summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 02:03:40 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 02:03:40 -0700
commit6de70063e539a123de134b1882ab75b53d49275b (patch)
tree9e912c775b0c96f188cd77819ce08862dc310c85
initial commit of ebook 23177HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--23177-h.zipbin0 -> 19598 bytes
-rw-r--r--23177-h/23177-h.htm1070
-rw-r--r--23177.txt940
-rw-r--r--23177.zipbin0 -> 18497 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
7 files changed, 2026 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/23177-h.zip b/23177-h.zip
new file mode 100644
index 0000000..8a15852
--- /dev/null
+++ b/23177-h.zip
Binary files differ
diff --git a/23177-h/23177-h.htm b/23177-h/23177-h.htm
new file mode 100644
index 0000000..a441c41
--- /dev/null
+++ b/23177-h/23177-h.htm
@@ -0,0 +1,1070 @@
+<?xml version="1.0" encoding="us-ascii"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ The Inmate of the Dungeon, by W. C. Morrow
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of The Inmate Of The Dungeon, by W. C. Morrow
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Inmate Of The Dungeon
+ 1894
+
+Author: W. C. Morrow
+
+Release Date: October 24, 2007 [EBook #23177]
+Last Updated: February 6, 2013
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE INMATE OF THE DUNGEON ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+</pre>
+ <div style="height: 8em;">
+ <br /><br /><br /><br /><br /><br /><br /><br />
+ </div>
+ <h1>
+ THE INMATE OF THE DUNGEON
+ </h1>
+ <h2>
+ By W. C. Morrow <br /> <br /> Copyright, 1894, by J. B. Lippincott &amp; Co
+ </h2>
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ After, the Board of State Prison Directors, sitting in session at the
+ prison, had heard and disposed of the complaints and petitions of a number
+ of convicts, the warden announced that all who wished to appear had been
+ heard. Thereupon a certain uneasy and apprehensive expression, which all
+ along had sat upon the faces of the directors, became visibly deeper. The
+ chairman&mdash;nervous, energetic, abrupt, incisive man&mdash;glanced at a
+ slip of paper in his hand, and said to the warden:
+ </p>
+ <p>
+ "Send a guard for convict No-14,208."
+ </p>
+ <p>
+ The warden started and become slightly pale. Somewhat confused, he
+ haltingly replied, "Why, he has expressed no desire to appear before you."
+ </p>
+ <p>
+ "Nevertheless, you will send for him at once," responded the chairman.
+ </p>
+ <p>
+ The warden bowed stiffly and directed a guard to produce the convict.
+ Then, turning to the chairman, he said:
+ </p>
+ <p>
+ "I am ignorant of your purpose in summoning this man, but of course I have
+ no objection. I desire, however, to make a statement concerning him before
+ he appears."
+ </p>
+ <p>
+ "When we shall have called for a statement from you," boldly responded the
+ chairman, "you may make one."
+ </p>
+ <p>
+ The warden sank back into his seat. He was a tall, fine-looking man,
+ well-bred and intelligent, and had a kindly face. Though ordinarily cool,
+ courageous, and self-possessed, he was unable to conceal a strong emotion
+ which looked much like fear. A heavy silence fell upon the room, disturbed
+ only by the official stenographer, who was sharpening his pencils. A stray
+ beam of light from the westering sun slipped into the room between the
+ edge of the window-shade and the sash, and fell across the chair reserved
+ for the convict. The uneasy eyes of the warden finally fell upon this
+ beam, and there his glance rested. The chairman, without addressing any
+ one particularly, remarked:
+ </p>
+ <p>
+ "There are ways of learning what occurs in a prison without the assistance
+ of either the wardens or the convicts."
+ </p>
+ <p>
+ Just then the guard appeared with the convict, who shambled in painfully
+ and laboriously, as with a string he held up from the floor the heavy iron
+ ball which was chained to his ankles. He was about forty-five years old.
+ Undoubtedly he once had been a man of uncommon physical strength, for a
+ powerful skeleton showed underneath the sallow skin which covered his
+ emaciated frame. His sallowness was peculiar and ghastly-It was partly
+ that of disease, and partly of something worse; and it was this something
+ that accounted also for his shrunken muscles and manifest feebleness.
+ </p>
+ <p>
+ There had been no time to prepare him for presentation to the Board. As a
+ consequence, his unstockinged toes showed through his gaping shoes; the
+ dingy suit of prison stripes which covered his gaunt frame was frayed and
+ tattered; his hair had not been recently cut to the prison fashion, and,
+ being rebellious, stood out upon his head like bristles; and his beard,
+ which, like his hair, was heavily dashed with gray, had not been shaved
+ for weeks. These incidents of his appearance combined with a very peculiar
+ expression of his face to make an extraordinary picture. It is difficult
+ to describe this almost unearthly expression. With a certain suppressed
+ ferocity it combined an inflexibility of purpose that sat like an iron
+ mask upon him. His eyes were hungry and eager; they were the living part
+ of him, and they shone luminous from beneath shaggy brows. His forehead
+ was massive, his head of fine proportions, his jaw square and strong, and
+ his thin, high nose showed traces of an ancestry that must have made a
+ mark in some corner of the world at some time in history. He was
+ prematurely old; this was seen in his gray hair and in the uncommonly deep
+ wrinkles which lined his forehead and the corners of his eyes and of his
+ mouth.
+ </p>
+ <p>
+ Upon stumbling weakly into the room, faint with the labor of walking and
+ of carrying the iron ball, he looked around eagerly, like a bear driven to
+ his haunches by the hounds. His glance passed so rapidly and
+ unintelligently from one face to another that he could not have had time
+ to form a conception of the persons present, until his swift eyes
+ encountered the face of the warden, Instantly they flashed; he craned his
+ neck forward; his lips opened and became blue; the wrinkles deepened about
+ his mouth and eyes; his form grew rigid, and his breathing stopped. This
+ sinister and terrible attitude&mdash;all the more so because he was wholly
+ unconscious of it&mdash;was disturbed only when the chairman sharply
+ commanded, "Take that seat."
+ </p>
+ <p>
+ The convict started as though he had been struck, and turned his eyes upon
+ the chairman. He drew a deep inspiration, which wheezed and rattled as it
+ passed into his chest. An expression of excruciating pain swept over his
+ face. He dropped the ball, which struck the floor with a loud sound, and
+ his long bony fingers tore at the striped shirt over his breast. A groan
+ escaped him, and he would have sunk to the floor had not the guard caught
+ him and held him upright. In a moment it was over, and then, collapsing
+ with exhaustion, he sank into the chair. There he sat, conscious and
+ intelligent, but slouching, disorganized, and indifferent.
+ </p>
+ <p>
+ The chairman turned sharply to the guard.
+ </p>
+ <p>
+ "Why did you manacle this man," he demanded, "when he is evidently so
+ weak, and when none of the others were manacled?"
+ </p>
+ <p>
+ "Why, sir," stammered the guard, "surely you know who this man is: he is
+ the most dangerous and desperate&mdash;"
+ </p>
+ <p>
+ "We know all about that. Remove his manacles."
+ </p>
+ <p>
+ The guard obeyed. The chairman turned to the convict, and in a kindly
+ manner said, "Do you know who we are?"
+ </p>
+ <p>
+ The convict got himself together a little and looked steadily at the
+ chairman. "No," he replied after a pause. His manner was direct, and his
+ voice was deep, though hoarse.
+ </p>
+ <p>
+ "We are the State Prison Directors. We have heard of your case, and we
+ want you to tell us the whole truth about it."
+ </p>
+ <p>
+ The convict's mind worked slowly, and it was some time before he could
+ comprehend the explanation and request. When he had accomplished that task
+ he said, very slowly, "I suppose you want me to make a complaint, sir."
+ </p>
+ <p>
+ "Yes&mdash;if you have any to make."
+ </p>
+ <p>
+ The convict was getting himself in hand. He straightened, and gazed at the
+ chairman with a peculiar intensity. Then firmly and clearly he answered,
+ "I've no complaint to make."
+ </p>
+ <p>
+ The two men sat looking at each other in silence, and as they looked a
+ bridge of human sympathy was slowly reared between them. The chairman
+ rose, passed around an intervening table, went up to the convict, and laid
+ a hand on his gaunt shoulder. There was a tenderness in his voice that few
+ men had ever heard there.
+ </p>
+ <p>
+ "I know," said he, "that you are a patient and uncomplaining man, or we
+ should have heard from you long ago. In asking you to make a statement I
+ am merely asking for your help to right a wrong, if a wrong has been done.
+ Leave your own wishes entirely out of consideration, if you prefer.
+ Assume, if you will, that it is not our intention or desire either to give
+ you relief or to make your case harder for you. There are fifteen hundred
+ human beings in this prison, and they are under the absolute control of
+ one man. If a serious wrong is practiced upon one, it may be upon others.
+ I ask you in the name of common humanity, and as one man of another, to
+ put us in the way of working justice in this prison. If you have the
+ instincts of a man within you, you will comply with my request. Speak out,
+ therefore, like a man, and have no fear of anything."
+ </p>
+ <p>
+ The convict was touched and stung. He looked up steadily into the
+ chairman's face, and firmly said, "There is nothing in this world that I
+ fear." Then he hung his head, and presently he raised it and added, "I
+ will tell you all about it."
+ </p>
+ <p>
+ At that moment he shifted his position so as to bring the beam of light
+ perpendicularly across his face and chest, and it seemed to split him in
+ twain. He saw it, and feasted his gaze upon it as it lay upon his breast.
+ After a time he thus proceeded, speaking very slowly, and in a strangely
+ monotonous voice:
+ </p>
+ <p>
+ "I was sent up for twenty years for killing a man. I hadn't been a
+ criminal: I killed him without thinking, for he had robbed me and wronged
+ me. I came here thirteen years ago. I had trouble at first&mdash;it galled
+ me to be a convict; but I got over that, because the warden that was here
+ then understood me and was kind to me, and he made me one of the best men
+ in the prison. I don't say this to make you think I'm complaining about
+ the present warden, or that he didn't treat me kindly: I can take care of
+ myself with him. I am not making any complaint. I ask no man's favor, and
+ I fear no man's power."
+ </p>
+ <p>
+ "That is all right. Proceed."
+ </p>
+ <p>
+ "After the warden had made a good man out of me I worked faithfully, sir;
+ I did everything they told me to do; I worked willingly and like a slave.
+ It did me good to work, and I worked hard. I never violated any of the
+ rules after I was broken in. And then the law was passed giving credits to
+ the men for good conduct. My term was twenty years, but I did so well that
+ my credits piled up, and after I had been here ten years I could begin to
+ see my way out. There were only about three years left. And, sir, I worked
+ faithfully to make those years good. I knew that if I did anything against
+ the rules I should lose my credits and have to stay nearly ten years
+ longer. I knew all about that, sir: I never forgot it. I wanted to be a
+ free man again, and I planned to go away somewhere and make the fight all
+ over&mdash;to be a man in the world once more."
+ </p>
+ <p>
+ "We know all about your record in the prison. Proceed."
+ </p>
+ <p>
+ "Well, it was this way. You know they were doing some heavy work in the
+ quarries and on the grades, and they wanted the strongest men in the
+ prison. There weren't very many: there never are very many strong men in
+ prison. And I was one of 'em that they put on the heavy work, and I did it
+ faithfully. They used to pay the men for extra work&mdash;not pay 'em
+ money, but the value of the money in candles, tobacco, extra clothes, and
+ things like that. I loved to work, and I loved to work extra, and so did
+ some of the other men. On Saturdays the men who had done extra work would
+ fall in and go up to the captain of the guard and he would give to each
+ man what was coming to him. He had it all down in a book, and when a man
+ would come up and call for what was due him the captain would give it to
+ him, whatever he wanted that the rules allowed.
+ </p>
+ <p>
+ "One Saturday I fell in with the others. A good many were ahead of me in
+ the line, and when they got what they wanted they fell into a new line,
+ waiting to be marched to the cells. When my turn in the line came I went
+ up to the captain and said I would take mine in tobacco. He looked at me
+ pretty sharply, and said, 'How did you get back in that line?' I told him
+ I belonged there&mdash;that I had come to get my extra. He looked at his
+ book, and he said, 'You've had your extra: you got tobacco.' And he told
+ me to fall into the new line, I told him I hadn't received any tobacco; I
+ said I hadn't got my extra, and hadn't been up before. He said, 'Don't
+ spoil your record by trying to steal a little tobacco. Fall in.'... It
+ hurt me, sir. I hadn't been up; I hadn't got my extra; and I wasn't a
+ thief, and I never had been a thief, and no living man had a right to call
+ me a thief. I said to him, straight, 'I won't fall in till I get my extra,
+ and I'm not a thief, and no man can call me one, and no man can rob me of
+ my just dues.' He turned pale, and said, 'Fall in, there.' I said, 'I
+ won't fall in till I get my dues.'
+ </p>
+ <p>
+ "With that he raised his hand as a signal, and the two guards behind him
+ covered me with their rifles, and the guard on the west wall, and one on
+ the north wall, and one on the portico in front of the arsenal, all
+ covered me with rifles. The captain turned to a trusty and told him to
+ call the warden. The warden came out, and the captain told him I was
+ trying to run double on my extra, and said I was impudent and
+ insubordinate and refused to fall in. The warden said, 'Drop that and fall
+ in.' I told him I wouldn't fall in. I said I hadn't run double, that I
+ hadn't got my extra, and that I would stay there till I died before I
+ would be robbed of it. He asked the captain if there wasn't some mistake,
+ and the captain looked at his book and said there was no mistake; he said
+ he remembered me when I came up and got the tobacco and he saw me fall
+ into the new line, but he didn't see me get back in the old line. The
+ warden didn't ask the other men if they saw me get my tobacco and slip
+ back into the old line. He just ordered me to fall in. I told him I would
+ die before I would do that. I said I wanted my just dues and no more, and
+ I asked him to call on the other men in line to prove that I hadn't been
+ up.
+ </p>
+ <p>
+ "He said, That's enough of this.' He sent all the other men to the cells,
+ and left me standing there. Then he told two guards to take me to the
+ cells. They came and took hold of me, and I threw them off as if they were
+ babies. Then more guards came up, and one of them hit me over the head
+ with a club, and I fell. And then, sir"&mdash;here the convict's voice
+ fell to a whisper&mdash;"and then he told them to take me to the dungeon."
+ </p>
+ <p>
+ The sharp, steady glitter of the convict's eyes failed, and he hung his
+ head and looked despairingly at the floor.
+ </p>
+ <p>
+ "Go on," said the chairman.
+ </p>
+ <p>
+ "They took me to the dungeon, sir. Did you ever see the dungeon?"
+ </p>
+ <p>
+ "Perhaps; but you may tell us about it."
+ </p>
+ <p>
+ The cold, steady gleam returned to the convict's eyes, as he fixed them
+ again upon the chairman.
+ </p>
+ <p>
+ "There are several little rooms in the dungeon. The one they put me in was
+ about five feet by eight. It has steel walls and ceiling, and a granite
+ floor. The only light that comes in passes through a slit in the door. The
+ slit is an inch wide and five inches long. It doesn't give much light
+ because the door is thick. It's about four inches thick, and is made of
+ oak and sheet steel bolted through. The slit runs this way"&mdash;making a
+ horizontal motion in the air&mdash;"and it is four inches above my eyes
+ when I stand on tiptoe. And I can't look out at the factory wall forty
+ feet away unless I hook my fingers in the slit and pull myself up."
+ </p>
+ <p>
+ He stopped and regarded his hands, the peculiar appearance of which we all
+ had observed. The ends of the fingers were uncommonly thick; they were red
+ and swollen, and the knuckles were curiously marked with deep white scars.
+ </p>
+ <p>
+ "Well, sir, there wasn't anything at all in the dungeon, but they gave me
+ a blanket, and they put me on bread and water. That's all they ever give
+ you in the dimgeon. They bring the bread and water once a day, and that is
+ at night, because if they come in the daytime it lets in the light.
+ </p>
+ <p>
+ "The next night after they put me in&mdash;it was Sunday night&mdash;the
+ warden came with the guard and asked me if I was all right. I said I was.
+ He said, 'Will you behave yourself and go to work to-morow?' I said, 'No,
+ sir; I won't go to work till I get what is due me.' He shrugged his
+ shoulders, and said, 'Very well: maybe you'll change your mind after you
+ have been in here a week.'
+ </p>
+ <p>
+ "They kept me there a week. The next Sunday night the warden came and
+ said, 'Are you ready to go to work to-morrow,' and I said, 'No; I will not
+ go to work till I get what is due me.' He called me hard names. I said it
+ was a man's duty to demand his rights, and that a man who would stand to
+ be treated like a dog was no man at all."
+ </p>
+ <p>
+ The chairman interrupted. "Did you not reflect," he asked, "that these
+ officers would not have stooped to rob you?&mdash;that it was through some
+ mistake they withheld your tobacco, and that in any event you had a choice
+ of two things to lose&mdash;one a plug of tobacco, and the other seven
+ years of freedom?"
+ </p>
+ <p>
+ "But they angered me and hurt me, sir, by calling me a thief, and they
+ threw me in the dungeon like a beast.... I was standing for my rights, and
+ my rights were my manhood; and that is something a man can carry sound to
+ the grave, whether he's bond or free, weak or powerful, rich or poor."
+ </p>
+ <p>
+ "Well, after you refused to go to work what did the warden do?"
+ </p>
+ <p>
+ The convict, although tremendous excitement must have surged and boiled
+ within him, slowly, deliberately, and weakly came to his feet. He placed
+ his right foot on the chair, and rested his right elbow on the raised
+ knee. The index finger of his right hand, pointing to the chairman and
+ moving slightly to lend emphasis to his narrative, was the only thing that
+ modified the rigid immobility of his figure. Without a single change in
+ the pitch or modulation of his voice, never hurrying, but speaking with
+ the slow and dreary monotony with which he had begun, he nevertheless&mdash;partly
+ by reason of these evidences of his incredible self-control&mdash;made a
+ formidable picture as he proceeded:
+ </p>
+ <p>
+ "When I told him that, sir, he said he'd take me to the ladder and see if
+ he couldn't make me change my mind.... Yes, sir; he said he'd take me to
+ the ladder." (Here there was a long pause.) "And I a human being, with
+ flesh on my bones and the heart of a man in my body. The other warden
+ hadn't tried to break my spirit on the ladder. He did break it, though; he
+ broke it clear to the bottom of the man inside of me; but he did it with a
+ human word, and not with the dungeon and the ladder. I didn't believe the
+ warden when he said he would take me to the ladder. I couldn't imagine
+ myself alive and put through at the ladder, and I couldn't imagine any
+ human being who could find the heart to put me through. If I had believed
+ him I would have strangled him then and there, and got my body full of
+ lead while doing it. No, sir; I could not believe it.
+ </p>
+ <p>
+ "And then he told me to come on. I went with him and the guards. He
+ brought me to the ladder. I had never seen it before. It was a heavy
+ wooden ladder, leaned against the wall, and the bottom was bolted to the
+ floor and the top to the wall. A whip was on the floor." (Again there was
+ a pause.) "The warden told me to strip, sir, and I stripped.... And still
+ I didn't believe he would whip me. I thought he just wanted to scare me.
+ </p>
+ <p>
+ "Then he told me to face up to the ladder. I did so, and reached my arms
+ up to the straps. They strapped my arms to the ladder, and stretched so
+ hard that they pulled me up clear of the floor. Then they strapped my legs
+ to the ladder. The warden then picked up the whip. He said to me, 'I'll
+ give you one more chance: will you go to work to-morrow?' I said, 'No; I
+ won't go to work till I get my dues.' 'Very well,' said he, 'you'll get
+ your dues now.' And then he stepped back and raised the whip. I turned my
+ head and looked at him, and I could see it in his eyes that he meant to
+ strike.... And when I saw that, sir, I felt that something inside of me
+ was about to burst.'"
+ </p>
+ <p>
+ The convict paused to gather up his strength for the crisis of his story,
+ yet not in the least particular did he change his position, the slight
+ movement of his pointing finger, the steady gleam of his eye, or the slow
+ monotony of his speech. I had never witnessed any scene so dramatic as
+ this, and yet all was absolutely simple and unintentional. I had been
+ thrilled by the greatest actors, as with matchless skill they gave rein to
+ their genius in tragic situations; but how inconceivably tawdry and cheap
+ such pictures seemed in comparison with this! The claptrap of the music,
+ the lights, the posing, the wry faces, the gasps, lunges, staggerings,
+ rolling eyes&mdash;how flimsy and colorless, how mocking and grotesque,
+ they all appeared beside this simple, uncouth, but genuine expression of
+ immeasurable agony!
+ </p>
+ <p>
+ The stenographer held his pencil poised above the paper, and wrote no
+ more.
+ </p>
+ <p>
+ "And then the whip came down across my back. The something inside of me
+ twisted hard and then broke wide open, and went pouring all through me
+ like melted iron. It was a hard fight to keep my head clear, but I did it.
+ And then I said to the warden this: 'You've struck me with a whip in cold
+ blood. You' ve tied me up hand and foot, to whip me like a dog. Well, whip
+ me, then, till you fill your belly with it. You are a coward. You are
+ lower, and meaner, and cowardlier than the lowest and meanest dog that
+ ever yelped when his master kicked him. You were born a coward. Cowards
+ will lie and steal, and you are the same as a thief and liar. No hound
+ would own you for a friend. Whip me hard and long, you coward. Whip me, I
+ say. See how good a coward feels when he ties up a man and whips him like
+ a dog. Whip me till the last breath quits my body: if you leave me alive I
+ will kill you for this.'
+ </p>
+ <p>
+ "His face got white. He asked me if I meant that, and I said, 'Yes; before
+ God, I do.' Then he took the whip in both hands and came down with all his
+ might."
+ </p>
+ <p>
+ "That was nearly two years ago," said the chairman. "You would not kill
+ him now, would you?"
+ </p>
+ <p>
+ "Yes. I will kill him if I get a chance; and I feel it in me that the
+ chance will come."
+ </p>
+ <p>
+ "Well, proceed."
+ </p>
+ <p>
+ "He kept on whipping me. He whipped me with all the strength of both
+ hands. I could feel the broken skin curl upon my back, and when my head
+ got too heavy to hold it straight it hung down, and I saw the blood on my
+ legs and dripping off my toes into a pool of it on the floor. Something
+ was straining and twisting inside of me again. My back didn't hurt much;
+ it was the thing twisting inside of me that hurt. I counted the lashes,
+ and when I counted to twenty-eight the twisting got so hard that it choked
+ me and blinded me;... and when I woke up I was in the dungeon again, and
+ the doctor had my back all plastered up, and he was kneeling beside me,
+ feeling my pulse."
+ </p>
+ <p>
+ The prisoner had finished. He looked around vaguely, as though he wanted
+ to go.
+ </p>
+ <p>
+ "And you have been in the dungeon ever since?"
+ </p>
+ <p>
+ "Yes, sir; but I don't mind that."
+ </p>
+ <p>
+ "How long?"
+ </p>
+ <p>
+ "Twenty-three months."
+ </p>
+ <p>
+ "On bread and water?"
+ </p>
+ <p>
+ "Yes; but that was all I wanted."
+ </p>
+ <p>
+ "Have you reflected that so long as you harbor a determination to kill the
+ warden you may be kept in the dungeon? You can't live much longer there,
+ and if you die there you will never find the chance you want. If you say
+ you will not kill the warden he may return you to the cells."
+ </p>
+ <p>
+ "But that would be a lie, sir; I will get a chance to kill him if I go to
+ the cells. I would rather die in the dungeon than be a liar and sneak. If
+ you send me to the cells I will kill him. But I will kill him without
+ that. I will kill him, sir.... And he knows it."
+ </p>
+ <p>
+ Without concealment, but open, deliberate, and implacable, thus in the
+ wrecked frame of a man, so close that we could have touched it, stood
+ Murder&mdash;not boastful, but relentless as death.
+ </p>
+ <p>
+ "Apart from weakness, is your health good?" asked the chairman.
+ </p>
+ <p>
+ "Oh, it's good enough," wearily answered the convict. "Sometimes the
+ twisting comes on, but when I wake up after it I'm all right."
+ </p>
+ <p>
+ The prison surgeon, under the chairman's direction, put his ear to the
+ convict's chest, and then went over and whispered to the chairman.
+ </p>
+ <p>
+ "I thought so," said that gentleman. "Now, take this man to the hospital.
+ Put him to bed where the sun will shine on him, and give him the most
+ nourishing food."
+ </p>
+ <p>
+ The convict, giving no heed to this, shambled out with a guard and the
+ surgeon.
+ </p>
+ <hr />
+ <p>
+ The warden sat alone in the prison office with No. 14,208. That he at last
+ should have been brought face to face, and alone, with the man whom he had
+ determined to kill, perplexed the convict. He was not manacled; the door
+ was locked, and the key lay on the table between the two men. Three weeks
+ in the hospital had proved beneficial, but a deathly pallor was still in
+ his face.
+ </p>
+ <p>
+ "The action of the directors three weeks ago," said the warden, "make my
+ resignation necessary. I have awaited the appointment of my successor, who
+ is now in charge. I leave the prison to-day. In the meantime, I have
+ something to tell you that will interest you. A few days ago a man who was
+ discharged from the prison last year read what the papers have published
+ recently about your case, and he has written to me confessing that it was
+ he who got your tobacco from the captain of the guard. His name is Salter,
+ and he looks very much like you. He had got his own extra, and when he
+ came up again and called for yours the captain, thinking it was you, gave
+ it to him. There was no intention on the captain's part to rob you."
+ </p>
+ <p>
+ The convict gasped and leaned forward eagerly.
+ </p>
+ <p>
+ "Until the receipt of this letter," resumed the warden, "I had opposed the
+ movement which had been started for your pardon; but when this letter came
+ I recommended your pardon, and it has been granted. Besides, you have a
+ serious heart trouble. So you are now discharged from the prison."
+ </p>
+ <p>
+ The convict stared, and leaned back speechless. His eyes shone with a
+ strange, glassy expression, and his white teeth glistened ominously
+ between his parted lips. Yet a certain painful softness tempered the iron
+ in his face.
+ </p>
+ <p>
+ "The stage will leave for the station in four hours," continued the
+ warden. "You have made certain threats against my life." The warden
+ paused; then, in a voice that slightly wavered from emotion, he continued:
+ "I shall not permit your intentions in that regard&mdash;for I care
+ nothing about them&mdash;to prevent me from discharging a duty which, as
+ from one man to another, I owe you. I have treated you with a cruelty the
+ enormity of which I now comprehend. I thought I was right. My fatal
+ mistake was in not understanding your nature. I misconstrued your conduct
+ from the beginning, and in doing so I have laid upon my conscience a
+ burden which will imbitter the remaining years of my life. I would do
+ anything in my power, if it were not too late, to atone for the wrong I
+ have done you. If before I sent you to the dungeon, I could have
+ understood the wrong and foreseen its consequences, I would cheerfully
+ have taken my own life rather than raise a hand against you. The lives of
+ us both have been wrecked; but your suffering is in the past&mdash;mine is
+ present, and will cease only with my life. For my life is a curse, and I
+ prefer not to keep it."
+ </p>
+ <p>
+ With that the warden, very pale, but with a clear purpose in his face,
+ took a loaded revolver from a drawer and laid it before the convict.
+ </p>
+ <p>
+ "Now is your chance," he said, quietly: "no one can hinder you."
+ </p>
+ <p>
+ The convict gasped and shrank away from the weapon as from a viper.
+ </p>
+ <p>
+ "Not yet&mdash;not yet," he whispered, in agony.
+ </p>
+ <p>
+ The two men sat and regarded each other without the movement of a muscle.
+ </p>
+ <p>
+ "Are you afraid to do it?" asked the warden.
+ </p>
+ <p>
+ A momentary light flashed in the convict's eyes.
+ </p>
+ <p>
+ "No!" he gasped; "you know I am not. But I can't&mdash;not yet&mdash;not
+ yet."
+ </p>
+ <p>
+ The convict, whose ghastly pallor, glassy eyes, and gleaming teeth sat
+ like a mask of death upon his face, staggered to his feet.
+ </p>
+ <p>
+ "You have done it at last! you have broken my spirit. A human word has
+ done what the dungeon and the whip could not do.... It twists inside of me
+ now.... I could be your slave for that human word." Tears streamed from
+ his eyes. "I can't help crying. I'm only a baby, after all&mdash;and I
+ thought I was a man."
+ </p>
+ <p>
+ He reeled, and the warden caught him and seated him in the chair. He took
+ the convict's hand in his and felt a firm, true pressure there. The
+ convict's eyes rolled vacantly. A spasm of pain caused him to raise his
+ free hand to his chest; his thin, gnarled fingers&mdash;made shapeless by
+ long use in the slit of the dungeon door&mdash;clutched automatically at
+ his shirt. A faint, hard smile wrinkled his wan face, displaying the
+ gleaming teeth more freely.
+ </p>
+ <p>
+ "That human word," he whispered&mdash;"if you had spoken it long ago, if&mdash;but
+ it's all&mdash;it's all right&mdash;now. I'll go&mdash;I'll go to work&mdash;to-morrow."
+ </p>
+ <p>
+ There was a slightly firmer pressure of the hand that held the warden's;
+ then it relaxed. The fingers which clutched the shirt slipped away, and
+ the hand dropped to his side. The weary head sank back and rested on the
+ chair; the strange, hard smile still sat upon the marble face, and a dead
+ man's glassy eyes and gleaming teeth were upturned toward the ceiling.
+ </p>
+ <div style="height: 6em;">
+ <br /><br /><br /><br /><br /><br />
+ </div>
+<pre xml:space="preserve">
+
+
+
+
+
+End of Project Gutenberg's The Inmate Of The Dungeon, by W. C. Morrow
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE INMATE OF THE DUNGEON ***
+
+***** This file should be named 23177-h.htm or 23177-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/1/7/23177/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/23177.txt b/23177.txt
new file mode 100644
index 0000000..877be32
--- /dev/null
+++ b/23177.txt
@@ -0,0 +1,940 @@
+The Project Gutenberg EBook of The Inmate Of The Dungeon, by W. C. Morrow
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Inmate Of The Dungeon
+ 1894
+
+Author: W. C. Morrow
+
+Release Date: October 24, 2007 [EBook #23177]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE INMATE OF THE DUNGEON ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+
+THE INMATE OF THE DUNGEON
+
+By W. C. Morrow
+
+Copyright, 1894, by J. B. Lippincott & Co
+
+
+After, the Board of State Prison Directors, sitting in session at the
+prison, had heard and disposed of the complaints and petitions of a
+number of convicts, the warden announced that all who wished to appear
+had been heard. Thereupon a certain uneasy and apprehensive expression,
+which all along had sat upon the faces of the directors, became visibly
+deeper. The chairman--nervous, energetic, abrupt, incisive man--glanced
+at a slip of paper in his hand, and said to the warden:
+
+"Send a guard for convict No-14,208."
+
+The warden started and become slightly pale. Somewhat confused, he
+haltingly replied, "Why, he has expressed no desire to appear before
+you."
+
+"Nevertheless, you will send for him at once," responded the chairman.
+
+The warden bowed stiffly and directed a guard to produce the convict.
+Then, turning to the chairman, he said:
+
+"I am ignorant of your purpose in summoning this man, but of course I
+have no objection. I desire, however, to make a statement concerning him
+before he appears."
+
+"When we shall have called for a statement from you," boldly responded
+the chairman, "you may make one."
+
+The warden sank back into his seat. He was a tall, fine-looking man,
+well-bred and intelligent, and had a kindly face. Though ordinarily
+cool, courageous, and self-possessed, he was unable to conceal a strong
+emotion which looked much like fear. A heavy silence fell upon the room,
+disturbed only by the official stenographer, who was sharpening his
+pencils. A stray beam of light from the westering sun slipped into the
+room between the edge of the window-shade and the sash, and fell across
+the chair reserved for the convict. The uneasy eyes of the warden
+finally fell upon this beam, and there his glance rested. The chairman,
+without addressing any one particularly, remarked:
+
+"There are ways of learning what occurs in a prison without the
+assistance of either the wardens or the convicts."
+
+Just then the guard appeared with the convict, who shambled in painfully
+and laboriously, as with a string he held up from the floor the heavy
+iron ball which was chained to his ankles. He was about forty-five years
+old. Undoubtedly he once had been a man of uncommon physical strength,
+for a powerful skeleton showed underneath the sallow skin which covered
+his emaciated frame. His sallowness was peculiar and ghastly-It was
+partly that of disease, and partly of something worse; and it was this
+something that accounted also for his shrunken muscles and manifest
+feebleness.
+
+There had been no time to prepare him for presentation to the Board. As
+a consequence, his unstockinged toes showed through his gaping shoes;
+the dingy suit of prison stripes which covered his gaunt frame was
+frayed and tattered; his hair had not been recently cut to the prison
+fashion, and, being rebellious, stood out upon his head like bristles;
+and his beard, which, like his hair, was heavily dashed with gray, had
+not been shaved for weeks. These incidents of his appearance combined
+with a very peculiar expression of his face to make an extraordinary
+picture. It is difficult to describe this almost unearthly expression.
+With a certain suppressed ferocity it combined an inflexibility of
+purpose that sat like an iron mask upon him. His eyes were hungry and
+eager; they were the living part of him, and they shone luminous
+from beneath shaggy brows. His forehead was massive, his head of fine
+proportions, his jaw square and strong, and his thin, high nose showed
+traces of an ancestry that must have made a mark in some corner of the
+world at some time in history. He was prematurely old; this was seen
+in his gray hair and in the uncommonly deep wrinkles which lined his
+forehead and the corners of his eyes and of his mouth.
+
+Upon stumbling weakly into the room, faint with the labor of walking and
+of carrying the iron ball, he looked around eagerly, like a bear
+driven to his haunches by the hounds. His glance passed so rapidly and
+unintelligently from one face to another that he could not have had
+time to form a conception of the persons present, until his swift eyes
+encountered the face of the warden, Instantly they flashed; he craned
+his neck forward; his lips opened and became blue; the wrinkles deepened
+about his mouth and eyes; his form grew rigid, and his breathing
+stopped. This sinister and terrible attitude--all the more so because
+he was wholly unconscious of it--was disturbed only when the chairman
+sharply commanded, "Take that seat."
+
+The convict started as though he had been struck, and turned his eyes
+upon the chairman. He drew a deep inspiration, which wheezed and rattled
+as it passed into his chest. An expression of excruciating pain swept
+over his face. He dropped the ball, which struck the floor with a loud
+sound, and his long bony fingers tore at the striped shirt over his
+breast. A groan escaped him, and he would have sunk to the floor had not
+the guard caught him and held him upright. In a moment it was over, and
+then, collapsing with exhaustion, he sank into the chair. There he sat,
+conscious and intelligent, but slouching, disorganized, and indifferent.
+
+The chairman turned sharply to the guard.
+
+"Why did you manacle this man," he demanded, "when he is evidently so
+weak, and when none of the others were manacled?"
+
+"Why, sir," stammered the guard, "surely you know who this man is: he is
+the most dangerous and desperate--"
+
+"We know all about that. Remove his manacles."
+
+The guard obeyed. The chairman turned to the convict, and in a kindly
+manner said, "Do you know who we are?"
+
+The convict got himself together a little and looked steadily at the
+chairman. "No," he replied after a pause. His manner was direct, and his
+voice was deep, though hoarse.
+
+"We are the State Prison Directors. We have heard of your case, and we
+want you to tell us the whole truth about it."
+
+The convict's mind worked slowly, and it was some time before he could
+comprehend the explanation and request. When he had accomplished that
+task he said, very slowly, "I suppose you want me to make a complaint,
+sir."
+
+"Yes--if you have any to make."
+
+The convict was getting himself in hand. He straightened, and gazed
+at the chairman with a peculiar intensity. Then firmly and clearly he
+answered, "I've no complaint to make."
+
+The two men sat looking at each other in silence, and as they looked a
+bridge of human sympathy was slowly reared between them. The chairman
+rose, passed around an intervening table, went up to the convict, and
+laid a hand on his gaunt shoulder. There was a tenderness in his voice
+that few men had ever heard there.
+
+"I know," said he, "that you are a patient and uncomplaining man, or we
+should have heard from you long ago. In asking you to make a statement
+I am merely asking for your help to right a wrong, if a wrong has
+been done. Leave your own wishes entirely out of consideration, if you
+prefer. Assume, if you will, that it is not our intention or desire
+either to give you relief or to make your case harder for you. There
+are fifteen hundred human beings in this prison, and they are under the
+absolute control of one man. If a serious wrong is practiced upon one,
+it may be upon others. I ask you in the name of common humanity, and
+as one man of another, to put us in the way of working justice in this
+prison. If you have the instincts of a man within you, you will comply
+with my request. Speak out, therefore, like a man, and have no fear of
+anything."
+
+The convict was touched and stung. He looked up steadily into the
+chairman's face, and firmly said, "There is nothing in this world that
+I fear." Then he hung his head, and presently he raised it and added, "I
+will tell you all about it."
+
+At that moment he shifted his position so as to bring the beam of light
+perpendicularly across his face and chest, and it seemed to split him
+in twain. He saw it, and feasted his gaze upon it as it lay upon his
+breast. After a time he thus proceeded, speaking very slowly, and in a
+strangely monotonous voice:
+
+"I was sent up for twenty years for killing a man. I hadn't been a
+criminal: I killed him without thinking, for he had robbed me and
+wronged me. I came here thirteen years ago. I had trouble at first--it
+galled me to be a convict; but I got over that, because the warden that
+was here then understood me and was kind to me, and he made me one
+of the best men in the prison. I don't say this to make you think I'm
+complaining about the present warden, or that he didn't treat me kindly:
+I can take care of myself with him. I am not making any complaint. I ask
+no man's favor, and I fear no man's power."
+
+"That is all right. Proceed."
+
+"After the warden had made a good man out of me I worked faithfully,
+sir; I did everything they told me to do; I worked willingly and like a
+slave. It did me good to work, and I worked hard. I never violated any
+of the rules after I was broken in. And then the law was passed giving
+credits to the men for good conduct. My term was twenty years, but I did
+so well that my credits piled up, and after I had been here ten years I
+could begin to see my way out. There were only about three years left.
+And, sir, I worked faithfully to make those years good. I knew that if I
+did anything against the rules I should lose my credits and have to stay
+nearly ten years longer. I knew all about that, sir: I never forgot it.
+I wanted to be a free man again, and I planned to go away somewhere and
+make the fight all over--to be a man in the world once more."
+
+"We know all about your record in the prison. Proceed."
+
+"Well, it was this way. You know they were doing some heavy work in the
+quarries and on the grades, and they wanted the strongest men in the
+prison. There weren't very many: there never are very many strong men in
+prison. And I was one of 'em that they put on the heavy work, and I
+did it faithfully. They used to pay the men for extra work--not pay 'em
+money, but the value of the money in candles, tobacco, extra clothes,
+and things like that. I loved to work, and I loved to work extra, and so
+did some of the other men. On Saturdays the men who had done extra work
+would fall in and go up to the captain of the guard and he would give to
+each man what was coming to him. He had it all down in a book, and when
+a man would come up and call for what was due him the captain would give
+it to him, whatever he wanted that the rules allowed.
+
+"One Saturday I fell in with the others. A good many were ahead of me in
+the line, and when they got what they wanted they fell into a new line,
+waiting to be marched to the cells. When my turn in the line came I went
+up to the captain and said I would take mine in tobacco. He looked at
+me pretty sharply, and said, 'How did you get back in that line?' I told
+him I belonged there--that I had come to get my extra. He looked at his
+book, and he said, 'You've had your extra: you got tobacco.' And he told
+me to fall into the new line, I told him I hadn't received any tobacco;
+I said I hadn't got my extra, and hadn't been up before. He said, 'Don't
+spoil your record by trying to steal a little tobacco. Fall in.'... It
+hurt me, sir. I hadn't been up; I hadn't got my extra; and I wasn't a
+thief, and I never had been a thief, and no living man had a right to
+call me a thief. I said to him, straight, 'I won't fall in till I get my
+extra, and I'm not a thief, and no man can call me one, and no man can
+rob me of my just dues.' He turned pale, and said, 'Fall in, there.' I
+said, 'I won't fall in till I get my dues.'
+
+"With that he raised his hand as a signal, and the two guards behind him
+covered me with their rifles, and the guard on the west wall, and one
+on the north wall, and one on the portico in front of the arsenal, all
+covered me with rifles. The captain turned to a trusty and told him to
+call the warden. The warden came out, and the captain told him I
+was trying to run double on my extra, and said I was impudent and
+insubordinate and refused to fall in. The warden said, 'Drop that and
+fall in.' I told him I wouldn't fall in. I said I hadn't run double,
+that I hadn't got my extra, and that I would stay there till I died
+before I would be robbed of it. He asked the captain if there wasn't
+some mistake, and the captain looked at his book and said there was no
+mistake; he said he remembered me when I came up and got the tobacco and
+he saw me fall into the new line, but he didn't see me get back in the
+old line. The warden didn't ask the other men if they saw me get my
+tobacco and slip back into the old line. He just ordered me to fall in.
+I told him I would die before I would do that. I said I wanted my just
+dues and no more, and I asked him to call on the other men in line to
+prove that I hadn't been up.
+
+"He said, That's enough of this.' He sent all the other men to the
+cells, and left me standing there. Then he told two guards to take me
+to the cells. They came and took hold of me, and I threw them off as if
+they were babies. Then more guards came up, and one of them hit me over
+the head with a club, and I fell. And then, sir"--here the convict's
+voice fell to a whisper--"and then he told them to take me to the
+dungeon."
+
+The sharp, steady glitter of the convict's eyes failed, and he hung his
+head and looked despairingly at the floor.
+
+"Go on," said the chairman.
+
+"They took me to the dungeon, sir. Did you ever see the dungeon?"
+
+"Perhaps; but you may tell us about it."
+
+The cold, steady gleam returned to the convict's eyes, as he fixed them
+again upon the chairman.
+
+"There are several little rooms in the dungeon. The one they put me
+in was about five feet by eight. It has steel walls and ceiling, and a
+granite floor. The only light that comes in passes through a slit in
+the door. The slit is an inch wide and five inches long. It doesn't give
+much light because the door is thick. It's about four inches thick,
+and is made of oak and sheet steel bolted through. The slit runs this
+way"--making a horizontal motion in the air--"and it is four inches
+above my eyes when I stand on tiptoe. And I can't look out at the
+factory wall forty feet away unless I hook my fingers in the slit and
+pull myself up."
+
+He stopped and regarded his hands, the peculiar appearance of which we
+all had observed. The ends of the fingers were uncommonly thick; they
+were red and swollen, and the knuckles were curiously marked with deep
+white scars.
+
+"Well, sir, there wasn't anything at all in the dungeon, but they gave
+me a blanket, and they put me on bread and water. That's all they ever
+give you in the dimgeon. They bring the bread and water once a day, and
+that is at night, because if they come in the daytime it lets in the
+light.
+
+"The next night after they put me in--it was Sunday night--the warden
+came with the guard and asked me if I was all right. I said I was.
+He said, 'Will you behave yourself and go to work to-morow?' I said,
+'No, sir; I won't go to work till I get what is due me.' He shrugged his
+shoulders, and said, 'Very well: maybe you'll change your mind after you
+have been in here a week.'
+
+"They kept me there a week. The next Sunday night the warden came and
+said, 'Are you ready to go to work to-morrow,' and I said, 'No; I will
+not go to work till I get what is due me.' He called me hard names. I
+said it was a man's duty to demand his rights, and that a man who would
+stand to be treated like a dog was no man at all."
+
+The chairman interrupted. "Did you not reflect," he asked, "that these
+officers would not have stooped to rob you?--that it was through some
+mistake they withheld your tobacco, and that in any event you had a
+choice of two things to lose--one a plug of tobacco, and the other seven
+years of freedom?"
+
+"But they angered me and hurt me, sir, by calling me a thief, and they
+threw me in the dungeon like a beast.... I was standing for my rights,
+and my rights were my manhood; and that is something a man can carry
+sound to the grave, whether he's bond or free, weak or powerful, rich or
+poor."
+
+"Well, after you refused to go to work what did the warden do?"
+
+The convict, although tremendous excitement must have surged and boiled
+within him, slowly, deliberately, and weakly came to his feet. He placed
+his right foot on the chair, and rested his right elbow on the raised
+knee. The index finger of his right hand, pointing to the chairman and
+moving slightly to lend emphasis to his narrative, was the only thing
+that modified the rigid immobility of his figure. Without a single
+change in the pitch or modulation of his voice, never hurrying, but
+speaking with the slow and dreary monotony with which he had begun,
+he nevertheless--partly by reason of these evidences of his incredible
+self-control--made a formidable picture as he proceeded:
+
+"When I told him that, sir, he said he'd take me to the ladder and see
+if he couldn't make me change my mind.... Yes, sir; he said he'd take
+me to the ladder." (Here there was a long pause.) "And I a human being,
+with flesh on my bones and the heart of a man in my body. The other
+warden hadn't tried to break my spirit on the ladder. He did break it,
+though; he broke it clear to the bottom of the man inside of me; but
+he did it with a human word, and not with the dungeon and the ladder. I
+didn't believe the warden when he said he would take me to the ladder.
+I couldn't imagine myself alive and put through at the ladder, and I
+couldn't imagine any human being who could find the heart to put me
+through. If I had believed him I would have strangled him then and
+there, and got my body full of lead while doing it. No, sir; I could not
+believe it.
+
+"And then he told me to come on. I went with him and the guards. He
+brought me to the ladder. I had never seen it before. It was a heavy
+wooden ladder, leaned against the wall, and the bottom was bolted to the
+floor and the top to the wall. A whip was on the floor." (Again there
+was a pause.) "The warden told me to strip, sir, and I stripped.... And
+still I didn't believe he would whip me. I thought he just wanted to
+scare me.
+
+"Then he told me to face up to the ladder. I did so, and reached my arms
+up to the straps. They strapped my arms to the ladder, and stretched so
+hard that they pulled me up clear of the floor. Then they strapped my
+legs to the ladder. The warden then picked up the whip. He said to me,
+'I'll give you one more chance: will you go to work to-morrow?' I said,
+'No; I won't go to work till I get my dues.' 'Very well,' said he,
+'you'll get your dues now.' And then he stepped back and raised the
+whip. I turned my head and looked at him, and I could see it in his
+eyes that he meant to strike.... And when I saw that, sir, I felt that
+something inside of me was about to burst.'"
+
+The convict paused to gather up his strength for the crisis of his
+story, yet not in the least particular did he change his position, the
+slight movement of his pointing finger, the steady gleam of his eye,
+or the slow monotony of his speech. I had never witnessed any scene so
+dramatic as this, and yet all was absolutely simple and unintentional.
+I had been thrilled by the greatest actors, as with matchless skill they
+gave rein to their genius in tragic situations; but how inconceivably
+tawdry and cheap such pictures seemed in comparison with this! The
+claptrap of the music, the lights, the posing, the wry faces, the gasps,
+lunges, staggerings, rolling eyes--how flimsy and colorless, how mocking
+and grotesque, they all appeared beside this simple, uncouth, but
+genuine expression of immeasurable agony!
+
+The stenographer held his pencil poised above the paper, and wrote no
+more.
+
+"And then the whip came down across my back. The something inside of me
+twisted hard and then broke wide open, and went pouring all through me
+like melted iron. It was a hard fight to keep my head clear, but I did
+it. And then I said to the warden this: 'You've struck me with a whip
+in cold blood. You' ve tied me up hand and foot, to whip me like a dog.
+Well, whip me, then, till you fill your belly with it. You are a coward.
+You are lower, and meaner, and cowardlier than the lowest and meanest
+dog that ever yelped when his master kicked him. You were born a coward.
+Cowards will lie and steal, and you are the same as a thief and liar.
+No hound would own you for a friend. Whip me hard and long, you coward.
+Whip me, I say. See how good a coward feels when he ties up a man and
+whips him like a dog. Whip me till the last breath quits my body: if you
+leave me alive I will kill you for this.'
+
+"His face got white. He asked me if I meant that, and I said, 'Yes;
+before God, I do.' Then he took the whip in both hands and came down
+with all his might."
+
+"That was nearly two years ago," said the chairman. "You would not kill
+him now, would you?"
+
+"Yes. I will kill him if I get a chance; and I feel it in me that the
+chance will come."
+
+"Well, proceed."
+
+"He kept on whipping me. He whipped me with all the strength of both
+hands. I could feel the broken skin curl upon my back, and when my head
+got too heavy to hold it straight it hung down, and I saw the blood
+on my legs and dripping off my toes into a pool of it on the floor.
+Something was straining and twisting inside of me again. My back didn't
+hurt much; it was the thing twisting inside of me that hurt. I counted
+the lashes, and when I counted to twenty-eight the twisting got so hard
+that it choked me and blinded me;... and when I woke up I was in the
+dungeon again, and the doctor had my back all plastered up, and he was
+kneeling beside me, feeling my pulse."
+
+The prisoner had finished. He looked around vaguely, as though he wanted
+to go.
+
+"And you have been in the dungeon ever since?"
+
+"Yes, sir; but I don't mind that."
+
+"How long?"
+
+"Twenty-three months."
+
+"On bread and water?"
+
+"Yes; but that was all I wanted."
+
+"Have you reflected that so long as you harbor a determination to kill
+the warden you may be kept in the dungeon? You can't live much longer
+there, and if you die there you will never find the chance you want. If
+you say you will not kill the warden he may return you to the cells."
+
+"But that would be a lie, sir; I will get a chance to kill him if I
+go to the cells. I would rather die in the dungeon than be a liar and
+sneak. If you send me to the cells I will kill him. But I will kill him
+without that. I will kill him, sir.... And he knows it."
+
+Without concealment, but open, deliberate, and implacable, thus in the
+wrecked frame of a man, so close that we could have touched it, stood
+Murder--not boastful, but relentless as death.
+
+"Apart from weakness, is your health good?" asked the chairman.
+
+"Oh, it's good enough," wearily answered the convict. "Sometimes the
+twisting comes on, but when I wake up after it I'm all right."
+
+The prison surgeon, under the chairman's direction, put his ear to the
+convict's chest, and then went over and whispered to the chairman.
+
+"I thought so," said that gentleman. "Now, take this man to the
+hospital. Put him to bed where the sun will shine on him, and give him
+the most nourishing food."
+
+The convict, giving no heed to this, shambled out with a guard and the
+surgeon.
+
+*****
+
+The warden sat alone in the prison office with No. 14,208. That he at
+last should have been brought face to face, and alone, with the man whom
+he had determined to kill, perplexed the convict. He was not manacled;
+the door was locked, and the key lay on the table between the two men.
+Three weeks in the hospital had proved beneficial, but a deathly pallor
+was still in his face.
+
+"The action of the directors three weeks ago," said the warden, "make my
+resignation necessary. I have awaited the appointment of my successor,
+who is now in charge. I leave the prison to-day. In the meantime, I have
+something to tell you that will interest you. A few days ago a man
+who was discharged from the prison last year read what the papers have
+published recently about your case, and he has written to me confessing
+that it was he who got your tobacco from the captain of the guard. His
+name is Salter, and he looks very much like you. He had got his own
+extra, and when he came up again and called for yours the captain,
+thinking it was you, gave it to him. There was no intention on the
+captain's part to rob you."
+
+The convict gasped and leaned forward eagerly.
+
+"Until the receipt of this letter," resumed the warden, "I had opposed
+the movement which had been started for your pardon; but when this
+letter came I recommended your pardon, and it has been granted. Besides,
+you have a serious heart trouble. So you are now discharged from the
+prison."
+
+The convict stared, and leaned back speechless. His eyes shone with
+a strange, glassy expression, and his white teeth glistened ominously
+between his parted lips. Yet a certain painful softness tempered the
+iron in his face.
+
+"The stage will leave for the station in four hours," continued the
+warden. "You have made certain threats against my life." The warden
+paused; then, in a voice that slightly wavered from emotion, he
+continued: "I shall not permit your intentions in that regard--for I
+care nothing about them--to prevent me from discharging a duty which,
+as from one man to another, I owe you. I have treated you with a cruelty
+the enormity of which I now comprehend. I thought I was right. My
+fatal mistake was in not understanding your nature. I misconstrued
+your conduct from the beginning, and in doing so I have laid upon my
+conscience a burden which will imbitter the remaining years of my life.
+I would do anything in my power, if it were not too late, to atone for
+the wrong I have done you. If before I sent you to the dungeon, I
+could have understood the wrong and foreseen its consequences, I would
+cheerfully have taken my own life rather than raise a hand against you.
+The lives of us both have been wrecked; but your suffering is in the
+past--mine is present, and will cease only with my life. For my life is
+a curse, and I prefer not to keep it."
+
+With that the warden, very pale, but with a clear purpose in his face,
+took a loaded revolver from a drawer and laid it before the convict.
+
+"Now is your chance," he said, quietly: "no one can hinder you."
+
+The convict gasped and shrank away from the weapon as from a viper.
+
+"Not yet--not yet," he whispered, in agony.
+
+The two men sat and regarded each other without the movement of a
+muscle.
+
+"Are you afraid to do it?" asked the warden.
+
+A momentary light flashed in the convict's eyes.
+
+"No!" he gasped; "you know I am not. But I can't--not yet--not yet."
+
+The convict, whose ghastly pallor, glassy eyes, and gleaming teeth sat
+like a mask of death upon his face, staggered to his feet.
+
+"You have done it at last! you have broken my spirit. A human word has
+done what the dungeon and the whip could not do.... It twists inside of
+me now.... I could be your slave for that human word." Tears streamed
+from his eyes. "I can't help crying. I'm only a baby, after all--and I
+thought I was a man."
+
+He reeled, and the warden caught him and seated him in the chair. He
+took the convict's hand in his and felt a firm, true pressure there. The
+convict's eyes rolled vacantly. A spasm of pain caused him to raise his
+free hand to his chest; his thin, gnarled fingers--made shapeless by
+long use in the slit of the dungeon door--clutched automatically at
+his shirt. A faint, hard smile wrinkled his wan face, displaying the
+gleaming teeth more freely.
+
+"That human word," he whispered--"if you had spoken it long ago, if--but
+it's all--it's all right--now. I'll go--I'll go to work--to-morrow."
+
+There was a slightly firmer pressure of the hand that held the warden's;
+then it relaxed. The fingers which clutched the shirt slipped away, and
+the hand dropped to his side. The weary head sank back and rested on
+the chair; the strange, hard smile still sat upon the marble face, and
+a dead man's glassy eyes and gleaming teeth were upturned toward the
+ceiling.
+
+
+
+
+
+
+End of Project Gutenberg's The Inmate Of The Dungeon, by W. C. Morrow
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE INMATE OF THE DUNGEON ***
+
+***** This file should be named 23177.txt or 23177.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/1/7/23177/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/23177.zip b/23177.zip
new file mode 100644
index 0000000..ebd8dc9
--- /dev/null
+++ b/23177.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..0e73176
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #23177 (https://www.gutenberg.org/ebooks/23177)