diff options
Diffstat (limited to '24927.txt')
| -rw-r--r-- | 24927.txt | 704 |
1 files changed, 704 insertions, 0 deletions
diff --git a/24927.txt b/24927.txt new file mode 100644 index 0000000..a0d4783 --- /dev/null +++ b/24927.txt @@ -0,0 +1,704 @@ +The Project Gutenberg EBook of A Matter of Magnitude, by Al Sevcik + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: A Matter of Magnitude + +Author: Al Sevcik + +Release Date: March 27, 2008 [EBook #24927] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK A MATTER OF MAGNITUDE *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + + + A + MATTER + OF + MAGNITUDE + + By AL SEVCIK + + + _When you're commanding a spaceship over a mile + long, and armed to the teeth, you don't exactly + expect to be told to get the hell out ..._ + + +The ship, for reasons that had to do with the politics of +appropriations, was named Senator Joseph L. Holloway, but the press and +the public called her Big Joe. Her captain, six-star Admiral Heselton, +thought of her as Great Big Joe, and never fully got over being +awestruck at the size of his command. + +"She's a mighty big ship, Rogers," he said proudly to the navigator, +ignoring the latter's rather vacant stare and fixed smile. "More than a +mile long, and wider than hell." He waved his hands expansively. "She's +never touched down on Earth, you know. Never will. Too big for that. +They built her on the moon. The cost? Well ..." + +Swiveling his chair around, Heselton slowly surveyed the ship's control +room with a small, satisfied smile. The two pilots sitting far forward, +almost hidden by their banks of instruments, the radar operators idly +watching their scopes, the three flight engineers sitting intently at +their enormous control consoles, and, just behind, the radio shack--its +closed door undoubtedly hiding a game of cards. For weeks now, as Big +Joe moved across the galaxy's uncharted fringe, the radio bands had been +completely dead, except, of course, for the usual star static hissing +and burbling in the background. + +Turning back again to his navigator, Heselton smiled modestly and noted +that Big Joe was undisputedly the largest, most powerful, most feared, +and most effective spaceship in the known universe. + +As always, Rogers nodded agreement. The fact that he'd heard it a +hundred times didn't make it any less true. Big Joe, armed with every +weapon known to Terran technology, was literally the battleship to end +all battleships. Ending battleships--and battles--was, in fact, her job. +And she did it well. For the first time, the galaxy was at peace. + + * * * * * + +With a relaxed sigh, Heselton leaned back to gaze at the stars and +contemplate the vastness of the universe, compared to which even Big Joe +was an insignificant dot. + +"Well," said Rogers, "time for another course check. I'll ..." He jumped +back, barely avoiding the worried lieutenant who exploded upon them from +the radio shack. + +"A signal, sir! Damn close, on the VHF band, their transmission is +completely overriding the background noise." He waved excitedly to +someone in the radio shack and an overhead speaker came to life emitting +a distinct clacking-grunting sound. "It's audio of some sort, sir, but +there's lots more to the signal than that." + +In one motion Heselton's chair snapped forward, his right fist hit the +red emergency alert button on his desk, and his left snapped on the +ship's intercom. Lights dimmed momentarily as powerful emergency drive +units snapped into action, and the ship echoed with the sound of two +thousand men running to battle stations. + +"Bridge to radar! Report." + +"Radar to bridge. All clear." + +Heselton stared incredulously at the intercom. "What?" + +"Radar to bridge, repeating. All clear. Admiral, we've got two men on +every scope, there's nothing anywhere." + +A new voice cut in on the speaker. "Radio track to bridge." + +Frowning, Heselton answered. "Bridge. Come in radio track. We're +listening." + +"Sir," the crisp voice of the radio track section's commander had an +excited tinge. "Sir, Doppler calculations show that the source of those +signals is slowing down somewhere to our right. It's acting like a +spaceship, sir, that's coming to a halt." + +The admiral locked eyes with Rogers for a second, then shrugged. "Slow +the ship, and circle right. Radio track, can you keep me posted on the +object's position?" + +"No can do, sir. Doppler effect can't be used on a slow moving source. +It's still off to our right, but that's the best I can say." + +"Sir," another voice chimed in, "this is fire control. We've got our +directional antennas on the thing. It's either directly right or +directly left of the ship, matching speed with us exactly." + +"_Either_ to our right or left?" + +"That's the best we can do, sir, without radar help." + +"Admiral, sir," the lieutenant who had first reported the signal came +running back. "Judging from the frequency and strength, we think it's +probably less than a hundred miles away." + +"_Less_ than a hundr ..." + +"Of course, we can't be positive, sir." + +Heselton whirled back to the intercom. "Radar! That thing is practically +on our necks. What the hell's the matter with that equipment...?" + +The radar commander's voice showed distinct signs of strain. "Can't help +it, Admiral. The equipment is working perfectly. We've tried the +complete range of frequencies, twenty-five different sets are in +operation, we're going blind looking. There is absolutely nothing, +nothing at all." + +For a moment the bridge was silent, except for the clacking-grunting +from the overhead speaker which, if anything, sounded louder than +before. + +"It's tv, sir!" The radio lieutenant came running in again. "We've +unscrambled the image. Here!" The communications screen on Heselton's +desk glowed for a moment, then flashed into life. + + * * * * * + +The figure was clearly alien, though startlingly humanoid--at least from +the waist up, which was all that showed in the screen. A large mouth and +slightly bulging eyes gave it a somewhat jovial, frog-like demeanor. +Seated at a desk similar to Heselton's, wearing a gaudy uniform +profusely strewn with a variety of insignia, it was obviously Heselton's +counterpart, the commander of an alien vessel. + +"Hmmm, looks like we've contacted a new race. Let's return the call, +Lieutenant." A tiny red light glowed beneath a miniature camera on +Heselton's desk and almost at once the alien's face registered obvious +satisfaction. It waved a six-fingered hand in an unorthodox, but +friendly, greeting. + +Heselton waved back. + +The alien then pointed to his mouth, made several clacking-grunting +sounds, and moved a hand on his desk. The scene switched to another +alien standing in front of what looked like a blackboard, with a piece +of chalk in his hand. The meaning was clear. + +"Lieutenant, have this transmission switched to the linguistics section. +Maybe those guys can work some sort of language." The screen blanked +out. Heselton leaned back, tense, obviously worried. Hesitantly, he +reached out and touched a button on the intercom. + +"Astronomy." + +"Professor, there's a ship right next door somewhere that should stand +out like King Kong in a kindergarten." + +"I know, Admiral. I've been listening to the intercom. Our optical +equipment isn't designed for close range work, but we've been doing the +best we can, tried everything from infra-red through ultra-violet. If +there is a ship out there I'm afraid it's invisible." + +Beads of sweat sprinkled Heselton's forehead. "This is bad, Rogers. +Mighty bad." Nervously, he walked across to the right of the bridge and +stood, hands clasped behind his back, staring blankly out at blackness +and the scattered stars. "I know there is a ship out there, and I know +that a ship simply can't be invisible, not to radar _and_ optics." + +"What makes you sure there is only one, sir?" + +Heselton cracked his fists together. "My God, Rogers, you're right! +There might be ..." + +The intercom clacked. "This is fire control again, sir. I think we've +got something on the radiation detectors." + +"Good work, what did you find?" + +"Slight radioactivity, typical of interstellar drive mechanisms, +somewhere off to our right. Can't tell exactly where, though." + +"How far away is it?" + +"I don't know, sir." + +Heselton's hands dropped to his sides. "Thanks," he said, "for the +help." + +His desk tv flashed into life with a picture of the smiling alien +commander. "This is the linguistics section, Admiral. The aliens +understand a fairly common galactic symbology, I believe we can +translate simple messages for you now." + +"Ask him where the hell he is," Heselton snapped without thinking, then +instantly regretted it as the alien's face showed unmistakable surprise. + +The alien's smile grew into an almost unbelievable grin. He turned +sideways to speak to someone out of sight of the camera and suddenly +burst into a series of roaring cackles. "He's laughing, sir." The +translator commented unnecessarily. + +The joke was strictly with the aliens. Heselton's face whitened in quick +realization. "Rogers! They _didn't know_ that we can't see them!" + +"Look, sir." The navigator pointed to the tv screen and a brilliantly +clear image of Big Joe shimmering against the galaxy, lit by millions of +stars. Every missile port, even the military numerals along her nose +were clearly visible. + +"They're rubbing it in, Rogers. Showing us what we look like to them." +Heselton's face was chalk. "They could blast Big Joe apart, piece by +piece--the most powerful ship in the galaxy." + +"Maybe," said Rogers, "the second most powerful." + +Without answering, Heselton turned and looked out again at empty space +and millions of steady, unwinking stars. His mind formed an image of a +huge, ethereal spaceship, missile ports open, weapons aimed directly at +Big Joe. + +The speaker interrupted his nightmare. "This is fire control, Admiral. +With your permission I'll scatter a few C-bombs ..." + +Heselton leaped for the microphone. "Are you out of your mind? We +haven't the slightest idea of the forces that guy has. We might be in +the center of a whole blooming fleet. Ever think of that?" + +The alien's face, still smirking, appeared again on the screen. "He +says," said the interpreter, "that he finds the presence of our armed +ship very annoying." + +Heselton knew what he had to do. "Tell him," he said, swallowing hard, +"that we apologize. This part of the galaxy is strange to us." + +"He says he is contemplating blasting us out of the sky." + +Heselton said nothing, but he longed to reach out and throttle the +grinning, alien face. + +"However," the interpreter continued, "he will let us go safely if we +leave immediately. He says to send an unarmed, diplomatic vessel next +time and maybe his people will talk to us." + +"Thank him for his kindness." Heselton's jaws clenched so tightly they +ached. + +"He says," said the interpreter, "to get the hell out." + +The grinning face snapped off the screen, but the cackling laughter +continued to reverberate in the control room until the radio shack +finally turned off the receiver. + +"Reverse course," the admiral ordered quietly. "Maximum drive." + +A thousand missile launchers, designed to disintegrate solar systems, +were deactivated, hundreds of gyros swung the mile-long ship end for end +and stabilized her on a reverse course, drive units big enough to power +several major cities whined into operation, anti-grav generators with +the strength to shift small planets counterbalanced the external +acceleration, and the ship moved, away, with a speed approaching that of +light. + +"Well," muttered Heselton, "that's the very first time Big Joe has ever +had to retreat." As if it were his own personal failure, he walked +slowly across the control room and down the corridor towards his cabin. + +"Admiral!" Lost in thought, Heselton barely heard the call. + +"Admiral, look!" Pausing at the door to his cabin, Heselton turned to +face the ship's chief astronomer running up waving two large +photographs. + +"Look, sir," the professor gasped for breath. "We thought this was a +spot on the negative, but one of the men got curious and enlarged it +about a hundred times." He held up one of the photos. It showed a small, +fuzzy, but unmistakable spaceship. "No wonder we couldn't spot it with +our instruments." + +Heselton snatched it out of his hand. "I see what you mean. This ship +must have been thousands of miles ..." + +The professor shook his head. "No, sir. As a matter of fact, it was +quite close by." + +"But ..." + +"We figure that the total length of the alien ship was roughly an inch +and a half." + + +THE END + + + + +Transcriber's Note: + + This etext was produced from _Amazing Science Fiction Stories_ + January 1960. Extensive research did not uncover any evidence that + the U.S. copyright on this publication was renewed. Minor spelling + and typographical errors have been corrected without note. + + + + + +End of the Project Gutenberg EBook of A Matter of Magnitude, by Al Sevcik + +*** END OF THIS PROJECT GUTENBERG EBOOK A MATTER OF MAGNITUDE *** + +***** This file should be named 24927.txt or 24927.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/4/9/2/24927/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
