summaryrefslogtreecommitdiff
path: root/23099.txt
diff options
context:
space:
mode:
Diffstat (limited to '23099.txt')
-rw-r--r--23099.txt576
1 files changed, 576 insertions, 0 deletions
diff --git a/23099.txt b/23099.txt
new file mode 100644
index 0000000..f1c850e
--- /dev/null
+++ b/23099.txt
@@ -0,0 +1,576 @@
+The Project Gutenberg EBook of The Fourth Invasion, by Henry Josephs
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Fourth Invasion
+
+Author: Henry Josephs
+
+Release Date: October 20, 2007 [EBook #23099]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE FOURTH INVASION ***
+
+
+
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+
+
+
+ _Psychopathology has offered possible answers to why, from
+ time to time, people in large quantities "see" strange
+ things in the sky which manage to evade trained scientific
+ observers, or conform to what is known about the behavior
+ of falling or flying bodies. And mass hysteria is by no
+ means a product of the present century. But--what if these
+ human foibles were deliberately being exploited?_
+
+
+ THE FOURTH INVASION
+
+ by Henry Josephs
+
+
+Dr. Clayton's face was impassive as a marble mask when he turned to
+young Corelli. For a moment, the little group stood there in embarrassed
+silence in the classroom, shifting uneasily from one foot to the other,
+feigning interest in the paperweights upon Clayton's desk, or in the
+utterly uninspiring scenes on the sidewalk outside the window.
+
+"You say, Corelli, that you saw three--er, Martian--ships. Can you
+describe them?"
+
+Corelli blinked as he felt the weight of his colleagues' eyes boring
+into him. "I didn't say they were _Martian_, sir--only that they seemed
+to be unearthly. And they were not the conventional saucer-shaped
+things--they _acted_ like saucers skimming across the water. That's what
+made me think they were genuine. And they didn't seem to be going fast
+enough so that I'd expect to hear a roar like a jet-plane.
+
+"It struck me that this might not be the way they fly, naturally, but
+the way they might fly if the pilots were having trouble adjusting the
+controls to a heavier atmosphere than they were used to."
+
+Clayton tapped the tabletop with his fingers. "What about you, Marty?
+Did you see three ships?"
+
+Big Gene Marty, football star, was the least nervous. "Can't be sure
+about _ships_, Doc," he rumbled. "I did see something strange
+disappearing over the horizon. It--I mean they--might have been what
+Tony says; but whatever it was, there were three of them. But I saw
+something else, because I was looking in another direction. What I saw
+first was a couple of funny-looking shapes floating down near the
+ground. Didn't look like parachutists, yet they seemed big enough to be
+men--or at least, small men."
+
+"Interesting. All right, what about the rest of you? How many saw the
+ships?"
+
+ * * * * *
+
+A chorus answered him. "I see," Clayton mused. "You all agree on the
+behavior. And you all think there were three--not four--not two. Three?"
+
+It was agreed.
+
+Clayton rustled the pile of newspapers. "The reports in here vary. I
+learn with amazement that you gentlemen seem to have missed completely
+the spurts of flame that issued from the alien ships--flame which is
+reported to have set a house on fire. And no one seems to have noticed
+that the invaders, in descending, glided on huge black wings."
+
+Corelli blushed a fiery crimson. "Dr. Clayton," he protested, "we aren't
+making these things up for popular consumption. We're just telling you
+what we actually saw--that is--what--what--we--saw looked like to us."
+
+Clayton nodded. "Of course. That is all people were doing back in 1938
+when the Martians landed in New Jersey, at the time Orson Welles
+presented a radio version of H. G. Wells' 'War of the Worlds'. Or when
+the 'Flying Saucer' craze first started. Or when Fantafilm put on their
+big publicity stunt for the improved 3-D movie, 'The Outsiders', and
+people saw the aliens over Broadway and heard them address the populace
+in weird, booming tones.
+
+"Gentlemen, I am not pleased to find students of this University
+engaging in such unwanted extra-curricular activity as inventing
+interplanetary scares. I don't think Washington will be amused, either."
+
+Corelli clicked his heels. "Sir," he stated in dignified tones, "I
+resent these implications. I assume they have been directed at me. At no
+time have I talked about this to reporters, or in any way engaged in
+what you accuse me of. If you want my resignation from this school, you
+may have it."
+
+"Really? You think that an air of dignified innocence will undo the
+damage done? I am well aware of your experiments with the _y_ wave,
+gentlemen--and it was on the _y_ wave that the messages came. You may be
+interested to know that the number of lives lost, the property damage,
+the business losses due to the panic, have not yet been fully
+determined; but it makes the hysteria following the Fantafilm hoax very
+small potatoes by comparison.
+
+"You may withdraw now, gentlemen; this affair will be discussed at
+greater length later, regardless of what the FBI decides. I had hoped
+that the main culprit would try to save unwitting accomplices from a
+measure of grief. That is all."
+
+The seven students left Dr. Clayton's office in record time.
+
+ * * * * *
+
+Professor Elton rapped the table for silence. "Gentlemen," he began,
+"Dr. Clayton and I both extend our sincere apologies." He smiled wanly.
+"Of course, that does not exonerate anyone from the charge of
+gullibility. But Harvey Gale's confession has been fully confirmed by
+the FBI, and you--and this University--have been cleared. The public
+knows now that your testimony helped lead to the facts in the case.
+
+"To me, the most interesting feature of this business is the fact that
+Gale was able to put over this hoax, despite the fact that the public
+had been taken in three times before. The Orson Welles scare rode on a
+wave of war-hysteria; the Flying Saucer craze followed world war; the
+Fantafilm hoax came when the world was still in dread of sudden
+bombings. But the Gale Hoax--what can we call it but what is loosely
+known as the continuing gullibility of human beings?
+
+"We trust that this demonstration you have just observed will help you
+to remember that while seeing may be believing, it's wise not to believe
+until it has been established just what you saw."
+
+ * * * * *
+
+In his private office, Dr. Clayton leaned forward over his desk. Or, to
+be more exact, something that looked like Dr. Clayton leaned over the
+desk. The face was impassive as marble, but, from out a slit in his
+chest, a pair of black antennae-like feelers were vibrating into a
+framed picture on the wall, from which the picture had been slid aside.
+
+_"Landing safely effected. Brief panic when several Terrestrials sighted
+ships; all clear now. Full report, containing details on latest
+successful persuasion of Earthlings that Martians or other aliens are
+imaginary, will follow."_
+
+From the speaker beneath the desk came sounds of gasps, heavy breathing,
+then shuffling footsteps. Clayton pushed the picture back into place,
+then took off the skin-painted vest he wore, with the flat box on its
+inside. He snapped a switch on the side of his desk.
+
+"There; now they can't hear--if any are still hanging around."
+
+Professor Elton looked at him bewilderedly. "I don't get it. After all
+the risk we went to, to convince the public that there ain't no
+ghosts--as the old saying goes--you arrange to have students hear you
+going into a 'report to the home planet' act. And you use a code they
+all know. What's the point in undoing it?"
+
+Clayton nodded. "It looks somewhat mad, doesn't it? Well ... the
+Psychology Team was sure of the necessity. You see, more and more humans
+remain unconvinced each time one of these hoaxes are exposed. The
+unconvinced are sure that something fiendish is going on beneath the
+surface, that the authorities--all kinds from civil to scientific--are
+engaged in a vast cover-up. We can't prevent this belief; we don't know
+how to keep it from spreading. So--the alternative is to direct it."
+
+Elton nodded slowly. "I can see possibilities along that line--but just
+what direction was this supposed to kind of bring about?"
+
+"Why, obviously, if large-scale invasion from Mars is imminent--and this
+is the belief that we're all catering to--then it follows that the
+invasion hasn't already taken place. The two of us, and Harvey Gale,
+will disappear shortly in one way or another, and gradually public cries
+for effective planetary defense will mount.
+
+"You know who will direct the defense."
+
+
+
+
+Transcriber's Note:
+
+ This etext was produced from _Future Science Fiction_ No. 30 1956.
+ Extensive research did not uncover any evidence that the U.S.
+ copyright on this publication was renewed. Minor spelling and
+ typographical errors have been corrected without note.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Fourth Invasion, by Henry Josephs
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE FOURTH INVASION ***
+
+***** This file should be named 23099.txt or 23099.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/0/9/23099/
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.