summaryrefslogtreecommitdiff
path: root/22808.txt
diff options
context:
space:
mode:
Diffstat (limited to '22808.txt')
-rw-r--r--22808.txt1089
1 files changed, 1089 insertions, 0 deletions
diff --git a/22808.txt b/22808.txt
new file mode 100644
index 0000000..3e595bd
--- /dev/null
+++ b/22808.txt
@@ -0,0 +1,1089 @@
+The Project Gutenberg EBook of The Gray Madam, by
+Anna Katharine Green (Mrs. Charles Rohlfs)
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Gray Madam
+ 1899
+
+Author: Anna Katharine Green (Mrs. Charles Rohlfs)
+
+Release Date: September 29, 2007 [EBook #22808]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE GRAY MADAM ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+THE GRAY MADAM.
+
+By Anna Katharine Green (Mrs. Charles Rohlfs)
+
+Copyright, 1899, by Earle H. Eaton
+
+
+WAS it a specter?
+
+For days I could not answer this question. I am no believer in spiritual
+manifestations, yet--But let me tell my story.
+
+I was lodging with my wife on the first floor of a house in
+Twenty-seventh street. I had taken the apartments for three months,
+and we had already lived in them two and found them sufficiently
+comfortable. The back room we used as a bedroom, and while it
+communicated with the hall, we invariably made use of the front
+parlor-door to go in and out of. Two great leaves of old mahogany
+connected the two rooms, and as we received but few friends, these doors
+usually stood half open.
+
+One morning, my wife being ill, I left her lying in bed and stepped into
+the parlor preparatory to going out for breakfast. It was late--nine
+o'clock, probably--and I was hastening to leave, when I heard a sound
+behind me--or did I merely feel a presence?--and, turning, saw a strange
+and totally unknown woman coming toward me from my wife's room.
+
+As I had just left that room, and as there was no way of getting into it
+except through a door we always kept locked, I was so overpowered by my
+astonishment that I never thought of speaking or moving until she had
+passed me. Then I found voice, and calling out "Madam!" endeavored to
+stop her.
+
+But the madam, if madam she was, passed on as quietly, as mechanically
+even, as if I had not raised my voice, and, before I could grasp the
+fact that she was melting from before me, flitted through the hall to
+the front door and so out, leaving behind on the palm of my hand the
+"feel" of her wool dress, which I had just managed to touch.
+
+Not understanding her or myself or the strange thrill awakened by
+this contact, I tore open the front door and looked out, expecting, of
+course, to see her on the steps or on the sidewalk in front. But there
+was no one of her appearance visible, and I came back questioning
+whether I was the victim of a hallucination or just an everyday fool.
+To satisfy myself on this important question I looked about for the
+hall-boy, with the intention of asking him if he had seen any such
+person go out, but that young and inconsequent scamp was missing from
+his post as usual, and there was no one within sight to appeal to.
+
+There was nothing to do but to re-enter my rooms, where my attention
+was immediately arrested by the sight of my wife sitting up in bed and
+surveying me with a look of unmistakable astonishment.
+
+"Who was that woman?" she asked. "And how came she in here?"
+
+So she had seen her too.
+
+"What woman, Lydia? I have not let in any woman. Did you think there was
+a woman in this room?"
+
+"Not in that room," she answered hoarsely, "but in this one. I saw her
+just now passing through the folding doors. Wilbur, I am frightened. See
+how my hands shake. Do you think I am sick enough to imagine things?"
+
+I knew she was not, but I did not say so. I thought it would be better
+for her to think herself under some such delusion.
+
+"You were dozing," said I. "If you had seen a woman here, you could tell
+me how she looked."
+
+"And I can," my wife broke in excitedly. "She was like the ghosts we
+read of, only that her dress and the veil or drapery she wore were all
+gray. Didn't you see her? You must have seen her. She went right by
+you--a gray woman, all gray; a lady, Wilbur, and slightly lame. Could I
+have dreamed all that?"
+
+"You must have!" I cried, shaking the one door communicating with the
+hall, so she might see it was locked, and even showing her the key of
+it, lying in its accustomed place behind the bureau cushion. Yet I
+was in no satisfied condition myself, for she had described with the
+greatest accuracy the very person I had myself seen. Had we been alike
+the victims of a spiritual manifestation?
+
+This was Tuesday. On Friday my question seemed to receive an answer. I
+had been down town, as usual, and on returning found a crowd assembled
+in front of my lodging-house. A woman had been run over and was being
+carried into our rooms. In the glimpse I caught of her I saw that she
+was middle-aged and was wrapped in a long black cloak. Later, this cloak
+fell off, as her hat had done long before, and I perceived that her
+dress was black and decent.
+
+She was laid on our bed and every attention paid her. But she had been
+grievously injured about the head and gradually but surely sank before
+our eyes. Suddenly she roused and gave a look about her. It was a
+remarkable one--a look of recognition and almost of delight. Then she
+raised one hand and, pointing with a significant gesture into the empty
+space before her, sank back and died.
+
+It was a sudden ending, and, anxious to see its effect upon my wife, who
+was standing on the other side of the bed, I glanced her way with some
+misgiving. She showed more feeling than I had anticipated. Indeed her
+countenance was a study, and when, under, the influence of my scrutiny
+she glanced my way, I saw that something of deeper import than this
+unexpected death in our rooms lay at the bottom of her uneasy look.
+
+What that was, I was soon to know, for catching up from amid the folds
+of the woman's gray-lined cloak a long gray veil which had fallen at
+the bedside, she disposed it softly about the woman's face, darting me a
+look full of significance.
+
+"You remember the vision I had the morning when I was sick?" she
+whispered softly in my ear.
+
+I nodded, secretly thrilled to my very heart's core.
+
+"Well, it was a vision of this woman. If she were living and on her
+feet and wrapped, as I have shown you, in this veil, you would behold
+a living picture of the person I saw passing out of this room that
+morning."
+
+"I shall not dispute you," I answered. Alas, I had myself perceived the
+likeness the minute the veil had fallen about the pinched but handsome
+features!
+
+"A forewarning," whispered my wife, "a forewarning of what has this day
+happened under our roof. It was a wraith we saw. Wilbur, I shall not
+spend another night in these rooms."
+
+And we did not. I was as anxious to leave as she was. Yet I am not
+a superstitious man. As proof of it, after the first effect of these
+events had left me, I began to question my first impressions and feel
+tolerably ashamed of my past credulity. Though the phenomenon we
+had observed could not to all appearance be explained by any natural
+hypothesis; though I had seen, and my wife had seen, a strange woman
+suddenly become visible in a room which a moment before had held no one
+but ourselves, and into which no live woman could have entered without
+our knowledge, something--was it my natural good sense?--recoiled before
+a supernatural explanation of this, and I found myself forced to believe
+that our first visitor had been as real as the last; in other words, the
+same woman.
+
+But could I prove it? Could the seemingly impossible be made possible
+and the unexplainable receive a solution satisfying to a rational mind?
+I determined to make an effort to accomplish this, if only to relieve
+the mind of my wife, who had not recovered her equanimity as readily as
+myself.
+
+Starting with the assumption above mentioned--that the woman who
+had died in our presence was the same who had previously found an
+unexplainable entrance into these same rooms--I first inquired if the
+black cloak lined with gray did not offer a solution to some of my
+previous difficulties. It was a long cloak, enveloping her completely.
+When worn with the black side out, she would present an inconspicuous
+appearance, but with the gray side out and the effect of this heightened
+by a long gray veil flung over her hat, she would look like the gray
+lady I had first seen. Now, a cloak can be turned in an instant, and if
+she had chosen to do this in flitting through my door I would naturally
+find only a sedate, black-clothed woman passing up the street, when,
+rousing from the apathy into which her appearance had thrown me, I
+rushed to the front door and looked out. Had I seen such a woman? I
+seemed to remember that I had. Thus much, then, was satisfactory, but to
+account for her entrance into our rooms was not so easy. Had she slipped
+by me in coming in as she had on going out? The parlor door was open,
+for I had been out to get the paper. Could she have glided in by me
+unperceived and thus have found her way into the bedroom from which I
+afterward saw her issue? No, for I had stood facing the front hall door
+all the time. Through the bedroom door then? But that was, as I have
+said, locked. Here was a mystery, then; but it was one worth solving.
+
+My first step was to recall all that I had heard of the actual woman who
+had been buried from our rooms. Her name, as ascertained in the cheap
+boarding-house to which she was traced, was Helmuth, and she was, so far
+as any one knew, without friends or relatives in the city. To those who
+saw her daily she was a harmless, slightly demented woman with money
+enough to live above want, but not enough to warrant her boasting talk
+about the rich things she was going to buy some day and the beautiful
+presents she would soon be in a position to give away. The money found
+on her person was sufficient to bury her, but no papers were in her
+possession, nor any letters calculated to throw light upon her past
+life.
+
+Her lameness had been caused by paralysis, but the date of her attack
+was not known.
+
+Finding no clue in this to what I wished to learn, I went back to our
+old rooms, which had not been let since our departure, and sought
+for one there, and, strangely enough, I found it. I thought I knew
+everything there was to be known about the apartment we had lived in
+two months, but one little fact had escaped me which, under the scrutiny
+that I now gave it, became apparent. This was simply that the key which
+opened the hall door of the bedroom and which we had seldom if ever used
+was not as old a key as that of the corresponding door in the parlor,
+and this fact, small as it was, led me to make inquiries.
+
+The result was that I learned something about the couple who had
+preceded us in the use of these rooms. They were of middle age and of
+great personal elegance, but uncertain pay, the husband being nothing
+more nor less than a professional gambler. Their name was L'Hommedieu.
+
+When I first heard of them, I thought that Mrs. L'Hommedieu might be the
+Mrs. Helmuth in whose history I was so interested, but from all I could
+learn she was a very different sort of person. Mrs. L'Hommedieu was gay,
+dashing and capable of making a show out of a flimsy silk a shop-girl
+would hesitate to wear. Yet she looked distinguished and wore her
+cheap jewelry with more grace than many a woman her diamonds. I would,
+consequently, have dropped this inquiry if some one had not remarked
+upon her having had a paralytic stroke after leaving the house. This,
+together with the fact that the key to the rear door, which I had found
+replaced by a new one, had been taken away by her and never returned,
+connected her so indubitably with my mysterious visitor that I resolved
+to pursue my investigations into Mrs. L'Hommedieu's past.
+
+For this purpose I sought out a quaint little maiden-lady living on the
+top floor, who, I was told, knew more about the L'Hommedieus than any
+one in the building. Miss Winterburn, whose acquaintance I had failed
+to make while residing in the house, was a fluttering, eager, affable
+person, whose one delight was, as I soon found, to talk about the
+L'Homme-dieus. Of the story she related I give as much as I can of it in
+her own words.
+
+"I was never their equal," said she, "but Mrs. L'Hommedieu was lonely,
+and, having no friends in town, was good enough to admit me to her
+parlor now and then and even to allow me to accompany her to the theater
+when her husband was away on one of his mysterious visits. I never liked
+Mr. L'Homme-dieu, but I did like her. She was so different from me, and,
+when I first knew her, so gay and so full of conversation. But after
+awhile she changed and was either feverishly cheerful or morbidly sad,
+so that my visits caused me more pain than pleasure. The reason for
+these changes in her was patent to everybody. Though her husband was a
+handsome man, he was as unprincipled as he was unfortunate. He gambled.
+This she once admitted to me, and while at long intervals he met with
+some luck he more often returned dispirited and with that hungry,
+ravening look you expect to see in a wolf cheated of its prey.
+
+"I used to be afraid he would strike her after some one of these
+disappointments, but I do not think he ever did. She had a determined
+character of her own, and there have been times when I have thought he
+was as much afraid of her as she was of him. I became sure of this
+after one night. Mrs. L'Hommedieu and myself were having a little supper
+together in the front parlor you have so lately occupied. It was a
+very ordinary supper, for the L'Hommedieus' purse had run low, and Mrs.
+L'Hommedieu was not the woman to spend much at any time on her eating.
+It was palatable, however, and had been cooked by us both together, and
+I was enjoying it and would have enjoyed it more if Mrs. L'Hommedieu had
+had more appetite. But she ate scarcely anything and seemed very anxious
+and unhappy, though she laughed now and then with sudden gusts of mirth
+too hysterical to be real. It was not late, and yet we were both very
+much surprised when there came a knock at the door, followed by the
+entrance of a visitor.
+
+"Mrs. L'Hommedieu, who is always _la grande dame_, rose without apparent
+embarrassment to meet the gentleman who entered, though I knew she could
+not help but feel keenly the niggardly appearance of the board she left
+with such grace. The stranger--he was certainly a stranger; this I could
+see by the formality of her manner--was a gentleman of urbane bearing
+and a general air of prosperity.
+
+"I remember every word that passed.
+
+"'My name is Lafarge,' said he. 'I am, or rather have been, under great
+obligations to your husband, and I have come to discharge my debt. Is he
+at home?'
+
+"Mrs. L'Hommedieu's eye, which had sparkled at his name, dropped
+suddenly as he put the final question.
+
+"'I am sorry,' she returned after a moment of embarrassment, 'but my
+husband is very seldom home evenings. If you could come about noon some
+day'--
+
+"'Thank you,' said he, with a bright smile, 'but I will finish my
+business now and with you, seeing that Mr. L'Hommedieu is not at home.
+Years ago--I am sure you have heard your husband mention my name--I
+borrowed quite a sum of money from him, which I have never paid. You
+recall the amount, no doubt?'
+
+"'I have heard Mr. L'Hommedieu say it was a thousand dollars,' she
+replied, with a sudden fluttering of her hands indicative of great
+excitement.
+
+"'That is the sum,' he allowed, either not noticing me or thinking me
+too insignificant to be considered. 'I regret to have kept him so long
+out of it, but I have not forgotten to add the interest in making out
+this statement of my indebtedness, and if you will look over this paper
+and acknowledge its correctness I will leave the equivalent of my debt
+here and now, for I sail for Europe to-morrow morning and wish to have
+all my affairs in order before leaving.'
+
+"Mrs. L'Hommedieu, who looked ready to faint from excess of feeling,
+summoned up her whole strength, looking so beautiful as she did so, that
+one forgot the ribbons on her sleeves were no longer fresh and that the
+silk dress she wore hung in the very limpest of folds.
+
+"'I am obliged to you,' she said in a tone from which she strove in vain
+to suppress all eagerness. 'And if I may speak for Mr. L'Hommedieu he
+will be as grateful for your remembrance of us as for the money you so
+kindly offer to return to him.'
+
+"The stranger bowed low and took out a folded paper, which he handed
+her. He was not deceived, I am sure, by her grand airs, and knew as well
+as I did that no woman ever stood in greater need of money. But nothing
+in his manner betrayed this knowledge.
+
+"'It is a bond I give you,' he now explained. 'As you will see, it has
+coupons attached to it, which you can cash at any time. It will prove as
+valuable to you as so much ready money and possibly more convenient.'
+
+"And with just this hint, which I took as significant of his complete
+understanding of her position, he took her receipt and politely left the
+house.
+
+"Once alone with me who am nobody, her joy had full vent. I have never
+seen any one so lost in delight as she was for a few minutes. To have
+this money thrust upon her just at a moment when actual want seemed
+staring her in the face was too much of a relief for her to conceal
+either the misery she had been under or the satisfaction she now
+enjoyed. Under the gush of her emotions her whole history came out, but
+as you have often heard the like I will not repeat it, especially as it
+was all contained in the cry with which a little later she thrust the
+bond toward me.
+
+"'He must not see it! He must not! It would go like all the rest, and I
+would again be left without a cent. Take it and keep it, for I have no
+means of concealing it here. He is too suspicious.'
+
+"But this was asking more than I was willing to grant. Seeing how I
+felt, she thrust the paper into her bosom with a look before which
+I secretly recoiled. 'You will not charge yourself with such a
+responsibility?' said she. 'But I can trust you not to tell him?'
+
+"'Yes,' I nodded, feeling sick of the whole business.
+
+"'Then'--But here the door was violently flung open and without any
+warning Mr. L'Hommedieu burst into the room in a state of as much
+excitement as his wife, only his was the excitement of desperation.
+
+"'Gone! Gone!' he cried, ignoring me as completely as had Mr. Lafarge.
+'Not a dollar left; not even my studs! See!' And he pointed to his
+shirt front hanging apart in a way I would never have looked for in this
+reckless but fastidious gentleman. 'Yet if I had had a dollar more or
+even a ring worth a dollar or so I might have---- Theresa, have you any
+money at all? A coin now might save us.'
+
+"Mrs. L'Hommedieu, who had turned alarmingly pale, drew up her fine
+figure and resolutely confronted him. 'No!' said she, and shifting her
+gaze she turned it meaningly upon me.
+
+"He misunderstood this movement. Thinking it simply a reminder of my
+presence, he turned and, with his false but impressive show of courtesy,
+made me a low bow. Then he forgot me utterly again, and facing his wife,
+growled out:
+
+"'Where are you going to get breakfast then? You don't look like a woman
+who expects to starve!'
+
+"It was a fatal remark, for, do what she would, she could not prevent a
+slight smile of disdain, and, seeing it, he kept his eyes riveted on her
+face till her uneasiness became manifest. Instantly his suspicion took
+form, and, surveying her still more fixedly, he espied a corner of the
+precious paper protruding slightly above her corsage. To snatch it
+out, open it and realize its value was the work of a moment. Her cry of
+dismay and his shout of mad triumph rang out simultaneously, and never
+have I seen such an ebullition of opposing passions as I was made
+witness to as his hand closed over this small fortune and their staring
+eyes met in the mortal struggle they had now entered upon for its
+ultimate possession.
+
+"She was the first to speak. 'It was given to me; it was meant for me.
+If I keep it, both of us will profit by it, but if you----'
+
+"He did not wait for her to finish. 'Where did you get it?' he cried.
+'I can break the bank with what I can raise on this bond at the club.
+Darraugh's in town. You know what that means. Luck's in the air, and
+with an hundred dollars--But I've no time to talk. I came for a dollar,
+a fifty-cent piece, a dime even, and I go back with a bond worth----'
+
+"But she was already between him and the door. 'You will never carry
+that bond out of this house,' she whispered in the tone which goes
+further than any cry. 'I have not held it in my hand to see it follow
+every other good thing I have had in life. I will not, Henry. Take that
+bond and sink it as you have all the rest and I fall at your feet a dead
+woman. I will never survive the destruction of my last hope.'
+
+"He was cowed--for a moment, that is; she looked so superb and so
+determined. Then all that was mean and despicable in his thinly veneered
+nature came to the surface, and, springing forward with an oath, he was
+about to push her aside, when, without the moving of a finger on her
+part, he reeled back, recovered himself, caught at a chair, missed it
+and fell heavily to the floor.
+
+"'My God, I thank thee!' was the exclamation with which she broke
+from the trance of terror into which she had been thrown by his sudden
+attempt to pass her; and without a glance at his face, which to me
+looked like the face of a dead man, she tore the paper from his hand and
+stood looking about her with a wild and searching gaze, in the desperate
+hope that somehow the walls would open and offer her a safe place of
+concealment for the precious sheet of paper. Meanwhile I had crept near
+the prostrate man. He was breathing, but was perfectly unconscious.
+
+"'Don't you mean to do something for him?' I asked. 'He may die.'
+
+"She met my question with the dazed air of one suddenly awakened. 'No,
+he'll not die, but he'll not come to for some minutes, and this must be
+hidden first. But where? where? I cannot trust it on my person or in any
+place a man like him would search. I must devise some means--ah!'
+
+"With this final exclamation she had dashed into the other room. I did
+not see where she went--I did not want to--but I soon realized she was
+working somewhere in a desperate hurry. I could hear her breath coming
+in quick, short pants as I bent over her husband, waiting for him to
+rouse and hating my inaction even while I succumbed to it.
+
+"Suddenly she was back in the parlor again, and to my surprise passed
+immediately to the little table in the corner where we had sat at
+supper. We had had for our simple refreshment that homeliest of all
+dishes, boiled milk thickened with flour. There was still some left in a
+bowl, and taking this away with her, she called back hoarsely:
+
+"'Pray that he does not come to till I have finished. It will be the
+best prayer you ever made.'
+
+"She told me afterward that he was subject to these attacks and that she
+had long ceased to be alarmed by them. But to me the sight of this man
+lying there so helpless, was horrible and, though I hated him and pitied
+her, I scarcely knew what to wish. While battling with my desire to run
+and the feeling of loyalty which held me kneeling at that man's side, I
+heard her speak again, this time in an even and slightly hard tone: 'Now
+you may dash a glass of cold water in his face. I am prepared to meet
+him. Happily his memory fails him after these attacks. I may succeed in
+making him believe that the bond he saw was one of his fancies.'
+
+"'Had you not better throw the water yourself?' I suggested, getting up
+and meeting her eye very quietly.
+
+"She looked at me in wonder, then moved calmly to the table, took the
+glass and dashed a few drops of water into her husband's face. Instantly
+he began to stir, seeing which I arose without haste, but without any
+unnecessary delay, and quietly took my leave. I could bear no more that
+night.
+
+"Next morning I awoke in a fright. I had dreamed that he had come to my
+room in search of the bond. But it was only her knock at the door and
+her voice, asking if she might enter at this early hour. It was such a
+relief I gladly let her in, and she entered with her best air and flung
+herself on my little lounge with the hysterical cry:
+
+"'He has sent me up. I told him I ought not to intrude at such an
+inconvenient hour: that you would not have had your breakfast.' (How
+carelessly she spoke! How hard she tried to keep the hungry note out of
+her voice!) 'But he insisted upon my coming up. I know why. He searched
+me before I left the room, and now he wants to search the room itself.'
+
+"'Then he did remember?' I began.
+
+"'Yes, he remembers now. I saw it in his eyes as soon as he awoke. But
+he will not find the bond. That is safe, and some day when I shall have
+escaped his vigilance long enough to get it back again I will use it so
+as to make him as well as myself comfortable. I am not a selfish woman.'
+
+"I did not think she was, and I felt pity for her, and so after dressing
+and making her a cup of tea--I can myself do very well without one on
+a pinch--I sat down with her, and we chatted for an hour or so quite
+comfortably. Then she grew so restless and consulted the clock so often
+that I tried to soothe her by remarking that it was not an easy task he
+had set himself, at which she laughed in a mysterious way, but failed to
+grow less anxious till our suspense was cut short by the appearance of
+the janitor with a message from Mr. L'Hommedieu.
+
+"'Mr. L'Hommedieu's compliments,' said he, 'and he hopes Mrs.
+L'Hommedieu will make herself comfortable and not think of coming down.
+He is doing everything that is necessary and will soon be through. You
+can rest quite easy, ma'am.'
+
+"'What does he mean?' marveled the poor woman as the janitor
+disappeared. 'Is he spending all this time ransacking the rooms? I wish
+I dared disobey him. I wish I dared go down.'
+
+"But her courage was not equal to an open disregard of his wishes, and
+she had to subdue her impatience and wait for a summons that did not
+come till near two o'clock. Then Mr. L'Hommedieu himself appeared with
+her hat and mantle on his arm.
+
+"'My dear,' said he as she rose, haggard with excitement, to meet him,
+'I have brought your wraps with me that you may go directly from here to
+our new home. Shall I assist you to put them on? You do not look as well
+as usual, and that is why I have undertaken this thing all myself--to
+save you, my dear; to save you each and every exertion.'
+
+"I had flung out my arms to catch her, for I thought she was going to
+faint, but she did not, though I think it would have been better for her
+if she had.
+
+"'We are going to leave this house?' she asked, speaking very slowly and
+with a studied lack of emotion that imposed upon nobody.
+
+"'I have said so,' he smiled. 'The dray has already taken away the half
+of our effects, and the rest will follow at Mrs. Latimer's convenience.'
+
+"'Ah, I understand!' she replied, with a gasp of relief significant
+of her fear that by some superhuman cunning he had found the bond she
+thought so safely concealed. 'I was wondering how Mrs. Latimer came
+to allow us to leave.' (I tell you they always talked as if I were not
+present.) 'Our goods are left as a surety, it seems.'
+
+"'Half of our goods,' he blandly corrected. 'Would it interest you to
+know which half?'
+
+"'The cunning of this insinuation was matched by the imperturbable shrug
+with which she replied. 'So a bed has been allowed us and some clothes
+I am satisfied,' at which he bit his lips, vexed at her self-control and
+his own failure to break it.
+
+"'You have not asked where we are going,' he observed as with apparent
+solicitude he threw her mantle over her shoulders.
+
+"The air of lassitude with which she replied bespoke her feeling on that
+point. 'I have little curiosity,' she said. 'You know I can be happy
+anywhere. And, turning toward me, she moved her lips in a way I
+interpreted to mean: 'Go below with me. See me out.'
+
+"'Say what you have to say to Miss Winter-burn aloud,' he dryly
+suggested.
+
+"'I have nothing to say to Miss Winterburn but thanks,' was her cold
+reply, belied, however, by the trembling of her fingers as she essayed
+to fit on her gloves.
+
+"'And those I will receive below!' I cried, with affected gaiety. 'I am
+going down with you to the door.' And resolutely ignoring his frown I
+tripped down before them. On the last stair I felt her steps lagging.
+Instantly I seemed to comprehend what was required of me, and, rushing
+forward, I entered the front parlor. He followed close behind me, for
+how could he know I was not in collusion with her to regain the bond?
+This gave her one minute by herself in the rear, and in that minute she
+secured the key which would give her future access to the spot where her
+treasure lay hidden.
+
+"The rest of the story I must give you mainly from hearsay. You must
+understand by this time what Mr. L'Hommedieu's scheme was in moving
+thus suddenly. He knew that it would be impossible for him, by the most
+minute and continuous watchfulness, to prevent his wife from
+recovering the bond while they continued to inhabit the rooms in which,
+notwithstanding his failure to find it, he had reason to believe
+it still lay concealed. But once in other quarters it would be
+comparatively easy for him to subject her to a surveillance which
+not only would prevent her from returning to this house without his
+knowledge, but would lead her to give away her secret by the very
+natural necessity she would be under of going to the exact spot where
+her treasure lay hid.
+
+"It was a cunning plot and showed him to be as able as he was
+unscrupulous. How it worked I will now proceed to tell you. It must
+have been the next afternoon that the janitor came running up to me--I
+suppose he had learned by this time that I had more than ordinary
+interest in these people--to say that Mrs. L'Hommedieu had been in the
+house and had been so frightened by a man who had followed her that she
+had fainted dead away on the floor. Would I go down to her?
+
+"I had rather have gone anywhere else, unless it was to prison, but duty
+cannot be shirked, and I followed the man down. But we were too late.
+Mrs. L'Hommedieu had recovered and gone away, and the person who had
+frightened her was also gone, and only the hall-boy remained to give any
+explanations.
+
+"This was what he had to say:
+
+"'The man it was who went first. As soon as the lady fell he skipped
+out. I don't think he meant no good here--'
+
+"'Did she drop here in the hall?' I asked, unable to restrain my intense
+anxiety.
+
+"'Oh, no, ma'am! They was in the back room yonder, which she got in
+somehow. The man followed her in, sneaking and sneaking like an eel or a
+cop, and she fell right against---'
+
+"'Don't tell me where!' I cried. 'I don't want to know where!' And I was
+about to return up-stairs when I heard a quick, sharp voice behind
+me and realized that Mr. L'Hommedieu had come in and was having some
+dispute with the janitor.
+
+"Common prudence led me to listen. He wanted, as was very natural, to
+enter the room where his wife had just been surprised, but the janitor,
+alarmed by the foregoing very irregular proceedings, was disposed to
+deny his right to do so.
+
+"'The furniture is held as a surety,' said he, 'and I have orders---'
+
+"But Mr. L'Hommedieu had a spare dollar, and before many minutes had
+elapsed I heard him go into that room and close the door. Of the next
+ten minutes and the suspense I felt I need not speak. When he came out
+again, he looked as if the ground would not hold him.
+
+"'I have done some mischief, I fear,' he airily said as he passed by
+the janitor. 'But I'll pay for it. Don't worry. I'll pay for it and the
+rent, too, to-morrow. You may tell Mrs. Latimer so.' And he was gone,
+leaving us all agape in the hallway.
+
+"A minute later we all crept to that room and looked in. Now that he
+had got the money I for one was determined to know where she had hid it.
+There was no mistaking the spot. A single glance was enough to show us
+the paper ripped off from a portion of the wall, revealing a narrow gap
+behind the baseboard large enough to hold the bond. It was near--"
+
+"Wait!" I put in as I remembered where the so called Mrs. Helmuth
+had pointed just before she died. "Wasn't it at the left of the large
+folding doors and midway to the wall?"
+
+"How came you to know?" she asked. "Did Mrs. Latimer tell you?" But as I
+did not answer she soon took up the thread of her narrative again, and,
+sighing softly, said:
+
+"The next day came and went, but no Mr. L'Hommedieu appeared; another,
+and I began to grow seriously uneasy; a third, and a dreadful thing
+happened. Late in the afternoon Mrs. L'Hommedieu, dressed very oddly for
+her, came sliding in at the front door, and with an appealing smile at
+the hall-boy, who wished but dared not ask her for the key which made
+these visits possible, glided by to her old rooms, and, finding the door
+unlocked, went softly in. Her appearance is worth description, for it
+shows the pitiful efforts she made at disguise, in the hope, I suppose,
+of escaping the surveillance she was evidently conscious of being under.
+She was in the habit of wearing on cool days a black circular with
+a gray lining. This she had turned inside out so that the gray was
+uppermost, while over her neat black bonnet she had flung a long veil,
+also gray, which not only hid her face, but gave to her appearance
+an eccentric look as different as possible from her usual aspect. The
+hall-boy, who had never seen her save in showy black or bright colors,
+said she looked like a ghost in the daytime, but it was all done for
+a purpose, I am sure, and to escape the attention of the man who had
+before followed her. Alas, he might have followed her this time without
+addition to her suffering! Scarcely had she entered the room where her
+treasure had been left than she saw the torn paper and gaping baseboard,
+and, uttering a cry so piercing it found its way even to the stolid
+heart of the hall-boy, she tottered back into the hall, where she fell
+into the arms of her husband, who had followed her in from the street in
+a state of frenzy almost equal to her own.
+
+"The janitor, who that minute appeared on the stairway, says that he
+never saw two such faces. They looked at each other and were speechless.
+He was the first to hang his head.
+
+"'It is gone, Henry,' she whispered. 'It is gone. You have taken it.'
+
+"He did not answer.
+
+"'And it is lost! You have risked it, and it is lost!'
+
+"He uttered a groan. 'You should have given it to me that night. There
+was luck in the air then. Now the devil is in the cards and--'
+
+"Her arms went up with a shriek. 'My curse be upon you, Henry
+L'Hommedieu!' And whether it was the look with which she said this that
+moved him, or whether there was some latent love in his heart for this
+once beautiful and long-suffering woman, he shrank at her words, and,
+stumbling like a man in the darkness, uttered a heart-rending groan and
+rushed from the house. We never saw him again.
+
+"As for her, she fell this time under a paralytic attack which robbed
+her of her faculties. She was taken to a hospital, where I frequently
+visited her, but either from grief or the effect of her attack she did
+not know me, nor did she ever recognize any of us again. Mrs. Latimer,
+who is a just woman, sold her furniture and after paying herself out of
+the proceeds, gave the remainder to the hospital nurses in charge for
+Mrs. L'Hommedieu, so that when she left there she had something with
+which to start life anew. But where she went or how she managed to get
+along in her enfeebled condition I do not know. I never heard of her
+again."
+
+"Then you did not see the woman who died in those rooms?" I asked.
+
+The effect of these words was magical and led to mutual explanations.
+She had not seen that woman, having encountered all the sorrow she
+wished to in that room. Nor was there any one else in the house who
+would be likely to recognize Mrs. L'Hommedieu; both the janitor and
+hall-boy being new and Mrs. Latimer one of those proprietors who are
+only seen on rent day. For the rest, Mrs. L'Hommedieu's defective
+memory, which had led her to haunt the house and room where her money
+had once been hidden, accounted not only for her first visit, but the
+last, which had ended so fatally. The cunning she showed in turning her
+cloak and flinging a veil over her hat was the cunning of a partially
+clouded mind. It was a reminiscence of the morning when her terrible
+misfortune occurred. My habit of taking the key out of the lock of that
+unused door made the use of her own key possible, and her fear of being
+followed, caused her to lock the door behind her. My wife, who must
+have fallen into a doze on my leaving her, did not see her enter, but
+detected her just as she was trying to escape through the folding doors.
+My presence in the parlor probably added to her embarrassment, and she
+fled, turning her cloak as she did so.
+
+How simple it seemed now that we knew the facts; but how obscure, and to
+all appearance, unexplainable, before the clew was given to the mystery!
+
+
+
+
+
+End of the Project Gutenberg EBook of The Gray Madam, by
+Anna Katharine Green (Mrs. Charles Rohlfs)
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE GRAY MADAM ***
+
+***** This file should be named 22808.txt or 22808.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/2/8/0/22808/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.