summaryrefslogtreecommitdiff
path: root/24460-h
diff options
context:
space:
mode:
Diffstat (limited to '24460-h')
-rw-r--r--24460-h/24460-h.htm2644
-rw-r--r--24460-h/images/image_01.jpgbin0 -> 55787 bytes
-rw-r--r--24460-h/images/image_02.jpgbin0 -> 43827 bytes
-rw-r--r--24460-h/images/image_03.jpgbin0 -> 43322 bytes
-rw-r--r--24460-h/images/image_04.jpgbin0 -> 45847 bytes
-rw-r--r--24460-h/images/image_05.jpgbin0 -> 47730 bytes
-rw-r--r--24460-h/images/image_06.jpgbin0 -> 33635 bytes
-rw-r--r--24460-h/images/image_07.jpgbin0 -> 51115 bytes
-rw-r--r--24460-h/images/image_08.jpgbin0 -> 36665 bytes
-rw-r--r--24460-h/images/image_09.jpgbin0 -> 20735 bytes
-rw-r--r--24460-h/images/image_a.jpgbin0 -> 1749 bytes
-rw-r--r--24460-h/images/image_i.jpgbin0 -> 1161 bytes
-rw-r--r--24460-h/images/image_k.jpgbin0 -> 5514 bytes
-rw-r--r--24460-h/images/image_n.jpgbin0 -> 2462 bytes
-rw-r--r--24460-h/images/image_s.jpgbin0 -> 1848 bytes
-rw-r--r--24460-h/images/image_t.jpgbin0 -> 1445 bytes
-rw-r--r--24460-h/images/image_w.jpgbin0 -> 2243 bytes
17 files changed, 2644 insertions, 0 deletions
diff --git a/24460-h/24460-h.htm b/24460-h/24460-h.htm
new file mode 100644
index 0000000..93a8317
--- /dev/null
+++ b/24460-h/24460-h.htm
@@ -0,0 +1,2644 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml">
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" />
+<title>The Project Gutenberg eBook of Kari the Elephant, by Dhan Gopal Mukerji</title>
+ <style type="text/css">
+/*<![CDATA[ XML blockout */
+<!--
+ p { margin-top: .75em;
+ text-align: justify;
+ margin-bottom: .75em;
+ }
+ h1,h2,h3,h4,h5,h6 {
+ text-align: center; /* all headings centered */
+ clear: both;
+ }
+ hr { width: 33%;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ margin-left: auto;
+ margin-right: auto;
+ clear: both;
+ }
+ a[name] { position: static; }
+ a:link {color:#0000ff; text-decoration:none; }
+ a:visited {color:#0000ff; text-decoration:none; }
+ a:hover { color:#ff0000; }
+
+ table { width:80%; padding: 1em; margin-left: auto; margin-right: auto;}
+
+ .tocch { text-align: right; vertical-align: top;}
+ .tocpg {text-align: right; vertical-align: bottom;}
+
+
+ body{margin-left: 10%;
+ margin-right: 10%; background-color:#FFFFFF;
+ }
+
+ .pagenum { /* uncomment the next line for invisible page numbers */
+ /* visibility: hidden; */
+ position: absolute;
+ left: 92%;
+ font-size: smaller;
+ text-align: right;
+ font-style:normal;
+ } /* page numbers */
+
+ .center {text-align: center;}
+ .smcap {font-variant: small-caps;}
+.f1 { font-size:smaller; }
+
+ .caption {font-weight: bold;
+ font-size: smaller;
+ }
+
+ .figcenter {margin: auto; text-align: center;}
+
+ .figleft {float: left; clear: left; margin-left: 0; margin-bottom: 0em; margin-top:
+ 0.25em; margin-right: 0.25em; padding: 0; text-align: center;}
+
+ .poem {margin-left:10%; margin-right:10%; text-align: left;}
+ .poem br {display: none;}
+ .poem .stanza {margin: 1em 0em 1em 0em;}
+ .poem span.i0 {display: block; margin-left: 0em; padding-left: 3em; text-indent: -3em;}
+ .poem span.i2 {display: block; margin-left: 2em; padding-left: 3em; text-indent: -3em;}
+ .poem span.i4 {display: block; margin-left: 4em; padding-left: 3em; text-indent: -3em;}
+
+ hr.full { width: 100%;
+ margin-top: 3em;
+ margin-bottom: 0em;
+ margin-left: auto;
+ margin-right: auto;
+ height: 4px;
+ border-width: 4px 0 0 0; /* remove all borders except the top one */
+ border-style: solid;
+ border-color: #000000;
+ clear: both; }
+ pre {font-size: 85%;}
+ // -->
+ /* XML end ]]>*/
+ </style>
+</head>
+<body>
+<h1>The Project Gutenberg eBook, Kari the Elephant, by Dhan Gopal Mukerji,
+Illustrated by J. E. Allen</h1>
+<pre>
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at <a href = "http://www.gutenberg.org">www.gutenberg.org</a></pre>
+<p>Title: Kari the Elephant</p>
+<p>Author: Dhan Gopal Mukerji</p>
+<p>Release Date: January 30, 2008 [eBook #24460]</p>
+<p>Language: English</p>
+<p>Character set encoding: ISO-8859-1</p>
+<p>***START OF THE PROJECT GUTENBERG EBOOK KARI THE ELEPHANT***</p>
+<p>&nbsp;</p>
+<h3>E-text prepared by Sankar Viswanathan, Chris Curnow, Joseph Cooper,<br />
+ and the Project Gutenberg Online Distributed Proofreading Team<br />
+ (http://www.pgdp.net)</h3>
+<p>&nbsp;</p>
+<hr class="full" />
+<p>&nbsp;</p>
+
+<div class="figcenter" style="width: 500px;"><a name="Pic_1" id="Pic_1"></a>
+<img src="images/image_01.jpg" width="500" height="735" alt="KARI AND KOPEE AND I" />
+<span class="caption">KARI AND KOPEE AND I</span>
+</div>
+
+<p>&nbsp;</p>
+
+<h1>
+KARI<br />
+THE ELEPHANT</h1>
+<p>&nbsp;</p>
+<p>&nbsp;</p>
+<h3>BY</h3>
+<h2>DHAN GOPAL MUKERJI</h2>
+<p>&nbsp;</p>
+<h3>Illustrated by</h3>
+<h2>J. E. ALLEN</h2>
+<p>&nbsp;</p>
+<div class="figcenter" style="width: 150px;">
+<img src="images/image_09.jpg" width="150" height="211" alt="Seal" />
+</div>
+<p>&nbsp;</p>
+<p>&nbsp;</p>
+<h4>New York</h4>
+<h3>E. P. DUTTON &amp; CO., Inc.</h3>
+
+
+
+
+<hr style="width: 65%;" />
+<h5>Copyright, 1922,</h5>
+
+<h4>By E. P. DUTTON &amp; COMPANY</h4>
+
+
+<hr style="width: 65%;" />
+
+
+<h3>DEDICATED TO</h3>
+<h3>MY ELDEST BORN</h3>
+
+<h2>Nahra Gopal</h2>
+
+
+<hr style="width: 65%;" />
+<h2>CONTENTS</h2>
+
+<table summary="Contents">
+<tr><td class="tocch f1">CHAPTER</td>
+ <td>&nbsp;</td>
+ <td>&nbsp;</td>
+ <td class="tocpg f1">PAGE</td></tr>
+<tr><td class="tocch">I.</td>
+ <td>&nbsp;</td>
+ <td><span class="smcap"><a href="#CHAPTER_I">Bringing Up Kari</a></span></td>
+<td class="tocpg"><a href="#Page_3">3</a></td></tr>
+<tr><td class="tocch">II.</td>
+ <td>&nbsp;</td>
+ <td><span class="smcap"><a href="#CHAPTER_II">How Kari Saved Our Lives in the
+Jungle</a></span></td>
+<td class="tocpg"><a href="#Page_19">19</a></td></tr>
+<tr><td class="tocch">III.</td>
+ <td>&nbsp;</td>
+ <td><span class="smcap"><a href="#CHAPTER_III">Kari Goes to Town</a></span></td>
+<td class="tocpg"><a href="#Page_29">29</a></td></tr>
+<tr><td class="tocch">IV.</td>
+ <td>&nbsp;</td>
+ <td><span class="smcap"><a href="#CHAPTER_IV">Kari's Adventure in Benares</a></span></td>
+<td class="tocpg"><a href="#Page_47">47</a></td></tr>
+<tr><td class="tocch">V.</td>
+ <td>&nbsp;</td>
+ <td><span class="smcap"><a href="#CHAPTER_V">The Jungle Spirit</a></span></td>
+<td class="tocpg"><a href="#Page_63">63</a></td></tr>
+<tr><td class="tocch">VI.</td>
+ <td>&nbsp;</td>
+ <td><span class="smcap"><a href="#CHAPTER_VI">Kari's Story</a></span></td>
+<td class="tocpg"><a href="#Page_75">75</a></td></tr>
+<tr><td class="tocch">VII.</td>
+ <td>&nbsp;</td>
+ <td><span class="smcap"><a href="#CHAPTER_VII">The Tiger Hunt</a></span></td>
+<td class="tocpg"><a href="#Page_91">91</a></td></tr>
+<tr><td class="tocch">VIII.</td>
+ <td>&nbsp;</td>
+ <td><span class="smcap"><a href="#CHAPTER_VIII">Kari and the Quick-sand</a></span></td>
+<td class="tocpg"><a href="#Page_107">107</a></td></tr>
+<tr><td class="tocch">IX.</td>
+ <td>&nbsp;</td>
+ <td><span class="smcap"><a href="#CHAPTER_IX">Kari's Travels</a></span></td>
+<td class="tocpg"><a href="#Page_117">117</a></td></tr>
+<tr><td class="tocch">X.</td>
+ <td>&nbsp;</td>
+ <td><span class="smcap"><a href="#CHAPTER_X">Kari in the Lumber Yard</a></span></td>
+<td class="tocpg"><a href="#Page_129">129</a></td></tr>
+</table>
+
+<hr style="width: 65%;" />
+<h2>ILLUSTRATIONS</h2>
+
+<table summary="Illustrations">
+<tr><td><span class="smcap"><a href="#Pic_1">Kari and Kopee and I</a></span></td><td class="tocpg"><i><a href="#Pic_1">Frontispiece</a></i></td>
+</tr>
+<tr><td></td><td class="tocpg f1"><span class="smcap">FACING PAGE</span></td>
+</tr>
+<tr><td><span class="smcap"><a href="#Pic_2">Kari Punishes Sudu</a></span></td><td class="tocpg"><a href="#Page_13">13</a></td>
+</tr>
+<tr><td><span class="smcap"><a href="#Pic_3">One Day I Took Them to the Bazaar</a></span></td><td class="tocpg"><a href="#Page_37">37</a></td>
+</tr>
+<tr><td><span class="smcap"><a href="#Pic_4">That Very Instant the Up-Raised Foot of
+the Elephant was On His Head</a></span></td><td class="tocpg"><a href="#Page_68">68</a></td>
+</tr>
+<tr><td><span class="smcap"><a href="#Pic_5">The Tiger Had Found His Kill</a></span></td><td class="tocpg"><a href="#Page_86">86</a></td>
+</tr>
+<tr><td><span class="smcap"><a href="#Pic_6">If You Took a Flute and Played Certain
+Tunes On It, All the Snakes Would
+Come Out of Their Holes and Dance
+to the Music</a></span></td><td class="tocpg"><a href="#Page_92">92</a></td>
+</tr>
+<tr><td><span class="smcap"><a href="#Pic_7">Without Any Warning the Magistrate Fired</a></span></td><td class="tocpg"><a href="#Page_102">102</a></td>
+</tr>
+<tr><td><span class="smcap"><a href="#Pic_8">In His Madness He Must Have Gone Back
+to the Jungle</a></span></td><td class="tocpg"><a href="#Page_134">134</a></td>
+</tr>
+</table>
+
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="KARI_THE_ELEPHANT" id="KARI_THE_ELEPHANT"></a>KARI THE ELEPHANT</h2>
+
+
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_3" id="Page_3">[3]</a></span></p>
+<h2><a name="CHAPTER_I" id="CHAPTER_I"></a>CHAPTER I</h2>
+
+<h2>BRINGING UP KARI</h2>
+
+<div class="figleft"><img src="images/image_k.jpg" alt="K" width="50" height="52" /></div>
+<p>ari, the elephant, was five months old when he was given to me
+to take care of. I was nine years old and I could reach his back
+if I stood on tiptoe. He seemed to remain that high for nearly
+two years. Perhaps we grew together; that is probably why I never
+found out just how tall he was. He lived in a pavilion, under a
+thatched roof which rested on thick tree stumps so that it could
+not fall in when Kari bumped against the poles as he moved about.</p>
+
+<p>One of the first things Kari did was to save the life of a boy.
+Kari did not eat much but he nevertheless needed forty pounds of
+twigs a day to chew and play with. Every day I<span class='pagenum'><a name="Page_4" id="Page_4">[4]</a></span> used to take him
+to the river in the morning for his bath. He would lie down on
+the sand bank while I rubbed him with the clean sand of the river
+for an hour. After that he would lie in the water for a long
+time. On coming out his skin would be shining like ebony, and he
+would squeal with pleasure as I rubbed water down his back. Then
+I would take him by the ear, because that is the easiest way to
+lead an elephant, and leave him on the edge of the jungle while I
+went into the forest to get some luscious twigs for his dinner.
+One has to have a very sharp hatchet to cut down these twigs; it
+takes half an hour to sharpen the hatchet because if a twig is
+mutilated an elephant will not touch it.</p>
+
+<p>When one goes into the jungle, one must remember that there are
+laws one cannot break. Do you know that anyone who is afraid or
+who hates one of the animals of the jungle gives out an odor
+which attracts tigers and wolves? Every day that I was afraid to
+go into the jungle, I did not dare to stay on the<span class='pagenum'><a name="Page_5" id="Page_5">[5]</a></span> ground for
+fear lest the tigers would smell my presence and attack me. I
+climbed a tree instead, because when one is in a tree the odor of
+one's body does not go into the forest, and the animals cannot
+tell whether one is afraid or not.</p>
+
+<p>It was not an easy job, as you see, to get twigs and saplings for
+Kari. I had to climb all kinds of trees to get the most delicate
+and tender twigs. As he was very fond of the young branches of
+the banyan tree which grows like a cathedral of leaves and
+branches, I was gathering some, one spring day in March, when I
+suddenly heard Kari calling to me in the distance. As he was
+still very young, the call was more like that of a baby than an
+elephant. I thought somebody was hurting him, so I came down from
+my tree and ran very fast to the edge of the forest where I had
+left him, but he was not there.</p>
+
+<p>I looked all over, but I could not find him. I went near the edge
+of the water, and I saw a black something struggling above its
+surface. Then it rose higher and it was the trunk of my<span class='pagenum'><a name="Page_6" id="Page_6">[6]</a></span>
+elephant. I thought he was drowning. I was helpless because I
+could not jump into the water and save his four hundred pounds
+since he was much higher than I. But I saw his back rise above
+the water and the moment he caught my eye, he began to trumpet
+and struggle up to the shore. Then, still trumpeting, he pushed
+me into the water and as I fell into the stream I saw a boy lying
+flat on the bottom of the river. He had not altogether touched
+bottom but was somewhat afloat. I came to the surface of the
+water to take my breath and there Kari was standing, his feet
+planted into the sand bank and his trunk stretched out like a
+hand waiting for mine. I dove down again and pulled the body of
+the drowning boy to the surface, but not being a good swimmer, I
+could not swim ashore and the slow current was already dragging
+me down. I clutched at reeds on the shore but they broke and the
+weight of the boy was tiring out one hand while the other was
+already weak from excessive swimming and clutching at the<span class='pagenum'><a name="Page_7" id="Page_7">[7]</a></span> reeds.
+Seeing us drift by in the current, Kari who was usually so slow
+and ponderous, suddenly darted down like a hawk and came halfway
+into the water where I saw him stretch out his trunk again. I
+raised up my hand to catch it and it slipped. I found myself
+going under the water again, but this time I found that the water
+was not very deep so I sank to the bottom of the river and
+doubled my feet under me and then suddenly kicked the river bed
+and so shot upwards like an arrow, in spite of the fact that I
+was holding the drowning boy with my hand. As my body rose above
+the water, I felt a lasso around my neck. This frightened me; I
+thought some water animal was going to swallow me. I heard the
+squealing of Kari, and I knew it was his trunk about my neck. He
+pulled us both ashore.</p>
+
+<p>As the boy lay stretched on the ground I recognized the cowherd.
+He had gone to bathe in the river, had slipped too far out, and
+not knowing how to swim had almost been drowned. I put him flat
+on his face on the<span class='pagenum'><a name="Page_8" id="Page_8">[8]</a></span> sand and the elephant put his trunk about his
+waist and lifted it gently up and down, and then up again. After
+doing this three or four times, the water began to come out of
+the boy's mouth and, not knowing what else to do because his body
+was cold, I slapped him very hard all over. After that I propped
+him up against the elephant's leg. Then the boy slowly came to.</p>
+
+<p>In the meantime all his cows had wandered away in different
+directions. As I thought some had gone into the jungle, where I
+was afraid they might be eaten up by tigers, I sent Kari to bring
+them back to the river bank. But Kari got lost himself; so when
+the cowherd had recovered entirely, I went to look for his cows
+and my lost elephant. Where do you think I found him? He had gone
+right into the forest where I had left the saplings and the twigs
+and had buried his trunk into the heap and was eating the best of
+them, without any concern for the cows, the cowherd or myself.<span class='pagenum'><a name="Page_9" id="Page_9">[9]</a></span></p>
+
+<p>But I could not punish him that day because he had done his duty
+by saving the life of the boy.</p>
+
+<p>Kari was like a baby. He had to be trained to be good and if you
+did not tell him when he was naughty, he was up to more mischief
+than ever.</p>
+
+<p>For instance, one day somebody gave him some bananas to eat. Very soon
+he developed a great love for ripe bananas. We used to keep large
+plates of fruit on a table near a window in the dining-room. One day
+all the bananas on that table disappeared and my family blamed the
+servants for eating all the fruit in the house. A few days later the
+fruit disappeared again; this time the blame was put on me, and I knew
+I had not done it. It made me very angry with my parents and the
+servants, for I was sure they had taken all the fruit. The next time
+the fruit disappeared, I found a banana all smashed up in Kari's
+pavilion. This surprised me very much, for<span class='pagenum'><a name="Page_10" id="Page_10">[10]</a></span> I had never seen fruit
+there, and as you know, he had always lived on twigs.</p>
+
+<p>Next day while I was sitting in the dining-room wondering whether
+I should take some fruit from the table without my parents'
+permission, a long, black thing, very much like a snake suddenly
+came through the window and disappeared with all the bananas. I
+was very much frightened because I had never seen snakes eat
+bananas and I thought it must be a terrible snake that would
+sneak in and take fruit. I crept out of the room and with great
+fear in my heart ran out of the house, feeling sure that the
+snake would come back into the house, eat all the fruit and kill
+all of us.</p>
+
+<p>As I went out, I saw Kari's back disappearing in the direction of
+the pavilion and I was so frightened that I wanted his company to
+cheer me up. I ran after him into the pavilion and I found him
+there eating bananas. I stood still in astonishment; the bananas
+were lying strewn all around him. He stretched out his trunk and
+reached for one far away<span class='pagenum'><a name="Page_11" id="Page_11">[11]</a></span> from where he was standing. That
+instant the trunk looked like a black snake, and I realized that
+Kari was the thief. I went to him, pulled him out by the ear and
+joyously showed my parents that it was Kari and not I that had
+eaten all the fruit these many weeks. Then I scolded him, for
+elephants understand words as well as children, and I said to
+him, "Next time I see you stealing fruit, you will be whipped."
+He knew that we were all angry with him, even the servants. His
+pride was so injured that he never stole another thing from the
+dining-room. And from then on, if anybody gave him any fruit, he
+always squealed as if to thank them.</p>
+
+<p>An elephant is willing to be punished for having done wrong, but
+if you punish him without any reason, he will remember it and pay
+you back in your own coin.</p>
+
+<p>Once I had taken him to bathe in the river; this was summer
+vacation and several boys came with me to help. Kari lay on the
+bank and we rubbed him all over with sand.<span class='pagenum'><a name="Page_12" id="Page_12">[12]</a></span> Then he went into the
+water and most of us began to play. As Kari came up from the
+water, one of the boys, named Sudu, was standing on the bank. For
+no reason at all he hit the elephant three or four times with his
+whip. Kari squealed and ran away. I brought him home.</p>
+
+<p>The next summer Kari had grown so big and fat that I could not
+reach his back even when I stood on tiptoe. We used to take him
+out wherever we went, sometimes one riding on his back, sometimes
+all walking along with him. We gave him luscious twigs if he
+behaved well and sometimes delicious fruit. Once in a great while
+as a special treat we would massage his chest with straw and he
+would squeal with joy and lie on his back as best he could with
+his fat legs, staring at the sun.</p>
+
+<p>One day Sudu was standing on the river bank where I had just
+taken the elephant to give him his bath. That day Kari had been
+very good, so we prepared a straw massage for him. As it was very
+hot, however, we plunged<span class='pagenum'><a name="Page_13" id="Page_13">[13]</a></span> into the river ourselves before giving
+him his bath, leaving Sudu and the elephant on the bank. Without
+warning, Kari rushed at him like a mad bull, threw his trunk
+about Sudu's neck, flung him into the water, and held him there
+for a long, long time. When Sudu was finally pulled out of the
+water and stretched on the ground, he was nearly senseless.</p>
+
+<div class="figcenter" style="width: 600px;"><a name="Pic_2" id="Pic_2"></a>
+<img src="images/image_02.jpg" width="600" height="522" alt="KARI PUNISHES SUDU" title="" />
+<span class="caption">KARI PUNISHES SUDU</span>
+</div>
+
+<p>When Sudu asked me whether I would punish Kari for having
+disgraced him in public like that, I answered that the elephant
+was not rude. When Sudu asked me why, I said, "Don't you remember
+about a year ago you whipped him for no reason at all, almost on
+the exact spot where he has just punished you?" Sudu felt so
+ashamed of himself that he got angry with all of us and went home
+alone. But by the next day, we had made it all up and the
+elephant had forgiven him. As a proof of friendship, when we went
+to the jungle on a picnic, Kari carried Sudu on his back. Since
+that day Sudu has never hurt a living creature.<span class='pagenum'><a name="Page_14" id="Page_14">[14]</a></span></p>
+
+<p>An elephant must be taught when to sit down, when to walk, when
+to go fast, and when to go slow. You teach him these things as
+you teach a child. If you say "Dhat" and pull him by the ear, he
+will gradually learn to sit down. Similarly, if you say "Mali"
+and pull his trunk forward, he will gradually learn that that is
+the signal to walk.</p>
+
+<p>Kari learned "Mali" after three lessons, but it took him three
+weeks to learn "Dhat." He was no good at sitting down. And do you
+know why an elephant should be taught to sit down? Because he
+grows taller and taller than you who take care of him, so that
+when he is two or three years old, you can only reach his back
+with a ladder. It is, therefore, better to teach him to sit down
+by saying "Dhat" so that you can climb upon his back, for who
+would want to carry a ladder around all the time?</p>
+
+<p>The most difficult thing to teach an elephant is the master call.
+He generally takes five years to learn it properly. The master
+call is a strange hissing, howling sound, as if a snake <span class='pagenum'><a name="Page_15" id="Page_15">[15]</a></span>and a
+tiger were fighting each other, and you have to make that kind of
+noise in his ear. And do you know what you expect an elephant to
+do when you give him the master call? If you are lost in the
+jungle and there is no way out, and everything is black except
+the stars above, you dare not stay very long anywhere. The only
+thing to do then is to give the master call and at once the
+elephant pulls down the tree in front of him with his trunk. This
+frightens all the animals away. As the tree comes crashing down,
+monkeys wake from their sleep and run from branch to branch&mdash;you
+can see them in the moonlight&mdash;and you can almost see the stags
+running in all directions below. You can hear the growl of the
+tiger in the distance. Even he is frightened. Then the elephant
+pulls down the next tree and the next, and the next. Soon you
+will find that he has made a road right through the jungle
+straight to your house.</p>
+
+
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_19" id="Page_19">[19]</a></span></p>
+<h2><a name="CHAPTER_II" id="CHAPTER_II"></a>CHAPTER II</h2>
+
+<h2>HOW KARI SAVED OUR LIVES IN THE JUNGLE</h2>
+
+<div class="figleft"><img src="images/image_w.jpg" alt="W" width="65" height="50" /></div>
+<p>hen Kari grew to be five years old, he was almost as high as the
+ceiling. He was never trained for hunting. We never thought of
+killing anything except snakes and tigers, and these we killed
+when they came toward the village and injured men. So Kari never
+had the training of a hunting elephant. Just the same, he was
+very alert and steady in the face of danger, so when it was a
+question of going into the jungle on the back of an elephant, we
+generally took Kari with us. During such trips we did not put a
+cloth of gold on his back or silver bells on his sides. These
+bells are made in certain parts of India where silversmiths know
+how to<span class='pagenum'><a name="Page_20" id="Page_20">[20]</a></span> melt and mix silver so that when the clapper strikes the
+sides of the bell there will be a sound like rushing water. The
+two bells are tied by a silver chain and slung over the
+elephant's back, one dangling on each side of him. We never put a
+<i>howdah</i> on the back of Kari. Very few Hindus put <i>howdahs</i> on
+elephants.</p>
+
+<p>Do you know what a <i>howdah</i> is? It is a box with high sides
+inside of which there are chairs for travelers. The <i>howdahs</i> are
+generally for people who are not accustomed to elephants. They
+need the high sides so that when the elephant walks they will not
+fall from his back. They stay in their seats leaning on the edge
+of the box and see very little, especially children who are not
+tall enough to see over the sides. That is why Indian children
+prefer riding bareback on an elephant to taking a <i>howdah</i>.</p>
+
+<p>One evening when my brother and I went out, we put a mattress on
+Kari's back and tied it very tightly with cords so that it would
+not slip, for it is not pleasant to slip and fall under an
+elephant's belly and be stepped on. But<span class='pagenum'><a name="Page_21" id="Page_21">[21]</a></span> Kari was trained so that
+he would not have stepped on us even if we had slipped under him.
+We tightened the cords to the mattress, however, and lay down for
+the night. Though we had bells, we lifted them up and silenced
+the clappers, so that in walking through the jungle road they
+would not ring and frighten the animals, for the forest is the
+dwelling place of silence, and silence being the voice of God, no
+man dares to disturb it. We lay on the back of Kari and looked up
+at the stars. In India, the stars are so close that you can
+almost pluck them with your hands and the velvet blue of the sky
+is like a river of stillness running between banks of silver.</p>
+
+<p>As we lay there, unable to go to sleep right away, we heard
+jungle sounds. The heavy tread of the elephant was like clouds
+brushing the crests of the forest. Once in a while you could see
+a tiger come out of the jungle, cross a road and disappear in the
+distance, but Kari was so brave he never condescended to notice
+the comings and goings of tigers. Once we<span class='pagenum'><a name="Page_22" id="Page_22">[22]</a></span> heard the bark of a
+fox very near us and then he came out of the jungle. Kari stopped
+and the fox passed across the road, then we moved on again. In
+the moonlight which made the road before us look like a river of
+silver we saw squirrels leaping from branch to branch.</p>
+
+<p>You know, perhaps, that elephants can sleep as they walk.
+Presently Kari's walk slackened into a slow pace, and we felt
+quite sure that he was dozing. Then we remembered nothing, for we
+too fell asleep. I cannot tell how much time passed before we
+were startled out of our sleep by a terrible roar, a ghastly
+trumpeting of the elephant and a terrible lunge of his body. We
+had to hold on to his back very tightly to avoid being thrown
+off. In a few seconds both of us had turned over&mdash;I do not know
+how&mdash;and were lying on our faces, holding on to the cords that
+held the mattress to Kari's back, while he broke into a run.</p>
+
+<p>Trees bent and broke, branches fell, and we could hear the
+monkeys stampeding from tree to tree, and flocks of birds,
+startled out of their<span class='pagenum'><a name="Page_23" id="Page_23">[23]</a></span> sleep, falling upon us, their wings
+beating our faces. We shouted to Kari to be calm, but he went on
+as if he were mad. We heard boars snorting, and running away, and
+strange-looking horned creatures leaping and bounding off in all
+directions. Then a tree in front of us fell, and the jungle
+throbbed for a moment. It seemed as though a shiver ran through
+Kari's body, and he stopped stock still. It was very difficult to
+tell exactly what had happened until we got off Kari's back. I
+spoke to him and he shook his head, then I spoke again and urged
+him to put up his head. He obeyed and I climbed down by his
+trunk. I felt it was very wet, however, and he shook me off with
+pain.</p>
+
+<p>My brother spoke to me from above and said when I told him how
+the trunk felt, "Now I know. You see, this is autumn when bears
+eat Mohula in the moonlight under the thick shade of the trees.
+As you know, Mohula intoxicates bears, and makes them sleepy.
+Some bear had fallen asleep under the trees and Kari,<span class='pagenum'><a name="Page_24" id="Page_24">[24]</a></span> who was
+also asleep and consequently did not even smell him with his
+trunk, must have come upon him without suspecting his presence.
+Although all bears are brought up to respect elephants, this one,
+no doubt, was so sleepy that he did not know who was upon him and
+so I am sure he must have sprung up in his surprise and scratched
+Kari's trunk."</p>
+
+<p>If Kari had been wide awake he would have killed the bear, but
+being sleepy, the shock and the surprise of the attack and the
+pain in his trunk frightened him so that he ran out into the
+jungle mad with terror.</p>
+
+<p>I put my hand on the trunk again. Yes, it was bleeding; I could
+see in the moonlight that it was not perspiration because my hand
+was dark red. I spoke to Kari again; this time he did not shake
+his head so furiously. He was rather willing to listen and I told
+him I was very sorry about his trunk but could do nothing here, I
+also told him to go back to the road. He shook his head&mdash;that
+meant "No." Do you know why he did not want to go back to that<span class='pagenum'><a name="Page_25" id="Page_25">[25]</a></span>
+road? You shall learn at the end of this story.</p>
+
+<p>I got upon his back again. "Since he won't go back to the road,"
+said my brother, "we must give him the master call so that he can
+make a road through the jungle" and we gave him the master call.</p>
+
+<p>At this Kari lifted his bleeding trunk and smote down the first
+tree, and then he struck down the next tree. He came upon a third
+which his trunk could not pull down, so he turned around and
+walked away from it. After taking a few steps he stopped and
+slowly walked backwards and with one push of his back, knocked
+this tree down.</p>
+
+<p>At this we could hear the flocks of birds flying in the air and
+feel the stamping feet below as herds of animals ran in every
+direction. We heard the vibrant jabber of monkeys from tree-tops,
+and each time a new tree fell there was more jabbering and more
+leaping away from tree to tree.</p>
+
+<p>We clung to the elephant's back with our nails and teeth.<span class='pagenum'><a name="Page_26" id="Page_26">[26]</a></span></p>
+
+<p>Soon we found ourselves on the road, three miles ahead of where
+Kari had been frightened by the bear.</p>
+
+<p>Do you know why he did not go back to the same spot? Because no
+animal ever likes to return to the place where he lost his pride.
+For to be frightened is to lose one's pride.</p>
+
+
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_29" id="Page_29">[29]</a></span></p>
+<h2><a name="CHAPTER_III" id="CHAPTER_III"></a>CHAPTER III</h2>
+
+<h2>KARI GOES TO TOWN</h2>
+
+<div class="figleft"><img src="images/image_w.jpg" alt="W" width="65" height="50" /></div>
+<p>hen Kari was about five years old, another adventure befell him.
+We took him to see the town, but before we had started, we tried
+to train him to like dogs and monkeys. Elephants are proverbially
+irritated by dogs. When an elephant goes through a village, every
+dog barks at him, and while most elephants are too dignified to
+pay any attention, there are some who get extremely annoyed and
+try to chase the dogs. Sometimes, in fact, an elephant will chase
+a dog so hard that he will lose his way in the village.</p>
+
+<p>Knowing that there were many unknown little hamlets between our
+village and the city, we thought we would train Kari to like
+dogs<span class='pagenum'><a name="Page_30" id="Page_30">[30]</a></span> before we started, for we did not want to be led astray
+into all sorts of little alleys while he chased the dogs who had
+annoyed him.</p>
+
+<p>But as all the dogs of our village had seen Kari grow up they
+never paid any attention to him, and that made it all the more
+difficult to train Kari to like other dogs. He always thought the
+dogs in our little village were the right kind since they did not
+bark at him. Whenever a strange dog barked at him, he would chase
+the poor creature through the whole village and waste hours in
+finding his way back to the road.</p>
+
+<p>We tried to train Kari by taking him to villages that he had not
+yet seen. There were no dogs in the first village we came to. We
+went through it without any trouble. In the second village we
+came across one or two dogs that barked a few times, then
+disappeared in the distance. Then, as we were leaving this
+village we heard terrible snorts and growls all around us and
+were suddenly surrounded by a pack of angry mongrels, curs and
+wild dogs. It was<span class='pagenum'><a name="Page_31" id="Page_31">[31]</a></span> terrible to see Kari trying to chase them with
+his trunk. Sometimes he would try to step right on the back of a
+dog, but the dog would slip away from under him. Little by little
+as the dogs began to bark all around him, he started to go round
+and round in a circle, faster and faster till he was spinning
+like a top.</p>
+
+<p>We had a hard time sitting on his back because we felt terribly
+dizzy. We were almost falling off, when we heard a piercing yell
+and saw the whole pack of tormentors running away. Kari had
+stepped on one of the dogs and killed it and that frightened the
+others away.</p>
+
+<p>We then brought Kari home, gave him his bath in the river and
+offered him nice saplings and twigs, but he would eat none of
+them.</p>
+
+<p>From that day on, Kari was never upset by the barking of dogs,
+but went through strange villages without paying any attention to
+them, no matter how hard they barked at his heels.</p>
+
+<p>Now that he had become immune to dogs, we tried to make him like
+monkeys. Monkeys,<span class='pagenum'><a name="Page_32" id="Page_32">[32]</a></span> as you know, are very annoying little
+creatures. I had a pet monkey of my own named Kopee, who was
+red-faced and tawny-coated. He never came near the elephant, and
+Kari never thought of going near him. Whenever we went out, this
+monkey used to sit on my shoulder, and if we passed through
+bazaars where mangoes and other fruits were sold, it was very
+difficult to keep Kopee from getting into mischief. In India
+everything is shown in the open, and the mangoes lie in baskets
+piled up one above the other like little hills. There were places
+where oranges were heaped up like big burning rocks. Here and
+there you could see brown men robed in white sitting near these
+mountains of fruit, bargaining about the prices.</p>
+
+<p>Now it is very good to smell the fragrance of fruit, and one day
+while going through the lane of a village, as the fragrance of
+the fruit grew stronger, I forgot all about Kopee, and did not
+realize that I was carrying him on my shoulder.<span class='pagenum'><a name="Page_33" id="Page_33">[33]</a></span></p>
+
+<p>Somehow the little monkey always knew when I was not thinking of
+him. At such moments he would invariably jump off my shoulder and
+run straight for the oranges or mangoes, take one or two of them
+and then make a dive for a sheltered spot. This upset the whole
+bazaar. Hundreds of men would pursue him from tree to tree,
+yelling and throwing stones till he vanished out of sight.</p>
+
+<p>Of course, I used to get terribly frightened, fearing that the
+men would attack me for carrying such a mischievous monkey. I
+would hurry out of the bazaar and make for home as fast as I
+could go. Then in an hour or two I would find Kopee on the house
+top, looking perfectly innocent and scratching himself. No one
+could ever tell by his face that he had stolen fruit a short
+while before.</p>
+
+<p>When the time came for me to go to town, I was anxious to take
+Kopee and Kari with me, and I wanted the elephant to like the
+monkey and the monkey to behave like a gentleman toward the
+elephant. One day I brought the<span class='pagenum'><a name="Page_34" id="Page_34">[34]</a></span> monkey on my shoulder and held
+him tight with both hands in front of the pavilion where the
+elephant was busy eating all kinds of saplings. Sometimes he
+would take a strong twig and unravel the top into a soft, fluffy
+tuft; then he would seize the other end of it with his trunk and
+brush himself. The moment he saw the monkey, he snorted and
+raised his trunk to grab him. With one wild scream the monkey
+jumped off my shoulder, climbed up the pavilion post and
+disappeared on the roof.</p>
+
+<p>I went to Kari and spoke to him. I said, "Kari, in order to like
+dogs you killed one, now don't kill my monkey in order to like
+monkeys." He was very displeased that I should ever want him to
+like monkeys, because elephants are very much like some people
+who don't like to associate with others who have come from
+nowhere and whom they consider their inferiors. Elephants don't
+like to associate with monkeys, for they came from nowhere. You
+must remember, too, that elephants rarely see monkeys because
+monkeys<span class='pagenum'><a name="Page_35" id="Page_35">[35]</a></span> are above the elephants most of the time, jumping and
+squealing among the trees in a manner most annoying to a quiet
+and sedate creature like an elephant.</p>
+
+<p>It did not take more than a week, however, to bring Kari and
+Kopee together. One day there was a pile of fruit lying in the
+open, and the elephant stood at one end eating and the monkey at
+the other, both enjoying the feast. Of course, the elephant ate
+faster than the monkey, and realizing this, Kopee began to eat
+more quickly and soon had enormous pouches on each side of his
+face. Before long all the fruit was gone and the two animals were
+left facing each other. The monkey trembled with fear. He was
+almost on the point of running away to a tree-top, but, no one
+knows why, the elephant turned away from him and went into his
+pavilion. This gave the monkey great courage, so he went straight
+up to the roof of the pavilion, and peering down through the
+eaves, found out that the elephant lived on twigs and fruits and
+saplings just like<span class='pagenum'><a name="Page_36" id="Page_36">[36]</a></span> himself. Having watched all this, I then got
+up on Kari's back and whistled to the monkey. He leaped down from
+the tree onto my shoulder. The elephant shivered for a moment and
+then was absolutely still. When I ordered him "mali," he walked
+on.</p>
+
+<p>One day I took them to the bazaar, I on the elephant and the
+monkey on my shoulder. When we had reached a mountain of mangoes
+round the corner of a lane, the monkey jumped off and climbed up
+to the top of the pile. At this the owner of the fruit chased him
+away, yelling and shouting. The monkey climbed up the roof of a
+house, followed by a crowd. Kari, however, put out his trunk and
+helped himself to whatever fruits he liked, eating them with
+great relish. The moment he heard the people coming back from the
+monkey chase, he ran away&mdash;and you may be surprised to know that
+when an elephant runs, he can go more than ten miles an hour. By
+the time we reached home, Kopee had buried his face in an
+enormous mango and was covered with the <span class='pagenum'><a name="Page_37" id="Page_37">[37]</a></span>juice. And you know
+that mangoes taste very much like strawberries and cream with
+sugar on them.</p>
+
+<div class="figcenter" style="width: 600px;"><a name="Pic_3" id="Pic_3"></a>
+<img src="images/image_03.jpg" width="600" height="498" alt="ONE DAY I TOOK THEM TO THE BAZAAR" title="" />
+<span class="caption">ONE DAY I TOOK THEM TO THE BAZAAR</span>
+</div>
+
+<p>At last we set off for the city, Kari, and Kopee now the best of
+friends. It was very interesting at night going through the
+jungle country. The moonlight was intense, falling like white
+waters on the land. You could see the tree-tops, and at midnight
+almost clear down to the very floor of the jungle where the
+shadows were thick like packs of wolves crouching in sleep. The
+elephant went through these regions perfectly care-free. He did
+not care who came or went or what happened.</p>
+
+<p>But not so the monkey. Monkeys, you know, are always afraid of
+snakes, and do you know why? Snakes go up trees and eat birds and
+their younglings. Monkeys also live by stealing eggs from
+different birds' nests. Now it sometimes happens that the snake
+eats all the birds' eggs in the nest and is resting there when
+the monkey puts his hands in to grab the eggs, so the monkey
+instead of getting the eggs<span class='pagenum'><a name="Page_38" id="Page_38">[38]</a></span> is stung to death. As this sort of
+thing has been happening for thousands of years, it is natural
+that they fear snakes.</p>
+
+<p>Monkeys also get punished for using their hands too much. Now, if
+you come across a snake, the best thing to do is not to touch it.
+Monkeys, however, accustomed to using their hands continually,
+grab a snake whenever they see one with the result that the snake
+usually stings them to death. I have never seen a snake do this,
+but I have seen dead snakes with marks on their bodies showing
+that monkeys had twisted them like ropes, broken their backs and
+thrown them down before the snakes could use their fangs. This,
+however, is very rare.</p>
+
+<p>As we were going through the jungle that night, Kopee would
+shiver with terror whenever there was a swish of a snake's body
+in the grass below or in the leaves above, and I had to put my
+hand on his back and whisper, "Don't be afraid, you are on the
+elephant's back and nothing can touch you."<span class='pagenum'><a name="Page_39" id="Page_39">[39]</a></span></p>
+
+<p>Another thing that used to frighten him was the hooting of the
+night owl. Any monkey that lives in the jungle is used to it, but
+as Kopee was born among human beings and had always lived with
+them, he had never heard jungle noises. When the owls beat their
+wings and gave the mating call and hoot, it was like a foam of
+noise rising over a river of silence. I, too, was alarmed when I
+would suddenly hear the hooting in my sleep, but both Kopee and I
+soon got used to it.</p>
+
+<p>About four o'clock in the morning Kari stopped and refused to go
+a step further. Though I was asleep, Kopee began to pull me by
+the hand, and instantly after being aroused, I heard, or rather
+felt, as if clouds were passing by. The monkey's eyes were all
+eagerness and burning with excitement, and I looked down where he
+was looking. The honey-colored moon was casting slanting rays
+into the jungle through dark moving clouds. We did not know what
+we saw. It seemed as though two or three hundred wild elephants
+in a herd were<span class='pagenum'><a name="Page_40" id="Page_40">[40]</a></span> going through the jungle, or perhaps the clouds
+were feeding on the leaves that night. No one knows what it was,
+but we did know Silence walked by, telling us of the mysteries of
+the jungle, and we could not understand.</p>
+
+<p>Then out of the stillness a bird's note fell through the jungle
+and there was a gleam of whiteness. That instant Silence was
+lifted, dawn began to sing through the jungle and you could hear
+its flute-like call fading away in the distance, followed by a
+momentary hush. Then the birds began to sing, and soon the sun
+came leaping over the forest like a horse of flame. This must
+have taken at least an hour and a half, but we did not even know
+when the elephant resumed his walk.</p>
+
+<p>We soon came to a river where we stopped. I gave the elephant his
+bath. The monkey went off in search of food from tree to tree.
+Then I bathed myself and stood facing the East, saying these
+words of prayer:</p>
+
+<div class="poem"><div class="stanza">
+<span class="i0">"O Blossom of Eastern Silence,<br /></span>
+<span class="i0">Reveal to us the face of God,<br /></span>
+<span class='pagenum'><a name="Page_41" id="Page_41">[41]</a></span><span class="i0">Whose shadow is this day, and<br /></span>
+<span class="i0">Whose light is always within us.<br /></span>
+<span class="i0">Lead us from the unreal to the Real,<br /></span>
+<span class="i0">From sound into Silence,<br /></span>
+<span class="i0">From darkness unto Light, and<br /></span>
+<span class="i0">From death into Immortality."<br /></span>
+</div></div>
+
+<p>In India every hour has its prayer and every prayer can be said
+unconsciously anywhere. Nobody notices you if you kneel down on
+the road to say your prayer, in spite of the fact that you are
+blocking the traffic. Religion runs like singing waters by the
+shores of every human life in India.</p>
+
+<p>I went to the forest nearby and got the elephant his food, and as
+he started to eat I began to cook my own meal. When traveling, it
+is better to cook one's own meal so that it will be clean and
+uncontaminated. Very soon I saw a caravan coming. Apparently
+Kopee had seen it from the tree-top as he was chattering with
+great excitement to tell me it was coming. I told him to hold his
+tongue because the elephant was getting restless.</p>
+
+<p>I decided to go with the caravan into the<span class='pagenum'><a name="Page_42" id="Page_42">[42]</a></span> town because the
+caravan people knew the shortest way. I also preferred to travel
+in human company rather than alone. No sooner had the caravan
+reached us than our attention was drawn to the faces of the
+camels probing the distance. You know how a camel examines the
+air as he goes along&mdash;he is continually stretching forth his head
+and smelling the air, and he can do this easily with his long
+neck. As camels live in the desert they must keep smelling the
+air to find out its humidity. Every time the air is very humid
+they know that water is nearby. That is why we call camels the
+examiners of space; in your country you would call them animal
+barometers.</p>
+
+<p>The moment Kari saw the camels he snorted in anger, though the
+monkey was excited and thrilled. You see, elephants are the
+aristocrats of animals, while camels are snobs. You can easily
+tell a snob, he holds his head in a very supercilious way, always
+looking down on everyone, and don't you think if you put a
+monocle on a camel's eye he would look like<span class='pagenum'><a name="Page_43" id="Page_43">[43]</a></span> any snob that walks
+down the avenue? Nevertheless, I made my elephant join the
+camels. That is to say, we kept about one hundred yards behind
+them because I could not let the monkey bound from camel hump to
+camel hump, and it would not do to let the elephant put his trunk
+about the camels' necks and twist them.</p>
+
+<p>Toward midday the whole caravan stopped and all the animals were
+tied under different trees for two or three hours to rest. As we
+knew we could easily reach the city by sun-down, we all enjoyed
+our siesta. About half-past three, the doves began to coo, and
+that made the monkey sit up and listen. Being a dweller of the
+trees by birth, Kopee was always sensitive to tree sounds. Soon a
+cuckoo called from the distance and in a few moments the caravan
+was ready to move on. Nothing exciting happened the rest of the
+journey.</p>
+
+
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_47" id="Page_47">[47]</a></span></p>
+<h2><a name="CHAPTER_IV" id="CHAPTER_IV"></a>CHAPTER IV</h2>
+
+<h2>KARI'S ADVENTURE IN BENARES</h2>
+
+<div class="figleft"><img src="images/image_a.jpg" alt="A" width="50" height="50" /></div>
+<p>s the sun went down in the gathering silence of the evening, we
+entered the city of Benares, the oldest city in India. For three
+thousand years stone has been laid on stone to keep this city
+with its haughty towers and sombre domes above the rushing and
+destroying currents of the sacred river. The river like a liquid
+ax is continually cutting away the foundations of the city. At
+night you can hear the whispering Ganges gnawing at the stone
+embankments. And that is why all the tall towers of Benares lean
+slightly over the water's edge. Their roots are being cut as
+beavers cut the roots of trees. And any Hindu who comes into
+Benares feels the age of India; she has lived very long&mdash;indeed<span class='pagenum'><a name="Page_48" id="Page_48">[48]</a></span>
+too long, and it seems time no more clings to her than the
+morning dew clings to the lion's mane.</p>
+
+<p>We went through Benares in a long, narrow file. The camels went
+first, and the monkey, who had jumped off my shoulder, was
+leaping from roof to roof following the tide of the caravan.
+Sometimes he would run ahead and chatter; and then suddenly
+disappear among roofs and walls. Then he would rush back to talk
+to me. I fastened two silver bells dangling from silver chains to
+the elephant's sides, and the cool sound of the bells sank into
+the cooler serenity of the Indian evening. People were walking
+about in purple and gold togas; on the house-tops were pigeons
+whose throats shone like iridescent beads. Through latticed
+balconies you could see the faces of women with eyes warm and
+tranquil as the midnight.</p>
+
+<p>We had not gone very far when Kari put out his trunk and took a
+peacock fan out of a lady's hand as she leant against the railing
+of a balcony. He then proceeded to give it to me.<span class='pagenum'><a name="Page_49" id="Page_49">[49]</a></span> I made him
+stop and give it back to its owner. The lady, however, would not
+take it. "Oh, little dreamer of the evening," she said, "cool
+thyself with my peacock fan. Thy elephant is very wise, but I am
+afraid he is no worse a scamp than thou art."</p>
+
+<p>I took the fan, made my bow to the lady and went on. Hardly had
+we gone two more blocks when the screaming and jabbering monkey
+fell upon us. Behind him on the roof of one of the houses we saw
+a man with a long cudgel which he shook at the monkey. I stopped
+the elephant again and said to the man, "Why art thou irate when
+the evening is so cool, little man of the city?"</p>
+
+<p>"That monkey! Ten thousand curses upon him!" he said. "He has
+been teasing my parrot in its cage, and has plucked so many of
+its feathers that it now looks like a beaked rat."</p>
+
+<p>"I shall indeed punish this wayward monkey," I answered. "But
+thou knowest that monkeys are no less wayward than thou and I."<span class='pagenum'><a name="Page_50" id="Page_50">[50]</a></span></p>
+
+<p>At this the man on the roof got very angry and began to hurl all
+kinds of abuses at me, but I prodded the elephant with my foot
+and he walked on, while the swearing and cursing of the little
+man of the city resounded in the stillness of the night. Nothing
+befell us that night as we took shelter in the open grounds
+outside of the city.</p>
+
+<p>The following morning long before day-break, I heard nothing but
+the beat, beat, beat of unknown feet on the dusky pavement of
+Benares. It seemed as though the stillness of the night were
+hurrying away. I left my animals where they were and went in
+quest of these beating feet. There is something sinister in this
+walk of the Hindu. The Hindu walks with a great deal of poise, in
+fact, very much like an elephant, but he also has the agility of
+the panther. I did not realize it until that early morning when I
+heard the moving feet, as one hears dogs on the hurrying heels of
+a stag.</p>
+
+<p>Soon I reached the river bank where I saw<span class='pagenum'><a name="Page_51" id="Page_51">[51]</a></span> thousands and
+thousands of pilgrims crowding the steps of the Ghaut, the
+staircase leading to the river, bathing and waiting to greet the
+dawn. As I followed their example and took my bath, there arose
+over the swaying crowd and the beating feet, a murmur like the
+spray of foam on the seashore after the breakers have dashed
+against the beach. Then the day broke like two horses of livid
+light rushing through the air. In the tropics the day-break is
+very sudden. Hardly had those streaks of light spent themselves
+through the sky and over the waters, when a golden glow fell upon
+the faces of the people and they raised their hands in a gesture
+of benediction, greeting the morning sun which rose like a
+mountain of crimson under a tide of gold. All of us said our
+morning prayer, thousands of voices intoning together.</p>
+
+<p>I could not stay at the Ghaut very long, however. I knew my
+animals would be looking for me, so I hastened back. Lo and
+behold, this sight greeted me! The monkey was sitting<span class='pagenum'><a name="Page_52" id="Page_52">[52]</a></span> on the
+neck of the elephant, and Kari, who had never been accustomed to
+that sort of thing was running all around, raising his trunk and
+bending it backwards to reach the monkey in frantic efforts to
+shake him off. The one spot that an elephant cannot shake,
+however, is his neck, so the monkey stayed there perfectly calm,
+looking into space, secure in his seat.</p>
+
+<p>I shouted to Kari to stop, and seeing me, he came rushing towards
+me, trembling. He made an effort to shake Kopee off, but the
+monkey was glued to his neck. I swore at Kopee and told him to
+get off. He looked down at me as if nothing had happened. I, too,
+was very irritated, for even I had never seen a monkey on an
+elephant's neck. That is considered very improper. I threw a
+stone at the monkey and he jumped from the elephant's neck, went
+straight up a tree and stayed there. I patted Kari's back and
+tried to soothe him. Then I took him by the ear and we walked
+into town.<span class='pagenum'><a name="Page_53" id="Page_53">[53]</a></span></p>
+
+<p>Kari loved human beings; the more he saw them, the happier he
+felt. He glided by them like a human child. I was very proud of
+him and his behavior. As we went on our way, a mouse ran out of a
+hole in the foundations of a house in front of us. Kari turned
+around, curled up his trunk, put it in his mouth and ran. You see
+elephants are not afraid of anything except mice, for a mouse can
+crawl into an elephant's trunk and disappear in his head. I was
+humiliated beyond measure at Kari's behavior. He did not stop
+till he reached the open ground which we had left half an hour
+before. The monkey was still sitting in the tree. Seeing us, he
+shook a purse at me. He had stolen somebody's purse and was
+holding it in his hands waiting for it to be ransomed.</p>
+
+<p>Monkeys are very much like bandits. Once, I remember, my little
+sister who was two months old, was lying in a basket on the
+veranda. Suddenly we heard her crying, and going out on the
+veranda found that she was not there. Basket and all had
+disappeared.<span class='pagenum'><a name="Page_54" id="Page_54">[54]</a></span> Then we looked up at a tree and there was an
+enormous baboon looking down at us, while with one hand he held
+the basket, which was resting on a branch. My father, however,
+knew what to do. He sent a servant at once to the bazaar, and in
+the meantime brought all of the fruit in the house and spread it
+on the floor of the veranda. The monkey shook his head, meaning
+that was not ransom enough for him. Very soon the servant
+returned with an enormous quantity of bananas. The baboon
+immediately came down, and it was remarkable how he brought down
+the basket without upsetting it.</p>
+
+<p>My mother, all this while, was weeping silently, leaning against
+the door. But now her grief was turned to gladness, for lo, and
+behold, there was the baby asleep in the basket on the veranda,
+while the baboon sat on a pile of bananas giving a strange monkey
+call to other monkeys.</p>
+
+<p>Scarcely had we taken the baby into the house and shut the glass
+doors of the veranda,<span class='pagenum'><a name="Page_55" id="Page_55">[55]</a></span> when we heard monkeys hooting and calling
+from all directions, leaping from tree to tree and falling with a
+great thud on our roof. In ten minutes the veranda became a
+regular parliament of monkeys chattering over their dinners.
+After this we were very careful about the baby. Every time she
+was put out, a man or woman with a stick always watched over her.</p>
+
+<p>Remembering now what had happened to my sister years ago, I
+called to the men of the caravan who had not yet started and told
+them the monkey had the purse. True enough, one of them was
+accusing his servant of having stolen his purse. I told them to
+buy some bananas and leave them under the tree, and in the course
+of the day the monkey would come down, leave the purse and take
+the bananas. I had been humiliated by my elephant, and now being
+disgusted with my monkey, I took Kari into town again. This time
+I had my <i>ankus</i> with me, so that in case he should run away
+again I could prick his neck and make him behave.<span class='pagenum'><a name="Page_56" id="Page_56">[56]</a></span></p>
+
+<p>We went by jewelers' shops where they were cutting diamonds, and
+stopped in front of the goldsmith's door. Seeing us wait there,
+the smith came out. "What do you want, do you want gold rings for
+your elephant's tusks?" You know they put rings on elephant's
+tusks as human beings put gold in their teeth.</p>
+
+<p>"His tusks have just begun to sprout; they're too beautiful to
+spoil with rings yet," I answered.</p>
+
+<p>"But my rings always make tusks more beautiful," was his retort.</p>
+
+<p>I answered, "All the city folk think that what they do makes
+everything beautiful. Why don't they make their dirty city
+beautiful?"</p>
+
+<p>The smith was angry. "If thou be not a buyer of gold, nor a
+vendor of silver, tarry not at my door; I have no time for
+beggars."</p>
+
+<p>As we trotted off, I called back, "I do not sell silver, nor do I
+buy gold, but when my elephant grows up, he will have such tusks
+that you will cast eyes of envy on them. But this<span class='pagenum'><a name="Page_57" id="Page_57">[57]</a></span> elephant will
+live more than one hundred and twenty-five years and thou shalt
+be dead by then, and so there will be no chance of soiling his
+ivory by buying thy gold."</p>
+
+<p>We walked on very silently through the city, and then of a sudden
+a pack of dogs were upon us. We knew not whence they had come.
+Kari was as dignified as a mountain; he never noticed them, but
+the less attention he paid to them, the more audacious the dogs
+grew. They came after us and I did not know what to do, as I did
+not even have a stone to throw at them. In a few moments, we were
+hemmed in by packs of dogs. Quickly now, Kari turned round and in
+an instant lifted a dog into the air with his trunk. As the dog
+would have been dashed into bits, I yelled into his ear,
+"Brother, brother, do not kill him, but let him down gently, he
+will not bite you."</p>
+
+<p>At this moment the dog gave such a terrible cry of pain as the
+trunk was coming down that Kari stopped and slowly brought him to
+the ground. The dog, however, was already dead;<span class='pagenum'><a name="Page_58" id="Page_58">[58]</a></span> the pressure of
+the trunk had killed him, and the other dogs, seeing his fate,
+had already run away.</p>
+
+<p>Kari walked rapidly out of the city and I was heart-sick. He went
+straight to the river bank and with great difficulty walked down
+the steps of the Ghaut and buried all except his trunk in the
+water. He stood there knowing that I knew that he had done
+something wrong and he was trying to cleanse himself of it. I,
+too, took my bath.</p>
+
+<p>Late in the afternoon, we went back and found Kopee still sitting
+on the same tree and looking for us, as the caravan had left long
+ago. Judging by the banana peels under the trees, we realized he
+had had his dinner. Kari and I, however, were very hungry and we
+were both sick of the city. We did not want to see it again, so I
+called to the monkey to follow and urged the elephant to go on to
+the nearest forest. Kopee, with one leap, jumped on my neck as I
+sat on the elephant's back.<span class='pagenum'><a name="Page_59" id="Page_59">[59]</a></span></p>
+
+<p>This ended Kari's expedition to the city. It is better for
+animals to be where the jungle is, for the jungle is sweeter and
+kinder than that wilderness of stones&mdash;the city.</p>
+
+
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_63" id="Page_63">[63]</a></span></p>
+<h2><a name="CHAPTER_V" id="CHAPTER_V"></a>CHAPTER V</h2>
+
+<h2>THE JUNGLE SPIRIT</h2>
+
+<div class="figleft"><img src="images/image_i.jpg" alt="I" width="25" height="50" /></div>
+<p>t took us much longer to return home. We lost nearly twenty-four
+hours in a jungle where we had the strangest experiences of our
+lives. We had already covered half the distance when one day at
+noon we reached the river across which lay the jungle. It was so
+hot that Kari would not go any further. The moment he smelled the
+moist earth of the river bank, he literally ran into the water
+and lay there. Kopee and I had to sit on his back, while the
+waves of the river played around us as the waves of the sea play
+around an island. Kari kept his trunk above the water, and when
+he moved we almost fell off his back. The monkey clung to me,
+for, as you know, monkeys do not know how to<span class='pagenum'><a name="Page_64" id="Page_64">[64]</a></span> swim. There are two
+reasons why monkeys are afraid of the water; not only are they
+unable to swim because the fingers of their hands are not webbed
+together as are ducks' toes, but being accustomed to go through
+the air by leaping from branch to branch, they think that they
+should leap from place to place in the water.</p>
+
+<p>Seeing that the elephant was wayward, I told Kopee to hold on to
+my head. Then I swam ashore and waited for the elephant to come
+out. Now that we were off his back, he raised himself a little
+above the water and began to draw vast quantities of water up his
+trunk and snorted it out at the monkey who was running up and
+down the shore, chattering fiercely and keeping at a safe
+distance to avoid being drenched.</p>
+
+<p>This shows that elephants have a sense of humor. They always know
+where to keep a monkey, and it is the monkey's business to know
+when the elephant is going to indulge in humor.<span class='pagenum'><a name="Page_65" id="Page_65">[65]</a></span></p>
+
+<p>As elephants do not know that monkeys cannot swim, I was afraid
+that if Kopee was not careful, Kari might throw him into the
+river for fun, and that would have been the end of him.</p>
+
+<p>I soon forgot the elephant and the monkey, however, and fell
+asleep on the river bank. I was awakened by a terrible cry from
+the monkey and a trumpeting from the elephant. I sat up with a
+start and I saw Kopee sitting on the ground shivering with
+terror, and Kari standing in front of him, waving his trunk in
+the air and trumpeting for all he was worth. I lay on the ground
+and lifted myself on my elbows. Through the elephant's legs I saw
+a great snake, right under him, held almost between his
+fore-legs. My blood congealed in terror. Of course Kari was five
+years old; his skin was so thick that the cobra could never bite
+deep enough to bury its poisonous fangs in his arteries. The
+monkey was hypnotized with fear, but he could neither run away,
+nor<span class='pagenum'><a name="Page_66" id="Page_66">[66]</a></span> go forward, nor come to me. He sat there shivering with
+terror.</p>
+
+<p>I crept slyly around the elephant and approached Kopee. I knew
+that if I touched him, he would turn around and bite me. He was
+so frightened that anything that touched him would mean to his
+excited brain only the sting of the snake. The idea that he would
+be stung to death had taken possession of the whole animal.</p>
+
+<p>I could now see what had happened. The elephant had stepped on
+the middle of the snake. Its back was broken and it could not
+move, but there was life in the rest of its body and it was
+standing erect like a sharp column of ebony, its black hood with
+a white mark on it spread out as large as the palm of a man's
+hand. Of course, it could not stay in that position long. It
+swayed and almost fell to the ground. The moment that happened,
+Kari raised his foot and put it down on the snake's neck. But the
+snake lifted up its head in such a way that whenever there was a
+chance for the<span class='pagenum'><a name="Page_67" id="Page_67">[67]</a></span> elephant to put his foot on its head it would
+immediately raise itself on its broken back. Its agony must have
+been great, yet it would not give in for a long time.</p>
+
+<p>As the snake could not move with its back broken and the foot of
+the elephant still on it, I knew I had better go and kill it with
+a stick. As I approached it with my stick, the monkey's eyes
+which had been fixed on the snake, suddenly moved. He looked at
+me and bounded off with a piercing, chattering yell towards the
+nearest tree. The spirit of terror that had held him hypnotized
+so long was broken at last, for he had seen someone who could
+kill the snake.</p>
+
+<p>The moment the monkey bounded off, the snake stung the elephant's
+toe nails, those horny plates around his feet. This is a vital
+spot, as the arteries come very near the surface. Knowing this,
+Kari raised his foot. Evidently he was not hurt, but I was not
+sure how long he could stand on three legs. I was also afraid
+that he would fall and bring his trunk near the snake, and any
+snake can poison an elephant<span class='pagenum'><a name="Page_68" id="Page_68">[68]</a></span> by stinging the end of his trunk. I
+hit the snake on the head with my stick, but instead of striking
+his head, the stick slipped down that ebony column which was
+still standing erect. Fortunately, in order to avert the next
+blow, the snake fell on his side. That very instant the up-raised
+foot of the elephant was on his head.</p>
+
+<div class="figcenter" style="width: 600px;"><a name="Pic_4" id="Pic_4"></a>
+<img src="images/image_04.jpg" width="600" height="454" alt="THAT VERY INSTANT THE UP-RAISED FOOT OF THE
+ELEPHANT WAS ON HIS HEAD" title="" />
+<span class="caption">THAT VERY INSTANT THE UP-RAISED FOOT OF THE
+ELEPHANT WAS ON HIS HEAD</span>
+</div>
+
+<p>Kari walked away and pawed the sand with his feet to cleanse
+them. I thought of calling to Kopee who had taken refuge on a
+tree-top, but I was so anxious to know whether the elephant's
+foot was hurt or not, that I followed him about until he let me
+look at it. I was relieved to see that the skin of his foot had
+not been broken.</p>
+
+<p>Then I called to the monkey to come down from the tree. He shook
+his head. I knew he was so ashamed of being afraid that he
+preferred to be alone in the privacy of the tree in order to
+gather his forces together.</p>
+
+<p>The sun was beginning to sink. The jungle <span class='pagenum'><a name="Page_69" id="Page_69">[69]</a></span>was not very far off
+and I was certain that the breeze blowing across the river had
+taken the scent of human beings into the depths of the forest.</p>
+
+<p>The twilight came swiftly. The bars of gold and light vibrated
+over the tawny waters, and darkness fell like a black sword,
+cutting the day from the night. The voices of the birds from the
+tree-tops, here and there died down, and as if to enhance the
+silence, insect voices came from under the grass. I got on my
+elephant's back and sat there quietly, for as the evening Silence
+goes by, each man must make his prayer. As the Silence walked on,
+I could see the grass waving in zig-zag curves across the river.
+It was always making half the figure eight in the undergrowth of
+the jungle.</p>
+
+<p>Gradually all grew still and then over the river came the
+terrible hunger wail of a tiger. That instant its tawny face
+scarred with black emerged from behind green leaves. He saw I was
+across the river. The tiger's body is<span class='pagenum'><a name="Page_70" id="Page_70">[70]</a></span> marked with the same
+stripes and curves as he makes in the grass when he walks, and
+people in the jungle can always tell by the wave of the grass
+which animal has passed that way.</p>
+
+<p>Throughout the country-side, wherever the echo of the wail was
+heard, a tension fell upon everything. Even the saplings were
+tense, and you could almost hear the cracking of the muscles of
+the animals holding themselves together and watching which way
+the tiger would pass. It was as if the horn of the chase had
+sounded and blown; each one had to take to cover.</p>
+
+<p>Night came on apace. I wanted to tie Kari to a big tree, but he
+refused to be tied up that night. He paced up and down the shore
+without making the slightest noise. Then he would suddenly stand
+still and stop the waving of his ears in order to listen very
+intently to shadows of songs that might be passing. I stayed on
+his back, intent on knowing what he was going to do. Soon, very
+soon, the river<span class='pagenum'><a name="Page_71" id="Page_71">[71]</a></span> became silver-yellow and over the jungle a
+quickening silence throbbed from leaf to leaf.</p>
+
+<p>Then swiftly the terrible face of the moon was upon us. Kari
+snorted and stepped backwards. I, too, was surprised because this
+was another moon, very rarely seen by men. It was the moon
+bringing the call of the summer to the jungle. It was the call
+for hunt and challenge, when elephants kill elephants to win
+their mates. And under the moon lay a great sinister figure like
+the terrible face of a dragon.</p>
+
+<p>The July cloud was hovering in the distance, and between the
+cloud-banks and the moon I saw strange things, as if throngs of
+white animals were going from sky to sky&mdash;I don't know why&mdash;no
+one ever knows. These are the spirits of the jungle, the dead
+ancestors of the animals now living.</p>
+
+<p>Without warning, Kari now plunged into the river. I spoke to him,
+scratched his neck with the <i>ankus</i>, but he would not stop. He
+forded the river, at times almost drowning,<span class='pagenum'><a name="Page_72" id="Page_72">[72]</a></span> and charged madly up
+the other shore, where we were lost in the darkness of leaves and
+vines. No moonlight fell on us, not even the knowledge that the
+moon was up could be vouched for in this thick black place.</p>
+
+
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_75" id="Page_75">[75]</a></span></p>
+<h2><a name="CHAPTER_VI" id="CHAPTER_VI"></a>CHAPTER VI</h2>
+
+<h2>KARI'S STORY</h2>
+
+<div class="figleft"><img src="images/image_i.jpg" alt="I" width="25" height="50" /></div>
+<p>&nbsp;cannot tell how many hours passed. I think I fell asleep, but
+perhaps I saw this waking&mdash;I cannot tell. Suddenly Kari's face
+changed. He moved his eyes forward, looked at me, and said:</p>
+
+<p>"Brother, this is the night of the jungle and I want you to hear
+a tale that my mother told me when I was four months old, and
+still roaming in the jungle. That was a short time before she and
+I were captured by men. I was born near the foot-hills of the
+Himalayas, for the snow-covered mountains could be seen in the
+distance, but we elephants were so proud of our own height that
+we never bothered about the hills. I once asked my mother, 'Why
+do tigers smell like this? Wherever a tiger goes,<span class='pagenum'><a name="Page_76" id="Page_76">[76]</a></span> he brings a
+terrible stench with him.' This is what she told me:</p>
+
+<p>"'Every animal that lives in the jungle is born to one kind of
+food or another. He either eats meat or he lives on herbs and
+fruits. Those who eat herbs never hate or fear, but those who eat
+other animals are tainted with both. We elephants never fear
+anyone or hate anyone and that is why we exude no stench, but a
+tiger has to live by killing. In order to kill one must hate, and
+in order to hate one must fear, and those spirits that you see
+walking through the air have taught all animals the secret of the
+jungle.</p>
+
+<p>"'Now the secret of the jungle is this&mdash;the animal that lives by
+killing is diseased. He carries a strange, festering sore within
+him and that poisons his whole blood. Wherever he goes the stench
+of that poison reaches other animals, and this mother of us all
+who loves tigers, as well as the antelopes they kill, is so wise
+that animals that kill must be branded so that their victims will
+be able to take shelter.<span class='pagenum'><a name="Page_77" id="Page_77">[77]</a></span> For this reason wherever the tiger goes
+his stench precedes him, and knowing this the fox comes out of
+his little hole and calls through the jungle that the tiger is
+out. Hence, here in the night when the moonlight falls on the
+thickest gloom, following the plaintive cry, the cunning fox, the
+servant of our mother, threads its way through the jungle giving
+the warning to all animals.'</p>
+
+<p>"Very soon one sees the black form of a tiger moving in the
+moonlight without the slightest sound. He never attacks
+elephants. After he passes, the horrible smell of carnage grows
+less and less, and then another fox gives the call throughout the
+jungle, telling the animals that the tiger has passed.</p>
+
+<p>"If on the morrow thou comest to the same spot where the tiger
+and fox have passed, thou shalt not find a trace of their coming
+and going for it is the law of the jungle that no animal leaves
+the mark of his foot or the stain of his presence on leaves or
+grass. The victims of the tiger dare not leave footprints for it
+will give<span class='pagenum'><a name="Page_78" id="Page_78">[78]</a></span> away their whereabouts. The cheetah, the tiger, and
+even the wild cats who live by killing, leave no trace behind.
+And that is why the dwelling of men annoys me so; they cannot
+even raise their heads without disturbing the air."</p>
+
+<p>In my dream, I asked him, "How did you live with your elephant
+mother in the jungle?"</p>
+
+<p>"Our life was a playing and a toil," he answered, "but the toil
+was a playing, and the playing was a toil. When the leaves began
+to get crisp and colored and the sun called us to the South, we
+would leave the foot-hills of the Himalayas and follow the sacred
+river bed through vast forest lanes, going further and further
+south. Time and again we would come to dwellings of men. How
+wretched are men! Wherever they go they murder trees and
+slaughter forests! And in these comings and goings, I saw strange
+things.</p>
+
+<p>"One winter we came to jungles on the seashore where I saw
+crocodiles lying on the banks of the Delta in the daytime, with
+their mouths open and little birds going in and out of them,<span class='pagenum'><a name="Page_79" id="Page_79">[79]</a></span>
+cleaning their teeth, and eating all the insects that poison
+their gums. It is a pity we elephants have no birds to clean our
+teeth. And, there too, even in the water you could smell animals
+that lived on other animals.</p>
+
+<p>"When we traveled, the old male masters went first, then the
+children, then babies and the mothers, and in the rear all the
+maidens and young fathers. When we went to sleep at night, the
+old ones made a ring of tusks, within which the young maids and
+the males each made rings, and in that triple ring we children
+slept guarded by elephants and stars. In my sleep in the jungle I
+have seen elephant ghosts in the sky shaking their tusks of
+lightning, roaring in anger and battling with the moon. These
+elephants of the sky are our dead ancestors watching over us. You
+know, in the beginning, elephants ruled over all other animals,
+and hence, men and monkeys and snakes and tigers were created."</p>
+
+<p>"Who made the rhinoceros?" I asked in my dream.<span class='pagenum'><a name="Page_80" id="Page_80">[80]</a></span></p>
+
+<p>"The rhinoceros," Kari answered, "is a wayward elephant. Once
+when our ancestors were making a very beautiful animal they fell
+asleep. They had already completed the thick hide and the small
+legs, when some malicious spirit completed the head and instead
+of putting a trunk put a horn on it, and that is why the
+rhinoceros goes through the jungle like a spirit of evil. Dost
+thou not hear him coming tonight? The trees are falling and the
+saplings are cracking. The rhinoceros is snorting. That is the
+way of his coming; wherever he goes he carries destruction before
+him and he is not afraid to leave a trail behind, for no animal
+could kill him and tigers do not want to kill him because they
+cannot get beyond his hide."</p>
+
+<p>That minute a tall tree fell in front of us and the raging
+rhinoceros went by.</p>
+
+<p>"Why does he walk straight?" I said to Kari. "Most animals do
+not."</p>
+
+<p>"Only the well-born go round," Kari said.<span class='pagenum'><a name="Page_81" id="Page_81">[81]</a></span> "The ill-bred find the
+shortest road to everything."</p>
+
+<p>Just then there was a stillness in the jungle and from nowhere,
+like marching clouds, came herds of elephants, silent and slow.
+Above there was no light. A vast blackness had been spread over
+the stars and moon, and throughout the gloom beyond there was a
+singing and an eagerness.</p>
+
+<p>"Go up the tree," Kari said to me. "I want to be rid of you
+tonight."</p>
+
+<p>Sleeping or dreaming&mdash;I do not know&mdash;I did his bidding and then
+saw Kari stand and give a call and the whole elephant herd
+stopped. I could understand everything they said; and when they
+looked at him some of the young elephants laughed, "Look, he has
+the mark of a chain on his ankle; he bears the slavery of man."</p>
+
+<p>Kari raised his trunk and silenced their silly chatter by
+trumpeting. Then he said, "I want a mate tonight. How many of you
+free-born want to test my strength?"<span class='pagenum'><a name="Page_82" id="Page_82">[82]</a></span></p>
+
+<p>One of the young elephants said, "How old are you?"</p>
+
+<p>"There is no age to a hero," answered Kari.</p>
+
+<p>One of the elephants, the leader of the herd, shook his head. "We
+have amongst us younglings who have taught tigers humility; we
+have amongst us younglings who have broken hillocks with their
+fury, and pulled down the thickest trees of the jungle. So thou,
+man lover, temper thy speech to humility; it is not meet for thee
+to seek a bride amongst the free-born."</p>
+
+<p>Kari snorted and said, "Give forth the challenge, I accept." And
+one of the elephants with two small tusks just coming out of his
+mouth stood out from the herd and trumpeted. Kari stood and a
+quiver ran through his muscles and I could see his body throb.
+"Don't be afraid," I whispered to him. "We have taught you the
+tale of man; he does not know it."</p>
+
+<p>He waved his trunk at me and then plunged into the other
+elephant. The whole herd stood<span class='pagenum'><a name="Page_83" id="Page_83">[83]</a></span> around and watched the fight. In
+a few moments a young girl elephant stood apart from the herd,
+watching the fight, and I knew she was the prize of this battle.
+First they put their trunks together and bellowed. Then the two
+mountains of flesh bounded at each other as if hills were
+striking hills. As I have said before, Kari's tusks were not long
+enough to be of any use, so every time they crushed against each
+other Kari had to be very careful to avoid the other's tusks.</p>
+
+<p>At last their trunks came together and their bodies were tightly
+pinioned. They looked like a great mountain spinning round and
+round. There was a pause and Kari rose on his hind legs and held
+his front legs up. That instant the wild elephant let go of his
+trunk and leapt to cut Kari's trunk with his tusks, but before he
+could do that, Kari struck him on the head and he went reeling
+into the distance. He would have fallen if he had not struck
+against a tree, and if an elephant falls, that is the end of the
+battle.<span class='pagenum'><a name="Page_84" id="Page_84">[84]</a></span></p>
+
+<p>As Kari thought he had struck his opponent down, he stood there
+feeling victorious and I could see a shiver of relief going
+through his body. The other elephant, however, gauged the
+distance and came upon him again with great momentum. Before Kari
+realized what had happened, the elephant gored him with his
+tusks. Kari gave a painful yell, and walking backwards drew his
+neck from the tusks of his opponent. I could feel a quake go
+through him as a tree which has just been cut throbs before it
+falls.</p>
+
+<p>The herd yelled, and shook their heads with great glee,
+whispering, "We have won." Then Kari began to walk in a circle.
+The other elephant did likewise and they faced each other. Now
+and then they would come close together; their trunks would
+strike each other, then they would separate and go around again.</p>
+
+<p>By this time the sky was black and the livid tongue of the
+lightning flickered on the crest of the clouds. But the rumble of
+the thunder<span class='pagenum'><a name="Page_85" id="Page_85">[85]</a></span> could not be heard because the two elephants were
+trumpeting so loudly.</p>
+
+<p>Again they locked trunks and bodies and spun around. Quickly Kari
+released his trunk and stood aside, leaving the other elephant to
+go spinning against the herd. That instant Kari ran forward and
+struck the side of the other elephant, giving him a broad-side
+blow and throwing him on the ground. The herd scattered and a
+clamor of wonder spread from elephant to elephant. Kari rose on
+his hind legs and fell upon his opponent with his forefeet, as he
+started to rise. The oldest elephant said, "It is done." At this
+the herd slunk away slowly and the beaten elephant was seen no
+more.</p>
+
+<p>The female who was waiting for the end of this battle came up to
+Kari and they put their trunks together. A deafening crash of
+thunder fell upon the forest and the lightning was striking trees
+far and near. A terrible deluge of rain came and blotted
+everything out of sight. I clung to the branch of my tree for
+fear I<span class='pagenum'><a name="Page_86" id="Page_86">[86]</a></span> might be washed down to the ground. I do not know how
+long it rained. When I looked up, I could see that there was a
+white light above, but the rain was still falling on me. Then I
+realized that the foliage above my head was so thick that the
+raindrops were caught in it and were still coming down. I did not
+dare to go up further into the tree, for the branches were very
+slippery, so I stayed until every drop of water had fallen.</p>
+
+<p>The moon set and I could hear all kinds of noises. Many animals
+were moving about. From the tree-top I heard the shaking of the
+coats of the monkey, and below on the ground I felt the heaving
+of hoofs on the wet grass. Then all this stopped and on the wet
+undergrowth again there was a movement like the zig-zag stripe of
+the tiger's skin.</p>
+
+<div class="figcenter" style="width: 500px;"><a name="Pic_5" id="Pic_5"></a>
+<img src="images/image_05.jpg" width="500" height="633" alt="THE TIGER HAD FOUND HIS KILL" title="" />
+<span class="caption">THE TIGER HAD FOUND HIS KILL</span>
+</div>
+
+<p>Suddenly, there was a bark followed by a deafening roar and then
+the thud of a leaping body falling on the ground. The tiger had
+found his kill. You know the tiger has three different calls&mdash;the
+hunger wail which is like a terrible sound cutting the jungle
+with hate; <span class='pagenum'><a name="Page_87" id="Page_87">[87]</a></span>then the snorting bark of the tiger which means
+that he is nearing his prey; and then through the stillness of
+the jungle, one hears his third call, the triumphant roar of the
+kill, which means that he has found his prey. This roar has a
+terrible effect on the victim; it paralyzes him with terror, and
+like a lightning flash, along with the roar, the tiger falls upon
+his prey. This is just what was happening now a short while
+before sunrise. The tiger growled now and then to announce that
+he had had his dinner and then other small animals came up and
+fell upon the prey after he had left it.</p>
+
+<p>All the animals who had taken shelter in their lairs and holes
+during the rain were now beginning to come out. This morning
+there was no silence in the jungle; in the small hours all the
+animals were eager to get something to eat, so that by day-break
+they could go to sleep with something in their stomachs. When the
+dawn came, I saw Kari standing under the tree in the thick
+twilight under the foliage. I came down on the ground to find
+traces of the<span class='pagenum'><a name="Page_88" id="Page_88">[88]</a></span> struggle of the night. The rain had washed it all
+away, but as I got up and touched Kari's neck, he winced and I
+knew that the marks he bore were the only testimony of the
+battle.</p>
+
+<p>We went back across the river, and found Kopee there, wet and
+miserable. He was glad to get down from the tree and get on the
+elephant's back and feel the sunlight on his skin. I urged Kari
+to get him something to eat, but he would not hear of it, so we
+hastened back toward the village. On our way home, I verified the
+law of the jungle, for Kari had really developed a slight stench.
+You may say that it was the wound that gave the odor, but I do
+not think so. When he went to war and battled with another
+elephant, he must have hated as well as feared, and the smell of
+fear and hate was upon him. It took nearly a fortnight to wash
+the stench away from him, and you must remember that it was not
+the bathing in the water that did it. It was in the gentle care
+and friendship of the village that Kari gradually forgot to hate
+his enemy.</p>
+
+
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_91" id="Page_91">[91]</a></span></p>
+<h2><a name="CHAPTER_VII" id="CHAPTER_VII"></a>CHAPTER VII</h2>
+
+<h2>THE TIGER HUNT</h2>
+
+<div class="figleft"><img src="images/image_i.jpg" alt="I" width="25" height="50" /></div>
+<p>&nbsp;have told you that Kari was not a hunting elephant. After that
+experience in the jungle, however, he seemed to be above all fear
+and surprise. On many occasions he showed such dignity and
+composure that one could not recognize in him the old, nervous
+beast. Apparently that battle with the wild elephant gave him
+such confidence in his own strength that from that time on no
+incident could surprise him.</p>
+
+<p>You do not know what music can do for animals. If you took a
+flute and played certain tunes on it, all of the snakes would
+come out of their holes and dance to the music! There is supposed
+to be a kind of flower, like a sensitive plant, that can be put
+to sleep by<span class='pagenum'><a name="Page_92" id="Page_92">[92]</a></span> the playing of a very delicate tune. I have seen
+with my own eyes how fond the deer are of music. Sometimes in the
+middle of the afternoon, if you stand on the edge of the forest
+and play your flute and slowly strike the notes which sound like
+the whistling call of the antelope, you will see a strange
+phenomenon. The deer generally bark, but they also give a
+whistling call.</p>
+
+<div class="figcenter" style="width: 600px;"><a name="Pic_6" id="Pic_6"></a>
+<img src="images/image_06.jpg" width="600" height="538" alt="IF YOU TOOK A FLUTE AND PLAYED CERTAIN TUNES ON
+IT, ALL OF THE SNAKES WOULD COME OUT OF THEIR HOLES AND DANCE TO
+THE MUSIC" title="" />
+<span class="caption">IF YOU TOOK A FLUTE AND PLAYED CERTAIN TUNES ON
+IT, ALL OF THE SNAKES WOULD COME OUT OF THEIR HOLES AND DANCE TO
+THE MUSIC</span>
+</div>
+
+<p>As I was playing my flute one afternoon, I remember distinctly
+that nothing happened for a while. I stopped and tried another
+tune. I heard a strange rustle in the leaves of the small plants
+of the jungle; but nothing came of it. Again I changed my tune
+and played on. This time even the leaves did not move, so I was
+sure my flute was not catching the ear of any animal. I was
+heart-broken. I had gone to test my knowledge of flute-playing,
+but I found out that I could not attract any animal.</p>
+
+<p>It was getting late; the darkness of the jungle became thicker
+and thicker, though the April sun was still scorching the open
+meadow. <span class='pagenum'><a name="Page_93" id="Page_93">[93]</a></span>At last in desperation, I tried my only remaining
+tune, not being very proficient on the flute. For a while nothing
+happened. I played so intently that I paid attention to nothing
+else and was greatly startled to hear a noise as if someone were
+pulling on a rope. I looked up and there was a stag whose
+nostrils were quivering with excitement as if he scented the
+music. His beautiful forked horns were caught up in a creeper
+hanging from a tree, from which he was trying to free himself. I
+kept on playing, but did not take my eyes from him. At last he
+freed himself from the vine, but a tendril still clung to his
+horns like a crown of green. He came nearer and stood still.</p>
+
+<p>I kept on playing, and one by one more golden faces began to come
+out from behind the foliage of the jungle. The spotted fawn, the
+musk-deer, gazelles and antelopes, all seemed to answer the call
+of the music. I stopped playing. That instant a shiver went
+through the herd; the stag stamped his foot<span class='pagenum'><a name="Page_94" id="Page_94">[94]</a></span> on the ground and as
+swiftly as the waving of a blade of grass in the breeze they all
+disappeared in the forest. I could feel in the distance the
+shiver of the undergrowth of grass and saplings indicating the
+way the animals had passed.</p>
+
+<p>Knowing this power of music over animals, I wanted to train Kari
+and Kopee to follow the tunes of my flute. Kopee was such a
+monkey that I could not make him listen. Whenever I began to play
+the flute, he would go to sleep or run up a tree. Monkeys have no
+brains.</p>
+
+<p>Kari, on the contrary, though much worse at first, was more
+sensible. He paid no attention to any tune that I played, but
+once in a while, I would strike a note that would make him stop
+still and listen, and I could tell by his manner that this tune
+went home. Those long fanning ears of his would stop waving and
+the restless trunk would be still for a moment. Unfortunately,
+the notes that really reached his soul were very few&mdash;I could
+hardly sustain<span class='pagenum'><a name="Page_95" id="Page_95">[95]</a></span> them for more than a minute and a half. Weeks
+passed before I could get them back again.</p>
+
+<p>One day after the battle with the wild elephant in the jungle, I
+took up the flute again and began to play for him. I tried many
+notes and chords. At last I could sustain the tones he liked for
+more than three minutes. By the end of August, I could make Kari
+listen to my music for ten minutes at a time. When another winter
+had passed and summer came again, I could really command him with
+my music. I could sit on his back, almost on his neck, and play
+the flute, never saying a word, and guide him for days and days.</p>
+
+<p>This summer a very daring tiger visited our village. His head
+looked like a tower and his body was as large as that of an ox.
+At first he came in the night and killed oxen or buffaloes, but
+one night he killed a man, and after that he never killed
+anything but men, for the tiger is as fond of human meat as we
+are of chicken.<span class='pagenum'><a name="Page_96" id="Page_96">[96]</a></span></p>
+
+<p>Our house was very near the jungle; all our windows were barred
+with iron. Nothing could go in or out through them except
+mosquitoes or flies. One evening I was sitting at my window at
+about eight o'clock. I heard the cry of the Fayu, the fox which
+goes ahead of the tiger, giving the warning call to all the other
+animals. Then, as the darkness that night was not very intense, I
+could see the fox go by. Soon I could actually inhale the odor of
+a tiger.</p>
+
+<p>In a few moments an enormous black creature came and stood in
+front of the window. As he sat down, the call of the fox in the
+distance stopped. After a while the tiger stood up and walked
+toward the window. That instant, the fox in the distance began to
+call. I was very frightened, but as I wanted to see the tiger
+clearly, I lit a match. He was so frightened by the sight of fire
+that with one growl he bounded off.</p>
+
+<p>After that the tiger took to coming early in the afternoons. One
+day about four o'clock, we saw him standing on a rock across the
+river,<span class='pagenum'><a name="Page_97" id="Page_97">[97]</a></span> looking at the village. The river was very shallow,
+hardly five inches deep, but it was very broad and full of sand
+bars. He stood looking at the village and growling with great
+joy. In India the government does not allow the people to carry
+rifles of any sort, so whenever a tiger or a leopard makes a
+nuisance of himself around the village you generally have to send
+for a British official to come and kill him. Word was sent to the
+magistrate of our district. In a few days a chubby-faced
+Englishman appeared. In the Indian sun the red face of the
+Westerner looks even redder.</p>
+
+<p>There are certain rules by which men hunt in India. You never
+shoot an animal weaker than yourself, and if you want to shoot a
+tiger or a leopard, you give it a warning. If you do not do so,
+you generally pay for it. After the British official appeared, I
+was allowed to take him on my elephant and go out in the open to
+show him that Kari was fit for hunting. He fired a number of
+shots and killed several birds. Kari, who had never heard a shot
+before, and<span class='pagenum'><a name="Page_98" id="Page_98">[98]</a></span> whom everyone expected to be frightened, did not pay
+the slightest attention to all the clamor of flying bullets. He
+knew at heart he was the master of the jungle, and hence nothing
+could surprise him. It is said in India that the mark of a
+gentleman is that he is never surprised. That shows that Kari's
+ancestors were undoubtedly very gentle elephants.</p>
+
+<p>After killing some more birds, the magistrate became quite
+convinced that Kari would do for the hunt, so one morning about
+four o'clock we started out. I sat almost on the neck of my
+elephant playing my flute, and the magistrate sat in the <i>howdah</i>
+which had been especially prepared for him, since he was not
+accustomed to riding elephants any other way. We crossed the
+river and went far into the jungle. Beaters had gone ahead in
+large groups to stir up the jungle from all directions. It was
+very difficult to go through the jungle with the <i>howdah</i> on the
+elephant's back, and we had to edge our way along between
+branches and trees.<span class='pagenum'><a name="Page_99" id="Page_99">[99]</a></span></p>
+
+<p>After riding for at least two hours, we came to an open space and
+it was agreed that the beaters should drive all the animals to
+this clearing. This morning the sunrise was full of noise and
+without any of the soft and delicate silences which usually mark
+day-break in the jungle. I felt quite out of humor and apparently
+Kari was bored to death. He kept on pulling at one twig after
+another with his trunk, nibbling and wasting everything. Our
+passenger did not know any language but English, and as I knew
+nothing of English at that time, we spoke very little and only by
+signs.</p>
+
+<p>The first animals to come before us were a herd of antelopes
+which dashed towards us like burnt gold flashing through emerald
+water. After they had passed, a lull fell on the scene, which was
+soon broken by the grunt and snort of a rhinoceros. He rushed
+forward in a straight line, as usual, breaking and tearing
+everything. Kari averted his gaze because elephants are always
+irritated by the ostentatious<span class='pagenum'><a name="Page_100" id="Page_100">[100]</a></span> bustle of a rhinoceros. Then, soon
+after him we saw a horned boar rushing like a black javelin
+through the air, followed by many animals, weasels and wild cats,
+and once in a while a cheetah with its spotted skin. They refused
+to come out in the open, however, but always went behind the
+screen of foliage and grass, for they had smelled the danger
+signal, man and elephant.</p>
+
+<p>Every little while we heard a passionate and angry growl. When
+this sound reached our ears, the magistrate would sit up with his
+rifle to take aim. Then there would be a lull. Now we could hear
+the cry o&pound; the beaters in the distance coming nearer and nearer.
+Suddenly a herd of elephants passed. They made no noise and left
+no trace, but passed by like walking cathedrals.</p>
+
+<p>Again the angry growl fell on the jungle, but this time it was
+ahead of us. The beaters cried out again close by, but all were
+silenced by the roar of the approaching tiger. With one bound he
+appeared in the clearing, but<span class='pagenum'><a name="Page_101" id="Page_101">[101]</a></span> immediately disappeared again. We
+could see him passing from one bush to another; and when he
+stopped we caught a glimpse of his hind legs. Without any warning
+the magistrate fired and like a thunder bolt, the tiger leaped in
+front of the elephant with one roar. Kari reared; he walked
+backwards and stood with his back against a tree. The magistrate
+could not shoot at the tiger without sending a bullet through my
+head, so he had to wait.</p>
+
+<p>Then with a leap the tiger was by the side of the elephant, so
+close to the <i>howdah</i> that there was not the distance of even a
+rifle between him and the magistrate. I stopped my flute playing
+to swear at the magistrate. I said, "You brother of a pig; why
+did you not give him warning before you shot? Who has ever heard
+of killing an animal without seeing him face to face? Can you
+kill a tiger by breaking his hind leg with a bullet?"</p>
+
+<p>The man was livid with terror. He had the rifle in his hand but
+the tiger was reaching over the <i>howdah</i> and stretching out his
+paw to get<span class='pagenum'><a name="Page_102" id="Page_102">[102]</a></span> him. He did not know what to do. Kari shook himself
+with all his strength but he could not shake the tiger off. He
+trumpeted in great pain because the tiger's claws were cutting
+into his flesh. He raised his trunk, swayed his body and bounded
+against a tree behind him; but still the tiger could not be
+shaken off. The nearer the tiger's paw came, the more the
+magistrate tried to lean against the side of the <i>howdah</i>. Pretty
+soon he moved towards the elephant's rear, and thus reached a
+corner of the <i>howdah</i> which gave him almost as much space as the
+length of a rifle. I saw the eye of the tiger turn first red and
+then yellow, and heard the terrible snarl which he gives only
+when he is sure of his prey. The quality of the snarl is such
+that it paralyzes his victim.</p>
+
+<div class="figcenter" style="width: 500px;"><a name="Pic_7" id="Pic_7"></a>
+<img src="images/image_07.jpg" width="500" height="695" alt="WITHOUT ANY WARNING THE MAGISTRATE FIRED" title="" />
+<span class="caption">WITHOUT ANY WARNING THE MAGISTRATE FIRED</span>
+</div>
+
+<p>Seeing that the Englishman could do nothing and feeling sure that
+he would be killed, I knew I had to do something. I stopped
+swearing and with one terrible yell gave the elephant the master
+call. He went forward and put his trunk around a very thick
+<span class='pagenum'><a name="Page_103" id="Page_103">[103]</a></span>branch of a tree and pulled it down with a great crash. That
+instant the tiger looked at the direction from which the noise
+had come. His head was near me now, and he did not know whether
+to attack me or go back to his former prey. It seemed as if hours
+passed. I was petrified with terror, yet I knew that if I let my
+fright get possession of me, I would be killed. So I controlled
+myself. Kari was now trying to strike the tiger with this trunk,
+but he could not get at him.</p>
+
+<p>Suddenly I realized that the Englishman not only had the rifle's
+length between him and the tiger but was raising the rifle to
+take aim. Knowing this, I took my flute and hit the tiger's
+knuckles with it. He came toward me with his paw outstretched and
+caught the shawl which was loosely tied around my waist. I was
+glad to hear it tear because he had just missed my flesh. That
+instant I saw the Englishman put the barrel of the rifle into the
+tiger's ear. All I remembered was hot blood spurting over my
+face. Kari was running<span class='pagenum'><a name="Page_104" id="Page_104">[104]</a></span> away with all his might and did not stop
+until he had crossed the clearing and disappeared beyond the
+trees. He was not hurt, except that his side was torn here and
+there with superficial wounds. When the beaters came, I made the
+elephant kneel down. We both got off. The Englishman went to see
+how big the tiger was while I led Kari in quest of my broken
+flute. Toward sun-down when they had skinned the tiger, they
+found its length to be nine feet, not counting the tail.</p>
+
+
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_107" id="Page_107">[107]</a></span></p>
+<h2><a name="CHAPTER_VIII" id="CHAPTER_VIII"></a>CHAPTER VIII</h2>
+
+<h2>KARI AND THE QUICK-SAND</h2>
+
+<div class="figleft"><img src="images/image_t.jpg" alt="T" width="55" height="50" /></div>
+<p>hough elephants are very unselfish animals, they behave like
+human beings when brought to the last extremity. The following
+adventure will show you what I mean.</p>
+
+<p>One day, Kari and Kopee and I went to the river bank to help pull
+a big barge up the river. The towmen could not pull the ropes
+hard enough to make progress against the current. All that they
+could do was to stand still without getting ahead at all. So word
+was sent on to us and we three went to help out. I harnessed Kari
+with the tow rope. It was very amusing, as he had never pulled a
+weight in his life. At first he pulled very hard. The rope almost
+broke and the barge swayed in the<span class='pagenum'><a name="Page_108" id="Page_108">[108]</a></span> water, almost toppled, and
+then drifted to its previous position. The swift current was
+going against it and the people in the barge were shaking their
+hands and swearing at us as they were afraid that the vessel
+would capsize.</p>
+
+<p>Kari did not care. After he had pulled the barge about two
+hundred yards he stopped; the rope slackened and then the current
+pulled against us. The rope became taut again and the men
+shrieked from the barge. When you tug a boat, you must not jerk
+at the rope but pull it gently, so I urged Kari to pull it
+smoothly. In the course of an hour, he had actually drawn the
+boat in, and at the end of our journey he had learned to pull
+evenly.</p>
+
+<p>After that we went on playing on the river bank. Kopee jumped off
+the elephant's back and ran along the shore. I urged Kari to
+follow him, and as we kept on going, I lost all sense of
+direction and trusted to the intelligence of the animals. The
+monkey, however, had led us into a trap. We had run into
+quick-sand and Kari began to sink. Every time he<span class='pagenum'><a name="Page_109" id="Page_109">[109]</a></span> tried to lift
+his feet he seemed to go deeper into the mud and he was so
+frightened that he tried to take hold of the monkey with his
+trunk and step on him as something solid, but Kopee chattered and
+rushed up a tree.</p>
+
+<p>Then Kari swung his trunk around, pulled down the mattress from
+his back, and putting it on the ground tried to step on it. That
+did not help, so he curled up his trunk behind to try to get me
+to step on. Each time he made an effort like that, however, he
+sank deeper into the mud. I saw the trunk curling back and
+creeping up to me like a python crawling up a hillside to coil
+around its prey. There was no more trumpeting or calling from the
+elephant, but a sinister silence through which he was trying to
+reach me. He had come to the end of his unselfishness. In order
+to save himself, he was willing to step on me.</p>
+
+<p>The monkey screamed from the tree-top and I, jumping off the
+elephant's back, fell on the ground and ran. Kari kept on
+trumpeting and calling for help, and by this time he was chest<span class='pagenum'><a name="Page_110" id="Page_110">[110]</a></span>
+deep in the mud. The rear of him had not sunk so far, so he was
+on a slant which made it all the more difficult for him to lift
+himself.</p>
+
+<p>I ran off to the village and called for help. By the time we got
+back with ropes and planks, he was holding his trunk up in order
+to breathe, as the mud was up to his chin. There was only one
+thing to do, and that was to lift Kari by his own weight, so we
+tied the rope to the tree and flung it to him. He got it with his
+trunk and pulled. The rope throbbed and sang like an electric
+wire and the tree groaned with the tension, but all that happened
+was that the elephant slipped forward a little and his hind legs
+fell deeper into the mud.</p>
+
+<p>Now he was perfectly flat in quick-sand. But something very
+interesting had taken place. Now that he was holding on to the
+rope with all his mortal strength we knew that he would not let
+go of it, so it was easy to go near him and put planks under him,
+as the hind part of his belly had not yet sunk to the level of
+the mud. At last he stopped sinking, but as we<span class='pagenum'><a name="Page_111" id="Page_111">[111]</a></span> could not put the
+planks under his feet it only meant that he would not go further
+down and smother to death.</p>
+
+<p>Now that his head was lifted and there was an opening between him
+and the mud, the question was how to lift the front part of his
+body so that he could drag the rest of it out. Another elephant
+had to be called in. It turned out to be Kari's mother who had
+been given to the neighboring king. By the time she arrived,
+however, dusk had fallen and nothing could be done. We trusted to
+God and left him to his quick-sand for the night.</p>
+
+<p>The next morning we found Kari in the same position as the
+previous evening. He had relaxed his hold on the rope but had not
+sunk deeper. We had to put more planks all around him but he now
+knew that he should not attack anyone because we were trying to
+save him. After the planks had been tested, his mother went up to
+him. She put her trunk around his neck and started to lift him,
+but he groaned with pain for he was being smothered. He began<span class='pagenum'><a name="Page_112" id="Page_112">[112]</a></span> to
+sink again and we just had time to put some more planks between
+his chest and the mud.</p>
+
+<p>We had also slipped a rope under him, which some men in a boat
+near the river bank came up and threw over his back. The hawser
+was made into a loop around his body and the other end was tied
+around the mother. Then she pulled with all her might, and her
+strength was so great that his fore-quarters were lifted up and
+his small legs dangled in the air. He was pulled forward quite a
+distance, when the hawser broke and his fore-legs fell on the
+plank. His hind legs now were sinking and we were terribly
+frightened. We felt as if we had lost him again.</p>
+
+<p>The situation was not so bad as we thought, however, as it was
+very easy to slip another hawser under him. This time we made a
+double loop around him, and also made him hold on to the rope
+around the tree with his trunk. He was very tired, but I urged
+him to obey me. And now with the aid of his<span class='pagenum'><a name="Page_113" id="Page_113">[113]</a></span> mother, he managed
+to lift the rear half of his body and put first one leg and then
+the other on the plank. A great shout of joy went through the
+crowd as Kari walked on to solid ground. That instant the monkey
+jumped down from the tree and fell on Kari's neck; he was very
+glad to see his friend safe again. But Kari was in no humor for
+anyone's caresses and he shook Kopee off. The first thing I did
+was to pull some branches from a tree which Kari devoured
+hungrily. A hungry elephant is not to be bothered by anyone.</p>
+
+<p>I had learned my lesson. I would no longer take my elephant
+anywhere and everywhere at the behest of the monkey, for monkeys
+have no judgment.</p>
+
+
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_117" id="Page_117">[117]</a></span></p>
+<h2><a name="CHAPTER_IX" id="CHAPTER_IX"></a>CHAPTER IX</h2>
+
+<h2>KARI'S TRAVELS</h2>
+
+<div class="figleft"><img src="images/image_s.jpg" alt="S" width="36" height="50" /></div>
+<p>ometimes Kari was used for travel. He and I went through many
+distant places in India with camel caravans, carrying loads of
+silver and gold, spices and fruits. They went from one end of
+India to the other, passing through hot and deserted cities while
+our accustomed way when not in their company led through populous
+places and thick jungle regions. Elephants have an advantage over
+camels in this respect&mdash;gangs of robbers may attack a camel and
+his driver and rob him, but no one dares to attack an elephant.
+As the animals of the jungle do not care to touch an elephant,
+neither do wild men in desolate places. For this reason they
+generally used Kari when they wanted to send<span class='pagenum'><a name="Page_118" id="Page_118">[118]</a></span> pearls and other
+jewels from one place to another.</p>
+
+<p>Once, we were given the king's emerald to carry. It was as big as
+the morning star, and burned when the glow of the noon-day sun
+was upon it. Two epics were carved on it&mdash;on one side was the
+story of the heroes, and on the other the story of the gods. We
+left the city and passed into the jungle. Night came on apace and
+we stopped.</p>
+
+<p>That night I watched the jungle as I had never watched it before.
+It was about nine o'clock; everything was dark and the stars were
+right on the tips of the trees. Below us in the foliage the eyes
+of the jungle were looking upon us. Wherever I turned, I thought
+I saw eyes. Kari swayed slightly from side to side and fell into
+a doze. The first thing that I noticed was the faint call of a
+night bird. When that died down, the hooting owl took it up. Then
+it passed into the soft wings of the bats and came into the
+leaves, and you could feel that noise shimmering down the<span class='pagenum'><a name="Page_119" id="Page_119">[119]</a></span> trees
+like water in a dream till, with gentle undulations, it
+disappeared into the ground. The wild boar could be heard
+grazing. Then there was silence again.</p>
+
+<p><span class='pagenum'><a name="Page_120" id="Page_120">[120]</a></span></p><p>Out of the blackness then came the green eyes of the wild cat below me
+and, as my eyes became more accustomed to the darkness, I saw small,
+beaver-like animals burrowing their way through leaves and brushes. I
+thought I saw weasels way below, and in the distance I felt the stag
+disturbing the leaves of small plants. Then there was a snarl in the
+jungle and these gently moving sounds and quivers ceased. An aching
+silence came over everything, broken only by strange insect voices
+like the spurting of water. Very soon the call of the fox was heard,
+and then the groan of the tiger, but that passed. As I was above the
+ground the odor of my breath went up in the air, and the animals never
+knew there was man about. Men always disturb animals because they hate
+and fear more than the animals.</p>
+
+<p>Little by little the sounds died down and stillness took
+possession of the jungle. I saw herds of elephants go into the
+water to bathe. They did not make the slightest sound; their
+bodies sank into the water as clouds dip into the sunset. I could
+see them curling their trunks around their mates and plucking
+lilies from the water to eat. As the moon with its shadowy light
+had risen, I seemed to be looking at them through a veil of
+water. Close to the shore were the little ones stepping into the
+water and learning how to breathe quantities of water into their
+trunks and then snort it out slowly without the slightest sound.
+Soon their bath was over, but the only way you could tell that
+they had bathed was by hearing drops of water like twinkling
+stars fall from their wet bodies and strike the leaves on the
+ground.</p>
+
+<p>This proved too much for Kari; he wanted to follow them. I had a
+hard time keeping him away from the herd, and despite all my
+urging, he ran right into the river. His mattress and everything
+that was tied to his back<span class='pagenum'><a name="Page_121" id="Page_121">[121]</a></span> was wet through and through and I had
+to swim ashore. If the emerald had not been tied to my neck, it
+would have been lost in the water. I went up a tree and waited
+for Kari to come out of the water.</p>
+
+<p>After I had sat on a branch a little while, I saw two stony eyes
+watching me. I looked, and looked and looked; a cold shiver ran
+up and down my back, but I was determined not to fear and hate. I
+made myself feel very brave and I stared right back into the
+shining eyes. They closed. In the moonlight I could distinctly
+see the head of a cobra lying on another branch very near mine. I
+had disturbed him going up. I knew if I moved a little he would
+get up and sting me to death, so I sat very still.</p>
+
+<p>Soon there was a terrible hooting and calling in the jungle. I
+heard hoofs stampeding in the distance. The noise grew louder and
+louder and I could feel a vast warm tongue licking the cool
+silence of the night. Then the cobra crawled along the branch to
+the<span class='pagenum'><a name="Page_122" id="Page_122">[122]</a></span> trunk of the tree, and then on down to the ground. I, who
+was holding to the trunk, had to sit still while his cold body
+passed over my finger. But I was determined not to fear and I
+could feel the silken coolness passing over my hot hand. In an
+instant he was gone.</p>
+
+<p>Now I caught sight of Kari snorting before me. As I knew
+something had taken possession of the jungle, I jumped on his
+back. While we hurried along we heard the whining snarl of a
+tiger, not the call of hate or killing, but the call for
+protection, swiftly following our lead. Being civilized, we
+instinctively knew the way out of the jungle to human habitation.
+We approached the village which was still sleeping in the morning
+grayness, and behind us saw horny deer, leopards, and wild cats
+rushing after us. Then the boars came after us, dashing out of
+the jungle in terror. Vast clouds of blackness were rising from
+the horizon, and when the morning light grew more intense, I
+realized they were clouds of smoke. The morning breeze was warm
+and in<span class='pagenum'><a name="Page_123" id="Page_123">[123]</a></span> a short time the smell of burning leaves reached me. The
+forest was on fire.</p>
+
+<p>We arrived at the village in an hour and a half. The sun was
+already up. The leopards came and sat near the houses as
+guileless as children; the boars snorted and ran into the rice
+fields to hide. The tiger came and sat in the open and watched
+the forest. The antelopes and the deer stood in the ponds and on
+the banks of the river. By instinct they knew that the water was
+the only place where the fire could not reach them. We saw flocks
+of birds flying to shelter. Soon we saw the red tongue of fire
+licking the grass and the trees. A terrible heat settled upon the
+country-side.</p>
+
+<p>I could now go near any animal and touch him. The terrible danger
+which was common to all had made them forget their relations with
+each other&mdash;that of hunter and prey. Tiger, elephant and man were
+standing near each other. All had a sense of common friendship,
+as if the tiger had thrown away his stripes, man his fear, and
+the deer his sense<span class='pagenum'><a name="Page_124" id="Page_124">[124]</a></span> of danger. We all looked at one another,
+brothers in a common bond of soul relationship. This sight made
+me realize why the Hindus believe that each plant and each
+animal, like man, has a golden thread of spirituality in its
+soul. In the darkness of the animal's eyes and the eloquence of
+man's mind it was the same Spirit, the great active Silence
+moving from life to life.</p>
+
+<p>The jungle was burning to cinders. The tiger hid his face between
+his paws; the wild cats curled up, hiding their faces. None
+wanted to see the passing of the terror. Later in the afternoon
+some of the birds that were flying aimlessly around were drawn by
+the hypnotism of the flames into the jungle where they perished.
+If one is frightened beyond his control, fear possesses him so
+that he loses all consciousness of self-protection and he is
+drawn down into the vortex of the very destruction which rouses
+that fear.</p>
+
+<p>The more I watched Kari and the other animals, the more I came to
+understand why<span class='pagenum'><a name="Page_125" id="Page_125">[125]</a></span> Kari and I loved each other. We had a soul in
+common. I played the flute for him and was deeply moved. I felt
+that if I could be dumb like he, I could understand him better.
+This was the lesson the fire taught me: do not hate and fear
+animals. In them is the soul that is God, as it is also in us.
+Behind each face, human or animal, is the face of the Christ.
+Those who have eyes to see can always find it.</p>
+
+
+
+<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_129" id="Page_129">[129]</a></span></p>
+<h2><a name="CHAPTER_X" id="CHAPTER_X"></a>CHAPTER X</h2>
+
+<h2>KARI IN THE LUMBER YARD</h2>
+
+<div class="figleft"><img src="images/image_n.jpg" alt="N" width="56" height="50" /></div>
+<p>ot long after this Kari was sent to the lumber yards. It was
+very interesting to see that he learned all the tricks of the
+lumber trade in a few days. He would pull heavy logs out of the
+forest into the open, lift the lighter ones with his trunk and
+pile them up, one on top of the other. He had such a good sense
+of symmetry that his piles were always extremely neat.</p>
+
+<p>Soon an older elephant came to help him. Whenever there was a log
+which was too heavy for Kari to lift, they would each take one
+end of it and lift it on the lumber wagon. An elephant, as you
+see, can do the work of a truck.</p>
+
+<p>We had reached a stage in the history of the<span class='pagenum'><a name="Page_130" id="Page_130">[130]</a></span> world when motor
+engines did a large part of the work of the jungle. The elephants
+would bring the lumber from the forest and deposit it near these
+engines where it would be cut into proper lengths and then thrown
+out again to be piled up by the elephants.</p>
+
+<p>The mechanics who ran these engines ate meat and drank liquor. It is
+very strange that when Western people come to the East, they do not
+give up their expensive ways of living. Drinking wine and eating meat
+is one thing in cold climates, where one has to keep warm, but in a
+hot climate a man is sure to go to pieces if he eats and drinks much.
+Kari had no objection to wine drinking, but he did not like
+meat-eating men any more than he liked meat-eating tigers. He never
+hated them or feared them, simply he somehow did not enjoy their
+company. But these white engineers who came from afar did not know
+that an elephant had a soul.</p>
+
+<p>Kari always woke up at half past five and then went to work.
+Toward noon I would<span class='pagenum'><a name="Page_131" id="Page_131">[131]</a></span> bathe him and put him in his shed. Early in
+the afternoon he would begin to work again. Later on he ate lots
+of rice of which he was very fond. In the evening I would tie him
+up in his shed while I went to sleep on a hammock outside.</p>
+
+<p>One night, I heard a terrible trumpeting. I jumped down from my
+hammock and went into Kari's shed, where I found two drunken
+engineers lighting matches and throwing them at him. Kari, who
+was afraid of fire, as all animals are, was trumpeting angrily. I
+protested to the men, but they were so drunk that they only swore
+at me and went on flinging matches. Seeing that there was nothing
+else to do, I loosened all his chains except one, and let him
+stay there tied to the ground by one foot only.</p>
+
+<p>An elephant's chain is generally driven about five or six feet
+into the ground and is then covered with cement and earth. An
+elephant can rarely break this kind of chain, but I was afraid
+that the matches might set the<span class='pagenum'><a name="Page_132" id="Page_132">[132]</a></span> shed on fire, and I trusted Kari
+more than drunken men. I knew that if the shed caught fire the
+elephant could break one chain if he tried hard to escape. The
+night passed without any further incident, however.</p>
+
+<p>I must explain why animals are afraid of fire. Fire, you see, is
+the one thing that they can never fight. They are not afraid of
+water, as most of them can swim, but if they are caught in fire,
+they are generally burned to death. For this reason they have
+built up a protective instinct against fire. Whenever there is
+fire of any sort, they run. As they have seen the jungle set on
+fire from time to time for generations and generations, the sight
+of fire frightens them more than anything else. As long as they
+have inherited this fear from their ancestors, it is very wise
+not to play with fire in the presence of animals. If an animal as
+powerful as an elephant were frightened by fire, he would run mad
+and do the greatest amount of mischief.</p>
+
+<p>One noon when we had suspended work for<span class='pagenum'><a name="Page_133" id="Page_133">[133]</a></span> the day, I tied Kari in
+his shed and lay down in my hammock to rest. Toward late
+afternoon, I heard the same terrible trumpeting that I had heard
+before. The same thing had happened again. The two engineers,
+being idle, had drunk liquor and were trying to tease the animals
+nearby. The shed had a thatched roof of straw. The walls were of
+clay, but there was a lot of bamboo lying on the floor. Kari was
+eating twigs, some of which happened to have dry leaves.</p>
+
+<p>I came up to the elephant, and seeing what was going on, told the
+white men to stop teasing him. They would not hear of it,
+however. Just then I saw a flame rising from the leaves. Kari
+raised his trunk and trumpeted fiercely. As I was afraid that he
+would be burned to death, I hastened to loosen his chain and with
+one terrible trumpet he rushed out of the shed, trampling down
+one of the drunken men and killing him instantly. Kari then
+trumpeted more and more loudly, waving his trunk and rushing
+madly around.<span class='pagenum'><a name="Page_134" id="Page_134">[134]</a></span></p>
+
+<p>Realizing the danger we were in, I went up a very heavy banyan
+tree out of Kari's reach and lay among the leaves. The first
+thing he did was to go and put his foot on the automobile of the
+chief engineer, which happened to be standing outside of the
+shed. In a few minutes there was nothing but a mass of twisted
+steel on the ground, over which the elephant danced in anger.
+Then he saw the chief engineer and two other men standing on the
+porch of a bungalow. He rushed at them, but they knew what it
+meant to have a mad elephant about, and ran into the house. Kari
+then pulled down part of the thatched roof of the bungalow with
+his trunk, and finding no one there made straight for two new
+trucks that had only been in use a fortnight and broke them to
+pieces. Then he rushed at a bull which was grazing in a field,
+and wound his trunk around his neck. The bull dropped dead. In a
+few moments Kari was out of sight.</p>
+
+<div class="figcenter" style="width: 500px;"><a name="Pic_8" id="Pic_8"></a>
+<img src="images/image_08.jpg" width="500" height="665" alt="IN HIS MADNESS HE MUST HAVE GONE BACK TO THE
+JUNGLE" title="" />
+<span class="caption">IN HIS MADNESS HE MUST HAVE GONE BACK TO THE
+JUNGLE</span>
+</div>
+
+<p>For a fortnight no one heard anything of him. I expected him to
+return to me, but he <span class='pagenum'><a name="Page_135" id="Page_135">[135]</a></span>never came back. Even to this day no one
+knows what happened to him. Evidently those miserable engineers
+had driven him out of his mind. In his madness he must have gone
+back to the jungle and by the time he recovered his senses was so
+lost in its depths that he could not come back. When his mind
+returns to him, an elephant can never remember the road that he
+took in his insanity, and if he runs very far into the jungle he
+may never come back because the Spirit of the jungle seizes him.
+Kari's last impression of human beings must have been so terrible
+that when the Spirit of the jungle asserted itself in him, he
+allowed it to lure him away forever from the habitations of men.</p>
+
+<p>That is how it came about that I lost my friend and brother, the
+elephant. Though as an animal Kari is lost to me, my soul belongs
+to his soul and we shall never forget each other.</p>
+
+<p>&nbsp;</p>
+<p>&nbsp;</p>
+<hr class="full" />
+<p>***END OF THE PROJECT GUTENBERG EBOOK KARI THE ELEPHANT***</p>
+<p>******* This file should be named 24460-h.txt or 24460-h.zip *******</p>
+<p>This and all associated files of various formats will be found in:<br />
+<a href="http://www.gutenberg.org/dirs/2/4/4/6/24460">http://www.gutenberg.org/2/4/4/6/24460</a></p>
+<p>Updated editions will replace the previous one--the old editions
+will be renamed.</p>
+
+<p>Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.</p>
+
+
+
+<pre>
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+<a href="http://www.gutenberg.org/license">http://www.gutenberg.org/license)</a>.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/pglaf
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+<a href="http://www.gutenberg.org">http://www.gutenberg.org</a>
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+<a href="http://www.gutenberg.org/dirs/etext06/">http://www.gutenberg.org/dirs/etext06/</a>
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+http://www.gutenberg.org/dirs/1/0/2/3/10234
+
+or filename 24689 would be found at:
+http://www.gutenberg.org/dirs/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+<a href="http://www.gutenberg.org/dirs/GUTINDEX.ALL">http://www.gutenberg.org/dirs/GUTINDEX.ALL</a>
+
+*** END: FULL LICENSE ***
+</pre>
+</body>
+</html>
diff --git a/24460-h/images/image_01.jpg b/24460-h/images/image_01.jpg
new file mode 100644
index 0000000..0f29a13
--- /dev/null
+++ b/24460-h/images/image_01.jpg
Binary files differ
diff --git a/24460-h/images/image_02.jpg b/24460-h/images/image_02.jpg
new file mode 100644
index 0000000..8f398c2
--- /dev/null
+++ b/24460-h/images/image_02.jpg
Binary files differ
diff --git a/24460-h/images/image_03.jpg b/24460-h/images/image_03.jpg
new file mode 100644
index 0000000..fe01754
--- /dev/null
+++ b/24460-h/images/image_03.jpg
Binary files differ
diff --git a/24460-h/images/image_04.jpg b/24460-h/images/image_04.jpg
new file mode 100644
index 0000000..930557c
--- /dev/null
+++ b/24460-h/images/image_04.jpg
Binary files differ
diff --git a/24460-h/images/image_05.jpg b/24460-h/images/image_05.jpg
new file mode 100644
index 0000000..03c7469
--- /dev/null
+++ b/24460-h/images/image_05.jpg
Binary files differ
diff --git a/24460-h/images/image_06.jpg b/24460-h/images/image_06.jpg
new file mode 100644
index 0000000..a25bac4
--- /dev/null
+++ b/24460-h/images/image_06.jpg
Binary files differ
diff --git a/24460-h/images/image_07.jpg b/24460-h/images/image_07.jpg
new file mode 100644
index 0000000..bc1bbed
--- /dev/null
+++ b/24460-h/images/image_07.jpg
Binary files differ
diff --git a/24460-h/images/image_08.jpg b/24460-h/images/image_08.jpg
new file mode 100644
index 0000000..70de7c6
--- /dev/null
+++ b/24460-h/images/image_08.jpg
Binary files differ
diff --git a/24460-h/images/image_09.jpg b/24460-h/images/image_09.jpg
new file mode 100644
index 0000000..4d5f135
--- /dev/null
+++ b/24460-h/images/image_09.jpg
Binary files differ
diff --git a/24460-h/images/image_a.jpg b/24460-h/images/image_a.jpg
new file mode 100644
index 0000000..aa86591
--- /dev/null
+++ b/24460-h/images/image_a.jpg
Binary files differ
diff --git a/24460-h/images/image_i.jpg b/24460-h/images/image_i.jpg
new file mode 100644
index 0000000..dbd5c4e
--- /dev/null
+++ b/24460-h/images/image_i.jpg
Binary files differ
diff --git a/24460-h/images/image_k.jpg b/24460-h/images/image_k.jpg
new file mode 100644
index 0000000..15cc2b6
--- /dev/null
+++ b/24460-h/images/image_k.jpg
Binary files differ
diff --git a/24460-h/images/image_n.jpg b/24460-h/images/image_n.jpg
new file mode 100644
index 0000000..b4af52e
--- /dev/null
+++ b/24460-h/images/image_n.jpg
Binary files differ
diff --git a/24460-h/images/image_s.jpg b/24460-h/images/image_s.jpg
new file mode 100644
index 0000000..c25f47f
--- /dev/null
+++ b/24460-h/images/image_s.jpg
Binary files differ
diff --git a/24460-h/images/image_t.jpg b/24460-h/images/image_t.jpg
new file mode 100644
index 0000000..9ee1e1a
--- /dev/null
+++ b/24460-h/images/image_t.jpg
Binary files differ
diff --git a/24460-h/images/image_w.jpg b/24460-h/images/image_w.jpg
new file mode 100644
index 0000000..61a4298
--- /dev/null
+++ b/24460-h/images/image_w.jpg
Binary files differ