initial commit of ebook 24730HEADmain

1 files changed, 1205 insertions, 0 deletions

diff --git a/24730-8.txt b/24730-8.txt
new file mode 100644
index 0000000..ca7b06e
--- /dev/null
+++ b/24730-8.txt
@@ -0,0 +1,1205 @@
+The Project Gutenberg EBook of Daniel Boone, by Katharine E. Wilkie
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Daniel Boone
+       Taming the Wilds
+
+Author: Katharine E. Wilkie
+
+Release Date: March 2, 2008 [EBook #24730]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK DANIEL BOONE ***
+
+
+
+
+Produced by Greg Weeks and the Online Distributed
+Proofreading Team at https://www.pgdp.net
+
+
+
+
+
+
+Daniel Boone
+
+
+TAMING THE WILDS
+
+
+
+
+by Katharine E. Wilkie
+
+
+
+
+SCHOLASTIC BOOK SERVICES
+
+Published by Scholastic Book Services, a division of
+Scholastic Magazines, Inc., New York, N.Y.
+
+
+Transcriber's Note: Extensive research did not reveal any evidence that
+the U.S. copyright on this publication was renewed.
+
+
+
+
+DANIEL BOONE: TAMING THE WILDS is one of the books in the _Discovery
+Series_ published by The Garrard Publishing Company, Champaign,
+Illinois. Other Discovery Books available in hardcover editions from
+The Garrard Publishing Company are:
+
+Clara Barton
+Alexander Graham Bell
+Buffalo Bill
+Daniel Boone
+Luther Burbank
+Richard E. Byrd
+Kit Carson
+George Washington Carver
+Henry Clay
+Stephen Decatur
+Amelia Earhart
+Thomas Alva Edison
+Benjamin Franklin
+Ulysses S. Grant
+Henry Hudson
+Andrew Jackson
+Thomas Jefferson
+John Paul Jones
+Francis Scott Key
+Lafayette
+Robert E. Lee
+Leif the Lucky
+Abraham Lincoln
+Francis Marion
+Samuel F. B. Morse
+Florence Nightingale
+Annie Oakley
+Robert E. Peary
+William Penn
+Paul Revere
+Theodore Roosevelt
+Booker T. Washington
+George Washington
+Eli Whitney
+Wright Brothers
+
+Copyright © 1960 by Katherine E. Wilkie. Copyright © 1961 by Scholastic
+Magazines, Inc. This Scholastic Book Services edition is published by
+arrangement with The Garrard Publishing Company.
+
+8th printing August 1966
+
+Printed in the U.S.A.
+
+Single copy price 45¢. Quantity prices available on request.
+
+
+
+
+Daniel Boone
+
+TAMING THE WILDS
+
+
+
+
+_For David Lee_
+
+
+
+
+CONTENTS
+
+
+                                   Page
+
+Daniel's Indian Friend                7
+
+Moving On                            15
+
+A Knock at the Door                  20
+
+On to Kentucky                       27
+
+Attacked by Indians                  34
+
+The Wilderness Road                  39
+
+The Rescue                           45
+
+The Fort Is Saved                    51
+
+Daniel Boone's Reward                59
+
+
+
+
+Daniel's Indian Friend
+
+
+Daniel Boone was a boy who lived on the edge of the deep woods in
+Pennsylvania. At that time this country still belonged to England.
+
+Friendly Indians often came out of the woods to visit the white men.
+Daniel liked the Indians. He liked them so well that he wished he could
+live with them.
+
+One day he was taking care of his father's cattle. The pasture was
+several miles from the settlement. Although Daniel was a ten-year-old
+boy, he sometimes became lonely by himself.
+
+Today he lay on a hillside and sang aloud. He wanted to hear a voice,
+even if it was only his own.
+
+There was a low laugh behind him. Daniel sprang to his feet. A tall,
+slim Indian boy stood a few feet away. The white boy liked him at once.
+
+"I sing, too," the young Indian said.
+
+He threw back his head and sang. Daniel could not understand a word.
+
+"I sing to the sun and the wind and the rain," the boy explained.
+
+"I like your Indian song," Daniel said, "but I'm glad you speak
+English."
+
+The boy patted the bow that hung over his right shoulder. "You like
+this?"
+
+The bow was strong and shining. Daniel ran a finger along the smooth
+wood.
+
+"I like it very much," he said.
+
+The other boy took an arrow and placed it on the bowstring. He pulled
+back the bow. The arrow flew away.
+
+"You get," the Indian said.
+
+Daniel ran after the arrow. He picked it up and looked back. The Indian
+boy was right beside him.
+
+He took the arrow from Daniel. Again he shot it. Again the white boy
+ran after it. The young Indian ran beside him.
+
+He shook his head when Daniel handed him the arrow.
+
+He handed Daniel the bow.
+
+"Shoot!" he said.
+
+Daniel took the bow in his hands. He pulled it back and let the arrow
+fly.
+
+By now Daniel had forgotten the cattle. He had forgotten everything but
+the wonderful bow, his new friend, and the wide, wild woods.
+
+After a while the boys came to a high hill. At the bottom was an Indian
+village. The brown-skinned boy took Daniel by the hand and ran toward
+the settlement.
+
+Several dogs barked at them. Some women were hoeing their gardens. They
+hardly looked up as the boys passed.
+
+An old woman was stirring something in an iron pot over a fire. It
+smelled good. Daniel remembered that he had eaten nothing since
+breakfast.
+
+His friend stopped and pointed to Daniel and himself. The old woman
+nodded. With a sharp stick, she lifted a piece of meat from the pot.
+
+The Indian boy took a broad leaf from a near-by bush. The woman dropped
+the hot meat on it.
+
+Now Daniel knew what to do. He, too, found a leaf. The woman gave him
+some meat. Soon the hungry boys had finished their lunch.
+
+That afternoon they swam in the clear, broad river. Then they lay on
+the bank in the sunshine. Daniel had never been so happy. However, he
+knew he must soon go home. His mother would worry if he did not return
+before dark.
+
+"I must go now. I must drive the cows home," he told his Indian friend.
+
+The boy frowned. "Women's work," he told Daniel.
+
+Daniel laughed. "It may be for the Indians, but it's not at the Boones'
+house. I think I'd like being an Indian. An Indian boy has more fun
+than a white boy."
+
+"There is much for an Indian to learn," the other told him. "We must
+learn to hunt, track animals, fish, and find our way in the
+wilderness."
+
+"Those things are not work. They are fun," Daniel told him. "I wish I
+were an Indian. I believe I'd make a better Indian than a white boy."
+
+When Daniel reached home at last, his mother scolded him.
+
+"You should not have gone off with that Indian boy. You can't trust the
+Indians," she told her son.
+
+"He was a good boy. I liked him," Daniel said.
+
+His mother shook her head. "Indians are not like us. We think
+differently from them."
+
+Daniel said nothing. But he thought his mother was mistaken.
+
+"_I believe I can think like an Indian_," he said to himself. "_Except
+for color, I'm more like an Indian than a white boy._"
+
+
+
+
+Moving On
+
+
+Several years went by. Then Father Boone called the family together.
+"Pack your things," he told them. "We are leaving here. Boones never
+stay long in one place. Besides, our farm land is worn out. We can buy
+rich land cheap to the southwest of here. We will settle there."
+
+Sixteen-year-old Daniel was happy. "I'm glad we are going," he said. "I
+feel crowded here. There are too many houses and too many people. And
+the game is getting scarce."
+
+Father Boone made ready for the journey. He got out the big wagon and
+hitched two horses to it. Mother Boone packed clothes, quilts, dishes,
+pots, pans, and kettles. She would fix food for the family along the
+way. Daniel tied a cow behind the wagon.
+
+The family said good-by to the neighbors and to their old home, and
+started. Mother, the girls, and the little children rode in the wagon.
+Father and the boys took turns riding the horses. Sometimes all of the
+Boones walked so that the horses could rest. Father and the boys had
+guns to kill birds and small animals for food along the way.
+
+The Boones traveled across Pennsylvania. On and on they went toward the
+new country. Daniel caught many rabbits, which his mother stewed. Once
+he shot a small black bear. Another time he killed a deer. This gave
+the Boones food for several days.
+
+At last the family came to the rolling, green Yadkin Valley in North
+Carolina. There were a few houses there already, but it was much wilder
+than in Pennsylvania.
+
+Father Boone said, "This is good farming land. We will stop here."
+
+Daniel looked all about him. There was level land close by. There were
+woods not far away. And there were mountains in the west. Daniel knew
+the hunting would be good.
+
+"I like this place," he said. "There's plenty of room here."
+
+Father Boone and the boys jumped off the horses. Mother Boone and the
+girls climbed down from the wagon. They fed the horses and the cow.
+They made a campfire. Father and the boys cut down trees and started to
+build a log house. Soon the Boones had a new home in the new land.
+
+The years went by. Daniel grew taller. His shoulders became wider. He
+was fair-haired and blue-eyed, lean and rugged. He hunted in the woods
+of the Yadkin Valley. He often brought home deer and bear. The Boones'
+neighbors said that Daniel was the best shot for miles around. Daniel
+Boone had grown up.
+
+
+
+
+A Knock at the Door
+
+
+When Daniel Boone was a young man, there was war between England and
+France. England sent troops to fight against the French in America. The
+French claimed the land west of the mountains. The English claimed the
+same land. The Indians sided with the French.
+
+Daniel Boone drove a supply wagon for the English and the Americans. He
+made friends with another young wagoner named John Finley. Finley had
+been to the land southwest of the mountains. Each night he and Boone
+sat by the campfire and talked.
+
+"I've been deep in the wilderness they call Kentucky," Finley told
+Boone. "It is a wonderful place. The forests go on and on and on. There
+are thousands of buffalo in Kentucky. There are deer, bear and small
+animals, too. It is a great land for hunters."
+
+"I want to go there," Daniel said.
+
+"There are Indians in the wilderness," Finley told Daniel. "They live
+to the north of Kentucky and to the south of Kentucky. They call the
+land their hunting ground. They do not like the white men to go there."
+
+"There should be room enough for both Indians and white men," Daniel
+Boone replied. He thought for a while. "Some day I am going to
+Kentucky."
+
+When Daniel went back home to the Yadkin Valley, he married a tall,
+dark-haired girl named Rebecca Bryan. Sometimes he liked to tease her.
+One summer day before they married he was sitting beside her under a
+big tree. Suddenly he took his broad-bladed knife and cut a long slit
+in her fresh white apron.
+
+"Why did you do that, Daniel?" she asked mildly.
+
+His blue eyes twinkled. "I guess I wanted to see if you had a temper,"
+he said.
+
+Because she wasn't angry, Daniel felt that she would make him a good
+wife. Life in the wilderness was often difficult and dangerous. He
+wanted a wife who did not become upset easily.
+
+They were married, and soon the first of their many children arrived.
+Daniel loved his children. As soon as his son James was old enough, he
+taught him to hunt.
+
+In the spring and summer Daniel would farm. In the autumn he hunted,
+and in the winter he trapped. He made long trips in the forest and
+brought home food for his family and valuable furs and deerskins. Many
+of these he sold. He enjoyed exploring as much as he enjoyed hunting.
+Once he even went as far south as Florida with the idea of settling
+there. But he was disappointed in the land. He longed to explore
+Kentucky, but did not want to go alone.
+
+One day the Boone family heard a knock at the door. It was Boone's old
+friend, John Finley.
+
+"Let's go to Kentucky, Daniel!" he said.
+
+"Let's!" Daniel agreed. "I think about it all the time. You know how
+much I love the wilderness. That's the one place I really feel at
+home."
+
+
+
+
+On to Kentucky
+
+
+Early in 1769, Daniel Boone, John Finley, and four other strong men
+started for Kentucky. One of the men was Daniel's brother-in-law. They
+took their guns. They carried animal traps, too. They planned to bring
+back skins and furs to sell.
+
+The hunters rode their horses across the mountains. Soon they came to
+Cumberland Gap, a narrow mountain valley which led into Kentucky. The
+Indians used the Gap also, but the white men did not see any of them at
+this time. It was weeks before they saw a single Indian.
+
+But they did see rich green meadows, which stretched ahead for miles.
+Silver rivers wound like ribbons through them. In some places there
+were low rolling hills and in others great towering mountains. The
+woods were thick and still. The sunlight made dancing patterns on the
+pine needles. Kentucky was as beautiful as John Finley had said.
+
+Everywhere they went the men found lots of game. There were deer and
+buffalo. There were fur-bearing animals, such as mink and otter and
+beaver. There were many different kinds of birds.
+
+When the men went hunting, they separated into pairs. One winter day
+Boone and his brother-in-law were captured by Indians. The Indians did
+not harm them, but they took all the white men's deerskins.
+
+"Get out of Kentucky and stay out!" the Indians told them.
+
+Daniel Boone did not scare easily. He and his brother-in-law did not
+want to leave Kentucky.
+
+But the other four were afraid. They returned to the settlements. Boone
+never saw Finley again. But Boone was soon joined by his brother,
+Squire, and a friend named Alexander Neeley. Squire had promised to
+harvest the crops back home and then join them in the late autumn with
+fresh horses, traps, and gunpowder. Skilled woodsmen that they were,
+the brothers somehow found each other in the wilderness.
+
+While they were hunting, the men separated again. They met every two
+weeks. One week Boone's brother-in-law did not return to camp. He never
+did come back. Five years later a skeleton with a powder horn beside it
+was found in a hollow tree. Perhaps he was wounded by an Indian. No one
+really knows what happened to him.
+
+Neeley was scared. He decided to go home alone. But Daniel and Squire
+stayed on all winter and spring. They hunted and trapped until they had
+a lot of skins. Then Squire went home to sell the skins and buy more
+gunpowder and traps.
+
+Daniel stayed on in the wilderness. He did not mind being alone. He was
+never afraid. With his trusty rifle, Tick-Licker, over his shoulder, he
+explored much of Kentucky. He was happy because the wilderness was wide
+and he felt free. After a few months, Squire came back. Again the
+brothers hunted together.
+
+At last Daniel said to Squire, "I'll go home with you this time. We
+have all the skins we can carry."
+
+"When we sell them, we'll have plenty of money to take to our
+families," Squire said happily.
+
+It did not happen that way. Indians attacked the brothers when they
+were nearly home and took the skins. The Boones were still poor men.
+
+But Daniel was happy. He was glad that he had roamed the wilderness for
+nearly two years. He was sorry he had lost the skins, but he was happy
+that he had seen Kentucky.
+
+
+
+
+Attacked by Indians
+
+
+Two years later Daniel Boone decided that he had been away from
+Kentucky long enough. "Pack up, Rebecca," he said to his wife. "Pack
+up, children. We Boones can't stay in one spot forever. We're going to
+move to Kentucky. It's wild and beautiful there. There'll be plenty of
+land for you young ones when you want homes of your own."
+
+So the Boones packed up. Six other families joined them. People always
+seemed ready to join Daniel in his search for adventure. The household
+goods and the farm tools were piled on pack horses. A few of the people
+rode horseback. But most of them walked. They drove their pigs and
+cattle before them. The rough trails made travel slow, but the families
+did not seem to mind.
+
+Just before they reached Cumberland Gap, Daniel Boone sent his
+sixteen-year-old son, James, on an errand.
+
+"Turn back to Captain Russell's cabin and ask him for the farm tools he
+and I were talking about," he told the boy. "You can catch up with us
+tomorrow."
+
+James reached Captain Russell's safely. He camped that night with
+several men who planned to join Boone. In the darkness some Indians
+crept up and killed them all.
+
+When the families with Boone heard the news, they no longer wanted to
+go to Kentucky. They turned and went back over the mountains. The Boone
+family was sad because of James' death. But Daniel would not give up
+his dream of living in Kentucky. It would just have to wait a little.
+He took his wife and children to a spot where they would be safe. But
+they did not go all the way back to the Yadkin Valley.
+
+Daniel learned that all through the Kentucky Wilderness the Indians
+were fighting the white men.
+
+Too many white men were coming west. Indians wanted to keep their
+hunting grounds for themselves. Daniel Boone and another man went into
+Kentucky to warn the surveyors who were measuring land there. Nearly
+all of them escaped safely. For a time, the Indians stopped fighting
+and Kentucky was peaceful again.
+
+
+
+
+The Wilderness Road
+
+
+Now a rich man named Richard Henderson had a big idea. He would try to
+buy Kentucky from the Indians for himself and start another colony. His
+own company would sell land to settlers. Henderson was Daniel's friend.
+Boone had talked to the Indians about the idea and thought they would
+sell the land. Many Indian tribes hunted in Kentucky, but the Cherokees
+were the most important. They had conquered the other tribes and ruled
+the land. Henderson sent Boone to ask the Cherokees to meet him at
+Sycamore Shoals in what is now Tennessee.
+
+Twelve hundred Indian men, women, and children came to the meeting
+place. Henderson had all his trading goods spread out. There were yards
+and yards of red cloth. There were hundreds of bright new guns. There
+were beads and pins and little mirrors for the women. Henderson's
+company had paid a great deal of money for the trading goods.
+
+The Indians were like children about the business of trading land for
+goods. They loved the bright-colored trinkets. But they knew nothing
+about the value of land.
+
+Although they had their own lawyer, they traded Kentucky to Henderson
+for a tiny part of what it was worth. The Cherokees warned the white
+men of savage Indians who came hunting from the west and the north.
+They told Henderson he might have trouble settling the land.
+
+Boone did not go with Henderson to Sycamore Shoals. He waited near
+Cumberland Gap with thirty men. When Henderson sent word that he had
+bought Kentucky, Boone spoke one word to his men.
+
+"Start!" he said.
+
+The men began to make the famous Wilderness Road that was to lead to
+Kentucky. Later it would be traveled by settlers with their horses,
+wagons, and cattle. Just now Boone's men chose the shortest and easiest
+way over the mountains and through the woods. They followed Indian
+trails and buffalo paths. They swung their axes. They cut down trees.
+They crossed streams. Daniel Boone worked as hard as anyone. And all
+the time he kept a sharp lookout for unfriendly Indians.
+
+The men did not stop until they reached the banks of the Kentucky
+River. Here they began to build a fort. Boone knew that the Shawnees
+and other Indian tribes would not admit that Henderson had bought
+Kentucky.
+
+When Henderson came to the settlement, he said, "We will call this
+place Boonesborough. It is right to name it for the man who led us
+here."
+
+Boone went back to get his family. Some of his children had grown up
+and married before the Boones set out for Kentucky the first time.
+Thirteen-year-old Jemima was his last unmarried daughter. She and her
+mother were the first white women to stand on the bank of the Kentucky
+River.
+
+
+
+
+The Rescue
+
+
+One Sunday afternoon, Jemima and two other girls went for a canoe ride
+on the Kentucky River at Boonesborough. They knew they should not go
+out of sight of the fort, but they went anyway. They paddled down the
+river and around the bend. The current drew them in to the opposite
+bank.
+
+"Let's land and pick some of those bright-colored flowers," one of the
+girls suggested.
+
+Jemima shook her head. "I'm afraid of the Indians," she said. "Those
+Shawnees are mean."
+
+By now the canoe had drifted near the shore. The girl at the bow shoved
+with her paddle. The boat would not move. It was stuck fast in the mud.
+
+All at once five Indians leaped from the underbrush. They grabbed the
+screaming girls and carried them into the forest. They planned to take
+them north to the Indian towns and keep them there as slaves.
+
+Back at the fort no one missed the girls until after dark. Then someone
+saw that the canoe was gone. When Daniel Boone heard this, he picked up
+his gun and rushed toward the river. He did not stop to put on his
+shoes.
+
+He felt sure that Indians had taken Jemima and her friends away.
+
+Three young men who loved the girls very much went with Boone. The men
+took another canoe and began to paddle down the river. They could not
+go far in the dark. Before long, they had to stop and wait for morning.
+
+When the sun came up, Boone found the girls' trail. He thought the
+Indians were taking them toward the Ohio River. He knew he must catch
+them before they crossed it and went to the Indian towns in the north.
+
+The white men left their canoe. They traveled all day through the deep
+woods. Then they made camp and waited for the long night to end. At
+daylight they started out again.
+
+Boone took short cuts through the woods, but he always found the trail.
+His sharp eyes saw what the girls had left for him to see. One had dug
+her heels into the soft mud. Another had left bits of her dress here
+and there.
+
+Boone led the young men straight through the heart of the forest to
+Jemima and her friends. About noon the men caught sight of the girls.
+The Indians had stopped with them for their noon meal. The white men
+crept up. Bang! Bang! Bang! went their guns.
+
+"It's Father!" Jemima cried.
+
+"Fall flat on your faces, girls!" Daniel Boone shouted.
+
+The white men ran toward the Indians. They shot their guns as they ran.
+
+The Indians were taken by surprise. One Indian threw his tomahawk. It
+almost hit the girls. Two Indians were shot. The others ran away.
+
+The men took the three girls back to Boonesborough. Later the three
+girls married the three young men.
+
+
+
+
+The Fort Is Saved
+
+
+Boone became known far and wide as the greatest man in the Kentucky
+Wilderness. One winter, about a year after he had saved the girls from
+the Indians, he went with some other men to a place where there were
+salt springs. These were called salt licks because the wild animals
+liked to lick the salt. The men planned to camp there several weeks.
+They would boil the water in big kettles until there was only salt
+left. Then they would take the salt back to the people at
+Boonesborough.
+
+One day Boone went out hunting alone. Suddenly he was surprised by
+Indians. They were a war party led by Chief Blackfish. They were on
+their way to Boonesborough. These Shawnee Indians came from north of
+Kentucky. They felt that Henderson had no right to claim their hunting
+grounds. Certainly _they_ had not sold Kentucky to him. They might not
+have been so warlike if the American Revolution had not started. The
+British were making friends with the Indians everywhere and helping
+them fight the settlers.
+
+Boone knew how the Shawnees felt about having to share their hunting
+ground with the white men. But he knew also that he must find a way to
+save the fort.
+
+"Don't go to Boonesborough now," he told the Indians. "You don't have a
+big enough war party. Boonesborough is far too strong for you to
+capture."
+
+This was not true at all. There were not many men at the fort. But
+Daniel hoped to stall off the Shawnees until Boonesborough had time to
+send for help.
+
+"Wait until spring," he went on. "Then you won't have to fight. The
+people will come willingly. I will bring them north to you. Right now
+it is too cold for the women and the children to travel. But in the
+spring they will come with you."
+
+Chief Blackfish was delighted to find that Boone was so friendly. He
+had admired Boone for a long time. He did not know that Boone was
+trying hard to fool him.
+
+"What about your men?" Chief Blackfish asked.
+
+Boone thought quickly. He knew the Indians had seen the men at the salt
+licks.
+
+"I will lead you to my men," he told Chief Blackfish, "if you will
+promise not to kill them."
+
+Chief Blackfish promised. Boone took the Indians to his men.
+
+"We are in great danger," he whispered to them. "We must go north with
+the Indians, or they will kill us. The fort is in danger too. But
+perhaps we can escape and warn our families."
+
+At the end of the long journey the Indians and their prisoners reached
+the Shawnee towns in the north. There, Chief Blackfish told Boone that
+he wanted him for a son. He made Boone go through a long adoption
+ceremony and gave him the name of Big Turtle.
+
+Boone liked Chief Blackfish, but he did not really want to be a
+Shawnee. He pretended to be pleased about becoming the Chief's son, but
+he only pretended.
+
+One day the Indians went hunting. While they were gone, Boone ran away
+and started for Boonesborough.
+
+The Indians followed him, but he was too clever for them. They lost his
+trail. In four days he traveled one hundred and sixty miles.
+
+Finally he reached Boonesborough.
+
+"The Indians are on the way! Get ready to fight!" he told the people.
+
+Soon Chief Blackfish came with over four hundred Shawnees. He called
+Boone to come outside the fort. Daniel Boone went out bravely.
+
+"Why did you run away?" Chief Blackfish asked Boone.
+
+"I wanted to see my wife and my children," Boone answered.
+
+"You have seen them," the Chief replied. "Now come back with me. You
+and all your people."
+
+"Give me a little time to think it over," Boone said.
+
+He hoped that help would come from other forts. He waited and waited,
+but no help came.
+
+"We shall defend the fort as long as a man is living," Boone told the
+people.
+
+The fight began. The Indians fired at the fort. The white men fired
+back. Everyone worked hard. The women and the children loaded guns and
+carried food to the men. The white men were outnumbered, but the
+Indians did not know this.
+
+The men did not stop fighting for eight days and eight nights. By then
+everyone was very tired. The Indians had shot flaming torches, and the
+roofs of the cabins were on fire. Not a drop of water was left in the
+fort.
+
+"Look! Look!" someone shouted.
+
+The sky had been dark all day. Now it was starting to rain. It rained
+and it poured. The rain came down and put out the fires. It filled the
+tubs and pails with water to drink. Everyone felt hopeful again.
+
+When morning came, no Indians were in sight. Every single one of them
+was gone. They had disappeared into the forest. The fort was saved.
+
+
+
+
+Daniel Boone's Reward
+
+
+The Indian raids kept on all over Kentucky. When the American
+Revolution ended, the British stopped helping the Indians fight the
+settlers. Some tribes kept on fighting on their own, but finally the
+settlers defeated the Indians and forced them to sign a treaty. Things
+slowly became more peaceful.
+
+More and more settlers came west. They came over the Wilderness Road
+that Boone and his men had made. They came down the Ohio River in big
+flatboats. These settlers killed game in the forest. They cleared land,
+grew crops, built houses, and started towns.
+
+Daniel Boone was fifty years old now. One day he discovered that he did
+not own any of the land he had thought was his.
+
+"This does not seem right," he said. "I was one of the first to come to
+Kentucky. My life was hard. I risked it for the people many times."
+
+It was not right, but it was true. Boone had been too busy hunting and
+trapping to put his claims on paper.
+
+Boone lost almost all his land. He tried to farm, but he was not a good
+farmer. He tried to keep a store, but his heart was not in it. His good
+wife, Rebecca, often took his place in the store, while Daniel worked
+as a guide showing new settlers the way down the Ohio River. And he
+held some jobs with the new government.
+
+One day hunters told Daniel Boone about land farther west near the
+great Mississippi River. "It's wild and free," they said. "There are
+bear and deer. There are herds of buffalo. It's the kind of land
+Kentucky used to be."
+
+"That's the place for me," Boone said. "It's too crowded here. The
+other day I looked out of the window and saw the smoke of another man's
+cabin. I'll go west. I want elbow room."
+
+And besides elbow room, he wanted land. He had always dreamed about
+owning a lot of land.
+
+He was disappointed about losing his claims in Kentucky.
+
+So Boone and his family went west. The land where they settled belonged
+to Spain. Later it was traded to the French and then bought by America.
+It is the land we now call Missouri.
+
+The Spaniards were proud to have Daniel Boone live among them. They
+gave him all the land he wanted. He hunted and trapped in the new
+country as he had in the old. He sold the furs and skins for a good
+price.
+
+Then Boone made a trip back to Kentucky. He called together all the
+people he had once known.
+
+"I owed money to you when I left here," he said. "I want to pay my
+debts."
+
+When he returned to his family in Missouri, Boone was a poor man again.
+But he had a smile on his face.
+
+"I am a free man," he said. "I owe nothing to any man. That makes it
+worth being poor again."
+
+The United States Congress voted to give Boone one thousand acres of
+land. It was a reward for all he had done in exploring and settling the
+West. He hunted and fished until he was very old. He never stopped
+exploring. He was still looking for adventure and elbow room!
+
+But Daniel Boone, traveler, hunter, woodsman, and fighter, will be
+remembered longest as the man who opened the way to Kentucky.
+
+
+                     *      *      *      *      *
+
+
+"Get out of Kentucky and stay out!" the Indians told Daniel Boone. But
+Daniel Boone did not scare easily.
+
+There was the time his daughter was kidnaped by the Indians. Boone
+tracked the kidnapers through the forest and rescued her.
+
+There was the time Boone was captured by the Shawnees. He escaped in
+time to warn the people of Boonesborough: "The Indians are coming! Get
+ready to fight!"
+
+Boone's life was full of adventure. And this book tells his story.
+
+
+SCHOLASTIC BOOK SERVICES, NEW YORK
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Daniel Boone, by Katharine E. Wilkie
+
+*** END OF THIS PROJECT GUTENBERG EBOOK DANIEL BOONE ***
+
+***** This file should be named 24730-8.txt or 24730-8.zip *****
+This and all associated files of various formats will be found in:
+        https://www.gutenberg.org/2/4/7/3/24730/
+
+Produced by Greg Weeks and the Online Distributed
+Proofreading Team at https://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations.  To donate, please visit: https://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.