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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/23109-8.txt b/23109-8.txt new file mode 100644 index 0000000..09b5fcf --- /dev/null +++ b/23109-8.txt @@ -0,0 +1,1083 @@ +Project Gutenberg's Improvisos de Bocage, by Manuel Maria Barbosa du Bocage + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Improvisos de Bocage + Na Sua Mui Perigosa Enfermidade Dedicados a Seus Bons Amigos + +Author: Manuel Maria Barbosa du Bocage + +Release Date: October 20, 2007 [EBook #23109] + +Language: Portuguese + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK IMPROVISOS DE BOCAGE *** + + + + +Produced by Tiago Tejo + + + + ++IMPROVISOS+ + +DE + ++BOCAGE,+ + +NA SUA MUI PERIGOSA ENFERMIDADE, + +DEDICADOS + +A SEUS BONS AMIGOS. + + + _Parve (nec invideo) sine me, Liber, ibis in Urbem: + (Hei mihi!) quò Domino non licet ire tuo._ + + Ovid. Trist. Lib. I. Eleg. I. + + +LISBOA, +NA IMPRESSÃO REGIA. + +Anno 1805. + +_Por Ordem Superior._ + + + + ++AOS AMIGOS.+ + + + + ++SONETO I+ + + +Terno Paz [1], bom Maneschi [2], Aurelio [3] caro, + Alvares extremoso [4], Almeida humano [5], + Ferrão [6] prestante, valedor Montano [7], + Moniz [8], que extráhes teu nome ao Tempo avaro: + +Freire [9], Viana [10], Blancheville [11], ó raro, + Moral thesoiro, que possúe Elmano; + Sócio de Flóra [12]; e tu de som Thebano + Ó Cysne [13]! E tu, Cardoso, em letras claro [14]: + +Monumento honrador da Humanidade, + (Se o Fado me sumir da Mórte no Ermo) + Grata vos deixa cordial Saudade. + +Ireis nos versos meus do Globo ao termo, + Por serdes, com benéfica Piedade, + Nuncios, Nuncios de hum Deos ao Vate enfermo. + + +[1] Francisco José da Paz. + +[2] João Pedro Maneschi. + +[3] Marcos Aurelio Rodrigues. + +[4] Antonio José Alvares. + +[5] Joaquim Pereira de Almeida. + +[6] Prior dos Anjos. + +[7] José Ventura Montano. + +[8] Nuno Alvares Pereira Moniz. + +[9] Gregorio Freire Carneiro. + +[10] Gonçalo José Rodrigues Vianna. + +[11] Diogo José Blancheville. + +[12] O Padre Mestre Fr. José Marianno da Conceição Veloso. + +[13] João Vicente Pimentel Maldonado. + +[14] O Desembargador do Porto Vicente José Ferreira Cardoso. Devo +tambem mencionar honrosamente o Doutor Manoel Joaquim de Oliveira, +Medico em Lisboa; o meu amigo Polycarpo, da Rua Nova da Rainha; o +Director do Correio Geral; e José Maria de Oliveira, Filho do +Administrador dos Seguros do mesmo Correio: todos para comigo +instrumentos da Providencia. + + + + +_Se estiver nos meus Fados a proxima extincção de meus dias,_ + + ++EPITAFIO.+ + + +De Elmano eis sobre o mármore sagrado + A Lyra, em que chorava, ou ria Amores. + Ser delles, ser das Musas foi seu Fado: + Honrem-lhe a Lyra Vates, e Amadores. + + + _Quod licet, inter vos nomen habete meum._ + + Ovidio. + + + + ++SONETO II.+ + + +Se o Grande, o que nos Orbes diamantinos + Tem curvos a seus pés dos Reis os Fados, + Novamente me dér ver amimados + De modésta Ventura os meus Destinos; + +Se acordarem na Lyra os sons Divinos, + Que dórmem (já da Gloria não lembrados) + Ao Côro ethéreo, candidos, e alados, + Honrar com Elle hum Deos ireis, meus hynos. + +Mas, da humana Carreira inda no meio, + Se a débil flor vital sentir murchada + Por Lei que envôlta na existencia veio; + +Co'a mente pelos Ceos toda espraiada, + Direi, de Eternidade ufano, e cheio: + «A Deos, ó Mundo! ó Natureza! ó Nada!» + + + + ++SONETO III.+ + + +Pela voz do Trovão Corisco intenso + Clama, que á Natureza impéra hum Ente, + Que cinge do áureo Dia o véo ridente, + Que véste d'atra Noite o manto denso. + +Pasmar na Immensidade he crer o Immenso: + Tudo em nós o requer, o adora, o sente. + Próvão-te olhos, ouvidos, peito, e mente? + Numen! Eu oiço, eu olho, eu sinto, eu penso. + +Tua Idéa, ó Grão Ser, ó Ser Divino, + Me he vida, se me dão mortal desmaio + Males que soffro, e males que imagino. + +Nunca Impiedade em mim fez bruto ensaio: + Sempre (até das Paixões no desatino) + Tua Clemencia amei, temi teu Raio. + + + + ++SONETO IV.+ + + +Caro a Fébo, a Filinto, a Lysia, á Fama, + Na Lácia Fonte, e Argiva immerso Alfeno [15], + Pelas Deosas Irmãas fadado Ismeno [16], + Em que he Numen Razão, Verdade he flamma: + +Canóro Melibêo [17], por quem derrama + Invéja, e Glória o néctar, e o veneno; + Filósofo Cantor, meu doce Oleno [18], + Doce ao Sócio infeliz, que em ais te chama! + +Elmiro [19], que de Sóphia o grão Thesoiro + Revolves, possessôr, com mão suprema; + E outros, que o Téjo honrais, o Vouga, o Doiro [20]; + +Dai-me que o Léthes sorvedor não tema: + Por vós comprado ao Tempo em versos de oiro, + Cysne talvez que sôe á hora extrema. + + +[15] O Bacharel Domingos Maximiano Torres. + +[16] João Vicente Pimentel Maldonado. + +[17] Miguel Antonio de Barros. + +[18] Nuno Alvares Pereira Moniz. + +[19] José Agostinho de Macedo. + +[20] Hum dos que honrão o Doiro he Bento Henriques Soares, amigo do +chorado João Baptista Junior (Author da nova Castro) amigo, como eu, +daquelle, cuja memoria deve saudosamente viver em quanto o Engenho, e +a Moral forem dotes de preço. O glorioso ao Vouga he Francisco Joaquim +Ringre, que pelo sabor da Antiguidade, que ha nas suas Poesias, e pelo +estro que as levanta, merece esta nota. + + + + ++SONETO V.+ + + +Desejo illuso, e vão! Para que traças + Quadro, que imagens divinaes offrece? + A terna, ausente Amada me apparece, + Em Ceo de Amores eclipsando as Graças. + +Ante a doce Visão, com que me enlaças, + (Já murcho, estéril já) meu ser florece; + Mas súbito Fantasma eis desvanece + Chusma de encantos, que em teu sonho abraças. + +Croado de Cypreste o Desengano, + O meu nada me agoira... ó dor! mais forte + Do que em seu gráo supremo o esforço humano! + +Chorai, Piedade, e Amor, tão triste sorte, + Chorai: longe de Anália expira Elmano; + Os que a Ternura unio desune a Morte. + + + + ++SONETO VI.+ + + +Dura Filosofia audaz forceja + Por dar-me essencia nova ao pensamento; + De bronze diz que forre o soffrimento, + E em brazas, como em flores, manso esteja: + +Diz, que, ó Leis de Zenôn [21], por vós me reja; + Que sabe do alto Systema alto Portento: + «Os orgãos vivem, morre o sentimento, + «E mudo, e frio, o coração caleja.» + +Mas ah! Mais sabio que Zenôn o Eterno, + Fonte ás lágrimds deo, deo fonte ao riso: + Co'a Lei das sensações meu ser govérno. + +Se eu folgasse entre o mal que em mim diviso, + Na mente ousára unir o horror do Inférno + Aos Sóes, de que se esmalta o Paraiso. + + +[21] Discipulo de Crates, e Fundador do Estoicismso, ou Seita dos +Estóicos. Quando o Homem crê visinhar com o seu Nada, (o Nada Universal) +as sombras, em que o envolvem, o abafão as suas paixões, se rarefazem, +e esvaecem aos lumes da Justiça, e do Desengano: ou já lhe bróte +sobrenaturalmente n'alma este fenómeno, ou já porque, evaporado o amor +proprio, attente mais nos outros que em si. Eu, talvez nesse estado, +ou não longe delle, confesso ingenuamente, que, pela suavidade, e +apuro do métro (nas composições lavradas com mais desvélo, e mais +gosto) pelas flores, pelos esmaltes Poéticos de que as ameniza, e +formosêa, (em especial as Báchicas) Belmiro está mui sobranceiro aos +Engenhos vulgares. A Razão me pede, que lhe honre o mêrito; e o +Coração, que lhe releve a, talvez, injustiça, com que trabalhou +remover-me de hum gráo, havido da Voz pública. + + + + ++SONETO VII.+ + + +Agora que a seu lôbrego Retiro + Como que a baça Morte me encaminha, + E o coração, que as ancias lhe adivinha, + Débil se ensaia no final suspiro: + +Musa de Elmano, e Musa de Belmiro, + Una-se a gloria sua á gloria minha: + Meu nome aguarentou com voz mesquinha, + Eu justo ao seu não fui, e a sê-lo aspiro. + +Nem tu me esquecerás, Gastão cadente [22], + Lustroso apar do mim, quando de chófre + Igneas canções brotei, c'um Deos na mente. + +Abri, Verdade, abri teu áureo cófre: + Isto Elmano extrahio co'a mão tremente + No sério ponto que illusões não sóffre. + + +[22] Se a locução, a fantasia, e o rhythmo caracterizão a mente Poética, +aponto D. Gastão Coutinho como dorade com estes thesoiros do Espirito. +Não sôa, como devêra, (e altamente) o louvor de Thomas Antonio dos +Santos, e Silva nos meus talvez ultimos versos, porque em outros, de +monção mais Febéa, e já divulgados, lhe teci elogios, em que a fraterna +amizade, que de muito nos liga, nada proferio avêsso á justiça, e ao +tom circunspecto do Discernimento. + + + + ++SONETO VIII.+ + + +Não mais, ó Tejo meu, formoso, e brando, + Á márgem, fértil de gentis verdores, + Terás d'alta Ulysséa hum dos Cantores, + [23] Suspiros no áureo metro modulando. + +Rindo não mais verá, não mais brincando + Por entre as Nynfas, e por entre as Flores + O Côro divinal dos nús Amores, + Dos Zéfyros azues o affavel Bando. + +Co'a fronte já sem myrto, e já sem loiro, + O arrebata de rôjo a mão da Sórte + Ao Clima salutar, e á márgem de oiro. + +Ei-lo em Fragas de horror, sem luz, sem nórte; + Sôa daqui, dalli piado Agoiro: + Sois vós, Desterro etérno, Ermos da Mórte! + + +[23] _Carmina Pastoris Siculi modulabor avenâ._ + + Virgil. Eclog. 10. + + + + ++SONETO IX.+ + + +Nestóreos Dias, que sonhava Elmano, + Brilhantes de almos gostos, de aurea Sorte, + Pomposa Fantasia, audaz Transporte, + As azas cerceai do Orgulho insano. + +Plano de hum Numen contradiz meu plano, + E quer que se esvaeça, e quer que abórte: + Eis, eis palpita, precursor da Mórte, + No túmido aneurisma o Desengano. + +A Deos, ó Génios que Ulysséa admira: + (Cantor, que honrastes, honrareis, Cantores) + Versos, prantos lhe dai, que Elmano expira. + +Deixai-lhe a cinza em paz, fataes Amores; + E vós, do extincto Vate a Campa, e Lyra, + [24] Virtudes, que exaltou, cobri de flores. + + +[24] Beneficencia, e Piedade, celebradas no Epicedio ao Marquez +d'Angeja. + + + + +_Ao Senhor Nuno Alvares Pereira Moniz._ + + ++SONETO X.+ + + +Co'a mente juvenil, sublime, alada + Sabes da térrea Mansão, Mansão profana; + Introduzes, Moniz, a idéa ufana + Lá na de Sóes sem conto Estancia ornada. + +Já, de Lysia cantando a Historia honrada, + Sôas qual Grega Musa, ou qual Romana; + Já, medrando nos Céos a força humana, + Teu Metro creador faz Ente o Nada. + +Nove Deosas louçãas, tres Deosas nuas + Te abrem thesoiros: cada qual te admira + No verso graças mil, que fôrão suas. + +Assás luzio teu Estro: a mais aspira; + E estranho não será que substituas + A tuba de Marão de Flacco á Lyra. + + +Quero (se meus dias findarem) deixar huma prova do muito em que tive, +do muito que merecem os talentos de hum dos meus mais caros Amigos. + + + + +_Ao súbito desastre de hum Poeta amado da Nação._ + + ++SONETO XI.+ + + +Cantor, que a fronte erguia engrinaldada + Comvosco, Idálias crôas: myrto, e rósas, + Que vio por mão das Tágides formósas + De aljôfares a Lyra, e de oiro ornada; + +Mente, de ethéreos Dons abrilhantada, + Que, sôlta em producções louçãas, pompósas, + Surgio, voou com azas luminósas + Ante o Bando que vai de rôjo ao Nada; + +Estro, opulento do Febêo Thesoiro, + (Já dos épicos Sons talvez no ensaio) + Ouvio sahir das trévas triste agoiro. + +Seu Fado o fulminou, bateo-lhe o raio + Á Sombra tua... ai dor! Lá mesmo, ó Loiro: + Chorai-o, Amores, Tágides, chorai-o. + + +De Author anónymo; porém que he facil conhecer pelo estilo. + + + + +_Votos pelo restabelescimento da saude de Bocage._ + + ++SONETO XII.+ + + +Não mais, Nynfas gentis do Téjo undoso, + Pungidas de alta dor, vagueis insanas: + Croai-vos de floridas espadanas, + Ou de grinaldas de coral ramoso. + +Já não rechinão do arco sanguinoso + D'atroz Doença as séttas inhumanas + Contra o Cysne que as ondas Tagitanas + Enfrêa com o Carmen portentoso. + +Serpes da Inveja, Serpes agoireiras, + Emmudecei, que a válida Saude + Assoma, entre Esperanças lisonjeiras. + +Vem, bella Deosa, ao Vate Elmano acude, + Que eu grato forjarei nestas Ribeiras + Hymnos, batidos na Thebana incude. + + +_Pelo Bacharel Domingos Maximiano Torres._ + + + + ++SONETO XIII.+ + + +Se as arduas Leis da sãa Filosofia + Sacra Egíde não são contra a Desgraça, + Então em que desdiz a humana Raça + Das outras, que Razão não alumia? + +Seus venenos distille a Tyrannia, + Raivoso o Fado em raios se desfaça: + Alma, que o lume da Razão repassa, + Sórve tranquilla o néctar d'Alegria. + +Quando a Ventura ao pensamento acóde, + E não próva revezes o Desejo, + Embates d'Afflição qualquer sacóde. + +Aos males na constancia ser sobejo + A poucos dado foi; Elmano o póde: + Dá, que hum novo troféo gloríe o Téjo. + + +_Moniz._ + + + + +_Ao Senhor Manoel Maria de Barbosa du Bocage, em resposta ao Soneto +pag. 6., pelos mesmos coasoantes._ + + ++SONETO XIV.+ + + +Em teu Genio s'inflamma fogo intenso, + Brilhante emanação d'um Deos, d'um Ente, + Que as Estrellas, a Lua, o Sol ridente + N'um dia fez surgir do Cháos denso: + +Teu extasis t'eleva a Espaço immenso, + Sentes impulsos, que o Mortal não sente; + Eis lúcido clarão te abraza a mente, + E o Ser encaras, por quem vivo, e penso. + +Pasmado, absôrto no fulgor Divino, + Repassado de atónito desmaio, + Ant'o Solio do Eterno t'imagino: + +Acordas, e do Canto em novo ensaio + Dos Athêos aviltando o desatino, + Louvas hum Deos, e tremes do seu raio. + + +_Por J. A. Soares._ + + + + +_Ao senhor João Pedro Maneschi, por occasião do incendio em que perdeo +todos os seus bens._ + + ++SONETO XV.+ + + +Nos puros Lares teus assoma, irado, + Vulcano em ondas de indomavel chamma; + Impetuoso cresce, horrivel brama: + Parece accezo pela mão do Fado! + +Em ferventes vorágens desmandado, + Tudo afêa, ennegrece, abraza, inflamma, + E em cinza inutil, súbito, derrama + Teus merecidos bens, Manéschi honrado. + +Mas tu dessa fatal, visivel Péste, + Dessa, do Inferno imagem devorante, + O damno, estrago, horror baldar pudéste. + +Rico de huma Alma singular, constante, + Tens, tens tudo: Amizade, que te préste, + Dó, que te chóre, e Musa, que te cante. + + +A composião deste Soneto he anterior á minha molestia, mas a Gratidão +me ordena pô-lo aqui. + + + + +_A huma Donzella de estremada Belleza, de rara Virtude, e morta na +flor dos annos._ + + ++SONETO XVI.+ + + +De Homens, e Numes suspirado Encanto, + Lilia, innocente como virgem Rósa, + Lilia, mais branda, Lilia, mais formósa + Que a Nynfa ethérea, de puníceo manto: + +Eu, e os Amores (que perdêrão tanto) + Damos-te ás cinzas oblação mimósa: + Curva goteje minha Dor saudósa + Na molle offrenda, que requer meu pranto. + +Em teu sagrado, perennal Retiro + Disponho, ao som de lânguidas querélas, + A rosa, o cravo, a túlipa, o suspiro. + +Medrai no chão de Amor, florinhas béllas... + Ah Lilia! Eu gózo o Ceo!... Lilia! Eu respiro + Tua alma pura na fragrancia déllas! + + +Pedio-mo Pessôa, que virtuosamente a amava; e a mágoa do assumpto, +apurada na tristeza da minha situação, deo hum Soneto, que talvez +penhore os corações ternos. + + + + +_Na gravissima enfermidade do Senhor Manoel Maria de Barbosa du Bocage._ + + ++SONETO XVII.+ + + +Elmano! Elmano! Os que te ouvírão rindo, + Penhas, e Montes, que teu Metro alçava, + Clamar faz hoje a Dôr, que em pranto os lava, + E, mais que todos, o Permesso, e Pindo. + +Bosques, Paizagens, que teu verso lindo + Em dobro enriquecêo, teu mal aggrava: + Chorão-te Graças, Nynfas, que elle honrava, + O niveo rosto com as mãos cobrindo. + +Inda, Cysne do Téjo, inda teu Canto, + Bem que rouco, s'escuta; e em desconsolo + Já das Musas te chora o Côro santo. + +Quando não ergas o mellífluo collo, + Quem restará chorar-te? Hum Deos em pranto + Se ha de então vêr, chorando o mesmo Apollo. + + +_Por Thomaz Antonio dos Santos, e Silva._ + + + + +_Em resposta ao antecedente: Elmano a Tomino._ + + ++SONETO XVIII.+ + + +Vapor doirando, que me afuma os Lares, + (Porque a Morte os bafeja de contino) + Sôlto de ti relampago divino, + [25] Milton de Lysia, alumiou meus ares. + +O bem d'ouvir-te, o bem de me chorares + Quasi que irmana desigual Destino: + «Tu de assombros Cantor, (Fébo, ou Tomino) + «Eu Ave, eu órgão de pavor, de azares.» + +Níveo matiz d'auriferas arêas [26], + Cysne qual Jove outr'ora [27], e que no alado + Extasi aos Céos a melodia altêas! + +Vóz, de que adóro o cântico sagrado, + Vóz, que a dor minha, o Fado meu prantêas! + Dá-me teus sons, e cantarei meu Fado. [28] + + +[25] Pelo estro, e pela cegueira. + +[26] As do Téjo. + +[27] Quando se tornou Cysne por Leda. + +[28] Porque então a gloria compensa-me a fortuna. + +Apesar do que digo a pag. 10, sempre tive occasião de honrar o meu +insigne Compatriota. + + + + ++SONETO XIX.+ + + +Genio mordaz, que o Mérito golpêa, + Nadando em ondas de sulfúrea chamma, + Leva de rôjo a Musa que do Gama + Cantou prodigios mil, de gloria chêa. + +Sem luz o Triste, e sôfrego da alhêa, + Razões fallaces imagina, e trama; + Porém, risonha, não desmaia a Fama + Q'entre os Luzeiros immortaes vaguêa: + +Não eu assim, que, atónito, e curvado, + Teus sons adóro, magestoso Elmano, + Pelos Salões Febêos extasiado! + +Vate, crédor do Século Romano! + Digno Daquelle, a cuja sombra, e lado + Cantava outr'ora o Cysne Mantuano! + + +_Por D. Gastão Fausto da Camara Coutinho._ + + + + ++SONETO XX.+ + + +Se na que, mórna, e lúgubre, murmura, + Corrente Avérna, como as sombras densa, + Dér quéda enórme a sôfrega Doença + Que á vida quer sorver-me a fonte impura: + +De eleitos Vegetaes sagaz mistura + Não foi rígido estôrvo á Morte infensa: + Só póde aos olhos meus Virtude immensa + A do Horror ferrolhar Morada escura. + +Arde, ó Estro! Fulmina o Monstro humano, + Que origem vil ao Mundo, a si presume, + E á Causa divinal repugna, insano. + +Salvè, Principio d'Alma, ethéreo Lume!... + Se hun Deos não fôra, que seria Elmano! + Existe o Vate por que existe o Nume. + + ++FIM.+ + + + + + +End of the Project Gutenberg EBook of Improvisos de Bocage, by +Manuel Maria Barbosa du Bocage + +*** END OF THIS PROJECT GUTENBERG EBOOK IMPROVISOS DE BOCAGE *** + +***** This file should be named 23109-8.txt or 23109-8.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/3/1/0/23109/ + +Produced by Tiago Tejo + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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