summaryrefslogtreecommitdiff
path: root/23805.txt
diff options
context:
space:
mode:
Diffstat (limited to '23805.txt')
-rw-r--r--23805.txt771
1 files changed, 771 insertions, 0 deletions
diff --git a/23805.txt b/23805.txt
new file mode 100644
index 0000000..9aa8fb5
--- /dev/null
+++ b/23805.txt
@@ -0,0 +1,771 @@
+The Project Gutenberg EBook of For The Honor Of France, by Thomas A. Janvier
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: For The Honor Of France
+ 1891
+
+Author: Thomas A. Janvier
+
+Release Date: December 10, 2007 [EBook #23805]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK FOR THE HONOR OF FRANCE ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+
+FOR THE HONOR OF FRANCE.
+
+By Thomas A. Janvier
+
+Copyright, 1891, by Harper & Brothers
+
+
+"Pardon! Madame does not know that this is a smoking-carriage?"
+
+"But yes. Monsieur is very good. It is that my husband would smoke.
+He is an old soldier. He smokes all the time. _Ciel!_ They are like
+chimneys, these old soldiers. This man of mine regrets that he cannot
+smoke when he is asleep!"
+
+While Madame delivered this address she continued also to mount the
+steps, and as she finished it she seated herself in the corner of the
+carriage opposite to me. She was short and round and sixty years old,
+and smiling like the sun on a fine day. Her dress was the charming dress
+of Aries, but over her kerchief she wore a silk mantle that glittered
+with an embroidery of jet beads. This mantle was precious to her. Her
+first act upon seating herself was to take it off, fold it carefully in
+a large handkerchief, and lay it safely in the netting above her head.
+She replaced it with a red knitted shawl, partly as a shield against the
+dust, and partly as a protection against the fresh wind that was blowing
+briskly down the valley of the Rhone.
+
+In a moment her husband followed her, bowing to me as he entered the
+carriage. Seating himself beside her, and giving her plump hand a little
+affectionate pat, he said: "It is all right, little one. Marie will
+receive her jelly in good condition. I myself saw that the basket was
+placed right side up in the carriage. The jelly will not spill." Then,
+turning to me, he added: "My wife makes a wonderful jelly of apricots,
+Monsieur. We are taking some of it to our married daughter, who lives in
+Avignon."
+
+He was a well set-up old boy, with a face most pleasantly frank,
+close-cut gray hair, short gray whiskers, and a bristling white
+mustache. Across his forehead, cutting through his right eyebrow, was
+a desperate scar, that I at once associated in my own mind with the
+red ribbon of the Legion that he wore in the button-hole of his black
+frock-coat. He looked the officer in retreat, and the very gentleness
+and sweetness of his manner made me sure that he had done some gallant
+fighting in his time.
+
+As the train pulled out from the station--it was at Tarascon that they
+had joined me--he drew forth from his pocket a black little wooden pipe
+and a tobacco-bag. This was my opportunity. I also drew forth a pipe and
+a tobacco-bag. Would Monsieur accept some of my tobacco? I asked. I had
+brought it, I added, from America; it was tobacco of the Havana.
+
+"Monsieur then is an American. That is interesting. And his tobacco is
+from the Havana, that is more interesting still. My cousin's son has
+been for many years in America. His name is Marius Guiraud; he lives in
+San Francisco; possibly Monsieur and he have met?"
+
+Monsieur regretted that he had not had this pleasure, and explained
+that his home was in New York--three times as far from San Francisco as
+Marseilles was from Paris.
+
+"Name of a name! Is it possible? How vast this America must be! And they
+tell me--" Here he struck a wax match and paused to light his pipe. He
+drew a dozen whiffs in silence, while on his face was the thoughtful
+look of one whose taste in tobacco was critical and whose love for it
+was strong.
+
+"Thunder of guns, but it is good!" he exclaimed, as he took the pipe
+from his mouth and passed it lightly back and forth beneath his nose.
+"Had we smoked tobacco like this in the Crimea we should have whipped
+those rascal Russians in a single week. Ah, that we often were without
+tobacco was the hardest part of all. I have smoked coffee grounds and
+bay, Monsieur, and have been thankful to get them--I myself, who well
+know what is good and what is not good in a pipe! This tobacco--it is
+divine!"
+
+"Monsieur served in the Crimea?"
+
+"This is the proof of it," he said, a little grimly, touching the scar
+on his forehead.
+
+"And this," his wife added, touching the bit of red ribbon in his
+button-hole. "He was the bravest man in all that war, Monsieur, this old
+husband of mine. His cross was given him by--"
+
+"Tchut, little one! What does Monsieur care how I got my cross? It was
+not much that I did. Any man would have done the same."
+
+"But the others did _not_ do the same. They ran away and left thee to do
+it alone. Did not his Majesty tell thee--"
+
+"Ah, Monsieur hears what a _babillarde_ it is. If she were given her own
+way she would swear that I commanded the allied armies, and that I
+blew up the Redan and stormed the Malakoff and captured Sebastopol all
+alone!"
+
+"Tell Monsieur what thou didst do," said the little woman, warmly.
+"Tell him truly precisely what thou didst do, and then let him judge for
+himself if what I have said be one bit less than thy due."
+
+"And so bring Monsieur to know that I am a babbling old woman like
+thyself?" He pinched her gently, and then settled himself back against
+the cushion as though with the intention of giving himself wholly to the
+enjoyment of his pipe: yet was there a look in his eyes that showed how
+strong was the desire within him--the desire that is natural to every
+brave and simple-minded old soldier--to tell the story of his honorable
+scars. Even had I felt no desire to hear this story, not to have pressed
+him to tell it would have been cruel. But little pressing was required.
+
+"Since Monsieur is good enough to desire to hear what little there is to
+tell," he said, "and to show him how foolish is this old woman of mine,
+I will tell him the whole affair. It is a stupid nothing; but Monsieur
+may be amused by the trick that was put upon me by those great
+generals--yes, that certainly was droll.
+
+"Our regiment, Monsieur, was the Twenty-seventh of the Line. It was
+drawn almost wholly from the towns and villages in these parts:
+Aries and Tarascon and Saint-Remy and Salon and Maillane and Chateau
+Renard--there is the old chateau, over on the hill yonder, beside the
+Durance--and Barbentane, that we shall see presently around the corner
+of the hill. We all were _Provencaux_ together, and the men of the other
+regiments of our division gave us the name of the Provence cats; though
+why they gave us that foolish name I am sure they never knew any more
+than we did ourselves. It was not because we were cowards, that I will
+swear: our regiment did some very pretty fighting in its time, as any
+one may know by reading the gazettes which were published in those days.
+
+"Our division held Mont Sapoune--the French right, you know--facing the
+Little Redan across the Carenage Ravine. It was early in the siege, and
+we had only drawn our first parallel: close against the Selinghinsk
+and Vallyrie redoubts, and partly covering the ground where we dug our
+rifle-pits later on. But we were going ahead with our work fast, and
+already we had thrown up the little redoubts known as No. 11 and No.
+15, which covered the advancing earthwork leading to where our second
+parallel was to begin. Redoubt No. 11 was a good hundred yards, and
+Redoubt No. 15 was more than three times that distance outside of our
+lines; and everybody knew that these two advanced posts would be in
+great danger until our second parallel was well under way. So very
+possible was it that they might be surprised, and the guns turned on our
+own lines in support of a general attack, that in each of them spikes
+and hammers were kept in readiness against the need for spiking the guns
+before they fell into the enemy's hands. Our regiment lay just behind
+these redoubts, in the rear of the artillerymen who manned our trenches;
+and as the gunners had plenty to do all day long, and through the night
+too sometimes, the work of keeping up the night pickets fell to our
+share.
+
+"It was while things were this way that I was on picket early one
+morning on our extreme left, close over the edge of the Carenage Ravine.
+I had come on with the midnight relief, and by five o'clock in the
+morning, when day wras just breaking, my teeth were chattering and I was
+stiff with cold. Name of a name, but it was cold those winter mornings!
+We have nothing like it, even when the worst mistral is blowing, in our
+winters here in Provence. Down in the ravine there was a thick mist,
+into which I could not see at all; but every now and then a whiff of
+wind would come in from the seaward and thin it a little, and then I
+would give a good look below me, for it was along the ravine that any
+party sent out to surprise us almost certainly would come.
+
+"It was while the light still was faint that I thought I heard, coming
+up through the mist, a little rattling sound, such as might be made by a
+man stumbling and dropping his musket among the broken rocks. Just then
+the mist was too thick for me to see twenty feet below me. I was sure
+that something bad was going on down there, but I did not want to make a
+fool of myself by giving a false alarm. All that I could do was to cock
+my musket and to hold it pointed towards where the sound seemed to come
+from, all ready, should there be need for it, to give the alarm and get
+in a shot at the enemy at the same time. Truly, Monsieur, it seemed to
+me that I stood that way, while my heart went pounding against my ribs,
+for a whole year! I was no longer cold: the blood was racing through
+my veins, and I was everywhere in a glow. Suddenly there came a puff of
+wind, and as the mist thinned for a moment I saw that the whole ravine
+was full of Russians. Their advance already was half-way up the bank
+nearest to our works. In less than ten minutes the whole of them would
+be dashing into our outlying redoubts. As I pulled the trigger of my
+musket I tried to shout, but my throat was as dry as a furnace and I
+could only gasp. And--will you believe it?--my musket missed fire! Name
+of a name, what a state I was in! There was the enemy coming on under
+cover of the mist; and there was I, the only man who could save our
+army, standing dumb like a useless fool!
+
+"What I must do came to me like a flash. If I ran back inside of our
+lines to give the alarm, the chances were a thousand to one that the
+enemy would have the outlying redoubt, very likely would have them both,
+and would turn the guns before help could come. But I knew, at least
+I hoped, that there was time for me to get to the more exposed redoubt
+ahead of them and give the word to spike the guns. It was all in an
+instant, I say, that I found this thought in my mind, and my musket and
+cartridge-box thrown I don't know where, and myself dashing off through
+the mist across the broken ground like a deer.
+
+"As I rushed into the redoubt our men thought that I was the Russians;
+and when they knew me by my uniform for a Frenchman, and heard me crying
+in a hoarse whisper, 'Spike the guns!' they thought that I was mad. But
+the lieutenant in command of the battery had at least a little sense,
+even if he did not have much courage, and he looked towards where I
+pointed--and then he saw the shakos, as the mist lifted again, not a
+hundred feet away.
+
+"'Save yourselves, I will make the guns safe,' he cried to his men--he
+was not all a coward, poor fellow--and as they ran for it he picked up
+the spikes and the hammer. Tap! tap! tap! one gun was spiked. Tap!
+tap! tap! another. Then we heard the Russians beginning to scramble up
+outside.
+
+"He swore a great oath as he dropped the hammer. 'It can't be done.
+Run, cat!' he cried--and away he started after his men. The name that I
+called him as he ran away, Monsieur, was a very foul name; God forgive
+me for what I said! But I was determined that it _should_ be done. In
+a second I had picked up the nails and the hammer, and--tap! tap!
+tap!--the third gun was safe. 'Run, cat!' I heard the lieutenant call
+again. But--tap!--I had the nail started in the last gun, and then,
+right above me, was a Russian major and with him a dozen of his men.
+Tap! and I had the nail half-way home as the major jumped down beside
+me, with his sword raised. I knew that I could parry his blow with the
+hammer and then, possibly, get away; but I wanted to make sure that that
+gun could not be turned. And so--it was quick thinking that I did just
+then, Monsieur--tap! and the gun was no better than old iron! At
+that same instant it seemed to me that the whole world burst into a
+tremendous roar and ten thousand blazing stars--but it only was the
+sword of that confounded Russian major banging against my skull!"
+
+The little woman was almost sobbing. She took her husband's hand in both
+of hers.
+
+"But you see that I was _not_ killed, little one," he said; and he
+raised her hands to his lips and kissed them.
+
+"It was not until the next day, Monsieur," he went on, "that I knew
+anything. Then I was in the hospital.
+
+"'How did it go?' I asked of the hospital-steward.
+
+"'Shut up,' said the steward.
+
+"This made me angry. 'How did it go, _polisson?_' I cried. 'Tell me, or
+I'll crush your bones.'
+
+"Then the man was more civil. 'The Russians were driven back,' he said,
+'and a lot of them were captured. You owe it to the same Russian major
+who almost killed you that your life was saved. As soon as he was
+brought into camp he sent a message to the general begging that you
+might be looked after quickly. If there was any life left in you, it was
+worth saving, he said, for you were a brave man--and he told how you had
+spiked those last two guns! _Parbleu_, but for that message you would
+have died! When they brought you in here you were nearly gone!'
+
+"'And the lieutenant who ran away?' I asked.
+
+"'Oh, he was killed--as he deserved. Now you know all about it. Hold
+your tongue.'
+
+"I felt so foolishly weak, and there was such a pain in my head as
+I began to remember it all once more, that I could not ask any more
+questions. Presently my head began to buzz and the pain in it to get
+worse, and then for a week I had a fever that came near to taking me
+off. But I pulled through"--he squeezed his wife's hand, that again
+had been laid in his--"and in three weeks I was back with the regiment
+again. It was all due to my having such a wonderfully thick skull, the
+doctors said, that the major's sword had not broken it past all mending.
+When I came into camp the boys all cheered me, and I was as proud as a
+cock. And then, the first thing I knew, up came a corporal and a file of
+men and arrested me.
+
+"'What am I arrested for?' I asked.
+
+"'For being absent without leave from your regiment during battle,'
+said the corporal, and marched me off to the guard-house. Then I was not
+proud at all. But I was very angry. That I should be arrested in this
+fashion did not seem to me fair.
+
+"In half an hour back came the corporal and his file of men. This time
+they took me to headquarters. In we went; and the corporal stood
+beside me, and his men behind me in a row. It seemed as though half the
+officers of our army were there: my colonel, the general of our brigade,
+the general of our division, half a dozen other generals, three or
+four English officers in their smart red coats; presently there was a
+stir--and in came the Emperor! What the deuce it all meant I could not
+tell at all!
+
+"'Private Labonne,' said my colonel, he spoke in a very harsh tone, yet
+it seemed to me that there was an odd sort of twinkle in his eye--'you
+deserted your post, and you were absent without leave when your regiment
+went into action.'
+
+"'Yes, but--'
+
+"'Not a word of excuse, Private Labonne. You know the penalty.' I did
+know the penalty, of course; it was to be taken out and shot. I began
+to think that this was worse than the Russians!
+
+"'When shall I order the court-martial, your Majesty?' asked my colonel.
+
+"'I will be the court-martial,' said the Emperor. 'This is a serious
+matter; this is a matter to be dealt with in a hurry. The case is
+proved. There is no need for a trial. I order Private Labonne to be shot
+right away.'
+
+"I shivered all down my back. It _was_ worse than the Russians; very
+much worse.
+
+"'Take him away,' said my colonel.
+
+"The corporal put his hand on my shoulder and the guard closed in.
+'March!' said the corporal.
+
+"'Stop!' said the Emperor. 'Private Labonne, before you are taken away
+and shot, tell me what you were doing in that battery.'
+
+"'Nothing, your Majesty.'
+
+"'Nothing? I thought that I heard something about guns being spiked. Did
+not you spike a gun, Private Labonne?'
+
+"'Yes, your Majesty.'
+
+"'Did not you spike two guns--and both of them after the gunners and the
+officer in command of the battery had run away?'
+
+"'Yes, your Majesty.'
+
+"'And why did you not run away, too, Private Labonne?'
+
+"'Because I wanted to spike the guns, your Majesty.'
+
+"'You did not think, then, that it was your duty as one of my soldiers
+to save your life by running with the others?'
+
+"This question puzzled me, for I certainly never had thought of the
+matter in that way at all. It occurred to me that perhaps I really had
+not done my duty. But what the Emperor said, for all that he was the
+Emperor, did not seem reasonable, and I made bold to answer him: 'If
+I had taken care of my own life, your Majesty, a great many of your
+soldiers would have died to pay for it. It would have been a bad day's
+work if those two guns had not been spiked, for the Russians certainly
+would have turned them on our lines.'
+
+"The Emperor turned to my colonel. 'There is something in what Private
+Labonne says, eh, colonel? I suppose there really would have been the
+very devil to pay had the enemy turned those guns?'
+
+"'I suppose there would,' said my colonel, a little grimly.
+
+"'Then the case is not quite so black against Private Labonne as it at
+first appeared?'
+
+"'Not quite so black,' said my colonel.
+
+"'Perhaps we need not have him shot, after all?'
+
+"'Perhaps not--not this time, at least.'
+
+"'We might even compliment him a little upon his bravery. For it was
+rather brave--eh, colonel?--to stay in that battery and spike those
+guns, while a hundred Russians were tumbling in upon him, and his own
+comrades had run off and left him to do his duty and to die for it there
+alone.'
+
+"My colonel's voice broke a little as he answered, 'It was very brave,
+your Majesty.'
+
+"'Eh, well, Private Labonne,' said the Emperor, turning again to me, 'we
+won't shoot you. Your colonel is right about your bravery; and to shoot
+a brave man, except in battle, is a mistake. The Russian officer who
+came so near to killing you was a major, I am told; well, you may happen
+to meet him again, and if you do it is only fair that your rank should
+equal his. Here is your commission, Major Labonne; and here is a little
+thing '--it was his own cross of the Legion that the Emperor gave
+me--'that I want you to wear in remembrance of that day when you did as
+brave a piece of work as ever was done by a French soldier for the honor
+of France!'
+
+"And so you see, Monsieur, it was only a comedy about my being shot,
+after all. Here is Avignon. You must wait for me a moment, little one,
+while I get the basket of jelly for Marie."
+
+
+
+
+
+
+End of Project Gutenberg's For The Honor Of France, by Thomas A. Janvier
+
+*** END OF THIS PROJECT GUTENBERG EBOOK FOR THE HONOR OF FRANCE ***
+
+***** This file should be named 23805.txt or 23805.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/8/0/23805/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.