summaryrefslogtreecommitdiff
path: root/2436-0.txt
diff options
context:
space:
mode:
Diffstat (limited to '2436-0.txt')
-rw-r--r--2436-0.txt1728
1 files changed, 1728 insertions, 0 deletions
diff --git a/2436-0.txt b/2436-0.txt
new file mode 100644
index 0000000..e0f13eb
--- /dev/null
+++ b/2436-0.txt
@@ -0,0 +1,1728 @@
+The Project Gutenberg eBook, The Marriages, by Henry James
+
+
+This eBook is for the use of anyone anywhere in the United States and most
+other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms of
+the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you'll have
+to check the laws of the country where you are located before using this ebook.
+
+
+
+
+Title: The Marriages
+
+
+Author: Henry James
+
+
+
+Release Date: February 1, 2015 [eBook #2436]
+[This file was first posted on February 23, 2000]
+
+Language: English
+
+Character set encoding: UTF-8
+
+
+***START OF THE PROJECT GUTENBERG EBOOK THE MARRIAGES***
+
+
+Transcribed from the 1922 Macmillan and Co. “Daisy Miller, Pandora, The
+Patagonia and Other Tales” edition by David Price, email
+ccx074@pglaf.org. Proofing by Elizabeth Manzelli and Vanessa Mosher.
+
+ [Picture: Book cover]
+
+
+
+
+
+ THE MARRIAGES
+ by Henry James
+
+
+I
+
+
+“WON’T you stay a little longer?” the hostess asked while she held the
+girl’s hand and smiled. “It’s too early for every one to go—it’s too
+absurd.” Mrs. Churchley inclined her head to one side and looked
+gracious; she flourished about her face, in a vaguely protecting
+sheltering way, an enormous fan of red feathers. Everything in her
+composition, for Adela Chart, was enormous. She had big eyes, big teeth,
+big shoulders, big hands, big rings and bracelets, big jewels of every
+sort and many of them. The train of her crimson dress was longer than
+any other; her house was huge; her drawing-room, especially now that the
+company had left it, looked vast, and it offered to the girl’s eyes a
+collection of the largest sofas and chairs, pictures, mirrors, clocks,
+that she had ever beheld. Was Mrs. Churchley’s fortune also large, to
+account for so many immensities? Of this Adela could know nothing, but
+it struck her, while she smiled sweetly back at their entertainer, that
+she had better try to find out. Mrs. Churchley had at least a high-hung
+carriage drawn by the tallest horses, and in the Row she was to be seen
+perched on a mighty hunter. She was high and extensive herself, though
+not exactly fat; her bones were big, her limbs were long, and her loud
+hurrying voice resembled the bell of a steamboat. While she spoke to his
+daughter she had the air of hiding from Colonel Chart, a little shyly,
+behind the wide ostrich fan. But Colonel Chart was not a man to be
+either ignored or eluded.
+
+“Of course every one’s going on to something else,” he said. “I believe
+there are a lot of things to-night.”
+
+“And where are _you_ going?” Mrs. Churchley asked, dropping her fan and
+turning her bright hard eyes on the Colonel.
+
+“Oh I don’t do that sort of thing!”—he used a tone of familiar resentment
+that fell with a certain effect on his daughter’s ear. She saw in it
+that he thought Mrs. Churchley might have done him a little more justice.
+But what made the honest soul suppose her a person to look to for a
+perception of fine shades? Indeed the shade was one it might have been a
+little difficult to seize—the difference between “going on” and coming to
+a dinner of twenty people. The pair were in mourning; the second year
+had maintained it for Adela, but the Colonel hadn’t objected to dining
+with Mrs. Churchley, any more than he had objected at Easter to going
+down to the Millwards’, where he had met her and where the girl had her
+reasons for believing him to have known he should meet her. Adela wasn’t
+clear about the occasion of their original meeting, to which a certain
+mystery attached. In Mrs. Churchley’s exclamation now there was the
+fullest concurrence in Colonel Chart’s idea; she didn’t say “Ah yes, dear
+friend, I understand!” but this was the note of sympathy she plainly
+wished to sound. It immediately made Adela say to her “Surely you must
+be going on somewhere yourself.”
+
+“Yes, you must have a lot of places,” the Colonel concurred, while his
+view of her shining raiment had an invidious directness. Adela could
+read the tacit implication: “You’re not in sorrow, in desolation.”
+
+Mrs. Churchley turned away from her at this and just waited before
+answering. The red fan was up again, and this time it sheltered her from
+Adela. “I’ll give everything up—for _you_,” were the words that issued
+from behind it. “_Do_ stay a little. I always think this is such a nice
+hour. One can really talk,” Mrs. Churchley went on. The Colonel
+laughed; he said it wasn’t fair. But their hostess pressed his daughter.
+“Do sit down; it’s the only time to have any talk.” The girl saw her
+father sit down, but she wandered away, turning her back and pretending
+to look at a picture. She was so far from agreeing with Mrs. Churchley
+that it was an hour she particularly disliked. She was conscious of the
+queerness, the shyness, in London, of the gregarious flight of guests
+after a dinner, the general _sauve qui peut_ and panic fear of being left
+with the host and hostess. But personally she always felt the contagion,
+always conformed to the rush. Besides, she knew herself turn red now,
+flushed with a conviction that had come over her and that she wished not
+to show.
+
+Her father sat down on one of the big sofas with Mrs. Churchley;
+fortunately he was also a person with a presence that could hold its own.
+Adela didn’t care to sit and watch them while they made love, as she
+crudely imaged it, and she cared still less to join in their strange
+commerce. She wandered further away, went into another of the bright
+“handsome,” rather nude rooms—they were like women dressed for a
+ball—where the displaced chairs, at awkward angles to each other, seemed
+to retain the attitudes of bored talkers. Her heart beat as she had
+seldom known it, but she continued to make a pretence of looking at the
+pictures on the walls and the ornaments on the tables, while she hoped
+that, as she preferred it, it would be also the course her father would
+like best. She hoped “awfully,” as she would have said, that he wouldn’t
+think her rude. She was a person of courage, and he was a kind, an
+intensely good-natured man; nevertheless she went in some fear of him.
+At home it had always been a religion with them to be nice to the people
+he liked. How, in the old days, her mother, her incomparable mother, so
+clever, so unerring, so perfect, how in the precious days her mother had
+practised that art! Oh her mother, her irrecoverable mother! One of the
+pictures she was looking at swam before her eyes. Mrs. Churchley, in the
+natural course, would have begun immediately to climb staircases. Adela
+could see the high bony shoulders and the long crimson tail and the
+universal coruscating nod wriggle their horribly practical way through
+the rest of the night. Therefore she _must_ have had her reasons for
+detaining them. There were mothers who thought every one wanted to marry
+their eldest son, and the girl sought to be clear as to whether she
+herself belonged to the class of daughters who thought every one wanted
+to marry their father. Her companions left her alone; and though she
+didn’t want to be near them it angered her that Mrs. Churchley didn’t
+call her. That proved she was conscious of the situation. She would
+have called her, only Colonel Chart had perhaps dreadfully murmured
+“Don’t, love, don’t.” This proved he also was conscious. The time was
+really not long—ten minutes at the most elapsed—when he cried out gaily,
+pleasantly, as if with a small jocular reproach, “I say, Adela, we must
+release this dear lady!” He spoke of course as if it had been Adela’s
+fault that they lingered. When they took leave she gave Mrs. Churchley,
+without intention and without defiance, but from the simple sincerity of
+her pain, a longer look into the eyes than she had ever given her before.
+Mrs. Churchley’s onyx pupils reflected the question as distant dark
+windows reflect the sunset; they seemed to say: “Yes, I _am_, if that’s
+what you want to know!”
+
+What made the case worse, what made the girl more sure, was the silence
+preserved by her companion in the brougham on their way home. They
+rolled along in the June darkness from Prince’s Gate to Seymour Street,
+each looking out of a window in conscious prudence; watching but not
+seeing the hurry of the London night, the flash of lamps, the quick roll
+on the wood of hansoms and other broughams. Adela had expected her
+father would say something about Mrs. Churchley; but when he said nothing
+it affected her, very oddly, still more as if he had spoken. In Seymour
+Street he asked the footman if Mr. Godfrey had come in, to which the
+servant replied that he had come in early and gone straight to his room.
+Adela had gathered as much, without saying so, from a lighted window on
+the second floor; but she contributed no remark to the question. At the
+foot of the stairs her father halted as if he had something on his mind;
+but what it amounted to seemed only the dry “Good-night” with which he
+presently ascended. It was the first time since her mother’s death that
+he had bidden her good-night without kissing her. They were a kissing
+family, and after that dire event the habit had taken a fresh spring.
+She had left behind her such a general passion of regret that in kissing
+each other they felt themselves a little to be kissing her. Now, as,
+standing in the hall, with the stiff watching footman—she could have said
+to him angrily “Go away!”—planted near her, she looked with unspeakable
+pain at her father’s back while he mounted, the effect was of his having
+withheld from another and a still more slighted cheek the touch of his
+lips.
+
+He was going to his room, and after a moment she heard his door close.
+Then she said to the servant “Shut up the house”—she tried to do
+everything her mother had done, to be a little of what she had been,
+conscious only of falling woefully short—and took her own way upstairs.
+After she had reached her room she waited, listening, shaken by the
+apprehension that she should hear her father come out again and go up to
+Godfrey. He would go up to tell him, to have it over without delay,
+precisely because it would be so difficult. She asked herself indeed why
+he should tell Godfrey when he hadn’t taken the occasion—their drive home
+being an occasion—to tell herself. However, she wanted no announcing, no
+telling; there was such a horrible clearness in her mind that what she
+now waited for was only to be sure her father wouldn’t proceed as she had
+imagined. At the end of the minutes she saw this particular danger was
+over, upon which she came out and made her own way to her brother.
+Exactly what she wanted to say to him first, if their parent counted on
+the boy’s greater indulgence, and before he could say anything, was:
+“Don’t forgive him; don’t, don’t!”
+
+He was to go up for an examination, poor lad, and during these weeks his
+lamp burned till the small hours. It was for the Foreign Office, and
+there was to be some frightful number of competitors; but Adela had great
+hopes of him—she believed so in his talents and saw with pity how hard he
+worked. This would have made her spare him, not trouble his night, his
+scanty rest, if anything less dreadful had been at stake. It was a
+blessing however that one could count on his coolness, young as he
+was—his bright good-looking discretion, the thing that already made him
+half a man of the world. Moreover he was the one who would care most.
+If Basil was the eldest son—he had as a matter of course gone into the
+army and was in India, on the staff, by good luck, of a
+governor-general—it was exactly this that would make him comparatively
+indifferent. His life was elsewhere, and his father and he had been in a
+measure military comrades, so that he would be deterred by a certain
+delicacy from protesting; he wouldn’t have liked any such protest in an
+affair of _his_. Beatrice and Muriel would care, but they were too young
+to speak, and this was just why her own responsibility was so great.
+
+Godfrey was in working-gear—shirt and trousers and slippers and a
+beautiful silk jacket. His room felt hot, though a window was open to
+the summer night; the lamp on the table shed its studious light over a
+formidable heap of text-books and papers, the bed moreover showing how he
+had flung himself down to think out a problem. As soon as she got in she
+began. “Father’s going to marry Mrs. Churchley, you know.”
+
+She saw his poor pink face turn pale. “How do you know?”
+
+“I’ve seen with my eyes. We’ve been dining there—we’ve just come home.
+He’s in love with her. She’s in love with _him_. They’ll arrange it.”
+
+“Oh I say!” Godfrey exclaimed, incredulous.
+
+“He will, he will, he will!” cried the girl; and with it she burst into
+tears.
+
+Godfrey, who had a cigarette in his hand, lighted it at one of the
+candles on the mantelpiece as if he were embarrassed. As Adela, who had
+dropped into his armchair, continued to sob, he said after a moment: “He
+oughtn’t to—he oughtn’t to.”
+
+“Oh think of mamma—think of mamma!” she wailed almost louder than was
+safe.
+
+“Yes, he ought to think of mamma.” With which Godfrey looked at the tip
+of his cigarette.
+
+“To such a woman as that—after _her_!”
+
+“Dear old mamma!” said Godfrey while he smoked.
+
+Adela rose again, drying her eyes. “It’s like an insult to her; it’s as
+if he denied her.” Now that she spoke of it she felt herself rise to a
+height. “He rubs out at a stroke all the years of their happiness.”
+
+“They were awfully happy,” Godfrey agreed.
+
+“Think what she was—think how no one else will ever again be like her!”
+the girl went on.
+
+“I suppose he’s not very happy now,” her brother vaguely contributed.
+
+“Of course he isn’t, any more than you and I are; and it’s dreadful of
+him to want to be.”
+
+“Well, don’t make yourself miserable till you’re sure,” the young man
+said.
+
+But Adela showed him confidently that she _was_ sure, from the way the
+pair had behaved together and from her father’s attitude on the drive
+home. If Godfrey had been there he would have seen everything; it
+couldn’t be explained, but he would have felt. When he asked at what
+moment the girl had first had her suspicion she replied that it had all
+come at once, that evening; or that at least she had had no conscious
+fear till then. There had been signs for two or three weeks, but she
+hadn’t understood them—ever since the day Mrs. Churchley had dined in
+Seymour Street. Adela had on that occasion thought it odd her father
+should have wished to invite her, given the quiet way they were living;
+she was a person they knew so little. He had said something about her
+having been very civil to him, and that evening, already, she had guessed
+that he must have frequented their portentous guest herself more than
+there had been signs of. To-night it had come to her clearly that he
+would have called on her every day since the time of her dining with
+them; every afternoon about the hour he was ostensibly at his club. Mrs.
+Churchley _was_ his club—she was for all the world just like one. At
+this Godfrey laughed; he wanted to know what his sister knew about clubs.
+She was slightly disappointed in his laugh, even wounded by it, but she
+knew perfectly what she meant: she meant that Mrs. Churchley was public
+and florid, promiscuous and mannish.
+
+“Oh I daresay she’s all right,” he said as if he wanted to get on with
+his work. He looked at the clock on the mantel-shelf; he would have to
+put in another hour.
+
+“All right to come and take darling mamma’s place—to sit where _she_ used
+to sit, to lay her horrible hands on _her_ things?” Adela was
+appalled—all the more that she hadn’t expected it—at her brother’s
+apparent acceptance of such a prospect.
+
+He coloured; there was something in her passionate piety that scorched
+him. She glared at him with tragic eyes—he might have profaned an altar.
+“Oh I mean that nothing will come of it.”
+
+“Not if we do our duty,” said Adela. And then as he looked as if he
+hadn’t an idea of what that could be: “You must speak to him—tell him how
+we feel; that we shall never forgive him, that we can’t endure it.”
+
+“He’ll think I’m cheeky,” her brother returned, looking down at his
+papers with his back to her and his hands in his pockets.
+
+“Cheeky to plead for _her_ memory?”
+
+“He’ll say it’s none of my business.”
+
+“Then you believe he’ll do it?” cried the girl.
+
+“Not a bit. Go to bed!”
+
+“_I’ll_ speak to him”—she had turned as pale as a young priestess.
+
+“Don’t cry out till you’re hurt; wait till he speaks to _you_.”
+
+“He won’t, he won’t!” she declared. “He’ll do it without telling us.”
+
+Her brother had faced round to her again; he started a little at this,
+and again, at one of the candles, lighted his cigarette, which had gone
+out. She looked at him a moment; then he said something that surprised
+her. “Is Mrs. Churchley very rich?”
+
+“I haven’t the least idea. What on earth has that to do with it?”
+
+Godfrey puffed his cigarette. “Does she live as if she were?”
+
+“She has a lot of hideous showy things.”
+
+“Well, we must keep our eyes open,” he concluded. “And now you _must_
+let me get on.” He kissed his visitor as if to make up for dismissing
+her, or for his failure to take fire; and she held him a moment, burying
+her head on his shoulder.
+
+A wave of emotion surged through her, and again she quavered out: “Ah why
+did she leave us? Why did she leave us?”
+
+“Yes, why indeed?” the young man sighed, disengaging himself with a
+movement of oppression.
+
+
+
+
+II
+
+
+ADELA was so far right as that by the end of the week, though she
+remained certain, her father had still not made the announcement she
+dreaded. What convinced her was the sense of her changed relations with
+him—of there being between them something unexpressed, something she was
+aware of as she would have been of an open wound. When she spoke of this
+to Godfrey he said the change was of her own making—also that she was
+cruelly unjust to the governor. She suffered even more from her
+brother’s unexpected perversity; she had had so different a theory about
+him that her disappointment was almost an humiliation and she needed all
+her fortitude to pitch her faith lower. She wondered what had happened
+to him and why he so failed her. She would have trusted him to feel
+right about anything, above all about such a question. Their worship of
+their mother’s memory, their recognition of her sacred place in their
+past, her exquisite influence in their father’s life, his fortune, his
+career, in the whole history of the family and welfare of the
+house—accomplished clever gentle good beautiful and capable as she had
+been, a woman whose quiet distinction was universally admired, so that on
+her death one of the Princesses, the most august of her friends, had
+written Adela such a note about her as princesses were understood very
+seldom to write: their hushed tenderness over all this was like a
+religion, and was also an attributive honour, to fall away from which was
+a form of treachery. This wasn’t the way people usually felt in London,
+she knew; but strenuous ardent observant girl as she was, with secrecies
+of sentiment and dim originalities of attitude, she had already made up
+her mind that London was no treasure-house of delicacies. Remembrance
+there was hammered thin—to be faithful was to make society gape. The
+patient dead were sacrificed; they had no shrines, for people were
+literally ashamed of mourning. When they had hustled all sensibility out
+of their lives they invented the fiction that they felt too much to
+utter. Adela said nothing to her sisters; this reticence was part of the
+virtue it was her idea to practise for them. _She_ was to be their
+mother, a direct deputy and representative. Before the vision of that
+other woman parading in such a character she felt capable of ingenuities,
+of deep diplomacies. The essence of these indeed was just tremulously to
+watch her father. Five days after they had dined together at Mrs.
+Churchley’s he asked her if she had been to see that lady.
+
+“No indeed, why should I?” Adela knew that he knew she hadn’t been, since
+Mrs. Churchley would have told him.
+
+“Don’t you call on people after you dine with them?” said Colonel Chart.
+
+“Yes, in the course of time. I don’t rush off within the week.”
+
+Her father looked at her, and his eyes were colder than she had ever seen
+them, which was probably, she reflected, just the way hers appeared to
+himself. “Then you’ll please rush off to-morrow. She’s to dine with us
+on the 12th, and I shall expect your sisters to come down.”
+
+Adela stared. “To a dinner-party?”
+
+“It’s not to be a dinner-party. I want them to know Mrs. Churchley.”
+
+“Is there to be nobody else?”
+
+“Godfrey of course. A family party,” he said with an assurance before
+which she turned cold.
+
+The girl asked her brother that evening if _that_ wasn’t tantamount to an
+announcement. He looked at her queerly and then said: “_I’ve_ been to
+see her.”
+
+“What on earth did you do that for?”
+
+“Father told me he wished it.”
+
+“Then he _has_ told you?”
+
+“Told me what?” Godfrey asked while her heart sank with the sense of his
+making difficulties for her.
+
+“That they’re engaged, of course. What else can all this mean?”
+
+“He didn’t tell me that, but I like her.”
+
+“_Like_ her!” the girl shrieked.
+
+“She’s very kind, very good.”
+
+“To thrust herself upon us when we hate her? Is that what you call kind?
+Is that what you call decent?”
+
+“Oh _I_ don’t hate her”—and he turned away as if she bored him.
+
+She called the next day on Mrs. Churchley, designing to break out
+somehow, to plead, to appeal—“Oh spare us! have mercy on us! let him
+alone! go away!” But that wasn’t easy when they were face to face. Mrs.
+Churchley had every intention of getting, as she would have said—she was
+perpetually using the expression—into touch; but her good intentions were
+as depressing as a tailor’s misfits. She could never understand that
+they had no place for her vulgar charity, that their life was filled with
+a fragrance of perfection for which she had no sense fine enough. She
+was as undomestic as a shop-front and as out of tune as a parrot. She
+would either make them live in the streets or bring the streets into
+their life—it was the same thing. She had evidently never read a book,
+and she used intonations that Adela had never heard, as if she had been
+an Australian or an American. She understood everything in a vulgar
+sense; speaking of Godfrey’s visit to her and praising him according to
+her idea, saying horrid things about him—that he was awfully
+good-looking, a perfect gentleman, the kind she liked. How could her
+father, who was after all in everything else such a dear, listen to a
+woman, or endure her, who thought she pleased him when she called the son
+of his dead wife a perfect gentleman? What would he have been, pray?
+Much she knew about what any of them were! When she told Adela she wanted
+her to like her the girl thought for an instant her opportunity had
+come—the chance to plead with her and beg her off. But she presented
+such an impenetrable surface that it would have been like giving a
+message to a varnished door. She wasn’t a woman, said Adela; she was an
+address.
+
+When she dined in Seymour Street the “children,” as the girl called the
+others, including Godfrey, liked her. Beatrice and Muriel stared shyly
+and silently at the wonders of her apparel (she was brutally
+over-dressed) without of course guessing the danger that tainted the air.
+They supposed her in their innocence to be amusing, and they didn’t know,
+any more than she did herself, how she patronised them. When she was
+upstairs with them after dinner Adela could see her look round the room
+at the things she meant to alter—their mother’s things, not a bit like
+her own and not good enough for her. After a quarter of an hour of this
+our young lady felt sure she was deciding that Seymour Street wouldn’t do
+at all, the dear old home that had done for their mother those twenty
+years. Was she plotting to transport them all to her horrible Prince’s
+Gate? Of one thing at any rate Adela was certain: her father, at that
+moment alone in the dining-room with Godfrey, pretending to drink another
+glass of wine to make time, was coming to the point, was telling the
+news. When they reappeared they both, to her eyes, looked unnatural: the
+news had been told.
+
+She had it from Godfrey before Mrs. Churchley left the house, when, after
+a brief interval, he followed her out of the drawing-room on her taking
+her sisters to bed. She was waiting for him at the door of her room.
+Her father was then alone with his _fiancée_—the word was grotesque to
+Adela; it was already as if the place were her home.
+
+“What did you say to him?” our young woman asked when her brother had
+told her.
+
+“I said nothing.” Then he added, colouring—the expression of her face
+was such—“There was nothing to say.”
+
+“Is that how it strikes you?”—and she stared at the lamp.
+
+“He asked me to speak to her,” Godfrey went on.
+
+“In what hideous sense?”
+
+“To tell her I was glad.”
+
+“And did you?” Adela panted.
+
+“I don’t know. I said something. She kissed me.”
+
+“Oh how _could_ you?” shuddered the girl, who covered her face with her
+hands.
+
+“He says she’s very rich,” her brother returned.
+
+“Is that why you kissed her?”
+
+“I didn’t kiss her. Good-night.” And the young man, turning his back,
+went out.
+
+When he had gone Adela locked herself in as with the fear she should be
+overtaken or invaded, and during a sleepless feverish memorable night she
+took counsel of her uncompromising spirit. She saw things as they were,
+in all the indignity of life. The levity, the mockery, the infidelity,
+the ugliness, lay as plain as a map before her; it was a world of gross
+practical jokes, a world _pour rire_; but she cried about it all the
+same. The morning dawned early, or rather it seemed to her there had
+been no night, nothing but a sickly creeping day. But by the time she
+heard the house stirring again she had determined what to do. When she
+came down to the breakfast-room her father was already in his place with
+newspapers and letters; and she expected the first words he would utter
+to be a rebuke to her for having disappeared the night before without
+taking leave of Mrs. Churchley. Then she saw he wished to be intensely
+kind, to make every allowance, to conciliate and console her. He knew
+she had heard from Godfrey, and he got up and kissed her. He told her as
+quickly as possible, to have it over, stammering a little, with an “I’ve
+a piece of news for you that will probably shock you,” yet looking even
+exaggeratedly grave and rather pompous, to inspire the respect he didn’t
+deserve. When he kissed her she melted, she burst into tears. He held
+her against him, kissing her again and again, saying tenderly “Yes, yes,
+I know, I know.” But he didn’t know else he couldn’t have done it.
+Beatrice and Muriel came in, frightened when they saw her crying, and
+still more scared when she turned to them with words and an air that were
+terrible in their comfortable little lives: “Papa’s going to be married;
+he’s going to marry Mrs. Churchley!” After staring a moment and seeing
+their father look as strange, on his side, as Adela, though in a
+different way, the children also began to cry, so that when the servants
+arrived with tea and boiled eggs these functionaries were greatly
+embarrassed with their burden, not knowing whether to come in or hang
+back. They all scraped together a decorum, and as soon as the things had
+been put on table the Colonel banished the men with a glance. Then he
+made a little affectionate speech to Beatrice and Muriel, in which he
+described Mrs. Churchley as the kindest, the most delightful of women,
+only wanting to make them happy, only wanting to make _him_ happy, and
+convinced that he would be if they were and that they would be if he was.
+
+“What do such words mean?” Adela asked herself. She declared privately
+that they meant nothing, but she was silent, and every one was silent, on
+account of the advent of Miss Flynn the governess, before whom Colonel
+Chart preferred not to discuss the situation. Adela recognised on the
+spot that if things were to go as he wished his children would
+practically never again be alone with him. He would spend all his time
+with Mrs. Churchley till they were married, and then Mrs. Churchley would
+spend all her time with him. Adela was ashamed of him, and that was
+horrible—all the more that every one else would be, all his other
+friends, every one who had known her mother. But the public dishonour to
+that high memory shouldn’t be enacted; he shouldn’t do as he wished.
+
+After breakfast her father remarked to her that it would give him
+pleasure if in a day or two she would take her sisters to see their
+friend, and she replied that he should be obeyed. He held her hand a
+moment, looking at her with an argument in his eyes which presently
+hardened into sternness. He wanted to know that she forgave him, but
+also wanted to assure her that he expected her to mind what she did, to
+go straight. She turned away her eyes; she was indeed ashamed of him.
+
+She waited three days and then conveyed her sisters to the _repaire_, as
+she would have been ready to term it, of the lioness. That queen of
+beasts was surrounded with callers, as Adela knew she would be; it was
+her “day” and the occasion the girl preferred. Before this she had spent
+all her time with her companions, talking to them about their mother,
+playing on their memory of her, making them cry and making them laugh,
+reminding them of blest hours of their early childhood, telling them
+anecdotes of her own. None the less she confided to them that she
+believed there was no harm at all in Mrs. Churchley, and that when the
+time should come she would probably take them out immensely. She saw
+with smothered irritation that they enjoyed their visit at Prince’s Gate;
+they had never been at anything so “grown-up,” nor seen so many smart
+bonnets and brilliant complexions. Moreover they were considered with
+interest, quite as if, being minor elements, yet perceptible ones, of
+Mrs. Churchley’s new life, they had been described in advance and were
+the heroines of the occasion. There were so many ladies present that
+this personage didn’t talk to them much; she only called them her
+“chicks” and asked them to hand about tea-cups and bread and butter. All
+of which was highly agreeable and indeed intensely exciting to Beatrice
+and Muriel, who had little round red spots in _their_ cheeks when they
+came away. Adela quivered with the sense that her mother’s children were
+now Mrs. Churchley’s “chicks” and a part of the furniture of Mrs.
+Churchley’s dreadful consciousness.
+
+It was one thing to have made up her mind, however; it was another thing
+to make her attempt. It was when she learned from Godfrey that the day
+was fixed, the 20th of July, only six weeks removed, that she felt the
+importance of prompt action. She learned everything from Godfrey now,
+having decided it would be hypocrisy to question her father. Even her
+silence was hypocritical, but she couldn’t weep and wail. Her father
+showed extreme tact; taking no notice of her detachment, treating it as a
+moment of _bouderie_ he was bound to allow her and that would pout itself
+away. She debated much as to whether she should take Godfrey into her
+confidence; she would have done so without hesitation if he hadn’t
+disappointed her. He was so little what she might have expected, and so
+perversely preoccupied that she could explain it only by the high
+pressure at which he was living, his anxiety about his “exam.” He was in
+a fidget, in a fever, putting on a spurt to come in first; sceptical
+moreover about his success and cynical about everything else. He
+appeared to agree to the general axiom that they didn’t want a strange
+woman thrust into their life, but he found Mrs. Churchley “very jolly as
+a person to know.” He had been to see her by himself—he had been to see
+her three times. He in fact gave it out that he would make the most of
+her now; he should probably be so little in Seymour Street after these
+days. What Adela at last determined to give him was her assurance that
+the marriage would never take place. When he asked what she meant and
+who was to prevent it she replied that the interesting couple would
+abandon the idea of themselves, or that Mrs. Churchley at least would
+after a week or two back out of it.
+
+“That will be really horrid then,” Godfrey pronounced. “The only
+respectable thing, at the point they’ve come to, is to put it through.
+Charming for poor Dad to have the air of being ‘chucked’!”
+
+This made her hesitate two days more, but she found answers more valid
+than any objections. The many-voiced answer to everything—it was like
+the autumn wind round the house—was the affront that fell back on her
+mother. Her mother was dead but it killed her again. So one morning at
+eleven o’clock, when she knew her father was writing letters, she went
+out quietly and, stopping the first hansom she met, drove to Prince’s
+Gate. Mrs. Churchley was at home, and she was shown into the
+drawing-room with the request that she would wait five minutes. She
+waited without the sense of breaking down at the last, and the impulse to
+run away, which were what she had expected to have. In the cab and at
+the door her heart had beat terribly, but now suddenly, with the game
+really to play, she found herself lucid and calm. It was a joy to her to
+feel later that this was the way Mrs. Churchley found her: not confused,
+not stammering nor prevaricating, only a little amazed at her own
+courage, conscious of the immense responsibility of her step and
+wonderfully older than her years. Her hostess sounded her at first with
+suspicious eyes, but eventually, to Adela’s surprise, burst into tears.
+At this the girl herself cried, and with the secret happiness of
+believing they were saved. Mrs. Churchley said she would think over what
+she had been told, and she promised her young friend, freely enough and
+very firmly, not to betray the secret of the latter’s step to the
+Colonel. They were saved—they were saved: the words sung themselves in
+the girl’s soul as she came downstairs. When the door opened for her she
+saw her brother on the step, and they looked at each other in surprise,
+each finding it on the part of the other an odd hour for Prince’s Gate.
+Godfrey remarked that Mrs. Churchley would have enough of the family, and
+Adela answered that she would perhaps have too much. None the less the
+young man went in while his sister took her way home.
+
+
+
+
+III
+
+
+SHE saw nothing of him for nearly a week; he had more and more his own
+times and hours, adjusted to his tremendous responsibilities, and he
+spent whole days at his crammer’s. When she knocked at his door late in
+the evening he was regularly not in his room. It was known in the house
+how much he was worried; he was horribly nervous about his ordeal. It
+was to begin on the 23rd of June, and his father was as worried as
+himself. The wedding had been arranged in relation to this; they wished
+poor Godfrey’s fate settled first, though they felt the nuptials would be
+darkened if it shouldn’t be settled right.
+
+Ten days after that performance of her private undertaking Adela began to
+sniff, as it were, a difference in the general air; but as yet she was
+afraid to exult. It wasn’t in truth a difference for the better, so that
+there might be still a great tension. Her father, since the announcement
+of his intended marriage, had been visibly pleased with himself, but that
+pleasure now appeared to have undergone a check. She had the impression
+known to the passengers on a great steamer when, in the middle of the
+night, they feel the engines stop. As this impression may easily sharpen
+to the sense that something serious has happened, so the girl asked
+herself what had actually occurred. She had expected something serious;
+but it was as if she couldn’t keep still in her cabin—she wanted to go up
+and see. On the 20th, just before breakfast, her maid brought her a
+message from her brother. Mr. Godfrey would be obliged if she would
+speak to him in his room. She went straight up to him, dreading to find
+him ill, broken down on the eve of his formidable week. This was not the
+case however—he rather seemed already at work, to have been at work since
+dawn. But he was very white and his eyes had a strange and new
+expression. Her beautiful young brother looked older; he looked haggard
+and hard. He met her there as if he had been waiting for her, and he
+said at once: “Please tell me this, Adela—what was the purpose of your
+visit the other morning to Mrs. Churchley, the day I met you at her
+door?”
+
+She stared—she cast about. “The purpose? What’s the matter? Why do you
+ask?”
+
+“They’ve put it off—they’ve put it off a month.”
+
+“Ah thank God!” said Adela.
+
+“Why the devil do you thank God?” Godfrey asked with a strange
+impatience.
+
+She gave a strained intense smile. “You know I think it all wrong.”
+
+He stood looking at her up and down. “What did you do there? How did
+you interfere?”
+
+“Who told you I interfered?” she returned with a deep flush.
+
+“You said something—you did something. I knew you had done it when I saw
+you come out.”
+
+“What I did was my own business.”
+
+“Damn your own business!” cried the young man.
+
+She had never in her life been so spoken to, and in advance, had she been
+given the choice, would have said that she’d rather die than be so
+handled by Godfrey. But her spirit was high, and for a moment she was as
+angry as if she had been cut with a whip. She escaped the blow but felt
+the insult. “And _your_ business then?” she asked. “I wondered what
+that was when I saw _you_.”
+
+He stood a moment longer scowling at her; then with the exclamation
+“You’ve made a pretty mess!” he turned away from her and sat down to his
+books.
+
+They had put it off, as he said; her father was dry and stiff and
+official about it. “I suppose I had better let you know we’ve thought it
+best to postpone our marriage till the end of the summer—Mrs. Churchley
+has so many arrangements to make”: he was not more expansive than that.
+She neither knew nor greatly cared whether she but vainly imagined or
+correctly observed him to watch her obliquely for some measure of her
+receipt of these words. She flattered herself that, thanks to Godfrey’s
+forewarning, cruel as the form of it had been, she was able to repress
+any crude sign of elation. She had a perfectly good conscience, for she
+could now judge what odious elements Mrs. Churchley, whom she had not
+seen since the morning in Prince’s Gate, had already introduced into
+their dealings. She gathered without difficulty that her father hadn’t
+concurred in the postponement, for he was more restless than before, more
+absent and distinctly irritable. There was naturally still the question
+of how much of this condition was to be attributed to his solicitude
+about Godfrey. That young man took occasion to say a horrible thing to
+his sister: “If I don’t pass it will be your fault.” These were dreadful
+days for the girl, and she asked herself how she could have borne them if
+the hovering spirit of her mother hadn’t been at her side. Fortunately
+she always felt it there, sustaining, commending, sanctifying. Suddenly
+her father announced to her that he wished her to go immediately, with
+her sisters, down to Brinton, where there was always part of a household
+and where for a few weeks they would manage well enough. The only
+explanation he gave of this desire was that he wanted them out of the
+way. “Out of the way of what?” she queried, since there were to be for
+the time no preparations in Seymour Street. She was willing to take it
+for out of the way of his nerves.
+
+She never needed urging however to go to Brinton, the dearest old house
+in the world, where the happiest days of her young life had been spent
+and the silent nearness of her mother always seemed greatest. She was
+happy again, with Beatrice and Muriel and Miss Flynn, with the air of
+summer and the haunted rooms and her mother’s garden and the talking oaks
+and the nightingales. She wrote briefly to her father, giving him, as he
+had requested, an account of things; and he wrote back that since she was
+so contented—she didn’t recognise having told him that—she had better not
+return to town at all. The fag-end of the London season would be
+unimportant to her, and he was getting on very well. He mentioned that
+Godfrey had passed his tests, but, as she knew, there would be a tiresome
+wait before news of results. The poor chap was going abroad for a month
+with young Sherard—he had earned a little rest and a little fun. He went
+abroad without a word to Adela, but in his beautiful little hand he took
+a chaffing leave of Beatrice. The child showed her sister the letter, of
+which she was very proud and which contained no message for any one else.
+This was the worst bitterness of the whole crisis for that somebody—its
+placing in so strange a light the creature in the world whom, after her
+mother, she had loved best.
+
+Colonel Chart had said he would “run down” while his children were at
+Brinton, but they heard no more about it. He only wrote two or three
+times to Miss Flynn on matters in regard to which Adela was surprised he
+shouldn’t have communicated with herself. Muriel accomplished an upright
+little letter to Mrs. Churchley—her eldest sister neither fostered nor
+discouraged the performance—to which Mrs. Churchley replied, after a
+fortnight, in a meagre and, as Adela thought, illiterate fashion, making
+no allusion to the approach of any closer tie. Evidently the situation
+had changed; the question of the marriage was dropped, at any rate for
+the time. This idea gave our young woman a singular and almost
+intoxicating sense of power; she felt as if she were riding a great wave
+of confidence. She had decided and acted—the greatest could do no more
+than that. The grand thing was to see one’s results, and what else was
+she doing? These results were in big rich conspicuous lives; the stage
+was large on which she moved her figures. Such a vision was exciting,
+and as they had the use of a couple of ponies at Brinton she worked off
+her excitement by a long gallop. A day or two after this however came
+news of which the effect was to rekindle it. Godfrey had come back, the
+list had been published, he had passed first. These happy tidings
+proceeded from the young man himself; he announced them by a telegram to
+Beatrice, who had never in her life before received such a missive and
+was proportionately inflated. Adela reflected that she herself ought to
+have felt snubbed, but she was too happy. They were free again, they
+were themselves, the nightmare of the previous weeks was blown away, the
+unity and dignity of her father’s life restored, and, to round off her
+sense of success, Godfrey had achieved his first step toward high
+distinction. She wrote him the next day as frankly and affectionately as
+if there had been no estrangement between them, and besides telling him
+how she rejoiced in his triumph begged him in charity to let them know
+exactly how the case stood with regard to Mrs. Churchley.
+
+Late in the summer afternoon she walked through the park to the village
+with her letter, posted it and came back. Suddenly, at one of the turns
+of the avenue, half-way to the house, she saw a young man hover there as
+if awaiting her—a young man who proved to be Godfrey on his pedestrian
+progress over from the station. He had seen her as he took his short
+cut, and if he had come down to Brinton it wasn’t apparently to avoid
+her. There was nevertheless none of the joy of his triumph in his face
+as he came a very few steps to meet her; and although, stiffly enough, he
+let her kiss him and say “I’m so glad—I’m so glad!” she felt this
+tolerance as not quite the mere calm of the rising diplomatist. He
+turned toward the house with her and walked on a short distance while she
+uttered the hope that he had come to stay some days.
+
+“Only till to-morrow morning. They’re sending me straight to Madrid. I
+came down to say good-bye; there’s a fellow bringing my bags.”
+
+“To Madrid? How awfully nice! And it’s awfully nice of you to have
+come,” she said as she passed her hand into his arm.
+
+The movement made him stop, and, stopping, he turned on her in a flash a
+face of something more than, suspicion—of passionate reprobation. “What
+I really came for—you might as well know without more delay—is to ask you
+a question.”
+
+“A question?”—she echoed it with a beating heart.
+
+They stood there under the old trees in the lingering light, and, young
+and fine and fair as they both were, formed a complete superficial
+harmony with the peaceful English scene. A near view, however, would
+have shown that Godfrey Chart hadn’t taken so much trouble only to skim
+the surface. He looked deep into his sister’s eyes. “What was it you
+said that morning to Mrs. Churchley?”
+
+She fixed them on the ground a moment, but at last met his own again.
+“If she has told you, why do you ask?”
+
+“She has told me nothing. I’ve seen for myself.”
+
+“What have you seen?”
+
+“She has broken it off. Everything’s over. Father’s in the depths.”
+
+“In the depths?” the girl quavered.
+
+“Did you think it would make him jolly?” he went on.
+
+She had to choose what to say. “He’ll get over it. He’ll he glad.”
+
+“That remains to be seen. You interfered, you invented something, you
+got round her. I insist on knowing what you did.”
+
+Adela felt that if it was a question of obstinacy there was something
+within her she could count on; in spite of which, while she stood looking
+down again a moment, she said to herself “I could be dumb and dogged if I
+chose, but I scorn to be.” She wasn’t ashamed of what she had done, but
+she wanted to be clear. “Are you absolutely certain it’s broken off?”
+
+“He is, and she is; so that’s as good.”
+
+“What reason has she given?”
+
+“None at all—or half a dozen; it’s the same thing. She has changed her
+mind—she mistook her feelings—she can’t part with her independence.
+Moreover he has too many children.”
+
+“Did he tell you this?” the girl asked.
+
+“Mrs. Churchley told me. She has gone abroad for a year.”
+
+“And she didn’t tell you what I said to her?”
+
+Godfrey showed an impatience. “Why should I take this trouble if she
+had?”
+
+“You might have taken it to make me suffer,” said Adela. “That appears
+to be what you want to do.”
+
+“No, I leave that to you—it’s the good turn you’ve done me!” cried the
+young man with hot tears in his eyes.
+
+She stared, aghast with the perception that there was some dreadful thing
+she didn’t know; but he walked on, dropping the question angrily and
+turning his back to her as if he couldn’t trust himself. She read his
+disgust in his averted, face, in the way he squared his shoulders and
+smote the ground with his stick, and she hurried after him and presently
+overtook him. She kept by him for a moment in silence; then she broke
+out: “What do you mean? What in the world have I done to you?”
+
+“She would have helped me. She was all ready to help me,” Godfrey
+portentously said.
+
+“Helped you in what?” She wondered what he meant; if he had made debts
+that he was afraid to confess to his father and—of all horrible
+things—had been looking to Mrs. Churchley to pay. She turned red with
+the mere apprehension of this and, on the heels of her guess, exulted
+again at having perhaps averted such a shame.
+
+“Can’t you just see I’m in trouble? Where are your eyes, your senses,
+your sympathy, that you talk so much about? Haven’t you seen these six
+months that I’ve a curst worry in my life?”
+
+She seized his arm, made him stop, stood looking up at him like a
+frightened little girl. “What’s the matter, Godfrey?—what _is_ the
+matter?”
+
+“You’ve gone against me so—I could strangle you!” he growled. This image
+added nothing to her dread; her dread was that he had done some wrong,
+was stained with some guilt. She uttered it to him with clasped hands,
+begging him to tell her the worst; but, still more passionately, he cut
+her short with his own cry: “In God’s name, satisfy me! What infernal
+thing did you do?”
+
+“It wasn’t infernal—it was right. I told her mamma had been wretched,”
+said Adela.
+
+“Wretched? You told her such a lie?”
+
+“It was the only way, and she believed me.”
+
+“Wretched how?—wretched when?—wretched where?” the young man stammered.
+
+“I told her papa had made her so, and that _she_ ought to know it. I
+told her the question troubled me unspeakably, but that I had made up my
+mind it was my duty to initiate her.” Adela paused, the light of bravado
+in her face, as if, though struck while the words came with the
+monstrosity of what she had done, she was incapable of abating a jot of
+it. “I notified her that he had faults and peculiarities that made
+mamma’s life a long worry—a martyrdom that she hid wonderfully from the
+world, but that we saw and that I had often pitied. I told her what they
+were, these faults and peculiarities; I put the dots on the i’s. I said
+it wasn’t fair to let another person marry him without a warning. I
+warned her; I satisfied my conscience. She could do as she liked. My
+responsibility was over.”
+
+Godfrey gazed at her; he listened with parted lips, incredulous and
+appalled. “You invented such a tissue of falsities and calumnies, and
+you talk about your conscience? You stand there in your senses and
+proclaim your crime?”
+
+“I’d have committed any crime that would have rescued us.”
+
+“You insult and blacken and ruin your own father?” Godfrey kept on.
+
+“He’ll never know it; she took a vow she wouldn’t tell him.”
+
+“Ah I’ll he damned if _I_ won’t tell him!” he rang out.
+
+Adela felt sick at this, but she flamed up to resent the treachery, as it
+struck her, of such a menace. “I did right—I did right!” she vehemently
+declared “I went down on my knees to pray for guidance, and I saved
+mamma’s memory from outrage. But if I hadn’t, if I hadn’t”—she faltered
+an instant—“I’m not worse than you, and I’m not so bad, for you’ve done
+something that you’re ashamed to tell me.”
+
+He had taken out his watch; he looked at it with quick intensity, as if
+not hearing nor heeding her. Then, his calculating eyes raised, he fixed
+her long enough to exclaim with unsurpassable horror and contempt: “You
+raving maniac!” He turned away from her; he bounded down the avenue in
+the direction from which they had come, and, while she watched him,
+strode away, across the grass, toward the short cut to the station.
+
+
+
+
+IV
+
+
+HIS bags, by the time she got home, had been brought to the house, but
+Beatrice and Muriel, immediately informed of this, waited for their
+brother in vain. Their sister said nothing to them of her having seen
+him, and she accepted after a little, with a calmness that surprised
+herself, the idea that he had returned to town to denounce her. She
+believed this would make no difference now—she had done what she had
+done. She had somehow a stiff faith in Mrs. Churchley. Once that so
+considerable mass had received its impetus it wouldn’t, it couldn’t pull
+up. It represented a heavy-footed person, incapable of further agility.
+Adela recognised too how well it might have come over her that there were
+too many children. Lastly the girl fortified herself with the reflexion,
+grotesque in the conditions and conducing to prove her sense of humour
+not high, that her father was after all not a man to be played with. It
+seemed to her at any rate that if she _had_ baffled his unholy purpose
+she could bear anything—bear imprisonment and bread and water, bear
+lashes and torture, bear even his lifelong reproach. What she could bear
+least was the wonder of the inconvenience she had inflicted on Godfrey.
+She had time to turn this over, very vainly, for a succession of
+days—days more numerous than she had expected, which passed without
+bringing her from London any summons to come up and take her punishment.
+She sounded the possible, she compared the degrees of the probable;
+feeling however that as a cloistered girl she was poorly equipped for
+speculation. She tried to imagine the calamitous things young men might
+do, and could only feel that such things would naturally be connected
+either with borrowed money or with bad women. She became conscious that
+after all she knew almost nothing about either of those interests. The
+worst woman she knew was Mrs. Churchley herself. Meanwhile there was no
+reverberation from Seymour Street—only a sultry silence.
+
+At Brinton she spent hours in her mother’s garden, where she had grown
+up, where she considered that she was training for old age, since she
+meant not to depend on whist. She loved the place as, had she been a
+good Catholic, she would have loved the smell of her parish church; and
+indeed there was in her passion for flowers something of the respect of a
+religion. They seemed to her the only things in the world that really
+respected themselves, unless one made an exception for Nutkins, who had
+been in command all through her mother’s time, with whom she had had a
+real friendship and who had been affected by their pure example. He was
+the person left in the world with whom on the whole she could speak most
+intimately of the dead. They never had to name her together—they only
+said “she”; and Nutkins freely conceded that she had taught him
+everything he knew. When Beatrice and Muriel said “she” they referred to
+Mrs. Churchley. Adela had reason to believe she should never marry, and
+that some day she should have about a thousand a year. This made her see
+in the far future a little garden of her own, under a hill, full of rare
+and exquisite things, where she would spend most of her old age on her
+knees with an apron and stout gloves, with a pair of shears and a trowel,
+steeped in the comfort of being thought mad.
+
+One morning ten days after her scene with Godfrey, on coming back into
+the house shortly before lunch, she was met by Miss Flynn with the
+notification that a lady in the drawing-room had been waiting for her for
+some minutes. “A lady” suggested immediately Mrs. Churchley. It came
+over Adela that the form in which her penalty was to descend would be a
+personal explanation with that misdirected woman. The lady had given no
+name, and Miss Flynn hadn’t seen Mrs. Churchley; nevertheless the
+governess was certain Adela’s surmise was wrong.
+
+“Is she big and dreadful?” the girl asked.
+
+Miss Flynn, who was circumspection itself, took her time. “She’s
+dreadful, but she’s not big.” She added that she wasn’t sure she ought
+to let Adela go in alone; but this young lady took herself throughout for
+a heroine, and it wasn’t in a heroine to shrink from any encounter.
+Wasn’t she every instant in transcendent contact with her mother? The
+visitor might have no connexion whatever with the drama of her father’s
+frustrated marriage; but everything to-day for Adela was part of that.
+
+Miss Flynn’s description had prepared her for a considerable shock, but
+she wasn’t agitated by her first glimpse of the person who awaited her.
+A youngish well-dressed woman stood there, and silence was between them
+while they looked at each other. Before either had spoken however Adela
+began to see what Miss Flynn had intended. In the light of the
+drawing-room window the lady was five-and-thirty years of age and had
+vivid yellow hair. She also had a blue cloth suit with brass buttons, a
+stick-up collar like a gentleman’s, a necktie arranged in a sailor’s
+knot, a golden pin in the shape of a little lawn-tennis racket, and
+pearl-grey gloves with big black stitchings. Adela’s second impression
+was that she was an actress, and her third that no such person had ever
+before crossed that threshold.
+
+“I’ll tell you what I’ve come for,” said the apparition. “I’ve come to
+ask you to intercede.” She wasn’t an actress; an actress would have had
+a nicer voice.
+
+“To intercede?” Adela was too bewildered to ask her to sit down.
+
+“With your father, you know. He doesn’t know, but he’ll have to.” Her
+“have” sounded like “’ave.” She explained, with many more such sounds,
+that she was Mrs. Godfrey, that they had been married seven mortal
+months. If Godfrey was going abroad she must go with him, and the only
+way she could go with him would be for his father to do something. He
+was afraid of his father—that was clear; he was afraid even to tell him.
+What she had come down for was to see some other member of the family
+face to face—“fice to fice,” Mrs. Godfrey called it—and try if he
+couldn’t be approached by another side. If no one else would act then
+she would just have to act herself. The Colonel would have to do
+something—that was the only way out of it.
+
+What really happened Adela never quite understood; what seemed to be
+happening was that the room went round and round. Through the blur of
+perception accompanying this effect the sharp stabs of her visitor’s
+revelation came to her like the words heard by a patient “going off”
+under ether. She afterwards denied passionately even to herself that she
+had done anything so abject as to faint; but there was a lapse in her
+consciousness on the score of Miss Flynn’s intervention. This
+intervention had evidently been active, for when they talked the matter
+over, later in the day, with bated breath and infinite dissimulation for
+the school-room quarter, the governess had more lurid truths, and still
+more, to impart than to receive. She was at any rate under the
+impression that she had athletically contended, in the drawing-room, with
+the yellow hair—this after removing Adela from the scene and before
+inducing Mrs. Godfrey to withdraw. Miss Flynn had never known a more
+thrilling day, for all the rest of it too was pervaded with agitations
+and conversations, precautions and alarms. It was given out to Beatrice
+and Muriel that their sister had been taken suddenly ill, and the
+governess ministered to her in her room. Indeed Adela had never found
+herself less at ease, for this time she had received a blow that she
+couldn’t return. There was nothing to do but to take it, to endure the
+humiliation of her wound.
+
+At first she declined to take it—having, as might appear, the much more
+attractive resource of regarding her visitant as a mere masquerading
+person, an impudent impostor. On the face of the matter moreover it
+wasn’t fair to believe till one heard; and to hear in such a case was to
+hear Godfrey himself. Whatever she had tried to imagine about him she
+hadn’t arrived at anything so belittling as an idiotic secret marriage
+with a dyed and painted hag. Adela repeated this last word as if it gave
+her comfort; and indeed where everything was so bad fifteen years of
+seniority made the case little worse. Miss Flynn was portentous, for
+Miss Flynn had had it out with the wretch. She had cross-questioned her
+and had not broken her down. This was the most uplifted hour of Miss
+Flynn’s life; for whereas she usually had to content herself with being
+humbly and gloomily in the right she could now be magnanimously and
+showily so. Her only perplexity was as to what she ought to do—write to
+Colonel Chart or go up to town to see him. She bloomed with
+alternatives—she resembled some dull garden-path which under a copious
+downpour has begun to flaunt with colour. Toward evening Adela was
+obliged to recognise that her brother’s worry, of which he had spoken to
+her, had appeared bad enough to consist even of a low wife, and to
+remember that, so far from its being inconceivable a young man in his
+position should clandestinely take one, she had been present, years
+before, during her mother’s lifetime, when Lady Molesley declared gaily,
+over a cup of tea, that this was precisely what she expected of her
+eldest son. The next morning it was the worst possibilities that seemed
+clearest; the only thing left with a tatter of dusky comfort being the
+ambiguity of Godfrey’s charge that her own action had “done” for him.
+That was a matter by itself, and she racked her brains for a connecting
+link between Mrs. Churchley and Mrs. Godfrey. At last she made up her
+mind that they were related by blood; very likely, though differing in
+fortune, they were cousins or even sisters. But even then what did the
+wretched boy mean?
+
+Arrested by the unnatural fascination of opportunity, Miss Flynn received
+before lunch a telegram from Colonel Chart—an order for dinner and a
+vehicle; he and Godfrey were to arrive at six o’clock. Adela had plenty
+of occupation for the interval, since she was pitying her father when she
+wasn’t rejoicing that her mother had gone too soon to know. She
+flattered herself she made out the providential reason of that cruelty
+now. She found time however still to wonder for what purpose, given the
+situation, Godfrey was to be brought down. She wasn’t unconscious indeed
+that she had little general knowledge of what usually was done with young
+men in that predicament. One talked about the situation, but the
+situation was an abyss. She felt this still more when she found, on her
+father’s arrival, that nothing apparently was to happen as she had taken
+for granted it would. There was an inviolable hush over the whole
+affair, but no tragedy, no publicity, nothing ugly. The tragedy had been
+in town—the faces of the two men spoke of it in spite of their other
+perfunctory aspects; and at present there was only a family dinner, with
+Beatrice and Muriel and the governess—with almost a company tone too, the
+result of the desire to avoid publicity. Adela admired her father; she
+knew what he was feeling if Mrs. Godfrey had been at him, and yet she saw
+him positively gallant. He was mildly austere, or rather even—what was
+it?—august; just as, coldly equivocal, he never looked at his son, so
+that at moments he struck her as almost sick with sadness. Godfrey was
+equally inscrutable and therefore wholly different from what he had been
+as he stood before her in the park. If he was to start on his career
+(with such a wife!—wouldn’t she utterly blight it?) he was already
+professional enough to know how to wear a mask.
+
+Before they rose from table she felt herself wholly bewildered, so little
+were such large causes traceable in their effects. She had nerved
+herself for a great ordeal, but the air was as sweet as an anodyne. It
+was perfectly plain to her that her father was deadly sore—as pathetic as
+a person betrayed. He was broken, but he showed no resentment; there was
+a weight on his heart, but he had lightened it by dressing as
+immaculately as usual for dinner. She asked herself what immensity of a
+row there could have been in town to have left his anger so spent. He
+went through everything, even to sitting with his son after dinner. When
+they came out together he invited Beatrice and Muriel to the
+billiard-room, and as Miss Flynn discreetly withdrew Adela was left alone
+with Godfrey, who was completely changed and not now in the least of a
+rage. He was broken too, but not so pathetic as his father. He was only
+very correct and apologetic he said to his sister: “I’m awfully sorry
+_you_ were annoyed—it was something I never dreamed of.”
+
+She couldn’t think immediately what he meant; then she grasped the
+reference to her extraordinary invader. She was uncertain, however, what
+tone to take; perhaps his father had arranged with him that they were to
+make the best of it. But she spoke her own despair in the way she
+murmured “Oh Godfrey, Godfrey, is it true?”
+
+“I’ve been the most unutterable donkey—you can say what you like to me.
+You can’t say anything worse than I’ve said to myself.”
+
+“My brother, my brother!”—his words made her wail it out. He hushed her
+with a movement and she asked: “What has father said?”
+
+He looked very high over her head. “He’ll give her six hundred a year.”
+
+“Ah the angel!”—it was too splendid.
+
+“On condition”—Godfrey scarce blinked—“she never comes near me. She has
+solemnly promised, and she’ll probably leave me alone to get the money.
+If she doesn’t—in diplomacy—I’m lost.” He had been turning his eyes
+vaguely about, this way and that, to avoid meeting hers; but after
+another instant he gave up the effort and she had the miserable
+confession of his glance. “I’ve been living in hell.”
+
+“My brother, my brother!” she yearningly repeated.
+
+“I’m not an idiot; yet for her I’ve behaved like one. Don’t ask me—you
+mustn’t know. It was all done in a day, and since then fancy my
+condition; fancy my work in such a torment; fancy my coming through at
+all.”
+
+“Thank God you passed!” she cried. “You were wonderful!”
+
+“I’d have shot myself if I hadn’t been. I had an awful day yesterday
+with the governor; it was late at night before it was over. I leave
+England next week. He brought me down here for it to look well—so that
+the children shan’t know.”
+
+“_He’s_ wonderful too!” Adela murmured.
+
+“Wonderful too!” Godfrey echoed.
+
+“Did _she_ tell him?” the girl went on.
+
+“She came straight to Seymour Street from here. She saw him alone first;
+then he called me in. _That_ luxury lasted about an hour.”
+
+“Poor, poor father!” Adela moaned at this; on which her brother remained
+silent. Then after he had alluded to it as the scene he had lived in
+terror of all through his cramming, and she had sighed forth again her
+pity and admiration for such a mixture of anxieties and such a triumph of
+talent, she pursued: “Have you told him?”
+
+“Told him what?”
+
+“What you said you would—what _I_ did.”
+
+Godfrey turned away as if at present he had very little interest in that
+inferior tribulation. “I was angry with you, but I cooled off. I held
+my tongue.”
+
+She clasped her hands. “You thought of mamma!”
+
+“Oh don’t speak of mamma!” he cried as in rueful tenderness.
+
+It was indeed not a happy moment, and she murmured: “No; if you _had_
+thought of her—!”
+
+This made Godfrey face her again with a small flare in his eyes. “Oh
+_then_ it didn’t prevent. I thought that woman really good. I believed
+in her.”
+
+“Is she _very_ bad?”
+
+“I shall never mention her to you again,” he returned with dignity.
+
+“You may believe _I_ won’t speak of her! So father doesn’t know?” the
+girl added.
+
+“Doesn’t know what?”
+
+“That I said what I did to Mrs. Churchley.”
+
+He had a momentary pause. “I don’t think so, but you must find out for
+yourself.”
+
+“I shall find out,” said Adela. “But what had Mrs. Churchley to do with
+it?”
+
+“With _my_ misery? I told her. I had to tell some one.”
+
+“Why didn’t you tell me?”
+
+He appeared—though but after an instant—to know exactly why. “Oh you
+take things so beastly hard—you make such rows.” Adela covered her face
+with her hands and he went on: “What I wanted was comfort—not to be
+lashed up. I thought I should go mad. I wanted Mrs. Churchley to break
+it to father, to intercede for me and help him to meet it. She was
+awfully kind to me, she listened and she understood; she could fancy how
+it had happened. Without her I shouldn’t have pulled through. She liked
+me, you know,” he further explained, and as if it were quite worth
+mentioning—all the more that it was pleasant to him. “She said she’d do
+what she could for me. She was full of sympathy and resource. I really
+leaned on her. But when _you_ cut in of course it spoiled everything.
+That’s why I was so furious with you. She couldn’t do anything then.”
+
+Adela dropped her hands, staring; she felt she had walked in darkness.
+“So that he had to meet it alone?”
+
+“_Dame_!” said Godfrey, who had got up his French tremendously.
+
+Muriel came to the door to say papa wished the two others to join them,
+and the next day Godfrey returned to town. His father remained at
+Brinton, without an intermission, the rest of the summer and the whole of
+the autumn, and Adela had a chance to find out, as she had said, whether
+he knew she had interfered. But in spite of her chance she never found
+out. He knew Mrs. Churchley had thrown him over and he knew his daughter
+rejoiced in it, but he appeared not to have divined the relation between
+the two facts. It was strange that one of the matters he was clearest
+about—Adela’s secret triumph—should have been just the thing which from
+this time on justified less and less such a confidence. She was too
+sorry for him to be consistently glad. She watched his attempts to wind
+himself up on the subject of shorthorns and drainage, and she favoured to
+the utmost of her ability his intermittent disposition to make a figure
+in orchids. She wondered whether they mightn’t have a few people at
+Brinton; but when she mentioned the idea he asked what in the world there
+would be to attract them. It was a confoundedly stupid house, he
+remarked—with all respect to _her_ cleverness. Beatrice and Muriel were
+mystified; the prospect of going out immensely had faded so utterly away.
+They were apparently not to go out at all. Colonel Chart was aimless and
+bored; he paced up and down and went back to smoking, which was bad for
+him, and looked drearily out of windows as if on the bare chance that
+something might arrive. Did he expect Mrs. Churchley to arrive, did he
+expect her to relent on finding she couldn’t live without him? It was
+Adela’s belief that she gave no sign. But the girl thought it really
+remarkable of her not to have betrayed her ingenious young visitor.
+Adela’s judgement of human nature was perhaps harsh, but she believed
+that most women, given the various facts, wouldn’t have been so
+forbearing. This lady’s conception of the point of honour placed her
+there in a finer and purer light than had at all originally promised to
+shine about her.
+
+She meanwhile herself could well judge how heavy her father found the
+burden of Godfrey’s folly and how he was incommoded at having to pay the
+horrible woman six hundred a year. Doubtless he was having dreadful
+letters from her; doubtless she threatened them all with hideous
+exposure. If the matter should be bruited Godfrey’s prospects would
+collapse on the spot. He thought Madrid very charming and curious, but
+Mrs. Godfrey was in England, so that his father had to face the music.
+Adela took a dolorous comfort in her mother’s being out of that—it would
+have killed her; but this didn’t blind her to the fact that the comfort
+for her father would perhaps have been greater if he had had some one to
+talk to about his trouble. He never dreamed of doing so to her, and she
+felt she couldn’t ask him. In the family life he wanted utter silence
+about it. Early in the winter he went abroad for ten weeks, leaving her
+with her sisters in the country, where it was not to be denied that at
+this time existence had very little savour. She half expected her
+sister-in-law would again descend on her; but the fear wasn’t justified,
+and the quietude of the awful creature seemed really to vibrate with the
+ring of gold-pieces. There were sure to be extras. Adela winced at the
+extras. Colonel Chart went to Paris and to Monte Carlo and then to
+Madrid to see his boy. His daughter had the vision of his perhaps
+meeting Mrs. Churchley somewhere, since, if she had gone for a year, she
+would still be on the Continent. If he should meet her perhaps the
+affair would come on again: she caught herself musing over this. But he
+brought back no such appearance, and, seeing him after an interval, she
+was struck afresh with his jilted and wasted air. She didn’t like it—she
+resented it. A little more and she would have said that that was no way
+to treat so faithful a man.
+
+They all went up to town in March, and on one of the first days of April
+she saw Mrs. Churchley in the Park. She herself remained apparently
+invisible to that lady—she herself and Beatrice and Muriel, who sat with
+her in their mother’s old bottle-green landau. Mrs. Churchley, perched
+higher than ever, rode by without a recognition; but this didn’t prevent
+Adela’s going to her before the month was over. As on her great previous
+occasion she went in the morning, and she again had the good fortune to
+be admitted. This time, however, her visit was shorter, and a week after
+making it—the week was a desolation—she addressed to her brother at
+Madrid a letter containing these words: “I could endure it no longer—I
+confessed and retracted; I explained to her as well as I could the
+falsity of what I said to her ten months ago and the benighted purity of
+my motives for saying it. I besought her to regard it as unsaid, to
+forgive me, not to despise me too much, to take pity on poor _perfect_
+papa and come back to him. She was more good-natured than you might have
+expected—indeed she laughed extravagantly. She had never believed me—it
+was too absurd; she had only, at the time, disliked me. She found me
+utterly false—she was very frank with me about this—and she told papa she
+really thought me horrid. She said she could never live with such a
+girl, and as I would certainly never marry I must be sent away—in short
+she quite loathed me. Papa defended me, he refused to sacrifice me, and
+this led practically to their rupture. Papa gave her up, as it were, for
+_me_. Fancy the angel, and fancy what I must try to be to him for the
+rest of his life! Mrs. Churchley can never come back—she’s going to
+marry Lord Dovedale.”
+
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK THE MARRIAGES***
+
+
+******* This file should be named 2436-0.txt or 2436-0.zip *******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/2/4/3/2436
+
+
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for the eBooks, unless you receive
+specific permission. If you do not charge anything for copies of this
+eBook, complying with the rules is very easy. You may use this eBook
+for nearly any purpose such as creation of derivative works, reports,
+performances and research. They may be modified and printed and given
+away--you may do practically ANYTHING in the United States with eBooks
+not protected by U.S. copyright law. Redistribution is subject to the
+trademark license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country outside the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you'll have to check the laws of the country where you
+ are located before using this ebook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm web site
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from both the Project Gutenberg Literary Archive Foundation and The
+Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
+trademark. Contact the Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+Section 3. Information about the Project Gutenberg Literary
+Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's principal office is in Fairbanks, Alaska, with the
+mailing address: PO Box 750175, Fairbanks, AK 99775, but its
+volunteers and employees are scattered throughout numerous
+locations. Its business office is located at 809 North 1500 West, Salt
+Lake City, UT 84116, (801) 596-1887. Email contact links and up to
+date contact information can be found at the Foundation's web site and
+official page at www.gutenberg.org/contact
+
+For additional contact information:
+
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works.
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our Web site which has the main PG search
+facility: www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+