "I thought you'd gone for your walk."
+
+"I was just starting," he answered apologetically, "when I met Ives.
+But, as you weren't going with him---" He paused, an inquiring look in
+his eyes. He was evidently asking himself why she had not gone with the
+curate.
+
+"I'd rather be left alone, if you don't mind," said she. And then,
+flushing red again, she added. "I changed my mind and refused to go
+with Mr. Ives. So he went off to get Mrs. Wentworth instead."
+
+I started. Newhaven looked at her for an instant, and then turned on
+his heel. She turned to me, quick as lightning and with her face all
+aflame, "If you tell, I'll never speak to you again," she whispered.
+
+After this there was silence for some minutes.
+
+"Well?" she said, without looking at me.
+
+"I have no remark to offer, Miss Queenborough," I returned.
+
+"I suppose that was a lie, wasn't it?" she asked, defiantly.
+
+"It's not my business to say what it was," was my discreet answer.
+
+"I know what you're thinking."
+
+"I was thinking-," said I, "which I would rather be--the man you will
+marry, or the man you would like---"
+
+"How dare you? It's not true. Oh, Mr. Wynne, indeed it's not true!"
+
+Whether it were true or not I did not know. But if it had been, Miss
+Trix Queenborough might have been expected to act very much in the way
+in which she proceeded to act: that is to say, to be extravagantly
+attentive to Lord Newhaven when Jack Ives was present, and markedly
+neglectful of him in the curate's absence. It also fitted in very well
+with the theory which I had ventured to hint, that her bearing towards
+Mrs. Went worth was distinguished by a stately civility, and her
+remarks about that lady by a superfluity of laudation; for if these be
+not two distinguishing marks of rivalry in the well-bred, I must go
+back to my favorite books and learn from them--more folly. And if
+Trix's manners were all that they should be, praise no less high must
+be accorded to Mrs. Wentworth's; she attained an altitude of admirable
+unconsciousness, and conducted her flirtation (the poverty of language
+forces me to the word, but it is over flippant) with the curate in a
+staid, quasi-maternal way. She called him a delightful boy, and said
+that she was intensely interested in all his aims and hopes.
+
+"What does she want?" I asked Dora, despairingly. "She can't want to
+marry him." I was referring to Trix Queenborough, not to Mrs. Wentworth.
+
+"Good gracious, no!" answered Dora, irritably. "It's simple jealousy.
+She won't let the poor boy alone till he's in love with her again.
+It's a horrible shame!"
+
+"Oh, well, he has great recuperative power," said I.
+
+"She'd better be careful, though. It's a very dangerous game. How do
+you suppose Lord Newhaven likes it?"
+
+Accident gave me that very day a hint how little Lord Newhaven liked
+it, and a glimpse of the risk Miss Trix was running. Entering the
+library suddenly, I heard Newhaven's voice raised above his ordinary
+tones.
+
+"I won't stand it," he was declaring. "I never know how she'll treat me
+from one minute to the next."
+
+My entrance, of course, stopped the conversation very abruptly.
+Newhaven had come to a stand in the middle of the room, and Lady
+Queenborough sat on the sofa, a formidable frown on her brow.
+Withdrawing myself as rapidly as possible, I argued the probability of
+a severe lecture for Miss Trix, ending in a command to try her noble
+suitor's patience no longer. I hope all this happened, for I, not
+seeing why Mrs. Wentworth should monopolize the grace of sympathy, took
+the liberty of extending mine to Newhaven. He was certainly in love
+with Trix, not with her money, and the treatment he underwent must have
+been as trying to his feelings as it was galling to his pride.
+
+My sympathy was not premature, for Miss Trix's fascinations, which were
+indubitably great, began to have their effect. The scene about the
+canoe was re-enacted, but with a different denouement. This time the
+promise was forgotten, and the widow forsaken. Then Mrs. Wentworth put
+on her armor. We had, in fact, reached this very absurd situation that
+these two ladies were contending for the favors of, or the domination
+over, such an obscure, poverty-stricken, hopelessly ineligible person
+as the curate of Poltons undoubtedly was. The position seemed to me
+then, and still seems, to indicate some remarkable qualities in that
+young man.
+
+At last Newhaven made a move. At breakfast, on Wednesday morning, he
+announced that, reluctant as he should be to leave Poltons Park, he was
+due at his aunt's place, in Kent, on Saturday evening, and must
+therefore make his arrangements to leave by noon on that day. The
+significance was apparent. Had he come down to breakfast with "Now or
+Never!" stamped in fiery letters across his brow, it would have been
+more obtrusive, indeed, but not a whit plainer. We all looked down at
+our plates, except Jack Ives. He flung one glance (I saw it out of the
+corner of my left eye) at Newhaven, another at Trix; then he remarked
+kindly--
+
+"We shall be uncommonly sorry to lose you, Newhaven."
+
+Events began to happen now, and I will tell them as well as I am able,
+supplementing my own knowledge by what I learnt afterwards from
+Dora--she having learnt it from the actors in the scene. In spite of
+the solemn warning conveyed in Newhaven's intimation, Trix, greatly
+daring, went off immediately after lunch for what she described as 'a
+long ramble' with Mr. Ives. There was, indeed, the excuse of an old
+woman at the end of the ramble, and Trix provided Jack with a small
+basket of comforts for the useful old body; but the ramble was, we
+felt, the thing, and I was much annoyed at not being able to accompany
+the walkers in the cloak of darkness or other invisible contrivance.
+The ramble consumed three hours--full measure. Indeed, it was half-past
+six before Trix alone, walked up the drive. Newhaven, a solitary
+figure, paced up and down the terrace fronting the drive. Trix came on,
+her head thrown back and a steady smile on her lips. She saw Newhaven:
+he stood looking at her for a moment with what she afterwards described
+as an indescribable smile on his face, but not, as Dora understood from
+her, by any means a pleasant one. Yet, if not pleasant, there is not
+the least doubt in the world that it was highly significant; for she
+cried out nervously, "Why are you looking at me like that? What's the
+matter?"
+
+Newhaven, still saying nothing, turned his back on her and made as if
+he would walk into the house and leave her there, ignored, discarded,
+done with. She, realizing the crisis which had come, forgetting
+everything except the imminent danger of losing him once for all,
+without time for long explanation or any round--about seductions, ran
+forward, laying her hand on his arm and blurting out, "But I've refused
+him."
+
+I do not know what Newhaven thinks now, but I sometimes doubt whether
+he would not have been wiser to shake off the detaining hand and pursue
+his lonely way, first into the house, and ultimately to his aunt's. But
+(to say nothing of the twenty thousand a year, which, after all, and
+lie you as romantic as you may please to be, is not a thing to be
+sneezed at) Trix's face, its mingled eagerness and shame, its flushed
+cheeks and shining eyes, the piquancy of its unwonted humility,
+overcame him. He stopped dead.
+
+"I--I was obliged to give him an--an opportunity," said Miss Trix,
+having the grace to stumble a little in her speech. "And--and it's all
+your fault."
+
+The war was thus, by happy audacity, carried into Newhaven's own
+quarters.
+
+"My fault!" he exclaimed. "My fault that you walk all day with that
+curate!"
+
+Then Miss Trix--and let no irrelevant considerations mar the
+appreciation of line acting--dropped her eyes and murmured softly,
+"I--I was so terribly afraid of seeming to expect you."
+
+Wherewith she (and not he) ran away, lightly, up the stairs, turning
+just one glance downwards as she reached the landing. Newhaven was
+looking up from below with an 'enchanted' smile--the word is Trix's
+own: I should probably have used a different one.
+
+Was then the curate of Poltons utterly defeated--brought to his knees,
+only to lie spurned? It seemed so: and he came down to dinner that
+night with a subdued and melancholy expression. Trix, on the other
+hand, was brilliant and talkative to the last degree, and the gayety
+spread from her all round the table, leaving untouched only the
+rejected lover and Mrs. Wentworth; for the last-named lady, true to her
+distinguishing quality, had begun to talk to poor Jack Ives in low
+soothing tones.
+
+After dinner Trix was not visible; but the door of the little boudoir
+beyond stood half-open, and very soon Newhaven edged his way through.
+Almost at the same moment Jack Ives and Mrs. Wentworth passed out of
+the window and began to walk up and down the gravel. Nobody but myself
+appeared to notice these remarkable occurrences, but I watched them
+with keen interest. Half an hour passed and then there smote on my
+watchful ear the sound of a low laugh from the boudoir. It was followed
+almost immediately by a stranger sound from the gravel walk. Then, all
+in a moment, two things happened. The boudoir door opened, and Trix,
+followed by Newhaven, came in smiling; from the window entered Jack
+Ives and Mrs. Wentworth. My eyes were on the curate. He gave one sudden
+comprehending glance towards the other couple; then he took the widows
+hand, led her up to Dora, and said, in low yet penetrating tones, "Will
+you wish us joy, Mrs. Polton?" The Squire, Rippleby, and Algy Stanton
+were round them in an instant. I kept my place, watching now the face
+of Trix Queenborough. She turned first flaming red, then very pale. I
+saw her turn to Newhaven and speak one or two urgent imperative words
+to him. Then, drawing herself up to her full height, she crossed the
+room to where the group was assembled round Mrs. Wentworth and Jack
+Ives.
+
+"What's the matter? What are you saying?" she asked.
+
+Mrs. Wentworth's eyes were modestly cast down, but a smile played round
+her mouth. No one spoke for a moment. Then Jack Ives said, "Mrs.
+Wentworth has promised to be my wife. Miss Queenborough."
+
+For a moment, hardly perceptible. Trix hesitated; then, with the most
+winning, touching, sweetest smile in the world, she said, "So you took
+my advice, and our afternoon walk was not wasted after all!"
+
+Mrs. Polton is not used to these fine flights of diplomacy; she had
+heard before dinner something of what had actually happened in the
+afternoon; and the simple woman positively jumped. Jack Ives met Trix's
+scornful eyes full and square.
+
+"Not at all wasted," said he with a smile. "Not only has it shown me
+where my true happiness lies, but it has also given me a juster idea of
+the value and sincerity of your regard for me, Miss Queenborough."
+
+"It is as real, Mr. Ives, as it is sincere," said she.
+
+"It is like yourself, Miss Queenborough," said he, with a little bow;
+and he turned from her and began to talk to his fiancée.
+
+Trix Queenborough moved slowly towards where I sat. Newhaven was
+watching her from where he stood alone on the other side; of the room.
+
+"And have you no news for us?" I asked, in low tones.
+
+"Thank you," she said haughtily; "I don't care that mine should be a
+pendant to the great tidings about the little widow and the curate."
+
+After a moment's pause she went on:
+
+"He lost no time, did he? He was wise to secure her before what
+happened this afternoon could leak out. Nobody can tell her now."
+
+"This afternoon?"
+
+"He asked me to marry him this afternoon."
+
+"And you refused?"
+
+"Yes."
+
+"Well, his behavior is in outrageously bad taste, but---"
+
+She laid a hand on my arm, and said in calm level tones,
+
+"I refused him because I dared not have him; but I told him I cared for
+him, and he said he loved me. And I let him kiss me. Good-night, Mr.
+Wynne."
+
+I sat still and silent. Newhaven came across to us. Trix put out her
+hand and caught him by the sleeve.
+
+"Fred," she said, "my dear honest old Fred, you love me, don't you?"
+
+Newhaven, much embarrassed and surprised, looked at me in alarm. But
+her hand was in his now, and her eyes imploring him.
+
+"I should rather think I did, my dear," said he.
+
+I really hope that Lord and Lady Newhaven will not be very unhappy,
+while Mrs. Ives quite worships her husband, and is convinced that she
+eclipsed the brilliant and wealthy Miss Queenborough. Perhaps she
+did--perhaps not. There are, as I have said, great qualities in the
+curate of Poltons, but I have not quite made up my mind precisely what
+they are. I ought, however, to say that Dora takes a more favorable
+view of him and a less lenient view of Trix than I. That is perhaps
+natural. Besides, Dora does not know the precise manner in which the
+curate was refused. By the way, he preached next Sunday on the text,
+"The children of this world are wiser in their generation than the
+children of light."
+
+
+
+
+A THREE-VOLUME NOVEL
+
+
+It was, I believe, mainly as a compliment to me that Miss Audrey Liston
+was asked to Poltons. Miss Liston and I were very good friends, and my
+cousin Dora Polton thought, as she informed me, that it would be nice
+for me to have someone I could talk to about "books and so on." I did
+not complain. Miss Liston was a pleasant young woman of six-and-twenty;
+I liked her very much except on paper, and I was aware that she made it
+a point of duty to read something at least of what I wrote. She was in
+the habit of describing herself as an "authoress in a small way." If it
+were pointed out that six three-volume novels in three years (the term
+of her literary activity at the time of which I write) could hardly be
+called "a small way." she would smile modestly and say that it was not
+really much; and if she were told that the English language embraced no
+such word as "authoress," she would smile again and say that it ought
+to, a position towards the bugbear of correctness with which, I
+confess, I sympathize in some degree. She was very diligent; she worked
+from ten to one every day while she was at Poltons; how much she wrote
+is between her and her conscience.
+
+There was another impeachment which Miss Liston was hardly at the
+trouble to deny. "Take my characters from life!" she would exclaim.
+"Surely every artist (Miss Liston often referred to herself as an
+artist) must!" And she would proceed to maintain--what is perhaps true
+sometimes--that people rather liked being put into books, just as they
+liked being photographed, for all that they grumble and pretend to be
+afflicted when either process is levied against them. In discussing
+this matter with Miss Liston I felt myself on delicate ground, for it
+was notorious that I figured in her first book in the guise of a
+misogynistic genius; the fact that she lengthened (and thickened) my
+hair, converted it from an indeterminate brown to a dusty black, gave
+me a drooping mustache, and invested my very ordinary work-a-day eyes
+with a strange magnetic attraction, availed nothing; I was at once
+recognized, and, I may remark in passing, an uncommonly disagreeable
+fellow she made me. Thus I had passed through the fire. I felt
+tolerably sure that I presented no other aspect of interest, real or
+supposed, and I was quite content that Miss Liston should serve all the
+rest of her acquaintance as she had served me. I reckoned they would
+last her, at the present rate of production, about five years.
+
+Fate was kind to Miss Liston, and provided her with most suitable
+patterns for her next piece of work at Poltons itself. There were a
+young man and a young woman staying in the house--Sir Gilbert
+Chillington and Miss Pamela Myles. The moment Miss Liston was appraised
+of a possible romance; she began the study of the protagonists. She was
+looking out, she told me, for some new types (if it were any
+consolation--and there is a sort of dignity about it--to be called a
+type, Miss Liston's victims were always welcome to so much), and she
+had found them in Chillington and Pamela. The former appeared to my
+dull eye to offer no salient novelty; he was tall, broad, handsome, and
+he possessed a manner of enviable placidity. Pamela, I allowed, was
+exactly the heroine Miss Liston loved--haughty, capricious, difficile,
+but sound and true at heart (I was mentally skimming Volume I.). Miss
+Liston agreed with me in my conception of Pamela, but declared that I
+did not do justice to the artistic possibilities latent in Chillington;
+he had a curious attraction which it would tax her skill (so she
+gravely informed me) to the utmost to reproduce. She proposed that I
+also should make a study of him, and attributed my hurried refusal to a
+shrinking from the difficulties of the task.
+
+"Of course," she observed, looking at our young friends who were
+talking nonsense at the other side of the lawn, "they must have a
+misunderstanding."
+
+"Why, 'of course'," said I, lighting my pipe. "What should you say to
+another man?"
+
+"Or another woman?" said Miss Liston.
+
+"It comes to the same thing," said I. (About a volume and a half I
+meant.)
+
+"But it's more interesting'. Do you think she'd better be a married
+woman?" And Miss Liston looked at me inquiringly.
+
+"The age prefers them married," I remarked.
+
+This conversation happened on the second day of Miss Liston's visit,
+and she lost no time in beginning to study her subjects. Pamela, she
+said, she found pretty plain sailing, but Chillington continued to
+puzzle her. Again, she could not make up her mind whether to have a
+happy or a tragic ending. In the interests of a tender-hearted public,
+I pleaded for marriage-bells.
+
+"Yes, I think so," said Miss Liston, but she sighed, and I think she
+had an idea or two for a heart-broken separation, followed by mutual,
+life-long, hopeless devotion.
+
+The complexity of young Sir Gilbert did not, in Miss Liston's opinion,
+appear less on further acquaintance; and indeed, I must admit that she
+was not altogether wrong in considering him worthy of attention. As I
+came to know him better, I discerned in him a smothered
+self-appreciation, which came to light in response to the least tribute
+of interest or admiration, but was yet far remote from the
+aggressiveness of a commonplace vanity. In a moment of indiscretion I
+had chaffed him--he was very good-natured--on the risks he ran at Miss
+Liston's hands; he was not disgusted, but neither did he plume himself
+or spread his feathers. He received the suggestions without surprise,
+and without any attempt at disclaiming fitness for the purpose; but he
+received it as a matter which entailed a responsibility on him. I
+detected the conviction that, if the portrait was to be painted, it was
+due to the world that it should be well painted; the subject must give
+the artist full opportunities.
+
+"What does she know about me?" he asked, in meditative tones.
+
+"She's very quick; she'll soon pick up as much as she wants," I assured
+him.
+
+"She'll probably go all wrong," he said, sombrely; and of course I
+could not tell him that it was of no consequence if she did. He would
+not have believed me, and would have done precisely what he proceeded
+to do, and that was to afford Miss Liston every chance of appraising
+his character and plumbing the depths of his soul.
+
+I may say at once that I did not regret this course of action; for the
+effect of it was to allow me a chance of talking to Pamela Myles, and
+Pamela was exactly the sort of a girl to beguile the long pleasant
+morning hours of a holiday in the country. No one had told Pamela that
+she was going to be put in a book, and I don't think it would have made
+any difference had she been told. Pamela's attitude towards books was
+one of healthy scorn, confidently based on admitted ignorance. So we
+never spoke of them, and my cousin Dora condoled with me more than once
+on the way in which Miss Liston, false to the implied terms of her
+invitation, deserted me in favor of Sir Gilbert, and left me to the
+mercies of a frivolous girl. Pamela appeared to be as little aggrieved
+as I was. I imagined that she supposed that Chillington would ask her
+to marry him some day before very long, and I was sure she would accept
+him; but it was quite plain that, if Miss Liston persisted in making
+Pamela her heroine, she would have to supply from her own resources a
+large supplement of passion. Pamela was far too deficient in the
+commodity to be made anything of, without such reinforcement, even by
+an art more adept at making much out of nothing than Miss Liston's
+straightforward method could claim to be.
+
+A week passed, and then, one Friday morning, a new light burst on me.
+Miss Liston came into the garden at eleven o'clock and sat down by me
+on the lawn. Chillington and Pamela had gone riding with the squire,
+Dora was visiting the poor. We were alone. The appearance of Miss
+Liston at this hour (usually sacred to the use of the pen), no less
+than her puzzled look, told me that an obstruction had occurred in the
+novel. Presently she let me know what it was.
+
+"I'm thinking of altering the scheme of my story, Mr. Wynne," said she.
+"Have you ever noticed how sometimes a man thinks he's in love when he
+isn't really?"
+
+"Such a case sometimes occurs," I acknowledged.
+
+"Yes, and he doesn't find out his mistake----"
+
+"Till they're married?"
+
+"Sometimes, yes," she said, rather as though she were making an
+unwilling admission. "But sometimes he sees it before--when he meets
+somebody else."
+
+"Very true," said I, with a grave nod.
+
+"The false can't stand against the real." pursued Miss Liston; and then
+she fell into meditative silence. I stole a glance at her face; she was
+smiling. Was it in the pleasure of literary creation--an artistic
+ecstasy? I should have liked to answer yes, but I doubted it very much.
+Without pretending to Miss Liston's powers, I have the little subtlety
+that is needful to show me that more than one kind of smile may be seen
+on the human face, and that there is one very different from others;
+and finally, that that one is not evoked, as a rule, merely by the
+evolution of the troublesome encumbrance in pretty writing, vulgarly
+called a "plot."
+
+"If," pursued Miss Liston, "some one comes who can appreciate him and
+draw out what is best in him----"
+
+"That's all very well," said I, "but what of the first girl?"
+
+"Oh, she's--she can be made shallow, you know; and I can put in a man
+for her. People needn't be much interested in her."
+
+"Yes, you could manage it that way," said I, thinking how Pamela--I
+took the liberty of using her name for the shallow girl--would like
+such treatment.
+
+"She will really be valuable mainly as a foil," observed Miss Liston;
+and she added generously, "I shall make her nice, you know, but
+shallow--not worthy of him."
+
+"And what are you going to make the other girl like?" I asked.
+
+Miss Liston started slightly; also she colored very slightly, and she
+answered, looking away from me across the lawn, "I haven't quite made
+up my mind yet, Mr. Wynne."
+
+With the suspicion which this conversation aroused fresh in my mind, it
+was curious to hear Pamela laugh, as she said to me on the afternoon of
+the same day, "Aren't Sir Gilbert and Audrey Liston funny? I tell you
+what, Mr. Wynne, I believe they're writing a novel together."
+
+"Perhaps Chillington's giving her the materials for one," I suggested.
+
+"I shouldn't think," observed Pamela, in her dispassionate way, "that
+anything very interesting had ever happened to him."
+
+"I. thought you liked him," I remarked, humbly.
+
+"So I do. What's that got to do with it?" asked Pamela.
+
+It was beyond question that Chillington enjoyed Miss Liston's society;
+the interest she showed in him was incense to his nostrils. I used to
+overhear fragments of his ideas about himself, which he was revealing
+in answer to her tactful inquiries. But neither was it doubtful that he
+had by no means lost his relish for Pamela's lighter talk; in fact, he
+seemed to turn to her with some relief--perhaps it is refreshing to
+escape from self-analysis, even when the process is conducted in the
+pleasantest possible manner--and the hours which Miss Liston gave to
+work were devoted by Chillington to maintaining his cordial relations
+with the lady whose comfortable and not over-tragical disposal was
+taxing Miss Liston's skill. For she had definitely decided all her
+plot; she told me so a few days later. It was all planned out; nay, the
+scene in which the truth as to his own feelings bursts on Sir Gilbert
+(I forget at the moment what name the novel gave him) was, I
+understood, actually written; the shallow girl was to experience
+nothing worse than a wound to her vanity, and was to turn with as much
+alacrity as decency allowed to the substitute whom Miss Liston had now
+provided. All this was poured into my sympathetic ear, and I say
+sympathetic with all sincerity; for, although I may occasionally treat
+Miss Liston's literary efforts with less than proper respect, she
+herself was my friend, and the conviction under which she was now
+living would, I knew, unless it were justified, bring her into much of
+that unhappiness in which one generally found her heroine plunged about
+the end of Volume II. The heroine generally got out all right, and the
+knowledge that she would enabled the reader to preserve cheerfulness.
+But would poor little Miss Liston get out? I was none too sure of it.
+
+Suddenly a change came in the state of affairs. Pamela produced it. It
+must have struck her that the increasing intimacy of Miss Liston and
+Chillington might become something other than "funny." To put it
+briefly and metaphorically, she whistled her dog back to her heels. I
+am not skilled in understanding or describing the artifices of ladies;
+but even I saw the transformation in Pamela. She put forth her strength
+and put on her prettiest gowns; she refused to take her place in the
+see-saw of society, which Chillington had recently established for his
+pleasure. If he spent an hour with Miss Liston, Pamela would have
+nothing of him for a day; she met his attentions with scorn unless they
+were undivided. Chillington seemed at first puzzled; I believe that he
+never regarded his talks with Miss Liston in other than a business
+point of view, but directly he understood that Pamela claimed him, and
+that she was prepared, in case he did not obey her call, to establish a
+grievance against him, he lost no time in manifesting his obedience. A
+whole day passed in which, to my certain knowledge, he was not alone a
+moment with Miss Liston, and did not, save at the family meals,
+exchange a word with her. As he walked off with Pamela, Miss Liston's
+eyes followed him in wistful longing; she stole away upstairs and did
+not come down till five o'clock. Then finding me strolling about with a
+cigarette, she joined me.
+
+"Well, how goes the book?" I asked.
+
+"I haven't done much to it just lately," she answered, in a low voice.
+"I--it's--I don't quite know what to do with it."
+
+"I thought you'd settled?"
+
+"So I had, but--oh, don't let's talk about it, Mr. Wynne!"
+
+But a moment later she went on talking about it.
+
+"I don't know why I should make it end happily," she said. "I'm sure
+life isn't always happy, is it?"
+
+"Certainly not," I answered. "You mean your man might stick to the
+shallow girl after all?"
+
+"Yes," I just heard her whisper.
+
+"And be miserable afterwards?" I pursued.
+
+"I don't know," said Miss Liston. "Perhaps he wouldn't."
+
+"Then you must make him shallow himself."
+
+"I can't do that," she said quickly. "Oh, how difficult it is!"
+
+She may have meant merely the art of writing--when I cordially agreed
+with her--but I think she meant also the way of the world, which does
+not make me withdraw my assent. I left her walking up and down in front
+of the drawing-room windows, a rather forlorn little figure, thrown
+into distinctness by the cold rays of the setting sun.
+
+All was not over yet. That evening Chillington broke away. Led by
+vanity, or interest, or friendliness, I know not which--tired maybe of
+paying court (the attitude in which Pamela kept him), and thinking it
+would be pleasant to play the other part for a while--after dinner he
+went straight to Miss Liston, talked to her while we had coffee on the
+terrace, and then walked about with her. Pamela sat by me; she was very
+silent; she did not appear to be angry, but her handsome mouth wore a
+resolute expression. Chillington and Miss Liston wandered on into the
+shrubbery, and did not come into sight again for nearly half an hour.
+
+"I think it's cold," said Pamela, in her cool, quiet tones. "And it's
+also, Mr. Wynne, rather slow. I shall go to bed."
+
+I thought it a little impertinent of Pamela to attribute the 'slowness'
+(which had undoubtedly existed) to me, so I took my revenge by saying,
+with, an assumption of innocence purposely and obviously unreal, "Oh,
+but won't you wait and bid Miss Liston and Chillington good-night?"
+
+Pamela looked at me for a moment. I made bold to smile.
+
+Pamela's face broke slowly into an answering smile.
+
+"I don't know what you mean, Mr. Wynne," said she.
+
+"No?" said I.
+
+"No," said Pamela, and she turned away. But before she went she looked
+over her shoulder, and, still smiling, said, "Wish Miss Liston
+good-night for me, Mr. Wynne. Anything I have to say to Sir Gilbert
+will wait very well till to-morrow."
+
+She had hardly gone in when the wanderers came out of the shrubbery and
+rejoined me. Chillington wore his usual passive look, but Miss Liston's
+face was happy and radiant. Chillington passed on into the
+drawing-room. Miss Liston lingered a moment by me.
+
+"Why, you look," said I, "as if you'd invented the finest scene ever
+written."
+
+She did not answer me directly, but stood looking up at the stars.
+Then she said in a dreamy tone, "I think I shall stick to my old idea
+in the book."
+
+As she spoke Chillington came out. Even in the dim light I saw a frown
+on his face.
+
+"I say, Wynne," said he, "where's Miss Myles?"
+
+"She's gone to bed," I answered. "She told me to wish you good-night
+for her, Miss Liston. No message for you, Chillington."
+
+Miss Liston's eyes were on him. He took no notice of her; he stood
+frowning for an instant, then, with some muttered ejaculation, he
+strode back into the house. We hoard his heavy tread across the
+drawing-room; we heard the door slammed behind him, and I found myself
+looking on Miss Liston's altered face.
+
+"What does he want her for, I wonder?" she said, in an agitation that
+made my presence, my thoughts, my suspicions, nothing to her. "He said
+nothing to me about wanting to speak to her to-night." And she walked
+slowly into the house, her eyes on the ground, and all the light gone
+from her face and the joy dead in it. Whereupon I, left alone, began to
+rail at the gods that a dear, silly little soul like Miss Liston should
+bother her poor, silly little head about a hulking fool; in which
+reflections I did, of course, immense injustice not only to an eminent
+author, but also to a perfectly honorable, though somewhat dense and
+decidedly conceited, gentleman.
+
+The next morning Sir Gilbert Chillington ate dirt--there is no other
+way of expressing it--in great quantities and with infinite humility.
+My admirable friend Miss Pamela was severe. I saw him walk six yards
+behind her for the length of the terrace; not a look nor a turn of her
+head gave him leave to join her. Miss Liston had gone upstairs, and I
+watched the scene from the window of the smoking-room. At last, at the
+end of the long walk, just where the laurel-bushes mark the beginning
+of the shrubberies--on the threshold of the scene of his crime--Pamela
+turned round suddenly and faced the repentant sinner. The most
+interesting things in life are those which, perhaps by the inevitable
+nature of the case, one does not hear; and I did not hear the scene
+which followed. For a while they stood talking--rather, he talked and
+she listened. Then she turned again and walked slowly into the
+shrubbery. Chillington followed. It was the end of a chapter, and I
+laid down the book.
+
+How and from whom Miss Liston heard the news, which Chillington himself
+told me without a glimmer of shame or a touch of embarrassment some two
+hours later, I do not know; but hear it she did before luncheon; for
+she came down, ready armed with the neatest little speeches for both
+the happy lovers. I did not expect Pamela to show an ounce more feeling
+than the strictest canons of propriety demanded, and she fulfilled my
+expectations to the letter; but I had hoped, I confess, that
+Chillington would have displayed some little consciousness. He did not;
+and it is my belief that, throughout the events which I have recorded,
+he retained, and that he still retains, the conviction that Miss
+Liston's interest in him was purely literary and artistic, and that she
+devoted herself to his society simply because he offered an interesting
+problem and an inspiring theme. An ingenious charity may find in that
+attitude evidence of modesty; to my thinking it argues a more subtle
+and magnificent conceit than if he had fathomed the truth, as many
+humbler men in his place would have done.
+
+On the day after the engagement was accomplished Miss Liston left us to
+return to London. She came out in her hat and jacket and sat down by
+me; the carriage was to be round in ten minutes. She put on her gloves
+slowly and buttoned them carefully. This done, she said, "By the way,
+Mr. Wynne, I've adopted your suggestion. The man doesn't find out."
+
+"Then you've made him a fool?" I asked bluntly.
+
+"No," she answered. "I--I think it might happen though he wasn't a
+fool."
+
+She sat with her hands in her lap for a moment or two, then she went on
+in a lower voice, "I'm going to make him find out afterwards."
+
+I felt her glance on me, but I looked straight in front of me.
+
+"What! after he's married the shallow girl?"
+
+"Yes," said Miss Liston.
+
+"Rather too late, isn't it? At least if you mean there is to be a happy
+ending."
+
+Miss Liston enlaced her fingers.
+
+"I haven't decided about the ending yet," said she.
+
+"If you're intent is to be tragical--which is the fashion--you'll do as
+you stand," said I.
+
+"Yes," she answered slowly, "if I'm tragical I shall do as I stand."
+
+There was another pause, and rather a long one; the wheels of the
+carriage were audible on the gravel of the front drive. Miss Liston
+stood up. I rose and held out my hand.
+
+"Of course," said Miss Liston, still intent on her novel, "I could--"
+She stopped again, and looked apprehensively at me. My face, I believe,
+expressed nothing more than polite attention and friendly interest.
+
+"Of course," she began again, "the shallow girl--his wife--might--might
+die, Mr. Wynne."
+
+"In novels," said I, with a smile, "while there's death there's hope."
+
+"Yes, in novels," she answered, giving me her hand.
+
+The poor little woman was very unhappy. Unwisely, I dare say, I
+pressed, her hand. It was enough; the tears leapt to her eyes; she gave
+my great fist a hurried squeeze. I have seldom been more touched by any
+thanks, however warm or eloquent, and hurried away.
+
+I have read the novel. It came out a little while ago. The man finds
+out after the marriage; the shallow girl dies un regretted (she turns
+out as badly as possible); the real love comes, and all ends joyfully.
+It is simple story, prettily told in its little way, and the scene of
+the reunion is written with genuine feeling--nay, with a touch of real
+passion. But then Sir Gilbert Chillington never meets Miss Liston now.
+And Lady Chillington not only behaves with her customary propriety, but
+is in the enjoyment of most excellent health and spirits.
+
+True art demands an adaptation, not a copy, of life. I saw that remark
+somewhere the other day. It seems correct, if Miss Liston be any
+authority.
+
+
+
+
+THE PHILOSOPHER IN THE APPLE ORCHARD
+
+
+It was a charmingly mild and balmy day. The sun shone beyond the
+orchard, and the shade was cool inside. A light breeze stirred the
+boughs of the old apple-tree under which the philosopher sat. None of
+these things did the philosopher notice, unless it might be when the
+wind blew about the leaves of the large volume on his knees, and he had
+to find his place again. Then he would exclaim against the wind,
+shuffle the leaves till he got the right page, and settle to his
+reading. The book was a treatise on ontology; it was written by another
+philosopher, a friend of this philosopher's; it bristled with
+fallacies, and this philosopher was discovering them all, and noting
+them on the fly-leaf at the end. He was not going to review the book
+(as some might have thought from his behavior), or even to answer it in
+a work of his own. It was just that he found a pleasure in stripping
+any poor fallacy naked and crucifying it. Presently a girl in a white
+frock came into the orchard. She picked up an apple, bit it, and found
+it ripe. Holding it in her hand, she walked up to where the philosopher
+sat, and looked at him. He did not stir. She took a bite out of the
+apple, munched it, and swallowed it. The philosopher crucified a
+fallacy on the fly-leaf. The girl flung the apple away.
+
+"Mr. Jerningham," said she, "are you very busy?"
+
+The philosopher, pencil in hand, looked up.
+
+"No, Miss May," said he, "not very."
+
+"Because I want your opinion."
+
+"In one moment," said the philosopher, apologetically.
+
+He turned back to the fly-leaf and began to nail the last fallacy a
+little tighter to the cross. The girl regarded him, first with amused
+impatience, then with a vexed frown, finally with a wistful regret. He
+was so very old for his age, she thought; he could not be much beyond
+thirty; his hair was thick and full of waves, his eyes bright and
+clear, his complexion not yet divested of all youth's relics.
+
+"Now, Miss May, I'm at your service," said the philosopher, with a
+lingering look at his impaled fallacy; and he closed the book, keeping
+it, however, on his knee.
+
+The girl sat down just opposite to him.
+
+"It's a very important thing I want to ask you," she began, tugging at
+a tuft of grass, "and it's very--difficult, and you mustn't tell any
+one I asked you; at least, I'd rather you didn't."
+
+"I shall not speak of it; indeed, I shall probably not remember it,"
+said the philosopher.
+
+"And you mustn't look at me, please, while I'm asking you."
+
+"I don't think I was looking at you, but if I was I beg your pardon,"
+said the philosopher, apologetically.
+
+She pulled the tuft of grass right out of the ground, and flung it from
+her with all her force.
+
+"Suppose a man--" she began. "No, that's not right."
+
+"You can take any hypothesis you please," observed the philosopher,
+"but you must verify it afterward, of course."
+
+"Oh, do let me go on. Suppose a girl, Mr. Jerningham--I wish you
+wouldn't nod."
+
+"It was only to show that I followed you."
+
+"Oh, of course you 'follow me', as you call it. Suppose a girl had two
+lovers--you're nodding again--or, I ought to say, suppose there were
+two men who might be in love with a girl."
+
+"Only two?" asked the philosopher. "You see, any number of men might be
+in love with--
+
+"Oh, we can leave the rest out," said Miss May, with a sudden dimple;
+"they don't matter."
+
+"Very well," said the philosopher, "if they are irrelevant we will put
+them aside."
+
+"Suppose, then, that one of these men was, oh, _awfully_ in love with
+the girl, and--and proposed, you know--"
+
+"A moment!" said the philosopher, opening a note-book. "Let me take
+down his proposition. What was it?"
+
+"Why, proposed to her--asked her to marry him," said the girl, with a
+stare.
+
+"Dear me! How stupid of me! I forgot that special use of the word.
+Yes?"
+
+"The girl likes him pretty well, and her people approve of him, and all
+that, you know."
+
+"That simplifies the problem," said the philosopher, nodding again.
+
+"But she's not in--in love with him, you know. She doesn't really care
+for him--much. Do you understand?"
+
+"Perfectly. It is a most natural state of mind."
+
+"Well then, suppose that there's another man--what are you writing?"
+
+"I only put down (B)--like that," pleaded the philosopher, meekly
+exhibiting his note-book.
+
+She looked at him in a sort of helpless exasperation, with just a smile
+somewhere in the background of it.
+
+"Oh, you really are--" she exclaimed. "But let me go on. The other man
+is a friend of the girl's: he's very clever--oh, fearfully clever--and
+he's rather handsome. You needn't put that down."
+
+"It is certainly not very material," admitted the philosopher, and he
+crossed out 'handsome'; 'clever' he left.
+
+"And the girl is most awfully--she admires him tremendously; she thinks
+him just the greatest man that ever lived, you know. And she--she--"
+The girl paused.
+
+"I'm following," said the philosopher, with pencil poised.
+
+"She'd think it better than the whole world if--if she could be
+anything to him, you know."
+
+"You mean become his wife?"
+
+"Well, of course I do--at least, I suppose I do."
+
+"You spoke rather vaguely, you know."
+
+The girl cast one glance at the philosopher as she replied:
+
+"Well, yes; I did mean become his wife."
+
+"Yes. Well?"
+
+"But," continued the girl, starting on another tuft of grass, "he
+doesn't think much about those things. He likes her. I think he likes
+her-"
+
+"Well, doesn't dislike her?" suggested the philosopher. "Shall we call
+him indifferent?"
+
+"I don't know. Yes, rather indifferent. I don't think he thinks about
+it, you know. But she--she's pretty. You needn't put that down."
+
+"I was not about to do so," observed the philosopher.
+
+"She thinks life with him would be just heaven; and-and she thinks she
+would make him awfully happy. She would-would be so proud of him, you
+see."
+
+"I see. Yes?"
+
+"And--I don't know how to put it, quite--she thinks that if he ever
+thought about it at all he might care for her; because he doesn't care
+for anybody else, and she's pretty--"
+
+"You said that before."
+
+"Oh dear, I dare say I did. And most men care for somebody, don't they?
+Some girl, I mean."
+
+"Most men, no doubt," conceded the philosopher.
+
+"Well then, what ought she to do? It's not a real thing, you know, Mr.
+Jerningham. It's in--in a novel I was reading." She said this hastily,
+and blushed as she spoke.
+
+"Dear me! And it's quite an interesting case! Yes, I see. The question
+is, Will she act most wisely in accepting the offer of the man who
+loves her exceedingly, but for whom she entertains only a moderate
+affection--"
+
+"Yes; just a liking. He's just a friend."
+
+"Exactly. Or in marrying the other whom she loves ex--"
+
+"That's not it. How can she marry him? He hasn't--he hasn't asked her,
+you see."
+
+"True; I forgot. Let us assume, though, for the moment, that he has
+asked her. She would then have to consider which marriage would
+probably be productive of the greater sum total of--"
+
+"Oh, but you needn't consider that."
+
+"But it seems the best logical order. We can afterward make allowance
+for the element of uncertainty caused by--"
+
+"Oh no; I don't want it like that. I know perfectly well which she'd do
+if he-the other man you know-asked her."
+
+"You apprehend that--"
+
+"Never mind what I 'apprehend'. Take it as I told you."
+
+"Very good. A has asked her hand, B has not."
+
+"Yes."
+
+"May I take it that, but for the disturbing influence of B, A would be
+a satisfactory--er--candidate?"
+
+"Ye--es; I think so."
+
+"She therefore enjoys a certainty of considerable happiness if she
+marries A?"
+
+"Ye--es; not perfect, because of--B, you know."
+
+"Quite so, quite so; but still a fair amount of happiness. Is it not
+so?"
+
+"I don't--well, perhaps."
+
+"On the other hand, if B did ask her, we are to postulate a higher
+degree of happiness for her?"
+
+"Yes, please, Mr. Jerningham--much higher."
+
+"For both of them?"
+
+"For her. Never mind him."
+
+"Very well. That again simplifies the problem. But his asking her is a
+contingency only?"
+
+"Yes, that's all."
+
+The philosopher spread out his hands.
+
+"My dear young lady," he said, "it becomes a question of degree. How
+probable or improbable is it?"
+
+"I don't know; not very probable--unless--"
+
+"Well?"
+
+"Unless he did happen to notice, you know."
+
+"Ah, yes; we supposed that, if he thought of it, he would probably take
+the desired step-at least, that he might be led to do so. Could she
+not--er--indicate her preference?"
+
+"She might try--no, she couldn't do much. You see, he--he doesn't think
+about such things."
+
+"I understand precisely. And it seems to me, Miss May, that in that
+very fact we find our solution."
+
+"Do we?" she asked.
+
+"I think so. He has evidently no natural inclination toward
+her--perhaps not toward marriage at all. Any feeling aroused in him
+would be necessarily shallow and, in a measure, artificial, and in all
+likelihood purely temporary. Moreover, if she took steps to arouse his
+attention one of two things would be likely to happen. Are you
+following me?"
+
+"Yes, Mr. Jerningham."
+
+"Either he would be repelled by her overtures, which you must admit is
+not improbable, and then the position would be unpleasant, and even
+degrading, for her; or, on the other hand, he might, through a
+misplaced feeling of gallantry--"
+
+"Through what?"
+
+"Through a mistaken idea of politeness, or a mistaken view of what was
+kind, allow himself to be drawn into a connection for which he had no
+genuine liking. You agree with me that one or other of these things
+would be likely?"
+
+"Yes, I suppose they would, unless he did come to care for her."
+
+"Ah, you return to that hypothesis. I think it's an extremely fanciful
+one. No, she need not marry A, but she must let B alone."
+
+The philosopher closed his book, took off his glasses, wiped them,
+replaced them, and leaned back against the trunk of the apple-tree.
+The girl picked a dandelion in pieces. After a long pause she asked:
+
+"You think B's feelings wouldn't be at all likely to--to change?"
+
+"That depends on the sort of man he is. But if he is an able man, with
+intellectual interests which engross him-a man who has chosen his path
+in life--a man to whom women's society is not a necessity--"
+
+"He's just like that," said the girl, and she bit the head off a daisy.
+
+"Then," said the philosopher, "I see not the least reason for supposing
+that his feelings will change."
+
+"And would you advise her to marry the other--A?"
+
+"Well, on the whole, I should. A is a good fellow (I think we made A a
+good fellow), he is a suitable match, his love for her is true and
+genuine--"
+
+"It's tremendous!"
+
+"Yes--and--er--extreme. She likes him. There is every reason to hope
+that her liking will develop into a sufficiently deep and stable
+affection. She will get rid of her folly about B, and make A a good
+wife. Yes, Miss May, if I were the author of your novel I should make
+her marry A, and I should call that a happy ending."
+
+A silence followed. It was broken by the philosopher.
+
+"Is that all you wanted my opinion about, Miss May?" he asked, with his
+finger between the leaves of the treatise on ontology.
+
+"Yes, I think so. I hope I haven't bored you?"
+
+"I've enjoyed the discussion extremely. I had no idea that novels
+raised points of such psychological interest. I must find time to read
+one."
+
+The girl had shifted her position till, instead of her full face, her
+profile was turned toward him. Looking away toward the paddock that lay
+brilliant in sunshine on the skirts of the apple orchard, she asked in
+low slow tones, twisting her hands in her lap:
+
+"Don't you think that perhaps if B found out afterward-when she had
+married A, you know--that she had cared for him so very, very much, he
+might be a little sorry?"
+
+"If he were a gentleman he would regret it deeply."
+
+"I mean--sorry on his own account; that--that he had thrown away all
+that, you know?"
+
+The philosopher looked meditative.
+
+"I think," he pronounced, "that it is very possible he would. I can
+well imagine it."
+
+"He might never find anybody to love him like that again," she said,
+gazing on the gleaming paddock.
+
+"He probably would not," agreed the philosopher.
+
+"And--and most people like being loved, don't they?"
+
+"To crave for love is an almost universal instinct, Miss May."
+
+"Yes, almost," she said, with a dreary little smile. "You see, he'll
+get old, and-and have no one to look after him."
+
+"He will."
+
+"And no home."
+
+"Well, in a sense, none," corrected the philosopher, smiling. "But
+really you'll frighten me. I'm a bachelor myself, you know, Miss May."
+
+"Yes," she whispered, just audibly.
+
+"And all your terrors are before me."
+
+"Well, unless--"
+
+"Oh, we needn't have that 'unless'," laughed the philosopher,
+cheerfully. "There's no 'unless' about it, Miss May."
+
+The girl jumped to her feet; for an instant she looked at the
+philosopher. She opened her lips as if to speak, and at the thought of
+what lay at her tongue's tip her face grew red. But the philosopher was
+gazing past her, and his eyes rested in calm contemplation on the
+gleaming paddock.
+
+"A beautiful thing, sunshine, to be sure," said he.
+
+Her blush faded away into paleness; her lips closed. Without speaking,
+she turned and walked slowly away, her head drooping. The philosopher
+heard the rustle of her skirt in the long grass of the orchard; he
+watched her for a few moments.
+
+"A pretty, graceful creature," said he, with a smile. Then he opened
+his book, took his pencil in his hand, and slipped in a careful
+forefinger to mark the fly-leaf.
+
+The sun had passed mid-heaven and began to decline westward before he
+finished the book. Then he stretched himself and looked at his watch.
+
+"Good gracious, two o'clock! I shall be late for lunch!" and he hurried
+to his feet.
+
+He was very late for lunch.
+
+"Everything's cold," wailed his hostess. "Where have you been, Mr.
+Jerningham?"
+
+"Only in the orchard--reading."
+
+"And you've missed May!"
+
+"Missed Miss May? How do you mean? I had a long talk with her this
+morning-a most interesting talk."
+
+"But you weren't here to say good-by. Now you don't mean to say that
+you forgot that she was leaving by the two-o'clock train? What a man
+you are!"
+
+"Dear me! To think of my forgetting it!" said the philosopher,
+shamefacedly.
+
+"She told me to say good-bye to you for her."
+
+"She's very kind. I can't forgive myself."
+
+His hostess looked at him for a moment; then she sighed, and smiled,
+and sighed again.
+
+"Have you everything you want?" she asked.
+
+"Everything, thank you," said he, sitting down opposite the cheese, and
+propping his book (he thought he would just run through the last
+chapter again) against the loaf; "everything in the world that I want,
+thanks."
+
+His hostess did not tell him that the girl had come in from the apple
+orchard and run hastily upstairs, lest her friend should see what her
+friend did see in her eyes. So that he had no suspicion at all that he
+had received an offer of marriage-and refused it. And he did not refer
+to anything of that sort when he paused once in his reading and
+exclaimed:
+
+"I'm really sorry I missed Miss May. That was an interesting case of
+hers. But I gave the right answer; the girl ought to marry A."
+
+And so the girl did.
+
+
+
+
+THE DECREE OF DUKE DEODONATO
+
+
+"It is a most anxious thing--to be an absolute ruler," said Duke
+Deodonato, "but I have made up my mind. The Doctor has convinced me
+(here Dr. Fusbius, Ph.D., bowed very low) that marriage is the best,
+noblest, wholesomest, and happiest of human conditions."
+
+"Your Highness will remember--" began the President of the Council.
+
+"My lord, I have made up my mind," said Duke Deodonato.
+
+Thus speaking, the Duke took a large sheet of foolscap paper, and wrote
+rapidly for a moment or two.
+
+"There," he said, pushing the paper over to the President, "is the
+decree."
+
+"The decree, sir?"
+
+"I think three weeks afford ample space," said Duke Deodonato.
+
+"Three weeks, sir?"
+
+"For every man over twenty-one years of age in this Duchy to find
+himself a wife."
+
+"Your Highness," observed Dr. Fusbius with deference, "will consider
+that between an abstract proposition and a practical measure--"
+
+"There is to the logical mind no stopping-place," interrupted Duke
+Deodonato.
+
+"But, sir," cried the President, "imagine the consternation which
+this--!"
+
+"Let it be gazetted to-night," said Duke Deodonato.
+
+"I would venture," said the President, "to remind your Highness that
+you are yourself a bachelor."
+
+"Laws," said Duke Deodonato, "do not bind the Crown unless the Crown is
+expressly mentioned."
+
+"True, sir; but I humbly conceive that it would be pessimi exempli--"
+
+"You are right; I will marry myself," said Duke Deodonato.
+
+"But, sir, three weeks! The hand of a princess cannot be requested and
+granted in--"
+
+"Then find me somebody else," said Deodonato; "and pray leave me. I
+would be alone;" and Duke Deodonato waved his hand to the door.
+
+Outside the door the President said to the Doctor,
+
+"I could wish, sir, that you had not convinced his Highness."
+
+"My lord," rejoined the Doctor, "truth is my only preoccupation."
+
+"Sir," said the President, "are you married?"
+
+"My lord," answered the Doctor, "I am not."
+
+"I thought not," said the President, as he folded up the decree, and
+put it in his pocket.
+
+It is useless to deny that Duke Deodonato's decree caused considerable
+disturbance in the Duchy. In the first place, the Crown lawyers raised
+a puzzle of law. Did the word 'man' as used in the decree, include
+'woman'?
+
+The President shook his head, and referred the question to his Highness.
+
+"It seems immaterial," observed the Duke. "If a man marries, a woman
+marries."
+
+"Ex vi terminorum," assented the Doctor.
+
+"But, sir," said the President, "there are more women than men in the
+Duchy."
+
+Duke Deodonato threw down his pen. "This is very provoking," said he.
+"Why was it allowed? I'm sure it happened before _I_ came to the
+throne."
+
+The Doctor was about to point out that it could hardly have been
+guarded against, when the President (who was a better courtier)
+anticipated him.
+
+"We did not foresee that your Highness, in your Highness's wisdom,
+would issue this decree," he said humbly.
+
+"True," said Duke Deodonato, who was a just man.
+
+"Would your Highness vouchsafe any explanation--?"
+
+"What are the Judges for?" asked Duke Deodonato. "There is the law--let
+them interpret it."
+
+Whereupon the Judges held that a 'man' was not a 'woman' and that
+although every man must marry, no woman need.
+
+"It will make no difference," said the President.
+
+"None at all," said Dr. Fusbius.
+
+Nor, perhaps, would it, seeing that women are ever kind, and in no way
+by nature averse from marriage, had it not become known that Duke
+Deodonato himself intended to choose a wife from the ladies of his own
+dominions, and to choose her (according to the advice of Dr. Fusbius,
+who, in truth, saw little whither his counsel would in the end carry
+the Duke) without regard to such adventitious matters as rank or
+wealth, and purely for her beauty, talent, and virtue. Which resolve
+being proclaimed, straightway all the ladies of the Duchy, of
+whatsoever station, calling, age, appearance, wit, or character,
+conceiving each of them that she, and no other, should become the
+Duchess, sturdily refused all offers of marriage (although they were
+many of them as desperately enamored as virtuous ladies may be), and
+did nought else than walk, drive, ride, and display their charms in the
+park before the windows of the ducal palace. And thus it fell out that
+when a week had gone by, no man had obeyed Duke Deodonato's decree, and
+they were, from sheer want of brides, like to fall into contempt of the
+law and under the high displeasure of the Duke.
+
+Upon this the President and Dr. Fusbius sought audience of his
+Highness, and humbly laid before him the unforeseen obstacle which had
+occurred.
+
+"Woman is ever ambitious," said Dr. Fusbius.
+
+"Nay," corrected the President, "they have seen his Highness's person
+as his Highness has ridden through the city."
+
+Duke Deodonato threw down his pen.
+
+"This is very tiresome," said he, knitting his brows. "My lord, I would
+be further advised on this matter. Return at the same hour to-morrow."
+
+The next day Duke Deodonato's forehead had regained its customary
+smoothness, and his manner was tranquil and assured.
+
+"Our pleasure is," said he to the President, "that, albeit no woman
+shall be compelled to marry if so be that she be not invited thereunto;
+yet, if bidden, she shall in no wise refuse, but straightway espouse
+that man who first after the date of these presents shall solicit her
+hand."
+
+The President bowed in admiration.
+
+"It is, if I may humbly say so, a practical and wise solution, sir," he
+said.
+
+"I apprehend that it will remedy the mischief," said Duke Deodonato,
+not ill-pleased.
+
+And doubtless it would have had an effect as altogether satisfactory,
+excellent, beneficial, salutary, and universal as the wisdom of Duke
+Deodonato had anticipated from it, had it not fallen out that, on the
+promulgation of the decree, all the aforesaid ladies of the Duchy, of
+whatsoever station, calling, age, appearance, wit, or character,
+straightway, and so swiftly that no man had time wherein to pay his
+court to them, fled to and shut and bottled and barricaded themselves
+in houses, castles, cupboards, cellars, stables, lofts, churches,
+chapels, chests, and every other kind of receptacle whatsoever, and
+there remained beyond reach of any man, be he whom he would, lest haply
+one, coming, should ask their hand in marriage, and thus they should
+lose all prospect of wedding the Duke.
+
+When Duke Deodonato was apprised of this lamentable action on the part
+of the ladies of the Duchy, he frowned and laid down his pen.
+
+"This is very annoying," said he. "There appears to be a disposition
+to thwart Our endeavors for the public good."
+
+"It is gross contumacy," said Dr. Fusbius.
+
+"Yet," remarked the President, "inspired by a natural, if
+ill-disciplined, admiration for his Highness's person."
+
+"The decree is now a fortnight old," observed Duke Deodonato. "Leave
+me, I will consider further of this matter."
+
+Now even as his Highness spoke a mighty uproar arose under the palace
+windows, and Duke Deodonato, looking out of the window (which, be it
+remembered, but for the guidance of Heaven he might not have done),
+beheld a maiden of wonderful charms struggling in the clutches of two
+halberdiers of the guard, who were haling her off to prison.
+
+"Bring hither that damsel," said Deodonato.
+
+Presently the damsel, still held by the soldiers, entered the room.
+Her robe was dishevelled and rent, her golden hair hung loose on her
+shoulders, and her eyes were full of tears.
+
+"At whose suit is she arrested?" asked Deodonato.
+
+"At the suit of the most learned Dr. Fusbius, may it please your
+Highness."
+
+"Sir," said Dr. Fusbius, "it is true. This lady, grossly contemning
+your Highness's decree, has refused my hand in marriage."
+
+"Is it true, damsel?" asked Duke Deodonato.
+
+"Hear me, your Highness!" answered she "I left my dwelling but an
+instant, for we were in sore straits for--"
+
+"Bread?" asked Deodonato, a touch of sympathy in his voice.
+
+"May it please your Highness, no--pins wherewith to fasten our hair.
+And, as I ran to the merchant's, this aged man--"
+
+"I am but turned of fifty," interrupted Fusbius.
+
+"And have not yet learnt silence?" asked Deodonato severely. "Damsel,
+proceed!"
+
+"Caught me by my gown as I ran and--"
+
+"I proposed marriage to her," said Fusbius.
+
+"Nay, if you proposed marriage, she shall marry you," said Deodonato.
+"By the crown of my fathers, she shall marry you. But what said he,
+damsel?"
+
+"May it please your Highness, he said that I had the prettiest face in
+all the Duchy, and that he would have no wife but me; and thereupon he
+kissed me; and I would have none of him, and I struck him and escaped."
+
+"Send for the Judges," said Duke Deodonato. "And meanwhile keep this
+damsel and let no man propose marriage to her until Our pleasure be
+known."
+
+Now when the Judges were come, and the maiden was brought in and set
+over against them on the right hand, and the learned Doctor took his
+stand on the left, Deodonato prayed the Judges that they would perpend
+carefully and anxiously of the question--using all lore, research,
+wisdom, discretion, and justice--whether Dr. Fusbius had proposed
+marriage unto the maiden or no.
+
+"Thus shalt Our mind be informed, and We shall deal profitably with
+this matter," concluded Duke Deodonato.
+
+Upon which arose great debate. For there was one part of the learned
+men which leant upon the letter and found no invitation to marriage in
+the words of Dr. Fusbius; while another part would have it that in all
+things the spirit and mind of the utterer must be regarded, and that
+it sorted not with the years, virtues, learning, and position of the
+said most learned Doctor to suppose that he had spoken such words and
+sealed the same with a kiss, save under the firm impression, thought,
+and conviction that he was offering his hand in marriage; which said
+impression, thought, and conviction were fully and reasonably declared
+and evident in his actions, manner, bearing, air, and conduct.
+
+"This is very perplexing," said Duke Deodonato, and he knit his brows;
+for as he gazed upon the beauty of the damsel, it seemed to him a thing
+unnatural, undesirable, unpalatable, unpleasant, and unendurable, that
+she should wed Dr. Fusbius. Yet if such were the law--Duke Deodonato
+sighed, and he glanced at the damsel: and it chanced that the damsel
+glanced at Duke Deodonato, and, seeing that he was a proper man and
+comely, and that his eye spoke his admiration of her, she blushed; and
+her cheek that had gone white when those of the Judges who favored the
+learned Doctor were speaking, went red as a rose again, and she strove
+to order her hair and to conceal the rent that was in her robe. And
+Duke Deodonato sighed again.
+
+"My Lord," he said to the President, "we have heard these wise and
+erudite men; and, forasmuch as the matter is difficult, they are
+divided among themselves, and the staff whereon we leant is broken.
+Speak, therefore, your mind."
+
+Then the President of the Council looked earnestly at Duke Deodonato,
+but the Duke veiled his face with his hand.
+
+"Answer truly," said he, "without fear or favor; so shall you fulfil
+Our pleasure."
+
+And the President, looking round upon the company, said:
+
+"It is, Your Highness, by all reasonable, honest, just, proper, and
+honorable intendment, as good, sound, full, and explicit an offer of
+marriage as hath ever been had in this Duchy."
+
+"So be it," said Duke Deodonato; and Dr. Fusbius smiled in triumph,
+while the maiden grew pale again.
+
+"And," pursued the President, "it binds, controls, and rules every man,
+woman, and child in these Your Highness's dominions, and hath the force
+of law over all."
+
+"So be it," said Deodonato again.
+
+"Saving," added the President, "Your Highness only."
+
+There was a movement among the company.
+
+"For," pursued the President, "by the ancient laws, customs, manners,
+and observances of the Duchy, no decree or law shall in any way
+whatsoever impair, alter, lessen, or derogate from the high rights,
+powers, and prerogatives of Your Highness, whom may Heaven long
+preserve. Although, therefore, it be, by and pursuant to Your
+Highness's decree, the sure right of every man in this Duchy to be
+accepted in marriage of any damsel whom he shall invite thereunto, yet
+is this right in all respects subject to and controlled by the natural,
+legal, inalienable, unalterable, and sovereign prerogative of Your
+Highness to marry what damsel so ever it shall be Your pleasure to bid
+share your throne. Hence I, in obedience to Your Highness's commands,
+pronounce and declare that this damsel is lawfully and irrevocably
+bound and affianced to the learned Dr. Fusbius, unless and until it
+shall please Your Highness yourself to demand her hand in marriage. May
+what I have spoken please Your Highness." And the President sat down.
+
+Duke Deodonato sat awhile in thought, and there was silence in the
+hall. Then he spoke:
+
+"Let all withdraw, saving the damsel only."
+
+And they one and all withdrew, and Duke Deodonato was left alone with
+the damsel.
+
+Then he arose and gazed long on the damsel; but the damsel would not
+look on Duke Deodonato.
+
+"How are you called, lady?" asked Duke Deodonato.
+
+"I am called Dulcissima," said she.
+
+"Well named!" said Deodonato softly, and he went to the damsel, and he
+laid his hand, full gently, on her robe, and he said, "Dulcissima, you
+have the prettiest face in all the Duchy, and I will have no wife but
+you;" and Duke Deodonato kissed the damsel.
+
+The damsel forbore to strike Duke Deodonato, as she had struck Dr.
+Fusbius. Again her cheek went red, and again pale, and she said, "I wed
+no man on compulsion."
+
+"Madam, I am Your Sovereign," said Duke Deodonato; and his eyes were on
+the damsel.
+
+"If you were an Archangel--!" cried the damsel.
+
+"Our House is not wont to be scorned of ladies," said Deodonato. "Am I
+crooked, or baseborn, or a fool?"
+
+"This day in your Duchy women are slaves, and men their masters by your
+will," said she.
+
+"It is the order of nature," said Deodonato.
+
+"It is not my pleasure," said the damsel.
+
+Then Deodonato laid his hand on his silver bell, for he was very angry.
+
+"Fusbius waits without," said he.
+
+"I will wed him and kill him," cried Dulcissima.
+
+Deodonato gazed on her.
+
+"You had no chance of using the pins," said he, "and the rent in your
+gown is very sore."
+
+And upon this the eyes of the damsel lost their fire and sought the
+floor; and she plucked at her girdle, and would not look on Deodonato.
+And they said outside, "It is very still in the Hall of the Duke."
+
+Then said Deodonato,
+
+"Dulcissima, what would you?"
+
+"That you repeal your decrees," said she.
+
+Deodonato's brow grew dark; he did not love to go back.
+
+"What I have decreed, I have decreed," said he.
+
+"And what I have resolved, I have resolved," said she.
+
+Deodonato drew near to her.
+
+"And if I repeal the decrees?" said he.
+
+"You will do well," said she.
+
+"And you will wed--?"
+
+"Whom I will," said she.
+
+Deodonato turned to the window, and for a space he looked out; and the
+damsel smoothed her hair and drew her robe, where it was whole, across
+the rent; and she looked on Deodonato as he stood, and her bosom rose
+and fell. And she prayed a prayer that no man heard or, if he heard,
+might be so base as to tell. But she saw the dark locks of Deodonato's
+hair and his form, straight as an arrow and tall as a six-foot wand, in
+the window. And again, outside, they said, "It is strangely still in
+the Hall of the Duke."
+
+Then Deodonato turned, and he pressed with his hand on the silver bell,
+and straightway the Hall was filled with the Councillors, the Judges,
+and the halberdiers, attentive to hear the will of Deodonato and the
+fate of the damsel. And the small eyes of Fusbius glowed and the calm
+eyes of the President smiled.
+
+"My Cousins, Gentlemen, and my faithful Guard," said Deodonato, "Time,
+which is Heaven's mighty Instrument, brings counsel. Say! what the Duke
+has done, shall any man undo?"
+
+Then cried they all, save one, "No man!"
+
+And the President said, "Saving the Duke."
+
+"The decrees which I made," said Deodonato, "I unmake. Henceforth let
+men and maidens in my Duchy marry or not marry as they will, and God
+give them joy of it."
+
+And all, save Fusbius, cried "Amen." But Fusbius cried, "Your Highness,
+it is demonstrated beyond cavil, ay, to the satisfaction of your
+Highness--"
+
+"This is very tedious," said Deodonato. "Let him speak no more."
+
+And again he drew near to Dulcissima, and there, before them all, he
+fell on his knee. And a murmur ran through the hall.
+
+"Madam," said Deodonato, "if you love me, wed me. And, if you love me
+not, depart in peace and in honor; and I, Deodonato, will live my life
+alone."
+
+Then the damsel trembled, and barely did Deodonato catch her words:
+
+"There are many men here," said she.
+
+"It is not given to Princes," said Deodonato, "to be alone.
+Nevertheless, if you will, leave me alone."
+
+And the damsel bent low, so that the breath of her mouth stirred the
+hair on Deodonato's head, and he shivered as he knelt.
+
+"My Prince and my King!" said she.
+
+And Deodonato shot to his feet, and before them all he kissed her, and,
+turning, spoke:
+
+"As I have wooed, let every man in this Duchy woo. As I have won, let
+every man that is worthy win. For, unless he so woo, and unless he so
+win, vain is his wooing and vain is his winning, and a fig for his
+wedding, say I, Deodonato! I, that was Deodonato, and now am--Deodonato
+and Dulcissima."
+
+And a great cheer rang out in the Hall, and Fusbius fled to the door;
+and they tore his gown as he went and cursed him for a knave. But the
+President raised his voice aloud and cried--"May Heaven preserve your
+Highnesses--and here's a blessing on all windows!"
+
+And that is the reason why you will find (if you travel there, as I
+trust you may, for nowhere are the ladies fairer or the men so gallant)
+more windows in the Duchy of Deodonato than anywhere in the wide world
+besides. For the more windows, the wider the view; and the wider the
+view, the more pretty damsels do you see; and the more pretty damsels
+you see, the more jocund a thing is life-and that is what the men of
+the Duchy love--and not least Duke Deodonato, whom, with his bride
+Dulcissima, may Heaven long preserve!
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Comedies of Courtship, by Anthony Hope
+
+*** END OF THIS PROJECT GUTENBERG EBOOK COMEDIES OF COURTSHIP ***
+
+***** This file should be named 24985-8.txt or 24985-8.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/4/9/8/24985/
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/24985-8.zip b/24985-8.zip
new file mode 100644
index 0000000..01d2b11
--- /dev/null
+++ b/24985-8.zip
Binary files differ
diff --git a/24985-h.zip b/24985-h.zip
new file mode 100644
index 0000000..04b9c55
--- /dev/null
+++ b/24985-h.zip
Binary files differ
diff --git a/24985-h/24985-h.htm b/24985-h/24985-h.htm
new file mode 100644
index 0000000..a3a3a1a
--- /dev/null
+++ b/24985-h/24985-h.htm
@@ -0,0 +1,12377 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+ <head>
+ <meta content="pg2html (binary v0.17)" name="linkgenerator" />
+ <title>
+ Comedies of Courtship, by Anthony Hope
+ </title>
+ <style type="text/css" xml:space="preserve">
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .75em; margin-bottom: .75em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 5%; margin-right: 5%; text-align: justify; font-size: 80%; font-style: italic;}
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ .xx-small {font-size: 60%;}
+ .x-small {font-size: 75%;}
+ .small {font-size: 85%;}
+ .large {font-size: 115%;}
+ .x-large {font-size: 130%;}
+ .indent5 { margin-left: 5%;}
+ .indent10 { margin-left: 10%;}
+ .indent15 { margin-left: 15%;}
+ .indent20 { margin-left: 20%;}
+ .indent25 { margin-left: 25%;}
+ .indent30 { margin-left: 30%;}
+ .indent35 { margin-left: 35%;}
+ .indent40 { margin-left: 40%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {position: absolute; right: 1%; font-size: 0.6em;
+ font-variant: normal; font-style: normal;
+ text-align: right; background-color: #FFFACD;
+ border: 1px solid; padding: 0.3em;text-indent: 0em;}
+ .side { float: left; font-size: 75%; width: 15%; padding-left: 0.8em;
+ border-left: dashed thin; text-align: left;
+ text-indent: 0; font-weight: bold; font-style: italic;
+ font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
+ .head { float: left; font-size: 90%; width: 98%; padding-left: 0.8em;
+ border-left: dashed thin; text-align: center;
+ text-indent: 0; font-weight: bold; font-style: italic;
+ font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
+ p.pfirst, p.noindent {text-indent: 0}
+ span.dropcap { float: left; margin: 0 0.1em 0 0; line-height: 0.8 }
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+The Project Gutenberg EBook of Comedies of Courtship, by Anthony Hope
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Comedies of Courtship
+
+Author: Anthony Hope
+
+Release Date: April 4, 2008 [EBook #24985]
+Last Updated: November 7, 2018
+
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK COMEDIES OF COURTSHIP ***
+
+
+
+
+
+
+</pre>
+ <div style="height: 8em;">
+ <br /><br /><br /><br /><br /><br /><br /><br />
+ </div>
+ <h1>
+ COMEDIES OF COURTSHIP
+ </h1>
+ <h2>
+ By Anthony Hope
+ </h2>
+ <h3>
+ 1894
+ </h3>
+<pre xml:space="preserve">
+ &ldquo;It is a familiar fact that the intensity of a passion varies
+ with the proximity of the appropriate object.&rdquo;
+ Mr. Leslie Stephen, &lsquo;Science of Ethics&rsquo;
+
+ &ldquo;How the devil is it that fresh features
+ Have such a charm for us poor human creatures?&rdquo;
+ Lord Byron, &lsquo;Don Juan&rsquo;
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <h3>
+ NOTE
+ </h3>
+ <p>
+ &ldquo;The Wheel of Love,&rdquo; published in Scribner&rsquo;s Magazine
+ during the past year, and &ldquo;The Lady of the Pool,&rdquo; both
+ protected by American copyright, are here printed for the first time in
+ book form. The four other stories appeared without their author&rsquo;s
+ consent or knowledge, with their titles changed beyond recognition, and
+ combined with other unauthorized material, in a small volume printed by an
+ American firm. They are here given for the first time in their proper form
+ and by my authority.
+ </p>
+ <p>
+ Anthony Hope.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ <b>CONTENTS</b>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0001"> <b>THE WHEEL OF LOVE</b> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0001"> CHAPTER I. &mdash; THE VIRTUOUS HYPOCRITES </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0002"> CHAPTER II. &mdash; SYMPATHY IN SORROW </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0003"> CHAPTER III. &mdash; A PROVIDENTIAL DISCLOSURE
+ </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0004"> CHAPTER IV. &mdash; THE TALE OF A POSTMARK </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0005"> CHAPTER V. &mdash; A SECOND EDITION </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0006"> CHAPTER VI. &mdash; A MAN WITH A THEORY </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0007"> CHAPTER VII. &mdash; THE SIGHTS OF AVIGNON </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0008"> CHAPTER VIII. &mdash; MR. AND MRS. ASHFORTH (1)
+ </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0009"> CHAPTER IX. &mdash; MR. AND MRS. ASHFORTH (2)
+ </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0010"> CHAPTER X. &mdash; MR. AND NOT MRS. ASHFORTH </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0011"> CHAPTER XI. &mdash; A DYNAMITE OUTRAGE </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0012"> CHAPTER XII. &mdash; ANOTHER! </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0013"> CHAPTER XIII. &mdash; FAITHFUL TO DEATH </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0015"> <b>THE LADY OF THE POOL</b> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0014"> CHAPTER I. &mdash; A FIRM BELIEVER </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0015"> CHAPTER II. &mdash; MISS WALLACE&rsquo;S FRIEND
+ </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0016"> CHAPTER III. &mdash; ALL NONSENSE </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0017"> CHAPTER IV. &mdash; A CATASTROPHE AT THE POOL
+ </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0018"> CHAPTER V. &mdash; AN UNFORESEEN CASE </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0019"> CHAPTER VI. &mdash; THERE WAS SOMEBODY </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0020"> CHAPTER VII. &mdash; THE INEVITABLE MEETING </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0021"> CHAPTER VIII. &mdash; THE MORAL OF IT </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0022"> CHAPTER IX. &mdash; TWO MEN OF SPIRIT </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0023"> CHAPTER X. &mdash; THE INCARNATION OF LADY AGATHA
+ </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0026"> THE CURATE OF POLTONS </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0027"> A THREE-VOLUME NOVEL </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0028"> THE PHILOSOPHER IN THE APPLE ORCHARD </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0029"> THE DECREE OF DUKE DEODONATO </a>
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0001" id="link2H_4_0001"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE WHEEL OF LOVE
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0001" id="link2HCH0001"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER I. &mdash; THE VIRTUOUS HYPOCRITES
+ </h2>
+ <p>
+ AT first sight they had as little reason for being unhappy as it is
+ possible to have in a world half full of sorrow. They were young and
+ healthy; half a dozen times they had each declared the other more than
+ common good-looking; they both had, and never knew what it was not to
+ have, money enough for comfort and, in addition that divine little
+ superfluity wherefrom joys are born. The house was good to look at and
+ good to live in; there were horses to ride, the river to go a-rowing on,
+ and a big box from Mudie&rsquo;s every week. No one worried them; Miss
+ Bussey was generally visiting the poor; or, as was the case at this
+ moment, asleep in her arm-chair, with Paul, the terrier, in his basket
+ beside her, and the cat on her lap. Lastly, they were plighted lovers, and
+ John was staying with Miss Bussey for the express purpose of delighting
+ and being delighted by his fiancie, Mary Travers. For these and all their
+ mercies certainly they should have been truly thankful.
+ </p>
+ <p>
+ However the heart of man is wicked. This fact alone can explain why Mary
+ sat sadly in the drawing-room, feeling a letter that was tucked inside her
+ waistband and John strode moodily up and down the gravel walk, a cigar,
+ badly bitten, between his teeth, and his hand over and again covertly
+ stealing toward his breast-pocket and pressing a scented note that lay
+ there. In the course of every turn John would pass the window of the
+ drawing-room; then Mary would look up with a smile and blow him a kiss,
+ and he nodded and laughed and returned the salute. But, the window passed,
+ both sighed deeply and returned to lingering those hidden missives.
+ </p>
+ <p>
+ &ldquo;Poor little girl! I must keep it up,&rdquo; said John.
+ </p>
+ <p>
+ &ldquo;Dear good John! He must never know,&rdquo; thought Mary.
+ </p>
+ <p>
+ And the two fell to thinking just what was remarked a few lines back,
+ namely, that the human heart is very wicked; they were shocked at
+ themselves; the young often are.
+ </p>
+ <p>
+ Miss Bussey awoke, sat up, evicted the cat, and found her spectacles.
+ </p>
+ <p>
+ &ldquo;Where are those children?&rdquo; said she. &ldquo;Billing and
+ cooing somewhere, I suppose. Bless me, why don&rsquo;t they get tired of
+ it?&rdquo;
+ </p>
+ <p>
+ They had&mdash;not indeed of billing and cooing in general, for no one at
+ their age does or ought to get tired of that&mdash;but of billing and
+ cooing with one another.
+ </p>
+ <p>
+ It will be observed that the situation promised well for a tragedy.
+ Nevertheless this is not the story of an unhappy marriage.
+ </p>
+ <p>
+ If there be one thing which Government should forbid, it is a secret
+ engagement. Engagements should be advertised as marriages are; but unless
+ we happen to be persons of social importance, or considerable notoriety,
+ no such precautions are taken. Of course there are engagement rings; but a
+ man never knows one when he sees it on a lady&rsquo;s hand&mdash;it would
+ indeed be impertinent to look too closely&mdash;and when he goes out alone
+ he generally puts his in his pocket, considering that the evening will
+ thus be rendered more enjoyable. The Ashforth&mdash;Travers engagement was
+ not a secret now, but it had been, and had been too long. Hence, when Mary
+ went to Scotland and met Charlie Ellerton, and when John went to
+ Switzerland and met Dora Bellairs-the truth is, they ought never to have
+ separated, and Miss Bussey (who was one of the people in the secret) had
+ been quite right when she remarked that it seemed a curious arrangement.
+ John and Mary had scoffed at the idea of a few weeks&rsquo; absence having
+ any effect on their feelings except, if indeed it were possible, that of
+ intensifying them.
+ </p>
+ <p>
+ &ldquo;I really think I ought to go and find them,&rdquo; said Miss
+ Bussey. &ldquo;Come, Paul!&rdquo;
+ </p>
+ <p>
+ She took a parasol, for the April sun was bright, and went into the
+ garden. &ldquo;When she came to the drawing-room window John was away at
+ the end of the walk. She looked at him: he was reading a letter. She
+ looked in at the window: Mary was reading a letter.
+ </p>
+ <p>
+ &ldquo;Well!&rdquo; exclaimed Miss Bussey. &ldquo;Have they had a tiff?&rdquo;
+ And she slowly waddled (truth imposes this word-she was very stout) toward
+ the unconscious John. He advanced toward her still reading; not only did
+ he not see her, but he failed to notice that Paul had got under his feet.
+ He fell over Paul, and as he stumbled the letter fluttered out of his
+ hand. Paul seized it and began to toss it about in great glee.
+ </p>
+ <p>
+ &ldquo;Good doggie!&rdquo; Cried Miss Bussey. &ldquo;Come then! Bring it
+ to me, dear. Good Paul!&rdquo;
+ </p>
+ <p>
+ John&rsquo;s face was distorted with agony. He darted toward Paul, fell on
+ him, and gripped him closely. Paul yelped and Miss Bussey observed, in an
+ indignant tone, that John need not throttle the dog. John muttered
+ something.
+ </p>
+ <p>
+ &ldquo;Is the letter so very precious?&rdquo; asked his hostess
+ ironically.
+ </p>
+ <p>
+ &ldquo;Precious!&rdquo; cried John. &ldquo;Yes!&mdash;No!&mdash;It&rsquo;s
+ nothing at all.&rdquo;
+ </p>
+ <p>
+ But he opened Paul&rsquo;s mouth and took out his treasure with wonderful
+ care.
+ </p>
+ <p>
+ &ldquo;And why,&rdquo; inquired Miss Bussey, &ldquo;are you not with Mary,
+ young man? You&rsquo;re very neglectful.&rdquo;
+ </p>
+ <p>
+ &ldquo;Neglectful! Surely, Miss Bussey, you haven&rsquo;t noticed anything&mdash;like
+ neglect? Don&rsquo;t say&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Bless the boy! I was only joking. You&rsquo;re a model lover.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thank you, thank you. I&rsquo;ll go to her at once,&rdquo; and he
+ sped towards the window, opened it and walked up to Mary. Miss Bussey
+ followed him and arrived just in time to see the lovers locked in one
+ another&rsquo;s arms, their faces expressing all appropriate rapture.
+ </p>
+ <p>
+ &ldquo;There&rsquo;s nothing much wrong,&rdquo; said Miss Bussey; wherein
+ Miss Bussey herself was much wrong.
+ </p>
+ <p>
+ &ldquo;What a shame! I&rsquo;ve left you alone for more than an hour!&rdquo;
+ said John. &ldquo;Have you been very unhappy?&rdquo; and he added, &ldquo;darling.&rdquo;
+ It sounded like an afterthought.
+ </p>
+ <p>
+ &ldquo;I have been rather unhappy,&rdquo; answered Mary, and her answer
+ was true. As she said it she tucked in a projecting edge of her letter.
+ John had hurriedly slipped his (it was rather the worse for its mauling)
+ into his trousers-pocket.
+ </p>
+ <p>
+ &ldquo;You&mdash;you didn&rsquo;t think me neglectful?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, no.&rdquo;
+ </p>
+ <p>
+ &ldquo;I was thinking of you all the time,&rdquo;
+ </p>
+ <p>
+ &ldquo;And I was thinking of you, dear.&rdquo;
+ </p>
+ <p>
+ &ldquo;Are you very happy?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, John; aren&rsquo;t you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course I am. Happy! I should think so,&rdquo; and he kissed her
+ with unimpeachable fervor.
+ </p>
+ <p>
+ When a conscientious person makes up his mind that he ought, for good
+ reasons, to deceive somebody, there is no one like him for thorough-paced
+ hypocrisy. When two conscientious people resolve; to deceive one another,
+ on grounds of duty, the acme of duplicity is in a fair way to be reached.
+ John Ashforth and Mary Travers illustrated this proposition. The former
+ had been all his life a good son, and was now a trustworthy partner, to
+ his father, who justly relied no less on his character than on his brains.
+ The latter, since her parents&rsquo; early death had left her to her aunt&rsquo;s
+ care, had been the comfort and prop of Miss Bussey&rsquo;s life. It is
+ difficult to describe good people without making them seem dull; but
+ luckily nature is defter than novelists, and it is quite possible to be
+ good without being dull. Neither Mary nor John was dull; a trifle limited,
+ perhaps, they were, a thought severe in their judgments of others as well
+ as of themselves; a little exacting with their friends and more than a
+ little with themselves. One description paints them both; doubtless their
+ harmony of mind had contributed more than Mary&rsquo;s sweet expression
+ and finely cut features, or John&rsquo;s upstanding six feet, and honest
+ capable face, to produce that attachment between them which had, six
+ months before this story begins, culminated in their engagement. Once
+ arrived at, this ending seemed to have been inevitable. Everybody
+ discovered that they had foretold it from the first, and modestly
+ disclaimed any credit for anticipating a union between a couple so
+ obviously made for one another.
+ </p>
+ <p>
+ The distress into which lovers such as these fell when they discovered by
+ personal experience that sincerely to vow eternal love is one thing, and
+ sincerely to give it quite another, may be well imagined, and may well be
+ left to be imagined. They both went through a terrible period of
+ temptation, wherein they listened longingly to the seductive pleading of
+ their hearts; but both emerged triumphant, resolved to stifle their mad
+ fancy, to prefer good faith to mere inclination, and to avoid, at all
+ costs, wounding one to whom they had sworn to be true. Thus far their
+ steadfastness carried them, but not beyond. They could part from their
+ loved ones, and they did; but they could not leave them without a word.
+ Each wrote, after leaving Scotland and Switzerland respectively, a few
+ lines of adieu, confessing the love they felt, but with resolute sadness
+ saying farewell forever. They belonged to another.
+ </p>
+ <p>
+ It was the answers that Mary and John were reading when Miss Bussey
+ discovered them.
+ </p>
+ <p>
+ Mary&rsquo;s ran:
+ </p>
+ <p>
+ &ldquo;MY DEAR MISS TRAVERS: I have received your letter. I can&rsquo;t
+ tell you what it means to me. You say all must be over between us. Don&rsquo;t
+ be offended&mdash;but I won&rsquo;t say that yet. It can&rsquo;t be your
+ duty to marry a man you don&rsquo;t love. You forbid me to write or come
+ to you; and you ask only for a word of good-by. I won&rsquo;t say good-by.
+ I&rsquo;ll say <i>Au revoir&mdash;au revoir</i>, my darling.&rdquo;
+ </p>
+ <p>
+ &ldquo;Charlie.&rdquo;
+ </p>
+ <p>
+ &ldquo;Burn this.&rdquo;
+ </p>
+ <p>
+ This was John&rsquo;s:
+ </p>
+ <p>
+ &ldquo;MY DEAR MR. ASHFORTH: What am I to say to you? Oh, why, why didn&rsquo;t
+ you tell me before? I oughtn&rsquo;t to say that, but it is too late to
+ conceal anything from you. Yes, you are right. It must be good-by. Yes, I
+ will try to forget you. But oh, John, it&rsquo;s very, very, very
+ difficult. I don&rsquo;t know how to sign this&mdash;so I won&rsquo;t. You&rsquo;ll
+ know who it comes from, won&rsquo;t you? Good-by. Burn this.&rdquo;
+ </p>
+ <p>
+ These letters, no doubt, make it plain that there had been at least a
+ momentary weakness both in Mary and in John; but in a true and charitable
+ view their conduct in rising superior to temptation finally was all the
+ more remarkable and praiseworthy. They had indeed, for the time, been
+ carried away. Even now Mary found it hard not to make allowances for
+ herself, little as she was prone to weakness when she thought of the
+ impetuous <i>abandon</i> and conquering whirl with which Charlie Ellerton
+ had wooed her; and John confessed that flight alone, a hasty flight from
+ Interlaken after a certain evening spent in gazing at the Jungfrau, had
+ saved him from casting everything to the winds and yielding to the slavery
+ of Dora Bellairs&rsquo;s sunny smiles and charming coquetries. He had
+ always thought that that sort of girl had no attractions for him, just as
+ Mary had despised &lsquo;butterfly-men&rsquo; like Charlie Ellerton. Well,
+ they were wrong. The only comfort was that shallow natures felt these
+ sorrows less; it would have broken Mary&rsquo;s heart (thought John), or
+ John&rsquo;s (thought Mary), but Dora and Charlie would soon find
+ consolation in another. But here, oddly enough, John generally swore
+ heartily and Mary always began to search for her handkerchief. &ldquo;They&rsquo;re
+ as affectionate as one could wish when they&rsquo;re together,&rdquo;
+ mused Miss Bussey, as she stroked the cat, &ldquo;but at other times they&rsquo;re
+ gloomy company. I suppose they can&rsquo;t be happy apart. Dear! dear!&rdquo;
+ and the good old lady fell to wondering whether she had ever been so
+ foolish herself.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0002" id="link2HCH0002"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER II. &mdash; SYMPATHY IN SORROW
+ </h2>
+ <p>
+ &ldquo;Give me,&rdquo; observed Sir Roger Deane, &ldquo;Cannes, a fine
+ day, a good set to look at, a beehive chair, a good cigar, a cocktail on
+ one side and a nice girl on the other, and there I am! I don&rsquo;t want
+ anything else.&rdquo;
+ </p>
+ <p>
+ General Bellairs pulled his white mustache and examined Sir Roger&rsquo;s
+ figure and surroundings with a smile.
+ </p>
+ <p>
+ &ldquo;Then only Lady Deane is wanting to your complete happiness,&rdquo;
+ said he.
+ </p>
+ <p>
+ &ldquo;Maud is certainly a nice girl, but when she deserts me&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Where is she?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know.&rdquo;
+ </p>
+ <p>
+ &ldquo;I do,&rdquo; interposed a young man, who wore an eye&mdash;glass
+ and was in charge of a large jug. &ldquo;She&rsquo;s gone to Monte.&rdquo;
+ </p>
+ <p>
+ &ldquo;I might have known,&rdquo; said Sir Roger. &ldquo;Being missed here
+ always means you&rsquo;ve gone to Monte&mdash;like not being at church
+ means you&rsquo;ve gone to Brighton.&rdquo;
+ </p>
+ <p>
+ &ldquo;Surely she doesn&rsquo;t play?&rdquo; asked the General.
+ </p>
+ <p>
+ &ldquo;Not she! She&rsquo;s going to put it in a book. She writes books
+ you know. She put me in the last&mdash;made me a dashed fool, too, by
+ Jove!&rdquo;
+ </p>
+ <p>
+ &ldquo;That was unkind,&rdquo; said the General, &ldquo;from your wife.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, Lord love you, she didn&rsquo;t mean it. I was the hero. That&rsquo;s
+ how I came to be such an ass. The dear girl meant everything that was
+ kind. Who&rsquo;s taken her to Monte?&rdquo;
+ </p>
+ <p>
+ &ldquo;Charlie Ellerton,&rdquo; said the young man with the eye-glass.
+ </p>
+ <p>
+ &ldquo;There! I told you she was a kind girl. She&rsquo;s trying to pull
+ old Charlie up a peg or two. He&rsquo;s had the deuce of a facer, you
+ know.&rdquo;
+ </p>
+ <p>
+ &ldquo;I thought he seemed less cheerful than usual.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, rather. He met a girl somewhere or other&mdash;I always forget
+ places&mdash;Miss&mdash;Miss&mdash;hang it, I can&rsquo;t remember names&mdash;and
+ got awfully smitten, and everything went pleasantly and she took to him
+ like anything&mdash;, and at last old Charlie spoke up like a man, and&mdash;&mdash;&rdquo;
+ Sir Roger paused dramatically.
+ </p>
+ <p>
+ &ldquo;Well?&rdquo; asked the General.
+ </p>
+ <p>
+ &ldquo;She was engaged to another fellow. Rough, wasn&rsquo;t it? She told
+ old Charlie she liked him infernally, but promises were promises, don&rsquo;t
+ you know, and she&rsquo;d thank him to take his hook. And he had to take
+ it, by Gad! Rough, don&rsquo;t you know? So Maud&rsquo;s been cheering him
+ up. The devil!&rdquo;
+ </p>
+ <p>
+ &ldquo;What&rsquo;s the matter now?&rdquo; inquired the General.
+ </p>
+ <p>
+ &ldquo;Why, I&rsquo;ve just remembered that I promised to say nothing
+ about it. I say, don&rsquo;t you repeat it, General, nor you either,
+ Laing.&rdquo;
+ </p>
+ <p>
+ The General laughed.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said Sir Roger, &ldquo;he oughtn&rsquo;t to have been
+ such a fool as to tell me. He knows I never remember to keep things dark.
+ It&rsquo;s not my fault.&rdquo;
+ </p>
+ <p>
+ A girl came out of the hotel and strolled up to where the group was. She
+ was dark, slight, and rather below middle height; her complexion at this
+ moment was a trifle sallow and her eyes listless, but it seemed rather as
+ though she had dressed her face into a tragic cast, the set of the
+ features being naturally mirthful. She acknowledged the men&rsquo;s
+ salutations and sat down with a sigh.
+ </p>
+ <p>
+ &ldquo;Not on to-day?&rdquo; asked Sir Roger, waving his cigar toward the
+ lawn-tennis courts.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said Miss Bellairs.
+ </p>
+ <p>
+ &ldquo;Are you seedy, Dolly?&rdquo; inquired the General.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said Miss Bellairs.
+ </p>
+ <p>
+ Mr. Laing fixed his eye-glass and surveyed the young lady.
+ </p>
+ <p>
+ &ldquo;Are you taking any?&rdquo; said he, indicating the jug.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t see any fun in vulgarity,&rdquo; observed Miss
+ Bellairs.
+ </p>
+ <p>
+ The General smiled. Sir Roger&rsquo;s lips assumed the shape for a
+ whistle.
+ </p>
+ <p>
+ &ldquo;That&rsquo;s a nasty one for me,&rdquo; said Laing.
+ </p>
+ <p>
+ &ldquo;Ah, here you are, Roger,&rdquo; exclaimed a fresh clear voice from
+ behind the chairs. &ldquo;I&rsquo;ve been looking for you everywhere. We&rsquo;ve
+ seen everything&mdash;Mr. Ellerton was most kind&mdash;and I do so want to
+ tell you my impressions.&rdquo;
+ </p>
+ <p>
+ The new-comer was Lady Deane, a tall young woman, plainly dressed in a
+ serviceable cloth walking-gown. By her side stood Charlie Ellerton in a
+ flannel suit of pronounced striping; he wore a little yellow mustache, had
+ blue eyes and curly hair, and his face was tanned a wholesome ruddy-brown.
+ He looked very melancholy.
+ </p>
+ <p>
+ &ldquo;Letters from Hell,&rdquo; murmured Sir Roger.
+ </p>
+ <p>
+ &ldquo;But I was so distressed,&rdquo; continued his wife. &ldquo;Mr.
+ Ellerton would gamble, and he lost ever so much money.&rdquo;
+ </p>
+ <p>
+ &ldquo;A fellow must amuse himself,&rdquo; remarked Charlie gloomily, and
+ with apparent unconsciousness he took a glass from Laing and drained it.
+ </p>
+ <p>
+ &ldquo;Gambling and drink&mdash;what does that mean?&rdquo; asked Sir
+ Roger.
+ </p>
+ <p>
+ &ldquo;Shut up, Deane,&rdquo; said Charlie.
+ </p>
+ <p>
+ Miss Bellairs rose suddenly and walked away. Her movement expressed
+ impatience with her surroundings. After a moment Charlie Ellerton slowly
+ sauntered after her. She sat down on a garden-seat some way off. Charlie
+ placed himself at the opposite end. A long pause ensued.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m afraid I&rsquo;m precious poor company,&rdquo; said
+ Charlie.
+ </p>
+ <p>
+ &ldquo;I didn&rsquo;t want you to be company at all,&rdquo; answered Miss
+ Bellairs, and she sloped her parasol until it obstructed his view of her
+ face.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m awfully sorry, but I can&rsquo;t stand the sort of rot
+ Deane and Laing are talking.&rdquo;
+ </p>
+ <p>
+ &ldquo;Can&rsquo;t you? Neither can I.&rdquo;
+ </p>
+ <p>
+ &ldquo;They never seem to be serious about anything, you know,&rdquo; and
+ Charlie sighed deeply, and for three minutes there was silence.
+ </p>
+ <p>
+ &ldquo;Do you know Scotland at all?&rdquo; asked Charlie at last.
+ </p>
+ <p>
+ &ldquo;Only a little.&rdquo;
+ </p>
+ <p>
+ &ldquo;There last year?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I was in Switzerland.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you know Interlaken?&rdquo;
+ </p>
+ <p>
+ &ldquo;No.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh.&rdquo;
+ </p>
+ <p>
+ &ldquo;May I have a cigarette?&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course, if you like.&rdquo;
+ </p>
+ <p>
+ Charlie lit his cigarette and smoked silently for a minute or two.
+ </p>
+ <p>
+ &ldquo;I call this a beastly place,&rdquo; said he.
+ </p>
+ <p>
+ &ldquo;Yes, horrid,&rdquo; she answered, and the force of sympathy made
+ her move the parasol and turn her face towards her companion. &ldquo;But I
+ thought,&rdquo; she continued, &ldquo;you came here every spring?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I don&rsquo;t mind the place so much. It&rsquo;s the people.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, isn&rsquo;t it? I know what you mean.&rdquo;
+ </p>
+ <p>
+ &ldquo;You can&rsquo;t make a joke of everything, can you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Indeed no,&rdquo; sighed Dora.
+ </p>
+ <p>
+ Charlie looked at his cigarette, and, his eyes carefully fixed on it, said
+ in a timid tone:
+ </p>
+ <p>
+ &ldquo;What&rsquo;s the point, for instance, of talking as if love was all
+ bosh?&rdquo;
+ </p>
+ <p>
+ Dora&rsquo;s parasol swept down again swiftly, but Charlie was still
+ looking at the cigarette and he did not notice its descent, nor could he
+ see that Miss Bellairs&rsquo;s cheek was no longer sallow.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s such cheap rot,&rdquo; he continued, &ldquo;and when a
+ fellow&rsquo;s&mdash;I say, Miss Bellairs, I&rsquo;m not boring you?&rdquo;
+ </p>
+ <p>
+ The parasol wavered and finally moved.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said Miss Bellairs.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know whether you&mdash;no, I mustn&rsquo;t say that;
+ but I know what it is to be in love, Miss Bellairs; but what&rsquo;s the
+ good of talking about it? Everybody laughs.&rdquo;
+ </p>
+ <p>
+ Miss Bellairs put down her parasol.
+ </p>
+ <p>
+ &ldquo;I shouldn&rsquo;t laugh,&rdquo; she said softly. &ldquo;It&rsquo;s
+ horrid to laugh at people when they&rsquo;re in trouble,&rdquo; and her
+ eyes were very sympathetic.
+ </p>
+ <p>
+ &ldquo;You are kind. I don&rsquo;t mind talking about it to you. You know
+ I&rsquo;m not the sort of fellow who falls in love with every girl he
+ meets; so of course it&rsquo;s worse when I do.&rdquo;
+ </p>
+ <p>
+ &ldquo;Was it just lately?&rdquo; murmured Dora.
+ </p>
+ <p>
+ &ldquo;Last summer.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! And&mdash;and didn&rsquo;t she&mdash;&mdash;?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I don&rsquo;t know. Yes, hang it, I believe she did. She was
+ perfectly straight, Miss Bellairs. I don&rsquo;t say a word against her.
+ She-I think she didn&rsquo;t know her own feelings until&mdash;until I
+ spoke, you know&mdash;and then&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Do go on, if&mdash;if it doesn&rsquo;t&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, then, the poor girl cried and said it couldn&rsquo;t be
+ because she&mdash;she was engaged to another fellow; and she sent me away.&rdquo;
+ </p>
+ <p>
+ Miss Bellairs was listening attentively.
+ </p>
+ <p>
+ &ldquo;And,&rdquo; continued Charlie, &ldquo;she wrote and said it must be
+ good-by and&mdash;and&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;And you think she&mdash;&mdash;?&rdquo;
+ </p>
+ <p>
+ &ldquo;She told me so,&rdquo; whispered Charlie. &ldquo;She said she
+ couldn&rsquo;t part without telling me. Oh, I say, Miss Bellairs, isn&rsquo;t
+ it all damnable? I beg your pardon.&rdquo;
+ </p>
+ <p>
+ Dora was tracing little figures on the gravel with her parasol.
+ </p>
+ <p>
+ &ldquo;Now what would you do?&rdquo; cried Charlie. &ldquo;She loves me, I
+ know she does, and she&rsquo;s going to marry this other fellow because
+ she promised him first. I don&rsquo;t suppose she knew what love was then.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I&rsquo;m sure she didn&rsquo;t,&rdquo; exclaimed Dora
+ earnestly.
+ </p>
+ <p>
+ &ldquo;You can&rsquo;t blame her, you know. And it&rsquo;s absurd to&mdash;to&mdash;to&mdash;not
+ to&mdash;well, to marry a fellow you don&rsquo;t care for when you care
+ for another fellow, you know!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course you can hardly imagine yourself in that position, but
+ suppose a man liked you and-and was placed like that, you know, what
+ should you feel you ought to do?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I don&rsquo;t know,&rdquo; exclaimed Dora, clasping her hands.
+ &ldquo;Oh, do tell me what you think! I&rsquo;d give the world to know!&rdquo;
+ </p>
+ <p>
+ Charlie&rsquo;s surprised glance warned her of her betrayal. &ldquo;You
+ mustn&rsquo;t ask me.&rdquo; she exclaimed hastily.
+ </p>
+ <p>
+ &ldquo;I won&rsquo;t ask a word. I&mdash;I&rsquo;m awfully sorry, Miss
+ Bellairs.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nobody knows,&rdquo; she murmured.
+ </p>
+ <p>
+ &ldquo;Nobody shall through me.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;re not very&mdash;? I&rsquo;m very ashamed.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why? And because of me! After what I&rsquo;ve told you!&rdquo;
+ </p>
+ <p>
+ Charlie rose suddenly.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m not going to stand it,&rdquo; he announced.
+ </p>
+ <p>
+ Dora looked up eagerly.
+ </p>
+ <p>
+ &ldquo;What? You&rsquo;re going to&mdash;&mdash;?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m going to have a shot at it. Am I to stand by and see her&mdash;&mdash;?
+ I&rsquo;m hanged if I do. Could that be right?&rdquo;
+ </p>
+ <p>
+ &ldquo;I should like to know what one&rsquo;s <i>duty</i> is?&rdquo;
+ </p>
+ <p>
+ &ldquo;This talk with you has made me quite clear. We&rsquo;ve reasoned it
+ out, you see. They&rsquo;re not to be married for two or three months. A
+ lot can be done in that time.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, you&rsquo;re a man!&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall write first. If that doesn&rsquo;t do, I shall go to her.&rdquo;
+ </p>
+ <p>
+ Dora shook her head mournfully.
+ </p>
+ <p>
+ &ldquo;Now, look here, Miss Bellairs you don&rsquo;t mind me advising you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I ought not to have let you see, but as it is&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;You do as I do, you stick to it. Confound it, you know, when one&rsquo;s
+ life&rsquo;s happiness is at stake&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes, yes!&rdquo;
+ </p>
+ <p>
+ &ldquo;One mustn&rsquo;t be squeamish, must one?&rdquo;
+ </p>
+ <p>
+ And Dora Bellairs, in a very low whisper, answered, &ldquo;No.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall write to-night.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! To-night?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. Now promise me you will too.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s harder for me than you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not if he really&mdash;&mdash;.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, indeed, he really does, Mr. Ellerton.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you&rsquo;ll write?&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps.&rdquo;
+ </p>
+ <p>
+ &ldquo;No. Promise!&rdquo;
+ </p>
+ <p>
+ &ldquo;Well&mdash;it must be right. Yes, I will.&rdquo;
+ </p>
+ <p>
+ &ldquo;I feel the better for our talk, Miss Bellairs, don&rsquo;t you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I do a little.&rdquo;
+ </p>
+ <p>
+ &ldquo;We shall be friends now, you know; even if I bring it off I shan&rsquo;t
+ be content unless you do too. Won&rsquo;t you give me your good wishes?&rdquo;
+ </p>
+ <p>
+ &ldquo;Indeed I will.&rdquo;
+ </p>
+ <p>
+ &ldquo;Shake hands on it.&rdquo;
+ </p>
+ <p>
+ They shook hands and began to stroll back to the tennis-courts.
+ </p>
+ <p>
+ &ldquo;They look a little better,&rdquo; observed Sir Roger Deane, who had
+ been listening to an eloquent description of the gaming-tables.
+ </p>
+ <p>
+ Dora and Charlie walked on towards the hotel.
+ </p>
+ <p>
+ &ldquo;Hi!&rdquo; shouted Sir Roger. &ldquo;Tea&rsquo;s coming out here.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ve got a letter to write,&rdquo; said Charlie.
+ </p>
+ <p>
+ &ldquo;Well, Miss Bellairs, you must come. Who&rsquo;s to pour it out?&rdquo;
+ </p>
+ <p>
+ &ldquo;I must catch the post, Sir Roger,&rdquo; answered Dora.
+ </p>
+ <p>
+ They went into the house together. In the hall they parted.
+ </p>
+ <p>
+ &ldquo;You&rsquo;ll let me know what happens, Mr. Ellerton, won&rsquo;t
+ you? I&rsquo;m so interested.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh&mdash;well, perhaps,&rdquo; and the sallow of her cheeks had
+ turned to a fine dusky red as she ran upstairs.
+ </p>
+ <p>
+ Thus it happened that a second letter for John Ashforth and a second
+ letter for Mary Travers left Cannes that night.
+ </p>
+ <p>
+ And if it seems a curious coincidence that Dora and Charlie should meet at
+ Cannes, it can only be answered that they were each of them just as likely
+ to be at Cannes as anywhere else. Besides, who knows that these things are
+ all coincidence?
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0003" id="link2HCH0003"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER III. &mdash; A PROVIDENTIAL DISCLOSURE
+ </h2>
+ <p>
+ On Wednesday the eleventh of April, John Ashforth rose from his bed full
+ of a great and momentous resolution. There is nothing very strange in
+ that, perhaps it is just the time of day when such things come to a man,
+ and, in ordinary cases, they are very prone to disappear with the relics
+ of breakfast. But John was of sterner stuff. He had passed a restless
+ night, tossed to and fro by very disturbing gusts of emotion, and he arose
+ with the firm conviction that if he would escape shipwreck he must secure
+ his bark by immovable anchors while he was, though not in honor, yet in
+ law and fact, free; he could not trust himself. Sorrowfully admitting his
+ weakness, he turned to the true, the right, the heroic remedy.
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll marry Mary to&mdash;day fortnight,&rdquo; said he.
+ &ldquo;When we are man and wife I shall forget this madness and love her
+ as I used to.&rdquo;
+ </p>
+ <p>
+ He went down to breakfast, ate a bit of toast and drank a cup of very
+ strong tea. Presently Mary appeared and greeted him with remarkable
+ tenderness. His heart smote him, and his remorse strengthened his
+ determination.
+ </p>
+ <p>
+ &ldquo;I want to speak to you after breakfast,&rdquo; he told her.
+ </p>
+ <p>
+ His manner was so significant that a sudden gleam of hope flashed into her
+ mind. Could it be that he had seen, that he would be generous? She
+ banished the shameful hope. She would not accept generosity at the expense
+ of pain to him.
+ </p>
+ <p>
+ Miss Bussey, professing to find bed the best place in the world, was in
+ the habit of taking her breakfast there. The lovers were alone, and, the
+ meal ended, they passed together into the conservatory. Mary sat down and
+ John leant against the glass door opposite her.
+ </p>
+ <p>
+ &ldquo;Well?&rdquo; said she, smiling at him.
+ </p>
+ <p>
+ It suddenly struck John that, in a scene of this nature, it ill-befitted
+ him to stand three yards from the lady. He took a chair and drew it close
+ beside her. The thing had to be done and it should be done properly.
+ </p>
+ <p>
+ &ldquo;We&rsquo;ve made a mistake, Mary,&rdquo; he announced, taking her
+ hand and speaking in a rallying tone.
+ </p>
+ <p>
+ &ldquo;A mistake!&rdquo; she cried; &ldquo;oh, how?&rdquo;
+ </p>
+ <p>
+ &ldquo;In fixing our marriage&mdash;&mdash;.&rdquo;
+ </p>
+ <p>
+ &ldquo;So soon?&rdquo;
+ </p>
+ <p>
+ &ldquo;My darling!&rdquo; said John (and it was impossible to deny
+ admiration to the tone he said it in), &ldquo;no. So late! What are we
+ waiting for? Why are we wasting all this precious time?&rdquo;
+ </p>
+ <p>
+ Mary could not speak, but consternation passed for an appropriate
+ confusion, and John pursued his passionate pleadings. As Mary felt his
+ grasp and looked into his honest eyes, her duty lay plain before her. She
+ would not stoop to paltry excuses on the score of clothes, invitations, or
+ such trifles. She had made up her mind to the thing; surely she ought to
+ do it in the way most gracious and most pleasing to her lover.
+ </p>
+ <p>
+ &ldquo;If Aunt consents,&rdquo; she murmured at last, &ldquo;do as you
+ like, John dear,&rdquo; and the embrace which each felt to be inevitable
+ at such a crisis passed between them.
+ </p>
+ <p>
+ A discreet cough separated them. The butler stood in the doorway, with two
+ letters on a salver. One he handed to Mary, the other to John, and walked
+ away with a twinkle in his eye. However even our butlers do not know
+ everything that happens in our houses (to say nothing of our hearts),
+ although much they may think they do.
+ </p>
+ <p>
+ John looked at his letter, started violently and crushed it into his
+ pocket. He glanced at Mary; her letter lay neglected on her lap. She was
+ looking steadily out of the window.
+ </p>
+ <p>
+ &ldquo;Well, that&rsquo;s settled,&rdquo; said John. &ldquo;I&mdash;I
+ think I&rsquo;ll have a cigar, dear.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, do, darling,&rdquo; said Mary, and John went out.
+ </p>
+ <p>
+ These second letters were unfortunately so long as to make it impossible
+ to reproduce them. They were also very affecting, Dora&rsquo;s from its
+ pathos, Charlie&rsquo;s from its passion. But the waves of emotion beat
+ fruitlessly on the rock-built walls of conscience. At almost the same
+ moment, Mary, brushing away a tear, and John, blowing his nose, sat down
+ to write a brief, a final answer. &ldquo;We are to be married today
+ fortnight,&rdquo; they said. They closed the envelopes without a moment&rsquo;s
+ delay and went to drop their letters in the box. The servant was already
+ waiting to go to the post with them and a second later the fateful
+ documents were on their way to Cannes.
+ </p>
+ <p>
+ &ldquo;Now,&rdquo; said John, with a ghastly smile, &ldquo;we can have a
+ glorious long day together!&rdquo;
+ </p>
+ <p>
+ Mary was determined to leave herself no loophole.
+ </p>
+ <p>
+ &ldquo;We must tell Aunt what&mdash;what we have decided upon this
+ morning,&rdquo; she reminded him. &ldquo;It means that the wedding must be
+ very quiet.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shan&rsquo;t mind that. Shall you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall like it of all things.&rdquo; she answered. &ldquo;Come and
+ find Aunt Sarah.&rdquo;
+ </p>
+ <p>
+ Miss Bussey had always&mdash;or at least for a great many years back&mdash;maintained
+ the general proposition that young people do not know their own minds.
+ This morning&rsquo;s news confirmed her opinion.
+ </p>
+ <p>
+ &ldquo;Why the other day you both agreed that the middle of June would do
+ perfectly. Now you want it all done in a scramble.&rdquo;
+ </p>
+ <p>
+ The pair stood before her, looking very guilty.
+ </p>
+ <p>
+ &ldquo;What is the meaning of this&mdash;this (she very nearly said
+ &lsquo;indecent&rsquo;) extraordinary haste?&rdquo;
+ </p>
+ <p>
+ Miss Bussey asked only one indulgence from her friends. Before she did a
+ kind thing she liked to be allowed to say one or two sharp ones. Her niece
+ was aware of this fancy of hers and took refuge in silence. John, less
+ experienced in his hostess&rsquo;s ways, launched into the protests
+ appropriate to an impatient lover.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said Miss Bussey, &ldquo;I must say you look properly
+ ashamed of yourself [John certainly did], so I&rsquo;ll see what can be
+ done. What a fluster we shall live in! Upon my word you might as well have
+ made it tomorrow. The fuss would have been no worse and a good deal
+ shorter.&rdquo;
+ </p>
+ <p>
+ The next few days passed, as Miss Bussey had predicted, in a fluster. Mary
+ was running after dress makers, John after licenses, Cook&rsquo;s tickets,
+ a best man, and all the impedimenta of a marriage. The intercourse of the
+ lovers was much interrupted, and to this Miss Bussey attributed the low
+ spirits that Mary sometimes displayed.
+ </p>
+ <p>
+ &ldquo;There, there, my dear,&rdquo; she would say impatiently&mdash;for
+ the cheerful old lady hated long faces&mdash;&ldquo;you&rsquo;ll have
+ enough of him and to spare by and by.&rdquo;
+ </p>
+ <p>
+ Curiously this point of view did not comfort Mary. She liked John very
+ much, she esteemed him even more than she liked him, he would, she
+ thought, have made an ideal brother. Ah, why had she not made a brother of
+ him while there was time? Then she would have enjoyed his constant
+ friendship all her life; for it was not with him as with that foolish boy
+ Charlie, all or nothing. John was reasonable; he would not have threatened&mdash;well,
+ reading&mdash;his letter one way, Charlie almost seemed to be tampering
+ with propriety. John would never have done that. And these reflections,
+ all of which should have pleaded for John, ended in weeping over the lost
+ charms of Charlie.
+ </p>
+ <p>
+ One evening, just a week before the wedding, she roused herself from some
+ such sad meditations, and, duty-driven, sought John in the smoking-room.
+ The door was half open and she entered noiselessly. John was sitting at
+ the table; his arms were outspread on it, and his face buried in his
+ hands. Thinking he was asleep she approached on tiptoe and leant over his
+ shoulder. As she did so her eyes fell on a sheet of note-paper; it was
+ clutched in John&rsquo;s right hand, and the encircling grasp covered it,
+ save at the top. The top was visible, and Mary, before she knew what she
+ was doing, had read the embossed heading&mdash;nothing else, just the
+ embossed heading&mdash;Hotel de Luxe, Cannes, Alpes Maritimes.
+ </p>
+ <p>
+ The drama teaches us how often a guilty mind rushes, on some trifling
+ cause, to self-revelation. Like a flash came the conviction that Charlie
+ had written to John, that her secret was known, and John&rsquo;s
+ heartbroken. In a moment she fell on her knees crying, &ldquo;Oh, how
+ wicked I&rsquo;ve been! Forgive me, do forgive me! Oh, John, can you
+ forgive me?&rdquo;
+ </p>
+ <p>
+ John was not asleep, he also was merely meditating; but if he had been a
+ very Rip Van Winkle this cry of agony would have roused him. He started
+ violently&mdash;as well he might&mdash;from his seat, looked at Mary, and
+ crumpled the letter into a shapeless ball.
+ </p>
+ <p>
+ &ldquo;You didn&rsquo;t see?&rdquo; he asked hoarsely.
+ </p>
+ <p>
+ &ldquo;No, but I know. I mean I saw the heading, and knew it must be from
+ him. Oh, John!&rdquo;
+ </p>
+ <p>
+ &ldquo;From him!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. He&rsquo;s&mdash;he&rsquo;s staying there. Oh, John! Really I&rsquo;ll
+ never see or speak to him again. Really I won&rsquo;t. Oh, you can trust
+ me, John. See! I&rsquo;ll hide nothing. Here&rsquo;s his letter! You see I&rsquo;ve
+ sent him away?&rdquo;
+ </p>
+ <p>
+ And she took from her pocket Charlie&rsquo;s letter, and in her noble
+ fidelity (to John&mdash;the less we say about poor Charlie the better)
+ handed it to him.
+ </p>
+ <p>
+ &ldquo;What&rsquo;s this?&rdquo; asked John, in bewilderment. &ldquo;Who&rsquo;s
+ it from?&rdquo;
+ </p>
+ <p>
+ &ldquo;Charlie Ellerton,&rdquo; she stammered.
+ </p>
+ <p>
+ &ldquo;Who&rsquo;s Charlie Ellerton? I never heard&mdash;but am I to read
+ it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, please, I&mdash;I think you&rsquo;d better.&rdquo;
+ </p>
+ <p>
+ John read it; Mary followed his eyes, and the moment they reached the end,
+ without giving him time to speak, she exclaimed, &ldquo;There, you see I
+ spoke the truth. I had sent him away. What does he say to you, John?&rdquo;
+ </p>
+ <p>
+ &ldquo;I never heard of him in my life before.&rdquo;
+ </p>
+ <p>
+ &ldquo;John! Then who is your letter from?&rdquo;
+ </p>
+ <p>
+ He hesitated. He felt an impulse to imitate her candor, but prudence
+ suggested that he should be sure of his ground first.
+ </p>
+ <p>
+ &ldquo;Tell me all,&rdquo; he said, sitting down. &ldquo;Who is this man,
+ and what has he to do with you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why don&rsquo;t you show me his letter? I don&rsquo;t know what he&rsquo;s
+ said about me.&rdquo;
+ </p>
+ <p>
+ &ldquo;What could he say about you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well he&mdash;he might say that&mdash;that I cared for him, John.&rdquo;
+ </p>
+ <p>
+ &ldquo;And do you?&rdquo; demanded John, and his voice was anxious.
+ </p>
+ <p>
+ Duty demanded a falsehood; Mary did her very best to satisfy its imperious
+ commands. It was no use.
+ </p>
+ <p>
+ &ldquo;Oh, John,&rdquo; she murmured, and then began to cry.
+ </p>
+ <p>
+ For a moment wounded pride struggled with John&rsquo;s relief; but then a
+ glorious vision of what this admission of Mary&rsquo;s might mean to him
+ swept away his pique.
+ </p>
+ <p>
+ &ldquo;Read this,&rdquo; he said, giving her Dora Bellairs&rsquo;s letter,
+ &ldquo;and then we&rsquo;ll have an explanation.&rdquo;
+ </p>
+ <p>
+ Half an hour later Miss Bussey was roused from a pleasant snooze. John and
+ Mary stood beside her, hand in hand. They wore brother and sister now&mdash;that
+ was an integral part of the arrangement&mdash;and so they stood hand in
+ hand. Their faces were radiant.
+ </p>
+ <p>
+ &ldquo;We came to tell you, Auntie dear, that we have decided that we&rsquo;re
+ not suited to one another,&rdquo; began Mary.
+ </p>
+ <p>
+ &ldquo;Not at all,&rdquo; said John decisively.
+ </p>
+ <p>
+ Miss Bussey stared helplessly from one to the other.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s all right, Miss Bussey,&rdquo; remarked John cheerfully.
+ &ldquo;We&rsquo;ve had an explanation; we part by mutual consent.&rdquo;
+ </p>
+ <p>
+ &ldquo;John,&rdquo; said Mary, &ldquo;is to be just my brother and I his
+ sister. Oh, and Auntie, I want to go with him to Cannes.&rdquo;
+ </p>
+ <p>
+ This last suggestion, which naturally did not appear to any well-regulated
+ mind to harmonize with what had gone before, restored voice to Miss
+ Bussey.
+ </p>
+ <p>
+ &ldquo;What&rsquo;s the matter with you? Are you mad?&rdquo; she demanded.
+ </p>
+ <p>
+ John sat down beside her. His friends anticipated a distinguished
+ Parliamentary career for John; he could make anything sound reasonable.
+ Miss Bussey was fascinated by his suave and fluent narrative of what had
+ befallen Mary and himself; she could not but admire his just remarks on
+ the providential disclosure of the true state of the case before it was
+ too late, and sympathized with the picture of suffering nobly suppressed
+ which grew under his skilful hand; she was inflamed when he ardently
+ declared his purpose of seeking out Dora; she was touched when he kissed
+ Mary&rsquo;s hand and declared that the world held no nobler woman. Before
+ John&rsquo;s eloquence even the stern facts of a public engagement, of
+ invited guests, of dresses ordered and presents received, lost their
+ force, and the romantic spirit, rekindled, held undivided sway in Miss
+ Bussey&rsquo;s heart.
+ </p>
+ <p>
+ &ldquo;But,&rdquo; she said, &ldquo;why does Mary talk of going to Cannes
+ with you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. Ellerton is at Cannes, Aunt,&rdquo; murmured Mary, shyly.
+ </p>
+ <p>
+ &ldquo;But you can&rsquo;t travel with John.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, but you must come too.&rdquo;
+ </p>
+ <p>
+ &ldquo;It looks as if you were running after him.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll chance Charlie thinking that,&rdquo; cried Mary,
+ clasping her hands in glee.
+ </p>
+ <p>
+ Miss Bussey pretended to be reluctant to undertake the journey, but she
+ was really quite ready to yield, and soon everything was settled on the
+ new basis.
+ </p>
+ <p>
+ &ldquo;And now to write and tell people,&rdquo; said Miss Bussey. &ldquo;That&rsquo;s
+ the worst part of it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Poor dear! We&rsquo;ll help,&rdquo; cried Mary. &ldquo;But I must
+ write to Cannes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wire!&rdquo; cried John.
+ </p>
+ <p>
+ &ldquo;Of course, wire!&rdquo; echoed Mary.
+ </p>
+ <p>
+ &ldquo;The first thing tomorrow.&rdquo;
+ </p>
+ <p>
+ &ldquo;Before breakfast.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mary, I shall never forget&mdash;&mdash;.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, John, it&rsquo;s you who&mdash;&mdash;.&rdquo; and they went
+ off in a torrent of mutual laudation.
+ </p>
+ <p>
+ Miss Bussey shook her head.
+ </p>
+ <p>
+ &ldquo;If they think all that of one another why don&rsquo;t they marry?&rdquo;
+ she said.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0004" id="link2HCH0004"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER IV. &mdash; THE TALE OF A POSTMARK
+ </h2>
+ <p>
+ &ldquo;Yes,&rdquo; said Lady Deane, &ldquo;we leave today week: Roger has
+ to be back the first week in May, and I want to stop at one or two places
+ en route.&rdquo;
+ </p>
+ <p>
+ &ldquo;Let&rsquo;s see. To-day&rsquo;s the 19th, no, the 20th; there&rsquo;s
+ nothing to remind one of time here. That&rsquo;ll be the 27th. That&rsquo;s
+ about my date; we might go together if you and Deane have no objection.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I should be delighted, General; and shall you stay at all in
+ Paris?&rdquo;
+ </p>
+ <p>
+ &ldquo;A few days&mdash;just to show Dolly the sights.&rdquo;
+ </p>
+ <p>
+ &ldquo;How charming! And you and I must have some expeditions together.
+ Roger is so odd about not liking to take me.&rdquo;
+ </p>
+ <p>
+ &ldquo;We&rsquo;ll do the whole thing, Lady Deane,&rdquo; answered General
+ Bellairs, heartily. &ldquo;Notre Dame, the Versailles, the Invalides,
+ Eiffel Tower.&rdquo;
+ </p>
+ <p>
+ Lady Deane&rsquo;s broad white brow showed a little pucker.
+ </p>
+ <p>
+ &ldquo;That wasn&rsquo;t quite what I meant,&rdquo; said she. &ldquo;Oh,
+ but Roger could take Dora to those, couldn&rsquo;t he, while you and I
+ made a point of seeing some of the real life of the people? Of studying
+ them in their ordinary resorts, their places of recreation and amusement.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, the Francais, and the opera, and so on, of course.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no, no,&rdquo; exclaimed Lady Deane, tapping her foot
+ impatiently and fixing her gray eyes on the General&rsquo;s now puzzled
+ face. &ldquo;Not the same old treadmill in Paris as in London! Not that,
+ General!&rdquo;
+ </p>
+ <p>
+ &ldquo;What then, my dear lady?&rdquo; asked he. &ldquo;Your wish is law
+ to me,&rdquo; and it was true that he had become very fond of his earnest
+ young friend. &ldquo;What do you want to see? The Chamber of Deputies?&rdquo;
+ </p>
+ <p>
+ Sir Roger&rsquo;s voice struck in.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m not a puritanical husband, Bellairs, but I must make a
+ stand somewhere. Not the Chamber of Deputies.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t be silly, Roger dear,&rdquo; said Lady Deane, in her
+ usual tone of dispassionate reproof.
+ </p>
+ <p>
+ &ldquo;I can&rsquo;t find out where she does want to go to,&rdquo;
+ remarked the General.
+ </p>
+ <p>
+ &ldquo;I can tell you,&rdquo; said Sir Roger, and he leant down and
+ whispered a name; in the General&rsquo;s ear. The General jumped.
+ </p>
+ <p>
+ &ldquo;Good heavens!&rdquo; he exclaimed. &ldquo;I haven&rsquo;t been
+ there since the fifties. Is it still like what it used to be?&rdquo;
+ </p>
+ <p>
+ &ldquo;How should I know?&rdquo; inquired Sir Roger. &ldquo;I&rsquo;m not
+ a student of social phenomena. Maud is, so she wants to go.&rdquo;
+ </p>
+ <p>
+ Lady Deane was looking on with a quiet smile.
+ </p>
+ <p>
+ &ldquo;She never mentioned it,&rdquo; protested the General.
+ </p>
+ <p>
+ &ldquo;Oh, of course if there&rsquo;s a worse place now!&rdquo; conceded
+ Sir Roger.
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll make up my mind when we arrive,&rdquo; observed Lady
+ Deane. &ldquo;Anyhow I shall rely on you, General.&rdquo;
+ </p>
+ <p>
+ The General looked a little uncomfortable.
+ </p>
+ <p>
+ &ldquo;If Deane doesn&rsquo;t object&mdash;&mdash;.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shouldn&rsquo;t think of taking my wife to such places.&rdquo;
+ </p>
+ <p>
+ Suddenly Dora Bellairs rushed up to them.
+ </p>
+ <p>
+ &ldquo;Have you seen Mr. Ellerton?&rdquo; she cried. &ldquo;Where is he?&rdquo;
+ </p>
+ <p>
+ &ldquo;In the smoking-room,&rdquo; answered Sir Roger. &ldquo;Do you want
+ him?&rdquo;
+ </p>
+ <p>
+ &ldquo;Would you mind? I can&rsquo;t go in there: it&rsquo;s full of men.&rdquo;
+ </p>
+ <p>
+ &ldquo;After all we must be somewhere,&rdquo; pleaded Sir Roger as he went
+ on his errand.
+ </p>
+ <p>
+ &ldquo;Dolly,&rdquo; said the General, &ldquo;I&rsquo;ve just made a
+ charming arrangement. Lady Deane and Sir Roger start for Paris to-day
+ week, and we&rsquo;re going with them. You said you&rsquo;d like another
+ week here.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s charming our being able to go together, isn&rsquo;t it?&rdquo;
+ said Lady Deane. Dora&rsquo;s face did not express rapture, yet she liked
+ the Deanes very much.
+ </p>
+ <p>
+ &ldquo;Oh, but&mdash;&mdash;&rdquo; she began.
+ </p>
+ <p>
+ &ldquo;Well?&rdquo; asked her father.
+ </p>
+ <p>
+ &ldquo;I rather want to go a little sooner.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m afraid,&rdquo; said Lady Deane, &ldquo;we shan&rsquo;t
+ get Roger to move before then. He&rsquo;s bent on seeing the tennis
+ tournament through. When did you want to go, Dora?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, in fact&mdash;to&mdash;night.&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear Dolly, what a weathercock you are! It&rsquo;s impossible. I&rsquo;m
+ dining with the Grand Duke on Monday. You must make up your mind to stay,
+ young woman.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, please, papa&mdash;&mdash;.&rdquo;
+ </p>
+ <p>
+ &ldquo;But why do you want to go?&rdquo; asked the General, rather
+ impatiently.
+ </p>
+ <p>
+ Dora had absolutely no producible reason for her eagerness to go. And yet&mdash;Oh,
+ if they only knew what was at stake! &ldquo;We&rsquo;re to be married in a
+ fortnight!&rdquo; She could see the words dancing before her eyes. And she
+ must waste a precious week here!
+ </p>
+ <p>
+ &ldquo;Do you want me, Miss Bellairs?&rdquo; asked Charlie Ellerton,
+ coming up to them.
+ </p>
+ <p>
+ &ldquo;Yes. I want&mdash;oh, I want to go to Rumpelmayer&rsquo;s.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right. Come along. I&rsquo;m delighted to go with you.&rdquo;
+ </p>
+ <p>
+ They walked off in silence. Dora was in distress. She saw that the General
+ was immovable.
+ </p>
+ <p>
+ Suddenly Charlie turned to her and remarked,
+ </p>
+ <p>
+ &ldquo;Well, it&rsquo;s all over with me, Miss Bellairs.&rdquo;
+ </p>
+ <p>
+ &ldquo;What? How do you mean?&rdquo;
+ </p>
+ <p>
+ &ldquo;My chance is gone. They&rsquo;re to be married in a fortnight. I
+ had a letter to say so this morning.&rdquo;
+ </p>
+ <p>
+ Dora turned suddenly to him.
+ </p>
+ <p>
+ &ldquo;Oh, but it&rsquo;s too extraordinary,&rdquo; she cried. &ldquo;So
+ had I!&rdquo;
+ </p>
+ <p>
+ &ldquo;What?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, a letter to say they were to be married in a fortnight.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nonsense!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. Mr. Ellerton&mdash;who&mdash;who is your friend?&rdquo;
+ </p>
+ <p>
+ &ldquo;Her name&rsquo;s Mary Travers.&rdquo;
+ </p>
+ <p>
+ &ldquo;And who is she going&mdash;to marry?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! She hasn&rsquo;t told me that.&rdquo;
+ </p>
+ <p>
+ A suspicion of the truth struck them both. Charlie produced his letter.
+ </p>
+ <p>
+ &ldquo;She writes,&rdquo; he said, showing the postmark, &ldquo;from
+ Dittington.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is! It is!&rdquo; she cried. &ldquo;It must be Mary Travers that
+ Mr. Ashforth is going to marry!&rdquo;
+ </p>
+ <p>
+ &ldquo;Is that your friend?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. Is she pretty, Mr. Ellerton?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, awfully. What sort of a fellow is he?&rdquo;
+ </p>
+ <p>
+ &ldquo;Splendid!&rdquo;
+ </p>
+ <p>
+ &ldquo;Isn&rsquo;t it a deuced queer thing?&rdquo;
+ </p>
+ <p>
+ &ldquo;Most extraordinary. And when we told one another we never thought&mdash;&mdash;.&rdquo;
+ </p>
+ <p>
+ &ldquo;How could we?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, no, we couldn&rsquo;t, of course.&rdquo;
+ </p>
+ <p>
+ A pause followed. Then Charlie observed: &ldquo;I suppose there&rsquo;s
+ nothing to be done.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nothing to be done, Mr. Ellerton! Why if I were a man I&rsquo;d
+ leave for England tonight.&rdquo;
+ </p>
+ <p>
+ &ldquo;And why can&rsquo;t you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Papa won&rsquo;t. But you might.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ye&mdash;es, I suppose I might. It would look rather odd, wouldn&rsquo;t
+ it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, you yourself suggested it!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, but the marriage was a long way off then.&rdquo;
+ </p>
+ <p>
+ &ldquo;There&rsquo;s the more reason now for haste.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course, that&rsquo;s true, but&mdash;&mdash;.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, if papa would only take me!&rdquo; A sudden idea seemed to
+ strike Charlie; he assumed an air of chivalrous sympathy. &ldquo;When
+ shall you go?&rdquo; he asked. &ldquo;Not till to-day week,&rdquo; she
+ said. &ldquo;We shan&rsquo;t get to England till three or four days before
+ it.&rdquo; Dora knew nothing of the proposed stay in Paris.
+ </p>
+ <p>
+ &ldquo;Look here, Miss Bellairs,&rdquo; said Charlie, &ldquo;we agreed to
+ stand by one another. I shall wait and go when you do.&rdquo;
+ </p>
+ <p>
+ &ldquo;But think&mdash;&mdash;.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ve thought.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;re risking everything.&rdquo;
+ </p>
+ <p>
+ &ldquo;If she&rsquo;ll break it off ten days before, she&rsquo;ll do the
+ same four days before.&rdquo;
+ </p>
+ <p>
+ &ldquo;If she really loves you she will.&rdquo;
+ </p>
+ <p>
+ &ldquo;Anyhow we&rsquo;ll stand or fall together.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I oughtn&rsquo;t to let you, but I can&rsquo;t refuse. How kind
+ you are!&rdquo;
+ </p>
+ <p>
+ &ldquo;Then that&rsquo;s settled,&rdquo; said Charlie, &ldquo;And we must
+ try to console one another till then.&rdquo;
+ </p>
+ <p>
+ &ldquo;The suspense is awful, isn&rsquo;t it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course. But we must appear cheerful. We mustn&rsquo;t betray
+ ourselves.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not for the world! I can never thank you enough. You&rsquo;ll come
+ with us all the way?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thank you again.&rdquo;
+ </p>
+ <p>
+ She gave him her hand, which he pressed gently.
+ </p>
+ <p>
+ &ldquo;Hullo!&rdquo; said he. &ldquo;We seem to have got up by the church
+ somewhere. Where were we going to?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, to Rumpelmayer&rsquo;s.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, ah! Well, let&rsquo;s go back to the hotel.&rdquo;
+ </p>
+ <p>
+ Wonderings on the extraordinary coincidence, with an occasional reference
+ to the tender tie of a common sorrow which bound them together, beguiled
+ the journey back, and when they reached the hotel Dora was quite calm.
+ Charlie seemed distinctly cheerful, and when his companion left him he sat
+ down by Deane and remarked in a careless way, just as if he neither knew
+ nor cared what the rest of them were going to do, &ldquo;Well, I shall
+ light out of here in a few days. I suppose you&rsquo;re staying some time
+ longer?&rdquo;
+ </p>
+ <p>
+ &ldquo;Off in a week,&rdquo; said Sir Roger.
+ </p>
+ <p>
+ &ldquo;Oh, by Jove, that&rsquo;s about my mark. Going back to England?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I suppose&mdash;so&mdash;ultimately. We shall stay a few days
+ in Paris en route. The Bellairs&rsquo; go with us.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, do they?&rdquo;
+ </p>
+ <p>
+ Sir Roger smiled gently.
+ </p>
+ <p>
+ &ldquo;Surprised?&rdquo; he asked.
+ </p>
+ <p>
+ Charlie ignored the question.
+ </p>
+ <p>
+ &ldquo;And you aren&rsquo;t going to hurry?&rdquo; he inquired.
+ </p>
+ <p>
+ &ldquo;Why should we?&rdquo;
+ </p>
+ <p>
+ Charlie sat silent. It was tolerably plain that, unless the few days en
+ route were very few indeed, John Ashforth and Mary Travers were in a fair
+ way to be prosperously and peacefully married before Dora Bellairs set
+ foot in England. And if he stayed with the Bellairs&rsquo;, before he did,
+ either! Charlie lit a cigarette and sat puffing and thinking.
+ </p>
+ <p>
+ &ldquo;Dashed nice girl, Dora Bellairs,&rdquo; observed Sir Roger.
+ </p>
+ <p>
+ &ldquo;Think so?&rdquo;
+ </p>
+ <p>
+ &ldquo;I do. She&rsquo;s the only girl I ever saw that Laing was smitten
+ with.&rdquo;
+ </p>
+ <p>
+ &ldquo;Laing!&rdquo; said Charlie.
+ </p>
+ <p>
+ &ldquo;Well, what&rsquo;s the matter? He&rsquo;s an uncommon good chap,
+ Laing&mdash;one of the best chaps I know&mdash;and he&rsquo;s got lots of
+ coin. I don&rsquo;t expect she&rsquo;d sneeze at Laing.&rdquo;
+ </p>
+ <p>
+ It is, no doubt, taking a very serious responsibility to upset an
+ arrangement arrived at deliberately and carried almost to a conclusion. A
+ man should be very sure that he can make a woman happy&mdash;happier than
+ any other man could-before he asks her to face the turmoil and the scandal
+ of breaking off her marriage only a week before its celebration. Sure as
+ he may be of his own affection, he must be equally sure of hers, equally
+ sure that their mutual love is deep and permanent. He must consider his
+ claims to demand such a sacrifice. What remorse will be his if,
+ afterwards, he discovers that what he did was not, in truth, for her real
+ happiness! He must be on his guard against mere selfishness or mere vanity
+ masquerading in the garb of a genuine passion.
+ </p>
+ <p>
+ As these thoughts occurred to Charlie Ellerton he felt that he was at a
+ crisis of his life. He also felt glad that he had still a quiet week at
+ Cannes in which to revolve these considerations in his mind. Above all, he
+ must do nothing hastily.
+ </p>
+ <p>
+ Dora came out, a book in her hand. Her soft white frock fluttered in the
+ breeze, and she pushed back a loose lock of dark hair that caressed her
+ check.
+ </p>
+ <p>
+ &ldquo;A dashed nice girl, upon my honor,&rdquo; said Sir Roger Deane.
+ </p>
+ <p>
+ &ldquo;Oh, very.&rdquo;
+ </p>
+ <p>
+ &ldquo;I say, old chap, I suppose you&rsquo;re in no hurry. You&rsquo;ll
+ put in a few days in Paris? We might have a day out, mightn&rsquo;t we?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know yet,&rdquo; said Charlie, and, when Deane left
+ him, he sat on in solitude.
+ </p>
+ <p>
+ Was it possible that in the space of a week&mdash;? No, it was impossible.
+ And yet, with a girl like that&mdash;&mdash;.
+ </p>
+ <p>
+ &ldquo;I did the right thing in waiting to go with her, anyhow,&rdquo;
+ said Charlie, comforting himself.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0005" id="link2HCH0005"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER V. &mdash; A SECOND EDITION
+ </h2>
+ <p>
+ &ldquo;Don&rsquo;t you think it&rsquo;s an interesting sort of title?&rdquo;
+ inquired Lady Deane of Mr. Laing.
+ </p>
+ <p>
+ Laing was always a little uneasy in her presence. He felt not only that
+ she was analyzing him, but that the results of the analysis seemed to her
+ to be a very small residuum, of solid matter. Besides, he had been told
+ that she had described him as a &ldquo;commonplace young man,&rdquo; a
+ thing nobody could be expected to like.
+ </p>
+ <p>
+ &ldquo;Capital!&rdquo; he answered, nervously fingering his eye glass.
+ &ldquo;The Transformation of Giles Brockleton! Capital!&rdquo;
+ </p>
+ <p>
+ &ldquo;I think it will do,&rdquo; said Lady Deane complacently.
+ </p>
+ <p>
+ &ldquo;Er&mdash;what was he transformed into, Lady Deane?&rdquo;
+ </p>
+ <p>
+ &ldquo;A man,&rdquo; replied the lady emphatically.
+ </p>
+ <p>
+ &ldquo;Of course. I see,&rdquo; murmured Laing apologetically, stifling a
+ desire to ask what Giles had been before.
+ </p>
+ <p>
+ A moment later the author enlightened him.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said she, &ldquo;into a man, from a useless,
+ mischievous, contemptible idler, a parasite, Mr. Laing, a creature to whom&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;What did it, Lady Deane?&rdquo; interrupted Laing hastily. He felt
+ somehow as if he were being catalogued.
+ </p>
+ <p>
+ &ldquo;Just a woman&rsquo;s influence.&rdquo;
+ </p>
+ <p>
+ Laing&rsquo;s face displayed relief; he felt that he was in his depth
+ again.
+ </p>
+ <p>
+ &ldquo;Oh, got married, you mean? Well, of course, he&rsquo;d have to pull
+ up a bit, wouldn&rsquo;t he? Hang it, I think it&rsquo;s a fellow&rsquo;s
+ duty.
+ </p>
+ <p>
+ &ldquo;You don&rsquo;t quite understand me,&rdquo; observed Lady Deane
+ coldly. &ldquo;He did not marry the woman.&rdquo;
+ </p>
+ <p>
+ &ldquo;What, did she give him the&mdash;I mean, wouldn&rsquo;t she have
+ him, Lady Deane?&rdquo;
+ </p>
+ <p>
+ &ldquo;She would have married him; but beside her he saw himself in his
+ true colors. Knowing what he was, how could he dare? That was his
+ punishment, and punishment brought transformation.&rdquo;
+ </p>
+ <p>
+ As Lady Deane sketched her idea, her eyes kindled and her tone became
+ animated. Laing admired both her and her idea, and he expressed his
+ feeling&rsquo;s by saying:
+ </p>
+ <p>
+ &ldquo;Remarkable sort of chap, Lady Deane. I shall read it all right, you
+ know.&rdquo;
+ </p>
+ <p>
+ &ldquo;I think you ought,&rdquo; said she, rising, and leaving him to
+ wonder whether she had &ldquo;meant anything.&rdquo;
+ </p>
+ <p>
+ He gave himself a little shake, as though to escape from the atmosphere of
+ seriousness which she had diffused about him, and looked round. A little
+ way off he saw Dora Bellairs and Charlie Ellerton sitting side by side.
+ His brow clouded. Before Charlie came it had been his privilege to be Miss
+ Bellairs&rsquo;s cavalier, and although he never hoped, nor, to tell the
+ truth, desired more than a temporary favor in her eyes, he did not quite
+ like being ousted.
+ </p>
+ <p>
+ &ldquo;Pretty good for a fellow who&rsquo;s just had the bag!&rdquo; he
+ remarked scornfully, referring to Roger Deane&rsquo;s unauthorized
+ revelation.
+ </p>
+ <p>
+ It was the day before the exodus to Paris. Dora&rsquo;s period of weary
+ waiting had worn itself away, and she was acknowledging to Charlie that
+ the last two or three days had passed quicker than she had ever thought
+ they could.
+ </p>
+ <p>
+ &ldquo;The first two days I was wretched, the next two gloomy, but these
+ last almost peaceful. In spite of&mdash;you know what&mdash;I think you&rsquo;ve
+ done me good on the whole.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t mention it,&rdquo; said Charlie, flinging his arm over
+ the back of the seat and looking at his companion.
+ </p>
+ <p>
+ &ldquo;And now&mdash;in the end,&rdquo; pursued Dora, &ldquo;I&rsquo;m
+ actually a little sorry to leave all this; it&rsquo;s so beautiful,&rdquo;
+ and she waved her parasol vaguely at the hills and the islands, while with
+ the other hand she took off her hat and allowed the breeze to blow through
+ her hair.
+ </p>
+ <p>
+ &ldquo;It is jolly, isn&rsquo;t it?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;I should rather think it was,&rdquo; said Charlie. &ldquo;The
+ jolliest I&rsquo;ve ever seen.&rdquo; It was evident that he did not refer
+ to the scenery.
+ </p>
+ <p>
+ &ldquo;Oh, you promised you wouldn&rsquo;t,&rdquo; cried Dora
+ reproachfully.
+ </p>
+ <p>
+ &ldquo;Well, then, I&rsquo;ll promise again,&rdquo; he replied, smiling
+ amiably.
+ </p>
+ <p>
+ &ldquo;What must I think of you, when only a week or so ago&mdash;&mdash;?
+ Oh, and what must you think of me to suppose I could? Oh, Mr. Ellerton!&rdquo;
+ </p>
+ <p>
+ &ldquo;Like to know what I think of you?&rdquo; inquired Charlie, quite
+ unperturbed by this passionate rebuke.
+ </p>
+ <p>
+ &ldquo;Certainly not,&rdquo; said she, with dignity, and turned away. A
+ moment later, however, she attacked him again.
+ </p>
+ <p>
+ &ldquo;And you&rsquo;ve done nothing,&rdquo; she said indignantly, &ldquo;but
+ suggest to papa interesting places to stop at on the way, and things he
+ ought to see in Paris. Yes, and you actually suggested going home by sea
+ from Marseilles. And all the time you knew it was vital to me to get home
+ as soon as possible. To me? Yes, and to you <i>last week</i>. Shall I tell
+ you something, Mr. Ellerton?&rdquo;
+ </p>
+ <p>
+ &ldquo;Please,&rdquo; said Charlie. &ldquo;Whisper it in my ear,&rdquo;
+ and he offered his head in fitting proximity.
+ </p>
+ <p>
+ &ldquo;I shouldn&rsquo;t mind who heard,&rdquo; she declared. &ldquo;I
+ despise you, Mr. Ellerton.&rdquo;
+ </p>
+ <p>
+ Charlie was roused to a protest.
+ </p>
+ <p>
+ &ldquo;For downright unfairness give me a girl!&rdquo; said he. &ldquo;Here
+ have I taken the manly course! After a short period of weakness&mdash;I
+ admit that&mdash;I have conquered my feelings; I have determined not to
+ distress Miss Travers by intruding upon her; I have overcome the
+ promptings of a cowardly despair; I have turned my back resolutely on a
+ past devoid of hope. I am, after a sore struggle, myself again. And my
+ reward, Miss Bellairs, is to be told that you despise me. Upon my honor,
+ you&rsquo;ll be despising Simon Stylites next.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you wrote and told Miss Travers you were coming!&rdquo;
+ </p>
+ <p>
+ &ldquo;All right. I shall write and toll her I&rsquo;m not coming. I shall
+ say, Miss Bellairs, that it seems to me to be an undignified thing&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;To do what I&rsquo;m going to do? Thank you, Mr. Ellerton.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I forgot.&rdquo;
+ </p>
+ <p>
+ &ldquo;The irony of it is that you persuaded me to do it yourself.&rdquo;
+ </p>
+ <p>
+ &ldquo;I was a fool; but I didn&rsquo;t know you so well then.&rdquo;
+ </p>
+ <p>
+ &ldquo;What&rsquo;s that got to do with it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Everything.&rdquo;
+ </p>
+ <p>
+ &ldquo;You didn&rsquo;t know yourself, I&rsquo;m afraid,&rdquo; she
+ remarked. &ldquo;You thought you were a man of some&mdash;some depth of
+ feeling, some constancy, a man whose&mdash;whose regard a girl would
+ value, instead of being&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Just a poor devil who worships the ground you tread on.&rdquo;
+ </p>
+ <p>
+ Dora laughed scornfully.
+ </p>
+ <p>
+ &ldquo;Second edition!&rdquo; said she. &ldquo;The first dedicated to Miss
+ Travers.&rdquo;
+ </p>
+ <p>
+ And then Charlie (and it is thing&rsquo;s like these which shake that
+ faith in human nature that we try to cling to) said in a low but quite
+ distinct voice:
+ </p>
+ <p>
+ &ldquo;Oh, d&mdash;&mdash;n Miss Travers!&rdquo;
+ </p>
+ <p>
+ Dora shot&mdash;it almost looked as if something had shot her, as it used,
+ in old days, Miss Zazel&mdash;up from her seat.
+ </p>
+ <p>
+ &ldquo;I thought I was talking to a <i>gentleman</i>,&rdquo; said she,
+ &ldquo;I suppose you&rsquo;ll use that&mdash;expression&mdash;about me in
+ a week.&rdquo;
+ </p>
+ <p>
+ &ldquo;In a good deal less, if you treat me like this,&rdquo; said
+ Charlie, and his air was one of hopeless misery.
+ </p>
+ <p>
+ We all recollect that Anne ended by being tolerably kind to wicked King
+ Richard. After all, Charlie had the same excuse.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t want to be unkind,&rdquo; said Dora more gently.
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll do anything in the world to please you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then make papa go straight to Paris, and straight on from Paris,&rdquo;
+ said Dora, using her power mercilessly.
+ </p>
+ <p>
+ &ldquo;Oh, I say, I didn&rsquo;t mean that, Miss Bellairs.&rdquo;
+ </p>
+ <p>
+ &ldquo;You said you&rsquo;d do anything I liked.&rdquo;
+ </p>
+ <p>
+ Charlie looked at her thoughtfully.
+ </p>
+ <p>
+ &ldquo;I suppose you&rsquo;ve no pity?&rdquo; he inquired.
+ </p>
+ <p>
+ &ldquo;For you? Not a bit,&rdquo;
+ </p>
+ <p>
+ &ldquo;You probably don&rsquo;t know how beautiful you are?&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t be foolish, and&mdash;and impertinent.&rdquo;
+ </p>
+ <p>
+ She was standing opposite to him. With a sudden motion, he sprang forward,
+ fell on one knee, seized her ungloved hand, covered it with kisses, sprang
+ up, and hastened away, crying as he went:
+ </p>
+ <p>
+ &ldquo;All right. I&rsquo;ll do it.&rdquo;
+ </p>
+ <p>
+ Dora stood where he left her. First she looked at her hand, then at
+ Charlie&rsquo;s retreating back, then again at her hand. Her cheek was
+ flushed and she trembled a little.
+ </p>
+ <p>
+ &ldquo;John never did that,&rdquo; she said, &ldquo;at least, not without
+ asking. And even then, not quite like that.&rdquo;
+ </p>
+ <p>
+ She walked on slowly, then stopped and exclaimed:
+ </p>
+ <p>
+ &ldquo;I wonder if he ever did that to Mary Travers.&rdquo;
+ </p>
+ <p>
+ And her last reflection was:
+ </p>
+ <p>
+ &ldquo;Poor boy. He must be&mdash;oh, dear me!&rdquo;
+ </p>
+ <p>
+ When Charlie reached the tennis-courts, he was, considering the moving
+ scene through which he had passed, wonderfully calm. In fact he was
+ smiling and whistling. Espying Sir Roger Deane, he went and sat down by
+ him.
+ </p>
+ <p>
+ &ldquo;Roger,&rdquo; said he, &ldquo;I&rsquo;m going with you and the
+ Bellairs&rsquo; to-morrow.&rdquo;
+ </p>
+ <p>
+ &ldquo;I know that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Miss Bellairs wants to go straight through to England without
+ stopping anywhere.&rdquo;
+ </p>
+ <p>
+ &ldquo;She&rsquo;ll have to want, I expect.&rdquo;
+ </p>
+ <p>
+ &ldquo;And I&rsquo;ve promised to try and get the General to do what she
+ wants.&rdquo;
+ </p>
+ <p>
+ &ldquo;Have you though?&rdquo;
+ </p>
+ <p>
+ &ldquo;I suppose, Roger, old fellow&mdash;you know you&rsquo;ve great
+ influence with him&mdash;I suppose it&rsquo;s no use asking you to say a
+ word to him?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not a bit.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why?&rdquo;
+ </p>
+ <p>
+ &ldquo;Because Maud particularly wants him to stay with us in Paris.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, of course, if Lady Deane wishes it, I mustn&rsquo;t say a word.
+ She&rsquo;s quite made up her mind about it, has she?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I suppose so.&rdquo;
+ </p>
+ <p>
+ &ldquo;She&rsquo;s strong on it, I mean? Not likely to change?&rdquo;
+ </p>
+ <p>
+ &ldquo;I think not, Charlie.&rdquo;
+ </p>
+ <p>
+ &ldquo;She&rsquo;d ask him to stay, as a favor to her?&rdquo;
+ </p>
+ <p>
+ &ldquo;I shouldn&rsquo;t at all wonder.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, well then, my asking him won&rsquo;t make much difference.&rdquo;
+ </p>
+ <p>
+ &ldquo;Frankly, I don&rsquo;t see why it should.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thanks. I only wanted to know. You&rsquo;re not in a hurry, Roger?
+ I mean, you won&rsquo;t ask your wife to go straight on?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I shan&rsquo;t, Charlie. I want to stop myself.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thanks, old chap! See you at dinner,&rdquo; and Charlie strolled
+ off with a reassured air.
+ </p>
+ <p>
+ Sir Roger sat and thought.
+ </p>
+ <p>
+ &ldquo;I see his game,&rdquo; he said to himself at last, &ldquo;but I&rsquo;m
+ hanged if I see hers. Why does she want to get back to England? Perhaps if
+ I delay her as much as I can, she&rsquo;ll tell me. Hanged if I don&rsquo;t!
+ Anyhow I&rsquo;m glad to see old Charlie getting convalescent.&rdquo;
+ </p>
+ <p>
+ The next morning the whole party left Cannes by the early train. The
+ Bellairs, the Deanes, and Charlie Ellerton travelled together. Laing
+ announced his intention of following by the afternoon train.
+ </p>
+ <p>
+ &ldquo;Oh,&rdquo; said Lady Deane, &ldquo;you&rsquo;ll get to Paris sooner
+ than we do.&rdquo; Dora looked gloomy; so did Charlie, after a momentary,
+ hastily smothered smile.
+ </p>
+ <p>
+ The porter approached and asked for an address. They told him the Grand
+ Hotel, Paris.
+ </p>
+ <p>
+ &ldquo;If anything comes to-day, I&rsquo;ll bring it on,&rdquo; said
+ Laing.
+ </p>
+ <p>
+ &ldquo;Yes, do; we shall have no address before Paris,&rdquo; answered
+ General Bellairs.
+ </p>
+ <p>
+ They drove off, and Laing, feeling rather solitary, returned to his cigar.
+ An hour later the waiter brought him two telegrams, one for Dora and one
+ for Charlie, he looked at the addresses.
+ </p>
+ <p>
+ &ldquo;Just too late, by Jove! All right, gargon, I&rsquo;ll take &lsquo;em,&rdquo;
+ and he thrust them into the pocket of his flannel jacket. And when, after
+ lunch, he could not stand the dullness any longer and went to Monte Carlo,
+ he left the telegrams in the discarded flannels, where they lay till&mdash;the
+ time when they were discovered. For Mr. Laing clean forgot all about them!
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0006" id="link2HCH0006"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VI. &mdash; A MAN WITH A THEORY
+ </h2>
+ <p>
+ Even Miss Bussey was inclined to think that all had happened for the best.
+ John&rsquo;s eloquence had shaken her first disapprobation; the visible
+ happiness of the persons chiefly concerned pleaded yet more persuasively.
+ What harm, after all, was done, except for a little trouble and a little
+ gossip? To these Mary and John were utterly indifferent. At first they had
+ been rather shy in referring, before one another, to their loves, but
+ custom taught them to mention the names without confusion, and ere long
+ they had exchanged confidences as to their future plans. John&rsquo;s
+ arrangement was obviously the more prudent and becoming. He
+ discountenanced Mary&rsquo;s suggestion of an unannounced descent on
+ Cannes, and persuaded her to follow his example and inform her lover that
+ she would await news from him in Paris. They were to put up at the
+ European, and telegrams there from Cannes would rind them on and after
+ April 28th. All this valuable information was contained in the dispatches,
+ which lay, with their priceless messages, on the said April 28th, in Mr.
+ Arthur Laing&rsquo;s flannel jacket, inside his portmanteau, on the way to
+ Paris.
+ </p>
+ <p>
+ Paris claims to be the centre of the world, and if it be, the world has a
+ very good centre. Anyhow Paris becomes, from this moment, the centre of
+ this drama. Not only was Arthur Laing being whirled there by the Nice
+ express, and Miss Bussey&rsquo;s party proceeding thither by the eleven o&rsquo;clock
+ train from Victoria&mdash;Mary laughed as she thought it might have been
+ her honeymoon she was starting on&mdash;but the Bellairs and their friends
+ were heading for the same point. Miss Bussey&rsquo;s party had the
+ pleasanter journey; they were all of one mind; Miss Bussey was eager to
+ reach Paris because it was the end of the journey; John and Mary desired
+ nothing but the moment when with trembling fingers they should tear open
+ their telegrams in the hall of the hotel. The expedition from the south
+ did not enjoy a like unanimity; but before following their steps we may,
+ in the interest of simplicity, land the first detachment safely at its
+ destination.
+ </p>
+ <p>
+ When Mary and John, followed by Miss Bussey&mdash;they outstripped her in
+ their eagerness&mdash;entered the hotel, a young man with an eye-glass was
+ just engaging a bedroom. John took his place beside the stranger, and
+ asked in a voice, which he strove to render calm, if there were any
+ letters for&mdash;&mdash;.
+ </p>
+ <p>
+ &ldquo;Beg pardon, sir. In one moment,&rdquo; said the clerk, and he added
+ to Laing, &ldquo;Number 37, sir.&rdquo; Laing&mdash;Oh, the irony of
+ things!&mdash;turned on John and his companion just that one supercilious
+ glance which we bestow on other tourists, and followed his baggage
+ upstairs.
+ </p>
+ <p>
+ &ldquo;Anything,&rdquo; resumed John, &ldquo;for Miss Travers or Mr.
+ Ashforth?&rdquo; And he succeeded in looking as if he did not care a straw
+ whether there were or not.
+ </p>
+ <p>
+ After a search the porter answered, &ldquo;Nothing, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;What?&rdquo; exclaimed John, aghast? &ldquo;Oh, nonsense, look
+ again.&rdquo;
+ </p>
+ <p>
+ Another search followed; it was without result.
+ </p>
+ <p>
+ John saw Mary&rsquo;s appealing eyes fixed on him.
+ </p>
+ <p>
+ &ldquo;Nothing,&rdquo; he said tragically.
+ </p>
+ <p>
+ &ldquo;Oh, John!&rdquo;
+ </p>
+ <p>
+ &ldquo;Have you taken the rooms, Mr. Ash forth?&rdquo; inquired Miss
+ Bussey.
+ </p>
+ <p>
+ &ldquo;No. I&rsquo;m sorry. I forgot all about them.&rdquo;
+ </p>
+ <p>
+ Miss Bussey was tired; she had been seasick, and the train always made her
+ feel queer.
+ </p>
+ <p>
+ &ldquo;Has neither of you got an ounce of wits about you?&rdquo; she
+ demanded, and plunged forward to the desk. John and Mary received their
+ numbers in gloomy silence, and mounted the stairs.
+ </p>
+ <p>
+ Now Arthur Laing in his hasty survey of the party had arrived at a not
+ unnatural but wholly erroneous conclusion. He had seen a young man, rather
+ nervous, a young woman, looking anxious and shy, and an elderly person,
+ plainly dressed (Miss Bussey was no dandy) sitting (Miss Bussey always sat
+ as soon as she could) on, a trunk. He took John and Mary for a newly
+ married couple, and Miss Bussey for an old family servant detailed to look
+ after her young mistress&rsquo;s entry into independent housekeeping.
+ </p>
+ <p>
+ &ldquo;More infernal honeymooners,&rdquo; he said to himself, as he washed
+ his hands. &ldquo;The place is always full of &lsquo;em. Girl wasn&rsquo;t
+ bad-looking, though.&rdquo;
+ </p>
+ <p>
+ The next morning, unhappily, confirmed him in his mistake. For Miss
+ Bussey, overcome by the various trials of the day before, kept her bed,
+ and when Laing came down, the first sight which met his eyes was a
+ breakfast-table, whereat Mary and John sat tjte-`-tjte. He eyed them with
+ that mixture of scorn and envy which their supposed situation awakens in a
+ bachelor&rsquo;s heart, and took a place from which he could survey them
+ at leisure. There is a bright side to everything; and that of Laing&rsquo;s
+ mistake was the pleasure he derived from his delusion. Sticking his glass
+ firmly in his eye, he watched like a cat for those playful little
+ endearments which his cynical mood&mdash;he was, like many of us, not at
+ his best in the morning&mdash;led him to anticipate. He watched in vain.
+ The young people were decorum itself; more than that, they showed signs of
+ preoccupation; they spoke only occasionally, and then with a business-like
+ brevity.
+ </p>
+ <p>
+ Suddenly the waiter entered, with a hand fid of letters which he proceeded
+ to distribute. Laing expected none, and kept his gaze on his honeymooners.
+ To his surprise they showed animation enough now; their eyes were first on
+ the waiter&rsquo;s approaching form; the bridegroom even rose an inch or
+ two from his seat; both stretched out their hands.
+ </p>
+ <p>
+ Alas, with a little bow, a smile, and a shrug, the waiter passed by, and
+ the disappointed couple sank back, with looks of blank despair.
+ </p>
+ <p>
+ Surely here was enough to set any open-minded man on the right track! Yes;
+ but not enough to free one who was tied and bound to his own theory.
+ </p>
+ <p>
+ &ldquo;She&rsquo;s dashed anxious to hoar from home!&rdquo; mused Laing.
+ &ldquo;Poor girl! It ain&rsquo;t over and above flattering to him, though.&rdquo;
+ </p>
+ <p>
+ He finished his breakfast and went out to smoke. Presently he saw his
+ friends come out also; they went to the porter&rsquo;s desk and he hoard
+ one of them say &ldquo;telegram.&rdquo; A sudden idea struck him.
+ </p>
+ <p>
+ &ldquo;I am an ass!&rdquo; said he. &ldquo;Tell you what it is they&rsquo;ve
+ wired for rooms somewhere&mdash;Monte, most likely&mdash;and can&rsquo;t
+ start till they get an answer.&rdquo;
+ </p>
+ <p>
+ He was so pleased with his explanation that his last doubt vanished and he
+ watched Mary and John start for a walk&mdash;the fraternal relations they
+ had established would have allowed such a thing even in London, much more
+ in Paris&mdash;with quite a benevolent smile.
+ </p>
+ <p>
+ &ldquo;Aunt Sarah is really quite poorly,&rdquo; remarked Mary as they
+ crossed the road and entered the Tuileries Gardens. &ldquo;She&rsquo;ll
+ have to stay in all to-day and perhaps tomorrow. Isn&rsquo;t it hard upon
+ her? Paris amuses her so much.&rdquo;
+ </p>
+ <p>
+ John expressed his sympathy.
+ </p>
+ <p>
+ &ldquo;Now if it had been you or I,&rdquo; he ended, &ldquo;we shouldn&rsquo;t
+ have minded. Paris doesn&rsquo;t amuse us just now.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, but, John, we must be ready to start at any moment.&rdquo;
+ </p>
+ <p>
+ &ldquo;You can&rsquo;t start without Miss Bussey,&rdquo;
+ </p>
+ <p>
+ &ldquo;I think that in a wagon-lit&mdash;&mdash;&rdquo; began Mary.
+ </p>
+ <p>
+ &ldquo;But what&rsquo;s the good of talking?&rdquo; cried John, bitterly.
+ &ldquo;Why is there no news from her?&rdquo;
+ </p>
+ <p>
+ &ldquo;He <i>might</i> have wired&mdash;John, is it possible our telegrams
+ went astray?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, we must wait a day or two; or, if you like, we can wire
+ again.&rdquo;
+ </p>
+ <p>
+ Mary hesitated.
+ </p>
+ <p>
+ &ldquo;I&mdash;I can&rsquo;t do that, John. Suppose he&rsquo;d received
+ the first, and&mdash;and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I see. I don&rsquo;t want to humiliate myself either.&rdquo;
+ </p>
+ <p>
+ &ldquo;We&rsquo;ll wait a day, anyhow. And, now, John, let&rsquo;s think
+ no more about them! Oh, well, that&rsquo;s nonsense; but let&rsquo;s
+ enjoys ourselves as well as we can.&rdquo;
+ </p>
+ <p>
+ They managed to enjoy themselves very well. The town was new to Mary, and
+ John found a pleasure in showing it off to her. After a morning of
+ sight-seeing, they drove in the Bois, and ended the day at the theatre.
+ Miss Bussey, unfortunately, was no better. She had sent for an English
+ doctor and he talked vaguely about two or three days in bed. Mary ventured
+ to ask whether her aunt could travel.
+ </p>
+ <p>
+ &ldquo;Oh, if absolutely necessary, perhaps; but much better not,&rdquo;
+ was the answer.
+ </p>
+ <p>
+ Well, it was not absolutely necessary yet, for no letter and no telegram
+ arrived. This was the awful fact that greeted them when they came in from
+ the theatre.
+ </p>
+ <p>
+ &ldquo;We&rsquo;ll wire the first thing to-morrow,&rdquo; declared John,
+ in a resolute tone. &ldquo;Write yours to-night, Mary, and I&rsquo;ll
+ give, them to the porter&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, not mine, please,&rdquo; cried Mary, in shrinking bashfulness.
+ &ldquo;I can&rsquo;t let the porter see mine!&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, then, we&rsquo;ll take them out before breakfast to-morrow.&rdquo;
+ </p>
+ <p>
+ To this Mary agreed, and they sat down and wrote their dispatches. While
+ they were so engaged Laing jumped out of a cab and entered the room. He
+ seized an English paper, and, flinging himself into a chair, began to
+ study the sporting news. Presently he stole a glance at Mary. It so
+ chanced that just at the same moment she was stealing a glance at him.
+ Mary dropped her eyes with a blush; Laing withdrew behind his paper.
+ </p>
+ <p>
+ &ldquo;Shy, of course. Anybody would be,&rdquo; he thought, with a smile.
+ </p>
+ <p>
+ &ldquo;Did you like the piece, Mary?&rdquo; asked John.
+ </p>
+ <p>
+ &ldquo;Oh, very much. I wish Aunt Sarah could have seen it. She missed so
+ much fun.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, she could hardly have come with us, could she?&rdquo;
+ remarked John.
+ </p>
+ <p>
+ &ldquo;Oh, no,&rdquo; said Mary.
+ </p>
+ <p>
+ &ldquo;Well, I should rather think not,&rdquo; whispered Laing, who failed
+ to identify &lsquo;Aunt Sarah&rsquo; with the elderly person on the trunk.
+ </p>
+ <p>
+ &ldquo;I shouldn&rsquo;t have been happy if she had,&rdquo; said Mary.
+ </p>
+ <p>
+ &ldquo;I simply wouldn&rsquo;t have let her,&rdquo; said John, in that
+ authoritative tone which so well became him.
+ </p>
+ <p>
+ &ldquo;No more would I in your place, old chap,&rdquo; murmured Mr. Laing.
+ </p>
+ <p>
+ Mary rose.
+ </p>
+ <p>
+ &ldquo;Thanks for all your kindness, John. Good-night.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m so glad you&rsquo;ve had a pleasant day. Good-night,
+ Mary.&rdquo;
+ </p>
+ <p>
+ So they parted&mdash;with a good-night as calm, as decorous, as frankly
+ fraternal as one could wish (or wish otherwise). Yet its very virtues
+ undid it in the prematurely suspicious eyes of Arthur Laing. For no sooner
+ was he left alone than he threw down his paper and began to chuckle.
+ </p>
+ <p>
+ &ldquo;All for my benefit, that, eh? &lsquo;Goodnight, Mary!&rsquo;
+ &lsquo;Good-night, John!&rsquo; Lord! Lord!&rdquo; and he rose, lit a
+ cigarette, and ordered a brandy-and-soda. And ever and again he smiled. He
+ felt very acute indeed.
+ </p>
+ <p>
+ So vain is it for either wisdom or simplicity, candor or diplomacy&mdash;nay,
+ for facts themselves&mdash;to struggle against a Man with a Theory. Mr.
+ Laing went to bed no more doubting that Mary and John were man and wife
+ than he doubted that he had &lsquo;spotted&rsquo; the winner of the Derby.
+ Certitude could no farther go.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0007" id="link2HCH0007"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VII. &mdash; THE SIGHTS OF AVIGNON
+ </h2>
+ <p>
+ &ldquo;It&rsquo;s a curious thing,&rdquo; observed Roger Deane, &ldquo;but
+ this fellow Baedeker always travels the opposite way to what I do. When I&rsquo;m
+ coming back, he&rsquo;s always going out, and vice versa. It makes him
+ precious difficult to understand, I can tell you, Miss Dora. However I
+ think I&rsquo;ve got him now. Listen to this! &lsquo;Marseilles to Arles
+ (Amphitheatre starred) one day. Arles to Avignon (Palace of the Popes
+ starred) two days&mdash;slow going that&mdash;Avignon to&mdash;&mdash;&lsquo;&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you want to <i>squat</i> in this wretched country, Sir Roger?&rdquo;
+ demanded Dora angrily.
+ </p>
+ <p>
+ A faint smile played round Sir Roger&rsquo;s lips.
+ </p>
+ <p>
+ &ldquo;You&rsquo;re the only one who&rsquo;s in a hurry.&rdquo; he
+ remarked.
+ </p>
+ <p>
+ &ldquo;No, I&rsquo;m not. Mr. Ellerton is in just as much of a hurry.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then he bears disappointment better.&rdquo;
+ </p>
+ <p>
+ &ldquo;What in the world did papa and&mdash;well, and Lady Deane, you know&mdash;want
+ to stop here for?&rdquo;
+ </p>
+ <p>
+ &ldquo;You don&rsquo;t seem to understand how interesting Marseilles is.
+ Let me read you a passage. &lsquo;Marseilles was a colony founded about
+ 600 B.C.&rsquo;&mdash;What? Oh, all right! We&rsquo;ll skip a bit. &lsquo;In
+ 1792 hordes of galley-slaves were sent hence to Paris, where they
+ committed frightful excesses.&rsquo; That&rsquo;s what Maud and your
+ father are going to do. &lsquo;It was for them that Rouget&mdash;&rsquo; I
+ say, what&rsquo;s the matter, Miss Dora?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know why you should enjoy teasing me, but you <i>have</i>
+ nearly made me cry, so perhaps you&rsquo;ll be happy now.&rdquo;
+ </p>
+ <p>
+ &ldquo;You tried to take me in. I pretended to be taken in. That&rsquo;s
+ all.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, it was very unkind of you.&rdquo;
+ </p>
+ <p>
+ &ldquo;So, after all, it&rsquo;s not a matter of indifference to you at
+ what rate we travel, as you said in the train to-day?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I had to. I&mdash;I couldn&rsquo;t let papa see.&rdquo;
+ </p>
+ <p>
+ &ldquo;And why are you in a hurry?&rdquo;
+ </p>
+ <p>
+ &ldquo;I can&rsquo;t tell you; but I must&mdash;oh, I must!&mdash;be in
+ England in four days.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;ll hardly get your father to give up a day at Avignon.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, one day there; then we should just do it, if we only slept in
+ Paris.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, but my wife&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, you can stay. Don&rsquo;t say anything about Paris yet. Help me
+ to get there. I&rsquo;ll make papa go on. Please do, Sir Roger. I shall be
+ so awfully obliged to you; so will Mr. Ellerton.&rdquo;
+ </p>
+ <p>
+ &ldquo;Charlie Ellerton? Not he! He&rsquo;s in no hurry.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean? Didn&rsquo;t you hear him to-day urging papa to
+ travel straight through?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes, I heard that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well?&rdquo;
+ </p>
+ <p>
+ &ldquo;You were there then.&rdquo;
+ </p>
+ <p>
+ &ldquo;What of that?&rdquo;
+ </p>
+ <p>
+ &ldquo;He&rsquo;s not so pressing when you&rsquo;re away.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t understand. Why should he pretend to be in a hurry
+ when he isn&rsquo;t?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, I don&rsquo;t know. Don&rsquo;t you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not in the least, Sir Roger. But never mind Mr. Ellerton. Will you
+ help me?&rdquo;
+ </p>
+ <p>
+ &ldquo;As far as Paris. You must look out for yourself there.&rdquo;
+ </p>
+ <p>
+ These terms Dora accepted. Surely at Paris she would hear some news of or
+ from John Ashforth. She thought he must have written one line in response
+ to her last letter, and that his answer must have been so far delayed as
+ to arrive at Cannes after her departure; it would be waiting for her at
+ Paris and would tell her whether she was in time or whether there was no
+ more use in hurrying. The dread that oppressed her was lest, arriving too
+ late in Paris, she should find that she had missed happiness by reason of
+ this wretched dawdling in Southern France.
+ </p>
+ <p>
+ Seeing her meditative, Deane slipped away to his cigar, and she sat in the
+ hotel hall, musing. Deane&rsquo;s revelation of Charlie&rsquo;s treachery
+ hardly surprised her; she meant to upbraid him severely, but she was
+ conscious that, if little surprised, she was hardly more than a little
+ angry. His conduct was indeed contemptible; it revealed an utter
+ instability and fickleness of mind which made her gravely uneasy as to
+ Mary Travers&rsquo;s chances of permanent happiness. Yes, scornful one
+ might b; but who could be seriously angry with the poor boy? And perhaps,
+ after all, she did him injustice. Some natures were more prone than others
+ to sudden passions; it really did not follow that a feeling must be either
+ shallow or short-lived because it was sudden; whether it survived or
+ passed away would depend chiefly on the person who excited it. It was
+ clear that Mary Travers was incapable of maintaining a permanent hold over
+ Charlie&rsquo;s affections, but another girl might&mdash;might have. If
+ so, it would perhaps be a pity if Charlie and Mary Travers were to come
+ together again. She doubted very much if they were suited to one another.
+ She pictured Mary as a severe, rather stern young woman; and she hardly
+ knew whether to laugh or groan at the thought of Charlie adapting himself
+ to such a mate. Meanwhile her own position was certainly very difficult,
+ and she acknowledged its thorniness with a little sigh. To begin with, the
+ suspense was terrible; at times she would have been almost relieved to
+ hear that John was married beyond recall. Then Charlie was a great and a
+ growing difficulty. He had not actually repeated the passionate
+ indiscretion, of which he had been guilty at Cannes, but more and more
+ watchfulness and severity were needed to keep him within the bounds proper
+ to their relative positions, and it was odious to be disagreeable to a
+ fellow-traveller, especially when he was such a good and devoted friend as
+ Charlie.
+ </p>
+ <p>
+ Sir Roger loyally carried out his bargain. Lady Deane was hurried on,
+ leaving Marseilles, with its varied types of humanity and its profound
+ social significance, practically unexplored; Aries and Amphitheatre, in
+ spite of the beckoning &ldquo;star,&rdquo; were dropped out of the
+ programme, and the next day found the party at Avignon. And now they were
+ once more for a moment in harmony. Dora could spare twenty-four hours;
+ Lady Deane and the General were mollified by conscious unselfishness; the
+ prospect of a fresh struggle at Paris lay well in the background and was
+ discreetly ignored; Charlie Ellerton, who had reached the most desperate
+ stage of love, looked neither back nor forward. It was enough for him to
+ have wrung four-and-twenty hours of Dora&rsquo;s company from fate&rsquo;s
+ reluctant grasp. He meant to make the most of it.
+ </p>
+ <p>
+ She and he sat, on the afternoon of their arrival, in the gardens, hard by
+ the Cathedral, where Lady Deane and the General wore doing their duty. Sir
+ Roger had chartered a cab and gone for a drive on the boulevards.
+ </p>
+ <p>
+ &ldquo;And we shall really be in Paris to-morrow night?&rdquo; said Dora.
+ &ldquo;And in England, I hope, six-and-thirty hours afterwards. I want
+ papa to cross the next evening. Mr. Ellerton, I believe we shall be in
+ time.&rdquo;
+ </p>
+ <p>
+ Charlie said nothing. He seemed to be engrossed by the magnificent view
+ before him.
+ </p>
+ <p>
+ &ldquo;Well? Have you nothing to say?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s a sin to rush through a place like this,&rdquo; he
+ observed. &ldquo;We ought to stay a week. There&rsquo;s no end to see. It&rsquo;s
+ an education!&rdquo;
+ </p>
+ <p>
+ By way, probably, of making the most of his brief opportunity, he went on
+ gazing, across the river which flowed below, now towards the heights of
+ Mont Ventoux, now at the ramparts of Villeneuve. Dora, on the other hand,
+ fixed pensive eyes on his curly hatless head, which leant forward as he
+ rested his elbows on his knees. He had referred to the attractions of
+ Avignon in tones of almost overpowering emotion.
+ </p>
+ <p>
+ Presently he turned his head towards her with a quick jerk.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t want to be in time,&rdquo; he said, and, with equal
+ rapidity, he returned to his survey of Villeneuve.
+ </p>
+ <p>
+ Dora made no answer, unless a perplexed wrinkle on her brow might serve
+ for one. A long silence followed. It was broken at last by Charlie. He
+ left the landscape with a sigh of satisfaction, as though he could not
+ reproach himself with having neglected it, and directed his gaze into his
+ companion&rsquo;s eyes. Dora blushed and pulled the brim of her hat a
+ little lower down over her brow.
+ </p>
+ <p>
+ &ldquo;What&rsquo;s more,&rdquo; said Charlie, in deliberate tones, and as
+ if no pause had occurred between this remark and his last, &ldquo;I don&rsquo;t
+ believe you do.&rdquo;
+ </p>
+ <p>
+ Dora started and straightened herself in her seat; it looked as if the
+ rash remark were to be met with a burst of indignation, but, a second
+ later, she leant back again and smiled scornfully.
+ </p>
+ <p>
+ &ldquo;How can you be so silly, Mr. Ellerton?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;We both of us,&rdquo; pursued Charlie, &ldquo;see now that we made
+ up our minds to be very foolish; we both of us mistook our real feelings;
+ we&rsquo;re beginning&mdash;at least I began some time ago, and you&rsquo;re
+ beginning now&mdash;to understand the true state of affairs.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I know what you mean, and I ought to be very angry, I suppose;
+ but it&rsquo;s too absurd.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not in the least. The absurd thing is your fancying that you care
+ about this follow Ashforth.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, you must really stop, you must indeed. I don&rsquo;t&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I know the sort of fellow he is&mdash;a dull dry chap, who makes
+ love as if he was dancing a minuet.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;re quite wrong.&rdquo;
+ </p>
+ <p>
+ &ldquo;And kisses you as if it was part of the church service.&rdquo;
+ </p>
+ <p>
+ This last description, applied to John Ashforth&rsquo;s manner of wooing,
+ had enough of aptness to stir Dora into genuine resentment.
+ </p>
+ <p>
+ &ldquo;A Girl doesn&rsquo;t like a man less because he respects her; nor
+ more because he ridicules better men than himself.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t be angry. I&rsquo;m only saying what&rsquo;s true. Why
+ should I want to run him down?&rdquo;
+ </p>
+ <p>
+ &ldquo;I suppose&mdash;well, I suppose because&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Well?&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;re a little bit&mdash;but I don&rsquo;t think I ought to
+ talk about it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Jealous, you were going to say.&rdquo;
+ </p>
+ <p>
+ &ldquo;Was I?&rdquo;
+ </p>
+ <p>
+ &ldquo;And that shows you know what I mean.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, by now I suppose I do. I can&rsquo;t help your doing it or I
+ would.&rdquo;
+ </p>
+ <p>
+ Charlie moved closer, and leaning forward till his face was only a yard
+ from hers, while his hand, sliding along the back of the seat, almost
+ touched her, said in a low voice, &ldquo;Are you sure you would?&rdquo;
+ </p>
+ <p>
+ Dora&rsquo;s answer was a laugh&mdash;a laugh with a hint of nervousness
+ in it. Perhaps she knew what was in it, for she looked away towards the
+ river.
+ </p>
+ <p>
+ &ldquo;Dolly,&rdquo; he whispered, &ldquo;shall I go back to Cannes? Shall
+ I?&rdquo;
+ </p>
+ <p>
+ Perhaps the audacity of this per saltum advance from the distance of Miss
+ &lsquo;Bellairs&rsquo; to the ineffable assumption involved in &lsquo;Dolly&rsquo;
+ made the subject of it dumb.
+ </p>
+ <p>
+ &ldquo;I will, if you ask me,&rdquo; he said, us she, was silent for a
+ space.
+ </p>
+ <p>
+ Then with profile towards him and eyes away, she murmured,
+ </p>
+ <p>
+ &ldquo;What would Miss Travers say if you turned back now?&rdquo;
+ </p>
+ <p>
+ The mention of Mary did not on this occasion evoke any unseemly words. On
+ the contrary, Charlie smiled. He glanced at his companion. He glanced
+ behind him and round him. Then, drilling his deep design into the
+ semblance of an uncontrollable impulse, he seized Dora&rsquo;s hand in his
+ and, before she could stir, kissed her cheek.
+ </p>
+ <p>
+ She leapt to her feet.
+ </p>
+ <p>
+ &ldquo;How dare you?&rdquo; she cried.
+ </p>
+ <p>
+ &ldquo;How could I help it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll never speak to you again. No gentleman would have&mdash;oh,
+ I do hope you&rsquo;re ashamed of yourself!&rdquo;
+ </p>
+ <p>
+ Her words evidently struck home. With an air of contrition he sank on the
+ seat.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m a beast,&rdquo; he said ruefully. &ldquo;You&rsquo;re
+ quite right, Miss Bellairs. Don&rsquo;t have anything more to say to me. I
+ wish I was&mdash;I wish I had some&mdash;some self-control&mdash;and
+ self-respect, you know. If I were a fellow like Ashforth now, I should
+ never have done that! Of course you can&rsquo;t forgive me,&rdquo; and, in
+ his extremity of remorse, he buried his face in his hands.
+ </p>
+ <p>
+ Dora stood beside him. She made one step as if to leave him; a glance at
+ him brought her back, and she looked down at him for a minute. Presently a
+ troubled doubtful little smile appeared on her face; when she realized it
+ was there, she promptly banished it. Alas! It was too late. The rascal had
+ been peeping through his fingers, and, with a ringing laugh, he sprang to
+ his feet, caught both her hands, and cried, &ldquo;Shocking, wasn&rsquo;t
+ it? Awful?&rdquo;
+ </p>
+ <p>
+ &ldquo;Let me go, Mr. Ellerton.&rdquo;
+ </p>
+ <p>
+ &ldquo;Must I?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why? Why, when you&mdash;&mdash;?&rdquo;
+ </p>
+ <p>
+ &ldquo;Sir Roger&rsquo;s coming. Look behind you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, the deuce!&rdquo;
+ </p>
+ <p>
+ An instant later they were sitting demurely at opposite ends of the seat,
+ inspecting Villeneuve with interest.
+ </p>
+ <p>
+ In another moment Deane stood before them, puffing a cigarette, and
+ wearing an expression of amiability tempered by boredom.
+ </p>
+ <p>
+ &ldquo;Wonderful old place, isn&rsquo;t it, Deane?&rdquo; asked Charlie.
+ </p>
+ <p>
+ &ldquo;Such a view, Sir Roger!&rdquo; cried Dora, in almost breathless
+ enthusiasm.
+ </p>
+ <p>
+ &ldquo;You certainly,&rdquo; assented Deane, &ldquo;do see some wonderful
+ sights on this Promenade. I&rsquo;m glad I came up. The air&rsquo;s given
+ you quite a color, Miss Dora.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s tea-time,&rdquo; declared Dora suddenly. &ldquo;Take me
+ down with you, Sir Roger. Mr. Ellerton, go and tell the others we&rsquo;re
+ going home to tea.&rdquo;
+ </p>
+ <p>
+ Charlie started off, and Sir Roger strolled along by Miss Bellairs&rsquo;s
+ side. Presently he said:
+ </p>
+ <p>
+ &ldquo;Still anxious to get to Paris?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why shouldn&rsquo;t I be?&rdquo; she asked quickly.
+ </p>
+ <p>
+ &ldquo;I thought perhaps the charms of Avignon would have decided you to
+ linger. Haven&rsquo;t you been tempted?&rdquo;
+ </p>
+ <p>
+ Dora glanced at him, but his face betrayed no secondary meaning.
+ </p>
+ <p>
+ &ldquo;Tempted? Oh, perhaps,&rdquo; she answered, with the same nervous
+ little laugh, &ldquo;but not quite led astray. I&rsquo;m going on.&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0008" id="link2HCH0008"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VIII. &mdash; MR. AND MRS. ASHFORTH (1)
+ </h2>
+ <p>
+ All that evening Miss Bellairs was not observed&mdash;and Deane watched
+ her very closely&mdash;to address a word to Charlie Ellerton; even &lsquo;good-night&rsquo;
+ was avoided by a premature disappearance and unexpected failure to return.
+ Perhaps it was part of the same policy of seclusion which made her
+ persuade Lady Deane to travel to Paris with her in one compartment and
+ relegate the men to another&mdash;a proposal which the banished accepted
+ by an enthusiastic majority of two to one. The General foresaw an infinity
+ of quiet naps and Deane uninterrupted smoking; Charlie alone chafed
+ against the necessary interruption of his bold campaign, but, in face of
+ Dora&rsquo;s calm coldness of aspect, he did not dare to lift up his
+ voice.
+ </p>
+ <p>
+ Lady Deane was so engrossed in the study&mdash;or the search for
+ opportunities of study&mdash;of sides of life with which she was
+ unfamiliar as to be, for the most part, blind to what took place
+ immediately around her. General Bellairs himself (who vaguely supposed
+ that some man might try to make love to his daughter five years hence, and
+ thereupon be promptly sent off with a flea in his ear) was not more
+ unconscious than she that there was, had been, or might be anything, as
+ the phrase runs, &lsquo;between&rsquo; the two junior members of the
+ party. Lady Deane had no hints to give and no questions to ask; she seated
+ herself placidly in a corner and began to write in a large note-book. She
+ had been unwillingly compelled to &lsquo;scamp&rsquo; Marseilles, but, as
+ she wrote, she found that the rough notes she was copying, aided by fresh
+ memory, supplied her with an ample fund of material. Alternately she
+ smiled contentedly to herself, and gazed out of the window with a
+ preoccupied air. Clearly a plot was brewing-, and the author was grateful
+ to Dora for restricting her interruptions to an occasional impatient sigh
+ and the taking up and dropping again of her Tauchnitz.
+ </p>
+ <p>
+ With the men tongues moved more.
+ </p>
+ <p>
+ &ldquo;Well, General,&rdquo; said Deane, &ldquo;what&rsquo;s Miss Dora&rsquo;s
+ ultimatum about your staying in Paris?&rdquo;
+ </p>
+ <p>
+ Charlie pricked up his ears and buried his face behind La Vie Parisienne.
+ </p>
+ <p>
+ &ldquo;You&rsquo;ll think me very weak, Deane,&rdquo; rejoined the
+ General, with an apologetic laugh, &ldquo;but I&rsquo;ve promised to go
+ straight on if she wants me to.&rdquo;
+ </p>
+ <p>
+ &ldquo;And does she?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know what the child has got in her head, but she says
+ she&rsquo;ll tell me when she gets to Paris. We shall have a day with you
+ anyhow; I don&rsquo;t think she&rsquo;s so set on not staying as she was,
+ but I don&rsquo;t profess to understand her fancies. Still, as you see, I
+ yield to them.&rdquo;
+ </p>
+ <p>
+ &ldquo;Man&rsquo;s task in the world,&rdquo; said Deane. &ldquo;Eh,
+ Charlie? What are you hiding behind that paper for?&rdquo;
+ </p>
+ <p>
+ &ldquo;I was only looking at the pictures.&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite enough too. You&rsquo;re going to stay in Paris, aren&rsquo;t
+ you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t know yet, old fellow. It depends on whether I get a
+ letter calling me back or not.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hang it, one might as well be in a house where the shooting turns
+ out a fraud. Nobody knows that he won&rsquo;t have a wire any morning and
+ have to go back to town. My wife &lsquo;ll be furious if you desert her,
+ General.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I hope it won&rsquo;t come to that.&rdquo;
+ </p>
+ <p>
+ &ldquo;I hope awfully that I shall be able to stay,&rdquo; said Charlie,
+ with obvious sincerity.
+ </p>
+ <p>
+ &ldquo;Then,&rdquo; observed Deane with a slight smile, &ldquo;if the
+ General and Miss Bellairs leave us you can take my wife about.&rdquo;
+ </p>
+ <p>
+ &ldquo;I should think you might take her yourself,&rdquo; and he gently
+ kicked Deane. He was afraid of arousing the General&rsquo;s dormant
+ suspicions.
+ </p>
+ <p>
+ It was late at night when they arrived in Paris, but the faithful Laing
+ was on the platform to meet them, and received them with a warm greeting.
+ While the luggage was being collected by Deane&rsquo;s man, they stood and
+ talked on the platform. Presently the General, struck by a sudden thought,
+ asked:
+ </p>
+ <p>
+ &ldquo;I suppose nothing came for us at Cannes, oh, Laing? You said you&rsquo;d
+ bring anything on, you know.&rdquo;
+ </p>
+ <p>
+ Laing interrupted a pretty speech which he was trying to direct into Dora&rsquo;s
+ inattentive ears.
+ </p>
+ <p>
+ &ldquo;Beg pardon, General?&rdquo;
+ </p>
+ <p>
+ &ldquo;No letters for any of us before you left Cannes?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, Gen&mdash;&rdquo; he began, but suddenly stopped. His mouth
+ remained open and his glass fell from his eye.
+ </p>
+ <p>
+ The General, not waiting to hear more than the first word, had rushed of
+ to hail a cab and Deane was escorting his wife. Dora and Charlie stood
+ waiting for the unfinished speech.
+ </p>
+ <p>
+ The end came slowly and with a prodigious emphasis of despair.
+ </p>
+ <p>
+ &ldquo;Oh, by Jove!&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, Mr. Laing?&rdquo; said Dora.
+ </p>
+ <p>
+ &ldquo;The morning you left&mdash;just after&mdash;there were two
+ telegrams.&rdquo;
+ </p>
+ <p>
+ &ldquo;For me?&rdquo; said each of his auditors.
+ </p>
+ <p>
+ &ldquo;One for each of you, but
+ </p>
+ <p>
+ &ldquo;Oh, give me mine.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hand over mine, old chap.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&mdash;I haven&rsquo;t got &lsquo;em.&rdquo;
+ </p>
+ <p>
+ &ldquo;What?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&mdash;I&rsquo;m awfully sorry, I.&mdash;&mdash;I forgot &lsquo;em.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, how tiresome of you, Mr. Laing!&rdquo;
+ </p>
+ <p>
+ &ldquo;Send &lsquo;em round first thing to-morrow, Laing.&rdquo;
+ </p>
+ <p>
+ &ldquo;But&mdash;but I don&rsquo;t know where I put &lsquo;em. I know I
+ laid &lsquo;em down. Then I took &lsquo;em up. Then I put &lsquo;em&mdash;where
+ the deuce did I put &lsquo;em? Here&rsquo;s a go, Miss Bellairs! I say, I
+ am an ass!&rdquo;
+ </p>
+ <p>
+ No contradiction assailed him. His victims glared reproachfully at him.
+ </p>
+ <p>
+ &ldquo;I must have left them at Cannes. I&rsquo;ll wire first thing in the
+ morning, Miss Bellairs; I&rsquo;ll get up as soon as ever the office is
+ open. I say, do forgive me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, Mr. Laing, I&rsquo;ll try, but&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Laing! Here! My wife wants you,&rdquo; shouted Sir Roger, and the
+ criminal, happy to escape, ran away, leaving Dora and Charlie alone.
+ </p>
+ <p>
+ &ldquo;They must have been from <i>them</i>,&rdquo; murmured Dora.
+ </p>
+ <p>
+ &ldquo;No doubt; and that fool Laing&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;What has he done with them?&rdquo;
+ </p>
+ <p>
+ &ldquo;Lit his pipe with them, I expect.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, what shall we do?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know.&rdquo;
+ </p>
+ <p>
+ &ldquo;What&mdash;what do you think they said, Mr. Ellerton?&rdquo;
+ </p>
+ <p>
+ &ldquo;How can I tell? Perhaps that the marriage was off!&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; escaped from Dora.
+ </p>
+ <p>
+ &ldquo;Perhaps that it was going on.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s worse than ever. They may have asked for answers.&rdquo;
+ </p>
+ <p>
+ &ldquo;Probably.&rdquo;
+ </p>
+ <p>
+ &ldquo;And they won&rsquo;t have written here!&rdquo;
+ </p>
+ <p>
+ &ldquo;Sure not to have.&rdquo;
+ </p>
+ <p>
+ &ldquo;And&mdash;and I shan&rsquo;t know what to do. I&mdash;I believe it
+ was to say he had broken off the marriage.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is the wish father to the thought?&rdquo;
+ </p>
+ <p>
+ The lights of the station flickered, but Charlie saw, or thought he saw, a
+ hasty unpremeditated gesture of protest.
+ </p>
+ <p>
+ &ldquo;Dolly!&rdquo; he whispered.
+ </p>
+ <p>
+ &ldquo;Hush, hush! How can you now&mdash;before we know?&rdquo;
+ </p>
+ <p>
+ &ldquo;The cab&rsquo;s waiting,&rdquo; called Deane. &ldquo;Come along.&rdquo;
+ </p>
+ <p>
+ They got in in silence. The General and the Deanes went first, and the
+ three young people followed in a second vehicle. It was but just twelve,
+ and the boulevards were gay and full of people.
+ </p>
+ <p>
+ Suddenly, as they were near the Opera, they saw the tall figure of an
+ unmistakable Englishman walking away from them down the Avenue de l&rsquo;Opera.
+ Dora clutched Charlie&rsquo;s arm with a convulsive grip.
+ </p>
+ <p>
+ &ldquo;Hullo, what&rsquo;s the&mdash;&rdquo; he began, but a second pinch
+ enforced silence.
+ </p>
+ <p>
+ &ldquo;See that chap?&rdquo; asked Laing, pointing to the figure. &ldquo;He&rsquo;s
+ at my hotel.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is he?&rdquo; said Dora in a faint voice.
+ </p>
+ <p>
+ &ldquo;Yes, I&rsquo;ve got a good deal of amusement out of him. He oughtn&rsquo;t
+ to be out so late though, and by himself, too!&rdquo;
+ </p>
+ <p>
+ &ldquo;Who is it?&rdquo; asked Charlie.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know his name.&rdquo;
+ </p>
+ <p>
+ &ldquo;And why oughtn&rsquo;t he to be out?&rdquo;
+ </p>
+ <p>
+ &ldquo;Because he&rsquo;s on his honeymoon,&rdquo;
+ </p>
+ <p>
+ &ldquo;What?&rdquo; cried Dora.
+ </p>
+ <p>
+ &ldquo;Just married,&rdquo; explained Laing. &ldquo;Wife&rsquo;s a tallish
+ girl, fair, rather good-looking; looks standoffish though.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&mdash;you&rsquo;re sure they&rsquo;re married, Mr. Laing?&rdquo;
+ gasped Dora, and Charlie, in whom her manner had awakened a suspicion of
+ the truth, also waited eagerly for the reply.
+ </p>
+ <p>
+ &ldquo;What, Miss Bellairs?&rdquo; asked Laing in surprise.
+ </p>
+ <p>
+ &ldquo;Oh, I mean&mdash;I mean you haven&rsquo;t made a mistake?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, they&rsquo;re together all day, and nobody&rsquo;s with them
+ except a lady&rsquo;s-maid. I should think that&rsquo;s good enough.&rdquo;
+ </p>
+ <p>
+ With a sigh Dora sank back against the cushions. They were at the hotel
+ now; the others had already entered, and, bidding Laing a hearty
+ good-night, Dora ran in, followed closely by Charlie. He did not overtake
+ her before she found her father.
+ </p>
+ <p>
+ &ldquo;Well, Dolly,&rdquo; said the General, &ldquo;there&rsquo;s no
+ letter.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh,&rdquo; cried Dolly, &ldquo;I&rsquo;ll stay as long as ever you
+ like, papa.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s right,&rdquo; said Deane. &ldquo;And you, Charlie?&rdquo;
+ </p>
+ <p>
+ Charlie took his cue.
+ </p>
+ <p>
+ &ldquo;A month if you like.&rdquo;
+ </p>
+ <p>
+ &ldquo;Capital! Now for a wash&mdash;come along, Maud&mdash;and then
+ supper!&rdquo;
+ </p>
+ <p>
+ Dora lingered behind the others, and Charlie with her. Directly they were
+ alone, he asked:
+ </p>
+ <p>
+ &ldquo;What does it all mean?&rdquo;
+ </p>
+ <p>
+ She sat down, still panting with agitation.
+ </p>
+ <p>
+ &ldquo;Why&mdash;why, that man we saw&mdash;the man Mr. Laing says is on
+ his honeymoon, is&mdash;is&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, yes?&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. Ashforth!&rdquo;
+ </p>
+ <p>
+ &ldquo;Dolly! And his wife! By Jove! It&rsquo;s an exact description of
+ Mary Travers!&rdquo;
+ </p>
+ <p>
+ &ldquo;The telegrams were to say the marriage was to be at once.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, and&mdash;they&rsquo;re married!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes!&rdquo;
+ </p>
+ <p>
+ A short pause marked the astounding conclusion. Then Charlie came up very
+ close and whispered:
+ </p>
+ <p>
+ &ldquo;Are you broken-hearted, Dolly?&rdquo;
+ </p>
+ <p>
+ She turned her face away with a blush.
+ </p>
+ <p>
+ &ldquo;Are you, Dolly?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m very much ashamed of myself,&rdquo; she murmured. &ldquo;Oh,
+ Mr. Ellerton, not just yet!&rdquo; and in deference to her entreaty
+ Charlie had the grace to postpone what he was about to do.
+ </p>
+ <p>
+ When the supper was ready Sir Roger Deane looked round the table
+ inquiringly.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said he, &ldquo;what is it to be?&rdquo;
+ </p>
+ <p>
+ &ldquo;Champagne&mdash;champagne in magnums!&rdquo; cried Charlie
+ Ellerton, with a ringing laugh.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0009" id="link2HCH0009"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER IX. &mdash; MR. AND MRS. ASHFORTH (2)
+ </h2>
+ <p>
+ Miss Bussey was much relieved when the doctor pronounced her convalescent
+ and allowed her to come downstairs. To fall ill on an outing is always
+ exasperating, but beyond that she felt that her enforced seclusion was
+ particularly unfortunate at the moment. Here were two young people, not
+ engaged nor going to be engaged to one another; and for three days or more
+ circumstances had abandoned them to an inevitable and unchaperoned
+ tjte-`-tjte! Mary made light of it; she relied on the fraternal
+ relationship, but that was, after all, a fiction, quite incapable, in Miss
+ Bussey&rsquo;s opinion, of supporting the strain to which It had been
+ subjected. Besides Mary&rsquo;s sincerity appeared doubtful; the kind
+ girl, anxious to spare her aunt worry, made light of the difficulties of
+ her position, but Miss Bussey detected a restlessness in her manner which
+ clearly betrayed uneasiness. Here, of course, Miss Bussey was wrong;
+ neither Mary nor John were the least self-conscious; they felt no
+ embarrassment, but, poor creatures, wore out their spirits in a useless
+ vigil over the letter-rack.
+ </p>
+ <p>
+ Miss Bussey was restored to active life on the morning after the party
+ from Cannes arrived in Paris, and she hastened to emphasize the fact of
+ her return to complete health by the unusual effort of coming down to
+ breakfast. She was in high feather, and her cheery conversation lifted, to
+ some extent, the gloom which had settled on her young friends. While
+ exhorting to patience she was full of hope, and dismissed as chimerical
+ all the darker explanations which the disconsolate lovers invented to
+ account for the silence their communications had met with. Under her
+ influence the breakfast-table became positively cheerful, and at last all
+ the three burst into a hearty laugh at one of the old lady&rsquo;s little
+ jokes.
+ </p>
+ <p>
+ At this moment Arthur Laing entered the room. His brow was clouded. He had
+ searched his purse, his cigar-case, the lining of his hat&mdash;in fact
+ every depository where a careful man would be likely to bestow documents
+ whose existence he wished to remember; as no careful man would put such
+ things in the pocket of his &lsquo;blazer&rsquo;, he had not searched
+ there; thus the telegrams had not appeared, and the culprit was looking
+ forward, with some alarm, to the reception which would await him when he
+ &lsquo;turned up&rsquo; to lunch with his friends, as he had promised to
+ do. Hardly, however, had he sat down to his coffee when his sombre
+ thoughts were cleared away by the extraordinary spectacle of young Mr. and
+ Mrs. Ashforth hobnobbing with their maid, the latter lady appearing quite
+ at home and leading the gayety and the conversation. Laing laid down his
+ roll and his knife and looked at them in undisguised amazement.
+ </p>
+ <p>
+ For a moment doubt of his cherished theory began to assail his mind. He
+ heard the old lady call Ashforth &ldquo;John;&rdquo; that was a little
+ strange, and it was rather strange that John answered by saying: &ldquo;That
+ must be as you wish; I am entirely at your disposal.&rdquo; And yet,
+ reflected Laing, was it very strange, after all? In his own family they
+ had an old retainer who called all the children, whatever their age, by
+ their Christian names, and was admitted to a degree of intimacy hardly
+ distinguishable from that accorded to a relative.
+ </p>
+ <p>
+ Laing, weighing the evidence pro and contra, decided that there was an
+ overwhelming balance in favor of his old view, and dismissed the matter
+ with the comment that, if it ever befell him to go on a wedding-tour, he
+ would ask his wife to take a maid with rather less claims on her kindness
+ and his toleration.
+ </p>
+ <p>
+ That same morning the second pair of telegrams, forwarded by post from
+ Cannes, duly arrived. Dora and Charlie, reading them in the light of their
+ recent happy information, found them most kind and comforting, although in
+ reality they, apart from their missing forerunners, told the recipients
+ nothing at all. John&rsquo;s ran: &ldquo;Am in Paris at European. Please
+ write. Anxious to hear. Everything decided for the best.&mdash;John.&rdquo;
+ Mary&rsquo;s to Charlie was even briefer; it said, &ldquo;Am here at
+ European. Why no answer to last?&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s really very kind of Mr. Ashforth,&rdquo; said Dora to
+ Charlie, as they strolled in the garden of the Tuileries, &ldquo;to make
+ such a point of what I think. I expect the wire that stupid Mr. Laing lost
+ was just to tell me the date of the marriage.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not a doubt of it. Miss Tr&mdash;Mrs. Ashforth&rsquo;s wire to me
+ makes that clear. They want to hear that we&rsquo;re not desperately
+ unhappy. Well, we aren&rsquo;t, are we, Dolly?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, perhaps not.&rdquo;
+ </p>
+ <p>
+ &ldquo;Isn&rsquo;t it extraordinary how we mistook our feelings? Of
+ course, though, it&rsquo;s natural in you. You had never been through
+ anything of the sort before. How could you tell whether it was the real
+ thing or not?&rdquo;
+ </p>
+ <p>
+ Dora shot a glance out of the corner of her eye at her lover, but did not
+ disclaim the innocence he imputed to her; she knew men liked to think
+ that, and why shouldn&rsquo;t they, poor things? She seized on his implied
+ admission and carried the war into his country.
+ </p>
+ <p>
+ &ldquo;But you,&mdash;you who are so experienced&mdash;how did you come to
+ make such a mistake?&rdquo;
+ </p>
+ <p>
+ Charlie was not at a loss.
+ </p>
+ <p>
+ &ldquo;It wasn&rsquo;t a mistake <i>then</i>,&rdquo; he said. &ldquo;I was
+ quite right then. Mary Travers was about the nicest girl I had ever seen.
+ I thought her as charming as a girl could be.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, you did! Then why&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;My eyes have been opened since then.&rdquo;
+ </p>
+ <p>
+ &ldquo;What did that?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why don&rsquo;t you ever pronounce my name?&rdquo;
+ </p>
+ <p>
+ &ldquo;Never mind your name. What opened your eyes?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, yours, of course.&rdquo;
+ </p>
+ <p>
+ &ldquo;What nonsense! They&rsquo;re very nice about it, aren&rsquo;t they?
+ Do you think we ought to call?&rdquo;
+ </p>
+ <p>
+ &ldquo;Shall you feel it awkward?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, a little. Shan&rsquo;t you? Still we must let them know we&rsquo;re
+ here. Will you write to Mrs. Ashforth?&rdquo;
+ </p>
+ <p>
+ &ldquo;I suppose I&rsquo;d better. After lunch &lsquo;ll do, won&rsquo;t
+ it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes. And I&rsquo;ll write a note to him. I expect they won&rsquo;t
+ be staying here long.&rdquo;
+ </p>
+ <p>
+ &ldquo;I hope not. Hullo, it&rsquo;s a quarter past twelve. We must be
+ getting back. Laing&rsquo;s coming to lunch.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where arc the Deanes?&rdquo;
+ </p>
+ <p>
+ &ldquo;Lady Deane&rsquo;s gone to Belleville with your father to see
+ slums, and Roger&rsquo;s playing tennis with Laing. He said we weren&rsquo;t
+ to wait lunch. Are you hungry, Dolly?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not very. It seems only an hour since breakfast.&rdquo;
+ </p>
+ <p>
+ &ldquo;How charming of you! We&rsquo;ve been walking here since ten o&rsquo;clock.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. Ellerton, will you be serious for a minute? I want to say
+ something important. When we meet the Ashforths there mustn&rsquo;t be a
+ word said about&mdash;about&mdash;you know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why not?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I couldn&rsquo;t! So soon! Surely you see that. Why, it would
+ be hardly civil to them, would it, apart from anything else?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, it might look rather casual.&rdquo;
+ </p>
+ <p>
+ &ldquo;And I positively couldn&rsquo;t face John Ashforth. You promise,
+ don&rsquo;t you?&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s a nuisance, because, you see, Dolly&mdash;&mdash;
+ </p>
+ <p>
+ &ldquo;You&rsquo;re not to get into the habit of saying &lsquo;Dolly&rsquo;.
+ At least not yet.&rdquo;
+ </p>
+ <p>
+ &ldquo;Presently?&rdquo;
+ </p>
+ <p>
+ &ldquo;If you&rsquo;re good. Now promise!&rdquo;
+ </p>
+ <p>
+ &ldquo;All right.&rdquo;
+ </p>
+ <p>
+ &ldquo;We&rsquo;re not engaged.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nor thinking of it,&rdquo;
+ </p>
+ <p>
+ &ldquo;Rather not.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s very nice of you, and when the Ashforths are gone&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall be duly rewarded?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, we&rsquo;ll see. Do come along. Papa hates being kept waiting
+ for his meals, and they must have finished their slums long ago.&rdquo;
+ </p>
+ <p>
+ They found Lady Deane and the General waiting for them, and the latter
+ proposed an adjournment to a famous restaurant near the Opera. Thither
+ they repaired, and ordered their lunch.
+ </p>
+ <p>
+ &ldquo;Deane and Laing will find out where we&rsquo;ve gone and follow,&rdquo;
+ said the General. &ldquo;We won&rsquo;t wait,&rdquo; and he resumed his
+ conversation with Lady Deane on the events of the morning.
+ </p>
+ <p>
+ A moment later the absentees came in; Sir Roger in his usual leisurely
+ fashion, Laing; hurriedly. The latter held in his hand two telegrams, or
+ the crumpled dibris thereof. He rushed up to the table and panted out,
+ &ldquo;Found &lsquo;em in the pocket of my blazer&mdash;must have put
+ &lsquo;em there&mdash;stupid ass&mdash;never thought of it&mdash;put it on
+ for tennis&mdash;awfully sorry.&rdquo;
+ </p>
+ <p>
+ Wasting no time in reproaches, Dora and Charlie grasped their recovered
+ property.
+ </p>
+ <p>
+ &ldquo;Excuse me!&rdquo; they cried simultaneously, and opened the
+ envelopes. A moment later both leant back in their chairs, the pictures of
+ helpless bewilderment.
+ </p>
+ <p>
+ Dora had read: &ldquo;Marriage broken off. Coming to you 28th. Write
+ directions&mdash;European, Paris.&rdquo;
+ </p>
+ <p>
+ Charlie had read: &ldquo;Engagement at end. Aunt and I coming to Paris&mdash;European,
+ on 28th. Can you meet?&rdquo;
+ </p>
+ <p>
+ Lady Deane was writing in her notebook. The General, Sir Roger, and Laing
+ were busy with the waiter, the menu, and the wine-list. Quick as thought
+ the lovers exchanged telegrams. They read, and looked at one another.
+ </p>
+ <p>
+ &ldquo;What does it mean?&rdquo; whispered Dora.
+ </p>
+ <p>
+ &ldquo;You never saw anything like the lives those ragpickers lead, Dora,&rdquo;
+ observed Lady Deane, looking up from her task. &ldquo;I was talking to one
+ this morning and he said&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Maitre d&rsquo;hotel for me,&rdquo; broke in Sir Roger.
+ </p>
+ <p>
+ &ldquo;I haven&rsquo;t a notion,&rdquo; murmured Charlie.
+ </p>
+ <p>
+ &ldquo;Look here, what&rsquo;s your liquor, Laing?&rdquo;
+ </p>
+ <p>
+ &ldquo;Anything; with this thirst on me&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;There are ample materials for a revolution more astonishing and
+ sanguinary&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Nonsense, General, yon must have something to drink.&rdquo;
+ </p>
+ <p>
+ &ldquo;Can they have changed their minds again, Dolly?&rdquo;
+ </p>
+ <p>
+ &ldquo;They must have, if Mr. Laing is&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Dry? I should think I was. So would you be, if you&rsquo;d been
+ playing tennis.&rdquo;
+ </p>
+ <p>
+ Laing cut across the currents of conversation:
+ </p>
+ <p>
+ &ldquo;Hope no harm done, Miss Bellairs, about that wire?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&mdash;I&mdash;I don&rsquo;t think so.&rdquo;
+ </p>
+ <p>
+ &ldquo;Or yours, Charlie?&rdquo;
+ </p>
+ <p>
+ Charlie took a hopeful view.
+ </p>
+ <p>
+ &ldquo;Upon my honor, Laing, I&rsquo;m glad you hid it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I see!&rdquo; cried Laing. &ldquo;Tip for the wrong &lsquo;un,
+ eh, and too late to put it on now?&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;re not far off,&rdquo; answered Charlie Ellerton.
+ </p>
+ <p>
+ &ldquo;Roger, is it to-night that the General is going to take me to the&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Hush! Not before Miss Bellairs, my dear! Consider her filial
+ feelings. You and the General must make a quiet bolt of it. We&rsquo;re
+ only going to the Palais-Royal.&rdquo;
+ </p>
+ <p>
+ The arrival of fish brought a momentary pause, but the first mouthful was
+ hardly swallowed when Arthur Laing started, hunted hastily for his
+ eyeglass, and stuck it in his eye.
+ </p>
+ <p>
+ &ldquo;Yes, it is them,&rdquo; said he. &ldquo;See, Charlie, that table
+ over there. They&rsquo;ve got their backs to us, but lean see &lsquo;em in
+ the mirror.&rdquo;
+ </p>
+ <p>
+ &ldquo;See who?&rdquo; asked Charlie in an irritable tone.
+ </p>
+ <p>
+ &ldquo;Why, those honeymooners. I say, Lady Deane, it&rsquo;s a queer
+ thing to have a lady&rsquo;s-maid to breakf&mdash;Why, by Jove, she&rsquo;s
+ with them now! Look!&rdquo;
+ </p>
+ <p>
+ His excited interest aroused the attention of the whole party, and they
+ looked across the long room.
+ </p>
+ <p>
+ &ldquo;Ashforth&rsquo;s their name,&rdquo; concluded Laing. &ldquo;I heard
+ the Abigail call him Ashforth; and the lady is&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ He was interrupted by the clatter of a knife and fork falling on a plate.
+ He turned in the direction whence the sound came.
+ </p>
+ <p>
+ Dora Bellairs leant back in her chair, her hands in her lap; Charlie
+ Ellerton had hidden himself behind the wine-list. Lady Deane, her husband,
+ and the General gazed inquiringly at Dora.
+ </p>
+ <p>
+ At the same instant there came a shrill little cry from the other end of
+ the room. The mirror had served Mary Travers as well as it had Laing. For
+ a moment she spoke hastily to her companion; then she and John rose, and,
+ with radiant smiles on their faces, advanced toward their friends. The
+ long-expected meeting had come; at last.
+ </p>
+ <p>
+ Dora sat still, in consternation. Charlie, peeping out from behind his
+ menu, saw the approach.
+ </p>
+ <p>
+ &ldquo;Now, in Heaven&rsquo;s name,&rdquo; he groaned, &ldquo;are they
+ married or aren&rsquo;t they?&rdquo; and having said this he awaited the
+ worst.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0010" id="link2HCH0010"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER X. &mdash; MR. AND NOT MRS. ASHFORTH
+ </h2>
+ <p>
+ Suum cuique: to the Man belongeth courage in great things, but in affairs
+ of small moment Woman is pre-eminent. Charlie Ellerton was speechless;
+ Dora Bellairs, by a supreme effort, rose on shaking legs and advanced with
+ outstretched hands to meet John Ashforth.
+ </p>
+ <p>
+ &ldquo;Mr. Ashforth, I declare! Who would have thought of meeting you
+ here?&rdquo; she exclaimed; and she added in an almost imperceptible,
+ mysterious whisper, &ldquo;Hush!&rdquo;
+ </p>
+ <p>
+ John at once understood that he was to make no reference to the
+ communications which had resulted in this happy meeting. He expressed a
+ friendly gratification in appropriate words. Dora began to breathe again;
+ everything was passing off well. Suddenly she glanced from John to Mary.
+ Mary stood alone, about three yards from the table, gazing at Charlie.
+ Charlie sat as though paralyzed. He would ruin everything.
+ </p>
+ <p>
+ &ldquo;Mr. Ellerton,&rdquo; she called sharply. Charlie started up, but
+ before he could reach Dora&rsquo;s side, the latter had turned to Mary and
+ was holding out a friendly hand. Mary responded with alacrity.
+ </p>
+ <p>
+ &ldquo;Miss Bellairs, isn&rsquo;t it? We ought to know one another. I&rsquo;m
+ so glad to meet you.&rdquo;
+ </p>
+ <p>
+ Charlie was by them now.
+ </p>
+ <p>
+ &ldquo;And how do you do, Mr. Ellerton?&rdquo; went on Mary, rivalling
+ Dora in composure. And she also added a barely visible and quite inaudible
+ &ldquo;Hush!&rdquo;
+ </p>
+ <p>
+ &ldquo;Who are they?&rdquo; asked Deane in a low voice.
+ </p>
+ <p>
+ &ldquo;Their name&rsquo;s Ashforth,&rdquo; answered Laing.
+ </p>
+ <p>
+ &ldquo;God bless my soul!&rdquo; exclaimed the General. &ldquo;I remember
+ him now. We made his acquaintance at Interlaken, but his name had slipped
+ from my memory. And that&rsquo;s his wife? Fine girl, too. I must speak to
+ him.&rdquo; And full of kindly intent he bustled off and shook John warmly
+ by the hand.
+ </p>
+ <p>
+ &ldquo;My dear Ashforth, delighted to meet you again, and under such
+ delightful conditions, too! Ah, well, it only comes once in a lifetime,
+ does it?&mdash;in your case anyhow, I hope. I see Dora has introduced
+ herself. You must present me. When was it?&rdquo;
+ </p>
+ <p>
+ Portions of this address puzzled John considerably, but he thought it best
+ to do as he was told.
+ </p>
+ <p>
+ &ldquo;Mary,&rdquo; he said, &ldquo;let me introduce General Bellairs&mdash;Miss
+ Bellairs&rsquo;s father&mdash;to you. General Bell&mdash;&rdquo;
+ </p>
+ <p>
+ The General interrupted him by addressing Mary with much, effusion.
+ </p>
+ <p>
+ &ldquo;Delighted to meet you. Ah, you know our young friend Ellerton?
+ Everybody does, it seems to me. Come, you must join us. Waiter, two more
+ places. Lady Deane, let me introduce Mr. Ashforth. They&rsquo;re on their&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ He paused. An inarticulate sound had proceeded from Mary&rsquo;s lips.
+ </p>
+ <p>
+ &ldquo;Beg pardon?&rdquo; said the General.
+ </p>
+ <p>
+ A pin might have been heard to drop, while Mary, recovering herself, said
+ coldly:
+ </p>
+ <p>
+ &ldquo;I think there&rsquo;s some mistake. I&rsquo;m not Mrs. Ashforth.&rdquo;
+ </p>
+ <p>
+ &ldquo;Gad, it&rsquo;s the old &lsquo;un!&rdquo; burst in a stage whisper
+ from Arthur Laing, who seemed determined that John Ashforth should have a
+ wife.
+ </p>
+ <p>
+ The General looked to his daughter for an explanation. Dora dared not show
+ the emotion pictured on her face, and her back was towards the party.
+ Charlie Ellerton was staring with a vacant look at the lady who was not
+ Mrs. Ashforth. The worst had happened.
+ </p>
+ <p>
+ John came to the rescue. With an awkward laugh he said:
+ </p>
+ <p>
+ &ldquo;Oh, you&mdash;you attribute too much happiness to me. This is Miss
+ Travers. I&mdash;I&mdash;Her aunt, Miss Bussey, and she have kindly
+ allowed me to join their travelling party. Miss Bussey is at that table,&rdquo;
+ and he pointed to &ldquo;the old &lsquo;un.&rdquo;
+ </p>
+ <p>
+ Perhaps it was as well that at this moment the pent-up feelings which the
+ situation, and above all the remorseful horror with which Laing was
+ regarding his fictitious lady&rsquo;s-maid, overcame Roger Deane. He burst
+ into a laugh. After a moment the General followed heartily. Laing was the
+ next, bettering his examples in his poignant mirth. Sir Roger sprang up.
+ </p>
+ <p>
+ &ldquo;Come, Miss Travers,&rdquo; he said, &ldquo;sit down. Here&rsquo;s
+ the fellow who gave you your new name. Blame him,&rdquo; and he indicated
+ Laing, Then he cried, &ldquo;General, we must have Miss Bussey, too.&rdquo;
+ </p>
+ <p>
+ The combined party, however, was not, when fully constituted by the
+ addition of Miss Bussey, a success. Two of its members ate nothing and
+ alternated between gloomy silence and forced gayety; who these were may
+ well be guessed. Mary and John found it difficult to surmount their
+ embarrassment at the contretemps which had attended the introduction, or
+ their perplexity over the cause of it. Laing was on thorns lest his
+ distributions of parts and stations in life should be disclosed. The only
+ bright feature was the congenial feeling which appeared at once to unite
+ Miss Bussey and Sir Roger Deane. They sat together, and, aided by the
+ General&rsquo;s geniality and Lady Deane&rsquo;s supramundane calm,
+ carried the meal to a conclusion without an actual breakdown, ending up
+ with a friendly wrangle over the responsibility for the bill. Finally it
+ was on Sir Roger&rsquo;s proposal that they all agreed to meet at five o&rsquo;clock
+ and take coffee, or what they would, together at a cafi by the water in
+ the Bois de Boulogne. With this understanding the party broke up.
+ </p>
+ <p>
+ Dora and Charlie, lagging behind, found themselves alone. They hardly
+ dared to look at one another, lest their composure should fail.
+ </p>
+ <p>
+ &ldquo;They&rsquo;re not married,&rdquo; said Charlie.
+ </p>
+ <p>
+ &ldquo;No.&rdquo;
+ </p>
+ <p>
+ &ldquo;They&rsquo;ve broken it off!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Because of us.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;While we&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, in all my life, I never&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, do be quiet.&rdquo;
+ </p>
+ <p>
+ &ldquo;What an infernal ass that fellow Laing&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you think they saw anything?&rdquo;
+ </p>
+ <p>
+ &ldquo;No. I half wish they had.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, Mr. Ellerton, what shall we do? They&rsquo;re still in love
+ with us!&rdquo;
+ </p>
+ <p>
+ &ldquo;Rather. They&rsquo;ve been waiting for us.&rdquo;
+ </p>
+ <p>
+ Dora entered the hotel gates and sank into a chair in the court-yard.
+ </p>
+ <p>
+ &ldquo;Well? she asked helplessly; but Charlie had no suggestion to offer.
+ </p>
+ <p>
+ &ldquo;How could they?&rdquo; she broke out indignantly. &ldquo;How could
+ they break off their marriage at the last moment like that? They&mdash;they
+ were as good as married. It&rsquo;s really hardly&mdash;people should know
+ their own minds.&rdquo;
+ </p>
+ <p>
+ She caught sight of a rueful smile on Charlie&rsquo;s face.
+ </p>
+ <p>
+ &ldquo;Oh, I know, but it&rsquo;s different,&rdquo; she added impatiently.
+ &ldquo;One expects it of you, but I didn&rsquo;t expect it of John
+ Ashforth.&rdquo;
+ </p>
+ <p>
+ &ldquo;And of yourself?&rdquo; he asked softly.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s all your fault, you wicked boy,&rdquo; she answered.
+ </p>
+ <p>
+ Charlie sighed heavily.
+ </p>
+ <p>
+ &ldquo;We must break it to them,&rdquo; said he. &ldquo;Mary will
+ understand; she has such delicacy of feeling that&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;re always praising that girl. I believe you&rsquo;re in
+ love with her still.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, you as good as told me I wasn&rsquo;t fit to black Ashforth&rsquo;s
+ boots.&rdquo;
+ </p>
+ <p>
+ &ldquo;Anyhow he wouldn&rsquo;t have&mdash;have&mdash;have tried to make a
+ girl care for him when he knew she cared for somebody else.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hang it, it seems to me Ashforth isn&rsquo;t exactly immaculate.
+ Why, in Switzerland&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Never mind Switzerland, Mr. Ellerton, please.&rdquo;
+ </p>
+ <p>
+ A silence ensued. Then Charlie remarked, with a reproachful glance at Dora&rsquo;s
+ averted face, &ldquo;And this is the sequel to Avignon! I shouldn&rsquo;t
+ have thought a girl could change so in forty-eight hours.&rdquo;
+ </p>
+ <p>
+ Dora said nothing. She held her head very high in the air and looked
+ straight in front of her.
+ </p>
+ <p>
+ &ldquo;When you gave me that kiss&mdash;&mdash;&rdquo; resumed Charlie.
+ </p>
+ <p>
+ Now this form of expression was undoubtedly ambiguous; to give a kiss may
+ mean: 1. What it literally says&mdash;to bestow a kiss. 2. To offer one&rsquo;s
+ self to be kissed. 3. To accept willingly a proffered kiss; and, without
+ much straining of words, 4. Merely to refrain from angry expostulation and
+ a rupture of acquaintance when one is kissed&mdash;this last partaking
+ rather of the nature of the ratification of an unauthorized act, and
+ being, in fact, the measure of Dora&rsquo;s criminality. But the other
+ shades of meaning caught her attention.
+ </p>
+ <p>
+ &ldquo;You know it&rsquo;s untrue; I never did,&rdquo; she cried angrily.
+ &ldquo;I told you at the time that no gentleman would have done it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, you mean Ashforth, I suppose? It&rsquo;s always Ashforth.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, he wouldn&rsquo;t.&rdquo;
+ </p>
+ <p>
+ &ldquo;And some girls I know wouldn&rsquo;t forgive a man on Monday and
+ round on him on Wednesday.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, you needn&rsquo;t trouble to mention names. I know the paragon
+ you&rsquo;re thinking of!&rdquo;
+ </p>
+ <p>
+ They were now at the hotel.
+ </p>
+ <p>
+ &ldquo;Going in?&rdquo; asked Charlie.
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;I suppose we shall go to the Bois together?&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall ask papa or Sir Roger to take me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then I&rsquo;ll go with Lady Deane.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t mind who you go with, Mr. Ellerton.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll take care that you&rsquo;re annoyed as little as
+ possible by my presence,&rdquo;
+ </p>
+ <p>
+ &ldquo;It doesn&rsquo;t annoy me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Doesn&rsquo;t it, D&mdash;&mdash;?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t notice it one way or the other.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good-by for the present, Mr. Ellerton.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good-by, Miss Bellairs; but I ought to thank you.&rdquo;
+ </p>
+ <p>
+ &ldquo;What for?&rdquo;
+ </p>
+ <p>
+ &ldquo;For making it easy to me to do what&rsquo;s right,&rdquo; and
+ Charlie turned on his heel and made rapidly for the nearest cafi, where he
+ ordered an absinthe.
+ </p>
+ <p>
+ Dora went wearily up to her bedroom, and, sitting down, reviewed the
+ recent conversation. She could not make out how, or why, or where they had
+ begun to quarrel. Yet they had certainly not only begun but made very fair
+ progress, considering the time at their disposal. It had all been Charlie&rsquo;s
+ fault. He must be fond of that girl after all; if so, it was not likely
+ that she would let him see that she minded. Let him go to Mary Travers, if&mdash;if
+ he liked that sort of prim creature. She, Dora Bellairs, would not
+ interfere. She would have no difficulty in finding someone who did care
+ for her. Poor John! How happy he looked when he saw her! It was quite
+ touching.
+ </p>
+ <p>
+ He really looked almost&mdash;almost. To her sudden annoyance and alarm
+ she found herself finishing the sentence thus, &ldquo;almost as Charlie
+ did at Avignon.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, he&rsquo;s worth a thousand of Charlie,&rdquo; she exclaimed,
+ impatiently.
+ </p>
+ <p>
+ At half-past four Sir Roger Deane was waiting; in the hall. Presently Dora
+ appeared.
+ </p>
+ <p>
+ &ldquo;Where are the others?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;Charlie&rsquo;s having a drink. Your father and Maud aren&rsquo;t
+ coming. They&rsquo;re going to rest.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, well, we might start.&rdquo;
+ </p>
+ <p>
+ &ldquo;Excuse me, Miss Dora, there&rsquo;s some powder on your nose.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, is there? Thanks.&rdquo;
+ </p>
+ <p>
+ &ldquo;What have you been powdering for?&rdquo;
+ </p>
+ <p>
+ &ldquo;Really, Sir Roger! Besides the sun has ruined my complexion.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, the sun,&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. Don&rsquo;t be horrid. Do let&rsquo;s start.&rdquo;
+ </p>
+ <p>
+ &ldquo;But Charlie&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I hate riding three in a cab.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, and I like riding alone in one, so&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no. You must come with me. Mr. Ellerton can follow us. He&rsquo;s
+ always drinking, isn&rsquo;t he? I dislike it so.&rdquo;
+ </p>
+ <p>
+ Sir Roger, with a wink at an unresponsive plaster bust of M. le President,
+ followed her to the door. They had just got into their little victoria
+ when Charlie appeared, cigarette in hand.
+ </p>
+ <p>
+ &ldquo;Charlie,&rdquo; observed Deane, &ldquo;Miss Bell airs thinks you&rsquo;ll
+ be more comfortable by yourself than perched on this front seat.&rdquo;
+ </p>
+ <p>
+ &ldquo;Especially as you&rsquo;re smoking,&rdquo; added Dora. &ldquo;Allez,
+ cocher.&rdquo;
+ </p>
+ <p>
+ Charlie hailed another vehicle and got in. As he did so he remarked
+ between his teeth, &ldquo;I&rsquo;m d&mdash;&mdash;d if I stand it.&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0011" id="link2HCH0011"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER XI. &mdash; A DYNAMITE OUTRAGE
+ </h2>
+ <p>
+ On one side of the Lake Dora mid John walked together, on the other Mary
+ and Charlie. Miss Bussey and Roger Deane sat in the garden of the cafi.
+ The scene round them was gay. Carriages constantly drove up, discharging
+ daintily attired ladies and their cavaliers. There was a constant stream
+ of bicycles, some of them steered by fair riders in neat bloomer-suits;
+ the road-waterers spread a grateful coolness in their ambit, for the
+ afternoon was hot for the time of year, and the dust had an almost
+ autumnal volume. Miss Bussey had been talking for nearly ten minutes on
+ end, and now she stopped with an exhausted air, and sipped her coffee.
+ Deane lit another cigar and sat silently looking on at the life that
+ passed and repassed before him.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s a curious story,&rdquo; he observed at last.
+ </p>
+ <p>
+ &ldquo;Very; but I suppose it&rsquo;s all ended happily now. Look at them,
+ Sir Roger.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I see them.&rdquo;
+ </p>
+ <p>
+ &ldquo;Their troubles are over at last, poor children; and really I think
+ they&rsquo;ve all behaved very well. And yet&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes?&rdquo;
+ </p>
+ <p>
+ &ldquo;I should have thought Mary and Mr. Ashforth so suited to one
+ another. Well, well, the heart&rsquo;s an unaccountable thing&mdash;to an
+ old spinster, anyhow.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;re right, Miss Bussey. Take my wife and me. You wouldn&rsquo;t
+ have thought we should have hit it off, would you? First year I knew her I
+ hardly dared to speak to her&mdash;used to mug up Browning and&mdash;(Sir
+ Roger here referred to an eminent living writer) and chaps like that,
+ before I went to see her, you know. No use! I bored her to death. At last
+ I chucked it up.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well?&rdquo;
+ </p>
+ <p>
+ &ldquo;And I went one day and talked about the Grand National for half an
+ hour by the clock. Well, she asked me to come again next day, and I went,
+ and told her all about the last burlesque and&mdash;and so on, you know.
+ And then I asked her to marry me.&rdquo;
+ </p>
+ <p>
+ &ldquo;And she said &lsquo;Yes&rsquo;?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not directly. She said there was an impassable gulf between us&mdash;an
+ utter want of sympathy in our tastes and an irreconcilable difference of
+ intellectual outlook.&rdquo;
+ </p>
+ <p>
+ &ldquo;Dear me! Didn&rsquo;t that discourage you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I said I didn&rsquo;t care a dash; she was the only girl I ever
+ cared for (all right, Miss Bussey, don&rsquo;t laugh), and I&rsquo;d have
+ any outlook she liked. I said I knew I was an ass, but I thought I knew a
+ pretty girl when I saw one, and I&rsquo;d go away if she&rsquo;d show me a
+ prettier one.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, she didn&rsquo;t.&rdquo;
+ </p>
+ <p>
+ Miss Bussey laughed a little.
+ </p>
+ <p>
+ &ldquo;Of course,&rdquo; resumed Sir Roger, &ldquo;I&rsquo;ve got money,
+ you know, and all that, and perhaps&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Sir Roger! What a thing to say of your wife!&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, with another girl&mdash;but hang it, I don&rsquo;t believe
+ Maud would. Still, you see, it&rsquo;s so dashed queer that sometimes&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m sure she&rsquo;s very fond of you,&rdquo; said Miss
+ Bussey, rather surprised fit the nature of the confidence which she was
+ receiving.
+ </p>
+ <p>
+ &ldquo;I expect it&rsquo;s all right,&rdquo; resumed Deane, more
+ cheerfully, &ldquo;and that brings us back to where we started, doesn&rsquo;t
+ it?&rdquo;
+ </p>
+ <p>
+ &ldquo;And we started in bewilderment.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;re puzzled that Dora, Bellairs and Ashforth should pair
+ off together, and&mdash;&mdash;?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, the other combination would seem more natural, wouldn&rsquo;t
+ it? Doesn&rsquo;t it surprise you a little?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m never surprised at anything till I know it&rsquo;s true,&rdquo;
+ said Sir Roger.
+ </p>
+ <p>
+ &ldquo;What, you&mdash;&mdash;?&rdquo;
+ </p>
+ <p>
+ They were interrupted by the return of their friends, and a move was made.
+ Three vehicles were necessary to take them back, for the twos could,
+ obviously, neither be separated from one another nor united with anybody
+ else, and in procession, Miss Bussey and Deane leading, they filed along
+ the avenues back to the Arc de Triomphe.
+ </p>
+ <p>
+ They had hardly passed the open Place when their progress was suddenly
+ arrested. A crowd spread almost across the broad road, and
+ sergents-de-ville imperiously commanded a halt. There was a babble of
+ tongues, great excitement, and a thousand eager fingers pointing at a
+ house. The doorway was in ruins, and workmen were busy shoring it up with
+ beams. In the middle of the crowd there was an open circle, surrounded by
+ gendarmes, and kept clear of people. In the middle of it lay a thing like
+ a rather tall slim watering-pot, minus the handle. The crowd, standing on
+ tiptoe and peeping over the shoulders of their guardians, shook their
+ fists at this harmless-looking article and apostrophised it with a
+ wonderful wealth of passionate invectives.
+ </p>
+ <p>
+ &ldquo;What in the world&rsquo;s the matter?&rdquo; cried Miss Bussey, who
+ was nervous in a crowd.
+ </p>
+ <p>
+ &ldquo;Revolution, I suppose;&rdquo; responded Deane calmly, mid turning
+ to his nearest neighbor, he continued in the first French that came to
+ him, &ldquo;Une autre rivolution, n&rsquo;est-ce-pas, Monsieur?&rdquo;
+ </p>
+ <p>
+ The man stared, but a woman near him burst into a voluble explanation,
+ from the folds of which unlearned English ears disentangled, at the third
+ reiteration, the ominous word, &ldquo;Dynamite;&rdquo; and she pointed to
+ the watering-pot.
+ </p>
+ <p>
+ &ldquo;Oh, it&rsquo;ll go off!&rdquo; shrieked Miss Bussey.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s gone off,&rdquo; said Sir Roger. &ldquo;We&rsquo;re too
+ late,&rdquo; and there was a touch of disappointment in his voice, as he
+ turned and shouted to the others, &ldquo;Keep your seats! It&rsquo;s all
+ over. Only an explosion.&rdquo;
+ </p>
+ <p>
+ &ldquo;Only!&rdquo; shuddered Miss Bussey. &ldquo;It&rsquo;s a mercy we
+ weren&rsquo;t killed.&rdquo;
+ </p>
+ <p>
+ It appeared that this mercy had not stopped at Miss Bussey and her
+ friends. Nobody had been killed&mdash;not even the magistrate on the third
+ floor for whose discipline and reformation the occurrence had been
+ arranged; and presently the carriages were allowed to proceed.
+ </p>
+ <p>
+ Lady Deane&rsquo;s grief at having missed so interesting an occasion was
+ very poignant.
+ </p>
+ <p>
+ &ldquo;No, Roger,&rdquo; said she, &ldquo;it is not a mere craving for
+ horrors, or a morbid love of excitement; I wish I had been there to
+ observe the crowd, because it&rsquo;s just at such moments that people
+ reveal their true selves. The veil is lifted&mdash;the veil of hypocrisy
+ and convention&mdash;and you see the naked soul.&rdquo;
+ </p>
+ <p>
+ &ldquo;You could hear it too, Maud,&rdquo; observed Sir Roger. &ldquo;Fine
+ chance of improving your French vocabulary. Still, I daresay you&rsquo;re
+ right.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m sure I am.&rdquo;
+ </p>
+ <p>
+ Deane looked at his wife meditatively.
+ </p>
+ <p>
+ &ldquo;You think,&rdquo; he asked, &ldquo;that being in danger might make
+ people&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Reveal their inmost natures and feelings? I&rsquo;m sure of it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Gad! Then we might try.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean, Roger?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nothing. You&rsquo;re going out with the General to-night? Very
+ well, I shall take a turn on my own hook.&rdquo;
+ </p>
+ <p>
+ As he strolled toward the smoking-room, he met Charlie Ellerton.
+ </p>
+ <p>
+ &ldquo;Well, old fellow, had a pleasant afternoon?&rdquo;
+ </p>
+ <p>
+ &ldquo;Glorious!&rdquo; answered Charlie in a husky voice.
+ </p>
+ <p>
+ &ldquo;Are we to congratulate you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&mdash;I&mdash;well, it&rsquo;s not <i>absolutely</i> settled yet,
+ Deane, but&mdash;soon, I hope.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s right. Miss Bussey told me the whole story, and I
+ think you&rsquo;re precious lucky to get such a girl.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, aren&rsquo;t I?&rdquo;
+ </p>
+ <p>
+ &ldquo;You don&rsquo;t look over and above radiant.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you want me to go grinning about the hotel like an infernal
+ hyena?&rdquo;
+ </p>
+ <p>
+ &ldquo;I think a chastened joy would be appropriate.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t be an ass, Deane. I suppose you think you&rsquo;re
+ funny.&rdquo;
+ </p>
+ <p>
+ Sir Roger passed on, with a smile on his lips. As he passed the
+ reading-room Dora Bellairs came out.
+ </p>
+ <p>
+ &ldquo;Well, Miss Dora, enjoyed your afternoon?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, awfully&mdash;except that dreadful explosion.&rdquo;
+ </p>
+ <p>
+ &ldquo;You must excuse a friend, you know. I&rsquo;m awfully glad it&rsquo;s
+ all come right in the end.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&mdash;you&rsquo;re very kind, Sir Roger. It&rsquo;s&mdash;it&rsquo;s&mdash;there&rsquo;s
+ nothing quite settled yet.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, of course not, but still&mdash;&mdash;! Well, I heard all about
+ it and I think he&rsquo;s worthy of you. I can&rsquo;t say more. He seems
+ a capital fellow.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, isn&rsquo;t he? I&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I&rsquo;m very, very, <i>very</i> happy,&rdquo; and, after
+ making this declaration in a shaky voice, she fairly ran away down the
+ passage. Deane watched her as she went.
+ </p>
+ <p>
+ &ldquo;Maud&rsquo;s right,&rdquo; said he. &ldquo;She always is. There&rsquo;s
+ nothing for it but dynamite. I wonder where it&rsquo;s to be got?&rdquo;
+ </p>
+ <p>
+ General Bellairs clapped him on the shoulders.
+ </p>
+ <p>
+ &ldquo;Inclined for a turn, Deane? I&rsquo;m going to see an old servant
+ of mine&mdash;Painter&rsquo;s his name. He married my poor wife&rsquo;s
+ French maid, and set up as a restaurant-keeper in the Palais-Royal. I
+ always look him up when I come to Paris.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m your man,&rdquo; answered Deane, and they set out for Mr.
+ Painter&rsquo;s establishment. It proved to be a neat little place,
+ neither of the very cheap nor of the very sumptuous class, and the General
+ was soon promising to bring the whole party to dejeuner there. Painter was
+ profuse in thanks and called Madame to thank the General. The General at
+ once entered into conversation with the trim little woman.
+ </p>
+ <p>
+ &ldquo;Nice place yours, Painter,&rdquo; observed Deane.
+ </p>
+ <p>
+ &ldquo;Pleased to hear you say so, Sir Roger.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very nice. Ah&mdash;er&mdash;heard of the explosion?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, Sir Roger. Abominable thing, sir. These Socialists&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite so. Never had one here, I suppose?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, sir. We&rsquo;re pretty well looked after in here.&rdquo;
+ </p>
+ <p>
+ &ldquo;Like one?&rdquo; asked Deane.
+ </p>
+ <p>
+ &ldquo;Beg pardon, sir. Ha-ha. No, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;Because I want one.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&mdash;beg pardon, sir?&rdquo;
+ </p>
+ <p>
+ &ldquo;Look here, Painter. I&rsquo;ll drop in here after dinner for some
+ coffee. I want to talk to you. See? Not a word to the General.&rdquo;
+ </p>
+ <p>
+ &ldquo;Glad to see you, Sir Roger, but&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;All right. I&rsquo;ll put you up to it. Here they come. Present me
+ to Madame.&rdquo;
+ </p>
+ <p>
+ They went away, haying; arranged with the Painters for luncheon and a
+ private room on the next day but one.
+ </p>
+ <p>
+ &ldquo;Lunch for eight,&rdquo; said Deane. &ldquo;At least, General, I
+ thought we might ask our friends from the European.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes&mdash;and young Laing.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I forgot him. Yes, Laing, of course. For nine&mdash;neuf, you
+ know, please, madame.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s all right,&rdquo; said the General, &ldquo;I&rsquo;m
+ glad to do him a turn.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, that&rsquo;s all right,&rdquo; assented Sir Roger, with the
+ slightest possible chuckle. &ldquo;We shall have a jolly lunch, eh,
+ General?&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0012" id="link2HCH0012"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER XII. &mdash; ANOTHER!
+ </h2>
+ <p>
+ &ldquo;I shall never, never forgot your generosity, John.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, Mary. It was your honesty and courage that did it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I told Mr. Ellerton the whole story, and he seemed positively
+ astonished.&rdquo;
+ </p>
+ <p>
+ &ldquo;And Miss Bellairs admitted that when she wrote she considered such
+ a tiling utterly impossible. She&rsquo;s changed a little, Mary. She&rsquo;s
+ not so cheerful and light-hearted as she used to be.&rdquo;
+ </p>
+ <p>
+ &ldquo;Think what she&rsquo;s gone through. I&rsquo;ve noticed just the
+ same in Mr. Ellerton, but&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;You hope to restore him soon?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, well, I expect Miss Bellairs&mdash;what a pretty girl she is,
+ John&mdash;will soon revive too, now she is with you again. John, have;
+ you observed anything peculiar in Aunt Sarah&rsquo;s manner?&rdquo;
+ </p>
+ <p>
+ &ldquo;To tell you the truth, I fancied she was rather short with me once
+ or twice at dinner.&rdquo;
+ </p>
+ <p>
+ &ldquo;I believe she is&mdash;isn&rsquo;t pleased at&mdash;at what&rsquo;s
+ happened. She hasn&rsquo;t taken much to Mr. Ellerton, and you know she
+ liked you so much, that I think she still wants you as one of the family.&rdquo;
+ </p>
+ <p>
+ John laughed: then he leant forward and said in a low voice:
+ </p>
+ <p>
+ &ldquo;Have you settled anything about dates?&rdquo;
+ </p>
+ <p>
+ &ldquo;No. Mr. Ellerton&mdash;well he didn&rsquo;t introduce the subject:
+ so of course I didn&rsquo;t. Have you?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, we haven&rsquo;t. I made some suggestion of the kind, but Miss
+ Bellairs didn&rsquo;t fall in with it. She won&rsquo;t even let me ask her
+ father&rsquo;s consent just yet.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. Ellerton proposes not to announce our&mdash;anything&mdash;for
+ a few days.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said John, &ldquo;I shall insist on an announcement
+ very shortly, and you ought to do the same, Mary. We know the evils&mdash;&rdquo;
+ He checked himself, but Mary was not embarrassed.
+ </p>
+ <p>
+ &ldquo;Of secret engagements?&rdquo; she said calmly. &ldquo;We do indeed.&rdquo;
+ </p>
+ <p>
+ &ldquo;Besides it&rsquo;s a bore. I couldn&rsquo;t go with Miss Bellairs
+ to the theatre to-night, because she said it would look too marked.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, and Mr. Ellerton said that if he dined here he might as well
+ announce our engagement from the statue of Strasburg.&rdquo;
+ </p>
+ <p>
+ John frowned, and Mary perceiving the bent of his thoughts ventured to
+ say, though with a timid air unusual to her:
+ </p>
+ <p>
+ &ldquo;I think they&rsquo;re the least little bit inconsiderate, don&rsquo;t
+ you, John&mdash;after all we have done for them?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I don&rsquo;t mind admitting that I do feel that. I do not
+ consider that Miss Bellairs quite appreciates the effort I have made.&rdquo;
+ </p>
+ <p>
+ Mary sighed.
+ </p>
+ <p>
+ &ldquo;We mustn&rsquo;t expect too much of them, must we?&rdquo; she
+ asked.
+ </p>
+ <p>
+ &ldquo;I suppose not,&rdquo; John conceded; but he still frowned.
+ </p>
+ <p>
+ When we consider how simple the elements of perfect happiness appear to
+ be, regarded in the abstract, it becomes surprising to think how difficult
+ it is to attain them in the concrete. A kind magician may grant us all we
+ ask, may transport us whither we would go, dower us with all we lack,
+ bring to us one desired companion after another, but something is wrong.
+ We have a toothache, or in spite of our rich curtains there&rsquo;s a
+ draught, or the loved one haps not to be at the moment congenial: and we
+ pitifully pray the wizard to wave his wand again. Would any magician wave
+ his for these four troublesome folk? It must be admitted that they hardly
+ deserved it.
+ </p>
+ <p>
+ Nevertheless a magician was at work, and, with the expiration of the next
+ night, his train was laid. At eleven o&rsquo;clock in the forenoon of
+ Friday, Roger Deane had a final interview with the still hesitating
+ Painter.
+ </p>
+ <p>
+ &ldquo;But if the police should come, Sir Roger?&rdquo; urged the fearful
+ man.
+ </p>
+ <p>
+ &ldquo;Why, you&rsquo;ll look a fool, that&rsquo;s all. Isn&rsquo;t the
+ figure high enough?&rdquo;
+ </p>
+ <p>
+ &ldquo;Most liberal, Sir Roger, but&mdash;but it will alarm my wife.&rdquo;
+ </p>
+ <p>
+ &ldquo;If you come to that, it&rsquo;ll alarm my wife.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very true, Sir Roger.&rdquo; Painter seemed to derive some comfort
+ from this indirect community of feeling with the aristocracy.
+ </p>
+ <p>
+ &ldquo;It&rsquo;ll alarm everybody, I hope. That&rsquo;s what it&rsquo;s
+ for. Now mind&mdash;2.30 sharp&mdash;and when the coffee&rsquo;s been in
+ ten minutes. Not before! I must have time for coffee.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very good, Sir Roger.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is the ladder ready?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, Sir Roger.&rdquo;
+ </p>
+ <p>
+ &ldquo;And the what&rsquo;s-its-name?&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite ready, Sir Roger.&rdquo;
+ </p>
+ <p>
+ &ldquo;Let&rsquo;s see it.&rdquo;
+ </p>
+ <p>
+ It was inspected and pronounced satisfactory. Then Roger Deane set out to
+ return to his hotel, murmuring contentedly:
+ </p>
+ <p>
+ &ldquo;If that don&rsquo;t make up their minds for &lsquo;em, I don&rsquo;t
+ know what will.&rdquo;
+ </p>
+ <p>
+ Then he paused suddenly.
+ </p>
+ <p>
+ &ldquo;Gad! Will the women have hysterics?&rdquo; he asked, but in a
+ moment he added, reassuring himself, &ldquo;Maud never has, and, hang it,
+ we must chance the rest.&rdquo;
+ </p>
+ <p>
+ Arrived at home he found Arthur Laing kicking his heels in the
+ smoking-room.
+ </p>
+ <p>
+ &ldquo;Lunching with you to-day, ain&rsquo;t I, somewhere in the
+ Palais-Royal?&rdquo; asked the visitor.
+ </p>
+ <p>
+ &ldquo;Yes, some place the General&rsquo;s found out. Look here, Laing,
+ are you a nervous man?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nervous! What do you take me for?&rdquo;
+ </p>
+ <p>
+ &ldquo;Lose your head in moments of excitement?&rdquo;
+ </p>
+ <p>
+ &ldquo;I never have &lsquo;em.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, well, hang you! I say, Laing, you&rsquo;re not a fool. Just
+ look here. Anything I say&mdash;anything, mind&mdash;at lunch today, you&rsquo;re
+ not to contradict. You&rsquo;re to back me up.&rdquo;
+ </p>
+ <p>
+ &ldquo;Right you are, old chap.&rdquo;
+ </p>
+ <p>
+ &ldquo;And the more infernal nonsense it sounds, the more you&rsquo;re to
+ take your oath about it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m there.&rdquo;
+ </p>
+ <p>
+ &ldquo;And finally, you&rsquo;re on no account to lay a finger either on
+ Miss Travers or on Dora Bellairs.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hullo! I&rsquo;m not in the habit of beating women at any time, let
+ alone at a lunch-party.&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean what I say: you&rsquo;re not to touch either of them. If you
+ do you&rsquo;ll spoil it. You&rsquo;re to go for Miss Bussey.&rdquo;
+ </p>
+ <p>
+ &ldquo;She&rsquo;s not done me any harm.&rdquo;
+ </p>
+ <p>
+ &ldquo;Never mind. As soon as the row begins and I say, &lsquo;Save the
+ ladies!&rsquo; you collar Miss Bussey. See?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I see. Seems to me we&rsquo;re going to have a lively lunch. Am
+ I to carry the old lady?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, by Jove! How&rsquo;s my biceps? Just feel, will you?&rdquo;
+ </p>
+ <p>
+ Deane felt and gravely pronounced the muscle to be equal to its task.
+ Laing was much gratified, and awaited the unknown future with philosophic
+ patience.
+ </p>
+ <p>
+ Sir Roger had predicted &ldquo;a jolly lunch,&rdquo; but, in its early
+ stages, the entertainment hardly earned this description. Something was
+ wrong somewhere; Dora started by refusing, very pointedly, to sit near
+ Charlie Ellerton; and yet, when she found herself between Ashforth and
+ Laing, she was absent, silent, and melancholy. Charlie, on the other hand,
+ painfully practised a labored attentiveness to Mary Travers which
+ contrasted ill with his usual spontaneous and gay courtesy. Miss Bussey
+ wore an air of puzzled gravity, and Laing kept looking at her with a
+ calculating eye. He seemed to be seeking the best grip. Lady Deane and the
+ General, engrossed in a tjte-`-tjte discussion, did little to promote the
+ hilarity of the table, and it was left to Deane to maintain the flow of
+ conversation as he best could. Apparently he found the task a heavy one,
+ for, before long, he took a newspaper out of his pocket, and, ` propos to
+ one of his own remarks, began to read a highly decorated account of the
+ fearful injuries under which the last victim of the last diabolical
+ explosion had been in danger of succumbing. Sir Roger read his gruesome
+ narrative with much emphasis, and as he laid down the paper he observed:
+ </p>
+ <p>
+ &ldquo;Well, I hope I&rsquo;m not more of a coward than most men, but in
+ face of dynamite&mdash;ugh!&rdquo; and he shuddered realistically.
+ </p>
+ <p>
+ &ldquo;I should make for the door,&rdquo; said Laing.
+ </p>
+ <p>
+ &ldquo;Yes, but in this case the bomb was at the door!&rdquo;
+ </p>
+ <p>
+ &ldquo;Then,&rdquo; said Laing, &ldquo;I should exit by the window.&rdquo;
+ </p>
+ <p>
+ &ldquo;But this poor man.&rdquo; remarked Mary Travers, &ldquo;stayed to
+ rescue the woman he loved,&rdquo; and her eyes rested for an instant in
+ confident affection on Charlie Ellerton.
+ </p>
+ <p>
+ &ldquo;We should all do as much, I trust,&rdquo; said John, glancing at
+ Dora Bellairs.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m sure I hope you won&rsquo;t have to,&rdquo; said Dora,
+ rather ungraciously.
+ </p>
+ <p>
+ &ldquo;Think what a convincing test of affection it would be,&rdquo;
+ suggested Deane persuasively. &ldquo;After that you could never doubt that
+ the man loved you.&rdquo;
+ </p>
+ <p>
+ &ldquo;My good Sir Roger,&rdquo; observed Miss Bussey, &ldquo;it would be
+ common humanity.&rdquo;
+ </p>
+ <p>
+ &ldquo;Suppose there were two girls,&rdquo; said Laing, &ldquo;and you
+ couldn&rsquo;t take &lsquo;em both!&rdquo;
+ </p>
+ <p>
+ Deane hastily interposed.
+ </p>
+ <p>
+ &ldquo;Haven&rsquo;t we had enough of this dreary subject?&rdquo; he
+ asked, and he frowned slightly at Laing.
+ </p>
+ <p>
+ &ldquo;Isn&rsquo;t it about time for coffee?&rdquo; the General suggested.
+ </p>
+ <p>
+ Deane looked at his watch.
+ </p>
+ <p>
+ &ldquo;What does the time matter, Deane, if we&rsquo;re ready?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not a bit. 2.20. That&rsquo;s all right,&rdquo; and he rang the
+ bell.
+ </p>
+ <p>
+ Painter came in with the coffee: the little man looked rather pale and
+ nervous, but succeeded in serving the company without upsetting the cups.
+ He came to Deane last.
+ </p>
+ <p>
+ &ldquo;Is everything ready?&rdquo; whispered that gentleman, and receiving
+ a trembling &ldquo;Yes, sir,&rdquo; he added, &ldquo;in ten minutes.&rdquo;
+ </p>
+ <p>
+ &ldquo;This,&rdquo; he observed out loud, &ldquo;has been a pleasant
+ gathering&mdash;a pleasant end to our outing.&rdquo;
+ </p>
+ <p>
+ &ldquo;What? You&rsquo;re going?&rdquo; asked Miss Bussey.
+ </p>
+ <p>
+ &ldquo;Yes: my wife and I cross to England to-morrow.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall go the next day,&rdquo; announced the General, &ldquo;if
+ Dora is ready.&rdquo;
+ </p>
+ <p>
+ John threw a glance toward Dora, but she was busy drinking her coffee.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said Deane, &ldquo;I hope we may soon meet again,
+ under equally delightful circumstances, in London. At any rate,&rdquo; he
+ added with a laugh, &ldquo;there we shall be safe from&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ Crash! A loud noise came from the door, as if of some metallic substance
+ thrown against the panels.
+ </p>
+ <p>
+ &ldquo;Hullo!&rdquo; said Laing.
+ </p>
+ <p>
+ &ldquo;Oh, somebody tumbled downstairs,&rdquo; said Deane reassuringly.
+ &ldquo;Don&rsquo;t move, Miss Bussey.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, but Sir Roger, what is it? What do you think? It didn&rsquo;t
+ sound at all like what you say.&rdquo;
+ </p>
+ <p>
+ The General laughed.
+ </p>
+ <p>
+ &ldquo;Come, Miss Bussey, I don&rsquo;t suppose it&rsquo;s&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ As he spoke the form of Painter appeared at the open window. He was
+ breathless, and shrieked hastily:
+ </p>
+ <p>
+ &ldquo;Dynamite, dynamite! Save yourselves! It&rsquo;ll be off in a
+ minute.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then I shall be off in half a minute,&rdquo; said Laing.
+ </p>
+ <p>
+ There was a rush to the door, and Laing, remembering his instructions,
+ joined hastily in it.
+ </p>
+ <p>
+ &ldquo;No, no. The bomb&rsquo;s there!&rdquo; cried Painter, excitedly.
+ </p>
+ <p>
+ They stood still in horror for ten seconds.
+ </p>
+ <p>
+ &ldquo;To the window, to the window, for your lives! Save the ladies!&rdquo;
+ cried Sir Roger Deane.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0013" id="link2HCH0013"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER XIII. &mdash; FAITHFUL TO DEATH
+ </h2>
+ <p>
+ The ladies looked at one another. Even in that awful moment, the becoming,
+ the seemly, the dignified had its claims. The window was narrow: the
+ ladder&mdash;Mary Travers had gone to look at it&mdash;was steep: a
+ little, curious, excited crowd was gathering below. Deane saw their
+ hesitation. He rushed to the door and cautiously opened it. The thing was
+ there! Across the very entrance&mdash;that villainous oblong case! And
+ from below came a shriek&mdash;it was Madame&rsquo;s voice, and a cry of
+ &ldquo;Quick! quick!&rdquo;
+ </p>
+ <p>
+ &ldquo;This,&rdquo; said the General firmly (he had been through the
+ Mutiny), &ldquo;is not a time for punctilio. Excuse me,&rdquo; and he
+ lifted Lady Deane in his stalwart arms and bore her toward the window.
+ </p>
+ <p>
+ With a distant reminiscence of the ball room, Arthur Laing approached Miss
+ Bussey, murmuring &ldquo;May I have the&mdash;&rdquo; and with a mighty
+ effort swung the good lady from the ground. She clutched his cravat
+ wildly, crying &ldquo;Save me!&rdquo;
+ </p>
+ <p>
+ Mary Travers was calmness itself. With quiet mien and unfaltering voice,
+ she laid her hand on Charlie&rsquo;s arm and murmured:
+ </p>
+ <p>
+ &ldquo;I am ready, Charlie.&rdquo;
+ </p>
+ <p>
+ At the same moment John Ashforth, the light of heroism in his eye,
+ whispered to Dora, &ldquo;You must trust yourself implicitly to me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Quick, quick!&rdquo; cried Deane, &ldquo;or it&rsquo;s all up with
+ you. Quick, Ashforth! Quick, Charlie, quick, man!&rdquo;
+ </p>
+ <p>
+ There was one more pause. Mary&rsquo;s hand pressed a little harder. John&rsquo;s
+ arm was advancing towards Dora&rsquo;s waist. Sir Roger looked on with
+ apparent impatience.
+ </p>
+ <p>
+ &ldquo;Are you never going?&rdquo; he called. &ldquo;Must I&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ Suddenly a loud cry rang out. It came from Miss Bellairs.
+ </p>
+ <p>
+ &ldquo;Oh, Charlie, save me, save me!&rdquo; she cried, and then and there
+ flung herself into his arms.
+ </p>
+ <p>
+ &ldquo;My darling!&rdquo; he whispered loudly, and catching her up made
+ for the window. As they disappeared through it, Deane softly and swiftly
+ opened the door and disappeared in his turn. Mary and John were left
+ alone. Then Mary&rsquo;s composure gave way. Sinking into a chair she
+ cried:
+ </p>
+ <p>
+ &ldquo;And I am left! Nobody cares for me. What shall I do?&rdquo;
+ </p>
+ <p>
+ In an instant John&rsquo;s strong arm was round her. &ldquo;I care for
+ you!&rdquo; he cried, and raising her almost senseless form, he rushed to
+ the window. The ladder was gone!
+ </p>
+ <p>
+ &ldquo;Gone!&rdquo; he shrieked. &ldquo;Where is it?&rdquo;
+ </p>
+ <p>
+ There was no answer. The little crowd had gone too.
+ </p>
+ <p>
+ &ldquo;We are lost,&rdquo; he said.
+ </p>
+ <p>
+ Mary opened her eyes.
+ </p>
+ <p>
+ &ldquo;Lost!&rdquo; she echoed.
+ </p>
+ <p>
+ &ldquo;Lost! Abandoned&mdash;by those who loved&mdash;ah, no, no, Mary. In
+ the hour of danger&mdash;then we see the truth!&rdquo;
+ </p>
+ <p>
+ Mary&rsquo;s arms clasped him closer.
+ </p>
+ <p>
+ &ldquo;Ah, John, John,&rdquo; she said, &ldquo;we must die together, dear.&rdquo;
+ </p>
+ <p>
+ John stooped and kissed her.
+ </p>
+ <p>
+ Suddenly the door was opened and Deane entered. He wore a comically
+ apologetic look, and carried an oblong metal vessel in his right hand.
+ </p>
+ <p>
+ &ldquo;Excuse me,&rdquo; he said. &ldquo;There&rsquo;s been&mdash;er&mdash;slight
+ but very natural mistake. It wasn&rsquo;t&mdash;er&mdash;exactly dynamite&mdash;it&rsquo;s&mdash;er&mdash;a
+ preserved-peach tin. That fool Painter&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Then we&rsquo;re safe!&rdquo; cried Mary.
+ </p>
+ <p>
+ &ldquo;Yes, thank Heaven,&rdquo; answered Deane fervently.
+ </p>
+ <p>
+ &ldquo;Oh, John!&rdquo; she cried.
+ </p>
+ <p>
+ Sir Roger, with a smile, retired and closed the door after him.
+ </p>
+ <p>
+ Downstairs Lady Deane and Miss Bussey, forgetful of their sufferings, were
+ restoring Madame Painter to her senses; Painter was uncorking a bottle of
+ champagne for Arthur Laing; Sir Roger Deane was talking in a low voice and
+ persuasive tones to an imposing representative of the police. &ldquo;What
+ passed between them is unknown; possibly only words, possibly something
+ else; at any rate, after a time, Deane smiled, the great man smiled
+ responsively, saluted, and disappeared, murmuring something about Anglais,
+ milords, and drtles. The precise purport of his reflections could not be
+ distinctly understood by those in the house, for civility made him
+ inarticulate, but when he was safely outside he looked at a piece of crisp
+ paper in his hand, then, with his thumb pointing over his shoulder, he
+ gave an immense shrug, and exclaimed:
+ </p>
+ <p>
+ &ldquo;Mais voil`, un fou!&rdquo; and to this day he considers Roger Deane
+ the very type of a maniac.
+ </p>
+ <p>
+ Mary and John descended. As soon as they appeared Dora jumped up from her
+ seat and ran towards John, crying, &ldquo;Oh, Mr. Ashforth!&rdquo;
+ </p>
+ <p>
+ While Charlie, advancing more timidly to Mary, murmured: &ldquo;Forgive
+ me, but&mdash;&rdquo;
+ </p>
+ <p>
+ Mary with a slight bow, John with a lift of his hat, both without a halt
+ or a word, passed through the room, arm-in-arm, and vanished from Mr.
+ Painter&rsquo;s establishment.
+ </p>
+ <p>
+ Sir Roger had seized on Laing&rsquo;s champagne and was pouring it out. He
+ stopped now, and looked at Dora. A sudden gleam of intelligence glanced
+ from her eyes. Rushing up to him, she whispered, &ldquo;You did it all? It
+ was all a hoax?&rdquo;
+ </p>
+ <p>
+ He nodded.
+ </p>
+ <p>
+ &ldquo;And why?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ask Charlie Ellerton,&rdquo; he answered.
+ </p>
+ <p>
+ &ldquo;Oh, but Mr. Ashforth and Mary Travers are so angry!&rdquo;
+ </p>
+ <p>
+ &ldquo;With one another?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, with us.&rdquo;
+ </p>
+ <p>
+ Sir Roger looked her mercilessly full in the face, regardless of her
+ blushes.
+ </p>
+ <p>
+ &ldquo;That,&rdquo; he observed with emphasis, &ldquo;is exactly what you
+ wanted, Miss Bellairs.&rdquo;
+ </p>
+ <p>
+ Then he turned to the company, holding a full glass in his hand. &ldquo;Ladies
+ and gentlemen,&rdquo; said he, &ldquo;some of us have had a narrow escape.
+ Whether we shall be glad of it or sorry hereafter, I don&rsquo;t know&mdash;do
+ you, Charlie? But hero&rsquo;s a health to&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ But Dora, glancing apprehensively at the General, whispered, &ldquo;Not
+ yet!&rdquo;
+ </p>
+ <p>
+ &ldquo;To Dynamite!&rdquo; said Sir Roger Deane.
+ </p>
+ <h3>
+ POSTSCRIPT
+ </h3>
+ <p>
+ It should be added that a fuller, more graphic, and more sensational
+ account of the outrage in the Palais-Royal than this pen has been capable
+ of inscribing will appear, together with much other curious and
+ enlightening matter, in Lady Deane&rsquo;s next work. The author also
+ takes occasion in that work&mdash;and there is little doubt that the
+ subject was suggested by the experiences of some of her friends&mdash;to
+ discuss the nature, quality, and duration of the Passion of Love. She
+ concludes&mdash;if it be permissible thus far to anticipate the
+ publication of her book&mdash;that all True Love is absolutely permanent
+ and indestructible, untried by circumstance and untouched by time; and
+ this opinion is, she says, indorsed by every woman who has ever been in
+ love. Thus fortified, the conclusion seems beyond cavil. If, therefore,
+ any incidents here recorded appear to conflict with it, we must imitate
+ the discretion of Plato and say, either these persons were not Sons of the
+ Gods&mdash;that is. True Lovers&mdash;or they did not do such things.
+ Unfortunately, however, Lady Deane&rsquo;s proof-sheets were accessible
+ too late to allow of the title of this story being changed. So it must
+ stand&mdash;&ldquo;The Wheel of Love;&rdquo; but if any lady (men are
+ worse than useless) will save the author&rsquo;s credit by proving that
+ wheels do not go round, he will be very much obliged&mdash;and will offer
+ her every facility.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0015" id="link2H_4_0015"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE LADY OF THE POOL
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0014" id="link2HCH0014"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER I. &mdash; A FIRM BELIEVER
+ </h2>
+ <p>
+ &ldquo;I see Mr. Vansittart Merceron&rsquo;s at the Court again, mamma.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, dear. Lady Merceron told me he was coming. She wanted to
+ consult him about Charlie.&rdquo;
+ </p>
+ <p>
+ &ldquo;She&rsquo;s always consulting him about Charlie, and it never makes
+ any difference.&rdquo;
+ </p>
+ <p>
+ Mrs. Bushell looked up from her needlework; her hands were full with
+ needle and stuff, and a couple of pins protruded from her lips. She
+ glanced at her daughter, who stood by the window in the bright blaze of a
+ brilliant sunset, listlessly hitting the blind-cord and its tassel to and
+ fro.
+ </p>
+ <p>
+ &ldquo;The poor boy&rsquo;s very young still,&rdquo; mumbled Mrs. Bushell
+ through her pins.
+ </p>
+ <p>
+ &ldquo;He&rsquo;s twenty-five last month,&rdquo; returned Millicent.
+ &ldquo;I know, because there&rsquo;s exactly three years between him and
+ me.&rdquo;
+ </p>
+ <p>
+ The sinking rays defined Miss Bushell&rsquo;s form with wonderful
+ clearness. She was very tall, and the severe well-cut cloth gown she wore
+ set off the stately lines of her figure. She had a great quantity of fair
+ hair and a handsome face, spoilt somewhat by a slightly excessive breadth
+ across the cheeks; as her height demanded or excused, her hands and feet
+ were not small, though well shaped. Would Time have arrested his march for
+ ever, there would have been small fault to find with Nature&rsquo;s gifts
+ to Miss Bushell; but, as her mother said, Millie was just what she had
+ been at twenty-one; and Mrs. Bushell was now extremely stout. Millie
+ escaped the inference by discrediting her mother&rsquo;s recollection.
+ </p>
+ <p>
+ The young lady wore her hat, and presently she turned away from the
+ window, remarking:
+ </p>
+ <p>
+ &ldquo;I think I shall go for a stroll. I&rsquo;ve had no exercise to-day.&rdquo;
+ </p>
+ <p>
+ Either inclination, or perhaps that threatening possibility from which she
+ strove to avert her eyes, made Millie a devotee of active pursuits. She
+ hunted, she rode, she played lawn-tennis, and, when at the seaside, golf;
+ when all failed, she walked resolutely four or five miles on the
+ high-road, swinging along at a healthy pace, and never pausing save to
+ counsel an old woman or rebuke a truant urchin. On such occasions her
+ manner (for we may not suppose that her physique aided the impression)
+ suggested the benevolent yet stern policeman, and the vicar acknowledged
+ in her an invaluable assistant. By a strange coincidence she seemed to
+ suit the house she lived in&mdash;one of those large white square dwelling&rsquo;s,
+ devoid of ornament, yet possessing every substantial merit, and attaining,
+ by virtue of their dimensions and simplicity, an effect of handsomeness
+ denied to many more tricked-out building&rsquo;s. The house satisfied; so
+ did Millie, unless the judge were very critical.
+ </p>
+ <p>
+ &ldquo;I shall just walk round by the Pool and back,&rdquo; she added as
+ she opened the door.
+ </p>
+ <p>
+ &ldquo;My dear, it&rsquo;s four miles!&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, it&rsquo;s only a little after six, and we don&rsquo;t dine
+ till eight.&rdquo;
+ </p>
+ <p>
+ Encountering no further opposition than a sigh of admiration&mdash;three
+ hundred yards was the limit of pleasure in a walk to her mother&mdash;Millie
+ Bushell started on her way, dangling a neat ebony stick in her hand, and
+ setting her feet down with a firm decisive tread. It did not take her long
+ to cover the two miles between her and her destination. Leaving the road,
+ she entered the grounds of the Court and, following a little path which
+ ran steeply down hill, she found herself by the willows and reeds fringing
+ the edge of the Pool. Opposite to her, on the higher bank, some seven or
+ eight feet above the water, rose the temple, a small classical erection,
+ used now, when at all, as a summer-house, but built to commemorate the sad
+ fate of Agatha Merceron. The sun had just sunk, and the Pool looked chill
+ and gloomy; the deep water under the temple was black and still. Millie&rsquo;s
+ robust mind was not prone to superstition, yet she was rather relieved to
+ think that, with the sun only just gone, there was a clear hour before
+ Agatha Merceron would come out of the temple, slowly and fearfully descend
+ the shallow flight of marble steps, and lay herself down in the water to
+ die. That happened every evening, according to the legend, an hour after
+ sunset&mdash;every evening, for the last two hundred years, since poor
+ Agatha, bereft and betrayed, had found the Pool kinder than the world, and
+ sunk her sorrow and her shame and her beauty there&mdash;such shame and
+ such beauty as had never been before or after in all the generations of
+ the Mercerons.
+ </p>
+ <p>
+ &ldquo;What nonsense it all is!&rdquo; said Millie aloud. &ldquo;But I&rsquo;m
+ afraid Charlie is silly enough to believe it.&rdquo;
+ </p>
+ <p>
+ As she spoke her eye fell on a Canadian canoe, which lay at the foot of
+ the steps. She recognized it as Charlie Merceron&rsquo;s, and, knowing
+ that approach to the temple from the other side was to be gained only by a
+ difficult path through a tangled wood, and that the canoe usually lay
+ under a little shed a few yards from where she stood, she concluded that
+ Charlie was in the temple. There was nothing surprising in that: it was a
+ favorite haunt of his. She raised her voice; and called to him. At first
+ no answer came, and she repeated:
+ </p>
+ <p>
+ &ldquo;Charlie! Charlie!&rdquo;
+ </p>
+ <p>
+ After a moment of waiting a head was thrust out of a window in the side of
+ the temple&mdash;a head in a straw hat.
+ </p>
+ <p>
+ &ldquo;Hullo!&rdquo; said Charlie; Merceron in tones of startled surprise.
+ Then, seeing the visitor, he added: &ldquo;Oh, it&rsquo;s you, Millie! How
+ did you know I was here?&rdquo;
+ </p>
+ <p>
+ &ldquo;By the canoe, of course.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hang the canoe!&rdquo; muttered Charlie, and his head disappeared.
+ A second later he came out of the doorway and down the steps. Standing on
+ the lowest, he shouted&mdash;the Pool was about sixty feet across&mdash;&ldquo;What
+ do you want?&rdquo;
+ </p>
+ <p>
+ &ldquo;How rude you are!&rdquo; shouted Miss Bushell in reply.
+ </p>
+ <p>
+ Charlie got into the canoe and began to paddle across. He had just reached
+ the other side, when Millie screamed:
+ </p>
+ <p>
+ &ldquo;Look, look, Charlie!&rdquo; she cried. &ldquo;The temple!&rdquo;
+ </p>
+ <p>
+ &ldquo;What?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&mdash;I saw something white at the window.&rdquo;
+ </p>
+ <p>
+ Charlie got out of the canoe; hastily.
+ </p>
+ <p>
+ &ldquo;What?&rdquo; he asked again, walking up to Miss Bushell.
+ </p>
+ <p>
+ &ldquo;I declare I saw something white at the window. Oh, Charlie! But it&rsquo;s
+ all&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Bosh? Of course it is. There&rsquo;s nothing in the temple.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I thought&mdash;I wonder you like to be there.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why shouldn&rsquo;t I?&rdquo;
+ </p>
+ <p>
+ The mysterious appearance not being repeated, Millie&rsquo;s courage
+ returned.
+ </p>
+ <p>
+ &ldquo;I thought you believed in the ghost,&rdquo; she said, smiling.
+ </p>
+ <p>
+ &ldquo;So I do, but I don&rsquo;t mind it.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;ve never seen it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Supposing I haven&rsquo;t? That doesn&rsquo;t prove it&rsquo;s not
+ true.&rdquo;
+ </p>
+ <p>
+ &ldquo;But you&rsquo;re often here at the time?&rdquo;
+ </p>
+ <p>
+ &ldquo;Never,&rdquo; answered Charlie with emphasis. &ldquo;I always go
+ away before the time.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you&rsquo;d better come now. Put the canoe to bed and walk
+ with me.&rdquo;
+ </p>
+ <p>
+ Charlie Merceron thrust his hands into his pockets and smiled at his
+ companion. He was tall also, and just able to look down on her.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; he said, &ldquo;I&rsquo;m not going yet.&rdquo;
+ </p>
+ <p>
+ &ldquo;How rude&mdash;oh, there it is again, Charlie! I saw it! I&rsquo;m&mdash;I&rsquo;m
+ frightened,&rdquo; and her healthy color paled a trifle, as she laid a
+ hand on Charlie&rsquo;s arm.
+ </p>
+ <p>
+ &ldquo;I tell you what,&rdquo; observed Charlie. &ldquo;If you have
+ fancies of this kind you&rsquo;d better not come here any more&mdash;not
+ in the evening, at all events. You know people who think they&rsquo;re
+ going to see things always do see em.&rdquo;
+ </p>
+ <p>
+ &ldquo;My heart is positively beating,&rdquo; said Miss Bushell. &ldquo;I&mdash;I
+ don&rsquo;t quite like walking back alone.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll see you as far as the road,&rdquo; Charlie conceded, and
+ with remarkable promptitude he led the way, turning his head over his
+ shoulder to remark:
+ </p>
+ <p>
+ &ldquo;Really, if you&rsquo;re so nervous, you oughtn&rsquo;t to come
+ here.&rdquo;
+ </p>
+ <p>
+ &ldquo;I never will again&mdash;not alone, I mean.&rdquo;
+ </p>
+ <p>
+ Charlie had breasted the hill with such goodwill that they were already at
+ the road.
+ </p>
+ <p>
+ &ldquo;And you&rsquo;re really going back?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;Oh, just for a few minutes. I left my book in the temple&mdash;I
+ was reading there. She&rsquo;s not due for half an hour yet, you know.&rdquo;
+ </p>
+ <p>
+ &ldquo;What&mdash;what happens if you see her?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, you die,&rdquo; answered Charlie. &ldquo;Goodnight;&rdquo; and
+ with a smile and a nod he ran down the hill towards the Pool.
+ </p>
+ <p>
+ Miss Bushell, cavalierly deserted, made her way home at something more
+ than her usual rate of speed. She had never believed in that nonsense, but
+ there was certainly something white at that window&mdash;something white
+ that moved. Under the circumstances, Charlie really might have seen her
+ home, she thought, for the wood-fringed road was gloomy, and dusk coming
+ on apace. Besides, where was the hardship in being her escort?
+ </p>
+ <p>
+ Doubtless none, Charlie would have answered, unless a man happened to have
+ other fish to fry. The pace at which the canoe crossed the Pool and
+ brought up at its old moorings witnessed that he had no leisure to spend
+ on Miss Bushell. Leaping out, he ran up the stops into the temple, crying
+ in a loud whisper:
+ </p>
+ <p>
+ &ldquo;She&rsquo;s gone!&rdquo;
+ </p>
+ <p>
+ The temple was empty, and Charlie, looking round in vexation, added:
+ </p>
+ <p>
+ &ldquo;So has she, by Jingo!&rdquo;
+ </p>
+ <p>
+ He sat down disconsolately on the low marble seat that ran round the
+ little shrine.
+ </p>
+ <p>
+ There were no signs of the book of which he had spoken to Millie Bushell.
+ There were no signs of anybody whom he could have meant to address. Stay!
+ One sign there was: a long hat-pin lay on the floor. Charlie picked it tip
+ with a sad smile.
+ </p>
+ <p>
+ &ldquo;Agatha&rsquo;s,&rdquo; he said to himself.
+ </p>
+ <p>
+ And yet, as everyone in the neighborhood knew, poor Agatha Merceron went
+ nightly to her phantom death bareheaded and with golden locks tossed by
+ the wind. Moreover, the pin was of modern manufacture; moreover, ghosts do
+ not wear&mdash;but there is no need to enter on debatable ground; the pin
+ was utterly modern.
+ </p>
+ <p>
+ &ldquo;Now, if uncle Van,&rdquo; mused Charlie, &ldquo;came here and saw
+ this&mdash;!&rdquo; He carefully put the pin in his breast-pocket, and
+ looked at his watch. It was exactly Agatha Merceron&rsquo;s time; yet
+ Charlie leant back on his cold marble seat, put his hands in his pockets,
+ and gazed up at the ceiling with the happiest possible smile on his face.
+ For one steeped in family legends, worshipping the hapless lady&rsquo;s
+ memory with warm devotion, and reputed a sincere believer in her ghostly
+ wanderings, he awaited her coming with marvellous composure. In point of
+ fact he had forgotten all about her, and there was nothing to prevent her
+ coming, slipping down the steps, and noiselessly into the water, all
+ unnoticed by him. His eyes were glued to the ceiling, the smile played on
+ his lips, his ears were filled with sweet echoes, and his thoughts were
+ far away. Perhaps the dead lady came and passed unseen. That Charlie did
+ not see her was ridiculously slight evidence whereon to damn so ancient
+ and picturesque a legend. He thought the same himself, for that night at
+ dinner&mdash;he came in late for dinner&mdash;he maintained the credit of
+ the story with fierce conviction against Mr. Vansittart Merceron&rsquo;s
+ scepticism.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0015" id="link2HCH0015"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER II. &mdash; MISS WALLACE&rsquo;S FRIEND
+ </h2>
+ <p>
+ In old days the Mercerons had been great folk. They had held the earldom
+ of Langbury and the barony of Warmley. A failure of direct descent in the
+ male line extinguished the earldom; the Lady Agatha was the daughter of
+ the last earl, and would have been Baroness Warmley had she lived. On her
+ death that title passed to her cousin, and continued in that branch till
+ the early days of the present century. Then came another break. The Lord
+ Warmley of that day, a Regency dandy, had a son, but not one who could
+ inherit his honors, and away went the barony to a yet younger branch,
+ where, falling a few years later into female hands, it was merged in a
+ brand-new viscounty, and was now waiting till chance again should restore
+ it to an independent existence. From the Mercerons of the Court it was
+ gone for ever, and the blot on their escutcheon which lost it them was a
+ sore point, from which it behooved visitors and friends to refrain their
+ tongues. The Regent had, indeed, with his well-known good nature, offered
+ a baronetcy to hide the stain; but pride forbade, and the Mercerons now
+ held no titles, save the modest dignity which Charlie&rsquo;s father, made
+ a K.C.B. for services in the North-West Provinces, had left behind him to
+ his widow. But the old house was theirs, and a comfortable remnant of the
+ lands, and the pictures of the extinct earls and barons, down to him whose
+ sins had robbed the line of its surviving rank and left it in a position,
+ from an heraldic point of view, of doubtful respectability. Lady Merceron
+ felt so acutely on the subject that she banished this last nobleman to the
+ smoking-room. There was, considering everything, an appropriateness in
+ that position, and he no longer vexed her eyes as she sat at meat in the
+ dining room. She had purposed a like banishment for Lady Agatha; but here
+ Charlie had interceded, and the unhappy beauty hung still behind his
+ mother&rsquo;s chair and opposite his own. It was just to remember that
+ but for poor Agatha&rsquo;s fault and fate the present branch might never
+ have enjoyed the honors at all; so Charlie urged to Lady Merceron,
+ catching at any excuse for keeping Lady Agatha. Lady Merceron&rsquo;s way
+ of judging pictures may seem peculiar, but the fact is that she lacked
+ what is called the sense of historical perspective: she did not see why
+ our ancestors should be treated so tenderly and allowed, with a charitable
+ reference to the change in manners, forgiveness for what no one to-day
+ could hope to win a pardon. Mr. Vansittart Merceron smiled at his
+ sister-in-law and shrugged his shoulders; but in vain. To the smoking-room
+ went the wicked Lord Warmley, and Lady Agatha was remarkably lucky in that
+ she did not follow him.
+ </p>
+ <p>
+ Mr. Vansittart, half-brother to the late Sir Victor, and twenty years
+ younger than he, was a short thick-set man, with a smooth round white
+ face, and a way of speaking so deliberate and weighty that it imparted
+ momentousness to nothings and infallibility to nonsense. When he really
+ had something sensible to say, and that was very fairly often, the effect
+ was enormous. He was now forty-four, a widower, well off by his marriage,
+ and a Member of Parliament. Naturally, Lady Merceron relied much, on his
+ advice, especially in what concerned her son; she was hazy about the
+ characters and needs of young men, not knowing how they should be treated
+ or what appealed to them. Amid her haziness, one fact only stood out
+ clear. To deal with a young man, you wanted a man of the world. In this
+ capacity Mr. Vansittart had now been sent for to the Court, the object of
+ his visit being nothing less than the arrangement and satisfactory
+ settlement of Charlie&rsquo;s future.
+ </p>
+ <p>
+ Mr. Vansittart approached the future through the present and the past.
+ &ldquo;Yon wasted your time at school, you wasted your time at Oxford, you&rsquo;re
+ wasting your time now,&rdquo; he remarked, when Charlie and he were left
+ alone after dinner.
+ </p>
+ <p>
+ Charlie was looking at Lady Agatha&rsquo;s picture. &ldquo;With a sigh he
+ turned to his uncle.
+ </p>
+ <p>
+ &ldquo;That&rsquo;s all very well,&rdquo; he said tolerantly, &ldquo;but
+ what is there for me to do?&rdquo;
+ </p>
+ <p>
+ &ldquo;If you took more interest in country pursuits it might be
+ different. But you don&rsquo;t hunt, you shoot very seldom&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;And very badly.&rdquo;
+ </p>
+ <p>
+ &ldquo;And not at all well, as you admit. You say you won&rsquo;t become a
+ magistrate, you show no interest in politics or&mdash;or&mdash;social
+ questions. You simply moon about.&rdquo;
+ </p>
+ <p>
+ Charlie was vividly reminded of a learned judge whom he had once heard
+ pronouncing sentence of death. His uncle&rsquo;s denunciation seemed to
+ lack its appropriate conclusion&mdash;that he should be hanged by the neck
+ till he was dead. He was roused to defend himself.
+ </p>
+ <p>
+ &ldquo;You&rsquo;re quite wrong, uncle,&rdquo; he said. &ldquo;I&rsquo;m
+ working hard. I&rsquo;m writing a history of the family.&rdquo;
+ </p>
+ <p>
+ &ldquo;A history of the family!&rdquo; groaned Mr. Vansittart. &ldquo;Who
+ wants one? Who&rsquo;ll read one?&rdquo;
+ </p>
+ <p>
+ &ldquo;From an antiquarian point of view&mdash;&rdquo; began Charlie
+ stoutly.
+ </p>
+ <p>
+ &ldquo;Of all ways of wasting time, antiquarianism is perhaps the most
+ futile;&rdquo; and Mr. Vansittart wiped his mouth with an air of finality.
+ </p>
+ <p>
+ &ldquo;Now the Agatha Merceron story,&rdquo; continued Charlie, &ldquo;is
+ in itself&mdash;-&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps we&rsquo;d better finish our talk tomorrow. The ladies
+ will, expect us in the garden.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right,&rdquo; said Charlie, with much content. He enjoyed
+ himself more in the garden, for, while Lady Merceron and her brother in
+ law took counsel, he strolled through the moonlit shrubberies with Mrs.
+ Marland, and Mrs. Marland was very sympathetically interested in him and
+ his pursuits. She was a little eager woman, the very antithesis in body
+ and mind to Millie Bushell; she had plenty of brains but very little
+ sense, a good deal of charm but no beauty, and, without any
+ counterbalancing defect at all, a hearty liking for handsome young men.
+ She had also a husband in the City.
+ </p>
+ <p>
+ &ldquo;Ghost-hunting again to-night, Mr. Merceron?&rdquo; she asked,
+ glancing up at Charlie, who was puffing happily at a cigar.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; he answered, &ldquo;I&rsquo;m very regular.&rdquo;
+ </p>
+ <p>
+ &ldquo;And did you see anyone?
+ </p>
+ <p>
+ &ldquo;I saw Millie Bushell.&rdquo;
+ </p>
+ <p>
+ &ldquo;Miss Bushell&rsquo;s hardly ghost-like, is she?&rdquo;
+ </p>
+ <p>
+ &ldquo;We&rsquo;ll,&rdquo; said Charlie meditatively, &ldquo;I suppose if
+ one was fat oneself one&rsquo;s ghost would be fat, wouldn&rsquo;t it?&rdquo;
+ </p>
+ <p>
+ Mrs. Marland, letting the problem alone, laughed softly.
+ </p>
+ <p>
+ &ldquo;Poor Miss Bushell! If she heard you say that! Or if Lady Merceron
+ heard you!&rdquo;
+ </p>
+ <p>
+ &ldquo;It would hardly surprise my mother to hear that I thought Millie
+ Bushell plump. She is plump, you know;&rdquo; and Charlie&rsquo;s eyes
+ expressed a candid homage to truth.
+ </p>
+ <p>
+ &ldquo;Oh, I know what&rsquo;s being arranged for you.&rdquo;
+ </p>
+ <p>
+ &ldquo;So do I.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you&rsquo;ll do it. Oh, you think you won&rsquo;t, but you
+ will. Men always end by doing what they&rsquo;re told.&rdquo;
+ </p>
+ <p>
+ &ldquo;Does Mr. Marland?&rdquo;
+ </p>
+ <p>
+ &ldquo;He begins by it,&rdquo; laughed his wife.
+ </p>
+ <p>
+ &ldquo;Is that why he&rsquo;s not coming till Saturday week?&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. Merceron! But what was Miss Bushell doing at the Pool? Did she
+ come to find you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, no; just for a walk.&rdquo;
+ </p>
+ <p>
+ &ldquo;Poor girl!&rdquo;
+ </p>
+ <p>
+ &ldquo;Why&mdash;it&rsquo;s good for her.&rdquo;
+ </p>
+ <p>
+ &ldquo;I didn&rsquo;t mean the walk,&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;d blush if there was light enough to make it any use, Mrs.
+ Marland.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, but I know there&rsquo;s something. You don&rsquo;t go there
+ every evening to look for a dead lady, Mr. Merceron.&rdquo;
+ </p>
+ <p>
+ Charlie stopped short, and took his cigar from his mouth.
+ </p>
+ <p>
+ &ldquo;What?&rdquo; he asked, a little abruptly.
+ </p>
+ <p>
+ &ldquo;Well, I shall follow you some day, and I shouldn&rsquo;t be
+ surprised if I met&mdash;not Agatha&mdash;but&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Well?&rdquo; asked Charlie, with an uncertain smile.
+ </p>
+ <p>
+ &ldquo;Why, poor Miss Bushell!&rdquo;
+ </p>
+ <p>
+ Charlie laughed and replaced his cigar.
+ </p>
+ <p>
+ &ldquo;What are we standing still for?&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know. You stopped. She&rsquo;d be such an ideal match
+ for you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then I should never have done for you, Mrs. Marland.&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear boy, I was married when you were still in Eton collars.&rdquo;
+ </p>
+ <p>
+ They had completed the circuit of the garden, and now approached where
+ Lady Merceron sat, enveloped in a shawl.
+ </p>
+ <p>
+ &ldquo;Charlie!&rdquo; she called. &ldquo;Here&rsquo;s a letter from
+ Victor Button. He&rsquo;s coming to-morrow.&rdquo;
+ </p>
+ <p>
+ &ldquo;I didn&rsquo;t know you&rsquo;d asked him,&rdquo; said Charlie,
+ with no sign of pleasure at the news. Victor had been at school and
+ college with Charlie, and often, in his holidays, at the Court, for he was
+ Sir Victor&rsquo;s godson. Yet Charlie did not love him. For the rest, he
+ was very rich, and was understood to cut something of a figure in London
+ society.
+ </p>
+ <p>
+ &ldquo;Mr. Sutton? Oh, I know him,&rdquo; exclaimed Mrs. Marland. &ldquo;He&rsquo;s
+ charming!&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you shall entertain him,&rdquo; said Charlie. &ldquo;I resign
+ him.&rdquo;
+ </p>
+ <p>
+ &ldquo;I can&rsquo;t think why you&rsquo;re not more pleased to have him
+ here, Charlie,&rdquo; remarked Lady Merceron. &ldquo;He&rsquo;s very
+ popular in London, isn&rsquo;t he, Vansittart?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ve met him at some very good houses,&rdquo; answered Mr.
+ Vansittart. And that, he seemed to imply, is better than mere popularity.
+ </p>
+ <p>
+ &ldquo;The Bushells were delighted with him last time he was here,&rdquo;
+ continued Lady Merceron.
+ </p>
+ <p>
+ &ldquo;There! A rival for you!&rdquo; Mrs. Marland whispered.
+ </p>
+ <p>
+ Charlie laughed cheerfully. Sutton would be no rival of his, he thought;
+ and if he and Millie liked one another, by all means let them take one
+ another. A month before he would hardly have dismissed the question in so
+ summary a fashion, for the habit of regarding Millie as a possibility and
+ her readiness as a fact had grown strong by the custom of years, and, far
+ as he was from a passion, he might not have enjoyed seeing her allegiance
+ transferred to Victor Sutton. Certainly he would have suffered defeat from
+ that hand with very bad grace. Now, however, everything was changed.
+ </p>
+ <p>
+ &ldquo;Vansittart,&rdquo; said Lady Merceron, &ldquo;Charlie and I want to
+ consult you (she often coupled Charlie&rsquo;s hypothetical desire for
+ advice with her own actual one in appeals to Mr. Vansittart) about Mr.
+ Prime&rsquo;s rent.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, at the old farm?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. He wants another reduction.&rdquo;
+ </p>
+ <p>
+ &ldquo;He&rsquo;ll want to be paid for staying there next.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, poor man, he&rsquo;s had to take lodgers this summer&mdash;a
+ thing he&rsquo;s never done before. Charlie, did you know that?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said Charlie, interrupting an animated conversation
+ which he had started with Mrs. Marland.
+ </p>
+ <p>
+ &ldquo;Do you know who they are?&rdquo; pursued his mother, wandering from
+ Mr. Prime&rsquo;s rent to the more interesting subject of his lodgers.
+ </p>
+ <p>
+ &ldquo;Ladies from London,&rdquo; answered Charlie.
+ </p>
+ <p>
+ &ldquo;Rather vague,&rdquo; commented Mr. Vansittart. &ldquo;Young ladies
+ or old ladies, Charlie?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why does he want to know?&rdquo; asked Mrs. Marland; but chaff had
+ about as much effect on Mr. Vansittart as it would have on an ironclad. He
+ seemed not to hear, and awaited an answer with a bland smile. In truth, he
+ thought Mrs. Marland a silly woman.
+ </p>
+ <p>
+ &ldquo;Young, I believe,&rdquo; answered Charlie, in a careless tone.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s curious I&rsquo;ve not seen them about,&rdquo; said Lady
+ Merceron. &ldquo;I pass the farm almost every day. Who are they, Charlie?&rdquo;
+ </p>
+ <p>
+ &ldquo;One&rsquo;s a Miss Wallace. She&rsquo;s engaged to Willie Prime.&rdquo;
+ </p>
+ <p>
+ &ldquo;To Willie? Fancy!&rdquo;
+ </p>
+ <p>
+ &ldquo;H&rsquo;m! I think,&rdquo; remarked Mr. Vansittart, &ldquo;that,
+ from the point of view of a reduction of rent, these lodgers are a
+ delusion. Of course she stays with Prime if she&rsquo;s going to many his
+ son.&rdquo;
+ </p>
+ <p>
+ &ldquo;Fancy Willie!&rdquo; reiterated Lady Merceron. &ldquo;Surely he can&rsquo;t
+ afford to marry? He&rsquo;s in a bank, you know, Vansittart, and he only
+ gets a hundred and twenty pounds a year.&rdquo;
+ </p>
+ <p>
+ &ldquo;One blessing of the country is that everybody knows his neighbor&rsquo;s
+ income,&rdquo; observed Mr. Vansittart.
+ </p>
+ <p>
+ &ldquo;Perhaps the lady has money,&rdquo; suggested Mrs. Marland. &ldquo;But,
+ Mr. Merceron, who&rsquo;s the other lady?&rdquo;
+ </p>
+ <p>
+ &ldquo;A friend of Miss Wallace&rsquo;s, I believe. I don&rsquo;t know her
+ name.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, they&rsquo;re merely friends of Prime&rsquo;s?&rdquo; Mr.
+ Vansittart concluded. &ldquo;If that&rsquo;s all he bases his claim for a
+ reduction on&mdash;-&rdquo;
+ </p>
+ <p>
+ &ldquo;Hang it! He might as well have it,&rdquo; interrupted Charlie.
+ &ldquo;He talks to me about it for half an hour every time we meet.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, my dear Charlie, you have more time than money to waste&mdash;at
+ least, so it seems.&rdquo;
+ </p>
+ <p>
+ His uncle&rsquo;s sarcasm never affected Charlie&rsquo;s temper.
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll turn him on to you, uncle,&rdquo; he replied, &ldquo;and
+ you can see how you like it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll go and call on him tomorrow. You&rsquo;d better come
+ too, Charlie.&rdquo;
+ </p>
+ <p>
+ &ldquo;And then you can see the ladies from London,&rdquo; added Mrs.
+ Marland. &ldquo;Perhaps the one who isn&rsquo;t young Mr. Prime&rsquo;s
+ will be interesting.&rdquo;
+ </p>
+ <p>
+ &ldquo;Or,&rdquo; said Charlie, &ldquo;as mostly happens in this woeful
+ world, the one who is.&rdquo;
+ </p>
+ <p>
+ &ldquo;I think the less we see of that sort of person at all, the better,&rdquo;
+ observed Lady Merceron, with gentle decision. &ldquo;They can hardly be
+ quite what we&rsquo;re accustomed to.&rdquo;
+ </p>
+ <p>
+ &ldquo;That sort of person!&rdquo;
+ </p>
+ <p>
+ Charlie went to bed with the phrase ringing in his horror-struck ears. If
+ to be the most beautiful, the most charming, and the most refined, the
+ daintiest, the wittiest and prettiest, the kindest and the sweetest, the
+ merriest and most provoking creature in the whole world&mdash;if to be all
+ this were yet not to weigh against being &lsquo;that sort of person&rsquo;&mdash;if
+ it were not, indeed, to outweigh, banish, and obliterate everything else
+ why, the world was not fit to live in, and he no true Merceron! For the
+ Merceron men had always pleased themselves.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0016" id="link2HCH0016"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER III. &mdash; ALL NONSENSE
+ </h2>
+ <p>
+ On the evening of the next day, while the sun was still on the Pool, and
+ its waters, forgetful of darker moods and bygone tragedies, smiled under
+ the tickling of darting golden gleams, a girl sat on the broad lowest step
+ of the temple. She had rolled the sleeves of her white gown above her
+ elbow, up well-nigh to her shoulder, and, the afternoon being sultry, from
+ time to time dipped her arms in the water and, taking them out again,
+ amused herself by watching the bright drops race down to her rosy
+ fingertips. The sport was good, apparently, for she laughed and flung back
+ her head so that the stray locks of hair might not spoil her sight of it.
+ On either side of this lowest step there was a margin of smooth level
+ grass, and, being unable as she sat to bathe both arms at once, presently
+ she moved on to the grass and lay down, sinking her elbows in the pond and
+ leaning her face over the edge of it. The posture had another advantage
+ she had not thought of, and she laughed again when she saw her own eyes
+ twinkling at her from the depths. As she lay there a longing came upon
+ her.
+ </p>
+ <p>
+ &ldquo;If I could be sure he wouldn&rsquo;t come I&rsquo;d dip my feet,&rdquo;
+ she murmured.
+ </p>
+ <p>
+ As, however, he had come every evening for a fortnight past the fancy was
+ not to be indulged, and she consoled herself by a deeper dive yet of her
+ arms and by drooping her head till her nose and the extreme fringe of her
+ eyelashes were wetted, and the stray locks floated on either side.
+ </p>
+ <p>
+ Presently, as she still looked, she saw another shadow on the water, and
+ exchanged with her image a confidential glance.
+ </p>
+ <p>
+ &ldquo;You again?&rdquo; she asked.
+ </p>
+ <p>
+ The other shadow nodded.
+ </p>
+ <p>
+ &ldquo;Why didn&rsquo;t you come in the canoe?&rdquo;
+ </p>
+ <p>
+ &ldquo;Because people see it.&rdquo;
+ </p>
+ <p>
+ It struck her that her attitude was unconventional, and by a lithe
+ complicated movement, whereof Charlie noticed only the elegance and not
+ the details, she swept round and, sitting, looked up at him.
+ </p>
+ <p>
+ &ldquo;I know who she was,&rdquo; she observed.
+ </p>
+ <p>
+ &ldquo;She very nearly knew who you were. You oughtn&rsquo;t to have come
+ to the window.&rdquo;
+ </p>
+ <p>
+ &ldquo;She thought I was the ghost.&rdquo;
+ </p>
+ <p>
+ &ldquo;You shouldn&rsquo;t reckon on people being foolish.&rdquo;
+ </p>
+ <p>
+ &ldquo;Shouldn&rsquo;t I? Yet I reckoned on your coming&mdash;or there&rsquo;d
+ have been some more of me in the water.&rdquo;
+ </p>
+ <p>
+ &ldquo;I wish I were an irregular man,&rdquo; said Charlie.
+ </p>
+ <p>
+ She was slowly turning down her sleeves, and, ignoring his remark, said,
+ with a question in her tones:
+ </p>
+ <p>
+ &ldquo;Nettie Wallace says that Willie Prime says that everybody says that
+ you&rsquo;re going to marry that girl.&rdquo;
+ </p>
+ <p>
+ &ldquo;I believe it&rsquo;s quite true.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; and she looked across the Pool.
+ </p>
+ <p>
+ &ldquo;True that everybody says so,&rdquo; added Charlie. &ldquo;Why do
+ you turn down your sleeves?&rdquo;
+ </p>
+ <p>
+ &ldquo;How funny I must have looked, sprawling on the bank like that!&rdquo;
+ she remarked.
+ </p>
+ <p>
+ &ldquo;Awful!&rdquo; said Charlie, sitting down.
+ </p>
+ <p>
+ She looked at him with uneasiness in her eye.
+ </p>
+ <p>
+ &ldquo;Nothing but an ankle, I swear,&rdquo; he answered.
+ </p>
+ <p>
+ She blushed and smiled.
+ </p>
+ <p>
+ &ldquo;I think you should whistle, or something, as you come.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not I,&rdquo; said Charlie, with decision.
+ </p>
+ <p>
+ Suddenly she turned to him with a serious face, or one that tried to be
+ serious.
+ </p>
+ <p>
+ &ldquo;Why do you come?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;Why do I eat?&rdquo; he returned.
+ </p>
+ <p>
+ &ldquo;And yet you were angry the first time.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nobody likes to be caught ranting out poetry especially his own.&rdquo;
+ </p>
+ <p>
+ &ldquo;I believe you were frightened&mdash;you thought I was Agatha. The
+ poetry was about her, wasn&rsquo;t it?&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s not at all a bad poem,&rdquo; observed Charlie.
+ </p>
+ <p>
+ &ldquo;You remember I liked it so much that I clapped my hands.&rdquo;
+ </p>
+ <p>
+ &ldquo;And I jumped!&rdquo;
+ </p>
+ <p>
+ The girl laughed.
+ </p>
+ <p>
+ &ldquo;Ah, well,&rdquo; she said, &ldquo;it&rsquo;s time to go home.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, dear, no,&rdquo; said Charlie!
+ </p>
+ <p>
+ &ldquo;But I&rsquo;ve promised to be early, because Willie Prime&rsquo;s
+ coming, and I&rsquo;m to be introduced to him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Willie Prime can wait. He&rsquo;s got Miss Wallace to comfort him,
+ and I&rsquo;ve got nobody to comfort me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes. Miss Bushell.&rdquo;
+ </p>
+ <p>
+ &ldquo;You know her name?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes&mdash;and yours&mdash;your surname, I mean; you told me the
+ other.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s more than you&rsquo;ve done for me.&rdquo;
+ </p>
+ <p>
+ &ldquo;I told you my name was Agatha.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, but that was a joke. I&rsquo;d been talking about Agatha
+ Merceron.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well. I&rsquo;m sorry it doesn&rsquo;t satisfy you. If you won&rsquo;t
+ believe me&mdash;!&rdquo;
+ </p>
+ <p>
+ &ldquo;But your surname?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, mine? Why, mine&rsquo;s Brown.&rdquo;
+ </p>
+ <p>
+ &ldquo;Brown!&rdquo; re-echoed Charlie, with a tinge of disappointment in
+ his tone.
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t you like it?&rdquo; asked Miss Agatha Brown with a
+ smile.
+ </p>
+ <p>
+ &ldquo;Oh, it will do for the present,&rdquo; laughed Charlie.
+ </p>
+ <p>
+ &ldquo;Well, I don&rsquo;t mean to keep it all my life. I&rsquo;ve spent
+ to-day, Mr. Merceron, in spying out your house. Nettie Wallace and I
+ ventured quite near. It&rsquo;s very pretty.&rdquo;
+ </p>
+ <p>
+ &ldquo;Rather dilapidated, I&rsquo;m afraid.&rdquo;
+ </p>
+ <p>
+ &ldquo;What&rsquo;s the time, Mr. Merceron?&rdquo;
+ </p>
+ <p>
+ &ldquo;Half-past six. Oh, by Jove!&rdquo;
+ </p>
+ <p>
+ &ldquo;Well? Afraid of seeing poor Agatha?&rdquo;
+ </p>
+ <p>
+ &ldquo;I should see nobody but you, if you were here. No. I forgot that. I&rsquo;ve
+ got to meet someone at the station at a quarter-past seven.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, do tell me who?&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;d be none the wiser. It&rsquo;s a Mr. Victor Sutton.&rdquo;
+ </p>
+ <p>
+ &ldquo;Victor Sutton!&rdquo; she exclaimed, with a glance at Charlie which
+ passed unnoticed by him. &ldquo;Is he a friend of yours?&rdquo;
+ </p>
+ <p>
+ &ldquo;I suppose so. Of my family&rsquo;s, anyhow.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good-by. I&rsquo;m going,&rdquo; she announced.
+ </p>
+ <p>
+ &ldquo;You&rsquo;ll be here to-morrow?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. For the last time.&rdquo;
+ </p>
+ <p>
+ She dropped this astounding thunderbolt on Charlie&rsquo;s head as though
+ it had been the most ordinary remark in the world.
+ </p>
+ <p>
+ &ldquo;The last time! Oh, Miss&mdash;-&rdquo; No: somehow he could not lay
+ his tongue to that &ldquo;Miss Brown.&rdquo;
+ </p>
+ <p>
+ &ldquo;I can&rsquo;t spend all my life in Lang Marsh,&rdquo; said she.
+ </p>
+ <p>
+ &ldquo;Agatha,&rdquo; he burst out.
+ </p>
+ <p>
+ &ldquo;No, no. This is not the last time. Sha&rsquo;n&rsquo;t we keep
+ that?&rdquo; she asked, with a provokingly light-hearted smile.
+ </p>
+ <p>
+ &ldquo;You promise to be here to-morrow?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall have something to say to you then,&rdquo; Charlie announced
+ with a significant air.
+ </p>
+ <p>
+ &ldquo;Oh, you never lack conversation.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;ll be here at five?&rdquo;
+ </p>
+ <p>
+ &ldquo;Precisely,&rdquo; she answered with mock gravity; &ldquo;and now I&rsquo;m
+ gone!&rdquo;
+ </p>
+ <p>
+ Charlie took off his straw hat, stretched out his right hand, and took
+ hers. For a moment she drew back, but he looked very handsome and gallant
+ as he bowed his head down to her hand, and she checked the movement.
+ </p>
+ <p>
+ &ldquo;Oh, well!&rdquo; she murmured; she was protesting against any
+ importance being attached to the incident.
+ </p>
+ <p>
+ Charlie, having paid his homage, walked, or rather ran, swiftly away. To
+ begin with, he had none too much time if he was to meet Victor Sutton;
+ secondly, he was full of a big resolve, and that generally makes a man
+ walk fast.
+ </p>
+ <p>
+ The lady pursued a more leisurely progress. Swinging her hat in her hand,
+ she made her way through the tangled wood back to the high-road, and
+ turned towards Mr. Prime&rsquo;s farm. She went slowly along, thinking
+ perhaps of the attractive young fellow she had left behind her, wondering
+ perhaps why she had promised to meet him again. She did not know why, for
+ there was sure to happen at that last meeting the one thing which she did
+ not, she supposed, wish to happen. However, a promise is a promise. She
+ heard the sound of wheels behind her, and, turning, found the farmer&rsquo;s
+ spring-cart hard on her heels. The farmer was driving, and by his side sat
+ a nice-looking girl dressed in the extreme of fashion. On the back seat
+ was a young man in a very light suit, with a fine check pattern, and a new
+ pair of brown leather shoes. The cart pulled up.
+ </p>
+ <p>
+ &ldquo;We can make room for ye, Miss,&rdquo; said old Mr. Prime.
+ </p>
+ <p>
+ Nettie Wallace jumped tip and stood with her foot on the step. Willie
+ Prime jumped down and effected her transfer to the back seat. Agatha
+ climbed up beside the farmer and stretched her hand back to greet Willie.
+ Willie took it rather timidly. He did not quite &lsquo;savvy&rsquo; (as he
+ expressed it to himself); his fiancie&rsquo;s friend was very simply
+ attired, infinitely more simply than Nettie herself. Nettie had told him
+ that her friend was &lsquo;off and on'(a vague and rather obscure
+ qualification of the statement) in the same line as herself&mdash;namely,
+ Court and high-class dressmaking. Yet there was a difference between
+ Nettie and her friend.
+ </p>
+ <p>
+ &ldquo;Anybody else arrived by the train?&rdquo; asked Agatha.
+ </p>
+ <p>
+ &ldquo;A visitor for the Court. A good-looking gentleman, wasn&rsquo;t he,
+ Willie?&rdquo;
+ </p>
+ <p>
+ Nettie was an elegant creature and, but for the &lsquo;gentleman&rsquo;
+ and that slight but ineradicable twang that clings like Nessus&rsquo;
+ shirt to the cockney, all effort and all education notwithstanding (it
+ will even last three generations, and is audible, perhaps, now and then in
+ the House of Lords), her speech was correct and even dainty in its prim
+ nicety.
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; said Agatha.
+ </p>
+ <p>
+ &ldquo;His name&rsquo;s Sutton,&rdquo; said Willie; &ldquo;Mr. Charles&mdash;young
+ Mr. Merceron&mdash;told me so when he was talking to me on the platform.&rdquo;
+ </p>
+ <p>
+ &ldquo;You know young Mr. Merceron?&rdquo; asked Agatha.
+ </p>
+ <p>
+ &ldquo;Why, they was boys together,&rdquo; interrupted the old farmer, who
+ made little of the refinements of speech. In his youth no one, from the
+ lord to the laborer, spoke grammar in the country. &ldquo;Used to larn to
+ swim together in the Pool, didn&rsquo;t you, Willie?&rdquo;
+ </p>
+ <p>
+ &ldquo;I must have a dip there to-morrow,&rdquo; cried Willie; and Agatha
+ wondered what time he would choose. &ldquo;And I&rsquo;ll take you there,
+ Nettie. Ever been yet?&rdquo;
+ </p>
+ <p>
+ &ldquo;No. They&mdash;they say it&rsquo;s haunted, don&rsquo;t they,
+ Willie?&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s nonsense,&rdquo; said Willie. London makes a man
+ sceptical. The old farmer shook his head and grunted doubtfully. His
+ mother had seen poor Agatha Merceron; this was before the farmer was born&mdash;a
+ little while before&mdash;and the shock had come nigh to being most
+ serious to him. The whole countryside knew it.
+ </p>
+ <p>
+ &ldquo;Why do you call it nonsense, Mr. Prime?&rdquo; asked Agatha.
+ </p>
+ <p>
+ &ldquo;Oh, I don&rsquo;t know, Miss&mdash;-&rdquo;
+ </p>
+ <p>
+ &ldquo;Miss Brown, Willie,&rdquo; said Nettie.
+ </p>
+ <p>
+ &ldquo;Miss Brown. Anyway, we needn&rsquo;t go the time the ghost comes.&rdquo;
+ </p>
+ <p>
+ &ldquo;I should certainly avoid that,&rdquo; laughed Agatha.
+ </p>
+ <p>
+ &ldquo;We&rsquo;ll go in the morning, Nettie, and I&rsquo;ll have my swim
+ in the evening.&rdquo;
+ </p>
+ <p>
+ Agatha frowned. It would be particularly inconvenient if Willie Prime took
+ his swim in the evening.
+ </p>
+ <p>
+ &ldquo;Oh, don&rsquo;t, Willie,&rdquo; cried Nettie. &ldquo;She&mdash;she
+ might do you some harm.&rdquo;
+ </p>
+ <p>
+ Willie was hard to persuade. He was not above liking to appear a
+ daredevil; and the discussion was still raging when they reached the farm.
+ The two girls went upstairs to the little rooms which they occupied.
+ Agatha turned into hers, and Nettie Wallace followed her.
+ </p>
+ <p>
+ &ldquo;Your Willie is very nice,&rdquo; said Agatha, sitting on her bed.
+ </p>
+ <p>
+ Nettie smiled with pleasure.
+ </p>
+ <p>
+ &ldquo;And now that you&rsquo;ve other company I shall go.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;re going, Miss?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not Miss.&rdquo;
+ </p>
+ <p>
+ Nettie laughed.
+ </p>
+ <p>
+ &ldquo;I forget sometimes,&rdquo; she said.
+ </p>
+ <p>
+ &ldquo;Well, you must remember just over tomorrow. I shall go next day. I
+ must meet my grandfather in London.&rdquo;
+ </p>
+ <p>
+ Nettie offered no opposition. On the contrary, she appeared rather
+ relieved.
+ </p>
+ <p>
+ &ldquo;Nettie, did you like Mr. Sutton&rsquo;s looks?&rdquo; asked Agatha
+ after a pause.
+ </p>
+ <p>
+ &ldquo;He&rsquo;s too black and blue for my taste,&rdquo; answered Nettie.
+ </p>
+ <p>
+ Willie Prime was red and yellow.
+ </p>
+ <p>
+ &ldquo;Blue? Oh: you mean his cheeks?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. But he&rsquo;s a handsome gentleman all the same; and you
+ should have seen his luggage! Such a dressing-bag&mdash;cost fifty pounds,
+ I daresay.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, dear, me,&rdquo; said Agatha, &ldquo;Yes, Nettie, I shall go
+ the day after to-morrow.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. Merceron asked to be introduced to me,&rdquo; said Nettie
+ proudly. &ldquo;And he asked where you were&mdash;he said he&rsquo;d seen
+ you at the window.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did he?&rdquo; said Agatha negligently; and Nettie, finding the
+ conversation flag, retired to her own room.
+ </p>
+ <p>
+ Agatha sat a moment longer on the bed.
+ </p>
+ <p>
+ &ldquo;What a very deceitful young man,&rdquo; she exclaimed at last.
+ &ldquo;I must be a very strict secret indeed. Well, I suppose I should be.&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0017" id="link2HCH0017"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER IV. &mdash; A CATASTROPHE AT THE POOL
+ </h2>
+ <p>
+ Mr. Vansittart Merceron was not quite sure that Victor Sutton had any
+ business to call him &ldquo;Merceron.&rdquo; He was nearly twenty years
+ older than Victor, and a man of considerable position; nor was he, as some
+ middle-aged men are, flattered by the implication of contemporaneousness
+ carried by the mode of address. But it is hard to give a hint to a man who
+ has no inkling that there is room for one; and when Mr. Vansittart
+ addressed Victor as &lsquo;Mr. Sutton&rsquo; the latter graciously told
+ him to &ldquo;hang the Mister.&rdquo; Reciprocity was inevitable, and the
+ elder man asked himself, with a sardonic grin, how soon he would be
+ &ldquo;Van.&rdquo;
+ </p>
+ <p>
+ &ldquo;Coming to bathe, Merceron?&rdquo; he heard under his window at
+ eight o&rsquo;clock the next morning. &ldquo;We&rsquo;re off to the Pool.&rdquo;
+ </p>
+ <p>
+ Mr. Vansittart shouted an emphatic negative, and the two young fellows
+ started off by themselves. Charlie&rsquo;s manner was affected by the
+ ceremonious courtesy which a well-bred host betrays towards a guest not
+ very well-beloved, but Victor did not notice this. It seldom occurred to
+ him that people did not like him.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; he was saying, &ldquo;I&rsquo;m just twenty-nine. I&rsquo;ve
+ had my fling, Charlie, and now I shall get to business.&rdquo;
+ </p>
+ <p>
+ Charlie was relieved to find that according to this reckoning he had
+ several more years &lsquo;fling&rsquo; before him.
+ </p>
+ <p>
+ &ldquo;Next year,&rdquo; pursued Victor, &ldquo;I shall marry; then I
+ shall go into Parliament, and then I shall go ahead.&rdquo;
+ </p>
+ <p>
+ &ldquo;I didn&rsquo;t know you were engaged.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I&rsquo;m not, but I&rsquo;m going to be. I can please myself,
+ you see; I&rsquo;ve got lots of coin.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes, but can you please the lady?&rdquo; asked Charlie.
+ </p>
+ <p>
+ &ldquo;My dear boy,&rdquo; began Victor, &ldquo;when you&rsquo;ve seen a
+ little more of the world&mdash;&mdash;
+ </p>
+ <p>
+ &ldquo;Here we are,&rdquo; said Charlie. &ldquo;Why, hullo! Who&rsquo;s
+ that?&rdquo;
+ </p>
+ <p>
+ A dripping head and a blowing mouth were visible in the middle of the
+ Pool.
+ </p>
+ <p>
+ &ldquo;Willie Prime by Jove! &lsquo;Morning Willie;&rdquo; and Charlie set
+ about flinging off his flannels, Victor following his example in a more
+ leisurely fashion.
+ </p>
+ <p>
+ Willie Prime was a little puzzled to know how he ought to treat Charlie.
+ &lsquo;Charlie&rsquo; he had been in very old days&mdash;then Master
+ Charlie (that was Willie&rsquo;s mother&rsquo;s doing)&mdash;then Mr.
+ Charles. But now Willie had set up for himself. He had played billiards
+ with a lord, and football against the Sybarites, and, incidentally,
+ hobnobbed with quite great people. It is not very easy to assert a social
+ position when one has nothing on, and only one&rsquo;s head out of water,
+ but Willie did it.
+ </p>
+ <p>
+ &ldquo;Good-morning&mdash;er&mdash;Merceron,&rdquo; said he.
+ </p>
+ <p>
+ Victor heard him, and put up his eyeglass in amazement; but he, in his
+ turn, had only a shirt on, and the hauteur was a failure. Charlie utterly
+ failed to notice the incident.
+ </p>
+ <p>
+ &ldquo;Is it cold?&rdquo; he shouted.
+ </p>
+ <p>
+ &ldquo;Beastly,&rdquo; answered Willie. The man who has got in always
+ tells the man who is going to get in that it is &ldquo;beastly cold.&rdquo;
+ </p>
+ <p>
+ &ldquo;Here goes!&rdquo; cried Charlie; and a minute later he was treading
+ water by Willie&rsquo;s side.
+ </p>
+ <p>
+ &ldquo;Miss Wallace all fit?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;Thank you, yes, she&rsquo;s all right.&rdquo;
+ </p>
+ <p>
+ &ldquo;And her friend?&rdquo;
+ </p>
+ <p>
+ &ldquo;All right, I believe.&rdquo;
+ </p>
+ <p>
+ &ldquo;And when is it to be, old fellow?&rdquo;
+ </p>
+ <p>
+ &ldquo;Soon as I get a rise.&rdquo;
+ </p>
+ <p>
+ &ldquo;What?&rdquo; asked the unsophisticated Charlie, who knew the phrase
+ chiefly in connection with fish.
+ </p>
+ <p>
+ &ldquo;A rise of screw, you know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, ah, yes&mdash;what a fool I am!&rdquo; and Charlie disappeared
+ beneath the waves.
+ </p>
+ <p>
+ When they were all on the bank, drying, Willie, encouraged by not being
+ discouraged (save by Sutton&rsquo;s silence) in his advances, ventured
+ further, and asked in a joking tone:
+ </p>
+ <p>
+ &ldquo;And aren&rsquo;t you marked off yet? We&rsquo;ve been expecting to
+ hear of it for the last twelve months.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean&rsquo;?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, you and Miss Bushell.&rdquo;
+ </p>
+ <p>
+ Charlie struggled through his shirt, and then answered, with his first
+ touch of distance:
+ </p>
+ <p>
+ &ldquo;Nothing in it. People&rsquo;ve got no business to gossip.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s damned impertinent,&rdquo; observed Victor Sutton in
+ slow and deliberate tones.
+ </p>
+ <p>
+ Willie flushed.
+ </p>
+ <p>
+ &ldquo;I beg pardon,&rdquo; he said gruffly. &ldquo;I only repeated what I
+ heard.&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear fellow, no harm&rsquo;s done,&rdquo; cried Charlie. &ldquo;Who
+ was the fool?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well&mdash;in fact&mdash;my father.&rdquo;
+ </p>
+ <p>
+ The situation was awkward, but they wisely eluded it by laughter. But a
+ thought struck Charlie.
+ </p>
+ <p>
+ &ldquo;I say, did your father state it as a fact?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh no; but as a certainty, you know.&rdquo;
+ </p>
+ <p>
+ &ldquo;When?&rdquo;
+ </p>
+ <p>
+ &ldquo;Last night at supper.&rdquo;
+ </p>
+ <p>
+ Charlie&rsquo;s brow clouded. Miss B&mdash;that is, Agatha, was certain to
+ have been at supper. However, all that could be put right in the evening&mdash;that
+ one blessed evening left to him. He looked at Willie and opened his mouth
+ to speak; but he shut it again. It did not seem to him that he could
+ question Willie Prime about the lady. She had chosen to tell him nothing,
+ and her will was his law. But he was yearning to know what she was and how
+ she came there. He refrained; and this time virtue really had a reward
+ beyond itself, for Willie would blithely have told him that she was a
+ dressmaker (he called Nettie, however, the manager of a Court modiste&rsquo;s
+ business), and that would not have pleased Charlie.
+ </p>
+ <p>
+ It was all very well for Charlie to count on that blessed evening; but he
+ reckoned without his host&mdash;or rather without his guests.
+ </p>
+ <p>
+ The Bushells came to lunch, Millie driving her terrified mother in a lofty
+ gig; and at lunch Millie recounted her vision of Agatha Merceron. She did
+ not believe it, of course; but it was queer, wasn&rsquo;t it? Victor
+ Sutton rose to the bait at once.
+ </p>
+ <p>
+ &ldquo;We&rsquo;ll investigate it,&rdquo; he cried. &ldquo;Merceron,&rdquo;
+ (he meant the patient Mr. Vansittart), &ldquo;didn&rsquo;t yon once write
+ an article on &lsquo;Apparitions&rsquo; for <i>Intellect</i>?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I proved there were none,&rdquo; answered Mr. Vansittart.
+ </p>
+ <p>
+ &ldquo;That&rsquo;s impossible, you know,&rdquo; remarked Mrs. Marland
+ gently.
+ </p>
+ <p>
+ &ldquo;We&rsquo;ll put you to the proof this very evening,&rdquo; declared
+ Mr. Sutton.
+ </p>
+ <p>
+ Charlie started.
+ </p>
+ <p>
+ &ldquo;Are you game, Miss Bushell?&rdquo; continued Victor.
+ </p>
+ <p>
+ &ldquo;Ye&mdash;yes, if you&rsquo;ll keep quite near me, answered Millie,
+ with a playful shudder. Charlie reflected how ill playfulness became her,
+ and frowned. But Millie was pleased to see him frown; she enjoyed showing
+ him that other men liked to keep quite near to her.
+ </p>
+ <p>
+ &ldquo;Then this evening we&rsquo;ll go in a body to the Pool.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall not go,&rdquo; shuddered Mrs. Marland.
+ </p>
+ <p>
+ &ldquo;An hour after sunset!&rdquo;
+ </p>
+ <p>
+ &ldquo;Half an hour. She might be early&mdash;and we&rsquo;ll stay half an
+ hour after. We&rsquo;ll give her a fair show.&rdquo;
+ </p>
+ <p>
+ &ldquo;Come,&rdquo; thought Charlie. &ldquo;I shall get an hour with
+ Agatha.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;ll come, Charlie?&rdquo; asked Victor.
+ </p>
+ <p>
+ &ldquo;Oh, all right,&rdquo; he answered, hiding all signs of vexation. He
+ could get back by six and join the party. But why was Mrs. Marland looking
+ at him?
+ </p>
+ <p>
+ The first step, however, towards getting back is to get there, and Charlie
+ found this none so easy. After lunch came lawn-tennis, and he was
+ impressed. Mr. Vansittart played a middle-aged game, and Victor had found
+ little leisure for this modest sport among his more ambitious amusements.
+ Charlie had to balance Millie Bushell, and he spent a very hot and
+ wearying afternoon. They would go on: Victor declared it was good for him,
+ Uncle Van delighted in a hard game (it appeared to be a very hard game to
+ him from the number of strokes he missed), and Millie grew in vigor,
+ ubiquity, and (it must be added) intensity of color as the hours wore
+ away. It was close on five before Charlie, with a groan, could throw down
+ his racquet.
+ </p>
+ <p>
+ &ldquo;Poor boy!&rdquo; said Mrs. Marland.
+ </p>
+ <p>
+ &ldquo;Charlie, dear,&rdquo; called Lady Merceron, who had been talking
+ comfortably to Mrs. Bushell in the shade, &ldquo;come and hand the tea. I&rsquo;m
+ sure you must all want some. Millie, my dear, how hot you look!&rdquo;
+ </p>
+ <p>
+ &ldquo;She never will take any care of her complexion, complained Mrs.
+ Bushell.
+ </p>
+ <p>
+ &ldquo;Take care of your stom&mdash;your health&mdash;and your complexion
+ will take care of itself,&rdquo; observed Mr. Vansittart.
+ </p>
+ <p>
+ &ldquo;Charlie! Where; is the boy?&rdquo; called Lady Merceron again.
+ </p>
+ <p>
+ The boy was gone. He was flying as fast as his legs would take him to the
+ Pool. Where was that cherished interview now? He could hope only for a few
+ wretched minutes&mdash;hardly enough to say good-by once&mdash;before he
+ must hustle&mdash;yes, positively hustle&mdash;Agatha out of sight. He had
+ heard that abominable Sutton remark that they might as well start directly
+ after tea.
+ </p>
+ <p>
+ He was breathless when he burst through the willows. But there he came to
+ a sudden, a dead stop, and then drew back into shelter again. There on the
+ bank, scarcely a dozen feet from it, sat two people&mdash;a. young man
+ with his arm round a young woman&rsquo;s waist. Willie Prime and Nettie
+ Wallace, &ldquo;by all that&rsquo;s damnable!&rdquo; as Sir Peter says!
+ Charlie said something quite as forcible.
+ </p>
+ <p>
+ He felt for his watch, but he had left it with his waistcoat on the lawn.
+ What was the time? Was it going quickly or slowly? Could he afford to
+ wait, or must he run round to the road and intercept Agatha? Five minutes
+ passed in vacillation.
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll go and stop her,&rdquo; he said, and began a cautious
+ retreat. As he moved he heard Willie&rsquo;s voice.
+ </p>
+ <p>
+ &ldquo;Well, my dear, let&rsquo;s be off,&rdquo; said Willie.
+ </p>
+ <p>
+ Nettie rose with a sigh of content, adjusted her hat coquettishly, and
+ smoothed her skirts.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m ready, Willie. It&rsquo;s been beautiful, hasn&rsquo;t
+ it?&rdquo;
+ </p>
+ <p>
+ They came towards Charlie. Evidently they intended to regain the road by
+ the same path as he had chosen. Indeed, from that side of the Pool there
+ was no choice, unless one clambered round by the muddy bank.
+ </p>
+ <p>
+ &ldquo;We must make haste,&rdquo; said Willie. &ldquo;Father&rsquo;ll want
+ his tea.&rdquo;
+ </p>
+ <p>
+ If they made haste they would be close on his heels. Charlie shrank back
+ behind a willow and let them go by; then, quick as thought, rushed to his
+ canoe and paddled across&mdash;up the steps and into the temple he rushed.
+ She wasn&rsquo;t there! Fate is too hard for the best of us sometimes.
+ Charlie sat down and, stretching out his legs, stared gloomily at his
+ toes.
+ </p>
+ <p>
+ Thus he must have sat nearly ten minutes, when a head was put round the
+ Corinthian pilaster of the doorway.
+ </p>
+ <p>
+ &ldquo;Poor boy! Am I very late?&rdquo;
+ </p>
+ <p>
+ Charlie leapt up and forward, breathlessly blurting out joy tempered by
+ uneasiness.
+ </p>
+ <p>
+ Agatha gathered the difficulty of the position.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said she, smiling, &ldquo;I must disappear, and you
+ must go back to your friends.&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said Charlie. &ldquo;I must talk to you.&rdquo;
+ </p>
+ <p>
+ &ldquo;But they may come any moment.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t care!&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, but I do. Charlie, what&rsquo;s the matter? Oh, didn&rsquo;t I
+ ever call you Charlie&rsquo; before? Well, Charlie, if you love me (yes, I
+ know!) you&rsquo;ll not let these people see me.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right! Come along. I&rsquo;ll take you to the road and come
+ back. Hullo! What&rsquo;s that?&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s them!&rdquo; exclaimed the lady.
+ </p>
+ <p>
+ It was. The pair dived back into the temple. On the opposite bank stood
+ Millie Bushell, Mr. Vansittart, and Victor Sutton.
+ </p>
+ <p>
+ &ldquo;Hullo, there, Charlie, you thief!&rdquo; cried Victor. &ldquo;Bring
+ that canoe over here. Miss Bushell wants to get to the temple.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hush! Don&rsquo;t move!&rdquo; whispered Agatha.
+ </p>
+ <p>
+ &ldquo;But they know I&rsquo;m here; they see that confounded canoe.&rdquo;
+ </p>
+ <p>
+ &ldquo;Charlie! Charlie!&rdquo; was shouted across in three voices.
+ </p>
+ <p>
+ &ldquo;What the devil&mdash;,&rdquo; muttered Charlie.
+ </p>
+ <p>
+ &ldquo;They mustn&rsquo;t see me,&rdquo; urged Agatha.
+ </p>
+ <p>
+ Victor Sutton&rsquo;s voice rose clear and distinct,
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll unearth him!&rdquo; he cried. &ldquo;I know the way
+ round. You wait here with Miss Bushell, Merceron.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, he&rsquo;s coming round!&rdquo;
+ </p>
+ <p>
+ &ldquo;I must chance it,&rdquo; said Charlie, and he came out of hiding. A
+ cry greeted him. Victor was already started, but stopped. Charlie embarked
+ and shot across.
+ </p>
+ <p>
+ &ldquo;You villain! You gave us the slip,&rdquo; cried Uncle Van.
+ </p>
+ <p>
+ Miss Bushell began quietly to embark. Uncle Van followed her example.
+ </p>
+ <p>
+ &ldquo;Oh, Mr. Merceron, you&rsquo;ll sink us!&rdquo; cried Millie.
+ </p>
+ <p>
+ Charlie sat glum and silent. The situation beat him completely.
+ </p>
+ <p>
+ Uncle Van drew back. Millie seized the paddle and propelled the canoe out
+ from the bank.
+ </p>
+ <p>
+ &ldquo;You come round with me, Merceron,&rdquo; called Sutton, and the two
+ men turned to the path. &ldquo;No,&rdquo; added Victor. &ldquo;Look here,
+ we can climb round here,&rdquo; and he pointed to the bank. There was a
+ little narrow muddy track, but it was enough.
+ </p>
+ <p>
+ The canoe was half-way across; the two men&mdash;Victor leading at a good
+ pace&mdash;were half-way round. Charlie glanced at the window of the
+ temple and caught a fleeting glance of a despairing face. &ldquo;If you
+ love me, they mustn&rsquo;t see me!&rdquo;
+ </p>
+ <p>
+ &ldquo;Here, give me the paddle!&rdquo; he exclaimed, and reached forward
+ for it.
+ </p>
+ <p>
+ &ldquo;No, I can do it,&rdquo; answered Millie, lifting the instrument out
+ of his reach.
+ </p>
+ <p>
+ Charlie stepped forward&mdash;rather, he jumped forward, as a man jumps
+ over a ditch. There was a shriek from Millie; the canoe swayed, tottered,
+ and upset. In a confused mass, Millie Bushell and Charlie were hurled into
+ the water. Victor and Uncle Van, hardly five yards from the steps, turned
+ in amazement.
+ </p>
+ <p>
+ &ldquo;Help! help!&rdquo; screamed Millie.
+ </p>
+ <p>
+ &ldquo;Help!&rdquo; echoed Charlie. &ldquo;I can&rsquo;t hold her up.
+ Victor, come and help me! Uncle Van, come along!&rdquo;
+ </p>
+ <p>
+ &ldquo;The devil!&rdquo; murmured Uncle Van,
+ </p>
+ <p>
+ &ldquo;Quick, quick!&rdquo; called Charlie; and Victor, with a vexed
+ laugh, peeled off his coat and jumped in. Mr. Vansittart stood with a
+ puzzled air. Then a happy thought struck him. He turned and trotted back
+ the way he had come. He would get a rope!
+ </p>
+ <p>
+ As he went, as Victor reached the stragglers in the water, a slim figure
+ in white, with a smile on her face, stole cautiously from the temple and
+ disappeared in the wood behind. Charlie saw her go, but he held poor
+ Millie&rsquo;s head remorselessly tight towards the other bank.
+ </p>
+ <p>
+ And that was the last he saw of the Lady of the Pool.
+ </p>
+ <p>
+ Millie Bushell landed, her dripping clothes clinging round her. Victor was
+ shivering, for the evening had turned chilly. Uncle Van had a bit of rope
+ from the boat-shed in his hand, and a doubtful smile on his face.
+ </p>
+ <p>
+ &ldquo;We&rsquo;d best get Miss Bushel home,&rdquo; he suggested, and they
+ started in gloomy procession. Charlie, in remorse, gave Millie his arm.
+ </p>
+ <p>
+ &ldquo;Oh, how could you?&rdquo; she murmured piteously. She was cold, she
+ was wet, and she was sure that she looked frightful.
+ </p>
+ <p>
+ I&mdash;I didn&rsquo;t do it on purpose, &ldquo;Charlie blurted out
+ eagerly.
+ </p>
+ <p>
+ &ldquo;On purpose! Well, I suppose not,&rdquo; she exclaimed, bewildered.
+ Charlie flushed. Victor shot a swift glance at him.
+ </p>
+ <p>
+ Half-way home they met Mrs. Marland and the whole affair had to be
+ explained to her. Charlie essayed the task.
+ </p>
+ <p>
+ &ldquo;Still, I don&rsquo;t see how you managed to upset the canoe,&rdquo;
+ observed Mrs. Marland.
+ </p>
+ <p>
+ &ldquo;No more do I,&rdquo; said Victor Sutton. Charlie gave it up.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m so sorry, Millie,&rdquo; he whispered. &ldquo;You must
+ try to forgive me.&rdquo;
+ </p>
+ <p>
+ So, once again, the coast was left clear for Agatha Merceron, if she came
+ that night. But, whether she did or not, the other Agatha came no more,
+ and Charlie&rsquo;s great resolve went unfulfilled. Yet the next evening
+ he went: alone to the temple, and he found, lying on the floor, a little
+ handkerchief trimmed with lace and embroidered with the name of &ldquo;Agatha.&rdquo;
+ This he put in his pocket, thanking heaven that his desperate manoeuvre
+ had kept the shrine inviolate the day before.
+ </p>
+ <p>
+ &ldquo;Poor Millie!&rdquo; said he. &ldquo;But then I had to do it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I hear,&rdquo; remarked Lady Merceron a few days later, &ldquo;that
+ one of Mr. Prime&rsquo;s friends has left him&mdash;not Willie&rsquo;s
+ young lady&mdash;the other.&rdquo;
+ </p>
+ <p>
+ &ldquo;Has she?&rdquo; asked Charlie.
+ </p>
+ <p>
+ No one pursued the subject, and, after a moment&rsquo;s pause, Mrs.
+ Marland, who was sitting next to Charlie, asked him in a low voice whether
+ he had been to the Pool that evening&mdash;.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; answered Charlie. &ldquo;I don&rsquo;t go every night.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, poor dear Miss Bushell!&rdquo; laughed Mrs. Marland; and, when
+ Charlie looked inquiringly at her, she shook her head.
+ </p>
+ <p>
+ &ldquo;You see, I know something of young men,&rdquo; she explained.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0018" id="link2HCH0018"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER V. &mdash; AN UNFORESEEN CASE
+ </h2>
+ <p>
+ &ldquo;I wish to goodness,&rdquo; remarked the Reverend Sigismund Taylor
+ rubbing the bridge of his nose with a corner of the Manual, &ldquo;that
+ the Vicar had never introduced auricular confession. It may be in
+ accordance with the practice of the Primitive Church, but&mdash;one does
+ meet with such very curious cases. There&rsquo;s nothing the least like
+ it, in the Manual.&rdquo;
+ </p>
+ <p>
+ He opened the book and searched its pages over again. No, the case had not
+ been foreseen. It must be included in those which were &ldquo;left to the
+ discretion of the priest.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s a poor Manual,&rdquo; said Mr. Taylor, throwing it down
+ and putting his hands in the pocket of his cassock. &ldquo;Poor girl! She
+ was quite distressed, too. I must have something to tell her when she
+ comes next week.&rdquo;
+ </p>
+ <p>
+ Mr. Taylor had, in face of the difficulty, taken time to consider, and the
+ penitent had gone away in suspense. To represent oneself as a dressmaker&mdash;well,
+ there was nothing very outrageous in that; it was unbecoming, but venial,
+ to tell sundry fibs by way of supporting the assumed character&mdash;the
+ Manual was equal to that; but the rest of the disclosure was the crux.
+ Wrong, no doubt, was the conduct&mdash;but how wrong? That made all the
+ difference. And then there followed another question: What ought to be
+ done? She had asked for advice about that also, and, although such counsel
+ was not strictly incumbent on him, he felt that he ought not to refuse it.
+ Altogether he was puzzled. At eight-and-twenty one cannot be ready for
+ everything; yet she had implored him to consult nobody else, and decide
+ for her himself. &ldquo;I&rsquo;ve such trust in you,&rdquo; she had said,
+ wiping away an incipient teardrop; and, although Mr. Taylor told her that
+ the individual was nothing and the Office everything, he had been rather
+ gratified. Thinking that a turn in the open air might clear his brain and
+ enable him better to grapple with this very thorny question, he changed
+ his cassock for a long tailed coat, put on his wide awake, and, leaving
+ the precincts of St. Edward Confessor, struck across Park Lane and along
+ the Row. He passed several people he knew, both men and women: Mrs.
+ Marland was there, attended by two young men, and, a little farther on, he
+ saw old Lord Thrapston tottering along on his stick. Lord Thrapston hated
+ a parson, and scowled at poor Mr. Taylor as he went by. Mr. Taylor shrank
+ from meeting his eye, and hurried along till he reached the Serpentine,
+ where he stood still for a few minutes, drinking in the fresh breeze. But
+ the breeze could not blow his puzzle out of his brain. Was it a crime, or
+ merely an escapade? What had she said to the young man? What had her
+ feelings been or become towards the young man? Moreover, what had she
+ caused the young man&rsquo;s feelings to be for her? When he came to think
+ it over, Mr. Taylor discovered, with a shock of surprise, that on all
+ these distinctly material points the confession had been singularly
+ incomplete. He was ashamed of this, for, of course, it was his business to
+ make the confession full and exhaustive. He could only plead that, at the
+ moment, it had seemed thorough and candid&mdash;an unreserved revelation.
+ Yet those points did, as a fact, remain obscure.
+ </p>
+ <p>
+ &ldquo;I wish I knew a little more about human nature,&rdquo; sighed Mr.
+ Taylor: he was thinking of one division of human nature, and it is likely
+ enough that he knew next to nothing of it.
+ </p>
+ <p>
+ A hand clapped him on the shoulder, and, with a start, he turned round. A
+ tall young man, in a new frock-coat and a faultless hat, stood by him,
+ smiling at him.
+ </p>
+ <p>
+ &ldquo;What, Charlie, old fellow!&rdquo; cried Taylor; &ldquo;where do you
+ spring from?&rdquo;
+ </p>
+ <p>
+ Charlie explained that he was up in town for a month or two.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s splendid to meet you first day! I was going to look you
+ up,&rdquo; he said.
+ </p>
+ <p>
+ Sigismund Taylor and Charlie had been intimate friends at Oxford, although
+ Charlie was, as time counts there, very considerably the junior. For the
+ last two or three years they had hardly met.
+ </p>
+ <p>
+ &ldquo;But what are you up for?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, well, you see, my uncle wants me to get called to the Bar, or
+ something, so I ran tip to have a look into it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Will that take a month?&rdquo;
+ </p>
+ <p>
+ &ldquo;Look here, old fellow, I&rsquo;ve got nothing else to do&mdash;I
+ don&rsquo;t see why I shouldn&rsquo;t stretch it to three months. Besides,
+ I want to spend some time with my ancestors.&rdquo;
+ </p>
+ <p>
+ &ldquo;With your ancestors?&rdquo;
+ </p>
+ <p>
+ &ldquo;In the British Museum: I&rsquo;m writing a book about them. Queer
+ lot some of them were, too. Of course I&rsquo;m specially interested in
+ Agatha Merceron; but I suppose you never heard of her.&rdquo;
+ </p>
+ <p>
+ Mr. Taylor confessed his ignorance, and Charlie, taking his arm, walked
+ him up and down the bank, while he talked on his pet subject. Agatha
+ Merceron was always interesting, and just now anything about the Pool was
+ interesting; for there was one reason for his visit to London which he had
+ not disclosed. Nettie Wallace had, when he met her one day, incautiously
+ dropped a word which seemed to imply that the other Agatha was often in
+ London. Nettie tried to recall her words; but the mischief was done, and
+ Charlie became more than ever convinced that he would grow rusty if he
+ stayed always at Langbury Court. In fact, he could suffer it no longer,
+ and to town he went.
+ </p>
+ <p>
+ For a long while Sigismund Taylor listened with no more than average
+ interest to Charlie&rsquo;s story, but it chanced that one word caught his
+ notice.
+ </p>
+ <p>
+ &ldquo;She comes out of the temple,&rdquo; said Charlie, in the voice of
+ hushed reverence with which he was wont to talk of the unhappy lady.
+ </p>
+ <p>
+ &ldquo;Out of where?&rdquo; asked Mr. Taylor.
+ </p>
+ <p>
+ &ldquo;The temple. Oh, I forgot, the temple is&mdash;&rdquo; and Charlie
+ gave a description which need not be repeated.
+ </p>
+ <p>
+ Temple! temple! Where had he heard of a temple lately? Mr. Taylor
+ cudgelled his brains. Why&mdash;why&mdash;yes, she had spoken of a temple.
+ She said they met in a temple. It was a strange coincidence: the word had
+ struck him at the time. But then everybody knows that, at a certain
+ period, it was common enough to put up these little classical erections as
+ a memorial or merely as an ornament to pleasure-grounds. It must be a mere
+ coincidence. But&mdash;Mr. Taylor stopped short.
+ </p>
+ <p>
+ &ldquo;What&rsquo;s up?&rdquo; asked Charlie, who had finished his
+ narrative, and was now studying the faces of the ladies who rode past.
+ </p>
+ <p>
+ &ldquo;Nothing,&rdquo; answered Mr. Taylor.
+ </p>
+ <p>
+ And really it was not much&mdash;taken by itself, entirely unworthy of
+ notice; even taken in conjunction with the temple, of no real
+ significance, that he could see. Still, it was a whimsical thing that, as
+ had just struck him, Charlie&rsquo;s spectre should be named Agatha. But
+ it came; to nothing: how could the name of Charlie&rsquo;s spectre have
+ anything to do with that of his penitent?
+ </p>
+ <p>
+ Presently Charlie, too, fell into silence. He beat his stick moodily
+ against his leg and looked glum and absent.
+ </p>
+ <p>
+ &ldquo;Ah, well,&rdquo; he said at last, &ldquo;poor Agatha was hardly
+ used: she paid part of the debt we owe woman.&rdquo;
+ </p>
+ <p>
+ Mr. Taylor raised his brows and smiled at this gloomily misogynistic
+ sentiment. He had the perception to grasp in a moment what it indicated.
+ His young friend was, or had lately been, or thought he was likely to be,
+ a lover, and an unhappy one. But he did not press Charlie. Confessions
+ were no luxury to him.
+ </p>
+ <p>
+ Presently they began to walk back, and Charlie, saying he had to dine with
+ Victor Button, made an appointment to see Taylor again, and left him,
+ striking across the Row. Taylor strolled on, and, finding Mrs. Marland
+ still in her seat, sat down by her. She was surprised and pleased to hear
+ that Charlie was in town.
+ </p>
+ <p>
+ &ldquo;I left him at home in deep dumps. You&rsquo;ve never been to
+ Langbury Court, have you?&rdquo;
+ </p>
+ <p>
+ Taylor shook his head.
+ </p>
+ <p>
+ &ldquo;Such a sweet old place! But, of course, rather dull for a young
+ man, with nobody hut his mother and just one or two slow country
+ neighbors.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, a run &lsquo;ll do him good.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes; he was quite moped;&rdquo; and Mrs. Marland glanced at her
+ companion. She wanted only a very little encouragement to impart her
+ suspicions to him. It must, in justice to Mrs. Marland, be remembered that
+ she had always found the simplest explanation of Charlie&rsquo;s devotion
+ to the Pool hard to accept, and the most elaborate demonstration of how a
+ Canadian canoe may be upset unconvincing.
+ </p>
+ <p>
+ &ldquo;You&rsquo;re a great friend of his, aren&rsquo;t you?&rdquo;
+ pursued Mrs. Marland. &ldquo;So I suppose there&rsquo;s no harm in
+ mentioning my suspicions to you. Indeed, I daresay you could be of use to
+ him&mdash;I mean, persuade him to be wise. I&rsquo;m afraid, Mr. Taylor,
+ that he is in some entanglement.&rdquo;
+ </p>
+ <p>
+ &ldquo;Dear, dear!&rdquo; murmured Mr. Taylor.
+ </p>
+ <p>
+ &ldquo;Oh, I&rsquo;ve no positive proof, but I fear so&mdash;and a very
+ undesirable entanglement, too, with someone quite beneath him. Yes, I
+ think I had better tell you about it.&rdquo;
+ </p>
+ <p>
+ Mr. Taylor sat silent and, save for a start or two, motionless while his
+ companion detailed her circumstantial evidence. Whether it was enough to
+ prove Mrs. Marland&rsquo;s case or not&mdash;whether, that is, it is
+ inconceivable that a young man should go to any place fourteen evenings
+ running, and upset a friend of his youth out of a canoe, except there be a
+ lady involved, is perhaps doubtful; but it was more than enough to show
+ Mr. Sigismund Taylor that the confession he had listened to was based upon
+ fact, and that Charlie Merceron was the other party to those stolen
+ interviews, into whose exact degree of heinousness he was now inquiring.
+ This knowledge caused Mr. Taylor to feel that he was in an awkward
+ position.
+ </p>
+ <p>
+ &ldquo;Now,&rdquo; asked Mrs. Marland, &ldquo;candidly, Mr. Taylor, can
+ you suppose anything else than that our friend Charlie was carrying on a
+ very pronounced flirtation with this dressmaker?&rdquo;
+ </p>
+ <p>
+ &ldquo;Dressmaker?&rdquo;
+ </p>
+ <p>
+ &ldquo;Her friend was, and I believe she was too. Something of the kind,
+ anyhow.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&mdash;you never saw the&mdash;the other person?&rdquo;
+ </p>
+ <p>
+ &ldquo;No; she kept out of the way. That looks bad, doesn&rsquo;t it? No
+ doubt she was a tawdry vulgar creature. But a man never notices that!&rdquo;
+ </p>
+ <p>
+ At this moment two people were seen approaching. One of them was a man of
+ middle height and perhaps five-and-thirty years of age; he was stout and
+ thick-built; he had a fat face with bulging cheeks; his eyes were rather
+ like a frog&rsquo;s; he leant very much forward as he walked, and swayed
+ gently from side to side with a rolling swagger; and as his body rolled,
+ his eye rolled too, and he looked this way and that with a jovial leer and
+ a smile of contentment and amusement on his face. The smile and the merry
+ eye redeemed his appearance from blank ugliness, but neither of them
+ indicated a spiritual or exalted mind.
+ </p>
+ <p>
+ By his side walked a girl, dressed, as Mrs. Marland enviously admitted, as
+ really very few women in London could dress, and wearing, in virtue
+ perhaps of the dress, perhaps of other more precious gifts, an air of
+ assured perfection and dainty disdain. She was listening to her companion&rsquo;s
+ conversation, and did not notice Sigismund Taylor, with whom she was well
+ acquainted.
+ </p>
+ <p>
+ &ldquo;Dear me, who are those, I wonder?&rdquo; exclaimed Mrs. Marland.
+ &ldquo;She&rsquo;s very distinguie.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s Miss Glyn,&rdquo; answered he.
+ </p>
+ <p>
+ &ldquo;What&mdash;Miss Agatha, Glyn?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; he replied, wondering whether that little coincidence
+ as to the Agatha&rsquo; would suggest itself to anyone else.
+ </p>
+ <p>
+ &ldquo;Lord Thrapston&rsquo;s granddaughter?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Horrid old man, isn&rsquo;t he?&rdquo;
+ </p>
+ <p>
+ &ldquo;I know him very slightly.&rdquo;
+ </p>
+ <p>
+ &ldquo;And the man&mdash;who&rsquo;s he?&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. Calder Wentworth.&rdquo;
+ </p>
+ <p>
+ &ldquo;To be sure. Why, they&rsquo;re engaged, aren&rsquo;t they? I saw it
+ in the paper.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m sure I don&rsquo;t know,&rdquo; said Mr. Taylor, in a
+ voice more troubled than the matter seemed to require. &ldquo;I saw it in
+ the paper too.&rdquo;
+ </p>
+ <p>
+ &ldquo;He&rsquo;s no beauty, at any rate; but he&rsquo;s a great match, I
+ suppose?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, perhaps it isn&rsquo;t true.&rdquo;
+ </p>
+ <p>
+ &ldquo;You speak as if you wished it wasn&rsquo;t. I&rsquo;ve heard about
+ Mr. Wentworth from Victor Sutton&mdash;you know who I mean?&rdquo; and
+ Mrs. Marland proceeded to give some particulars of Calder Wentworth&rsquo;s
+ career.
+ </p>
+ <p>
+ Meanwhile that gentleman himself was telling Agatha Glyn a very humorous
+ story. Agatha did not laugh. Suddenly she interrupted him.
+ </p>
+ <p>
+ &ldquo;Why don&rsquo;t you ask me more about it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I thought you&rsquo;d tell me if you wanted me to know,&rdquo; he
+ answered.
+ </p>
+ <p>
+ &ldquo;You are the most insufferable man. Don&rsquo;t you care in the
+ least what I do or where I go?&rdquo;
+ </p>
+ <p>
+ &ldquo;Got perfect confidence in you,&rdquo; said Calder politely.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t deserve it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I daresay not; but it&rsquo;s so much more comfortable for me.&rdquo;
+ </p>
+ <p>
+ &ldquo;I disappeared&mdash;simply disappeared&mdash;for a fortnight; and
+ you&rsquo;ve never asked where I went, or what I did, or&mdash;or
+ anything.&rdquo;
+ </p>
+ <p>
+ &ldquo;Haven&rsquo;t I? Where did you go?&rdquo;
+ </p>
+ <p>
+ &ldquo;I can&rsquo;t tell you.&rdquo;
+ </p>
+ <p>
+ &ldquo;There, you see! What the dickens was the good of my asking?&rdquo;
+ </p>
+ <p>
+ &ldquo;If you knew what I did I suppose you&rsquo;d never speak to me
+ again.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right. Keep it dark then, please.&rdquo;
+ </p>
+ <p>
+ &ldquo;For one tiling, I met&mdash;No, I won&rsquo;t.&rdquo;
+ </p>
+ <p>
+ &ldquo;I never asked you to, you know.&rdquo;
+ </p>
+ <p>
+ They walked on a little way in silence.
+ </p>
+ <p>
+ &ldquo;Met young Sutton at lunch,&rdquo; observed Calder. &ldquo;He&rsquo;s
+ been rusticating with some relations of old Van Merceron&rsquo;s. They&rsquo;ve
+ got a nice place apparently.&rdquo;
+ </p>
+ <p>
+ &ldquo;I particularly dislike Mr. Sutton.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right. He sha&rsquo;n&rsquo;t come when we&rsquo;re married.
+ Eh? What?&rdquo;
+ </p>
+ <p>
+ &ldquo;I didn&rsquo;t speak,&rdquo; said Miss Glyn, who had certainly done
+ something.
+ </p>
+ <p>
+ &ldquo;Beg pardon,&rdquo; smiled Calder. &ldquo;Victor told me rather a
+ joke. It appears there&rsquo;s a young Merceron, and the usual rustic
+ beauty, don&rsquo;t you know&mdash;forget the name&mdash;but a fat girl,
+ Victor said, and awfully gone on young Merceron. Well, there&rsquo;s a
+ pond or something&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;How long will this story last?&rdquo; asked Miss Glyn with a tragic
+ air.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s an uncommon amusing one,&rdquo; protested Calder.
+ &ldquo;He upset her in the pond, and&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you mind finishing it some other time?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, all right. Thought it&rsquo;d interest you.&rdquo;
+ </p>
+ <p>
+ &ldquo;It doesn&rsquo;t.&rdquo;
+ </p>
+ <p>
+ &ldquo;Never knew such a girl! No sense of humor!&rdquo; commented Calder,
+ with a shake of his head and a backward roll of his eye towards his
+ companion.
+ </p>
+ <p>
+ But it makes such a difference whether a story is new to the hearer.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0019" id="link2HCH0019"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VI. &mdash; THERE WAS SOMEBODY
+ </h2>
+ <p>
+ Two worlds and half a dozen industries had conspired to shower gold on
+ Calder Wentworth&rsquo;s head. There was land in the family, brought by
+ his grandmother; there was finance on the paternal side (whence came a
+ Portuguese title, carefully eschewed by Calder); there had been a London
+ street, half a watering-place, a South African mine, and the better part
+ of an American railway. The street and the watering-place remained; the
+ mine and the railway had been sold at the top of the market. About the
+ same time the family name became Wentworth&mdash;it had been Stripes,
+ which was felt to be absurd&mdash;and the family itself began to take an
+ exalted place in society. The rise was the easier because, when old Mr.
+ Stripes-Wentworth died, young Mr. Calder S. Wentworth became the only
+ representative; and a rich young bachelor can rise lightly to heights
+ inaccessible to the feet of less happily situated folk. It seemed part of
+ Providence&rsquo;s benevolence that when Lady Forteville asked how many
+ &lsquo;Stripes women&rsquo; there were, the answer could be &lsquo;None&rsquo;;
+ whereupon the countess at once invited Mr. Calder Wentworth to dinner.
+ Calder went, and rolled his frog&rsquo;s eyes with much amusement when the
+ lady asked him to what Wentworths he belonged, for, as he observed to Miss
+ Glyn, whom he had the pleasure of escorting, his Wentworths were an
+ entirely new brand, and Lady Forteville knew it as well as if she had read
+ the letters patent and invented the coat-of-arms.
+ </p>
+ <p>
+ &ldquo;Mr. Wentworth&mdash;Mr. Merceron,&rdquo; said Victor Sutton, with a
+ wave of his hand.
+ </p>
+ <p>
+ &ldquo;I believe I know an uncle of yours&mdash;an uncommon clever fellow,&rdquo;
+ said Calder, unfolding his napkin and glancing round the dining-room of
+ the Themis Club.
+ </p>
+ <p>
+ &ldquo;Oh, Uncle Van? Yes, we consider him our&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Leading article? Quite so. I&rsquo;ve heard a bit about you too&mdash;something
+ about a canoe, eh?&rdquo;
+ </p>
+ <p>
+ Charlie looked somewhat disturbed.
+ </p>
+ <p>
+ &ldquo;Oughtn&rsquo;t Sutton to have told me? Well, it&rsquo;s too late
+ now because I&rsquo;ve told half a dozen fellows.&rdquo;
+ </p>
+ <p>
+ &ldquo;But there&rsquo;s nothing to tell.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I told it to old Thrapston&mdash;you don&rsquo;t know him, do
+ you? Cunningest old boy in London. Upon my honor, you know, I shouldn&rsquo;t
+ like to be like old Thrapston, not when I was getting old, you know. He&rsquo;s
+ too&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, what did he say?&rdquo; asked Victor.
+ </p>
+ <p>
+ &ldquo;He said what you never had the sense to see, my boy; but I expect
+ Mr. Merceron won&rsquo;t be obliged to me for repeating it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I should like to hear it,&rdquo; said Charlie, with necessary
+ politeness.
+ </p>
+ <p>
+ &ldquo;Well, it&rsquo;s not me, its old Thrapston; and if you say it&rsquo;s
+ wrong, I&rsquo;ll believe yon. Old Thrapston&mdash;hang it, Victor, that
+ old man ought to be hanged! Why, only the other day I saw him&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Do stick to the point,&rdquo; groaned Victor.
+ </p>
+ <p>
+ &ldquo;All right. Well, he said, &lsquo;I&rsquo;ll lay a guinea there was
+ a&rsquo;&mdash;and he winked his sinful old eye, you know, for all the
+ world like a what-d&rsquo;ye-call-it in a cathedral one of those hideous&mdash;I
+ say, what is the word, Victor? I saw &lsquo;em when Agatha took me&mdash;beg
+ pardon, Merceron?&rdquo;
+ </p>
+ <p>
+ Was the world full of Agathas? If so, it would be well not to start
+ whenever one was mentioned. Charlie recovered himself.
+ </p>
+ <p>
+ &ldquo;I think you must mean a gargoyle,&rdquo; he said, wondering who
+ this Agatha might be.
+ </p>
+ <p>
+ &ldquo;Of course I do. Fancy forgetting that! Gargoyle, of course. Well,
+ old Thrapston said, &lsquo;I&rsquo;ll lay a guinea there was a woman in
+ that dashed summer house, Calder, my boy.&rsquo;&rdquo;
+ </p>
+ <p>
+ Victor Button&rsquo;s eyes lighted with a gleam,
+ </p>
+ <p>
+ &ldquo;Well, I&rsquo;m hanged if I ever thought of that! Charlie, you held
+ us all!&rdquo;
+ </p>
+ <p>
+ &ldquo;Bosh!&rdquo; said Charlie Merceron. &ldquo;There was no one there.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right. But there ought to have been, you know&mdash;to give
+ interest to the position.&rdquo;
+ </p>
+ <p>
+ &ldquo;Honor bright, Charlie?&rdquo; asked Victor Sutton.
+ </p>
+ <p>
+ &ldquo;Shut up, Sutton,&rdquo; interposed Calder, &ldquo;He&rsquo;s not in
+ the Divorce Court, Let&rsquo;s change the subject.&rdquo;
+ </p>
+ <p>
+ Charlie was in a difficulty, but the better course seemed to be to allow
+ the subject to be changed, in spite of the wink that accompanied Calder&rsquo;s
+ suggestion.
+ </p>
+ <p>
+ &ldquo;All right,&rdquo; said Victor. &ldquo;How is Miss Glyn, Wentworth?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, she&rsquo;s all right. She&rsquo;s been in the country for a
+ bit, but she&rsquo;s back now.&rdquo;
+ </p>
+ <p>
+ &ldquo;And when is the happy event to be?&rdquo;
+ </p>
+ <p>
+ Calder laid down his knife and fork and remarked deliberately:
+ </p>
+ <p>
+ &ldquo;I haven&rsquo;t, my dear boy, the least idea.&rdquo;
+ </p>
+ <p>
+ &ldquo;I should hurry her up,&rdquo; laughed Sutton.
+ </p>
+ <p>
+ &ldquo;I&rsquo;d just like&mdash;now I should just like to put you in my
+ shoes for half an hour, and see you hurry up Agatha.&rdquo;
+ </p>
+ <p>
+ &ldquo;She couldn&rsquo;t eat me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Eat you? No, but she&rsquo;d flatten you out so that you&rsquo;d go
+ under that door and leave room for the jolly draught there is all the
+ same.&rdquo;
+ </p>
+ <p>
+ Sutton laughed complacently.
+ </p>
+ <p>
+ &ldquo;Well, you&rsquo;re a patient man,&rdquo; he observed. &ldquo;For my
+ part, I like a thing to be off or on.&rdquo;
+ </p>
+ <p>
+ It came to Charlie Merceron almost as a surprise to find that Victor&rsquo;s
+ impudence&mdash;he could call it by no other name&mdash;was not reserved
+ for his juniors or for young men from the country; but Calder took it
+ quite good-humoredly, contenting himself with observing, &ldquo;Well, it
+ was very soon off in your case, wasn&rsquo;t it, old fellow?&rdquo;
+ </p>
+ <p>
+ Sutton flushed.
+ </p>
+ <p>
+ &ldquo;I&rsquo;ve told you before that that&rsquo;s not true,&rdquo; he
+ said angrily.
+ </p>
+ <p>
+ Calder laughed.
+ </p>
+ <p>
+ &ldquo;All right, all right. We used to think, once upon a time, Merceron,
+ you know, that old Victor here was a bit smitten himself; but he hasn&rsquo;t
+ drugged my champagne yet, so of course, as he says, it was all a mistake.&rdquo;
+ </p>
+ <p>
+ After dinner the three separated. Victor had to go to a party. Calder
+ Wentworth proposed to Charlie that they should take a stroll together with
+ a view to seeing whether, when they came opposite to the door of a
+ music-hall, they would &lsquo;feel like&rsquo; dropping in to see part of
+ the entertainment. Charlie agreed, and, having lit their cigars, they set
+ out. He found his now friend amusing, and Calder, for his part, took a
+ liking for Charlie, largely on account of his good looks; like many plain
+ people, he was extremely sensitive to the influence of beauty in women and
+ men alike.
+ </p>
+ <p>
+ &ldquo;I say, old fellow,&rdquo; he said, pressing Charlie&rsquo;s arm as
+ if he had known him all his life, &ldquo;there was somebody in that
+ summer-house, eh?&rdquo;
+ </p>
+ <p>
+ Charlie turned with a smile and a blush. He felt confidential.
+ </p>
+ <p>
+ &ldquo;Yes, there was, only Victor&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I know. I nearly break his head whenever he mentions any girl I
+ like.&rdquo;
+ </p>
+ <p>
+ &ldquo;You know what he&rsquo;d have thought&mdash;and it wasn&rsquo;t
+ anything like that really.&rdquo;
+ </p>
+ <p>
+ &ldquo;Who was she, then?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&mdash;I don&rsquo;t know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I don&rsquo;t mean her name, of course. But what was she?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where did she come from?&rdquo;
+ </p>
+ <p>
+ &ldquo;London, I believe.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! I say, that&rsquo;s a queer go, Merceron.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know what to think about it. She&rsquo;s simply
+ vanished,&rdquo; said poor Charlie, and no one should wonder if his voice
+ faltered a little. Calder Wentworth laughed at many things, but he did not
+ laugh now at Charlie Merceron. Indeed he looked unusually grave.
+ </p>
+ <p>
+ &ldquo;I should drop it,&rdquo; he remarked. &ldquo;It don&rsquo;t look&mdash;well&mdash;healthy.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, you&rsquo;ve never seen her,&rdquo; said Charlie.
+ </p>
+ <p>
+ &ldquo;No, and I tell you what&mdash;it won&rsquo;t be a bad thing if you
+ don&rsquo;t see her again.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why?&rdquo;
+ </p>
+ <p>
+ &ldquo;Because you&rsquo;re just in the state of mind to marry her.&rdquo;
+ </p>
+ <p>
+ &ldquo;And why shouldn&rsquo;t I?&rdquo;
+ </p>
+ <p>
+ Mr. Wentworth made no answer, and they walked on till they readied
+ Piccadilly Circus. Then Charlie suddenly darted forward.
+ </p>
+ <p>
+ &ldquo;Hullo, what&rsquo;s up?&rdquo; cried Calder, following him.
+ </p>
+ <p>
+ Charlie was talking eagerly to a very smart young lady who had just got
+ down from an omnibus.
+ </p>
+ <p>
+ &ldquo;By Jove! he can&rsquo;t have found, her!&rdquo; thought Calder.
+ </p>
+ <p>
+ It was not the unknown, but her friend Nettie Wallace, whom Charlie&rsquo;s
+ quick eye had discerned; and the next moment Willie Prime made his
+ appearance. Charlie received them both almost with enthusiasm, and the
+ news from Lang Marsh was asked and given. Calder drew near, and Charlie
+ presented his friends to one another with the intent that he might get a
+ word with Nettie while Calder engrossed her fiances attention.
+ </p>
+ <p>
+ &ldquo;Have&mdash;have you heard from Miss Brown lately?&rdquo; he was
+ just beginning, when Calder, who had been looking steadily at Nettie,
+ burst out:
+ </p>
+ <p>
+ &ldquo;Hullo, I say, Miss Wallace, we&rsquo;ve met before, haven&rsquo;t
+ we? You know me, don&rsquo;t you?&rdquo;
+ </p>
+ <p>
+ Nettie laughed.
+ </p>
+ <p>
+ &ldquo;Oh, yes, I know you, sir. You&rsquo;re&mdash;-&rdquo;
+ </p>
+ <p>
+ She paused abruptly, and glanced from Charlie to Calder, and back from
+ Calder to Charlie. Then she blushed very red indeed.
+ </p>
+ <p>
+ &ldquo;Well, who am I?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&mdash;I saw you at&mdash;at Miss Glyn&rsquo;s, Mr. Wentworth.&rdquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Course you did&mdash;that&rsquo;s it;&rdquo; and, looking
+ curiously at the girl&rsquo;s flushed face, he added: &ldquo;Don&rsquo;t
+ be afraid to mention Miss Glyn; Mr. Merceron knows all about it.&rdquo;
+ </p>
+ <p>
+ &ldquo;All about it, does he, sir?&rdquo; cried Nettie. &ldquo;Well, I&rsquo;m
+ glad of that. I haven&rsquo;t been easy in my mind ever since.&rdquo;
+ </p>
+ <p>
+ Calder&rsquo;s conformation of eye enabled him to express much surprise by
+ facial expression, and at this moment he used his power to the full.
+ </p>
+ <p>
+ &ldquo;Awfully kind of you, Miss Wallace,&rdquo; said he, &ldquo;but I don&rsquo;t
+ see where your responsibility comes in. Ever since what?&rdquo;
+ </p>
+ <p>
+ Nettie shot a glance of inquiry at Charlie, but here too she met only
+ bewilderment.
+ </p>
+ <p>
+ &ldquo;Does he know that Miss Glyn is&mdash;-&rdquo; she began.
+ </p>
+ <p>
+ &ldquo;Engaged to me? Certainly.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo;
+ </p>
+ <p>
+ Willie stood by in silence. He had never heard of this Miss Glyn. Charlie,
+ puzzled as he was, was too intent on Miss Brown to spend much time
+ wondering why Miss Glyn&rsquo;s affairs should have been a trouble to
+ Nettie.
+ </p>
+ <p>
+ &ldquo;You&rsquo;ll let me know if you hear about her, won&rsquo;t you?&rdquo;
+ he asked in a low voice.
+ </p>
+ <p>
+ Nettie gave up the hope of understanding. She shook her head.
+ </p>
+ <p>
+ &ldquo;I&rsquo;ll ask her, if I see her, whether she wishes it,&rdquo; she
+ whispered back; and, with a hasty good-night, she seized Willie&rsquo;s
+ arm and hurried him off. Charlie was left alone with Calder.
+ </p>
+ <p>
+ &ldquo;What the deuce did she mean?&rdquo; asked Calder.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know,&rdquo; answered Charlie.
+ </p>
+ <p>
+ &ldquo;Where did you meet her?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, down at home. The fellow she was with is a son of a tenant of
+ ours; she&rsquo;s going to marry him.&rdquo;
+ </p>
+ <p>
+ &ldquo;She&rsquo;s a nice little girl, but I&rsquo;m hanged if I know what
+ she meant.&rdquo;
+ </p>
+ <p>
+ And, as the one was thinking exclusively of Agatha Glyn, and the other
+ spared a thought for no one but Agatha Brown, they did not arrive at an
+ explanation.
+ </p>
+ <p>
+ One result, however, that chance encounter had. The next morning Miss
+ Agatha Glyn received a letter in the following terms:
+ </p>
+ <p>
+ &ldquo;Madam:&mdash;I hope you will excuse me intruding, but I think you
+ would wish to know that Mr. Charles Merceron is in London, and that I met
+ him this evening with Mr. Wentworth. As you informed me that you had
+ passed Mr. Merceron on the road two or three times during your visit to
+ Lang Marsh, I think you may wish to be informed of the above. I may add
+ that Mr. Merceron is aware that you are engaged to Mr. Wentworth, but I
+ could not make out how far he was aware of what happened at Lang Marsh. I
+ think he does not know it. Of course you will know whether Mr. Wentworth
+ is aware of your visit there. I should be much obliged if you would be so
+ kind as to tell me what to say if I meet the gentlemen again. Mr. Merceron
+ is very pressing in asking me for news of you. I am to be married in a
+ fortnight from the present date, and I am, Madam, yours respectfully,
+ Nettie Wallace.&rdquo;
+ </p>
+ <p>
+ &ldquo;In London, and with Calder!&rdquo; exclaimed Agatha Glyn. &ldquo;Oh
+ dear! oh dear! oh dear! What is to be done? I wish I&rsquo;d never gone
+ near the wretched place!&rdquo;
+ </p>
+ <p>
+ Then she took up the letter and reread it.
+ </p>
+ <p>
+ &ldquo;He and I mustn&rsquo;t meet, that&rsquo;s all,&rdquo; she said.
+ </p>
+ <p>
+ Then she slowly tore the letter into very small pieces and put them in the
+ waste-paper basket.
+ </p>
+ <p>
+ &ldquo;Calder has no idea where I was,&rdquo; she said, and she sat down
+ by the window and looked out over the Park for nearly ten minutes.
+ </p>
+ <p>
+ &ldquo;Ah, well! I should like to see him just once again. Dear old Pool.&rdquo;
+ said she.
+ </p>
+ <p>
+ Then she suddenly began to laugh&mdash;an action only to be excused in one
+ in her position, and burdened with her sins, by the fact of her having at
+ the moment a peculiarly vivid vision of Millie Bushell going head first
+ out of a canoe.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0020" id="link2HCH0020"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VII. &mdash; THE INEVITABLE MEETING
+ </h2>
+ <p>
+ The first Viscount Thrapston had been an eminent public character, and the
+ second a respectable private person; the third had been neither. And yet
+ there was some good in the third. He had loved his only son with a
+ fondness rare to find; and for ten whole years, while the young man was
+ between seventeen and twenty-seven, the old lord lived, for his sake, a
+ life open to no reproach. Then the son died, leaving a lately married wife
+ and a baby-girl, and Lord Thrapston, deprived at once of hope and of
+ restraint, returned to his old courses, till age came upon him and drove
+ him from practice into reminiscence. Mrs. Glyn had outlived her husband
+ fifteen years and then followed him, fairly snubbed to death, some said,
+ by her formidable father-in-law. The daughter was of sterner stuff, and
+ early discovered for herself that nothing worse than a scowl or a snarl
+ was to be feared. On her, indeed, descended a relic of that tenderness her
+ father had enjoyed, and Agatha used to the full the advantages it gave
+ her. She knew her own importance. It is not every girl who will be a
+ peeress in her own right, and she amused her grandfather by calmly
+ informing him that it was not on the whole a subject for regret that she
+ had not been a boy. &ldquo;You see,&rdquo; said she, &ldquo;we get rid of
+ the new viscounty, and it&rsquo;s much better to be Warmley than
+ Thrapston.&rdquo;
+ </p>
+ <p>
+ The fact that she was some day to be &lsquo;Warmley&rsquo; was the
+ mainspring of that hairbrained jaunt to Lang Marsh in company with Nettie
+ Wallace. Nettie was the daughter of Lord Thrapston&rsquo;s housekeeper,
+ and the two girls had been intimate in youth, much as Charlie Merceron and
+ Willie Prime had been at the Court; and when Nettie, scorning servitude,
+ set up in life for herself, Agatha gave her her custom and did not
+ withdraw her friendship. In return, she received an allegiance which
+ refused none of her behests, and a regard which abolished all formality
+ between them, except when Nettie got a pen in her hand and set herself to
+ compose a polite letter. The expedition was, of course, to see the Court&mdash;the
+ old home of the Warmleys, for which Agatha felt a sentimental attraction.
+ She had told herself that some day, if she were rich (and, Lord Thrapston
+ not being rich, she must have had some other resource in her mind), she
+ would buy back Langbury Court and get rid of the Mercerons altogether.
+ There were only a widow and a boy, she had heard, and they should have
+ their price. So she went to the Court in the business-like mood of a
+ possible purchaser (Calder could afford anything), as well as in the
+ romantic mood of a girl escaped from every-day surroundings and plunging
+ into a past full of interest to her. Had not she also read of Agatha
+ Merceron? And in this mixed mood she remained till one evening at the Pool
+ she had met &lsquo;the boy&rsquo;, when the mood became more mixed still.
+ She dared not now look back on the struggles she had gone through before
+ her meeting with the boy became first a daily event, and then the daily
+ event. She had indulged herself for once. It was not to last; but for once
+ it was overpoweringly sweet to be gazed at by eyes that did not remind her
+ of a frog&rsquo;s, and to see swiftly darting towards her a lithe straight
+ figure crowned with a head that (so she said) reminded her of Lord Byron&rsquo;s.
+ But alas! alas! why had nobody told her that the boy was like that before
+ she went? Why did her grandfather take no care of her? Why did Calder
+ never show any interest in what she did? Why, in fine, was everybody so
+ cruel as to let her do exactly what she liked, and thereby get into a
+ scrape like this?
+ </p>
+ <p>
+ One thing was certain. If that boy were in London, she must avoid him.
+ They must never meet. It was nonsense for Mr. Sigismund Taylor to talk of
+ making a. clean breast of it&mdash;of a dignified apology to Charlie,
+ coupled with a no less dignified intimation that their acquaintance must
+ be regarded as closed. Mr. Taylor knew nothing of the world. He even
+ wanted her to tell Calder! No. She was truly and properly penitent, and
+ she hoped that she received all he said in that line in a right spirit;
+ but when it came to a question of expediency, she would rather have Mrs.
+ Blunt&rsquo;s advice than that of a thousand Mr. Taylors. So she wrote to
+ Mrs. Blunt and asked herself to lunch, and Mrs. Blunt, being an
+ accomplished painstaking hostess, and having no reason to suppose that her
+ young friend desired a confidential interview, at once cast about for some
+ one whom Agatha would like to meet. She did not ask Calder Wentworth&mdash;she
+ was not so commonplace as that&mdash;but she invited Victor Sutton, and,
+ delighting in a happy flash of inspiration, she added Mr. Vansittart
+ Merceron. The families were connected in some way, she knew, and Agatha
+ certainly ought to know Mr. Merceron.
+ </p>
+ <p>
+ Accordingly, when Agatha arrived, she found Victor, and she had not been
+ there five minutes before the butler, throwing open the door, announced
+ &ldquo;Mr. Merceron.&rdquo;
+ </p>
+ <p>
+ Uncle Van had reached that state of body when he took his time over
+ stairs, and between the announcement and his entrance there was time for
+ Agatha to exclaim, quite audibly, &ldquo;Oh!&rdquo;
+ </p>
+ <p>
+ &ldquo;What&rsquo;s the matter, dear?&rdquo; asked Mrs. Blunt; but Uncle
+ Van&rsquo;s entrance forbade a reply, and left Agatha blushing but
+ relieved.
+ </p>
+ <p>
+ Was she never to hear the end of that awful story? It might be natural
+ that, her hereditary connection with the Mercerons being disclosed, Mr.
+ Vansittart should discourse of Langbury Court, of the Pool, and of Agatha
+ Merceron; but was it necessary that Victor Sutton should chime in with the
+ whole history of the canoe and Miss Bushell, or joke with Mr. Merceron
+ about his nephew&rsquo;s &lsquo;assignations&rsquo;? The whole topic
+ seemed in bad taste, and she wondered that Mrs. Blunt did not discourage
+ it. But what horrible creatures men were! Did they really think it
+ impossible for a girl to like to talk to a man for an hour or so in the
+ evening without&mdash;&mdash;?
+ </p>
+ <p>
+ &ldquo;You must let me bring my nephew to meet Miss Glyn,&rdquo; said
+ Uncle Van graciously to his hostess. &ldquo;She is so interested in the
+ family history that she and Charlie would get on like wildfire. He&rsquo;s
+ mad about it.&rdquo;
+ </p>
+ <p>
+ &ldquo;In fact,&rdquo; sniggered Victor (Miss Glyn always detested that
+ man), &ldquo;so interested that, as you hear, he went to meet Agatha
+ Merceron every evening for a fortnight!&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;ll be delighted to meet him, won&rsquo;t you, Agatha? We
+ must arrange a day,&rdquo; said Mrs. Blunt.
+ </p>
+ <p>
+ &ldquo;Calder knows him,&rdquo; added Victor.
+ </p>
+ <p>
+ &ldquo;He&rsquo;s an idle young dog,&rdquo; said Uncle Van, &ldquo;but a
+ nice fellow. A little flighty and fanciful, as boys will be, but no harm
+ in him. You mustn&rsquo;t attach too much importance to our chaff about
+ his meetings at the Pool, Miss Glyn; we don&rsquo;t mean any harm.&rdquo;
+ </p>
+ <p>
+ Agatha tried to smile, but the attempt was not a brilliant success. She
+ stammered that she would be delighted to meet Mr. Charles Merceron,
+ swearing in her heart that she would sooner start for Tierra del Fuego.
+ But her confession to Mrs. Blunt would save her, if only these odious men
+ would go. They had had their coffee, and their liqueurs, and their
+ cigarettes. What more, in Heaven&rsquo;s name, could even a man want to
+ propitiate the god of his idolatry?
+ </p>
+ <p>
+ Apparently the guests themselves became aware that they were trespassing,
+ for Uncle Van, turning to his hostess with his blandest smile, remarked,
+ &ldquo;I hope we&rsquo;re not staying too long. The fact is, my dear Mrs.
+ Blunt, you&rsquo;re always so kind that we took the liberty of telling
+ Calder Wentworth to call for us here. He ought to have come by now.&rdquo;
+ </p>
+ <p>
+ Mrs. Blunt declared that she would be offended if they thought of going
+ before Calder came. Agatha rose in despair: the confession must be put
+ off. She held out her hand to her hostess. At this moment the door-bell
+ rang.
+ </p>
+ <p>
+ &ldquo;That&rsquo;s him,&rdquo; said Victor.
+ </p>
+ <p>
+ &ldquo;Sit down again for a minute, dear,&rdquo; urged Mrs. Blunt.
+ </p>
+ <p>
+ There was renewed hope for the confession. Agatha sat down. But hardly had
+ she done so before the strangest presentiment came over her. She heard the
+ door below open and shut, and it was borne in upon her mind that two men
+ had entered. How she guessed it, she could not tell, but, as she sat
+ there, she had no doubt at all that Charlie Merceron had come with Calder
+ Went worth. Escape was impossible, but she walked across to the window and
+ stood there, with her back to the door.
+ </p>
+ <p>
+ &ldquo;Mr. Wentworth!&rdquo; she heard, and then, cutting the servant
+ short, came Calder&rsquo;s voice.
+ </p>
+ <p>
+ &ldquo;I took the liberty&mdash;-&rdquo; he began: and she did not know
+ how he went on, for her head was swimming.
+ </p>
+ <p>
+ &ldquo;Agatha! Agatha, dear!&rdquo; called Mrs. Blunt.
+ </p>
+ <p>
+ Perforce she turned, passing her hand quickly across her brow. Yes! It was
+ so. There he stood by Calder&rsquo;s side, and Calder was saying, &ldquo;My
+ dear Agatha, this is Charlie Merceron.&rdquo;
+ </p>
+ <p>
+ She would not look at Charlie. She moved slowly forward, her eyes fixed on
+ Calder, and bowed with a little set smile. Luckily people pay slight
+ attention to one another&rsquo;s expressions on social occasions, or they
+ must all have noticed her agitation. As it was, only Calder Wentworth
+ looked curiously at her before he turned aside to shake hands with Uncle
+ Van.
+ </p>
+ <p>
+ Then she felt Charlie Merceron coining nearer, and, a second later, she
+ heard his voice.
+ </p>
+ <p>
+ &ldquo;Is it possible that it&rsquo;s you?&rdquo; he asked, in a low tone.
+ </p>
+ <p>
+ Then she looked at him. His face was pale and his eyes eagerly straining
+ to read what might be in hers.
+ </p>
+ <p>
+ &ldquo;Hush!&rdquo; she whispered. &ldquo;Yes. Hush! hush!&rdquo;
+ </p>
+ <p>
+ &ldquo;But&mdash;but he told me your name was Glyn?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;And he says you&rsquo;re engaged to him.&rdquo;
+ </p>
+ <p>
+ Agatha clasped her hands, and Calder&rsquo;s voice broke in, between them:
+ &ldquo;Come along, Merceron, we&rsquo;re waiting for you.&rdquo;
+ </p>
+ <p>
+ &ldquo;They&rsquo;ve got into antiquities already,&rdquo; smiled Mrs.
+ Blunt. &ldquo;You must come again, Mr. Merceron, and meet Miss Glyn. Mustn&rsquo;t
+ he, Agatha?&rdquo;
+ </p>
+ <p>
+ Agatha threw one glance at him.
+ </p>
+ <p>
+ &ldquo;If he will,&rdquo; she said.
+ </p>
+ <p>
+ Charlie pulled himself together, muttered something appropriate, and
+ shuffled out tinder his uncle&rsquo;s wing. Mr. Vansittart was surprised
+ to find him a trifle confused and awkward in society.
+ </p>
+ <p>
+ Outside the house, Charlie ranged up beside Calder &ldquo;Wentworth,
+ leaving Uncle Van and Sutton together.
+ </p>
+ <p>
+ &ldquo;Well, what do you think of her?&rdquo; asked Calder.
+ </p>
+ <p>
+ Charlie gave no opinion. He asked just one question:
+ </p>
+ <p>
+ &ldquo;How long have you been engaged to her?&rdquo;
+ </p>
+ <p>
+ &ldquo;How long? Oh, let&rsquo;s see. About&mdash;yes, just about a year.
+ I never knew that there was a sort of connection between you and her&mdash;sort
+ of relationship, you know. I ain&rsquo;t strong on the Peerage.&rdquo;
+ </p>
+ <p>
+ &ldquo;A sort of connection!&rdquo; There was that in more senses than the
+ one Calder had been told of by Uncle Van. There was a connection that poor
+ Charlie thought Heaven itself had tied on those summer evenings by the
+ Pool, which to strengthen and confirm forever he had sallied from his
+ home, like a knight in search of his mistress the world over in olden
+ days. And he found her&mdash;such as this girl must be! Stay! He did not
+ know all yet. Perhaps she had been forced into a bond she hated. He knew
+ that happened. Did not stories tell of it, and moralists declaim against
+ it? This man&mdash;this creature, Calder Wentworth&mdash;was buying her
+ with his money, forcing himself on her, brutally capturing her. Of course!
+ How could he have doubted her? Charlie dropped Calder&rsquo;s arm as
+ though it had been made of red-hot iron.
+ </p>
+ <p>
+ &ldquo;Hullo!&rdquo; exclaimed that worthy fellow, unconscious of offence.
+ </p>
+ <p>
+ Charlie stopped short. &ldquo;I can&rsquo;t come,&rdquo; he said. &ldquo;I&mdash;I&rsquo;ve
+ remembered an engagement;&rdquo; and without more he turned away and shot
+ out of sight round the nearest corner.
+ </p>
+ <p>
+ &ldquo;Well, I&rsquo;m hanged!&rdquo; said Calder Wentworth, and, with a
+ puzzled frown, he joined his other friends.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0021" id="link2HCH0021"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VIII. &mdash; THE MORAL OF IT
+ </h2>
+ <p>
+ Left alone with Mrs. Blunt, Agatha sank into the nearest chair.
+ </p>
+ <p>
+ &ldquo;A very handsome young man, isn&rsquo;t he?&rdquo; asked the good
+ lady, pushing a chair back into its place. &ldquo;He&rsquo;ll be an
+ acquisition, I think.&rdquo;
+ </p>
+ <p>
+ Agatha made no answer, and Mrs. Blunt, glancing at her, found her
+ devouring the carpet with a stony stare.
+ </p>
+ <p>
+ &ldquo;What on earth&rsquo;s the matter, child?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m the wretchedest wickedest girl alive,&rdquo; declared
+ Agatha.
+ </p>
+ <p>
+ &ldquo;Good gracious!&rdquo;
+ </p>
+ <p>
+ &ldquo;Mrs. Blunt, who do you think was in the summer-house when Mr.
+ Merceron went there?&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear, are you ill? You jump about so from subject to subject.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s all one subject, Mrs. Blunt. There was a girl there.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, my dear, and if there was? Boys will be boys; and I&rsquo;m
+ sure there was no harm.&rdquo;
+ </p>
+ <p>
+ &ldquo;No harm! Oh!&rdquo;
+ </p>
+ <p>
+ &ldquo;Agatha, are you crazy?&rdquo; demanded Mrs. Blunt, with an access
+ of sternness.
+ </p>
+ <p>
+ &ldquo;Could I fancy,&rdquo; pursued Agatha, in despairing playfulness
+ mimicking Uncle Van&rsquo;s manner, &ldquo;how Miss Bushell looked, and
+ how Victor looked, and how everybody looked? Could I fancy it? Why, I was
+ there!&rdquo;
+ </p>
+ <p>
+ &ldquo;There! Where?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, in that wretched little temple. I was the girl, Mrs. Blunt. I&mdash;I&mdash;I
+ was the milkmaid, as Mr. Sutton says. I was the country wench! Oh dear! oh
+ dear! oh dear!&rdquo;
+ </p>
+ <p>
+ Mrs. Blunt, knowing her sex, held out a bottle of salts.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m not mad,&rdquo; said Agatha.
+ </p>
+ <p>
+ &ldquo;You&rsquo;re nearly hysterical.&rdquo;
+ </p>
+ <p>
+ Agatha took a long sniff.
+ </p>
+ <p>
+ &ldquo;I think I can tell you now,&rdquo; she said more calmly. &ldquo;But
+ was ever a girl in such an awful position before?&rdquo;
+ </p>
+ <p>
+ It is needless to repeat what Mrs. Blunt said. Her censures will have been
+ long ago anticipated by every right-thinking person, and if she softened
+ them down a little more than strict justice allowed, it must have been
+ because Agatha was an old favorite of hers, and Lord Thrapston an old
+ antipathy. Upon her word, she always wondered that the poor child, brought
+ up by that horrid old man, was not twice as bad as she was.
+ </p>
+ <p>
+ &ldquo;But what am I to do about them?&rdquo; cried Agatha.
+ </p>
+ <p>
+ Them&rsquo; evidently meant Calder and Charlie.
+ </p>
+ <p>
+ &ldquo;Do! Why, there&rsquo;s nothing to do. You must just apologize to
+ Mr. Merceron, and tell him that an end had better be put&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I know&mdash;Mr. Taylor said that; but, Mrs. Blunt, I don&rsquo;t
+ want an end to be put to our acquaintance. I like him very very much. Oh,
+ and he thinks me horrid! Oh!&rdquo;
+ </p>
+ <p>
+ &ldquo;Take another sniff,&rdquo; advised Mrs. Blunt, &ldquo;Of course, if
+ Mr. Merceron is willing to let bygones be bygones, and just be an
+ acquaintance&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, but I know he won&rsquo;t. If you knew Charlie
+ </p>
+ <p>
+ &ldquo;Knew who, Agatha?&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. Merceron,&rdquo; said Agatha, in a very humble voice. &ldquo;If
+ you knew him at all, you&rsquo;d know he wouldn&rsquo;t do that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you must send him about his business. Oh, yes, I know. You&rsquo;ve
+ treated him atrociously, but Calder Wentworth must be considered first;
+ that is, if you care two straws for the poor fellow, which I begin to
+ doubt.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I do, Mrs. Blunt!&rdquo;
+ </p>
+ <p>
+ &ldquo;Agatha, you shameless girl, which of these men&mdash;-?&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t talk as if there were a dozen of them, dear Mrs. Blunt.
+ There are only two.&rdquo;
+ </p>
+ <p>
+ &ldquo;One too many.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I know. You&mdash;you see I&rsquo;m&mdash;I&rsquo;m accustomed
+ to Calder.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, are you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. Don&rsquo;t be unkind, Mrs. Blunt. And then Charlie was something
+ so new&mdash;such a charming change&mdash;that&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Upon my word, you might be your grandfather. Talk about heredity,
+ and Ibsen, and all that!&rdquo;
+ </p>
+ <p>
+ &ldquo;Can&rsquo;t you help me, dear Mrs. Blunt?&rdquo;
+ </p>
+ <p>
+ &ldquo;I can&rsquo;t give you two husbands, if that&rsquo;s what you want.
+ There, child, don&rsquo;t cry. Never mind me. Have another sniff.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall go home,&rdquo; said Agatha. &ldquo;Perhaps grandpapa may
+ be able to advise me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Your grandfather! Gracious goodness, girl, you&rsquo;re never going
+ to tell him?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I shall. Grandpapa&rsquo;s had a lot of experience: he says
+ so.&rdquo;
+ </p>
+ <p>
+ &ldquo;I should think he had!&rdquo; whispered Mrs. Blunt with uplifted
+ hands.
+ </p>
+ <p>
+ &ldquo;Good-by, Mrs. Blunt. You don&rsquo;t know how unhappy I am. Thanks,
+ yes, a hansom, please. Mrs. Blunt, are you going to ask Mr. Merceron here
+ again?&rdquo;
+ </p>
+ <p>
+ Mrs. Blunt&rsquo;s toleration was exhausted.
+ </p>
+ <p>
+ &ldquo;Be off with you!&rdquo; she said sternly, pointing a forefinger at
+ the door.
+ </p>
+ <p>
+ By great good fortune Agatha found Lord Thrapston at home. Drawing a
+ footstool beside his chair, she sat down. Her agitation was past, and she
+ wore a gravely business like air.
+ </p>
+ <p>
+ &ldquo;Grandpapa,&rdquo; she began, &ldquo;I have got something to tell
+ you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Go ahead, my dear,&rdquo; said the old gentleman, stroking her
+ golden hair. Her father had curls like that when he was a boy.
+ </p>
+ <p>
+ &ldquo;Something dreadful I&rsquo;ve done, you know. But you won&rsquo;t
+ be very angry, will you?&rdquo;
+ </p>
+ <p>
+ &ldquo;We&rsquo;ll see.&rdquo;
+ </p>
+ <p>
+ &ldquo;You oughtn&rsquo;t to be, because you&rsquo;re not very good
+ yourself, are you?&rdquo; and she first glanced up into his burnt-out old
+ eyes and then pressed her lips on his knotted lean old hand.
+ </p>
+ <p>
+ &ldquo;Aggy,&rdquo; said he, &ldquo;I expect you play the deuce with the
+ young fellows, don&rsquo;t you?&rdquo;
+ </p>
+ <p>
+ Agatha laughed softly, but a frown succeeded.
+ </p>
+ <p>
+ &ldquo;That&rsquo;s just it,&rdquo; she said. &ldquo;Now, you&rsquo;re to
+ listen and not interrupt, or I shall never be able to manage it. And you&rsquo;re
+ not to look at me, grandpapa.&rdquo;
+ </p>
+ <p>
+ The narrative&mdash;that thrice-told tale&mdash;began. As the comments of
+ Mr. Taylor and Mrs. Blunt were omitted, those of Lord Thrapston may well
+ receive like treatment, more especially as they tended not to edification;
+ but before his granddaughter had finished her story the old man had sworn
+ softly four times and chuckled audibly twice.
+ </p>
+ <p>
+ &ldquo;I knew there was a girl in that temple, soon as Calder told me,&rdquo;
+ said he.
+ </p>
+ <p>
+ &ldquo;But you didn&rsquo;t know who it was. Oh, and Calder doesn&rsquo;t?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not he. Well, you&rsquo;ve made a pretty little fool of yourself,
+ missie. What are you going to do now?&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s what you&rsquo;ve got to tell me.&rdquo;
+ </p>
+ <p>
+ &ldquo;I? Oh, I dare say. No, no; you got into the scrape and you can get
+ out of it. And&mdash;-&rdquo; He suddenly recollected his duties. &ldquo;Look
+ here, Agatha, I must&mdash;hang it, Agatha, I shouldn&rsquo;t be doing my
+ duty as&mdash;as a grandfather if I didn&rsquo;t say that it&rsquo;s a
+ monstrous disgraceful thing of you to have done. Yes, d&mdash;&mdash;d
+ disgraceful;&rdquo; and he took a pinch of snuff with an air of severe
+ virtue.
+ </p>
+ <p>
+ &ldquo;Yes, dear; but you shouldn&rsquo;t swear, should you?&rdquo;
+ </p>
+ <p>
+ Lord Thrapston felt that he had spoilt the moral effect of his reproof,
+ and, without dwelling further on that aspect of the subject, he addressed
+ his mind to the more practical question. The outcome, different as the
+ source was, was the same old verdict.
+ </p>
+ <p>
+ &ldquo;We must tell Calder, my dear. It isn&rsquo;t right to keep him in
+ the dark.&rdquo;
+ </p>
+ <p>
+ &ldquo;I can&rsquo;t tell him. Why must he be told?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said Lord Thrapston, &ldquo;it&rsquo;s just possible,
+ Aggy, that he may have something to say to it, isn&rsquo;t it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t mind what he says,&rdquo; declared Agatha.
+ </p>
+ <p>
+ &ldquo;Eh? Why, I thought you were so fond of him.&rdquo;
+ </p>
+ <p>
+ &ldquo;So I am.&rdquo;
+ </p>
+ <p>
+ &ldquo;And as you&rsquo;re going to marry him
+ </p>
+ <p>
+ &ldquo;I never said I was going to marry him. I only said he might be
+ engaged to me, if he liked.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oho! So this young Merceron&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Not at all, grandpapa. Oh, I do wish somebody would help me!&rdquo;
+ </p>
+ <p>
+ Lord Thrapston rose from his seat.
+ </p>
+ <p>
+ &ldquo;You must do what you like,&rdquo; he said. &ldquo;I&rsquo;m going
+ to tell Calder.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, why?&rdquo;
+ </p>
+ <p>
+ &ldquo;Because,&rdquo; he answered, &ldquo;I&rsquo;m a man of honor.&rdquo;
+ </p>
+ <p>
+ Before the impressive invocation of her grandfather&rsquo;s one religion,
+ Agatha&rsquo;s opposition collapsed.
+ </p>
+ <p>
+ &ldquo;I suppose he must be told,&rdquo; she admitted mournfully. &ldquo;I
+ expect he&rsquo;ll never speak to me again, and I&rsquo;m sure Mr.
+ Merceron won&rsquo;t;&rdquo; and she sat on the footstool, the picture of
+ dejection.
+ </p>
+ <p>
+ Lord Thrapston was moved to enunciate a solemn truth.
+ </p>
+ <p>
+ &ldquo;Aggy,&rdquo; said he, shaking his finger at her, &ldquo;in this
+ world you can&rsquo;t have your fun for nothing.&rdquo; But then he spoilt
+ it by adding regretfully, &ldquo;More&rsquo;s the pity!&rdquo; and off he
+ hobbled to the club, intent on finding Calder Wentworth.
+ </p>
+ <p>
+ For some time after he went, Agatha sat on her stool in deep thought. Then
+ she rose, sat down at the writing-table, took a pen, and began to bite the
+ end of it. At last she started to write:
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know whether I ought to write or not, but I must tell
+ you how it happened. Oh, don&rsquo;t think too badly of me! I came down
+ just because I had heard so much about the Court and I wanted to see it,
+ and I came as I did with Nettie Wallace just for fun. I never meant to say
+ I was a dress-maker, you know; but people would ask questions and I had to
+ say something. I never, never thought of you. I thought you were about
+ fifteen. And you know&mdash;oh, you must know&mdash;that I met you quite
+ by accident, and was just as surprised as you were. And the rest was all
+ your fault. I didn&rsquo;t want to come again; you know I refused ever so
+ many times; and you promised you wouldn&rsquo;t come if I came, and then
+ you did come. It was really all your fault. And I&rsquo;m very, very
+ sorry, and you must please try to forgive me, dear Mr. Merceron, and not
+ think me a very wicked girl. I had no idea of coming every evening, but
+ you persuaded me. You know you persuaded me. And how could I tell you I
+ was engaged? You know you never asked me. I would have told you if you
+ had. I am telling Mr. Wentworth all about it, and I don&rsquo;t think you
+ ought to have persuaded me to meet you as you did. It wasn&rsquo;t really
+ kind or nice of you, was it? Because, of course, I&rsquo;m not very old,
+ and I don&rsquo;t know much about the world, and I never thought of all
+ the horrid things people would say. Do, please, keep this quite a secret.
+ I felt I must write you just a line. I wonder what you&rsquo;re thinking
+ about me, or whether you&rsquo;re thinking about me at all. You must never
+ think of me again. I am very, very unhappy, and I do most earnestly hope,
+ dear Mr. Merceron, that I have not made you unhappy. We were both very
+ much to blame, weren&rsquo;t we? But we slipped into it without knowing.
+ Good-by. I don&rsquo;t think I shall ever forget the dear old Pool, and
+ the temple, and&mdash;the rest. But you must please forget me and forgive
+ me. I am very miserable about it and about everything. I think we had
+ better not know each other any more, so please don&rsquo;t answer this.
+ Just put it in the fire and think no more about it or me. I wanted to tell
+ you all this when I saw you to-day, but I couldn&rsquo;t. Good-by. Why did
+ we ever meet?&rdquo;
+ </p>
+ <p>
+ &ldquo;Agatha Glyn.&rdquo;
+ </p>
+ <p>
+ She read this rather confused composition over twice, growing more sorry
+ for herself each time. Then she put it in an envelope, addressed it to
+ Charlie, looked out Uncle Van in the Directory, and sent it under cover to
+ his residence. Then she went and lay down on the hearth-rug, and began to
+ cry, and through her tears she said aloud to herself,
+ </p>
+ <p>
+ &ldquo;I wonder whether he&rsquo;ll write or come.&rdquo;
+ </p>
+ <p>
+ Because it seemed to her entirely impossible that, in spite of her prayer,
+ he should put the letter in the fire and let her go. Surely he too
+ remembered the dear old Pool, and the temple, and&mdash;the rest!
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0022" id="link2HCH0022"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER IX. &mdash; TWO MEN OF SPIRIT
+ </h2>
+ <p>
+ &ldquo;The fact is,&rdquo; observed Lord Thrapston complacently, &ldquo;the
+ girl very much resembles me in disposition.&rdquo;
+ </p>
+ <p>
+ Calder&rsquo;s eyes grew larger and rounder.
+ </p>
+ <p>
+ &ldquo;Do you really think so?&rdquo; he asked anxiously.
+ </p>
+ <p>
+ &ldquo;Well, this little lark of hers&mdash;hang me, it&rsquo;s just what
+ I should have enjoyed doing fifty years ago.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah&mdash;er&mdash;Lord&mdash;Thrapston, have you noticed the
+ resemblance you speak of in any other way?&rdquo;
+ </p>
+ <p>
+ &ldquo;That girl, except that she is a girl, is myself over again&mdash;myself
+ over again.&rdquo;
+ </p>
+ <p>
+ &ldquo;The deuce!&rdquo;
+ </p>
+ <p>
+ &ldquo;I beg your pardon, Calder; I grow hard of hearing.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nothing. Lord Thrapston. Look here, Lord Thrapston&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, well, my dear boy?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, nothing; that is&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;But she&rsquo;ll be all right in your hands, my boy. You must keep
+ an eye; on her, don&rsquo;t you know: she&rsquo;ll need a bit o&rsquo;
+ driving; but I really don&rsquo;t see why you should come to grief. I don&rsquo;t,
+ &lsquo;pon my soul. No. With tact on your part, you might very well pull
+ through.&rdquo;
+ </p>
+ <p>
+ &ldquo;How d&rsquo;ye mean tact, Lord Thrapston?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, amuse her. Let her travel; give her lots of society; don&rsquo;t
+ bother her with domestic affairs. Don&rsquo;t let her feel she&rsquo;s
+ under any obligation. That&rsquo;s what she kicks against. So do I; always
+ did.&rdquo;
+ </p>
+ <p>
+ Calder pulled his mustache. Lord Thrapston had briefly sketched the exact
+ opposite of his ideal of married life.
+ </p>
+ <p>
+ &ldquo;The fact is,&rdquo; continued the old man, &ldquo;the boy&rsquo;s
+ an uncommon handsome boy. She can&rsquo;t resist that. No more can I;
+ never could.&rdquo;
+ </p>
+ <p>
+ There chanced to be a mirror opposite Calder, and he impartially
+ considered himself. There was, he concluded, every prospect of Miss Glyn
+ resisting any engrossing passion for him.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s very good of you to have told, me all about it,&rdquo;
+ he remarked, rising. &ldquo;I&rsquo;ll think it over.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, do. Of course, I admit she&rsquo;s given you a perfectly good
+ reason for breaking off your engagement if you like. Mind that. We don&rsquo;t
+ feel aggrieved, Calder. Act as you think best. We admit we&rsquo;re in the
+ wrong, but we must stand by what we&rsquo;ve done.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shouldn&rsquo;t like to give her any pain&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Pain! Oh, dear me, no, my dear boy. She won&rsquo;t fret. Make your
+ mind easy about that.&rdquo;
+ </p>
+ <p>
+ Calder felt a sudden impulse to disclose to Lord Thrapston his secret
+ opinion of him, and he recollected, with a pang, that in the course of so
+ doing he would have to touch on more than one characteristic shared by the
+ old man and Agatha. Where were his visions of a quiet home in the country,
+ of freedom from the irksome duties of society, of an obedient and devoted
+ wife, surrounded by children and flanked by jampots? He had once painted
+ this picture for Agatha, shortly after she had agreed to that arrangement
+ which she declined to call a promise of marriage; and it occurred to him
+ now that she had allowed the subject to drop without any expression of
+ concurrence. He took leave of Lord Thrapston and went for a solitary walk.
+ He wanted to think. But the position of affairs was such that other
+ persons also felt the need of reflection, and Calder had not been walking
+ by the Row very long before, lifting his eyes, he saw a young man
+ approaching. The young man was not attired as he ought to have been: he
+ wore a light suit, a dissolute necktie, and a soft wideawake crammed down
+ low on his head. He had obviously forsworn the vanities of the world and
+ was wearing the willow. He came up to Calder and held out his hand.
+ </p>
+ <p>
+ &ldquo;Wentworth,&rdquo; he said, &ldquo;I left you rudely the other day.
+ I was doing you an injustice. I have heard the truth from Mrs. Blunt. You
+ are free from all blame. We&mdash;we are fellow-sufferers.&rdquo;
+ </p>
+ <p>
+ His tones were so mournful that Calder shook his hand with warm sympathy,
+ and remarked, &ldquo;Pretty rough, on us both, ain&rsquo;t it?&rdquo;
+ </p>
+ <p>
+ &ldquo;For me,&rdquo; declared Charlie, &ldquo;everything is over. My
+ trust in woman is destroyed; my pleasure in life is&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I don&rsquo;t feel A1 myself, old chap,&rdquo; said Calder.
+ </p>
+ <p>
+ &ldquo;I have written to&mdash;to her, to say good-by.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, have yon, though?&rdquo;
+ </p>
+ <p>
+ &ldquo;What else could I do? Wentworth, do you suppose that, even if she
+ was free, I would think of her for another moment? Can there be love where
+ there is no esteem, no trust, no confidence?&rdquo;
+ </p>
+ <p>
+ &ldquo;I was just thinking that when you came up,&rdquo; said Calder.
+ </p>
+ <p>
+ &ldquo;No, at whatever cost, I&mdash;every self-respecting man&mdash;must
+ consider first of all what he owes to his name, to his family, to his&mdash;Wentworth,
+ to his unborn children.&rdquo;
+ </p>
+ <p>
+ Calder nodded.
+ </p>
+ <p>
+ &ldquo;You, of course,&rdquo; pursued Charlie, &ldquo;will be guided by
+ your own judgment. As to that, the circumstances seal my lips.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t like it, you know,&rdquo; said Calder.
+ </p>
+ <p>
+ &ldquo;As regards you, she may or may not have excuses. I don&rsquo;t
+ know; but she wilfully and grossly deceived me. I have done with her.&rdquo;
+ </p>
+ <p>
+ &ldquo;Gad, I believe you&rsquo;re right, Merceron, old chap! A chap ought
+ to stand up for himself, by Jove! You&rsquo;d never feel safe with her,
+ would you, by Jove?&rdquo;
+ </p>
+ <p>
+ &ldquo;Good-by,&rdquo; said Charlie suddenly. &ldquo;I leave Paddington by
+ the 4.15.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where are you off to?&rdquo;
+ </p>
+ <p>
+ &ldquo;Hell&mdash;I mean home,&rdquo; answered Charlie.
+ </p>
+ <p>
+ Calder beat his stick against his leg.
+ </p>
+ <p>
+ &ldquo;I can&rsquo;t stay here either,&rdquo; he said moodily.
+ </p>
+ <p>
+ Charlie stretched out his hand again.
+ </p>
+ <p>
+ &ldquo;Come with me,&rdquo; said he.
+ </p>
+ <p>
+ &ldquo;Eh? what?&rdquo;
+ </p>
+ <p>
+ &ldquo;Come with me; we&rsquo;ll forget her together.&rdquo;
+ </p>
+ <p>
+ Calder looked at him.
+ </p>
+ <p>
+ &ldquo;Well, you are a good chap. Dashed if I don&rsquo;t. Yes, I will. We&rsquo;ll
+ enjoy ourselves like thunder. But I say, Merceron, I&mdash;I ought to
+ write to her, oughtn&rsquo;t I?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am just going to write myself.&rdquo;
+ </p>
+ <p>
+ &ldquo;To&mdash;to say good-by, eh?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall write and break it off.&rdquo;
+ </p>
+ <p>
+ &ldquo;Come along. We&rsquo;ll go to your rooms and got the thing done,
+ and then catch the train. My luggage is at the station now.&rdquo;
+ </p>
+ <p>
+ &ldquo;It won&rsquo;t take me a minute to get mine.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wentworth, I&rsquo;m glad to be rid of her.&rdquo;
+ </p>
+ <p>
+ &ldquo;All&mdash;oh, well&mdash;so am I,&rdquo; said Calder.
+ </p>
+ <p>
+ Late that evening the butler presented Miss Agatha Glyn with two letters
+ on a salver. As her eye fell on the addresses, she started. Her heart
+ began to beat. She sat and looked at the two momentous missives.
+ </p>
+ <p>
+ &ldquo;Now which,&rdquo; she thought, &ldquo;shall I read first? And what
+ shall I do, if they are both obstinate?&rdquo;
+ </p>
+ <p>
+ There was another contingency which Miss Glyn did not contemplate.
+ </p>
+ <p>
+ After a long hesitation, she took up Charlie&rsquo;s letter, and opened
+ it. It was very short, and began abruptly without any words of address:
+ </p>
+ <p>
+ &ldquo;I have received your letter. Your excuses make it worse. I could
+ forgive everything except deceit. I leave London to-day. Good-by.&mdash;C.
+ M.&rdquo;
+ </p>
+ <p>
+ &ldquo;Deceit!&rdquo; cried Agatha. &ldquo;How dare he? What a horrid boy!&rdquo;
+ </p>
+ <p>
+ She was walking up and down the room in a state of great indignation. She
+ had never been talked to like that in her life before. It was
+ ungentlemanly, cruel, brutal. She flung Charlie&rsquo;s letter angrily
+ down on the table.
+ </p>
+ <p>
+ &ldquo;I am sure poor dear old Calder won&rsquo;t treat me like that!&rdquo;
+ she exclaimed, taking up his letter.
+ </p>
+ <p>
+ It ran thus: &ldquo;My dear Agatha:&mdash;I hope you will believe that I
+ write this without any feeling of anger towards you. My regard for you
+ remains very great, and I hope we shall always be very good friends; but,
+ after long and careful consideration, I have come to the conclusion that
+ the story Lord Thrapston told, me shows conclusively what I have been
+ fearing for some time past&mdash;namely, that I have not been so lucky as
+ to win a real affection from you, and that we are not likely to make one
+ another happy. Therefore, thanking you very much for your kindness in the
+ past, I think I had better restore your liberty to you. I shall hear with,
+ very great pleasure of your happiness. I leave town to day for a little
+ while, in order that you may not be exposed to the awkwardness of meeting
+ me.
+ </p>
+ <p>
+ &ldquo;Always your most sincerely,
+ </p>
+ <p>
+ &ldquo;Calder Wentworth.&rdquo;
+ </p>
+ <p>
+ Agatha passed her hand across her brow; then she reread Calder&rsquo;s
+ letter, and then Charlie&rsquo;s. Yes, there, was not the least doubt
+ about it! Both of the gentlemen had well, what they had done did not admit
+ of being put into tolerable words. With a little shriek, Agatha flung
+ herself on the sofa.
+ </p>
+ <p>
+ The door opened and Lord Thrapston entered.
+ </p>
+ <p>
+ &ldquo;Well, Aggy, what&rsquo;s the news? Still bothered by your two young
+ men? Hullo! what&rsquo;s wrong?&rdquo;
+ </p>
+ <p>
+ &ldquo;Read them!&rdquo; cried Agatha, with a gesture towards the table.
+ </p>
+ <p>
+ &ldquo;Eh? Head what? Oh, I see.&rdquo;
+ </p>
+ <p>
+ He sat down at the table and put on his glasses. Agatha turned her face
+ towards the wall; for her also everything was over. For a time no sound
+ was audible save an occasional crackle of the note-paper in Lord Thrapston&rsquo;s
+ shaking fingers. Then, to Agatha&rsquo;s indescribable indignation, there
+ came another sort of crackle&mdash;a dry, grating, derisive chuckle&mdash;from
+ that flinty-hearted old man, her grandfather.
+ </p>
+ <p>
+ &ldquo;Good, monstrous good, &lsquo;pon my life!&rdquo; said he.
+ </p>
+ <p>
+ &ldquo;You&rsquo;re laughing at me!&rdquo; she cried, leaping up.
+ </p>
+ <p>
+ &ldquo;Well, my dear, I&rsquo;m afraid I am.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, how cruel men are!&rdquo;
+ </p>
+ <p>
+ &ldquo;H&rsquo;m! They&rsquo;re both men of spirit evidently.&rdquo;
+ </p>
+ <p>
+ &ldquo;Calder I can just understand. I&mdash;perhaps I did treat Calder
+ rather badly&mdash;-&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, you go so far as to admit that, do you, Aggy?&rdquo;
+ </p>
+ <p>
+ &ldquo;But Charlie! Oh, to think that Charlie should treat me like that!&rdquo;
+ and she threw herself on the sofa again.
+ </p>
+ <p>
+ Lord Thrapston sat quite still. Presently Agatha rose, came to the table,
+ and took up her two letters. She looked at them both; and the old man,
+ seeming to notice nothing, yet kept his eye on her.
+ </p>
+ <p>
+ &ldquo;I shall destroy these things,&rdquo; said she; and she tore Calder&rsquo;s
+ letter into tiny fragments, and flung them on the fire. Charlie&rsquo;s
+ she crumpled up and held in her hand.
+ </p>
+ <p>
+ &ldquo;Good-night, grandpapa,&rdquo; she said wearily, and kissed him.
+ </p>
+ <p>
+ &ldquo;Good-night, my dear,&rdquo; he answered.
+ </p>
+ <p>
+ And, whatever she did when she went upstairs, Lord Thrapston was in a
+ position to swear that Charlie&rsquo;s letter was not destroyed in the
+ drawing-room.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2HCH0023" id="link2HCH0023"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER X. &mdash; THE INCARNATION OF LADY AGATHA
+ </h2>
+ <p>
+ &ldquo;She&rsquo;s such a dear good girl, Mr. Wentworth,&rdquo; said Lady
+ Merceron. &ldquo;She&rsquo;s the greatest comfort I have.&rdquo;
+ </p>
+ <p>
+ It was after luncheon at Langbury Court. Lady Merceron and Calder sat on
+ the lawn: Mrs. Marland and Millie Bushell were walking up and down;
+ Charlie was lying in a hammock. A week had passed since the two young men
+ had startled Lady Merceron by their unexpected arrival, and since then the
+ good lady had been doing her best to entertain them; for, as she could not
+ help noticing-, they seemed a little dull. It was a great change from the
+ whirl of London to the deep placidity of the Court, and Lady Merceron
+ could not quite understand why Charlie had tired so soon of his excursion,
+ or why his friend persisted with so much fervor that anything was better
+ than London, and the Court was the most charming place he had ever seen.
+ Of the two Charlie seemed to feel the ennui much the more severely. Yet,
+ while Mr. Wentworth spoke of returning to town in a few weeks, Charlie
+ asseverated that he had paid his last visit to that revolting and
+ disappointing place. Lady Merceron wished she had Uncle Van by her side to
+ explain these puzzling inconsistencies. However, there was a bright side
+ to the affair: the presence of the young men was a godsend to poor Millie,
+ who, by reason of the depressed state of agriculture, had been obliged
+ this year to go without her usual six weeks of London in the season.
+ </p>
+ <p>
+ &ldquo;And she never grumbles about it,&rdquo; said Lady Merceron
+ admiringly. &ldquo;She looks after her district, and takes a ride, and
+ plays tennis, when she can get a game, poor girl, and is always cheerful
+ and happy. She&rsquo;d be a treasure of a wife to any man.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;d better persuade Charlie of that, Lady Merceron.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, Charlie never thinks of such a thing as marrying. He thinks of
+ nothing but his antiquities.&rdquo;
+ </p>
+ <p>
+ &ldquo;Doesn&rsquo;t he?&rdquo; asked Calder, with apparent sympathy and a
+ covert sad amusement.
+ </p>
+ <p>
+ &ldquo;Mr. Wentworth,&rdquo; said Mrs. Marland, approaching, &ldquo;I
+ believe it&rsquo;s actually a fact that you&rsquo;ve been here a week and
+ have never yet been to the Pool.&rdquo;
+ </p>
+ <p>
+ At this fateful word, Calder looked embarrassed, Charlie raised his head
+ from the hammock, and Millie glanced involuntarily towards him.
+ </p>
+ <p>
+ &ldquo;We must take you,&rdquo; pursued Mrs. Marland, &ldquo;this very
+ evening. You&rsquo;ll come, Miss Bushell?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t think I care very much about the Pool,&rdquo; said
+ Millie.
+ </p>
+ <p>
+ &ldquo;We won&rsquo;t let Mr. Merceron take you in his canoe this time.&rdquo;
+ </p>
+ <p>
+ Charlie rolled out of the hammock and came up to them.
+ </p>
+ <p>
+ &ldquo;You must take us to the Pool. I don&rsquo;t believe you&rsquo;ve
+ been there since you came back. Poor Agatha will quite&mdash;-&rdquo;
+ </p>
+ <p>
+ &ldquo;Agatha?&rdquo; exclaimed Calder.
+ </p>
+ <p>
+ &ldquo;Agatha Merceron, you know. Why, haven&rsquo;t you heard&mdash;-?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, ah! Yes, of course. I beg your pardon.&rdquo;
+ </p>
+ <p>
+ &ldquo;I hate that beastly Pool,&rdquo; said Charlie.
+ </p>
+ <p>
+ &ldquo;How can you?&rdquo; smiled Mrs. Marland. &ldquo;You used to spend
+ hours there every evening.&rdquo;
+ </p>
+ <p>
+ Charlie glanced uneasily at Calder, who turned very red.
+ </p>
+ <p>
+ &ldquo;Times have changed, have they?&rdquo; Mrs. Marland asked archly.
+ &ldquo;You&rsquo;ve got tired of looking in vain for Agatha?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, all right,&rdquo; said Charlie crossly, &ldquo;we&rsquo;ll go
+ after tea.&rdquo;
+ </p>
+ <p>
+ Anything seemed better than this rallying mood of Mrs. Marland&rsquo;s.
+ </p>
+ <p>
+ Presently the two young men went off together to play a game at billiards;
+ but after half a dozen strokes Charlie plumped down in a chair.
+ </p>
+ <p>
+ &ldquo;I say, Calder, old chap, how do you feel?&rdquo; he asked.
+ </p>
+ <p>
+ Calder licked his cigar meditatively.
+ </p>
+ <p>
+ &ldquo;Better,&rdquo; said he at last.
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo;
+ </p>
+ <p>
+ &ldquo;And you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Worse&mdash;worse every day. I can&rsquo;t stand it, old chap. I
+ shall go back.&rdquo;
+ </p>
+ <p>
+ &ldquo;What, to her?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s hardly sticking to our bargain, you know.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, hang it, what&rsquo;s the good of our both cutting her?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I thought you did it because you were disgusted with her. That
+ was my reason.&rdquo;
+ </p>
+ <p>
+ &ldquo;So it was mine, but&mdash;-&rdquo;
+ </p>
+ <p>
+ &ldquo;Probably she&rsquo;s got some other fellow by now,&rdquo; observed
+ Calder calmly.
+ </p>
+ <p>
+ &ldquo;The devil!&rdquo; cried Charlie. &ldquo;What makes you think so?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, nothing. I know her way, you see.&rdquo;
+ </p>
+ <p>
+ &ldquo;You think she&rsquo;s that sort of girl? Good heavens!&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, if she wasn&rsquo;t, I&rsquo;d like to know where you&rsquo;d
+ be, my friend. I shouldn&rsquo;t have the honor of your acquaintance.&rdquo;
+ </p>
+ <p>
+ Charlie ignored this point.
+ </p>
+ <p>
+ &ldquo;And yet you wanted, to marry her?&rdquo;
+ </p>
+ <p>
+ &ldquo;I dare say I was an ass&mdash;like better men before me and&mdash;er&mdash;since
+ me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hang it!&rdquo; cried Charlie. &ldquo;I&rsquo;m sick of the whole
+ thing. I&rsquo;m sick of life. I&rsquo;m sick of all the nonsense of it.
+ For two straws I&rsquo;d have done with it, and marry Millie Bushell.&rdquo;
+ </p>
+ <p>
+ &ldquo;What! Look here, Charlie&mdash;&rdquo;
+ </p>
+ <p>
+ Calder left his sentence unfinished.
+ </p>
+ <p>
+ &ldquo;Well?&rdquo; said Charlie.
+ </p>
+ <p>
+ &ldquo;If,&rdquo; said Calder slowly, &ldquo;there are any girls, either
+ down here or in London, whom you&rsquo;re quite sure you&rsquo;ll never
+ want to marry, I should like to be introduced to one of &lsquo;em,
+ Charlie, if you&rsquo;ve no objections.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, in fact, during this last week, Charlie, I have come to have a
+ great esteem for Miss Bushell. There&rsquo;s about her a something&mdash;a
+ solidity&mdash;-&rdquo;
+ </p>
+ <p>
+ &ldquo;She can&rsquo;t help that, poor girl.&rdquo;
+ </p>
+ <p>
+ &ldquo;A solidity of mind,&rdquo; said Calder, a little stiffly.
+ </p>
+ <p>
+ &ldquo;Oh, I beg pardon. But I say, Calder, what are you driving at?&rdquo;
+ </p>
+ <p>
+ &ldquo;Charlie! Charlie!&rdquo; sounded from outside. &ldquo;Tea&rsquo;s
+ ready.&rdquo;
+ </p>
+ <p>
+ Calder rose and took Charlie by the arm.
+ </p>
+ <p>
+ &ldquo;Should I be safe,&rdquo; he asked solemnly, &ldquo;in allowing
+ myself to fall in love with Miss Bushell, or are you likely to step in
+ again?&rdquo;
+ </p>
+ <p>
+ &ldquo;You mean it? Honor bright, Calder?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where&rsquo;s Bradshaw? By Jove, where&rsquo;s Bradshaw?&rdquo;
+ </p>
+ <p>
+ &ldquo;Bradshaw? What the devil has Bradshaw&mdash;&mdash;?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, a train, man&mdash;a train to town.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t want to go to town, bless the man&mdash;-&rdquo;
+ </p>
+ <p>
+ &ldquo;You! No, but I do. To town, Calder&mdash;to Agatha, you old fool.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, that&rsquo;s your lay?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, of course. I couldn&rsquo;t go back on you, but if you&rsquo;re
+ off&mdash;-&rdquo;
+ </p>
+ <p>
+ &ldquo;Charlie, old fellow, think again.&rdquo;
+ </p>
+ <p>
+ &ldquo;Go to the deuce! Where&rsquo;s that&mdash;-?&rdquo;
+ </p>
+ <p>
+ &ldquo;Charlie, Charlie! Tea!&rdquo;
+ </p>
+ <p>
+ &ldquo;Hang tea!&rdquo; he cried; but Calder dragged him off, telling him
+ that to-morrow would do for Bradshaw.
+ </p>
+ <p>
+ At tea Charlie&rsquo;s spirits were very much better, and it was observed
+ that Calder Wentworth paid marked attention to Millie Bushell, so that,
+ when they started for the Pool, Millie was prevailed upon to be one of the
+ party, on the understanding that Mr. Went worth would take care of her.
+ This time the expedition went off more quietly than it had previously, but
+ at the last moment the ladies declared that they would, be late for dinner
+ if they waited till it was time for Agatha Merceron to come.
+ </p>
+ <p>
+ &ldquo;Oh, nonsense!&rdquo; said Calder. &ldquo;Come over to the temple,
+ Miss Bushell. I won&rsquo;t upset the canoe.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, if you insist,&rdquo; said Millie.
+ </p>
+ <p>
+ Then Mrs. Marland remarked in the quietest voice in the world&mdash;-
+ </p>
+ <p>
+ &ldquo;There&rsquo;s some one in the temple.&rdquo;
+ </p>
+ <p>
+ &ldquo;What?&rdquo; cried Millie.
+ </p>
+ <p>
+ &ldquo;Eh?&rdquo; exclaimed Calder.
+ </p>
+ <p>
+ &ldquo;Nonsense!&rdquo; said Charlie.
+ </p>
+ <p>
+ &ldquo;I saw a face at the window,&rdquo; insisted Mrs. Marland.
+ </p>
+ <p>
+ &ldquo;Oh, Mrs. Marland! Was it very awful?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not at all, Millie&mdash;very pretty,&rdquo; and she gave Charlie a
+ look full of meaning.
+ </p>
+ <p>
+ &ldquo;Look, look!&rdquo; cried Millie in strong agitation.
+ </p>
+ <p>
+ And, as they looked, a slim figure in white came quietly out of the
+ temple, a smile&mdash;and, alas! no vestige of a blush&mdash;on her face,
+ walked composedly down the steps, and, standing on the lowest one, thence&mdash;did
+ not throw herself into the water&mdash;but called, in the most natural
+ voice in the world, &ldquo;Which of you is coming to fetch me?&rdquo;
+ </p>
+ <p>
+ Charlie looked at Calder. Calder said,
+ </p>
+ <p>
+ &ldquo;I think you&rsquo;d better put her across, old man. And&mdash;er&mdash;we
+ might as well walk on.&rdquo;
+ </p>
+ <p>
+ They turned away, Millie&rsquo;s eyes wide in surprise, Mrs. Marland
+ smiling the smile of triumphant sagacity.
+ </p>
+ <p>
+ &ldquo;I was coming to you to-morrow,&rdquo; cried Charlie the moment his
+ canoe bumped against the stops.
+ </p>
+ <p>
+ &ldquo;What do you mean, sir, by staying away a whole week? How could you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know,&rdquo; said Charlie. &ldquo;You see, I couldn&rsquo;t
+ come till Calder&mdash;&mdash;
+ </p>
+ <p>
+ &ldquo;Oh, what about Calder?&rdquo;
+ </p>
+ <p>
+ &ldquo;He&rsquo;s all right.&rdquo;
+ </p>
+ <p>
+ &ldquo;What? Miss&mdash;the girl you upset out of the canoe?&rdquo;
+ </p>
+ <p>
+ &ldquo;I think so,&rdquo; said Charlie.
+ </p>
+ <p>
+ &ldquo;Ah, well!&rdquo; said Agatha. &ldquo;But how very curious!&rdquo;
+ Then she smiled at Charlie, and asked, &ldquo;But what love can there be,
+ Mr. Merceron, where there is deceit?&rdquo;
+ </p>
+ <p>
+ Charlie took no notice at all of this question.
+ </p>
+ <p>
+ &ldquo;Do you mind Calder going?&rdquo; he whispered.
+ </p>
+ <p>
+ &ldquo;Well, not much,&rdquo; said Miss Glyn.
+ </p>
+ <p>
+ Thus it was that the barony of Warmley returned to the house of Merceron,
+ and the portrait of the wicked lord came to hang once more in the
+ dining-room. So the curtain falls on the comedy; and what happened
+ afterwards behind the scenes, whether another comedy, or a tragedy, or a
+ mixed half-and-half sort of entertainment, now grave, now gay, sometimes
+ perhaps delightful, and again of tempered charm&mdash;why, as to all this,
+ what reck the spectators who are crowding out of the theatre and home to
+ bed?
+ </p>
+ <p>
+ But it seems as if, in spite of certain drawbacks in Agatha Merceron&rsquo;s
+ character, nothing very dreadful can have happened, because Mr. and Mrs.
+ Wentworth, who are very particular folk, went to stay at the Court the
+ other day, and their only complaint was that Charlie and his bride were
+ always at the Pool!
+ </p>
+ <p>
+ And, for his own part, if he may be allowed a word (which some people say
+ he ought not to be) here, just at the end, the writer begs to say that he
+ once knew Agatha, and&mdash;he would have taken the risks. However, a lady
+ to whom he has shown this history differs entirely from him, and thinks
+ that no sensible man would have married her. But, then, that is not the
+ question.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0026" id="link2H_4_0026"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE CURATE OF POLTONS
+ </h2>
+ <p>
+ I must confess at once that at first, at least, I very much admired the
+ curate. I am not referring to my admiration of his fine figure&mdash;six
+ feet high and straight as an arrow&mdash;nor of his handsome, open,
+ ingenuous countenance, or his candid blue eye, or his thick curly hair.
+ No; what won my heart from an early period of my visit to my cousins, the
+ Poltons of Poltons Park, was the fervent, undisguised, unashamed,
+ confident, and altogether matter-of-course manner in which he made love to
+ Miss Beatrice Queenborough, only daughter and heiress of the wealthy
+ shipowner Sir Wagstaff Queenborough, Bart., and Eleanor his wife. It was
+ purely the manner of the curate&rsquo;s advances that took my fancy: in
+ the mere fact of them there was nothing remarkable. For all the men in the
+ house (and a good many outside) made covert. stealthy, and indirect steps
+ in the same direction; for Trix (as her friends called her) was, if not
+ wise, at least pretty and witty, displaying to the material eye a charming
+ figure, and to the mental a delicate heartlessness&mdash;both attributes
+ which challenge a self-respecting mans best efforts. But then came the
+ fatal obstacle. From heiresses in reason a gentleman need neither shrink
+ nor let himself be driven; but when it comes to something like twenty
+ thousand a year&mdash;the reported amount of Trix&rsquo;s dot&mdash;he
+ distrusts his own motives almost as much as the lady&rsquo;s relatives
+ distrust them for him. We all felt this&mdash;Stanton, Rippleby, and I;
+ and, although I will not swear that we spoke no tender words and gave no
+ meaning glances, yet we reduced such concessions to natural weakness to a
+ minimum, not only when Lady Queenborough was by, but at all times. To say
+ truth, we had no desire to see our scalps affixed to Miss Trix&rsquo;s
+ pretty belt, nor to have our hearts broken (like that of the young man in
+ the poem) before she went to Homburg in the autumn. With the curate it was
+ otherwise. He&mdash;Jack Ives, by the way, was his name&mdash;appeared to
+ rush, not only upon his fate, but in the face of all possibility and of
+ Lady Queenborough. My cousin and hostess, Dora Polton, was very much
+ distressed about him. She said that he was such a nice young fellow, and
+ that it was a great pity to see him preparing such unhappiness for
+ himself. Nay, I happen to know that she spoke very seriously to Trix,
+ pointing out the wickedness of trifling with him; whereupon Trix, who
+ maintained a bowing acquaintance with her conscience, avoided him for a
+ whole afternoon and endangered all Algy Stanton&rsquo;s prudent
+ resolutions by taking him out in the Canadian canoe. This demonstration in
+ no way perturbed the curate. He observed that, as there was nothing better
+ to do, we might as well play billiards, and proceeded to defeat me in
+ three games of a hundred up (no, it is quite immaterial whether we played
+ for anything or not), after which he told Dora that the vicar was taking
+ the evening service&mdash;it happened to be the day when there was one at
+ the parish church&mdash;a piece of information only relevant in so far as
+ it suggested that Mr. Ives could accept an invitation to dinner if one
+ were proffered to him. Dora, very weakly, rose to the bait; Jack Ives,
+ airily remarking that there was no use in ceremony among friends, seized
+ the place next to Trix at dinner (her mother was just opposite) and walked
+ on the terrace after dinner with her in the moonlight. When the ladies
+ retired he came into the smoking-room, drank a whiskey-and-soda, said that
+ Miss Queenborough was really a very charming companion, and apologized for
+ leaving us early on the ground that his sermon was still unwritten. My
+ good cousin, the squire, suggested rather grimly that a discourse on the
+ vanity of human wishes might be appropriate.
+ </p>
+ <p>
+ &ldquo;I shall preach.&rdquo; said Mr. Ives thoughtfully, &ldquo;on the
+ opportunities of wealth.&rdquo;
+ </p>
+ <p>
+ This resolution he carried out on the next day but one, that being a
+ Sunday. I had the pleasure of sitting next to Miss Trix, and I watched her
+ with some interest as Mr. Ives developed his theme. I will not try to
+ reproduce the sermon, which would have seemed by no means a bad one, had
+ any of our party been able to ignore the personal application which we
+ read into it: for its main burden was no other than this&mdash;that wealth
+ should be used by those who were fortunate enough to possess it (here Trix
+ looked down and fidgeted with her prayer-book) as a means of promoting
+ greater union between themselves and the less richly endowed, and not&mdash;as,
+ alas, had too often been the case&mdash;as though it were a new barrier
+ set up between them and their fellow&mdash;creatures. (Here Miss Trix
+ blushed slightly, and had recourse to her smelling-bottle.) &ldquo;You,&rdquo;
+ said the curate, waxing rhetorical as he addressed an imaginary, but
+ bloated, capitalist, &ldquo;have no more right to your money than I have.
+ It is intrusted to you to be shared with me.&rdquo; At this point I heard
+ Lady Queenborough sniff, and Algy Stanton snigger. I stole a glance at
+ Trix and detected a slight waver in the admirable lines of her mouth.
+ </p>
+ <p>
+ &ldquo;A very good sermon, didn&rsquo;t you think?&rdquo; I said to her,
+ as we walked home.
+ </p>
+ <p>
+ &ldquo;Oh, very, she replied demurely.
+ </p>
+ <p>
+ &ldquo;Ah, if we followed all we heard in church!&rdquo; I sighed.
+ </p>
+ <p>
+ Miss Trix walked in silence for a few yards. By dint of never becoming
+ anything else, we had become very good friends; and presently she
+ remarked, quite confidentially, &ldquo;He&rsquo;s very silly, isn&rsquo;t
+ he?&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you ought to snub him,&rdquo; said I, severely.
+ </p>
+ <p>
+ &ldquo;So I do&mdash;sometimes. He&rsquo;s rather amusing, though.
+ </p>
+ <p>
+ &ldquo;Of course, if you&rsquo;re prepared to make the sacrifice involved&mdash;-&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, what nonsense!&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you&rsquo;ve no business to amuse yourself with him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Dear, dear! how moral you are!&rdquo; said Trix.
+ </p>
+ <p>
+ The next development in the situation was this. My cousin Dora received a
+ letter from the Marquis of Newhaven, with whom she was acquainted, praying
+ her to allow him to run down to Poltons for a few days: he reminded her
+ that she had once given him a general invitation: if it would not be
+ inconvenient&mdash;and so forth. The meaning of this communication did
+ not, of course, escape my cousin, who had witnessed the writers attentions
+ to Trix in the preceding season, nor did it escape the rest of us (who had
+ talked over the said attentions at the club) when she told us about it,
+ and announced that Lord Newhaven would arrive in the middle of next day.
+ Trix affected dense unconsciousness; her mother allowed herself a
+ mysterious smile&mdash;which, however, speedily vanished when the curate
+ (he was taking lunch with us) observed in a cheerful tone, &ldquo;Newhaven!
+ oh, I remember the chap at the House&mdash;ploughed twice in Smalls&mdash;stumpy
+ fellow, isn&rsquo;t he? Not a bad chap, though, you know, barring his
+ looks. I&rsquo;m glad he&rsquo;s coming.&rdquo;
+ </p>
+ <p>
+ &ldquo;You won&rsquo;t be soon, young man,&rdquo; Lady Queenborough&rsquo;s
+ angry eye seemed to say.
+ </p>
+ <p>
+ &ldquo;I remember him,&rdquo; pursued Jack, &ldquo;awfully smitten with a
+ tobacconist&rsquo;s daughter in the Corn&mdash;oh, it&rsquo;s all right,
+ Lady Queenborough&mdash;she wouldn&rsquo;t look at him.&rdquo;
+ </p>
+ <p>
+ This quasi-apology was called forth by the fact of Lady Queenborough
+ pushing back her chair and making for the door. It did not at all appease
+ her to hear of the scorn of the tobacconist&rsquo;s daughter. She glared
+ sternly at Jack, and disappeared. He turned to Trix and reminded her&mdash;without
+ diffidence and coram populo, as his habit was, that she had promised him a
+ stroll in the west wood.
+ </p>
+ <p>
+ What happened on that stroll I do not know; but meeting Miss Trix on the
+ stairs later in the afternoon, I ventured to remark, &ldquo;I hope you
+ broke it to him gently, Miss Queenborough?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know what you mean,&rdquo; replied Trix, haughtily.
+ </p>
+ <p>
+ &ldquo;You were out nearly two hours,&rdquo; said I.
+ </p>
+ <p>
+ &ldquo;Were we?&rdquo; asked Trix with a start. &ldquo;Good gracious!
+ Where was mamma, Mr. Wynne?&rdquo;
+ </p>
+ <p>
+ &ldquo;On the lawn&mdash;watch in hand.&rdquo;
+ </p>
+ <p>
+ Miss Trix went slowly upstairs, and there is not the least doubt that
+ something serious passed between her and her mother, for both of them were
+ in the most atrocious of humors that evening; fortunately the curate was
+ not there. He had a Bible class.
+ </p>
+ <p>
+ The next day Lord Newhaven arrived. I found him on the lawn when I
+ strolled up, after a spell of letter-writing, about four o&rsquo;clock.
+ Lawn-tennis was the order of the day, and we were all in flannels.
+ </p>
+ <p>
+ &ldquo;Oh, here&rsquo;s Mark,&rdquo; cried Dora, seeing me.
+ </p>
+ <p>
+ &ldquo;Now, Mark, you and Mr. Ives had better play against Trix and Lord
+ Newhaven. That&rsquo;ll make a very good set.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no, Mrs. Polton,&rdquo; said Jack Ives. &ldquo;They wouldn&rsquo;t
+ have a chance. Look here, I&rsquo;ll play with Miss Queenborough against
+ Lord Newhaven and Wynne.&rdquo;
+ </p>
+ <p>
+ Newhaven&mdash;whose appearance, by the way, though hardly distinguished,
+ was not quite so unornamental as the curate had led us to expect&mdash;looked
+ slightly displeased, but Jack gave him no time for remonstrance. He
+ whisked Trix off, and began to serve all in a moment. I had a vision of
+ Lady Queenborough approaching from the house with face aghast. The set
+ went on; and, owing entirely to Newhaven&rsquo;s absurd chivalry in
+ sending all the balls to Jack Ives instead of following the well-known
+ maxim to &ldquo;pound away at the lady,&rdquo; they beat us. Jack wiped
+ his brow, strolled up to the tea-table with Trix, and remarked in exultant
+ tones:
+ </p>
+ <p>
+ &ldquo;We make a perfect couple, Miss Queenborough; we ought never to be
+ separated.&rdquo;
+ </p>
+ <p>
+ Dora did not ask the curate to dinner that night, but he dropped in about
+ nine o&rsquo;clock to ask her opinion as to the hymns on Sunday; and
+ finding Miss Trix and Newhaven in the small drawing-room he sat down and
+ talked to them. This was too much for Trix; she had treated him very
+ kindly and had allowed him to amuse her; but it was impossible to put up
+ with presumption of that kind. Difficult as it was to discourage Mr. Ives,
+ she did it, and he went away with a disconsolate, puzzled expression. At
+ the last moment, however, Trix so far relented as to express a hope that
+ he was coming to tennis to-morrow, at which he brightened up a little. I
+ do not wish to be uncharitable&mdash;least of all to a charming young lady&mdash;but
+ my opinion is that Miss Trix did not wish to set the curate altogether
+ adrift. I think, however, that Lady Queenborough must have spoken again,
+ for when Jack did come to tennis, Trix treated him with the most freezing
+ civility and a hardly disguised disdain, and devoted herself to Lord
+ Newhaven with as much assiduity as her mother could wish. We men, over our
+ pipes, expressed the opinion that Jack Ives&rsquo;s little hour of
+ sunshine was passed, and that nothing was left to us but to look on at the
+ prosperous uneventful course of Lord Newhaven&rsquo;s wooing. Trix had had
+ her fun (so Algy Stanton bluntly phrased it) and would now settle down to
+ business.
+ </p>
+ <p>
+ &ldquo;I believe, though,&rdquo; he added, &ldquo;that she likes the
+ curate a bit, you know.&rdquo;
+ </p>
+ <p>
+ During the whole of the next day&mdash;Wednesday&mdash;Jack Ives kept
+ away; he had, apparently, accepted the inevitable, and was healing his
+ wounded heart by a strict attention to his parochial duties. Newhaven
+ remarked on his absence with an air of relief; and Miss Trix treated it as
+ a matter of no importance; Lady Queenborough was all smiles; and Dora
+ Polton restricted herself to exclaiming, as I sat by her at tea, in a low
+ tone and ` propos of nothing in particular, &ldquo;Oh, well&mdash;poor Mr.
+ Ives!&rdquo;
+ </p>
+ <p>
+ But on Thursday there occurred an event, the significance of which passed
+ at the moment unperceived, but which had, in fact, most important results.
+ This was no other than the arrival of little Mrs. Wentworth, an intimate
+ friend of Dora&rsquo;s. Mrs. Wentworth had been left a widow early in
+ life; she possessed a comfortable competence; she was not handsome, but
+ she was vivacious, amusing, and, above all, sympathetic. She sympathized
+ at once with Lady Queenborough in her maternal anxieties, with Trix on her
+ charming romance, with Newhaven on his sweet devotedness, with the rest of
+ us in our obvious desolation&mdash;and, after a confidential chat with
+ Dora; she sympathized most strongly with poor Mr. Ives on his unfortunate
+ attachment. Nothing would satisfy her, so Dora told me, except the
+ opportunity of plying Mr. Ives with her soothing balm; and Dora was about
+ to sit down and write him a note, when he strolled in through the
+ drawing-room window, and announced that his cooks mother was ill, and that
+ he should be very much obliged if Mrs. Polton would give him some dinner
+ that evening. Trix and Newhaven happened to enter by the door at the same
+ moment, and Jack darted up to them, and shook hands with the greatest
+ effusion. He had evidently buried all unkindness&mdash;and with it, we
+ hoped, his mistaken folly. However that might be, he made no effort to
+ engross Trix, but took his seat most docilely by his hostess&mdash;and
+ she, of course, introduced him to Mrs. Wentworth. His behavior, was, in
+ fact, so exemplary, that even Lady Queenborough relaxed her severity, and
+ condescended to cross-examine him on the morals and manners of the old
+ women of the parish. &ldquo;Oh, the Vicar looks after them,&rdquo; said
+ Jack; and he turned to Mrs. Wentworth again.
+ </p>
+ <p>
+ There can be no doubt that Mrs. Wentworth had a remarkable power of
+ sympathy. I took her into dinner, and she was deep in the subject of my
+ &ldquo;noble and inspiring art,&rdquo; before the soup was off the table.
+ Indeed, I&rsquo;m sure that my life&rsquo;s ambitions would have been an
+ open book to her by the time that the joint arrived, had not Jack Ives,
+ who was sitting on the lady&rsquo;s other side, cut into the conversation
+ just as Mrs. Wentworth was comparing my early struggles with those of Mr.
+ Carlyle. After this intervention of Jack&rsquo;s I had not a chance. I ate
+ my dinner without the sauce of sympathy, substituting for it a certain
+ amusement which I derived from studying the face of Miss Trix
+ Queenborough, who was placed on the opposite side of the table. And if
+ Trix did look now and again at Mrs. Wentworth and Jack Ives, I cannot say
+ that her conduct was unnatural. To tell the truth, Jack was so obviously
+ delighted with his new friend that it was quite pleasant&mdash;and, as I
+ say, under the circumstances, rather amusing&mdash;to watch them. We felt
+ that the Squire was justified in having a hit at Jack when Jack said, in
+ the smoking-room, that he found himself rather at a loss for a subject for
+ his next sermon.
+ </p>
+ <p>
+ &ldquo;What do you say,&rdquo; suggested my cousin, puffing at his pipe,
+ &ldquo;to taking constancy as your text?&rdquo;
+ </p>
+ <p>
+ Jack considered the idea for a moment, but then he shook his head.
+ </p>
+ <p>
+ &ldquo;No. I think,&rdquo; he said, reflectively, &ldquo;that I shall
+ preach on the power of sympathy.&rdquo;
+ </p>
+ <p>
+ That sermon afforded me&mdash;I must confess it, at the risk of seeming
+ frivolous&mdash;very great entertainment. Again I secured a place by Miss
+ Trix&mdash;on her left, Newhaven being on her right, and her face was
+ worth study when Jack Ives gave us a most eloquent description of the
+ wonderful gift in question. It was, he said, the essence and the crown of
+ true womanliness, and it showed itself&mdash;well, to put it quite
+ plainly, it showed itself, according to Jack Ives, in exactly that sort of
+ manner and bearing which so honorably and gracefully distinguished Mrs.
+ Wentworth. The lady was not, of course, named, but she was clearly
+ indicated. &ldquo;Your gift, your precious gift,&rdquo; cried the curate,
+ apostrophizing the impersonation of sympathy, &ldquo;is given to you, not
+ for your profit, but for mine. It is yours, but it is a trust to be used
+ for me. It is yours, in fact, to share with me.&rdquo; At this climax,
+ which must have struck upon her ear with a certain familiarity, Miss Trix
+ Queenborough, notwithstanding the place and occasion, tossed her pretty
+ head and whispered to me, &ldquo;What horrid stuff!&rdquo;
+ </p>
+ <p>
+ In the ensuing week Jack Ives was our constant companion; the continued
+ illness of his servant&rsquo;s mother left him stranded, and Dora&rsquo;s
+ kind heart at once offered him the hospitality of her roof. For my part I
+ was glad, for the little drama which now began was not without its
+ interest. It was a pleasant change to see Jack genially polite to Trix
+ Queenborough, but quite indifferent to her presence or absence, and
+ content to allow her to take Newhaven for her partner at tennis as often
+ as she pleased. He himself was often an absentee from our games.
+ </p>
+ <p>
+ Mrs. Wentworth did not play, and Jack would sit under the trees with her,
+ or take her out in the canoe. What Trix thought I did not know, but it is
+ a fact that she treated poor Newhaven like dirt beneath her feet, and that
+ Lady Queenborough&rsquo;s face began to lose its transiently pleasant
+ expression. I had a vague idea that a retribution was working itself out,
+ and disposed myself to see the process with all the complacency induced by
+ the spectacle of others receiving punishment for their sins.
+ </p>
+ <p>
+ A little scene which occurred after lunch one day was significant. I was
+ sitting on the terrace, ready booted and breeched, waiting for my horse to
+ be brought round. Trix came out and sat down by me.
+ </p>
+ <p>
+ &ldquo;Where&rsquo;s Newhaven?&rdquo; I asked.
+ </p>
+ <p>
+ &ldquo;Oh, I don&rsquo;t always want Lord Newhaven,&rdquo; she exclaimed
+ petulantly; &ldquo;I sent him off for a walk&mdash;I&rsquo;m going out in
+ the Canadian canoe with Mr. Ives.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, you are, are you?&rdquo; said I smiling. As I spoke, Jack Ives
+ ran up to us.
+ </p>
+ <p>
+ &ldquo;I say, Miss Queenborough,&rdquo; he cried, &ldquo;I&rsquo;ve just
+ got your message saying you&rsquo;d let me take you on the lake.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is it a great bore?&rdquo; asked Trix, with a glance&mdash;a glance
+ that meant mischief.
+ </p>
+ <p>
+ &ldquo;I should like it awfully, of course,&rdquo; said Jack; &ldquo;but
+ the fact is I&rsquo;ve promised to take Mrs. Wentworth&mdash;before I got
+ your message, you know.&rdquo;
+ </p>
+ <p>
+ Trix drew herself up.
+ </p>
+ <p>
+ &ldquo;Of course, if Mrs. Wentworth&mdash;-&rdquo; she began.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m very sorry,&rdquo; said Jack.
+ </p>
+ <p>
+ Then Miss Queenborough, forgetting&mdash;as I hope&mdash;or choosing&mdash;to
+ disregard my presence, leant forward and asked in her most coaxing tones,
+ &ldquo;Don&rsquo;t you ever forget a promise, Mr. Ives?&rdquo;
+ </p>
+ <p>
+ Jack looked at her. I suppose her dainty prettiness struck him afresh, for
+ he wavered and hesitated.
+ </p>
+ <p>
+ &ldquo;She&rsquo;s gone upstairs,&rdquo; pursued the tempter, &ldquo;and
+ we shall be safe away before she comes down again.&rdquo;
+ </p>
+ <p>
+ Jack shuffled with one foot on the gravel.
+ </p>
+ <p>
+ &ldquo;I tell you what,&rdquo; he said. &ldquo;I&rsquo;ll ask her if she
+ minds me taking you for a little while before I&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ I believe he really thought that he had hit upon a compromise satisfactory
+ to all parties. If so, lie was speedily undeceived. Trix flushed rod and
+ answered angrily, &ldquo;Pray don&rsquo;t trouble. I don&rsquo;t want to
+ go.&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps afterwards you might&mdash;&rdquo; suggested the curate,
+ but now rather timidly.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m going out with Lord Newhaven,&rdquo; said she. And she
+ added in an access of uncontrollable annoyance, &ldquo;Go, please go. I&mdash;I
+ don&rsquo;t want you.&rdquo;
+ </p>
+ <p>
+ Jack sheered off, with a look of puzzled shamefacedness. He disappeared
+ into the house. Nothing passed between Miss Trix and myself. A moment
+ later Newhaven came out.
+ </p>
+ <p>
+ &ldquo;Why, Miss Queenborough,&rdquo; said he, in apparent surprise,
+ &ldquo;Ives is going with Mrs. Wentworth in the canoe!&rdquo;
+ </p>
+ <p>
+ In an instant I saw what she had done. In rash presumption she had told
+ Newhaven that she was going with the curate&mdash;and now the curate had
+ refused to take her&mdash;and Ives had met him in search of Mrs.
+ Wentworth. What could she do? Well, she rose&mdash;or fell&mdash;to the
+ occasion. In the coldest of voices she said, &ldquo;I thought you&rsquo;d
+ gone for your walk.&rdquo;
+ </p>
+ <p>
+ &ldquo;I was just starting,&rdquo; he answered apologetically, &ldquo;when
+ I met Ives. But, as you weren&rsquo;t going with him&mdash;-&rdquo; He
+ paused, an inquiring look in his eyes. He was evidently asking himself why
+ she had not gone with the curate.
+ </p>
+ <p>
+ &ldquo;I&rsquo;d rather be left alone, if you don&rsquo;t mind,&rdquo;
+ said she. And then, flushing red again, she added. &ldquo;I changed my
+ mind and refused to go with Mr. Ives. So he went off to get Mrs. Wentworth
+ instead.&rdquo;
+ </p>
+ <p>
+ I started. Newhaven looked at her for an instant, and then turned on his
+ heel. She turned to me, quick as lightning and with her face all aflame,
+ &ldquo;If you tell, I&rsquo;ll never speak to you again,&rdquo; she
+ whispered.
+ </p>
+ <p>
+ After this there was silence for some minutes.
+ </p>
+ <p>
+ &ldquo;Well?&rdquo; she said, without looking at me.
+ </p>
+ <p>
+ &ldquo;I have no remark to offer, Miss Queenborough,&rdquo; I returned.
+ </p>
+ <p>
+ &ldquo;I suppose that was a lie, wasn&rsquo;t it?&rdquo; she asked,
+ defiantly.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s not my business to say what it was,&rdquo; was my
+ discreet answer.
+ </p>
+ <p>
+ &ldquo;I know what you&rsquo;re thinking.&rdquo;
+ </p>
+ <p>
+ &ldquo;I was thinking-,&rdquo; said I, &ldquo;which I would rather be&mdash;the
+ man you will marry, or the man you would like&mdash;-&rdquo;
+ </p>
+ <p>
+ &ldquo;How dare you? It&rsquo;s not true. Oh, Mr. Wynne, indeed it&rsquo;s
+ not true!&rdquo;
+ </p>
+ <p>
+ Whether it were true or not I did not know. But if it had been, Miss Trix
+ Queenborough might have been expected to act very much in the way in which
+ she proceeded to act: that is to say, to be extravagantly attentive to
+ Lord Newhaven when Jack Ives was present, and markedly neglectful of him
+ in the curate&rsquo;s absence. It also fitted in very well with the theory
+ which I had ventured to hint, that her bearing towards Mrs. Went worth was
+ distinguished by a stately civility, and her remarks about that lady by a
+ superfluity of laudation; for if these be not two distinguishing marks of
+ rivalry in the well-bred, I must go back to my favorite books and learn
+ from them&mdash;more folly. And if Trix&rsquo;s manners were all that they
+ should be, praise no less high must be accorded to Mrs. Wentworth&rsquo;s;
+ she attained an altitude of admirable unconsciousness, and conducted her
+ flirtation (the poverty of language forces me to the word, but it is over
+ flippant) with the curate in a staid, quasi-maternal way. She called him a
+ delightful boy, and said that she was intensely interested in all his aims
+ and hopes.
+ </p>
+ <p>
+ &ldquo;What does she want?&rdquo; I asked Dora, despairingly. &ldquo;She
+ can&rsquo;t want to marry him.&rdquo; I was referring to Trix
+ Queenborough, not to Mrs. Wentworth.
+ </p>
+ <p>
+ &ldquo;Good gracious, no!&rdquo; answered Dora, irritably. &ldquo;It&rsquo;s
+ simple jealousy. She won&rsquo;t let the poor boy alone till he&rsquo;s in
+ love with her again. It&rsquo;s a horrible shame!&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, well, he has great recuperative power,&rdquo; said I.
+ </p>
+ <p>
+ &ldquo;She&rsquo;d better be careful, though. It&rsquo;s a very dangerous
+ game. How do you suppose Lord Newhaven likes it?&rdquo;
+ </p>
+ <p>
+ Accident gave me that very day a hint how little Lord Newhaven liked it,
+ and a glimpse of the risk Miss Trix was running. Entering the library
+ suddenly, I heard Newhaven&rsquo;s voice raised above his ordinary tones.
+ </p>
+ <p>
+ &ldquo;I won&rsquo;t stand it,&rdquo; he was declaring. &ldquo;I never
+ know how she&rsquo;ll treat me from one minute to the next.&rdquo;
+ </p>
+ <p>
+ My entrance, of course, stopped the conversation very abruptly. Newhaven
+ had come to a stand in the middle of the room, and Lady Queenborough sat
+ on the sofa, a formidable frown on her brow. Withdrawing myself as rapidly
+ as possible, I argued the probability of a severe lecture for Miss Trix,
+ ending in a command to try her noble suitor&rsquo;s patience no longer. I
+ hope all this happened, for I, not seeing why Mrs. Wentworth should
+ monopolize the grace of sympathy, took the liberty of extending mine to
+ Newhaven. He was certainly in love with Trix, not with her money, and the
+ treatment he underwent must have been as trying to his feelings as it was
+ galling to his pride.
+ </p>
+ <p>
+ My sympathy was not premature, for Miss Trix&rsquo;s fascinations, which
+ were indubitably great, began to have their effect. The scene about the
+ canoe was re-enacted, but with a different denouement. This time the
+ promise was forgotten, and the widow forsaken. Then Mrs. Wentworth put on
+ her armor. We had, in fact, reached this very absurd situation that these
+ two ladies were contending for the favors of, or the domination over, such
+ an obscure, poverty-stricken, hopelessly ineligible person as the curate
+ of Poltons undoubtedly was. The position seemed to me then, and still
+ seems, to indicate some remarkable qualities in that young man.
+ </p>
+ <p>
+ At last Newhaven made a move. At breakfast, on Wednesday morning, he
+ announced that, reluctant as he should be to leave Poltons Park, he was
+ due at his aunt&rsquo;s place, in Kent, on Saturday evening, and must
+ therefore make his arrangements to leave by noon on that day. The
+ significance was apparent. Had he come down to breakfast with &ldquo;Now
+ or Never!&rdquo; stamped in fiery letters across his brow, it would have
+ been more obtrusive, indeed, but not a whit plainer. We all looked down at
+ our plates, except Jack Ives. He flung one glance (I saw it out of the
+ corner of my left eye) at Newhaven, another at Trix; then he remarked
+ kindly&mdash;
+ </p>
+ <p>
+ &ldquo;We shall be uncommonly sorry to lose you, Newhaven.&rdquo;
+ </p>
+ <p>
+ Events began to happen now, and I will tell them as well as I am able,
+ supplementing my own knowledge by what I learnt afterwards from Dora&mdash;she
+ having learnt it from the actors in the scene. In spite of the solemn
+ warning conveyed in Newhaven&rsquo;s intimation, Trix, greatly daring,
+ went off immediately after lunch for what she described as &lsquo;a long
+ ramble&rsquo; with Mr. Ives. There was, indeed, the excuse of an old woman
+ at the end of the ramble, and Trix provided Jack with a small basket of
+ comforts for the useful old body; but the ramble was, we felt, the thing,
+ and I was much annoyed at not being able to accompany the walkers in the
+ cloak of darkness or other invisible contrivance. The ramble consumed
+ three hours&mdash;full measure. Indeed, it was half-past six before Trix
+ alone, walked up the drive. Newhaven, a solitary figure, paced up and down
+ the terrace fronting the drive. Trix came on, her head thrown back and a
+ steady smile on her lips. She saw Newhaven: he stood looking at her for a
+ moment with what she afterwards described as an indescribable smile on his
+ face, but not, as Dora understood from her, by any means a pleasant one.
+ Yet, if not pleasant, there is not the least doubt in the world that it
+ was highly significant; for she cried out nervously, &ldquo;Why are you
+ looking at me like that? What&rsquo;s the matter?&rdquo;
+ </p>
+ <p>
+ Newhaven, still saying nothing, turned his back on her and made as if he
+ would walk into the house and leave her there, ignored, discarded, done
+ with. She, realizing the crisis which had come, forgetting everything
+ except the imminent danger of losing him once for all, without time for
+ long explanation or any round&mdash;about seductions, ran forward, laying
+ her hand on his arm and blurting out, &ldquo;But I&rsquo;ve refused him.&rdquo;
+ </p>
+ <p>
+ I do not know what Newhaven thinks now, but I sometimes doubt whether he
+ would not have been wiser to shake off the detaining hand and pursue his
+ lonely way, first into the house, and ultimately to his aunt&rsquo;s. But
+ (to say nothing of the twenty thousand a year, which, after all, and lie
+ you as romantic as you may please to be, is not a thing to be sneezed at)
+ Trix&rsquo;s face, its mingled eagerness and shame, its flushed cheeks and
+ shining eyes, the piquancy of its unwonted humility, overcame him. He
+ stopped dead.
+ </p>
+ <p>
+ &ldquo;I&mdash;I was obliged to give him an&mdash;an opportunity,&rdquo;
+ said Miss Trix, having the grace to stumble a little in her speech.
+ &ldquo;And&mdash;and it&rsquo;s all your fault.&rdquo;
+ </p>
+ <p>
+ The war was thus, by happy audacity, carried into Newhaven&rsquo;s own
+ quarters.
+ </p>
+ <p>
+ &ldquo;My fault!&rdquo; he exclaimed. &ldquo;My fault that you walk all
+ day with that curate!&rdquo;
+ </p>
+ <p>
+ Then Miss Trix&mdash;and let no irrelevant considerations mar the
+ appreciation of line acting&mdash;dropped her eyes and murmured softly,
+ &ldquo;I&mdash;I was so terribly afraid of seeming to expect you.&rdquo;
+ </p>
+ <p>
+ Wherewith she (and not he) ran away, lightly, up the stairs, turning just
+ one glance downwards as she reached the landing. Newhaven was looking up
+ from below with an &lsquo;enchanted&rsquo; smile&mdash;the word is Trix&rsquo;s
+ own: I should probably have used a different one.
+ </p>
+ <p>
+ Was then the curate of Poltons utterly defeated&mdash;brought to his
+ knees, only to lie spurned? It seemed so: and he came down to dinner that
+ night with a subdued and melancholy expression. Trix, on the other hand,
+ was brilliant and talkative to the last degree, and the gayety spread from
+ her all round the table, leaving untouched only the rejected lover and
+ Mrs. Wentworth; for the last-named lady, true to her distinguishing
+ quality, had begun to talk to poor Jack Ives in low soothing tones.
+ </p>
+ <p>
+ After dinner Trix was not visible; but the door of the little boudoir
+ beyond stood half-open, and very soon Newhaven edged his way through.
+ Almost at the same moment Jack Ives and Mrs. Wentworth passed out of the
+ window and began to walk up and down the gravel. Nobody but myself
+ appeared to notice these remarkable occurrences, but I watched them with
+ keen interest. Half an hour passed and then there smote on my watchful ear
+ the sound of a low laugh from the boudoir. It was followed almost
+ immediately by a stranger sound from the gravel walk. Then, all in a
+ moment, two things happened. The boudoir door opened, and Trix, followed
+ by Newhaven, came in smiling; from the window entered Jack Ives and Mrs.
+ Wentworth. My eyes were on the curate. He gave one sudden comprehending
+ glance towards the other couple; then he took the widows hand, led her up
+ to Dora, and said, in low yet penetrating tones, &ldquo;Will you wish us
+ joy, Mrs. Polton?&rdquo; The Squire, Rippleby, and Algy Stanton were round
+ them in an instant. I kept my place, watching now the face of Trix
+ Queenborough. She turned first flaming red, then very pale. I saw her turn
+ to Newhaven and speak one or two urgent imperative words to him. Then,
+ drawing herself up to her full height, she crossed the room to where the
+ group was assembled round Mrs. Wentworth and Jack Ives.
+ </p>
+ <p>
+ &ldquo;What&rsquo;s the matter? What are you saying?&rdquo; she asked.
+ </p>
+ <p>
+ Mrs. Wentworth&rsquo;s eyes were modestly cast down, but a smile played
+ round her mouth. No one spoke for a moment. Then Jack Ives said, &ldquo;Mrs.
+ Wentworth has promised to be my wife. Miss Queenborough.&rdquo;
+ </p>
+ <p>
+ For a moment, hardly perceptible. Trix hesitated; then, with the most
+ winning, touching, sweetest smile in the world, she said, &ldquo;So you
+ took my advice, and our afternoon walk was not wasted after all!&rdquo;
+ </p>
+ <p>
+ Mrs. Polton is not used to these fine flights of diplomacy; she had heard
+ before dinner something of what had actually happened in the afternoon;
+ and the simple woman positively jumped. Jack Ives met Trix&rsquo;s
+ scornful eyes full and square.
+ </p>
+ <p>
+ &ldquo;Not at all wasted,&rdquo; said he with a smile. &ldquo;Not only has
+ it shown me where my true happiness lies, but it has also given me a
+ juster idea of the value and sincerity of your regard for me, Miss
+ Queenborough.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is as real, Mr. Ives, as it is sincere,&rdquo; said she.
+ </p>
+ <p>
+ &ldquo;It is like yourself, Miss Queenborough,&rdquo; said he, with a
+ little bow; and he turned from her and began to talk to his fiancie.
+ </p>
+ <p>
+ Trix Queenborough moved slowly towards where I sat. Newhaven was watching
+ her from where he stood alone on the other side; of the room.
+ </p>
+ <p>
+ &ldquo;And have you no news for us?&rdquo; I asked, in low tones.
+ </p>
+ <p>
+ &ldquo;Thank you,&rdquo; she said haughtily; &ldquo;I don&rsquo;t care
+ that mine should be a pendant to the great tidings about the little widow
+ and the curate.&rdquo;
+ </p>
+ <p>
+ After a moment&rsquo;s pause she went on:
+ </p>
+ <p>
+ &ldquo;He lost no time, did he? He was wise to secure her before what
+ happened this afternoon could leak out. Nobody can tell her now.&rdquo;
+ </p>
+ <p>
+ &ldquo;This afternoon?&rdquo;
+ </p>
+ <p>
+ &ldquo;He asked me to marry him this afternoon.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you refused?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, his behavior is in outrageously bad taste, but&mdash;-&rdquo;
+ </p>
+ <p>
+ She laid a hand on my arm, and said in calm level tones,
+ </p>
+ <p>
+ &ldquo;I refused him because I dared not have him; but I told him I cared
+ for him, and he said he loved me. And I let him kiss me. Good-night, Mr.
+ Wynne.&rdquo;
+ </p>
+ <p>
+ I sat still and silent. Newhaven came across to us. Trix put out her hand
+ and caught him by the sleeve.
+ </p>
+ <p>
+ &ldquo;Fred,&rdquo; she said, &ldquo;my dear honest old Fred, you love me,
+ don&rsquo;t you?&rdquo;
+ </p>
+ <p>
+ Newhaven, much embarrassed and surprised, looked at me in alarm. But her
+ hand was in his now, and her eyes imploring him.
+ </p>
+ <p>
+ &ldquo;I should rather think I did, my dear,&rdquo; said he.
+ </p>
+ <p>
+ I really hope that Lord and Lady Newhaven will not be very unhappy, while
+ Mrs. Ives quite worships her husband, and is convinced that she eclipsed
+ the brilliant and wealthy Miss Queenborough. Perhaps she did&mdash;perhaps
+ not. There are, as I have said, great qualities in the curate of Poltons,
+ but I have not quite made up my mind precisely what they are. I ought,
+ however, to say that Dora takes a more favorable view of him and a less
+ lenient view of Trix than I. That is perhaps natural. Besides, Dora does
+ not know the precise manner in which the curate was refused. By the way,
+ he preached next Sunday on the text, &ldquo;The children of this world are
+ wiser in their generation than the children of light.&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0027" id="link2H_4_0027"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ A THREE-VOLUME NOVEL
+ </h2>
+ <p>
+ It was, I believe, mainly as a compliment to me that Miss Audrey Liston
+ was asked to Poltons. Miss Liston and I were very good friends, and my
+ cousin Dora Polton thought, as she informed me, that it would be nice for
+ me to have someone I could talk to about &ldquo;books and so on.&rdquo; I
+ did not complain. Miss Liston was a pleasant young woman of
+ six-and-twenty; I liked her very much except on paper, and I was aware
+ that she made it a point of duty to read something at least of what I
+ wrote. She was in the habit of describing herself as an &ldquo;authoress
+ in a small way.&rdquo; If it were pointed out that six three-volume novels
+ in three years (the term of her literary activity at the time of which I
+ write) could hardly be called &ldquo;a small way.&rdquo; she would smile
+ modestly and say that it was not really much; and if she were told that
+ the English language embraced no such word as &ldquo;authoress,&rdquo; she
+ would smile again and say that it ought to, a position towards the bugbear
+ of correctness with which, I confess, I sympathize in some degree. She was
+ very diligent; she worked from ten to one every day while she was at
+ Poltons; how much she wrote is between her and her conscience.
+ </p>
+ <p>
+ There was another impeachment which Miss Liston was hardly at the trouble
+ to deny. &ldquo;Take my characters from life!&rdquo; she would exclaim.
+ &ldquo;Surely every artist (Miss Liston often referred to herself as an
+ artist) must!&rdquo; And she would proceed to maintain&mdash;what is
+ perhaps true sometimes&mdash;that people rather liked being put into
+ books, just as they liked being photographed, for all that they grumble
+ and pretend to be afflicted when either process is levied against them. In
+ discussing this matter with Miss Liston I felt myself on delicate ground,
+ for it was notorious that I figured in her first book in the guise of a
+ misogynistic genius; the fact that she lengthened (and thickened) my hair,
+ converted it from an indeterminate brown to a dusty black, gave me a
+ drooping mustache, and invested my very ordinary work-a-day eyes with a
+ strange magnetic attraction, availed nothing; I was at once recognized,
+ and, I may remark in passing, an uncommonly disagreeable fellow she made
+ me. Thus I had passed through the fire. I felt tolerably sure that I
+ presented no other aspect of interest, real or supposed, and I was quite
+ content that Miss Liston should serve all the rest of her acquaintance as
+ she had served me. I reckoned they would last her, at the present rate of
+ production, about five years.
+ </p>
+ <p>
+ Fate was kind to Miss Liston, and provided her with most suitable patterns
+ for her next piece of work at Poltons itself. There were a young man and a
+ young woman staying in the house&mdash;Sir Gilbert Chillington and Miss
+ Pamela Myles. The moment Miss Liston was appraised of a possible romance;
+ she began the study of the protagonists. She was looking out, she told me,
+ for some new types (if it were any consolation&mdash;and there is a sort
+ of dignity about it&mdash;to be called a type, Miss Liston&rsquo;s victims
+ were always welcome to so much), and she had found them in Chillington and
+ Pamela. The former appeared to my dull eye to offer no salient novelty; he
+ was tall, broad, handsome, and he possessed a manner of enviable
+ placidity. Pamela, I allowed, was exactly the heroine Miss Liston loved&mdash;haughty,
+ capricious, difficile, but sound and true at heart (I was mentally
+ skimming Volume I.). Miss Liston agreed with me in my conception of
+ Pamela, but declared that I did not do justice to the artistic
+ possibilities latent in Chillington; he had a curious attraction which it
+ would tax her skill (so she gravely informed me) to the utmost to
+ reproduce. She proposed that I also should make a study of him, and
+ attributed my hurried refusal to a shrinking from the difficulties of the
+ task.
+ </p>
+ <p>
+ &ldquo;Of course,&rdquo; she observed, looking at our young friends who
+ were talking nonsense at the other side of the lawn, &ldquo;they must have
+ a misunderstanding.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, &lsquo;of course&rsquo;,&rdquo; said I, lighting my pipe.
+ &ldquo;What should you say to another man?&rdquo;
+ </p>
+ <p>
+ &ldquo;Or another woman?&rdquo; said Miss Liston.
+ </p>
+ <p>
+ &ldquo;It comes to the same thing,&rdquo; said I. (About a volume and a
+ half I meant.)
+ </p>
+ <p>
+ &ldquo;But it&rsquo;s more interesting&rsquo;. Do you think she&rsquo;d
+ better be a married woman?&rdquo; And Miss Liston looked at me
+ inquiringly.
+ </p>
+ <p>
+ &ldquo;The age prefers them married,&rdquo; I remarked.
+ </p>
+ <p>
+ This conversation happened on the second day of Miss Liston&rsquo;s visit,
+ and she lost no time in beginning to study her subjects. Pamela, she said,
+ she found pretty plain sailing, but Chillington continued to puzzle her.
+ Again, she could not make up her mind whether to have a happy or a tragic
+ ending. In the interests of a tender-hearted public, I pleaded for
+ marriage-bells.
+ </p>
+ <p>
+ &ldquo;Yes, I think so,&rdquo; said Miss Liston, but she sighed, and I
+ think she had an idea or two for a heart-broken separation, followed by
+ mutual, life-long, hopeless devotion.
+ </p>
+ <p>
+ The complexity of young Sir Gilbert did not, in Miss Liston&rsquo;s
+ opinion, appear less on further acquaintance; and indeed, I must admit
+ that she was not altogether wrong in considering him worthy of attention.
+ As I came to know him better, I discerned in him a smothered
+ self-appreciation, which came to light in response to the least tribute of
+ interest or admiration, but was yet far remote from the aggressiveness of
+ a commonplace vanity. In a moment of indiscretion I had chaffed him&mdash;he
+ was very good-natured&mdash;on the risks he ran at Miss Liston&rsquo;s
+ hands; he was not disgusted, but neither did he plume himself or spread
+ his feathers. He received the suggestions without surprise, and without
+ any attempt at disclaiming fitness for the purpose; but he received it as
+ a matter which entailed a responsibility on him. I detected the conviction
+ that, if the portrait was to be painted, it was due to the world that it
+ should be well painted; the subject must give the artist full
+ opportunities.
+ </p>
+ <p>
+ &ldquo;What does she know about me?&rdquo; he asked, in meditative tones.
+ </p>
+ <p>
+ &ldquo;She&rsquo;s very quick; she&rsquo;ll soon pick up as much as she
+ wants,&rdquo; I assured him.
+ </p>
+ <p>
+ &ldquo;She&rsquo;ll probably go all wrong,&rdquo; he said, sombrely; and
+ of course I could not tell him that it was of no consequence if she did.
+ He would not have believed me, and would have done precisely what he
+ proceeded to do, and that was to afford Miss Liston every chance of
+ appraising his character and plumbing the depths of his soul.
+ </p>
+ <p>
+ I may say at once that I did not regret this course of action; for the
+ effect of it was to allow me a chance of talking to Pamela Myles, and
+ Pamela was exactly the sort of a girl to beguile the long pleasant morning
+ hours of a holiday in the country. No one had told Pamela that she was
+ going to be put in a book, and I don&rsquo;t think it would have made any
+ difference had she been told. Pamela&rsquo;s attitude towards books was
+ one of healthy scorn, confidently based on admitted ignorance. So we never
+ spoke of them, and my cousin Dora condoled with me more than once on the
+ way in which Miss Liston, false to the implied terms of her invitation,
+ deserted me in favor of Sir Gilbert, and left me to the mercies of a
+ frivolous girl. Pamela appeared to be as little aggrieved as I was. I
+ imagined that she supposed that Chillington would ask her to marry him
+ some day before very long, and I was sure she would accept him; but it was
+ quite plain that, if Miss Liston persisted in making Pamela her heroine,
+ she would have to supply from her own resources a large supplement of
+ passion. Pamela was far too deficient in the commodity to be made anything
+ of, without such reinforcement, even by an art more adept at making much
+ out of nothing than Miss Liston&rsquo;s straightforward method could claim
+ to be.
+ </p>
+ <p>
+ A week passed, and then, one Friday morning, a new light burst on me. Miss
+ Liston came into the garden at eleven o&rsquo;clock and sat down by me on
+ the lawn. Chillington and Pamela had gone riding with the squire, Dora was
+ visiting the poor. We were alone. The appearance of Miss Liston at this
+ hour (usually sacred to the use of the pen), no less than her puzzled
+ look, told me that an obstruction had occurred in the novel. Presently she
+ let me know what it was.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m thinking of altering the scheme of my story, Mr. Wynne,&rdquo;
+ said she. &ldquo;Have you ever noticed how sometimes a man thinks he&rsquo;s
+ in love when he isn&rsquo;t really?&rdquo;
+ </p>
+ <p>
+ &ldquo;Such a case sometimes occurs,&rdquo; I acknowledged.
+ </p>
+ <p>
+ &ldquo;Yes, and he doesn&rsquo;t find out his mistake&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Till they&rsquo;re married?&rdquo;
+ </p>
+ <p>
+ &ldquo;Sometimes, yes,&rdquo; she said, rather as though she were making
+ an unwilling admission. &ldquo;But sometimes he sees it before&mdash;when
+ he meets somebody else.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very true,&rdquo; said I, with a grave nod.
+ </p>
+ <p>
+ &ldquo;The false can&rsquo;t stand against the real.&rdquo; pursued Miss
+ Liston; and then she fell into meditative silence. I stole a glance at her
+ face; she was smiling. Was it in the pleasure of literary creation&mdash;an
+ artistic ecstasy? I should have liked to answer yes, but I doubted it very
+ much. Without pretending to Miss Liston&rsquo;s powers, I have the little
+ subtlety that is needful to show me that more than one kind of smile may
+ be seen on the human face, and that there is one very different from
+ others; and finally, that that one is not evoked, as a rule, merely by the
+ evolution of the troublesome encumbrance in pretty writing, vulgarly
+ called a &ldquo;plot.&rdquo;
+ </p>
+ <p>
+ &ldquo;If,&rdquo; pursued Miss Liston, &ldquo;some one comes who can
+ appreciate him and draw out what is best in him&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s all very well,&rdquo; said I, &ldquo;but what of the
+ first girl?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, she&rsquo;s&mdash;she can be made shallow, you know; and I can
+ put in a man for her. People needn&rsquo;t be much interested in her.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, you could manage it that way,&rdquo; said I, thinking how
+ Pamela&mdash;I took the liberty of using her name for the shallow girl&mdash;would
+ like such treatment.
+ </p>
+ <p>
+ &ldquo;She will really be valuable mainly as a foil,&rdquo; observed Miss
+ Liston; and she added generously, &ldquo;I shall make her nice, you know,
+ but shallow&mdash;not worthy of him.&rdquo;
+ </p>
+ <p>
+ &ldquo;And what are you going to make the other girl like?&rdquo; I asked.
+ </p>
+ <p>
+ Miss Liston started slightly; also she colored very slightly, and she
+ answered, looking away from me across the lawn, &ldquo;I haven&rsquo;t
+ quite made up my mind yet, Mr. Wynne.&rdquo;
+ </p>
+ <p>
+ With the suspicion which this conversation aroused fresh in my mind, it
+ was curious to hear Pamela laugh, as she said to me on the afternoon of
+ the same day, &ldquo;Aren&rsquo;t Sir Gilbert and Audrey Liston funny? I
+ tell you what, Mr. Wynne, I believe they&rsquo;re writing a novel
+ together.&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps Chillington&rsquo;s giving her the materials for one,&rdquo;
+ I suggested.
+ </p>
+ <p>
+ &ldquo;I shouldn&rsquo;t think,&rdquo; observed Pamela, in her
+ dispassionate way, &ldquo;that anything very interesting had ever happened
+ to him.&rdquo;
+ </p>
+ <p>
+ &ldquo;I. thought you liked him,&rdquo; I remarked, humbly.
+ </p>
+ <p>
+ &ldquo;So I do. What&rsquo;s that got to do with it?&rdquo; asked Pamela.
+ </p>
+ <p>
+ It was beyond question that Chillington enjoyed Miss Liston&rsquo;s
+ society; the interest she showed in him was incense to his nostrils. I
+ used to overhear fragments of his ideas about himself, which he was
+ revealing in answer to her tactful inquiries. But neither was it doubtful
+ that he had by no means lost his relish for Pamela&rsquo;s lighter talk;
+ in fact, he seemed to turn to her with some relief&mdash;perhaps it is
+ refreshing to escape from self-analysis, even when the process is
+ conducted in the pleasantest possible manner&mdash;and the hours which
+ Miss Liston gave to work were devoted by Chillington to maintaining his
+ cordial relations with the lady whose comfortable and not over-tragical
+ disposal was taxing Miss Liston&rsquo;s skill. For she had definitely
+ decided all her plot; she told me so a few days later. It was all planned
+ out; nay, the scene in which the truth as to his own feelings bursts on
+ Sir Gilbert (I forget at the moment what name the novel gave him) was, I
+ understood, actually written; the shallow girl was to experience nothing
+ worse than a wound to her vanity, and was to turn with as much alacrity as
+ decency allowed to the substitute whom Miss Liston had now provided. All
+ this was poured into my sympathetic ear, and I say sympathetic with all
+ sincerity; for, although I may occasionally treat Miss Liston&rsquo;s
+ literary efforts with less than proper respect, she herself was my friend,
+ and the conviction under which she was now living would, I knew, unless it
+ were justified, bring her into much of that unhappiness in which one
+ generally found her heroine plunged about the end of Volume II. The
+ heroine generally got out all right, and the knowledge that she would
+ enabled the reader to preserve cheerfulness. But would poor little Miss
+ Liston get out? I was none too sure of it.
+ </p>
+ <p>
+ Suddenly a change came in the state of affairs. Pamela produced it. It
+ must have struck her that the increasing intimacy of Miss Liston and
+ Chillington might become something other than &ldquo;funny.&rdquo; To put
+ it briefly and metaphorically, she whistled her dog back to her heels. I
+ am not skilled in understanding or describing the artifices of ladies; but
+ even I saw the transformation in Pamela. She put forth her strength and
+ put on her prettiest gowns; she refused to take her place in the see-saw
+ of society, which Chillington had recently established for his pleasure.
+ If he spent an hour with Miss Liston, Pamela would have nothing of him for
+ a day; she met his attentions with scorn unless they were undivided.
+ Chillington seemed at first puzzled; I believe that he never regarded his
+ talks with Miss Liston in other than a business point of view, but
+ directly he understood that Pamela claimed him, and that she was prepared,
+ in case he did not obey her call, to establish a grievance against him, he
+ lost no time in manifesting his obedience. A whole day passed in which, to
+ my certain knowledge, he was not alone a moment with Miss Liston, and did
+ not, save at the family meals, exchange a word with her. As he walked off
+ with Pamela, Miss Liston&rsquo;s eyes followed him in wistful longing; she
+ stole away upstairs and did not come down till five o&rsquo;clock. Then
+ finding me strolling about with a cigarette, she joined me.
+ </p>
+ <p>
+ &ldquo;Well, how goes the book?&rdquo; I asked.
+ </p>
+ <p>
+ &ldquo;I haven&rsquo;t done much to it just lately,&rdquo; she answered,
+ in a low voice. &ldquo;I&mdash;it&rsquo;s&mdash;I don&rsquo;t quite know
+ what to do with it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I thought you&rsquo;d settled?&rdquo;
+ </p>
+ <p>
+ &ldquo;So I had, but&mdash;oh, don&rsquo;t let&rsquo;s talk about it, Mr.
+ Wynne!&rdquo;
+ </p>
+ <p>
+ But a moment later she went on talking about it.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know why I should make it end happily,&rdquo; she
+ said. &ldquo;I&rsquo;m sure life isn&rsquo;t always happy, is it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly not,&rdquo; I answered. &ldquo;You mean your man might
+ stick to the shallow girl after all?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; I just heard her whisper.
+ </p>
+ <p>
+ &ldquo;And be miserable afterwards?&rdquo; I pursued.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know,&rdquo; said Miss Liston. &ldquo;Perhaps he
+ wouldn&rsquo;t.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you must make him shallow himself.&rdquo;
+ </p>
+ <p>
+ &ldquo;I can&rsquo;t do that,&rdquo; she said quickly. &ldquo;Oh, how
+ difficult it is!&rdquo;
+ </p>
+ <p>
+ She may have meant merely the art of writing&mdash;when I cordially agreed
+ with her&mdash;but I think she meant also the way of the world, which does
+ not make me withdraw my assent. I left her walking up and down in front of
+ the drawing-room windows, a rather forlorn little figure, thrown into
+ distinctness by the cold rays of the setting sun.
+ </p>
+ <p>
+ All was not over yet. That evening Chillington broke away. Led by vanity,
+ or interest, or friendliness, I know not which&mdash;tired maybe of paying
+ court (the attitude in which Pamela kept him), and thinking it would be
+ pleasant to play the other part for a while&mdash;after dinner he went
+ straight to Miss Liston, talked to her while we had coffee on the terrace,
+ and then walked about with her. Pamela sat by me; she was very silent; she
+ did not appear to be angry, but her handsome mouth wore a resolute
+ expression. Chillington and Miss Liston wandered on into the shrubbery,
+ and did not come into sight again for nearly half an hour.
+ </p>
+ <p>
+ &ldquo;I think it&rsquo;s cold,&rdquo; said Pamela, in her cool, quiet
+ tones. &ldquo;And it&rsquo;s also, Mr. Wynne, rather slow. I shall go to
+ bed.&rdquo;
+ </p>
+ <p>
+ I thought it a little impertinent of Pamela to attribute the &lsquo;slowness&rsquo;
+ (which had undoubtedly existed) to me, so I took my revenge by saying,
+ with, an assumption of innocence purposely and obviously unreal, &ldquo;Oh,
+ but won&rsquo;t you wait and bid Miss Liston and Chillington good-night?&rdquo;
+ </p>
+ <p>
+ Pamela looked at me for a moment. I made bold to smile.
+ </p>
+ <p>
+ Pamela&rsquo;s face broke slowly into an answering smile.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know what you mean, Mr. Wynne,&rdquo; said she.
+ </p>
+ <p>
+ &ldquo;No?&rdquo; said I.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said Pamela, and she turned away. But before she went
+ she looked over her shoulder, and, still smiling, said, &ldquo;Wish Miss
+ Liston good-night for me, Mr. Wynne. Anything I have to say to Sir Gilbert
+ will wait very well till to-morrow.&rdquo;
+ </p>
+ <p>
+ She had hardly gone in when the wanderers came out of the shrubbery and
+ rejoined me. Chillington wore his usual passive look, but Miss Liston&rsquo;s
+ face was happy and radiant. Chillington passed on into the drawing-room.
+ Miss Liston lingered a moment by me.
+ </p>
+ <p>
+ &ldquo;Why, you look,&rdquo; said I, &ldquo;as if you&rsquo;d invented the
+ finest scene ever written.&rdquo;
+ </p>
+ <p>
+ She did not answer me directly, but stood looking up at the stars. Then
+ she said in a dreamy tone, &ldquo;I think I shall stick to my old idea in
+ the book.&rdquo;
+ </p>
+ <p>
+ As she spoke Chillington came out. Even in the dim light I saw a frown on
+ his face.
+ </p>
+ <p>
+ &ldquo;I say, Wynne,&rdquo; said he, &ldquo;where&rsquo;s Miss Myles?&rdquo;
+ </p>
+ <p>
+ &ldquo;She&rsquo;s gone to bed,&rdquo; I answered. &ldquo;She told me to
+ wish you good-night for her, Miss Liston. No message for you, Chillington.&rdquo;
+ </p>
+ <p>
+ Miss Liston&rsquo;s eyes were on him. He took no notice of her; he stood
+ frowning for an instant, then, with some muttered ejaculation, he strode
+ back into the house. We hoard his heavy tread across the drawing-room; we
+ heard the door slammed behind him, and I found myself looking on Miss
+ Liston&rsquo;s altered face.
+ </p>
+ <p>
+ &ldquo;What does he want her for, I wonder?&rdquo; she said, in an
+ agitation that made my presence, my thoughts, my suspicions, nothing to
+ her. &ldquo;He said nothing to me about wanting to speak to her to-night.&rdquo;
+ And she walked slowly into the house, her eyes on the ground, and all the
+ light gone from her face and the joy dead in it. Whereupon I, left alone,
+ began to rail at the gods that a dear, silly little soul like Miss Liston
+ should bother her poor, silly little head about a hulking fool; in which
+ reflections I did, of course, immense injustice not only to an eminent
+ author, but also to a perfectly honorable, though somewhat dense and
+ decidedly conceited, gentleman.
+ </p>
+ <p>
+ The next morning Sir Gilbert Chillington ate dirt&mdash;there is no other
+ way of expressing it&mdash;in great quantities and with infinite humility.
+ My admirable friend Miss Pamela was severe. I saw him walk six yards
+ behind her for the length of the terrace; not a look nor a turn of her
+ head gave him leave to join her. Miss Liston had gone upstairs, and I
+ watched the scene from the window of the smoking-room. At last, at the end
+ of the long walk, just where the laurel-bushes mark the beginning of the
+ shrubberies&mdash;on the threshold of the scene of his crime&mdash;Pamela
+ turned round suddenly and faced the repentant sinner. The most interesting
+ things in life are those which, perhaps by the inevitable nature of the
+ case, one does not hear; and I did not hear the scene which followed. For
+ a while they stood talking&mdash;rather, he talked and she listened. Then
+ she turned again and walked slowly into the shrubbery. Chillington
+ followed. It was the end of a chapter, and I laid down the book.
+ </p>
+ <p>
+ How and from whom Miss Liston heard the news, which Chillington himself
+ told me without a glimmer of shame or a touch of embarrassment some two
+ hours later, I do not know; but hear it she did before luncheon; for she
+ came down, ready armed with the neatest little speeches for both the happy
+ lovers. I did not expect Pamela to show an ounce more feeling than the
+ strictest canons of propriety demanded, and she fulfilled my expectations
+ to the letter; but I had hoped, I confess, that Chillington would have
+ displayed some little consciousness. He did not; and it is my belief that,
+ throughout the events which I have recorded, he retained, and that he
+ still retains, the conviction that Miss Liston&rsquo;s interest in him was
+ purely literary and artistic, and that she devoted herself to his society
+ simply because he offered an interesting problem and an inspiring theme.
+ An ingenious charity may find in that attitude evidence of modesty; to my
+ thinking it argues a more subtle and magnificent conceit than if he had
+ fathomed the truth, as many humbler men in his place would have done.
+ </p>
+ <p>
+ On the day after the engagement was accomplished Miss Liston left us to
+ return to London. She came out in her hat and jacket and sat down by me;
+ the carriage was to be round in ten minutes. She put on her gloves slowly
+ and buttoned them carefully. This done, she said, &ldquo;By the way, Mr.
+ Wynne, I&rsquo;ve adopted your suggestion. The man doesn&rsquo;t find out.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you&rsquo;ve made him a fool?&rdquo; I asked bluntly.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; she answered. &ldquo;I&mdash;I think it might happen
+ though he wasn&rsquo;t a fool.&rdquo;
+ </p>
+ <p>
+ She sat with her hands in her lap for a moment or two, then she went on in
+ a lower voice, &ldquo;I&rsquo;m going to make him find out afterwards.&rdquo;
+ </p>
+ <p>
+ I felt her glance on me, but I looked straight in front of me.
+ </p>
+ <p>
+ &ldquo;What! after he&rsquo;s married the shallow girl?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said Miss Liston.
+ </p>
+ <p>
+ &ldquo;Rather too late, isn&rsquo;t it? At least if you mean there is to
+ be a happy ending.&rdquo;
+ </p>
+ <p>
+ Miss Liston enlaced her fingers.
+ </p>
+ <p>
+ &ldquo;I haven&rsquo;t decided about the ending yet,&rdquo; said she.
+ </p>
+ <p>
+ &ldquo;If you&rsquo;re intent is to be tragical&mdash;which is the fashion&mdash;you&rsquo;ll
+ do as you stand,&rdquo; said I.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; she answered slowly, &ldquo;if I&rsquo;m tragical I
+ shall do as I stand.&rdquo;
+ </p>
+ <p>
+ There was another pause, and rather a long one; the wheels of the carriage
+ were audible on the gravel of the front drive. Miss Liston stood up. I
+ rose and held out my hand.
+ </p>
+ <p>
+ &ldquo;Of course,&rdquo; said Miss Liston, still intent on her novel,
+ &ldquo;I could&mdash;&rdquo; She stopped again, and looked apprehensively
+ at me. My face, I believe, expressed nothing more than polite attention
+ and friendly interest.
+ </p>
+ <p>
+ &ldquo;Of course,&rdquo; she began again, &ldquo;the shallow girl&mdash;his
+ wife&mdash;might&mdash;might die, Mr. Wynne.&rdquo;
+ </p>
+ <p>
+ &ldquo;In novels,&rdquo; said I, with a smile, &ldquo;while there&rsquo;s
+ death there&rsquo;s hope.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, in novels,&rdquo; she answered, giving me her hand.
+ </p>
+ <p>
+ The poor little woman was very unhappy. Unwisely, I dare say, I pressed,
+ her hand. It was enough; the tears leapt to her eyes; she gave my great
+ fist a hurried squeeze. I have seldom been more touched by any thanks,
+ however warm or eloquent, and hurried away.
+ </p>
+ <p>
+ I have read the novel. It came out a little while ago. The man finds out
+ after the marriage; the shallow girl dies un regretted (she turns out as
+ badly as possible); the real love comes, and all ends joyfully. It is
+ simple story, prettily told in its little way, and the scene of the
+ reunion is written with genuine feeling&mdash;nay, with a touch of real
+ passion. But then Sir Gilbert Chillington never meets Miss Liston now. And
+ Lady Chillington not only behaves with her customary propriety, but is in
+ the enjoyment of most excellent health and spirits.
+ </p>
+ <p>
+ True art demands an adaptation, not a copy, of life. I saw that remark
+ somewhere the other day. It seems correct, if Miss Liston be any
+ authority.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0028" id="link2H_4_0028"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE PHILOSOPHER IN THE APPLE ORCHARD
+ </h2>
+ <p>
+ It was a charmingly mild and balmy day. The sun shone beyond the orchard,
+ and the shade was cool inside. A light breeze stirred the boughs of the
+ old apple-tree under which the philosopher sat. None of these things did
+ the philosopher notice, unless it might be when the wind blew about the
+ leaves of the large volume on his knees, and he had to find his place
+ again. Then he would exclaim against the wind, shuffle the leaves till he
+ got the right page, and settle to his reading. The book was a treatise on
+ ontology; it was written by another philosopher, a friend of this
+ philosopher&rsquo;s; it bristled with fallacies, and this philosopher was
+ discovering them all, and noting them on the fly-leaf at the end. He was
+ not going to review the book (as some might have thought from his
+ behavior), or even to answer it in a work of his own. It was just that he
+ found a pleasure in stripping any poor fallacy naked and crucifying it.
+ Presently a girl in a white frock came into the orchard. She picked up an
+ apple, bit it, and found it ripe. Holding it in her hand, she walked up to
+ where the philosopher sat, and looked at him. He did not stir. She took a
+ bite out of the apple, munched it, and swallowed it. The philosopher
+ crucified a fallacy on the fly-leaf. The girl flung the apple away.
+ </p>
+ <p>
+ &ldquo;Mr. Jerningham,&rdquo; said she, &ldquo;are you very busy?&rdquo;
+ </p>
+ <p>
+ The philosopher, pencil in hand, looked up.
+ </p>
+ <p>
+ &ldquo;No, Miss May,&rdquo; said he, &ldquo;not very.&rdquo;
+ </p>
+ <p>
+ &ldquo;Because I want your opinion.&rdquo;
+ </p>
+ <p>
+ &ldquo;In one moment,&rdquo; said the philosopher, apologetically.
+ </p>
+ <p>
+ He turned back to the fly-leaf and began to nail the last fallacy a little
+ tighter to the cross. The girl regarded him, first with amused impatience,
+ then with a vexed frown, finally with a wistful regret. He was so very old
+ for his age, she thought; he could not be much beyond thirty; his hair was
+ thick and full of waves, his eyes bright and clear, his complexion not yet
+ divested of all youth&rsquo;s relics.
+ </p>
+ <p>
+ &ldquo;Now, Miss May, I&rsquo;m at your service,&rdquo; said the
+ philosopher, with a lingering look at his impaled fallacy; and he closed
+ the book, keeping it, however, on his knee.
+ </p>
+ <p>
+ The girl sat down just opposite to him.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s a very important thing I want to ask you,&rdquo; she
+ began, tugging at a tuft of grass, &ldquo;and it&rsquo;s very&mdash;difficult,
+ and you mustn&rsquo;t tell any one I asked you; at least, I&rsquo;d rather
+ you didn&rsquo;t.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall not speak of it; indeed, I shall probably not remember it,&rdquo;
+ said the philosopher.
+ </p>
+ <p>
+ &ldquo;And you mustn&rsquo;t look at me, please, while I&rsquo;m asking
+ you.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t think I was looking at you, but if I was I beg your
+ pardon,&rdquo; said the philosopher, apologetically.
+ </p>
+ <p>
+ She pulled the tuft of grass right out of the ground, and flung it from
+ her with all her force.
+ </p>
+ <p>
+ &ldquo;Suppose a man&mdash;&rdquo; she began. &ldquo;No, that&rsquo;s not
+ right.&rdquo;
+ </p>
+ <p>
+ &ldquo;You can take any hypothesis you please,&rdquo; observed the
+ philosopher, &ldquo;but you must verify it afterward, of course.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, do let me go on. Suppose a girl, Mr. Jerningham&mdash;I wish
+ you wouldn&rsquo;t nod.&rdquo;
+ </p>
+ <p>
+ &ldquo;It was only to show that I followed you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, of course you &lsquo;follow me&rsquo;, as you call it. Suppose
+ a girl had two lovers&mdash;you&rsquo;re nodding again&mdash;or, I ought
+ to say, suppose there were two men who might be in love with a girl.&rdquo;
+ </p>
+ <p>
+ &ldquo;Only two?&rdquo; asked the philosopher. &ldquo;You see, any number
+ of men might be in love with&mdash;
+ </p>
+ <p>
+ &ldquo;Oh, we can leave the rest out,&rdquo; said Miss May, with a sudden
+ dimple; &ldquo;they don&rsquo;t matter.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well,&rdquo; said the philosopher, &ldquo;if they are
+ irrelevant we will put them aside.&rdquo;
+ </p>
+ <p>
+ &ldquo;Suppose, then, that one of these men was, oh, <i>awfully</i> in
+ love with the girl, and&mdash;and proposed, you know&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;A moment!&rdquo; said the philosopher, opening a note-book. &ldquo;Let
+ me take down his proposition. What was it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, proposed to her&mdash;asked her to marry him,&rdquo; said the
+ girl, with a stare.
+ </p>
+ <p>
+ &ldquo;Dear me! How stupid of me! I forgot that special use of the word.
+ Yes?&rdquo;
+ </p>
+ <p>
+ &ldquo;The girl likes him pretty well, and her people approve of him, and
+ all that, you know.&rdquo;
+ </p>
+ <p>
+ &ldquo;That simplifies the problem,&rdquo; said the philosopher, nodding
+ again.
+ </p>
+ <p>
+ &ldquo;But she&rsquo;s not in&mdash;in love with him, you know. She doesn&rsquo;t
+ really care for him&mdash;much. Do you understand?&rdquo;
+ </p>
+ <p>
+ &ldquo;Perfectly. It is a most natural state of mind.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well then, suppose that there&rsquo;s another man&mdash;what are
+ you writing?&rdquo;
+ </p>
+ <p>
+ &ldquo;I only put down (B)&mdash;like that,&rdquo; pleaded the
+ philosopher, meekly exhibiting his note-book.
+ </p>
+ <p>
+ She looked at him in a sort of helpless exasperation, with just a smile
+ somewhere in the background of it.
+ </p>
+ <p>
+ &ldquo;Oh, you really are&mdash;&rdquo; she exclaimed. &ldquo;But let me
+ go on. The other man is a friend of the girl&rsquo;s: he&rsquo;s very
+ clever&mdash;oh, fearfully clever&mdash;and he&rsquo;s rather handsome.
+ You needn&rsquo;t put that down.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is certainly not very material,&rdquo; admitted the philosopher,
+ and he crossed out &lsquo;handsome&rsquo;; &lsquo;clever&rsquo; he left.
+ </p>
+ <p>
+ &ldquo;And the girl is most awfully&mdash;she admires him tremendously;
+ she thinks him just the greatest man that ever lived, you know. And she&mdash;she&mdash;&rdquo;
+ The girl paused.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m following,&rdquo; said the philosopher, with pencil
+ poised.
+ </p>
+ <p>
+ &ldquo;She&rsquo;d think it better than the whole world if&mdash;if she
+ could be anything to him, you know.&rdquo;
+ </p>
+ <p>
+ &ldquo;You mean become his wife?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, of course I do&mdash;at least, I suppose I do.&rdquo;
+ </p>
+ <p>
+ &ldquo;You spoke rather vaguely, you know.&rdquo;
+ </p>
+ <p>
+ The girl cast one glance at the philosopher as she replied:
+ </p>
+ <p>
+ &ldquo;Well, yes; I did mean become his wife.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. Well?&rdquo;
+ </p>
+ <p>
+ &ldquo;But,&rdquo; continued the girl, starting on another tuft of grass,
+ &ldquo;he doesn&rsquo;t think much about those things. He likes her. I
+ think he likes her-&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, doesn&rsquo;t dislike her?&rdquo; suggested the philosopher.
+ &ldquo;Shall we call him indifferent?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know. Yes, rather indifferent. I don&rsquo;t think he
+ thinks about it, you know. But she&mdash;she&rsquo;s pretty. You needn&rsquo;t
+ put that down.&rdquo;
+ </p>
+ <p>
+ &ldquo;I was not about to do so,&rdquo; observed the philosopher.
+ </p>
+ <p>
+ &ldquo;She thinks life with him would be just heaven; and-and she thinks
+ she would make him awfully happy. She would-would be so proud of him, you
+ see.&rdquo;
+ </p>
+ <p>
+ &ldquo;I see. Yes?&rdquo;
+ </p>
+ <p>
+ &ldquo;And&mdash;I don&rsquo;t know how to put it, quite&mdash;she thinks
+ that if he ever thought about it at all he might care for her; because he
+ doesn&rsquo;t care for anybody else, and she&rsquo;s pretty&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;You said that before.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh dear, I dare say I did. And most men care for somebody, don&rsquo;t
+ they? Some girl, I mean.&rdquo;
+ </p>
+ <p>
+ &ldquo;Most men, no doubt,&rdquo; conceded the philosopher.
+ </p>
+ <p>
+ &ldquo;Well then, what ought she to do? It&rsquo;s not a real thing, you
+ know, Mr. Jerningham. It&rsquo;s in&mdash;in a novel I was reading.&rdquo;
+ She said this hastily, and blushed as she spoke.
+ </p>
+ <p>
+ &ldquo;Dear me! And it&rsquo;s quite an interesting case! Yes, I see. The
+ question is, Will she act most wisely in accepting the offer of the man
+ who loves her exceedingly, but for whom she entertains only a moderate
+ affection&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes; just a liking. He&rsquo;s just a friend.&rdquo;
+ </p>
+ <p>
+ &ldquo;Exactly. Or in marrying the other whom she loves ex&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s not it. How can she marry him? He hasn&rsquo;t&mdash;he
+ hasn&rsquo;t asked her, you see.&rdquo;
+ </p>
+ <p>
+ &ldquo;True; I forgot. Let us assume, though, for the moment, that he has
+ asked her. She would then have to consider which marriage would probably
+ be productive of the greater sum total of&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, but you needn&rsquo;t consider that.&rdquo;
+ </p>
+ <p>
+ &ldquo;But it seems the best logical order. We can afterward make
+ allowance for the element of uncertainty caused by&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh no; I don&rsquo;t want it like that. I know perfectly well which
+ she&rsquo;d do if he-the other man you know-asked her.&rdquo;
+ </p>
+ <p>
+ &ldquo;You apprehend that&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Never mind what I &lsquo;apprehend&rsquo;. Take it as I told you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very good. A has asked her hand, B has not.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;May I take it that, but for the disturbing influence of B, A would
+ be a satisfactory&mdash;er&mdash;candidate?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ye&mdash;es; I think so.&rdquo;
+ </p>
+ <p>
+ &ldquo;She therefore enjoys a certainty of considerable happiness if she
+ marries A?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ye&mdash;es; not perfect, because of&mdash;B, you know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite so, quite so; but still a fair amount of happiness. Is it not
+ so?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t&mdash;well, perhaps.&rdquo;
+ </p>
+ <p>
+ &ldquo;On the other hand, if B did ask her, we are to postulate a higher
+ degree of happiness for her?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, please, Mr. Jerningham&mdash;much higher.&rdquo;
+ </p>
+ <p>
+ &ldquo;For both of them?&rdquo;
+ </p>
+ <p>
+ &ldquo;For her. Never mind him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well. That again simplifies the problem. But his asking her is
+ a contingency only?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, that&rsquo;s all.&rdquo;
+ </p>
+ <p>
+ The philosopher spread out his hands.
+ </p>
+ <p>
+ &ldquo;My dear young lady,&rdquo; he said, &ldquo;it becomes a question of
+ degree. How probable or improbable is it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know; not very probable&mdash;unless&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Well?&rdquo;
+ </p>
+ <p>
+ &ldquo;Unless he did happen to notice, you know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, yes; we supposed that, if he thought of it, he would probably
+ take the desired step-at least, that he might be led to do so. Could she
+ not&mdash;er&mdash;indicate her preference?&rdquo;
+ </p>
+ <p>
+ &ldquo;She might try&mdash;no, she couldn&rsquo;t do much. You see, he&mdash;he
+ doesn&rsquo;t think about such things.&rdquo;
+ </p>
+ <p>
+ &ldquo;I understand precisely. And it seems to me, Miss May, that in that
+ very fact we find our solution.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do we?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;I think so. He has evidently no natural inclination toward her&mdash;perhaps
+ not toward marriage at all. Any feeling aroused in him would be
+ necessarily shallow and, in a measure, artificial, and in all likelihood
+ purely temporary. Moreover, if she took steps to arouse his attention one
+ of two things would be likely to happen. Are you following me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, Mr. Jerningham.&rdquo;
+ </p>
+ <p>
+ &ldquo;Either he would be repelled by her overtures, which you must admit
+ is not improbable, and then the position would be unpleasant, and even
+ degrading, for her; or, on the other hand, he might, through a misplaced
+ feeling of gallantry&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Through what?&rdquo;
+ </p>
+ <p>
+ &ldquo;Through a mistaken idea of politeness, or a mistaken view of what
+ was kind, allow himself to be drawn into a connection for which he had no
+ genuine liking. You agree with me that one or other of these things would
+ be likely?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I suppose they would, unless he did come to care for her.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, you return to that hypothesis. I think it&rsquo;s an extremely
+ fanciful one. No, she need not marry A, but she must let B alone.&rdquo;
+ </p>
+ <p>
+ The philosopher closed his book, took off his glasses, wiped them,
+ replaced them, and leaned back against the trunk of the apple-tree. The
+ girl picked a dandelion in pieces. After a long pause she asked:
+ </p>
+ <p>
+ &ldquo;You think B&rsquo;s feelings wouldn&rsquo;t be at all likely to&mdash;to
+ change?&rdquo;
+ </p>
+ <p>
+ &ldquo;That depends on the sort of man he is. But if he is an able man,
+ with intellectual interests which engross him-a man who has chosen his
+ path in life&mdash;a man to whom women&rsquo;s society is not a necessity&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;He&rsquo;s just like that,&rdquo; said the girl, and she bit the
+ head off a daisy.
+ </p>
+ <p>
+ &ldquo;Then,&rdquo; said the philosopher, &ldquo;I see not the least
+ reason for supposing that his feelings will change.&rdquo;
+ </p>
+ <p>
+ &ldquo;And would you advise her to marry the other&mdash;A?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, on the whole, I should. A is a good fellow (I think we made A
+ a good fellow), he is a suitable match, his love for her is true and
+ genuine&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s tremendous!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes&mdash;and&mdash;er&mdash;extreme. She likes him. There is every
+ reason to hope that her liking will develop into a sufficiently deep and
+ stable affection. She will get rid of her folly about B, and make A a good
+ wife. Yes, Miss May, if I were the author of your novel I should make her
+ marry A, and I should call that a happy ending.&rdquo;
+ </p>
+ <p>
+ A silence followed. It was broken by the philosopher.
+ </p>
+ <p>
+ &ldquo;Is that all you wanted my opinion about, Miss May?&rdquo; he asked,
+ with his finger between the leaves of the treatise on ontology.
+ </p>
+ <p>
+ &ldquo;Yes, I think so. I hope I haven&rsquo;t bored you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ve enjoyed the discussion extremely. I had no idea that
+ novels raised points of such psychological interest. I must find time to
+ read one.&rdquo;
+ </p>
+ <p>
+ The girl had shifted her position till, instead of her full face, her
+ profile was turned toward him. Looking away toward the paddock that lay
+ brilliant in sunshine on the skirts of the apple orchard, she asked in low
+ slow tones, twisting her hands in her lap:
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t you think that perhaps if B found out afterward-when
+ she had married A, you know&mdash;that she had cared for him so very, very
+ much, he might be a little sorry?&rdquo;
+ </p>
+ <p>
+ &ldquo;If he were a gentleman he would regret it deeply.&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean&mdash;sorry on his own account; that&mdash;that he had
+ thrown away all that, you know?&rdquo;
+ </p>
+ <p>
+ The philosopher looked meditative.
+ </p>
+ <p>
+ &ldquo;I think,&rdquo; he pronounced, &ldquo;that it is very possible he
+ would. I can well imagine it.&rdquo;
+ </p>
+ <p>
+ &ldquo;He might never find anybody to love him like that again,&rdquo; she
+ said, gazing on the gleaming paddock.
+ </p>
+ <p>
+ &ldquo;He probably would not,&rdquo; agreed the philosopher.
+ </p>
+ <p>
+ &ldquo;And&mdash;and most people like being loved, don&rsquo;t they?&rdquo;
+ </p>
+ <p>
+ &ldquo;To crave for love is an almost universal instinct, Miss May.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, almost,&rdquo; she said, with a dreary little smile. &ldquo;You
+ see, he&rsquo;ll get old, and-and have no one to look after him.&rdquo;
+ </p>
+ <p>
+ &ldquo;He will.&rdquo;
+ </p>
+ <p>
+ &ldquo;And no home.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, in a sense, none,&rdquo; corrected the philosopher, smiling.
+ &ldquo;But really you&rsquo;ll frighten me. I&rsquo;m a bachelor myself,
+ you know, Miss May.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; she whispered, just audibly.
+ </p>
+ <p>
+ &ldquo;And all your terrors are before me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, unless&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, we needn&rsquo;t have that &lsquo;unless&rsquo;,&rdquo; laughed
+ the philosopher, cheerfully. &ldquo;There&rsquo;s no &lsquo;unless&rsquo;
+ about it, Miss May.&rdquo;
+ </p>
+ <p>
+ The girl jumped to her feet; for an instant she looked at the philosopher.
+ She opened her lips as if to speak, and at the thought of what lay at her
+ tongue&rsquo;s tip her face grew red. But the philosopher was gazing past
+ her, and his eyes rested in calm contemplation on the gleaming paddock.
+ </p>
+ <p>
+ &ldquo;A beautiful thing, sunshine, to be sure,&rdquo; said he.
+ </p>
+ <p>
+ Her blush faded away into paleness; her lips closed. Without speaking, she
+ turned and walked slowly away, her head drooping. The philosopher heard
+ the rustle of her skirt in the long grass of the orchard; he watched her
+ for a few moments.
+ </p>
+ <p>
+ &ldquo;A pretty, graceful creature,&rdquo; said he, with a smile. Then he
+ opened his book, took his pencil in his hand, and slipped in a careful
+ forefinger to mark the fly-leaf.
+ </p>
+ <p>
+ The sun had passed mid-heaven and began to decline westward before he
+ finished the book. Then he stretched himself and looked at his watch.
+ </p>
+ <p>
+ &ldquo;Good gracious, two o&rsquo;clock! I shall be late for lunch!&rdquo;
+ and he hurried to his feet.
+ </p>
+ <p>
+ He was very late for lunch.
+ </p>
+ <p>
+ &ldquo;Everything&rsquo;s cold,&rdquo; wailed his hostess. &ldquo;Where
+ have you been, Mr. Jerningham?&rdquo;
+ </p>
+ <p>
+ &ldquo;Only in the orchard&mdash;reading.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you&rsquo;ve missed May!&rdquo;
+ </p>
+ <p>
+ &ldquo;Missed Miss May? How do you mean? I had a long talk with her this
+ morning-a most interesting talk.&rdquo;
+ </p>
+ <p>
+ &ldquo;But you weren&rsquo;t here to say good-by. Now you don&rsquo;t mean
+ to say that you forgot that she was leaving by the two-o&rsquo;clock
+ train? What a man you are!&rdquo;
+ </p>
+ <p>
+ &ldquo;Dear me! To think of my forgetting it!&rdquo; said the philosopher,
+ shamefacedly.
+ </p>
+ <p>
+ &ldquo;She told me to say good-bye to you for her.&rdquo;
+ </p>
+ <p>
+ &ldquo;She&rsquo;s very kind. I can&rsquo;t forgive myself.&rdquo;
+ </p>
+ <p>
+ His hostess looked at him for a moment; then she sighed, and smiled, and
+ sighed again.
+ </p>
+ <p>
+ &ldquo;Have you everything you want?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;Everything, thank you,&rdquo; said he, sitting down opposite the
+ cheese, and propping his book (he thought he would just run through the
+ last chapter again) against the loaf; &ldquo;everything in the world that
+ I want, thanks.&rdquo;
+ </p>
+ <p>
+ His hostess did not tell him that the girl had come in from the apple
+ orchard and run hastily upstairs, lest her friend should see what her
+ friend did see in her eyes. So that he had no suspicion at all that he had
+ received an offer of marriage-and refused it. And he did not refer to
+ anything of that sort when he paused once in his reading and exclaimed:
+ </p>
+ <p>
+ &ldquo;I&rsquo;m really sorry I missed Miss May. That was an interesting
+ case of hers. But I gave the right answer; the girl ought to marry A.&rdquo;
+ </p>
+ <p>
+ And so the girl did.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0029" id="link2H_4_0029"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE DECREE OF DUKE DEODONATO
+ </h2>
+ <p>
+ &ldquo;It is a most anxious thing&mdash;to be an absolute ruler,&rdquo;
+ said Duke Deodonato, &ldquo;but I have made up my mind. The Doctor has
+ convinced me (here Dr. Fusbius, Ph.D., bowed very low) that marriage is
+ the best, noblest, wholesomest, and happiest of human conditions.&rdquo;
+ </p>
+ <p>
+ &ldquo;Your Highness will remember&mdash;&rdquo; began the President of
+ the Council.
+ </p>
+ <p>
+ &ldquo;My lord, I have made up my mind,&rdquo; said Duke Deodonato.
+ </p>
+ <p>
+ Thus speaking, the Duke took a large sheet of foolscap paper, and wrote
+ rapidly for a moment or two.
+ </p>
+ <p>
+ &ldquo;There,&rdquo; he said, pushing the paper over to the President,
+ &ldquo;is the decree.&rdquo;
+ </p>
+ <p>
+ &ldquo;The decree, sir?&rdquo;
+ </p>
+ <p>
+ &ldquo;I think three weeks afford ample space,&rdquo; said Duke Deodonato.
+ </p>
+ <p>
+ &ldquo;Three weeks, sir?&rdquo;
+ </p>
+ <p>
+ &ldquo;For every man over twenty-one years of age in this Duchy to find
+ himself a wife.&rdquo;
+ </p>
+ <p>
+ &ldquo;Your Highness,&rdquo; observed Dr. Fusbius with deference, &ldquo;will
+ consider that between an abstract proposition and a practical measure&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;There is to the logical mind no stopping-place,&rdquo; interrupted
+ Duke Deodonato.
+ </p>
+ <p>
+ &ldquo;But, sir,&rdquo; cried the President, &ldquo;imagine the
+ consternation which this&mdash;!&rdquo;
+ </p>
+ <p>
+ &ldquo;Let it be gazetted to-night,&rdquo; said Duke Deodonato.
+ </p>
+ <p>
+ &ldquo;I would venture,&rdquo; said the President, &ldquo;to remind your
+ Highness that you are yourself a bachelor.&rdquo;
+ </p>
+ <p>
+ &ldquo;Laws,&rdquo; said Duke Deodonato, &ldquo;do not bind the Crown
+ unless the Crown is expressly mentioned.&rdquo;
+ </p>
+ <p>
+ &ldquo;True, sir; but I humbly conceive that it would be pessimi exempli&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;You are right; I will marry myself,&rdquo; said Duke Deodonato.
+ </p>
+ <p>
+ &ldquo;But, sir, three weeks! The hand of a princess cannot be requested
+ and granted in&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Then find me somebody else,&rdquo; said Deodonato; &ldquo;and pray
+ leave me. I would be alone;&rdquo; and Duke Deodonato waved his hand to
+ the door.
+ </p>
+ <p>
+ Outside the door the President said to the Doctor,
+ </p>
+ <p>
+ &ldquo;I could wish, sir, that you had not convinced his Highness.&rdquo;
+ </p>
+ <p>
+ &ldquo;My lord,&rdquo; rejoined the Doctor, &ldquo;truth is my only
+ preoccupation.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sir,&rdquo; said the President, &ldquo;are you married?&rdquo;
+ </p>
+ <p>
+ &ldquo;My lord,&rdquo; answered the Doctor, &ldquo;I am not.&rdquo;
+ </p>
+ <p>
+ &ldquo;I thought not,&rdquo; said the President, as he folded up the
+ decree, and put it in his pocket.
+ </p>
+ <p>
+ It is useless to deny that Duke Deodonato&rsquo;s decree caused
+ considerable disturbance in the Duchy. In the first place, the Crown
+ lawyers raised a puzzle of law. Did the word &lsquo;man&rsquo; as used in
+ the decree, include woman&rsquo;?
+ </p>
+ <p>
+ The President shook his head, and referred the question to his Highness.
+ </p>
+ <p>
+ &ldquo;It seems immaterial,&rdquo; observed the Duke. &ldquo;If a man
+ marries, a woman marries.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ex vi terminorum,&rdquo; assented the Doctor.
+ </p>
+ <p>
+ &ldquo;But, sir,&rdquo; said the President, &ldquo;there are more women
+ than men in the Duchy.&rdquo;
+ </p>
+ <p>
+ Duke Deodonato threw down his pen. &ldquo;This is very provoking,&rdquo;
+ said he. &ldquo;Why was it allowed? I&rsquo;m sure it happened before <i>I</i>
+ came to the throne.&rdquo;
+ </p>
+ <p>
+ The Doctor was about to point out that it could hardly have been guarded
+ against, when the President (who was a better courtier) anticipated him.
+ </p>
+ <p>
+ &ldquo;We did not foresee that your Highness, in your Highness&rsquo;s
+ wisdom, would issue this decree,&rdquo; he said humbly.
+ </p>
+ <p>
+ &ldquo;True,&rdquo; said Duke Deodonato, who was a just man.
+ </p>
+ <p>
+ &ldquo;Would your Highness vouchsafe any explanation&mdash;?&rdquo;
+ </p>
+ <p>
+ &ldquo;What are the Judges for?&rdquo; asked Duke Deodonato. &ldquo;There
+ is the law&mdash;let them interpret it.&rdquo;
+ </p>
+ <p>
+ Whereupon the Judges held that a &lsquo;man&rsquo; was not a &lsquo;woman&rsquo;
+ and that although every man must marry, no woman need.
+ </p>
+ <p>
+ &ldquo;It will make no difference,&rdquo; said the President.
+ </p>
+ <p>
+ &ldquo;None at all,&rdquo; said Dr. Fusbius.
+ </p>
+ <p>
+ Nor, perhaps, would it, seeing that women are ever kind, and in no way by
+ nature averse from marriage, had it not become known that Duke Deodonato
+ himself intended to choose a wife from the ladies of his own dominions,
+ and to choose her (according to the advice of Dr. Fusbius, who, in truth,
+ saw little whither his counsel would in the end carry the Duke) without
+ regard to such adventitious matters as rank or wealth, and purely for her
+ beauty, talent, and virtue. Which resolve being proclaimed, straightway
+ all the ladies of the Duchy, of whatsoever station, calling, age,
+ appearance, wit, or character, conceiving each of them that she, and no
+ other, should become the Duchess, sturdily refused all offers of marriage
+ (although they were many of them as desperately enamored as virtuous
+ ladies may be), and did nought else than walk, drive, ride, and display
+ their charms in the park before the windows of the ducal palace. And thus
+ it fell out that when a week had gone by, no man had obeyed Duke Deodonato&rsquo;s
+ decree, and they were, from sheer want of brides, like to fall into
+ contempt of the law and under the high displeasure of the Duke.
+ </p>
+ <p>
+ Upon this the President and Dr. Fusbius sought audience of his Highness,
+ and humbly laid before him the unforeseen obstacle which had occurred.
+ </p>
+ <p>
+ &ldquo;Woman is ever ambitious,&rdquo; said Dr. Fusbius.
+ </p>
+ <p>
+ &ldquo;Nay,&rdquo; corrected the President, &ldquo;they have seen his
+ Highness&rsquo;s person as his Highness has ridden through the city.&rdquo;
+ </p>
+ <p>
+ Duke Deodonato threw down his pen.
+ </p>
+ <p>
+ &ldquo;This is very tiresome,&rdquo; said he, knitting his brows. &ldquo;My
+ lord, I would be further advised on this matter. Return at the same hour
+ to-morrow.&rdquo;
+ </p>
+ <p>
+ The next day Duke Deodonato&rsquo;s forehead had regained its customary
+ smoothness, and his manner was tranquil and assured.
+ </p>
+ <p>
+ &ldquo;Our pleasure is,&rdquo; said he to the President, &ldquo;that,
+ albeit no woman shall be compelled to marry if so be that she be not
+ invited thereunto; yet, if bidden, she shall in no wise refuse, but
+ straightway espouse that man who first after the date of these presents
+ shall solicit her hand.&rdquo;
+ </p>
+ <p>
+ The President bowed in admiration.
+ </p>
+ <p>
+ &ldquo;It is, if I may humbly say so, a practical and wise solution, sir,&rdquo;
+ he said.
+ </p>
+ <p>
+ &ldquo;I apprehend that it will remedy the mischief,&rdquo; said Duke
+ Deodonato, not ill-pleased.
+ </p>
+ <p>
+ And doubtless it would have had an effect as altogether satisfactory,
+ excellent, beneficial, salutary, and universal as the wisdom of Duke
+ Deodonato had anticipated from it, had it not fallen out that, on the
+ promulgation of the decree, all the aforesaid ladies of the Duchy, of
+ whatsoever station, calling, age, appearance, wit, or character,
+ straightway, and so swiftly that no man had time wherein to pay his court
+ to them, fled to and shut and bottled and barricaded themselves in houses,
+ castles, cupboards, cellars, stables, lofts, churches, chapels, chests,
+ and every other kind of receptacle whatsoever, and there remained beyond
+ reach of any man, be he whom he would, lest haply one, coming, should ask
+ their hand in marriage, and thus they should lose all prospect of wedding
+ the Duke.
+ </p>
+ <p>
+ When Duke Deodonato was apprised of this lamentable action on the part of
+ the ladies of the Duchy, he frowned and laid down his pen.
+ </p>
+ <p>
+ &ldquo;This is very annoying,&rdquo; said he. &ldquo;There appears to be a
+ disposition to thwart Our endeavors for the public good.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is gross contumacy,&rdquo; said Dr. Fusbius.
+ </p>
+ <p>
+ &ldquo;Yet,&rdquo; remarked the President, &ldquo;inspired by a natural,
+ if ill-disciplined, admiration for his Highness&rsquo;s person.&rdquo;
+ </p>
+ <p>
+ &ldquo;The decree is now a fortnight old,&rdquo; observed Duke Deodonato.
+ &ldquo;Leave me, I will consider further of this matter.&rdquo;
+ </p>
+ <p>
+ Now even as his Highness spoke a mighty uproar arose under the palace
+ windows, and Duke Deodonato, looking out of the window (which, be it
+ remembered, but for the guidance of Heaven he might not have done), beheld
+ a maiden of wonderful charms struggling in the clutches of two halberdiers
+ of the guard, who were haling her off to prison.
+ </p>
+ <p>
+ &ldquo;Bring hither that damsel,&rdquo; said Deodonato.
+ </p>
+ <p>
+ Presently the damsel, still held by the soldiers, entered the room. Her
+ robe was dishevelled and rent, her golden hair hung loose on her
+ shoulders, and her eyes were full of tears.
+ </p>
+ <p>
+ &ldquo;At whose suit is she arrested?&rdquo; asked Deodonato.
+ </p>
+ <p>
+ &ldquo;At the suit of the most learned Dr. Fusbius, may it please your
+ Highness.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sir,&rdquo; said Dr. Fusbius, &ldquo;it is true. This lady, grossly
+ contemning your Highness&rsquo;s decree, has refused my hand in marriage.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is it true, damsel?&rdquo; asked Duke Deodonato.
+ </p>
+ <p>
+ &ldquo;Hear me, your Highness!&rdquo; answered she &ldquo;I left my
+ dwelling but an instant, for we were in sore straits for&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Bread?&rdquo; asked Deodonato, a touch of sympathy in his voice.
+ </p>
+ <p>
+ &ldquo;May it please your Highness, no&mdash;pins wherewith to fasten our
+ hair. And, as I ran to the merchant&rsquo;s, this aged man&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I am but turned of fifty,&rdquo; interrupted Fusbius.
+ </p>
+ <p>
+ &ldquo;And have not yet learnt silence?&rdquo; asked Deodonato severely.
+ &ldquo;Damsel, proceed!&rdquo;
+ </p>
+ <p>
+ &ldquo;Caught me by my gown as I ran and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I proposed marriage to her,&rdquo; said Fusbius.
+ </p>
+ <p>
+ &ldquo;Nay, if you proposed marriage, she shall marry you,&rdquo; said
+ Deodonato. &ldquo;By the crown of my fathers, she shall marry you. But
+ what said he, damsel?&rdquo;
+ </p>
+ <p>
+ &ldquo;May it please your Highness, he said that I had the prettiest face
+ in all the Duchy, and that he would have no wife but me; and thereupon he
+ kissed me; and I would have none of him, and I struck him and escaped.&rdquo;
+ </p>
+ <p>
+ &ldquo;Send for the Judges,&rdquo; said Duke Deodonato. &ldquo;And
+ meanwhile keep this damsel and let no man propose marriage to her until
+ Our pleasure be known.&rdquo;
+ </p>
+ <p>
+ Now when the Judges were come, and the maiden was brought in and set over
+ against them on the right hand, and the learned Doctor took his stand on
+ the left, Deodonato prayed the Judges that they would perpend carefully
+ and anxiously of the question&mdash;using all lore, research, wisdom,
+ discretion, and justice&mdash;whether Dr. Fusbius had proposed marriage
+ unto the maiden or no.
+ </p>
+ <p>
+ &ldquo;Thus shalt Our mind be informed, and We shall deal profitably with
+ this matter,&rdquo; concluded Duke Deodonato.
+ </p>
+ <p>
+ Upon which arose great debate. For there was one part of the learned men
+ which leant upon the letter and found no invitation to marriage in the
+ words of Dr. Fusbius; while another part would have it that in all things
+ the spirit and mind of the utterer must be regarded, and that it sorted
+ not with the years, virtues, learning, and position of the said most
+ learned Doctor to suppose that he had spoken such words and sealed the
+ same with a kiss, save under the firm impression, thought, and conviction
+ that he was offering his hand in marriage; which said impression, thought,
+ and conviction were fully and reasonably declared and evident in his
+ actions, manner, bearing, air, and conduct.
+ </p>
+ <p>
+ &ldquo;This is very perplexing,&rdquo; said Duke Deodonato, and he knit
+ his brows; for as he gazed upon the beauty of the damsel, it seemed to him
+ a thing unnatural, undesirable, unpalatable, unpleasant, and unendurable,
+ that she should wed Dr. Fusbius. Yet if such were the law&mdash;Duke
+ Deodonato sighed, and he glanced at the damsel: and it chanced that the
+ damsel glanced at Duke Deodonato, and, seeing that he was a proper man and
+ comely, and that his eye spoke his admiration of her, she blushed; and her
+ cheek that had gone white when those of the Judges who favored the learned
+ Doctor were speaking, went red as a rose again, and she strove to order
+ her hair and to conceal the rent that was in her robe. And Duke Deodonato
+ sighed again.
+ </p>
+ <p>
+ &ldquo;My Lord,&rdquo; he said to the President, &ldquo;we have heard
+ these wise and erudite men; and, forasmuch as the matter is difficult,
+ they are divided among themselves, and the staff whereon we leant is
+ broken. Speak, therefore, your mind.&rdquo;
+ </p>
+ <p>
+ Then the President of the Council looked earnestly at Duke Deodonato, but
+ the Duke veiled his face with his hand.
+ </p>
+ <p>
+ &ldquo;Answer truly,&rdquo; said he, &ldquo;without fear or favor; so
+ shall you fulfil Our pleasure.&rdquo;
+ </p>
+ <p>
+ And the President, looking round upon the company, said:
+ </p>
+ <p>
+ &ldquo;It is, Your Highness, by all reasonable, honest, just, proper, and
+ honorable intendment, as good, sound, full, and explicit an offer of
+ marriage as hath ever been had in this Duchy.&rdquo;
+ </p>
+ <p>
+ &ldquo;So be it,&rdquo; said Duke Deodonato; and Dr. Fusbius smiled in
+ triumph, while the maiden grew pale again.
+ </p>
+ <p>
+ &ldquo;And,&rdquo; pursued the President, &ldquo;it binds, controls, and
+ rules every man, woman, and child in these Your Highness&rsquo;s
+ dominions, and hath the force of law over all.&rdquo;
+ </p>
+ <p>
+ &ldquo;So be it,&rdquo; said Deodonato again.
+ </p>
+ <p>
+ &ldquo;Saving,&rdquo; added the President, &ldquo;Your Highness only.&rdquo;
+ </p>
+ <p>
+ There was a movement among the company.
+ </p>
+ <p>
+ &ldquo;For,&rdquo; pursued the President, &ldquo;by the ancient laws,
+ customs, manners, and observances of the Duchy, no decree or law shall in
+ any way whatsoever impair, alter, lessen, or derogate from the high
+ rights, powers, and prerogatives of Your Highness, whom may Heaven long
+ preserve. Although, therefore, it be, by and pursuant to Your Highness&rsquo;s
+ decree, the sure right of every man in this Duchy to be accepted in
+ marriage of any damsel whom he shall invite thereunto, yet is this right
+ in all respects subject to and controlled by the natural, legal,
+ inalienable, unalterable, and sovereign prerogative of Your Highness to
+ marry what damsel so ever it shall be Your pleasure to bid share your
+ throne. Hence I, in obedience to Your Highness&rsquo;s commands, pronounce
+ and declare that this damsel is lawfully and irrevocably bound and
+ affianced to the learned Dr. Fusbius, unless and until it shall please
+ Your Highness yourself to demand her hand in marriage. May what I have
+ spoken please Your Highness.&rdquo; And the President sat down.
+ </p>
+ <p>
+ Duke Deodonato sat awhile in thought, and there was silence in the hall.
+ Then he spoke:
+ </p>
+ <p>
+ &ldquo;Let all withdraw, saving the damsel only.&rdquo;
+ </p>
+ <p>
+ And they one and all withdrew, and Duke Deodonato was left alone with the
+ damsel.
+ </p>
+ <p>
+ Then he arose and gazed long on the damsel; but the damsel would not look
+ on Duke Deodonato.
+ </p>
+ <p>
+ &ldquo;How are you called, lady?&rdquo; asked Duke Deodonato.
+ </p>
+ <p>
+ &ldquo;I am called Dulcissima,&rdquo; said she.
+ </p>
+ <p>
+ &ldquo;Well named!&rdquo; said Deodonato softly, and he went to the
+ damsel, and he laid his hand, full gently, on her robe, and he said,
+ &ldquo;Dulcissima, you have the prettiest face in all the Duchy, and I
+ will have no wife but you;&rdquo; and Duke Deodonato kissed the damsel.
+ </p>
+ <p>
+ The damsel forbore to strike Duke Deodonato, as she had struck Dr.
+ Fusbius. Again her cheek went red, and again pale, and she said, &ldquo;I
+ wed no man on compulsion.&rdquo;
+ </p>
+ <p>
+ &ldquo;Madam, I am Your Sovereign,&rdquo; said Duke Deodonato; and his
+ eyes were on the damsel.
+ </p>
+ <p>
+ &ldquo;If you were an Archangel&mdash;!&rdquo; cried the damsel.
+ </p>
+ <p>
+ &ldquo;Our House is not wont to be scorned of ladies,&rdquo; said
+ Deodonato. &ldquo;Am I crooked, or baseborn, or a fool?&rdquo;
+ </p>
+ <p>
+ &ldquo;This day in your Duchy women are slaves, and men their masters by
+ your will,&rdquo; said she.
+ </p>
+ <p>
+ &ldquo;It is the order of nature,&rdquo; said Deodonato.
+ </p>
+ <p>
+ &ldquo;It is not my pleasure,&rdquo; said the damsel.
+ </p>
+ <p>
+ Then Deodonato laid his hand on his silver bell, for he was very angry.
+ </p>
+ <p>
+ &ldquo;Fusbius waits without,&rdquo; said he.
+ </p>
+ <p>
+ &ldquo;I will wed him and kill him,&rdquo; cried Dulcissima.
+ </p>
+ <p>
+ Deodonato gazed on her.
+ </p>
+ <p>
+ &ldquo;You had no chance of using the pins,&rdquo; said he, &ldquo;and the
+ rent in your gown is very sore.&rdquo;
+ </p>
+ <p>
+ And upon this the eyes of the damsel lost their fire and sought the floor;
+ and she plucked at her girdle, and would not look on Deodonato. And they
+ said outside, &ldquo;It is very still in the Hall of the Duke.&rdquo;
+ </p>
+ <p>
+ Then said Deodonato,
+ </p>
+ <p>
+ &ldquo;Dulcissima, what would you?&rdquo;
+ </p>
+ <p>
+ &ldquo;That you repeal your decrees,&rdquo; said she.
+ </p>
+ <p>
+ Deodonato&rsquo;s brow grew dark; he did not love to go back.
+ </p>
+ <p>
+ &ldquo;What I have decreed, I have decreed,&rdquo; said he.
+ </p>
+ <p>
+ &ldquo;And what I have resolved, I have resolved,&rdquo; said she.
+ </p>
+ <p>
+ Deodonato drew near to her.
+ </p>
+ <p>
+ &ldquo;And if I repeal the decrees?&rdquo; said he.
+ </p>
+ <p>
+ &ldquo;You will do well,&rdquo; said she.
+ </p>
+ <p>
+ &ldquo;And you will wed&mdash;?&rdquo;
+ </p>
+ <p>
+ &ldquo;Whom I will,&rdquo; said she.
+ </p>
+ <p>
+ Deodonato turned to the window, and for a space he looked out; and the
+ damsel smoothed her hair and drew her robe, where it was whole, across the
+ rent; and she looked on Deodonato as he stood, and her bosom rose and
+ fell. And she prayed a prayer that no man heard or, if he heard, might be
+ so base as to tell. But she saw the dark locks of Deodonato&rsquo;s hair
+ and his form, straight as an arrow and tall as a six-foot wand, in the
+ window. And again, outside, they said, &ldquo;It is strangely still in the
+ Hall of the Duke.&rdquo;
+ </p>
+ <p>
+ Then Deodonato turned, and he pressed with his hand on the silver bell,
+ and straightway the Hall was filled with the Councillors, the Judges, and
+ the halberdiers, attentive to hear the will of Deodonato and the fate of
+ the damsel. And the small eyes of Fusbius glowed and the calm eyes of the
+ President smiled.
+ </p>
+ <p>
+ &ldquo;My Cousins, Gentlemen, and my faithful Guard,&rdquo; said
+ Deodonato, &ldquo;Time, which is Heaven&rsquo;s mighty Instrument, brings
+ counsel. Say! what the Duke has done, shall any man undo?&rdquo;
+ </p>
+ <p>
+ Then cried they all, save one, &ldquo;No man!&rdquo;
+ </p>
+ <p>
+ And the President said, &ldquo;Saving the Duke.&rdquo;
+ </p>
+ <p>
+ &ldquo;The decrees which I made,&rdquo; said Deodonato, &ldquo;I unmake.
+ Henceforth let men and maidens in my Duchy marry or not marry as they
+ will, and God give them joy of it.&rdquo;
+ </p>
+ <p>
+ And all, save Fusbius, cried &ldquo;Amen.&rdquo; But Fusbius cried,
+ &ldquo;Your Highness, it is demonstrated beyond cavil, ay, to the
+ satisfaction of your Highness&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;This is very tedious,&rdquo; said Deodonato. &ldquo;Let him speak
+ no more.&rdquo;
+ </p>
+ <p>
+ And again he drew near to Dulcissima, and there, before them all, he fell
+ on his knee. And a murmur ran through the hall.
+ </p>
+ <p>
+ &ldquo;Madam,&rdquo; said Deodonato, &ldquo;if you love me, wed me. And,
+ if you love me not, depart in peace and in honor; and I, Deodonato, will
+ live my life alone.&rdquo;
+ </p>
+ <p>
+ Then the damsel trembled, and barely did Deodonato catch her words:
+ </p>
+ <p>
+ &ldquo;There are many men here,&rdquo; said she.
+ </p>
+ <p>
+ &ldquo;It is not given to Princes,&rdquo; said Deodonato, &ldquo;to be
+ alone. Nevertheless, if you will, leave me alone.&rdquo;
+ </p>
+ <p>
+ And the damsel bent low, so that the breath of her mouth stirred the hair
+ on Deodonato&rsquo;s head, and he shivered as he knelt.
+ </p>
+ <p>
+ &ldquo;My Prince and my King!&rdquo; said she.
+ </p>
+ <p>
+ And Deodonato shot to his feet, and before them all he kissed her, and,
+ turning, spoke:
+ </p>
+ <p>
+ &ldquo;As I have wooed, let every man in this Duchy woo. As I have won,
+ let every man that is worthy win. For, unless he so woo, and unless he so
+ win, vain is his wooing and vain is his winning, and a fig for his
+ wedding, say I, Deodonato! I, that was Deodonato, and now am&mdash;Deodonato
+ and Dulcissima.&rdquo;
+ </p>
+ <p>
+ And a great cheer rang out in the Hall, and Fusbius fled to the door; and
+ they tore his gown as he went and cursed him for a knave. But the
+ President raised his voice aloud and cried&mdash;&ldquo;May Heaven
+ preserve your Highnesses&mdash;and here&rsquo;s a blessing on all windows!&rdquo;
+ </p>
+ <p>
+ And that is the reason why you will find (if you travel there, as I trust
+ you may, for nowhere are the ladies fairer or the men so gallant) more
+ windows in the Duchy of Deodonato than anywhere in the wide world besides.
+ For the more windows, the wider the view; and the wider the view, the more
+ pretty damsels do you see; and the more pretty damsels you see, the more
+ jocund a thing is life-and that is what the men of the Duchy love&mdash;and
+ not least Duke Deodonato, whom, with his bride Dulcissima, may Heaven long
+ preserve!
+ </p>
+ <div style="height: 6em;">
+ <br /><br /><br /><br /><br /><br />
+ </div>
+<pre xml:space="preserve">
+
+
+
+
+End of the Project Gutenberg EBook of Comedies of Courtship, by Anthony Hope
+
+*** END OF THIS PROJECT GUTENBERG EBOOK COMEDIES OF COURTSHIP ***
+
+***** This file should be named 24985-h.htm or 24985-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/4/9/8/24985/
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+
+</pre>
+ </body>
+</html>
diff --git a/24985.txt b/24985.txt
new file mode 100644
index 0000000..2be06c9
--- /dev/null
+++ b/24985.txt
@@ -0,0 +1,9242 @@
+The Project Gutenberg EBook of Comedies of Courtship, by Anthony Hope
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Comedies of Courtship
+
+Author: Anthony Hope
+
+Release Date: April 4, 2008 [EBook #24985]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK COMEDIES OF COURTSHIP ***
+
+
+
+
+
+
+
+
+
+
+COMEDIES OF COURTSHIP
+
+By Anthony Hope
+
+
+
+ "It is a familiar fact that the intensity of a passion varies
+ with the proximity of the appropriate object."
+ Mr. Leslie Stephen, 'Science of Ethics'
+
+ "How the devil is it that fresh features
+ Have such a charm for us poor human creatures?"
+ Lord Byron, 'Don Juan'
+
+
+Charles Scribner's Sons New York 1896
+
+Copyright, 1896 Charles Scribner's Sons
+
+Copyright, 1894, 1896, by Anthony Hope
+
+
+NOTE
+
+"The Wheel of Love," published in Scribner's Magazine during the past
+year, and "The Lady of the Pool," both protected by American copyright,
+are here printed for the first time in book form. The four other
+stories appeared without their author's consent or knowledge, with
+their titles changed beyond recognition, and combined with other
+unauthorized material, in a small volume printed by an American firm.
+They are here given for the first time in their proper form and by my
+authority.
+
+Anthony Hope.
+
+
+
+CONTENTS
+
+The Wheel of Love The Lady of the Pool The Curate of Poltons A
+Three-Volume Novel The Philosopher in the Apple Orchard The Decree of
+Duke Deodonato
+
+
+
+THE WHEEL OF LOVE
+
+
+
+CHAPTER I
+
+THE VIRTUOUS HYPOCRITES
+
+
+AT first sight they had as little reason for being unhappy as it is
+possible to have in a world half full of sorrow. They were young and
+healthy; half a dozen times they had each declared the other more than
+common good-looking; they both had, and never knew what it was not to
+have, money enough for comfort and, in addition that divine little
+superfluity wherefrom joys are born. The house was good to look at and
+good to live in; there were horses to ride, the river to go a-rowing
+on, and a big box from Mudie's every week. No one worried them; Miss
+Bussey was generally visiting the poor; or, as was the case at this
+moment, asleep in her arm-chair, with Paul, the terrier, in his basket
+beside her, and the cat on her lap. Lastly, they were plighted lovers,
+and John was staying with Miss Bussey for the express purpose of
+delighting and being delighted by his fiancee, Mary Travers. For these
+and all their mercies certainly they should have been truly thankful.
+
+However the heart of man is wicked. This fact alone can explain why
+Mary sat sadly in the drawing-room, feeling a letter that was tucked
+inside her waistband and John strode moodily up and down the gravel
+walk, a cigar, badly bitten, between his teeth, and his hand over and
+again covertly stealing toward his breast-pocket and pressing a scented
+note that lay there. In the course of every turn John would pass the
+window of the drawing-room; then Mary would look up with a smile and
+blow him a kiss, and he nodded and laughed and returned the salute.
+But, the window passed, both sighed deeply and returned to lingering
+those hidden missives.
+
+"Poor little girl! I must keep it up," said John.
+
+"Dear good John! He must never know," thought Mary.
+
+And the two fell to thinking just what was remarked a few lines back,
+namely, that the human heart is very wicked; they were shocked at
+themselves; the young often are.
+
+Miss Bussey awoke, sat up, evicted the cat, and found her spectacles.
+
+"Where are those children?" said she. "Billing and cooing somewhere, I
+suppose. Bless me, why don't they get tired of it?"
+
+They had--not indeed of billing and cooing in general, for no one at
+their age does or ought to get tired of that--but of billing and cooing
+with one another.
+
+It will be observed that the situation promised well for a tragedy.
+Nevertheless this is not the story of an unhappy marriage.
+
+If there be one thing which Government should forbid, it is a secret
+engagement. Engagements should be advertised as marriages are; but
+unless we happen to be persons of social importance, or considerable
+notoriety, no such precautions are taken. Of course there are
+engagement rings; but a man never knows one when he sees it on a lady's
+hand--it would indeed be impertinent to look too closely--and when he
+goes out alone he generally puts his in his pocket, considering that
+the evening will thus be rendered more enjoyable. The Ashforth--Travers
+engagement was not a secret now, but it had been, and had been too
+long. Hence, when Mary went to Scotland and met Charlie Ellerton, and
+when John went to Switzerland and met Dora Bellairs-the truth is, they
+ought never to have separated, and Miss Bussey (who was one of the
+people in the secret) had been quite right when she remarked that it
+seemed a curious arrangement. John and Mary had scoffed at the idea of
+a few weeks' absence having any effect on their feelings except, if
+indeed it were possible, that of intensifying them.
+
+"I really think I ought to go and find them," said Miss Bussey. "Come,
+Paul!"
+
+She took a parasol, for the April sun was bright, and went into the
+garden. "When she came to the drawing-room window John was away at the
+end of the walk. She looked at him: he was reading a letter. She looked
+in at the window: Mary was reading a letter.
+
+"Well!" exclaimed Miss Bussey. "Have they had a tiff?" And she slowly
+waddled (truth imposes this word-she was very stout) toward the
+unconscious John. He advanced toward her still reading; not only did he
+not see her, but he failed to notice that Paul had got under his feet.
+He fell over Paul, and as he stumbled the letter fluttered out of his
+hand. Paul seized it and began to toss it about in great glee.
+
+"Good doggie!" Cried Miss Bussey. "Come then! Bring it to me, dear.
+Good Paul!"
+
+John's face was distorted with agony. He darted toward Paul, fell on
+him, and gripped him closely. Paul yelped and Miss Bussey observed, in
+an indignant tone, that John need not throttle the dog. John muttered
+something.
+
+"Is the letter so very precious?" asked his hostess ironically.
+
+"Precious!" cried John. "Yes!--No!--It's nothing at all."
+
+But he opened Paul's mouth and took out his treasure with wonderful
+care.
+
+"And why," inquired Miss Bussey, "are you not with Mary, young man?
+You're very neglectful."
+
+"Neglectful! Surely, Miss Bussey, you haven't noticed anything--like
+neglect? Don't say----"
+
+"Bless the boy! I was only joking. You're a model lover."
+
+"Thank you, thank you. I'll go to her at once," and he sped towards the
+window, opened it and walked up to Mary. Miss Bussey followed him and
+arrived just in time to see the lovers locked in one another's arms,
+their faces expressing all appropriate rapture.
+
+"There's nothing much wrong," said Miss Bussey; wherein Miss Bussey
+herself was much wrong.
+
+"What a shame! I've left you alone for more than an hour!" said John.
+"Have you been very unhappy?" and he added, "darling." It sounded like
+an afterthought.
+
+"I have been rather unhappy," answered Mary, and her answer was true.
+As she said it she tucked in a projecting edge of her letter. John had
+hurriedly slipped his (it was rather the worse for its mauling) into
+his trousers-pocket.
+
+"You--you didn't think me neglectful?"
+
+"Oh, no."
+
+"I was thinking of you all the time,"
+
+"And I was thinking of you, dear."
+
+"Are you very happy?"
+
+"Yes, John; aren't you?"
+
+"Of course I am. Happy! I should think so," and he kissed her with
+unimpeachable fervor.
+
+When a conscientious person makes up his mind that he ought, for good
+reasons, to deceive somebody, there is no one like him for
+thorough-paced hypocrisy. When two conscientious people resolve; to
+deceive one another, on grounds of duty, the acme of duplicity is in a
+fair way to be reached. John Ashforth and Mary Travers illustrated this
+proposition. The former had been all his life a good son, and was now a
+trustworthy partner, to his father, who justly relied no less on his
+character than on his brains. The latter, since her parents' early
+death had left her to her aunt's care, had been the comfort and prop of
+Miss Bussey's life. It is difficult to describe good people without
+making them seem dull; but luckily nature is defter than novelists, and
+it is quite possible to be good without being dull. Neither Mary nor
+John was dull; a trifle limited, perhaps, they were, a thought severe
+in their judgments of others as well as of themselves; a little
+exacting with their friends and more than a little with themselves.
+One description paints them both; doubtless their harmony of mind had
+contributed more than Mary's sweet expression and finely cut features,
+or John's upstanding six feet, and honest capable face, to produce that
+attachment between them which had, six months before this story begins,
+culminated in their engagement. Once arrived at, this ending seemed to
+have been inevitable. Everybody discovered that they had foretold it
+from the first, and modestly disclaimed any credit for anticipating a
+union between a couple so obviously made for one another.
+
+The distress into which lovers such as these fell when they discovered
+by personal experience that sincerely to vow eternal love is one thing,
+and sincerely to give it quite another, may be well imagined, and may
+well be left to be imagined. They both went through a terrible period
+of temptation, wherein they listened longingly to the seductive
+pleading of their hearts; but both emerged triumphant, resolved to
+stifle their mad fancy, to prefer good faith to mere inclination, and
+to avoid, at all costs, wounding one to whom they had sworn to be true.
+Thus far their steadfastness carried them, but not beyond. They could
+part from their loved ones, and they did; but they could not leave them
+without a word. Each wrote, after leaving Scotland and Switzerland
+respectively, a few lines of adieu, confessing the love they felt, but
+with resolute sadness saying farewell forever. They belonged to another.
+
+It was the answers that Mary and John were reading when Miss Bussey
+discovered them.
+
+Mary's ran:
+
+
+"MY DEAR MISS TRAVERS: I have received your letter. I can't tell you
+what it means to me. You say all must be over between us. Don't be
+offended--but I won't say that yet. It can't be your duty to marry a
+man you don't love. You forbid me to write or come to you; and you ask
+only for a word of good-by. I won't say good-by. I'll say _Au
+revoir--au revoir_, my darling."
+
+"Charlie."
+
+"Burn this."
+
+
+This was John's:
+
+"MY DEAR MR. ASHFORTH: What am I to say to you? Oh, why, why didn't you
+tell me before? I oughtn't to say that, but it is too late to conceal
+anything from you. Yes, you are right. It must be good-by. Yes, I will
+try to forget you. But oh, John, it's very, very, very difficult. I
+don't know how to sign this--so I won't. You'll know who it comes from,
+won't you? Good-by. Burn this."
+
+
+These letters, no doubt, make it plain that there had been at least a
+momentary weakness both in Mary and in John; but in a true and
+charitable view their conduct in rising superior to temptation finally
+was all the more remarkable and praiseworthy. They had indeed, for the
+time, been carried away. Even now Mary found it hard not to make
+allowances for herself, little as she was prone to weakness when she
+thought of the impetuous _abandon_ and conquering whirl with which
+Charlie Ellerton had wooed her; and John confessed that flight alone, a
+hasty flight from Interlaken after a certain evening spent in gazing at
+the Jungfrau, had saved him from casting everything to the winds and
+yielding to the slavery of Dora Bellairs's sunny smiles and charming
+coquetries. He had always thought that that sort of girl had no
+attractions for him, just as Mary had despised 'butterfly-men' like
+Charlie Ellerton. Well, they were wrong. The only comfort was that
+shallow natures felt these sorrows less; it would have broken Mary's
+heart (thought John), or John's (thought Mary), but Dora and Charlie
+would soon find consolation in another. But here, oddly enough, John
+generally swore heartily and Mary always began to search for her
+handkerchief. "They're as affectionate as one could wish when they're
+together," mused Miss Bussey, as she stroked the cat, "but at other
+times they're gloomy company. I suppose they can't be happy apart.
+Dear! dear!" and the good old lady fell to wondering whether she had
+ever been so foolish herself.
+
+
+
+CHAPTER II
+
+SYMPATHY IN SORROW
+
+
+"Give me," observed Sir Roger Deane, "Cannes, a fine day, a good set to
+look at, a beehive chair, a good cigar, a cocktail on one side and a
+nice girl on the other, and there I am! I don't want anything else."
+
+General Bellairs pulled his white mustache and examined Sir Roger's
+figure and surroundings with a smile.
+
+"Then only Lady Deane is wanting to your complete happiness," said he.
+
+"Maud is certainly a nice girl, but when she deserts me----"
+
+"Where is she?"
+
+"I don't know."
+
+"I do," interposed a young man, who wore an eye--glass and was in
+charge of a large jug. "She's gone to Monte."
+
+"I might have known," said Sir Roger. "Being missed here always means
+you've gone to Monte--like not being at church means you've gone to
+Brighton."
+
+"Surely she doesn't play?" asked the General.
+
+"Not she! She's going to put it in a book. She writes books you know.
+She put me in the last--made me a dashed fool, too, by Jove!"
+
+"That was unkind," said the General, "from your wife."
+
+"Oh, Lord love you, she didn't mean it. I was the hero. That's how I
+came to be such an ass. The dear girl meant everything that was kind.
+Who's taken her to Monte?"
+
+"Charlie Ellerton," said the young man with the eye-glass.
+
+"There! I told you she was a kind girl. She's trying to pull old
+Charlie up a peg or two. He's had the deuce of a facer, you know."
+
+"I thought he seemed less cheerful than usual."
+
+"Oh, rather. He met a girl somewhere or other--I always forget
+places--Miss--Miss--hang it, I can't remember names--and got awfully
+smitten, and everything went pleasantly and she took to him like
+anything--, and at last old Charlie spoke up like a man, and----" Sir
+Roger paused dramatically.
+
+"Well?" asked the General.
+
+"She was engaged to another fellow. Rough, wasn't it? She told old
+Charlie she liked him infernally, but promises were promises, don't you
+know, and she'd thank him to take his hook. And he had to take it, by
+Gad! Rough, don't you know? So Maud's been cheering him up. The devil!"
+
+"What's the matter now?" inquired the General.
+
+"Why, I've just remembered that I promised to say nothing about it. I
+say, don't you repeat it, General, nor you either, Laing."
+
+The General laughed.
+
+"Well," said Sir Roger, "he oughtn't to have been such a fool as to
+tell me. He knows I never remember to keep things dark. It's not my
+fault."
+
+A girl came out of the hotel and strolled up to where the group was.
+She was dark, slight, and rather below middle height; her complexion at
+this moment was a trifle sallow and her eyes listless, but it seemed
+rather as though she had dressed her face into a tragic cast, the set
+of the features being naturally mirthful. She acknowledged the men's
+salutations and sat down with a sigh.
+
+"Not on to-day?" asked Sir Roger, waving his cigar toward the
+lawn-tennis courts.
+
+"No," said Miss Bellairs.
+
+"Are you seedy, Dolly?" inquired the General.
+
+"No," said Miss Bellairs.
+
+Mr. Laing fixed his eye-glass and surveyed the young lady.
+
+"Are you taking any?" said he, indicating the jug.
+
+"I don't see any fun in vulgarity," observed Miss Bellairs.
+
+The General smiled. Sir Roger's lips assumed the shape for a whistle.
+
+"That's a nasty one for me," said Laing.
+
+"Ah, here you are, Roger," exclaimed a fresh clear voice from behind
+the chairs. "I've been looking for you everywhere. We've seen
+everything--Mr. Ellerton was most kind--and I do so want to tell you my
+impressions."
+
+The new-comer was Lady Deane, a tall young woman, plainly dressed in a
+serviceable cloth walking-gown. By her side stood Charlie Ellerton in a
+flannel suit of pronounced striping; he wore a little yellow mustache,
+had blue eyes and curly hair, and his face was tanned a wholesome
+ruddy-brown. He looked very melancholy.
+
+"Letters from Hell," murmured Sir Roger.
+
+"But I was so distressed," continued his wife. "Mr. Ellerton would
+gamble, and he lost ever so much money."
+
+"A fellow must amuse himself," remarked Charlie gloomily, and with
+apparent unconsciousness he took a glass from Laing and drained it.
+
+"Gambling and drink--what does that mean?" asked Sir Roger.
+
+"Shut up, Deane," said Charlie.
+
+Miss Bellairs rose suddenly and walked away. Her movement expressed
+impatience with her surroundings. After a moment Charlie Ellerton
+slowly sauntered after her. She sat down on a garden-seat some way off.
+Charlie placed himself at the opposite end. A long pause ensued.
+
+"I'm afraid I'm precious poor company," said Charlie.
+
+"I didn't want you to be company at all," answered Miss Bellairs, and
+she sloped her parasol until it obstructed his view of her face.
+
+"I'm awfully sorry, but I can't stand the sort of rot Deane and Laing
+are talking."
+
+"Can't you? Neither can I."
+
+"They never seem to be serious about anything, you know," and Charlie
+sighed deeply, and for three minutes there was silence.
+
+"Do you know Scotland at all?" asked Charlie at last.
+
+"Only a little."
+
+"There last year?"
+
+"No, I was in Switzerland."
+
+"Oh."
+
+"Do you know Interlaken?"
+
+"No."
+
+"Oh."
+
+"May I have a cigarette?"
+
+"Of course, if you like."
+
+Charlie lit his cigarette and smoked silently for a minute or two.
+
+"I call this a beastly place," said he.
+
+"Yes, horrid," she answered, and the force of sympathy made her move
+the parasol and turn her face towards her companion. "But I thought,"
+she continued, "you came here every spring?"
+
+"Oh, I don't mind the place so much. It's the people."
+
+"Yes, isn't it? I know what you mean."
+
+"You can't make a joke of everything, can you?"
+
+"Indeed no," sighed Dora.
+
+Charlie looked at his cigarette, and, his eyes carefully fixed on it,
+said in a timid tone:
+
+"What's the point, for instance, of talking as if love was all bosh?"
+
+Dora's parasol swept down again swiftly, but Charlie was still looking
+at the cigarette and he did not notice its descent, nor could he see
+that Miss Bellairs's cheek was no longer sallow.
+
+"It's such cheap rot," he continued, "and when a fellow's--I say, Miss
+Bellairs, I'm not boring you?"
+
+The parasol wavered and finally moved.
+
+"No," said Miss Bellairs.
+
+"I don't know whether you--no, I mustn't say that; but I know what it
+is to be in love, Miss Bellairs; but what's the good of talking about
+it? Everybody laughs."
+
+Miss Bellairs put down her parasol.
+
+"I shouldn't laugh," she said softly. "It's horrid to laugh at people
+when they're in trouble," and her eyes were very sympathetic.
+
+"You are kind. I don't mind talking about it to you. You know I'm not
+the sort of fellow who falls in love with every girl he meets; so of
+course it's worse when I do."
+
+"Was it just lately?" murmured Dora.
+
+"Last summer."
+
+"Ah! And--and didn't she----?"
+
+"Oh, I don't know. Yes, hang it, I believe she did. She was perfectly
+straight, Miss Bellairs. I don't say a word against her. She-I think
+she didn't know her own feelings until--until I spoke, you know--and
+then----"
+
+"Do go on, if--if it doesn't----"
+
+"Why, then, the poor girl cried and said it couldn't be because
+she--she was engaged to another fellow; and she sent me away."
+
+Miss Bellairs was listening attentively.
+
+"And," continued Charlie, "she wrote and said it must be good-by
+and--and----"
+
+"And you think she----?"
+
+"She told me so," whispered Charlie. "She said she couldn't part
+without telling me. Oh, I say, Miss Bellairs, isn't it all damnable? I
+beg your pardon."
+
+Dora was tracing little figures on the gravel with her parasol.
+
+"Now what would you do?" cried Charlie. "She loves me, I know she does,
+and she's going to marry this other fellow because she promised him
+first. I don't suppose she knew what love was then."
+
+"Oh, I'm sure she didn't," exclaimed Dora earnestly.
+
+"You can't blame her, you know. And it's absurd to--to--to--not
+to--well, to marry a fellow you don't care for when you care for
+another fellow, you know!"
+
+"Yes."
+
+"Of course you can hardly imagine yourself in that position, but
+suppose a man liked you and-and was placed like that, you know, what
+should you feel you ought to do?"
+
+"Oh, I don't know," exclaimed Dora, clasping her hands. "Oh, do tell me
+what you think! I'd give the world to know!"
+
+Charlie's surprised glance warned her of her betrayal. "You mustn't ask
+me." she exclaimed hastily.
+
+"I won't ask a word. I--I'm awfully sorry, Miss Bellairs."
+
+"Nobody knows," she murmured.
+
+"Nobody shall through me."
+
+"You're not very--? I'm very ashamed."
+
+"Why? And because of me! After what I've told you!"
+
+Charlie rose suddenly.
+
+"I'm not going to stand it," he announced.
+
+Dora looked up eagerly.
+
+"What? You're going to----?"
+
+"I'm going to have a shot at it. Am I to stand by and see her----? I'm
+hanged if I do. Could that be right?"
+
+"I should like to know what one's _duty_ is?"
+
+"This talk with you has made me quite clear. We've reasoned it out, you
+see. They're not to be married for two or three months. A lot can be
+done in that time."
+
+"Ah, you're a man!"
+
+"I shall write first. If that doesn't do, I shall go to her."
+
+Dora shook her head mournfully.
+
+"Now, look here, Miss Bellairs you don't mind me advising you?"
+
+"I ought not to have let you see, but as it is--"
+
+"You do as I do, you stick to it. Confound it, you know, when one's
+life's happiness is at stake--"
+
+"Oh, yes, yes!"
+
+"One mustn't be squeamish, must one?"
+
+And Dora Bellairs, in a very low whisper, answered, "No."
+
+"I shall write to-night."
+
+"Oh! To-night?"
+
+"Yes. Now promise me you will too."
+
+"It's harder for me than you."
+
+"Not if he really----."
+
+"Oh, indeed, he really does, Mr. Ellerton."
+
+"Then you'll write?"
+
+"Perhaps."
+
+"No. Promise!"
+
+"Well--it must be right. Yes, I will."
+
+"I feel the better for our talk, Miss Bellairs, don't you?"
+
+"I do a little."
+
+"We shall be friends now, you know; even if I bring it off I shan't be
+content unless you do too. Won't you give me your good wishes?"
+
+"Indeed I will."
+
+"Shake hands on it."
+
+They shook hands and began to stroll back to the tennis-courts.
+
+"They look a little better," observed Sir Roger Deane, who had been
+listening to an eloquent description of the gaming-tables.
+
+Dora and Charlie walked on towards the hotel.
+
+"Hi!" shouted Sir Roger. "Tea's coming out here."
+
+"I've got a letter to write," said Charlie.
+
+"Well, Miss Bellairs, you must come. Who's to pour it out?"
+
+"I must catch the post, Sir Roger," answered Dora.
+
+They went into the house together. In the hall they parted.
+
+"You'll let me know what happens, Mr. Ellerton, won't you? I'm so
+interested."
+
+"And you?"
+
+"Oh--well, perhaps," and the sallow of her cheeks had turned to a fine
+dusky red as she ran upstairs.
+
+Thus it happened that a second letter for John Ashforth and a second
+letter for Mary Travers left Cannes that night.
+
+And if it seems a curious coincidence that Dora and Charlie should meet
+at Cannes, it can only be answered that they were each of them just as
+likely to be at Cannes as anywhere else. Besides, who knows that these
+things are all coincidence?
+
+
+
+CHAPTER III
+
+A PROVIDENTIAL DISCLOSURE
+
+
+On Wednesday the eleventh of April, John Ashforth rose from his bed
+full of a great and momentous resolution. There is nothing very strange
+in that, perhaps it is just the time of day when such things come to a
+man, and, in ordinary cases, they are very prone to disappear with the
+relics of breakfast. But John was of sterner stuff. He had passed a
+restless night, tossed to and fro by very disturbing gusts of emotion,
+and he arose with the firm conviction that if he would escape shipwreck
+he must secure his bark by immovable anchors while he was, though not
+in honor, yet in law and fact, free; he could not trust himself.
+Sorrowfully admitting his weakness, he turned to the true, the right,
+the heroic remedy.
+
+"I'll marry Mary to--day fortnight," said he. "When we are man and wife
+I shall forget this madness and love her as I used to."
+
+He went down to breakfast, ate a bit of toast and drank a cup of very
+strong tea. Presently Mary appeared and greeted him with remarkable
+tenderness. His heart smote him, and his remorse strengthened his
+determination.
+
+"I want to speak to you after breakfast," he told her.
+
+His manner was so significant that a sudden gleam of hope flashed into
+her mind. Could it be that he had seen, that he would be generous? She
+banished the shameful hope. She would not accept generosity at the
+expense of pain to him.
+
+Miss Bussey, professing to find bed the best place in the world, was in
+the habit of taking her breakfast there. The lovers were alone, and,
+the meal ended, they passed together into the conservatory. Mary sat
+down and John leant against the glass door opposite her.
+
+"Well?" said she, smiling at him.
+
+It suddenly struck John that, in a scene of this nature, it
+ill-befitted him to stand three yards from the lady. He took a chair
+and drew it close beside her. The thing had to be done and it should be
+done properly.
+
+"We've made a mistake, Mary," he announced, taking her hand and
+speaking in a rallying tone.
+
+"A mistake!" she cried; "oh, how?"
+
+"In fixing our marriage----."
+
+"So soon?"
+
+"My darling!" said John (and it was impossible to deny admiration to
+the tone he said it in), "no. So late! What are we waiting for? Why are
+we wasting all this precious time?"
+
+Mary could not speak, but consternation passed for an appropriate
+confusion, and John pursued his passionate pleadings. As Mary felt his
+grasp and looked into his honest eyes, her duty lay plain before her.
+She would not stoop to paltry excuses on the score of clothes,
+invitations, or such trifles. She had made up her mind to the thing;
+surely she ought to do it in the way most gracious and most pleasing to
+her lover.
+
+"If Aunt consents," she murmured at last, "do as you like, John dear,"
+and the embrace which each felt to be inevitable at such a crisis
+passed between them.
+
+A discreet cough separated them. The butler stood in the doorway, with
+two letters on a salver. One he handed to Mary, the other to John, and
+walked away with a twinkle in his eye. However even our butlers do not
+know everything that happens in our houses (to say nothing of our
+hearts), although much they may think they do.
+
+John looked at his letter, started violently and crushed it into his
+pocket. He glanced at Mary; her letter lay neglected on her lap. She
+was looking steadily out of the window.
+
+"Well, that's settled," said John. "I--I think I'll have a cigar, dear."
+
+"Yes, do, darling," said Mary, and John went out.
+
+These second letters were unfortunately so long as to make it
+impossible to reproduce them. They were also very affecting, Dora's
+from its pathos, Charlie's from its passion. But the waves of emotion
+beat fruitlessly on the rock-built walls of conscience. At almost the
+same moment, Mary, brushing away a tear, and John, blowing his nose,
+sat down to write a brief, a final answer. "We are to be married
+today fortnight," they said. They closed the envelopes without a
+moment's delay and went to drop their letters in the box. The servant
+was already waiting to go to the post with them and a second later the
+fateful documents were on their way to Cannes.
+
+"Now," said John, with a ghastly smile, "we can have a glorious long
+day together!"
+
+Mary was determined to leave herself no loophole.
+
+"We must tell Aunt what--what we have decided upon this morning," she
+reminded him. "It means that the wedding must be very quiet."
+
+"I shan't mind that. Shall you?"
+
+"I shall like it of all things." she answered. "Come and find Aunt
+Sarah."
+
+Miss Bussey had always--or at least for a great many years
+back--maintained the general proposition that young people do not know
+their own minds. This morning's news confirmed her opinion.
+
+"Why the other day you both agreed that the middle of June would do
+perfectly. Now you want it all done in a scramble."
+
+The pair stood before her, looking very guilty.
+
+"What is the meaning of this--this (she very nearly said 'indecent')
+extraordinary haste?"
+
+Miss Bussey asked only one indulgence from her friends. Before she did
+a kind thing she liked to be allowed to say one or two sharp ones. Her
+niece was aware of this fancy of hers and took refuge in silence.
+John, less experienced in his hostess's ways, launched into the
+protests appropriate to an impatient lover.
+
+"Well," said Miss Bussey, "I must say you look properly ashamed of
+yourself [John certainly did], so I'll see what can be done. What a
+fluster we shall live in! Upon my word you might as well have made it
+tomorrow. The fuss would have been no worse and a good deal shorter."
+
+The next few days passed, as Miss Bussey had predicted, in a fluster.
+Mary was running after dress makers, John after licenses, Cook's
+tickets, a best man, and all the impedimenta of a marriage. The
+intercourse of the lovers was much interrupted, and to this Miss Bussey
+attributed the low spirits that Mary sometimes displayed.
+
+"There, there, my dear," she would say impatiently--for the cheerful
+old lady hated long faces--"you'll have enough of him and to spare by
+and by."
+
+Curiously this point of view did not comfort Mary. She liked John very
+much, she esteemed him even more than she liked him, he would, she
+thought, have made an ideal brother. Ah, why had she not made a brother
+of him while there was time? Then she would have enjoyed his constant
+friendship all her life; for it was not with him as with that foolish
+boy Charlie, all or nothing. John was reasonable; he would not have
+threatened--well, reading--his letter one way, Charlie almost seemed to
+be tampering with propriety. John would never have done that. And these
+reflections, all of which should have pleaded for John, ended in
+weeping over the lost charms of Charlie.
+
+One evening, just a week before the wedding, she roused herself from
+some such sad meditations, and, duty-driven, sought John in the
+smoking-room. The door was half open and she entered noiselessly. John
+was sitting at the table; his arms were outspread on it, and his face
+buried in his hands. Thinking he was asleep she approached on tiptoe
+and leant over his shoulder. As she did so her eyes fell on a sheet of
+note-paper; it was clutched in John's right hand, and the encircling
+grasp covered it, save at the top. The top was visible, and Mary,
+before she knew what she was doing, had read the embossed
+heading--nothing else, just the embossed heading--Hotel de Luxe,
+Cannes, Alpes Maritimes.
+
+The drama teaches us how often a guilty mind rushes, on some trifling
+cause, to self-revelation. Like a flash came the conviction that
+Charlie had written to John, that her secret was known, and John's
+heartbroken. In a moment she fell on her knees crying, "Oh, how wicked
+I've been! Forgive me, do forgive me! Oh, John, can you forgive me?"
+
+John was not asleep, he also was merely meditating; but if he had been
+a very Rip Van Winkle this cry of agony would have roused him. He
+started violently--as well he might--from his seat, looked at Mary, and
+crumpled the letter into a shapeless ball.
+
+"You didn't see?" he asked hoarsely.
+
+"No, but I know. I mean I saw the heading, and knew it must be from
+him. Oh, John!"
+
+"From him!"
+
+"Yes. He's--he's staying there. Oh, John! Really I'll never see or
+speak to him again. Really I won't. Oh, you can trust me, John. See!
+I'll hide nothing. Here's his letter! You see I've sent him away?"
+
+And she took from her pocket Charlie's letter, and in her noble
+fidelity (to John--the less we say about poor Charlie the better)
+handed it to him.
+
+"What's this?" asked John, in bewilderment. "Who's it from?"
+
+"Charlie Ellerton," she stammered.
+
+"Who's Charlie Ellerton? I never heard--but am I to read it?"
+
+"Yes, please, I--I think you'd better."
+
+John read it; Mary followed his eyes, and the moment they reached the
+end, without giving him time to speak, she exclaimed, "There, you see I
+spoke the truth. I had sent him away. What does he say to you, John?"
+
+"I never heard of him in my life before."
+
+"John! Then who is your letter from?"
+
+He hesitated. He felt an impulse to imitate her candor, but prudence
+suggested that he should be sure of his ground first.
+
+"Tell me all," he said, sitting down. "Who is this man, and what has he
+to do with you?"
+
+"Why don't you show me his letter? I don't know what he's said about
+me."
+
+"What could he say about you?"
+
+"Well he--he might say that--that I cared for him, John."
+
+"And do you?" demanded John, and his voice was anxious.
+
+Duty demanded a falsehood; Mary did her very best to satisfy its
+imperious commands. It was no use.
+
+"Oh, John," she murmured, and then began to cry.
+
+For a moment wounded pride struggled with John's relief; but then a
+glorious vision of what this admission of Mary's might mean to him
+swept away his pique.
+
+"Read this," he said, giving her Dora Bellairs's letter, "and then
+we'll have an explanation."
+
+Half an hour later Miss Bussey was roused from a pleasant snooze. John
+and Mary stood beside her, hand in hand. They wore brother and sister
+now--that was an integral part of the arrangement--and so they stood
+hand in hand. Their faces were radiant.
+
+"We came to tell you, Auntie dear, that we have decided that we're not
+suited to one another," began Mary.
+
+"Not at all," said John decisively.
+
+Miss Bussey stared helplessly from one to the other.
+
+"It's all right, Miss Bussey," remarked John cheerfully. "We've had an
+explanation; we part by mutual consent."
+
+"John," said Mary, "is to be just my brother and I his sister. Oh, and
+Auntie, I want to go with him to Cannes."
+
+This last suggestion, which naturally did not appear to any
+well-regulated mind to harmonize with what had gone before, restored
+voice to Miss Bussey.
+
+"What's the matter with you? Are you mad?" she demanded.
+
+John sat down beside her. His friends anticipated a distinguished
+Parliamentary career for John; he could make anything sound reasonable.
+Miss Bussey was fascinated by his suave and fluent narrative of what
+had befallen Mary and himself; she could not but admire his just
+remarks on the providential disclosure of the true state of the case
+before it was too late, and sympathized with the picture of suffering
+nobly suppressed which grew under his skilful hand; she was inflamed
+when he ardently declared his purpose of seeking out Dora; she was
+touched when he kissed Mary's hand and declared that the world held no
+nobler woman. Before John's eloquence even the stern facts of a public
+engagement, of invited guests, of dresses ordered and presents
+received, lost their force, and the romantic spirit, rekindled, held
+undivided sway in Miss Bussey's heart.
+
+"But," she said, "why does Mary talk of going to Cannes with you?"
+
+"Mr. Ellerton is at Cannes, Aunt," murmured Mary, shyly.
+
+"But you can't travel with John."
+
+"Oh, but you must come too."
+
+"It looks as if you were running after him."
+
+"I'll chance Charlie thinking that," cried Mary, clasping her hands in
+glee.
+
+Miss Bussey pretended to be reluctant to undertake the journey, but she
+was really quite ready to yield, and soon everything was settled on the
+new basis.
+
+"And now to write and tell people," said Miss Bussey. "That's the worst
+part of it."
+
+"Poor dear! We'll help," cried Mary. "But I must write to Cannes."
+
+"Wire!" cried John.
+
+"Of course, wire!" echoed Mary.
+
+"The first thing tomorrow."
+
+"Before breakfast."
+
+"Mary, I shall never forget----."
+
+"No, John, it's you who----." and they went off in a torrent of mutual
+laudation.
+
+Miss Bussey shook her head.
+
+"If they think all that of one another why don't they marry?" she said.
+
+
+
+CHAPTER IV
+
+THE TALE OF A POSTMARK
+
+
+"Yes," said Lady Deane, "we leave today week: Roger has to be back the
+first week in May, and I want to stop at one or two places en route."
+
+"Let's see. To-day's the 19th, no, the 20th; there's nothing to remind
+one of time here. That'll be the 27th. That's about my date; we might
+go together if you and Deane have no objection."
+
+"Oh, I should be delighted, General; and shall you stay at all in
+Paris?"
+
+"A few days--just to show Dolly the sights."
+
+"How charming! And you and I must have some expeditions together.
+Roger is so odd about not liking to take me."
+
+"We'll do the whole thing, Lady Deane," answered General Bellairs,
+heartily. "Notre Dame, the Versailles, the Invalides, Eiffel Tower."
+
+Lady Deane's broad white brow showed a little pucker.
+
+"That wasn't quite what I meant," said she. "Oh, but Roger could take
+Dora to those, couldn't he, while you and I made a point of seeing some
+of the real life of the people? Of studying them in their ordinary
+resorts, their places of recreation and amusement."
+
+"Oh, the Francais, and the opera, and so on, of course."
+
+"No, no, no," exclaimed Lady Deane, tapping her foot impatiently and
+fixing her gray eyes on the General's now puzzled face. "Not the same
+old treadmill in Paris as in London! Not that, General!"
+
+"What then, my dear lady?" asked he. "Your wish is law to me," and it
+was true that he had become very fond of his earnest young friend.
+"What do you want to see? The Chamber of Deputies?"
+
+Sir Roger's voice struck in.
+
+"I'm not a puritanical husband, Bellairs, but I must make a stand
+somewhere. Not the Chamber of Deputies."
+
+"Don't be silly, Roger dear," said Lady Deane, in her usual tone of
+dispassionate reproof.
+
+"I can't find out where she does want to go to," remarked the General.
+
+"I can tell you," said Sir Roger, and he leant down and whispered a
+name; in the General's ear. The General jumped.
+
+"Good heavens!" he exclaimed. "I haven't been there since the fifties.
+Is it still like what it used to be?"
+
+"How should I know?" inquired Sir Roger. "I'm not a student of social
+phenomena. Maud is, so she wants to go."
+
+Lady Deane was looking on with a quiet smile.
+
+"She never mentioned it," protested the General.
+
+"Oh, of course if there's a worse place now!" conceded Sir Roger.
+
+"I'll make up my mind when we arrive," observed Lady Deane. "Anyhow I
+shall rely on you, General."
+
+The General looked a little uncomfortable.
+
+"If Deane doesn't object----."
+
+"I shouldn't think of taking my wife to such places."
+
+Suddenly Dora Bellairs rushed up to them.
+
+"Have you seen Mr. Ellerton?" she cried. "Where is he?"
+
+"In the smoking-room," answered Sir Roger. "Do you want him?"
+
+"Would you mind? I can't go in there: it's full of men."
+
+"After all we must be somewhere," pleaded Sir Roger as he went on his
+errand.
+
+"Dolly," said the General, "I've just made a charming arrangement.
+Lady Deane and Sir Roger start for Paris to-day week, and we're going
+with them. You said you'd like another week here."
+
+"It's charming our being able to go together, isn't it?" said Lady
+Deane. Dora's face did not express rapture, yet she liked the Deanes
+very much.
+
+"Oh, but----" she began.
+
+"Well?" asked her father.
+
+"I rather want to go a little sooner."
+
+"I'm afraid," said Lady Deane, "we shan't get Roger to move before
+then. He's bent on seeing the tennis tournament through. When did you
+want to go, Dora?"
+
+"Well, in fact--to--night."
+
+"My dear Dolly, what a weathercock you are! It's impossible. I'm
+dining with the Grand Duke on Monday. You must make up your mind to
+stay, young woman."
+
+"Oh, please, papa----."
+
+"But why do you want to go?" asked the General, rather impatiently.
+
+Dora had absolutely no producible reason for her eagerness to go. And
+yet--Oh, if they only knew what was at stake! "We're to be married in a
+fortnight!" She could see the words dancing before her eyes. And she
+must waste a precious week here!
+
+"Do you want me, Miss Bellairs?" asked Charlie Ellerton, coming up to
+them.
+
+"Yes. I want--oh, I want to go to Rumpelmayer's."
+
+"All right. Come along. I'm delighted to go with you."
+
+They walked off in silence. Dora was in distress. She saw that the
+General was immovable.
+
+Suddenly Charlie turned to her and remarked,
+
+"Well, it's all over with me, Miss Bellairs."
+
+"What? How do you mean?"
+
+"My chance is gone. They're to be married in a fortnight. I had a
+letter to say so this morning."
+
+Dora turned suddenly to him.
+
+"Oh, but it's too extraordinary," she cried. "So had I!"
+
+"What?"
+
+"Why, a letter to say they were to be married in a fortnight."
+
+"Nonsense!"
+
+"Yes. Mr. Ellerton--who--who is your friend?"
+
+"Her name's Mary Travers."
+
+"And who is she going--to marry?"
+
+"Ah! She hasn't told me that."
+
+A suspicion of the truth struck them both. Charlie produced his letter.
+
+"She writes," he said, showing the postmark, "from Dittington."
+
+"It is! It is!" she cried. "It must be Mary Travers that Mr. Ashforth
+is going to marry!"
+
+"Is that your friend?"
+
+"Yes. Is she pretty, Mr. Ellerton?"
+
+"Oh, awfully. What sort of a fellow is he?"
+
+"Splendid!"
+
+"Isn't it a deuced queer thing?"
+
+"Most extraordinary. And when we told one another we never thought----."
+
+"How could we?"
+
+"Well, no, we couldn't, of course."
+
+A pause followed. Then Charlie observed: "I suppose there's nothing to
+be done."
+
+"Nothing to be done, Mr. Ellerton! Why if I were a man I'd leave for
+England tonight."
+
+"And why can't you?"
+
+"Papa won't. But you might."
+
+"Ye--es, I suppose I might. It would look rather odd, wouldn't it?"
+
+"Why, you yourself suggested it!"
+
+"Yes, but the marriage was a long way off then."
+
+"There's the more reason now for haste."
+
+"Of course, that's true, but----."
+
+"Oh, if papa would only take me!" A sudden idea seemed to strike
+Charlie; he assumed an air of chivalrous sympathy. "When shall you go?"
+he asked. "Not till to-day week," she said. "We shan't get to England
+till three or four days before it." Dora knew nothing of the proposed
+stay in Paris.
+
+"Look here, Miss Bellairs," said Charlie, "we agreed to stand by one
+another. I shall wait and go when you do."
+
+"But think----."
+
+"I've thought."
+
+"You're risking everything."
+
+"If she'll break it off ten days before, she'll do the same four days
+before."
+
+"If she really loves you she will."
+
+"Anyhow we'll stand or fall together."
+
+"Oh, I oughtn't to let you, but I can't refuse. How kind you are!"
+
+"Then that's settled," said Charlie, "And we must try to console one
+another till then."
+
+"The suspense is awful, isn't it?"
+
+"Of course. But we must appear cheerful. We mustn't betray ourselves."
+
+"Not for the world! I can never thank you enough. You'll come with us
+all the way?"
+
+"Yes."
+
+"Thank you again."
+
+She gave him her hand, which he pressed gently.
+
+"Hullo!" said he. "We seem to have got up by the church somewhere.
+Where were we going to?"
+
+"Why, to Rumpelmayer's."
+
+"Oh, ah! Well, let's go back to the hotel."
+
+Wonderings on the extraordinary coincidence, with an occasional
+reference to the tender tie of a common sorrow which bound them
+together, beguiled the journey back, and when they reached the hotel
+Dora was quite calm. Charlie seemed distinctly cheerful, and when his
+companion left him he sat down by Deane and remarked in a careless way,
+just as if he neither knew nor cared what the rest of them were going
+to do, "Well, I shall light out of here in a few days. I suppose
+you're staying some time longer?"
+
+"Off in a week," said Sir Roger.
+
+"Oh, by Jove, that's about my mark. Going back to England?"
+
+"Yes, I suppose--so--ultimately. We shall stay a few days in Paris en
+route. The Bellairs' go with us."
+
+"Oh, do they?"
+
+Sir Roger smiled gently.
+
+"Surprised?" he asked.
+
+Charlie ignored the question.
+
+"And you aren't going to hurry?" he inquired.
+
+"Why should we?"
+
+Charlie sat silent. It was tolerably plain that, unless the few days
+en route were very few indeed, John Ashforth and Mary Travers were in a
+fair way to be prosperously and peacefully married before Dora Bellairs
+set foot in England. And if he stayed with the Bellairs', before he
+did, either! Charlie lit a cigarette and sat puffing and thinking.
+
+"Dashed nice girl, Dora Bellairs," observed Sir Roger.
+
+"Think so?"
+
+"I do. She's the only girl I ever saw that Laing was smitten with."
+
+"Laing!" said Charlie.
+
+"Well, what's the matter? He's an uncommon good chap, Laing--one of the
+best chaps I know--and he's got lots of coin. I don't expect she'd
+sneeze at Laing."
+
+It is, no doubt, taking a very serious responsibility to upset an
+arrangement arrived at deliberately and carried almost to a conclusion.
+A man should be very sure that he can make a woman happy--happier than
+any other man could-before he asks her to face the turmoil and the
+scandal of breaking off her marriage only a week before its
+celebration. Sure as he may be of his own affection, he must be equally
+sure of hers, equally sure that their mutual love is deep and
+permanent. He must consider his claims to demand such a sacrifice. What
+remorse will be his if, afterwards, he discovers that what he did was
+not, in truth, for her real happiness! He must be on his guard against
+mere selfishness or mere vanity masquerading in the garb of a genuine
+passion.
+
+As these thoughts occurred to Charlie Ellerton he felt that he was at a
+crisis of his life. He also felt glad that he had still a quiet week at
+Cannes in which to revolve these considerations in his mind. Above all,
+he must do nothing hastily.
+
+Dora came out, a book in her hand. Her soft white frock fluttered in
+the breeze, and she pushed back a loose lock of dark hair that caressed
+her check.
+
+"A dashed nice girl, upon my honor," said Sir Roger Deane.
+
+"Oh, very."
+
+"I say, old chap, I suppose you're in no hurry. You'll put in a few
+days in Paris? We might have a day out, mightn't we?"
+
+"I don't know yet," said Charlie, and, when Deane left him, he sat on
+in solitude.
+
+Was it possible that in the space of a week--? No, it was impossible.
+And yet, with a girl like that----.
+
+"I did the right thing in waiting to go with her, anyhow," said
+Charlie, comforting himself.
+
+
+
+CHAPTER V
+
+A SECOND EDITION
+
+
+"Don't you think it's an interesting sort of title?" inquired Lady
+Deane of Mr. Laing.
+
+Laing was always a little uneasy in her presence. He felt not only that
+she was analyzing him, but that the results of the analysis seemed to
+her to be a very small residuum, of solid matter. Besides, he had been
+told that she had described him as a "commonplace young man," a thing
+nobody could be expected to like.
+
+"Capital!" he answered, nervously fingering his eye glass. "The
+Transformation of Giles Brockleton! Capital!"
+
+"I think it will do," said Lady Deane complacently.
+
+"Er--what was he transformed into, Lady Deane?"
+
+"A man," replied the lady emphatically.
+
+"Of course. I see," murmured Laing apologetically, stifling a desire to
+ask what Giles had been before.
+
+A moment later the author enlightened him.
+
+"Yes," said she, "into a man, from a useless, mischievous, contemptible
+idler, a parasite, Mr. Laing, a creature to whom----"
+
+"What did it, Lady Deane?" interrupted Laing hastily. He felt somehow
+as if he were being catalogued.
+
+"Just a woman's influence."
+
+Laing's face displayed relief; he felt that he was in his depth again.
+
+"Oh, got married, you mean? Well, of course, he'd have to pull up a
+bit, wouldn't he? Hang it, I think it's a fellow's duty.
+
+"You don't quite understand me," observed Lady Deane coldly. "He did
+not marry the woman."
+
+"What, did she give him the--I mean, wouldn't she have him, Lady Deane?"
+
+"She would have married him; but beside her he saw himself in his true
+colors. Knowing what he was, how could he dare? That was his
+punishment, and punishment brought transformation."
+
+As Lady Deane sketched her idea, her eyes kindled and her tone became
+animated. Laing admired both her and her idea, and he expressed his
+feeling's by saying:
+
+"Remarkable sort of chap, Lady Deane. I shall read it all right, you
+know."
+
+"I think you ought," said she, rising, and leaving him to wonder
+whether she had "meant anything."
+
+He gave himself a little shake, as though to escape from the atmosphere
+of seriousness which she had diffused about him, and looked round. A
+little way off he saw Dora Bellairs and Charlie Ellerton sitting side
+by side. His brow clouded. Before Charlie came it had been his
+privilege to be Miss Bellairs's cavalier, and although he never hoped,
+nor, to tell the truth, desired more than a temporary favor in her
+eyes, he did not quite like being ousted.
+
+"Pretty good for a fellow who's just had the bag!" he remarked
+scornfully, referring to Roger Deane's unauthorized revelation.
+
+It was the day before the exodus to Paris. Dora's period of weary
+waiting had worn itself away, and she was acknowledging to Charlie that
+the last two or three days had passed quicker than she had ever thought
+they could.
+
+"The first two days I was wretched, the next two gloomy, but these last
+almost peaceful. In spite of--you know what--I think you've done me
+good on the whole."
+
+"Don't mention it," said Charlie, flinging his arm over the back of the
+seat and looking at his companion.
+
+"And now--in the end," pursued Dora, "I'm actually a little sorry to
+leave all this; it's so beautiful," and she waved her parasol vaguely
+at the hills and the islands, while with the other hand she took off
+her hat and allowed the breeze to blow through her hair.
+
+"It is jolly, isn't it?" she asked.
+
+"I should rather think it was," said Charlie. "The jolliest I've ever
+seen." It was evident that he did not refer to the scenery.
+
+"Oh, you promised you wouldn't," cried Dora reproachfully.
+
+"Well, then, I'll promise again," he replied, smiling amiably.
+
+"What must I think of you, when only a week or so ago----? Oh, and
+what must you think of me to suppose I could? Oh, Mr. Ellerton!"
+
+"Like to know what I think of you?" inquired Charlie, quite unperturbed
+by this passionate rebuke.
+
+"Certainly not," said she, with dignity, and turned away. A moment
+later, however, she attacked him again.
+
+"And you've done nothing," she said indignantly, "but suggest to papa
+interesting places to stop at on the way, and things he ought to see in
+Paris. Yes, and you actually suggested going home by sea from
+Marseilles. And all the time you knew it was vital to me to get home as
+soon as possible. To me? Yes, and to you _last week_. Shall I tell you
+something, Mr. Ellerton?"
+
+"Please," said Charlie. "Whisper it in my ear," and he offered his head
+in fitting proximity.
+
+"I shouldn't mind who heard," she declared. "I despise you, Mr.
+Ellerton."
+
+Charlie was roused to a protest.
+
+"For downright unfairness give me a girl!" said he. "Here have I taken
+the manly course! After a short period of weakness--I admit that--I
+have conquered my feelings; I have determined not to distress Miss
+Travers by intruding upon her; I have overcome the promptings of a
+cowardly despair; I have turned my back resolutely on a past devoid of
+hope. I am, after a sore struggle, myself again. And my reward, Miss
+Bellairs, is to be told that you despise me. Upon my honor, you'll be
+despising Simon Stylites next."
+
+"And you wrote and told Miss Travers you were coming!"
+
+"All right. I shall write and toll her I'm not coming. I shall say,
+Miss Bellairs, that it seems to me to be an undignified thing----"
+
+"To do what I'm going to do? Thank you, Mr. Ellerton."
+
+"Oh, I forgot."
+
+"The irony of it is that you persuaded me to do it yourself."
+
+"I was a fool; but I didn't know you so well then."
+
+"What's that got to do with it?"
+
+"Everything."
+
+"You didn't know yourself, I'm afraid," she remarked. "You thought you
+were a man of some--some depth of feeling, some constancy, a man
+whose--whose regard a girl would value, instead of being----"
+
+"Just a poor devil who worships the ground you tread on."
+
+Dora laughed scornfully.
+
+"Second edition!" said she. "The first dedicated to Miss Travers."
+
+And then Charlie (and it is thing's like these which shake that faith
+in human nature that we try to cling to) said in a low but quite
+distinct voice:
+
+"Oh, d----n Miss Travers!"
+
+Dora shot--it almost looked as if something had shot her, as it used,
+in old days, Miss Zazel--up from her seat.
+
+"I thought I was talking to a _gentleman_," said she, "I suppose you'll
+use that--expression--about me in a week."
+
+"In a good deal less, if you treat me like this," said Charlie, and his
+air was one of hopeless misery.
+
+We all recollect that Anne ended by being tolerably kind to wicked King
+Richard. After all, Charlie had the same excuse.
+
+"I don't want to be unkind," said Dora more gently.
+
+"I'll do anything in the world to please you."
+
+"Then make papa go straight to Paris, and straight on from Paris," said
+Dora, using her power mercilessly.
+
+"Oh, I say, I didn't mean that, Miss Bellairs."
+
+"You said you'd do anything I liked."
+
+Charlie looked at her thoughtfully.
+
+"I suppose you've no pity?" he inquired.
+
+"For you? Not a bit,"
+
+"You probably don't know how beautiful you are?"
+
+"Don't be foolish, and--and impertinent."
+
+She was standing opposite to him. With a sudden motion, he sprang
+forward, fell on one knee, seized her ungloved hand, covered it with
+kisses, sprang up, and hastened away, crying as he went:
+
+"All right. I'll do it."
+
+Dora stood where he left her. First she looked at her hand, then at
+Charlie's retreating back, then again at her hand. Her cheek was
+flushed and she trembled a little.
+
+"John never did that," she said, "at least, not without asking. And
+even then, not quite like that."
+
+She walked on slowly, then stopped and exclaimed:
+
+"I wonder if he ever did that to Mary Travers."
+
+And her last reflection was:
+
+"Poor boy. He must be--oh, dear me!"
+
+When Charlie reached the tennis-courts, he was, considering the moving
+scene through which he had passed, wonderfully calm. In fact he was
+smiling and whistling. Espying Sir Roger Deane, he went and sat down by
+him.
+
+"Roger," said he, "I'm going with you and the Bellairs' to-morrow."
+
+"I know that."
+
+"Miss Bellairs wants to go straight through to England without stopping
+anywhere."
+
+"She'll have to want, I expect."
+
+"And I've promised to try and get the General to do what she wants."
+
+"Have you though?"
+
+"I suppose, Roger, old fellow--you know you've great influence with
+him--I suppose it's no use asking you to say a word to him?"
+
+"Not a bit."
+
+"Why?"
+
+"Because Maud particularly wants him to stay with us in Paris."
+
+"Oh, of course, if Lady Deane wishes it, I mustn't say a word. She's
+quite made up her mind about it, has she?"
+
+"Well, I suppose so."
+
+"She's strong on it, I mean? Not likely to change?"
+
+"I think not, Charlie."
+
+"She'd ask him to stay, as a favor to her?"
+
+"I shouldn't at all wonder."
+
+"Oh, well then, my asking him won't make much difference."
+
+"Frankly, I don't see why it should."
+
+"Thanks. I only wanted to know. You're not in a hurry, Roger? I mean,
+you won't ask your wife to go straight on?"
+
+"No, I shan't, Charlie. I want to stop myself."
+
+"Thanks, old chap! See you at dinner," and Charlie strolled off with a
+reassured air.
+
+Sir Roger sat and thought.
+
+"I see his game," he said to himself at last, "but I'm hanged if I see
+hers. Why does she want to get back to England? Perhaps if I delay her
+as much as I can, she'll tell me. Hanged if I don't! Anyhow I'm glad
+to see old Charlie getting convalescent."
+
+The next morning the whole party left Cannes by the early train. The
+Bellairs, the Deanes, and Charlie Ellerton travelled together. Laing
+announced his intention of following by the afternoon train.
+
+"Oh," said Lady Deane, "you'll get to Paris sooner than we do." Dora
+looked gloomy; so did Charlie, after a momentary, hastily smothered
+smile.
+
+The porter approached and asked for an address. They told him the Grand
+Hotel, Paris.
+
+"If anything comes to-day, I'll bring it on," said Laing.
+
+"Yes, do; we shall have no address before Paris," answered General
+Bellairs.
+
+They drove off, and Laing, feeling rather solitary, returned to his
+cigar. An hour later the waiter brought him two telegrams, one for Dora
+and one for Charlie, he looked at the addresses.
+
+"Just too late, by Jove! All right, garcon, I'll take 'em," and he
+thrust them into the pocket of his flannel jacket. And when, after
+lunch, he could not stand the dullness any longer and went to Monte
+Carlo, he left the telegrams in the discarded flannels, where they lay
+till--the time when they were discovered. For Mr. Laing clean forgot
+all about them!
+
+
+
+CHAPTER VI
+
+A MAN WITH A THEORY
+
+
+Even Miss Bussey was inclined to think that all had happened for the
+best. John's eloquence had shaken her first disapprobation; the visible
+happiness of the persons chiefly concerned pleaded yet more
+persuasively. What harm, after all, was done, except for a little
+trouble and a little gossip? To these Mary and John were utterly
+indifferent. At first they had been rather shy in referring, before one
+another, to their loves, but custom taught them to mention the names
+without confusion, and ere long they had exchanged confidences as to
+their future plans. John's arrangement was obviously the more prudent
+and becoming. He discountenanced Mary's suggestion of an unannounced
+descent on Cannes, and persuaded her to follow his example and inform
+her lover that she would await news from him in Paris. They were to put
+up at the European, and telegrams there from Cannes would rind them on
+and after April 28th. All this valuable information was contained in
+the dispatches, which lay, with their priceless messages, on the said
+April 28th, in Mr. Arthur Laing's flannel jacket, inside his
+portmanteau, on the way to Paris.
+
+Paris claims to be the centre of the world, and if it be, the world has
+a very good centre. Anyhow Paris becomes, from this moment, the centre
+of this drama. Not only was Arthur Laing being whirled there by the
+Nice express, and Miss Bussey's party proceeding thither by the eleven
+o'clock train from Victoria--Mary laughed as she thought it might have
+been her honeymoon she was starting on--but the Bellairs and their
+friends were heading for the same point. Miss Bussey's party had the
+pleasanter journey; they were all of one mind; Miss Bussey was eager to
+reach Paris because it was the end of the journey; John and Mary
+desired nothing but the moment when with trembling fingers they should
+tear open their telegrams in the hall of the hotel. The expedition from
+the south did not enjoy a like unanimity; but before following their
+steps we may, in the interest of simplicity, land the first detachment
+safely at its destination.
+
+When Mary and John, followed by Miss Bussey--they outstripped her in
+their eagerness--entered the hotel, a young man with an eye-glass was
+just engaging a bedroom. John took his place beside the stranger, and
+asked in a voice, which he strove to render calm, if there were any
+letters for----.
+
+"Beg pardon, sir. In one moment," said the clerk, and he added to
+Laing, "Number 37, sir." Laing--Oh, the irony of things!--turned on
+John and his companion just that one supercilious glance which we
+bestow on other tourists, and followed his baggage upstairs.
+
+"Anything," resumed John, "for Miss Travers or Mr. Ashforth?" And he
+succeeded in looking as if he did not care a straw whether there were
+or not.
+
+After a search the porter answered, "Nothing, sir."
+
+"What?" exclaimed John, aghast? "Oh, nonsense, look again."
+
+Another search followed; it was without result.
+
+John saw Mary's appealing eyes fixed on him.
+
+"Nothing," he said tragically.
+
+"Oh, John!"
+
+"Have you taken the rooms, Mr. Ash forth?" inquired Miss Bussey.
+
+"No. I'm sorry. I forgot all about them."
+
+Miss Bussey was tired; she had been seasick, and the train always made
+her feel queer.
+
+"Has neither of you got an ounce of wits about you?" she demanded, and
+plunged forward to the desk. John and Mary received their numbers in
+gloomy silence, and mounted the stairs.
+
+Now Arthur Laing in his hasty survey of the party had arrived at a not
+unnatural but wholly erroneous conclusion. He had seen a young man,
+rather nervous, a young woman, looking anxious and shy, and an elderly
+person, plainly dressed (Miss Bussey was no dandy) sitting (Miss Bussey
+always sat as soon as she could) on, a trunk. He took John and Mary for
+a newly married couple, and Miss Bussey for an old family servant
+detailed to look after her young mistress's entry into independent
+housekeeping.
+
+"More infernal honeymooners," he said to himself, as he washed his
+hands. "The place is always full of 'em. Girl wasn't bad-looking,
+though."
+
+The next morning, unhappily, confirmed him in his mistake. For Miss
+Bussey, overcome by the various trials of the day before, kept her bed,
+and when Laing came down, the first sight which met his eyes was a
+breakfast-table, whereat Mary and John sat tete-a-tete. He eyed them
+with that mixture of scorn and envy which their supposed situation
+awakens in a bachelor's heart, and took a place from which he could
+survey them at leisure. There is a bright side to everything; and that
+of Laing's mistake was the pleasure he derived from his delusion.
+Sticking his glass firmly in his eye, he watched like a cat for those
+playful little endearments which his cynical mood--he was, like many of
+us, not at his best in the morning--led him to anticipate. He watched
+in vain. The young people were decorum itself; more than that, they
+showed signs of preoccupation; they spoke only occasionally, and then
+with a business-like brevity.
+
+Suddenly the waiter entered, with a hand fid of letters which he
+proceeded to distribute. Laing expected none, and kept his gaze on his
+honeymooners. To his surprise they showed animation enough now; their
+eyes were first on the waiter's approaching form; the bridegroom even
+rose an inch or two from his seat; both stretched out their hands.
+
+Alas, with a little bow, a smile, and a shrug, the waiter passed by,
+and the disappointed couple sank back, with looks of blank despair.
+
+Surely here was enough to set any open-minded man on the right track!
+Yes; but not enough to free one who was tied and bound to his own
+theory.
+
+"She's dashed anxious to hoar from home!" mused Laing. "Poor girl! It
+ain't over and above flattering to him, though."
+
+He finished his breakfast and went out to smoke. Presently he saw his
+friends come out also; they went to the porter's desk and he hoard one
+of them say "telegram." A sudden idea struck him.
+
+"I am an ass!" said he. "Tell you what it is they've wired for rooms
+somewhere--Monte, most likely--and can't start till they get an answer."
+
+He was so pleased with his explanation that his last doubt vanished and
+he watched Mary and John start for a walk--the fraternal relations they
+had established would have allowed such a thing even in London, much
+more in Paris--with quite a benevolent smile.
+
+"Aunt Sarah is really quite poorly," remarked Mary as they crossed the
+road and entered the Tuileries Gardens. "She'll have to stay in all
+to-day and perhaps tomorrow. Isn't it hard upon her? Paris amuses her
+so much."
+
+John expressed his sympathy.
+
+"Now if it had been you or I," he ended, "we shouldn't have minded.
+Paris doesn't amuse us just now."
+
+"Oh, but, John, we must be ready to start at any moment."
+
+"You can't start without Miss Bussey,"
+
+"I think that in a wagon-lit----" began Mary.
+
+"But what's the good of talking?" cried John, bitterly. "Why is there
+no news from her?"
+
+"He _might_ have wired--John, is it possible our telegrams went astray?"
+
+"Well, we must wait a day or two; or, if you like, we can wire again."
+
+Mary hesitated.
+
+"I--I can't do that, John. Suppose he'd received the first, and--and--"
+
+"Yes, I see. I don't want to humiliate myself either."
+
+"We'll wait a day, anyhow. And, now, John, let's think no more about
+them! Oh, well, that's nonsense; but let's enjoys ourselves as well as
+we can."
+
+They managed to enjoy themselves very well. The town was new to Mary,
+and John found a pleasure in showing it off to her. After a morning of
+sight-seeing, they drove in the Bois, and ended the day at the theatre.
+Miss Bussey, unfortunately, was no better. She had sent for an English
+doctor and he talked vaguely about two or three days in bed. Mary
+ventured to ask whether her aunt could travel.
+
+"Oh, if absolutely necessary, perhaps; but much better not," was the
+answer.
+
+Well, it was not absolutely necessary yet, for no letter and no
+telegram arrived. This was the awful fact that greeted them when they
+came in from the theatre.
+
+"We'll wire the first thing to-morrow," declared John, in a resolute
+tone. "Write yours to-night, Mary, and I'll give, them to the porter--"
+
+"Oh, not mine, please," cried Mary, in shrinking bashfulness. "I can't
+let the porter see mine!"
+
+"Well, then, we'll take them out before breakfast to-morrow."
+
+To this Mary agreed, and they sat down and wrote their dispatches.
+While they were so engaged Laing jumped out of a cab and entered the
+room. He seized an English paper, and, flinging himself into a chair,
+began to study the sporting news. Presently he stole a glance at Mary.
+It so chanced that just at the same moment she was stealing a glance at
+him. Mary dropped her eyes with a blush; Laing withdrew behind his
+paper.
+
+"Shy, of course. Anybody would be," he thought, with a smile.
+
+"Did you like the piece, Mary?" asked John.
+
+"Oh, very much. I wish Aunt Sarah could have seen it. She missed so
+much fun."
+
+"Well, she could hardly have come with us, could she?" remarked John.
+
+"Oh, no," said Mary.
+
+"Well, I should rather think not," whispered Laing, who failed to
+identify 'Aunt Sarah' with the elderly person on the trunk.
+
+"I shouldn't have been happy if she had," said Mary.
+
+"I simply wouldn't have let her," said John, in that authoritative tone
+which so well became him.
+
+"No more would I in your place, old chap," murmured Mr. Laing.
+
+Mary rose.
+
+"Thanks for all your kindness, John. Good-night."
+
+"I'm so glad you've had a pleasant day. Good-night, Mary."
+
+So they parted--with a good-night as calm, as decorous, as frankly
+fraternal as one could wish (or wish otherwise). Yet its very virtues
+undid it in the prematurely suspicious eyes of Arthur Laing. For no
+sooner was he left alone than he threw down his paper and began to
+chuckle.
+
+"All for my benefit, that, eh? 'Goodnight, Mary!' 'Good-night, John!'
+Lord! Lord!" and he rose, lit a cigarette, and ordered a
+brandy-and-soda. And ever and again he smiled. He felt very acute
+indeed.
+
+So vain is it for either wisdom or simplicity, candor or
+diplomacy--nay, for facts themselves--to struggle against a Man with a
+Theory. Mr. Laing went to bed no more doubting that Mary and John were
+man and wife than he doubted that he had 'spotted' the winner of the
+Derby. Certitude could no farther go.
+
+
+
+CHAPTER VII
+
+THE SIGHTS OF AVIGNON
+
+
+"It's a curious thing," observed Roger Deane, "but this fellow Baedeker
+always travels the opposite way to what I do. When I'm coming back,
+he's always going out, and vice versa. It makes him precious difficult
+to understand, I can tell you, Miss Dora. However I think I've got him
+now. Listen to this! 'Marseilles to Arles (Amphitheatre starred) one
+day. Arles to Avignon (Palace of the Popes starred) two days--slow
+going that--Avignon to----'"
+
+"Do you want to _squat_ in this wretched country, Sir Roger?" demanded
+Dora angrily.
+
+A faint smile played round Sir Roger's lips.
+
+"You're the only one who's in a hurry." he remarked.
+
+"No, I'm not. Mr. Ellerton is in just as much of a hurry."
+
+"Then he bears disappointment better."
+
+"What in the world did papa and--well, and Lady Deane, you know--want
+to stop here for?"
+
+"You don't seem to understand how interesting Marseilles is. Let me
+read you a passage. 'Marseilles was a colony founded about 600
+B.C.'--What? Oh, all right! We'll skip a bit. 'In 1792 hordes of
+galley-slaves were sent hence to Paris, where they committed frightful
+excesses.' That's what Maud and your father are going to do. 'It was
+for them that Rouget--' I say, what's the matter, Miss Dora?"
+
+"I don't know why you should enjoy teasing me, but you _have_ nearly
+made me cry, so perhaps you'll be happy now."
+
+"You tried to take me in. I pretended to be taken in. That's all."
+
+"Well, it was very unkind of you."
+
+"So, after all, it's not a matter of indifference to you at what rate
+we travel, as you said in the train to-day?"
+
+"Oh, I had to. I--I couldn't let papa see."
+
+"And why are you in a hurry?"
+
+"I can't tell you; but I must--oh, I must!--be in England in four days."
+
+"You'll hardly get your father to give up a day at Avignon."
+
+"Well, one day there; then we should just do it, if we only slept in
+Paris."
+
+"Yes, but my wife----"
+
+"Oh, you can stay. Don't say anything about Paris yet. Help me to get
+there. I'll make papa go on. Please do, Sir Roger. I shall be so
+awfully obliged to you; so will Mr. Ellerton."
+
+"Charlie Ellerton? Not he! He's in no hurry."
+
+"What do you mean? Didn't you hear him to-day urging papa to travel
+straight through?"
+
+"Oh, yes, I heard that."
+
+"Well?"
+
+"You were there then."
+
+"What of that?"
+
+"He's not so pressing when you're away."
+
+"I don't understand. Why should he pretend to be in a hurry when he
+isn't?"
+
+"Ah, I don't know. Don't you?"
+
+"Not in the least, Sir Roger. But never mind Mr. Ellerton. Will you
+help me?"
+
+"As far as Paris. You must look out for yourself there."
+
+These terms Dora accepted. Surely at Paris she would hear some news of
+or from John Ashforth. She thought he must have written one line in
+response to her last letter, and that his answer must have been so far
+delayed as to arrive at Cannes after her departure; it would be waiting
+for her at Paris and would tell her whether she was in time or whether
+there was no more use in hurrying. The dread that oppressed her was
+lest, arriving too late in Paris, she should find that she had missed
+happiness by reason of this wretched dawdling in Southern France.
+
+Seeing her meditative, Deane slipped away to his cigar, and she sat in
+the hotel hall, musing. Deane's revelation of Charlie's treachery
+hardly surprised her; she meant to upbraid him severely, but she was
+conscious that, if little surprised, she was hardly more than a little
+angry. His conduct was indeed contemptible; it revealed an utter
+instability and fickleness of mind which made her gravely uneasy as to
+Mary Travers's chances of permanent happiness. Yes, scornful one might
+b; but who could be seriously angry with the poor boy? And perhaps,
+after all, she did him injustice. Some natures were more prone than
+others to sudden passions; it really did not follow that a feeling must
+be either shallow or short-lived because it was sudden; whether it
+survived or passed away would depend chiefly on the person who excited
+it. It was clear that Mary Travers was incapable of maintaining a
+permanent hold over Charlie's affections, but another girl might--might
+have. If so, it would perhaps be a pity if Charlie and Mary Travers
+were to come together again. She doubted very much if they were suited
+to one another. She pictured Mary as a severe, rather stern young
+woman; and she hardly knew whether to laugh or groan at the thought of
+Charlie adapting himself to such a mate. Meanwhile her own position was
+certainly very difficult, and she acknowledged its thorniness with a
+little sigh. To begin with, the suspense was terrible; at times she
+would have been almost relieved to hear that John was married beyond
+recall. Then Charlie was a great and a growing difficulty. He had not
+actually repeated the passionate indiscretion, of which he had been
+guilty at Cannes, but more and more watchfulness and severity were
+needed to keep him within the bounds proper to their relative
+positions, and it was odious to be disagreeable to a fellow-traveller,
+especially when he was such a good and devoted friend as Charlie.
+
+Sir Roger loyally carried out his bargain. Lady Deane was hurried on,
+leaving Marseilles, with its varied types of humanity and its profound
+social significance, practically unexplored; Aries and Amphitheatre, in
+spite of the beckoning "star," were dropped out of the programme, and
+the next day found the party at Avignon. And now they were once more
+for a moment in harmony. Dora could spare twenty-four hours; Lady Deane
+and the General were mollified by conscious unselfishness; the prospect
+of a fresh struggle at Paris lay well in the background and was
+discreetly ignored; Charlie Ellerton, who had reached the most
+desperate stage of love, looked neither back nor forward. It was enough
+for him to have wrung four-and-twenty hours of Dora's company from
+fate's reluctant grasp. He meant to make the most of it.
+
+She and he sat, on the afternoon of their arrival, in the gardens, hard
+by the Cathedral, where Lady Deane and the General wore doing their
+duty. Sir Roger had chartered a cab and gone for a drive on the
+boulevards.
+
+"And we shall really be in Paris to-morrow night?" said Dora. "And in
+England, I hope, six-and-thirty hours afterwards. I want papa to cross
+the next evening. Mr. Ellerton, I believe we shall be in time."
+
+Charlie said nothing. He seemed to be engrossed by the magnificent view
+before him.
+
+"Well? Have you nothing to say?" she asked.
+
+"It's a sin to rush through a place like this," he observed. "We ought
+to stay a week. There's no end to see. It's an education!"
+
+By way, probably, of making the most of his brief opportunity, he went
+on gazing, across the river which flowed below, now towards the heights
+of Mont Ventoux, now at the ramparts of Villeneuve. Dora, on the other
+hand, fixed pensive eyes on his curly hatless head, which leant forward
+as he rested his elbows on his knees. He had referred to the
+attractions of Avignon in tones of almost overpowering emotion.
+
+Presently he turned his head towards her with a quick jerk.
+
+"I don't want to be in time," he said, and, with equal rapidity, he
+returned to his survey of Villeneuve.
+
+Dora made no answer, unless a perplexed wrinkle on her brow might serve
+for one. A long silence followed. It was broken at last by Charlie. He
+left the landscape with a sigh of satisfaction, as though he could not
+reproach himself with having neglected it, and directed his gaze into
+his companion's eyes. Dora blushed and pulled the brim of her hat a
+little lower down over her brow.
+
+"What's more," said Charlie, in deliberate tones, and as if no pause
+had occurred between this remark and his last, "I don't believe you do."
+
+Dora started and straightened herself in her seat; it looked as if the
+rash remark were to be met with a burst of indignation, but, a second
+later, she leant back again and smiled scornfully.
+
+"How can you be so silly, Mr. Ellerton?" she asked.
+
+"We both of us," pursued Charlie, "see now that we made up our minds to
+be very foolish; we both of us mistook our real feelings; we're
+beginning--at least I began some time ago, and you're beginning now--to
+understand the true state of affairs."
+
+"Oh, I know what you mean, and I ought to be very angry, I suppose; but
+it's too absurd."
+
+"Not in the least. The absurd thing is your fancying that you care
+about this follow Ashforth."
+
+"No, you must really stop, you must indeed. I don't----"
+
+"I know the sort of fellow he is--a dull dry chap, who makes love as if
+he was dancing a minuet."
+
+"You're quite wrong."
+
+"And kisses you as if it was part of the church service."
+
+This last description, applied to John Ashforth's manner of wooing, had
+enough of aptness to stir Dora into genuine resentment.
+
+"A Girl doesn't like a man less because he respects her; nor more
+because he ridicules better men than himself."
+
+"Don't be angry. I'm only saying what's true. Why should I want to run
+him down?"
+
+"I suppose--well, I suppose because----"
+
+"Well?"
+
+"You're a little bit--but I don't think I ought to talk about it."
+
+"Jealous, you were going to say."
+
+"Was I?"
+
+"And that shows you know what I mean."
+
+"Well, by now I suppose I do. I can't help your doing it or I would."
+
+Charlie moved closer, and leaning forward till his face was only a yard
+from hers, while his hand, sliding along the back of the seat, almost
+touched her, said in a low voice, "Are you sure you would?"
+
+Dora's answer was a laugh--a laugh with a hint of nervousness in it.
+Perhaps she knew what was in it, for she looked away towards the river.
+
+"Dolly," he whispered, "shall I go back to Cannes? Shall I?"
+
+Perhaps the audacity of this per saltum advance from the distance of
+Miss 'Bellairs' to the ineffable assumption involved in 'Dolly' made
+the subject of it dumb.
+
+"I will, if you ask me," he said, us she, was silent for a space.
+
+Then with profile towards him and eyes away, she murmured,
+
+"What would Miss Travers say if you turned back now?"
+
+The mention of Mary did not on this occasion evoke any unseemly words.
+On the contrary, Charlie smiled. He glanced at his companion. He
+glanced behind him and round him. Then, drilling his deep design into
+the semblance of an uncontrollable impulse, he seized Dora's hand in
+his and, before she could stir, kissed her cheek.
+
+She leapt to her feet.
+
+"How dare you?" she cried.
+
+"How could I help it?"
+
+"I'll never speak to you again. No gentleman would have--oh, I do hope
+you're ashamed of yourself!"
+
+Her words evidently struck home. With an air of contrition he sank on
+the seat.
+
+"I'm a beast," he said ruefully. "You're quite right, Miss Bellairs.
+Don't have anything more to say to me. I wish I was--I wish I had
+some--some self-control--and self-respect, you know. If I were a
+fellow like Ashforth now, I should never have done that! Of course you
+can't forgive me," and, in his extremity of remorse, he buried his face
+in his hands.
+
+Dora stood beside him. She made one step as if to leave him; a glance
+at him brought her back, and she looked down at him for a minute.
+Presently a troubled doubtful little smile appeared on her face; when
+she realized it was there, she promptly banished it. Alas! It was too
+late. The rascal had been peeping through his fingers, and, with a
+ringing laugh, he sprang to his feet, caught both her hands, and cried,
+"Shocking, wasn't it? Awful?"
+
+"Let me go, Mr. Ellerton."
+
+"Must I?"
+
+"Yes, yes."
+
+"Why? Why, when you----?"
+
+"Sir Roger's coming. Look behind you."
+
+"Oh, the deuce!"
+
+An instant later they were sitting demurely at opposite ends of the
+seat, inspecting Villeneuve with interest.
+
+In another moment Deane stood before them, puffing a cigarette, and
+wearing an expression of amiability tempered by boredom.
+
+"Wonderful old place, isn't it, Deane?" asked Charlie.
+
+"Such a view, Sir Roger!" cried Dora, in almost breathless enthusiasm.
+
+"You certainly," assented Deane, "do see some wonderful sights on this
+Promenade. I'm glad I came up. The air's given you quite a color, Miss
+Dora."
+
+"It's tea-time," declared Dora suddenly. "Take me down with you, Sir
+Roger. Mr. Ellerton, go and tell the others we're going home to tea."
+
+Charlie started off, and Sir Roger strolled along by Miss Bellairs's
+side. Presently he said:
+
+"Still anxious to get to Paris?"
+
+"Why shouldn't I be?" she asked quickly.
+
+"I thought perhaps the charms of Avignon would have decided you to
+linger. Haven't you been tempted?"
+
+Dora glanced at him, but his face betrayed no secondary meaning.
+
+"Tempted? Oh, perhaps," she answered, with the same nervous little
+laugh, "but not quite led astray. I'm going on."
+
+
+
+CHAPTER VIII
+
+MR. AND MRS. ASHFORTH (1)
+
+
+All that evening Miss Bellairs was not observed--and Deane watched her
+very closely--to address a word to Charlie Ellerton; even 'good-night'
+was avoided by a premature disappearance and unexpected failure to
+return. Perhaps it was part of the same policy of seclusion which made
+her persuade Lady Deane to travel to Paris with her in one compartment
+and relegate the men to another--a proposal which the banished accepted
+by an enthusiastic majority of two to one. The General foresaw an
+infinity of quiet naps and Deane uninterrupted smoking; Charlie alone
+chafed against the necessary interruption of his bold campaign, but, in
+face of Dora's calm coldness of aspect, he did not dare to lift up his
+voice.
+
+Lady Deane was so engrossed in the study--or the search for
+opportunities of study--of sides of life with which she was unfamiliar
+as to be, for the most part, blind to what took place immediately
+around her. General Bellairs himself (who vaguely supposed that some
+man might try to make love to his daughter five years hence, and
+thereupon be promptly sent off with a flea in his ear) was not more
+unconscious than she that there was, had been, or might be anything, as
+the phrase runs, 'between' the two junior members of the party. Lady
+Deane had no hints to give and no questions to ask; she seated herself
+placidly in a corner and began to write in a large note-book. She had
+been unwillingly compelled to 'scamp' Marseilles, but, as she wrote,
+she found that the rough notes she was copying, aided by fresh memory,
+supplied her with an ample fund of material. Alternately she smiled
+contentedly to herself, and gazed out of the window with a preoccupied
+air. Clearly a plot was brewing-, and the author was grateful to Dora
+for restricting her interruptions to an occasional impatient sigh and
+the taking up and dropping again of her Tauchnitz.
+
+With the men tongues moved more.
+
+"Well, General," said Deane, "what's Miss Dora's ultimatum about your
+staying in Paris?"
+
+Charlie pricked up his ears and buried his face behind La Vie
+Parisienne.
+
+"You'll think me very weak, Deane," rejoined the General, with an
+apologetic laugh, "but I've promised to go straight on if she wants me
+to."
+
+"And does she?"
+
+"I don't know what the child has got in her head, but she says she'll
+tell me when she gets to Paris. We shall have a day with you anyhow; I
+don't think she's so set on not staying as she was, but I don't profess
+to understand her fancies. Still, as you see, I yield to them."
+
+"Man's task in the world," said Deane. "Eh, Charlie? What are you
+hiding behind that paper for?"
+
+"I was only looking at the pictures."
+
+"Quite enough too. You're going to stay in Paris, aren't you?"
+
+"Don't know yet, old fellow. It depends on whether I get a letter
+calling me back or not."
+
+"Hang it, one might as well be in a house where the shooting turns out
+a fraud. Nobody knows that he won't have a wire any morning and have to
+go back to town. My wife 'll be furious if you desert her, General."
+
+"Oh, I hope it won't come to that."
+
+"I hope awfully that I shall be able to stay," said Charlie, with
+obvious sincerity.
+
+"Then," observed Deane with a slight smile, "if the General and Miss
+Bellairs leave us you can take my wife about."
+
+"I should think you might take her yourself," and he gently kicked
+Deane. He was afraid of arousing the General's dormant suspicions.
+
+It was late at night when they arrived in Paris, but the faithful Laing
+was on the platform to meet them, and received them with a warm
+greeting. While the luggage was being collected by Deane's man, they
+stood and talked on the platform. Presently the General, struck by a
+sudden thought, asked:
+
+"I suppose nothing came for us at Cannes, oh, Laing? You said you'd
+bring anything on, you know."
+
+Laing interrupted a pretty speech which he was trying to direct into
+Dora's inattentive ears.
+
+"Beg pardon, General?"
+
+"No letters for any of us before you left Cannes?"
+
+"No, Gen--" he began, but suddenly stopped. His mouth remained open and
+his glass fell from his eye.
+
+The General, not waiting to hear more than the first word, had rushed
+of to hail a cab and Deane was escorting his wife. Dora and Charlie
+stood waiting for the unfinished speech.
+
+The end came slowly and with a prodigious emphasis of despair.
+
+"Oh, by Jove!"
+
+"Well, Mr. Laing?" said Dora.
+
+"The morning you left--just after--there were two telegrams."
+
+"For me?" said each of his auditors.
+
+"One for each of you, but
+
+"Oh, give me mine."
+
+"Hand over mine, old chap."
+
+"I--I haven't got 'em."
+
+"What?"
+
+"I--I'm awfully sorry, I.----I forgot 'em."
+
+"Oh, how tiresome of you, Mr. Laing!"
+
+"Send 'em round first thing to-morrow, Laing."
+
+"But--but I don't know where I put 'em. I know I laid 'em down. Then I
+took 'em up. Then I put 'em--where the deuce did I put 'em? Here's a
+go, Miss Bellairs! I say, I am an ass!"
+
+No contradiction assailed him. His victims glared reproachfully at him.
+
+"I must have left them at Cannes. I'll wire first thing in the morning,
+Miss Bellairs; I'll get up as soon as ever the office is open. I say,
+do forgive me."
+
+"Well, Mr. Laing, I'll try, but----"
+
+"Laing! Here! My wife wants you," shouted Sir Roger, and the criminal,
+happy to escape, ran away, leaving Dora and Charlie alone.
+
+"They must have been from _them_," murmured Dora.
+
+"No doubt; and that fool Laing----"
+
+"What has he done with them?"
+
+"Lit his pipe with them, I expect."
+
+"Oh, what shall we do?"
+
+"I don't know."
+
+"What--what do you think they said, Mr. Ellerton?"
+
+"How can I tell? Perhaps that the marriage was off!"
+
+"Oh!" escaped from Dora.
+
+"Perhaps that it was going on."
+
+"It's worse than ever. They may have asked for answers."
+
+"Probably."
+
+"And they won't have written here!"
+
+"Sure not to have."
+
+"And--and I shan't know what to do. I--I believe it was to say he had
+broken off the marriage."
+
+"Is the wish father to the thought?"
+
+The lights of the station flickered, but Charlie saw, or thought he
+saw, a hasty unpremeditated gesture of protest.
+
+"Dolly!" he whispered.
+
+"Hush, hush! How can you now--before we know?"
+
+"The cab's waiting," called Deane. "Come along."
+
+They got in in silence. The General and the Deanes went first, and the
+three young people followed in a second vehicle. It was but just
+twelve, and the boulevards were gay and full of people.
+
+Suddenly, as they were near the Opera, they saw the tall figure of an
+unmistakable Englishman walking away from them down the Avenue de
+l'Opera. Dora clutched Charlie's arm with a convulsive grip.
+
+"Hullo, what's the--" he began, but a second pinch enforced silence.
+
+"See that chap?" asked Laing, pointing to the figure. "He's at my
+hotel."
+
+"Is he?" said Dora in a faint voice.
+
+"Yes, I've got a good deal of amusement out of him. He oughtn't to be
+out so late though, and by himself, too!"
+
+"Who is it?" asked Charlie.
+
+"I don't know his name."
+
+"And why oughtn't he to be out?"
+
+"Because he's on his honeymoon,"
+
+"What?" cried Dora.
+
+"Just married," explained Laing. "Wife's a tallish girl, fair, rather
+good-looking; looks standoffish though."
+
+"You--you're sure they're married, Mr. Laing?" gasped Dora, and
+Charlie, in whom her manner had awakened a suspicion of the truth, also
+waited eagerly for the reply.
+
+"What, Miss Bellairs?" asked Laing in surprise.
+
+"Oh, I mean--I mean you haven't made a mistake?"
+
+"Well, they're together all day, and nobody's with them except a
+lady's-maid. I should think that's good enough."
+
+With a sigh Dora sank back against the cushions. They were at the hotel
+now; the others had already entered, and, bidding Laing a hearty
+good-night, Dora ran in, followed closely by Charlie. He did not
+overtake her before she found her father.
+
+"Well, Dolly," said the General, "there's no letter."
+
+"Oh," cried Dolly, "I'll stay as long as ever you like, papa."
+
+"That's right," said Deane. "And you, Charlie?"
+
+Charlie took his cue.
+
+"A month if you like."
+
+"Capital! Now for a wash--come along, Maud--and then supper!"
+
+Dora lingered behind the others, and Charlie with her. Directly they
+were alone, he asked:
+
+"What does it all mean?"
+
+She sat down, still panting with agitation.
+
+"Why--why, that man we saw--the man Mr. Laing says is on his honeymoon,
+is--is----"
+
+"Yes, yes?"
+
+"Mr. Ashforth!"
+
+"Dolly! And his wife! By Jove! It's an exact description of Mary
+Travers!"
+
+"The telegrams were to say the marriage was to be at once."
+
+"Yes, and--they're married!"
+
+"Yes!"
+
+A short pause marked the astounding conclusion. Then Charlie came up
+very close and whispered:
+
+"Are you broken-hearted, Dolly?"
+
+She turned her face away with a blush.
+
+"Are you, Dolly?"
+
+"I'm very much ashamed of myself," she murmured. "Oh, Mr. Ellerton, not
+just yet!" and in deference to her entreaty Charlie had the grace to
+postpone what he was about to do.
+
+When the supper was ready Sir Roger Deane looked round the table
+inquiringly.
+
+"Well," said he, "what is it to be?"
+
+"Champagne--champagne in magnums!" cried Charlie Ellerton, with a
+ringing laugh.
+
+
+
+CHAPTER IX
+
+MR. AND MRS. ASHFORTH (2)
+
+
+Miss Bussey was much relieved when the doctor pronounced her
+convalescent and allowed her to come downstairs. To fall ill on an
+outing is always exasperating, but beyond that she felt that her
+enforced seclusion was particularly unfortunate at the moment. Here
+were two young people, not engaged nor going to be engaged to one
+another; and for three days or more circumstances had abandoned them to
+an inevitable and unchaperoned tete-a-tete! Mary made light of it; she
+relied on the fraternal relationship, but that was, after all, a
+fiction, quite incapable, in Miss Bussey's opinion, of supporting the
+strain to which It had been subjected. Besides Mary's sincerity
+appeared doubtful; the kind girl, anxious to spare her aunt worry, made
+light of the difficulties of her position, but Miss Bussey detected a
+restlessness in her manner which clearly betrayed uneasiness. Here, of
+course, Miss Bussey was wrong; neither Mary nor John were the least
+self-conscious; they felt no embarrassment, but, poor creatures, wore
+out their spirits in a useless vigil over the letter-rack.
+
+Miss Bussey was restored to active life on the morning after the party
+from Cannes arrived in Paris, and she hastened to emphasize the fact of
+her return to complete health by the unusual effort of coming down to
+breakfast. She was in high feather, and her cheery conversation lifted,
+to some extent, the gloom which had settled on her young friends. While
+exhorting to patience she was full of hope, and dismissed as chimerical
+all the darker explanations which the disconsolate lovers invented to
+account for the silence their communications had met with. Under her
+influence the breakfast-table became positively cheerful, and at last
+all the three burst into a hearty laugh at one of the old lady's little
+jokes.
+
+At this moment Arthur Laing entered the room. His brow was clouded. He
+had searched his purse, his cigar-case, the lining of his hat--in fact
+every depository where a careful man would be likely to bestow
+documents whose existence he wished to remember; as no careful man
+would put such things in the pocket of his 'blazer', he had not
+searched there; thus the telegrams had not appeared, and the culprit
+was looking forward, with some alarm, to the reception which would
+await him when he 'turned up' to lunch with his friends, as he had
+promised to do. Hardly, however, had he sat down to his coffee when his
+sombre thoughts were cleared away by the extraordinary spectacle of
+young Mr. and Mrs. Ashforth hobnobbing with their maid, the latter lady
+appearing quite at home and leading the gayety and the conversation.
+Laing laid down his roll and his knife and looked at them in
+undisguised amazement.
+
+For a moment doubt of his cherished theory began to assail his mind.
+He heard the old lady call Ashforth "John;" that was a little strange,
+and it was rather strange that John answered by saying: "That must be
+as you wish; I am entirely at your disposal." And yet, reflected Laing,
+was it very strange, after all? In his own family they had an old
+retainer who called all the children, whatever their age, by their
+Christian names, and was admitted to a degree of intimacy hardly
+distinguishable from that accorded to a relative.
+
+Laing, weighing the evidence pro and contra, decided that there was an
+overwhelming balance in favor of his old view, and dismissed the matter
+with the comment that, if it ever befell him to go on a wedding-tour,
+he would ask his wife to take a maid with rather less claims on her
+kindness and his toleration.
+
+That same morning the second pair of telegrams, forwarded by post from
+Cannes, duly arrived. Dora and Charlie, reading them in the light of
+their recent happy information, found them most kind and comforting,
+although in reality they, apart from their missing forerunners, told
+the recipients nothing at all. John's ran: "Am in Paris at European.
+Please write. Anxious to hear. Everything decided for the best.--John."
+Mary's to Charlie was even briefer; it said, "Am here at European. Why
+no answer to last?"
+
+"It's really very kind of Mr. Ashforth," said Dora to Charlie, as they
+strolled in the garden of the Tuileries, "to make such a point of what
+I think. I expect the wire that stupid Mr. Laing lost was just to tell
+me the date of the marriage."
+
+"Not a doubt of it. Miss Tr--Mrs. Ashforth's wire to me makes that
+clear. They want to hear that we're not desperately unhappy. Well, we
+aren't, are we, Dolly?"
+
+"Well, perhaps not."
+
+"Isn't it extraordinary how we mistook our feelings? Of course, though,
+it's natural in you. You had never been through anything of the sort
+before. How could you tell whether it was the real thing or not?"
+
+Dora shot a glance out of the corner of her eye at her lover, but did
+not disclaim the innocence he imputed to her; she knew men liked to
+think that, and why shouldn't they, poor things? She seized on his
+implied admission and carried the war into his country.
+
+"But you,--you who are so experienced--how did you come to make such a
+mistake?"
+
+Charlie was not at a loss.
+
+"It wasn't a mistake _then_," he said. "I was quite right then. Mary
+Travers was about the nicest girl I had ever seen. I thought her as
+charming as a girl could be."
+
+"Oh, you did! Then why----"
+
+"My eyes have been opened since then."
+
+"What did that?"
+
+"Why don't you ever pronounce my name?"
+
+"Never mind your name. What opened your eyes?"
+
+"Why, yours, of course."
+
+"What nonsense! They're very nice about it, aren't they? Do you think
+we ought to call?"
+
+"Shall you feel it awkward?"
+
+"Yes, a little. Shan't you? Still we must let them know we're here.
+Will you write to Mrs. Ashforth?"
+
+"I suppose I'd better. After lunch 'll do, won't it?"
+
+"Oh, yes. And I'll write a note to him. I expect they won't be staying
+here long."
+
+"I hope not. Hullo, it's a quarter past twelve. We must be getting
+back. Laing's coming to lunch."
+
+"Where arc the Deanes?"
+
+"Lady Deane's gone to Belleville with your father to see slums, and
+Roger's playing tennis with Laing. He said we weren't to wait lunch.
+Are you hungry, Dolly?"
+
+"Not very. It seems only an hour since breakfast."
+
+"How charming of you! We've been walking here since ten o'clock."
+
+"Mr. Ellerton, will you be serious for a minute? I want to say
+something important. When we meet the Ashforths there mustn't be a word
+said about--about--you know."
+
+"Why not?"
+
+"Oh, I couldn't! So soon! Surely you see that. Why, it would be hardly
+civil to them, would it, apart from anything else?"
+
+"Well, it might look rather casual."
+
+"And I positively couldn't face John Ashforth. You promise, don't you?"
+
+"It's a nuisance, because, you see, Dolly----
+
+"You're not to get into the habit of saying 'Dolly'. At least not yet."
+
+"Presently?"
+
+"If you're good. Now promise!"
+
+"All right."
+
+"We're not engaged."
+
+"All right."
+
+"Nor thinking of it,"
+
+"Rather not."
+
+"That's very nice of you, and when the Ashforths are gone----"
+
+"I shall be duly rewarded?"
+
+"Oh, we'll see. Do come along. Papa hates being kept waiting for his
+meals, and they must have finished their slums long ago."
+
+They found Lady Deane and the General waiting for them, and the latter
+proposed an adjournment to a famous restaurant near the Opera. Thither
+they repaired, and ordered their lunch.
+
+"Deane and Laing will find out where we've gone and follow," said the
+General. "We won't wait," and he resumed his conversation with Lady
+Deane on the events of the morning.
+
+A moment later the absentees came in; Sir Roger in his usual leisurely
+fashion, Laing; hurriedly. The latter held in his hand two telegrams,
+or the crumpled debris thereof. He rushed up to the table and panted
+out, "Found 'em in the pocket of my blazer--must have put 'em
+there--stupid ass--never thought of it--put it on for tennis--awfully
+sorry."
+
+Wasting no time in reproaches, Dora and Charlie grasped their recovered
+property.
+
+"Excuse me!" they cried simultaneously, and opened the envelopes. A
+moment later both leant back in their chairs, the pictures of helpless
+bewilderment.
+
+Dora had read: "Marriage broken off. Coming to you 28th. Write
+directions--European, Paris."
+
+Charlie had read: "Engagement at end. Aunt and I coming to
+Paris--European, on 28th. Can you meet?"
+
+Lady Deane was writing in her notebook. The General, Sir Roger, and
+Laing were busy with the waiter, the menu, and the wine-list. Quick as
+thought the lovers exchanged telegrams. They read, and looked at one
+another.
+
+"What does it mean?" whispered Dora.
+
+"You never saw anything like the lives those ragpickers lead, Dora,"
+observed Lady Deane, looking up from her task. "I was talking to one
+this morning and he said----"
+
+"Maitre d'hotel for me," broke in Sir Roger.
+
+"I haven't a notion," murmured Charlie.
+
+"Look here, what's your liquor, Laing?"
+
+"Anything; with this thirst on me----"
+
+"There are ample materials for a revolution more astonishing and
+sanguinary----"
+
+"Nonsense, General, yon must have something to drink."
+
+"Can they have changed their minds again, Dolly?"
+
+"They must have, if Mr. Laing is----"
+
+"Dry? I should think I was. So would you be, if you'd been playing
+tennis."
+
+Laing cut across the currents of conversation:
+
+"Hope no harm done, Miss Bellairs, about that wire?"
+
+"I--I--I don't think so."
+
+"Or yours, Charlie?"
+
+Charlie took a hopeful view.
+
+"Upon my honor, Laing, I'm glad you hid it."
+
+"Oh, I see!" cried Laing. "Tip for the wrong 'un, eh, and too late to
+put it on now?"
+
+"You're not far off," answered Charlie Ellerton.
+
+"Roger, is it to-night that the General is going to take me to the----"
+
+"Hush! Not before Miss Bellairs, my dear! Consider her filial feelings.
+You and the General must make a quiet bolt of it. We're only going to
+the Palais-Royal."
+
+The arrival of fish brought a momentary pause, but the first mouthful
+was hardly swallowed when Arthur Laing started, hunted hastily for his
+eyeglass, and stuck it in his eye.
+
+"Yes, it is them," said he. "See, Charlie, that table over there.
+They've got their backs to us, but lean see 'em in the mirror."
+
+"See who?" asked Charlie in an irritable tone.
+
+"Why, those honeymooners. I say, Lady Deane, it's a queer thing to have
+a lady's-maid to breakf--Why, by Jove, she's with them now! Look!"
+
+His excited interest aroused the attention of the whole party, and they
+looked across the long room.
+
+"Ashforth's their name," concluded Laing. "I heard the Abigail call him
+Ashforth; and the lady is----"
+
+He was interrupted by the clatter of a knife and fork falling on a
+plate. He turned in the direction whence the sound came.
+
+Dora Bellairs leant back in her chair, her hands in her lap; Charlie
+Ellerton had hidden himself behind the wine-list. Lady Deane, her
+husband, and the General gazed inquiringly at Dora.
+
+At the same instant there came a shrill little cry from the other end
+of the room. The mirror had served Mary Travers as well as it had
+Laing. For a moment she spoke hastily to her companion; then she and
+John rose, and, with radiant smiles on their faces, advanced toward
+their friends. The long-expected meeting had come; at last.
+
+Dora sat still, in consternation. Charlie, peeping out from behind his
+menu, saw the approach.
+
+"Now, in Heaven's name," he groaned, "are they married or aren't they?"
+and having said this he awaited the worst.
+
+
+
+CHAPTER X
+
+MR. AND NOT MRS. ASHFORTH
+
+
+Suum cuique: to the Man belongeth courage in great things, but in
+affairs of small moment Woman is pre-eminent. Charlie Ellerton was
+speechless; Dora Bellairs, by a supreme effort, rose on shaking legs
+and advanced with outstretched hands to meet John Ashforth.
+
+"Mr. Ashforth, I declare! Who would have thought of meeting you here?"
+she exclaimed; and she added in an almost imperceptible, mysterious
+whisper, "Hush!"
+
+John at once understood that he was to make no reference to the
+communications which had resulted in this happy meeting. He expressed a
+friendly gratification in appropriate words. Dora began to breathe
+again; everything was passing off well. Suddenly she glanced from John
+to Mary. Mary stood alone, about three yards from the table, gazing at
+Charlie. Charlie sat as though paralyzed. He would ruin everything.
+
+"Mr. Ellerton," she called sharply. Charlie started up, but before he
+could reach Dora's side, the latter had turned to Mary and was holding
+out a friendly hand. Mary responded with alacrity.
+
+"Miss Bellairs, isn't it? We ought to know one another. I'm so glad to
+meet you."
+
+Charlie was by them now.
+
+"And how do you do, Mr. Ellerton?" went on Mary, rivalling Dora in
+composure. And she also added a barely visible and quite inaudible
+"Hush!"
+
+"Who are they?" asked Deane in a low voice.
+
+"Their name's Ashforth," answered Laing.
+
+"God bless my soul!" exclaimed the General. "I remember him now. We
+made his acquaintance at Interlaken, but his name had slipped from my
+memory. And that's his wife? Fine girl, too. I must speak to him." And
+full of kindly intent he bustled off and shook John warmly by the hand.
+
+"My dear Ashforth, delighted to meet you again, and under such
+delightful conditions, too! Ah, well, it only comes once in a lifetime,
+does it?--in your case anyhow, I hope. I see Dora has introduced
+herself. You must present me. When was it?"
+
+Portions of this address puzzled John considerably, but he thought it
+best to do as he was told.
+
+"Mary," he said, "let me introduce General Bellairs--Miss Bellairs's
+father--to you. General Bell--"
+
+The General interrupted him by addressing Mary with much, effusion.
+
+"Delighted to meet you. Ah, you know our young friend Ellerton?
+Everybody does, it seems to me. Come, you must join us. Waiter, two
+more places. Lady Deane, let me introduce Mr. Ashforth. They're on
+their----"
+
+He paused. An inarticulate sound had proceeded from Mary's lips.
+
+"Beg pardon?" said the General.
+
+A pin might have been heard to drop, while Mary, recovering herself,
+said coldly:
+
+"I think there's some mistake. I'm not Mrs. Ashforth."
+
+"Gad, it's the old 'un!" burst in a stage whisper from Arthur Laing,
+who seemed determined that John Ashforth should have a wife.
+
+The General looked to his daughter for an explanation. Dora dared not
+show the emotion pictured on her face, and her back was towards the
+party. Charlie Ellerton was staring with a vacant look at the lady who
+was not Mrs. Ashforth. The worst had happened.
+
+John came to the rescue. With an awkward laugh he said:
+
+"Oh, you--you attribute too much happiness to me. This is Miss Travers.
+I--I--Her aunt, Miss Bussey, and she have kindly allowed me to join
+their travelling party. Miss Bussey is at that table," and he pointed
+to "the old 'un."
+
+Perhaps it was as well that at this moment the pent-up feelings which
+the situation, and above all the remorseful horror with which Laing was
+regarding his fictitious lady's-maid, overcame Roger Deane. He burst
+into a laugh. After a moment the General followed heartily. Laing was
+the next, bettering his examples in his poignant mirth. Sir Roger
+sprang up.
+
+"Come, Miss Travers," he said, "sit down. Here's the fellow who gave
+you your new name. Blame him," and he indicated Laing, Then he cried,
+"General, we must have Miss Bussey, too."
+
+The combined party, however, was not, when fully constituted by the
+addition of Miss Bussey, a success. Two of its members ate nothing and
+alternated between gloomy silence and forced gayety; who these were may
+well be guessed. Mary and John found it difficult to surmount their
+embarrassment at the contretemps which had attended the introduction,
+or their perplexity over the cause of it. Laing was on thorns lest his
+distributions of parts and stations in life should be disclosed. The
+only bright feature was the congenial feeling which appeared at once to
+unite Miss Bussey and Sir Roger Deane. They sat together, and, aided by
+the General's geniality and Lady Deane's supramundane calm, carried the
+meal to a conclusion without an actual breakdown, ending up with a
+friendly wrangle over the responsibility for the bill. Finally it was
+on Sir Roger's proposal that they all agreed to meet at five o'clock
+and take coffee, or what they would, together at a cafe by the water in
+the Bois de Boulogne. With this understanding the party broke up.
+
+Dora and Charlie, lagging behind, found themselves alone. They hardly
+dared to look at one another, lest their composure should fail.
+
+"They're not married," said Charlie.
+
+"No."
+
+"They've broken it off!"
+
+"Yes."
+
+"Because of us."
+
+"Yes."
+
+"While we----"
+
+"Yes."
+
+"Well, in all my life, I never----"
+
+"Oh, do be quiet."
+
+"What an infernal ass that fellow Laing----"
+
+"Do you think they saw anything?"
+
+"No. I half wish they had."
+
+"Oh, Mr. Ellerton, what shall we do? They're still in love with us!"
+
+"Rather. They've been waiting for us."
+
+Dora entered the hotel gates and sank into a chair in the court-yard.
+
+"Well? she asked helplessly; but Charlie had no suggestion to offer.
+
+"How could they?" she broke out indignantly. "How could they break off
+their marriage at the last moment like that? They--they were as good as
+married. It's really hardly--people should know their own minds."
+
+She caught sight of a rueful smile on Charlie's face.
+
+"Oh, I know, but it's different," she added impatiently. "One expects
+it of you, but I didn't expect it of John Ashforth."
+
+"And of yourself?" he asked softly.
+
+"It's all your fault, you wicked boy," she answered.
+
+Charlie sighed heavily.
+
+"We must break it to them," said he. "Mary will understand; she has
+such delicacy of feeling that----"
+
+"You're always praising that girl. I believe you're in love with her
+still."
+
+"Well, you as good as told me I wasn't fit to black Ashforth's boots."
+
+"Anyhow he wouldn't have--have--have tried to make a girl care for him
+when he knew she cared for somebody else."
+
+"Hang it, it seems to me Ashforth isn't exactly immaculate. Why, in
+Switzerland----"
+
+"Never mind Switzerland, Mr. Ellerton, please."
+
+A silence ensued. Then Charlie remarked, with a reproachful glance at
+Dora's averted face, "And this is the sequel to Avignon! I shouldn't
+have thought a girl could change so in forty-eight hours."
+
+Dora said nothing. She held her head very high in the air and looked
+straight in front of her.
+
+"When you gave me that kiss----" resumed Charlie.
+
+Now this form of expression was undoubtedly ambiguous; to give a kiss
+may mean: 1. What it literally says--to bestow a kiss. 2. To offer
+one's self to be kissed. 3. To accept willingly a proffered kiss; and,
+without much straining of words, 4. Merely to refrain from angry
+expostulation and a rupture of acquaintance when one is kissed--this
+last partaking rather of the nature of the ratification of an
+unauthorized act, and being, in fact, the measure of Dora's
+criminality. But the other shades of meaning caught her attention.
+
+"You know it's untrue; I never did," she cried angrily. "I told you at
+the time that no gentleman would have done it."
+
+"Oh, you mean Ashforth, I suppose? It's always Ashforth."
+
+"Well, he wouldn't."
+
+"And some girls I know wouldn't forgive a man on Monday and round on
+him on Wednesday."
+
+"Oh, you needn't trouble to mention names. I know the paragon you're
+thinking of!"
+
+They were now at the hotel.
+
+"Going in?" asked Charlie.
+
+"Yes."
+
+"I suppose we shall go to the Bois together?"
+
+"I shall ask papa or Sir Roger to take me."
+
+"Then I'll go with Lady Deane."
+
+"I don't mind who you go with, Mr. Ellerton."
+
+"I'll take care that you're annoyed as little as possible by my
+presence,"
+
+"It doesn't annoy me."
+
+"Doesn't it, D----?"
+
+"I don't notice it one way or the other."
+
+"Oh."
+
+"Good-by for the present, Mr. Ellerton."
+
+"Good-by, Miss Bellairs; but I ought to thank you."
+
+"What for?"
+
+"For making it easy to me to do what's right," and Charlie turned on
+his heel and made rapidly for the nearest cafe, where he ordered an
+absinthe.
+
+Dora went wearily up to her bedroom, and, sitting down, reviewed the
+recent conversation. She could not make out how, or why, or where they
+had begun to quarrel. Yet they had certainly not only begun but made
+very fair progress, considering the time at their disposal. It had all
+been Charlie's fault. He must be fond of that girl after all; if so, it
+was not likely that she would let him see that she minded. Let him go
+to Mary Travers, if--if he liked that sort of prim creature. She, Dora
+Bellairs, would not interfere. She would have no difficulty in finding
+someone who did care for her. Poor John! How happy he looked when he
+saw her! It was quite touching.
+
+He really looked almost--almost. To her sudden annoyance and alarm she
+found herself finishing the sentence thus, "almost as Charlie did at
+Avignon."
+
+"Oh, he's worth a thousand of Charlie," she exclaimed, impatiently.
+
+At half-past four Sir Roger Deane was waiting; in the hall. Presently
+Dora appeared.
+
+"Where are the others?" she asked.
+
+"Charlie's having a drink. Your father and Maud aren't coming. They're
+going to rest."
+
+"Oh, well, we might start."
+
+"Excuse me, Miss Dora, there's some powder on your nose."
+
+"Oh, is there? Thanks."
+
+"What have you been powdering for?"
+
+"Really, Sir Roger! Besides the sun has ruined my complexion."
+
+"Oh, the sun,"
+
+"Yes. Don't be horrid. Do let's start."
+
+"But Charlie--"
+
+"I hate riding three in a cab."
+
+"Oh, and I like riding alone in one, so----"
+
+"No, no. You must come with me. Mr. Ellerton can follow us. He's always
+drinking, isn't he? I dislike it so."
+
+Sir Roger, with a wink at an unresponsive plaster bust of M. le
+President, followed her to the door. They had just got into their
+little victoria when Charlie appeared, cigarette in hand.
+
+"Charlie," observed Deane, "Miss Bell airs thinks you'll be more
+comfortable by yourself than perched on this front seat."
+
+"Especially as you're smoking," added Dora. "Allez, cocher."
+
+Charlie hailed another vehicle and got in. As he did so he remarked
+between his teeth, "I'm d----d if I stand it."
+
+
+
+CHAPTER XI
+
+A DYNAMITE OUTRAGE
+
+
+On one side of the Lake Dora mid John walked together, on the other
+Mary and Charlie. Miss Bussey and Roger Deane sat in the garden of the
+cafe. The scene round them was gay. Carriages constantly drove up,
+discharging daintily attired ladies and their cavaliers. There was a
+constant stream of bicycles, some of them steered by fair riders in
+neat bloomer-suits; the road-waterers spread a grateful coolness in
+their ambit, for the afternoon was hot for the time of year, and the
+dust had an almost autumnal volume. Miss Bussey had been talking for
+nearly ten minutes on end, and now she stopped with an exhausted air,
+and sipped her coffee. Deane lit another cigar and sat silently looking
+on at the life that passed and repassed before him.
+
+"It's a curious story," he observed at last.
+
+"Very; but I suppose it's all ended happily now. Look at them, Sir
+Roger."
+
+"Oh, I see them."
+
+"Their troubles are over at last, poor children; and really I think
+they've all behaved very well. And yet----"
+
+"Yes?"
+
+"I should have thought Mary and Mr. Ashforth so suited to one another.
+Well, well, the heart's an unaccountable thing--to an old spinster,
+anyhow."
+
+"You're right, Miss Bussey. Take my wife and me. You wouldn't have
+thought we should have hit it off, would you? First year I knew her I
+hardly dared to speak to her--used to mug up Browning and--(Sir Roger
+here referred to an eminent living writer) and chaps like that, before
+I went to see her, you know. No use! I bored her to death. At last I
+chucked it up."
+
+"Well?"
+
+"And I went one day and talked about the Grand National for half an
+hour by the clock. Well, she asked me to come again next day, and I
+went, and told her all about the last burlesque and--and so on, you
+know. And then I asked her to marry me."
+
+"And she said 'Yes'?"
+
+"Not directly. She said there was an impassable gulf between us--an
+utter want of sympathy in our tastes and an irreconcilable difference
+of intellectual outlook."
+
+"Dear me! Didn't that discourage you?"
+
+"I said I didn't care a dash; she was the only girl I ever cared for
+(all right, Miss Bussey, don't laugh), and I'd have any outlook she
+liked. I said I knew I was an ass, but I thought I knew a pretty girl
+when I saw one, and I'd go away if she'd show me a prettier one."
+
+"Well?"
+
+"Well, she didn't."
+
+Miss Bussey laughed a little.
+
+"Of course," resumed Sir Roger, "I've got money, you know, and all
+that, and perhaps----"
+
+"Sir Roger! What a thing to say of your wife!"
+
+"Well, with another girl--but hang it, I don't believe Maud would.
+Still, you see, it's so dashed queer that sometimes----"
+
+"I'm sure she's very fond of you," said Miss Bussey, rather surprised
+fit the nature of the confidence which she was receiving.
+
+"I expect it's all right," resumed Deane, more cheerfully, "and that
+brings us back to where we started, doesn't it?"
+
+"And we started in bewilderment."
+
+"You're puzzled that Dora, Bellairs and Ashforth should pair off
+together, and----?"
+
+"Well, the other combination would seem more natural, wouldn't it?
+Doesn't it surprise you a little?"
+
+"I'm never surprised at anything till I know it's true," said Sir Roger.
+
+"What, you----?"
+
+They were interrupted by the return of their friends, and a move was
+made. Three vehicles were necessary to take them back, for the twos
+could, obviously, neither be separated from one another nor united with
+anybody else, and in procession, Miss Bussey and Deane leading, they
+filed along the avenues back to the Arc de Triomphe.
+
+They had hardly passed the open Place when their progress was suddenly
+arrested. A crowd spread almost across the broad road, and
+sergents-de-ville imperiously commanded a halt. There was a babble of
+tongues, great excitement, and a thousand eager fingers pointing at a
+house. The doorway was in ruins, and workmen were busy shoring it up
+with beams. In the middle of the crowd there was an open circle,
+surrounded by gendarmes, and kept clear of people. In the middle of it
+lay a thing like a rather tall slim watering-pot, minus the handle. The
+crowd, standing on tiptoe and peeping over the shoulders of their
+guardians, shook their fists at this harmless-looking article and
+apostrophised it with a wonderful wealth of passionate invectives.
+
+"What in the world's the matter?" cried Miss Bussey, who was nervous in
+a crowd.
+
+"Revolution, I suppose;" responded Deane calmly, mid turning to his
+nearest neighbor, he continued in the first French that came to him,
+"Une autre revolution, n'est-ce-pas, Monsieur?"
+
+The man stared, but a woman near him burst into a voluble explanation,
+from the folds of which unlearned English ears disentangled, at the
+third reiteration, the ominous word, "Dynamite;" and she pointed to the
+watering-pot.
+
+"Oh, it'll go off!" shrieked Miss Bussey.
+
+"It's gone off," said Sir Roger. "We're too late," and there was a
+touch of disappointment in his voice, as he turned and shouted to the
+others, "Keep your seats! It's all over. Only an explosion."
+
+"Only!" shuddered Miss Bussey. "It's a mercy we weren't killed."
+
+It appeared that this mercy had not stopped at Miss Bussey and her
+friends. Nobody had been killed--not even the magistrate on the third
+floor for whose discipline and reformation the occurrence had been
+arranged; and presently the carriages were allowed to proceed.
+
+Lady Deane's grief at having missed so interesting an occasion was very
+poignant.
+
+"No, Roger," said she, "it is not a mere craving for horrors, or a
+morbid love of excitement; I wish I had been there to observe the
+crowd, because it's just at such moments that people reveal their true
+selves. The veil is lifted--the veil of hypocrisy and convention--and
+you see the naked soul."
+
+"You could hear it too, Maud," observed Sir Roger. "Fine chance of
+improving your French vocabulary. Still, I daresay you're right."
+
+"I'm sure I am."
+
+Deane looked at his wife meditatively.
+
+"You think," he asked, "that being in danger might make people----"
+
+"Reveal their inmost natures and feelings? I'm sure of it."
+
+"Gad! Then we might try."
+
+"What do you mean, Roger?"
+
+"Nothing. You're going out with the General to-night? Very well, I
+shall take a turn on my own hook."
+
+As he strolled toward the smoking-room, he met Charlie Ellerton.
+
+"Well, old fellow, had a pleasant afternoon?"
+
+"Glorious!" answered Charlie in a husky voice.
+
+"Are we to congratulate you?"
+
+"I--I--well, it's not _absolutely_ settled yet, Deane, but--soon, I
+hope."
+
+"That's right. Miss Bussey told me the whole story, and I think you're
+precious lucky to get such a girl."
+
+"Yes, aren't I?"
+
+"You don't look over and above radiant."
+
+"Do you want me to go grinning about the hotel like an infernal hyena?"
+
+"I think a chastened joy would be appropriate."
+
+"Don't be an ass, Deane. I suppose you think you're funny."
+
+Sir Roger passed on, with a smile on his lips. As he passed the
+reading-room Dora Bellairs came out.
+
+"Well, Miss Dora, enjoyed your afternoon?"
+
+"Oh, awfully--except that dreadful explosion."
+
+"You must excuse a friend, you know. I'm awfully glad it's all come
+right in the end."
+
+"You--you're very kind, Sir Roger. It's--it's--there's nothing quite
+settled yet."
+
+"Oh, of course not, but still----! Well, I heard all about it and I
+think he's worthy of you. I can't say more. He seems a capital fellow."
+
+"Yes, isn't he? I----"
+
+"Yes?"
+
+"Oh, I'm very, very, _very_ happy," and, after making this declaration
+in a shaky voice, she fairly ran away down the passage. Deane watched
+her as she went.
+
+"Maud's right," said he. "She always is. There's nothing for it but
+dynamite. I wonder where it's to be got?"
+
+General Bellairs clapped him on the shoulders.
+
+"Inclined for a turn, Deane? I'm going to see an old servant of
+mine--Painter's his name. He married my poor wife's French maid, and
+set up as a restaurant-keeper in the Palais-Royal. I always look him up
+when I come to Paris."
+
+"I'm your man," answered Deane, and they set out for Mr. Painter's
+establishment. It proved to be a neat little place, neither of the very
+cheap nor of the very sumptuous class, and the General was soon
+promising to bring the whole party to dejeuner there. Painter was
+profuse in thanks and called Madame to thank the General. The General
+at once entered into conversation with the trim little woman.
+
+"Nice place yours, Painter," observed Deane.
+
+"Pleased to hear you say so, Sir Roger."
+
+"Very nice. Ah--er--heard of the explosion?"
+
+"Yes, Sir Roger. Abominable thing, sir. These Socialists----"
+
+"Quite so. Never had one here, I suppose?"
+
+"No, sir. We're pretty well looked after in here."
+
+"Like one?" asked Deane.
+
+"Beg pardon, sir. Ha-ha. No, sir."
+
+"Because I want one."
+
+"You--beg pardon, sir?"
+
+"Look here, Painter. I'll drop in here after dinner for some coffee. I
+want to talk to you. See? Not a word to the General."
+
+"Glad to see you, Sir Roger, but----"
+
+"All right. I'll put you up to it. Here they come. Present me to
+Madame."
+
+They went away, haying; arranged with the Painters for luncheon and a
+private room on the next day but one.
+
+"Lunch for eight," said Deane. "At least, General, I thought we might
+ask our friends from the European."
+
+"Yes--and young Laing."
+
+"Oh, I forgot him. Yes, Laing, of course. For nine--neuf, you know,
+please, madame."
+
+"That's all right," said the General, "I'm glad to do him a turn."
+
+"Yes, that's all right," assented Sir Roger, with the slightest
+possible chuckle. "We shall have a jolly lunch, eh, General?"
+
+
+
+CHAPTER XII
+
+ANOTHER!
+
+
+"I shall never, never forgot your generosity, John."
+
+"No, Mary. It was your honesty and courage that did it."
+
+"I told Mr. Ellerton the whole story, and he seemed positively
+astonished."
+
+"And Miss Bellairs admitted that when she wrote she considered such a
+tiling utterly impossible. She's changed a little, Mary. She's not so
+cheerful and light-hearted as she used to be."
+
+"Think what she's gone through. I've noticed just the same in Mr.
+Ellerton, but--"
+
+"You hope to restore him soon?"
+
+"Oh, well, I expect Miss Bellairs--what a pretty girl she is,
+John--will soon revive too, now she is with you again. John, have; you
+observed anything peculiar in Aunt Sarah's manner?"
+
+"To tell you the truth, I fancied she was rather short with me once or
+twice at dinner."
+
+"I believe she is--isn't pleased at--at what's happened. She hasn't
+taken much to Mr. Ellerton, and you know she liked you so much, that I
+think she still wants you as one of the family."
+
+John laughed: then he leant forward and said in a low voice:
+
+"Have you settled anything about dates?"
+
+"No. Mr. Ellerton--well he didn't introduce the subject: so of course I
+didn't. Have you?"
+
+"No, we haven't. I made some suggestion of the kind, but Miss Bellairs
+didn't fall in with it. She won't even let me ask her father's consent
+just yet."
+
+"Mr. Ellerton proposes not to announce our--anything--for a few days."
+
+"Well," said John, "I shall insist on an announcement very shortly, and
+you ought to do the same, Mary. We know the evils--" He checked
+himself, but Mary was not embarrassed.
+
+"Of secret engagements?" she said calmly. "We do indeed."
+
+"Besides it's a bore. I couldn't go with Miss Bellairs to the theatre
+to-night, because she said it would look too marked."
+
+"Yes, and Mr. Ellerton said that if he dined here he might as well
+announce our engagement from the statue of Strasburg."
+
+John frowned, and Mary perceiving the bent of his thoughts ventured to
+say, though with a timid air unusual to her:
+
+"I think they're the least little bit inconsiderate, don't you,
+John--after all we have done for them?"
+
+"Well, I don't mind admitting that I do feel that. I do not consider
+that Miss Bellairs quite appreciates the effort I have made."
+
+Mary sighed.
+
+"We mustn't expect too much of them, must we?" she asked.
+
+"I suppose not," John conceded; but he still frowned.
+
+When we consider how simple the elements of perfect happiness appear to
+be, regarded in the abstract, it becomes surprising to think how
+difficult it is to attain them in the concrete. A kind magician may
+grant us all we ask, may transport us whither we would go, dower us
+with all we lack, bring to us one desired companion after another, but
+something is wrong. We have a toothache, or in spite of our rich
+curtains there's a draught, or the loved one haps not to be at the
+moment congenial: and we pitifully pray the wizard to wave his wand
+again. Would any magician wave his for these four troublesome folk? It
+must be admitted that they hardly deserved it.
+
+Nevertheless a magician was at work, and, with the expiration of the
+next night, his train was laid. At eleven o'clock in the forenoon of
+Friday, Roger Deane had a final interview with the still hesitating
+Painter.
+
+"But if the police should come, Sir Roger?" urged the fearful man.
+
+"Why, you'll look a fool, that's all. Isn't the figure high enough?"
+
+"Most liberal, Sir Roger, but--but it will alarm my wife."
+
+"If you come to that, it'll alarm my wife."
+
+"Very true, Sir Roger." Painter seemed to derive some comfort from this
+indirect community of feeling with the aristocracy.
+
+"It'll alarm everybody, I hope. That's what it's for. Now mind--2.30
+sharp--and when the coffee's been in ten minutes. Not before! I must
+have time for coffee."
+
+"Very good, Sir Roger."
+
+"Is the ladder ready?"
+
+"Yes, Sir Roger."
+
+"And the what's-its-name?"
+
+"Quite ready, Sir Roger."
+
+"Let's see it."
+
+It was inspected and pronounced satisfactory. Then Roger Deane set out
+to return to his hotel, murmuring contentedly:
+
+"If that don't make up their minds for 'em, I don't know what will."
+
+Then he paused suddenly.
+
+"Gad! Will the women have hysterics?" he asked, but in a moment he
+added, reassuring himself, "Maud never has, and, hang it, we must
+chance the rest."
+
+Arrived at home he found Arthur Laing kicking his heels in the
+smoking-room.
+
+"Lunching with you to-day, ain't I, somewhere in the Palais-Royal?"
+asked the visitor.
+
+"Yes, some place the General's found out. Look here, Laing, are you a
+nervous man?"
+
+"Nervous! What do you take me for?"
+
+"Lose your head in moments of excitement?"
+
+"I never have 'em."
+
+"Oh, well, hang you! I say, Laing, you're not a fool. Just look here.
+Anything I say--anything, mind--at lunch today, you're not to
+contradict. You're to back me up."
+
+"Right you are, old chap."
+
+"And the more infernal nonsense it sounds, the more you're to take your
+oath about it."
+
+"I'm there."
+
+"And finally, you're on no account to lay a finger either on Miss
+Travers or on Dora Bellairs."
+
+"Hullo! I'm not in the habit of beating women at any time, let alone at
+a lunch-party."
+
+"I mean what I say: you're not to touch either of them. If you do
+you'll spoil it. You're to go for Miss Bussey."
+
+"She's not done me any harm."
+
+"Never mind. As soon as the row begins and I say, 'Save the ladies!'
+you collar Miss Bussey. See?"
+
+"Oh, I see. Seems to me we're going to have a lively lunch. Am I to
+carry the old lady?"
+
+"Yes."
+
+"Oh, by Jove! How's my biceps? Just feel, will you?"
+
+Deane felt and gravely pronounced the muscle to be equal to its task.
+Laing was much gratified, and awaited the unknown future with
+philosophic patience.
+
+Sir Roger had predicted "a jolly lunch," but, in its early stages, the
+entertainment hardly earned this description. Something was wrong
+somewhere; Dora started by refusing, very pointedly, to sit near
+Charlie Ellerton; and yet, when she found herself between Ashforth and
+Laing, she was absent, silent, and melancholy. Charlie, on the other
+hand, painfully practised a labored attentiveness to Mary Travers which
+contrasted ill with his usual spontaneous and gay courtesy. Miss Bussey
+wore an air of puzzled gravity, and Laing kept looking at her with a
+calculating eye. He seemed to be seeking the best grip. Lady Deane and
+the General, engrossed in a tete-a-tete discussion, did little to
+promote the hilarity of the table, and it was left to Deane to maintain
+the flow of conversation as he best could. Apparently he found the task
+a heavy one, for, before long, he took a newspaper out of his pocket,
+and, a propos to one of his own remarks, began to read a highly
+decorated account of the fearful injuries under which the last victim
+of the last diabolical explosion had been in danger of succumbing. Sir
+Roger read his gruesome narrative with much emphasis, and as he laid
+down the paper he observed:
+
+"Well, I hope I'm not more of a coward than most men, but in face of
+dynamite--ugh!" and he shuddered realistically.
+
+"I should make for the door," said Laing.
+
+"Yes, but in this case the bomb was at the door!"
+
+"Then," said Laing, "I should exit by the window."
+
+"But this poor man." remarked Mary Travers, "stayed to rescue the woman
+he loved," and her eyes rested for an instant in confident affection on
+Charlie Ellerton.
+
+"We should all do as much, I trust," said John, glancing at Dora
+Bellairs.
+
+"I'm sure I hope you won't have to," said Dora, rather ungraciously.
+
+"Think what a convincing test of affection it would be," suggested
+Deane persuasively. "After that you could never doubt that the man
+loved you."
+
+"My good Sir Roger," observed Miss Bussey, "it would be common
+humanity."
+
+"Suppose there were two girls," said Laing, "and you couldn't take 'em
+both!"
+
+Deane hastily interposed.
+
+"Haven't we had enough of this dreary subject?" he asked, and he
+frowned slightly at Laing.
+
+"Isn't it about time for coffee?" the General suggested.
+
+Deane looked at his watch.
+
+"What does the time matter, Deane, if we're ready?"
+
+"Not a bit. 2.20. That's all right," and he rang the bell.
+
+Painter came in with the coffee: the little man looked rather pale and
+nervous, but succeeded in serving the company without upsetting the
+cups. He came to Deane last.
+
+"Is everything ready?" whispered that gentleman, and receiving a
+trembling "Yes, sir," he added, "in ten minutes."
+
+"This," he observed out loud, "has been a pleasant gathering--a
+pleasant end to our outing."
+
+"What? You're going?" asked Miss Bussey.
+
+"Yes: my wife and I cross to England to-morrow."
+
+"I shall go the next day," announced the General, "if Dora is ready."
+
+John threw a glance toward Dora, but she was busy drinking her coffee.
+
+"Well," said Deane, "I hope we may soon meet again, under equally
+delightful circumstances, in London. At any rate," he added with a
+laugh, "there we shall be safe from----"
+
+Crash! A loud noise came from the door, as if of some metallic
+substance thrown against the panels.
+
+"Hullo!" said Laing.
+
+"Oh, somebody tumbled downstairs," said Deane reassuringly. "Don't
+move, Miss Bussey."
+
+"Oh, but Sir Roger, what is it? What do you think? It didn't sound at
+all like what you say."
+
+The General laughed.
+
+"Come, Miss Bussey, I don't suppose it's----"
+
+As he spoke the form of Painter appeared at the open window. He was
+breathless, and shrieked hastily:
+
+"Dynamite, dynamite! Save yourselves! It'll be off in a minute."
+
+"Then I shall be off in half a minute," said Laing.
+
+There was a rush to the door, and Laing, remembering his instructions,
+joined hastily in it.
+
+"No, no. The bomb's there!" cried Painter, excitedly.
+
+They stood still in horror for ten seconds.
+
+"To the window, to the window, for your lives! Save the ladies!" cried
+Sir Roger Deane.
+
+
+
+CHAPTER XIII
+
+FAITHFUL TO DEATH
+
+
+The ladies looked at one another. Even in that awful moment, the
+becoming, the seemly, the dignified had its claims. The window was
+narrow: the ladder--Mary Travers had gone to look at it--was steep: a
+little, curious, excited crowd was gathering below. Deane saw their
+hesitation. He rushed to the door and cautiously opened it. The thing
+was there! Across the very entrance--that villainous oblong case! And
+from below came a shriek--it was Madame's voice, and a cry of "Quick!
+quick!"
+
+"This," said the General firmly (he had been through the Mutiny), "is
+not a time for punctilio. Excuse me," and he lifted Lady Deane in his
+stalwart arms and bore her toward the window.
+
+With a distant reminiscence of the ball room, Arthur Laing approached
+Miss Bussey, murmuring "May I have the--" and with a mighty effort
+swung the good lady from the ground. She clutched his cravat wildly,
+crying "Save me!"
+
+Mary Travers was calmness itself. With quiet mien and unfaltering
+voice, she laid her hand on Charlie's arm and murmured:
+
+"I am ready, Charlie."
+
+At the same moment John Ashforth, the light of heroism in his eye,
+whispered to Dora, "You must trust yourself implicitly to me."
+
+"Quick, quick!" cried Deane, "or it's all up with you. Quick, Ashforth!
+Quick, Charlie, quick, man!"
+
+There was one more pause. Mary's hand pressed a little harder. John's
+arm was advancing towards Dora's waist. Sir Roger looked on with
+apparent impatience.
+
+"Are you never going?" he called. "Must I----"
+
+Suddenly a loud cry rang out. It came from Miss Bellairs.
+
+"Oh, Charlie, save me, save me!" she cried, and then and there flung
+herself into his arms.
+
+"My darling!" he whispered loudly, and catching her up made for the
+window. As they disappeared through it, Deane softly and swiftly opened
+the door and disappeared in his turn. Mary and John were left alone.
+Then Mary's composure gave way. Sinking into a chair she cried:
+
+"And I am left! Nobody cares for me. What shall I do?"
+
+In an instant John's strong arm was round her. "I care for you!" he
+cried, and raising her almost senseless form, he rushed to the window.
+The ladder was gone!
+
+"Gone!" he shrieked. "Where is it?"
+
+There was no answer. The little crowd had gone too.
+
+"We are lost," he said.
+
+Mary opened her eyes.
+
+"Lost!" she echoed.
+
+"Lost! Abandoned--by those who loved--ah, no, no, Mary. In the hour of
+danger--then we see the truth!"
+
+Mary's arms clasped him closer.
+
+"Ah, John, John," she said, "we must die together, dear."
+
+John stooped and kissed her.
+
+Suddenly the door was opened and Deane entered. He wore a comically
+apologetic look, and carried an oblong metal vessel in his right hand.
+
+"Excuse me," he said. "There's been--er--slight but very natural
+mistake. It wasn't--er--exactly dynamite--it's--er--a preserved-peach
+tin. That fool Painter----"
+
+"Then we're safe!" cried Mary.
+
+"Yes, thank Heaven," answered Deane fervently.
+
+"Oh, John!" she cried.
+
+Sir Roger, with a smile, retired and closed the door after him.
+
+Downstairs Lady Deane and Miss Bussey, forgetful of their sufferings,
+were restoring Madame Painter to her senses; Painter was uncorking a
+bottle of champagne for Arthur Laing; Sir Roger Deane was talking in a
+low voice and persuasive tones to an imposing representative of the
+police. "What passed between them is unknown; possibly only words,
+possibly something else; at any rate, after a time, Deane smiled, the
+great man smiled responsively, saluted, and disappeared, murmuring
+something about Anglais, milords, and droles. The precise purport of
+his reflections could not be distinctly understood by those in the
+house, for civility made him inarticulate, but when he was safely
+outside he looked at a piece of crisp paper in his hand, then, with his
+thumb pointing over his shoulder, he gave an immense shrug, and
+exclaimed:
+
+"Mais voila, un fou!" and to this day he considers Roger Deane the very
+type of a maniac.
+
+Mary and John descended. As soon as they appeared Dora jumped up from
+her seat and ran towards John, crying, "Oh, Mr. Ashforth!"
+
+While Charlie, advancing more timidly to Mary, murmured: "Forgive me,
+but--"
+
+Mary with a slight bow, John with a lift of his hat, both without a
+halt or a word, passed through the room, arm-in-arm, and vanished from
+Mr. Painter's establishment.
+
+Sir Roger had seized on Laing's champagne and was pouring it out. He
+stopped now, and looked at Dora. A sudden gleam of intelligence glanced
+from her eyes. Rushing up to him, she whispered, "You did it all? It
+was all a hoax?"
+
+He nodded.
+
+"And why?"
+
+"Ask Charlie Ellerton," he answered.
+
+"Oh, but Mr. Ashforth and Mary Travers are so angry!"
+
+"With one another?"
+
+"No, with us."
+
+Sir Roger looked her mercilessly full in the face, regardless of her
+blushes.
+
+"That," he observed with emphasis, "is exactly what you wanted, Miss
+Bellairs."
+
+Then he turned to the company, holding a full glass in his hand.
+"Ladies and gentlemen," said he, "some of us have had a narrow escape.
+Whether we shall be glad of it or sorry hereafter, I don't know--do
+you, Charlie? But hero's a health to----"
+
+But Dora, glancing apprehensively at the General, whispered, "Not yet!"
+
+"To Dynamite!" said Sir Roger Deane.
+
+
+
+POSTSCRIPT
+
+
+It should be added that a fuller, more graphic, and more sensational
+account of the outrage in the Palais-Royal than this pen has been
+capable of inscribing will appear, together with much other curious and
+enlightening matter, in Lady Deane's next work. The author also takes
+occasion in that work--and there is little doubt that the subject was
+suggested by the experiences of some of her friends--to discuss the
+nature, quality, and duration of the Passion of Love. She concludes--if
+it be permissible thus far to anticipate the publication of her
+book--that all True Love is absolutely permanent and indestructible,
+untried by circumstance and untouched by time; and this opinion is, she
+says, indorsed by every woman who has ever been in love. Thus
+fortified, the conclusion seems beyond cavil. If, therefore, any
+incidents here recorded appear to conflict with it, we must imitate the
+discretion of Plato and say, either these persons were not Sons of the
+Gods--that is. True Lovers--or they did not do such things.
+Unfortunately, however, Lady Deane's proof-sheets were accessible too
+late to allow of the title of this story being changed. So it must
+stand--"The Wheel of Love;" but if any lady (men are worse than
+useless) will save the author's credit by proving that wheels do not go
+round, he will be very much obliged--and will offer her every facility.
+
+
+
+
+THE LADY OF THE POOL
+
+
+CHAPTER I
+
+A FIRM BELIEVER
+
+
+"I see Mr. Vansittart Merceron's at the Court again, mamma."
+
+"Yes, dear. Lady Merceron told me he was coming. She wanted to consult
+him about Charlie."
+
+"She's always consulting him about Charlie, and it never makes any
+difference."
+
+Mrs. Bushell looked up from her needlework; her hands were full with
+needle and stuff, and a couple of pins protruded from her lips. She
+glanced at her daughter, who stood by the window in the bright blaze of
+a brilliant sunset, listlessly hitting the blind-cord and its tassel to
+and fro.
+
+"The poor boy's very young still," mumbled Mrs. Bushell through her
+pins.
+
+"He's twenty-five last month," returned Millicent. "I know, because
+there's exactly three years between him and me."
+
+The sinking rays defined Miss Bushell's form with wonderful clearness.
+She was very tall, and the severe well-cut cloth gown she wore set off
+the stately lines of her figure. She had a great quantity of fair hair
+and a handsome face, spoilt somewhat by a slightly excessive breadth
+across the cheeks; as her height demanded or excused, her hands and
+feet were not small, though well shaped. Would Time have arrested his
+march for ever, there would have been small fault to find with Nature's
+gifts to Miss Bushell; but, as her mother said, Millie was just what
+she had been at twenty-one; and Mrs. Bushell was now extremely stout.
+Millie escaped the inference by discrediting her mother's recollection.
+
+The young lady wore her hat, and presently she turned away from the
+window, remarking:
+
+"I think I shall go for a stroll. I've had no exercise to-day."
+
+Either inclination, or perhaps that threatening possibility from which
+she strove to avert her eyes, made Millie a devotee of active pursuits.
+She hunted, she rode, she played lawn-tennis, and, when at the seaside,
+golf; when all failed, she walked resolutely four or five miles on the
+high-road, swinging along at a healthy pace, and never pausing save to
+counsel an old woman or rebuke a truant urchin. On such occasions her
+manner (for we may not suppose that her physique aided the impression)
+suggested the benevolent yet stern policeman, and the vicar
+acknowledged in her an invaluable assistant. By a strange coincidence
+she seemed to suit the house she lived in--one of those large white
+square dwelling's, devoid of ornament, yet possessing every substantial
+merit, and attaining, by virtue of their dimensions and simplicity, an
+effect of handsomeness denied to many more tricked-out building's. The
+house satisfied; so did Millie, unless the judge were very critical.
+
+"I shall just walk round by the Pool and back," she added as she opened
+the door.
+
+"My dear, it's four miles!"
+
+"Well, it's only a little after six, and we don't dine till eight."
+
+Encountering no further opposition than a sigh of admiration--three
+hundred yards was the limit of pleasure in a walk to her mother--Millie
+Bushell started on her way, dangling a neat ebony stick in her hand,
+and setting her feet down with a firm decisive tread. It did not take
+her long to cover the two miles between her and her destination.
+Leaving the road, she entered the grounds of the Court and, following a
+little path which ran steeply down hill, she found herself by the
+willows and reeds fringing the edge of the Pool. Opposite to her, on
+the higher bank, some seven or eight feet above the water, rose the
+temple, a small classical erection, used now, when at all, as a
+summer-house, but built to commemorate the sad fate of Agatha Merceron.
+The sun had just sunk, and the Pool looked chill and gloomy; the deep
+water under the temple was black and still. Millie's robust mind was
+not prone to superstition, yet she was rather relieved to think that,
+with the sun only just gone, there was a clear hour before Agatha
+Merceron would come out of the temple, slowly and fearfully descend the
+shallow flight of marble steps, and lay herself down in the water to
+die. That happened every evening, according to the legend, an hour
+after sunset--every evening, for the last two hundred years, since poor
+Agatha, bereft and betrayed, had found the Pool kinder than the world,
+and sunk her sorrow and her shame and her beauty there--such shame and
+such beauty as had never been before or after in all the generations of
+the Mercerons.
+
+"What nonsense it all is!" said Millie aloud. "But I'm afraid Charlie
+is silly enough to believe it."
+
+As she spoke her eye fell on a Canadian canoe, which lay at the foot of
+the steps. She recognized it as Charlie Merceron's, and, knowing that
+approach to the temple from the other side was to be gained only by a
+difficult path through a tangled wood, and that the canoe usually lay
+under a little shed a few yards from where she stood, she concluded
+that Charlie was in the temple. There was nothing surprising in that:
+it was a favorite haunt of his. She raised her voice; and called to
+him. At first no answer came, and she repeated:
+
+"Charlie! Charlie!"
+
+After a moment of waiting a head was thrust out of a window in the side
+of the temple--a head in a straw hat.
+
+"Hullo!" said Charlie; Merceron in tones of startled surprise. Then,
+seeing the visitor, he added: "Oh, it's you, Millie! How did you know I
+was here?"
+
+"By the canoe, of course."
+
+"Hang the canoe!" muttered Charlie, and his head disappeared. A second
+later he came out of the doorway and down the steps. Standing on the
+lowest, he shouted--the Pool was about sixty feet across--"What do you
+want?"
+
+"How rude you are!" shouted Miss Bushell in reply.
+
+Charlie got into the canoe and began to paddle across. He had just
+reached the other side, when Millie screamed:
+
+"Look, look, Charlie!" she cried. "The temple!"
+
+"What?"
+
+"I--I saw something white at the window."
+
+Charlie got out of the canoe; hastily.
+
+"What?" he asked again, walking up to Miss Bushell.
+
+"I declare I saw something white at the window. Oh, Charlie! But it's
+all----"
+
+"Bosh? Of course it is. There's nothing in the temple."
+
+"Well, I thought--I wonder you like to be there."
+
+"Why shouldn't I?"
+
+The mysterious appearance not being repeated, Millie's courage returned.
+
+"I thought you believed in the ghost," she said, smiling.
+
+"So I do, but I don't mind it."
+
+"You've never seen it?"
+
+"Supposing I haven't? That doesn't prove it's not true."
+
+"But you're often here at the time?"
+
+"Never," answered Charlie with emphasis. "I always go away before the
+time."
+
+"Then you'd better come now. Put the canoe to bed and walk with me."
+
+Charlie Merceron thrust his hands into his pockets and smiled at his
+companion. He was tall also, and just able to look down on her.
+
+"No," he said, "I'm not going yet."
+
+"How rude--oh, there it is again, Charlie! I saw it! I'm--I'm
+frightened," and her healthy color paled a trifle, as she laid a hand
+on Charlie's arm.
+
+"I tell you what," observed Charlie. "If you have fancies of this kind
+you'd better not come here any more--not in the evening, at all events.
+You know people who think they're going to see things always do see
+'em."
+
+"My heart is positively beating," said Miss Bushell. "I--I don't quite
+like walking back alone."
+
+"I'll see you as far as the road," Charlie conceded, and with
+remarkable promptitude he led the way, turning his head over his
+shoulder to remark:
+
+"Really, if you're so nervous, you oughtn't to come here."
+
+"I never will again--not alone, I mean."
+
+Charlie had breasted the hill with such goodwill that they were already
+at the road.
+
+"And you're really going back?" she asked.
+
+"Oh, just for a few minutes. I left my book in the temple--I was
+reading there. She's not due for half an hour yet, you know."
+
+"What--what happens if you see her?"
+
+"Oh, you die," answered Charlie. "Goodnight;" and with a smile and a
+nod he ran down the hill towards the Pool.
+
+Miss Bushell, cavalierly deserted, made her way home at something more
+than her usual rate of speed. She had never believed in that nonsense,
+but there was certainly something white at that window--something white
+that moved. Under the circumstances, Charlie really might have seen her
+home, she thought, for the wood-fringed road was gloomy, and dusk
+coming on apace. Besides, where was the hardship in being her escort?
+
+Doubtless none, Charlie would have answered, unless a man happened to
+have other fish to fry. The pace at which the canoe crossed the Pool
+and brought up at its old moorings witnessed that he had no leisure to
+spend on Miss Bushell. Leaping out, he ran up the stops into the
+temple, crying in a loud whisper:
+
+"She's gone!"
+
+The temple was empty, and Charlie, looking round in vexation, added:
+
+"So has she, by Jingo!"
+
+He sat down disconsolately on the low marble seat that ran round the
+little shrine.
+
+There were no signs of the book of which he had spoken to Millie
+Bushell. There were no signs of anybody whom he could have meant to
+address. Stay! One sign there was: a long hat-pin lay on the floor.
+Charlie picked it tip with a sad smile.
+
+"Agatha's," he said to himself.
+
+And yet, as everyone in the neighborhood knew, poor Agatha Merceron
+went nightly to her phantom death bareheaded and with golden locks
+tossed by the wind. Moreover, the pin was of modern manufacture;
+moreover, ghosts do not wear--but there is no need to enter on
+debatable ground; the pin was utterly modern.
+
+"Now, if uncle Van," mused Charlie, "came here and saw this--!" He
+carefully put the pin in his breast-pocket, and looked at his watch.
+It was exactly Agatha Merceron's time; yet Charlie leant back on his
+cold marble seat, put his hands in his pockets, and gazed up at the
+ceiling with the happiest possible smile on his face. For one steeped
+in family legends, worshipping the hapless lady's memory with warm
+devotion, and reputed a sincere believer in her ghostly wanderings, he
+awaited her coming with marvellous composure. In point of fact he had
+forgotten all about her, and there was nothing to prevent her coming,
+slipping down the steps, and noiselessly into the water, all unnoticed
+by him. His eyes were glued to the ceiling, the smile played on his
+lips, his ears were filled with sweet echoes, and his thoughts were far
+away. Perhaps the dead lady came and passed unseen. That Charlie did
+not see her was ridiculously slight evidence whereon to damn so ancient
+and picturesque a legend. He thought the same himself, for that night
+at dinner--he came in late for dinner--he maintained the credit of the
+story with fierce conviction against Mr. Vansittart Merceron's
+scepticism.
+
+
+
+CHAPTER II
+
+MISS WALLACE'S FRIEND
+
+
+In old days the Mercerons had been great folk. They had held the
+earldom of Langbury and the barony of Warmley. A failure of direct
+descent in the male line extinguished the earldom; the Lady Agatha was
+the daughter of the last earl, and would have been Baroness Warmley had
+she lived. On her death that title passed to her cousin, and continued
+in that branch till the early days of the present century. Then came
+another break. The Lord Warmley of that day, a Regency dandy, had a
+son, but not one who could inherit his honors, and away went the barony
+to a yet younger branch, where, falling a few years later into female
+hands, it was merged in a brand-new viscounty, and was now waiting till
+chance again should restore it to an independent existence. From the
+Mercerons of the Court it was gone for ever, and the blot on their
+escutcheon which lost it them was a sore point, from which it behooved
+visitors and friends to refrain their tongues. The Regent had, indeed,
+with his well-known good nature, offered a baronetcy to hide the stain;
+but pride forbade, and the Mercerons now held no titles, save the
+modest dignity which Charlie's father, made a K.C.B. for services in
+the North-West Provinces, had left behind him to his widow. But the old
+house was theirs, and a comfortable remnant of the lands, and the
+pictures of the extinct earls and barons, down to him whose sins had
+robbed the line of its surviving rank and left it in a position, from
+an heraldic point of view, of doubtful respectability. Lady Merceron
+felt so acutely on the subject that she banished this last nobleman to
+the smoking-room. There was, considering everything, an appropriateness
+in that position, and he no longer vexed her eyes as she sat at meat in
+the dining room. She had purposed a like banishment for Lady Agatha;
+but here Charlie had interceded, and the unhappy beauty hung still
+behind his mother's chair and opposite his own. It was just to remember
+that but for poor Agatha's fault and fate the present branch might
+never have enjoyed the honors at all; so Charlie urged to Lady
+Merceron, catching at any excuse for keeping Lady Agatha. Lady
+Merceron's way of judging pictures may seem peculiar, but the fact is
+that she lacked what is called the sense of historical perspective: she
+did not see why our ancestors should be treated so tenderly and
+allowed, with a charitable reference to the change in manners,
+forgiveness for what no one to-day could hope to win a pardon. Mr.
+Vansittart Merceron smiled at his sister-in-law and shrugged his
+shoulders; but in vain. To the smoking-room went the wicked Lord
+Warmley, and Lady Agatha was remarkably lucky in that she did not
+follow him.
+
+Mr. Vansittart, half-brother to the late Sir Victor, and twenty years
+younger than he, was a short thick-set man, with a smooth round white
+face, and a way of speaking so deliberate and weighty that it imparted
+momentousness to nothings and infallibility to nonsense. When he really
+had something sensible to say, and that was very fairly often, the
+effect was enormous. He was now forty-four, a widower, well off by his
+marriage, and a Member of Parliament. Naturally, Lady Merceron relied
+much, on his advice, especially in what concerned her son; she was hazy
+about the characters and needs of young men, not knowing how they
+should be treated or what appealed to them. Amid her haziness, one fact
+only stood out clear. To deal with a young man, you wanted a man of the
+world. In this capacity Mr. Vansittart had now been sent for to the
+Court, the object of his visit being nothing less than the arrangement
+and satisfactory settlement of Charlie's future.
+
+Mr. Vansittart approached the future through the present and the past.
+"Yon wasted your time at school, you wasted your time at Oxford, you're
+wasting your time now," he remarked, when Charlie and he were left
+alone after dinner.
+
+Charlie was looking at Lady Agatha's picture. "With a sigh he turned to
+his uncle.
+
+"That's all very well," he said tolerantly, "but what is there for me
+to do?"
+
+"If you took more interest in country pursuits it might be different.
+But you don't hunt, you shoot very seldom----"
+
+"And very badly."
+
+"And not at all well, as you admit. You say you won't become a
+magistrate, you show no interest in politics or--or--social questions.
+You simply moon about."
+
+Charlie was vividly reminded of a learned judge whom he had once heard
+pronouncing sentence of death. His uncle's denunciation seemed to lack
+its appropriate conclusion--that he should be hanged by the neck till
+he was dead. He was roused to defend himself.
+
+"You're quite wrong, uncle," he said. "I'm working hard. I'm writing a
+history of the family."
+
+"A history of the family!" groaned Mr. Vansittart. "Who wants one?
+Who'll read one?"
+
+"From an antiquarian point of view--" began Charlie stoutly.
+
+"Of all ways of wasting time, antiquarianism is perhaps the most
+futile;" and Mr. Vansittart wiped his mouth with an air of finality.
+
+"Now the Agatha Merceron story," continued Charlie, "is in itself---"
+
+"Perhaps we'd better finish our talk tomorrow. The ladies will, expect
+us in the garden."
+
+"All right," said Charlie, with much content. He enjoyed himself more
+in the garden, for, while Lady Merceron and her brother in law took
+counsel, he strolled through the moonlit shrubberies with Mrs. Marland,
+and Mrs. Marland was very sympathetically interested in him and his
+pursuits. She was a little eager woman, the very antithesis in body and
+mind to Millie Bushell; she had plenty of brains but very little sense,
+a good deal of charm but no beauty, and, without any counterbalancing
+defect at all, a hearty liking for handsome young men. She had also a
+husband in the City.
+
+"Ghost-hunting again to-night, Mr. Merceron?" she asked, glancing up at
+Charlie, who was puffing happily at a cigar.
+
+"Yes," he answered, "I'm very regular."
+
+"And did you see anyone?
+
+"I saw Millie Bushell."
+
+"Miss Bushell's hardly ghost-like, is she?"
+
+"We'll," said Charlie meditatively, "I suppose if one was fat oneself
+one's ghost would be fat, wouldn't it?"
+
+Mrs. Marland, letting the problem alone, laughed softly.
+
+"Poor Miss Bushell! If she heard you say that! Or if Lady Merceron
+heard you!"
+
+"It would hardly surprise my mother to hear that I thought Millie
+Bushell plump. She is plump, you know;" and Charlie's eyes expressed a
+candid homage to truth.
+
+"Oh, I know what's being arranged for you."
+
+"So do I."
+
+"And you'll do it. Oh, you think you won't, but you will. Men always
+end by doing what they're told."
+
+"Does Mr. Marland?"
+
+"He begins by it," laughed his wife.
+
+"Is that why he's not coming till Saturday week?"
+
+"Mr. Merceron! But what was Miss Bushell doing at the Pool? Did she
+come to find you?"
+
+"Oh, no; just for a walk."
+
+"Poor girl!"
+
+"Why--it's good for her."
+
+"I didn't mean the walk,"
+
+"I'd blush if there was light enough to make it any use, Mrs. Marland."
+
+"Oh, but I know there's something. You don't go there every evening to
+look for a dead lady, Mr. Merceron."
+
+Charlie stopped short, and took his cigar from his mouth.
+
+"What?" he asked, a little abruptly.
+
+"Well, I shall follow you some day, and I shouldn't be surprised if I
+met--not Agatha--but----"
+
+"Well?" asked Charlie, with an uncertain smile.
+
+"Why, poor Miss Bushell!"
+
+Charlie laughed and replaced his cigar.
+
+"What are we standing still for?" he said.
+
+"I don't know. You stopped. She'd be such an ideal match for you."
+
+"Then I should never have done for you, Mrs. Marland."
+
+"My dear boy, I was married when you were still in Eton collars."
+
+They had completed the circuit of the garden, and now approached where
+Lady Merceron sat, enveloped in a shawl.
+
+"Charlie!" she called. "Here's a letter from Victor Button. He's coming
+to-morrow."
+
+"I didn't know you'd asked him," said Charlie, with no sign of pleasure
+at the news. Victor had been at school and college with Charlie, and
+often, in his holidays, at the Court, for he was Sir Victor's godson.
+Yet Charlie did not love him. For the rest, he was very rich, and was
+understood to cut something of a figure in London society.
+
+"Mr. Sutton? Oh, I know him," exclaimed Mrs. Marland. "He's charming!"
+
+"Then you shall entertain him," said Charlie. "I resign him."
+
+"I can't think why you're not more pleased to have him here, Charlie,"
+remarked Lady Merceron. "He's very popular in London, isn't he,
+Vansittart?"
+
+"I've met him at some very good houses," answered Mr. Vansittart. And
+that, he seemed to imply, is better than mere popularity.
+
+"The Bushells were delighted with him last time he was here," continued
+Lady Merceron.
+
+"There! A rival for you!" Mrs. Marland whispered.
+
+Charlie laughed cheerfully. Sutton would be no rival of his, he
+thought; and if he and Millie liked one another, by all means let them
+take one another. A month before he would hardly have dismissed the
+question in so summary a fashion, for the habit of regarding Millie as
+a possibility and her readiness as a fact had grown strong by the
+custom of years, and, far as he was from a passion, he might not have
+enjoyed seeing her allegiance transferred to Victor Sutton. Certainly
+he would have suffered defeat from that hand with very bad grace. Now,
+however, everything was changed.
+
+"Vansittart," said Lady Merceron, "Charlie and I want to consult you
+(she often coupled Charlie's hypothetical desire for advice with her
+own actual one in appeals to Mr. Vansittart) about Mr. Prime's rent."
+
+"Oh, at the old farm?"
+
+"Yes. He wants another reduction."
+
+"He'll want to be paid for staying there next."
+
+"Well, poor man, he's had to take lodgers this summer--a thing he's
+never done before. Charlie, did you know that?"
+
+"Yes," said Charlie, interrupting an animated conversation which he had
+started with Mrs. Marland.
+
+"Do you know who they are?" pursued his mother, wandering from Mr.
+Prime's rent to the more interesting subject of his lodgers.
+
+"Ladies from London," answered Charlie.
+
+"Rather vague," commented Mr. Vansittart. "Young ladies or old ladies,
+Charlie?"
+
+"Why does he want to know?" asked Mrs. Marland; but chaff had about as
+much effect on Mr. Vansittart as it would have on an ironclad. He
+seemed not to hear, and awaited an answer with a bland smile. In truth,
+he thought Mrs. Marland a silly woman.
+
+"Young, I believe," answered Charlie, in a careless tone.
+
+"It's curious I've not seen them about," said Lady Merceron. "I pass
+the farm almost every day. Who are they, Charlie?"
+
+"One's a Miss Wallace. She's engaged to Willie Prime."
+
+"To Willie? Fancy!"
+
+"H'm! I think," remarked Mr. Vansittart, "that, from the point of view
+of a reduction of rent, these lodgers are a delusion. Of course she
+stays with Prime if she's going to many his son."
+
+"Fancy Willie!" reiterated Lady Merceron. "Surely he can't afford to
+marry? He's in a bank, you know, Vansittart, and he only gets a hundred
+and twenty pounds a year."
+
+"One blessing of the country is that everybody knows his neighbor's
+income," observed Mr. Vansittart.
+
+"Perhaps the lady has money," suggested Mrs. Marland. "But, Mr.
+Merceron, who's the other lady?"
+
+"A friend of Miss Wallace's, I believe. I don't know her name."
+
+"Oh, they're merely friends of Prime's?" Mr. Vansittart concluded. "If
+that's all he bases his claim for a reduction on---"
+
+"Hang it! He might as well have it," interrupted Charlie. "He talks to
+me about it for half an hour every time we meet."
+
+"But, my dear Charlie, you have more time than money to waste--at
+least, so it seems."
+
+His uncle's sarcasm never affected Charlie's temper.
+
+"I'll turn him on to you, uncle," he replied, "and you can see how you
+like it."
+
+"I'll go and call on him tomorrow. You'd better come too, Charlie."
+
+"And then you can see the ladies from London," added Mrs. Marland.
+"Perhaps the one who isn't young Mr. Prime's will be interesting."
+
+"Or," said Charlie, "as mostly happens in this woeful world, the one
+who is."
+
+"I think the less we see of that sort of person at all, the better,"
+observed Lady Merceron, with gentle decision. "They can hardly be quite
+what we're accustomed to."
+
+"That sort of person!"
+
+Charlie went to bed with the phrase ringing in his horror-struck ears.
+If to be the most beautiful, the most charming, and the most refined,
+the daintiest, the wittiest and prettiest, the kindest and the
+sweetest, the merriest and most provoking creature in the whole
+world--if to be all this were yet not to weigh against being 'that sort
+of person'--if it were not, indeed, to outweigh, banish, and obliterate
+everything else why, the world was not fit to live in, and he no true
+Merceron! For the Merceron men had always pleased themselves.
+
+
+
+CHAPTER III
+
+ALL NONSENSE
+
+
+On the evening of the next day, while the sun was still on the Pool,
+and its waters, forgetful of darker moods and bygone tragedies, smiled
+under the tickling of darting golden gleams, a girl sat on the broad
+lowest step of the temple. She had rolled the sleeves of her white gown
+above her elbow, up well-nigh to her shoulder, and, the afternoon being
+sultry, from time to time dipped her arms in the water and, taking them
+out again, amused herself by watching the bright drops race down to her
+rosy fingertips. The sport was good, apparently, for she laughed and
+flung back her head so that the stray locks of hair might not spoil her
+sight of it. On either side of this lowest step there was a margin of
+smooth level grass, and, being unable as she sat to bathe both arms at
+once, presently she moved on to the grass and lay down, sinking her
+elbows in the pond and leaning her face over the edge of it. The
+posture had another advantage she had not thought of, and she laughed
+again when she saw her own eyes twinkling at her from the depths. As
+she lay there a longing came upon her.
+
+"If I could be sure he wouldn't come I'd dip my feet," she murmured.
+
+As, however, he had come every evening for a fortnight past the fancy
+was not to be indulged, and she consoled herself by a deeper dive yet
+of her arms and by drooping her head till her nose and the extreme
+fringe of her eyelashes were wetted, and the stray locks floated on
+either side.
+
+Presently, as she still looked, she saw another shadow on the water,
+and exchanged with her image a confidential glance.
+
+"You again?" she asked.
+
+The other shadow nodded.
+
+"Why didn't you come in the canoe?"
+
+"Because people see it."
+
+It struck her that her attitude was unconventional, and by a lithe
+complicated movement, whereof Charlie noticed only the elegance and not
+the details, she swept round and, sitting, looked up at him.
+
+"I know who she was," she observed.
+
+"She very nearly knew who you were. You oughtn't to have come to the
+window."
+
+"She thought I was the ghost."
+
+"You shouldn't reckon on people being foolish."
+
+"Shouldn't I? Yet I reckoned on your coming--or there'd have been some
+more of me in the water."
+
+"I wish I were an irregular man," said Charlie.
+
+She was slowly turning down her sleeves, and, ignoring his remark,
+said, with a question in her tones:
+
+"Nettie Wallace says that Willie Prime says that everybody says that
+you're going to marry that girl."
+
+"I believe it's quite true."
+
+"Oh!" and she looked across the Pool.
+
+"True that everybody says so," added Charlie. "Why do you turn down
+your sleeves?"
+
+"How funny I must have looked, sprawling on the bank like that!" she
+remarked.
+
+"Awful!" said Charlie, sitting down.
+
+She looked at him with uneasiness in her eye.
+
+"Nothing but an ankle, I swear," he answered.
+
+She blushed and smiled.
+
+"I think you should whistle, or something, as you come."
+
+"Not I," said Charlie, with decision.
+
+Suddenly she turned to him with a serious face, or one that tried to be
+serious.
+
+"Why do you come?" she asked.
+
+"Why do I eat?" he returned.
+
+"And yet you were angry the first time."
+
+"Nobody likes to be caught ranting out poetry especially his own."
+
+"I believe you were frightened--you thought I was Agatha. The poetry
+was about her, wasn't it?"
+
+"It's not at all a bad poem," observed Charlie.
+
+"You remember I liked it so much that I clapped my hands."
+
+"And I jumped!"
+
+The girl laughed.
+
+"Ah, well," she said, "it's time to go home."
+
+"Oh, dear, no," said Charlie!
+
+"But I've promised to be early, because Willie Prime's coming, and I'm
+to be introduced to him."
+
+"Willie Prime can wait. He's got Miss Wallace to comfort him, and I've
+got nobody to comfort me."
+
+"Oh, yes. Miss Bushell."
+
+"You know her name?"
+
+"Yes--and yours--your surname, I mean; you told me the other."
+
+"That's more than you've done for me."
+
+"I told you my name was Agatha."
+
+"Ah, but that was a joke. I'd been talking about Agatha Merceron."
+
+"Very well. I'm sorry it doesn't satisfy you. If you won't believe
+me--!"
+
+"But your surname?"
+
+"Oh, mine? Why, mine's Brown."
+
+"Brown!" re-echoed Charlie, with a tinge of disappointment in his tone.
+
+"Don't you like it?" asked Miss Agatha Brown with a smile.
+
+"Oh, it will do for the present," laughed Charlie.
+
+"Well, I don't mean to keep it all my life. I've spent to-day, Mr.
+Merceron, in spying out your house. Nettie Wallace and I ventured quite
+near. It's very pretty."
+
+"Rather dilapidated, I'm afraid."
+
+"What's the time, Mr. Merceron?"
+
+"Half-past six. Oh, by Jove!"
+
+"Well? Afraid of seeing poor Agatha?"
+
+"I should see nobody but you, if you were here. No. I forgot that.
+I've got to meet someone at the station at a quarter-past seven."
+
+"Oh, do tell me who?"
+
+"You'd be none the wiser. It's a Mr. Victor Sutton."
+
+"Victor Sutton!" she exclaimed, with a glance at Charlie which passed
+unnoticed by him. "Is he a friend of yours?"
+
+"I suppose so. Of my family's, anyhow."
+
+"Good-by. I'm going," she announced.
+
+"You'll be here to-morrow?"
+
+"Yes. For the last time."
+
+She dropped this astounding thunderbolt on Charlie's head as though it
+had been the most ordinary remark in the world.
+
+"The last time! Oh, Miss---" No: somehow he could not lay his tongue to
+that "Miss Brown."
+
+"I can't spend all my life in Lang Marsh," said she.
+
+"Agatha," he burst out.
+
+"No, no. This is not the last time. Sha'n't we keep that?" she asked,
+with a provokingly light-hearted smile.
+
+"You promise to be here to-morrow?"
+
+"Oh, yes."
+
+"I shall have something to say to you then," Charlie announced with a
+significant air.
+
+"Oh, you never lack conversation."
+
+"You'll be here at five?"
+
+"Precisely," she answered with mock gravity; "and now I'm gone!"
+
+Charlie took off his straw hat, stretched out his right hand, and took
+hers. For a moment she drew back, but he looked very handsome and
+gallant as he bowed his head down to her hand, and she checked the
+movement.
+
+"Oh, well!" she murmured; she was protesting against any importance
+being attached to the incident.
+
+Charlie, having paid his homage, walked, or rather ran, swiftly away.
+To begin with, he had none too much time if he was to meet Victor
+Sutton; secondly, he was full of a big resolve, and that generally
+makes a man walk fast.
+
+The lady pursued a more leisurely progress. Swinging her hat in her
+hand, she made her way through the tangled wood back to the high-road,
+and turned towards Mr. Prime's farm. She went slowly along, thinking
+perhaps of the attractive young fellow she had left behind her,
+wondering perhaps why she had promised to meet him again. She did not
+know why, for there was sure to happen at that last meeting the one
+thing which she did not, she supposed, wish to happen. However, a
+promise is a promise. She heard the sound of wheels behind her, and,
+turning, found the farmer's spring-cart hard on her heels. The farmer
+was driving, and by his side sat a nice-looking girl dressed in the
+extreme of fashion. On the back seat was a young man in a very light
+suit, with a fine check pattern, and a new pair of brown leather shoes.
+The cart pulled up.
+
+"We can make room for ye, Miss," said old Mr. Prime.
+
+Nettie Wallace jumped tip and stood with her foot on the step. Willie
+Prime jumped down and effected her transfer to the back seat. Agatha
+climbed up beside the farmer and stretched her hand back to greet
+Willie. Willie took it rather timidly. He did not quite 'savvy' (as he
+expressed it to himself); his fiancee's friend was very simply attired,
+infinitely more simply than Nettie herself. Nettie had told him that
+her friend was 'off and on'(a vague and rather obscure qualification of
+the statement) in the same line as herself--namely, Court and
+high-class dressmaking. Yet there was a difference between Nettie and
+her friend.
+
+"Anybody else arrived by the train?" asked Agatha.
+
+"A visitor for the Court. A good-looking gentleman, wasn't he, Willie?"
+
+Nettie was an elegant creature and, but for the 'gentleman' and that
+slight but ineradicable twang that clings like Nessus' shirt to the
+cockney, all effort and all education notwithstanding (it will even
+last three generations, and is audible, perhaps, now and then in the
+House of Lords), her speech was correct and even dainty in its prim
+nicety.
+
+"Ah!" said Agatha.
+
+"His name's Sutton," said Willie; "Mr. Charles--young Mr.
+Merceron--told me so when he was talking to me on the platform."
+
+"You know young Mr. Merceron?" asked Agatha.
+
+"Why, they was boys together," interrupted the old farmer, who made
+little of the refinements of speech. In his youth no one, from the lord
+to the laborer, spoke grammar in the country. "Used to larn to swim
+together in the Pool, didn't you, Willie?"
+
+"I must have a dip there to-morrow," cried Willie; and Agatha wondered
+what time he would choose. "And I'll take you there, Nettie. Ever been
+yet?"
+
+"No. They--they say it's haunted, don't they, Willie?"
+
+"That's nonsense," said Willie. London makes a man sceptical. The old
+farmer shook his head and grunted doubtfully. His mother had seen poor
+Agatha Merceron; this was before the farmer was born--a little while
+before--and the shock had come nigh to being most serious to him. The
+whole countryside knew it.
+
+"Why do you call it nonsense, Mr. Prime?" asked Agatha.
+
+"Oh, I don't know, Miss---"
+
+"Miss Brown, Willie," said Nettie.
+
+"Miss Brown. Anyway, we needn't go the time the ghost comes."
+
+"I should certainly avoid that," laughed Agatha.
+
+"We'll go in the morning, Nettie, and I'll have my swim in the evening."
+
+Agatha frowned. It would be particularly inconvenient if Willie Prime
+took his swim in the evening.
+
+"Oh, don't, Willie," cried Nettie. "She--she might do you some harm."
+
+Willie was hard to persuade. He was not above liking to appear a
+daredevil; and the discussion was still raging when they reached the
+farm. The two girls went upstairs to the little rooms which they
+occupied. Agatha turned into hers, and Nettie Wallace followed her.
+
+"Your Willie is very nice," said Agatha, sitting on her bed.
+
+Nettie smiled with pleasure.
+
+"And now that you've other company I shall go."
+
+"You're going, Miss?"
+
+"Not Miss."
+
+Nettie laughed.
+
+"I forget sometimes," she said.
+
+"Well, you must remember just over tomorrow. I shall go next day. I
+must meet my grandfather in London."
+
+Nettie offered no opposition. On the contrary, she appeared rather
+relieved.
+
+"Nettie, did you like Mr. Sutton's looks?" asked Agatha after a pause.
+
+"He's too black and blue for my taste," answered Nettie.
+
+Willie Prime was red and yellow.
+
+"Blue? Oh: you mean his cheeks?"
+
+"Yes. But he's a handsome gentleman all the same; and you should have
+seen his luggage! Such a dressing-bag--cost fifty pounds, I daresay."
+
+"Oh, dear, me," said Agatha, "Yes, Nettie, I shall go the day after
+to-morrow."
+
+"Mr. Merceron asked to be introduced to me," said Nettie proudly. "And
+he asked where you were--he said he'd seen you at the window."
+
+"Did he?" said Agatha negligently; and Nettie, finding the conversation
+flag, retired to her own room.
+
+Agatha sat a moment longer on the bed.
+
+"What a very deceitful young man," she exclaimed at last. "I must be a
+very strict secret indeed. Well, I suppose I should be."
+
+
+
+CHAPTER IV
+
+A CATASTROPHE AT THE POOL
+
+
+Mr. Vansittart Merceron was not quite sure that Victor Sutton had any
+business to call him "Merceron." He was nearly twenty years older than
+Victor, and a man of considerable position; nor was he, as some
+middle-aged men are, flattered by the implication of
+contemporaneousness carried by the mode of address. But it is hard to
+give a hint to a man who has no inkling that there is room for one; and
+when Mr. Vansittart addressed Victor as 'Mr. Sutton' the latter
+graciously told him to "hang the Mister." Reciprocity was inevitable,
+and the elder man asked himself, with a sardonic grin, how soon he
+would be "Van."
+
+"Coming to bathe, Merceron?" he heard under his window at eight o'clock
+the next morning. "We're off to the Pool."
+
+Mr. Vansittart shouted an emphatic negative, and the two young fellows
+started off by themselves. Charlie's manner was affected by the
+ceremonious courtesy which a well-bred host betrays towards a guest not
+very well-beloved, but Victor did not notice this. It seldom occurred
+to him that people did not like him.
+
+"Yes," he was saying, "I'm just twenty-nine. I've had my fling,
+Charlie, and now I shall get to business."
+
+Charlie was relieved to find that according to this reckoning he had
+several more years 'fling' before him.
+
+"Next year," pursued Victor, "I shall marry; then I shall go into
+Parliament, and then I shall go ahead."
+
+"I didn't know you were engaged."
+
+"No, I'm not, but I'm going to be. I can please myself, you see; I've
+got lots of coin."
+
+"Oh, yes, but can you please the lady?" asked Charlie.
+
+"My dear boy," began Victor, "when you've seen a little more of the
+world----
+
+"Here we are," said Charlie. "Why, hullo! Who's that?"
+
+A dripping head and a blowing mouth were visible in the middle of the
+Pool.
+
+"Willie Prime by Jove! 'Morning Willie;" and Charlie set about flinging
+off his flannels, Victor following his example in a more leisurely
+fashion.
+
+Willie Prime was a little puzzled to know how he ought to treat
+Charlie. 'Charlie' he had been in very old days--then Master Charlie
+(that was Willie's mother's doing)--then Mr. Charles. But now Willie
+had set up for himself. He had played billiards with a lord, and
+football against the Sybarites, and, incidentally, hobnobbed with quite
+great people. It is not very easy to assert a social position when one
+has nothing on, and only one's head out of water, but Willie did it.
+
+"Good-morning--er--Merceron," said he.
+
+Victor heard him, and put up his eyeglass in amazement; but he, in his
+turn, had only a shirt on, and the hauteur was a failure. Charlie
+utterly failed to notice the incident.
+
+"Is it cold?" he shouted.
+
+"Beastly," answered Willie. The man who has got in always tells the man
+who is going to get in that it is "beastly cold."
+
+"Here goes!" cried Charlie; and a minute later he was treading water by
+Willie's side.
+
+"Miss Wallace all fit?" he asked.
+
+"Thank you, yes, she's all right."
+
+"And her friend?"
+
+"All right, I believe."
+
+"And when is it to be, old fellow?"
+
+"Soon as I get a rise."
+
+"What?" asked the unsophisticated Charlie, who knew the phrase chiefly
+in connection with fish.
+
+"A rise of screw, you know."
+
+"Oh, ah, yes--what a fool I am!" and Charlie disappeared beneath the
+waves.
+
+When they were all on the bank, drying, Willie, encouraged by not being
+discouraged (save by Sutton's silence) in his advances, ventured
+further, and asked in a joking tone:
+
+"And aren't you marked off yet? We've been expecting to hear of it for
+the last twelve months."
+
+"What do you mean'?"
+
+"Why, you and Miss Bushell."
+
+Charlie struggled through his shirt, and then answered, with his first
+touch of distance:
+
+"Nothing in it. People've got no business to gossip."
+
+"It's damned impertinent," observed Victor Sutton in slow and
+deliberate tones.
+
+Willie flushed.
+
+"I beg pardon," he said gruffly. "I only repeated what I heard."
+
+"My dear fellow, no harm's done," cried Charlie. "Who was the fool?"
+
+"Well--in fact--my father."
+
+The situation was awkward, but they wisely eluded it by laughter. But a
+thought struck Charlie.
+
+"I say, did your father state it as a fact?"
+
+"Oh no; but as a certainty, you know."
+
+"When?"
+
+"Last night at supper."
+
+Charlie's brow clouded. Miss B--that is, Agatha, was certain to have
+been at supper. However, all that could be put right in the
+evening--that one blessed evening left to him. He looked at Willie and
+opened his mouth to speak; but he shut it again. It did not seem to him
+that he could question Willie Prime about the lady. She had chosen to
+tell him nothing, and her will was his law. But he was yearning to know
+what she was and how she came there. He refrained; and this time virtue
+really had a reward beyond itself, for Willie would blithely have told
+him that she was a dressmaker (he called Nettie, however, the manager
+of a Court modiste's business), and that would not have pleased Charlie.
+
+It was all very well for Charlie to count on that blessed evening; but
+he reckoned without his host--or rather without his guests.
+
+The Bushells came to lunch, Millie driving her terrified mother in a
+lofty gig; and at lunch Millie recounted her vision of Agatha Merceron.
+She did not believe it, of course; but it was queer, wasn't it? Victor
+Sutton rose to the bait at once.
+
+"We'll investigate it," he cried. "Merceron," (he meant the patient Mr.
+Vansittart), "didn't yon once write an article on 'Apparitions' for
+_Intellect_?"
+
+"Yes, I proved there were none," answered Mr. Vansittart.
+
+"That's impossible, you know," remarked Mrs. Marland gently.
+
+"We'll put you to the proof this very evening," declared Mr. Sutton.
+
+Charlie started.
+
+"Are you game, Miss Bushell?" continued Victor.
+
+"Ye--yes, if you'll keep quite near me, answered Millie, with a playful
+shudder. Charlie reflected how ill playfulness became her, and frowned.
+But Millie was pleased to see him frown; she enjoyed showing him that
+other men liked to keep quite near to her.
+
+"Then this evening we'll go in a body to the Pool."
+
+"I shall not go," shuddered Mrs. Marland.
+
+"An hour after sunset!"
+
+"Half an hour. She might be early--and we'll stay half an hour after.
+We'll give her a fair show."
+
+"Come," thought Charlie. "I shall get an hour with Agatha."
+
+"You'll come, Charlie?" asked Victor.
+
+"Oh, all right," he answered, hiding all signs of vexation. He could
+get back by six and join the party. But why was Mrs. Marland looking at
+him?
+
+The first step, however, towards getting back is to get there, and
+Charlie found this none so easy. After lunch came lawn-tennis, and he
+was impressed. Mr. Vansittart played a middle-aged game, and Victor had
+found little leisure for this modest sport among his more ambitious
+amusements. Charlie had to balance Millie Bushell, and he spent a very
+hot and wearying afternoon. They would go on: Victor declared it was
+good for him, Uncle Van delighted in a hard game (it appeared to be a
+very hard game to him from the number of strokes he missed), and Millie
+grew in vigor, ubiquity, and (it must be added) intensity of color as
+the hours wore away. It was close on five before Charlie, with a groan,
+could throw down his racquet.
+
+"Poor boy!" said Mrs. Marland.
+
+"Charlie, dear," called Lady Merceron, who had been talking comfortably
+to Mrs. Bushell in the shade, "come and hand the tea. I'm sure you must
+all want some. Millie, my dear, how hot you look!"
+
+"She never will take any care of her complexion, complained Mrs.
+Bushell.
+
+"Take care of your stom--your health--and your complexion will take
+care of itself," observed Mr. Vansittart.
+
+"Charlie! Where; is the boy?" called Lady Merceron again.
+
+The boy was gone. He was flying as fast as his legs would take him to
+the Pool. Where was that cherished interview now? He could hope only
+for a few wretched minutes--hardly enough to say good-by once--before
+he must hustle--yes, positively hustle--Agatha out of sight. He had
+heard that abominable Sutton remark that they might as well start
+directly after tea.
+
+He was breathless when he burst through the willows. But there he came
+to a sudden, a dead stop, and then drew back into shelter again. There
+on the bank, scarcely a dozen feet from it, sat two people--a. young
+man with his arm round a young woman's waist. Willie Prime and Nettie
+Wallace, "by all that's damnable!" as Sir Peter says! Charlie said
+something quite as forcible.
+
+He felt for his watch, but he had left it with his waistcoat on the
+lawn. What was the time? Was it going quickly or slowly? Could he
+afford to wait, or must he run round to the road and intercept Agatha?
+Five minutes passed in vacillation.
+
+"I'll go and stop her," he said, and began a cautious retreat. As he
+moved he heard Willie's voice.
+
+"Well, my dear, let's be off," said Willie.
+
+Nettie rose with a sigh of content, adjusted her hat coquettishly, and
+smoothed her skirts.
+
+"I'm ready, Willie. It's been beautiful, hasn't it?"
+
+They came towards Charlie. Evidently they intended to regain the road
+by the same path as he had chosen. Indeed, from that side of the Pool
+there was no choice, unless one clambered round by the muddy bank.
+
+"We must make haste," said Willie. "Father'll want his tea."
+
+If they made haste they would be close on his heels. Charlie shrank
+back behind a willow and let them go by; then, quick as thought, rushed
+to his canoe and paddled across--up the steps and into the temple he
+rushed. She wasn't there! Fate is too hard for the best of us
+sometimes. Charlie sat down and, stretching out his legs, stared
+gloomily at his toes.
+
+Thus he must have sat nearly ten minutes, when a head was put round the
+Corinthian pilaster of the doorway.
+
+"Poor boy! Am I very late?"
+
+Charlie leapt up and forward, breathlessly blurting out joy tempered by
+uneasiness.
+
+Agatha gathered the difficulty of the position.
+
+"Well," said she, smiling, "I must disappear, and you must go back to
+your friends."
+
+"No," said Charlie. "I must talk to you."
+
+"But they may come any moment."
+
+"I don't care!"
+
+"Oh, but I do. Charlie, what's the matter? Oh, didn't I ever call you
+'Charlie' before? Well, Charlie, if you love me (yes, I know!) you'll
+not let these people see me."
+
+"All right! Come along. I'll take you to the road and come back.
+Hullo! What's that?"
+
+"It's them!" exclaimed the lady.
+
+It was. The pair dived back into the temple. On the opposite bank stood
+Millie Bushell, Mr. Vansittart, and Victor Sutton.
+
+"Hullo, there, Charlie, you thief!" cried Victor. "Bring that canoe
+over here. Miss Bushell wants to get to the temple."
+
+"Hush! Don't move!" whispered Agatha.
+
+"But they know I'm here; they see that confounded canoe."
+
+"Charlie! Charlie!" was shouted across in three voices.
+
+"What the devil--," muttered Charlie.
+
+"They mustn't see me," urged Agatha.
+
+Victor Sutton's voice rose clear and distinct,
+
+"I'll unearth him!" he cried. "I know the way round. You wait here with
+Miss Bushell, Merceron."
+
+"Oh, he's coming round!"
+
+"I must chance it," said Charlie, and he came out of hiding. A cry
+greeted him. Victor was already started, but stopped. Charlie embarked
+and shot across.
+
+"You villain! You gave us the slip," cried Uncle Van.
+
+Miss Bushell began quietly to embark. Uncle Van followed her example.
+
+"Oh, Mr. Merceron, you'll sink us!" cried Millie.
+
+Charlie sat glum and silent. The situation beat him completely.
+
+Uncle Van drew back. Millie seized the paddle and propelled the canoe
+out from the bank.
+
+"You come round with me, Merceron," called Sutton, and the two men
+turned to the path. "No," added Victor. "Look here, we can climb round
+here," and he pointed to the bank. There was a little narrow muddy
+track, but it was enough.
+
+The canoe was half-way across; the two men--Victor leading at a good
+pace--were half-way round. Charlie glanced at the window of the temple
+and caught a fleeting glance of a despairing face. "If you love me,
+they mustn't see me!"
+
+"Here, give me the paddle!" he exclaimed, and reached forward for it.
+
+"No, I can do it," answered Millie, lifting the instrument out of his
+reach.
+
+Charlie stepped forward--rather, he jumped forward, as a man jumps over
+a ditch. There was a shriek from Millie; the canoe swayed, tottered,
+and upset. In a confused mass, Millie Bushell and Charlie were hurled
+into the water. Victor and Uncle Van, hardly five yards from the steps,
+turned in amazement.
+
+"Help! help!" screamed Millie.
+
+"Help!" echoed Charlie. "I can't hold her up. Victor, come and help me!
+Uncle Van, come along!"
+
+"The devil!" murmured Uncle Van,
+
+"Quick, quick!" called Charlie; and Victor, with a vexed laugh, peeled
+off his coat and jumped in. Mr. Vansittart stood with a puzzled air.
+Then a happy thought struck him. He turned and trotted back the way he
+had come. He would get a rope!
+
+As he went, as Victor reached the stragglers in the water, a slim
+figure in white, with a smile on her face, stole cautiously from the
+temple and disappeared in the wood behind. Charlie saw her go, but he
+held poor Millie's head remorselessly tight towards the other bank.
+
+And that was the last he saw of the Lady of the Pool.
+
+Millie Bushell landed, her dripping clothes clinging round her. Victor
+was shivering, for the evening had turned chilly. Uncle Van had a bit
+of rope from the boat-shed in his hand, and a doubtful smile on his
+face.
+
+"We'd best get Miss Bushel home," he suggested, and they started in
+gloomy procession. Charlie, in remorse, gave Millie his arm.
+
+"Oh, how could you?" she murmured piteously. She was cold, she was wet,
+and she was sure that she looked frightful.
+
+I--I didn't do it on purpose, "Charlie blurted out eagerly.
+
+"On purpose! Well, I suppose not," she exclaimed, bewildered. Charlie
+flushed. Victor shot a swift glance at him.
+
+Half-way home they met Mrs. Marland and the whole affair had to be
+explained to her. Charlie essayed the task.
+
+"Still, I don't see how you managed to upset the canoe," observed Mrs.
+Marland.
+
+"No more do I," said Victor Sutton. Charlie gave it up.
+
+"I'm so sorry, Millie," he whispered. "You must try to forgive me."
+
+So, once again, the coast was left clear for Agatha Merceron, if she
+came that night. But, whether she did or not, the other Agatha came no
+more, and Charlie's great resolve went unfulfilled. Yet the next
+evening he went: alone to the temple, and he found, lying on the floor,
+a little handkerchief trimmed with lace and embroidered with the name
+of "Agatha." This he put in his pocket, thanking heaven that his
+desperate manoeuvre had kept the shrine inviolate the day before.
+
+"Poor Millie!" said he. "But then I had to do it."
+
+"I hear," remarked Lady Merceron a few days later, "that one of Mr.
+Prime's friends has left him--not Willie's young lady--the other."
+
+"Has she?" asked Charlie.
+
+No one pursued the subject, and, after a moment's pause, Mrs. Marland,
+who was sitting next to Charlie, asked him in a low voice whether he
+had been to the Pool that evening--.
+
+"No," answered Charlie. "I don't go every night."
+
+"Oh, poor dear Miss Bushell!" laughed Mrs. Marland; and, when Charlie
+looked inquiringly at her, she shook her head.
+
+"You see, I know something of young men," she explained.
+
+
+
+CHAPTER V
+
+AN UNFORESEEN CASE
+
+
+"I wish to goodness," remarked the Reverend Sigismund Taylor rubbing
+the bridge of his nose with a corner of the Manual, "that the Vicar had
+never introduced auricular confession. It may be in accordance with the
+practice of the Primitive Church, but--one does meet with such very
+curious cases. There's nothing the least like it, in the Manual."
+
+He opened the book and searched its pages over again. No, the case had
+not been foreseen. It must be included in those which were "left to the
+discretion of the priest."
+
+"It's a poor Manual," said Mr. Taylor, throwing it down and putting his
+hands in the pocket of his cassock. "Poor girl! She was quite
+distressed, too. I must have something to tell her when she comes next
+week."
+
+Mr. Taylor had, in face of the difficulty, taken time to consider, and
+the penitent had gone away in suspense. To represent oneself as a
+dressmaker--well, there was nothing very outrageous in that; it was
+unbecoming, but venial, to tell sundry fibs by way of supporting the
+assumed character--the Manual was equal to that; but the rest of the
+disclosure was the crux. Wrong, no doubt, was the conduct--but how
+wrong? That made all the difference. And then there followed another
+question: What ought to be done? She had asked for advice about that
+also, and, although such counsel was not strictly incumbent on him, he
+felt that he ought not to refuse it. Altogether he was puzzled. At
+eight-and-twenty one cannot be ready for everything; yet she had
+implored him to consult nobody else, and decide for her himself. "I've
+such trust in you," she had said, wiping away an incipient teardrop;
+and, although Mr. Taylor told her that the individual was nothing and
+the Office everything, he had been rather gratified. Thinking that a
+turn in the open air might clear his brain and enable him better to
+grapple with this very thorny question, he changed his cassock for a
+long tailed coat, put on his wide awake, and, leaving the precincts of
+St. Edward Confessor, struck across Park Lane and along the Row. He
+passed several people he knew, both men and women: Mrs. Marland was
+there, attended by two young men, and, a little farther on, he saw old
+Lord Thrapston tottering along on his stick. Lord Thrapston hated a
+parson, and scowled at poor Mr. Taylor as he went by. Mr. Taylor shrank
+from meeting his eye, and hurried along till he reached the Serpentine,
+where he stood still for a few minutes, drinking in the fresh breeze.
+But the breeze could not blow his puzzle out of his brain. Was it a
+crime, or merely an escapade? What had she said to the young man? What
+had her feelings been or become towards the young man? Moreover, what
+had she caused the young man's feelings to be for her? When he came to
+think it over, Mr. Taylor discovered, with a shock of surprise, that on
+all these distinctly material points the confession had been singularly
+incomplete. He was ashamed of this, for, of course, it was his business
+to make the confession full and exhaustive. He could only plead that,
+at the moment, it had seemed thorough and candid--an unreserved
+revelation. Yet those points did, as a fact, remain obscure.
+
+"I wish I knew a little more about human nature," sighed Mr. Taylor: he
+was thinking of one division of human nature, and it is likely enough
+that he knew next to nothing of it.
+
+A hand clapped him on the shoulder, and, with a start, he turned round.
+A tall young man, in a new frock-coat and a faultless hat, stood by
+him, smiling at him.
+
+"What, Charlie, old fellow!" cried Taylor; "where do you spring from?"
+
+Charlie explained that he was up in town for a month or two.
+
+"It's splendid to meet you first day! I was going to look you up," he
+said.
+
+Sigismund Taylor and Charlie had been intimate friends at Oxford,
+although Charlie was, as time counts there, very considerably the
+junior. For the last two or three years they had hardly met.
+
+"But what are you up for?"
+
+"Oh, well, you see, my uncle wants me to get called to the Bar, or
+something, so I ran tip to have a look into it."
+
+"Will that take a month?"
+
+"Look here, old fellow, I've got nothing else to do--I don't see why I
+shouldn't stretch it to three months. Besides, I want to spend some
+time with my ancestors."
+
+"With your ancestors?"
+
+"In the British Museum: I'm writing a book about them. Queer lot some
+of them were, too. Of course I'm specially interested in Agatha
+Merceron; but I suppose you never heard of her."
+
+Mr. Taylor confessed his ignorance, and Charlie, taking his arm, walked
+him up and down the bank, while he talked on his pet subject. Agatha
+Merceron was always interesting, and just now anything about the Pool
+was interesting; for there was one reason for his visit to London which
+he had not disclosed. Nettie Wallace had, when he met her one day,
+incautiously dropped a word which seemed to imply that the other Agatha
+was often in London. Nettie tried to recall her words; but the mischief
+was done, and Charlie became more than ever convinced that he would
+grow rusty if he stayed always at Langbury Court. In fact, he could
+suffer it no longer, and to town he went.
+
+For a long while Sigismund Taylor listened with no more than average
+interest to Charlie's story, but it chanced that one word caught his
+notice.
+
+"She comes out of the temple," said Charlie, in the voice of hushed
+reverence with which he was wont to talk of the unhappy lady.
+
+"Out of where?" asked Mr. Taylor.
+
+"The temple. Oh, I forgot, the temple is--" and Charlie gave a
+description which need not be repeated.
+
+Temple! temple! Where had he heard of a temple lately? Mr. Taylor
+cudgelled his brains. Why--why--yes, she had spoken of a temple. She
+said they met in a temple. It was a strange coincidence: the word had
+struck him at the time. But then everybody knows that, at a certain
+period, it was common enough to put up these little classical erections
+as a memorial or merely as an ornament to pleasure-grounds. It must be
+a mere coincidence. But--Mr. Taylor stopped short.
+
+"What's up?" asked Charlie, who had finished his narrative, and was now
+studying the faces of the ladies who rode past.
+
+"Nothing," answered Mr. Taylor.
+
+And really it was not much--taken by itself, entirely unworthy of
+notice; even taken in conjunction with the temple, of no real
+significance, that he could see. Still, it was a whimsical thing that,
+as had just struck him, Charlie's spectre should be named Agatha. But
+it came; to nothing: how could the name of Charlie's spectre have
+anything to do with that of his penitent?
+
+Presently Charlie, too, fell into silence. He beat his stick moodily
+against his leg and looked glum and absent.
+
+"Ah, well," he said at last, "poor Agatha was hardly used: she paid
+part of the debt we owe woman."
+
+Mr. Taylor raised his brows and smiled at this gloomily misogynistic
+sentiment. He had the perception to grasp in a moment what it
+indicated. His young friend was, or had lately been, or thought he was
+likely to be, a lover, and an unhappy one. But he did not press
+Charlie. Confessions were no luxury to him.
+
+Presently they began to walk back, and Charlie, saying he had to dine
+with Victor Button, made an appointment to see Taylor again, and left
+him, striking across the Row. Taylor strolled on, and, finding Mrs.
+Marland still in her seat, sat down by her. She was surprised and
+pleased to hear that Charlie was in town.
+
+"I left him at home in deep dumps. You've never been to Langbury Court,
+have you?"
+
+Taylor shook his head.
+
+"Such a sweet old place! But, of course, rather dull for a young man,
+with nobody hut his mother and just one or two slow country neighbors."
+
+"Oh, a run 'll do him good."
+
+"Yes; he was quite moped;" and Mrs. Marland glanced at her companion.
+She wanted only a very little encouragement to impart her suspicions to
+him. It must, in justice to Mrs. Marland, be remembered that she had
+always found the simplest explanation of Charlie's devotion to the Pool
+hard to accept, and the most elaborate demonstration of how a Canadian
+canoe may be upset unconvincing.
+
+"You're a great friend of his, aren't you?" pursued Mrs. Marland. "So I
+suppose there's no harm in mentioning my suspicions to you. Indeed, I
+daresay you could be of use to him--I mean, persuade him to be wise.
+I'm afraid, Mr. Taylor, that he is in some entanglement."
+
+"Dear, dear!" murmured Mr. Taylor.
+
+"Oh, I've no positive proof, but I fear so--and a very undesirable
+entanglement, too, with someone quite beneath him. Yes, I think I had
+better tell you about it."
+
+Mr. Taylor sat silent and, save for a start or two, motionless while
+his companion detailed her circumstantial evidence. Whether it was
+enough to prove Mrs. Marland's case or not--whether, that is, it is
+inconceivable that a young man should go to any place fourteen evenings
+running, and upset a friend of his youth out of a canoe, except there
+be a lady involved, is perhaps doubtful; but it was more than enough to
+show Mr. Sigismund Taylor that the confession he had listened to was
+based upon fact, and that Charlie Merceron was the other party to those
+stolen interviews, into whose exact degree of heinousness he was now
+inquiring. This knowledge caused Mr. Taylor to feel that he was in an
+awkward position.
+
+"Now," asked Mrs. Marland, "candidly, Mr. Taylor, can you suppose
+anything else than that our friend Charlie was carrying on a very
+pronounced flirtation with this dressmaker?"
+
+"Dressmaker?"
+
+"Her friend was, and I believe she was too. Something of the kind,
+anyhow."
+
+"You--you never saw the--the other person?"
+
+"No; she kept out of the way. That looks bad, doesn't it? No doubt she
+was a tawdry vulgar creature. But a man never notices that!"
+
+At this moment two people were seen approaching. One of them was a man
+of middle height and perhaps five-and-thirty years of age; he was stout
+and thick-built; he had a fat face with bulging cheeks; his eyes were
+rather like a frog's; he leant very much forward as he walked, and
+swayed gently from side to side with a rolling swagger; and as his body
+rolled, his eye rolled too, and he looked this way and that with a
+jovial leer and a smile of contentment and amusement on his face. The
+smile and the merry eye redeemed his appearance from blank ugliness,
+but neither of them indicated a spiritual or exalted mind.
+
+By his side walked a girl, dressed, as Mrs. Marland enviously admitted,
+as really very few women in London could dress, and wearing, in virtue
+perhaps of the dress, perhaps of other more precious gifts, an air of
+assured perfection and dainty disdain. She was listening to her
+companion's conversation, and did not notice Sigismund Taylor, with
+whom she was well acquainted.
+
+"Dear me, who are those, I wonder?" exclaimed Mrs. Marland. "She's very
+distinguee."
+
+"It's Miss Glyn," answered he.
+
+"What--Miss Agatha, Glyn?"
+
+"Yes," he replied, wondering whether that little coincidence as to the
+'Agatha' would suggest itself to anyone else.
+
+"Lord Thrapston's granddaughter?"
+
+"Yes."
+
+"Horrid old man, isn't he?"
+
+"I know him very slightly."
+
+"And the man--who's he?"
+
+"Mr. Calder Wentworth."
+
+"To be sure. Why, they're engaged, aren't they? I saw it in the paper."
+
+"I'm sure I don't know," said Mr. Taylor, in a voice more troubled than
+the matter seemed to require. "I saw it in the paper too."
+
+"He's no beauty, at any rate; but he's a great match, I suppose?"
+
+"Oh, perhaps it isn't true."
+
+"You speak as if you wished it wasn't. I've heard about Mr. Wentworth
+from Victor Sutton--you know who I mean?" and Mrs. Marland proceeded to
+give some particulars of Calder Wentworth's career.
+
+Meanwhile that gentleman himself was telling Agatha Glyn a very
+humorous story. Agatha did not laugh. Suddenly she interrupted him.
+
+"Why don't you ask me more about it?"
+
+"I thought you'd tell me if you wanted me to know," he answered.
+
+"You are the most insufferable man. Don't you care in the least what I
+do or where I go?"
+
+"Got perfect confidence in you," said Calder politely.
+
+"I don't deserve it."
+
+"Oh, I daresay not; but it's so much more comfortable for me."
+
+"I disappeared--simply disappeared--for a fortnight; and you've never
+asked where I went, or what I did, or--or anything."
+
+"Haven't I? Where did you go?"
+
+"I can't tell you."
+
+"There, you see! What the dickens was the good of my asking?"
+
+"If you knew what I did I suppose you'd never speak to me again."
+
+"All right. Keep it dark then, please."
+
+"For one tiling, I met--No, I won't."
+
+"I never asked you to, you know."
+
+They walked on a little way in silence.
+
+"Met young Sutton at lunch," observed Calder. "He's been rusticating
+with some relations of old Van Merceron's. They've got a nice place
+apparently."
+
+"I particularly dislike Mr. Sutton."
+
+"All right. He sha'n't come when we're married. Eh? What?"
+
+"I didn't speak," said Miss Glyn, who had certainly done something.
+
+"Beg pardon," smiled Calder. "Victor told me rather a joke. It appears
+there's a young Merceron, and the usual rustic beauty, don't you
+know--forget the name--but a fat girl, Victor said, and awfully gone on
+young Merceron. Well, there's a pond or something----"
+
+"How long will this story last?" asked Miss Glyn with a tragic air.
+
+"It's an uncommon amusing one," protested Calder. "He upset her in the
+pond, and----"
+
+"Do you mind finishing it some other time?"
+
+"Oh, all right. Thought it'd interest you."
+
+"It doesn't."
+
+"Never knew such a girl! No sense of humor!" commented Calder, with a
+shake of his head and a backward roll of his eye towards his companion.
+
+But it makes such a difference whether a story is new to the hearer.
+
+
+
+CHAPTER VI
+
+THERE WAS SOMEBODY
+
+
+Two worlds and half a dozen industries had conspired to shower gold on
+Calder Wentworth's head. There was land in the family, brought by his
+grandmother; there was finance on the paternal side (whence came a
+Portuguese title, carefully eschewed by Calder); there had been a
+London street, half a watering-place, a South African mine, and the
+better part of an American railway. The street and the watering-place
+remained; the mine and the railway had been sold at the top of the
+market. About the same time the family name became Wentworth--it had
+been Stripes, which was felt to be absurd--and the family itself began
+to take an exalted place in society. The rise was the easier because,
+when old Mr. Stripes-Wentworth died, young Mr. Calder S. Wentworth
+became the only representative; and a rich young bachelor can rise
+lightly to heights inaccessible to the feet of less happily situated
+folk. It seemed part of Providence's benevolence that when Lady
+Forteville asked how many 'Stripes women' there were, the answer could
+be 'None'; whereupon the countess at once invited Mr. Calder Wentworth
+to dinner. Calder went, and rolled his frog's eyes with much amusement
+when the lady asked him to what Wentworths he belonged, for, as he
+observed to Miss Glyn, whom he had the pleasure of escorting, his
+Wentworths were an entirely new brand, and Lady Forteville knew it as
+well as if she had read the letters patent and invented the
+coat-of-arms.
+
+"Mr. Wentworth--Mr. Merceron," said Victor Sutton, with a wave of his
+hand.
+
+"I believe I know an uncle of yours--an uncommon clever fellow," said
+Calder, unfolding his napkin and glancing round the dining-room of the
+Themis Club.
+
+"Oh, Uncle Van? Yes, we consider him our----"
+
+"Leading article? Quite so. I've heard a bit about you too--something
+about a canoe, eh?"
+
+Charlie looked somewhat disturbed.
+
+"Oughtn't Sutton to have told me? Well, it's too late now because I've
+told half a dozen fellows."
+
+"But there's nothing to tell."
+
+"Well, I told it to old Thrapston--you don't know him, do you?
+Cunningest old boy in London. Upon my honor, you know, I shouldn't like
+to be like old Thrapston, not when I was getting old, you know. He's
+too----"
+
+"Well, what did he say?" asked Victor.
+
+"He said what you never had the sense to see, my boy; but I expect Mr.
+Merceron won't be obliged to me for repeating it."
+
+"I should like to hear it," said Charlie, with necessary politeness.
+
+"Well, it's not me, its old Thrapston; and if you say it's wrong, I'll
+believe yon. Old Thrapston--hang it, Victor, that old man ought to be
+hanged! Why, only the other day I saw him----"
+
+"Do stick to the point," groaned Victor.
+
+"All right. Well, he said, 'I'll lay a guinea there was a'--and he
+winked his sinful old eye, you know, for all the world like a
+what-d'ye-call-it in a cathedral one of those hideous--I say, what is
+the word, Victor? I saw 'em when Agatha took me--beg pardon, Merceron?"
+
+Was the world full of Agathas? If so, it would be well not to start
+whenever one was mentioned. Charlie recovered himself.
+
+"I think you must mean a gargoyle," he said, wondering who this Agatha
+might be.
+
+"Of course I do. Fancy forgetting that! Gargoyle, of course. Well, old
+Thrapston said, 'I'll lay a guinea there was a woman in that dashed
+summer house, Calder, my boy.'"
+
+Victor Button's eyes lighted with a gleam,
+
+"Well, I'm hanged if I ever thought of that! Charlie, you held us all!"
+
+"Bosh!" said Charlie Merceron. "There was no one there."
+
+"All right. But there ought to have been, you know--to give interest to
+the position."
+
+"Honor bright, Charlie?" asked Victor Sutton.
+
+"Shut up, Sutton," interposed Calder, "He's not in the Divorce Court,
+Let's change the subject."
+
+Charlie was in a difficulty, but the better course seemed to be to
+allow the subject to be changed, in spite of the wink that accompanied
+Calder's suggestion.
+
+"All right," said Victor. "How is Miss Glyn, Wentworth?"
+
+"Oh, she's all right. She's been in the country for a bit, but she's
+back now."
+
+"And when is the happy event to be?"
+
+Calder laid down his knife and fork and remarked deliberately:
+
+"I haven't, my dear boy, the least idea."
+
+"I should hurry her up," laughed Sutton.
+
+"I'd just like--now I should just like to put you in my shoes for half
+an hour, and see you hurry up Agatha."
+
+"She couldn't eat me."
+
+"Eat you? No, but she'd flatten you out so that you'd go under that
+door and leave room for the jolly draught there is all the same."
+
+Sutton laughed complacently.
+
+"Well, you're a patient man," he observed. "For my part, I like a thing
+to be off or on."
+
+It came to Charlie Merceron almost as a surprise to find that Victor's
+impudence--he could call it by no other name--was not reserved for his
+juniors or for young men from the country; but Calder took it quite
+good-humoredly, contenting himself with observing, "Well, it was very
+soon off in your case, wasn't it, old fellow?"
+
+Sutton flushed.
+
+"I've told you before that that's not true," he said angrily.
+
+Calder laughed.
+
+"All right, all right. We used to think, once upon a time, Merceron,
+you know, that old Victor here was a bit smitten himself; but he hasn't
+drugged my champagne yet, so of course, as he says, it was all a
+mistake."
+
+After dinner the three separated. Victor had to go to a party. Calder
+Wentworth proposed to Charlie that they should take a stroll together
+with a view to seeing whether, when they came opposite to the door of a
+music-hall, they would 'feel like' dropping in to see part of the
+entertainment. Charlie agreed, and, having lit their cigars, they set
+out. He found his now friend amusing, and Calder, for his part, took a
+liking for Charlie, largely on account of his good looks; like many
+plain people, he was extremely sensitive to the influence of beauty in
+women and men alike.
+
+"I say, old fellow," he said, pressing Charlie's arm as if he had known
+him all his life, "there was somebody in that summer-house, eh?"
+
+Charlie turned with a smile and a blush. He felt confidential.
+
+"Yes, there was, only Victor----"
+
+"Oh, I know. I nearly break his head whenever he mentions any girl I
+like."
+
+"You know what he'd have thought--and it wasn't anything like that
+really."
+
+"Who was she, then?"
+
+"I--I don't know."
+
+"Oh, I don't mean her name, of course. But what was she?"
+
+"I don't know."
+
+"Where did she come from?"
+
+"London, I believe."
+
+"Oh! I say, that's a queer go, Merceron."
+
+"I don't know what to think about it. She's simply vanished," said poor
+Charlie, and no one should wonder if his voice faltered a little.
+Calder Wentworth laughed at many things, but he did not laugh now at
+Charlie Merceron. Indeed he looked unusually grave.
+
+"I should drop it," he remarked. "It don't look--well--healthy."
+
+"Ah, you've never seen her," said Charlie.
+
+"No, and I tell you what--it won't be a bad thing if you don't see her
+again."
+
+"Why?"
+
+"Because you're just in the state of mind to marry her."
+
+"And why shouldn't I?"
+
+Mr. Wentworth made no answer, and they walked on till they readied
+Piccadilly Circus. Then Charlie suddenly darted forward.
+
+"Hullo, what's up?" cried Calder, following him.
+
+Charlie was talking eagerly to a very smart young lady who had just got
+down from an omnibus.
+
+"By Jove! he can't have found, her!" thought Calder.
+
+It was not the unknown, but her friend Nettie Wallace, whom Charlie's
+quick eye had discerned; and the next moment Willie Prime made his
+appearance. Charlie received them both almost with enthusiasm, and the
+news from Lang Marsh was asked and given. Calder drew near, and Charlie
+presented his friends to one another with the intent that he might get
+a word with Nettie while Calder engrossed her fiances attention.
+
+"Have--have you heard from Miss Brown lately?" he was just beginning,
+when Calder, who had been looking steadily at Nettie, burst out:
+
+"Hullo, I say, Miss Wallace, we've met before, haven't we? You know me,
+don't you?"
+
+Nettie laughed.
+
+"Oh, yes, I know you, sir. You're---"
+
+She paused abruptly, and glanced from Charlie to Calder, and back from
+Calder to Charlie. Then she blushed very red indeed.
+
+"Well, who am I?"
+
+"I--I saw you at--at Miss Glyn's, Mr. Wentworth."
+
+"'Course you did--that's it;" and, looking curiously at the girl's
+flushed face, he added: "Don't be afraid to mention Miss Glyn; Mr.
+Merceron knows all about it."
+
+"All about it, does he, sir?" cried Nettie. "Well, I'm glad of that. I
+haven't been easy in my mind ever since."
+
+Calder's conformation of eye enabled him to express much surprise by
+facial expression, and at this moment he used his power to the full.
+
+"Awfully kind of you, Miss Wallace," said he, "but I don't see where
+your responsibility comes in. Ever since what?"
+
+Nettie shot a glance of inquiry at Charlie, but here too she met only
+bewilderment.
+
+"Does he know that Miss Glyn is---" she began.
+
+"Engaged to me? Certainly."
+
+"Oh!"
+
+Willie stood by in silence. He had never heard of this Miss Glyn.
+Charlie, puzzled as he was, was too intent on Miss Brown to spend much
+time wondering why Miss Glyn's affairs should have been a trouble to
+Nettie.
+
+"You'll let me know if you hear about her, won't you?" he asked in a
+low voice.
+
+Nettie gave up the hope of understanding. She shook her head.
+
+"I'll ask her, if I see her, whether she wishes it," she whispered
+back; and, with a hasty good-night, she seized Willie's arm and hurried
+him off. Charlie was left alone with Calder.
+
+"What the deuce did she mean?" asked Calder.
+
+"I don't know," answered Charlie.
+
+"Where did you meet her?"
+
+"Oh, down at home. The fellow she was with is a son of a tenant of
+ours; she's going to marry him."
+
+"She's a nice little girl, but I'm hanged if I know what she meant."
+
+And, as the one was thinking exclusively of Agatha Glyn, and the other
+spared a thought for no one but Agatha Brown, they did not arrive at an
+explanation.
+
+One result, however, that chance encounter had. The next morning Miss
+Agatha Glyn received a letter in the following terms:
+
+
+"Madam:--I hope you will excuse me intruding, but I think you would
+wish to know that Mr. Charles Merceron is in London, and that I met him
+this evening with Mr. Wentworth. As you informed me that you had passed
+Mr. Merceron on the road two or three times during your visit to Lang
+Marsh, I think you may wish to be informed of the above. I may add that
+Mr. Merceron is aware that you are engaged to Mr. Wentworth, but I
+could not make out how far he was aware of what happened at Lang Marsh.
+I think he does not know it. Of course you will know whether Mr.
+Wentworth is aware of your visit there. I should be much obliged if you
+would be so kind as to tell me what to say if I meet the gentlemen
+again. Mr. Merceron is very pressing in asking me for news of you. I am
+to be married in a fortnight from the present date, and I am, Madam,
+yours respectfully, Nettie Wallace."
+
+
+"In London, and with Calder!" exclaimed Agatha Glyn. "Oh dear! oh dear!
+oh dear! What is to be done? I wish I'd never gone near the wretched
+place!"
+
+Then she took up the letter and reread it.
+
+"He and I mustn't meet, that's all," she said.
+
+Then she slowly tore the letter into very small pieces and put them in
+the waste-paper basket.
+
+"Calder has no idea where I was," she said, and she sat down by the
+window and looked out over the Park for nearly ten minutes.
+
+"Ah, well! I should like to see him just once again. Dear old Pool."
+said she.
+
+Then she suddenly began to laugh--an action only to be excused in one
+in her position, and burdened with her sins, by the fact of her having
+at the moment a peculiarly vivid vision of Millie Bushell going head
+first out of a canoe.
+
+
+
+CHAPTER VII
+
+THE INEVITABLE MEETING
+
+
+The first Viscount Thrapston had been an eminent public character, and
+the second a respectable private person; the third had been neither.
+And yet there was some good in the third. He had loved his only son
+with a fondness rare to find; and for ten whole years, while the young
+man was between seventeen and twenty-seven, the old lord lived, for his
+sake, a life open to no reproach. Then the son died, leaving a lately
+married wife and a baby-girl, and Lord Thrapston, deprived at once of
+hope and of restraint, returned to his old courses, till age came upon
+him and drove him from practice into reminiscence. Mrs. Glyn had
+outlived her husband fifteen years and then followed him, fairly
+snubbed to death, some said, by her formidable father-in-law. The
+daughter was of sterner stuff, and early discovered for herself that
+nothing worse than a scowl or a snarl was to be feared. On her, indeed,
+descended a relic of that tenderness her father had enjoyed, and Agatha
+used to the full the advantages it gave her. She knew her own
+importance. It is not every girl who will be a peeress in her own
+right, and she amused her grandfather by calmly informing him that it
+was not on the whole a subject for regret that she had not been a boy.
+"You see," said she, "we get rid of the new viscounty, and it's much
+better to be Warmley than Thrapston."
+
+The fact that she was some day to be 'Warmley' was the mainspring of
+that hairbrained jaunt to Lang Marsh in company with Nettie Wallace.
+Nettie was the daughter of Lord Thrapston's housekeeper, and the two
+girls had been intimate in youth, much as Charlie Merceron and Willie
+Prime had been at the Court; and when Nettie, scorning servitude, set
+up in life for herself, Agatha gave her her custom and did not withdraw
+her friendship. In return, she received an allegiance which refused
+none of her behests, and a regard which abolished all formality between
+them, except when Nettie got a pen in her hand and set herself to
+compose a polite letter. The expedition was, of course, to see the
+Court--the old home of the Warmleys, for which Agatha felt a
+sentimental attraction. She had told herself that some day, if she were
+rich (and, Lord Thrapston not being rich, she must have had some other
+resource in her mind), she would buy back Langbury Court and get rid of
+the Mercerons altogether. There were only a widow and a boy, she had
+heard, and they should have their price. So she went to the Court in
+the business-like mood of a possible purchaser (Calder could afford
+anything), as well as in the romantic mood of a girl escaped from
+every-day surroundings and plunging into a past full of interest to
+her. Had not she also read of Agatha Merceron? And in this mixed mood
+she remained till one evening at the Pool she had met 'the boy', when
+the mood became more mixed still. She dared not now look back on the
+struggles she had gone through before her meeting with the boy became
+first a daily event, and then the daily event. She had indulged herself
+for once. It was not to last; but for once it was overpoweringly sweet
+to be gazed at by eyes that did not remind her of a frog's, and to see
+swiftly darting towards her a lithe straight figure crowned with a head
+that (so she said) reminded her of Lord Byron's. But alas! alas! why
+had nobody told her that the boy was like that before she went? Why did
+her grandfather take no care of her? Why did Calder never show any
+interest in what she did? Why, in fine, was everybody so cruel as to
+let her do exactly what she liked, and thereby get into a scrape like
+this?
+
+One thing was certain. If that boy were in London, she must avoid him.
+They must never meet. It was nonsense for Mr. Sigismund Taylor to talk
+of making a. clean breast of it--of a dignified apology to Charlie,
+coupled with a no less dignified intimation that their acquaintance
+must be regarded as closed. Mr. Taylor knew nothing of the world. He
+even wanted her to tell Calder! No. She was truly and properly
+penitent, and she hoped that she received all he said in that line in a
+right spirit; but when it came to a question of expediency, she would
+rather have Mrs. Blunt's advice than that of a thousand Mr. Taylors. So
+she wrote to Mrs. Blunt and asked herself to lunch, and Mrs. Blunt,
+being an accomplished painstaking hostess, and having no reason to
+suppose that her young friend desired a confidential interview, at once
+cast about for some one whom Agatha would like to meet. She did not ask
+Calder Wentworth--she was not so commonplace as that--but she invited
+Victor Sutton, and, delighting in a happy flash of inspiration, she
+added Mr. Vansittart Merceron. The families were connected in some way,
+she knew, and Agatha certainly ought to know Mr. Merceron.
+
+Accordingly, when Agatha arrived, she found Victor, and she had not
+been there five minutes before the butler, throwing open the door,
+announced "Mr. Merceron."
+
+Uncle Van had reached that state of body when he took his time over
+stairs, and between the announcement and his entrance there was time
+for Agatha to exclaim, quite audibly, "Oh!"
+
+"What's the matter, dear?" asked Mrs. Blunt; but Uncle Van's entrance
+forbade a reply, and left Agatha blushing but relieved.
+
+Was she never to hear the end of that awful story? It might be natural
+that, her hereditary connection with the Mercerons being disclosed, Mr.
+Vansittart should discourse of Langbury Court, of the Pool, and of
+Agatha Merceron; but was it necessary that Victor Sutton should chime
+in with the whole history of the canoe and Miss Bushell, or joke with
+Mr. Merceron about his nephew's 'assignations'? The whole topic seemed
+in bad taste, and she wondered that Mrs. Blunt did not discourage it.
+But what horrible creatures men were! Did they really think it
+impossible for a girl to like to talk to a man for an hour or so in the
+evening without----?
+
+"You must let me bring my nephew to meet Miss Glyn," said Uncle Van
+graciously to his hostess. "She is so interested in the family history
+that she and Charlie would get on like wildfire. He's mad about it."
+
+"In fact," sniggered Victor (Miss Glyn always detested that man), "so
+interested that, as you hear, he went to meet Agatha Merceron every
+evening for a fortnight!"
+
+"You'll be delighted to meet him, won't you, Agatha? We must arrange a
+day," said Mrs. Blunt.
+
+"Calder knows him," added Victor.
+
+"He's an idle young dog," said Uncle Van, "but a nice fellow. A little
+flighty and fanciful, as boys will be, but no harm in him. You mustn't
+attach too much importance to our chaff about his meetings at the Pool,
+Miss Glyn; we don't mean any harm."
+
+Agatha tried to smile, but the attempt was not a brilliant success.
+She stammered that she would be delighted to meet Mr. Charles Merceron,
+swearing in her heart that she would sooner start for Tierra del Fuego.
+But her confession to Mrs. Blunt would save her, if only these odious
+men would go. They had had their coffee, and their liqueurs, and their
+cigarettes. What more, in Heaven's name, could even a man want to
+propitiate the god of his idolatry?
+
+Apparently the guests themselves became aware that they were
+trespassing, for Uncle Van, turning to his hostess with his blandest
+smile, remarked, "I hope we're not staying too long. The fact is, my
+dear Mrs. Blunt, you're always so kind that we took the liberty of
+telling Calder Wentworth to call for us here. He ought to have come by
+now."
+
+Mrs. Blunt declared that she would be offended if they thought of going
+before Calder came. Agatha rose in despair: the confession must be put
+off. She held out her hand to her hostess. At this moment the door-bell
+rang.
+
+"That's him," said Victor.
+
+"Sit down again for a minute, dear," urged Mrs. Blunt.
+
+There was renewed hope for the confession. Agatha sat down. But hardly
+had she done so before the strangest presentiment came over her. She
+heard the door below open and shut, and it was borne in upon her mind
+that two men had entered. How she guessed it, she could not tell, but,
+as she sat there, she had no doubt at all that Charlie Merceron had
+come with Calder Went worth. Escape was impossible, but she walked
+across to the window and stood there, with her back to the door.
+
+"Mr. Wentworth!" she heard, and then, cutting the servant short, came
+Calder's voice.
+
+"I took the liberty---" he began: and she did not know how he went on,
+for her head was swimming.
+
+"Agatha! Agatha, dear!" called Mrs. Blunt.
+
+Perforce she turned, passing her hand quickly across her brow. Yes! It
+was so. There he stood by Calder's side, and Calder was saying, "My
+dear Agatha, this is Charlie Merceron."
+
+She would not look at Charlie. She moved slowly forward, her eyes fixed
+on Calder, and bowed with a little set smile. Luckily people pay slight
+attention to one another's expressions on social occasions, or they
+must all have noticed her agitation. As it was, only Calder Wentworth
+looked curiously at her before he turned aside to shake hands with
+Uncle Van.
+
+Then she felt Charlie Merceron coining nearer, and, a second later, she
+heard his voice.
+
+"Is it possible that it's you?" he asked, in a low tone.
+
+Then she looked at him. His face was pale and his eyes eagerly
+straining to read what might be in hers.
+
+"Hush!" she whispered. "Yes. Hush! hush!"
+
+"But--but he told me your name was Glyn?"
+
+"Yes."
+
+"And he says you're engaged to him."
+
+Agatha clasped her hands, and Calder's voice broke in, between them:
+"Come along, Merceron, we're waiting for you."
+
+"They've got into antiquities already," smiled Mrs. Blunt. "You must
+come again, Mr. Merceron, and meet Miss Glyn. Mustn't he, Agatha?"
+
+Agatha threw one glance at him.
+
+"If he will," she said.
+
+Charlie pulled himself together, muttered something appropriate, and
+shuffled out tinder his uncle's wing. Mr. Vansittart was surprised to
+find him a trifle confused and awkward in society.
+
+Outside the house, Charlie ranged up beside Calder "Wentworth, leaving
+Uncle Van and Sutton together.
+
+"Well, what do you think of her?" asked Calder.
+
+Charlie gave no opinion. He asked just one question:
+
+"How long have you been engaged to her?"
+
+"How long? Oh, let's see. About--yes, just about a year. I never knew
+that there was a sort of connection between you and her--sort of
+relationship, you know. I ain't strong on the Peerage."
+
+"A sort of connection!" There was that in more senses than the one
+Calder had been told of by Uncle Van. There was a connection that poor
+Charlie thought Heaven itself had tied on those summer evenings by the
+Pool, which to strengthen and confirm forever he had sallied from his
+home, like a knight in search of his mistress the world over in olden
+days. And he found her--such as this girl must be! Stay! He did not
+know all yet. Perhaps she had been forced into a bond she hated. He
+knew that happened. Did not stories tell of it, and moralists declaim
+against it? This man--this creature, Calder Wentworth--was buying her
+with his money, forcing himself on her, brutally capturing her. Of
+course! How could he have doubted her? Charlie dropped Calder's arm as
+though it had been made of red-hot iron.
+
+"Hullo!" exclaimed that worthy fellow, unconscious of offence.
+
+Charlie stopped short. "I can't come," he said. "I--I've remembered an
+engagement;" and without more he turned away and shot out of sight
+round the nearest corner.
+
+"Well, I'm hanged!" said Calder Wentworth, and, with a puzzled frown,
+he joined his other friends.
+
+
+
+CHAPTER VIII
+
+THE MORAL OF IT
+
+
+Left alone with Mrs. Blunt, Agatha sank into the nearest chair.
+
+"A very handsome young man, isn't he?" asked the good lady, pushing a
+chair back into its place. "He'll be an acquisition, I think."
+
+Agatha made no answer, and Mrs. Blunt, glancing at her, found her
+devouring the carpet with a stony stare.
+
+"What on earth's the matter, child?"
+
+"I'm the wretchedest wickedest girl alive," declared Agatha.
+
+"Good gracious!"
+
+"Mrs. Blunt, who do you think was in the summer-house when Mr. Merceron
+went there?"
+
+"My dear, are you ill? You jump about so from subject to subject."
+
+"It's all one subject, Mrs. Blunt. There was a girl there."
+
+"Well, my dear, and if there was? Boys will be boys; and I'm sure there
+was no harm."
+
+"No harm! Oh!"
+
+"Agatha, are you crazy?" demanded Mrs. Blunt, with an access of
+sternness.
+
+"Could I fancy," pursued Agatha, in despairing playfulness mimicking
+Uncle Van's manner, "how Miss Bushell looked, and how Victor looked,
+and how everybody looked? Could I fancy it? Why, I was there!"
+
+"There! Where?"
+
+"Why, in that wretched little temple. I was the girl, Mrs. Blunt.
+I--I--I was the milkmaid, as Mr. Sutton says. I was the country wench!
+Oh dear! oh dear! oh dear!"
+
+Mrs. Blunt, knowing her sex, held out a bottle of salts.
+
+"I'm not mad," said Agatha.
+
+"You're nearly hysterical."
+
+Agatha took a long sniff.
+
+"I think I can tell you now," she said more calmly. "But was ever a
+girl in such an awful position before?"
+
+It is needless to repeat what Mrs. Blunt said. Her censures will have
+been long ago anticipated by every right-thinking person, and if she
+softened them down a little more than strict justice allowed, it must
+have been because Agatha was an old favorite of hers, and Lord
+Thrapston an old antipathy. Upon her word, she always wondered that the
+poor child, brought up by that horrid old man, was not twice as bad as
+she was.
+
+"But what am I to do about them?" cried Agatha.
+
+'Them' evidently meant Calder and Charlie.
+
+"Do! Why, there's nothing to do. You must just apologize to Mr.
+Merceron, and tell him that an end had better be put--"
+
+"Oh, I know--Mr. Taylor said that; but, Mrs. Blunt, I don't want an end
+to be put to our acquaintance. I like him very very much. Oh, and he
+thinks me horrid! Oh!"
+
+"Take another sniff," advised Mrs. Blunt, "Of course, if Mr. Merceron
+is willing to let bygones be bygones, and just be an acquaintance----"
+
+"Oh, but I know he won't. If you knew Charlie
+
+"Knew who, Agatha?"
+
+"Mr. Merceron," said Agatha, in a very humble voice. "If you knew him
+at all, you'd know he wouldn't do that."
+
+"Then you must send him about his business. Oh, yes, I know. You've
+treated him atrociously, but Calder Wentworth must be considered first;
+that is, if you care two straws for the poor fellow, which I begin to
+doubt."
+
+"Oh, I do, Mrs. Blunt!"
+
+"Agatha, you shameless girl, which of these men---?"
+
+"Don't talk as if there were a dozen of them, dear Mrs. Blunt. There
+are only two."
+
+"One too many."
+
+"Yes, I know. You--you see I'm--I'm accustomed to Calder."
+
+"Oh, are you?"
+
+"Yes. Don't be unkind, Mrs. Blunt. And then Charlie was something so
+new--such a charming change--that----"
+
+"Upon my word, you might be your grandfather. Talk about heredity, and
+Ibsen, and all that!"
+
+"Can't you help me, dear Mrs. Blunt?"
+
+"I can't give you two husbands, if that's what you want. There, child,
+don't cry. Never mind me. Have another sniff."
+
+"I shall go home," said Agatha. "Perhaps grandpapa may be able to
+advise me."
+
+"Your grandfather! Gracious goodness, girl, you're never going to tell
+him?"
+
+"Yes, I shall. Grandpapa's had a lot of experience: he says so."
+
+"I should think he had!" whispered Mrs. Blunt with uplifted hands.
+
+"Good-by, Mrs. Blunt. You don't know how unhappy I am. Thanks, yes, a
+hansom, please. Mrs. Blunt, are you going to ask Mr. Merceron here
+again?"
+
+Mrs. Blunt's toleration was exhausted.
+
+"Be off with you!" she said sternly, pointing a forefinger at the door.
+
+By great good fortune Agatha found Lord Thrapston at home. Drawing a
+footstool beside his chair, she sat down. Her agitation was past, and
+she wore a gravely business like air.
+
+"Grandpapa," she began, "I have got something to tell you."
+
+"Go ahead, my dear," said the old gentleman, stroking her golden hair.
+Her father had curls like that when he was a boy.
+
+"Something dreadful I've done, you know. But you won't be very angry,
+will you?"
+
+"We'll see."
+
+"You oughtn't to be, because you're not very good yourself, are you?"
+and she first glanced up into his burnt-out old eyes and then pressed
+her lips on his knotted lean old hand.
+
+"Aggy," said he, "I expect you play the deuce with the young fellows,
+don't you?"
+
+Agatha laughed softly, but a frown succeeded.
+
+"That's just it," she said. "Now, you're to listen and not interrupt,
+or I shall never be able to manage it. And you're not to look at me,
+grandpapa."
+
+The narrative--that thrice-told tale--began. As the comments of Mr.
+Taylor and Mrs. Blunt were omitted, those of Lord Thrapston may well
+receive like treatment, more especially as they tended not to
+edification; but before his granddaughter had finished her story the
+old man had sworn softly four times and chuckled audibly twice.
+
+"I knew there was a girl in that temple, soon as Calder told me," said
+he.
+
+"But you didn't know who it was. Oh, and Calder doesn't?"
+
+"Not he. Well, you've made a pretty little fool of yourself, missie.
+What are you going to do now?"
+
+"That's what you've got to tell me."
+
+"I? Oh, I dare say. No, no; you got into the scrape and you can get out
+of it. And---" He suddenly recollected his duties. "Look here, Agatha,
+I must--hang it, Agatha, I shouldn't be doing my duty as--as a
+grandfather if I didn't say that it's a monstrous disgraceful thing of
+you to have done. Yes, d----d disgraceful;" and he took a pinch of
+snuff with an air of severe virtue.
+
+"Yes, dear; but you shouldn't swear, should you?"
+
+Lord Thrapston felt that he had spoilt the moral effect of his reproof,
+and, without dwelling further on that aspect of the subject, he
+addressed his mind to the more practical question. The outcome,
+different as the source was, was the same old verdict.
+
+"We must tell Calder, my dear. It isn't right to keep him in the dark."
+
+"I can't tell him. Why must he be told?"
+
+"Well," said Lord Thrapston, "it's just possible, Aggy, that he may
+have something to say to it, isn't it?"
+
+"I don't mind what he says," declared Agatha.
+
+"Eh? Why, I thought you were so fond of him."
+
+"So I am."
+
+"And as you're going to marry him
+
+"I never said I was going to marry him. I only said he might be engaged
+to me, if he liked."
+
+"Oho! So this young Merceron----"
+
+"Not at all, grandpapa. Oh, I do wish somebody would help me!"
+
+Lord Thrapston rose from his seat.
+
+"You must do what you like," he said. "I'm going to tell Calder."
+
+"Oh, why?"
+
+"Because," he answered, "I'm a man of honor."
+
+Before the impressive invocation of her grandfather's one religion,
+Agatha's opposition collapsed.
+
+"I suppose he must be told," she admitted mournfully. "I expect he'll
+never speak to me again, and I'm sure Mr. Merceron won't;" and she sat
+on the footstool, the picture of dejection.
+
+Lord Thrapston was moved to enunciate a solemn truth.
+
+"Aggy," said he, shaking his finger at her, "in this world you can't
+have your fun for nothing." But then he spoilt it by adding
+regretfully, "More's the pity!" and off he hobbled to the club, intent
+on finding Calder Wentworth.
+
+For some time after he went, Agatha sat on her stool in deep thought.
+Then she rose, sat down at the writing-table, took a pen, and began to
+bite the end of it. At last she started to write:
+
+"I don't know whether I ought to write or not, but I must tell you how
+it happened. Oh, don't think too badly of me! I came down just because
+I had heard so much about the Court and I wanted to see it, and I came
+as I did with Nettie Wallace just for fun. I never meant to say I was a
+dress-maker, you know; but people would ask questions and I had to say
+something. I never, never thought of you. I thought you were about
+fifteen. And you know--oh, you must know--that I met you quite by
+accident, and was just as surprised as you were. And the rest was all
+your fault. I didn't want to come again; you know I refused ever so
+many times; and you promised you wouldn't come if I came, and then you
+did come. It was really all your fault. And I'm very, very sorry, and
+you must please try to forgive me, dear Mr. Merceron, and not think me
+a very wicked girl. I had no idea of coming every evening, but you
+persuaded me. You know you persuaded me. And how could I tell you I was
+engaged? You know you never asked me. I would have told you if you had.
+I am telling Mr. Wentworth all about it, and I don't think you ought to
+have persuaded me to meet you as you did. It wasn't really kind or nice
+of you, was it? Because, of course, I'm not very old, and I don't know
+much about the world, and I never thought of all the horrid things
+people would say. Do, please, keep this quite a secret. I felt I must
+write you just a line. I wonder what you're thinking about me, or
+whether you're thinking about me at all. You must never think of me
+again. I am very, very unhappy, and I do most earnestly hope, dear Mr.
+Merceron, that I have not made you unhappy. We were both very much to
+blame, weren't we? But we slipped into it without knowing. Good-by. I
+don't think I shall ever forget the dear old Pool, and the temple,
+and--the rest. But you must please forget me and forgive me. I am very
+miserable about it and about everything. I think we had better not know
+each other any more, so please don't answer this. Just put it in the
+fire and think no more about it or me. I wanted to tell you all this
+when I saw you to-day, but I couldn't. Good-by. Why did we ever meet?"
+
+"Agatha Glyn."
+
+
+She read this rather confused composition over twice, growing more
+sorry for herself each time. Then she put it in an envelope, addressed
+it to Charlie, looked out Uncle Van in the Directory, and sent it under
+cover to his residence. Then she went and lay down on the hearth-rug,
+and began to cry, and through her tears she said aloud to herself,
+
+"I wonder whether he'll write or come."
+
+Because it seemed to her entirely impossible that, in spite of her
+prayer, he should put the letter in the fire and let her go. Surely he
+too remembered the dear old Pool, and the temple, and--the rest!
+
+
+
+CHAPTER IX
+
+TWO MEN OF SPIRIT
+
+
+"The fact is," observed Lord Thrapston complacently, "the girl very
+much resembles me in disposition."
+
+Calder's eyes grew larger and rounder.
+
+"Do you really think so?" he asked anxiously.
+
+"Well, this little lark of hers--hang me, it's just what I should have
+enjoyed doing fifty years ago."
+
+"Ah--er--Lord--Thrapston, have you noticed the resemblance you speak of
+in any other way?"
+
+"That girl, except that she is a girl, is myself over again--myself
+over again."
+
+"The deuce!"
+
+"I beg your pardon, Calder; I grow hard of hearing."
+
+"Nothing. Lord Thrapston. Look here, Lord Thrapston----"
+
+"Well, well, my dear boy?"
+
+"Oh, nothing; that is--"
+
+"But she'll be all right in your hands, my boy. You must keep an eye;
+on her, don't you know: she'll need a bit o' driving; but I really
+don't see why you should come to grief. I don't, 'pon my soul. No.
+With tact on your part, you might very well pull through."
+
+"How d'ye mean tact, Lord Thrapston?"
+
+"Oh, amuse her. Let her travel; give her lots of society; don't bother
+her with domestic affairs. Don't let her feel she's under any
+obligation. That's what she kicks against. So do I; always did."
+
+Calder pulled his mustache. Lord Thrapston had briefly sketched the
+exact opposite of his ideal of married life.
+
+"The fact is," continued the old man, "the boy's an uncommon handsome
+boy. She can't resist that. No more can I; never could."
+
+There chanced to be a mirror opposite Calder, and he impartially
+considered himself. There was, he concluded, every prospect of Miss
+Glyn resisting any engrossing passion for him.
+
+"It's very good of you to have told, me all about it," he remarked,
+rising. "I'll think it over."
+
+"Yes, do. Of course, I admit she's given you a perfectly good reason
+for breaking off your engagement if you like. Mind that. We don't feel
+aggrieved, Calder. Act as you think best. We admit we're in the wrong,
+but we must stand by what we've done."
+
+"I shouldn't like to give her any pain--"
+
+"Pain! Oh, dear me, no, my dear boy. She won't fret. Make your mind
+easy about that."
+
+Calder felt a sudden impulse to disclose to Lord Thrapston his secret
+opinion of him, and he recollected, with a pang, that in the course of
+so doing he would have to touch on more than one characteristic shared
+by the old man and Agatha. Where were his visions of a quiet home in
+the country, of freedom from the irksome duties of society, of an
+obedient and devoted wife, surrounded by children and flanked by
+jampots? He had once painted this picture for Agatha, shortly after she
+had agreed to that arrangement which she declined to call a promise of
+marriage; and it occurred to him now that she had allowed the subject
+to drop without any expression of concurrence. He took leave of Lord
+Thrapston and went for a solitary walk. He wanted to think. But the
+position of affairs was such that other persons also felt the need of
+reflection, and Calder had not been walking by the Row very long
+before, lifting his eyes, he saw a young man approaching. The young man
+was not attired as he ought to have been: he wore a light suit, a
+dissolute necktie, and a soft wideawake crammed down low on his head.
+He had obviously forsworn the vanities of the world and was wearing the
+willow. He came up to Calder and held out his hand.
+
+"Wentworth," he said, "I left you rudely the other day. I was doing you
+an injustice. I have heard the truth from Mrs. Blunt. You are free from
+all blame. We--we are fellow-sufferers."
+
+His tones were so mournful that Calder shook his hand with warm
+sympathy, and remarked, "Pretty rough, on us both, ain't it?"
+
+"For me," declared Charlie, "everything is over. My trust in woman is
+destroyed; my pleasure in life is--"
+
+"Well, I don't feel A1 myself, old chap," said Calder.
+
+"I have written to--to her, to say good-by."
+
+"No, have yon, though?"
+
+"What else could I do? Wentworth, do you suppose that, even if she was
+free, I would think of her for another moment? Can there be love where
+there is no esteem, no trust, no confidence?"
+
+"I was just thinking that when you came up," said Calder.
+
+"No, at whatever cost, I--every self-respecting man--must consider
+first of all what he owes to his name, to his family, to
+his--Wentworth, to his unborn children."
+
+Calder nodded.
+
+"You, of course," pursued Charlie, "will be guided by your own
+judgment. As to that, the circumstances seal my lips."
+
+"I don't like it, you know," said Calder.
+
+"As regards you, she may or may not have excuses. I don't know; but she
+wilfully and grossly deceived me. I have done with her."
+
+"Gad, I believe you're right, Merceron, old chap! A chap ought to stand
+up for himself, by Jove! You'd never feel safe with her, would you, by
+Jove?"
+
+"Good-by," said Charlie suddenly. "I leave Paddington by the 4.15."
+
+"Where are you off to?"
+
+"Hell--I mean home," answered Charlie.
+
+Calder beat his stick against his leg.
+
+"I can't stay here either," he said moodily.
+
+Charlie stretched out his hand again.
+
+"Come with me," said he.
+
+"Eh? what?"
+
+"Come with me; we'll forget her together."
+
+Calder looked at him.
+
+"Well, you are a good chap. Dashed if I don't. Yes, I will. We'll enjoy
+ourselves like thunder. But I say, Merceron, I--I ought to write to
+her, oughtn't I?"
+
+"I am just going to write myself."
+
+"To--to say good-by, eh?"
+
+"Yes."
+
+"I shall write and break it off."
+
+"Come along. We'll go to your rooms and got the thing done, and then
+catch the train. My luggage is at the station now."
+
+"It won't take me a minute to get mine."
+
+"Wentworth, I'm glad to be rid of her."
+
+"All--oh, well--so am I," said Calder.
+
+Late that evening the butler presented Miss Agatha Glyn with two
+letters on a salver. As her eye fell on the addresses, she started.
+Her heart began to beat. She sat and looked at the two momentous
+missives.
+
+"Now which," she thought, "shall I read first? And what shall I do, if
+they are both obstinate?"
+
+There was another contingency which Miss Glyn did not contemplate.
+
+After a long hesitation, she took up Charlie's letter, and opened it.
+It was very short, and began abruptly without any words of address:
+
+"I have received your letter. Your excuses make it worse. I could
+forgive everything except deceit. I leave London to-day. Good-by.--C.
+M."
+
+"Deceit!" cried Agatha. "How dare he? What a horrid boy!"
+
+She was walking up and down the room in a state of great indignation.
+She had never been talked to like that in her life before. It was
+ungentlemanly, cruel, brutal. She flung Charlie's letter angrily down
+on the table.
+
+"I am sure poor dear old Calder won't treat me like that!" she
+exclaimed, taking up his letter.
+
+It ran thus: "My dear Agatha:--I hope you will believe that I write
+this without any feeling of anger towards you. My regard for you
+remains very great, and I hope we shall always be very good friends;
+but, after long and careful consideration, I have come to the
+conclusion that the story Lord Thrapston told, me shows conclusively
+what I have been fearing for some time past--namely, that I have not
+been so lucky as to win a real affection from you, and that we are not
+likely to make one another happy. Therefore, thanking you very much for
+your kindness in the past, I think I had better restore your liberty to
+you. I shall hear with, very great pleasure of your happiness. I leave
+town to day for a little while, in order that you may not be exposed to
+the awkwardness of meeting me.
+
+"Always your most sincerely,
+
+"Calder Wentworth."
+
+Agatha passed her hand across her brow; then she reread Calder's
+letter, and then Charlie's. Yes, there, was not the least doubt about
+it! Both of the gentlemen had well, what they had done did not admit of
+being put into tolerable words. With a little shriek, Agatha flung
+herself on the sofa.
+
+The door opened and Lord Thrapston entered.
+
+"Well, Aggy, what's the news? Still bothered by your two young men?
+Hullo! what's wrong?"
+
+"Read them!" cried Agatha, with a gesture towards the table.
+
+"Eh? Head what? Oh, I see."
+
+He sat down at the table and put on his glasses. Agatha turned her face
+towards the wall; for her also everything was over. For a time no sound
+was audible save an occasional crackle of the note-paper in Lord
+Thrapston's shaking fingers. Then, to Agatha's indescribable
+indignation, there came another sort of crackle--a dry, grating,
+derisive chuckle--from that flinty-hearted old man, her grandfather.
+
+"Good, monstrous good, 'pon my life!" said he.
+
+"You're laughing at me!" she cried, leaping up.
+
+"Well, my dear, I'm afraid I am."
+
+"Oh, how cruel men are!"
+
+"H'm! They're both men of spirit evidently."
+
+"Calder I can just understand. I--perhaps I did treat Calder rather
+badly---"
+
+"Oh, you go so far as to admit that, do you, Aggy?"
+
+"But Charlie! Oh, to think that Charlie should treat me like that!" and
+she threw herself on the sofa again.
+
+Lord Thrapston sat quite still. Presently Agatha rose, came to the
+table, and took up her two letters. She looked at them both; and the
+old man, seeming to notice nothing, yet kept his eye on her.
+
+"I shall destroy these things," said she; and she tore Calder's letter
+into tiny fragments, and flung them on the fire. Charlie's she crumpled
+up and held in her hand.
+
+"Good-night, grandpapa," she said wearily, and kissed him.
+
+"Good-night, my dear," he answered.
+
+And, whatever she did when she went upstairs, Lord Thrapston was in a
+position to swear that Charlie's letter was not destroyed in the
+drawing-room.
+
+
+
+CHAPTER X
+
+THE INCARNATION OF LADY AGATHA
+
+
+"She's such a dear good girl, Mr. Wentworth," said Lady Merceron.
+"She's the greatest comfort I have."
+
+It was after luncheon at Langbury Court. Lady Merceron and Calder sat
+on the lawn: Mrs. Marland and Millie Bushell were walking up and down;
+Charlie was lying in a hammock. A week had passed since the two young
+men had startled Lady Merceron by their unexpected arrival, and since
+then the good lady had been doing her best to entertain them; for, as
+she could not help noticing-, they seemed a little dull. It was a great
+change from the whirl of London to the deep placidity of the Court, and
+Lady Merceron could not quite understand why Charlie had tired so soon
+of his excursion, or why his friend persisted with so much fervor that
+anything was better than London, and the Court was the most charming
+place he had ever seen. Of the two Charlie seemed to feel the ennui
+much the more severely. Yet, while Mr. Wentworth spoke of returning to
+town in a few weeks, Charlie asseverated that he had paid his last
+visit to that revolting and disappointing place. Lady Merceron wished
+she had Uncle Van by her side to explain these puzzling
+inconsistencies. However, there was a bright side to the affair: the
+presence of the young men was a godsend to poor Millie, who, by reason
+of the depressed state of agriculture, had been obliged this year to go
+without her usual six weeks of London in the season.
+
+"And she never grumbles about it," said Lady Merceron admiringly. "She
+looks after her district, and takes a ride, and plays tennis, when she
+can get a game, poor girl, and is always cheerful and happy. She'd be a
+treasure of a wife to any man."
+
+"You'd better persuade Charlie of that, Lady Merceron."
+
+"Oh, Charlie never thinks of such a thing as marrying. He thinks of
+nothing but his antiquities."
+
+"Doesn't he?" asked Calder, with apparent sympathy and a covert sad
+amusement.
+
+"Mr. Wentworth," said Mrs. Marland, approaching, "I believe it's
+actually a fact that you've been here a week and have never yet been to
+the Pool."
+
+At this fateful word, Calder looked embarrassed, Charlie raised his
+head from the hammock, and Millie glanced involuntarily towards him.
+
+"We must take you," pursued Mrs. Marland, "this very evening. You'll
+come, Miss Bushell?"
+
+"I don't think I care very much about the Pool," said Millie.
+
+"We won't let Mr. Merceron take you in his canoe this time."
+
+Charlie rolled out of the hammock and came up to them.
+
+"You must take us to the Pool. I don't believe you've been there since
+you came back. Poor Agatha will quite---"
+
+"Agatha?" exclaimed Calder.
+
+"Agatha Merceron, you know. Why, haven't you heard---?"
+
+"Oh, ah! Yes, of course. I beg your pardon."
+
+"I hate that beastly Pool," said Charlie.
+
+"How can you?" smiled Mrs. Marland. "You used to spend hours there
+every evening."
+
+Charlie glanced uneasily at Calder, who turned very red.
+
+"Times have changed, have they?" Mrs. Marland asked archly. "You've got
+tired of looking in vain for Agatha?"
+
+"Oh, all right," said Charlie crossly, "we'll go after tea."
+
+Anything seemed better than this rallying mood of Mrs. Marland's.
+
+Presently the two young men went off together to play a game at
+billiards; but after half a dozen strokes Charlie plumped down in a
+chair.
+
+"I say, Calder, old chap, how do you feel?" he asked.
+
+Calder licked his cigar meditatively.
+
+"Better," said he at last.
+
+"Oh!"
+
+"And you?"
+
+"Worse--worse every day. I can't stand it, old chap. I shall go back."
+
+"What, to her?"
+
+"Yes."
+
+"That's hardly sticking to our bargain, you know."
+
+"But, hang it, what's the good of our both cutting her?"
+
+"Oh, I thought you did it because you were disgusted with her. That was
+my reason."
+
+"So it was mine, but---"
+
+"Probably she's got some other fellow by now," observed Calder calmly.
+
+"The devil!" cried Charlie. "What makes you think so?"
+
+"Oh, nothing. I know her way, you see."
+
+"You think she's that sort of girl? Good heavens!"
+
+"Well, if she wasn't, I'd like to know where you'd be, my friend. I
+shouldn't have the honor of your acquaintance."
+
+Charlie ignored this point.
+
+"And yet you wanted, to marry her?"
+
+"I dare say I was an ass--like better men before me and--er--since me."
+
+"Hang it!" cried Charlie. "I'm sick of the whole thing. I'm sick of
+life. I'm sick of all the nonsense of it. For two straws I'd have done
+with it, and marry Millie Bushell."
+
+"What! Look here, Charlie--"
+
+Calder left his sentence unfinished.
+
+"Well?" said Charlie.
+
+"If," said Calder slowly, "there are any girls, either down here or in
+London, whom you're quite sure you'll never want to marry, I should
+like to be introduced to one of 'em, Charlie, if you've no objections."
+
+"What do you mean?"
+
+"Why, in fact, during this last week, Charlie, I have come to have a
+great esteem for Miss Bushell. There's about her a something--a
+solidity---"
+
+"She can't help that, poor girl."
+
+"A solidity of mind," said Calder, a little stiffly.
+
+"Oh, I beg pardon. But I say, Calder, what are you driving at?"
+
+"Charlie! Charlie!" sounded from outside. "Tea's ready."
+
+Calder rose and took Charlie by the arm.
+
+"Should I be safe," he asked solemnly, "in allowing myself to fall in
+love with Miss Bushell, or are you likely to step in again?"
+
+"You mean it? Honor bright, Calder?"
+
+"Yes."
+
+"Where's Bradshaw? By Jove, where's Bradshaw?"
+
+"Bradshaw? What the devil has Bradshaw----?"
+
+"Why, a train, man--a train to town."
+
+"I don't want to go to town, bless the man---"
+
+"You! No, but I do. To town, Calder--to Agatha, you old fool."
+
+"Oh, that's your lay?"
+
+"Yes, of course. I couldn't go back on you, but if you're off---"
+
+"Charlie, old fellow, think again."
+
+"Go to the deuce! Where's that---?"
+
+"Charlie, Charlie! Tea!"
+
+"Hang tea!" he cried; but Calder dragged him off, telling him that
+to-morrow would do for Bradshaw.
+
+At tea Charlie's spirits were very much better, and it was observed
+that Calder Wentworth paid marked attention to Millie Bushell, so that,
+when they started for the Pool, Millie was prevailed upon to be one of
+the party, on the understanding that Mr. Went worth would take care of
+her. This time the expedition went off more quietly than it had
+previously, but at the last moment the ladies declared that they would,
+be late for dinner if they waited till it was time for Agatha Merceron
+to come.
+
+"Oh, nonsense!" said Calder. "Come over to the temple, Miss Bushell. I
+won't upset the canoe."
+
+"Well, if you insist," said Millie.
+
+Then Mrs. Marland remarked in the quietest voice in the world---
+
+"There's some one in the temple."
+
+"What?" cried Millie.
+
+"Eh?" exclaimed Calder.
+
+"Nonsense!" said Charlie.
+
+"I saw a face at the window," insisted Mrs. Marland.
+
+"Oh, Mrs. Marland! Was it very awful?"
+
+"Not at all, Millie--very pretty," and she gave Charlie a look full of
+meaning.
+
+"Look, look!" cried Millie in strong agitation.
+
+And, as they looked, a slim figure in white came quietly out of the
+temple, a smile--and, alas! no vestige of a blush--on her face, walked
+composedly down the steps, and, standing on the lowest one, thence--did
+not throw herself into the water--but called, in the most natural voice
+in the world, "Which of you is coming to fetch me?"
+
+Charlie looked at Calder. Calder said,
+
+"I think you'd better put her across, old man. And--er--we might as
+well walk on."
+
+They turned away, Millie's eyes wide in surprise, Mrs. Marland smiling
+the smile of triumphant sagacity.
+
+"I was coming to you to-morrow," cried Charlie the moment his canoe
+bumped against the stops.
+
+"What do you mean, sir, by staying away a whole week? How could you?"
+
+"I don't know," said Charlie. "You see, I couldn't come till Calder----
+
+"Oh, what about Calder?"
+
+"He's all right."
+
+"What? Miss--the girl you upset out of the canoe?"
+
+"I think so," said Charlie.
+
+"Ah, well!" said Agatha. "But how very curious!" Then she smiled at
+Charlie, and asked, "But what love can there be, Mr. Merceron, where
+there is deceit?"
+
+Charlie took no notice at all of this question.
+
+"Do you mind Calder going?" he whispered.
+
+"Well, not much," said Miss Glyn.
+
+Thus it was that the barony of Warmley returned to the house of
+Merceron, and the portrait of the wicked lord came to hang once more in
+the dining-room. So the curtain falls on the comedy; and what happened
+afterwards behind the scenes, whether another comedy, or a tragedy, or
+a mixed half-and-half sort of entertainment, now grave, now gay,
+sometimes perhaps delightful, and again of tempered charm--why, as to
+all this, what reck the spectators who are crowding out of the theatre
+and home to bed?
+
+But it seems as if, in spite of certain drawbacks in Agatha Merceron's
+character, nothing very dreadful can have happened, because Mr. and
+Mrs. Wentworth, who are very particular folk, went to stay at the Court
+the other day, and their only complaint was that Charlie and his bride
+were always at the Pool!
+
+And, for his own part, if he may be allowed a word (which some people
+say he ought not to be) here, just at the end, the writer begs to say
+that he once knew Agatha, and--he would have taken the risks. However,
+a lady to whom he has shown this history differs entirely from him, and
+thinks that no sensible man would have married her. But, then, that is
+not the question.
+
+
+
+
+THE CURATE OF POLTONS
+
+
+I must confess at once that at first, at least, I very much admired the
+curate. I am not referring to my admiration of his fine figure--six
+feet high and straight as an arrow--nor of his handsome, open,
+ingenuous countenance, or his candid blue eye, or his thick curly hair.
+No; what won my heart from an early period of my visit to my cousins,
+the Poltons of Poltons Park, was the fervent, undisguised, unashamed,
+confident, and altogether matter-of-course manner in which he made love
+to Miss Beatrice Queenborough, only daughter and heiress of the wealthy
+shipowner Sir Wagstaff Queenborough, Bart., and Eleanor his wife. It
+was purely the manner of the curate's advances that took my fancy: in
+the mere fact of them there was nothing remarkable. For all the men in
+the house (and a good many outside) made covert. stealthy, and
+indirect steps in the same direction; for Trix (as her friends called
+her) was, if not wise, at least pretty and witty, displaying to the
+material eye a charming figure, and to the mental a delicate
+heartlessness--both attributes which challenge a self-respecting mans
+best efforts. But then came the fatal obstacle. From heiresses in
+reason a gentleman need neither shrink nor let himself be driven; but
+when it comes to something like twenty thousand a year--the reported
+amount of Trix's dot--he distrusts his own motives almost as much as
+the lady's relatives distrust them for him. We all felt this--Stanton,
+Rippleby, and I; and, although I will not swear that we spoke no tender
+words and gave no meaning glances, yet we reduced such concessions to
+natural weakness to a minimum, not only when Lady Queenborough was by,
+but at all times. To say truth, we had no desire to see our scalps
+affixed to Miss Trix's pretty belt, nor to have our hearts broken (like
+that of the young man in the poem) before she went to Homburg in the
+autumn. With the curate it was otherwise. He--Jack Ives, by the way,
+was his name--appeared to rush, not only upon his fate, but in the face
+of all possibility and of Lady Queenborough. My cousin and hostess,
+Dora Polton, was very much distressed about him. She said that he was
+such a nice young fellow, and that it was a great pity to see him
+preparing such unhappiness for himself. Nay, I happen to know that she
+spoke very seriously to Trix, pointing out the wickedness of trifling
+with him; whereupon Trix, who maintained a bowing acquaintance with her
+conscience, avoided him for a whole afternoon and endangered all Algy
+Stanton's prudent resolutions by taking him out in the Canadian canoe.
+This demonstration in no way perturbed the curate. He observed that, as
+there was nothing better to do, we might as well play billiards, and
+proceeded to defeat me in three games of a hundred up (no, it is quite
+immaterial whether we played for anything or not), after which he told
+Dora that the vicar was taking the evening service--it happened to be
+the day when there was one at the parish church--a piece of information
+only relevant in so far as it suggested that Mr. Ives could accept an
+invitation to dinner if one were proffered to him. Dora, very weakly,
+rose to the bait; Jack Ives, airily remarking that there was no use in
+ceremony among friends, seized the place next to Trix at dinner (her
+mother was just opposite) and walked on the terrace after dinner with
+her in the moonlight. When the ladies retired he came into the
+smoking-room, drank a whiskey-and-soda, said that Miss Queenborough was
+really a very charming companion, and apologized for leaving us early
+on the ground that his sermon was still unwritten. My good cousin, the
+squire, suggested rather grimly that a discourse on the vanity of human
+wishes might be appropriate.
+
+"I shall preach." said Mr. Ives thoughtfully, "on the opportunities of
+wealth."
+
+This resolution he carried out on the next day but one, that being a
+Sunday. I had the pleasure of sitting next to Miss Trix, and I watched
+her with some interest as Mr. Ives developed his theme. I will not try
+to reproduce the sermon, which would have seemed by no means a bad one,
+had any of our party been able to ignore the personal application which
+we read into it: for its main burden was no other than this--that
+wealth should be used by those who were fortunate enough to possess it
+(here Trix looked down and fidgeted with her prayer-book) as a means of
+promoting greater union between themselves and the less richly endowed,
+and not--as, alas, had too often been the case--as though it were a new
+barrier set up between them and their fellow--creatures. (Here Miss
+Trix blushed slightly, and had recourse to her smelling-bottle.) "You,"
+said the curate, waxing rhetorical as he addressed an imaginary, but
+bloated, capitalist, "have no more right to your money than I have. It
+is intrusted to you to be shared with me." At this point I heard Lady
+Queenborough sniff, and Algy Stanton snigger. I stole a glance at Trix
+and detected a slight waver in the admirable lines of her mouth.
+
+"A very good sermon, didn't you think?" I said to her, as we walked
+home.
+
+"Oh, very, she replied demurely.
+
+"Ah, if we followed all we heard in church!" I sighed.
+
+Miss Trix walked in silence for a few yards. By dint of never becoming
+anything else, we had become very good friends; and presently she
+remarked, quite confidentially, "He's very silly, isn't he?"
+
+"Then you ought to snub him," said I, severely.
+
+"So I do--sometimes. He's rather amusing, though.
+
+"Of course, if you're prepared to make the sacrifice involved---"
+
+"Oh, what nonsense!"
+
+"Then you've no business to amuse yourself with him."
+
+"Dear, dear! how moral you are!" said Trix.
+
+The next development in the situation was this. My cousin Dora received
+a letter from the Marquis of Newhaven, with whom she was acquainted,
+praying her to allow him to run down to Poltons for a few days: he
+reminded her that she had once given him a general invitation: if it
+would not be inconvenient--and so forth. The meaning of this
+communication did not, of course, escape my cousin, who had witnessed
+the writers attentions to Trix in the preceding season, nor did it
+escape the rest of us (who had talked over the said attentions at the
+club) when she told us about it, and announced that Lord Newhaven would
+arrive in the middle of next day. Trix affected dense unconsciousness;
+her mother allowed herself a mysterious smile--which, however, speedily
+vanished when the curate (he was taking lunch with us) observed in a
+cheerful tone, "Newhaven! oh, I remember the chap at the
+House--ploughed twice in Smalls--stumpy fellow, isn't he? Not a bad
+chap, though, you know, barring his looks. I'm glad he's coming."
+
+"You won't be soon, young man," Lady Queenborough's angry eye seemed to
+say.
+
+"I remember him," pursued Jack, "awfully smitten with a tobacconist's
+daughter in the Corn--oh, it's all right, Lady Queenborough--she
+wouldn't look at him."
+
+This quasi-apology was called forth by the fact of Lady Queenborough
+pushing back her chair and making for the door. It did not at all
+appease her to hear of the scorn of the tobacconist's daughter. She
+glared sternly at Jack, and disappeared. He turned to Trix and reminded
+her--without diffidence and coram populo, as his habit was, that she
+had promised him a stroll in the west wood.
+
+What happened on that stroll I do not know; but meeting Miss Trix on
+the stairs later in the afternoon, I ventured to remark, "I hope you
+broke it to him gently, Miss Queenborough?"
+
+"I don't know what you mean," replied Trix, haughtily.
+
+"You were out nearly two hours," said I.
+
+"Were we?" asked Trix with a start. "Good gracious! Where was mamma,
+Mr. Wynne?"
+
+"On the lawn--watch in hand."
+
+Miss Trix went slowly upstairs, and there is not the least doubt that
+something serious passed between her and her mother, for both of them
+were in the most atrocious of humors that evening; fortunately the
+curate was not there. He had a Bible class.
+
+The next day Lord Newhaven arrived. I found him on the lawn when I
+strolled up, after a spell of letter-writing, about four o'clock.
+Lawn-tennis was the order of the day, and we were all in flannels.
+
+"Oh, here's Mark," cried Dora, seeing me.
+
+"Now, Mark, you and Mr. Ives had better play against Trix and Lord
+Newhaven. That'll make a very good set."
+
+"No, no, Mrs. Polton," said Jack Ives. "They wouldn't have a chance.
+Look here, I'll play with Miss Queenborough against Lord Newhaven and
+Wynne."
+
+Newhaven--whose appearance, by the way, though hardly distinguished,
+was not quite so unornamental as the curate had led us to
+expect--looked slightly displeased, but Jack gave him no time for
+remonstrance. He whisked Trix off, and began to serve all in a moment.
+I had a vision of Lady Queenborough approaching from the house with
+face aghast. The set went on; and, owing entirely to Newhaven's absurd
+chivalry in sending all the balls to Jack Ives instead of following the
+well-known maxim to "pound away at the lady," they beat us. Jack wiped
+his brow, strolled up to the tea-table with Trix, and remarked in
+exultant tones:
+
+"We make a perfect couple, Miss Queenborough; we ought never to be
+separated."
+
+Dora did not ask the curate to dinner that night, but he dropped in
+about nine o'clock to ask her opinion as to the hymns on Sunday; and
+finding Miss Trix and Newhaven in the small drawing-room he sat down
+and talked to them. This was too much for Trix; she had treated him
+very kindly and had allowed him to amuse her; but it was impossible to
+put up with presumption of that kind. Difficult as it was to discourage
+Mr. Ives, she did it, and he went away with a disconsolate, puzzled
+expression. At the last moment, however, Trix so far relented as to
+express a hope that he was coming to tennis to-morrow, at which he
+brightened up a little. I do not wish to be uncharitable--least of all
+to a charming young lady--but my opinion is that Miss Trix did not wish
+to set the curate altogether adrift. I think, however, that Lady
+Queenborough must have spoken again, for when Jack did come to tennis,
+Trix treated him with the most freezing civility and a hardly disguised
+disdain, and devoted herself to Lord Newhaven with as much assiduity as
+her mother could wish. We men, over our pipes, expressed the opinion
+that Jack Ives's little hour of sunshine was passed, and that nothing
+was left to us but to look on at the prosperous uneventful course of
+Lord Newhaven's wooing. Trix had had her fun (so Algy Stanton bluntly
+phrased it) and would now settle down to business.
+
+"I believe, though," he added, "that she likes the curate a bit, you
+know."
+
+During the whole of the next day--Wednesday--Jack Ives kept away; he
+had, apparently, accepted the inevitable, and was healing his wounded
+heart by a strict attention to his parochial duties. Newhaven remarked
+on his absence with an air of relief; and Miss Trix treated it as a
+matter of no importance; Lady Queenborough was all smiles; and Dora
+Polton restricted herself to exclaiming, as I sat by her at tea, in a
+low tone and a propos of nothing in particular, "Oh, well--poor Mr.
+Ives!"
+
+But on Thursday there occurred an event, the significance of which
+passed at the moment unperceived, but which had, in fact, most
+important results. This was no other than the arrival of little Mrs.
+Wentworth, an intimate friend of Dora's. Mrs. Wentworth had been left a
+widow early in life; she possessed a comfortable competence; she was
+not handsome, but she was vivacious, amusing, and, above all,
+sympathetic. She sympathized at once with Lady Queenborough in her
+maternal anxieties, with Trix on her charming romance, with Newhaven on
+his sweet devotedness, with the rest of us in our obvious
+desolation--and, after a confidential chat with Dora; she sympathized
+most strongly with poor Mr. Ives on his unfortunate attachment.
+Nothing would satisfy her, so Dora told me, except the opportunity of
+plying Mr. Ives with her soothing balm; and Dora was about to sit down
+and write him a note, when he strolled in through the drawing-room
+window, and announced that his cooks mother was ill, and that he should
+be very much obliged if Mrs. Polton would give him some dinner that
+evening. Trix and Newhaven happened to enter by the door at the same
+moment, and Jack darted up to them, and shook hands with the greatest
+effusion. He had evidently buried all unkindness--and with it, we
+hoped, his mistaken folly. However that might be, he made no effort to
+engross Trix, but took his seat most docilely by his hostess--and she,
+of course, introduced him to Mrs. Wentworth. His behavior, was, in
+fact, so exemplary, that even Lady Queenborough relaxed her severity,
+and condescended to cross-examine him on the morals and manners of the
+old women of the parish. "Oh, the Vicar looks after them," said Jack;
+and he turned to Mrs. Wentworth again.
+
+There can be no doubt that Mrs. Wentworth had a remarkable power of
+sympathy. I took her into dinner, and she was deep in the subject of my
+"noble and inspiring art," before the soup was off the table. Indeed,
+I'm sure that my life's ambitions would have been an open book to her
+by the time that the joint arrived, had not Jack Ives, who was sitting
+on the lady's other side, cut into the conversation just as Mrs.
+Wentworth was comparing my early struggles with those of Mr. Carlyle.
+After this intervention of Jack's I had not a chance. I ate my dinner
+without the sauce of sympathy, substituting for it a certain amusement
+which I derived from studying the face of Miss Trix Queenborough, who
+was placed on the opposite side of the table. And if Trix did look now
+and again at Mrs. Wentworth and Jack Ives, I cannot say that her
+conduct was unnatural. To tell the truth, Jack was so obviously
+delighted with his new friend that it was quite pleasant--and, as I
+say, under the circumstances, rather amusing--to watch them. We felt
+that the Squire was justified in having a hit at Jack when Jack said,
+in the smoking-room, that he found himself rather at a loss for a
+subject for his next sermon.
+
+"What do you say," suggested my cousin, puffing at his pipe, "to taking
+constancy as your text?"
+
+Jack considered the idea for a moment, but then he shook his head.
+
+"No. I think," he said, reflectively, "that I shall preach on the power
+of sympathy."
+
+That sermon afforded me--I must confess it, at the risk of seeming
+frivolous--very great entertainment. Again I secured a place by Miss
+Trix--on her left, Newhaven being on her right, and her face was worth
+study when Jack Ives gave us a most eloquent description of the
+wonderful gift in question. It was, he said, the essence and the crown
+of true womanliness, and it showed itself--well, to put it quite
+plainly, it showed itself, according to Jack Ives, in exactly that sort
+of manner and bearing which so honorably and gracefully distinguished
+Mrs. Wentworth. The lady was not, of course, named, but she was clearly
+indicated. "Your gift, your precious gift," cried the curate,
+apostrophizing the impersonation of sympathy, "is given to you, not for
+your profit, but for mine. It is yours, but it is a trust to be used
+for me. It is yours, in fact, to share with me." At this climax, which
+must have struck upon her ear with a certain familiarity, Miss Trix
+Queenborough, notwithstanding the place and occasion, tossed her pretty
+head and whispered to me, "What horrid stuff!"
+
+In the ensuing week Jack Ives was our constant companion; the continued
+illness of his servant's mother left him stranded, and Dora's kind
+heart at once offered him the hospitality of her roof. For my part I
+was glad, for the little drama which now began was not without its
+interest. It was a pleasant change to see Jack genially polite to Trix
+Queenborough, but quite indifferent to her presence or absence, and
+content to allow her to take Newhaven for her partner at tennis as
+often as she pleased. He himself was often an absentee from our games.
+
+Mrs. Wentworth did not play, and Jack would sit under the trees with
+her, or take her out in the canoe. What Trix thought I did not know,
+but it is a fact that she treated poor Newhaven like dirt beneath her
+feet, and that Lady Queenborough's face began to lose its transiently
+pleasant expression. I had a vague idea that a retribution was working
+itself out, and disposed myself to see the process with all the
+complacency induced by the spectacle of others receiving punishment for
+their sins.
+
+A little scene which occurred after lunch one day was significant. I
+was sitting on the terrace, ready booted and breeched, waiting for my
+horse to be brought round. Trix came out and sat down by me.
+
+"Where's Newhaven?" I asked.
+
+"Oh, I don't always want Lord Newhaven," she exclaimed petulantly; "I
+sent him off for a walk--I'm going out in the Canadian canoe with Mr.
+Ives."
+
+"Oh, you are, are you?" said I smiling. As I spoke, Jack Ives ran up to
+us.
+
+"I say, Miss Queenborough," he cried, "I've just got your message
+saying you'd let me take you on the lake."
+
+"Is it a great bore?" asked Trix, with a glance--a glance that meant
+mischief.
+
+"I should like it awfully, of course," said Jack; "but the fact is I've
+promised to take Mrs. Wentworth--before I got your message, you know."
+
+Trix drew herself up.
+
+"Of course, if Mrs. Wentworth---" she began.
+
+"I'm very sorry," said Jack.
+
+Then Miss Queenborough, forgetting--as I hope--or choosing--to
+disregard my presence, leant forward and asked in her most coaxing
+tones, "Don't you ever forget a promise, Mr. Ives?"
+
+Jack looked at her. I suppose her dainty prettiness struck him afresh,
+for he wavered and hesitated.
+
+"She's gone upstairs," pursued the tempter, "and we shall be safe away
+before she comes down again."
+
+Jack shuffled with one foot on the gravel.
+
+"I tell you what," he said. "I'll ask her if she minds me taking you
+for a little while before I----"
+
+I believe he really thought that he had hit upon a compromise
+satisfactory to all parties. If so, lie was speedily undeceived. Trix
+flushed rod and answered angrily, "Pray don't trouble. I don't want to
+go."
+
+"Perhaps afterwards you might--" suggested the curate, but now rather
+timidly.
+
+"I'm going out with Lord Newhaven," said she. And she added in an
+access of uncontrollable annoyance, "Go, please go. I--I don't want
+you."
+
+Jack sheered off, with a look of puzzled shamefacedness. He disappeared
+into the house. Nothing passed between Miss Trix and myself. A moment
+later Newhaven came out.
+
+"Why, Miss Queenborough," said he, in apparent surprise, "Ives is going
+with Mrs. Wentworth in the canoe!"
+
+In an instant I saw what she had done. In rash presumption she had told
+Newhaven that she was going with the curate--and now the curate had
+refused to take her--and Ives had met him in search of Mrs. Wentworth.
+What could she do? Well, she rose--or fell--to the occasion. In the
+coldest of voices she said, "I thought you'd gone for your walk."
+
+"I was just starting," he answered apologetically, "when I met Ives.
+But, as you weren't going with him---" He paused, an inquiring look in
+his eyes. He was evidently asking himself why she had not gone with the
+curate.
+
+"I'd rather be left alone, if you don't mind," said she. And then,
+flushing red again, she added. "I changed my mind and refused to go
+with Mr. Ives. So he went off to get Mrs. Wentworth instead."
+
+I started. Newhaven looked at her for an instant, and then turned on
+his heel. She turned to me, quick as lightning and with her face all
+aflame, "If you tell, I'll never speak to you again," she whispered.
+
+After this there was silence for some minutes.
+
+"Well?" she said, without looking at me.
+
+"I have no remark to offer, Miss Queenborough," I returned.
+
+"I suppose that was a lie, wasn't it?" she asked, defiantly.
+
+"It's not my business to say what it was," was my discreet answer.
+
+"I know what you're thinking."
+
+"I was thinking-," said I, "which I would rather be--the man you will
+marry, or the man you would like---"
+
+"How dare you? It's not true. Oh, Mr. Wynne, indeed it's not true!"
+
+Whether it were true or not I did not know. But if it had been, Miss
+Trix Queenborough might have been expected to act very much in the way
+in which she proceeded to act: that is to say, to be extravagantly
+attentive to Lord Newhaven when Jack Ives was present, and markedly
+neglectful of him in the curate's absence. It also fitted in very well
+with the theory which I had ventured to hint, that her bearing towards
+Mrs. Went worth was distinguished by a stately civility, and her
+remarks about that lady by a superfluity of laudation; for if these be
+not two distinguishing marks of rivalry in the well-bred, I must go
+back to my favorite books and learn from them--more folly. And if
+Trix's manners were all that they should be, praise no less high must
+be accorded to Mrs. Wentworth's; she attained an altitude of admirable
+unconsciousness, and conducted her flirtation (the poverty of language
+forces me to the word, but it is over flippant) with the curate in a
+staid, quasi-maternal way. She called him a delightful boy, and said
+that she was intensely interested in all his aims and hopes.
+
+"What does she want?" I asked Dora, despairingly. "She can't want to
+marry him." I was referring to Trix Queenborough, not to Mrs. Wentworth.
+
+"Good gracious, no!" answered Dora, irritably. "It's simple jealousy.
+She won't let the poor boy alone till he's in love with her again.
+It's a horrible shame!"
+
+"Oh, well, he has great recuperative power," said I.
+
+"She'd better be careful, though. It's a very dangerous game. How do
+you suppose Lord Newhaven likes it?"
+
+Accident gave me that very day a hint how little Lord Newhaven liked
+it, and a glimpse of the risk Miss Trix was running. Entering the
+library suddenly, I heard Newhaven's voice raised above his ordinary
+tones.
+
+"I won't stand it," he was declaring. "I never know how she'll treat me
+from one minute to the next."
+
+My entrance, of course, stopped the conversation very abruptly.
+Newhaven had come to a stand in the middle of the room, and Lady
+Queenborough sat on the sofa, a formidable frown on her brow.
+Withdrawing myself as rapidly as possible, I argued the probability of
+a severe lecture for Miss Trix, ending in a command to try her noble
+suitor's patience no longer. I hope all this happened, for I, not
+seeing why Mrs. Wentworth should monopolize the grace of sympathy, took
+the liberty of extending mine to Newhaven. He was certainly in love
+with Trix, not with her money, and the treatment he underwent must have
+been as trying to his feelings as it was galling to his pride.
+
+My sympathy was not premature, for Miss Trix's fascinations, which were
+indubitably great, began to have their effect. The scene about the
+canoe was re-enacted, but with a different denouement. This time the
+promise was forgotten, and the widow forsaken. Then Mrs. Wentworth put
+on her armor. We had, in fact, reached this very absurd situation that
+these two ladies were contending for the favors of, or the domination
+over, such an obscure, poverty-stricken, hopelessly ineligible person
+as the curate of Poltons undoubtedly was. The position seemed to me
+then, and still seems, to indicate some remarkable qualities in that
+young man.
+
+At last Newhaven made a move. At breakfast, on Wednesday morning, he
+announced that, reluctant as he should be to leave Poltons Park, he was
+due at his aunt's place, in Kent, on Saturday evening, and must
+therefore make his arrangements to leave by noon on that day. The
+significance was apparent. Had he come down to breakfast with "Now or
+Never!" stamped in fiery letters across his brow, it would have been
+more obtrusive, indeed, but not a whit plainer. We all looked down at
+our plates, except Jack Ives. He flung one glance (I saw it out of the
+corner of my left eye) at Newhaven, another at Trix; then he remarked
+kindly--
+
+"We shall be uncommonly sorry to lose you, Newhaven."
+
+Events began to happen now, and I will tell them as well as I am able,
+supplementing my own knowledge by what I learnt afterwards from
+Dora--she having learnt it from the actors in the scene. In spite of
+the solemn warning conveyed in Newhaven's intimation, Trix, greatly
+daring, went off immediately after lunch for what she described as 'a
+long ramble' with Mr. Ives. There was, indeed, the excuse of an old
+woman at the end of the ramble, and Trix provided Jack with a small
+basket of comforts for the useful old body; but the ramble was, we
+felt, the thing, and I was much annoyed at not being able to accompany
+the walkers in the cloak of darkness or other invisible contrivance.
+The ramble consumed three hours--full measure. Indeed, it was half-past
+six before Trix alone, walked up the drive. Newhaven, a solitary
+figure, paced up and down the terrace fronting the drive. Trix came on,
+her head thrown back and a steady smile on her lips. She saw Newhaven:
+he stood looking at her for a moment with what she afterwards described
+as an indescribable smile on his face, but not, as Dora understood from
+her, by any means a pleasant one. Yet, if not pleasant, there is not
+the least doubt in the world that it was highly significant; for she
+cried out nervously, "Why are you looking at me like that? What's the
+matter?"
+
+Newhaven, still saying nothing, turned his back on her and made as if
+he would walk into the house and leave her there, ignored, discarded,
+done with. She, realizing the crisis which had come, forgetting
+everything except the imminent danger of losing him once for all,
+without time for long explanation or any round--about seductions, ran
+forward, laying her hand on his arm and blurting out, "But I've refused
+him."
+
+I do not know what Newhaven thinks now, but I sometimes doubt whether
+he would not have been wiser to shake off the detaining hand and pursue
+his lonely way, first into the house, and ultimately to his aunt's. But
+(to say nothing of the twenty thousand a year, which, after all, and
+lie you as romantic as you may please to be, is not a thing to be
+sneezed at) Trix's face, its mingled eagerness and shame, its flushed
+cheeks and shining eyes, the piquancy of its unwonted humility,
+overcame him. He stopped dead.
+
+"I--I was obliged to give him an--an opportunity," said Miss Trix,
+having the grace to stumble a little in her speech. "And--and it's all
+your fault."
+
+The war was thus, by happy audacity, carried into Newhaven's own
+quarters.
+
+"My fault!" he exclaimed. "My fault that you walk all day with that
+curate!"
+
+Then Miss Trix--and let no irrelevant considerations mar the
+appreciation of line acting--dropped her eyes and murmured softly,
+"I--I was so terribly afraid of seeming to expect you."
+
+Wherewith she (and not he) ran away, lightly, up the stairs, turning
+just one glance downwards as she reached the landing. Newhaven was
+looking up from below with an 'enchanted' smile--the word is Trix's
+own: I should probably have used a different one.
+
+Was then the curate of Poltons utterly defeated--brought to his knees,
+only to lie spurned? It seemed so: and he came down to dinner that
+night with a subdued and melancholy expression. Trix, on the other
+hand, was brilliant and talkative to the last degree, and the gayety
+spread from her all round the table, leaving untouched only the
+rejected lover and Mrs. Wentworth; for the last-named lady, true to her
+distinguishing quality, had begun to talk to poor Jack Ives in low
+soothing tones.
+
+After dinner Trix was not visible; but the door of the little boudoir
+beyond stood half-open, and very soon Newhaven edged his way through.
+Almost at the same moment Jack Ives and Mrs. Wentworth passed out of
+the window and began to walk up and down the gravel. Nobody but myself
+appeared to notice these remarkable occurrences, but I watched them
+with keen interest. Half an hour passed and then there smote on my
+watchful ear the sound of a low laugh from the boudoir. It was followed
+almost immediately by a stranger sound from the gravel walk. Then, all
+in a moment, two things happened. The boudoir door opened, and Trix,
+followed by Newhaven, came in smiling; from the window entered Jack
+Ives and Mrs. Wentworth. My eyes were on the curate. He gave one sudden
+comprehending glance towards the other couple; then he took the widows
+hand, led her up to Dora, and said, in low yet penetrating tones, "Will
+you wish us joy, Mrs. Polton?" The Squire, Rippleby, and Algy Stanton
+were round them in an instant. I kept my place, watching now the face
+of Trix Queenborough. She turned first flaming red, then very pale. I
+saw her turn to Newhaven and speak one or two urgent imperative words
+to him. Then, drawing herself up to her full height, she crossed the
+room to where the group was assembled round Mrs. Wentworth and Jack
+Ives.
+
+"What's the matter? What are you saying?" she asked.
+
+Mrs. Wentworth's eyes were modestly cast down, but a smile played round
+her mouth. No one spoke for a moment. Then Jack Ives said, "Mrs.
+Wentworth has promised to be my wife. Miss Queenborough."
+
+For a moment, hardly perceptible. Trix hesitated; then, with the most
+winning, touching, sweetest smile in the world, she said, "So you took
+my advice, and our afternoon walk was not wasted after all!"
+
+Mrs. Polton is not used to these fine flights of diplomacy; she had
+heard before dinner something of what had actually happened in the
+afternoon; and the simple woman positively jumped. Jack Ives met Trix's
+scornful eyes full and square.
+
+"Not at all wasted," said he with a smile. "Not only has it shown me
+where my true happiness lies, but it has also given me a juster idea of
+the value and sincerity of your regard for me, Miss Queenborough."
+
+"It is as real, Mr. Ives, as it is sincere," said she.
+
+"It is like yourself, Miss Queenborough," said he, with a little bow;
+and he turned from her and began to talk to his fiancee.
+
+Trix Queenborough moved slowly towards where I sat. Newhaven was
+watching her from where he stood alone on the other side; of the room.
+
+"And have you no news for us?" I asked, in low tones.
+
+"Thank you," she said haughtily; "I don't care that mine should be a
+pendant to the great tidings about the little widow and the curate."
+
+After a moment's pause she went on:
+
+"He lost no time, did he? He was wise to secure her before what
+happened this afternoon could leak out. Nobody can tell her now."
+
+"This afternoon?"
+
+"He asked me to marry him this afternoon."
+
+"And you refused?"
+
+"Yes."
+
+"Well, his behavior is in outrageously bad taste, but---"
+
+She laid a hand on my arm, and said in calm level tones,
+
+"I refused him because I dared not have him; but I told him I cared for
+him, and he said he loved me. And I let him kiss me. Good-night, Mr.
+Wynne."
+
+I sat still and silent. Newhaven came across to us. Trix put out her
+hand and caught him by the sleeve.
+
+"Fred," she said, "my dear honest old Fred, you love me, don't you?"
+
+Newhaven, much embarrassed and surprised, looked at me in alarm. But
+her hand was in his now, and her eyes imploring him.
+
+"I should rather think I did, my dear," said he.
+
+I really hope that Lord and Lady Newhaven will not be very unhappy,
+while Mrs. Ives quite worships her husband, and is convinced that she
+eclipsed the brilliant and wealthy Miss Queenborough. Perhaps she
+did--perhaps not. There are, as I have said, great qualities in the
+curate of Poltons, but I have not quite made up my mind precisely what
+they are. I ought, however, to say that Dora takes a more favorable
+view of him and a less lenient view of Trix than I. That is perhaps
+natural. Besides, Dora does not know the precise manner in which the
+curate was refused. By the way, he preached next Sunday on the text,
+"The children of this world are wiser in their generation than the
+children of light."
+
+
+
+
+A THREE-VOLUME NOVEL
+
+
+It was, I believe, mainly as a compliment to me that Miss Audrey Liston
+was asked to Poltons. Miss Liston and I were very good friends, and my
+cousin Dora Polton thought, as she informed me, that it would be nice
+for me to have someone I could talk to about "books and so on." I did
+not complain. Miss Liston was a pleasant young woman of six-and-twenty;
+I liked her very much except on paper, and I was aware that she made it
+a point of duty to read something at least of what I wrote. She was in
+the habit of describing herself as an "authoress in a small way." If it
+were pointed out that six three-volume novels in three years (the term
+of her literary activity at the time of which I write) could hardly be
+called "a small way." she would smile modestly and say that it was not
+really much; and if she were told that the English language embraced no
+such word as "authoress," she would smile again and say that it ought
+to, a position towards the bugbear of correctness with which, I
+confess, I sympathize in some degree. She was very diligent; she worked
+from ten to one every day while she was at Poltons; how much she wrote
+is between her and her conscience.
+
+There was another impeachment which Miss Liston was hardly at the
+trouble to deny. "Take my characters from life!" she would exclaim.
+"Surely every artist (Miss Liston often referred to herself as an
+artist) must!" And she would proceed to maintain--what is perhaps true
+sometimes--that people rather liked being put into books, just as they
+liked being photographed, for all that they grumble and pretend to be
+afflicted when either process is levied against them. In discussing
+this matter with Miss Liston I felt myself on delicate ground, for it
+was notorious that I figured in her first book in the guise of a
+misogynistic genius; the fact that she lengthened (and thickened) my
+hair, converted it from an indeterminate brown to a dusty black, gave
+me a drooping mustache, and invested my very ordinary work-a-day eyes
+with a strange magnetic attraction, availed nothing; I was at once
+recognized, and, I may remark in passing, an uncommonly disagreeable
+fellow she made me. Thus I had passed through the fire. I felt
+tolerably sure that I presented no other aspect of interest, real or
+supposed, and I was quite content that Miss Liston should serve all the
+rest of her acquaintance as she had served me. I reckoned they would
+last her, at the present rate of production, about five years.
+
+Fate was kind to Miss Liston, and provided her with most suitable
+patterns for her next piece of work at Poltons itself. There were a
+young man and a young woman staying in the house--Sir Gilbert
+Chillington and Miss Pamela Myles. The moment Miss Liston was appraised
+of a possible romance; she began the study of the protagonists. She was
+looking out, she told me, for some new types (if it were any
+consolation--and there is a sort of dignity about it--to be called a
+type, Miss Liston's victims were always welcome to so much), and she
+had found them in Chillington and Pamela. The former appeared to my
+dull eye to offer no salient novelty; he was tall, broad, handsome, and
+he possessed a manner of enviable placidity. Pamela, I allowed, was
+exactly the heroine Miss Liston loved--haughty, capricious, difficile,
+but sound and true at heart (I was mentally skimming Volume I.). Miss
+Liston agreed with me in my conception of Pamela, but declared that I
+did not do justice to the artistic possibilities latent in Chillington;
+he had a curious attraction which it would tax her skill (so she
+gravely informed me) to the utmost to reproduce. She proposed that I
+also should make a study of him, and attributed my hurried refusal to a
+shrinking from the difficulties of the task.
+
+"Of course," she observed, looking at our young friends who were
+talking nonsense at the other side of the lawn, "they must have a
+misunderstanding."
+
+"Why, 'of course'," said I, lighting my pipe. "What should you say to
+another man?"
+
+"Or another woman?" said Miss Liston.
+
+"It comes to the same thing," said I. (About a volume and a half I
+meant.)
+
+"But it's more interesting'. Do you think she'd better be a married
+woman?" And Miss Liston looked at me inquiringly.
+
+"The age prefers them married," I remarked.
+
+This conversation happened on the second day of Miss Liston's visit,
+and she lost no time in beginning to study her subjects. Pamela, she
+said, she found pretty plain sailing, but Chillington continued to
+puzzle her. Again, she could not make up her mind whether to have a
+happy or a tragic ending. In the interests of a tender-hearted public,
+I pleaded for marriage-bells.
+
+"Yes, I think so," said Miss Liston, but she sighed, and I think she
+had an idea or two for a heart-broken separation, followed by mutual,
+life-long, hopeless devotion.
+
+The complexity of young Sir Gilbert did not, in Miss Liston's opinion,
+appear less on further acquaintance; and indeed, I must admit that she
+was not altogether wrong in considering him worthy of attention. As I
+came to know him better, I discerned in him a smothered
+self-appreciation, which came to light in response to the least tribute
+of interest or admiration, but was yet far remote from the
+aggressiveness of a commonplace vanity. In a moment of indiscretion I
+had chaffed him--he was very good-natured--on the risks he ran at Miss
+Liston's hands; he was not disgusted, but neither did he plume himself
+or spread his feathers. He received the suggestions without surprise,
+and without any attempt at disclaiming fitness for the purpose; but he
+received it as a matter which entailed a responsibility on him. I
+detected the conviction that, if the portrait was to be painted, it was
+due to the world that it should be well painted; the subject must give
+the artist full opportunities.
+
+"What does she know about me?" he asked, in meditative tones.
+
+"She's very quick; she'll soon pick up as much as she wants," I assured
+him.
+
+"She'll probably go all wrong," he said, sombrely; and of course I
+could not tell him that it was of no consequence if she did. He would
+not have believed me, and would have done precisely what he proceeded
+to do, and that was to afford Miss Liston every chance of appraising
+his character and plumbing the depths of his soul.
+
+I may say at once that I did not regret this course of action; for the
+effect of it was to allow me a chance of talking to Pamela Myles, and
+Pamela was exactly the sort of a girl to beguile the long pleasant
+morning hours of a holiday in the country. No one had told Pamela that
+she was going to be put in a book, and I don't think it would have made
+any difference had she been told. Pamela's attitude towards books was
+one of healthy scorn, confidently based on admitted ignorance. So we
+never spoke of them, and my cousin Dora condoled with me more than once
+on the way in which Miss Liston, false to the implied terms of her
+invitation, deserted me in favor of Sir Gilbert, and left me to the
+mercies of a frivolous girl. Pamela appeared to be as little aggrieved
+as I was. I imagined that she supposed that Chillington would ask her
+to marry him some day before very long, and I was sure she would accept
+him; but it was quite plain that, if Miss Liston persisted in making
+Pamela her heroine, she would have to supply from her own resources a
+large supplement of passion. Pamela was far too deficient in the
+commodity to be made anything of, without such reinforcement, even by
+an art more adept at making much out of nothing than Miss Liston's
+straightforward method could claim to be.
+
+A week passed, and then, one Friday morning, a new light burst on me.
+Miss Liston came into the garden at eleven o'clock and sat down by me
+on the lawn. Chillington and Pamela had gone riding with the squire,
+Dora was visiting the poor. We were alone. The appearance of Miss
+Liston at this hour (usually sacred to the use of the pen), no less
+than her puzzled look, told me that an obstruction had occurred in the
+novel. Presently she let me know what it was.
+
+"I'm thinking of altering the scheme of my story, Mr. Wynne," said she.
+"Have you ever noticed how sometimes a man thinks he's in love when he
+isn't really?"
+
+"Such a case sometimes occurs," I acknowledged.
+
+"Yes, and he doesn't find out his mistake----"
+
+"Till they're married?"
+
+"Sometimes, yes," she said, rather as though she were making an
+unwilling admission. "But sometimes he sees it before--when he meets
+somebody else."
+
+"Very true," said I, with a grave nod.
+
+"The false can't stand against the real." pursued Miss Liston; and then
+she fell into meditative silence. I stole a glance at her face; she was
+smiling. Was it in the pleasure of literary creation--an artistic
+ecstasy? I should have liked to answer yes, but I doubted it very much.
+Without pretending to Miss Liston's powers, I have the little subtlety
+that is needful to show me that more than one kind of smile may be seen
+on the human face, and that there is one very different from others;
+and finally, that that one is not evoked, as a rule, merely by the
+evolution of the troublesome encumbrance in pretty writing, vulgarly
+called a "plot."
+
+"If," pursued Miss Liston, "some one comes who can appreciate him and
+draw out what is best in him----"
+
+"That's all very well," said I, "but what of the first girl?"
+
+"Oh, she's--she can be made shallow, you know; and I can put in a man
+for her. People needn't be much interested in her."
+
+"Yes, you could manage it that way," said I, thinking how Pamela--I
+took the liberty of using her name for the shallow girl--would like
+such treatment.
+
+"She will really be valuable mainly as a foil," observed Miss Liston;
+and she added generously, "I shall make her nice, you know, but
+shallow--not worthy of him."
+
+"And what are you going to make the other girl like?" I asked.
+
+Miss Liston started slightly; also she colored very slightly, and she
+answered, looking away from me across the lawn, "I haven't quite made
+up my mind yet, Mr. Wynne."
+
+With the suspicion which this conversation aroused fresh in my mind, it
+was curious to hear Pamela laugh, as she said to me on the afternoon of
+the same day, "Aren't Sir Gilbert and Audrey Liston funny? I tell you
+what, Mr. Wynne, I believe they're writing a novel together."
+
+"Perhaps Chillington's giving her the materials for one," I suggested.
+
+"I shouldn't think," observed Pamela, in her dispassionate way, "that
+anything very interesting had ever happened to him."
+
+"I. thought you liked him," I remarked, humbly.
+
+"So I do. What's that got to do with it?" asked Pamela.
+
+It was beyond question that Chillington enjoyed Miss Liston's society;
+the interest she showed in him was incense to his nostrils. I used to
+overhear fragments of his ideas about himself, which he was revealing
+in answer to her tactful inquiries. But neither was it doubtful that he
+had by no means lost his relish for Pamela's lighter talk; in fact, he
+seemed to turn to her with some relief--perhaps it is refreshing to
+escape from self-analysis, even when the process is conducted in the
+pleasantest possible manner--and the hours which Miss Liston gave to
+work were devoted by Chillington to maintaining his cordial relations
+with the lady whose comfortable and not over-tragical disposal was
+taxing Miss Liston's skill. For she had definitely decided all her
+plot; she told me so a few days later. It was all planned out; nay, the
+scene in which the truth as to his own feelings bursts on Sir Gilbert
+(I forget at the moment what name the novel gave him) was, I
+understood, actually written; the shallow girl was to experience
+nothing worse than a wound to her vanity, and was to turn with as much
+alacrity as decency allowed to the substitute whom Miss Liston had now
+provided. All this was poured into my sympathetic ear, and I say
+sympathetic with all sincerity; for, although I may occasionally treat
+Miss Liston's literary efforts with less than proper respect, she
+herself was my friend, and the conviction under which she was now
+living would, I knew, unless it were justified, bring her into much of
+that unhappiness in which one generally found her heroine plunged about
+the end of Volume II. The heroine generally got out all right, and the
+knowledge that she would enabled the reader to preserve cheerfulness.
+But would poor little Miss Liston get out? I was none too sure of it.
+
+Suddenly a change came in the state of affairs. Pamela produced it. It
+must have struck her that the increasing intimacy of Miss Liston and
+Chillington might become something other than "funny." To put it
+briefly and metaphorically, she whistled her dog back to her heels. I
+am not skilled in understanding or describing the artifices of ladies;
+but even I saw the transformation in Pamela. She put forth her strength
+and put on her prettiest gowns; she refused to take her place in the
+see-saw of society, which Chillington had recently established for his
+pleasure. If he spent an hour with Miss Liston, Pamela would have
+nothing of him for a day; she met his attentions with scorn unless they
+were undivided. Chillington seemed at first puzzled; I believe that he
+never regarded his talks with Miss Liston in other than a business
+point of view, but directly he understood that Pamela claimed him, and
+that she was prepared, in case he did not obey her call, to establish a
+grievance against him, he lost no time in manifesting his obedience. A
+whole day passed in which, to my certain knowledge, he was not alone a
+moment with Miss Liston, and did not, save at the family meals,
+exchange a word with her. As he walked off with Pamela, Miss Liston's
+eyes followed him in wistful longing; she stole away upstairs and did
+not come down till five o'clock. Then finding me strolling about with a
+cigarette, she joined me.
+
+"Well, how goes the book?" I asked.
+
+"I haven't done much to it just lately," she answered, in a low voice.
+"I--it's--I don't quite know what to do with it."
+
+"I thought you'd settled?"
+
+"So I had, but--oh, don't let's talk about it, Mr. Wynne!"
+
+But a moment later she went on talking about it.
+
+"I don't know why I should make it end happily," she said. "I'm sure
+life isn't always happy, is it?"
+
+"Certainly not," I answered. "You mean your man might stick to the
+shallow girl after all?"
+
+"Yes," I just heard her whisper.
+
+"And be miserable afterwards?" I pursued.
+
+"I don't know," said Miss Liston. "Perhaps he wouldn't."
+
+"Then you must make him shallow himself."
+
+"I can't do that," she said quickly. "Oh, how difficult it is!"
+
+She may have meant merely the art of writing--when I cordially agreed
+with her--but I think she meant also the way of the world, which does
+not make me withdraw my assent. I left her walking up and down in front
+of the drawing-room windows, a rather forlorn little figure, thrown
+into distinctness by the cold rays of the setting sun.
+
+All was not over yet. That evening Chillington broke away. Led by
+vanity, or interest, or friendliness, I know not which--tired maybe of
+paying court (the attitude in which Pamela kept him), and thinking it
+would be pleasant to play the other part for a while--after dinner he
+went straight to Miss Liston, talked to her while we had coffee on the
+terrace, and then walked about with her. Pamela sat by me; she was very
+silent; she did not appear to be angry, but her handsome mouth wore a
+resolute expression. Chillington and Miss Liston wandered on into the
+shrubbery, and did not come into sight again for nearly half an hour.
+
+"I think it's cold," said Pamela, in her cool, quiet tones. "And it's
+also, Mr. Wynne, rather slow. I shall go to bed."
+
+I thought it a little impertinent of Pamela to attribute the 'slowness'
+(which had undoubtedly existed) to me, so I took my revenge by saying,
+with, an assumption of innocence purposely and obviously unreal, "Oh,
+but won't you wait and bid Miss Liston and Chillington good-night?"
+
+Pamela looked at me for a moment. I made bold to smile.
+
+Pamela's face broke slowly into an answering smile.
+
+"I don't know what you mean, Mr. Wynne," said she.
+
+"No?" said I.
+
+"No," said Pamela, and she turned away. But before she went she looked
+over her shoulder, and, still smiling, said, "Wish Miss Liston
+good-night for me, Mr. Wynne. Anything I have to say to Sir Gilbert
+will wait very well till to-morrow."
+
+She had hardly gone in when the wanderers came out of the shrubbery and
+rejoined me. Chillington wore his usual passive look, but Miss Liston's
+face was happy and radiant. Chillington passed on into the
+drawing-room. Miss Liston lingered a moment by me.
+
+"Why, you look," said I, "as if you'd invented the finest scene ever
+written."
+
+She did not answer me directly, but stood looking up at the stars.
+Then she said in a dreamy tone, "I think I shall stick to my old idea
+in the book."
+
+As she spoke Chillington came out. Even in the dim light I saw a frown
+on his face.
+
+"I say, Wynne," said he, "where's Miss Myles?"
+
+"She's gone to bed," I answered. "She told me to wish you good-night
+for her, Miss Liston. No message for you, Chillington."
+
+Miss Liston's eyes were on him. He took no notice of her; he stood
+frowning for an instant, then, with some muttered ejaculation, he
+strode back into the house. We hoard his heavy tread across the
+drawing-room; we heard the door slammed behind him, and I found myself
+looking on Miss Liston's altered face.
+
+"What does he want her for, I wonder?" she said, in an agitation that
+made my presence, my thoughts, my suspicions, nothing to her. "He said
+nothing to me about wanting to speak to her to-night." And she walked
+slowly into the house, her eyes on the ground, and all the light gone
+from her face and the joy dead in it. Whereupon I, left alone, began to
+rail at the gods that a dear, silly little soul like Miss Liston should
+bother her poor, silly little head about a hulking fool; in which
+reflections I did, of course, immense injustice not only to an eminent
+author, but also to a perfectly honorable, though somewhat dense and
+decidedly conceited, gentleman.
+
+The next morning Sir Gilbert Chillington ate dirt--there is no other
+way of expressing it--in great quantities and with infinite humility.
+My admirable friend Miss Pamela was severe. I saw him walk six yards
+behind her for the length of the terrace; not a look nor a turn of her
+head gave him leave to join her. Miss Liston had gone upstairs, and I
+watched the scene from the window of the smoking-room. At last, at the
+end of the long walk, just where the laurel-bushes mark the beginning
+of the shrubberies--on the threshold of the scene of his crime--Pamela
+turned round suddenly and faced the repentant sinner. The most
+interesting things in life are those which, perhaps by the inevitable
+nature of the case, one does not hear; and I did not hear the scene
+which followed. For a while they stood talking--rather, he talked and
+she listened. Then she turned again and walked slowly into the
+shrubbery. Chillington followed. It was the end of a chapter, and I
+laid down the book.
+
+How and from whom Miss Liston heard the news, which Chillington himself
+told me without a glimmer of shame or a touch of embarrassment some two
+hours later, I do not know; but hear it she did before luncheon; for
+she came down, ready armed with the neatest little speeches for both
+the happy lovers. I did not expect Pamela to show an ounce more feeling
+than the strictest canons of propriety demanded, and she fulfilled my
+expectations to the letter; but I had hoped, I confess, that
+Chillington would have displayed some little consciousness. He did not;
+and it is my belief that, throughout the events which I have recorded,
+he retained, and that he still retains, the conviction that Miss
+Liston's interest in him was purely literary and artistic, and that she
+devoted herself to his society simply because he offered an interesting
+problem and an inspiring theme. An ingenious charity may find in that
+attitude evidence of modesty; to my thinking it argues a more subtle
+and magnificent conceit than if he had fathomed the truth, as many
+humbler men in his place would have done.
+
+On the day after the engagement was accomplished Miss Liston left us to
+return to London. She came out in her hat and jacket and sat down by
+me; the carriage was to be round in ten minutes. She put on her gloves
+slowly and buttoned them carefully. This done, she said, "By the way,
+Mr. Wynne, I've adopted your suggestion. The man doesn't find out."
+
+"Then you've made him a fool?" I asked bluntly.
+
+"No," she answered. "I--I think it might happen though he wasn't a
+fool."
+
+She sat with her hands in her lap for a moment or two, then she went on
+in a lower voice, "I'm going to make him find out afterwards."
+
+I felt her glance on me, but I looked straight in front of me.
+
+"What! after he's married the shallow girl?"
+
+"Yes," said Miss Liston.
+
+"Rather too late, isn't it? At least if you mean there is to be a happy
+ending."
+
+Miss Liston enlaced her fingers.
+
+"I haven't decided about the ending yet," said she.
+
+"If you're intent is to be tragical--which is the fashion--you'll do as
+you stand," said I.
+
+"Yes," she answered slowly, "if I'm tragical I shall do as I stand."
+
+There was another pause, and rather a long one; the wheels of the
+carriage were audible on the gravel of the front drive. Miss Liston
+stood up. I rose and held out my hand.
+
+"Of course," said Miss Liston, still intent on her novel, "I could--"
+She stopped again, and looked apprehensively at me. My face, I believe,
+expressed nothing more than polite attention and friendly interest.
+
+"Of course," she began again, "the shallow girl--his wife--might--might
+die, Mr. Wynne."
+
+"In novels," said I, with a smile, "while there's death there's hope."
+
+"Yes, in novels," she answered, giving me her hand.
+
+The poor little woman was very unhappy. Unwisely, I dare say, I
+pressed, her hand. It was enough; the tears leapt to her eyes; she gave
+my great fist a hurried squeeze. I have seldom been more touched by any
+thanks, however warm or eloquent, and hurried away.
+
+I have read the novel. It came out a little while ago. The man finds
+out after the marriage; the shallow girl dies un regretted (she turns
+out as badly as possible); the real love comes, and all ends joyfully.
+It is simple story, prettily told in its little way, and the scene of
+the reunion is written with genuine feeling--nay, with a touch of real
+passion. But then Sir Gilbert Chillington never meets Miss Liston now.
+And Lady Chillington not only behaves with her customary propriety, but
+is in the enjoyment of most excellent health and spirits.
+
+True art demands an adaptation, not a copy, of life. I saw that remark
+somewhere the other day. It seems correct, if Miss Liston be any
+authority.
+
+
+
+
+THE PHILOSOPHER IN THE APPLE ORCHARD
+
+
+It was a charmingly mild and balmy day. The sun shone beyond the
+orchard, and the shade was cool inside. A light breeze stirred the
+boughs of the old apple-tree under which the philosopher sat. None of
+these things did the philosopher notice, unless it might be when the
+wind blew about the leaves of the large volume on his knees, and he had
+to find his place again. Then he would exclaim against the wind,
+shuffle the leaves till he got the right page, and settle to his
+reading. The book was a treatise on ontology; it was written by another
+philosopher, a friend of this philosopher's; it bristled with
+fallacies, and this philosopher was discovering them all, and noting
+them on the fly-leaf at the end. He was not going to review the book
+(as some might have thought from his behavior), or even to answer it in
+a work of his own. It was just that he found a pleasure in stripping
+any poor fallacy naked and crucifying it. Presently a girl in a white
+frock came into the orchard. She picked up an apple, bit it, and found
+it ripe. Holding it in her hand, she walked up to where the philosopher
+sat, and looked at him. He did not stir. She took a bite out of the
+apple, munched it, and swallowed it. The philosopher crucified a
+fallacy on the fly-leaf. The girl flung the apple away.
+
+"Mr. Jerningham," said she, "are you very busy?"
+
+The philosopher, pencil in hand, looked up.
+
+"No, Miss May," said he, "not very."
+
+"Because I want your opinion."
+
+"In one moment," said the philosopher, apologetically.
+
+He turned back to the fly-leaf and began to nail the last fallacy a
+little tighter to the cross. The girl regarded him, first with amused
+impatience, then with a vexed frown, finally with a wistful regret. He
+was so very old for his age, she thought; he could not be much beyond
+thirty; his hair was thick and full of waves, his eyes bright and
+clear, his complexion not yet divested of all youth's relics.
+
+"Now, Miss May, I'm at your service," said the philosopher, with a
+lingering look at his impaled fallacy; and he closed the book, keeping
+it, however, on his knee.
+
+The girl sat down just opposite to him.
+
+"It's a very important thing I want to ask you," she began, tugging at
+a tuft of grass, "and it's very--difficult, and you mustn't tell any
+one I asked you; at least, I'd rather you didn't."
+
+"I shall not speak of it; indeed, I shall probably not remember it,"
+said the philosopher.
+
+"And you mustn't look at me, please, while I'm asking you."
+
+"I don't think I was looking at you, but if I was I beg your pardon,"
+said the philosopher, apologetically.
+
+She pulled the tuft of grass right out of the ground, and flung it from
+her with all her force.
+
+"Suppose a man--" she began. "No, that's not right."
+
+"You can take any hypothesis you please," observed the philosopher,
+"but you must verify it afterward, of course."
+
+"Oh, do let me go on. Suppose a girl, Mr. Jerningham--I wish you
+wouldn't nod."
+
+"It was only to show that I followed you."
+
+"Oh, of course you 'follow me', as you call it. Suppose a girl had two
+lovers--you're nodding again--or, I ought to say, suppose there were
+two men who might be in love with a girl."
+
+"Only two?" asked the philosopher. "You see, any number of men might be
+in love with--
+
+"Oh, we can leave the rest out," said Miss May, with a sudden dimple;
+"they don't matter."
+
+"Very well," said the philosopher, "if they are irrelevant we will put
+them aside."
+
+"Suppose, then, that one of these men was, oh, _awfully_ in love with
+the girl, and--and proposed, you know--"
+
+"A moment!" said the philosopher, opening a note-book. "Let me take
+down his proposition. What was it?"
+
+"Why, proposed to her--asked her to marry him," said the girl, with a
+stare.
+
+"Dear me! How stupid of me! I forgot that special use of the word.
+Yes?"
+
+"The girl likes him pretty well, and her people approve of him, and all
+that, you know."
+
+"That simplifies the problem," said the philosopher, nodding again.
+
+"But she's not in--in love with him, you know. She doesn't really care
+for him--much. Do you understand?"
+
+"Perfectly. It is a most natural state of mind."
+
+"Well then, suppose that there's another man--what are you writing?"
+
+"I only put down (B)--like that," pleaded the philosopher, meekly
+exhibiting his note-book.
+
+She looked at him in a sort of helpless exasperation, with just a smile
+somewhere in the background of it.
+
+"Oh, you really are--" she exclaimed. "But let me go on. The other man
+is a friend of the girl's: he's very clever--oh, fearfully clever--and
+he's rather handsome. You needn't put that down."
+
+"It is certainly not very material," admitted the philosopher, and he
+crossed out 'handsome'; 'clever' he left.
+
+"And the girl is most awfully--she admires him tremendously; she thinks
+him just the greatest man that ever lived, you know. And she--she--"
+The girl paused.
+
+"I'm following," said the philosopher, with pencil poised.
+
+"She'd think it better than the whole world if--if she could be
+anything to him, you know."
+
+"You mean become his wife?"
+
+"Well, of course I do--at least, I suppose I do."
+
+"You spoke rather vaguely, you know."
+
+The girl cast one glance at the philosopher as she replied:
+
+"Well, yes; I did mean become his wife."
+
+"Yes. Well?"
+
+"But," continued the girl, starting on another tuft of grass, "he
+doesn't think much about those things. He likes her. I think he likes
+her-"
+
+"Well, doesn't dislike her?" suggested the philosopher. "Shall we call
+him indifferent?"
+
+"I don't know. Yes, rather indifferent. I don't think he thinks about
+it, you know. But she--she's pretty. You needn't put that down."
+
+"I was not about to do so," observed the philosopher.
+
+"She thinks life with him would be just heaven; and-and she thinks she
+would make him awfully happy. She would-would be so proud of him, you
+see."
+
+"I see. Yes?"
+
+"And--I don't know how to put it, quite--she thinks that if he ever
+thought about it at all he might care for her; because he doesn't care
+for anybody else, and she's pretty--"
+
+"You said that before."
+
+"Oh dear, I dare say I did. And most men care for somebody, don't they?
+Some girl, I mean."
+
+"Most men, no doubt," conceded the philosopher.
+
+"Well then, what ought she to do? It's not a real thing, you know, Mr.
+Jerningham. It's in--in a novel I was reading." She said this hastily,
+and blushed as she spoke.
+
+"Dear me! And it's quite an interesting case! Yes, I see. The question
+is, Will she act most wisely in accepting the offer of the man who
+loves her exceedingly, but for whom she entertains only a moderate
+affection--"
+
+"Yes; just a liking. He's just a friend."
+
+"Exactly. Or in marrying the other whom she loves ex--"
+
+"That's not it. How can she marry him? He hasn't--he hasn't asked her,
+you see."
+
+"True; I forgot. Let us assume, though, for the moment, that he has
+asked her. She would then have to consider which marriage would
+probably be productive of the greater sum total of--"
+
+"Oh, but you needn't consider that."
+
+"But it seems the best logical order. We can afterward make allowance
+for the element of uncertainty caused by--"
+
+"Oh no; I don't want it like that. I know perfectly well which she'd do
+if he-the other man you know-asked her."
+
+"You apprehend that--"
+
+"Never mind what I 'apprehend'. Take it as I told you."
+
+"Very good. A has asked her hand, B has not."
+
+"Yes."
+
+"May I take it that, but for the disturbing influence of B, A would be
+a satisfactory--er--candidate?"
+
+"Ye--es; I think so."
+
+"She therefore enjoys a certainty of considerable happiness if she
+marries A?"
+
+"Ye--es; not perfect, because of--B, you know."
+
+"Quite so, quite so; but still a fair amount of happiness. Is it not
+so?"
+
+"I don't--well, perhaps."
+
+"On the other hand, if B did ask her, we are to postulate a higher
+degree of happiness for her?"
+
+"Yes, please, Mr. Jerningham--much higher."
+
+"For both of them?"
+
+"For her. Never mind him."
+
+"Very well. That again simplifies the problem. But his asking her is a
+contingency only?"
+
+"Yes, that's all."
+
+The philosopher spread out his hands.
+
+"My dear young lady," he said, "it becomes a question of degree. How
+probable or improbable is it?"
+
+"I don't know; not very probable--unless--"
+
+"Well?"
+
+"Unless he did happen to notice, you know."
+
+"Ah, yes; we supposed that, if he thought of it, he would probably take
+the desired step-at least, that he might be led to do so. Could she
+not--er--indicate her preference?"
+
+"She might try--no, she couldn't do much. You see, he--he doesn't think
+about such things."
+
+"I understand precisely. And it seems to me, Miss May, that in that
+very fact we find our solution."
+
+"Do we?" she asked.
+
+"I think so. He has evidently no natural inclination toward
+her--perhaps not toward marriage at all. Any feeling aroused in him
+would be necessarily shallow and, in a measure, artificial, and in all
+likelihood purely temporary. Moreover, if she took steps to arouse his
+attention one of two things would be likely to happen. Are you
+following me?"
+
+"Yes, Mr. Jerningham."
+
+"Either he would be repelled by her overtures, which you must admit is
+not improbable, and then the position would be unpleasant, and even
+degrading, for her; or, on the other hand, he might, through a
+misplaced feeling of gallantry--"
+
+"Through what?"
+
+"Through a mistaken idea of politeness, or a mistaken view of what was
+kind, allow himself to be drawn into a connection for which he had no
+genuine liking. You agree with me that one or other of these things
+would be likely?"
+
+"Yes, I suppose they would, unless he did come to care for her."
+
+"Ah, you return to that hypothesis. I think it's an extremely fanciful
+one. No, she need not marry A, but she must let B alone."
+
+The philosopher closed his book, took off his glasses, wiped them,
+replaced them, and leaned back against the trunk of the apple-tree.
+The girl picked a dandelion in pieces. After a long pause she asked:
+
+"You think B's feelings wouldn't be at all likely to--to change?"
+
+"That depends on the sort of man he is. But if he is an able man, with
+intellectual interests which engross him-a man who has chosen his path
+in life--a man to whom women's society is not a necessity--"
+
+"He's just like that," said the girl, and she bit the head off a daisy.
+
+"Then," said the philosopher, "I see not the least reason for supposing
+that his feelings will change."
+
+"And would you advise her to marry the other--A?"
+
+"Well, on the whole, I should. A is a good fellow (I think we made A a
+good fellow), he is a suitable match, his love for her is true and
+genuine--"
+
+"It's tremendous!"
+
+"Yes--and--er--extreme. She likes him. There is every reason to hope
+that her liking will develop into a sufficiently deep and stable
+affection. She will get rid of her folly about B, and make A a good
+wife. Yes, Miss May, if I were the author of your novel I should make
+her marry A, and I should call that a happy ending."
+
+A silence followed. It was broken by the philosopher.
+
+"Is that all you wanted my opinion about, Miss May?" he asked, with his
+finger between the leaves of the treatise on ontology.
+
+"Yes, I think so. I hope I haven't bored you?"
+
+"I've enjoyed the discussion extremely. I had no idea that novels
+raised points of such psychological interest. I must find time to read
+one."
+
+The girl had shifted her position till, instead of her full face, her
+profile was turned toward him. Looking away toward the paddock that lay
+brilliant in sunshine on the skirts of the apple orchard, she asked in
+low slow tones, twisting her hands in her lap:
+
+"Don't you think that perhaps if B found out afterward-when she had
+married A, you know--that she had cared for him so very, very much, he
+might be a little sorry?"
+
+"If he were a gentleman he would regret it deeply."
+
+"I mean--sorry on his own account; that--that he had thrown away all
+that, you know?"
+
+The philosopher looked meditative.
+
+"I think," he pronounced, "that it is very possible he would. I can
+well imagine it."
+
+"He might never find anybody to love him like that again," she said,
+gazing on the gleaming paddock.
+
+"He probably would not," agreed the philosopher.
+
+"And--and most people like being loved, don't they?"
+
+"To crave for love is an almost universal instinct, Miss May."
+
+"Yes, almost," she said, with a dreary little smile. "You see, he'll
+get old, and-and have no one to look after him."
+
+"He will."
+
+"And no home."
+
+"Well, in a sense, none," corrected the philosopher, smiling. "But
+really you'll frighten me. I'm a bachelor myself, you know, Miss May."
+
+"Yes," she whispered, just audibly.
+
+"And all your terrors are before me."
+
+"Well, unless--"
+
+"Oh, we needn't have that 'unless'," laughed the philosopher,
+cheerfully. "There's no 'unless' about it, Miss May."
+
+The girl jumped to her feet; for an instant she looked at the
+philosopher. She opened her lips as if to speak, and at the thought of
+what lay at her tongue's tip her face grew red. But the philosopher was
+gazing past her, and his eyes rested in calm contemplation on the
+gleaming paddock.
+
+"A beautiful thing, sunshine, to be sure," said he.
+
+Her blush faded away into paleness; her lips closed. Without speaking,
+she turned and walked slowly away, her head drooping. The philosopher
+heard the rustle of her skirt in the long grass of the orchard; he
+watched her for a few moments.
+
+"A pretty, graceful creature," said he, with a smile. Then he opened
+his book, took his pencil in his hand, and slipped in a careful
+forefinger to mark the fly-leaf.
+
+The sun had passed mid-heaven and began to decline westward before he
+finished the book. Then he stretched himself and looked at his watch.
+
+"Good gracious, two o'clock! I shall be late for lunch!" and he hurried
+to his feet.
+
+He was very late for lunch.
+
+"Everything's cold," wailed his hostess. "Where have you been, Mr.
+Jerningham?"
+
+"Only in the orchard--reading."
+
+"And you've missed May!"
+
+"Missed Miss May? How do you mean? I had a long talk with her this
+morning-a most interesting talk."
+
+"But you weren't here to say good-by. Now you don't mean to say that
+you forgot that she was leaving by the two-o'clock train? What a man
+you are!"
+
+"Dear me! To think of my forgetting it!" said the philosopher,
+shamefacedly.
+
+"She told me to say good-bye to you for her."
+
+"She's very kind. I can't forgive myself."
+
+His hostess looked at him for a moment; then she sighed, and smiled,
+and sighed again.
+
+"Have you everything you want?" she asked.
+
+"Everything, thank you," said he, sitting down opposite the cheese, and
+propping his book (he thought he would just run through the last
+chapter again) against the loaf; "everything in the world that I want,
+thanks."
+
+His hostess did not tell him that the girl had come in from the apple
+orchard and run hastily upstairs, lest her friend should see what her
+friend did see in her eyes. So that he had no suspicion at all that he
+had received an offer of marriage-and refused it. And he did not refer
+to anything of that sort when he paused once in his reading and
+exclaimed:
+
+"I'm really sorry I missed Miss May. That was an interesting case of
+hers. But I gave the right answer; the girl ought to marry A."
+
+And so the girl did.
+
+
+
+
+THE DECREE OF DUKE DEODONATO
+
+
+"It is a most anxious thing--to be an absolute ruler," said Duke
+Deodonato, "but I have made up my mind. The Doctor has convinced me
+(here Dr. Fusbius, Ph.D., bowed very low) that marriage is the best,
+noblest, wholesomest, and happiest of human conditions."
+
+"Your Highness will remember--" began the President of the Council.
+
+"My lord, I have made up my mind," said Duke Deodonato.
+
+Thus speaking, the Duke took a large sheet of foolscap paper, and wrote
+rapidly for a moment or two.
+
+"There," he said, pushing the paper over to the President, "is the
+decree."
+
+"The decree, sir?"
+
+"I think three weeks afford ample space," said Duke Deodonato.
+
+"Three weeks, sir?"
+
+"For every man over twenty-one years of age in this Duchy to find
+himself a wife."
+
+"Your Highness," observed Dr. Fusbius with deference, "will consider
+that between an abstract proposition and a practical measure--"
+
+"There is to the logical mind no stopping-place," interrupted Duke
+Deodonato.
+
+"But, sir," cried the President, "imagine the consternation which
+this--!"
+
+"Let it be gazetted to-night," said Duke Deodonato.
+
+"I would venture," said the President, "to remind your Highness that
+you are yourself a bachelor."
+
+"Laws," said Duke Deodonato, "do not bind the Crown unless the Crown is
+expressly mentioned."
+
+"True, sir; but I humbly conceive that it would be pessimi exempli--"
+
+"You are right; I will marry myself," said Duke Deodonato.
+
+"But, sir, three weeks! The hand of a princess cannot be requested and
+granted in--"
+
+"Then find me somebody else," said Deodonato; "and pray leave me. I
+would be alone;" and Duke Deodonato waved his hand to the door.
+
+Outside the door the President said to the Doctor,
+
+"I could wish, sir, that you had not convinced his Highness."
+
+"My lord," rejoined the Doctor, "truth is my only preoccupation."
+
+"Sir," said the President, "are you married?"
+
+"My lord," answered the Doctor, "I am not."
+
+"I thought not," said the President, as he folded up the decree, and
+put it in his pocket.
+
+It is useless to deny that Duke Deodonato's decree caused considerable
+disturbance in the Duchy. In the first place, the Crown lawyers raised
+a puzzle of law. Did the word 'man' as used in the decree, include
+'woman'?
+
+The President shook his head, and referred the question to his Highness.
+
+"It seems immaterial," observed the Duke. "If a man marries, a woman
+marries."
+
+"Ex vi terminorum," assented the Doctor.
+
+"But, sir," said the President, "there are more women than men in the
+Duchy."
+
+Duke Deodonato threw down his pen. "This is very provoking," said he.
+"Why was it allowed? I'm sure it happened before _I_ came to the
+throne."
+
+The Doctor was about to point out that it could hardly have been
+guarded against, when the President (who was a better courtier)
+anticipated him.
+
+"We did not foresee that your Highness, in your Highness's wisdom,
+would issue this decree," he said humbly.
+
+"True," said Duke Deodonato, who was a just man.
+
+"Would your Highness vouchsafe any explanation--?"
+
+"What are the Judges for?" asked Duke Deodonato. "There is the law--let
+them interpret it."
+
+Whereupon the Judges held that a 'man' was not a 'woman' and that
+although every man must marry, no woman need.
+
+"It will make no difference," said the President.
+
+"None at all," said Dr. Fusbius.
+
+Nor, perhaps, would it, seeing that women are ever kind, and in no way
+by nature averse from marriage, had it not become known that Duke
+Deodonato himself intended to choose a wife from the ladies of his own
+dominions, and to choose her (according to the advice of Dr. Fusbius,
+who, in truth, saw little whither his counsel would in the end carry
+the Duke) without regard to such adventitious matters as rank or
+wealth, and purely for her beauty, talent, and virtue. Which resolve
+being proclaimed, straightway all the ladies of the Duchy, of
+whatsoever station, calling, age, appearance, wit, or character,
+conceiving each of them that she, and no other, should become the
+Duchess, sturdily refused all offers of marriage (although they were
+many of them as desperately enamored as virtuous ladies may be), and
+did nought else than walk, drive, ride, and display their charms in the
+park before the windows of the ducal palace. And thus it fell out that
+when a week had gone by, no man had obeyed Duke Deodonato's decree, and
+they were, from sheer want of brides, like to fall into contempt of the
+law and under the high displeasure of the Duke.
+
+Upon this the President and Dr. Fusbius sought audience of his
+Highness, and humbly laid before him the unforeseen obstacle which had
+occurred.
+
+"Woman is ever ambitious," said Dr. Fusbius.
+
+"Nay," corrected the President, "they have seen his Highness's person
+as his Highness has ridden through the city."
+
+Duke Deodonato threw down his pen.
+
+"This is very tiresome," said he, knitting his brows. "My lord, I would
+be further advised on this matter. Return at the same hour to-morrow."
+
+The next day Duke Deodonato's forehead had regained its customary
+smoothness, and his manner was tranquil and assured.
+
+"Our pleasure is," said he to the President, "that, albeit no woman
+shall be compelled to marry if so be that she be not invited thereunto;
+yet, if bidden, she shall in no wise refuse, but straightway espouse
+that man who first after the date of these presents shall solicit her
+hand."
+
+The President bowed in admiration.
+
+"It is, if I may humbly say so, a practical and wise solution, sir," he
+said.
+
+"I apprehend that it will remedy the mischief," said Duke Deodonato,
+not ill-pleased.
+
+And doubtless it would have had an effect as altogether satisfactory,
+excellent, beneficial, salutary, and universal as the wisdom of Duke
+Deodonato had anticipated from it, had it not fallen out that, on the
+promulgation of the decree, all the aforesaid ladies of the Duchy, of
+whatsoever station, calling, age, appearance, wit, or character,
+straightway, and so swiftly that no man had time wherein to pay his
+court to them, fled to and shut and bottled and barricaded themselves
+in houses, castles, cupboards, cellars, stables, lofts, churches,
+chapels, chests, and every other kind of receptacle whatsoever, and
+there remained beyond reach of any man, be he whom he would, lest haply
+one, coming, should ask their hand in marriage, and thus they should
+lose all prospect of wedding the Duke.
+
+When Duke Deodonato was apprised of this lamentable action on the part
+of the ladies of the Duchy, he frowned and laid down his pen.
+
+"This is very annoying," said he. "There appears to be a disposition
+to thwart Our endeavors for the public good."
+
+"It is gross contumacy," said Dr. Fusbius.
+
+"Yet," remarked the President, "inspired by a natural, if
+ill-disciplined, admiration for his Highness's person."
+
+"The decree is now a fortnight old," observed Duke Deodonato. "Leave
+me, I will consider further of this matter."
+
+Now even as his Highness spoke a mighty uproar arose under the palace
+windows, and Duke Deodonato, looking out of the window (which, be it
+remembered, but for the guidance of Heaven he might not have done),
+beheld a maiden of wonderful charms struggling in the clutches of two
+halberdiers of the guard, who were haling her off to prison.
+
+"Bring hither that damsel," said Deodonato.
+
+Presently the damsel, still held by the soldiers, entered the room.
+Her robe was dishevelled and rent, her golden hair hung loose on her
+shoulders, and her eyes were full of tears.
+
+"At whose suit is she arrested?" asked Deodonato.
+
+"At the suit of the most learned Dr. Fusbius, may it please your
+Highness."
+
+"Sir," said Dr. Fusbius, "it is true. This lady, grossly contemning
+your Highness's decree, has refused my hand in marriage."
+
+"Is it true, damsel?" asked Duke Deodonato.
+
+"Hear me, your Highness!" answered she "I left my dwelling but an
+instant, for we were in sore straits for--"
+
+"Bread?" asked Deodonato, a touch of sympathy in his voice.
+
+"May it please your Highness, no--pins wherewith to fasten our hair.
+And, as I ran to the merchant's, this aged man--"
+
+"I am but turned of fifty," interrupted Fusbius.
+
+"And have not yet learnt silence?" asked Deodonato severely. "Damsel,
+proceed!"
+
+"Caught me by my gown as I ran and--"
+
+"I proposed marriage to her," said Fusbius.
+
+"Nay, if you proposed marriage, she shall marry you," said Deodonato.
+"By the crown of my fathers, she shall marry you. But what said he,
+damsel?"
+
+"May it please your Highness, he said that I had the prettiest face in
+all the Duchy, and that he would have no wife but me; and thereupon he
+kissed me; and I would have none of him, and I struck him and escaped."
+
+"Send for the Judges," said Duke Deodonato. "And meanwhile keep this
+damsel and let no man propose marriage to her until Our pleasure be
+known."
+
+Now when the Judges were come, and the maiden was brought in and set
+over against them on the right hand, and the learned Doctor took his
+stand on the left, Deodonato prayed the Judges that they would perpend
+carefully and anxiously of the question--using all lore, research,
+wisdom, discretion, and justice--whether Dr. Fusbius had proposed
+marriage unto the maiden or no.
+
+"Thus shalt Our mind be informed, and We shall deal profitably with
+this matter," concluded Duke Deodonato.
+
+Upon which arose great debate. For there was one part of the learned
+men which leant upon the letter and found no invitation to marriage in
+the words of Dr. Fusbius; while another part would have it that in all
+things the spirit and mind of the utterer must be regarded, and that
+it sorted not with the years, virtues, learning, and position of the
+said most learned Doctor to suppose that he had spoken such words and
+sealed the same with a kiss, save under the firm impression, thought,
+and conviction that he was offering his hand in marriage; which said
+impression, thought, and conviction were fully and reasonably declared
+and evident in his actions, manner, bearing, air, and conduct.
+
+"This is very perplexing," said Duke Deodonato, and he knit his brows;
+for as he gazed upon the beauty of the damsel, it seemed to him a thing
+unnatural, undesirable, unpalatable, unpleasant, and unendurable, that
+she should wed Dr. Fusbius. Yet if such were the law--Duke Deodonato
+sighed, and he glanced at the damsel: and it chanced that the damsel
+glanced at Duke Deodonato, and, seeing that he was a proper man and
+comely, and that his eye spoke his admiration of her, she blushed; and
+her cheek that had gone white when those of the Judges who favored the
+learned Doctor were speaking, went red as a rose again, and she strove
+to order her hair and to conceal the rent that was in her robe. And
+Duke Deodonato sighed again.
+
+"My Lord," he said to the President, "we have heard these wise and
+erudite men; and, forasmuch as the matter is difficult, they are
+divided among themselves, and the staff whereon we leant is broken.
+Speak, therefore, your mind."
+
+Then the President of the Council looked earnestly at Duke Deodonato,
+but the Duke veiled his face with his hand.
+
+"Answer truly," said he, "without fear or favor; so shall you fulfil
+Our pleasure."
+
+And the President, looking round upon the company, said:
+
+"It is, Your Highness, by all reasonable, honest, just, proper, and
+honorable intendment, as good, sound, full, and explicit an offer of
+marriage as hath ever been had in this Duchy."
+
+"So be it," said Duke Deodonato; and Dr. Fusbius smiled in triumph,
+while the maiden grew pale again.
+
+"And," pursued the President, "it binds, controls, and rules every man,
+woman, and child in these Your Highness's dominions, and hath the force
+of law over all."
+
+"So be it," said Deodonato again.
+
+"Saving," added the President, "Your Highness only."
+
+There was a movement among the company.
+
+"For," pursued the President, "by the ancient laws, customs, manners,
+and observances of the Duchy, no decree or law shall in any way
+whatsoever impair, alter, lessen, or derogate from the high rights,
+powers, and prerogatives of Your Highness, whom may Heaven long
+preserve. Although, therefore, it be, by and pursuant to Your
+Highness's decree, the sure right of every man in this Duchy to be
+accepted in marriage of any damsel whom he shall invite thereunto, yet
+is this right in all respects subject to and controlled by the natural,
+legal, inalienable, unalterable, and sovereign prerogative of Your
+Highness to marry what damsel so ever it shall be Your pleasure to bid
+share your throne. Hence I, in obedience to Your Highness's commands,
+pronounce and declare that this damsel is lawfully and irrevocably
+bound and affianced to the learned Dr. Fusbius, unless and until it
+shall please Your Highness yourself to demand her hand in marriage. May
+what I have spoken please Your Highness." And the President sat down.
+
+Duke Deodonato sat awhile in thought, and there was silence in the
+hall. Then he spoke:
+
+"Let all withdraw, saving the damsel only."
+
+And they one and all withdrew, and Duke Deodonato was left alone with
+the damsel.
+
+Then he arose and gazed long on the damsel; but the damsel would not
+look on Duke Deodonato.
+
+"How are you called, lady?" asked Duke Deodonato.
+
+"I am called Dulcissima," said she.
+
+"Well named!" said Deodonato softly, and he went to the damsel, and he
+laid his hand, full gently, on her robe, and he said, "Dulcissima, you
+have the prettiest face in all the Duchy, and I will have no wife but
+you;" and Duke Deodonato kissed the damsel.
+
+The damsel forbore to strike Duke Deodonato, as she had struck Dr.
+Fusbius. Again her cheek went red, and again pale, and she said, "I wed
+no man on compulsion."
+
+"Madam, I am Your Sovereign," said Duke Deodonato; and his eyes were on
+the damsel.
+
+"If you were an Archangel--!" cried the damsel.
+
+"Our House is not wont to be scorned of ladies," said Deodonato. "Am I
+crooked, or baseborn, or a fool?"
+
+"This day in your Duchy women are slaves, and men their masters by your
+will," said she.
+
+"It is the order of nature," said Deodonato.
+
+"It is not my pleasure," said the damsel.
+
+Then Deodonato laid his hand on his silver bell, for he was very angry.
+
+"Fusbius waits without," said he.
+
+"I will wed him and kill him," cried Dulcissima.
+
+Deodonato gazed on her.
+
+"You had no chance of using the pins," said he, "and the rent in your
+gown is very sore."
+
+And upon this the eyes of the damsel lost their fire and sought the
+floor; and she plucked at her girdle, and would not look on Deodonato.
+And they said outside, "It is very still in the Hall of the Duke."
+
+Then said Deodonato,
+
+"Dulcissima, what would you?"
+
+"That you repeal your decrees," said she.
+
+Deodonato's brow grew dark; he did not love to go back.
+
+"What I have decreed, I have decreed," said he.
+
+"And what I have resolved, I have resolved," said she.
+
+Deodonato drew near to her.
+
+"And if I repeal the decrees?" said he.
+
+"You will do well," said she.
+
+"And you will wed--?"
+
+"Whom I will," said she.
+
+Deodonato turned to the window, and for a space he looked out; and the
+damsel smoothed her hair and drew her robe, where it was whole, across
+the rent; and she looked on Deodonato as he stood, and her bosom rose
+and fell. And she prayed a prayer that no man heard or, if he heard,
+might be so base as to tell. But she saw the dark locks of Deodonato's
+hair and his form, straight as an arrow and tall as a six-foot wand, in
+the window. And again, outside, they said, "It is strangely still in
+the Hall of the Duke."
+
+Then Deodonato turned, and he pressed with his hand on the silver bell,
+and straightway the Hall was filled with the Councillors, the Judges,
+and the halberdiers, attentive to hear the will of Deodonato and the
+fate of the damsel. And the small eyes of Fusbius glowed and the calm
+eyes of the President smiled.
+
+"My Cousins, Gentlemen, and my faithful Guard," said Deodonato, "Time,
+which is Heaven's mighty Instrument, brings counsel. Say! what the Duke
+has done, shall any man undo?"
+
+Then cried they all, save one, "No man!"
+
+And the President said, "Saving the Duke."
+
+"The decrees which I made," said Deodonato, "I unmake. Henceforth let
+men and maidens in my Duchy marry or not marry as they will, and God
+give them joy of it."
+
+And all, save Fusbius, cried "Amen." But Fusbius cried, "Your Highness,
+it is demonstrated beyond cavil, ay, to the satisfaction of your
+Highness--"
+
+"This is very tedious," said Deodonato. "Let him speak no more."
+
+And again he drew near to Dulcissima, and there, before them all, he
+fell on his knee. And a murmur ran through the hall.
+
+"Madam," said Deodonato, "if you love me, wed me. And, if you love me
+not, depart in peace and in honor; and I, Deodonato, will live my life
+alone."
+
+Then the damsel trembled, and barely did Deodonato catch her words:
+
+"There are many men here," said she.
+
+"It is not given to Princes," said Deodonato, "to be alone.
+Nevertheless, if you will, leave me alone."
+
+And the damsel bent low, so that the breath of her mouth stirred the
+hair on Deodonato's head, and he shivered as he knelt.
+
+"My Prince and my King!" said she.
+
+And Deodonato shot to his feet, and before them all he kissed her, and,
+turning, spoke:
+
+"As I have wooed, let every man in this Duchy woo. As I have won, let
+every man that is worthy win. For, unless he so woo, and unless he so
+win, vain is his wooing and vain is his winning, and a fig for his
+wedding, say I, Deodonato! I, that was Deodonato, and now am--Deodonato
+and Dulcissima."
+
+And a great cheer rang out in the Hall, and Fusbius fled to the door;
+and they tore his gown as he went and cursed him for a knave. But the
+President raised his voice aloud and cried--"May Heaven preserve your
+Highnesses--and here's a blessing on all windows!"
+
+And that is the reason why you will find (if you travel there, as I
+trust you may, for nowhere are the ladies fairer or the men so gallant)
+more windows in the Duchy of Deodonato than anywhere in the wide world
+besides. For the more windows, the wider the view; and the wider the
+view, the more pretty damsels do you see; and the more pretty damsels
+you see, the more jocund a thing is life-and that is what the men of
+the Duchy love--and not least Duke Deodonato, whom, with his bride
+Dulcissima, may Heaven long preserve!
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Comedies of Courtship, by Anthony Hope
+
+*** END OF THIS PROJECT GUTENBERG EBOOK COMEDIES OF COURTSHIP ***
+
+***** This file should be named 24985.txt or 24985.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/4/9/8/24985/
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/24985.zip b/24985.zip
new file mode 100644
index 0000000..5af41f2
--- /dev/null
+++ b/24985.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..5ecf4b7
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #24985 (https://www.gutenberg.org/ebooks/24985)