diff options
Diffstat (limited to '23160.txt')
| -rw-r--r-- | 23160.txt | 826 |
1 files changed, 826 insertions, 0 deletions
diff --git a/23160.txt b/23160.txt new file mode 100644 index 0000000..9e8954a --- /dev/null +++ b/23160.txt @@ -0,0 +1,826 @@ +The Project Gutenberg EBook of Solomon's Orbit, by William Carroll + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Solomon's Orbit + +Author: William Carroll + +Illustrator: Schoenherr + +Release Date: October 24, 2007 [EBook #23160] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK SOLOMON'S ORBIT *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + + + + +[Illustration] + + + + + Solomon's Orbit + + There will, sooner or later, be problems + of "space junk," and the right to dump in space. + But not like this...! + + by William Carroll + + Illustrated by Schoenherr + + +"Comrades," said the senior technician, "notice the clear view of North +America. From here we watch everything; rivers, towns, almost the +people. And see, our upper lens shows the dark spot of a meteor in +space. Comrades, the meteor gets larger. It is going to pass close to +our wondrous machine. Comrades ... Comrades ... turn to my channel. It +is no meteor--it is square. The accursed Americans have sent up a house. +Comrades ... an ancient automobile is flying toward our space machine. +Comrades ... it is going to--Ah ... the picture is gone." + +Moscow reported the conversation, verbatim, to prove their space vehicle +was knocked from the sky by a capitalistic plot. Motion pictures clearly +showed an American automobile coming toward the Russian satellite. +Russian astronomers ordered to seek other strange orbiting devices +reported: "We've observed cars for weeks. Have been exiling technicians +and photographers to Siberia for making jokes of Soviet science. If +television proves ancient automobiles are orbiting the world, Americans +are caught in obvious attempt to ridicule our efforts to probe mysteries +of space." + + * * * + +Confusion was also undermining American scientific study of the heavens. +At Mount Palomar the busy 200-inch telescope was photographing a strange +new object, but plates returned from the laboratory caused astronomers +to explode angrily. In full glory, the photograph showed a tiny image of +an ancient car. This first development only affected two photographers +at Mount Palomar. They were fired for playing practical jokes on the +astronomers. Additional exposures of other newfound objects were made. +Again the plates were returned; this time with three little old cars +parading proudly across the heavens as though they truly belonged among +the stars. + +The night the Russian protest crossed trails with the Palomar report, +Washington looked like a kid with chicken pox, as dozens of spotty +yellow windows marked midnight meetings of the nation's greatest minds. +The military denied responsibility for cars older than 1942. Civil +aviation proved they had no projects involving motor vehicles. Central +Intelligence swore on their classification manual they were not dropping +junk over Cuba in an attempt to hit Castro. Disgusted, the President +established a civilian commission which soon located three more reports. + +Two were from fliers. The pilot of Flight 26, New York to Los Angeles, +had two weeks before reported a strange object rising over Southern +California about ten the evening of April 3rd. A week after this report, +a private pilot on his way from Las Vegas claimed seeing an old car +flying over Los Angeles. His statement was ignored, as he was arrested +later while trying to drink himself silly because no one believed his +story. + +Fortunately, at the approximate times both pilots claimed sighting +unknown objects, radar at Los Angeles International recorded something +rising from earth's surface into the stratosphere. Within hours after +the three reports met, in the President's commission's office, mobile +radar was spotted on Southern California hilltops in twenty-four-hour +watches for unscheduled flights not involving aircraft. + +Number Seven, stationed in the Mount Wilson television tower parking +lot, caught one first. "Hey fellows," came his excited voice, "check 124 +degrees, vector 62 now ... rising ... 124 degrees ... vector 66 ... +rising--" + +_Nine_ and _Four_ caught it moments later. Then _Three_, Army long-range +radar, picked it up. "O.K., we're on. It's still rising ... leaving the +atmosphere ... gone. Anyone else catch it?" Negative responses came from +all but _Seven_, _Nine_ and _Four_. So well spread were they, that +within minutes headquarters had laid four lines over Southern +California. They crossed where the unsuspecting community of Fullerton +was more or less sound asleep, totally unaware of the making of history +in its back yard. + + * * * * * + +The history of what astronomers call Solomon's Orbit had its beginning +about three months ago. Solomon, who couldn't remember his first name, +was warming tired bones in the sun, in front of his auto-wrecking yard a +mile south of Fullerton. Though sitting, he was propped against the +office; a tin shed decorated like a Christmas tree with hundreds of hub +caps dangling from sagging wooden rafters. The back door opened on two +acres of what Solomon happily agreed was the finest junk in all +California. Fords on the left, Chevys on the right, and across the +sagging back fence, a collection of honorable sedans whose makers left +the business world years ago. They were known as Solomon's "Classics." + +The bright sun had Solomon's tiny eyes burrowed under a shaggy brow +which, added to an Einstein-like shock of white hair, gave him the +appearance of a professor on sabbatical. Eyes closed, Solomon was +fondling favorite memories, when as a lad he repaired steam tractors and +followed wheat across central plains of the United States. Happiness +faded as the reverie was broken by spraying gravel signaling arrival of +a customer's car. + +"There's Uncle Solomon, Dad," a boy's voice was saying. "He gives us +kids good deals on hot-rod parts. You've just gotta take a look at his +old cars, 'cause if you want a classic Uncle Solomon would make you a +good deal, too. I just know he would." + +"Sure, Son, let's go in and see what he's got," replied a man's voice. +As Solomon opened his eyes, the two popped into reality. Heaving himself +out of the sports car bucket seat that was his office chair, Solomon +stood awaiting approach of the pair. + +"Mr Solomon, Georgie here tells me you have some fine old cars for +sale?" + +"Sure have. Sure have. They're in back. Come along. I'll show you the +short cuts." Without waiting for a reply, Solomon started, head bent, +white hair blowing; through the office, out the back door and down +passages hardly wide enough for a boy, let alone a man. He disappeared +around a hearse, and surfaced on the other side of a convertible, +leading the boy and his father a chase that was more a guided tour of +Solomon's yard than a short cut. "Yes, sir, here they are," announced +Solomon over his shoulder. Stepping aside he made room for the boy and +his father to pass, between a couple of Ford Tudors. + +Three pair of eyes, one young, one old, the other tired, were faced by +two rows of hulks, proud in the silent agony of their fate. Sold, resold +and sold again, used until exhaustion set in, they reached Solomon's for +a last brave stand. No matter what beauties they were to Solomon's +prejudiced eyes; missing fenders, rusted body panels, broken wheels and +rotted woodwork bespoke the utter impossibility of restoration. + +"See, Dad, aren't they great?" Georgie gleefully asked. He could just +imagine shaking the guys at school with the old Packard, after Dad +restored it. + +"Are you kidding?" Georgie's Dad exploded, "Those wrecks aren't good for +anything but shooting at the moon. Let's go." Not another word did he +say. Heading back to the car parked outside Solomon's office, his +footsteps were echoed by those of a crestfallen boy. Solomon, a figure +of lonely dejection in the gloom overshadowing his unloved old cars, was +troubled with smog causing his eyes to water as tired feet aimlessly +found their way back to his seat in the sun. + +That night, to take his mind off worrisome old cars, Solomon began +reading the previous Sunday's newspaper. There were pictures of moon +shots, rockets and astronauts, which started Solomon to thinking; "So, +my classics are good only for shooting at the moon. This thing called an +ion engine, which creates a force field to move satellites, seems like a +lot of equipment. Could do it easier with one of my old engines, I bet." + +As Solomon told the people in Washington several months later, he was +only resting his eyes, thinking about shop manuals and parts in the back +yard. When suddenly he figured there was an easier way to build a +satellite power plant. But, as it was past his bedtime, he'd put one +together tomorrow. + +It was late the next afternoon before Solomon had a chance to try his +satellite power plant idea. Customers were gone and he was free of +interruption. The engine of his elderly Moreland tow-truck was brought +to life by Solomon almost hidden behind the huge wooden steering wheel. +The truck lumbered carefully down rows of cars to an almost completely +stripped wreck holding only a broken engine. In a few minutes, Solomon +had the engine waving behind the truck while he reversed to a clear +space near the center of his yard. + +Once the broken engine was blocked upright on the ground, Solomon backed +his Moreland out of the way, carried a tray of tools to the engine and +squatted in the dirt to work. First, the intake manifold came off and +was bolted to the clutch housing so the carburetor mounting flange faced +skyward. Solomon stopped for a minute to worry. "If it works," he +thought, "when I get them nearer each other, it'll go up in my face." +Scanning the yard he thought of fenders, doors, wheels, hub caps and ... +that was it. A hub cap would do the trick. + +At his age, running was a senseless activity, but walking faster than +usual, Solomon took a direct route to his office. From the ceiling of +hub caps, he selected a small cap from an old Chevy truck. Back at the +engine, he punched a hole in the cap, through which he tied a length of +strong twine. The cap was laid on the carburetor flange and stuck in +place with painter's masking tape. He then bolted the exhaust manifold +over the intake so the muffler connection barely touched the hub cap. +Solomon stood up, kicked the manifolds with his heavy boots to make sure +they were solid and grunted with satisfaction of a job well done. + +He moved his tray of tools away and trailed the hub cap twine behind the +solid body of a big old Ford station wagon. He'd read of scientists in +block houses when they shot rockets and was taking no chances. +Excitement glistened Solomon's old eyes as what blood pressure there was +rose a point or two with happy thoughts. If his idea worked, he would be +free of the old cars, yet not destroy a single one. Squatting behind the +station wagon, to watch the engine, Solomon gingerly pulled the twine to +eliminate slack. As it tightened, he tensed, braced himself with a free +hand on the wagon's bumper, and taking a deep breath, jerked the cord. +Tired legs failed and Solomon slipped backward when the hub cap broke +free of the tape and sailed through the air to clang against the wagon's +fender. Lying on his back, struggling to rise, Solomon heard a slight +swish as though a whirlwind had come through the yard. The scent of +air-borne dust bit his nostrils as he struggled to his feet. + + * * * + +Deep in the woods behind Solomon's yard two boys were hunting crows. +Eyes high, they scanned branches and horizons for game. "Look, there +goes one," the younger cried as a large dark object majestically rose +into the sky and rapidly disappeared into high clouds. + +"Yup, maybe so," said the other. "But it's flying too high for us." + + * * * * * + +"I must be a silly old man," Solomon thought, scanning the cleared space +behind his tow truck where he remembered an engine. There was nothing +there, and as Solomon now figured it, never had been. Heart heavy with +belief in the temporary foolishness of age, Solomon went to the hub +cap, glittering the sun where it lit after bouncing off the fender. It +was untied from the string, and in the tool tray, before Solomon +realized he'd not been daydreaming. In the cleared area, were two old +manifold gaskets, several rusty nuts, and dirt blown smooth in a wide +circle around greasy blocks on which he'd propped the now missing +engine. + +That night was a whirlwind of excitement for Solomon. He had steak for +dinner, then sat back to consider future success. Once the classic cars +were gone, he could use the space for more profitable Fords and Chevys. +All he'd have to do would be bolt manifolds from spare engines on a +different car every night, and he'd be rid of it. All he used was vacuum +in the intake manifold, drawing pressure from the outlet side of the +exhaust. The resulting automatic power flow raised anything they were +attached to. Solomon couldn't help but think, "The newspapers said +scientists were losing rockets and space capsules, so a few old cars +could get lost in the clouds without hurting anything." + +Early the next morning, he towed the oldest hulk, an Essex, to the +cleared space. Manifolds from junk engines were bolted to the wheels but +this time carburetor flanges were covered by wooden shingles because +Solomon figured he couldn't afford to ruin four salable hub caps just to +get rid of his old sedans. Each shingle was taped in place so they could +be pulled off in unison with a strong pull on the twine. The tired Essex +was pretty big, so Solomon waited until bedtime before stumbling through +the dark to the launching pad in his yard. Light from kitchen matches +helped collect the shingle cords as he crouched behind the Ford wagon. +He held the cords in one calloused hand, a burning match in the other so +he could watch the Essex. Solomon tightened his fist, gave a quick tug +to jerk all shingles at the same time, and watched in excited +satisfaction as the old sedan rose in a soft swish of midsummer air +flowing through ancient curves of four rusty manifold assemblies. + +Day after day, only a mile from Fullerton, Solomon busied himself buying +wrecked cars and selling usable parts. Each weekday night--Solomon never +worked on Sunday--another old car from his back lot went silently +heavenward with the aid of Solomon's unique combination of engine vacuum +and exhaust pressure. His footsteps were light with accomplishment as he +thought, "In four more days, they'll all be gone." + + * * * + +While the Fullerton radar net smoked innumerable cigarettes and cursed +luck ruining the evening, Solomon scrambled two eggs, enjoyed his coffee +and relaxed with a newly found set of old 1954 Buick shop manuals. As +usual, when the clock neared ten, he closed his manuals and let himself +out the back door. + +City lights, reflected in low clouds, brightened the way Solomon knew +well. He was soon kneeling behind the Ford wagon without having stumbled +once. Only two kitchen matches were needed to collect the cords from a +big Packard, handsome in the warmth of a moonless summer night. With a +faint "God Bless You," Solomon pulled the shingles and watched its +massive hulk rise and disappear into orbit with his other orphans. + +If you'd been able to see it all, you'd have worried. The full circle of +radar and communications crews around Fullerton had acted as though the +whole town were going to pussyfoot away at sundown. _Nine_ was hidden in +a curious farmer's orange grove. _Seven_ was tucked between station +wagons in the back row of a used car lot. _Four_ was assigned the +loading dock of a meat-packing plant, but the night watchman wouldn't +allow them to stay. They moved across the street behind a fire station. +_Three_ was too big to hide, so it opened for business inside the +National Guard Armory. + +They all caught the Packard's takeoff. Degree lines from the four +stations around Fullerton were crossed on the map long before Solomon +reached his back door. By the time bedroom lights were out and covers +under his bristly chin, a task force of quiet men was speeding on its +way to surround four blocks of country land; including a chicken ranch, +Solomon's junk yard and a small frame house. Dogs stirred, yapping at +sudden activity they alone knew of, then nose to tail, returned to sleep +when threats of intrusion failed to materialize. + +The sun was barely up when the chicken farmer was stopped a block from +his house, Highway patrolmen slowly inspected his truck from front to +back, while three cars full of civilians, by the side of the road, +watched every move. Finding nothing unusual, a patrolman reported to the +first civilian car then returned to wave the farmer on his way. When the +widow teacher from the frame house, started for school, she too, was +stopped. After a cursory inspection the patrolman passed her on. Two of +the three accounted for. What of the third? + + * * * * * + +Quietly a cavalcade formed, converged in Solomon's front yard and parked +facing the road ready for quick departure. Some dozen civilians muddied +shoes and trousers circling the junk yard, taking stations so they could +watch all approaches. Once they were in position, a Highway patrolman +and two civilians went to Solomon's door. + +His last cup of coffee was almost gone as Solomon heard the noise of +their shoes, followed by knuckles thumping his front door. Wondering +who could be in such a hurry, so early in the morning, he pulled on +boots and buttoned a denim jacket as he went to answer. "Hello," said +Solomon to the patrolman, while opening the door. "Why you bother me so +early? You know I only buy cars from owners." + +"No, Mr. Solomon, we're not worried about your car buying. This man, +from Washington, wants to ask you a few questions." + +"Sure, come in," Solomon replied. + +The questions were odd: Do you have explosives here? Can you weld metal +tanks? What is your education? Were you ever an engineer? What were you +doing last night? To these, and bewildering others, Solomon told the +truth. He had no explosives, couldn't weld, didn't finish school and was +here, in bed, all night. + +Then they wanted to see his cars. Through the back door, so he'd not +have to open the office, Solomon led the three men into his yard. Once +inside, and without asking permission, they began searching like a +hungry hound trailing a fat rabbit. Solomon's eyes, blinking in the +glare of early morning sun, watched invasion of his privacy. "What they +want?" he wondered. He'd broken no laws in all the years he'd been in +the United States. "For what do they bother a wrecking yard?" he asked +himself. + +His depressing thoughts were rudely shattered by a hail from the larger +civilian, standing at the back of Solomon's yard. There, three old cars +stood in an isolated row. "Solomon, come here a moment," he shouted. +Solomon trudged back, followed by the short civilian and patrolman who +left their curious searching to follow Solomon's lead. When he neared, +the tall stranger asked, "I see where weeds grew under other cars which, +from the tracks, have been moved out in the past few weeks. How many did +you have?" + +"Twenty; but these are all I have left," Solomon eagerly replied, hoping +at last he'd a customer for the best of his old cars. "They make classic +cars, if you'd take the time to fix them up. That one, the Hupmobile, is +the last--" + +"Who bought the others?" the big man interrupted. + +"No one," quavered Solomon, terror gripping his throat with a nervous +hand. Had he done wrong to send cars into the sky? Everyone else was +sending things up. Newspapers said Russians and Americans were racing to +send things into the air. What had he done that was wrong? Surely there +was no law he'd broken. Wasn't the air free, like the seas? People +dumped things into the ocean. + +"Then where did they go?" snapped his questioner. + +"Up there," pointed Solomon. "I needed the space. They were too good to +cut up. No one would buy them. So I sent them up. The newspapers--" + +"You did what?" + +"I sent them into the sky," quavered Solomon. So this is what he did +wrong. Would they lock him up? What would happen to his cars? And his +business? + +"How did you ... no! Wait a minute. Don't say a word. Officer, go and +tell my men to prevent anyone from approaching or leaving this place." +The patrolman almost saluted, thought better of it, and left grumbling +about being left out of what must be something big. + +Solomon told the civilians of matching vacuum in intake manifolds to +pressure from exhaust manifolds. A logical way to make an engine that +would run on pressure, like satellite engines he'd read about in +newspapers. It worked on a cracked engine block, so he'd used scrap +manifolds to get rid of old cars no one would buy. It hadn't hurt +anything, had it? + + * * * + +Well, no, it hadn't. But as you can imagine, things happened rather +fast. They let Solomon get clean denims and his razor. Then without a +bye-your-leave, hustled him to the Ontario airport where an unmarked jet +flew him to Washington and a hurriedly arranged meeting with the +President. They left guards posted inside the fence of Solomon's yard, +so they'll cause no attention while protecting his property. A rugged +individual sits in the office and tells buyers and sellers alike, that +he is Solomon's nephew. "The old man had to take a trip in a hurry." +Because he knows nothing of the business, they'll have to wait until +Solomon returns. + +Where's Solomon now? Newspaper stories have him in Nevada showing the +Air Force how to build gigantic intake and exhaust manifolds, which the +Strategic Air Command is planning to attach to a stratospheric +decompression test chamber. They figure if they can throw it into the +sky, they can move anything up to what astronomers now call Solomon's +Orbit, where at last count, sixteen of the seventeen cars are still +merrily circling the earth. As you know, one recently hit the Russian +television satellite. + +The Russians? We're told they're still burning their fingers trying to +orbit a car. They can't figure how to control vacuum and pressure from +the manifolds. Solomon didn't tell many people about the shingles he +uses for control panels, and the Russians think control is somehow +related to kitchen matches a newspaper reporter found scattered behind a +station wagon in Solomon's junk yard. + + + + +Transcriber's Note: + + This etext was produced from _Analog Science Fact Science Fiction_ + November 1962. Extensive research did not uncover any evidence that + the U.S. copyright on this publication was renewed. Minor spelling + and typographical errors have been corrected without note. + + + + + +End of the Project Gutenberg EBook of Solomon's Orbit, by William Carroll + +*** END OF THIS PROJECT GUTENBERG EBOOK SOLOMON'S ORBIT *** + +***** This file should be named 23160.txt or 23160.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/3/1/6/23160/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
