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diff --git a/22763.txt b/22763.txt new file mode 100644 index 0000000..dd62109 --- /dev/null +++ b/22763.txt @@ -0,0 +1,1054 @@ +The Project Gutenberg EBook of Suite Mentale, by Gordon Randall Garrett + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Suite Mentale + +Author: Gordon Randall Garrett + +Illustrator: EMSH + +Release Date: September 25, 2007 [EBook #22763] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK SUITE MENTALE *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + + + + + _Just about a year ago, two enthusiastic young men came to see me, + and during the course of the visit announced that they were starting + a campaign to make their living in science fiction--and also to + become "names" in the best science fiction magazines. They planned + to collaborate on some material, and write on their own as well, + intending to make the grade both ways._ + + _One of the pair was a well-known science fiction fan, who had + appeared once or twice in the "pro mags," as fans designate journals + like this one. The other was Randall Garrett, who had previously + sold a respectable number of stories to various magazines in the + science fiction and fantasy field._ + + _I shall not try to insult your intelligence by stating that I told + them I knew they could do it; on the contrary, I larded doubt with + sympathy. However, this story, and Robert A. Madle's "Inside Science + Fiction" will show how wrong I was!_ + + + + +SUITE MENTALE + +by Randall Garrett + +_Illustrated by EMSH_ + + + + +OVERTURE--ADAGIO MISTERIOSO + +The neurosurgeon peeled the thin surgical gloves from his hands as the +nurse blotted the perspiration from his forehead for the last time after +the long, grueling hours. + +"They're waiting outside for you, Doctor," she said quietly. + +The neurosurgeon nodded wordlessly. Behind him, three assistants were +still finishing up the operation, attending to the little finishing +touches that did not require the brilliant hand of the specialist. Such +things as suturing up a scalp, and applying bandages. + +The nurse took the sterile mask--no longer sterile now--while the doctor +washed and dried his hands. + +"Where are they?" he asked finally. "Out in the hall, I suppose?" + +[Illustration] + +She nodded. "You'll probably have to push them out of the way to get out +of Surgery." + + * * * * * + +Her prediction was almost perfect. The group of men in conservative +business suits, wearing conservative ties, and holding conservative, +soft, felt hats in their hands were standing just outside the door. Dr. +Mallon glanced at the five of them, letting his eyes stop on the face of +the tallest. "He may live," the doctor said briefly. + +"You don't sound very optimistic, Dr. Mallon," said the FBI man. + +Mallon shook his head. "Frankly, I'm not. He was shot laterally, just +above the right temple, with what looks to me like a .357 magnum pistol +slug. It's in there--" He gestured back toward the room he had just +left. "--you can have it, if you want. It passed completely through the +brain, lodging on the other side of the head, just inside the skull. +What kept him alive, I'll never know, but I can guarantee that he might +as well be dead; it was a rather nasty way to lobotomize a man, but it +was effective, I can assure you." + +The Federal agent frowned puzzledly. "Lobotomized? Like those operations +they do on psychotics?" + +"Similar," said Mallon. "But no psychotic was ever butchered up like +this; and what I had to do to him to save his life didn't help +anything." + +The men looked at each other, then the big one said: "I'm sure you did +the best you could, Dr. Mallon." + +The neurosurgeon rubbed the back of his hand across his forehead and +looked steadily into the eyes of the big man. + +"You wanted him alive," he said slowly, "and I have a duty to save life. +But frankly, I think we'll all eventually wish we had the common human +decency to let Paul Wendell die. Excuse me, gentlemen; I don't feel +well." He turned abruptly and strode off down the hall. + + * * * * * + +One of the men in the conservative suits said: "Louis Pasteur lived +through most of his life with only half a brain and he never even knew +it, Frank; maybe--" + +"Yeah. Maybe," said the big man. "But I don't know whether to hope he +does or hope he doesn't." He used his right thumbnail to pick a bit of +microscopic dust from beneath his left index finger, studying the +operation without actually seeing it. "Meanwhile, we've got to decide +what to do about the rest of those screwballs. Wendell was the only sane +one, and therefore the most dangerous--but the rest of them aren't what +you'd call safe, either." + +The others nodded in a chorus of silent agreement. + + +NOCTURNE--TEMPO DI VALSE + +"Now what the hell's the matter with me?" thought Paul Wendell. He could +feel nothing. Absolutely nothing: No taste, no sight, no hearing, no +anything. "Am I breathing?" He couldn't feel any breathing. Nor, for +that matter, could he feel heat, nor cold, nor pain. + +"Am I dead? No. At least, I don't _feel_ dead. Who am I? What am I?" No +answer. _Cogito, ergo sum._ What did that mean? There was something +quite definitely wrong, but he couldn't quite tell what it was. Ideas +seemed to come from nowhere; fragments of concepts that seemed to have +no referents. What did that mean? What is a referent? A concept? He felt +he knew intuitively what they meant, but what use they were he didn't +know. + +There was something wrong, and he had to find out what it was. And he +had to find out through the only method of investigation left open to +him. + +So he thought about it. + + +SONATA--ALLEGRO CON BRIO + +The President of the United States finished reading the sheaf of papers +before him, laid them neatly to one side, and looked up at the big man +seated across the desk from him. + +"Is this everything, Frank?" he asked. + +"That's everything, Mr. President; everything we know. We've got eight +men locked up in St. Elizabeth's, all of them absolutely psychotic, and +one human vegetable named Paul Wendell. We can't get anything out of +them." + +The President leaned back in his chair. "I really can't quite understand +it. Extra-sensory perception--why should it drive men insane? Wendell's +papers don't say enough. He claims it can be mathematically worked +out--that he _did_ work it out--but we don't have any proof of that." + +The man named Frank scowled. "Wasn't that demonstration of his proof +enough?" + +A small, graying, intelligent-faced man who had been sitting silently, +listening to the conversation, spoke at last. "Mr. President, I'm afraid +I still don't completely understand the problem. If we could go over it, +and get it straightened out--" He left the sentence hanging expectantly. + +"Certainly. This Paul Wendell is a--well, he called himself a psionic +mathematician. Actually, he had quite a respectable reputation in the +mathematical field. He did very important work in cybernetic theory, but +he dropped it several years ago--said that the human mind couldn't be +worked at from a mechanistic angle. He studied various branches of +psychology, and eventually dropped them all. He built several of those +queer psionic machines--gold detectors, and something he called a hexer. +He's done a lot of different things, evidently." + +"Sounds like he was unable to make up his mind," said the small man. + + * * * * * + +The President shook his head firmly. "Not at all. He did new, creative +work in every one of the fields he touched. He was considered something +of a mystic, but not a crackpot, or a screwball. + +"But, anyhow, the point is that he evidently found what he'd been +looking for for years. He asked for an appointment with me; I okayed the +request because of his reputation. He would only tell me that he'd +stumbled across something that was vital to national defense and the +future of mankind; but I felt that, in view of the work he had done, he +was entitled to a hearing." + +"And he proved to you, beyond any doubt, that he had this power?" the +small man asked. + +Frank shifted his big body uneasily in his chair. "He certainly did, Mr. +Secretary." + +The President nodded. "I know it might not sound too impressive when +heard second-hand, but Paul Wendell could tell me more of what was going +on in the world than our Central Intelligence agents have been able to +dig up in twenty years. And he claimed he could teach the trick to +anyone. + +"I told him I'd think it over. Naturally, my first step was to make sure +that he was followed twenty-four hours a day. A man with information +like that simply could not be allowed to fall into enemy hands." The +President scowled, as though angry with himself. "I'm sorry to say that +I didn't realize the full potentialities of what he had said for several +days--not until I got Frank's first report." + + * * * * * + +"You could hardly be expected to, Mr. President," Frank said. "After +all, something like that is pretty heady stuff." + +"I think I follow you," said the Secretary. "You found he was already +teaching this trick to others." + +The President glanced at the FBI man. Frank said: "That's right; he was +holding meetings--classes, I suppose you'd call them--twice a week. +There were eight men who came regularly." + +"That's when I gave the order to have them all picked up. Can you +imagine what would happen if _everybody_ could be taught to use this +ability? Or even a small minority?" + +"They'd rule the world," said the Secretary softly. + +The President shrugged that off. "That's a small item, really. The point +is that _nothing_ would be hidden from _anyone_. + +"The way we play the Game of Life today is similar to playing poker. We +keep a straight face and play the cards tight to our chest. But what +would happen if everyone could see everyone else's cards? It would cease +to be a game of strategy, and become a game of pure chance. + + * * * * * + +"We'd have to start playing Life another way. It would be like chess, +where you can see the opponent's every move. But in all human history +there has never been a social analogue for chess. That's why Paul +Wendell and his group had to be stopped--for a while at least." + +"But what could you have done with them?" asked the Secretary. "Imprison +them summarily? Have them shot? What _would_ you have done?" + +The President's face became graver than ever. "I had not yet made that +decision. Thank Heaven, it has been taken out of my hands." + +"One of his own men shot him?" + +"That's right," said the big FBI man. "We went into his apartment an +instant too late. We found eight madmen and a near-corpse. We're not +sure what happened, and we're not sure we want to know. Anything that +can drive eight reasonably stable men off the deep end in less than an +hour is nothing to meddle around with." + +"I wonder what went wrong?" asked the Secretary of no one in particular. + + +SCHERZO--PRESTO + +Paul Wendell, too, was wondering what went wrong. + +Slowly, over a period of immeasurable time, memory seeped back into him. +Bits of memory, here and there, crept in from nowhere, sometimes to be +lost again, sometimes to remain. Once he found himself mentally humming +an odd, rather funeral tune: + + _Now, though you'd have said that the head was dead, + For its owner dead was he, + It stood on its neck with a smile well-bred, + And bowed three times to me. + It was none of your impudent, off-hand nods...._ + +Wendell stopped and wondered what the devil seemed so important about +the song. + +Slowly, slowly, memory returned. + +When he suddenly realized, with crashing finality, where he was and what +had happened to him, Paul Wendell went violently insane. Or he would +have, if he could have become violent. + + +MARCHE FUNEBRE--LENTO + +"Open your mouth, Paul," said the pretty nurse. The hulking mass of +not-quite-human gazed at her with vacuous eyes and opened its mouth. +Dexterously, she spooned a mouthful of baby food into it. "Now swallow +it, Paul. That's it. Now another." + +"In pretty bad shape, isn't he?" + +Nurse Peters turned to look at the man who had walked up behind her. It +was Dr. Benwick, the new interne. + +"He's worthless to himself and anyone else," she said. "It's a shame, +too; he'd be rather nice looking if there were any personality behind +that face." She shoveled another spoonful of mashed asparagus into the +gaping mouth. "Now swallow it, Paul." + +"How long has he been here?" Benwick asked, eyeing the scars that showed +through the dark hair on the patient's head. + +"Nearly six years," Miss Peters said. + +"Hmmh! But they outlawed lobotomies back in the sixties." + +"Open your mouth, Paul." Then, to Benwick: "This was an accident. Bullet +in the head. You can see the scar on the other side of his head." + + * * * * * + +The doctor moved around to look at the left temple. "Doesn't leave much +of a human being, does it?" + +"It doesn't even leave much of an animal," Miss Peters said. "He's +alive, but that's the best you can say for him. (Now swallow, Paul. +That's it.) Even an ameba can find food for itself." + +"Yeah. Even a single cell is better off than he is. Chop out a man's +forebrain and he's nothing. It's a case of the whole being _less_ than +the sum of its parts." + +"I'm glad they outlawed the operation on mental patients," Miss Peters +said, with a note of disgust in her voice. + +Dr. Benwick said: "It's worse than it looks. Do you know why the +anti-lobotomists managed to get the bill passed?" + +"Let's drink some milk now, Paul. No, Doctor; I was only a little girl +at that time." + +"It was a matter of electro-encephalographic records. They showed that +there was electrical activity in the prefrontal lobes even after the +nerves had been severed, which could mean a lot of things; but the A-L +supporters said that it indicated that the forebrain was still capable +of thinking." + +Miss Peters looked a little ill. "Why--that's _horrible_! I wish you'd +never told me." She looked at the lump of vegetablized human sitting +placidly at the table. "Do you suppose he's actually _thinking_, +somewhere, deep inside?" + +"Oh, I doubt it," Benwick said hastily. "There's probably no real +self-awareness, none at all. There couldn't be." + +"I suppose not," Miss Peters said, "but it's not pleasant to think of." + +"That's why they outlawed it," said Benwick. + + +RONDO--ANDANTE MA NON POCO + +Insanity is a retreat from reality, an escape within the mind from the +reality outside the mind. But what if there is no detectable reality +outside the mind? What is there to escape from? Suicide--death in any +form--is an escape from life. But if death does not come, and can not be +self-inflicted, what then? + +And when the pressure of nothingness becomes too great to bear, it +becomes necessary to escape; a man under great enough pressure will take +the easy way out. But if there is no easy way? Why, then a man must take +the hard way. + +For Paul Wendell, there was no escape from his dark, senseless Gehenna +by way of death, and even insanity offered no retreat; insanity in +itself is senseless, and senselessness was what he was trying to flee. +The only insanity possible was the psychosis of regression, a fleeing +into the past, into the crystallized, unchanging world of memory. + +So Paul Wendell explored his past, every year, every hour, every second +of it, searching to recall and savor every bit of sensation he had ever +experienced. He tasted and smelled and touched and heard and analyzed +each of them minutely. He searched through his own subjective thought +processes, analyzing, checking and correlating them. + +_Know thyself._ Time and time again, Wendell retreated from his own +memories in confusion, or shame, or fear. But there was no retreat from +himself, and eventually he had to go back and look again. + +He had plenty of time--all the time in the world. How can subjective +time be measured when there is no objective reality? + + * * * * * + +Eventually, there came the time when there was nothing left to look at; +nothing left to see; nothing to check and remember; nothing that he had +not gone over in every detail. Again, boredom began to creep in. It was +not the boredom of nothingness, but the boredom of the familiar. +Imagination? What could he imagine, except combinations and permutations +of his own memories? He didn't know--perhaps there might be more to it +than that. + +So he exercised his imagination. With a wealth of material to draw upon, +he would build himself worlds where he could move around, walk, talk, +and make love, eat, drink and feel the caress of sunshine and wind. + +It was while he was engaged in this project that he touched another +mind. He touched it, fused for a blinding second, and bounced away. He +ran gibbering up and down the corridors of his own memory, mentally +reeling from the shock of--_identification_! + + * * * * * + +Who was he? Paul Wendell? Yes, he knew with incontrovertible certainty +that he was Paul Wendell. But he also knew, with almost equal certainty, +that he was Captain Sir Richard Francis Burton. He was living--had +lived--in the latter half of the nineteenth century. But he knew nothing +of the Captain other than the certainty of identity; nothing else of +that blinding mind-touch remained. + +Again he scoured his memory--Paul Wendell's memory--checking and +rechecking the area just before that semi-fatal bullet had crashed +through his brain. + +And finally, at long last, he knew with certainty where his calculations +had gone astray. He knew positively why eight men had gone insane. + +Then he went again in search of other minds, and this time he knew he +would not bounce. + + +QUASI UNA FANTASIA POCO ANDANTE PIANISSIMO + +An old man sat quietly in his lawnchair, puffing contentedly on an +expensive briar pipe and making corrections with a fountain pen on a +thick sheaf of typewritten manuscript. Around him stretched an expanse +of green lawn, dotted here and there with squat cycads that looked like +overgrown pineapples; in the distance, screening the big house from the +road, stood a row of stately palms, their fronds stirring lightly in the +faint, warm California breeze. + +The old man raised his head as a car pulled into the curving driveway. +The warm hum of the turboelectric engine stopped, and a man climbed out +of the vehicle. He walked with easy strides across the grass to where +the elderly gentleman sat. He was lithe, of indeterminate age, but with +a look of great determination. There was something in his face that made +the old man vaguely uneasy--not with fear but with a sense of deep +respect. + +"What can I do for you, sir?" + +"I have some news for you, Mr. President," the younger one said. + +The old man smiled wryly. "I haven't been President for fourteen years. +Most people call me 'Senator' or just plain 'Mister'." + + * * * * * + +The younger man smiled back. "Very well, Senator. My name is Camberton, +James Camberton. I brought some information that may possibly relieve +your mind--or, again, it may not." + +"You sound ominous, Mr. Camberton. I hope you'll remember that I've been +retired from the political field for nearly five years. What is this +shattering news?" + +"Paul Wendell's body was buried yesterday." + +The Senator looked blank for a second, then recognition came into his +face. "Wendell, eh? After all this time. Poor chap; he'd have been +better off if he'd died twenty years ago." Then he paused and looked up. +"But just who are you, Mr. Camberton? And what makes you think I would +be particularly interested in Paul Wendell?" + +"Mr. Wendell wants to tell you that he is very grateful to you for +having saved his life, Senator. If it hadn't been for your orders, he +would have been left to die." + +The Senator felt strangely calm, although he knew he should feel shock. +"That's ridiculous, sir! Mr. Wendell's brain was hopelessly damaged; he +never recovered his sanity or control of his body. I know; I used to +drop over to see him occasionally, until I finally realized that I was +only making myself feel worse and doing him no good." + +[Illustration] + +"Yes, sir. And Mr. Wendell wants you to know how much he appreciated +those visits." + + * * * * * + +The Senator grew red. "What the devil are you talking about? I just said +that Wendell couldn't talk. How could he have said anything to you? What +do you know about this?" + +"I never said he _spoke_ to me, Senator; he didn't. And as to what I +know of this affair, evidently you don't remember my name. James +Camberton." + +The Senator frowned. "The name is familiar, but--" Then his eyes went +wide. "Camberton! You were one of the eight men who--Why, _you're the +man who shot Wendell_!" + +Camberton pulled up an empty lawnchair and sat down. "That's right, +Senator; but there's nothing to be afraid of. Would you like to hear +about it?" + +"I suppose I must." The old man's voice was so low that it was scarcely +audible. "Tell me--were the other seven released, too? Have--have you +all regained your sanity? Do you remember--" He stopped. + +"Do we remember the extra-sensory perception formula? Yes, we do; all +eight of us remember it well. It was based on faulty premises, and +incomplete, of course; but in its own way it was workable enough. We +have something much better now." + +The old man shook his head slowly. "I failed, then. Such an idea is as +fatal to society as we know it as a virus plague. I tried to keep you +men quarantined, but I failed. After all those years of insanity, now +the chess game begins; the poker game is over." + +"It's worse than that," Camberton said, chuckling softly. "Or, actually, +it's much better." + +"I don't understand; explain it to me. I'm an old man, and I may not +live to see my world collapse. I hope I don't." + +Camberton said: "I'll try to explain in words, Senator. They're +inadequate, but a fuller explanation will come later." + +And he launched into the story of the two-decade search of Paul Wendell. + + +CODA--ANDANTINO + +"Telepathy? Time travel?" After three hours of listening, the +ex-President was still not sure he understood. + +"Think of it this way," Camberton said. "Think of the mind at any given +instant as being surrounded by a shield--a shield of privacy--a shield +which you, yourself have erected, though unconsciously. It's a perfect +insulator against telepathic prying by others. You feel you _have_ to +have it in order to retain your privacy--your sense of identity, even. +But here's the kicker: even though no one else can get in, _you_ can't +get out! + +"You can call this shield 'self-consciousness'--perhaps _shame_ is a +better word. Everyone has it, to some degree; no telepathic thought can +break through it. Occasionally, some people will relax it for a fraction +of a second, but the instant they receive something, the barrier goes up +again." + +"Then how is telepathy possible? How can you go through it?" The Senator +looked puzzled as he thoughtfully tamped tobacco into his briar. + +"You don't go _through_ it; you go _around_ it." + + * * * * * + +"Now wait a minute; that sounds like some of those fourth dimension +stories I've read. I recall that when I was younger, I read a murder +mystery--something about a morgue, I think. At any rate, the murder was +committed inside a locked room; no one could possibly have gotten in or +out. One of the characters suggested that the murderer traveled through +the fourth dimension in order to get at the victim. He didn't go through +the walls; he went around them." The Senator puffed a match flame into +the bowl of his pipe, his eyes on the younger man. "Is that what you're +driving at?" + +"Exactly," agreed Camberton. "The fourth dimension. Time. You must go +back in time to an instant when that wall did not exist. An infant has +no shame, no modesty, no shield against the world. You must travel back +down your own four-dimensional tube of memory in order to get outside +it, and to do that, you have to know your own mind completely, and you +must be _sure_ you know it. + +"For only if you know your own mind can you communicate with another +mind. Because, at the 'instant' of contact, you _become_ that person; +you must enter his own memory at the beginning and go _up_ the +hyper-tube. You will have all his memories, his hopes, his fears, his +_sense of identity_. Unless you know--beyond any trace of doubt--who +_you_ are, the result is insanity." + + * * * * * + +The Senator puffed his pipe for a moment, then shook his head. "It +sounds like Oriental mysticism to me. If you can travel in time, you'd +be able to change the past." + +"Not at all," Camberton said; "that's like saying that if you read a +book, the author's words will change. + +"Time isn't like that. Look, suppose you had a long trough filled with +supercooled water. At one end, you drop in a piece of ice. Immediately +the water begins to freeze; the crystallization front moves toward the +other end of the trough. Behind that front, there is ice--frozen, +immovable, unchangeable. Ahead of it there is water--fluid, mobile, +changeable. + +"The instant we call 'the present' is like that crystallization front. +The past is unchangeable; the future is flexible. But they both exist." + +"I see--at least, I think I do. And you can do all this?" + +"Not yet," said Camberton; "not completely. My mind isn't as strong as +Wendell's, nor as capable. I'm not the--shall we say--the superman he +is; perhaps I never will be. But I'm learning--I'm learning. After all, +it took Paul twenty years to do the trick under the most favorable +circumstances imaginable." + +"I see." The Senator smoked his pipe in silence for a long time. +Camberton lit a cigaret and said nothing. After a time, the Senator took +the briar from his mouth and began to tap the bowl gently on the heel of +his palm. "Mr. Camberton, why do you tell me all this? I still have +influence with the Senate; the present President is a protege of mine. +It wouldn't be too difficult to get you men--ah--put away again. I have +no desire to see our society ruined, our world destroyed. Why do you +tell me?" + + * * * * * + +Camberton smiled apologetically. "I'm afraid you might find it a little +difficult to put us away again, sir; but that's not the point. You see, +we need you. We have no desire to destroy our present culture until we +have designed a better one to replace it. + +"You are one of the greatest living statesmen, Senator; you have a +wealth of knowledge and ability that can never be replaced; knowledge +and ability that will help us to design a culture and a civilization +that will be as far above this one as this one is above the wolf pack. +We want you to come in with us, help us; we want you to be one of us." + +"I? I'm an old man, Mr. Camberton. I will be dead before this +civilization falls; how can I help build a new one? And how could I, at +my age, be expected to learn this technique?" + +"Paul Wendell says you can. He says you have one of the strongest minds +now existing." + +The Senator put his pipe in his jacket pocket. "You know, Camberton, you +keep referring to Wendell in the present tense. I thought you said he +was dead." + +Again Camberton gave him the odd smile. "I didn't say that, Senator; I +said they buried his body. That's quite a different thing. You see, +before the poor, useless hulk that held his blasted brain died, Paul +gave the eight of us his memories; he gave us _himself_. The mind is not +the brain, Senator; we don't know what it _is_ yet, but we do know what +it _isn't_. Paul's poor, damaged brain is dead, but his memories, his +thought processes, the very essence of all that was Paul Wendell is +still very much with us. + +"Do you begin to see now why we want you to come in with us? There are +nine of us now, but we need the tenth--you. Will you come?" + +"I--I'll have to think it over," the old statesman said in a voice that +had a faint quaver. "I'll have to think it over." + +But they both knew what his answer would be. + + + + +Transcriber's Note + +This etext was produced from _Future Science Fiction_ No. 30, 1956. +Extensive research did not uncover any evidence that the U.S. copyright +on this publication was renewed. 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