initial commit of ebook 23524HEADmain

4 files changed, 2040 insertions, 0 deletions

diff --git a/old/23524-8.txt b/old/23524-8.txt
new file mode 100644
index 0000000..080eb7e
--- /dev/null
+++ b/old/23524-8.txt
@@ -0,0 +1,1020 @@
+The Project Gutenberg EBook of The Origins of Contemporary France, Complete, by 
+Hippolyte A. Taine
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Origins of Contemporary France, Complete
+       Linked Table of Contents to the Six Volumes
+
+Author: Hippolyte A. Taine
+
+Annotator: Svend Rom
+
+Editor: David Widger
+
+Translator: John Durand, 1880
+
+Release Date: June 21, 2008 [EBook #23524]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ORIGINS OF CONTEMPORARY FRANCE ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+THE ORIGINS OF CONTEMPORARY FRANCE
+
+SIX VOLUMES: COMPLETE TABLE OF CONTENTS
+
+by Hippolyte A. Taine
+Volume One:   Ancient Regime
+Volume Two:   French Revolution I.
+Volume Three: French Revolution II.
+Volume Four:  French Revolution III.
+Volume Five:  Napoleon I.
+Volume Six:   Modern Regime
+
+
+
+THE ANCIENT REGIME
+
+INTRODUCTION
+PREFACE:
+PREFACE BY THE AUTHOR: ON POLITICAL IGNORANCE AND WISDOM.
+
+BOOK FIRST. THE STRUCTURE OF THE ANCIENT SOCIETY.
+
+CHAPTER I. THE ORIGIN OF PRIVILEGES.
+I. Services and Recompenses of the Clergy.
+II. Services and Recompenses of the Nobles.
+III. Services and Recompenses of the King.
+
+CHAPTER II. THE PRIVILEGED CLASSES.
+I. Number of the Privileged Classes.
+II. Their Possessions, Capital, and Revenue.
+III. Their Immunities.
+IV. Their Feudal Rights.
+V. They may be justified by local and general services.
+CHAPTER III. LOCAL SERVICES DUE BY THE PRIVILEGED CLASSES.
+I. Examples in Germany and England.—These services are not rendered by
+II. Resident Seigniors.
+III. Absentee Seigniors.
+
+CHAPTER IV. PUBLIC SERVICES DUE BY THE PRIVILEGED CLASSES.
+I. England compared to France.
+II. The Clergy
+III. Influence of the Nobles..
+IV. Isolation of the Chiefs
+V. The King's Incompetence and Generosity.
+VI. Latent Disorganization in France.
+
+BOOK SECOND. MORALS AND CHARACTERS.
+
+CHAPTER I. MORAL PRINCIPLES UNDER THE ANCIENT REGIME.
+The Court and a life of pomp and parade.
+I. Versailles.
+The Physical aspect and the moral character of Versailles.
+II. The King's Household.
+III. The King's Associates.
+IV. Everyday Life In Court.
+V. Royal Distractions.
+VI. Upper Class Distractions.
+VII. Provincial Nobility.
+
+CHAPTER II. DRAWING ROOM LIFE.
+I. Perfect only in France
+II. Social Life Has Priority.
+III. Universal Pleasure Seeking.
+IV. Enjoyment.
+V. Happiness.
+VI. Gaiety.
+VII. Theater, Parade And Extravagance.
+
+CHAPTER III. DISADVANTAGES OF THIS DRAWING ROOM LIFE.
+I. Its Barrenness and Artificiality
+II. Return To Nature And Sentiment.
+III. Personality Defects.
+
+BOOK THIRD. THE SPIRIT AND THE DOCTRINE.
+
+CHAPTER I. SCIENTIFIC ACQUISITION.
+I. Scientific Progress.
+II. Science Detached From Theology.
+III. The Transformation Of History.
+IV. The New Psychology.
+V. The Analytical Method.
+
+CHAPTER II. THE CLASSIC SPIRIT, THE SECOND ELEMENT.
+I. Through Colored Glasses.
+II. Its Original Deficiency.
+III. The Mathematical Method.
+
+CHAPTER III. COMBINATION OF THE TWO ELEMENTS.
+I. Birth Of A Doctrine, A Revelation.
+II. Ancestral Tradition And Culture.
+III. Reason At War With Illusion.
+IV. Casting Out The Residue Of Truth And Justice.
+V. The Dream Of A Return To Nature.
+VI. The Abolition Of Society. Rousseau.
+VII: The Lost Children.
+
+CHAPTER IV. ORGANIZING THE FUTURE SOCIETY.
+I. Liberty, Equality And Sovereignty Of The People.
+II. Naive Convictions
+III. Our True Human Nature.
+IV. Birth Of Socialist Theory, Its Two Sides.
+V. Social Contract, Summary.
+
+BOOK FOURTH. THE PROPAGATION OF THE DOCTRINE.
+
+CHAPTER I.—SUCCESS OF THIS PHILOSOPHY IN FRANCE.—FAILURE OF THE SAME
+I. The Propagating Organ, Eloquence.
+II. Its Method.
+III. Its Popularity.
+IV. The Masters.
+
+CHAPTER II. THE FRENCH PUBLIC.
+I. The Nobility.
+II. Conditions In France.
+III. French Indolence.
+IV. Unbelief.
+V. Political Opposition.
+VI. Well-Meaning Government.
+
+CHAPTER III. THE MIDDLE CLASS.
+I. The Past.
+II. CHANGE IN THE CONDITION OF THE BOURGEOIS.
+III. Social Promotion.
+IV. Rousseau's Philosophy Spreads And Takes HOLD.
+V. Revolutionary Passions.
+VI. Summary
+
+BOOK FIFTH. THE PEOPLE
+
+CHAPTER I. HARDSHIPS.
+I. Privations.
+II. The Peasants.
+III. The Countryside.
+IV. The Peasant Becomes Landowner.
+
+CHAPTER II. TAXATION THE PRINCIPAL CAUSE OF MISERY.
+I. Extortion.
+II. Local Conditions.
+III. The Common Laborer.
+IV. Collections And Seizures.—Observe the system actually at work. It
+V. Indirect Taxes.
+VI. Burdens And Exemptions.
+VII. Municipal Taxation.
+VIII. Complaints In The Registers.
+
+CHAPTER III. INTELLECTUAL STATE OF THE PEOPLE.
+I. Intellectual incapacity
+II. Political incapacity
+III. Destructive impulses
+IV. Insurrectionary leaders and recruits
+
+CHAPTER IV. THE ARMED FORCES.
+I. Military force declines
+II. The social organization is dissolved
+III. Direction of the current
+
+CHAPTER V. SUMMARY.
+I. Suicide of the Ancient Regime.
+II. Aspirations for the 'Great Revolution.'
+
+END OF VOLUME
+
+
+
+THE FRENCH REVOLUTION, VOLUME 1.
+
+PREFACE
+
+BOOK FIRST. SPONTANEOUS ANARCHY.
+
+CHAPTER I. THE BEGINNINGS OF ANARCHY.
+I.  Dearth the first cause.
+II.  Expectations the second cause
+III.  The provinces during the first six months of 1789
+IV.  Intervention of ruffians and vagabonds.
+V.  Effect on the Population of the New Ideas.
+VI.  The first jacquerie in Province
+
+CHAPTER II. PARIS UP TO THE 14TH OF JULY.
+I.  Mob recruits in the vicinity
+II. The Press.
+III.  The Réveillon affair.
+IV.  The Palais-Royal.
+V.  Popular mobs become a political force.
+VI.  July 13th and 14th 1789.
+VII.  Murders of Foulon and Berthier.
+VIII.  Paris in the hands of the people.
+
+CHAPTER III.
+I.  Anarchy from July 14th to October 6th, 1789
+II.  The provinces
+III.  Public feeling.  Famine
+IV.  Panic.
+V.  Attacks on public individuals and public property.
+VI.  Taxes are no longer paid.
+VII.  Attack upon private individuals and private property.
+
+CHAPTER IV. PARIS.
+I.  Paris.
+II.  The distress of the people.
+III.  The new popular leaders.
+IV.  Intervention by the popular leaders with the Government.
+V.  The 5th and 6th of October.
+VI.  The Government and the nation in the hands of the revolutionary party.
+
+BOOK SECOND. THE CONSTITUENT ASSEMBLY, AND THE RESULT OF ITS LABORS.
+
+CHAPTER I.  CONDITIONS REQUIRED FOR THE FRAMING OF GOOD LAWS.
+I.  These conditions absent in the Assembly
+II.  Inadequacy of its information.
+III.  The Power Of Simple, General Ideas.
+IV.  Refusal to supply the ministry
+
+CHAPTER II. DESTRUCTION.
+I.  Two principal vices of the ancient régime.
+II  Nature of societies, and the principle of enduring constitutions.
+III.  The estates of a society.
+IV.  Abuse and lukewarmness in 1789 in the ecclesiastical bodies.
+
+CHAPTER III. THE CONSTRUCTIONS  THE CONSTITUTION OF 1791.
+I.  Powers of the Central Government.
+II.  The Creation Of Popular Democracy.
+III.  Municipal Kingdoms.
+IV.  On Universal Suffrage.
+V.  The Ruling Minority.
+VI.  Summary of the work of the Constituent Assembly.
+
+BOOK THIRD. THE APPLICATION OF THE CONSTITUTION.
+
+CHAPTER I.
+I.  The Federations.
+II.  Independence of the municipalities.
+III.  Independent Assemblies.
+
+CHAPTER II. SOVEREIGNTY OF UNRESTRAINED PASSIONS.
+I.  Old Religious Grudges
+II.  Passion Supreme.
+III.  Egotism of the tax-payer.
+IV.  Cupidity of tenants.
+
+CHAPTER III. DEVELOPMENT OF THE RULING PASSION
+I.  Attitude of the nobles. Their moderate resistance.
+II.  Workings of the popular imagination with respect to them.
+III.  Domiciliary visits.
+IV.  The nobles obliged to leave the rural districts.
+V.  Persecutions in private life.
+VI.  Conduct of officers.
+VI.  Conduct of the officers.
+VII.  Emigration and its causes.
+VIII.  Attitude of the non-juring priests.
+IX.  General state of opinion.
+
+
+
+
+
+THE FRENCH REVOLUTION, VOLUME 2.
+
+PREFACE:
+
+BOOK FIRST. THE JACOBINS.
+
+CHAPTER I. THE ESTABLISHMENT OF THE NEW POLITICAL ORGAN.
+I.  Principle of the revolutionary party.
+II.  The Jacobins.
+III.  Psychology of the Jacobin.
+IV.  What the theory promises.
+
+CHAPTER II. THE JACOBINS
+I.  Formation of the party.
+II.  Spontaneous associations after July 14, 1789.
+III.  How they view the liberty of the press.
+IV.  Their rallying-points.
+V.  Small number of Jacobins.
+
+BOOK SECOND. THE FIRST STAGE OF THE CONQUEST.
+
+CHAPTER I. THE JACOBINS COME INTO IN POWER.
+I.  Their siege operations.
+II.  Annoyances and dangers of public elections.
+III.  The friends of order deprived of the right of free assemblage.
+V.  Intimidation and withdrawal of the Conservatives.
+
+CHAPTER II. THE LEGISLATIVE ASSEMBLY
+I.  Composition of the Legislative Assembly.
+II.  Degree and quality of their intelligence and Culture.
+III.  Aspects of their sessions.
+IV.  The Parties.
+V.  Their means of action.
+VI.  Parliamentary maneuvers.
+
+CHAPTER III. POLICY OF THE ASSEMBLY
+I.  Policy of the Assembly.  State of France at the end of 1791.
+II.  The Assembly hostile to the oppressed and favoring oppressors.
+III.  War.
+IV.  Secret motives of the leaders.
+V.  Effects of the war on the common people.
+
+CHAPTER IV. THE DEPARTMENTS.
+I.  Provence in 1792.  Early supremacy of the Jacobins in Marseilles.
+II.  The expedition to Aix.
+III.  The Constitutionalists of Arles.
+IV.  The Jacobins of Avignon.
+V.  The other departments.
+
+CHAPTER V. PARIS.
+I.  Pressure of the Assembly on the King.
+II.  The floating and poor population of Paris.
+III.  Its leaders.  Their committee.  Methods for arousing the crowd.
+IV.  The 20th of June.
+
+CHAPTER VI. THE BIRTH OF THE TERRIBLE PARIS COMMUNE.
+I.  Indignation of the Constitutionalists.
+II.  Pressure on the King.
+III.  The Girondins have worked for the benefit of the Jacobins.
+IV.  Vain attempts of the Girondins to put it down.
+V.  Evening of August 8.
+VI.  Nights of August 9 and 10.
+VII.  August 10.
+VIII.  State of Paris in the Interregnum.
+
+BOOK THIRD. THE SECOND STAGE OF THE CONQUEST.
+
+CHAPTER I. TERROR
+I.  Government by gangs in times of anarchy.
+II.  The development of the ideas of killings in the mass of the party.
+III. Terror is their Salvation.
+IV.  Date of the determination of this.  The actors and their parts.
+V. Abasement and Stupor.
+VI. Jacobin Massacre.
+
+CHAPTER II. THE DEPARTMENTS.
+I. The Sovereignty of the People.
+II.  In several departments it establishes itself in advance.
+III.  Each Jacobin band a dictator in its own neighborhood.
+IV.  Ordinary practices of the Jacobin dictatorship.
+V.  The companies of traveling volunteers.
+VI.  A tour of France in the cabinet of the Minister of the Interior.
+
+CHAPTER III. SECOND STAGE OF THE JACOBIN CONQUEST
+I.  The second stage of the Jacobin conquest.
+II.  The elections.
+III.  Composition and tone of the secondary assemblies.
+IV.  Composition of the National Convention.
+V.  The Jacobins forming alone the Sovereign People.
+VI.  Composition of the party.
+VII. The Jacobin Chieftains.
+
+CHAPTER IV. PRECARIOUS SITUATION OF THE CENTRAL GOVERNMENT.
+I.  Jacobin advantages.
+II.  Its parliamentary recruits.
+III. Physical fear and moral cowardice.
+IV. Jacobin victory over Girondin majority.
+V. Jacobin violence against the people.
+VI. Jacobin tactics.
+VII. The central Jacobin committee in power.
+VIII. Right or Wrong, my Country.
+
+
+
+THE FRENCH REVOLUTION, VOLUME 3.
+
+PREFACE.
+
+BOOK FIRST. THE ESTABLISHMENT OF THE REVOLUTIONARY GOVERNMENT.
+
+CHAPTER I. JACOBIN GOVERNMENT
+I. The despotic creed and instincts of the Jacobin.
+II. Jacobin Dissimulation.
+III. Primary Assemblies
+IV. The Delegates reach Paris
+V. Fête of August 10th
+VI. The Mountain.
+VII. Extent and Manifesto of the departmental insurrection
+VIII. The Reasons for the Terror.
+IX. Destruction of Rebel Cities
+X. Destruction of the Girondin party
+XI. Institutions of the Revolutionary Government
+
+BOOK SECOND. THE JACOBIN PROGRAM.
+
+CHAPTER I. THE JACOBIN PARTY
+I. The Doctrine.
+II. A Communist State.
+III. The object of the State is the regeneration of man.
+IV. Two distortions of the natural man.
+V. Equality and Inequality.
+VI. Conditions requisite for making a citizen.
+VII. Socialist projects.
+VIII. Indoctrination of mind and intellect.
+
+CHAPTER II. REACTIONARY CONCEPT OF THE STATE.
+I. Reactionary concept of the State.
+II. Changed minds.
+III. Origin and nature of the modern State.
+IV. The state is tempted to encroach.
+V. Direct common interest.
+VI. Indirect common interest.
+VII. Fabrication of social instruments.
+VIII. Comparison between despotisms.
+
+BOOK THIRD. THE MEN IN POWER.
+
+CHAPTER I. PSYCHOLOGY OF THE JACOBIN LEADERS.
+I. Marat.
+II. Danton.
+III. Robespierre.
+
+CHAPTER II. THE RULERS OF THE COUNTRY.
+I. The Convention.
+II. Its participation in crime.
+III. The Committee of Public Safety.
+IV. The Statesmen.
+V. Official Jacobin organs.
+VI. Commissars of the Revolution.
+VII. Brutal Instincts.
+IX. Vice.
+
+CHAPTER III. THE RULERS. (continued).
+I. The Central Government Administration.
+II. Subaltern Jacobins.
+III. A Revolutionary Committee.
+IV. Provincial Administration.
+V. Jacobins sent to the Provinces.
+VI. Quality of staff thus formed.
+VII. The Armed Forces.
+
+BOOK FOURTH. THE GOVERNED.
+
+CHAPTER I. THE OPPRESSED.
+I. Revolutionary Destruction.
+II. The Value of Notables in Society.
+III. The three classes of Notables.
+IV. The Clergy.
+V. The Bourgeoisie.
+VI. The Demi-notables.
+VII. Principle of socialist Equality.
+VIII. Rigor against the Upper Classes.
+IX. The Jacobin Citizen Robot.
+X. The Governors and the Governed.
+
+CHAPTER II. FOOD AND PROVISIONS.
+I. Economical Complexity of Food Chain.
+II. Conditions in 1793. A Lesson in Market Economics.
+III. Privation.
+IV. Hunger.
+V. Revolutionary Remedies.
+VI. Relaxation.
+VII. Misery at Paris.
+
+BOOK FIFTH. THE END OF THE REVOLUTIONARY GOVERNMENT.
+
+CHAPTER I. THE CONVENTION.
+I. The Convention.
+II. Re-election of the Two-thirds.
+III. A Directory of Regicides.
+IV. Public Opinon.
+VI. The Directory.
+VII. Enforcement of Pure Jacobinism.
+VIII. Propaganda and Foreign Conquests.
+IX. National Disgust.
+X. Contrast between Civil and Military France.
+
+
+
+THE MODERN REGIME, VOLUME 1 [NAPOLEON]
+
+PREFACE
+
+BOOK FIRST. NAPOLEON BONAPARTE.
+
+CHAPTER I. HISTORICAL IMPORTANCE OF HIS CHARACTER AND GENIUS.
+I. Napoleon's Past and Personality.
+II. The Leader and Statesman
+III. His acute Understanding of Others.
+IV. His Wonderful Memory.
+V. His Imagination and its Excesses.
+
+CHAPTER II. HIS IDEAS, PASSIONS AND INTELLIGENCE.
+I. Intense Passions.
+II. Will and Egoism.
+III. Napoleon's Dominant Passion: Power.
+IV. His Bad Manners.
+V. His Policy.
+VI. Fundamental Defaults of his System.
+
+BOOK SECOND. FORMATION AND CHARACTER OF THE NEW STATE.
+
+CHAPTER I. THE INSTITUTION OF GOVERNMENT
+I. The Institution of Government.
+II. Default of previous government.
+III. In 1799, the undertaking more difficult and the materials worse.
+IV. Motives for suppressing the election of local powers.
+V. Reasons for centralization.
+VI. Irreconcilable divisions.
+VII. Establishment of a new Dictatorship.
+
+CHAPTER II. PUBLIC POWER
+I. Principal service rendered by the public power.
+II. Abusive Government Intervention.
+III. The State attacks persons and property.
+IV. Abuse of State powers.
+V. Final Results of Abusive Government Intervention
+
+CHAPTER III. THE NEW GOVERNMENT ORGANIZATION.
+I. Precedents of the new organization.
+II. Doctrines of Government.
+III. Brilliant Statesman and Administrator.
+IV. Napoleon's barracks.
+V. Modeled after Rome.
+
+BOOK THIRD. OBJECT AND MERITS OF THE SYSTEM.
+
+CHAPTER I. RECOVERY OF SOCIAL ORDER.
+I. Rule as the mass want to be ruled.
+II. The Revolution Ends.
+III. Return of the Emigrés.
+IV. Education and Medical Care.
+V. Old and New.
+VI. Religion
+VII. The Confiscated Property.
+VIII. Public Education.
+
+CHAPTER II. TAXATION AND CONSCRIPTION.
+I. Distributive Justice in Allotment of Burdens and Benefits.
+II. Equitable Taxation.
+III. Formation of Honest, Efficient Tax Collectors
+IV. Various Taxes.
+V. Conscription or Professional soldiers.
+
+CHAPTER III. AMBITION AND SELF-ESTEEM.
+I. Rights and benefits.
+II. Ambitions during the Ancient Regime.
+III. Ambition and Selection.
+IV. Napoleon, Judge-Arbitrator-Ruler.
+IV. The Struggle for Office and Title.
+V. Self-esteem and a good Reputation.
+
+BOOK FOURTH. DEFECT AND EFFECTS OF THE SYSTEM.
+
+CHAPTER I. LOCAL SOCIETY.
+I. Human Incentives.
+II. Local Community.
+III. Essential Public Local Works.
+IV. Local associations.
+V. Local versus State authority.
+VI. Local Elections under the First Consul.
+VII. Municipal and general councillors under the Empire.
+VIII. Excellence of Local Government after Napoleon.
+
+CHAPTER II. LOCAL SOCIETY SINCE 1830.
+I. Introduction of Universal suffrage.
+II. Universal suffrage.
+III. Equity in taxation.
+IV. On unlimited universal suffrage.
+V. Rural or urban communes.
+VI. The larger Communes.
+VII. Local society in 1880.
+VIII. Final result in a tendency to bankruptcy.
+
+
+
+THE MODERN REGIME, VOLUME 2
+
+PREFACE By André Chevrillon.
+
+BOOK FIFTH. THE CHURCH.
+
+CHAPTER I. MORAL INSTITUTIONS
+I. Napoleon's Objectives.
+II. Napoleon's opinions and methods.
+III. Dealing with the Pope.
+IV. The Pope, Napoleon's employee.
+V. State domination of all religion.
+VI. Napoleon Executes the Concordat.
+VII. System to which the regular clergy is subject.
+VIII. Administrative Control.
+IX. The Imperial Catechism
+X. The Council of 1811.—The Concordat of 1813.
+
+CHAPTER II. THE CATHOLIC CHURCH.
+I. The Catholic System.
+II. The Bishops and their new Situation.
+III. The new Bishop.
+IV. The subordinate clergy.
+
+CHAPTER III THE CLERGY
+I. The regular clergy.
+II. Evolution of the Catholic Church.
+III. The Church today.
+IV. Contrasting Vistas.
+
+BOOK SIXTH. PUBLIC INSTRUCTION.
+
+CHAPTER I. PUBLIC INSTRUCTION
+I. Public instruction and its three effects.
+II. Napoleon's Educational Instruments.
+III. Napoleon's machinery.
+VI. Objects and sentiments.
+V. Military preparation and the cult of the Emperor.
+
+CHAPTER II.
+I. Primary Instruction.
+II. Higher Education.
+III. On Science, Reason and Truth.
+IV. Napoleon's stranglehold on science.
+V. On Censorship under Napoleon.
+
+CHAPTER III. EVOLUTION BETWEEN 1814 AND 1890.
+I. Evolution of the Napoleonic machine.
+II. Educational monopoly of Church and State.
+III. Internal Vices
+IV. Cramming and Exams Compared to Apprenticeship
+V. Public instruction in 1890.
+VI. Summary.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Origins of Contemporary France,
+Complete, by Hippolyte A. Taine
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ORIGINS OF CONTEMPORARY FRANCE ***
+
+***** This file should be named 23524-8.txt or 23524-8.zip *****
+This and all associated files of various formats will be found in:
+        http://www.gutenberg.org/2/3/5/2/23524/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/23524-8.zip b/old/23524-8.zip
new file mode 100644
index 0000000..63970fa
--- /dev/null
+++ b/old/23524-8.zip
diff --git a/old/23524.txt b/old/23524.txt
new file mode 100644
index 0000000..dfb3426
--- /dev/null
+++ b/old/23524.txt
@@ -0,0 +1,1020 @@
+The Project Gutenberg EBook of The Origins of Contemporary France, Complete, by
+Hippolyte A. Taine
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Origins of Contemporary France, Complete
+       Linked Table of Contents to the Six Volumes
+
+Author: Hippolyte A. Taine
+
+Annotator: Svend Rom
+
+Editor: David Widger
+
+Translator: John Durand, 1880
+
+Release Date: June 21, 2008 [EBook #23524]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ORIGINS OF CONTEMPORARY FRANCE ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+THE ORIGINS OF CONTEMPORARY FRANCE
+
+SIX VOLUMES: COMPLETE TABLE OF CONTENTS
+
+by Hippolyte A. Taine
+Volume One:   Ancient Regime
+Volume Two:   French Revolution I.
+Volume Three: French Revolution II.
+Volume Four:  French Revolution III.
+Volume Five:  Napoleon I.
+Volume Six:   Modern Regime
+
+
+
+THE ANCIENT REGIME
+
+INTRODUCTION
+PREFACE:
+PREFACE BY THE AUTHOR: ON POLITICAL IGNORANCE AND WISDOM.
+
+BOOK FIRST. THE STRUCTURE OF THE ANCIENT SOCIETY.
+
+CHAPTER I. THE ORIGIN OF PRIVILEGES.
+I. Services and Recompenses of the Clergy.
+II. Services and Recompenses of the Nobles.
+III. Services and Recompenses of the King.
+
+CHAPTER II. THE PRIVILEGED CLASSES.
+I. Number of the Privileged Classes.
+II. Their Possessions, Capital, and Revenue.
+III. Their Immunities.
+IV. Their Feudal Rights.
+V. They may be justified by local and general services.
+CHAPTER III. LOCAL SERVICES DUE BY THE PRIVILEGED CLASSES.
+I. Examples in Germany and England.—These services are not rendered by
+II. Resident Seigniors.
+III. Absentee Seigniors.
+
+CHAPTER IV. PUBLIC SERVICES DUE BY THE PRIVILEGED CLASSES.
+I. England compared to France.
+II. The Clergy
+III. Influence of the Nobles..
+IV. Isolation of the Chiefs
+V. The King's Incompetence and Generosity.
+VI. Latent Disorganization in France.
+
+BOOK SECOND. MORALS AND CHARACTERS.
+
+CHAPTER I. MORAL PRINCIPLES UNDER THE ANCIENT REGIME.
+The Court and a life of pomp and parade.
+I. Versailles.
+The Physical aspect and the moral character of Versailles.
+II. The King's Household.
+III. The King's Associates.
+IV. Everyday Life In Court.
+V. Royal Distractions.
+VI. Upper Class Distractions.
+VII. Provincial Nobility.
+
+CHAPTER II. DRAWING ROOM LIFE.
+I. Perfect only in France
+II. Social Life Has Priority.
+III. Universal Pleasure Seeking.
+IV. Enjoyment.
+V. Happiness.
+VI. Gaiety.
+VII. Theater, Parade And Extravagance.
+
+CHAPTER III. DISADVANTAGES OF THIS DRAWING ROOM LIFE.
+I. Its Barrenness and Artificiality
+II. Return To Nature And Sentiment.
+III. Personality Defects.
+
+BOOK THIRD. THE SPIRIT AND THE DOCTRINE.
+
+CHAPTER I. SCIENTIFIC ACQUISITION.
+I. Scientific Progress.
+II. Science Detached From Theology.
+III. The Transformation Of History.
+IV. The New Psychology.
+V. The Analytical Method.
+
+CHAPTER II. THE CLASSIC SPIRIT, THE SECOND ELEMENT.
+I. Through Colored Glasses.
+II. Its Original Deficiency.
+III. The Mathematical Method.
+
+CHAPTER III. COMBINATION OF THE TWO ELEMENTS.
+I. Birth Of A Doctrine, A Revelation.
+II. Ancestral Tradition And Culture.
+III. Reason At War With Illusion.
+IV. Casting Out The Residue Of Truth And Justice.
+V. The Dream Of A Return To Nature.
+VI. The Abolition Of Society. Rousseau.
+VII: The Lost Children.
+
+CHAPTER IV. ORGANIZING THE FUTURE SOCIETY.
+I. Liberty, Equality And Sovereignty Of The People.
+II. Naive Convictions
+III. Our True Human Nature.
+IV. Birth Of Socialist Theory, Its Two Sides.
+V. Social Contract, Summary.
+
+BOOK FOURTH. THE PROPAGATION OF THE DOCTRINE.
+
+CHAPTER I.—SUCCESS OF THIS PHILOSOPHY IN FRANCE.—FAILURE OF THE SAME
+I. The Propagating Organ, Eloquence.
+II. Its Method.
+III. Its Popularity.
+IV. The Masters.
+
+CHAPTER II. THE FRENCH PUBLIC.
+I. The Nobility.
+II. Conditions In France.
+III. French Indolence.
+IV. Unbelief.
+V. Political Opposition.
+VI. Well-Meaning Government.
+
+CHAPTER III. THE MIDDLE CLASS.
+I. The Past.
+II. CHANGE IN THE CONDITION OF THE BOURGEOIS.
+III. Social Promotion.
+IV. Rousseau's Philosophy Spreads And Takes HOLD.
+V. Revolutionary Passions.
+VI. Summary
+
+BOOK FIFTH. THE PEOPLE
+
+CHAPTER I. HARDSHIPS.
+I. Privations.
+II. The Peasants.
+III. The Countryside.
+IV. The Peasant Becomes Landowner.
+
+CHAPTER II. TAXATION THE PRINCIPAL CAUSE OF MISERY.
+I. Extortion.
+II. Local Conditions.
+III. The Common Laborer.
+IV. Collections And Seizures.—Observe the system actually at work. It
+V. Indirect Taxes.
+VI. Burdens And Exemptions.
+VII. Municipal Taxation.
+VIII. Complaints In The Registers.
+
+CHAPTER III. INTELLECTUAL STATE OF THE PEOPLE.
+I. Intellectual incapacity
+II. Political incapacity
+III. Destructive impulses
+IV. Insurrectionary leaders and recruits
+
+CHAPTER IV. THE ARMED FORCES.
+I. Military force declines
+II. The social organization is dissolved
+III. Direction of the current
+
+CHAPTER V. SUMMARY.
+I. Suicide of the Ancient Regime.
+II. Aspirations for the 'Great Revolution.'
+
+END OF VOLUME
+
+
+
+THE FRENCH REVOLUTION, VOLUME 1.
+
+PREFACE
+
+BOOK FIRST. SPONTANEOUS ANARCHY.
+
+CHAPTER I. THE BEGINNINGS OF ANARCHY.
+I.  Dearth the first cause.
+II.  Expectations the second cause
+III.  The provinces during the first six months of 1789
+IV.  Intervention of ruffians and vagabonds.
+V.  Effect on the Population of the New Ideas.
+VI.  The first jacquerie in Province
+
+CHAPTER II. PARIS UP TO THE 14TH OF JULY.
+I.  Mob recruits in the vicinity
+II. The Press.
+III.  The Reveillon affair.
+IV.  The Palais-Royal.
+V.  Popular mobs become a political force.
+VI.  July 13th and 14th 1789.
+VII.  Murders of Foulon and Berthier.
+VIII.  Paris in the hands of the people.
+
+CHAPTER III.
+I.  Anarchy from July 14th to October 6th, 1789
+II.  The provinces
+III.  Public feeling.  Famine
+IV.  Panic.
+V.  Attacks on public individuals and public property.
+VI.  Taxes are no longer paid.
+VII.  Attack upon private individuals and private property.
+
+CHAPTER IV. PARIS.
+I.  Paris.
+II.  The distress of the people.
+III.  The new popular leaders.
+IV.  Intervention by the popular leaders with the Government.
+V.  The 5th and 6th of October.
+VI.  The Government and the nation in the hands of the revolutionary party.
+
+BOOK SECOND. THE CONSTITUENT ASSEMBLY, AND THE RESULT OF ITS LABORS.
+
+CHAPTER I.  CONDITIONS REQUIRED FOR THE FRAMING OF GOOD LAWS.
+I.  These conditions absent in the Assembly
+II.  Inadequacy of its information.
+III.  The Power Of Simple, General Ideas.
+IV.  Refusal to supply the ministry
+
+CHAPTER II. DESTRUCTION.
+I.  Two principal vices of the ancient regime.
+II  Nature of societies, and the principle of enduring constitutions.
+III.  The estates of a society.
+IV.  Abuse and lukewarmness in 1789 in the ecclesiastical bodies.
+
+CHAPTER III. THE CONSTRUCTIONS  THE CONSTITUTION OF 1791.
+I.  Powers of the Central Government.
+II.  The Creation Of Popular Democracy.
+III.  Municipal Kingdoms.
+IV.  On Universal Suffrage.
+V.  The Ruling Minority.
+VI.  Summary of the work of the Constituent Assembly.
+
+BOOK THIRD. THE APPLICATION OF THE CONSTITUTION.
+
+CHAPTER I.
+I.  The Federations.
+II.  Independence of the municipalities.
+III.  Independent Assemblies.
+
+CHAPTER II. SOVEREIGNTY OF UNRESTRAINED PASSIONS.
+I.  Old Religious Grudges
+II.  Passion Supreme.
+III.  Egotism of the tax-payer.
+IV.  Cupidity of tenants.
+
+CHAPTER III. DEVELOPMENT OF THE RULING PASSION
+I.  Attitude of the nobles. Their moderate resistance.
+II.  Workings of the popular imagination with respect to them.
+III.  Domiciliary visits.
+IV.  The nobles obliged to leave the rural districts.
+V.  Persecutions in private life.
+VI.  Conduct of officers.
+VI.  Conduct of the officers.
+VII.  Emigration and its causes.
+VIII.  Attitude of the non-juring priests.
+IX.  General state of opinion.
+
+
+
+
+
+THE FRENCH REVOLUTION, VOLUME 2.
+
+PREFACE:
+
+BOOK FIRST. THE JACOBINS.
+
+CHAPTER I. THE ESTABLISHMENT OF THE NEW POLITICAL ORGAN.
+I.  Principle of the revolutionary party.
+II.  The Jacobins.
+III.  Psychology of the Jacobin.
+IV.  What the theory promises.
+
+CHAPTER II. THE JACOBINS
+I.  Formation of the party.
+II.  Spontaneous associations after July 14, 1789.
+III.  How they view the liberty of the press.
+IV.  Their rallying-points.
+V.  Small number of Jacobins.
+
+BOOK SECOND. THE FIRST STAGE OF THE CONQUEST.
+
+CHAPTER I. THE JACOBINS COME INTO IN POWER.
+I.  Their siege operations.
+II.  Annoyances and dangers of public elections.
+III.  The friends of order deprived of the right of free assemblage.
+V.  Intimidation and withdrawal of the Conservatives.
+
+CHAPTER II. THE LEGISLATIVE ASSEMBLY
+I.  Composition of the Legislative Assembly.
+II.  Degree and quality of their intelligence and Culture.
+III.  Aspects of their sessions.
+IV.  The Parties.
+V.  Their means of action.
+VI.  Parliamentary maneuvers.
+
+CHAPTER III. POLICY OF THE ASSEMBLY
+I.  Policy of the Assembly.  State of France at the end of 1791.
+II.  The Assembly hostile to the oppressed and favoring oppressors.
+III.  War.
+IV.  Secret motives of the leaders.
+V.  Effects of the war on the common people.
+
+CHAPTER IV. THE DEPARTMENTS.
+I.  Provence in 1792.  Early supremacy of the Jacobins in Marseilles.
+II.  The expedition to Aix.
+III.  The Constitutionalists of Arles.
+IV.  The Jacobins of Avignon.
+V.  The other departments.
+
+CHAPTER V. PARIS.
+I.  Pressure of the Assembly on the King.
+II.  The floating and poor population of Paris.
+III.  Its leaders.  Their committee.  Methods for arousing the crowd.
+IV.  The 20th of June.
+
+CHAPTER VI. THE BIRTH OF THE TERRIBLE PARIS COMMUNE.
+I.  Indignation of the Constitutionalists.
+II.  Pressure on the King.
+III.  The Girondins have worked for the benefit of the Jacobins.
+IV.  Vain attempts of the Girondins to put it down.
+V.  Evening of August 8.
+VI.  Nights of August 9 and 10.
+VII.  August 10.
+VIII.  State of Paris in the Interregnum.
+
+BOOK THIRD. THE SECOND STAGE OF THE CONQUEST.
+
+CHAPTER I. TERROR
+I.  Government by gangs in times of anarchy.
+II.  The development of the ideas of killings in the mass of the party.
+III. Terror is their Salvation.
+IV.  Date of the determination of this.  The actors and their parts.
+V. Abasement and Stupor.
+VI. Jacobin Massacre.
+
+CHAPTER II. THE DEPARTMENTS.
+I. The Sovereignty of the People.
+II.  In several departments it establishes itself in advance.
+III.  Each Jacobin band a dictator in its own neighborhood.
+IV.  Ordinary practices of the Jacobin dictatorship.
+V.  The companies of traveling volunteers.
+VI.  A tour of France in the cabinet of the Minister of the Interior.
+
+CHAPTER III. SECOND STAGE OF THE JACOBIN CONQUEST
+I.  The second stage of the Jacobin conquest.
+II.  The elections.
+III.  Composition and tone of the secondary assemblies.
+IV.  Composition of the National Convention.
+V.  The Jacobins forming alone the Sovereign People.
+VI.  Composition of the party.
+VII. The Jacobin Chieftains.
+
+CHAPTER IV. PRECARIOUS SITUATION OF THE CENTRAL GOVERNMENT.
+I.  Jacobin advantages.
+II.  Its parliamentary recruits.
+III. Physical fear and moral cowardice.
+IV. Jacobin victory over Girondin majority.
+V. Jacobin violence against the people.
+VI. Jacobin tactics.
+VII. The central Jacobin committee in power.
+VIII. Right or Wrong, my Country.
+
+
+
+THE FRENCH REVOLUTION, VOLUME 3.
+
+PREFACE.
+
+BOOK FIRST. THE ESTABLISHMENT OF THE REVOLUTIONARY GOVERNMENT.
+
+CHAPTER I. JACOBIN GOVERNMENT
+I. The despotic creed and instincts of the Jacobin.
+II. Jacobin Dissimulation.
+III. Primary Assemblies
+IV. The Delegates reach Paris
+V. Fete of August 10th
+VI. The Mountain.
+VII. Extent and Manifesto of the departmental insurrection
+VIII. The Reasons for the Terror.
+IX. Destruction of Rebel Cities
+X. Destruction of the Girondin party
+XI. Institutions of the Revolutionary Government
+
+BOOK SECOND. THE JACOBIN PROGRAM.
+
+CHAPTER I. THE JACOBIN PARTY
+I. The Doctrine.
+II. A Communist State.
+III. The object of the State is the regeneration of man.
+IV. Two distortions of the natural man.
+V. Equality and Inequality.
+VI. Conditions requisite for making a citizen.
+VII. Socialist projects.
+VIII. Indoctrination of mind and intellect.
+
+CHAPTER II. REACTIONARY CONCEPT OF THE STATE.
+I. Reactionary concept of the State.
+II. Changed minds.
+III. Origin and nature of the modern State.
+IV. The state is tempted to encroach.
+V. Direct common interest.
+VI. Indirect common interest.
+VII. Fabrication of social instruments.
+VIII. Comparison between despotisms.
+
+BOOK THIRD. THE MEN IN POWER.
+
+CHAPTER I. PSYCHOLOGY OF THE JACOBIN LEADERS.
+I. Marat.
+II. Danton.
+III. Robespierre.
+
+CHAPTER II. THE RULERS OF THE COUNTRY.
+I. The Convention.
+II. Its participation in crime.
+III. The Committee of Public Safety.
+IV. The Statesmen.
+V. Official Jacobin organs.
+VI. Commissars of the Revolution.
+VII. Brutal Instincts.
+IX. Vice.
+
+CHAPTER III. THE RULERS. (continued).
+I. The Central Government Administration.
+II. Subaltern Jacobins.
+III. A Revolutionary Committee.
+IV. Provincial Administration.
+V. Jacobins sent to the Provinces.
+VI. Quality of staff thus formed.
+VII. The Armed Forces.
+
+BOOK FOURTH. THE GOVERNED.
+
+CHAPTER I. THE OPPRESSED.
+I. Revolutionary Destruction.
+II. The Value of Notables in Society.
+III. The three classes of Notables.
+IV. The Clergy.
+V. The Bourgeoisie.
+VI. The Demi-notables.
+VII. Principle of socialist Equality.
+VIII. Rigor against the Upper Classes.
+IX. The Jacobin Citizen Robot.
+X. The Governors and the Governed.
+
+CHAPTER II. FOOD AND PROVISIONS.
+I. Economical Complexity of Food Chain.
+II. Conditions in 1793. A Lesson in Market Economics.
+III. Privation.
+IV. Hunger.
+V. Revolutionary Remedies.
+VI. Relaxation.
+VII. Misery at Paris.
+
+BOOK FIFTH. THE END OF THE REVOLUTIONARY GOVERNMENT.
+
+CHAPTER I. THE CONVENTION.
+I. The Convention.
+II. Re-election of the Two-thirds.
+III. A Directory of Regicides.
+IV. Public Opinon.
+VI. The Directory.
+VII. Enforcement of Pure Jacobinism.
+VIII. Propaganda and Foreign Conquests.
+IX. National Disgust.
+X. Contrast between Civil and Military France.
+
+
+
+THE MODERN REGIME, VOLUME 1 [NAPOLEON]
+
+PREFACE
+
+BOOK FIRST. NAPOLEON BONAPARTE.
+
+CHAPTER I. HISTORICAL IMPORTANCE OF HIS CHARACTER AND GENIUS.
+I. Napoleon's Past and Personality.
+II. The Leader and Statesman
+III. His acute Understanding of Others.
+IV. His Wonderful Memory.
+V. His Imagination and its Excesses.
+
+CHAPTER II. HIS IDEAS, PASSIONS AND INTELLIGENCE.
+I. Intense Passions.
+II. Will and Egoism.
+III. Napoleon's Dominant Passion: Power.
+IV. His Bad Manners.
+V. His Policy.
+VI. Fundamental Defaults of his System.
+
+BOOK SECOND. FORMATION AND CHARACTER OF THE NEW STATE.
+
+CHAPTER I. THE INSTITUTION OF GOVERNMENT
+I. The Institution of Government.
+II. Default of previous government.
+III. In 1799, the undertaking more difficult and the materials worse.
+IV. Motives for suppressing the election of local powers.
+V. Reasons for centralization.
+VI. Irreconcilable divisions.
+VII. Establishment of a new Dictatorship.
+
+CHAPTER II. PUBLIC POWER
+I. Principal service rendered by the public power.
+II. Abusive Government Intervention.
+III. The State attacks persons and property.
+IV. Abuse of State powers.
+V. Final Results of Abusive Government Intervention
+
+CHAPTER III. THE NEW GOVERNMENT ORGANIZATION.
+I. Precedents of the new organization.
+II. Doctrines of Government.
+III. Brilliant Statesman and Administrator.
+IV. Napoleon's barracks.
+V. Modeled after Rome.
+
+BOOK THIRD. OBJECT AND MERITS OF THE SYSTEM.
+
+CHAPTER I. RECOVERY OF SOCIAL ORDER.
+I. Rule as the mass want to be ruled.
+II. The Revolution Ends.
+III. Return of the Emigres.
+IV. Education and Medical Care.
+V. Old and New.
+VI. Religion
+VII. The Confiscated Property.
+VIII. Public Education.
+
+CHAPTER II. TAXATION AND CONSCRIPTION.
+I. Distributive Justice in Allotment of Burdens and Benefits.
+II. Equitable Taxation.
+III. Formation of Honest, Efficient Tax Collectors
+IV. Various Taxes.
+V. Conscription or Professional soldiers.
+
+CHAPTER III. AMBITION AND SELF-ESTEEM.
+I. Rights and benefits.
+II. Ambitions during the Ancient Regime.
+III. Ambition and Selection.
+IV. Napoleon, Judge-Arbitrator-Ruler.
+IV. The Struggle for Office and Title.
+V. Self-esteem and a good Reputation.
+
+BOOK FOURTH. DEFECT AND EFFECTS OF THE SYSTEM.
+
+CHAPTER I. LOCAL SOCIETY.
+I. Human Incentives.
+II. Local Community.
+III. Essential Public Local Works.
+IV. Local associations.
+V. Local versus State authority.
+VI. Local Elections under the First Consul.
+VII. Municipal and general councillors under the Empire.
+VIII. Excellence of Local Government after Napoleon.
+
+CHAPTER II. LOCAL SOCIETY SINCE 1830.
+I. Introduction of Universal suffrage.
+II. Universal suffrage.
+III. Equity in taxation.
+IV. On unlimited universal suffrage.
+V. Rural or urban communes.
+VI. The larger Communes.
+VII. Local society in 1880.
+VIII. Final result in a tendency to bankruptcy.
+
+
+
+THE MODERN REGIME, VOLUME 2
+
+PREFACE By Andre Chevrillon.
+
+BOOK FIFTH. THE CHURCH.
+
+CHAPTER I. MORAL INSTITUTIONS
+I. Napoleon's Objectives.
+II. Napoleon's opinions and methods.
+III. Dealing with the Pope.
+IV. The Pope, Napoleon's employee.
+V. State domination of all religion.
+VI. Napoleon Executes the Concordat.
+VII. System to which the regular clergy is subject.
+VIII. Administrative Control.
+IX. The Imperial Catechism
+X. The Council of 1811.—The Concordat of 1813.
+
+CHAPTER II. THE CATHOLIC CHURCH.
+I. The Catholic System.
+II. The Bishops and their new Situation.
+III. The new Bishop.
+IV. The subordinate clergy.
+
+CHAPTER III THE CLERGY
+I. The regular clergy.
+II. Evolution of the Catholic Church.
+III. The Church today.
+IV. Contrasting Vistas.
+
+BOOK SIXTH. PUBLIC INSTRUCTION.
+
+CHAPTER I. PUBLIC INSTRUCTION
+I. Public instruction and its three effects.
+II. Napoleon's Educational Instruments.
+III. Napoleon's machinery.
+VI. Objects and sentiments.
+V. Military preparation and the cult of the Emperor.
+
+CHAPTER II.
+I. Primary Instruction.
+II. Higher Education.
+III. On Science, Reason and Truth.
+IV. Napoleon's stranglehold on science.
+V. On Censorship under Napoleon.
+
+CHAPTER III. EVOLUTION BETWEEN 1814 AND 1890.
+I. Evolution of the Napoleonic machine.
+II. Educational monopoly of Church and State.
+III. Internal Vices
+IV. Cramming and Exams Compared to Apprenticeship
+V. Public instruction in 1890.
+VI. Summary.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Origins of Contemporary France,
+Complete, by Hippolyte A. Taine
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ORIGINS OF CONTEMPORARY FRANCE ***
+
+***** This file should be named 23524.txt or 23524.zip *****
+This and all associated files of various formats will be found in:
+        http://www.gutenberg.org/2/3/5/2/23524/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/23524.zip b/old/23524.zip
new file mode 100644
index 0000000..c5de185
--- /dev/null
+++ b/old/23524.zip