diff options
Diffstat (limited to '24912.txt')
| -rw-r--r-- | 24912.txt | 2142 |
1 files changed, 2142 insertions, 0 deletions
diff --git a/24912.txt b/24912.txt new file mode 100644 index 0000000..3dc6a47 --- /dev/null +++ b/24912.txt @@ -0,0 +1,2142 @@ +The Project Gutenberg EBook of Finger plays for nursery and kindergarten, by +Emilie Poulsson + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Finger plays for nursery and kindergarten + +Author: Emilie Poulsson + +Illustrator: L. J. Bridgman + +Release Date: March 24, 2008 [EBook #24912] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK FINGER PLAYS-NURSERY, KINDERGARTEN *** + + + + +Produced by Suzanne Shell, Linda Cantoni, and the Online +Distributed Proofreading Team at https://www.pgdp.net. Music +transcribed by Linda Cantoni. This e-book was created from +a 1971 reprint published by Dover Publications, Inc., New +York. + + + + + + + + + +[Transcriber's Note: The original book contains illustrations of the +hand gestures for the finger plays. In this plaintext e-book, the +gestures are described in brackets unless they are explained in, or +are obvious from, the original.] + + + + +FINGER PLAYS + +FOR NURSERY AND KINDERGARTEN + + +BY + +EMILIE POULSSON + + +[Illustration] + + +_Music By_ + +CORNELIA C. ROESKE + + +_Illustrations By_ L.J. BRIDGMAN + + +[D. Lothrop Company +Boston +1893] + + +[Illustration: "WHAT THE CHILD IMITATES, HE BEGINS TO +UNDERSTAND."--_Froebel._] + + + + +PREFACE. + + +"What the child imitates," says Froebel, "he begins to understand. Let +him represent the flying of birds and he enters partially into the +life of birds. Let him imitate the rapid motion of fishes in the water +and his sympathy with fishes is quickened. Let him reproduce the +activities of farmer, miller and baker, and his eyes open to the +meaning of their work. In one word let him reflect in his play the +varied aspects of life and his thought will begin to grapple with +their significance." + +In all times and among all nations, finger-plays have been a delight +of childhood. Countless babies have laughed and crowed over +"Pat-a-cake" and other performances of the soft little hands; while +children of whatever age never fail to find amusement in playing + + "Here is the church, + And here's the steeple, + Open the doors, + And here are the people!" + +and others as well known. + +Yet it is not solely upon the pleasure derived from them, that +finger-plays depend for their _raison d'etre_. By their judicious and +early use, the development of strength and flexibility in the tiny lax +fingers may be assisted, and dormant thought may receive its first +awakening call through the motions which interpret as well as +illustrate the phase of life or activity presented by the words. + +The eighteen finger-plays contained in this book have already, through +publication in BABYLAND, been introduced to their especial public, and +have been much used in homes, though perhaps more in kindergartens. It +will readily be seen that while some of the plays are for the babies +in the nursery, others are more suitable for older children. + +A baby-friend, ten months old, plays "All for Baby" throughout, +pounding and clapping gleefully with all his might--while children +seven or eight years of age play and sing "The Caterpillar," "How the +Corn Grew" and others with very evident enjoyment. + +With a little study of the charming and expressive pictures with which +the artist, Mr. L.J. Bridgman, has so sympathetically illustrated the +rhymes, mothers and kindergartners have easily understood what motions +were intended. To elucidate still farther, however, the playing of +"The Merry Little Men" may be thus described: + +During the singing of the first verse, the children look about in +every direction for the "little men," but keep the hands hidden. At +the beginning of the second verse, raise both hands to full view with +fingers outspread and quiet. At the words, "The first to come," etc., +let the thumbs be shown alone, then the others as named in turn, till +all are again outspread as at the beginning of the second verse. In +the last verse the arms are moved from side to side, hands being +raised and fingers fluttering nimbly all the time. When displaying the +"busy little men," raise the hands as high as possible. + +The music, composed by Miss Cornelia C. Roeske, will be found +melodious and attractive and especially suited to the voices and +abilities of the very young children for whom it is chiefly intended. + +The harmonic arrangement is also purposely simple in consideration of +the many mothers and kindergartners who cannot devote time to +preparatory practice. + +EMILIE POULSSON. + +_Boston_, 1889. + + + + +CONTENTS. + + + PAGE + + I. THE LITTLE MEN 9 + + II. THE LAMBS 14 + + III. THE HEN AND CHICKENS 17 + + IV. THE LITTLE PLANT 21 + + V. THE PIGS 25 + + VI. A LITTLE BOY'S WALK 29 + + VII. THE CATERPILLAR 33 + + VIII. ALL FOR BABY 37 + + IX. THE MICE 41 + + X. THE SQUIRREL 45 + + XI. THE SPARROWS 49 + + XII. THE COUNTING LESSON 53 + + XIII. MRS. PUSSY'S DINNER 57 + + XIV. HOW THE CORN GREW 61 + + XV. THE MILL 65 + + XVI. MAKING BREAD 69 + + XVII. MAKING BUTTER 73 + +XVIII. SANTA CLAUS 77 + + + + +DEDICATED + +TO + +LITTLE CHILDREN + +AT HOME AND IN KINDERGARTEN + +_BY THEIR FRIEND_, + +EMILIE POULSSON. + + + + +[Illustration: NURSERY FINGER PLAYS] + + + + +[Illustration: I. THE LITTLE MEN.] + +I.--THE LITTLE MEN. + + +Oh! where are the merry, merry Little Men + To join us in our play? +And where are the busy, busy Little Men + To help us work to-day? + +[Illustration: MERRY LITTLE MEN] + +[Illustration: BUSY LITTLE MEN] + + Upon each hand + A little band +For work or play is ready. + The first to come + Is Master Thumb; +Then Pointer, strong and steady; + +[Illustration: MASTER THUMB. [thumb extended]] + +[Illustration: POINTER. [index finger extended]] + + Then Tall Man high; + And just close by +The Feeble Man doth linger; + And last of all, + So fair and small, +The baby--Little Finger. + +[Illustration: TALL MAN. [middle finger extended]] + +[Illustration: THE FEEBLE MAN. [ring finger extended]] + +[Illustration: THE BABY. [little finger extended]] + +Yes! here are the merry, merry Little Men + To join us in our play; +And here are the busy, busy Little Men + To help us work to-day. + +[Illustration] + + +[Music: THE MERRY LITTLE MEN. + +EMILIE POULSSON. + +CORNELIA C. ROESKE. + +Oh! where are the merry, merry Little Men +To join us in our play? +And where are the busy, busy Little Men +To help us work to-day? + +Upon each hand +A little band +For work or play is ready. +The first to come +Is Master Thumb; +Then Pointer, strong and steady; + +Then Tall Man high; +And just close by +The Feeble Man doth linger; +And last of all, +So fair and small, +The baby--Little Finger. + +Yes! here are the merry, merry Little Men +To join us in our play; +And here are the busy, busy Little Men +To help us work to-day.] + + + + +II.--THE LAMBS. + + +This is the meadow where all the long day +Ten little frolicsome lambs are at play. + +[Illustration: THE MEADOW [hands clasped so arms form a circle]] + +These are the measures the good farmer brings +Salt in, or cornmeal, and other good things. + +[Illustration: THE MEASURES [hands cupped]] + +This is the lambkins' own big water-trough; +Drink, little lambkins, and then scamper off! + +[Illustration: THE TROUGH [hands held together and cupped]] + +This is the rack where in winter they feed; +Hay makes a very good dinner indeed. + +[Illustration: THE RACK [hands back to back with fingers interlaced +and raised]] + +These are the big shears to shear the old sheep; +Dear little lambkins their soft wool may keep. + +[Illustration: THE SHEARS [index and middle fingers extended +sideways]] + +Here, with its big double doors shut so tight, +This is the barn where they all sleep at night. + +[Illustration: THE BARN [hands clasped and held upward]] + + +[Music: THE LAMBS. + +EMILIE POULSSON. + +CORNELIA C. ROESKE. + +1. This is the meadow where all the long day + Ten little frolicsome lambs are at play. + These are the measures the good farmer brings + Salt in, or corn meal, and other good things.] + +2. This is the lambkins' own big water-trough; + Drink, little lambkins, and then scamper off! + This is the rack where in winter they feed; + Hay makes a very good dinner indeed. + +3. These are the big shears to shear the old sheep; + Dear little lambkins their soft wool may keep. + Here, with its big double doors shut so tight, + This is the barn where they all sleep at night. + + + + +[Illustration: III. THE HEN AND CHICKENS.] + +III.--THE HEN AND CHICKENS. + + +Good Mother Hen sits here on her nest, +Keeps the eggs warm beneath her soft breast, + Waiting, waiting, day after day. + +[Illustration: ON THE NEST. [right hand horizontal with fingers +slightly curved; left hand in fist on top of right hand, with index +finger raised and curved]] + +Hark! there's a sound she knows very well: +Some little chickens are breaking the shell, + Pecking, pecking, pecking away. + +[Illustration: BREAKING THE SHELL [fingers curved, thumb touching +middle finger]] + +Now they're all out, Oh, see what a crowd! +Good Mother Hen is happy and proud, + Cluck-cluck, cluck-cluck, clucking away. + +[Illustration: HAPPY AND PROUD [fist with index finger raised and +curved]] + +Into the coop the mother must go; +But all the chickens run to and fro, + Peep-peep, peep-peep, peeping away. + +[Illustration: THE COOP. [palm downward, fingers curved and +separated]] + +[Illustration: "RUN TO AND FRO" [index and middle fingers "running"]] + +Here is some corn in my little dish; +Eat, Mother Hen, eat all that you wish, + Picking, picking, picking away. + +[Illustration: EATING [left hand cupped, right fist with index finger +extended and curved]] + +Happy we'll be to see you again, +Dear little chicks and good Mother Hen! + Now good-by, good-by for to-day. + + +[Music: THE HEN AND CHICKENS. + +EMILIE POULSSON. + +CORNELIA C. ROESKE. + +1. Good Mother Hen sits here on her nest, + Keeps the eggs warm beneath her soft breast, + Waiting, waiting, day after day. + +2. Hark! there's a sound she knows very well: + Some little chickens breaking the shell, + Pecking, pecking, pecking away. + +3. Now they're all out, oh, see what a crowd! + Good Mother Hen is happy and proud, + Cluck-cluck, cluck-cluck, clucking away.] + +4. Into the coop the mother must go; + While all the chickens run to and fro, + Peep-peep, peep-peep, peeping away. + +5. Here is some corn in my little dish; + Eat, Mother Hen, eat all that you wish. + Picking, picking, picking away. + +6. Happy we'll be to see you again, + Dear little chicks and good Mother Hen! + Now good-bye, good-bye for to-day. + + + + +[Illustration: IV. THE LITTLE PLANT.] + +IV.--THE LITTLE PLANT. + + +In my little garden bed + Raked so nicely over, +First the tiny seeds I sow, + Then with soft earth cover. + +[Illustration: THE BED. [palms facing each other, curved fingers +touching]] + +[Illustration: THE RAKE. [fingers extended downward]] + +[Illustration: SEEDS I SOW. [fingers closed and curved, palm down]] + +[Illustration: WITH SOFT EARTH COVER. [palms down and curved]] + +Shining down, the great round sun + Smiles upon it often; +Little raindrops, pattering down, + Help the seeds to soften. + +[Illustration: THE GREAT ROUND SUN. [arms extended over head and +curved]] + +[Illustration: PATTERING. + +DRUMMING WITH THE FINGER-TIPS.] + +Then the little plant awakes! + Down the roots go creeping. +Up it lifts its little head + Through the brown mould peeping. + +[Illustration: "DOWN THE ROOTS GO" [fingers downward with middle 3 +fingers together]] + +[Illustration: "LIFTS ITS LITTLE HEAD" [thumb extended upward]] + +High and higher still it grows + Through the summer hours, +Till some happy day the buds + Open into flowers. + +[Illustration: "OPEN INTO FLOWERS" [palm up, fingers curved]] + +[Illustration: "STILL IT GROWS" + +ELEVATING THE ARM AND RAISING THE THUMB FROM THE HAND] + + +[Music: THE LITTLE PLANT. + +EMILIE POULSSON. + +C.C. ROESKE. + +1. In my little garden bed + Rak'd so nicely over, + First the tiny seeds I sow, + Then with soft earth cover. + Shining down, the great round sun + Smiles upon it often; + Little raindrops, patt'ring down, + Help the seeds to soften. + +2. Then the little plant awakes! + Down the roots go creeping. + Up it lifts its little head + Thro' the brown mould peeping. + High and higher still it grows + Thro' the summer hours, + Till some happy day the buds + Open into flowers.] + + + + +[Illustration: V. THE PIGS.] + +V.--THE PIGS. + + +Piggie Wig and Piggie Wee, +Hungry pigs as pigs could be, +For their dinner had to wait +Down behind the barnyard gate. + +[Illustration: PIGGY WIG [fingers of both hands extended sideways with +tips touching, left thumb raised]] + +[Illustration: PIGGY WEE [fingers of both hands extended sideways with +tips touching, right thumb raised]] + +[Illustration: BEHIND THE GATE [fingers of both hands extended +sideways with tips touching]] + +Piggie Wig and Piggie Wee +Climbed the barnyard gate to see, +Peeping through the gate so high, +But no dinner could they spy. + +[Illustration: PEEPING THROUGH [fingers of both hands extended +sideways with tips touching; index fingers slightly lifted and thumb +tips sticking through gap]] + +Piggie Wig and Piggie Wee +Got down sad as pigs could be; +But the gate soon opened wide +And they scampered forth outside. + +[Illustration: OPENED WIDE [hands held sideways away from each other]] + +[Illustration: SCAMPERED FORTH [fists downward, thumbs extended +downward]] + +Piggie Wig and Piggie Wee, +What was their delight to see +Dinner ready not far off-- +Such a full and tempting trough! + +[Illustration: THE TROUGH [hands cupped together]] + +Piggie Wig and Piggie Wee, +Greedy pigs as pigs could be, +For their dinner ran pell-mell; +In the trough both piggies fell. + +[Illustration: IN THEY FELL [hands cupped together, thumbs downward]] + + +[Music: THE PIGS. + +EMILIE POULSSON. + +CORNELIA C. ROESKE. + +1. Piggie Wig and Piggie Wee, + Hungry pigs as pigs could be, + For their dinner had to wait + Down behind the barnyard gate.] + +2. Piggie Wig and Piggie Wee + Climbed the barnyard gate to see, + Peeping through the gate so high, + But no dinner could they spy. + +3. Piggie Wig and Piggie Wee + Got down sad as pigs could be; + But the gate soon opened wide + And they scampered forth outside. + +4. Piggie Wig and Piggie Wee, + What was their delight to see + Dinner ready not far off-- + Such a full and tempting trough! + +5. Piggie Wig and Piggie Wee, + Greedy pigs as pigs could be, + For their dinner ran pell-mell; + In the trough both piggies fell. + + + + +[Illustration: VI. A LITTLE BOY'S WALK.] + +VI.--A LITTLE BOY'S WALK. + + +A little boy went walking + One lovely summer's day: +He saw a little rabbit + That quickly ran away; + +[Illustration: THE RABBIT [index and middle finger in "V" sign]] + +[Illustration: RAN AWAY [same, with arm moving behind back]] + +He saw a shining river + Go winding in and out, +And little fishes in it + Were swimming all about; + +[Illustration: SHINING RIVER [hands describing a long curve]] + +[Illustration: THE FISHES [fingers waggling downward]] + +And, slowly, slowly turning, + The great wheel of the mill; +And then the tall church steeple, + The little church so still; + +[Illustration: MILL WHEEL [hands turning over each other]] + +[Illustration: CHURCH STEEPLE [hands clasped upward, index fingers +steepled]] + +The bridge above the water; + And when he stopped to rest, +He saw among the bushes + A wee ground-sparrow's nest. + +[Illustration: THE BRIDGE [palms downward, fingers straight and +interlaced, thumbs extended downward]] + +[Illustration: THE NEST [hands cupped sideways to form circle]] + +And as he watched the birdies + Above the tree-tops fly, +He saw the clouds a-sailing + Across the sunny sky. + +[Illustration: ABOVE THE TREE-TOP FLY [arms and hands extended +upward]] + +[Illustration: CLOUDS A-SAILING [one arm extended upward, fingers +curved]] + +He saw the insects playing; + The flowers that summer brings; +He said, "I'll go tell mamma! + I've seen _so many_ things!" + +[Illustration: INSECTS PLAYING [fingers waggling downward]] + +[Illustration: FLOWERS [fingers of both hands extended straight +downward]] + + +[Music: A LITTLE BOY'S WALK. + +EMILIE POULSSON. + +CORNELIA C. ROESKE. + +A little boy went walking +One lovely summer's day: +He saw a little rabbit +That quickly ran away; +He saw a shining river +Go winding in and out, +And little fishes in it +Were swimming all about. + +And slowly, slowly turning, +The great wheel of the mill; +And then the tall church steeple, +The little church so still; +The bridge above the water; +And when he stopped to rest, +He saw among the bushes +A wee ground-sparrow's nest, + +And as he watched the birdies +Above the tree-tops fly, +He saw the clouds a-sailing +Across the sunny sky. +He saw the insects playing; +The flowers that summer brings; +He said, "I'll go tell Mamma! +I've seen _so many_ things."] + + + + +[Illustration: VII. THE CATERPILLAR.] + +VII.--THE CATERPILLAR. + + +Fuzzy little caterpillar, +Crawling, crawling on the ground! +Fuzzy little caterpillar, +Nowhere, nowhere to be found, +Though we've looked and looked and hunted +Everywhere around! + +[Illustration: CRAWLING + +(Move whole hand forward and wriggle the thumb)] + +[Illustration: NOWHERE TO BE FOUND [fists downward]] + +When the little caterpillar +Found his furry coat too tight, +Then a snug cocoon he made him +Spun of silk so soft and light; +Rolled himself away within it-- +Slept there day and night. + +[Illustration: ROLLED HIMSELF AWAY + +(Rotate the thumb, then double into the hand)] + +See how this cocoon is stirring! +Now a little head we spy-- +What! Is _this_ our caterpillar +Spreading gorgeous wings to dry? +Soon the free and happy creature +Flutters gayly by. + +[Illustration: STIRRING [fist downward, moving back and forth]] + +[Illustration: A HEAD WE SPY [fist downward, thumb extended sideways]] + +[Illustration: SPREADING GORGEOUS WINGS [hands back to back, thumbs +extended together]] + +[Illustration: FLUTTERS BY + +(Move palms to and fro)] + + +[Music: THE CATERPILLAR. + +EMILIE POULSSON. + +CORNELIA C. ROESKE. + +1. Fuzzy little caterpillar, + Crawling, crawling on the ground! + Fuzzy little caterpillar, + Nowhere, nowhere to be found, + Tho' we've looked and looked and hunted + Everywhere around! + +2. When the little caterpillar + Found his furry coat too tight, + Then a snug cocoon he made him + Spun of silk so soft and light; + Rolled himself away within it-- + Slept there day and night. + +3. See how this cocoon is stirring! + Now a little head we spy-- + What! is _this_ our caterpillar + Spreading gorgeous wings to dry? + Soon the free and happy creature + Flutters gaily by.] + + + + +[Illustration: VIII. ALL FOR BABY.] + +VIII.--ALL FOR BABY. + + +Here's a ball for Baby, +Big and soft and round! +Here is Baby's hammer-- +O, how he can pound! + +[Illustration: A BALL [fingers of both hands curved and touching]] + +[Illustration: THE HAMMER [one fist beating on another]] + +Here is Baby's music-- +Clapping, clapping so! +Here are Baby's soldiers, +Standing in a row! + +[Illustration: CLAPPING] + +[Illustration: SOLDIERS [fingers of both hands spread upward]] + +Here's the Baby's trumpet, +Toot-too-toot! too-too! +Here's the way that Baby +Plays at "Peep-a-boo!" + +[Illustration: TRUMPET [right fist at mouth, left fist touching +right]] + +[Illustration: PLAYS AT "PEEP-A-BOO!" [fingers covering eyes]] + +Here's a big umbrella-- +Keep the Baby dry! +Here's the Baby's cradle-- +Rock-a-baby-by! + +[Illustration: UMBRELLA [left fist with index finger upward; right +hand extended flat over left index finger]] + +[Illustration: CRADLE [fingers interlaced with index fingers +steepled]] + + +[Music: ALL FOR BABY. + +EMILIE POULSSON. + +CORNELIA C. ROESKE. + +1. Here's a ball for Baby, + Big and soft and round! + Here is Baby's hammer-- + O, how he can pound!] + +2. Here is Baby's music + Clapping, clapping so! + Here are Baby's soldiers, + Standing in a row! + +3. Here's the Baby's trumpet, + Toot-too-toot! too-too! + Here's the way that Baby + Plays at "Peep-a-boo!" + +4. Here's a big umbrella-- + Keeps the Baby dry! + Here's the Baby's cradle-- + Rock-a-baby by! + + + + +[Illustration: IX. THE MICE.] + +IX.--THE MICE. + + +Five little mice on the pantry floor, +Seeking for bread-crumbs or something more; + +[Illustration: FIVE LITTLE MICE [hand extended upward]] + +Five little mice on the shelf up high, +Feasting so daintily on a pie-- + +[Illustration: MICE ON THE SHELF [fingers of one hand curved downward +and resting on the backs of the fingers of the other hand]] + +[Illustration: A PIE [fingers of both hands touching to form circle]] + +But the big round eyes of the wise old cat +See what the five little mice are at. + +[Illustration: BIG ROUND EYES [thumb and fingertips of each hand +forming circles]] + +Quickly she jumps!--but the mice run away, +And hide in their snug little holes all day. + +[Illustration: "MICE RUN AWAY" + +Left hand lowered suddenly [Pounce of the cat] Right hand brought +behind the back [Mice run away]] + +"Feasting in pantries may be very nice; +But home is the best!" say the five little mice. + +[Illustration: HOME [fingers interlaced sideways]] + + +[Music: FIVE LITTLE MICE. + +EMILIE POULSSON. + +CORNELIA C. ROESKE. + +1. Five little mice on the pantry floor, + Seeking for bread crumbs or something more; + Five little mice on the shelf up high, + Feasting so daintily on a pie-- + But the big round eyes of the wise old cat + See what the five little mice are at. + Quickly she jumps! but the mice run away. + And hide in their snug little holes all day. + "Feasting in pantries may be very nice; + But home is the best!" say the five little mice.] + + + + +[Illustration: X. THE SQUIRREL.] + +X.--THE SQUIRREL + + +"Little squirrel, living there +In the hollow tree, +I've a pretty cage for you; +Come and live with me! + +[Illustration: IN THE HOLLOW TREE [thumb and fingertips of left hand +forming circle; thumb of right hand sticking through circle]] + +[Illustration: THE CAGE [palms facing each other, fingers slightly +curved and separated, tips touching]] + +"You may turn the little wheel-- +That will be great fun! +Slowly round, or very fast +If you faster run. + +[Illustration: THE WHEEL [index fingers turning over each other]] + +"Little squirrel, I will bring +In my basket here +Every day a feast of nuts! +Come, then, squirrel dear." + +[Illustration: THE BASKET [palms upward, fingers interlace, thumb tips +touching]] + +[Illustration: THE NUTS [fingertips of each hand touching to form +circles]] + +But the little squirrel said +From his hollow tree: +"Oh! no, no! I'd rather far +Live here and be free!" + +So my cage is empty yet, +And the wheel is still; +But my little basket here +Oft with nuts I fill. + +If you like, I'll crack the nuts, +Some for you and me, +For the squirrel has enough +In his hollow tree. + +[Illustration: CRACKING NUTS [one fist hammering on the other]] + + +[Music: THE SQUIRREL. + +EMILIE POULSSON. + +CORNELIA C. ROESKE. + +1. "Little Squirrel, living there + In the hollow tree, + I've a pretty cage for you; + Come and live with me! + You may turn the little wheel-- + That will be great fun! + Slowly round, or very fast + If you faster run." + +2. "Little Squirrel, I will bring + In my basket here + Every day a feast of nuts! + Come then, squirrel dear." + But the little squirrel said + From his hollow tree: + "Oh! no, no! I'd rather far + Live here and be free." + +3. So my cage is empty yet + And the wheel is still; + But my little basket here + Oft with nuts I fill. + If you like, I'll crack the nuts, + Some for you and me, + For the squirrel has enough + In his hollow tree.] + + + + +[Illustration: XI. THE SPARROWS.] + +XI.--THE SPARROWS. + + +"Little brown sparrows, +Flying around, +Up in the tree-tops, +Down on the ground, + +"Come to my window, +Dear sparrows, come! +See! I will give you +Many a crumb. + +[Illustration: FLYING AROUND + +Fluttering the Fingers] + +[Illustration: TREE TOPS [both hands extended upward]] + +[Illustration: ON THE GROUND [palms downward, fingers resting on +ground]] + +[Illustration: THE WINDOW [palms downward, fingers of one resting on +fingers of other to form square top]] + +[Illustration: MANY A CRUMB [thumb rubbing fingertips]] + +"Here is some water, +Sparkling and clear; +Come, little sparrows, +Drink without fear. + +"If you are tired, +Here is a nest; +Wouldn't you like to +Come here to rest?" + +All the brown sparrows +Flutter away, +Chirping and singing, +"We cannot stay; + +"For in the tree-tops, +'Mong the gray boughs, +There is the sparrows' +Snug little house." + +[Illustration: SOME WATER [hand cupped, palm up]] + +[Illustration: A NEST [fingers of both hands interlaced to form +circle]] + +[Illustration: THE HOUSE [palms together, fingers steepling]] + +[Illustration: FLY AWAY + +Raise Hands + +Fluttering Fingers] + + +[Music: THE SPARROWS. + +EMILIE POULSSON. + +C.C. ROESKE. + +1. "Little brown sparrows, + Flying around, + Up in the tree-tops, + Down on the ground, + Come to my window, + Dear sparrows, come! + See! I will give you + Many a crumb." + +2. "Here is some water, + Sparkling and clear; + Come, little sparrows, + Drink without fear. + If you are tired, + Here is a nest; + Wouldn't you like to + Come here and rest?" + +3. All the brown sparrows + Flutter away, + Chirping and singing, + "We cannot stay; + For in the tree-tops, + 'Mong the gray boughs, + There is the sparrows' + Snug little house."] + + + + +[Illustration: XII. THE COUNTING LESSON.] + +XII.--THE COUNTING LESSON. + + + (_Right hand._) +Here is the beehive. Where are the bees? +Hidden away where nobody sees. +Soon they come creeping out of the hive-- +One!--two!--three! four! five! + +[Illustration: THE BEEHIVE [fist with knuckles downward]] + +[Illustration: ONE [same, thumb extended]] + +[Illustration: TWO [same, plus index finger extended]] + +[Illustration: THREE [same, plus middle finger extended]] + +[Illustration: FOUR [same, plus ring finger extended]] + +[Illustration: FIVE [all fingers extended downward]] + +[Illustration: WORKER] + +[Illustration: DRONE] + +[Illustration: QUEEN] + + (_Left hand._) +Once I saw an ant-hill + With no ants about; +So I said, "Dear little ants, + Won't you please come out?" +Then as if the little ants + Had heard my call-- +One! two! three! four! _five_ came out! + And that was all! + +[Illustration: ANT-HILL [fist with palm downward]] + +[Illustration: ONE [fist with knuckles downward, thumb extended]] + +[Illustration: TWO [same, plus index finger extended]] + +[Illustration: THREE [same, plus middle finger extended]] + +[Illustration: FOUR [same, plus ring finger extended]] + +[Illustration: FIVE [all fingers extended downward]] + +[Illustration: Male] + +[Illustration: Female] + +[Illustration: Worker] + + +[Music: THE COUNTING LESSON. + +EMILIE POULSSON. + +C.C. ROESKE. + +1ST VERSE. + +1. Here is the beehive. Where are the bees? + Hidden away where nobody sees. + Soon they come creeping out of the hive-- + One!--two!--three! four! _five_! + +2ND VERSE. + +2. Once I saw an ant hill + With no ants about; + So I said, "Dear little ants, + Won't you please come out?" + Then as if the little ants + Had heard my call-- + One! two! three! four! _five_ came out! + And that was all!] + + + + +[Illustration: XIII. MRS. PUSSY'S DINNER.] + +XIII.--MRS. PUSSY'S DINNER. + + +Mrs. Pussy, sleek and fat, + With her kittens four, +Went to sleep upon the mat + By the kitchen door. + +[Illustration: MRS. PUSSY + +(Right hand) [fist, thumb extended upward]] + +[Illustration: KITTENS FOUR [four fingers extended upward]] + +[Illustration: UPON THE MAT [fist, palm upward]] + +Mrs. Pussy heard a noise-- + Up she jumped in glee: +"Kittens, maybe that's a mouse! + Let us go and see!" + +[Illustration: UP SHE JUMPED [open fist]] + +Creeping, creeping, creeping on, + Silently they stole; +But the little mouse had gone + Back within its hole. + +[Illustration: CREEPING [palm downward, fingers walking]] + +[Illustration: MOUSE + +(Left hand) [fist with knuckles downward, thumb extended]] + +[Illustration: WITHIN ITS HOLE [fist with palm downward]] + +"Well," said Mrs. Pussy then, + "To the barn we'll go; +We shall find the swallow there + Flying to and fro." + +[Illustration: THE BARN [arms raised, fingertips touching]] + +[Illustration: TO AND FRO [hands waving, fingers curved]] + +So the cat and kittens four + Tried their very best; +But the swallows flying fast + Safely reached the nest! + +[Illustration: NEST [hands cupped sideways to form circle]] + +Home went hungry Mrs. Puss + And her kittens four; +Found their dinner on a plate + By the kitchen door. + +[Illustration: PLATE [thumbs and index fingers touching to form +circle]] + +As they gathered round the plate, + They agreed 'twas nice +That it could not run away + Like the birds and mice! + + +[Music: MRS. PUSSY'S DINNER. + +EMILIE POULSSON. + +C.C. ROESKE. + +1. Mrs. Pussy, sleek and fat, + With her kittens four, + Went to sleep upon the mat + By the kitchen door.] + +2. Mrs. Pussy heard a noise-- + Up she jumped in glee: + "Kittens, maybe that's a mouse! + Let us go and see!" + +3. Creeping, creeping, creeping on, + Silently they stole; + But the little mouse had gone + Back within its hole. + +4. "Well," said Mrs. Pussy then, + "To the barn we'll go; + We shall find the swallows there + Flying to and fro." + +5. So the cat and kittens four + Tried their very best; + But the swallows flying fast + Safely reached the nest! + +6. Home went hungry Mrs. Puss + And her kittens four; + Found their dinner on a plate + By the kitchen door. + +7. As they gathered round the plate, + They agreed 'twas nice + That it could not run away + Like the birds and mice! + + + + +[Illustration: XIV. HOW THE CORN GREW.] + +XIV.--HOW THE CORN GREW. + + +There was a field that waiting lay, + All hard and brown and bare; +There was a thrifty farmer came + And fenced it in with care. + +[Illustration: THE FIELD. [two children facing each other with their +arms extended onto each other's shoulders]] + +Then came a plowman with his plow; + From early until late, +Across the field and back again, + He plowed the furrows straight. + +[Illustration: THE PLOW. [hands together sideways, thumbs extended +slightly upward]] + +The harrow then was brought to make + The ground more soft and loose; +And soon the farmer said with joy, + "My field is fit for use." + +[Illustration: THE HARROW. [palms downward, fingers curved and +separated]] + +For many days the farmer then + Was working with his hoe; +And little Johnny brought the corn + And dropped the kernels--so! + +[Illustration: THE HOE. [palm downward, fingers together and bent at +knuckles]] + +[Illustration: DROPPED THE KERNELS--SO! [palm downward, fingers +curved]] + +And there they lay, until awaked + By tapping rains that fell, +Then pushed their green plumes up to greet + The sun they loved so well. + +[Illustration: TAPPING RAINS. + +(Drumming with the fingers)] + +[Illustration: POKED THEIR GREEN PLUMES UP. [fingers together +extending upward]] + +Then flocks and flocks of hungry crows + Came down the corn to taste; +But ba-ang!--went the farmer's gun + And off they flew in haste. + +[Illustration: THE GUN. + +(Snap the fingers) [one arm extended, holding elbow with other hand]] + +Then grew and grew the corn, until, + When autumn days had come, +With sickles keen they cut it down, + And sang the "Harvest Home." + +[Illustration: THE SICKLE. [one arm extended and curved]] + + +[Music: HOW THE CORN GREW. + +EMILIE POULSSON. + +CORNELIA C. ROESKE. + +1. There was a field that waiting lay, + All hard and brown and bare; + There was a thrifty farmer came + And fenced it in with care, + There was a thrifty farmer came + And fenced it in with care.] + +2. Then came a ploughman with his plough; + From early until late, + Across the field and back again, + He ploughed the furrows straight. + +3. The harrow then was brought to make + The ground more soft and loose; + And soon the farmer said with joy, + "My field is fit for use." + +4. For many days the farmer then + Was working with his hoe; + And little Johnny brought the corn + And dropped the kernels--so! + +5. And there they lay, until awaked + By tapping rains that fell, + Then pushed their green plumes up to greet + The sun they loved so well. + +6. Then flocks and flocks of hungry crows + Came down the corn to taste; + But ba-ang! went the farmer's gun, + And off they flew in haste. + +7. Then grew and grew the corn, until, + When autumn days had come, + With sickles keen they cut it down, + And sang the "Harvest Home." + + + + +[Illustration: XV. THE MILL.] + +XV.--THE MILL. + + +A merry little river + Went singing day by day, +Until it reached a mill-dam + That stretched across its way. + +[Illustration: THE MILLDAM. [hand sideways, fingers straight]] + +And there it spread its waters, + A quiet pond, to wait +Until the busy miller + Should lift the water-gate. + +[Illustration: LIFT THE WATER-GATE. [hands sideways, bent at knuckles, +fingers straight]] + +Then, hurrying through the gateway, + The dashing waters found +A mighty millwheel waiting, + And turned it swiftly round. + +[Illustration: THE MILLWHEEL. [hands turning over one another]] + +But faster turned the millstones + Up in the dusty mill, +And quickly did the miller + With corn the hopper fill. + +[Illustration: THE MILLSTONES. [palms downward, fingers straight, one +hand moving in a circle on top of the other]] + +And faster yet and faster + The heavy stones went round, +Until the golden kernels + To golden meal were ground. + +"Now fill the empty hopper + With _wheat_," the miller said; +"We'll grind this into flour + To make the children's bread." + +[Illustration: THE HOPPER. [hands cupped together]] + +And still, as flowed the water, + The mighty wheel went round; +And still, as turned the millstones, + The corn and grain were ground. + +And busy was the miller + The livelong day, until +The water-gate he fastened, + And silent grew the mill. + + +[Music: THE MILL. + +EMILIE POULSSON. + +CORNELIA C. ROESKE. + +1. A merry little river + Went singing day by day, + Until it reached a mill-dam + That stretched across its way. + And there it spread its waters, + A quiet pond, to wait + Until the busy miller + Should lift the water gate.] + +2. Then, hurrying through the gateway, + The dashing waters found + A mighty millwheel waiting-- + And turned it swiftly round. + But faster turned the millstone + Up in the dusty mill, + And quickly did the miller + With corn the hopper fill. + +3. And faster yet and faster + The heavy stones went round, + Until the golden kernels + To golden meal were ground. + "Now, fill the empty hopper + With _wheat_," the miller said; + "We'll grind this into flour + To make the children's bread." + +4. And still, as flowed the water, + The mighty wheel went round; + And still, as turned the millstones, + The corn and grain were ground. + And busy was the miller + The livelong day, until + The water gate he fastened, + And silent grew the mill. + + + + +[Illustration: XVI. MAKING BREAD.] + +XVI.--MAKING BREAD. + + +"The farmer and the miller +Have worked," the mother said, +"And got the flour ready, +So I will make the bread." +She scooped from out the barrel +The flour white as snow, +And in her sieve she put it +And shook it to and fro. + +[Illustration: THE SCOOP. [hands cupped together]] + +[Illustration: THE SIEVE. [fingers interlaced, palms upward, thumbs +meeting]] + +Then in the pan of flour +A little salt she threw; +A cup of yeast she added, +And poured in water, too. +To mix them all together +She stirred with busy might, +Then covered it and left it +Until the bread was light. + +[Illustration: PAN. [arms curved, fingers meeting]] + +[Illustration: "SALT SHE THREW." [thumb and fingertips together]] + +[Illustration: A CUP OF YEAST. [palm upward, fingers curved]] + +[Illustration: STIRRING. [fingers together, stirring]] + +[Illustration: COVERING. [palms downward, fingers slightly curved]] + +More flour then she sifted +And kneaded well the dough, +And in the waiting oven +The loaves of bread did go. +The mother watched the baking, +And turned the loaves, each one, +Until at last, rejoicing, +She said, "My bread is done!" + +[Illustration: KNEADING. [fists moving up and down]] + +[Illustration: TURNED THE LOAVES. [fists turning sideways]] + + +[Music: MAKING BREAD. + +EMILIE POULSSON. + +C.C. ROESKE. + +1. "The farmer and the miller + Have work'd," the mother said, + "And got the flour ready, + So I will make the bread." + She scooped from out the barrel + The flour white as snow, + And in her sieve she put it + And shook it to and fro.] + +2. Then in the pan of flour + A little salt she threw; + A cup of yeast she added, + And poured in water, too. + To mix them all together + She stirred with busy might, + Then covered it and left it + Until the bread was light. + +3. More flour then she sifted + And kneaded well the dough, + And in the waiting oven + The loaves of bread did go. + The mother watched the baking, + And turned the loaves, each one, + Until at last, rejoicing, + She said, "My bread is done!" + + + + +[Illustration: XVII. MAKING BUTTER.] + +XVII.--MAKING BUTTER. + + +Skim, skim, skim, + With the skimmer bright; +Take the rich and yellow cream, + Leave the milk so white. + +[Illustration: SKIMMER. [palm upward, fingers slightly curved, moving +back and forth]] + +Churn, churn, churn, + Now 'tis churning day; +Till the cream to butter turn + Dasher must not stay. + +[Illustration: CHURNING. [fists holding imaginary churn-handle]] + +Press, press, press; + All the milk must be +From the golden butter now + Pressed out carefully. + +[Illustration: LADLE. + +(for pressing) [sideways hand]] + +[Illustration: BOWL. [curved arm]] + +Pat, pat, pat; + Make it smooth and round. +See! the roll of butter's done-- + Won't you buy a pound? + +[Illustration: "PAT, PAT, PAT." [hand patting]] + +[Illustration: A ROLL OF BUTTER. [fist]] + +Taste, oh! taste, + This is very nice; +Spread it on the children's bread, + Give them each a slice. + +[Illustration: SPREADING. [index finger of one hand on flat palm of +other hand]] + + +[Music: MAKING BUTTER. + +EMILIE POULSSON. + +C.C. ROESKE. + +1. Skim, skim, skim, + With the skimmer bright; + Take the rich and yellow cream, + Leave the milk so white.] + +2. Churn, churn, churn, + Now 'tis churning day; + Till the cream to butter turn + Dasher must not stay. + +3. Press, press, press; + All the milk must be + From the golden butter now + Pressed out carefully. + +4. Pat, pat, pat, + Make it smooth and round. + See! the roll of butter's done-- + Won't you buy a pound? + +5. Taste, oh! taste, + This is very nice. + Spread it on the children's bread, + Give them each a slice. + + + + +[Illustration: XVIII. SANTA CLAUS.] + +XVIII.--SANTA CLAUS. + + +O, clap, clap the hands, + And sing out with glee +For Christmas is coming + And merry are we! + +[Illustration: CLAPPING + +THROUGH THE FIRST AND LAST VERSES.] + +Now swift o'er the snow + The tiny reindeer +Are trotting and bringing + Good Santa Claus near. + +[Illustration: PAIR OF REINDEER [fingers of both hands downward, +thumbs interlaced] + +IN SECOND AND FOURTH VERSES.] + +Our stockings we'll hang, + And while we're asleep +Then down through the chimney + Will Santa Claus creep. + +[Illustration: STOCKINGS. [four fingers hanging downward]] + +[Illustration: DOWN THE CHIMNEY. [one fist on top of the other]] + +[Illustration: SANTA CLAUS. [fist with thumb extended upward]] + +He'll empty his pack, + Then up he will come +And, calling his reindeer, + Will haste away home. + +[Illustration: UP HE WILL COME. [one fist on top of the other with +thumb extended upward]] + +Then clap, clap the hands! + And sing out with glee, +For Christmas is coming + And merry are we! + + +[Music: SANTA CLAUS. + +EMILIE POULSSON. + +CORNELIA C. ROESKE. + +1. O, clap, clap the hands, + And sing out with glee! + For Christmas is coming and merry are we! + Now swift o'er the snow + The tiny reindeer + Are trotting and bringing + Good Santa Claus near. + +2. O, clap, clap the hands, + And sing out with glee! + For Christmas is coming and merry are we! + Our stockings we'll hang, + And while we're asleep + Then down thro' the chimney + Will Santa Claus creep. + +3. O, clap, clap the hands, + And sing out with glee! + For Christmas is coming and merry are we! + He'll empty his pack, + Then up he will come + And calling the reindeer, + Will haste away home.] + + + + + + + + + +End of the Project Gutenberg EBook of Finger plays for nursery and +kindergarten, by Emilie Poulsson + +*** END OF THIS PROJECT GUTENBERG EBOOK FINGER PLAYS-NURSERY, KINDERGARTEN *** + +***** This file should be named 24912.txt or 24912.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/4/9/1/24912/ + +Produced by Suzanne Shell, Linda Cantoni, and the Online +Distributed Proofreading Team at https://www.pgdp.net. Music +transcribed by Linda Cantoni. This e-book was created from +a 1971 reprint published by Dover Publications, Inc., New +York. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
