summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:14:35 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:14:35 -0700
commitceb448e7d32cdc006b3dc93c98cb09b6d2315bf3 (patch)
treeff4bdf4b78d0c34ef2f997a72db10f14e12cbe71
initial commit of ebook 237HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--237.txt1217
-rw-r--r--237.zipbin0 -> 20816 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/prpti10.txt1063
-rw-r--r--old/prpti10.zipbin0 -> 18648 bytes
7 files changed, 2296 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/237.txt b/237.txt
new file mode 100644
index 0000000..579b30c
--- /dev/null
+++ b/237.txt
@@ -0,0 +1,1217 @@
+The Project Gutenberg EBook of Sexti Properti Carmina, by Sextus Propertius
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Sexti Properti Carmina
+
+Author: Sextus Propertius
+
+Release Date: April 3, 2008 [EBook #237]
+
+Language: Latin
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK SEXTI PROPERTI CARMINA ***
+
+
+
+
+
+
+
+
+
+
+
+
+
+ SEXTI PROPERTI ELEGIARVM
+
+ LIBER PRIMVS
+
+ CYNTHIA MONOBIBLOS
+
+
+ I
+
+ CYNTHIA prima suis miserum me cepit ocellis,
+ contactum nullis ante cupidinibus.
+ tum mihi constantis deiecit lumina fastus
+ et caput impositis pressit Amor pedibus,
+ donec me docuit castas odisse puellas
+ improbus, et nullo uiuere consilio.
+ et mihi iam toto furor hic non deficit anno,
+ cum tamen aduersos cogor habere deos.
+ Milanion nullos fugiendo, Tulle, labores
+ saeuitiam durae contudit Iasidos.
+ nam modo Partheniis amens errabat in antris,
+ ibat et hirsutas ille uidere feras;
+ ille etiam Hylaei percussus uulnere rami
+ saucius Arcadiis rupibus ingemuit.
+ ergo uelocem potuit domuisse puellam:
+ tantum in amore preces et benefacta ualent.
+ in me tardus Amor non ullas cogitat artis,
+ nec meminit notas, ut prius, ire uias.
+ at uos, deductae quibus est fallacia lunae
+ et labor in magicis sacra piare focis,
+ en agedum dominae mentem conuertite nostrae,
+ et facite illa meo palleat ore magis!
+ tunc ego crediderim uobis et sidera et amnis
+ posse Cytaeines ducere carminibus.
+ et uos, qui sero lapsum reuocatis, amici,
+ quaerite non sani pectoris auxilia.
+ fortiter et ferrum saeuos patiemur et ignis,
+ sit modo libertas quae uelit ira loqui.
+ ferte per extremas gentis et ferte per undas,
+ qua non ulla meum femina norit iter:
+ uos remanete, quibus facili deus annuit aure,
+ sitis et in tuto semper amore pares.
+ in me nostra Venus noctes exercet amaras,
+ et nullo uacuus tempore defit Amor.
+ hoc, moneo, uitate malum: sua quemque moretur
+ cura, neque assueto mutet amore locum.
+ quod si quis monitis tardas aduerterit auris,
+ heu referet quanto uerba dolore mea!
+
+
+
+ II
+
+ QVID iuuat ornato procedere, uita, capillo
+ et tenuis Coa ueste mouere sinus?
+ aut quid Orontea crinis perfundere murra,.
+ teque peregrinis uendere muneribus;
+ naturae decus mercato perdere cultu,
+ nec sinere in propriis membra nitere bonis?
+ crede mihi, non ulla tua est medicina figurae:
+ nudus Amor formae non amat artificem.
+ aspice quos summittat humus formosa colores;
+ ut ueniant hederae sponte sua melius,
+ surgat et in solis formosius arbutus antris,
+ et sciat indocilis currere lympha uias.
+ litora natiuis persuadent picta lapillis,
+ et uolucres nulla dulcius arte canunt.
+ non sic Leucippis succendit Castora Phoebe,
+ Pollucem cultu non Hilaira soror;
+ non, Idae et cupido quondam discordia Phoebo,
+ Eueni patriis filia litoribus;
+ nec Phrygium falso traxit candore maritum
+ auecta externis Hippodamia rotis:
+ sed facies aderat nullis obnoxia gemmis,
+ qualis Apelleis est color in tabulis.
+ non illis studium uulgo conquirere amantis:
+ illis ampla satis forma pudicitia.
+ non ego nunc uereor ne sim tibi uilior istis:
+ uni si qua placet, culta puella sat est;
+ cum tibi praesertim Phoebus sua carmina donet
+ Aoniam libens Calliopea lyram,
+ unica nec desit iucundis gratia uerbis,
+ omnia quaeque Venus, quaeque Minerua probat.
+ his tu semper eris nostrae gratissima uitae,
+ taedia dum miserae sint tibi luxuriae.
+
+
+
+ III
+
+ QVALIS Thesea iacuit cedente carina
+ languida desertis Gnosia litoribus;
+ qualis et accubuit primo Cepheia somno
+ libera iam duris cotibus Andromede;
+ nec minus assiduis Edonis fessa choreis
+ qualis in herboso concidit Apidano:
+ talis uisa mihi mollem spirare quietem
+ Cynthia non certis nixa caput manibus,
+ ebria cum multo traherem uestigia Baccho,
+ et quaterent sera nocte facem pueri.
+ hanc ego, nondum etiam sensus deperditus omnis,
+ molliter impresso conor adire toro;
+ et quamuis duplici correptum ardore iuberent
+ hac Amor hac Liber, durus uterque deus,
+ subiecto leuiter positam temptare lacerto
+ osculaque admota sumere et arma manu,
+ non tamen ausus eram dominae turbare quietem,
+ expertae metuens iurgia saeuitiae;
+ sed sic intentis haerebam fixus ocellis,
+ Argus ut ignotis cornibus Inachidos.
+ et modo soluebam nostra de fronte corollas
+ ponebam tuis, Cynthia, temporibus;
+ et modo gaudebam lapsos formare capillos;
+ nunc furtiua cauis poma dabam manibus;
+ omniaque ingrato largibar munera somno,
+ munera de prono saepe uoluta sinu;
+ et quotiens raro duxit suspiria motu,
+ obstupui uano credulus auspicio,
+ ne qua tibi insolitos portarent uisa timores,
+ neue quis inuitam cogeret esse suam:
+ donec diuersas praecurrens luna fenestras,
+ luna moraturis sedula luminibus,
+ compositos leuibus radiis patefecit ocellos.
+ sic ait in molli fixa toro cubitum:
+ 'tandem te nostro referens iniuria lecto
+ alterius clausis expulit e foribus?
+ namque ubi longa meae consumpsti tempora noctis
+ languidus exactis, ei mihi, sideribus?
+ o utinam talis perducas, improbe, noctes,
+ me miseram qualis semper habere iubes!
+ nam modo purpureo fallebam stamine somnum,
+ rursus et Orpheae carmine, fessa, lyrae;
+ interdum leuiter mecum deserta querebar
+ externo longas saepe in amore moras:
+ dum me iucundis lapsam sopor impulit alis.
+ illa fuit lacrimis ultima cura meis.'
+
+
+
+ IV
+
+ QVID mihi tam multas laudando, Basse, puellas
+ mutatum domina cogis abire mea?
+ quid me non pateris uitae quodcumque sequetur
+ hoc magis assueto ducere seruitio?
+ tu licet Antiopae formam Nycteidos, et tu
+ Spartanae referas laudibus Hermionae,
+ et quascumque tulit formosi temporis aetas;
+ Cynthia non illas nomen habere sinat:
+ nedum, si leuibus fuerit collata figuris,
+ inferior duro iudice turpis eat.
+ haec sed forma mei pars est extrema furoris;
+ sunt maiora, quibus, Basse, perire iuuat:
+ ingenuus color et multis decus artibus, et quae
+ gaudia sub tacita dicere ueste libet.
+ quo magis et nostros contendis soluere amores,
+ hoc magis accepta fallit uterque fide.
+ non impune feres: sciet haec insana puella
+ et tibi non tacitis uocibus hostis erit;
+ nec tibi me post haec committet Cynthia nec te
+ quaeret; erit tanti criminis illa memor,
+ et te circum omnis alias irata puellas
+ differet: heu nullo limine carus eris.
+ nullas illa suis contemnet fletibus aras,
+ et quicumque sacer, qualis ubique, lapis.
+ non ullo grauius temptatur Cynthia damno,
+ quam sibi cum rapto cessat amore deus:
+ praecipue nostri. maneat sic semper, adoro,
+ nec quicquam ex illa quod querar inueniam!
+
+
+
+ V
+
+ INVIDE, tu tandem uoces compesce molestas
+ et sine nos cursu, quo sumus, ire pares!
+ quid tibi uis, insane? meos sentire furores?
+ infelix, properas ultima nosse mala,
+ et miser ignotos uestigia ferre per ignis,
+ et bibere e tota toxica Thessalia.
+ non est illa uagis similis collata puellis:
+ molliter irasci non solet illa tibi.
+ quod si forte tuis non est contraria uotis,
+ at tibi curarum milia quanta dabit!
+ non tibi iam somnos, non illa relinquet ocellos:
+ illa feros animis alligat una uiros.
+ a, mea contemptus quotiens ad limina curres,
+ cum tibi singultu fortia uerba cadent,
+ et tremulus maestis orietur fletibus horror,
+ et timor informem ducet in ore notam,
+ et quaecumque uoles fugient tibi uerba querenti,
+ nec poteris, qui sis aut ubi, nosse miser!
+ tum graue seruitium nostrae cogere puellae
+ discere et exclusum quid sit abire domum;
+ nec iam pallorem totiens mirabere nostrum,
+ aut cur sim toto corpore nullus ego.
+ nec tibi nobilitas poterit succurrere amanti:
+ nescit Amor priscis cedere imaginibus.
+ quod si parua tuae dederis uestigia culpae,
+ quam cito de tanto nomine rumor eris!
+ non ego tum potero solacia ferre roganti,
+ cum mihi nulla mei sit medicina mali;
+ sed pariter miseri socio cogemur amore
+ alter in alterius mutua flere sinu.
+ quare, quid possit mea Cynthia, desine, Galle,
+ quaerere: non impune illa rogata uenit.
+
+
+
+ VI
+
+ NON ego nunc Hadriae uereor mare noscere tecum
+ Tulle, neque Aegaeo ducere uela salo,
+ cum quo Rhipaeos possim conscendere montis
+ ulterius domos uadere Memnonias;
+ sed me complexae remorantur uerba puellae,
+ mutatoque graues saepe colore preces.
+ illa mihi totis argutat noctibus ignis,
+ et queritur nullos esse relicta deos;
+ illa meam mihi iam se denegat, illa minatur,
+ quae solet irato tristis amica uiro.
+ his ego non horam possum durare querelis:
+ a pereat, si quis lentus amare potest!
+ an mihi sit tanti doctas cognoscere Athenas
+ atque Asiae ueteres cernere diuitias,
+ ut mihi deducta faciat conuicia puppi
+ Cynthia et insanis ora notet manibus,
+ osculaque opposito dicat sibi debita uento,
+ et nihil infido durius esse uiro?
+ tu patrui meritas conare anteire securis,
+ et uetera oblitis iura refer sociis.
+ nam tua non aetas umquam cessauit amori,
+ semper et armatae cura fuit patriae;
+ et tibi non umquam nostros puer iste labores
+ afferat et lacrimis omnia nota meis!
+ me sine, quem semper uoluit fortuna iacere,
+ hanc animam extremae reddere nequitiae.
+ multi longinquo periere in amore libenter,
+ in quorum numero me quoque terra tegat.
+ non ego sum laudi, non natus idoneus armis:
+ hanc me militiam fata subire uolunt.
+ at tu seu mollis qua tendit Ionia, seu qua
+ Lydia Pactoli tingit arata liquor;
+ seu pedibus terras seu pontum carpere remis
+ ibis, et accepti pars eris imperii:
+ tum tibi si qua mei ueniet non immemor hora,
+ uiuere me duro sidere certus eris.
+
+
+
+ VII
+
+ DVM tibi Cadmeae dicuntur, Pontice, Thebae
+ armaque fraternae tristia militiae,
+ atque, ita sim felix, primo contendis Homero,
+ (sint modo fata tuis mollia carminibus:)
+ nos, ut consuemus, nostros agitamus amores,
+ atque aliquid duram quaerimus in dominam;
+ nec tantum ingenio quantum seruire dolori
+ cogor et aetatis tempora dura queri.
+ hic mihi conteritur uitae modus, haec mea fama est,
+ hinc cupio nomen carminis ire mei.
+ me laudent doctae solum placuisse puellae,
+ Pontice, et iniustas saepe tulisse minas;
+ me legat assidue post haec neglectus amator,
+ et prosint illi cognita nostra mala.
+ te quoque si certo puer hic concusserit arcu,
+ (quod nolim: nostros te uiolasse deos!)
+ longe castra tibi, longe miser agmina septem
+ flebis in aeterno surda iacere situ;
+ et frustra cupies mollem componere uersum,
+ nec tibi subiciet carmina serus Amor.
+ tum me non humilem mirabere saepe poetam,
+ tunc ego Romanis praeferar ingeniis;
+ nec poterunt iuuenes nostro reticere sepulcro
+ 'Ardoris nostri magne poeta, iaces.'
+ tu caue nostra tuo contemnas carmina fastu:
+ saepe uenit magno faenore tardus Amor.
+
+
+
+ VIII
+
+ TVNE igitur demens, nec te mea cura moratur?
+ an tibi sum gelida uilior Illyria?
+ et tibi iam tanti, quicumque est, iste uidetur,
+ ut sine me uento quolibet ire uelis?
+ tune audire potes uesani murmura ponti
+ fortis, et in dura naue iacere potes?
+ tu pedibus teneris positas fulcire pruinas,
+ tu potes insolitas, Cynthia, ferre niues?
+ o utinam hibernae duplicentur tempora brumae,
+ et sit iners tardis nauita Vergiliis,
+ nec tibi Tyrrhena soluatur funis harena,
+ neue inimica meas eleuet aura preces!
+ atque ego non uideam talis subsidere uentos,
+ cum tibi prouectas auferet unda ratis,
+ ut me defixum uacua patiatur in ora
+ crudelem infesta saepe uocare manu!
+ Sed quocumque modo de me, periura, mereris,
+ sit Galatea tuae non aliena uiae:
+ ut te, felici praeuecta Ceraunia remo,
+ accipiat placidis Oricos aequoribus.
+ nam me non ullae poterunt corrumpere, de te
+ quin ego, uita, tuo limine uerba querar;
+ nec me deficiet nautas rogitare citatos
+ 'Dicite, quo portu clausa puella mea est?
+ et dicam 'Licet Atraciis considat in oris,
+ et licet Hylleis, illa futura mea est.'
+ hic erat! hic iurata manet! rumpantur iniqui!
+ uicimus: assiduas non tulit illa preces.
+ falsa licet cupidus deponat gaudia liuor:
+ destitit ire nouas Cynthia nostra uias.
+ illi carus ego et per me carissima Roma
+ dicitur, et sine me dulcia regna negat.
+ illa uel angusto mecum requiescere lecto
+ et quocumque modo maluit esse mea,
+ quam sibi dotatae regnum uetus Hippodamiae,
+ et quas Elis opes ante pararat equis.
+ quamuis magna daret, quamuis maiora daturus,
+ non tamen illa meos fugit auara sinus.
+ hanc ego non auro, non Indis flectere conchis,
+ sed potui blandi carminis obsequio.
+ sunt igitur Musae, neque amanti tardus Apollo,
+ quis ego fretus amo: Cynthia rara mea est!
+ nunc mihi summa licet contingere sidera plantis:
+ siue dies seu nox uenerit, illa mea est!
+ nec mihi riualis certos subducit amores:
+ ista meam norit gloria canitiem.
+
+
+
+ IX
+
+ DICEBAM tibi uenturos, irrisor, amores,
+ nec tibi perpetuo libera uerba fore:
+ ecce iaces supplexque uenis ad iura puellae,
+ et tibi nunc quaeuis imperat empta modo.
+ non me Chaoniae uincant in amore columbae
+ dicere, quos iuuenes quaeque puella domet.
+ me dolor et lacrimae merito fecere peritum:
+ atque utinam posito dicar amore rudis!
+ quid tibi nunc misero prodest graue dicere carmen
+ aut Amphioniae moenia flere lyrae?
+ plus in amore ualet Mimnermi uersus Homero:
+ carmina mansuetus lenia quaerit Amor.
+ i quaeso et tristis istos compone libellos,
+ et cane quod quaeuis nosse puella uelit!
+ quid si non esset facilis tibi copia? nunc tu
+ insanus medio flumine quaeris aquam.
+ necdum etiam palles, uero nec tangeris igni:
+ haec est uenturi prima fauilla mali.
+ tum magis Armenias cupies accedere tigris
+ et magis infernae uincula nosse rotae,
+ quam pueri totiens arcum sentire medullis
+ et nihil iratae posse negare tuae.
+ nullus Amor cuiquam facilis ita praebuit alas,
+ ut non alterna presserit ille manu.
+ nec te decipiat, quod sit satis illa parata:
+ acrius illa subit, Pontice, si qua tua est,
+ quippe ubi non liceat uacuos seducere ocellos
+ nec uigilare alio nomine cedat Amor.
+ qui non ante patet, donec manus attigit ossa.
+ quisquis es, assiduas a fuge blanditias!
+ illis et silices et possint cedere quercus,
+ nedum tu possis, spiritus iste leuis.
+ quare, si pudor est, quam primum errata fatere:
+ dicere quo pereas saepe in amore leuat.
+
+
+
+ X
+
+ O IVCVNDA quies, primo cum testis amori
+ affueram uestris conscius in lacrimis!
+ o noctem meminisse mihi iucunda uoluptas,
+ o quotiens uotis illa uocanda meis.
+ cum te complexa morientem, Galle, puella
+ uidimus et longa ducere uerba mora!
+ quamuis labentis premeret mihi somnus ocellos
+ et mediis caelo Luna ruberet equis,
+ non tamen a uestro potui secedere lusu.
+ tantus in alternis uocibus ardor erat.
+ sed quoniam non es ueritus concedere nobis,
+ accipe commissae munera laetitiae:
+ non solum uestros didici reticere dolores,
+ est quiddam in nobis maius, amice, fide.
+ possum ego diuersos iterum coniungere amantis.
+ et dominae tardas possum aperire fores;
+ et possum alterius curas sanare recentis,
+ nec leuis in uerbis est medicina meis.
+ Cynthia me docuit semper quaecumque petenda
+ quaeque cauenda forent: non nihil egit Amor.
+ tu caue ne tristi cupias pugnare puellae,
+ neue superba loqui, neue tacere diu;
+ neu, si quid petiit, ingrata fronte negaris.
+ neu tibi pro uano uerba benigna cadant.
+ irritata uellit, quando contemnitur illa,
+ nec meminit iustas ponere laesa minas:
+ at quo sis humilis magis et subiectus amori,
+ hoc magis effecto saepe fruare bono.
+ is poterit felix una remanere puella,
+ qui numquam uacuo pectore liber erit.
+
+
+
+ XI
+
+ ECQVID te mediis cessantem, Cynthia, Bais,
+ qua iacet Herculeis semita litoribus,
+ et modo Thesproti mirantem subdita regno
+ proxima Misenis aequora nobilibus,
+ nostri cura subit memores a! ducere noctes?
+ ecquis in extremo restat amore locus?
+ an te nescio quis simulatis ignibus hostis
+ sustulit e nostris, Cynthia, carminibus?
+ atque utinam mage te, remis confisa minutis,
+ paruula Lucrina cumba moretur aqua,
+ aut teneat clausam tenui Teuthrantis in unda
+ alternae facilis cedere lympha manu,
+ quam uacet alterius blandos audire susurros
+ molliter in tacito litore compositam!Q
+ ut solet amota labi custode puella
+ perfida, communis nec meminisse deos:
+ non quia perspecta non es mihi cognita fama,
+ sed quod in hac omnis parte timetur amor.
+ ignosces igitur, si quid tibi triste libelli
+ attulerint nostri: culpa timoris erit.
+ 'an mihi non maior carae custodia matris?'
+ aut sine te uitae cura sit ulla meae?
+ tu mihi sola domus, tu, Cynthia, sola parentes,
+ omnia tu nostrae tempora laetitiae.
+ seu tristis ueniam seu contra laetus amicis,
+ quicquid ero, dicam' Cynthia causa fuit.
+ tu modo quam primum corruptas desere Baias:
+ multis ista dabunt litora discidium,
+ litora quae fuerant castis inimica puellis:
+ a pereant Baiae, crimen amoris, aquae!
+
+
+
+ XII
+
+ QVID mihi desidiae non cessas fingere crimen,
+ quod faciat nobis conscia Roma moram?
+ tam multa illa meo diuisa est milia lecto,
+ quantum Hypanis Veneto dissidet Eridano;
+ nec mihi consuetos amplexu nutrit amores
+ Cynthia, nec nostra dulcis in aure sonat.
+ olim gratus eram: non illo tempore cuiquam
+ contigit ut simili posset amare fide.
+ inuidiae fuimus: non me deus obruit? an quae
+ lecta Prometheis diuidit herba iugis?
+ non sum ego qui fueram: mutat uia longa puellas.
+ quantus in exiguo tempore fugit amor!
+ nunc primum longas solus cognoscere noctes
+ cogor et ipse meis auribus esse grauis.
+ felix, qui potuit praesenti flere puellae;
+ non nihil aspersis gaudet Amor lacrimis:
+ aut si despectus potuit mutare calores,
+ sunt quoque translato gaudia seruitio.
+ mi neque amare aliam neque ab hac desistere fas est:
+ Cynthia prima fuit, Cynthia finis erit.
+
+
+
+ XIII
+
+ TV, quod saepe soles, nostro laetabere casu,
+ Galle, quod abrepto solus amore uacem.
+ at non ipse tuas imitabor, perfide, uoces:
+ fallere te numquam, Galle, puella uelit.
+ dum tibi deceptis augetur fama puellis,
+ certus et in nullo quaeris amore moram,
+ perditus in quadam tardis pallescere curis
+ incipis, et primo lapsus abire gradu.
+ haec erit illarum contempti poena doloris:
+ multarum miseras exiget una uices.
+ haec tibi uulgaris istos compescet amores,
+ nec noua quaerendo semper amicus eris.
+ haec ego non rumore malo, non augure doctus;
+ uidi ego: me quaeso teste negare potes?
+ uidi ego te toto uinctum languescere collo
+ et flere iniectis, Galle, diu manibus,
+ et cupere optatis animam deponere uerbis,
+ et quae deinde meus celat, amice, pudor.
+ non ego complexus potui diducere uestros:
+ tantus erat demens inter utrosque furor.
+ non sic Haemonio Salmonida mixtus Enipeo
+ Taenarius facili pressit amore deus,
+ nec sic caelestem flagrans amor Herculis Heben
+ sensit in Oetaeis gaudia prima iugis.
+ una dies omnis potuit praecurrere amantis:
+ nam tibi non tepidas subdidit illa faces,
+ nec tibi praeteritos passa est succedere fastus,
+ nec sinet abduci: te tuus ardor aget.
+ nec mirum, cum sit Ioue digna et proxima Ledae
+ et Ledae partu gratior, una tribus;
+ illa sit Inachiis et blandior heroinis,
+ illa suis uerbis cogat amare Iouem.
+ tu uero quoniam semel es periturus amore,
+ utere: non alio limine dignus eras.
+ quae tibi sit felix quoniam nouus incidit error;
+ et quodcumque uoles, una sit ista tibi.
+
+
+
+ XIV
+
+ TV licet abiectus Tiberina molliter unda
+ Lesbia Mentoreo uina bibas opere,
+ et modo tam celeres mireris currere lintres
+ et modo tam tardas funibus ire ratis;
+ et nemus omne satas intendat uertice siluas,
+ urgetur quantis Caucasus arboribus;
+ non tamen ista meo ualeant contendere amori:
+ nescit Amor magnis cedere diuitiis.
+ nam siue optatam mecum trahit illa quietem,
+ seu facili totum ducit amore diem,
+ tum mihi Pactoli ueniunt sub tecta liquores,
+ et legitur Rubris gemma sub aequoribus;
+ tum mihi cessuros spondent mea gaudia reges:
+ quae maneant, dum me fata perire uolent!
+ nam quis diuitiis aduerso gaudet Amore?
+ nulla mihi tristi praemia sint Venere!
+ illa potest magnas heroum infringere uires,
+ illa etiam duris mentibus esse dolor:
+ illa neque Arabium metuit transcendere limen
+ nec timet ostrino, Tulle, subire toro
+ et miserum toto iuuenem uersare cubili:
+ quid releuant uariis serica textilibus?
+ quae mihi dum placata aderit, non ulla uerebor
+ regna uel Alcinoi munera despicere.
+
+
+
+ XV
+
+ SAEPE ego multa tuae leuitatis dura timebam,
+ hac tamen excepta, Cynthia, perfidia.
+ aspice me quanto rapiat fortuna periclo!
+ tu tamen in nostro lenta timore uenis;
+ et potes hesternos manibus componere crinis
+ et longa faciem quaerere desidia,
+ nec minus Eois pectus uariare lapillis,
+ ut formosa nouo quae parat ire uiro.
+ at non sic Ithaci digressu mota Calypso
+ desertis olim fleuerat aequoribus:
+ multos illa dies incomptis maesta capillis
+ sederat, iniusto multa locuta salo,
+ et quamuis numquam post haec uisura, dolebat
+ illa tamen, longae conscia laetitiae.
+ nec sic Aesoniden rapientibus anxia uentis
+ Hypsipyle uacuo constitit in thalamo:
+ Hypsipyle nullos post illos sensit amores,
+ ut semel Haemonio tabuit hospitio.
+ Alphesiboea suos ulta est pro coniuge fratres
+ sanguinis et cari uincula rupit amor.
+ coniugis Euadne miseros elata per ignis
+ occidit, Argiuae fama pudicitiae.
+ quarum nulla tuos potuit conuertere mores,
+ tu quoque uti fieres nobilis historia.
+ desine iam reuocare tuis periuria uerbis,
+ Cynthia, et oblitos parce mouere deos;
+ audax a nimium, nostro dolitura periclo,
+ si quid forte tibi durius inciderit!
+ multa prius: uasto labentur flumina ponto,
+ annus et inuersas duxerit ante uices,
+ quam tua sub nostro mutetur pectore cura:
+ sis quodcumque uoles, non aliena tamen.
+ quam tibi ne uiles isti uideantur ocelli,
+ per quos saepe mihi credita perfidia est!
+ hos tu iurabas, si quid mentita fuisses,
+ ut tibi suppositis exciderent manibus:
+ et contra magnum potes hos attollere Solem,
+ nec tremis admissae conscia nequitiae?
+ quis te cogebat multos pallere colores
+ et fletum inuitis ducere luminibus?
+ quis ego nunc pereo, similis moniturus amantis
+ 'O nullis tutum credere blanditiis!'
+
+
+
+ XVI
+
+ 'QVAE fueram magnis olim patefacta triumphis,
+ Ianua Tarpeiae nota pudicitiae;
+ cuius inaurati celebrarunt limina currus,
+ captorum lacrimis umida supplicibus;
+ nunc ego, nocturnis potorum saucia rixis,
+ pulsata indignis saepe queror manibus,
+ et mihi non desunt turpes pendere corollae
+ semper et exclusis signa iacere faces.
+ nec possum infamis dominae defendere noctes
+ nobilis obscenis tradita carminibus;
+ (nec tamen illa suae reuocatur parcere famae,
+ turpior et saecli uiuere luxuria.)
+ has inter grauibus cogor deflere querelis,
+ supplicis a longis tristior excubiis.
+ ille meos numquam patitur requiescere postis,
+ arguta referens carmina blanditia:
+ "Ianua uel domina penitus crudelior ipsa,
+ quid mihi iam duris clausa taces foribus?
+ cur numquam reserata meos admittis amores,
+ nescia furtiuas reddere mota preces?
+ nullane finis erit nostro concessa dolori,
+ turpis et in tepido limine somnus erit?
+ me mediae noctes, me sidera plena iacentem,
+ frigidaque Eoo me dolet aura gelu:
+ tu sola humanos numquam miserata dolores
+ respondes tacitis mutua cardinibus.
+ o utinam traiecta caua mea uocula rima
+ percussas dominae uertat in auriculas!
+ sit licet et saxo patientior illa Sicano,
+ sit licet et ferro durior et chalybe,
+ non tamen illa suos poterit compescere ocellos,
+ surget et inuitis spiritus in lacrimis.
+ nunc iacet alterius felici nixa lacerto,
+ at mea nocturno uerba cadunt Zephyro.
+ sed tu sola mei, tu maxima causa doloris,
+ uicta meis numquam, ianua, muneribus.
+ te non ulla meae laesit petulantia linguae,
+ quae solet irato dicere tota loco,
+ ut me tam longa raucum patiare querela
+ sollicitas triuio peruigilare moras.
+ at tibi saepe nouo deduxi carmina uersu,
+ osculaque impressis nixa dedi gradibus.
+ ante tuos quotiens uerti me, perfida, postis,
+ debitaque occultis uota tuli manibus!"
+ haec ille et si quae miseri nouistis amantes,
+ et matutinis obstrepit alitibus.
+ sic ego nunc dominae uitiis et semper amantis
+ fletibus aeterna deferor inuidia.'
+
+
+
+ XVII
+
+ ET merito, quoniam potui fugisse puellam
+ nunc ego desertas alloquor alcyonas.
+ nec mihi Cassiope solito uisura carinam,
+ omniaque ingrato litore uota cadunt.
+ quin etiam absenti prosunt tibi, Cynthia, uenti:
+ aspice, quam saeuas increpat aura minas.
+ nullane placatae ueniet fortuna procellae?
+ haecine parua meum funus harena teget?
+ tu tamen in melius saeuas conuerte querelas:
+ sat tibi sit poenae nox et iniqua uada.
+ an poteris siccis mea fata reponere ocellis,
+ ossaque nulla tuo nostra tenere sinu?
+ a pereat, quicumque ratis et uela parauit
+ primus et inuito gurgite fecit iter!
+ nonne fuit leuius dominae peruincere mores
+ (quamuis dura, tamen rara puella fuit),
+ quam sic ignotis circumdata litora siluis
+ cernere et optatos quaerere Tyndaridas?
+ illic si qua meum sepelissent fata dolorem,
+ ultimus et posito staret amore lapis,
+ illa meo caros donasset funere crinis,
+ molliter et tenera poneret ossa rosa;
+ illa meum extremo clamasset puluere nomen,
+ ut mihi non ullo pondere terra foret.
+ at uos, aequoreae formosa Doride natae,
+ candida felici soluite uela choro:
+ si quando uestras labens Amor attigit undas,
+ mansuetis socio parcite litoribus.
+
+
+
+ XVIII
+
+ HAEC certe deserta loca et taciturna querenti,
+ et uacuum Zephyri possidet aura nemus.
+ hic licet occultos proferre impune dolores,
+ si modo sola queant saxa tenere fidem.
+ unde tuos primum repetam, mea Cynthia, fastus?
+ quod mihi das flendi, Cynthia, principium?
+ qui modo felices inter numerabar amantis,
+ nunc in amore tuo cogor habere notam.
+ quid tantum merui? quae te mihi carmina mutant
+ an noua tristitiae causa puella tuae?
+ sic mihi te referas, leuis, ut non altera nostro
+ limine formosos intulit ulla pedes.
+ quamuis multa tibi dolor hic meus aspera debet,
+ non ita saeua tamen uenerit ira mea
+ ut tibi sim merito semper furor, et tua flendo
+ lumina deiectis turpia sint lacrimis.
+ an quia parua damus mutato signa colore?
+ et non ulla meo clamat in ore fides?
+ uos eritis testes, si quos habet arbor amores,
+ fagus et Arcadio pinus amica deo.
+ a quotiens teneras resonant mea uerba sub umbras,
+ scribitur et uestris Cynthia corticibus!
+ an tua quod peperit nobis iniuria curas,
+ quae solum tacitis cognita sunt foribus?
+ omnia consueui timidus perferre superbae
+ iussa neque arguto facta dolore queri.
+ pro quo diuini fontes et frigida rupes
+ et datur inculto tramite dura quies;
+ et quodcumque meae possunt narrare querelae,
+ cogor ad argutas dicere solus auis.
+ sed qualiscum es resonent mihi 'Cynthia' siluae,
+ nec deserta tuo nomine saxa uacent.
+
+
+
+ XIX
+
+ NON ego nunc tristis uereor, mea Cynthia, Manis,
+ nec moror extremo debita fata rogo;
+ sed ne forte tuo careat mihi funus amore,
+ hic timor est ipsis durior exsequiis.
+ non adeo leuiter noster puer haesit ocellis,
+ ut meus oblito puluis amore uacet.
+ illic Phylacides iucundae coniugis heros
+ non potuit caecis immemor esse locis,
+ sed cupidus falsis attingere gaudia palmis
+ Thessalus antiquam uenerat umbra domum.
+ illic quidquid ero, semper tua dicar imago:
+ traicit et fati litora magnus amor.
+ illic formosae ueniant chorus heroinae,
+ quas dedit Argiuis Dardana praeda uiris;
+ quarum nulla tua fuerit mihi, Cynthia, forma
+ gratior, et (Tellus hoc ita iusta sinat)
+ quamuis te longae remorentur fata senectae,
+ cara tamen lacrimis ossa futura meis.
+ quae tu uiua mea possis sentire fauilla!
+ tum mihi non ullo mors sit amara loco.
+ quam uereor, ne te contempto, Cynthia, busto
+ abstrahat e nostro puluere iniquus Amor,
+ cogat et inuitam lacrimas siccare cadentis!
+ flectitur assiduis certa puella minis.
+ quare, dum licet, inter nos laetemur amantes:
+ non satis est ullo tempore longus amor.
+
+
+
+ XX
+
+ HOC pro continuo te, Galle, monemus amore,
+ (id tibi ne uacuo defluat ex animo)
+ saepe imprudenti fortuna occurrit amanti:
+ crudelis Minyis dixerit Ascanius.
+ est tibi non infra speciem, non nomine dispar,
+ Theiodamanteo proximus ardor Hylae:
+ hunc tu, siue leges umbrosae flumina siluae,
+ siue Aniena tuos tinxerit unda pedes,
+ siue Gigantea spatiabere litoris ora,
+ siue ubicumque uago fluminis hospitio,
+ Nympharum semper cupidas defende rapinas
+ (non minor Ausoniis est amor Adryasin);
+ ne tibi sint duri montes et frigida saxa,
+ Galle, neque expertos semper adire lacus:
+ quae miser ignotis error perpessus in oris
+ Herculis indomito fleuerat Ascanio.
+ namque ferunt olim Pagasae naualibus Argon
+ egressam longe Phasidos isse uiam,
+ et iam praeteritis labentem Athamantidos undis
+ Mysorum scopulis applicuisse ratem.
+ hic manus heroum, placidis ut constitit oris,
+ mollia composita litora fronde tegit.
+ at comes inuicti iuuenis processerat ultra
+ raram sepositi quaerere fontis aquam.
+ hunc duo sectati fratres, Aquilonia proles,
+ hunc super et Zetes, hunc super et Calais,
+ oscula suspensis instabant carpere palmis,
+ oscula et alterna ferre supina fuga.
+ ille sub extrema pendens secluditur ala
+ et uolucres ramo summouet insidias.
+ iam Pandioniae cessat genus Orithyiae:
+ a dolor! ibat Hylas, ibat Hamadryasin.
+ hic erat Arganthi Pegae sub uertice montis
+ grata domus Nymphis umida Thyniasin,
+ quam supra nullae pendebant debita curae
+ roscida desertis poma sub arboribus,
+ et circum irriguo surgebant lilia prato
+ candida purpureis mixta papaueribus.
+ quae modo decerpens tenero pueriliter ungui
+ proposito florem praetulit officio,
+ et modo formosis incumbens nescius undis
+ errorem blandis tardat imaginibus.
+ tandem haurire parat demissis flumina palmis
+ innixus dextro plena trahens umero.
+ cuius ut accensae Dryades candore puellae
+ miratae solitos destituere choros,
+ prolapsum leuiter facili traxere liquore:
+ tum sonitum rapto corpore fecit Hylas.
+ cui procul Alcides iterat responsa, sed illi
+ nomen ab extremis fontibus aura refert.
+ his, o Galle, tuos monitus seruabis amores,
+ formosum Nymphis credere uisus Hylan.
+ 'Tu, qui consortem properas euadere casum,
+ miles ab Etruscis saucius aggeribus,
+ quid nostro gemitu turgentia lumina torques?
+ pars ego sum uestrae proxima militiae.
+ sic te seruato, ut possint gaudere parentes,
+ ne soror acta tuis sentiat e lacrimis:
+ Gallum per medios ereptum Caesaris ensis
+ effugere ignotas non potuisse manus;
+ et quicumque super dispersa inuenerit ossa
+ montibus Etruscis, haec sciat esse mea.'
+
+
+
+ XXII
+
+ QVALIS et unde genus, qui sint mihi, Tulle, Penates,
+ quaeris pro nostra semper amicitia.
+ si Perusina tibi patriae sunt nota sepulcra,
+ (Italiae duris funera temporibus,
+ cum Romana suos egit discordia ciuis,)
+ sic mihi praecipue puluis Etrusca dolor.
+ tu proiecta mei perpessa es membra propinqui,
+ tu nullo miseri contegis ossa solo.
+ proxima supposito contingens Vmbria campo
+ me genuit terris fertilis uberibus.
+
+
+
+
+
+
+
+
+
+End of Project Gutenberg's Sexti Properti Carmina, by Sextus Propertius
+
+*** END OF THIS PROJECT GUTENBERG EBOOK SEXTI PROPERTI CARMINA ***
+
+***** This file should be named 237.txt or 237.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/3/237/
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/237.zip b/237.zip
new file mode 100644
index 0000000..69fd685
--- /dev/null
+++ b/237.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..29a514e
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #237 (https://www.gutenberg.org/ebooks/237)
diff --git a/old/prpti10.txt b/old/prpti10.txt
new file mode 100644
index 0000000..f3afc44
--- /dev/null
+++ b/old/prpti10.txt
@@ -0,0 +1,1063 @@
+****The Project Gutenberg Etext of Propertius. . .[in Latin]****
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers. Do not remove this.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*These Etexts Prepared By Hundreds of Volunteers and Donations*
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below. We need your donations.
+
+
+Propertius [in Latin]
+
+Sexti Properti Carmina
+
+March, 1995 [Etext #237]
+
+
+****The Project Gutenberg Etext of Propertius. . .[in Latin]****
+*****This file should be named prpti10.txt or prpti10.zip******
+
+Corrected EDITIONS of our etexts get a new NUMBER, prpti10.txt.
+VERSIONS based on separate sources get new LETTER, prpti10a.txt.
+
+
+We are now trying to release all our books one month in advance
+of the official release dates, for time for better editing.
+
+Please note: neither this list nor its contents are final till
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so. To be sure you have an
+up to date first edition [xxxxx10x.xxx] please check file sizes
+in the first week of the next month. Since our ftp program has
+a bug in it that scrambles the date [tried to fix and failed] a
+look at the file size will have to do, but we will try to see a
+new copy has at least one byte more or less.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+fifty hours is one conservative estimate for how long it we take
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $4
+million dollars per hour this year as we release some eight text
+files per month: thus upping our productivity from $2 million.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by the December 31, 2001. [10,000 x 100,000,000=Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is 10% of the expected number of computer users by the end
+of the year 2001.
+
+We need your donations more than ever!
+
+All donations should be made to "Project Gutenberg/IBC", and are
+tax deductible to the extent allowable by law ("IBC" is Illinois
+Benedictine College). (Subscriptions to our paper newsletter go
+to IBC, too)
+
+For these and other matters, please mail to:
+
+Project Gutenberg
+P. O. Box 2782
+Champaign, IL 61825
+
+When all other email fails try our Michael S. Hart, Executive
+Director:
+hart@vmd.cso.uiuc.edu (internet) hart@uiucvmd (bitnet)
+
+We would prefer to send you this information by email
+(Internet, Bitnet, Compuserve, ATTMAIL or MCImail).
+
+******
+If you have an FTP program (or emulator), please
+FTP directly to the Project Gutenberg archives:
+[Mac users, do NOT point and click. . .type]
+
+ftp mrcnext.cso.uiuc.edu
+login: anonymous
+password: your@login
+cd etext/etext90 through /etext95
+or cd etext/articles [get suggest gut for more information]
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET INDEX?00.GUT
+for a list of books
+and
+GET NEW GUT for general information
+and
+MGET GUT* for newsletters.
+
+**Information prepared by the Project Gutenberg legal advisor**
+(Three Pages)
+
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you can distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
+tm etexts, is a "public domain" work distributed by Professor
+Michael S. Hart through the Project Gutenberg Association at
+Illinois Benedictine College (the "Project"). Among other
+things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the Project's "PROJECT GUTENBERG" trademark.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] the Project (and any other party you may receive this
+etext from as a PROJECT GUTENBERG-tm etext) disclaims all
+liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold the Project, its directors,
+officers, members and agents harmless from all liability, cost
+and expense, including legal fees, that arise directly or
+indirectly from any of the following that you do or cause:
+[1] distribution of this etext, [2] alteration, modification,
+or addition to the etext, or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word pro-
+ cessing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Project of 20% of the
+ net profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Association / Illinois
+ Benedictine College" within the 60 days following each
+ date you prepare (or were legally required to prepare)
+ your annual (or equivalent periodic) tax return.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+The Project gratefully accepts contributions in money, time,
+scanning machines, OCR software, public domain etexts, royalty
+free copyright licenses, and every other sort of contribution
+you can think of. Money should be paid to "Project Gutenberg
+Association / Illinois Benedictine College".
+
+This "Small Print!" by Charles B. Kramer, Attorney
+Internet (72600.2026@compuserve.com); TEL: (212-254-5093)
+*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
+
+
+
+----
+SEXTI PROPERTI ELEGIARVM
+LIBER PRIMVS
+CYNTHIA MONOBIBLOS
+
+I
+
+CYNTHIA prima suis miserum me cepit ocellis,
+ contactum nullis ante cupidinibus.
+tum mihi constantis deiecit lumina fastus
+ et caput impositis pressit Amor pedibus,
+donec me docuit castas odisse puellas
+ improbus, et nullo uiuere consilio.
+et mihi iam toto furor hic non deficit anno,
+ cum tamen aduersos cogor habere deos.
+Milanion nullos fugiendo, Tulle, labores
+ saeuitiam durae contudit Iasidos.
+nam modo Partheniis amens errabat in antris,
+ ibat et hirsutas ille uidere feras;
+ille etiam Hylaei percussus uulnere rami
+ saucius Arcadiis rupibus ingemuit.
+ergo uelocem potuit domuisse puellam:
+ tantum in amore preces et benefacta ualent.
+in me tardus Amor non ullas cogitat artis,
+ nec meminit notas, ut prius, ire uias.
+at uos, deductae quibus est fallacia lunae
+ et labor in magicis sacra piare focis,
+en agedum dominae mentem conuertite nostrae,
+ et facite illa meo palleat ore magis!
+tunc ego crediderim uobis et sidera et amnis
+ posse Cytaeines ducere carminibus.
+et uos, qui sero lapsum reuocatis, amici,
+ quaerite non sani pectoris auxilia.
+fortiter et ferrum saeuos patiemur et ignis,
+ sit modo libertas quae uelit ira loqui.
+ferte per extremas gentis et ferte per undas,
+ qua non ulla meum femina norit iter:
+uos remanete, quibus facili deus annuit aure,
+ sitis et in tuto semper amore pares.
+in me nostra Venus noctes exercet amaras,
+ et nullo uacuus tempore defit Amor.
+hoc, moneo, uitate malum: sua quemque moretur
+ cura, neque assueto mutet amore locum.
+quod si quis monitis tardas aduerterit auris,
+ heu referet quanto uerba dolore mea!
+
+
+II
+
+QVID iuuat ornato procedere, uita, capillo
+ et tenuis Coa ueste mouere sinus?
+aut quid Orontea crinis perfundere murra,.
+ teque peregrinis uendere muneribus;
+naturae decus mercato perdere cultu,
+ nec sinere in propriis membra nitere bonis?
+crede mihi, non ulla tua est medicina figurae:
+ nudus Amor formae non amat artificem.
+aspice quos summittat humus formosa colores;
+ ut ueniant hederae sponte sua melius,
+surgat et in solis formosius arbutus antris,
+ et sciat indocilis currere lympha uias.
+litora natiuis persuadent picta lapillis,
+ et uolucres nulla dulcius arte canunt.
+non sic Leucippis succendit Castora Phoebe,
+ Pollucem cultu non Hilaira soror;
+non, Idae et cupido quondam discordia Phoebo,
+ Eueni patriis filia litoribus;
+nec Phrygium falso traxit candore maritum
+ auecta externis Hippodamia rotis:
+sed facies aderat nullis obnoxia gemmis,
+ qualis Apelleis est color in tabulis.
+non illis studium uulgo conquirere amantis:
+ illis ampla satis forma pudicitia.
+non ego nunc uereor ne sim tibi uilior istis:
+ uni si qua placet, culta puella sat est;
+cum tibi praesertim Phoebus sua carmina donet
+ Aoniam libens Calliopea lyram,
+unica nec desit iucundis gratia uerbis,
+ omnia quaeque Venus, quaeque Minerua probat.
+his tu semper eris nostrae gratissima uitae,
+ taedia dum miserae sint tibi luxuriae.
+
+
+
+III
+
+QVALIS Thesea iacuit cedente carina
+ languida desertis Gnosia litoribus;
+qualis et accubuit primo Cepheia somno
+ libera iam duris cotibus Andromede;
+nec minus assiduis Edonis fessa choreis
+ qualis in herboso concidit Apidano:
+talis uisa mihi mollem spirare quietem
+ Cynthia non certis nixa caput manibus,
+ebria cum multo traherem uestigia Baccho,
+ et quaterent sera nocte facem pueri.
+hanc ego, nondum etiam sensus deperditus omnis,
+ molliter impresso conor adire toro;
+et quamuis duplici correptum ardore iuberent
+ hac Amor hac Liber, durus uterque deus,
+subiecto leuiter positam temptare lacerto
+ osculaque admota sumere et arma manu,
+non tamen ausus eram dominae turbare quietem,
+ expertae metuens iurgia saeuitiae;
+sed sic intentis haerebam fixus ocellis,
+ Argus ut ignotis cornibus Inachidos.
+et modo soluebam nostra de fronte corollas
+ ponebam tuis, Cynthia, temporibus;
+et modo gaudebam lapsos formare capillos;
+ nunc furtiua cauis poma dabam manibus;
+omniaque ingrato largibar munera somno,
+ munera de prono saepe uoluta sinu;
+et quotiens raro duxit suspiria motu,
+ obstupui uano credulus auspicio,
+ne qua tibi insolitos portarent uisa timores,
+ neue quis inuitam cogeret esse suam:
+donec diuersas praecurrens luna fenestras,
+ luna moraturis sedula luminibus,
+compositos leuibus radiis patefecit ocellos.
+ sic ait in molli fixa toro cubitum:
+`tandem te nostro referens iniuria lecto
+ alterius clausis expulit e foribus?
+namque ubi longa meae consumpsti tempora noctis
+ languidus exactis, ei mihi, sideribus?
+o utinam talis perducas, improbe, noctes,
+ me miseram qualis semper habere iubes!
+nam modo purpureo fallebam stamine somnum,
+ rursus et Orpheae carmine, fessa, lyrae;
+interdum leuiter mecum deserta querebar
+ externo longas saepe in amore moras:
+dum me iucundis lapsam sopor impulit alis.
+ illa fuit lacrimis ultima cura meis.'
+
+
+
+IV
+
+QVID mihi tam multas laudando, Basse, puellas
+ mutatum domina cogis abire mea?
+quid me non pateris uitae quodcumque sequetur
+ hoc magis assueto ducere seruitio?
+tu licet Antiopae formam Nycteidos, et tu
+ Spartanae referas laudibus Hermionae,
+et quascumque tulit formosi temporis aetas;
+ Cynthia non illas nomen habere sinat:
+nedum, si leuibus fuerit collata figuris,
+ inferior duro iudice turpis eat.
+haec sed forma mei pars est extrema furoris;
+ sunt maiora, quibus, Basse, perire iuuat:
+ingenuus color et multis decus artibus, et quae
+ gaudia sub tacita dicere ueste libet.
+quo magis et nostros contendis soluere amores,
+ hoc magis accepta fallit uterque fide.
+non impune feres: sciet haec insana puella
+ et tibi non tacitis uocibus hostis erit;
+nec tibi me post haec committet Cynthia nec te
+ quaeret; erit tanti criminis illa memor,
+et te circum omnis alias irata puellas
+ differet: heu nullo limine carus eris.
+nullas illa suis contemnet fletibus aras,
+ et quicumque sacer, qualis ubique, lapis.
+non ullo grauius temptatur Cynthia damno,
+ quam sibi cum rapto cessat amore deus:
+praecipue nostri. maneat sic semper, adoro,
+ nec quicquam ex illa quod querar inueniam!
+
+
+
+V
+
+INVIDE, tu tandem uoces compesce molestas
+ et sine nos cursu, quo sumus, ire pares!
+quid tibi uis, insane? meos sentire furores?
+ infelix, properas ultima nosse mala,
+et miser ignotos uestigia ferre per ignis,
+ et bibere e tota toxica Thessalia.
+non est illa uagis similis collata puellis:
+ molliter irasci non solet illa tibi.
+quod si forte tuis non est contraria uotis,
+ at tibi curarum milia quanta dabit!
+non tibi iam somnos, non illa relinquet ocellos:
+ illa feros animis alligat una uiros.
+a, mea contemptus quotiens ad limina curres,
+ cum tibi singultu fortia uerba cadent,
+et tremulus maestis orietur fletibus horror,
+ et timor informem ducet in ore notam,
+et quaecumque uoles fugient tibi uerba querenti,
+ nec poteris, qui sis aut ubi, nosse miser!
+tum graue seruitium nostrae cogere puellae
+ discere et exclusum quid sit abire domum;
+nec iam pallorem totiens mirabere nostrum,
+ aut cur sim toto corpore nullus ego.
+nec tibi nobilitas poterit succurrere amanti:
+ nescit Amor priscis cedere imaginibus.
+quod si parua tuae dederis uestigia culpae,
+ quam cito de tanto nomine rumor eris!
+non ego tum potero solacia ferre roganti,
+ cum mihi nulla mei sit medicina mali;
+sed pariter miseri socio cogemur amore
+ alter in alterius mutua flere sinu.
+quare, quid possit mea Cynthia, desine, Galle,
+ quaerere: non impune illa rogata uenit.
+
+
+
+VI
+
+NON ego nunc Hadriae uereor mare noscere tecum
+ Tulle, neque Aegaeo ducere uela salo,
+cum quo Rhipaeos possim conscendere montis
+ ulterius domos uadere Memnonias;
+sed me complexae remorantur uerba puellae,
+ mutatoque graues saepe colore preces.
+illa mihi totis argutat noctibus ignis,
+ et queritur nullos esse relicta deos;
+illa meam mihi iam se denegat, illa minatur,
+ quae solet irato tristis amica uiro.
+his ego non horam possum durare querelis:
+ a pereat, si quis lentus amare potest!
+an mihi sit tanti doctas cognoscere Athenas
+ atque Asiae ueteres cernere diuitias,
+ut mihi deducta faciat conuicia puppi
+ Cynthia et insanis ora notet manibus,
+osculaque opposito dicat sibi debita uento,
+ et nihil infido durius esse uiro?
+tu patrui meritas conare anteire securis,
+ et uetera oblitis iura refer sociis.
+nam tua non aetas umquam cessauit amori,
+ semper et armatae cura fuit patriae;
+et tibi non umquam nostros puer iste labores
+ afferat et lacrimis omnia nota meis!
+me sine, quem semper uoluit fortuna iacere,
+ hanc animam extremae reddere nequitiae.
+multi longinquo periere in amore libenter,
+ in quorum numero me quoque terra tegat.
+non ego sum laudi, non natus idoneus armis:
+ hanc me militiam fata subire uolunt.
+at tu seu mollis qua tendit Ionia, seu qua
+ Lydia Pactoli tingit arata liquor;
+seu pedibus terras seu pontum carpere remis
+ ibis, et accepti pars eris imperii:
+tum tibi si qua mei ueniet non immemor hora,
+ uiuere me duro sidere certus eris.
+
+
+
+VII
+
+DVM tibi Cadmeae dicuntur, Pontice, Thebae
+ armaque fraternae tristia militiae,
+atque, ita sim felix, primo contendis Homero,
+ (sint modo fata tuis mollia carminibus:)
+nos, ut consuemus, nostros agitamus amores,
+ atque aliquid duram quaerimus in dominam;
+nec tantum ingenio quantum seruire dolori
+ cogor et aetatis tempora dura queri.
+hic mihi conteritur uitae modus, haec mea fama est,
+ hinc cupio nomen carminis ire mei.
+me laudent doctae solum placuisse puellae,
+ Pontice, et iniustas saepe tulisse minas;
+me legat assidue post haec neglectus amator,
+ et prosint illi cognita nostra mala.
+te quoque si certo puer hic concusserit arcu,
+ (quod nolim: nostros te uiolasse deos!)
+longe castra tibi, longe miser agmina septem
+ flebis in aeterno surda iacere situ;
+et frustra cupies mollem componere uersum,
+ nec tibi subiciet carmina serus Amor.
+tum me non humilem mirabere saepe poetam,
+ tunc ego Romanis praeferar ingeniis;
+nec poterunt iuuenes nostro reticere sepulcro
+ `Ardoris nostri magne poeta, iaces.'
+tu caue nostra tuo contemnas carmina fastu:
+ saepe uenit magno faenore tardus Amor.
+
+
+
+VIII
+
+TVNE igitur demens, nec te mea cura moratur?
+ an tibi sum gelida uilior Illyria?
+et tibi iam tanti, quicumque est, iste uidetur,
+ ut sine me uento quolibet ire uelis?
+tune audire potes uesani murmura ponti
+ fortis, et in dura naue iacere potes?
+tu pedibus teneris positas fulcire pruinas,
+ tu potes insolitas, Cynthia, ferre niues?
+o utinam hibernae duplicentur tempora brumae,
+ et sit iners tardis nauita Vergiliis,
+nec tibi Tyrrhena soluatur funis harena,
+ neue inimica meas eleuet aura preces!
+atque ego non uideam talis subsidere uentos,
+ cum tibi prouectas auferet unda ratis,
+ut me defixum uacua patiatur in ora
+ crudelem infesta saepe uocare manu!
+Sed quocumque modo de me, periura, mereris,
+ sit Galatea tuae non aliena uiae:
+ut te, felici praeuecta Ceraunia remo,
+ accipiat placidis Oricos aequoribus.
+nam me non ullae poterunt corrumpere, de te
+ quin ego, uita, tuo limine uerba querar;
+nec me deficiet nautas rogitare citatos
+ `Dicite, quo portu clausa puella mea est?
+et dicam `Licet Atraciis considat in oris,
+ et licet Hylleis, illa futura mea est.'
+hic erat! hic iurata manet! rumpantur iniqui!
+ uicimus: assiduas non tulit illa preces.
+falsa licet cupidus deponat gaudia liuor:
+ destitit ire nouas Cynthia nostra uias.
+illi carus ego et per me carissima Roma
+ dicitur, et sine me dulcia regna negat.
+illa uel angusto mecum requiescere lecto
+ et quocumque modo maluit esse mea,
+quam sibi dotatae regnum uetus Hippodamiae,
+ et quas Elis opes ante pararat equis.
+quamuis magna daret, quamuis maiora daturus,
+ non tamen illa meos fugit auara sinus.
+hanc ego non auro, non Indis flectere conchis,
+ sed potui blandi carminis obsequio.
+sunt igitur Musae, neque amanti tardus Apollo,
+ quis ego fretus amo: Cynthia rara mea est!
+nunc mihi summa licet contingere sidera plantis:
+ siue dies seu nox uenerit, illa mea est!
+nec mihi riualis certos subducit amores:
+ ista meam norit gloria canitiem.
+
+
+
+IX
+
+DICEBAM tibi uenturos, irrisor, amores,
+ nec tibi perpetuo libera uerba fore:
+ecce iaces supplexque uenis ad iura puellae,
+ et tibi nunc quaeuis imperat empta modo.
+non me Chaoniae uincant in amore columbae
+ dicere, quos iuuenes quaeque puella domet.
+me dolor et lacrimae merito fecere peritum:
+ atque utinam posito dicar amore rudis!
+quid tibi nunc misero prodest graue dicere carmen
+ aut Amphioniae moenia flere lyrae?
+plus in amore ualet Mimnermi uersus Homero:
+ carmina mansuetus lenia quaerit Amor.
+i quaeso et tristis istos compone libellos,
+ et cane quod quaeuis nosse puella uelit!
+quid si non esset facilis tibi copia? nunc tu
+ insanus medio flumine quaeris aquam.
+necdum etiam palles, uero nec tangeris igni:
+ haec est uenturi prima fauilla mali.
+tum magis Armenias cupies accedere tigris
+ et magis infernae uincula nosse rotae,
+quam pueri totiens arcum sentire medullis
+ et nihil iratae posse negare tuae.
+nullus Amor cuiquam facilis ita praebuit alas,
+ ut non alterna presserit ille manu.
+nec te decipiat, quod sit satis illa parata:
+ acrius illa subit, Pontice, si qua tua est,
+quippe ubi non liceat uacuos seducere ocellos
+ nec uigilare alio nomine cedat Amor.
+qui non ante patet, donec manus attigit ossa.
+ quisquis es, assiduas a fuge blanditias!
+illis et silices et possint cedere quercus,
+ nedum tu possis, spiritus iste leuis.
+quare, si pudor est, quam primum errata fatere:
+ dicere quo pereas saepe in amore leuat.
+
+
+
+X
+
+O IVCVNDA quies, primo cum testis amori
+ affueram uestris conscius in lacrimis!
+o noctem meminisse mihi iucunda uoluptas,
+ o quotiens uotis illa uocanda meis.
+cum te complexa morientem, Galle, puella
+ uidimus et longa ducere uerba mora!
+quamuis labentis premeret mihi somnus ocellos
+ et mediis caelo Luna ruberet equis,
+non tamen a uestro potui secedere lusu.
+ tantus in alternis uocibus ardor erat.
+sed quoniam non es ueritus concedere nobis,
+ accipe commissae munera laetitiae:
+non solum uestros didici reticere dolores,
+ est quiddam in nobis maius, amice, fide.
+possum ego diuersos iterum coniungere amantis.
+ et dominae tardas possum aperire fores;
+et possum alterius curas sanare recentis,
+ nec leuis in uerbis est medicina meis.
+Cynthia me docuit semper quaecumque petenda
+ quaeque cauenda forent: non nihil egit Amor.
+tu caue ne tristi cupias pugnare puellae,
+ neue superba loqui, neue tacere diu;
+neu, si quid petiit, ingrata fronte negaris.
+ neu tibi pro uano uerba benigna cadant.
+irritata uellit, quando contemnitur illa,
+ nec meminit iustas ponere laesa minas:
+at quo sis humilis magis et subiectus amori,
+ hoc magis effecto saepe fruare bono.
+is poterit felix una remanere puella,
+ qui numquam uacuo pectore liber erit.
+
+
+
+XI
+
+ECQVID te mediis cessantem, Cynthia, Bais,
+ qua iacet Herculeis semita litoribus,
+et modo Thesproti mirantem subdita regno
+ proxima Misenis aequora nobilibus,
+nostri cura subit memores a! ducere noctes?
+ ecquis in extremo restat amore locus?
+an te nescio quis simulatis ignibus hostis
+ sustulit e nostris, Cynthia, carminibus?
+atque utinam mage te, remis confisa minutis,
+ paruula Lucrina cumba moretur aqua,
+aut teneat clausam tenui Teuthrantis in unda
+ alternae facilis cedere lympha manu,
+quam uacet alterius blandos audire susurros
+ molliter in tacito litore compositam!Q
+ut solet amota labi custode puella
+ perfida, communis nec meminisse deos:
+non quia perspecta non es mihi cognita fama,
+ sed quod in hac omnis parte timetur amor.
+ignosces igitur, si quid tibi triste libelli
+ attulerint nostri: culpa timoris erit.
+`an mihi non maior carae custodia matris?'
+ aut sine te uitae cura sit ulla meae?
+tu mihi sola domus, tu, Cynthia, sola parentes,
+ omnia tu nostrae tempora laetitiae.
+seu tristis ueniam seu contra laetus amicis,
+ quicquid ero, dicam' Cynthia causa fuit.
+tu modo quam primum corruptas desere Baias:
+ multis ista dabunt litora discidium,
+litora quae fuerant castis inimica puellis:
+ a pereant Baiae, crimen amoris, aquae!
+
+
+
+XII
+
+QVID mihi desidiae non cessas fingere crimen,
+ quod faciat nobis conscia Roma moram?
+tam multa illa meo diuisa est milia lecto,
+ quantum Hypanis Veneto dissidet Eridano;
+nec mihi consuetos amplexu nutrit amores
+ Cynthia, nec nostra dulcis in aure sonat.
+olim gratus eram: non illo tempore cuiquam
+ contigit ut simili posset amare fide.
+inuidiae fuimus: non me deus obruit? an quae
+ lecta Prometheis diuidit herba iugis?
+non sum ego qui fueram: mutat uia longa puellas.
+ quantus in exiguo tempore fugit amor!
+nunc primum longas solus cognoscere noctes
+ cogor et ipse meis auribus esse grauis.
+felix, qui potuit praesenti flere puellae;
+ non nihil aspersis gaudet Amor lacrimis:
+aut si despectus potuit mutare calores,
+ sunt quoque translato gaudia seruitio.
+mi neque amare aliam neque ab hac desistere fas est:
+ Cynthia prima fuit, Cynthia finis erit.
+
+
+
+XIII
+
+TV, quod saepe soles, nostro laetabere casu,
+ Galle, quod abrepto solus amore uacem.
+at non ipse tuas imitabor, perfide, uoces:
+ fallere te numquam, Galle, puella uelit.
+dum tibi deceptis augetur fama puellis,
+ certus et in nullo quaeris amore moram,
+perditus in quadam tardis pallescere curis
+ incipis, et primo lapsus abire gradu.
+haec erit illarum contempti poena doloris:
+ multarum miseras exiget una uices.
+haec tibi uulgaris istos compescet amores,
+ nec noua quaerendo semper amicus eris.
+haec ego non rumore malo, non augure doctus;
+ uidi ego: me quaeso teste negare potes?
+uidi ego te toto uinctum languescere collo
+ et flere iniectis, Galle, diu manibus,
+et cupere optatis animam deponere uerbis,
+ et quae deinde meus celat, amice, pudor.
+non ego complexus potui diducere uestros:
+ tantus erat demens inter utrosque furor.
+non sic Haemonio Salmonida mixtus Enipeo
+ Taenarius facili pressit amore deus,
+nec sic caelestem flagrans amor Herculis Heben
+ sensit in Oetaeis gaudia prima iugis.
+una dies omnis potuit praecurrere amantis:
+ nam tibi non tepidas subdidit illa faces,
+nec tibi praeteritos passa est succedere fastus,
+ nec sinet abduci: te tuus ardor aget.
+nec mirum, cum sit Ioue digna et proxima Ledae
+ et Ledae partu gratior, una tribus;
+illa sit Inachiis et blandior heroinis,
+ illa suis uerbis cogat amare Iouem.
+tu uero quoniam semel es periturus amore,
+ utere: non alio limine dignus eras.
+quae tibi sit felix quoniam nouus incidit error;
+ et quodcumque uoles, una sit ista tibi.
+
+
+
+XIV
+
+TV licet abiectus Tiberina molliter unda
+ Lesbia Mentoreo uina bibas opere,
+et modo tam celeres mireris currere lintres
+ et modo tam tardas funibus ire ratis;
+et nemus omne satas intendat uertice siluas,
+ urgetur quantis Caucasus arboribus;
+non tamen ista meo ualeant contendere amori:
+ nescit Amor magnis cedere diuitiis.
+nam siue optatam mecum trahit illa quietem,
+ seu facili totum ducit amore diem,
+tum mihi Pactoli ueniunt sub tecta liquores,
+ et legitur Rubris gemma sub aequoribus;
+tum mihi cessuros spondent mea gaudia reges:
+ quae maneant, dum me fata perire uolent!
+nam quis diuitiis aduerso gaudet Amore?
+ nulla mihi tristi praemia sint Venere!
+illa potest magnas heroum infringere uires,
+ illa etiam duris mentibus esse dolor:
+illa neque Arabium metuit transcendere limen
+ nec timet ostrino, Tulle, subire toro
+et miserum toto iuuenem uersare cubili:
+ quid releuant uariis serica textilibus?
+quae mihi dum placata aderit, non ulla uerebor
+ regna uel Alcinoi munera despicere.
+
+
+
+XV
+
+SAEPE ego multa tuae leuitatis dura timebam,
+ hac tamen excepta, Cynthia, perfidia.
+aspice me quanto rapiat fortuna periclo!
+ tu tamen in nostro lenta timore uenis;
+et potes hesternos manibus componere crinis
+ et longa faciem quaerere desidia,
+nec minus Eois pectus uariare lapillis,
+ ut formosa nouo quae parat ire uiro.
+at non sic Ithaci digressu mota Calypso
+ desertis olim fleuerat aequoribus:
+multos illa dies incomptis maesta capillis
+ sederat, iniusto multa locuta salo,
+et quamuis numquam post haec uisura, dolebat
+ illa tamen, longae conscia laetitiae.
+nec sic Aesoniden rapientibus anxia uentis
+ Hypsipyle uacuo constitit in thalamo:
+Hypsipyle nullos post illos sensit amores,
+ ut semel Haemonio tabuit hospitio.
+Alphesiboea suos ulta est pro coniuge fratres
+ sanguinis et cari uincula rupit amor.
+coniugis Euadne miseros elata per ignis
+ occidit, Argiuae fama pudicitiae.
+quarum nulla tuos potuit conuertere mores,
+ tu quoque uti fieres nobilis historia.
+desine iam reuocare tuis periuria uerbis,
+ Cynthia, et oblitos parce mouere deos;
+audax a nimium, nostro dolitura periclo,
+ si quid forte tibi durius inciderit!
+multa prius: uasto labentur flumina ponto,
+ annus et inuersas duxerit ante uices,
+quam tua sub nostro mutetur pectore cura:
+ sis quodcumque uoles, non aliena tamen.
+quam tibi ne uiles isti uideantur ocelli,
+ per quos saepe mihi credita perfidia est!
+hos tu iurabas, si quid mentita fuisses,
+ ut tibi suppositis exciderent manibus:
+et contra magnum potes hos attollere Solem,
+ nec tremis admissae conscia nequitiae?
+quis te cogebat multos pallere colores
+ et fletum inuitis ducere luminibus?
+quis ego nunc pereo, similis moniturus amantis
+ `O nullis tutum credere blanditiis!'
+
+
+
+XVI
+
+`QVAE fueram magnis olim patefacta triumphis,
+ Ianua Tarpeiae nota pudicitiae;
+cuius inaurati celebrarunt limina currus,
+ captorum lacrimis umida supplicibus;
+nunc ego, nocturnis potorum saucia rixis,
+ pulsata indignis saepe queror manibus,
+et mihi non desunt turpes pendere corollae
+ semper et exclusis signa iacere faces.
+nec possum infamis dominae defendere noctes
+ nobilis obscenis tradita carminibus;
+(nec tamen illa suae reuocatur parcere famae,
+ turpior et saecli uiuere luxuria.)
+has inter grauibus cogor deflere querelis,
+ supplicis a longis tristior excubiis.
+ille meos numquam patitur requiescere postis,
+ arguta referens carmina blanditia:
+``Ianua uel domina penitus crudelior ipsa,
+ quid mihi iam duris clausa taces foribus?
+cur numquam reserata meos admittis amores,
+ nescia furtiuas reddere mota preces?
+nullane finis erit nostro concessa dolori,
+ turpis et in tepido limine somnus erit?
+me mediae noctes, me sidera plena iacentem,
+ frigidaque Eoo me dolet aura gelu:
+tu sola humanos numquam miserata dolores
+ respondes tacitis mutua cardinibus.
+o utinam traiecta caua mea uocula rima
+ percussas dominae uertat in auriculas!
+sit licet et saxo patientior illa Sicano,
+ sit licet et ferro durior et chalybe,
+non tamen illa suos poterit compescere ocellos,
+ surget et inuitis spiritus in lacrimis.
+nunc iacet alterius felici nixa lacerto,
+ at mea nocturno uerba cadunt Zephyro.
+sed tu sola mei, tu maxima causa doloris,
+ uicta meis numquam, ianua, muneribus.
+te non ulla meae laesit petulantia linguae,
+ quae solet irato dicere tota loco,
+ut me tam longa raucum patiare querela
+ sollicitas triuio peruigilare moras.
+at tibi saepe nouo deduxi carmina uersu,
+ osculaque impressis nixa dedi gradibus.
+ante tuos quotiens uerti me, perfida, postis,
+ debitaque occultis uota tuli manibus!''
+haec ille et si quae miseri nouistis amantes,
+ et matutinis obstrepit alitibus.
+sic ego nunc dominae uitiis et semper amantis
+ fletibus aeterna deferor inuidia.'
+
+
+
+XVII
+
+ET merito, quoniam potui fugisse puellam
+ nunc ego desertas alloquor alcyonas.
+nec mihi Cassiope solito uisura carinam,
+ omniaque ingrato litore uota cadunt.
+quin etiam absenti prosunt tibi, Cynthia, uenti:
+ aspice, quam saeuas increpat aura minas.
+nullane placatae ueniet fortuna procellae?
+ haecine parua meum funus harena teget?
+tu tamen in melius saeuas conuerte querelas:
+ sat tibi sit poenae nox et iniqua uada.
+an poteris siccis mea fata reponere ocellis,
+ ossaque nulla tuo nostra tenere sinu?
+a pereat, quicumque ratis et uela parauit
+ primus et inuito gurgite fecit iter!
+nonne fuit leuius dominae peruincere mores
+ (quamuis dura, tamen rara puella fuit),
+quam sic ignotis circumdata litora siluis
+ cernere et optatos quaerere Tyndaridas?
+illic si qua meum sepelissent fata dolorem,
+ ultimus et posito staret amore lapis,
+illa meo caros donasset funere crinis,
+ molliter et tenera poneret ossa rosa;
+illa meum extremo clamasset puluere nomen,
+ ut mihi non ullo pondere terra foret.
+at uos, aequoreae formosa Doride natae,
+ candida felici soluite uela choro:
+si quando uestras labens Amor attigit undas,
+ mansuetis socio parcite litoribus.
+
+
+
+XVIII
+
+HAEC certe deserta loca et taciturna querenti,
+ et uacuum Zephyri possidet aura nemus.
+hic licet occultos proferre impune dolores,
+ si modo sola queant saxa tenere fidem.
+unde tuos primum repetam, mea Cynthia, fastus?
+ quod mihi das flendi, Cynthia, principium?
+qui modo felices inter numerabar amantis,
+ nunc in amore tuo cogor habere notam.
+quid tantum merui? quae te mihi carmina mutant
+ an noua tristitiae causa puella tuae?
+sic mihi te referas, leuis, ut non altera nostro
+ limine formosos intulit ulla pedes.
+quamuis multa tibi dolor hic meus aspera debet,
+ non ita saeua tamen uenerit ira mea
+ut tibi sim merito semper furor, et tua flendo
+ lumina deiectis turpia sint lacrimis.
+an quia parua damus mutato signa colore?
+ et non ulla meo clamat in ore fides?
+uos eritis testes, si quos habet arbor amores,
+ fagus et Arcadio pinus amica deo.
+a quotiens teneras resonant mea uerba sub umbras,
+ scribitur et uestris Cynthia corticibus!
+an tua quod peperit nobis iniuria curas,
+ quae solum tacitis cognita sunt foribus?
+omnia consueui timidus perferre superbae
+ iussa neque arguto facta dolore queri.
+pro quo diuini fontes et frigida rupes
+ et datur inculto tramite dura quies;
+et quodcumque meae possunt narrare querelae,
+ cogor ad argutas dicere solus auis.
+sed qualiscum es resonent mihi `Cynthia' siluae,
+ nec deserta tuo nomine saxa uacent.
+
+
+
+XIX
+
+NON ego nunc tristis uereor, mea Cynthia, Manis,
+ nec moror extremo debita fata rogo;
+sed ne forte tuo careat mihi funus amore,
+ hic timor est ipsis durior exsequiis.
+non adeo leuiter noster puer haesit ocellis,
+ ut meus oblito puluis amore uacet.
+illic Phylacides iucundae coniugis heros
+ non potuit caecis immemor esse locis,
+sed cupidus falsis attingere gaudia palmis
+ Thessalus antiquam uenerat umbra domum.
+illic quidquid ero, semper tua dicar imago:
+ traicit et fati litora magnus amor.
+illic formosae ueniant chorus heroinae,
+ quas dedit Argiuis Dardana praeda uiris;
+quarum nulla tua fuerit mihi, Cynthia, forma
+ gratior, et (Tellus hoc ita iusta sinat)
+quamuis te longae remorentur fata senectae,
+ cara tamen lacrimis ossa futura meis.
+quae tu uiua mea possis sentire fauilla!
+ tum mihi non ullo mors sit amara loco.
+quam uereor, ne te contempto, Cynthia, busto
+ abstrahat e nostro puluere iniquus Amor,
+cogat et inuitam lacrimas siccare cadentis!
+ flectitur assiduis certa puella minis.
+quare, dum licet, inter nos laetemur amantes:
+ non satis est ullo tempore longus amor.
+
+
+
+XX
+
+HOC pro continuo te, Galle, monemus amore,
+ (id tibi ne uacuo defluat ex animo)
+saepe imprudenti fortuna occurrit amanti:
+ crudelis Minyis dixerit Ascanius.
+est tibi non infra speciem, non nomine dispar,
+ Theiodamanteo proximus ardor Hylae:
+hunc tu, siue leges umbrosae flumina siluae,
+ siue Aniena tuos tinxerit unda pedes,
+siue Gigantea spatiabere litoris ora,
+ siue ubicumque uago fluminis hospitio,
+Nympharum semper cupidas defende rapinas
+ (non minor Ausoniis est amor Adryasin);
+ne tibi sint duri montes et frigida saxa,
+ Galle, neque expertos semper adire lacus:
+quae miser ignotis error perpessus in oris
+ Herculis indomito fleuerat Ascanio.
+namque ferunt olim Pagasae naualibus Argon
+ egressam longe Phasidos isse uiam,
+et iam praeteritis labentem Athamantidos undis
+ Mysorum scopulis applicuisse ratem.
+hic manus heroum, placidis ut constitit oris,
+ mollia composita litora fronde tegit.
+at comes inuicti iuuenis processerat ultra
+ raram sepositi quaerere fontis aquam.
+hunc duo sectati fratres, Aquilonia proles,
+ hunc super et Zetes, hunc super et Calais,
+oscula suspensis instabant carpere palmis,
+ oscula et alterna ferre supina fuga.
+ille sub extrema pendens secluditur ala
+ et uolucres ramo summouet insidias.
+iam Pandioniae cessat genus Orithyiae:
+ a dolor! ibat Hylas, ibat Hamadryasin.
+hic erat Arganthi Pegae sub uertice montis
+ grata domus Nymphis umida Thyniasin,
+quam supra nullae pendebant debita curae
+ roscida desertis poma sub arboribus,
+et circum irriguo surgebant lilia prato
+ candida purpureis mixta papaueribus.
+quae modo decerpens tenero pueriliter ungui
+ proposito florem praetulit officio,
+et modo formosis incumbens nescius undis
+ errorem blandis tardat imaginibus.
+tandem haurire parat demissis flumina palmis
+ innixus dextro plena trahens umero.
+cuius ut accensae Dryades candore puellae
+ miratae solitos destituere choros,
+prolapsum leuiter facili traxere liquore:
+ tum sonitum rapto corpore fecit Hylas.
+cui procul Alcides iterat responsa, sed illi
+ nomen ab extremis fontibus aura refert.
+his, o Galle, tuos monitus seruabis amores,
+ formosum Nymphis credere uisus Hylan.
+`Tu, qui consortem properas euadere casum,
+ miles ab Etruscis saucius aggeribus,
+quid nostro gemitu turgentia lumina torques?
+ pars ego sum uestrae proxima militiae.
+sic te seruato, ut possint gaudere parentes,
+ ne soror acta tuis sentiat e lacrimis:
+Gallum per medios ereptum Caesaris ensis
+ effugere ignotas non potuisse manus;
+et quicumque super dispersa inuenerit ossa
+ montibus Etruscis, haec sciat esse mea.'
+
+
+
+XXII
+
+QVALIS et unde genus, qui sint mihi, Tulle, Penates,
+ quaeris pro nostra semper amicitia.
+si Perusina tibi patriae sunt nota sepulcra,
+ (Italiae duris funera temporibus,
+cum Romana suos egit discordia ciuis,)
+ sic mihi praecipue puluis Etrusca dolor.
+tu proiecta mei perpessa es membra propinqui,
+ tu nullo miseri contegis ossa solo.
+proxima supposito contingens Vmbria campo
+ me genuit terris fertilis uberibus.
+
+End of the Project Gutenberg Edition of Propertius' Monobiblo
+
+
+
diff --git a/old/prpti10.zip b/old/prpti10.zip
new file mode 100644
index 0000000..a4923ed
--- /dev/null
+++ b/old/prpti10.zip
Binary files differ