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author: Roger Frank <rfrank@pglaf.org> 2025-10-15 02:14:22 -0700
committer: Roger Frank <rfrank@pglaf.org> 2025-10-15 02:14:22 -0700
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+<html>
+<head>
+<title>The Brochure Series, Vol. I, No. 12</title>
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+<pre>
+
+The Project Gutenberg EBook of The Brochure Series of Architectural
+Illustration, Vol. 01, No. 12, December 1895, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Brochure Series of Architectural Illustration, Vol. 01, No. 12, December 1895
+       English Country Houses
+
+Author: Various
+
+Release Date: March 8, 2008 [EBook #24776]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ENGLISH COUNTRY HOUSES ***
+
+
+
+
+Produced by Louise Hope, Juliet Sutherland and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+<div class = "mynote">
+<p>Most full-page plates have been moved to the beginning or end of the
+nearest article. Their original page numbers are shown in [brackets].</p>
+
+<p class = "center">
+<a href = "#brochure">First Page</a><br>
+<a href = "#platelist">List of Plates</a> (as printed)<br>
+<a href = "#thumbs">Page Thumbnails</a>
+</p>
+</div>
+
+<!-- png01 -->
+<table summary = "illustration with caption">
+<tr>
+<td class = "picture" colspan = "2">
+<img src = "images/pic01_1.jpg" width = "504" height = "319"
+alt = "see caption"></td>
+</tr>
+<tr>
+<td class = "caption">HOUSE AT MONUMENT BEACH, BUZZARDS BAY, MASS.</td>
+<td class = "caption right">W. R. EMERSON, Architect.</td>
+</tr>
+<tr>
+<td class = "caption center" colspan = "2">
+Stained with Dexter Bros. English Shingle Stains (Dark Brown).</td>
+</tr>
+</table>
+
+<table summary = "illustration with caption">
+<tr>
+<td class = "picture" colspan = "2">
+<img src = "images/pic01_2.jpg" width = "500" height = "348"
+alt = "see caption"></td>
+</tr>
+<tr>
+<td class = "caption">HOUSE AT WOBURN, MASS.</td>
+<td class = "caption right">E. A. P. NEWCOMB, Architect.</td>
+</tr>
+<tr>
+<td class = "caption center" colspan = "2">
+Stained with Dexter Bros. English Shingle Stains.</td>
+</tr>
+</table>
+
+<p class = "center">
+Dexter Bros., 55 and 57 Broad Street, Boston, Mass.</p>
+
+<p class = "pagebreak">&nbsp;</p>
+
+<!-- png02 -->
+<table summary = "illustration with caption">
+<tr>
+<td class = "picture" colspan = "2">
+<img src = "images/pic02_1.jpg" width = "500" height = "346"
+alt = "see caption"></td>
+</tr>
+<tr>
+<td class = "caption">HOUSE AT CHESTNUT HILL, BROOKLINE, MASS.</td>
+<td class = "caption right">W. R. EMERSON, Architect.</td>
+</tr>
+<tr>
+<td class = "caption center" colspan = "2">
+Stained with Dexter Bros. English Shingle Stains.<br></td>
+</tr>
+</table>
+
+
+<table summary = "illustration with caption">
+<tr>
+<td class = "picture" colspan = "2">
+<img src = "images/pic02_2.jpg" width = "496" height = "350"
+alt = "see caption"></td>
+</tr>
+<tr>
+<td class = "caption">HOUSE AT BROOKLINE, MASS. View from Rear.</td>
+<td class = "caption right">KENDALL &amp; STEVENS, Architects.</td>
+</tr>
+<tr>
+<td class = "caption center" colspan = "2">
+Stained with Dexter Bros. English Shingle Stains (Body No. 12, Roof No.
+31).</td>
+</tr>
+</table>
+
+<p class = "center">
+Dexter Bros., 55 and 57 Broad Street, Boston, Mass.</p>
+
+<p class = "pagebreak">&nbsp;</p>
+
+<!-- png03 -->
+<table summary = "illustration with caption">
+<tr>
+<td class = "picture" colspan = "2">
+<img src = "images/pic03_1.jpg" width = "490" height = "349"
+alt = "see caption"></td>
+</tr>
+<tr>
+<td class = "caption">HOUSE AT <ins class = "correction"
+title = "text reads 'BAP'">BAR</ins> HARBOR, ME.</td>
+<td class = "caption right">W. R. EMERSON, Architect.</td>
+</tr>
+<tr>
+<td class = "caption center" colspan = "2">
+Stained with Dexter Bros. English Shingle Stains (Dark Brown).</td>
+</tr>
+</table>
+
+
+<table summary = "illustration with caption">
+<tr>
+<td class = "picture" colspan = "2">
+<img src = "images/pic03_2.jpg" width = "503" height = "349"
+alt = "see caption"></td>
+</tr>
+<tr>
+<td class = "caption">HOUSE IN BROOKLINE, MASS.</td>
+<td class = "caption right">EUGENE L. CLARK, Architect.</td>
+</tr>
+<tr>
+<td class = "caption center" colspan = "2">
+Stained with Dexter Bros. English Shingle Stain (No.&nbsp;4).</td>
+</tr>
+</table>
+
+<p class = "center">
+Dexter Bros., 55 and 57 Broad Street, Boston, Mass.</p>
+
+<p class = "pagebreak">&nbsp;</p>
+
+<!-- png04 -->
+<table summary = "illustration with caption">
+<tr>
+<td class = "picture" colspan = "2">
+<img src = "images/pic04_1.jpg" width = "503" height = "343"
+alt = "see caption"></td>
+</tr>
+<tr>
+<td class = "caption">HOUSE AT NEWPORT, R.I.</td>
+<td class = "caption right">W. R. EMERSON, Architect.</td>
+</tr>
+<tr>
+<td class = "caption center" colspan = "2">
+Stained with Dexter Bros. English Shingle Stains.</td>
+</tr>
+</table>
+
+<table summary = "illustration with caption">
+<tr>
+<td class = "picture" colspan = "2">
+<img src = "images/pic04_2.jpg" width = "502" height = "350"
+alt = "see caption"></td>
+</tr>
+<tr>
+<td class = "caption">HOUSE AT ROXBURY, MASS.</td>
+<td class = "caption right">GAY &amp; PROCTOR, Architects.</td>
+</tr>
+<tr>
+<td class = "caption center" colspan = "2">
+Stained with Dexter Bros. English Shingle Stains (Roof No. 11, Walls No.
+41).</td>
+</tr>
+</table>
+
+<p class = "center">
+Dexter Bros., 55 and 57 Broad Street, Boston, Mass.</p>
+
+<p class = "pagebreak">&nbsp;</p>
+
+<!-- png05 -->
+<p class = "illustration">
+<img src = "images/pic05_1.jpg" width = "314" height = "248"
+alt = "see caption"></p>
+
+<p class = "caption">
+HOUSES ON<br>
+THE GODDARD ESTATE,<br>
+BROOKLINE, MASS.</p>
+
+<table summary = "illustration with caption">
+<tr>
+<td class = "picture" colspan = "3">
+<img src = "images/pic05_2.jpg" width = "319" height = "248"
+alt = "see caption">
+</td>
+</tr>
+<tr>
+<td class = "middle">
+<img src = "images/dec05.png" width = "27" height = "20"
+alt = "x"></td>
+<td class = "caption center">
+SHEPLEY, RUTAN &amp;<br>
+COOLIDGE,<br>
+Architects.</td>
+<td class = "middle">
+<img src = "images/dec05.png" width = "27" height = "20"
+alt = "x"></td>
+</tr>
+<tr>
+<td class = "picture" colspan = "3">
+<img src = "images/pic05_3.jpg" width = "317" height = "251"
+alt = "see caption">
+</td>
+</tr>
+</table>
+
+<p class = "caption">
+STAINED WITH<br>
+DEXTER BROS.<br>
+ENGLISH<br>
+SHINGLE STAINS.</p>
+
+<p class = "illustration">
+<img src = "images/pic05_4.jpg" width = "313" height = "245"
+alt = "see caption"></p>
+
+<p class = "pagebreak">&nbsp;</p>
+
+<!-- png06 -->
+
+<p class = "illustration plate">
+<a name = "plateLXXXIX" id = "plateLXXXIX">
+<img src = "images/plateLXXXIX.jpg" width = "425" height = "334"
+alt = "see caption"></a></p>
+
+<p class = "caption">
+LXXXIX.<br>
+Old Houses, Hanover, England.</p>
+
+<!-- png07 -->
+<p class = "illustration plate">
+<a name = "plateXC" id = "plateXC">
+<img src = "images/plateXC.jpg" width = "459" height = "340"
+alt = "see caption"></a></p>
+
+<p class = "caption">
+XC.<br>
+Middle House, Mayfield, Sussex, England.</p>
+
+<!-- png08 -->
+<p class = "illustration plate">
+<a name = "plateXCI" id = "plateXCI">
+<img src = "images/plateXCI.jpg" width = "445" height = "341"
+alt = "see caption"></a></p>
+
+<p class = "caption">
+XCI.<br>
+Worsley, Old Hall, England.</p>
+
+<!-- png09 -->
+<p class = "illustration plate">
+<a name = "plateXCII" id = "plateXCII">
+<img src = "images/plateXCII.jpg" width = "475" height = "340"
+alt = "see caption"></a></p>
+
+<p class = "caption">
+XCII.<br>
+Speke Hall, England.</p>
+
+<!-- png10 -->
+<p class = "illustration plate">
+<a name = "plateXCIII" id = "plateXCIII">
+<img src = "images/plateXCIII.jpg" width = "443" height = "337"
+alt = "see caption"></a></p>
+
+<p class = "caption">
+XCIII.<br>
+Speke Hall, England.</p>
+
+<p class = "pagebreak">&nbsp;</p>
+
+<span class = "pagenum">187</span>
+<!-- png11 -->
+
+<h1 class = "smallcaps"><a name = "brochure" id = "brochure">
+The Brochure Series</a></h1>
+
+<h5>OF ARCHITECTURAL ILLUSTRATION.</h5>
+
+<table class = "smallcaps" width = "100%">
+<tr>
+<td>Vol. I.</td>
+<td class = "center">DECEMBER, 1895.</td>
+<td class = "right">No. 12.</td>
+</tr>
+</table>
+
+<hr class = "micro">
+
+<h5>ENGLISH COUNTRY HOUSES.</h5>
+
+
+<p class = "illustration">
+<img src = "images/pic11.jpg" width = "416" height = "276"
+alt = "see caption"></p>
+
+<p class = "caption">
+OLD HOUSE NEAR WARWICK. SKETCH BY WILSON EYRE, Jr.<br>
+From The Architectural Review, Vol. IV, No. 1.</p>
+
+<p class = "space">
+<span class = "dropcap">M</span><span class = "firstword">r Wilson Eyre,
+Jr.</span>, in an article in <i>The Architectural Review</i> for
+January, which has been alluded to in our issue for October, and from
+which we have borrowed the three charming illustrations reproduced from
+his drawings, speaks as follows of English domestic architecture:</p>
+
+<p>&ldquo;There is much to be seen from the railroad in the way of long
+rambling farmhouses and country houses of the modest kind, and there is
+much to be gained by studying these for use in our own domestic
+architecture; their average work is so much less pretentious, so much
+more homelike than ours; their surroundings are studied so carefully,
+the garden forming as much part of the house as the roof, and great
+pains being taken that the garden wall, hedges, terraces, the little tea
+houses, in fact all the immediate surroundings, should form a harmonious
+effect. Photographs and measured drawings of the well-known and
+monumental buildings are at hand whenever we need them, but no idea can
+be gained, except from personal study, of the completeness and fitness
+of the country houses and farmhouses and of their surroundings, their
+&ldquo;flocks of gables,&rdquo; the grouping and
+<span class = "pagenum">189</span>
+<!-- png13 -->
+composition which through the most careful study arrive at the entirely
+unstudied and almost haphazard effect, and above all the impression
+produced that the building belongs to the spot upon which it is built
+and to no other. This is what makes the English domestic work better, to
+my mind, than any I have seen, and so well worthy of study, especially
+by our American architects.&rdquo;</p>
+
+<p class = "illustration float">
+<img src = "images/pic13_1.jpg" width = "323" height = "302"
+alt = "see caption"></p>
+
+<p class = "caption float" style = "width: 323px;">
+OLD HOUSE, LICHFIELD.<br>
+SKETCH BY WILSON EYRE, Esq.<br>
+From The Architectural Review, Vol. IV, No. 1.</p>
+
+<p>The one distinguishing characteristic upon which all observers agree
+when comparing the houses of England with those of any other country is
+the importance given to the idea of a &ldquo;home.&rdquo; This idea of
+the family life, more fully carried out by the Anglo-Saxon race than by
+any other, has given rise to conditions differing essentially from those
+governing the domestic architecture of other races. As pointed out in
+the last issue in speaking of the country houses of France, the impulse
+to associate in communities has been a stronger power in moulding the
+domestic architecture of France than the desire to have an independent
+home. In England the isolated house is the type. The social unit is the
+family, and consequently the architectural unit is the
+&ldquo;home.&rdquo; The English character has given to the family an
+independence and privacy, a&nbsp;permanence and sacredness which are all
+reflected in the English houses, and it is this which makes them homes.
+The evidence of these characteristics is what has attracted Mr. Eyre and
+many other Americans besides, and will continue to do so for years to
+come.</p>
+
+<p class = "illustration floatright">
+<img src = "images/pic13_2.jpg" width = "321" height = "229"
+alt = "see caption"></p>
+
+<p class = "caption floatright" style = "width: 321px;">
+CHAPEL, DEERHURST.<br>
+SKETCH BY WILSON EYRE, Jr.<br>
+From The Architectural Review, Vol. IV, No. 1.</p>
+
+<p>English architecture is not all and never has been all of the sort
+here indicated, but where it departs from this type we feel the peculiar
+charm somewhat lacking. The early Saxon hut, the Norman castle, have
+each their especial interest, and we feel that the home has culminated
+in the Elizabethan and Tudor mansions and the simpler homes of later
+days which are adjusted to the needs of the family and suited to its
+surroundings,
+<span class = "pagenum">191</span>
+<!-- png15 -->
+because built honestly with due regard to the necessities, and even if,
+as Ruskin says, their detail is abominable and there is no precedent, no
+right nor reason in the square drip moulding over the windows, yet we
+love them as a whole, and cannot help feeling that they expressed truly
+the story they were intended to tell. But we do not feel the same
+instinctive attraction in the Palladian mansions of Jones, however
+accurately classical are their proportions or their mouldings, nor in
+any other of the dignified importations transplanted from Greece or Rome
+and forced to grow on uncongenial soil. They must ever be to us exotics,
+with perhaps the beauty of the exotic, but without the homely qualities
+which endear to us the real home.</p>
+
+<span class = "pagenum">[188]</span>
+<!-- png12 -->
+
+<p class = "illustration plate">
+<a name = "plateXCIV" id = "plateXCIV">
+<img src = "images/plateXCIV.jpg" width = "441" height = "343"
+alt = "see caption"></a></p>
+
+<p class = "caption">
+XCIV.<br>
+Smithells, England.</p>
+
+<span class = "pagenum">[190]</span>
+<!-- png14 -->
+
+<p class = "illustration plate">
+<a name = "plateXCV" id = "plateXCV">
+<img src = "images/plateXCV.jpg" width = "473" height = "342"
+alt = "see caption"></a></p>
+
+<p class = "caption">
+XCV.<br>
+Saintesbury Hall, England.</p>
+
+<p class = "pagebreak">
+<a name = "platelist" id = "platelist">&nbsp;</a></p>
+
+<p class = "caption">
+<a href = "#plateLXXXIX">LXXXIX.</a><br>
+OLD HOUSES, HANOVER<ins class = "correction" title = "missing">,</ins>
+ENGLAND.</p>
+
+<p class = "caption">
+<a href = "#plateXC">XC.</a><br>
+MIDDLE HOUSE, MAYFIELD, SUSSEX, ENGLAND.</p>
+
+<p class = "caption">
+<a href = "#plateXCI">XCI.</a><br>
+OLD HALL, WORSLEY, ENGLAND.</p>
+
+<p class = "caption">
+<a href = "#plateXCII">XCII</a>
+AND <a href = "#plateXCIII">XCIII</a>.<br>
+SPEKE HALL, ENGLAND.</p>
+
+<p class = "caption">
+<a href = "#plateXCIV">XCIV.</a><br>
+SMITHELLS, ENGLAND.</p>
+
+<p class = "caption">
+<a href = "#plateXCV">XCV.</a><br>
+SAINTESBURY HALL, ENGLAND.</p>
+
+<p class = "caption">
+<a href = "#plateXCVI">XCVI</a>
+TO <a href = "#plateXCVIII">XCVIII</a>.<br>
+OLD MANOR HOUSE, LYTHE HILL, ENGLAND.</p>
+
+<p class = "caption">
+<a href = "#plateXCIX">XCIX.</a><br>
+OLD FARM HOUSE, LYTHE HILL, ENGLAND.</p>
+
+<p class = "caption">
+<a href = "#plateC">C.</a><br>
+THE GATE HOUSE, STOKESAY CASTLE, ENGLAND.</p>
+
+<p class = "pagebreak">&nbsp;</p>
+
+<h4>Club Notes.</h4>
+
+<hr class = "micro">
+
+<p>Nearly simultaneously with the announcement that the T Square Club,
+of Philadelphia, has been awarded the
+<!-- 191b -->
+<!-- png16 -->
+medal offered by the St. Louis Architectural Club for the best
+Club-exhibit of Mention Designs comes the news of John
+Stewardson&rsquo;s lamentable death. As a founder of the Club, as its
+president, and for years a member of its Executive Committee, he
+remained to the last one of its most enthusiastic supporters. Many of
+his drawings are now in the Club rooms, and his record as the winner of
+many competitions is upon the minutes of the Club.</p>
+
+<p>His generous aid, sincere criticism, and deep interest in the welfare
+of the Club contributed more to the advancement of architecture in
+Philadelphia than can now be realized.</p>
+
+<p class = "space">
+The ninth annual Exhibition of the Chicago Architectural Club will be
+held at the Art Institute, Chicago, opening March 27, 1896.</p>
+
+<p>This exhibition will include architectural drawings and perspectives
+in all renderings, scale, details of public and private work, <ins class
+= "correction" title = "spelling unchanged">projets</ins>, landscape
+drawings of parks and other public improvements, works of sculpture and
+artistic exhibits of works of the allied arts.</p>
+
+<p>Detailed information with circular of instructions and application
+blanks can be had by addressing Frank M. Garden, Secretary, Chicago
+Architectural Club, 274 Michigan Ave., Chicago.</p>
+
+<p class = "space">
+In the seventh annual competition for the Robert Clark testimonials,
+held under the auspices of the Chicago Architectural Club, the prize
+winners are as follows: Addison B. Le Boutillier, Boston, Mass., gold
+medal; William Leslie Welton, Lynn, Mass., silver medal; John F.
+Jackson, Buffalo, N.Y., bronze medal; Harry C. Starr, Chicago, first
+honorable mention (bronze medal); Edward T. Wilder, Chicago, second
+honorable mention (bronze medal). L.&nbsp;J. Millet, R.&nbsp;C. Spencer,
+and Irving K. Pond composed the adjudicating committee.</p>
+
+<p class = "space">
+Messrs. Thomas Hastings, John Galen Howard, and Albert L. Brockway, the
+committee of the Architectural League of New York upon the annual
+competition for the League gold and silver medals, announce the program
+for this year. Drawings are to be submitted on or before February 6. The
+problem is the principal entrance of a terminal railroad station. Plan,
+elevation, and detail are required.</p>
+
+<span class = "pagenum">[192]</span>
+<!-- png17 -->
+
+<p class = "illustration plate">
+<a name = "plateXCVI" id = "plateXCVI">
+<img src = "images/plateXCVI.jpg" width = "449" height = "339"
+alt = "see caption"></a></p>
+
+<p class = "caption">
+XCVI.<br>
+Old Manor House, Lythe Hill, England.</p>
+
+<p class = "pagebreak">&nbsp;</p>
+
+<span class = "pagenum">193</span>
+<!-- png18 -->
+<h2><a name = "subscription" id = "subscription">
+<b>The Brochure Series</b></a></h2>
+
+<h4>of Architectural Illustration.</h4>
+
+<h6>PUBLISHED MONTHLY BY</h6>
+
+<h4>BATES &amp; GUILD,</h4>
+
+<h5>6 BEACON STREET, BOSTON, MASS.</h5>
+
+<hr class = "micro">
+
+<table class = "smaller">
+<tr>
+<td>Subscription Rates per year</td>
+<td class = "right">50 cents, in advance</td>
+</tr>
+<tr>
+<td>Special Club Rates for five subscriptions</td>
+<td class = "right">$2.00</td>
+</tr>
+</table>
+
+<hr class = "micro">
+
+<p class = "center smaller">
+Entered at the Boston Post Office as Second-class Matter.</p>
+
+<hr>
+
+<p>Renew your subscription promptly if you do not wish to miss any
+numbers. Single renewals must be accompanied by a remittance of fifty
+cents. Five or more names (new or renewals) must be sent in together to
+secure the club rate of forty cents.</p>
+
+<hr class = "tiny">
+
+<h6>SPECIAL NOTICE.</h6>
+
+<p>New subscribers should order at once, thus securing a complete
+volume, containing one hundred illustrations. Considering the selection
+and quality of reproduction, fifty cents is an exceedingly low rate for
+these.</p>
+
+<hr class = "tiny">
+
+<p>An index and title-page for the first volume of <span class =
+"smallcaps">The Brochure Series</span> have been prepared for the
+convenience of those who wish to bind their copies, and they will be
+mailed free to any subscriber upon request.</p>
+
+<hr class = "tiny">
+
+<p>Since the introduction to the public of <span class = "smallcaps">The
+Brochure Series</span> in its present form a year ago, five-cent
+magazines have been made fashionable. Their number is countless, and
+they are of all degrees of value and interest. A&nbsp;year ago the
+experiment was a comparatively untried one and the policy of <span class
+= "smallcaps">The Brochure Series</span> was necessarily more or less
+experimental, but it has now crystalized into fairly settled shape. In
+its main feature, the illustration of historic architecture, it must
+appeal to all who have any connection with the architectural profession.
+An architect can never have too many photographs, provided they are well
+classified and accessible; and it is practically impossible that anyone
+shall have <i>all</i> of the
+<!-- 193b -->
+<!-- png19 -->
+one hundred photographs given in a year&rsquo;s volumes of the magazine,
+as they are drawn from so many different sources. The classification of
+subjects is of itself sufficient reason for buying <span class =
+"smallcaps">The Brochures</span>, even provided they duplicate
+photographs already owned.</p>
+
+<p>The educational features of the magazine relating to architectural
+societies, schools, and public competitions have proved of unusual
+interest to the younger members of the profession, and during the coming
+year it is hoped that more importance can be given to this work. The
+cooperation of all who are concerned in organizations of this character
+is earnestly solicited.</p>
+
+<p>The competitions which have been offered from time to time under the
+direction of the magazine have proved so successful that an effort will
+be made to establish them as a regular feature, and it is hoped that at
+least one competition a month can be looked for in future.</p>
+
+
+<h3><a name = "addresses" id = "addresses">
+Wanted<br>
+Draughtsmen&rsquo;s Addresses.</a></h3>
+
+<hr class = "tiny">
+
+<p>We intend issuing, the coming year, a&nbsp;number of interestingly
+illustrated announcements of new architectural publications and
+importations. We want to send these to every architectural student and
+draughtsman in the United States and Canada. If you are not on our
+subscription list, send us your <i>residence</i> address for our
+circular mailing list. Address a postal card as below, putting simply
+your address on the back. If you are in an office, have the other
+fellows put their residence addresses on the same card. We prefer to
+address mail matter to your residence, as there is less danger of
+miscarriage. Do not get the idea that by sending your address you are
+ordering something you will be asked to pay for. All the expense, except
+the postal card, is on our side. If we can&rsquo;t get out announcements
+interesting enough to attract your attention and occasionally secure an
+order, it will be our loss. Address:&mdash;</p>
+
+<p class = "center">Bates &amp; Guild,</p>
+
+<p class = "rightside">6 Beacon Street,</p>
+
+<p class = "right">Boston, Mass.</p>
+
+<p><i>For Circular List.</i></p>
+
+<span class = "pagenum">[194]</span>
+<!-- png20 -->
+
+<p class = "illustration plate">
+<a name = "plateXCVII" id = "plateXCVII">
+<img src = "images/plateXCVII.jpg" width = "445" height = "340"
+alt = "see caption"></a></p>
+
+<p class = "caption">
+XCVII.<br>
+Old Manor House, Lythe Hill, England.</p>
+
+
+<span class = "pagenum">195</span>
+<!-- png21 -->
+<h3><a name = "competition" id = "competition">
+Brochure Series<br>
+Competition No. 3.</a></h3>
+
+<hr class = "tiny">
+
+<p>The designs submitted in the competition closing December 20 for the
+advertising page of the Boynton Furnace Co. proved of even greater merit
+as a whole than those submitted in the first competition, and it has
+been difficult to decide which has the best claim to the prize; but the
+judges have finally decided to award the first place to Mr. William L.
+Welton, of Lynn, Mass., and his design is given on advertising page xiii
+of this number. Of the reasons for this award some will be evident at a
+glance. The effect of the page as a whole is striking and unique. To be
+sure, there is a certain suggestiveness of Mr. Binner&rsquo;s familiar
+advertisements for the Pabst Brewing Co., but the similarity goes no
+further than the selection of Egyptian motives and the simple, flat,
+silhouette-like treatment. Mr. Welton has merely gone to the same source
+of inspiration, and his design is just as good in its way as Mr.
+Binner&rsquo;s. The idea of connecting the character of the ornament
+with the advertisement is carried out in both cases.
+<!-- 195b -->
+<!-- png22 -->
+The Pabst advertisements all state that the history of brewing begins
+with Egypt, while Mr. Welton has very cleverly used the Great Pyramid of
+Cheops as a graphic illustration to indicate the area covered by the
+heaters built by the Boynton Furnace Company.</p>
+
+<p>If any suggestions were to be offered towards the improvement of this
+design, they would be mainly in the direction of refinement in drawing.
+The lettering is not what it might be, especially at the top in the name
+of the company, which is somewhat confused. The monogram, an unimportant
+feature from an advertising point of view, is given the most important
+position in the design.</p>
+
+<p>The following competitors, in the opinion of the judges, deserve
+honorable mention: W.&nbsp;B. Olmsted, 118 Lake Street, Elmira, N.Y.;
+Pierre Liesch, 53 State Street, Boston, Mass.; P.&nbsp;G. Gulbranson, 31
+West Street, Boston, Mass.; F.&nbsp;Chouteau Brown, 31 East Newton
+Street, Boston, Mass.; William J. Freethy, 85 Water Street, Boston,
+Mass.</p>
+
+<p>Mr. Olmsted&rsquo;s design, which is illustrated herewith, is, like
+the design which he submitted in the last competition, in many respects
+distinctly the best of the collection. It is unfortunate in representing
+<span class = "pagenum">197</span>
+<!-- png24 -->
+a heater not made by the Boynton Furnace Company, but very suggestive of
+a pattern made by one of their competitors in the trade. If it were not
+for this unfortunate slip, it would be given first place. The idea is
+good and the treatment all that could be desired. It is good advertising
+and meets the conditions directly and well.</p>
+
+<table summary = "illustration with caption">
+<tr>
+<td class = "picture">
+<img src = "images/pic21.png" width = "230" height = "327"
+alt = "see caption"></td>
+<td class = "picture">
+<img src = "images/pic22.png" width = "219" height = "317"
+alt = "see caption"></td>
+</tr>
+<tr>
+<td class = "caption center">
+DESIGN BY W. B. OLMSTED.</td>
+<td class = "caption center">
+DESIGN BY PIERRE LIESCH.</td>
+</tr>
+</table>
+
+<p>The design of Mr. Liesch has the virtue of being unusual, and would
+arrest the attention of many who might not be attracted by the preceding
+one. The lettering in this case, although done with exceptional taste,
+is not sufficiently clear and readable to be entirely satisfactory as an
+advertisement.</p>
+
+<p>Mr. Gulbranson&rsquo;s design is of more interest as a drawing than
+as an advertisement. To the readers of <span class = "smallcaps">The
+Brochure Series</span> this characteristic would doubtless appeal, while
+it might be of no value in an advertisement intended for a different
+clientage.</p>
+
+<table summary = "illustration with caption">
+<tr>
+<td class = "picture">
+<img src = "images/pic23.png" width = "219" height = "317"
+alt = "see caption"></td>
+<td class = "picture">
+<img src = "images/pic24.png" width = "219" height = "321"
+alt = "see caption"></td>
+</tr>
+<tr>
+<td class = "caption center">
+DESIGN BY P. G. GULBRANSON.</td>
+<td class = "caption center">
+DESIGN BY F. CHOUTEAU BROWN.</td>
+</tr>
+</table>
+
+<p>Mr. Brown&rsquo;s design has an interest of a different sort. It is
+crude in treatment, purposely so no doubt, but the idea is so unusual,
+with a quaint touch of humor, that it would be sure to attract
+attention. If space would allow, several of the remaining designs could
+be reproduced to advantage, and would give a wider field for
+comparison.</p>
+
+<span class = "pagenum">[196]</span>
+<!-- png23 -->
+
+<p class = "illustration plate">
+<a name = "plateXCVIII" id = "plateXCVIII">
+<img src = "images/plateXCVIII.jpg" width = "443" height = "341"
+alt = "see caption"></a></p>
+
+<p class = "caption">
+XCVIII.<br>
+Old Manor House, Lythe Hill, England.</p>
+
+<!-- 197b -->
+<!-- png25 -->
+
+<h3><a name = "piano" id = "piano">
+Notes.</a></h3>
+
+<hr class = "tiny">
+
+<p>Attention has already been called in these columns to the efforts of
+the Henry F. Miller Piano Co. to foster the designing of artistic piano
+cases. Their later designs are a long step away from the conventional
+and hopelessly ugly piano cases that have been put out by the piano
+trade universally. They reason that the piano, as an artistic
+instrument, should have an artistic setting, and it is to draw the
+attention of architectural designers to this point that they have
+already given prizes for one competition, and purpose offering another
+prize, probably of $100, for a second competition. The making of special
+designs for piano cases has fallen largely into the hands of
+custom-furniture makers simply because the work of piano factories has
+for years carried its own condemnation. The furniture maker often is
+forced to buy a new piano, from stock, and build it over as best he can,
+charging a price that is almost prohibitory. Since the Miller factory
+has been equipped with the best facilities for special case work it has
+become possible for architects to have their own designs intelligently
+executed without unreasonable expense, or to secure unfinished cases
+should they
+<span class = "pagenum">199</span>
+<!-- png27 -->
+wish a cabinet maker to execute their designs. The Miller Company is one
+of the few piano companies in a position to undertake this departure.
+The character of their pianos as superior instruments was established
+years ago, and every succeeding year has added to their reputation. The
+fight for a front-rank position as instrument makers has been won. Now
+they begin to fight for artistic case building, and they deserve the
+sympathy and encouragement of every American architect. The work of the
+pioneer is always hard, and it is seldom the pioneer who gets the
+benefits from this work. Should this move of the Miller Company prove
+that better designed cases will be appreciated by the public, every
+piano maker in the country will follow suit, but none seem to have the
+courage to strike out independently with the same aim. The piano shown
+on this page <span class = "recon">is th</span>e Wagner <span class =
+"recon">Gra</span>nd exhib<span class = "recon">it</span>ed<a class =
+"tag" name = "texttag" id = "texttag" href = "#endnote">*</a> at the
+World&rsquo;s Fair, while their Colonial design is shown in their
+advertisement. They are the two extremes.</p>
+
+<p class = "illustration">
+<img src = "images/pic27.jpg" width = "411" height = "400"
+alt = "see caption"></p>
+
+<p>One could hardly get a more attractive case for ordinary purposes
+than the Colonial pattern.</p>
+
+<span class = "pagenum">[198]</span>
+<!-- png26 -->
+
+<p class = "illustration plate">
+<a name = "plateXCIX" id = "plateXCIX">
+<img src = "images/plateXCIX.jpg" width = "457" height = "338"
+alt = "see caption"></a></p>
+
+<p class = "caption">
+XCIX.<br>
+Old <ins class = "correction" title = "illegible word supplied from list of illustrations">Farm</ins>
+House, Lythe Hill, England.</p>
+
+
+<h4><a name = "stain" id = "stain">
+SHINGLE STAINED HOUSES.</a></h4>
+
+<p>In this number we present to our readers a class of advertisement
+that cannot but prove acceptable, owing to the intrinsic interest of the
+subjects published in it. The seven pages preceding our first
+frontispiece show an attractive collection of country and suburban
+residences by Boston architects. The fact that these residences are
+stained with Dexter Brothers&rsquo; English Shingle Stains, which
+constitutes the advertising character of the illustrations, adds to
+rather than detracts from their value, for each subject is remarkably
+satisfactory for its color scheme, and while a photograph does not give
+the effect, the selection was made very largely on the basis of good
+coloring.</p>
+
+<p>No further word concerning the stains is necessary. The fact that
+they have been used on these houses, let alone thousands of others
+throughout the country, is sufficient.</p>
+
+
+<h4><a name = "plumbing" id = "plumbing">
+OPEN PLUMBING.</a></h4>
+
+<p>The Dalton-Ingersoll Co. have come to the front with an improved
+style of lavatory, which presents many new features all in the line of
+open fixtures. A&nbsp;cut is shown in their advertisement where a
+description of the lavatory is given. The same arguments in favor of the
+porcelain, or enameled bath, standing clear of everything, apply with
+equal force to the lavatory.</p>
+
+<p class = "space">
+The attention of all readers of <span class = "smallcaps">The Brochure
+Series</span> is called to the announcements of our advertisers whose
+goods are offered as premiums in the subscription competitions, which
+will be found in the advertising pages of this number. None of these
+offers have been made without careful personal investigation on our
+part, and all the goods we can confidently recommend as strictly
+high-class in all respects. Those who may have occasion to make
+purchases in any of the various lines represented will do well to look
+up this matter. A&nbsp;few moments spent in writing for information may
+save much time and money.</p>
+
+<span class = "pagenum">[200]</span>
+<!-- png28 -->
+
+<p class = "illustration plate">
+<a name = "plateC" id = "plateC">
+<img src = "images/plateC.jpg" width = "465" height = "344"
+alt = "see caption"></a></p>
+
+<p class = "caption">
+C.<br>
+The Gatehouse, Stokesay Castle, England.</p>
+
+<div class = "endnote">
+
+<h4><a name = "thumbs" id = "thumbs">
+Full Pages</a></h4>
+
+<p>The first five pages are advertising. In the body of the magazine,
+all text was on odd-numbered (right-hand) pages, alternating with
+full-page plates.</p>
+
+<table class = "thumbs" summary = "thumbnail views">
+<tr>
+<td>
+<img src = "images/01thumb.png" width = "180" height = "260"
+alt = "page thumbnail">
+</td>
+<td>
+<img src = "images/02thumb.png" width = "180" height = "260"
+alt = "page thumbnail">
+</td>
+</tr>
+<tr>
+<td>
+<img src = "images/03thumb.png" width = "180" height = "260"
+alt = "page thumbnail">
+</td>
+<td>
+<img src = "images/04thumb.png" width = "180" height = "260"
+alt = "page thumbnail">
+</td>
+</tr>
+<tr>
+<td class = "picture" colspan = "2">
+<img src = "images/05thumb.png" width = "260" height = "180"
+alt = "page thumbnail">
+</td>
+</tr>
+<tr>
+<td>
+<img src = "images/11thumb.png" width = "180" height = "260"
+alt = "page thumbnail">
+</td>
+<td>
+<img src = "images/13thumb.png" width = "180" height = "260"
+alt = "page thumbnail">
+</td>
+</tr>
+<tr>
+<td>
+<img src = "images/15thumb.png" width = "180" height = "260"
+alt = "page thumbnail">
+</td>
+<td>
+<img src = "images/18thumb.png" width = "180" height = "260"
+alt = "page thumbnail">
+</td>
+</tr>
+<tr>
+<td>
+<img src = "images/21thumb.png" width = "180" height = "260"
+alt = "page thumbnail">
+</td>
+<td>
+<img src = "images/24thumb.png" width = "180" height = "260"
+alt = "page thumbnail">
+</td>
+</tr>
+<tr>
+<td class = "picture" colspan = "2">
+<img src = "images/27thumb.png" width = "180" height = "260"
+alt = "page thumbnail">
+</td>
+</tr>
+</table>
+
+<p><a class = "tag" name = "endnote" id = "endnote" href =
+"#texttag">*</a>
+These lines of text were damaged and had to be reconstructed by guess.
+(The text column is unusually narrow because it was printed alongside an
+illustration.)</p>
+
+<p class = "illustration">
+<img src = "images/page199recon.png" width = "121" height = "138"
+alt = "page image"></p>
+
+</div>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of The Brochure Series of Architectural
+Illustration, Vol. 01, No. 12, December 1895, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ENGLISH COUNTRY HOUSES ***
+
+***** This file should be named 24776-h.htm or 24776-h.zip *****
+This and all associated files of various formats will be found in:
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+</body>
+</html>
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author	Roger Frank <rfrank@pglaf.org>	2025-10-15 02:14:22 -0700
committer	Roger Frank <rfrank@pglaf.org>	2025-10-15 02:14:22 -0700
commit	b172a19e639b4ed053bef7ba4ca92eb434a71fbc (patch)
tree	4a65556a1cd5c14e3fc822f85c41cfe5eb600235 /24776-h