summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--23415-0.txt2778
-rw-r--r--23415-0.zipbin0 -> 47931 bytes
-rw-r--r--23415-8.txt2777
-rw-r--r--23415-8.zipbin0 -> 47565 bytes
-rw-r--r--23415-h.zipbin0 -> 51118 bytes
-rw-r--r--23415-h/23415-h.htm3495
-rw-r--r--23415.txt2777
-rw-r--r--23415.zipbin0 -> 47515 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/23415-h.htm.2021-01-253494
12 files changed, 15337 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/23415-0.txt b/23415-0.txt
new file mode 100644
index 0000000..a35a7c4
--- /dev/null
+++ b/23415-0.txt
@@ -0,0 +1,2778 @@
+Project Gutenberg’s The Mission Of Mr. Eustace Greyne, by Robert Hichens
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Mission Of Mr. Eustace Greyne
+ 1905
+
+Author: Robert Hichens
+
+Release Date: November 8, 2007 [EBook #23415]
+Last Updated: December 17, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE MISSION OF MR. EUSTACE GREYNE ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+
+THE MISSION OF MR. EUSTACE GREYNE
+
+By Robert Hichens
+
+Frederick A. Stokes Company Publishers
+
+Copyright, 1905
+
+
+
+
+I
+
+Mrs. Eustace Greyne (pronounced Green) wrinkled her forehead--that
+noble, that startling forehead which had been written about in the
+newspapers of two hemispheres--laid down her American Squeezer pen, and
+sighed. It was an autumn day, nipping and melancholy, full of the rustle
+of dying leaves and the faint sound of muffin bells, and Belgrave Square
+looked sad even to the great female novelist who had written her way
+into a mansion there. Fog hung about with the policeman on the pavement.
+The passing motor cars were like shadows. Their stertorous pantings
+sounded to Mrs. Greyne’s ears like the asthma of dying monsters. She
+sighed again, and murmured in a deep contralto voice: “It must be so.”
+ Then she got up, crossed the heavy Persian carpet which had been bought
+with the proceeds of a short story in her earlier days, and placed her
+forefinger upon an electric bell.
+
+Like lightning a powdered giant came.
+
+“Has Mr. Greyne gone out?”
+
+“No, ma’am.”
+
+“Where is he?”
+
+“In his study, ma’am, pasting the last of the cuttings into the new
+album.”
+
+Mrs. Greyne smiled. It was a pretty picture the unconscious six-footer
+had conjured up.
+
+“I am sorry to disturb Mr. Greyne,” she answered, with that gracious,
+and even curling suavity which won all hearts; “but I wish to see him.
+Will you ask him to come to me for a moment?”
+
+The giant flew, silk-stockinged, to obey the mandate, while Mrs. Greyne
+sat down on a carved oaken chair of ecclesiastical aspect to await her
+husband.
+
+She was a famous woman, a personage, this simply-attired lady. With
+an American Squeezer pen she had won fame, fortune, and a mansion
+in Belgrave Square, and all without the sacrifice of principle.
+Respectability incarnate, she had so dealt with the sorrows and evils of
+the world that she had rendered them utterly acceptable to Mrs. Grundy,
+Mr. Grundy, and all the Misses Grundy. People said she dived into the
+depths of human nature, and brought up nothing that need scandalise a
+curate’s grandmother, or the whole-aunt of an archdeacon; and this
+was so true that she had made a really prodigious amount of money. Her
+large, her solid, her unrelenting books lay upon every table. Even the
+smart set kept them, uncut--like pretty sinners who have never been
+“found out”--to give an air of haphazard intellectuality to frisky
+boudoirs, All the clergy, however unable to get their tithes, bought
+them. All bishops alluded to them in “pulpit utterances.” Fabulous
+prices were paid for them by magazine editors. They ran as serials
+through all the tale of months. The suburbs battened on them. The
+provinces adored them. Country people talked of no other literature. In
+fact, Mrs. Eustace Greyne was a really fabulous success.
+
+Why, then, should she heave these heavy sighs in Belgrave Square? Why
+should she lift an intellectual hand as though to tousle the glossy
+chestnut bandeaux which swept back from her forcible forehead, and screw
+her reassuring features into these wrinkles of perplexity and distress?
+
+The door opened, and Mr. Eustace Greyne appeared, “What is it,
+Eugenia?” upon his lips.
+
+Mr. Greyne was a number of years younger than his celebrated wife,
+and looked even younger than his years. He was a very smart man, with
+smooth, jet-black hair, which he wore parted in the middle; pleasant,
+dark eyes that could twinkle gently; a clear, pale complexion; and a
+nice, tall figure. One felt, in glancing at him, that he had been an
+Eton boy, and had at least thought of going into the militia at some
+period of his life. His history can be briefly told.
+
+Scarcely had he emerged into the world before he met and was married to
+Mrs. Eustace Greyne, then Miss Eugenia Hannibal-Barker. He had had no
+time to sow a single oat, wild or otherwise; no time to adore a barmaid,
+or wish to have his name linked with that of an actress; no time to do
+anything wrong, or even to know, with the complete accuracy desired
+by all persevering young men, what was really wrong. Miss Eugenia
+Hannibal-Barker sailed upon his horizon, and he struck his flag to
+matrimony. Ever since then he had been her husband, and had never, even
+for one second, emerged beyond the boundaries of the most intellectual
+respectability. He was the most innocent of men, although he knew all
+the important editors in London. Swaddled in money by his successful
+wife, he considered her a goddess. She poured the thousands into Coutts’
+Bank, and with the arrival of each fresh thousand he was more firmly
+convinced that she was a goddess. To say he looked up to her would be
+too mild. As the Cockney tourist in Chamounix peers at the summit of
+Mont Blanc, he peered at Mrs. Greyne. And when, finally, she bought the
+lease of the mansion in Belgrave Square, he knew her Delphic.
+
+So now he appeared in the oracle’s retreat respectfully, “What is it,
+Eugenia?” upon his admiring lips.
+
+“Sit down, my husband,” she murmured.
+
+Mr. Greyne subsided by the fire, placing his pointed patent-leather toes
+upon the burnished fender. Without the fog grew deeper, and the chorus
+of the muffin bells more plaintive. The fire-light, flickering over Mrs.
+Greyne’s majestic features, made them look Rembrandtesque. Her large,
+oxlike eyes were fixed and thoughtful. After a pause, she said:
+
+“Eustace, I shall have to send you upon a mission.”
+
+“A mission, Eugenia!” said Mr. Greyne in great surprise.
+
+“A mission of the utmost importance, the utmost delicacy.”
+
+“Has it anything to do with Romeike & Curtice?”
+
+“No.”
+
+“Will it take me far?”
+
+“That is my trouble. It will take you very far.”
+
+“Out of London?”
+
+“Oh, yes.”
+
+“Out of--not out of England?”
+
+“Yes; it will take you to Algeria.”
+
+“Good gracious!” cried Mr. Greyne.
+
+Mrs. Greyne sighed.
+
+“Good gracious!” Mr. Greyne repeated after a short interval. “Am I to
+go alone?” “Of course you must take Darrell.” Darrell was Mr. Greyne’s
+valet.
+
+“And what am I to do at Algiers?”
+
+“You must obtain for me there the whole of the material for book six
+of ‘Catherine’s Repentance,’” “Catherine’s Repentance” was the gigantic
+novel upon which Mrs. Greyne was at that moment engaged.
+
+“I will not disguise from you, Eustace,” continued Mrs. Greyne, looking
+increasingly Rembrandtesque, “that, in my present work, I am taking a
+somewhat new departure.”
+
+“Well, but we are very comfortable here,” said Mr. Greyne.
+
+With each new book they had changed their abode. “Harriet” took them
+from Phillimore Gardens to Queensgate Terrace; “Jane’s Desire” moved
+them on to a corner house in Sloane Street; with “Isobel’s Fortune” they
+passed to Curzon Street; “Susan’s Vanity” landed them in Coburg Place;
+and, finally, “Margaret’s Involution” had planted them in Belgrave
+Square. Now, with each of these works of genius Mrs. Greyne had taken
+what she called “a new departure.” Mr. Greyne’s remark is, therefore,
+explicable.
+
+“True. Still, there is always Park Lane.”
+
+She mused for a moment. Then, leaning more heavily upon the carved lions
+of her chair, she continued:
+
+“Hitherto, although I have sometimes dealt with human frailty, I have
+treated it gently. I have never betrayed a Zola-spirit.”
+
+“Zola! My darling!” cried Mr. Eustace Greyne. “You are surely not going
+to betray anything of that sort now!”
+
+“If she does we shall soon have to move off to West Kensington,” was his
+secret thought.
+
+“No. But in book six of ‘Catherine’ I have to deal with sin, with
+tumult, with African frailty. It is inevitable.”
+
+She sighed once more. The burden of the new book was very heavy upon
+her.
+
+“African frailty!” murmured the astonished Eustace Greyne.
+
+“Now, neither you nor I, my husband, know anything about this.”
+
+“Certainly not, my darling. How should we? We have never explored beyond
+Lucerne.”
+
+“We must, therefore, get to know about it--at least you must. For I
+cannot leave London. The continuity of the brain’s travelling must not
+be imperiled by any violent bodily activity. In the present stage of my
+book a sea journey might be disastrous.”
+
+“Certainly you should keep quiet, my love. But then---”
+
+“You must go for me to Algiers. There you must get me what I want. I
+fear you will have to poke about in the native quarters a good deal for
+it, so you had better buy two revolvers, one for yourself and one for
+Darrell.”
+
+Mr. Greyne gasped. The calmness of his wife amazed him. He was not
+intellectual enough to comprehend fully the deep imaginings of a mighty
+brain, the obsession work is in the worker.
+
+“African frailty is what I want,” pursued Mrs. Greyne. “One hundred
+closely-printed pages of African frailty. You will collect for me the
+raw material, and I shall so manipulate it that it will fall discreetly,
+even elevatingly, into the artistic whole. Do you understand me,
+Eustace?”
+
+“I am to travel to Algiers, and see all the wickedness to be seen there,
+take notes of it, and bring them back to you.”
+
+“Precisely.”
+
+“And how long am I to stay?”
+
+“Until you have made yourself acquainted with the depths.”
+
+“A fortnight?”
+
+“I should think that would be enough. Take Brush’s remedy for
+seasickness and plenty of antipyrin, your fur coat for the crossing, and
+a white helmet and umbrella for the arrival. You have lead pencils?”
+
+“Plenty.”
+
+“A couple of Merrin’s exercise-books should be enough to contain your
+notes.”
+
+“When am I to go?”
+
+“The sooner the better. I am at a standstill for want of the material.
+You might catch the express to Paris to-morrow; no, say the day after
+to-morrow.” She looked at him tenderly. “The parting will be bitter.”
+
+“Very bitter,” Mr. Eustace Greyne replied.
+
+He felt really upset. Mrs. Greyne laid the hand which had brought them
+from Phillimore Gardens to Belgrave Square gently upon his.
+
+“Think of the result,” she said. “The greatest book I have done yet. A
+book that will last. A book that will----”
+
+“Take us to Park Lane,” he murmured.
+
+The Rembrandtesque head nodded. The noble features, as of a strictly
+respectable Roman emperor, relaxed.
+
+“A book that will take us to Park Lane.”
+
+At this moment the door opened, and the footman inquired:
+
+“Could Mademoiselle Verbena see you for a minute, ma’am?”
+
+Mademoiselle Verbena was the French governess of the two little Greynes.
+The great novelist had consented to become a mother.
+
+“Certainly.”
+
+In another moment Mademoiselle Verbena was added to the group beside the
+fire.
+
+
+
+
+II
+
+We have said that Mademoiselle Verbena was the French governess of
+little Adolphus and Olivia Greyne, and so she was to this extent--that
+she taught them French, and that Mr. and Mrs. Greyne supposed her to be
+a Parisian. But life has its little ironies. Mademoiselle Verbena in the
+house of this great and respectable novelist was one of them; for she
+was a Levantine, born at Port Said of a Suez Canal father and a Suez
+Canal mother. Now, nobody can desire to say anything against Port Said.
+At the same time, few mothers would inevitably pick it out as the ideal
+spot from which a beneficent influence for childhood’s happy hour would
+be certain to emanate. Nor, it must be allowed, is a Suez Canal ancestry
+specially necessary to a trainer of young souls. It may not be a
+drawback, but it can hardly be described as an advantage. This,
+Mademoiselle Verbena was intelligent enough to know. She, therefore,
+concealed the fact that her father had been a dredger of Monsieur de
+Lesseps’ triumph, her mother a bar-lady of the historic coal wharf where
+the ships are fed, and preferred to suppose--and to permit others to
+suppose--that she had first seen the light in the Rue St. Honoré, her
+parents being a count and countess of some old régime.
+
+This supposition, retained from her earliest years, had affected her
+appearance and her manner. She was a very neat, very trim, even a very
+attractive little person, with dark brown, roguish eyes, blue-black
+hair, a fairy-like figure, and the prettiest hands and feet imaginable.
+She had first attracted Mrs. Greyne’s attention by her devotion to St.
+Paul’s Cathedral, and this devotion she still kept up. Whenever she had
+an hour or two free she always--so she herself said--spent it in “_ce
+charmant_ St. Paul.”
+
+As she entered the oracle’s retreat she cast down her eyes, and trembled
+visibly.
+
+“What is it, Miss Verbena?” inquired Mrs. Greyne, with a kindly English
+accent, calculated to set any poor French creature quite at ease.
+
+Mademoiselle Verbena trembled more.
+
+“I have received bad news, madame.”
+
+“I grieve to hear it. Of what nature?”
+
+“Mamma has _une bronchite très grave_.”
+
+“A what, Miss Verbena?”
+
+“Pardon, madame. A very grave bronchitis. She cries for me.”
+
+“Indeed!”
+
+“The doctors say she will die.”
+
+“This is very sad.”
+
+The Levantine wept. Even Suez Canal folk are not proof against all human
+sympathy. Mr. Greyne blew his nose beside the fire, and Mrs. Greyne said
+again:
+
+“I repeat that this is very sad.”
+
+“Madame, if I do not go to mamma tomorrow I shall not see her more.”
+
+Mrs. Greyne looked very grave.
+
+“Oh!” she remarked. She thought profoundly for a moment, and then added:
+“Indeed!”
+
+“It is true, madame.”
+
+Suddenly Mademoiselle Verbena flung herself down on the Persian carpet
+at Mrs. Greyne’s large but well-proportioned feet, and, bathing them
+with her tears, cried in a heartrending manner:
+
+“Madame will let me go! madame will permit me to fly to poor mamma--to
+close her dying eyes--to kiss once again----”
+
+Mr. Greyne was visibly affected, and even Mrs. Greyne seemed somewhat
+put about, for she moved her feet rather hastily out of reach of the
+dependant’s emotion, and made her scramble up.
+
+“Where is your poor mother?”
+
+“In Paris, madame. In the Rue St. Honoré, where I was born. Oh, if she
+should die there! If she should----”
+
+Mrs. Greyne raised her hand, commanding silence.
+
+“You wish to go there?”
+
+“If madame permits.”
+
+“When?”
+
+“To-morrow, madame.”
+
+“To-morrow? This is decidedly abrupt.”
+
+“_Mais la bronchite, madame_, she is abrupt, and death, she may be
+abrupt.”
+
+“True. One moment!”
+
+There was an instant’s silence for Mrs. Greyne to let loose her brain
+in. She did so, then said:
+
+“You have my permission. Go to-morrow, but return as soon as possible.
+I do not wish Adolphus to lose his still uncertain grasp upon the
+irregular verbs.”
+
+In a flood of grateful tears Mademoiselle Verbena retired to make her
+preparations. On the morrow she was gone.
+
+The morrow was a day of much perplexity, much bustle and excitement for
+Mr. Greyne and the valet, Darrell. They were preparing for Algiers. In
+the morning, at an early hour, Mr. Greyne set forth in the barouche with
+Mrs. Greyne to purchase African necessaries: a small but well-supplied
+medicine chest, a pith helmet, a white-and-green umbrella, a Baedeker,
+a couple of Smith & Wesson Springfield revolvers with a due amount of
+cartridges, a dozen of Merrin’s exercise-books--on mature reflection
+Mrs. Creyne thought that two would hardly contain a sufficient amount of
+African frailty for her present purpose--a packet of lead pencils, some
+bottles of a remedy for seasickness, a silver flask for cognac, and
+various other trifles such as travellers in distant continents require.
+
+Meanwhile Darrell was learning French for the journey, and packing his
+own and his master’s trunks. The worthy fellow, a man of twenty-five
+summers, had never been across the Channel--the Greynes being by no
+means prone to foreign travel--and it may, therefore, be imagined that
+he was in a state of considerable expectation as he laid the trousers,
+coats, and waistcoats in their respective places, selected such boots
+as seemed likely to wear well in a tropical climate, and dropped those
+shirts which are so contrived as to admit plenty of ventilation to the
+heated body into the case reserved for them.
+
+When Mr. Greyne returned from his shopping excursion the barouche,
+loaded almost to the gunwale--if one may be permitted a nautical
+expression in this connection--had to be disburdened, and its contents
+conveyed upstairs to Mr. Greyne’s bedroom, into which Mrs. Greyne
+herself presently entered to give directions for their disposing. Nor
+was it till the hour of sunset that everything was in due order, the
+straps set fast, the keys duly turned in the locks--the labels--“Mr.
+Eustace Greyne: Passenger to Algiers: via Marseilles”--carefully written
+out in a full, round hand. Rook’s tickets had been bought; so now
+everything was ready, and the last evening in England might be spent
+by Mr. Greyne in the drawing-room and by Darrell in the servants’ hall
+quietly, socially, perhaps pathetically.
+
+The pathos of the situation, it must be confessed, appealed more to
+the master than to the servant. Darrell was very gay, and inclined to be
+boastful, full of information as to how he would comport himself with
+“them there Frenchies,” and how he would make “them pore, godless Arabs
+sit up.” But Mr. Greyne’s attitude of mind was very different. As
+the night drew on, and Mrs. Greyne and he sat by the wood fire in the
+magnificent drawing-room, to which they always adjourned after dinner, a
+keen sense of the sorrow of departure swept over them both.
+
+“How lonely you will feel without me, Eugenia,” said Mr. Greyne. “I
+have been thinking of that all day.”
+
+“And you, Eustace, how desolate will be your tale of days! My mind runs
+much on that. You will miss me at every hour.”
+
+“You are so accustomed to have me within call, to depend upon me for
+encouragement in your life-work. I scarcely know how you will get on
+when I am far across the sea.”
+
+“And you, for whom I have labored, for whom I have planned and
+calculated, what will be your sensations when you realize that a
+gulf--the Gulf of Lyons--is fixed irrevocably between us?”
+
+So their thoughts ran. Each one was full of tender pity for the other.
+Towards bedtime, however, conscious that the time for colloquy was
+running short, they fell into more practical discourse.
+
+“I wonder,” said Mr. Greyne, “whether I shall find any difficulty in
+gaining the information you require, my darling. I suppose these
+places”--he spoke vaguely, for his thoughts were vague--“are somewhat
+awkward to come at. Naturally they would avoid the eye of day.”
+
+Mrs. Greyne looked profound.
+
+“Yes. Evil ever seeks the darkness. You will have to do the same.”
+
+“You think my investigations must take place at night?”
+
+“I should certainly suppose so.”
+
+“And where shall I find a cicerone?”
+
+“Apply to Rook.”
+
+“In what terms? You see, dearest, this is rather a special matter, isn’t
+it?”
+
+“Very special. But on no account hint that you are in Algiers for
+‘Catherine’s’ sake. It would get into the papers. It would be cabled to
+America. The whole reading world would be agog, and the future interest
+of the book discounted.”
+
+Mr. Greyne looked at his wife with reverence. In such moments he
+realized, almost too poignantly, her great position.
+
+“I will be careful,” he said. “What would you recommend me to say?”
+
+“Well”--Mrs. Greyne knit her superb forehead--“I should suggest that
+you present yourself as an ordinary traveler, but with a
+specially inquiring bent of mind and a slight tendency towards
+the--the--er--hidden things of life.”
+
+“I suppose you wish me to visit the public houses?”
+
+“I wish you to see everything that has part or lot in African frailty.
+Go everywhere, see everything. Bring your notes to me, and I will select
+such fragments of the broken commandments as suit my purpose, which
+is, as always, the edifying of the human race. Only this time I mean to
+purge it as by fire.”
+
+“That corner house in Park Lane, next to the Duke of Ebury’s, would suit
+us very well,” said Mr. Greyne reflectively.
+
+“We could sell our lease here at an advance,” his wife rejoined. “You
+will not waste your journey, Eustace?”
+
+“My love,” returned Mr. Greyne with decision, “I will apply to Rook on
+arrival, and, if I find his man unsatisfactory, if I have any reason
+to suspect that I am not being shown everything--more especially in the
+Kasbah region, which, from the guide-books we bought to-day, is, I
+take it, the most abandoned portion of the city--I will seek another
+cicerone.”
+
+“Do so. And now to bed. You must sleep well to-night in preparation for
+the journey.”
+
+It was their invariable habit before retiring to drink each a tumbler
+of barley water, which was set out by the butler in Mrs. Greyne’s study.
+After this nightcap Mrs. Greyne wrote up her anticipatory diary, while
+Mr. Greyne smoked a mild cigar, and then they went to bed. To-night,
+as usual, they repaired to the sanctum, and drank their barley water.
+Having done so, Mr. Greyne drew forth his cigar-case, while Mrs. Greyne
+went to her writing-table, and prepared to unlock the drawer in which
+her diary reposed, safe from all prying eyes.
+
+The match was struck, the key was inserted in the lock, and turned. As
+the cigar end glowed the drawer was opened. Mr. Greyne heard a contralto
+cry. He turned from the arm-chair in which he was just about to seat
+himself.
+
+“My love, is anything the matter?”
+
+His wife was bending forward with both hands in the drawer, telling over
+its contents.
+
+“My diary is not here!”
+
+“Your diary!”
+
+“It is gone.”
+
+“But”--he came over to her--“this is very serious. I presume, like all
+diaries, it is full of----” Instinctively he had been about to say
+“damning”; he remembered his dear one’s irreproachable character and
+substituted “precious secrets.”
+
+“It is full of matter which must never be given to the world--my secret
+thoughts, my aspirations. The whole history of my soul is there.”
+
+“Heavens! It must be found.”
+
+They searched the writing-table. They searched the room. No diary.
+
+“Could you have taken it to my room, and left it there?” asked Mr.
+Greyne.
+
+They hastened thither, and looked--in vain. By this time the servants
+were gone to bed, and the two searchers were quite alone on the ground
+floor of their magnificent mansion. Mrs. Greyne began to look seriously
+perturbed. Her Roman features worked.
+
+“This is appalling,” she exclaimed. “Some thief, knowing it priceless,
+must have stolen the diary. It will be published in America. It will
+bring in thousands--but to others, not to us.”
+
+She began to wring her hands. It was near midnight.
+
+“Think, my love, think!” cried Mr. Greyne. “Where could you have taken
+it? You had it last night?”
+
+“Certainly. I remember writing in it that you would be sailing to
+Algiers on the _Général Bertrand_ on Thursday of this week, and that on
+the night I should be feeling widowed here. The previous night I wrote
+that yesterday I should have to tell you of your mission. You know I
+always put down beforehand what I shall do, what I shall even think
+on each succeeding day. It is a practice that regulates the mind and
+conduct, that helps to uniformity.”
+
+“How true! Who can have taken it? Do you ever leave it about?”
+
+“Never. Am I a madwoman?”
+
+“My darling, compose yourself! We must search the house.”
+
+They proceeded to do so, and, on coming into the schoolroom, Mrs.
+Greyne, who was in front, uttered a sudden cry.
+
+Upon the table of Mademoiselle Verbena lay the diary, open at the
+following entry:--
+
+On Thursday next poor Eustace will be on board the _Général Bertrand_,
+sailing for Algiers. I shall be here thinking of myself, and of him in
+relation to myself. God help us both. Duty is sometimes stern. Mem. The
+corner house in Park Lane, next the Duke of Ebury’s, has sixty years
+still to run; the lease, that is. Thursday--poor Eustace!
+
+“What does this portend?” cried Mrs. Greyne.
+
+“My darling, it passes my wit to imagine,” replied her husband.
+
+
+
+
+III
+
+The parting of Mr. and Mrs. Greyne on the following morning was very
+affecting. It took place at Victoria Station, in the midst of a small
+crowd of admiring strangers, who had recognised the commanding
+presence of the great novelist, and had gathered round to observe her
+manifestations.
+
+Mrs. Greyne was considerably shaken by the event of the previous night.
+Although, on the discovery of the diary, the house had been roused, and
+all the servants closely questioned, no light had been thrown upon its
+migration from the locked drawer to the schoolroom table. Adolphus and
+Olivia, jerked from sleep by the hasty hands of a maid, could only weep
+and wan. The powdered footmen, one and all, declared they had never
+heard of a diary. The butler gave warning on the spot, keeping on his
+nightcap to give greater effect to his pronunciamento. It was all most
+unsatisfactory, and for one wild moment Mrs. Greyne seriously thought
+of retaining her husband by her as a protection against the mysterious
+thief who had been at work in their midst. Could it be Mademoiselle
+Verbena? The dread surmise occurred, but Mr. Greyne rejected it.
+
+“Her father was a count,” he said. “Besides, my darling, I don’t
+believe she can read English; certainly not unless it is printed.”
+
+So there the matter rested, and the moment of parting came.
+
+There was a murmur of respectful sympathy as Mrs. Greyne clasped
+her husband tenderly in her arms, and pressed his head against her
+prune-coloured bonnet strings. The whistle sounded. The train moved on.
+Leaning from a reserved first-class compartment, Mr. Greyne waved a silk
+pocket-handkerchief so long as his wife’s Roman profile stood out clear
+against the fog and smoke of London. But at last it faded, grew remote,
+took on the appearance of a feebly-executed crayon drawing, vanished. He
+sank back upon the cushions--alone. Darrell was travelling second with
+the dressing-case.
+
+It was a strange sensation, to be alone, and _en route_ to Algiers. Mr.
+Greyne scarcely knew what to make of it. A schoolboy suddenly despatched
+to Timbuctoo could hardly have felt more terribly emancipated than he
+did. He was so absolutely unaccustomed to freedom, he had been for so
+long without the faintest desire for it, that to have it thrust upon
+him so suddenly was almost alarming. He felt lonely, anxious, horribly
+unmarried. To divert his thoughts he drew forth a Merrin’s exercise-book
+and a pencil, and wrote on the first page, in large letters, “_African
+Frailty, Notes for_” Then he sat gazing at the title of his first
+literary work, and wondering what on earth he was going to see in
+Algiers.
+
+Vague visions of himself in the bars of African public-houses, in
+mosques, in the two-pair-backs of dervishes, in bazaars--which he
+pictured to himself like those opened by royalties at the Queen’s
+Hall--in Moorish interiors surrounded by voluptuous ladies with large
+oval eyes, black tresses, and Turkish trousers of spangled muslin,
+flitted before his mental gaze. When the train ran upon Dover Pier, and
+the white horses of the turbulent Channel foamed at his feet, he started
+as one roused from a Rip Van Winkle sleep. Severe illness occupied his
+whole attention for a time, and then recovery.
+
+In Paris he dined at the buffet like one in a dream, and, at the
+appointed hour, came forth to take the _rapide_ for Marseilles. He
+looked for Darrell and the dressing-case. They were not to be seen.
+There stood the train. Passengers were mounting into it. Old ladies
+with agitated faces were buying pillows and nibbling biscuits. Elderly
+gentlemen with yellow countenances and red ribands in their coats were
+purchasing the _Figaro_ and the _Gil Blas_. Children with bare legs were
+being hauled into compartments. Rook’s agent was explaining to a muddled
+tourist in a tam-o’-shanter the exact difference between the words “Oui”
+ and “Non” The bustle of departure was in the air, but Darrell was not
+to be seen. Mr. Greyne had left him upon the platform with minute
+directions as to the point from which the train would start and the hour
+of its going. Yet he had vanished. The most frantic search, the most
+frenzied inquiries of officials and total strangers, failed to elicit
+his whereabouts, and, finally, Mr. Greyne was flung forcibly upward
+into the _wagonlit_, and caught by the _contrôleur_ when the train was
+actually moving out of the station.
+
+A moment later he fell exhausted upon the pink-plush seat of his
+compartment, realising his terrible position. He was now utterly alone;
+without servant, hair-brushes, toothbrushes, razors, sponges, pajamas,
+shoes. It was a solitude that might be felt. He thought of the sea
+journey with no kindly hand to minister to him, the arrival in Africa
+with no humble companion at his side, to wonder with him at the black
+inhabitants and help him through the customs--to say nothing of the
+manners. He thought of the dread homes of iniquity into which he
+must penetrate by night in search of the material for the voracious
+“Catherine.” He had meant to take Darrell with him to them all--Darrell,
+whose joyful delight in the prospect of exploring the Eastern fastnesses
+of crime had been so boyish, so truly English in its frank, its even
+boisterous sincerity.
+
+And now he was utterly alone, almost like Robinson Crusoe.
+
+The _contrôleur_ came in to make the bed. Mr. Greyne told him the
+dreadful story.
+
+“No doubt he has been lured away, monsieur. The dressing-case was of
+value?”
+
+“Crocodile, gold fittings.”
+
+“Probably monsieur will never see him again. As likely as not he will
+sleep in the Seine to-night, and at the morgue to-morrow.”
+
+Mr. Greyne shuddered. This was an ill omen for his expedition. He drank
+a stiff whisky-and-soda instead of the usual barley water, and went to
+bed to dream of bloody murders in which he was the victim.
+
+When the train ran into Marseilles next morning he was an unshaven,
+miserable man.
+
+“Have I time to buy a tooth-brush,” he inquired anxiously at the
+station, “before the boat sails for Algiers?”
+
+The _chef de gare_ thought so. Monsieur had four hours, if that was
+sufficient. Mr. Greyne hastened forth, had a Turkish bath, purchased a
+new dressing-case, ate a hasty _déjeuner_, and took a cab to the wharf.
+It was a long drive over the stony streets. He glanced from side to
+side, watching the bustling traffic, the hurry of the nations going to
+and from the ships. His eyes rested upon two Arabs who were striding
+along in his direction. Doubtless they were also bound for Algiers. He
+thought they looked most wicked, and hastily took a note of them for
+“African Frailty.” Beside his sense of loss and loneliness marched the
+sense of duty. The great woman at home in Belgrave Square, founder of
+his fortunes, mother of his children, she depended upon him. Even in his
+own hour of need he would not fail her. He took a lead pencil, and wrote
+down:
+
+Saw two Arab ruffians. Bare legs. Look capable of anything. Should not
+be surprised to hear that they had----
+
+There he paused. That they had what? Done things. Of course, but what
+things? That was the question. He exerted his imagination, but failed to
+arrive at any conclusion as to their probable crimes. His knowledge
+of wickedness was really absurdly limited. For the first time he felt
+slightly ashamed of it, and began to wish he had gone into the militia.
+He comforted himself with the thought that in a fortnight he would
+probably be fit for the regular army. This thought cheered him slightly,
+and it was with a slight smile upon his face that he welcomed the first
+glimpse of the _Général Bertrand_, which was lying against the quay
+ready to cast off at the stroke of noon. Most of the passengers were
+aboard, but, as Mr. Greyne stepped out of his cab, and prepared to pay
+the Maltese driver, a trim little lady, plainly dressed in black, and
+carrying a tiny and rather coquettish hand-bag, was tripping lightly
+across the gangway. Mr. Greyne glanced at her as he turned to follow,
+glanced, and then started. That back was surely familiar to him. Where
+could he have seen it before? He searched his memory as the little lady
+vanished. It was a smart, even a _chic_ back, a back that knew how to
+take care of itself, a back that need not go through the world alone,
+a back, in fine, that was most distinctly attractive, if not absolutely
+alluring. Where had he seen it before, or had he ever seen it at all?
+He thought of his wife’s back, flat, powerful, uncompromising. This was
+very different, more--how should he put it to himself?--more Algerian,
+perhaps. He could vaguely conceive it a back such as one might meet with
+while engaged in adding to one’s stock of knowledge of--well--African
+frailty.
+
+At this moment the steward appeared to show him to his cabin, and his
+further reflections were mainly connected with the Gulf of Lyons.
+
+Twilight was beginning to fall when, so far as he was capable of
+thinking, he thought he would like a breath of air. For some moments he
+lay quite still, dwelling on this idea which had so mysteriously come to
+him. Then he got up, and thought again, seated upon the cabin floor.
+He knew there was a deck. He remembered having seen one when he came
+aboard. He put on his fur coat, still sitting on the cabin floor. The
+process took some time--he fancied about a couple of years. At last,
+however, it was completed, and he rose to his feet with the assistance
+of the washstand and the berth.
+
+The ship seemed very busy, full of almost American activity. He thought
+a greater calm would have been more decent, and waited in the hope
+that the floor would presently cease to forget itself. As it showed no
+symptoms of complying with his desire he endeavoured to spurn it, and,
+in the fulness of time, gained the companion.
+
+It was very strange, as he remembered afterwards, that only when he had
+gained the companion did the sense of his utter loneliness rush upon
+him with overwhelming force: one of the ironies of life, he supposed.
+Eventually he shook the companion off with a good deal of difficulty,
+and found himself installed upon planks under a grey sky, and holding
+fast to a railing, which was all that interposed between him and
+eternity.
+
+At first he was only conscious of greyness and the noise of winds
+and waters, but presently a black daub seemed to hover for a second
+somewhere on the verge of his world, to hover and disappear. He wondered
+what it was. A smut, perhaps. He rubbed his face. The daub returned.
+It was very large for a smut. He strove to locate it, and found that it
+must be somewhere on his left cheek. With a great effort he took out his
+pocket-handkerchief. Suddenly the daub assumed monstrous proportions.
+He turned his head, and perceived the lady in black whom he had seen
+tripping over the gangway on his arrival.
+
+She was a few steps from him, leaning upon the rail in an attitude of
+the deepest dejection, with her face averted; yet it struck him that her
+right shoulder was oddly familiar, as her back had surely been. The turn
+of her head, too--he coughed despairingly. The lady took no notice. He
+coughed again. Interest was quickening in him. He was determined to see
+the lady’s face.
+
+This time she looked around, showing a pale countenance bedewed with
+tears, and totally devoid of any expression which he could connect with
+a consciousness of his presence. For a moment she stared vacantly at
+him, while he, with almost equal vacancy, regarded her. Then a thrill of
+surprise shook him. A sudden light of knowledge leaped up in him, and he
+exclaimed:
+
+“Mademoiselle Verbena!” “Monsieur?” murmured the lady, with an accent
+of surprise.
+
+“Mademoiselle Verbena! Surely it is--it must be!”
+
+He had staggered sideways, nearing her.
+
+“Mademoiselle Verbena, do you not know me? It is I, Eustace Greyne, the
+father of your pupils, the husband of Mrs. Eustace Greyne?”
+
+An expression of stark amazement came into the lady’s face at these
+words. She leaned forward till her eyes were close to Mr. Greyne’s then
+gave a little cry.
+
+“_Mon Dieu!_ It is true! You are so altered that I could not recognise.
+And then--what are you doing here, on the wide sea, far from madame?”
+
+“I was just about to ask you the very same question!” cried Mr. Greyne.
+
+
+
+
+IV
+
+“Alas, monsieur!” said Mademoiselle Verbena in her silvery voice, “I go
+to see my poor mother.”
+
+“But I understood that she was dying in Paris.”
+
+“Even so. But, when I reached the Rue St. Honoré, I found that they
+had removed to Algiers. It was the only chance, the doctor said--a warm
+climate, the sun of Africa. There was no time to let me know. They took
+her away at once. And now I follow--perhaps to find her dead.”
+
+Large tears rolled down her cheeks. Mr. Greyne was deeply affected.
+
+“Let us hope for the best,” he exclaimed, seized by a happy inspiration.
+
+The Levantine strove to smile.
+
+“But you, monsieur, why are you here? Ah! perhaps madame is with you!
+Let me go to her! Let me kiss her dear hands once more----”
+
+Mr. Greyne mournfully checked her fond excitement.
+
+“I am quite alone,” he said.
+
+A tragic expression came into the Levantine’s face.
+
+“But, then----” she began.
+
+It was impossible for him to tell her about “Catherine.” He was,
+therefore, constrained to subterfuge.
+
+“I--I was suddenly overtaken by--by influenza,” he said, in some
+confusion. “The doctor recommended change of air, of scene.”
+
+“He suggested Algiers----”
+
+“_Mon Dieu!_ It is like poor mamma!”
+
+“Precisely. Our constitutions are--are doubtless similar. I shall take
+this opportunity also of improving my knowledge of African manners
+and--and customs.”
+
+A strange smile seemed to dawn for a second on Mademoiselle Verbena’s
+face, but it died instantaneously in a grimace of pain.
+
+“My teeth make me bad,” she said. “Ah, monsieur, I must go below,
+to pray for poor mamma--” she paused, then softly added, “and for
+monsieur.”
+
+She made a movement as if to depart, but Mr. Greyne begged her to
+remain. In his loneliness the sight even of a Levantine whom he knew
+solaced his yearning heart. He felt quite friendly towards this poor,
+unhappy girl, for whom, perhaps, such a shock was preparing upon the
+distant shore.
+
+“Better stay!” he said. “The air will do you good.”
+
+“Ah, if I die, what matter? Unless mamma lives there is no one in the
+world who cares for me, for whom I care.”
+
+“There--there is Mrs. Greyne,” said her husband. “And then St.
+Paul’s--remember St. Paul’s.”
+
+“Ah _ce charmant_ St. Paul’s! Shall I ever see him more?”
+
+She looked at Mr. Greyne, and suddenly--he knew not why--Mr. Greyne
+remembered the incident of the diary, and blushed.
+
+“Monsieur has fever!”
+
+Mr. Greyne shook his head. The Levantine eyed him curiously.
+
+“Monsieur wishes to say something to me, and does not like to speak.”
+
+Mr. Greyne made an effort. Now that he was with this gentle lady,
+with her white face, her weeping eyes, her plain black dress, the mere
+suspicion that she could have opened a locked drawer with a secret key,
+and filched therefrom a private record, seemed to him unpardonable.
+Yet, for a brief instant, it had occurred to him, and Mrs. Greyne had
+seriously held it. He looked at Mademoiselle Verbena, and a sudden
+impulse to tell her the truth overcame him.
+
+“Yes,” he said.
+
+“Tell me, monsieur.”
+
+In broken words--the ship was still very busy--Mr. Greyne related the
+incident of the loss and finding of the diary. As he spoke a slight
+change stole over the Levantine’s face. It certainly became less pale.
+
+“But you have fever now!” cried Mr. Greyne anxiously.
+
+“I! No; I flush with horror, not with fever! The diary, the sacred diary
+of madame, exposed to view, read by the children, perhaps the servants!
+That footman, Thomas, with the nose of curiosity! Ah! I behold that nose
+penetrating into the holy secrets of the existence of madame! I behold
+it--ah!”
+
+She burst into a fit of hysterics, the laughing species, which is
+so much more terrible than the other sort. Mr. Greyne was greatly
+concerned. He lurched to her, and implored her to be calm; but she only
+laughed the more, while tears streamed down her cheeks. The vision of
+Thomas gloating over Mrs. Greyne’s diary seemed utterly to unnerve her,
+and Mr. Greyne was able to measure, by this ebullition of horror, the
+depth of the respect and affection entertained by her for his beloved
+wife. When, at length, she grew calmer he escorted her towards her
+cabin, offering her his arm, on which she leaned heavily. As soon as
+they were in the narrow and heaving passage she turned to him, and said:
+
+“Who can have taken the diary?”
+
+Mr. Greyne blushed again.
+
+“We think it was Thomas,” he said.
+
+Mademoiselle Verbena looked at him steadily for a moment, then she
+cried:
+
+“God bless you, monsieur!”
+
+Mr. Greyne was startled by the abruptness of this pious ejaculation.
+
+“Why?” he inquired.
+
+“You are a good man. You, at least, would not condescend to insult a
+friendless woman by unworthy suspicions. And madame?”
+
+“Mrs. Greyne”--stammered Mr. Greyne--“is convinced that it was Thomas.
+In fact--in fact, she was the first to say so.”
+
+Mademoiselle Verbena tenderly pressed his hand.
+
+“Madame is an angel. God bless you both!”
+
+She tottered into her cabin, and, as she shut the door, Mr. Greyne heard
+the terrible, laughing hysterics beginning again.
+
+The next day an influence from Africa seemed spread upon the sea. Calm
+were the waters, calm and blue. No cloud appeared in the sky. The fierce
+activities of the ship had ceased, and Mademoiselle Verbena tripped upon
+the deck at an early hour, to find Mr. Greyne already installed there,
+and looking positively cheerful. He started up as he perceived her, and
+chivalrously escorted her to a chair.
+
+Everyone who has made a voyage knows that the sea breeds intimacies. By
+the time the white houses of Algiers rose on their hill out of the bosom
+of the waves Mademoiselle Verbena and Mr. Greyne were--shall we say like
+sister and brother? She had told him all about her childhood in dear
+Paris, the death of her father the count, murmuring the name of Louis
+XVI., the poverty of her mother the countess, her own resolve to put
+aside all aristocratic prejudices and earn her own living. He, in
+return, had related his Eton days, his momentary bias towards the
+militia, his marriage--as an innocent youth--with Miss Eugenia
+Hannibal-Barker. Coming to later times, he was led to confide to the
+tenderhearted Levantine the fact that he hoped to increase his stock of
+knowledge while in Africa. Without alluding to “Catherine,” he hinted
+that the cure of influenza was not his only reason for foreign travel.
+
+“I wish to learn something of men and--and women,” he murmured in the
+shell-like ear presented to him. “Of their passions, their desires,
+their--their follies.”
+
+“Ah!” cried Mademoiselle Verbena. “Would that I could assist monsieur!
+But I am only an ignorant little creature, and know nothing of the
+world! And I shall be ever at the bedside of mamma.”
+
+“You will give me your address? You will let me inquire for the
+countess?”
+
+“Willingly; but I do not know where I shall be. There will be a message
+at the wharf. To what hotel goes monsieur?”
+
+“The Grand Hotel.”
+
+“I will write there when I have seen mamma. And meanwhile----”
+
+They were coming into harbour. The heights of Mustapha were visible, the
+woods of the Bois de Boulogne, the towers of the Hotel Splendid.
+
+“Meanwhile, may I beg monsieur not to----” She hesitated.
+
+“Not to what?” asked Mr. Greyne most softly.
+
+“Not to let anyone in England know that I am here?”
+
+She paused. Mr. Greyne was silent, wondering. Mademoiselle Verbena
+drooped her head.
+
+“The world is so censorious. It might seem strange that I--that
+monsieur--a man young, handsome, fascinating--the same ship--I have no
+chaperon--enfin----”
+
+She could get out no more. Her delicacy, her forethought touched Mr.
+Greyne to tears.
+
+“Not a word,” he said. “You are right. The world is evil, and, as you
+say, I am a--not a word!”
+
+He ventured to press her hand, as an elder brother might have pressed
+it. For the first time he realised that even to the husband of Mrs.
+Eustace Greyne the world might attribute--Goodness gracious! What might
+not the militia think, for instance?
+
+He felt himself, for one moment, potentially a dog.
+
+They parted in a whirl of Arabs on the quay. Mr. Greyne would have
+stayed to assist Mademoiselle Verbena, but she bade him go.
+
+She whispered that she thought it “better” that they should not seem
+to--_enfin!_
+
+“I will write to-morrow,” she murmured. “_Au revoir!_”
+
+On the last word she was gone. Mr. Greyne saw nothing but Arabs and
+hotel porters. Loneliness seemed to close in on him once more.
+
+That very evening, after a cup of tea, he presented himself at the
+office of Rook near the Place du Gouvernement. As he came in he felt a
+little nervous. There were no tourists in the office, and a courteous
+clerk with a bright and searching eye at once took him in hand.
+
+“What can we do for you, sir?”
+
+“I am a stranger here,” began Mr. Greyne.
+
+“Quite so, sir, quite so.”
+
+The clerk twiddled his business-like thumbs, and looked inquiring.
+
+“And being so,” Mr. Greyne went on, “it is naturally my wish to see as
+much of the town as possible; as much as possible, you understand.”
+
+“You want a guide? Alphonso!”
+
+Turning, he shouted to an inner room, from which in a moment emerged a
+short, stout, swarthy personage with a Jewish nose, a French head, an
+Arab eye with a squint in it, and a markedly Maltese expression.
+
+“This is an excellent guide, sir,” said the clerk. “He speaks
+twenty-five languages.”
+
+The stout man, who--as Mr Greyne now perceived--had on a Swiss suit
+of clothes, a panama hat, and a pair of German elastic-sided boots,
+confessed in pigeon English, interspersed occasionally with a word or
+two of something which Mr. Greyne took to be Chinese, that such was
+undoubtedly the case.
+
+“What do you wish to see? The mosque, the bazaars, St. Eugène, La
+Trappe, Mustapha, the baths of the Etat-Major, the Jardin d’Essai,
+the Villa-Anti-Juif, the----”
+
+“One moment!” said Mr. Greyne.
+
+He turned to the clerk.
+
+“May I take a chair?”
+
+“Be seated, sir, pray be seated, and confer with Alphonso.”
+
+So saying, he gave himself to an enormous ledger, while Mr. Greyne took
+a chair opposite to Alphonso, who stood in a Moorish attitude looking
+apparently in the direction of Marseilles.
+
+“I have come here,” said Mr. Greyne, lowering his voice, “with a
+purpose.”.
+
+“You wish to see the Belle Fatma. I will arrange it. She receives every
+evening in her house in the Rue ------”
+
+“One minute! One minute! You said the something ‘Fatma’?”
+
+“The Belle Fatma, the most beautiful woman of Africa. She receives
+every----”
+
+“Pardon me! One moment! Is this lady----”
+
+Mr. Greyne paused.
+
+“Sir?” said Alphonso, settling his Spanish neck-tie, and gazing steadily
+towards Marseilles.
+
+“Is this lady--well, sinful?”
+
+Alphonso threw up his hands with a wild Asiatic gesture.
+
+“Sinful! La Belle Fatma! She is a lady of the utmost respectability
+known to all the town. You go to her house at eight, you take coffee
+upon the red sofas, you talk with La Belle, you see the dances and hear
+the music. Do not fear, sir; it is good, it is respectable as England,
+your country----”
+
+“If it is respectable I don’t want to see it,” interposed Mr. Greyne.
+“It would be a waste of time.”
+
+The clerk lifted his head from the ledger, and Alphonso, by means of
+standing with his back almost square to Mr. Greyne, and looking over his
+right shoulder, succeeded at length in fixing his eye upon him.
+
+“I have not travelled here to see respectable things,” continued Mr.
+Greyne, with a slight blush. “Quite the contrary.”
+
+“Sir?”
+
+The voice of Alphonso seemed to have changed, to have taken on a hard,
+almost a menacing tone. Mr. Greyne thought of his beloved wife, of
+Merrin’s exercise-books, and clenched his hands, endeavouring to feel,
+and to go on, like a militiaman.
+
+“Quite the contrary,” he repeated firmly; “my object in coming to Africa
+is to--to search about in the Kasbah, and the disrep----”
+
+He choked, recovered himself, and continued: “Disreputable quarters of
+Algiers--hem------”
+
+“What for, sir?”
+
+The voice of Alphonso was certainly changed.
+
+“What for?” said Mr. Greyne, growing purple. “For frailty.”
+
+“Sir?”
+
+“For frailty--for wickedness.”
+
+A slight cackle emanated from the ledger, but immediately died away. A
+dead silence reigned in the office, broken only by the distant sound of
+the sea, and by the hard breathing of Alphonso, who had suddenly begun
+to pant.
+
+“I wish to go to all the wicked places--_all!_”
+
+The ledger cackled again more audibly. Mr. Greyne felt a prickling
+sensation run over him, but the thought of “Catherine” nerved him to
+his awful task.
+
+“It is my wife’s express desire that I should do so,” he added
+desperately, quite forgetting Mrs. Greyne’s injunction to keep her dark
+in his desire to stand well with Rook’s.
+
+The ledger went off into a hyena imitation, and Alphonso, turning
+still more away from Mr. Greyne, so as to get the eye fuller upon him,
+exclaimed, in a mixture of Aryan and Eurasian languages:
+
+“Sir, I am a respectable, unmarried man. I was born in Buenos Ayres,
+educated in Smyrna, came of age in Constantinople, and have practised as
+guide in Bagdad and other particular cities. I refuse to have anything
+to do with you and your wife.”
+
+So saying, he bounced into the inner room, and banged the door, while
+the ledger gave itself up to peals of merriment, and Mr. Greyne tottered
+forth upon the sea-front, bathed in a cold perspiration, and feeling
+more guilty than a murderer.
+
+It was a staggering blow. He leaned over the stone parapet of the low
+wall, and let the soft breezes from the bay flit through his hair, and
+thought of Mrs. Greyne spurned by Alphonso. What was he to do? Kicked
+out of Rook’s, to whom could he apply? There must be wickedness in
+Algiers, but where? He saw none, though night was falling and stout
+Frenchmen were already intent upon their absinthe.
+
+“Does monsieur wish to see the Kasbah to-night?”
+
+Was it a voice from heaven? He turned, and saw standing beside him a
+tall, thin, audacious-looking young man, with coal-black moustaches,
+magnificent eyes, and an air that was half-languid, half-serpentine.
+
+“Who are you?”
+
+“I am a guide, monsieur. Here are my certificates.”
+
+He produced from the inner pocket of his coat a large bundle of dirty
+papers.
+
+“If monsieur will deign to look them over.”
+
+But Mr. Greyne waved them away. What did he care for Certificates?
+Here was a guide to African frailty. That was sufficient. He was in a
+desperate mood, and uttered desperate words.
+
+“Look here,” he said rapidly, “are you wicked?”
+
+“Very wicked, monsieur.”
+
+“Good!”
+
+“Wicked, monsieur.”
+
+“Right!”
+
+“Wrong, monsieur.”
+
+“I mean that it is good for me that you are wicked.”
+
+“Monsieur is very good.”
+
+“Yes; but I wish to be--that is, to see the other thing. Can you
+undertake to show me everything shocking in Algiers?”
+
+“But certainly, monsieur. For a consideration.”
+
+“Name your price.”
+
+“Two hundred pounds, monsieur.”
+
+Mr. Greyne started. It seemed a high figure.
+
+“Monsieur thought it would be more? I make a special price, because
+I have taken a fancy to monsieur. I remove fifty pounds. Monsieur, of
+course, will pay all expenses.”
+
+“Of course, of course.”
+
+It was no time to draw back.
+
+“How long will it take?”
+
+“To see all the shocking--?”
+
+“Precisely.”
+
+“There is a good deal. A fortnight, three weeks. It depends on monsieur.
+If he is strong, and can do without sleep----”
+
+“We shall have to be up at night?”
+
+“Naturally.”
+
+“I shall go to bed during the day, and get through it in a fortnight.”
+
+“Perfectly.”
+
+“Be at the Grand Hotel to-night at ten o’clock precisely.”
+
+“At ten o’clock I will be there. Monsieur will pay a little in advance?”
+
+“Here are twenty pounds,” cried Mr. Greyne recklessly.
+
+The audacious-looking young man took the notes with decision, made a
+graceful salute, and disappeared in the direction of the quay, while Mr.
+Greyne walked to his hotel, flushed with excitement, and feeling like
+the most desperate criminal in Africa. If the militia could see him now!
+
+At dinner he drank a bottle of champagne, and afterwards smoked a strong
+cigar over his coffee and liqueur. As he was finishing these frantic
+enjoyments the head waiter--a personage bearing a strong resemblance
+to an enlarged edition of Napoleon the First--approached him rather
+furtively, and, bending down, whispered in his ear:
+
+“A gentleman has called to take monsieur to the Kasbah.”
+
+Mr. Greyne started, and flushed a guilty red.
+
+“I will come in a moment,” he answered, trying to assume a nonchalant
+voice, such as that in which a hardened major of dragoons announces that
+in his time he was a devil of a fellow.
+
+The head waiter retired, looking painfully intelligent, and Mr. Greyne
+sprang upstairs, seized a Merrin’s exercise-book and a lead pencil, put
+on a dark overcoat, popped one of the Springfield revolvers into the
+pocket of it, and hastened down into the hall of the hotel, where the
+audacious-looking young man was standing, surrounded by saucy
+chasseurs in gay liveries and peaked caps, by Algerian waiters, and by
+German-Swiss porters, all of whom were smiling and looking choke-full of
+sympathetic comprehension.
+
+“Ha!” said Mr. Greyne, still in the major’s, voice. “There you are!”
+
+“Behold me, monsieur.”
+
+“That’s good.”
+
+“Wicked, monsieur.”
+
+“Well, let’s be off to the mosque.”
+
+One of the chasseurs--a child of eight who was thankful that he knew no
+better--burst into a piping laugh. The waiters turned hastily away, and
+the German-Swiss porters retreated to the bureau with some activity.
+
+“To the mosque--precisely, monsieur,” returned the guide, with complete
+self-possession.
+
+They stepped out at once upon the pavement, where a carriage was in
+waiting.
+
+“Where are we going?” inquired Mr. Greyne in an anxious voice.
+
+“We are going to the heights to see the Ouled,” replied the guide. “_En
+avant!_”
+
+He bounded in beside Mr. Greyne, the coachman cracked his whip, the
+horses trotted. They were off upon their terrible pilgrimage.
+
+
+
+
+V
+
+On the following afternoon, at a quarter to three, when Mr. Greyne
+came down to breakfast, he found, lying beside the boiled eggs, a
+note directed to him in a feminine handwriting. He tote it open with
+trembling fingers, and read as follows:--
+
+ 1 Rue du Petit Neore.
+
+ Dear Monsieur,--I am here. Poor mamma is in the hospital. I
+ am allowed to see her twice a day. At all other times I
+ remain alone, praying and weeping. I trust that monsieur has
+ passed a good night. For me, I was sleepless, thinking of
+ mamma. I go now to church.
+
+ Adele Verbena.
+
+He laid this missive down, and sighed deeply. How strangely innocent it
+was, how simple, how sincere! There were white souls in Algiers--yes,
+even in Algiers. Strange that he should know one! Strange that he, who
+had filled a Merrin’s exercise-book with tiny writing, and had even
+overflowed on to the cover after “crossing” many pages, should receive
+the child-like confidences of one! “I go now to the church.” Tears came
+into his eyes as he laid the letter down beside a pile of buttered toast
+over which the burning afternoon sun of Africa was shining.
+
+“Monsieur will take milk and sugar?”
+
+It was the head waiter’s Napoleonic voice. Mr. Greyne controlled
+himself. The man was smiling intelligently. All the staff of the hotel
+smiled intelligently at Mr. Greyne to-day--the waiters, the porters, the
+chasseurs. The child of eight who was thankful that he knew no better
+had greeted him with a merry laugh as he came down to breakfast, and an
+“_Oh, là, là!_” which had elicited a rebuke from the proprietor. Indeed,
+a wave of human sympathy flowed upon Mr. Greyne, whose ashy face and
+dull, washed-out eyes betrayed the severity of his night-watch.
+
+“Monsieur will feel better after a little food.”
+
+The head waiter handed the buttered toast with bland majesty, at the
+same time shooting a reproving glance at the little chasseur, who was
+peeping from behind the door at the afternoon breakfaster.
+
+“I feel perfectly well,” replied Mr. Greyne, with an attempt at
+cheerfulness.
+
+“Still, monsieur will feel much better after a little food.”
+
+Mr. Greyne began to toy with an egg.
+
+“You know Algiers?” he asked.
+
+“I was born here, monsieur. If monsieur wishes to explore to-night again
+the Kasbah I can----”
+
+But Mr. Greyne stopped him with a gesture that was almost fierce.
+
+“Where is the Rue du Petit Nègre?”
+
+“Monsieur wishes to go there to-night?”
+
+“I wish to go there now, directly I have finished break--lunch.”
+
+The head waiter’s face was wreathed with humorous surprise.
+
+“But monsieur is wonderful--superb! Never have I seen a traveller like
+monsieur!”
+
+He gazed at Mr. Greyne with tropical appreciation.
+
+“Monsieur had better have a carriage. The street is difficult to find.”
+
+“Order me one. I shall start at once.”
+
+Mr. Greyne pushed away the sunlit buttered toast, and got up.
+
+“Monsieur is superb. Never have I seen a traveller like monsieur!”
+ Napoleon’s voice was almost reverent. He hastened out, followed slowly
+by Mr. Greyne.
+
+“A carriage for monsieur! Monsieur desires to go to the Rue du Petit
+Nègre!”
+
+The staff of the hotel gathered about the door as if to speed a royal
+personage, and Mr. Greyne noticed that their faces too were touched
+with an almost startled reverence. He stepped into the carriage, signed
+feebly, but with determination, to the Arab coachman, and was driven
+away, followed by a parting “_Oh, là là!_” from the chasseur, uttered in
+a voice that sounded shrill with sheer amazement.
+
+Through winding, crowded streets he went, by bazaars and Moorish
+bath-houses, mosques and Catholic churches, barracks and cafés, till at
+length the carriage turned into an alley that crept up a steep hill. It
+moved on a little way, and then stopped.
+
+“Monsieur must descend here,” said the coachman. “Mount the steps, go
+to the right and then to the left. Near the summit of the hill he will
+find the Rue du Petit Nègre. Shall I wait for monsieur?”
+
+“Yes.”
+
+The coachman began to make a cigarette, while Mr. Greyne set forth
+to follow his directions, and, at length, stood before an arch, which
+opened into a courtyard adorned with orange-trees in tubs, and paved
+with blue and white tiles. Around this courtyard was a three-storey
+house with a flat roof, and from a bureau near a little fountain a stout
+Frenchwoman called to demand his business. He asked for Mademoiselle
+Verbena, and was at once shown into a saloon lined with chairs covered
+with yellow rep, and begged to take a seat. In two minutes Mademoiselle
+Verbena appeared, drying her eyes with a tiny pocket-handkerchief, and
+forcing a little pathetic smile of welcome. Mr. Greyne clasped her hand
+in silence. She sat down in a rep chair at his right, and they looked at
+each other.
+
+“_Mais, mon Dieu!_ How monsieur is changed!” cried the Levantine. “If
+madame could see him! What has happened to monsieur?”
+
+“Miss Verbena,” replied Mr. Greyne, “I have seen the Ouled on the
+heights.”
+
+A spasm crossed the Levantine’s face. She put her handkerchief to it for
+a moment. “What is an Ouled?” she inquired, withdrawing it.
+
+“I dare not tell you,” he replied solemnly.
+
+“But indeed I wish to know, so that I may sympathise with monsieur.”
+
+Mr. Greyne hesitated, but his heart was full; he felt the need of
+sympathy. He looked at Mademoiselle Verbena, and a great longing to
+unburden himself overcame him.
+
+“An Ouled,” he replied, “is a dancing-girl from the desert of Sahara.”
+
+“_Mon Dieu!_ How does she dance? Is it a valse, a polka, a quadrille?”
+ “No. Would that it were!” And Mr. Greyne, unable further to govern
+his desire for full expression, gave Mademoiselle Verbena a slightly
+Bowdlerised description of the dances of the desert. She heard him with
+amazement.
+
+“How terrible!” she exclaimed when he had finished. “And does one pay
+much to see such steps of the Evil One?”
+
+“I gave her twenty pounds. Abdallah Jack----”
+
+“Abdallah Jack?”
+
+“My guide informed me that was the price. He tells me it is against
+the law, and that each time an Ouled dances she risks being thrown into
+prison.”
+
+“Poor lady! How sad to have to earn one’s bread by such devices, instead
+of by teaching to the sweet little ones of monsieur the sympathetic
+grammar of one’s native country.”
+
+Mr. Greyne was touched to the quick by this allusion, which brought, as
+in a vision, the happy home in Belgrave Square before him.
+
+“You are an angel!” he exclaimed.
+
+Mademoiselle Verbena shook her head.
+
+“And this poor Ouled, you will go to her again?
+
+“Yes. It seems that she is in communication with all the--the--well,
+all the odd people of Algiers, and that one can only get at them through
+her.”
+
+“Indeed?”
+
+“Abdallah Jack tells me that while I am here I should pay her a weekly
+salary, and that, in return, I shall see all the terrible ceremonies of
+the Arabs. I have decided to do so------
+
+“Ah, you have decided!”
+
+For a moment Mr. Greyne started. There seemed a new sound in
+Mademoiselle Verbena’s voice, a gleam in her dark brown eyes.
+
+“Yes,” he said, looking at her in wonder. “But I have not yet told
+Abdallah Jack.”
+
+The Levantine looked gently sad again.
+
+“Ah,” she said in her usual pathetic voice, “how my heart bleeds for
+this poor Ouled. By the way, what is her name?”
+
+“Aishoush.”
+
+“She is beautiful?”
+
+“I hardly know. She was so painted, so tattooed, so very--so very
+different from Mrs. Eustace Greyne.”
+
+“How sad! How terrible! Ah, but you must long for the dear bonnet
+strings of madame?”
+
+Did he? As she spoke Mr. Greyne asked himself the question. Shocked as
+he was, fatigued by his researches, did he wish that he were back again
+in Belgrave Square, drinking barley water, pasting notices of his wife’s
+achievements into the new album, listening while she read aloud from
+the manuscript of her latest novel? He wondered, and--how strange, how
+almost terrible--he was not sure.
+
+“Is it not so?” murmured Mademoiselle Verbena.
+
+“Naturally I miss my beloved wife,” said Mr. Greyne with a certain
+awkwardness. “How is your poor, dear mother?”
+
+Tears came at once into the Levantine’s eyes.
+
+“Very, very ill, monsieur. Still there is a chance--just a chance that
+she may not die. Ah, when I sit here all alone in this strange place, I
+feel that she will perish, that soon I shall be quite deserted in this
+cruel, cruel world!”
+
+The tears began to flow down her cheeks with determination. Mr. Greyne
+was terribly upset.
+
+“You must cheer up,” he exclaimed. “You must hope for the best.”
+
+“Sitting here alone, how can I?”
+
+She sobbed.
+
+“Sitting here alone--very true!”
+
+A sudden thought, a number of sudden thoughts, struck him.
+
+“You must not sit here alone.”
+
+“Monsieur!”
+
+“You must come out. You must drive. You must see the town, distract
+yourself.”
+
+“But how? Can a--a girl go about alone in Algiers?”
+
+“Heaven forbid! No; I will escort you.”
+
+“Monsieur!”
+
+A smile of innocent, girlish joy transformed her face, but suddenly she
+was grave again.
+
+“Would it be right, _convenable?_”
+
+Mr. Greyne was reckless. The dog potential rose up in him again.
+
+“Why not? And, besides, who knows us here? Not a soul.”
+
+“That is true.”
+
+“Put on your bonnet. Let us start at once!”
+
+“But I do not wear the bonnet. I am not like madame.”
+
+“To be sure. Your hat.”
+
+And as she flew to obey him, Mr. Eustace Greyne found himself impiously
+thanking the powers that be for this strange chance of going on the
+spree with a toque. When Mademoiselle Verbena returned he was looking
+almost rakish. He eyed her neat black hat and close-fitting black jacket
+with a glance not wholly unlike that of a militiaman. In her hand she
+held a vivid scarlet parasol.
+
+“Monsieur,” she said, “it is terrible, this _ombrelle_, when mamma lies
+at death’s door. But what can I do? I have no other, and cannot afford
+to buy one. The sun is fierce. I dare not expose myself to it without a
+shelter.”
+
+She seemed really distressed as she opened the parasol, and spread the
+vivid silk above her pretty black-clothed figure; but Mr. Greyne thought
+the effect was brilliant, and ventured to say so. As they passed the
+bureau by the fountain on their way out the stout Frenchwoman cast an
+approving glance at Mademoiselle Verbena.
+
+“The little rat will not see much more of the little negro now,” she
+murmured to herself. “After all the English have their uses.”
+
+
+
+
+VI
+
+In Belgrave Square Mrs. Eustace Greyne was beginning to get slightly
+uneasy. Several things combined to make her so. In the first place,
+Mademoiselle Verbena had never returned from her mother’s Parisian
+bedside, and had not even written a line to say how the dear parent was,
+and when the daughter’s nursing occupation was likely to be over. In the
+second place, Adolphus, in consequence of the Levantine’s absence, had
+totally lost his grasp, always uncertain, upon the irregular verbs.
+In the third place, Darrell, the valet, had returned to London the day
+after his departure from it, minus not only his master’s dressing-case,
+but minus everything he possessed. His story was that, while waiting at
+the station in Paris for his master’s appearance, he had entered into
+conversation with an agreeable stranger, and been beguiled into the
+acceptance of an absinthe at a café just outside. After swallowing
+the absinthe he remembered nothing more till he came to himself in a
+deserted waiting-room at the Gare du Nord, back to which he had been
+mysteriously conveyed. In his pocket was no money, no watch, only
+the return half of a second-class ticket from London to Paris. He,
+therefore, wandered about the streets till morning broke, and then came
+back to London a crestfallen and miserable man, bemoaning his untoward
+fate, and cursing “them blasted Frenchies” from the bottom of his
+British heart.
+
+Mrs. Greyne’s anxiety on her husband’s behalf, now that he was thrown
+absolutely unattended upon the inhospitable shores of Africa, was not
+lessened by a fourth circumstance, which, indeed, worried her far
+more than all the others put together. This was Mr. Greyne’s prolonged
+absence from her side. Precisely one calendar month had now elapsed
+since he had buried his face in her prune bonnet strings at Victoria
+Station, and there seemed no prospect of his return. He wrote to her,
+indeed, frequently, and his letters were full of wistful regret and
+longing to be once more safe in the old homestead in Belgrave Square,
+drinking barley water, and pasting Romeike & Curtice notices into the
+new album which lay, gaping for him, upon the table of his sanctum. But
+he did not come; nay, more, he wrote plainly that there was no prospect
+of his coming for the present. It seemed that the wickedness of Africa
+was very difficult to come at. It did not lie upon the surface, but was
+hidden far down in depths to which the ordinary tourist found it almost
+impossible to penetrate. In his numerous letters Mr. Greyne described
+his heroic and unremitting exertions to fill the Merrin’s note-books
+with matter that would be suitable for the purging of humanity. He set
+out in full his interview with Alphonso at the office of Rook, and
+his definite rejection by that cosmopolitan official. According to
+the letters, after this event he had spent no less than a fortnight
+searching in vain for any sign of wickedness in the Algerian capital. He
+had frequented the cafés, the public bars, the theatres, the churches.
+He had been to the Velodrome. He had sat by the hour in the Jardin
+d’Essai. At night he had strolled in the fairs and hung about the
+circus. Yet nowhere had he been able to perceive anything but the
+most innocent pleasure, the simple merriment of a gay and guileless
+population to whom the idea of crime seemed as foreign as the idea of
+singing the English national anthem.
+
+During the third week it was true that matters--always according to Mr.
+Greyne’s letters home--slightly improved. While walking near the quay,
+in active search for nautical outrage, he saw an Arab dock labourer,
+who had been over-smoking kief, run amuck, and knock down a couple of
+respectable snake-charmers who were on the point of embarkation for
+Tunis with their reptiles. This incident had filed up a half-score of
+pages in exercise-book number one, and had flooded Mr. Greyne with hope
+and aspiration. But it was followed by a stagnant lull which had lasted
+for days and had only been disturbed by the trifling incident of
+a gentleman in the Jewish quarter of the town setting fire to a
+neighbour’s bazaar, in the very natural endeavour to find a French
+half-penny which he had chanced to drop among a bale of carpets while
+looking in to drive a soft bargain. As Mrs. Greyne wired to Algiers,
+such incidents were of no value to “Catherine.”
+
+A very active interchange of views had gone on between the husband and
+wife as time went by, and the book was at a standstill. At first Mrs.
+Greyne contented herself with daily letters, but latterly she had
+resorted to wires, explanatory, condemnatory, hortatory, and even
+comminatory. She began bitterly to regret her husband’s well-proven
+innocence, and wished she had despatched an uncle of hers by marriage,
+an ex-captain in the Royal Navy, who, she began to feel certain, would
+have been able to find far more frailty in Algiers than poor Eustace, in
+his simplicity, would ever come at. She even began to wish that she had
+crossed the sea in person, and herself boldly set about the ingathering
+of the material for which she was so impatiently waiting.
+
+Her uneasiness was brought to a head by a letter from a house agent,
+stating that the corner mansion in Park Lane next to the Duke of
+Ebury’s was being nibbled at by a Venezuelan millionaire. She wired this
+terrible fact at once to Africa, adding, at an enormous expenditure of
+cash:
+
+ This will never do. You are too innocent, and cannot see
+ what lies before you. Obtain assistance. Go to the British
+ consul.
+
+Mr. Greyne at once cabled back:
+
+ Am following your advice. Will wire result. Regret my
+ innocence, but am distressed that you should so utterly
+ condemn it.
+
+Upon receiving this telegram at night, before a lonely dinner, Mrs.
+Eustace Greyne was deeply moved. She felt she had been hasty. She knew
+that to very few women was it given to have a husband so free from
+all masculine infirmities as Mr. Greyne. At the same time there was
+“Catherine,” there was the mansion in Park Lane, there was the Venezuelan
+millionaire. She began to feel distracted, and, for the first time in
+her life, refused to partake of sweetbreads fried in mushroom ketchup,
+a dish which she had greatly affected from the time when she wrote her
+first short story. While she was in the very act of waving away this
+delicacy a footman came in with a foreign telegram. She opened it
+quickly, and read as follows:--
+
+ British consul horrified; was ignominiously expelled from
+ consulate; great scandal; am much upset, but will never give
+ in, for your sake. Eustace.
+
+As the dread meaning of these words penetrated at length to Mrs.
+Greyne’s voluminous brain a deep flush overspread her noble features.
+She rose from the table with a determination that struck awe to the
+hearts of the powdered underlings, and, drawing herself up to her full
+height, exclaimed:
+
+“Send Mrs. Forbes at once to my study, if you please--at once, do you
+understand?”
+
+In a moment Mrs. Forbes, who was the great novelist’s maid, appeared on
+the threshold of the oracle’s lair. She was a sober-looking, black-silk
+personage, who always wore a pork-pie cap in the house, and a Mother
+Hubbard bonnet out of it. Having been in service with Mrs. Greyne ever
+since the latter penned her last minor poetry--Mrs. Greyne had been a
+minor poet for three years soon after she put her hair up--Mrs. Forbes
+had acquired a certain literary expression of countenance and a manner
+that was decidedly prosy. She read a good deal after her supper of an
+evening, and was wont to be the arbiter when any literary matter was
+discussed in the servants’ hall.
+
+“Madam?” she said, respectfully entering the room, and bending the
+pork-pie cap forward in an attentive attitude.
+
+Mrs. Greyne was silent for a moment. She appeared to be thinking deeply.
+Mrs. Forbes gently closed the door, and sighed. It was nearly her
+supper-time, and she felt pensive.
+
+“Madam?” she said again.
+
+Mrs. Greyne looked up. A strange fire burned in her large eyes.
+
+“Mrs. Forbes,” she said at length, with weighty deliberation, “the
+mission of woman in the world is a great one.”
+
+“Very true, madam. My own words to Butler Phillips no longer ago than
+dinner this midday.”
+
+“It is the protecting of man--neither more nor less.”
+
+“My own statement, madam, to Second Footman Archibald this self-same day
+at the tea-board.”
+
+“Man needs guidance, and looks for it to us--or rather to me.”
+
+At the last word Mrs. Forbes pinched her lips together, and appeared
+older than her years and sourer than her normal temper.
+
+“At this moment, Mrs. Forbes,” continued Mrs. Greyne, with rising
+fervour, “he looks for it to me from Africa. From that dark continent
+he stretches forth his hands to me in humble supplication.”
+
+“Mr. Greyne has not been taken with another of his bilious attacks, I
+hope, madam?” said Mrs. Forbes.
+
+Mrs. Greyne smiled. The ignorance of the humbly born entertained her. It
+was so simple, so transparent.
+
+“You fail to understand me,” she answered. “But never mind; others have
+done the same.”
+
+She thought of her reviewers. Mrs. Forbes smiled. She also could be
+entertained.
+
+“Madam?” she inquired once more after a pause.
+
+“I shall leave for Africa to-morrow morning,” said Mrs. Greyne. “You
+will accompany me.”
+
+There was a dead silence.
+
+“You will accompany me. Do you understand? Obtain assistance from
+the housemaids in the packing. Select my quietest gowns, my least
+conspicuous bonnets. I have my reasons for wishing, while journeying to
+Africa and remaining there, to pass, if possible, unnoticed.”
+
+Again there was a pause. Mrs. Greyne looked up at Mrs. Forbes, and
+observed a dogged expression upon her countenance.
+
+“What is the matter?” she asked the maid.
+
+“Do we go by Paris, madam?” said Mrs. Forbes.
+
+“Certainly.”
+
+“Then, madam, I’m very sorry, but I couldn’t risk it, not if it was ever
+so----”
+
+“Why not? Why this fear of Lutetia?”
+
+“Madam, I’m not afraid of any Lutetia as ever wore apron, but to go
+to Paris to be drugged with absint, and put away in a third-class
+waiting-room like a package--I couldn’t madam, not even if I have to
+leave your service.”
+
+Mrs. Greyne recognised that the episode of the valet had struck home to
+the lady’s maid.
+
+“But you will not leave my side.”
+
+“They will absint you, madam.”
+
+“But you will travel first in a sleeping-car.”
+
+Mrs. Forbes put up her hand to her pork-pie cap, as if considering.
+
+“Very well, madam, to oblige you I will undergo it,” she said at length.
+“But I would not do the like for another living lady.”
+
+“I will raise your wages. You are a faithful creature.”
+
+“Does master expect us, madam?” asked Mrs. Forbes as she prepared to
+retire.
+
+A bright and tender look stole into Mrs. Greyne’s intellectual face.
+
+“No,” she replied.
+
+She turned her large and beaming eyes full upon the maid.
+
+“Mrs. Forbes,” she said, with an amount of emotion that was very rare in
+her, “I am going to tell you a great truth.”
+
+“Madam?” said Mrs. Forbes respectfully.
+
+“The sweetest moments of life, those which lift man nearest heaven, and
+make him thankful for the great gift of existence, are sometimes those
+which are unforeseen.”
+
+She was thinking of Mr. Greyne’s ecstasy when, upon the inhospitable
+African shore where he was now enduring such tragic misfortunes, he
+perceived the majestic form of his loved one--his loved one whom he
+believed to be in Belgrave Square--coming towards him to soothe, to
+comfort, to direct. She brushed away a tear.
+
+“Go, Mrs. Forbes,” she said.
+
+And Mrs. Forbes retired, smiling.
+
+An epic might well be written on the great novelist’s journey to Africa,
+upon her departure from Charing Cross, shrouded in a black gauze veil,
+her silent thought as the good ship _Empress_ rode cork-like upon the
+Channel waves, her ascetic lunch--a captain’s biscuit and a glass of
+water--at the buffet at Calais, her arrival in Paris when the shades
+of night had fallen. An epic might well be written. Perhaps some day it
+will be, by herself.
+
+In Paris she suffered a good deal on account of Mrs. Forbes, who, in her
+fear of “ab-sint,” became hysterical, and caused not a little annoyance
+by accusing various inoffensive French travellers of nefarious designs
+upon her property and person. In the Gulf of Lyons she suffered even
+more, and as, unluckily, the wind was contrary and the sea prodigious
+during the whole of the passage across the Mediterranean, both she and
+Mrs. Forbes arrived at Algiers four hours late, in a condition which may
+be more easily imagined than properly described.
+
+Genius in thrall to the body, and absolutely dependent upon green
+chartreuse for its flickering existence, is no subject for even a
+sympathetic pen. Sufficient to say that, when the ship came in under the
+lights of Algiers, the crowd of shouting Arabs was struck to silence by
+the spectacle of Mrs. Greyne and Mrs. Forbes endeavouring to disembark,
+in bonnets that were placed seaward upon the head instead of landward,
+unbuttoned boots, and gowns soaked with the attentions of the waves.
+
+After being gently and permanently relieved of their light hand-baggage,
+the mistress and maid, who seemed greatly overwhelmed by the sight
+of Africa, and who moved--or rather were carried--as in a dream, were
+placed reverently in the nearest omnibus, and conveyed to the farthest
+hotel, which was situated upon a lofty hill above the town. Here a
+slightly painful scene took place.
+
+Having been assisted by the staff into a Moorish hall, Mrs. Greyne
+inquired in a reticent voice for her husband, and was politely informed
+that there was no person of the name of Greyne in the hotel. For a
+moment she seemed threatened with dissolution, but with a supreme effort
+calling upon her mighty brain she surmised that her husband was possibly
+passing under a pseudonym in order to throw America off the scent. She,
+therefore, demanded to have the guests then present in the hotel at once
+paraded before her. As there was some difficulty about this--the guests
+being then at dinner--she whispered for the visitors’ book, thinking
+that, perchance, Mr. Greyne had inscribed his name there, and that the
+staff, being foreign, did not recognise it as murmured by herself. The
+book was brought, upon its cover in golden letters the words: “Hôtel
+Loubet et Majestic.” Then explanations of a somewhat disagreeable nature
+occurred, and Mrs. Greyne and Mrs. Forbes, after a heavy payment had
+been exacted for their conveyance to a place they had desired not to
+go to, were carried forth, and consigned to another vehicle, which at
+length brought them, on the stroke of nine, to the Grand Hotel.
+
+Having been placed reverently in the brilliantly-lighted hall, they were
+surrounded by the proprietor, the _maître d’hôtel_ and his assistants,
+the porters, and the chasseurs, with all of whom Mr. Greyne was
+now familiar. Brandy and water having been supplied, together with
+smelling-salts and burnt feathers, Mrs. Greyne roused herself from an
+acute attack of lethargy, and asked for Mr. Greyne. A joyous smile ran
+round the circle.
+
+“Monsieur Greyne,” said the proprietor, “who is living here for the
+winter?” 4
+
+“Mr. Eustace Greyne,” murmured the great novelist, grasping her bonnet
+with both hands.
+
+The _maître d’hôtel_ drew nearer.
+
+“Madame wishes to see Monsieur Greyne?” he asked.
+
+“I do--at once.”
+
+A blessed consciousness of Mother Earth was gradually beginning to steal
+over her. She even strove feebly to sit up on her chair, a German-Swiss
+porter of enormous size assisting her.
+
+“But Monsieur Greyne is out.”
+
+“Out?”
+
+“Yes, madame. Monsieur Greyne is always out at night.”
+
+The eyes of the little chasseur who knew no better began to twinkle.
+Mrs. Forbes gave a slight cough. Tears filled the novelist’s eyes.
+
+“God bless my Eustace!” she murmured, deeply touched by this evidence of
+his devotion to her interests.
+
+“Madame says----” asked the proprietor.
+
+“Where does Mr. Greyne go?” inquired the novelist.
+
+“To the Kasbah, madame.”
+
+“I knew it!” cried Mrs. Greyne, with returning animation. “I knew it
+would be so!”
+
+“Madame is acquainted with Monsieur Greyne?” said the _maître d’hôtel_,
+while the little crowd gathered more closely about the wave-worn group.
+
+“I am Mrs. Eustace Greyne,” returned the great novelist recklessly. “I
+am the wife of Mr. Eustace Greyne.”
+
+There was a moment of supreme silence. Then a loud, an even piercing
+“_Oh, là, là,_ broke upon the air, succeeded instantaneously by a burst
+of laughter that seemed to thrill with all the wild blessedness of
+boyhood. It came, of course, from the little chasseur; it came, and
+stayed. Nothing could stop it, and eventually the happy child had to be
+carried forth upon the sea-front to enjoy his innocent mirth at leisure
+and in solitude beneath the African stars. Mrs. Greyne did not notice
+his disappearance. She was intent upon important matters.
+
+“At what time does Mr. Greyne usually set forth?” she asked of the
+proprietor, whose face now bore a strangely twisted appearance, as if
+afflicted by a toothache.
+
+“Immediately after dinner, madame, if not before. Of late it has
+generally been before.”
+
+“And he stays out late?”
+
+“Very late, madame.”
+
+The twisted appearance began to seem infectious. It was visible upon the
+faces of most of those surrounding Mrs. Greyne and Mrs. Forbes. Indeed,
+even the latter showed some signs of it, although the large shadow cast
+over her features by the hind side of her Mother Hubbard bonnet to some
+extent disguised them from the public view.
+
+“Till what hour?” pursued Mrs. Greyne in a voice of almost yearning
+tenderness and pity.
+
+“Well, madame”--the proprietor displayed some slight confusion--“I
+really can hardly say. The _maître d’hôtel_ can perhaps inform you.”
+
+Mrs. Greyne turned her ox-like eyes upon the enlarged edition of
+Napoleon the First.
+
+“Monsieur Greyne seldom returns before seven or eight o’clock in the
+morning, madame. He then retires to bed, and comes down to breakfast at
+about four o’clock in the afternoon.”
+
+Mrs. Greyne was touched to the very quick. Her husband was sacrificing
+his rest, his health--nay, perhaps even his very life--in her service.
+It was well she had come, well that a period was to be put to these
+terrible researches. They should be stopped at once, even this very
+night. Better a thousand literary failures than that her husband’s
+existence should be placed in jeopardy. She rose suddenly from her
+chair, tottered, gasped, recovered herself, and spoke.
+
+“Prepare dinner for me at once,” she said, “and order a carriage and a
+competent guide to be before the door in half-an-hour.”
+
+“Madame is going out? But madame is ill, tired!”
+
+“It matters not.”
+
+“Where does madame wish to go?”
+
+“I am going to the Kasbah to find my husband.”
+
+“I will escort madame.”
+
+The proprietor, the _maître d’hôtel_, the waiters, the porters, the
+chasseurs, Mrs. Greyne and Mrs. Forbes, all turned about to face the
+determined speaker.
+
+And there before them, his dark eyes gleaming, his long moustaches
+bristling fiercely--here stood Abdallah Jack.
+
+
+
+
+VII
+
+Man is a self-deceiver. It must, therefore, ever be a doubtful point
+whether Mr. Eustace Greyne, during his residence in Africa, absolutely
+lost sight of his sense of duty; whether, beguiled by the lively
+attentions of a fiercely foreign town, he deliberately resolved to
+take his pleasure regardless of consequences and of the sacred ties of
+Belgrave Square. We prefer to think that some vague idea of combining
+two duties--that which he owed to himself and that which he owed to Mrs.
+Greyne--moved him in all he did, and that the subterfuge into which
+he was undoubtedly led was not wholly selfish, not wholly criminal.
+Nevertheless, that he had lied to his beloved wife is certain. Even
+while she sat over a cutlet and a glass of claret in the white-and-gold
+dining-room of the Grand Hotel, preparatory to her departure to the
+Kasbah with Abdallah Jack, the dozen of Merrin’s exercise-books lay
+upstairs in Mr. Greyne’s apartments filled to the brim with African
+frailty. Already there was material enough in their pages to furnish
+forth a library of “Catherines.” Yet Mr. Greyne still lingered far from
+his home, and wired to that home fabricated accounts of the singular
+innocence of Algiers. He even allowed it to be supposed that his
+own innocence stood in the way of his fulfilment of Mrs. Greyne’s
+behests--he who could now have given points in knowledge of the world to
+whole regiments of militiamen!
+
+It was not right, and, doubtless, he must stand condemned by every
+moralist. But let it not be forgotten that he had fallen under the
+influence of a Levantine.
+
+Mademoiselle Verbena’s mother, hidden in some unnamed hospital of
+Algiers, appeared to be one of those ingenious elderly ladies who can
+hover indefinitely upon the brink of death without actually dying.
+During the whole time that Mr. Greyne had been in Africa her state had
+been desperate, yet she still clung to life. As her daughter said, she
+possessed extraordinary vitality, and this vitality seemed to have been
+inherited by her child. Despite her grave anxieties Mademoiselle Verbena
+succeeded in sustaining a remarkable cheeriness, and even a fascinating
+vivacity, when in the company of others. As she said to Mr. Greyne,
+she did not think it right to lay her burdens upon the shoulders of her
+neighbours. She, therefore, forced herself to appear contented, even at
+various moments gay, when she and Mr. Greyne were lunching, dining, or
+supping together, were driving upon the front, sailing upon the azure
+waters of the bay, riding upon the heights beyond El-Biar, or, ensconced
+in a sumptuous private box, listening to the latest French farce at one
+or another of the theatres. Only one day, when they had driven out to
+the monastery at La Trappe de Staouëli, did a momentary cloud descend
+upon her piquant features, and she explained this by the frank
+confession that she had always wished to become a nun, but had been
+hindered from following her vocation by the necessity of earning money
+to support her aged parents. Mr. Greyne had never seen the Ouled since
+his first evening in Algiers, but he still paid her a weekly salary,
+through Abdallah Jack, who explained to him that the interesting lady,
+in a discreet retirement, was perpetually occupied in arranging the
+exhibitions of African frailty at which he so frequently assisted.
+She was, in fact, earning her liberal salary. Mademoiselle Verbena
+and Abdallah Jack had met on several occasions, and Mr. Greyne had
+introduced the latter to the former as his guide, and had generously
+praised his abilities; but in Mademoiselle Verbena took very little
+notice of him, and, as time went on, Abdallah Jack seemed to conceive
+a most distressing dislike of her. On several occasions he advised Mr.
+Greyne not to frequent her company so assiduously, and when Mr. Greyne
+asked him to explain the meaning of his monitions he took refuge in
+vague generalities and Eastern imagery. He had a profound contempt
+for women as companions, which grieved Mr. Greyne’s Western ideas,
+and evidently thought that Mademoiselle Verbena ought to be clapped
+forthwith into a long veil, and put away in a harem behind an iron
+grille. When Mr. Greyne explained the English point of view Abdallah
+Jack took refuge in a sulky silence; but during the week immediately
+preceding the arrival of Mrs. Greyne his temper had become actively
+bad, and Mr. Greyne began seriously to consider whether it would not
+be better to pay him a last _douceur_, and tell him to go about his
+business.
+
+Before doing this, however, Mr. Greyne desired to have one more
+interview with the mysterious Ouled on the heights, to whom he owed the
+knowledge which would henceforth enable him to cut out the militia. He
+said so to Abdallah Jack. The latter agreed sulkily to arrange it;
+and matters so fell out that on the night of Mrs. Greyne’s arrival
+her husband was seated in a room in one of the remotest houses of the
+Kasbah, watching the Ouled’s mysterious evolutions, while Mademoiselle
+Verbena--as she herself had informed Mr.4 Greyne--sat in the hospital by
+the bedside of her still dying mother. Abdallah Jack had apparently been
+most anxious to assist at Mr. Greyne’s interview with the Ouled, but
+Mr. Greyne had declined to allow this. The evil temper of the guide was
+beginning to get thoroughly upon his employer’s nerves, and even the
+natural desire to have an interpreter at hand was overborne by the
+dislike of Abdallah Jack’s morose eyes and sarcastic speeches about
+women. Moreover, the Ouled spoke a word or two of uncertain French.
+
+Thus, therefore, things fell out, and such was the precise situation
+when Mrs. Greyne flicked a crumb from her chocolate brocade gown, tied
+her bonnet strings, and rose from table to set forth to the Kasbah with
+Abdallah Jack.
+
+It was a radiant night. In the clear sky the stars shone brilliantly,
+looking down upon the persistent convulsions of the little chasseur, who
+had not yet recovered from his attack of merriment on learning who
+Mrs. Greyne was. The sea, quite calm now that the great novelist was no
+longer upon it, lapped softly along the curving shores of the bay. The
+palm-trees of the town garden where the band plays on warm evenings
+waved lazily in the soft and scented breeze. The hooded figures of the
+Arabs lounged against the stone wall that girdles the sea-front. In the
+brilliantly-illuminated restaurants the rich French population gathered
+about the little tables, while the withered beggars stared in upon the
+oyster shells, the champagne bottles, and the feathers in the women’s
+audacious hats.
+
+When Mrs. Greyne emerged upon the pavement before the Grand Hotel,
+attended by Mrs. Forbes and the guide, she paused for a moment, and cast
+a searching glance upon the fairy scene. In this voluptuous evening and
+strange environment life seemed oddly dreamlike. She scarcely felt like
+Mrs. Greyne. Possibly Mrs. Forbes also felt unlike herself, for she
+suddenly placed one hand upon her left side, and tottered. Abdallah Jack
+supported her. She screamed aloud.
+
+“Madam!” she said. “It is the vertigo. I am overtook!”
+
+She was really ill; her face, indeed, became the colour of a plover’s
+egg.
+
+“Let me go to bed, madam,” she implored. “It is the vertigo, madam. I
+am overtook!”
+
+Under ordinary circumstances Mrs. Greyne would have prescribed a dose of
+Kasbah air, but to-night she felt strange, and she wanted strangeness.
+Mrs. Forbes with the vertigo, in a small carriage, would be
+inappropriate. She, therefore, bade her retire, mounted into the vehicle
+with Abdallah Jack, and was quickly driven away, her bonnet strings
+floating upon the winsome wind.
+
+“You know my husband?” she asked softly of the guide.
+
+Abdallah Jack replied in French that he rather thought he did.
+
+“How is he looking?” continued Mrs. Greyne in a slightly yearning voice.
+“My Eustace!” she added to herself, “my devoted one!”
+
+“Monsieur Greyne is pale as washed linen upon the Kasbah wall,” replied
+Abdallah Jack, lighting a cigarette, and wreathing the great novelist in
+its grey-blue smoke. “He is thin as the Spahi’s lance, he is nervous as
+the leaves of the eucalyptus-tree when the winds blow from the north.”
+
+Mrs. Greyne was seriously perturbed.
+
+“Would I had come before!” she murmured, with serious self-reproach.
+
+“Monsieur Greyne is worse than all the English,” pursued Abdallah Jack
+in a voice that sounded to Mrs. Greyne decidedly sinister. “He is worse
+than the tourists of Rook, who laugh in the doorways of the mosques and
+twine in their hair the dried lizards of the Sahara. Even the guide
+of Rook rejected him. I only would undertake him because I am full of
+evil.”
+
+Mrs. Greyne began to feel distinctly uncomfortable, and to wish she
+had not been so ready to pander to Mrs. Forbes’ vertigo. She stole a
+sidelong glance at her strange companion. The carriage was small. The
+end of his bristling black moustache was very near. What he said of
+Mr. Greyne did not disturb her, because she knew that her Eustace had
+sacrificed his reputation to do her service; but what he said about
+himself was not reassuring.
+
+“I think you must be doing yourself an injustice,” she said in a rather
+agitated voice.
+
+“Madame?”
+
+“I do not believe you are so bad as you imply,” she continued.
+
+The carriage turned with a jerk out of the brilliantly-lighted
+thoroughfare that runs along the sea into a narrow side street, crowded
+with native Jews, and dark with shadows.
+
+“Madame does not know me.”
+
+The exact truth of this observation struck home, like a dagger, to the
+mind of Mrs. Greyne.
+
+“I am a wicked person,” added Abdallah Jack, with a profound conviction.
+“That is why Monsieur Greyne chose me as his guide.”
+
+The novelist began to quake. Her chocolate brocade fluttered. Was she
+herself to learn at first hand, and on her first evening in Africa,
+enough about African frailty to last her for the rest of her life? And
+how much more of life would remain to her after her stock of knowledge
+had been thus increased? The carriage turned into a second side street,
+narrower and darker than the last.
+
+“Are we going right?” she said apprehensively.
+
+“No, madame; we are going wrong--we are going to the wicked part of the
+city.”
+
+“But--but--you are sure Mr. Greyne will be there?”
+
+Abdallah Jack laughed sardonically.
+
+“Monsieur Greyne is never anywhere else. Monsieur Greyne is wicked as is
+a mad Touareg of the desert.”
+
+“I don’t think you quite understand my husband,” said Mrs. Greyne,
+feeling in duty bound to stand up for her poor, maligned Eustace.
+“Whatever he may have done he has done at my special request.”
+
+“Madame says?”
+
+“I say that in all his proceedings while in Algiers Mr. Greyne has been
+acting under my directions.”
+
+Abdallah Jack fixed his enormous eyes steadily upon her.
+
+“You are his wife, and told him to come here, and to do as he has done?”
+
+“Ye-yes,” faltered Mrs. Greyne, for the first time in her life feeling
+as if she were being escorted towards the criminal dock by a jailer with
+Puritan tendencies.
+
+“Then it is true what they say on the shores of the great canal,” he
+remarked composedly.
+
+“What do they say?” inquired Mrs. Greyne.
+
+“That England is a land of female devils,” returned the guide as the
+carriage plunged into a filthy alley, between two rows of blind houses,
+and began to ascend a steep hill.
+
+Mrs. Greyne gasped. She opened her lips to protest vigorously, but her
+head swam--either from indignation or from fatigue--and she could
+not utter a word. The horses mounted like cats upward into the dense
+blackness, from which dropped down the faint sounds of squealing music
+and of hoarse cries and laughter. The wheels bounded over the stones,
+sank into the deep ruts, scraped against the sides of the unlighted
+houses. And Abdallah Jack sat staring at Mrs. Greyne as an English
+clergyman’s wife might stare at the appalling rites of some deadly
+cannibal encountered in a far-off land, with a stony wonder, a sort of
+paralysed curiosity.
+
+Suddenly the carriage stopped on a piece of waste land covered with
+small pebbles. Abdallah Jack sprang out.
+
+“Why do we stop?” said Mrs. Greyne, turning as pale as ashes.
+
+“The carriage can go no farther. Madame must walk.”
+
+Mrs. Greyne began to tremble.
+
+“We are to leave the coachman?”
+
+“I shall escort madame, alone.”
+
+The great novelist’s tongue cleaved to the roof of her mouth. She felt
+like a Merrin’s exercise-book, every leaf of which was covered with
+African frailty. However, there was no help for it. She had to descend,
+and stand among the pebbles.
+
+“Where are we going?”
+
+Abdallah Jack waved his hand towards a stone rampart dimly seen in the
+faint light that emanated from the starry sky.
+
+“Down there into the alley of the Dead Dervishes.”
+
+Mrs. Greyne could not repress a cry of horror. At that moment she would
+have given a thousand pounds to have Mrs. Forbes at her side.
+
+Abdallah Jack grasped her by the hand, and led her ruthlessly forward.
+Gazing with terror-stricken eyes over the crumbling rampart of the
+Kasbah, she saw the city far below her, the lights of the streets, the
+lights of the ships in harbour. She heard the music of a bugle, and
+wished she were a Zouave safe in barracks. She wished she were a
+German-Swiss porter, a merry chasseur--anything but Mrs. Eustace Greyne.
+One thing alone supported her in this hour of trial, the thought of her
+husband’s ecstasy when she appeared upon the dread scene of his awful
+labours, to tell him that he was released, that he need visit them no
+more.
+
+The alley of the Dead Dervishes is long and winding. To Mrs. Greyne it
+seemed endless. As she threaded it with faltering step, gripped by the
+feverish hand of Abdallah Jack, who now began to display a strange and
+terrible excitement, she became a centre of curiosity. Unwashed Arabs,
+rakish Zouaves in blue and red, wandering Jews of various nationalities,
+unveiled dancing-girls covered with jewels, stared in wonder upon the
+chocolate brocade and the floating bonnet strings, followed upon her
+footsteps, pointing with painted fingers, and making remarks of a
+personal nature in French, Arabic, and other unknown tongues. She moved
+in the midst of a crowd, on and on before lighted interiors from which
+wild music flowed.
+
+“Shall we never be there?” she panted to Abdallah Jack. “My limbs refuse
+their office.” She jogged against a Tunisian Jewess in a pointed hat,
+and rebounded upon an enormous Riff in a tattered sheep-skin. “I can go
+no farther.”
+
+“We are there! Behold the house of the Ouled!”
+
+As he uttered the last word he burst into a bitter laugh, and drew Mrs.
+Greyne, now gasping for breath, through an open doorway into a little
+hall of imitation marble, with fluted pillars adorned with oilcloth, and
+walls hung with imported oleographs. From a chamber on the right, near
+a winding staircase covered with blue-and-white tiles, came the sound of
+laughter, of song, and of a hideous music conveyed to the astonied ear
+by pipes and drums.
+
+“They are in there!” exclaimed Abdallah Jack, folding his arms, and
+looking at Mrs. Greyne. “Go to your husband!”
+
+Mrs. Greyne put her hands to her magnificent forehead, and tottered
+forward. She reached the door, she pushed it, she entered. There upon a
+wooden dais, surrounded by gilt mirrors and artificial roses, she beheld
+her husband, in a check suit and a white Homburg hat, performing the
+wildest evolutions, while opposite him a lady, smothered in coloured
+silks and coins, tattooed and painted, dyed and scented, covered with
+kohl and crowned with ostrich feathers, screamed a nasal chant of the
+East, and bounded like an electrified monkey.
+
+“Eustace!” cried Mrs. Greyne, leaning for support against an oleograph.
+
+Her husband turned.
+
+“Eustace!” she cried again. “It is I!”
+
+He stood as if turned to stone. Mrs. Greyne hesitated, started, moved
+forward to the dais, and stared upon the Ouled, who had also ceased from
+dancing, and looked strangely surprised, even confused, by the great
+novelist’s intrusion.
+
+“Miss Verbena!” she exclaimed. “Miss Verbena in Algiers!”
+
+“Eugenia!” said Mr. Greyne in a husky voice, “what is this you say?
+This lady is the Ouled.”
+
+A sardonic laugh came from the doorway. They turned. There stood
+Abdallah Jack. He advanced roughly to the Ouled.
+
+“Come,” he said angrily. “Have we not earned the money of the stranger?
+Have we not earned enough? To-morrow you shall marry me as you have
+promised, and we will return to our own land, to the canal where you and
+I were born. And nevermore shall the Levantine instruct the babes of
+the English devils, but dwell veiled and guarded in the harem of her
+master.”
+
+“Mademoiselle Verbena!” said Mr. Greyne in a more husky voice.
+“But--but--your dying mother?”
+
+“She sleeps, monsieur, in the white sands of Ismailia, beside the
+bitter lake. I trust that madame can now go on with the respectable
+‘Catherine.’”
+
+And with an ironic reverence to Mrs. Eustace Greyne she placed her hand
+in Abdallah Jack’s and vanished from the room.
+
+“Catherine’s Repentance,” published in a gigantic volume not many weeks
+ago, was preceded by Mr. Eustace Greyne’s. When last heard of he was
+seated in the magnificent library of the corner house in Park Lane next
+to the Duke of Ebury’s, busily engaged in pasting the newspaper notices
+of Mrs. Greyne’s greatest work into a superb new album.
+
+The Abdallah Jacks have returned to the Suez Canal, bearing with them
+a snug little fortune to be invested in the purchase of a coal wharf
+at Port Said, and a remarkably handsome crocodile dressing-case, fitted
+with gold, and monogrammed with the initials “E. G.”
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Mission Of Mr. Eustace Greyne, by
+Robert Hichens
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE MISSION OF MR. EUSTACE GREYNE ***
+
+***** This file should be named 23415-0.txt or 23415-0.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/4/1/23415/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase “Project
+Gutenberg”), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. “Project Gutenberg” is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase “Project Gutenberg” appears, or with which the phrase “Project
+Gutenberg” is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase “Project Gutenberg” associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+“Plain Vanilla ASCII” or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original “Plain Vanilla ASCII” or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, “Information about donations to
+ the Project Gutenberg Literary Archive Foundation.”
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+“Defects,” such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
+of Replacement or Refund” described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm’s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation’s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state’s laws.
+
+The Foundation’s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation’s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/23415-0.zip b/23415-0.zip
new file mode 100644
index 0000000..f6a39c3
--- /dev/null
+++ b/23415-0.zip
Binary files differ
diff --git a/23415-8.txt b/23415-8.txt
new file mode 100644
index 0000000..6542821
--- /dev/null
+++ b/23415-8.txt
@@ -0,0 +1,2777 @@
+Project Gutenberg's The Mission Of Mr. Eustace Greyne, by Robert Hichens
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Mission Of Mr. Eustace Greyne
+ 1905
+
+Author: Robert Hichens
+
+Release Date: November 8, 2007 [EBook #23415]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE MISSION OF MR. EUSTACE GREYNE ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+
+THE MISSION OF MR. EUSTACE GREYNE
+
+By Robert Hichens
+
+Frederick A. Stokes Company Publishers
+
+Copyright, 1905
+
+
+
+
+I
+
+Mrs. Eustace Greyne (pronounced Green) wrinkled her forehead--that
+noble, that startling forehead which had been written about in the
+newspapers of two hemispheres--laid down her American Squeezer pen, and
+sighed. It was an autumn day, nipping and melancholy, full of the rustle
+of dying leaves and the faint sound of muffin bells, and Belgrave Square
+looked sad even to the great female novelist who had written her way
+into a mansion there. Fog hung about with the policeman on the pavement.
+The passing motor cars were like shadows. Their stertorous pantings
+sounded to Mrs. Greyne's ears like the asthma of dying monsters. She
+sighed again, and murmured in a deep contralto voice: "It must be so."
+Then she got up, crossed the heavy Persian carpet which had been bought
+with the proceeds of a short story in her earlier days, and placed her
+forefinger upon an electric bell.
+
+Like lightning a powdered giant came.
+
+"Has Mr. Greyne gone out?"
+
+"No, ma'am."
+
+"Where is he?"
+
+"In his study, ma'am, pasting the last of the cuttings into the new
+album."
+
+Mrs. Greyne smiled. It was a pretty picture the unconscious six-footer
+had conjured up.
+
+"I am sorry to disturb Mr. Greyne," she answered, with that gracious,
+and even curling suavity which won all hearts; "but I wish to see him.
+Will you ask him to come to me for a moment?"
+
+The giant flew, silk-stockinged, to obey the mandate, while Mrs. Greyne
+sat down on a carved oaken chair of ecclesiastical aspect to await her
+husband.
+
+She was a famous woman, a personage, this simply-attired lady. With
+an American Squeezer pen she had won fame, fortune, and a mansion
+in Belgrave Square, and all without the sacrifice of principle.
+Respectability incarnate, she had so dealt with the sorrows and evils of
+the world that she had rendered them utterly acceptable to Mrs. Grundy,
+Mr. Grundy, and all the Misses Grundy. People said she dived into the
+depths of human nature, and brought up nothing that need scandalise a
+curate's grandmother, or the whole-aunt of an archdeacon; and this
+was so true that she had made a really prodigious amount of money. Her
+large, her solid, her unrelenting books lay upon every table. Even the
+smart set kept them, uncut--like pretty sinners who have never been
+"found out"--to give an air of haphazard intellectuality to frisky
+boudoirs, All the clergy, however unable to get their tithes, bought
+them. All bishops alluded to them in "pulpit utterances." Fabulous
+prices were paid for them by magazine editors. They ran as serials
+through all the tale of months. The suburbs battened on them. The
+provinces adored them. Country people talked of no other literature. In
+fact, Mrs. Eustace Greyne was a really fabulous success.
+
+Why, then, should she heave these heavy sighs in Belgrave Square? Why
+should she lift an intellectual hand as though to tousle the glossy
+chestnut bandeaux which swept back from her forcible forehead, and screw
+her reassuring features into these wrinkles of perplexity and distress?
+
+The door opened, and Mr. Eustace Greyne appeared, "What is it,
+Eugenia?" upon his lips.
+
+Mr. Greyne was a number of years younger than his celebrated wife,
+and looked even younger than his years. He was a very smart man, with
+smooth, jet-black hair, which he wore parted in the middle; pleasant,
+dark eyes that could twinkle gently; a clear, pale complexion; and a
+nice, tall figure. One felt, in glancing at him, that he had been an
+Eton boy, and had at least thought of going into the militia at some
+period of his life. His history can be briefly told.
+
+Scarcely had he emerged into the world before he met and was married to
+Mrs. Eustace Greyne, then Miss Eugenia Hannibal-Barker. He had had no
+time to sow a single oat, wild or otherwise; no time to adore a barmaid,
+or wish to have his name linked with that of an actress; no time to do
+anything wrong, or even to know, with the complete accuracy desired
+by all persevering young men, what was really wrong. Miss Eugenia
+Hannibal-Barker sailed upon his horizon, and he struck his flag to
+matrimony. Ever since then he had been her husband, and had never, even
+for one second, emerged beyond the boundaries of the most intellectual
+respectability. He was the most innocent of men, although he knew all
+the important editors in London. Swaddled in money by his successful
+wife, he considered her a goddess. She poured the thousands into Coutts'
+Bank, and with the arrival of each fresh thousand he was more firmly
+convinced that she was a goddess. To say he looked up to her would be
+too mild. As the Cockney tourist in Chamounix peers at the summit of
+Mont Blanc, he peered at Mrs. Greyne. And when, finally, she bought the
+lease of the mansion in Belgrave Square, he knew her Delphic.
+
+So now he appeared in the oracle's retreat respectfully, "What is it,
+Eugenia?" upon his admiring lips.
+
+"Sit down, my husband," she murmured.
+
+Mr. Greyne subsided by the fire, placing his pointed patent-leather toes
+upon the burnished fender. Without the fog grew deeper, and the chorus
+of the muffin bells more plaintive. The fire-light, flickering over Mrs.
+Greyne's majestic features, made them look Rembrandtesque. Her large,
+oxlike eyes were fixed and thoughtful. After a pause, she said:
+
+"Eustace, I shall have to send you upon a mission."
+
+"A mission, Eugenia!" said Mr. Greyne in great surprise.
+
+"A mission of the utmost importance, the utmost delicacy."
+
+"Has it anything to do with Romeike & Curtice?"
+
+"No."
+
+"Will it take me far?"
+
+"That is my trouble. It will take you very far."
+
+"Out of London?"
+
+"Oh, yes."
+
+"Out of--not out of England?"
+
+"Yes; it will take you to Algeria."
+
+"Good gracious!" cried Mr. Greyne.
+
+Mrs. Greyne sighed.
+
+"Good gracious!" Mr. Greyne repeated after a short interval. "Am I to
+go alone?" "Of course you must take Darrell." Darrell was Mr. Greyne's
+valet.
+
+"And what am I to do at Algiers?"
+
+"You must obtain for me there the whole of the material for book six
+of 'Catherine's Repentance,'" "Catherine's Repentance" was the gigantic
+novel upon which Mrs. Greyne was at that moment engaged.
+
+"I will not disguise from you, Eustace," continued Mrs. Greyne, looking
+increasingly Rembrandtesque, "that, in my present work, I am taking a
+somewhat new departure."
+
+"Well, but we are very comfortable here," said Mr. Greyne.
+
+With each new book they had changed their abode. "Harriet" took them
+from Phillimore Gardens to Queensgate Terrace; "Jane's Desire" moved
+them on to a corner house in Sloane Street; with "Isobel's Fortune" they
+passed to Curzon Street; "Susan's Vanity" landed them in Coburg Place;
+and, finally, "Margaret's Involution" had planted them in Belgrave
+Square. Now, with each of these works of genius Mrs. Greyne had taken
+what she called "a new departure." Mr. Greyne's remark is, therefore,
+explicable.
+
+"True. Still, there is always Park Lane."
+
+She mused for a moment. Then, leaning more heavily upon the carved lions
+of her chair, she continued:
+
+"Hitherto, although I have sometimes dealt with human frailty, I have
+treated it gently. I have never betrayed a Zola-spirit."
+
+"Zola! My darling!" cried Mr. Eustace Greyne. "You are surely not going
+to betray anything of that sort now!"
+
+"If she does we shall soon have to move off to West Kensington," was his
+secret thought.
+
+"No. But in book six of 'Catherine' I have to deal with sin, with
+tumult, with African frailty. It is inevitable."
+
+She sighed once more. The burden of the new book was very heavy upon
+her.
+
+"African frailty!" murmured the astonished Eustace Greyne.
+
+"Now, neither you nor I, my husband, know anything about this."
+
+"Certainly not, my darling. How should we? We have never explored beyond
+Lucerne."
+
+"We must, therefore, get to know about it--at least you must. For I
+cannot leave London. The continuity of the brain's travelling must not
+be imperiled by any violent bodily activity. In the present stage of my
+book a sea journey might be disastrous."
+
+"Certainly you should keep quiet, my love. But then---"
+
+"You must go for me to Algiers. There you must get me what I want. I
+fear you will have to poke about in the native quarters a good deal for
+it, so you had better buy two revolvers, one for yourself and one for
+Darrell."
+
+Mr. Greyne gasped. The calmness of his wife amazed him. He was not
+intellectual enough to comprehend fully the deep imaginings of a mighty
+brain, the obsession work is in the worker.
+
+"African frailty is what I want," pursued Mrs. Greyne. "One hundred
+closely-printed pages of African frailty. You will collect for me the
+raw material, and I shall so manipulate it that it will fall discreetly,
+even elevatingly, into the artistic whole. Do you understand me,
+Eustace?"
+
+"I am to travel to Algiers, and see all the wickedness to be seen there,
+take notes of it, and bring them back to you."
+
+"Precisely."
+
+"And how long am I to stay?"
+
+"Until you have made yourself acquainted with the depths."
+
+"A fortnight?"
+
+"I should think that would be enough. Take Brush's remedy for
+seasickness and plenty of antipyrin, your fur coat for the crossing, and
+a white helmet and umbrella for the arrival. You have lead pencils?"
+
+"Plenty."
+
+"A couple of Merrin's exercise-books should be enough to contain your
+notes."
+
+"When am I to go?"
+
+"The sooner the better. I am at a standstill for want of the material.
+You might catch the express to Paris to-morrow; no, say the day after
+to-morrow." She looked at him tenderly. "The parting will be bitter."
+
+"Very bitter," Mr. Eustace Greyne replied.
+
+He felt really upset. Mrs. Greyne laid the hand which had brought them
+from Phillimore Gardens to Belgrave Square gently upon his.
+
+"Think of the result," she said. "The greatest book I have done yet. A
+book that will last. A book that will----"
+
+"Take us to Park Lane," he murmured.
+
+The Rembrandtesque head nodded. The noble features, as of a strictly
+respectable Roman emperor, relaxed.
+
+"A book that will take us to Park Lane."
+
+At this moment the door opened, and the footman inquired:
+
+"Could Mademoiselle Verbena see you for a minute, ma'am?"
+
+Mademoiselle Verbena was the French governess of the two little Greynes.
+The great novelist had consented to become a mother.
+
+"Certainly."
+
+In another moment Mademoiselle Verbena was added to the group beside the
+fire.
+
+
+
+
+II
+
+We have said that Mademoiselle Verbena was the French governess of
+little Adolphus and Olivia Greyne, and so she was to this extent--that
+she taught them French, and that Mr. and Mrs. Greyne supposed her to be
+a Parisian. But life has its little ironies. Mademoiselle Verbena in the
+house of this great and respectable novelist was one of them; for she
+was a Levantine, born at Port Said of a Suez Canal father and a Suez
+Canal mother. Now, nobody can desire to say anything against Port Said.
+At the same time, few mothers would inevitably pick it out as the ideal
+spot from which a beneficent influence for childhood's happy hour would
+be certain to emanate. Nor, it must be allowed, is a Suez Canal ancestry
+specially necessary to a trainer of young souls. It may not be a
+drawback, but it can hardly be described as an advantage. This,
+Mademoiselle Verbena was intelligent enough to know. She, therefore,
+concealed the fact that her father had been a dredger of Monsieur de
+Lesseps' triumph, her mother a bar-lady of the historic coal wharf where
+the ships are fed, and preferred to suppose--and to permit others to
+suppose--that she had first seen the light in the Rue St. Honor, her
+parents being a count and countess of some old rgime.
+
+This supposition, retained from her earliest years, had affected her
+appearance and her manner. She was a very neat, very trim, even a very
+attractive little person, with dark brown, roguish eyes, blue-black
+hair, a fairy-like figure, and the prettiest hands and feet imaginable.
+She had first attracted Mrs. Greyne's attention by her devotion to St.
+Paul's Cathedral, and this devotion she still kept up. Whenever she had
+an hour or two free she always--so she herself said--spent it in "_ce
+charmant_ St. Paul."
+
+As she entered the oracle's retreat she cast down her eyes, and trembled
+visibly.
+
+"What is it, Miss Verbena?" inquired Mrs. Greyne, with a kindly English
+accent, calculated to set any poor French creature quite at ease.
+
+Mademoiselle Verbena trembled more.
+
+"I have received bad news, madame."
+
+"I grieve to hear it. Of what nature?"
+
+"Mamma has _une bronchite trs grave_."
+
+"A what, Miss Verbena?"
+
+"Pardon, madame. A very grave bronchitis. She cries for me."
+
+"Indeed!"
+
+"The doctors say she will die."
+
+"This is very sad."
+
+The Levantine wept. Even Suez Canal folk are not proof against all human
+sympathy. Mr. Greyne blew his nose beside the fire, and Mrs. Greyne said
+again:
+
+"I repeat that this is very sad."
+
+"Madame, if I do not go to mamma tomorrow I shall not see her more."
+
+Mrs. Greyne looked very grave.
+
+"Oh!" she remarked. She thought profoundly for a moment, and then added:
+"Indeed!"
+
+"It is true, madame."
+
+Suddenly Mademoiselle Verbena flung herself down on the Persian carpet
+at Mrs. Greyne's large but well-proportioned feet, and, bathing them
+with her tears, cried in a heartrending manner:
+
+"Madame will let me go! madame will permit me to fly to poor mamma--to
+close her dying eyes--to kiss once again----"
+
+Mr. Greyne was visibly affected, and even Mrs. Greyne seemed somewhat
+put about, for she moved her feet rather hastily out of reach of the
+dependant's emotion, and made her scramble up.
+
+"Where is your poor mother?"
+
+"In Paris, madame. In the Rue St. Honor, where I was born. Oh, if she
+should die there! If she should----"
+
+Mrs. Greyne raised her hand, commanding silence.
+
+"You wish to go there?"
+
+"If madame permits."
+
+"When?"
+
+"To-morrow, madame."
+
+"To-morrow? This is decidedly abrupt."
+
+"_Mais la bronchite, madame_, she is abrupt, and death, she may be
+abrupt."
+
+"True. One moment!"
+
+There was an instant's silence for Mrs. Greyne to let loose her brain
+in. She did so, then said:
+
+"You have my permission. Go to-morrow, but return as soon as possible.
+I do not wish Adolphus to lose his still uncertain grasp upon the
+irregular verbs."
+
+In a flood of grateful tears Mademoiselle Verbena retired to make her
+preparations. On the morrow she was gone.
+
+The morrow was a day of much perplexity, much bustle and excitement for
+Mr. Greyne and the valet, Darrell. They were preparing for Algiers. In
+the morning, at an early hour, Mr. Greyne set forth in the barouche with
+Mrs. Greyne to purchase African necessaries: a small but well-supplied
+medicine chest, a pith helmet, a white-and-green umbrella, a Baedeker,
+a couple of Smith & Wesson Springfield revolvers with a due amount of
+cartridges, a dozen of Merrin's exercise-books--on mature reflection
+Mrs. Creyne thought that two would hardly contain a sufficient amount of
+African frailty for her present purpose--a packet of lead pencils, some
+bottles of a remedy for seasickness, a silver flask for cognac, and
+various other trifles such as travellers in distant continents require.
+
+Meanwhile Darrell was learning French for the journey, and packing his
+own and his master's trunks. The worthy fellow, a man of twenty-five
+summers, had never been across the Channel--the Greynes being by no
+means prone to foreign travel--and it may, therefore, be imagined that
+he was in a state of considerable expectation as he laid the trousers,
+coats, and waistcoats in their respective places, selected such boots
+as seemed likely to wear well in a tropical climate, and dropped those
+shirts which are so contrived as to admit plenty of ventilation to the
+heated body into the case reserved for them.
+
+When Mr. Greyne returned from his shopping excursion the barouche,
+loaded almost to the gunwale--if one may be permitted a nautical
+expression in this connection--had to be disburdened, and its contents
+conveyed upstairs to Mr. Greyne's bedroom, into which Mrs. Greyne
+herself presently entered to give directions for their disposing. Nor
+was it till the hour of sunset that everything was in due order, the
+straps set fast, the keys duly turned in the locks--the labels--"Mr.
+Eustace Greyne: Passenger to Algiers: via Marseilles"--carefully written
+out in a full, round hand. Rook's tickets had been bought; so now
+everything was ready, and the last evening in England might be spent
+by Mr. Greyne in the drawing-room and by Darrell in the servants' hall
+quietly, socially, perhaps pathetically.
+
+The pathos of the situation, it must be confessed, appealed more to
+the master than to the servant. Darrell was very gay, and inclined to be
+boastful, full of information as to how he would comport himself with
+"them there Frenchies," and how he would make "them pore, godless Arabs
+sit up." But Mr. Greyne's attitude of mind was very different. As
+the night drew on, and Mrs. Greyne and he sat by the wood fire in the
+magnificent drawing-room, to which they always adjourned after dinner, a
+keen sense of the sorrow of departure swept over them both.
+
+"How lonely you will feel without me, Eugenia," said Mr. Greyne. "I
+have been thinking of that all day."
+
+"And you, Eustace, how desolate will be your tale of days! My mind runs
+much on that. You will miss me at every hour."
+
+"You are so accustomed to have me within call, to depend upon me for
+encouragement in your life-work. I scarcely know how you will get on
+when I am far across the sea."
+
+"And you, for whom I have labored, for whom I have planned and
+calculated, what will be your sensations when you realize that a
+gulf--the Gulf of Lyons--is fixed irrevocably between us?"
+
+So their thoughts ran. Each one was full of tender pity for the other.
+Towards bedtime, however, conscious that the time for colloquy was
+running short, they fell into more practical discourse.
+
+"I wonder," said Mr. Greyne, "whether I shall find any difficulty in
+gaining the information you require, my darling. I suppose these
+places"--he spoke vaguely, for his thoughts were vague--"are somewhat
+awkward to come at. Naturally they would avoid the eye of day."
+
+Mrs. Greyne looked profound.
+
+"Yes. Evil ever seeks the darkness. You will have to do the same."
+
+"You think my investigations must take place at night?"
+
+"I should certainly suppose so."
+
+"And where shall I find a cicerone?"
+
+"Apply to Rook."
+
+"In what terms? You see, dearest, this is rather a special matter, isn't
+it?"
+
+"Very special. But on no account hint that you are in Algiers for
+'Catherine's' sake. It would get into the papers. It would be cabled to
+America. The whole reading world would be agog, and the future interest
+of the book discounted."
+
+Mr. Greyne looked at his wife with reverence. In such moments he
+realized, almost too poignantly, her great position.
+
+"I will be careful," he said. "What would you recommend me to say?"
+
+"Well"--Mrs. Greyne knit her superb forehead--"I should suggest that
+you present yourself as an ordinary traveler, but with a
+specially inquiring bent of mind and a slight tendency towards
+the--the--er--hidden things of life."
+
+"I suppose you wish me to visit the public houses?"
+
+"I wish you to see everything that has part or lot in African frailty.
+Go everywhere, see everything. Bring your notes to me, and I will select
+such fragments of the broken commandments as suit my purpose, which
+is, as always, the edifying of the human race. Only this time I mean to
+purge it as by fire."
+
+"That corner house in Park Lane, next to the Duke of Ebury's, would suit
+us very well," said Mr. Greyne reflectively.
+
+"We could sell our lease here at an advance," his wife rejoined. "You
+will not waste your journey, Eustace?"
+
+"My love," returned Mr. Greyne with decision, "I will apply to Rook on
+arrival, and, if I find his man unsatisfactory, if I have any reason
+to suspect that I am not being shown everything--more especially in the
+Kasbah region, which, from the guide-books we bought to-day, is, I
+take it, the most abandoned portion of the city--I will seek another
+cicerone."
+
+"Do so. And now to bed. You must sleep well to-night in preparation for
+the journey."
+
+It was their invariable habit before retiring to drink each a tumbler
+of barley water, which was set out by the butler in Mrs. Greyne's study.
+After this nightcap Mrs. Greyne wrote up her anticipatory diary, while
+Mr. Greyne smoked a mild cigar, and then they went to bed. To-night,
+as usual, they repaired to the sanctum, and drank their barley water.
+Having done so, Mr. Greyne drew forth his cigar-case, while Mrs. Greyne
+went to her writing-table, and prepared to unlock the drawer in which
+her diary reposed, safe from all prying eyes.
+
+The match was struck, the key was inserted in the lock, and turned. As
+the cigar end glowed the drawer was opened. Mr. Greyne heard a contralto
+cry. He turned from the arm-chair in which he was just about to seat
+himself.
+
+"My love, is anything the matter?"
+
+His wife was bending forward with both hands in the drawer, telling over
+its contents.
+
+"My diary is not here!"
+
+"Your diary!"
+
+"It is gone."
+
+"But"--he came over to her--"this is very serious. I presume, like all
+diaries, it is full of----" Instinctively he had been about to say
+"damning"; he remembered his dear one's irreproachable character and
+substituted "precious secrets."
+
+"It is full of matter which must never be given to the world--my secret
+thoughts, my aspirations. The whole history of my soul is there."
+
+"Heavens! It must be found."
+
+They searched the writing-table. They searched the room. No diary.
+
+"Could you have taken it to my room, and left it there?" asked Mr.
+Greyne.
+
+They hastened thither, and looked--in vain. By this time the servants
+were gone to bed, and the two searchers were quite alone on the ground
+floor of their magnificent mansion. Mrs. Greyne began to look seriously
+perturbed. Her Roman features worked.
+
+"This is appalling," she exclaimed. "Some thief, knowing it priceless,
+must have stolen the diary. It will be published in America. It will
+bring in thousands--but to others, not to us."
+
+She began to wring her hands. It was near midnight.
+
+"Think, my love, think!" cried Mr. Greyne. "Where could you have taken
+it? You had it last night?"
+
+"Certainly. I remember writing in it that you would be sailing to
+Algiers on the _Gnral Bertrand_ on Thursday of this week, and that on
+the night I should be feeling widowed here. The previous night I wrote
+that yesterday I should have to tell you of your mission. You know I
+always put down beforehand what I shall do, what I shall even think
+on each succeeding day. It is a practice that regulates the mind and
+conduct, that helps to uniformity."
+
+"How true! Who can have taken it? Do you ever leave it about?"
+
+"Never. Am I a madwoman?"
+
+"My darling, compose yourself! We must search the house."
+
+They proceeded to do so, and, on coming into the schoolroom, Mrs.
+Greyne, who was in front, uttered a sudden cry.
+
+Upon the table of Mademoiselle Verbena lay the diary, open at the
+following entry:--
+
+On Thursday next poor Eustace will be on board the _Gnral Bertrand_,
+sailing for Algiers. I shall be here thinking of myself, and of him in
+relation to myself. God help us both. Duty is sometimes stern. Mem. The
+corner house in Park Lane, next the Duke of Ebury's, has sixty years
+still to run; the lease, that is. Thursday--poor Eustace!
+
+"What does this portend?" cried Mrs. Greyne.
+
+"My darling, it passes my wit to imagine," replied her husband.
+
+
+
+
+III
+
+The parting of Mr. and Mrs. Greyne on the following morning was very
+affecting. It took place at Victoria Station, in the midst of a small
+crowd of admiring strangers, who had recognised the commanding
+presence of the great novelist, and had gathered round to observe her
+manifestations.
+
+Mrs. Greyne was considerably shaken by the event of the previous night.
+Although, on the discovery of the diary, the house had been roused, and
+all the servants closely questioned, no light had been thrown upon its
+migration from the locked drawer to the schoolroom table. Adolphus and
+Olivia, jerked from sleep by the hasty hands of a maid, could only weep
+and wan. The powdered footmen, one and all, declared they had never
+heard of a diary. The butler gave warning on the spot, keeping on his
+nightcap to give greater effect to his pronunciamento. It was all most
+unsatisfactory, and for one wild moment Mrs. Greyne seriously thought
+of retaining her husband by her as a protection against the mysterious
+thief who had been at work in their midst. Could it be Mademoiselle
+Verbena? The dread surmise occurred, but Mr. Greyne rejected it.
+
+"Her father was a count," he said. "Besides, my darling, I don't
+believe she can read English; certainly not unless it is printed."
+
+So there the matter rested, and the moment of parting came.
+
+There was a murmur of respectful sympathy as Mrs. Greyne clasped
+her husband tenderly in her arms, and pressed his head against her
+prune-coloured bonnet strings. The whistle sounded. The train moved on.
+Leaning from a reserved first-class compartment, Mr. Greyne waved a silk
+pocket-handkerchief so long as his wife's Roman profile stood out clear
+against the fog and smoke of London. But at last it faded, grew remote,
+took on the appearance of a feebly-executed crayon drawing, vanished. He
+sank back upon the cushions--alone. Darrell was travelling second with
+the dressing-case.
+
+It was a strange sensation, to be alone, and _en route_ to Algiers. Mr.
+Greyne scarcely knew what to make of it. A schoolboy suddenly despatched
+to Timbuctoo could hardly have felt more terribly emancipated than he
+did. He was so absolutely unaccustomed to freedom, he had been for so
+long without the faintest desire for it, that to have it thrust upon
+him so suddenly was almost alarming. He felt lonely, anxious, horribly
+unmarried. To divert his thoughts he drew forth a Merrin's exercise-book
+and a pencil, and wrote on the first page, in large letters, "_African
+Frailty, Notes for_" Then he sat gazing at the title of his first
+literary work, and wondering what on earth he was going to see in
+Algiers.
+
+Vague visions of himself in the bars of African public-houses, in
+mosques, in the two-pair-backs of dervishes, in bazaars--which he
+pictured to himself like those opened by royalties at the Queen's
+Hall--in Moorish interiors surrounded by voluptuous ladies with large
+oval eyes, black tresses, and Turkish trousers of spangled muslin,
+flitted before his mental gaze. When the train ran upon Dover Pier, and
+the white horses of the turbulent Channel foamed at his feet, he started
+as one roused from a Rip Van Winkle sleep. Severe illness occupied his
+whole attention for a time, and then recovery.
+
+In Paris he dined at the buffet like one in a dream, and, at the
+appointed hour, came forth to take the _rapide_ for Marseilles. He
+looked for Darrell and the dressing-case. They were not to be seen.
+There stood the train. Passengers were mounting into it. Old ladies
+with agitated faces were buying pillows and nibbling biscuits. Elderly
+gentlemen with yellow countenances and red ribands in their coats were
+purchasing the _Figaro_ and the _Gil Blas_. Children with bare legs were
+being hauled into compartments. Rook's agent was explaining to a muddled
+tourist in a tam-o'-shanter the exact difference between the words "Oui"
+and "Non" The bustle of departure was in the air, but Darrell was not
+to be seen. Mr. Greyne had left him upon the platform with minute
+directions as to the point from which the train would start and the hour
+of its going. Yet he had vanished. The most frantic search, the most
+frenzied inquiries of officials and total strangers, failed to elicit
+his whereabouts, and, finally, Mr. Greyne was flung forcibly upward
+into the _wagonlit_, and caught by the _contrleur_ when the train was
+actually moving out of the station.
+
+A moment later he fell exhausted upon the pink-plush seat of his
+compartment, realising his terrible position. He was now utterly alone;
+without servant, hair-brushes, toothbrushes, razors, sponges, pajamas,
+shoes. It was a solitude that might be felt. He thought of the sea
+journey with no kindly hand to minister to him, the arrival in Africa
+with no humble companion at his side, to wonder with him at the black
+inhabitants and help him through the customs--to say nothing of the
+manners. He thought of the dread homes of iniquity into which he
+must penetrate by night in search of the material for the voracious
+"Catherine." He had meant to take Darrell with him to them all--Darrell,
+whose joyful delight in the prospect of exploring the Eastern fastnesses
+of crime had been so boyish, so truly English in its frank, its even
+boisterous sincerity.
+
+And now he was utterly alone, almost like Robinson Crusoe.
+
+The _contrleur_ came in to make the bed. Mr. Greyne told him the
+dreadful story.
+
+"No doubt he has been lured away, monsieur. The dressing-case was of
+value?"
+
+"Crocodile, gold fittings."
+
+"Probably monsieur will never see him again. As likely as not he will
+sleep in the Seine to-night, and at the morgue to-morrow."
+
+Mr. Greyne shuddered. This was an ill omen for his expedition. He drank
+a stiff whisky-and-soda instead of the usual barley water, and went to
+bed to dream of bloody murders in which he was the victim.
+
+When the train ran into Marseilles next morning he was an unshaven,
+miserable man.
+
+"Have I time to buy a tooth-brush," he inquired anxiously at the
+station, "before the boat sails for Algiers?"
+
+The _chef de gare_ thought so. Monsieur had four hours, if that was
+sufficient. Mr. Greyne hastened forth, had a Turkish bath, purchased a
+new dressing-case, ate a hasty _djeuner_, and took a cab to the wharf.
+It was a long drive over the stony streets. He glanced from side to
+side, watching the bustling traffic, the hurry of the nations going to
+and from the ships. His eyes rested upon two Arabs who were striding
+along in his direction. Doubtless they were also bound for Algiers. He
+thought they looked most wicked, and hastily took a note of them for
+"African Frailty." Beside his sense of loss and loneliness marched the
+sense of duty. The great woman at home in Belgrave Square, founder of
+his fortunes, mother of his children, she depended upon him. Even in his
+own hour of need he would not fail her. He took a lead pencil, and wrote
+down:
+
+Saw two Arab ruffians. Bare legs. Look capable of anything. Should not
+be surprised to hear that they had----
+
+There he paused. That they had what? Done things. Of course, but what
+things? That was the question. He exerted his imagination, but failed to
+arrive at any conclusion as to their probable crimes. His knowledge
+of wickedness was really absurdly limited. For the first time he felt
+slightly ashamed of it, and began to wish he had gone into the militia.
+He comforted himself with the thought that in a fortnight he would
+probably be fit for the regular army. This thought cheered him slightly,
+and it was with a slight smile upon his face that he welcomed the first
+glimpse of the _Gnral Bertrand_, which was lying against the quay
+ready to cast off at the stroke of noon. Most of the passengers were
+aboard, but, as Mr. Greyne stepped out of his cab, and prepared to pay
+the Maltese driver, a trim little lady, plainly dressed in black, and
+carrying a tiny and rather coquettish hand-bag, was tripping lightly
+across the gangway. Mr. Greyne glanced at her as he turned to follow,
+glanced, and then started. That back was surely familiar to him. Where
+could he have seen it before? He searched his memory as the little lady
+vanished. It was a smart, even a _chic_ back, a back that knew how to
+take care of itself, a back that need not go through the world alone,
+a back, in fine, that was most distinctly attractive, if not absolutely
+alluring. Where had he seen it before, or had he ever seen it at all?
+He thought of his wife's back, flat, powerful, uncompromising. This was
+very different, more--how should he put it to himself?--more Algerian,
+perhaps. He could vaguely conceive it a back such as one might meet with
+while engaged in adding to one's stock of knowledge of--well--African
+frailty.
+
+At this moment the steward appeared to show him to his cabin, and his
+further reflections were mainly connected with the Gulf of Lyons.
+
+Twilight was beginning to fall when, so far as he was capable of
+thinking, he thought he would like a breath of air. For some moments he
+lay quite still, dwelling on this idea which had so mysteriously come to
+him. Then he got up, and thought again, seated upon the cabin floor.
+He knew there was a deck. He remembered having seen one when he came
+aboard. He put on his fur coat, still sitting on the cabin floor. The
+process took some time--he fancied about a couple of years. At last,
+however, it was completed, and he rose to his feet with the assistance
+of the washstand and the berth.
+
+The ship seemed very busy, full of almost American activity. He thought
+a greater calm would have been more decent, and waited in the hope
+that the floor would presently cease to forget itself. As it showed no
+symptoms of complying with his desire he endeavoured to spurn it, and,
+in the fulness of time, gained the companion.
+
+It was very strange, as he remembered afterwards, that only when he had
+gained the companion did the sense of his utter loneliness rush upon
+him with overwhelming force: one of the ironies of life, he supposed.
+Eventually he shook the companion off with a good deal of difficulty,
+and found himself installed upon planks under a grey sky, and holding
+fast to a railing, which was all that interposed between him and
+eternity.
+
+At first he was only conscious of greyness and the noise of winds
+and waters, but presently a black daub seemed to hover for a second
+somewhere on the verge of his world, to hover and disappear. He wondered
+what it was. A smut, perhaps. He rubbed his face. The daub returned.
+It was very large for a smut. He strove to locate it, and found that it
+must be somewhere on his left cheek. With a great effort he took out his
+pocket-handkerchief. Suddenly the daub assumed monstrous proportions.
+He turned his head, and perceived the lady in black whom he had seen
+tripping over the gangway on his arrival.
+
+She was a few steps from him, leaning upon the rail in an attitude of
+the deepest dejection, with her face averted; yet it struck him that her
+right shoulder was oddly familiar, as her back had surely been. The turn
+of her head, too--he coughed despairingly. The lady took no notice. He
+coughed again. Interest was quickening in him. He was determined to see
+the lady's face.
+
+This time she looked around, showing a pale countenance bedewed with
+tears, and totally devoid of any expression which he could connect with
+a consciousness of his presence. For a moment she stared vacantly at
+him, while he, with almost equal vacancy, regarded her. Then a thrill of
+surprise shook him. A sudden light of knowledge leaped up in him, and he
+exclaimed:
+
+"Mademoiselle Verbena!" "Monsieur?" murmured the lady, with an accent
+of surprise.
+
+"Mademoiselle Verbena! Surely it is--it must be!"
+
+He had staggered sideways, nearing her.
+
+"Mademoiselle Verbena, do you not know me? It is I, Eustace Greyne, the
+father of your pupils, the husband of Mrs. Eustace Greyne?"
+
+An expression of stark amazement came into the lady's face at these
+words. She leaned forward till her eyes were close to Mr. Greyne's then
+gave a little cry.
+
+"_Mon Dieu!_ It is true! You are so altered that I could not recognise.
+And then--what are you doing here, on the wide sea, far from madame?"
+
+"I was just about to ask you the very same question!" cried Mr. Greyne.
+
+
+
+
+IV
+
+"Alas, monsieur!" said Mademoiselle Verbena in her silvery voice, "I go
+to see my poor mother."
+
+"But I understood that she was dying in Paris."
+
+"Even so. But, when I reached the Rue St. Honor, I found that they
+had removed to Algiers. It was the only chance, the doctor said--a warm
+climate, the sun of Africa. There was no time to let me know. They took
+her away at once. And now I follow--perhaps to find her dead."
+
+Large tears rolled down her cheeks. Mr. Greyne was deeply affected.
+
+"Let us hope for the best," he exclaimed, seized by a happy inspiration.
+
+The Levantine strove to smile.
+
+"But you, monsieur, why are you here? Ah! perhaps madame is with you!
+Let me go to her! Let me kiss her dear hands once more----"
+
+Mr. Greyne mournfully checked her fond excitement.
+
+"I am quite alone," he said.
+
+A tragic expression came into the Levantine's face.
+
+"But, then----" she began.
+
+It was impossible for him to tell her about "Catherine." He was,
+therefore, constrained to subterfuge.
+
+"I--I was suddenly overtaken by--by influenza," he said, in some
+confusion. "The doctor recommended change of air, of scene."
+
+"He suggested Algiers----"
+
+"_Mon Dieu!_ It is like poor mamma!"
+
+"Precisely. Our constitutions are--are doubtless similar. I shall take
+this opportunity also of improving my knowledge of African manners
+and--and customs."
+
+A strange smile seemed to dawn for a second on Mademoiselle Verbena's
+face, but it died instantaneously in a grimace of pain.
+
+"My teeth make me bad," she said. "Ah, monsieur, I must go below,
+to pray for poor mamma--" she paused, then softly added, "and for
+monsieur."
+
+She made a movement as if to depart, but Mr. Greyne begged her to
+remain. In his loneliness the sight even of a Levantine whom he knew
+solaced his yearning heart. He felt quite friendly towards this poor,
+unhappy girl, for whom, perhaps, such a shock was preparing upon the
+distant shore.
+
+"Better stay!" he said. "The air will do you good."
+
+"Ah, if I die, what matter? Unless mamma lives there is no one in the
+world who cares for me, for whom I care."
+
+"There--there is Mrs. Greyne," said her husband. "And then St.
+Paul's--remember St. Paul's."
+
+"Ah _ce charmant_ St. Paul's! Shall I ever see him more?"
+
+She looked at Mr. Greyne, and suddenly--he knew not why--Mr. Greyne
+remembered the incident of the diary, and blushed.
+
+"Monsieur has fever!"
+
+Mr. Greyne shook his head. The Levantine eyed him curiously.
+
+"Monsieur wishes to say something to me, and does not like to speak."
+
+Mr. Greyne made an effort. Now that he was with this gentle lady,
+with her white face, her weeping eyes, her plain black dress, the mere
+suspicion that she could have opened a locked drawer with a secret key,
+and filched therefrom a private record, seemed to him unpardonable.
+Yet, for a brief instant, it had occurred to him, and Mrs. Greyne had
+seriously held it. He looked at Mademoiselle Verbena, and a sudden
+impulse to tell her the truth overcame him.
+
+"Yes," he said.
+
+"Tell me, monsieur."
+
+In broken words--the ship was still very busy--Mr. Greyne related the
+incident of the loss and finding of the diary. As he spoke a slight
+change stole over the Levantine's face. It certainly became less pale.
+
+"But you have fever now!" cried Mr. Greyne anxiously.
+
+"I! No; I flush with horror, not with fever! The diary, the sacred diary
+of madame, exposed to view, read by the children, perhaps the servants!
+That footman, Thomas, with the nose of curiosity! Ah! I behold that nose
+penetrating into the holy secrets of the existence of madame! I behold
+it--ah!"
+
+She burst into a fit of hysterics, the laughing species, which is
+so much more terrible than the other sort. Mr. Greyne was greatly
+concerned. He lurched to her, and implored her to be calm; but she only
+laughed the more, while tears streamed down her cheeks. The vision of
+Thomas gloating over Mrs. Greyne's diary seemed utterly to unnerve her,
+and Mr. Greyne was able to measure, by this ebullition of horror, the
+depth of the respect and affection entertained by her for his beloved
+wife. When, at length, she grew calmer he escorted her towards her
+cabin, offering her his arm, on which she leaned heavily. As soon as
+they were in the narrow and heaving passage she turned to him, and said:
+
+"Who can have taken the diary?"
+
+Mr. Greyne blushed again.
+
+"We think it was Thomas," he said.
+
+Mademoiselle Verbena looked at him steadily for a moment, then she
+cried:
+
+"God bless you, monsieur!"
+
+Mr. Greyne was startled by the abruptness of this pious ejaculation.
+
+"Why?" he inquired.
+
+"You are a good man. You, at least, would not condescend to insult a
+friendless woman by unworthy suspicions. And madame?"
+
+"Mrs. Greyne"--stammered Mr. Greyne--"is convinced that it was Thomas.
+In fact--in fact, she was the first to say so."
+
+Mademoiselle Verbena tenderly pressed his hand.
+
+"Madame is an angel. God bless you both!"
+
+She tottered into her cabin, and, as she shut the door, Mr. Greyne heard
+the terrible, laughing hysterics beginning again.
+
+The next day an influence from Africa seemed spread upon the sea. Calm
+were the waters, calm and blue. No cloud appeared in the sky. The fierce
+activities of the ship had ceased, and Mademoiselle Verbena tripped upon
+the deck at an early hour, to find Mr. Greyne already installed there,
+and looking positively cheerful. He started up as he perceived her, and
+chivalrously escorted her to a chair.
+
+Everyone who has made a voyage knows that the sea breeds intimacies. By
+the time the white houses of Algiers rose on their hill out of the bosom
+of the waves Mademoiselle Verbena and Mr. Greyne were--shall we say like
+sister and brother? She had told him all about her childhood in dear
+Paris, the death of her father the count, murmuring the name of Louis
+XVI., the poverty of her mother the countess, her own resolve to put
+aside all aristocratic prejudices and earn her own living. He, in
+return, had related his Eton days, his momentary bias towards the
+militia, his marriage--as an innocent youth--with Miss Eugenia
+Hannibal-Barker. Coming to later times, he was led to confide to the
+tenderhearted Levantine the fact that he hoped to increase his stock of
+knowledge while in Africa. Without alluding to "Catherine," he hinted
+that the cure of influenza was not his only reason for foreign travel.
+
+"I wish to learn something of men and--and women," he murmured in the
+shell-like ear presented to him. "Of their passions, their desires,
+their--their follies."
+
+"Ah!" cried Mademoiselle Verbena. "Would that I could assist monsieur!
+But I am only an ignorant little creature, and know nothing of the
+world! And I shall be ever at the bedside of mamma."
+
+"You will give me your address? You will let me inquire for the
+countess?"
+
+"Willingly; but I do not know where I shall be. There will be a message
+at the wharf. To what hotel goes monsieur?"
+
+"The Grand Hotel."
+
+"I will write there when I have seen mamma. And meanwhile----"
+
+They were coming into harbour. The heights of Mustapha were visible, the
+woods of the Bois de Boulogne, the towers of the Hotel Splendid.
+
+"Meanwhile, may I beg monsieur not to----" She hesitated.
+
+"Not to what?" asked Mr. Greyne most softly.
+
+"Not to let anyone in England know that I am here?"
+
+She paused. Mr. Greyne was silent, wondering. Mademoiselle Verbena
+drooped her head.
+
+"The world is so censorious. It might seem strange that I--that
+monsieur--a man young, handsome, fascinating--the same ship--I have no
+chaperon--enfin----"
+
+She could get out no more. Her delicacy, her forethought touched Mr.
+Greyne to tears.
+
+"Not a word," he said. "You are right. The world is evil, and, as you
+say, I am a--not a word!"
+
+He ventured to press her hand, as an elder brother might have pressed
+it. For the first time he realised that even to the husband of Mrs.
+Eustace Greyne the world might attribute--Goodness gracious! What might
+not the militia think, for instance?
+
+He felt himself, for one moment, potentially a dog.
+
+They parted in a whirl of Arabs on the quay. Mr. Greyne would have
+stayed to assist Mademoiselle Verbena, but she bade him go.
+
+She whispered that she thought it "better" that they should not seem
+to--_enfin!_
+
+"I will write to-morrow," she murmured. "_Au revoir!_"
+
+On the last word she was gone. Mr. Greyne saw nothing but Arabs and
+hotel porters. Loneliness seemed to close in on him once more.
+
+That very evening, after a cup of tea, he presented himself at the
+office of Rook near the Place du Gouvernement. As he came in he felt a
+little nervous. There were no tourists in the office, and a courteous
+clerk with a bright and searching eye at once took him in hand.
+
+"What can we do for you, sir?"
+
+"I am a stranger here," began Mr. Greyne.
+
+"Quite so, sir, quite so."
+
+The clerk twiddled his business-like thumbs, and looked inquiring.
+
+"And being so," Mr. Greyne went on, "it is naturally my wish to see as
+much of the town as possible; as much as possible, you understand."
+
+"You want a guide? Alphonso!"
+
+Turning, he shouted to an inner room, from which in a moment emerged a
+short, stout, swarthy personage with a Jewish nose, a French head, an
+Arab eye with a squint in it, and a markedly Maltese expression.
+
+"This is an excellent guide, sir," said the clerk. "He speaks
+twenty-five languages."
+
+The stout man, who--as Mr Greyne now perceived--had on a Swiss suit
+of clothes, a panama hat, and a pair of German elastic-sided boots,
+confessed in pigeon English, interspersed occasionally with a word or
+two of something which Mr. Greyne took to be Chinese, that such was
+undoubtedly the case.
+
+"What do you wish to see? The mosque, the bazaars, St. Eugne, La
+Trappe, Mustapha, the baths of the Etat-Major, the Jardin d'Essai,
+the Villa-Anti-Juif, the----"
+
+"One moment!" said Mr. Greyne.
+
+He turned to the clerk.
+
+"May I take a chair?"
+
+"Be seated, sir, pray be seated, and confer with Alphonso."
+
+So saying, he gave himself to an enormous ledger, while Mr. Greyne took
+a chair opposite to Alphonso, who stood in a Moorish attitude looking
+apparently in the direction of Marseilles.
+
+"I have come here," said Mr. Greyne, lowering his voice, "with a
+purpose.".
+
+"You wish to see the Belle Fatma. I will arrange it. She receives every
+evening in her house in the Rue ------"
+
+"One minute! One minute! You said the something 'Fatma'?"
+
+"The Belle Fatma, the most beautiful woman of Africa. She receives
+every----"
+
+"Pardon me! One moment! Is this lady----"
+
+Mr. Greyne paused.
+
+"Sir?" said Alphonso, settling his Spanish neck-tie, and gazing steadily
+towards Marseilles.
+
+"Is this lady--well, sinful?"
+
+Alphonso threw up his hands with a wild Asiatic gesture.
+
+"Sinful! La Belle Fatma! She is a lady of the utmost respectability
+known to all the town. You go to her house at eight, you take coffee
+upon the red sofas, you talk with La Belle, you see the dances and hear
+the music. Do not fear, sir; it is good, it is respectable as England,
+your country----"
+
+"If it is respectable I don't want to see it," interposed Mr. Greyne.
+"It would be a waste of time."
+
+The clerk lifted his head from the ledger, and Alphonso, by means of
+standing with his back almost square to Mr. Greyne, and looking over his
+right shoulder, succeeded at length in fixing his eye upon him.
+
+"I have not travelled here to see respectable things," continued Mr.
+Greyne, with a slight blush. "Quite the contrary."
+
+"Sir?"
+
+The voice of Alphonso seemed to have changed, to have taken on a hard,
+almost a menacing tone. Mr. Greyne thought of his beloved wife, of
+Merrin's exercise-books, and clenched his hands, endeavouring to feel,
+and to go on, like a militiaman.
+
+"Quite the contrary," he repeated firmly; "my object in coming to Africa
+is to--to search about in the Kasbah, and the disrep----"
+
+He choked, recovered himself, and continued: "Disreputable quarters of
+Algiers--hem------"
+
+"What for, sir?"
+
+The voice of Alphonso was certainly changed.
+
+"What for?" said Mr. Greyne, growing purple. "For frailty."
+
+"Sir?"
+
+"For frailty--for wickedness."
+
+A slight cackle emanated from the ledger, but immediately died away. A
+dead silence reigned in the office, broken only by the distant sound of
+the sea, and by the hard breathing of Alphonso, who had suddenly begun
+to pant.
+
+"I wish to go to all the wicked places--_all!_"
+
+The ledger cackled again more audibly. Mr. Greyne felt a prickling
+sensation run over him, but the thought of "Catherine" nerved him to
+his awful task.
+
+"It is my wife's express desire that I should do so," he added
+desperately, quite forgetting Mrs. Greyne's injunction to keep her dark
+in his desire to stand well with Rook's.
+
+The ledger went off into a hyena imitation, and Alphonso, turning
+still more away from Mr. Greyne, so as to get the eye fuller upon him,
+exclaimed, in a mixture of Aryan and Eurasian languages:
+
+"Sir, I am a respectable, unmarried man. I was born in Buenos Ayres,
+educated in Smyrna, came of age in Constantinople, and have practised as
+guide in Bagdad and other particular cities. I refuse to have anything
+to do with you and your wife."
+
+So saying, he bounced into the inner room, and banged the door, while
+the ledger gave itself up to peals of merriment, and Mr. Greyne tottered
+forth upon the sea-front, bathed in a cold perspiration, and feeling
+more guilty than a murderer.
+
+It was a staggering blow. He leaned over the stone parapet of the low
+wall, and let the soft breezes from the bay flit through his hair, and
+thought of Mrs. Greyne spurned by Alphonso. What was he to do? Kicked
+out of Rook's, to whom could he apply? There must be wickedness in
+Algiers, but where? He saw none, though night was falling and stout
+Frenchmen were already intent upon their absinthe.
+
+"Does monsieur wish to see the Kasbah to-night?"
+
+Was it a voice from heaven? He turned, and saw standing beside him a
+tall, thin, audacious-looking young man, with coal-black moustaches,
+magnificent eyes, and an air that was half-languid, half-serpentine.
+
+"Who are you?"
+
+"I am a guide, monsieur. Here are my certificates."
+
+He produced from the inner pocket of his coat a large bundle of dirty
+papers.
+
+"If monsieur will deign to look them over."
+
+But Mr. Greyne waved them away. What did he care for Certificates?
+Here was a guide to African frailty. That was sufficient. He was in a
+desperate mood, and uttered desperate words.
+
+"Look here," he said rapidly, "are you wicked?"
+
+"Very wicked, monsieur."
+
+"Good!"
+
+"Wicked, monsieur."
+
+"Right!"
+
+"Wrong, monsieur."
+
+"I mean that it is good for me that you are wicked."
+
+"Monsieur is very good."
+
+"Yes; but I wish to be--that is, to see the other thing. Can you
+undertake to show me everything shocking in Algiers?"
+
+"But certainly, monsieur. For a consideration."
+
+"Name your price."
+
+"Two hundred pounds, monsieur."
+
+Mr. Greyne started. It seemed a high figure.
+
+"Monsieur thought it would be more? I make a special price, because
+I have taken a fancy to monsieur. I remove fifty pounds. Monsieur, of
+course, will pay all expenses."
+
+"Of course, of course."
+
+It was no time to draw back.
+
+"How long will it take?"
+
+"To see all the shocking--?"
+
+"Precisely."
+
+"There is a good deal. A fortnight, three weeks. It depends on monsieur.
+If he is strong, and can do without sleep----"
+
+"We shall have to be up at night?"
+
+"Naturally."
+
+"I shall go to bed during the day, and get through it in a fortnight."
+
+"Perfectly."
+
+"Be at the Grand Hotel to-night at ten o'clock precisely."
+
+"At ten o'clock I will be there. Monsieur will pay a little in advance?"
+
+"Here are twenty pounds," cried Mr. Greyne recklessly.
+
+The audacious-looking young man took the notes with decision, made a
+graceful salute, and disappeared in the direction of the quay, while Mr.
+Greyne walked to his hotel, flushed with excitement, and feeling like
+the most desperate criminal in Africa. If the militia could see him now!
+
+At dinner he drank a bottle of champagne, and afterwards smoked a strong
+cigar over his coffee and liqueur. As he was finishing these frantic
+enjoyments the head waiter--a personage bearing a strong resemblance
+to an enlarged edition of Napoleon the First--approached him rather
+furtively, and, bending down, whispered in his ear:
+
+"A gentleman has called to take monsieur to the Kasbah."
+
+Mr. Greyne started, and flushed a guilty red.
+
+"I will come in a moment," he answered, trying to assume a nonchalant
+voice, such as that in which a hardened major of dragoons announces that
+in his time he was a devil of a fellow.
+
+The head waiter retired, looking painfully intelligent, and Mr. Greyne
+sprang upstairs, seized a Merrin's exercise-book and a lead pencil, put
+on a dark overcoat, popped one of the Springfield revolvers into the
+pocket of it, and hastened down into the hall of the hotel, where the
+audacious-looking young man was standing, surrounded by saucy
+chasseurs in gay liveries and peaked caps, by Algerian waiters, and by
+German-Swiss porters, all of whom were smiling and looking choke-full of
+sympathetic comprehension.
+
+"Ha!" said Mr. Greyne, still in the major's, voice. "There you are!"
+
+"Behold me, monsieur."
+
+"That's good."
+
+"Wicked, monsieur."
+
+"Well, let's be off to the mosque."
+
+One of the chasseurs--a child of eight who was thankful that he knew no
+better--burst into a piping laugh. The waiters turned hastily away, and
+the German-Swiss porters retreated to the bureau with some activity.
+
+"To the mosque--precisely, monsieur," returned the guide, with complete
+self-possession.
+
+They stepped out at once upon the pavement, where a carriage was in
+waiting.
+
+"Where are we going?" inquired Mr. Greyne in an anxious voice.
+
+"We are going to the heights to see the Ouled," replied the guide. "_En
+avant!_"
+
+He bounded in beside Mr. Greyne, the coachman cracked his whip, the
+horses trotted. They were off upon their terrible pilgrimage.
+
+
+
+
+V
+
+On the following afternoon, at a quarter to three, when Mr. Greyne
+came down to breakfast, he found, lying beside the boiled eggs, a
+note directed to him in a feminine handwriting. He tote it open with
+trembling fingers, and read as follows:--
+
+ 1 Rue du Petit Neore.
+
+ Dear Monsieur,--I am here. Poor mamma is in the hospital. I
+ am allowed to see her twice a day. At all other times I
+ remain alone, praying and weeping. I trust that monsieur has
+ passed a good night. For me, I was sleepless, thinking of
+ mamma. I go now to church.
+
+ Adele Verbena.
+
+He laid this missive down, and sighed deeply. How strangely innocent it
+was, how simple, how sincere! There were white souls in Algiers--yes,
+even in Algiers. Strange that he should know one! Strange that he, who
+had filled a Merrin's exercise-book with tiny writing, and had even
+overflowed on to the cover after "crossing" many pages, should receive
+the child-like confidences of one! "I go now to the church." Tears came
+into his eyes as he laid the letter down beside a pile of buttered toast
+over which the burning afternoon sun of Africa was shining.
+
+"Monsieur will take milk and sugar?"
+
+It was the head waiter's Napoleonic voice. Mr. Greyne controlled
+himself. The man was smiling intelligently. All the staff of the hotel
+smiled intelligently at Mr. Greyne to-day--the waiters, the porters, the
+chasseurs. The child of eight who was thankful that he knew no better
+had greeted him with a merry laugh as he came down to breakfast, and an
+"_Oh, l, l!_" which had elicited a rebuke from the proprietor. Indeed,
+a wave of human sympathy flowed upon Mr. Greyne, whose ashy face and
+dull, washed-out eyes betrayed the severity of his night-watch.
+
+"Monsieur will feel better after a little food."
+
+The head waiter handed the buttered toast with bland majesty, at the
+same time shooting a reproving glance at the little chasseur, who was
+peeping from behind the door at the afternoon breakfaster.
+
+"I feel perfectly well," replied Mr. Greyne, with an attempt at
+cheerfulness.
+
+"Still, monsieur will feel much better after a little food."
+
+Mr. Greyne began to toy with an egg.
+
+"You know Algiers?" he asked.
+
+"I was born here, monsieur. If monsieur wishes to explore to-night again
+the Kasbah I can----"
+
+But Mr. Greyne stopped him with a gesture that was almost fierce.
+
+"Where is the Rue du Petit Ngre?"
+
+"Monsieur wishes to go there to-night?"
+
+"I wish to go there now, directly I have finished break--lunch."
+
+The head waiter's face was wreathed with humorous surprise.
+
+"But monsieur is wonderful--superb! Never have I seen a traveller like
+monsieur!"
+
+He gazed at Mr. Greyne with tropical appreciation.
+
+"Monsieur had better have a carriage. The street is difficult to find."
+
+"Order me one. I shall start at once."
+
+Mr. Greyne pushed away the sunlit buttered toast, and got up.
+
+"Monsieur is superb. Never have I seen a traveller like monsieur!"
+Napoleon's voice was almost reverent. He hastened out, followed slowly
+by Mr. Greyne.
+
+"A carriage for monsieur! Monsieur desires to go to the Rue du Petit
+Ngre!"
+
+The staff of the hotel gathered about the door as if to speed a royal
+personage, and Mr. Greyne noticed that their faces too were touched
+with an almost startled reverence. He stepped into the carriage, signed
+feebly, but with determination, to the Arab coachman, and was driven
+away, followed by a parting "_Oh, l l!_" from the chasseur, uttered in
+a voice that sounded shrill with sheer amazement.
+
+Through winding, crowded streets he went, by bazaars and Moorish
+bath-houses, mosques and Catholic churches, barracks and cafs, till at
+length the carriage turned into an alley that crept up a steep hill. It
+moved on a little way, and then stopped.
+
+"Monsieur must descend here," said the coachman. "Mount the steps, go
+to the right and then to the left. Near the summit of the hill he will
+find the Rue du Petit Ngre. Shall I wait for monsieur?"
+
+"Yes."
+
+The coachman began to make a cigarette, while Mr. Greyne set forth
+to follow his directions, and, at length, stood before an arch, which
+opened into a courtyard adorned with orange-trees in tubs, and paved
+with blue and white tiles. Around this courtyard was a three-storey
+house with a flat roof, and from a bureau near a little fountain a stout
+Frenchwoman called to demand his business. He asked for Mademoiselle
+Verbena, and was at once shown into a saloon lined with chairs covered
+with yellow rep, and begged to take a seat. In two minutes Mademoiselle
+Verbena appeared, drying her eyes with a tiny pocket-handkerchief, and
+forcing a little pathetic smile of welcome. Mr. Greyne clasped her hand
+in silence. She sat down in a rep chair at his right, and they looked at
+each other.
+
+"_Mais, mon Dieu!_ How monsieur is changed!" cried the Levantine. "If
+madame could see him! What has happened to monsieur?"
+
+"Miss Verbena," replied Mr. Greyne, "I have seen the Ouled on the
+heights."
+
+A spasm crossed the Levantine's face. She put her handkerchief to it for
+a moment. "What is an Ouled?" she inquired, withdrawing it.
+
+"I dare not tell you," he replied solemnly.
+
+"But indeed I wish to know, so that I may sympathise with monsieur."
+
+Mr. Greyne hesitated, but his heart was full; he felt the need of
+sympathy. He looked at Mademoiselle Verbena, and a great longing to
+unburden himself overcame him.
+
+"An Ouled," he replied, "is a dancing-girl from the desert of Sahara."
+
+"_Mon Dieu!_ How does she dance? Is it a valse, a polka, a quadrille?"
+"No. Would that it were!" And Mr. Greyne, unable further to govern
+his desire for full expression, gave Mademoiselle Verbena a slightly
+Bowdlerised description of the dances of the desert. She heard him with
+amazement.
+
+"How terrible!" she exclaimed when he had finished. "And does one pay
+much to see such steps of the Evil One?"
+
+"I gave her twenty pounds. Abdallah Jack----"
+
+"Abdallah Jack?"
+
+"My guide informed me that was the price. He tells me it is against
+the law, and that each time an Ouled dances she risks being thrown into
+prison."
+
+"Poor lady! How sad to have to earn one's bread by such devices, instead
+of by teaching to the sweet little ones of monsieur the sympathetic
+grammar of one's native country."
+
+Mr. Greyne was touched to the quick by this allusion, which brought, as
+in a vision, the happy home in Belgrave Square before him.
+
+"You are an angel!" he exclaimed.
+
+Mademoiselle Verbena shook her head.
+
+"And this poor Ouled, you will go to her again?
+
+"Yes. It seems that she is in communication with all the--the--well,
+all the odd people of Algiers, and that one can only get at them through
+her."
+
+"Indeed?"
+
+"Abdallah Jack tells me that while I am here I should pay her a weekly
+salary, and that, in return, I shall see all the terrible ceremonies of
+the Arabs. I have decided to do so------
+
+"Ah, you have decided!"
+
+For a moment Mr. Greyne started. There seemed a new sound in
+Mademoiselle Verbena's voice, a gleam in her dark brown eyes.
+
+"Yes," he said, looking at her in wonder. "But I have not yet told
+Abdallah Jack."
+
+The Levantine looked gently sad again.
+
+"Ah," she said in her usual pathetic voice, "how my heart bleeds for
+this poor Ouled. By the way, what is her name?"
+
+"Aishoush."
+
+"She is beautiful?"
+
+"I hardly know. She was so painted, so tattooed, so very--so very
+different from Mrs. Eustace Greyne."
+
+"How sad! How terrible! Ah, but you must long for the dear bonnet
+strings of madame?"
+
+Did he? As she spoke Mr. Greyne asked himself the question. Shocked as
+he was, fatigued by his researches, did he wish that he were back again
+in Belgrave Square, drinking barley water, pasting notices of his wife's
+achievements into the new album, listening while she read aloud from
+the manuscript of her latest novel? He wondered, and--how strange, how
+almost terrible--he was not sure.
+
+"Is it not so?" murmured Mademoiselle Verbena.
+
+"Naturally I miss my beloved wife," said Mr. Greyne with a certain
+awkwardness. "How is your poor, dear mother?"
+
+Tears came at once into the Levantine's eyes.
+
+"Very, very ill, monsieur. Still there is a chance--just a chance that
+she may not die. Ah, when I sit here all alone in this strange place, I
+feel that she will perish, that soon I shall be quite deserted in this
+cruel, cruel world!"
+
+The tears began to flow down her cheeks with determination. Mr. Greyne
+was terribly upset.
+
+"You must cheer up," he exclaimed. "You must hope for the best."
+
+"Sitting here alone, how can I?"
+
+She sobbed.
+
+"Sitting here alone--very true!"
+
+A sudden thought, a number of sudden thoughts, struck him.
+
+"You must not sit here alone."
+
+"Monsieur!"
+
+"You must come out. You must drive. You must see the town, distract
+yourself."
+
+"But how? Can a--a girl go about alone in Algiers?"
+
+"Heaven forbid! No; I will escort you."
+
+"Monsieur!"
+
+A smile of innocent, girlish joy transformed her face, but suddenly she
+was grave again.
+
+"Would it be right, _convenable?_"
+
+Mr. Greyne was reckless. The dog potential rose up in him again.
+
+"Why not? And, besides, who knows us here? Not a soul."
+
+"That is true."
+
+"Put on your bonnet. Let us start at once!"
+
+"But I do not wear the bonnet. I am not like madame."
+
+"To be sure. Your hat."
+
+And as she flew to obey him, Mr. Eustace Greyne found himself impiously
+thanking the powers that be for this strange chance of going on the
+spree with a toque. When Mademoiselle Verbena returned he was looking
+almost rakish. He eyed her neat black hat and close-fitting black jacket
+with a glance not wholly unlike that of a militiaman. In her hand she
+held a vivid scarlet parasol.
+
+"Monsieur," she said, "it is terrible, this _ombrelle_, when mamma lies
+at death's door. But what can I do? I have no other, and cannot afford
+to buy one. The sun is fierce. I dare not expose myself to it without a
+shelter."
+
+She seemed really distressed as she opened the parasol, and spread the
+vivid silk above her pretty black-clothed figure; but Mr. Greyne thought
+the effect was brilliant, and ventured to say so. As they passed the
+bureau by the fountain on their way out the stout Frenchwoman cast an
+approving glance at Mademoiselle Verbena.
+
+"The little rat will not see much more of the little negro now," she
+murmured to herself. "After all the English have their uses."
+
+
+
+
+VI
+
+In Belgrave Square Mrs. Eustace Greyne was beginning to get slightly
+uneasy. Several things combined to make her so. In the first place,
+Mademoiselle Verbena had never returned from her mother's Parisian
+bedside, and had not even written a line to say how the dear parent was,
+and when the daughter's nursing occupation was likely to be over. In the
+second place, Adolphus, in consequence of the Levantine's absence, had
+totally lost his grasp, always uncertain, upon the irregular verbs.
+In the third place, Darrell, the valet, had returned to London the day
+after his departure from it, minus not only his master's dressing-case,
+but minus everything he possessed. His story was that, while waiting at
+the station in Paris for his master's appearance, he had entered into
+conversation with an agreeable stranger, and been beguiled into the
+acceptance of an absinthe at a caf just outside. After swallowing
+the absinthe he remembered nothing more till he came to himself in a
+deserted waiting-room at the Gare du Nord, back to which he had been
+mysteriously conveyed. In his pocket was no money, no watch, only
+the return half of a second-class ticket from London to Paris. He,
+therefore, wandered about the streets till morning broke, and then came
+back to London a crestfallen and miserable man, bemoaning his untoward
+fate, and cursing "them blasted Frenchies" from the bottom of his
+British heart.
+
+Mrs. Greyne's anxiety on her husband's behalf, now that he was thrown
+absolutely unattended upon the inhospitable shores of Africa, was not
+lessened by a fourth circumstance, which, indeed, worried her far
+more than all the others put together. This was Mr. Greyne's prolonged
+absence from her side. Precisely one calendar month had now elapsed
+since he had buried his face in her prune bonnet strings at Victoria
+Station, and there seemed no prospect of his return. He wrote to her,
+indeed, frequently, and his letters were full of wistful regret and
+longing to be once more safe in the old homestead in Belgrave Square,
+drinking barley water, and pasting Romeike & Curtice notices into the
+new album which lay, gaping for him, upon the table of his sanctum. But
+he did not come; nay, more, he wrote plainly that there was no prospect
+of his coming for the present. It seemed that the wickedness of Africa
+was very difficult to come at. It did not lie upon the surface, but was
+hidden far down in depths to which the ordinary tourist found it almost
+impossible to penetrate. In his numerous letters Mr. Greyne described
+his heroic and unremitting exertions to fill the Merrin's note-books
+with matter that would be suitable for the purging of humanity. He set
+out in full his interview with Alphonso at the office of Rook, and
+his definite rejection by that cosmopolitan official. According to
+the letters, after this event he had spent no less than a fortnight
+searching in vain for any sign of wickedness in the Algerian capital. He
+had frequented the cafs, the public bars, the theatres, the churches.
+He had been to the Velodrome. He had sat by the hour in the Jardin
+d'Essai. At night he had strolled in the fairs and hung about the
+circus. Yet nowhere had he been able to perceive anything but the
+most innocent pleasure, the simple merriment of a gay and guileless
+population to whom the idea of crime seemed as foreign as the idea of
+singing the English national anthem.
+
+During the third week it was true that matters--always according to Mr.
+Greyne's letters home--slightly improved. While walking near the quay,
+in active search for nautical outrage, he saw an Arab dock labourer,
+who had been over-smoking kief, run amuck, and knock down a couple of
+respectable snake-charmers who were on the point of embarkation for
+Tunis with their reptiles. This incident had filed up a half-score of
+pages in exercise-book number one, and had flooded Mr. Greyne with hope
+and aspiration. But it was followed by a stagnant lull which had lasted
+for days and had only been disturbed by the trifling incident of
+a gentleman in the Jewish quarter of the town setting fire to a
+neighbour's bazaar, in the very natural endeavour to find a French
+half-penny which he had chanced to drop among a bale of carpets while
+looking in to drive a soft bargain. As Mrs. Greyne wired to Algiers,
+such incidents were of no value to "Catherine."
+
+A very active interchange of views had gone on between the husband and
+wife as time went by, and the book was at a standstill. At first Mrs.
+Greyne contented herself with daily letters, but latterly she had
+resorted to wires, explanatory, condemnatory, hortatory, and even
+comminatory. She began bitterly to regret her husband's well-proven
+innocence, and wished she had despatched an uncle of hers by marriage,
+an ex-captain in the Royal Navy, who, she began to feel certain, would
+have been able to find far more frailty in Algiers than poor Eustace, in
+his simplicity, would ever come at. She even began to wish that she had
+crossed the sea in person, and herself boldly set about the ingathering
+of the material for which she was so impatiently waiting.
+
+Her uneasiness was brought to a head by a letter from a house agent,
+stating that the corner mansion in Park Lane next to the Duke of
+Ebury's was being nibbled at by a Venezuelan millionaire. She wired this
+terrible fact at once to Africa, adding, at an enormous expenditure of
+cash:
+
+ This will never do. You are too innocent, and cannot see
+ what lies before you. Obtain assistance. Go to the British
+ consul.
+
+Mr. Greyne at once cabled back:
+
+ Am following your advice. Will wire result. Regret my
+ innocence, but am distressed that you should so utterly
+ condemn it.
+
+Upon receiving this telegram at night, before a lonely dinner, Mrs.
+Eustace Greyne was deeply moved. She felt she had been hasty. She knew
+that to very few women was it given to have a husband so free from
+all masculine infirmities as Mr. Greyne. At the same time there was
+"Catherine," there was the mansion in Park Lane, there was the Venezuelan
+millionaire. She began to feel distracted, and, for the first time in
+her life, refused to partake of sweetbreads fried in mushroom ketchup,
+a dish which she had greatly affected from the time when she wrote her
+first short story. While she was in the very act of waving away this
+delicacy a footman came in with a foreign telegram. She opened it
+quickly, and read as follows:--
+
+ British consul horrified; was ignominiously expelled from
+ consulate; great scandal; am much upset, but will never give
+ in, for your sake. Eustace.
+
+As the dread meaning of these words penetrated at length to Mrs.
+Greyne's voluminous brain a deep flush overspread her noble features.
+She rose from the table with a determination that struck awe to the
+hearts of the powdered underlings, and, drawing herself up to her full
+height, exclaimed:
+
+"Send Mrs. Forbes at once to my study, if you please--at once, do you
+understand?"
+
+In a moment Mrs. Forbes, who was the great novelist's maid, appeared on
+the threshold of the oracle's lair. She was a sober-looking, black-silk
+personage, who always wore a pork-pie cap in the house, and a Mother
+Hubbard bonnet out of it. Having been in service with Mrs. Greyne ever
+since the latter penned her last minor poetry--Mrs. Greyne had been a
+minor poet for three years soon after she put her hair up--Mrs. Forbes
+had acquired a certain literary expression of countenance and a manner
+that was decidedly prosy. She read a good deal after her supper of an
+evening, and was wont to be the arbiter when any literary matter was
+discussed in the servants' hall.
+
+"Madam?" she said, respectfully entering the room, and bending the
+pork-pie cap forward in an attentive attitude.
+
+Mrs. Greyne was silent for a moment. She appeared to be thinking deeply.
+Mrs. Forbes gently closed the door, and sighed. It was nearly her
+supper-time, and she felt pensive.
+
+"Madam?" she said again.
+
+Mrs. Greyne looked up. A strange fire burned in her large eyes.
+
+"Mrs. Forbes," she said at length, with weighty deliberation, "the
+mission of woman in the world is a great one."
+
+"Very true, madam. My own words to Butler Phillips no longer ago than
+dinner this midday."
+
+"It is the protecting of man--neither more nor less."
+
+"My own statement, madam, to Second Footman Archibald this self-same day
+at the tea-board."
+
+"Man needs guidance, and looks for it to us--or rather to me."
+
+At the last word Mrs. Forbes pinched her lips together, and appeared
+older than her years and sourer than her normal temper.
+
+"At this moment, Mrs. Forbes," continued Mrs. Greyne, with rising
+fervour, "he looks for it to me from Africa. From that dark continent
+he stretches forth his hands to me in humble supplication."
+
+"Mr. Greyne has not been taken with another of his bilious attacks, I
+hope, madam?" said Mrs. Forbes.
+
+Mrs. Greyne smiled. The ignorance of the humbly born entertained her. It
+was so simple, so transparent.
+
+"You fail to understand me," she answered. "But never mind; others have
+done the same."
+
+She thought of her reviewers. Mrs. Forbes smiled. She also could be
+entertained.
+
+"Madam?" she inquired once more after a pause.
+
+"I shall leave for Africa to-morrow morning," said Mrs. Greyne. "You
+will accompany me."
+
+There was a dead silence.
+
+"You will accompany me. Do you understand? Obtain assistance from
+the housemaids in the packing. Select my quietest gowns, my least
+conspicuous bonnets. I have my reasons for wishing, while journeying to
+Africa and remaining there, to pass, if possible, unnoticed."
+
+Again there was a pause. Mrs. Greyne looked up at Mrs. Forbes, and
+observed a dogged expression upon her countenance.
+
+"What is the matter?" she asked the maid.
+
+"Do we go by Paris, madam?" said Mrs. Forbes.
+
+"Certainly."
+
+"Then, madam, I'm very sorry, but I couldn't risk it, not if it was ever
+so----"
+
+"Why not? Why this fear of Lutetia?"
+
+"Madam, I'm not afraid of any Lutetia as ever wore apron, but to go
+to Paris to be drugged with absint, and put away in a third-class
+waiting-room like a package--I couldn't madam, not even if I have to
+leave your service."
+
+Mrs. Greyne recognised that the episode of the valet had struck home to
+the lady's maid.
+
+"But you will not leave my side."
+
+"They will absint you, madam."
+
+"But you will travel first in a sleeping-car."
+
+Mrs. Forbes put up her hand to her pork-pie cap, as if considering.
+
+"Very well, madam, to oblige you I will undergo it," she said at length.
+"But I would not do the like for another living lady."
+
+"I will raise your wages. You are a faithful creature."
+
+"Does master expect us, madam?" asked Mrs. Forbes as she prepared to
+retire.
+
+A bright and tender look stole into Mrs. Greyne's intellectual face.
+
+"No," she replied.
+
+She turned her large and beaming eyes full upon the maid.
+
+"Mrs. Forbes," she said, with an amount of emotion that was very rare in
+her, "I am going to tell you a great truth."
+
+"Madam?" said Mrs. Forbes respectfully.
+
+"The sweetest moments of life, those which lift man nearest heaven, and
+make him thankful for the great gift of existence, are sometimes those
+which are unforeseen."
+
+She was thinking of Mr. Greyne's ecstasy when, upon the inhospitable
+African shore where he was now enduring such tragic misfortunes, he
+perceived the majestic form of his loved one--his loved one whom he
+believed to be in Belgrave Square--coming towards him to soothe, to
+comfort, to direct. She brushed away a tear.
+
+"Go, Mrs. Forbes," she said.
+
+And Mrs. Forbes retired, smiling.
+
+An epic might well be written on the great novelist's journey to Africa,
+upon her departure from Charing Cross, shrouded in a black gauze veil,
+her silent thought as the good ship _Empress_ rode cork-like upon the
+Channel waves, her ascetic lunch--a captain's biscuit and a glass of
+water--at the buffet at Calais, her arrival in Paris when the shades
+of night had fallen. An epic might well be written. Perhaps some day it
+will be, by herself.
+
+In Paris she suffered a good deal on account of Mrs. Forbes, who, in her
+fear of "ab-sint," became hysterical, and caused not a little annoyance
+by accusing various inoffensive French travellers of nefarious designs
+upon her property and person. In the Gulf of Lyons she suffered even
+more, and as, unluckily, the wind was contrary and the sea prodigious
+during the whole of the passage across the Mediterranean, both she and
+Mrs. Forbes arrived at Algiers four hours late, in a condition which may
+be more easily imagined than properly described.
+
+Genius in thrall to the body, and absolutely dependent upon green
+chartreuse for its flickering existence, is no subject for even a
+sympathetic pen. Sufficient to say that, when the ship came in under the
+lights of Algiers, the crowd of shouting Arabs was struck to silence by
+the spectacle of Mrs. Greyne and Mrs. Forbes endeavouring to disembark,
+in bonnets that were placed seaward upon the head instead of landward,
+unbuttoned boots, and gowns soaked with the attentions of the waves.
+
+After being gently and permanently relieved of their light hand-baggage,
+the mistress and maid, who seemed greatly overwhelmed by the sight
+of Africa, and who moved--or rather were carried--as in a dream, were
+placed reverently in the nearest omnibus, and conveyed to the farthest
+hotel, which was situated upon a lofty hill above the town. Here a
+slightly painful scene took place.
+
+Having been assisted by the staff into a Moorish hall, Mrs. Greyne
+inquired in a reticent voice for her husband, and was politely informed
+that there was no person of the name of Greyne in the hotel. For a
+moment she seemed threatened with dissolution, but with a supreme effort
+calling upon her mighty brain she surmised that her husband was possibly
+passing under a pseudonym in order to throw America off the scent. She,
+therefore, demanded to have the guests then present in the hotel at once
+paraded before her. As there was some difficulty about this--the guests
+being then at dinner--she whispered for the visitors' book, thinking
+that, perchance, Mr. Greyne had inscribed his name there, and that the
+staff, being foreign, did not recognise it as murmured by herself. The
+book was brought, upon its cover in golden letters the words: "Htel
+Loubet et Majestic." Then explanations of a somewhat disagreeable nature
+occurred, and Mrs. Greyne and Mrs. Forbes, after a heavy payment had
+been exacted for their conveyance to a place they had desired not to
+go to, were carried forth, and consigned to another vehicle, which at
+length brought them, on the stroke of nine, to the Grand Hotel.
+
+Having been placed reverently in the brilliantly-lighted hall, they were
+surrounded by the proprietor, the _matre d'htel_ and his assistants,
+the porters, and the chasseurs, with all of whom Mr. Greyne was
+now familiar. Brandy and water having been supplied, together with
+smelling-salts and burnt feathers, Mrs. Greyne roused herself from an
+acute attack of lethargy, and asked for Mr. Greyne. A joyous smile ran
+round the circle.
+
+"Monsieur Greyne," said the proprietor, "who is living here for the
+winter?" 4
+
+"Mr. Eustace Greyne," murmured the great novelist, grasping her bonnet
+with both hands.
+
+The _matre d'htel_ drew nearer.
+
+"Madame wishes to see Monsieur Greyne?" he asked.
+
+"I do--at once."
+
+A blessed consciousness of Mother Earth was gradually beginning to steal
+over her. She even strove feebly to sit up on her chair, a German-Swiss
+porter of enormous size assisting her.
+
+"But Monsieur Greyne is out."
+
+"Out?"
+
+"Yes, madame. Monsieur Greyne is always out at night."
+
+The eyes of the little chasseur who knew no better began to twinkle.
+Mrs. Forbes gave a slight cough. Tears filled the novelist's eyes.
+
+"God bless my Eustace!" she murmured, deeply touched by this evidence of
+his devotion to her interests.
+
+"Madame says----" asked the proprietor.
+
+"Where does Mr. Greyne go?" inquired the novelist.
+
+"To the Kasbah, madame."
+
+"I knew it!" cried Mrs. Greyne, with returning animation. "I knew it
+would be so!"
+
+"Madame is acquainted with Monsieur Greyne?" said the _matre d'htel_,
+while the little crowd gathered more closely about the wave-worn group.
+
+"I am Mrs. Eustace Greyne," returned the great novelist recklessly. "I
+am the wife of Mr. Eustace Greyne."
+
+There was a moment of supreme silence. Then a loud, an even piercing
+"_Oh, l, l,_ broke upon the air, succeeded instantaneously by a burst
+of laughter that seemed to thrill with all the wild blessedness of
+boyhood. It came, of course, from the little chasseur; it came, and
+stayed. Nothing could stop it, and eventually the happy child had to be
+carried forth upon the sea-front to enjoy his innocent mirth at leisure
+and in solitude beneath the African stars. Mrs. Greyne did not notice
+his disappearance. She was intent upon important matters.
+
+"At what time does Mr. Greyne usually set forth?" she asked of the
+proprietor, whose face now bore a strangely twisted appearance, as if
+afflicted by a toothache.
+
+"Immediately after dinner, madame, if not before. Of late it has
+generally been before."
+
+"And he stays out late?"
+
+"Very late, madame."
+
+The twisted appearance began to seem infectious. It was visible upon the
+faces of most of those surrounding Mrs. Greyne and Mrs. Forbes. Indeed,
+even the latter showed some signs of it, although the large shadow cast
+over her features by the hind side of her Mother Hubbard bonnet to some
+extent disguised them from the public view.
+
+"Till what hour?" pursued Mrs. Greyne in a voice of almost yearning
+tenderness and pity.
+
+"Well, madame"--the proprietor displayed some slight confusion--"I
+really can hardly say. The _matre d'htel_ can perhaps inform you."
+
+Mrs. Greyne turned her ox-like eyes upon the enlarged edition of
+Napoleon the First.
+
+"Monsieur Greyne seldom returns before seven or eight o'clock in the
+morning, madame. He then retires to bed, and comes down to breakfast at
+about four o'clock in the afternoon."
+
+Mrs. Greyne was touched to the very quick. Her husband was sacrificing
+his rest, his health--nay, perhaps even his very life--in her service.
+It was well she had come, well that a period was to be put to these
+terrible researches. They should be stopped at once, even this very
+night. Better a thousand literary failures than that her husband's
+existence should be placed in jeopardy. She rose suddenly from her
+chair, tottered, gasped, recovered herself, and spoke.
+
+"Prepare dinner for me at once," she said, "and order a carriage and a
+competent guide to be before the door in half-an-hour."
+
+"Madame is going out? But madame is ill, tired!"
+
+"It matters not."
+
+"Where does madame wish to go?"
+
+"I am going to the Kasbah to find my husband."
+
+"I will escort madame."
+
+The proprietor, the _matre d'htel_, the waiters, the porters, the
+chasseurs, Mrs. Greyne and Mrs. Forbes, all turned about to face the
+determined speaker.
+
+And there before them, his dark eyes gleaming, his long moustaches
+bristling fiercely--here stood Abdallah Jack.
+
+
+
+
+VII
+
+Man is a self-deceiver. It must, therefore, ever be a doubtful point
+whether Mr. Eustace Greyne, during his residence in Africa, absolutely
+lost sight of his sense of duty; whether, beguiled by the lively
+attentions of a fiercely foreign town, he deliberately resolved to
+take his pleasure regardless of consequences and of the sacred ties of
+Belgrave Square. We prefer to think that some vague idea of combining
+two duties--that which he owed to himself and that which he owed to Mrs.
+Greyne--moved him in all he did, and that the subterfuge into which
+he was undoubtedly led was not wholly selfish, not wholly criminal.
+Nevertheless, that he had lied to his beloved wife is certain. Even
+while she sat over a cutlet and a glass of claret in the white-and-gold
+dining-room of the Grand Hotel, preparatory to her departure to the
+Kasbah with Abdallah Jack, the dozen of Merrin's exercise-books lay
+upstairs in Mr. Greyne's apartments filled to the brim with African
+frailty. Already there was material enough in their pages to furnish
+forth a library of "Catherines." Yet Mr. Greyne still lingered far from
+his home, and wired to that home fabricated accounts of the singular
+innocence of Algiers. He even allowed it to be supposed that his
+own innocence stood in the way of his fulfilment of Mrs. Greyne's
+behests--he who could now have given points in knowledge of the world to
+whole regiments of militiamen!
+
+It was not right, and, doubtless, he must stand condemned by every
+moralist. But let it not be forgotten that he had fallen under the
+influence of a Levantine.
+
+Mademoiselle Verbena's mother, hidden in some unnamed hospital of
+Algiers, appeared to be one of those ingenious elderly ladies who can
+hover indefinitely upon the brink of death without actually dying.
+During the whole time that Mr. Greyne had been in Africa her state had
+been desperate, yet she still clung to life. As her daughter said, she
+possessed extraordinary vitality, and this vitality seemed to have been
+inherited by her child. Despite her grave anxieties Mademoiselle Verbena
+succeeded in sustaining a remarkable cheeriness, and even a fascinating
+vivacity, when in the company of others. As she said to Mr. Greyne,
+she did not think it right to lay her burdens upon the shoulders of her
+neighbours. She, therefore, forced herself to appear contented, even at
+various moments gay, when she and Mr. Greyne were lunching, dining, or
+supping together, were driving upon the front, sailing upon the azure
+waters of the bay, riding upon the heights beyond El-Biar, or, ensconced
+in a sumptuous private box, listening to the latest French farce at one
+or another of the theatres. Only one day, when they had driven out to
+the monastery at La Trappe de Staouli, did a momentary cloud descend
+upon her piquant features, and she explained this by the frank
+confession that she had always wished to become a nun, but had been
+hindered from following her vocation by the necessity of earning money
+to support her aged parents. Mr. Greyne had never seen the Ouled since
+his first evening in Algiers, but he still paid her a weekly salary,
+through Abdallah Jack, who explained to him that the interesting lady,
+in a discreet retirement, was perpetually occupied in arranging the
+exhibitions of African frailty at which he so frequently assisted.
+She was, in fact, earning her liberal salary. Mademoiselle Verbena
+and Abdallah Jack had met on several occasions, and Mr. Greyne had
+introduced the latter to the former as his guide, and had generously
+praised his abilities; but in Mademoiselle Verbena took very little
+notice of him, and, as time went on, Abdallah Jack seemed to conceive
+a most distressing dislike of her. On several occasions he advised Mr.
+Greyne not to frequent her company so assiduously, and when Mr. Greyne
+asked him to explain the meaning of his monitions he took refuge in
+vague generalities and Eastern imagery. He had a profound contempt
+for women as companions, which grieved Mr. Greyne's Western ideas,
+and evidently thought that Mademoiselle Verbena ought to be clapped
+forthwith into a long veil, and put away in a harem behind an iron
+grille. When Mr. Greyne explained the English point of view Abdallah
+Jack took refuge in a sulky silence; but during the week immediately
+preceding the arrival of Mrs. Greyne his temper had become actively
+bad, and Mr. Greyne began seriously to consider whether it would not
+be better to pay him a last _douceur_, and tell him to go about his
+business.
+
+Before doing this, however, Mr. Greyne desired to have one more
+interview with the mysterious Ouled on the heights, to whom he owed the
+knowledge which would henceforth enable him to cut out the militia. He
+said so to Abdallah Jack. The latter agreed sulkily to arrange it;
+and matters so fell out that on the night of Mrs. Greyne's arrival
+her husband was seated in a room in one of the remotest houses of the
+Kasbah, watching the Ouled's mysterious evolutions, while Mademoiselle
+Verbena--as she herself had informed Mr.4 Greyne--sat in the hospital by
+the bedside of her still dying mother. Abdallah Jack had apparently been
+most anxious to assist at Mr. Greyne's interview with the Ouled, but
+Mr. Greyne had declined to allow this. The evil temper of the guide was
+beginning to get thoroughly upon his employer's nerves, and even the
+natural desire to have an interpreter at hand was overborne by the
+dislike of Abdallah Jack's morose eyes and sarcastic speeches about
+women. Moreover, the Ouled spoke a word or two of uncertain French.
+
+Thus, therefore, things fell out, and such was the precise situation
+when Mrs. Greyne flicked a crumb from her chocolate brocade gown, tied
+her bonnet strings, and rose from table to set forth to the Kasbah with
+Abdallah Jack.
+
+It was a radiant night. In the clear sky the stars shone brilliantly,
+looking down upon the persistent convulsions of the little chasseur, who
+had not yet recovered from his attack of merriment on learning who
+Mrs. Greyne was. The sea, quite calm now that the great novelist was no
+longer upon it, lapped softly along the curving shores of the bay. The
+palm-trees of the town garden where the band plays on warm evenings
+waved lazily in the soft and scented breeze. The hooded figures of the
+Arabs lounged against the stone wall that girdles the sea-front. In the
+brilliantly-illuminated restaurants the rich French population gathered
+about the little tables, while the withered beggars stared in upon the
+oyster shells, the champagne bottles, and the feathers in the women's
+audacious hats.
+
+When Mrs. Greyne emerged upon the pavement before the Grand Hotel,
+attended by Mrs. Forbes and the guide, she paused for a moment, and cast
+a searching glance upon the fairy scene. In this voluptuous evening and
+strange environment life seemed oddly dreamlike. She scarcely felt like
+Mrs. Greyne. Possibly Mrs. Forbes also felt unlike herself, for she
+suddenly placed one hand upon her left side, and tottered. Abdallah Jack
+supported her. She screamed aloud.
+
+"Madam!" she said. "It is the vertigo. I am overtook!"
+
+She was really ill; her face, indeed, became the colour of a plover's
+egg.
+
+"Let me go to bed, madam," she implored. "It is the vertigo, madam. I
+am overtook!"
+
+Under ordinary circumstances Mrs. Greyne would have prescribed a dose of
+Kasbah air, but to-night she felt strange, and she wanted strangeness.
+Mrs. Forbes with the vertigo, in a small carriage, would be
+inappropriate. She, therefore, bade her retire, mounted into the vehicle
+with Abdallah Jack, and was quickly driven away, her bonnet strings
+floating upon the winsome wind.
+
+"You know my husband?" she asked softly of the guide.
+
+Abdallah Jack replied in French that he rather thought he did.
+
+"How is he looking?" continued Mrs. Greyne in a slightly yearning voice.
+"My Eustace!" she added to herself, "my devoted one!"
+
+"Monsieur Greyne is pale as washed linen upon the Kasbah wall," replied
+Abdallah Jack, lighting a cigarette, and wreathing the great novelist in
+its grey-blue smoke. "He is thin as the Spahi's lance, he is nervous as
+the leaves of the eucalyptus-tree when the winds blow from the north."
+
+Mrs. Greyne was seriously perturbed.
+
+"Would I had come before!" she murmured, with serious self-reproach.
+
+"Monsieur Greyne is worse than all the English," pursued Abdallah Jack
+in a voice that sounded to Mrs. Greyne decidedly sinister. "He is worse
+than the tourists of Rook, who laugh in the doorways of the mosques and
+twine in their hair the dried lizards of the Sahara. Even the guide
+of Rook rejected him. I only would undertake him because I am full of
+evil."
+
+Mrs. Greyne began to feel distinctly uncomfortable, and to wish she
+had not been so ready to pander to Mrs. Forbes' vertigo. She stole a
+sidelong glance at her strange companion. The carriage was small. The
+end of his bristling black moustache was very near. What he said of
+Mr. Greyne did not disturb her, because she knew that her Eustace had
+sacrificed his reputation to do her service; but what he said about
+himself was not reassuring.
+
+"I think you must be doing yourself an injustice," she said in a rather
+agitated voice.
+
+"Madame?"
+
+"I do not believe you are so bad as you imply," she continued.
+
+The carriage turned with a jerk out of the brilliantly-lighted
+thoroughfare that runs along the sea into a narrow side street, crowded
+with native Jews, and dark with shadows.
+
+"Madame does not know me."
+
+The exact truth of this observation struck home, like a dagger, to the
+mind of Mrs. Greyne.
+
+"I am a wicked person," added Abdallah Jack, with a profound conviction.
+"That is why Monsieur Greyne chose me as his guide."
+
+The novelist began to quake. Her chocolate brocade fluttered. Was she
+herself to learn at first hand, and on her first evening in Africa,
+enough about African frailty to last her for the rest of her life? And
+how much more of life would remain to her after her stock of knowledge
+had been thus increased? The carriage turned into a second side street,
+narrower and darker than the last.
+
+"Are we going right?" she said apprehensively.
+
+"No, madame; we are going wrong--we are going to the wicked part of the
+city."
+
+"But--but--you are sure Mr. Greyne will be there?"
+
+Abdallah Jack laughed sardonically.
+
+"Monsieur Greyne is never anywhere else. Monsieur Greyne is wicked as is
+a mad Touareg of the desert."
+
+"I don't think you quite understand my husband," said Mrs. Greyne,
+feeling in duty bound to stand up for her poor, maligned Eustace.
+"Whatever he may have done he has done at my special request."
+
+"Madame says?"
+
+"I say that in all his proceedings while in Algiers Mr. Greyne has been
+acting under my directions."
+
+Abdallah Jack fixed his enormous eyes steadily upon her.
+
+"You are his wife, and told him to come here, and to do as he has done?"
+
+"Ye-yes," faltered Mrs. Greyne, for the first time in her life feeling
+as if she were being escorted towards the criminal dock by a jailer with
+Puritan tendencies.
+
+"Then it is true what they say on the shores of the great canal," he
+remarked composedly.
+
+"What do they say?" inquired Mrs. Greyne.
+
+"That England is a land of female devils," returned the guide as the
+carriage plunged into a filthy alley, between two rows of blind houses,
+and began to ascend a steep hill.
+
+Mrs. Greyne gasped. She opened her lips to protest vigorously, but her
+head swam--either from indignation or from fatigue--and she could
+not utter a word. The horses mounted like cats upward into the dense
+blackness, from which dropped down the faint sounds of squealing music
+and of hoarse cries and laughter. The wheels bounded over the stones,
+sank into the deep ruts, scraped against the sides of the unlighted
+houses. And Abdallah Jack sat staring at Mrs. Greyne as an English
+clergyman's wife might stare at the appalling rites of some deadly
+cannibal encountered in a far-off land, with a stony wonder, a sort of
+paralysed curiosity.
+
+Suddenly the carriage stopped on a piece of waste land covered with
+small pebbles. Abdallah Jack sprang out.
+
+"Why do we stop?" said Mrs. Greyne, turning as pale as ashes.
+
+"The carriage can go no farther. Madame must walk."
+
+Mrs. Greyne began to tremble.
+
+"We are to leave the coachman?"
+
+"I shall escort madame, alone."
+
+The great novelist's tongue cleaved to the roof of her mouth. She felt
+like a Merrin's exercise-book, every leaf of which was covered with
+African frailty. However, there was no help for it. She had to descend,
+and stand among the pebbles.
+
+"Where are we going?"
+
+Abdallah Jack waved his hand towards a stone rampart dimly seen in the
+faint light that emanated from the starry sky.
+
+"Down there into the alley of the Dead Dervishes."
+
+Mrs. Greyne could not repress a cry of horror. At that moment she would
+have given a thousand pounds to have Mrs. Forbes at her side.
+
+Abdallah Jack grasped her by the hand, and led her ruthlessly forward.
+Gazing with terror-stricken eyes over the crumbling rampart of the
+Kasbah, she saw the city far below her, the lights of the streets, the
+lights of the ships in harbour. She heard the music of a bugle, and
+wished she were a Zouave safe in barracks. She wished she were a
+German-Swiss porter, a merry chasseur--anything but Mrs. Eustace Greyne.
+One thing alone supported her in this hour of trial, the thought of her
+husband's ecstasy when she appeared upon the dread scene of his awful
+labours, to tell him that he was released, that he need visit them no
+more.
+
+The alley of the Dead Dervishes is long and winding. To Mrs. Greyne it
+seemed endless. As she threaded it with faltering step, gripped by the
+feverish hand of Abdallah Jack, who now began to display a strange and
+terrible excitement, she became a centre of curiosity. Unwashed Arabs,
+rakish Zouaves in blue and red, wandering Jews of various nationalities,
+unveiled dancing-girls covered with jewels, stared in wonder upon the
+chocolate brocade and the floating bonnet strings, followed upon her
+footsteps, pointing with painted fingers, and making remarks of a
+personal nature in French, Arabic, and other unknown tongues. She moved
+in the midst of a crowd, on and on before lighted interiors from which
+wild music flowed.
+
+"Shall we never be there?" she panted to Abdallah Jack. "My limbs refuse
+their office." She jogged against a Tunisian Jewess in a pointed hat,
+and rebounded upon an enormous Riff in a tattered sheep-skin. "I can go
+no farther."
+
+"We are there! Behold the house of the Ouled!"
+
+As he uttered the last word he burst into a bitter laugh, and drew Mrs.
+Greyne, now gasping for breath, through an open doorway into a little
+hall of imitation marble, with fluted pillars adorned with oilcloth, and
+walls hung with imported oleographs. From a chamber on the right, near
+a winding staircase covered with blue-and-white tiles, came the sound of
+laughter, of song, and of a hideous music conveyed to the astonied ear
+by pipes and drums.
+
+"They are in there!" exclaimed Abdallah Jack, folding his arms, and
+looking at Mrs. Greyne. "Go to your husband!"
+
+Mrs. Greyne put her hands to her magnificent forehead, and tottered
+forward. She reached the door, she pushed it, she entered. There upon a
+wooden dais, surrounded by gilt mirrors and artificial roses, she beheld
+her husband, in a check suit and a white Homburg hat, performing the
+wildest evolutions, while opposite him a lady, smothered in coloured
+silks and coins, tattooed and painted, dyed and scented, covered with
+kohl and crowned with ostrich feathers, screamed a nasal chant of the
+East, and bounded like an electrified monkey.
+
+"Eustace!" cried Mrs. Greyne, leaning for support against an oleograph.
+
+Her husband turned.
+
+"Eustace!" she cried again. "It is I!"
+
+He stood as if turned to stone. Mrs. Greyne hesitated, started, moved
+forward to the dais, and stared upon the Ouled, who had also ceased from
+dancing, and looked strangely surprised, even confused, by the great
+novelist's intrusion.
+
+"Miss Verbena!" she exclaimed. "Miss Verbena in Algiers!"
+
+"Eugenia!" said Mr. Greyne in a husky voice, "what is this you say?
+This lady is the Ouled."
+
+A sardonic laugh came from the doorway. They turned. There stood
+Abdallah Jack. He advanced roughly to the Ouled.
+
+"Come," he said angrily. "Have we not earned the money of the stranger?
+Have we not earned enough? To-morrow you shall marry me as you have
+promised, and we will return to our own land, to the canal where you and
+I were born. And nevermore shall the Levantine instruct the babes of
+the English devils, but dwell veiled and guarded in the harem of her
+master."
+
+"Mademoiselle Verbena!" said Mr. Greyne in a more husky voice.
+"But--but--your dying mother?"
+
+"She sleeps, monsieur, in the white sands of Ismailia, beside the
+bitter lake. I trust that madame can now go on with the respectable
+'Catherine.'"
+
+And with an ironic reverence to Mrs. Eustace Greyne she placed her hand
+in Abdallah Jack's and vanished from the room.
+
+"Catherine's Repentance," published in a gigantic volume not many weeks
+ago, was preceded by Mr. Eustace Greyne's. When last heard of he was
+seated in the magnificent library of the corner house in Park Lane next
+to the Duke of Ebury's, busily engaged in pasting the newspaper notices
+of Mrs. Greyne's greatest work into a superb new album.
+
+The Abdallah Jacks have returned to the Suez Canal, bearing with them
+a snug little fortune to be invested in the purchase of a coal wharf
+at Port Said, and a remarkably handsome crocodile dressing-case, fitted
+with gold, and monogrammed with the initials "E. G."
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Mission Of Mr. Eustace Greyne, by
+Robert Hichens
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE MISSION OF MR. EUSTACE GREYNE ***
+
+***** This file should be named 23415-8.txt or 23415-8.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/4/1/23415/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/23415-8.zip b/23415-8.zip
new file mode 100644
index 0000000..20a4b46
--- /dev/null
+++ b/23415-8.zip
Binary files differ
diff --git a/23415-h.zip b/23415-h.zip
new file mode 100644
index 0000000..6c19d34
--- /dev/null
+++ b/23415-h.zip
Binary files differ
diff --git a/23415-h/23415-h.htm b/23415-h/23415-h.htm
new file mode 100644
index 0000000..a910a22
--- /dev/null
+++ b/23415-h/23415-h.htm
@@ -0,0 +1,3495 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" />
+ <title>
+ The Mission of Mr. Eustace Greyne, by Robert Hichens
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+Project Gutenberg's The Mission Of Mr. Eustace Greyne, by Robert Hichens
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Mission Of Mr. Eustace Greyne
+ 1905
+
+Author: Robert Hichens
+
+Release Date: November 8, 2007 [EBook #23415]
+Last Updated: December 17, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE MISSION OF MR. EUSTACE GREYNE ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+</pre>
+ <div style="height: 8em;">
+ <br /><br /><br /><br /><br /><br /><br /><br />
+ </div>
+ <h1>
+ THE MISSION OF MR. EUSTACE GREYNE
+ </h1>
+ <h2>
+ By Robert Hichens
+ </h2>
+ <p>
+ <br />
+ </p>
+ <h3>
+ Frederick A. Stokes Company Publishers
+ </h3>
+ <h4>
+ Copyright, 1905
+ </h4>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h2>
+ Contents
+ </h2>
+ <table summary="" style="margin-right: auto; margin-left: auto">
+ <tr>
+ <td>
+ <p class="toc">
+ <a href="#link2H_4_0001"> I </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> II </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0003"> III </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0004"> IV </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0005"> V </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0006"> VI </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0007"> VII </a>
+ </p>
+ </td>
+ </tr>
+ </table>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ I
+ </h2>
+ <p>
+ Mrs. Eustace Greyne (pronounced Green) wrinkled her forehead&mdash;that
+ noble, that startling forehead which had been written about in the
+ newspapers of two hemispheres&mdash;laid down her American Squeezer pen,
+ and sighed. It was an autumn day, nipping and melancholy, full of the
+ rustle of dying leaves and the faint sound of muffin bells, and Belgrave
+ Square looked sad even to the great female novelist who had written her
+ way into a mansion there. Fog hung about with the policeman on the
+ pavement. The passing motor cars were like shadows. Their stertorous
+ pantings sounded to Mrs. Greyne&rsquo;s ears like the asthma of dying monsters.
+ She sighed again, and murmured in a deep contralto voice: &ldquo;It must be so.&rdquo;
+ Then she got up, crossed the heavy Persian carpet which had been bought
+ with the proceeds of a short story in her earlier days, and placed her
+ forefinger upon an electric bell.
+ </p>
+ <p>
+ Like lightning a powdered giant came.
+ </p>
+ <p>
+ &ldquo;Has Mr. Greyne gone out?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, ma&rsquo;am.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where is he?&rdquo;
+ </p>
+ <p>
+ &ldquo;In his study, ma&rsquo;am, pasting the last of the cuttings into the new
+ album.&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne smiled. It was a pretty picture the unconscious six-footer had
+ conjured up.
+ </p>
+ <p>
+ &ldquo;I am sorry to disturb Mr. Greyne,&rdquo; she answered, with that gracious, and
+ even curling suavity which won all hearts; &ldquo;but I wish to see him. Will
+ you ask him to come to me for a moment?&rdquo;
+ </p>
+ <p>
+ The giant flew, silk-stockinged, to obey the mandate, while Mrs. Greyne
+ sat down on a carved oaken chair of ecclesiastical aspect to await her
+ husband.
+ </p>
+ <p>
+ She was a famous woman, a personage, this simply-attired lady. With an
+ American Squeezer pen she had won fame, fortune, and a mansion in Belgrave
+ Square, and all without the sacrifice of principle. Respectability
+ incarnate, she had so dealt with the sorrows and evils of the world that
+ she had rendered them utterly acceptable to Mrs. Grundy, Mr. Grundy, and
+ all the Misses Grundy. People said she dived into the depths of human
+ nature, and brought up nothing that need scandalise a curate&rsquo;s
+ grandmother, or the whole-aunt of an archdeacon; and this was so true that
+ she had made a really prodigious amount of money. Her large, her solid,
+ her unrelenting books lay upon every table. Even the smart set kept them,
+ uncut&mdash;like pretty sinners who have never been &ldquo;found out&rdquo;&mdash;to
+ give an air of haphazard intellectuality to frisky boudoirs, All the
+ clergy, however unable to get their tithes, bought them. All bishops
+ alluded to them in &ldquo;pulpit utterances.&rdquo; Fabulous prices were paid for them
+ by magazine editors. They ran as serials through all the tale of months.
+ The suburbs battened on them. The provinces adored them. Country people
+ talked of no other literature. In fact, Mrs. Eustace Greyne was a really
+ fabulous success.
+ </p>
+ <p>
+ Why, then, should she heave these heavy sighs in Belgrave Square? Why
+ should she lift an intellectual hand as though to tousle the glossy
+ chestnut bandeaux which swept back from her forcible forehead, and screw
+ her reassuring features into these wrinkles of perplexity and distress?
+ </p>
+ <p>
+ The door opened, and Mr. Eustace Greyne appeared, &ldquo;What is it, Eugenia?&rdquo;
+ upon his lips.
+ </p>
+ <p>
+ Mr. Greyne was a number of years younger than his celebrated wife, and
+ looked even younger than his years. He was a very smart man, with smooth,
+ jet-black hair, which he wore parted in the middle; pleasant, dark eyes
+ that could twinkle gently; a clear, pale complexion; and a nice, tall
+ figure. One felt, in glancing at him, that he had been an Eton boy, and
+ had at least thought of going into the militia at some period of his life.
+ His history can be briefly told.
+ </p>
+ <p>
+ Scarcely had he emerged into the world before he met and was married to
+ Mrs. Eustace Greyne, then Miss Eugenia Hannibal-Barker. He had had no time
+ to sow a single oat, wild or otherwise; no time to adore a barmaid, or
+ wish to have his name linked with that of an actress; no time to do
+ anything wrong, or even to know, with the complete accuracy desired by all
+ persevering young men, what was really wrong. Miss Eugenia Hannibal-Barker
+ sailed upon his horizon, and he struck his flag to matrimony. Ever since
+ then he had been her husband, and had never, even for one second, emerged
+ beyond the boundaries of the most intellectual respectability. He was the
+ most innocent of men, although he knew all the important editors in
+ London. Swaddled in money by his successful wife, he considered her a
+ goddess. She poured the thousands into Coutts&rsquo; Bank, and with the arrival
+ of each fresh thousand he was more firmly convinced that she was a
+ goddess. To say he looked up to her would be too mild. As the Cockney
+ tourist in Chamounix peers at the summit of Mont Blanc, he peered at Mrs.
+ Greyne. And when, finally, she bought the lease of the mansion in Belgrave
+ Square, he knew her Delphic.
+ </p>
+ <p>
+ So now he appeared in the oracle&rsquo;s retreat respectfully, &ldquo;What is it,
+ Eugenia?&rdquo; upon his admiring lips.
+ </p>
+ <p>
+ &ldquo;Sit down, my husband,&rdquo; she murmured.
+ </p>
+ <p>
+ Mr. Greyne subsided by the fire, placing his pointed patent-leather toes
+ upon the burnished fender. Without the fog grew deeper, and the chorus of
+ the muffin bells more plaintive. The fire-light, flickering over Mrs.
+ Greyne&rsquo;s majestic features, made them look Rembrandtesque. Her large,
+ oxlike eyes were fixed and thoughtful. After a pause, she said:
+ </p>
+ <p>
+ &ldquo;Eustace, I shall have to send you upon a mission.&rdquo;
+ </p>
+ <p>
+ &ldquo;A mission, Eugenia!&rdquo; said Mr. Greyne in great surprise.
+ </p>
+ <p>
+ &ldquo;A mission of the utmost importance, the utmost delicacy.&rdquo;
+ </p>
+ <p>
+ &ldquo;Has it anything to do with Romeike &amp; Curtice?&rdquo;
+ </p>
+ <p>
+ &ldquo;No.&rdquo;
+ </p>
+ <p>
+ &ldquo;Will it take me far?&rdquo;
+ </p>
+ <p>
+ &ldquo;That is my trouble. It will take you very far.&rdquo;
+ </p>
+ <p>
+ &ldquo;Out of London?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Out of&mdash;not out of England?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes; it will take you to Algeria.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good gracious!&rdquo; cried Mr. Greyne.
+ </p>
+ <p>
+ Mrs. Greyne sighed.
+ </p>
+ <p>
+ &ldquo;Good gracious!&rdquo; Mr. Greyne repeated after a short interval. &ldquo;Am I to go
+ alone?&rdquo; &ldquo;Of course you must take Darrell.&rdquo; Darrell was Mr. Greyne&rsquo;s valet.
+ </p>
+ <p>
+ &ldquo;And what am I to do at Algiers?&rdquo;
+ </p>
+ <p>
+ &ldquo;You must obtain for me there the whole of the material for book six of
+ &lsquo;Catherine&rsquo;s Repentance,&rsquo;&rdquo; &ldquo;Catherine&rsquo;s Repentance&rdquo; was the gigantic novel
+ upon which Mrs. Greyne was at that moment engaged.
+ </p>
+ <p>
+ &ldquo;I will not disguise from you, Eustace,&rdquo; continued Mrs. Greyne, looking
+ increasingly Rembrandtesque, &ldquo;that, in my present work, I am taking a
+ somewhat new departure.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, but we are very comfortable here,&rdquo; said Mr. Greyne.
+ </p>
+ <p>
+ With each new book they had changed their abode. &ldquo;Harriet&rdquo; took them from
+ Phillimore Gardens to Queensgate Terrace; &ldquo;Jane&rsquo;s Desire&rdquo; moved them on to
+ a corner house in Sloane Street; with &ldquo;Isobel&rsquo;s Fortune&rdquo; they passed to
+ Curzon Street; &ldquo;Susan&rsquo;s Vanity&rdquo; landed them in Coburg Place; and, finally,
+ &ldquo;Margaret&rsquo;s Involution&rdquo; had planted them in Belgrave Square. Now, with
+ each of these works of genius Mrs. Greyne had taken what she called &ldquo;a new
+ departure.&rdquo; Mr. Greyne&rsquo;s remark is, therefore, explicable.
+ </p>
+ <p>
+ &ldquo;True. Still, there is always Park Lane.&rdquo;
+ </p>
+ <p>
+ She mused for a moment. Then, leaning more heavily upon the carved lions
+ of her chair, she continued:
+ </p>
+ <p>
+ &ldquo;Hitherto, although I have sometimes dealt with human frailty, I have
+ treated it gently. I have never betrayed a Zola-spirit.&rdquo;
+ </p>
+ <p>
+ &ldquo;Zola! My darling!&rdquo; cried Mr. Eustace Greyne. &ldquo;You are surely not going to
+ betray anything of that sort now!&rdquo;
+ </p>
+ <p>
+ &ldquo;If she does we shall soon have to move off to West Kensington,&rdquo; was his
+ secret thought.
+ </p>
+ <p>
+ &ldquo;No. But in book six of &lsquo;Catherine&rsquo; I have to deal with sin, with tumult,
+ with African frailty. It is inevitable.&rdquo;
+ </p>
+ <p>
+ She sighed once more. The burden of the new book was very heavy upon her.
+ </p>
+ <p>
+ &ldquo;African frailty!&rdquo; murmured the astonished Eustace Greyne.
+ </p>
+ <p>
+ &ldquo;Now, neither you nor I, my husband, know anything about this.&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly not, my darling. How should we? We have never explored beyond
+ Lucerne.&rdquo;
+ </p>
+ <p>
+ &ldquo;We must, therefore, get to know about it&mdash;at least you must. For I
+ cannot leave London. The continuity of the brain&rsquo;s travelling must not be
+ imperiled by any violent bodily activity. In the present stage of my book
+ a sea journey might be disastrous.&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly you should keep quiet, my love. But then&mdash;-&rdquo;
+ </p>
+ <p>
+ &ldquo;You must go for me to Algiers. There you must get me what I want. I fear
+ you will have to poke about in the native quarters a good deal for it, so
+ you had better buy two revolvers, one for yourself and one for Darrell.&rdquo;
+ </p>
+ <p>
+ Mr. Greyne gasped. The calmness of his wife amazed him. He was not
+ intellectual enough to comprehend fully the deep imaginings of a mighty
+ brain, the obsession work is in the worker.
+ </p>
+ <p>
+ &ldquo;African frailty is what I want,&rdquo; pursued Mrs. Greyne. &ldquo;One hundred
+ closely-printed pages of African frailty. You will collect for me the raw
+ material, and I shall so manipulate it that it will fall discreetly, even
+ elevatingly, into the artistic whole. Do you understand me, Eustace?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am to travel to Algiers, and see all the wickedness to be seen there,
+ take notes of it, and bring them back to you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Precisely.&rdquo;
+ </p>
+ <p>
+ &ldquo;And how long am I to stay?&rdquo;
+ </p>
+ <p>
+ &ldquo;Until you have made yourself acquainted with the depths.&rdquo;
+ </p>
+ <p>
+ &ldquo;A fortnight?&rdquo;
+ </p>
+ <p>
+ &ldquo;I should think that would be enough. Take Brush&rsquo;s remedy for seasickness
+ and plenty of antipyrin, your fur coat for the crossing, and a white
+ helmet and umbrella for the arrival. You have lead pencils?&rdquo;
+ </p>
+ <p>
+ &ldquo;Plenty.&rdquo;
+ </p>
+ <p>
+ &ldquo;A couple of Merrin&rsquo;s exercise-books should be enough to contain your
+ notes.&rdquo;
+ </p>
+ <p>
+ &ldquo;When am I to go?&rdquo;
+ </p>
+ <p>
+ &ldquo;The sooner the better. I am at a standstill for want of the material. You
+ might catch the express to Paris to-morrow; no, say the day after
+ to-morrow.&rdquo; She looked at him tenderly. &ldquo;The parting will be bitter.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very bitter,&rdquo; Mr. Eustace Greyne replied.
+ </p>
+ <p>
+ He felt really upset. Mrs. Greyne laid the hand which had brought them
+ from Phillimore Gardens to Belgrave Square gently upon his.
+ </p>
+ <p>
+ &ldquo;Think of the result,&rdquo; she said. &ldquo;The greatest book I have done yet. A
+ book that will last. A book that will&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Take us to Park Lane,&rdquo; he murmured.
+ </p>
+ <p>
+ The Rembrandtesque head nodded. The noble features, as of a strictly
+ respectable Roman emperor, relaxed.
+ </p>
+ <p>
+ &ldquo;A book that will take us to Park Lane.&rdquo;
+ </p>
+ <p>
+ At this moment the door opened, and the footman inquired:
+ </p>
+ <p>
+ &ldquo;Could Mademoiselle Verbena see you for a minute, ma&rsquo;am?&rdquo;
+ </p>
+ <p>
+ Mademoiselle Verbena was the French governess of the two little Greynes.
+ The great novelist had consented to become a mother.
+ </p>
+ <p>
+ &ldquo;Certainly.&rdquo;
+ </p>
+ <p>
+ In another moment Mademoiselle Verbena was added to the group beside the
+ fire.
+ </p>
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II
+ </h2>
+ <p>
+ We have said that Mademoiselle Verbena was the French governess of little
+ Adolphus and Olivia Greyne, and so she was to this extent&mdash;that she
+ taught them French, and that Mr. and Mrs. Greyne supposed her to be a
+ Parisian. But life has its little ironies. Mademoiselle Verbena in the
+ house of this great and respectable novelist was one of them; for she was
+ a Levantine, born at Port Said of a Suez Canal father and a Suez Canal
+ mother. Now, nobody can desire to say anything against Port Said. At the
+ same time, few mothers would inevitably pick it out as the ideal spot from
+ which a beneficent influence for childhood&rsquo;s happy hour would be certain
+ to emanate. Nor, it must be allowed, is a Suez Canal ancestry specially
+ necessary to a trainer of young souls. It may not be a drawback, but it
+ can hardly be described as an advantage. This, Mademoiselle Verbena was
+ intelligent enough to know. She, therefore, concealed the fact that her
+ father had been a dredger of Monsieur de Lesseps&rsquo; triumph, her mother a
+ bar-lady of the historic coal wharf where the ships are fed, and preferred
+ to suppose&mdash;and to permit others to suppose&mdash;that she had first
+ seen the light in the Rue St. Honoré, her parents being a count and
+ countess of some old régime.
+ </p>
+ <p>
+ This supposition, retained from her earliest years, had affected her
+ appearance and her manner. She was a very neat, very trim, even a very
+ attractive little person, with dark brown, roguish eyes, blue-black hair,
+ a fairy-like figure, and the prettiest hands and feet imaginable. She had
+ first attracted Mrs. Greyne&rsquo;s attention by her devotion to St. Paul&rsquo;s
+ Cathedral, and this devotion she still kept up. Whenever she had an hour
+ or two free she always&mdash;so she herself said&mdash;spent it in &ldquo;<i>ce
+ charmant</i> St. Paul.&rdquo;
+ </p>
+ <p>
+ As she entered the oracle&rsquo;s retreat she cast down her eyes, and trembled
+ visibly.
+ </p>
+ <p>
+ &ldquo;What is it, Miss Verbena?&rdquo; inquired Mrs. Greyne, with a kindly English
+ accent, calculated to set any poor French creature quite at ease.
+ </p>
+ <p>
+ Mademoiselle Verbena trembled more.
+ </p>
+ <p>
+ &ldquo;I have received bad news, madame.&rdquo;
+ </p>
+ <p>
+ &ldquo;I grieve to hear it. Of what nature?&rdquo;
+ </p>
+ <p>
+ &ldquo;Mamma has <i>une bronchite très grave</i>.&rdquo;
+ </p>
+ <p>
+ &ldquo;A what, Miss Verbena?&rdquo;
+ </p>
+ <p>
+ &ldquo;Pardon, madame. A very grave bronchitis. She cries for me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Indeed!&rdquo;
+ </p>
+ <p>
+ &ldquo;The doctors say she will die.&rdquo;
+ </p>
+ <p>
+ &ldquo;This is very sad.&rdquo;
+ </p>
+ <p>
+ The Levantine wept. Even Suez Canal folk are not proof against all human
+ sympathy. Mr. Greyne blew his nose beside the fire, and Mrs. Greyne said
+ again:
+ </p>
+ <p>
+ &ldquo;I repeat that this is very sad.&rdquo;
+ </p>
+ <p>
+ &ldquo;Madame, if I do not go to mamma tomorrow I shall not see her more.&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne looked very grave.
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; she remarked. She thought profoundly for a moment, and then added:
+ &ldquo;Indeed!&rdquo;
+ </p>
+ <p>
+ &ldquo;It is true, madame.&rdquo;
+ </p>
+ <p>
+ Suddenly Mademoiselle Verbena flung herself down on the Persian carpet at
+ Mrs. Greyne&rsquo;s large but well-proportioned feet, and, bathing them with her
+ tears, cried in a heartrending manner:
+ </p>
+ <p>
+ &ldquo;Madame will let me go! madame will permit me to fly to poor mamma&mdash;to
+ close her dying eyes&mdash;to kiss once again&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ Mr. Greyne was visibly affected, and even Mrs. Greyne seemed somewhat put
+ about, for she moved her feet rather hastily out of reach of the
+ dependant&rsquo;s emotion, and made her scramble up.
+ </p>
+ <p>
+ &ldquo;Where is your poor mother?&rdquo;
+ </p>
+ <p>
+ &ldquo;In Paris, madame. In the Rue St. Honoré, where I was born. Oh, if she
+ should die there! If she should&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne raised her hand, commanding silence.
+ </p>
+ <p>
+ &ldquo;You wish to go there?&rdquo;
+ </p>
+ <p>
+ &ldquo;If madame permits.&rdquo;
+ </p>
+ <p>
+ &ldquo;When?&rdquo;
+ </p>
+ <p>
+ &ldquo;To-morrow, madame.&rdquo;
+ </p>
+ <p>
+ &ldquo;To-morrow? This is decidedly abrupt.&rdquo;
+ </p>
+ <p>
+ &ldquo;<i>Mais la bronchite, madame</i>, she is abrupt, and death, she may be
+ abrupt.&rdquo;
+ </p>
+ <p>
+ &ldquo;True. One moment!&rdquo;
+ </p>
+ <p>
+ There was an instant&rsquo;s silence for Mrs. Greyne to let loose her brain in.
+ She did so, then said:
+ </p>
+ <p>
+ &ldquo;You have my permission. Go to-morrow, but return as soon as possible. I
+ do not wish Adolphus to lose his still uncertain grasp upon the irregular
+ verbs.&rdquo;
+ </p>
+ <p>
+ In a flood of grateful tears Mademoiselle Verbena retired to make her
+ preparations. On the morrow she was gone.
+ </p>
+ <p>
+ The morrow was a day of much perplexity, much bustle and excitement for
+ Mr. Greyne and the valet, Darrell. They were preparing for Algiers. In the
+ morning, at an early hour, Mr. Greyne set forth in the barouche with Mrs.
+ Greyne to purchase African necessaries: a small but well-supplied medicine
+ chest, a pith helmet, a white-and-green umbrella, a Baedeker, a couple of
+ Smith &amp; Wesson Springfield revolvers with a due amount of cartridges,
+ a dozen of Merrin&rsquo;s exercise-books&mdash;on mature reflection Mrs. Creyne
+ thought that two would hardly contain a sufficient amount of African
+ frailty for her present purpose&mdash;a packet of lead pencils, some
+ bottles of a remedy for seasickness, a silver flask for cognac, and
+ various other trifles such as travellers in distant continents require.
+ </p>
+ <p>
+ Meanwhile Darrell was learning French for the journey, and packing his own
+ and his master&rsquo;s trunks. The worthy fellow, a man of twenty-five summers,
+ had never been across the Channel&mdash;the Greynes being by no means
+ prone to foreign travel&mdash;and it may, therefore, be imagined that he
+ was in a state of considerable expectation as he laid the trousers, coats,
+ and waistcoats in their respective places, selected such boots as seemed
+ likely to wear well in a tropical climate, and dropped those shirts which
+ are so contrived as to admit plenty of ventilation to the heated body into
+ the case reserved for them.
+ </p>
+ <p>
+ When Mr. Greyne returned from his shopping excursion the barouche, loaded
+ almost to the gunwale&mdash;if one may be permitted a nautical expression
+ in this connection&mdash;had to be disburdened, and its contents conveyed
+ upstairs to Mr. Greyne&rsquo;s bedroom, into which Mrs. Greyne herself presently
+ entered to give directions for their disposing. Nor was it till the hour
+ of sunset that everything was in due order, the straps set fast, the keys
+ duly turned in the locks&mdash;the labels&mdash;&ldquo;Mr. Eustace Greyne:
+ Passenger to Algiers: via Marseilles&rdquo;&mdash;carefully written out in a
+ full, round hand. Rook&rsquo;s tickets had been bought; so now everything was
+ ready, and the last evening in England might be spent by Mr. Greyne in the
+ drawing-room and by Darrell in the servants&rsquo; hall quietly, socially,
+ perhaps pathetically.
+ </p>
+ <p>
+ The pathos of the situation, it must be confessed, appealed more to the
+ master than to the servant. Darrell was very gay, and inclined to be
+ boastful, full of information as to how he would comport himself with
+ &ldquo;them there Frenchies,&rdquo; and how he would make &ldquo;them pore, godless Arabs
+ sit up.&rdquo; But Mr. Greyne&rsquo;s attitude of mind was very different. As the
+ night drew on, and Mrs. Greyne and he sat by the wood fire in the
+ magnificent drawing-room, to which they always adjourned after dinner, a
+ keen sense of the sorrow of departure swept over them both.
+ </p>
+ <p>
+ &ldquo;How lonely you will feel without me, Eugenia,&rdquo; said Mr. Greyne. &ldquo;I have
+ been thinking of that all day.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you, Eustace, how desolate will be your tale of days! My mind runs
+ much on that. You will miss me at every hour.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are so accustomed to have me within call, to depend upon me for
+ encouragement in your life-work. I scarcely know how you will get on when
+ I am far across the sea.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you, for whom I have labored, for whom I have planned and calculated,
+ what will be your sensations when you realize that a gulf&mdash;the Gulf
+ of Lyons&mdash;is fixed irrevocably between us?&rdquo;
+ </p>
+ <p>
+ So their thoughts ran. Each one was full of tender pity for the other.
+ Towards bedtime, however, conscious that the time for colloquy was running
+ short, they fell into more practical discourse.
+ </p>
+ <p>
+ &ldquo;I wonder,&rdquo; said Mr. Greyne, &ldquo;whether I shall find any difficulty in
+ gaining the information you require, my darling. I suppose these places&rdquo;&mdash;he
+ spoke vaguely, for his thoughts were vague&mdash;&ldquo;are somewhat awkward to
+ come at. Naturally they would avoid the eye of day.&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne looked profound.
+ </p>
+ <p>
+ &ldquo;Yes. Evil ever seeks the darkness. You will have to do the same.&rdquo;
+ </p>
+ <p>
+ &ldquo;You think my investigations must take place at night?&rdquo;
+ </p>
+ <p>
+ &ldquo;I should certainly suppose so.&rdquo;
+ </p>
+ <p>
+ &ldquo;And where shall I find a cicerone?&rdquo;
+ </p>
+ <p>
+ &ldquo;Apply to Rook.&rdquo;
+ </p>
+ <p>
+ &ldquo;In what terms? You see, dearest, this is rather a special matter, isn&rsquo;t
+ it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Very special. But on no account hint that you are in Algiers for
+ &lsquo;Catherine&rsquo;s&rsquo; sake. It would get into the papers. It would be cabled to
+ America. The whole reading world would be agog, and the future interest of
+ the book discounted.&rdquo;
+ </p>
+ <p>
+ Mr. Greyne looked at his wife with reverence. In such moments he realized,
+ almost too poignantly, her great position.
+ </p>
+ <p>
+ &ldquo;I will be careful,&rdquo; he said. &ldquo;What would you recommend me to say?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well&rdquo;&mdash;Mrs. Greyne knit her superb forehead&mdash;&ldquo;I should suggest
+ that you present yourself as an ordinary traveler, but with a specially
+ inquiring bent of mind and a slight tendency towards the&mdash;the&mdash;er&mdash;hidden
+ things of life.&rdquo;
+ </p>
+ <p>
+ &ldquo;I suppose you wish me to visit the public houses?&rdquo;
+ </p>
+ <p>
+ &ldquo;I wish you to see everything that has part or lot in African frailty. Go
+ everywhere, see everything. Bring your notes to me, and I will select such
+ fragments of the broken commandments as suit my purpose, which is, as
+ always, the edifying of the human race. Only this time I mean to purge it
+ as by fire.&rdquo;
+ </p>
+ <p>
+ &ldquo;That corner house in Park Lane, next to the Duke of Ebury&rsquo;s, would suit
+ us very well,&rdquo; said Mr. Greyne reflectively.
+ </p>
+ <p>
+ &ldquo;We could sell our lease here at an advance,&rdquo; his wife rejoined. &ldquo;You will
+ not waste your journey, Eustace?&rdquo;
+ </p>
+ <p>
+ &ldquo;My love,&rdquo; returned Mr. Greyne with decision, &ldquo;I will apply to Rook on
+ arrival, and, if I find his man unsatisfactory, if I have any reason to
+ suspect that I am not being shown everything&mdash;more especially in the
+ Kasbah region, which, from the guide-books we bought to-day, is, I take
+ it, the most abandoned portion of the city&mdash;I will seek another
+ cicerone.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do so. And now to bed. You must sleep well to-night in preparation for
+ the journey.&rdquo;
+ </p>
+ <p>
+ It was their invariable habit before retiring to drink each a tumbler of
+ barley water, which was set out by the butler in Mrs. Greyne&rsquo;s study.
+ After this nightcap Mrs. Greyne wrote up her anticipatory diary, while Mr.
+ Greyne smoked a mild cigar, and then they went to bed. To-night, as usual,
+ they repaired to the sanctum, and drank their barley water. Having done
+ so, Mr. Greyne drew forth his cigar-case, while Mrs. Greyne went to her
+ writing-table, and prepared to unlock the drawer in which her diary
+ reposed, safe from all prying eyes.
+ </p>
+ <p>
+ The match was struck, the key was inserted in the lock, and turned. As the
+ cigar end glowed the drawer was opened. Mr. Greyne heard a contralto cry.
+ He turned from the arm-chair in which he was just about to seat himself.
+ </p>
+ <p>
+ &ldquo;My love, is anything the matter?&rdquo;
+ </p>
+ <p>
+ His wife was bending forward with both hands in the drawer, telling over
+ its contents.
+ </p>
+ <p>
+ &ldquo;My diary is not here!&rdquo;
+ </p>
+ <p>
+ &ldquo;Your diary!&rdquo;
+ </p>
+ <p>
+ &ldquo;It is gone.&rdquo;
+ </p>
+ <p>
+ &ldquo;But&rdquo;&mdash;he came over to her&mdash;&ldquo;this is very serious. I presume,
+ like all diaries, it is full of&mdash;&mdash;&rdquo; Instinctively he had been
+ about to say &ldquo;damning&rdquo;; he remembered his dear one&rsquo;s irreproachable
+ character and substituted &ldquo;precious secrets.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is full of matter which must never be given to the world&mdash;my
+ secret thoughts, my aspirations. The whole history of my soul is there.&rdquo;
+ </p>
+ <p>
+ &ldquo;Heavens! It must be found.&rdquo;
+ </p>
+ <p>
+ They searched the writing-table. They searched the room. No diary.
+ </p>
+ <p>
+ &ldquo;Could you have taken it to my room, and left it there?&rdquo; asked Mr. Greyne.
+ </p>
+ <p>
+ They hastened thither, and looked&mdash;in vain. By this time the servants
+ were gone to bed, and the two searchers were quite alone on the ground
+ floor of their magnificent mansion. Mrs. Greyne began to look seriously
+ perturbed. Her Roman features worked.
+ </p>
+ <p>
+ &ldquo;This is appalling,&rdquo; she exclaimed. &ldquo;Some thief, knowing it priceless,
+ must have stolen the diary. It will be published in America. It will bring
+ in thousands&mdash;but to others, not to us.&rdquo;
+ </p>
+ <p>
+ She began to wring her hands. It was near midnight.
+ </p>
+ <p>
+ &ldquo;Think, my love, think!&rdquo; cried Mr. Greyne. &ldquo;Where could you have taken it?
+ You had it last night?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly. I remember writing in it that you would be sailing to Algiers
+ on the <i>Général Bertrand</i> on Thursday of this week, and that on the
+ night I should be feeling widowed here. The previous night I wrote that
+ yesterday I should have to tell you of your mission. You know I always put
+ down beforehand what I shall do, what I shall even think on each
+ succeeding day. It is a practice that regulates the mind and conduct, that
+ helps to uniformity.&rdquo;
+ </p>
+ <p>
+ &ldquo;How true! Who can have taken it? Do you ever leave it about?&rdquo;
+ </p>
+ <p>
+ &ldquo;Never. Am I a madwoman?&rdquo;
+ </p>
+ <p>
+ &ldquo;My darling, compose yourself! We must search the house.&rdquo;
+ </p>
+ <p>
+ They proceeded to do so, and, on coming into the schoolroom, Mrs. Greyne,
+ who was in front, uttered a sudden cry.
+ </p>
+ <p>
+ Upon the table of Mademoiselle Verbena lay the diary, open at the
+ following entry:&mdash;
+ </p>
+ <p>
+ On Thursday next poor Eustace will be on board the <i>Général Bertrand</i>,
+ sailing for Algiers. I shall be here thinking of myself, and of him in
+ relation to myself. God help us both. Duty is sometimes stern. Mem. The
+ corner house in Park Lane, next the Duke of Ebury&rsquo;s, has sixty years still
+ to run; the lease, that is. Thursday&mdash;poor Eustace!
+ </p>
+ <p>
+ &ldquo;What does this portend?&rdquo; cried Mrs. Greyne.
+ </p>
+ <p>
+ &ldquo;My darling, it passes my wit to imagine,&rdquo; replied her husband.
+ </p>
+ <p>
+ <a name="link2H_4_0003" id="link2H_4_0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ III
+ </h2>
+ <p>
+ The parting of Mr. and Mrs. Greyne on the following morning was very
+ affecting. It took place at Victoria Station, in the midst of a small
+ crowd of admiring strangers, who had recognised the commanding presence of
+ the great novelist, and had gathered round to observe her manifestations.
+ </p>
+ <p>
+ Mrs. Greyne was considerably shaken by the event of the previous night.
+ Although, on the discovery of the diary, the house had been roused, and
+ all the servants closely questioned, no light had been thrown upon its
+ migration from the locked drawer to the schoolroom table. Adolphus and
+ Olivia, jerked from sleep by the hasty hands of a maid, could only weep
+ and wan. The powdered footmen, one and all, declared they had never heard
+ of a diary. The butler gave warning on the spot, keeping on his nightcap
+ to give greater effect to his pronunciamento. It was all most
+ unsatisfactory, and for one wild moment Mrs. Greyne seriously thought of
+ retaining her husband by her as a protection against the mysterious thief
+ who had been at work in their midst. Could it be Mademoiselle Verbena? The
+ dread surmise occurred, but Mr. Greyne rejected it.
+ </p>
+ <p>
+ &ldquo;Her father was a count,&rdquo; he said. &ldquo;Besides, my darling, I don&rsquo;t believe
+ she can read English; certainly not unless it is printed.&rdquo;
+ </p>
+ <p>
+ So there the matter rested, and the moment of parting came.
+ </p>
+ <p>
+ There was a murmur of respectful sympathy as Mrs. Greyne clasped her
+ husband tenderly in her arms, and pressed his head against her
+ prune-coloured bonnet strings. The whistle sounded. The train moved on.
+ Leaning from a reserved first-class compartment, Mr. Greyne waved a silk
+ pocket-handkerchief so long as his wife&rsquo;s Roman profile stood out clear
+ against the fog and smoke of London. But at last it faded, grew remote,
+ took on the appearance of a feebly-executed crayon drawing, vanished. He
+ sank back upon the cushions&mdash;alone. Darrell was travelling second
+ with the dressing-case.
+ </p>
+ <p>
+ It was a strange sensation, to be alone, and <i>en route</i> to Algiers.
+ Mr. Greyne scarcely knew what to make of it. A schoolboy suddenly
+ despatched to Timbuctoo could hardly have felt more terribly emancipated
+ than he did. He was so absolutely unaccustomed to freedom, he had been for
+ so long without the faintest desire for it, that to have it thrust upon
+ him so suddenly was almost alarming. He felt lonely, anxious, horribly
+ unmarried. To divert his thoughts he drew forth a Merrin&rsquo;s exercise-book
+ and a pencil, and wrote on the first page, in large letters, &ldquo;<i>African
+ Frailty, Notes for</i>&rdquo; Then he sat gazing at the title of his first
+ literary work, and wondering what on earth he was going to see in Algiers.
+ </p>
+ <p>
+ Vague visions of himself in the bars of African public-houses, in mosques,
+ in the two-pair-backs of dervishes, in bazaars&mdash;which he pictured to
+ himself like those opened by royalties at the Queen&rsquo;s Hall&mdash;in
+ Moorish interiors surrounded by voluptuous ladies with large oval eyes,
+ black tresses, and Turkish trousers of spangled muslin, flitted before his
+ mental gaze. When the train ran upon Dover Pier, and the white horses of
+ the turbulent Channel foamed at his feet, he started as one roused from a
+ Rip Van Winkle sleep. Severe illness occupied his whole attention for a
+ time, and then recovery.
+ </p>
+ <p>
+ In Paris he dined at the buffet like one in a dream, and, at the appointed
+ hour, came forth to take the <i>rapide</i> for Marseilles. He looked for
+ Darrell and the dressing-case. They were not to be seen. There stood the
+ train. Passengers were mounting into it. Old ladies with agitated faces
+ were buying pillows and nibbling biscuits. Elderly gentlemen with yellow
+ countenances and red ribands in their coats were purchasing the <i>Figaro</i>
+ and the <i>Gil Blas</i>. Children with bare legs were being hauled into
+ compartments. Rook&rsquo;s agent was explaining to a muddled tourist in a
+ tam-o&rsquo;-shanter the exact difference between the words &ldquo;Oui&rdquo; and &ldquo;Non&rdquo; The
+ bustle of departure was in the air, but Darrell was not to be seen. Mr.
+ Greyne had left him upon the platform with minute directions as to the
+ point from which the train would start and the hour of its going. Yet he
+ had vanished. The most frantic search, the most frenzied inquiries of
+ officials and total strangers, failed to elicit his whereabouts, and,
+ finally, Mr. Greyne was flung forcibly upward into the <i>wagonlit</i>,
+ and caught by the <i>contrôleur</i> when the train was actually moving out
+ of the station.
+ </p>
+ <p>
+ A moment later he fell exhausted upon the pink-plush seat of his
+ compartment, realising his terrible position. He was now utterly alone;
+ without servant, hair-brushes, toothbrushes, razors, sponges, pajamas,
+ shoes. It was a solitude that might be felt. He thought of the sea journey
+ with no kindly hand to minister to him, the arrival in Africa with no
+ humble companion at his side, to wonder with him at the black inhabitants
+ and help him through the customs&mdash;to say nothing of the manners. He
+ thought of the dread homes of iniquity into which he must penetrate by
+ night in search of the material for the voracious &ldquo;Catherine.&rdquo; He had
+ meant to take Darrell with him to them all&mdash;Darrell, whose joyful
+ delight in the prospect of exploring the Eastern fastnesses of crime had
+ been so boyish, so truly English in its frank, its even boisterous
+ sincerity.
+ </p>
+ <p>
+ And now he was utterly alone, almost like Robinson Crusoe.
+ </p>
+ <p>
+ The <i>contrôleur</i> came in to make the bed. Mr. Greyne told him the
+ dreadful story.
+ </p>
+ <p>
+ &ldquo;No doubt he has been lured away, monsieur. The dressing-case was of
+ value?&rdquo;
+ </p>
+ <p>
+ &ldquo;Crocodile, gold fittings.&rdquo;
+ </p>
+ <p>
+ &ldquo;Probably monsieur will never see him again. As likely as not he will
+ sleep in the Seine to-night, and at the morgue to-morrow.&rdquo;
+ </p>
+ <p>
+ Mr. Greyne shuddered. This was an ill omen for his expedition. He drank a
+ stiff whisky-and-soda instead of the usual barley water, and went to bed
+ to dream of bloody murders in which he was the victim.
+ </p>
+ <p>
+ When the train ran into Marseilles next morning he was an unshaven,
+ miserable man.
+ </p>
+ <p>
+ &ldquo;Have I time to buy a tooth-brush,&rdquo; he inquired anxiously at the station,
+ &ldquo;before the boat sails for Algiers?&rdquo;
+ </p>
+ <p>
+ The <i>chef de gare</i> thought so. Monsieur had four hours, if that was
+ sufficient. Mr. Greyne hastened forth, had a Turkish bath, purchased a new
+ dressing-case, ate a hasty <i>déjeuner</i>, and took a cab to the wharf.
+ It was a long drive over the stony streets. He glanced from side to side,
+ watching the bustling traffic, the hurry of the nations going to and from
+ the ships. His eyes rested upon two Arabs who were striding along in his
+ direction. Doubtless they were also bound for Algiers. He thought they
+ looked most wicked, and hastily took a note of them for &ldquo;African Frailty.&rdquo;
+ Beside his sense of loss and loneliness marched the sense of duty. The
+ great woman at home in Belgrave Square, founder of his fortunes, mother of
+ his children, she depended upon him. Even in his own hour of need he would
+ not fail her. He took a lead pencil, and wrote down:
+ </p>
+ <p>
+ Saw two Arab ruffians. Bare legs. Look capable of anything. Should not be
+ surprised to hear that they had&mdash;&mdash;
+ </p>
+ <p>
+ There he paused. That they had what? Done things. Of course, but what
+ things? That was the question. He exerted his imagination, but failed to
+ arrive at any conclusion as to their probable crimes. His knowledge of
+ wickedness was really absurdly limited. For the first time he felt
+ slightly ashamed of it, and began to wish he had gone into the militia. He
+ comforted himself with the thought that in a fortnight he would probably
+ be fit for the regular army. This thought cheered him slightly, and it was
+ with a slight smile upon his face that he welcomed the first glimpse of
+ the <i>Général Bertrand</i>, which was lying against the quay ready to
+ cast off at the stroke of noon. Most of the passengers were aboard, but,
+ as Mr. Greyne stepped out of his cab, and prepared to pay the Maltese
+ driver, a trim little lady, plainly dressed in black, and carrying a tiny
+ and rather coquettish hand-bag, was tripping lightly across the gangway.
+ Mr. Greyne glanced at her as he turned to follow, glanced, and then
+ started. That back was surely familiar to him. Where could he have seen it
+ before? He searched his memory as the little lady vanished. It was a
+ smart, even a <i>chic</i> back, a back that knew how to take care of
+ itself, a back that need not go through the world alone, a back, in fine,
+ that was most distinctly attractive, if not absolutely alluring. Where had
+ he seen it before, or had he ever seen it at all? He thought of his wife&rsquo;s
+ back, flat, powerful, uncompromising. This was very different, more&mdash;how
+ should he put it to himself?&mdash;more Algerian, perhaps. He could
+ vaguely conceive it a back such as one might meet with while engaged in
+ adding to one&rsquo;s stock of knowledge of&mdash;well&mdash;African frailty.
+ </p>
+ <p>
+ At this moment the steward appeared to show him to his cabin, and his
+ further reflections were mainly connected with the Gulf of Lyons.
+ </p>
+ <p>
+ Twilight was beginning to fall when, so far as he was capable of thinking,
+ he thought he would like a breath of air. For some moments he lay quite
+ still, dwelling on this idea which had so mysteriously come to him. Then
+ he got up, and thought again, seated upon the cabin floor. He knew there
+ was a deck. He remembered having seen one when he came aboard. He put on
+ his fur coat, still sitting on the cabin floor. The process took some time&mdash;he
+ fancied about a couple of years. At last, however, it was completed, and
+ he rose to his feet with the assistance of the washstand and the berth.
+ </p>
+ <p>
+ The ship seemed very busy, full of almost American activity. He thought a
+ greater calm would have been more decent, and waited in the hope that the
+ floor would presently cease to forget itself. As it showed no symptoms of
+ complying with his desire he endeavoured to spurn it, and, in the fulness
+ of time, gained the companion.
+ </p>
+ <p>
+ It was very strange, as he remembered afterwards, that only when he had
+ gained the companion did the sense of his utter loneliness rush upon him
+ with overwhelming force: one of the ironies of life, he supposed.
+ Eventually he shook the companion off with a good deal of difficulty, and
+ found himself installed upon planks under a grey sky, and holding fast to
+ a railing, which was all that interposed between him and eternity.
+ </p>
+ <p>
+ At first he was only conscious of greyness and the noise of winds and
+ waters, but presently a black daub seemed to hover for a second somewhere
+ on the verge of his world, to hover and disappear. He wondered what it
+ was. A smut, perhaps. He rubbed his face. The daub returned. It was very
+ large for a smut. He strove to locate it, and found that it must be
+ somewhere on his left cheek. With a great effort he took out his
+ pocket-handkerchief. Suddenly the daub assumed monstrous proportions. He
+ turned his head, and perceived the lady in black whom he had seen tripping
+ over the gangway on his arrival.
+ </p>
+ <p>
+ She was a few steps from him, leaning upon the rail in an attitude of the
+ deepest dejection, with her face averted; yet it struck him that her right
+ shoulder was oddly familiar, as her back had surely been. The turn of her
+ head, too&mdash;he coughed despairingly. The lady took no notice. He
+ coughed again. Interest was quickening in him. He was determined to see
+ the lady&rsquo;s face.
+ </p>
+ <p>
+ This time she looked around, showing a pale countenance bedewed with
+ tears, and totally devoid of any expression which he could connect with a
+ consciousness of his presence. For a moment she stared vacantly at him,
+ while he, with almost equal vacancy, regarded her. Then a thrill of
+ surprise shook him. A sudden light of knowledge leaped up in him, and he
+ exclaimed:
+ </p>
+ <p>
+ &ldquo;Mademoiselle Verbena!&rdquo; &ldquo;Monsieur?&rdquo; murmured the lady, with an accent of
+ surprise.
+ </p>
+ <p>
+ &ldquo;Mademoiselle Verbena! Surely it is&mdash;it must be!&rdquo;
+ </p>
+ <p>
+ He had staggered sideways, nearing her.
+ </p>
+ <p>
+ &ldquo;Mademoiselle Verbena, do you not know me? It is I, Eustace Greyne, the
+ father of your pupils, the husband of Mrs. Eustace Greyne?&rdquo;
+ </p>
+ <p>
+ An expression of stark amazement came into the lady&rsquo;s face at these words.
+ She leaned forward till her eyes were close to Mr. Greyne&rsquo;s then gave a
+ little cry.
+ </p>
+ <p>
+ &ldquo;<i>Mon Dieu!</i> It is true! You are so altered that I could not
+ recognise. And then&mdash;what are you doing here, on the wide sea, far
+ from madame?&rdquo;
+ </p>
+ <p>
+ &ldquo;I was just about to ask you the very same question!&rdquo; cried Mr. Greyne.
+ </p>
+ <p>
+ <a name="link2H_4_0004" id="link2H_4_0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ IV
+ </h2>
+ <p>
+ &ldquo;Alas, monsieur!&rdquo; said Mademoiselle Verbena in her silvery voice, &ldquo;I go to
+ see my poor mother.&rdquo;
+ </p>
+ <p>
+ &ldquo;But I understood that she was dying in Paris.&rdquo;
+ </p>
+ <p>
+ &ldquo;Even so. But, when I reached the Rue St. Honoré, I found that they had
+ removed to Algiers. It was the only chance, the doctor said&mdash;a warm
+ climate, the sun of Africa. There was no time to let me know. They took
+ her away at once. And now I follow&mdash;perhaps to find her dead.&rdquo;
+ </p>
+ <p>
+ Large tears rolled down her cheeks. Mr. Greyne was deeply affected.
+ </p>
+ <p>
+ &ldquo;Let us hope for the best,&rdquo; he exclaimed, seized by a happy inspiration.
+ </p>
+ <p>
+ The Levantine strove to smile.
+ </p>
+ <p>
+ &ldquo;But you, monsieur, why are you here? Ah! perhaps madame is with you! Let
+ me go to her! Let me kiss her dear hands once more&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ Mr. Greyne mournfully checked her fond excitement.
+ </p>
+ <p>
+ &ldquo;I am quite alone,&rdquo; he said.
+ </p>
+ <p>
+ A tragic expression came into the Levantine&rsquo;s face.
+ </p>
+ <p>
+ &ldquo;But, then&mdash;&mdash;&rdquo; she began.
+ </p>
+ <p>
+ It was impossible for him to tell her about &ldquo;Catherine.&rdquo; He was,
+ therefore, constrained to subterfuge.
+ </p>
+ <p>
+ &ldquo;I&mdash;I was suddenly overtaken by&mdash;by influenza,&rdquo; he said, in some
+ confusion. &ldquo;The doctor recommended change of air, of scene.&rdquo;
+ </p>
+ <p>
+ &ldquo;He suggested Algiers&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;<i>Mon Dieu!</i> It is like poor mamma!&rdquo;
+ </p>
+ <p>
+ &ldquo;Precisely. Our constitutions are&mdash;are doubtless similar. I shall
+ take this opportunity also of improving my knowledge of African manners
+ and&mdash;and customs.&rdquo;
+ </p>
+ <p>
+ A strange smile seemed to dawn for a second on Mademoiselle Verbena&rsquo;s
+ face, but it died instantaneously in a grimace of pain.
+ </p>
+ <p>
+ &ldquo;My teeth make me bad,&rdquo; she said. &ldquo;Ah, monsieur, I must go below, to pray
+ for poor mamma&mdash;&rdquo; she paused, then softly added, &ldquo;and for monsieur.&rdquo;
+ </p>
+ <p>
+ She made a movement as if to depart, but Mr. Greyne begged her to remain.
+ In his loneliness the sight even of a Levantine whom he knew solaced his
+ yearning heart. He felt quite friendly towards this poor, unhappy girl,
+ for whom, perhaps, such a shock was preparing upon the distant shore.
+ </p>
+ <p>
+ &ldquo;Better stay!&rdquo; he said. &ldquo;The air will do you good.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, if I die, what matter? Unless mamma lives there is no one in the
+ world who cares for me, for whom I care.&rdquo;
+ </p>
+ <p>
+ &ldquo;There&mdash;there is Mrs. Greyne,&rdquo; said her husband. &ldquo;And then St. Paul&rsquo;s&mdash;remember
+ St. Paul&rsquo;s.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah <i>ce charmant</i> St. Paul&rsquo;s! Shall I ever see him more?&rdquo;
+ </p>
+ <p>
+ She looked at Mr. Greyne, and suddenly&mdash;he knew not why&mdash;Mr.
+ Greyne remembered the incident of the diary, and blushed.
+ </p>
+ <p>
+ &ldquo;Monsieur has fever!&rdquo;
+ </p>
+ <p>
+ Mr. Greyne shook his head. The Levantine eyed him curiously.
+ </p>
+ <p>
+ &ldquo;Monsieur wishes to say something to me, and does not like to speak.&rdquo;
+ </p>
+ <p>
+ Mr. Greyne made an effort. Now that he was with this gentle lady, with her
+ white face, her weeping eyes, her plain black dress, the mere suspicion
+ that she could have opened a locked drawer with a secret key, and filched
+ therefrom a private record, seemed to him unpardonable. Yet, for a brief
+ instant, it had occurred to him, and Mrs. Greyne had seriously held it. He
+ looked at Mademoiselle Verbena, and a sudden impulse to tell her the truth
+ overcame him.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;Tell me, monsieur.&rdquo;
+ </p>
+ <p>
+ In broken words&mdash;the ship was still very busy&mdash;Mr. Greyne
+ related the incident of the loss and finding of the diary. As he spoke a
+ slight change stole over the Levantine&rsquo;s face. It certainly became less
+ pale.
+ </p>
+ <p>
+ &ldquo;But you have fever now!&rdquo; cried Mr. Greyne anxiously.
+ </p>
+ <p>
+ &ldquo;I! No; I flush with horror, not with fever! The diary, the sacred diary
+ of madame, exposed to view, read by the children, perhaps the servants!
+ That footman, Thomas, with the nose of curiosity! Ah! I behold that nose
+ penetrating into the holy secrets of the existence of madame! I behold it&mdash;ah!&rdquo;
+ </p>
+ <p>
+ She burst into a fit of hysterics, the laughing species, which is so much
+ more terrible than the other sort. Mr. Greyne was greatly concerned. He
+ lurched to her, and implored her to be calm; but she only laughed the
+ more, while tears streamed down her cheeks. The vision of Thomas gloating
+ over Mrs. Greyne&rsquo;s diary seemed utterly to unnerve her, and Mr. Greyne was
+ able to measure, by this ebullition of horror, the depth of the respect
+ and affection entertained by her for his beloved wife. When, at length,
+ she grew calmer he escorted her towards her cabin, offering her his arm,
+ on which she leaned heavily. As soon as they were in the narrow and
+ heaving passage she turned to him, and said:
+ </p>
+ <p>
+ &ldquo;Who can have taken the diary?&rdquo;
+ </p>
+ <p>
+ Mr. Greyne blushed again.
+ </p>
+ <p>
+ &ldquo;We think it was Thomas,&rdquo; he said.
+ </p>
+ <p>
+ Mademoiselle Verbena looked at him steadily for a moment, then she cried:
+ </p>
+ <p>
+ &ldquo;God bless you, monsieur!&rdquo;
+ </p>
+ <p>
+ Mr. Greyne was startled by the abruptness of this pious ejaculation.
+ </p>
+ <p>
+ &ldquo;Why?&rdquo; he inquired.
+ </p>
+ <p>
+ &ldquo;You are a good man. You, at least, would not condescend to insult a
+ friendless woman by unworthy suspicions. And madame?&rdquo;
+ </p>
+ <p>
+ &ldquo;Mrs. Greyne&rdquo;&mdash;stammered Mr. Greyne&mdash;&ldquo;is convinced that it was
+ Thomas. In fact&mdash;in fact, she was the first to say so.&rdquo;
+ </p>
+ <p>
+ Mademoiselle Verbena tenderly pressed his hand.
+ </p>
+ <p>
+ &ldquo;Madame is an angel. God bless you both!&rdquo;
+ </p>
+ <p>
+ She tottered into her cabin, and, as she shut the door, Mr. Greyne heard
+ the terrible, laughing hysterics beginning again.
+ </p>
+ <p>
+ The next day an influence from Africa seemed spread upon the sea. Calm
+ were the waters, calm and blue. No cloud appeared in the sky. The fierce
+ activities of the ship had ceased, and Mademoiselle Verbena tripped upon
+ the deck at an early hour, to find Mr. Greyne already installed there, and
+ looking positively cheerful. He started up as he perceived her, and
+ chivalrously escorted her to a chair.
+ </p>
+ <p>
+ Everyone who has made a voyage knows that the sea breeds intimacies. By
+ the time the white houses of Algiers rose on their hill out of the bosom
+ of the waves Mademoiselle Verbena and Mr. Greyne were&mdash;shall we say
+ like sister and brother? She had told him all about her childhood in dear
+ Paris, the death of her father the count, murmuring the name of Louis
+ XVI., the poverty of her mother the countess, her own resolve to put aside
+ all aristocratic prejudices and earn her own living. He, in return, had
+ related his Eton days, his momentary bias towards the militia, his
+ marriage&mdash;as an innocent youth&mdash;with Miss Eugenia
+ Hannibal-Barker. Coming to later times, he was led to confide to the
+ tenderhearted Levantine the fact that he hoped to increase his stock of
+ knowledge while in Africa. Without alluding to &ldquo;Catherine,&rdquo; he hinted that
+ the cure of influenza was not his only reason for foreign travel.
+ </p>
+ <p>
+ &ldquo;I wish to learn something of men and&mdash;and women,&rdquo; he murmured in the
+ shell-like ear presented to him. &ldquo;Of their passions, their desires, their&mdash;their
+ follies.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; cried Mademoiselle Verbena. &ldquo;Would that I could assist monsieur! But
+ I am only an ignorant little creature, and know nothing of the world! And
+ I shall be ever at the bedside of mamma.&rdquo;
+ </p>
+ <p>
+ &ldquo;You will give me your address? You will let me inquire for the countess?&rdquo;
+ </p>
+ <p>
+ &ldquo;Willingly; but I do not know where I shall be. There will be a message at
+ the wharf. To what hotel goes monsieur?&rdquo;
+ </p>
+ <p>
+ &ldquo;The Grand Hotel.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will write there when I have seen mamma. And meanwhile&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ They were coming into harbour. The heights of Mustapha were visible, the
+ woods of the Bois de Boulogne, the towers of the Hotel Splendid.
+ </p>
+ <p>
+ &ldquo;Meanwhile, may I beg monsieur not to&mdash;&mdash;&rdquo; She hesitated.
+ </p>
+ <p>
+ &ldquo;Not to what?&rdquo; asked Mr. Greyne most softly.
+ </p>
+ <p>
+ &ldquo;Not to let anyone in England know that I am here?&rdquo;
+ </p>
+ <p>
+ She paused. Mr. Greyne was silent, wondering. Mademoiselle Verbena drooped
+ her head.
+ </p>
+ <p>
+ &ldquo;The world is so censorious. It might seem strange that I&mdash;that
+ monsieur&mdash;a man young, handsome, fascinating&mdash;the same ship&mdash;I
+ have no chaperon&mdash;enfin&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ She could get out no more. Her delicacy, her forethought touched Mr.
+ Greyne to tears.
+ </p>
+ <p>
+ &ldquo;Not a word,&rdquo; he said. &ldquo;You are right. The world is evil, and, as you say,
+ I am a&mdash;not a word!&rdquo;
+ </p>
+ <p>
+ He ventured to press her hand, as an elder brother might have pressed it.
+ For the first time he realised that even to the husband of Mrs. Eustace
+ Greyne the world might attribute&mdash;Goodness gracious! What might not
+ the militia think, for instance?
+ </p>
+ <p>
+ He felt himself, for one moment, potentially a dog.
+ </p>
+ <p>
+ They parted in a whirl of Arabs on the quay. Mr. Greyne would have stayed
+ to assist Mademoiselle Verbena, but she bade him go.
+ </p>
+ <p>
+ She whispered that she thought it &ldquo;better&rdquo; that they should not seem to&mdash;<i>enfin!</i>
+ </p>
+ <p>
+ &ldquo;I will write to-morrow,&rdquo; she murmured. &ldquo;<i>Au revoir!</i>&rdquo;
+ </p>
+ <p>
+ On the last word she was gone. Mr. Greyne saw nothing but Arabs and hotel
+ porters. Loneliness seemed to close in on him once more.
+ </p>
+ <p>
+ That very evening, after a cup of tea, he presented himself at the office
+ of Rook near the Place du Gouvernement. As he came in he felt a little
+ nervous. There were no tourists in the office, and a courteous clerk with
+ a bright and searching eye at once took him in hand.
+ </p>
+ <p>
+ &ldquo;What can we do for you, sir?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am a stranger here,&rdquo; began Mr. Greyne.
+ </p>
+ <p>
+ &ldquo;Quite so, sir, quite so.&rdquo;
+ </p>
+ <p>
+ The clerk twiddled his business-like thumbs, and looked inquiring.
+ </p>
+ <p>
+ &ldquo;And being so,&rdquo; Mr. Greyne went on, &ldquo;it is naturally my wish to see as
+ much of the town as possible; as much as possible, you understand.&rdquo;
+ </p>
+ <p>
+ &ldquo;You want a guide? Alphonso!&rdquo;
+ </p>
+ <p>
+ Turning, he shouted to an inner room, from which in a moment emerged a
+ short, stout, swarthy personage with a Jewish nose, a French head, an Arab
+ eye with a squint in it, and a markedly Maltese expression.
+ </p>
+ <p>
+ &ldquo;This is an excellent guide, sir,&rdquo; said the clerk. &ldquo;He speaks twenty-five
+ languages.&rdquo;
+ </p>
+ <p>
+ The stout man, who&mdash;as Mr Greyne now perceived&mdash;had on a Swiss
+ suit of clothes, a panama hat, and a pair of German elastic-sided boots,
+ confessed in pigeon English, interspersed occasionally with a word or two
+ of something which Mr. Greyne took to be Chinese, that such was
+ undoubtedly the case.
+ </p>
+ <p>
+ &ldquo;What do you wish to see? The mosque, the bazaars, St. Eugène, La Trappe,
+ Mustapha, the baths of the Etat-Major, the Jardin d&rsquo;Essai, the
+ Villa-Anti-Juif, the&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;One moment!&rdquo; said Mr. Greyne.
+ </p>
+ <p>
+ He turned to the clerk.
+ </p>
+ <p>
+ &ldquo;May I take a chair?&rdquo;
+ </p>
+ <p>
+ &ldquo;Be seated, sir, pray be seated, and confer with Alphonso.&rdquo;
+ </p>
+ <p>
+ So saying, he gave himself to an enormous ledger, while Mr. Greyne took a
+ chair opposite to Alphonso, who stood in a Moorish attitude looking
+ apparently in the direction of Marseilles.
+ </p>
+ <p>
+ &ldquo;I have come here,&rdquo; said Mr. Greyne, lowering his voice, &ldquo;with a
+ purpose.&rdquo;.
+ </p>
+ <p>
+ &ldquo;You wish to see the Belle Fatma. I will arrange it. She receives every
+ evening in her house in the Rue &mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;One minute! One minute! You said the something &lsquo;Fatma&rsquo;?&rdquo;
+ </p>
+ <p>
+ &ldquo;The Belle Fatma, the most beautiful woman of Africa. She receives every&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Pardon me! One moment! Is this lady&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ Mr. Greyne paused.
+ </p>
+ <p>
+ &ldquo;Sir?&rdquo; said Alphonso, settling his Spanish neck-tie, and gazing steadily
+ towards Marseilles.
+ </p>
+ <p>
+ &ldquo;Is this lady&mdash;well, sinful?&rdquo;
+ </p>
+ <p>
+ Alphonso threw up his hands with a wild Asiatic gesture.
+ </p>
+ <p>
+ &ldquo;Sinful! La Belle Fatma! She is a lady of the utmost respectability known
+ to all the town. You go to her house at eight, you take coffee upon the
+ red sofas, you talk with La Belle, you see the dances and hear the music.
+ Do not fear, sir; it is good, it is respectable as England, your country&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;If it is respectable I don&rsquo;t want to see it,&rdquo; interposed Mr. Greyne. &ldquo;It
+ would be a waste of time.&rdquo;
+ </p>
+ <p>
+ The clerk lifted his head from the ledger, and Alphonso, by means of
+ standing with his back almost square to Mr. Greyne, and looking over his
+ right shoulder, succeeded at length in fixing his eye upon him.
+ </p>
+ <p>
+ &ldquo;I have not travelled here to see respectable things,&rdquo; continued Mr.
+ Greyne, with a slight blush. &ldquo;Quite the contrary.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sir?&rdquo;
+ </p>
+ <p>
+ The voice of Alphonso seemed to have changed, to have taken on a hard,
+ almost a menacing tone. Mr. Greyne thought of his beloved wife, of
+ Merrin&rsquo;s exercise-books, and clenched his hands, endeavouring to feel, and
+ to go on, like a militiaman.
+ </p>
+ <p>
+ &ldquo;Quite the contrary,&rdquo; he repeated firmly; &ldquo;my object in coming to Africa
+ is to&mdash;to search about in the Kasbah, and the disrep&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ He choked, recovered himself, and continued: &ldquo;Disreputable quarters of
+ Algiers&mdash;hem&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;What for, sir?&rdquo;
+ </p>
+ <p>
+ The voice of Alphonso was certainly changed.
+ </p>
+ <p>
+ &ldquo;What for?&rdquo; said Mr. Greyne, growing purple. &ldquo;For frailty.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sir?&rdquo;
+ </p>
+ <p>
+ &ldquo;For frailty&mdash;for wickedness.&rdquo;
+ </p>
+ <p>
+ A slight cackle emanated from the ledger, but immediately died away. A
+ dead silence reigned in the office, broken only by the distant sound of
+ the sea, and by the hard breathing of Alphonso, who had suddenly begun to
+ pant.
+ </p>
+ <p>
+ &ldquo;I wish to go to all the wicked places&mdash;<i>all!</i>&rdquo;
+ </p>
+ <p>
+ The ledger cackled again more audibly. Mr. Greyne felt a prickling
+ sensation run over him, but the thought of &ldquo;Catherine&rdquo; nerved him to his
+ awful task.
+ </p>
+ <p>
+ &ldquo;It is my wife&rsquo;s express desire that I should do so,&rdquo; he added
+ desperately, quite forgetting Mrs. Greyne&rsquo;s injunction to keep her dark in
+ his desire to stand well with Rook&rsquo;s.
+ </p>
+ <p>
+ The ledger went off into a hyena imitation, and Alphonso, turning still
+ more away from Mr. Greyne, so as to get the eye fuller upon him,
+ exclaimed, in a mixture of Aryan and Eurasian languages:
+ </p>
+ <p>
+ &ldquo;Sir, I am a respectable, unmarried man. I was born in Buenos Ayres,
+ educated in Smyrna, came of age in Constantinople, and have practised as
+ guide in Bagdad and other particular cities. I refuse to have anything to
+ do with you and your wife.&rdquo;
+ </p>
+ <p>
+ So saying, he bounced into the inner room, and banged the door, while the
+ ledger gave itself up to peals of merriment, and Mr. Greyne tottered forth
+ upon the sea-front, bathed in a cold perspiration, and feeling more guilty
+ than a murderer.
+ </p>
+ <p>
+ It was a staggering blow. He leaned over the stone parapet of the low
+ wall, and let the soft breezes from the bay flit through his hair, and
+ thought of Mrs. Greyne spurned by Alphonso. What was he to do? Kicked out
+ of Rook&rsquo;s, to whom could he apply? There must be wickedness in Algiers,
+ but where? He saw none, though night was falling and stout Frenchmen were
+ already intent upon their absinthe.
+ </p>
+ <p>
+ &ldquo;Does monsieur wish to see the Kasbah to-night?&rdquo;
+ </p>
+ <p>
+ Was it a voice from heaven? He turned, and saw standing beside him a tall,
+ thin, audacious-looking young man, with coal-black moustaches, magnificent
+ eyes, and an air that was half-languid, half-serpentine.
+ </p>
+ <p>
+ &ldquo;Who are you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am a guide, monsieur. Here are my certificates.&rdquo;
+ </p>
+ <p>
+ He produced from the inner pocket of his coat a large bundle of dirty
+ papers.
+ </p>
+ <p>
+ &ldquo;If monsieur will deign to look them over.&rdquo;
+ </p>
+ <p>
+ But Mr. Greyne waved them away. What did he care for Certificates? Here
+ was a guide to African frailty. That was sufficient. He was in a desperate
+ mood, and uttered desperate words.
+ </p>
+ <p>
+ &ldquo;Look here,&rdquo; he said rapidly, &ldquo;are you wicked?&rdquo;
+ </p>
+ <p>
+ &ldquo;Very wicked, monsieur.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good!&rdquo;
+ </p>
+ <p>
+ &ldquo;Wicked, monsieur.&rdquo;
+ </p>
+ <p>
+ &ldquo;Right!&rdquo;
+ </p>
+ <p>
+ &ldquo;Wrong, monsieur.&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean that it is good for me that you are wicked.&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur is very good.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes; but I wish to be&mdash;that is, to see the other thing. Can you
+ undertake to show me everything shocking in Algiers?&rdquo;
+ </p>
+ <p>
+ &ldquo;But certainly, monsieur. For a consideration.&rdquo;
+ </p>
+ <p>
+ &ldquo;Name your price.&rdquo;
+ </p>
+ <p>
+ &ldquo;Two hundred pounds, monsieur.&rdquo;
+ </p>
+ <p>
+ Mr. Greyne started. It seemed a high figure.
+ </p>
+ <p>
+ &ldquo;Monsieur thought it would be more? I make a special price, because I have
+ taken a fancy to monsieur. I remove fifty pounds. Monsieur, of course,
+ will pay all expenses.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course, of course.&rdquo;
+ </p>
+ <p>
+ It was no time to draw back.
+ </p>
+ <p>
+ &ldquo;How long will it take?&rdquo;
+ </p>
+ <p>
+ &ldquo;To see all the shocking&mdash;?&rdquo;
+ </p>
+ <p>
+ &ldquo;Precisely.&rdquo;
+ </p>
+ <p>
+ &ldquo;There is a good deal. A fortnight, three weeks. It depends on monsieur.
+ If he is strong, and can do without sleep&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;We shall have to be up at night?&rdquo;
+ </p>
+ <p>
+ &ldquo;Naturally.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall go to bed during the day, and get through it in a fortnight.&rdquo;
+ </p>
+ <p>
+ &ldquo;Perfectly.&rdquo;
+ </p>
+ <p>
+ &ldquo;Be at the Grand Hotel to-night at ten o&rsquo;clock precisely.&rdquo;
+ </p>
+ <p>
+ &ldquo;At ten o&rsquo;clock I will be there. Monsieur will pay a little in advance?&rdquo;
+ </p>
+ <p>
+ &ldquo;Here are twenty pounds,&rdquo; cried Mr. Greyne recklessly.
+ </p>
+ <p>
+ The audacious-looking young man took the notes with decision, made a
+ graceful salute, and disappeared in the direction of the quay, while Mr.
+ Greyne walked to his hotel, flushed with excitement, and feeling like the
+ most desperate criminal in Africa. If the militia could see him now!
+ </p>
+ <p>
+ At dinner he drank a bottle of champagne, and afterwards smoked a strong
+ cigar over his coffee and liqueur. As he was finishing these frantic
+ enjoyments the head waiter&mdash;a personage bearing a strong resemblance
+ to an enlarged edition of Napoleon the First&mdash;approached him rather
+ furtively, and, bending down, whispered in his ear:
+ </p>
+ <p>
+ &ldquo;A gentleman has called to take monsieur to the Kasbah.&rdquo;
+ </p>
+ <p>
+ Mr. Greyne started, and flushed a guilty red.
+ </p>
+ <p>
+ &ldquo;I will come in a moment,&rdquo; he answered, trying to assume a nonchalant
+ voice, such as that in which a hardened major of dragoons announces that
+ in his time he was a devil of a fellow.
+ </p>
+ <p>
+ The head waiter retired, looking painfully intelligent, and Mr. Greyne
+ sprang upstairs, seized a Merrin&rsquo;s exercise-book and a lead pencil, put on
+ a dark overcoat, popped one of the Springfield revolvers into the pocket
+ of it, and hastened down into the hall of the hotel, where the
+ audacious-looking young man was standing, surrounded by saucy chasseurs in
+ gay liveries and peaked caps, by Algerian waiters, and by German-Swiss
+ porters, all of whom were smiling and looking choke-full of sympathetic
+ comprehension.
+ </p>
+ <p>
+ &ldquo;Ha!&rdquo; said Mr. Greyne, still in the major&rsquo;s, voice. &ldquo;There you are!&rdquo;
+ </p>
+ <p>
+ &ldquo;Behold me, monsieur.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s good.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wicked, monsieur.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, let&rsquo;s be off to the mosque.&rdquo;
+ </p>
+ <p>
+ One of the chasseurs&mdash;a child of eight who was thankful that he knew
+ no better&mdash;burst into a piping laugh. The waiters turned hastily
+ away, and the German-Swiss porters retreated to the bureau with some
+ activity.
+ </p>
+ <p>
+ &ldquo;To the mosque&mdash;precisely, monsieur,&rdquo; returned the guide, with
+ complete self-possession.
+ </p>
+ <p>
+ They stepped out at once upon the pavement, where a carriage was in
+ waiting.
+ </p>
+ <p>
+ &ldquo;Where are we going?&rdquo; inquired Mr. Greyne in an anxious voice.
+ </p>
+ <p>
+ &ldquo;We are going to the heights to see the Ouled,&rdquo; replied the guide. &ldquo;<i>En
+ avant!</i>&rdquo;
+ </p>
+ <p>
+ He bounded in beside Mr. Greyne, the coachman cracked his whip, the horses
+ trotted. They were off upon their terrible pilgrimage.
+ </p>
+ <p>
+ <a name="link2H_4_0005" id="link2H_4_0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ V
+ </h2>
+ <p>
+ On the following afternoon, at a quarter to three, when Mr. Greyne came
+ down to breakfast, he found, lying beside the boiled eggs, a note directed
+ to him in a feminine handwriting. He tote it open with trembling fingers,
+ and read as follows:&mdash;
+ </p>
+<pre xml:space="preserve">
+ 1 Rue du Petit Neore.
+
+ Dear Monsieur,&mdash;I am here. Poor mamma is in the hospital. I
+ am allowed to see her twice a day. At all other times I
+ remain alone, praying and weeping. I trust that monsieur has
+ passed a good night. For me, I was sleepless, thinking of
+ mamma. I go now to church.
+
+ Adele Verbena.
+</pre>
+ <p>
+ He laid this missive down, and sighed deeply. How strangely innocent it
+ was, how simple, how sincere! There were white souls in Algiers&mdash;yes,
+ even in Algiers. Strange that he should know one! Strange that he, who had
+ filled a Merrin&rsquo;s exercise-book with tiny writing, and had even overflowed
+ on to the cover after &ldquo;crossing&rdquo; many pages, should receive the child-like
+ confidences of one! &ldquo;I go now to the church.&rdquo; Tears came into his eyes as
+ he laid the letter down beside a pile of buttered toast over which the
+ burning afternoon sun of Africa was shining.
+ </p>
+ <p>
+ &ldquo;Monsieur will take milk and sugar?&rdquo;
+ </p>
+ <p>
+ It was the head waiter&rsquo;s Napoleonic voice. Mr. Greyne controlled himself.
+ The man was smiling intelligently. All the staff of the hotel smiled
+ intelligently at Mr. Greyne to-day&mdash;the waiters, the porters, the
+ chasseurs. The child of eight who was thankful that he knew no better had
+ greeted him with a merry laugh as he came down to breakfast, and an &ldquo;<i>Oh,
+ là, là!</i>&rdquo; which had elicited a rebuke from the proprietor. Indeed, a
+ wave of human sympathy flowed upon Mr. Greyne, whose ashy face and dull,
+ washed-out eyes betrayed the severity of his night-watch.
+ </p>
+ <p>
+ &ldquo;Monsieur will feel better after a little food.&rdquo;
+ </p>
+ <p>
+ The head waiter handed the buttered toast with bland majesty, at the same
+ time shooting a reproving glance at the little chasseur, who was peeping
+ from behind the door at the afternoon breakfaster.
+ </p>
+ <p>
+ &ldquo;I feel perfectly well,&rdquo; replied Mr. Greyne, with an attempt at
+ cheerfulness.
+ </p>
+ <p>
+ &ldquo;Still, monsieur will feel much better after a little food.&rdquo;
+ </p>
+ <p>
+ Mr. Greyne began to toy with an egg.
+ </p>
+ <p>
+ &ldquo;You know Algiers?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;I was born here, monsieur. If monsieur wishes to explore to-night again
+ the Kasbah I can&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ But Mr. Greyne stopped him with a gesture that was almost fierce.
+ </p>
+ <p>
+ &ldquo;Where is the Rue du Petit Nègre?&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur wishes to go there to-night?&rdquo;
+ </p>
+ <p>
+ &ldquo;I wish to go there now, directly I have finished break&mdash;lunch.&rdquo;
+ </p>
+ <p>
+ The head waiter&rsquo;s face was wreathed with humorous surprise.
+ </p>
+ <p>
+ &ldquo;But monsieur is wonderful&mdash;superb! Never have I seen a traveller
+ like monsieur!&rdquo;
+ </p>
+ <p>
+ He gazed at Mr. Greyne with tropical appreciation.
+ </p>
+ <p>
+ &ldquo;Monsieur had better have a carriage. The street is difficult to find.&rdquo;
+ </p>
+ <p>
+ &ldquo;Order me one. I shall start at once.&rdquo;
+ </p>
+ <p>
+ Mr. Greyne pushed away the sunlit buttered toast, and got up.
+ </p>
+ <p>
+ &ldquo;Monsieur is superb. Never have I seen a traveller like monsieur!&rdquo;
+ Napoleon&rsquo;s voice was almost reverent. He hastened out, followed slowly by
+ Mr. Greyne.
+ </p>
+ <p>
+ &ldquo;A carriage for monsieur! Monsieur desires to go to the Rue du Petit
+ Nègre!&rdquo;
+ </p>
+ <p>
+ The staff of the hotel gathered about the door as if to speed a royal
+ personage, and Mr. Greyne noticed that their faces too were touched with
+ an almost startled reverence. He stepped into the carriage, signed feebly,
+ but with determination, to the Arab coachman, and was driven away,
+ followed by a parting &ldquo;<i>Oh, là là!</i>&rdquo; from the chasseur, uttered in a
+ voice that sounded shrill with sheer amazement.
+ </p>
+ <p>
+ Through winding, crowded streets he went, by bazaars and Moorish
+ bath-houses, mosques and Catholic churches, barracks and cafés, till at
+ length the carriage turned into an alley that crept up a steep hill. It
+ moved on a little way, and then stopped.
+ </p>
+ <p>
+ &ldquo;Monsieur must descend here,&rdquo; said the coachman. &ldquo;Mount the steps, go to
+ the right and then to the left. Near the summit of the hill he will find
+ the Rue du Petit Nègre. Shall I wait for monsieur?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ The coachman began to make a cigarette, while Mr. Greyne set forth to
+ follow his directions, and, at length, stood before an arch, which opened
+ into a courtyard adorned with orange-trees in tubs, and paved with blue
+ and white tiles. Around this courtyard was a three-storey house with a
+ flat roof, and from a bureau near a little fountain a stout Frenchwoman
+ called to demand his business. He asked for Mademoiselle Verbena, and was
+ at once shown into a saloon lined with chairs covered with yellow rep, and
+ begged to take a seat. In two minutes Mademoiselle Verbena appeared,
+ drying her eyes with a tiny pocket-handkerchief, and forcing a little
+ pathetic smile of welcome. Mr. Greyne clasped her hand in silence. She sat
+ down in a rep chair at his right, and they looked at each other.
+ </p>
+ <p>
+ &ldquo;<i>Mais, mon Dieu!</i> How monsieur is changed!&rdquo; cried the Levantine. &ldquo;If
+ madame could see him! What has happened to monsieur?&rdquo;
+ </p>
+ <p>
+ &ldquo;Miss Verbena,&rdquo; replied Mr. Greyne, &ldquo;I have seen the Ouled on the
+ heights.&rdquo;
+ </p>
+ <p>
+ A spasm crossed the Levantine&rsquo;s face. She put her handkerchief to it for a
+ moment. &ldquo;What is an Ouled?&rdquo; she inquired, withdrawing it.
+ </p>
+ <p>
+ &ldquo;I dare not tell you,&rdquo; he replied solemnly.
+ </p>
+ <p>
+ &ldquo;But indeed I wish to know, so that I may sympathise with monsieur.&rdquo;
+ </p>
+ <p>
+ Mr. Greyne hesitated, but his heart was full; he felt the need of
+ sympathy. He looked at Mademoiselle Verbena, and a great longing to
+ unburden himself overcame him.
+ </p>
+ <p>
+ &ldquo;An Ouled,&rdquo; he replied, &ldquo;is a dancing-girl from the desert of Sahara.&rdquo;
+ </p>
+ <p>
+ &ldquo;<i>Mon Dieu!</i> How does she dance? Is it a valse, a polka, a
+ quadrille?&rdquo; &ldquo;No. Would that it were!&rdquo; And Mr. Greyne, unable further to
+ govern his desire for full expression, gave Mademoiselle Verbena a
+ slightly Bowdlerised description of the dances of the desert. She heard
+ him with amazement.
+ </p>
+ <p>
+ &ldquo;How terrible!&rdquo; she exclaimed when he had finished. &ldquo;And does one pay much
+ to see such steps of the Evil One?&rdquo;
+ </p>
+ <p>
+ &ldquo;I gave her twenty pounds. Abdallah Jack&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Abdallah Jack?&rdquo;
+ </p>
+ <p>
+ &ldquo;My guide informed me that was the price. He tells me it is against the
+ law, and that each time an Ouled dances she risks being thrown into
+ prison.&rdquo;
+ </p>
+ <p>
+ &ldquo;Poor lady! How sad to have to earn one&rsquo;s bread by such devices, instead
+ of by teaching to the sweet little ones of monsieur the sympathetic
+ grammar of one&rsquo;s native country.&rdquo;
+ </p>
+ <p>
+ Mr. Greyne was touched to the quick by this allusion, which brought, as in
+ a vision, the happy home in Belgrave Square before him.
+ </p>
+ <p>
+ &ldquo;You are an angel!&rdquo; he exclaimed.
+ </p>
+ <p>
+ Mademoiselle Verbena shook her head.
+ </p>
+ <p>
+ &ldquo;And this poor Ouled, you will go to her again?
+ </p>
+ <p>
+ &ldquo;Yes. It seems that she is in communication with all the&mdash;the&mdash;well,
+ all the odd people of Algiers, and that one can only get at them through
+ her.&rdquo;
+ </p>
+ <p>
+ &ldquo;Indeed?&rdquo;
+ </p>
+ <p>
+ &ldquo;Abdallah Jack tells me that while I am here I should pay her a weekly
+ salary, and that, in return, I shall see all the terrible ceremonies of
+ the Arabs. I have decided to do so&mdash;&mdash;&mdash;
+ </p>
+ <p>
+ &ldquo;Ah, you have decided!&rdquo;
+ </p>
+ <p>
+ For a moment Mr. Greyne started. There seemed a new sound in Mademoiselle
+ Verbena&rsquo;s voice, a gleam in her dark brown eyes.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; he said, looking at her in wonder. &ldquo;But I have not yet told
+ Abdallah Jack.&rdquo;
+ </p>
+ <p>
+ The Levantine looked gently sad again.
+ </p>
+ <p>
+ &ldquo;Ah,&rdquo; she said in her usual pathetic voice, &ldquo;how my heart bleeds for this
+ poor Ouled. By the way, what is her name?&rdquo;
+ </p>
+ <p>
+ &ldquo;Aishoush.&rdquo;
+ </p>
+ <p>
+ &ldquo;She is beautiful?&rdquo;
+ </p>
+ <p>
+ &ldquo;I hardly know. She was so painted, so tattooed, so very&mdash;so very
+ different from Mrs. Eustace Greyne.&rdquo;
+ </p>
+ <p>
+ &ldquo;How sad! How terrible! Ah, but you must long for the dear bonnet strings
+ of madame?&rdquo;
+ </p>
+ <p>
+ Did he? As she spoke Mr. Greyne asked himself the question. Shocked as he
+ was, fatigued by his researches, did he wish that he were back again in
+ Belgrave Square, drinking barley water, pasting notices of his wife&rsquo;s
+ achievements into the new album, listening while she read aloud from the
+ manuscript of her latest novel? He wondered, and&mdash;how strange, how
+ almost terrible&mdash;he was not sure.
+ </p>
+ <p>
+ &ldquo;Is it not so?&rdquo; murmured Mademoiselle Verbena.
+ </p>
+ <p>
+ &ldquo;Naturally I miss my beloved wife,&rdquo; said Mr. Greyne with a certain
+ awkwardness. &ldquo;How is your poor, dear mother?&rdquo;
+ </p>
+ <p>
+ Tears came at once into the Levantine&rsquo;s eyes.
+ </p>
+ <p>
+ &ldquo;Very, very ill, monsieur. Still there is a chance&mdash;just a chance
+ that she may not die. Ah, when I sit here all alone in this strange place,
+ I feel that she will perish, that soon I shall be quite deserted in this
+ cruel, cruel world!&rdquo;
+ </p>
+ <p>
+ The tears began to flow down her cheeks with determination. Mr. Greyne was
+ terribly upset.
+ </p>
+ <p>
+ &ldquo;You must cheer up,&rdquo; he exclaimed. &ldquo;You must hope for the best.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sitting here alone, how can I?&rdquo;
+ </p>
+ <p>
+ She sobbed.
+ </p>
+ <p>
+ &ldquo;Sitting here alone&mdash;very true!&rdquo;
+ </p>
+ <p>
+ A sudden thought, a number of sudden thoughts, struck him.
+ </p>
+ <p>
+ &ldquo;You must not sit here alone.&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur!&rdquo;
+ </p>
+ <p>
+ &ldquo;You must come out. You must drive. You must see the town, distract
+ yourself.&rdquo;
+ </p>
+ <p>
+ &ldquo;But how? Can a&mdash;a girl go about alone in Algiers?&rdquo;
+ </p>
+ <p>
+ &ldquo;Heaven forbid! No; I will escort you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur!&rdquo;
+ </p>
+ <p>
+ A smile of innocent, girlish joy transformed her face, but suddenly she
+ was grave again.
+ </p>
+ <p>
+ &ldquo;Would it be right, <i>convenable?</i>&rdquo;
+ </p>
+ <p>
+ Mr. Greyne was reckless. The dog potential rose up in him again.
+ </p>
+ <p>
+ &ldquo;Why not? And, besides, who knows us here? Not a soul.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is true.&rdquo;
+ </p>
+ <p>
+ &ldquo;Put on your bonnet. Let us start at once!&rdquo;
+ </p>
+ <p>
+ &ldquo;But I do not wear the bonnet. I am not like madame.&rdquo;
+ </p>
+ <p>
+ &ldquo;To be sure. Your hat.&rdquo;
+ </p>
+ <p>
+ And as she flew to obey him, Mr. Eustace Greyne found himself impiously
+ thanking the powers that be for this strange chance of going on the spree
+ with a toque. When Mademoiselle Verbena returned he was looking almost
+ rakish. He eyed her neat black hat and close-fitting black jacket with a
+ glance not wholly unlike that of a militiaman. In her hand she held a
+ vivid scarlet parasol.
+ </p>
+ <p>
+ &ldquo;Monsieur,&rdquo; she said, &ldquo;it is terrible, this <i>ombrelle</i>, when mamma
+ lies at death&rsquo;s door. But what can I do? I have no other, and cannot
+ afford to buy one. The sun is fierce. I dare not expose myself to it
+ without a shelter.&rdquo;
+ </p>
+ <p>
+ She seemed really distressed as she opened the parasol, and spread the
+ vivid silk above her pretty black-clothed figure; but Mr. Greyne thought
+ the effect was brilliant, and ventured to say so. As they passed the
+ bureau by the fountain on their way out the stout Frenchwoman cast an
+ approving glance at Mademoiselle Verbena.
+ </p>
+ <p>
+ &ldquo;The little rat will not see much more of the little negro now,&rdquo; she
+ murmured to herself. &ldquo;After all the English have their uses.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0006" id="link2H_4_0006">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ VI
+ </h2>
+ <p>
+ In Belgrave Square Mrs. Eustace Greyne was beginning to get slightly
+ uneasy. Several things combined to make her so. In the first place,
+ Mademoiselle Verbena had never returned from her mother&rsquo;s Parisian
+ bedside, and had not even written a line to say how the dear parent was,
+ and when the daughter&rsquo;s nursing occupation was likely to be over. In the
+ second place, Adolphus, in consequence of the Levantine&rsquo;s absence, had
+ totally lost his grasp, always uncertain, upon the irregular verbs. In the
+ third place, Darrell, the valet, had returned to London the day after his
+ departure from it, minus not only his master&rsquo;s dressing-case, but minus
+ everything he possessed. His story was that, while waiting at the station
+ in Paris for his master&rsquo;s appearance, he had entered into conversation
+ with an agreeable stranger, and been beguiled into the acceptance of an
+ absinthe at a café just outside. After swallowing the absinthe he
+ remembered nothing more till he came to himself in a deserted waiting-room
+ at the Gare du Nord, back to which he had been mysteriously conveyed. In
+ his pocket was no money, no watch, only the return half of a second-class
+ ticket from London to Paris. He, therefore, wandered about the streets
+ till morning broke, and then came back to London a crestfallen and
+ miserable man, bemoaning his untoward fate, and cursing &ldquo;them blasted
+ Frenchies&rdquo; from the bottom of his British heart.
+ </p>
+ <p>
+ Mrs. Greyne&rsquo;s anxiety on her husband&rsquo;s behalf, now that he was thrown
+ absolutely unattended upon the inhospitable shores of Africa, was not
+ lessened by a fourth circumstance, which, indeed, worried her far more
+ than all the others put together. This was Mr. Greyne&rsquo;s prolonged absence
+ from her side. Precisely one calendar month had now elapsed since he had
+ buried his face in her prune bonnet strings at Victoria Station, and there
+ seemed no prospect of his return. He wrote to her, indeed, frequently, and
+ his letters were full of wistful regret and longing to be once more safe
+ in the old homestead in Belgrave Square, drinking barley water, and
+ pasting Romeike &amp; Curtice notices into the new album which lay, gaping
+ for him, upon the table of his sanctum. But he did not come; nay, more, he
+ wrote plainly that there was no prospect of his coming for the present. It
+ seemed that the wickedness of Africa was very difficult to come at. It did
+ not lie upon the surface, but was hidden far down in depths to which the
+ ordinary tourist found it almost impossible to penetrate. In his numerous
+ letters Mr. Greyne described his heroic and unremitting exertions to fill
+ the Merrin&rsquo;s note-books with matter that would be suitable for the purging
+ of humanity. He set out in full his interview with Alphonso at the office
+ of Rook, and his definite rejection by that cosmopolitan official.
+ According to the letters, after this event he had spent no less than a
+ fortnight searching in vain for any sign of wickedness in the Algerian
+ capital. He had frequented the cafés, the public bars, the theatres, the
+ churches. He had been to the Velodrome. He had sat by the hour in the
+ Jardin d&rsquo;Essai. At night he had strolled in the fairs and hung about the
+ circus. Yet nowhere had he been able to perceive anything but the most
+ innocent pleasure, the simple merriment of a gay and guileless population
+ to whom the idea of crime seemed as foreign as the idea of singing the
+ English national anthem.
+ </p>
+ <p>
+ During the third week it was true that matters&mdash;always according to
+ Mr. Greyne&rsquo;s letters home&mdash;slightly improved. While walking near the
+ quay, in active search for nautical outrage, he saw an Arab dock labourer,
+ who had been over-smoking kief, run amuck, and knock down a couple of
+ respectable snake-charmers who were on the point of embarkation for Tunis
+ with their reptiles. This incident had filed up a half-score of pages in
+ exercise-book number one, and had flooded Mr. Greyne with hope and
+ aspiration. But it was followed by a stagnant lull which had lasted for
+ days and had only been disturbed by the trifling incident of a gentleman
+ in the Jewish quarter of the town setting fire to a neighbour&rsquo;s bazaar, in
+ the very natural endeavour to find a French half-penny which he had
+ chanced to drop among a bale of carpets while looking in to drive a soft
+ bargain. As Mrs. Greyne wired to Algiers, such incidents were of no value
+ to &ldquo;Catherine.&rdquo;
+ </p>
+ <p>
+ A very active interchange of views had gone on between the husband and
+ wife as time went by, and the book was at a standstill. At first Mrs.
+ Greyne contented herself with daily letters, but latterly she had resorted
+ to wires, explanatory, condemnatory, hortatory, and even comminatory. She
+ began bitterly to regret her husband&rsquo;s well-proven innocence, and wished
+ she had despatched an uncle of hers by marriage, an ex-captain in the
+ Royal Navy, who, she began to feel certain, would have been able to find
+ far more frailty in Algiers than poor Eustace, in his simplicity, would
+ ever come at. She even began to wish that she had crossed the sea in
+ person, and herself boldly set about the ingathering of the material for
+ which she was so impatiently waiting.
+ </p>
+ <p>
+ Her uneasiness was brought to a head by a letter from a house agent,
+ stating that the corner mansion in Park Lane next to the Duke of Ebury&rsquo;s
+ was being nibbled at by a Venezuelan millionaire. She wired this terrible
+ fact at once to Africa, adding, at an enormous expenditure of cash:
+ </p>
+<pre xml:space="preserve">
+ This will never do. You are too innocent, and cannot see
+ what lies before you. Obtain assistance. Go to the British
+ consul.
+</pre>
+ <p>
+ Mr. Greyne at once cabled back:
+ </p>
+<pre xml:space="preserve">
+ Am following your advice. Will wire result. Regret my
+ innocence, but am distressed that you should so utterly
+ condemn it.
+</pre>
+ <p>
+ Upon receiving this telegram at night, before a lonely dinner, Mrs.
+ Eustace Greyne was deeply moved. She felt she had been hasty. She knew
+ that to very few women was it given to have a husband so free from all
+ masculine infirmities as Mr. Greyne. At the same time there was
+ &ldquo;Catherine,&rdquo; there was the mansion in Park Lane, there was the Venezuelan
+ millionaire. She began to feel distracted, and, for the first time in her
+ life, refused to partake of sweetbreads fried in mushroom ketchup, a dish
+ which she had greatly affected from the time when she wrote her first
+ short story. While she was in the very act of waving away this delicacy a
+ footman came in with a foreign telegram. She opened it quickly, and read
+ as follows:&mdash;
+ </p>
+<pre xml:space="preserve">
+ British consul horrified; was ignominiously expelled from
+ consulate; great scandal; am much upset, but will never give
+ in, for your sake. Eustace.
+</pre>
+ <p>
+ As the dread meaning of these words penetrated at length to Mrs. Greyne&rsquo;s
+ voluminous brain a deep flush overspread her noble features. She rose from
+ the table with a determination that struck awe to the hearts of the
+ powdered underlings, and, drawing herself up to her full height,
+ exclaimed:
+ </p>
+ <p>
+ &ldquo;Send Mrs. Forbes at once to my study, if you please&mdash;at once, do you
+ understand?&rdquo;
+ </p>
+ <p>
+ In a moment Mrs. Forbes, who was the great novelist&rsquo;s maid, appeared on
+ the threshold of the oracle&rsquo;s lair. She was a sober-looking, black-silk
+ personage, who always wore a pork-pie cap in the house, and a Mother
+ Hubbard bonnet out of it. Having been in service with Mrs. Greyne ever
+ since the latter penned her last minor poetry&mdash;Mrs. Greyne had been a
+ minor poet for three years soon after she put her hair up&mdash;Mrs.
+ Forbes had acquired a certain literary expression of countenance and a
+ manner that was decidedly prosy. She read a good deal after her supper of
+ an evening, and was wont to be the arbiter when any literary matter was
+ discussed in the servants&rsquo; hall.
+ </p>
+ <p>
+ &ldquo;Madam?&rdquo; she said, respectfully entering the room, and bending the
+ pork-pie cap forward in an attentive attitude.
+ </p>
+ <p>
+ Mrs. Greyne was silent for a moment. She appeared to be thinking deeply.
+ Mrs. Forbes gently closed the door, and sighed. It was nearly her
+ supper-time, and she felt pensive.
+ </p>
+ <p>
+ &ldquo;Madam?&rdquo; she said again.
+ </p>
+ <p>
+ Mrs. Greyne looked up. A strange fire burned in her large eyes.
+ </p>
+ <p>
+ &ldquo;Mrs. Forbes,&rdquo; she said at length, with weighty deliberation, &ldquo;the mission
+ of woman in the world is a great one.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very true, madam. My own words to Butler Phillips no longer ago than
+ dinner this midday.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is the protecting of man&mdash;neither more nor less.&rdquo;
+ </p>
+ <p>
+ &ldquo;My own statement, madam, to Second Footman Archibald this self-same day
+ at the tea-board.&rdquo;
+ </p>
+ <p>
+ &ldquo;Man needs guidance, and looks for it to us&mdash;or rather to me.&rdquo;
+ </p>
+ <p>
+ At the last word Mrs. Forbes pinched her lips together, and appeared older
+ than her years and sourer than her normal temper.
+ </p>
+ <p>
+ &ldquo;At this moment, Mrs. Forbes,&rdquo; continued Mrs. Greyne, with rising fervour,
+ &ldquo;he looks for it to me from Africa. From that dark continent he stretches
+ forth his hands to me in humble supplication.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. Greyne has not been taken with another of his bilious attacks, I
+ hope, madam?&rdquo; said Mrs. Forbes.
+ </p>
+ <p>
+ Mrs. Greyne smiled. The ignorance of the humbly born entertained her. It
+ was so simple, so transparent.
+ </p>
+ <p>
+ &ldquo;You fail to understand me,&rdquo; she answered. &ldquo;But never mind; others have
+ done the same.&rdquo;
+ </p>
+ <p>
+ She thought of her reviewers. Mrs. Forbes smiled. She also could be
+ entertained.
+ </p>
+ <p>
+ &ldquo;Madam?&rdquo; she inquired once more after a pause.
+ </p>
+ <p>
+ &ldquo;I shall leave for Africa to-morrow morning,&rdquo; said Mrs. Greyne. &ldquo;You will
+ accompany me.&rdquo;
+ </p>
+ <p>
+ There was a dead silence.
+ </p>
+ <p>
+ &ldquo;You will accompany me. Do you understand? Obtain assistance from the
+ housemaids in the packing. Select my quietest gowns, my least conspicuous
+ bonnets. I have my reasons for wishing, while journeying to Africa and
+ remaining there, to pass, if possible, unnoticed.&rdquo;
+ </p>
+ <p>
+ Again there was a pause. Mrs. Greyne looked up at Mrs. Forbes, and
+ observed a dogged expression upon her countenance.
+ </p>
+ <p>
+ &ldquo;What is the matter?&rdquo; she asked the maid.
+ </p>
+ <p>
+ &ldquo;Do we go by Paris, madam?&rdquo; said Mrs. Forbes.
+ </p>
+ <p>
+ &ldquo;Certainly.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then, madam, I&rsquo;m very sorry, but I couldn&rsquo;t risk it, not if it was ever
+ so&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Why not? Why this fear of Lutetia?&rdquo;
+ </p>
+ <p>
+ &ldquo;Madam, I&rsquo;m not afraid of any Lutetia as ever wore apron, but to go to
+ Paris to be drugged with absint, and put away in a third-class
+ waiting-room like a package&mdash;I couldn&rsquo;t madam, not even if I have to
+ leave your service.&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne recognised that the episode of the valet had struck home to
+ the lady&rsquo;s maid.
+ </p>
+ <p>
+ &ldquo;But you will not leave my side.&rdquo;
+ </p>
+ <p>
+ &ldquo;They will absint you, madam.&rdquo;
+ </p>
+ <p>
+ &ldquo;But you will travel first in a sleeping-car.&rdquo;
+ </p>
+ <p>
+ Mrs. Forbes put up her hand to her pork-pie cap, as if considering.
+ </p>
+ <p>
+ &ldquo;Very well, madam, to oblige you I will undergo it,&rdquo; she said at length.
+ &ldquo;But I would not do the like for another living lady.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will raise your wages. You are a faithful creature.&rdquo;
+ </p>
+ <p>
+ &ldquo;Does master expect us, madam?&rdquo; asked Mrs. Forbes as she prepared to
+ retire.
+ </p>
+ <p>
+ A bright and tender look stole into Mrs. Greyne&rsquo;s intellectual face.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; she replied.
+ </p>
+ <p>
+ She turned her large and beaming eyes full upon the maid.
+ </p>
+ <p>
+ &ldquo;Mrs. Forbes,&rdquo; she said, with an amount of emotion that was very rare in
+ her, &ldquo;I am going to tell you a great truth.&rdquo;
+ </p>
+ <p>
+ &ldquo;Madam?&rdquo; said Mrs. Forbes respectfully.
+ </p>
+ <p>
+ &ldquo;The sweetest moments of life, those which lift man nearest heaven, and
+ make him thankful for the great gift of existence, are sometimes those
+ which are unforeseen.&rdquo;
+ </p>
+ <p>
+ She was thinking of Mr. Greyne&rsquo;s ecstasy when, upon the inhospitable
+ African shore where he was now enduring such tragic misfortunes, he
+ perceived the majestic form of his loved one&mdash;his loved one whom he
+ believed to be in Belgrave Square&mdash;coming towards him to soothe, to
+ comfort, to direct. She brushed away a tear.
+ </p>
+ <p>
+ &ldquo;Go, Mrs. Forbes,&rdquo; she said.
+ </p>
+ <p>
+ And Mrs. Forbes retired, smiling.
+ </p>
+ <p>
+ An epic might well be written on the great novelist&rsquo;s journey to Africa,
+ upon her departure from Charing Cross, shrouded in a black gauze veil, her
+ silent thought as the good ship <i>Empress</i> rode cork-like upon the
+ Channel waves, her ascetic lunch&mdash;a captain&rsquo;s biscuit and a glass of
+ water&mdash;at the buffet at Calais, her arrival in Paris when the shades
+ of night had fallen. An epic might well be written. Perhaps some day it
+ will be, by herself.
+ </p>
+ <p>
+ In Paris she suffered a good deal on account of Mrs. Forbes, who, in her
+ fear of &ldquo;ab-sint,&rdquo; became hysterical, and caused not a little annoyance by
+ accusing various inoffensive French travellers of nefarious designs upon
+ her property and person. In the Gulf of Lyons she suffered even more, and
+ as, unluckily, the wind was contrary and the sea prodigious during the
+ whole of the passage across the Mediterranean, both she and Mrs. Forbes
+ arrived at Algiers four hours late, in a condition which may be more
+ easily imagined than properly described.
+ </p>
+ <p>
+ Genius in thrall to the body, and absolutely dependent upon green
+ chartreuse for its flickering existence, is no subject for even a
+ sympathetic pen. Sufficient to say that, when the ship came in under the
+ lights of Algiers, the crowd of shouting Arabs was struck to silence by
+ the spectacle of Mrs. Greyne and Mrs. Forbes endeavouring to disembark, in
+ bonnets that were placed seaward upon the head instead of landward,
+ unbuttoned boots, and gowns soaked with the attentions of the waves.
+ </p>
+ <p>
+ After being gently and permanently relieved of their light hand-baggage,
+ the mistress and maid, who seemed greatly overwhelmed by the sight of
+ Africa, and who moved&mdash;or rather were carried&mdash;as in a dream,
+ were placed reverently in the nearest omnibus, and conveyed to the
+ farthest hotel, which was situated upon a lofty hill above the town. Here
+ a slightly painful scene took place.
+ </p>
+ <p>
+ Having been assisted by the staff into a Moorish hall, Mrs. Greyne
+ inquired in a reticent voice for her husband, and was politely informed
+ that there was no person of the name of Greyne in the hotel. For a moment
+ she seemed threatened with dissolution, but with a supreme effort calling
+ upon her mighty brain she surmised that her husband was possibly passing
+ under a pseudonym in order to throw America off the scent. She, therefore,
+ demanded to have the guests then present in the hotel at once paraded
+ before her. As there was some difficulty about this&mdash;the guests being
+ then at dinner&mdash;she whispered for the visitors&rsquo; book, thinking that,
+ perchance, Mr. Greyne had inscribed his name there, and that the staff,
+ being foreign, did not recognise it as murmured by herself. The book was
+ brought, upon its cover in golden letters the words: &ldquo;Hôtel Loubet et
+ Majestic.&rdquo; Then explanations of a somewhat disagreeable nature occurred,
+ and Mrs. Greyne and Mrs. Forbes, after a heavy payment had been exacted
+ for their conveyance to a place they had desired not to go to, were
+ carried forth, and consigned to another vehicle, which at length brought
+ them, on the stroke of nine, to the Grand Hotel.
+ </p>
+ <p>
+ Having been placed reverently in the brilliantly-lighted hall, they were
+ surrounded by the proprietor, the <i>maître d&rsquo;hôtel</i> and his
+ assistants, the porters, and the chasseurs, with all of whom Mr. Greyne
+ was now familiar. Brandy and water having been supplied, together with
+ smelling-salts and burnt feathers, Mrs. Greyne roused herself from an
+ acute attack of lethargy, and asked for Mr. Greyne. A joyous smile ran
+ round the circle.
+ </p>
+ <p>
+ &ldquo;Monsieur Greyne,&rdquo; said the proprietor, &ldquo;who is living here for the
+ winter?&rdquo; 4
+ </p>
+ <p>
+ &ldquo;Mr. Eustace Greyne,&rdquo; murmured the great novelist, grasping her bonnet
+ with both hands.
+ </p>
+ <p>
+ The <i>maître d&rsquo;hôtel</i> drew nearer.
+ </p>
+ <p>
+ &ldquo;Madame wishes to see Monsieur Greyne?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;I do&mdash;at once.&rdquo;
+ </p>
+ <p>
+ A blessed consciousness of Mother Earth was gradually beginning to steal
+ over her. She even strove feebly to sit up on her chair, a German-Swiss
+ porter of enormous size assisting her.
+ </p>
+ <p>
+ &ldquo;But Monsieur Greyne is out.&rdquo;
+ </p>
+ <p>
+ &ldquo;Out?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, madame. Monsieur Greyne is always out at night.&rdquo;
+ </p>
+ <p>
+ The eyes of the little chasseur who knew no better began to twinkle. Mrs.
+ Forbes gave a slight cough. Tears filled the novelist&rsquo;s eyes.
+ </p>
+ <p>
+ &ldquo;God bless my Eustace!&rdquo; she murmured, deeply touched by this evidence of
+ his devotion to her interests.
+ </p>
+ <p>
+ &ldquo;Madame says&mdash;&mdash;&rdquo; asked the proprietor.
+ </p>
+ <p>
+ &ldquo;Where does Mr. Greyne go?&rdquo; inquired the novelist.
+ </p>
+ <p>
+ &ldquo;To the Kasbah, madame.&rdquo;
+ </p>
+ <p>
+ &ldquo;I knew it!&rdquo; cried Mrs. Greyne, with returning animation. &ldquo;I knew it would
+ be so!&rdquo;
+ </p>
+ <p>
+ &ldquo;Madame is acquainted with Monsieur Greyne?&rdquo; said the <i>maître d&rsquo;hôtel</i>,
+ while the little crowd gathered more closely about the wave-worn group.
+ </p>
+ <p>
+ &ldquo;I am Mrs. Eustace Greyne,&rdquo; returned the great novelist recklessly. &ldquo;I am
+ the wife of Mr. Eustace Greyne.&rdquo;
+ </p>
+ <p>
+ There was a moment of supreme silence. Then a loud, an even piercing &ldquo;<i>Oh,
+ là, là,</i> broke upon the air, succeeded instantaneously by a burst of
+ laughter that seemed to thrill with all the wild blessedness of boyhood.
+ It came, of course, from the little chasseur; it came, and stayed. Nothing
+ could stop it, and eventually the happy child had to be carried forth upon
+ the sea-front to enjoy his innocent mirth at leisure and in solitude
+ beneath the African stars. Mrs. Greyne did not notice his disappearance.
+ She was intent upon important matters.
+ </p>
+ <p>
+ &ldquo;At what time does Mr. Greyne usually set forth?&rdquo; she asked of the
+ proprietor, whose face now bore a strangely twisted appearance, as if
+ afflicted by a toothache.
+ </p>
+ <p>
+ &ldquo;Immediately after dinner, madame, if not before. Of late it has generally
+ been before.&rdquo;
+ </p>
+ <p>
+ &ldquo;And he stays out late?&rdquo;
+ </p>
+ <p>
+ &ldquo;Very late, madame.&rdquo;
+ </p>
+ <p>
+ The twisted appearance began to seem infectious. It was visible upon the
+ faces of most of those surrounding Mrs. Greyne and Mrs. Forbes. Indeed,
+ even the latter showed some signs of it, although the large shadow cast
+ over her features by the hind side of her Mother Hubbard bonnet to some
+ extent disguised them from the public view.
+ </p>
+ <p>
+ &ldquo;Till what hour?&rdquo; pursued Mrs. Greyne in a voice of almost yearning
+ tenderness and pity.
+ </p>
+ <p>
+ &ldquo;Well, madame&rdquo;&mdash;the proprietor displayed some slight confusion&mdash;&ldquo;I
+ really can hardly say. The <i>maître d&rsquo;hôtel</i> can perhaps inform you.&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne turned her ox-like eyes upon the enlarged edition of Napoleon
+ the First.
+ </p>
+ <p>
+ &ldquo;Monsieur Greyne seldom returns before seven or eight o&rsquo;clock in the
+ morning, madame. He then retires to bed, and comes down to breakfast at
+ about four o&rsquo;clock in the afternoon.&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne was touched to the very quick. Her husband was sacrificing his
+ rest, his health&mdash;nay, perhaps even his very life&mdash;in her
+ service. It was well she had come, well that a period was to be put to
+ these terrible researches. They should be stopped at once, even this very
+ night. Better a thousand literary failures than that her husband&rsquo;s
+ existence should be placed in jeopardy. She rose suddenly from her chair,
+ tottered, gasped, recovered herself, and spoke.
+ </p>
+ <p>
+ &ldquo;Prepare dinner for me at once,&rdquo; she said, &ldquo;and order a carriage and a
+ competent guide to be before the door in half-an-hour.&rdquo;
+ </p>
+ <p>
+ &ldquo;Madame is going out? But madame is ill, tired!&rdquo;
+ </p>
+ <p>
+ &ldquo;It matters not.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where does madame wish to go?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am going to the Kasbah to find my husband.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will escort madame.&rdquo;
+ </p>
+ <p>
+ The proprietor, the <i>maître d&rsquo;hôtel</i>, the waiters, the porters, the
+ chasseurs, Mrs. Greyne and Mrs. Forbes, all turned about to face the
+ determined speaker.
+ </p>
+ <p>
+ And there before them, his dark eyes gleaming, his long moustaches
+ bristling fiercely&mdash;here stood Abdallah Jack.
+ </p>
+ <p>
+ <a name="link2H_4_0007" id="link2H_4_0007">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ VII
+ </h2>
+ <p>
+ Man is a self-deceiver. It must, therefore, ever be a doubtful point
+ whether Mr. Eustace Greyne, during his residence in Africa, absolutely
+ lost sight of his sense of duty; whether, beguiled by the lively
+ attentions of a fiercely foreign town, he deliberately resolved to take
+ his pleasure regardless of consequences and of the sacred ties of Belgrave
+ Square. We prefer to think that some vague idea of combining two duties&mdash;that
+ which he owed to himself and that which he owed to Mrs. Greyne&mdash;moved
+ him in all he did, and that the subterfuge into which he was undoubtedly
+ led was not wholly selfish, not wholly criminal. Nevertheless, that he had
+ lied to his beloved wife is certain. Even while she sat over a cutlet and
+ a glass of claret in the white-and-gold dining-room of the Grand Hotel,
+ preparatory to her departure to the Kasbah with Abdallah Jack, the dozen
+ of Merrin&rsquo;s exercise-books lay upstairs in Mr. Greyne&rsquo;s apartments filled
+ to the brim with African frailty. Already there was material enough in
+ their pages to furnish forth a library of &ldquo;Catherines.&rdquo; Yet Mr. Greyne
+ still lingered far from his home, and wired to that home fabricated
+ accounts of the singular innocence of Algiers. He even allowed it to be
+ supposed that his own innocence stood in the way of his fulfilment of Mrs.
+ Greyne&rsquo;s behests&mdash;he who could now have given points in knowledge of
+ the world to whole regiments of militiamen!
+ </p>
+ <p>
+ It was not right, and, doubtless, he must stand condemned by every
+ moralist. But let it not be forgotten that he had fallen under the
+ influence of a Levantine.
+ </p>
+ <p>
+ Mademoiselle Verbena&rsquo;s mother, hidden in some unnamed hospital of Algiers,
+ appeared to be one of those ingenious elderly ladies who can hover
+ indefinitely upon the brink of death without actually dying. During the
+ whole time that Mr. Greyne had been in Africa her state had been
+ desperate, yet she still clung to life. As her daughter said, she
+ possessed extraordinary vitality, and this vitality seemed to have been
+ inherited by her child. Despite her grave anxieties Mademoiselle Verbena
+ succeeded in sustaining a remarkable cheeriness, and even a fascinating
+ vivacity, when in the company of others. As she said to Mr. Greyne, she
+ did not think it right to lay her burdens upon the shoulders of her
+ neighbours. She, therefore, forced herself to appear contented, even at
+ various moments gay, when she and Mr. Greyne were lunching, dining, or
+ supping together, were driving upon the front, sailing upon the azure
+ waters of the bay, riding upon the heights beyond El-Biar, or, ensconced
+ in a sumptuous private box, listening to the latest French farce at one or
+ another of the theatres. Only one day, when they had driven out to the
+ monastery at La Trappe de Staouëli, did a momentary cloud descend upon her
+ piquant features, and she explained this by the frank confession that she
+ had always wished to become a nun, but had been hindered from following
+ her vocation by the necessity of earning money to support her aged
+ parents. Mr. Greyne had never seen the Ouled since his first evening in
+ Algiers, but he still paid her a weekly salary, through Abdallah Jack, who
+ explained to him that the interesting lady, in a discreet retirement, was
+ perpetually occupied in arranging the exhibitions of African frailty at
+ which he so frequently assisted. She was, in fact, earning her liberal
+ salary. Mademoiselle Verbena and Abdallah Jack had met on several
+ occasions, and Mr. Greyne had introduced the latter to the former as his
+ guide, and had generously praised his abilities; but in Mademoiselle
+ Verbena took very little notice of him, and, as time went on, Abdallah
+ Jack seemed to conceive a most distressing dislike of her. On several
+ occasions he advised Mr. Greyne not to frequent her company so
+ assiduously, and when Mr. Greyne asked him to explain the meaning of his
+ monitions he took refuge in vague generalities and Eastern imagery. He had
+ a profound contempt for women as companions, which grieved Mr. Greyne&rsquo;s
+ Western ideas, and evidently thought that Mademoiselle Verbena ought to be
+ clapped forthwith into a long veil, and put away in a harem behind an iron
+ grille. When Mr. Greyne explained the English point of view Abdallah Jack
+ took refuge in a sulky silence; but during the week immediately preceding
+ the arrival of Mrs. Greyne his temper had become actively bad, and Mr.
+ Greyne began seriously to consider whether it would not be better to pay
+ him a last <i>douceur</i>, and tell him to go about his business.
+ </p>
+ <p>
+ Before doing this, however, Mr. Greyne desired to have one more interview
+ with the mysterious Ouled on the heights, to whom he owed the knowledge
+ which would henceforth enable him to cut out the militia. He said so to
+ Abdallah Jack. The latter agreed sulkily to arrange it; and matters so
+ fell out that on the night of Mrs. Greyne&rsquo;s arrival her husband was seated
+ in a room in one of the remotest houses of the Kasbah, watching the
+ Ouled&rsquo;s mysterious evolutions, while Mademoiselle Verbena&mdash;as she
+ herself had informed Mr.4 Greyne&mdash;sat in the hospital by the bedside
+ of her still dying mother. Abdallah Jack had apparently been most anxious
+ to assist at Mr. Greyne&rsquo;s interview with the Ouled, but Mr. Greyne had
+ declined to allow this. The evil temper of the guide was beginning to get
+ thoroughly upon his employer&rsquo;s nerves, and even the natural desire to have
+ an interpreter at hand was overborne by the dislike of Abdallah Jack&rsquo;s
+ morose eyes and sarcastic speeches about women. Moreover, the Ouled spoke
+ a word or two of uncertain French.
+ </p>
+ <p>
+ Thus, therefore, things fell out, and such was the precise situation when
+ Mrs. Greyne flicked a crumb from her chocolate brocade gown, tied her
+ bonnet strings, and rose from table to set forth to the Kasbah with
+ Abdallah Jack.
+ </p>
+ <p>
+ It was a radiant night. In the clear sky the stars shone brilliantly,
+ looking down upon the persistent convulsions of the little chasseur, who
+ had not yet recovered from his attack of merriment on learning who Mrs.
+ Greyne was. The sea, quite calm now that the great novelist was no longer
+ upon it, lapped softly along the curving shores of the bay. The palm-trees
+ of the town garden where the band plays on warm evenings waved lazily in
+ the soft and scented breeze. The hooded figures of the Arabs lounged
+ against the stone wall that girdles the sea-front. In the
+ brilliantly-illuminated restaurants the rich French population gathered
+ about the little tables, while the withered beggars stared in upon the
+ oyster shells, the champagne bottles, and the feathers in the women&rsquo;s
+ audacious hats.
+ </p>
+ <p>
+ When Mrs. Greyne emerged upon the pavement before the Grand Hotel,
+ attended by Mrs. Forbes and the guide, she paused for a moment, and cast a
+ searching glance upon the fairy scene. In this voluptuous evening and
+ strange environment life seemed oddly dreamlike. She scarcely felt like
+ Mrs. Greyne. Possibly Mrs. Forbes also felt unlike herself, for she
+ suddenly placed one hand upon her left side, and tottered. Abdallah Jack
+ supported her. She screamed aloud.
+ </p>
+ <p>
+ &ldquo;Madam!&rdquo; she said. &ldquo;It is the vertigo. I am overtook!&rdquo;
+ </p>
+ <p>
+ She was really ill; her face, indeed, became the colour of a plover&rsquo;s egg.
+ </p>
+ <p>
+ &ldquo;Let me go to bed, madam,&rdquo; she implored. &ldquo;It is the vertigo, madam. I am
+ overtook!&rdquo;
+ </p>
+ <p>
+ Under ordinary circumstances Mrs. Greyne would have prescribed a dose of
+ Kasbah air, but to-night she felt strange, and she wanted strangeness.
+ Mrs. Forbes with the vertigo, in a small carriage, would be inappropriate.
+ She, therefore, bade her retire, mounted into the vehicle with Abdallah
+ Jack, and was quickly driven away, her bonnet strings floating upon the
+ winsome wind.
+ </p>
+ <p>
+ &ldquo;You know my husband?&rdquo; she asked softly of the guide.
+ </p>
+ <p>
+ Abdallah Jack replied in French that he rather thought he did.
+ </p>
+ <p>
+ &ldquo;How is he looking?&rdquo; continued Mrs. Greyne in a slightly yearning voice.
+ &ldquo;My Eustace!&rdquo; she added to herself, &ldquo;my devoted one!&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur Greyne is pale as washed linen upon the Kasbah wall,&rdquo; replied
+ Abdallah Jack, lighting a cigarette, and wreathing the great novelist in
+ its grey-blue smoke. &ldquo;He is thin as the Spahi&rsquo;s lance, he is nervous as
+ the leaves of the eucalyptus-tree when the winds blow from the north.&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne was seriously perturbed.
+ </p>
+ <p>
+ &ldquo;Would I had come before!&rdquo; she murmured, with serious self-reproach.
+ </p>
+ <p>
+ &ldquo;Monsieur Greyne is worse than all the English,&rdquo; pursued Abdallah Jack in
+ a voice that sounded to Mrs. Greyne decidedly sinister. &ldquo;He is worse than
+ the tourists of Rook, who laugh in the doorways of the mosques and twine
+ in their hair the dried lizards of the Sahara. Even the guide of Rook
+ rejected him. I only would undertake him because I am full of evil.&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne began to feel distinctly uncomfortable, and to wish she had
+ not been so ready to pander to Mrs. Forbes&rsquo; vertigo. She stole a sidelong
+ glance at her strange companion. The carriage was small. The end of his
+ bristling black moustache was very near. What he said of Mr. Greyne did
+ not disturb her, because she knew that her Eustace had sacrificed his
+ reputation to do her service; but what he said about himself was not
+ reassuring.
+ </p>
+ <p>
+ &ldquo;I think you must be doing yourself an injustice,&rdquo; she said in a rather
+ agitated voice.
+ </p>
+ <p>
+ &ldquo;Madame?&rdquo;
+ </p>
+ <p>
+ &ldquo;I do not believe you are so bad as you imply,&rdquo; she continued.
+ </p>
+ <p>
+ The carriage turned with a jerk out of the brilliantly-lighted
+ thoroughfare that runs along the sea into a narrow side street, crowded
+ with native Jews, and dark with shadows.
+ </p>
+ <p>
+ &ldquo;Madame does not know me.&rdquo;
+ </p>
+ <p>
+ The exact truth of this observation struck home, like a dagger, to the
+ mind of Mrs. Greyne.
+ </p>
+ <p>
+ &ldquo;I am a wicked person,&rdquo; added Abdallah Jack, with a profound conviction.
+ &ldquo;That is why Monsieur Greyne chose me as his guide.&rdquo;
+ </p>
+ <p>
+ The novelist began to quake. Her chocolate brocade fluttered. Was she
+ herself to learn at first hand, and on her first evening in Africa, enough
+ about African frailty to last her for the rest of her life? And how much
+ more of life would remain to her after her stock of knowledge had been
+ thus increased? The carriage turned into a second side street, narrower
+ and darker than the last.
+ </p>
+ <p>
+ &ldquo;Are we going right?&rdquo; she said apprehensively.
+ </p>
+ <p>
+ &ldquo;No, madame; we are going wrong&mdash;we are going to the wicked part of
+ the city.&rdquo;
+ </p>
+ <p>
+ &ldquo;But&mdash;but&mdash;you are sure Mr. Greyne will be there?&rdquo;
+ </p>
+ <p>
+ Abdallah Jack laughed sardonically.
+ </p>
+ <p>
+ &ldquo;Monsieur Greyne is never anywhere else. Monsieur Greyne is wicked as is a
+ mad Touareg of the desert.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t think you quite understand my husband,&rdquo; said Mrs. Greyne, feeling
+ in duty bound to stand up for her poor, maligned Eustace. &ldquo;Whatever he may
+ have done he has done at my special request.&rdquo;
+ </p>
+ <p>
+ &ldquo;Madame says?&rdquo;
+ </p>
+ <p>
+ &ldquo;I say that in all his proceedings while in Algiers Mr. Greyne has been
+ acting under my directions.&rdquo;
+ </p>
+ <p>
+ Abdallah Jack fixed his enormous eyes steadily upon her.
+ </p>
+ <p>
+ &ldquo;You are his wife, and told him to come here, and to do as he has done?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ye-yes,&rdquo; faltered Mrs. Greyne, for the first time in her life feeling as
+ if she were being escorted towards the criminal dock by a jailer with
+ Puritan tendencies.
+ </p>
+ <p>
+ &ldquo;Then it is true what they say on the shores of the great canal,&rdquo; he
+ remarked composedly.
+ </p>
+ <p>
+ &ldquo;What do they say?&rdquo; inquired Mrs. Greyne.
+ </p>
+ <p>
+ &ldquo;That England is a land of female devils,&rdquo; returned the guide as the
+ carriage plunged into a filthy alley, between two rows of blind houses,
+ and began to ascend a steep hill.
+ </p>
+ <p>
+ Mrs. Greyne gasped. She opened her lips to protest vigorously, but her
+ head swam&mdash;either from indignation or from fatigue&mdash;and she
+ could not utter a word. The horses mounted like cats upward into the dense
+ blackness, from which dropped down the faint sounds of squealing music and
+ of hoarse cries and laughter. The wheels bounded over the stones, sank
+ into the deep ruts, scraped against the sides of the unlighted houses. And
+ Abdallah Jack sat staring at Mrs. Greyne as an English clergyman&rsquo;s wife
+ might stare at the appalling rites of some deadly cannibal encountered in
+ a far-off land, with a stony wonder, a sort of paralysed curiosity.
+ </p>
+ <p>
+ Suddenly the carriage stopped on a piece of waste land covered with small
+ pebbles. Abdallah Jack sprang out.
+ </p>
+ <p>
+ &ldquo;Why do we stop?&rdquo; said Mrs. Greyne, turning as pale as ashes.
+ </p>
+ <p>
+ &ldquo;The carriage can go no farther. Madame must walk.&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne began to tremble.
+ </p>
+ <p>
+ &ldquo;We are to leave the coachman?&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall escort madame, alone.&rdquo;
+ </p>
+ <p>
+ The great novelist&rsquo;s tongue cleaved to the roof of her mouth. She felt
+ like a Merrin&rsquo;s exercise-book, every leaf of which was covered with
+ African frailty. However, there was no help for it. She had to descend,
+ and stand among the pebbles.
+ </p>
+ <p>
+ &ldquo;Where are we going?&rdquo;
+ </p>
+ <p>
+ Abdallah Jack waved his hand towards a stone rampart dimly seen in the
+ faint light that emanated from the starry sky.
+ </p>
+ <p>
+ &ldquo;Down there into the alley of the Dead Dervishes.&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne could not repress a cry of horror. At that moment she would
+ have given a thousand pounds to have Mrs. Forbes at her side.
+ </p>
+ <p>
+ Abdallah Jack grasped her by the hand, and led her ruthlessly forward.
+ Gazing with terror-stricken eyes over the crumbling rampart of the Kasbah,
+ she saw the city far below her, the lights of the streets, the lights of
+ the ships in harbour. She heard the music of a bugle, and wished she were
+ a Zouave safe in barracks. She wished she were a German-Swiss porter, a
+ merry chasseur&mdash;anything but Mrs. Eustace Greyne. One thing alone
+ supported her in this hour of trial, the thought of her husband&rsquo;s ecstasy
+ when she appeared upon the dread scene of his awful labours, to tell him
+ that he was released, that he need visit them no more.
+ </p>
+ <p>
+ The alley of the Dead Dervishes is long and winding. To Mrs. Greyne it
+ seemed endless. As she threaded it with faltering step, gripped by the
+ feverish hand of Abdallah Jack, who now began to display a strange and
+ terrible excitement, she became a centre of curiosity. Unwashed Arabs,
+ rakish Zouaves in blue and red, wandering Jews of various nationalities,
+ unveiled dancing-girls covered with jewels, stared in wonder upon the
+ chocolate brocade and the floating bonnet strings, followed upon her
+ footsteps, pointing with painted fingers, and making remarks of a personal
+ nature in French, Arabic, and other unknown tongues. She moved in the
+ midst of a crowd, on and on before lighted interiors from which wild music
+ flowed.
+ </p>
+ <p>
+ &ldquo;Shall we never be there?&rdquo; she panted to Abdallah Jack. &ldquo;My limbs refuse
+ their office.&rdquo; She jogged against a Tunisian Jewess in a pointed hat, and
+ rebounded upon an enormous Riff in a tattered sheep-skin. &ldquo;I can go no
+ farther.&rdquo;
+ </p>
+ <p>
+ &ldquo;We are there! Behold the house of the Ouled!&rdquo;
+ </p>
+ <p>
+ As he uttered the last word he burst into a bitter laugh, and drew Mrs.
+ Greyne, now gasping for breath, through an open doorway into a little hall
+ of imitation marble, with fluted pillars adorned with oilcloth, and walls
+ hung with imported oleographs. From a chamber on the right, near a winding
+ staircase covered with blue-and-white tiles, came the sound of laughter,
+ of song, and of a hideous music conveyed to the astonied ear by pipes and
+ drums.
+ </p>
+ <p>
+ &ldquo;They are in there!&rdquo; exclaimed Abdallah Jack, folding his arms, and
+ looking at Mrs. Greyne. &ldquo;Go to your husband!&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne put her hands to her magnificent forehead, and tottered
+ forward. She reached the door, she pushed it, she entered. There upon a
+ wooden dais, surrounded by gilt mirrors and artificial roses, she beheld
+ her husband, in a check suit and a white Homburg hat, performing the
+ wildest evolutions, while opposite him a lady, smothered in coloured silks
+ and coins, tattooed and painted, dyed and scented, covered with kohl and
+ crowned with ostrich feathers, screamed a nasal chant of the East, and
+ bounded like an electrified monkey.
+ </p>
+ <p>
+ &ldquo;Eustace!&rdquo; cried Mrs. Greyne, leaning for support against an oleograph.
+ </p>
+ <p>
+ Her husband turned.
+ </p>
+ <p>
+ &ldquo;Eustace!&rdquo; she cried again. &ldquo;It is I!&rdquo;
+ </p>
+ <p>
+ He stood as if turned to stone. Mrs. Greyne hesitated, started, moved
+ forward to the dais, and stared upon the Ouled, who had also ceased from
+ dancing, and looked strangely surprised, even confused, by the great
+ novelist&rsquo;s intrusion.
+ </p>
+ <p>
+ &ldquo;Miss Verbena!&rdquo; she exclaimed. &ldquo;Miss Verbena in Algiers!&rdquo;
+ </p>
+ <p>
+ &ldquo;Eugenia!&rdquo; said Mr. Greyne in a husky voice, &ldquo;what is this you say? This
+ lady is the Ouled.&rdquo;
+ </p>
+ <p>
+ A sardonic laugh came from the doorway. They turned. There stood Abdallah
+ Jack. He advanced roughly to the Ouled.
+ </p>
+ <p>
+ &ldquo;Come,&rdquo; he said angrily. &ldquo;Have we not earned the money of the stranger?
+ Have we not earned enough? To-morrow you shall marry me as you have
+ promised, and we will return to our own land, to the canal where you and I
+ were born. And nevermore shall the Levantine instruct the babes of the
+ English devils, but dwell veiled and guarded in the harem of her master.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mademoiselle Verbena!&rdquo; said Mr. Greyne in a more husky voice. &ldquo;But&mdash;but&mdash;your
+ dying mother?&rdquo;
+ </p>
+ <p>
+ &ldquo;She sleeps, monsieur, in the white sands of Ismailia, beside the bitter
+ lake. I trust that madame can now go on with the respectable &lsquo;Catherine.&rsquo;&rdquo;
+ </p>
+ <p>
+ And with an ironic reverence to Mrs. Eustace Greyne she placed her hand in
+ Abdallah Jack&rsquo;s and vanished from the room.
+ </p>
+ <p>
+ &ldquo;Catherine&rsquo;s Repentance,&rdquo; published in a gigantic volume not many weeks
+ ago, was preceded by Mr. Eustace Greyne&rsquo;s. When last heard of he was
+ seated in the magnificent library of the corner house in Park Lane next to
+ the Duke of Ebury&rsquo;s, busily engaged in pasting the newspaper notices of
+ Mrs. Greyne&rsquo;s greatest work into a superb new album.
+ </p>
+ <p>
+ The Abdallah Jacks have returned to the Suez Canal, bearing with them a
+ snug little fortune to be invested in the purchase of a coal wharf at Port
+ Said, and a remarkably handsome crocodile dressing-case, fitted with gold,
+ and monogrammed with the initials &ldquo;E. G.&rdquo;
+ </p>
+ <div style="height: 6em;">
+ <br /><br /><br /><br /><br /><br />
+ </div>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of The Mission Of Mr. Eustace Greyne, by
+Robert Hichens
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE MISSION OF MR. EUSTACE GREYNE ***
+
+***** This file should be named 23415-h.htm or 23415-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/4/1/23415/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &lsquo;AS-IS&rsquo; WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm&rsquo;s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&rsquo;s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state&rsquo;s laws.
+
+The Foundation&rsquo;s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation&rsquo;s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/23415.txt b/23415.txt
new file mode 100644
index 0000000..64ffb52
--- /dev/null
+++ b/23415.txt
@@ -0,0 +1,2777 @@
+Project Gutenberg's The Mission Of Mr. Eustace Greyne, by Robert Hichens
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Mission Of Mr. Eustace Greyne
+ 1905
+
+Author: Robert Hichens
+
+Release Date: November 8, 2007 [EBook #23415]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE MISSION OF MR. EUSTACE GREYNE ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+
+THE MISSION OF MR. EUSTACE GREYNE
+
+By Robert Hichens
+
+Frederick A. Stokes Company Publishers
+
+Copyright, 1905
+
+
+
+
+I
+
+Mrs. Eustace Greyne (pronounced Green) wrinkled her forehead--that
+noble, that startling forehead which had been written about in the
+newspapers of two hemispheres--laid down her American Squeezer pen, and
+sighed. It was an autumn day, nipping and melancholy, full of the rustle
+of dying leaves and the faint sound of muffin bells, and Belgrave Square
+looked sad even to the great female novelist who had written her way
+into a mansion there. Fog hung about with the policeman on the pavement.
+The passing motor cars were like shadows. Their stertorous pantings
+sounded to Mrs. Greyne's ears like the asthma of dying monsters. She
+sighed again, and murmured in a deep contralto voice: "It must be so."
+Then she got up, crossed the heavy Persian carpet which had been bought
+with the proceeds of a short story in her earlier days, and placed her
+forefinger upon an electric bell.
+
+Like lightning a powdered giant came.
+
+"Has Mr. Greyne gone out?"
+
+"No, ma'am."
+
+"Where is he?"
+
+"In his study, ma'am, pasting the last of the cuttings into the new
+album."
+
+Mrs. Greyne smiled. It was a pretty picture the unconscious six-footer
+had conjured up.
+
+"I am sorry to disturb Mr. Greyne," she answered, with that gracious,
+and even curling suavity which won all hearts; "but I wish to see him.
+Will you ask him to come to me for a moment?"
+
+The giant flew, silk-stockinged, to obey the mandate, while Mrs. Greyne
+sat down on a carved oaken chair of ecclesiastical aspect to await her
+husband.
+
+She was a famous woman, a personage, this simply-attired lady. With
+an American Squeezer pen she had won fame, fortune, and a mansion
+in Belgrave Square, and all without the sacrifice of principle.
+Respectability incarnate, she had so dealt with the sorrows and evils of
+the world that she had rendered them utterly acceptable to Mrs. Grundy,
+Mr. Grundy, and all the Misses Grundy. People said she dived into the
+depths of human nature, and brought up nothing that need scandalise a
+curate's grandmother, or the whole-aunt of an archdeacon; and this
+was so true that she had made a really prodigious amount of money. Her
+large, her solid, her unrelenting books lay upon every table. Even the
+smart set kept them, uncut--like pretty sinners who have never been
+"found out"--to give an air of haphazard intellectuality to frisky
+boudoirs, All the clergy, however unable to get their tithes, bought
+them. All bishops alluded to them in "pulpit utterances." Fabulous
+prices were paid for them by magazine editors. They ran as serials
+through all the tale of months. The suburbs battened on them. The
+provinces adored them. Country people talked of no other literature. In
+fact, Mrs. Eustace Greyne was a really fabulous success.
+
+Why, then, should she heave these heavy sighs in Belgrave Square? Why
+should she lift an intellectual hand as though to tousle the glossy
+chestnut bandeaux which swept back from her forcible forehead, and screw
+her reassuring features into these wrinkles of perplexity and distress?
+
+The door opened, and Mr. Eustace Greyne appeared, "What is it,
+Eugenia?" upon his lips.
+
+Mr. Greyne was a number of years younger than his celebrated wife,
+and looked even younger than his years. He was a very smart man, with
+smooth, jet-black hair, which he wore parted in the middle; pleasant,
+dark eyes that could twinkle gently; a clear, pale complexion; and a
+nice, tall figure. One felt, in glancing at him, that he had been an
+Eton boy, and had at least thought of going into the militia at some
+period of his life. His history can be briefly told.
+
+Scarcely had he emerged into the world before he met and was married to
+Mrs. Eustace Greyne, then Miss Eugenia Hannibal-Barker. He had had no
+time to sow a single oat, wild or otherwise; no time to adore a barmaid,
+or wish to have his name linked with that of an actress; no time to do
+anything wrong, or even to know, with the complete accuracy desired
+by all persevering young men, what was really wrong. Miss Eugenia
+Hannibal-Barker sailed upon his horizon, and he struck his flag to
+matrimony. Ever since then he had been her husband, and had never, even
+for one second, emerged beyond the boundaries of the most intellectual
+respectability. He was the most innocent of men, although he knew all
+the important editors in London. Swaddled in money by his successful
+wife, he considered her a goddess. She poured the thousands into Coutts'
+Bank, and with the arrival of each fresh thousand he was more firmly
+convinced that she was a goddess. To say he looked up to her would be
+too mild. As the Cockney tourist in Chamounix peers at the summit of
+Mont Blanc, he peered at Mrs. Greyne. And when, finally, she bought the
+lease of the mansion in Belgrave Square, he knew her Delphic.
+
+So now he appeared in the oracle's retreat respectfully, "What is it,
+Eugenia?" upon his admiring lips.
+
+"Sit down, my husband," she murmured.
+
+Mr. Greyne subsided by the fire, placing his pointed patent-leather toes
+upon the burnished fender. Without the fog grew deeper, and the chorus
+of the muffin bells more plaintive. The fire-light, flickering over Mrs.
+Greyne's majestic features, made them look Rembrandtesque. Her large,
+oxlike eyes were fixed and thoughtful. After a pause, she said:
+
+"Eustace, I shall have to send you upon a mission."
+
+"A mission, Eugenia!" said Mr. Greyne in great surprise.
+
+"A mission of the utmost importance, the utmost delicacy."
+
+"Has it anything to do with Romeike & Curtice?"
+
+"No."
+
+"Will it take me far?"
+
+"That is my trouble. It will take you very far."
+
+"Out of London?"
+
+"Oh, yes."
+
+"Out of--not out of England?"
+
+"Yes; it will take you to Algeria."
+
+"Good gracious!" cried Mr. Greyne.
+
+Mrs. Greyne sighed.
+
+"Good gracious!" Mr. Greyne repeated after a short interval. "Am I to
+go alone?" "Of course you must take Darrell." Darrell was Mr. Greyne's
+valet.
+
+"And what am I to do at Algiers?"
+
+"You must obtain for me there the whole of the material for book six
+of 'Catherine's Repentance,'" "Catherine's Repentance" was the gigantic
+novel upon which Mrs. Greyne was at that moment engaged.
+
+"I will not disguise from you, Eustace," continued Mrs. Greyne, looking
+increasingly Rembrandtesque, "that, in my present work, I am taking a
+somewhat new departure."
+
+"Well, but we are very comfortable here," said Mr. Greyne.
+
+With each new book they had changed their abode. "Harriet" took them
+from Phillimore Gardens to Queensgate Terrace; "Jane's Desire" moved
+them on to a corner house in Sloane Street; with "Isobel's Fortune" they
+passed to Curzon Street; "Susan's Vanity" landed them in Coburg Place;
+and, finally, "Margaret's Involution" had planted them in Belgrave
+Square. Now, with each of these works of genius Mrs. Greyne had taken
+what she called "a new departure." Mr. Greyne's remark is, therefore,
+explicable.
+
+"True. Still, there is always Park Lane."
+
+She mused for a moment. Then, leaning more heavily upon the carved lions
+of her chair, she continued:
+
+"Hitherto, although I have sometimes dealt with human frailty, I have
+treated it gently. I have never betrayed a Zola-spirit."
+
+"Zola! My darling!" cried Mr. Eustace Greyne. "You are surely not going
+to betray anything of that sort now!"
+
+"If she does we shall soon have to move off to West Kensington," was his
+secret thought.
+
+"No. But in book six of 'Catherine' I have to deal with sin, with
+tumult, with African frailty. It is inevitable."
+
+She sighed once more. The burden of the new book was very heavy upon
+her.
+
+"African frailty!" murmured the astonished Eustace Greyne.
+
+"Now, neither you nor I, my husband, know anything about this."
+
+"Certainly not, my darling. How should we? We have never explored beyond
+Lucerne."
+
+"We must, therefore, get to know about it--at least you must. For I
+cannot leave London. The continuity of the brain's travelling must not
+be imperiled by any violent bodily activity. In the present stage of my
+book a sea journey might be disastrous."
+
+"Certainly you should keep quiet, my love. But then---"
+
+"You must go for me to Algiers. There you must get me what I want. I
+fear you will have to poke about in the native quarters a good deal for
+it, so you had better buy two revolvers, one for yourself and one for
+Darrell."
+
+Mr. Greyne gasped. The calmness of his wife amazed him. He was not
+intellectual enough to comprehend fully the deep imaginings of a mighty
+brain, the obsession work is in the worker.
+
+"African frailty is what I want," pursued Mrs. Greyne. "One hundred
+closely-printed pages of African frailty. You will collect for me the
+raw material, and I shall so manipulate it that it will fall discreetly,
+even elevatingly, into the artistic whole. Do you understand me,
+Eustace?"
+
+"I am to travel to Algiers, and see all the wickedness to be seen there,
+take notes of it, and bring them back to you."
+
+"Precisely."
+
+"And how long am I to stay?"
+
+"Until you have made yourself acquainted with the depths."
+
+"A fortnight?"
+
+"I should think that would be enough. Take Brush's remedy for
+seasickness and plenty of antipyrin, your fur coat for the crossing, and
+a white helmet and umbrella for the arrival. You have lead pencils?"
+
+"Plenty."
+
+"A couple of Merrin's exercise-books should be enough to contain your
+notes."
+
+"When am I to go?"
+
+"The sooner the better. I am at a standstill for want of the material.
+You might catch the express to Paris to-morrow; no, say the day after
+to-morrow." She looked at him tenderly. "The parting will be bitter."
+
+"Very bitter," Mr. Eustace Greyne replied.
+
+He felt really upset. Mrs. Greyne laid the hand which had brought them
+from Phillimore Gardens to Belgrave Square gently upon his.
+
+"Think of the result," she said. "The greatest book I have done yet. A
+book that will last. A book that will----"
+
+"Take us to Park Lane," he murmured.
+
+The Rembrandtesque head nodded. The noble features, as of a strictly
+respectable Roman emperor, relaxed.
+
+"A book that will take us to Park Lane."
+
+At this moment the door opened, and the footman inquired:
+
+"Could Mademoiselle Verbena see you for a minute, ma'am?"
+
+Mademoiselle Verbena was the French governess of the two little Greynes.
+The great novelist had consented to become a mother.
+
+"Certainly."
+
+In another moment Mademoiselle Verbena was added to the group beside the
+fire.
+
+
+
+
+II
+
+We have said that Mademoiselle Verbena was the French governess of
+little Adolphus and Olivia Greyne, and so she was to this extent--that
+she taught them French, and that Mr. and Mrs. Greyne supposed her to be
+a Parisian. But life has its little ironies. Mademoiselle Verbena in the
+house of this great and respectable novelist was one of them; for she
+was a Levantine, born at Port Said of a Suez Canal father and a Suez
+Canal mother. Now, nobody can desire to say anything against Port Said.
+At the same time, few mothers would inevitably pick it out as the ideal
+spot from which a beneficent influence for childhood's happy hour would
+be certain to emanate. Nor, it must be allowed, is a Suez Canal ancestry
+specially necessary to a trainer of young souls. It may not be a
+drawback, but it can hardly be described as an advantage. This,
+Mademoiselle Verbena was intelligent enough to know. She, therefore,
+concealed the fact that her father had been a dredger of Monsieur de
+Lesseps' triumph, her mother a bar-lady of the historic coal wharf where
+the ships are fed, and preferred to suppose--and to permit others to
+suppose--that she had first seen the light in the Rue St. Honore, her
+parents being a count and countess of some old regime.
+
+This supposition, retained from her earliest years, had affected her
+appearance and her manner. She was a very neat, very trim, even a very
+attractive little person, with dark brown, roguish eyes, blue-black
+hair, a fairy-like figure, and the prettiest hands and feet imaginable.
+She had first attracted Mrs. Greyne's attention by her devotion to St.
+Paul's Cathedral, and this devotion she still kept up. Whenever she had
+an hour or two free she always--so she herself said--spent it in "_ce
+charmant_ St. Paul."
+
+As she entered the oracle's retreat she cast down her eyes, and trembled
+visibly.
+
+"What is it, Miss Verbena?" inquired Mrs. Greyne, with a kindly English
+accent, calculated to set any poor French creature quite at ease.
+
+Mademoiselle Verbena trembled more.
+
+"I have received bad news, madame."
+
+"I grieve to hear it. Of what nature?"
+
+"Mamma has _une bronchite tres grave_."
+
+"A what, Miss Verbena?"
+
+"Pardon, madame. A very grave bronchitis. She cries for me."
+
+"Indeed!"
+
+"The doctors say she will die."
+
+"This is very sad."
+
+The Levantine wept. Even Suez Canal folk are not proof against all human
+sympathy. Mr. Greyne blew his nose beside the fire, and Mrs. Greyne said
+again:
+
+"I repeat that this is very sad."
+
+"Madame, if I do not go to mamma tomorrow I shall not see her more."
+
+Mrs. Greyne looked very grave.
+
+"Oh!" she remarked. She thought profoundly for a moment, and then added:
+"Indeed!"
+
+"It is true, madame."
+
+Suddenly Mademoiselle Verbena flung herself down on the Persian carpet
+at Mrs. Greyne's large but well-proportioned feet, and, bathing them
+with her tears, cried in a heartrending manner:
+
+"Madame will let me go! madame will permit me to fly to poor mamma--to
+close her dying eyes--to kiss once again----"
+
+Mr. Greyne was visibly affected, and even Mrs. Greyne seemed somewhat
+put about, for she moved her feet rather hastily out of reach of the
+dependant's emotion, and made her scramble up.
+
+"Where is your poor mother?"
+
+"In Paris, madame. In the Rue St. Honore, where I was born. Oh, if she
+should die there! If she should----"
+
+Mrs. Greyne raised her hand, commanding silence.
+
+"You wish to go there?"
+
+"If madame permits."
+
+"When?"
+
+"To-morrow, madame."
+
+"To-morrow? This is decidedly abrupt."
+
+"_Mais la bronchite, madame_, she is abrupt, and death, she may be
+abrupt."
+
+"True. One moment!"
+
+There was an instant's silence for Mrs. Greyne to let loose her brain
+in. She did so, then said:
+
+"You have my permission. Go to-morrow, but return as soon as possible.
+I do not wish Adolphus to lose his still uncertain grasp upon the
+irregular verbs."
+
+In a flood of grateful tears Mademoiselle Verbena retired to make her
+preparations. On the morrow she was gone.
+
+The morrow was a day of much perplexity, much bustle and excitement for
+Mr. Greyne and the valet, Darrell. They were preparing for Algiers. In
+the morning, at an early hour, Mr. Greyne set forth in the barouche with
+Mrs. Greyne to purchase African necessaries: a small but well-supplied
+medicine chest, a pith helmet, a white-and-green umbrella, a Baedeker,
+a couple of Smith & Wesson Springfield revolvers with a due amount of
+cartridges, a dozen of Merrin's exercise-books--on mature reflection
+Mrs. Creyne thought that two would hardly contain a sufficient amount of
+African frailty for her present purpose--a packet of lead pencils, some
+bottles of a remedy for seasickness, a silver flask for cognac, and
+various other trifles such as travellers in distant continents require.
+
+Meanwhile Darrell was learning French for the journey, and packing his
+own and his master's trunks. The worthy fellow, a man of twenty-five
+summers, had never been across the Channel--the Greynes being by no
+means prone to foreign travel--and it may, therefore, be imagined that
+he was in a state of considerable expectation as he laid the trousers,
+coats, and waistcoats in their respective places, selected such boots
+as seemed likely to wear well in a tropical climate, and dropped those
+shirts which are so contrived as to admit plenty of ventilation to the
+heated body into the case reserved for them.
+
+When Mr. Greyne returned from his shopping excursion the barouche,
+loaded almost to the gunwale--if one may be permitted a nautical
+expression in this connection--had to be disburdened, and its contents
+conveyed upstairs to Mr. Greyne's bedroom, into which Mrs. Greyne
+herself presently entered to give directions for their disposing. Nor
+was it till the hour of sunset that everything was in due order, the
+straps set fast, the keys duly turned in the locks--the labels--"Mr.
+Eustace Greyne: Passenger to Algiers: via Marseilles"--carefully written
+out in a full, round hand. Rook's tickets had been bought; so now
+everything was ready, and the last evening in England might be spent
+by Mr. Greyne in the drawing-room and by Darrell in the servants' hall
+quietly, socially, perhaps pathetically.
+
+The pathos of the situation, it must be confessed, appealed more to
+the master than to the servant. Darrell was very gay, and inclined to be
+boastful, full of information as to how he would comport himself with
+"them there Frenchies," and how he would make "them pore, godless Arabs
+sit up." But Mr. Greyne's attitude of mind was very different. As
+the night drew on, and Mrs. Greyne and he sat by the wood fire in the
+magnificent drawing-room, to which they always adjourned after dinner, a
+keen sense of the sorrow of departure swept over them both.
+
+"How lonely you will feel without me, Eugenia," said Mr. Greyne. "I
+have been thinking of that all day."
+
+"And you, Eustace, how desolate will be your tale of days! My mind runs
+much on that. You will miss me at every hour."
+
+"You are so accustomed to have me within call, to depend upon me for
+encouragement in your life-work. I scarcely know how you will get on
+when I am far across the sea."
+
+"And you, for whom I have labored, for whom I have planned and
+calculated, what will be your sensations when you realize that a
+gulf--the Gulf of Lyons--is fixed irrevocably between us?"
+
+So their thoughts ran. Each one was full of tender pity for the other.
+Towards bedtime, however, conscious that the time for colloquy was
+running short, they fell into more practical discourse.
+
+"I wonder," said Mr. Greyne, "whether I shall find any difficulty in
+gaining the information you require, my darling. I suppose these
+places"--he spoke vaguely, for his thoughts were vague--"are somewhat
+awkward to come at. Naturally they would avoid the eye of day."
+
+Mrs. Greyne looked profound.
+
+"Yes. Evil ever seeks the darkness. You will have to do the same."
+
+"You think my investigations must take place at night?"
+
+"I should certainly suppose so."
+
+"And where shall I find a cicerone?"
+
+"Apply to Rook."
+
+"In what terms? You see, dearest, this is rather a special matter, isn't
+it?"
+
+"Very special. But on no account hint that you are in Algiers for
+'Catherine's' sake. It would get into the papers. It would be cabled to
+America. The whole reading world would be agog, and the future interest
+of the book discounted."
+
+Mr. Greyne looked at his wife with reverence. In such moments he
+realized, almost too poignantly, her great position.
+
+"I will be careful," he said. "What would you recommend me to say?"
+
+"Well"--Mrs. Greyne knit her superb forehead--"I should suggest that
+you present yourself as an ordinary traveler, but with a
+specially inquiring bent of mind and a slight tendency towards
+the--the--er--hidden things of life."
+
+"I suppose you wish me to visit the public houses?"
+
+"I wish you to see everything that has part or lot in African frailty.
+Go everywhere, see everything. Bring your notes to me, and I will select
+such fragments of the broken commandments as suit my purpose, which
+is, as always, the edifying of the human race. Only this time I mean to
+purge it as by fire."
+
+"That corner house in Park Lane, next to the Duke of Ebury's, would suit
+us very well," said Mr. Greyne reflectively.
+
+"We could sell our lease here at an advance," his wife rejoined. "You
+will not waste your journey, Eustace?"
+
+"My love," returned Mr. Greyne with decision, "I will apply to Rook on
+arrival, and, if I find his man unsatisfactory, if I have any reason
+to suspect that I am not being shown everything--more especially in the
+Kasbah region, which, from the guide-books we bought to-day, is, I
+take it, the most abandoned portion of the city--I will seek another
+cicerone."
+
+"Do so. And now to bed. You must sleep well to-night in preparation for
+the journey."
+
+It was their invariable habit before retiring to drink each a tumbler
+of barley water, which was set out by the butler in Mrs. Greyne's study.
+After this nightcap Mrs. Greyne wrote up her anticipatory diary, while
+Mr. Greyne smoked a mild cigar, and then they went to bed. To-night,
+as usual, they repaired to the sanctum, and drank their barley water.
+Having done so, Mr. Greyne drew forth his cigar-case, while Mrs. Greyne
+went to her writing-table, and prepared to unlock the drawer in which
+her diary reposed, safe from all prying eyes.
+
+The match was struck, the key was inserted in the lock, and turned. As
+the cigar end glowed the drawer was opened. Mr. Greyne heard a contralto
+cry. He turned from the arm-chair in which he was just about to seat
+himself.
+
+"My love, is anything the matter?"
+
+His wife was bending forward with both hands in the drawer, telling over
+its contents.
+
+"My diary is not here!"
+
+"Your diary!"
+
+"It is gone."
+
+"But"--he came over to her--"this is very serious. I presume, like all
+diaries, it is full of----" Instinctively he had been about to say
+"damning"; he remembered his dear one's irreproachable character and
+substituted "precious secrets."
+
+"It is full of matter which must never be given to the world--my secret
+thoughts, my aspirations. The whole history of my soul is there."
+
+"Heavens! It must be found."
+
+They searched the writing-table. They searched the room. No diary.
+
+"Could you have taken it to my room, and left it there?" asked Mr.
+Greyne.
+
+They hastened thither, and looked--in vain. By this time the servants
+were gone to bed, and the two searchers were quite alone on the ground
+floor of their magnificent mansion. Mrs. Greyne began to look seriously
+perturbed. Her Roman features worked.
+
+"This is appalling," she exclaimed. "Some thief, knowing it priceless,
+must have stolen the diary. It will be published in America. It will
+bring in thousands--but to others, not to us."
+
+She began to wring her hands. It was near midnight.
+
+"Think, my love, think!" cried Mr. Greyne. "Where could you have taken
+it? You had it last night?"
+
+"Certainly. I remember writing in it that you would be sailing to
+Algiers on the _General Bertrand_ on Thursday of this week, and that on
+the night I should be feeling widowed here. The previous night I wrote
+that yesterday I should have to tell you of your mission. You know I
+always put down beforehand what I shall do, what I shall even think
+on each succeeding day. It is a practice that regulates the mind and
+conduct, that helps to uniformity."
+
+"How true! Who can have taken it? Do you ever leave it about?"
+
+"Never. Am I a madwoman?"
+
+"My darling, compose yourself! We must search the house."
+
+They proceeded to do so, and, on coming into the schoolroom, Mrs.
+Greyne, who was in front, uttered a sudden cry.
+
+Upon the table of Mademoiselle Verbena lay the diary, open at the
+following entry:--
+
+On Thursday next poor Eustace will be on board the _General Bertrand_,
+sailing for Algiers. I shall be here thinking of myself, and of him in
+relation to myself. God help us both. Duty is sometimes stern. Mem. The
+corner house in Park Lane, next the Duke of Ebury's, has sixty years
+still to run; the lease, that is. Thursday--poor Eustace!
+
+"What does this portend?" cried Mrs. Greyne.
+
+"My darling, it passes my wit to imagine," replied her husband.
+
+
+
+
+III
+
+The parting of Mr. and Mrs. Greyne on the following morning was very
+affecting. It took place at Victoria Station, in the midst of a small
+crowd of admiring strangers, who had recognised the commanding
+presence of the great novelist, and had gathered round to observe her
+manifestations.
+
+Mrs. Greyne was considerably shaken by the event of the previous night.
+Although, on the discovery of the diary, the house had been roused, and
+all the servants closely questioned, no light had been thrown upon its
+migration from the locked drawer to the schoolroom table. Adolphus and
+Olivia, jerked from sleep by the hasty hands of a maid, could only weep
+and wan. The powdered footmen, one and all, declared they had never
+heard of a diary. The butler gave warning on the spot, keeping on his
+nightcap to give greater effect to his pronunciamento. It was all most
+unsatisfactory, and for one wild moment Mrs. Greyne seriously thought
+of retaining her husband by her as a protection against the mysterious
+thief who had been at work in their midst. Could it be Mademoiselle
+Verbena? The dread surmise occurred, but Mr. Greyne rejected it.
+
+"Her father was a count," he said. "Besides, my darling, I don't
+believe she can read English; certainly not unless it is printed."
+
+So there the matter rested, and the moment of parting came.
+
+There was a murmur of respectful sympathy as Mrs. Greyne clasped
+her husband tenderly in her arms, and pressed his head against her
+prune-coloured bonnet strings. The whistle sounded. The train moved on.
+Leaning from a reserved first-class compartment, Mr. Greyne waved a silk
+pocket-handkerchief so long as his wife's Roman profile stood out clear
+against the fog and smoke of London. But at last it faded, grew remote,
+took on the appearance of a feebly-executed crayon drawing, vanished. He
+sank back upon the cushions--alone. Darrell was travelling second with
+the dressing-case.
+
+It was a strange sensation, to be alone, and _en route_ to Algiers. Mr.
+Greyne scarcely knew what to make of it. A schoolboy suddenly despatched
+to Timbuctoo could hardly have felt more terribly emancipated than he
+did. He was so absolutely unaccustomed to freedom, he had been for so
+long without the faintest desire for it, that to have it thrust upon
+him so suddenly was almost alarming. He felt lonely, anxious, horribly
+unmarried. To divert his thoughts he drew forth a Merrin's exercise-book
+and a pencil, and wrote on the first page, in large letters, "_African
+Frailty, Notes for_" Then he sat gazing at the title of his first
+literary work, and wondering what on earth he was going to see in
+Algiers.
+
+Vague visions of himself in the bars of African public-houses, in
+mosques, in the two-pair-backs of dervishes, in bazaars--which he
+pictured to himself like those opened by royalties at the Queen's
+Hall--in Moorish interiors surrounded by voluptuous ladies with large
+oval eyes, black tresses, and Turkish trousers of spangled muslin,
+flitted before his mental gaze. When the train ran upon Dover Pier, and
+the white horses of the turbulent Channel foamed at his feet, he started
+as one roused from a Rip Van Winkle sleep. Severe illness occupied his
+whole attention for a time, and then recovery.
+
+In Paris he dined at the buffet like one in a dream, and, at the
+appointed hour, came forth to take the _rapide_ for Marseilles. He
+looked for Darrell and the dressing-case. They were not to be seen.
+There stood the train. Passengers were mounting into it. Old ladies
+with agitated faces were buying pillows and nibbling biscuits. Elderly
+gentlemen with yellow countenances and red ribands in their coats were
+purchasing the _Figaro_ and the _Gil Blas_. Children with bare legs were
+being hauled into compartments. Rook's agent was explaining to a muddled
+tourist in a tam-o'-shanter the exact difference between the words "Oui"
+and "Non" The bustle of departure was in the air, but Darrell was not
+to be seen. Mr. Greyne had left him upon the platform with minute
+directions as to the point from which the train would start and the hour
+of its going. Yet he had vanished. The most frantic search, the most
+frenzied inquiries of officials and total strangers, failed to elicit
+his whereabouts, and, finally, Mr. Greyne was flung forcibly upward
+into the _wagonlit_, and caught by the _controleur_ when the train was
+actually moving out of the station.
+
+A moment later he fell exhausted upon the pink-plush seat of his
+compartment, realising his terrible position. He was now utterly alone;
+without servant, hair-brushes, toothbrushes, razors, sponges, pajamas,
+shoes. It was a solitude that might be felt. He thought of the sea
+journey with no kindly hand to minister to him, the arrival in Africa
+with no humble companion at his side, to wonder with him at the black
+inhabitants and help him through the customs--to say nothing of the
+manners. He thought of the dread homes of iniquity into which he
+must penetrate by night in search of the material for the voracious
+"Catherine." He had meant to take Darrell with him to them all--Darrell,
+whose joyful delight in the prospect of exploring the Eastern fastnesses
+of crime had been so boyish, so truly English in its frank, its even
+boisterous sincerity.
+
+And now he was utterly alone, almost like Robinson Crusoe.
+
+The _controleur_ came in to make the bed. Mr. Greyne told him the
+dreadful story.
+
+"No doubt he has been lured away, monsieur. The dressing-case was of
+value?"
+
+"Crocodile, gold fittings."
+
+"Probably monsieur will never see him again. As likely as not he will
+sleep in the Seine to-night, and at the morgue to-morrow."
+
+Mr. Greyne shuddered. This was an ill omen for his expedition. He drank
+a stiff whisky-and-soda instead of the usual barley water, and went to
+bed to dream of bloody murders in which he was the victim.
+
+When the train ran into Marseilles next morning he was an unshaven,
+miserable man.
+
+"Have I time to buy a tooth-brush," he inquired anxiously at the
+station, "before the boat sails for Algiers?"
+
+The _chef de gare_ thought so. Monsieur had four hours, if that was
+sufficient. Mr. Greyne hastened forth, had a Turkish bath, purchased a
+new dressing-case, ate a hasty _dejeuner_, and took a cab to the wharf.
+It was a long drive over the stony streets. He glanced from side to
+side, watching the bustling traffic, the hurry of the nations going to
+and from the ships. His eyes rested upon two Arabs who were striding
+along in his direction. Doubtless they were also bound for Algiers. He
+thought they looked most wicked, and hastily took a note of them for
+"African Frailty." Beside his sense of loss and loneliness marched the
+sense of duty. The great woman at home in Belgrave Square, founder of
+his fortunes, mother of his children, she depended upon him. Even in his
+own hour of need he would not fail her. He took a lead pencil, and wrote
+down:
+
+Saw two Arab ruffians. Bare legs. Look capable of anything. Should not
+be surprised to hear that they had----
+
+There he paused. That they had what? Done things. Of course, but what
+things? That was the question. He exerted his imagination, but failed to
+arrive at any conclusion as to their probable crimes. His knowledge
+of wickedness was really absurdly limited. For the first time he felt
+slightly ashamed of it, and began to wish he had gone into the militia.
+He comforted himself with the thought that in a fortnight he would
+probably be fit for the regular army. This thought cheered him slightly,
+and it was with a slight smile upon his face that he welcomed the first
+glimpse of the _General Bertrand_, which was lying against the quay
+ready to cast off at the stroke of noon. Most of the passengers were
+aboard, but, as Mr. Greyne stepped out of his cab, and prepared to pay
+the Maltese driver, a trim little lady, plainly dressed in black, and
+carrying a tiny and rather coquettish hand-bag, was tripping lightly
+across the gangway. Mr. Greyne glanced at her as he turned to follow,
+glanced, and then started. That back was surely familiar to him. Where
+could he have seen it before? He searched his memory as the little lady
+vanished. It was a smart, even a _chic_ back, a back that knew how to
+take care of itself, a back that need not go through the world alone,
+a back, in fine, that was most distinctly attractive, if not absolutely
+alluring. Where had he seen it before, or had he ever seen it at all?
+He thought of his wife's back, flat, powerful, uncompromising. This was
+very different, more--how should he put it to himself?--more Algerian,
+perhaps. He could vaguely conceive it a back such as one might meet with
+while engaged in adding to one's stock of knowledge of--well--African
+frailty.
+
+At this moment the steward appeared to show him to his cabin, and his
+further reflections were mainly connected with the Gulf of Lyons.
+
+Twilight was beginning to fall when, so far as he was capable of
+thinking, he thought he would like a breath of air. For some moments he
+lay quite still, dwelling on this idea which had so mysteriously come to
+him. Then he got up, and thought again, seated upon the cabin floor.
+He knew there was a deck. He remembered having seen one when he came
+aboard. He put on his fur coat, still sitting on the cabin floor. The
+process took some time--he fancied about a couple of years. At last,
+however, it was completed, and he rose to his feet with the assistance
+of the washstand and the berth.
+
+The ship seemed very busy, full of almost American activity. He thought
+a greater calm would have been more decent, and waited in the hope
+that the floor would presently cease to forget itself. As it showed no
+symptoms of complying with his desire he endeavoured to spurn it, and,
+in the fulness of time, gained the companion.
+
+It was very strange, as he remembered afterwards, that only when he had
+gained the companion did the sense of his utter loneliness rush upon
+him with overwhelming force: one of the ironies of life, he supposed.
+Eventually he shook the companion off with a good deal of difficulty,
+and found himself installed upon planks under a grey sky, and holding
+fast to a railing, which was all that interposed between him and
+eternity.
+
+At first he was only conscious of greyness and the noise of winds
+and waters, but presently a black daub seemed to hover for a second
+somewhere on the verge of his world, to hover and disappear. He wondered
+what it was. A smut, perhaps. He rubbed his face. The daub returned.
+It was very large for a smut. He strove to locate it, and found that it
+must be somewhere on his left cheek. With a great effort he took out his
+pocket-handkerchief. Suddenly the daub assumed monstrous proportions.
+He turned his head, and perceived the lady in black whom he had seen
+tripping over the gangway on his arrival.
+
+She was a few steps from him, leaning upon the rail in an attitude of
+the deepest dejection, with her face averted; yet it struck him that her
+right shoulder was oddly familiar, as her back had surely been. The turn
+of her head, too--he coughed despairingly. The lady took no notice. He
+coughed again. Interest was quickening in him. He was determined to see
+the lady's face.
+
+This time she looked around, showing a pale countenance bedewed with
+tears, and totally devoid of any expression which he could connect with
+a consciousness of his presence. For a moment she stared vacantly at
+him, while he, with almost equal vacancy, regarded her. Then a thrill of
+surprise shook him. A sudden light of knowledge leaped up in him, and he
+exclaimed:
+
+"Mademoiselle Verbena!" "Monsieur?" murmured the lady, with an accent
+of surprise.
+
+"Mademoiselle Verbena! Surely it is--it must be!"
+
+He had staggered sideways, nearing her.
+
+"Mademoiselle Verbena, do you not know me? It is I, Eustace Greyne, the
+father of your pupils, the husband of Mrs. Eustace Greyne?"
+
+An expression of stark amazement came into the lady's face at these
+words. She leaned forward till her eyes were close to Mr. Greyne's then
+gave a little cry.
+
+"_Mon Dieu!_ It is true! You are so altered that I could not recognise.
+And then--what are you doing here, on the wide sea, far from madame?"
+
+"I was just about to ask you the very same question!" cried Mr. Greyne.
+
+
+
+
+IV
+
+"Alas, monsieur!" said Mademoiselle Verbena in her silvery voice, "I go
+to see my poor mother."
+
+"But I understood that she was dying in Paris."
+
+"Even so. But, when I reached the Rue St. Honore, I found that they
+had removed to Algiers. It was the only chance, the doctor said--a warm
+climate, the sun of Africa. There was no time to let me know. They took
+her away at once. And now I follow--perhaps to find her dead."
+
+Large tears rolled down her cheeks. Mr. Greyne was deeply affected.
+
+"Let us hope for the best," he exclaimed, seized by a happy inspiration.
+
+The Levantine strove to smile.
+
+"But you, monsieur, why are you here? Ah! perhaps madame is with you!
+Let me go to her! Let me kiss her dear hands once more----"
+
+Mr. Greyne mournfully checked her fond excitement.
+
+"I am quite alone," he said.
+
+A tragic expression came into the Levantine's face.
+
+"But, then----" she began.
+
+It was impossible for him to tell her about "Catherine." He was,
+therefore, constrained to subterfuge.
+
+"I--I was suddenly overtaken by--by influenza," he said, in some
+confusion. "The doctor recommended change of air, of scene."
+
+"He suggested Algiers----"
+
+"_Mon Dieu!_ It is like poor mamma!"
+
+"Precisely. Our constitutions are--are doubtless similar. I shall take
+this opportunity also of improving my knowledge of African manners
+and--and customs."
+
+A strange smile seemed to dawn for a second on Mademoiselle Verbena's
+face, but it died instantaneously in a grimace of pain.
+
+"My teeth make me bad," she said. "Ah, monsieur, I must go below,
+to pray for poor mamma--" she paused, then softly added, "and for
+monsieur."
+
+She made a movement as if to depart, but Mr. Greyne begged her to
+remain. In his loneliness the sight even of a Levantine whom he knew
+solaced his yearning heart. He felt quite friendly towards this poor,
+unhappy girl, for whom, perhaps, such a shock was preparing upon the
+distant shore.
+
+"Better stay!" he said. "The air will do you good."
+
+"Ah, if I die, what matter? Unless mamma lives there is no one in the
+world who cares for me, for whom I care."
+
+"There--there is Mrs. Greyne," said her husband. "And then St.
+Paul's--remember St. Paul's."
+
+"Ah _ce charmant_ St. Paul's! Shall I ever see him more?"
+
+She looked at Mr. Greyne, and suddenly--he knew not why--Mr. Greyne
+remembered the incident of the diary, and blushed.
+
+"Monsieur has fever!"
+
+Mr. Greyne shook his head. The Levantine eyed him curiously.
+
+"Monsieur wishes to say something to me, and does not like to speak."
+
+Mr. Greyne made an effort. Now that he was with this gentle lady,
+with her white face, her weeping eyes, her plain black dress, the mere
+suspicion that she could have opened a locked drawer with a secret key,
+and filched therefrom a private record, seemed to him unpardonable.
+Yet, for a brief instant, it had occurred to him, and Mrs. Greyne had
+seriously held it. He looked at Mademoiselle Verbena, and a sudden
+impulse to tell her the truth overcame him.
+
+"Yes," he said.
+
+"Tell me, monsieur."
+
+In broken words--the ship was still very busy--Mr. Greyne related the
+incident of the loss and finding of the diary. As he spoke a slight
+change stole over the Levantine's face. It certainly became less pale.
+
+"But you have fever now!" cried Mr. Greyne anxiously.
+
+"I! No; I flush with horror, not with fever! The diary, the sacred diary
+of madame, exposed to view, read by the children, perhaps the servants!
+That footman, Thomas, with the nose of curiosity! Ah! I behold that nose
+penetrating into the holy secrets of the existence of madame! I behold
+it--ah!"
+
+She burst into a fit of hysterics, the laughing species, which is
+so much more terrible than the other sort. Mr. Greyne was greatly
+concerned. He lurched to her, and implored her to be calm; but she only
+laughed the more, while tears streamed down her cheeks. The vision of
+Thomas gloating over Mrs. Greyne's diary seemed utterly to unnerve her,
+and Mr. Greyne was able to measure, by this ebullition of horror, the
+depth of the respect and affection entertained by her for his beloved
+wife. When, at length, she grew calmer he escorted her towards her
+cabin, offering her his arm, on which she leaned heavily. As soon as
+they were in the narrow and heaving passage she turned to him, and said:
+
+"Who can have taken the diary?"
+
+Mr. Greyne blushed again.
+
+"We think it was Thomas," he said.
+
+Mademoiselle Verbena looked at him steadily for a moment, then she
+cried:
+
+"God bless you, monsieur!"
+
+Mr. Greyne was startled by the abruptness of this pious ejaculation.
+
+"Why?" he inquired.
+
+"You are a good man. You, at least, would not condescend to insult a
+friendless woman by unworthy suspicions. And madame?"
+
+"Mrs. Greyne"--stammered Mr. Greyne--"is convinced that it was Thomas.
+In fact--in fact, she was the first to say so."
+
+Mademoiselle Verbena tenderly pressed his hand.
+
+"Madame is an angel. God bless you both!"
+
+She tottered into her cabin, and, as she shut the door, Mr. Greyne heard
+the terrible, laughing hysterics beginning again.
+
+The next day an influence from Africa seemed spread upon the sea. Calm
+were the waters, calm and blue. No cloud appeared in the sky. The fierce
+activities of the ship had ceased, and Mademoiselle Verbena tripped upon
+the deck at an early hour, to find Mr. Greyne already installed there,
+and looking positively cheerful. He started up as he perceived her, and
+chivalrously escorted her to a chair.
+
+Everyone who has made a voyage knows that the sea breeds intimacies. By
+the time the white houses of Algiers rose on their hill out of the bosom
+of the waves Mademoiselle Verbena and Mr. Greyne were--shall we say like
+sister and brother? She had told him all about her childhood in dear
+Paris, the death of her father the count, murmuring the name of Louis
+XVI., the poverty of her mother the countess, her own resolve to put
+aside all aristocratic prejudices and earn her own living. He, in
+return, had related his Eton days, his momentary bias towards the
+militia, his marriage--as an innocent youth--with Miss Eugenia
+Hannibal-Barker. Coming to later times, he was led to confide to the
+tenderhearted Levantine the fact that he hoped to increase his stock of
+knowledge while in Africa. Without alluding to "Catherine," he hinted
+that the cure of influenza was not his only reason for foreign travel.
+
+"I wish to learn something of men and--and women," he murmured in the
+shell-like ear presented to him. "Of their passions, their desires,
+their--their follies."
+
+"Ah!" cried Mademoiselle Verbena. "Would that I could assist monsieur!
+But I am only an ignorant little creature, and know nothing of the
+world! And I shall be ever at the bedside of mamma."
+
+"You will give me your address? You will let me inquire for the
+countess?"
+
+"Willingly; but I do not know where I shall be. There will be a message
+at the wharf. To what hotel goes monsieur?"
+
+"The Grand Hotel."
+
+"I will write there when I have seen mamma. And meanwhile----"
+
+They were coming into harbour. The heights of Mustapha were visible, the
+woods of the Bois de Boulogne, the towers of the Hotel Splendid.
+
+"Meanwhile, may I beg monsieur not to----" She hesitated.
+
+"Not to what?" asked Mr. Greyne most softly.
+
+"Not to let anyone in England know that I am here?"
+
+She paused. Mr. Greyne was silent, wondering. Mademoiselle Verbena
+drooped her head.
+
+"The world is so censorious. It might seem strange that I--that
+monsieur--a man young, handsome, fascinating--the same ship--I have no
+chaperon--enfin----"
+
+She could get out no more. Her delicacy, her forethought touched Mr.
+Greyne to tears.
+
+"Not a word," he said. "You are right. The world is evil, and, as you
+say, I am a--not a word!"
+
+He ventured to press her hand, as an elder brother might have pressed
+it. For the first time he realised that even to the husband of Mrs.
+Eustace Greyne the world might attribute--Goodness gracious! What might
+not the militia think, for instance?
+
+He felt himself, for one moment, potentially a dog.
+
+They parted in a whirl of Arabs on the quay. Mr. Greyne would have
+stayed to assist Mademoiselle Verbena, but she bade him go.
+
+She whispered that she thought it "better" that they should not seem
+to--_enfin!_
+
+"I will write to-morrow," she murmured. "_Au revoir!_"
+
+On the last word she was gone. Mr. Greyne saw nothing but Arabs and
+hotel porters. Loneliness seemed to close in on him once more.
+
+That very evening, after a cup of tea, he presented himself at the
+office of Rook near the Place du Gouvernement. As he came in he felt a
+little nervous. There were no tourists in the office, and a courteous
+clerk with a bright and searching eye at once took him in hand.
+
+"What can we do for you, sir?"
+
+"I am a stranger here," began Mr. Greyne.
+
+"Quite so, sir, quite so."
+
+The clerk twiddled his business-like thumbs, and looked inquiring.
+
+"And being so," Mr. Greyne went on, "it is naturally my wish to see as
+much of the town as possible; as much as possible, you understand."
+
+"You want a guide? Alphonso!"
+
+Turning, he shouted to an inner room, from which in a moment emerged a
+short, stout, swarthy personage with a Jewish nose, a French head, an
+Arab eye with a squint in it, and a markedly Maltese expression.
+
+"This is an excellent guide, sir," said the clerk. "He speaks
+twenty-five languages."
+
+The stout man, who--as Mr Greyne now perceived--had on a Swiss suit
+of clothes, a panama hat, and a pair of German elastic-sided boots,
+confessed in pigeon English, interspersed occasionally with a word or
+two of something which Mr. Greyne took to be Chinese, that such was
+undoubtedly the case.
+
+"What do you wish to see? The mosque, the bazaars, St. Eugene, La
+Trappe, Mustapha, the baths of the Etat-Major, the Jardin d'Essai,
+the Villa-Anti-Juif, the----"
+
+"One moment!" said Mr. Greyne.
+
+He turned to the clerk.
+
+"May I take a chair?"
+
+"Be seated, sir, pray be seated, and confer with Alphonso."
+
+So saying, he gave himself to an enormous ledger, while Mr. Greyne took
+a chair opposite to Alphonso, who stood in a Moorish attitude looking
+apparently in the direction of Marseilles.
+
+"I have come here," said Mr. Greyne, lowering his voice, "with a
+purpose.".
+
+"You wish to see the Belle Fatma. I will arrange it. She receives every
+evening in her house in the Rue ------"
+
+"One minute! One minute! You said the something 'Fatma'?"
+
+"The Belle Fatma, the most beautiful woman of Africa. She receives
+every----"
+
+"Pardon me! One moment! Is this lady----"
+
+Mr. Greyne paused.
+
+"Sir?" said Alphonso, settling his Spanish neck-tie, and gazing steadily
+towards Marseilles.
+
+"Is this lady--well, sinful?"
+
+Alphonso threw up his hands with a wild Asiatic gesture.
+
+"Sinful! La Belle Fatma! She is a lady of the utmost respectability
+known to all the town. You go to her house at eight, you take coffee
+upon the red sofas, you talk with La Belle, you see the dances and hear
+the music. Do not fear, sir; it is good, it is respectable as England,
+your country----"
+
+"If it is respectable I don't want to see it," interposed Mr. Greyne.
+"It would be a waste of time."
+
+The clerk lifted his head from the ledger, and Alphonso, by means of
+standing with his back almost square to Mr. Greyne, and looking over his
+right shoulder, succeeded at length in fixing his eye upon him.
+
+"I have not travelled here to see respectable things," continued Mr.
+Greyne, with a slight blush. "Quite the contrary."
+
+"Sir?"
+
+The voice of Alphonso seemed to have changed, to have taken on a hard,
+almost a menacing tone. Mr. Greyne thought of his beloved wife, of
+Merrin's exercise-books, and clenched his hands, endeavouring to feel,
+and to go on, like a militiaman.
+
+"Quite the contrary," he repeated firmly; "my object in coming to Africa
+is to--to search about in the Kasbah, and the disrep----"
+
+He choked, recovered himself, and continued: "Disreputable quarters of
+Algiers--hem------"
+
+"What for, sir?"
+
+The voice of Alphonso was certainly changed.
+
+"What for?" said Mr. Greyne, growing purple. "For frailty."
+
+"Sir?"
+
+"For frailty--for wickedness."
+
+A slight cackle emanated from the ledger, but immediately died away. A
+dead silence reigned in the office, broken only by the distant sound of
+the sea, and by the hard breathing of Alphonso, who had suddenly begun
+to pant.
+
+"I wish to go to all the wicked places--_all!_"
+
+The ledger cackled again more audibly. Mr. Greyne felt a prickling
+sensation run over him, but the thought of "Catherine" nerved him to
+his awful task.
+
+"It is my wife's express desire that I should do so," he added
+desperately, quite forgetting Mrs. Greyne's injunction to keep her dark
+in his desire to stand well with Rook's.
+
+The ledger went off into a hyena imitation, and Alphonso, turning
+still more away from Mr. Greyne, so as to get the eye fuller upon him,
+exclaimed, in a mixture of Aryan and Eurasian languages:
+
+"Sir, I am a respectable, unmarried man. I was born in Buenos Ayres,
+educated in Smyrna, came of age in Constantinople, and have practised as
+guide in Bagdad and other particular cities. I refuse to have anything
+to do with you and your wife."
+
+So saying, he bounced into the inner room, and banged the door, while
+the ledger gave itself up to peals of merriment, and Mr. Greyne tottered
+forth upon the sea-front, bathed in a cold perspiration, and feeling
+more guilty than a murderer.
+
+It was a staggering blow. He leaned over the stone parapet of the low
+wall, and let the soft breezes from the bay flit through his hair, and
+thought of Mrs. Greyne spurned by Alphonso. What was he to do? Kicked
+out of Rook's, to whom could he apply? There must be wickedness in
+Algiers, but where? He saw none, though night was falling and stout
+Frenchmen were already intent upon their absinthe.
+
+"Does monsieur wish to see the Kasbah to-night?"
+
+Was it a voice from heaven? He turned, and saw standing beside him a
+tall, thin, audacious-looking young man, with coal-black moustaches,
+magnificent eyes, and an air that was half-languid, half-serpentine.
+
+"Who are you?"
+
+"I am a guide, monsieur. Here are my certificates."
+
+He produced from the inner pocket of his coat a large bundle of dirty
+papers.
+
+"If monsieur will deign to look them over."
+
+But Mr. Greyne waved them away. What did he care for Certificates?
+Here was a guide to African frailty. That was sufficient. He was in a
+desperate mood, and uttered desperate words.
+
+"Look here," he said rapidly, "are you wicked?"
+
+"Very wicked, monsieur."
+
+"Good!"
+
+"Wicked, monsieur."
+
+"Right!"
+
+"Wrong, monsieur."
+
+"I mean that it is good for me that you are wicked."
+
+"Monsieur is very good."
+
+"Yes; but I wish to be--that is, to see the other thing. Can you
+undertake to show me everything shocking in Algiers?"
+
+"But certainly, monsieur. For a consideration."
+
+"Name your price."
+
+"Two hundred pounds, monsieur."
+
+Mr. Greyne started. It seemed a high figure.
+
+"Monsieur thought it would be more? I make a special price, because
+I have taken a fancy to monsieur. I remove fifty pounds. Monsieur, of
+course, will pay all expenses."
+
+"Of course, of course."
+
+It was no time to draw back.
+
+"How long will it take?"
+
+"To see all the shocking--?"
+
+"Precisely."
+
+"There is a good deal. A fortnight, three weeks. It depends on monsieur.
+If he is strong, and can do without sleep----"
+
+"We shall have to be up at night?"
+
+"Naturally."
+
+"I shall go to bed during the day, and get through it in a fortnight."
+
+"Perfectly."
+
+"Be at the Grand Hotel to-night at ten o'clock precisely."
+
+"At ten o'clock I will be there. Monsieur will pay a little in advance?"
+
+"Here are twenty pounds," cried Mr. Greyne recklessly.
+
+The audacious-looking young man took the notes with decision, made a
+graceful salute, and disappeared in the direction of the quay, while Mr.
+Greyne walked to his hotel, flushed with excitement, and feeling like
+the most desperate criminal in Africa. If the militia could see him now!
+
+At dinner he drank a bottle of champagne, and afterwards smoked a strong
+cigar over his coffee and liqueur. As he was finishing these frantic
+enjoyments the head waiter--a personage bearing a strong resemblance
+to an enlarged edition of Napoleon the First--approached him rather
+furtively, and, bending down, whispered in his ear:
+
+"A gentleman has called to take monsieur to the Kasbah."
+
+Mr. Greyne started, and flushed a guilty red.
+
+"I will come in a moment," he answered, trying to assume a nonchalant
+voice, such as that in which a hardened major of dragoons announces that
+in his time he was a devil of a fellow.
+
+The head waiter retired, looking painfully intelligent, and Mr. Greyne
+sprang upstairs, seized a Merrin's exercise-book and a lead pencil, put
+on a dark overcoat, popped one of the Springfield revolvers into the
+pocket of it, and hastened down into the hall of the hotel, where the
+audacious-looking young man was standing, surrounded by saucy
+chasseurs in gay liveries and peaked caps, by Algerian waiters, and by
+German-Swiss porters, all of whom were smiling and looking choke-full of
+sympathetic comprehension.
+
+"Ha!" said Mr. Greyne, still in the major's, voice. "There you are!"
+
+"Behold me, monsieur."
+
+"That's good."
+
+"Wicked, monsieur."
+
+"Well, let's be off to the mosque."
+
+One of the chasseurs--a child of eight who was thankful that he knew no
+better--burst into a piping laugh. The waiters turned hastily away, and
+the German-Swiss porters retreated to the bureau with some activity.
+
+"To the mosque--precisely, monsieur," returned the guide, with complete
+self-possession.
+
+They stepped out at once upon the pavement, where a carriage was in
+waiting.
+
+"Where are we going?" inquired Mr. Greyne in an anxious voice.
+
+"We are going to the heights to see the Ouled," replied the guide. "_En
+avant!_"
+
+He bounded in beside Mr. Greyne, the coachman cracked his whip, the
+horses trotted. They were off upon their terrible pilgrimage.
+
+
+
+
+V
+
+On the following afternoon, at a quarter to three, when Mr. Greyne
+came down to breakfast, he found, lying beside the boiled eggs, a
+note directed to him in a feminine handwriting. He tote it open with
+trembling fingers, and read as follows:--
+
+ 1 Rue du Petit Neore.
+
+ Dear Monsieur,--I am here. Poor mamma is in the hospital. I
+ am allowed to see her twice a day. At all other times I
+ remain alone, praying and weeping. I trust that monsieur has
+ passed a good night. For me, I was sleepless, thinking of
+ mamma. I go now to church.
+
+ Adele Verbena.
+
+He laid this missive down, and sighed deeply. How strangely innocent it
+was, how simple, how sincere! There were white souls in Algiers--yes,
+even in Algiers. Strange that he should know one! Strange that he, who
+had filled a Merrin's exercise-book with tiny writing, and had even
+overflowed on to the cover after "crossing" many pages, should receive
+the child-like confidences of one! "I go now to the church." Tears came
+into his eyes as he laid the letter down beside a pile of buttered toast
+over which the burning afternoon sun of Africa was shining.
+
+"Monsieur will take milk and sugar?"
+
+It was the head waiter's Napoleonic voice. Mr. Greyne controlled
+himself. The man was smiling intelligently. All the staff of the hotel
+smiled intelligently at Mr. Greyne to-day--the waiters, the porters, the
+chasseurs. The child of eight who was thankful that he knew no better
+had greeted him with a merry laugh as he came down to breakfast, and an
+"_Oh, la, la!_" which had elicited a rebuke from the proprietor. Indeed,
+a wave of human sympathy flowed upon Mr. Greyne, whose ashy face and
+dull, washed-out eyes betrayed the severity of his night-watch.
+
+"Monsieur will feel better after a little food."
+
+The head waiter handed the buttered toast with bland majesty, at the
+same time shooting a reproving glance at the little chasseur, who was
+peeping from behind the door at the afternoon breakfaster.
+
+"I feel perfectly well," replied Mr. Greyne, with an attempt at
+cheerfulness.
+
+"Still, monsieur will feel much better after a little food."
+
+Mr. Greyne began to toy with an egg.
+
+"You know Algiers?" he asked.
+
+"I was born here, monsieur. If monsieur wishes to explore to-night again
+the Kasbah I can----"
+
+But Mr. Greyne stopped him with a gesture that was almost fierce.
+
+"Where is the Rue du Petit Negre?"
+
+"Monsieur wishes to go there to-night?"
+
+"I wish to go there now, directly I have finished break--lunch."
+
+The head waiter's face was wreathed with humorous surprise.
+
+"But monsieur is wonderful--superb! Never have I seen a traveller like
+monsieur!"
+
+He gazed at Mr. Greyne with tropical appreciation.
+
+"Monsieur had better have a carriage. The street is difficult to find."
+
+"Order me one. I shall start at once."
+
+Mr. Greyne pushed away the sunlit buttered toast, and got up.
+
+"Monsieur is superb. Never have I seen a traveller like monsieur!"
+Napoleon's voice was almost reverent. He hastened out, followed slowly
+by Mr. Greyne.
+
+"A carriage for monsieur! Monsieur desires to go to the Rue du Petit
+Negre!"
+
+The staff of the hotel gathered about the door as if to speed a royal
+personage, and Mr. Greyne noticed that their faces too were touched
+with an almost startled reverence. He stepped into the carriage, signed
+feebly, but with determination, to the Arab coachman, and was driven
+away, followed by a parting "_Oh, la la!_" from the chasseur, uttered in
+a voice that sounded shrill with sheer amazement.
+
+Through winding, crowded streets he went, by bazaars and Moorish
+bath-houses, mosques and Catholic churches, barracks and cafes, till at
+length the carriage turned into an alley that crept up a steep hill. It
+moved on a little way, and then stopped.
+
+"Monsieur must descend here," said the coachman. "Mount the steps, go
+to the right and then to the left. Near the summit of the hill he will
+find the Rue du Petit Negre. Shall I wait for monsieur?"
+
+"Yes."
+
+The coachman began to make a cigarette, while Mr. Greyne set forth
+to follow his directions, and, at length, stood before an arch, which
+opened into a courtyard adorned with orange-trees in tubs, and paved
+with blue and white tiles. Around this courtyard was a three-storey
+house with a flat roof, and from a bureau near a little fountain a stout
+Frenchwoman called to demand his business. He asked for Mademoiselle
+Verbena, and was at once shown into a saloon lined with chairs covered
+with yellow rep, and begged to take a seat. In two minutes Mademoiselle
+Verbena appeared, drying her eyes with a tiny pocket-handkerchief, and
+forcing a little pathetic smile of welcome. Mr. Greyne clasped her hand
+in silence. She sat down in a rep chair at his right, and they looked at
+each other.
+
+"_Mais, mon Dieu!_ How monsieur is changed!" cried the Levantine. "If
+madame could see him! What has happened to monsieur?"
+
+"Miss Verbena," replied Mr. Greyne, "I have seen the Ouled on the
+heights."
+
+A spasm crossed the Levantine's face. She put her handkerchief to it for
+a moment. "What is an Ouled?" she inquired, withdrawing it.
+
+"I dare not tell you," he replied solemnly.
+
+"But indeed I wish to know, so that I may sympathise with monsieur."
+
+Mr. Greyne hesitated, but his heart was full; he felt the need of
+sympathy. He looked at Mademoiselle Verbena, and a great longing to
+unburden himself overcame him.
+
+"An Ouled," he replied, "is a dancing-girl from the desert of Sahara."
+
+"_Mon Dieu!_ How does she dance? Is it a valse, a polka, a quadrille?"
+"No. Would that it were!" And Mr. Greyne, unable further to govern
+his desire for full expression, gave Mademoiselle Verbena a slightly
+Bowdlerised description of the dances of the desert. She heard him with
+amazement.
+
+"How terrible!" she exclaimed when he had finished. "And does one pay
+much to see such steps of the Evil One?"
+
+"I gave her twenty pounds. Abdallah Jack----"
+
+"Abdallah Jack?"
+
+"My guide informed me that was the price. He tells me it is against
+the law, and that each time an Ouled dances she risks being thrown into
+prison."
+
+"Poor lady! How sad to have to earn one's bread by such devices, instead
+of by teaching to the sweet little ones of monsieur the sympathetic
+grammar of one's native country."
+
+Mr. Greyne was touched to the quick by this allusion, which brought, as
+in a vision, the happy home in Belgrave Square before him.
+
+"You are an angel!" he exclaimed.
+
+Mademoiselle Verbena shook her head.
+
+"And this poor Ouled, you will go to her again?
+
+"Yes. It seems that she is in communication with all the--the--well,
+all the odd people of Algiers, and that one can only get at them through
+her."
+
+"Indeed?"
+
+"Abdallah Jack tells me that while I am here I should pay her a weekly
+salary, and that, in return, I shall see all the terrible ceremonies of
+the Arabs. I have decided to do so------
+
+"Ah, you have decided!"
+
+For a moment Mr. Greyne started. There seemed a new sound in
+Mademoiselle Verbena's voice, a gleam in her dark brown eyes.
+
+"Yes," he said, looking at her in wonder. "But I have not yet told
+Abdallah Jack."
+
+The Levantine looked gently sad again.
+
+"Ah," she said in her usual pathetic voice, "how my heart bleeds for
+this poor Ouled. By the way, what is her name?"
+
+"Aishoush."
+
+"She is beautiful?"
+
+"I hardly know. She was so painted, so tattooed, so very--so very
+different from Mrs. Eustace Greyne."
+
+"How sad! How terrible! Ah, but you must long for the dear bonnet
+strings of madame?"
+
+Did he? As she spoke Mr. Greyne asked himself the question. Shocked as
+he was, fatigued by his researches, did he wish that he were back again
+in Belgrave Square, drinking barley water, pasting notices of his wife's
+achievements into the new album, listening while she read aloud from
+the manuscript of her latest novel? He wondered, and--how strange, how
+almost terrible--he was not sure.
+
+"Is it not so?" murmured Mademoiselle Verbena.
+
+"Naturally I miss my beloved wife," said Mr. Greyne with a certain
+awkwardness. "How is your poor, dear mother?"
+
+Tears came at once into the Levantine's eyes.
+
+"Very, very ill, monsieur. Still there is a chance--just a chance that
+she may not die. Ah, when I sit here all alone in this strange place, I
+feel that she will perish, that soon I shall be quite deserted in this
+cruel, cruel world!"
+
+The tears began to flow down her cheeks with determination. Mr. Greyne
+was terribly upset.
+
+"You must cheer up," he exclaimed. "You must hope for the best."
+
+"Sitting here alone, how can I?"
+
+She sobbed.
+
+"Sitting here alone--very true!"
+
+A sudden thought, a number of sudden thoughts, struck him.
+
+"You must not sit here alone."
+
+"Monsieur!"
+
+"You must come out. You must drive. You must see the town, distract
+yourself."
+
+"But how? Can a--a girl go about alone in Algiers?"
+
+"Heaven forbid! No; I will escort you."
+
+"Monsieur!"
+
+A smile of innocent, girlish joy transformed her face, but suddenly she
+was grave again.
+
+"Would it be right, _convenable?_"
+
+Mr. Greyne was reckless. The dog potential rose up in him again.
+
+"Why not? And, besides, who knows us here? Not a soul."
+
+"That is true."
+
+"Put on your bonnet. Let us start at once!"
+
+"But I do not wear the bonnet. I am not like madame."
+
+"To be sure. Your hat."
+
+And as she flew to obey him, Mr. Eustace Greyne found himself impiously
+thanking the powers that be for this strange chance of going on the
+spree with a toque. When Mademoiselle Verbena returned he was looking
+almost rakish. He eyed her neat black hat and close-fitting black jacket
+with a glance not wholly unlike that of a militiaman. In her hand she
+held a vivid scarlet parasol.
+
+"Monsieur," she said, "it is terrible, this _ombrelle_, when mamma lies
+at death's door. But what can I do? I have no other, and cannot afford
+to buy one. The sun is fierce. I dare not expose myself to it without a
+shelter."
+
+She seemed really distressed as she opened the parasol, and spread the
+vivid silk above her pretty black-clothed figure; but Mr. Greyne thought
+the effect was brilliant, and ventured to say so. As they passed the
+bureau by the fountain on their way out the stout Frenchwoman cast an
+approving glance at Mademoiselle Verbena.
+
+"The little rat will not see much more of the little negro now," she
+murmured to herself. "After all the English have their uses."
+
+
+
+
+VI
+
+In Belgrave Square Mrs. Eustace Greyne was beginning to get slightly
+uneasy. Several things combined to make her so. In the first place,
+Mademoiselle Verbena had never returned from her mother's Parisian
+bedside, and had not even written a line to say how the dear parent was,
+and when the daughter's nursing occupation was likely to be over. In the
+second place, Adolphus, in consequence of the Levantine's absence, had
+totally lost his grasp, always uncertain, upon the irregular verbs.
+In the third place, Darrell, the valet, had returned to London the day
+after his departure from it, minus not only his master's dressing-case,
+but minus everything he possessed. His story was that, while waiting at
+the station in Paris for his master's appearance, he had entered into
+conversation with an agreeable stranger, and been beguiled into the
+acceptance of an absinthe at a cafe just outside. After swallowing
+the absinthe he remembered nothing more till he came to himself in a
+deserted waiting-room at the Gare du Nord, back to which he had been
+mysteriously conveyed. In his pocket was no money, no watch, only
+the return half of a second-class ticket from London to Paris. He,
+therefore, wandered about the streets till morning broke, and then came
+back to London a crestfallen and miserable man, bemoaning his untoward
+fate, and cursing "them blasted Frenchies" from the bottom of his
+British heart.
+
+Mrs. Greyne's anxiety on her husband's behalf, now that he was thrown
+absolutely unattended upon the inhospitable shores of Africa, was not
+lessened by a fourth circumstance, which, indeed, worried her far
+more than all the others put together. This was Mr. Greyne's prolonged
+absence from her side. Precisely one calendar month had now elapsed
+since he had buried his face in her prune bonnet strings at Victoria
+Station, and there seemed no prospect of his return. He wrote to her,
+indeed, frequently, and his letters were full of wistful regret and
+longing to be once more safe in the old homestead in Belgrave Square,
+drinking barley water, and pasting Romeike & Curtice notices into the
+new album which lay, gaping for him, upon the table of his sanctum. But
+he did not come; nay, more, he wrote plainly that there was no prospect
+of his coming for the present. It seemed that the wickedness of Africa
+was very difficult to come at. It did not lie upon the surface, but was
+hidden far down in depths to which the ordinary tourist found it almost
+impossible to penetrate. In his numerous letters Mr. Greyne described
+his heroic and unremitting exertions to fill the Merrin's note-books
+with matter that would be suitable for the purging of humanity. He set
+out in full his interview with Alphonso at the office of Rook, and
+his definite rejection by that cosmopolitan official. According to
+the letters, after this event he had spent no less than a fortnight
+searching in vain for any sign of wickedness in the Algerian capital. He
+had frequented the cafes, the public bars, the theatres, the churches.
+He had been to the Velodrome. He had sat by the hour in the Jardin
+d'Essai. At night he had strolled in the fairs and hung about the
+circus. Yet nowhere had he been able to perceive anything but the
+most innocent pleasure, the simple merriment of a gay and guileless
+population to whom the idea of crime seemed as foreign as the idea of
+singing the English national anthem.
+
+During the third week it was true that matters--always according to Mr.
+Greyne's letters home--slightly improved. While walking near the quay,
+in active search for nautical outrage, he saw an Arab dock labourer,
+who had been over-smoking kief, run amuck, and knock down a couple of
+respectable snake-charmers who were on the point of embarkation for
+Tunis with their reptiles. This incident had filed up a half-score of
+pages in exercise-book number one, and had flooded Mr. Greyne with hope
+and aspiration. But it was followed by a stagnant lull which had lasted
+for days and had only been disturbed by the trifling incident of
+a gentleman in the Jewish quarter of the town setting fire to a
+neighbour's bazaar, in the very natural endeavour to find a French
+half-penny which he had chanced to drop among a bale of carpets while
+looking in to drive a soft bargain. As Mrs. Greyne wired to Algiers,
+such incidents were of no value to "Catherine."
+
+A very active interchange of views had gone on between the husband and
+wife as time went by, and the book was at a standstill. At first Mrs.
+Greyne contented herself with daily letters, but latterly she had
+resorted to wires, explanatory, condemnatory, hortatory, and even
+comminatory. She began bitterly to regret her husband's well-proven
+innocence, and wished she had despatched an uncle of hers by marriage,
+an ex-captain in the Royal Navy, who, she began to feel certain, would
+have been able to find far more frailty in Algiers than poor Eustace, in
+his simplicity, would ever come at. She even began to wish that she had
+crossed the sea in person, and herself boldly set about the ingathering
+of the material for which she was so impatiently waiting.
+
+Her uneasiness was brought to a head by a letter from a house agent,
+stating that the corner mansion in Park Lane next to the Duke of
+Ebury's was being nibbled at by a Venezuelan millionaire. She wired this
+terrible fact at once to Africa, adding, at an enormous expenditure of
+cash:
+
+ This will never do. You are too innocent, and cannot see
+ what lies before you. Obtain assistance. Go to the British
+ consul.
+
+Mr. Greyne at once cabled back:
+
+ Am following your advice. Will wire result. Regret my
+ innocence, but am distressed that you should so utterly
+ condemn it.
+
+Upon receiving this telegram at night, before a lonely dinner, Mrs.
+Eustace Greyne was deeply moved. She felt she had been hasty. She knew
+that to very few women was it given to have a husband so free from
+all masculine infirmities as Mr. Greyne. At the same time there was
+"Catherine," there was the mansion in Park Lane, there was the Venezuelan
+millionaire. She began to feel distracted, and, for the first time in
+her life, refused to partake of sweetbreads fried in mushroom ketchup,
+a dish which she had greatly affected from the time when she wrote her
+first short story. While she was in the very act of waving away this
+delicacy a footman came in with a foreign telegram. She opened it
+quickly, and read as follows:--
+
+ British consul horrified; was ignominiously expelled from
+ consulate; great scandal; am much upset, but will never give
+ in, for your sake. Eustace.
+
+As the dread meaning of these words penetrated at length to Mrs.
+Greyne's voluminous brain a deep flush overspread her noble features.
+She rose from the table with a determination that struck awe to the
+hearts of the powdered underlings, and, drawing herself up to her full
+height, exclaimed:
+
+"Send Mrs. Forbes at once to my study, if you please--at once, do you
+understand?"
+
+In a moment Mrs. Forbes, who was the great novelist's maid, appeared on
+the threshold of the oracle's lair. She was a sober-looking, black-silk
+personage, who always wore a pork-pie cap in the house, and a Mother
+Hubbard bonnet out of it. Having been in service with Mrs. Greyne ever
+since the latter penned her last minor poetry--Mrs. Greyne had been a
+minor poet for three years soon after she put her hair up--Mrs. Forbes
+had acquired a certain literary expression of countenance and a manner
+that was decidedly prosy. She read a good deal after her supper of an
+evening, and was wont to be the arbiter when any literary matter was
+discussed in the servants' hall.
+
+"Madam?" she said, respectfully entering the room, and bending the
+pork-pie cap forward in an attentive attitude.
+
+Mrs. Greyne was silent for a moment. She appeared to be thinking deeply.
+Mrs. Forbes gently closed the door, and sighed. It was nearly her
+supper-time, and she felt pensive.
+
+"Madam?" she said again.
+
+Mrs. Greyne looked up. A strange fire burned in her large eyes.
+
+"Mrs. Forbes," she said at length, with weighty deliberation, "the
+mission of woman in the world is a great one."
+
+"Very true, madam. My own words to Butler Phillips no longer ago than
+dinner this midday."
+
+"It is the protecting of man--neither more nor less."
+
+"My own statement, madam, to Second Footman Archibald this self-same day
+at the tea-board."
+
+"Man needs guidance, and looks for it to us--or rather to me."
+
+At the last word Mrs. Forbes pinched her lips together, and appeared
+older than her years and sourer than her normal temper.
+
+"At this moment, Mrs. Forbes," continued Mrs. Greyne, with rising
+fervour, "he looks for it to me from Africa. From that dark continent
+he stretches forth his hands to me in humble supplication."
+
+"Mr. Greyne has not been taken with another of his bilious attacks, I
+hope, madam?" said Mrs. Forbes.
+
+Mrs. Greyne smiled. The ignorance of the humbly born entertained her. It
+was so simple, so transparent.
+
+"You fail to understand me," she answered. "But never mind; others have
+done the same."
+
+She thought of her reviewers. Mrs. Forbes smiled. She also could be
+entertained.
+
+"Madam?" she inquired once more after a pause.
+
+"I shall leave for Africa to-morrow morning," said Mrs. Greyne. "You
+will accompany me."
+
+There was a dead silence.
+
+"You will accompany me. Do you understand? Obtain assistance from
+the housemaids in the packing. Select my quietest gowns, my least
+conspicuous bonnets. I have my reasons for wishing, while journeying to
+Africa and remaining there, to pass, if possible, unnoticed."
+
+Again there was a pause. Mrs. Greyne looked up at Mrs. Forbes, and
+observed a dogged expression upon her countenance.
+
+"What is the matter?" she asked the maid.
+
+"Do we go by Paris, madam?" said Mrs. Forbes.
+
+"Certainly."
+
+"Then, madam, I'm very sorry, but I couldn't risk it, not if it was ever
+so----"
+
+"Why not? Why this fear of Lutetia?"
+
+"Madam, I'm not afraid of any Lutetia as ever wore apron, but to go
+to Paris to be drugged with absint, and put away in a third-class
+waiting-room like a package--I couldn't madam, not even if I have to
+leave your service."
+
+Mrs. Greyne recognised that the episode of the valet had struck home to
+the lady's maid.
+
+"But you will not leave my side."
+
+"They will absint you, madam."
+
+"But you will travel first in a sleeping-car."
+
+Mrs. Forbes put up her hand to her pork-pie cap, as if considering.
+
+"Very well, madam, to oblige you I will undergo it," she said at length.
+"But I would not do the like for another living lady."
+
+"I will raise your wages. You are a faithful creature."
+
+"Does master expect us, madam?" asked Mrs. Forbes as she prepared to
+retire.
+
+A bright and tender look stole into Mrs. Greyne's intellectual face.
+
+"No," she replied.
+
+She turned her large and beaming eyes full upon the maid.
+
+"Mrs. Forbes," she said, with an amount of emotion that was very rare in
+her, "I am going to tell you a great truth."
+
+"Madam?" said Mrs. Forbes respectfully.
+
+"The sweetest moments of life, those which lift man nearest heaven, and
+make him thankful for the great gift of existence, are sometimes those
+which are unforeseen."
+
+She was thinking of Mr. Greyne's ecstasy when, upon the inhospitable
+African shore where he was now enduring such tragic misfortunes, he
+perceived the majestic form of his loved one--his loved one whom he
+believed to be in Belgrave Square--coming towards him to soothe, to
+comfort, to direct. She brushed away a tear.
+
+"Go, Mrs. Forbes," she said.
+
+And Mrs. Forbes retired, smiling.
+
+An epic might well be written on the great novelist's journey to Africa,
+upon her departure from Charing Cross, shrouded in a black gauze veil,
+her silent thought as the good ship _Empress_ rode cork-like upon the
+Channel waves, her ascetic lunch--a captain's biscuit and a glass of
+water--at the buffet at Calais, her arrival in Paris when the shades
+of night had fallen. An epic might well be written. Perhaps some day it
+will be, by herself.
+
+In Paris she suffered a good deal on account of Mrs. Forbes, who, in her
+fear of "ab-sint," became hysterical, and caused not a little annoyance
+by accusing various inoffensive French travellers of nefarious designs
+upon her property and person. In the Gulf of Lyons she suffered even
+more, and as, unluckily, the wind was contrary and the sea prodigious
+during the whole of the passage across the Mediterranean, both she and
+Mrs. Forbes arrived at Algiers four hours late, in a condition which may
+be more easily imagined than properly described.
+
+Genius in thrall to the body, and absolutely dependent upon green
+chartreuse for its flickering existence, is no subject for even a
+sympathetic pen. Sufficient to say that, when the ship came in under the
+lights of Algiers, the crowd of shouting Arabs was struck to silence by
+the spectacle of Mrs. Greyne and Mrs. Forbes endeavouring to disembark,
+in bonnets that were placed seaward upon the head instead of landward,
+unbuttoned boots, and gowns soaked with the attentions of the waves.
+
+After being gently and permanently relieved of their light hand-baggage,
+the mistress and maid, who seemed greatly overwhelmed by the sight
+of Africa, and who moved--or rather were carried--as in a dream, were
+placed reverently in the nearest omnibus, and conveyed to the farthest
+hotel, which was situated upon a lofty hill above the town. Here a
+slightly painful scene took place.
+
+Having been assisted by the staff into a Moorish hall, Mrs. Greyne
+inquired in a reticent voice for her husband, and was politely informed
+that there was no person of the name of Greyne in the hotel. For a
+moment she seemed threatened with dissolution, but with a supreme effort
+calling upon her mighty brain she surmised that her husband was possibly
+passing under a pseudonym in order to throw America off the scent. She,
+therefore, demanded to have the guests then present in the hotel at once
+paraded before her. As there was some difficulty about this--the guests
+being then at dinner--she whispered for the visitors' book, thinking
+that, perchance, Mr. Greyne had inscribed his name there, and that the
+staff, being foreign, did not recognise it as murmured by herself. The
+book was brought, upon its cover in golden letters the words: "Hotel
+Loubet et Majestic." Then explanations of a somewhat disagreeable nature
+occurred, and Mrs. Greyne and Mrs. Forbes, after a heavy payment had
+been exacted for their conveyance to a place they had desired not to
+go to, were carried forth, and consigned to another vehicle, which at
+length brought them, on the stroke of nine, to the Grand Hotel.
+
+Having been placed reverently in the brilliantly-lighted hall, they were
+surrounded by the proprietor, the _maitre d'hotel_ and his assistants,
+the porters, and the chasseurs, with all of whom Mr. Greyne was
+now familiar. Brandy and water having been supplied, together with
+smelling-salts and burnt feathers, Mrs. Greyne roused herself from an
+acute attack of lethargy, and asked for Mr. Greyne. A joyous smile ran
+round the circle.
+
+"Monsieur Greyne," said the proprietor, "who is living here for the
+winter?" 4
+
+"Mr. Eustace Greyne," murmured the great novelist, grasping her bonnet
+with both hands.
+
+The _maitre d'hotel_ drew nearer.
+
+"Madame wishes to see Monsieur Greyne?" he asked.
+
+"I do--at once."
+
+A blessed consciousness of Mother Earth was gradually beginning to steal
+over her. She even strove feebly to sit up on her chair, a German-Swiss
+porter of enormous size assisting her.
+
+"But Monsieur Greyne is out."
+
+"Out?"
+
+"Yes, madame. Monsieur Greyne is always out at night."
+
+The eyes of the little chasseur who knew no better began to twinkle.
+Mrs. Forbes gave a slight cough. Tears filled the novelist's eyes.
+
+"God bless my Eustace!" she murmured, deeply touched by this evidence of
+his devotion to her interests.
+
+"Madame says----" asked the proprietor.
+
+"Where does Mr. Greyne go?" inquired the novelist.
+
+"To the Kasbah, madame."
+
+"I knew it!" cried Mrs. Greyne, with returning animation. "I knew it
+would be so!"
+
+"Madame is acquainted with Monsieur Greyne?" said the _maitre d'hotel_,
+while the little crowd gathered more closely about the wave-worn group.
+
+"I am Mrs. Eustace Greyne," returned the great novelist recklessly. "I
+am the wife of Mr. Eustace Greyne."
+
+There was a moment of supreme silence. Then a loud, an even piercing
+"_Oh, la, la,_ broke upon the air, succeeded instantaneously by a burst
+of laughter that seemed to thrill with all the wild blessedness of
+boyhood. It came, of course, from the little chasseur; it came, and
+stayed. Nothing could stop it, and eventually the happy child had to be
+carried forth upon the sea-front to enjoy his innocent mirth at leisure
+and in solitude beneath the African stars. Mrs. Greyne did not notice
+his disappearance. She was intent upon important matters.
+
+"At what time does Mr. Greyne usually set forth?" she asked of the
+proprietor, whose face now bore a strangely twisted appearance, as if
+afflicted by a toothache.
+
+"Immediately after dinner, madame, if not before. Of late it has
+generally been before."
+
+"And he stays out late?"
+
+"Very late, madame."
+
+The twisted appearance began to seem infectious. It was visible upon the
+faces of most of those surrounding Mrs. Greyne and Mrs. Forbes. Indeed,
+even the latter showed some signs of it, although the large shadow cast
+over her features by the hind side of her Mother Hubbard bonnet to some
+extent disguised them from the public view.
+
+"Till what hour?" pursued Mrs. Greyne in a voice of almost yearning
+tenderness and pity.
+
+"Well, madame"--the proprietor displayed some slight confusion--"I
+really can hardly say. The _maitre d'hotel_ can perhaps inform you."
+
+Mrs. Greyne turned her ox-like eyes upon the enlarged edition of
+Napoleon the First.
+
+"Monsieur Greyne seldom returns before seven or eight o'clock in the
+morning, madame. He then retires to bed, and comes down to breakfast at
+about four o'clock in the afternoon."
+
+Mrs. Greyne was touched to the very quick. Her husband was sacrificing
+his rest, his health--nay, perhaps even his very life--in her service.
+It was well she had come, well that a period was to be put to these
+terrible researches. They should be stopped at once, even this very
+night. Better a thousand literary failures than that her husband's
+existence should be placed in jeopardy. She rose suddenly from her
+chair, tottered, gasped, recovered herself, and spoke.
+
+"Prepare dinner for me at once," she said, "and order a carriage and a
+competent guide to be before the door in half-an-hour."
+
+"Madame is going out? But madame is ill, tired!"
+
+"It matters not."
+
+"Where does madame wish to go?"
+
+"I am going to the Kasbah to find my husband."
+
+"I will escort madame."
+
+The proprietor, the _maitre d'hotel_, the waiters, the porters, the
+chasseurs, Mrs. Greyne and Mrs. Forbes, all turned about to face the
+determined speaker.
+
+And there before them, his dark eyes gleaming, his long moustaches
+bristling fiercely--here stood Abdallah Jack.
+
+
+
+
+VII
+
+Man is a self-deceiver. It must, therefore, ever be a doubtful point
+whether Mr. Eustace Greyne, during his residence in Africa, absolutely
+lost sight of his sense of duty; whether, beguiled by the lively
+attentions of a fiercely foreign town, he deliberately resolved to
+take his pleasure regardless of consequences and of the sacred ties of
+Belgrave Square. We prefer to think that some vague idea of combining
+two duties--that which he owed to himself and that which he owed to Mrs.
+Greyne--moved him in all he did, and that the subterfuge into which
+he was undoubtedly led was not wholly selfish, not wholly criminal.
+Nevertheless, that he had lied to his beloved wife is certain. Even
+while she sat over a cutlet and a glass of claret in the white-and-gold
+dining-room of the Grand Hotel, preparatory to her departure to the
+Kasbah with Abdallah Jack, the dozen of Merrin's exercise-books lay
+upstairs in Mr. Greyne's apartments filled to the brim with African
+frailty. Already there was material enough in their pages to furnish
+forth a library of "Catherines." Yet Mr. Greyne still lingered far from
+his home, and wired to that home fabricated accounts of the singular
+innocence of Algiers. He even allowed it to be supposed that his
+own innocence stood in the way of his fulfilment of Mrs. Greyne's
+behests--he who could now have given points in knowledge of the world to
+whole regiments of militiamen!
+
+It was not right, and, doubtless, he must stand condemned by every
+moralist. But let it not be forgotten that he had fallen under the
+influence of a Levantine.
+
+Mademoiselle Verbena's mother, hidden in some unnamed hospital of
+Algiers, appeared to be one of those ingenious elderly ladies who can
+hover indefinitely upon the brink of death without actually dying.
+During the whole time that Mr. Greyne had been in Africa her state had
+been desperate, yet she still clung to life. As her daughter said, she
+possessed extraordinary vitality, and this vitality seemed to have been
+inherited by her child. Despite her grave anxieties Mademoiselle Verbena
+succeeded in sustaining a remarkable cheeriness, and even a fascinating
+vivacity, when in the company of others. As she said to Mr. Greyne,
+she did not think it right to lay her burdens upon the shoulders of her
+neighbours. She, therefore, forced herself to appear contented, even at
+various moments gay, when she and Mr. Greyne were lunching, dining, or
+supping together, were driving upon the front, sailing upon the azure
+waters of the bay, riding upon the heights beyond El-Biar, or, ensconced
+in a sumptuous private box, listening to the latest French farce at one
+or another of the theatres. Only one day, when they had driven out to
+the monastery at La Trappe de Staoueli, did a momentary cloud descend
+upon her piquant features, and she explained this by the frank
+confession that she had always wished to become a nun, but had been
+hindered from following her vocation by the necessity of earning money
+to support her aged parents. Mr. Greyne had never seen the Ouled since
+his first evening in Algiers, but he still paid her a weekly salary,
+through Abdallah Jack, who explained to him that the interesting lady,
+in a discreet retirement, was perpetually occupied in arranging the
+exhibitions of African frailty at which he so frequently assisted.
+She was, in fact, earning her liberal salary. Mademoiselle Verbena
+and Abdallah Jack had met on several occasions, and Mr. Greyne had
+introduced the latter to the former as his guide, and had generously
+praised his abilities; but in Mademoiselle Verbena took very little
+notice of him, and, as time went on, Abdallah Jack seemed to conceive
+a most distressing dislike of her. On several occasions he advised Mr.
+Greyne not to frequent her company so assiduously, and when Mr. Greyne
+asked him to explain the meaning of his monitions he took refuge in
+vague generalities and Eastern imagery. He had a profound contempt
+for women as companions, which grieved Mr. Greyne's Western ideas,
+and evidently thought that Mademoiselle Verbena ought to be clapped
+forthwith into a long veil, and put away in a harem behind an iron
+grille. When Mr. Greyne explained the English point of view Abdallah
+Jack took refuge in a sulky silence; but during the week immediately
+preceding the arrival of Mrs. Greyne his temper had become actively
+bad, and Mr. Greyne began seriously to consider whether it would not
+be better to pay him a last _douceur_, and tell him to go about his
+business.
+
+Before doing this, however, Mr. Greyne desired to have one more
+interview with the mysterious Ouled on the heights, to whom he owed the
+knowledge which would henceforth enable him to cut out the militia. He
+said so to Abdallah Jack. The latter agreed sulkily to arrange it;
+and matters so fell out that on the night of Mrs. Greyne's arrival
+her husband was seated in a room in one of the remotest houses of the
+Kasbah, watching the Ouled's mysterious evolutions, while Mademoiselle
+Verbena--as she herself had informed Mr.4 Greyne--sat in the hospital by
+the bedside of her still dying mother. Abdallah Jack had apparently been
+most anxious to assist at Mr. Greyne's interview with the Ouled, but
+Mr. Greyne had declined to allow this. The evil temper of the guide was
+beginning to get thoroughly upon his employer's nerves, and even the
+natural desire to have an interpreter at hand was overborne by the
+dislike of Abdallah Jack's morose eyes and sarcastic speeches about
+women. Moreover, the Ouled spoke a word or two of uncertain French.
+
+Thus, therefore, things fell out, and such was the precise situation
+when Mrs. Greyne flicked a crumb from her chocolate brocade gown, tied
+her bonnet strings, and rose from table to set forth to the Kasbah with
+Abdallah Jack.
+
+It was a radiant night. In the clear sky the stars shone brilliantly,
+looking down upon the persistent convulsions of the little chasseur, who
+had not yet recovered from his attack of merriment on learning who
+Mrs. Greyne was. The sea, quite calm now that the great novelist was no
+longer upon it, lapped softly along the curving shores of the bay. The
+palm-trees of the town garden where the band plays on warm evenings
+waved lazily in the soft and scented breeze. The hooded figures of the
+Arabs lounged against the stone wall that girdles the sea-front. In the
+brilliantly-illuminated restaurants the rich French population gathered
+about the little tables, while the withered beggars stared in upon the
+oyster shells, the champagne bottles, and the feathers in the women's
+audacious hats.
+
+When Mrs. Greyne emerged upon the pavement before the Grand Hotel,
+attended by Mrs. Forbes and the guide, she paused for a moment, and cast
+a searching glance upon the fairy scene. In this voluptuous evening and
+strange environment life seemed oddly dreamlike. She scarcely felt like
+Mrs. Greyne. Possibly Mrs. Forbes also felt unlike herself, for she
+suddenly placed one hand upon her left side, and tottered. Abdallah Jack
+supported her. She screamed aloud.
+
+"Madam!" she said. "It is the vertigo. I am overtook!"
+
+She was really ill; her face, indeed, became the colour of a plover's
+egg.
+
+"Let me go to bed, madam," she implored. "It is the vertigo, madam. I
+am overtook!"
+
+Under ordinary circumstances Mrs. Greyne would have prescribed a dose of
+Kasbah air, but to-night she felt strange, and she wanted strangeness.
+Mrs. Forbes with the vertigo, in a small carriage, would be
+inappropriate. She, therefore, bade her retire, mounted into the vehicle
+with Abdallah Jack, and was quickly driven away, her bonnet strings
+floating upon the winsome wind.
+
+"You know my husband?" she asked softly of the guide.
+
+Abdallah Jack replied in French that he rather thought he did.
+
+"How is he looking?" continued Mrs. Greyne in a slightly yearning voice.
+"My Eustace!" she added to herself, "my devoted one!"
+
+"Monsieur Greyne is pale as washed linen upon the Kasbah wall," replied
+Abdallah Jack, lighting a cigarette, and wreathing the great novelist in
+its grey-blue smoke. "He is thin as the Spahi's lance, he is nervous as
+the leaves of the eucalyptus-tree when the winds blow from the north."
+
+Mrs. Greyne was seriously perturbed.
+
+"Would I had come before!" she murmured, with serious self-reproach.
+
+"Monsieur Greyne is worse than all the English," pursued Abdallah Jack
+in a voice that sounded to Mrs. Greyne decidedly sinister. "He is worse
+than the tourists of Rook, who laugh in the doorways of the mosques and
+twine in their hair the dried lizards of the Sahara. Even the guide
+of Rook rejected him. I only would undertake him because I am full of
+evil."
+
+Mrs. Greyne began to feel distinctly uncomfortable, and to wish she
+had not been so ready to pander to Mrs. Forbes' vertigo. She stole a
+sidelong glance at her strange companion. The carriage was small. The
+end of his bristling black moustache was very near. What he said of
+Mr. Greyne did not disturb her, because she knew that her Eustace had
+sacrificed his reputation to do her service; but what he said about
+himself was not reassuring.
+
+"I think you must be doing yourself an injustice," she said in a rather
+agitated voice.
+
+"Madame?"
+
+"I do not believe you are so bad as you imply," she continued.
+
+The carriage turned with a jerk out of the brilliantly-lighted
+thoroughfare that runs along the sea into a narrow side street, crowded
+with native Jews, and dark with shadows.
+
+"Madame does not know me."
+
+The exact truth of this observation struck home, like a dagger, to the
+mind of Mrs. Greyne.
+
+"I am a wicked person," added Abdallah Jack, with a profound conviction.
+"That is why Monsieur Greyne chose me as his guide."
+
+The novelist began to quake. Her chocolate brocade fluttered. Was she
+herself to learn at first hand, and on her first evening in Africa,
+enough about African frailty to last her for the rest of her life? And
+how much more of life would remain to her after her stock of knowledge
+had been thus increased? The carriage turned into a second side street,
+narrower and darker than the last.
+
+"Are we going right?" she said apprehensively.
+
+"No, madame; we are going wrong--we are going to the wicked part of the
+city."
+
+"But--but--you are sure Mr. Greyne will be there?"
+
+Abdallah Jack laughed sardonically.
+
+"Monsieur Greyne is never anywhere else. Monsieur Greyne is wicked as is
+a mad Touareg of the desert."
+
+"I don't think you quite understand my husband," said Mrs. Greyne,
+feeling in duty bound to stand up for her poor, maligned Eustace.
+"Whatever he may have done he has done at my special request."
+
+"Madame says?"
+
+"I say that in all his proceedings while in Algiers Mr. Greyne has been
+acting under my directions."
+
+Abdallah Jack fixed his enormous eyes steadily upon her.
+
+"You are his wife, and told him to come here, and to do as he has done?"
+
+"Ye-yes," faltered Mrs. Greyne, for the first time in her life feeling
+as if she were being escorted towards the criminal dock by a jailer with
+Puritan tendencies.
+
+"Then it is true what they say on the shores of the great canal," he
+remarked composedly.
+
+"What do they say?" inquired Mrs. Greyne.
+
+"That England is a land of female devils," returned the guide as the
+carriage plunged into a filthy alley, between two rows of blind houses,
+and began to ascend a steep hill.
+
+Mrs. Greyne gasped. She opened her lips to protest vigorously, but her
+head swam--either from indignation or from fatigue--and she could
+not utter a word. The horses mounted like cats upward into the dense
+blackness, from which dropped down the faint sounds of squealing music
+and of hoarse cries and laughter. The wheels bounded over the stones,
+sank into the deep ruts, scraped against the sides of the unlighted
+houses. And Abdallah Jack sat staring at Mrs. Greyne as an English
+clergyman's wife might stare at the appalling rites of some deadly
+cannibal encountered in a far-off land, with a stony wonder, a sort of
+paralysed curiosity.
+
+Suddenly the carriage stopped on a piece of waste land covered with
+small pebbles. Abdallah Jack sprang out.
+
+"Why do we stop?" said Mrs. Greyne, turning as pale as ashes.
+
+"The carriage can go no farther. Madame must walk."
+
+Mrs. Greyne began to tremble.
+
+"We are to leave the coachman?"
+
+"I shall escort madame, alone."
+
+The great novelist's tongue cleaved to the roof of her mouth. She felt
+like a Merrin's exercise-book, every leaf of which was covered with
+African frailty. However, there was no help for it. She had to descend,
+and stand among the pebbles.
+
+"Where are we going?"
+
+Abdallah Jack waved his hand towards a stone rampart dimly seen in the
+faint light that emanated from the starry sky.
+
+"Down there into the alley of the Dead Dervishes."
+
+Mrs. Greyne could not repress a cry of horror. At that moment she would
+have given a thousand pounds to have Mrs. Forbes at her side.
+
+Abdallah Jack grasped her by the hand, and led her ruthlessly forward.
+Gazing with terror-stricken eyes over the crumbling rampart of the
+Kasbah, she saw the city far below her, the lights of the streets, the
+lights of the ships in harbour. She heard the music of a bugle, and
+wished she were a Zouave safe in barracks. She wished she were a
+German-Swiss porter, a merry chasseur--anything but Mrs. Eustace Greyne.
+One thing alone supported her in this hour of trial, the thought of her
+husband's ecstasy when she appeared upon the dread scene of his awful
+labours, to tell him that he was released, that he need visit them no
+more.
+
+The alley of the Dead Dervishes is long and winding. To Mrs. Greyne it
+seemed endless. As she threaded it with faltering step, gripped by the
+feverish hand of Abdallah Jack, who now began to display a strange and
+terrible excitement, she became a centre of curiosity. Unwashed Arabs,
+rakish Zouaves in blue and red, wandering Jews of various nationalities,
+unveiled dancing-girls covered with jewels, stared in wonder upon the
+chocolate brocade and the floating bonnet strings, followed upon her
+footsteps, pointing with painted fingers, and making remarks of a
+personal nature in French, Arabic, and other unknown tongues. She moved
+in the midst of a crowd, on and on before lighted interiors from which
+wild music flowed.
+
+"Shall we never be there?" she panted to Abdallah Jack. "My limbs refuse
+their office." She jogged against a Tunisian Jewess in a pointed hat,
+and rebounded upon an enormous Riff in a tattered sheep-skin. "I can go
+no farther."
+
+"We are there! Behold the house of the Ouled!"
+
+As he uttered the last word he burst into a bitter laugh, and drew Mrs.
+Greyne, now gasping for breath, through an open doorway into a little
+hall of imitation marble, with fluted pillars adorned with oilcloth, and
+walls hung with imported oleographs. From a chamber on the right, near
+a winding staircase covered with blue-and-white tiles, came the sound of
+laughter, of song, and of a hideous music conveyed to the astonied ear
+by pipes and drums.
+
+"They are in there!" exclaimed Abdallah Jack, folding his arms, and
+looking at Mrs. Greyne. "Go to your husband!"
+
+Mrs. Greyne put her hands to her magnificent forehead, and tottered
+forward. She reached the door, she pushed it, she entered. There upon a
+wooden dais, surrounded by gilt mirrors and artificial roses, she beheld
+her husband, in a check suit and a white Homburg hat, performing the
+wildest evolutions, while opposite him a lady, smothered in coloured
+silks and coins, tattooed and painted, dyed and scented, covered with
+kohl and crowned with ostrich feathers, screamed a nasal chant of the
+East, and bounded like an electrified monkey.
+
+"Eustace!" cried Mrs. Greyne, leaning for support against an oleograph.
+
+Her husband turned.
+
+"Eustace!" she cried again. "It is I!"
+
+He stood as if turned to stone. Mrs. Greyne hesitated, started, moved
+forward to the dais, and stared upon the Ouled, who had also ceased from
+dancing, and looked strangely surprised, even confused, by the great
+novelist's intrusion.
+
+"Miss Verbena!" she exclaimed. "Miss Verbena in Algiers!"
+
+"Eugenia!" said Mr. Greyne in a husky voice, "what is this you say?
+This lady is the Ouled."
+
+A sardonic laugh came from the doorway. They turned. There stood
+Abdallah Jack. He advanced roughly to the Ouled.
+
+"Come," he said angrily. "Have we not earned the money of the stranger?
+Have we not earned enough? To-morrow you shall marry me as you have
+promised, and we will return to our own land, to the canal where you and
+I were born. And nevermore shall the Levantine instruct the babes of
+the English devils, but dwell veiled and guarded in the harem of her
+master."
+
+"Mademoiselle Verbena!" said Mr. Greyne in a more husky voice.
+"But--but--your dying mother?"
+
+"She sleeps, monsieur, in the white sands of Ismailia, beside the
+bitter lake. I trust that madame can now go on with the respectable
+'Catherine.'"
+
+And with an ironic reverence to Mrs. Eustace Greyne she placed her hand
+in Abdallah Jack's and vanished from the room.
+
+"Catherine's Repentance," published in a gigantic volume not many weeks
+ago, was preceded by Mr. Eustace Greyne's. When last heard of he was
+seated in the magnificent library of the corner house in Park Lane next
+to the Duke of Ebury's, busily engaged in pasting the newspaper notices
+of Mrs. Greyne's greatest work into a superb new album.
+
+The Abdallah Jacks have returned to the Suez Canal, bearing with them
+a snug little fortune to be invested in the purchase of a coal wharf
+at Port Said, and a remarkably handsome crocodile dressing-case, fitted
+with gold, and monogrammed with the initials "E. G."
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Mission Of Mr. Eustace Greyne, by
+Robert Hichens
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE MISSION OF MR. EUSTACE GREYNE ***
+
+***** This file should be named 23415.txt or 23415.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/4/1/23415/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/23415.zip b/23415.zip
new file mode 100644
index 0000000..3c32943
--- /dev/null
+++ b/23415.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..493bdcc
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #23415 (https://www.gutenberg.org/ebooks/23415)
diff --git a/old/23415-h.htm.2021-01-25 b/old/23415-h.htm.2021-01-25
new file mode 100644
index 0000000..8174203
--- /dev/null
+++ b/old/23415-h.htm.2021-01-25
@@ -0,0 +1,3494 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ The Mission of Mr. Eustace Greyne, by Robert Hichens
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+Project Gutenberg's The Mission Of Mr. Eustace Greyne, by Robert Hichens
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Mission Of Mr. Eustace Greyne
+ 1905
+
+Author: Robert Hichens
+
+Release Date: November 8, 2007 [EBook #23415]
+Last Updated: December 17, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE MISSION OF MR. EUSTACE GREYNE ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+</pre>
+ <div style="height: 8em;">
+ <br /><br /><br /><br /><br /><br /><br /><br />
+ </div>
+ <h1>
+ THE MISSION OF MR. EUSTACE GREYNE
+ </h1>
+ <h2>
+ By Robert Hichens
+ </h2>
+ <p>
+ <br />
+ </p>
+ <h3>
+ Frederick A. Stokes Company Publishers
+ </h3>
+ <h4>
+ Copyright, 1905
+ </h4>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h2>
+ Contents
+ </h2>
+ <table summary="" style="margin-right: auto; margin-left: auto">
+ <tr>
+ <td>
+ <p class="toc">
+ <a href="#link2H_4_0001"> I </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> II </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0003"> III </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0004"> IV </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0005"> V </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0006"> VI </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0007"> VII </a>
+ </p>
+ </td>
+ </tr>
+ </table>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ I
+ </h2>
+ <p>
+ Mrs. Eustace Greyne (pronounced Green) wrinkled her forehead&mdash;that
+ noble, that startling forehead which had been written about in the
+ newspapers of two hemispheres&mdash;laid down her American Squeezer pen,
+ and sighed. It was an autumn day, nipping and melancholy, full of the
+ rustle of dying leaves and the faint sound of muffin bells, and Belgrave
+ Square looked sad even to the great female novelist who had written her
+ way into a mansion there. Fog hung about with the policeman on the
+ pavement. The passing motor cars were like shadows. Their stertorous
+ pantings sounded to Mrs. Greyne&rsquo;s ears like the asthma of dying monsters.
+ She sighed again, and murmured in a deep contralto voice: &ldquo;It must be so.&rdquo;
+ Then she got up, crossed the heavy Persian carpet which had been bought
+ with the proceeds of a short story in her earlier days, and placed her
+ forefinger upon an electric bell.
+ </p>
+ <p>
+ Like lightning a powdered giant came.
+ </p>
+ <p>
+ &ldquo;Has Mr. Greyne gone out?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, ma&rsquo;am.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where is he?&rdquo;
+ </p>
+ <p>
+ &ldquo;In his study, ma&rsquo;am, pasting the last of the cuttings into the new
+ album.&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne smiled. It was a pretty picture the unconscious six-footer had
+ conjured up.
+ </p>
+ <p>
+ &ldquo;I am sorry to disturb Mr. Greyne,&rdquo; she answered, with that gracious, and
+ even curling suavity which won all hearts; &ldquo;but I wish to see him. Will
+ you ask him to come to me for a moment?&rdquo;
+ </p>
+ <p>
+ The giant flew, silk-stockinged, to obey the mandate, while Mrs. Greyne
+ sat down on a carved oaken chair of ecclesiastical aspect to await her
+ husband.
+ </p>
+ <p>
+ She was a famous woman, a personage, this simply-attired lady. With an
+ American Squeezer pen she had won fame, fortune, and a mansion in Belgrave
+ Square, and all without the sacrifice of principle. Respectability
+ incarnate, she had so dealt with the sorrows and evils of the world that
+ she had rendered them utterly acceptable to Mrs. Grundy, Mr. Grundy, and
+ all the Misses Grundy. People said she dived into the depths of human
+ nature, and brought up nothing that need scandalise a curate&rsquo;s
+ grandmother, or the whole-aunt of an archdeacon; and this was so true that
+ she had made a really prodigious amount of money. Her large, her solid,
+ her unrelenting books lay upon every table. Even the smart set kept them,
+ uncut&mdash;like pretty sinners who have never been &ldquo;found out&rdquo;&mdash;to
+ give an air of haphazard intellectuality to frisky boudoirs, All the
+ clergy, however unable to get their tithes, bought them. All bishops
+ alluded to them in &ldquo;pulpit utterances.&rdquo; Fabulous prices were paid for them
+ by magazine editors. They ran as serials through all the tale of months.
+ The suburbs battened on them. The provinces adored them. Country people
+ talked of no other literature. In fact, Mrs. Eustace Greyne was a really
+ fabulous success.
+ </p>
+ <p>
+ Why, then, should she heave these heavy sighs in Belgrave Square? Why
+ should she lift an intellectual hand as though to tousle the glossy
+ chestnut bandeaux which swept back from her forcible forehead, and screw
+ her reassuring features into these wrinkles of perplexity and distress?
+ </p>
+ <p>
+ The door opened, and Mr. Eustace Greyne appeared, &ldquo;What is it, Eugenia?&rdquo;
+ upon his lips.
+ </p>
+ <p>
+ Mr. Greyne was a number of years younger than his celebrated wife, and
+ looked even younger than his years. He was a very smart man, with smooth,
+ jet-black hair, which he wore parted in the middle; pleasant, dark eyes
+ that could twinkle gently; a clear, pale complexion; and a nice, tall
+ figure. One felt, in glancing at him, that he had been an Eton boy, and
+ had at least thought of going into the militia at some period of his life.
+ His history can be briefly told.
+ </p>
+ <p>
+ Scarcely had he emerged into the world before he met and was married to
+ Mrs. Eustace Greyne, then Miss Eugenia Hannibal-Barker. He had had no time
+ to sow a single oat, wild or otherwise; no time to adore a barmaid, or
+ wish to have his name linked with that of an actress; no time to do
+ anything wrong, or even to know, with the complete accuracy desired by all
+ persevering young men, what was really wrong. Miss Eugenia Hannibal-Barker
+ sailed upon his horizon, and he struck his flag to matrimony. Ever since
+ then he had been her husband, and had never, even for one second, emerged
+ beyond the boundaries of the most intellectual respectability. He was the
+ most innocent of men, although he knew all the important editors in
+ London. Swaddled in money by his successful wife, he considered her a
+ goddess. She poured the thousands into Coutts&rsquo; Bank, and with the arrival
+ of each fresh thousand he was more firmly convinced that she was a
+ goddess. To say he looked up to her would be too mild. As the Cockney
+ tourist in Chamounix peers at the summit of Mont Blanc, he peered at Mrs.
+ Greyne. And when, finally, she bought the lease of the mansion in Belgrave
+ Square, he knew her Delphic.
+ </p>
+ <p>
+ So now he appeared in the oracle&rsquo;s retreat respectfully, &ldquo;What is it,
+ Eugenia?&rdquo; upon his admiring lips.
+ </p>
+ <p>
+ &ldquo;Sit down, my husband,&rdquo; she murmured.
+ </p>
+ <p>
+ Mr. Greyne subsided by the fire, placing his pointed patent-leather toes
+ upon the burnished fender. Without the fog grew deeper, and the chorus of
+ the muffin bells more plaintive. The fire-light, flickering over Mrs.
+ Greyne&rsquo;s majestic features, made them look Rembrandtesque. Her large,
+ oxlike eyes were fixed and thoughtful. After a pause, she said:
+ </p>
+ <p>
+ &ldquo;Eustace, I shall have to send you upon a mission.&rdquo;
+ </p>
+ <p>
+ &ldquo;A mission, Eugenia!&rdquo; said Mr. Greyne in great surprise.
+ </p>
+ <p>
+ &ldquo;A mission of the utmost importance, the utmost delicacy.&rdquo;
+ </p>
+ <p>
+ &ldquo;Has it anything to do with Romeike &amp; Curtice?&rdquo;
+ </p>
+ <p>
+ &ldquo;No.&rdquo;
+ </p>
+ <p>
+ &ldquo;Will it take me far?&rdquo;
+ </p>
+ <p>
+ &ldquo;That is my trouble. It will take you very far.&rdquo;
+ </p>
+ <p>
+ &ldquo;Out of London?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Out of&mdash;not out of England?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes; it will take you to Algeria.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good gracious!&rdquo; cried Mr. Greyne.
+ </p>
+ <p>
+ Mrs. Greyne sighed.
+ </p>
+ <p>
+ &ldquo;Good gracious!&rdquo; Mr. Greyne repeated after a short interval. &ldquo;Am I to go
+ alone?&rdquo; &ldquo;Of course you must take Darrell.&rdquo; Darrell was Mr. Greyne&rsquo;s valet.
+ </p>
+ <p>
+ &ldquo;And what am I to do at Algiers?&rdquo;
+ </p>
+ <p>
+ &ldquo;You must obtain for me there the whole of the material for book six of
+ &lsquo;Catherine&rsquo;s Repentance,&rsquo;&rdquo; &ldquo;Catherine&rsquo;s Repentance&rdquo; was the gigantic novel
+ upon which Mrs. Greyne was at that moment engaged.
+ </p>
+ <p>
+ &ldquo;I will not disguise from you, Eustace,&rdquo; continued Mrs. Greyne, looking
+ increasingly Rembrandtesque, &ldquo;that, in my present work, I am taking a
+ somewhat new departure.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, but we are very comfortable here,&rdquo; said Mr. Greyne.
+ </p>
+ <p>
+ With each new book they had changed their abode. &ldquo;Harriet&rdquo; took them from
+ Phillimore Gardens to Queensgate Terrace; &ldquo;Jane&rsquo;s Desire&rdquo; moved them on to
+ a corner house in Sloane Street; with &ldquo;Isobel&rsquo;s Fortune&rdquo; they passed to
+ Curzon Street; &ldquo;Susan&rsquo;s Vanity&rdquo; landed them in Coburg Place; and, finally,
+ &ldquo;Margaret&rsquo;s Involution&rdquo; had planted them in Belgrave Square. Now, with
+ each of these works of genius Mrs. Greyne had taken what she called &ldquo;a new
+ departure.&rdquo; Mr. Greyne&rsquo;s remark is, therefore, explicable.
+ </p>
+ <p>
+ &ldquo;True. Still, there is always Park Lane.&rdquo;
+ </p>
+ <p>
+ She mused for a moment. Then, leaning more heavily upon the carved lions
+ of her chair, she continued:
+ </p>
+ <p>
+ &ldquo;Hitherto, although I have sometimes dealt with human frailty, I have
+ treated it gently. I have never betrayed a Zola-spirit.&rdquo;
+ </p>
+ <p>
+ &ldquo;Zola! My darling!&rdquo; cried Mr. Eustace Greyne. &ldquo;You are surely not going to
+ betray anything of that sort now!&rdquo;
+ </p>
+ <p>
+ &ldquo;If she does we shall soon have to move off to West Kensington,&rdquo; was his
+ secret thought.
+ </p>
+ <p>
+ &ldquo;No. But in book six of &lsquo;Catherine&rsquo; I have to deal with sin, with tumult,
+ with African frailty. It is inevitable.&rdquo;
+ </p>
+ <p>
+ She sighed once more. The burden of the new book was very heavy upon her.
+ </p>
+ <p>
+ &ldquo;African frailty!&rdquo; murmured the astonished Eustace Greyne.
+ </p>
+ <p>
+ &ldquo;Now, neither you nor I, my husband, know anything about this.&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly not, my darling. How should we? We have never explored beyond
+ Lucerne.&rdquo;
+ </p>
+ <p>
+ &ldquo;We must, therefore, get to know about it&mdash;at least you must. For I
+ cannot leave London. The continuity of the brain&rsquo;s travelling must not be
+ imperiled by any violent bodily activity. In the present stage of my book
+ a sea journey might be disastrous.&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly you should keep quiet, my love. But then&mdash;-&rdquo;
+ </p>
+ <p>
+ &ldquo;You must go for me to Algiers. There you must get me what I want. I fear
+ you will have to poke about in the native quarters a good deal for it, so
+ you had better buy two revolvers, one for yourself and one for Darrell.&rdquo;
+ </p>
+ <p>
+ Mr. Greyne gasped. The calmness of his wife amazed him. He was not
+ intellectual enough to comprehend fully the deep imaginings of a mighty
+ brain, the obsession work is in the worker.
+ </p>
+ <p>
+ &ldquo;African frailty is what I want,&rdquo; pursued Mrs. Greyne. &ldquo;One hundred
+ closely-printed pages of African frailty. You will collect for me the raw
+ material, and I shall so manipulate it that it will fall discreetly, even
+ elevatingly, into the artistic whole. Do you understand me, Eustace?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am to travel to Algiers, and see all the wickedness to be seen there,
+ take notes of it, and bring them back to you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Precisely.&rdquo;
+ </p>
+ <p>
+ &ldquo;And how long am I to stay?&rdquo;
+ </p>
+ <p>
+ &ldquo;Until you have made yourself acquainted with the depths.&rdquo;
+ </p>
+ <p>
+ &ldquo;A fortnight?&rdquo;
+ </p>
+ <p>
+ &ldquo;I should think that would be enough. Take Brush&rsquo;s remedy for seasickness
+ and plenty of antipyrin, your fur coat for the crossing, and a white
+ helmet and umbrella for the arrival. You have lead pencils?&rdquo;
+ </p>
+ <p>
+ &ldquo;Plenty.&rdquo;
+ </p>
+ <p>
+ &ldquo;A couple of Merrin&rsquo;s exercise-books should be enough to contain your
+ notes.&rdquo;
+ </p>
+ <p>
+ &ldquo;When am I to go?&rdquo;
+ </p>
+ <p>
+ &ldquo;The sooner the better. I am at a standstill for want of the material. You
+ might catch the express to Paris to-morrow; no, say the day after
+ to-morrow.&rdquo; She looked at him tenderly. &ldquo;The parting will be bitter.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very bitter,&rdquo; Mr. Eustace Greyne replied.
+ </p>
+ <p>
+ He felt really upset. Mrs. Greyne laid the hand which had brought them
+ from Phillimore Gardens to Belgrave Square gently upon his.
+ </p>
+ <p>
+ &ldquo;Think of the result,&rdquo; she said. &ldquo;The greatest book I have done yet. A
+ book that will last. A book that will&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Take us to Park Lane,&rdquo; he murmured.
+ </p>
+ <p>
+ The Rembrandtesque head nodded. The noble features, as of a strictly
+ respectable Roman emperor, relaxed.
+ </p>
+ <p>
+ &ldquo;A book that will take us to Park Lane.&rdquo;
+ </p>
+ <p>
+ At this moment the door opened, and the footman inquired:
+ </p>
+ <p>
+ &ldquo;Could Mademoiselle Verbena see you for a minute, ma&rsquo;am?&rdquo;
+ </p>
+ <p>
+ Mademoiselle Verbena was the French governess of the two little Greynes.
+ The great novelist had consented to become a mother.
+ </p>
+ <p>
+ &ldquo;Certainly.&rdquo;
+ </p>
+ <p>
+ In another moment Mademoiselle Verbena was added to the group beside the
+ fire.
+ </p>
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II
+ </h2>
+ <p>
+ We have said that Mademoiselle Verbena was the French governess of little
+ Adolphus and Olivia Greyne, and so she was to this extent&mdash;that she
+ taught them French, and that Mr. and Mrs. Greyne supposed her to be a
+ Parisian. But life has its little ironies. Mademoiselle Verbena in the
+ house of this great and respectable novelist was one of them; for she was
+ a Levantine, born at Port Said of a Suez Canal father and a Suez Canal
+ mother. Now, nobody can desire to say anything against Port Said. At the
+ same time, few mothers would inevitably pick it out as the ideal spot from
+ which a beneficent influence for childhood&rsquo;s happy hour would be certain
+ to emanate. Nor, it must be allowed, is a Suez Canal ancestry specially
+ necessary to a trainer of young souls. It may not be a drawback, but it
+ can hardly be described as an advantage. This, Mademoiselle Verbena was
+ intelligent enough to know. She, therefore, concealed the fact that her
+ father had been a dredger of Monsieur de Lesseps&rsquo; triumph, her mother a
+ bar-lady of the historic coal wharf where the ships are fed, and preferred
+ to suppose&mdash;and to permit others to suppose&mdash;that she had first
+ seen the light in the Rue St. Honoré, her parents being a count and
+ countess of some old régime.
+ </p>
+ <p>
+ This supposition, retained from her earliest years, had affected her
+ appearance and her manner. She was a very neat, very trim, even a very
+ attractive little person, with dark brown, roguish eyes, blue-black hair,
+ a fairy-like figure, and the prettiest hands and feet imaginable. She had
+ first attracted Mrs. Greyne&rsquo;s attention by her devotion to St. Paul&rsquo;s
+ Cathedral, and this devotion she still kept up. Whenever she had an hour
+ or two free she always&mdash;so she herself said&mdash;spent it in &ldquo;<i>ce
+ charmant</i> St. Paul.&rdquo;
+ </p>
+ <p>
+ As she entered the oracle&rsquo;s retreat she cast down her eyes, and trembled
+ visibly.
+ </p>
+ <p>
+ &ldquo;What is it, Miss Verbena?&rdquo; inquired Mrs. Greyne, with a kindly English
+ accent, calculated to set any poor French creature quite at ease.
+ </p>
+ <p>
+ Mademoiselle Verbena trembled more.
+ </p>
+ <p>
+ &ldquo;I have received bad news, madame.&rdquo;
+ </p>
+ <p>
+ &ldquo;I grieve to hear it. Of what nature?&rdquo;
+ </p>
+ <p>
+ &ldquo;Mamma has <i>une bronchite très grave</i>.&rdquo;
+ </p>
+ <p>
+ &ldquo;A what, Miss Verbena?&rdquo;
+ </p>
+ <p>
+ &ldquo;Pardon, madame. A very grave bronchitis. She cries for me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Indeed!&rdquo;
+ </p>
+ <p>
+ &ldquo;The doctors say she will die.&rdquo;
+ </p>
+ <p>
+ &ldquo;This is very sad.&rdquo;
+ </p>
+ <p>
+ The Levantine wept. Even Suez Canal folk are not proof against all human
+ sympathy. Mr. Greyne blew his nose beside the fire, and Mrs. Greyne said
+ again:
+ </p>
+ <p>
+ &ldquo;I repeat that this is very sad.&rdquo;
+ </p>
+ <p>
+ &ldquo;Madame, if I do not go to mamma tomorrow I shall not see her more.&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne looked very grave.
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; she remarked. She thought profoundly for a moment, and then added:
+ &ldquo;Indeed!&rdquo;
+ </p>
+ <p>
+ &ldquo;It is true, madame.&rdquo;
+ </p>
+ <p>
+ Suddenly Mademoiselle Verbena flung herself down on the Persian carpet at
+ Mrs. Greyne&rsquo;s large but well-proportioned feet, and, bathing them with her
+ tears, cried in a heartrending manner:
+ </p>
+ <p>
+ &ldquo;Madame will let me go! madame will permit me to fly to poor mamma&mdash;to
+ close her dying eyes&mdash;to kiss once again&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ Mr. Greyne was visibly affected, and even Mrs. Greyne seemed somewhat put
+ about, for she moved her feet rather hastily out of reach of the
+ dependant&rsquo;s emotion, and made her scramble up.
+ </p>
+ <p>
+ &ldquo;Where is your poor mother?&rdquo;
+ </p>
+ <p>
+ &ldquo;In Paris, madame. In the Rue St. Honoré, where I was born. Oh, if she
+ should die there! If she should&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne raised her hand, commanding silence.
+ </p>
+ <p>
+ &ldquo;You wish to go there?&rdquo;
+ </p>
+ <p>
+ &ldquo;If madame permits.&rdquo;
+ </p>
+ <p>
+ &ldquo;When?&rdquo;
+ </p>
+ <p>
+ &ldquo;To-morrow, madame.&rdquo;
+ </p>
+ <p>
+ &ldquo;To-morrow? This is decidedly abrupt.&rdquo;
+ </p>
+ <p>
+ &ldquo;<i>Mais la bronchite, madame</i>, she is abrupt, and death, she may be
+ abrupt.&rdquo;
+ </p>
+ <p>
+ &ldquo;True. One moment!&rdquo;
+ </p>
+ <p>
+ There was an instant&rsquo;s silence for Mrs. Greyne to let loose her brain in.
+ She did so, then said:
+ </p>
+ <p>
+ &ldquo;You have my permission. Go to-morrow, but return as soon as possible. I
+ do not wish Adolphus to lose his still uncertain grasp upon the irregular
+ verbs.&rdquo;
+ </p>
+ <p>
+ In a flood of grateful tears Mademoiselle Verbena retired to make her
+ preparations. On the morrow she was gone.
+ </p>
+ <p>
+ The morrow was a day of much perplexity, much bustle and excitement for
+ Mr. Greyne and the valet, Darrell. They were preparing for Algiers. In the
+ morning, at an early hour, Mr. Greyne set forth in the barouche with Mrs.
+ Greyne to purchase African necessaries: a small but well-supplied medicine
+ chest, a pith helmet, a white-and-green umbrella, a Baedeker, a couple of
+ Smith &amp; Wesson Springfield revolvers with a due amount of cartridges,
+ a dozen of Merrin&rsquo;s exercise-books&mdash;on mature reflection Mrs. Creyne
+ thought that two would hardly contain a sufficient amount of African
+ frailty for her present purpose&mdash;a packet of lead pencils, some
+ bottles of a remedy for seasickness, a silver flask for cognac, and
+ various other trifles such as travellers in distant continents require.
+ </p>
+ <p>
+ Meanwhile Darrell was learning French for the journey, and packing his own
+ and his master&rsquo;s trunks. The worthy fellow, a man of twenty-five summers,
+ had never been across the Channel&mdash;the Greynes being by no means
+ prone to foreign travel&mdash;and it may, therefore, be imagined that he
+ was in a state of considerable expectation as he laid the trousers, coats,
+ and waistcoats in their respective places, selected such boots as seemed
+ likely to wear well in a tropical climate, and dropped those shirts which
+ are so contrived as to admit plenty of ventilation to the heated body into
+ the case reserved for them.
+ </p>
+ <p>
+ When Mr. Greyne returned from his shopping excursion the barouche, loaded
+ almost to the gunwale&mdash;if one may be permitted a nautical expression
+ in this connection&mdash;had to be disburdened, and its contents conveyed
+ upstairs to Mr. Greyne&rsquo;s bedroom, into which Mrs. Greyne herself presently
+ entered to give directions for their disposing. Nor was it till the hour
+ of sunset that everything was in due order, the straps set fast, the keys
+ duly turned in the locks&mdash;the labels&mdash;&ldquo;Mr. Eustace Greyne:
+ Passenger to Algiers: via Marseilles&rdquo;&mdash;carefully written out in a
+ full, round hand. Rook&rsquo;s tickets had been bought; so now everything was
+ ready, and the last evening in England might be spent by Mr. Greyne in the
+ drawing-room and by Darrell in the servants&rsquo; hall quietly, socially,
+ perhaps pathetically.
+ </p>
+ <p>
+ The pathos of the situation, it must be confessed, appealed more to the
+ master than to the servant. Darrell was very gay, and inclined to be
+ boastful, full of information as to how he would comport himself with
+ &ldquo;them there Frenchies,&rdquo; and how he would make &ldquo;them pore, godless Arabs
+ sit up.&rdquo; But Mr. Greyne&rsquo;s attitude of mind was very different. As the
+ night drew on, and Mrs. Greyne and he sat by the wood fire in the
+ magnificent drawing-room, to which they always adjourned after dinner, a
+ keen sense of the sorrow of departure swept over them both.
+ </p>
+ <p>
+ &ldquo;How lonely you will feel without me, Eugenia,&rdquo; said Mr. Greyne. &ldquo;I have
+ been thinking of that all day.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you, Eustace, how desolate will be your tale of days! My mind runs
+ much on that. You will miss me at every hour.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are so accustomed to have me within call, to depend upon me for
+ encouragement in your life-work. I scarcely know how you will get on when
+ I am far across the sea.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you, for whom I have labored, for whom I have planned and calculated,
+ what will be your sensations when you realize that a gulf&mdash;the Gulf
+ of Lyons&mdash;is fixed irrevocably between us?&rdquo;
+ </p>
+ <p>
+ So their thoughts ran. Each one was full of tender pity for the other.
+ Towards bedtime, however, conscious that the time for colloquy was running
+ short, they fell into more practical discourse.
+ </p>
+ <p>
+ &ldquo;I wonder,&rdquo; said Mr. Greyne, &ldquo;whether I shall find any difficulty in
+ gaining the information you require, my darling. I suppose these places&rdquo;&mdash;he
+ spoke vaguely, for his thoughts were vague&mdash;&ldquo;are somewhat awkward to
+ come at. Naturally they would avoid the eye of day.&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne looked profound.
+ </p>
+ <p>
+ &ldquo;Yes. Evil ever seeks the darkness. You will have to do the same.&rdquo;
+ </p>
+ <p>
+ &ldquo;You think my investigations must take place at night?&rdquo;
+ </p>
+ <p>
+ &ldquo;I should certainly suppose so.&rdquo;
+ </p>
+ <p>
+ &ldquo;And where shall I find a cicerone?&rdquo;
+ </p>
+ <p>
+ &ldquo;Apply to Rook.&rdquo;
+ </p>
+ <p>
+ &ldquo;In what terms? You see, dearest, this is rather a special matter, isn&rsquo;t
+ it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Very special. But on no account hint that you are in Algiers for
+ &lsquo;Catherine&rsquo;s&rsquo; sake. It would get into the papers. It would be cabled to
+ America. The whole reading world would be agog, and the future interest of
+ the book discounted.&rdquo;
+ </p>
+ <p>
+ Mr. Greyne looked at his wife with reverence. In such moments he realized,
+ almost too poignantly, her great position.
+ </p>
+ <p>
+ &ldquo;I will be careful,&rdquo; he said. &ldquo;What would you recommend me to say?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well&rdquo;&mdash;Mrs. Greyne knit her superb forehead&mdash;&ldquo;I should suggest
+ that you present yourself as an ordinary traveler, but with a specially
+ inquiring bent of mind and a slight tendency towards the&mdash;the&mdash;er&mdash;hidden
+ things of life.&rdquo;
+ </p>
+ <p>
+ &ldquo;I suppose you wish me to visit the public houses?&rdquo;
+ </p>
+ <p>
+ &ldquo;I wish you to see everything that has part or lot in African frailty. Go
+ everywhere, see everything. Bring your notes to me, and I will select such
+ fragments of the broken commandments as suit my purpose, which is, as
+ always, the edifying of the human race. Only this time I mean to purge it
+ as by fire.&rdquo;
+ </p>
+ <p>
+ &ldquo;That corner house in Park Lane, next to the Duke of Ebury&rsquo;s, would suit
+ us very well,&rdquo; said Mr. Greyne reflectively.
+ </p>
+ <p>
+ &ldquo;We could sell our lease here at an advance,&rdquo; his wife rejoined. &ldquo;You will
+ not waste your journey, Eustace?&rdquo;
+ </p>
+ <p>
+ &ldquo;My love,&rdquo; returned Mr. Greyne with decision, &ldquo;I will apply to Rook on
+ arrival, and, if I find his man unsatisfactory, if I have any reason to
+ suspect that I am not being shown everything&mdash;more especially in the
+ Kasbah region, which, from the guide-books we bought to-day, is, I take
+ it, the most abandoned portion of the city&mdash;I will seek another
+ cicerone.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do so. And now to bed. You must sleep well to-night in preparation for
+ the journey.&rdquo;
+ </p>
+ <p>
+ It was their invariable habit before retiring to drink each a tumbler of
+ barley water, which was set out by the butler in Mrs. Greyne&rsquo;s study.
+ After this nightcap Mrs. Greyne wrote up her anticipatory diary, while Mr.
+ Greyne smoked a mild cigar, and then they went to bed. To-night, as usual,
+ they repaired to the sanctum, and drank their barley water. Having done
+ so, Mr. Greyne drew forth his cigar-case, while Mrs. Greyne went to her
+ writing-table, and prepared to unlock the drawer in which her diary
+ reposed, safe from all prying eyes.
+ </p>
+ <p>
+ The match was struck, the key was inserted in the lock, and turned. As the
+ cigar end glowed the drawer was opened. Mr. Greyne heard a contralto cry.
+ He turned from the arm-chair in which he was just about to seat himself.
+ </p>
+ <p>
+ &ldquo;My love, is anything the matter?&rdquo;
+ </p>
+ <p>
+ His wife was bending forward with both hands in the drawer, telling over
+ its contents.
+ </p>
+ <p>
+ &ldquo;My diary is not here!&rdquo;
+ </p>
+ <p>
+ &ldquo;Your diary!&rdquo;
+ </p>
+ <p>
+ &ldquo;It is gone.&rdquo;
+ </p>
+ <p>
+ &ldquo;But&rdquo;&mdash;he came over to her&mdash;&ldquo;this is very serious. I presume,
+ like all diaries, it is full of&mdash;&mdash;&rdquo; Instinctively he had been
+ about to say &ldquo;damning&rdquo;; he remembered his dear one&rsquo;s irreproachable
+ character and substituted &ldquo;precious secrets.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is full of matter which must never be given to the world&mdash;my
+ secret thoughts, my aspirations. The whole history of my soul is there.&rdquo;
+ </p>
+ <p>
+ &ldquo;Heavens! It must be found.&rdquo;
+ </p>
+ <p>
+ They searched the writing-table. They searched the room. No diary.
+ </p>
+ <p>
+ &ldquo;Could you have taken it to my room, and left it there?&rdquo; asked Mr. Greyne.
+ </p>
+ <p>
+ They hastened thither, and looked&mdash;in vain. By this time the servants
+ were gone to bed, and the two searchers were quite alone on the ground
+ floor of their magnificent mansion. Mrs. Greyne began to look seriously
+ perturbed. Her Roman features worked.
+ </p>
+ <p>
+ &ldquo;This is appalling,&rdquo; she exclaimed. &ldquo;Some thief, knowing it priceless,
+ must have stolen the diary. It will be published in America. It will bring
+ in thousands&mdash;but to others, not to us.&rdquo;
+ </p>
+ <p>
+ She began to wring her hands. It was near midnight.
+ </p>
+ <p>
+ &ldquo;Think, my love, think!&rdquo; cried Mr. Greyne. &ldquo;Where could you have taken it?
+ You had it last night?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly. I remember writing in it that you would be sailing to Algiers
+ on the <i>Général Bertrand</i> on Thursday of this week, and that on the
+ night I should be feeling widowed here. The previous night I wrote that
+ yesterday I should have to tell you of your mission. You know I always put
+ down beforehand what I shall do, what I shall even think on each
+ succeeding day. It is a practice that regulates the mind and conduct, that
+ helps to uniformity.&rdquo;
+ </p>
+ <p>
+ &ldquo;How true! Who can have taken it? Do you ever leave it about?&rdquo;
+ </p>
+ <p>
+ &ldquo;Never. Am I a madwoman?&rdquo;
+ </p>
+ <p>
+ &ldquo;My darling, compose yourself! We must search the house.&rdquo;
+ </p>
+ <p>
+ They proceeded to do so, and, on coming into the schoolroom, Mrs. Greyne,
+ who was in front, uttered a sudden cry.
+ </p>
+ <p>
+ Upon the table of Mademoiselle Verbena lay the diary, open at the
+ following entry:&mdash;
+ </p>
+ <p>
+ On Thursday next poor Eustace will be on board the <i>Général Bertrand</i>,
+ sailing for Algiers. I shall be here thinking of myself, and of him in
+ relation to myself. God help us both. Duty is sometimes stern. Mem. The
+ corner house in Park Lane, next the Duke of Ebury&rsquo;s, has sixty years still
+ to run; the lease, that is. Thursday&mdash;poor Eustace!
+ </p>
+ <p>
+ &ldquo;What does this portend?&rdquo; cried Mrs. Greyne.
+ </p>
+ <p>
+ &ldquo;My darling, it passes my wit to imagine,&rdquo; replied her husband.
+ </p>
+ <p>
+ <a name="link2H_4_0003" id="link2H_4_0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ III
+ </h2>
+ <p>
+ The parting of Mr. and Mrs. Greyne on the following morning was very
+ affecting. It took place at Victoria Station, in the midst of a small
+ crowd of admiring strangers, who had recognised the commanding presence of
+ the great novelist, and had gathered round to observe her manifestations.
+ </p>
+ <p>
+ Mrs. Greyne was considerably shaken by the event of the previous night.
+ Although, on the discovery of the diary, the house had been roused, and
+ all the servants closely questioned, no light had been thrown upon its
+ migration from the locked drawer to the schoolroom table. Adolphus and
+ Olivia, jerked from sleep by the hasty hands of a maid, could only weep
+ and wan. The powdered footmen, one and all, declared they had never heard
+ of a diary. The butler gave warning on the spot, keeping on his nightcap
+ to give greater effect to his pronunciamento. It was all most
+ unsatisfactory, and for one wild moment Mrs. Greyne seriously thought of
+ retaining her husband by her as a protection against the mysterious thief
+ who had been at work in their midst. Could it be Mademoiselle Verbena? The
+ dread surmise occurred, but Mr. Greyne rejected it.
+ </p>
+ <p>
+ &ldquo;Her father was a count,&rdquo; he said. &ldquo;Besides, my darling, I don&rsquo;t believe
+ she can read English; certainly not unless it is printed.&rdquo;
+ </p>
+ <p>
+ So there the matter rested, and the moment of parting came.
+ </p>
+ <p>
+ There was a murmur of respectful sympathy as Mrs. Greyne clasped her
+ husband tenderly in her arms, and pressed his head against her
+ prune-coloured bonnet strings. The whistle sounded. The train moved on.
+ Leaning from a reserved first-class compartment, Mr. Greyne waved a silk
+ pocket-handkerchief so long as his wife&rsquo;s Roman profile stood out clear
+ against the fog and smoke of London. But at last it faded, grew remote,
+ took on the appearance of a feebly-executed crayon drawing, vanished. He
+ sank back upon the cushions&mdash;alone. Darrell was travelling second
+ with the dressing-case.
+ </p>
+ <p>
+ It was a strange sensation, to be alone, and <i>en route</i> to Algiers.
+ Mr. Greyne scarcely knew what to make of it. A schoolboy suddenly
+ despatched to Timbuctoo could hardly have felt more terribly emancipated
+ than he did. He was so absolutely unaccustomed to freedom, he had been for
+ so long without the faintest desire for it, that to have it thrust upon
+ him so suddenly was almost alarming. He felt lonely, anxious, horribly
+ unmarried. To divert his thoughts he drew forth a Merrin&rsquo;s exercise-book
+ and a pencil, and wrote on the first page, in large letters, &ldquo;<i>African
+ Frailty, Notes for</i>&rdquo; Then he sat gazing at the title of his first
+ literary work, and wondering what on earth he was going to see in Algiers.
+ </p>
+ <p>
+ Vague visions of himself in the bars of African public-houses, in mosques,
+ in the two-pair-backs of dervishes, in bazaars&mdash;which he pictured to
+ himself like those opened by royalties at the Queen&rsquo;s Hall&mdash;in
+ Moorish interiors surrounded by voluptuous ladies with large oval eyes,
+ black tresses, and Turkish trousers of spangled muslin, flitted before his
+ mental gaze. When the train ran upon Dover Pier, and the white horses of
+ the turbulent Channel foamed at his feet, he started as one roused from a
+ Rip Van Winkle sleep. Severe illness occupied his whole attention for a
+ time, and then recovery.
+ </p>
+ <p>
+ In Paris he dined at the buffet like one in a dream, and, at the appointed
+ hour, came forth to take the <i>rapide</i> for Marseilles. He looked for
+ Darrell and the dressing-case. They were not to be seen. There stood the
+ train. Passengers were mounting into it. Old ladies with agitated faces
+ were buying pillows and nibbling biscuits. Elderly gentlemen with yellow
+ countenances and red ribands in their coats were purchasing the <i>Figaro</i>
+ and the <i>Gil Blas</i>. Children with bare legs were being hauled into
+ compartments. Rook&rsquo;s agent was explaining to a muddled tourist in a
+ tam-o&rsquo;-shanter the exact difference between the words &ldquo;Oui&rdquo; and &ldquo;Non&rdquo; The
+ bustle of departure was in the air, but Darrell was not to be seen. Mr.
+ Greyne had left him upon the platform with minute directions as to the
+ point from which the train would start and the hour of its going. Yet he
+ had vanished. The most frantic search, the most frenzied inquiries of
+ officials and total strangers, failed to elicit his whereabouts, and,
+ finally, Mr. Greyne was flung forcibly upward into the <i>wagonlit</i>,
+ and caught by the <i>contrôleur</i> when the train was actually moving out
+ of the station.
+ </p>
+ <p>
+ A moment later he fell exhausted upon the pink-plush seat of his
+ compartment, realising his terrible position. He was now utterly alone;
+ without servant, hair-brushes, toothbrushes, razors, sponges, pajamas,
+ shoes. It was a solitude that might be felt. He thought of the sea journey
+ with no kindly hand to minister to him, the arrival in Africa with no
+ humble companion at his side, to wonder with him at the black inhabitants
+ and help him through the customs&mdash;to say nothing of the manners. He
+ thought of the dread homes of iniquity into which he must penetrate by
+ night in search of the material for the voracious &ldquo;Catherine.&rdquo; He had
+ meant to take Darrell with him to them all&mdash;Darrell, whose joyful
+ delight in the prospect of exploring the Eastern fastnesses of crime had
+ been so boyish, so truly English in its frank, its even boisterous
+ sincerity.
+ </p>
+ <p>
+ And now he was utterly alone, almost like Robinson Crusoe.
+ </p>
+ <p>
+ The <i>contrôleur</i> came in to make the bed. Mr. Greyne told him the
+ dreadful story.
+ </p>
+ <p>
+ &ldquo;No doubt he has been lured away, monsieur. The dressing-case was of
+ value?&rdquo;
+ </p>
+ <p>
+ &ldquo;Crocodile, gold fittings.&rdquo;
+ </p>
+ <p>
+ &ldquo;Probably monsieur will never see him again. As likely as not he will
+ sleep in the Seine to-night, and at the morgue to-morrow.&rdquo;
+ </p>
+ <p>
+ Mr. Greyne shuddered. This was an ill omen for his expedition. He drank a
+ stiff whisky-and-soda instead of the usual barley water, and went to bed
+ to dream of bloody murders in which he was the victim.
+ </p>
+ <p>
+ When the train ran into Marseilles next morning he was an unshaven,
+ miserable man.
+ </p>
+ <p>
+ &ldquo;Have I time to buy a tooth-brush,&rdquo; he inquired anxiously at the station,
+ &ldquo;before the boat sails for Algiers?&rdquo;
+ </p>
+ <p>
+ The <i>chef de gare</i> thought so. Monsieur had four hours, if that was
+ sufficient. Mr. Greyne hastened forth, had a Turkish bath, purchased a new
+ dressing-case, ate a hasty <i>déjeuner</i>, and took a cab to the wharf.
+ It was a long drive over the stony streets. He glanced from side to side,
+ watching the bustling traffic, the hurry of the nations going to and from
+ the ships. His eyes rested upon two Arabs who were striding along in his
+ direction. Doubtless they were also bound for Algiers. He thought they
+ looked most wicked, and hastily took a note of them for &ldquo;African Frailty.&rdquo;
+ Beside his sense of loss and loneliness marched the sense of duty. The
+ great woman at home in Belgrave Square, founder of his fortunes, mother of
+ his children, she depended upon him. Even in his own hour of need he would
+ not fail her. He took a lead pencil, and wrote down:
+ </p>
+ <p>
+ Saw two Arab ruffians. Bare legs. Look capable of anything. Should not be
+ surprised to hear that they had&mdash;&mdash;
+ </p>
+ <p>
+ There he paused. That they had what? Done things. Of course, but what
+ things? That was the question. He exerted his imagination, but failed to
+ arrive at any conclusion as to their probable crimes. His knowledge of
+ wickedness was really absurdly limited. For the first time he felt
+ slightly ashamed of it, and began to wish he had gone into the militia. He
+ comforted himself with the thought that in a fortnight he would probably
+ be fit for the regular army. This thought cheered him slightly, and it was
+ with a slight smile upon his face that he welcomed the first glimpse of
+ the <i>Général Bertrand</i>, which was lying against the quay ready to
+ cast off at the stroke of noon. Most of the passengers were aboard, but,
+ as Mr. Greyne stepped out of his cab, and prepared to pay the Maltese
+ driver, a trim little lady, plainly dressed in black, and carrying a tiny
+ and rather coquettish hand-bag, was tripping lightly across the gangway.
+ Mr. Greyne glanced at her as he turned to follow, glanced, and then
+ started. That back was surely familiar to him. Where could he have seen it
+ before? He searched his memory as the little lady vanished. It was a
+ smart, even a <i>chic</i> back, a back that knew how to take care of
+ itself, a back that need not go through the world alone, a back, in fine,
+ that was most distinctly attractive, if not absolutely alluring. Where had
+ he seen it before, or had he ever seen it at all? He thought of his wife&rsquo;s
+ back, flat, powerful, uncompromising. This was very different, more&mdash;how
+ should he put it to himself?&mdash;more Algerian, perhaps. He could
+ vaguely conceive it a back such as one might meet with while engaged in
+ adding to one&rsquo;s stock of knowledge of&mdash;well&mdash;African frailty.
+ </p>
+ <p>
+ At this moment the steward appeared to show him to his cabin, and his
+ further reflections were mainly connected with the Gulf of Lyons.
+ </p>
+ <p>
+ Twilight was beginning to fall when, so far as he was capable of thinking,
+ he thought he would like a breath of air. For some moments he lay quite
+ still, dwelling on this idea which had so mysteriously come to him. Then
+ he got up, and thought again, seated upon the cabin floor. He knew there
+ was a deck. He remembered having seen one when he came aboard. He put on
+ his fur coat, still sitting on the cabin floor. The process took some time&mdash;he
+ fancied about a couple of years. At last, however, it was completed, and
+ he rose to his feet with the assistance of the washstand and the berth.
+ </p>
+ <p>
+ The ship seemed very busy, full of almost American activity. He thought a
+ greater calm would have been more decent, and waited in the hope that the
+ floor would presently cease to forget itself. As it showed no symptoms of
+ complying with his desire he endeavoured to spurn it, and, in the fulness
+ of time, gained the companion.
+ </p>
+ <p>
+ It was very strange, as he remembered afterwards, that only when he had
+ gained the companion did the sense of his utter loneliness rush upon him
+ with overwhelming force: one of the ironies of life, he supposed.
+ Eventually he shook the companion off with a good deal of difficulty, and
+ found himself installed upon planks under a grey sky, and holding fast to
+ a railing, which was all that interposed between him and eternity.
+ </p>
+ <p>
+ At first he was only conscious of greyness and the noise of winds and
+ waters, but presently a black daub seemed to hover for a second somewhere
+ on the verge of his world, to hover and disappear. He wondered what it
+ was. A smut, perhaps. He rubbed his face. The daub returned. It was very
+ large for a smut. He strove to locate it, and found that it must be
+ somewhere on his left cheek. With a great effort he took out his
+ pocket-handkerchief. Suddenly the daub assumed monstrous proportions. He
+ turned his head, and perceived the lady in black whom he had seen tripping
+ over the gangway on his arrival.
+ </p>
+ <p>
+ She was a few steps from him, leaning upon the rail in an attitude of the
+ deepest dejection, with her face averted; yet it struck him that her right
+ shoulder was oddly familiar, as her back had surely been. The turn of her
+ head, too&mdash;he coughed despairingly. The lady took no notice. He
+ coughed again. Interest was quickening in him. He was determined to see
+ the lady&rsquo;s face.
+ </p>
+ <p>
+ This time she looked around, showing a pale countenance bedewed with
+ tears, and totally devoid of any expression which he could connect with a
+ consciousness of his presence. For a moment she stared vacantly at him,
+ while he, with almost equal vacancy, regarded her. Then a thrill of
+ surprise shook him. A sudden light of knowledge leaped up in him, and he
+ exclaimed:
+ </p>
+ <p>
+ &ldquo;Mademoiselle Verbena!&rdquo; &ldquo;Monsieur?&rdquo; murmured the lady, with an accent of
+ surprise.
+ </p>
+ <p>
+ &ldquo;Mademoiselle Verbena! Surely it is&mdash;it must be!&rdquo;
+ </p>
+ <p>
+ He had staggered sideways, nearing her.
+ </p>
+ <p>
+ &ldquo;Mademoiselle Verbena, do you not know me? It is I, Eustace Greyne, the
+ father of your pupils, the husband of Mrs. Eustace Greyne?&rdquo;
+ </p>
+ <p>
+ An expression of stark amazement came into the lady&rsquo;s face at these words.
+ She leaned forward till her eyes were close to Mr. Greyne&rsquo;s then gave a
+ little cry.
+ </p>
+ <p>
+ &ldquo;<i>Mon Dieu!</i> It is true! You are so altered that I could not
+ recognise. And then&mdash;what are you doing here, on the wide sea, far
+ from madame?&rdquo;
+ </p>
+ <p>
+ &ldquo;I was just about to ask you the very same question!&rdquo; cried Mr. Greyne.
+ </p>
+ <p>
+ <a name="link2H_4_0004" id="link2H_4_0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ IV
+ </h2>
+ <p>
+ &ldquo;Alas, monsieur!&rdquo; said Mademoiselle Verbena in her silvery voice, &ldquo;I go to
+ see my poor mother.&rdquo;
+ </p>
+ <p>
+ &ldquo;But I understood that she was dying in Paris.&rdquo;
+ </p>
+ <p>
+ &ldquo;Even so. But, when I reached the Rue St. Honoré, I found that they had
+ removed to Algiers. It was the only chance, the doctor said&mdash;a warm
+ climate, the sun of Africa. There was no time to let me know. They took
+ her away at once. And now I follow&mdash;perhaps to find her dead.&rdquo;
+ </p>
+ <p>
+ Large tears rolled down her cheeks. Mr. Greyne was deeply affected.
+ </p>
+ <p>
+ &ldquo;Let us hope for the best,&rdquo; he exclaimed, seized by a happy inspiration.
+ </p>
+ <p>
+ The Levantine strove to smile.
+ </p>
+ <p>
+ &ldquo;But you, monsieur, why are you here? Ah! perhaps madame is with you! Let
+ me go to her! Let me kiss her dear hands once more&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ Mr. Greyne mournfully checked her fond excitement.
+ </p>
+ <p>
+ &ldquo;I am quite alone,&rdquo; he said.
+ </p>
+ <p>
+ A tragic expression came into the Levantine&rsquo;s face.
+ </p>
+ <p>
+ &ldquo;But, then&mdash;&mdash;&rdquo; she began.
+ </p>
+ <p>
+ It was impossible for him to tell her about &ldquo;Catherine.&rdquo; He was,
+ therefore, constrained to subterfuge.
+ </p>
+ <p>
+ &ldquo;I&mdash;I was suddenly overtaken by&mdash;by influenza,&rdquo; he said, in some
+ confusion. &ldquo;The doctor recommended change of air, of scene.&rdquo;
+ </p>
+ <p>
+ &ldquo;He suggested Algiers&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;<i>Mon Dieu!</i> It is like poor mamma!&rdquo;
+ </p>
+ <p>
+ &ldquo;Precisely. Our constitutions are&mdash;are doubtless similar. I shall
+ take this opportunity also of improving my knowledge of African manners
+ and&mdash;and customs.&rdquo;
+ </p>
+ <p>
+ A strange smile seemed to dawn for a second on Mademoiselle Verbena&rsquo;s
+ face, but it died instantaneously in a grimace of pain.
+ </p>
+ <p>
+ &ldquo;My teeth make me bad,&rdquo; she said. &ldquo;Ah, monsieur, I must go below, to pray
+ for poor mamma&mdash;&rdquo; she paused, then softly added, &ldquo;and for monsieur.&rdquo;
+ </p>
+ <p>
+ She made a movement as if to depart, but Mr. Greyne begged her to remain.
+ In his loneliness the sight even of a Levantine whom he knew solaced his
+ yearning heart. He felt quite friendly towards this poor, unhappy girl,
+ for whom, perhaps, such a shock was preparing upon the distant shore.
+ </p>
+ <p>
+ &ldquo;Better stay!&rdquo; he said. &ldquo;The air will do you good.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, if I die, what matter? Unless mamma lives there is no one in the
+ world who cares for me, for whom I care.&rdquo;
+ </p>
+ <p>
+ &ldquo;There&mdash;there is Mrs. Greyne,&rdquo; said her husband. &ldquo;And then St. Paul&rsquo;s&mdash;remember
+ St. Paul&rsquo;s.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah <i>ce charmant</i> St. Paul&rsquo;s! Shall I ever see him more?&rdquo;
+ </p>
+ <p>
+ She looked at Mr. Greyne, and suddenly&mdash;he knew not why&mdash;Mr.
+ Greyne remembered the incident of the diary, and blushed.
+ </p>
+ <p>
+ &ldquo;Monsieur has fever!&rdquo;
+ </p>
+ <p>
+ Mr. Greyne shook his head. The Levantine eyed him curiously.
+ </p>
+ <p>
+ &ldquo;Monsieur wishes to say something to me, and does not like to speak.&rdquo;
+ </p>
+ <p>
+ Mr. Greyne made an effort. Now that he was with this gentle lady, with her
+ white face, her weeping eyes, her plain black dress, the mere suspicion
+ that she could have opened a locked drawer with a secret key, and filched
+ therefrom a private record, seemed to him unpardonable. Yet, for a brief
+ instant, it had occurred to him, and Mrs. Greyne had seriously held it. He
+ looked at Mademoiselle Verbena, and a sudden impulse to tell her the truth
+ overcame him.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;Tell me, monsieur.&rdquo;
+ </p>
+ <p>
+ In broken words&mdash;the ship was still very busy&mdash;Mr. Greyne
+ related the incident of the loss and finding of the diary. As he spoke a
+ slight change stole over the Levantine&rsquo;s face. It certainly became less
+ pale.
+ </p>
+ <p>
+ &ldquo;But you have fever now!&rdquo; cried Mr. Greyne anxiously.
+ </p>
+ <p>
+ &ldquo;I! No; I flush with horror, not with fever! The diary, the sacred diary
+ of madame, exposed to view, read by the children, perhaps the servants!
+ That footman, Thomas, with the nose of curiosity! Ah! I behold that nose
+ penetrating into the holy secrets of the existence of madame! I behold it&mdash;ah!&rdquo;
+ </p>
+ <p>
+ She burst into a fit of hysterics, the laughing species, which is so much
+ more terrible than the other sort. Mr. Greyne was greatly concerned. He
+ lurched to her, and implored her to be calm; but she only laughed the
+ more, while tears streamed down her cheeks. The vision of Thomas gloating
+ over Mrs. Greyne&rsquo;s diary seemed utterly to unnerve her, and Mr. Greyne was
+ able to measure, by this ebullition of horror, the depth of the respect
+ and affection entertained by her for his beloved wife. When, at length,
+ she grew calmer he escorted her towards her cabin, offering her his arm,
+ on which she leaned heavily. As soon as they were in the narrow and
+ heaving passage she turned to him, and said:
+ </p>
+ <p>
+ &ldquo;Who can have taken the diary?&rdquo;
+ </p>
+ <p>
+ Mr. Greyne blushed again.
+ </p>
+ <p>
+ &ldquo;We think it was Thomas,&rdquo; he said.
+ </p>
+ <p>
+ Mademoiselle Verbena looked at him steadily for a moment, then she cried:
+ </p>
+ <p>
+ &ldquo;God bless you, monsieur!&rdquo;
+ </p>
+ <p>
+ Mr. Greyne was startled by the abruptness of this pious ejaculation.
+ </p>
+ <p>
+ &ldquo;Why?&rdquo; he inquired.
+ </p>
+ <p>
+ &ldquo;You are a good man. You, at least, would not condescend to insult a
+ friendless woman by unworthy suspicions. And madame?&rdquo;
+ </p>
+ <p>
+ &ldquo;Mrs. Greyne&rdquo;&mdash;stammered Mr. Greyne&mdash;&ldquo;is convinced that it was
+ Thomas. In fact&mdash;in fact, she was the first to say so.&rdquo;
+ </p>
+ <p>
+ Mademoiselle Verbena tenderly pressed his hand.
+ </p>
+ <p>
+ &ldquo;Madame is an angel. God bless you both!&rdquo;
+ </p>
+ <p>
+ She tottered into her cabin, and, as she shut the door, Mr. Greyne heard
+ the terrible, laughing hysterics beginning again.
+ </p>
+ <p>
+ The next day an influence from Africa seemed spread upon the sea. Calm
+ were the waters, calm and blue. No cloud appeared in the sky. The fierce
+ activities of the ship had ceased, and Mademoiselle Verbena tripped upon
+ the deck at an early hour, to find Mr. Greyne already installed there, and
+ looking positively cheerful. He started up as he perceived her, and
+ chivalrously escorted her to a chair.
+ </p>
+ <p>
+ Everyone who has made a voyage knows that the sea breeds intimacies. By
+ the time the white houses of Algiers rose on their hill out of the bosom
+ of the waves Mademoiselle Verbena and Mr. Greyne were&mdash;shall we say
+ like sister and brother? She had told him all about her childhood in dear
+ Paris, the death of her father the count, murmuring the name of Louis
+ XVI., the poverty of her mother the countess, her own resolve to put aside
+ all aristocratic prejudices and earn her own living. He, in return, had
+ related his Eton days, his momentary bias towards the militia, his
+ marriage&mdash;as an innocent youth&mdash;with Miss Eugenia
+ Hannibal-Barker. Coming to later times, he was led to confide to the
+ tenderhearted Levantine the fact that he hoped to increase his stock of
+ knowledge while in Africa. Without alluding to &ldquo;Catherine,&rdquo; he hinted that
+ the cure of influenza was not his only reason for foreign travel.
+ </p>
+ <p>
+ &ldquo;I wish to learn something of men and&mdash;and women,&rdquo; he murmured in the
+ shell-like ear presented to him. &ldquo;Of their passions, their desires, their&mdash;their
+ follies.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; cried Mademoiselle Verbena. &ldquo;Would that I could assist monsieur! But
+ I am only an ignorant little creature, and know nothing of the world! And
+ I shall be ever at the bedside of mamma.&rdquo;
+ </p>
+ <p>
+ &ldquo;You will give me your address? You will let me inquire for the countess?&rdquo;
+ </p>
+ <p>
+ &ldquo;Willingly; but I do not know where I shall be. There will be a message at
+ the wharf. To what hotel goes monsieur?&rdquo;
+ </p>
+ <p>
+ &ldquo;The Grand Hotel.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will write there when I have seen mamma. And meanwhile&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ They were coming into harbour. The heights of Mustapha were visible, the
+ woods of the Bois de Boulogne, the towers of the Hotel Splendid.
+ </p>
+ <p>
+ &ldquo;Meanwhile, may I beg monsieur not to&mdash;&mdash;&rdquo; She hesitated.
+ </p>
+ <p>
+ &ldquo;Not to what?&rdquo; asked Mr. Greyne most softly.
+ </p>
+ <p>
+ &ldquo;Not to let anyone in England know that I am here?&rdquo;
+ </p>
+ <p>
+ She paused. Mr. Greyne was silent, wondering. Mademoiselle Verbena drooped
+ her head.
+ </p>
+ <p>
+ &ldquo;The world is so censorious. It might seem strange that I&mdash;that
+ monsieur&mdash;a man young, handsome, fascinating&mdash;the same ship&mdash;I
+ have no chaperon&mdash;enfin&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ She could get out no more. Her delicacy, her forethought touched Mr.
+ Greyne to tears.
+ </p>
+ <p>
+ &ldquo;Not a word,&rdquo; he said. &ldquo;You are right. The world is evil, and, as you say,
+ I am a&mdash;not a word!&rdquo;
+ </p>
+ <p>
+ He ventured to press her hand, as an elder brother might have pressed it.
+ For the first time he realised that even to the husband of Mrs. Eustace
+ Greyne the world might attribute&mdash;Goodness gracious! What might not
+ the militia think, for instance?
+ </p>
+ <p>
+ He felt himself, for one moment, potentially a dog.
+ </p>
+ <p>
+ They parted in a whirl of Arabs on the quay. Mr. Greyne would have stayed
+ to assist Mademoiselle Verbena, but she bade him go.
+ </p>
+ <p>
+ She whispered that she thought it &ldquo;better&rdquo; that they should not seem to&mdash;<i>enfin!</i>
+ </p>
+ <p>
+ &ldquo;I will write to-morrow,&rdquo; she murmured. &ldquo;<i>Au revoir!</i>&rdquo;
+ </p>
+ <p>
+ On the last word she was gone. Mr. Greyne saw nothing but Arabs and hotel
+ porters. Loneliness seemed to close in on him once more.
+ </p>
+ <p>
+ That very evening, after a cup of tea, he presented himself at the office
+ of Rook near the Place du Gouvernement. As he came in he felt a little
+ nervous. There were no tourists in the office, and a courteous clerk with
+ a bright and searching eye at once took him in hand.
+ </p>
+ <p>
+ &ldquo;What can we do for you, sir?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am a stranger here,&rdquo; began Mr. Greyne.
+ </p>
+ <p>
+ &ldquo;Quite so, sir, quite so.&rdquo;
+ </p>
+ <p>
+ The clerk twiddled his business-like thumbs, and looked inquiring.
+ </p>
+ <p>
+ &ldquo;And being so,&rdquo; Mr. Greyne went on, &ldquo;it is naturally my wish to see as
+ much of the town as possible; as much as possible, you understand.&rdquo;
+ </p>
+ <p>
+ &ldquo;You want a guide? Alphonso!&rdquo;
+ </p>
+ <p>
+ Turning, he shouted to an inner room, from which in a moment emerged a
+ short, stout, swarthy personage with a Jewish nose, a French head, an Arab
+ eye with a squint in it, and a markedly Maltese expression.
+ </p>
+ <p>
+ &ldquo;This is an excellent guide, sir,&rdquo; said the clerk. &ldquo;He speaks twenty-five
+ languages.&rdquo;
+ </p>
+ <p>
+ The stout man, who&mdash;as Mr Greyne now perceived&mdash;had on a Swiss
+ suit of clothes, a panama hat, and a pair of German elastic-sided boots,
+ confessed in pigeon English, interspersed occasionally with a word or two
+ of something which Mr. Greyne took to be Chinese, that such was
+ undoubtedly the case.
+ </p>
+ <p>
+ &ldquo;What do you wish to see? The mosque, the bazaars, St. Eugène, La Trappe,
+ Mustapha, the baths of the Etat-Major, the Jardin d&rsquo;Essai, the
+ Villa-Anti-Juif, the&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;One moment!&rdquo; said Mr. Greyne.
+ </p>
+ <p>
+ He turned to the clerk.
+ </p>
+ <p>
+ &ldquo;May I take a chair?&rdquo;
+ </p>
+ <p>
+ &ldquo;Be seated, sir, pray be seated, and confer with Alphonso.&rdquo;
+ </p>
+ <p>
+ So saying, he gave himself to an enormous ledger, while Mr. Greyne took a
+ chair opposite to Alphonso, who stood in a Moorish attitude looking
+ apparently in the direction of Marseilles.
+ </p>
+ <p>
+ &ldquo;I have come here,&rdquo; said Mr. Greyne, lowering his voice, &ldquo;with a
+ purpose.&rdquo;.
+ </p>
+ <p>
+ &ldquo;You wish to see the Belle Fatma. I will arrange it. She receives every
+ evening in her house in the Rue &mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;One minute! One minute! You said the something &lsquo;Fatma&rsquo;?&rdquo;
+ </p>
+ <p>
+ &ldquo;The Belle Fatma, the most beautiful woman of Africa. She receives every&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Pardon me! One moment! Is this lady&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ Mr. Greyne paused.
+ </p>
+ <p>
+ &ldquo;Sir?&rdquo; said Alphonso, settling his Spanish neck-tie, and gazing steadily
+ towards Marseilles.
+ </p>
+ <p>
+ &ldquo;Is this lady&mdash;well, sinful?&rdquo;
+ </p>
+ <p>
+ Alphonso threw up his hands with a wild Asiatic gesture.
+ </p>
+ <p>
+ &ldquo;Sinful! La Belle Fatma! She is a lady of the utmost respectability known
+ to all the town. You go to her house at eight, you take coffee upon the
+ red sofas, you talk with La Belle, you see the dances and hear the music.
+ Do not fear, sir; it is good, it is respectable as England, your country&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;If it is respectable I don&rsquo;t want to see it,&rdquo; interposed Mr. Greyne. &ldquo;It
+ would be a waste of time.&rdquo;
+ </p>
+ <p>
+ The clerk lifted his head from the ledger, and Alphonso, by means of
+ standing with his back almost square to Mr. Greyne, and looking over his
+ right shoulder, succeeded at length in fixing his eye upon him.
+ </p>
+ <p>
+ &ldquo;I have not travelled here to see respectable things,&rdquo; continued Mr.
+ Greyne, with a slight blush. &ldquo;Quite the contrary.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sir?&rdquo;
+ </p>
+ <p>
+ The voice of Alphonso seemed to have changed, to have taken on a hard,
+ almost a menacing tone. Mr. Greyne thought of his beloved wife, of
+ Merrin&rsquo;s exercise-books, and clenched his hands, endeavouring to feel, and
+ to go on, like a militiaman.
+ </p>
+ <p>
+ &ldquo;Quite the contrary,&rdquo; he repeated firmly; &ldquo;my object in coming to Africa
+ is to&mdash;to search about in the Kasbah, and the disrep&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ He choked, recovered himself, and continued: &ldquo;Disreputable quarters of
+ Algiers&mdash;hem&mdash;&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;What for, sir?&rdquo;
+ </p>
+ <p>
+ The voice of Alphonso was certainly changed.
+ </p>
+ <p>
+ &ldquo;What for?&rdquo; said Mr. Greyne, growing purple. &ldquo;For frailty.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sir?&rdquo;
+ </p>
+ <p>
+ &ldquo;For frailty&mdash;for wickedness.&rdquo;
+ </p>
+ <p>
+ A slight cackle emanated from the ledger, but immediately died away. A
+ dead silence reigned in the office, broken only by the distant sound of
+ the sea, and by the hard breathing of Alphonso, who had suddenly begun to
+ pant.
+ </p>
+ <p>
+ &ldquo;I wish to go to all the wicked places&mdash;<i>all!</i>&rdquo;
+ </p>
+ <p>
+ The ledger cackled again more audibly. Mr. Greyne felt a prickling
+ sensation run over him, but the thought of &ldquo;Catherine&rdquo; nerved him to his
+ awful task.
+ </p>
+ <p>
+ &ldquo;It is my wife&rsquo;s express desire that I should do so,&rdquo; he added
+ desperately, quite forgetting Mrs. Greyne&rsquo;s injunction to keep her dark in
+ his desire to stand well with Rook&rsquo;s.
+ </p>
+ <p>
+ The ledger went off into a hyena imitation, and Alphonso, turning still
+ more away from Mr. Greyne, so as to get the eye fuller upon him,
+ exclaimed, in a mixture of Aryan and Eurasian languages:
+ </p>
+ <p>
+ &ldquo;Sir, I am a respectable, unmarried man. I was born in Buenos Ayres,
+ educated in Smyrna, came of age in Constantinople, and have practised as
+ guide in Bagdad and other particular cities. I refuse to have anything to
+ do with you and your wife.&rdquo;
+ </p>
+ <p>
+ So saying, he bounced into the inner room, and banged the door, while the
+ ledger gave itself up to peals of merriment, and Mr. Greyne tottered forth
+ upon the sea-front, bathed in a cold perspiration, and feeling more guilty
+ than a murderer.
+ </p>
+ <p>
+ It was a staggering blow. He leaned over the stone parapet of the low
+ wall, and let the soft breezes from the bay flit through his hair, and
+ thought of Mrs. Greyne spurned by Alphonso. What was he to do? Kicked out
+ of Rook&rsquo;s, to whom could he apply? There must be wickedness in Algiers,
+ but where? He saw none, though night was falling and stout Frenchmen were
+ already intent upon their absinthe.
+ </p>
+ <p>
+ &ldquo;Does monsieur wish to see the Kasbah to-night?&rdquo;
+ </p>
+ <p>
+ Was it a voice from heaven? He turned, and saw standing beside him a tall,
+ thin, audacious-looking young man, with coal-black moustaches, magnificent
+ eyes, and an air that was half-languid, half-serpentine.
+ </p>
+ <p>
+ &ldquo;Who are you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am a guide, monsieur. Here are my certificates.&rdquo;
+ </p>
+ <p>
+ He produced from the inner pocket of his coat a large bundle of dirty
+ papers.
+ </p>
+ <p>
+ &ldquo;If monsieur will deign to look them over.&rdquo;
+ </p>
+ <p>
+ But Mr. Greyne waved them away. What did he care for Certificates? Here
+ was a guide to African frailty. That was sufficient. He was in a desperate
+ mood, and uttered desperate words.
+ </p>
+ <p>
+ &ldquo;Look here,&rdquo; he said rapidly, &ldquo;are you wicked?&rdquo;
+ </p>
+ <p>
+ &ldquo;Very wicked, monsieur.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good!&rdquo;
+ </p>
+ <p>
+ &ldquo;Wicked, monsieur.&rdquo;
+ </p>
+ <p>
+ &ldquo;Right!&rdquo;
+ </p>
+ <p>
+ &ldquo;Wrong, monsieur.&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean that it is good for me that you are wicked.&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur is very good.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes; but I wish to be&mdash;that is, to see the other thing. Can you
+ undertake to show me everything shocking in Algiers?&rdquo;
+ </p>
+ <p>
+ &ldquo;But certainly, monsieur. For a consideration.&rdquo;
+ </p>
+ <p>
+ &ldquo;Name your price.&rdquo;
+ </p>
+ <p>
+ &ldquo;Two hundred pounds, monsieur.&rdquo;
+ </p>
+ <p>
+ Mr. Greyne started. It seemed a high figure.
+ </p>
+ <p>
+ &ldquo;Monsieur thought it would be more? I make a special price, because I have
+ taken a fancy to monsieur. I remove fifty pounds. Monsieur, of course,
+ will pay all expenses.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course, of course.&rdquo;
+ </p>
+ <p>
+ It was no time to draw back.
+ </p>
+ <p>
+ &ldquo;How long will it take?&rdquo;
+ </p>
+ <p>
+ &ldquo;To see all the shocking&mdash;?&rdquo;
+ </p>
+ <p>
+ &ldquo;Precisely.&rdquo;
+ </p>
+ <p>
+ &ldquo;There is a good deal. A fortnight, three weeks. It depends on monsieur.
+ If he is strong, and can do without sleep&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;We shall have to be up at night?&rdquo;
+ </p>
+ <p>
+ &ldquo;Naturally.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall go to bed during the day, and get through it in a fortnight.&rdquo;
+ </p>
+ <p>
+ &ldquo;Perfectly.&rdquo;
+ </p>
+ <p>
+ &ldquo;Be at the Grand Hotel to-night at ten o&rsquo;clock precisely.&rdquo;
+ </p>
+ <p>
+ &ldquo;At ten o&rsquo;clock I will be there. Monsieur will pay a little in advance?&rdquo;
+ </p>
+ <p>
+ &ldquo;Here are twenty pounds,&rdquo; cried Mr. Greyne recklessly.
+ </p>
+ <p>
+ The audacious-looking young man took the notes with decision, made a
+ graceful salute, and disappeared in the direction of the quay, while Mr.
+ Greyne walked to his hotel, flushed with excitement, and feeling like the
+ most desperate criminal in Africa. If the militia could see him now!
+ </p>
+ <p>
+ At dinner he drank a bottle of champagne, and afterwards smoked a strong
+ cigar over his coffee and liqueur. As he was finishing these frantic
+ enjoyments the head waiter&mdash;a personage bearing a strong resemblance
+ to an enlarged edition of Napoleon the First&mdash;approached him rather
+ furtively, and, bending down, whispered in his ear:
+ </p>
+ <p>
+ &ldquo;A gentleman has called to take monsieur to the Kasbah.&rdquo;
+ </p>
+ <p>
+ Mr. Greyne started, and flushed a guilty red.
+ </p>
+ <p>
+ &ldquo;I will come in a moment,&rdquo; he answered, trying to assume a nonchalant
+ voice, such as that in which a hardened major of dragoons announces that
+ in his time he was a devil of a fellow.
+ </p>
+ <p>
+ The head waiter retired, looking painfully intelligent, and Mr. Greyne
+ sprang upstairs, seized a Merrin&rsquo;s exercise-book and a lead pencil, put on
+ a dark overcoat, popped one of the Springfield revolvers into the pocket
+ of it, and hastened down into the hall of the hotel, where the
+ audacious-looking young man was standing, surrounded by saucy chasseurs in
+ gay liveries and peaked caps, by Algerian waiters, and by German-Swiss
+ porters, all of whom were smiling and looking choke-full of sympathetic
+ comprehension.
+ </p>
+ <p>
+ &ldquo;Ha!&rdquo; said Mr. Greyne, still in the major&rsquo;s, voice. &ldquo;There you are!&rdquo;
+ </p>
+ <p>
+ &ldquo;Behold me, monsieur.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s good.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wicked, monsieur.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, let&rsquo;s be off to the mosque.&rdquo;
+ </p>
+ <p>
+ One of the chasseurs&mdash;a child of eight who was thankful that he knew
+ no better&mdash;burst into a piping laugh. The waiters turned hastily
+ away, and the German-Swiss porters retreated to the bureau with some
+ activity.
+ </p>
+ <p>
+ &ldquo;To the mosque&mdash;precisely, monsieur,&rdquo; returned the guide, with
+ complete self-possession.
+ </p>
+ <p>
+ They stepped out at once upon the pavement, where a carriage was in
+ waiting.
+ </p>
+ <p>
+ &ldquo;Where are we going?&rdquo; inquired Mr. Greyne in an anxious voice.
+ </p>
+ <p>
+ &ldquo;We are going to the heights to see the Ouled,&rdquo; replied the guide. &ldquo;<i>En
+ avant!</i>&rdquo;
+ </p>
+ <p>
+ He bounded in beside Mr. Greyne, the coachman cracked his whip, the horses
+ trotted. They were off upon their terrible pilgrimage.
+ </p>
+ <p>
+ <a name="link2H_4_0005" id="link2H_4_0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ V
+ </h2>
+ <p>
+ On the following afternoon, at a quarter to three, when Mr. Greyne came
+ down to breakfast, he found, lying beside the boiled eggs, a note directed
+ to him in a feminine handwriting. He tote it open with trembling fingers,
+ and read as follows:&mdash;
+ </p>
+<pre xml:space="preserve">
+ 1 Rue du Petit Neore.
+
+ Dear Monsieur,&mdash;I am here. Poor mamma is in the hospital. I
+ am allowed to see her twice a day. At all other times I
+ remain alone, praying and weeping. I trust that monsieur has
+ passed a good night. For me, I was sleepless, thinking of
+ mamma. I go now to church.
+
+ Adele Verbena.
+</pre>
+ <p>
+ He laid this missive down, and sighed deeply. How strangely innocent it
+ was, how simple, how sincere! There were white souls in Algiers&mdash;yes,
+ even in Algiers. Strange that he should know one! Strange that he, who had
+ filled a Merrin&rsquo;s exercise-book with tiny writing, and had even overflowed
+ on to the cover after &ldquo;crossing&rdquo; many pages, should receive the child-like
+ confidences of one! &ldquo;I go now to the church.&rdquo; Tears came into his eyes as
+ he laid the letter down beside a pile of buttered toast over which the
+ burning afternoon sun of Africa was shining.
+ </p>
+ <p>
+ &ldquo;Monsieur will take milk and sugar?&rdquo;
+ </p>
+ <p>
+ It was the head waiter&rsquo;s Napoleonic voice. Mr. Greyne controlled himself.
+ The man was smiling intelligently. All the staff of the hotel smiled
+ intelligently at Mr. Greyne to-day&mdash;the waiters, the porters, the
+ chasseurs. The child of eight who was thankful that he knew no better had
+ greeted him with a merry laugh as he came down to breakfast, and an &ldquo;<i>Oh,
+ là, là!</i>&rdquo; which had elicited a rebuke from the proprietor. Indeed, a
+ wave of human sympathy flowed upon Mr. Greyne, whose ashy face and dull,
+ washed-out eyes betrayed the severity of his night-watch.
+ </p>
+ <p>
+ &ldquo;Monsieur will feel better after a little food.&rdquo;
+ </p>
+ <p>
+ The head waiter handed the buttered toast with bland majesty, at the same
+ time shooting a reproving glance at the little chasseur, who was peeping
+ from behind the door at the afternoon breakfaster.
+ </p>
+ <p>
+ &ldquo;I feel perfectly well,&rdquo; replied Mr. Greyne, with an attempt at
+ cheerfulness.
+ </p>
+ <p>
+ &ldquo;Still, monsieur will feel much better after a little food.&rdquo;
+ </p>
+ <p>
+ Mr. Greyne began to toy with an egg.
+ </p>
+ <p>
+ &ldquo;You know Algiers?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;I was born here, monsieur. If monsieur wishes to explore to-night again
+ the Kasbah I can&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ But Mr. Greyne stopped him with a gesture that was almost fierce.
+ </p>
+ <p>
+ &ldquo;Where is the Rue du Petit Nègre?&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur wishes to go there to-night?&rdquo;
+ </p>
+ <p>
+ &ldquo;I wish to go there now, directly I have finished break&mdash;lunch.&rdquo;
+ </p>
+ <p>
+ The head waiter&rsquo;s face was wreathed with humorous surprise.
+ </p>
+ <p>
+ &ldquo;But monsieur is wonderful&mdash;superb! Never have I seen a traveller
+ like monsieur!&rdquo;
+ </p>
+ <p>
+ He gazed at Mr. Greyne with tropical appreciation.
+ </p>
+ <p>
+ &ldquo;Monsieur had better have a carriage. The street is difficult to find.&rdquo;
+ </p>
+ <p>
+ &ldquo;Order me one. I shall start at once.&rdquo;
+ </p>
+ <p>
+ Mr. Greyne pushed away the sunlit buttered toast, and got up.
+ </p>
+ <p>
+ &ldquo;Monsieur is superb. Never have I seen a traveller like monsieur!&rdquo;
+ Napoleon&rsquo;s voice was almost reverent. He hastened out, followed slowly by
+ Mr. Greyne.
+ </p>
+ <p>
+ &ldquo;A carriage for monsieur! Monsieur desires to go to the Rue du Petit
+ Nègre!&rdquo;
+ </p>
+ <p>
+ The staff of the hotel gathered about the door as if to speed a royal
+ personage, and Mr. Greyne noticed that their faces too were touched with
+ an almost startled reverence. He stepped into the carriage, signed feebly,
+ but with determination, to the Arab coachman, and was driven away,
+ followed by a parting &ldquo;<i>Oh, là là!</i>&rdquo; from the chasseur, uttered in a
+ voice that sounded shrill with sheer amazement.
+ </p>
+ <p>
+ Through winding, crowded streets he went, by bazaars and Moorish
+ bath-houses, mosques and Catholic churches, barracks and cafés, till at
+ length the carriage turned into an alley that crept up a steep hill. It
+ moved on a little way, and then stopped.
+ </p>
+ <p>
+ &ldquo;Monsieur must descend here,&rdquo; said the coachman. &ldquo;Mount the steps, go to
+ the right and then to the left. Near the summit of the hill he will find
+ the Rue du Petit Nègre. Shall I wait for monsieur?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ The coachman began to make a cigarette, while Mr. Greyne set forth to
+ follow his directions, and, at length, stood before an arch, which opened
+ into a courtyard adorned with orange-trees in tubs, and paved with blue
+ and white tiles. Around this courtyard was a three-storey house with a
+ flat roof, and from a bureau near a little fountain a stout Frenchwoman
+ called to demand his business. He asked for Mademoiselle Verbena, and was
+ at once shown into a saloon lined with chairs covered with yellow rep, and
+ begged to take a seat. In two minutes Mademoiselle Verbena appeared,
+ drying her eyes with a tiny pocket-handkerchief, and forcing a little
+ pathetic smile of welcome. Mr. Greyne clasped her hand in silence. She sat
+ down in a rep chair at his right, and they looked at each other.
+ </p>
+ <p>
+ &ldquo;<i>Mais, mon Dieu!</i> How monsieur is changed!&rdquo; cried the Levantine. &ldquo;If
+ madame could see him! What has happened to monsieur?&rdquo;
+ </p>
+ <p>
+ &ldquo;Miss Verbena,&rdquo; replied Mr. Greyne, &ldquo;I have seen the Ouled on the
+ heights.&rdquo;
+ </p>
+ <p>
+ A spasm crossed the Levantine&rsquo;s face. She put her handkerchief to it for a
+ moment. &ldquo;What is an Ouled?&rdquo; she inquired, withdrawing it.
+ </p>
+ <p>
+ &ldquo;I dare not tell you,&rdquo; he replied solemnly.
+ </p>
+ <p>
+ &ldquo;But indeed I wish to know, so that I may sympathise with monsieur.&rdquo;
+ </p>
+ <p>
+ Mr. Greyne hesitated, but his heart was full; he felt the need of
+ sympathy. He looked at Mademoiselle Verbena, and a great longing to
+ unburden himself overcame him.
+ </p>
+ <p>
+ &ldquo;An Ouled,&rdquo; he replied, &ldquo;is a dancing-girl from the desert of Sahara.&rdquo;
+ </p>
+ <p>
+ &ldquo;<i>Mon Dieu!</i> How does she dance? Is it a valse, a polka, a
+ quadrille?&rdquo; &ldquo;No. Would that it were!&rdquo; And Mr. Greyne, unable further to
+ govern his desire for full expression, gave Mademoiselle Verbena a
+ slightly Bowdlerised description of the dances of the desert. She heard
+ him with amazement.
+ </p>
+ <p>
+ &ldquo;How terrible!&rdquo; she exclaimed when he had finished. &ldquo;And does one pay much
+ to see such steps of the Evil One?&rdquo;
+ </p>
+ <p>
+ &ldquo;I gave her twenty pounds. Abdallah Jack&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Abdallah Jack?&rdquo;
+ </p>
+ <p>
+ &ldquo;My guide informed me that was the price. He tells me it is against the
+ law, and that each time an Ouled dances she risks being thrown into
+ prison.&rdquo;
+ </p>
+ <p>
+ &ldquo;Poor lady! How sad to have to earn one&rsquo;s bread by such devices, instead
+ of by teaching to the sweet little ones of monsieur the sympathetic
+ grammar of one&rsquo;s native country.&rdquo;
+ </p>
+ <p>
+ Mr. Greyne was touched to the quick by this allusion, which brought, as in
+ a vision, the happy home in Belgrave Square before him.
+ </p>
+ <p>
+ &ldquo;You are an angel!&rdquo; he exclaimed.
+ </p>
+ <p>
+ Mademoiselle Verbena shook her head.
+ </p>
+ <p>
+ &ldquo;And this poor Ouled, you will go to her again?
+ </p>
+ <p>
+ &ldquo;Yes. It seems that she is in communication with all the&mdash;the&mdash;well,
+ all the odd people of Algiers, and that one can only get at them through
+ her.&rdquo;
+ </p>
+ <p>
+ &ldquo;Indeed?&rdquo;
+ </p>
+ <p>
+ &ldquo;Abdallah Jack tells me that while I am here I should pay her a weekly
+ salary, and that, in return, I shall see all the terrible ceremonies of
+ the Arabs. I have decided to do so&mdash;&mdash;&mdash;
+ </p>
+ <p>
+ &ldquo;Ah, you have decided!&rdquo;
+ </p>
+ <p>
+ For a moment Mr. Greyne started. There seemed a new sound in Mademoiselle
+ Verbena&rsquo;s voice, a gleam in her dark brown eyes.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; he said, looking at her in wonder. &ldquo;But I have not yet told
+ Abdallah Jack.&rdquo;
+ </p>
+ <p>
+ The Levantine looked gently sad again.
+ </p>
+ <p>
+ &ldquo;Ah,&rdquo; she said in her usual pathetic voice, &ldquo;how my heart bleeds for this
+ poor Ouled. By the way, what is her name?&rdquo;
+ </p>
+ <p>
+ &ldquo;Aishoush.&rdquo;
+ </p>
+ <p>
+ &ldquo;She is beautiful?&rdquo;
+ </p>
+ <p>
+ &ldquo;I hardly know. She was so painted, so tattooed, so very&mdash;so very
+ different from Mrs. Eustace Greyne.&rdquo;
+ </p>
+ <p>
+ &ldquo;How sad! How terrible! Ah, but you must long for the dear bonnet strings
+ of madame?&rdquo;
+ </p>
+ <p>
+ Did he? As she spoke Mr. Greyne asked himself the question. Shocked as he
+ was, fatigued by his researches, did he wish that he were back again in
+ Belgrave Square, drinking barley water, pasting notices of his wife&rsquo;s
+ achievements into the new album, listening while she read aloud from the
+ manuscript of her latest novel? He wondered, and&mdash;how strange, how
+ almost terrible&mdash;he was not sure.
+ </p>
+ <p>
+ &ldquo;Is it not so?&rdquo; murmured Mademoiselle Verbena.
+ </p>
+ <p>
+ &ldquo;Naturally I miss my beloved wife,&rdquo; said Mr. Greyne with a certain
+ awkwardness. &ldquo;How is your poor, dear mother?&rdquo;
+ </p>
+ <p>
+ Tears came at once into the Levantine&rsquo;s eyes.
+ </p>
+ <p>
+ &ldquo;Very, very ill, monsieur. Still there is a chance&mdash;just a chance
+ that she may not die. Ah, when I sit here all alone in this strange place,
+ I feel that she will perish, that soon I shall be quite deserted in this
+ cruel, cruel world!&rdquo;
+ </p>
+ <p>
+ The tears began to flow down her cheeks with determination. Mr. Greyne was
+ terribly upset.
+ </p>
+ <p>
+ &ldquo;You must cheer up,&rdquo; he exclaimed. &ldquo;You must hope for the best.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sitting here alone, how can I?&rdquo;
+ </p>
+ <p>
+ She sobbed.
+ </p>
+ <p>
+ &ldquo;Sitting here alone&mdash;very true!&rdquo;
+ </p>
+ <p>
+ A sudden thought, a number of sudden thoughts, struck him.
+ </p>
+ <p>
+ &ldquo;You must not sit here alone.&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur!&rdquo;
+ </p>
+ <p>
+ &ldquo;You must come out. You must drive. You must see the town, distract
+ yourself.&rdquo;
+ </p>
+ <p>
+ &ldquo;But how? Can a&mdash;a girl go about alone in Algiers?&rdquo;
+ </p>
+ <p>
+ &ldquo;Heaven forbid! No; I will escort you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur!&rdquo;
+ </p>
+ <p>
+ A smile of innocent, girlish joy transformed her face, but suddenly she
+ was grave again.
+ </p>
+ <p>
+ &ldquo;Would it be right, <i>convenable?</i>&rdquo;
+ </p>
+ <p>
+ Mr. Greyne was reckless. The dog potential rose up in him again.
+ </p>
+ <p>
+ &ldquo;Why not? And, besides, who knows us here? Not a soul.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is true.&rdquo;
+ </p>
+ <p>
+ &ldquo;Put on your bonnet. Let us start at once!&rdquo;
+ </p>
+ <p>
+ &ldquo;But I do not wear the bonnet. I am not like madame.&rdquo;
+ </p>
+ <p>
+ &ldquo;To be sure. Your hat.&rdquo;
+ </p>
+ <p>
+ And as she flew to obey him, Mr. Eustace Greyne found himself impiously
+ thanking the powers that be for this strange chance of going on the spree
+ with a toque. When Mademoiselle Verbena returned he was looking almost
+ rakish. He eyed her neat black hat and close-fitting black jacket with a
+ glance not wholly unlike that of a militiaman. In her hand she held a
+ vivid scarlet parasol.
+ </p>
+ <p>
+ &ldquo;Monsieur,&rdquo; she said, &ldquo;it is terrible, this <i>ombrelle</i>, when mamma
+ lies at death&rsquo;s door. But what can I do? I have no other, and cannot
+ afford to buy one. The sun is fierce. I dare not expose myself to it
+ without a shelter.&rdquo;
+ </p>
+ <p>
+ She seemed really distressed as she opened the parasol, and spread the
+ vivid silk above her pretty black-clothed figure; but Mr. Greyne thought
+ the effect was brilliant, and ventured to say so. As they passed the
+ bureau by the fountain on their way out the stout Frenchwoman cast an
+ approving glance at Mademoiselle Verbena.
+ </p>
+ <p>
+ &ldquo;The little rat will not see much more of the little negro now,&rdquo; she
+ murmured to herself. &ldquo;After all the English have their uses.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0006" id="link2H_4_0006">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ VI
+ </h2>
+ <p>
+ In Belgrave Square Mrs. Eustace Greyne was beginning to get slightly
+ uneasy. Several things combined to make her so. In the first place,
+ Mademoiselle Verbena had never returned from her mother&rsquo;s Parisian
+ bedside, and had not even written a line to say how the dear parent was,
+ and when the daughter&rsquo;s nursing occupation was likely to be over. In the
+ second place, Adolphus, in consequence of the Levantine&rsquo;s absence, had
+ totally lost his grasp, always uncertain, upon the irregular verbs. In the
+ third place, Darrell, the valet, had returned to London the day after his
+ departure from it, minus not only his master&rsquo;s dressing-case, but minus
+ everything he possessed. His story was that, while waiting at the station
+ in Paris for his master&rsquo;s appearance, he had entered into conversation
+ with an agreeable stranger, and been beguiled into the acceptance of an
+ absinthe at a café just outside. After swallowing the absinthe he
+ remembered nothing more till he came to himself in a deserted waiting-room
+ at the Gare du Nord, back to which he had been mysteriously conveyed. In
+ his pocket was no money, no watch, only the return half of a second-class
+ ticket from London to Paris. He, therefore, wandered about the streets
+ till morning broke, and then came back to London a crestfallen and
+ miserable man, bemoaning his untoward fate, and cursing &ldquo;them blasted
+ Frenchies&rdquo; from the bottom of his British heart.
+ </p>
+ <p>
+ Mrs. Greyne&rsquo;s anxiety on her husband&rsquo;s behalf, now that he was thrown
+ absolutely unattended upon the inhospitable shores of Africa, was not
+ lessened by a fourth circumstance, which, indeed, worried her far more
+ than all the others put together. This was Mr. Greyne&rsquo;s prolonged absence
+ from her side. Precisely one calendar month had now elapsed since he had
+ buried his face in her prune bonnet strings at Victoria Station, and there
+ seemed no prospect of his return. He wrote to her, indeed, frequently, and
+ his letters were full of wistful regret and longing to be once more safe
+ in the old homestead in Belgrave Square, drinking barley water, and
+ pasting Romeike &amp; Curtice notices into the new album which lay, gaping
+ for him, upon the table of his sanctum. But he did not come; nay, more, he
+ wrote plainly that there was no prospect of his coming for the present. It
+ seemed that the wickedness of Africa was very difficult to come at. It did
+ not lie upon the surface, but was hidden far down in depths to which the
+ ordinary tourist found it almost impossible to penetrate. In his numerous
+ letters Mr. Greyne described his heroic and unremitting exertions to fill
+ the Merrin&rsquo;s note-books with matter that would be suitable for the purging
+ of humanity. He set out in full his interview with Alphonso at the office
+ of Rook, and his definite rejection by that cosmopolitan official.
+ According to the letters, after this event he had spent no less than a
+ fortnight searching in vain for any sign of wickedness in the Algerian
+ capital. He had frequented the cafés, the public bars, the theatres, the
+ churches. He had been to the Velodrome. He had sat by the hour in the
+ Jardin d&rsquo;Essai. At night he had strolled in the fairs and hung about the
+ circus. Yet nowhere had he been able to perceive anything but the most
+ innocent pleasure, the simple merriment of a gay and guileless population
+ to whom the idea of crime seemed as foreign as the idea of singing the
+ English national anthem.
+ </p>
+ <p>
+ During the third week it was true that matters&mdash;always according to
+ Mr. Greyne&rsquo;s letters home&mdash;slightly improved. While walking near the
+ quay, in active search for nautical outrage, he saw an Arab dock labourer,
+ who had been over-smoking kief, run amuck, and knock down a couple of
+ respectable snake-charmers who were on the point of embarkation for Tunis
+ with their reptiles. This incident had filed up a half-score of pages in
+ exercise-book number one, and had flooded Mr. Greyne with hope and
+ aspiration. But it was followed by a stagnant lull which had lasted for
+ days and had only been disturbed by the trifling incident of a gentleman
+ in the Jewish quarter of the town setting fire to a neighbour&rsquo;s bazaar, in
+ the very natural endeavour to find a French half-penny which he had
+ chanced to drop among a bale of carpets while looking in to drive a soft
+ bargain. As Mrs. Greyne wired to Algiers, such incidents were of no value
+ to &ldquo;Catherine.&rdquo;
+ </p>
+ <p>
+ A very active interchange of views had gone on between the husband and
+ wife as time went by, and the book was at a standstill. At first Mrs.
+ Greyne contented herself with daily letters, but latterly she had resorted
+ to wires, explanatory, condemnatory, hortatory, and even comminatory. She
+ began bitterly to regret her husband&rsquo;s well-proven innocence, and wished
+ she had despatched an uncle of hers by marriage, an ex-captain in the
+ Royal Navy, who, she began to feel certain, would have been able to find
+ far more frailty in Algiers than poor Eustace, in his simplicity, would
+ ever come at. She even began to wish that she had crossed the sea in
+ person, and herself boldly set about the ingathering of the material for
+ which she was so impatiently waiting.
+ </p>
+ <p>
+ Her uneasiness was brought to a head by a letter from a house agent,
+ stating that the corner mansion in Park Lane next to the Duke of Ebury&rsquo;s
+ was being nibbled at by a Venezuelan millionaire. She wired this terrible
+ fact at once to Africa, adding, at an enormous expenditure of cash:
+ </p>
+<pre xml:space="preserve">
+ This will never do. You are too innocent, and cannot see
+ what lies before you. Obtain assistance. Go to the British
+ consul.
+</pre>
+ <p>
+ Mr. Greyne at once cabled back:
+ </p>
+<pre xml:space="preserve">
+ Am following your advice. Will wire result. Regret my
+ innocence, but am distressed that you should so utterly
+ condemn it.
+</pre>
+ <p>
+ Upon receiving this telegram at night, before a lonely dinner, Mrs.
+ Eustace Greyne was deeply moved. She felt she had been hasty. She knew
+ that to very few women was it given to have a husband so free from all
+ masculine infirmities as Mr. Greyne. At the same time there was
+ &ldquo;Catherine,&rdquo; there was the mansion in Park Lane, there was the Venezuelan
+ millionaire. She began to feel distracted, and, for the first time in her
+ life, refused to partake of sweetbreads fried in mushroom ketchup, a dish
+ which she had greatly affected from the time when she wrote her first
+ short story. While she was in the very act of waving away this delicacy a
+ footman came in with a foreign telegram. She opened it quickly, and read
+ as follows:&mdash;
+ </p>
+<pre xml:space="preserve">
+ British consul horrified; was ignominiously expelled from
+ consulate; great scandal; am much upset, but will never give
+ in, for your sake. Eustace.
+</pre>
+ <p>
+ As the dread meaning of these words penetrated at length to Mrs. Greyne&rsquo;s
+ voluminous brain a deep flush overspread her noble features. She rose from
+ the table with a determination that struck awe to the hearts of the
+ powdered underlings, and, drawing herself up to her full height,
+ exclaimed:
+ </p>
+ <p>
+ &ldquo;Send Mrs. Forbes at once to my study, if you please&mdash;at once, do you
+ understand?&rdquo;
+ </p>
+ <p>
+ In a moment Mrs. Forbes, who was the great novelist&rsquo;s maid, appeared on
+ the threshold of the oracle&rsquo;s lair. She was a sober-looking, black-silk
+ personage, who always wore a pork-pie cap in the house, and a Mother
+ Hubbard bonnet out of it. Having been in service with Mrs. Greyne ever
+ since the latter penned her last minor poetry&mdash;Mrs. Greyne had been a
+ minor poet for three years soon after she put her hair up&mdash;Mrs.
+ Forbes had acquired a certain literary expression of countenance and a
+ manner that was decidedly prosy. She read a good deal after her supper of
+ an evening, and was wont to be the arbiter when any literary matter was
+ discussed in the servants&rsquo; hall.
+ </p>
+ <p>
+ &ldquo;Madam?&rdquo; she said, respectfully entering the room, and bending the
+ pork-pie cap forward in an attentive attitude.
+ </p>
+ <p>
+ Mrs. Greyne was silent for a moment. She appeared to be thinking deeply.
+ Mrs. Forbes gently closed the door, and sighed. It was nearly her
+ supper-time, and she felt pensive.
+ </p>
+ <p>
+ &ldquo;Madam?&rdquo; she said again.
+ </p>
+ <p>
+ Mrs. Greyne looked up. A strange fire burned in her large eyes.
+ </p>
+ <p>
+ &ldquo;Mrs. Forbes,&rdquo; she said at length, with weighty deliberation, &ldquo;the mission
+ of woman in the world is a great one.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very true, madam. My own words to Butler Phillips no longer ago than
+ dinner this midday.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is the protecting of man&mdash;neither more nor less.&rdquo;
+ </p>
+ <p>
+ &ldquo;My own statement, madam, to Second Footman Archibald this self-same day
+ at the tea-board.&rdquo;
+ </p>
+ <p>
+ &ldquo;Man needs guidance, and looks for it to us&mdash;or rather to me.&rdquo;
+ </p>
+ <p>
+ At the last word Mrs. Forbes pinched her lips together, and appeared older
+ than her years and sourer than her normal temper.
+ </p>
+ <p>
+ &ldquo;At this moment, Mrs. Forbes,&rdquo; continued Mrs. Greyne, with rising fervour,
+ &ldquo;he looks for it to me from Africa. From that dark continent he stretches
+ forth his hands to me in humble supplication.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. Greyne has not been taken with another of his bilious attacks, I
+ hope, madam?&rdquo; said Mrs. Forbes.
+ </p>
+ <p>
+ Mrs. Greyne smiled. The ignorance of the humbly born entertained her. It
+ was so simple, so transparent.
+ </p>
+ <p>
+ &ldquo;You fail to understand me,&rdquo; she answered. &ldquo;But never mind; others have
+ done the same.&rdquo;
+ </p>
+ <p>
+ She thought of her reviewers. Mrs. Forbes smiled. She also could be
+ entertained.
+ </p>
+ <p>
+ &ldquo;Madam?&rdquo; she inquired once more after a pause.
+ </p>
+ <p>
+ &ldquo;I shall leave for Africa to-morrow morning,&rdquo; said Mrs. Greyne. &ldquo;You will
+ accompany me.&rdquo;
+ </p>
+ <p>
+ There was a dead silence.
+ </p>
+ <p>
+ &ldquo;You will accompany me. Do you understand? Obtain assistance from the
+ housemaids in the packing. Select my quietest gowns, my least conspicuous
+ bonnets. I have my reasons for wishing, while journeying to Africa and
+ remaining there, to pass, if possible, unnoticed.&rdquo;
+ </p>
+ <p>
+ Again there was a pause. Mrs. Greyne looked up at Mrs. Forbes, and
+ observed a dogged expression upon her countenance.
+ </p>
+ <p>
+ &ldquo;What is the matter?&rdquo; she asked the maid.
+ </p>
+ <p>
+ &ldquo;Do we go by Paris, madam?&rdquo; said Mrs. Forbes.
+ </p>
+ <p>
+ &ldquo;Certainly.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then, madam, I&rsquo;m very sorry, but I couldn&rsquo;t risk it, not if it was ever
+ so&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Why not? Why this fear of Lutetia?&rdquo;
+ </p>
+ <p>
+ &ldquo;Madam, I&rsquo;m not afraid of any Lutetia as ever wore apron, but to go to
+ Paris to be drugged with absint, and put away in a third-class
+ waiting-room like a package&mdash;I couldn&rsquo;t madam, not even if I have to
+ leave your service.&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne recognised that the episode of the valet had struck home to
+ the lady&rsquo;s maid.
+ </p>
+ <p>
+ &ldquo;But you will not leave my side.&rdquo;
+ </p>
+ <p>
+ &ldquo;They will absint you, madam.&rdquo;
+ </p>
+ <p>
+ &ldquo;But you will travel first in a sleeping-car.&rdquo;
+ </p>
+ <p>
+ Mrs. Forbes put up her hand to her pork-pie cap, as if considering.
+ </p>
+ <p>
+ &ldquo;Very well, madam, to oblige you I will undergo it,&rdquo; she said at length.
+ &ldquo;But I would not do the like for another living lady.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will raise your wages. You are a faithful creature.&rdquo;
+ </p>
+ <p>
+ &ldquo;Does master expect us, madam?&rdquo; asked Mrs. Forbes as she prepared to
+ retire.
+ </p>
+ <p>
+ A bright and tender look stole into Mrs. Greyne&rsquo;s intellectual face.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; she replied.
+ </p>
+ <p>
+ She turned her large and beaming eyes full upon the maid.
+ </p>
+ <p>
+ &ldquo;Mrs. Forbes,&rdquo; she said, with an amount of emotion that was very rare in
+ her, &ldquo;I am going to tell you a great truth.&rdquo;
+ </p>
+ <p>
+ &ldquo;Madam?&rdquo; said Mrs. Forbes respectfully.
+ </p>
+ <p>
+ &ldquo;The sweetest moments of life, those which lift man nearest heaven, and
+ make him thankful for the great gift of existence, are sometimes those
+ which are unforeseen.&rdquo;
+ </p>
+ <p>
+ She was thinking of Mr. Greyne&rsquo;s ecstasy when, upon the inhospitable
+ African shore where he was now enduring such tragic misfortunes, he
+ perceived the majestic form of his loved one&mdash;his loved one whom he
+ believed to be in Belgrave Square&mdash;coming towards him to soothe, to
+ comfort, to direct. She brushed away a tear.
+ </p>
+ <p>
+ &ldquo;Go, Mrs. Forbes,&rdquo; she said.
+ </p>
+ <p>
+ And Mrs. Forbes retired, smiling.
+ </p>
+ <p>
+ An epic might well be written on the great novelist&rsquo;s journey to Africa,
+ upon her departure from Charing Cross, shrouded in a black gauze veil, her
+ silent thought as the good ship <i>Empress</i> rode cork-like upon the
+ Channel waves, her ascetic lunch&mdash;a captain&rsquo;s biscuit and a glass of
+ water&mdash;at the buffet at Calais, her arrival in Paris when the shades
+ of night had fallen. An epic might well be written. Perhaps some day it
+ will be, by herself.
+ </p>
+ <p>
+ In Paris she suffered a good deal on account of Mrs. Forbes, who, in her
+ fear of &ldquo;ab-sint,&rdquo; became hysterical, and caused not a little annoyance by
+ accusing various inoffensive French travellers of nefarious designs upon
+ her property and person. In the Gulf of Lyons she suffered even more, and
+ as, unluckily, the wind was contrary and the sea prodigious during the
+ whole of the passage across the Mediterranean, both she and Mrs. Forbes
+ arrived at Algiers four hours late, in a condition which may be more
+ easily imagined than properly described.
+ </p>
+ <p>
+ Genius in thrall to the body, and absolutely dependent upon green
+ chartreuse for its flickering existence, is no subject for even a
+ sympathetic pen. Sufficient to say that, when the ship came in under the
+ lights of Algiers, the crowd of shouting Arabs was struck to silence by
+ the spectacle of Mrs. Greyne and Mrs. Forbes endeavouring to disembark, in
+ bonnets that were placed seaward upon the head instead of landward,
+ unbuttoned boots, and gowns soaked with the attentions of the waves.
+ </p>
+ <p>
+ After being gently and permanently relieved of their light hand-baggage,
+ the mistress and maid, who seemed greatly overwhelmed by the sight of
+ Africa, and who moved&mdash;or rather were carried&mdash;as in a dream,
+ were placed reverently in the nearest omnibus, and conveyed to the
+ farthest hotel, which was situated upon a lofty hill above the town. Here
+ a slightly painful scene took place.
+ </p>
+ <p>
+ Having been assisted by the staff into a Moorish hall, Mrs. Greyne
+ inquired in a reticent voice for her husband, and was politely informed
+ that there was no person of the name of Greyne in the hotel. For a moment
+ she seemed threatened with dissolution, but with a supreme effort calling
+ upon her mighty brain she surmised that her husband was possibly passing
+ under a pseudonym in order to throw America off the scent. She, therefore,
+ demanded to have the guests then present in the hotel at once paraded
+ before her. As there was some difficulty about this&mdash;the guests being
+ then at dinner&mdash;she whispered for the visitors&rsquo; book, thinking that,
+ perchance, Mr. Greyne had inscribed his name there, and that the staff,
+ being foreign, did not recognise it as murmured by herself. The book was
+ brought, upon its cover in golden letters the words: &ldquo;Hôtel Loubet et
+ Majestic.&rdquo; Then explanations of a somewhat disagreeable nature occurred,
+ and Mrs. Greyne and Mrs. Forbes, after a heavy payment had been exacted
+ for their conveyance to a place they had desired not to go to, were
+ carried forth, and consigned to another vehicle, which at length brought
+ them, on the stroke of nine, to the Grand Hotel.
+ </p>
+ <p>
+ Having been placed reverently in the brilliantly-lighted hall, they were
+ surrounded by the proprietor, the <i>maître d&rsquo;hôtel</i> and his
+ assistants, the porters, and the chasseurs, with all of whom Mr. Greyne
+ was now familiar. Brandy and water having been supplied, together with
+ smelling-salts and burnt feathers, Mrs. Greyne roused herself from an
+ acute attack of lethargy, and asked for Mr. Greyne. A joyous smile ran
+ round the circle.
+ </p>
+ <p>
+ &ldquo;Monsieur Greyne,&rdquo; said the proprietor, &ldquo;who is living here for the
+ winter?&rdquo; 4
+ </p>
+ <p>
+ &ldquo;Mr. Eustace Greyne,&rdquo; murmured the great novelist, grasping her bonnet
+ with both hands.
+ </p>
+ <p>
+ The <i>maître d&rsquo;hôtel</i> drew nearer.
+ </p>
+ <p>
+ &ldquo;Madame wishes to see Monsieur Greyne?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;I do&mdash;at once.&rdquo;
+ </p>
+ <p>
+ A blessed consciousness of Mother Earth was gradually beginning to steal
+ over her. She even strove feebly to sit up on her chair, a German-Swiss
+ porter of enormous size assisting her.
+ </p>
+ <p>
+ &ldquo;But Monsieur Greyne is out.&rdquo;
+ </p>
+ <p>
+ &ldquo;Out?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, madame. Monsieur Greyne is always out at night.&rdquo;
+ </p>
+ <p>
+ The eyes of the little chasseur who knew no better began to twinkle. Mrs.
+ Forbes gave a slight cough. Tears filled the novelist&rsquo;s eyes.
+ </p>
+ <p>
+ &ldquo;God bless my Eustace!&rdquo; she murmured, deeply touched by this evidence of
+ his devotion to her interests.
+ </p>
+ <p>
+ &ldquo;Madame says&mdash;&mdash;&rdquo; asked the proprietor.
+ </p>
+ <p>
+ &ldquo;Where does Mr. Greyne go?&rdquo; inquired the novelist.
+ </p>
+ <p>
+ &ldquo;To the Kasbah, madame.&rdquo;
+ </p>
+ <p>
+ &ldquo;I knew it!&rdquo; cried Mrs. Greyne, with returning animation. &ldquo;I knew it would
+ be so!&rdquo;
+ </p>
+ <p>
+ &ldquo;Madame is acquainted with Monsieur Greyne?&rdquo; said the <i>maître d&rsquo;hôtel</i>,
+ while the little crowd gathered more closely about the wave-worn group.
+ </p>
+ <p>
+ &ldquo;I am Mrs. Eustace Greyne,&rdquo; returned the great novelist recklessly. &ldquo;I am
+ the wife of Mr. Eustace Greyne.&rdquo;
+ </p>
+ <p>
+ There was a moment of supreme silence. Then a loud, an even piercing &ldquo;<i>Oh,
+ là, là,</i> broke upon the air, succeeded instantaneously by a burst of
+ laughter that seemed to thrill with all the wild blessedness of boyhood.
+ It came, of course, from the little chasseur; it came, and stayed. Nothing
+ could stop it, and eventually the happy child had to be carried forth upon
+ the sea-front to enjoy his innocent mirth at leisure and in solitude
+ beneath the African stars. Mrs. Greyne did not notice his disappearance.
+ She was intent upon important matters.
+ </p>
+ <p>
+ &ldquo;At what time does Mr. Greyne usually set forth?&rdquo; she asked of the
+ proprietor, whose face now bore a strangely twisted appearance, as if
+ afflicted by a toothache.
+ </p>
+ <p>
+ &ldquo;Immediately after dinner, madame, if not before. Of late it has generally
+ been before.&rdquo;
+ </p>
+ <p>
+ &ldquo;And he stays out late?&rdquo;
+ </p>
+ <p>
+ &ldquo;Very late, madame.&rdquo;
+ </p>
+ <p>
+ The twisted appearance began to seem infectious. It was visible upon the
+ faces of most of those surrounding Mrs. Greyne and Mrs. Forbes. Indeed,
+ even the latter showed some signs of it, although the large shadow cast
+ over her features by the hind side of her Mother Hubbard bonnet to some
+ extent disguised them from the public view.
+ </p>
+ <p>
+ &ldquo;Till what hour?&rdquo; pursued Mrs. Greyne in a voice of almost yearning
+ tenderness and pity.
+ </p>
+ <p>
+ &ldquo;Well, madame&rdquo;&mdash;the proprietor displayed some slight confusion&mdash;&ldquo;I
+ really can hardly say. The <i>maître d&rsquo;hôtel</i> can perhaps inform you.&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne turned her ox-like eyes upon the enlarged edition of Napoleon
+ the First.
+ </p>
+ <p>
+ &ldquo;Monsieur Greyne seldom returns before seven or eight o&rsquo;clock in the
+ morning, madame. He then retires to bed, and comes down to breakfast at
+ about four o&rsquo;clock in the afternoon.&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne was touched to the very quick. Her husband was sacrificing his
+ rest, his health&mdash;nay, perhaps even his very life&mdash;in her
+ service. It was well she had come, well that a period was to be put to
+ these terrible researches. They should be stopped at once, even this very
+ night. Better a thousand literary failures than that her husband&rsquo;s
+ existence should be placed in jeopardy. She rose suddenly from her chair,
+ tottered, gasped, recovered herself, and spoke.
+ </p>
+ <p>
+ &ldquo;Prepare dinner for me at once,&rdquo; she said, &ldquo;and order a carriage and a
+ competent guide to be before the door in half-an-hour.&rdquo;
+ </p>
+ <p>
+ &ldquo;Madame is going out? But madame is ill, tired!&rdquo;
+ </p>
+ <p>
+ &ldquo;It matters not.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where does madame wish to go?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am going to the Kasbah to find my husband.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will escort madame.&rdquo;
+ </p>
+ <p>
+ The proprietor, the <i>maître d&rsquo;hôtel</i>, the waiters, the porters, the
+ chasseurs, Mrs. Greyne and Mrs. Forbes, all turned about to face the
+ determined speaker.
+ </p>
+ <p>
+ And there before them, his dark eyes gleaming, his long moustaches
+ bristling fiercely&mdash;here stood Abdallah Jack.
+ </p>
+ <p>
+ <a name="link2H_4_0007" id="link2H_4_0007">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ VII
+ </h2>
+ <p>
+ Man is a self-deceiver. It must, therefore, ever be a doubtful point
+ whether Mr. Eustace Greyne, during his residence in Africa, absolutely
+ lost sight of his sense of duty; whether, beguiled by the lively
+ attentions of a fiercely foreign town, he deliberately resolved to take
+ his pleasure regardless of consequences and of the sacred ties of Belgrave
+ Square. We prefer to think that some vague idea of combining two duties&mdash;that
+ which he owed to himself and that which he owed to Mrs. Greyne&mdash;moved
+ him in all he did, and that the subterfuge into which he was undoubtedly
+ led was not wholly selfish, not wholly criminal. Nevertheless, that he had
+ lied to his beloved wife is certain. Even while she sat over a cutlet and
+ a glass of claret in the white-and-gold dining-room of the Grand Hotel,
+ preparatory to her departure to the Kasbah with Abdallah Jack, the dozen
+ of Merrin&rsquo;s exercise-books lay upstairs in Mr. Greyne&rsquo;s apartments filled
+ to the brim with African frailty. Already there was material enough in
+ their pages to furnish forth a library of &ldquo;Catherines.&rdquo; Yet Mr. Greyne
+ still lingered far from his home, and wired to that home fabricated
+ accounts of the singular innocence of Algiers. He even allowed it to be
+ supposed that his own innocence stood in the way of his fulfilment of Mrs.
+ Greyne&rsquo;s behests&mdash;he who could now have given points in knowledge of
+ the world to whole regiments of militiamen!
+ </p>
+ <p>
+ It was not right, and, doubtless, he must stand condemned by every
+ moralist. But let it not be forgotten that he had fallen under the
+ influence of a Levantine.
+ </p>
+ <p>
+ Mademoiselle Verbena&rsquo;s mother, hidden in some unnamed hospital of Algiers,
+ appeared to be one of those ingenious elderly ladies who can hover
+ indefinitely upon the brink of death without actually dying. During the
+ whole time that Mr. Greyne had been in Africa her state had been
+ desperate, yet she still clung to life. As her daughter said, she
+ possessed extraordinary vitality, and this vitality seemed to have been
+ inherited by her child. Despite her grave anxieties Mademoiselle Verbena
+ succeeded in sustaining a remarkable cheeriness, and even a fascinating
+ vivacity, when in the company of others. As she said to Mr. Greyne, she
+ did not think it right to lay her burdens upon the shoulders of her
+ neighbours. She, therefore, forced herself to appear contented, even at
+ various moments gay, when she and Mr. Greyne were lunching, dining, or
+ supping together, were driving upon the front, sailing upon the azure
+ waters of the bay, riding upon the heights beyond El-Biar, or, ensconced
+ in a sumptuous private box, listening to the latest French farce at one or
+ another of the theatres. Only one day, when they had driven out to the
+ monastery at La Trappe de Staouëli, did a momentary cloud descend upon her
+ piquant features, and she explained this by the frank confession that she
+ had always wished to become a nun, but had been hindered from following
+ her vocation by the necessity of earning money to support her aged
+ parents. Mr. Greyne had never seen the Ouled since his first evening in
+ Algiers, but he still paid her a weekly salary, through Abdallah Jack, who
+ explained to him that the interesting lady, in a discreet retirement, was
+ perpetually occupied in arranging the exhibitions of African frailty at
+ which he so frequently assisted. She was, in fact, earning her liberal
+ salary. Mademoiselle Verbena and Abdallah Jack had met on several
+ occasions, and Mr. Greyne had introduced the latter to the former as his
+ guide, and had generously praised his abilities; but in Mademoiselle
+ Verbena took very little notice of him, and, as time went on, Abdallah
+ Jack seemed to conceive a most distressing dislike of her. On several
+ occasions he advised Mr. Greyne not to frequent her company so
+ assiduously, and when Mr. Greyne asked him to explain the meaning of his
+ monitions he took refuge in vague generalities and Eastern imagery. He had
+ a profound contempt for women as companions, which grieved Mr. Greyne&rsquo;s
+ Western ideas, and evidently thought that Mademoiselle Verbena ought to be
+ clapped forthwith into a long veil, and put away in a harem behind an iron
+ grille. When Mr. Greyne explained the English point of view Abdallah Jack
+ took refuge in a sulky silence; but during the week immediately preceding
+ the arrival of Mrs. Greyne his temper had become actively bad, and Mr.
+ Greyne began seriously to consider whether it would not be better to pay
+ him a last <i>douceur</i>, and tell him to go about his business.
+ </p>
+ <p>
+ Before doing this, however, Mr. Greyne desired to have one more interview
+ with the mysterious Ouled on the heights, to whom he owed the knowledge
+ which would henceforth enable him to cut out the militia. He said so to
+ Abdallah Jack. The latter agreed sulkily to arrange it; and matters so
+ fell out that on the night of Mrs. Greyne&rsquo;s arrival her husband was seated
+ in a room in one of the remotest houses of the Kasbah, watching the
+ Ouled&rsquo;s mysterious evolutions, while Mademoiselle Verbena&mdash;as she
+ herself had informed Mr.4 Greyne&mdash;sat in the hospital by the bedside
+ of her still dying mother. Abdallah Jack had apparently been most anxious
+ to assist at Mr. Greyne&rsquo;s interview with the Ouled, but Mr. Greyne had
+ declined to allow this. The evil temper of the guide was beginning to get
+ thoroughly upon his employer&rsquo;s nerves, and even the natural desire to have
+ an interpreter at hand was overborne by the dislike of Abdallah Jack&rsquo;s
+ morose eyes and sarcastic speeches about women. Moreover, the Ouled spoke
+ a word or two of uncertain French.
+ </p>
+ <p>
+ Thus, therefore, things fell out, and such was the precise situation when
+ Mrs. Greyne flicked a crumb from her chocolate brocade gown, tied her
+ bonnet strings, and rose from table to set forth to the Kasbah with
+ Abdallah Jack.
+ </p>
+ <p>
+ It was a radiant night. In the clear sky the stars shone brilliantly,
+ looking down upon the persistent convulsions of the little chasseur, who
+ had not yet recovered from his attack of merriment on learning who Mrs.
+ Greyne was. The sea, quite calm now that the great novelist was no longer
+ upon it, lapped softly along the curving shores of the bay. The palm-trees
+ of the town garden where the band plays on warm evenings waved lazily in
+ the soft and scented breeze. The hooded figures of the Arabs lounged
+ against the stone wall that girdles the sea-front. In the
+ brilliantly-illuminated restaurants the rich French population gathered
+ about the little tables, while the withered beggars stared in upon the
+ oyster shells, the champagne bottles, and the feathers in the women&rsquo;s
+ audacious hats.
+ </p>
+ <p>
+ When Mrs. Greyne emerged upon the pavement before the Grand Hotel,
+ attended by Mrs. Forbes and the guide, she paused for a moment, and cast a
+ searching glance upon the fairy scene. In this voluptuous evening and
+ strange environment life seemed oddly dreamlike. She scarcely felt like
+ Mrs. Greyne. Possibly Mrs. Forbes also felt unlike herself, for she
+ suddenly placed one hand upon her left side, and tottered. Abdallah Jack
+ supported her. She screamed aloud.
+ </p>
+ <p>
+ &ldquo;Madam!&rdquo; she said. &ldquo;It is the vertigo. I am overtook!&rdquo;
+ </p>
+ <p>
+ She was really ill; her face, indeed, became the colour of a plover&rsquo;s egg.
+ </p>
+ <p>
+ &ldquo;Let me go to bed, madam,&rdquo; she implored. &ldquo;It is the vertigo, madam. I am
+ overtook!&rdquo;
+ </p>
+ <p>
+ Under ordinary circumstances Mrs. Greyne would have prescribed a dose of
+ Kasbah air, but to-night she felt strange, and she wanted strangeness.
+ Mrs. Forbes with the vertigo, in a small carriage, would be inappropriate.
+ She, therefore, bade her retire, mounted into the vehicle with Abdallah
+ Jack, and was quickly driven away, her bonnet strings floating upon the
+ winsome wind.
+ </p>
+ <p>
+ &ldquo;You know my husband?&rdquo; she asked softly of the guide.
+ </p>
+ <p>
+ Abdallah Jack replied in French that he rather thought he did.
+ </p>
+ <p>
+ &ldquo;How is he looking?&rdquo; continued Mrs. Greyne in a slightly yearning voice.
+ &ldquo;My Eustace!&rdquo; she added to herself, &ldquo;my devoted one!&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur Greyne is pale as washed linen upon the Kasbah wall,&rdquo; replied
+ Abdallah Jack, lighting a cigarette, and wreathing the great novelist in
+ its grey-blue smoke. &ldquo;He is thin as the Spahi&rsquo;s lance, he is nervous as
+ the leaves of the eucalyptus-tree when the winds blow from the north.&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne was seriously perturbed.
+ </p>
+ <p>
+ &ldquo;Would I had come before!&rdquo; she murmured, with serious self-reproach.
+ </p>
+ <p>
+ &ldquo;Monsieur Greyne is worse than all the English,&rdquo; pursued Abdallah Jack in
+ a voice that sounded to Mrs. Greyne decidedly sinister. &ldquo;He is worse than
+ the tourists of Rook, who laugh in the doorways of the mosques and twine
+ in their hair the dried lizards of the Sahara. Even the guide of Rook
+ rejected him. I only would undertake him because I am full of evil.&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne began to feel distinctly uncomfortable, and to wish she had
+ not been so ready to pander to Mrs. Forbes&rsquo; vertigo. She stole a sidelong
+ glance at her strange companion. The carriage was small. The end of his
+ bristling black moustache was very near. What he said of Mr. Greyne did
+ not disturb her, because she knew that her Eustace had sacrificed his
+ reputation to do her service; but what he said about himself was not
+ reassuring.
+ </p>
+ <p>
+ &ldquo;I think you must be doing yourself an injustice,&rdquo; she said in a rather
+ agitated voice.
+ </p>
+ <p>
+ &ldquo;Madame?&rdquo;
+ </p>
+ <p>
+ &ldquo;I do not believe you are so bad as you imply,&rdquo; she continued.
+ </p>
+ <p>
+ The carriage turned with a jerk out of the brilliantly-lighted
+ thoroughfare that runs along the sea into a narrow side street, crowded
+ with native Jews, and dark with shadows.
+ </p>
+ <p>
+ &ldquo;Madame does not know me.&rdquo;
+ </p>
+ <p>
+ The exact truth of this observation struck home, like a dagger, to the
+ mind of Mrs. Greyne.
+ </p>
+ <p>
+ &ldquo;I am a wicked person,&rdquo; added Abdallah Jack, with a profound conviction.
+ &ldquo;That is why Monsieur Greyne chose me as his guide.&rdquo;
+ </p>
+ <p>
+ The novelist began to quake. Her chocolate brocade fluttered. Was she
+ herself to learn at first hand, and on her first evening in Africa, enough
+ about African frailty to last her for the rest of her life? And how much
+ more of life would remain to her after her stock of knowledge had been
+ thus increased? The carriage turned into a second side street, narrower
+ and darker than the last.
+ </p>
+ <p>
+ &ldquo;Are we going right?&rdquo; she said apprehensively.
+ </p>
+ <p>
+ &ldquo;No, madame; we are going wrong&mdash;we are going to the wicked part of
+ the city.&rdquo;
+ </p>
+ <p>
+ &ldquo;But&mdash;but&mdash;you are sure Mr. Greyne will be there?&rdquo;
+ </p>
+ <p>
+ Abdallah Jack laughed sardonically.
+ </p>
+ <p>
+ &ldquo;Monsieur Greyne is never anywhere else. Monsieur Greyne is wicked as is a
+ mad Touareg of the desert.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t think you quite understand my husband,&rdquo; said Mrs. Greyne, feeling
+ in duty bound to stand up for her poor, maligned Eustace. &ldquo;Whatever he may
+ have done he has done at my special request.&rdquo;
+ </p>
+ <p>
+ &ldquo;Madame says?&rdquo;
+ </p>
+ <p>
+ &ldquo;I say that in all his proceedings while in Algiers Mr. Greyne has been
+ acting under my directions.&rdquo;
+ </p>
+ <p>
+ Abdallah Jack fixed his enormous eyes steadily upon her.
+ </p>
+ <p>
+ &ldquo;You are his wife, and told him to come here, and to do as he has done?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ye-yes,&rdquo; faltered Mrs. Greyne, for the first time in her life feeling as
+ if she were being escorted towards the criminal dock by a jailer with
+ Puritan tendencies.
+ </p>
+ <p>
+ &ldquo;Then it is true what they say on the shores of the great canal,&rdquo; he
+ remarked composedly.
+ </p>
+ <p>
+ &ldquo;What do they say?&rdquo; inquired Mrs. Greyne.
+ </p>
+ <p>
+ &ldquo;That England is a land of female devils,&rdquo; returned the guide as the
+ carriage plunged into a filthy alley, between two rows of blind houses,
+ and began to ascend a steep hill.
+ </p>
+ <p>
+ Mrs. Greyne gasped. She opened her lips to protest vigorously, but her
+ head swam&mdash;either from indignation or from fatigue&mdash;and she
+ could not utter a word. The horses mounted like cats upward into the dense
+ blackness, from which dropped down the faint sounds of squealing music and
+ of hoarse cries and laughter. The wheels bounded over the stones, sank
+ into the deep ruts, scraped against the sides of the unlighted houses. And
+ Abdallah Jack sat staring at Mrs. Greyne as an English clergyman&rsquo;s wife
+ might stare at the appalling rites of some deadly cannibal encountered in
+ a far-off land, with a stony wonder, a sort of paralysed curiosity.
+ </p>
+ <p>
+ Suddenly the carriage stopped on a piece of waste land covered with small
+ pebbles. Abdallah Jack sprang out.
+ </p>
+ <p>
+ &ldquo;Why do we stop?&rdquo; said Mrs. Greyne, turning as pale as ashes.
+ </p>
+ <p>
+ &ldquo;The carriage can go no farther. Madame must walk.&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne began to tremble.
+ </p>
+ <p>
+ &ldquo;We are to leave the coachman?&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall escort madame, alone.&rdquo;
+ </p>
+ <p>
+ The great novelist&rsquo;s tongue cleaved to the roof of her mouth. She felt
+ like a Merrin&rsquo;s exercise-book, every leaf of which was covered with
+ African frailty. However, there was no help for it. She had to descend,
+ and stand among the pebbles.
+ </p>
+ <p>
+ &ldquo;Where are we going?&rdquo;
+ </p>
+ <p>
+ Abdallah Jack waved his hand towards a stone rampart dimly seen in the
+ faint light that emanated from the starry sky.
+ </p>
+ <p>
+ &ldquo;Down there into the alley of the Dead Dervishes.&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne could not repress a cry of horror. At that moment she would
+ have given a thousand pounds to have Mrs. Forbes at her side.
+ </p>
+ <p>
+ Abdallah Jack grasped her by the hand, and led her ruthlessly forward.
+ Gazing with terror-stricken eyes over the crumbling rampart of the Kasbah,
+ she saw the city far below her, the lights of the streets, the lights of
+ the ships in harbour. She heard the music of a bugle, and wished she were
+ a Zouave safe in barracks. She wished she were a German-Swiss porter, a
+ merry chasseur&mdash;anything but Mrs. Eustace Greyne. One thing alone
+ supported her in this hour of trial, the thought of her husband&rsquo;s ecstasy
+ when she appeared upon the dread scene of his awful labours, to tell him
+ that he was released, that he need visit them no more.
+ </p>
+ <p>
+ The alley of the Dead Dervishes is long and winding. To Mrs. Greyne it
+ seemed endless. As she threaded it with faltering step, gripped by the
+ feverish hand of Abdallah Jack, who now began to display a strange and
+ terrible excitement, she became a centre of curiosity. Unwashed Arabs,
+ rakish Zouaves in blue and red, wandering Jews of various nationalities,
+ unveiled dancing-girls covered with jewels, stared in wonder upon the
+ chocolate brocade and the floating bonnet strings, followed upon her
+ footsteps, pointing with painted fingers, and making remarks of a personal
+ nature in French, Arabic, and other unknown tongues. She moved in the
+ midst of a crowd, on and on before lighted interiors from which wild music
+ flowed.
+ </p>
+ <p>
+ &ldquo;Shall we never be there?&rdquo; she panted to Abdallah Jack. &ldquo;My limbs refuse
+ their office.&rdquo; She jogged against a Tunisian Jewess in a pointed hat, and
+ rebounded upon an enormous Riff in a tattered sheep-skin. &ldquo;I can go no
+ farther.&rdquo;
+ </p>
+ <p>
+ &ldquo;We are there! Behold the house of the Ouled!&rdquo;
+ </p>
+ <p>
+ As he uttered the last word he burst into a bitter laugh, and drew Mrs.
+ Greyne, now gasping for breath, through an open doorway into a little hall
+ of imitation marble, with fluted pillars adorned with oilcloth, and walls
+ hung with imported oleographs. From a chamber on the right, near a winding
+ staircase covered with blue-and-white tiles, came the sound of laughter,
+ of song, and of a hideous music conveyed to the astonied ear by pipes and
+ drums.
+ </p>
+ <p>
+ &ldquo;They are in there!&rdquo; exclaimed Abdallah Jack, folding his arms, and
+ looking at Mrs. Greyne. &ldquo;Go to your husband!&rdquo;
+ </p>
+ <p>
+ Mrs. Greyne put her hands to her magnificent forehead, and tottered
+ forward. She reached the door, she pushed it, she entered. There upon a
+ wooden dais, surrounded by gilt mirrors and artificial roses, she beheld
+ her husband, in a check suit and a white Homburg hat, performing the
+ wildest evolutions, while opposite him a lady, smothered in coloured silks
+ and coins, tattooed and painted, dyed and scented, covered with kohl and
+ crowned with ostrich feathers, screamed a nasal chant of the East, and
+ bounded like an electrified monkey.
+ </p>
+ <p>
+ &ldquo;Eustace!&rdquo; cried Mrs. Greyne, leaning for support against an oleograph.
+ </p>
+ <p>
+ Her husband turned.
+ </p>
+ <p>
+ &ldquo;Eustace!&rdquo; she cried again. &ldquo;It is I!&rdquo;
+ </p>
+ <p>
+ He stood as if turned to stone. Mrs. Greyne hesitated, started, moved
+ forward to the dais, and stared upon the Ouled, who had also ceased from
+ dancing, and looked strangely surprised, even confused, by the great
+ novelist&rsquo;s intrusion.
+ </p>
+ <p>
+ &ldquo;Miss Verbena!&rdquo; she exclaimed. &ldquo;Miss Verbena in Algiers!&rdquo;
+ </p>
+ <p>
+ &ldquo;Eugenia!&rdquo; said Mr. Greyne in a husky voice, &ldquo;what is this you say? This
+ lady is the Ouled.&rdquo;
+ </p>
+ <p>
+ A sardonic laugh came from the doorway. They turned. There stood Abdallah
+ Jack. He advanced roughly to the Ouled.
+ </p>
+ <p>
+ &ldquo;Come,&rdquo; he said angrily. &ldquo;Have we not earned the money of the stranger?
+ Have we not earned enough? To-morrow you shall marry me as you have
+ promised, and we will return to our own land, to the canal where you and I
+ were born. And nevermore shall the Levantine instruct the babes of the
+ English devils, but dwell veiled and guarded in the harem of her master.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mademoiselle Verbena!&rdquo; said Mr. Greyne in a more husky voice. &ldquo;But&mdash;but&mdash;your
+ dying mother?&rdquo;
+ </p>
+ <p>
+ &ldquo;She sleeps, monsieur, in the white sands of Ismailia, beside the bitter
+ lake. I trust that madame can now go on with the respectable &lsquo;Catherine.&rsquo;&rdquo;
+ </p>
+ <p>
+ And with an ironic reverence to Mrs. Eustace Greyne she placed her hand in
+ Abdallah Jack&rsquo;s and vanished from the room.
+ </p>
+ <p>
+ &ldquo;Catherine&rsquo;s Repentance,&rdquo; published in a gigantic volume not many weeks
+ ago, was preceded by Mr. Eustace Greyne&rsquo;s. When last heard of he was
+ seated in the magnificent library of the corner house in Park Lane next to
+ the Duke of Ebury&rsquo;s, busily engaged in pasting the newspaper notices of
+ Mrs. Greyne&rsquo;s greatest work into a superb new album.
+ </p>
+ <p>
+ The Abdallah Jacks have returned to the Suez Canal, bearing with them a
+ snug little fortune to be invested in the purchase of a coal wharf at Port
+ Said, and a remarkably handsome crocodile dressing-case, fitted with gold,
+ and monogrammed with the initials &ldquo;E. G.&rdquo;
+ </p>
+ <div style="height: 6em;">
+ <br /><br /><br /><br /><br /><br />
+ </div>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of The Mission Of Mr. Eustace Greyne, by
+Robert Hichens
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE MISSION OF MR. EUSTACE GREYNE ***
+
+***** This file should be named 23415-h.htm or 23415-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/4/1/23415/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &lsquo;AS-IS&rsquo; WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm&rsquo;s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&rsquo;s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state&rsquo;s laws.
+
+The Foundation&rsquo;s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation&rsquo;s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>