1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
1001
1002
1003
1004
1005
1006
1007
1008
1009
1010
1011
1012
1013
1014
1015
1016
1017
1018
1019
1020
1021
1022
1023
1024
1025
1026
1027
1028
1029
1030
1031
1032
1033
1034
1035
1036
1037
1038
1039
1040
1041
1042
1043
1044
1045
1046
1047
1048
1049
1050
1051
1052
1053
1054
1055
1056
1057
1058
1059
1060
1061
1062
1063
1064
1065
1066
1067
1068
1069
1070
1071
1072
1073
1074
1075
1076
1077
1078
1079
1080
1081
1082
1083
1084
1085
1086
1087
1088
1089
1090
1091
1092
1093
1094
1095
1096
1097
1098
1099
1100
1101
1102
1103
1104
1105
1106
1107
1108
1109
1110
1111
1112
1113
1114
1115
1116
1117
1118
1119
1120
1121
1122
1123
1124
1125
1126
1127
1128
1129
1130
1131
1132
1133
1134
1135
1136
1137
1138
1139
1140
1141
1142
1143
1144
1145
1146
1147
1148
1149
1150
1151
1152
1153
1154
1155
1156
1157
1158
1159
1160
1161
1162
1163
1164
1165
1166
1167
1168
1169
1170
1171
1172
1173
1174
1175
1176
1177
1178
1179
1180
1181
1182
1183
1184
1185
1186
1187
1188
1189
1190
1191
1192
1193
1194
1195
1196
1197
1198
1199
1200
1201
1202
1203
1204
1205
1206
1207
1208
1209
1210
1211
1212
1213
1214
1215
1216
1217
1218
1219
1220
1221
1222
1223
1224
1225
1226
1227
1228
1229
1230
1231
1232
1233
1234
1235
1236
1237
1238
1239
1240
1241
1242
1243
1244
1245
1246
1247
1248
1249
1250
1251
1252
1253
1254
1255
1256
1257
1258
1259
1260
1261
1262
1263
1264
1265
1266
1267
1268
1269
1270
1271
1272
1273
1274
1275
1276
1277
1278
1279
1280
1281
1282
1283
1284
1285
1286
1287
1288
1289
1290
1291
1292
1293
1294
1295
1296
1297
1298
1299
1300
1301
1302
1303
1304
1305
1306
1307
1308
1309
1310
1311
1312
1313
1314
1315
1316
1317
1318
1319
1320
1321
1322
1323
1324
1325
1326
1327
1328
1329
1330
1331
1332
1333
1334
1335
1336
1337
1338
1339
1340
1341
1342
1343
1344
1345
1346
1347
1348
1349
1350
1351
1352
1353
1354
1355
1356
1357
1358
1359
1360
1361
1362
1363
1364
1365
1366
1367
1368
1369
1370
1371
1372
1373
1374
1375
1376
1377
1378
1379
1380
1381
1382
1383
1384
1385
1386
1387
1388
1389
1390
1391
1392
1393
1394
1395
1396
1397
1398
1399
1400
1401
1402
1403
1404
1405
1406
1407
1408
1409
1410
1411
1412
1413
1414
1415
1416
1417
1418
1419
1420
1421
1422
1423
1424
1425
1426
1427
1428
1429
1430
1431
1432
1433
1434
1435
1436
1437
1438
1439
1440
1441
1442
1443
1444
1445
1446
1447
1448
1449
1450
1451
1452
1453
1454
1455
1456
1457
1458
1459
1460
1461
1462
1463
1464
1465
1466
1467
1468
1469
1470
1471
1472
1473
1474
1475
1476
1477
1478
1479
1480
1481
1482
1483
1484
1485
1486
1487
1488
1489
1490
1491
1492
1493
1494
1495
1496
1497
1498
1499
1500
1501
1502
1503
1504
1505
1506
1507
1508
1509
1510
1511
1512
1513
1514
1515
1516
1517
1518
1519
1520
1521
1522
1523
1524
1525
1526
1527
1528
1529
|
Project Gutenberg's The Nursery, July 1873, Vol. XIV. No. 1, by Various
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: The Nursery, July 1873, Vol. XIV. No. 1
Author: Various
Release Date: March 29, 2008 [EBook #24938]
Language: English
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK NURSERY, JULY 1873, VOL.XIV NO.1 ***
Produced by Emmy, Juliet Sutherland and the Online
Distributed Proofreading Team at https://www.pgdp.net Music
by Linda Cantoni.
THE
NURSERY
_A Monthly Magazine_
FOR YOUNGEST READERS.
VOLUME XIV.
BOSTON:
JOHN L. SHOREY, No. 36, BROMFIELD STREET.
1873.
Entered according to Act of Congress, in the year 1873, by
JOHN L. SHOREY,
In the Office of the Librarian of Congress at Washington.
BOSTON:
STEREOTYPED AND PRINTED BY RAND, AVERY, & CO.
[Illustration: CONTENTS.]
IN PROSE.
PAGE.
Look out for the Engine 1
How Willy coaxed Edith 3
Works of Art for Children 4
Kit Midge 8
Hettie's Chickens 10
A Schoolboy's Story 12
Clarence at the Menagerie 14
Touch my Chicks if you dare 16
The Catcher caught 18
Edwin's Doves 22
The Little Fortune-Seekers 24
The Little Stepmother 30
The Mother's Prayer 33
Coosie and Carrie 36
The Fourth of July Cake 38
How our School came to have the Nursery 42
Where the Dandelions went 43
The Bird's Nest 44
Meditations of a Shut-out One 46
Dreaming and Doing 48
Prairie Dogs 51
A Journey to California 55
A Letter to George 58
The Blackberry Frolic 60
The Queer Things that happened to Nelly 65
The Six Ducks 69
The Bunch of Grapes 71
A True Story about a Dog 73
Pitcher-Plants and Monkey-Pots 76
Under the Cherry-Tree 77
Rambles in the Woods 80
What I Saw at the Seashore 82
Blossom and I 85
How Norman became an Artist 87
A Boot-Race under Difficulties 89
Pictures for Walter 90
The Fisherman's Children 92
Threading the Needle 97
The Butter Song 100
Our Pony 103
Nelly's Kitten 105
A Morning Ride 108
Perils of the Sea 112
In Honor of Rosa's Birthday 114
Walter's Disappointment 116
The Tide coming in 119
Letter to George 122
Peepy's Pet 124
The Aunt and the Niece 129
Dreadfully cheated 132
A Bad Blow 135
Paul 137
Little Piggy 140
Camping Out 141
A Field-Day with the Geese 144
Learn to think 147
Grandpa and the Mouse 151
The Speckled Hen 154
Story of a Daisy 156
Clear the Coast 161
A Letter to Santa Claus 165
The Boy and the Nuts 166
Eddy's Thanksgiving 167
Benny's Arithmetic Lesson 170
Grandpa's Boots 171
What Jessie Cortrell did 173
The Balloon 178
The Starling and the Sparrows 181
The Sprained Ankle 187
IN VERSE.
PAGE.
My Clothes-Pins 6
Mamma's Boy 11
The Birds and the Pond-Lily 21
A Summer-Day (_with music_) 32
Charley's Opinion 35
Song of the Brook 41
Bobolink 50
Dear Little Mary 53
Little Jack Homer (_with music_) 64
Rose's Song 68
A Little Tease 75
Sleeping in the Sunshine 78
Young Lazy-Bones (_with music_) 96
The Singing Mouse 101
A Funny Little Grandma 107
Old Trim 110
Our One-Year-Old 115
The Boasting Boy 117
Cakes and Pies 118
Sunrise 121
Song of the Monkey (_with music_) 128
Summer's over 134
The Anvil Chorus 136
The Cat and the Book 139
What Willy did 146
The Brothers that did not quarrel 150
Home from the Woods 153
Winifred Waters (_with music_) 160
Who is it? 164
The Acorns 175
Grandmother's Birthday 176
What the Cat said to the Monkey 180
The Tea-Party 185
[Illustration]
[Illustration: LOOK OUT FOR THE ENGINE!]
LOOK OUT FOR THE ENGINE!
[Illustration: S]ALLY and Bob were making a bonfire in the woods. They
had come to spend the whole day, and had brought their dinner in a
basket; and Carlo, their little dog, kept watch of it while they
gathered sticks and leaves.
They soon had a large pile heaped up in the middle of the road which led
through the forest. "For," said Bob, "we must make the fire where it
won't do any mischief."
When all was ready, Bob lighted a match, and tucked it under the leaves.
Then, getting down on his knees, he puffed and blew with his mouth,
until first there rose a tiny stream of smoke; then a little flame crept
out; and, in a moment more, the pile was blazing merrily.
The children got some large stones, and sat down on them to warm their
hands; for Sally said her nose and fingers were so cold, she was sure
Jack Frost must be somewhere around. They could not make Carlo come near
the fire: he was afraid of it, it crackled and sputtered so. He liked
better to lie under the bushes near the dinner-basket.
"What a splendid bonfire!" said Bob.
"Yes," said Sally; "but don't you wish we had some nice apples to roast
in the coals?"
Just as she said this, they heard the whistle of a locomotive away in
the distance. "Look out for the engine!" shouted Bob, jumping up. "Let's
run and see the cars go by."
Away they ran down the road, to the edge of the woods, and climbed up on
the fence. By leaning over, they could look far up the track, and watch
the train come thundering down. First only a black speck was in sight;
then the great lantern in front of the locomotive glittered in the sun;
and soon the train was rushing by.
Bob balanced himself on the top rail, and shouted, "Hurrah!" Sally
screamed, "Good-by, good-by!" at the top of her voice; and Carlo
bristled up his hair, and barked loudly, wondering all the time what
this strange creature could be, which made such a racket, and ran faster
than he could.
The people in the cars heard the noise, and looked out to see where it
came from. They saw a boy without his jacket perched on a fence, waving
his hat; a little girl by his side, laughing so hard that she showed all
her teeth; and a funny little yellow dog yelping with all his might:
that was all. But they thought it a pretty picture, and opened the
car-windows to wave their handkerchiefs.
As the last car rushed by, a lady at one of the windows tossed out two
rosy apples. Down jumped Bob and Sally to pick them up. The apples had
fallen in some thick grass, and were not bruised at all. "Just what we
wanted," said Sally; "but, oh, dear! I'm so tired with shouting, that I
don't believe I can eat my apple." She did eat it, though, every bit of
it, except the seeds.
HENRY BALDWIN.
HOW WILLY COAXED EDITH.
THE children who had "The Nursery" last year will remember the story
called "Kindness is better than Blows," where the bookseller with an
apple coaxed the horse to draw a heavy load up the hill. Little Willy
Gay looked at that picture very carefully, and soon made practical use
of it, as I will tell you.
Willy is very fond of playing horse, but has no brother to play with
him. His sister Edith, three years old, does not like to play horse: she
prefers to be with her dollies. Sometimes Willy gets cross, and scolds
at her because she will not play horse as much as he wants her to.
A few days ago I saw Willy coming up from the cellar with a large red
apple in his hand; and soon after I heard the two children racing
through the rooms, having a merry time; and Willy called out, "O mamma!
I gave Edie an apple, and she _did_ play horse."
You see, he had thought about that story, and made up his mind to try to
coax little sister, as the man did the horse: he soon found that kind
words and deeds were better than scolding.
I hope he will not forget it very soon.
L. W. GAY.
WORKS OF ART FOR CHILDREN.
I HAVE a little daughter who never returns from a walk in the woods
without bringing a bunch of gay flowers. I have taught her to make of
them many little works of art, which you may also like to learn, dear
reader.
Here is the first. Certainly there must grow in your neighborhood some
larch or spruce trees. If we look sharp, we shall soon find on them a
handsome half-open cone. In the small openings of this cone we stick
delicate flowers and grasses which we find in the meadows and fields.
When our nosegay is ready, we lay the cone with the flowers very
carefully in a dish of water.
After an hour, the cone is so closely shut, that the flowers are held as
fast in its scales as if they had always grown there. This makes a very
nice present.
[Illustration]
I will tell you how to make another pretty thing. You know what a burr
is. Alas! it has often played you many a naughty trick,--woven itself
provokingly into your clothes, or perhaps into your hair. I can teach
you to make a better use of it.
Pluck an apron full: lay them one against another so that they shall
stick fast together, and make in this manner the bottom of a small
basket of any shape you like,--round, square, or oval.
Now build the burrs up around the edge to form the sides. When this is
finished, make also the handle of burrs. A lovely little basket stands
before you, which you can fill with flowers or berries from the fields,
and carry home to your mother. Of course you know how to make wreaths
and bouquets; but to make them tastefully is a true work of art, in
which all children should try to become skilful.
ANNA LIVINGSTON.
[Illustration]
MY CLOTHES-PINS.
MY clothes-pins are but kitchen-folk,
Unpainted, wooden, small;
And for six days in every week
Are of no use at all.
But when a breezy Monday comes,
And all my clothes are out,
And want with every idle wind
To go and roam about,
Oh! if I had no clothes-pins then,
What would become of me,
When roving towels, mounting shirts,
I everywhere should see!
"I mean," a flapping sheet begins,
"To rise and soar away."
"We mean," the clothes-pins answer back,
"You on this line shall stay."
"Oh, let me!" pleads a handkerchief,
"Across the garden fly."
"Not while I've power to keep you here,"
A clothes-pin makes reply.
So, fearlessly I hear the wind
Across the clothes-yard pass,
And shed the apple-blossoms down
Upon the flowering grass.
The clothes may dance upon the line,
And flutter to and fro:
My faithful clothes-pins hold them fast,
And will not let them go.
My clothes-pins are but kitchen-folk,
Unpainted, wooden, small;
And for six days in every week
Are of no use at all.
But still, in every listening ear,
Their praises I will tell;
For all that they profess to do
They do, and do it well.
MARIAN DOUGLAS.
KIT MIDGE.
[Illustration]
KIT MIDGE was thought in the family to be a wonderful little cat. She
enjoyed sitting in the sunshine; she liked to feast upon the dainty
little mice; and, oh, dear me! now and then, she liked to catch a bird!
This was very naughty, of course; but the best trained cats have their
faults. One morning Kit ate her breakfast with great relish, washed her
face and paws, smoothed down her fur coat, and went into the parlor to
take a nap in the big arm-chair.
The sun shone full in her face; and she blinked and purred and felt very
good-natured; for, only the night before, she had caught her first rat,
and for such a valiant deed had been praised and petted to her heart's
content.
Well, Kit Midge fell asleep in the chair, with one little pink ear
turned back, that she might wake easily, and a black tail curled round
her paws. By and by one eye opened; and, peeping out, she saw her
mistress walking across the room with a dear little yellow-bird in her
hand, which she placed on a plant that stood on the top shelf of the
plant-stand.
Now, Midge had looked with longing eyes for weeks upon a lovely canary,
which sang on its perch far out of her reach; and I suppose she thought
this was the same bird among the green leaves.
But she was a wise little cat: so she slept on, with both eyes open,
until her mistress had left the room. Then Kitty came down from the
chair, and, creeping softly to the stand, made a spring, and seized
birdie between her teeth. Then, jumping down, she dropped the bird on
the carpet, smelled it, looked ashamed, and sneaked away.
It was only a stuffed bird; and when her mistress, who had been peeping
in at the door all the time, said, laughing, "O Kit Midge, I am
perfectly ashamed of you!" Kitty just ran out of the room, and did not
show herself the rest of the day.
Kit Midge was never known to catch a bird after that.
AUNTY MAY.
[Illustration]
HETTIE'S CHICKEN.
WHAT can be prettier than a brood of chickens with a good motherly hen,
like the one in this picture! See how the little chicks nestle and play
about their mother! and see what a watchful eye she has over them! But
some chickens do not have such kind mothers, as you shall hear.
There was a little black one in our yard this spring, which none of the
mother-hens would own. They would peck at it, and drive it away, till it
was almost starved. Aunt Jennie told our little Hettie that she might
have it for her own, if she would take care of it.
So Hettie put the chicken in a cage, with some wool to cover it, and fed
it several times every day, till it came to know her. When it was let
out of the cage, it would follow her about wherever she went.
One night Hettie went to bed, and forgot to put her pet in its cage.
What do you think it did? It just flew up on her pillow; and there it
sat with its head tucked under its wing.
Hettie named it Posey, and called it her daughter.
"What will you be, some day, when Posey lays eggs, and brings out a
brood of little chickens?" asked mamma one day.
That was a new idea to Hettie; and it puzzled her little brain for a
minute: then she laughed out, "Shall I be their grandmother?"
Papa looked up from his paper to see what amused his little girl so
much; and, when she had told him, he said he would have a pair of
spectacles ready for her; and mamma said she would make her a cap; and
Hettie said her little arm-chair would be very nice for a grandmother's
chair.
"What will you do as you sit in your chair?" said mamma.
"Let me think," replied Hettie. "Why, my grandma is always knitting
mittens and socks and hoods for us; and I must learn to knit, so I can
knit some for my grandchildren."
Mamma said she would teach her, and they would begin that very day.
And now, wouldn't you like to see our little Hettie with her roguish
eyes peeping over spectacles, and her sunny curls straying from her cap,
and her chubby little hands knitting mittens, and all in that little
arm-chair?
AUNT AMY.
[Illustration]
MAMMA'S BOY.
"BABY, climbing on my knee,
Come and talk a while to me.
We have trotted up and down.
Playing horse, all over town.
Whose sweet darling are you, dear?
Whisper close to mamma's ear:
Tell me quickly, for you can."
"I'm mamma's boy, but papa's man!"
"Why, you've many miles to go
Ere you'll be a man, you know.
You are mamma's own delight;
You are mamma's diamond bright;
Rose and lily, pearl and star,
Love and dove,--all these you are."
"No!" the little tongue began:
"I'm mamma's boy, but papa's man!"
GEORGE COOPER.
[Illustration]
A SCHOOL-BOY'S STORY.
JOHN TUBBS was one day doing his sums, when little Sam Jones pushed
against him; and down went the slate with a horrid clatter. "Take care
of the pieces!" said the boys, laughing. But Mr. Brill, the master,
thought it no laughing matter, and, believing it to be John Tubbs's
fault, told him that he should pay for the slate, and have his play
stopped for a week.
John said nothing. He did not wish to get little Sam into trouble: so he
bore the blame quietly. John's mother was by no means pleased at having
to pay for the slate, as she was a poor woman, and had to provide for
several other little Tubbses besides John.
"I tell you what it is, John," said she, "you must learn to be more
careful. I shall not give you any milk for your breakfast all the week;
and by this I shall save money for the slate, which it is right you
should pay for."
Poor John ate his bread with water instead of milk: but somehow he was
not unhappy, for he felt that he had done a kindness to little Sam
Jones; and the satisfaction of having rendered a service to another
always brings happiness.
A few days after, Mr. Jones came to the school, and spoke to Mr. Brill
about the matter; for little Sam had told his father and mother all
about it. Sam was a timid boy; but he could not bear to see John Tubbs
kept in for no fault, while the other boys were at play.
"What!" said the master, "and has John Tubbs borne all the blame without
saying a word?--Come here, John."
"What's the matter now?" said John to himself. "Something else, I
suppose. Well, never mind, so that poor little Sam Jones has got out of
his little scrape."
"Now, boys," said Mr. Brill, "here's John Tubbs. Look at him!" And the
boys did look at him as a criminal; and John looked very much like a
criminal, and began to think that he must be a bad sort of fellow to be
called up in this way by his master.
Then Mr. Brill, the master, told the boys all about the broken
slate,--that John did not break it, but bore all the blame to save Sam
Jones from trouble, and had gone without his milk and play without a
murmur. The good schoolmaster said that such conduct was above all
praise; and, when he had done speaking, the boys burst out into a cheer.
Such a loud hurrah! it made the school-walls ring again. Then they took
John on their shoulders, and carried him in triumph round the
playground.
And what did John say to all this? He only said, "There, that'll do. If
you don't mind, you'll throw a fellow down."
T. C.
[Illustration]
CLARENCE AT THE MENAGERIE.
ON the first day of May, Barnum's menagerie came to our town; and
Clarence went with his papa to see the animals. He enjoyed looking at
them all; but most of all he liked the monkeys and the elephants.
He fed the monkeys with candy, and laughed to see them hang by their
tails while they took it from his hand. They ate all the candy he would
give them, and did it in a very funny way.
Clarence's papa said the candy had better be eaten by monkeys than by
boys; but I doubt whether Clarence was of that opinion.
Clarence was afraid of the great elephant when his papa first took him
near it, and hung back when they came within reach of its trunk.
"Why are you afraid of the elephant, Clarence?" asked his papa. "I'm
afraid he will _trunk_ me," said Clarence.
But he soon got over his fear, and was so busy feeding the elephant,
that his papa had to coax him away.
On their way home, Clarence's papa told the little boy some stories
about elephants. Here is one of them:--
A famous elephant, called Jack, was once
travelling with his keeper from Margate to
Canterbury in England, when they came to a
toll-bar. Jack's keeper offered the right toll,
but the toll-bar man would not take it. He
wanted to make them pay more than was right. So
he kept the gate shut. On this the keeper went
through the little foot-gate to the other side
of the bar, calling out, "Come on, Jack!" and
at once the elephant applied his trunk to the
rails of the gate, lifted it from its hinges,
and dashed it to the ground. He then went on
his way, while the toll-bar man stood petrified
to see what a mistake he had made in demanding
an unjust toll from an elephant.
"Now, Clarence," said his papa, "I suppose you would say that the
elephant 'trunked' the toll-gate, and so he did; but, you see, it was
because he did not choose to be imposed upon."
CLARENCE'S PAPA.
[Illustration]
"TOUCH MY CHICKS IF YOU DARE!"
THAT is what the old hen must have said to our little pup Bravo, who,
being three months old, thought he was a match for any chicken or hen in
the whole barnyard. He made up his mind that he would first try his
courage on a little yellow chick named Downy, who was just three days
old, and who had strayed away from his mother's wing to pick up a crumb.
So with a fearful growl, and a bark that might have frightened a lion,
Bravo made a leap and a spring after poor little Downy. But Downy was
too intent on his crumb of bread to take much notice of the enemy; and
then Bravo, like a prudent general, stopped short, and tried his
artillery before approaching any nearer. In other words, he began to
bark in such a terrible manner, that any reasonable person would have
shown his respect by running away.
But Downy was too young to reason, or show respect. Bravo, though as
valiant as Julius Caesar, was, at the same time, as cautious and careful
as Fabius; and, if you do not know who Fabius was, I must tell you. He
was a Roman general who was very famous for his ability in retreating,
and getting out of an enemy's way.
Bravo thought to himself, "It holds to reason, since that little chick
isn't afraid of such a powerful dog as I am, that there must be help
near at hand." And, sure enough, hardly had Bravo thought this, when
from behind some rushes ran out an old hen, followed by four, five, six
chickens; and the old hen, with her feathers all ruffled, went right at
Bravo, while the chicks stood behind sharpening their bills, and getting
ready to join in the battle with their mother.
[Illustration]
Although the most courageous of dogs, it could not be expected that
Bravo would be so foolhardy as to make a stand against such odds. He
paused a moment, with his mouth open, as the terrible old hen came at
him; and then, seeing that the tide of battle was against him, he ran
off as fast as he could to his master's door-step. But, though defeated,
he showed his spirit by keeping up a frightful barking. The old hen and
her chicks, however, were so stupid that they did not mind it much.
Indeed, the old hen, with her family, came up so near to the door-step,
that Bravo was obliged to make a second retreat. This he did with such
success and good general-ship, that he escaped unhurt. Thus ended
Bravo's first battle; and I think you will agree with me, that many a
general with epaulets would not have done any better.
UNCLE CHARLES.
THE CATCHER CAUGHT.
_First Sparrow_ (the one standing with both wings spread).--Oh, look
here! Come all. See what has happened! Here is old Scratch-claw with his
tail caught fast in the door.
_Second Sparrow._--Where is he? Let me see. Oh, isn't this jolly!
Halloo, Sparrows! Come and see. Come one, come all.
_Third Sparrow._--That's the rascal that killed and ate three of my
little ones.
_Fourth Sparrow._--He came near catching me, the other day. Didn't he
spit viciously when he saw me get out of his way?
_Fifth Sparrow_ (the one on the ground).--How are you, old Sneezer? How
are your folks? Don't you find yourself comfortable?
[Illustration]
_Pussy._--Siss-ss-siss-ss! Mee-ow? mee-ow!
_Fifth Sparrow._--Oh! wouldn't you like to, though? Spit away, old
fellow! It's music to us sparrows.
_Sixth Sparrow._--You are the brute that killed my dear little
Spotted-wing.
_Seventh Sparrow._--He also murdered my precious little Twitterwit.
_Eighth Sparrow._--He is a bad fellow; and it is not surprising he has
come to grief.
_Ninth Sparrow._--Pull away, old boy! Sha'n't we come and help you? I
love you so, I would like a lock of your hair.
_Tenth Sparrow_ (the one on the lowest bough).--Children, hush! It is
not good sparrow morality to jeer at an enemy in affliction,--even a
cat.
_Fifth Sparrow._--O grandfather, you shut up your bill! Just you go
within reach of his claws, and see what cat-gratitude is.
_Tenth Sparrow._--My children, we must not exult over the pains even of
an enemy. A cat has feelings.
_Pussy._--Siss-hiss-hoo! Mee-ow! Fitt! Fitt!
_Fifth Sparrow._--What a lovely voice!
_Sixth Sparrow._--The expression of his face, too, how charming!
_Tenth Sparrow._--Fly back, all of you, to your bushes and trees; for
here comes a little boy who will see that Pussy is rescued.
_First Sparrow._--Well, I wouldn't have missed this spectacle for a good
deal.
_Fifth Sparrow._--It is better than Barnum's exhibition any day.
_First Sparrow._--Yes, and it costs us nothing.
_Tenth Sparrow._--There! Fly away, all of you! Fly away! You have said
enough. I am ashamed of you all. You ought to know better than to be
revengful. You are quite as bad as boys and men.
_Fifth Sparrow._--Grandfather is getting to be abusive. Let us fly off.
Good-by, Pussy! Pull away!
ALFRED SELWYN.
THE BIRDS AND THE POND-LILY.
[Illustration]
FOUR little birds came out to greet
The first pond-lily, so fair and sweet,
The first that opened its petals white
To the wooing breeze and the golden light.
They flew around, then sat on the tree,
And sang, "You are sweet as sweet can be:
O dear Pond-lily! we do not jest:
Now, which of us all do you love best?"
Pond-lily spoke not, but, instead,
Dipped in the water her beautiful head,
As much as to say, "I'm well content
In this my own pure element."
The birds they sang in their very best style,
But got no answer, not even a smile;
For Pond-lily knew it was safest and best
To keep where she was, on the wave's cool breast,
And never to listen to flattering words
From idle suitors and wandering birds.
EMILY CARTER.
EDWIN'S DOVES.
[Illustration]
EDWIN has two doves. They were given to him by his uncle. He has a nice
little house for them. There are two doors in it, where they go in and
out. In front of the doors there is a shelf, on which they perch.
[Illustration]
The doves are free to go where they please; but they always come home at
night. They are quite tame. Sometimes they fly up to Edwin's window, and
light on the sill. They tap on the pane to let him know they are
hungry.
[Illustration]
Then he opens the window, and feeds them. He gives them corn, crumbs of
bread, and sometimes oats. They like the corn best. One of them is
rather apt to be greedy; and both get so much to eat that they are very
plump and fat.
Here are the doves looking at the turkeys. They do not know what to make
of such birds.
W. O. C.
[Illustration]
[Illustration]
THE LITTLE FORTUNE-SEEKERS.
YOUNG as Alan was, he had heard from his uncle Paul many a story about
people seeking their fortune: so, one fine summer day, he set off with
his brother Owen and his sister Amy a-fortune-seeking. Alan carried a
stick; and Amy had a little basket on her arm.
Alan led the way, telling Owen and Amy to keep close to him, and to fear
nothing. As they passed by Lakin's pond, a duck gave a loud quack; when
they came to the great ash-tree, a bee buzzed by them: but neither the
quacking nor the buzzing frightened the bold Alan; and on he went,
holding up his stick.
They had almost reached the sawyer's cottage, when a black animal ran
out towards them. Alan asked if he should attack the tiger? Owen would
have it that it was only a puppy dog: but Alan said that did not matter;
for it had four legs and a head and a tail, and so had a tiger. Owen
thought he had better let it alone; and Amy tamed the tiger at once by
giving it a bit of bread from her basket.
Suddenly they came to a spot where five or six geese and a few goslings
were waddling about. The gander came towards them, stretching out his
neck, and hissing loudly. Owen and Amy ran back, followed by Alan, who
told them, that, if he had hit the gander with his stick, he would have
frightened the goslings.
[Illustration]
As there was a stile near, leading into a field, they all got over the
stile, and thus passed the geese.
"I wonder how that gander would like it," said Alan, "if I were to turn
back, and lay hold of him by his long neck, and shake him?" Amy begged
of him by no means to think of such a thing; and so Alan told her that
he would not. Little did the gander know of his narrow escape!
Ah, me! what perils await those who go on their travels to seek their
fortunes! A little brook was now before them; and Alan said, "This river
must be crossed, and I hope that none of us will be carried away by the
current. What we shall do if an Indian springs from behind the bushes,
or a crocodile comes out of the sedge, I don't know. Here is the
narrowest part of the river. I will lay my stick across it; and, if we
make believe very much, it will do for a bridge."
"But I can't walk along your stick," said Amy. "Never mind that," said
Alan: "a bridge is a bridge, whether we walk along it or not." So Alan
laid his stick across the narrow part, and then jumped over the brook,
followed by Owen and Amy. No Indian sprang from the bush, no crocodile
came out of the sedge; and the river was crossed without one of them
being drowned.
All at once it came into Alan's head that Uncle Paul had once been
attacked by a wolf, and that they ought to have an adventure of the same
kind: he therefore asked Owen if he would consent to be eaten up by a
wolf. Owen said he did not like it: he thought Alan ought to be eaten,
for he was the biggest. Alan said that would never do; for then there
would be nobody to care for him and Amy.
But, besides this difficulty, there was another: they had no wolf; and,
where to get one, they did not know. At last it was settled. Owen was to
be the wolf, and to spring on Amy; but before he had eaten her up, or
even so much as snapped off her little finger, Alan was to rush upon him
with his stick, and drive him back into the woods.
Amy was now left alone, that Owen might get behind one bush, and Alan
behind another. No sooner was this done, than, with her basket on her
arm, she went on her journey.
And now Amy was almost come to the bush behind which Owen was crouching.
For a moment she made a stop, as though she hardly durst go by; but at
last she went on. Suddenly the wolf leaped out, and caught hold of her.
What was poor Amy to do? Well was it for her that Alan happened to come
up. Many people are frightened at wolves; but Alan did not seem
frightened at all.
It was a hard struggle; for the wolf pulled poor Amy one way, and Alan
pulled her the other; but at length Alan won the day. "Shall I kill the
wolf, Amy?" cried he, lifting up his stick. "No, no!" cried Amy: "he has
not hurt me a bit. He is not a real wolf, but only my brother Owen."
[Illustration]
The affair of the wolf having passed off so well, Alan began to bethink
himself of other adventures. So much had he heard from Uncle Paul about
Indians, that his heart was set on going among them.
Both Owen and Amy wondered where he would find the Indians; but Alan
said, "That thicket yonder is quite as likely a place to find them in as
any that I know."
"We have not seen one yet," said Owen. "No," replied Alan: "Indians
always get behind the trees." This made Owen and Amy look about them, as
if they feared every tree had an Indian behind it.
Alan set off for the thicket, while Owen and Amy sat down to talk over
their travels; but it was not long before Alan again joined them.
Whether the Indians were absent on some expedition, or whatever else
might be the cause, certain it was that Alan had found no Indians. He
had, however, torn the leg of one of his stockings: so he asked Amy to
bind up his wounds.
"But you have not hurt your leg," said Amy: "you have only torn a hole
in your stocking."
[Illustration]
"Never mind that!" replied Alan. "We are out on our travels, seeking our
fortunes, and must make the most of every thing. Bind up my wounded
leg."
Little Amy tied up his leg with his handkerchief; and, considering that
she had never bound up a wound before, it did her great credit.
It is due to Alan to say that the misfortune of his wounded leg by no
means cooled his courage. "What is the use," said he, "of complaining?
Those who go to seek their fortunes must learn to bear pain."
One of Alan's plans was to find a treasure; and, as they had neither
spade nor pickaxe with them to dig for gold, he thought the best way
would be for them to find a bag of money. Amy said, if they found a bag
of money, she should like to take Dolly some. This being generously
agreed to by Alan and Owen, they proceeded with their plan.
Alan took Amy's handkerchief, and tied up some grass in it. He then told
Owen to go on a little way and drop it; and this Owen did. "Hi!" cried
Alan, when he came up to the spot: "what have we here? Who would have
thought that a merchant would have dropped a bag of money in such a
place as this?"
All at once Owen and Amy bethought themselves that they had no right to
the gold, as it belonged to the merchant who had lost it; but Alan met
this objection by saying that they could easily inquire for the merchant
as they went along, and give up the money if they found him. Thus
pacified, Owen and Amy allowed Alan to lift the heavy bag of money into
the basket: this he seemed to do with great difficulty.
But how was the basket to be carried with so heavy a weight in it? Said
Alan, "Where there is a will, there is a way." A stick was procured, and
passed through the handle of the basket, one end of it resting on Owen's
shoulder, and the other end on the shoulder of Amy.
Alan with his leg tied up, leaning on his stick for support, hobbled
onward; and Owen and Amy appeared to toil with might and main, bending
under their load.
They had almost come to the turn by the birch-trees, when suddenly Dash,
their own favorite dog, came barking joyfully towards them. At that very
moment their parents were waiting for them with the pony-chaise at the
end of the lane.
No sooner did our little fortune-seekers set eyes on the pony-chaise
than off they set in a scamper, strangely forgetful of what had passed.
It was wonderful to see how nimble Alan was in spite of his wounded leg;
and with what ease Owen and Amy ran along with that heavy load of gold,
which before had well-nigh weighed them down to the ground.
THE LITTLE STEPMOTHER.
THE little stepmother, with her blue eyes and rosy cheeks, sat in the
yard, surrounded by her pets, and busily paring some apples.
From heaven blew the morning wind, and greeted the lovely child: "Little
stepmother, I will by thee remain: I will make the time pass merrily for
thee, and cool thy red cheeks. Dost thou not hear?"
A sparrow sat before her on the bench, and twittered: "This is _my_
place; my stomach is empty. Little stepmother, I am very hungry. I beg
thee to give me some breakfast. Dost thou not hear?"
The dove swelled with anger, and said, "Go away, thou vagabond, thou
beggar sparrow, thou glutton!--Little stepmother, I politely ask thee
only for a sip of water. Dost thou not hear?"
The cat sat lost in thought, opening and shutting her eyes. "Little
stepmother," said the cat, "my stomach, too, is empty. Go thou for some
meat, or else look out that no harm comes to thy dear birds in the yard.
Dost thou not hear?"
[Illustration]
The little stepmother laughed, and said, "Be not so impatient! I must
first make a dish of apple-sauce for the seven and seventy guests who
are coming to my wedding-feast. When they are all assembled, then shall
the morning wind play for the dance. You, beloved birds, shall be my
bridesmaids, and the cat shall be the bride's father."
[Illustration: Music]
A SUMMER DAY.
Words by GEO. COOPER.
Music by T. CRAMPTON.
VOICE
AND
PIANO.
1.
This is the way the morning dawns;
Rosy tints on flowers and trees,
Winds that wake the birds and bees,
Dewdrops on the fields and lawns,--
This is the way the morning dawns.
2.
This is the way the sun comes up:
Gold on brooks and glossy leaves,
Mist that melts above the sheaves,
Vine and rose and buttercup,--
This is the way the sun comes up.
3.
This is the way the birdie sings:
"Baby birdies in the nest,
You I surely love the best;
Over you I fold my wings,"--
This is the way the birdie sings.
* * * * *
Transcriber's Note:
Obvious punctuation errors repaired.
This issue was part of an omnibus. The original table of contents
covered the entire second half of 1873. The remaining text of the table
of contents can be found in the rest of the year's issues.
End of Project Gutenberg's The Nursery, July 1873, Vol. XIV. No. 1, by Various
*** END OF THIS PROJECT GUTENBERG EBOOK NURSERY, JULY 1873, VOL.XIV NO.1 ***
***** This file should be named 24938.txt or 24938.zip *****
This and all associated files of various formats will be found in:
https://www.gutenberg.org/2/4/9/3/24938/
Produced by Emmy, Juliet Sutherland and the Online
Distributed Proofreading Team at https://www.pgdp.net Music
by Linda Cantoni.
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: https://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
https://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
|