diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 01:53:41 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 01:53:41 -0700 |
| commit | 8969493a82fc752091cfda7ea5da79634faeb5d0 (patch) | |
| tree | a8b967078bd32d362618cbec5b8a66b1d3ef0774 /22709.txt | |
Diffstat (limited to '22709.txt')
| -rw-r--r-- | 22709.txt | 929 |
1 files changed, 929 insertions, 0 deletions
diff --git a/22709.txt b/22709.txt new file mode 100644 index 0000000..7ba2c12 --- /dev/null +++ b/22709.txt @@ -0,0 +1,929 @@ +The Project Gutenberg EBook of At Pinney's Ranch, by Edward Bellamy + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: At Pinney's Ranch + 1898 + +Author: Edward Bellamy + +Release Date: September 21, 2007 [EBook #22709] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK AT PINNEY'S RANCH *** + + + + +Produced by David Widger + + + + + +AT PINNEY'S RANCH + +By Edward Bellamy + +1898 + + +John Lansing first met Mary Hollister at the house of his friend Pinney, +whose wife was her sister. She had soft gray eyes, a pretty color in her +cheeks, rosy lips, and a charming figure. In the course of the evening +somebody suggested mind-reading as a pastime, and Lansing, who had some +powers, or supposed powers, in that direction, although he laughed +at them himself, experimented in turn with the ladies. He failed with +nearly every subject until it came Mary Hollister's turn. As she placed +her soft palm in his, closed her eyes, and gave herself up to his +influence, he knew that he should succeed with her, and so he did. +She proved a remarkably sympathetic subject, and Lansing was himself +surprised, and the spectators fairly thrilled, by the feats he was able +to perform by her aid. After that evening he met her often, and there +was more equally remarkable mind-reading; and then mind-reading was +dropped for heart-reading, and the old, old story they read in each +other's hearts had more fascination for them than the new science. +Having once discovered that their hearts beat in unison, they took no +more interest in the relation of their minds. + +The action proper of this story begins four years after their marriage, +with a very shocking event,--nothing less than the murder of Austin +Flint, who was found dead one morning in the house in which he lived +alone. Lansing had no hand in the deed, but he might almost as well have +had; for, while absolutely guiltless, he was caught in one of those nets +of circumstance which no foresight can avoid, whereby innocent men are +sometimes snared helplessly, and delivered over to a horrid death. There +had been a misunderstanding between him and the dead man, and only +a couple of days before the murder, they had exchanged blows on the +street. When Flint was found dead, in the lack of any other clue, people +thought of Lansing. He realized that this was so, and remained silent as +to a fact which otherwise he would have testified to at the inquest, +but which he feared might now imperil him. He had been at Austin Flint's +house the night of the murder, and might have committed it, so far +as opportunity was concerned. In reality, the motive of his visit was +anything but murderous. Deeply chagrined by the scandal of the fight, +he had gone to Flint to apologize, and to make up their quarrel. But he +knew very well that nobody would believe that this was his true object +in seeking his enemy secretly by night, while the admission of the visit +would complete a circumstantial evidence against him stronger than had +often hanged men. He believed that no one but the dead man knew of the +call, and that it would never be found out. He had not told his wife of +it at the time, and still less afterward, on account of the anxiety she +would feel at his position. + +Two weeks passed, and he was beginning to breathe freely in the +assurance of safety, when, like a thunderbolt from a cloud that seems to +have passed over, the catastrophe came. A friend met him on the street +one day, and warned him to escape while he could. It appeared that he +had been seen to enter Flint's house that night. His concealment of the +fact had been accepted as corroborating evidence of his guilt, and the +police, who had shadowed him from the first, might arrest him at any +moment. The conviction that he was guilty, which the friend who told him +this evidently had, was a terrible comment on the desperateness of +his position. He walked home as in a dream. His wife had gone out to +a neighbor's. His little boy came to him, and clambered on his knee. +"Papa, what makes your face so wet?" he asked, for there were great +drops on his forehead. Then his wife came in, her face white, her eyes +full of horror. "Oh, John!" she exclaimed. "They say you were at Mr. +Flint's that night, and they are going to arrest you. Oh, John, what +does it mean? Why don't you speak? I shall go mad, if you do not speak. +You were not there! Tell me that you were not there!" The ghastly face +he raised to hers might well have seemed to confess everything. + +At least she seemed to take it so, and in a fit of hysterical weeping +sank to the floor, and buried her face in her hands upon a chair. The +children, alarmed at the scene, began to cry. It was growing dark, and +as he looked out of the window, Lansing saw an officer and a number of +other persons approaching the house. They were coming to arrest him. +Animal terror, the instinct of self-preservation, seized upon his +faculties, stunned and demoralized as he was by the suddenness with +which this calamity had come upon him. He opened the door and fled, +with a score of men and boys yelling in pursuit. He ran wildly, blindly, +making incredible leaps and bounds over obstacles. As men sometimes do +in nightmares, he argued with himself, as he ran, whether this could +possibly be a waking experience, and inclined to think that it could +not. It must be a dream. It was too fantastically horrible to be +anything else. + +Presently he saw just before him the eddying, swirling current of the +river, swollen by a freshet. Still half convinced that he was in a +nightmare, and, if he could but shake it off, should awake in his warm +bed, he plunged headlong in, and was at once swirled out of sight of his +pursuers beneath the darkening sky. A blow from a floating object caused +him to throw up his arms, and, clutching something solid, he clambered +upon a shed carried away by the freshet from an up-river farm. All night +he drifted with the swift current, and in the morning landed in safety +thirty miles below the village from which he had fled for life. + +So John Lansing, for no fault whatever except an error of judgment, if +even it was that, was banished from home, and separated from his family +almost as hopelessly as if he were dead. To return would be to meet an +accusation of murder to which his flight had added overwhelming weight. +To write to his wife might be to put the officers of the law, who +doubtless watched her closely, upon his scent. + +Under an assumed name he made his way to the far West, and, joining the +rush to the silver mines of Colorado, was among the lucky ones. At the +end of three years he was a rich man. What he had made the money for, he +could not tell, except that the engrossment of the struggle had helped +him to forget his wretchedness. Not that he ever did forget it. His +wife and babies, from whose embraces he had been so suddenly torn, +were always in his thoughts. Above all, he could not forget the look of +horror in his wife's eyes in that last terrible scene. To see her again, +and convince her, if not others, that he was innocent, was a need which +so grew upon him that, at the end of three years, he determined to take +his life in his hand and return home openly. This life of exile was not +worth living. + +One day, in the course of setting his affairs in order for his return, +he was visiting a mining camp remote from the settlements, when a voice +addressed him by his old name, and looking around he saw Pinney. The +latter's first words, as soon as his astonishment and delight had found +some expression, assured Lansing that he was no longer in danger. The +murderer of Austin' Flint had been discovered, convicted, and hanged two +years previous. As for Lansing, it had been taken for granted that he +was drowned when he leaped into the river, and there had been no further +search for him. His wife had been broken-hearted ever since, but she and +the children were otherwise well, according to the last letters +received by Pinney, who, with his wife, had moved out to Colorado a year +previous. + +Of course Lansing's only idea now was to get home as fast as steam could +carry him; but they were one hundred miles from the railroad, and the +only communication was by stage. It would get up from the railroad the +next day, and go back the following morning. Pinney took Lansing out to +his ranch, some miles from the mining camp, to pass the interval. The +first thing he asked Mrs. Pinney was if she had a photograph of his +wife. When she brought him one, he durst not look at it before his +hosts. Not till he had gone to his room and locked the door did he trust +himself to see again the face of his beloved Mary. + +That evening Mrs. Pinney told him how his wife and children had fared +in his absence. Her father had helped them at first, but after his death +Mary had depended upon needlework for support, finding it hard to make +the two ends meet. + +Lansing groaned at hearing this, but Mrs. Pinney comforted him. It was +well worth while having troubles, she said, if they could be made up to +one, as all Mary's would be to her when she saw her husband. + +The upcoming stage brought the mail, and next day Pinney rode into camp +to get his weekly newspaper, and engage a passage down the next morning +for Lansing. The day dragged terribly to the latter, who stayed at the +ranch. He was quite unfit for any social purpose, as Mrs. Pinney, to +whom a guest in that lonely place was a rare treat, found to her sorrow, +though indeed she could not blame him for being poor company. He passed +hours, locked in his room, brooding over Mary's picture. The rest of the +day he spent wandering about the place, smiling and talking to himself +like an imbecile, as he dreamed of the happiness so soon to crown his +trials. If he could have put himself in communication with Mary by +telegraph during this period of waiting, it would have been easier to +get through, but the nearest telegraph station was at the railroad. +In the afternoon he saddled a horse and rode about the country, thus +disposing of a couple of hours. + +When he came back to the house, he saw that Pinney had returned, for his +horse was tethered to a post of the front piazza. The doors and windows +of the living-room were open, and as he reached the front door, he heard +Pinney and his wife talking in agitated tones. + +"Oh, how could God let such an awful thing happen?" she was exclaiming, +in a voice broken by hysterical sobbing. "I 'm sure there was never +anything half so horrible before. Just as John was coming home to her, +and she worshiping him so, and he her! Oh, it will kill him! Who is +going to tell him? Who can tell him?" + +"He must not be told to-day," said Pinney's voice. "We must keep it from +him at least for to-day." + +Lansing entered the room. "Is she dead?" he asked quietly. He could not +doubt, from what he had overheard, that she was. + +"God help him! He 'll have to know it now," exclaimed Pinney. + +"Is she dead?" repeated Lansing. + +"No, she is n't dead." + +"Is she dying, then?" + +"No, she is well." + +"It's the children, then?" + +"No," answered Pinney. "They are all right." + +"Then, in God's name, what is it?" demanded Lansing, unable to conceive +what serious evil could have happened to him, if nothing had befallen +his wife and babies. + +"We can't keep it from him now," said Pinney to his wife. "You 'll have +to give him her letter." + +"Can't you tell me what it is? Why do you keep me in suspense?" asked +Lansing, in a voice husky with a dread he knew not of what. + +"I can't, man. Don't ask me!" groaned Finney. "It's better that you +should read it." + +Mrs. Finney's face expressed an agony of compassion as, still half +clutching it, she held out a letter to Lansing. "John, oh, John," she +sobbed; "remember, she's not to blame! She doesn't know." + +The letter, was in his wife's handwriting, addressed to Mrs. Pinney, and +read as follows:-- + + You will be surprised by what I am going to tell you. You, + who know how I loved John, must have taken it for granted + that I would never marry again. Not that it could matter to + him. Too well I feel the gulf between the dead and living to + fancy that his peace could be troubled by any of the + weaknesses of mortal hearts. Indeed, he often used to tell + me that, if he died, he wanted me to marry again, if ever I + felt like doing so; but in those happy days I was always + sure that I should be taken first. It was he who was to go + first, though, and now it is for the sake of his children + that I am going to do what I never thought I could. I am + going to marry again. As they grow older and need more, I + find it impossible for me to support them, though I do not + mind how hard I work, and would wear my fingers to the bone + rather than take any other man's name after being John's + wife. But I cannot care for them as they should be cared + for. Johnny is now six, and ought to go to school, but I + cannot dress him decently enough to send him. Mary has + outgrown all her clothes, and I cannot get her more. Her + feet are too tender to go bare, and I cannot buy her shoes. + I get less and less sewing since the new dressmaker came to + the village, and soon shall have none. We live, oh so + plainly! For myself I should not care, but the children are + growing and need better food. They are John's children, and + for their sake I have brought myself to do what I never + could have done but for them. I have promised to marry Mr. + Whitcomb. I have not deceived him as to why alone I marry + him. He has promised to care for the children as his own, + and to send Johnny to college, for I know his father would + have wanted him to go. It will be a very quiet wedding, of + course. Mr. Whitcomb has had some cards printed to send to a + few friends, and I inclose one to you. I cannot say that I + wish you could be present, for it will be anything but a + joyful day to me. But when I meet John in heaven, he will + hold me to account for the children he left me, and this is + the only way by which I can provide for them. So long as it + is well with them, I ought not to care for myself. + + + Your sister, + + Maky Lansing. + +The card announced that the wedding would take place at the home of the +bride, at six o'clock on the afternoon of the 27th of June. + +It was June 27 that day, and it was nearly five o'clock. "The Lord help +you!" ejaculated Pinney, as he saw, by the ashen hue which overspread +Lansing's face, that the full realization of his situation had come +home to him. "We meant to keep it from you till to-morrow. It might be a +little easier not to know it till it was over than now, when it is going +on, and you not able to lift a finger to stop it." + +"Oh, John," cried Mrs. Pinney once more; "remember, she does n't know!" +and, sobbing hysterically, she fled from the room, unable to endure the +sight of Lansing's face. + +He had fallen into a chair, and was motionless, save for the slow and +labored breathing which shook his body. As he sat there in Pinney's +ranch this pleasant afternoon, the wife whom he worshiped never so +passionately as now, at their home one thousand miles away, was holding +another man by the hand, and promising to be his wife. + +It was five minutes to five by the clock on the wall before him. It +therefore wanted but five minutes of six, the hour of the wedding, at +home, the difference in time being just an hour. In the years of his +exile, by way of enhancing the vividness of his dreams of home, he +had calculated exactly the difference in time from various points in +Colorado, so that he could say to himself, "Now Mary is putting the +babies to bed;" "Now it is her own bedtime;" "Now she is waking up;" or +"Now the church-bells are ringing, and she is walking to church." He +was accustomed to carry these two standards of time always in his +head, reading one by the other, and it was this habit, bred of doting +fondness, which now would compel him to follow, as if he were a +spectator, minute by minute, each step of the scene being enacted so far +away. + +People were prompt at weddings. No doubt already the few guests were +arriving, stared at by the neighbors from their windows. The complacent +bridegroom was by this time on his way to the home of the bride, +or perhaps knocking at the door. Lansing knew him well, an elderly, +well-to-do furniture-maker, who had been used to express a fatherly +admiration for Mary. The bride was upstairs in her chamber, putting the +finishing touches to her toilet; or, at this very moment, it might be, +was descending the stairs to take the bridegroom's arm and go in to be +married. + +Lansing gasped. The mountain wind was blowing through the room, but he +was suffocating. + +Pinney's voice, seeming to come from very far away, was in his ears. +"Rouse yourself, for God's sake! Don't give it all up that way. I +believe there's a chance yet. Remember the mind-reading you used to do +with her. You could put almost anything into her mind by just willing +it there. That's what I mean. Will her to stop what she is doing now. +Perhaps you may save her yet. There's a chance you may do it. I don't +say there's more than a chance, but there 's that There's a bare chance. +That's better than giving up. I 've heard of such things being done. I +'ve read of them. Try it, for God's sake I Don't give up." + +At any previous moment of his life the suggestion that he could, by mere +will power, move the mind of a person a thousand miles away, so as to +reverse a deliberate decision, would have appeared to Lansing as wholly +preposterous as no doubt it does to any who read these lines. But a man, +however logical he may be on land, will grasp at a straw when drowning, +as if it were a log. Pinney had no need to use arguments or adjurations +to induce Lansing to adopt his suggestion. The man before him was in +no mood to balance probabilities against improbabilities. It was enough +that the project offered a chance of success, albeit infinitesimal; for +on the other hand there was nothing but an intolerable despair, and a +fate that truly seemed more than flesh and blood could bear. + +Lansing had sprung to his feet while Pinney was speaking. "I 'm going to +try it, and may God Almighty help me!" he cried, in a terrible voice. + +"Amen!" echoed Pinney. + +Lansing sank into his chair again, and sat leaning slightly forward, in +a rigid attitude. The expression of his eyes at once became fixed. His +features grew tense, and the muscles of his face stood out. As if to +steady the mental strain by a physical one, he had taken from the table +a horseshoe which had lain there, and held it in a convulsive grip. + +Pinney had made this extraordinary suggestion in the hope of diverting +Lansing's mind for a moment from his terrible situation, and with not so +much faith even as he feigned that it would be of any practical avail. +But now, as he looked upon the ghastly face before him, and realized +the tremendous concentration of purpose, the agony of will, which it +expressed, he was impressed that it would not be marvelous if some +marvel should be the issue. Certainly, if the will really had any such +power as Lansing was trying to exert, as so many theorists maintained, +there could never arise circumstances better calculated than these to +call forth a supreme assertion of the faculty. He went out of the room +on tiptoe, and left his friend alone to fight this strange and terrible +battle with the powers of the air for the honor of his wife and his own. + +There was little enough need of any preliminary effort on Lansing's +part to fix his thoughts upon Mary. It was only requisite that to the +intensity of the mental vision, with which he had before imagined her, +should be added the activity of the will, turning the former mood of +despair into one of resistance. He knew in what room of their house the +wedding party must now be gathered, and was able to represent to +himself the scene there as vividly as if he had been present. He saw +the relatives assembled; he saw Mr. Davenport, the minister, and, facing +him, the bridal couple, in the only spot where they could well stand, +before the fireplace. But from all the others, from the guests, from the +minister, from the bridegroom, he turned his thoughts, to fix them on +the bride alone. He saw her as if through the small end of an immensely +long telescope, distinctly, but at an immeasurable distance. On this +face his mental gaze was riveted, as by conclusive efforts his will +strove to reach and move hers against the thing that she was doing. +Although his former experiments in mental phenomena had in a measure +familiarized him with the mode of addressing his powers to such an +undertaking as this, yet the present effort was on a scale so much +vaster that his will for a time seemed appalled, and refused to go out +from him, as a bird put forth from a ship at sea returns again and again +before daring to essay the distant flight to land. He felt that he was +gaining nothing. He was as one who beats the air. It was all he could do +to struggle against the influences that tended to deflect and dissipate +his thoughts. Again and again a conviction of the uselessness of the +attempt, of the madness of imagining that a mere man could send a wish, +like a voice, across a continent, laid its paralyzing touch upon his +will, and nothing but a sense of the black horror which failure meant +enabled him to throw it off. If he but once admitted the idea of +failing, all was lost. He must believe that he could do this thing, +or he surely could not. To question it was to surrender his wife; +to despair was to abandon her to her fate. So, as a wrestler strains +against a mighty antagonist, his will strained and tugged in supreme +stress against the impalpable obstruction of space, and, fighting +despair with despair, doggedly held to its purpose, and sought to keep +his faculties unremittingly streaming to one end. Finally, as this +tremendous effort, which made minutes seem hours, went on, there came +a sense of efficiency, the feeling of achieving something. From this +consciousness was first born a faith, no longer desperate, but rational, +that he might succeed, and with faith came an instantaneous tenfold +multiplication of force. The overflow of energy lost the tendency to +dissipation and became steady. The will appeared to be getting the +mental faculties more perfectly in hand, if the expression may be used, +not only concentrating but fairly fusing them together by the intensity +with which it drove them to their object. It was time. Already, perhaps, +Mary was about to utter the vows that would give her to another. +Lansing's lips moved. As if he were standing at her side, he murmured +with strained and labored utterance ejaculations of appeal and +adjuration. + +Then came the climax of the stupendous struggle. He became aware of a +sensation so amazing that I know not if it can be described at all,--a +sensation comparable to that which comes up the mile-long sounding-line, +telling that it touches bottom. Fainter far, as much finer as is mind +than matter, yet not less unmistakable, was the thrill which told the +man, agonizing on that lonely mountain of Colorado, that the will which +he had sent forth to touch the mind of another, a thousand miles away, +had found its resting-place, and the chain between them was complete. +No longer projected at random into the void, but as if it sent along an +established medium of communication, his will now seemed to work upon +hers, not uncertainly and with difficulty, but as if in immediate +contact. Simultaneously, also, its mood changed. No more appealing, +agonizing, desperate, it became insistent, imperious, dominating. For +only a few moments it remained at this pitch, and then, the mental +tension suddenly relaxing, he aroused to a perception of his +surroundings, of which toward the last he had become oblivious. He was +drenched with perspiration and completely exhausted. The iron horseshoe +which he had held in his hands was drawn halfway out. + +Thirty-six hours later, Lansing, accompanied by Pinney, climbed down +from the stage at the railroad station. During the interval Lansing +had neither eaten nor slept. If at moments in that time he was able to +indulge the hope that his tremendous experiment had been successful, for +the main part the overwhelming presumption of common sense and common +experience against such a notion made it seem childish folly to +entertain it. + +At the station was to be sent the dispatch, the reply to which would +determine Mary's fate and his own. Pinney signed it, so that, if the +worst were true, Lansing's existence might still remain a secret; for of +going back to her in that case, to make her a sharer of his shame, there +was no thought on his part. The dispatch was addressed to Mr. Davenport, +Mary's minister, and merely asked if the wedding had taken place. + +They had to wait two hours for the answer. When it came, Lansing was +without on the platform, and Pinney was in the office. The operator +mercifully shortened his suspense by reading the purport of the message +from the tape: "The dispatch in answer to yours says that the wedding +did not take place." + +Pinney sprang out upon the platform. At sight of Lansing's look of +ghastly questioning, the tears blinded him, and he could not speak, but +the wild exultation of his face and gestures was speech enough. + +The second day following, Lansing clasped his wife to his breast, +and this is the story she told him, interrupted with weepings and +shudderings and ecstatic embraces of reassurance. The reasons which had +determined her, in disregard of the dictates of her own heart, to marry +again, have been sufficiently intimated in her letter to Mrs. Pinney. +For the rest, Mr. Whitcomb was a highly respectable man, whom she +esteemed and believed to be good and worthy. When the hour set for the +marriage arrived, and she took her place by his side before the minister +and the guests, her heart indeed was like lead, but her mind calm and +resolved. The preliminary prayer was long, and it was natural, as it +went on, that her thoughts should go back to the day when she had thus +stood by another's side. She had ado to crowd back the scalding tears, +as she contrasted her present mood of resignation with the mingling of +virginal timidity and the abandon of love in her heart that other day. +Suddenly, seeming to rise out of this painful contrast of the past +and the present, a feeling of abhorrence for the act to which she was +committed possessed her mind. She had all along shrunk from it, as any +sensitive woman might from a marriage without love, but there had +been nothing in that shrinking to compare in intensity with this +uncontrollable aversion which now seized upon her to the idea of holding +a wife's relation to the man by her side. It had all at once come +oyer her that she could not do it. Nevertheless she was a sensible and +rational woman as well as a sweet and lovely one. Whatever might be the +origin of this sudden repugnance, she knew it had none in reason. She +was fulfilling a promise which she had maturely considered, and neither +in justice to herself nor the man to whom she had given it could she +let a purely hysterical attack like this prevent its consummation. She +called reason and common sense to her aid, and resolutely struggled to +banish the distressing fancies that assailed her. The moisture stood out +upon her forehead with the severity of the conflict, which momentarily +increased. At last the minister ended his prayer, of which she had not +heard a word. The bridal pair were bidden to take each other by the +hand. As the bridegroom's fingers closed around hers, she could not +avoid a shudder as at a loathsome contact. It was only by a supreme +effort of self-control that she restrained from snatching her hand away +with a scream. She did not hear what the minister went on to say. Every +faculty was concentrated on the struggle, which had now become one of +desperation, to repress an outbreak of the storm that was raging within. +For, despite the shuddering protest of every instinct and the wild +repulsion with which every nerve tingled, she was determined to go +through the ceremony. But though the will in its citadel still held out, +she knew that it could not be for long. Each wave of emotion that it +withstood was higher, stronger, than the last. She felt that it was +going, going. She prayed that the minister might be quick, while yet +she retained a little self-command, and give her an opportunity to utter +some binding vow which should make good her solemn engagement, and avert +the scandal of the outbreak on the verge of which she was trembling. "Do +you," said the minister to Mr. Whitcomb, "take this woman whom you +hold by the hand to be your wife, to honor, protect, and love while +you live?" "I do," replied the bridegroom promptly. "Do you," said the +minister, looking at Mary, "take the man whom you hold by the hand to +be your husband, to love and honor while you live?" Mary tried to say +"Yes," but at the effort there surged up against it an opposition +that was almost tangible in its overpowering force. No longer merely +operating upon her sensibilities, the inexplicable influence that +was conquering her now seized on her physical functions, and laid its +interdict upon her tongue. Three times she strove to throw off the +incubus, to speak, but in vain. Great drops were on her forehead; +she was deadly pale, and her eyes were wild and staring; her features +twitched as in a spasm, while she stood there struggling with the +invisible power that sealed her lips. There was a sudden movement among +the spectators; they were whispering together. They saw that something +was wrong. "Do you thus promise?" repeated the minister, after a pause. +"Nod, if you can't speak," murmured the bridegroom. His words were the +hiss of a serpent in her ears. Her will resisted no longer; her soul +was wholly possessed by unreasoning terror of the man and horror of the +marriage. "No! no! no!" she screamed in piercing tones, and snatching +her hand from the bridegroom, she threw herself upon the breast of the +astonished minister, sobbing wildly as she clung to him, "Save me, save +me! Take me away! I can't marry him,--I can't! Oh, I can't!" + +The wedding broke up in confusion, and that is the way, if you choose +to think so, that John Lansing, one thousand miles away, saved his wife +from marrying another man. + +"If you choose to think so," I say, for it is perfectly competent to +argue that the influence to which Mary Lansing yielded was merely an +hysterical attack, not wholly strange at such a moment in the case of a +woman devoted to her first husband, and reluctantly consenting to second +nuptials. On this theory, Lansing's simultaneous agony at Pinners +ranch in Colorado was merely a coincidence; interesting, perhaps, but +unnecessary to account for his wife's behavior. That John and Mary +Lansing should reject with indignation this simple method of accounting +for their great deliverance is not at all surprising in view of the +common proclivity of people to be impressed with the extraordinary side +of circumstances which affect themselves; nor is there any reason why +their opinion of the true explanation of the facts should be given more +weight than another's. The writer, who has merely endeavored to put +this story into narrative form, has formed no opinion on it which is +satisfactory to himself, and therefore abstains from any effort to +influence the reader's judgment. + + + + + + +End of the Project Gutenberg EBook of At Pinney's Ranch, by Edward Bellamy + +*** END OF THIS PROJECT GUTENBERG EBOOK AT PINNEY'S RANCH *** + +***** This file should be named 22709.txt or 22709.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/2/7/0/22709/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
